text:
Five major artworks were commissioned for the Central Library as part of the renovation and addition undertaken between 1986 and 1993. These new projects relate to the Tom Bradley's Wing's architecture in a manner quite different from art created for the Goodhue Building in the 1920s. Although the new artworks connect thematically to their library setting, they are strongly individual statements carrying the stamp of each artist's conceptual and aesthetic concerns. They reflect both a popular acceptance of modernist emphasis on innovation and the changing circumstances under which public art was now commissioned.
Tom Bradley Wing architect Norman Pfeiffer originally anticipated playing the role of art czar for both the new addition and the restored Goodhue Building. Responding to pressure to harmonize his new wing with the original library, Pfeiffer hoped to utilize design motifs from the old building's decoration as the basis of new public art projects. He envisioned a wall size tile mural inspired by the pyramid's tile design and extensive use of stenciling that would evoke the stenciled ceiling decorations by Julian Garnsey that are such a feature of the Goodhue Building. At one point he also suggested portal designs for the new wing that would be similar to relief sculptures Lee Lawrie used to frame exterior doorways.
Hardy Holzman Pfeiffer Associates: Proposal for tile design for walls of the Tom Bradley Wing atrium
Pfeiffer's plans came into conflict with a longstanding policy meant to encourage the creation of innovative contemporary art for public spaces in downtown Los Angeles. From the late 1960s on, what is generally called a "percent for art" initiative had been in place that required a percentage of redevelopment costs be dedicated to public art and cultural projects. By the mid 1980s an ordinance had been passed, city and county agencies were involved and procedures established for initiating projects and choosing artists. In 1988 the city's Cultural Affairs Commission decided that, as a city-owned building the library project was obliged to conform to this system.
A seven person committee was created to oversee the development of projects and choice of artists. In addition to Pfeiffer the committee included representatives of the library, the Cultural Affairs Commission and Community Redevelopment Agency together with curators from the Los Angeles County Museum of Art and the Museum of Contemporary Art plus the director of an alternative art space. For most of the committee, showcasing contemporary art by Los Angeles artists became the top priority, trumping Pfeiffer's desire to use art projects as a way of linking old and new parts of the building. (It should be noted that Pfeiffer was able to use designs of carpet, furniture, paneling, etc. to tie the new wing in with decorative arts from the original library building.)
The committee began by contacting a list of some two hundred artists, most local to Southern California, to see who might be interested in submitting proposals for artwork for the library. At same time they worked to determine type and location of projects--chandeliers and pole lamps for the atrium, surfaces of two new elevators, metalwork grills and a fence for the 5th Street courtyards, etc. Pfeiffer's desire for a tile mural and extensive stenciling survived now as two of several projects.
A final list of eleven proposals was approved for the library. At the conclusion of the committee's work in October of 1989 present budget existed for only five of the projects, but committee members anticipated the needed monies could be raised and the other six projects underway by the building's completion date. These included painted panels and a huge clock to brighten the concrete walls at the east end of the atrium as well as Pfeiffer's planned mural for the south wall. (Funding never happened, but those projects would still make an aesthetic difference if the money could be found.) Conscious of the city's rich heritage of mural painting, the committee also hoped that in the future murals could be planned for the new wing.
Although the planning and selection process sounds bureaucratic, it resulted in a body of excellent art very effectively integrated into the library's design. Prominently placed in public areas of the building, the artworks engage and animate their surroundings and reference the library's function in subtle ways. The chosen projects encompass a variety of media and genres--painting, sculpture, decorative metalwork and conceptual art--yet they form a coherent whole.
Individual projects
Therman Statom Chandeliers
Therman Statom: Chandeliers
Three massive chandeliers created for the atrium were meant to echo Lee Lawrie's Zodiac Chandelier in the Rotunda. Each is 18 feet in diameter and visually they dominate the upper part of Pfeiffer's vast central space. The sculptor, Therman Statom, is one of major figures of the late 20th century Studio Glass Movement. Statom's chandeliers are atypical of his work because, although proposed with glass components, they were executed in lighter, matte-surfaced materials due to the weight issue.
The project's scale and concept are dramatic, even baroque, but that's tempered by a child-like expressiveness that renders the trio of chandeliers rather playful. Statom chose a solemn theme--the natural, technological and metaphysical spheres of existence--and staged it with ensembles of huge fiberglass sculptures arranged on tiered concentric structures. Theme and scale are played off against a faux naive style that features intricate use of vivid color, and a surface treatment resembling papier mache counters the perception of size and weight. (Each chandelier weighs 1750 lbs.)
Therman Statom: Chandelier
The first chandelier references nature with, among other things, a bird, a flower, a ladybug and an egg. In the second, eyeglasses, a quarter note, a ceramic jug and a silhouette-like model of a house symbolize material things and the culture of the everyday. (These objects in particular appeared frequently in Statom's art of this period and call to mind oft-used components of Southern folk art.) The third chandelier features an angel, an hourglass, a heart and ot her symbols of abstraction and spirituality.
The placement of Statom's chandeliers gives them maximum impact. In order to accentuate the height of his Rotunda dome, architect Bertram Goodhue surrounded it with low ceilinged corridors. Connecting the two wings, those same corridors now serve to dramatize the approach to Statom's first chandelier suspended in Pfeiffer's atrium. When initially seen down the corridor connecting the Goodhue Building and Bradley Wing from the Rotunda level, the near chandelier is visible simply as huge colored shapes. As one exits the corridor, a view of the atrium and chandelier opens up in dramatic fashion. Because of the large interior windows that on three levels line the south wall, one can walk along gaining close views of the three massive sculpted shapes. From below the chandeliers present a different aspect, resembling large lighting fixtures.
Ann Preston Illuminations
Ann Preston: lluminations
Sculptor Ann Preston received the commission for pole lamps specified in the project plans. She produced four 13 ft. high sculpted forms whose curvilinear shapes evoke multiple associations, most obviously with both lanterns and the human form. (They also bring to mind Lee Lawrie's design of high table lamps for the History Room.) The artist herself refers to her sculptures as "feminized totems" and points out that they are meant to stand in contrast to the straight edged right angled shapes that compose the atrium's walls.
Ann Preston: Illuminations (close up)
The scale and muscular shape of Preston's sculptures gives them heft in the atrium's vast space. But when approached the fact that they are composed of radiating vanes of brushed aluminum dissolves into an open, airy quality. Lit on the interior by a fixture embedded in the sculptures' base and a small lamp at the top, they are particularly effective in the evening, seeming to become columns of softly reflected light.
Renee Petropoulos Seven Centers
Architect Norman Pfeiffer had hoped to make extensive use of stenciled decoration both in the new atrium and the renovated lower level of the Goodhue Building. He had envisioned what he termed "interpretive recreations of geometric stenciled artwork" (meaning patterns reminiscent of Garnsey's ceilings) painted on the atrium's skylight trusses and on the walls and ceiling of the lower lobby where Reader's Services would now be located.
Renee Petropoulos: Seven Centers
By the time of its execution the project had been reduced to the shallow domed ceiling of the lower lobby. Artist Renee Petropoulos adhered to Pfeiffer's original concept by borrowing motifs from the old library's decorative design, but did not imitate Garnsey's stenciling. Instead she took various elements from the Rotunda including the sunburst on the ceiling, the silhouette of the Zodiac Chandelier and the checkerboard inlaid marble floors and combined them with other decorative elements, including patterned offset circles, into a painting entitled Seven Centers. Her artwork deliberately eschews symmetry. Instead she expanded and compressed optical patterns and twisted straight lines into curves which sets the whole ceiling into motion. As a result, different viewpoints produce very different visual experiences.
In addition to the strongly graphic shapes, Petropoulos embedded areas of decorative calligraphy with names of young (in the 1980s) LA writers like Amy Gerstler, Bob Flanagan and Dennis Cooper. It would take a certain amount of patience to decipher chosen authors because first names are inscribed on the two east quadrants of the ceiling and surnames on the west quadrants.
David Bunn A Place for Everything and Everything in its Place
Conceptual artist David Bunn's piece, A Place for Everything and Everything in its Place, is a take at once playful and serious on the library's function as an ultimate source of systematically arranged information. While the Central Library was closed for rebuilding between 1986 and 1993, LAPL's system completed the shift of its catalog from analog to digital and was planning to discard the old catalog cards.
David Bunn: A Place for Everything and Everything in its Place. Photograph courtesy of crala.org
Bunn managed to acquire that archive of several million cards and used a selection for a project to be installed in the two new elevators serving the Bradley Wing's eight levels.
The elevator cab walls were papered top to bottom with cards whose titles all began with "complete" or "comprehensive" but whose subjects were unrelated. It reminds anyone who has used a card catalog of the often amusing random juxtapositions that could occur when flipping through a title drawer. In addition, a porthole in each cab gives a view of more cards attached to the elevator shafts. Those reflect the collections of each library department on various levels. Bunn compared the elevators moving up and down through departments to a drill taking core samples from geological layers--the chosen cards being the samples.
Bunn went on to use the LAPL catalog cards in a number of projects over the next decade. During the mid 1990s, for example, he experimented with "card-poems". Delving into his card files at randomly designated points, he extracted stacks of titles that read like a kind of ready-made concrete verse. In a later series entitled Subliminal Messages, he searched for cards that had evidence of use and tampering, then scanned his choices and made large-scale prints. Thus the library's card files have achieved a sort of second life, blossoming from pure information into metaphor.
Ries Niemi The Literate Fence and The Children's Courtyard
Ries Niemi: The Literate Fence
Ries Niemi designed and fabricated a 90-foot-long fence along 5th Street that borders a large courtyard adjacent to the Mark Taper Auditorium. Titled The Literate Fence, it functions as both a security device and a visual connector between the old and new library wings and makes thematic connections between the Goodhue Building and the new addition. Niemi's fence is broken down into panels each carrying the name of a category of knowledge, for example biology, languages, philosophy and so on. It echoes similar terms inscribed on the entablature of the Hope Street facade. The artist also utilized multiple variations on zig zag shapes that were so widely employed in the decorative embellishment of the Goodhue Building, right down to the pointed triangles that provide a security element.
Ries Niemi, grillwork for the Children's Courtyard
In its center, each panel carries a quotation in a language widely spoken within local ethnic communities like Korean, Armenian, Arabic, Spanish and Hebrew. Chosen quotes refer to the library's role in promoting reading and transmitting knowledge. Niemi was conscious of writing as both text and pattern and there is great decorative variety. Read the quotations here.
His work continued with gates and grills crafted for the courtyard immediately adjacent to the Mark Taper Auditorium. This space is a replica of the original Children's Courtyard which was located in the demolished East Wing. Sculpture by Lee Lawrie is preserved and installed here together with original tile planters. Niemi's gates bear the sunburst pattern widely used in the old library and grills carry quotations from popular children's books.
Ries Niemi is a metal worker and evidence of hand-craftsmanship is central to the aesthetic appeal of his work. While other sculpture projects for the new wing were fabricated at Peter Carlson and Company in the San Fernando Valley, all of the massive steel components of the Literate Fence and Children's Courtyard were designed and produced by the artist working with one assistant in his small Inglewood studio.
Other sections:
Overview | Early History, Design and Construction of the Goodhue Building | Explanation of Themes and Inscriptions
Sculpture for the Goodhue Building | Painted Decoration in the Goodhue Building
Tom Bradley Wing: History and Design | Public Art Projects


