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text:
Craig Interviews David Moody, Author Of The AUTUMN Series
December 7, 2011 by Craig DiLouie 1 Comment
Author of the seminal HATER and AUTUMN series, David Moody is a leading author of apocalyptic fiction, delivering a unique take on zombies and mix of realism, strong characterization and a focus on brute survival against incredibly long odds. For writers like me, he is also an inspiring figure–an author whose work encouraged many of us to get into this game, and a hell of a nice guy who deserves all of the success he enjoys. After reading AUTUMN: DISINTEGRATION, the second to last novel in the AUTUMN series, I had the opportunity to interview David about his new novel, now available online and in bookstores.
Craig: Welcome, David! I just finished your new latest novel, AUTUMN: DISINTEGRATION, which I loved. After several years, it was great to revisit the terrible world of AUTUMN. I understand there is one more book coming?
David: There's one more novel to come – AUTUMN: AFTERMATH – which is due out March next year. It's a sequel to both PURIFICATION and DISINTEGRATION which wraps up all the loose ends from the series. And before then, I'll also be adding another load more free AUTUMN stories to www.lastoftheliving.net.
Craig: How does it feel to begin to bring this series to a close, after so many years and books?
David: It already feels quite emotional. This is a series I've been working on for over ten years, and it's been really successful for me. That said, I'm looking forward to having the whole story available for people to read, and to moving on to something completely new.
Craig: In AUTUMN: DISINTEGRATION, we follow two groups of survivors with very different strategies. One group fights the zombies in every way they can, with every act escalating the reaction from the hordes, while another tries to stay quiet and unnoticed. In a way, these groups represent the two primary reactions to your series. Many people, of course, love the series, in which the survivors typically try to stay away from rather than fight the undead. But some have wanted your survivors to grab a weapon and start bashing skulls. Did these public responses inform this book–to say, okay, let's do it your way, and see what happens?
David: Absolutely! DISINTEGRATION has a long history – it was announced back in 2006, written in 2007-8, and for various reasons only now is it finally seeing publication. Back in 2006, though, it was exactly that kind of reaction from people that gave me the inspiration for the book. I was getting sick of people criticizing the novels because they weren't "typical" zombie stories. They were never intended to be! I wanted the AUTUMN books to present a more realistic (if any book about walking corpses can be realistic) look at the zombie apocalypse. The people in the books react how I think people generally would do if the unthinkable happened. We all like to assume we'll follow the movie scripts and immediately start rebuilding: stocking up on weapons and supplies, ganging together with other survivors to kick us some zombie ass etc. etc. etc. But I think there are many, many people who would react entirely differently and implode. I'd even go as far as to argue that the AUTUMN books aren't zombie stories at all – they're stories about survivors who just happen to be surrounded by the living dead. The corpses are rarely the focus. I wanted to try and get across the different approach I was taking, and I thought the best way would be to force a group of stereotypical zombie survivors into an inescapable situation with more typical AUTUMN survivors. And that was the genesis of DISINTEGRATION.
Craig: One of the interesting things about the world of AUTUMN is the zombies are, in a way, sympathetic. They aren't trying to eat people, they are just walking corpses with brains stripped down to fight or flight responses to ordinary people. What was your thinking when you decided to create this world and the zombies that inhabit it, and how do you feel it distinguishes your work?
David: I'm very proud of my zombies (now that's a weird sentence to type!). One of my frustrations with many zombie stories I'd read and movies I'd watched before AUTUMN, was that the dead show no progression – the creatures you get in the first scene are the same as those in the last. I wanted to illustrate some kind of character development for them, because in doing that I believe it made the survivors' situation even more perilous and fragile. Early on in the writing of the first book, I saw an opportunity to create something quite unique with the dead, and that's something which comes full circle with AUTUMN: AFTERMATH. The zombies begin as dumb walking lumps of flesh, but their senses gradually return. Throughout the books they become more dangerous – more alert and active – and yet their bodies continue to decay. So there's this great paradox: as the zombies understand more about what's happening to them, they become less physically able to deal with it. As a result, they become more outwardly aggressive. But the question's always there: what's actually going on in their heads?
Craig: One of the things I love about your books, which you alluded to just a moment ago, is the people in the story react so realistically to what's happening to them. Most of the survivors lie on the floor curled into a ball, and those still able to act often end up having long arguments about their options, trying to decide their best course of action. In AUTUMN: DISINTEGRATION, there are no heroes–only ordinary people, all of them likable and unlikable in their way. What were you trying to say with this, and how does it demonstrate your typical approach to characterization in your fiction?
David: Thanks for the compliment, Craig. I wanted to try and make my characters react in a somewhat believable way to the situation they find themselves dealing with. Key to all it all for me though, is trying to create characters that readers can identify with. As a writer, I'm not interested in superheroes, politicians, incredible super-soldiers and the like. I like to put ordinary people into extraordinary situations to see how they cope. There are a number of reasons for that. First and foremost, I think it helps people tune in to the characters they're reading about, and that makes the horror more effective. Secondly, it helps me to focus on the story. When I'm writing post-apocalyptic fiction, I generally just want to show how people deal with the situation they find themselves trapped in. I'm less interested in them looking for causes and solutions. Ask yourself, if the zombie apocalypse happened tomorrow, what would you do? Would you try and work out why the dead are rising, or just concentrate on survival?
Craig: Some people believe that the early pages of HATER are at least partly autobiographical. The main character's initials, Danny McCoyne, even match yours. Which character or characters in the AUTUMN series, if any, do you feel you are closest to you and how you would react to the events occurring in these stories?
David: Well the matching initials genuinely was a fluke, but the situation Danny McCoyne found himself in at the beginning of HATER was most certainly based on my own personal experiences. I found myself stuck in a dead-end job, earning a pittance, living in a house that was too small for my family… fortunately I got out of the hole in a different way to Danny! Strangely enough, there isn't any one character in AUTUMN that I relate to in the same way. I have a soft spot for Michael, Emma and Carl from the original books, and I think certain aspects of each of their behaviors mirror how I think I'd react to the situation they find themselves in. Like most people (I think), I'm ready for "Z" day. If it happened and the "rules" were similar to AUTUMN, then I'd find somewhere hidden and quiet and just keep my head down for six months until the bodies had rotted away to nothing. I think the less you do in such a situation, the better chance of survival you have. If you see a crowd of survivors heading in one direction, I'd be tempted to go the opposite way!
Craig: What do you think will happen to the scattered pockets of humanity across the planet who outlast the zombies? Do you believe humanity has a future after the AUTUMN series?
David: Again, that's something I touch on at the end of the final book. Sometimes I think that a vast reduction in numbers would be a good thing for the human race in general – a kind of natural re-balancing, I guess. In my two series, though, I think things might have gone too far. There's an element of hope at the end of the HATER series, but the end of AUTUMN sees just a handful of people left where before there were billions. I don't know if the human race would be able to recover from such devastation.
Craig: Many writers of zombie fiction consider you the "local boy who made good." You self published, received acclaim, and ended up with both your major series being picked up by major publishers, and the original AUTUMN made into a film. How does it feel to have achieved the commercial and literary success that you have, and what advice do you have for writers who are just starting out?
David: It feels incredible. At least once every day I look at what I've achieved and I struggle to get my head around it. It's taken a long time, though. I started writing seriously in 1994, and it took 15 years before my first "mainstream" release. I could talk for hours about the things I've learned along the way, but rather than drone on I'll just give you a few choice points that have really helped me. First, be patient. Like I said, it can take a heck of a long time to make an impact. Second, strive for professionalism. When I self-published, I was determined that my books would be able to sit alongside any professionally produced book and be of a comparable standard (i.e., no one would realize they were self-published). Finally, when I worked for a bank, a wise senior manager told me a couple of things which I've never forgotten. First, he said there's no such thing as negative feedback – every bit of criticism or advice you receive is important and you should listen to it and think carefully about what you're being told, no matter how much it hurts (and believe me, sometimes it really does). Second, he said that to succeed in anything, you need courage and luck – and if you have enough courage, you don't need any luck. Be determined and be persistent.
Craig: That's great advice, David. All owme to press a little further. In your view, what's the ideal zombie novel? What are the key elements? What do you like to read?
David: For me, a good zombie novel concentrates more on the surviving characters than the blood and guts and flesh-eating. I like a book which doesn't rely on the overused cliches of the genre; a book which does something new with the premise of the dead rising. In terms of my personal reading choices, I tend to stick to horror and, to a lesser degree, science-fiction. If I'm honest, I haven't specifically chosen a book to read for a long time now. One of the perks of the job – which can also be a pain at times – is that you're constantly sent new books to read and blurb, so I tend to spend all of my reading time working through them. That said, it's great to pick up a new book by an unknown author and find a real gem. It does happen!
Craig: Your HATER series recently concluded with the excellent THEM OR US, and AUTUMN: AFTERMATH, coming out in March 2012, will be the final installment in your AUTUMN series. The big question on everybody's mind is: What's next for David Moody? What are you working on now?
David: I'm working on a few projects. I have a couple of older novels which I'm revisiting with a view to re-releasing (possibly by relaunching Infected Books – my own label), and I also have a stand-alone genre novel and a new five book series I'm working on too. Hopefully all of these will see the light of day in 2012/13. I'm also working on a zombie movie with a director friend, and we'll be announcing details about it in the very near future, hopefully before the year is out.
Craig: David, thank you for joining us, and best of luck with the launch of AUTUMN: DISINTEGRATION!
David: Thanks very much, Craig. I appreciate it!
Filed Under: Apocalyptic, Writing/Publishing, Zombies
Thanks for this Craig! I've admired Dave's work for a long time now and am so chuffed to see that he's finally getting the recognition he deserves. Can't wait 'til the last of the Autumn series…although with mixed emotions. I don't want it to end!

