text:
2019 Coaching Clinic (PDF)
Hardwood Club
Jayhawks Shut Down Creighton, Win 67-54
Coach Brandon's Press Conference
Notes/Quotes
LAWRENCE, Kan. – After trailing by nine points at the end of the first quarter, Kansas women's basketball outscored Creighton by 24 points over the next two periods to record its first come-from-behind win, 67-54, on Wednesday night, inside Allen Fieldhouse.
Kansas (4-2) saw career nights from sophomore guard Lauren Aldridge and freshman guard Kylee Kopatich posted career-high scoring marks with 18 and 15 points, respectively. Aldridge's 18 points came from shooting 50 percent from the field, draining four three-pointers, while Kopatich shot a perfect 3-of-3 from long-distance, accounting for nine of her 15 points.
Kopatich, a native of Olathe, Kansas, grabbed a game-high seven rebounds and a career-high four steals. Junior forward Caelynn Manning-Allen was one of three Jayhawks to score eight points, and brought down seven rebounds, which tied Kopatich for a game-high.
The Bluejays (4-3) recorded 19 field goals, including 11 from beyond the arch Bluejays, accounting for 33 of Creighton's 54 points. Jade Owens and MC McGrory each shot a perfect 2-of-2 from three-point range, recording eight and 13 points, respectively. Audrey Faber rounded out Creighton's double-figure scorers, with 10 points on 2-of-4 shooting from three.
Eight Bluejays tallied at least one three-point basket. Despite shooting almost 48 percent from long-distance, the Bluejays shot 35 percent from the field in total, after entering the game shooting over 51 percent.
After a layup from sophomore guard Chayla Cheadle began the scoring and got Kansas out to an early lead, the Jayhawks struggled for much of the first quarter. Three-straight long-range baskets from Creighton over a minute and half span turned a two-point Kansas lead into a seven-point deficit, while the Jayhawks missed the mark on its next six field goal attempts.
Kansas got back in the game on a 4-0 run with layups by Aldridge and freshman forward Tyler Johnson, as the Bluejays went cold, missing six-straight shots. Creighton responded, however, draining two more treys at the end of the quarter to finish off a 10-2 run and go ahead by a score of 19-10. Strong in the paint, Kansas made all four of its first-quarter field goals inside. Creighton commanded the boards, though, outrebounding the Jayhawks 12-5.
Freshman guard Kylee Kopatich drives to the basket, for two of her career-high 15 points
Kansas caught fire at the start of the second quarter, converting on its first three field goal attempts. After shooting 0-3 from the three-point line in the opening 10 minutes, Aldridge and Cheadle both connected on triples to cut the Creighton lead to six points. Kansas continued to cut into the lead with an 8-1 run in less than three minutes, as the Bluejays led 25-20 at the 5:36 mark.
Over the remainder of the half, the Jayhawks continued to hit shots while shutting down the Bluejays on defense. Aldridge and Kopatich combined for 10 points and helped hold Creighton to just two points, as Creighton's final seven shots of the half all missed the mark. The two teams returned to the locker room at half, with the Jayhawks holding a 30-27 lead. Kansas has headed to the locker room with the lead four times this season and are 4-0 when doing so.
Creighton made a living from three-point line and the charity stripe in the opening half, accounting for 23 of the Bluejays 27 points. Creighton converted on 6-of-12 three-pointers and shot a near-perfect 5-of-6 from the free throw line. After a layup on their opening possession, Creighton did not score another two-point field goal until the 4:23 mark of the second quarter. Kansas dominated underneath the basket, outscoring the Bluejays 14-2 inside the paint. Shooting over 51 percent from the field on the season, Creighton was held to 30 percent shooting in the first half, while they Jayhawks shot their season-average 41 percent.
Just over two minutes into the third quarter, the Blujays tied the game, 32-32. Kansas answered by scoring points on eight of its next nine possessions. The 18-point run in less than five minutes of game time buried the Bluejays, who could only connect on one of their next six field goals for two points during the same span. The lead grew to 16 points near the end of the quarter, but Creighton's Lauren Works knocked down her first three of the game with 10 seconds left on the clock to cut the lead to 12. Aldridge was not satisfied, and dribbled the ball just past mid-court before throwing up a long-range shot that found the bottom of the net just as the buzzer sounded.
Kopatich set the tone early in the fourth quarter, first with an assist on the Jayahwks' opening basket, an easy layup for Manning-Allen. She then recorded two steals and two-straight layups, as Kansas's lead hovered around 15 points for much of the final quarter. Another layup from Manning-Allen at the 2:17 mark pushed the lead to 19, the largest of the game for the Jayhawks.
In the second half, Kansas shot 50 percent from the field, while holding the Bluejays to under 35 percent. Kansas also forced the Bluejays to commit 11 second-half turnovers.
Creighton managed to put in two more three-pointers in the final moments, but the lead was insurmountable. Kansas remained undefeated at home and claimed its fourth win of the season, 67-54.
KANSAS 67, CREIGHTON 54
DEC. 2, 2015 – LAWRENCE, Kan.
•Kansas leads the all-time series against Creighton, 26-13.
•The Jayhawks and Bluejays met for the 39th time in program history on Wednesday night.
•Creighton's overtime win in 2014 snapped Kansas' 11-game winning streak in the series.
Attendance: 1,753 (Capacity: 16,300)
•KU has a 35-19 record against programs from the Big East Conference. Kansas has faced eight schools that are members of the Big East Conference, and has a lead or even series against seven of eight teams.
•When Brandon Schneider-coached teams are leading with less than five minutes to play, his overall record is 350-12, and 4-0 at Kansas.
•Kansas has a record of 409-166 (.715) in Allen Fieldhouse. Over the last five seasons, Kansas has posted a 64-29 mark on its home court.
•KU's second half defense stymied Creighton. The Bluejays never went to the free throw line in the remaining 20 minutes. The last time an opposing team didn't shoot a free throw in a single half occurred on Nov. 13, 2013 when SIU-Edwardsville didn't make a trip to the charity stripe.
•The Jayhawks only committed 10 personal fouls, the fewest since also recording 10 whistles against Texas Southern in 2013. The last time a Kansas team posted fewer fouls occurred in a seven-foul effort against TCU on March 8, 2013.
•Sophomore G Lauren Aldridge and freshman G Kylee Kopatich combined for just under half of Kansas' point total. The duo poured-on 33 of Kansas' 67 points.
•The Jayhawks made 45 percent of their shots against, marking the second-highest percentage they have converted from the field this season.
•Kansas also forced Creighton to turn the ball over a Bluejay season-high 18 times.
•Meanwhile, the Jayhawks only coughed-up the ball nine times, the lowest since committing six mishaps against Wisconsin in 2011.
•KU converted 87.5 percent of its free throw attempts against Creighton (7-of-8).
•Creighton claimed a 19-10 lead to end the first quarter, but Kansas' stifling defense held the Bluejays to just eight points in the second session – the least an opposing team has put on the board in a single quarter this season.
•Since switching to quarters at the beginning of 2015, Kansas has scored a team-best 26 points twice. KU doused the Bluejays with 26 points in the third quarter.
•KU is now 4-0 when leading at halftime.
•Sophomore G Lauren Aldridge's career-high 18 points marked the fifth time in six games she has been in double figures this season.
•Aldridge made 50 percent of her shots (7-of-14), the second time in 2015 she has converted over half of her shots on a minimum of 10 attempts.
•Aldridge has made 30-of-64 (46.9 percent) on the year. Among Big 12 Conference players she is fifth overall in field goal percentage on a minimum of 64 shot attempts. However, among guards, Aldridge is the third-best in the league.
•Freshman G Kylee Kopatich stuffed the box score with career highs in points (15), steals (4), while her seven boards fell one short of a personal-best.
•Kopatich's four steals tied a season-high by a Jayhawk.
•Freshman G Jayde Christopher dished out four assists against Creighton, her third game with three or more assisted buckets this season.
POSTGAME QUOTES
Kansas head coach Brandon Schneider
Opening statement:
"Being in this part of the country for the better part of my coaching career, I always thought Creighton was a tremendous program and I really admire how they do things. So I think this win is really important to us because they're a really good team. They're hard to guard, they have a good coach and aggressive players, and this is the kind of win we really needed; especially coming off of a week where we feel like we didn't play our best basketball."
On adjustments throughout the game:
"Most of our adjustments were defensively. We did talk a bit about the post double. That's not something we expected and I thought they did a good job with it, but really it was just better ball movement. Sometimes we drive it just to score and you have to be driving in such a way to get your own shot, but also as soon as you draw to kick it to the open man. I thought we had multiple drives where we had paint touches and just drove the ball better in the second half."
On the buzzer-beater shot before halftime:
"We weren't supposed to be switching. We made an assignment error there and we were able to correct some of those. We forced an early time out in the third quarter and with the new time out rule there just aren't as many. They're long but there aren't as many. So sometimes you're sitting there just waiting to make an adjustment or a correction just because there are fewer timeouts."
On tonight's offense:
"Any offense is good when you're making shots. Now tonight, and we've talked about this, when you can play Jade Christopher at the 1 and get (Lauren) Aldridge off the ball a little bit, I love Lauren as a point guard but I like her in a shooting role as well. With the amount of minutes that she plays I think it takes a little bit of the pressure off of her. Jade is so aggressive and does such a great job getting in the lane that when you can surround her or any other guard, with guys that can make shots, it makes the offense look better."
On adjusting to Creighton's offense:
"I think, with the exception of the last 90 seconds where I think we gave up three offensive rebounds and two threes, I thought we played with a lot more pride and just really stingy. We talked a lot about that at halftime, and they're so hard to guard because they're so active and there's constant movement and you have to be aware and you have to be in stance and communicate."
On the performance of the bench:
"I thought our bench was really good, but Timeka O'Neal in particular. She shot it well and was active defensively. She's another player that I don't think had the kind of tournament that she wanted to in Dallas and it's nice to see her come back with some intrinsic motivation and really step up in a big game for us."
On the ability to come back and adjusting to the game plan:
"We were down 19 at half at SMU and we cut it to three in the second half, so we've shown that we have the ability to come back because I think we have some fight to us but we have to evaluate what's causing us to be down. Tonight it was more my fault than anything because the game plan we basically scrapped after the first quarter, because we gave up entirely too many offensive rebounds and we're getting lost in the switches. Obviously in the zone they made shots so credit to our players for adjusting on the fly there after the first quarter."
On Kansas' defensive adjustments:
"They made the adjustments. We coached them to change defenses and made it clear to what we wanted. For two days we practiced what we wanted and switched a bunch of screens and we played zone so we had not practiced against their offense in what I call our base defense. It was nice to see us rely on our habits and some of the fundamental things we do to get some stops."
Kansas freshman guard Kylee Kopatich
On her double steals:
Once we switched to odd nine and not switching anymore, I think I pushed up the line a little more to get in the way of the passing lane. I think that disrupted them, as you saw when I was able to get those steals.
On Aldridge's three closing out the 1st half:
Lauren has been on fire. If we go back to when we were in Dallas, she hit five threes. So once it was up, I knew it was going to go in. But it was just an extra boost of energy. We were already up and making plays – that shot just said it all.
Kansas sophomore guard Lauren Aldridge
On responding to Creighton's three-point game with successful three-point baskets:
"I think that it all started with our defense. We talked about how we were taking the ball out of the net which was keeping us from flowing into offense and transition. So whenever we started getting stops, we were able to do that a little bit easier. That's where we're comfortable and what we like to do as a team so it all starts with the defense for us."
On Lauren hitting career-high in scoring but having Kopatich not falling too far behind:
"It's awesome to have another shooter besides you because anytime you pull another shooter beside you it takes a little bit of the load off of yourself. They've got to respect Kylee on the three-point line and hug her a little bit and that opens driving lanes for the rest of our team. Just to be able to use her to elevate my game and to elevate Jayde's game. Jayde had quite a few drives to the basket, that's partly because of the shooters on the outside. To be able to play alongside somebody like that is huge for our offense."
On looking for more opportunities than usual to score tonight:
"I just think that in our offense you have to attack hips to get everything started. The offense is called 'attack' so you have to start attacking some hips and whenever that happens and we start flowing into it, then that's when as a team we get really good looks. I just tried to assert myself a little bit more in that way and get paint touches because good things happen for us when we get paint touches."
Kansas continues its six-game homestand to close out the 2015-16 non-conference slate. The Jayhawks continue the homestand with St. John's on Sunday, Dec. 6 at 2 p.m., inside Allen Fieldhouse. The game will be broadcast on the Jayhawk Television Network/ESPN3 and the Jayhawk Radio Network.


