I met a lovley couple a few weeks who were in town for a couple of days.Julia complained of shoulder pain that was chronic ( about four years )Unfortunatly I did not have time to do a treatment but I did a minni examination.
There was a very obviouse clunking in her scapula when I placed my hand over it as Julia raised her arm.This confirmed what I suspected based on the aforementioned tests.
Julia has an unstable shoulder complex which is leading to improper shoulder mechanics and subsequent pain.
One other very important fact Julia mentioned was that her shoulder hurts when she sleeps.As soon as you roll onto your shoulder the joint closes and turns into internal rotation.Muscles that are already weak ( external rotators ) become even weaker because of this prolonged stretch.
I will now show you a little progression that will target the stabilising muscles and provide support for the scapulo thorasic and glenohumeral joints.
One Response to "Shoulder pain caused by joint laxity and hypermobility"


text:
Home › Translation No. 9 of "Les Folies d'Espagne" (M. Marais)-Acrylic on wood board FSFA
Translation No. 9 of "Les Folies d'Espagne" (M. Marais)-Acrylic on wood board FSFA
Unframed - $585.00 USD
I first heard Marin Marais' music in a film called "Tous le Matins du Monde" from the 1990's. I fell in love with its romance, sadness, and emotions. I have now painted a series of paintings on songs from this film. Each painting depicts a different piece or movement from each piece.
I have painted this artwork using a glazing method. This allows for a lot of subtle color changes and range while allowing the light to seep through the layers. In this particular painting, I have left parts of the wood board exposed (but finished with a varnish) as you can see in the upper right-hand corner and other areas where there are yellow washes of paint. This is intentional as I wanted to evoke the wood instruments that are prevalent in the music.
For all my paintings, I use professional-grade materials. The painting is sealed with a UV protectant, acrylic varnish to keep the colors vibrant for its lifetime.
***This painting is NOT framed so that it is easy and inexpensive to ship it to you. Picture shown is proposed framing.***
Painting Dimensions:
16 w X 16 h X .25 d inches
40.6 w X 40.6 h X .6 d centimeters
© 2020 Shany Porras. All rights reserved.
Abstract Landscape - Translation of "Aurora" (Foo Fighters) - Acrylic on canvas
Rite of Spring (Stravinsky) - Original Painting on Canvas
Study No. 1 of Marin Marais "Les Folies D'Espagne" - Acrylic paint on paper
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redpajama_set_name: RedPajamaCommonCrawl


text:
Macromitrium koghiense är en bladmossart som beskrevs av Thériot 1910. Macromitrium koghiense ingår i släktet Macromitrium och familjen Orthotrichaceae. Inga underarter finns listade i Catalogue of Life.

Källor

Egentliga bladmossor
koghiense

redpajama_set_name: RedPajamaWikipedia


text:
Q: What level to use for exception stack trace logging in Java? I'm looking for best practices document (or your opinions) on how to effectively log exceptions and their stack traces. Of course, assuming one of popular logging frameworkks such as Log4J, SLF4J, java.util.logging, etc.
I'm particularly interested in your opinion about on what level stack traces should be logged.
I heard few contradicting each other opinions such as:

*

*stack traces should be logged only on DEBUG level while ERROR level should contain only "human readable" error message

*stack traces should be logged on ERROR level in order to give to the operator maximum amount of information required to find root cause of an exception

I have found couple of interesting articles however none of them touches this particular subject:

*

*http://today.java.net/pub/a/today/2006/04/06/exception-handling-antipatterns.html

*http://today.java.net/pub/a/today/2003/12/04/exceptions.html
which probably means that authors of these articles had same concerns as I do :-)
I'd be really interested in your view on this subject.

A: Stack trace is the most valuable piece of information you get when troubleshooting. I would never risk logging it on DEBUG level since it might be disabled. And I almost never want to suppress stack traces.
Also note that:
log.error("Houston, we have a problem", ex);

will print the human readable message in line marked as ERROR, while the stack trace is following that line. If you want your errors to be only human readable, just do grep ERROR.

A: I'm not sure about best-practice advice for this, but in the end, for me it boils down to this:
Exceptions should only be visible in exceptional circumstances. The concept of exception was invented to give developers a chance to handle errors internally.
In reality, most code I see doesn't even try to handle them, instead dumping them to the log, sysout, (or worst case of all) into dialog boxes. I know, that for a developer it is important in some cases to get the full stacetrace. But not nearly in all of them. Creating your own exception framework (which is definitely a best practice) might already be enough to figure out the context of an exception simply by classname.
So I would advise to do the following:

*

*Create your own exception framework

*Include specific error codes in the message, for your reference

*Log the exception message on ERROR

*Log the stacktrace on DEBUG

*NEVER EVER display the user either of these. Instead show a useful message. Maybe include a way to report the error (with stacktrace) with minimal fuzz.

Note: If you are writing an internal "enterprise" software, forget everything I wrote. :-)

A: I think the stack trace should be logged at the appropriate place based on priority best practices. Depending on the nature of the exception and its place within your application, this may be one of many levels. Please see this related question:
Commons Logging priority best practices

redpajama_set_name: RedPajamaStackExchange


text:
Q: Timezone incorrectly calculated in R when script run on different OS I have run the exact same R script on two different machines and have gotten different results. I don't understand why...
Consider this integer as seconds since 1990-01-01 00:00:00 GMT+10
int <- 817779600

I need to convert this to a POSIXct object and to do so I run the following R script on a computer running "OSX 10.11.4":
> time <- as.POSIXct(as.POSIXlt(int, origin='1990-01-01 00:00:00',
                                tz='GMT'), tz='Australia/Sydney')
> time
[1] "2015-12-01 01:00:00 AEDT"
> as.integer(time)
[1] 1448892000

Now if I run the exact same code on another computer running "Ubuntu 16.04.1 LTS" I get a different result:
> time <- as.POSIXct(as.POSIXlt(int, origin='1990-01-01 00:00:00',
                                tz='GMT'), tz='Australia/Sydney')
> time
[1] "2015-12-01 02:00:00 AEDT"
> as.integer(time)
[1] 1448895600

I know the first value to be correct. Any idea as to what may be causing the discrepancy? Running date in bash on both machines gives the same result. Also is anyone able to reproduce this error?
Thanks in advance.


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Travel seems like it should be the ultimate romantic gesture. With a landscape of exhilarating and wonderful experiences ahead of you, and nothing familiar but the person by your side, it should hardly be surprising that travel is something many brand-new couples make plans for Paris, Santorini and other far-flung, romantic destinations.
However, it quickly becomes obvious that travel isn't as love-inducing as most people expect. The tedium, the stress and the thrills are all quite overwhelming, leaving little time or energy for the emotions you need to experience romance, like compassion and yearning. As a result, many new couples end up dissolving during or shortly after their first big trip — which isn't at all what they wanted.
Keep reading this article on A Couple Travelers.


Thanks for notifying us, I have updated the list.
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Oooooh girl, tell me this skirt isn't the one thing your wardrobe is missing! Bomb Camo Print. Great Stretch. Adjustable Zipper. A real showstopper to add to your closet. Throw it on this Winter with a pair of thigh high boots and wear it into Spring with a tee and sneakers.


text:
Bristol, Connecticut: Witch's Dungeon Classic Movie Museum
Original props and costumes from classic horror and sci-fi movies. Open seasonally since 1966.
98 Summer St., Bristol, CT
On the first floor of the Bristol Historical Society building.
October only: F-Su 7 pm - 10 pm (Call to verify)
Adults $6.
Visitor Tips and News About Witch's Dungeon Classic Movie Museum
Witch's Dungeon Classic Movie Museum
This is the life work of local artist Cortlandt Hull, who as an ill child fell in love with old horror movies. With the help of his dad they built a shed and would bring in neighbors and friends at Halloween to see his art. Over the years he has become friends with many Hollywood movie legends, and has grown to be an artist of very high caliber. The Dungeon is not a 'haunted house' attraction, but is museum quality work, containing original props and costumes from classic horror and sci-fi movies.
A hint at its popularity is that on evenings that it is open the wait can be over two hours, and people come back year after year. Since it first opened in 1966, this will be the 40th anniversary.
[Howard Dogg, 05/22/2006]
Witch's Dungeon
Wax figures, owned and operated by the Cortlandt Hull, grand nephew of the Werewolf of London, Henry Hull.
[T.Morganti, 01/20/2002]
The Witch's Dungeon Classic Movie Museum, open since 1966 (but only in October), is planning to move to a new year-round facility.
American Clock and Watch Museum, Bristol, CT - < 1 mi.
New England Carousel Museum, Bristol, CT - < 1 mi.
America's Oldest Amusement Park, Bristol, CT - 2 mi.
9/11 Beam Memorial to Local Flight Crew, Stafford Springs, CT - 37 mi.
Connecticut Latest Tips and Stories
Lincoln Career Column, East Hartford, Connecticut
Lincoln Welcomes Your Conversation, East Hartford, Connecticut
Tantaquidgeon Museum, Uncasville, Connecticut
Giant Legos, Enfield, Connecticut
Eagle Rock, Hebron, Connecticut
Nearby Hotels: Bristol, Connecticut
DoubleTree By Hilton Bristol Connecticut, 2 mi. (From $203)
Holiday Inn Express SOUTHINGTON, 4 mi. (From $119)
Knights Inn Southington, 4 mi. (From $500)
Lake Compounce Theme Park


text:
I piaceri della notte (Noite Vazia) è un film del 1964 scritto e diretto da Walter Hugo Khouri. Il regista è anche produttore del film insieme a Nelson Gaspari. Tra gli interpreti, Norma Bengell, Odete Lara, Mário Benvenuti, Gabriele Tinti, Lisa Negri.

Il film è stato presentato in concorso al Festival di Cannes 1965.

Trama
A San Paolo, due amici - uno dei quali sposato e di famiglia ricca - decidono di passare la notte con due prostitute. L'esperienza si rivelerà frustrante, con i quattro che passeranno il tempo a parlare di sé stessi, dell'amarezza della vita e dalla vacuità delle loro esistenze.

