text:
english oak timber for sale
As with many other oak species, dead pin oak branches will stay on the tree for many years. Quercus stellata (post oak) is an oak in the white oak section. It is naturally a wetland tree, and develops a shallow, fibrous root system, unlike many oaks, which have a strong, deep taproot when young. These types of columnar oaks were propagated by grafting. Oak timber is not only aesthetically beautiful, but is an i ncredibly versatile, durable & sustainable building material – … Fruit 1 or several on a short stalk, ripen in one season, acorn ovoid, about 1-1.5 cm long enclosed 1/3 by the cup.Sun to part shade, tolerates many soil types. Specific epithet is in reference to the native range of this oak in Mongolia where the tree is now, in reality, quite scarce. Lobatae) group of oaks being one parent in at least a dozen different named hybrids. It is mainly a lowland tree, this tree is suitable for zone 4 to 8. It is native primarily to the Midwestern and upper South regions of North America, from southern New York west to northern Illinois and eastern Kansas, and south to central Alabama and Arkansas. Quercus, native to North America in the eastern and midwestern United States and south-central Canada. Var. Shumard oak bark darkens and develops ridges and furrows as it ages. It is in our opinion, the most beautiful and the most distinctive of all oak species. They often become the stunning and de facto focal point of the whole area. Pin Oak is one of the most commonly used landscaping oak in its native range due to its ease of transplant, relatively fast growth, and pollution tolerance. It is most commonly found growing on... more, Quercus phellos (willow oak) is a North American species of a deciduous tree in the red oak group of oaks. Caring for Columnar Oak Trees: You will find that caring for columnar oak trees is not difficult. Its foliage is remarkable for its size, among the largest of all oaks, consisting of a short hairy petiole, 1–1.5 cm long, and a blade 10–40 cm long and 15–30 cm broad, with a shallowly lobed margin; the form is reminiscent of an enormous pedunculate oak leaf. Buy Oak Beams, Oak Boards, Posts & Fencing Materials UK. Its wood, like that of the other white oaks, is hard, tough and rot-resistant. Price reduced The black oak is an oak in the red oak (Quercus sect. Fall color mixed green, orange and red. Our products include logs, live edge boards, lumber, guitar parts, veneer, flooring and much more. The acorns of the chestnut oak are 1.5–3 cm long and 1–2 cm broad, among the largest of native American oaks, surpassed in size only by the bur oak and possibly swamp chestnut oak. English Oak Buildings has been creating stunning and unique timber frames for both private and commercial clients since it was established in 1999. At UK Oak we supply high quality oak timber, reclaimed timber, green oak beams, air dried beams, oak boards, floorboards, posts and fencing materials. The leaves are generally 7–12 cm (3–5 inches) long and 4–6 cm broad, deeply lobed on each side of the central vein; the upper surface is glossy dark green, the undersurface is paler and velvety. The taproot lives a long time, producing several generations of aboveground parts. Plant these oaks in direct sun on well-drained acidic or slightly alkaline soil. They also tolerate drought and aerosol salt. Lobatae. Discover amazing local deals on Solid oak for sale Quick & hassle-free shopping with Gumtree, your local buying & selling community. Scarlet oak is often planted as an ornamental tree, popular for its bright red fall color. Quercus prinoides, commonly known as dwarf chinkapin oak, dwarf chestnut oak or scrub chestnut oak, is a shrubby, clone-forming oak native to eastern and central North America, ranging from New Hampshire to the Carolinian forest zone of southern Ontario to eastern Nebraska, south to Georgia, Alabama, Louisiana, and Oklahoma. There are occasionally white splotches on the bark. It is distinguished from the straight species by later emergence of new leaves in spring (less susceptible to damage from late frosts), leaves often narrower and more acute, increased number of veins per leaf (11-16 pairs) and faster growth. "A magnificent presence in any garden or landscape", Winter hardy to USDA Zones 5-8 where it is best grown in rich, moist, well-drained loams in full sun. Trunks may have deeply fluted buttresses near the ground. It can grow up to 140 ft (40 m) tall with a rounded spread of 80 ft (24 m) or more, but is usually smaller in cultivation. This specie is present naturally in the central american midwest states sporadically. Zone 4b These unusual and attractive trees, also called upright English oak trees, were first found... more, REDUCED PRICE AT THE MAXIMUM. acuminata, and the shrubby form as Q. prinoides var. Range Japan; Korea; China; Taiwan; West Himalaya; 0 to 3000 m; Growth habit 12-15 m (sometimes to 25 m);... more, Quercus mongolica, commonly called Mongolian oak, is a medium to large deciduous tree with an open crown that typically grows to 30-60' tall, but sometimes soars to 90' tall. Quercus phellos (willow oak) is a North American species of a deciduous tree in the red oak group of oaks.... more, Nuts, stratified seeds and other products. Recommended also as an ornenmental tree for a narrow environment in your backyard. Takes glue, nails and screws well, except near to edges, when the timber should be pre-bored. It also does well in richer soils, but in those areas it is forced to compete for growing room. The swamp white oak, is a medium-sized tree of America's north central and northeastern mixed forests. Construction uses include flooring, veneer, interior trim, and furniture. The name Q. prinus was long used by many botanists and foresters for the swamp chestnut oak, even when treated as a species distinct from the chestnut oak, which was then called Q. montana, but the application of the name Q. prinus to the chestnut oak is now often accepted, although sometimes that name is declared to be of uncertain position, unassignable to either species, with the chestnut oak then called Q. montana, as in the Flora of North America. It is distinguished from most other oaks by its leaves, which are shaped like willow leaves, 5–12 cm long and 1–2.5 cm broad with an entire (untoothed and unlobed) margin; they are bright green above, paler beneath, usually hairless but sometimes downy beneath. Hybrids between Quercus aliena and several other oaks in Quercus sect. The Bur oak, is a specie of oak in the white oak section Quercus sect. Quercus borealis), is an oak in the red oak group (Quercus section Lobatae). Sunday / Closed. A fast-growing pioneer or riparian species, pin oak is relatively short-lived, with a maximum lifespan of 120 years against many oaks which can live several centuries. We supply rough sawn timber, calibrated timber and hardwoods planed to size. It is a medium-sized deciduous tree growing to 25–30 m tall with a trunk up to 1.5 m diameter. Suitable for canadian zone 5a-5b, Quercus lyrata (overcup oak) is an oak in the white oak group. British Hardwoods is a specialist hardwood timber merchant and leading supplier of kiln dried hardwoods. Quercus gambelii trees vary significantly in size from one location to another. ... Five beautiful quarter sawn perfect English Oak boards (5 pieces) Sawn from a dead Oak tree off the North Wessex Downs. 1.610.932.3130 / Fax, Monday-Friday / 8am-5pm EST We can find a small population in southwest Ontario. The fruit is an acorn, 8–12 mm long, and almost as wide as long, with a shallow cup; it is one of the most prolific producers of acorns, an important food tree for squirrels, birds, and other animals in the forest. Black oak is classed as intermediate in tolerance to shade. Hardy to USDA Zone 5 or canadian zone 5b. For expert guidance and advice, speak with our staff and ask about our wondrous oak trees. The dwarf chinkapin oak is a shrub or small tree that typically only grows to 13–20 feet (4–6 meters) tall and 13–20 feet (4–6 meters) wide. The acorns are 1.5–2 cm long, and are mature in their first summer. Shumard oaks are known to have reached at least 480 years of age. Shumard oaks begin to bear seeds at a minimum of 25 years of age, and the optimum age for seed development is 50 years of age. Lobatae) group of oaks. Pin Oak is one of the most commonly used landscaping oak in its native range due to its ease of transplant, relatively fast growth, and pollution tolerance. The specie was often called ... more, Quercus dentata, the Japanese emperor oak, also daimyo oak is a species of oak native to Japan, Korea and China. The acorns tend to be ellipsoid (ellipse-shaped, from which its scientific name derives), though they tend to be highly variable and range to globose, 6-11 mm long and 10-19 mm broad, a third to a half covered in a deep cup, green maturing pale brown about 18 months after pollination; the kernel is very bitter. The bark is rough and brownish-gray. Please Note: If you are planning a visit to Hearne Hardwoods to view the live-edge slabs, we ask that you call ahead with a list of the slabs you would like to see. The acorns are elongate, about 1 in (2.5 cm) long, with a cup that covers 1/3 of the nut.
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english oak timber for sale 2020

redpajama_set_name: RedPajamaCommonCrawl


text:
Mate Kasch has obtained Polish citizenship
Kayla Nunez October 26, 2021 2 min read
The acceleration in the matter of Matti Kac's nationality occurred as a result of talks between the President of the Polish Football Association, Cesare Kuleza, with President Andrzej Duda. As Sebastian Staszewski informed, at the special request of President Duda, Kash's request, which theoretically could have been signed by the Mazovian province for several weeks, was examined in a swift procedure.
I would like to thank President AndrzejDuda for Friday's meeting, as a result of which Governor @Radziwill_K today signed the Recognition of Polish Citizenship Act for @mattycash622. We are pleased that the player will soon be at the disposal of manager paulomcdsousa! pic.twitter.com/S540GYCN4g
– Czarek_Kulesza
Thanks to this, Konstanty Radzwijk, Mazovian Voivode, signed the order for the football player Aston Villa and soon Cash will be able to make his debut in the Polish national team. Paulo Sousa counts on him a lot, and he clearly has a plan on how to use a player in the Premier League to fight for promotion to the World Cup in Qatar.
At the time Radziwi's signature was placed on the application, Cash was given the opportunity to apply to the embassy for a temporary passport. This, in turn, will be to overcome the last official hurdle before one of the players is called up for the national team.
mate cash
/Eddie Q /Getty Images
See also That is why Granerud "gave" his place in the competition to Destroyer. Hit a single mistake
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The IT Security Architect is the global owner for IT Security processes and procedures for technical IT security governance, risk management and compliance. The IT Security Architect will manage the day to day technical IT security compliance acitivites, (including PCI and GDPR).
Working to the Head of Information Security, the IT Security Architect will define, establish and implement technical IT Security policies, processes and procedures.
Work with stakeholders in IT departments to assure IT security principles are applied to infrastructure, applications and programmes.
Ensure IT continues to develop at a fast pace, incorporating security by design principles.


text:
Q: How to use CJK environment in footnote? I am writing a paper in English. But I'd like to have my name in Chinese displayed. I figured that it would be great to have it in the footnote. Here is what I was trying to do:
...
\usepackage{CJK}
...
\author{Xxxxx Xxxxx\footnote{\begin{CJK}{UTF8}{gkai}Xxxxx, Xxxxx (某某某) is supported in part by U.S. taxpayers through NSF grant XXX-xxxxxxx.\end{CJK}}\footnotemark[1]}
...
\begin{document}
\maketitle
...
\end{document}

Unfortunately, I got an error message when I tried to compile TeX to PDF.

