text:
INNERrOUTe
Hudson Valley Jazz Fest
Listen to INNERrOUTe
REVIEWS of the NEW INNERrOUTe CD "Fourmation"
INNERrOUTe: FourmationBy JOHN EPHLAND
Starting with keyboardist Joe Vincent Tranchina's steady, alarming tone, Fourmation suggests an emergency of some kind. "Consensual Motion" gradually includes the other three members entering the fray, a fray that's loose and free-form, and eventually calming, not to mention a little bit funky.Michael D'Agostino's drum fills combine with Bill McCrossen's probing basslines to form a rhythmic framework for trumpeterRick Savage to follow suit, his tone softer, more meditative even as it follows a similar probing trajectory.
INNERrOUTe is the clever name of this New York-based foursome. It's a band on a mission to, as the back cover says, remain "deeply rooted in jazz, while creating genre-bending journeys in free improv, touching rarely experienced & emotionally beautiful realms." In similar fashion, "First Prayer" once again begins with Tranchina setting a template, a pattern upon which the other members join in, Savage's trumpet enhancing what might be considered one of those "emotionally beautiful realms," a slightly reverb-laden softness hinting that this "free improv" might not be of the kind that smacks you upside the head. In fact, as the band moves onto "The Roadless Traveled," one might get the impression that Fourmation is heading down a path somewhere between Miles Davis, circa 1969, In A Silent Way and the vast expanses that music made possible. Since we're using labels here, one might call Fourmation a kind of free-form easy-listening experience, the lines not always uniform, the absence of "songs" in the usual sense pervasive, the reliance on a pensive feeling and nuance paramount. This could also be said of their 2011 eponymous debut.
By the time we reach "Morpheus Awakens," Tranchina has moved beyond his more functional role creating patterns, delving into headier territory, a la Herbie Hancock's Mwandishi and Head Hunters periods of the early-to-late 1970s, his electric piano tossing off glimpses of what is in other settings a more lyrical, acoustic style of traditional jazz, albeit maintaining Fourmation's funkiness. The aptly titled "Slippery Slope" clocks in as the album's longest cut, at just over 13 minutes. And, as with all 12 of these original group-composed pieces, it offers perhaps the best window into each member's talents as musicians, McCrossen (who also doubles on electric fretless bass) distinctively plying and plucking his resonant bass while D'Agostino's flowing drum rolls and fills suggest a big band drummer in a former life. Eventually, Savage shows up as the band as a whole creates a rolling rock groove with Tranchina back to supplying steady formal lines, the trumpeter still somewhat soft-focused but occasionally letting a blast surface here and there. Despite the way in which Savage's horn (he doubles on flugelhorn elsewhere) is recorded, his voice does manage to provide the necessary bite to an album that otherwise seems to put a premium on relaxed, open-ended vibes. "Sacred Eclipse" comes closest to recalling In A Silent Way's stolling rubato, the easy listening peppered with more soft-focus, minimalistic, non-thematic music that, with Savage's playing especially, invokes a hymnal-type crossing between jazz and something akin to something "sacred." It's a sketch, an idea, as is much of Fourmation.
To say that Fourmation soothes would not be far off. The rest of the album extends the variation on a theme commented here, with subtle dissonances and more loose-limbed playing that rests easy on the ears, the moods mostly temperate, mellow. And while, on the surface, the music may play like an afterthought, easy to hear, and therefore easy to perform, Fourmation's mellowness hints, suggests and allows the listener to fill in the blanks even as they're hearing music created by four accomplished musicians, all of whom have a shared history. With no apparent agenda other than to experiment and explore, it's music that reflects some deep, patient four-way listening.
Track Listing: Consensual Motion; First Prayer; The Roadless Traveled; Morpheus Awakens; Slippery Slope; Sacred Eclipse; Home And Deranged; The Asking; Realms; Fourmation; Grace; InnerOUTeTAKE: Where's One?