Produzione
Il film fu prodotto dalla Kamera Filmes e da Vera Cruz Studios.

Distribuzione
Distribuito dalla Vera Cruz, uscì nelle sale brasiliane il 17 agosto 1964.

Collegamenti esterni

  NOITE VAZIA su Cinemateca Brasileira

Film drammatici
Film diretti da Walter Hugo Khouri


text:
/**
 * Created by qhyang on 2017/11/15.
 */

import { InjectionToken } from "@angular/core";
import {JitCompilerFactory} from "@angular/compiler";

const Compiler = new InjectionToken<JitCompilerFactory>('compiler.service');

function CompilerFactory () {
    return new JitCompilerFactory([{ useDebug: false, useJit: true }]).createCompiler();
}

export { Compiler, CompilerFactory };

redpajama_set_name: RedPajamaGithub


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text:
Tag Archives: .38 Special
Remember That Song: 1/4/23
January 4, 2023 Paul Stroessner Leave a comment
And this time I know it's for real
The feelings that I feel
I know if I put my mind to it
I know that I really can do it
Last Song: "If I'd Been the One" by 38 Special from Tour de Force (1984)
Can you read my mind, take a good look at my face
Could you take the time, just to stand here in my place
.38 Special80s80s Music
May 3, 2017 Paul Stroessner Leave a comment
Alone in a cold day dawning
Are you still free
Can you be
Last Song: "Back Where You Belong" by .38 Special from the album Tour de Force (1984)
Great job SthrnDixieCwgrl (@SthrnDixieCwgrl)!!!
I heard you're asking how I'm feeling
I guess I'll play it day by day
I'm still around now, my heart is healing
But something's never gonna change
If you would like to buy this song, you can click on the album cvoer below:
.38 Special80s
Top 40 Songs This Week – November 10, 1984: Songs 30-21
November 8, 2016 Paul Stroessner Leave a comment
Welcome back as we continue this week's countdown! If you missed the first 10 songs, you can go ahead and check out songs 40-31. My addiction to MTV was still in full force this week. There are some classics here today. So, let's Return to the week ending November 10, 1984, and move on with the countdown.
30. "I Can't Drive 55" by Sammy Hagar
Sammy's signature song. This is a classic song and classic video. In 1994, Sammy was interviewed on the show In the Studio, and said this about the song:
"I was in a rent-a-car that wouldn't go much faster than 55 miles an hour. I was on my way back from Africa. I did a safari for three months throughout Africa. A really great vacation after Three Lock Box. I was traveling for 24 hours, I got to New York City, changed planes, Albany, New York. Got in a rent-a-car. Had a place in Lake Placid at the time, a little log cabin, I used to go there and write with my little boy. Aaron, at that time, went to North Country school when I was on tour. I would go there and see him. It was a really cool getaway. But it took two and a half hours to drive there from Albany. And I was driving from Albany, New York at 2:00 in the morning, burnt from all the travel. Cop stopped me for doing 62 on a four lane road when there was no one else in sight. Then the guy gave me a ticket. I was doing 62. And he said, 'We give tickets around here for over-60.' and I said, 'I can't drive 55.' I grabbed a paper and a pen, and I swear the guy was writing the ticket and I was writing the lyrics. I got to Lake Placid, I had a guitar set-up there. And I wrote that song there on the spot. Burnt."
29. "Teacher, Teacher" by .38 Special
Another great song! This was the theme for the film, Teachers. I really need to get back and revisit this movie. I remember enjoying it at the time. And check out this cast: Nick Nolte, JoBeth Williams, Ralph Macchio, Richard Mulligan, Laura Dern, Crispin Glover, and Morgan Freeman.
28. "The Wild Boys" by Duran Duran
Yet another classic song. This was one of Duran Duran's biggest hits, reaching #2 on the Billboard Hot 100. The video was pretty cool too. It had a post-apocalyptic feel too it, like the Mad Max movies. The video should have been good. It cost over one million British Pounds to make, which was a staggering amount for a music video at that time.
27. "Walking On a Thin Line" by Huey Lewis & The News
This was the fifth and final single released from the Sports album. All the previous singles from the album was severely overplayed. This song was one of my favorites from the album, and I don't ever remember hearing it on the radio! This was Heuy Lewis and the News' commentary on the Vietnam War.
26. "It Ain't Enough" by Corey Hart
This song ain't played enough! As much as I like "Sunglasses At Night", it would be nice to hear some more of Corey Hart's other work.
25. "Sea of Love" by The Honeydrippers
Originally a #1 R&B hit in 1959 by Phil Phillips. The Honeydrippers were formed by former Led Zeppelin lead singer Robert Plant. The band also included fellow former Led Zeppelin member Jimmy Page, Jeff Beck, and other friends and well-known studio musicians. They scored a big hit with this song, peaking at #3. The band released only one recording, an EP titled The Honeydrippers: Volume One. With the EP's success, Plant stated that a full album would be recorded, but it never was.
24. "I Can't Hold Back" by Survivor
My favorite song by Survivor. This was the first single released from the Vital Signs album, which was the first Survivor album featuring Jimi Jamison on lead vocals.
23. "Swept Away" by Diana Ross
This isn't bad for a dance song. We are broken away from disco, and now have the '80s sound in full swing now. This song was written by Daryl Hall with Sara Allen.
22. "Cool It Now" by New Edition
This title track to New Edition's second album, was their big breakthrough. It would peak at #4 on the Hot 100. They were trying really hard to be the new edition of The Jackson 5. They did have some pretty decent music, including this song.
21. "Who Wears These Shoes" by Elton John
I didn't remember this song at all. It was released off of elton John's Breaking Hearts album, which featured the song "Sad Songs (Say So Much)". This may be blasphemous on this page, but I much prefer Elton John's '70s music to his '80s music. He does have some really good '80s songs. But a lot, like this song, are just middle-of-the-road.
Well that wraps up today's list of songs. What do you think, now that we are halfway through? Any favorites? The countdown is just going to keep getting better. Come back tomorrow as we continue the countdown.
.38 SpecialCountdownDiana RossDuran DuranElton JohnHuey Lewis & The News.Corey HartNew EditionSammy HagarSurvivorThe HoneydrippersTop 40
June 30, 2015 Paul Stroessner Leave a comment
Look up, look down
Look out, look around
Theres a crazy world outside
Were not about to lose our pride
Last Song: "Back to Paradise" by .38 Special from Revenge of the Nerds II: Nerds in Paradise (1987)
Don't need a ticket can't you understand
You're on your way to the promised land
1989, Music, Top 40
Top 40 Songs This Week – March 25, 1989: Songs 30-21
March 24, 2015 Paul Stroessner 7 Comments
Hi Everybody! Welcome back to this week's countdown! At this point in time, we were getting away from that classic early to mid-'80s sound. It is kind of sad as we begin to move out of the '80s. But, I did love the huge range of musical styles. For example, yesterday we had Metallica and Enya on the same list! Today also has a mix of rock acts and pop acts.
There are going to be a couple of different things about today's list. For each song, I will include an Amazon link to the song. Then you can download it, and put it on your iPod, MP3 player, whatever listening device you use. Don't worry though. You can still click on the song title to listen/watch the YouTube video of the song.
The second change is that I am going to throw an older song into this list. I listen to Casey Kasem's American Top 40 station on iHeartRadio whenever I get a chance. I noticed that he often plays an older song in addition to the Long Distance Dedication. So I will do the same thing here.
Now, let's Return to the week ending March 25, 1989, and continue the countdown.
30. "Room to Move" by Animotion
I had heard this song before. But, I had no idea that Animotion (best known for their smash hit, "Obsession") was the band who performed this. It has that distinctive late-'80s sound. This song was also featured in the 1988 movie, My Stepmother Is an Alien, starring Dan Aykroyd and Kim Basinger.
"Room to Move" by Animotion on Amazon
29. "Surrender to Me" by Ann Wilson and Robin Zander
This is one of my favorite duets of all-time. I bought the 45 of this song before I joined the Navy. You can't go wrong with Ann Wilson lead singer of Heart, who I think has one of the best rock voices ever. She sounded really good with Robin Zander, the lead singer of Cheap Trick. It also doesn't hurt that Richard Marx was one of the songwriters here, as he was at the top of his game. This song was also featured in a 1988 movie. This one was for Tequila Sunrise starring Mel Gibson, Michelle Pfeiffer and Kurt Russell.
"Surrender to Me" by Ann Wilson and Robin Zander on Amazon
28. "Second Chance" by .38 Special
.38 Special is mainly known for their upbeat rock songs. However, this awesome ballad would be the band's biggest hit, peaking at #6. It also peaked at #2 on the Mainstream Rock chart, and became the band's first #1 single on the Adult Contemporary chart.
"Second Chance" by .38 Special on Amazon
27. "I'll Be There For You" by Bon Jovi
This is one of the biggest power ballads of all-time. Bon Jovi was in the peak of their incredible run at this point, and this song shot right up to #1. I still love this song. Richie Sambora's backing vocals are just incredible. And it feels like Jon is putting everything he has into this song – Especially, at the part where he screams after the lyrics I didn't mean to miss your birthday, baby/I wish I'd seen you blow those candles out. So, so great!
"I'll Be There For You" by Bon Jovi on Amazon
26. "Funky Cold Medina" by Tone Lōc
He's back. Yesterday, we hit Tone Lōc's "Wild Thing". Now here is his other song. This song does sound like "Wild Thing" to me, but I still like it.
"Funky Cold Medina" by Tone Lōc on Amazon
25. "Like a Prayer" by Madonna
This is one of my favorite Madonna songs. It was the first song released off of the album of the same name. I think that Like a Prayer was Madonna's last solid album. I would not hear this title track until I got to San Diego a month later. I instantly loved this song, and still love it today.
"Like a Prayer" by Madonna on Amazon
24. "Heaven Help Me" by Deon Estus
I love this song by Deon Estus! Deon was the bass player in Wham!, and was the bassist on George Michael's first two solo albums. And how's this for a resume? Deon has played with Marvin Gaye, Tina Turner, Frank Zappa, George Clinton, Annie Lennox, Edgar Winter, Aaron Neville, and Elton John. This song was his biggest hit, peaking all the way up at #5. George Michael sang the backing vocals here.
"Heaven Help Me" by Deon Estus on Amazon
"Our Day Will Come" by Ruby and the Romantics
This countdown took place 26 years ago this week. Now that we have Returned to 1989, let's go back another 26 years – to 1963. This week in 1963, unless you saw them in a club in Hamburg Germany, chances are that you have never heard of the Beatles yet. Before the music landscape changed forever, let's take a look at what was at the top of the charts this week in 1963.
It was Ruby and the Romantics. Their song "Our Day Will Come" was their first mainstream hit, and it topped the charts. They didn't go on to be anywhere near as successful.
"Our Day Will Come" by Ruby and the Romantics on Amazon
OK, I had enough of that for now. Let's Return to 1989.
23. "Straight Up" by Paula Abdul
Yeah, yeah, I know. Now a lot of you want to go back to 1963 again! But, this was a huge hit, and put Paula Abdul on the map. I know I loved this song when it came out. I don't love it so much now, but it's still not bad to hear once in a while.
"Straight Up" by Paula Abdul on Amazon
22. "Cryin'" by Vixen
I love Vixen! I could not get enough of this all-female hard rock group. They are mainly known for this song and "Edge of a Broken Heart". But, I loved every song on their first two albums. And I still love them today.
"Cryin'" by Vixen on Amazon
21. "More Than You Know" by Martika
I was unfamiliar with this hit from the "Toy Soldiers" singer, Martika. Martika rose to prominence by starring in the musical television show, Kids Incorporated, which also launched the careers of Stacy Ferguson (aka Fergie) and Jennifer Love Hewitt. Martika was a stand-out on that show. I love her voice. I don't know why, but even though I was really into rock (and still am), I loved this freestyle pop sound of the very late '80s.
"More Than You Know" by Martika on Amazon
I hope you are all enjoying this trip back to 1989. At least this gives you something else to listen to instead of Taylor Swift.
Tomorrow is going to be an even bigger range of musical styles than it was today. And tomorrow, we will have the return of the Long Distance Dedication!!! So come back tomorrow, and check it out!
.38 SpecialAnimotionAnn WilsonBon JoviDeon EstusMadonnaMartikaPaula AbdulRobin ZanderTone LōcVixen
Remember That Song: 12/5/14
December 5, 2014 Paul Stroessner 4 Comments
Wanted no applause
Just another course
Made a meal out of me, ___ ____ ____ ___ ____
Last Song: "Caught Up in You" by .38 Special from Special Forces (1982)
Great job Robert (@mishouenglish)!!!
Don't, don't you know the kind of man I am
No, said I'd never fall in love again
But it's real and the feeling comes shining through
Remember That Song – 1/21/14
January 21, 2014 Paul Stroessner 6 Comments
Want to whisper sweet and tender in your ear
Can't stand the thought of you with somebody else
Got to have your love
Got to have it all to myself
Last Song: "If I'd Been the One" by .38 Special from Tour de Force (1984)
Great job Great job Robert (@mishouenglish)!!
Can you read my mind
Take a good look at my face
Could you take the time
Just to stand here in my place
And you don't stop, sure shot
Go out to the parking lot
And you get in your car and you drive real far
Last Song: "Teacher, Teacher" by .38 Special
Great job Robert (@mishouenglish)!!
Am I ready for the real world, will I pass the test?
You know it's a jungle out there
June 7, 2013 Paul Stroessner 2 Comments
Well, there's a picture in a gallery of
A fallen angel looked a lot like you
Last Song: "Back Where You Belong" by .38 Special
Great job Kickin' It Old School (@oldschool80s) and Robert (@mishouenglish)!!
It took so long, it's been hard to find
So Love, you must believe me
Ain't gonna let it slip away
I Know I Was Wrong
August 13, 2012 Paul Stroessner Leave a comment
She says no
When she means yes
And what she wants
You know that I can't guess
Last Song: "Somebody Like You" by .38 Special:
Darlin'
I wanna be near you
If only you'd feel like I do
I must've had it wrong, I should a known
Quote of the Day: Three Amigos


