Filmmakers wishing to apply for a $10,000 award for the best T&T film in development have until 30 August to do so. The award sponsored by BP Trinidad and Tobago as part of the T&T Film Festival, seeks to make a contribution towards the completion of a local narrative or documentary feature film currently in pre-production, which is being made by a T&T resident or national and is to be made in this country.
Christian James who won the BPTT Best T&T Film in Development in 2014, spoke about the impact that winning that award has had on his work.


By now you may have realised that I am a total sucker for a good Farmers Market/Food Fair/Food Festival, or to put it simply: any large food based event. Living in the heart of the countryside leaves us in the perfect scenario – or not so perfect in the case of the old bank balance – where we are surrounded by farms, which naturally means markets!
Last weekend we found ourselves at the Wirksworth Farmer's market. Wirksworth is a tiny village town nestled between Cromford and Belper, it could almost be classed as a sleepy little village to those who don't know it.
We arrived at the market - which is slightly smaller than I had originally envisaged - slightly dazed by some pretty exciting news (which I can't tell you about yet, but I'm insanely excited about!), so dazed in fact that I forgot to take the names of some of the stall holders.
The market took on the shape of most other farmer's market in the fact that there was cheese, breads, eggs, vegetables and meat on offer. But this had a few extra hidden gems.
The first stall we swung by was the cheese stall, Mr M is a sucker for flavoured cheese so I left him choosing his cheese whilst I picked up a massive block of fresh hand churned butter. Honestly, if you do nothing else in your life you must try handmade butter! It is so insanely creamy and has such a clean flavour, it's a game changer I promise.
Stopping off at Bentleys Fine Foods on the way past, where I picked up this little pot of delight; Lime and Ginger jam.
A cracking flavour combination with a mix of zing and heat, it's perfect if you're looking for something a little different.
All in all the Wirksworth farmer's market is worth the trip. It ticks all of the small village market boxes where you can get some fantastic quality local produce and support local farmer's. Making it well worth the trip!
The Lime and Ginger jam is to die for! I'm killing it I was hoping to use it in a recipe but I can't stop eating it on toast!


"Great beginner to intermediate scooter"
The Kota Ninja Green / Black Complete Scooter is the entry level scooter from the man himself, Dakota Schuetz. We will price match any retailer.
The KotaNinja Scooter is designed for the young shredder who is looking for their first freestyle scooter. The Ninja uses strong materials for its main components which makes this scooter better for young beginner riders and will be the perfect starting point for your child's first freestyle scooter.


But she couldn't go back to sleep. In fact, she couldn't wait to get up. Her mind was racing and, for the first time in weeks, in a positive, not a negative, way. And she felt good, so very good. All the ideas and hopes and shared stories of the last two days had taken hold of her in a powerful, uplifting way that surprised her. She not only was experiencing a change in her perception of her situation, but after last night's goal setting, she was also developing a plan of action that was real—not contrived like some of the other plans she'd learned about.


Funding opportunities for your community group are available at GenerosityNZ.
You will need to enter your library card number to access these databases.
© 2014 Kaipara District Council. All rights reserved.


text:
Gig Workers Struggle To Get Financial Help During Pandemic
By Shannon Bond
Published April 5, 2020 at 10:00 AM EDT
Gig companies have started offering benefits like paid sick leave now that workers are on the front lines of the coronavirus pandemic, and some are getting sick.
April McGhee and her teenage daughter started feeling sick last month. They had coughs, sore throats and fevers. Her daughter's condition became so bad that they went to the emergency room.
"She had it worse than I did," McGhee said. "Her cough lasted longer. It was really a concern. ... It was like a dry, nonproductive, hacking cough."
McGhee, who lives in Sacramento, wanted both of them to get tested for the coronavirus. But the hospital told her they weren't sick enough to qualify for testing under California's rules. So, they went home and into isolation.
A single mom, McGhee makes ends meet by delivering groceries for Instacart and meals for Postmates. She contacted Instacart to apply for sick pay under a policy the company recently put in place because of the pandemic.
"They basically laughed me off," McGhee said. "They said, 'Unless you have the health department or [Centers for Disease Control and Prevention] making you stay home on quarantine, or a note from the doctor saying that you've been diagnosed with COVID-19, you're out of luck.'"
Gig companies like Instacart, Uber and Lyft connect people who need tasks done with workers willing to do them. But the companies consider these workers independent contractors, not employees. The firms generally do not provide paid sick leave or other employee benefits.
Now, however, that's changing. The nature of the work that Instacart shoppers, Uber and Lyft drivers and other gig workers do puts them in close contact with strangers. They are, in essence, on the front lines of the coronavirus pandemic, and some of them are getting sick.
McGhee joined other Instacart workers who walked off the job Monday to demand better safety measures. She says the company's policy not only puts her at risk, it encourages people who are sick to keep working and, potentially, spread the disease.
She said the company should keep its workers healthy "as a buffer zone instead of as a Typhoid Mary."
Instacart has since announced it plans to distribute supplies, including masks, hand sanitizer and thermometers, to workers beginning this week.
Workers for other gig companies are also running into hurdles getting the help they've been promised.
After Uber and Lyft driver Khadim Diop fell ill with a fever and sore throat, he got a letter from New York City's health department saying he must stay home for 14 days.
He showed the letter to both companies to receive sick pay. He hoped it would cover the loss of the roughly $1,000 to $1,500 he says he typically makes per week. He got $250 from Lyft.
Uber initially rejected his claim, saying he did not qualify for the company's financial assistance program. Uber said it has paid more than 1,400 claims to U.S. drivers in less than three weeks.
But after NPR contacted Uber, the company reversed its decision regarding Diop. It said his claim should not have been rejected. He has now received about $1,700 from Uber to cover the two weeks of work he's missed.
That's money he sorely needs.
"To be honest, right now, I'm very broke," Diop said.
Uber does not require drivers to get tested for the coronavirus to get paid leave. They can show a doctor's note telling them to isolate themselves to prevent the virus from spreading.
But Uber's policy does not cover drivers who choose not to work because they're afraid of getting sick.
"I have bad lungs already. I'm borderline diabetic. I have high blood pressure," said Steve Gregg, an Uber driver in the Bay Area who stopped driving about three weeks ago. "Getting in that car felt like Russian roulette."
Gregg got a note from his doctor explaining his preexisting conditions, but Uber denied his claim.
Gregg is now looking elsewhere for help. He's applied for unemployment benefits, which are now available to gig workers under a law Congress passed last month. There are concerns, however, that states cannot process those claims quickly. U.S. Sen. Mark Warner, D-Va., has called on on the U.S. Labor Department to issue detailed guidance as quickly as possible.
Editor's note: Lyft and Uber are among NPR's sponsors.
Shannon Bond
Shannon Bond is a business correspondent at NPR, covering technology and how Silicon Valley's biggest companies are transforming how we live, work and communicate.
See stories by Shannon Bond