Latex Error: ./colorfulps.tex:45 Use of \@xfootnotemark doesn't match its definition.
  ! Incomplete \iffalse; all text was ignored after line 45.
  ! Emergency stop.

I tried to put the CJK environment in the body text, and it works just find. If I put the CJK environment in a footnote in the body text, I didn't get the error, but the Chinese characters didn't show up, either. So I am pretty sure this is something specific to footnote.
Is there a way to get around this? Thanks in advance.

A: This would work. \footnotemark goes first, footnotetext goes second. Also CJKutf8 package is used here for the Chinese character to show up.

Code
\documentclass[12pt]{article}

\usepackage[utf8]{inputenc}
\usepackage{CJKutf8}
\usepackage{fancyhdr}
\usepackage{etoolbox}
\setcounter{footnote}{1}

\makeatletter
\patchcmd{\maketitle}{\@fnsymbol}{\@arabic{}}{}{}
\makeatother

\title{A project}
\author{Xxxxx Xxxxx\footnotemark[\value{footnote}]}
\footnotetext{
\begin{CJK}{UTF8}{gkai}Xxxxx, Xxxxx (某某某) is supported in part by U.S. taxpayers through NSF grant XXX-xxxxxxx.
\end{CJK}}
\begin{document}
\begin{CJK}{UTF8}{gkai}
%\begin{titlepage}
\maketitle
%\end{titlepage}
\end{CJK}
\end{document}

redpajama_set_name: RedPajamaStackExchange


my scandinavian home: Pets - the must have home accessory for 2012?!
Pets - the must have home accessory for 2012?!
Fantastic blog Desire to Inspire asked readers to send in pictures of their beloved 'pets on furniture'. The results are wonderful! After looking at these pics you might just allow your dog on the sofa afterall, as long as he matches the decor of course.
For more wonderful pics click here and here. Do you have any of your beloved pet at home? If so send 'em over, we'd love to see them!! Back later with a new year DIY project. Ooooo!
Allowing your pet to stay in the sofa is one thing that you should think about. Sometimes they leave dirt or fur on the sofa so it would be better if they have a separate one.


text:
Adblock recently blocked content from our website, so you may not see the content correctly. To view the content properly please disable adblock on ymovies. Thank you.
The Battle of Neretva
Watch The Battle of Neretva (1969) Online
Germany, Italy, Serbia and Montenegro, USA
Drama, Foreign, War
Anthony Dawson, Curd Jürgens, Franco Nero, Hardy Krüger, Velimir 'Bata' Zivojinovic, Yul Brynner
Veljko Bulajić
Ratko Djurovic, Stevan Bulajic, Ugo Pirro, Veljko Bulajic
Watch The Battle of Neretva Online Free:
In January 1943 the German army, afraid of an Allied invasion of the Balkans, launched a great offensive against Yugoslav Partisans in Western Bosnia. The only way out for the Partisan forces and thousands of refugees was the bridge on the river Neretva.
(See more...) On Yify TV you can Watch The Battle of Neretva free instantly without waiting.
Watch more Veljko Bulajić's movies for free on Yify TV.
More search tags: The Battle of Neretva.720p.x264.YIFY.mp4, The Battle of Neretva full movie online, download 1969 online movies free on Yify TV.
The Battle of Neretva (1969)
In June of 1942 Germans and their collaborators decide to get rid of partisans and their stronghold in the woods of Mount Kozara in Northern Bosnia. They encircle the mountain and begin the mop up operation. Out gunned and outnumbered the partisans must not only take care of themselves but try to protect thousands of refugees too.
Walter Defends Sarajevo
Valter brani Sarajevo (English: Walter Defends Sarajevo, German: Walter verteidigt Sarajewo) is a Yugoslav partisan drama film that takes place during World War. Walter Defends Sarajevo takes place in Sarajevo, Bosnia against the German withdrawal from Yugoslavia towards the end of World War II in 1944. The Nazis are desperate to have their tank divisions in Greece diverted to shore up the defence…
In Texas in the 1930s, young schoolteacher Novalyne Price meets a handsome, eccentric, interesting young man named Robert Howard. He's a successful writer – of the pulp stories of 'Conan the Barbarian'; she's an aspiring one. A friendship develops into a sort of courtship. Based on a memoir by Novalyne Price.
This film follows two Belgrade youths on their rise to gangster legends in a decaying society.
Ko to tamo peva
On April 5, 1941, a date Serbs will recognize, men on a country road board Krstic's bus for Belgrade: two Gypsies who occasionally sing about misery, an aging war vet, a Nazi sympathizer, a dapper singer, a consumptive, and a man with a shotgun. Krstic is a world-weary cynic, out for a buck; the driver is his son, the simple, cheerful Misko. En route they pick up a priest and young newlyweds going to the seaside. Along the way, mis-adventure strikes
Bandit Queen
Born a lower-caste girl in rural India's patriarchal society, "married" at 11, repeatedly raped and brutalized, Phooland Devi finds freedom only as an avenging warrior, the eponymous Bandit Queen. Devi becomes a kind a bloody Robin Hood; this extraordinary biographical film offers both a vivid portrait of a driven woman and a savage critique of the society that made her.
Gipsy boy Heathcliffe is adopted by a god-fearing landowner in northern England and grows up as the soul-mate of the daughter, Cathy Earnshaw. When father dies, stern son Hindley returns and bans Heathcliffe to the stables; when they spy upon their upper class neighbors, Edgar Linton sends the dogs upon them and chases Heath but starts an affair -love comes only from him- with her. When Hindley's …
Urban comedy, happening during a night in Belgrade. Mare, Pop and Gojko are three friends who grew up together. Mare and Pop have always been musicians, while Gojko (who was harassed by them in school and nicknamed 'Sissy') became a 'guy in suit', boss of his own club and recording studio.
Till recently a University professor, a bohemian writer, a member of Belgrade's intellectual circles and a passionate opponent of the Milosevic's regime meets the man, unknown to him, but who knows every tiny detail of his life. Man tells him a story and plot unfolds unimaginably.
The Lady in Number 6
The Lady In Number 6 is one of the most inspirational and uplifting stories of the year. 109 year old, Alice Herz Sommer, the world's oldest pianist and Holocaust survivor shares her story on how to achieve a long and happy life. She discussed the importance of music, laughter and how to have an optimistic outlook on life.


Things are getting short here and there is still a lot to do, as AlteCocker will soon be leaving for home exchanges #56-59 in Europe. As is true before almost every home exchange, a major problem was discovered just before take off. This time the basement flooded after major rain--and homeowner's insurance does not cover basement floods. Fortunately, she purchased a water vacuum years ago. It went unused until the flood. She got to the mess in time to keep up with it before it did major damage. That did not mean that there was not a major construction project afterward--because there was. Thousands of dollars. Don't ask, but no more floods please--and no problems when AlteCocker is away. However, this summer's exchangers will see that the room that had the flood still needs reconstruction. That will wait until AlteCocker returns and has time to choose new tile and decide exactly what to do with the room with the problem.
AlteCocker's message will be changed on her cellphone because she will be leaving it for her exchangers and using their phones. Since she works from home, it is important that people know how to contact her at all times. Email is great for that due to the time difference!
Yes, AlteCocker gets nervous before a home exchange--just as she does before any trip. There is an added level of anxiety about worrying if the house for which she am exchanging actually exists and the keys she has will work when she gets there. The keys have always worked but AlteCocker is always a bit anxious. So, first timers, if you are anxious, be assured, everyone is.
AlteCocker is not, however, home exchanging with strangers because numerous emails have been exchanged back and forth. While she may never meet her exchangers, AlteCocker certainly knows them at least a little. Moreover, she knows that someone will be in her house while she is gone gone. She is, therefore, less worried about burglars. An occupied house is safer.
So, AlteCocker will get busy running the dishwasher one last time, doing laundry and filling the gas tank to leave my exchangers with a full tank in my Prius for a good start on visiting Washington, DC.
As she leaves, AlteCocker asks all of you to follow my adventure on this website. She will be blogging the trip--although perhaps not every day depending upon wifi access.


text:
Purpose & Strategy
Etex in the world
Choose Your Language EN
About Etex
Jo Van Biesbroeck appointed Vice President of the Etex Board of Directors
After a diligent selection procedure, the Board of Directors of Etex has followed the advice of the Remuneration and Nomination Committee to nominate Jo Van Biesbroeck as the successor of Jean-Louis de Cartier as Chairman of the Board of Directors. The succession would be effective immediately after the proposed renewal of Jo's Director's mandate at the general shareholders' meeting on 26 May 2021. To enable a smooth transition, between now and the general shareholders' meeting, Jo Van Biesbroeck will serve as Vice-President of the Board of Directors.
About the members of our Board of Directors
Jean-Louis de Cartier joined our Board of Directors back in 1993. In the following years, he also served on the Boards of other companies. In May 2021, after having accompanied Etex in numerous developments, Jean-Louis will reach the end of his current mandates of Director and Chairman of the Board. As he will reach the maximum number of mandates according to the company's rules of governance, he cannot be re-elected for another term.
Jo Van Biesbroeck holds a degree in economics from KU Leuven and counts an extensive business experience. He spent 38 years careers with Interbrew, later InBev and then AB InBev. In his most recent role of Chief Strategy Officer, he helped the CEO develop the optimal path for the top-line growth of the group and oversaw the group's global export division, ABI International.
He has significant experience in the management of publicly listed companies with family shareholders. He serves as a Board member for several listed companies, at which he leads Audit and Remuneration Committees. Jo is an Etex Board member since 2018, and he is the Chairman of its Risk and Audit Committee.
Welcome Jo – we look forward to your insights as we continue to execute our strategy to inspire ways of living.
Download the press release
< Back to newsroom
Etex Headquarters
Call +32 2 778 12 11


On a cold morning when I'm clutching my tea cup to warm my hands, this is a beautiful contemplation, both Psalm and image.
Frost and chill, bless the Lord!
Now that we're finally experiencing winter weather in Chicago, Heidi's submission and your comment, Michelle, take on added meaning.


