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Bottlemart – LMG Carlton Dry – Win 1 of 50 prizes of a 3-day double pass to 2019 Splendour in the Grass including 1 camping pass valued at $927 each
Name Promoter
Permit numbers
LMG Carlton Dry Promotion – Win Splendour in the Grass Tickets
CUB Pty Ltd (ABN 76 004 056 106), Level 2, 2 Southbank Boulevard, Southbank, Vic 3006. Phone: 1800 007 282.
Authorised under NSW Permit No. LTPS/18/27988, ACT Permit No. TP18/01786 and SA Licence No. T18/1631.
To enter this competition, entrants must be an Australian resident aged 18 or over able to take the prize in Byron Bay in June or July 2019 (exact dates to be confirmed as soon as event organisers release and confirm dates).
Entries WILL NOT be accepted from directors, officers, management and employees (and their immediate families) of the Promoter or of the agencies or companies or participating outlet(s) connected with this competition.
Immediate families means any of the following: spouse, ex-spouse, de-facto spouse, child or step-child (whether natural or by adoption), parent, step-parent, grandparent, step- grandparent, uncle, aunt, niece, nephew, brother, sister, step-brother, step-sister or 1st cousin.
WHERE AND WHEN THE COMPETITION WILL RUN
Relevant States Websites Competition Period Outlets
Participating Products
ENTRIES PERMITTED
Number of Entries Allowed
Proof of Purchase Required
This competition will run in all Australian states and territories.
www.bottlemart.com.au/splendour-tickets and www.sipnsave.com.au/splendour-tickets
9:00am (AEDT) on 13/02/2019 to 11:59pm (AEDT) on 02/04/2019.
This competition will run in the Relevant States in all Bottlemart, Bottlemart Express and Sip 'n Save outlets.
• specially marked 24 pack of Carlton Dry • 10 pack of Carlton Dry
• 24 pack of Carlton Dry Lime
• 24 pack of Carlton Dry Hard
To enter the draw, entrants must, during the Competition Period:
a) purchase any Participating Product (Eligible Purchase) from an Outlet and keep the purchase receipt;
b) receive, at the time of purchase, an entry leaflet containing a unique code;
c) then go to the Website and follow the links to the entry form; and
d) fill out and submit the entry form, including the unique code (from the entry leaflet) and any other details required.
Purchases of Participating Products made online will NOT be accepted.
Multiple entries are permitted, however each entry must be based on a separate Eligible Purchase and separate entry form, and must be submitted separately in line with the Entry Process section of the Schedule.
As proof of purchase, entrants must retain their original itemised receipt. EFTPOS receipts will NOT be accepted. The Promoter may, at any time during or after the Competition Period, request an entrant to provide sufficient proof of purchase to validate any or all of the entrants' entries. Proof of purchase must show that the Eligible Purchase was made during the Competition Period but prior to entry. Sharing receipts and/or entry leaflets is strictly NOT permitted. If an entrant fails to provide unaltered proof of purchase that is to the
© Carlton & United Breweries, 2018
Promoter's satisfaction and in the timeframe specified by the Promoter, the Promoter may (in its absolute discretion) invalidate any or all of the entrants' entries and that entrant will have no entitlement to receive any prize in this competition.
WINNER DETERMINATION
Winner selected via a Draw
PRIZE/S TO BE WON
Prize Details
Prize Conditions
There will be 50 winners selected.
The winners will be selected via an electronic random draw at 12:00pm (AEDT) on 03/04/2019 at Prime Focus, Level 1, 500 Chapel Street, South Yarra, VIC 3141.
The first fifty (50) valid entries drawn from all entries received during the Competition Period will each win a prize.
Additional reserve entries may be drawn and recorded (in order), in the event that an invalid entry or ineligible entrant is drawn or the entrant is ineligible to accept the prize. If an invalid entry or ineligible entrant is drawn, the prize will be awarded to the first reserve entry drawn. This process will continue until a clear winner is determined. If after this process the prize still cannot be awarded, the prize will be dealt with in the Unclaimed Prize Draw.
There are 50 prizes to be won.
Each prize is a 3 day double pass to 2019 Splendour in the Grass in June or July 2019 (exact dates to be confirmed) including 1 camping pass, valued at $927.
Prize is tickets only. Travel and accommodation are NOT included. See Prize Conditions for further prize information and conditions.
The prize must be taken on the date/s time/s and location/s as advised by the Promoter or stated on the tickets.
The winners and their guests must make their own way to and from the relevant event location and are responsible for all other costs related to taking the prize, including any accommodation, camping amenities, meals/beverages, transfer costs, insurance (including excesses), additional taxes and baggage costs.
The prize is subject to any additional conditions specified by the Promoter and/or prize supplier(s) including any conditions of entry into the relevant festival location (e.g. behaviour requirements and applicable dress codes), any conditions of ticket validity and any restrictions on ticket on-sale or transfer. If a winner or their guest fail to comply with the conditions imposed by the prize supplier/s, the prize may in the Promoter's sole discretion be cancelled or withdrawn without liability for the Promoter or the prize supplier/s. Tickets can only be used once and will be deemed invalid if copied. The Promoter does not control entry to the relevant festival location. The winners must keep their tickets safe and the Promoter will not replace lost or stolen tickets.
The total prize pool is valued at up to $46,350.
NOTIFYING & PUBLISHING WINNER
Notification Details The winners will be contacted by phone and email immediately after the draw.
Winner Publication The winners' names and state/territory of residence will be published on the Websites www.bottlemart.com.au/splendour-tickets and www.sipnsave.com.au/splendour-tickets on
PRIZE CLAIM DETAILS AND PROCESS FOR UNCLAIMED PRIZE
Prize Claim Date
Unclaimed Prize Draw Details
Given that the prize is event based, the prize must be claimed by 11:00am (AEST) on 03/05/2019.
If a prize has not been claimed by the Prize Claim Date the prize will be re-awarded by way of an unclaimed prize draw at 12:00pm (AEST) on 06/05/2019 at the same location as the original draw.
Unclaimed Prize Draw Winner Notification
Unclaimed Prize Draw Winner Publication
Any winner in the Unclaimed Prize Draw will be contacted by phone and in writing immediately after the draw.
Any winner in the Unclaimed Prize Draw will have their name and locality published on the Websites www.bottlemart.com.au/splendour-tickets and www.sipnsave.com.au/splendour- tickets on 10/05/2019.
1 These Conditions integrate, and must be read together, with the Schedule (the Conditions of Entry). Instructions on how to enter and information regarding prizes forms part of these Conditions of Entry. Entry into this competition constitutes acceptance of these Conditions of Entry.
2 The Promoter's decisions regarding all aspects of this competition are final and no correspondence will be entered into.
Treatment of Personal Information
3 All entries and any copyright subsisting in an entry will be the property of the Promoter. The information entrants provide to enter will be used by the Promoter for the purpose of conducting this competition. The information entrants' guest/s provide will be used by the Promoter for the purpose of fulfilling the prize and otherwise running this competition. The Promoter may collect entrants' or their guest/s' personal information (including through its contractors or agents) or disclose entrants' or their guest/s' personal information to its related companies, contractors and agents to assist in conducting this competition, storing data or communicating with entrants or their guest/s. Those disclosures may include disclosures to organisations in locations such as the USA, the UK, India and Germany. By entering this competition, entrants' consent to their personal information being stored on the Promoter's database and the Promoter may use this information to contact the entrant with special offers, news and information about its products, including contacting the entrant via electronic messaging. By entering this competition, entrants consent to receiving SMS or email messages from the Promoter that do not contain any functional unsubscribe facility. The Promoter is bound by the Privacy Principles in the Privacy Act 1988 (Cth). The Promoter's Privacy Policy, located at http://cub.com.au/privacy-policy/, contains information about:
(i) how entrants or their guest/s can seek access to the personal information the Promoter holds about them and seek the correction of such information; and
(ii) how entrants or their guest/s can complain about a privacy breach and how the Promoter will deal with such a complaint.
4 If an entrant has ticked the "opt-in" box on the entry form, the entrant consents to the storage of their personal information on the Bottlemart/Sip 'n Save database and Bottlemart/Sip 'n Save may use this information for future promotional and marketing purposes regarding Bottlemart/Sip 'n Save products and services including contacting the entrant via electronic messaging. Entrants should contact Bottlemart/Sip 'n Save for the Bottlemart/Sip 'n Save privacy policy.
5 Entries must be received during the Competition Period. Entries received by the Promoter will be considered final. Entries are deemed to be received at the time they are received by the Promoter's database and not at the time of submission by the entrant. If an entry is made based on a returned Eligible Purchase (unless if due product defect) that entry will be rendered invalid.
6 Entrants must only enter in their own name. Entrants who enter using multiple email/postal addresses, phone numbers, social media accounts or aliases may be disqualified. The use of any automated entry software or any other mechanical or electronic means that allows an entrant to automatically enter repeatedly is prohibited and will render all entries submitted by that entrant invalid.
7 The Promoter is not liable for late, lost, incomplete, misdirected, incorrectly submitted delayed or illegible entries, correspondence or claims for prizes due to error, omission, tampering, theft, destruction or otherwise including failure of entry forms being forwarded to the draw location (where applicable).
Prize/s Awarded
8 The prize is as specified in the Prize Details and Prize Conditions sections of the Schedule and must be taken as offered and, if applicable, on the date/s specified.
9 Prize values are the recommended retail price (or an estimated value where a prize has no consumer price attributed) as provided by the prize supplier, include GST and are accurate as at the time of formulating these Conditions of Entry. The Promoter accepts no responsibility for change in prize value after that date.
