Wriggly Baggins. A Tour de Force.
In a break from tradition I decided to go for a walk this morning. Yes I did, honest. Those who know me well know that I regard Shank's Pony as the least appealing mode of transport – even less agreeable than flying. But it came to my attention that a) I have done little or no physical exercise since last summer (and even then you had to watch intently to spot anything going on); b) The Incumbent had taken the car to the gym; c) I needed to go to post a package; and d) the Post Office had no helipad nor runway for me to utilise.
Strapping on my Used-As New walking boots, I prepared myself for the hike ahead. A two mile round trip would have seemed nothing to a young fit Bomber as I once was, but over the past 36 years I've let myself go a bit. I can hear tittering at the back, but I can assure you that, even by my lowly standards, I am in bad shape. It is time to start back on the road to some sort of fitness. Little steps. Put down the biscuits, pick up the pace. Little steps.
"Blimey", thought I as I left the house "that's a bit nippy". I'd made it to the end of the garden path and I was reconsidering my decision to wear just my Sainsbury's Tu heavy sweater (coincidentally I am myself a heavy sweater, so I thought it an appropriate garment to don). My neighbour Lou was busy in his garden lugging around dirty great bags of topsoil. I was gonna offer him a hand, but I knew he'd refuse, and anyway he looked happy enough. At 82 he was certainly stronger and fitter than this excuse of a man watching him across the garden fence. That clinched it: I couldn't turn back now just cos it was feeling a bit parky. What would my octogenarian friend think of me ? I pressed on. The sun was out and but for the biting northerly wind nibbling about at me vitals it could have been pronounced as a Bill Withers Day. I decided to get a move on.
My thinking was that if I got into my stride early, I'd get up a decent pace, get a little sweat on, thus combating the arctic breeze coming off the Thames estuary and the Essex Steppes beyond. I increased speed and, as I did so, the Eton rowing song starting swirling round my head for no apparent reason. I used the rhythm as my pacemaker. Which is a coincidence cos that's what I felt I needed by the time I reached the top of the road- a pacemaker.
Pressing on through the pain, I crossed over the road at the end of the alley. This was the main route between Crayford and Dartford – a sort of San Diego Freeway without the sunshine. Or the traffic. Nevertheless I found myself having to inject a bit of a spurt on to get out of the way of an oncoming scrap metal dealer's low-loader. This screeched to a halt ten yards after it passed me. "Oh Christ, what have I done ?" I thought. Six, count 'em, SIX, young lads got out of the cabin of the truck and were making double-quick time towards me. Surely the local Pikey Chapter hadn't resorted to mugging cripples in broad daylight for whatever was in their brown paper parcels? Before I could creak down to my knees and plead for mercy, the gang turned off the path into a garden to relieve the inhabitants of a bike and a fridge which were standing in front of the house. I decided to let the lads and the current owners of the goods sort out between themselves the fate of the fridge and accompanying BMX (which I have to say looked rather too new and…erm…working to have been discarded). I hobbled on out of harms way as fast as my knee would carry me.
A few more corners turned and I was on the home straight, as far as the outward leg of the journey was concerned, anyway. One of my outward legs was suffering. Apart from the knee going on strike, the shin and calf of the same leg was cramping up (as opposed to camping-up, which I reserve for special occasions). As I'd achieved the goal of working up a sweat, I decided to take the pace down a little. The rest of the journey was taken at glacial pace, packet under my arm, I dragged my right peg slightly behind me, looking like a fourth-place runner-up in a Joseph Merrick look-a-like competition.
Eventually I reached the post office and took my position behind the line of old ladies and gents cashing in their pensions, sending letters to their son who'd fucked off to Canada 28 years ago or paying into the Christmas Club. The woman behind me suggested I take a seat as I looked awful. But I had my pride. Even if I only had one working leg. They shoot horses at Aintree for much less.
Suitably rested, I slowly and delicately made my way home, stopping off at a local shop to by a stick of French bread. In an attempt to stave off hunger, I broke the top off and began munching my way though it. I felt like that bloke at the start of The French Connection, except he had his bread before he was shot in the face. I felt like someone had already taken his Walther PPK to various parts of my body, picking off bits of me for fun.
I finally made it home, sweating audibly, chaffing dangerously, where I collapsed into the shower to rehydrate and lick my wounds. I'm thinking of investing in a bike. I wonder if those scrap dealers would sell me theirs?
"Can I Get a Proof of Postage, Please?"
The Incumbent has taken to wearing our London 2012 Olympic T-shirts down the gym each morning. This morning nearly saw a coming together of her and the local Blue Rinse Brigade rep. The elderly lady was distracted elsewhere to avoid incident.
We'll be right back after these messages from your local stations. So if you're not interested, go put the kettle on. No sugar for me, thanks.


This spacious duplex apartment is situated in the typically Provencal village of Roussillon, in the heart of the Luberon Nature Park. It opens up to a furnished terrace with views of the village.
All rooms are decorated in a traditional Provence style and offer free Wi-Fi. Guests are invited to relax by the fireplace in the apartment?s TV lounge, which offers views of the hills and the village.
La Maison d'A Coté presents a kitchen equipped with a dishwasher, a refrigerator and a microwave. Meals can be enjoyed in the dining area or al fresco on the terrace.
The city of Apt is a 20-minute drive from the apartment and Carpentras is 38 km away. The apartment is 48 km from the Avignon-Centre Train Station.
Bed linen, cleaning and breakfast are included in the room rate.


Those who complete the questions will be among the first to receive an advance copy of the report, and learn how you compare to other companies with your unification and manipulation of customer data.
Even if you aren't yet aware of CDPs, they are soon to become a regular acronym in your marketing vocabulary. The CDPI defines a Customer Data Platform as "marketer-managed system that creates a persistent, unified customer database that is accessible to other systems" and has calculated that the CDP market will be worth $1billion by 2019.
In July, Gartner introduced CDPs into its Hype Cycle for Digital Marketing and Advertising report and the technology recently made it onto Scott Brinker's now legendary MarTech supergraphic.
Take part by clicking the button below.


text:
By SPELD NZ
How to support those who struggle to learn
Here's a fabulous interview on Radio New Zealand's Nine to Noon programme explaining what's going on and what you can do to help.
Student-designed dyslexia aid a winner
A group of Year 13 students at Tauranga Girls' College has invented a device to help those with dyslexia – and they're ecstatic about the attention it's getting.
Former SPELD NZ student behind the bright idea
Ex SPELD NZ student 18-year-old Madison Sykes is the inventor of the iBrite reading aid and CEO of the Brite company behind it.
SPELD NZ Documentary on YouTube
In 2012, a documentary about SPELD NZ featured on TV3 in the Open Door series.
Have you seen SPELD NZ's magazine, The Record?
Take a look at a recent issue.
SPELD NZ's submission to parliamentary inquiry on dyslexia, dyspraxia & autism
Some heart breaking stories came through at the parliamentary inquiry.
Radio New Zealand Interview with SPELD NZ
In case you missed it, here's a chance to listen to SPELD NZ's interview on Radio New Zealand National.
Dyslexia: With the Students of Kapiti College
Congratulations to Kapiti College students for making a thought-provoking documentary on dyslexia.

