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Authoritarianism, China, COVID-19, Democracy, Globalisation, History, Multilateralism, Russia
Building the Post-pandemic World
The West should pull itself together in order to compete with China and Russia.
Kurt Volker
Distinguished Fellow, Center for European Policy Analysis
A woman wearing a face cover cycles along a preserved segment of the Berlin Wall on 10 April 2020 amid the Covid-19 pandemic. The fall of the wall ended the era of the Cold War, but now the world must learn to live with the coronavirus. Photo: AFP/Scanpix
Authoritarian regimes and top-down economies will act quickly to strengthen their global economic, political and security positions in the post-pandemic world. Democracies risk being insular, slow to recover, and slower still to think globally again. In the post-pandemic world, free societies need their own vision and strategy for the future and must band together quickly and decisively to advance a global order that preserves freedom.
The Challenges Ahead
Let us start from a troubling premise. In the next year or two, we will not conquer the coronavirus—we will learn to live with it. The first step will be establishing protocols to make the resumption of life and economic activity as safe as possible. Next will be development of treatments and vaccines. In a few years, we may begin to see what we used to think of as "normal" begin to return. In the meantime, however, just as with the Spanish flu of 1918–20, the virus will kill those it kills, and build antibodies in those it does not, long before we have a medical means of preventing spread of the disease.
The consequence of this is that we will need strategies for building a new global order while the coronavirus is still with us. We cannot wait until the disease is gone.
The magnitude of the changes to the global political, economic and security environment should not be underestimated. While we are still learning to live with the coronavirus, the global economy will have already experienced a shock not seen since World War II. It is not a question of making minor adjustments to return to the world we knew. It will require devising new ideas and strategies to prosper in a world that will never be the same.
Authoritarian regimes enter this challenging new world with a few distinct advantages. They have greater means and established practice in controlling their societies. They can prioritise resources for government functions and action, whether at home or abroad. They care about not the individual, but the state system itself. They have top-down control of state-owned enterprises and national resources. Many of Russia's state enterprises may be inefficient and lacking in competitiveness in normal times, but now they will benefit from size, government backing and the ability to act strategically and bend the rules in ways that their market-driven competitors cannot. China's industries have been successful in normal times, and may be even more so now.
Already, some authoritarian regimes have used the coronavirus as a cover for expanding their control within society—from monitoring populations to restricting freedom of speech and freedom of assembly. Just as concerning, free societies that are normally averse to such controls have also adopted similar measures in order to prevent the spread of the virus. The result: people in both authoritarian and free states have accepted greater restrictions on freedom in the name of public health. We are becoming inured to a heavy hand from the state.
If there is a single fault with Western policy today, it is our defaulting into a reactive, inward-looking, minimising approach to the world—one that seeks to protect our narrow selves against the buffeting currents of changing times—rather than stepping forward with a vision for advancing freedom, prosperity and security, and a strategy for getting there.
A further risk is the politics of distraction—something at which authoritarian regimes are also poised to excel. They already use disinformation campaigns and aggressive external policies to distort public understanding, undermine competitors and justify domestic repression in the name of preserving the nation. Democracies do not play this game well, if at all.
Authoritarian states have their vulnerabilities as well. Their societies may have been more gravely affected by the coronavirus than publicly acknowledged. Their instinctive repression of the free flow of information impedes effective policy responses. Natural resource industries—such as oil, gas and minerals—may be slower to recover than other sectors, given low demand. Many state-driven enterprises tend to be large, inefficient and laden with unnecessary cost centres. All this being said, however, we already see signs that China is seeking to position itself for advantage in the post-pandemic world, and Russia will seek to do so as well.
Wanted: a Foreign Policy with Vision and Strategy
Faced with these looming pressures coming out of the pandemic, the West needs a clear vision for building a world in which freedom is protected, economies, trade and wealth can again grow, and the influence and assertion of power by authoritarian systems is blunted and ultimately reversed. To accomplish this, free societies must band together and offer an inclusive vision of a free world, rather than one that simply raises national barriers.
Unfortunately, no matter where one looks in the West, one does not see that kind of leadership today. As a long-term trend, we see mainstream political forces losing public credibility, while more extreme nationalist and populist movements have harnessed public disenchantment. In some countries, this trend has been reversed temporarily—partly out of public hope that governments will step up in battling the virus, and partly out of concern that these populist movements are not up to the task of governing the country through a crisis. But this trend has yet to be tested in an election.
At the same time, one response of established governments has been to adopt some of the nationalist policies advocated by populist politicians, such as controlling immigration and borders more tightly. The motives are different—fighting the spread of the virus rather than preventing the spread of immigrants—but the effect is the same. In this sense, populist and nationalist movements may indeed be exerting tremendous influence on national policies, even when not in power.
What is needed, however, is to rekindle a sense of free societies seeing each other as allies in a common struggle rather than as disparate nations seeking only to protect themselves. The strategy of authoritarians will be to discredit and divide free societies. We need to pull ourselves together.
Echoes of the Past
This is not the first time the West has faced a brave new world and needed to put together a vision and strategy for the future.
Such was the case in the late 1940s and early 1950s. That's when, out of the ashes of World War II, Western leaders made several key judgements and based their policies upon them. First, they concluded that the future of the victorious democratic community in the world depended on the growth of democracy, independence, prosperity and security in the world as a whole. They had an outward-looking vision.
They therefore believed it was essential to establish institutions that would protect and advance the cause of freedom, security and justice in the world. Out of that came the United Nations, the Universal Declaration on Human Rights, the Bretton Woods institutions, the European Coal and Steel Community (which later became the EU), the International Court of Justice, NATO and more. It wasn't perfect, but it certainly represented a clear vision and strategy for the long term, and it brought tremendous results.
Another such occasion was in the 1980s, when Ronald Reagan, working closely with leaders like Margaret Thatcher and Helmut Kohl—but against popular currents at the time—decided to push back on communism globally, outspend on defence and security, support human rights activists in Central and Eastern Europe, and call for the leader of the Soviet Union to "tear down that wall". These policies, too, were imperfect. But it was a foreign policy with a vision, based on freedom and democratic values, tied to a long-term strategy, and it paid off.
A third time was after the fall of the Berlin Wall in 1989 and the collapse of the Soviet Union in 1991. Again, Western leaders embraced a greater vision—understanding that freedom, prosperity and security in the West depended upon all of Europe being "whole, free, and at peace". Instead of building a higher wall around the West, its leaders reached out to people in Central and Eastern Europe.
Today, publics in Western democracies are moving in the opposite direction. They seek protection—from disease, from migration, from economic competition. They reaffirm national identity over the investment in international systems that benefit all who share democratic values. Politicians in these democratic systems, needing to win elections, are following these public attitudes rather than leading them to higher ground.
An Agenda for the Future
If there is a single fault with Western policy today, it is our defaulting into a reactive, inward-looking, minimising approach to the world—one that seeks to protect our narrow selves against the buffeting currents of changing times—rather than stepping forward with a vision for advancing freedom, prosperity and security, and a strategy for getting there. As we enter a post-pandemic world, this is what needs to change.
Such an ambitious Western agenda should at a minimum be based on the following principles:
Free societies have more in common than they have differences. We need to unify around protecting core values rather than arguing among ourselves.
There is no longer a sharp line between military threats to freedom and information, cyber, economic and other means of asserting authoritarian power. Our responses need to address this full spectrum of challenge.
Freedom, prosperity and security are universal human longings and should be accessible to all. While free societies must band together to protect ourselves today, we must always be determined to welcome other countries that have embraced the same values.
International organisations need to advance the principles of freedom and security. If they are ineffective, failing in their duties, or unwilling to enforce their own rules and standards, they need to change.
To advance these principles, several practical steps need to be taken. A few suggestions would include:
calling a series of summits of existing democracy-based institutions (the EU, NATO, the G7) and perhaps finally launching the "D-10"—adding Australia, India and South Korea to the G7—to develop a common, democracy-driven, post-pandemic global agenda;
identifying core infrastructure—energy, cyber, health systems, etc.—that needs to be secure within such a democratic community, without dependence on authoritarian regimes. Given the vulnerabilities demonstrated in supply chains, businesses need to give higher priority to security, rather than simply being driven only by lowest cost. This should touch everything from 5G technology to protective health equipment;
launching new negotiations to create a Transatlantic Investment, Growth and Resilience (TIGRE) pact, designed to spur growth, eliminate all tariffs and establish the single largest free market in the world, based on democracies that respect the rule of law. This should include Canada and Mexico from the outset, and later be open to all democracies that adopt the same rules;
reviving the process of NATO and EU enlargement so that any European nation that meets the standards of membership is invited to join. In the case of territories occupied by Russia in some invitee countries, NATO and the invitee country would commit not to invoke Article 5 of the Washington Treaty, and commit to no first use of force and only peaceful reintegration of these territories;
establishing among this group of democracies a process for review and recommendations for reform and more effective use of global institutions—including in particular "standards police" such as the OECD and the WTO.
Ultimately, advancing any of these practical suggestions will require national leaders to adopt such goals and build such an international approach. This may seem unlikely, if not impossible, given the current state of national leadership today. But perhaps the coronavirus is just the kind of shock such leaders need to aspire to a higher set of goals in a post-pandemic world.
This article was published in the Lennart Meri Conference special edition May 2020 of ICDS Diplomaatia magazine.
Authoritarianism, Democracy, Europe, History, Russia, USA, West
Lennart Meri Lecture 2022 by Ambassador Daniel Fried
Time Flies, as this conference observes. Tempus fugit - time marches on, as the saying goes. So what? Does the march of time have meaning? Does the passage of time tend to bring progress? Are human beings, over time, on an ascendent track, morally and…
Daniel Fried
Arms control, Authoritarianism, China, COVID-19, European Union, NATO, Russia, Security, United States
Andrey Kortunov: Cooperation with the West Will Only Happen When Russia Modernises
We are facing a generational change among the leaders of the world's great powers.
Jaanus Piirsalu
China, Europe, History, Multilateralism, Russia, United States
Without Hegemon's support the values-based international order will collapse.
Sven Sakkov


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Q: How to consume a Chunked HTTP Stream with Apache Camel? I have an issue consuming a Chunked HTTP RSVP Stream using Camel.
The stream is here and you can find more information about it at the end of this page
I have created a simple route such:
from("http4://stream.meetup.com/2/rsvps").log(org.apache.camel.LoggingLevel.INFO, "MeetupElasticSearch.Log", "JSON RSVP ${body}")

But nothing happens no message are consumed. I tried by adding a camel timer before because I am not sure you can use http4 component directly in the from but result is the same.
Can you help me please?