text:
Works of Romanian artists to discover or revisit this National Day
The National Day can be an opportunity to take in some of the best-known works of Romanian-born artists. From sculpture and painting to music, we highlight below some suggestions for an art dose this December 1st.
The Endless Column
The iconic work of Constantin Brâncuși (in opening photo) is part of the Calea Eroilor (Heroes' Path) ensemble, inaugurated in 1938 in Târgu Jiu. The ensemble also includes the Gate of the Kiss, the Table of Silence, and the Alley of the Chairs. The Romanian-born sculptor worked on it after he was asked in 1934 to design a monument to honor the memory of the Romanians who died near the Jiu river during World War I. The site was not very well maintained before 1989. In 1996 the Endless Column was placed on the World Monuments Watch List of 100 Most Endangered Sites to point to the poor conservation state of the ensemble. Restorations of the Endless Column and the stone sculptures on site were carried out between 2000 and 2004.
Bird in Space
In this series of sculptures, Brâncuși focused on the movement of the bird instead of its physical attributes. The first one was created in 1923, and more than 14 others followed in several mediums over the years. In 2005, a version sold for USD 27.5m (£14.4m) at a Christie's auction in New York, a record price for a sculpture at the time.
Sleeping Muse
Another of Brâncuși's iconic works, the sculpture Sleeping Muse was created in 1910. After carving a marble original, the artist cast several bronze sculptures, now found in museums around the world, including the Metropolitan Museum of Art or the Art Institute of Chicago. In 2017, a 1913 bronze cast of the work sold for USD 57.36 million at a Christie's auction in New York.
Revolutionary Romania
One of the most easily recognizable local paintings, the work of artist Constantin Daniel Rosenthal is an allegorical representation of the moment of the 1848 revolution, when the social and national ideals of the 19th century made their presence felt in the Romanian provinces as well. His model was Maria Rosetti, born Grant, the wife of C. A. Rosetti, one of the leaders of the revolution. She turned into a symbol of the Wallachian revolutionary movement because of the important part she played in helping release the local revolutionaries held prisoners by the Ottomans. She is depicted wearing a traditional local dress and carrying the Romanian flag in one hand.
The work is part of the collection of the National Museum of Art of Romania (MNAR) in Bucharest. The museum can be visited for free on Romania's National Day.
The Forest Ranger's Daughter
Celebrated Romanian painter Nicolae Tonitza explored the universe of childhood in several paintings, and one of the most recognizable portraits is The Forest Ranger's Daughter. Painted in the 1920s, it stands out with the stark contrast between the red dress and the green foliage surrounding her. The painting is part of the Romanian Modern Art Gallery of MNAR. In 2019, the largest exhibition dedicated to Tonitza in 50 years opened as part of Art Safari Bucharest, an edition that attracted record numbers of visitors.
Romanian Rhapsodies
The two Romanian Rhapsodies are some of the best-known works of George Enescu. The works, which premiered at the Romanian Athenaeum in Bucharest in 1903, feature a mix of local, folk rhythms and have been praised for their feel of spontaneity.
Ballad for Violin and Orchestra
Ciprian Porumbescu's Ballad for Violin and Orchestra is considered a reference work in Romanian classical music of the 19th century. Finished in 1880, it is a piece filled with melancholy, incorporating elements of the musical style of Doina. Among his other works, Porumbescu composed the music for the operetta Crai Nou, and the patriotic song "Pe-al nostru steag e scris unire" ("Unity is written on our flag").
(Opening photo: Silviu-florin Salomia | Dreamstime.com)
Herculane Project: The young working to secure a future for Romania's balneal heritage

redpajama_set_name: RedPajamaCommonCrawl


Different calculation methods can be used to calculate your own tax burden if this is regulated by law in your own country.
Blockpit currently offers the following calculation methods: FiFo (First in-First out), LiFo (Last in-First out), HiFo (Highest in-First out) and optimized HiFo.
Further information about the calculation methods offered by Blockpit can be found in our help center category "tax info".


Buy it... if John Williams' most melodramatic and emotionally weighty themes for full orchestral melt your heart with great consistency, for this score contains one of his most majestic ideas of the decade.
Avoid it... if you expect Williams' score to make any substantial attempt to transcend mainstream appeal and adequately merge the Western ensemble with the vocals and percussion of the Tibetan culture.
Seven Years in Tibet: (John Williams) Of the two Dalai Lama-related films released in the latter half of 1997, Seven Years in Tibet was the pop culture answer to Martin Scorsese's Kundun. It's entirely possible that the only reason Jean-Jacques Annaud's film was green-lighted was due to Brad Pitt's portrayal of Heinrich Harrer in the lead. While the journey to self-discovery and redemption was the fascinating focus of the middle portion of Seven Years in Tibet, the film suffered from an attempt to address the entire modern history of the Tibetan fight for survival against Communist China rather than concentrating on the more interesting relationship between the 11-year-old Dalai Lama and Harrer, a former Nazi trapped in the British-controlled Himalayas at the start of World War II before escaping to Tibet. While the personal relationships in Kundun are explored with extreme respect and attention to detail, the friendship between Harrer and the Dalai Lama in Seven Years in Tibet are glossed over with the same bleached look of Pitt's hair. And thus, the film was artistically damaged despite wider mainstream appeal. The same problem exists with John Williams' score for Seven Years in Tibet, too, and one of the most interesting aspects of the maestro's approach to this project was his inability or unwillingness to travel down a musical route closer to Philip Glass' Oscar-nominated path with Kundun. Williams' score is very light on the authentic Tibetan elements, servicing the film with an extremely Western-centered and lushly romantic theme. There is significant dramatic weight built into the score, and the melancholy nature with which Williams addresses the wandering soul of Pitt's Harrer leads to a bittersweet atmosphere that only resolves with a mushy ending when required to do so for the character's ultimate redemption. As a listening experience, there is no doubt that Seven Years in Tibet makes for a far more fluid and enjoyable hour than Kundun. But Williams' attempts to insert a token reference to the Tibetan culture in his music only distract from the majestic appeal that the remainder of the score utilizes to symbolize the larger journey.
The ensemble for Williams would consist of a brilliantly recorded orchestra (recorded in 24-bit sound, as the album advertises) and the solo cello perfomances of Yo-Yo Ma, who would become a friend and future collaborator again with Williams. Ma's involvement with the production makes an interesting political statement given the subject matter of the film, though it's possible that the perfomer's heritage was only coincidental. For a couple of source-like cues, Williams inserts performances by the Gyuto Monks; these standalone portions would not mingle with the surrounding score as Glass had chosen to do with Kundun. Ma's performances in Seven Years in Tibet don't approach the powerful resonance of Itzhak Perlman's memorable violin contributions to Schindler's List, though they are elegant enough to merit crossover classical interest. Williams wrote one primary theme for Seven Years in Tibet, and this idea dominates the work. Additionally, however, he provides an equally emotional and weighty interlude to this theme that stands well on its own, as well as a minor motif for the Buddhist religion and its leader. The overarching theme is one of expansive beauty, made even more gorgeous by Williams' technique of layering strings and backing their performances with harmonious brass counterpoint. The full-scale tragedy of this glorious theme shares significant traits with his later title theme for A.I. Artificial Intelligence, especially in the theme's later progressions, though the gravity that this theme carries with its performances would rarely be heard from Williams outside of here, A.I. Artificial Intelligence, and the love theme for Star Wars: Attack of the Clones. A slight hesitation in the theme, provided perhaps for mystery or perhaps the uncertainty of personal journey, raises memories of the fantasy elements in E.T. The Extra-Terrestrial. This theme's monumental performances are heard four times in full on the album, in the two concert suite arrangements as well as "Leaving Ingrid" and "Approaching the Summit." These lovely ensemble renditions are often countered by both Ma's solos and delicate piano solos that also are reminiscent of several dramatic Williams works.
"I have a lot of admiration for people whose work lies at the cross-roads of my two passions. If I believed in reincarnation, as the Tibetans do, my wish would be to come back as someone like John Williams, the composer and conductor, dividing my time between making music for films and music for its own sake.
I do not know whether the good faries would endow me with the same versitility and talent, but we are allowed to dream. The fact is that for years I have dreamt of being able to place my images in the hands of John Williams. I rank him with Prokofiev and Nino Rota, for he is one of those rare people who has found the perfect marraige, the bloom of true reciprocity that develops between the orchestra and the screen."
or redistributed without the prior written authority of Christian Clemmensen at Filmtracks Publications. All artwork and sound clips from Seven Years in Tibet are Copyright © 1997, Mandalay Records and cannot be redistributed without the label's expressed written consent. Page created 9/30/97 and last updated 3/2/08.