redpajama_set_name: RedPajamaCommonCrawl


Following the success of INCA's inaugural awards last year, which saw sector heavyweights such as Hyperoptic and KCOM gather together to celebrate the UK's independent network builders, the 2019 awards are once again inviting submissions from network builders, operators and other independents working hard to improve the UK's digital infrastructure.
The award categories for this year's INCA Golds are Technical Innovation, Commercial Innovation, Urban Impact, Rural Impact, Best Community Project, Best Public Sector Impact, Outstanding Contribution by an Organisation and Outstanding Contribution by an Individual. For the first time this year, equipment manufacturers are also invited to enter the Technical Innovation category in partnership with a service provider or operator.
Last year, Simon Wade, Sales Manager at Emtelle, received the award for Outstanding Individual Contribution. Other winners were Broadway Partners, KCOM, Lothian Broadband, Balquhidder Community Broadband CIC, City of London Corporation & London Law Society and Hyperoptic.
The 2019 awards follow INCA's introduction of its Gold Standard Quality Mark, which highlights best practices in performance, design and operations, enabling consumers to buy with confidence when choosing internet packages.
The INCA Annual Conference is a two-day event starting on Wednesday, October 16, that will provide industry insight and a platform for discussion among some of the most significant and influential figures from the UK's broadband industry, including Government representatives, operators and service providers.
For more information on the awards, the seven categories and details of how to apply, please visit: https://www.inca.coop/awards.
Technical innovation: A project/deployment using technical innovation to achieve objectives, for example, ability to reach hard places. Entries should show how technical ingenuity and innovation have enabled or helped a project, for example, a network deployment, to achieve or exceed commercial or other objectives. Vendors and equipment manufacturers are welcome to enter this category in partnership with a service provider or operator.
Commercial Innovation: A project/deployment making effective use of collaboration between three or more organisations (contractor/client is not collaboration) – for example, public service aggregation-funded build. Entries should show how collaboration between three or more organisations has enabled or helped a project, for example a network or infrastructure deployment, to achieve or exceed shared objectives beyond what would have been achieved using conventional supplier-client contracts. Examples might include collaboration between business competitors and/or independent public sector agencies.
Urban Impact: A (mostly) urban network deployment with greatest social/economic impact. Entries should show how an infrastructure deployment in a city or major town, for example, a new network, has had a significant social or economic impact on the city or town.
Rural Impact: A (mostly) network deployment with greatest social/economic impact. Entries should show how an infrastructure deployment in a rural area or small town, for example, a new network, has had a significant social or economic impact on the area.
Best Community Project: A community project or organisation displaying maximum innovation/impact/collaboration/effectiveness. An entry can be a community-owned, social enterprise or other third-sector agency or a community, voluntary or third sector-led project. Entrants should show how they have achieved exceptional results or progress through efficacy, professionalism, innovation or collaboration, or a combination of these.
Best Public Sector Impact: A public sector organisation that demonstrates an exemplary approach to supporting the deployment of new digital infrastructure (fibre and/or wireless), for example, real progress on barrier busting – street works, wayleaves etc. – or other activities, for example, voucher aggregation or innovative funding approaches.
Outstanding Contribution by an Organisation: An organisation who has done the most to advance independent networks in the last year.
Outstanding Contribution by an Individual: An individual who has done the most to advance independent networks in the last year.


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Arthur Middleton (ur. 26 czerwca 1742, zm. 1 stycznia 1787) – delegat Kongresu Kontynentalnego ze stanu Karolina Południowa, sygnatariusz Deklaracji Niepodległości Stanów Zjednoczonych.

Życiorys
Artur Middleton, urodził się w majątku ojca Middleton Place, w pobliżu Charleston (Hrabstwo Berkeley) w stanie Karolina Południowa, wczesną edukację otrzymał od prywatnych nauczycieli i w szkołach w Charleston, uczęszczał do Westminster School i Trinity Hall na Uniwersytecie Cambridge w Anglii, studiował prawo w Temple (Londyn), ale nie praktykował; powrócił do Karoliny Południowej w 1763 r.; sędzia pokoju w Hrabstwie Berkeley w 1765 r., ponownie sędzia pokoju w latach 1776/86, brał udział w wojnie o niepodległość Stanów Zjednoczonych; przebywał w więzieniu u Brytyjczyków od maja 1780 r. do lipca 1781 r., kiedy został wymieniony i powrócił do Karoliny Południowej; członek Kongresu Kontynentalnego w latach 1776/77 i 1781/82; wybrany gubernator Karoliny Południowej w 1778 r., ale odmówił; zmarł w The Oaks, w pobliżu Charleston, w stanie Karolina Południowa.

Bibliografia
 Middleton Arthur, Biograficzny Katalog Kongresu Stanów Zjednoczonych
 Salley, Alexander Samuel, Delegates to the Continental Congress from South Carolina, 1774-1789, Columbia, S.C., druk: The Commission by the State Company, 1927.

Absolwenci Trinity Hall (Cambridge)
Sygnatariusze Deklaracji niepodległości Stanów Zjednoczonych
Urodzeni w 1742
Zmarli w 1787

redpajama_set_name: RedPajamaWikipedia


Sao Paulo, Brazil, 15 September 2012 – Aston Martin Racing is gripped in a battle for first place in the highly competitive GTE Pro class at the halfway point of the fifth round of the World Endurance Championship (WEC), the Six Hours of Sao Paulo, following a display of the car's class-leading pace.
The #97 car started the race from pole position, following a fantastic qualifying lap yesterday by Aston Martin Racing works driver Darren Turner (GB), who completed the 2.5-mile Interlagos circuit with a time of 1:33.9.
Team-mate Stefan Mücke (D) was first to take the track in the Vantage GTE at the start of the race, but an incident involving the LMP2 cars held him back in the first lap, while his competitors passed on the outside.
Unharmed but hampered, the #97 was left in fourth position with just half a lap of the race completed. However, the pace of the V8-powered Vantage GTE enabled him to climb back past the third place car and then, 14 laps later, into the second place position, just ten seconds behind the leader.
Mücke closed the gap to 9 seconds before bringing the car in for fuel on lap 55. During a perfectly executed pit stop and driver change to Darren Turner, the #97 car was able to reduce the gap on the lead car to just 7.7 seconds.
Turner continued chasing the leader down and, by lap 86, was just 0.3 seconds behind. Following a gripping battle between the two cars that lasted around seven laps, the #97 car pitted for fuel, tyres and a driver change back to Mücke. The German pushed hard and when the lead car emerged from its pit stop, it came out behind the #97 giving Aston Martin Racing the lead. This was not long-lived, however, and the #51 car managed to squeeze past Mücke, leaving the #97 in second place at the halfway mark.


Alpe d'Huez is known as an ideal Vacation Destination.
Alpe d'Huez is a famous mountain and holiday destination, which is high in the French mountains, and is known as an ideal holiday destination .
This is the good life, if you want the mountains around you in the summer, and want to be active.
A paradise for various mountain sports, in which the location of the village is a great advantage.
And if you're lucky, you're here on vacation, while the Tour de France has a stage finish at the top of the mountain.
Obviously, there are other mountain sports possible in this part of France.
Furthermore you can enjoy a beautiful view while swimming.
The nine hole golf course, is not only a perfect place to play the balls, it is also a renowned golf course.
Other attractions in the Isère include the Muséum d'Histoire Naturelle in Grenoble. and Musee, National Park Ecrins and Musée Matheysin Maison Caral.


CD Covers – On our flyers page, we offer the size 4.75 X 4.75 specifically for CD cover printing. We also offer CD booklets. So far, I haven't found a single other print shop that can beat our CD cover printing prices.
Postcards – These small cards are wonderful for handouts. Our 4 X 6 postcard prices are amazingly cheap, but the new rage has been with the 4 X 3 cards. They're smaller, pocket-sized and pack more bang for your buck. We've also introduced a 3 X 4 card on our flyers page for customers needing an even faster turnaround.
Small Posters – There's no question about it. We print more small 11 X 17 posters than anything else for bands. These posters are color rich, full bleed and nothing short of amazing – especially considering our unbeatable prices. 12 X 18 posters are also available.
T-Shirts – Shirts are a fantastic way to give back to groupies and band fans.