text:
Сомерсет Тауншип () — селище () в США, в окрузі Сомерсет штату Пенсільванія. Населення —  особи (2010).

Демографія

Згідно з переписом 2010 року, у селищі мешкали  особи в  домогосподарствах у складі  родин. Було 3803 помешкання

Расовий склад населення:

До двох чи більше рас належало 0,4 %. Частка іспаномовних становила 3,7 % від усіх жителів.

За віковим діапазоном населення розподілялося таким чином: 14,3 % — особи молодші 18 років, 70,5 % — особи у віці 18—64 років, 15,2 % — особи у віці 65 років та старші. Медіана віку мешканця становила 41,6 року. На 100 осіб жіночої статі у селищі припадало 178,2 чоловіків;  на 100 жінок у віці від 18 років та старших — 193,4 чоловіків також старших 18 років.

Середній дохід на одне домашнє господарство  становив  доларів США (медіана — ), а середній дохід на одну сім'ю —  долари (медіана — ). Медіана доходів становила  доларів для чоловіків та  доларів для жінок. За межею бідності перебувало 9,8 % осіб, у тому числі 11,9 % дітей у віці до 18 років та 9,5 % осіб у віці 65 років та старших.

Цивільне працевлаштоване населення становило  особа. Основні галузі зайнятості: освіта, охорона здоров'я та соціальна допомога — 27,5 %, роздрібна торгівля — 14,0 %, транспорт — 9,0 %, виробництво — 8,6 %.

Примітки

Джерела

Селища Пенсільванії
Населені пункти округу Сомерсет (Пенсільванія)

redpajama_set_name: RedPajamaWikipedia


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IJIRSET publishes articles that emphasizes research, development and application within the fields of engineering, science and technology. All manuscripts are pre-reviewed by the editorial review committee. Contributions must be original, not previously or simultaneously published elsewhere, and are critically reviewed before they are published. Papers, which must be written in English, should have sound grammar and proper terminologies.
IJIRSET is an international peer-reviewed, electronic, online journal published Quarterly. The aim and scope of the journal is to provide an academic medium and an important reference for the advancement and dissemination of research results that support high-level learning, teaching and research in the fields of engineering, science and technology. Original theoretical work and application-based studies, which contributes to a better understanding of engineering, science and technological challenges, are encouraged.


« KitchenSync, I Can Stop Using Tweener Now!
I have recently changed the final student project in my OOP class to a multi-touch app. One of the briefs I gave to students was to do a non-destructive crop on the multi-touch. Two students, Jae-Ho Yoo and Morgan Roddick made a short video of it in action and I thought I would share. Check it out and give them some feedback, I am sure they would appreciate it.
A demo of a multi-touch photo app from Jae-Ho Yoo on Vimeo.
This entry was posted on Friday, September 26th, 2008 at 12:09 pm	and is filed under ActionScript 3, Flash, Multi-touch. You can follow any responses to this entry through the RSS 2.0 feed. Responses are currently closed, but you can trackback from your own site.
great thing i would like to know how you did that :) cropping is innovative.


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I headed out in the rain and dark and found a spot pretty easily, as there were only a few fishing fools like me who decided to get cold and wet and sleep-deprived chasing rainbows early in the morning. That's a stark contrast to last year's fall opener, when anglers lined the banks and boat docks waiting for 6 a.m. to begin fishing. However, by the end of the day as the temperatures rose, the lake was littered with folks trying their best to catch a trout.
The rain eventually subsided, and I had my best trout bite of the day just a few minutes afterward as I felt a big tug on my line. When I went to set the hook, however, the fish had apparently already shaken free and was likely laughing at me in the cool depths below. I was using Berkley Mice Tails, which caught me a nice trout last spring, under a crappie bobber, and the long tail of the PowerBait-scented lure apparently attracted a lot of small panfish, as the bobber did a lot of moving but I never could get a hookup.
The biggest difference this year was that the trout seemed to be out in deeper water, chasing large schools of shad that could be seen near the surface of the water. Last fall, the trout all stayed up shallow, and you could see them running in the clear water right in front of you. This year, the only time I saw a trout was when they leaped out of the water to snag a shad.
Local anglers Thomas Heinen and Parker Still were having a good time fishing from a boat on the other side of the lake, though they were mostly catching bass, which seemed to be enjoying the cool weather and overcast skies. The weather really seemed to be perfect for everything else, just not trout. I moved on to the heated dock and fished outside of it for a while, throwing a white-and-chartreuse Rooster Tail and hoping the sunlight shining through the clouds would attract a fish to its bright colors.
Eventually, I gave up trout fishing and grabbed my ice pole, then headed into the heated dock to try to catch some panfish. And I'm not lying when I say it was the hottest action I've ever seen in that heated dock. Anglers packed the inside of the dock, all dropping minnows down near the bottom and pulling out crappie left and right. I didn't have any minnows, but instead dropped my light line with two VMC Hot Skirt Glow jigs in black and chartreuse and tipped with Crappie Nibbles about 15 feet down near a submerged Christmas tree.
It didn't take long before I had a small white crappie on my rod, the first white crappie I'd caught all year (all of mine had been black crappie up to that point). I kept at it and caught another small one, then finally one of some size at 9 inches. I pulled out two more 9-inchers right after that, then mostly small crappie. They were all white crappie, which made me laugh. Several anglers fishing with minnows were catching fish in the 10- to 13-inch range. In all, I caught and released 11 crappie in about two hours before I headed home. I need to go back with a bigger lure and try my luck again. Of course, that was before this awful cold front rolled in, so I'm not sure how well they'll be biting now that it's cooled off so much. But it never hurts to try.
My buddy John Abbott posted a photo on Facebook of a nice 3-pound rainbow trout he caught on PowerBait this week, so maybe the freezing temperatures are at least helping out with the trout bite.
Congrats to Ryan Harman and Todd Morstorf for winning the final Kansas Crappie Club postseason tournament of the year last Sunday at Clinton Reservoir.
Harman and Morstorf combined for 6.30 pounds of fish during a tough day of fishing to top the field, and a 1.18-pound slab gave them the Big Fish award, as well. Dustin Hobbs and Meagan Springer took second place for 5.84 pounds, followed by Chris Morgan and Michael Roberts with 5.75 pounds for third.
Harman and Morstorf earned KCC Team of the Year honors, as well, and the club raised $350 to purchase fishing licenses for disabled Kansas combat veterans.
Brandon Manis finished the season with the biggest fish of the year, a 2.11-pound slab caught on Perry Reservoir.


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The Pig Hog instrument cables are a necessity for any musician or sound engineer looking for durable, high quality, cables. They have a fantastic lifetime warranty, last a long time already, and handle signal very well! I use these cables to connect my keyboard to my keyboard amp but find additional use for them with many other applications. They work great and are definitely worth getting!
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I recently bought these cables to hook up a synthesizer I got and just loved how they felt! They're super durable and VERY low noise. I'm going to be using them for my studio monitors as well to reduce hum from the cables I currently am using. Great for any application, keys, guitar, and speakers!
Worked great for a long time, even accidentally dragged it around the ground for a few minutes, still didn't break until 3rd year after purchase. Quality was just as good as Live Wire Advantage.