redpajama_set_name: RedPajamaCommonCrawl


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text:
définition - Larry_David
David at the 2009 Tribeca Film Festival
Lawrence Gene David
(1947-07-02) July 2, 1947 (age 64)
Brooklyn, New York, U.S.
Stand-up, television, film
American[1]
Improvisational comedy, observational comedy, sketch comedy
Self-deprecation, everyday life, manners, sex, social norms
Phil Silvers, Mel Brooks, Woody Allen
Jerry Seinfeld, Ricky Gervais, Jack Dee, Sarah Silverman, Jeff Garlin, Casper Christensen
Laurie Lennard (1993–2007)
Notable works and roles
Writer & cast member, Fridays
Co-creator & head writer, Seinfeld
Creator, writer, & actor, Curb Your Enthusiasm
Outstanding Writing - Comedy Series
1993 Seinfeld
Lawrence Gene "Larry" David (born July 2, 1947) is an American actor, writer, comedian, and producer. He is best known as the co-creator (with Jerry Seinfeld), head writer, and executive producer of the television series Seinfeld from 1989 to 1996, and for creating the 1999 HBO series Curb Your Enthusiasm, a partially improvised sitcom in which he stars as a semi-fictionalized version of himself.
David's work won him a Primetime Emmy Award for Outstanding Comedy Series in 1993. Formerly a standup comedian, David went into television comedy, writing and starring in ABC's Fridays, as well as writing briefly for Saturday Night Live. He has won two Primetime Emmy Awards as well as being voted by fellow comedians and comedy insiders as number 23 of the greatest comedy stars ever in a British poll to select The Comedian's Comedian.[2]
2 Career
2.1 Early work
2.2 Seinfeld
2.3 Curb Your Enthusiasm
2.4 Other projects
5 Books About
Lawrence Gene David[3] was born to a Jewish family in the neighborhood of Sheepshead Bay in Brooklyn, New York. He graduated from Sheepshead Bay High School and then the University of Maryland, with a bachelor's degree in history (1969), and then in business (1970).[4] After college, David enlisted in the Air National Guard.[5]
While a stand-up comedian, David also worked as a store clerk, limousine driver, and television repairman to pay his bills. He lived in Manhattan Plaza, a federally-subsidized housing complex in the Hell's Kitchen neighborhood of Manhattan, across the hall from Kenny Kramer, the inspiration for the Cosmo Kramer character in Seinfeld.[6] David then became a writer for and cast member of ABC's Fridays from 1980 to 1982, and a writer for NBC's Saturday Night Live (SNL) from 1984 to 1985.[7] During his time at SNL, he was able to get only one sketch on the show, which aired at 12:50 AM, the last time slot on the show.[8]
David quit his writing job at SNL midseason, only to show up to work a few days later acting as though nothing had happened. That plot inspired a second-season episode of Seinfeld entitled "The Revenge".[9] David met his future Seinfeld stars during that early stage of his career: He worked with Michael Richards (Kramer) on Fridays[7] and with Julia Louis-Dreyfus (Elaine)[8] on SNL.[10][11] He can be heard heckling Michael McKean when McKean hosted SNL in 1984, and he can be seen in the sketch "The Run, Throw, and Catch Like a Girl Olympics" when Howard Cosell hosted the season finale in 1985.[12]
Main article: Seinfeld
In 1989, David teamed up with comedian Jerry Seinfeld to create a pilot for NBC called The Seinfeld Chronicles, which became the basis for Seinfeld, one of the most successful shows in United States television history,[13] reaching the top on TV Guide's list of the 50 greatest TV shows of all time. Entertainment Weekly ranked it the third-best TV show of all time. David made occasional uncredited appearances on the show, playing such roles as Frank Costanza's cape-wearing lawyer and the voice of George Steinbrenner. He was also the primary inspiration for the show's character George Costanza.[14] David left Seinfeld on amicable terms after the seventh season but returned to write the series finale in 1998, two years later.[15] He also continued to provide the voice for the Steinbrenner character.[16]
David wrote 62 of the episodes of Seinfeld, including 1992's "The Contest", for which he won a Primetime Emmy Award and which TV Guide ranked the episode #1 on its list of "TV's Top 100 Episodes of All Time".[17]
Syndication of Seinfeld earned David an estimated US$250 million in 1998 alone. This amount has been steadily decreasing each year, but payments will continue until the full $1.7 billion from the original deal has been paid. In 2008 David made $55 million from Seinfeld syndication, DVD sales, and Curb Your Enthusiasm.[18][19] He was nominated for an Emmy[20] award 19 times for Seinfeld, winning twice—once for best comedy and once for writing.[21]
Main article: Curb Your Enthusiasm
David in December 2009
The HBO cable television channel aired David's 1-hour special, Larry David: Curb Your Enthusiasm, on October 17, 1999.[22] This was followed by Curb Your Enthusiasm, a television series on HBO that aired its first episode on October 15, 2000.[22] The show revisits many of the themes of Seinfeld,[23] and is improvised from a story outline only several pages long that David writes (as of the 5th season, additional writers were hired).[24]
The actors improvise their dialogue based on the story outline, direction, and their own creativity. David has said that his character in the show, a fictionalized version of himself, is what he would be like in real life if he lacked social awareness and sensitivity.[25] The character's numerous and frequent social faux pas and misunderstandings are the basis of much of the show's comedy and have led to the entry into the American pop culture lexicon of the expression "Larry David moment", meaning an inadvertently created socially awkward situation.[26]
The basis of the show is David's life now that he has earned a fortune and has very little to do in semi-retirement.[27] Alongside David is his wife Cheryl (played by Cheryl Hines), his manager and best friend Jeff (played by Jeff Garlin), and Jeff's wife Susie (played by Susie Essman). Celebrities, including comedians Bob Einstein, Wanda Sykes, and Richard Lewis, appear on the show regularly. Actors Ted Danson and Mary Steenburgen have had recurring roles as themselves.[27]
The show is critically acclaimed and has been nominated for 30 Primetime Emmy Awards, with one win, as well as one Golden Globe win. In the first six seasons, Julia Louis-Dreyfus and Jason Alexander appeared in several episodes, and Jerry Seinfeld made a cameo. In season 7, the cast of Seinfeld, including Michael Richards, returned in a story arc involving David's attempt to organize a Seinfeld reunion special.
In October 2009, the episode "The Bare Midriff", in which David's character inadvertently splatters urine on a picture of Jesus causing a woman to believe the picture had miraculously shed a tear, was the focus of some criticism when Fox News reported that Bill Donohue, president of the Catholic League, criticized it. HBO responded to the criticism, stating, "The humor is always playful and certainly never malicious."[28]
On Wednesday, June 2, 2010, the series premiered on the TV Guide Network, making its network television debut. TV Guide Network also produced a series of related discussions with high-profile guest stars, media pundits, and prominent social figures called "Curb: The Discussion" debating the moral implications depicted in each episode. David is quoted as saying "Finally, thanks to the TV Guide Network, I'll get a chance to watch actual, intelligent people discuss and debate the issues addressed on 'Curb'. Now if only someone could tell me where this alleged 'Network' is, I might even watch it." [29]
David has also been involved in other films and television series. David wrote and directed the 1998 film Sour Grapes, about two cousins who feud over a casino jackpot.[22] It was neither a commercial nor a critical success.[30][31] He has appeared in minor parts in two Woody Allen films – Radio Days and New York Stories[32] – more recently taking the leading role in Allen's New York-based comedy film Whatever Works.[33] Because his daughters are Hannah Montana fans, David, along with his daughters, guest-starred, as themselves, in the episode "My Best Friend's Boyfriend," in which they were waiting for a table at a fancy restaurant.[22] David had a cameo appearance on the HBO series Entourage as a client of Ari Gold, and also appeared as a panelist on the NBC series The Marriage Ref.
During the 2008 U.S Presidential Election, David supported and actively campaigned for Barack Obama.
In December 2010, David penned an op-ed piece for The New York Times, a sardonic critique of the extension of Bush-era tax cuts headlined "Thanks for the Tax Cut!" [34][35]
On May 3, 2011, it was reported that he had signed on to play Sister Mary-Mengele in The Three Stooges film, released in 2012.[36][37]
David married Laurie Lennard on March 31, 1993. They have two daughters, and lived in Pacific Palisades, California.[38] Both Davids became contributing bloggers at The Huffington Post in May 2005.[39][40] On June 5, 2007, the couple announced their intention to amicably separate.[41] Laurie David filed for divorce on July 13, 2007, citing irreconcilable differences and seeking joint custody of the couple's two daughters.[42]
The results of a DNA test shown live on Lopez Tonight in 2009 revealed that 37% of David's ethnic lineage might be Native American.[43] However, the test's accuracy is disputed by several genealogists.[44]
Nominated for a Primetime Emmy Award for Outstanding Writing - Comedy Series for various episodes of Seinfeld from 1991–1994.
Won a Primetime Emmy Award for Outstanding Writing - Comedy Series for the Seinfeld episode, The Contest, in 1993.
Shared a Primetime Emmy Award for Outstanding Comedy Series for Seinfeld with co-creator, Jerry Seinfeld.
Nominated for a Golden Globe Award for Best Performance by an Actor in a Television Series - Musical or Comedy for his role in Curb Your Enthusiasm in 2002, 2004, & 2005.
Voted by fellow comedians and comedy insiders as number 23 of the greatest comedy stars ever in a poll to select The Comedian's Comedian.[2]
Nominated for a Primetime Emmy Award for Outstanding Lead Actor - Comedy Series for his role in Curb Your Enthusiasm in 2003, 2004, 2006 and 2010.
Books About
The Larry David Story: A Parallel Universe Biography
Hitchhiking with Larry David: A True Story From Martha's Vineyard
Pretty, Pretty, Pretty Good: Larry David and the Making of Seinfeld and Curb Your Enthusiasm by Josh Levine (ECW Press, 2010)
^ "Larry David". Encyclopædia Britannica. http://www.britannica.com/bps/search?query=larry+david. Retrieved 2009-07-14.
^ a b "The comedians' comedian". Chortle. http://www.chortle.co.uk/news/2004/12/01/26/the_comedians_comedian. Retrieved 2009-06-16.