This place is ADORABLE! Perfect for a starter home, a busy professional or even empty nesters, AND it's completely move in ready. Full kitchen remodel w/ granite counter tops, all new flooring and new cabinets. The living room has vaulted ceilings and a cozy gas fireplace. There's even great outdoor space for relaxing and entertaining. You're welcomed by a huge covered front porch and out back there is a sunroom leading to a well landscaped, and fully fenced yard. You won't be disappointed.
MLS/BLC # 21596416 is a 2 -bedroom, 2-bath property located at 5038 Brookstone Lane, Indianapolis, IN 46268, in Marion County. This Residential/Condo was built in 1996 and offers 1245 square feet of total space. The current listing status of 5038 Brookstone Lane Indianapolis IN 46268 is "Sold." This property is conveniently located near Northwestway Park, a popular park in the area. 5038 Brookstone Lane Indianapolis IN 46268 is in the Brookstone At Twin Creeks Subdivision. See More Indianapolis homes for sale.
5038 Brookstone Lane, Indianapolis, IN 46268 Property displayed on MSWOODS.COM and listed by F.C. Tucker Company. The BLC® listing information is provided by the Metropolitan Indianapolis Board of REALTORS® from a copyrighted compilation of listings. The compilation of listings and each individual listing are © 2019 Metropolitan Indianapolis Board of REALTORS® All Rights Reserved. The information provided is for consumers' personal, non-commercial use and may not be used for any purpose other than to identify prospective properties consumers may be interested in purchasing. All properties are subject to prior sale or withdrawal. All information provided on 5038 Brookstone Lane, Indianapolis, IN 46268 (and all other homes for sale in Indianapolis) is deemed reliable but is not guaranteed accurate, and should be independently verified.
I would like to see the house at 5038 Brookstone Lane, Indianapolis, IN 46268 at the following date and time.


Performance with Ilmur Stefánsdóttir: At the opening of the exhibition Panik Ilmur Stefánsdóttir performs on the hamster wheel with the band Cyber.
Ilmur Stefánsdóttir graduated from The College of Arts and Crafts in Iceland 1995 and finished her Masters Degrees in Visual Arts at Goldsmiths College London 2000.
CYBER is a collaboration of Salka Valsdóttir (Bleach Pistol) and Jóhanna Rakel Jónasdóttir (Junior Cheese). The band was formed in 2012 as an experimental disco-thrash metal band, but took a U-turn when members joined the band Reykjavik daughters. The band has now two other members Dj Þura Stína (Sura) along with rapper Þuríður Blær Jóhannsdóttir (MC Tint).


text:
Q: How can I find the first missing directory in a long path? Imagine I have a path that doesn't exist:
$ ls /foo/bar/baz/hello/world
ls: cannot access /foo/bar/baz/hello/world: No such file or directory

But let's say /foo/bar does exist. Is there a quick way for me to determine that baz is the breaking point in the path?
I'm using Bash.

A: Given a canonical pathname, such as yours, this will work:
set -f --; IFS=/
for p in $pathname
do    [ -e "$*/$p" ] || break
      set -- "$@" "$p"
done; printf %s\\n "$*"

That prints through the last fully existing/accessible component of $pathname, and puts each of those separately into the arg array. The first nonexistent component is not printed, but it is saved in $p.
You might approach it oppositely:
until cd -- "$path" && cd -
do    case   $path  in
      (*[!/]/*)
              path="${path%/*}"
;;    (*)   ! break
      esac
done  2>/dev/null   && cd -

That will either return appropriately or will pare down $path as needed. It declines to attempt a change to /, but if successful will print both your current working directory and the directory to which it changes to stdout. Your current $PWD will be put in $OLDPWD as well.

A: One of my favourite utilties is namei, part of util-linux and hence generally present only on Linux:
$ namei /usr/share/foo/bar
f: /usr/share/foo/bar
 d /
 d usr
 d share
   foo - No such file or directory

But its output is not very parseable. So, if you just wish to point out something is missing, namei might be useful.
It's useful for troubleshooting general problems in accessing a path, since you can get it to state whether a component is a link or a mount point, as well as its permissions:
$ ln -sf /usr/foo/bar /tmp/
$ namei -lx /tmp/bar
f: /tmp/bar
Drwxr-xr-x root    root    /
Drwxrwxrwt root    root    tmp
lrwxrwxrwx muru    muru    bar -> /usr/foo/bar
Drwxr-xr-x root    root      /
drwxr-xr-x root    root      usr
                             foo - No such file or directory

The capital D indicates a mount point.

A: Something like this (accounting for pathnames with embedded blanks):
#!/bin/sh
explain() {
    if [ -d "$1" ]
    then
        printf "\t%s: is a directory\n" "$1"
    elif [ -e "$1" ]
    then
        printf "\t%s: is not a directory\n" "$1"
    else
        printf "\t%s: does not exist\n" "$1"
    fi
}

for item in "$@"
do
    last=
    test="$item"
    printf "testing: '%s'\n" "$item"
    while [ ! -d "$test" ]
    do
        last="$test"
        test=$(dirname "$test")
        [ -z "$test" ] && break
    done
    if [ -n "$last" ]
    then
        explain "$test"
        explain "$last"
    else
        printf "\t%s: ok\n" "$item"
    fi
done

A: Just an alternative solution for bash, assuming the path is an absolute path (starts with /)  :
#!/bin/bash

pathname="$1"

IFS='/' read -r -a p <<<"${pathname#/}"

pa=""    max="${#p[@]}"    i=0
while (( i<"$max" )); do
      pa="$pa/${p[i++]}"
      if     [[ ! -e $pa ]]; then
             printf 'failed at: \t"%s"\t"%s"\n' "${pa##*/}" "${pa}"
             break
      fi
done

$ ./script "/foo/ba r/baz/hello/world"
failed at:      "hello"        "/foo/ba r/baz/hello"

A: (( dirct=$(echo ${dir}|tr "/" " "|wc -w)+1 ))
i=2
while [ ${i} -le ${dirct} ]
do
  sdir=$(echo ${dir}|cut -d/ -f1,${i})
  if [ ! -d ${sdir} ]
  then
    echo "Path is broken at ${sdir}"
  fi
  (( i++ ))
done

it is not simple but you can put it in a script, make it executable and stick it somewhere in your path, if you are going to use it frequently.
Caveat emptor: If your directory name at any level contains a space character, this will NOT work.


MSE Creative Consulting Blog: With Regard to the Posting Below: Disasters Are Decreasing!
With Regard to the Posting Below: Disasters Are Decreasing!
In spite of forecast after forecast after forecast since 1988, and especially after Katrina in 2005, calling for increasing disasters due to global warming, disasters are decreasing. The graph below was just posted by Dr. Roger Pielke, Jr. with data through December.
As discussed in the posting immediately below, the track record of climate science's forecasts is abysmal. Scroll down for more.


With K12 Transfers, you can avoid all of this by allowing the special education department to review transfers with special needs directly in K12 Transfers. Click here to learn how.
This entry was posted by Damon in K12 Transfers.


text:
Paul Heinrich Meffert (* 13. August 1880 in Würselen; † 6. März 1965 in Berlin) war ein deutscher Schauspieler und Theaterregisseur.

Leben und Wirken
Paul Meffert kam als Sohn des Kaufmanns Julius Meffert und seiner Frau Emilie, geb. Steinbecker, im Würselener Ortsteil Grevenberg zur Welt. In der Saison 1901/02 begann er in Lüneburg, Theater zu spielen. Er spielte fortan sowohl in der Provinz (zum Beispiel in Königsberg, Sigmaringen, Hannover und Landsberg an der Warthe, wo er in der Spielzeit 1910/11 auch als künstlerischer Leiter und Oberregisseur arbeiten durfte) als auch in Berlin, wohin er erstmals 1905 gekommen war. In der Reichshauptstadt, wo er sich in der Spielzeit 1911/12 mit einer eigenen kleinen Schauspieltruppe, der Härting-Meffertschen Schauspiel-Gesellschaft, niedergelassen hatte, war Meffert seitdem sowohl als Schauspieler als auch als Regisseur tätig.