Personnel: Rick Savage, trumpet, flugelhorn; Joe Vincent Tranchina, keyboards; Bill McCrossen, acoustic and electric fretless basses; Michael D'Agostino, drums, percussion.
Year Released: 2016 | Record Label: Planet Arts Records
By: Carol Banks Weber AXS Contributor Feb 17, 2016
A lot of jazz musicians like to think they're boss at the art of improvisation. Onstage, the twists and turns of herding cats without a net (or charts) can become a train wreck and another jazz caricature. In the recording studio? Forget it.
New York City percussionist Michael D'Agostino and his three band mates — Rick Savage (trumpet, flugelhorn), Joe Vincent Tranchina (keys), Bill McCrossen (acoustic and electric fretless bass) — do what most seasoned jazz vets still have a hard time accomplishing. Together, this band of likeminded players and fast friends — formed over countless jam sessions in D'Agostino's studio in West Milford, N.J. — manage to do the impossible on their debut record, INNERrOUTe.
The interesting album title from the Oct. 15, 2015 release doesn't even begin to cut it.
These four musicians went into the recording studio to capture one night of improvisational ecstasy — together. The 12 original compositions, if you will, are a culmination of that attempt to tap into each musician's innermost, intuitive impulses, but as a collective.
In many ways, the album's tracks play out as a kind of dream sequence, with the same wordless, dreamy form of limitless communication that takes place entirely in a person's imagination, beyond language or earth-bound definitions of property, ownership, and material ties, things that don't matter.
If you really think about it, in dreams we have no need to haggle over words we do or do not say. Everything is transmitted via telepathy. That is the ultimate goal of every truth-seeking jazz musician.
That is what Fourmation goes for here.
"Every time we get together, it's to get out of the way, allowing a whole new fount of ideas to flow through us, never the same; that's the beauty of our music," D'Agostino explained in the liner notes.
Times Herald-Record music critic Timothy Malcolm dug it. "There's a wondrous element of exploration to everything… because four very individual musicians found a way to work with each other, and yet completely within themselves, all at the same time. 'INNERrOUTe' is an intriguing voyage."
To go on such an intriguing voyage, all four of these musicians had to be on the same invisible page, relying solely on their connection to one another from time spent in those jam sessions. Trust and the ability to really listen — two of jazz's most important attributes — lend themselves to such remarkable pieces like "The Roadless Traveled," four minutes of what should've been a godless cacophony writ by wayward strategists out for themselves, zero end in sight.
Instead, horn player Rick Savage steps forward almost immediately in the clandestine shimmers of keyboardist Joe Vincent Tranchina's ambient opening to set a timeless, romantic, and even techno-futuristic tone throughout. Savage forages through what sounds and feels like a dystopian world set several hundred years ahead. He plays melodic threads and a banquet of harmonic snippets meant perhaps to grasp fleeting, warm human elements underneath a cavern of nihilistic forward thinking in an atmospheric retreat. The other musicians naturally pick up on Savage's wavelength, parting the way for him.
Most other times, as on "Slippery Slope," the way is a little more cluttered. Typically, when jazz musicians go on an improvisational tear, the styles tend to muddle into the centrifugal force of the avant-garde, or free jazz — when anything goes. The end result for the listener is a disconcerting sense of the chaotic, where the ear doesn't quite know what sound to latch onto. The sounds on this lengthy piece (over 13 minutes, the longest in the album) break up too frequently to get a handle on any specific mood, vibe, or direction, assuming there is any.
Yet, there is, however aimless at first listen.
Savage comes in once again to save the song, piercing through the broken shards of the other musicians' completely intense interpretation of what's going on to connect those dots. He turns a disparate tangle of voices into a cohesive number about souls falling apart and the inner conversations of those souls as they panic and watch their humanity wither away. At least that's what it sounds like.
Fourmation spent one night on Jan. 24, 2011 recording this album, "with no discussion, no rehearsal, no overdubbing, just creative listening; listening for an opening, an invitation for the magic to happen, allowing the music to tell us what it desires," according to the liner notes.
