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El crioll portuguès de Bidau o português de Bidau és una llengua criolla basada en el portuguès que està pràcticament extinta, però que es va parlar a Bidau, un suburbi a l'est de Dili, Timor Oriental, fins a la dècada de 1960, quan els seus parlants es van desplaçar al português padrão.

Formació i característiques
El crioll portuguès de Bidau va sorgir del portuguès parlat pels colons i mestiços de l'illa de Flores, influenciat per les llengües introduïdes en l'àrea pels militars, homes de Lifau. Comparteix una sèrie de característiques amb criolls pròxims, com el macanès. Probablement ha d'haver estat gran la influència del portuguès de Bidau sobre la formació del tétum plaça.

Història
Els primers portuguesos van arribar a l'illa de Timor en 1512, i després de segles de contacte del portuguès amb llengües locals va sorgir un crioll de base portuguesa en aquella illa, anomenat "portuguès de Bidau", en l'actualitat amb relleu pràcticament només arqueològic. Bidau és avui un dels barris de la riba oriental de la ciutat de Dili. El portuguès de Bidau és una llengua criolla, avui pràcticament extinta, que hauria sorgit, d'acord amb Francisco Xavier de Menezes, com a fixació en aquella àrea, ja abans de les campanyes de pacificació, d'una companyia de larantuqueiros (cristians de Larantuka), ja que amb la venda de Flores als holandesos, va ser substituïda per una companyia de segona línia que va mantenir el mateix parlar ja comú en el barri. João Paulo Esperança destaca, en un altre sentit, que el crioll portuguès de Bidau hagués d'haver arribat a Dili quan la capital va ser transferida de Lifau a Dili, junt amb la població de la colònia portuguesa, en 1769.

Actualment el Crioulo portuguès de Bidau està pràcticament extingit. Francisco Aleixo de Menezes manifesta ja en 1968 que trobava només unes 4 a 5 persones ancianes que encara l'usen quan es troben ocasionalment i Luís Filipe Thomaz afirma peremptòriament que en 1974 ja es trobava extint. No obstant això, segons lingüistes timoresos encara subsisteixen alguns parlants del portuguès de Bidau alguns a Dili i alguns a Portugal, entre els refugiats que fugiren després en 1975.

Exemple de portuguès de Bidau
 Vósse, bai na ôndi?
 Eu bai na riba.
 Vósse vai fazer cuza, bê?
 Eu leva este cànico, vai só lè águ.
 Vósse tira águ, faze cuza bê?
 Eu tira águ, bai cozinha arroze, antis meu marido bên cómi.
 Nós bai na ribeira, bê, toma banho.

Referències

Enllaços externs
 The Languages of East Timor

Criolls portuguesos
Timor Oriental


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Rachelle Jeanty - Higher Ground
Immediately after Sahasrara 2011 I came across a very interesting album. Vow – I remarked silently short afterwards I had a look into the song-list inside the booklet. This young singer Rachelle Jeanty surprised me very pleasantly by songs taken over from the bands of the 70s – the Beatles, Supertramp, Simon and Garfunkel. When I heard her dense and rich voice, I just sat down and listened carefully. The singer of such an expression appears only rarely. Rachelle managed to create something amazing and vocally strong out of songs which she took over. As if she brought more energy of those 70s and unrepeatable atmosphere of those times into my room. I contacted Rachelle by e-mail and asked her a few questions.
Rachell, can you introduce yourself and write a few lines about your beginnings as a singer?
With pleasure! My name is Rachelle Jeanty, I was born in New York and grew up in Montreal, Quebec. My parents are from Haiti and immigrated to the USA in the 60's. Although both very musical, I am the one who has made it a profession. The last person in my family to have been a professional musician is my great grand cousin Occide Jeanty, one of Haiti's most reknown classical composers. As for my beginnings as a singer, apparently as a little girl, I would constantly hold a make-believe microphone in front of my mouth , singing and dancing, all the time, everywhere. But my personal memory of a musical wonder was when I saw a drum set for the first time. I could play it within the first half hour and it became my true love. But for practical reasons, I finally chose singing. I made the right choice, I LOVE to sing and thrive when doing it.
Your website presents you as a soul-jazz singer. I also know that you sing gospels and that you had several successful concerts in Austria and Germany. Which style is more important for you? What is the strength of gospel music which you had presented in various churches?
Gospel music unites people, transcends prejudices, speaks directly to the Heart and to the Soul. It is an obvious and easy link to make, to bring about the Joy and Power of Sahaja Yoga to the listeners, for Gospel celebrates the Glory and the Beauty of God. When the Spirit is touched, we go beyond fixed ideas of God, we enter its full dimension and this is what I noticed during the concerts in the churches.
I believe each style of music brings its lot of well being and Healing power, but it must come from the right place, from the Heart. I love all kinds of music and love to sing all kinds of styles; Soul and Jazz resonate the deepest, whereas Gospel allows me to fully express my Love for God.
Now I turn back to the album we could buy in Cabella. Why did you make cover versions of the Beatles, Supertramp and Simon and Garfunkel? Is the music of the 70s close to you or do you have certain favourite interpreters?
Indeed, The music of the 70's is the music of my childhood – (chuckles)I'm not as young as I look ;) – I actually chose these specific songs for their amazing lyric content, all linked to spiritual reflections and messages. Something for example, is dedicated to our Mother Shri Mataji and our Kundalini Energy. Bridge Over Troubled Water is what I feel Mother represents to us, The Long and Winding Road, for me, talks about the struggle the seeker must go through to find truth in this crazy world, and to stay connected to it. The 80's is also an important era for me, as I was a teenager. Songs like Just an Illusion is so much deeper than I ever realized. I would die 4 U is a song Prince wrote about Jesus! It took me years to understand it and now, I find it very appropriate with Ganesha in mind..
For some time you produced backing vocals to Celine Dion. How do you remember that period and how did the cooperation with this famous pop-music star enrich you?
Yes indeed, for two years, I was singing around the world as a backvocalist for Celine Dion, on her tours D'eux and Falling into Love. This cooperation with Celine mostly thought me about how the star machine works and functions, and the advantages but also the limitations that come with it. Artistically, in such a big production, there is no place for spontaneity, thus for freedom. For me, this does not go with the nature of an artist. I chose to follow my own path after the second year, to make sure I would keep my soul alive…
It did enrich me on a self-confidence level, because starting your career as a backvocalist for such a star lets you know that you got what it takes to be at that level of professionalism. It was a nice confirmation.
The enrichment also lies in that I saw many countries and wonderful cities of the world and sang in legendary places such as the Madison Square Gardens of New York, the Budokan in Tokyo, or for Bill and Hillary Clinton at their private country house for example…It also enriched me on a life observation level, for I was really able to confirm that money itself cannot make you happy; I have never seen such inanimate beings as the ones we played for in the multibillionaire Sultan's palace; the only Light there was in these people were their diamonds! It was actually quite sad.
At present we can buy your album D´ame Soul. How would you characterize this album, is this exactly your present musical expression?
Although my most current musical expression is jazz, the songs and music of D'AME SOUL will always be part of my musical expression, for I wrote, composed, pre -arranged and co-produced them. They are a close and important part of me as well as an accomplishment I am proud of, also for its lyrical content. I would definitely characterize it as an autobiographical piece. Every song I wrote tells about a lesson learned, an understanding of life, a belief, a philosophy, a message, a hope, a dream, all that accompanied me on my way, from the moment I left the tour and chose the intricate path of becoming a solo artist…it was a total leap of faith to leave this wealthy comfortable position and go into the unknown, but my need to be real and close to my soul, to my Heart and to God was bigger that anything. It was not easy. But it was never boring ;) and the Highlight of it, is to have found Sahaja Yoga. I found what I was looking for. As my song Ecoute toi says: '' You don't know nothin' til you dont know Yourself…''
Workshops and concerts together with Sahaja yoga presentation were the part of your tour around Austria and Germany. How did you perceive the atmosphere and people who came to such performances and probably gained there their self-realization?
These concerts were amazing moments for me. For all of us. To feel so connected with your audience, through the Heart and through vibrations, is a dream come true. The Vorchdorf concert was especially memorable: to witness 400 people with their hands above their heads, eyes closed and bathing in the deep silence of the meditation, in a church, was one of the strongest moments of my life. Aah, The Power of Mother.
The Gospel workshops are always beautiful and profound experiences too. People come in shy and afraid, but open up and blossom in front of my eyes! I had one mission from the beginning of my career on: to give Joy and Faith to people. When I see people leave with Mother's Light in their eyes, it gives true meaning and purpose to the gift I have received from God. Mission accomplished :)
Info about CD:
The CD is supposed to be on sale in Cabella at every puja, in one of the tents near the kitchen area, by a brother that sells the cds of all the Sahaj artists.
Yogis can also buy it personally from me when i will be at pujas. I sell it for 12 euros, of which 2 euros go to Daglio camp, in support of kids and teenagers in Sahaj.
Myspace: www.myspace.com/rachellejeanty
Web: http://rachellejeanty.jimdo.com/rachelle-jeanty/
Posted by Vlada at 11:02 PM 1 comment:

redpajama_set_name: RedPajamaCommonCrawl


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Fremantle veteran David Mundy is relishing the decision to play as a forward and believes the sea change could extend his career.
Mundy was one of Fremantle's best during last Saturday night's 16-point win over Essendon.
The former captain collected 22 disposals, kicked two goals and had a game-high 10 score involvements while playing as a half-forward.
Mundy's vision, balance and precise disposal separated him from many others in what was a manic contest.
It also showcased the versatility which has been evident during his time in WA.
The Dockers drafted Mundy from Victoria as a key defender, he developed into a skilled half-back, then moved into the midfield where he earned All-Australian selection, won a Doig Medal and earned Norm Smith Medal votes.
Mundy played as a forward at times last season and the 32-year-old said increased time in the new position had given him energy.
"Trying to learn and master a new position is something that is a challenge and something I have enjoyed," he said. "We're trying to read the trends of the game.
"It's hard to play 22 games when you're travelling every second week and getting pummelled in the midfield, especially at my age.
"We decided to change it and I think it's progressing well.
"We're seeing the trend with AFL football, with the interchange cap, and with our club drafting midfielders last year that I have to find my spot.
The Dockers made one change to the team that beat Essendon for tomorrow's clash with Gold Coast. Tommy Sheridan replaced Bradley Hill after the Doig medallist injured a knee during the final quarter against the Bombers.
Sheridan managed only nine games last season, but his running ability will allow him to fill Hill's role. Sheridan was an emergency last week and did not play in the WAFL.
The Suns received a boost with the return of Pearce Hanley from a dislocated shoulder. He came into the team to replace Jack Bowes (suspended).
Fremantle will release more seats for the game at 9am after a surge in ticket sales encouraged them to open the top level at Optus Stadium.
Adult tickets for the top level can be bought for $30 and they are part of the offer which includes two free children's tickets. Mundy said fans should do everything possible to attend.
"It's a show in itself. It's not just a footy game," he said.
"It's not often we get an extra game at home. We're in a phase where we're learning and trying to blood some young blokes.


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EXPLORING HOW HISTORY IMPACTS TODAY'S WESTERN CIVILIZATION
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The Gathering Threat to the American Homeland
photo by OTAVIO1981
President Bush, the Younger, made the observation that conducting American foreign policy in the brand new war-torn 21st century was as difficult as playing chess in three dimensions. Now with the escalation of tensions between Iran's Mullahs and the rational world and the probability of an Israeli strike on the regime's nuclear sites continuing to mount, so too are fears for the American homeland. A case in point:
On Bridgette Gabriel's website, www.ActForAmerica.org, was posted an extremely well-researched story about a 37-year-old well-educated Muslim American, father of four, from an upscale neighborhood in Plano Texas (From US Private School Student to al Qaida Agent, January 18, 2012). Late last year, Moeed Abdul Salam was killed by Pakistani paramilitary troops who burst through the flimsy door of his third floor apartment in Karachi, Pakistan and riddled him with bullets while his terrified children cowered in an adjacent room.
Decades earlier, Salam's parents had emigrated from Pakistan and received their US citizenship in 1986. His father was a pilot for the Saudi airline. He was sent to prep school at the Suffield Academy where tuition and board is $46,500 a year. He graduated from the University of Texas and moved to Saudi Arabia, finding work as a writer and editor for Islamic websites.
After 9/11, both his parents, especially his mother, were active in Islamic outreach organizations whose mission it was to correct American misconceptions about Muslims. Meanwhile Moeed traveled to tribal areas of Pakistan, met with senior al-Qaida and Taliban leaders, and was assigned the duties of handling money and logistics for operatives inside Karachi. After his execution, a resident of his apartment complex reported that his estranged Pakistani wife and his father-in-law came to collect the children.
Mohammad Atta, leader of the 9/11 attacks, was the son of a middle class Egyptian family who could afford to send him to Hamburg, Germany for an open ended luxurious sabbatical in the West. Moeed Salam was a child of the West, by birth, afforded the freedom and opportunity nearly unparalleled in the Muslim Middle East. Yet they both gave their lives to make war on the West.
Recently, Bret Stevens of the Wall Street Journal wrote, "Israel's only alternative to action (bombing Iran) is to accept a nuclear Iran and then stand by as the rest of its neighbors acquire nuclear weapons of their own. That scenario is the probable end of Israel." (How Should Israel Bomb Iran? WSJ, February 7, 2012).
Catherine Herridge is the Fox News national correspondent and the network's expert on domestic terrorism. In her new book, The Next Wave: On the Hunt for Al Qaeda's American Recruits, she makes it abundantly clear that the next wave of terrorists will be homegrown Muslim Americans. She ends her book by quoting a 2011 internal Justice Department report, "A new homegrown plot with links to international terrorism was documented, on average, every two weeks."
As I read Stevens' piece quoted above, I was stunned, not simply because I realized that he was correct—that a nuclear armed Muslim Middle East will likely be the death knell for Israel—but that, if it occurs, it will ultimately also be a harbinger of the destruction of the West. I realized that we in the West have very little time to act decisively. As H.G. Wells put it, "History has always been a race between knowledge and catastrophe."
By Larry Kelley| 2017-02-28T07:31:17-08:00 February 10th, 2012|Disarming America|Comments Off on The Gathering Threat to the American Homeland
About the Author: Larry Kelley
Larry Kelley's life was utterly changed by 9/11. On the day after the attacks, on his way to work, he was struck by the sudden realization that World War III had commenced. Like most Americans he desperately wanted to find out who were these people who attacked us, what could ordinary citizens do to join the battle and how can those plotting to kill us in future attacks be defeated. Mr. Kelley has written scores of columns on the dangers of western complacency.
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Patriarch Kirill and Vicar Tikhon, two models for the Russian Church
by Vladimir Rozanskij
Both are protagonists of the Russian "religious renaissance" after the end of communism. Kirill proposes the "Social Doctrine of the Russian Orthodox Church", which is Putin's political manifesto; Tikhon proposes faith as a "guardian of moral values". He is Putin's "spiritual father". A "new symphony" between Church and State. The risks of a new caesar-papism and the re-reading of history that enhances Stalin and the "necessary sacrifice" of the Church at the hands of the State.
Moscow (AsiaNews) – Amid ongoing polemics over historical films about the Tsar and Stalin, and the debate on the commemoration of the Revolution and the Council of 1917, two figures are increasingly emerging as points of reference for the life and future of Russian Orthodoxy. This is the Patriarch Kirill (Gundjaev), head of the Moscow Church since 2009, and his auxiliary bishop Tikhon (Shevkunov), head of the Egorevsk office for three years and since 1998 also known as President Putin's "spiritual father".
Both are active protagonists of the Russian "religious renaissance" since the end of communism, almost 30 years ago. Bishop and then metropolitan since the Soviet years, Kirill became popular as the first tele-preacher with a popular program, "The voice of the Pastor".
Tikhon, who in the 1980s became a monk in Pskov in the only male monastery allowed by the regime, described the transition from atheism to the rediscovery of faith in a book on the life of his monastery, "Saints not saints", which sold widely .
The first, already great director of patriarchal choices even before ascending to the most prestigious position, became the main inspiration of social and political changes at the end of the Yeltsin's "Western", when he guided the bishops document on the "Social Doctrine of the Russian Orthodox Church", which became the ideological program of the new President Putin.
In those same years, Tikhon accompanied the new leader, then little known, on trips to the country and abroad, inspiring "moralizing" laws against the sale of alcohol, against smoking and for the defence of the traditional Christian family.
Since then the two have divided the scene of the great restoration of the Orthodox state alongside the president with different roles, sometimes complementary, but often also quite alternative. It is said that even the appointment of Tikhon to auxiliary bishop was somehow pushed by the Kremlin, and his actual seat is the monastery, which he restored, and which occupies a part of the territory of Lubyanka square, the infamous central seat of the KGB, so much as to be known as "the bishop of Lubyanka".
The collaborationist Patriarchate
In recent weeks, in addition to the many considerations on the centenary of the revolution and martyrdom of Tsar Nicholas II, some statements by the two prelates focused precisely on the role of the Patriarchate in the life of the Church, also recalling its restoration in the dramatic days of the 1917 revolution. Speaking of the then elected patriarch, also named Tikhon (Bellavin), the discussion concerned the famous declarations of subjugation to Soviet power underwritten by the patriarch himself in 1922 and his deputy Sergij (Stragorodskij) in 1927, who placed the Church at the service of the atheistic regime. In 1943 Sergij himself became the successor of Tikhon and "Stalin's patriarch", tying the Church to the figure of the Georgian dictator, whose popularity is on the rise once again in Putin's Russia.
The position of Sergij marked the life of the Russian Church in the Soviet years so deeply, that the choice to collaborate with the State is referred to as sergianstvo, an accusation that was brought by the Russians abroad against the orthodox hierarchs. At the end of communism, the question was officially dealt with only once, at the 1992 synod presided over by Patriarch Aleksij II, asking forgiveness for collaboration with the persecutors, but also justifying it in the light of the Church's salvation. In the past weeks, both Kirill and Tikhon have repeatedly taken up these arguments. Blessing a monument dedicated to the 150th anniversary of the birth of the patriarch Sergij, Kirill declared that "he had to forget about himself, so that the Church could continue its historical existence, not to be expelled from the life of the people". In an interview with Radio Svoboda, Tikhon also gave a description of the collaborating patriarch: "Metropolitan Sergij justified his ecclesiastical policy with the conviction that if the Church were to go underground, the Bolsheviks would immediately set up their own Non-Canonical Church of Innovators ".
The "necessary sacrifice"
Both therefore support the thesis of "necessary sacrifice" as a motive for compromise, but the image of the Church they imply appears slightly different. The current patriarch Kirill often stresses the need to collaborate, but with equal dignity compared to the civil authorities, who should not interfere in ecclesiastical matters. According to Bishop Tikhon, precisely the "communist" Church of the innovators or obnovlentsy would in fact seek to realize the true vocation of the Russian Orthodox Church, for whom it cannot exist without the state; instead of doing so, submitting to state atheism, it would now be time to realize that model, the "new symphony" in which the head of state is also the temporal guide of the Church, the true orthodox autocrat who leads the soul of the people.
The two models, the "equal dignity" of Kirill and the "neo-imperial Church" of Tikhon, have been particularly acute in comparison for almost four years, after the annexation of Crimea symbolically proclaimed the return of ethnic religious imperialism, as the main project of Russian politics. Not surprisingly, in recent years the polls show the growing popularity of Stalin's memory among the population, who along with Ivan the Terrible and the Tsar-martyr Nicholas II, represents an increasingly imposing ideal of "father of the people" that Putin seeks to re-launch in the current election campaign.
Patriarch Kirill often repeats that "the Russian Church has never been as free as today", and tries in every way to encourage the faithful to participate actively in the life of society, through catechesis and evangelization even before politics .
Tikhon emphasizes rather the role of "guardian of moral values", interpreted by politicians of the Orthodox faith even more than by the hierarchy of the Church. Both support a rather clerical system of management of ecclesial life, for fear of excesses of lay protagonism of the most fundamentalist "Orthodox fraternities". For many reasons, 2018 will be a decisive year for the prospects of Russian Orthodoxy's "new symphony".
patriarch of moscow
tikhon
jozef stalin
cesaropapismo
symphony state and church
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How could the Navajo Nation, which considers the horse sacred, let nearly 200 horses die near Gray Mountain and what is going to be done about it in the future? Who is responsible?
For centuries, wild horses have roamed the Navajo Nation, where they serve as both a symbol of the unconquerable Native spirit and the iconic image of the American West.