1912 kam der Film auf ihn zu. Noch vor dem Ersten Weltkrieg war er in mehreren Inszenierungen Urban Gads der Partner Asta Nielsens (Das Mädchen ohne Vaterland, Der Tod in Sevilla, S 1). Nach der kriegsbedingten Unterbrechung nahm Meffert 1918 die Filmarbeit wieder auf. Nach seiner Mitwirkung in zwei Sensationsfilmen Harry Piels verschwand er Mitte der 1920er Jahre aus dem Blickfeld der Öffentlichkeit. Auch als Theaterschaffender ist er nicht mehr nachzuweisen.

Paul Meffert war ab 1919 mit Anna Härting verheiratet. Er starb 1965 in Berlin-Zehlendorf.

Filmografie
 1912: Das Mädchen ohne Vaterland
 1913: Der Tod in Sevilla
 1913: Turi, der Wanderlappe
 1913: Der Steckbrief
 1913: S 1
 1913: Die schwarze Kugel
 1918: Doktor Palmore. Der schleichende Tod
 1918: Frühlingsstürme im Herbste des Lebens
 1919: Unschuldige Sünderin
 1919: Die Geächteten
 1920: Die Tragödie eines Großen
 1921: In den Krallen der Sünde (auch Drehbuchmitarbeit)
 1922: Der Höllenreiter
 1923: Menschen und Masken, zwei Teile
 1924: Auf gefährlichen Spuren

Literatur
 Wilhelm Kosch: Deutsches Theater-Lexikon. 2. Band, Klagenfurt und Wien 1960, S. 1411.

Weblinks

Belege

Stummfilmschauspieler
Theaterschauspieler
Theaterregisseur
Deutscher
Geboren 1880
Gestorben 1965
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redpajama_set_name: RedPajamaWikipedia


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Bills Ease to Victory in Season Opener
By Ethan Kimmel
It was a strangely calm opening Sunday for the Buffalo Bills. While the New York Jets are not the cream of the crop in the NFL, they are a still a division rival who is always a tough matchup for the Bills. What made this Sunday feel out of the ordinary is that it didn't have the occasional highs or devastating lows that a Bills game typically consists of.
In Sean McDermott's coaching debut, the Bills were able to effectively executive their game plan, play to their strengths, and minimize their mistakes. This team looked more disciplined compared to those under Rex's reign. The Bills played a smart game of football despite the six penalties. I felt more at ease watching the Bills than I have in the past knowing that McDermott is calling the shots. He doesn't make irrational decisions, holds the team accountable, and is aggressive without being careless.
The most noticeable difference in this year's team is the energy from the defense. They were the best unit on the field this past Sunday and credit that to the new regime. Once thought to be a position of need, the Bills safeties shined against the Jets' underwhelming offense. Safeties Micah Hyde and Jordan Poyer each had interceptions in their Bills' debut. In fact, Jordan Poyer was the highest graded player in the game per Pro Football Focus (90.7 overall grade). The run-defense was strong throughout, though I feel Marcell Dareus has the ability to disappear at times.
Much like their effort on defense, the Bills were just as efficient on offense. Despite an early redone interception, Tyrod Taylor was able to play to his strengths and not try to do too much. He spread the ball around and had good chemistry with Charles Clay throughout the day. The Bills we be as good as Tyrod can take them.
Offensive coordinator Rick Dennison let the ground game set the tempo. LeSean McCoy was his typical-superstar self, totaling 159 yards. He looked every bit as explosive as Bills fans had thought. He is a Hall of Fame running back who is has the ability to make people miss in open space like no other running back in the league. The Bills powerful rushing attack was complimented by the likes of Tyrod Taylor and Mike Tolbert. Both have distinct running styles that add a much needed dimension to the Bills offense.
I have a funny feeling One Bills Drive is going to be pretty crowded on "Victory Monday." There is a lot of film to be watched and adjustments to be made as the Bills look ahead to the Panthers. One win is great, but two wins is better. Go Bills
Bills open up victorious against the Jets
Reaction Monday: Dareus plays 59% of snaps & more


In Chicago, we'll be partnering with The Chicago Workmen's Circle for a Hanukkah Shabbat on December 7 and Family Hanukkah Party on December 2! Join us for two events full of new friends, Hanukkah cheer and food. Reserve your spot to either (or both!) events here.


Junior Blues information on how to register including registration forms for in-person and faxed registrations. To register for a Gymnastics program online click on the learn more button below or, if you know the barcode go directly to the online registration system.
All first aid, lifesaving, lifeguarding and swim instruction programs have prerequisites which must be obtained prior to the start of the course. Please review the prerequisites for each course carefully and be prepared to show proof at the first course. If you have any questions, you may contact us for clarification.
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Is it your goal to become a certified lifeguard and swim instructor? Wondering what order to take the courses in? Review "How to become a lifeguard" and "How to become a Red Cross Water Safety Instructor".
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The Canadian Red Cross and Lifesaving Society offer excellent Standard First Aid courses which the Ministries of Labour and Health recognize as a certification for workplace requirements. CPR-C certification and AED training are included. Additionally, the Canadian Red Cross Babysitting course allows participants to learn how to provide care to younger children in a variety of age groups, and how to prevent and respond to emergencies.
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Please note that the Swimming and Water Safety Instructor Development Program has changed as of Jan 2016. AWSI no longer exists. All candidates must complete the 4 components of the WSI course in order to become certified as a Red Cross Water Safety Instructor.


text:
Bromwich claims first Player of the Year award
New Zealand international Jesse Bromwich has claimed his first Player of the Year award after being crowned Storm's best player in 2014 at the Club's awards ceremony on Friday night.
Bromwich finished six votes clear of Storm halfback Cooper Cronk who finished in second place on 22 votes with captain Cameron Smith placing third on 19 after winning the award last year.
In front of 700 people at Peninsula Docklands, Head Coach Craig Bellamy presented Bromwich with the bronze trophy and medallion after a season where the 25-year old developed into on of rugby league's premier front-rowers.
Only missing one game in the last three seasons at Club level, the front-rower has also become a regular on the international scene in Stephen Kearney's New Zealand side.
Leading Storm in a number of categories for the season including runs made and offloads, Bromwich's reliable ball security coupled with his brute strength continually caused havoc for opposition defences, also providing Melbourne with a cutting edge in attack.
Despite missing six matches due to injury throughout 2014, Cooper Cronk enjoyed another strong year for Melbourne, culminating in his second place finish behind Bromwich.
The halfback was at his creative and influential best in attack, finishing the season with a Club high 25 try assists from 19 games.
One of the competition's best playmakers, Cronk finished inside the league's top five for both try and linebreak assists, highlighting his quality with the ball in hand.
A six-time winner of the Melbourne Storm Player of the Year Award, Cameron Smith once again produced an ultra consistent season leading his side from the front in 2014.
The captain closed out the year as Melbourne's leading points scorer, achieving the feat for the ninth time as well as becoming the greatest points scoring forward in league history on the way.
A vital cog in the Storm wheel both in defence and attack, Smith finished in the top five at the Club for try assists and try saves. Smith's attention to detail in defence was signified in his tackle count with the number nine laying just short of 1000 tackles from 23 games.
Youngster's Kurt Mann and Jordan McLean were also recognised on the evening for promising performances throughout the 2014 season.
Mann's seamless transition into first-grade football saw the Winton Devils junior named the Club's Rookie of the Year Award. McLean was named Storm's Most Improved Player with the 23-year old missing just one game in the back half of the season, playing 12 out of Melbourne's final 13 games.
Voting for Storm's Player of the Year award takes place after each round by the coaches and players.
Final 2014 Player of the Year leaderboard
Jesse Bromwich 28
Cooper Cronk 22
Cameron Smith 19
Billy Slater 18
William Chambers 14
Ryan Hinchcliffe 13
Kevin Proctor 13
Ryan Hoffman 9
Mahe Fonua 8
Kurt Mann 6
Other winners at the 2014 Storm Player of the Year awards were:
Rookie of the Year – Kurt Mann
Most Improved – Jordan McLean
Best Forward – Cameron Smith
Best Back – Cooper Cronk
U20s Best Forward – Joe Stimson
U20s Best Back – Charnze Nicoll-Klokstad
U20s Darren Bell Medal (Player of the Year) – Nelson Asofa-Solomona
Greg Brentnall Young Achievers Award (SG Ball) – Charnze Nicoll-Klokstad
Clubperson of the Year – Craig Sultana (Head Trainer)
Suzuki Members' Player of the Year – Cooper Cronk


A brand new Disney Dance Party like no other!
Why See Disney Junior Live: Dance Party?
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Join hosts, Dee and Jay and the DJ Dance Squad as they welcome Mickey, Minnie and other Disney Junior characters to perform popular songs from the Channel including "Hot Dog Dance", "Time For Your Check Up", "Zuka Zama" and "Happy Helpers".
The Party On dance tour will be lighting up stages across the US so don't miss them when they come to your town!
Seen Disney Junior Live: Dance Party? Loved it? Hated it?
Help your fellow Akron Theater visitors by leaving the first review!
Sound good to you? Share this page on social media and let your friends know about Disney Junior Live: Dance Party at E J Thomas Hall.
Please note: The term E J Thomas Hall and/or Disney Junior Live: Dance Party as well as all associated graphics, logos, and/or other trademarks, tradenames or copyrights are the property of the E J Thomas Hall and/or Disney Junior Live: Dance Party and are used herein for factual descriptive purposes only. We are in no way associated with or authorized by the E J Thomas Hall and/or Disney Junior Live: Dance Party and neither that entity nor any of its affiliates have licensed or endorsed us to sell tickets, goods and or services in conjunction with their events.