A: You cannot use the http4 component in a from() directive.
However, there is several ways to call an URL and to retrieve the result:
One is to create a timer and call the http4 component from a to() like this:
from("quartz2://HttpPoll/myTimer?trigger.repeatCount=0")
    .to("http4://stream.meetup.com/2/rsvps")
    .log("Body is: ${body}")
    .to(mockDestination);

Another way is to use the content enricher pattern if you want to for example aggegates results into one another stucture.
Note as well, if your URL is dynamic you must use recipientList() instead to().
UPDATE:
Another way to consume a stream from the Internet is to use another component than http4: the camel-stream.
This one you can declare it in a from()directive:
 // Read stream from the given URL... an publish in a queue
    from("stream:url?url=http://stream.meetup.com/2/rsvps&scanStream=true&retry=true").
      to("seda:processingQueue");

    // Read records from the processing queue
    // and do something with them.
    from("seda:processingQueue").to("log:out")

You can see more sample in this site.

redpajama_set_name: RedPajamaStackExchange


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Q: Decoupling the algebra from the topology in cellular homology The story of singular homology is pretty straightforward. One starts by constructing the singular chain complex functor $S : \mathbf{Top} \to \mathbf{Cha}$ (category of chain complexes with chain maps). Taking homology is then a purely algebraic operation happening in $\mathbf{Cha}$. The topological content of the theory is encoded in the properties of $S$. Here are a few questions about this view:

*

*Does S commute with homotopy colimits?

*Can the Eilenberg–Steenrod axioms be translated to conditions on the functor $S$?
The situation with cellular homology seems more convoluted. Consider the subcategory $\mathbf{CW}$ of filtered pointed CW complexes with filtration preserving maps. It can be realized as the category whose objects are acsending sequences of skeletons ($X^{-1} \to X^0\to X^1 \to \dots$) where $X^{-1}$ is a one point corresponding to the basepoint of the complex and whose arrows are collections of maps for every nonzero skeleton ($f_n:X^n \to Y^{n}$) s.t. the relevant diagram commutes.
So far all the constructions for cellular homology I've seen rely on ad hoc constructions via diagram chasing at the level of homology groups. It gets especially crude when the time comes to define a suitable boundary operator $\partial :H_{n+1}(X^{n+1},X^n) \to H_n(X^n,X^{n-1})$ . At which point there's an unavoidable digression into (not obviously canonical) ad hoc diagram chasing, "exact sequence of triples" and some more algebraic mess.
I do get the gist of it all. The fact that the characteristic maps give you maps between wedges of spheres at every level of the filtration and that these map induce maps on their top homology which is why the degree comes up. But i'm trying to get a simple formal picture of what's happening and it gets pretty discouraging.
Is there a construction analogous to the above construction for the singular case which uses a minimal amount of homological algebra and defines a functor $W: \mathbf{CW} \to \mathbf{Cha}$ which takes $CW$ complexes to chain complexes who can then further be manipulated algebraically to get the homologically equivalent cellular chain complexes
$$\dots \to H_n(X_n,X_{n-1}) \to H_{n-1}(X_{n-1},X_{n-2}) \to \dots $$
And that once wev'e passed to $\mathbf{Cha}$ this "manipulation" envolves only homological algebra?
Or maybe this is the wrong question entirely and something more subtle is happening beneath the surface? Some intermediate step which prevents a "decoupled" description?
Do I have to understand general spectral sequences of filtered spaces to really get the overall non ad-hoc approach to this?

A: Q1. Morally yes. You should think of singular chains as describing, loosely, the "free chain complex" on a space. In invariant language there is an $\infty$-category of spaces $\text{Space}$ and an $\infty$-category $\text{Ch}(\mathbb{Z})$ presented by chain complexes of abelian groups (one name for this is the $\infty$-category of "$H\mathbb{Z}$-module spectra," but you don't need to know this). There is also a forgetful functor
$$\text{Ch}(\mathbb{Z}) \to \text{Space}$$
and an invariant version of singular chains gives its left adjoint (in the $\infty$-categorical sense). Any left adjoint preserves homotopy colimits.
Q2. The Eilenberg-Steenrod axioms for singular homology can be reformulated as saying that singular chains, as an $\infty$-functor $\text{Space} \to \text{Ch}(\mathbb{Z})$, is determined by the fact that it preserves homotopy colimits and takes value $\mathbb{Z}$ on the one-point space. This is describing a universal property of $\text{Space}$ as an $\infty$-category: it's the free homotopy cocomplete $\infty$-category on a point, in the same way that $\text{Set}$ is the free cocomplete category on a point.
The Eilenberg-Steenrod axioms for extraordinary homology theories work the same way, but the target $\infty$-category has to be modified to be spectra.
Q3. The invariant content of CW complexes is that they describe spaces by building them up using iterated homotopy cofibers. When you pass this fact through singular chains, you get that you can describe singular chains on a CW complex by taking iterated mapping cones. When you do this you should get more or less the cellular complex, although I haven't checked the details.

A: the answers to your first questions is no - the singular complex of any kind of homotopy colimit involves singular simplices that do not respect any of the structure of your favorit homotopy colimit construction. So the resulting complex will be much larger than the homotopy colimit of the singular chain complexes.
Regarding the second question, I would see this differently. The singular simplicial complex $S(X)$ has a geometric realisation $|S(X)|$. This is a CW complex (sorry about that) that comes with a natural map $p\colon |S(X)|\to X$. By a theorem of Milnor, this map is a weak equivalence (it induces isos on all homotopy groups $\pi_k$). If you are willing to add an "invariance under weak equivalences" axiom to the Eilenberg-Steenrod axioms, than this tells you that $p_*\colon H_*(|S(X)|)\to H_*(X)$ is an isomorphism (similarly for cohomology). Now, the (co-) homology of CW complexes is entirely determined by the classical Eilenberg-Steenrod axioms, if you add an "additivity axiom" which says that the (co-) homology of a wedge of spheres is the direct sum (product) of their individual (co-) homologies. If you apply the construction of cellular (co-) homology to $S(X)$, you get the singular (co-) chain complex and arrive at the well-known formulas for simplicial singular (co-) homology.
To summarize: If you assume that your favourite (co-) homology theory satisfies the classical Eilenberg-Steenrod axioms, and additivity, and invariance under weak equivalences, then this (co-) homology is naturally isomorphic to singular (co-) homology.
If you don't like the text book approach to cellular (co-) homology, then you should at least try to understand that the construction gives you a natural isomorphism between "your" (co-) homology of a CW complex, and the cellular one. In particular, all the diagram chasing, ad hoc though it may seem, is completely natural in the technical sense.
If you want to learn spectral sequences, you can try to compute other, generalised cohomology theories (like $K$-theory) for CW complexes. However, there are some technical problems with spectral sequences that prevent you from getting a complete description. Because of the dimension axiom, the spectral sequence computations become much easier for ordinary (co-) homology,
and they give you a complete answer.
If you go through them, you arrive exactly at the diagrams that you know and love (but you will know why they look the way they do).

A: This is  some sort of answer to your question: Do I have to understand general spectral sequences of filtered spaces to really get the overall non ad-hoc approach to this?
A general context for this area is given in the book  titled Nonabelian algebraic topology:filtered spaces, crossed complexes, cubical homotopy groupoids (EMS Tracts vol 15, 2011) (pdf available). Spectral sequences do not occur in the book. However (strict) colimit arguments are used extensively, made possible by a Higher Homotopy Seifert-van Kampen Theorem (HHSvKT) for a homotopically defined functor $\Pi: FTop \to Crs$ from the category of filtered spaces to that of "crossed complexes", a kind of generalisation of chain complexes of abelian groups. This idea goes back to Blakers (1948) and J.H.C. Whitehead (1949), "Combinatorial Homotopy II". An immediate Corollary of the HHSvKT is that for a CW-filtration, $X_*$, $\Pi X_*$ is free on the characteristic maps of the cells. Another Corollary is a version of the Relative Hurewicz Theorem, describing $\pi_n(X \cup CA, x), n \geqslant 2$,  when $(X,A,x)$ is $(n-1)$-connected, without using singular homology. There are also nonabelian calculations of second relative homotopy groups.
However the proofs use extensively cubical higher homotopy groupoids of filtered spaces; these are strict higher groupoids,  and cubical methods are essential for the proofs, since they allow for "algebraic inverses to subdivision".
There are interesting relations between crossed complexes and chain complexes with a group(oid) of operators, which enable relations with cellular chain complexes of universal covers. The book gives some relation to history and gives an account of intuitions; there is more background in presentations on my preprint page.
A key part of this work is not so new, and dates back to two papers by Philip Higgins and me in JPAA, 1981.


