text:
Andrea lives and works in Joshua Tree, CA
MFA Sculpture, Rhode Island School of Design,
BFA (Hons.) Painting/Sculpture, San Diego State University,
Regen Projects, Los Angeles, CA
June 8–August 12
Palm Springs Art Museum, Architecture and Design Center, Palm Springs, CA, 'On the Grid: a look at settlement patterns in the high desert'
March 11–May 22
Andrea Rosen Gallery, New York, NY
SEPTEMBER 9 – OCTOBER 8
Sprueth Magers, Berlin, Germany
NOVEMBER 3–JANUARY 9, 2016
Middelheim Museum, Antwerp, Belgium, 'Andrea Zittel: The Flat Field Works'
JUNE 13–SEPTEMBER 27
Palm Springs Art Museum, Palm Springs, CA, 'Eye on Design: Andrea Zittel' Aggregated Stacks and the Collection of the Palm Springs Art Museum'
MARCH 17–JULY 12
Nevada Museum of Art, "Wallsprawl," Donald W. Renolds Grand Hall, Reno, NV
Denver GSA Federal Center, Denver, CO, permanent installation
Sadie Coles HQ, London, UK, "Physical Matter Reality"
Friedrich Petzel Gallery, New York, NY, "Allan McCollum: Plaster Surrogates Colored and Organized by Andrea Zittel"
SEPTEMBER 6 – OCTOBER 19
Massimo de Carlo, Milan, Italy, "How to Live?"
JUNE 1 – JULY 20
Andrea Rosen Gallery, New York, NY, "Fluid Panel State"
Magasin 3, Stockholm, Sweden, "Lay of My Land"
SEPTEMBER 9 – DECEMBER 11
Travels to: Baltic, Gateshead, England
Sprüth Magers, Berlin, Germany
FEBRUARY 10 – MAY 20, 2012
Sadie Coles HQ, London, England,"Clasp"
JUNE 10 – JULY, 10
Costume Gallery, Palazzo Pitti, Florence, Italy, "Between Art and Life"
Tanja Pol, Munich, Germany, "Andrea Zittel presents: Smock Shop,"
APRIL 29 - MAY
Sprüth Magers, Berlin, Germany, "Andrea Zittel presents: Smock Shop,"
FEBRUARY 19 - APRIL 18
Andrea Rosen Gallery, New York, NY, "single strand, forward motion"
FEBRUARY 6 – MARCH 7
Sprüth Magers, London, United Kingdom, "Andrea Zittel presents: Smock Shop,"
SEPTEMBER 18 –OCTOBER 3
China Town, Los Angeles, "Andrea Zittel presents: Smock Shop,"
JUNE - OCTOBER, 2008
The Suburban, Chicago, "Andrea Zittel presents: Smock Shop,"
Regen Projects, Los Angeles, CA, "Energetic Accumulators and Token Exchanges"
Schaulager, Basel, Switzerland, "Andrea Zittel, Monika Sosnowska 1:1"
APRIL 26 – SEPTEMBER 21
Galleria Massimo De Carlo, Milan, Italy,
FEBRUARY 13 – MARCH 24
Art LA, Los Angeles, CA, "Andrea Zittel presents: Smock Shop,"
Sadie Coles HQ, London, England,
NOVEMBER 22 – JANUARY 6, 2007
Whitney Museum of Art at Altria, New York, NY, "Small Liberties,"
FEBRUARY 9 – JUNE 18
Contemporary Arts Museum, Houston, TX, "Critical Spaces,"
OCTOBER 1 – JANUARY 1, 2006
Travels to:
New Museum of Contemporary Art, New York, NY,
JANUARY 26 – APRIL 29, 2006
Albright-Knox Art Gallery, Buffalo, NY,
The Museum of Contemporary Art, Los Angeles, CA,
MARCH 4 – MAY 21, 2007
Vancouver Art Gallery, British Columbia, Canada,
JUNE 9 – SEPTEMBER 30, 2007
Richard Levy Gallery, Albuquerque, NM, "Rules of Raugh,"
Andrea Rosen Gallery, New York, NY, "A-Z Advanced Technologies"
MAY 6 – JUNE 18
Regen Projects, Los Angeles, CA, "Western Evolutions"
DECEMBER 18 – JANUARY 29, 2005
Milwaukee Art Museum, Schroeder Galleria, Milwaukee, WI, "OnSite: Andrea Zittel"
MAY 1 – AUGUST 15
Sammlung Goetz, Munich, Germany, 'Andrea Zittel,
MAY 18 – NOVEMBER 8
Philomene Magers Projekte, Munich, Germany, 'A-Z Uniforms Series, 1991 – XXX
Regen Projects, Los Angeles, CA, 'Advanced Technologies: The A-Z Regenerating Fields and Fiber Form Uniforms,'
DECEMBER 7 – JANUARY 18, 2003
Regen Projects, Los Angeles, CA, 'A-Z West: The Regenerating Fields,'
NOVEMBER 23 – DECEMBER 15
Gallery Side 2, Tokyo, Japan, 'A-Z Advanced Technologies: Fiber Forms,'
SEPTEMBER 6 – OCTOBER 4 (catalogue)
Andrea Rosen Gallery, New York, NY, 'A-Z Cellular Compartment Units,'
Susan Inglett, New York, NY, 'A-Z Sorting Trays,'
NOVEMBER 7 – DECEMBER 15
IKON Gallery, Birmingham, England, 'A-Z Cellular Compartment Units,'
OCTOBER 31 – DECEMBER 2 (catalogue)
Sadie Coles HQ, London, England, 'A-Z 2001 Homestead Units,'
OCTOBER 29 – DECEMBER 8
Galleria Massimo De Carlo, Milan, Italy, 'Everlasting and Complete: A-Z Food Group and A-Z, Eating Environments,'
FEBRAURY 19 – MARCH 26
Andrea Rosen Gallery, New York, NY, 'A-Z Time Trials,'
APRIL 22 – JUNE 27
Regen Projects, Los Angeles, CA, 'A-Z Time Trials: Free Running Rhythms,'
FEBUARY 5 – MARCH 4
Deichtorhallen, Hamburg, Germany, 'Andrea Zittel - Personal Programs,'
NOVEMBER 19 – FEBRUARY 27, 2000 (catalogue)
Galerie Franck & Schulte, Berlin, Germany, 'A-Z Time Trials,'
SEPTEMBER 30 – NOVEMBER 13, 2000
The Public Art Fund, Central Park South Pond, New York, NY, 'A-Z Deserted Island,'