^ Divorce document (PDF). TMZ.com.
^ "Alumni Leaders". University of Maryland, College Park. Archived from the original on June 15, 2007. http://web.archive.org/web/20070615150933/http://www.smith.umd.edu/alumni/leaders/index.html. Retrieved 2008-04-02.
^ David, Larry (2004-02-15). "My War". The New York Times. http://www.nytimes.com/2004/02/15/opinion/my-war.html?pagewanted=all&src=pm. Retrieved 2011-08-22.
^ McShane, Larry. "The real Kramer says actor no racist: But Richards is 'paranoid,' 'very wound-up'", Chicago Sun-Times, November 26, 2006. Accessed August 11, 2009. "The real Kramer lived for 10 years in a Hell's Kitchen apartment across the hall from Seinfeld co-creator Larry David, and his life became the framework for Richards' quirky, bumbling Seinfeld sidekick."
^ a b Marin, Rick (2000-07-16). "The Great and Wonderful Wizard of Odds". The New York Times. http://query.nytimes.com/gst/fullpage.html?res=9D06E2DB173BF935A25754C0A9669C8B63&sec=&spon=&pagewanted=all. Retrieved 2008-04-25.
^ a b Shales, Tom (2005-11-12). "'SNL in the '80s': The Last Laugh On a Trying Decade". The Washington Post. http://www.washingtonpost.com/wp-dyn/content/article/2005/11/11/AR2005111102037.html. Retrieved 2008-04-25.
^ ""Seinfeld" The Revenge (1991)". IMDB. http://www.imdb.com/title/tt0697766/. Retrieved 2008-04-02.
^ Koltnow, Barry (1997-05-30). "Eager Actor Finds Kramer a Bit of a Trial". Contra Costa Times. http://nl.newsbank.com/nl-search/we/Archives?p_product=CC&s_site=contracostatimes&p_multi=CC&p_theme=realcities&p_action=search&p_maxdocs=200&p_topdoc=1&p_text_direct-0=1063FD1A84FAFC62&p_field_direct-0=document_id&p_perpage=10&p_sort=YMD_date:D&s_trackval=GooglePM. Retrieved 2008-04-02.
^ Kolbert, Elizabeth (1993-06-03). "Julia Louis-Dreyfus: She Who Gives 'Seinfeld' Estrogen". The New York Times. Archived from the original on April 6, 2008. http://web.archive.org/web/20080406181233/http://www.nytimes.com/specials/seinfeld/sein-dreyfus.html. Retrieved 2008-04-02.
^ "Saturday Night Live". TV.com. http://www.tv.com/saturday-night-live/show/365/episode_guide.html?season=10. Retrieved 2008-04-21.
^ Carter, Bill (1997-12-26). "Seinfeld Says It's All Over, And It's No Joke for NBC". The New York Times. Archived from the original on April 6, 2008. http://web.archive.org/web/20080406181236/http://www.nytimes.com/specials/seinfeld/sein1226a.html. Retrieved 2008-04-25.
^ "The 'real' George Costanza sues Seinfeld for $100 million". CNN. 1998-10-26. Archived from the original on June 19, 2008. http://web.archive.org/web/20080619064459/http://www.cnn.com/SHOWBIZ/TV/9810/26/seinfeld/index.html. Retrieved 2008-04-25. [dead link]
^ Dancis, Bruce (2007-11-05). "DVD Review: 'Seinfeld: Season 9' wraps up all the hilarious nothingness". The Sacramento Bee. Archived from the original on January 16, 2008. http://web.archive.org/web/20080116220709/http://www.sacbee.com/747/story/471870.html. Retrieved 2008-04-25.
^ "Still ... seventh-season DVD shines". The Sacramento Bee. 2006-11-21.
^ "TV's Top 100 Episodes of All Time" TV Guide; June 15, 2009; Pages 34-49
^ "Who's the richest? Seinfeld". Associated Press. 1999-01-01. http://www.southcoasttoday.com/apps/pbcs.dll/article?AID=/19990308/NEWS/303089975&cid=sitesearch. Retrieved 2008-01-19.
^ "#65 Larry David — The 2009 Celebrity 100". Forbes. 2009-03-06. http://www.forbes.com/lists/2009/53/celebrity-09_Larry-David_6ZH4.html. Retrieved 2009-10-05.
^ Larry David Emmy Nominated
^ "Larry David". TV.com. http://www.tv.com/larry-david/person/8236/biography.html. Retrieved 2008-04-21.
^ a b c d "Larry David (I)". IMDB. http://www.imdb.com/name/nm0202970/. Retrieved 2008-04-02.
^ "COMEDY CLUB.(Jerry Seinfeld: a film 'Comedian,' and his influence on the 'Curb Your Enthusiasm' TV show)". The New Yorker. 2002-10-28. http://www.accessmylibrary.com/coms2/summary_0286-26533172_ITM. Retrieved 2008-04-19.
^ "'Curb Your Enthusiasm' and 'Seinfeld' Writers Talk About the Legend of Larry David". RollingStone. 2011-07-20. http://www.rollingstone.com/movies/news/curb-your-enthusiasm-and-seinfeld-writers-talk-about-the-legend-of-larry-david-20110720. Retrieved 2011-07-25.
^ "What Was That? Researchers Explore Below-the-Radar Racism". Model Minority. 2008-02-11. Archived from the original on 2008-05-09. http://web.archive.org/web/20080509062806/http://modelminority.com/article1109.html. Retrieved 2008-04-22.
^ David Brinn (October 9, 2009). "'Yeah, I'm available for Woody Allen'". Jerusalem Post. http://fr.jpost.com/servlet/Satellite?cid=1254861902946&pagename=JPost/JPArticle/ShowFull.
^ a b "Once Upon A Time In Mexico". Rick McGinnis. http://www.rickmcginnis.com/dvd/069.htm. Retrieved 2008-04-22.
^ "Larry David Blasted for 'Curb' Episode Where He Urinates on Jesus Painting". Fox News. 2009-10-28. http://www.foxnews.com/entertainment/2009/10/28/catholic-league-blasts-larry-david-curb-episode-urinates-jesus/?test=faces. Retrieved 2009-10-29.
^ "TV Guide Network Teams-up with Legendary Show Creator Larry David to Launch "Curb Your Enthusiasm" Exclusive Extras Hosted by Series Regular Susie Essman". March 22, 2010. http://www.businesswire.com/portal/site/home/permalink/?ndmViewId=news_view&newsId=20100322005537&newsLang=en. Retrieved March 22, 2010.
^ "Sour Grapes". Box Office Mojo. http://boxofficemojo.com/movies/?id=sourgrapes.htm. Retrieved 2008-04-02.
^ "Sour Grapes". Rotten Tomatoes. http://www.rottentomatoes.com/m/sour_grapes/. Retrieved 2008-04-02.
^ Sperling, Nicole (2008-02-06). "Larry David, Evan Rachel Wood to star in Woody Allen's next movie". Entertainment Weekly. Archived from the original on 2008-02-15. http://web.archive.org/web/20080215060041/http://hollywoodinsider.ew.com/2008/02/larry-david-to.html?. Retrieved 2008-04-02.
^ "Larry David, Evan Rachel Wood to star in Woody Allen's next movie". Hollywood Insider. Entertainment Weekly. Archived from the original on May 22, 2008. http://web.archive.org/web/20080522073609/http://hollywoodinsider.ew.com/2008/02/larry-david-to.html?xid=rss-cnn-todayslatest-20080206-Allen+casts+Larry+David%2C+Evan+Rachel+Wood. Retrieved 2008-02-07.
^ "Reuters: Larry David "Praises" Tax Cuts for Rich in NY Times". 2010-12-21. http://www.reuters.com/article/2010/12/21/us-larrydavid-idUSTRE6BK6VA20101221.
^ David, Larry (2010-12-20). "NY Times: Thanks for the Tax Cut!". The New York Times. http://www.nytimes.com/2010/12/21/opinion/21david.html?_r=2&src=twrhp.
^ "Larry David Torments 'The Three Stooges' And 'Hunger Games' Finds More Tributes In Today's Casting Call » MTV Movies Blog". Moviesblog.mtv.com. http://moviesblog.mtv.com/2011/05/03/larry-david-three-stooges-hunger-games-casting. Retrieved 2011-06-13.
^ The Three Stooges at the Internet Movie Database
^ "News for "Seinfeld" (1990)". IMDB. http://www.imdb.com/title/tt0098904/news. Retrieved 2008-04-02.
^ "Laurie David's Huffington Post blogger page". http://www.huffingtonpost.com/laurie-david. Retrieved 2009-11-24.
^ "Larry David's Huffington Post blogger page". http://www.huffingtonpost.com/larry-david. Retrieved 2009-11-24.
^ Johnson, Richard (2007-06-05). "Newly Single". Page Six (New York Post). http://www.nypost.com/seven/06052007/gossip/pagesix/newly_single_pagesix_.htm. Retrieved 2007-06-05. [dead link]
^ Finn, Natalie (2007-07-19). "Divorcing Larry David". E!. http://uk.eonline.com/uberblog/b55681_divorcing_larry_david.html. Retrieved 2008-04-02.
^ Extra TV (Nov. 13, 2009). "Larry David's Surprising DNA Test on 'Lopez Tonight'". Warner Bros. http://extratv.warnerbros.com/2009/11/larry_davids_surprising_dna_test_on_lopez_tonight.php. Retrieved Dec. 27, 2010.
^ Smolenyak, Megan (December 24, 2009). "Playing with DNA: Is Larry David Really 37% Native American?". The Huffington Post. http://www.huffingtonpost.com/megan-smolenyak-smolenyak/playing-with-dna-is-larry_b_402795.html. Retrieved September 25, 2011.
Wikimedia Commons has media related to: Larry David
Wikiquote has a collection of quotations related to: Larry David
Larry David at the Internet Movie Database
Larry David at HBO
Top 100 Shows at Entertainment Weekly
LarryDavidFan.com Fansite
Larry David at Emmys.com
Primetime Emmy Award for Outstanding Writing in a Comedy Series (1990–1999)
Bob Brush for "Good-bye" (1990)
Gary Dontzig & Steven Peterman for "Jingle Hell, Jingle Hell, Jingle All the Way" (1991)
Elaine Pope & Larry Charles for "The Fix-Up" (1992)
Larry David for "The Contest" (1993)
David Angell & Peter Casey & David Lee for "The Good Son" (1994)
Chuck Ranberg & Anne Flett-Giordano for "An Affair to Forget" (1995)
Joe Keenan & Christopher Lloyd & Rob Greenberg & Jack Burditt & Chuck Ranberg & Anne Flett-Giordano & Linda Morris & Vic Rauseo for "Moon Dance" (1996)
Ellen DeGeneres & Mark Driscoll & Dava Savel & Tracy Newman & Jonathan Stark for "The Puppy Episode" (1997)
Peter Tolan & Garry Shandling for "Flip" (1998)
Jay Kogen for "Merry Christmas, Mrs. Moskowitz" (1999)
(2010–present)
Writers Guild of America Award for Best Screenplay - Episodic Comedy (1990–1999)
Diane English for "Brown Like Me: Part I & II" (1990)
Ken Levine & David Isaacs for "Rat Girl" (1991)
Diane English & Korby Siamis for "Uh-Oh: Part II" (1992)
Lawrence H. Levy & Larry David for "The Mango" (1994)
Joe Keenan for "The Matchmaker" (1995)
David Mandel for "The Pool Guy" (1996)
Gregg Kavet & Andy Robin for "The Fatigues" (1997)
Rob Greenberg for "Frasier's Imaginary Friend" (1998)
(1960s)
Larry David · Jerry Seinfeld
Major writers
Larry David · Jerry Seinfeld · Larry Charles · Peter Mehlman
Jerry Seinfeld · George Costanza · Elaine Benes · Cosmo Kramer
Newman · Ruthie Cohen · Frank Costanza · Estelle Costanza · Morty Seinfeld · Helen Seinfeld · Susan Ross · Uncle Leo · Jacopo Peterman · George Steinbrenner · David Puddy · Jackie Chiles · Kenny Bania · Justin Pitt · Mickey Abbott
1 · 2 · 3 · 4 · 5 · 6 · 7 · 8 · 9
List of Seinfeld minor characters · DVDs · Festivus · Kenny Kramer · Monk's Café · Awards and nominations · Seinlanguage · Curb Your Enthusiasm · "Seinfeld" (Curb Your Enthusiasm episode)
"Seinfeld" (List of episodes)
Recurring roles · Guest stars · Awards and nominations · Larry David · Seinfeld
Name David, Larry
Alternative names David, Lawrence Gene
Short description Writer, comedian, producer
Date of birth July 2, 1947
Place of birth New York City
Retrieved from "http://en.wikipedia.org/w/index.php?title=Larry_David&oldid=497233286"
Actors from New York City
American film actors
American Jews
American screenwriters
American stand-up comedians
American television actors
American television producers
American television writers
Jewish actors
Jewish comedians
Jewish comedy and humor
People from Hell's Kitchen, Manhattan
People from Sheepshead Bay, Brooklyn
Writers Guild of America Award winners
University of Maryland, College Park alumni
Toutes les traductions de Larry_David