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Pete came home at 2:30.
It's great when you're in love.
He wrote the book at the age of twenty.
Were I you, I would start at once.
Celeste didn't tell me anything about you.
Wondering if he came, I looked out the window.
Myron understands what I mean, I think.
The plan was adopted at the meeting.
Win checked his phone again.
Automobile transmissions have grown in sophistication over the years.
Lynnette's alcoholic father often beat him up.
If you're leaving, please close the door.
Bill had never seen Agatha so busy.
Within every man are thousands.
Are there lots of sharks around here?
Do you really think Harold is better than I am?
Where in all Japan is there a school that has 'advance at the crawl' in P.E.?!
The computer that Skip's father gave him when he was thirteen is still working.
Don't try to understand this.
I have a feeling that you're going to do really well.
He often entertained his friends over the weekend.
Her constant complaints frustrated him deeply.
There is no need to take his advice if you don't want to.
"Pass me the salt, please." "Here you are."
What did you ever see in her?
When I moved into my new home, I just brought with me the things that I needed for cooking, an earthen rice cooker, an earthenware pot and an earthen charcoal brazier.
Claude's grades have been slipping, so he really needs to hit the books.
You bet I was surprised.
I don't like to go out after dark.
Alain knows what's on the schedule.
A combination of several mistakes led to the accident.


text:
Jim Brunner
How Your U.S. Lawmaker Voted
Originally published January 19, 2019 at 1:51 pm
Here's how area members of Congress voted during the legislative week ending Jan. 18.
Thomas Voting Reports
WASHINGTON — Here's how area members of Congress voted during the legislative week ending Jan. 18.
Russia sanctions relief: By a vote of 362 for and 53 against, the House on Jan. 17 passed a measure (HJ Res 30) that would prevent the Treasury Department from lifting economic sanctions on aluminum and energy companies controlled by Russian tycoon Oleg Deripaska, an ally of Russian President Vladimir Putin. But the Senate (below) voted to clear the way for Treasury to grant sanctions relief starting this month in return for Deripaska relinquishing majority stakes in the three firms. U.S. sanctions on his personal assets are to remain in force. Congress and President Donald Trump imposed the sanctions to penalize the Kremlin and Putin-aligned oligarchs for actions including Russia's interference in U.S. elections, military aggression in eastern Ukraine and seizure of Crimea. Deripaska was an associate of Trump campaign manager Paul Manafort, who has been convicted of or pleaded guilty to banking and tax-fraud charges brought by special counsel Robert Mueller. Deripaska reportedly remains under Mueller's scrutiny.
Voting yes: Suzan DelBene, D-Medina, Rick Larsen, D-Lake Stevens, Dan Newhouse, R-Sunnyside, Jaime Herrera Beutler, R-Camas, Derek Kilmer, D-Gig Harbor, Pramila Jayapal, D-Seattle, Kim Schrier, D-Issaquah, Adam Smith, D-Bellevue, Denny Heck, D-Olympia
Voting no: None
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Racist remarks by Iowa congressman: By a vote of 424 for and 1 against, the House on Jan. 15 adopted a resolution (H Res 41) disapproving of comments by Rep. Steve King, R-Iowa, extolling white nationalism and supremacy. He said in a New York Times interview published Jan. 10: "White nationalist, white supremacist, Western civilization — how did that language become offensive?" The vote occurred the day after House Republican leaders stripped the eight-term congressman from northwestern Iowa of his committee assignments.
Voting yes: DelBene, Larsen, Herrera Beutler, Newhouse, Kilmer, Jayapal, Schrier, Smith, Heck
$12.1 billion disaster aid: By a vote of 237 for and 187 against, the House on Jan. 16 passed a bill (HR 268) that would provide $12.1 billion to homeowners, businesses, farmers, local governments and other entities harmed by wildfires, hurricanes, flooding, mudslides, volcanic eruptions and typhoons in the United States and its territories in recent years. The bill drew Republican opposition because of its language to reopen closed parts of the government through Feb. 8 without providing border-wall funding requested by President Trump. The disaster aid includes $2.96 billion for rebuilding infrastructure; $2.54 billion for mitigating damages in future disasters; $1.86 billion for farmers and rural communities; $1.16 billion for community-development grants and $555 million to fund social services for displaced persons, among other outlays.
Voting yes: DelBene, Larsen, Herrera Beutler, Kilmer, Jayapal, Schrier, Smith, Heck
Voting no: Newhouse
Prohibition on wall funding: The House on Jan. 16 voted, 230 for and 197 against, to prohibit the Department of Homeland Security or Army Corps of Engineers from spending any funds in a disaster-relief bill (HR 268, above) to plan, develop or build President Trump's proposed U.S.-Mexico border wall. The amendment was introduced after Trump said he might use previously appropriated but not yet spent disaster aid to build the wall.
Voting yes: DelBene, Larsen, Kilmer, Jayapal, Schrier, Smith, Heck
Voting no: Herrera Beutler, Newhouse
Clean bill on disaster relief: By a vote of 193 for and 231 against, the House on Jan. 16 defeated a GOP effort to reshape HR 268 (above) as a bill dealing only with disaster relief. The motion sought to strip the bill of a continuing resolution that would reopen the government at least through Feb. 8 but disregard President Trump's request for border-wall funding. Republicans called the wall rebuff a poison pill they could not accept.
Voting yes: Herrera Beutler, Newhouse
Voting no: DelBene, Larsen, Kilmer, Jayapal, Schrier, Smith, Heck.
Russia sanctions relief: By a vote of 57 for and 42 against, the Senate on Jan. 16 failed to reach 60 votes needed to advance a Democratic-sponsored measure (SJ Res 2) that sought to retain U.S. economic sanctions on the corporate domain of Russian oligarch Oleg Deripaska. This upheld a deal soon to take effect in which the Treasury Department will remove the sanctions in return for Deripaska giving up majority interests in three firms he controls. In addition, the vote rendered as symbolic a House move (above) to nullify the sanctions deal. Deripaska is an ally of Russian President Vladimir Putin and onetime business associate of former Trump campaign chairman Paul Manafort.
Voting yes: Maria Cantwell, D, Patty Murray, D
Affordable Care Act and abortion: By a vote of 48 for and 47 against, the Senate on Jan 17 failed to reach 60 votes needed to advance a Republican-sponsored bill (S 109) that would prohibit federal subsidies of insurance plans sold in Affordable Care Act exchanges that provide abortion coverage. The bill would nullify the existing requirement that ACA policyholders personally pay the share of their insurance premium that reflects coverage of reproductive services. The health law is covered by the so-called Hyde Amendment, a standard part of annual appropriations bills that prohibits the expenditure of federal funds for abortions except in cases of rape or incest or to save the life of the mother.
Voting no: Cantwell, Murray
UPCOMING VOTES: The House will take up government-funding measures in the week of Jan. 21, while the Senate will consider a bill authorizing military aid to Israel.
© 2019, Thomas Voting Reports