redpajama_set_name: RedPajamaCommonCrawl


text:
VIRAT KOHLI – THE MONOPOLISTIC SUPPLIER OF A BILLION DEMANDS
July 14, 2018 July 15, 2018 / venkyninja1976
Al Capone once said, "I am like any other man. All I do is supply a demand". Virat Kohli seems to echo the sentiments of this legendary and notorious persona, albeit in situations that are more circumspect and sober. The stylish Indian Number 3 has of late morphed into a universally acknowledged monopolistic supplier of demands involving improbable run chases. Seemingly insurmountable targets in the shorter and shortest formats of the game are battered down by Kohli and the impossible transforms into the inevitable. A clinical demonstration of this extraordinary ability put paid to the ambitions of an Afridi led Pakistani side which was hoping to end their wretched jinx of having never defeated their arch rivals in a World Cup encounter. As the dust settled down at the magnificent Eden Gardens and the victors retired to celebrate, the vanquished were left licking their wounds and rue over a statistical incongruity which read 11-0.
However there is absolutely nothing incongruous about the way in which Kohli goes about his cricket. There is a refreshing joie de vivre with which this marauding yet assured phenomenon goes about dismantling his opponents with a cricket bat. Like a master artisan meticulously sculpting a masterpiece, Kohli has a patented method to his lethal madness. A method that massacred Malinga and Sri Lanka at Hobart; decimated George Bailey's Australians at Jaipur; took the wind out of the collective Bangladeshi sails in the Asia Cup finals; and ran roughshod over a bunch of gregarious Pakistanis at Eden Gardens.
Having miserably crumbled to New Zealand in their home opener, India, even if not tottering, was in an extremely uncomfortable position having lost 3 wickets for only 23 runs. Having put into bat in a match curtailed by rain to 18 overs, Pakistan had garnered 118 difficult runs on a pitch that resembled more a treacherous mine field than a pristine featherbed that is usually the preserve of T20 games these days. Ashwin and Jadeja got the ball to turn square and at right angles. Hence it was something of a mystery when the Indian skipper decided not to back their spinners to complete their full quota of overs. An obdurate partnership involving Shoaib Malik and Umar Akmal ensured that the Pakistani bowlers had a semblance of a competitive target to bowl with.
The Indian reply did not exactly follow the script when the extremely talented, but incorrigibly complacent Rohit Sharma had departed first after Shoaib Malik poached a mistimed skier off Mohammed Aamir. An inexplicably scratchy and tentative Shikhar Dhawan soon followed suit playing a fast Mohammed Sami delivery back onto his stumps. And when Suresh Raina, struggling for proper form was castled first ball not only was Sami on a hat-trick, India's impeccable record of having never lost to their arch rivals in a World Cup encounter was being seriously imperiled. 23-3 and the momentum was totally with the guests. An added historical fact of Pakistan having never lost a game at the Eden Gardens seemed to have bestowed on them an infectious spurt. Yuvraj Singh joined Virat Kohli at the crease and managed to safely negotiate the hat-trick delivery.
Embodying the resolve of the indefatigable Michael "Terminator" Bevan and the unique assuredness of one of the best finishers of the game, Mahendra Singh Dhoni, Virat Kohli decided to take matters into his own hands. Initially proceeding to work the ball both sides of the wicket, Kohli put his fabulous wrists to magisterial use by deftly flicking and driving the ball. A beautifully timed pull off Wahab Riaz through the mid wicket region provided a much needed release from the pressure that had enveloped the Indian batting. This was soon followed by the first six of the Indian innings when going down on one knee; Kohli slog swept Shoaib Malik to send the ball soaring high over the square leg boundary. The maestro was just beginning to warm up to yet another challenge. A breathtaking inside out shot that burnt the blades of grass at cover before thudding into the boundary provided ample testimony to the sheer class epitomizing the wrist work of Kohli. Spotting the length of the delivery in a flash, Kohli using lithe and nimble footwork employed his wrists in devastating fashion slapping the ball past the cover region. However the shot of the day was to follow soon. Mohammed Aamir was reintroduced into the bowling attack to dislodge a partnership that was attaining dangerous proportions. To a ball pitched slightly outside the off-stump, Kohli displaying the full face of the bat, timed the delivery exquisitely, placed it to perfection, before dispatching the ball to the cover boundary. Time seemed to stand still paying homage to an imperious genius in imperial form. Kohli however was not bent upon impressing a phalanx of Gods. He was paying his tribute to the one preceptor whom he revered and the only God whom he worshipped – Sachin Ramesh Tendulkar. The greatest batsman the world has been grateful to witness since the Bradman era, acknowledged this honour with equanimity and pride as he applauded his protégé's accomplishments from the stands. Another inside out shot with a predominant bottom hand whipping the ball towards the cover boundary brought Kohli near the brink of a landmark half century. When he attained the milestone, the rafters at the Eden Gardens came down in a thunderous chorus of approbation as thousands of fans gave vent to their feelings of euphoria.
Yuvraj Singh after essaying an innings of impact had departed the stage, but not before sending a ball sailing over the mid wicket boundary for a vintage Yuvraj six. His innings of 24 was punctuated by a six and a four each. By the time Kohli reached his 50, the target was whittled down to a mere 14 runs. As is the custom towards which M S Dhoni seems to possess a religious addiction, a towering six followed by a single finished the game off with 2 overs and a delivery to spare.
Yet again Virat Kohli had proved his mettle. Combining a Zen like tranquility with a controlled fury finding expression in an exuberant array of regal stroke making Kohli had once again drilled home the fact that when it comes to chasing down targets, his presence and performance was an indispensable factor. The progress of India and the performance of Kohli were now two factors that had an inextricable nexus between them incapable of being severed. An anomaly against New Zealand found its atonement against Pakistan. However, lest we forget this is just the beginning. Not only during the course of this World Cup, but long into the future, weighty demands will be ceaselessly placed on the sturdy shoulders of this great batsman in whom Sir Vivian Richards saw shades of himself. The demands will be relentless, rigorous and remorseless. But there is every reason to believe that Virat Kohli will deliver. The monopoly is under no threat and the supply stream shows no sign of abating!
IN KOHLI WE TRUST!
← The Wrath of Virat Kohli
Debtors' Prison: The Politics of Austerity Versus Possibility by Robert Kuttner →


text:
/**
 * @fileoverview Class that retrieves rich autocomplete matches, represented as
 * a structured list of lists, via an ajax call.  The first element of each
 * sublist is the name of a client-side javascript function that converts the
 * remaining sublist elements into rich rows.
 */

goog.provide('goog.ui.ac.RichRemoteArrayMatcher');

goog.require('goog.dom');
goog.require('goog.ui.ac.RemoteArrayMatcher');

/**
 * An array matcher that requests rich matches via ajax and converts them into
 * rich rows.
 *
 * @param {string} url The Uri which generates the auto complete matches.  The
 *     search term is passed to the server as the 'token' query param.
 * @param {boolean=} opt_noSimilar If true, request that the server does not do
 *     similarity matches for the input token against the dictionary.
 *     The value is sent to the server as the 'use_similar' query param which is
 *     either "1" (opt_noSimilar==false) or "0" (opt_noSimilar==true).
 * @constructor
 * @extends {goog.ui.ac.RemoteArrayMatcher}
 */
goog.ui.ac.RichRemoteArrayMatcher = function(url, opt_noSimilar) {
  'use strict';
  goog.ui.ac.RemoteArrayMatcher.call(this, url, opt_noSimilar);

  /**
   * A function(rows) that is called before the array matches are returned.
   * It runs client-side and filters the results given by the server before
   * being rendered by the client.
   * @type {?Function}
   * @private
   */
  this.rowFilter_ = null;

  /**
   * A function(type, response) converting the type and the server response to
   * an object with two methods: render(node, token) and select(target).
   * @private {goog.ui.ac.RichRemoteArrayMatcher.RowBuilder}
   */
  this.rowBuilder_ = function(type, response) {
    'use strict';
    return /** @type {!Object} */ (response);
  };
};
goog.inherits(goog.ui.ac.RichRemoteArrayMatcher, goog.ui.ac.RemoteArrayMatcher);

/**
 * Set the filter that is called before the array matches are returned.
 * @param {Function} rowFilter A function(rows) that returns an array of rows as
 *     a subset of the rows input array.
 */
goog.ui.ac.RichRemoteArrayMatcher.prototype.setRowFilter = function(rowFilter) {
  'use strict';
  this.rowFilter_ = rowFilter;
};

/**
 * @typedef {function(string, *): {
 *   render: (function(!Element, string)|undefined),
 *   select: (function(!Element)|undefined)
 * }}
 */
goog.ui.ac.RichRemoteArrayMatcher.RowBuilder;

/**
 * Sets the function building the rows.
 * @param {goog.ui.ac.RichRemoteArrayMatcher.RowBuilder} rowBuilder
 *     A function(type, response) converting the type and the server response to
 *     an object with two methods: render(node, token) and select(target).
 */
goog.ui.ac.RichRemoteArrayMatcher.prototype.setRowBuilder = function(
    rowBuilder) {
  'use strict';
  this.rowBuilder_ = rowBuilder;
};

/**
 * Retrieve a set of matching rows from the server via ajax and convert them
 * into rich rows.
 * @param {string} token The text that should be matched; passed to the server
 *     as the 'token' query param.
 * @param {number} maxMatches The maximum number of matches requested from the
 *     server; passed as the 'max_matches' query param. The server is
 *     responsible for limiting the number of matches that are returned.
 * @param {Function} matchHandler Callback to execute on the result after
 *     matching.
 * @override
 */
goog.ui.ac.RichRemoteArrayMatcher.prototype.requestMatchingRows = function(
    token, maxMatches, matchHandler) {
  'use strict';
  // The RichRemoteArrayMatcher must map over the results and filter them
  // before calling the request matchHandler.  This is done by passing
  // myMatchHandler to RemoteArrayMatcher.requestMatchingRows which maps,
  // filters, and then calls matchHandler.
  var myMatchHandler = goog.bind(function(token, matches) {
    'use strict';
    try {
      var rows = [];
      for (var i = 0; i < matches.length; i++) {
        for (var j = 1; j < matches[i].length; j++) {
          var richRow = this.rowBuilder_(matches[i][0], matches[i][j]);
          rows.push(richRow);

          // If no render function was provided, set the node's textContent.
          if (typeof richRow.render == 'undefined') {
            richRow.render = function(node, token) {
              'use strict';
              goog.dom.setTextContent(node, richRow.toString());
            };
          }

          // If no select function was provided, set the text of the input.
          if (typeof richRow.select == 'undefined') {
            richRow.select = function(target) {
              'use strict';
              target.value = richRow.toString();
            };
          }
        }
      }
      if (this.rowFilter_) {
        rows = this.rowFilter_(rows);
      }
      matchHandler(token, rows);
    } catch (exception) {
      // TODO(user): Is this what we want?
      matchHandler(token, []);
    }
  }, this);