text:
package energy.usef.core.service.business;

import javax.ejb.Stateless;
import javax.inject.Inject;

import org.joda.time.LocalDate;
import org.slf4j.Logger;
import org.slf4j.LoggerFactory;

import energy.usef.core.repository.MessageErrorRepository;
import energy.usef.core.repository.MessageRepository;
import energy.usef.core.repository.SignedMessageHashRepository;

/**
 * Business service class in charge of housekeeping operations concerning transport layer.
 */
@Stateless
public class TransportHousekeepingBusinessService {
    private static final Logger LOGGER = LoggerFactory.getLogger(TransportHousekeepingBusinessService.class);

    @Inject
    private MessageErrorRepository messageErrorRepository;

    @Inject
    private MessageRepository messageRepository;

    @Inject
    private SignedMessageHashRepository signedMessageHashRepository;

    /**
     * Cleanup core transport layer data for a given period.
     *
     * @param period
     */
    public void cleanup(LocalDate period) {

        int messageErrorCount = messageErrorRepository.cleanup(period);
        LOGGER.info("Cleaned up {} MessageError objects", messageErrorCount);

        int messageCount = messageRepository.cleanup(period);
        LOGGER.info("Cleaned up {} Message objects.", messageCount);

        int signedMessageHashCount = signedMessageHashRepository.cleanup(period);
        LOGGER.info("Cleaned up {} SignedMessageHash objects.", signedMessageHashCount);
    }
}