10 The Promoter accepts no responsibility for any tax implications arising from prize winnings. Entrants should seek their own independent financial advice.
11 A prize will only be awarded to an entrant once the entrant has been validated and verified by the Promoter in accordance with these Conditions of Entry.
12 Prize/s not transferrable or exchangeable and cannot be redeemed for cash. Prize/s must be taken by the winner/s (and their guest/s, where applicable) at the time stipulated by the Promoter. Failure to do so will result in the prize/s being forfeited and no cash or other compensation will be provided. Subject to any approval being required from the gaming authority/ies in the Relevant State/s where a permit has been issued for this competition, if a prize or element of a prize becomes unavailable for any reason beyond the Promoter's reasonable control, entrants agree to the Promoter awarding a comparable prize or prize element of equal or greater value as elected by the Promoter.
13 The Promoter is not liable for and will not provide any replacement prize for tickets that are stolen, forged, damaged or tampered with any way once awarded or used before the stated expiry date.
14 The Promoter and its associated agencies and companies are not liable for any damage, loss or delay in transit to prize/s.
15 As a condition of accepting or participating in any prize the winner's guest/s accepts these Conditions of Entry.
16 The Promoter may in its sole discretion appoint a chaperone to accompany the winner/s and their guest/s taking the prize. The winner/s and their guest/s agree to the chaperone being present for the duration of the trip/event and agree to comply with all reasonable directions or guidelines specified by the Promoter and/or their chaperone.
17 As a condition of accepting the prize, a winner is required to behave appropriately (to the Promoter's satisfaction) at all times while taking the prize. A winner is fully responsible for the behaviour and conduct of their guest/s at all times while taking the prize. If in the Promoter's opinion a winner or the winner's guest/s behaves in a way that is contrary to law, behaves inappropriately, aggressively or offensively, or behaves in a way which may damage the reputation of the Promoter or any of its related bodies corporate or the agencies or companies affiliated with this competition, the Promoter may in its absolute discretion cancel or withdraw the prize and will offer no substitute prize or compensation.
18 If the event and/or activity awarded as part of the prize is cancelled, abandoned, called off or postponed for any reason, that part of the prize will be forfeited, and no cash or replacement prize will be offered.
Publication & Publicity
19 Where winner publication is required, each entrant requests that his or her full address not be published.
20 If requested by the Promoter, entrants and the winner/s (and the winner's guest/s, if applicable) must participate in all promotional activity (for instance publicity, filming and photography) in relation this competition, free of charge and they consent to the Promoter using their name/s, image/s and/or voice/s in promotional material in any media for any length of time without notification, remuneration or compensation.
21 The Promoter (or its nominated agent) reserves the right, at any time during or after the Competition Period, to request entrants to produce suitable photo identification or other documentation (to the Promoter's satisfaction in its sole discretion) to verify the validity of their entry/ies and to verify an entrant (including an entrant's identity, age, place of residence, place of employment, eligibility to enter and eligibility to claim a prize). If the requested documentation is not provided in the timeframe required or an entrant has not been validated or verified to
the Promoter's satisfaction, then the entrant's entry (and at the Promoter' discretion all of the entrants' entries) will be deemed invalid.
22 The Promoter reserves the right, in its sole discretion, to disqualify any individual who the Promoter has reason to believe has:
a) submitted an entry which is not in accordance with these Conditions of Entry;
b) breached any of these Conditions of Entry;
c) tampered with or benefited from tampering with the entry/draw
process or the operation of the competition;
d) engaged in any unlawful, fraudulent, deceptive or other improper
misconduct intended to jeopardise the fairness and proper conduct of the competition and/or damage the goodwill or reputation of the Promoter or any of its related bodies corporate or the agencies or companies associated with this competition; or
e) acted in a disruptive manner with the intent to annoy, abuse, threaten or harass any other person.
Failure by the Promoter to enforce any of its rights at any stage does not constitute a waiver of those rights. The Promoter reserves its legal rights to recover damages or other compensation from such an offender.
23 The Promoter has no control over communications networks and is not liable for any problems associated with them due to traffic congestion, technical malfunction or otherwise. Costs associated with accessing the Internet (e.g. website or social media platform) may vary depending on the Internet service provider used, and those costs are the responsibility of the entrant. The Promoter is not liable for any consequences of user error including (without limitation) costs incurred.
24 Except for any liability which cannot be excluded by law (in which case that liability is limited to the minimum allowable by law), the Promoter and its associated agencies and companies exclude all liability for any loss, expense, damage, personal injury, illness or death (whether or not arising from any person's negligence) that may occur from participating in this competition or as a result of accepting or using any prize. For the avoidance of doubt, this clause does not limit or affect any waiver or disclaimer signed or accepted by entrants as part of this competition.
25 These Conditions of Entry do not exclude, restrict or modify any statutory consumer rights under the Australian Consumer Law and any similar laws. However, to the extent permitted by law to do so, the Promoter makes no representations or warranties, express or implied, other than the Australian Consumer Law, regarding the quality and suitability of a prize awarded as part of this competition and will not be responsible for breach of any such implied terms.
26 If this competition is unable to run as planned due to computer virus, network/technical/communications failure, tampering or any cause beyond the Promoter's reasonable control, the Promoter may in its sole discretion cancel, terminate, modify or suspend the competition or invalidate any affected entries, subject to any necessary approval from the gaming authority/ies in the Relevant State/s where permits have been issued.
27 The Promoter may run, communicate or advertise this competition using Facebook and/or Instagram. However, the competition is in no way sponsored, endorsed or administered by, or associated with, Facebook or Instagram. Entrants are providing their information to the Promoter and not to Facebook or Instagram. Each entrant completely releases Facebook and Instagram from any and all liability.
28 The Promoter encourages consumers to enjoy alcohol responsibly. Legally aged consumers are advised to consider the safe drinking levels recommended in the National Health and Medical Research Council Australian Guidelines to Reduce Health Risks from Drinking Alcohol. A full version of these Guidelines is available at https://www.nhmrc.gov.au/_files_nhmrc/publications/attachments/ds1 0-alcohol.pdf. The NSW Liquor Competition Guidelines and Intoxication Guidelines are available at http://www.olgr.nsw.gov.au/dlg_guidelines.asp. Entry and continued participation in this competition is subject to the Outlet's liquor serving policy.
Bottlemart - LMG Carlton Dry competitions win tickets
From	bottlemart.com.au
Source: bottlemart.com.au on thecompetitions.com.au
View All Competitions From bottlemart.com.au
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Monday Transfer Gossips: Lukaku, Sancho, Dybala, Odegaard, Saul, Wijnaldum
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Photo Credit: Sky Sports
Juventus have reappointed former boss Massimiliano Allegri just hours after sacking Andrea Pirlo.
Former Italian international Pirlo, 42, was a surprise choice when he took over from Maurizio Sarri last summer.
Juventus ended fourth in Serie A under their former player to miss out on the title for the first time since 2012.
Allegri was in charge of Juventus from 2014-19, winning five successive league titles, four Coppa Italias and reaching the Champions League final twice.
"Now we are ready to begin again with Allegri, to build our future together with his enormous professionalism, his moral strength, with the brilliant ideas of a coach capable of shuffling the cards, both on and off the pitch," said a Juventus statement.
Allegri, 53, had been out of football since leaving Juventus in June 2019.
His arrival comes after the departure of Pirlo who led Juventus to the Italian Super Cup and Coppa Italia titles, but they were not enough to keep his job.
Pirlo played 164 games for Juventus between 2011 and 2015 and won four Serie A titles in Turin after joining from AC Milan, with whom he spent most of his career and won two Champions League and two league titles.
He also earned 116 caps for Italy and helped them to win the 2006 World Cup, retiring in 2017 having spent two years in Major League Soccer at New York City FC after leaving Juventus.
A statement on the Juventus website said: "Thanks Andrea. These are the first words that all of us must pronounce at the end of this special experience lived together.
"For the courage, the dedication, the passion with which he demonstrated every day, our thanks go to the 'Maestro', the coach and to Andrea, that really comes from the heart, as well as our good luck for the future that will surely be a wonderful one."
Pirlo added: "It's been an intense, complicated year but still wonderful. When I got the call from Juventus, I never thought about the risk I was taking.
"If I had to go back, I would make the exact same choice again, although aware of all the obstacles I encountered in such a difficult time for everyone, which prevented me from better planning my intentions and my style of play.
"This adventure, despite an unexpected ending, made it even clearer what I would like my future to be, which I hope will be just as complete and fulfilling as the one I experienced as a player."
It is the latest managerial move among Europe's big clubs with Antonio Conte leaving Inter Milan to be replaced by former Lazio boss Simone Inzaghi and Zinedine Zidane departing Real Madrid.
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redpajama_set_name: RedPajamaCommonCrawl