  // Call the super's requestMatchingRows with myMatchHandler
  goog.ui.ac.RichRemoteArrayMatcher.superClass_.requestMatchingRows.call(
      this, token, maxMatches, myMatchHandler);
};

redpajama_set_name: RedPajamaGithub


text:
First ride: Yamaha SR400 review
By Steve Farrell
Yes, it's very charming, but can that make this 23hp single worth £5,200?
I LIKE an old bike, and I've owned a few over the years, but I tend to get fed up with throwing money and time into looking after them. If only it were possible to have an old bike with the reliability and dealer support of a new one.
It is, and you're looking at it. The single-cylinder air-cooled SR400 was introduced in Japan in 1978. Aside from a shorter piston stroke, it's virtually identical to the SR500, also a 1978 model, which was an adaptation of the XT500 trailie (who says platform-sharing bikes are new?) given British-inspired road bike looks and ergonomics.
This year Yamaha quietly added the SR400 to its UK line-up in an apparent bid to tap into interest in traditional and retro-style bikes fuelled by the café racer scene. As if to confirm this, Yamaha is marketing it as 'built to customise' and has sponsored some 'yard-built specials' from some fashionable café racer types.
I say they 'quietly' introduced it because there was no opportunity for journalists to ride it at a press launch. The bike was just announced and then arrived in dealers. Yamaha seems to be relying on the charm of the model to sell it rather than reviews. If you don't see the charm, you don't see it. If you do, why run the risk of some journalists swaying you?
I do see it. The SR400 is like a so-called 'time-warp' classic. I could have been collecting a bike from a dealer in 1979 instead of 2014, if it weren't for the fuel injection and disc front brake (and all the sports bikes on the forecourt).
Almost every detail, from the chrome mudguards and 18-inch spoked wheels to the basic two-dial clocks and bar switches, looks authentically from the past.
The single-unit seat is removed by undoing two bolts, not by turning a key, and there's little reason to go under there anyway. There's no storage compartment there or anywhere else on the SR400 and the tool kit is behind a locking hatch just above the rider's foot peg on the right. Where are you supposed to put your disc lock? In the future. This is the '70s.
There's real chrome everywhere – on the headlamp and clocks, the mirrors and indicators. The only obvious bit of fake plastic chrome I found was the chain guard.
The tyres are skinny Metzeler Perfect ME77s with a tread pattern that takes me back to when Abba were in the charts.
And naturally there's no electric start. I'd been told this but had forgotten by the time I arrived to collect the bike, as if the information was too implausible to remember. I grew up with kick-start-only bikes but they were all two-strokes. 'I've never started a four-stroke kick-start before,' I admitted to the dealer, who, embarrassingly, did it for me.
Of course it's actually very easy. There's a little glass window on the right-hand side of the valve cover. Push the kick-start until you can see shiny metal in that window, and that means the piston is in the ideal position for starting. Apparently SR owners don't use the window once they've got the knack.
Then pull and release the decompression lever, and give the kick-start one healthy kick. Then repeat the process remembering to turn the ignition on. Then you're away. It starts first kick, luckily without the requirement of much brute strength.
It's part of the machine's appeal. Starting a bike like this should be complicated. As soon as I established it wasn't difficult, which was almost immediately, I enjoyed the ritual, and the mechanical affinity it suggests to imagined bystanders.
Riding the SR is also like visiting times gone by. The single disc front brake and drum rear might be powerful by '70's standards but not today's. They do the job of stopping you safely and not much besides.
The forks and twin shocks are adequate but soft, from a time when the main job of suspension was smoothing out bumps, not helping you explore the limits of traction. They work – the SR won't bottom out in a big pothole – but it's springy. An 11-stone rider sitting on the stationary SR is enough to cause compression at both ends. For less pre-load, go on a diet – the suspension is non-adjustable.
The engine makes a fairly featureless dollop of power spreading from 2,000rpm to the red line at 7,000rpm. That's because peak torque of 20.2lbft is way down at 3,000rpm and peak power, a modest 23.2hp, at 6.500rpm.
It's happiest and most likeable between about 3,000 and 5,000rpm. Higher up it protests with vibrations. Throughout much of the rev range there's an audible rattle, like the sound of a spokey dokey in a bicycle wheel.
That's at speeds up to about 40mph. Above that, the flicking sound is drowned out and the engine vibes no longer seem to match the natural frequency of the bike. Then exploring the higher revs is less troublesome and the SR accelerates amiably to motorway speeds.
It will sit fairly happily at an indicated 80mph, with the needle just below 6,000rpm, but won't go much faster. A decent two-stroke 125 would probably have the legs on it, as would a KTM Duke 200.
That doesn't matter. This isn't a bike for racing two-stroke 125s or Duke 200s. It's for getting about in a cheerful fug of nostalgia.
I don't care about bobbers or café racers or yard-built specials, as I suspect many reading this won't. I warmed to the SR400 for what it is: a basic, simple, unpretentious motorcycle. An archetypal motorcycle, the kind that would befit Wallace and Gromit, or a Hollywood director's vision of rural England.
The problem is the price. It costs £5,199 plus on-the-road charges. You could get a Yamaha MT-07 for only £150 more and a Suzuki SV650S for £200 less. I know those are very different machines but, to recommend the SR, I'd still like its price to reflect its position beneath them in the hierarchy of usefulness. Maybe the SR justified an average entry-level middleweight price in 1978. This is 2014, and entry-level middleweights have come a long way.
Perhaps you're paying for the nicely polished engine cases and all that chrome, but I'm also worried about some of that. The bike I rode had about 1,300 miles on the clock and rust was already making an appearance on the underside of the mudguards.
Other bits were already looking old. Not in a classic sense - just old. A lock on the left-hand side panel looked a shade furry, as did some bolts. A tiny bit of paint had flaked off the frame next to one of the seat bolts. What's it going to look like if you use it in winter?
I was disappointed to note that the 'Yamaha' on the tank is a sticker.
The SR is £200 more than the similarly old-fashioned, full-on-café-racer-styled Royal Enfield Continental GT, but that's probably overpriced too. Both need to be about £4,000 in order for their charm to outweigh their deficit of capability.
Whether you agree with regard to the SR will depend on just how charming you find it.
Model tested: Yamaha SR400
Price: £5,199 plus on-the-road charges
Power: 23.2hp @ 6,500rpm
Torque: 20.2lbft @ 3,000rpm
Wet weight: 174kg
Fuel economy (mix of town and motorway): 63.8mpg
Tank capacity: 12 litres
Colours: Matt grey, black
Availability: Now
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Kawasaki J300: the wedding planner
Used review: Shark Speed-R Texas helmet


Chatham News » Chatham's nursing degree partner, UPMC Shadyside earns national recognition for nursing excellenceChatham News - Chatham University in Pittsburgh, Pa., has a long history of commitment to the environment and today is a recognized leader in the field of sustainability.
PITTSBURGH (March 22, 2010) … UPMC Shadyside has earned Magnet designation for excellence in nursing by the American Nurses Credentialing Center's (ANCC) Magnet Recognition Program®. Only 6 percent of hospitals nationwide have been granted Magnet status, one of the highest achievements an organization can obtain in professional nursing. UPMC St. Margaret achieved Magnet status in 2009.
Magnet candidates must undergo a rigorous and lengthy application and evaluation process that includes extensive interviews and review of all aspects of nursing services. To earn Magnet status, hospitals must clearly demonstrate a commitment to excellence on all levels of nursing practice and adhere to national standards for organization and delivery of nursing services. Magnet hospitals are recognized for building and supporting a continuous culture of transformational leadership, structural empowerment, exemplary evidence-based practice, advanced training, new knowledge application and innovations with measurable outcomes proving quality patient care. The designation is valid for four years, during which time the ANCC monitors the hospital to ensure that high patient care standards remain intact. The ANCC is the largest and most prominent nursing credentialing organization in the United States.
UPMC Shadyside is a 517-bed tertiary care hospital that has been serving the residents of Pittsburgh and the tri-state area since 1866. UPMC Shadyside offers primary medical care; physician and nursing education; and a broad range of specialties that include cardiology, oncology, orthopaedics, geriatrics, gynecology, vascular medicine, endocrinology and more.
UPMC is an $8 billion integrated global health enterprise headquartered in Pittsburgh, Pennsylvania, and is one of the leading nonprofit health systems in the United States. As western Pennsylvania's largest employer, with 50,000 employees, UPMC is transforming the economy of the region into one based on medicine, research and technology. By integrating 20 hospitals, 400 doctors' offices and outpatient sites, long-term care facilities and a major health insurance services division, and in collaboration with its academic partner, the University of Pittsburgh Schools of the Health Sciences, UPMC has advanced the quality and efficiency of health care and developed internationally renowned programs in transplantation, cancer, neurosurgery, psychiatry, orthopaedics and sports medicine, among others. UPMC is commercializing its medical and technological expertise by nurturing new companies, developing strategic business relationships with some of the world's leading multinational corporations, and expanding into international markets, including Italy, Ireland, the United Kingdom, Cyprus, Qatar and Japan. For more information about UPMC, visit our Web site at www.upmc.com.