MAY 26 – SEPTEMBER, 2000
The Public Art Fund, Central Park Southeast Entrance, New York, NY, 'Points of Interest,'
MAY 2 – APRIL, 2000
Sadie Coles HQ, London, England, 'A-Z Personal Panels: 1993-1998,'
DEWCEMBER 4 – JANUARY 23, 2000
Andrea Rosen Gallery, New York, NY, 'RAUGH,'
MAY 28 – JULY 10
University Art Gallery, San Diego State University, San Diego, CA, 'A-Z For You - A-Z For Me'
APRIL 13 – MAY 13 (brochure with text by Andy Stillpass, Tina Yapelli and Andrea Zittel)
Louisiana Museum of Modern Art, Humlebaek, Denmark, 'The A-Z Travel Trailer Units,'
APRIL 3 – MAY 12
Cincinnati Art Museum, Cincinnati, OH, 'New Art 6: Andrea Zittel,'
MARCH 17 – JUNE 30
Andrea Rosen Gallery, New York, NY, 'A-Z Escape Vehicles,',
NOVEMBER 1 – DECEMBER 7
Musuem fur Gegenwartskunst, Basel, Switzerland, 'Andrea Zittel - Living Units,'
curated by Peter Weibel, OCTOBER 26 – FEBUARY 2, 1997
Neue Galerie am Landesmuseum Joanneum, Graz, Austria, MARCH 13 – APRIL 27,
San Francisco Museum of Modern Art, San Francisco, CA, 'New Work: Andrea Zittel,'
NOVEMBER 8 – FEBUARY 4, 1996
Andrea Rosen Gallery, New York, NY, 'Andrea Zittel,'
MARCH 4 – APRIL 8
Andrea Rosen Gallery, New York, NY, 'A series of rotating installations,' with John Currin,
OCTOBER 26 – NOVEMBER 26
The Carnegie Museum of Art, Pittsburgh, PA, 'Andrea Zittel: Three Living Systems,'
OCTOBER 8 – DECEMBER 31 (catalogue)
Anthony d'Offay Gallery, London, England, 'Comfort,'
Andrea Rosen Gallery, New York, NY, 'Purity,'
Christopher Grimes Gallery, Santa Monica, CA, 'Project room installation,'
Jack Hanley Gallery, San Francisco, CA, 'The A-Z Administrative Service 1993 Living Unit,'
MARCH 19 – MAY 15 (catalogue)
Sol Koffler Graduate Student Gallery, Rhode Island School of Design, Providence, RI,'Landscape'
Flor Y Cant Gallery, San Diego, CA, 'Drawings and Constructions'
San Diego Museum of Art, San Diego, CA, 'Rotunda Installation'
Orlando Museum of Art, Orlando, FL, 'Baggage Claims'
September 15–December 31
Sadie Coles HQ, London, UK, 'Room'
January 13–February 18
Travels to: Mead Gallery, Warwick Arts Center, University of Warwick, Coventry, UK, May 6–June 24
Musée des Arts Décoratifs, Paris, France, "L'Esprit du Bauhaus"
OCTOBER 19 – FEBRUARY 26, 2017
Borås International Sculpture Biennale 2016, Borås, Sweden
MAY 20 – SEPTEMBER 18
Whitney Museum of American Art, New York, NY, "Human Interest: Portraits from the Whitney's Collection"
APRIL 27 – FEBRUARY 12, 2017
Museum Morsbroich, Leverkusen, Berlin, "Aufschlussreiche Räume - Interieur als Porträt"
JANUARY 31 – APRIL 24
Rodeo Gallery, Istanbul, Turkey, "Survival is not Enough"
SEPTEMBER 1 - OCTOBER 31
Domaine du Muy, Le Muy, France, "Architecture and Nature," curated by Simon Lamunière
JULY 7 – OCTOBER 31
Francois Ghebaly Gallery, Los Angeles, CA, "SOGTFO", curated by Charlie White
FEBRUARY 28 – APRIL 4
Montclair Art Museum, Montclair, NJ, "Come As You Are: Art of the 1990s," curated by Alexandra Schwartz, February 8 – May 17 (catalogue) Travels to: Telfair Museum of Art, Savanah, GA, June 12 – September 20; University of Michigan Museum of Art, Ann Arbor, MI, October 17 – January 31, 2016; Blanton Museum of Art, University of Texas at Austin, Austin, TX, February 17 – May 15, 2016
Whitechapel Gallery, London, United Kingdom, "The Adventures of the Black Square: Abstract Art and Society 1915-2015", curated by Iwona Blazwick and Magnus af Petersens
JANUARY 15 – APRIL 6, 2015
Kemper Art Museum, "Encountering the City: The Urban Experience in Contemporary Art," curated by Meredith Malone
Magasin 3, Stockholm, Sweden, "I'm Still Here," curated by Richard Julin and Tessa Praun
FEBRUARY 15 - JUNE 8
Museum für Gegenwartskunst, Siegen, Germany, "At Work - Atelier und production in art today"
NOVEMBER 17 – FEBRUARY 23, 2014
Kunsthalle Bielefeld, Germany, "To Open Eyes. Art and Textile from Bauhaus Until Today,"
Fondazione Merz, Turin, Italy, "Ways of Working: The Incidental Object," curated by Julieta Gonzalez
NOVEMBER 8 JANUARY 13, 2014
Fondazione Sandretto Re Rebaudengo, Turin, Italy, "Soft Pictures," curated by Irene Calderoni
OCTOBER 23 – MARCH 23, 2014
The Kleine Humboldt Gallery, Humboldt Univeristy, Berlin, Germany, "A Beautiful Mind"
SEPTEMBER 18 – 21
Museum of Contemporary Art, North Miami, FL, "Love of Technology," curated by Alex Gartenfeld
SEPTEMBER 27 – NOVEMBER 3
CCS Bard Hessel Museum of Art, Annandale-on-Hudson, NY, "Object Permanence," curated by Robin Wallis Atkinson, Cora Fisher, Sarah Fritchey, and Marie Heilich
MARCH 24 – MAY 26