What happens when there's a flying robot in every garage?
Last August, before domestic drones had become a concern worthy of a 13-hour Senate filibuster, I found myself inside a stretch limousine with a bunch of engineering students. We were on a rural highway in eastern North Dakota, rolling past bales of hay and soybean fields, the limo's mirrored bar set with a row of empty champagne glasses. No one paid attention to them. Instead, the student engineers were deep in a marathon conversation about flying robots.
We had just come from Grand Forks, where they had competed in the granddaddy of all drone-building competitions. Now we were en route to the afterparty, which sadly was not a bacchanal. The first stop was a hop across the state border to Thief River Falls, Minnesota, for a tour of the headquarters of Digi-Key, an online purveyor of drone parts and other electronic innards. Then it was back to Grand Forks for some ribs.
In its early years, the IARC was little more than a showcase for glorified radio-controlled helicopters. Now, thanks to technological advances spurred in part by the booming smartphone market, the event draws students toting small quadcopters with remarkable capabilities. These drones are powered by the same kind of lithium-ion batteries used in an iPhone, and are aided in flight by miniaturized, inexpensive accelerometers and gyroscopes made possible by mass production of a billion mobile devices.
Anyone can buy a mass-manufactured version of these flying machines; an off-the-shelf model called the Parrot AR.Drone sells online for around $300 and is controlled using a mobile app on an iOS or Android device. And with the right amount of engineering know-how, as the students at the competition had just demonstrated, a device like the Parrot can be transformed into a flying robot capable of buzzing autonomously through the interior of, say, an intelligence agency compound like the one mocked up for this contest. The compound housed a coveted flash drive that, if found and extracted, would earn a $30,000 prize from the leading drone industry advocacy and lobbying group, the Association for Unmanned Vehicle Systems International.
As the limo headed across the Red River of the North toward Digi-Key, Skeeler told me that Americans worry way too much about drones. He'd said something similar during the competition, telling me that people have become more afraid of invasions of their privacy because of the scary depiction of drones in TV shows and movies.
His own team's experience at the competition did seem to support the notion that easy-to-purchase drone technology is not at the run-and-hide stage just yet. The Oregon State quadrotor drone, assembled in a basement laboratory at the school's Corvallis campus, had proved unable to fly effectively due to glitches in its communication system, and Skeeler and his two teammates were forced to withdraw.
The contest winner, however, offered a much different sense of our proximity to a sky crowded with citizen-owned drones able to conduct all sorts of missions, legal and otherwise. Built by students at the University of Michigan, this quadrotor arrived in Grand Forks inside four large, black suitcases, the lids of which glowed blue with the logo of the Michigan Autonomous Aerial Vehicles club. Nestled in the padded interiors of these cases were four copies of a candelabra-shaped drone made out of hollow carbon tubing milled in that school's labs.
At first, the Michigan design bobbed and weaved down the hallway of the mock spy compound, looking like some tiny drunk careening home at 3 a.m. But this was just a sign that its radar and artificial intelligence systems were overreacting to obstacles the machine spotted. Once recalibrated, the Michigan drone successfully flew on its own through a window at the mock compound, set in the fictional country of "Nari" (Iran spelled backwards). It then easily navigated and mapped the base's interior, flew back out through the same window it had entered, and set down not far from the spot where it had taken off.
While watching this unfold on a covered portion of the University of North Dakota basketball court, I asked Aaron Kahn, an engineer who designs drones at the U.S. Naval Research Laboratory, about just how far this Michigan drone was from the capabilities of current small military unmanned aircraft. Kahn, who used to compete in the event and now helps organize it, emphasized he was speaking as a private individual and not on behalf of the lab. He said he didn't have specific knowledge of what's actually in the field — he wouldn't have been able to say anything at all if he had. But, he would go so far as to say that the competition drones were probably "not far" from the what small military drones could accomplish, as well as being "state of the art" for civilian equipment.
This seems cause for some concern. While military drones have become quite controversial, especially when used to target American citizens overseas, that use is by definition tightly controlled and limited to an extremely small segment of the world's population. The sense of limited danger changes significantly when one considers that the Michigan team, acting as private individuals, built their drone close to military caliber using materials available to any U.S. citizen — many of those parts purchased online via Digi-Key, a team sponsor.
It's not a stretch to imagine that a few years down the road a device like the Michigan team's drone will be sold as a shrinkwrapped item. That in turn makes this worth considering right now: What happens to our privacy and our safety when all Americans can, with a few clicks, purchase their own flying proxies to act out their wishes?
"Droney," part 1 of 3, from This Modern World by Tom Tomorrow.
Government agencies are not quite ready for this future. President Obama and Congress have ordered the Federal Aviation Administration (FAA) to come up with rules about how private citizens, companies, and government agencies can fly drones in the national airspace — but the agency has until 2015 to release those rules. Meanwhile, the reality is that all of these groups already fly drones in the national airspace.
To begin to address this, early last year the FAA announced plans to offer preliminary rules for users of small drones by December 2012. The agency also said it would choose test sites in six states to experiment with integrating drones into the nation's skies. Then, without an explanation other than that it remains busy considering citizen feedback, the FAA delayed both the rule-making and picking the test sites.
For now, civilians have been told to use their off-the-shelf drones below 400 feet and within the operator's line of sight. Drones may not be used for commercial purposes, which shelves projects like the Burrito Bomber. Also, police departments, universities, and media companies that want to play around with drones need special authorization from the FAA (which the agency has granted plenty of times).
Maintenance personnel check an MQ-9 Reaper drone before its surveillance flight near the Arizona-Mexico border on March 7, 2013. U.S. Customs and Border Protection flies the unarmed aircraft an average of 12 hours per day, piloted from the ground, searching for drug smugglers and immigrants crossing illegally from Mexico into the United States. Photo by John Moore/Getty Images.
And the government? It's already using drones in the nation's airspace for limited missions, like the unarmed Predators that take off from Grand Forks Air Force Base to monitor the northern border, a separate flock of Predators controlled from Texas that do the same for the southern border, and the Global Hawk surveillance drone that has helped NASA gather information on impending hurricanes. A United States Global Hawk was also used to help monitor the Fukushima nuclear complex in Japan after the 2011 earthquake and tsunami.
The government's limited domestic use of drones has already led to dark fears of mission expansion — fears that someday drones may be turned against Americans in uncomfortable ways. Senator Rand Paul (R-Ky.) has been one of the loudest in voicing these concerns. He used his 13-hour filibuster on March 6–7, which temporarily blocked a vote on the nomination of John Brennan as head of the CIA, to declare that the Obama administration had left the door open to tactical drone missions on American soil. In response, Attorney General Eric Holder wrote a letter to Paul stating his opinion that the president lacks authority "to use a weaponized drone to kill an American not engaged in combat on U.S. soil" — which is not a complete answer, but Paul accepted it.
Adding further ambiguity to the airspace, legal scholars warn that the statutory sphere isn't ready to handle drones, either. Take, for example, a frequently raised question: If a drone is hovering over my private property, do I have a right to shoot it out of the sky?
In this property-rights-obsessed nation, it turns out you actually don't have a clear right to shoot down a drone hovering low over your backyard unless it's putting you in imminent physical danger.
Calo notes that airplanes can already fly over anyone's house without permission. No one balks at that, and if the autopilot is engaged on a commercial or private aircraft, it is essentially a drone. Police helicopters may fly over the average citizen's house, too. "There are lots of doctrines that say you can look into someone's backyard from the air," Calo said. Even if you avoided Krauthammer's recommendation of using a gun and merely lobbed a tennis racquet at the neighbor kid's prying Parrot, you could be in trouble for unjustly taking it out; Calo said that the kid's parents might be able to sue you for damages to his flying property.
Clearly the law will have to adapt to the rise of the domestic drone. It may also need to anticipate it, which could be even trickier. Calo points out that the U.S. Supreme Court recently decided two cases related to what police officers should be allowed to do with a now-standard law enforcement tool: the contraband-sniffing dog. He's been watching them closely because of a technology that's coming: police drones that can "sniff" the air for traces of chemicals associated with illegal drugs, and even search for hidden weapons under a person's clothing using non-ionizing radiation.
While the high court's rulings in the police dog cases made it less likely that authorities will fly a contraband-sniffing drone up to a person's front door without a warrant, Calo said the justices left unanswered the question of whether police can fly a sniffer drone warrant-free over someone's property.
Calo thinks it should be possible to develop sensible drone laws and regulations, but he also worries about what happens if a determined, regulation-ignoring citizen, in some futuristic variation on Adam Lanza's December killing spree in Newtown, mounts a weapon on a drone, flies it into a crowd, and opens fire.
He wonders, too, whether humans would feel the need to punish the drone as well in that instance, perhaps by destroying it publicly. He's seen research that suggests the more anthropomorphized a robot is in its design, the more blame people tend to place on the machine rather than its operator or creator.
For the overwhelming majority of Americans, that something will probably involve mundane domestic tasks like seeing the kids off to the school bus. But what about when a person's airborne avatar gets enlisted to help out with a common impulse like revenge?
Illustration and cartoon by Tom Tomorrow.