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Variety Plus Icon Read Next: Nonprofit RespectAbility Receives $1 Million Grant from Conrad N. Hilton Foundation
Jan 16, 1998 11:00pm PT
Rediscovering Mexico
Mex prod'n bounty rich
By Bashirah Muttalib
Bashirah Muttalib
Creative Kingdom getting creative 13 years ago
'Soloist' plays with L.A. setting 13 years ago
Santa Clarita beefs up incentives 13 years ago
MEXICO CITY — When Bogart crossed the border back in 1948, seeking the treasure of the Sierra Madre, he became one of the first gringos to see there was treasure all around. Mexico's scenic beauty and cheap but skilled work force made the United States' southern neighbor a plum location, and Bogie's director John Huston returned with his cameras several times.
Now, after four or five years of virtually ignoring the country, U.S., European and Australian filmmakers are discovering Mexico all over again.
The country that hosted such dollar-heavy pics as "Dune" and "Rambo" in the '80s was somewhat ostracized in the early '90s by producers fed up with being taken for a ride. They resented being overcharged for labor, bullied by bureaucrats, underserved by support services and dogged by censors. Cheap locations in East Europe and Asia drew them away.
But that's all changing. Right now in Mexico you can find Antonio Banderas and Anthony Hopkins crossing swords in Martin Campbell's "The Mask of Zorro," Leonardo DiCaprio and Kate Winslet splashing in the world's largest water tank for James Cameron's "Titanic," and several smaller projects including pics from John Sayles and Philip Haas.
The number of foreign features shot or partly shot here grew from seven in 1995 to 13 last year. Early indications imply yet greater activity in 1997 — six films began lensing here in January alone.
The reasons for this growth are structural, not cosmetic. The creation of a National Film Commission, more flexible labor and the building of new facilities are wooing projects south of the border — as is the cheaper peso, heavily devalued in 1994 and 1995. When combined with the country's natural riches and proximity to Los Angeles, these factors make the Mexican location biz a sure bet for growth.
Much of the buzz over filming here has come from the $130 million "Titanic" and the purpose-built facility that Fox constructed for the pic in Rosarito, a 45-minute drive from the San Diego airport. On a 40-acre beachfront lot, the company built three soundstages, offices, workshops, dressing rooms and other support structures.
But what makes the site unique are its water tanks: an interior tank of 5 million gallons and an exterior tank, with an uninterrupted vista of the Pacific Ocean, holding a world-record 17 million gallons. Most of this permanent studio went up in three months last summer.
Simon Bax, chief financial officer at Fox Filmed Entertainment, was closely involved in the global search for "Titanic's" location. Bax recalls that once Fox had found no existing facility would suffice, Mexico soon became an option as to where to build a new studio.
"Rosarito is relatively close to L.A., and there's the weather and the location on the water," Bax says, also citing the affordability of the land.
Construction was relatively cheap. Bax won't reveal the total outlay, but says the cost of all the concrete poured — factoring in labor — was less than the raw material alone would have cost in the U.S.
Bax reckons the site will be in steady demand from producers once "Titanic" wraps there in March. "Four productions (three from outside Fox) are interested already. I'd hope for the facility to pay back in less than 10 years," he says.
Rosarito's exterior tank certainly would have saved Universal a few bucks on "Waterworld," but what about the rest of the studio? "Titanic" producer John Landau calls it a unique filming environment. "Actors are accommodated in 26 separate suites," he says, "and the fact that they're all in one building instead of separate trailers has contributed to a great camaraderie."
Nightlife in Rosarito may be limited, but L.A. is close enough for cast members to slip home when not on call. Such proximity keeps production costs down as well: "If we don't want to use a crane for a week, we can send it back to L.A.," Landau says.
Overall, Landau estimates running costs are "at least 20% cheaper" than in the U.S., a claim echoed by top Spanish producer Andres Vicente Gomez, who came here last year with "Perdita Durango," starring Rosie Perez and Javier Bardem. Overall, shooting in Mexico may be 25% cheaper than in Spain, he says.
Much of the saving in Mexico comes from labor, especially extras and set builders. Reportedly, some 500 Mexicans were contracted to work on "Titanic." Landau admits there have been injuries, both in construction and stunt-related, but says that's not unusual given the man-hours involved.
The producer adds: "Some crew members in the U.S. were hesitant about how much local infrastructure they could rely upon down here. But now that they've worked here, they're saying Rosarito's going to become a filming mecca."
Having also worked on "Honey, I Shrunk the Kids," which shot in Mexico City in 1988, Landau says Mexico is now a much easier work environment. Customs and immigration procedures benefit from clearer avenues of command, and unions are more cooperative.
His findings are echoed by other return visitors. The Mexican-born Hool brothers, Conrad and Lance, have been producing pics here since the 1970s — recently the Tom Arnold starrer "McHale's Navy" — and Conrad says union-levied displacement fees are much lighter than several years ago.
"The actors' union ANDA used to be very pedantic, but under Humberto Elizondo it's become more friendly," Hool adds, referring to the org's president.
"The skills of Mexican crews have reached an international standard. Technicians are often foreign-trained now," adds Jose Ludlow, who owns production company Kinema Films. Ludlow also runs a facility catering to low-budget U.S. actioners, surrounded by 20 acres of jungle near Puerto Vallarta.
Hool says there's room for improvement. Bringing guns into Mexico for actioners and Westerns requires permits from the army that often take an unreasonably long time to process. Customs agents are easier to deal with, he adds, but tariffs on equipment and wardrobes are still too vaguely defined. Indeed, the producers of "Zorro" were last month frustrated by customs agents when a host of items was held for nine days. These included such vital props as the (dangerously plastic) blade of Zorro himself.
Lobbying to make customs operate more efficiently is one of the priorities of Mexico's National Film Commission (CNF), says topper Jorge Santoyo. Dispensing free advice, the CNF was set up in 1995 at the newly refurbished Churubusco Studios (where "Zorro" is now filming), and Santoyo has been praised for quickly building the org into a multifaceted bureau.
"In our first year we provided information to 234 projects, of which 67 were features, 59 commercials and 26 TV programs. About 75% were foreign or co-productions," Santoyo says.
In its second year, the CNF has gotten busier, now fielding up to 44 requests per month. Santoyo estimates that, given the past correlation between queries submitted and films getting made, some 20 foreign features may shoot in Mexico this year.
Santoyo's team also has helped create six state film commissions around the country, bringing the total to 16. Launched in January, Mexico's newest state commission is Guanajuato's, run out of San Miguel de Allende by U.S. expat Sarah Gonzalez.
This commission is a hybrid operation, funded by the state but largely run by Quetzal Films, a production and services company. Quetzal has been courting producers at Disney. "They're really psyched about Mexico, and they did lots of scouting last summer," Gonzalez reports.
Like many states, Guanajuato boasts much more than the cactus-and-rock-strewn desert of Mexican movie lore. The colonial capital could easily double for a European town from the 1500s to the present day, while the tunnels under the city hosted Arnold Schwarzenegger in 1989's Mars-set "Total Recall."
Diversity, as much as cost, may be Mexico's strongest suit. Conrad Hool once made a movie in the mountains of northwestern Mexico where the locale doubled for Canada. Central Mexican towns re-created Colombia in "Romancing the Stone" and "Clear and Present Danger." Southern jungles have several times passed for the Brazilian Amazon, as in the Sean Connery starrer "Medicine Man."
But the most inspired location work here took shape last year in Baz Luhrmann's "William Shakespeare's Romeo & Juliet," shot largely in Mexico City. The Oz director's otherworldly "Verona Beach" setting — mixing elements of Miami hip, Las Vegas kitsch and Latin color — owed much to the capital's bizarre mix of architectural styles, its decorative penchant for neon and other elements unlikely to be identified by outsiders as typically Mexican.