USB 3.0, the latest version of USB (Universal Serial Bus), provides better speed and more efficient power management than USB 2.0. USB 3.0 is backward compatible with USB 2.0 devices; however, data transfer speeds are limited to USB 2.0 levels when these devices inter-operate.
Price For a similar product, the USB 2.0 version is generally less expensive than it's USB 3.0 version. For a similar product, the USB 3.0 version is generally more expensive than it's USB 2.0 version.
Power Usage Up to 500 mA Up to 900 mA. Allows better power efficiency with less power for idle states. Can power more devices from one hub.


Louis Richard Poston, age 93, of Baring, Missouri, passed away, February 1, 2019, at his home surrounded by his children, grandson, great grandson and his faithful dog Jersey.
Richard was born July 5, 1925 in Adair, Missouri the son of Louis Joseph Poston and Margaret Catherine (Johnston) Poston.
Richard received his education at Oak Grove Rural School in Adair, Missouri and graduated in the Class of 1943 at Baring High School in Baring, Missouri.
He was a member of the Knights of Columbus, the American Legion and St. Aloysius Catholic Church in Baring, Missouri.
As a young man Richard enjoyed playing for the Adair baseball team, which his brother and he started. He became a well- known pitcher in the area. He received an invitation to try out for the St. Louis baseball team. He never made it to that try out because Uncle Sam sent him a letter explaining that he had been drafted. He served from 1952-1954 in the Army stationed at Fort Leonard Wood, Missouri during the Korean War. He loved good old classic country music—"not that nonsense you hear today" he would say. Back in the day, he and his brother, John Robert, drove many a mile hitting all the dance halls in the area.
He and his wife lived in Quincy, Illinois for a short period before coming back to the Adair, Missouri area to operate the family country store. After the business closed, he worked for Arnold Lumber Company in Kirksville, Missouri for several years. He then moved his family to Baring, Missouri so his children could attend school there. To be closer to home, he became employed for the Knox County School District until he retired in 1992.
After he retired, Richard enjoyed keeping his yard pristine, building things, attending grandchildren's sporting events, listening to St. Louis Cardinal ball games and his favorite country music. His favorite thing to do was spending time with his family and reminiscing with friends young or old about the good old days.
In his life, Richard played a variety of roles. He was a son, a brother, a classmate, a baseball pitcher, a soldier, a neighbor, a friend, a farmer, a merchant, a truck driver, a laborer, a mister fix-it, a devout Christian, a proud patriot, a huge St, Louis Cardinal fan, a husband, an uncle, a grandfather, an animal lover and just an all- around good guy, but his best role, the one he did with absolute perfection was being DAD. He will be sadly and deeply missed by his family.
Surviving are his 4 children Loretta Poston of Kirksville, Missouri, Rose Marie Saddler and her husband Les of Kansas City, Missouri, Carol Parrish of Baring, Missouri and David Poston and fiancé Stephenie Conn of Baring, Missouri. Grandchildren include Shane Poston of Baring, Missouri, Kristie Saddler of Independence, Missouri and Cole Conn of Baring, Missouri. Great grandchild, Caden Poston of Baring, Missouri and one nephew Bobby Poston of Kirksville, Missouri.
Richard was proceeded in death by his wife Shirley, his brother John Robert Poston, sister in law Margie Poston, his parents Louis and Margaret Poston and his four legged fur baby Peaches.
Visitation will be Thursday, February 7, 2019 after 2pm with the family receiving friends from 5-8pm with a prayer service at 7:30pm at the Doss Funeral Home in Edina, Missouri.
Mass of Christian burial will be held at 10 am Friday, February 8, 2019 at St, Aloysius Catholic Church in Baring, Missouri.
Father Colin Franklin and Deacon Dave Ream will officiate and music will be provided by Brent Karhoff, soloist and Nancy Reardon, organist.
Pallbearers will be Larry Sykes, Tony Snelling, Frankie Williams, Don Patterson, Bob Kincaid and Richard Clark. Honorary Bearers will be Marty Davidson. Bob Dobbs, Georgie Higgins, Bob Hunolt, Mike Allen, David Higgins, Gary Snelling and Terry Fast.
Interment with Full Military Honors will be in the St. Mary's Cemetery in Adair, Missouri. Honors by the Knox County American Legion and the VFW.


text:
Q: VSCode C# Debug Symbols aren't loading I have a .Net 4.7.1 framework program that I need to debug, but I can't put a breakpoint because debug symbols aren't loading.  I've spent a day wasting time on this and it's getting extremely frustrating.
I've rebooted VSCode, tried generating new config files from scratch, made sure to set debug type to portalable, each time removing any stale build files, and none of these seem to have any effect.
launch.json:
{
    // Use IntelliSense to learn about possible attributes.
    // Hover to view descriptions of existing attributes.
    // For more information, visit: https://go.microsoft.com/fwlink/?linkid=830387
    "version": "0.2.0",
    "buildOptions": {
        "debugType": "portable"
    },
    "configurations": [
        {
            "name": "Launch (console)",
            "type": "coreclr",
            "request": "launch",
            "preLaunchTask": "build",
            "program": "${workspaceFolder}/bin/Debug/net471/<app>.exe",
            "args": [],
            "cwd": "${workspaceFolder}",
            "stopAtEntry": false,
            "console": "internalConsole"
        },
        {
            "name": "Test (Console)",
            "type": "coreclr",
            "request": "launch",
            "preLaunchTask": "build",
            "program": "dotnet",
            "args": [
                "test"
            ],
            "cwd": "${workspaceFolder}",
            "console": "internalConsole",
            "stopAtEntry": false
        },
        {
            "name": "Attach",
            "type": "coreclr",
            "request": "attach",
            "processId": "${command:pickProcess}"
        }
    ]
}

tasks.json:
{
    // See https://go.microsoft.com/fwlink/?LinkId=733558
    // for the documentation about the tasks.json format
    "version": "2.0.0",
    "tasks": [
        {
            "label": "build",
            "type": "shell",
            "command": "dotnet", // I've also tried msbuild, but it rejects my csproj because of the "Version" attribute.
            "args": [
                "build",
                // Ask dotnet to generate full paths for file names.
                "/property:GenerateFullPaths=true",
                // Do not generate summary otherwise it leads to duplicate errors in Problems panel
                "/consoleloggerparameters:NoSummary"
            ],
            "group": "build",
            "presentation": {
                // Reveal the output only if unrecognized errors occur.
                "reveal": "silent"
            },
            // Use the standard MS compiler pattern to detect errors, warnings and infos
            "problemMatcher": "$msCompile"
        }
    ]
}

<app>.csproj:
<Project Sdk="Microsoft.NET.Sdk">
  <PropertyGroup>
    <OutputType>Exe</OutputType>
    <TargetFramework>net471</TargetFramework>
    <DebugType>portable</DebugType>
  </PropertyGroup>

  <ItemGroup>
    <PackageReference Include="Microsoft.NET.Test.Sdk" Version="16.4.0" />
    <PackageReference Include="NUnit" Version="3.12.0" />
    <PackageReference Include="Nunit3TestAdapter" Version="3.16.1">
      <IncludeAssets>runtime; build; native; contentfiles; analyzers; buildtransitive</IncludeAssets>
      <PrivateAssets>all</PrivateAssets>
    </PackageReference>
    <Reference Include="System.Data.Linq" />
    <PackageReference Include="System.Net.Http" Version="4.3.4" />
    <PackageReference Include="Newtonsoft.Json" Version="12.0.3" />
  </ItemGroup>
</Project>