Why I love Reading Inspirational Life Quotes?
Inspirational quotes and sayings from the present day or centuries past, can inspire and instruct us. This is true regardless of the religious or spiritual tradition they come from. Nor do religious or spiritully-oriented individuals have a monopoly on useful words. Quotes that strike at the truth of the matter can come from scoundrels, saints, and ordinary people.
Philosophies and arguments often use logic in an attempt to "capture" truth in a net of words to build systems of knowledge, or to satify egos. Logic is important, but when mis-used it leads to confusion. Inspirational sayings cut through the fog and point at the truth, so you can see it for yourself.
Imagine a choice: do what you love and possibly fail, or wait a few more years. Now, outside of mathematics, virtually all reasoning is tainted with rationalization, so you can support whatever you decide with "logical arguments," right? No wonder we're often confused and demotivated! How can we trust our own reasoning , if it just finds a logical construct for whichever fear or other feeling is strongest!
Can you see how this hockey metaphor might touch you precisely because it isn't a logical argument? It just points at a truth you can see for yourself: You can't get what you want without "taking that shot." Seeing the truth is far more motivating than arguing it. That's the value of reading inspirational quotes.


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Priooo helps our scrum team with everything we do, from daily stand ups till team meetings where we refine items on our product backlog.
Cons: The tool lacks support for multiple teams, could be useful for scrum masters or product owners. Currently it is limited to a single team.


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redpajama_set_name: RedPajamaGithub


The new Heil Pro Set Elite is the ultimate boomset designed for commercial sportscasters, podcasters and amateur radio operators using the newly designed Heil HC 6 wide response microphone element. The new technology of the Heil HC 6 is designed for full range commercial AM or FM network broadcasts or can be adjusted (with radio adjustment) for bright, articulate audio to cut through amateur radio noise and signal pileups. The Pro Set Elite offers dual side, highly efficient speakers mounted in acoustically tuned chambers which has high rejection of outside noise. The exclusive Heil Phase Reversal feature allows the user to move the signal acoustically, which creates a spatial widening of the sound field that makes it easier to 'see' a signal inside a pileup while removing listener fatigue during prolonged use. The headphone's speakers fold up for easy transportation and storage.
The field-replaceable cushioned ear pads also come with removable cotton covers that can be easily removed for washing. The 6′ coiled cable terminates in a 1/8″ mono plug for the microphone, and a stereo 1/8″ plug for headphone speaker connection. A 1/8″ to 1/4″ adapter is also supplied. The PRO SET ELITE works with all Heil AD-1 adapter cables, which mate with just about every type of amateur radio transceiver. To find out which AD-1 adapter will work with your radio please consult the Heil Sound Adapter Selector.
Pro Set Elite – 6 contains the Heil HC 6 full range dynamic broadcast element. The HC-6 is designed for commercial broadcast applications; the -3dB points are fixed at 100 Hz and 12.5 kHz, with a sensitivity of -57 dB at 600 Ohms output impedance (centered at 1kHz). Using new dynamic technology, the HC 6 response can be equalized to match just about any requirement, from full range commercial broadcasting to serious contest and DXing.
Pro Set Elite – iC contains the specially designed high-performance electret condenser which was designed for low-level mic inputs used in many iCOM amateur radio transceivers. The -3dB points are fixed at 80 Hz and 12.5 kHz. The iC element requires + 5 Volts DC phantom power, which all iCOM rigs provide.
Heil PROSET ELITE 6 heeft nog geen reviews. Deel uw product ervaring en plaats een review.


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Bio: Audrea is a Certified Christian Life Coach as well as a Certified Biblical Counselor. She is a graduate of Florida State University with a B.S. in Criminology and Georgia State University with an M.S. in Community Counseling. She enjoys speaking to groups, both large and small, and participating in workshops and conferences. She believes that her mission is to challenge individuals to live up to their fullest potential and to enjoy the journey of life and to maneuver their way through the many experiences with joy in spite of the circumstances. She has contributed to several publications over the years offering insight, counsel, and inspiration; these contributions were in the forms of offering guidance in Christian counseling columns, contributing as a writer of daily devotionals for her local church, and sharing inspirational stories for a newsletter sent to women on a weekly basis. She is currently working on projects that will be published in the near future. She is a graduate of Faith Christian University, where she received a Doctorate in Bible and Theology.


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Bali: A Missed Opportunity
Mar 8, 2008 | 0 comments
The gap between the
urgent threat of global warming and the collective will to do something
about it has never been greater. The recently concluded Conference on
Climate Change in Bali was a grand opportunity to act. Instead, it was
another missed opportunity. Unfortunately, the United States played a
very negative role, standing in the way of consensus at every turn. And
unfortunately, the rest of the world thought that seducing the US into
a new agreement on climate action was top priority, resulting in a Bali
Roadmap that was very sketchy.
A Roadmap to Anywhere
The US was brought back to the fold, but at the cost of excising from
the final document–the so-called Bali Roadmap–any reference to the need
for a 25 to 40 per cent reduction in greenhouse gas emissions from 1990
levels by 2020 to keep the mean global temperature increase to 2.0 to
2.4 degrees Celsius in the 21st century.
Reference to quantitative figures was reduced to a footnote referring
readers to some pages in the Intergovernmental Panel on Climate Change
(IPCC) 2007 Report which simply enumerate several climate stabilization
scenarios. The alternative scenarios ranged from a 2.0 to 2.4 degree
rise in temperature to a 4.9 to 6.1 degree increase. This prompted one
civil society participant to remark that the "Bali roadmap is a roadmap
to anywhere."
A few days after the new agreement was forged, many are now having
doubts whether on balance, it was positive. Would it have been better
to have simply let the US walk out, allowing the rest of the world to
forge a strong agreement containing deep mandatory cuts in greenhouse
gas emissions on the part of the developed countries? With a new US
president with a new policy on climate change at the beginning of 2009,
the US would have rejoined a process that would already be moving along
with strong binding targets. As it is now, having been part of the Bali
consensus, Bush administration negotiators, say skeptics, will be able
to continue their obstructionist tactics to further water down global
action throughout the negotiations in 2008.
One wonders what would have happened had Washington remained true to
its ideological propensities and decided to stomp out of the room when
the delegate from Papua New Guinea, releasing the conference's pent up
collective frustration, issued his now historic challenge: "We ask for
your leadership and we seek your leadership. If you are not willing to
lead, please get out of the way." As everyone now knows, after
last-minute consultations with Washington, the American negotiator
backed down from the US's hard-line position on an Indian amendment
seeking the conference's understanding for the different capacities of
developing countries to deal with climate change and said Washington
"will go forward and join the consensus."
Weak Institutional Outcomes
The single-minded focus on getting Washington on board resulted in the
dearth of hard obligations agreed upon at the meeting except for the
deadline for the negotiating body, the "Ad Hoc Working Group on
Long-term Cooperative Action under the Convention," to have its work
ready for adoption at the Conference of Parties in Copenhagen in 2009
(COP 15).
Many delegates also felt ambivalent about the institutional
arrangements that were agreed upon after nearly two weeks of hard
North-South negotiations.
An Adaptation Fund was set up, but it was put under the
administration of the Global Environmental Facility (GEF) of the
US-dominated World Bank. Moreover, the seed funds from the developed
countries are expected to come to only between $18.6 million to US$37.2
million–sums which are deemed severely inadequate to support the
emergency efforts to address the ongoing ravages of climate change in
the small island states and others on the "frontlines" of climate
change. Oxfam estimates that a minimum of US$50 billion a year will be
needed to assist all developing countries adapt to climate change.
A "strategic program" for technology development and transfer
was also approved, again with troubling compromises. The developing
countries had initially held out for the mechanism to be a designated a
"facility" but finally had to agree to the watered-down
characterization of the initiative as a "program" on account of US
intransigence. Moreover, the program was also placed under the GEF with
no firm levels of funding stated for an enterprise that is expected to
cost hundreds of billions of dollars.
The REDD (Reducing Emissions from Deforestation and
Degradation) initiative pushed by host Indonesia and several other
developing countries with large forests that are being cut down rapidly
was adopted. The idea is to get the developed world to channel money to
these countries, via aid or market mechanisms, to maintain these
forests as carbon sinks. However, many climate activists fear that
indigenous communities will simply be victimized by predatory private
interests that will position themselves to become the main recipients
of the funds raised.
Big Business Roars in
In this connection, Bali will be remembered as the climate change
conference where business came in in a big way. A significant number of
the side events focused on market solutions to the greenhouse gas (GHG)
problem such as emissions trading arrangements. Under such schemes, GHG
intensive countries can "offset" their emissions by paying non-GHG
intensive countries to forego pollution-intensive activities, with the
market serving as the mediator. Shell and other big-time polluters have
been making the rounds touting the market as the prime solution to the
climate crisis, a position that articulates well with the US position
against mandatory emission cuts set by government.
Climate change activists have been appalled and stunned by the business
takeover of the climate change discourse. According to them, the carbon
market was originally a very minor part of the architecture of climate
architecture, one that climate activists agreed to in order to get the
US on board the Kyoto express. Well, the US did not get on board, and
we are now stuck with carbon markets driving the process since the
corporations have found that there is money to be made from climate
change. Many climate activists worry that carbon trading will merely
allow polluters in the North to keep on polluting while allowing
private interests in the South to displace smallholders so they can set
up unmonitored and unregulated tree plantations that are supposed to
absorb carbon dioxide.
The Philippines at the Frontlines of Global Warming
The Philippines, we learned at Bali, is on the frontlines of climate
change. In a study released at the meeting, the institute Germanwatch
claimed that the Philippines was the country most negatively affected
by climate-related disasters in 2006. Measured on a "climate risk
index" derived from four indicators—total number of deaths, deaths per
100,000 inhabitants, absolute losses in millions of US$ purchasing
power parity, and losses per unit of GDP—the Philippines topped North
Korea, Indonesia, and Vietnam. When we talk about the people dying from
the recent spate of supertyphoons like Millenio, let us be clear that
we are talking about victims of climate change. When we talk about
people being displaced or uprooted from their homes, we are talking
about environmental refugees, as much refugees as people in Tuvalu and
Bougainville who are forced to flee their lands on account of sea-level
rise. We are no longer talking about the usual ravages of a normal
typhoon season. We as a people are at the frontlines of global warming.
A National Response to Climate Change
The many dimensions of the climate crisis in the Philippines still need
to be understood. We are sure, however, that many of the preemptive and
adaptive measures needed to protect our people will cost billions of
dollars. If what we saw in Bali is any indication, money on this scale
is not likely to come from the North in the form of aid. We have to
raise it from our own resources. Climate change is one more reason why
we need to radically reduce the massive outflow of financial resources
to our creditors and channeling it to solutions to national problems.
More than ever, we must act to drastically write down the foreign debt.
Radically scaling down our debt is, however, but one aspect of a
broader response. Let me conclude by saying that climate change is fast
emerging as the greatest challenge to our generation, for even as we
prepare for it, we must also make sure that our country develops so we
can eliminate poverty. Poverty can never be a solution to the climate
crisis. The ultimate solution is a pattern of development that is both
sustainable and equitable. A transition to a low-growth, low-carbon
economy where people's standards of living have also risen is possible.
But it will only be possible if equity is at the center of development.
Thus climate change is both a crisis and an opportunity—an opportunity
to overcome the structural obstacles to social equality and genuine
democracy.