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Mojtaba Goleij (, born 23 January 1996) is an Iranian freestyle wrestler. He won one of the bronze medals in the men's 97 kg event at the 2021 World Wrestling Championships held in Oslo, Norway. He is also a two-time medalist, including one gold, at the Asian Wrestling Championships.

Career

In 2017, he won the gold medal in the men's 97 kg event at the Asian Indoor and Martial Arts Games held in Ashgabat, Turkmenistan.

He won the gold medal in the men's 97 kg event at the 2020 Asian Wrestling Championships held in New Delhi, India. Two years earlier, he won the silver medal in this event at the 2018 Asian Wrestling Championships held in Bishkek, Kyrgyzstan.

He won the gold medal in his event at the 2021 Islamic Solidarity Games held in Konya, Turkey.

Achievements

References

External links

Living people
1996 births
Iranian male sport wrestlers
People from Tonekabon
Asian Wrestling Championships medalists
World Wrestling Championships medalists
Sportspeople from Mazandaran province
Islamic Solidarity Games competitors for Iran
Islamic Solidarity Games medalists in wrestling
21st-century Iranian people

redpajama_set_name: RedPajamaWikipedia


How Does a Unit Happen?
You may have heard your child talk about our new favorite app at school FlipGrid. FlipGrid is an amazing discussion platform that allows students to post videos of learning, and then watch each other's videos. FlipGrid has so many features that make it so loved – the selfie stickers, the ability to easily navigate through the app, and the social media elements of being able to "like" peer's videos and keep track of views.
What is your favorite thing to do at choice time?
FlipGrid also has a "Welcome" topic which allows students to post a video telling a little about themselves.
POST a video together in the "What did you do this weekend" topic.
After your child makes the post, return to the topic to watch their classmate's posts.
In our Grade 1&2 classroom one way that we build BOTH conceptual understand AND fluency at the same time is through partner math games.
Collaborative and Competitive games offer students a high level of engagement and fun, and are a great way to explore fundamental number concepts like the number sequence, 1-1 correspondence and computation strategies. Math games also encourage students to explore number combinations, place value, patterns, and other important mathematical concepts.
In the book Teaching Student-Centered Mathematics Grades K-3, Van de Walle and Lovin share that the research about how students develop fact mastery indicates that drill techniques and timed tests do not have the power that mathematical games and other experiences have. Appropriate mathematical activities are essential building blocks to develop mathematically proficient students who demonstrate computational fluency.
This year we have added a new component to our practice of incorporating math games into the classroom: A Math Games Scoreboard. The scoreboard helps bring accountability to the students in regards to finishing a game till the end, and also helps us practice collaborative skills like being happy for the winner and closely following the rules of the game.
Below are pictures of some of the math games we have learned to love so far this term.
The unfolding of a PYP unit is a complex, thoughtful and unique process. This post will detail the way that we launched and are currently engaging in our FIRST UNIT OF THE YEAR. Our key focus in this launch is to build good habits and practices that promote meaningful learning.
Our first unit falls under the Transdisciplinary Theme of Who We Are. This theme has a heavy social studies focus, but being transdisciplinary it also incorporates many other domains like science, math, language and the arts. We follow the process of the Inquiry Cycle to help guide us through our units.
At this stage we like to access student's prior knowledge in relation to the Central Idea.
We take our time unpacking the language within the Central Idea too. In this unit children will be looking deeply at the concept of BALANCE, so to get their brains primed for this thinking we did a Thinking Routine called SEE, THINK, WONDER in connection to the image below.
We looked closely at our own understandings of the concept Well-Being recorded our thinking in a whole-group brainstorm.
As part of this unit we are also zooming in on some key attitudes, skills and learning profile attributes. To tune in we took a close look at the concept of COMMITMENT and created a class commitment book.
As the final part of our tuning in process, we looked at the characters in the book Big Red Lollipop and used our understandings to analyze the characters' well-being.
At this point we were ready to find out more about well-being. The video "WAYS OF WELL-BEING" which was created by a group of high-school students served as a great provocation for us. Following the video we discussed the different forms that well-being can take and sorted our ideas into different categories.
Now that we have accessed our background knowledge, developed new shared understandings and sorted out the information we have gathered, we are ready to go further. This stage is often characterized by individual or group research. Students have developed enough of an understanding of the key concepts to be able to develop their own wonderings and inquiry questions. Below are the inquiry questions that students developed independently.
Each student has selected a wondering that they are interested in. Our next step will be to use our library and digital resources to research our topics and decide on how we will present our research (posters, writing, making a movie, giving a speech, performing a play).
First we read the "Morning Message" which will become a fixture of our daily morning meeting. We use the morning message as a tool for practicing our sight word recognition. As we progress through the weeks I will begin to make some "mistakes" in the morning message, and see if the students can revise them for me.
My new favorite book for discussing classroom agreements is This Moose Belongs to Me by Oliver Jeffers. The book tells the story of a young boy who imposes many rules upon his pet deer. It is a great example of how agreements can be more effective than rules because they require buy-in from all stakeholders. Together as a class we thought about how rules and agreements are different, and came to the conclusion that rules normally involve very few authors whereas agreements normally include everyone involved.
The book and conversation served as a great provocation for our collective creative of a Class Essential Agreement. The above chart is a starting off point where we captured the students big ideas. We will continue to add to this chart throughout the week and then synthesize our discussion into a few key agreements. Finally we will finish the agreement by collecting everyone's signatures at the bottom of the chart.
Learning each others' names is always a challenge at the beginning of the year, but a very important way to begin building relationships. We read the book Chrysanthemum today, which tells the story of a little mouse who has a very unique name. To build on this story we will be creating name towers in Math Workshop tomorrow, and comparing our names in bar graph form. We will also be sending a "Class Facebook" home which will have the names and faces of all of the students (and teachers) in our class community.
As part of a class routine that we will continue all year long, we created and constructed our August Calendar today. The students designed their own number squares according to the features of August that we discussed together, and then had to place the squares in their correct spot, working forwards and backwards from the number 14.


I am interested in 1 Mullaghmore Park, Keady. Please contact me about this property.
Ceramic floor tiling leads to the hallway through glass panelled door.
Solid oak floor. Understairs storage and staircase.
A spacious lounge with tiled fire surround and French doors which lead to second reception. Views to the front garden.
Rear aspect lounge with rear views of the garden through feature window. Access through to kitchen.
A large kitchen and dining space with high and low level fitted units to include integrated dishwasher, oven, ceramic hob and extractor fan. Stainless steel sink and drainer with space to house auto washer. Ceramic wall and floor tiling. Tongue and groove ceiling with recessed spot lights.
To include low flush WC, vanity wash hand basin with ceramic wall and floor.
A generous double bedroom with rear window views. Built in wardrobe and carpet floor covering.
Double bedroom with built in wardrobes. Frontal aspect.
Comprising of low flush WC, pedestal wash hand basin, panel bath and separate shower enclosure with electric powered shower. Ceramic wall and floor tiling.
Front aspect with built in wardrobe.
Double room with front aspect and laminate wooden flooring.
Situated on a generous end plot this property takes advantage of a large rear garden enclosed with mature clipped conifer hedgerow. To the front is a tarmac driveway and garden laid in lawn.


Moving lower for the 2nd day in a row, JEF finished Tuesday at 20.06 losing $0.09 (-0.45%) on high volume, slightly underperforming the S&P 500 (0.05%). Closing below Monday's low at 20.14, the stock confirmed its breakout through the previous session low after trading up to $0.28 below it intraday.
Tuesday's trading range has been $0.38 (1.88%), that's slightly below the last trading month's daily average range of $0.38. Weekly volatility is also lower, being slightly below the market's average weekly trading range. The longer-term, monthly volatility is currently slightly higher than usual for JEF.
Prices are trading close to the key technical resistance level at 20.16 (R1).
Although Jefferies Financial is experiencing a short-term uptrend, this might just be a correction, as both the medium and long-term trends are still bearish.
Selling could accelerate should prices move below the nearby swing low at 19.63 where further sell stops might get triggered.
Among the three market conditions that our pattern recognition engine identified today, the statistics for the OHLC Patterns based market condition "Close to Swing Low" stand out. Though it is usually interpreted as neutral, it has actually shown to be bullish for Jefferies Financial. Out of 366 times, JEF closed higher 53.55% of the time on the next trading day after the market condition occurred. The optimal exit for swing trading this condition on the long side has been after 10 trading days, showing a win rate of 50.27% with an average market move of 0.82%.
Find out what happened when Jefferies Financial Group Inc. traded like this in the past. See the odds for each technical pattern with expected gain and loss.