If you think about the final end product of that one, fateful night, INNERrOUTe does all that and more.
Chronogram Magazine
With case play on top of multiple puns, the quartet INNERrOUTe doesn't make it easy to type its name or to interpret it, but one could say that, given the group's native genre--improvisational jazz--difficulty is part of the bargain on every level. On Fourmation, this quartet of trumpet, electric piano, drums and bass sets out to capture one evening of improvisations, and the results are scintillating, due as much to the excellent recording quality as to the heightened, empathic playing of this very capable and egoless ensemble.
The reverberant mix rounds the top end of Rick Savage's often effected trumpet and flugelhorn in the most pleasant way and situates the rhythm section of Michael D'Agostino (drums) and Bill McCrossen (bass) in a warm and natural space. The complex, phasey timbre of Joe Vincent Tranchina's electric piano swirls through the space between voices like a sonic glue. Like so much free jazz, this stuff originates with Miles circa Bitches Brew and In a Silent Way; free and untimed conversations morph into near funk and back again on the opening track "Consensual Motion." But on the lovely "Sacred Eclipse" and on many other tracks, INNERrOUTe reveals itself to be a band more interested in moments of warm euphony than in contentious squawk. The music-as-spiritual-practice liner notes are borne out in the quite accessible and enjoyable sounds. Planetarts.org
---John Burdick
5 star Review from French Alt Rock magazine HIGHLANDS
Highlands 76 December 2015
Highlands Magazine INNERrOUTe FOURMATION review
Fourmation [sic] [INNERrOUTe] is an American Jazz-Rock "formation" that originated from New York and is now based in New Jersey. Lead by drummer/percussionist Michael D'Agostino, the quartet includes trumpeter Rick Savage, keyboardist Joe Vincent Tranchina and bassist Bill McCrossen - who plays both acoustic and fretless electric bass. [INNERrOUTe's] Fourmation's [sic] album comprises 12 original compositions.The first track, entitled Consensual Motion, reaches its climactic point at 10'08.
From the very first note, the listener is transported to the world of Miles Davis' In A Silent Way and Bitches Brew - notably sequences of irresistible Fender Rhodes grooves, with mellow, velvety, freely executed trumpet flourishes, taking us back to the music of the "grand" Miles. The recording abounds with outstanding percussion and even if Michael D'Agostinio's playing on drums is sharp and precise, he keeps changing tempos with amazing ease, and is consistently impressive.
First Prayer, a particularly thrilling piece, starts with Fender Rhodes' motifs that charms the listener little by little, and follows with trumpeter Rick Savage's voluptuous sound taking us to some unknown mysterious place.
The Roadless Travelled features the percussion along with murmuring cymbals', fret-less bass detours, and accompanied by soft and free trumpet lines spiraling into another dimension.
Whether it is the creative, grooving leading Fender Rhodes, the free spirited trumpet silvery timbre and dreamy tone, the numerous flawless fretless bass exciting moments, or the spicy fiery percussion, this album is exciting from beginning to end. If you are into Jazz and adventurous music this wondrous, inspired, and powerful recording will fill you with pure joy.
***** Didier Gonzalez
INNERROUTE/Fourmation: An equal mix of improv and fusion leavened with taking their time yields a very interesting new set from a crew that came together at the suggestion of their UPS delivery man. Tasty stuff dedicated to pushing the boundaries of where certain forms of jazz lie, this crew gives you an unvarnished and uncommercial look behind the curtain where the muse is what it's all about. A wonderful, wild ride whose chops keep you riveted throughout.
CHRIS SPECTOR, Editor and Publisher MIDWEST RECORD
INNERrOUTe…..presents a unique voice in the free improv jazz and jam band tradition. For a true experience with the finest in improvisation, listen in – and feel what it does. Grady Harp Amazon top 10 reviewer
Jazz CD Reviews
A spontaneous night's music mustered with collective communication.