redpajama_set_name: RedPajamaStackExchange


For as long as I can remember, I have always loved imagery that took a different spin on an original story so I decided to attempt a piece based on Snow White, going back to the original Disney version - only darker. The recent one portrayed by Kristen Stewart really put me off.
So below, we have the final version of the image that I had envisioned in my head (plus or minus a few tweaks here and there). All up, I spent about 4 days in photoshop putting together various different elements to make up the final photograph/composite.
Before I go on with the behind the scenes stuff, I'd like to say a big thanks to the model Judy, who really nailed the poses and expressions that I was going for, and for coming along with her Snow White costume. And also Adriano, a friend I dragged along to the shoot to be my VAL (voice-activated lightstand) who managed to learn how to "feather" light over the course of the afternoon having never done much photography before. I couldn't have realised this shot without these 2 individuals being involved.
We started the test shots at around 4 PM and by the time we started really shooting for real, the ambient light had dropped by 2 stops, which was huge. Being under the cover of multiple trees, there wasn't much ambient light to play with so out came my 2 trusty Nikon SB-910's to save the day.
One of them was in a 26" softbox and the other rim light had a Gary Fong light sphere mounted on it, to spread the light in all directions so it was easier to get rim light that showed up everywhere as opposed to carefully aiming a flash. It was a cheap hack as there wasn't enough time for me to run back and forth adjusting light angles.
The first hour was spent taking portraits and trying different backdrops to see which ones worked the best. Over 200 shots were taken and I filtered that down to just 2 shots that I was happy with.
The following sequence depicts the work that went into the post-production of the shot and several key landmarks that changed during the process.
The painterly look I was going for with Snow White was to follow the quote by The Brothers Grimm: "Skin white as snow, lips red as blood, and hair black as ebony.", and that to me meant porcelain white skin, blood red lips and a complementary colours that really worked well together.
The original shot straight out of camera.
The first step was to do a careful skin retouch without killing pore detail with the healing brush tool. This was followed up by a masked surface blur layer to smooth out any uneven skin tones - set to the "colour" blending option.
Then the porcelain skin effect came into play by adjusting the hue and saturation, followed by a curves adjustment layer to lighten the shadowed areas via masking, so it just affected the model's skin. A light pink blush and brown eye shadow was added at this stage to the face to enhance the makeup on the model.
The next thing to do was to remove the distracting green leaves (image left) which I thought were interesting during the shoot but later felt that they did not fit into the composition all too well. The Clone Stamp was used here to quickly replace the leaves with more background space - nothing fancy.
Perfect Effects 4 was used here to apply tonal contrast to just the background wood chips to make the gorgeous texture really pop.
Porcelain skin rework and leaves removal.
The background at this point was too bland for my liking and required some complementary colours to spice up the image. So I went out looking for dried Maple leaves and composited them into the shot. This also provided our Snow White model with a subtle framing effect.
Maple leave elements taken on a white board post shoot.
Next came the task of masking out all the maple leaf photos I took and to find the right composition for them in the shot. This had to be the longest and most tedious part within Photoshop.
After masking, the shadows were added back as a layer beneath the leaves layer as a multiply layer to make sure the leaves looked grounded and part of the scene. The leaves blended too much into the wood chip background and I needed them to pop and complement the scene more. So I colorised the leaves to add some red variations to add more complimentary colours into shot, via a hue/saturation layer.
Since there were deep oranges and yellow in the leaves, I painted the skirt of the model to add orange hues into the shadowed regions to make the skirt appear more gold as opposed to just a flat yellow. I feel this enhances the richness of the colours and works a lot better. The skirt also had a lot of wrinkles which I just painted over (by sampling nearby colours) with the brush tool to give it a smoother, silkier look.
Some warm light was also added at this stage to spice up the highlights a little. The skin was given a very light dodge and burn to enhance the contours.
Adding and colorising the leaves. Painting over the skirt.
The last few remaining steps were to give the shadows the right hue - especially the skin - and also to tweak the contrast levels a little to bring out the blacks.
I felt that the lighting required more "pull" towards the face and the apple so a dark vignette was added to draw the eye to that area. Perfect Effects 4 was again used here to do a final tonal contrast boost and colour tints to the entire image. This was followed up by a square crop to finalise the image.
I hope you managed to get some useful ideas from this post for your next project. Please share this post if you liked it so others can appreciate the effort that went into the creation of this image. Thanks!


Above average resources per population, average performance and below average health status …. Are we using our resources effectively?
Moncton, NB (NBHC) – The New Brunswick Health Council (NBHC) is releasing its fourth Health System Report Card, an important tool that measures the quality of health services being delivered in the province. This tool provides an overall appreciation of how New Brunswick fares compared to other provincial jurisdictions.
The Report Card produces letter grades, very similar to how a school report card would, according to the six dimensions of quality the NBHC reports on: Accessibility, Appropriateness, Effectiveness, Efficiency, Safety and Equity. An overall grade is calculated for each dimension from a combination of relevant indicators. A seven letter scale is created, from "F" to "A+", using the best score in the country as an A+ and the worst as an F.
"For the fourth year in a row, the health system in the province receives a "C" grade," says NBHC CEO Stéphane Robichaud. "Although the health system has continuously received an overall "C" grade, the subcomponent health sectors and quality dimensions witnessed an oscillation of performance with most dimensions and sectors fluctuating between "B", "C", and "D" grades." This fluctuation may represent a symptom of lack of comprehensive and integrated system planning".
Accessibility maintains a "C" grade. Despite improvements in access to some surgeries, and to immediate primary care, access to routine or on-going care seems to be trending in the wrong direction, the majority of indicators are scoring a "C" grade with the exception of access to prescription drugs scoring an "E" grade with respect to average household spending on drugs being higher in New Brunswick as compared to other provinces.
Effectiveness drops from "C" grade last year to a "D" grade, the possible lack of comprehensive management of chronic health conditions contributing to high rates of potentially preventable admissions, and hospital readmission rates. Similarly, efficiency demonstrates a similar drop with signs of poorer financial performance as depicted by one of the highest average cost per hospital case (Cost per weighted case).
"Overall, this year's report addressed the reality that despite having more resources per population on average as compared to Canada, New Brunswick continues to demonstrate an average performance, and New Brunswickers continue to show below Canadian average results on many health outcomes " says Mr. Robichaud. "The fact that we are not using our resources efficiently and effectively suggests the need to optimize and redistribute the health system resources based on population health needs at the community and health region/zone level. This can enhance quality of health services and improve outcomes", says Mr. Robichaud.
The complete Report Card is available online at http://www.nbhc.ca/care-experience-2013 The NBHC has been established as an independent organization that measures, monitors and evaluates New Brunswick's health care system performance, population health and to engage citizens in the improvement of health service quality.


Of the four of them, only three remained. And there was no going backwards from there.
Nobody's Wife starts on Emily's wedding day to Michael – the day is perfect and Emily and Michael move into her childhood home to start their lives together. Emily's only real family is her sister Josephine – their mum has moved to Australia to be live with her boyfriend. The sisters have always been close, were flatmates and are best friends.
Just before the wedding, Josephine meets a new man, Jack who works in a book shop. When Emily and Michael return from their honeymoon, she introduces them to Jack and the couples start to spend time together. Jack is immediately attracted to Emily and before long it is obvious she feels the same way.
Oh my goodness – this is my first book by Laura Pearson and it was exquisite. It is a simple story, told from the viewpoints of all 4 characters and I read it with my heart in my mouth! It is a quick read but not an easy one. As the reader, I was shouting (in my head) at the characters to make different choices. There is a real skill here in writing about something quite ordinary and doing it so well. She captures all the characters beautifully, and I was able to find sympathy with them all.
At it's heart, this novel is a study of betrayal. I really think the plot and the characters will stay with me for some time – a beautifully written, yet heart wrenching book.
Many thanks to Peyton at Agora Books for sending me a copy and for inviting me on the blog tour. Be sure to check out all the other bloggers below!
Excellent review! I like it when books handle multiple POVs really well and create a compelling story – it is a real testament to the author.


Heat and humidity took their toll on all participants.
The General and her staff of supporters kept tabs on our contingent by biking to several locations along the course. Their encouragement was huge! Our 3 "Marathon Virgins" all finished. Not surprisingly, they had smiles on their faces.
Sunday, the day of reckoning. After months of hard training, race day is here. While the Rebel Runners made their way to the starting line, the Rebel Riders took to our bikes. At the summit meeting the night before, we established our flight plan with the help of a few natives- Sarah, Michael, and Ginny. Armed with a few maps and rations, we pedaled our way to the first rendezvous point- mile 7. It was crowded, but, with our tall, striped UD hats, we were easy to spot. Unfortunately, that was the only easy thing for the runners this day. At 7, everyone was on pace, if not faster, except for Herko. By the time she got to us, she was feverish. She bravely fought her way to the MASH unit at mile 9 and moved to a safe house protected from the battle.
After the Virgins (a smaller branch of the platoon who were battling for the first time) passed us, the support unit continued on to our next position, mile 16, where things were very different. The heat and humidity had not subsided this morning, making the conditions extremely difficult. By this time, everyone was off-pace, except Tuck-in who must be made of asbestos. Our high-fives and energizing fluids could not save the squad.
Vehemently, we pushed our way to our final stronghold- mile 22. We cheered, we encouraged, we did all that we could to help everyone through the final stages of their journeys. Even the first-timers were smiling as they passed us- first Beaches, then Linda Loco, then Mystify. It was an awesome sight. The platoon seemed happy to see us, but the battle was tiring. After they passed, we made our way to the final recon area- the �R� for Rebel Runners/Riders. It was there we collected the wounded and made our way home.
Everyone said that the course was beautiful, unfortunately, the weather was not. The Rebels were not the only ones affected- over 2000 runners (out of 10000) did not finish- that is a huge percentage. The next day the local paper called the marathon the �Battle of Attrition�. Those who finished should be proud of themselves for persevering through extreme conditions. Herko should wear the pink shirt proudly- she did the smart thing for pulling out. As for me, I DNF�d my marathon. I only got to mile 9. So, Herko, I will need the pink shirt after you!


The common issue with billing for your time and expenses on your customer contracts is the delays or lack of communication between your support system and your accounting solution. SherpaDesk allows you to capture all of your customer's billable information and easily push this data over to your QuickBooks.
SherpaDesk makes it easy to sync time, staff payments and invoices by allowing you to map data on the fly.
Technicians are able to easily add time, expenses and travel in SherpaDesk over email, on their mobile app or via the web so that nothing falls through the cracks.
SherpaDesk supports both QuickBooks Online and QuickBooks Pro solutions.
Multiple rate plans can be added to your customer accounts to accommodate different billing structures. Fixed plan pricing, tech based pricing, task based pricing and hour roll overs make SherpaDesk perfect for professional services who need flexibility in managing their customer's billing.
SherpaDesk learns your mapped entries. For future syncs all you need to do is click on the icon and your data is automatically synced between systems.
SherpaDesk allows you to map your customer data on the fly. When pushing time over to QuickBooks you are able to either map or build your customers and task type.
SherpaDesk enables you to have your Quickbook tax rates automatically injected into SherpaDesk and added to invoices. You can also create invoices in SherpaDesk and have the correct tax rates applied after syncing with Quickbooks.
SherpaDesk also allows you to send entire invoices. It's as easy as clicking on the icon and waiting for it to turn green!


text:
DC united name Rooney as head Coach
July 12, 2022 9jainsider
Former England and Manchester United star Wayne Rooney was named on Tuesday as the new head coach of DC United and tasked with reviving the moribund Major League Soccer team.
It was a reunion for the 36-year-old British icon, who played for DC United from July 2018 to October 2019, scoring 25 goals in 52 appearances before leaving to serve as a player and coach at England's Derby County.
Rooney resigned as coach of Derby County last month after the team's relegation to League One, England's third-tier, opening the door to his MLS return.
"Wayne is a soccer legend and one of the most exciting and dynamic up-and-coming managers in our sport," said United co-chairman Jason Levien.
"He has already proven in his young coaching career that he knows how to lead a group through adversity. He has an understanding of our league and what it takes to be successful in MLS thanks to his two-year stay with us as a player.
"The passion he showed while wearing Black-and-Red electrified our city and our club and we are so excited to welcome him back as our head coach."
DC United, meanwhile, has struggled this season, firing coach Hernan Losada after six matches and replacing him with interim manager Chad Ashton.
Previous: No difference between Atiku and Tinubu – SAN
Next: Funke Akindele suspends acting career