Weekend wear, for me, has to be a little bit more practical. I spend most of it shuttling kiddos between ballet, rugby, and now gymnastics while also trying to squeeze in a Primal workout.
I'll be honest, though, I kind of have a hard time just throwing on something to schlep around in. And I don't mean that to sound snobbish. I mean I physically do not know what to wear to dress down and not look sloppy. My big girl even asks me, "Mummy, do you always have to look so nice?" (Inadvertently paying me a compliment).
The thing is, I love wearing vintage, and that usually ends up looking a bit more dressed up. I came across this sweet blouse in Vic and Lily's Etsy shop which kind of bridges the gap.
Paired with these Goodwill special denim cutoffs and my sandals from Menorca, the ensemble was a perfect weekend runaround look.
On this Saturday, two weekends ago, I was finally able to catch up with my vintage soul sister, Jackaline for a coffee and super speedy outfit shoot (on my way to pick up Ella from ballet). I love these colorful tiled stairways for outfit pics. Something about the light and the color that makes it a lovely backdrop.
It was uncanny, too, how both Jackie and I thought this one picture was very Vermeer-esque. It was quite by accident, but I love it.
Don't forget to check out Vic and Lily's Etsy shop before the end of September. She's offering my readers a special discount with the code VICLILY2.
OMG.... totally Vermeer-esque! Kinda amazing.
I love those cut off shorts!
I agree with Caitlin, the Vermeer-esque aspect of the last photo is pretty awesome. I have been admiring those sandals for forever! Love them.


text:
Opening with gain and loss
Jamison HensleyThe Baltimore Sun
Mixed emotions filled the first day of free agency for the Ravens, who welcomed back a local star (cornerback Domonique Foxworth) but lost two starters (linebacker Bart Scott and center Jason Brown).
Scott signed a six-year, $48 million deal ($22 million guaranteed) with the New York Jets, which ended a bidding war between the Ravens and former defensive coordinator Rex Ryan. Brown agreed in principle with the St. Louis Rams on a five-year, $37.5 million contract that includes $20 million in guaranteed money.
The Ravens are expected to turn their focus to re-signing linebacker Ray Lewis, who surprisingly drew no immediate interest on the free-agent market.
In contrast to the tumultuous day of negotiations with Scott, the signing of Foxworth had a more heartfelt tone.
Foxworth, 25, who signed a four-year deal worth $27.2 million (including $16.5 million guaranteed), had his family sitting in the first row of yesterday's news conference. Everyone - father, mother, grandmother, older brother and girlfriend - had something purple, and Foxworth wore a purple tie.
"I dreamed of playing here," Foxworth said of his hometown team.
After picking up his girlfriend in Washington, Foxworth had a nostalgic drive up to Ravens headquarters in Owings Mills yesterday, passing his college (Maryland), the beltway exit for his high school (Catonsville's Western Tech) and the fields on which he played youth football (Deer Park in Randallstown).
"We're excited that it's come full circle for him," said his father, Lorinzo Foxworth. "As a parent, my knees buckled a bit, too."
A part-time starter throughout his four-year NFL career, Foxworth lacks ideal size (5 feet 11, 180 pounds) but makes up for it with exceptional speed.
A third-round pick by the Denver Broncos in 2005, Foxworth has made 25 starts in 60 games and has four career interceptions. He played three seasons with the Broncos before being traded to the Atlanta Falcons prior to last season.
The Ravens were impressed after watching tape of Foxworth.
"He's a top-flight corner in the Ravens' mold," coach John Harbaugh said. "He's a corner that can cover someone all over the field. He's physical. He's hard-nosed. He's smart. ... We feel like we're going to play great defense here for a long time, and Domonique is going to be a huge part of that."
Considering Foxworth's contract, the Ravens likely project him to start ahead of Samari Rolle. Speculation last week had the Ravens shopping the veteran, 32.
They would save $4.1 million by cutting Rolle, but general manager Ozzie Newsome didn't preclude him from playing here this season.
Other Ravens headlines yesterday:
* Ravens lose Scott to the Jets: The Ravens were close to re-signing Scott before free agency began. When Scott received his first offer from the Jets (five years for $40 million), he called the Ravens to see whether they would match it.
The teams went back and forth until Scott agreed with New York.
* Quiet first day for Lewis: The Pro Bowl linebacker hasn't scheduled any free-agent visits and is open to returning to the Ravens, a league source said.
The Dallas Cowboys, linked to Lewis for weeks, haven't expressed interest, and the Jets wanted Scott more than Lewis. When Lewis reached free agency, Ravens officials thought their offer would remain Lewis' best option, a source said.
* Brown, Rams agree in principle: Brown, the Ravens' starting center last season, will become one of the highest-paid interior linemen in the NFL, averaging $7.5 million a season with the Rams.
On Thursday, Brown criticized Ravens officials, saying the team spent more on defensive players than offensive ones.


PEDRO'S Green Fizz is an incredible foaming bike wash.
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The pre-activated biodegradable solvent-free formula makes it different from many other bike wash products. The formula uses advanced plant-derived surfactants and incredible foaming action to work quickly on dirt and other contaminants by lowering the surface tension of the dirt molecules.
Spray straight from the bottle onto all parts of the bike and let sit for a few minutes. Do not let dry.
Rinse well with water and then dry with clean rag.
Green Fizz can also be used without water using a rag or, for extreme jobs, mixed into a bucket of water. Then dip a brush into the suds and scrub the whole bike.
Though it will remove some dirt from chains, cassettes and chainrings, Green Fizz is not designed for heavy duty degreasing.


Nearly every interesting character has a struggle of Need vs. Want. Disney movies use this dynamic, and it's often made explicit with the protagonist singing a song about something they want at the beginning, followed by a song about realizing what they need near the resolution. The songs might be geared to make that more obvious to a younger audience, but it's still a fundamental way of managing character motivation and inter-personal conflict.
Without getting too writerly about it, a character shouldn't generally know exactly what they need in the beginning in the story. It's only through the events of the story and their own revelation that they begin to understand what they truly need to be fulfilled (or on their way to fulfillment).
Flat characters usually have a want that is the same as their need. There might be obstacles towards pursuing their goal, but once they achieve it, there's no revelation because they've achieved their quest. And more often than not that comes across as unsatisfying.
Most of the films we've talked about on Save the Movies have the Need vs. Want dynamic. Cats Don't Dance has Danny's desire to "do what he loves" conflicting with Darla Dimple's desire to stay at the top. Danny's a bundle of optimism and good-natured ambition, and he's fairly straight-forward. His want and need are in tune. It's only when they fall out of tune that he struggles. Meanwhile, Darla Dimple's pathological desire to crush anyone she perceives as a threat comes from more than a simple desire to be a star. Darla has an overriding need to be adored and in the spotlight. That need takes the form of a feigned America's sweetheart act, but it's just an act. Darla is the Lex Luthor of her universe. Her need to be praised and respected is overwhelming and destructive. Her want to be a movie star is just how she's chosen to feed it.
In this scenario, Danny is her Superman, a character who challenges her need simply by existing. What drives her to destroy Danny isn't merely her jealousy as an actress. She must bring him down because she can't understand him. His presence alone vexes her. Danny and Darla's conflict stems from a fundamental difference in their needs, and their every interaction plays on that. And their needs are more than just to be in front of a camera.
But what about Starship Troopers?
Starship Troopers is a movie that subverts that expectation. Every character is intentionally a flatly motivated soldier. There's some variation in their outward behavior, but all the characters are in tune with what they need. And what they need to do is kill bugs.
It works because Starship Troopers is modeled after propaganda films, where conflict is externalized in simplistic ways. The first time I watched the film, I found myself disappointed that there was no real resolution to the story. Throughout the story, there are hints that the war between the humans and bugs could be ended with negotiation and care. The introduction of the intelligent brain bug is a chance for both societies to sit at the table once for all. Neither is interested. This isn't a story about people growing and changing into a more nuanced worldview. This is a story about the dirty enemy and how they ALL MUST DIE!
The only character growth at all in the film is watching our central protagonist, Johnny Rico, go from reluctant soldier to military ideal. He exists to fight, as much as a drone as the bugs he fights against. None of the characters ever questions their role in this war or the costs. It's irrelevant. It's presented in a flatly heroic manner.
Which brings us to the real Want vs. Need of Starship Troopers, and I think it's the want of the audience to experience a fun sci fi action movie, but the need to realize how destructive the basic philosophy behind such stories can be.
Don't get me wrong. I love a good action movie. They're viscerally exciting and can be a lot of fun. But without examination, they can create the unspoken assumption that the best way to settle a conflict is to punch someone until they give up. That is, sadly, often true, but it still should be challenged regularly.
Two superhero films of last year used this model with interesting differences. In Captain America: Civil War, a battle of ideologies (as well as some outside manipulation) leads to a physical battle between heroes. It works in that movie because these are still heroes and not trying to kill each other. Meanwhile, BvS: Dawn of Justice is a big dumb fistfight between two idiots who can't take five seconds to actually talk to each other. And, sure, it's fun when Batman and Superman fight, but it's less fun if they're required to be incompetent rage monsters to do it.
I don't know if Starships Troopers is a challenging movie or not, but I do know that it's an indictment of violence as narrative and the dangers therein. Its unsubtle violence, flat characters, and non-ending all play on that. Do we care why characters fight? Or do we just want them to fight?
It's not an easy question, but it's one I find myself asking more and more.


Patriots win five straight after dropping season opener.
The Yorktown girls' lacrosse team's motto of "mental toughness" was put to the test following the first game of the season, when the Patriots opened the 2015 campaign with a 22-11 loss at home against a talented Centreville team on March 16.
It's been smooth sailing since, as Yorktown responded with five consecutive victories. The Patriots have blown out Mount Vernon (14-0), Edison (17-5), Hayfield (16-1), Falls Church (15-4) and McLean (19-12) to improve to 5-1. But while Yorktown has experienced early-season success, the Patriots are about to enter the toughest part of their schedule.
Leading the way for Yorktown has been the team's three senior captains: midfielder Kristen Somers, attacker Margaret Doyle and goalkeeper Erin Morrissey. Somers, who came back from a concussion last season, is committed to VCU. Morrissey is committed to Bowdoin.
After winning its eighth consecutive National District title in 2013, Yorktown continued having success in 2014 during its transition to Conference 6, reaching the conference championship game. Yorktown finished runner-up, losing to Madison.
The Patriots then lost to Robinson in the opening round of the regional tournament.


text:
Q: Data display issue with jQuery I am making tables from XML data that I get in an ajax call. The call works fine and I get the correct data. However, when I create the tables the data from the first table gets added to the second and then both get added to the third and so on.
Here's the code:
    function loadAcct(acctid,acctName){
            //removes the current li elements from our list before making new ones.