Fondazione Museo Pino Pascali, Polignano a Mare, Italy, "Uno Sguardo sul Mondo: Works from a Private Collection," curated by Guido Orsini and Mary Angela Schroth
MARCH 2 – MAY 1
New Museum, New York, NY, "NYC 1993: Experimental Jet Set, Trash and No Star"
FEBRUARY 13 – MAY 26
Regen Projects, Los Angeles, CA, "Inaugural Exhibition by Gallery Artists"
Bloomberg International Headquarters, New York, NY, "The Lift," organized by Art21 and curated by Susan Sollins
JUNE 20 – AUGUST 31
Museum of Contemporary Art, San Diego, CA, "Behold, America!" curated by Amy Galpin
SEPTEMBER 15 – FEBRUARY 10, 2013, and at the San Diego Museum of Art
Timken Museum, San Diego, CA
Luhring Augestine Gallery, New York, NY, "Painting in Space," co-curated by Tom Eccles and Johanna Burton
Bezalel Academy of Arts and Design, Jerusalem, "Machines for Living," curated by Roy Brand
Ace Museum, Los Angeles, CA, "The [Secret] Return of Noever"
DECEMBER 10 – 30
Museum of Modern Art, New York, NY, "Contemporary Galleries: 1980–Now"
NOVEMBER 17 – ONGOING
Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland, "Laboratorium Przyszlosci regress/Progress"
SEPTEMBER 14 – JANUARY 15, 2012
De Vleeshal, Middelburg, The Netherlands, "In Deed: Certificates of Authenticity in Art," curated by Susan Hapgood and Cornelia Lauf
Travels to: Fondazione Bevilacqua La Masa, Venice, Italy
OCTOBER 14 – NOVEMBER 4
KHOJ International Artists' Association, New Delhi, India
Flaxman Library, School of the Art Institute of Chicago
JANUARY 7 – MARCH 2, 2012
The Drawing Center, New York, NY
NOVEMBER 3 – DECEMBER 9, 2012
Weatherspoon Art Museum, Greensboro, NC
Contemporary Art Center, Vilnius, Lithuania
MAY – AUGUST 2013
Ian Potter Museum of Art, The University of Melbourne, Australia, "Mis-Design"
AUGUST 24 – NOVEMBER 6
CCS Bard, Hessel Museum od Art, Annandale-on-Hudson, New York, "If you lived here, you'd be home by now," curated by Josiah McElheny
JUNE 25 – DECEMBER 16
Tanya Bonakdar, New York, NY, "Multiple Pleasures"
CCS Bard, Hessel Museum of Art, Annandale-on-Hudson, New York, "CLAP,"
Patrick Painter, Santa Monica, CA, "Patrick Painter Editions,"
JANUARY 15 – FEBRUARY 12
Royal Academy of Arts: GSK Contemporary, London, UK, "Aware: Art Identity Fashion",
DECEMBER 2, 2010 – JANUARY 30, 2011
Museum of Contemporary Art, Chicago, "Without You I'm Nothing: Art and Its Audience", co-curated by Dominic Molon and Tricia Van Eck,
NOVEMBER 20, 2010 - MAY 1, 2011
TULCA Festival Visual Arts, Galway, Ireland, "Living on the Edge", curated by Michelle Brown,
NOVEMBER 5 - 21, 2010
Tanya Bonakdar Gallery, New York, "Multiple Pleasures: Functional Objects in Contemporary Art",
curated by Nathalie Karg and Cumulus Studios,
JUNE 25 – JULY 30.
Indianapolis Museum of Art, Indianapolis, A-Z Habitable Island for the Indianapolis Museum of Art:
Customized by student-residents from Herron School of Art and Design,
SDSU Downtown Gallery, San Diego, CA, "Divergence: John Baldessari, Deborah Buttefield, Andrea Zittel"
APRIL 9, 2010 – JANUARY 3, 2011
Museum of Contemporary Art, Chicago, "Production Site: The Artist's Studio Inside-Out,"
FEBRAUARY6 - MAY 30
Pratt Institute, Brooklyn, NY, "Ethics and Aesthetics",
FEBRAUARY6 - NOVEMBER 20
Julia Stoschek Foundation, Dusseldorf, Germany, "100 Years (version #1, Dusseldorf)," curated by Klaus Biesenbach and Roselee Goldberg,
OCTOBER 17th 2009 - AUGUST 2010
Travels to : P.S. 1 Contemporary Art Center, New York, NY, "100 Years (versions #2, ps1),"
NOVEMBER 1 2009 - APRIL 5 2010
Julia Stoschek Collection, Düsseldorf, Germany, "Walking Patterns",
Museum of Contemporary Art, Los Angeles, Los Angeles, CA, "Collection: MoCA's First Thirty Years,"
College of Architecture and the Arts, University of Illinois at Chicago,"Reflection", curated by Lorelei Stewart,
AUGUST 25 - NOVEMBER 21, 2009
Fort Asperen, the Netherlands, 'RETREAT',
curated by Architect Ben van Berkel and art historian Caroline Bos (UNStudio),
JUNE -SEPTEMBER
Cooper-Hewitt, National Design Museum, Smithsonian Institution, NY, "Fashioning Felt",
MARCH 6-SEPTEMBER 7, (catalogue)
Madison Museum of Contemporary Art, Madison, WI, 'Return to Function',
curated by Jane Simon. Travels to De Moines Art Center, Des Moines, IA
OCTOBER 2, 2009 – JANUARY 10, 2010. (catalogue)
Tribeca Grand Hotel, New York, NY, "Sketch, London, presents, 'A New Stance for Tomorrow'", as part of a special project for Armory Modern & Volta NY)
MARCH 4 - MARCH 8
San Francisco Museum of Modern Art, "Between Art and Life,"
MAY 10 – JANUARY 3, 2010.
Hessel Museum of Art & CCS Galleries, Annandale-on-Hudson, 'Consider the Lobster', curated by Rachel Harrison.