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The Spiral Electric
Heavy Psychedelic / Acid Rock
We started as a duo-- the songwriting core of Clay Andrews & Nicolas Percey met at a Primal Scream / Brian Jonestown Massacre concert in 2009, and bonded over a mutual love of loud, druggy music and weed. We began releasing home-recorded demos in 2011, and full-band live performances followed in 2012.
Touring up and down the US west coast prepared the full band for recording, and both our 2015 debut "Upon Your Shore", and 2016's "Ask the Sky" were recorded with producer Tommy Dietrick (Ringo Deathstarr, LSD & the Search for God, David J). Our 2019 double-LP was recorded with Steve Kille (Dead Meadow bassist/producer) and mastered by Howie Weinberg (Metallica, Nirvana, Smashing Pumpkins), and it's been the one that has truly defined our audience.
We've played concerts and tours with bands like The Kills, Black Mountain, Dead Meadow, Yawning Man, Swervedriver, King Buffalo, Here Lies Man, The Dandy Warhols, Spindrift, The Warlocks, Lumerians, Turn Me On Dead Man, and New Candys, and notable festivals like Starry Nites (Santa Barbara), SubZero (San Jose), Desert Stars (Joshua Tree), Portland Psych Fest, and the Haight-Ashbury Street Fair (San Francisco).
The current lineup consists of founders Clay Andrews (vocals, rhythm guitar, keyboards) and Nicolas Percey (lead guitar), with longtime member Matias Drago (drums) and newcomer Ryan McKnight (bass).
We're sitting on the fence between psychedelic rock and stoner rock and leaning against the garage to keep it loose-- fairly melodic, with clean vocals, but heavy and noisy, with crunch and bite. Lots of influences in the musical stew but solidly anchored in loud, weird rock. To wax poetic, our music is personal and inspired by catharsis, expressed in moments of fury, abandon and transcendence, punctuated by brooding meditation.
Our 2019 self-titled double-album, "The Spiral Electric", recorded with Steve Kille (Dead Meadow's bassist/producer) closely captured our sound and best indicates our future direction. It's the one that got the most attention, with continuing worldwide airplay. Start there, and continue sideways.
What's next for The Spiral Electric?
We're heading back down to LA to record our next album, again with Steve Kille at the helm, in early 2022, and returning to live shows and tours as soon as the album's done. It'll be released on vinyl, and hopefully we'll manage to get some of the back catalogue, certainly the 2019 self-titled, pressed to vinyl as well.
Facebook: https://www.facebook.com/TheSpiralElectric
Instagram: https://www.instagram.com/thespiralelectric/
Twitter: https://twitter.com/SpiralElectric
Bandcamp: https://thespiralelectric.bandcamp.com/
Spotify: https://open.spotify.com/artist/2FrwY9pHFj2OkWQTsHQwFf
Apple Music: https://music.apple.com/us/artist/the-spiral-electric/1006977138
YouTube: https://www.youtube.com/channel/UCgzDNzTHHP2C-XoDYpinPmg
The Spiral Electric by The Spiral Electric
Labels: Acid Rock, Introduce Yourselves, Psych Rock, Stoner Rock, The Spiral Electric


Mrs Leen im Anzug von Futurefetish beim Wintershooting.
I love this latex girl!
I'm very sorry that your latex photography has ended. I've always been waiting for new photos. I was browsing the beautiful latex girls on a daily basis. I admire your work. You shared everything for us, from your latex world. I trust you will start again once. I don't know what to write yet. I will always love this site. Greetings from Hungary from Kaposmérő village.


Alligator class landing Russian ship Nikolay Filchenkov making a south bound passage through Istanbul. Her destination is not known to us. Photo: Shonquis Moreno. Used with permission.
The cargo on deck. Photo: Shonquis Moreno. Used with permission.
On August 20, 2015 Alligator class landing the ship Nikolay Filchenkov made one of her passages through Istanbul. The event was not worth of remembering if there was no cargo on deck of the ship.
There are at least 4 KamAZ-4350 (4×4 or 6×6 either but definitely not 8×8) and one GAZ-66 trucks plus 2 or 3 things under tarpaulin. Of course those things hidden under the tarpaulin arouse the suspension most. Their height is less compared to the trucks suggesting that they could be a launcher. In that case this could be one of two batteries of some kind.
Any additional information or suggestions are welcomed.
To Thanks Yörük Işık and Arda Mevlütoğlu for helping me identifying the trucks and correcting my mistake in identifying the ship.
Not miss the Do update on this topic!
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As a super mount, the golden growler was no weaker than a sacred-blood mount of Second God's Sanctuary after becoming berserk. In addition, its giant body was extremely fast. Every step it made was more than 300 feet. Even with the speed of the silver-haired girl, she could not catch up with it.
In addition, most creatures were like ants in front of the golden growler, unable to block its way.
Even so, numerous creatures still threw themselves at the mount, biting at it and making it bleed. As the golden blood was spilled, the golden growler rolled in pain.
As Han Sen killed the creatures that threw themselves at him, birds and flying beasts were charging him from the sky. With blood and dead bodies of creatures everywhere, it was incredibly violent.
Han Sen was hit hard on his head. It was the beak of the two-headed silver bird. Although Han Sen's helmet was not broken, it was so painful that Han Sen screamed and almost fell from the golden growler.
The golden growler had God knows how many creatures on its body. Bleeding everywhere, golden growler was still the king of First God's Sanctuary.
With a roar, it fiercely jumped up into the sky like a hill. When it fell, several palaces were smashed and there was almost an earthquake in the future royal shelter. A lot of creatures were killed and the majority of the creatures on its body were shaken down.
Han Sen grabbed the golden hair of the mount and managed to stay on top.
The golden growler got up and ran toward the main gate again. Groups of creatures came up to it.
It was the first time for Han Sen to be trapped in such a hard battle. He had no idea how many creatures he had killed. His hand became numb, but more creatures kept coming at him.
A mile from the main gate, the golden growler roared and fell to the ground, smashing the earth.
It was covered in golden blood and its skin was broken everywhere by numerous creatures. One of its paws no longer looked intact, baring bones. It was incredible that the mount had lasted so long.
Han Sen took back the golden growler and spread his wings, flying outside the shelter.
However, all the bird creatures and flying beasts were coming at him already, especially the flying bull, diving at him with its horns likes spears.
Without the protection of the golden growler, Han Sen knew that he could not be stopped again. Seeing the two-headed silver bird chasing him from the back, Han Sen gritted his teeth and charged the flying bull.
A black lightning bolt and a golden lightning bolt clashed. When Han Sen's head was about to hit the horns, he suddenly contracted his wings and flipped in the sky, putting his legs forward, clipping the neck of the bull and bowed to hit the bull's stomach hard.
The ghost-pawed claws stepped into the stomach of the black bull with fierce force. Han Sen pulled hard and blood was spilled.
A scream sounded, and the magnificent body of the bull fell to the ground.
Han Sen stepped on the back of the black bull and summoned his wings, rushing out of the shelter.
Hearing a loud object fall, Han Sen then heard the voice.
"Sacred-blood creature inferno bull killed. Beast soul of inferno bull gained. Eat its meat to gain 0 to 10 sacred geno points."
However, Han Sen had no time to mind those. Like a butterfly covered in blood, he broke the blockage of the flying creatures and came out of the royal shelter.
Seeing Han Sen going out of the shelter, the silver-haired girl looked mad. However, there was nothing she could do.
Under these circumstances, the men still managed to leave the shelter, so there were no other methods that she could adopt.
underground. Han Sen's berserk nightmare wings were incredibly fast, and he quickly disappeared on the icefield.
Back to the Crystal Palace, Han Sen treated his wounds as he thought about the twin spirits that he ran into.
Han Sen did not regret at all. All he could think about at this point was how to take the twin spirits for himself.
He want them so much. Rare twin spirits, both royal. They were so scarce. Coupled with their strength and beauty, it was a gift from heaven.
"I must have them," Han Sen thought, feeling resentful.
However, the twin spirits were so powerful and had so many sacred-blood creatures. When Han Sen entered the shelter, only several sacred-blood creatures were guarding the shelter. If it were any other time, there should be at least 3 to 4 dozen sacred-blood creatures inside. So, it was very unlikely for him to go inside again.
However, that did not make Han Sen give up his greedy thought. He was determined to have the twin spirits, so no matter how hard it was, he will have them.
"In order to have them, I must first have the ability to beat them and get the two spirit stones. The sacred-blood creatures were not that frightening. After all, they were not intelligent. There is always a way to cope with them. However, the spirit sisters are very clever and powerful. If I am not able to beat them, I can never have the spirit stones." Han Sen thought back on their sword skills.
Han Sen had taken countless strikes from the sisters. He had at least 100 to 200 injuries on his body. With his experience to fight the silver-haired girl, Han Sen had learned their sword skills.
"Give me some time, and I will come up with a solution for sure." Han Sen was certain that he had this ability.
Their sword skills were so strange and fast. With the two working together, there was almost no solution.
However, no matter how strong their sword skills were, there was a pattern to it. As long as there was a pattern, there must be a solution. Han Sen was confident that he could think of a way to tackle that.
"Wait for it, you two will become mine next time," Han Sen was determined.
Although he had sacrificed Mad Shield, luckily, he had killed a lot of creatures in the shelter. He had gained several primitive beast souls and a mutant beast soul, in addition to the sacred-blood beast soul of inferno bull. He did not really suffer a loss.