My favorite memory from Burning Man. Thanks to Trey Ratcliff for the awesome photo.
I spent yesterday trying to buy toilets online - in French, a language I am very far from having mastered. Things got particularly interesting when I discovered that French toilets are not sold as pictured, at least in my experience. Instead, all of their constituent parts are sold individually, with delivery times that vary by weeks, or even months.
The range of options! The value for money! The speedy delivery times! Sorry Europe, you're no competition.
The grand saga of getting our Internet connected was a good example of customer service you wouldn't find in America. Customer service representatives in America generally make you feel like they genuinely want to help you. They problem-solve, seem to care, and try to help. Outside of America, this sort of customer service is disturbingly hard to find.
I'll never forget when we threw an impromptu party in San Francisco and ran out of wine. Whoops! But the problem was easy to solve. We logged onto an app called Saucey (such a great name for a booze delivery service!) and they came to the rescue with wine delivered to our front door before anyone noticed we'd run out.
Gasolene is more than twice the price here! Around $7.00 per gallon versus $3.30 in America ($1.75/L versus $0.83/L). It adds up quickly, and explains why everyone in France drives tiny cars.
I don't understand why big glasses with lots of big ice cubes hasn't caught on in France - or the UK for that matter. A gin and tonic just doesn't taste the same in a spindly glass with a sliver of ice, especially on a hot summer's day!
Of all the cities in America we could have ended up, we were very lucky to have made a home in San Francisco - a city whose open-mindedness, inclusiveness, and quirkiness will always be dear to my heart. We had the chance to experience Burning Man, San Francisco Pride, Bay to Breakers, and the Folsom Street Fair, among many other awesome parties, events and celebrations. I hope San Fran stays forever colorful.
Different cities and countries seem to cultivate, or prioritize, different traits - whether it be style consciousness, artistic creativity, academic intellectualism, a sense of humor, or adventurousness. It varies a bit from state to state, but on the whole, Americans tend to cherish and encourage enthusiasm. In America, you "let your poppies grow tall", and I love that.
I love entertaining, and decorating, and no country does it with more enthusiasm (see point 8), and gusto than America. From the beginning of October, a quarter of the year is spent planning and preparing for Halloween, Thanksgiving, and Christmas alone!
P.S. An Ode to Thanksgiving, our new Home in France, the Joys of South West France, and before & after photos of our Home in San Francisco.


WHEN AND HOW DID YOU JOIN THE FUNERAL INDUSTRY?
I joined the industry in 2007, when I applied for a position as an Embalmer.
No day is the same. You never know what challenge awaits you when you arrive at work.
WHAT IS A MEMORABLE MOMENT FROM YOUR INDUSTRY CAREER?
Walking down the steps of St Pauls cathedral in view of army and press without dropping the huge wreath I was carrying.
WHAT ARE YOUR INTERESTS OUTSIDE OF THE INDUSTRY?
My interests away from work are, Watching grandkids play sports, going to the caravan , Fishing and kayaking and anything out doors.


Boardman, L. A., Ekker, S. C., Mc Niven, M. A., Shah, V., La Russo, N. F., Mc Niven, M. A., Farrugia, G. & Mc Niven, M. A.
Parkman, H. P., Wilson, L. A., Hasler, W. L., McCallum, R. W., Sarosiek, I., Koch, K. L., Abell, T. L., Schey, R., Kuo, B., Snape, W. J., Nguyen, L., Farrugia, G., Grover, M., Clarke, J., Miriel, L., Tonascia, J., Hamilton, F. & Pasricha, P. J., Jan 1 2019, In : Digestive Diseases and Sciences.
Yang, J. D. & Patel, T. C., Jan 1 2019, In : Hepatology.
Antwi, S., Li, Z., Mody, K., Roberts, L. R. & Patel, T. C., Jan 1 2019, In : Journal of Clinical Gastroenterology.