text:
On Being a Saint…
Our Lady in Medjugorje calls us to become saints. She said on October 25, 2015:
"…Little children, decide also today for holiness and take the example of the saints of this time and you will see that holiness is a reality for all of you…"
Holiness is not something for others to accomplish in another time, but is right here for each of us.
A nun passes one of the Stations of the Cross, on Cross Mountain in Medjugorje. Our Lady in Medjugorje is telling in Her messages that holiness is a call that is for everyone, no matter their vocation. It is not for just religious, but rather, it is for all to become "religious" in their state in life.
Our Lady's call in Medjugorje is for holiness, which is not something for someone else, but is a call for everyone. Medjugorje visionary Marija said:
"…She [Our Lady] asks that with active prayer we become a better person. With prayer we will become better parents, better businessmen and better in whatever we do in our lives. Our Lady wants more! She says, "I want each of you to become a saint."1
Begin with prayer, and become a better person in everything you do, whether as a parent, student, business owner, or the president himself. Becoming a saint is a reality for each one who follows Our Lady. Our Lady wants this for each of us, to become "saints of this time."
Medjugorje.com
Operated by the Community of Caritas
Remember the special Medjugorje pilgrimage sale which begins on February 12, 2018, and lasts for only 72 hours. Visit here for more information…
1. A Better Person, Medjugorje Witness, Medjugorje Visionary Marija


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This museum presents Western art from the late Medieval period through to the early 20th Century and French modern sculpture. The NMWA was established in 1959 around the core Matsukata Collection as a museum specializing in Western art. The main building, designed by the French architect Le Corbusier, displays pre-18th century paintings, whereas the New Wing displays 19th to early 20th century French paintings. The NMWA drawing collection centers on works by 18th to 19th century French artists and the prints collection features works ranging from the 15th century through to the early 20th century. Thematically arranged exhibitions of a selection of these collections are held regularly in one of the gallery spaces in the New Wing.
Ritzos, Van Cleve, Veronese, Rubens, Van Ruysdael, Ribera, Delacroix, Courbet, Manet, Renoir, Monet, Van Gogh, Gauguin, Moreau, Marquet, Picasso, Soutin, Ernst, Miro, Dubuffet Pollock, Boucher, Fragonard, Delacroix, Moreau, Rodin, Cezanne, Durer, Holbein, Rembrandt, Callot, Piranesi, Goya, Klinger, Carpeaux, Bourdelle, Maillol.


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Category: Boomtown Rats
A BAND TONY WILSON JUST NEVER RATED
The great man once said in an interview not long before he died:-
"I get a lot of credit for the 42 bands I put on television for the first time – but, to my real credit, only I know the 533 bands I didn't put on television. I was right about every single one of them, including The Boomtown Rats."
It is true to say that The Boomtown Rats were a band who struck lucky when punk/new wave came to the fore for they found some fame and the fortune on the back of the movement despite not really ever being accepted by the cognoscenti as being a part of such scenes. Some of their early singles did however, have a new wave feel thanks to them being raw, fast and a bit shouty. But then again how could it really be new wave if there was a big reliance on a saxophone?
The tail end of 78 and early 79 was when the band went really big thanks to consecutive #1 singles with Rat Trap and I Don't Like Mondays, both of which (particularly the latter) you will still hear on many retro radio stations the world over. I'll admit to quite liking the band and they were one of the first acts I saw when I started going to gigs in 1979, although in this case it was as much to do with going along to the Glasgow Apollo as a favour to a mate.
It was however, one of the more memorable of my early concert-going experiences in as far that 35 years on much I can recall more detail from it than most – mainly because the Boomtown Rats had the idea that a gig should be more than just taking to the stage and playing the songs….there was a decent set built to accommodate the band, the stage was well-lit and the sound, surprisingly for a new wave band, was exceptionally good.
You can look up wiki if you want to know more in terms of the discography, the break-up and the 21st century comeback of sorts with a knight of the realm now on lead vocals. I'll just leave you with two of the early rawer singles that I pogoed to in the crowd when I was just 16 years old:-
mp3 : The Boomtown Rats – Lookin After No.1
mp3 : The Boomtown Rats – She's So Modern