WASHINGTON – Today, the Human Rights Campaign (HRC), the nation's largest lesbian, gay, bisexual, and transgender (LGBT) civil rights organization, announced that Mary Beth Maxwell will serve as the organization's new Senior Vice President for Programs, Research and Training. In this position, Maxwell will lead the groundbreaking and innovative efforts of HRC's educational arm, the HRC Foundation. She will oversee the organization's public education and programmatic efforts covering a wide range of issues affecting LGBT people, including workplace; children, youth and families; health, aging and HIV and AIDS; religion and faith; and LGBT rights abroad.
Maxwell currently serves in the Obama Administration as the Principal Deputy Assistant Secretary for Policy at the U.S. Department of Labor (DOL). She has held various other senior roles at DOL since joining the Administration in 2009, including Deputy Chief of Staff for the Department, Senior Advisor to the Secretary of Labor, and Acting Deputy Administrator for the Wage and Hour Division. She has been a key figure in shaping the Administration's policy agenda for working families, including raising the minimum wage, expanding paid leave, ensuring labor standards for home care workers, and advocating for collective bargaining rights and workers' voice in the workplace. She played a lead role in the Administration's many accomplishments for LGBT workers, including President Obama's Executive Order ensuring non-discrimination for LGBT employees of federal contractors, FMLA coverage for LGBT families, and ensuring transgender equality and inclusion in DOL programs and policies.
Prior to joining the Obama Administration, Maxwell was the Founding Executive Director of American Rights at Work, a leading voice for modernizing and reforming our nation's labor laws. She has also served in various other senior-level positions at Jobs with Justice, NARAL Pro-Choice America, and the United States Student Association. She lives in Washington, DC with her 14-year-old son.
The HRC Foundation and its programs have proven to be an invaluable force in driving real change in the lives of LGBT people. Some of the Foundation's major initiatives include: the Corporate Equality Index, an annual survey and report benchmarking best practices in LGBT diversity and inclusion among the nation's largest corporations and law firms; the Welcoming Schools program, which works with educators and publishes guides to help create LGBT-inclusive and supportive elementary schools; theHealthcare Equality Index, which reports on LGBT equity and inclusion in healthcare facilities across the country, and trains their staff to provide welcoming, knowledgeable care to LGBT patients; HRC Global, an ever-growing effort that seeks to strengthen the global equality movement through public education, advocacy, fellowships, partnerships, and research; and Time To Thrive, a nationally-acclaimed annual conference for educators and youth-serving professionals. The HRC Foundation also works with partners to create a range of resources addressing critical needs in the LGBT community, including: Schools In Transition: A Guide for Supporting Transgender Students in K-12 Schools; A National Crisis: Anti-Transgender Violence; What Do I Do? A Handbook to Understanding HIV and Health; and Growing Up LGBT in America.
Maxwell will officially join the Human Rights Campaign on October 13th.


German motor companies hit back today at EU plans to fine them if they fail to comply with strict limits on carbon dioxide (CO2) emissions on new cars.
Stavros Dimas, the EU environment commissioner, wants to cap CO2 emissions from cars at 120 grams a kilometre by 2012. He has warned European carmakers that they will face sanctions if they fail to meet this target.
The industry's chief executives are calling for greater flexibility as well as a delayed timetable for meeting the target. German car groups claim Mr Dimas's plans could destroy their industry.
The European Automobile Manufacturers' Association, which has a voluntary target of cutting emissions to 140 grams by 2012, wants the new EU limit to apply from 2015.
But its cause has been damaged by a report last week from T&E, a sustainable transport campaign group, showing the industry's progress in promoting "greener" cars has ground to a halt, with emissions down marginally to 161 grams on average last year. This makes the self-imposed 140 grams target unfeasible.
On Monday Wendelin Wiedeking, Porsche's chief executive, said Mr Dimas's plans were "wholly alien" and breached the laws of physics. Porsche's luxury sports cars emit more than 300 grams of CO2 a kilometre on average. The firm owns 31% of Volkswagen, which tonight launched five new BlueMotion eco-friendly models that meet the 120 grams target.
"Anybody demanding inflexible targets for all is attacking the German car industry," Mr Wiedeking told the German business daily Handelsblatt.
Mr Dimas, meanwhile, insisted his targets were realistic.


InFocus today launched another handset in the Bingo family called the InFocus Bingo 20. Now this handset is also using the same hardware that we have seen on the Bingo 21 smartphone. In fact there is minor change in the specifications.
The older version InFocus Bingo 21 is available online, whereas this new InFocus Bingo 20 will be available offline only (in retail stores). The only difference between these two models is the RAM – Bingo 21 came with 2GB RAM and the Bingo 20 will be with 1GB RAM.
InFocus Bingo 20 is powered by Spreadtrum SC9830 quad core processor clocked at 1.5GHz (cortex A7 – 32Bit) coupled with Mali 400 MP GPU. Android 5.1 with Inlife UI 2.0 runs out of the box with 1GB RAM, 8GB ROM and 64GB external micro SD card support.
This handset also comes with an 8MP AF camera with LED flash placed on the rear and a 5MP fixed focus camera on the front with front LED flash.
Key features are 4G LTE, 3G, 2G, GPS, BT 4.0 and WiFi. Bingo 20 gets power from a 2300 mAh battery. It will be available in Orange, Blue and White colour options in retail stores for ₹5,749.


Welcome to my (mostly visual) Blog!
Nearing the completion of my Frankestein's Monster project, and getting pretty happy with the results so far! Working off-hours on this makes progress really slow though.
Test scene for a rig I created to simulate a dynamic wing unfold for a project. Flex modifier was used on the feathers to fake their dynamic swing.
Screengrab for a dynamic wiggle limb system I did for a recent job. The idea was to have a rig system that would allow me to have control over the four legs (seperatly) and have a spring system that acts whenever the body moves. It's far from a decent rig system but it served its purpose pretty well!
Started to learn how to create explosion dynamics inside 3DS Max. Good fun!
Ocean scene test I did for a job.


text:
Q: How to show/select the team foundation currently working project in visual studio 2012? I got a little problem with visual studio 2012. The annoying problem is that if iam working on any project however visual studio 2012 doesnt mark/show me the currently project in the Team Foundation list(Dont know the name) where iam working at. Is there a way to fix this?
Its working fine in vs 2010 btw.

I know that i can hover mouse over this 'tablabel' and see the path, but it takes too long to go there manuall (The Path looks like this...C:\tfsProjectsMB\    example\another example\Folder\Folder\Folder\Folder...\My Project).

It doesnt select/open/show the project where iam currently working at...