Principles Of Modern Grinding Technology Publisher Summary. This chapter explains different ore handling procedures that may account for 30-60% of the total delivered price of raw materials and covers the processes of transportation, storage, feeding, and washing of the ore en route to, or during, its various stages of treatment in the mill.
Technology can be viewed as an activity that forms or changes culture. Additionally, technology is the application of math, science, and the arts for the benefit of life as it is known.
Principles Of Modern Grinding Technology Abstract Necessity to use new materials, demanding functional requirements and miniaturization have led to evolution of modern manufacturing processes.
Principles Of Modern Grinding Technology Grinding is the last stage in the comminution process where particles are reduced in size by a combination of impact and abrasion, either dry, or more commonly, in suspension in water.
Summary. Offshore tidal power generation ("tidal lagoons") is a new approach to tidal power conversion that resolves the environmental and economic problems of the familiar "tidal barrage" technology.
Principles Of Modern Grinding Technology Proceedings of the 43rd Annual Canadian Mineral Processors Conference 2011 558 ABSTRACT Over the past twenty years there has been an increased emphasis on fine grinding in the minerals industry. This spurred the development of a range of new fine grinding equipment in the 1990s.
Principles Of Modern Grinding Technology Excellent video from End Times Productions summing up the propaganda wing of The Anglo-American Matrix. I saw some familiar faces in it. This is the media world I grew to despise before realizing my entire life had been based on a lie, especially the fairy tales about women and the world all men are told.


A utility for generating coat of arms.
With this web based editor you can create your own Coat of Arms. You can start creating immediately by following the link above, or you can browse ready made coats of arms via the meny on the left.
In the editor you can save your work by bookmarking the page, or if you just want the finished product, you can save it as a PNG or PDF via the links in the editor.
Some new artwork in the form of charges and other items have been submitted by Dave Barlow, who has a nice site about heraldry with some information about the subject for those wanting to learn more.


From Belfast, Northern Ireland, Jim Murdoch faced a paradigm shift which gave him a new world view. He views everything and everyone being connected. A path of self development studies followed where he delved into many subjects including metaphysics and, yes, dragons. With his wife, Katharina, he co-authored their self-help story Wings of Change. This got him thinking about writing fiction instead of boring self-help books. Taking inspiration from The Alchemist and The Celestine Prophecies he waited for the inspiration. The book you are holding is the result. Jim lives with his wife in Switzerland.
Reviewers, bloggers, interviewers are invited to contact me here or on Facebook.


A string of approx. 60 turquoise 8mm cubes.
A string of approx. 60 light green 8mm cubes.
A string of approx. 60 dark topaz 8mm cubes.
A string of approx. 60 black 8mm cubes.
A string of approx. 60 clear 8mm cubes.
A string of approx. 60 pink 8mm cubes.
A string of approx. 60 8mm red cubes.