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Interim President Drew Bogner
Member Colleges & Universities
Budget Priorities
Memos of Support
Memos of Opposition
Federal Letters of Support
Economic & Community Impact
Joanne Passaro
Joanne Passaro, President of Metropolitan College of New York (MCNY), is a cultural anthropologist who holds B.A. and Ph.D. degrees from Duke University. Her academic research focused on social inequality and ideologies of oppression. Over the past twenty years, Passaro served in leadership positions at a number of colleges and universities.
Passaro returned home in 2018 to serve as President of MCNY; the college's vision and goals align closely with her own. MCNY was founded in 1964 to bridge the gap between inequality and opportunity for adult students; it now ranks among the colleges with the highest percentage of adults in the nation. Its unique curriculum, Purpose-Centered Education, closely integrates classroom studies with work experience; graduates are activists and leaders trained to create positive change in their organizations and communities. Dr. Passaro is honored to participate in the work of expanding educational opportunity and social equity throughout the New York region.
2018 CICU | Commission on Independent Colleges and Universities
New York's 100+ private colleges and universities
17 Elk Street, Albany, NY 12207

redpajama_set_name: RedPajamaCommonCrawl


The ITC-SA will be hosting a CPD-accredited timber construction conference on the 16 August at Expo Centre Nasrec as part of the upcoming Interbuild Africa 2018.
As part of its mission to create and maintain standards in the timber construction industry, the ITC-SA is committed to taking every opportunity to host information-sharing events like workshops, training sessions and presentations, which help to inform both the industry and the public. The Timber Construction Conference to be hosted at Interbuild Africa is no different and ITC-SA are delighted to be bringing top industry experts together at the conference to share their wealth of knowledge and insights into various facets of timber construction, from strength grading of structural timber to treatment and surface coatings on the completed structure.
The ITC-SA's conference at Interbuild Africa will be host to Werner Slabbert Jnr, who will be presenting on Timber Frame Building, Elliot Nkosi of the ITC-SA, who will present on Site-Made vs. Prefabricated Timber Trusses, Abe Stears of South African Technical Auditing Services (SATAS), who will present on the Certification of Structural Timber, Willie Conradie of TimberLife, who will discuss Outdoor Wood Coatings and Bruce Breedt of the South African Wood Preservers Association (SAWPA), who will talk about Timber Treatment, Standards & Regulations.
"The ITC-SA's Timber Construction Conference is open to everyone who is interested in attending, whether they are construction industry professionals or members of the public. The conference will be of exceptional value for anyone looking to have a timber roof, home or deck built and industry professionals can enjoy the added value of the event's accreditation with the Engineering Council of South Africa (ECSA) for one CPD point," says Amanda Obbes, General Manager of the ITC-SA.
Space at the ITC-SA's Timber Construction Conference is limited; tickets are available for R50 each via Quicket at this link: http://bit.ly/2L1oQjf. All those interested in attending are encouraged to book their tickets as soon as possible to avoid disappointment. For further information about the conference, email enquiries@itc-sa.org.


Like a classic Hollywood movie, the history of jazz is memorable not just for its stars, but also for the supporting players, and few are more memorable than the Baroness Pannonica de Koenigswarter, a British aristocrat who walked away from a life of privilege to become "patron saint for a couple of generations of 'jazzophiles.'" David Kastin has wisely chosen her as the subject of his book Nica's Dream: The Life and Legend of the Jazz Baroness, a well-written and engaging volume that nevertheless sometimes frustrates in the manner in which it occasionally sidelines the Baroness, rendering her a supporting player in her own story.
Born an heir of the house of Rothschild, "Nica" married into a baroness' title, bore five children and served as a translator and broadcaster during World War II, but in many ways her life really began with an early encounter with Duke Ellington's tone poem "Black, Brown and Beige." Thus commenced a love affair with jazz that led her to spend the rest of her life (she died in 1988) as an old-school patron of the arts, providing promotional support, rehearsal space, food and shelter to an extensive list of the music's greats. Among her most notable beneficiaries were Charlie Parker, whose death in her hotel suite sparked a scandal that helped end her marriage, and Thelonious Monk, whose well-being and musical ascendancy the Baroness made into a lifelong project. She attended Monk's gigs, worked with manager Harry Colomby on the best presentations for his music, and eventually took him into her modernist Weehawken, N.J. home when even living with his own family proved too much for him. For her sacrifices, she lives on as the namesake of "Pannonica," one of Monk's most beloved compositions.
Kastin's writing vividly conveys the Baroness' outsized personality, one that sometimes veered toward self-parody. He paints a colorful portrait of her whipping from club to club in her silver Rolls Royce, cigarette holder between her teeth, peppering her speech with four-letter words delivered in an upper-crust English accent. He's also unafraid of detailing the darker episodes of her life, as with an extensive account of an on-the-road pot bust that left Monk devastated, and he touches on accusations that dogged her throughout her patronage career, charges of liberal white condescension, negligence of her friends' substance-abuse problems, and plain bad parenthood (Nica remained in contact with all of her children throughout her life, but all have refused to participate in any project memorializing their mother, including this book).
Kastin also provides a rich cultural context for the Baroness' adventures. Too rich, in fact. Nica's immersion in the American jazz scene commenced at the beginning of the 1950s, and she had a front-row seat for the waning of bebop, the polarizing flights of Ornette Coleman's "new thing" and the politicized struggles that would result in the music's late-20th-century recession from mainstream popularity. All important events in the music's history, but Kastin too frequently chronicles these events without bothering to centralize Nica's role within them. Contextualizing the world in which Nica operated is not unwelcome, but her lack of presence in these sections sometimes makes them feel like padding for an already fairly modest volume.
Still, the Jazz Baroness' story demands even an imperfect telling, and Nica's Dream is an entertaining presentation of a life worthy of commemoration. In an obituary printed in DownBeat, Peter Keepnews said that Nica's life was "eloquent proof that not every person who makes a major contribution to jazz is a musician." Kastin's book, digressions and all, provides that same kind of proof.


Are you a fan of Tabletop Games? Join us at the library to play games like Lightseekers, Magic: The Gathering, Ticket to Ride and more! Feel free to bring your personal decks of Pokemon and Yu-Gi- Oh to play with others. For ages 12 to 18. Registration is required.
*This program is for ages 12 through 18. Check here if you are between the ages of 12 and 18.


text:
All the news Disney movie fans need to know, including Walt Disney Studios, Walt Disney Animation, Pixar, Marvel, and Star Wars. We've got interviews with your favorite celebs, exclusive clips, and behind-the-scenes facts about the upcoming films.
Oh My Disney Newsletter
Captain Marvel Composer, Pinar Toprak, Is Living Her Dream!
The Cast of Dumbo Explores the Heart of the Story
All the Disney Things We're Looking Forward to in 2019
All the Trailers for Disney Movies Coming Out in 2019
Interviews With Disney Movie Stars
Ralph Breaks the Internet and Mary Poppins Returns Among Nine Golden Globe Awards Nominations for Walt Disney Studios
Emily Blunt: Mary Poppins "Was Such a Delicious Character to Play"
5 Things We Learned on the Set of Mary Poppins Returns From Lin-Manuel Miranda and Producer Marc Platt
The Magic Is Real in the New Trailer for Mary Poppins Returns
Brie Larson Didn't Feel Nervous on the Set of Captain Marvel
Brie Larson Is So Fierce in the New Captain Marvel Poster and Trailer
We Are Obsessed With the New Trailer for Marvel Studios' Captain Marvel
The Marvel Studios 10th Anniversary Film Festival Is the Movie Marathon of the Decade
Journey into the Captain Marvel score with composer Pinar Toprak!
Meet Lashana Lynch, Who Plays Captain Marvel's BFF Maria Rambeau
We can't wait to see Captain Marvel on March 8!
These Are All of the Disney Academy Awards Nominees of 2019
Black Panther was nominated for Best Picture!
Captain Marvel Is a Superhero Origin Story "Told in Reverse"
This is going to be good.
6 Things We Learned After Chatting with the Legendary Cast of Marvel Studios' Captain Marvel
From Samuel L. Jackson to Brie Larson, what more could you want?!
Start Your Week on the Right Foot With These Mary Poppins Returns Dance Videos
Watch them all here! It's truly magical.
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Dream Cast Alert: Disney Pixar Has Revealed That Chris Pratt and Tom Holland Will Play Characters in the Upcoming Film, Onward
The film is set to be released March 6, 2020!
The Trailer for the Next Avengers Movie Is Finally Here and It Will Give You the Chills
"Part of the journey is the end."
We can't wait to see her performance!
Brie Larson Didn't Feel Nervous on the Set of Captain Marvel
She's truly a treasure.
Kenneth Branagh Tells Us How He Made Artemis Fowl His Own
We have been waiting for this movie!
What We Learned From Emily Blunt About Embracing Her Role as Mary Poppins
We can't wait to see this movie!
Quiz: Which Ralph Breaks the Internet Character Are You?
Every result is a win.
Everything You Need to Know About the Characters Populating the Internet in Ralph Breaks the Internet
Learn all about the difference between Netizens and Net Users.
How Production Designer John Myhre Brought the Set of Mary Poppins Returns to Life
Simply magical.
Controlled Chaos: Developing the Story of Ralph Breaks the Internet
It involves an incredible number of storyboards.
Your Zodiac Sign Can Tell Us Your Favorite Disney•Pixar Movie
This quiz is basically magic.
These New Mary Poppins Returns Dolls Look Just Like Emily Blunt and Lin-Manuel Miranda
The resemblance is uncanny.
Here's What Ralph Breaks the Internet Posters Look Like Around the World
Happy Internet Day!
How the World Wide Web Became a Literal World of Its Own In Ralph Breaks the Internet
Consider us incredibly impressed.
Mackenzie Foy and Misty Copeland Were So Adorable at The Nutcracker and the Four Realms Pop-Up Event in New York City
Journey into the Four Realms with these two stars!
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Quiz: Which Disney Princess Should Be Your BFF?
Pedro Pascal to Play Title Role in The Mandalorian, Coming to Disney+, Disney's Upcoming Streaming Service