Navigate Articles ⇓ Article Tools ⇓ (somewhat), gliscor, heatran, tentacruel, nidoqueen etc, these pokes can get really annoying to take down, and most of them have great synenergy together, so if you decide to run these sorts of teams or face ones, keep in mind that you have to have great prediction to break the stall, since 1-2 pokes down means that the whole stall gets broken into pokemon go tm how to get According to the Pokemon Database, Makuhita is able to evolve at level 24. Makuhita evolves into Hariyama, another fighting-type Pokémon. Makuhita can be found in mountainous areas and is known as the "Guts Pokemon."
According to the Pokemon Database, Makuhita is able to evolve at level 24. Makuhita evolves into Hariyama, another fighting-type Pokémon. Makuhita can be found in mountainous areas and is known as the "Guts Pokemon."


Sharon has been a fitness junkie for many years and we're excited to have her back at SYB teaching Barre. Sharon's classes are challenging, but she brings her "yoga calm" into the room, inviting you to do your best without over-doing. You'll work, move, sweat, and leave feeling energized! She hopes to see you all in class soon!
Sharon teaches Barre classes .


Problems with PNG images? Use these methods to fix your PNGs - Page 2 — Welcome to the GameSalad forum!
@araPix have you tried with tinypng.com? Are images ran through this still supported?
Yeah, that's how I've always worked, you can have a PSD with all the layers and alpha channels and paths (or whatever you've got going on in your PSD) and simply drag the PSD into GameSalad . . . . no need to save as or otherwise convert.
@The_Gamesalad_Guru Dave this is brilliant. Everyone with a Mac has Preview already, so this is so simple compared to messing around in Terminal.
I woke up this morning to find all of my art doing crazy things, but your method one fixed it all! Thanks a bunch!
method one seems to have worked perfectly thank you very much took away the yellow wash on my images.
What's really odd is that all this effort has been made to point people towards using 24/32 bit images and away from 8 bit images . . . yet a bug exists where all 24 bit images passed from GameSalad to iOS are then converted back to an 8 bit palette !
I would have thought it should be a priority to resolve this issue before forcing people into a 24/32 bit workflow ?
As it stands at the moment - and specifically if you are unaware of the single-transprent-pixel-trick ( STPT™©2011 ) - GameSalad effectively doesn't support 24 bit images on iOS devices, the conversion from 8 bit images to 24 bit images does nothing more than make your file sizes a lot bigger when on disk (although I'd have to admit to not knowing how bit depth impacts on the new image handling system).
This has really been a pain. I have images all created the same way, some are washed out, some are perfectly fine. This spreads across a number of projects, mostly newer projects.
Tinypng.com is an awesome little tool. It's brought the memory needed down by about 50% and they don't even look any different. Happy for that little gem.
Saying that, I'm still getting some strange behaviors though. It seems from the community that anyone on a PC is heading for headache.
Thank you! My png images were pixelating on the edges when my png was a dark color on my Android. I ran the image through tinypng.com, and it fixed the problem.
Tinypng.com helped somewhat but didn't completely alleviate the problem with the edges of my images. I put a 1 px transparent border around my image, and that totally worked.
I don't understand it. You write that PROs accounts can still use the PNG images, but mine aren't working. I use Illustrator and Photoshop, the pngs should work fine, right?
Use "save for web" and check the transparency box. In the new versions of photoshop it's under File>export> save for web (legacy).
Also, make sure you have no backgrounds on when using transparency.
You can just use a normal save command (cmd+s) as well.
Sure, if it's already a png and not a psd, or another file format. I was giving explicit instructions on how one can ensure they are saving with transparency and as a png.
Sure, if it's already a png . . .
I mean if you are creating a new image in Photoshop, you can simply hit Save.
If the image is like you say already a png you can still simply hit Save.
and not a psd, or another file format.
Most other file formats - like .psd - import into GameSalad just fine. I always use PSDs as you can have a layered file that you can work on and edit as you please - and also drag into GameSalad.
I was giving explicit instructions on how one can ensure they are saving with transparency and as a png.
Simply using the normal Save command will do this as well.
Yup, not gonna get into one of these with you @Socks I was trying to help someone out, you're just providing potentially confusing information.
I really don't need a tutorial on how to use Photoshop. You're leaving out so many variables just to make sure you can get some weird point across.
So you're right. Using plain old save is always going to work in every situation, and I shouldn't suggest using save for web. In fact it should have been removed from Photoshop as with every other export capability.
Don't know why they even bothered keeping it as legacy when they switched to the new export engine.
'get into one of these' ?
I added to your comment, I said you can also use Save.
Pointing out you can simply use Save is not a 'weird point'.
So you're right. Using plain old save is always going to work in every situation, and I shouldn't suggest using save for web.
Straw man argument, I've not said any of that.
In fact it should have been removed from Photoshop as with every other export capability.
Hmmmm . . . . like I say you can also simply use Save, any idea that there is anything to 'get into' ('not gonna get into one of these with you') or that pointing out that you can very straightforwardly use Save is an attempt to 'get some weird point across' is mistaken.
Alright then. I don't think it's something you do consciously. But often times in the forums you get into very long winded discussions that don't even need to happen half the time. After all you have 10k posts. I doubt i'm the only one who notices this.
Of course you do provide good information a lot of the time. Nothing against that.
Point is, he had an issue with transparency of PNG's. If he's using an actual .png, exported from adobe suite (which appears to be the case) and it doesn't have transparency.
Opening and doing a "save" isn't going to solve anything.
Why not make your case instead of snidely alluding to 'After all you have 10k posts' ? Why make this so personal, what on earth has "you have 10k posts" and "I doubt i'm the only one who notices this" got to do with saving PNGs ?
What does that even mean, that I should make my posts shorter or post less ?
Again, what does the my post count have to do with anything ?
Honestly I'm not going to even read the rest of your post, I added that you can very simply use Save, you are presumably in a bad mood (?) and so feel the need to pick a fight ? You say you're 'not gonna get into one of these with' yet have decided to make this personal ?
Let's leave it there, reply if you want I won't read it, but others will, so play to them, I'll remove my post so you are left in no doubt that you are right and I am wrong, and that I'm trying to make a weird point, and trying to 'get into' something and giving out 'potentially confusing information' and trying to give you a 'tutorial on how to use Photoshop' and the rest of your nonsense !
Not about playing to anyone. I simply don't care about that at all.
The point remains that if you want to explicitly and 100% make sure that regardless of the document type you are saving as .png with transparency, that's how you do it.
It will even show you that it's saving as 24bit png with 8 bit transparency on that export page.
Hard to get it wrong when you can see exactly what your exporting as.
Is it the only way? No.
But when someone has an issue like this, and they export from the program itself and do not achieve transparency, then I would say they should absolutely use this method as the next step.
But each time I replied you continued to break down my posts as to why it wasn't the way you do it. Do you really believe in this case simply using "save" would resolve the issue?
Or did you just want to start a discussion?
So that's my point, you post a lot in this way. Leading discussion into what were currently doing, getting off topic and adding extra information that's probably not needed.
I know I came off as a little harsh, but believe it or not, so do you.
GameSalad can show transparency. Since this works for the vast majority of people, the problem is much more likely with your image or how you've saved it or the format you've used than it is a problem with GameSalad. Perhaps post a sample image that you can't get to import into GameSalad with transparency and we'll take a look at it.