JUNE 27 - DECEMBER 20,
Museo Nacional de Arte, Mexico City, Mexico, "The Invention of the Everyday" (A course within the collections of the National Museum of Art and the Foundation / Collection Jumex),
curated by Frédéric Bonnet,
NOVEMBER 28 – FEBRAUARY22, 2009
Kunstmuseum Wolfsburg, Wolfsburg, Germany, "Interior/Exterior: Living in Art",
NOVEMBER 29 - APRIL 13, 2009 (catalogue)
Attitudes - Espace d'arts Contemporains, Geneva, Switzerland,
SEPTEMBER 6 - NOVEMBER 29,
Orange Country Museum of Art, Newport Beach ,California, "2008 California Biennial"
curated by Lauri Firstenberg,
OCTOBER 26, 2008 - MARCH 15,
Luckman Fine Arts Complex, Cal State, Los Angeles, California, "Desertshore,"
curated by Jan Tumlir,
AUGUST 23 – OCTOBER 18
Sketch, London, United Kingdom, "A New Stance for Tomorrow",
MARCH 8 - APRIL 12
Moderna Museet, Stockholm, Sweden, "Permanent Collection,"
JUNE - SEPTEMBER,
Kunstmuseum Bonn, Bonn, Germany, "Going Staying. Movement, Body, Place in Contemporary Art,"
NOVEMBER 29, - FEBRAUARY17, 2008
Smithsonian American Art Museum, Washington DC, 'Celebrating the Lucelia Artist Award, 2001-2006,'
SEPTEMBER 21 - JUNE 22,
Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, "Don't Look. Contemporary Drawings from an Alumna's Collection, Martina Yamin,"
SEPTEMBER 19 - DECEMBER 9, (catalogue)
Susan Inglett Gallery, New York, "Smock Shop,"
Guggenheim Museum, New York, NY, 'Shapes of Space,'
APRIL 14 - AUGUST 29
Abington Art Center, Jenkintown, PA, 'The HandMaking,'
APRIL 14 - JULY 29
The National Art Center, Tokyo, Japan, 'Living in the Material World,'
JANUARY 21 - MARCH 19 (catalogue)
Art Gallery of Greater Victoria, British Columbia, Canada, 'Fantastic Frameworks: Architectural Utopias and Designs for Life,'
OCTOBER 5 - DECEMBER 3 (catalogue)
Van Abbemuseum, Eindhoven, The Netherlands, 'Plug In #10,' curated by Lily van der Stokker,
SEPTEMBER 4 - JANUARY 15, 2007
John Connelly Presents, New York, NY, 'Flex Your Textiles,' curated by Travis Boyer and Ginger Brooks Takahashi, JULY 28 - JULY 30
P.S. 1 Contemporary Art Center, Long Island City, NY, 'Into Me / Out of Me,'
curated by Klaus Biesenbach,
JUNE 25 - SEPTEMBER 26 (catalogue)
Travels to: Kunst-Werke Berlin e.V., Institute for Contemporary Art, Berlin, Germany,
NOVEMBER 25 - MARCH 4, 2007
MACRO Museo d'Arte Contemporanea Roma, Rome, Italy,
APRIL 20 - SEPTEMBER 30, 2007 (catalogue)
Museum fur Gegenwartskunst, Basel, Switzerland, 'Emmanuel Hoffman-Stiftung: Werkgruppen und Installationen,'
JUNE 11 - NOVEMBER 11
The Smart Museum of Art, University of Chicago, Chicago, IL, 'Beyond Green: Toward aSustainable Art,'
curated by Stephanie Smith,
OCTOBER 6 - JANUARY 15, 2006
Travels to: Museum of Arts & Design, New York, NY,
FEBRAUARY2 - MAY 7, 2006
Contemporary Arts Center, Cincinnati, OH,
MAY 5 - JULY 15, 2007
Richard E. Peeler Art Center, DePauw University Art Museum, Greencastle, Indiana,
SEPTEMBER14 - DECEMBER 4, 2007
Kettles Yard, Cambridge, England, 'Ways of Living (Jorge Pardo, Marjetica Potrc, Tobias Rehberger, Andrea Zittel),
OCTOBER 1 - NOVEMBER 20
The Museum of Modern Art, New York, NY, 'New Work/New Acquisitions,'
curated by Klaus Biesenbach and Ann Temkin,
JUNE 28 - SEPTEMBER 26
Andrew Kreps Gallery, New York, NY, 'We Could Have Invited Everyone,'
curated by Robert Blackson And Peter Coffin,
UNESCO Headquarters, Paris, France, 'ART-ROBE: Women artists at the nexus of fashion and art,' Curated by Airyung Kim and Claudia Steinberg,
MARCH 7 - MARCH 25
PaceWildenstein, New York, NY, 'Logical Conclusions: 40 Years of Rule-Based Art,'
FEBRAUARY18 - MARCH 26
Sandra Gering Gallery, New York, NY, 'Editions Fawbush: A Selection,'
DECEMBER 11 - JANUARY 8, 2005
Paula Cooper Gallery, New York, NY, 'Last One On is a Soft Jimmy,'
curated by Kelley Walker,
NOVEMBER 6 - DECEMBER 18
Neues Museum, Nuremberg, Germany, '70/90: Engagierte Kunst,'
OCTOBER 12 - JANUARY 16, 2005
Cleveland Museum of Art, Cleveland, OH, 'Needful Things: Recent Multiples,'
SEPTEMBER 19 - JANUARY 2, 2005
Deutschen Hygiene-Museum, Dresden, Germany, 'Die Zehn Gebote,'
JUNE 19 - DECEMBER 5 (catalogue)
Whitney Museum of American Art, New York, NY, '2004 Whitney Biennial Exhibition,'
curated by Debra Singer, Shamim M. Momin and Chrissie Iles,
MARCH 11 - JUNE 13 (catalogue)
Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany, 'Multiple R?ume (1): Seele: Konstruktionen Des Innerlichen in der Kunst,'
FEBRAUARY14 - APRIL 18 (catalogue)
Neues Museum Weserburg Bremen, Bremen, Germany, 'Female Indentities? K?nstlerinnen der Sammlung Goetz,'
FEBRAUARY1 - DECEMBER 31
Susan Inglett Gallery, New York, NY, 'I.C. Editions: A Survey from Bloom to Zittel,'
OCTOBER 16 - NOVEMBER 15
Andrea Rosen Gallery, New York, NY, 'In Full View,'
JULY 18 - SEPTEMBER 3
Triple Candie, Harlem, New York, NY, 'Living Units,'
Museum f?r Neue Kunst ZKM, Karlsrue, Germany, 'The DaimlerChrysler Collection: Classical Modernism to Minimalism,'
MAY 24 - AUGUST 31
Travels to: Pretoria Art Museum, Pretoria, South Africa,
MARCH 21 - JUNE 27, 2004
Monika Spr?th Philomene Magers, Cologne, Germany, '20th Anniversary Show,
APRIL 25 -OCTOBER 18