Ola will present an update on the Bollinger Band strategy that he has traded for about four years. This strategy was outlined in Nick Radge's book, "Unholy Grails".
Ola Hansson is an Adelaide-based ATAA member and private trader.
An article was published earlier this year written by Rivkin Global Investment Director, Oliver Gordon. The article outlined the results of strategies based on buying into stocks showing 52-week highs versus those showing 52-week lows. In this presentation, Peter will present the results of Gordon's research, looking at it from both a theoretical and practical perspective. The results may surprise you!
In this session, Peter will run conduct an interactive session that will simulate a live market. A chart will be advanced one bar at a time, and members can place "trades" based in their view of the "market".
Peter Hallsworth is a retired scientist and an Adelaide-based ATAA member and private trader.


text:
Uganda Economic Update: Fifth Edition: The Growth Challenge: Can Ugandan Cities Get to Work? - Fact Sheet
1. What is the Uganda Economic Update?
The Uganda Economic Update series draw on international experience and best practice to provide up-to-date information and analysis on the country's economy and to propose strategies to facilitate inclusive economic growth. The UEU is published by the World Bank on a six monthly basis. The fifth update was published in March 2015, with a special focus on urbanization.
2. What are key findings of the fifth Uganda Economic Update?
The report analyses the current state and prospects of Uganda's economy and outlines a series of strategies to accelerate its growth. The report acknowledges that the economy is expected to grow faster in the medium term than it has in recent years. However, both the low rate of private sector investment growth and the limited degree of transformation from low to higher productivity activities threatens to constrain the acceleration and maintenance of the high growth rates that are necessary to enable the country to achieve middle income status. The report further notes that while the majority of the population is still concentrated in rural areas, non-agricultural economic growth and jobs are concentrated in urban areas. Similar patterns, with a concentration of economic growth in urban areas, are found in many other countries around the world. The report concludes that supporting a more efficient urbanization process through investments in cities could accelerate growth, raise revenues and lower fiscal pressures. By managing the process of urbanization effectively, Uganda has excellent potential to achieve its goal of becoming a middle income country and of eliminating poverty all its citizens.
3. What is urbanization?
Urbanization is a process by which the population in cities and towns increases relative to that in rural areas. It also defines the ways societies adapt to this change. Urbanization is the result of social, economic and political developments that lead to the concentration of people and growth of large cities. It is usually associated with changes in land use and a transformation from rural to metropolitan patterns of organization and governance. In development history, urbanization has been characterized as a process that occurs when workers moved towards manufacturing hubs in cities to obtain jobs in factories as agricultural jobs became less desirable.
4. What characterizes good urban areas or cities?
A functioning urban area should provide both an efficient working environment and a livable environment for its residents. The work environment determines the level of residents' access to opportunities for generating an income, while the living environment refers to the quality of housing, the level of access to public goods, and the availability of opportunities for recreation and social activities. Efficiently developed cities are characterized by good work and housing structures and decent transport networks to facilitate the movement of people, goods and services. Such places also provide good access to social services, including education and health care, clean water and electricity. Finally, administrative institutions, such as banking and insurance, are readily available to ensure that services are running smoothly.
5. What is the state of urban development in Uganda?
The process of urbanization in Uganda is just beginning. According to the preliminary results of the National Population and Housing Census, 2014, 18 percent of Ugandans live in urban areas. The proportion of the population living in urban areas is highest in Central Uganda, which is also the region with the highest rate of mobility of labor. While the process of urbanization in Uganda is just beginning, the proportion of the population living in urban areas is increasing by 4.5 percent per year, despite the fact that fertility levels within urban areas have generally been declining. Both overall population growth and the increasing tendency of the inhabitants of rural areas to move to cities contribute to this process. In fact these factors could result in an increase in the population of Uganda's cities from 6 million today to more than 30 million within the next two decades.
6. Has Uganda benefitted from urbanization?
Urban areas in Uganda play a significant role in driving economic growth. More than 70 percent of non-agricultural economic activity and non-agricultural jobs are located in urban areas. Urban areas are leading the process of transformation away from agriculture, resulting in improved socio-economic conditions for urban dwellers, with migrants from rural areas often living in better conditions and earning significantly higher incomes than their counterparts in rural areas. However, until now the urbanization process in Uganda has not been managed optimally. The typical Ugandan city has grown rapidly, but without sufficient policy coordination. As a result, the emergence of Ugandan cities has not necessarily resulted in increased productivity, with the majority of jobs created through the urbanization process involving low productivity activities. Furthermore, the living environment does not provide decent housing or adequate public goods for a significant proportion city residents, with at least 60 percent of the urban population in Uganda living in slums. In addition, the mobility of people and goods is constrained and costly due to the heavy congestion in the cities.
7. What does the future hold for Uganda's cities?
As elsewhere in the world, an increase in the average per capita income in Uganda is expected to be associated with an increase in the proportion of its population living in urban areas. This is because the successful transformation of the agricultural sector will result in an increased proportion of residents of rural areas moving away from the farms and concentrate more strongly into non-agricultural activities in urban areas. The exploitation of the country's oil resources may also increase the attractive force of cities, while intensified regional integration will require Kampala to compete with other large regional cities, including Dar es Salaam and Nairobi.
8. What measures must Uganda take to realize effective cities?
Uganda must ensure that its cities are ready to accommodate the increasing number of residents expected to settle in urban areas and able to facilitate the growth of business enterprises, thereby creating opportunities for productive employment for a greater proportion of the residents of these areas. With rapidly increasing demand, the level of access to, and quality of, public services such as water and sanitation services also needs to be improved.
To ensure the development of functional cities, Ugandan policymakers will need to facilitate a high level of coordination between different layers of actions involving public investment in infrastructure, enterprise investment in productive capital, and household investment in housing. Each layer faces its own coordination challenges. For example, within the public sector, successful urbanization will require the coordination of a range of different types of investment, including investment in physical planning for buildings and the provision of transport, housing and social services. It is better to anticipate and plan for this at the very early stages of the urbanization process, as it becomes very difficult to correct mistakes retrospectively. The decisions of individual agents are sequential, so that in the absence of coordination, it is highly unlikely that the evolution of a city will ensure the provision of good facilities or raise the productivity of workers. If Uganda does not improve the working and living environment in urban areas, it will exacerbate congestion and other diseconomies of scale, thereby limiting the benefits of urbanization.
9. What are the key recommendations of the Fifth Uganda Economic Update with respect to urbanization in Uganda?
The process of urbanization in Uganda is still at its early stages. However, a combination of a fast growing population and increasing rate of rural-urban migration could result in an increase in the population of Uganda's cities from 6 million today to more than 30 million within the next two decades. This dramatic increase may exacerbate the challenges already facing urban areas, constraining their ability to drive growth; to create productive jobs; and to provide decent housing to urban residents. Investment in cities is critical for the achievement of equitable growth and poverty reduction and is therefore central to the next stage of Uganda's development, particularly in the context of East African integration and the upcoming exploitation of the country's oil resources.
Uganda must seize the opportunity to make the country's cities more competitive, thereby enhancing their abilities to drive growth and to provide good living conditions. To achieve this, the Fifth Uganda Economic Update recommends the following:
Each of Uganda's cities must have a clearly defined plan and vision. If policy makers do not have a clear vision of what they intend to achieve, it will be difficult to identify the correct reforms and to coordinate them appropriately. A failure to formulate plans and to implement them effectively has a drastic, irreversible cost.
Uganda must build the appropriate institutions to ensure the effective implementation of its plans.
Uganda must prioritize reforms that will help build the competitiveness of Uganda's cities. International experience suggests that building density and connecting cities is the first priority. This requires:
Improving land and property rights by reviewing laws and strengthening land management institutions to support the building of structures and transport systems within cities;
Improving mobility within cities through strategic investments in connective infrastructure such as roads and railways; and in smart policies to improve public transportation and security and to streamline transport systems;
Improving mobility between cities to promote intercity trade and with rural areas, to promote remittances flow, and to access regional and global markets.
Adopting polices to generate agglomeration benefits, including through the development of special economic zones to increase density and connectivity within specific locations.
Improving living conditions through the formulation and implementation of better housing policies and systems; and
Improving access to social services
Both good planning and effective coordination across the public sector, the enterprise sector and the household sector are crucial to ensuring that urbanization provides optimal benefits for all Ugandans.
Factoids
6.4 million Ugandans live in urban areas
70 percent of non-agricultural GDP in Uganda is generated in urban areas
54 percent of people living in Central region are residing in urban areas
Eastern region is the fastest urbanizing region
Kampala is home to 31 percent of Uganda's urban population
69 percent of Uganda's urban population live in small cities with less than 500,000 people
21 million people will live in urban areas in Uganda by 2040
By 2013, 38 percent of the urban population was connected to the electricity grid
The number of firms engaged in real estate and business services in Kampala is 11 times the overall average across districts
Over the first decade of the 2000s , the number of jobs in large cities more than doubled, from 191,000 workers to 395,000 workers
Over the first decade of the 2000s, cities accounted for 36 percent of overall job growth
Only 15 percent of the new employment opportunities in Kampala are in tradable activities
Households in Kampala pay an equivalent of approximately 8 percent of the household budget for transport
Walking is the main mode of transport in Kampala, and 70 percent of the residents of Kampala walk to work
80 percent of the global economic activity is generated in cities
Getting Ugandan Cities to Work: Achieving Efficient, Inclusive and Sustainable Growth
Managing Rapid Urbanization Can Help Uganda Achieve Sustainable and Inclusive Growth
Urbanization in Uganda: Economic Update 5


We can often forget that the most intimate and closest relationship we will ever have is with our own self.
So talk to yourself like you would to someone you love.
Visualise and affirm good things for yourself.
You were born rich with great untapped resources of talent and ability.
The more deeply we love and accept ourselves, the deeper we can love and accept others.
Remember we see the world as we are not as it is.
Never let the opinions of others consume you.
When you blame others for your problems – it just weakens you by giving your power away.
See problems as opportunities and celebrate them.
Self-empowerment is focusing on the solution not the problem.
Believe in your ability to figure things out.
We know that when we love and accept ourselves more, life becomes less difficult and more spacious, whatever our circumstances.
Forgiving and accepting yourself frees you to experience greater peace and ease and breaks that resistance to loving yourself more.
The 21st century is all about the conceptual age and requires new skills of intuition, empathy, dream interpretation, visualisation and creativity which are just some of the tools we require to be successful. More right brain than the left brain skills that have dominated the last few centuries (Read my blog Meaning is the New Money). So harness your mind for maximum potential.
Stand up for what you believe in – even if it means standing alone.
Tell your story. Don't be silent and become an unstoppable force for good.
What you allow is what will continue – so put some boundaries in place.
The universe really does shake you to awaken you.
Believe in yourself and the world is yours!