text:
Home›Obits›Obituary: Mildred (Mitzi) Kamrath
Obituary: Mildred (Mitzi) Kamrath
Mildred (Mitzi) Carol Kamrath, age 82, passed away peacefully at her adult family home Thursday, July 8, 2021, in Lake Tomahawk.
She was born Jan. 21, 1939, in Tomah to William and Caroline (Raabe) Kamrath. Mildred was raised in Tomah and baptized and confirmed at St. Paul's Evangelical Lutheran Church in Tomah. She lived the majority of her adult life in the Milwaukee area. Mildred was employed for over 20 years as a Health Unit Coordinator. After retirement, she moved to Rhinelander to be near family. As of 2013, Mildred lived at the Blotnicki Adult Family Home in Lake Tomahawk where she was welcomed into the family with open arms. Their love and support for Mildred will always be appreciated.
Mitzi loved the Green Bay Packers and watched as many of their games as possible. She enjoyed going out for dinner, shopping, watching TV and most of all, reading books. She also was very grateful to Pastor Gass for his visits and their meaningful conversations.
Mildred is survived by her sister, Jeanette (Kamrath Moore) Cummings; her niece, Sandra (Moore) Jackson; Sandy's husband, Blair, and their son, Seth Jackson; nephew, David Moore and David's wife, Sharon (Neubauer) Moore; their sons, Ethan Moore, Kevin (Katie) Moore, and Aaron (Vanessa) Moore; and their children, Oliver and Kiri Moore.
Mildred was preceded in death by her parents, William and Caroline Kamrath and her sister, Marian Kamrath.
A visitation and memorial service for Mitzi was held on Wednesday, July 14, at the Hildebrand Funeral Home. Pastor Mark Gass officiated.
Arrangements have been entrusted to the Hildebrand Funeral Home & Cremation Specialists, 24 E. Davenport Street, Rhinelander, Wisconsin 54501. 715-365-4343. Everyone is invited to sign the guestbook or leave an online condolence at www.hildebrandrussfh.com
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text:
New York 29 October - 12 December 2020
Pedestrian Profanities Curated by Eric N. Mack
Simon Lee Gallery, New York is pleased to present Pedestrian Profanities, a group exhibition of interdisciplinary artists, designers and polymaths curated by Eric N. Mack, which explores the relationship between fine art, design and fashion, and the ways in which they are activated by a participating body.
New York 15 September - 17 October 2020
Mai-Thu Perret: Flowers in the Eye
Simon Lee Gallery, New York is proud to present an exhibition of new ceramics and tapestries by Swiss artist, Mai-Thu Perret. This will be Perret's fifth show with Simon Lee Gallery and her first at the New York space.
New York 4 March - 25 April 2020
Mira Dancy, France-Lise McGurn & Clare Woods
Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. The submissive female subject typically depicted reclining, seated or kneeling, is one of the most recognizable motifs in art history. As seen in this exhibition, Dancy, McGurn, and Woods respond to this convention through disparate methods presenting the figure as alternatively dominant, vulnerable, playful, or even androgynous, restoring to their subjects a sense of agency and recontextualizing the trope for our contemporary moment.
New York 15 January - 29 February 2020
João Penalva
Simon Lee Gallery is proud to announce a solo exhibition by the London-based Portuguese artist, João Penalva. For his first solo exhibition in New York since 2002, Penalva presents two new series of work based on photographs taken at the São Carlos National Theater, in Lisbon, Portugal, that explore the physical mechanics of theatrical fictions and illusions.
Following a career in dance, João Penalva began his second career as an artist in 1976, working initially as a painter. Today, Penalva is known for making large-scale installations in various media, as well as more intimate works that combine painting, photography, video and found objects, image, text and sound; addressing narrative modes and the relationships between each medium. His storytelling is often fractured, presenting juxtaposed narrative elements, allowing the viewer a latitude of freedom in their interpretation.
New York 13 November - 21 December 2019
Since Last We Met
Simon Lee Gallery, New York, is pleased to present Since Last We Met, an intergenerational group exhibition organized by Debra Singer in collaboration with Simon Lee Gallery.
Since Last We Met centers around an imagined set of metaphorical conversations among artists who experiment with notions of materiality. Blurring boundaries between painting and sculpture as well as between craft and fine art forms, artists from three generations are put in discussion with one another, as they transform found and commonplace objects into new works, alternatively reflecting uncanny sensibilities or an embrace of cultural or gendered embodied identities. With works dating from the 1970s to the present, the show reflects eclectic material sensibilities generated from production methods that are alternatively virtuosic and hand-crafted, on the one hand, or industrial and ad hoc, on the other. Among the artists on view are Anna Betbeze, Elaine Cameron-Weir, Verena Dengler, ektor garcia, Mike Kelley, Eric N. Mack, Robert Morris, Robert Rauschenberg, and Michael E. Smith.
New York 6 September - 2 November 2019
Marnie Weber & Justin John Greene
Simon Lee Gallery, New York, is pleased to present a two-person exhibition featuring the work of Los Angeles-based artists Marnie Weber and Justin John Greene. This occasion marks the first time Weber has exhibited at the gallery's New York location, as well as the second time for Greene, whose work was previously included in the 2017 group exhibition An Uncanny Likeness.
The exhibition opens a dialogue between two artists of differing backgrounds and generational affiliations, who similarly interrogate latent aspects of the cultural imagination. Both deal in densely populated tableaus depicting archetypal figures engaged in surreal narratives, synthesizezing divergent aesthetic tropes into coherent, unified compositions. Weber draws her point of departure from Depression-era farm country, whereas the setting for Greene, is hyperactive, present-day Los Angeles. Both artists bring the gothic undercurrent resting just beneath the surface of American life to the fore.
New York 27 June - 16 August 2019
Studio Photography: 1887–2019
Simon Lee Gallery, New York, is pleased to present Studio Photography: 1887-2019, a wide-ranging survey exhibition featuring work by a diverse group of artists whose studio-based practices span the past 130 years. During this time period, the establishment of photography as an artistic medium, the ensuing major advancements in image capture technology and the resulting evolution of photography from an intensive, specialized art form to an inescapeable aspect of everyday life, has led to innovative developments in the field of fine art photography.
A broad, cross-generational overview, Studio Photography: 1887–2019 develops multiple long-ranging conversations among artists engaged in specific areas of inquiry. Finding common ground, John Edmonds, Robert Mapplethorpe, Paul Mpagi Sepuya, and Lionel Wendt all employ the historical genre of portrait photography in order to grapple with issues surrounding representation and identity; however, their strategies are varied and, occasionally, in conflict. Elsewhere Barbara Kasten, Willa Nasatir, and Erin Shirreff present complex, abstracted images through their use of sculpture. Similar to Constantin Brancusi, these artists transcend straightforward documentation of their sculptural work, suggesting a rich interplay between two- and three-dimensional forms.
New York 2 May - 15 June 2019
Angela Bulloch: "…then nothing turned itself inside-out and became something"
Simon Lee Gallery is pleased to present a solo exhibition by British Canadian artist Angela Bulloch at the New York space, for the very first time. The show is comprised of new Night Sky works, prints, sculptures and wall paintings.
Keiji Uematsu: Invisible Force
Simon Lee Gallery, New York, is pleased to announce Invisible Force, an exhibition of new and historical work by Japanese conceptual artist, Keiji Uematsu, his first ever solo presentation in the United States.
Uematsu's multidisciplinary practice strives to illuminate the invisible relationships between objects and the spaces they inhabit. For more than five decades the artist has carried out the terms of a rigorous manifesto that spotlights the de-familiarization of space and draws his viewers' attention to the interplay of such natural forces as gravity, tension and material attraction through media including photography, drawing and sculptural installation. Uematsu is often associated with the Japanese Mono-ha group of artists, who rejected traditional methods of representation in favor of an engagement with natural and industrial materials, focusing on the ways in which they interact in space in largely unaltered states. Yet his aesthetic is set apart by his pursuit of Western theory and philosophy, which contributed to his decision to move from Japan to Germany in 1975.
New York 16 January - 1 March 2019
Clare Woods: Password Revolt
Simon Lee Gallery, New York, is pleased to present Password Revolt, a solo exhibition of new works by British artist Clare Woods. This show marks Woods's first solo exhibition in New York since 2002 and represents a continuation of the themes addressed in her first exhibition, Rehumanizing, at Simon Lee Gallery, Hong Kong, in 2018.
Fake As More
Simon Lee Gallery New York is pleased to present Fake As More, an exhibition organised by Front Desk Apparatus, New York. The exhibition features historic and contemporary works, each in varying states of repetition, replication, copy and self-copy.
New York 12 September - 10 November 2018
The Tissue of Memory
Simon Lee Gallery New York is pleased to present The Tissue of Memory, a cross-generational group exhibition that considers the gesture and its history, as exemplified by the practices of Kelly Akashi, Robert Mangold, Agnes Martin, Win McCarthy, Monique Mouton, Josephine Pryde, Gary Simmons, Cy Twombly, and Heimo Zobernig.
Roy Newell
Simon Lee Gallery New York is proud to present a concise exhibition by American abstract painter Roy Newell (1914-2006), showcasing paintings spanning over half a century of the artist's career, including works that come directly from the artist's Estate and that have not previously been shown in New York. Characterized by their multi-layered surfaces, irregular geometrical patterns, obsessive reworking and luminous tonality, the works on display reveal an expressive power that aligns Newell with the Abstract Expressionist movement, of which he was an original member.
Towards Infinity: 1965-1980
Simon Lee Gallery New York is pleased to present Towards Infinity: 1965-1980, an exhibition of major works conceived by artists from across the international scope of the Conceptual art movement, with special focus on the period between 1965 and 1980. During the 1960s and 1970s a disillusionment with pervasive movements in art and the influence of radical European theoretical thought inspired a re-evaluation of long-held attitudes towards formal and material conventions. Taking its title from Giovanni Anselmo's seminal work of the same name, Verso l'infinito (1969), the exhibition explores the dematerialization of the art object and the dismantling of concepts that had bolstered the definition and context of traditional art-making well into the 20th century. Working across a wide range of media, including photography, film, video, performance and installation, the artists in the exhibition all demonstrated an anti-hierarchical approach to both subject and material that positioned the idea first and form second. All the works presented adhere to the fundamental premise put forward by Anselmo's Verso l'infinito, challenging the constructs of time and space to create an art that is at once forward-looking, in flux and without limits.
Simon Lee Gallery is proud to present the first solo exhibition in America of new works by Hong Kong-based artist Chris Huen Sin Kan. With no prior sketching or planned outcome, Huen's large-scale oil paintings are derived from observation of his own life, portraying quotidian experiences through a fresh set of aesthetic strategies. In constructing a constellation of moments that compose his daily life, Huen imbues domestic representational painting with both deft abstraction and the hallmarks of traditional ink painting.
New York 1 November - 23 December 2017
New Pleasure
The advent of the home studio in the 1970's democratized both music and art, with cities like New York becoming significant platforms for the convergence of both practices. Partially due to financial instability brought on by urban decay and political neglect, artists embraced a do-it-yourself mentality which inevitably led to interdisciplinary experimentation. Although this time period was marked by metropolitan downturn, the phenomenal successes of these new wave forms of art making led to their ironic commercialization. Through a diverse group of artists and media, New Pleasure showcases the intersection of music and art after punk rock and investigates how artists have taken direct influence from musicians, have participated within either genre, or have performed as musicians themselves.
Ryuji Tanaka
Simon Lee Gallery New York is proud to present the first solo exhibition in America of Japanese artist Ryuji Tanaka. A recognized member of two avant-garde groups that are synonymous with post-war Japanese art: the Pan-real Art Association and Gutai Art Association, Tanaka's legacy lies in his desire to evolve a unique artistic style that is at once experimental, and yet deeply rooted in the traditional Japanese-style painting - nihon-ga.
Simon Lee Gallery New York is delighted to present Metropolis, an exhibition that showcases how artists use the city as a source for materials, subjects, and ideas. The works present how artists can interpret the metropolis in multifarious forms, and illustrate the universality of the city.
New York 17 March - 22 April 2017
Black Feast
Simon Lee Gallery New York is pleased to present Black Feast, an exhibition of works that emerge from experiences of anxiety, protest and trauma, both direct and mediated. Through a wide range of voices, the exhibition will explore parallels between disparate communities and their relationships to personal and collective trauma. The works within Black Feast showcase how an individual's subjectivity is shaped not only in times of palpable crisis, but also amidst the unseeing violence of passive complacency. Either arising in explicit reaction or illustrative of psychological unrest, an artist's work can carry a collective sense of emergency.
An Uncanny Likeness
Simon Lee Gallery is pleased to present An Uncanny Likeness, a group exhibition organized by Franklin Melendez and Romain Dauriac in the newly re-launched New York space.
The show revisits the legacy of portrait painting bringing together a diverse group of artists whose practice revolves around the re-drawing of the figure. Eschewing the 'faithful reproduction' as convention, these artists pursue emotive distortion and stylistic idiosyncrasies that foreground painting's relationship to the body. The resulting tableaux are thick with symbolic meaning, conjuring altered states and arcane visions that are as indebted to the virtuosic flourishes of Mannerist painters as the elastic possibilities of present day visualizing techniques.


text:
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text:
Q: Whole DIV clickable except while hovering a span I am using a script by CSS-Tricks, which is pretty straightforward except my scenario includes a little tricky area :)
The script:
$(".myBox").click(function(){
   window.location=$(this).find("a").attr("href");
   return false;
});

This works perfectly except inside my DIV I have a span containing an icon that needs to trigger a tooltip but not link anywhere (already working fine).
My question:
Is it possible for the above script to make the whole DIV clickable EXCEPT while hovering a child span?
Thank you!

A: In your tooltip code you can stop the click from bubbling up using event.stopPropagation(), like this:
$(".myBox span").click(function(e){
  e.stopPropagation();
  //show tooltip
});

This stops the click event from going to the parent .myBox
 from that tooltip , meaning that your current .click() handler won't fire/redirect the page.

A: You could the event target:
$(".myBox").click(function(e){
    if (e.target.nodeName.toUpperCase() !== 'SPAN') {
        window.location=$(this).find("a").attr("href");
        return false;
    }
 });

However, as Nick points out in the comments, this assumes that there will be no non-span children of the span.  Since you are inserting a tooltip, Nick's solution is (inevitably) the better way to go.