New York State Museum, Albany, NY, 'Strangely Familiar: Approaches to Scale in the Collection of the Museum of Modern Art,'
Center for Curatorial Studies, Bard College, Annadale-on-Hudson, NY, 'Cloudless,' curated by Bree Edwards,
Espai d'Art Contemporani de Castell?, Castell?, Spain, 'Micropol?tiques I: Art I quotidianitat: 2001-1989,'
Regen Projects, Los Angeles, CA, 'Inaugural Exhibition,'
JANUARY 5 - MARCH 1
Centre d'art Passerelle, Brest, France, 'Trans_positions,'
DECEMBER 14 - MARCH 8, 2003
Seventh Regiment Armory, New York, NY, 'Twelfth Annual Print Fair,'
NOVEMBER 7 -NOVEMBER 10
Centre pour l'image contemporaine, Geneva, Switzerland, 'L'image habitable,' curated by Simon Lamuni?re,
NOVEMBER 2 - DECEMBER 15 (catalogue)
San Francisco Art Institute, San Francisco, CA, 'Touch Relational Art from the 1990's to Now,'
curated by Nicolas Bourriaud,
OCTOBER 18 - DECEMBER 14
TENT: Art Center in Rotterdam, Rotterdam, The Netherlands, 'Married by Powers, 11 Choices from the FRAC collection by BikVan Der Pol plus 10,'
Los Angeles Contemporary Exhibitions, Los Angeles, CA, '4-Ever Etched in Your Palm: 23rd Annual Benefit Art Auction,'
SEPTEMBER 17 (catalogue)
Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany, 'Die Wohltat Der Kunst - Post/Feministische Positionen der neunziger Jahre aus der Sammlung Goetz,'
curated by Rainald Schumacher and Matthias Winzen,
Travels to: Sammlung Goetz, Munich, Germany, 'Just Love Me: Post/Feminist Positions of the 1990's From the Goetz Collection,'
DECEMBER 2 - MARCH 15, 2003
Bergen Kunstmuseum, Bergen, Norway,
AUGUST 22 - OCTOBER 26, 2003
Fries Museum, Leeuwarden, The Netherlands,
APRIL 25 - JUNE 20, 2004 (catalogue)
Kunsthaus Zurich, Zurich, Switzerland, 'Public Affairs: von Beuys bis Zittel, das Offentliche in der Kunst,'
SEPTEMBER 13 - DECEMBER 1 (catalogue)
Museum of Modern Art, Queens, NY, 'Tempo,' organized by Paulo Herkenhoff,
JUNE 29 - SEPTEMBER 9 (catalogue)
Barbara Krakow Gallery, New York, NY, 'Print Publisher's Spotlight,'
International Print Center, New York, NY, 'New Prints font-family:/Summer,'
Addison Gallery of American Art, Phillips Academy, Andover, MA, 'SiteLines: Art on Main,'
MAY 4 - SEPTEMBER 29
Davis Museum and Cultural Center, Wellesley, MA, 'Inside Cars: Surrounding Interiors,' curated by Judith Fox,
FEBRAUARY21 - JUNE 9 (catalogue)
Travels to: The Frederick R. Weisman Museum, University of Minnesota, Minneapolis, MN,
SEPTEMBER 7 - JANUARY 3, 2003
Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway, 'Passenger: The Viewer as Participant,'
curated by Mysten Ustvedt,
JANUARY 19 - APRIL 21 (catalogue)
Centre d'art Passerelle, Brest, France, "Trans_positions," December 14 – March 8, 2003
Seventh Regiment Armory, New York, NY, "Twelfth Annual Print Fair," November 7 – November 10
Centre pour l'image contemporaine, Geneva, Switzerland, "L'image habitable," curated by Simon Lamunière, November 2 – December 15 (catalogue)
San Francisco Art Institute, San Francisco, CA, "Touch Relational Art from the 1990's to Now," curated by Nicolas Bourriaud, October 18 – December 14
TENT: Art Center in Rotterdam, Rotterdam, The Netherlands, "Married by Powers, 11 Choices from the FRAC collection by BikVan Der Pol plus 10," October 17 – November 17
Los Angeles Contemporary Exhibitions, Los Angeles, CA, "4-Ever Etched in Your Palm: 23rd Annual Benefit Art Auction," September 17 (catalogue)
Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany, "Die Wohltat Der Kunst – Post/Feministische Positionen der neunziger Jahre aus der Sammlung Goetz," curated by Rainald Schumacher and Matthias Winzen, September 14 – November 10. Travels to: Sammlung Goetz, Munich, Germany, "Just Love Me: Post/Feminist Positions of the 1990's From the Goetz Collection," December 2 – March 15, 2003; Bergen Kunstmuseum, Bergen, Norway, August 22 – October 26, 2003; Fries Museum, Leeuwarden, The Netherlands, April 25 – June 20, 2004 (catalogue)
Kunsthaus Zurich, Zurich, Switzerland, "Public Affairs: von Beuys bis Zittel, das Öffentliche in der Kunst," September 13 – December 1 (catalogue)
Museum of Modern Art, Queens, NY, "Tempo," organized by Paulo Herkenhoff, June 29 – September 9 (catalogue)
Barbara Krakow Gallery, New York, NY, "Print Publisher's Spotlight," June 8 – July 31
International Print Center, New York, NY, "New Prints 2002/Summer," May 8 – July 27
Addison Gallery of American Art, Phillips Academy, Andover, MA, "SiteLines: Art on Main," May 4 – September 29
Davis Museum and Cultural Center, Wellesley, MA, "Inside Cars: Surrounding Interiors," curated by Judith Fox, February 21 – June 9 (catalogue). Travels to: The Frederick R. Weisman Museum, University of Minnesota, Minneapolis, MN, September 7 – January 3, 2003
Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway, "Passenger: The Viewer as Participant," curated by Øysten Ustvedt, January 19 – April 21 (catalogue)
American Center for Wine, Food and the Arts, Napa, CA, 'Active Ingredients,' NOVEMBER 18 - APRIL 22, font-family:
Museum of Modern Art, New York, NY, 'New to the Modern: Recent Acquisitions from the Jean Paul Slusser Gallery, University of Michigan School of Art in Ann Arbor, Ann Arbor, MI,