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How Ohio State football's Ryan Day and Kevin Wilson could contrast and coexist as play callers in 2020
Ohio State coach Ryan Day said offensive coordinator Kevin Wilson may take on more play calling in 2020.
By Nathan Baird, cleveland.com
COLUMBUS, Ohio -- Ohio State football coach Ryan Day and offensive coordinator Kevin Wilson took dissimilar routes to their current occupations.
Day, who turns 41 next week, is a New Englander who played at New Hampshire. He rose quickly through the coaching ranks as a quarterback guru. Wilson, 58, played offensive line at North Carolina. He spent over 25 years in coaching before his first head coaching shot at Indiana in 2011.
Yet from time to time both men are of the same mind. Wilson recalled a specific moment from last December's Fiesta Bowl against Clemson.
"I said the same thing he called and we called it simultaneously, and he gets on and he said, 'That was eerie,' " Wilson said.
Cute, but here's what really matters: Did the play work?
"Actually, protection broke down ... but Justin (Fields) made us look good," Wilson said. "He made us look smarter than we are and it ended up being a good call, so we got away with it."
Back in January, Day said his first season as a head coach gave him a new perspective on time management. His primary duty is to oversee all aspects of the program. He also keeps a portion of his attention on offense. Specifically, he could not completely separate himself from the quarterback room.
Day said he entered 2020 conscious of letting go of some of those attachments, and trusting the rest of his staff. That could mean more direct input from Wilson from possession to possession.
"After going through it for a year, it's very difficult with all the things that come with this job to be in that room all the time coaching the quarterbacks," Day said. "Certainly (I'm) involved with the offense.
"And Kevin is a huge part of what we do on offense, and he's going to continue to do more. We've talked even about moving forward, having him share some of the play calling roles with me. And we'll continue those conversations as we go through the spring."
Day immediately preceded Wilson as OSU's offensive coordinator, then promoted the tight ends coach into that role. While Wilson's rise was not as abrupt as Day's, he made his name leading some of the most powerful offenses of the past 15 years.
Wilson preceded Sean Payton as OC at Miami of Ohio, spent three seasons at Northwestern and shared the co-OC title with Chuck Long at Oklahoma. After taking over the title in 2006 — with the help of Adrian Peterson and Sam Bradford — Wilson's offenses averaged 448.5 yards per game over the next five seasons. The 2008 Sooners averaged 51.1 points per game and totaled 7,670 yards.
During his head coach tenure at Indiana, Wilson shared play calling duties with Kevin Johns, and at times took the lead. In a 2016 CBS Sports article, he described that process as a collaborative one, born in staff-wide meetings early in a week of game prep. He and Johns scripted the opening plays of drives, because Wilson felt those "drive-starters" were key to building an offensive rhythm.
Wilson feels his background and experience — and his resulting read on the field — complement the vision Day brings from his younger viewpoint. Occasionally, one sees things the other does not. This shared concept is not a radical one for their relationship, as it has already existed the past two years in some capacity.
"We kind of do it collectively, as far as like, 'Hey, what run do you like? Give me this, give me that,' " Wilson said. "'What do you think in here or there?'
"He's got final say. So even if you're calling, he's always going to say hey, give me this or don't do this or whatever."
Day already took a gamble this offseason when he promoted former quality control coach Corey Dennis to quarterbacks coach. Day's obvious continued influence in the room mitigates that risk somewhat.
Even as Wilson potentially calls more plays, he will do so with a shared mind with the head coach.
Posted by NC Sports on Friday, March 06, 2020
Labels: kevin wilson, NC Sports Coaches in the News
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Like the view of a swing from a one year old's eye.
to all but those who pay attention.
To help you achieve your goals and dreams.
I've found the way I should.
This blog is meant to thank everyone invovled in my life during the past two years.
I didn't think I would ever make it through grad school, but I did and it's because of all of your support!
Congrats on making it through Grad School. Best of luck!
CONGRATULATIONS! Fulfilling a dream is something you should be very proud of. Kudos to your family, your friends and all who supported you as you reached your goal. What a wonderful example you are setting for your children! Celebrate, enjoy and be proud, you deserve it.
Thank you for sharing. I Love the way it came out all the pictures came out really great.
Congratulations on all the hard work. It's a great accomplishment.
I am so proud of you. Watching how much you have worked these past two years has been amazing and inspiring to me. I remember back when you were trying to decide on a new job, multiple jobs, starting a horse business, or going to school, etc. Seeing how much you have learned and experienced these past two years and watching your growth as a person, I KNOW you made the BEST decision. I love you and will always support you!
Congratulations on your accomplishment! I wish you the best of luck with whatever the future hold. All our love.


text:
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Multiple Airlines Jul 16, 2021 Jul 30, 2021 NT$38,245
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00 Sep 1, 2021 Sep 16, 2021 NT$59,268
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text:
Mizerov (, ) je část okresního města Karviná. Nachází se v severovýchodě Karviné. V roce 2009 zde bylo evidováno 757 adres. V roce 2001 zde trvale žilo 15 624 obyvatel.

Mizerov leží v katastrálním území Karviná-město o výměře 9,59 km2.

Název
Původně šlo o statek, jehož jméno označovalo místo, kde se špatně, obtížně hospodaří. Dvorům a samotám často byla dávána jména se záporným nádechem.

Galerie

Odkazy

Reference

Externí odkazy

Sídla v Ostravské pánvi
Části Karviné

redpajama_set_name: RedPajamaWikipedia


One of four large former warehouses between Commerce and Gore streets, Stanbeth House sits on the southern side of Britomart.
The front half of this four-storey building, fronting Customs Street East, was built in 1885 as a warehouse for Coupland & Company. The rear half, facing Galway Street, was added by John McKail Geddes of Brown, Barrett & Co in 1908.
James Coupland arrived from England in 1862 and his grain, seed and produce business supplied farmers on the outskirts of the city for many years. After Coupland retired to Ponsonby, Herman Brown and John McKail Geddes took up the lease.
Early occupants included the Auckland Wool Stores of the NZ Mercantile & Loan Co, produce merchants Sharp & Co and kauri gum merchant Edward Morton.
A Mr Kyte tested his patented automatic fire escape and lowering machine from the top storey in 1902. The machine consisted of a cage and pulley system attached to the outside of the building; while the demonstration was a success, it appears the invention failed to catch on.
Subsequent occupants included the Old Age Pension Office, the first of its kind in the world, and the British General Electric Company showroom. Later there were a succession of restaurants on the ground floor, including the Silver Grill Dining Room and the Dynasty Chinese Restaurant.
Merchant C. H. Furness & Company was the major leaseholder from the 1920s to the 1970s. The name Stanbeth House was probably derived from the middle names of the subsequent leaseholders, William Stanley McConnell and Nancy Elizabeth McConnell.
Together with its neighbour Excelsior House, Stanbeth House has now been fully refurbished by Cooper and Company, in consultation with heritage architects Salmond Reed.


This Valentine's Day Prince Eric and Aladdin prepared for their girlfriends the most wonderful surprise: a romantic trip to Paris! How cool is that?? Princesses Ariel and Jasmine are so happy! Help the couples get ready for the coolest double date ever. Dress the royal four in the most romantic way and choose a beautiful place in Paris for the couples to spend this evening.


It was action stations at Orange City Library for School Holiday Boardgames Day with librarian Sean leading the way playing games like Ticket to Ride, Talisman, Photosynthesis as well as the traditional Monopoly and Scrabble. It is fun for all ages. The Library has lots of games you can try within the Library during opening hours (and we are air-conditioned).