A: I guess my question would be, does the span need to be a child of the div?  I would put the span before or after the div tag, set its position to relative or absolute, then push it into the div tag.  Like so:
Icon

 Do your div stuff here

This should work.  You might need to include a z-index of 1 or 2 for the span, but I doubt this.  What this will do is put the div in behind, and the span in front; now the span won't react to your click handler.  Hope this works!


Every visitor to South Africa must have a valid passport. Passport holders from more than 80 countries, including USA, Canada, UK, Japan and the EU can visit South Africa without a visa. Information regarding visas can be obtained from your travel agent or the South African diplomatic or consular representative in your area. Passports should have at least 2 completely empty pages otherwise entry may be denied. Passports must be valid for at least 30 days after your intended date of departure. Delegates requiring visas, and who intend taking tours to neighbouring Southern African countries, are advised to secure a multiple entry visa. Tourists must satisfy immigration officers that they have the means of support for the duration of their stay in the country and return /onward tickets. Visas cannot be obtained on arrival. A list of countries that currently do not require a visa can be found at the SA Government website.
Delegates attending the 20th International Congress of Linguists will be responsible for their own airport transport arrangements. Transport will be arranged between the CTICC and social venues (where applicable).
To book an airport transfer please contact Quality Touring Services: Taxi's are readily available at the airport, but if you want to book a book dedicated airport transfer, please click here.


text:
class OtaVehClass < ActiveRecord::Base
  set_table_name :ota_veh_class
  belongs_to :ota_vehicle, :foreign_key => :parent_id
end


Sony Computer Entertainment Amer, via Associated PressA scene from Journey.
So it's the end of 2012, and it feels like gaming is pushing through its creative adolescence. There are glimpses of what it might become. Thus, for games to take their rightful place among other creative works it's important to ask what they do that other forms cannot.
For me, there's a sort of identification with your character that other media will never be able to replicate. A game makes a player its subject, while the tyranny of the director's point of view in film and the author's withholding of detail in fiction both place the viewer as an observer in the world. Of course, in film and fiction emotions are elicited and characters inspire empathy, but the viewer recognizes she is following a protagonist that is "not me." The bridge of empathy comes from the audience bringing their own life experience to the narrative. Gaming can break down that division between revealer and observer, through making the player complicit in and responsible for the choices made. This allows a sense of one single, unseparated narrative, one emotional journey. It is the difference between being told something and coming to realize it yourself.
The finest example this year may be Journey, the follow-up to Thatgamecompany's gorgeous Flower. It is an almost transcendental experience. Though designed as more of a meditation than a competition, it shows what gaming is capable of. Journey allows the player to move through a set of landscapes profound in their audio and visual beauty with no instruction, but with the momentum, disorientation and hope that emerge from any journey in life. The game captures the emotional experience through play. The choice of subject matter and its rendering would be impossible to translate to film, music or literature, coming as close to game-as-artistic-experience as I have ever known.
A sense of choice and alternate narratives has long been a way that games differentiate themselves from other works. Early PC games were often built around selecting dialogue for your protagonist from a menu, or even asking you to type your own. But this was rarely more than a way to interact with exposition. This year games have been returning to that idea but also granting real effect to those choices, using the technical and creative sophistication the last two decades have brought.
The episodic Walking Dead brilliantly feasts on player's minds by giving them meaningful choice in dialogue and action to produce different outcomes and enhance the sense of peril. It gives this tense, satisfying zombie story a creeping sense of depth and autonomy.
Catherine, an extraordinary Japanese morality game, is just as terrifying but finds its power in the fear of commitment. Catherine, which was released in North America in 2011 before arriving in Europe in 2012, mines the emotional paralysis of a young man trying to choose between leaving and marrying his girlfriend. Its daytime segments allow the player to sit in a bar, choosing what sort of texts to send her, and at night the game turns into a frighteningly well-observed series of puzzle nightmares. It's complex and insightful, though I was shocked at its difficulty. Even experienced gamers might want to start on the easiest setting. But it's worth it. Particularly impressive is a level in which the single-player form changes to include Vincent, the protagonist, and his girlfriend in a fast-paced joint race to solve a puzzle. The change in game-play of suddenly having company and help on the journey, and yet twice the responsibility and risk of failure, so perfectly captures the advantages and disadvantages of being single versus being in a relationship that Catherine tips into the profound and, again, shows what it is that games can uniquely do.
In opposition to this sense of open play and choice, the lauded Max Payne 3 has a more filmic approach and leaves me underwhelmed. The lavish cut scenes, glossy slo-mo and self-important dialogue give the impression the designers are faintly annoyed that the player has to occasionally break into their world to play.
Even the brutally linear Call of Duty franchise embraced choice this year with Black Ops, a game with variation in timeline and narrative depending on certain decisions.
BioShock Infinite was disappointingly delayed, but those seeking a replacement with intense atmosphere and an intricately drawn world could do worse than Dishonored, a sort of BioShock set in a Fable universe, which I'd highly recommend.
I feel Journey is the creative achievement of the year but my personal favorite is the quirky, original Catherine, a unique game which embraces choice in its form while also showing the shadowy, paralyzing underside of our moral decisions in its content. Plus, it's a rare game that has the guts to ask what gamers are really afraid of. Zombies? Aliens? Terrorists? Or relationships?


text:
El Gran Premi de la muntanya del Giro d'Itàlia és una classificació secundària del Giro d'Itàlia que recompensa el ciclista que obté més punts en passar pels cims dels diferents ports de muntanya de què consta la cursa. El ciclista és recompensat amb un mallot de color verd (Maglia verde) entre 1974 i 2011. Des del 2012 el mallot passa a ser de color blau (Maglia azzurra) per l'arribada d'un patrocinador.

Història
La classificació va iniciar-se l'any 1933, però no serà fins al 1974 quan el líder de la classificació de la muntanya porti la maglia verda. Cada ascensió atribueix uns punts segons la dificultat del port. Des del 2012 el mallot distintiu passà a ser de color blau.

Es coneix com a Cima Coppi al punt més alt de tot el Giro, i va ser establerta l'any 1965 per honorar a l'Airone.

En la història del Giro, la combinació maglia rosa + maglia verda ha estat obtinguda per Alfredo Binda (1933), Gino Bartali (1936, 1937, 1946), Giovanni Valetti (1938), Fausto Coppi (1949), Hugo Koblet (1950), Charly Gaul (1956, 1959), Eddy Merckx (1968, també maglia ciclamino de la classificació per punts) Andrew Hampsten (1988), Marco Pantani (1998) i Chris Froome (2018).

Palmarès

Palmarès per ciclista

Palmarès per països

Ciclistes amb més victòries

Vegeu també
 Gran Premi de la muntanya
 Gran Premi de la muntanya al Tour de França
 Gran Premi de la muntanya a la Volta a Espanya

Referències

 Palmarès fins al 2006 a gbrathletics.com

Enllaços externs
 Web oficial

Giro d'Itàlia


You can probably recall some difficult nights in your life that seemed like they would never end: waiting up for a teenager to return home, tossing and turning in bed unable to sleep because of a fear that had seized control of your thoughts, or sitting by the hospital bed of a family member who was about to enter into eternity. The Psalmist said "Weeping may endure for the night, but joy comes in the morning (Psalm 30:5)." There is something about the darkness that intensifies our struggles.
Our study of the life of Jesus has brought us to the account of the longest night of Jesus life – a night in which He experienced temptation (Luke 22:39-46), betrayal (Luke 22:47-53), and abandonment by His most trusted friend (Luke 22:55-62). Yet through all of this, Jesus' faith in God never wavered. There are several principles from the Lord's experience during this longest night that we can apply to our own lives.
1. Don't be surprised when people disappoint you.
In a short span of time, Jesus was betrayed by Judas. But maybe that was an anomaly. Then Peter, the one Jesus had hand-picked to be the leader of the apostles, denied Him. "Jesus, never heard of Him." And finally in Matthew 26:56, this entire group of apostles He had spent three years investing in deserted Him.
I'm sure Jesus was hurt – He was human – but He refused to allow His disappointment to defeat Him. His hope was in God, not in people. And ours should be as well.
2. Strengthen your relationship with God before the battle begins.
A baseball player who waits until the World Series to learn how to swing a bat or a soldier who waits until he is in the heat of battle to learn how to use gun have both waited too long. The time to develop an important skill is before the contest or before the battle begins.
The same is true in our relationship with God.
This part of the story begins with Jesus going to the Mount of Olives "as was His custom (Luke 22:39)." Communicating with His heavenly Father was not something Jesus did just in the crisis times. It was a way of life. It was as natural and necessary as breathing.
The same is true for you and me. If you wait until a crisis ambushes you to start a relationship with God, you've waited too long. Make spending time with God every day a "custom," a discipline in your life.
3. Failure is inevitable, but it doesn't have to be final.
After Judas betrayed the Lord, his despair led him to hang himself and spend eternity separated from God. Peter's denial of Christ was just as serious as Judas' sin, but the difference is Peter refused to allow his failure to be the final act of his life. Instead, he turned, he repented, and found Christ's forgiveness just as Jesus predicted He would in Luke 22:32.
And seven weeks later this cowardly disciple became a courageous evangelist, standing on the southern steps of the Temple on the Day of Pentecost and proclaiming to the crowd that had crucified Christ that Jesus was indeed the Messiah. And until the day he himself was crucified, Peter followed Christ faithfully.
At some point in your life you are going to fail and fail miserably. But you do have a choice about how to respond to that failure. You can choose to allow your failure to be the final word about your life and drive you away from God, or you can choose to confess your failure and allow that failure to drive you toward the God who loves you.