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LIVERPOOL: WHAT NEXT FOR JOSE ENRIQUE?
by The Anfield Wrap | Jul 28, 2015 | Footie | 5 comments
IF I was to attempt to describe Jose Enrique's influence over the last couple of seasons in one word, it would be 'peripheral', writes ANNA WALSH.
I feel like I've seen him more in pictures on Instagram and Twitter in recent years than I have on the pitch, mainly due to his misfortune with injuries, in particular an issue with his knee. But having been left off the plane for the pre-season tour after 96 games and two goals since he signed from Newcastle in 2011, it doesn't suggest a ringing endorsement from the old or the new guard in management. Enrique's cards could already be marked after just four appearances in the league last season.
It's perhaps not a new thing, either, when you consider that Luis Suarez revealed in his book that the Liverpool players — in particular Glen Johnson — had ribbed Enrique that it was his name in Brendan Rodgers' infamous Being Liverpool envelopes.
Enrique signed from Newcastle for £7million under Kenny Dalglish in the summer of 2011, and at the time was seen as an impressive signing (74.5 per cent of voting fans chose him as the best signing of the summer window — a window of business that included the capture of free transfer Craig Bellamy, Charlie Adam, and the late-flowering Jordan Henderson).
At times, he linked well with Suarez. At times his love of shielding a ball was welcome. But plenty of other times he was a frustrating player to watch. Enrique even showed an ability to play out of position that Rodgers would have been proud of, stepping in for Pepe Reina for the last 13 minutes of a game against his former club Newcastle United after the Spanish keeper was sent off for headbutting James Perch. Enrique managed to keep a clean sheet, but the 2-0 deficit remained.
Having played a significant part in 2011-12 and 2012-13, Enrique suffered a troublesome knee injury that significantly curtailed his availability and match fitness over the last two seasons, followed by calf problems. During this time, Alberto Moreno and Jon Flanagan have staked a claim for his position and he became the forgotten man — a January move to Crystal Palace mooted but ultimately failing to come to fruition. Rodgers' successful flirtation with three at the back also did Enrique few favours and if the manager returns to that formation next season at any point it's hard to see where the player, who still has a year left on his contract, would get the nod.
Back in liverpool. Ready to start preseason. Can't wait to see my team mates and start Again to play football
— José enrique (@Jesanchez3) July 5, 2015
It shocked me to realise that Enrique is now the third longest-serving senior squad member, after Lucas Leiva and Martin Skrtel. He's like the person who always turns up for your birthday drinks until one day it dawns on you that not only do you not know his birthday, but you're not even sure of his surname. (Enrique? Enrique Sanchez? Enrique Sanchez Diaz? I've no idea.)
What Enrique has — which may tempt potential suitors if he can prove his fitness — is experience of playing in the Premier League. The 29-year-old has been plying his trade in the UK (albeit sometimes in the Championship) since the days of dial-up and Harry Potter and the Deathly Hallows. He's also lifted the League Cup in the red and experienced life under more than one Liverpool manager. Could his experience help bed in some of the new players if he ends up staying? Maybe he should take a few of them on the Magical Mystery Tour?
Enrique's social media activity has made him a figure of fun among fans, but there doesn't seem to be too much criticism of him from within the club. His struggles with injury are well documented yet there have been no tales of training ground clashes and he is the first to pay tribute to team-mates when they leave or suffer an injury (using social media of course…).
His — in relative terms for a Premier League footballer — modest weekly £65,000 wage is perhaps why there wasn't a desperation to get him out of the door when the accountants did their stock count at the end of last season. He might not yet be safe though if another club comes in for him before the end of the window, although solid links with interested clubs have been few and far between since the winter link with Alan Pardew.
Speculation that Liverpool will move for PSG left back Lucas Digne is also growing but as things stand, with Flanagan still out, Enrique's main competition for the left back spot is his compatriot Moreno, who impressed at times going forward, if too often showing naivety at the back.
Joe Gomez has further muddied the waters after he impressed on the pre-season tour while Moreno finally got some minutes after suggestions his Anfield future was also in doubt. Perhaps then — should he stay — Enrique's best opportunity to impress next season could be in an extended run in either domestic cups or the Europa League, particularly if the team reaches the later stages.
Going through Enrique's social media — despite the ribbing — it is exactly what you would expect: shots of training, the team on a night out, children, pets, plus endless selfies of him and his wife in glamorous seaside locations. It's what you might expect from a relatively settled footballer. His Instagram and Twitter show a new and very cute kitten, various club awards ceremonies and pictures of soup for tea — not exactly YNWA on his knuckles, but nor are there any cryptic comments or come-and-get-me pleas to other clubs.
Most assume Enrique's days are numbered, not least as it seems the manager doesn't particularly fancy him. But perhaps there is still a way back. Perhaps there is a role for one of the club's most experienced and long-serving players as things stand. Even if it's only to make sure that, on Skrtel's day off, there is someone who knows how to get to San Carlo with a faulty sat nav or where the spare cones are kept at Melwood, Enrique could still play a part at Liverpool.
@paatelainen
[rpfc_recent_posts_from_category meta="true"]
Pic: David Rawcliffe-Propaganda Photo
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News Bot on 28 July 2015 at 9:38 am
Doesn't the author of this article read the news? Enrique has been appointed as the Director in charge of Instagram Posting at Anfield. He took up the position some three weeks ago!
Declan O'Brien on 28 July 2015 at 10:49 am
Love TAW but the consistent mocking of Enrique (and always the same tired unoriginal jokes about instagram FIFA or ping pong!) is the real blemish on an otherwise fantastic output.
Having said that this article is a well balanced and a fair assessment of the player.
Which is what TAW has come to be synonymous with.
I'm not saying people should start waxing lyrical about José, just show some decency and spare us the derivative hackneyed old jibes please.
Jack on 28 July 2015 at 5:48 pm
I'm surprised you found so much to say about him. Hard to imagine him playing for us again and surely if the club gets any kind of offer they'll accept it. Can see him lasting out his contract though as who's going to take him with his injury record? And he'll never see £65k a week again.
Padraig on 28 July 2015 at 8:28 pm
Actually don't think he was ever as bad as people make out. He wasn't great but he wasn't bought to be and injuries never helped.
On the well known scale of Alan Kennedy to Paul Konchesky he's just below John Arne Riise.
Whats next? Back to Newcastle hopefully but might be difficult to shift him. Obviously has no future at LFC.
gunpey on 28 July 2015 at 8:37 pm
i still remember his part in a sublime team goal in what must of been the 13/14 season. by no means a terrible player but lacked consistency and his game suffered when he had too much time to think. much more of an instinct player.
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Faith No More или Фейт Ноу Мор е рок група, основана в Сан Франциско през 1980 и разформирана през 1998. Отначало се подвизават под името Faith No Man. Едни от най-известните им сингли са "Epic" и "Falling to Pieces" от албума "The Real Thing" (1989), както и кавър-версията на Commodores "Easy".

Трудно е да се определи какъв вид музика свирят точно, но корените ѝ лежат в хевиметъла. Имат звучене на зародения много по-късно в края на 90-те години ню метъл. Определяни са за алтърнатив метъл група.

Следващият албум на музикантите – Angel Dust, издаден през 1992 г., също се оказва успешен, излъчвайки хит сингъла Midlife Crisis. Популярността на Фейт Ноу Мор бележи спад, след като дългогодишния китарист Джим Мартин напуска групата през 1994 г., заменен от китариста на групата Mr. Bungle – Трей Спруънс.

След издаването на следващия им поред албум – King for a Day... Fool for a Lifetime, Спруънс за кратко е заменен от Дийн Мента, който по-късно е заменен от сегашния китарист Джон Хъдзън. Издаденият през 1997 г. Album of the Year се оказва последен за музикантите, след като групата се разпада през април 1998 г.

На 24 февруари 2009 г. членовете на Фейт Ноу Мор публично заявяват, че групата се събира отново за концертна обиколка на Стария континент, в същия състав преди разпадането на групата. През юни 2009 г. Фейт Ноу Мор се събират заедно на сцена за първи път от 11 години насам. Това се случва на сантименталната за състава сцена на Brixton Academy, в Лондон, Англия. Фейт Ноу Мор официално заявяват участието си на фестивала Spirit of Burgas, откривайки го на 14 август 2009 г., като по този начин групата за първи път ще изнесе концерт в България. Иначе фронтменът Майк Патън и басистът Били Гулд са представяли на българска земя различни свои музикални проекти.

История

Ранни дни (1981 – 1987)
Фейт Ноу Мор е създадена след като Били Гулд, Роди Ботъм и Майк Бордин (с прякор "Пъфи", отнасящ се за косата му) напускат групата Фейт Ноу Ман (1981 – 1982). Името е предложено от приятел на Били Гулд, след като "the Man" (вокала на Фейт Ноу Ман – Майк "the Man" Морис) бил "No More".

Към бандата се присъединява Марк Боуън, но за кратък период от време, след което е заменен от Джим Мартин. Редица изпълнители са се пробвали като вокали на групата, в това число и Кортни Лав, която изкарва едва 6 месеца, преди да бъде уволнена. Накрая Чък Моузли е назначен като вокал на формацията. Самофинансираният дебютен албум "We Care a Lot" се появява през 1985 г. "Introduce Yourself" е издаден през 1987 г. с нова версия на парчето "We Care a Lot", с която музикантите постигат незначителен успех в ефира на MTV.

По това време бандата успява да си спечели репутация със сериозни търкания и вътрешни борби между членовете. Често са се носели слухове за физически сблъсъци между тях. За краткото време на съществуване на групата, британският музикален вестник "Melody Maker" забелязва това, че при своите взаимоотношения, музикантите са стигнали до "патологична омраза". В частност Бордин се оказва изкупителна жертва за групата, ставайки обект на многобройни жестоки шеги и номера.

На вълната на успеха (1988 – 1994)
Моузли бива уволнен през 1988 г., поради налудничавото си поведение по време на записи и изпълнения на живо. Майк Патън заема освободеното място, като вокал на групата. Патън, който по това време пее вокалите на своята колежанска група – Mr. Bungle, е привлечен по предложение на Джим Мартин, след като втория чува демо на неговата група. Патън напуска Хумболтовия държавен университет, за да се присъедини към Фейт Ноу Мор. Само за 2 седмици написва текстовете на песните, които ще станат част от номинирания с Грами албум "The Real Thing".

Клипът на "Epic" получава значително ефирно време в MTV през 1990 г., въпреки гнева на активисти за правата на животните, породен от забавен кадър на риба, мятаща се на сухо. Същата тази година Фейт Ноу Мор изнасят запомнящо се изпълнение на музикалните награди на MTV и в епизод на "Saturday Night Live".

From Out of Nowhere и Falling to Pieces са пуснати като сингли и кавърът на Блек Сабат – War Pigs. През 1990 г. групата се впуска в голямо американско турне, с което катапултира албума до платинен статут в Канада, САЩ и Южна Америка. Албумът също така реализира високи продажби в Австралия, Великобритания и европейския континент, с общо продадени в световен мащаб над 4 милиона копия. "Epic" е издаден през 1989 и се превръща в топ 10 хит.

През 1991 г. групата допринася към саундтрака на Bill & Ted's Bogus Journey, с може би най-популярното парче към филма – "The Perfect Crime".

Фейт Ноу Мор демонстрират голяма доза експерименталност в следващата си тава, озаглавена "Angel Dust". Критик описва албума като "един от най-сложните, или с две думи – дяволски добър запис, издаван някога от голям лейбъл", а друг пише, че сингълът "A Small Victory" звучи така сякаш пречупва Мадам Бътърфлай през призмата на Металика и Нийл Роджърс... разкрива една лекота на комбиниране на необичайни елементи в стряскащо оригинални смесици".

Освен "A Small Victory", която получава номинация за най-добра художествена режисура на музикалните наградите на MTV, песните "Midlife Crisis" и "Everything's Ruined" също биват издадени като сингли. Албумът включва и версия, вдъхновена от филма "Midnight Cowboy". Кавърът върху класиката на "The Commodores" – "Easy" се превръща в някои части на света в най-големия хит на групата. Въпреки че не се оказва толкова успешен, колкото предшественика си – "The Real Thing", албумът "Angel Dust" продава 665 000 копия в САЩ и успява да популяризира предходния албум в много други страни. В Германия албумът постига златен статут с продажби от над 250 000 копия. "Angel Dust" достига продажбите на "The Real Thing" в Канада (платинен статут) и Австралия (златен статут) и дори го надминава по продажби в Нидерландия, Франция, Русия и Великобритания.

След турнето в подкрепа на "Angel Dust" през лятото на 1993 г. дългогодишния китарист Джим Мартин напуска групата поради вътрешни конфликти. Китаристът на "Killing Joke" Джорди Уолкър се явява на прослушване за овакантеното място, но отказва да се присъедини към групата, след като бива одобрен. Трей Спруънс, който е част от групата на Патън – "Mr. Bungle", заема свободното място, но напуска скоро след записа на "King for a Day... Fool for a Lifetime", точно преди групата да се впусне в световно турне.