Complete the form below to request a free Conservatory Blinds Limited brochure. You can choose to have it sent to you in the post, or you can get a digital version sent to your email. After you have submitted your details, we will only phone you once to make sure your brochure has arrived.
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B.G. :: The Heart of Tha Streetz Vol. 2 – I Am What I Am
Andrew Matson April 11, 2006
To put this album in context is easy to do. With "The Heart of Tha Streetz Vol. 2", B.G. hopes to ride the second crest of the Southern rap wave. He was already there the first time around, and now he wants back in the action. Since he's been beefing with Lil' Wayne and Baby, Ca$h Money does not have his back and B.G. has found it difficult to come through with the hits like he used to. Still, he's been grinding on Koch records and keeping his name out there, refusing to go away and still netting a few higher profile guest spots per album (T.I., Paul Wall, etc.). Add his continued perseverance to the fact that B.G. sounds VERY much like Lil' Wayne and the notion presents itself: while the rap world is currently eating out of Weezy's hand, how 'bout a little action for B.Gizzle?
Continuing to make albums has been good for B.G. because they have helped him improve his flow. Lil' Wayne came back for the Carter albums with new fire, newly creative lyrics that catapulted him past Ca$h Money's most debilitating quality: none of the original MC's could rhyme at all. Has B.G., the near dead-ringer for Wayne's style, graduated to the same lyrical plane?
Oh, hell no. Weezy is still a much more captivating rapper, and even if he does pose too much, at least he's capable of writing in character semi-convincingly. B.G., however, has gotten better but doesn't pepper his street-edged rhymes with enough wit to stop himself from being annoying. He's got the lazy, saran-wrapped/rapped syllable stretch working to full effect, but even his sticky New Orleans style can't cover up some pretty uninspired lines. Still, he's not bad. His flow is mostly on point, his voice itself was made for rapping, and he's certainly a cut above Dem Franchize Boyz and all that bullshit.
So, if you're like me and kind of feel bad that B.G. was kicked out of the limelight, you're looking for a foothold for this guy, a way back in the game, a Trojan horse. Just because the public is feeling Weezy doesn't mean they'll feel B.G., and really, the MC's are miles apart in terms of the kinds of chances they are willing to take; Wayne is a much shrewder businessman. But B.G. has an ace up his sleeve, and that ace is guest shot from his old homey Mannie Fresh.
In this day and age where one well-marketed single can a platinum album make (Ne-Yo, case in point), you gotta be hot with that first taste. An artist must introduce or re-introduce him or herself to the rap audience with a song strong enough to sell a whole album. Mannie Fresh plays by those rules because he can, and he does B.G. one hell of a favor with "Move Around." Already on the BET charts right next to Weezy's "Ghetto Music" is another Hot Boy, and it's really nice to know B.G. "never ever forgot/ Mannie Fresh was the reason why I was so hot." This cut will have everybody singing, "I'm from the ghetto, homey/ I was raised on bread and baloney!" It's funny/serious and it's just the energy B.G. needs right now.
So how's the rest of the album? Well, it's alright. B.G. sounds as if, with every release, he's a little more wise for his mistakes. He sounds more like a rational man and less like an arrogant kid than he did in his Ca$h Money days. He offers a little more insight into how a gangsta lives and how a gangsta makes paper, but it's pretty much gangsta all around. About half the beats are bad. A few are horrible. The Paul Wall cut is on point, but doesn't re-invent the wheel. He has a few pop hopefuls that I hope don't pan out because they sound like Murder Inc. one-offs, but there are a few cuts that are dirty, grimy, and completely sold by B.G.'s flow. If he gets a hot beat, especially a dark sounding one, he usually kills it. That happens a few times.
Still, the main reason to care about this disc is "Move Around", a monster of a song that, on this album, is surrounded by half-cocked reminders that B.G. can still rap just fine and he ain't goin' nowhere. The extra swagger in Weezy's step came from his actually believing himself to be an artist. He went to art school, did or did not graduate, and decided that he had a mind, had something to say, and had some talent to do it. He challenged himself to raise the bar. That's what B.G. needs to do.
Despite coining "bling-bling" and storming the nation with Ca$h Money, B.G. knows he can't rest on his laurels and wait for fame to come to him. Continuing to make albums is the right thing to do, but he needs to create as many combinations as possible, because if it weren't for Mannie Fresh, this effort would be a whole lot less hot.
B.G. :: The Heart of Tha Streetz Vol. 2 - I Am What I Am
B.G.Koch Records
Previous ArticleBubba Sparxxx :: The Charm
Next ArticleNelly & the St. Lunatics :: Who's the Boss
Various Artists :: The Source Presents FAT TAPE – Volume One
Jordan Selbo August 8, 2006
Unk :: Second Season
Max Minelli :: The Remedy
Jay Soul May 20, 2008
AZ :: Undeniable
Matt Jost April 15, 2008
Kool G Rap :: The Giancana Story
Steve 'Flash' Juon December 3, 2002
Big Pokey :: Evacuation Notice
Emilee Woods October 28, 2008

redpajama_set_name: RedPajamaCommonCrawl


It's very rare that anything on British TV these days is different. Step forward then as hero of the week James Corden for his contributions to Sport Relief: the sheer oddity of his sketch with David Beckham may never be beaten; and getting Wayne Rooney, Rio Ferdinand et al to do an aerobics routine with him likewise – tip the topper to Rooney too for getting well into the spirit of the thing. It was less shocking that he beat Andy Murray at tennis while blindfold though. But Beckham and Corden in bed; flower arranging; and bathing... Weird, wonderful, decidedly worrying; and several million times more interesting than any other telethon entertainment bits in living memory.


He played from 19922001, for the. 38 In a piece posted by BBC News on May 5, 2017, Simon sings a previously unreleased fourth verse to the song, which she states had..
And when the bundle is finally delivered, the funny side is not always immediately back in view. One young woman had been disconcerted to find herself one of only three girls in..
Some students either go to a four year college or attend a community college or just go straight into the work force. There are three points to support my argument. Parents constantly..
In The Yellow Wallpaper English Literature Essay. Writing and Arguing about Fiction, Poetry, Drama, and the Essay. Moreover, if you do not trust our network security, you can request that all your project files be deleted from our server. There comes Johns sister. This story was written during a time where women suffrage was hardly spoken of and women were treated inferior to men. Charlotte Perkins Gilman very accurately portrays the thought process of the society during the time period in which The Yellow Wallpaper is written.
"The Yellow Wallpaper" (original title: "The Yellow Wall-paper. A Story is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, due to its illustration of the attitudes towards mental and physical health of women in the 19th century. The Yellow Wallpaper is an exaggerated account of Charlotte Perkins Gilmans personal experiences. In 1887, shortly after the birth of her daughter, Gilman began to suffer from serious depression and fatigue.
Available from: p?vref1 work life balance essay conclusion Accessed Reference Copied to Clipboard. To begin with, one can analyze The Yellow Wallpaper by examining the aspect of dialogue through the male perspective. Women were treated as second rate people in society during this time period. If the narrator would have been given the chance to express herself through writing, and not have had to hide it and ultimately stop writing she would not have gone insane. Situated on the east coast of Florida, between Miami and West Palm Beach (just 33 miles in either direction Pompano Beach is centrally located making it easy to take advantage of all the sights, sounds and attractions South Florida has to offer. During the night time the woman would be trapped behind the wallpaper again. "Looking At Mental Illness In The Yellow Wallpaper English Literature Essay." All Answers Ltd.


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Q: get the lines added to a file, and th lines deleted from a file in separate files i have two different txt files. The first one is the source file. The second file file b is the same file, but after some edits. New lines have been added, and some lines from file A have been deleted .  Our task is to get in two new separate files the lines that have been added to file a, and in a new file the lines that have been removed from file a
a.txt
    Common
    Common
    A-ONLY
    Common

b.txt
    Common
    B-ONLY
    Common
    Common

I need as output in a separate new file to show lines removed from a.txt
output:
    A-ONLY

I then need as in a separate new file output to show lines added to a.txt
output:
    B-ONLY

How can i do it with ubuntu linux commands with sed or awk? do i first need to sort the files i compare?

A: Assuming the files can be sorted before comparison:
$ comm -23 <(sort a.txt) <(sort b.txt)
A-ONLY

$ comm -13 <(sort a.txt) <(sort b.txt)
B-ONLY

A: With GNU diff:
$ diff --unchanged-line-format= --new-line-format= a.txt b.txt
A-ONLY

$ diff --unchanged-line-format= --old-line-format= a.txt b.txt
B-ONLY

With standard diff and awk:
$ diff -u a.txt b.txt | awk 'NR>2 && sub(/^[-]/,"")'
A-ONLY

$ diff -u a.txt b.txt | awk 'NR>2 && sub(/^[+]/,"")'
B-ONLY

It is probably possible to implement with awk alone but you would just be trying to re-invent diff.

With standard diff and sed:
$ diff -u a.txt b.txt | sed -n '3,$s/^-//p'
A-ONLY

$ diff -u a.txt b.txt | sed -n '3,$s/^+//p'
B-ONLY

It's probably very difficult to implement with sed alone, if it is even possible.

redpajama_set_name: RedPajamaStackExchange


text:
alpha-En Corporation Updates Corporate Slide Presentation; Issues Letter to Shareholders
TARRYTOWN, N.Y., April 19, 2017 /PRNewswire/ — αlpha-En Corporation (OTC: ALPE), an innovative clean technology company focused on enabling next-generation battery technologies by producing high purity lithium metal and associated products, announced today that it has posted an updated slide presentation on its website primarily intended for investor presentations. Click here to view: https://alpha-encorp.com/company-presentation/
In addition, Jerome Feldman, CEO and Founder wrote the following shareholder update letter which has also been filed with the SEC on form 8-K.
Dear Shareholder:
It seems just a few days since our last shareholder letter, but it has in fact been several years and much has happened. Let's review:
Management: we have put together the nucleus of a talented team. All with credentials, and all excited by the prospect of being at the beginnings of what could be a significant change in the energy world. Steven Fludder, CEO, from GE and Samsung. Nathan Wasserman, CFO, from Deloitte and the business world. Jim Kilman, newly elected to the Board of Directors, recent retiree from Morgan Stanley (Vice – Chairman) at the ripe old age of 55 years. In addition, our management team is supported by a small team of talented researchers and managers. To further develop our technology we have entered into research agreements with academic institutions, including Argonne National Laboratory, the City University of New York, and Princeton University.