On author and further book details, see the review on All Tomorrow's Parties (1999).
William Gibson's Neuromancer captures elements of reality that are both from the past and at the same time very much from the future. It is the 1980's – for quite obvious reasons of writing – meeting a future not too far in the distance, a place where laws of society have changed from what we know as society and individuals are left to themselves.
Fantasies of anarchy are often typical for cyberpunk stories, it is as if the human condition does not last for ever in the form of functional infrastructures and decision-making bodies. It seems that it is only a matter of time before these very said structures cease to exist in the form we currently know. It is a horrifying deal, I think.
According to Merriam-Webster, the definition of anarchy is as follows: "a) absence of government or of order, b) a state of lawlessness or political disorder due to the absence of governmental authority, c) a utopian society of individuals who enjoy complete freedom without government, and d) absence or denial of any authority or established order".
I am eagerly waiting for the sequel to Blade Runner. It is the scenery and setting in the film that takes me to the realm of cyberpunk. It has many elements prevalent in Gibson's novel as well – somehow cyberpunk stories seem to be fixated with Asian city districts with street vendors, dark rainy streets, neon lights and people with perky hair in the 80's fashion.
I believe a fractionalization of the society often bears bad signs. A lot has changed since 1990's when there was a slight sense of a common society shared by many. Nowadays, people find themselves in various groups, cliques, bubbles and fractions, looking for a belonging in a world where like-minded seem to be difficult to locate. Also, feelings of otherness and discrimination are common features in the now.
But the question remains: Do fractionalization and cliques cause a loss of belonging and on the other hand distance from many others? I believe the sense of understanding and empathy is on the decrease. People cannot relate to each other. But why does it seem so and is it really like that?
In a review published in 1985, Gerald Jonas argues that the 21st century world depicted in the novel is "(…) chilling in its implications. The theme is power." The protagonist ends up going from one leash to another. Freedom and independence seem hard to achieve in the fictional world of the novel.
To emphasize the inter-dependence and loss of self-reliance of the humans, Gibson uses sentences on the border to nonsense, such as the examples depicted above. Maybe they re-emphasize the fact that there is no longer freedom, nothing really matters anymore. So why bother with anything other than pure nonsense. This might be on the verge of too gloomy, what do you think?
His short stories, especially those in Burning Chrome (1982), are worth reading as well.


One of the original remaining cottages from the 1940's, Nessie is a cottage of many tales and Heritage of our beautiful Betty's Bay! Whilst this little home has been transformed into a beautiful architectural dream cottage, all original window frames, beams and exterior have been kept as best as possible to remember where it has come from. Nessie is hidden away in the lush forests of the neighbouring Botanical Gardens, which will leave you in a magical setting of peace and tranquillity. Self Catering Holiday Villa that sleeps 4.
A magical cottage is tucked away in the forests of the neighbouring Harold Porter Botanical Gardens with majestic views of mountains and the distant sea sounds, this special cottage is the ideal breakaway place to relax and forget about all your worries.
Living/dining room: A cosy open plan, living & kitchen area with an indoor fire place for those cold wintery nights looking out onto the majestic mountains and forests. A snug dining room to enjoy a homely cooked meal.
Kitchen: Fully equipped with gas stove, fridge/freezer, kettle, toaster, dishwasher & all other utensils.
Main House Bedroom 1: Bedding & linen supplied for bookings of 7 nights or more. Bring towels.
Outer Cottage Bedrooms 1: Bedding & linen supplied for bookings of 7 nights or more. Bring towels.
Limited parking available at the house. 2 minutes drive to Jocks Bay, 2 minutes walk to Harold Porter Botanical Gardens. Rods Trail starting point is right on your door so easy access to explore the mountains.
R1100 – R1500 per night |No smoking inside this house |Pets allowed with prior arrangement |No bookings without deposit.
Additional charges: Refundable damage deposit (refunded within 7 working days of stay): from R2000 (weekends) – R3000 (7 nights or more). Once off cleaning charge, we clean after you vacate: from R250 – R600. Bedding and linen charge: from R200 – R700 (optional). A breakdown of prices shall be given on enquiry.
Long weekends 3 -4 nights.
Dec/Jan 10 – 14 nights.


Build technologically advanced, high quality end products using our technologies. Find the right platforms, systems-on-chips (SoCs), modems, chipsets, reference designs, and development kits you need using our product catalog.
Integrating breakthrough technologies all on a single chipset, Qualcomm® Snapdragon™ mobile platforms support cutting-edge performance, superior connectivity, and maximized battery life.
Qualcomm Snapdragon and Qualcomm Snapdragon Wear are products of Qualcomm Technologies, Inc., and/or its subsidiaries.
These products combine software and hardware into a versatile, purpose-built platform that helps your technology dreams come true.
From wearables to smart cameras, make sure your next product combines connectivity and artificial intelligence.
Develop a smart headset, soundbar, or home theater system with a digital assistant built in.
Develop a connected car with a platform engineered to stringent automotive standards.
With hardware and software designed to optimize each area of use, mobile products based on our technology can enhance virtually any mobile experience.
Our unique portfolio of networking technologies, including 5G and advanced Wi-Fi, can help create the ultimate wireless user experiences.
See how our unique portfolio of audio, voice, and music features help create unparalleled user experiences.
Create sleek, stylish, next-generation wearable devices with the Qualcomm® Snapdragon Wear™ platform, enabling new user experiences with a balance of advanced features, performance, power efficiency, always-on connectivity, superior functionality and more.


text:
WOM Features – Hooded Menace / Usurpress / Sanguine Glacialis
Janeiro 8, 2018 Fernando Ferreira 0 Comments Death Metal, Doom Metal, gothic metal, Hooded Menace, Sanguine Glacialis, Usurpress
Hooded Menace release third new song
HOODED MENACE are premiering the third dark masterpiece taken from their forthcoming new album, 'Ossuarium Silhouettes Unhallowed', which will hit the shops on January 26th, 2018.
The Finnish doom cultists are streaming "Sempiternal Grotesqueries" below:
HOODED MENACE mastermind Lasse Pyykkö comments: "Once all the songs for 'Ossuarium Silhouettes Unhallowed' were written, it became clear to us that 'Sempiternal Grotesqueries' was going to be the album's opening track. Unlike on our previous records, there's no intro track on the new album, because we figured that the doomy and atmospheric riff, which kicks off 'Sempiternal Grotesqueries' (and also closes the song) would work just fine as an intro to the album. It sets the mood, and as soon as you have lit the black candles, the song grows into a gripping death doom whirlwind and you're in for a ride with the Blind Dead.""
The artwork of 'Ossuarium Silhouettes Unhallowed', which has been created by Adam Burke (SÓLSTAFIR, PORTRAIT) can be viewed below.
Track-list
1. Sempiternal Grotesqueries (10:38)
2. In Eerie Deliverance (7:05)
3. Cathedral of Labyrinthine Darkness (7:23)
4. Cascade of Ashes (6:43)
5. Charnel Reflections (7:48)
6. Black Moss (2:21)
USURPRESS reveal new song and album details
Friday, 23rd of February 2018, will witness the release of "Interregnum", the 4th album and follow up to the ambitious concept suite "The Regal Tribe" (2016), by Swedish self proclaimed "primitive and progressive" death metallers USURPRESS. The album will be available via Agonia Records. Listen to the first single "In Books Without Pages" below:
This time, core members Stefan Pettersson (vocals, lyrics), Påhl Sundström(guitars, music) and Daniel Ekeroth (bass, music) are joined by jazz-fusion drummer Stefan Hildman and ambient/trance keyboardist Erik Sundström, and the outcome astounded even the band itself. "Interregnum" can be described as "an unholy mix between Camel and Bolt Thrower, that somehow works flawlessly", so be prepared for something quite out of the ordinary. And out of this world.
The album was recorded and mixed in the world-renowned studio Dugout Productions (Soilwork, Behemoth, In Flames, Dark Funeral, etc.) in the band's hometown of Uppsala, Sweden.
USURPRESS have made the following statement about the new album: "This time we wanted to challenge the establish dogmas and indeed our own predetermined ideas of what makes death metal sound like death metal. We have taken notes from the history of heavy guitar driven music before the times of death metal, in fact; before the times of heavy metal. We have taken inspiration from the hard rock and prog rock movements of the early seventies and put a heavy death twist on it. For those who feel like retching at the sound of this; we can assure you that this is by all means a death metal album and not some silly retro 70-ties throwback 5 years too late for the trend. It's simply Usurpress but slower, heavier and way more complex."
Sanguine Glacialis Sign With Wormholedeath And Release "Monsters" Official Video
Sanguine Glacialis have signed a distribution deal with Wormholedeath for the worldwide release of their album "Hadopelagic" (produced by Chris Donaldson of Cryptopsy).
Release date April 6th 2018.
Without darkness there can be no light, Sanguine Glacialis have stared into the very blackest pit, and, inspired by what they saw there, forged sonic masterpieces of the darkest beauty, it is not surprising their name means 'frozen blood' in Latin!
Hailing from Montreal, Quebec, Sanguine Glacialis have shared the stage with Dark Tranquility, Omnium Gatherum, Delain, Hammerfall, Unexpect, Necronomicon and many more. The dark heart of Sanguine Glacialis is vocalist/keyboardist Maude, the sole original member left in the band. She describes their sound as 'unique, original, intense and dark'.
Maude is enthusiastic about their new songs. "We took a huge step forward with this album and fans will appreciate it much more than the previous one. Everything is better in this one in my opinion. We want to show the new direction of the band. We want to show how much we've grown and how much the band has changed between the two albums. This album is a very dark part of my life, and it's something that everybody lives in their own way, and I hope this album will help fans go through their own difficulties." Lyrically, Maude avoids the usual metal clichés. "Most of the songs are personal experiences that I wrote in the form of stories and legends."
The band released the official video for the song "Monsters", taken from the upcoming album "Hadopelagic" and you can see it below:
Maude promises that Sanguine Glacialis offer a very different live experience. "What really makes this band special is the vast variety of influences we have. It goes from technical death metal to classical, through nu metal, rock, jazz, pop, rap, world music, and so much more.On stage, we bring our own theatrical style as well as a dark atmosphere that fits our songs. We have our own dynamic, and I play keyboards and sing at the same time during the show, which is also a change from the typical front-woman!"
[quadsvi id=1]
Support World Of Metal
New WOM Android APP – Read All Our Issues for free!
World Of Metal Magazine – Out Now
← A Hora da Morte EP 76 – Son of Frankenstein
Immortal has completed new album →