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text:
The Victoria Police Department Honor Guard began as a loosely knit group who represented the department in paying tribute to fallen officers.
About the Honor Guard
Today, the Honor Guard consists of a team of dedicated officers who volunteer their time to participate. The Honor Guard, with their drilled precision and specialized uniforms, participates in funerals and memorials honoring those officers who have died, whether or not it was in the line of duty.
The Honor Guard represents the Victoria Police Department in showing our love and respect for our brother and sister officers, who dedicated their lives to the community. The Guard travels around the state to make our contribution to the memory of a fallen officer.
For Emergencies: Call 911
Non-Emergency Calls for Assistance:
306 S Bridge St


We are the manufacturing enterprise combined with raising industry in China. We specialized in designing and producing automatic poultry farm equipment. 20 Years' Equipment Producing Experience. Focusing on manufacturing, researching and developing automatic layer, broiler and pullet raising equipment and High Efficiency Design Modern Chicken Farm, GOLDENEGG provides customers with poultry farming solutions, including product research and development, project design, production, installation and service.
It has well-selected & experienced team of professionals and technicians from the field of Poultry automation. This is a very specialized sector catering to the needs of technology savvy & progressive poultry farmers. High Efficiency Design Modern Chicken Farm.
How can I make a fairly efficient chicken farm? What is the best design for this? minecraft. Is VOR identification automated in modern avionics?
06/01/2013· In this Chicken Farm y Minecraft High-Efficiency Chicken Farm This Farm is a fairly complicated design recommended for intermediate redstone users.
Cleaning rate of chicken dropping up to 98%, a high efficiency to cleaning. Chicken cage layout, house size design even modern recycle farm design.


text:
Boeing 737 MAX Customer Claims
Home » Boeing 737 MAX Customer Claims
Lavent Law, P.A. is accepting claims from airlines and airline leasing companies that have placed orders for the Boeing 737 MAX.
737 MAX planes were grounded worldwide following the tragic Lion Air Flight 610 and Ethiopian Airlines Flight 302 crashes, which resulted in the deaths of 346 people. Both crashes were caused by the faulty anti-stall system called MCAS. There is evidence that Boeing knew about the problems prior to both crashes.
Over 5,000 orders for 737 MAX planes were placed by airlines all over the world. Airlines were enticed by Boeing's claims that the 737 MAX would result in substantial fuel and maintenance savings, while having a longer range. The costs savings were projected to be in the millions of dollars per year per plane.
Instead of saving millions of dollars with the 737 MAX orders, airlines have incurred devastating financial losses due to the costs of storing grounded planes and lost revenue for both delivered planes and planes that were projected to be delivered. In addition, airlines have had to cancel and reroute countless flights due to the grounding of the 737 MAX planes.
Boeing has already been sued by an aircraft leasing company to cancel their 737 MAX order. That lawsuit also seeks a substantial amount of additional compensation for punitive damages.
Despite making statements to the media for months that the 737 MAX will be back in the air by the end of 2019, on December 16, 2019 Boeing announced that it will suspend production of the 737 MAX due to the uncertainty of when the FAA will certify the planes.
Lavent Law, P.A. will thoroughly analyze each client's potential claim against Boeing for the 737 MAX issues and advise what the ideal claim for damages is. Unlike traditional law firms that handle commercial litigation claims, Lavent Law PA will take the case on a contingency fee basis. This means that there will be no upfront payments for legal services or monthly bills for hourly time spent on the case. Instead, the fee for legal services will be a percentage of the amount of money recovered from Boeing.


Update: Christie's sold Girl in a Red Dress with a Dog for $1.69 million–a new world auction record for the 19th century American folk artist.
What you see: Girl in a Red Dress with a Dog, a portrait that American folk artist Ammi (pronounced Ah-mi) Phillips painted circa 1830-1835. Christie's estimates it at $800,000 to $1.2 million.
The expert: John Hays, deputy chairman, Christie's Americas.
I'd like to start with some discussion of how Ammi Phillips was recognized and discovered. It seems like he could have disappeared, or far less would be known, if scholars had not done incredible work with identifying paintings by him. There's a long version and a short version. The short version is like many painters who were not in the annals of art history, he was not known until people started piecing together his work in the 1960s. It was a grassroots effort. It was Mary Black who galvanized the research being done. Ammi Phillips: Portrait Painter, 1788-1865 was a pioneering exhibition at the American Folk Art Museum in 1968, and it traveled around. [Scholars] figured it out [what was his] because he depicted sitters holding newspapers and he signed some of his work. The family histories of the sitters also helped piece together the show. He was prolific. As the count began, they realized he did a few thousand portraits.
The lot notes call Girl in a Red Dress with a Dog a "quintessentially American work of art" and "strikingly modern". What makes it so? Every country has its folk art, painted by people who didn't go to the national academy. What makes it quintessentially American is he was painting Americans–successful sitters who were documenting their lives. The other aspect that makes it quintessentially American is [the notion that] time is money. The quicker he was able to render a portrait, the quicker he was on his way.
And what makes the portrait "strikingly modern"? Stacy Hollander [of the American Folk Art Museum] did a show in 2008, The Seduction of Light: Ammi Phillips | Mark Rothko Compositions in Pink, Green, and Red that showed the urge to modernity, the idea of reduction to the pure form. Isn't it interesting that it started in 1830? If you look at the dress [the sitter in Girl in a Red Dress with a Dog is wearing], it's geometric forms with little lines, a broad expanse of red. It's a knockout, a home run. There's no question what the statement is–a girl in a red dress. It looks forward, but it distills the form to the essence of the form. That's an idea that the Color Field artists Clyfford Still and Rothko [embraced]. Phillips did it from a more economic point of view, but he succeeded.
Why do his portraits of children perform so well at auction? Phillips is at his best with children because there were no rules [for painting them]. A lot of Phillips works are dour. Some of his sitters are ministers and older people with bibles in their laps. With children, he captures the spirit of young America. That's where he hits the home run, and that's why there's a huge price difference with the artist. Depicting a child evokes much more.
The lot notes also refers to 'record-breaking sales in the 1980s.' Could you elaborate? Phillips did a group of four children in red dresses, three girls and a boy, with their hands almost in the same positions. One was discovered in an appraisal day at the Corcoran Gallery in 1984. I was here [at Christie's then]. We looked at it. The family didn't know what it was. It was over their fireplace. By that time, the [groundbreaking 1968] Ammi Phillips show had happened, and we knew what it was. We put it in [a 1985 Christie's auction] with an estimate of $60,000 to $90,000 and it sold for $682,000. It went to Dan Terra of the Terra Foundation. It made the front page of the New York Times. The other known portrait [of a girl sitter from the foursome, aside from this one], Girl in Red Dress with Cat and Dog, was bought by Ralph Esmerian for the American Folk Art Museum. [After the 1985 sale], the owner [of this portrait] called us and said, 'We think we have one.' That's how we discovered it 33 years ago. We've been quietly hoping it would come out one day.
That must have been delightful and startling, to have a folk art portrait sell for so much in 1985. You could acquire a major Impressionist picture [for $682,000] at that time. I put the Phillips in a jewelry vault that night. We were not prepared to have it sell for that price.
Do we know why the girls in the Phillips red dress portraits are wearing coral necklaces? Did coral have some sort of symbolic meaning in America in the 1830s? Coral necklaces were very popular in the 1820s and 1830s. In this portrait, she holds a bead of coral as if she's a little nervous. She seems to say, 'Hurry up and finish this picture, why am I here?' As for iconography, there's nothing we're aware of. Coral was fashionable at the time for teething rings. The three girls [in the group of red dress portraits] each have a coral necklace. The one at Terra has two strands, this one has three strands, and the one at the American Folk Art Museum has four.
What is she holding in her left hand? It could be parsley. The girl in the Terra portrait is holding a strawberry. They [the items the child sitters hold] all have coded iconography that you could linger over. But it could be something Phillips gave her to hold while he painted her.
And what's with the dog at the left? Is that her dog? The beagle is in all four of these portraits. Maybe it's Ammi Phillips's dog. Maybe it's for the comfort of the child.
Yeah, about that. One of the skills Phillips had to develop as an itinerant portrait painter was to convince small children to sit still long enough for him to do his work in an age before screens. Might the dog have played the role that a screen would now–helped entertain the kid and keep her sitting in one place? It's an idea, and it's the same stylized beagle [in the four portraits], with the spoon-shaped lozenge on the forehead. I have a beagle. I know beagles very well. He captured the essence of a beagle, and its wry smile. If you have a beagle, you'd recognize it too.
I take it we don't know who the young sitter is, even though scholars have tried to identify her? Yes. She's adorable, that's all I would say.
Is it possible that the three girls in the group of four red dress portraits are sisters or cousins? Initially we thought, 'Are they sisters?' But there are little differences, actually very subtle differences. The idea that they're related is not ruled out at all. There are many unanswered questions.
The portraits in the group of four show kids in a virtually identical red dress. Is there a chance that Phillips traveled with the dress, as part of a small wardrobe, and offered it to the parents to use for the sitting? That's an interesting idea, but the thing that emerges from Phillips is a spontaneity. It's the quickly-rendered moment that folk art collectors love so much. A portrait was for a wealthy client that he poured his heart into would be worth a fraction of those that he did more quickly and got down to the essence.
What's the world auction record for a Phillips? Portrait of a Young Girl and her Cat, which we sold in 2007 for $1.2 million. It's a great picture, but it's not in the narrow group of four. It's one of 11 he did of children in red dresses. The girl [in the portrait sold in 2007] has a different stance.
What are the odds that Girl in a Red Dress with a Dog will meet or beat that sum? To be really candid, that's the one question I can't answer. I'm as intrigued as anybody to see what will happen in January.
What is it like in person? It has what my colleagues in fine art call "wall power." It just jumps off the wall. It makes everything around it pale.
Why will it stick in your memory? For me, personally, I was here when we sold the first one, and it changed a lot of things in my life. It makes me reflect on the last 33 years in the art world, and how exciting it's been. Not every day does an Ammi Phillips girl in a red dress cross my computer screen. And it expresses a sort of humanity that the experiment of America allowed. I dare you to tell me where such a portrait has emerged in any other country. That's why I do what I do. It's unique to portraiture in this country.
How to bid: Girl in a Red Dress with a Dog is lot 1205 in the Important American Furniture, Folk Art, Silver and Prints auction taking place at Christie's New York on January 17 and 18, 2019.