redpajama_set_name: RedPajamaGithub


text:
Rita Wilson shakes up premiere tradition in sneakers and vibrant floral tracksuit
Penelope Pelecas
Rita Wilson stepped out in a casual tracksuit combo for the premiere of her new film Boy Genius in California earlier this week. Source: Getty
She may be known for her glamorous ball gowns and stylish dresses on any number of red carpets over the years, but Rita Wilson has proven with her latest outfit that fashion doesn't always have to mean sky-high stilettos and fancy dresses, as she stepped out in a very colourful tracksuit combo.
The American actress looked casually chic in a very dramatic floral patterned jacket and matching pants by Italian luxury brand Gucci as she attended the premiere of her new film Boy Genius in California earlier this week. The film follows a 12-year-old child prodigy who teams up with retiree Mary Locke (played by Rita) to solve a crime and save his family from splitting up.
Tom Hanks' wife teamed the vibrant ensemble with a blue silk top and a pair of white sneakers in place of her usual stilettos. After all, why not opt for comfort once in a while? She accessorised with several necklaces, an assortment of rings and very natural looking makeup, which included a touch of blush and a pink lip, while she wore her caramel locks in soft waves for the star-studded occasion.
Meanwhile, Rita proved she is every bit a fashion icon as she showed off yet another stylish outfit last week, stepping out in a striking suit combo to attend a screening premier of the film. Rita looked incredible in the stylish ensemble, which included a tailored pair of peach-coloured pants, a black silk singlet and a matching black blazer.
Wearing her long hair in loose waves over her shoulders, the actress looked a million dollars as she posed for the cameras. Rita finished off the glamorous ensemble with black stiletto heels, a matching clutch and silver jewellery.
Rita Wilson proved she is every bit a fashion icon as she showed off yet another stylish outfit last week. Source: Getty
And it comes after she turned heads once again in a fitted metallic dress as she hit the red carpet at The Women's Cancer Research Fund's annual star-studded gala earlier this year.
Wearing her brunette locks in soft waves to the side, the star glowed as she posed for cameras at the event. Meanwhile, she finished off the glamorous ensemble with black pointed heels, subtle gold jewellery and a bright red lip.
Rita Wilson put on a striking display in a fitted metallic dress. Source: Getty
The Women's Cancer Research Fund, a program of the Breast Cancer Research Foundation, supports innovative research, education and outreach directed at the development of more effective approaches to the early diagnosis, treatment and prevention of women's cancers.
Rita was diagnosed with breast cancer in 2015 and underwent a bilateral mastectomy and reconstructive surgery. "After I got diagnosed, I was shocked and scared. I didn't know what was going to happen," Rita told Vanity Fair at the dinner.
"What helped me was my faith. I'm Greek Orthodox. I was raised in that faith, and I still have a very strong faith. That really helped me especially when things were so out of control. My husband, my children, my brother, and my incredible girlfriends also helped me."
CelebrityNewsDiscoverLifestyleStyle


Premier boutique law firm Kleinberg Kaplan has represented Elliott Management Corporation and GFI Capital Resources Group, in a joint venture to acquire The Parker New York hotel.
In one of the most significant hospitality transactions during the past few years in New York City, affiliates of Elliott Management Corporation ("Elliott") and GFI Capital Resources Group ("GFI Capital"), one of the nation's leading hotel developers, today announced the acquisition of The Parker New York which overlooks Central Park along the famed "Billionaires' Row" corridor in Manhattan. The new owners have committed more than $100 million to revitalize the hotel and will add a mix of new luxury residential condominium units, led by renowned designer Thomas Juul-Hansen, who will mastermind the interior finishes. The condos will boast floor-to-ceiling windows, and offer an array of unique hotel services and amenities. GFI Capital has previously worked with Elliott in multiple instances including The Beekman, a Thompson Hotel, & Residences in Lower Manhattan. Hyatt will operate The Parker New York immediately as a Hyatt-affiliated hotel, while GFI Capital prepares the property for its full renovation expected to begin in 2020. The hotel will remain open during construction, and will be relaunched as the newest flagship Thompson Hotel in 2021.
Kleinberg Kaplan's deal team, which represented the joint venture in the purchase and financing of the property, included real estate group partners Ross Yustein, Chris Terry and Euchung Ung, and associates William Pena and Logan Wyman. Also working on the deal were tax partner Jim McCann and associate Deborah Taeid.
The 42-story Parker New York, located at 119 West 56th Street, currently boasts 729 rooms, 9,000 square feet of meeting and event space, four restaurants – including the ever-popular Norma's, Burger Joint and Indian Accent – five retailers and a full-service fitness facility and spa.


text:
Q: Signed Magnitude Binary number to Hexadecimal I can't find too much about this by myself when googling and I am confused overall. So I decided to ask here.
So I'm trying to convert a Signed Magnitude Binary number to Hexadecimal.
Lets take 111011. So being that it is signed, I know that the leftmost bit will signify a negative sign (-ve). And the "11011" part is 27. So that number would be -27 in base-10.
But how would you represent that in hex? How do negative signs work in hex?

A: Negative signs work exactly the same way in hexadecimal as they do in decimal: simply put $-$ before the number. In your case, $-27_{10}=-\rm{1B}_{16}$.
Sign-and-magnitude notation is peculiar because there exists a representation of negative zero. Because of this, and the gate cost of implementing circuitry working with this format, we do not use it often, instead preferring twos-complement (which has no negative zero). A brief survey of digital representations of negative numbers can be found on Wikipedia.