            $("#title-name").append(" - "+acctName);

            //ajax call to the server to get the needed information.

            $.ajax({

                url: "/_admin_/"+ acctid + "-grps.xml",

                contentType: "xml",

                type: "GET",

                async: false,

                success: function(xml){

                    //loop to find the name of the <SavedCart> elements

                    $("#demo").append('

');

                    $(xml).find('SavedCart').each(function(){

                        $(this).find("Name").each(function(){

                            groupName = $(this).text();

                            groupNameUp = groupName.toUpperCase(groupName);

                            // We only want to output the groups that have CRIB in the name

                            if(groupNameUp.indexOf("CRIB") != -1){

                                $("ul").append("
" + groupName + "<\/a><\/li>");

                                $(this).parent().find('ItemList').each(function(){

                                    $(this).find('Item').each(function(){

                                        partNums.push( $('PartNumber',this).text())

                                        descs.push( $('Description',this).text())

                                        //cpns.push( $('CustomerPartNumber',this).text())

                                    })

                                })

                                for(c=0;c<partNums.length;c++){
                                    for(d=0;d<pn.length;d++){
                                        if(partNums[c] == pn[d]){
                                            cpns1[c] = cpns[d];
                                            mins1[c] = mins[d];
                                            maxs1[c] = maxs[d];
                                            boxqtys1[c] = boxqtys[d];
                                            break;
                                        }else{
                                            cpns1[c] = "";
                                            mins1[c] = "";
                                            maxs1[c] = "";
                                            boxqtys1[c] = "";
                                        }
                                    }
                                }

                                if (partNums.length > 0){

                                    var table = '
<form id="orderform' + p + '" name="orderform' + p + '" action="order.php" method="POST" enctype="multipart/form-data" onSubmit="return checkpo(' + acctid + ', ' + p + ')">

On Hand<\/th>Eclipse ID<\/th>Customer Part Number<\/th>Description<\/th>Minimum<\/th>Maximum<\/th><\/th>Box Qty<\/th>Amount to Order<\/th>Select For Order<\/th><\/tr><\/thead>
';

                                    for(l=0;l<partNums.length;l++){

                                        table += '
<input type="text" id="onhand' + l + '" class="onhand' + l + '" size="5" onchange="autocheckbox(' + l + ')">	' + partNums[l] + '<\/td>' + cpns1[l] + '<\/td>' + descs[l] + '<\/td>' + mins1[l] + '<\/td>' + maxs1[l] + '<\/td>' + boxqtys1[l] + '<\/td><input type="text" name="amt[]" id="amt[]" class="amt' + l +'" size="6" onchange="chkfrmamt(' + l + ')" /><\/td><input type="checkbox" name="check[]" id="check[]" value="' + partNums[l] + '" class="check' + l +'" onClick="autofill(' + l + ')" /><\/td><\/tr>';

                                    }

                                    table += '
PO Number:<\/label><input type="text" id="PO" name="PO" class="PO' + p + '" width="20" \/><\/td><\/tr><\/tbody><\/table>
<input type="submit" id="sub" value="Order" /><input type="reset" value="Reset" name="reset" />
<input type="hidden" id="SessID" value="' + sessID + '" name="SessID" \/><input type="hidden" id="eID" value="' + acctid + '" name="eID" \/><\/form><\/div>';

                                    $("#tabs").append(table);

                                    p++;

                                    m = p;

                                }

                            }

                        })
                        //clearArr();
                    })

                }

            })
            for(q=0;q<=m;q++){
                $("table#mytable" + q + " tr:odd").addClass("alt");
            }

            $( "#tabs" ).tabs();
        }

A point in the correct direction would be of much help.
Here is the XML as requested:
<?xml version="1.0" encoding="UTF-8"?>
<SP-XML>
   <SavedCartItemList>
  <SavedCart>
     <EntityID>7429</EntityID>
     <ContactID>0</ContactID>
     <Type>group</Type>
     <Name>CRIB2</Name>
     <Description/>
     <Min/>
     <Max/>
     <Location/>
     <ShipTo>0</ShipTo>
     <ShipVia/>
     <ShipComplete>No</ShipComplete>
     <BlindShip>No</BlindShip>
     <ShipComments/>
     <ReleaseNumber/>
     <Date>08/01/2011</Date>
     <Total>0.0</Total>
     <DataSource>XML</DataSource>
     <SiteCode/>
     <CustomerPO/>
     <OrderNotes/>
     <ShippingInstructions/>
     <ShipToName/>
     <ShipAddrLine1/>
     <ShipAddrLine2/>
     <ShipCity/>
     <ShipState/>
     <ShipZip/>
     <ShipPhone/>
     <ShipEmailAddr/>
     <ShipReqDate/>
     <OrderByName/>
     <OrderByEmail/>
     <ItemList>
        <Item>
           <PartNumber>494261</PartNumber>
           <Description>EGS  BL-50 1/2 STEEL LOCKNUT</Description>
           <Quantity>1</Quantity>
           <UOM>ea</UOM>
           <CustomerPartNumber>2</CustomerPartNumber>
           <Comment/>
           <Thumbnail/>
        </Item>
        <Item>
           <PartNumber>494265</PartNumber>
           <Description>EGS  BL75 3/4 STEEL LOCKNUT</Description>
           <Quantity>1</Quantity>
           <UOM>ea</UOM>
           <CustomerPartNumber>3</CustomerPartNumber>
           <Comment/>
           <Thumbnail/>
        </Item>

     </ItemList>
  </SavedCart>
  <SavedCart>
     <EntityID>7429</EntityID>
     <ContactID>0</ContactID>
     <Type>group</Type>
     <Name>CRIB3</Name>
     <Description/>
     <Min/>
     <Max/>
     <Location/>
     <ShipTo>0</ShipTo>
     <ShipVia/>
     <ShipComplete>No</ShipComplete>
     <BlindShip>No</BlindShip>
     <ShipComments/>
     <ReleaseNumber/>
     <Date>01/01/2000</Date>
     <Total>0.0</Total>
     <DataSource>XML</DataSource>
     <SiteCode/>
     <CustomerPO/>
     <OrderNotes/>
     <ShippingInstructions/>
     <ShipToName/>
     <ShipAddrLine1/>
     <ShipAddrLine2/>
     <ShipCity/>
     <ShipState/>
     <ShipZip/>
     <ShipPhone/>
     <ShipEmailAddr/>
     <ShipReqDate/>
     <OrderByName/>
     <OrderByEmail/>
     <ItemList>
        <Item>
           <PartNumber>496987</PartNumber>
           <Description>IDEA 31-388 CLEARGLIDE QT BOTTLE</Description>
           <Quantity>1</Quantity>
           <UOM>0</UOM>
           <CustomerPartNumber/>
           <Comment/>
           <Thumbnail/>
        </Item>
        <Item>
           <PartNumber>559215</PartNumber>
           <Description>SIEM Q120 BREAKER 20A 1P 120V 10K QP</Description>
           <Quantity>1</Quantity>
           <UOM>0</UOM>
           <CustomerPartNumber>215</CustomerPartNumber>
           <Comment/>
           <Thumbnail/>
        </Item>
     </ItemList>
  </SavedCart>
  <SavedCart>
     <EntityID>7429</EntityID>
     <ContactID>0</ContactID>
     <Type>group</Type>
     <Name>JIM</Name>
     <Description/>
     <Min/>
     <Max/>
     <Location/>
     <ShipTo>0</ShipTo>
     <ShipVia/>
     <ShipComplete>No</ShipComplete>
     <BlindShip>No</BlindShip>
     <ShipComments/>
     <ReleaseNumber/>
     <Date>01/01/2000</Date>
     <Total>0.0</Total>
     <DataSource>XML</DataSource>
     <SiteCode/>
     <CustomerPO/>
     <OrderNotes/>
     <ShippingInstructions/>
     <ShipToName/>
     <ShipAddrLine1/>
     <ShipAddrLine2/>
     <ShipCity/>
     <ShipState/>
     <ShipZip/>
     <ShipPhone/>
     <ShipEmailAddr/>
     <ShipReqDate/>
     <OrderByName/>
     <OrderByEmail/>
     <ItemList>
        <Item>
           <PartNumber>1950428</PartNumber>
           <Description>AB   1794-AENT ETHERNET ADAPTER W/24V DC POWEL SUPPLY, TWIST PR</Description>
           <Quantity>1</Quantity>
           <UOM>0</UOM>
           <CustomerPartNumber/>
           <Comment/>
           <Thumbnail/>
        </Item>
        <Item>
           <PartNumber>13083</PartNumber>
           <Description>AB   1794-ASB RIO ADAPTER</Description>
           <Quantity>1</Quantity>
           <UOM>0</UOM>
           <CustomerPartNumber/>
           <Comment/>
           <Thumbnail/>
        </Item>
        <Item>
           <PartNumber>2917</PartNumber>
           <Description>AB   1794-IA16 85-132V AC INPUT MODULE, 16 POINT</Description>
           <Quantity>1</Quantity>
           <UOM>0</UOM>
           <CustomerPartNumber/>
           <Comment/>
           <Thumbnail/>
        </Item>
        <Item>
           <PartNumber>2693</PartNumber>
           <Description>AB   1794-IB16 24V DC SINK INPUT MODULE, 16 POINT</Description>
           <Quantity>1</Quantity>
           <UOM>0</UOM>
           <CustomerPartNumber/>
           <Comment/>
           <Thumbnail/>
        </Item>
        <Item>
           <PartNumber>23729</PartNumber>
           <Description>AB   1794-IB32 24 VDC INPUT MODULE, 32 POINTS</Description>
           <Quantity>1</Quantity>
           <UOM>0</UOM>
           <CustomerPartNumber/>
           <Comment/>
           <Thumbnail/>
        </Item>
        <Item>
           <PartNumber>2696</PartNumber>
           <Description>AB   1794-IE8 ANALOG INPUT MODULE, 12 BIT, 8 POINT</Description>
           <Quantity>1</Quantity>
           <UOM>0</UOM>
           <CustomerPartNumber/>
           <Comment/>
           <Thumbnail/>
        </Item>
        <Item>
           <PartNumber>2923</PartNumber>
           <Description>AB   1794-OA16 85-132V AC OUTPUT MODULE, 16 POINT</Description>
           <Quantity>1</Quantity>
           <UOM>0</UOM>
           <CustomerPartNumber/>
           <Comment/>
           <Thumbnail/>
        </Item>
        <Item>
           <PartNumber>2715</PartNumber>
           <Description>AB   1794-OB16 24V DC SOURCE OUTPUT MODULE, 16 POINT</Description>
           <Quantity>1</Quantity>
           <UOM>0</UOM>
           <CustomerPartNumber/>
           <Comment/>
           <Thumbnail/>
        </Item>
        <Item>
           <PartNumber>13084</PartNumber>
           <Description>AB   1794-OW8 ISOL RELAY OUT</Description>
           <Quantity>1</Quantity>
           <UOM>0</UOM>
           <CustomerPartNumber/>
           <Comment/>
           <Thumbnail/>
        </Item>
        <Item>
           <PartNumber>13086</PartNumber>
           <Description>AB   1794-TB3 3 WIRE BASE</Description>
           <Quantity>1</Quantity>
           <UOM>0</UOM>
           <CustomerPartNumber/>
           <Comment/>
           <Thumbnail/>
        </Item>
        <Item>
           <PartNumber>522685</PartNumber>
           <Description>CH   BR120 TYPE BR BREAKER 20A/1 POLE 1</Description>
           <Quantity>1</Quantity>
           <UOM>0</UOM>
           <CustomerPartNumber/>
           <Comment/>
           <Thumbnail/>
        </Item>
        <Item>
           <PartNumber>524818</PartNumber>
           <Description>CH   CH120 TYPE CH BREAKER 20A/1 POLE</Description>
           <Quantity>1</Quantity>
           <UOM>0</UOM>
           <CustomerPartNumber/>
           <Comment/>
           <Thumbnail/>
        </Item>
        <Item>
           <PartNumber>1769893</PartNumber>
           <Description>GEIN THQL1120 1P-20A 120V PLUG-IN CB</Description>
           <Quantity>1</Quantity>
           <UOM>0</UOM>
           <CustomerPartNumber/>
           <Comment/>
           <Thumbnail/>
        </Item>
        <Item>
           <PartNumber>1812401</PartNumber>
           <Description>MIDW CB120 SP 20A 120/240V CB</Description>
           <Quantity>1</Quantity>
           <UOM>0</UOM>
           <CustomerPartNumber/>
           <Comment/>
           <Thumbnail/>
        </Item>
        <Item>
           <PartNumber>559215</PartNumber>
           <Description>SIEM Q120 BREAKER 20A 1P 120V 10K QP</Description>
           <Quantity>1</Quantity>
           <UOM>0</UOM>
           <CustomerPartNumber>215</CustomerPartNumber>
           <Comment/>
           <Thumbnail/>
        </Item>