text:
Review: Teenage Zombies: Invasion of the Alien Brain Thingys (Nintendo DS)
Teenage Zombies: Invasion of the Alien Brain Thingys
Genre: Puzzle/Platformer
Developer: Inlight Entertainment
It's been a long time since I played Lost Vikings, but it was good enough that I still remember it to this day; so much so that when I heard about Teenage Zombies, I instantly made a connection between the two in my head. Here we have 2d platformers with three playable characters; each with strengths and weaknesses that allow them to go places and perform actions that the others can't. Using these characters, you had to make your way through fun environmental puzzles and fight off enemies. If that doesn't sound like a good time, then you've been playing far too much Halo.
Of course, now that Teenage Zombies has been released, and I've had my chance to play through it, I can tell you that it is not an exact copy of Lost Vikings. It has its own unique premise and gameplay styles. Just how good is the game? Let us take a look.
Teenage Zombies goes for two kinds of aesthetics at once. From the beginning cinematic, it becomes clear the game is going for a pulp fiction horror feel. The main menu even has a feaux comic's code authority seal of approval. This continues on throughout the game as all story sequences are told through comic book like storyboards that require you to hold the DS on its side while you read them. The game also sports a Saturday morning cartoon presence, as despite the sheet gruesome nature of the subject matter, the whole thing plays off in fun and light hearted matter. People even die only after spouting off one last comical line.
The story itself goes as such; Earth has been invaded by aliens! (You might have guessed that from the title of the game.) Using mind control devices and laser beams, these glass encased extraterrestrial brains have either enslaved or killed the entire world! Earth is just about to become the latest in the Big Brain's snow globe collection of conquered planets, when his number 1 informs him that their forces are under attack by three beings that are impervious to all conventional forms of destruction. These would of course be the teenage zombies; Fins, Lefty, and Half-Pipe. All three have risen from the dead thanks to the smell of countless alien brains circling up above. One by one they start a warpath of destruction and gluttony, all in hopes of eventually getting to the largest entree of all…..the Big Brain himself!
The whole thing ends up being as funny as it sounds from scenes where Big Brain exclaims his horror after seeing Grand General Blinky devoured to trying to convince his mother that global domination is indeed a real job. All of the story sequences really involve him and Number 1, his miniscule yes man. Being zombies, the teens only mutter the word "brains". That's the extent of their vocabulary. Still, the solid comedic presence of the brains manages to keep the story light and fun, if nothing deep. Don't expect any character development here.
This game isn't going to blow you away in visuals department. Most of the animations in this game could use some serious overhauling. Lefty, for example, feels like she's only got two different frames when you play as her. She moves awkwardly, even for a zombie. When you turn, it just feels like the sprite has been flipped, and there's no sense of any real change. Characters in the game tend to have a flat appearance compared to the rest of the environment, which considering the comic book like feel, is kind of weird. You'd expect some consistency there.
On the flip side, the artistic style is pretty damn good. The environments in the game are nicely varied and often feature a good amount of detail. There are plenty of nice touches all around, such as Fins' body seeming lax, while his fins are active. One of Lefty's feet is even inverted!
There's nothing spectacular here, but it does what it needs to.
Like a lot of DS games, the audio can sound a bit tinny at times, but that's the only bad thing I can say here. The music is well suited and dynamic. It's perfect for what's going on at all times. It would have been easy to just slap on a horresque theme to the proceedings and call it a day, but the dev team didn't take that shortcut here. The music manages to convey a Halloween-like tone that helps keep things both dark and light at the same time. (Think "Monster Mash") It may not be anything special on its own, but it fits the game like a glove. And that's all that really matters.
There are only a few cases of voice acting in the game, but they're surprisingly good. Again, there's the tinny factor, but the voice acting for both the Big Brain and Number 1 are amusing. They certainly fit the cartoon vibe.
Sound effects are a bit weak. Killing aliens generally results in a generic crash sound when the glass shatters, and slurping brains sounds too much like yogurt for comfort. They may not have phoned in the music, but the sound effects just might have been.
Here's a basic rundown of the controls. You have an attack button, a jump button (Lefty and Fins have the same layout here, but Half Pipe has these buttons flipped for some reason.) Y will activate your various powerups and x will activate elevator switches. You'll be able to switch between the three zombies on the fly by tapping the r and l buttons, or by using the stylus to select each character. I'd recommend using the shoulder buttons, as they make control the game much more streamlined, and any one zombie is only one button press away. (You will have to use the stylus to activate the corpse assembling minigame though. It's the only basic mechanic that requires this, which is pretty strange.)
The controls feel pretty sluggish to be honest. (They are zombies. It might have been on purpose) You'll plod along while enemy brains will fly around you and zap your health away. Jumping in particular, is handled pretty poorly. Lefty has the ability to grab on to ledges, but three are some serious hit detection issues here, as you'll often find yourself failing to grab onto the ledge, despite being able to see that you've touched it. This can cause you to get hit more times than you'd like. Once you've defeated a brain though, you'll be able to eat it and regain a substantial amount of health, so the small advantage they have over you is quickly lost.
Teenage Zombies may look like an action game at first, what with its wealth of enemies and combat, but it's actually a puzzle game at heart. You'll spend most of your time in the game exploring the levels and figuring out what powers/characters you'll need to advance. Each character has his or her own strengths and weaknesses. Fins is slow and can't jump, but he is able to climb walls and has the most useful attack. Lefty has no range with her attacks, but can jump really high and grab on to ledges. Finally, Half Pipe can crawl into tight spaces and jump off ramps due to his lower torso being replaced by a skateboard.
You'll be constantly switching between the three characters to advance. In addition to the abilities I listed above, each character will be able to hold one powerup at a time. Collecting these and using them at the right moment is paramount to your success. You'll be able to switch characters on the fly, meaning you'll never have to worry about one character getting stuck behind. Of course, this is balanced by having one shared health meter for all three zombies, so you won't be able to just switch out when health runs low.
There are occasional stylus mini games that pop up from time to time, such as a Robotron-like zombie shooter and anther where you need to slingshot brains into Fin's gaping mouth. These are all nice distractions when they pop up at random during the levels. You're forced to play them once, and then you can play them whenever you want to get more points, which are only used for unlocking a Warioware clone of sorts where you face off against Big Brain in a series of quick minigames. There is also a minigame that actually affects the main game itself. Throughout levels you'll find various body parts. When you have all the limbs and the torso, you'll be able to assemble them to create a whole corpse, and he'll reward you by refilling your health meter.
Teenage Zombies is not a long game. There are about 35 "chapters" to play through which only take a few minutes or more to complete each. Count the times when you end up stuck or dead, and you're still looking at a five to six hour playing experience.
Once you've finished the story, you'll have the option of completing it again on hard mode, or playing the stylus mini games again. These are amusing, but none of them are good enough to keep you entertained for more than a few minutes. You might feel like playing through again to earn enough points to unlock the hardest Big Brain challenge, but more likely than not this will be a one and done game for most people.
Balance is a fairly solid strength for the game. Throughout your journey to the Big Brain, you'll slowly be introduced to new enemies and powerups until you get near the end, where the game will challenge you to combine various powerups and skills to progress, as well as enemies to conquer.
That being said, the game never gets too frustrating or difficult. You have unlimited lives from the outset, and you'll respawn only a few minutes behind. The only real penalty you'll suffer is a loss of a barely noticeable amount of points, which again, only unlock a minigame for you to play. No big loss. You won't find yourself punching the wall or throwing your shoe at the dog over this game.
While I was able to compare this game to Lost Vikings at a glance, it doesn't mean the game is a clone by any means. Its not often you find a game like this on the market. Most 2D platformers are either action or exploration based. It isn't too common that you find one in the puzzle genre. Still, it must be said that the core gameplay isn't particularly new.
What is new, at least as far as I know, is the subject matter. I can't think of too many games that have you playing as a zombie, let alone having the zombie be the "good" guy. It takes a pretty special game with a unique premise to pull that off, and Teenage Zombies most assuredly has that.
So while there are games like Patapon or Echo Chrome out there for people who're looking for truly original games, Teenage Zombies is definitely not too familiar.
Addictiveness
I'll be honest, as fun as the game can be, I didn't find myself too addicted to it. In fact, the gameplay can feel a bit monotonous after a while, so it's best to take short breaks in-between sessions.
There really isn't too much variety to be had, and since the zombies move so slowly, there's a chance of you ending up bored, although it's not prevalent. This is not one of those games where you'll be shouting "one more level" when someone asks you to take out the trash.
Appeal Factor
This isn't a game for everyone, but anyone should be able to enjoy it, at least for a little while. It harkens back to the days on the SNES and Genesis with its 2d graphics and gameplay. Old school gamers should definitely give it a try (although they'll probably want to put it on hard mode for nostalgia purposes), while newer gamers who haven't experienced this kind of game will be sucked in by the funny story, and charming atmosphere. Seriously, who doesn't like games with zombies AND aliens?
There are some nice touches in this game worth mentioning.
For one, to keep up with the comic book feel, you'll often come across narrator boxes in the middle of a level. These will offer up some hint like "press b twice to double jump" or "Half-Pipe's big wheel powerup can go across electrified floors". This is cool to begin with, but they are actually part of the level design and can be used as platforms! That is just cool.
The game also has an ending that leaves it wide open for a sequel, and believe me when I say the premise of that sequel is well worth exploring. I look forward to any future games that come out under the Teenage Zombie name, and I'll go on record saying that I'd throw down my hard earned dollars to play some more of this.
Story: GOOD
Graphics: DECENT
Sound: GOOD
Control and Gameplay: VERY GOOD
Replayability: BAD
Balance: VERY GOOD
Originality: GOOD
Addictiveness: MEDIOCRE
Appeal Factor: ENJOYABLE
Miscellaneous: AVOVE AVERAGE
FINAL SCORE: GOOD GAME!
Short Attention Span Summary
Teenage Zombies isn't a game that is going to blow you away, but it can be some solid fun until it last. You won't find too many games like this out there, so those with a DS and a penchant puzzles and/or platformers should feel more than welcome to give it a shot. It's got some good gameplay, a fun story and great music. All in all it's a pretty damn good game.
Archive, Nintendo DS, Video Game Reviews
Aaron Sirois
alien, brain, ignition, inlight, Nintendo, Puzzle, Teenage, zombies