This is how it should look like
Anyone any idea? Thanks for answers :)

A: It looks like this feature was left out of VS 2012 and has been requested here:
https://visualstudio.uservoice.com/forums/121579-visual-studio/suggestions/2050851-add-context-menu-item-in-solution-explorer-to-open
You can do something similar using VS Productivity tools as outlined here:
How to jump to a file in the Source Control Explorer in Visual Studio
This may also be of some assistance:
Tools -> Options -> Source Control ->Visual Studio Team Foundation Server -> Open Source Control Explorer to the most recent folder

There is also this setting for the Solution Explorer that used to be on by default in 2010.
Tools -> Options -> Projects and Solutions -> General -> Track Active Item in Solution Explorer

You mention both VS 2013 and VS 2012 in your question.  In VS 2013 you can go to Team Explorer and right click your open solutions to jump to them in source:

redpajama_set_name: RedPajamaStackExchange


Happy September where the days get cooler and the kids are back in school! Sunflowers always remind me of what's right around the corner...and this brings me to this month's bloom box! Who doesn't love Sunflowers?
As with all the bloom boxes you will receive the stamp set along with the pre-cut card kits including any embellishments needed to complete cards. How extrasuperlicious is that!!! All you need is ink and adhesive to complete cards (not included). How can you get the bloom box at a discounted price, you want to know...well one of two ways. (1) Become 6 month subscriber or become a Journey Coach and receive 20% off your kit each month!
Media Mix Promotion (Dare to Play):We have a lot of products that are 20% off. These products are a great way to add extra interest to your craft projects. I can't wait to try these products. I love challenging myself and working with different products. You never know what fantastic creations you will make.


Akiho Shibata, Leilei Zou, Nikolas Sellheim, Marzia Scopelliti eds., Emerging Legal Orders in the Arctic: The Role of Non-Arctic Actors, from Routeledge, Forthcoming in May 2019.
Sellheim, N., Zou, L., Inagaki, O., "Legal 'Arctopia'? How Arctic Governance Expresses a Better World," Arctic Yearbook 2017, pp. 415-427.
Akiho Shibata and Raita Maiko, "An Agreement on Enhancing International Arctic Scientific Cooperation: Only for the Eight Arctic States and Their Scientists?", Yearbook of Polar Law, Vol.8 (2017).


text:
Wooden Sci-Fi Sculptures Make Great Geek Art
Jenna Wortham
credit Courtesy Michael Rea Sculptor Michael Rea has a knack for building. But unlike most architects, he draws on an encyclopedic knowledge of geek culture and an eccentric sense of humor for his unique sculptures. Rea's movie-influenced menagerie includes electronic consoles, time machines and holy artifacts — all fashioned from wood. He even built an […]
credit Courtesy Michael Rea
Sculptor Michael Rea has a knack for building. But unlike most architects, he draws on an encyclopedic knowledge of geek culture and an eccentric sense of humor for his unique sculptures. Rea's movie-influenced menagerie includes electronic consoles, time machines and holy artifacts – all fashioned from wood. He even built an eight-foot-tall prosthetic suit, equipped with swords, for physicist Stephen Hawking after seeing Quentin Tarantino's kung fu-inspired Kill Bill. Click through the gallery to see his geekiest creations. If you want to see them in person, Rea will be showing off his custom-made woodwork at San Francisco's Fecal Face gallery in October. Left: This grandiose gun, nicknamed Lysistrata, after the classical Greek comedy written in 411 B.C., wows onlookers with its intricate components and larger-than-life dimensions. The installation also comes with a helmet and a flak jacket, both crafted from wood and burlap. Attendees are encouraged to don the protective gear and slip their hand into the machine – sort of like a biomechanical appendage. The sculpture is deliberately designed to restrict movement and freeze the participant. "It's kind of an experiment about the absurdity of violence," says Rea. "Putting your arm into [the gun] creates a weird, paralyzing bravado."
Rea built this oversize computer console, as well as its complementary sculptures, Space Capsule and Space Suit, after repeated viewings of the 1983 film, The Right Stuff. Like most of his projects, he didn't sketch or draw any plans for his wooden control-room dashboard – Rea just began building. "I just have a knack for it," he says. "As a kid, my models looked like shit. It's easier for me just to start building [rather than follow blueprints.]"
Rea wanted to recreate his own version of The Right Stuff, the 1983 film about the history of early space exploration in the United States, but settled on building props influenced by the film instead. The Space Capsule (left) is an homage to the Mercury mission capsule piloted by American astronaut Gus Grissom. The capsule, called Liberty Bell 7, sank after splashdown in the ocean – a complicated stunt Rea eventually elected not to recreate. "I wanted to sink a capsule in a swimming pool and escape," he says. "But I figured I'd probably die – so I didn't do it."
"I needed a suit to go with the capsule," says Rea, whose trio of work – Space Capsule, Mission Control and Space Suit – pays tribute to The Right Stuff , the '80s film about NASA's early days. As with all of his timber-based creations, Rea didn't consult any technical drawings for his piece. He simply began cutting and fitting pieces together until the final product (left) resembled the aeronautic suits worn by the astronauts in the movie.
While tooling around post-college in Chicago, Rea and his friends got the idea to stage pseudo musical performances. After booking a venue, Rea built an entire band's worth of equipment out of wood. While blaring tunes over a PA system, Rea and friends would "shred" on their wooden guitars. "It worked like quasi-karaoke," Rea says. "Kind of obnoxious, but we did it for free drinks."
At first glance, this sculpture, cheekily titled A Prosthetic Suit For Stephen Hawking with Japanese Steel, might seem to be mocking the world-renowned theoretical physicist. But Rea, always a fan of Hawking's appearances on The Simspons and Futurama, decided to build the mecha-robotic body suit to honor the scientist's achievements. The 300-pound suit stands eight feet tall and is interactive – there's a hatch in the back wide enough for a willing participant to crawl in through.
This is the view of A Prosthetic Suit For Stephen Hawking with Japanese Steel from behind.
This massive tank is nicknamed the Time Machine, and it functions as a counter-piece to Stephen Hawking's prosthetic suit. Rea says it represents the conflict between Hawking and noted Pulitzer Prize-winning astronomer Carl Sagan on time travel. "I often display the two as having a showdown," says Rea, who estimates that the tank weighs in at a little less than 1,000 pounds. Like the body suit, the tank has interior room for a passenger and can be moved backwards, forwards or even sideways by his or her feet. The price tag for the beast is a hefty $16,000, Rea's most expensive piece to date.
Rea was inspired to build a replica of the long-lost, legendary Ark of the Covenant after seeing the coveted artifact in popular films like the Ten Commandments and Raiders of the Lost Ark. Weighing in at 75 pounds, Rea's holy tablet-holder stands 4 feet tall and measures 6 feet wide. "My design is not biblically correct," says Rea. "My dimensions are probably off … but it looks ark-ish enough."
While Rea was living in Madison, Wisconsin, getting his graduate degree in art, his rate of production went through the roof. After hustling to build a multitude of his stage prop-like pieces, he thought it would be funny to create a set of pseudo-power tools. "They're along the same lines as all of my work – suspension of disbelief and hyperbole." Rea's collection of elegantly crafted instruments includes a chop-saw, jigsaw, two sanders and a drill. Each piece is comparable in size to its real-life counterpart but are nonoperational.
"I wanted to make something that was bitchin'," Rea says of his highly detailed, life-size wooden model of a jet ski. Rea decided to create a subversive version of a popular pastime as commentary on human leisure activities and "the illusion of the American dream." He spent a summer building the 12-foot-long watercraft vehicle by constructing a large wood rib, filling it with pink foam and then sculpting large planks of wood around the body.
Topicsartmagazine-16.09


Fireplaces for Sale | Fireplace Showroom | York, Scarborough - Flames of York & Scarborough Ltd.
Spark your imagination by paying a visit to our expansive York & Scarborough showrooms. Whether you're searching for sleek, contemporary fireplaces or traditional wood burning stoves – we have the comprehensive selection of products to suit any home or budget.
Each property has its own character and charm, and we understand the need for a fireplace to complement this. Thanks to our wide-ranging stock, Flames of York & Scarborough have got you covered for any type of fireplace size, material, style or energy input and output. We only stock leading brands and manufacturers, including Purevision, Paragon, Gazco, Stovax, and many more, ensuring you receive the finest products.
When you visit our showroom, we're always on hand to offer guidance on the array of available choices, to ensure you select a product that fulfils your practical and aesthetic requirements. Once you have chosen your perfect model, installation is free and carried out by our Gas Safe and HETAS accredited team.
Open 7 days a week and housing over 250 fireplace designs, pay our showrooms a visit to discover your dream fireplace.