     </ItemList>
  </SavedCart>

function clearArr(){
            mins.length = 0;
            maxs.length = 0;
            namearr.length = 0;
            acctidarr.length = 0;
            partNums.length = 0;
            descs.length = 0;
            cpns.length = 0;
            cpns.length = 0;
            data.length = 0;
            mins1.length = 0;
            maxs1.length = 0;
            cpns1.length = 0;
            pns.length = 0;
            pn.length = 0;
            boxqtys.length = 0;
            boxqtys1.length = 0;
            p = 1;
        }

A: Without looking at the XML i think you may need to reset partNums and descs for each new SavedCart element ? Maybe if you post some of the xml file it would be more clear what you are doing wrong.
Try this
 $(xml).find('SavedCart').each(function(){
 partNums = [];
 descs = [];

redpajama_set_name: RedPajamaStackExchange


text:
Which clubs will be relegated from the Premier League?
Photo: Jon Candy @Flickr
Written on 20th February 2017 . Posted in Sport
With thirteen games to go the Premier League title race looks all but over, with trophy seemingly on its way back to West London after a brief stop off in the East Midlands. This means that for the rest of the season the main excitement will be found at the bottom of the table, where the trio of teams that will depart the league is anything but certain. Just three points separate the bottom five, whilst Bournemouth in fourteenth are starting to look over their shoulder.
So, which sides depart the top flight come May? Let's look at how each of the candidates are shaping up:
Sunderland: Perennial relegation battlers, Sunderland look the safest bet for relegation at this stage. David Moyes' men have failed to inspire so far, spending most the season in the relegation zone, yet they find themselves just two points adrift of safety. Despite the exploits of fourteen-goal Jermain Defoe, Sunderland are the joint third lowest scorers in the league, a problem which they will need to address in the remaining thirteen fixtures. With three of their final four fixtures against fellow relegation battlers, it is not out of the question for Sunderland to embark on yet another great escape from relegation.
Crystal Palace: After appointing Sam Allardyce just before Christmas, Crystal Palace thought they had found the answer to their struggles. Unfortunately for them, Allardyce – who has never managed a side to top flight relegation –has struggled in South London. He has managed just one win in eight league matches, including a morale-crushing 0-4 home defeat to Sunderland. A warm winter training in Dubai has been rumoured to have been cancelled, the Eagles look like a side destined for the drop.
Swansea City: a common theme amongst the relegation candidates is a change of manager, with three of the seven candidates deciding a new man in the hot seat would lead them away from danger. Swansea made Paul Clement their third permanent manager of the season in early January, luring him away from assisting Carlo Ancelotti at Bayern Munich with the promise of a first chance of top flight management. The decision has paid off with Swansea rising from 20th to 15th in the table since. They are not safe yet, but a four-point gap over the final relegation spot means they can breathe a little easier.
Hull City: prior to the appointment of Marco Silva, the Tigers were sinking back down to the Championship without leaving much of a mark on the Premier League. January was a transformational month however, with numerous transfer deals enabling a fresh look to their starting XI for the relegation run-in. Promising results against Manchester United and Liverpool mean that Hull cannot be written off in the race for survival.
Middlesbrough: back in the Premier League for the first time in seven years, Middlesbrough have gone under the radar somewhat, in part down to their low scoring matches. They have conceded fewer goals than Manchester City and Arsenal, but are also the lowest scorers in the league. They are a point above Leicester City yet have a far superior goal difference, which may come in useful at the end of the season. It looks like Aitor Karanka's team will be in the relegation fight until the end.
Leicester City: surely the Champions can't go down? Claudio Ranieri's miracle men look bereft of confidence, enthusiasm and most worryingly for Foxes fans, any discernible footballing ability. A dismal start to 2017 has seen them ship twelve goals in the league, with none in return. Players such as Jamie Vardy and Riyad Mahrez, who lit up the Premier League last season, have looked shadows of their former selves. Ranieri has cut an isolated figure on the sidelines in recent weeks, pursuing with an ageing defence and an ineffective attack. Unlike their relegation rivals Leicester have the distraction of European football, with a double legged fixture against Sevilla to come. Can the spirit of the great escape of 2014/15 be re-discovered? Or will the fairy tale have an unhappy ending?
Bournemouth: Eddie Howe's team have avoided much of the hype around the relegation fight to date, but one win in nine games has forced them into the conversation. Despite being fairly prolific in front of goal – they are the highest scorers in the bottom half – their defence has been their weak point. Recently this become a major concern for the Cherries, conceding eighteen goals in the six league games since the turn of the year. Despite poor recent form they have a six-point cushion over the last relegation spot, which should mean they survive, although perhaps not without a scare.
With over a third of the season still to play and the close nature of the league table, there is likely to be plenty of twists and turns in the relegation battle before the three teams to drop down to the Championship are decided.
Relegation Prediction: Sunderland, Crystal Palace and Hull City.
The Redemption of The Saints
Tags: Bournemouth, Crystal Palace, Football, hull city, Leicester City, Middlesbrough, Premier League, relegation, sunderland, Swansea City