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Investor Relations Officer Average Salary in Guadeloupe 2022
How much money does an Investor Relations Officer make in Guadeloupe?
Average Monthly Salary
( 49,800 EUR yearly)
EUR AVERAGE
EUR HIGH
A person working as an Investor Relations Officer in Guadeloupe typically earns around 4,150 EUR per month. Salaries range from 1,910 EUR (lowest) to 6,600 EUR (highest).
This is the average monthly salary including housing, transport, and other benefits. Investor Relations Officer salaries vary drastically based on experience, skills, gender, or location. Below you will find a detailed breakdown based on many different criteria.
Investor Relations Officer Salary Distribution in Guadeloupe
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The median, the maximum, the minimum, and the range
Investor Relations Officer salaries in Guadeloupe range from 1,910 EUR per month (minimum salary) to 6,600 EUR per month (maximum salary).
The median salary is 4,480 EUR per month, which means that half (50%) of people working as Investor Relations Officer(s) are earning less than 4,480 EUR while the other half are earning more than 4,480 EUR. The median represents the middle salary value. Generally speaking, you would want to be on the right side of the graph with the group earning more than the median salary.
Percentiles
Closely related to the median are two values: the 25th and the 75th percentiles. Reading from the salary distribution diagram, 25% of Investor Relations Officer(s) are earning less than 2,880 EUR while 75% of them are earning more than 2,880 EUR. Also from the diagram, 75% of Investor Relations Officer(s) are earning less than 5,990 EUR while 25% are earning more than 5,990 EUR.
What is the difference between the median and the average salary?
Both are indicators. If your salary is higher than both of the average and the median then you are doing very well. If your salary is lower than both, then many people are earning more than you and there is plenty of room for improvement. If your wage is between the average and the median, then things can be a bit complicated. We wrote a guide to explain all about the different scenarios. How to compare your salary
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Investor Relations Officer Salary Comparison by Years of Experience
How does experience and age affect your pay?
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The experience level is the most important factor in determining the salary. Naturally the more years of experience the higher your wage. We broke down Investor Relations Officer salaries by experience level and this is what we found.
An Investor Relations Officer with less than two years of experience makes approximately 2,170 EUR per month.
While someone with an experience level between two and five years is expected to earn 2,900 EUR per month, 34% more than someone with less than two year's experience.
Moving forward, an experience level between five and ten years lands a salary of 4,280 EUR per month, 48% more than someone with two to five years of experience.
" On average, a person's salary doubles their starting salary by the time they cross the 10 years* experience mark. "
* Based on the average change in salary over time. Salary variations differ from person to person.
Additionally, Investor Relations Officer(s) whose expertise span anywhere between ten and fifteen years get a salary equivalent to 5,220 EUR per month, 22% more than someone with five to ten years of experience.
If the experience level is between fifteen and twenty years, then the expected wage is 5,690 EUR per month, 9% more than someone with ten to fifteen years of experience.
Lastly, employees with more than twenty years of professional experience get a salary of 6,160 EUR per month, 8% more than people with fifteen to twenty years of experience.
Investor Relations Officer average salary change by experience in Guadeloupe
2 - 5 Years +34%
5 - 10 Years +48%
10 - 15 Years +22%
15 - 20 Years +9%
20+ Years +8%
Percentage increase and decrease are relative to the previous value
Typical Salary Progress for Most Careers
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Investor Relations Officer Salary Comparison By Education
How do education levels affect salaries?
Displayed below is the average salary difference between different Investor Relations Officer(s) who have the same experience but different education levels.
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We all know that higher education equals a bigger salary, but how much more money can a degree add to your income? We broke down Investor Relations Officer salaries by education level in order to make a comparison.
When the education level is High School, the average salary of an Investor Relations Officer is 2,660 EUR per month.
While someone with a Certificate or Diploma gets a salary of 3,130 EUR per month, 18% more than someone having a High School degree.
A Bachelor's Degree gets its holder an average salary of 4,540 EUR per month, 45% more than someone with a Certificate or Diploma.
Professionals who hold a Master's Degree are rewarded with an average salary of 5,950 EUR per month, 31% more than someone with Bachelor's Degree.
Investor Relations Officer average salary difference by education level in Guadeloupe
Certificate or Diploma +18%
Bachelor's Degree +45%
Master's Degree +31%
Is a Master's degree or an MBA worth it? Should you pursue higher education?
A Master's degree program or any post-graduate program in Guadeloupe costs anywhere from 20,900 Euro(s) to 62,800 Euro(s) and lasts approximately two years. That is quite an investment.
You can't really expect any salary increases during the study period, assuming you already have a job. In most cases, a salary review is conducted once education is completed and the degree has been attained.
Many people pursue higher education as a tactic to switch into a higher paying job. The numbers seem to support the thoery. The average increase in compensation while changing jobs is approximately 10% more than the customary salary increment.
If you can afford the costs of higher education, the return on investment is definitely worth it. You should be able to recover the costs in roughly a year or so.
Typical Salary Difference by Education for Most Careers
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Investor Relations Officer Salary Comparison By Gender
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Though gender should not have an effect on pay, in reality, it does. So who gets paid more: men or women? Male Investor Relations Officer employees in Guadeloupe earn 19% more than their female counterparts on average.
Female -16%
Salary Comparison By Gender in Guadeloupe for all Careers
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43 Careers That Pay Women More Than Men!
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Investor Relations Officer Average Annual Salary Increment Percentage in Guadeloupe
How much are annual salary increments in Guadeloupe for Investor Relations Officer(s)? How often do employees get salary raises?
Investor Relations Officer
Investor Relations Officer(s) in Guadeloupe are likely to observe a salary increase of approximately 7% every 30 months. The national average annual increment for all professions combined is 4% granted to employees every 29 months.
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The figures provided here are averages of numbers. Those figures should be taken as general guidelines. Salary increments will vary from person to person and depend on many factors, but your performance and contribution to the success of the organization remain the most important factors in determining how much and how often you will be granted a raise.
Guadeloupe / All Professions
The term 'Annual Salary Increase' usually refers to the increase in 12 calendar month period, but because it is rarely that people get their salaries reviewed exactly on the one year mark, it is more meaningful to know the frequency and the rate at the time of the increase.
How to calculate the salary increment percentage?
The annual salary Increase in a calendar year (12 months) can be easily calculated as follows: Annual Salary Increase = Increase Rate x 12 ÷ Increase Frequency
"The average salary increase in one year (12 months) in Guadeloupe is 2%."
Annual Increment Rate By Industry 2021
Listed above are the average annual increase rates for each industry in Guadeloupe for the year 2021. Companies within thriving industries tend to provide higher and more frequent raises. Exceptions do exist, but generally speaking, the situation of any company is closely related to the economic situation in the country or region. These figures tend to change frequently.
Worldwide Salary Raises: All Countries and All Jobs
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Top 10 Highest Paying Careers in Guadeloupe
Investor Relations Officer Bonus and Incentive Rates in Guadeloupe
How much and how often are bonuses being awarded?
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An Investor Relations Officer is considered to be a high bonus-based job due to the generally limited involvement in direct revenue generation, with exceptions of course. The people who get the highest bonuses are usually somehow involved in the revenue generation cycle.
34% of surveyed staff reported that they haven't received any bonuses or incentives in the previous year while 66% said that they received at least one form of monetary bonus.
Those who got bonuses reported rates ranging from 5% to 9% of their annual salary.
Received Bonus
No Bonus
Types of Bonuses Considered
Individual Performance-Based Bonuses
The most standard form of bonus where the employee is awarded based on their exceptional performance.
Company Performance Bonuses
Occasionally, some companies like to celebrate excess earnings and profits with their staff collectively in the form of bonuses that are granted to everyone. The amount of the bonus will probably be different from person to person depending on their role within the organization.
Goal-Based Bonuses
Granted upon achieving an important goal or milestone.
Holiday / End of Year Bonuses
These types of bonuses are given without a reason and usually resemble an appreciation token.
Bonuses Are Not Commissions!
People tend to confuse bonuses with commissions. A commission is a prefixed rate at which someone gets paid for items sold or deals completed while a bonus is in most cases arbitrary and unplanned.
What makes a position worthy of good bonuses and a high salary?
The main two types of jobs
Revenue Generators Supporting Cast
Employees that are directly involved in generating revenue or profit for the organization. Their field of expertise usually matches the type of business.
Employees that support and facilitate the work of revenue generators. Their expertise is usually different from that of the core business operations.
A graphics designer working for a graphics designing company.
A graphic designer in the marketing department of a hospital.
Revenue generators usually get more and higher bonuses, higher salaries, and more frequent salary increments. The reason is quite simple: it is easier to quantify your value to the company in monetary terms when you participate in revenue generation.
"Try to work for companies where your skills can generate revenue. We can't all generate revenue and that's perfectly fine."
Bonus Comparison by Seniority Level
Top management personnel and senior employees naturally exhibit higher bonus rates and frequencies than juniors. This is very predictable due to the inherent responsibilities of being higher in the hierarchy. People in top positions can easily get double or triple bonus rates than employees down the pyramid.
You deserve a salary increment but you are not sure how to ask.
Check our 25 sample Salary Increase Request emails
Get Your Salary Increment
Investor Relations Officer Average Hourly Wage in Guadeloupe
24 EUR per hour
The average hourly wage (pay per hour) in Guadeloupe is 24 EUR. This means that the average Investor Relations Officer in Guadeloupe earns approximately 24 EUR for every worked hour.
Hourly Wage = Annual Salary ÷ ( 52 x 5 x 8 )
The hourly wage is the salary paid in one worked hour. Usually jobs are classified into two categories: salaried jobs and hourly jobs. Salaried jobs pay a fix amount regardless of the hours worked. Hourly jobs pay per worked hour. To convert salary into hourly wage the above formula is used (assuming 5 working days in a week and 8 working hours per day which is the standard for most jobs). The hourly wage calculation may differ slightly depending on the worked hours per week and the annual vacation allowance. The figures mentioned above are good approximations and are considered to be the standard. One major difference between salaried employees and hourly paid employees is overtime eligibility. Salaried employees are usually exempt from overtime as opposed to hourly paid staff.
25 Simple Ways to Reduce Bills and Save Money
Investor Relations Officer VS Other Jobs
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The average salary for Investor Relations Officer is 1% less than that of Public Relations. Also, Public Relations salaries are 1% more than those of All Jobs.
21 High Paying Jobs That Don't Require a College Degree!
Salary comparison with similar jobs
Job Title Average Salary
Communications Associate 2,130 EUR -49%
Communications Specialist 2,470 EUR -41%
Director of Communications 5,950 EUR +43%
Government Relations Officer 3,630 EUR -13%
Head of Public Relations 6,470 EUR +56%
Investor Relations Officer 4,150 EUR -0%
Media Relations Specialist 4,930 EUR +19%
Meetings Coordinator 1,760 EUR -58%
Public Relations Manager 5,790 EUR +39%
Public Relations Officer 2,420 EUR -42%
Public Relations Practitioner 2,900 EUR -30%
Public Relations Specialist 2,570 EUR -38%
Relationship Management Officer 2,040 EUR -51%
Government vs Private Sector Salary Comparison
Where can you get paid more, working for a private company or for the government? Public sector employees in Guadeloupe earn 14% more than their private sector counterparts on average across all sectors.
Public Sector +14%
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text:
In the Midst of Winter: Loss of Life, Grip of Grief
Ose Schwab	March 11, 2021
Arts & Minds Series
March 18, 2021, 7-8pm.
"In the midst of winter, I found there was, within me, an invincible summer."
– Albert Camus, "Return to Tipasa" from Summer (L'Été), 1954
Recording produced by Peter A. Cancilla, Vaudeville Pictures.
Death freezes us. The departed no longer age. The lives of those they left behind come, temporarily, to a halt. A person's entire life now comes into view, to be analyzed, judged, and remembered. We the bereaved, experiencing waves of emotions, wonder how we can go on. But though we suspend our activities for a time, we do go on. In the midst of our personal winter, we find an invincible summer inside us that draws us back among the living. We heal, and yet we know that the clouds of mortality will always drift within the sunshine of our lives. Thus, if life is summer, it is a summer that is well aware of winter.