Believe Homeschooling Is Out Of Your Reach? Think Once again!
products. E-readers are quite budget-friendly and easily accessible. Downloading books is far less expensive than purchasing print and easily takes up less space. Approved, there is not a real alternative for the digital books; however, there is a lot to be stated for having recommendation books after the fact.Understand what your local school board offers in the method of resources for homeschooling. Often you will find that your school board will reimburse you for educational products and school trip. Do your research and understand what is expected on your part as far as invoices, costs and the extent of reimbursement.Where should your classroom be? In a place with no distractions. Taking your kid to concentrate while sitting next to their toy box might not be the best idea. If you do not have storage in your child's research study area, get a box or cage for holding all their knowing materials and supplies.Look up and go to a homeschool conference in your area. Not only will you satisfy individuals that may end up being good resources for you in the future, however you will also have the chance to improve your curriculum. These conferences normally have speakers, sample curriculums and more. The advantages will far surpass any costs involved.Homeschooling Whether you have actually currently begun homeschooling your children or you are just considering it, you may benefit from attending a homeschooling conference.
At these conferences, you will be provided tips on how to correctly teach your children. You will likewise have the ability to talk with other moms and dads who home school their children and get guidance from them.Prior to starting homeschooling with your child, go to a workshop or conference. Being both a mom and dad and a teacher can become overwhelming. There are numerous locations you can choose to help to get more information.
Even if you currently home school your kids, you can still get practical guidance from these events.The Web is an amazing homeschooling resource. There are many resources to be discovered on the Internet. Lots of our totally free, really cheap or require a small subscription. Take advantage on any trial provides and weigh each resource on its merits. Homeschooling online forums will likewise provide you unrivaled suggestions when you are facing challenges with homeschooling.With this article in hand, you need to have the ability to grab the stars. The great knowledge you now have enabled you to teach exceptionally and produce terrific results. As your kids go out on their own, you'll feel the joy of providing the very best education possible in your house.
Next post Next Listed below Article Is Where You Can Discover The Best Tips About Employment!


text:
FI/SV/EN
The Finnish National Opera and Ballet performance database
Juhana Suninen
Show by productions
Zaide Oct 14, 2006: Orja
Il viaggio a Reims Nov 3, 2006: Don Luigino
Il viaggio a Reims Nov 17, 2006: Don Luigino
Un ballo in maschera Mar 19, 2010: Tuomari
Un ballo in maschera Apr 9, 2010: Tuomari
Un ballo in maschera Apr 17, 2010: Tuomari
Un ballo in maschera May 20, 2010: Tuomari
Pohjalaisia Oct 9, 2010: Pikku-Häjy
Pohjalaisia Oct 14, 2010: Pikku-Häjy
Pohjalaisia Nov 12, 2010: Pikku-Häjy
Il viaggio a Reims Jan 12, 2012: Don Luigino
Don Carlos Oct 19, 2012
Don Carlos Nov 1, 2012
Don Carlos Nov 16, 2012
Don Carlos Dec 1, 2012
Un ballo in maschera Dec 20, 2012: Tuomari
La Traviata Jan 17, 2013: Joseph
Thaïs Jan 30, 2013: Cenobites
Thaïs Feb 1, 2013: Cenobites
La Traviata Feb 6, 2013: Joseph
La Traviata Feb 12, 2013: Joseph
Thaïs Feb 13, 2013: Cenobites
Don Carlos Mar 6, 2014
Don Carlos Mar 13, 2014
Der Rosenkavalier May 13, 2014: Marsalkattaren hovimestari
Organ Night and Aria Festival 2014 Aug 7, 2014: Solisti
Il tabarro & Pagliacci Nov 12, 2014: Young lovers
Il tabarro & Pagliacci Dec 3, 2014: Young lovers
The Phantom of the Opera Sep 4, 2015: Passarino (in the opera Don Juan Triumphant)
The Phantom of the Opera Sep 4, 2015: Dandy 1 (in the opera Il Muto)
The Phantom of the Opera Sep 15, 2015: Passarino (in the opera Don Juan Triumphant)
The Phantom of the Opera Sep 15, 2015: Dandy 1 (in the opera Il Muto)
The Phantom of the Opera Oct 1, 2015: Passarino (in the opera Don Juan Triumphant)
The Phantom of the Opera Oct 1, 2015: Dandy 1 (in the opera Il Muto)
The Phantom of the Opera Oct 10, 2015: Passarino (in the opera Don Juan Triumphant)
The Phantom of the Opera Oct 10, 2015: Dandy 1 (in the opera Il Muto)
The Phantom of the Opera Nov 7, 2015: Dandy 1 (in the opera Il Muto)
The Phantom of the Opera Nov 12, 2015: Passarino (in the opera Don Juan Triumphant)
The Phantom of the Opera Nov 12, 2015: Dandy 1 (in the opera Il Muto)
The Phantom of the Opera Dec 14, 2015: Passarino (in the opera Don Juan Triumphant)
The Phantom of the Opera Dec 14, 2015: Dandy 1 (in the opera Il Muto)
Thaïs Dec 22, 2015: Cenobites
The Phantom of the Opera Jan 2, 2016: Dandy 1 (in the opera Il Muto)
Thaïs Jan 7, 2016: Cenobites
The Phantom of the Opera Jan 8, 2016: Passarino (in the opera Don Juan Triumphant)
The Phantom of the Opera Jan 20, 2016: Dandy 1 (in the opera Il Muto)
The Phantom of the Opera Jan 23, 2016: Passarino (in the opera Don Juan Triumphant)
The Phantom of the Opera Feb 1, 2016: Passarino (in the opera Don Juan Triumphant)
The Phantom of the Opera Feb 1, 2016: Dandy 1 (in the opera Il Muto)
The Phantom of the Opera Feb 12, 2016: Dandy 1 (in the opera Il Muto)
The Phantom of the Opera Feb 20, 2016: Passarino (in the opera Don Juan Triumphant)
The Phantom of the Opera Mar 3, 2016: Dandy 1 (in the opera Il Muto)
The Phantom of the Opera Mar 3, 2016: Passarino (in the opera Don Juan Triumphant)
The Phantom of the Opera Mar 10, 2016: Dandy 1 (in the opera Il Muto)
The Phantom of the Opera Mar 31, 2016: Passarino (in the opera Don Juan Triumphant)
The Phantom of the Opera Apr 2, 2016: Dandy 1 (in the opera Il Muto)
The Phantom of the Opera Apr 5, 2016: Passarino (in the opera Don Juan Triumphant)
The Phantom of the Opera Apr 11, 2016: Dandy 1 (in the opera Il Muto)
The Phantom of the Opera Apr 16, 2016: Passarino (in the opera Don Juan Triumphant)
The Phantom of the Opera May 5, 2016: Passarino (in the opera Don Juan Triumphant)
The Phantom of the Opera May 5, 2016: Dandy 1 (in the opera Il Muto)
The Phantom of the Opera May 16, 2016: Dandy 1 (in the opera Il Muto)
The Phantom of the Opera May 21, 2016: Passarino (in the opera Don Juan Triumphant)
Lady Macbeth of Mtsensk Jan 27, 2017: 3rd foreman
Lady Macbeth of Mtsensk Feb 1, 2017: 3rd foreman
Lady Macbeth of Mtsensk Feb 11, 2017: 3rd foreman
Il barbiere di Siviglia Feb 25, 2017: Musicians, policemen
Il barbiere di Siviglia Mar 10, 2017: Musicians, policemen
Oopperan teetanssit Oct 3, 2017: Solisti
Land of Kalevala Nov 8, 2017: Male chorus
Land of Kalevala Nov 10, 2017: Male chorus
La Traviata Dec 20, 2017: Joseph
La Traviata Jan 3, 2018: Joseph
Land of Kalevala Jan 13, 2018: Male chorus
Land of Kalevala Feb 1, 2018: Male chorus
Oopperan teetanssit Oct 10, 2018: Solisti
The Phantom of the Opera Nov 2, 2018: Passarino (in the opera Don Juan Triumphant)
The Phantom of the Opera Dec 1, 2018: Dandy 1 (in the opera Il Muto)
The Phantom of the Opera Dec 1, 2018: Passarino (in the opera Don Juan Triumphant)
Oopperan teetanssit Nov 6, 2019: Solisti
Performances performed
Oopperan teetanssit May 2, 2018
Oopperan teetanssit Feb 5, 2020
Please note that the data on the page may be incomplete, because performance details have been recorded in different ways at different times. For some performances there is no performer information at all, particularly in the case of guest performances out of town. Generally, the performance details for a dancer show all the roles performed by that dancer on stage as of 1 August 2012. If the dancer appeared in multiple roles in a single performance, the dancer's name is given more than once in connection with that performance. For performances before 1 August 2012, however, a dancer's name is principally only given once for each performance.
Finnish National Opera and Ballet
Helsinginkatu 58
p. +358 9 4030 21