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Deniz Arat
Composer was born in Tekirdag, Turkey, 1978. She started her musical education in 1996 at the İzmir Anatolian High School of Fine Arts. She was accepted at the Bilkent University, Faculty of Music and Performing Arts, Department of Theory-Composition with a scholarship. Throughout her university education, she gave ear training and theory lessons at Bilkent University Early Music Training Program. In 2002 she attained a certificate program based on seminars involving "implemented musical formation" under the supervision of Prof. Odette Gartenlaub. After her graduation she was accepted to Istanbul Technical University, Centre for Advanced Studies in Music (MIAM) for a master degree in composition. In 2006 she completed her studies and started giving lectures at Yıldız Technical University, Faculty of Art and Design, Department of Music and Performing Arts. She writes music with acoustic and electro-acoustic materials. Currently she is working on her Ph.D. in composition at Mimar Sinan Fine Arts University State The conservatory Istanbul-Turkey.
Edith Alonso
Was born in Madrid in 1974. Composer and sound artist, studied Electroacoustic and instrumental composition in Paris. PhD in arts, sciences and technologies at University Saint-Denis-Vincennes (Paris) and University Complutense (Madrid). She won the SACEM price at the end of her electroacoustic composition studies, and received grants of the French Ministry of Research and the Spanish Ministry of Foreign affaires. She has been commissioned by RNE (Spanish National Radio) and CDMC (Center for contemporary music, Spain) and she has also represented Spain in the TIME (International Tribune of electroacoustic music of UNESCO).
http://www.campo-de-interferencias.org/
Edith Alonso Sánchez
(born 1974 in Madrid, Spain) composer and sound artist. She studied Electroacoustic and instrumental composition in Paris. She has obtained a PhD in arts, sciences and technologies at the University Saint-Denis-Vincennes (Paris) and the Complutense University (Madrid). She has been commissioned by RNE (Spanish National Radio) and CDMC (Center for contemporary music, Spain) and she has also represented Spain in the TIME (International Tribune of electroacoustic music of UNESCO). Her compositions have been performed at numerous international festivals, including the International Computer Music Conferences of Belfast and Montreal, the XXIV Festival de Alicante de Música Contemporánea, SIMC (París), Synthèse (Bourges) and others in Portugal, Spain, Columbia, Argentina, Germany, Sweden, South Korea, Cuba, Costa Rica and Mexico. She has also collaborated with other media, including film and dance, as well as sound installations.
Selected works: A cerca de tus palabras, 2006, electr; Atardecer en un patio: Obra de arte radiofónico, 2008, electr; Cántico; Capsu Tri, 2007, voice- fl, pf, vc; La ciudad al fondo, 2006, coro v.m.; La Dernière partie, 2007, electr; El deseo de lo inalcanzable, 2006, vc- electr; La disparition, 2007, 2 fl; Equilibre fragile, 2006, vl, vc, pf.
Recordings: Una estancia breve. CD colective
Awards: She won the SACEM price at the end of her electroacoustic composition studies, and received grants of the French Ministry of Research and the Spanish Ministry of Foreign affaires. As a composer she received several distinctions and prizes: winner of Madrid Abierto competition 2008, honorable mention in Pauline Oliveros Prize 2010, nominated in the Prix Europe competition 2009, and honorable mention in the "Hablar en Arte" competition 2009.


The Summer School on EU Competition Law is designed for lawyers, economists, public affairs consultants and civil servants who wish to acquire and consolidate an in-depth knowledge of EU competition law. It will provide the participants with a general overview of competition law as it is currently applied provided by experienced practitioners. Each day will be dedicated to a specific area of EU competition law. It will start with an overview of the subject and its latest developments. The afternoon sessions will build upon the morning classes and address more specific issues. An evening keynote speech will close the day.
Jacques Derenne will speak on the "State Aid Control" panel, which will include a general introduction, origins, sources, notion of aid (general), administrative procedure and role of national courts.


There is a twist this week with Color Dare challenge #180 from Color My Heart Color Dare. They joined this challenge with the H2H Challenge. The Color Dare challenge is to combine Close to My Heart colors; Black, White Daisy and any 1, 2 or 3 of the following reds: Pomegranate, Ruby and Cranberry. The Heart 2 Heart themed challenge is "Share the Love" which you can interpret to mean something with hearts and love messages or something with the February Constant Campaign "Share the Love" stamp set or something else that reminds you of a "Share the Love" theme.
I decided to make this Thank You card with the saying…Thank You from the bottom of my heart. And of course add some hearts. I originally made my card with the La Vie En Rose floral B&T paper for the background and Pomegranate hearts. Then I realized it probably was outside the parameters of the challenge with the pinks so I made another card using some Cranberry B&T from retired Heartstrings paper and used some cranberry CS for the hearts.
Here is a photo the first card.
So many great details working together on your card! The hearts, bow, embossing, shimmer trim…. love it all! Thanks for joining us at Color My Heart!
Awww…absolutely perfect! Thank you for playing with us at Heart 2 Heart!
Beautiful cards. love how those colours work together and make you smile.
OMG what a darling card! I love both the Heartstrings papers and the La Vie en Rose papers but the Heartstrings papers are really the WOW!
Good choice of using both Design Paper Paks…love that you used an assortment of decorative hearts, and adding of the other embellishments to your card. Very pretty. Thanks for joining us at ColorMyHeart Color Dare, and hope to see you again next week, and good luck with both challenges.
Both versions of your card are beautiful! Thanks for joining us at Color My Heart Color Dare!
Beautiful card! Love the textures on this card and those hearts are fabulous. Thank you for inspiring us at Color My Heart Challenge Blog.
Such a pretty card, I love it! Thanks for playing along with Heart 2 Heart Challenges (H2H)!
Congratulations Patty, you were one of the winners for this challenge, and I am sending out by snail mail tomorrow morning with your Embellishment Grab Bag. Enjoy!


If God was so loving why were people who committed suicide immediately damned to hell.
Mephistophilis is one of the angels who conspired with Lucifer and was damned to hell.
Faustus is ultimately damned and falls to hell.
Those who receive the mark, according to Scripture, are damned to eternal punishment.
Though I am not a Christian, because of my experience I can honestly say I know what it feels like to be eternally damned.
This isn't to say the project was damned, but rather the fact that it's more difficult to create a compelling work when it's based on music with no clear emotional ambit.
Where the substance is glorified in this disc, the style, unfortunately, is damned.
It was not the country that was damned but the settler who felt in his heart that he was damned.
damn it to hell! — ¡por todos los demonios!
damn and blast! — ¡diantre!
she's taken my key, damn her! — ¡la imbécil esa se llevó mi llave!
It was now or never… Just like the Elvis song.… silently, he damned his mother's Elvis collection.
For one short moment I damned them, damned their eyes, and wished their farm machine a rapid and terminally rusty death.
Weep, said the illustrious poet, for they are damned until mankind has lived for three several generations, perfectly in harmony, peace and love, without discord.
Then Rome damned Carthage and condemned it to death.
He damned himself for being in love with a woman who had no love for him in return, only ambition to rule a poverty-stricken country with a dictator as a husband.
As I sat there, damning and condemning myself, the same two words floated through my mind over and over again.
And, as a parable, we should all be careful what we damn in public.
He felt the pain in the shoulder, where the arrow had hit him, and he damned his ship, his fate, the entire curse of his life.
She damned herself, she had forgotten her father was going to be home all day today.
I damned myself for become so wrapped up in the conversation.
Winded for a moment, he pulled himself up, damned himself for an old fool, and tried to get back to his feet.
'I was so disgusted that I deleted the damn e-mail before I read it,' the Republican said.
The whole damn school system is inappropriate!
What the living hell am I doing in this damn silly job?
Even if it's thrown into the sea, the silly hare-brained hound brings the damn thing back.
So whether another frustrated art lover finally snapped and tore down the damn cover themselves, I don't know.
I just wished that Damon would open the damn door and end her anger.
It's silly, really, how attached I was to the damn thing, but most little kids do love animals to death, so I suppose it was only natural.
Sometimes letting the anger out, and not bottling it up inside feels damn good.
You better be damn careful about using that word.
Personally, I still think our best hope is that the producers can afford some computer effects and some damn good lighting.
This entire damn neighborhood is uphill, I thought.
I spent another fifteen minutes looking for the damn socket slowly becoming more and more frustrated.
No disrespect to anyone, but £210 a week for only working 17.5 hours is pretty damn good - it works out at about £12 an hour!
The US has the best damn government money can buy.
There's enough bad publicity about this damn silly event without you adding to it.
Trent looked at me curiously as I had to control my anger and keep myself from breaking the damn phone.
Why is it that every time the phone rings my dogs start making a damn racket so I can't hear what the heck is being said?
Then, what happened next shocked, angered, and confused him, which is a whole damn lot for a simple guy to be feeling all at once.
All but two of the candidates have reasons to be damn frustrated.
you know damn well what I mean! — ¡sabes de sobra lo que quiero decir!


Yesterday I was perusing some of my favorite blogs, and was excited to discover a new monthly series that's starting over at papernstitch called Print This. It features a free printable (which we all know I lurv), and for the first post the designer (from Create Like Crazy) made these Southwestern-esque gift tags and note cards and labels that can be used during the day of thanks, but any other time you want to let someone know they're awesome!
So be sure and bookmark this new series...can't wait to see what else they come up with!
Thanks for the shout out Beth. You're the best.