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Chapter 161 – Best Friend
Hearing Fenrir's voice so close to me, I opened my eyes and I was surprised to see myself standing instead of lying down sleeping like what I last remembered.
When I looked at my surrounding, I was in a familiar environment. Everything around me was all white. Even the ground I was standing on—it was white. Fenrir was sitting right in front of me.
Yes, we were inside my dream.
I had tried out Fenrir's power before, but it was just to explore what we could do in my dream, and the only experiment of entering someone else's dream that we got to do was…with Freyr and Freyja. We had lots of fun in their dream world, ehehe! (≧◡≦)
"Get ready," Fenrir said.
I nodded and I closed my eyes to focus. Time to put my Hartmann arts to use. This would be the first time it'd be used for a serious matter, after the trip to Chinosato.
This time, I tried using my transformation skill than just illusion.
The reason being… Fenrir told me that if it was just putting an illusion in a dream, he could do it. But based on his knowledge, there were some really perceptive people who could control their dream and eliminate the illusion made. Therefore, it would be safer to just use transformation.
It didn't take long before my body transformed into my former self's. Reinst Carnatia Grabberton. Thirteen years old.
Feeling the transformation was complete, I slowly opened my eyes and stared right into Fenrir's eyes. The figure reflected in his gentle red eyes was none other than the figure of someone who should have long gone.
Yes. I succeeded in transforming to become my past self flawlessly.
"…Let's go," Fenrir said as he stood and turned around, walking in the white scene. I simply followed him obediently.
His walking speed slowly became faster, so I had to run as well.
Then, his whole body shone as a crack formed in the road ahead him. The crack grew bigger as Fenrir's body shone brighter. Eventually, Fenrir jumped to the crack and it grew bigger. I ran and jumped into the crack, following him.
A blinding light caused my eyes to close reflexively. And then…
"What are you doing over here?"
A small girl's voice could be heard.
I was very surprised as I thought we were found out right away, so I opened my eyes and what I saw made me speechless.
In front of me, separated by some whiteness, there were the young Reinst and Nicole. The location was at a very secluded place of a library. My old house's library.
Reinst was sitting at the corner of the desk, close to the wall, writing on something. Nicole stood next to her and asked that question. When Reinst heard Nicole's words, she quickly closed the book and covered it with her body.
"You're Clyde's sister, right? I'm Nicole. I came over to study with Clyde. If you're studying too, why don't we do it together?"
Hearing Nicole's explanation, Reinst relaxed and moved away from the book.
Right at that moment…
" Hey, what's inside that book, why are you hiding it? Let me see!"
Nicole said as she forcefully took the book from Reinst, opened it, and saw its content.
"H-heyyy!!" Reinst raised her voice, but she tried to be discreet as well. She stood up and tried to take the book away from Nicole, but Nicole managed to see the content.
Inside the notebook was a childish drawing and writing. A simple story with picture that Reinst poured her imagination to.
"Heee, it's just a story and drawing. I thought you're writing your secret or something. Not interesting, why would you be hiding it, anyway?" Nicole closed the book and returned it to Reinst who safeguarded it immediately.
"…Because they will scold me if they know I'm doing something useless instead of studying and training," Reinst said.
Nicole just stared at Reinst who didn't even look at her.
Yes, there was actually a time when I wanted to do other things even during the time I was supposed to study. I'd try to do them secretly until I was found and scolded, then I'd just stop doing them anymore.
I had long forgotten.
"…At first, I befriended Clyde because he managed to defeat me in a creative arts competition our school was holding. I wanted to learn from him. Then, I got to know Reinst and their family's situation. The reason I wanted to 'befriend' them… was far from a pure reason."
I suddenly heard Nicole's adult voice echoing.
"It seems that the owner of this dream is reminiscing. I thought I'd need to induce her reminiscence with my power, but it isn't necessary anymore," Fenrir said.
"No, that's just a coincidence. More importantly… Is it alright for us to snoop like this?" I asked, unsure.
"I believe these are words she wanted to tell you, I mean, to Reinst," Fenrir said confidently.
"How are you so sure?"
"I have been to many people's dreams, I've got gut feelings."
"…Alright then."
The voice continued as the scene before me rapidly changed. It was all the eight-year-old Reinst, Nicole, and Clyde. How Nicole initially just looked disinterestedly at Reinst who was almost always absorbed in her own mind.
…I thought she was somehow interested in me, and so she befriended me. But looking at this memory from a third person view convinced me that wasn't the case. Then, why?
The scene then changed. It was Domi's birth and Nicole also went to our house to congratulate us. I guess the young me couldn't hide my sadness and despair after finding out that I was never needed by Mother. Nicole only looked at that Reinst with unreadable expression.
"I am such a bad person. Back then, the elders in my family criticized how I wasn't really fit to become the head of the family if I couldn't learn to mask my dislike and be less blunt. Some of my competitive cousins tried to compete with me for the position of the next family head. …I thought my life quite sucked due to it. But… but when I saw the Grabberton siblings, I was relieved because I knew there were more pitiful people than me, even if we hailed from ducal families. For me, at least both my mother and father loved me dearly…"
I was surprised to hear Nicole's words. I see. I see. So that's why she wanted to befriend me in the beginning. For Clyde, at least she was also interested in him because how he managed to defeat her in a contest—typical of her, and that reminded me of Ein.
Before I could process this new information, the scene before me changed again.
"Huh? That book… Are you reading [Journey to Paradise]?" Nicole asked to Reinst who was busy reading a book.
Reinst dismissively replied, "Yes."
"Aah, that series is good. I really love this part: [You know, when we were little, we had our parents and a place to return to. Even if we have no money, even if there's no magic. Even though those days are ordinary, there was actually something really precious there, don't you think? Yes, there is an unconditional love. How I miss those days.]," Nicole casually said.
As if a switch was turned on, Reinst turned to look at Nicole and she excitedly said, "Yes, that part! That's when they realized they had the paradise all along, but then they lost it because they were so obsessed in wanting to find 'the paradise'! Wait, how can you remember the whole thing perfectly?!"
Then, I could see Nicole's taken aback expression and I understood why she would be taken aback. Even I already forgot this moment existed and was surprised as well.
I see, so even I had a time when I could make such expression. I thought I was always stoic as Reinst…
"At that time, I finally saw your real colour for the first time, Reinst. I felt like I saw the real 'you' that's buried by others' expectations of you. I think it's since that time that I strongly wish to be a friend who can be close to you. I thought one day, I can be someone who you can confide things with, and by being around me, you can show your true colours without any hesitation.
The scene quickly changed again, showing how we grew up and even I could see how Reinst grew more stoic and seemingly bored with life in general.
"I never succeeded."
Her words sounded so sad…
Then, the scene changed and I saw Dahlia, Reinst's mother. It seemed like she was talking to other adults, while Nicole who happened to pass by… accidentally heard them talking.
"You are so lucky, Dahlia-sama, to be blessed with an excellent daughter and a son who's going to be the next family head!"
"Yes, your daughter is very obedient! You must really like her!"
"Oh my, I wonder about that…," Dahlia opened her mouth, "It's true that Reinst is very obedient, but how do I say it… Compared to Domi, she's quite boring."
I widened my eyes when I heard that and I expected a lot of heartache. But oddly, I didn't feel any heart-wrenching pain. If it were the old me, those words would be enough to cause my mental breakdown.
Then, I saw Nicole's expression changing to that of an anger's, but she quickly left the premise instead of doing anything.
Again, the scenery changed rapidly. I saw the news that seemed to announce my unfortunate accident. Then Clyde's remorseful figure as he cried. Nicole hugging Clyde as they cried together. And then… this scenery… My funeral.
"My precious daughter… how could fate be so cruel? How can you be killed by a stray meteorite? God… Aion-sama… why…," Dahlia said as she wept and used her handkerchief to wipe her eyes.
"Even seeing her 'sadness', I still felt that Clyde's grieving more than her and that pissed me off. It seems to me that she's sad because she's losing an 'asset' that can 'worth a lot more' in the future. And her show of sadness is nothing more than a show."
And then, something unbelievable happened.
Nicole suddenly shouted, "You're the one who killed her!!"
[You are the one who killed the real Reinst.
You are the one who turned her like this.
You are the one… who killed her personality, her real self.
Reinst died for you, yet you… you never turned to look at her.]
"Nicole, what are you doing?!" Nicole's parents were very surprised to see their daughter's unexpected action.
But Nicole ignored them and continued to speak, "You're her mother, but do you even truly care about her?"
"NICOLE!" Nicole's father then slapped her.
Next, her mother stood up and made Nicole bow down to apologize for her inappropriate words.
"It was the first time my father slapped me, but I didn't regret it at all. I believe I'd regret it more if I were to hold everything inside me."
Nicole's feelings definitely reached me now.
Even if they didn't reach me in the past, but it did.
She was genuinely looking after me, huh?
I almost teared up looking at Nicole who was at my funeral and also listening to the meaning behind her words.
The scene slowly disappeared and what was left after it was all gone…
There was the current Nicole, standing still in this pure whiteness of her dream, closing her eyes as tears fell from them.
"Even so, it's all too late. I always regretted it. If only I did something earlier… If only I interfered earlier… If only… can I save you? …You were gone before I could even tell everything to you. You were gone before I could ask if you really thought of me as your friend or not. You were gone before I could do anything for you…"
Nicole, I…
I never knew that my death impacted her this strongly, even years after I was gone…
"Go. It's time for you to confront her," Fenrir said from behind me.
I see… So her 'dream' is over and now I can speak to her…
Now, it's time to resolve a chain from my past.
And it's time to set my best friend free.
I planned on releasing this faster but some relatives stayed over at my place for a few days and I couldn't write a lot... ><; Thanks for reading and I'll try to get back to the comments when I have more free time, but I read every one of them and will be very happy to see any comment ^^ Feel free to join my Discord server and mingle with the other readers too~ (discord.gg/ty5tZEz) To support this series and gain access to advanced chapter(s), just click the "Support the Novel" button below :3 Special thanks to all the patrons!