redpajama_set_name: RedPajamaStackExchange


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Tag Archives: kiriti sengupta
An Interview with Kiriti Sengupta
Global Dimension To Bengali Poetry
Interview by Anit Mukerjea
Kiriti Sengupta, a Dental Surgeon and graduate of the University of North Bengal is also the author of other bestselling titles: My Glass Of Wine, a novelette based on autobiographic poetry, and The Reverse Tree, a nonfictional memoir. His other works include My Dazzling Bards [literary critique], The Reciting Pens [interviews of three published Bengali poets along with translations of their Bengali poems], The Unheard I [literary nonfiction], Desirous Water [contributed as a translator], Poem Continuous – Reincarnated Expressions [contributed as a translator]. Sengupta's works have received critical acclaim Sengupta has also co-edited three anthologies of poetry; Scaling Heights, Jora Sanko – The Joined Bridge, and Epitaphs. His latest creative venture Healing Waters Floating Lamps is a collection of philosophical verses that delves into the magic of healing, complimented by photographs that are eye-catching. While appreciating the book K. Satchidanandan, the renowned poet has stated, "These poems are different from the run-of-the-mill Indian English poems in being far closer to our humdrum daily experiences and their baffling paradoxes and cruel ironies." Healing Waters has been a bestselling title in the United States [on Amazon]. Here are excerpts from a personal interaction with the poet and translator, Kiriti Sengupta.
Anit Mukerjea: What inspired you to base your present anthology of poetry on the theme of Healing Waters Floating Lamps?
Kiriti Sengupta: On a recent trip to Varanasi I observed the devotees of Lord Shiva floated tiny lamps in the Ganges. These lamps floated for a long time without extinguishing, the water having a healing effect and the lamps moved on. My present book of verses was first named Crucifixion Is Christ-Filled. This was inspired by one of my poems titled Namesake. However, I was not happy with the title, and I emailed the entire manuscript to Eileen Register, who is a brilliant writer and a poet, living in Florida. It was Eileen who carefully read my manuscript and came up with the title. You know, the title Healing Waters Floating Lamps perfectly compliments the poems that have been included in the book. Now, if you ask me the inspiration behind this anthology of poetry, it was Gopal Lahiri, one of my reviewers who strongly suggested that I must publish an exclusive collection of my poems, for he thought my other books have quite of a few of them woven in nonfictional memoirs. So, this has been the background score. Spirituality and Philosophy have always been an integral part of poetry. The book is all about the philosophies of my life, the way I look at my being!
Anit: You are a Dental Surgeon by profession. What made you choose poetry as your creative canvas?
Kiriti: Does one really enjoy an option of choosing poetry as his/her creative canvas? I don't think so. Poetry is one of the most condensed form of literature, and it germinates within one's existence. You don't have a choice here. Either you have poetry in you, or you don't. You can't write poetry just for the sake of writing it. You may learn crafting, but poetry arrives naturally. I must tell you that a few months back I have interviewed the famous Bengali poet Bibhas Roy Chowdhury, and the article [interview] appeared on "Word Riot," a well-respected, online literary journal published from the United States. In his interview Roy Chowdhury categorically stated, "Poetry involves eternity … I believe, poetry emerges from our lives quite helplessly…"
Anit: What is your take on the flow of ideas in poetry should be spontaneously backed by a stream of consciousness?
Kiriti: Ah! A relevant question indeed. If you ask me what consciousness is I would tell you that it is a larger perspective of your vision. I told you before, my poetry reflects the ways I envision life and its challenges. There is always a stream of consciousness irrespective of the tone, structure, and nuances of the language I use in writing poetry. You know, during the launch of Healing Waters Floating Lamps poet and academic Sharmila Ray read from the poem Evening Varanasi, and she interpreted the title first. She explained, "One must meditate on the title. Sengupta did not write 'Evening In Varanasi,' but he wrote Evening Varanasi. Readers have to comprehend the implications of such a title." Sharmila is one of the prominent Indian English poets of our times, and she has been pretty quick and apt in identifying the 'streams of consciousness' in my poems.
Anit: You have been known to have undertaken translation work of Bengali poetry into English in The Reciting Pens, Desirous Water, and Poem Continuous. What has been the response of these translated poems abroad?
Kiriti: Both The Reciting Pens, and Poem Continuous have been published by Inner Child Press, Limited. This is a small press situated in New Jersey, U.S.A. On the other hand, Desirous Water has been published by The Poetry Society of India, Gurgaon. Among them Poem Continuous has been widely appreciated and reviewed both nationally as well as internationally. I think, globalization of Bengali poetry can be achieved through translation work, and I have been considerably successful in my attempts.
Anit: Don't you think translation work becomes difficult when two different languages with their distinct separate nuances and idioms whose meaning and dimension may be lost in translation?
Kiriti: You are right. Translators do suffer from apprehensions of conveying the exact nuances of the original language to the target audience. But you know, translators are primarily readers, and interpretation of poetry differs from one reader to another. Therefore, I consider "translation" as "transition." My approach is to follow the original piece as closely as possible, and I seldom include my interpretations in the translated version, for a "faithful" translation is believed to be the best approach. I make sure my translation hits the right chord of the target audience as I get my works edited by an expert poetry-editor. Unfortunately we don't have many efficient poetry-editors in India, and poets at large refrain from getting their works edited. They fail to understand that an expert editor would not impose changes forcibly, an editor finely polishes the surface roughness of a work rather.
Anit: Until now you have collaborated with three American editors. Stephen L Wilson, Kate Lantry, and Don Martin. They have given the requisite edge to your works. Any plans to work with them again?
Kiriti: I'm eternally grateful to my editors. Both Kate and Stephen have been instrumental in editing The Reciting Pens, a book of translated long interviews of three published Bengali poets from Calcutta along with their translated poems. They taught me to identify "lazy words," and helped me to get rid of irrelevant portions from the interviews in order to make them compact and sharper. Long interviews often tire the readers, but in The Reciting Pens my editors made sure that the interviews read smooth and fresh. I can remember while translating From The Crossroads, a Bengali poem by Ranadeb Dasgupta, I wrote: "During daytime the shops resemble lover boys, while under the halogen street-lamps they have conspiring eyes." Kate aptly edited the line that finally read as: "During daytime the shops resemble libertines, while under the halogen street-lamps they have conspiring eyes." From lover boys to libertines, you see, how a word-change rendered better perspective to my translation!
Don Martin, on the other hand, is not only an efficient editor, he is a bestselling author as well. I have worked with him for most of my books. Whether it is my translated work, nonfiction, memoir, or poetry Don understands my breaths quite well. I have picked quite a few of editorial skills from him, and Don has been extremely supportive to my literary endeavors. He is a nice gentleman, and we are now good friends.
Anit: Your older books like My Glass Of Wine, and The Reverse Tree have done remarkably well in the market. MGOW has been a national bestseller while TRT has been a bestselling title in the United States. Both of these titles got you critical acclaim in several literary journals. Do you think marketing goes a long way towards the success of a book?
Kiriti: Marketing is indeed important to secure immediate readership, but it is the work that will speak for itself in future. In MGOW my objective was to bring more readers to poetry, and I proved my point. Poetry can be cherished even by the general readers of literature if it is presented with narratives or relevant nonfictional prose pieces. MGOW has essentially been a work that centers around poetry, written by me in English-language. In an article published in The Statesman [Delhi ed.] on 23rd of April, 2014 it was documented that MGOW has been a bestselling title across the online portals in India.
The Reverse Tree has been a work of nonfictional memoir that included a few poems. It got several interesting chapters on transgender/transsexual issues, scriptural verses and their influences in my life, racism, mimicry, among others. In a nutshell, TRT projected my journey towards understanding the quest of life. It has been appreciated in international journals like Red Fez Magazine, Word Riot, and I am expecting a review in Muse India, one of the most significant literary journals published in India. I'm thankful to my reviewers who have appreciated my works. Having said that I must add I have my share of negative or not-so-positive reviews, but they only made me alert of my limitations as an author.
Anit: Tell me something about the anthology Jora Sanko – The Joined Bridge.
Kiriti: Jora Sanko has been a diligent effort of compiling and editing English-language poems by the Bengali poets across the globe. I co-edited the anthology along with Dr. Madan Gandhi, President of The Poetry Society of India, Gurgaon. In this book I have had collaborated with the big names and some extremely talented poets like Debjani Chatterjee, Sudeep Sen, Sanjukta Dasgupta, Sharmila Ray, Ranadeb Dasgupta, Ananya S Guha, Gopal Lahiri, Bishnupada Ray, Jaydeep Sarangi, Debasish Lahiri, Sutapa Chaudhuri, Sujan Bhattacharya, among others. Our effort received appreciations in The Hindu Literary Review, Muse India, among other places. Another exciting achievement is Jora Sanko has been placed in the Poetry Library at the Royal Festival Hall, London. I'm planning to bring out the second edition of Jora Sanko in order to include other Bengali poets who write in English-language.
Anit: What is the response of your present book of poems Healing Waters Floating Lamps? Your reviewers must have been happy with those spectacular verses.
Kiriti: HWFL got published only a few weeks ago. I'm yet to receive reviews, but I'm sure my work would be appreciated by the critics, poets and readers. Let me share the trade facts here: HWFL has been a best-selling poetry title in the United States in Indian Literature, and you know, it ranked first among the "Hot New Releases" in Indian Literature on Amazon [United States].
I don't know if my verses are "spectacular," I'll rather term them "subtle," or "humble." You are perhaps aware that I am a spiritual person, and spirituality centers around one's journey towards realization of the "self." Spirituality has nothing to do with the so-called "religions." Religions divide while true spirituality unites. My poems are to deliver certain messages to the readers. Above all, my poems speak about "simple living."
Anit: When you are penning a Bengali or an English poem is there a subtle difference in the thought processes of those two languages?
Kiriti: Certainly yes. Languages have their characteristic nuances. The way I think when I write a Bengali poem is quite different from the way when I think in English. This is indeed a challenging task for any bilingual poet, but poetry in itself is a cardio-cerebral affair.
Anit: What are the projects you are currently working on?
Kiriti: I'm trying to bring out the second edition of Poem Continuous. The first edition bore only thirty translated poems by Bibhas Roy Chowdhury. And now I would translate another thirty poems of Roy Chowdhury, so the target readers can read more works of this noted Bengali poet. I'm also planning for another book of my verses. I'm yet to finalize the manuscript, though.
– Anit Mukerjea is a poet, writer, and a painter based in Calcutta. He is a columnist with The Statesman for nearly three decades. He has extensively written in other journals and magazines published from Delhi and Mumbai.