'Everything Can Be Different,' curated by Maria Lind, SEPTEMBER 11 - NOVEMBER 5
(ICI traveling exhibition)Travels to: The Museum of the University of Memphis, Memphis, TN, MARCH 1 - APRIL 13,
California Center for the Arts, Escondido, CA (brochure)
Gimpel Fils Ltd., London, England, 'The (Ideal) Home Show,' JULY 11 - SEPTEMBER 8
The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY, 'Work: Shaker Design and Recent Art,' JULY 7 - SEPTEMBER 16
Victoria Miro Gallery, London, England, 'Works on Paper from Acconci to Zittel,' JUNE 27- SEPTEMBER 15
Neues Museum Weserburg, Bremen, Germany, 'Without Hesitation: Views of the Olbricht Collection,' JUNE 3 - SEPTEMBER 16 (catalogue)
Westflische Landesmuseum fur Kunst und Julturgeschichte Monster, Monster, Germany, 'Plug- In: Unity and Mobility,' curated by Ostrud Westheider and Markus Heinzelmann, JUNE 1 - JULY 29 (catalogue)
Regen Projects, Los Angeles, CA, 'Drawings,' MAY 26 - JULY 19
Galerie Rudolfinum, The Centre of Contemporary Art, Prague, Czech Republic, 'American Art from the Goetz Collection,' curated by Peter Friese, MAY 23 - SEPTEMBER 2
Travels to: Kunstverin Weiden, Seiden, Germany, MAY 3 - JUNE 9, font-family: (catalogue)
Galeria Javier Lopez, Madrid, Spain, 'A New Domestic Landscape,' curated by Lionel Bovier, MAY 19 - APRIL 2001
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 'Just what is it that makes trailer homes so different, so appealing?,' curated by Linda J. Park, MAY 13 - MAY 27
Rooseum-Center for Contemporary Art, MalmO, Sweden, 'VI - International Communities,' MAY11 - AUGUST 12
Travels to: Contemporary Art Centre, Vilnius, Lithuania, NOVEMBER 28 - JANUARY 13, font-family:
Museum of Contemporary Art Cleveland, Cleveland, OH, 'Comfort: Reclaiming Place in a Virtual World,' curated by Kristin Chambers, MARCH 9 - MAY 20 (catalogue)
DaimlerChrysler Contemporary, Berlin, Germany, 'Sammlung DaimlerChrysler: New Acquisitions from Armleder to Zittel,' FEBRAUARY9 - APRIL 1 (catalogue)
The Curve Gallery, Barbican Center, London, England, 'Pyramids of Mars,' FEBRAUARY8 - MARCH 25
Travels to: Kunstmuseet Trapholt, Kolding, Denmark, MAY 10 - AUGUST 5
Kenny Schachter/Rove, New York, NY, "Full Serve: Celebrating Ten Years of Shows curated by Kenny Schachter," October 25 – December 3
Los Angeles Museum of Contemporary Art, Los Angeles, CA, "Made in California: Art, Image and Identity, 1900-2000," curated by Stephanie Barron, October 22 – February 25, 2001
Malmö, Sweden, Kulturbro 2000 (Cultural Biennial), September 15 – December 15 Copenhagen, Denmark, "Taxi: Contemporary Art in Seven Taxis in Copenhagen," sponsored by Navin Gallery, Bankok and One-Percent for the Arts, September 1 – September 30
San Francisco Museum of Modern Art, San Francisco, CA, "Of the Moment: Contemporary Art from the Permanent Collection," June 30 – August 29, 2000
Les Abbattoirs, Toulouse, France, "L'Oeuvre Collective," June 24 – October 15
Basel Art Fair, Basel, Switzerland, "Art Unlimited," June 20 – June 26
Centre Georges Pompidou, Paris, France, "Elysian Fields," May 24 – July 24 (catalogue)
Deichtorhallen, Hamburg, Germany, "HausSchau: Das Haus in der Kunst," May 12 – September 17 (catalogue)
Moderna Museet, Stockholm, Sweden, "What If: Art on the Verge of Architecture and Design," May 6 – September 3 (pamphlet)
Castello di Rivoli, Torino, Italy, "Quotidiana," February 4 – May 21 (catalogue)
Institute of Contemporary Art, Philadelphia, PA, "Against Design," February 4 – April 16. Travels to: Palm Beach Institute of Contemporary Art, Lake Worth, FL, June 18 – September 3; Museum of Contemporary Art San Diego, La Jolla, CA, January 21 – May 2001; Kemper Museum of Contemporary Art, Kansas City, MO, June 22 – September 2, 2001 (catalogue)
John Weber Gallery, New York, NY, "A Salon for the 21st Century," January 8 – February 5
Muse d'Art Contemporain de Montreal, Quebec, Canada, 'Culbutes. OEuvre d'impertinence,'
curated by Paulette Gagnon and Sandra Grant MARCHand, NOVEMBER 18 - APRIL 23, 2000 (catalogue)
Dacra Companies, Miami Beach, Florida, 'Art in Public Places at the Miami Design District,'
organized by Craig Robins
H99 Helsinger, Helsingborg, Sweden, 'H99,' JULY 16 - AUGUST 30
MAK Center for Art and Architecture L.A., Los Angeles, CA, 'Micro Space/Global Time: An Architectural Manifesto,' JUNE 2 - JULY 11 (catalogue)
Simultaneous exhibition of the same title: MAK - Austrian Museum of Applied Arts, Vienna, Austria
Sara Meltzer's on View, New York, NY, 'I'm the Boss of Myself,' MAY 5 - JUNE 12
Land of Styria Department of Cultural Affairs, Styria, Austria, 'Styrian Regional Exhibition 1999: Traffic,' MAY 1 - OCTOBER 31 (catalogue)
John Michael Kohler Arts Center, Sheboygan, WI, 'Threshold: Invoking the Domestic in Contemporary Art,' APRIL 30 - AUGUST 15 Travels to: Contemporary Art Center of Virginia, Virginia Beach, VA, SEPTEMBER 29 -NOVEMBER 26, 2000 (brochure)
PaineWebber Art Gallery, New York, NY, 'Furniture as Art: An Exploration of Aesthetics and Function at the PaineWebber Art Gallery,' APRIL 15 - JUNE 25 (pamphlet)
The Rotunda Gallery, Brooklyn, NY, 'Formulas for Revelation,' APRIL 8 - MAY 22