After multiple award-winning documentaries, showcasing the cold and harsh realities of Pakistan, Oscar winner filmmaker Sharmeen Obaid Chinoy's latest offering is an animated series full of Pakistani real life heroes.
The YouTube series titled "Stories for our children" depicts the lives of real heroes. The first of the four-part series narrates the life and altruistic chronicles of renowned humanitarian Abdul Sattar Edhi.
She revealed that the remaining episodes will feature the lives of Kulsum (a Hazara girl from Khalsabad village) and Shaheed Aitzaz Hasan, a 16-year-old martyr, who sacrificed his life by intercepting a suicide bomber and in turn saving the lives of his fellow students.
"They are not all based on heroes, they are also based on places and stories around these heroes," Sharmeen added.


Your business is ready to make the move to a new space, but the question is: should you lease or is now the right time to buy? The debate between buying or selling is dependent on your business goals, budget and other important factors including how you are managing your cash needs, balance sheet, and profit and losses (P&L). We've created this infographic as a starting point to help you determine the best choice for your company. Also listed are a few of the advantages and disadvantages of each option so you can make an informed decision.
Keep in mind that market factors play an incredibly important role in the lease vs. buy decision. So, the decision tree above can change depending on the state of the real estate market. Once overall goals are identified, then you will need to work through various financial calculations to determine what is best for you; this may include present value and after-tax analysis.
We are happy to help you analyze and arrive at the decision that is right for you so get in touch with us. The KimbleCo team has been the trusted advisor for many businesses making important commercial real estate decisions like this one!


1) Sells Bravery Amulets at 1CP; 2) Helps you leave the event map.
Once you pay 1 CP for a Bravery Amulet, it will take effect on increasing Final P-Attack and Final M-Attack by 1000, reducing Final P-Damage and Final M-Damage by 1000, and enhancing P-Strike and M-Strike by 10%.
1. All level 100+ or reborn heroes can visit Dragon Lair Guide (Twin City 299,285) to take the quest once a day.
2. The Dragon Lair has long been famous for its fabulous treasures, as well as furious monsters. To win these treasures, you should clear the stage fast enough. While opening the Rare Dragon Box, you have a chance to win valuable treasures like DB Scroll, +6 Steed, +6 Stone, etc. Are you interested? The Dragon Lair Guide (Twin City 299,285)will give you a hand.
3. The event is divided into Normal stage (BP 250-)、Hard stage (BP250-330)、Expert stage (BP 330+). The challenge starts as soon as you choose a stage and enter the Dragon Lair with the lair guide`s help. You can challenge only one stage a day.
4. At the 1st round, you`re asked to unlock all the Treasure Chests within 30 seconds. If you fail, these chests will turn into brutal knights, reducing the reward by half.
5. There are totally 8 rounds in the stage. If you spend more than 4 minutes in breaking through them, you`ll awaken the Phantom of Evil Lord.
If you spend less than 4 minutes, the Phantom of Evil King will appear. As far as we know, the King of Evil Spirit is carrying better rewards.
6. Different stages give away different rewards. Additionally, you may receive Dragon Box Scraps during the challenge. You can combine 10 scraps into a Dragon Box. If you get 10 Dragon Boxes, you are suggested to upgrade them into a Rare Dragon Box.
Random treasures like Dragon Box Scraps.
5 Dragon Box Scraps, 45-minute EXP, 30 Study Points and 150,000 Sliver.
10 Dragon Box Scraps, 90-minute EXP, 60 Study Points and 300,000 Sliver.
Random treasures like Dragon Box Scraps and Dragon Boxes.
2 Dragon Boxes, 180-minute EXP, 120 Study Points and 600,000 Sliver.
7 Dragon Box Scraps, 1 Dragon Box, 90-minute EXP, 60 Study Points, 60 Chi Points and 300,000 Sliver.
4 Dragon Box Scraps, 3 Dragon Boxes, 180-minute EXP, 120 Study Points, 120 Chi Points and 600,000 Sliver.
1st Place: 300 Study Points and 5 EXP Balls (B).
2nd Place: 200 Study Points and 4 EXP Balls (B).
3rd Place: 100 Study Points and 3 EXP Balls (B).
1st Place: 500 Chi Points and 5 Special Training Pills (B).
2nd Place: 400 Chi Points and 4 Special Training Pills (B).
3rd Place: 300 Chi Points and 3 Special Training Pills (B).
1st Place: 1000 Chi Points and 5 Favored Training Pills (B).
2nd Place: 800 Chi Points and 4 Favored Training Pills (B).
3rd Place: 500 Chi Points and 3 Favored Training Pills (B).
1. Once you enter the event map, you need to unlock all the Treasure Chests within 30 seconds.
2. If your BP is higher than the required BP for the present stage, you will be teleported out of this stage and cannot receive any rewards.
3. If you are offline or leave the event map during the challenge, you need to challenge again and you will not receive the rewards you have already gained before.
4. The ranking will be renewed at 00:01 the next day, and you need to claim your ranking rewards from Dragon Lair Guide (Twin City 299,285) on the next day.
5. Please leave enough inventory space for the rewards.
6. Once you buy a Bravery Amulet from Dark Explorer, you will enter into the status immediately.


Lerwick is the largest town and Island Capital for the Shetland Isles, and also the islands main ferry port. It is home to a good range of shops, supermarkets, college and hospital amongst other services. With a history dating back to the long Norse ownership of the Northern Isles, Lerwick has long been important to the islanders, and its growth as the most northerly town in the British Isles has been boosted in recent years by the North Sea Oil boom, which has massively benefited Shetland as a whole. The shelter afforded by the Isle of Bressay to the east also meant that Lerwick thrived as a port, and the long stretch of coast north of the town occupied by harbours, wharves and industrial sites is still busy today.
The Shetland Isles are a rugged, rocky place, making roads twist and turn as they try to connect the various towns and villages they serve. As such, Lerwick is not a hub like Kirkwall on the Orkneys, but rather just a place along the long and meandering route of the A970. The one concession given to the island capital is that the A969 forms a loop around the town centre, allowing the A970 to take a more direct route along the western side of the town. Within this ring, the B9072 follows a couple of streets in the centre of town, but it is the A970 which is the primary access to the port area to the north.
The only other classified road near Lerwick is the B9073, which cuts across the island south of the town, running from the A970 to its spur into Scalloway. Where, normally, such spurs would be given different numbers, there are, and have been several instances of roads on Shetland with lengthy spurs, the A970 having two!
Lerwick is, as mentioned above, also the main ferry port for the island. Ferries make the crossing from Aberdeen on the mainland, which takes 12-14 hours or longer in bad weather. Some crossings also stop at Kirkwall on the Orkneys. Smaller ferries sail from Lerwick to a number of islands in the archipelago, inclduing Bressay just across the sound and Fair Isle in the midst of the sea between Orkney and Shetland. A limited service also operates to the Out Skerries. Lerwick also forms a periodic stop on the ferries which sail to the Faroe Islands, so has occasional connections to the Faroes, Norway and even Denmark.
forms a loop off the A970 serving Lerwick town centre.
Scalloway (A970), The North (A970), Burra (B9074) via A970 (south). Provides through route avoiding town.
This page was last modified on 12 February 2019, at 22:01.