INNERrOUTe – Fourmation [TrackList follows] – Planet Arts PA301554, 68:27 [10/15/15] ****:
(Michael D'Agostino – drums, percussion, recording, mixing, mastering; Rick Savage – trumpet, Flugelhorn; Joe Vincent Tranchina – keyboard; Bill McCrossen – acoustic and electric fretless bass)
Fully improvised jazz can appear too chaotic and unstructured to the uninitiated. But the best musicians can find a way around seemingly obstructive limitations, and offer a sense of organization, harmonic development, even melody. That's what the East Coast quartet christened INNERrOUTe has accomplished. As the group name implies, the foursome combine inner spirit with outbound collective communication. This 68-minute, 12-track outing is the outcome of a studio evening in early 2011 when the four INNERrOUTe members got together with no prior discussion, no rehearsal, no overdubbing, and commenced to do some creative performing and, most important, active listening. The instigator of this project is drummer Michael D'Agostino, who recruited likeminded players Rick Savage (trumpet, flugelhorn); bassist Bill McCrossen (on acoustic and electric fretless bass); and keyboardist Joe Vincent Tranchina. The result is the second INNERrOUTe record, Fourmation.
The ten-minute opener, "Consensual Motion," has moments of complete freedom, where arco bass and plucked bass lines collide against colorful keyboards, and diverse rhythms juxtapose against trumpet. And yet, there is a perceptible groove, albeit one with a quickly changing attitude. There are also straight-ahead jazz components which listeners can relate with, although the quartet never stays put in a particular place for too long. There's a broadening of the band's spontaneity during the eclectically-charged "Home and Deranged," where it's obvious the musicians allow the music to progress in a natural way, often sitting out and experiencing what the others are doing, and then responding, opening doors for further inventiveness. This isn't a case of disarray, although there is no guiding melody or lyrical center.
INNERrOUTe is capable of fast movements, but also can provide instances where beauty and delicacy slide forward, such as during the ethereal, concise "First Prayer," where Savage's echo-laden trumpet glides above D'Agostino's glittering percussion, and McCrossen supplies supple single-note bass lines. Another cut which has a similar, slow sensibility is the appropriately-designated "Grace," which traverses with an intermittent equilibrium, with underlying tension roiling but never enveloping the music.
Funk rises to the foreground on another brief piece, the mythology-marked "Morpheus Awakens," based on the ancient Greek god of dreams. Tranchina is spotlighted on this tune, while the drums and bass have a fitful conversation. There's a fusion feel which rides below the start of the title track, due to Tranchina's electric keyboards, although that doesn't hold for long, as INNERrOUTe heads into uncharted territory, never remaining in one specific direction, with ideas building up, settling, and rising again. The theme of proceeding into atypical pathways can also be heard on the aptly-titled, pun-derived "The Roadless Traveled." Here, again, INNERrOUTe's mutual, unconstrained interaction is the focus, with Savage's trumpet front and center, Tranchina's keyboards bubbling beneath, and the rhythm section furnishing a restless rhythm. Like some of the other numbers, this one fades out before it can achieve a definitive finish. The ensemble's wit and humor lace through the concluding snippet, "innerrOUTeTAKE: Where's One?," which runs just under two minutes. There is something to be said about doing head/chorus/head jazz arrangements. But for those who embrace the never-to-be-repeated avenues of exploration, and are inclined toward in-the-moment inspiration, then INNERrOUTe is a band to find and appreciate.
TrackList: Consensual Motion; First Prayer; The Roadless Traveled; Morpheus Awakens; Slippery Slope; Sacred Eclipse; Home and Deranged; The Asking; Realms; Fourmation; Grace; innerrOUTeTAKE: Where's One?.
—Doug Simpson
by George W. Harris • December 17, 2015
The quartet INNERrOUTe states that its purpose is to be "deeply rooted in jazz, while creating genre-bending journeys in free improv." Together, Michael D'Agostino/dr/perc, Rick savage/tp-fh, Joe Vincent Tranchina/key and Bill McCrossen/b do a yeoman's job of delivering on their promise.