The much-awaited FAME II scheme eligibility criteria will see around 95% of the existing electric two-wheelers miss the subsidy support, says CRISIL.
On March 28, 2019, the Ministry of Heavy Industry and Public Enterprise issued a notification, which laid out the eligibility criteria for electric buses, passenger vehicles, three- and two-wheelers to avail of the FAME-II incentives. The criteria based on minimum top speed, minimum range per charge, minimum acceleration and energy consumption efficiency of electric vehicles (EVs). It has also mandated that all EVs except e-rickshaws and e-carts should have regenerative braking capability to be eligible for incentive.
The report interestingly found that around 90% of the vehicles that availed of incentives under the FAME I scheme, which was operational between April 1, 2015, and March 31, 2019, were electric scooters.
CRISIL's assessment of the product portfolio of various EV manufacturers indicates that the electric two-wheeler segment would be impacted the most by FAME-II rules, estimating that more than 95 percent of the electric two-wheeler models being produced now won't be eligible for FAME-II subsidies.
While, the government's outlay of Rs 895 crore for FAME-I has been increased ten-fold to Rs 10,000 crore in FAME-II, which will be implemented over three years starting April 1, 2019, and will be applicable to vehicles with 'advanced batteries'. About 85% of the outlay would be as a demand incentive applicable to buses, passenger vehicles and three-wheelers registered for commercial usage and public transport, along with privately owned two-wheelers.
The report says that under FAME-I, incentive was provided to all battery- powered vehicles including those that run on lead-acid batteries. Up until September 2018, around 90 percent of the beneficiaries under FAME-I were lead-acid-battery powered electric scooters.
These scooters were priced below Rs 50,000 (after including the FAME-I incentive of around Rs 9,000), while lithium-ion battery-driven scooters, which costs around Rs 70,000 after incentive, and many internal combustion engine scooters are more expensive. Because of their lower upfront cost, detachable batteries (limiting need for public charging infrastructure) and inherent cost benefits of EVs led to a pick-up in e-scooter sales to around 55,000 units in fiscal 2018, according to Society of Manufacturers of Electric Vehicles (SMEV) data.
The FAME-II continues to exclude lead-acid battery-powered two-wheelers. Additionally, as per the latest eligibility criteria, e-scooters ought to have a minimum range of 80km per charge and minimum top speed of 40kph, along with riders on energy consumption efficiency, minimum acceleration and higher number of charging cycles. This precludes more than 90 percent of the remaining lithium-ion battery-driven models from the subsidy.
CRISIL says EV makers have been caught off-guard by the stringent eligibility criteria leaving them no time to conform. They are expected to increase the battery size of their offerings for higher range and speed, improve battery technology for more charging cycles and also install electric regenerative breaking technology in their two-wheelers in order to be eligible for the incentives.
Moreover, the requirement of 50% localization in manufacturing is also expected to be a hurdle for many OEMs. And going ahead, upgradation of products and localization would increase the costs for electric scooters, which could hurt demand. OEMs are expected to take time to come up with new models eligible for FAME-II demand incentive along with the necessary level of localization. It would happen only after they make changes in production and exhaust inventory of vehicles that are not eligible for subsidy.
Earlier, the incentive for lithium-ion battery-based two-wheelers stood at Rs 17,000 or Rs 22,000, based on the fuel savings potential and irrespective of the size of the battery. With FAME-II linking the demand incentive to the size of the battery, the government is providing Rs 10,000 per kWh of battery used for a two-wheeler. As the average size of a lithium-ion battery in electric scooters sold during FAME-I was around 1.5kWh (average subsidy of around Rs 15,000 per vehicle), it reduced the average subsidy per vehicle by Rs 2,000 to Rs 7,000.
CRISIL finds that the e-scooter industry would see turbulence in the initial phase of the FAME-II. In the near term, liquidating inventory would necessitate higher discounts to offset the lack of subsidy. EV makers would then concentrate on localization and building supply chains alongside product development to come up with new models. They have also requested the government to re-consider the stringent norms, concludes the report.


text:
The Château de Montlhéry is a castle in the commune of Montlhéry in the Essonne département of France. Ruins date from various periods, most notably the 10th, 11th, 13th and 14th centuries.

The present 13th-century castle, with its prominent keep, succeeded a castle built in the 11th century, and an earlier foundation, built from 991 to 1015. The castle is a rectilinear pentagonal plan, with five surviving towers, one of which is much larger than the rest and serves as the keep, forming the point of the pentagon, at the end of the ridge. A gate tower protected the entrance on the opposite site. Recent evidence suggests that there may have a second court or bailey extending in front of the present gate, as well as a substantial chapel inside the presumed lower court.

Thanks to its position, the keep was notably connected with the scientific experiments of Pierre Gassendi (measurement of the speed of sound), Claude Chappe (experiments with optical telegraphy in 1794) and Alfred Cornu (measurement of the speed of light in 1874).

Visitors today can see the keep, the well, the moat and the remains of the curtain wall. The castle is state property. It has been listed since 1840 as a monument historique by the French Ministry of Culture.

See also
List of castles in France

References

External links

Castles in Île-de-France
Essonne
Monuments historiques of Île-de-France


text:
Q: Send email from Kibana Canvas I am using free ELK Stack 7.3.2 for process monitoring.
Using Kibana Canvas for visualization of my uptime messaging.
Here are the sample messages:

{"processName":"SM1","processType":"serviceManager","status":"DOWN","update":"2h14m","hostname":"devvm20"}
{"processName":"SM2","processType":"serviceManager","status":"UP","update":"2h14m","hostname":"devvm20"}

The processName is my unique key.
I am looking for a way to send an email if my message was late or slow within 2 minutes.
The ELK Stack Watchers would help out but they are a part of the X-Pack and also subscription based.
How can use ElastAlert instead?


text:
Effective date: April 11, 2019
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Our Service may contain links to other sites that are not operated by us. If you click on a third party link, you will be directed to that third party's site. We strongly advise you to review the Privacy Policy of every site you visit.
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For other uses, see I Can't Stop Loving You (disambiguation).
(1958) "I Can't Stop Loving You"
"I Can't Stop Loving You" is a popular song written and composed by country singer, songwriter, and musician Don Gibson, who first recorded it on December 30, 1957, for RCA Victor Records. It was released in 1958 as the B-side of "Oh, Lonesome Me", becoming a double-sided country hit single. At the time of Gibson's death in 2003, the song had been recorded by more than 700 artists.
Gibson wrote both "I Can't Stop Loving You" and "Oh, Lonesome Me" on June 7, 1957, in Knoxville, Tennessee. "I sat down to write a lost love ballad," Gibson said in Dorothy Horstman's 1975 book Sing Your Heart Out, Country Boy. "After writing several lines to the song, I looked back and saw the line 'I can't stop loving you.' I said, 'That would be a good title,' so I went ahead and rewrote it in its present form."
(1961) "I Can't Stop Loving You"
The song was covered by Ray Charles in 1962, featured on Charles' Modern Sounds in Country and Western Music, and released as a single. Charles' version reached number one on the Billboard Hot 100 in 1962, for five weeks. This version went to number one on the U.S. R&B and Adult Contemporary charts. Billboard ranked it as the No. 2 song for 1962. Charles reached No. 1 in the UK Singles Chart in July 1962, staying for two weeks.
The Ray Charles version is noted for his saying the words before the last five lines of the song on the final chorus: "Sing the Song, Children". Choral backing was provided by The Randy Van Horne Singers. It was ranked No. 164 on Rolling Stone's list of the 500 Greatest Songs of All Time and No. 49 on CMT's "100 Greatest Songs in Country Music".
The song was featured in the climax of Metropolis.
Note: This original recording was released as "I Can't Stop Lovin' You".
The song has been recorded by many other artists. Some recordings are titled as "I Can't Stop Lovin' You" (with or without an apostrophe).
1962: Count Basie's recording, a Quincy Jones arrangement, won the 1962 Grammy Award for "Best Instrumental Arrangement".
1964: Ike & Tina Turner covered the song in 1964; released on their album Live! The Ike & Tina Turner Show in January 1965.
Guy & Ralna included a recording of the song on their 1973 album Country Songs We Love to Sing; the duo also performed the song numerous times on The Lawrence Welk Show, on which they were regulars.
1974: Dolly Parton and Chet Atkins performed the song (to Atkins' guitar accompaniment) on The Porter Wagoner Show in 1974.
1977: Sammi Smith covered the song for her Mixed Emotions album. The song also reached No. 27 on Billboard's Hot Country Singles chart.
1978: Mary K. Miller reached No. 28 on Billboard's Hot Country Singles chart.
1981: Millie Jackson recorded an upbeat, disco-influenced version for her Just a Lil' Bit Country album. The song was also released as a single in the U.S. and charted #62 R&B.
^ a b Edwards, Joe (5 November 2003). "Country Legend Don Gibson Dies". CBS News. Associated Press. Retrieved 13 January 2018.
^ Horstman, Dorothy (1975). Sing Your Heart Out, Country Boy (Third ed.). Country Music Foundation Press. p. 365. ISBN 0-915608-19-7.
^ a b c Rice, Jo (1982). The Guinness Book of 500 Number One Hits (1st ed.). Enfield, Middlesex: Guinness Superlatives Ltd. p. 66. ISBN 0-85112-250-7.
^ Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 113.
^ Whitburn, Joel (2002). Top Adult Contemporary: 1961-2001. Record Research. p. 52.
^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 139. ISBN 1-904994-10-5.
^ "Don Gibson Chart History (Hot Country Songs)". Billboard.
^ "Don Gibson Chart History (Hot 100)". Billboard.
^ "Kitty Wells Chart History (Hot Country Songs)". Billboard.
^ The Country Music Hall of Fame and Museum (2004). The Encyclopedia of Country Music. Oxford University Press. p. 2500. ISBN 9780199840441.
^ Henry, Clarence Bernard (2013). Quincy Jones: His Life in Music. University Press of Mississippi. p. 82. ISBN 9781617038617.
^ a b c Whitburn, Joel (2004). The Billboard Book Of Top 40 Country Hits: 1944-2006, Second edition. Record Research. p. 361.
This page was last edited on 31 March 2019, at 02:17 (UTC).