karen Krolak
monkeyhouselovesme.com
Inst @monkeyhouselovesme
dictionaryofnegativespace.com
Inst @dictionaryofnegativespace
karen Krolak is a Boston based choreographer, performer, teacher, costume designer, and writer. Since 2000, she has been the Founder/Artistic Director of Monkeyhouse, which was voted Best Dance Company in Boston 2006, 2007 & 2010 by the Boston Phoenix.
As a young child she began taking ballet lessons and dreamed of being a Dallas Cowboys' cheerleader. She claims her fascination with arch melodrama is the direct result of her experiences on cheerleading squads for pee wee football in Nashville. When she was not "on the field" or "in the studio", she spent endless hours roaming the halls of Vanderbilt University, where her father was chairman of the Computer Science Department, listening to the conversations of the veritable pioneers of the information age.
While she studied ballet for years at the Atlanta Ballet, the Natick School of Ballet, and the Boston Ballet, she gave up her aspirations to dance professionally after a serious back injury at 13. Ironically, while pursuing her BA in Linguistics at Northwestern University, she met the two biggest influences on her dance career, Lynne Anne Blom and Timothy O'Slynne. Because the Dance Department at Northwestern was not yet a degree granting program, students were able to take as many dance classes as they wished in addition to their academic studies. By the time Karen graduated in '93, she had studied French, Russian, Croatian, and Old English but she was quickly getting work as a professional dancer and choreographer.
Since then her choreography has been featured in dance concerts, site-specific works, plays, musicals, performance art pieces, films and gallery installations including: every Monkeyhouse production, Boston Moves 2000, Dance Portland, the Choreographers Group, Mobius, Art Street, Actors' Shakespeare Project, Magellan Theater Company, Bailiwick Repertory Theater, the University of Illinois in Chicago, Theater Wit's award-winning production of W!, Baubo Performance Project, the Art & Healing Exhibit in Jackson Hole, and Mannafest in Minneapolis.
In March 2008 she participated in the Logomotion workshop with Simone Forti in Orvieto, Italy and performed at the Teatro Vascello in Rome. Later that year she was selected to be one of the 14 participants at the Jacob's Pillow Choreographers' Lab.
Karen also developed the Modern Dance curriculum at Impulse Dance Center in Natick, MA. Over the last 15 years, the program has blossomed from one class of 7 girls into 6 levels ranging from children to adults. Many of her former students have continued on to perform professionally. In 2005, she and Jason Ries were invited to present two workshops in Malpils, Latvia. Locally, she has collaborated with the Arlington Center for the Arts, Germaine Lawrence School, Dance Umbrella, and the Boston Arts Academy to create a variety of classes for teens.
In 2002, she and Amelia O'Dowd won Best Costume Design at the New York International Fringe Festival for Monkeyhouse's production of ASPIC. Although never formally trained in costume design Karen studied tailoring during all four years of high school and learned multiple fiber arts from her mother and grandmother. After college, she assisted Mara Blumenfeld on costumes for shows at the Steppenwolf Theater and Lookingglass Theater; and worked as a freelance stitcher for Northwestern University, Columbia College, Chicago Scenic, the Goodman Theater, and Marriott Lincolnshire Theater to support herself. Her unusual costume creations have been commissioned by Baubo Performance Project, Robin Lakes/ Rough Dance, and Baliwick Repertory's NOW THEN AGAIN…
Many of Karen's and Monkeyhouse's pieces include text that she has written and this Fall she was invited to create a performance text for San Francisco's Anne Bluethenthal & Dancers 25th Anniversary Season. She edits all of Monkeyhouse's publications and regularly contributes to the organization's blog and enews. In addition, she has been a guest writer for Dance Spirit Magazine's Website, Summer Stages Blog, the Natick Tab, and the Dover Sherborn Press. In January 2008, she became a professional blogger for Shoetube.tv. Karen is also a former Boston Dance Alliance Board member and a former member of the MetroWest Nonprofit Network Steering Committee.
Jason M. Rubin
jasonmrubin.com
neiac.org
Jason M. Rubin has been a professional writer since 1985, when he graduated from the University of Massachusetts Amherst with a degree in journalism. Since 2000, he has been an award-winning senior creative associate at Libretto Inc., a strategic messaging and content development firm located in Boston. Jason's first novel, The Grave and the Gay, based on a 17th-century English folk ballad, was published in 2012.
Ancient Tales Newly Told, his second volume, was published in 2019; it combines his latest work of historical fiction, King of Kings (about the romance between King Solomon and the Queen of Sheba, based primarily on the Ethiopian tradition), with a revised version of The Grave and the Gay.
He is currently putting the finishing touches on a third book with the working title of Villainy Ever After, which recasts classic fairy tales from the perspective of the villains. Jason is a member of the Malden Writer's Collaborative and the New England Indie Authors Collective (NEIAC), and regularly contributes arts criticism to The Arts Fuse (artsfuse.org). He has lived in Malden for more than 10 years.
Natalja Sticco
NataljaSticco.com
Inst @natalja.sticco
Displaying mastery in the finest European traditions of opera by reliably crafting a flawless delivery of each note Natalja Sticco is praised as 'the standout artist of her generation' for performance consistently described as 'breathtaking.' This powerhouse Latvian-born Dramatic Soprano and recording artist is a popular voice among connoisseurs of opera and classical music.
Born in Riga, USSR, Natalja was a small girl when peaceful protests opened the way to her country declaring its independence in 1991; contributing to the fall of the Soviet Union. This 'Singing Revolution,' as it's known, became the dawn of new opportunity in a newly independent Latvia. 'I didn't understand what was happening around me, but I remember the music everywhere my mother took me.' Natalja recalls, 'and I remember the joy in the adults around me when we heard it. When I learned more about those days in school, I realized the power music had to truly bring hope and inspire change.'
In 2009, Natalja entered the prestigious Jāzeps Vītols Latvian Academy of Music (JVLMA) where she studied Vocal Performance. There, she earned a coveted spot as a member of Opera Studio 'Figaro,' performing the roles of Filippyevna (Eugene Onegin), Kastcheevna (Kaschey the Immortal), Death (chamber opera Stalin and Death). That same year Natalja was also selected for the chorus of the Latvian National Opera & Ballet and its' first Young Artist Program, under the Direction of Andrejs Zagars. As a young LNO artist she performed the roles of Orlofsky (die Fledermaus) and mastered the role of Olga (Eugene Onegin). She has featured in Master Classes with Margarita Gruzdeva and Anita Garanca (Latvia) as well as studying under Soprano Hanneke de Wit (Netherlands).
Over her seven seasons with the Latvian National Opera, Natalja appeared in over 200 productions of 30 Operas in Opera Houses across Europe including: Teatro Calderón, Vallladolid, Spain (Macbeth, 2010); National Opera and Ballet of Belarus, Minsk (Traviata, 2010); Rahvusooper Estonia, Talllinn (Eugene Onegin, M'dame Butterfly, 2011); Bolshoi Theatre, Moscow, Russia (Eugene Oregon, Lucia di Lammermoor, 2013), Monte Carlo (Carmen, 2013), as well as the Royal Opera House Muscat in Oman (Der Fliegende Holländer, 2013). Additionally, she was privileged to share the stage with Opera stars such as Tenor Jonas Kaufman, legendary Russian Mezzo Soprano Elena Obraztsova (pictured here) and fellow Latvians Soprano Kristine Opolais, Soprano Marina Rebekka and Mezzo Soprano Elina Garanca.
Peter Cancilla - Technical Director/Producer
vaudevillepictures.net/ youtube.com/vaudevillepictures With his production skills and technical knowledge, Cancilla has been instrumental in helping UMA take our virtual event to the next level, utilizing the innovative Streamyard platform. A communications and Cinema Studies graduate of Northeastern University, Brooklyn-born Peter Cancilla has always been fascinated by the concept of visual storytelling. He is formally trained, as well as self-taught, in the fields of animation, puppetry, theater, radio, television, and film. "I have always wanted to establish an environment where creative people and ideas blend to produce quality entertainment. Vaudeville Pictures is that environment."
As the founder of Vaudeville Pictures, Peter A. Cancilla has helped organizations better communicate their messages and achieve their goals via creative, quality video productions. Vaudeville Pictures provides full-service video production, from conception to delivery. Call (617) 640-1619 or email VaudevillePictures@gmail.com Peter at with ideas or inquiries.
Ose Manheim, photographer
photose@comcast.net
It was the beauty I found in Nature that attracted me to photography. After I retired I had more time to go out and take pictures and soon I entered my first exhibit, a group show of small works, at Sand T Kalloch's artSPACE@16 in Malden. Since then I have participated in several exhibits in the area, including Boston and Jamaica Plain.
I look for beauty wherever I am and have a fascination for following the light, wherever it best exposes a subject. Most of my photos are taken in the area: in the Middlesex Fells and at Breakheart Reservation In Saugus.
Every time I found new scenes, new patterns in the sand created by waves and beautifully "arranged" algae and shells washed up on the beach along with small pieces of "sculpted" driftwood. A stranded jelly fish would also catch my attention. Likewise, the rocks caught my eye, because when covered by water their hues were so intensified.
I never tired of watching the Sanderlings run back and forth with the waves. Occasionally Oystercatchers would also grace the beach. Many camera excursions have also been to Mt Auburn Cemetery in Cambridge, especially appealing in the spring with its variety of trees and birds. My favorite places, however, have been the beaches of Martha's Vineyard, where I would go early to catch the morning light.
With spring around the corner I look forward to go out after a long winter with my camera, to try and capture the unfolding of leaves like a choreography of reversed origami. I am grateful for the opportunity to be part of this UMA event with other artists.
Lisa L. Sears, Painter
facebook.com/Lisalsearsarts
Lisa L. Sears is a Malden visual artist who has been showing actively in galleries and open studios in the Boston area for a decade. She earned a BFA in studio art from the School of Visual Arts, University of North Texas with additional study at the University of Texas in Austin and Art New England through MassArt.
Sears has been involved in local community arts projects including WAM, the Switchbox Project, WMOS, AOS, and was a recipient of a Malden Cultural Council grant for "Lines Connecting Lines" — a collaboration between area poets and artists — which she created and curated.
In 2016 she participated as an artist and artist consultant for "Pictures at an Exhibition: A Tribute to Friendships" and for the first Malden Pops Up. She was lead curator for The Gallery in Malden and currently sells her artwork at The Gallery@57, 57 Pleasant Street, Malden.
Jussi Reijonen, Composer
jussireijonen.com
Inst @jussireijonen
Born in Rovaniemi, a small town on the Arctic Circle in Northern Finland, fretted/fretless guitarist and oud player Jussi Reijonen is truly the product of a world without frontiers.
Having grown up in Finnish Lapland, the Middle East and East Africa, and currently living in Boston MA, USA, Jussi has spent his life soaking up the sounds, sights, scents and shades of Nordic, Middle Eastern, African and American culture, all of which are reflected in his handwriting as composer and performer.Along his path, Jussi has worked as bandleader, sideman, composer or arranger with numerous front row artists, and has performed extensively in the United States at prestigious festivals and venues like Lincoln Center and the Library of Congress, as well as in Finland, Sweden, Latvia, Switzerland, Germany, France, Lebanon and Canada. He has had the honor of collaborating with Jack DeJohnette, Pepe de Lucía, Javier Limón, David Fiuczynski, Simon Shaheen, Bassam Saba, Arto Tunçboyacıyan, Dave Weckl, Louis de Mieulle / Matt
Garstka (of Animals as Leaders), Hüsnu Şenlendirici and the New York Gypsy All-Stars, Bruno Råberg, The New York Arabic Orchestra, Finnish Idol winner Ari Koivunen, and multi-platinum-selling Finnish-Portuguese vocalist Anna Abreu, among others.
Jussi's Independent Music Award-nominated debut album "un" was released to great critical acclaim in early 2013 on his unmusic label.
He is currently composing his next album as a leader, co-leads world music quintet Sawaari, collaborates with Swiss vocalist Gabriela Martina, Southern Italian folk ensemble Newpoli and various others, and continues his work as an educator in the US and Europe.
Impact and Reflections
Categories: Arts&Minds, Arts, Arts-Culture
Tagged: artists, Arts salon, Jason M. Rubin, karen Krolak, Lisa L. Sears, Monkeyhouse Loves Me, Natalja Sticco, Ose Manheim, Vaudeville Pictures
Ose Schwab
Cast your vote for UMA's Board of Directors!
Meet our 3 candidates for the open Membership seat on our Board of Directors! Voting is open until 12:00 noon on Thursday, October 14th. Only…
Kamila Rodrigues	October 7, 2021
All schools, child care programs will remain closed through May 4.
Baker-Polito Administration Announces Extension of School and Non-Emergency Child Care Program Closures and Steps to Ensure Housing Stability To Support COVID-19 Response. All schools, child…
A Film Evolution! Filmbuilding Grid Pilot & Screening
About the Grid Filmbuilding Grid is a cross-cultural and ever expanding community of Filmbuilders that meet up to collaborate and create films! It is based…
Amanda Hurley	March 24, 2021
Haitian Dance Comes to Malden
About the Program Ouvèti ("Opening" in Haitian Creole) On October 2, 2021, Urban Media Arts and the City of Malden hosted an outdoor dance event…
Ose Schwab	November 20, 2021
Virtual Holiday Filmbuilding Workshop and Screening!
The holiday season is all about connection, gathering around the dinner table- but this year has made it challenging. This Holiday Filmbuilding Workshop encouraged participants…
Amanda Hurley	February 3, 2021