White Columns, New York, NY, '1999 Benefit Silent Auction,' FEBRAUARY19 - MARCH 6
Cranbrook Art Museum, Bloomfield Hills, MI, 'Weird Science,' JANUARY 30 - APRIL 3 (catalogue)
Deichtorhallen Hamburg, Hamburg, Germany, 'Emotion - Young British Artists and American
Artists from the Goetz Collection,' OCTOBER 30 - JANUARY 17, 1999 (catalogue)
Centre Georges Pompidou, L'Atelier Brancusi, Paris, France, 'Propos Mobiles,' OCTOBER 24- NOVEMBER 11
Berlin Biennale fur zeitgenOssische kunst e.v., Berlin, Germany, 'Berlin/Berlin,' SEPTEMBER 30 -JANUARY 3, 1999
State University of Illinois at Normal University Galleries, Normal, IL, 'Ingelnook II,' AUGUST 19- SEPTEMBER 27
Osterreichische Galerie Belvedere, Wien, Austria, 'Modelle,' JULY 9 - OCTOBER 11 (catalogue)
Feigen Contemporary, New York, NY, 'Inglenook,' JUNE 19 - JULY 31
Paula Cooper Gallery, New York, NY, 'Travel & Leisure,' MAY 2 - JUNE 26
Berry House, Clerkenwell, England, 'Blue Horizon Art Collection,' MAY - JUNE
Weatherspoon Art Gallery, Greensboro, NC, 'Wild/Life or the Impossibility of Mistaking Nature
for Culture,' curated by Amy Cappellazzo, APRIL 26 - JULY 26 (catalogue)
Landschaftsverband Rheinland Rheinisches Industriemusuem, Oberhausen, Germany, 'Eins, zwei,
Drei! Haus dabei!,' MARCH 29 - OCTOBER 4
Sdwest LB Forum, Stuffgart, Germany, 'KunstArbeit,' NOVEMBER 15 - JANUARY 11, 1998 (catalogue)
Fukui Municipal Art Museum, Fukui City, Japan, 'Media and Human Body: Fukui Biennale 7,' NOVEMBER 15 - DECEMBER 7 (catalogue)
P.S. 1 Contemporary Art Center, Long Island City, NY, OCTOBER 24 - FEBRAUARY28, 1998
Lehmann-Maupin Gallery, New York, NY, 'Patrick Painter Editions,' OCTOBER 18 - NOVEMBER 29
Museum f?r Gegenwartskunst, Basel, Switzerland, 'Check in! Eine Reise im Museum f?r
Gegenwartskunst,' curated by Donna DeSalvo, OCTOBER 4 - MARCH 8, 1998 (catalogue)
Wexner Center for the Arts, Columbus, OH, 'Staging Surrealism: A Succession of Collections 2,'
SEPTEMBER 19 - JANUARY 4, 1998 (catalogue)
The Aldrich Museum of Contemporary Art, Ridgefield, CT, 'Best of the Season,' SEPTEMBER 14 - JANUARY 4, 1998 (pamphlet)
Westf?lisches Landesmuseum f?r Kunst und Kulturgeschichte M?nster, M?nster, Germany,
'Skulptur Projekte in M?nster 1997,' curated by Kasper KOnig, JUNE 22 - SEPTEMBER 28 (catalogue)
Fridericianum, Kassel, Germany, 'Documenta X/Poetics,' curated by Catherine David, JUNE 21 - SEPTEMBER 28 (catalogue)
The Museum of Modern Art, New York, NY, 'Selections from the Collection,' MAY 29 - AUGUST 19
Thomas Erben Gallery, New York, NY, 'Accrochage: Seth Edenbaum, Jackie Ferrara, Senga
Nenga Nengudi, Andrea Zittel,' FEBRAUARY22 - MARCH 22
Mus?e d'Art Contemporain, Bordeaux, France, 'Discovery Collection,' JANUARY 31 - MAY 23
Geffen Contemporary, Museum of Contemporary Art, Los Angeles, CA, 'Just Past: The
Contemporary in MOCA's Permanent Collection, 1975-96,' SEPTEMBER 29 - JANUARY 19, 1997
Macdonald Stewart Art Centre, Guelph, Ontario, Canada, 'Living Units,' SEPTEMBER 26 - NOVEMBER 10
Andrea Rosen Gallery, New York, NY, 'Space, Mind, Place,' JULY 8 - AUGUST 7
Klosterfelde, Berlin, Germany, 'Multiple Application,' JUNE 28 - SEPTEMBER 4
Kunstsammlung Zu Weimar/Neues Museum Weimar, Weimar, Germany, 'Nach Weimer,' JUNE 26 - JUNE 28 (catalogue)
Kunstsammlung Gera, Gera, Germany, 'Sammlung Volkmann zeigt: Faustrecht der Freiheit,'APRIL 13 - MAY 27
Travels to: Neues Museum Weserburg, Bremen, Germany, JUNE 22 - SEPTEMBER 15 (catalogue)
Barbara & Steven Grossman Gallery, School of the Museum of Fine Arts, Boston, MA, 'Social
Fictions: Lari Pittman, Andrea Zittel,' curated by Lelia Amalfitano, FEBRAUARY21 - MARCH 17 (catalogue)
Castello di Rivoli, Torino, Italy, 'Collezionisimo a Torino: Le opera di sei collezionisti d'Arte
Contemporanea,' curated by Ida Gianelli, FEBRAUARY16 - APRIL 21 (catalogue)
Chandler Gallery, Davis Museum and Cultural Center, Wellesley College, Wellesley, MA,
'RE:formations/design directions at the end of a century,' FEBRAUARY2 - JUNE 9 (catalogue)
CAPC Mus?e d'Art Contemporain Entrep?t, Bordeaux, France, 'Urgence,' curated by Jean-Louis
Froment and Abdellah Rorroum, JANUARY 26 - MARCH 24 (catalogue)
Fondazione Sandretto Re Rebaudengo per l'Arte, Torino, Italy, 'Campo '95,' curated by
Francesco Bonami, OCTOBER 19 (catalogue)
The Aldrich Museum of Contemporary Art, Ridgefield, CT, 'Living with Contemporary Art,'
curated by Harry Philbrick, OCTOBER 1 - JANUARY 7, 1996 (catalogue)
Rooseum Center for Contemporary Art, Malmo, Sweden, 'Nutopi,' curated by Lars Nittve, JUNE 3- AUGUST 27 (catalogue)
Tramway, Glasgow, Scotland, 'Trust,' MAY 7 - JUNE 18
Whitney Museum of American Art, New York, NY, '1995 Whitney Biennial Exhibition,' curated by Klaus Kertess, MARCH 15 - JUNE 11
Travels to: Veletrzni Palac, Prague, Czech Republic, SEPTEMBER 21 - DECEMBER 3
Statens Museum for Kunst, Copenhagen, Denmark, MAY 31 - AUGUST 11, 1996 (catalogue)
The Art Institute of Chicago, Chicago, IL, 'About Place: Recent Art of the Americas,' curated by
Madeleine Grynsztejn, MARCH 11 - MAY 21 (catalogue)
White Columns, New York, NY, 'New York, Auction Benefit,' FEBRAUARY17 - MARCH 4
A/D Gallery, New York, NY, 'Light for the Dark Days of Winter,' JANUARY 6 - FEBRAUARY15