text:
Shots fired leads to crash involving students leaving basketball game in McKeesport
Victims include 16-year-old girl and 15-year-old girl
KYLIE? KYLIE: THE PRINCIPLE SAYS THAT TWO OF THE TEENAGERS INVOLVED IN THIS CRASH FROM LAST NIGHT OUR STUDENTS FROM WOODLAND HILLS HIGH SCHOOL. IN THIS NEIGHBORHOOD, THERE ARE PLENTY OF HOMES WITH SURVEILLANCE CAMERAS, BUT ONLY A FEW PEOPLE GOT TO SEE WHAT HAPPENED LAST NIGHT. >> ALL I SAW IS A WHITE CAR FLYING DOWN THE STREET. KYLIE: ALLEGHENY COUNTY POLICE SAY A CAR THEY BELIEVE IS A SILVER F150 WAS FOLLOWING THAT WHITE DODGE CHARGER FROM A BASKETBALL GAME AT MCKEESPORT HIGH SCHOOL. MICHAEL ROBINSON SAYS HE DOESN'T HAVE THE FOOTAGE NOW. BUT THAT HIS SURVEILLANCE CAMS CAUGHT THE CHARGER SPEEDING AWAY FROM GUNFIRE. >> THEY WERE FIRING IT SOUNDED LIKE AN AUTOMATIC WEAPON. KYLIE: COUNTY INVESTIGATORS SAY THE DRIVER OF THE DODGE HIT A UTILITY POLE CAUSING THE CAR TO ROLL OVER IN THIS HOMES FRONT LAWN INJURING THREE PEOPLE INCLUDING TWO TEENAGERS. BOTH WERE STUDENTS AT WOODLAND HILLS HIGH SCHOOL. FOR SOME HOMES, TO LOSE POWER. LARRY NELSON SAYS HIS SURVEILLANCE CAMERAS SHOW THE SECONDS BEFORE THE DODGE PASSE IT CUTS OFF THEN SHOWS FIRST RESPONDERS AT THE SCENE. >> THERE'S DEFINITELY A GAP. KYLIE: TODAY YOU SEE CARS WITH BULLET HOLES AND BLOWN OUT WINDOWS ON WASHINGTON STREET. AND A TOW TRUCK TRANSPORTING CARS DAMAGED BY GUNFIRE TO THE BODY SHOP. NELSON AND ROBINSON CALLS LAST NIGHT'S SCENE OUT OF THE ORDINARY FOR THEIR NEIGHBORHOOD. >> THIS EDGE OF MCKEESPORT IS STILL TAME. KYLIE: COUNTY INVESTIGATORS ARE LOOKING FOR A SILVER FORD F-150 WITH PENNSYLVANIA PLATES KKA 1469. LIVE IN MCKEESPORT, KYLIE WA
UPDATE: Allegheny County police said the suspect vehicle is described as a silver 2011 Ford F-150 Platinum with a moonroof and a tonneau cover. The license plate is KKA-1469.PREVIOUS INFORMATION BELOW:Police said shots being fired led to a crash in McKeesport that ended with two people injured, including a 16-year-old girl who was in critical condition.The passengers in the car were Woodland Hills students, Woodland Hills High School Principal Dr. Phillip K. Woods confirmed. The incident happened a little after 8:45 p.m. Tuesday on the 900 block of Washington Street.Allegheny County police said the victims had just left a basketball game at McKeesport Area High School in a white car when another vehicle began following them onto Washington Street.Police said people in the second vehicle began firing shots at the car. As the driver of the car tried to get away, he crashed into a utility pole, causing the car to roll over, police said.A 16-year-old girl, a 15-year-old girl and a 26-year-old man in the car were taken to the hospital. The 16-year-old was listed in critical condition. The 40-year-old driver was not hurt.Police said all of the injuries were related to the crash and that no one was hit by the gunfire. Police have not identified any suspects or determined a motive for the shooting. Anyone with information is asked to call 1-833-ALL-TIPS (1-833-255-8477). Anonymous calls will be accepted.Read the statement from Woods below: "This morning we were notified that the teenage passengers in last night's car accident were Woodland Hills students. The District has been in contact with the families and will continue to do so as the students recover from their injuries."The Woodland Hills School District values the safety and well-being of all community members. If your child has been upset and/or showing signs of distress related to this incident, they are encouraged to speak with one of our social workers or a trusted adult in the school."
MCKEESPORT, Pa. —
UPDATE: Allegheny County police said the suspect vehicle is described as a silver 2011 Ford F-150 Platinum with a moonroof and a tonneau cover. The license plate is KKA-1469.
PREVIOUS INFORMATION BELOW:
Police said shots being fired led to a crash in McKeesport that ended with two people injured, including a 16-year-old girl who was in critical condition.
The passengers in the car were Woodland Hills students, Woodland Hills High School Principal Dr. Phillip K. Woods confirmed.
The incident happened a little after 8:45 p.m. Tuesday on the 900 block of Washington Street.
Allegheny County police said the victims had just left a basketball game at McKeesport Area High School in a white car when another vehicle began following them onto Washington Street.
Police said people in the second vehicle began firing shots at the car. As the driver of the car tried to get away, he crashed into a utility pole, causing the car to roll over, police said.
A 16-year-old girl, a 15-year-old girl and a 26-year-old man in the car were taken to the hospital. The 16-year-old was listed in critical condition. The 40-year-old driver was not hurt.
Police said all of the injuries were related to the crash and that no one was hit by the gunfire.
Police have not identified any suspects or determined a motive for the shooting. Anyone with information is asked to call 1-833-ALL-TIPS (1-833-255-8477). Anonymous calls will be accepted.
Read the statement from Woods below:
"This morning we were notified that the teenage passengers in last night's car accident were Woodland Hills students. The District has been in contact with the families and will continue to do so as the students recover from their injuries.
"The Woodland Hills School District values the safety and well-being of all community members. If your child has been upset and/or showing signs of distress related to this incident, they are encouraged to speak with one of our social workers or a trusted adult in the school."


Home - Neel GraphicsNeel Graphics | Designing is what we Do…!
This is the official website of Neel Graphics, A Graphics and web company made by three freelancers located in Ahmedabad, We have the creative talent to appeal to your sense of style, the training and knowledge of current designing standards and practices, and the ability to turn your ideas into reality!
With our team's combined experience in Graphic design, Website development, Flash animation, CD Presentation and 3D Walkthrough you can be confident that whatever your project demands, we can deliver on time and on budget!
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Our clients range from small start-up companies needing a basic designing to medium corporations requiring complex applications. If you feel that we are the right choice for your design project, please request a no cost, no obligation quote today!
Graphic design is a very broad term used for services like Brochure Designing, Logo Designing, Advertisement Designing, Corporate Identity, Branding and Package Designing. Neel Grapgics specializes in these services and gives your company / brand a unique design or identity that is required in the industry.
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text:
Jiří Potáček (* 13. března 1940 Brno) je představitel brněnského knihovnictví. Působil jako pedagog. Zabýval se výpočetní technikou a sociální informatikou. Byl jedním ze zakladatelů Asociace knihoven vysokých škol. Pracoval jako vedoucí Ústavu vědecko-pedagogických informací a služeb Mendelovy univerzity v Brně.

Život
Po maturitě v roce 1957 pracoval v závodu MEZ v Brně a dálkově studoval obor Organizace a řízení na Fakultě strojní Vysokého učení technického v Brně, studium ukončil v roce 1971. Na počátku svého praktického života se věnoval zavádění výpočetní techniky do praxe, zřizování výpočetních středisek, pomáhal budovat automatizované informační a řídící systémy. Působil jako vedoucí provozu výpočetního střediska v PVT Brno, později pracoval ve výpočetním středisku v ČKD Blansko. Při zaměstnání ve výpočetním středisku v Nábytkářském průmyslu v Brně ukončil v roce 1988 vědeckou aspiranturu na Vysoké škole ekonomické v Praze na téma Umělá inteligence jako metoda automatizovaného řízení. Od roku 1990 působil na Mendelově univerzitě v Brně, v roce 2017 odešel do důchodu.

Dílo
Učil na Vysoké škole zemědělské, nyní Mendelově univerzitě v Brně, na dřívějším Ústavu inženýrské pedagogiky, nyní na Institutu celoživotního vzdělávání, vedl lekce pro doktorandy v předmětech, které se týkaly knihovnické a informační technologie. Učil na Vyšší odborné škole a Střední odborné škole informačních a knihovnických služeb. Od roku 1990 byl vedoucím Ústavu vědecko-pedagogických informací a služeb Mendelovy zemědělské a lesnické univerzity, jehož součástí byla ústřední knihovna, ediční středisko, audiovizuální centrum a informační centrum.

Vystupoval na konferencích Inforum (2003, 2004, 2006), psal pro časopisy Ikaros, Duhu. Je autorem skripta Informační technologie pro řízené samostudium (Brno 2002). Podílel se na založení Asociace knihoven vysokých škol. Byl předsedou Sdružení uživatelů PC.

Ocenění
 Medaile Z. V. Tobolky (2010)

Reference

Externí odkazy
 Časopis Duha
 Slovník českých knihovníků
 Rozhovor

Čeští pedagogové
Čeští knihovníci
Absolventi Vysoké školy ekonomické v Praze
Absolventi Vysokého učení technického v Brně
Narození v roce 1940
Narození 13. března
Narození v Brně
Žijící lidé
Muži