Sony unified the Alpha and NEX brands, so all interchangeable lens mirrorless cameras are now labeled as Alpha cameras. Being mirrorless, the a7 amd a9 series would have otherwise likely been prefixed with the letters NEX.
Sony launched of their Digital mirrorless Interchangeable Lens Cameras by releasing the NEX-3 & NEX-5 cameras, both of which used an EXMOR 14.2MP APS CMOS HD image sensor. The benefits are conclusive: DSLR implementation and image quality in a slighter and lighter body. These alpha mirrorless cameras still use the same 'E' mount as did the Nex cameras. Full frame mirrorless cameras all use a new FE lens which has the same 'E' mount.
On the 19th of January, 2006, Konica Minolta made an announcement that it was selling a portion of it's SLR camera operations to Sony and getting out of the photo and camera business.
The Sony E Mount is designed with basic open specifications created by Sony and initially labeled the New E Mount Experience or (NEX) line of mirrorless cameras and camcorders. The mount was Initially implemented in the Sony NEX-3 and Sony NEX-5. Integration of the E mount into Sony camcorder products began with the Sony NEX-VG10 Handycam.It was August 24, 2011 when Sony announced, the NEX-5N replacing the NEX-5, adding a prosumer NEX-7 camera, along with the NEX-VG20 replacing the NEX-VG10. Alpha named cameras have replaced the NEX cameras but still use the same lens mount.
The 'SLT' designation means Single Lens Translucent (employs fixed translucent mirrors in place of traditional glass mirror). Sony SLT cameras can capture Full HD 1080p AVCHD videi files using continuous phase detection AF, however Sony has stopped using the SLT name.


text:
Murder of Minorities in America: "The White Man's Burden" | Racism News
Once again, innocent members of another "minority community" have become victims of gun violence in the United States. On March 16, a series of mass shootings terrorized three spas in Atlanta, Georgia. Eight people, including six Asian women, were murdered. A suspect, a white man in his twenties, was arrested. Mass protests across the United States have drawn worldwide attention to another facet of incurable racism in this country.
The model is now fully established. A murderous, self-identified "white man" takes readily available assault weapons and lashes out murdering Asians, African Americans, Arabs, Muslims, Jews, Sikhs – ethnically cleansing "their country" of people they consider undesirable.
The model began a long time ago, when the Spaniards who "discovered" this land began to slaughter its native inhabitants. It continued with the murderous transatlantic slave trade and the lynching of African Americans. Now it is spreading to other immigrant communities that these criminal "white men" don't like to see in "their country".
They want a country "reserved for whites". Once they get there, they'll start shooting each other – picking up on their equally racist thugs at Italians, Irish, Germans, Scots, Poles, Scandinavians, Works. "The white man" is the fruit of a criminal imagination.
Let's take a look at some more recent samples of this "white man's burden".
The rolling metaphor of 'minorities'
On August 5, 2012, US Army veteran and white supremacist Wade Michael Page attacked a Sikh temple in Oak Creek, Wisconsin and shot six people and injured four others, a seventh victim died of his injuries in 2020. He was shot and killed. a policeman outside the temple after the massacre.
On February 10, 2015, Deah Shaddy Barakat, a Syrian-American, his wife Yusor Mohammad Abu-Salha and his sister Razan Mohammad Abu-Salha, both Jordanians of Palestinian descent, were murdered at their home in Chapel Hill, Carolina. North. They were all students at local universities. Their white neighbor, Craig Stephen Hicks, has been arrested and convicted of the heinous crime and is serving three consecutive life sentences. The US liberal press said the multiple murder was caused by a "parking dispute" and whitewashed its underlying racist causes.
On June 17, 2015, in Charleston, South Carolina, nine African Americans were murdered during a Bible study at the Emanuel African Methodist Episcopal Church, one of the oldest black churches in the United States. Police later arrested a white supremacist terrorist named Dylann Roof for committing the murderous act. He is currently serving nine consecutive life sentences without parole.
On October 27, 2018, a 46-year-old white man named Robert Gregory Bowers attacked the Tree of Life Synagogue in Pittsburgh during the Shabbat morning service, killing 11 people and injuring many more. He was arrested and now faces death or a consecutive 535-year federal prison sentence.
You can watch any year and you are unlikely to find one when the United States has been free of violent acts of murder and chaos against so-called "minorities." If you put all of these minorities together, they make up the majority of Americans – with the exception of the fictitious category of "Whites."
The burden of barbarism
The root cause of this sustained course of barbaric behavior is an illusion called "the white man" and the "burden" he thinks he carries to civilize the world.
The White Man's Burden: The United States and the Philippine Islands (1899) is a poem by the famous English racist poet Rudyard Kipling, who made it his mission to civilize the world with barbaric brutality.
"Take the burden of the White Man," he urged his white compatriots:
Send the best breed you are –
Go bind your sons to exile
To meet the needs of your captives;
Wait in a heavy harness
On the floating and wild folk –
Your new sullen peoples,
Half devil and half child.
Kipling composed this cruel poem (How could a poet be so vicious?) On the occasion of the American invasion of the Philippines. What kind of sick mind is this?
How does it feel to be Filipino, Chinese, Japanese, Korean, any kind of Asia, Africa or Latin America, any kind of Jew, Muslim or Sikh in America these days here or on other days? We are all sitting ducks waiting for our turn to be murdered, to help a "white man" unload himself.
The relentless mass violence against Muslims, blacks, Asians, Jews, Sikhs, etc. in the United States, is the mirror image of the wars that the United States is waging around the world, which results in waves of migration to the United States.
American "white men" went abroad to mutilate and murder blacks, browns and Asians. Now they no longer need to go "overseas" because "the stranger" has come to them, so they regularly go hunting in their own neighborhoods.
'This land is our land'
In a bold and provocative recent book, This Land Is Our Land: An Immigrant's Manifesto (2019), Suketu Mehta wrote a deeply scholarly defense of migrants and refugees from around the world who roam the world and turn the cruel wheels of predatory capitalism. .
Mehta begins her book with the story of her own grandfather sitting in a park on the outskirts of London when a nasty racist white old man – an avid Rudyard Kipling reader no doubt – walks up to him and waves his head at him. finger to ask to know why he was in "his country". "Because we are the creditors," responds Mehta's beautiful grandfather, who was born in India, worked his whole life in colonial Kenya and retired in London, "We are here, because you are there. were.
We are all here because they were there. Africans are in France, Indians are in UK, Koreans, Vietnamese and Iranians are in USA, Palestinians are in refugee camps, Congolese are in Belgium – travel the world and see us are all the gushing wounds and open scars that European and American barbarism left in Asia, Africa and Latin America.
People from all over the world whose countries have been at the mercy of their colonial and imperial savages travel the world in search of refuge for their families.
Migrants from poor countries to richer climates escape poverty, climate change, endemic violence caused by localized tyrannies and the globalized imperialism of the United States and its European and regional allies. The Chinese and the Russians are not better, they are worse.
In just one statistic, Mehta says the amount of money stolen between 1503 and the early 1800s "would amount to a $ 165 trillion debt that Europe owes Latin America today." One need only look at this number and grasp its enormity – the total budget US President Joe Biden has in his service to rebuild this dilapidated country is only three trillion.
"How Britain stole $ 45 trillion from India – and lied about it," Jason Hickel wrote in an essay for Al Jazeera in 2018. He quotes renowned economist Utsa Patnaik from 'a book published by Columbia University Press in which she calculates that "drained a total of nearly $ 45 trillion from India between 1765 and 1938."
These staggering numbers are just clues, the tip of the iceberg of the untold human suffering caused by predatory capitalism and racist colonialism, the "white man's burden" inflicted on the world.
There is no number one in the entire history of the human misery that "the white man" has caused on this ravaged land. There is also no rhetorical quote from American folk singer Woody Guthrie's 1940 song, This Land is Our Land. This land is not our land. It is the land of the Native Americans. I am writing this essay from the land that belonged to the Lenape Nation upon which Columbia University was ultimately built. I am their uninvited but grateful guest.
"The White Man's Burden" is not real. It's a cruel joke. It is a dangerous illusion. It's an ugly "poem" spat out by a racist English poet and experienced by generations through centuries of gratuitous cruelty around the world, now on stage daily here in the United States.
The opinions expressed in this article are those of the author and do not necessarily reflect the editorial position of Al Jazeera.
Facebook test adds contextual 'tags' to popular pages
Boston Dynamics' Spot robot tested in combat training with the French armyoet
Temperatures soar as heat wave hits western US and Canada | Weather News
Italy keep the courage to beat Austria and reach the quarter-finals of Euro 2020 | Euro2020 News
Peruvian vote review to resume as country braces for protests | Elections News
Former Philippine President Benigno Aquino buried in Manila | News from the Philippines