Странични проекти
 Mr. Bungle
 Fanthomas
 Tomahawk
 Lovage
 Peeping Tom

Състав
 Mike "Puffy" Bordin – ударни (1982 – 1998)
 Billy Gould – бас (1982 – 1998)
 Roddy Bottum – клавишни (1982 – 1998)
 Chuck Mosely – вокал (1983 – 1988)
 Mark Bowen – китара 1983
 Courtney Love – вокал 1983
 "Big" Jim Martin – китара (1983 – 1993)
 Mike Patton – вокал (1988 – 1998)
 Trey Spruance – китара (1995)
 Dean Menta – китара (1995 – 1997)
 Jon Hudson – китара (1997 – 1998)

Дискография
 "We Care A Lot" (1985)
 "Introduce Yourself" (1987)
 "The Real Thing" (1989)
 "Live At The Brixton Academy" (1990)
 "Angel Dust" (1992)
 "King For A Day... Fool For A Lifetime" (1995)
 "Album of the Year" (1997)
 "Who Cares a Lot?" (1998)
 "This Is It: The Best of Faith No More" (2003)

Външни препратки
  Faith No More в Encyclopaedia Metallum

Американски рок групи
Американски метъл групи
Музикални групи в Сан Франциско


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BRUCE PASCOE : PERENNIAL SOIL
Monday, 23 November 2020 - 5:00pm to 6:00pm
BRUCE PASCOE; PERENNIAL SOIL
November 23rd 2020
Bruce Pascoe delivered a lecture on Indigenous farming and land management. The 'Dark Emu' author is also joined in a conversation with agricultural scientist Dr Angela Pattison.
It has never been more important to be sharing Indigenous knowledge. So many solutions to the problems we face today can be found in that wisdom.
It is impossible to overestimate the powerful contribution of Bruce Pascoe's work, in particular the seminal Dark Emu, which has inspired a number of projects here at the University, including the Indigenous Grasslands for Grain project.
The detail and grace in Pascoe's research and writing has unlocked important conversations and reawakened knowledge. In this public lecture, Uncle Pascoe shared insights into sustainable farming and practices, with a keynote address on the idea of 'Perennial Soil'.
Pascoe is also joined by Dr Angela Pattison, plant breeder and agricultural scientist from the University of Sydney. Pattinson is the research lead for the Indigenous Grasslands for Grain, a cross-disciplinary project that aims to regenerate the Australian native system for the modern food environment. It is a concept that brings together cultural and scientific knowledge, regional and urban centres, and sustainability with economic viability.
Professor Lisa Jackson Pulver AM, Deputy Vice-Chancellor (Indigenous Strategy and Services) chaired the event.
The University of Sydney is pleased to be establishing an annual lecture on pre-colonial Aboriginal and Torres Strait Islander culture, made possible by a donation from Ron Winch and the Winch family.
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10,000 New Homes at North Cambourne 'identified in emerging Greater Cambridge Local Plan'
March 31, 2021 April 2, 2021 / andrew lainton	/ Leave a comment
A bit of a blunder in the east-west rail new consultation regarding the North of Cambourne Station and route option.
We expect that new homes and communities could be built to the north of Cambourne without causing Papworth Everard, Knapwell and Elsworth to join up, and a site in this area is already identified in the emerging Greater Cambridge Local Plan. There are also fewer heritage assets and areas of woodland and habitat in the area to the north of Cambourne (compared to South of Cambourne)
Trouble is it is only so far one of many call for sites submissions. How often do planners have to explain cal for sites is not a raft plan proposal.
Below is the call for sites submission for 10,000 Homes for the site by Savills
The trouble is we know work is advanced on options for the Greater Cambridge Plan, including options for several corridors not just of East-West Rail but Cambridge Autonomous Metro CAM, which of course is spelt BUS. Of course North of Cambridge is an option in that document.
So this option has slipped out.
There is also the site land to the West of Scotland Road Dry Draydon supported by the Greater Cambridge Mayor for 8,000 homes.
In terms of other options to be considered in the ARC framework the only other one clearly flagged is either Tempsford or South of St Neots depending on which route is chosen. They are not far apart but the Tempsford Route avoids A48 road severance between the station and a Tempsford new Settlement. So where are the other two new communities along the route already flagged up. Winslow appears as a station on the map but is otherwise not mentioned, Calvert is not mentioned though it would be along the extension of the route to Aylesbury. Note however that the leaks referred only to 4 in the central section – MK to Cambridge. So that could include South West of Cambridge.
These hardly add up to a million homes, they hardly add up to 50,000 if that. Of course there are sites that could be served by new CAM routes such as to Haverhill, however we are unlikely to see a bold ambition of new communities of over 50,000, which Homes England said they favoured, served by radical public transport options running every 4 minutes (which the NIC have said privately they favour). The weak ambition and lack of dramatic public transport options paid for by land value uplift mean the emerging arc framework is becomining a damp squib, failing to promote settlements of a scale, form, density and accessibility to meet zero carbon objectives, what we will get is bloated sprawl in car dependent villages, as we have got in the Arc for the last 40 years.
New East-West Rail Route Options Consultation Begins Today
March 31, 2021 / andrew lainton	/ 1 Comment
What a north south zigzag around Cambridge
Cambridge Independent
The East West Rail Company has unveiled five potential routes the new line could take into Cambridge – including proposals for a huge flyover in the South Cambridgeshire countryside.
The routes are revealed as the latest phase of public consultation on the £5billion line linking Oxford and Cambridge, via Milton Keynes and Bedford, is launched.
The consultation documents acknowledge an "emerging preference" for the new station at Cambourne to be built to the north of the town, rather than the initial suggestion of placing it in the south, where residents, the town council and the Wildlife Trust feared it would have devastated the Country Park.
But other aspects will raise major questions for communities along the proposed routes.
It remains in favour of a southern approach to Cambridge due to a number of major engineering challenges with a northern approach.
And this means a large flyover is proposed south of Harston to cross the River Cam, the A10 and the existing railway line – as exclusively revealed in this week's Cambridge Independent.
A deep cutting through a hill south of Haslingfield is also part of the plans.
The East West Rail Company, which hopes to complete the new line by the end of the decade, is seeking feedback on the five proposed route alignments, connecting existing stations in Bedford and Cambridge via new stations in the area around Sandy and St Neots and at Cambourne.
From there, the rail company – which highlights two of the five schemes as its favoured routes – still prefers a route southwards into a stop at Cambridge South station to serve the fast-growing Cambridge Biomedical Campus.
This is the first time the entire route has been drawn together in a single consultation.
The East West Rail company said there were six key areas of focus for the consultation:
How Oxford Station and its supporting infrastructure could be improved – including Oxford Parkway and Bicester Village stations
Options for avoiding lengthy periods of delay at the London Road level crossing, Bicester
How to ensure that communities around Bletchley and the Marston Vale Line would get the most from significant investment in their railway line
Options for new stations at Bedford and Bedford St Johns and their supporting infrastructure
Five route alignment options for the section of East West Rail between Bedford and Cambridge, including an emerging preference for a station at Cambourne North
Plans for improving customer experience through better station design and more timely travel information
The company has also presented developing plans for a new Bedford St Johns Station and a complete redevelopment of Bedford Station. Direct journeys from Bedford to Cambridge will take 35 minutes.
Lemu Archipelago
March 31, 2021 / andrew lainton	/ Leave a comment
From October last year. Car free world heritage site. Full flickr gallery here.
Sue Roberts Fails in Bid to Overturn her Own South Oxfordshire Local Plan – and has to pay costs
A GRASSROOTS group, which took a district council in Oxfordshire to court over a hated housing plan, has had its application rejected.
South Oxfordshire District Council confirmed that The Honourable Mr Justice Dove has refused the application by Bioabundance CIC for permission to proceed with an application for judicial review against the council's decision to adopt the highly-controversial Local Plan 2035, which sets out where 30,000 homes can be built in the area.
Even more, in refusing the application, the judge ordered Bioabundance, founded by South Oxfordshire district councillor Sue Roberts, to pay the council's costs.
The company now has a week to ask for this decision to be overturned.
A spokesperson for the local authority commented: "We are pleased with this decision and that the court has supported the democratic decision making processes within the council."
In January, Bioabundance challenged the South Oxfordshire Local Plan after the Government ordered the council to adopt it. The environmental group claimed the Local Plan failed to comply with the Climate Change Act 2008 because of the amount of homes planned for the district, with many set to be built on Green Belt land.
Government to Oxfordshire – We are Punishing You for Slow Plan Making – So Go Away and Deliver 36,000 less houses
In a government statement on the 25th of March the Planning minister removed the special '3 year housing land supply' concession to Oxfordshire.
In March 2017 the Government committed to the Oxfordshire Housing and Growth Deal (the deal), to support ambitious plans to deliver 100,000 homes by 2031. The deal committed to an Oxfordshire-wide Joint Statutory Spatial Plan to be adopted by 2021, and to be supported by £215 million of funding to help deliver more affordable housing and infrastructure improvements to support sustainable development across the county.
As part of the deal, to support this strategic approach to supporting housing delivery through joint working, Oxfordshire was granted flexibility from the National Planning Policy Framework policy on maintaining a five year housing land supply. Since 2018, Oxfordshire have had to provide proof of a three-year land supply for planning purposes. This has worked to support the delivery of the local plans for the area and ensure that the local authorities could focus their efforts on their Joint Spatial Strategy.
This flexibility way laid out by Secretary of State at the time the Rt Hon James Brokenshire MP in a Written Ministerial Statement on 12 September 2018 – https://questions-statements.parliament.uk/written-statements/detail/2018-09-12/hcws955(opens in a new tab).
Since 2018, Oxfordshire have not finalised and adopted their Joint Statutory Spatial Plan. Therefore, in the best interests of housing delivery in the region, my Department have extended the time afforded to Oxfordshire for the delivery of this plan to 2023. This extension however will not be subject to the original land supply flexibilities. From today, Oxfordshire will need to maintain a five year housing land supply in accordance with the National Planning Policy Framework.
The growth deal simply commits to local plan levels of growth and includes no element of overspill from 'land constrained' areas such as London as per the NIC Arc report. It is based on a 2014 SHMA that included elements for past underprovision and a 'jobs led' assumption to reduce the jobs/housing imbalence in the area. Hence it was well in excess of the standard method. The latest standard method only works out at around 63,000 houses 2011-2031 according to Nat Lit . It actually suggests a slight fall for Cherwell as healthy completions at Banbury and Bicester Garden Town have pushed down completions.
The last sentence has been interpreted by Turleys as implying going forward the standard method replaces the growth deal.
Local planning authorities should identify and update annually a supply of specific deliverable sites sufficient to provide a minimum of five years' worth of housing against their housing requirement set out in adopted strategic policies, or against their local housing need where the strategic policies are more than five years old