For Police Cadets questions or messages please go to the Police Cadets section.
The Youth Issues Team will aim to answer your email within 5 working days.
Question: What are the reason for collecting this information?
Question: Where is the information stored once it has been emailed?
Answer: Retained in email folder on Outlook. As information is a general enquiry, I will usually signpost to the right dept, nearly always Cadets.
Question: Who has access to this information?
Question: How long is the information held for?
Answer: Until fully dealt with. As general enquiries, often deleted within days. If it is crime related, contacted to advice to use appropriate method of contact then deleted.
Question: If a person wants to have the emailed information deleted, or removed from any Force database, or devices it has been saved to which email address do they send this request to and how long will the process take.
Question: Will you be able to email them to let them know that you have deleted all the information from your systems?
© Devon and Cornwall Constabulary. All rights reserved.


text:
package com.p.config;

import javax.sql.DataSource;

import org.apache.log4j.Logger;
import org.springframework.beans.factory.annotation.Autowired;
import org.springframework.context.annotation.Bean;
import org.springframework.context.annotation.Configuration;
import org.springframework.context.annotation.Scope;
import org.springframework.context.annotation.ScopedProxyMode;
import org.springframework.core.env.Environment;
import org.springframework.security.core.Authentication;
import org.springframework.security.core.context.SecurityContextHolder;
import org.springframework.security.crypto.encrypt.Encryptors;
import org.springframework.social.UserIdSource;
import org.springframework.social.config.annotation.ConnectionFactoryConfigurer;
import org.springframework.social.config.annotation.EnableSocial;
import org.springframework.social.config.annotation.SocialConfigurer;
import org.springframework.social.connect.ConnectionFactoryLocator;
import org.springframework.social.connect.ConnectionRepository;
import org.springframework.social.connect.UsersConnectionRepository;
import org.springframework.social.connect.jdbc.JdbcUsersConnectionRepository;
import org.springframework.social.connect.support.ConnectionFactoryRegistry;
import org.springframework.social.connect.support.OAuth1ConnectionFactory;
import org.springframework.social.connect.support.OAuth2ConnectionFactory;
import org.springframework.social.connect.web.ProviderSignInController;
import org.springframework.social.facebook.api.Facebook;
import org.springframework.social.facebook.connect.FacebookConnectionFactory;
import org.springframework.social.google.api.Google;
import org.springframework.social.google.connect.GoogleConnectionFactory;
import org.springframework.social.security.AuthenticationNameUserIdSource;
import org.springframework.social.security.SocialAuthenticationServiceLocator;
import org.springframework.social.security.SocialAuthenticationServiceRegistry;
import org.springframework.social.security.provider.OAuth1AuthenticationService;
import org.springframework.social.security.provider.OAuth2AuthenticationService;
import org.springframework.social.twitter.api.Twitter;
import org.springframework.social.twitter.connect.TwitterConnectionFactory;

import com.p.service.SpringSecuritySignInAdapter;

@Configuration
@EnableSocial
public class SocialContext implements SocialConfigurer {

    @Autowired
    private DataSource dataSource;

    Logger log = Logger.getLogger(SocialContext.class);

    @Override
    public void addConnectionFactories(ConnectionFactoryConfigurer cfConfig, Environment env) {
        cfConfig.addConnectionFactory(new TwitterConnectionFactory(
                "abcdef",
                "secreet"
        ));
        cfConfig.addConnectionFactory(new FacebookConnectionFactory(
                "asdasd-asdasdasd-asdasdasd-asdasdasd",
                "secret"
        ));
        cfConfig.addConnectionFactory(new GoogleConnectionFactory(
                "asdasd-asdasdasd-asdasdasd-asdasdasd",
                "secret"
        ));
    }

    @Bean
    public ConnectionFactoryLocator connectionFactoryLocator() {
        ConnectionFactoryRegistry cfConfig = new ConnectionFactoryRegistry();
        return cfConfig;
    }

    @Override
    public UserIdSource getUserIdSource() {
        return new AuthenticationNameUserIdSource();
    }

    @Override
    public UsersConnectionRepository getUsersConnectionRepository(ConnectionFactoryLocator connectionFactoryLocator) {
        return new JdbcUsersConnectionRepository(
                dataSource,
                connectionFactoryLocator,
                Encryptors.noOpText()
        );
    }

    @Bean
    public ProviderSignInController providerSignInController() {
        ProviderSignInController controller = new ProviderSignInController(connectionFactoryLocator(),
        		getUsersConnectionRepository(connectionFactoryLocator()), new SpringSecuritySignInAdapter());
        //controller.setApplicationUrl("/P/app");
        return controller;
    }

    @Bean
    @Scope(value="request", proxyMode=ScopedProxyMode.INTERFACES)
    public ConnectionRepository connectionRepository(){
        Authentication authentication = SecurityContextHolder.getContext().getAuthentication();
        if (authentication == null) {
            throw new IllegalStateException("Unable to get a ConnectionRepository: no user signed in");
        }
        return getUsersConnectionRepository(connectionFactoryLocator()).createConnectionRepository(authentication.getName());
    }

	@Bean
    public SocialAuthenticationServiceLocator socialAuthenticationServiceLocator() {
        SocialAuthenticationServiceRegistry registry = new SocialAuthenticationServiceRegistry();

        //add google
        OAuth2ConnectionFactory<Google> googleConnectionFactory = new GoogleConnectionFactory(
        		"Cliente.id",
                "Secret");
        OAuth2AuthenticationService<Google> googleAuthenticationService =
        		new OAuth2AuthenticationService<Google>(googleConnectionFactory);
        googleAuthenticationService.setDefaultScope("https://www.googleapis.com/auth/userinfo.profile");
        registry.addAuthenticationService(googleAuthenticationService);

        //add twitter
        OAuth1ConnectionFactory<Twitter> twitterConnectionFactory = new TwitterConnectionFactory(
        		"twitter.consumerKey",
                "twitter.consumerSecret");
        OAuth1AuthenticationService<Twitter> twitterAuthenticationService = new OAuth1AuthenticationService<Twitter>(twitterConnectionFactory);
        registry.addAuthenticationService(twitterAuthenticationService);

        //add facebook
        OAuth2ConnectionFactory<Facebook> facebookConnectionFactory = new FacebookConnectionFactory(
        		"facebook.clientId",
                "facebook.clientSecret");
        OAuth2AuthenticationService<Facebook> facebookAuthenticationService = new OAuth2AuthenticationService<Facebook>(facebookConnectionFactory);
        facebookAuthenticationService.setDefaultScope("");
        registry.addAuthenticationService(facebookAuthenticationService);

        return registry;
    }

}

redpajama_set_name: RedPajamaGithub


Perhaps the title was meant ironically? Like the film 'Happiness'?
I can find humour in bleakness, even if no one else would understand and stare in despair as I laugh maniacally at their suffering. Give it here, I'm sure we can extract some juicy tidbits from this.