text:
Q: TypeScript - Reduce with a return type that has only optional fields I'm struggling to make TypeScript compiler satisfied with my code.
I have a type that has only optional fields, e.g.:
interface UserData {
  email?: string;
  phone?: string;
  //...
}

and I have reduce function that formats some data into UserData format:
type FieldValue = string | number | boolean;

interface RawData {
 fieldName: string;
 fieldValue: FieldValue;
}

function formatField(value: FieldValue): string {
  // format the value and return string
  return `formatted-${value}`;
}

function format(rawDataList: RawData[]): UserData {
  return rawDataList.reduce<UserData>((userData, rawData) => {
      // COMPILER ERROR -> Type 'string' is not assignable to type 'undefined'
      userData[rawData.fieldName as keyof UserData] = formatField(rawData.fieldValue);

      return userData;
    },
    {}
  );

However the field assignment always complains with Type 'string' is not assignable to type 'undefined'. Am I missing something?

A: rawData.fieldName is a string and it can't be used as an index for UserData.
Because UserData allows you to use only either email or phone.
You can do this:
interface UserData {
  email?: string;
  phone?: string;
  //...
}

type FieldValue = string | number | boolean;

interface RawData {
  fieldName: 'email' | 'phone'; // <--------------------- fix
  fieldValue: FieldValue;
}

function formatField(value: FieldValue): string {
  // format the value and return string
  return `formatted-${value}`;
}

function format(rawDataList: RawData[]): UserData {
  return rawDataList.reduce<UserData>((userData, rawData) => {
    userData[rawData.fieldName] = formatField(rawData.fieldValue);
    return userData;
  }, {})
}

Playground

redpajama_set_name: RedPajamaStackExchange


text:
Vode je lahko:
 Vode, naselje na Hrvaškem
 Vode, priimek več znanih ljudi

redpajama_set_name: RedPajamaWikipedia


Guðmundur began his studies at Söngskóli Reykjavíkur in 2011 where he was taught by Garðar Thor Cortes. In 2015 his Maestro became Kristján Jóhannsson. This year he graduated with a Masters diploma from the Academy of Renato Bruson, Italy. Guðmundur has performed in several concerts here in Iceland and in Italy and sang the role of Schaunard from La bohéme in Rimini, Italy in 2017. Guðmundur is the lead singer and event planner for a yearly christmas concerts held in Flúðir, Iceland.


text:
Guioa microsepala är en kinesträdsväxtart som beskrevs av Ludwig Radlkofer. Guioa microsepala ingår i släktet Guioa och familjen kinesträdsväxter. Inga underarter finns listade i Catalogue of Life.

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