Some of the moods and pieces feel like a free form musical food fight, as on "Consensual Motion," with the relentless riff sounding like a warning from outer space, while on "The Road Traveled" the team goes deep into the hip pocket with Savage crooning over the deep groove. The team glows like a hologram on the sleek and vibrant mellower tunes such as "First Prayer" and "Grace" with the latter having a wondrous mix of McCrossen's bass and Tranchina's droplets of keyboard. They do like to have their moments of frivolity, however, and they take you on Mr. Toad's Wild Ride on "Home and Deranged," but you do hang in there with them due to their inherent lyricism.
GLOWING REVIEWS of Our First CD "INNERrOUTe"
If you haven't already done so.........click here to buy the cd


Battle Royale has taken over the online gaming scene with games like PUBG and Fortnite at the center of it all. Although the former is no longer the hottest game around as compared to the latter, it's still pretty popular and a lot of people regard it as the real Battle Royale experience.
PUBG was the founder of the Battle Royale game mode and has gained a lot of popularity since then. The unique aspect of the game is that not only do a 100 people are matched together in a Last Man Standing deathmatch, but everyone starts off with nothing. During the course of a match, people find materials and weapons that'll aid them along the way so it comes down to pure skill and sometimes even luck. The game is highly competitive and is regarded as one of the best online multiplayer experiences ever.
The Thompson submachine gun also referred to as the "Chicago Typewriter" is a very old weapon that dates back as far as 1918. On the left is the PUBG version of the game and on the right is the actual gun itself. Apart from the color scheme, the gun pretty much looks the same in the game as it does in real life.
In PUBG, the gun also performs the way you would expect such an old gun would. The recoil is off the charts, the gun doesn't allow for many attachments, something you'd expect from a gun that existed even before WW2. However, the gun does deal a lot of damage for an SMG in the game, particularly due to its .45-ACP rounds. Overall, certainly not a bad-looking addition to the game.
The AK-47, one of the most popular weapons used in online games of all time. PUBG isn't the first game that features the highly sought after gun. It was popularized mainly through games like Counter-Strike and Call of Duty and has mostly appeared on the "Terrorist" or opposing side of every game.
The color scheme PUBG chooses for the gun is a blend of old and new whereas the rightmost photo is the original, which can be found in games like Call of Duty: Modern Warfare. The weapon is popular because of its balance between high damage and accuracy, alongside its compatibility with multiple attachments. In the following image, you see an ACOG scope on the gun, giving it the range of a sniper, it's a pretty decent gun overall.
The Sawed-Off shotgun is one of the newer weapons to PUBG. In real life, it's mostly referred to as "Sawn-Off" instead of the way its referred to in PUBG. The name of the gun is self-explanatory as the barrel of the gun is sawn down, hence the name.
Naturally, as a shotgun, it's best suited for close combat and the Sawn-Off barrel allows for wider spread (with a shorter range than usual). However, oddly enough, according to the game, the gun occupies the sidearm/pistol slot which doesn't make any sense at all, especially for a shotgun. That aside, the in-game Shotgun looks mostly like its real-life counterpart.
Commonly mistaken for the MP5 in PUBG, the UMP9 does have characteristics similar to the MP5, however, it is its own gun. 'UMP' stands for "Universale Maschinenpistole" which is German for "Universal Submachine Gun". Another reason why the gun is mistaken for the MP5 is not only its striking resemblance but the fact that it was made as a cheaper alternative to the MP5.
However, make no mistake about it, the MP5 does not exist in the game. Instead, the UMP9 exists and it performs like any other submachine gun, close range, high fire rate and low damage. However, the high fire rate compensates for the lower amount of damage, therefore, making it a good weapon for close-range combat.
Another classic, often represented by the "Counter-Terrorists" in Counter-Strike or usually by our protagonist team in Call of Duty, the M16A4 has also been a part of many games over the year. The Gun has also evolved over the years as it used to be the standard gun for the US military.