"Secrets for falling in love with this exact moment ... while you are on the run."
This is both a love story and practical guide for reviving, creating, or maintaining healthy relationships. Our friend, Marian, shares her journey from the brink of separation to the rejuvenation of her marriage through the simple act of writing a daily gratitude to her husband. Conscious, healthy relationships are for the greater #GOODoftheWHOLE!


out and login again in order to get them back to normal.
Does anyone know why? And BTW, does anyone know how to use xscope?
on an Indy R5k with 128 MB of RAM. What am I doing incorrectly?
IRIX 6.2 (with an older patchset) with 256 MB RAM.


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Hi everyone! I'm back on the Sunny Studio Stamps blog today featuring another card using the Halloween Cuties stamp set. I used this same stamp set for the blog hop we had in August and I'm so giddy I got to use it again! It's such a fun set even though I don't celebrate halloween, I just love it!
Make sure you stop by the blog today to see how I made this card!


text:
Пауль Херрман (; род. 16 ноября 1985) — немецкий шорт-трекист, двукратный призёр чемпионата мира 2010 и 2011 года, а также четырёхкратный призёр чемпионата Европы 2007, 2010, 2012 и 2014 года. Участник зимних Олимпийских игр 2010 года.

Спортивная карьера
Пауль Херрман родился в городе Дрезден, Германская Демократическая Республика. Тренировался на базе клуба «EV Dresden». Херрману принадлежат два рекорда Германии на соревнованиях по шорт-треку. Первый он установил 18 февраля 2011 года в составе четвёрки в эстафете на 5000 м — 6.41,060. Второй был установлен им 19 января 2014 года в забеге на 1000 м — 1.25,231.

Первую медаль на соревновании международного уровня Херрман выиграл во время чемпионата Европы по шорт-треку 2007 года в английском городе — Шеффилд. Его команда в мужской эстафете на 5000 м с результатом 7:03.185 выиграла золотые медали, обогнав соперников из Венгрии (7:05.326 — 2-е место) и Великобритании (7:09.182 — 3-е место).

Последняя на данный момент медаль в его активе была получена во время чемпионата Европы по шорт-треку 2014 года в родном для него — Дрездене. Немецкие шорт-трекисты в мужской эстафете на 5000 м с результатом 6:48.313 выиграли бронзовые медали, уступив более высокие позиции спортсменам из Нидерландов (6:46.072 — 2-е место) и России (6:45.803 — 1-е место).

На зимних Олимпийских играх 2010 года Херрман был заявлен для участия в забеге на 1000, 1500 и эстафете на 5000 м. 17 февраля 2010 года он завершил своё выступление в забеге на 1000 метров не пойдя квалификацию (общий зачёт — 17-е место). В шестом забеге первого этапа квалификации с результатом 1:26.739 он финишировал третьим. В следующий раунд прошли спортсмены из США и Китая.

Примечания

Ссылки
 Пауль Херрман — профиль на сайте Shorttrackonline
 Пауль Херрман — профиль на сайте Международного союза конькобежцев
 Пауль Херрман — профиль на сайте Eurosport

Шорт-трекисты Германии
Чемпионы мира по шорт-треку
Чемпионы Европы по шорт-треку
Шорт-трекисты на зимних Олимпийских играх 2010 года
Шорт-трекисты по алфавиту

redpajama_set_name: RedPajamaWikipedia


The new certification, known as the Master Co-Axial Certification will be applied to nice Omega replica watches produced by Omega by mid-2015.
Historically, the COSC (Contrôle Officiel Suisse des Chronomètres) is the de facto standard certification for watches. This certification involves very specific measurements, particularly timing of the rate of the movements.
One of the criticisms of COSC has been that the tests done seeks to bear absolutely no relation to a simulation of Replica Omega Seamaster watch behaviour and performance when worn. And as a result of this aim, the movements are not cased while being subject to the battery of tests. Another criticism, is that the parameters are easily met by almost all modern, well designed and manufactured movements.
Many other bodies have attempted to improve on the certification process. One of the most rigorous that we know of is the one done by the Qualité Fleurier certification. And yet others are the Bulletin d'Observertoire offered by various labs in France, Germany, England and Switzerland.
It is with interest that the Omega has now announced a new certification. To be known as the Master Co-Axial Certification, it is a collaborative project between the Swatch Group's Replica Omega and Swiss Federal Institute of Metrology (METAS). The press release goes on to describe the conference.
As of now, it is still unclear what the details of this new testing standard involves. We understand, the certification will test watches, now cased and not just movements. And the watches will be exposed to 15,000 Gauss of magnetism before the tests are performed. Amongst the stated improvements include a more vigorous timing requirement of 0 to +5s a day, autonomy tests against stated autonomy and water resistance tests will also be part of the standard.
Is this just another attempt by a company to elevate itself into a class of one? This is not uncommon in the wine industry, the cheese industry. The use these terrior classifications quite normal as a definition of quality. For example, the designation "Champagne" can only be applied to sparkling wines made in the Champagne Region in France.
Some keen industry observers have remarked that we have also seen this restrictive, terrior style classification in the Patek Philippe Seal. Is Omega attempting the same? Or is it a genuine attempt by Omega, and its parent the Swatch Group, one of the industry's largest, to push forward with a new standard of testing discount Omega replica watches and ultimately update or replace COSC. We await to see.


text:
Abbath – Abbath Review
Zach Duvall on January 19, 2016
Abbath Doom Occulta: Born Olve Eikemo. Longtime frontman of Immortal. This doofus:
Reach level 30 to unlock advanced resource harvesting.
Abbath: New band formed by Abbath Doom Occulta after his split with Immortal. Joining him is I bandmate King (God Seed, ex-Gorgoroth, etc.) on bass. Also joining him was a man that called himself Creature (Benighted drummer Kevin Foley). The Creature has since departed the rankings in swift fashion upon completion of this album, so we're left with this:
Is that some sort of Snaggletooth-Danzig hybrid on his chest?
Abbath: The album created by this new band when it was still a complete unit, and the subject of this review.
A bath: What I didn't take this morning.
Abbath the man doesn't seem to be getting along with people lately. The he-said-we-said split with Immortal got ugly the moment Demonaz and Horgh decided to make a statement about the whole thing (and it'll likely get uglier when they attempt to carry on without Abbath). Then you have the drummer of his new band and a live guitarist quitting before things had the chance to really get going. What does all of this tell us? Who knows. What does all of it mean? Bupkis, that's what.
The only thing that matters is whether the true carrier of Immortal's spirit – and Abbath is that, regardless of who might write lyrics – can continue his singular musical legacy. With both Immortal and I, Abbath's career has ranged from the coldest of black metals to a thrashy, arena-infused giant, from straight Bathory worship to very Motörheading rock drives, all with the ability to be completely tongue-in-cheek and deathly serious at the same time. The man Abbath had made himself into a full icon of heavy metal, and the band Abbath needed to continue that.
Thankfully, this debut album does just that, calling back to every part of Abbath's career over eight songs and an efficient 40-ish minutes. Other than the curious inclusion of horns (or "horns") in one track, the album does absolutely nothing new, and quite frankly, that is exactly what we all wanted from the album: Fan service, and lots of it. In this way, Abbath absolutely delivers.
Opener "To War!" immediately gets the touch-all-bases approach in full swing. After an odd, typically rock intro, the song blasts off into blazing black metal, finding a balance between Sons of Northern Darkness punch and primitive Battles in the North fury, and later settling into more of an All Shall Fall feel. With an intro that calls to mind the classic "Cursed Realms of the Winterdemons" and a relentless violence that apes Blizzard Beasts, "Ashes of the Damned" rises to be one of the album's true highlights, especially once you stopped being surprised by the horns. Wedged between these songs is the mid-paced "Winter Bane," which feels like a lost track from the Between Two Worlds sessions, and is all the more effective for the contrast. Great tracks, but just the start.
The album benefits greatly from an extremely strong second half. "Count the Dead" and "Fenrir Hunts" are both unabashed hybrids of all post-2000 Abbath material, with the former being pretty high on the catchiness scale (so a natural choice as the lead single), while "Endless" is a fittingly intense closer. It is "Root of the Mountain," however, that really glues the album together. This is Abbath at his most Quorthon-worshipping – slow, driving, epic, and atmospheric – and it'll be damn near impossible to resist for all but the most hardened of black metal purists.
For said purists, there is a caveat. The colder, throwback moments often don't immediately feel throwback. This is partly due to a more modernized production that, quite frankly, could use a bit more depth and clarity, but also due to the inevitable passage of time. This isn't the same Abbath, so even the most relentless material here fails to capture the naïve, icy rage heard in the early 90s. And that's fine, it just means that, for those that only cared for the pre-Heart of Winter period, this album isn't going to suddenly reignite your obsession with all things Abbath.
For those that enjoy all of his music, or even strictly Immortal's later albums, Abbath is heaps of fun. It isn't going to unseat anyone's favorite album, be it Holocaust, Sons, or Between Two Worlds, but it's a more-than-welcome addition to Abbath's long career. No filler, and mostly killer. Regardless of the name under which he chooses to release new music, here's hoping Abbath keeps the BLECH train movin' for many more years.
Tag:Abbath, Black, Season Of Mist
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Posted by Zach Duvall
Last Rites Co-Owner; Senior Editor; Obnoxious overuser of baseball metaphors.