Posted in interviews, literary news, poetry news, Uncategorized
Tagged anit mukerjea, bengali poetry, interview of kiriti sengupta, kiriti sengupta, literary interview, poet interview, poetry india, poetry translation, translation
My Glass Of Wine by Kiriti Sengupta
Posted on August 30, 2014 | 15 comments
Publisher: Author's Empire Publication, India (April 26, 2014)
Reviewed by Shernaz Wadia
As I held Dr. Kiriti Sengupta's little book in my hand for the first time, my instant reaction was, "Oh, this shouldn't be too time-consuming." I was right in that it took me just a few hours to read it but it is going to take much longer to savour the delight of the wine in it – the heady wine of love and spirituality; of a curious, contemplative and open mind; a large accepting heart – all embodied in the simple, direct words of the writer that make you enjoy and revel in this intoxicating cocktail of prose and poetry. A delightful experience as we take sips from his glass!
It has already been mentioned by others that this book cannot be pigeonholed. As he says in the preface "When I wrote the manuscript I deliberately wrote down what came into my mind. I never considered what genre my book would fit into." To brand it would be to diminish it. It is a distillation of some momentous pieces…autobiographical word snapshots, each followed by a poem. This book is Kiriti's humble attempt to take poetry to all book lovers so that it can 'reach its pinnacle again'. With great simplicity he tackles issues of love, spirituality, relationships, the world and nature as he perceives them and brushes them with his poetic sensibility.
He cracks open little drawers and lets us peek into some uplifting moments of his life. The initial glimpse is into his first date with his future wife Bhaswati, which began on a slightly comical note that for him turned into the stepping stone of his literary journey. His wife to-be was quite amused when she asked him about a Rabindranath Tagore novel and he replied that he didn't read poetry at all! Because the novel was "Shesher Kobita"! This honest revelation by Dr. Sengupta at the start of the book immediately endears him to his readers and keeps charming them till the end.
The poet Kiriti was born from the agony of a painful relationship with a friend to whom he addressed his first poem in Bengali. While he says that with all its innumerable functions and facets poetry should also entertain, he believes that true poetry arises out of total consumption of one's being.
Consumed time/ like an infant consuming
milk; inevitable/ it remains.
Killed essence of
the eternal soul; and consumed,
Essentially I remain…
The second chapter from which the book takes its title shows us another side of Kiriti as he takes us along on a sacred trek. He is gentle but forthright in the weaving of this tale. We get whiffs of the wine that he imbibes spiritually and are given a peep into that part of his life which was experimental and experiential, culminating into the insightful observation that 'red'- the colour of some wines and of blood – is divinely symbolic in Christianity, Tantric Hinduism and Islam. Whereas in Christianity, (to which he received formal baptism after the priest was convinced that he had attained spiritual baptism) 'red wine' is representative of Jesus' godly blood sacrificed for mortals; Tantrics also use alcoholic beverages in their rituals and hold 'red' to be the colour of divine power. And so their attire is blood red in hue. With these he compares the Islamic ritual of animal sacrifice – 'Qurbani' – and draws the conclusion that 'the elements of blood, power, alcohol and red (are) associated intimately with divinity". "Blood Red", the poem at the end of the chapter is a summation of this belief. The poetic vision he lends to his experiences and deep meditation on things we take for granted in our indifferent stride, shakes up our mental lethargy and prods us to reflect intensely on such matters.
From the sphere of spirituality, we go into an investigation of the word "Bhaiya" – meaning older brother – a tag given to him by his elder sister! From there onto his take on 'name' with which he plays a word game, replacing 'n' with 'f' and then with 'g'. He muses that though many Indians are named after gods and goddesses, ruefully few imbibe the virtues of their namesakes – "Religion has left its profound mark in the psyche of Indians, but has failed to alter their behavioural pattern."
Whispers the tale fo your character,
colour and its fragrance merge to call it/ a Rose.
A lot matters, /if you remember/ the name…
In the next chapter, Southern Affiliation he talks of his association with the southern city of Chennai (Madras), whose charms have bitten him affectionately. His affiliation is further enhanced by Mr. Atreya Sarma, to whom he devotes a whole paragraph and dedicates the poem "Clarity".
"Rains" is an allusion to situations that bewilder and hurt him; those thoughts, crowds, disciplines in which he tends to get totally drenched. These 'rains' have inspired poems from his haemorrhaging heart. His scientifically trained mind believes that love is "a strong cerebral affair." It is the brain that rules the heart he feels and yet he says love is "a wonderful experience that enables you to feel your loved inside of you." How beautiful is that!
"My Master and the Cover" is the most significant chapter. He talks about his initiation into Kriyayoga by his beloved master; about Spiritual awakening through the rising Kundalini – the Divine Feminine force – whereby an aspirant experiences a 'winy trance'. In the glow of his awakening he also tries to justify the cover design as substantiating Yoga in the light of literature, though there could be many different interpretations, as the designer refuses to explain his creation. But even as he exults in his Awakening he laments the moral degradation of the world and is grateful for his Master who helps him uncover the mysteries of life.
As identical as 'I'/through the slice of my sigh.
Like the sky; where the stars shine bright and/ the Sun 'I'.
This book 'stirs' the reader to arouse his sleeping Kundali
You can check out the book here:
http://www.amazon.com/My-Glass-Wine-only-glass/dp/8192861902/ref=sr_1_1?s=books&ie=UTF8&qid=1408986531&sr=1-1&keywords=my+glass+of+wine
– Shernaz Wadia, a retired teacher, lives in Pune, India. A free-lance writer, her articles, short stories and poems have been published in many online journals and literary magazines like Muse India, Boloji, Kritya and The Enchanting Verses etc. Her poems have been anthologised in Poets International, Roots and Wings and Caring Moments. Shernaz is in the process of publishing her poems in a book titled Whispers of the Soul.. She has also co-authored a book of poems titled "Tapestry", with Israeli poetess Avril Meallem. It is an innovative form of collaborative poetry writing developed by the two of them.
Posted in book reviews, fiction review, literary news, Uncategorized
Tagged Author's Empire Publication, book review, book review by shernaz wadia, kiriti sengupta, My Glass Of Wine by Kiriti Sengupta, Shernaz Wadia
Poem Continuous – Reincarnated Expressions – By Bibhas Roy Chowdhury- Translated by Kiriti Sengupta
Publisher: Inner Child Press, Ltd. (July 17, 2014)
As Leonard Cohen put it so aptly poetry is just the ash, the evidence of a life burning well. When a poet fleshes up his emotions and thoughts and attires them with words, a poem seems to take on a life of its own but an invisible umbilical cord runs from the creator's soul to that of the poem, making them indivisible.
It has been said that a poem is never finished. Even if the last line seemingly ends on an air of finality there is no true closure. There remain gaps to be filled between the stanzas, lines and words. Poems grow along with the poet making them an uninterrupted process. Even if he does not alter them on revisits, new ones sprout out of that receptive emptiness giving them continuity. In this book, Poem Continuous, the 'Reincarnated Expressions' are birthed through their transition from Bengali into English, done smoothly by Kiriti Sengupta.
Bibhas's voice pulsates with an undercurrent of passion…it is melancholic yet inflected with hope…pithy in words but loaded with sensitivity…it is a reflection of the loneliness of the poet's heart and its aches. To quote Kafka, "(his) pen is the seismograph of (his) heart." I realised that these poems are not for idle reading. I read them once, I read them again and then again each time sinking a little deeper into their profundity, their challenging complexity, and emerged with an 'aha' feeling. That is the beauty of these poems…they plummet you beyond the tips into their inner core and thereby into your own deeper recesses, conversing with your sense of self.
Minimalistic, staccato at times, as in "The Small Boat" – Bird…Bird…Bird…Bird/Fetch the sky
and again in 'The Offering' which is all of four very poignant lines dedicated to Rabindranath Tagore,
"Poison in the diet
the budding poet!
Ye, the source…
What is in your mind?"
The poet leaves us pondering. I have used more words to talk about the poem than he has to convey his distress at the pathetic marginalisation today of poetry and poets. In the third line he expresses his reverence for the great bard in just three words!
Bibhas' poetry is enigmatic with a near mystical aura to it as he puts into words his innermost emotions about life, love, nature and other poets. He connects with both the worlds – that of matter and of spirit to find and define the meaning and balance in life. His language is fragmented at times when all he has are shards of pain to be expressed, for instance, in 'The Tie of Brotherhood', where he laments –
"We are finished, aren't we?
Can you hear me, Gurudev? Ye Tagore?
Crowd no longer…no music…hands free!
Now the ties are lost, and so are the Bengalis…"
In his Translator's Note, Kiriti says "… wounds are essentially native, and they are difficult to translate into other languages." I think other poets will concur with me when I say that often wounds of the spirit are native to the individual soul and are near impossible to transmit into words. That Bibhas and in this case, the translator has been able to open up those deep gashes so movingly to the readers, is very laudable.
'Bhatiali – Song of the Boatmen', is pure anguish. It harnesses the distress of myriad souls who
"Wish my blood obliterates the Partition, on either side of the border…" His pain transmutes into obstinate hope as he ends his poem with these lines:
"In the core of my heart I nurse the wounded soul carefully/Union of the parted Bengal will aid in my recovery…"
Though the poet talks of a divided Bengal, the soreness of his words reflects an universal ache…no country, no people like the divides they are forced into by the scheming, screaming, contorted truths propagated by authority, by those few who snatch power, control minds and leave them defenceless.
The poet often asks questions in his poems. In The Horizon, he asks "What is poetry?" and concludes with these lines
"The blind bird/was painting/its nest so deceptive/on the water-body…" Let each reader and lover of poetry demystify these words in his own heart and mind, for poetry means several things to different people.
Don Martin calls this book "A Literary Tour-de-Force". Full of praise for the work he says, "This is a seamless, and highly accomplished Bengali poetry. Experienced lovers of poetry will immediately recognise the significance and nuances of the work. Those new to Bengali poetry are in for a real treat!"
You can check out the book here: http://www.amazon.com/Poem-Continuous-Reincarnated-Bibhas-Chowdhury/dp/0692233180
Shernaz Wadia, a retired teacher, lives in Pune, India. A free-lance writer, her articles, short stories and poems have been published in many online journals and literary magazines like Muse India, Boloji, Kritya and The Enchanting Verses etc. Her poems have been anthologised in Poets International, Roots and Wings and Caring Moments. Shernaz is in the process of publishing her poems in a book titled Whispers of the Soul.. She has also co-authored a book of poems titled "Tapestry", with Israeli poetess Avril Meallem. It is an innovative form of collaborative poetry writing developed by the two of them.
Posted in book reviews, literary news, poetry news, Uncategorized
Tagged bibhas roy Chowdhury, book review, Inner Child Press, kiriti sengupta, leonard cohen, Poem Continuous – Reincarnated Expressions – By Bibhas Roy Chowdhury- Translated by Kiriti Sengupta, poetry book review, poetry book review by Shernaz Wadia, Shernaz Wadia