By the way there is an error in the NPPG which claculates it in a different and incompatible way.
The local plan's in Oxfordshire are adopted or about to be so. However Cherwells is now more than 5 years old. So it immediately drops down from around 1,200 to around 700 dpa.
Turley were right to highlight this and it is clear the Ministry made a blundering error here. All the remaining local authorities in Oxfordshire have to do is run down the clock, let their local plans get more than 5 years out of date and reduce their housing requirements by 1/3rd. Sue Cooper and the other South Oxfordshire Avocado Nimbys must be rubbing their hands in glee.
This is an enormous own goal by the government. It complicates the South Oxfordshire JR. It complicates the Oxfordshito twice the re plan, with the Southern Oxfordshire Authorities saying we should we stick to twice the rate of the North.
It also illustrates how it is a nonsense to apply the standard method to growth areas, for three reasons.
Firstly as they aim to stop housing shortages restricting firms growth they have to be jobs led.
Secondly as you start to build at scale your affordability ratio goes down and you have to build less. So the injunction in NPPG that it takes account of backlogs no longer applies.
Finally when the 2018 HH projections cam out the government stated that the ARC would help take up the slack between the national total of the standard method and the 300,000/annum manifesto target. Is this no longer the case, are the 35% uplift authorities supposed to take up the slack now?
Finally the new census. The new national datasets of population created for covid purposes imply major under enumeration in Oxford and Cambridge. This will be no surprise to many authorities. I for example stayed in a hotel on census night and saw nothing of a census form. As few students will have been in either city on census night the 2020 census will be useless for standard method purposes. The ministry will have to shift I think to using the much more accurate NHS figures, indeed the ONS has a project to explore this after 2021, (known as the Danish methd) and for the ARC use those figures combined with an economic growth model projection to calculate an up to date 'jobs led' housing number. The standard method just wont cut it.
The Worst Conservation Area Map Ever
Sorry Lincoln.
Gloucester Cathedral and Closes
Full Fickr gallery here
Bedfordshire Arc Options
Continuing this series looking at potential options for strategic growth locations in the forthcoming Ox-MK-CAM framework we turn to Bedfordshire.
The South of Bedfordshire is fairly easily dealt with. There was a rather good joint local plan of Luton and South Beds that has shaped what goes in the local plans now. This included growth to the North and East of Luton and around Houghton Regis South of an A5 M1 link Road. Growth East of Luton is included in the draft North Herts local plan.
This broadly represents the natural limits of Luton and Dunstable constrained as they are by the Chilterns AONB and Sutton Hooe. Therefore, because it is such a large town, there will need to be major overspill to Central and Northern Bedfordshire. Development north of the new link road would be car based and not sustinable.
Most of the rest of Central Bedfordshire, south of Marston Vale, is composed of very small towns which are not good candidates for strategic growth, with two exceptions.
The first is around Biggleswade which has some growth proposed but could take far more. It all depends on the route of East West Rail. If as is likely a new station is proposed between Sandy and Biggleswade there could be growth north and east if Biggleswade (avoiding the common) and South of Sandy.
The other big candidate is Henlow Barracks, recently declared surplus and now in the draft local plan. It could be extended further east next to Arlesely station. Henlow Camp developed alone would be isolated and car based. A joined up masterplan with BRT connections to Arlesley station would transform it to one of the best candidates for strategic growth in the Arc.
Turning to Marston Vale. This has the problem of being split between Central Beds and Bedford. It comprises worked out brickfields and is the largest brownfield area by far in the Arc. There is a plan to connect the Grand Union Canal to the Ouse with a canal and the Forest of Marston Vale projects plan afforestation in those areas unsuitable for development because of flood risk. There were proposals for an Ecotown in the area, effectively a linear city linked by the two rail lines passing through the vale, but local authorities resisted it, part from the large Wixhams site south of Bedford. The main sites in Central Beds are now in the local plan. Some sites in Bedford area, at Stewartby and some employments sites to the West, which are owned by a large Chinese investor. Those further East are not. Rather Bedford laid all of their bets on a new settlement at Sharnbrook Station next to the Colworth Park Research Park (the former Unilever Research Park). This made a lot of sense. The problem was proximity of the Santa Pod Raceway at former RAF Podington. The sensible thing to do would have been for Homes England to CPO the former RAF base and move Santa Pod East to the former Bedford Aerodrome, much further away from houses, enabling a much larger strategic site.
With 5,000 houses missing from their local plan Bedford had the choice of developing to the South of Bedford. Local firm Phillips has put forward a masterplan for the area but the response of Bedford was, well its just too hard, were developing a lot South of Bedford anyway, we will look at in the next local plan. The truth I suspect was that they were stalling because of the uncertainty over the route of East West Rail, will it have a station at Wixhams or pass through Bedford Midland to the East (which requires demolition of small retail warehouse park) or pass along the East Coast mainline and then veer east North of Bedford. It looks like the third is being pursued which is the very worst – and by far the longest – option. Sharing track with the east coast mainline will radically throttle capacity, preventing the sub-5 minute headway originally proposed (requiring Japanese style digital signalling) and essential to forming short stop zero carbon new settlements along East West Rail in a string of pearls fashion. Also Bedford is woefully underesourced
Bedford itself is now completing expansion to the South East to the edge of a bypass whose alignments was first plotted in the 1930s. Another option for Bedford is to develop a new settlement or settlements to the West beyond the Great Ouse Valley along the alignment of the Former Bedford to Northampton Railway. The restoration of this to rail is now formally on the table, though I think mid term as BRT would be much more practical. This is exciting as it could drive zero carbon growth South East of Northampton, west of Bedford and around Oundle. I evan did a sketch masterplan for the area West of Bedford a couple of years ago and grasping for a name called it Radcliffeville – after local hero Paula Radcliffe.
The final option is either North West of Bedford, which is very rural with poor roads, or South East, East of the Cardington Hangers. depending on the route of East West Rail. The latter is by far the best and could utilise part of a former railway line that passes through Cardington.
March 24, 2021 March 24, 2021 / andrew lainton	/ Leave a comment
Greater Cambridge Mayor looks at Garden Village sites to support Greater Cambridge Metro
Camridgeshire Live Note these are sites that could support the Metro, which are different sites than those that could hang off East West Rail. Also very not current in ARC terms – 2019. Three of the site could support a metro service on the alignment of the former Haverhill rail line. Which I omitted from my previous article as I was focussing on the East West Rail linked options.
Potential locations for thousands of new homes which could help fund a Cambridgeshire metro have been revealed.
The mayor and leader of the Cambridgeshire and Peterborough Combined Authority, Conservative James Palmer, has written a letter in support of one proposal for up to 7,000 new houses on land east of Linton, in South Cambridgeshire.
The site is one of four included on a map, dating from early 2019, that was leaked to the Local Democracy Reporting Service, and which reveals four locations suggested by the combined authority as potential sites for "garden villages" in South Cambridgeshire.
The combined authority said the sites are "still very much early options being considered as part of a much wider piece of work, not solid commitments".
Mr Palmer said in 2018 and has repeated since that garden villages could be used to help pay for the Cambridgeshire Autonomous Metro (CAM) while also providing more affordable connected homes.
The idea is to use "land value capture", where the increase in the value of land once connected to a transport network helps pay the upfront costs of building the network.
'Mayor concocting this idea behind closed doors'
But no potential locations have been made public until now.
One of the locations from the map is for land east of Linton, which has been put forward for development as part of the ongoing Greater Cambridge local plan process.
The site is owned by Pembroke College and has been put forward for consideration to the Greater Cambridge Planning Service for the development of up to 7,000 homes, as well as other uses including for employment sites, industrial uses and community facilities.
The mayor has written a letter in support of the site being included in the local plan for development, arguing it has "the potential to address elements of regional growth requirements" and could be served by a metro.
A map of potential locations for garden villages created by the Cambridgeshire and Peterborough Combined Authority that was leaked to the Local Democracy Reporting Service
The letter, sent from the mayor's office in March 2019, says: "The landowner has discussed the proposed development with my office and officers from the combined authority who consider the location has potential to be well served by the proposed Cambridge Area Metro (CAM)".
A letter from Bidwells included in the local plan submission says the metro and other transport schemes linked to the Greater Cambridge Partnership "could support a new settlement at this location and the new settlement could support the delivery of the infrastructure, which would also support the existing communities nearby and along the route".
The submission includes a map of the proposed metro network and says the college and the mayor "would be keen to discuss the proposals" with the relevant planning authorities.
In addition to the land east of Linton, the combined authority map of potential sites in South Cambridgeshire includes around 1,000 acres north of the A428 and west of Madingley, another 1,500-acre site around Babraham and around 600 acres on land east of the A11 and south of Great Abington.
It is not yet clear how many suggested new homes are linked to the other sites.
Site boundary map from Pembroke College's submission via Bidwells in the call for sites
The Liberal Democrat mayoral candidate for the May elections, and deputy leader of South Cambridgeshire District Council, Aidan Van de Weyer, said: "Mayor James Palmer has spent the last three years putting together a plan for half a dozen new settlements across southern Cambridgeshire in order to pay for his wildly expensive metro scheme.
"This is a barmy way of going about things.
"From what we can tell, Palmer has got some options on various pieces of land and wants to design the CAM network around these locations, regardless of the merits of building there".
He added: "Palmer has spent too long concocting this idea behind closed doors. He now needs to come clean about what deals he has done and what his real plans are for Cambridgeshire."
Garden villages would be 'done in the proper way'
Asked if he is supporting the Pembroke College submission for the purposes of providing a development site that could help fund a metro, Mayor Palmer said: "Yes, and any other sites that are deemed suitable".
He would not say what other sites are being considered, but he said there are "currently less than 10 sites identified across Cambridgeshire and Peterborough".
He said the map obtained by the Local Democracy Reporting Service shows "potential sites", and that as the metro develops "other suitable sites may come forward".
Speaking about garden villages, he said "we expect more sites to come forward for development over the next 50 years, but not all will be developed all at once".