The Township of Ocean School District shares the vision of the 2014 New Jersey Student Learning Standards for Social Studies. Click here to view the New Jersey Student Learning Standards for Social Studies, K-12.
The ultimate goal of social studies education is to provide all students with the information required to become informed and responsible citizens who are able to contribute to society. As students are exposed to sequentially organized content area objectives, skill and understanding develop and expand until the goal is achieved.
has transformed education so that 21 st century learners have tremendously powerful tools at their access--tools with which they can travel back through time to prehistoric eras as well as access information about the present and far-reaching future. In order to increase understanding of our global society and its responsibilities, New Jersey students are using these tools to expand their learning networks through online collaboration with specialized experts and even other educators and students from around the world. Simultaneously, our students are expected to develop an understanding of the fundamental principles and values of our democracy and citizenship. When the two combine, the resultant product is a body of knowledgeable citizens who are capable of making informed decisions about issues and challenges that we face at the local, state, national, and international levels.
ü to teach students about their connectivity to their families, neighbors, community, country, and the world.
üto provide students with a foundational understanding of American democracy and citizenship through active participation in local and global communities.
ü to expose students to the existence of varying perspectives that are inherent in a multi-cultural and diverse society.
ü to guide students in a direction that will allow them to appreciate differences in people, cultures, traditions, and lifestyles.
ü to teach students to live cooperatively in a shrinking world and to collaborate to resolve conflicts in peaceful, non-violent ways.
ü to expose students to geography skills that will enable them to better understand that geography greatly influences and impacts history.
ü to develop an understanding of the past so that its connection to and influence over the present and future is apparent.
ü to foster an understanding of the interconnectivity between economics, civics, geography, and history.
ü to develop an appreciation and working knowledge of currently existing technological tools and how they are to be used safely, legally, and ethically to access and gain information.
ü to obtain the knowledge of how to locate legitimate and reliable sources of information.
ü to become critical thinkers that are able to analyze, evaluate, and synthesize information.
ü to encourage and foster an appreciation for creative and innovative approaches to dealing with life.
ü to understand the foundations of economics and how the American economy relates to that of the world.
The Township of Ocean School District strives to provide its students with the knowledge and skills to attain these goals so that they may become productive citizens, not only of the United States but of the global society of which they are a part.
Social Studies instruction is infused into the daily curriculum so that skills in dealing with everyday issues are continually being developed.
· read for literacy within the Social Studies content area.
· read for information within the Social Studies content area.
· write, using vocabulary specific to the content area.
· develop proficient use of listening and speaking skills within the Social Studies learning environment.
· apply the terminology and jargon of the content area appropriately when speaking or writing about Social Studies topics.
As we moved into the 21 st century, the acquisition of isolated facts has all but disappeared from the education arena. Rather, students are more actively engaged in authentic learning experiences and project-based learning activities with interdisciplinary connections.
This course is designed to continue the study of the United States history program covered in Grade 5. Units include geographical studies of the United States and World, Holocaust/Tolerance, Foundation of United States Government, Expansion and reform in the United States, The United States Pre-Civil War, The Civil War, Reconstruction, and the development of industry and the Industrial Revolution. Analytical skills, research skills and the interpretation of primary sources will be emphasized in this course.
This course is designed to be a continuation of the United Stated history program begun in grade 5. Included is a review of geography skills, map skills, terminology, latitudes, longitudes, and time zones. Featured is a study of the United States Constitution principles, organization of government, structure and formation of the document. The remainder of the course is spent on twentieth century history from the Spanish American War to contemporary times.
This course is designed to begin the study of the development of humans as they progressed through the ancient and medieval periods of history. Units include: Ancient History, Egypt, Mesopotamia and the Hellenistic Times, Lydian's, Phoenicians, Hebrews, Persians, Rome and Christianity. It also includes the Middle Ages, Barbarian invasion, Byzantine Empire, Islam, Hinduism, and Sub-Sahara Africa. Students should become aware of these civilizations. Students should develop a heightened awareness of political history, economics, culture, science, art, religion, and class structure of these civilizations.
This course is designed to continue the study of world cultures. Included is an analysis of the causes, course, and outcome of the Italian Renaissance, the Age of Autocracy, the Age of Revolutions, the Napoleonic Era, the Unification of Italy and Germany, First and Second World Wars and general developments of cultures in Africa and Asia.
Analytical skills and the interpretation of primary sources will be developed. Skills necessary for success in high school social studies curricula will be explored.
This course will provide students with a survey of the major social, economic, and political events in American history from the American War for Independence through the Civil War and Reconstruction and including the Politics and Protest Movements of the late 19th Century. The course will correspond to the literature of related time periods.
Analytical skills, research skills and the interpretation of primary sources will be emphasized. The honors level of this course spans from Pre-Colombian times through Post Reconstruction Era. This is in order to prepare honors tracked students for the Advanced Placement United States History Exam at the end of Grade 11.
II are covered in detail. The Progressive Era, Great Depression and other domestic issues are also covered. This course will provide students with a unit on the Holocaust and address the concepts of prejudice, racism, and the Genocides of the Twentieth Century. The honor level of this course, AP US History II, covers American history from "U.S. becomes an Industrial Power" to the present. This is the second part of a two year course designed to prepare students for the Advanced Placement Examination.
This year long course covers the period of history in America from 1950 to the present.
Emphasis is placed on such major events as the Cold War, the Korean War, the Eisenhower Years, the Civil Rights Movement, Space Exploration, The New Frontier of the Kennedy Years, the Great Society of Lyndon Johnson, Vietnam War, Watergate, Nixon foreign policy successes, Stagflation, the Middle East, the Clinton Administration, George Bush, the Gulf War, terrorism, and the contemporary problems that face the United States as a nation and a pluralistic society.


Hello to all my fellow fiber addicts! Just thought I would share some sales going on right now. This is by no means all there is, just a little from a couple of my favorite online shops.
Until next time, Happy Knitting all!
Entrelac - New tutorial coming soon!


text:
Aaron Ramsey was one of the players who enjoyed a brilliant Euro 2016
Aaron Ramsey was one of the players who enjoyed a brilliant Euro 2016, as he progressed to the final of the competition.
Wales were never even expected to qualify for the competition, but they managed to do exceedingly well under the regime of Chris Coleman. Even though the former Fulham manager started out in the worst possible fashion by losing his first four matches, he has managed to take the national team through a tough period and come out positive. Ramsey has been one of the success stories for the national team, as he has been able to successfully fulfil his talent with club and national team.
Ramsey may not be at his best in the last 24 months, but the talent at his disposal was clear for everyone to witness during the 2013-14 season. He scored a whopping 16 goals in all competitions, which is his best career return so far in one campaign. He was an instrumental factor in Wales reaching the final of the competition where they lost to Portugal, who were also unlikely candidates for this stage of the competition. Ramsey now claims that he is hoping to achieve a similar run with Arsenal when the new Premier League season kicks off this weekend.
Arsenal are up against Liverpool in the opening weekend. "It was an amazing time for me personally and also Welsh football. It was an amazing achievement by the boys and now hopefully I can carry my form into the new season. It felt good to come in and play the last game before the start of the season. It's good fitness for us and I felt good to get back out there again. I feel ready to go for Liverpool. [The Manchester City game] was preparation and a step in the right direction too," said Ramsey.


text:
module Iugu
  module APIDelete
    def delete
      APIRequest.request 'DELETE', self.class.url(attributes)
      self.errors = nil
      true
    rescue Iugu::RequestWithErrors => ex
      self.errors = ex.errors
      false
    end
  end
end


text:
#=============================================================================
# Copyright 2007-2009 Kitware, Inc.
# Copyright 2013 Alexander Neundorf <neundorf@kde.org>
#
# Distributed under the OSI-approved BSD License (the "License");
# see accompanying file Copyright.txt for details.
#
# This software is distributed WITHOUT ANY WARRANTY; without even the
# implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.
# See the License for more information.
#=============================================================================
# (To distribute this file outside of CMake, substitute the full
#  License text for the above reference.)