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Write me a short essay on why you think I should consider you for servitude. You better make it good.
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I am very "REAL." I enjoy what I do. My time is valuable therefore I expect you to take this into consideration when contacting me. I am no actress. YES I do DEMAND COMPENSATION, that is my right and it is to weed through the sincere and those who are looking to seek online fantasy entertainment. If you wish to engage in online fantasy exploration, compensation is still required. If I choose to accept your application you will be notified by email and then YOU WILL BE DEMANDED TO PURCHASE A THIRTY MINUTE 1 ON 1 SESSION WITH ME VIA MY SKYPE PROGRAM! Whether or not there are any sexual connotations is COMPLETELY IRRELEVANT TO A SLAVE.
A SLAVE'S PLACE IS TO SERVE, AND TO PLEASE IN ANY WAY THE GODDESS ASKS NO MATTER IF IT'S TO HUMILIATE YOU OR TO FINANCIALLY MAKE YOUR GODDESS HAPPY!
If you hope to receive special privileges, then I would hope that you would provide me with ample, and very good reason to extend them, or for me to even consider it. Don't even think of asking what those privileges are. CURIOSITY IS NOT BECOMING IN A SLAVE.
I hereby agree and in fact wish to provide Goddess with the above personal information for the purpose of being consensually entered into servitude. By filling out this email form I agree that I do this of my own free will and that Goddess has last say about the contracts changes or terms. I provide the following information freely and voluntarily. I have not been coerced or defrauded into providing such information. Once this document is filled out and submitted, all information is sole property of Goddess, and she can do with it as she wishes. I, further agree to follow explicitly and unquestioningly instructions, unless such instructions are illegal or physically harmful to another. I understand that failure to explicitly and obediently follow such instruction will invoke the release of any or all of the information provided above to be posted on this website. By filling out the form above, you agree to My rules and understand that you will be respectful at all times. You will do as your told and never questions my commands. You understand once contracts are sent that it is up to Goddess when contracts will be terminated, and you will follow her rules until such time as she chooses to end the contract. All contracts are binding. I understand and agree.


text:
Canal Fest-Boati Gras combo a hit
By Andrew Brown |
PUBLISHED: August 14, 2006 at 6:38 a.m. | UPDATED: July 22, 2021 at 2:19 a.m.
SYLVAN BEACH – With his apron and plastic mask on, Mel Karn looked like a blacksmith tending to a fiery cauldron this weekend. But as people left his stand at Sylvan Beach's Canal Fest they didn't have metallic items with them, but a tasty treat instead-kettle corn. "We make it fresh here constantly because people keep buying it," said his wife Cathi Karn. As Mel worked the kettle at the back of their tent on Main Street, Cathi sold bags of the sweet variation on popcorn to passersby at the annual festival, which was held Saturday and Sunday at Sylvan Beach. The Karns have been making and selling kettle corn at festivals for four years, and this was their third time at Sylvan Beach's Canal Fest. "It's a good festival for us," Mel Karn said. While many people left with bags of the Karns' kettle corn, people went to the festival for other reasons. It was once again held in conjunction with Blues 'N Boati Gras, a float parade on the Erie Canal that resembles the annual Mardi Gras parade in New Orleans. Dozens of craft vendors filled the parks along Main Street and there was a classic car show as well. Marty and Susan Kupelian, the owners of Peppercorn Hollow, a craft business that specializes in gourmet dip mixes, said the variety of activities drew a good mix of people to their stand this weekend. "We've seen a lot of people that we've seen at other shows and we've seen a lot of people that we're introducing our stuff to," Marty Kupelian said. He said it was their first time at the festival, but it was successful. "It's going pretty well," he said. "It exceeded our expectations." The Karns said they do mostly small festivals throughout the summer. Their kettle corn is always a hot item at the Canal Fest though. "I think it's the attraction of the beach," Mel Karn said of the corn's popularity. "It's a hot day and people like to get out." Cathi Karn said she thinks the crafters are a big part of the annual festival's popularity. Crafts and corn are not the only thing people went to see though. While there was plenty of activity on the water Saturday with the Boati Gras, there were still a few boats on the canal on Sunday as well. Among them was the Urger, a tug boat built in 1901 as a commercial fishing boat on Lake Michigan. Chuck Podgers, the Urger's captain, said the boat was purchased in 1922 by New York state to work in the canal system. While it is still in use, these days it serves a different purpose. "Our primary mission is an educational tour," Podgers said. He said the New York State Canal Corporation uses the boat to teach fourth grade students throughout the state about the history of the canal. Podgers and a crew sail the Urger for six months out of the year, teaching kids about the old days of commercial travel in the state. Podgers said last year they visited just about 5,000 kids. "In the summer we take it to occasions like this, let the public aboard and let them get an idea of what a working tug boat looks like," he said. While they have been to much larger festivals, he said the Canal Fest was one of the best they have visited this summer. "We've had more people on board this boat for this festival than any I can remember," he said. "It's been everyone from two year olds to 80 year olds, so it's been a good deal of fun."


If you want to improve the look and feel of your Los Molinos-area home with an upgrade in flooring, look no further than Carpet One. Los Molinos-area Carpet One locations are the best in California when it comes to providing you with the top selections of flooring materials, professional installation, and flooring protection in the industry. We carry everything from natural hardwood to lavish carpet choices and everything in between.
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Scaffolding can be used for a variety of reasons from a refurbishment project to commercial development. Perhaps you are extending out your current home or work in civil engineering. Whatever the reason may be you want to ensure your workers have a safe area for them to complete the job. Scaffolding is made up of wood and metal to provide your employees with a sturdy platform for them to sit, walk, or stand on when working on a project. Unlike ladders, a scaffold will provide plenty of room for more than one worker to be on. You will not have to worry about odd angles as the scaffold is built to fit any size or shape. When it comes to this equipment you want to hire a professional that has the knowledge required to provide a secure work area. You can start out by searching for specialists in scaffolding in the Edinburgh area. Visit here to know more.
To help reduce how many fall from high areas while working on a job site there are strict regulations in the United Kingdom. They were formed to help ensure the safety of workers and to make sure that companies that provide this type of service are qualified. A reputable company will have to have insurance to cover any employees in case of an injury caused while on the job. They are also required to hold a public liability insurance for anyone injured due to the scaffolding or property damage in case there should be an accident. They must follow the NASC code of conduct when it comes to accessing a scaffolding. In order for a company meet these regulations they will have to pass difficult tests in order to become a member.
There is a variety of designs when it comes to assembling scaffolding. When you hire a reputable company they will provide you with drawings and calculations that are required to find the right design for your project. You want to hire a company that has years of experience in this industry, they will provide you with a cost effective solution to securing the area around your project. When you work with a business that has years of experience behind them, you will feel confident when it comes to the safety of your workers and the public during the project.
Are you searching for a specialist in scaffolding in the Edinburgh area, Check It Scaffold Services is a respected company that can provide you with the services you require when working on a job site.


Ann McMullan is the founder and lead consultant of her firm, Ann McMullan Education Consultant, based in Los Angeles, CA. Ann serves education leaders, teachers, non-profits and firms doing business with schools and school districts to assist with leadership and strategic planning targeted to making learning relevant for all students.
Ann facilitates leadership workshops, both face to face and via webinars. She also writes for journals and newsletters, including edCircuit.com, eSchoolNews, EdNET Insight, Scholastic eduPulse, and CoSN. Ann's public speaking engagements include international, national and state conference workshops, keynote and breakout sessions, as well as panel presentations on leading the transformation of learning and teaching to meet the needs of today's students, teachers and administrators. Ann is a Senior Fellow with the Center for Digital Education.
A 34-year veteran educator, Ann spent 18 years as an innovative social studies teacher, followed by 16 years as a school district administrator. In that role, she led the visioning, planning and effective implementation of strategies and tools for digital learning in Klein ISD, a school district with 50,000 students and 6,000 employees located outside Houston, Texas. Klein ISD has earned a national reputation as a leader in maximizing technology tools to improve learning for all students. Ann concluded her work in Klein ISD as the Executive Director for Educational Technology prior to her family's move to Los Angeles in 2013. During her time in Texas Ann also served as the co-chair of the Texas Educational Technology Advisory Committee which developed and produced the Texas Long Range Plan for Technology, 2006-2020.
Because Ann felt that the work she had been doing in leading change in education systems to meet the needs of today's students was still urgent and relevant, soon after her move to Los Angeles, she started her own independent education consulting firm in the fall of 2013. Today Ann works nationally and internationally as a speaker, writer and consultant, focused on leadership, visioning and planning. In September 2016 Ann co-authored and published Life Lessons in Leadership: The Way of the Wallaby, which is available on Amazon.com, Barnes&Noble.com and Follett Titlewave.com.
Ann currently serves as a member of the local board of Power My Learning Los Angeles. Power My Learning is a national education nonprofit that helps students in low-income communities – together with their teachers and families – harness the power of digital learning to improve educational outcomes. Ann also serves on the Project Tomorrow Advisory Council and the Girls Thinking Global Advisory Board.
Life Lessons in Leadership: The Way of the Wallaby is a self-help, educational, entertaining book that teaches essential, personal, leadership skills. Regardless of one's specific leadership role, there are basic principles which strengthen all leaders' abilities and can help to assure their success. This book defines those skills by making them clear and easily understood, through a clever combination of literary text targeted to adult leaders, combined with captivating childlike stories. Life Lessons in Leadership: The Way of the Wallaby models a literary style similar to Spenser Johnson's Who Moved My Cheese? by illustrating real world lessons through the stories of engaging fictional characters. Additionally, the perennial favorite gift for graduates, Dr. Seuss' Oh, the Places You'll Go! is another example of the style of this book…appealing to young and older audiences alike. Leaders, ages 8 to 88, will learn lessons in leadership in ways that are not only meaningful and memorable but also engaging, entertaining and enchanting.