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Guyver: Dark Hero
Action / Horror / Sci-Fi / Thriller
Keywords: japan alien based on manga dual identity superhero secret identity
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Sean Barker became the unwilling host to an alien bio-armor known as the Guyver. A year ago he destroyed the Kronos Corporation, an organization of mutants who want the Guyver. Now he is trying to find why the Guyver unit forces him to fight and kill evil. He is lead to an archelogical site where scientists discover an ancient space craft. Now he must fight Kronos again before they discover the secrets of the Guyver's origin.
Steve Wang
David Hayter as Sean Barker
Reviewed by Ablaze-2 9 / 10
For fans of the original Manga series.
If you have already seen the legendary "Guyver" manga (Japanese animation) series and enjoyed them, you are bound to love the second outing in the live action version of the cartoon. The suits and make-up are quite brilliant, but the icing on the cake is the Guyver itself - its exactly the way I pictured it to be when I saw the cartoons. The movie isn't for everyone, the storyline may seem weak on the outside, but if you pay close attention to it, it is quite well thought out. The acting is corny, but come on, is there anyone who would see a movie that even has "spectacular martial arts action" in the tagline for its acting? If you are considering seeing this, I believe it would be a better idea to hire the original 1-12 manga series and the first live-action movie, The Guyver (aka Mutronics).
Reviewed by lordzedd-3 9 / 10
Just as good as the first movie
Here we go, I just reviewed the first movie not to long ago and here I am on the sequel. What's with the "Dark Hero" kick? I mean Wolverine kills bad people and they don't call him a dark hero. This whole dark thing doesn't sound right to me. The Japanese Guyver never worried about killing bad people or is he turning into a monster. That's the whole American thing about killing is wrong, even to save your own butt and that's just crazy talk. But enough about that, let's see what else. Ah, the script follows close to the script of the anime, like the first movie. The broken Guyver unit situation is cool. It's basically a good movie, besides the whole "dark hero" thing. 9 STARS!
Reviewed by dee.reid 8 / 10
Better you see this one first
As a long time fan of "The Guyver," the Japanese Manga series character who is born when an alien armor invades the body of a high school student and transforms him into a bionic superhero, I feel the live American adaptations to be lacking, but this one is worth the while. An evil corporation called Chronos wants the Guyver and will do anything to get it, including using their army of "Zoanoids," human mutants who change form into grotesque monsters at will.
If you are a fan of Yoshiki Takaya's Manga series (but are unable to buy the comics or Anime series), it's best you see this live American adaptation first, not Screaming Mad George's first film which was released in 1991.
This film, directed by Steve Wang, is less comical and focuses a lot more on the character, getting to the center of his dilemma and how he feels that the Guyver armor is pushing him to kill.
But like I said, it's best you see this one first (it's not the best) but you might still want to check this one out if you're curious about Japan's most powerful superhero.


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WATCH: David Tennant's mystery 'Broadchurch' debuts first TV trailer
David Tennant returns to our telly screens in March in a brand new 8-part ITV drama. Broadchurch tells the tale of a small community, trying to cope with the mysterious death of an 11-year-old boy.
Wriiten and created by Chris Chibnall (an alum of both Law and Order: UK and Doctor Who), the series follows the series of events that transpire after young Danny's body is found at the bottom of a picturesque cliff face. Both the town and Danny's family struggle to cope under the glare of the media spotlight.
Tennant stars as DI Alec Hardy; a newly promoted police detective who has recently moved to the town to take the job, while Olivia Colman is DS Ellie Miller, the local lass who believes that the case should have been hers.To say that the two clash is an understatement, but as the series progresses, they both have their own secrets to come to terms with.
Catch Broadchurch on UTV from Monday March 4th.
Emmy Nominations 2019: The full list is revealed
TV News 11 hours ago
Here's who the new 'Love Island' bombshells will be taking on their dates tonight
George RR Martin says 'Game of Thrones' backlash won't change books
Simpsons Treehouse of Horror XXX will spoof 'Stranger Things'
All things TV related including interviews, recommendations and reviews. Go to The Telly Show


Frames form 5d MII, raw stills processed and exported to 1280x720 frames, slideshow created with iPhoto '09, with frame blending. Audio track added in Quicktime Pro, exported and uploaded here. I tried a number of combinations of iMovie HD and other tools but none had a satisfactory JPEG import other than iPhoto, using their photo export to quicktime feature (not slideshow export). The quality is still not what I was hoping for, though the original version is pretty nice, most upload sites seem to trash it.


Sacramento Museums Go Earthy With Special Events & Activities in April!
It's a party for the planet at the Sacramento Zoo during "Earth Fest"! Zoo visitors will learn how to protect and preserve the earth with environmental, wildlife and conservation organizations. Plus, the popular "Recycle Rummage Sale" is happening the same day. Proceeds from the "Recycle Rummage Sale" benefit the Sacramento Zoo's conservation programs - locally and around the world! For more, visitwww.saczoo.org.
Back by popular demand, a second phase of the visually-powerful exhibit titled "Pick Me! Fruit Crate Art & the California Dream" is opening in April at the California State Railroad Museum. Visitors will delight in a whole new crop of whimsically designed fruit crate labels from the 1880s through the early 1950s that inspired many to "Go West" in search of the California Dream. For more, visitwww.californiastaterailroadmuseum.org.
Mesmerizing to watch and fun to learn, the State Indian Museum is proud to offer basket weaving demonstrations by Dixie Rogers, a traditional basket weaver from the Karuk tribe who uses a technique called Closed Half Twist-Twined With Overlay. Dixie masterfully incorporates a number of native California plants into her intricate and original basket creations. In addition, visitors can enjoy some traditional California Indian activities that include making walnut dice and creating beads with natural materials. All activities will be taking place that day from 11 a.m. to 1 p.m. For more, visit www.parks.ca.gov/indianmuseum.
It's a re-use-a-palooza! Celebrate Earth Day at the Discovery Museum Science & Space Center where visitors will enjoy crafting fun using some unexpected recycled materials including making a "stained glass" sun catcher out of a CD jewel case! There will be projects for families to work on together at the Museum, and some ideas to take home -- the Museum supplies the materials and basic ideas and visitors add creativity! Special exhibits are on display, too, including a mini-house with working solar panels. For more, visit www.thediscovery.org.
For more information about SAM, its partners and/or these and other events and activities, visit www.sacmusuems.org.


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Home / Central Data Catalog / SLB / SLB_2018_WBCS_V01_M
World Bank Group Country Survey 2018
Solomon Islands, 2018
Public Opinion Research Group
SLB_2018_WBCS_v01_M
Solomon Islands SLB
The Country Opinion Survey in Solomon Islands assists the World Bank Group (WBG) in gaining a better understanding of how stakeholders in Solomon Islands perceive the WBG. It provides the WBG with systematic feedback from national and local governments, multilateral/bilateral agencies, media, academia, the private sector, and civil society in Solomon Islands on:
1) their views regarding the general environment in Solomon Islands;
2) their overall attitudes toward the WBG in Solomon Islands;
3) overall impressions of the WBG's effectiveness and results, knowledge work and activities, and communication and information sharing in Solomon Islands; and
4) their perceptions of the WBG's future role in Solomon Islands.
- v01: edited and anonymous data for public distribution.
Honiara, Province and Other (regional or overseas).
Stakeholders of the World Bank Group in Solomon Islands
Opinion leaders from national and local governments, multilateral/bilateral agencies, media, academia, the private sector, and civil society.
Public Opinion Research Group World Bank Group
In February 2018, 90 stakeholders of the WBG in Solomon Islands were invited to provide their opinions on the WBG's work in the country by participating in a Country Opinion Survey. Participants were drawn from the Office of the President, Prime Minister, office of a Minister, office of a Parliamentarian, ministries/ministerial departments/implementation agencies, Project Management Units (PMUs) overseeing implementation of WBG projects, consultants/ contractors working on WBG-supported projects/programs, local governments, bilateral and multilateral agencies; private sector organizations, private foundations, the financial sector/ private banks, NGOs and community-based organizations, the media, independent government institutions, trade unions, faith-based groups, youth groups, academia/research institutes/think tanks, the judiciary branch, and other organizations.
The results in this year's Country Survey were compared to those in the Country Survey conducted in FY'15 (response rate was 64%, N=55). Data were weighted to reach the same stakeholder composition in both years, which allows for year comparisons. Stakeholder groups which were not present in both fiscal years were not included in the comparison. Respondents who belonged to the "other" stakeholder category were not included either. As a result, mean ratings, percentages of respondents, and the total number of respondents in both years are slightly different from those of the original data reported in the FY'15 COS report and the non-weighted data presented in appendices A, B, C, and E. For the weighted stakeholder breakdown and year comparison results, please refer to Appendix D (page 100) in the Related Materials.
The questionnaire is in English and it is provided as related material.
ILukim Sustainability Solomon Islands (ISSI)
- the source and date of download
Public Opinion Research Group (The World Bank Group). Solomon Islands - World Bank Group Country Survey (WBCS) 2018, Ref. SLB_2018_WBCS_v01_M. Dataset downloaded from [url] on [date].
Svetlana Markova ECRCC [email protected]
DDI_SLB_2018_WBCS_v01_M_WB
Development Data Group DECDG The World Bank Group Documentation of the DDI
Corporate Communications ECRCC The World Bank Group Documentation of the DDI
Version 01 (August 2018)