text:
Girolamo Tartarotti – abate, letterato e filosofo italiano
 Jacopo Tartarotti – letterato e storico italiano
 Johannes Tartarotti – calciatore austriaco
 Stefano Tartarotti – illustratore e fumettista italiano

redpajama_set_name: RedPajamaWikipedia


text:
Home » General » Business » Odisha collects Rs 28,973cr mining revenue in current financial year
Odisha collects Rs 28,973cr mining revenue in current financial year
Mallik said this while addressing at the Minerals, Mining and Metals Conclave being organised by the Bengal Chamber of Commerce and Industry here.
From an installed capacity of about 4 million tonnes per annum (MTPA) of crude steel in the year 1999-2000, the state has progressed to have, as of now, 47 steel industries with total capacity of over 33 MTPA which is about one fourth of the country's total installed capacity, Mallik said.
Besides, he said, the pellet plants in the state have an installed capacity of about 29 million tonnes per annum (MTPA) and the sponge iron plants have an installed capacity of around 15 million tonnes.
During 2020-21, the total production of minerals was to the tune of 293.648 million tonnes with despatch of 325.495 million tonnes, which has increased to 362.40 million tonnes and 358.88 million tonnes, respectively, during 2021-22, the minister said.
During the current year, the total production and despatch of minerals up to January 17, 2023 stand at 302.06 million tonnes and 295.07 million tonnes, respectively, he said.
Informing about the steps taken by the state government, he said the state has ensured a timely and effective implementation of the amended provisions of law and as has been presented, Odisha has become the leading state in successfully conducting auction of the 37 mineral blocks so far including 22 expired mining leases.
In regards to the minor mineral sector, he said, the state is also taking adequate steps for identification of new minor mineral sources and bringing them to the process of operation. The revenue from the minor mineral resources stood at Rs 680 crore in the previous financial year.
Mallik said one of the major challenges for the mineral industries of the country is to properly utilise lower grade minerals which are never put to use because we do not have a requisite technology to use.
"By utilising these lower grade minerals, we can protect the environment and prevent misutilisation and non-use of these minerals," he suggested.
Only 7 to 8 years ago, Odisha used to get approximately Rs 5,000 crore revenue from the mining sector but last year it became Rs 50,000 crore which in return led to quality education, healthcare and better infrastructure, said Vivek Bharadwaj, Secretary, Ministry of Mines.
About Gopi
Gopi Adusumilli is a Programmer. He is the editor of SocialNews.XYZ and President of AGK Fire Inc.
He enjoys designing websites, developing mobile applications and publishing news articles on current events from various authenticated news sources.
When it comes to writing he likes to write about current world politics and Indian Movies. His future plans include developing SocialNews.XYZ into a News website that has no bias or judgment towards any.
He can be reached at gopi@socialnews.xyz
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Actress Malavika Mohanan Acing Her Regal Style For Christy Movie Promotions HD – Gallery
Kamal Nath, Jyotiraditya Scindia spar over parties' strength in Gwalior-Chambal


text:
Your Church Is Too Safe: Why Following Christ Turns the World Upside-Down
by Mark Buchanan
Grand Rapids: Zondervan, 2012. 240 pp. $18.99.
Almost every pastor and church leader would like for their congregation to more effectively engage their community. The obstacles to that kind of engagement are numerous-indifference, fear, legalism, and non-engaging methodologies render churches ineffective in mission and irrelevant to those they are trying to reach. In Your Church Is Too Safe, Mark Buchanan diagnoses the "enormous gap between the life Jesus offered and the life we're living" (p. 9) and offers a rousing call to those who "want more from the church and for the church" (p. 10). Buchanan, a pastor in western Canada, draws on personal experiences and stories from Scripture to paint a picture of what a church could do if it was willing to love the lost the way Jesus loved them.
Your Church Is Too Safe has much to commend it. Buchanan repeatedly calls the church to sacrifice, grow, and change in order to love and serve lost people. His compassion for the lost is helpfully matched by the clarity of his observations about why Christians (including himself) are so often inept and tone-deaf when it comes to reaching the world around them. The book regularly challenged me, encouraged me, and motivated me to give myself more fully to seeing my own congregation live up to its scriptural calling.
Most of the eighteen chapters are structured either around an event from Scripture (e.g., Jonah's reluctance to go to Nineveh; the men in Mark 2 who dig a hole in the roof to get to Jesus) or a teaching of Jesus (e.g., the parable of the talents in Matt 25). These Scriptures serve as organizing illustrations for the points that Buchanan wants to make about reaching the world-for example, we must love as God loved, and we must put God's good gifts to use in the service of others. Buchanan also fills each chapter with vivid and arresting personal stories that show the power of the gospel to overcome sin and transform people's lives.
In the hands of a less down-to-earth writer, a book like this could be wearisome or discouraging to Christians who want to share their lives with the people around them but have little hope that it is possible. Buchanan is, however, very engaging. His humility and sense of humor draw the reader in. He perceptively anticipates his reader's objections; I occasionally found myself forming an objection only to have the author clarify his statement helpfully. The book doesn't scold the reader for their failures but inspires them with the author's compassion for the lost, love for the church, and desire to honor Christ.
But while a book like Your Church Is Too Safe deserves a generous reading (i.e., not blaming the author for not accomplishing what he didn't set out to do), a few concerns prevent me from recommending it wholeheartedly. First, the author's use of Scripture is at times problematic. A prophecy of end-time peace and blessing from Zech 8, for example, is held up as "the dream of every church" (p. 79) and a description of what happens when churches are faithful. While that prophecy may be applicable in some ways to the church, the author fails to do sufficient work to show how it may or may not apply to the believer's experience before Christ's final return.
In addition, the author sometimes reads questionable significance into the details of a story from the Bible. Thus for Buchanan, Abraham's standing in the doorway of his tent in Gen 18 is an example of how believers should inhabit two worlds: comfortable at home but still facing the world (p. 98). The fact that James and John were leading the way as Jesus walked along (Luke 18:39) is a warning to believers that we should not put ourselves forward (p. 198). While I don't disagree with the point the author is trying to make more generally in either of these instances, the points do not follow from the texts he cites.
Finally, though I appreciated the author's accessible style, I found myself at several points looking for more nuanced and careful thinking. At one point Buchanan advocates churches collaborating with secular groups, including marching in a parade with gay rights activists (p. 110). While one can appreciate the instinct towards tearing down barriers and showing kindness and grace, the book lacks a careful consideration of the downsides of such collaboration. Should Christians be at all concerned about the danger of appearing to give approval to groups that oppose God and his Word? How much time should a church spend on things that do not directly relate to the preaching of the gospel? What is the difference between the responsibility of the church and the responsibilities of individual believers? I wish Buchanan had addressed some of these issues.
In conclusion, there is much in this book to receive and appreciate. Its heart is absolutely in the right place. But its usefulness is, unfortunately, limited by the concerns described above.
Guilford Baptist Church
Sterling, Virginia, USA
Telling the Story from the Bible (Part 2): Reviewing The Big Picture Story Bible and The Jesus Story
Children's story bibles are not Bibles and, it turns out, neither are they for children...
The Pastoral Implications of Wise and Foolish Speech in the Book of Proverbs
This article is written in love and admiration for pastors in North America...
Colonial Atheism: A Very British Vice
As I write this the UK Parliament is considering Clause 1(1) of the Marriage (Same Sex Couples) Bill...
As If Not
I shall begin with a well-known exegetical conundrum and then branch out to a much larger issue that none of us can afford to ignore...
Creating a Missional Culture: Equipping the Church for the Sake of the World
Reviewed by Matt Kottman
Faith in the Public Square
Reviewed by Peter Sanlon
Popologetics: Popular Culture in Christian Perspective
Reviewed by Ted Newell
Health, Healing and the Church's Mission: Biblical Perspectives and Moral Priorities
Reviewed by Matthieu Sanders
Naturalism and Our Knowledge of Reality
Reviewed by Benjamin H. Arbour


Low cost wavefront measuring camera for quantitative flow visualization of high speed flows.
Optical imaging techniques have played a major role in the investigation of a wide variety of fluid flows, specifically in high speed flows studies. In high-speed flow visualization, light beams are used as probes to visualize the fluid flow field and to investigate the physics and chemistry of its interaction with the aerodynamic test model. One of the major requirements in optical flow visualization for quantitative aerodynamic studies of hypersonic flows is the high speed camera. These cameras are generally capable of capturing few million frames per second images of the flow fields. However these cameras are very expensive and, require complex control systems and optical arrangement. Team of researchers at IISc, Biswajit Medhi, R M Vasu from Instrumentation and Applied Physics, Gopalkrishna Hegde from BioSystems Science & Engineering, KPJ Reddy from Aerospace Engineering and D Roy from Civil Engineering have developed a novel, inexpensive wavefront measuring camera system for quantitative flow visualization of hypersonic flows.
The developed camera system is a wavefront measuring camera capable of detecting both the amplitude and phase of the captured light wave simultaneously. The interrogating beam which is a plane wave, gets distorted by flow induced change in refractive index gradients. Wavefront distortion is quantitatively measured by inspecting the projected pattern through the embedded mask of a modified CMOS image sensor, which samples the incoming wavefront space continuously. Post-processing of the captured images through Fourier- and windowed Fourier transform schemes reveals the change in phase and amplitude of the captured wave. The captured phase of the wavefront is used in an iterative tomography scheme to estimate the density distribution of the flow field. The utility of the developed camera system is demonstrated in the quantitative visualization of the high-speed flow fields around test objects subjected to hypersonic flows at Mach numbers 8.89 and 5.82 respectively in IISc shock tunnel facility. Further, the camera is also used to visualize and quantitatively analyse the flow fields generated at the exit of a convergent-divergent nozzle (Mach no. 2.9). It is observed that in all experiments the recovered quantitative density values from the experiments match well with the results obtained through computational fluid dynamic (CFD) simulations demonstrating the proficiency of the proposed wavefront measuring camera for high-speed flow diagnostics. The developed camera and the technique will be very useful in quantitative visualization of different flow fields in high speed aerodynamic investigations. Cost of the developed camera system is about 80% less than the commercially available high speed cameras. The camera system developed and the methodologies proposed therein for quantitative flow analysis have high commercial potential to be developed as a product.
Work has been published in the journal "Review of Scientific Instruments" in Sept. 2018. Details are available in the full length paper and references given there.