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with BRAZOS
Sunday, October 13, 2013 at 8:00pm
Radio K
On the first track from Islands' new album—the winsome, tropicalia-inflected "Wave Forms"—front man Nick Thorburn opens the record by singing, "I won't ride another wave and I won't write another word after today." In light of the rest of the album, the statement is both an admonition and a kind of warning. Ski Mask, the band's fifth album, is equal parts beauty and venom—an album that percolates with the kind of polymorphous pop and hooky, left-of-center rock songs that have long been the band's stock and trade.
Read more about ISLANDS
Martin McNulty Crane V comes from a long line of exceptional Martins. There's an orphan who became attorney general of Texas and fought the KKK, a lieutenant who fought in WWI, an airline pilot who raised his family in Iran, and a scientist.
Read more about BRAZOS


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Q: DevExpress CheckedComboBoxEdit Приложение на VB.net.  Есть элемент CheckedComboBoxEdit, который заполняеться так:
        storedPar = SqlHelperParameterCache.GetSpParameterSet(BasicCover.strSQL, "sql procedure")
        storedPar(0).Value = 0

        dsFiliales = SqlHelper.ExecuteDataset(BasicCover.strSQL, CommandType.StoredProcedure,
        "sql procedure", storedPar)
        Dim tb As DataTable = dsFiliales.Tables(0)

        RepositoryItemCheckedComboBoxEditFiliales.DataSource = dsFiliales.Tables(0)
        RepositoryItemCheckedComboBoxEditFiliales.ValueMember =
        RepositoryItemCheckedComboBoxEditFiliales.DisplayMember =

Проблема заключается в том что при самом первом выборе элемента код ниже не срабатывает
    Dim dt As DataTable = New DataTable("TAB") : dt.Columns.Add("ID", GetType(Int64))
    For Each it As DevExpress.XtraEditors.Controls.CheckedListBoxItem In RepositoryItemCheckedComboBoxEditFiliales.GetItems()
        If it.CheckState = CheckState.Checked Then
            'RegNumbList.Add(GridView1.GetRowCellValue(rowHandle, "IDLift").ToString())
            dt.Rows.Add(New Object() {it.Value})
        End If
    Next

т.е. как будто не элемента Checked. В повтором выборе элементов Checked все работает корректно.

A: В событии EditValueChanged синхронизация между EditValue и коллекцией RepositoryItemCheckedComboBoxEdit.Items не гарантирована. Например, если EditValue изменить без участия со стороны пользователя, синхронизация произойдет только после того, как отработают все подписчики события EditValueChanged.
Как правило, событие EditValueChanged используется для обработки нового EditValue. У CheckedComboBoxEdit тип EditValue задается свойством RepositoryItemCheckedComboBoxEdit.EditValueType.
CSV - это строка, которая содержит выбранные элементы через разделитель. Разделитель задается свойством RepositoryItemCheckedComboBoxEdit.SeparatorChar.
Private Sub RepositoryItemCheckedComboBoxEdit_EditValueChanged(ByVal sender As Object, ByVal e As EventArgs)
    Dim editor As BaseEdit = DirectCast(sender, BaseEdit)
    Dim value As String = CStr(editor.EditValue)
    Dim selectedValues() As Integer = value.Split(editor.Properties.SeparatorChar) _
        .Select(Function(t) Integer.Parse(t)) _
        .ToArray()
End Sub

List - это объект типа List.
Private Sub RepositoryItemCheckedComboBoxEdit_EditValueChanged(ByVal sender As Object, ByVal e As EventArgs)
    Dim editor As BaseEdit = DirectCast(sender, BaseEdit)
    Dim selectedValues As List(Of Object) = CType(editor.EditValue, List(Of Object))
End Sub

redpajama_set_name: RedPajamaStackExchange


The controls in Wild Clash Apk Mod are flawlessly intended to be utilized as a part of vertical arrangement. With your left thumb, you control the development of your character, and with your correct thumb you point your weapon. In your munititions stockpile you'll discover guns that shoot immense rocks, automatic rifles, and even bombs. You can likewise exploit components on the front line, similar to shrubberies, to disguise yourself from adversaries.
A standout amongst the most remarkable components of Wild Clash Mod Apk is that it offers a gigantic assortment of amusement modes. A few maps transform the diversion into a sort of MOBA, in which your goal is to wreck the foe base. In others you battle for control of a zone in the focal point of the guide. What's more, obviously, there are maps where you just need to take to arms and dispatch of the majority of your adversaries.
Wild Clash Apk Mod is a fun and differing on the web activity diversion with extraordinary designs, and you can finish brisk matches in only three minutes. In addition, as you play the amusement, you can open in excess of twelve diverse saints to play with.
* Gem Grab mode: 3v3, conquer target and grab diamonds!
* Soccer mode: 3v3, kick the ball, or take enemy down?!
* Bowling mode: 10 gamers, throw huge balls, crazy balls!
Invite friends and battle together! Shoot 'em up, blow 'em up, punch 'em out and win the victory stars!


In this video you will learn how to perform the smallest movement necessary in order to 'slip' punches efficiently. This is important in order to land effect counters punches from the slip and also use the least amount of energy during a boxing match.
I hope you enjoy and please leave feedback.


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Citgo-6, Group Of Americans Jailed In Venezuela, Sentenced To Prison Three Years After Pre-Thanksgiving Arrest
Three years after the Venezuelan government arrested a group of American oil executives ahead of the Thanksgiving holiday, a judge for the socialist regime has sentenced them to prison.
The six men—Tomeu Vadell, Jose Luis Zambrano, Alirio Zambrano, Jorge Toledo, Gustavo Cardenas, and Jose Pereira—were sentenced after the government accused them of engaging in corruption, according to the Associated Press.The six traveled to the country back in 2017 as employees of Citgo—a Texas-based refinery the parent company of which is owned by Venezuela—for what they believed was a budget meeting in Caracas, but they were arrested soon after arriving.
Jesus Loreto, a defense attorney, told AP that the Venezulan government doesn't "have any evidence to hold these guys accountable for any wrongdoing," and should release them. In a letter obtained by the Associated Press before the verdict, Vadell said he was hopeful he would be cleared of the charges.
"During the trial, the truth has proven undeniable," Vadell wrote in the letter. "It proves that I am innocent."
The five who are U.S. citizens received a prison sentence of eight years and nine months, while the sixth man — Pereia, a U.S. permanent resident — received a 13-year sentence.
Venezuelan President Nicolas Maduro, whom the U.S. does not recognize as the legitimate leader of the country, justified the arrest in a public speech back in 2017, reports WSJ.
"These people were born in Venezuela. They're Venezuelans and they'll be tried for corruption, for being thieves and traitors against the fatherland," declared Maduro.
Around fifty others had already been arrested in the months leading up to the detainment of the CITGO-6, reported The New York Times in 2017. The arrests came as PDVSA, the state-owned oil company, was close to defaulting on its bond debts.
Several days ago, on the three-year anniversary of the arrest, Secretary of State Mike Pompeo released a statement accusing the Venezuelan government of engaging in wrongful detainment and calling on the government to release the men to the U.S.
November 21 marks the third year since Tomeu Vadell, Jose Luis Zambrano, Alirio Zambrano, Jorge Toledo, Gustavo Cardenas, and Jose Pereira — known as the CITGO-6 — were lured to Caracas for business meetings, wrongfully detained by masked security agents, and then thrown into one of Venezuela's most dangerous prisons.
The U.S. government has repeatedly called for the unconditional release of the CITGO-6 and their return to the United States. These six Americans and their families have suffered long enough; it is time for Maduro to put politics aside and let these families be reunited. No one should doubt the President's commitment to bringing home all U.S. citizens held hostage or wrongfully detained overseas. Special Presidential Envoy for Hostage Affairs Roger Carstens, Special Representative for Venezuela Elliott Abrams, and I will continue to pursue our mission to secure the release of the CITGO-6, and we will do our utmost to achieve that goal.