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text:
import React from 'react'
import { Icon } from 'shengnian-ui-react'

const IconExampleRotated = () => (
  <div>
    <Icon rotated='clockwise' name='cloud' />
    <Icon rotated='counterclockwise' name='cloud' />
  </div>
)

export default IconExampleRotated

redpajama_set_name: RedPajamaGithub


The tale of Alice in Wonderland is a well-known and old-fashioned one, yet still popular today. And that is for good reason. Ever since the creation of the popular novel back in 1865 by Charles Lutwidge Dodgson, the story of the girl who travels to a wonderland of all that is nonsensical and abstract, has been used in plays, movies and even slot games.
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text:
Into the Wild Blue Yonder
By Alexander R. Konrad
The days and nights of Senior Week are blending together, a combination of induced haziness and simply a ton of things going on. Every night has been wonderful, hilarious, sloppy, euphoric, or heartbreaking. I would venture that I am not alone in having experienced combinations of the above in different stages of the same evening. It's terrifying that recollections are already blending together for me, as I can only imagine them growing more distant once we leave this place. Yet such blending also reflects the best thing about Harvard: its ability to smooth all the sharp edges of experience as we fight another day.
The events of Senior Week can serve as a recent example. On the Moonlight Cruise, some people had a great time, while others felt trapped unhappily on a three-hour tour—a three-hour tour! Yet after the higher stakes of a class-wide event, many of us just returned to our friends to keep having fun. That night was my favorite in quite a while—not for the events of the Cruise, but for the memories that followed our return to campus. Again, recollection begins to blend with time—I cannot quantify how many similar nights I have had here, having the more memorable experiences after, not during, the big event on campus. That is no slight against some of the more fun gatherings that dot a student's calendar—just the acknowledgment that those events are also all similar after a while. It takes a massive collective memory to reminisce or feel synergy on such a greater scale.
If I am guilty of generalization here, or if others have had widely different experiences, I am not presuming that my recognition is universal. What I will miss the most about Harvard, though, is the clan that has formed around me, one that constantly fluctuates but never goes away. On any night in Quincy House, I will have friends doing something together, from building the biggest beer pong pyramids of modern civilization to squabbling with each other over cell phone use during a movie. Someone will make macaroni and cheese. Someone will come in upset. Someone will sleep through the whole day and provide an excuse for reliving it all again. We have all been busy in our own pursuits, but the pattern never broke over my four years of college.
In this collective camaraderie of college, the cliché posters originally intended for British citizens facing the Blitz in World War II are, while still the type of decoration that we will shortly outgrow, quite right in their message: Keep Calm and Carry On.
In college, there is no such thing as a zero-sum game. We bottom out only to find our friends in the dining hall the next day, ready to offer sympathy and support. We peak, only to come down to earth when we open Gmail and have one hundred emails reminding us we still have three balls in the air. Sometimes those moments have sharper emotions—success and failure in our romantic lives, the moment we read our thesis grades—but Harvard keeps moving, and we all continue to ride along with it.
Harvard is a lot of things, but one thing it is not is limiting. I'm not sure if anything really makes Harvard the best university in the world, or if we would feel any differently at another school. I do know that I would come back and do it all over if I could because there's so much I never had time to do. The greatest temptation our school has offered may be that it makes us, as the wise Bilbo Baggins once described himself, butter spread over too much bread.
Even as the details of Senior Week will end up mixed together, I know that details will stand out, for better or worse. With every memory of strong emotion I've felt during the week, I also know that a second memory will follow with it. In those second memories, I'm with my friends, moving forward and putting the first one behind me. Life is too short to relive one moment for very long. Hopefully I have learned, like my university, always to carry on.
Alexander R. Konrad '11, a former Crimson columnist and associate editorial executive, is a history concentrator in Quincy House. He hopes that a few of you will still read the Crimson event after he is gone.
Parting ShotCommencement 2011


text:
What to Expect When Your Giraffe Is Expecting
By Mindy Weisberger 2017-03-07T13:27:16Z
The baby watch for April the giraffe continues.
(Image: © TWC News)
April the very pregnant giraffe — and recent internet sensation — is preparing for her calf to arrive at Animal Adventure Park (AAP) in Harpursville, New York, and millions of viewers are tuning in to the park's live video feed to follow along.
Giraffes carry their young for 15 months, and April's caregivers initially estimated her birth range to be anywhere from mid-January to mid-February, based on observations of breeding behavior with her mate in mid-October, Jordan Patch, owner of AAP, told Live Science.
However, April might have conceived 17 days later, during what would have been her next fertile period; giraffes can conceive at any time of the year, Patch explained. In any case, the animal-park workers can tell that April is nearing the end of her current pregnancy, based on physical signs that include distended udders, waxy caps forming on her teats and noticeable swelling around her back end, Patch said. [Baby Watch! 'Giraffe Cam' Tracks Expectant Mother]
The 15-year-old April has already delivered three calves, though this will be the first for her mate Oliver, who is only 5 years old. It will also be the first giraffe calf to be born at the AAP.
Giraffes deliver their young while standing upright, and preliminary labor signs are very hard to detect. When April is ready to have her baby, the birth will likely happen very quickly — an adaptation that protects vulnerable giraffe mothers and newborns in the wild, Patch told Live Science.
The baby giraffe's front hooves will be the first part of its body to peek out into the world, followed shortly by its nose and head. Birth typically takes between 30 and 60 minutes, ending with the newborn dropping approximately 6 feet (2 meters) to the ground. The fall ruptures the amniotic sac so that the baby can start breathing on its own, Laurie Holloway, a spokesperson for the Dallas Zoo, told Live Science in 2011, after a Dallas Zoo giraffe named Katie delivered her calf.
About 5 to 20 minutes after being born, the newborn will wobble its way upright and take its first steps to nurse. Giraffe mothers' milk contains about 6 percent protein and 13 to 17 percent fat, which enables the calves to grow quickly, according to a study published in June 2004 in the Journal of Mammalogy.
Baby giraffes usually start eating solid food when they are between 3 and 4 weeks old, though they will continue to nurse for nine months — and sometimes suckle for up to two years. Females can become pregnant again as soon as four months after giving birth and while still lactating, the study authors wrote.
Until the baby giraffe is weaned, it is raised entirely by its mother, and April will wean her calf "naturally," AAP representatives said in a video description on YouTube.
During an afternoon examination on March 5, April was "reportedly on edge," though her appetite was "notably good," her caregivers reported in a Facebook post. Active movement in her belly was visible, and she frequently lifted her tail. And by the next morning, her mood was "much better," AAP representatives wrote on Facebook.
We'll keep you updated as news on April's condition arrives.


1. The general terms and conditions form an inextricable part of the treatment contract(s) between Tandartsenpraktijk TTH (hereinafter: the "care provider"), including the dentists, their employees, and the patient, hereinafter referred to as the contract. They are made available to patients prior to or at the moment contracts are concluded, are available in the waiting room and are sent upon request.
2. The care provider has the right to engage third parties for the performance of the contract. It will act with due care when selecting these third parties and, if such is possible within reason, consult in advance with the patient such with the exception of substitutes. The care provider is not liable for the acts of these third parties. Articles 7:404, 7: 409 and 7: 422 paragraph 1 of the Dutch Civil Code (BW) do not apply.
3. The costs of treatment, including the costs of materials and the dental technician's fee, are charged to and are payable by the patient, less the amount that is refunded by the health insurance provider. The costs of treatment of minors are charged to and are payable by the legal representative(s).
4. Unless indicated otherwise by the care provider, it will calculate the costs of treatment on the basis of the standard price list applied by it, which standard price list is available via the care provider's website, subject to changes to the standard price list. In the event a change to the rates included in the standard price list results in a change to the price of the agreed treatment, the care provider will inform the patient in writing and/or digitally thereof prior to providing the treatment.
5. Appointments must be cancelled at least 24 hours before treatment takes place if such is necessary on the basis of force majeure. In the event the appointment is not cancelled or not cancelled on time, the care provider will have the right to charge the time reserved and/or the agreed treatment if no other patients could be treated or other paid activities could be performed, such subject to a minimum of €30 (in words: thirty euros).
6. Payments must be made by the patient within 30 days after the date of the invoice. Payments made by the patient always serve first to pay the payable interest, damage and costs and then the payable invoices that are outstanding the longest, including in the event the patient states that the payment concerns a later invoice. In case of an advance payment, it will be set off against the final invoice under the contract. Notwithstanding the matters set out above, the care provider will have the right at all times to demand immediate and/or cash payment.
7. Prior to all extensive and/or drastic dental treatment that entails an amount of €100 (in words: one hundred euros) or more in costs, the patient or their legal representative will be provided with a written and/or digital quotation, which includes a description of the performance to be delivered by the care provider in connection with the relevant treatment, the rate to be charged for each performance, as well as the costs of materials and the dental technician's fee. In the event the abovementioned provision is not possible within reason, the care provider will not be obliged to provide the abovementioned prior, written and/or digital quotation, provided the costs of treatment in that case were discussed with the patient and/or their legal representative(s) prior to the activities, unless this was also impossible within reason. The Estimate mentioned above must be signed by the patient as correct.
The patient is obliged to make available all data and documents the care provider considers it needs for the performance of the contract on time and in the desired format and in the desired manner.
The additional costs that arise from the delay in the performance of the contract and additional treatment costs that arise from the fact that the data and documents were not made available, not made available on time or not made available properly, are for the patient's account. The patient guarantees the correctness, completeness and reliability of the data and documents made available to the care provider.
The care provider lay downs in writing at the request of the patient for which procedures (drastic or otherwise) the patient granted consent.
8. Complaints concerning invoices must be submitted to the care provider in writing within eight days after the invoice date, failing which the patient will be deemed to have accepted the invoice as correct. Submission of a complaint concerning an invoice does not suspend the payment term or the payment obligation. The same applies to complaints submitted to the Dentistry Complaints Committee or any other authority.
9. If the patient has not complied with their payment obligations or has failed to do so on time or properly or only in part, the patient will always be in default immediately, without such requiring any further notice of default, and the amounts owed become immediately due and payable. If this is the case, the patient will owe the care provider statutory interest over the period of default, as well as all costs the care provider has to incur in order to collect its claim.
10. The care provider has the right to suspend further treatment in case of payment arrears.
11. Dentistry is a medical profession. The outcome of treatment can never be predicted with absolute certainty despite the utmost care applied by the care provider. Insofar as possible, the care provider will inform the patients of the risks in advance. We apply a guarantee period of five years on crowns and implants, one year for a new prosthesis and one year for composite restorations. This guarantee can only be invoked provided the patient visits the care provider at least once a year for a dental check-up and possible maintenance. The guarantee lapses if third parties make changes to the work. The format of the guarantee will be discussed between the parties during a joint meeting.
12. The care provider's liability is limited to the amount to which the professional liability insurance taken out by the care provider entitles in relevant cases, increased by the amount of the care provider's excess under the insurance. The patient has the right to inspect this policy at the care provider's surgery.
13. The company rules also form part of the treatment contract in addition to these general terms and conditions. You can find these on our website.
14. In addition to accepting our general terms and conditions, you grant us consent to manage your data with due care and to share them with third parties (if necessary), as laid down in the Personal Data Protection Act (Wbp), which will be replaced on 25 May 2018 by the European Privacy Regulation (EPV).
8,6/10 based on 51 Independer reviews.


text:
Вацлав Космак (Kosmák; 1843 — 1898) — чешский беллетрист-народник.