The A4 version improves the gun, giving it overall better features such as improved grip, range, and recoil. Assault Rifles are deadly when used correctly in PUBG, and combined with the fact that the M1A64 has the highest fire-rate amongst all assault rifles in PUBG, it makes it a really deadly weapon. The only downside is the fact that you can either fire the weapon in single shooting mode or burst shooting mode, therefore, you need quite a bit of skill in order to use this weapon, unlike others with which you can just press and hold the fire button.
Overall, it's a pretty good and deadly weapon, capable of causing some real damage if it falls into the right hands. Be sure to keep an eye out for this one and do consider the weapon before discarding it.
Another gun featured heavily in other game series, especially the Call of Duty franchise, it's one of the community favorites. It has large ammo reserves as well as a large magazine, just like any other LMG. However, what makes it stand out is its high fire rate, something which not a lot of machine guns can brag about.
The high fire rate makes it a tremendously dangerous weapon and its huge ammo reserves make it capable of lasting you the entire match and therefore, leading you towards victory. However, there is some skill required with this gun as you can't just hold down the fire button and hope for everything to work out, the gun has very low stability. Moreover, its high fire rate means that the ammo clip will run out fast, but its reload time isn't as fast, which can mean bad news in a heated showdown. However, if it falls into the right hands, the gun can cause some serious damage.
A DMR (Designated Marksman Rifle) that is favored by the US special forces, of course, this gun would make it to PUBG. This gun is a powerhouse, it's much more powerful than the other DMRs available in this game as it can cause some serious damage.
Furthermore, this gun has a full-auto mode as well that makes it deadly if it falls into skilled hands. However, it doesn't have a good fire rate and you'd need good recoil control skills given the gun's stability. However, the damage ensures that you don't need to fire that many bullets and a skilled user can have a lot of fun with this gun. The rifle also gains increased stability when prone because it has a bipod as well, just like the m249 LMG.
The Arctic Warfare Magnum or the Accuracy International AWM, it's a long barrel Sniper Rifle that fires .300 Magnum rounds, the gun is the only sniper in PUBG to carry these type of rounds, making it very powerful and one of the most sought-after snipers in the game.
It has the max power and effective range of any other gun in PUBG and due to its outrageous power thanks to Magnum rounds, it's only fair not a lot of people actually get a chance to use this gun. The gun is only obtainable through a rare drop, meaning chances of bagging this gun are slim. However, if you do get the gun, then you're in for a fun ride. The gun does require some recoil control but given the fact that it's a powerful sniper rifle, you can get the job done in one hit, so there isn't much to worry about when it comes to the recoil.
One of the most modern weapons in PUBG, it's certainly not the first time we're seeing this weapon in action. This weapon has been featured heavily in Call of Duty games and other shooters as well. It's one of the best Submachine guns in those games, it's not bad in PUBG either, in fact, it's great.
It's small, it's not heavy, its a great weapon for close-combat. Like every other machine gun, it doesn't have good range, but it has a high power rate. The vector also has decent damage for a submachine gun which makes it so good. However, without the right attachments, the recoil can be a problem, therefore, a certain level of skill is required to handle this gun. Overall, it's a pretty decent gun to rush with in-game.
The M416, from the name it appears to be the M4 Carbine that's used by the US military, however, that's just the M4. The '16' at the end makes it unclear which gun this is from real life. Perhaps, it's a combination of two guns namely the M4 Carbine and the Heckler & Koch HK416 though many people lean towards the latter instead of the former.
Although it's unclear as to which gun inspired this gun in PUBG or whether both guns did, it's much better for close-range battles than the M16A4. Unlike the M16A4, it has a full-auto firing mode that makes it deadly in intense encounters. It has a surprisingly high fire-rate for an assault rifle and it even has a good range too. However, the trade-off here is the stability, making the gun with a high fire-rate hard to handle. If you have good recoil control, this weapon will serve you well.