text:
Passion for the Arts
The Site Maps
Parking Near Radio City Music Hall Ny
Radio City Music Hall Parking There are several parking lots within a few minutes walk of the venue. Spaces are limited and likely to fill up quickly on days of events, so advance booking is highly recommended wherever possible.
Compare 118 hotels near Radio City Music Hall in New York using 145972 real guest reviews. Earn free nights, get our Price Guarantee & make booking easier with Hotels.com!. Radio City Music Hall in the New York area, New York. All the hotels details page show an option for free or paid onsite parking.
Nov 29, 2007 · This Site Might Help You. RE: Parking a 15-passenger van near Radio City Music Hall in NYC? We are driving a 15-passenger van into New York City on Dec 28 for a show at Radio City Music Hall and are at a loss as to where to park.
Meanwhile, Cuomo spent some time on the Sprain Parkway near Hawthorne, New York. Pedestrians walk through blowing snow in front of Radio City Music Hall in Midtown Manhattan, New York, on Feb. 9,
Radio City Music Hall Parking The Radio City Music Hall in the Rockefeller Center holds the record for largest indoor theatre and is reputed to have the most perfectly equipped stage in the world.
May 14, 2019. PARKING PASSES ONLY Crazy Ex-Girlfriend New York Tickets – Buy. 14 at Radio City Music Hall Parking Lots in New York NY on StubHub!
Tiger Poem William Blake The scene set my head swimming with poetry; snatches of William Blake's "Tyger Tyger, burning bright." The tiger is the embodiment of charismatic megafauna in trouble. Less than 4,000 remain in the. Blake was also receiving messages from God and from angels, which he transcribed into his art and poetry. This game of supernatural telephone
Any the company operates also generate revenue from concessions, parking. in the New York Knicks and things like that, but they're primarily a venue operator. They own, of course, obviously,
Nov 17, 2017. The Radio City Music Hall is an entertainment venue located in. Since 1932, Radio City Music Hall has been home to The Rockettes, New York's very. If you 're traveling in your car, there are numerous paid parking spots.
And this probably means that fans can look forward to seeing her perform a mix of her new tracks at "an iconic New York location," according to. After all, they're both on the bill to rock the.
Book Radio City Apartments & Save BIG on Your Next Stay!. 3.5-star apartment near Radio City Music Hall. Offsite parking discounted rates available.
needing only a thwarted Oscar nomination to complete her catalog of near misses. But when we think of Bareilles and awards shows now, we conjure one that transpires at Radio City Music Hall. A few.
Hotels 1 – 12 of 251. Looking for hotels near Radio City Music Hall? Choose from 184 hotels within a 20 minute walk. We have top picks, reviews and Uber.
Vigneault's name was boldly displayed on the Radio City Music Hall marquee, and laughter and smiles abounded. of learning and growth during his most challenging year in New York. "Ask me that same.
Finding parking near Radio City Music Hall is easy with JustPark. As The Parking App, we've got your needs covered whenever you're visiting – plus you can even reserve your space with us in advance, for the most peaceful parking experience possible.
Dianna Agron, a recent transplant to New York, has learned through firsthand experience that city living comes with its share of overexposure: if you live near a hotel. like the O2 in London and.
Get Radio City Music Hall tickets at AXS.com. Find upcoming events, shows tonight, show schedules, event schedules, box office info, venue directions, parking.
Times Insider delivers behind-the-scenes insights into how news, features and opinion come together at The New York Times. It is usually terrifying. my disks would be run to editors housed in or.
Amor Y Amistad Jane Austen Pdf Persuasion Jane Austen Pelicula Encuentra Persuasion: Original and Unabridged de Jane Austen (ISBN: 9781499532968) en Amazon. Envíos gratis a partir de 19€. is and in to a was not you i of it the be he his but for are this that by on at they with which she or from had we will have
The Radio City Music Hall is one of the iconic concert venues in the world. Located in the Rockefeller Center in New York City, Radio City Music Hall was first opened in 1932 and has been one of the top tourist attractions in New York ever since.
Learn about Radio City Music Hall, as the host venue for your New York City trade show, 1260 6th Ave, New York, NY, 10020. Parking: parking garage.
The New York prison where two convicted killers escaped over the weekend is known as "Little Siberia" — for its remote location near the Canadian border. in 1998 at Radio City Music Hall in New.
Luxury, smoke-free, Midtown Manhattan hotel Near Radio City Music Hall 12 floors, 114 rooms and suites Indoor swimming pool – exercise room Restaurant Restaurant open for lunch and dinner only Free WiFi Free parking Valet parking only – $65 per night
Feb 18, 2010. I will go to Radio City Music Hall this Sunday afternoon for a show at 2 pm (Shen Yun). But parking in NYC is generally $30 + $8 tunnel toll.
As night fell on Saturday, about a half-dozen bicyclists emerged from a huddle outside the New York Public Library and began pedaling. 10 p.m. The bicyclists painted a lane opposite Radio City.
Find out where to park near New York City Hall and book a space. See parking lots and garages and compare prices on the New York City Hall parking map at ParkWhiz.
Jan 4, 2019. Head to Radio City Music Hall where you can see 36 Rockettes in each performance of the Radio City Christmas Spectacular, one of New York.
Book Event Parking with ParkWhiz. Parking near Radio City Music Hall just got a lot simpler. Compare prices, reserve a space, pay in advance, and skip the parking search.
Manhattan, New York (0.4 miles from Radio City Music Hall) Located 2113 feet from Rockefeller Center and 2641 feet from Central Park, this Midtown hotel offers free WiFi, on-site dining and passes to a nearby fitness center.
Affordable and convenient parking garage in Midtown Center. This location is only a few blocks to the Museum of Modern Art, Radio City Music Hall and just a.
June 25 to 28 at New York City. Broadway, near West 176th Street United Palace TheaterVictoria Will "Art deco doesn't even begin to describe the United Palace, which is the second-largest theater.
For over 80 years, the Radio City Music Hall has attracted top celebrities for. of our hotel are just a short walk down 5th Avenue from this New York City oasis.
Midtown NYC hotel opposite Rockefeller Center, near Times Square and Central Park. Radio City Music Hall as seen from Club Quarters Hotel, opposite.
NEW YORK (CBSNewYork) – It's an auction sure to be full. along with a two piece set from when she brought down the house in 1991 at Radio City Music Hall, along with a more conservative suit she.
Radio City Music Hall seating chart for Concert including an interactive seat map with rows and Radio City Music Hall tickets.
A click on one reveals a treasure trove of historic photos taken at or near that spot. Columbus Circle through the OldNYC app.Stephen Yang Columbus CircleOldNYC "Everyone loves New York history.
One of the definitive New York landmarks, Radio City Music Hall was born out of a bold gamble by John D. Rockefeller, Jr. and the Radio Corporation of America.
With its prime New York location, there are scores of hotels near Radio City Music Hall and plenty of bars, restaurants and other options for entertainment before and after your concert. This is the busy and bustling New York; you won't go short of things to do here.
Radio City Music Hall Parking Open Full Map Airport Shuttle Bicycle Parking Car Wash Covered Parking On-Site Elevator EV Charger Guidance System Handicap Spaces In and Out Parking Lighting Airport/Venue Official Open 24/7 Over 7ft.
Stay in the Heart of New York City "Your home away from home". Book Now. Radio City Apartments is a comfortable and affordable hotel hidden in the heart of Midtown Manhattan just steps from Rockefeller Center and Times Square. The "homey" atmosphere and the kitchenette each room is equipped with, make the Radio City Apartments a perfect.
How to get from Port Authority Bus Terminal to Radio City Music Hall by subway, bus, night bus, taxi or foot. Bus via New York, NY – 34th St. & 8th Ave • 23m.
The Mystery Of The Blue Train Agatha Christie Numerous night-train novels, too, have been written, by the likes of Graham Greene, Agatha Christie, Georges Simenon and Maurice. Européens – services such as the Orient Express, the Blue Train and. It might be this 19th-century train. Agatha Christie" was the highest paid writer in the country; "Home Sweet Homicide" by Craig Rice and "The
Get directions, reviews and information for Radio City Music Hall in New York, NY. Street parking is almost non-existent in the Rockefeller Center area and.
Buy Radio City Music Hall tickets at Ticketmaster.com. Find Radio City Music Hall venue concert and event schedules, venue information, directions, and seating.
He not only sold out five consecutive shows at New York's famed Radio City Music Hall, but also pulled off a four-show run. as the audience and instruments are very near one another. (Kylee Ehmann).
Garage Management Company offers stellar Hotel Parking & Events Valet Parking. Rockefeller Center; Broadway Shows; Carnegie Hall; Radio City Music Hall.
Area attractions include Radio City Music Hall, Christie's Auction House, the. Rockefeller Center is known far and wide as one of New York City's most iconic.
"You can't watch your kids 24/7," reads one poster, which has a picture of Schumer, Zuckerberg, and a shirtless Anthony Wiener outside Facebook's New York offices. in Times Square and outside Radio.
New Jersey private detective Jeff Sokolowski attended the 1998 Grammys at Radio City Music Hall in New York, and found himself sitting just. Seat fillers are kept at the sides and near the rear of.
Search 21 hotels near Radio City Music Hall (New York). KAYAK searches hundreds of travel sites to help you find and book the hotel that suits you best. Search 21 hotels near Radio City Music Hall (New York). It is a 10-minute drive from Central Park and has private parking on site. The hotel features a 24/7 reception, as well as 24-hour.
Katharine Hepburn dons trousers, dances gypsy-like on the English countryside and achieves what is customarily if discouragingly referred to as a personal triumph in her new film at the Radio City.
Two years ago, Haley said she noticed a swelling in the left side of her jaw near her chin. just ahead of the famed Rockettes at Radio City Music Hall. The troupe was organized by Camp Broadway in.
The Mystery Of The Blue Train Agatha Christie
Tiger Poem William Blake
Love Art and Literature
Modern Art Black Canvas
Jay Z Picasso Baby Audio
Question About Reading Books
Novel Of Manners Jane Austen
Studio C Jane Austen
Agatha Christie Evil Under The Sun Wii Walkthrough
Rare Books For Sale Australia
War And Peace Lifetime
Alice Cooper Packard Music Hall
How Many Bronte Sisters Were There
Modern Art New York City
Best Books Summer Reading 2019
Rupert Everett Lord Byron
Upon Westminster Bridge By William Wordsworth Summary
An Approach To English Literature
Novel Written By Jane Austen
English Literature Review Example
She Walks In Beauty Lord Byron Analysis
James Joyce Finnegans Wake Text
The New Cambridge Bibliography Of English Literature
Anne Hathaway Jane Austen
Dallas Fair Park Music Hall Tickets
University Of Cambridge English Literature
The Museum Of Modern Art Moma In New York City
Like James Joyce Crossword
The Most Valuable Comic Books In The World
Famous Marathi Books Online Reading
William Blake And Romanticism
Bay Street Theatre My Fair Lady
Poemas De William Blake Romanticismo
Copyright Passion for the Arts. All rights reserved.	| Theme by Crafthemes


text:
Q: How to display Shop by options before the product details/ items in mobile view only? When viewing my website in mobile view, is there a way to show the "Shop by" category first before showing the individual items?
Also I want the shop by category options to be shown without having to click the "+" sign.
I want to have the customer choose the "year, make, model, door, etc" first before showing them the default product items.

A: I see that you use Bootstrap to make the site responsive. In Bootstrap it's very easy to re-order divs on mobile view. Just add classes col-xs-pull-12 to the Layered Nav div, and col-xs-push-12 to the content div. See this fine article for more information.
To show the categories without having to click the Plus sign just overwrite the CSS for it:
.sidebar .block .block-content {display: block}

If you only want this on mobile view, also take the mediaquery in CSS
@media only screen and (max-width: 767px) {
    .sidebar .block .block-content {display: block}
}

This would open all the blocks, if you only want the first you can add the .first class to the CSS selector.
This way your visitors will see the sidebar first, before the content. If you really only want to show the content after choices have been made, I suggest you open another question for that, because that's a whole different ballgame to do correctly.