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Spark Streaming Contest: Real-time Anomaly Detection Apps
Spark Streaming Cont...
At Impetus, we take data analytics innovation seriously. Very seriously. And one of the ways we continue to improve our big data software products and services, as well as retain our industry leadership standard, is through community programs that empower users to explore innovative uses for analytics technologies with our real-time streaming software, Gathr.
One of our big data programs was the inaugural Spark Streaming Innovation Contest, an international data hackathon that drew roughly 600 participants from around the world with a grand prize of $10,000 for the best submission. Held from February through April, we opened the contest to the general community, calling on business analysts and engineers to solve real-world anomaly detection problems.
Because hackathon participants vary in skill level and experience, we outfitted them with two tools. Apache Spark and Gathr. We wanted them to be able to access their data quickly while eliminating the need to build complicated models to gain insights.
Apache(R) Spark ™ is the most popular stream processing engine due to its open source framework, powerful programming model, and advanced analytics capabilities. However, Spark typically requires a lot of setup, coding and modeling; therefore, we equipped users with Gathr, a development platform that enables users to create real-time stream processing and machine learning applications.
Gathr makes anomaly detection on Apache Spark extremely easy, allowing developers to leverage their data quickly and spend their time gaining insights instead of programming. With these tools in hand, hackathon participants could build anomaly detection applications quickly, even without prior experience of using Gathr.
A panel of experts, including the Gathr product team, architects and engineers, as well as Alex Woodie, managing editor of Datanami and Mike Matchett, senior analyst and consultant at Taneja Group, evaluated and scored each submission.
Perhaps one of the most shocking discoveries we made is that this year's winners weren't even veteran data scientists. "I wouldn't call myself a data science expert," said Venu Kanaparthy of Redlands, California. Kanaparthy won the grand prize of $10,000 with his machine learning application for anomaly detection using Spark. Despite his limited experience, he says that he "was able to build a fully functional anomaly detection application on Spark working part-time evenings over about 4 weeks."
A total of $18,000 was awarded in prize money, including two runners up. The First runner-up (awarded $5,000) was Anindya Saha from Foster City, California. The second runner-up (awarded $3,000) was Kalyan Janaki from Denver, Colorado. We congratulate our winners and are already looking forward to next year's competition.
Powerful User Experiences
Having a powerful tool at your fingertips is one thing, but having a tool that is easy and exciting to use leads to better big data analysis. And we know how important UX is. So, when the hackathon ended, we surveyed the participants about their experiences.
One of the biggest complaints we've come across from data analysts and data engineers in the field is that there are many tools in their toolkit, but they lack good user experiences. Good UX is innovation and is at the core of everything we do, so we listened carefully.
We were delighted to hear that they found the platform "very intuitive." In fact, most commented on how easy it is to use, saying that ""even a business analyst who has some familiarity with Spark can easily create and run Spark-based machine learning pipelines." The main advantage of the platform, said one user, is the ability to "develop and deploy pipelines with no or less coding." Overall, contestants agreed that Gathr is as valuable for business analysts as it is for data scientists and developers.
We are inspired. And we will create more programs like these. What about you? Ready to build a real-time streaming application?
Unified data integration platform
Drag-and-drop machine learning
Self-service, zero-code
DataOps, MLOps and DevOps
Gathr is an end-to-end, unified data platform that handles ingestion, integration/ETL (extract, transform, load), streaming analytics, and machine learning. It offers strengths in usability, data connectors, tools, and extensibilty.
Gathr helped us build "in-the-moment" actionable insights from massive volumes of complex operational data to effectively solve multiple use cases and improve the customer experience.
"In-the moment" actionable analytics
Fireside Chat with United Airlines and Forrester: Flying higher and farther with data
Identify up sell/ cross-sell opportunities
Fireside Chat with Truist and Forrester: Analytics Modernization for better customer engagement and loyalty
Gathr is in the Top 14 club, says Forrester
In the latest report, Forrester rated Gathr highest across
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Q&A with Forrester
Building a modern data stack: What playbooks don't tell you
4 common data integration pitfalls to avoid
Why modernizing ETL is imperative for massive scale, real-time data processing
Don't just migrate. Modernize your legacy ETL.


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Die Städtischen Museen Junge Kunst und Viadrina vereinten von 2001 an bis zum Jahr 2017 das Museum Junge Kunst und das Stadt- und Regionalmuseum Viadrina in Frankfurt (Oder). Das Museum Junge Kunst wurde mit dem Gesetz über die Brandenburgische Kulturstiftung Cottbus-Frankfurt (Oder) (Brandenburgisches Kulturstiftungsgesetz – KultStG) vom 30. Juni 2017 mit dem Kunstmuseum Dieselkraftwerk Cottbus zum Brandenburgischen Landesmuseum für moderne Kunst (BLmK) zusammengeführt. Das Städtische Museum Viadrina verblieb als Teilbetrieb des Eigenbetriebes Kulturbetriebe Frankfurt (Oder) in kommunaler Trägerschaft.

Museum Junge Kunst

Ausstellungsort Festsaal des Rathauses
In den Sammlungen des Museums Junge Kunst befinden sich über 11.000 Werke der Malerei, Handzeichnungen, Aquarelle, Druckgrafiken, Objekte, Installationen und Skulpturen mit dem Hauptschwerpunkt von Kunst aus dem Osten Deutschlands, das heißt aus der Sowjetischen Besatzungszone (1945–1949), der Deutschen Demokratischen Republik (1949–1990) und der Bundesrepublik Deutschland – Neue Bundesländer.

In der ständigen Ausstellung werden etwa 100 Arbeiten von 37 Künstlern aus vier Generationen vorgestellt; der älteste ist Friedrich Press, Jahrgang 1904. Bis auf wenige Ausnahmen (unter anderen Hermann Glöckner und Friedrich Press) haben alle ihr Kunststudium nach 1945 absolviert, wenn sie nicht als Autodidakten zur Kunst fanden, wie zum Beispiel Carlfriedrich Claus, Monika Maria Nowak oder Carsten Nicolai.

Weitere Künstler in der Sammlung sind Hartwig Ebersbach, Walter Libuda, Willy Wolff, Bernhard Heisig, Werner Tübke, Eberhard Göschel, Moritz Götze, Gerhard Altenbourg, Michael Morgner, Robert Rehfeldt, Georg Herold, Via Lewandowsky, Rainer Görß, Fritz Cremer, Gustav Seitz, Rolf Biebl, Jürgen Schön, Wieland Förster, Werner Stötzer, Sabine Grzimek. Eine besondere Sammlungskonzeption ist der Erwerb von Arbeiten von Künstlern, die die DDR verließen oder verlassen mussten, wie A.R. Penck, Lutz Dammbeck, Hendrik Grimmling, Roger Loewig, Gil Schlesinger.

Ausstellungsort Packhof

Im Obergeschoss des an das Junkerhaus angrenzenden Speichers das Packhofs finden seit 2003 wechselnde Ausstellungen junger Künstler statt. Unter anderem stellten aus: Richard K. H. Burkart (* 1950), Daniel Klawitter (* 1962), Eva-Maria Wilde (* 1972), Friedemann Grieshaber (* 1968), Patricia Waller (* 1962), Peter K. Koch (* 1972) und Kristina Schuldt (* 1982).

Geschichte

Am 15. Juni 1965 wurde in der unteren Etage der Villa Trowitzsch das Kabinett der Galerie Junge Kunst eröffnet. Dort standen Räume der gründerzeitlichen Sommervilla eines der reichsten Bürger Frankfurts für Ausstellungen zur Verfügung. Des Weiteren gab es Arbeits- und Werkstatträume sowie ein Depot in einem rückwärtigen Gebäude. Wenige Monate später kamen am 7. Oktober 1965 in der 800 m² großen gotisch-renaissancistischen Halle des Rathauses eine Dauerausstellung für zeitgenössische Kunst und ein 200 m² großer hochgotischer Festsaal hinzu.