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Q: Display objects not aligning correctly I am aligning my display objects in the middle. stage.stageWidth/2. for some reason, they are aligning further off to the right of the screen.
I haven't altered anything but the stage width in flash. Has anyone heard of this problem? Again, I haven't done anything except widen the screen and adjust the height.
Here is the code I tried to put in to fix it and nothing happened.
My focus point on the display object is top left. so it aligns perfectly when set to 0,0
stage.scaleMode = StageScaleMode.NO_SCALE;
stage.align = StageAlign.TOP_LEFT;
stage.stageWidth = 300;

A: If you are resizing the stage (or rather the window in which your SWF is embedded), then you will benefit from using StageAlign.TOP_LEFT, and disabling stage scaling (i.e. with StageScaleMode.NO_SCALE) like what you're doing. You should never set stageWidth though, it is updated when the user resizes the stage. I'm not sure of the behavior when doing this, so I would suggest removing line three from your snippet above, and see if that helps.

A: stage.stageWidth / 2 is the exact center of your stage, in terms of pixels from the left of the stage.
Say you have an object square that is 100x100 pixels, with its registration point in the top left (at (0,0) local to itself).
If you want square to be centered on the stage, you really want to put the middle of square at the center of the stage, not the left side of square.
So instead of square.x = stage.stageWidth / 2;
Use square.x = stage.stageWidth / 2 - square.width / 2;, which puts half of the square to the left of the center, leaving the other half to the right, making it perfectly centered.
Note that this technique only works with objects that have their registration point at their left boundary. If the registration point was in the exact middle of square to begin with, then square.x = stage.stageWidth / 2; would work fine.


Where Did The Celiac Come From?
Thank you everyone for your information. I don't think gene testing was done. I will pass on the info to my parents and have my kids tested for the genes as well. I'm still learning so much about this disease. It's been a real learning experience for me and my doctor.
I was diagnosed 2 years ago with Celiac after being misdiagnosed for many years. I had gall bladder surgery with complications and was told that triggered the Celiac. My gastro doctor said it was the worst case of Celiac he had seen. All of my villi (sp?) were completely flat, not one left standing. Both of my parents have now had the blood test for Celiac and both were negative. Two of my children have tested negative. My brother and sister have yet to be tested. In my extended family (aunts, uncles, cousins), no one has had any symptoms, so no tests for any of them. If both of my parents have tested negative, where did the gene and disease come from? I would appreciate a response from anyone who could shed some light on this. And thank you in advance for your help.
New Celiac With Yeast Infections - Help!
Angie, Thank you so much the info. I'm ready to try anything to help with this. It's driving me crazy having these infections so often and so close together.


Innoquest has launched a device for measuring the texture of semi-solid food ingredients on the production line.
Norwegian dairy giant TINE has called upon the country's government to reduce customs duties on butter imports to avoid a potential shortage over the Christmas period.
Dairy Crest is to launch the UK's first spread with added seeds and whole grains in an effort to refresh its butter and spreads business.
Dairy Crest's French branded spread business, St Hubert, is attracting a host of potential buyers, according to industry analysts - with private equity firms looking like favourites to complete an acquisition in excess of £300m.
As UK dairy player, Dairy Crest, indicates it is ready to flog off its jewel in the crown - St Hubert - a food industry analyst reckons Groupe Lactalis is the likely buyer.
Fonterra's recall decision concerning 410,000 packs of butter was the right thing to do, and action to this front to protect its brand image was crucial, according to a top UK-based food safety expert.
Fonterra has recalled 410,000 packs of butter after consumer complaints about the presence of 'fine metal objects', and has moved quickly to limit fallout from the incident.
The Indian National Dairy Research Institute (NDRI) has developed a low-cholesterol ghee butter that is claimed to have 80-85% less cholesterol compared to normal desi ghee made from cow or buffalo milk cream, according to UK paper The Mail.
But it didn't have groove and meaning for the two men when they were stopped by Norwegian police for trying to smuggle butter into the country.
Leading Norwegian butter producer TINE has called upon the country's agricultural authority to temporarily suspend customs duties on butter imports, to avoid shortages over the Christmas period.
Shops in Finland, Sweden and Russian will suffer some 'scarcity' of butter supplies for the rest of this year, as leading Finnish dairy processor Valio struggles to meet soaring demand.
City analysts have expressed continued concerns over Dairy Crest's dairies business, following the release of the firm's first quarter trading results yesterday.


If you've yet to get a chance to fly on the Airbus A380 then your chances are about to get slimmer.
The European aircraft manufacturer today announced that it will stop production of its double decker superjumbo A380 in 2021. The move comes as a result of dwindling plane sales for the world's biggest passenger jet. This is despite the fact that the company recorded an increase in profits in 2018.
The French-German built plane debuted back in 2005 as a genuine challenger to Boeing's long-serving 747. Things haven't worked out for Airbus though with the decision to scrap the A380 coming after Emirates pared back their order of the model from 162 to 123 aircraft.
As a result, Airbus announced that it had no backlog of A380s to build hence the decision to cease production. The writing was already on the wall back in January when the company revealed that it would discontinue the A380 if no new orders came in.
This development will come as a hit for Emirates, the A380's biggest customer who chose to build their global branding around the aircraft model.
Airbus CEO Tom Enders also expressed his feelings over the situation, calling the A380 an "outstanding technical and industrial achievement" whose retirement will be painful for A380 communities.
According to analysts, the A380's demise came because airlines were reluctant to spend money on an expensive aircraft which required airports to build new runways and modify terminals to suit its size. Not helping the situation were production delays and cost blowouts which eventually led to restructuring and job losses.


Siberian-born designer Max Kibardin's new footwear collection is made up of the shoes modern women dream of: luxurious, but youthful without being too trendy. Now based in Milan, Kibardin originally got his start studying apparel design in Paris. Inspired by everyday items from architecture to everyday market produce, Kibardin's Spring/Summer collection has a decidedly retro edge and borrows rich hues from exotic gemstones and minerals. With prices ranging from $400 to $2,500 a pair, the most shocking thing about Kibardin's line isn't the price tag; it's the whopping three months he spends hand-crafting a creation.


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Rapist Rhetoric Rejecting post-op TIMs is transphobic because a second bellybutton made out of a penis and balls is the same as a vagina
(archive.is)
posted by no- in TransLogic
[–] Stealthygal 16 points
I hope that "MY neovagina" person is real.
The thing that is so bad about these arguments is that they are directly intended to remove people's barriers and force consent. It's nOt wRoNg to prefer a particular sex/body type/ethnicity but it IS bIgOtEd so you need to DO BETTER with your BIGOTRY and you can work on that bigotry of yours by HAVING SEX WITH SOMEONE YOU DON'T FANCY. There's really no other preferred outcome. "Cis" and don't want to date trans people? The only proof of your transphobia being addressed is a trans love interest. White and don't want to date outside your racial group? DO BETTER but also don't FETISHISE the person but also you have to go out with them or you're a bigot. Not attracted to fat bodies? Unless you literally marry a fat person your bigotry will never be disproven, Homosexual? Hey there are people with opposite sex genitals who are your sex now, better date them or else ... you're a traitor to the LGBT community....
I hope that "MY neovagina" person is real. The thing that is so bad about these arguments is that they are directly intended to remove people's barriers and force consent. It's nOt wRoNg to prefer a particular sex/body type/ethnicity but it IS bIgOtEd so you need to DO BETTER with your BIGOTRY and you can work on that bigotry of yours by HAVING SEX WITH SOMEONE YOU DON'T FANCY. There's really no other preferred outcome. "Cis" and don't want to date trans people? The only proof of your transphobia being addressed is a trans love interest. White and don't want to date outside your racial group? DO BETTER but also don't FETISHISE the person but also you have to go out with them or you're a bigot. Not attracted to fat bodies? Unless you literally marry a fat person your bigotry will never be disproven, Homosexual? Hey there are people with opposite sex genitals who are your sex now, better date them or else ... you're a traitor to the LGBT community....
[–] Brans93 0 points Edited
Them saying it's not wrong to have preferences but those preferences should be examined sounds a LOT like there would be no reason good enough to not want to be with a trans person. Any reason given would be automatically transphobia. And it's ridiculously obvious that the only thing that matters to these people are the trans validation, to hell with anyone else's feelings.
I wouldn't date a trans person because I don't want to date a trans person. I don't need to say anything else about it, and I could care less if anyone is made to feel bad because of it. There's plenty of people in the world, I'm sure they'll manage to find one person who can deal with their shit. Dating is by definition exclusionary, sounds like they need to get over it and realize their choices limit their dating pool just like everyone else's choices do.
The only way to "win" their bullshit games is to just not play. I would never willingly associate with someone who was trans that was so engrained in this ideology like this. I can't imagine how sufferable it would be to be friends with someone like that, let alone date them.
Them saying it's not wrong to have preferences but those preferences should be examined sounds a LOT like there would be no reason good enough to not want to be with a trans person. Any reason given would be automatically transphobia. And it's ridiculously obvious that the only thing that matters to these people are the trans validation, to hell with anyone else's feelings. I wouldn't date a trans person because I don't want to date a trans person. I don't need to say anything else about it, and I could care less if anyone is made to feel bad because of it. There's plenty of people in the world, I'm sure they'll manage to find one person who can deal with their shit. Dating is by definition exclusionary, sounds like they need to get over it and realize their choices limit their dating pool just like everyone else's choices do. The only way to "win" their bullshit games is to just not play. I would never willingly associate with someone who was trans that was so engrained in this ideology like this. I can't imagine how sufferable it would be to be friends with someone like that, let alone date them.
Posted by no-