Let us know which gun is your signature weapon in the game and why, in the comments below.
How to fix voice chat problems in PUBG mobile?


text:
//! UDP protocol related components for DNS

mod udp_client_stream;
mod udp_stream;

pub use self::udp_client_stream::{UdpClientConnect, UdpClientStream, UdpResponse};
pub use self::udp_stream::{UdpSocket, UdpStream};

redpajama_set_name: RedPajamaGithub


text:
Where to live stream Brazil vs Belgium online in the USA
Natalie Shepel
Posted: 5 July 2018 8:45 pm News
We've tracked down where to stream Brazil vs Belgium in the USA so you don't miss a minute of the action.
Belgium has a poor record against South American sides at the World Cup, while Brazil haven't managed to overcome European opposition in the knockout stages since 2002. It will be interesting to see who comes out on top as Belgium and Brazil face off in the second quarterfinal of the tournament.
MUST READ: The FIFA World Cup 2018 streaming guide
Belgium are currently on a tremendous winning streak. They topped Group G with three victories and sent Japan home in the Round of 16, bouncing back after the Asians secured an impressive 2-0 lead.
Genki Haraguchi scored first in the 48th minute, followed closely by Takashi Inui only four minutes later. Things were looking grim for the Red Devils until Jan Vertonghen found the net thanks to a brilliant header in the 69th minute. Then, Marouane Fellaini and Nacer Chadli shattered Japan's hopes of advancement, both pulling off elegant finishes to send Belgium to the quarterfinals. It was a fabulous comeback for the Red Devils, who have become one of the most fancied teams at this year's tournament.
Meanwhile, Brazil had a shaky start at the World Cup, but managed to secure 7 points to advance to the Round of 16. They looked more confident during their knockout game against Mexico, dispatching El Tri with a clear 2-0 win.
Mexico put up a good fight, but weren't able to break Brazil's impressive defense. Neymar scored first in the 51th minute, with Roberto Firmino following in his lead in the 88th. All in all, Brazil will be a tough opponent for Belgium, as the South Americans are determined to live up to their pre-World Cup hype.
Belgium is the competition's top scorer, but Neymar seems to have finally gotten his groove back, offering a great performance against Mexico. Everything will be up for grabs as Belgium and Brazil face off Saturday at Kazan Arena.
Brazil vs. Belgium: Kick off time and date
The knockout match kicks off at 2 p.m. ET on Friday, July 6, 2018.
Where to watch Brazil vs Belgium in the USA
Below are your options for live streaming the match locally.
Stream from anywhere in the world Get ExpressVPN
Matches streamed
Free trial?
Telemundo Broadcaster All Group Stage Matches Free N.A
FOX Sports Broadcaster All Group Stage Matches Free N.A
Get a 7-day free trial
Watch soccer matches live and on demand. Cancel online anytime.
Last verified 27 Jun 2018
Devices you can stream Telemundo
Fire TV, Apple TV, Mobile & Tablet, Roku
Compatible devices for FOX Sports
Radio, VR, Mobile & Tablet, Apple TV, Android TV, Roku, Xbox, Fire TV, Chromecast, PC & Laptops
Belgium Preview
Latest FIFA 18 headlines
Where to live stream Belgium vs Japan online in the USA
Where to live stream France vs Belgium online in the USA
Where to live stream Croatia vs England online in the USA
Where to live stream Uruguay vs France online in the USA
Where to live stream Sweden vs Switzerland online in the USA
Just when you thought Black Friday couldn't…
List of Citibank ATM locations around the world
You can withdraw money out for free overseas…
How to set up Netflix: A step-by-step guide
Wondering how to set up this streaming giant…
List of stores that accept Quadpay in 2019
View a complete list of US stores that accept…
2019 F1 schedule, drivers, teams and calendar
Are you ready for the 2019 F1 World…

redpajama_set_name: RedPajamaCommonCrawl