Die Eröffnungsausstellung im Rathaussaal stand anlässlich der 7. Arbeiterfestspiele der DDR unter dem Motto "Kunstpreisträger des FDGB". Nach Abschluss der Eröffnungsausstellung wurde die ständige Ausstellung eingerichtet. Politische Vorgaben für die Sammlung und Ausstellungen waren eine Unterstützung des Machtanspruchs von Partei und Staat, die Bejahung des Sozialismus und eine strikte Abgrenzung von der westeuropäischen Kunst. Dies sollte durch eine Bevorzugung von Gestaltungsmerkmalen, welche von Lebensbejahung durch Harmonie, Körperlichkeit und Klassizität geprägt wurden erreicht werden. Werke, die diesen Vorgaben entsprachen, dominierten die meisten Arbeiten der beiden Präsentationen ebenso wie die Übereignungen und Ankäufe aus den Jahren 1964 und 1965. Brigitte Rieger-Jähner, die nach der Wende in der DDR das Museum leitete schrieb zum Wirken des Gründungsleites Maetzke:

Neben der Ständigen Ausstellung und den Präsentationen von Künstlern der DDR und des Bezirkes Frankfurt (Oder) gab es bis zu zehn Wechselausstellungen im Jahr. Diese informierten über die Arbeit eines Künstlers oder einer Künstlergruppe oder waren themenbezogen. Ebenso wurden Arbeiten von Kindern und Laien vorgestellt. Die Reihe der Ausstellungen mit Werken von Kindern begann mit der Ausstellung "Kinderzeichnungen aus dem Bezirk Frankfurt (Oder)" vom 8. Februar bis 28. Februar 1967. Als Laien wurden Künstler ohne künstlerischen Studienabschluss bezeichnet. Ihre Werke wurden erstmals von Dezember 1966 bis Januar 1967 in Zusammenarbeit mit dem Bezirkskabinett für Kulturarbeit gezeigt. Später wurde ein eigener Sammlungsbereich mit Laienkunst eingerichtet. Ab 1972 gab es zudem jährliche Präsentationen polnischer Kunst; von 1972 bis 1976 aus der Woiwodschaft Zielona Góra und von 1977 bis 1990 aus der Woiwodschaft Gorzów.

Gründungsdirektor Maetzke ging 1984 in den Ruhestand. Mit dem neuen Direktor Kukla kam es zu einem Generationenwechsel. Damit und zusammen mit der sich ändernden politischen und verschlechternden wirtschaftlichen Situation in der DDR kam es zu einer Änderung des Museumskonzepts. Es wurden jetzt auch Werke von ausreisewilligen sowie regimekritischen Künstlern angekauft. Zudem konzentrierte man sich auf Künstler aus den 1930er und 1940er Geburtsjahrgängen.

1994 erfolgte die Umbenennung von "Galerie Junge Kunst" in "Museum Junge Kunst", um die Verwechslung mit kommerziellen Galerien auszuschließen. 2001 wurden das Museum Junge Kunst und das Museum Viadrina zum "Städtischen Museen Junge Kunst und Viadrina" fusioniert. Nach der Schließung des Kabinetts in der Villa Trowitzsch in der Heilbronner Straße 19 wurde am 31. August 2003 der Packhof in der Carl-Philipp-Emanuel-Bach-Straße 11 als neuer Ausstellungsort des Museums Junge Kunst eröffnet.

Leiter Galerie Junge Kunst/Museum Junge Kunst
 1965–1984 Karl-Heinz Maetzke (* 1915; † 2000; Gebrauchsgrafiker)
 1984–1987 Karl-Heinz Kukla (* 1934; † 1987; Kunstwissenschaftler)
 1987–1989 Waltraud Osten (auch: Waltraud Endler; * 1950; Literaturwissenschaftlerin)
 1989–1990 Rudolph Quaiser (* 1939; Historiker)
 1990–2001 Brigitte Rieger-Jähner (* 1949; Kunsthistorikerin)

Seit der am 30. Juni 2017 vollzogenen Zusammenführung des Städtischen Museums Junge Kunst mit dem Kunstmuseum Dieselkraftwerk Cottbus trägt die Einrichtung die Bezeichnung Brandenburgisches Landesmuseum für moderne Kunst (BLmK). Dieses wird von der Kunsthistorikerin Ulrike Kremeier als Direktorin geleitet.

Literatur

Weblinks

 Website des Museums Junge Kunst

Einzelnachweise

Museum in Frankfurt (Oder)
Heimatmuseum in Brandenburg
Kunstmuseum in Brandenburg
Kunst (Frankfurt (Oder))


As area population and the need for additional phone numbers increase, Central Texas is getting 10-digit dialing and an additional area code on Dec. 1, 2012.
The move echoes other communities across the country whose days of seven-digit dialing are a thing of the past.
New area code "737" will be added to the area currently served by "512."
Starting Dec. 1, all local calls within the region will require the applicable area code and seven-digit telephone number for completion.
Eventually all new telephone numbers within the 512 area will be assigned the 737 area code.
Customers can keep the 512 phone numbers they already have.
The three-digit 9-1-1 local emergency number will remain the same.
During an initial grace period, calls mistakenly dialed without the area code will still go through until June 1, 2013, when all 10 digits must be used.


CA auto insurance quates. FREE NO OBLIGATION AUTO INSURANCE QUOTES! The Best Policies Here!
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Come to Think of it: Josh McDaniels "Swears" Denver Broncos Just Trying To Win
Bob Warja@@bobwarjaTwitter LogoSenior Writer INovember 27, 2009
Hey, the Denver Broncos finally ended their run of futility, and all the reports focus on only one thing.
The win snapping Denver's four-game slide? No. Brian Dawkins' inspired play? Nope, that's not it either.
Instead, a swear word uttered by coach Josh McDaniels that was accidentally broadcast by the NFL Network during the game Thursday night took center stage.
It had been 38 days since the Broncos had won a game, yet all the talk is about McDaniels' penchant for the F-word.
Meanwhile, there was a football game played last night, a 26-6 victory over the Giants, who are in the midst of a serious slide of their own.
Elvis Dumervil had two more sacks, raising his NFL-leading total to 14, the second one leading to a fumble. But both teams share one common theme: They have stalled since starting out undefeated.
Denver won its first six games before losing four in a row, and the Giants have lost five of six since starting the season 5-0. So much for the concept of momentum.
But, it was Denver's inability to score in the red zone (hey, this is Kyle Orton and not Jay Cutler QBing the team, right? Just checking) that led to the NFL Network's embarrassing mistake.
Coming out of a commercial break, the NFL Network showed a clip of McDaniels yelling at his players on the sideline, saying, "All we're trying to do is win a [expletive] game!"
The vulgarity was clearly audible to viewers, and announcer Bob Papa immediately apologized on air. But he certainly doesn't need to apologize to me, and I suspect most football fans could care less about swearing.
This is football, after all, a tough game played by tough men, and things get said in the heat of battle. Isn't the game what it's all about anyway?
So McDaniels swore last night? Tough [expletive], I say, come to think of it.


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Home > Economy > Business > Puerto Rico manufacturers, Treasury evaluate effect of steel and aluminum tariffs
Puerto Rico manufacturers, Treasury evaluate effect of steel and aluminum tariffs
By Eva Lloréns Vélez on March 9, 2018
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SAN JUAN – Both the Puerto Rico Treasury Department and Manufacturers Association (PRMA) are evaluating the new tariffs President Trump announced on aluminum and steel imports, but have yet to fully determine whether they could be detrimental.
Trump announced tariffs to the tune of 25% on steel and 10% on aluminum imports. The president exempted imports from Mexico and Canada until the North American Free Trade Agreement (NAFTA) talks have concluded.
Deputy Treasury Secretary Francisco Parés said his agency is talking with the U.S. Treasury Department as part of the analysis being carried out to determine their impact.
U.S. eases way to more tariff exemptions under pressure from allies
For his part, PRMA President Rodrigo Masses argued that because Puerto Rico is a domestic jurisdiction for customs purposes, the island will be impacted due to the increased tariffs, whose cost would be passed on to consumers
"We are evaluating it but it hurts us in everything that is customs," he said.
The beer industry, for instance, could be affected because manufacturers of these products buy large shipments of aluminum cans.
Opponents of the new tariffs have said that although they could help save jobs within the steel and aluminum industry, they could cause job losses in industries that use the materials to make products.
Steel bars for sale are displayed at a shop. (REUTERS/Jo Yong-Hak/File Photo)
aluminumsteeltariffs
Report: Clean Energy Must Not Rely on Dirty Mining
Dominican Republic seeks support for U.S. steel tariff exemption
Trump ratchets up pressure on Canada, Mexico over trade


It now looks certain that Apple is preparing stores for a July 14 launch of something interesting. Staff are readying themselves for an all-nighter on July 13 and this usually leads to something interesting the following day. Since July has been slated for the introduction of Lion, and since the new MacBook Airs are sitting there just waiting for Lion, it's not difficult to look into the crystal ball and imagine what we'll see first-thing Wednesday morning in Apple stores throughout the world. Looks like we'll all be joining the French in celebrating Bastille Day with some revolutionary products. Clearly the stock exchange thinks so, judging by this week's AAPL performance.


These API's under these capbilities has access to sensitive parts of the machine which due programatical errors may corrupt the phone's Software and hardware. So these capabilities are granted only after symbian signed which after testing is done.
1.从上面可以看到"ReadUserData","WriteUserData","NetworkServices","LocalServices","UserEnvironment"这些能力是可以在安装期间由用户授权的,也就是自签名的程序可以使用.申请开发者证不一定需要ACS Publisher ID,只不过你有ACS Publisher ID的话可以为开发者证书申请到更多的能力.
Symbian console applications are handle for testing. Debugging them with the 2nd edition emulator was obvioius. With 3rd edition, there is a trick. Instead of the epoc.exe application, you need to run eshell.exe. This will bring up a command line. Enter the name of the executable at the prompt and away you go.
How does one configure the IDE to run a console applciation? With Carbide, select the "Debug…" memu item on the debug popup on the toolbar. This will bring up a dialog to configure the debug session. Select the "Main" tab. Edit the "Emulator or host application" from epoc.exe to eshell.exe.
Code Warrior is similar. It is in the setttings dialog but it is tucked away under Target->Runtime Settings. Update the "Host Application for Libraries & Code Resources" field.