Был священником. Собрание сочинений Космака «Sebrané spisy» было издано в 1883—1884; второе, более полное издание вышло после смерти Космака. Полные реализма и юмора, рассказы Космака рисуют провинциальную жизнь Моравии; из них особенно удачны: «Na letsčim chlebĕ», «Fouňa, svobodný pan z Nadutina», «Spáleny habr», «Jakou našel Jakub metlu na zlou Teklu», «Chrt», «Jak byl Rapouch jun. vyléčen», «Jak Martin Chlubil bloudil a na pravou cestu opĕt se vrátil», «Ztracená», «Mučenky», «Lidský zvĕřinec», «Otrávená růže».

Литература

Примечания

Писатели Чехии
Священники
Похороненные на Центральном кладбище (Брно)


text:
Ugljevik je grad i općina u Bosni i Hercegovini.

Zemljopis
Općina Ugljevik smještena je na istočnom majevičkom pobrđu, u živopisnom krajoliku, tamo gdje ova čudesna i lijepa planina počinje spuštati svoje strane ka ravnoj Semberiji. Općina se nalazi na obodu nekadašnjeg Panonskog mora, o čemu govore brojni fosilizirani ostaci nekadašnje flore i faune. Središte Općine je grad Ugljevik.

Ugljevik je dobio ime po ugljenu koji se počeo kopati u njedrima pitome Majevice, prije oko stotinu godina. Općina Ugljevik se na istoku i sjeveru graniči s općinom Bijeljina, s Loparama na zapadu i Zvornikom na jugu, te jednim dijelom na jugu s općinom Teočak.

Područje općine čini 21 naseljeno mjesto, i to: Atmačići, Janjari, Donja Krćina, Gornja Krćina, Glinje, Srednja Trnova, Gornja Trnova, Donja Trnova, Bogutovo Selo, Mukat-Stankovići, Sarije, Ravno Polje, Mezgraja, Maleševci, Korenita, Srednja Trnova, Stari Ugljevik, Ugljevik Selo, Ugljevička Obrijež, Zabrđe, Ugljevik i Tutnjevac.

Stanovništvo

Po posljednjem službenom popisu stanovništva iz 1991. godine, općina Ugljevik imala je 25.587 stanovnika, raspoređenih u 28 naselja.

Ugljevik (naseljeno mjesto), nacionalni sastav

{| border="1" cellpadding="7" cellspacing="0" style="margin: 10px 0 10px 25px; background: #f9f9f9; border: 1px #AAA solid; border-collapse: collapse; font-size: 85%; float: center;"
|- style="background: #E9E9E9"
|colspan ="7" | Ugljevik
|-
|style="background: bgcolor="#F5DEB3" | godina popisa|style="background: bgcolor="#C2B280" | 1991.
|style="background: bgcolor="#C2B280" | 1981.|style="background: bgcolor="#C2B280" | 1971.
 |-
|Srbi
|2.426 (81,38%)
|2.210 (90,49%)
|2.256 (94,47%)
|-
|Muslimani
|348 (11,67%)
|66 (2,70%)
|86 (3,60%)
|-
|Hrvati
|39 (1,30%)
|3 (0,12%)
|15 (0,62%)
|-
|Jugoslaveni
|133 (4,46%)
|143 (5,85%)
|15 (0,62%)
|-
|ostali i nepoznato
|35 (1,17%)
|20 (0,81%)
|16 (0,67%)
|-
|style="background: bgcolor="#F5DEB3" |ukupno|2.981|2.442|2.388|}

 Naseljena mjesta
Po stanju iz 1991.:
Atmačići, Bilalići, Bogutovo Selo, Donja Krćina, Donja Trnova, Glinje, Gornja Krćina, Gornja Trnova, Janjari, Jasenje, Jasikovac, Korenita, Maleševci, Mezgraja, Mukat - Stankovići, Ravno Polje, Sarije, Sniježnica, Srednja Trnova, Stari Teočak, Stari Ugljevik, Teočak - Krstac, Tursunovo Brdo, Tutnjevac, Ugljevička Obrijež, Ugljevik, Ugljevik (selo) i Zabrđe.

Poslije potpisivanja Daytonskog mirovnog sporazuma, najveći dio općine Ugljevik, s gradom Ugljevikom ušao je u sastav Republike Srpske. U sastav Federacije BIH, ušla su naseljena mjesta: Bilalići, Jasikovac, Jasenje, Sniježnica, Stari Teočak i Teočak - Krstac, te dijelovi naseljenih mjesta: Gornja Krćina i Tursunovo Brdo. Od ovog područja formirana je općina Teočak.

U općini Ugljevik''' ostala su naselja:
Atmačići,
Bogutovo Selo,
Donja Krćina,
Donja Trnova,
Glinje,
Gornja Krćina (dio),
Gornja Trnova,
Janjari,
Jasikovac (Teočak, BiH),
Korenita,
Maleševci,
Mezgraja,
Mukat-Stankovići,
Ravno Polje,
Sarije,
Srednja Trnova,
Stari Ugljevik,
Tursunovo Brdo (dio),
Tutnjevac,
Ugljevička Obrijež,
Ugljevik,
Ugljevik (selo) i
Zabrđe.

Uprava

Povijest
Centar ove općine i cijelog kraja bio je u selu Zabrđu, a 1941. godine prebačen je u rudarsko naselje Ugljevik. 1980. godine počinje gradnja sadašnjeg Ugljevika u dolini rječice Janje, između Zabrđa, sela Ugljevika i Bogutova Sela, zbog potreba širenja površinskog kopa rudnika i izgradnje termoelektrane. Tada je počelo kompletno preseljenje Starog Ugljevika na današnju lokaciju.

Gospodarstvo
 termoelektrana u Ugljeviku

Poznate osobe

Bogić Bogićević, bosanskohercegovački političar
Mitar Mirić

Spomenici i znamenitosti

Obrazovanje

Kultura

Sport
 FK Rudar, nogometni klub osnovan 1925. godine, jedan je od najstarijih klubova u BiH.

Izvor

 Knjiga: "Nacionalni sastav stanovništva - Rezultati za Republiku po opštinama i naseljenim mjestima 1991.", statistički bilten br. 234, Izdanje Državnog zavoda za statistiku Republike Bosne i Hercegovine, Sarajevo.

 internet - izvor, "Popis po mjesnim zajednicama" - http://www.fzs.ba/wp-content/uploads/2016/06/nacion-po-mjesnim.pdf

Vanjske poveznice
 Općina Ugljevik
 Informativna stranica o Ugljeviku

Općine u Republici Srpskoj


This section will help you find advice and tools to help you manage your money. It's split into useful sections about debt, benefits, banking and more.
If you're looking for more general advice, or if you want to start making a long term difference to your finances, the rest of Money My Way will be very useful!
The 10 sections below have been designed with the help of Citizens Advice and a network of financial support experts to help with the most common problems people have with their money.
Just jump straight to the section that fits your needs, and when you have all the information you need from there, come back and find something else to try!
Your attitude to money will make a big difference to how easy or hard you find it to control spending, save money or stick to money plans. That makes it a good place to start! Use this page to learn about your attitude, what that might mean for your plans and some ways to help change your habits if you need to.
Setting a budget means you can easily control how much money you have coming in and going out and will help you see where you might be going wrong, as well as how to get things going right. This page explains how to budget and includes some of the best tools on the internet to help make your money go further.
If you're having difficulties with money, it's important to prioritise the right things. This page will help you identify your priority bills and debts and includes advice on how to contact companies in the right way to keep on track.
Debt can be really difficult to deal with, especially if you have other things you still need to pay for. Whether you have bank loans to pay off, you've missed some bill payments, or you've borrowed money from family or friends, this page will help you to plan repayments and manage your debts sensibly.
Unexpected events could be anything, from a washing machine breaking to a death in the family. Whatever the event, something happening suddenly can throw your money plans off balance. If something unexpected has happened in your life, or you just want to be ready for things you can't predict, this page will help you find the answer.
Benefits might be your main source of income, or they might be a boost to the income you get elsewhere. It's important to know what benefits you're entitled to, as well as how to apply for and access them, so that you can be sure you're making the most of the money available to you.
Knowing more about banking is a really important step towards taking better care of your money. This page will give you some advice about banking both online and offline.
The way you shop can make a big difference to the amount of money you have left over at the end of the month. This page will tell you about deals and discounts you could get online, as well as changes you could make in how you shop to save money!
Whether it's saving for a big holiday, buying a house, or making sure you have money put aside for the unexpected, saving money is a great thing to do. This page will give you information about different ways you could save your money effectively.
When you start working, it's easy to get confused with all of the information on your payslip. This section contains information that will be useful for anyone wanting to learn more about tax, NI contributions, self employment and more.