Galleria Massimo De Carlo, Milan, Italy, 'Naked City,' DECEMBER 7 - JANUARY 31, 1995
Andrea Rosen Gallery, New York, NY, 'A Series of Rotating Installations: John Currin and
Andrea Zittel,' OCTOBER 25 - OCTOBER 29
Grazer Kunstverein, Graz, Austria, 'esprit d'amusement,' OCTOBER 1 - OCTOBER 30 (catalogue)
Museum of Modern Art, New York, NY, 'Sense and Sensibility: Women Artists and Minimalism
in the Nineties,' JUNE 16 - SEPTEMBER 11 (catalogue)
Cohen Gallery, New York, NY, 'Drawing on Sculpture,' JUNE 9 - JULY 28
HERE Home for Contemporary Theater and Art, New York, NY, 'Full Service,' organized by
Alexander Berscheid and Jade Dellinger, MAY 7 - JUNE 18
New Museum of Contemporary Art, New York, NY, 'Who Chooses Who Benefit Auction,' APRIL 20 - APRIL 24
Duke University Museum of Art, Durham, NC 'SOHO at Duke V: Living in Knowledge: An
Exhibition About Questions Not Asked,' curated by Rebecca Katzand Jane McFadden, APRIL 8 - MAY 29 (catalogue)
Kasper Konig, Berlin, Germany, 'Sammlung Volkmann,' MARCH 19 - JULY 2
Neue Galerie, Graz, Austria, 'Don't Postpone Joy or Collecting Can Be Fun!,' curated by Rudi
Molacek and Barbara Steffen, MARCH 18 - APRIL 24
Travels to: Austrian Cultural Institute, New York, NY, MAY 26 - JUNE 24
Andrea Rosen Gallery, New York, NY, 'Are You Experienced?,' MARCH 11 - APRIL 9
Galerie Philomene Magers, Cologne, Germany, 'Art After Collecting,' curated by Rainer Ganahl, FEBRAUARY25 - MARCH 25
Manes Gallery, Prague, Czech Republic, 'Lost in Thought,' curated by Zdenka Gabalova, FEBRAUARY20 - MARCH 30
Mus?e d'Art Moderne de la Ville de Paris, Paris, France, 'L'hiver de l'Amour (Winter of Love),'
curated by Elein Fleiss and Olivier Zah, FEBRAUARY10 - MARCH 13
Travels to: P.S. 1 Contemporary Art Center, Long Island City, NY, OCTOBER 13 - JANUARY 8, 1995
Galerie Jennifer Flay, Paris, France, 'Camping,' JANUARY 25 - FEBRAUARY3
Thread Waxing Space, New York, NY, 'Don't Look Now,' organized by Joshua Decter, JANUARY 22 - FEBRAUARY26 (catalogue)
Galleria Massimo De Carlo, Milan, Italy, NOVEMBER 29 - JANUARY 29, 1994
Achim Kubinski Gallery, New York, NY, 'Guest Room with Andrew Ong,' OCTOBER 29 - DECEMBER 4
Art Awareness, Lexington, NY, 'Mac Adams, Ping Chong, Andrea Zittel,' JULY 24 - SEPTEMBER 5
Institute of Contemporary Art, London, England, 'Real Time,' curated by Gavin Brown, JUNE 19 - JULY 18 (catalogue)
XLV Venice Biennale, Venice, Italy, 'Aperto 1993: Emergency,' curated by Achille Bonito
Oliva, 'Can Art Change the World,' curated by Jeffrey Deitch, JUNE 13 - OCTOBER 10 (catalogue)
Galerie Monika Spruth, Cologne, Germany, 'Eau de Cologne,' JUNE 5 - SEPTEMBER 18
Galerie Jennifer Flay, Paris, France, 'Just what is it that makes today's home so different, so
appealing?,' JUNE 3 - JULY 17
New Museum of Contemporary Art, New York, NY, 'The Final Frontier,' MAY 7 - AUGUST 15 (pamphlet)
Sandra Gering Gallery, New York, NY, 'Add Hot Water,' FEBRAUARY20 - MARCH 20
Spazio Opos, Milan, Italy, 'Documentario: Privacy,' curated by Gianni Romano, JANUARY 15 - JANUARY 30
Andrea Rosen Gallery, New York, NY, 'Simon Leung, Andrea Zittel,' OCTOBER 23 - NOVEMBER 28
209 West 97 Street, Apartment 7B, New York, NY, 'Home Improvements,' curated by Gavin
Brown, OCTOBER 4 - NOVEMBER 10
La Galerie Du Mois, Paris, France, 'One + One'
303 Gallery, New York, NY, 'Writing on the Wall'
Artists Space, New York, NY, 'The Radio Show'
10 East 59 Street, Suite 525, New York, NY, 'Insignificant,' curated by Gavin Brown'
303 Gallery, New York, NY, 'One Leading to Another'
John Post Lee Gallery, New York, NY, 'Ornament: Ho Hum All Ye Faithful'
Blum Helman Warehouse, New York, NY, 'Plastic Fantastic Lover (object a),' curated by
Catherine Liu, OCTOBER 12 - NOVEMBER 9 (catalogue)
Artists Space, New York, NY, 'Warp and Woof, Comfort and Dissent,' organized by Connie
Butler, SEPTEMBER 26 - NOVEMBER 9 (catalogue)
Natalie Rivera, New York, NY, 'Decorous Beliefs,' curated by Kenny Schachter
Home for Contemporary Theater and Art, New York, NY, 'Home for JUNE,' curated by Erik Oppenheim
BACA Downtown, Brooklyn, NY, 'From Sculpture'
Zephyr Gallery, Louisville, KY, 'On Target '90: Zephyr Gallery Third Annual Invitational,'
NOVEMBER 2 - NOVEMBER 28 (brochure)
Museum of Art, Rhode Island School of Design, Providence, RI, 'Graduate Thesis Exhibition'
University Gallery, San Diego State University, San Diego, CA, 'SDSU Choice: Alumni
Invitational,' FEBRAUARY11 - MARCH 29
Installation Gallery, San Diego, CA, 'Art for Nicaragua'
2017 Via Art Fund Grant
2016 Guggenheim Fellowship
2012 Frederick Kiesler Prize for Architecture and the Arts
2007 AICA Award Best Architecture or Design Show
2006 College Art Association Distinguished Body of Work Award
2005 Lucelia Artist Award (Smithsonian American Art Museum)
1999 Alfried Drupp von Bohlen und Halbach Foundation, Zurich, Switzerland
1997 Oribe Award
1995 Deutschen Akademischen AUstauschdienst (DAAD Grant), Berlin, Germany
1996 Coutts Contemporary Art Foundation Award
1990 Award of Excellence, Rhode Island School of Design
1988 Distinction in Art, San Diego State University
Patricia Clapp Scholarship in Fine Art
1986 Elizabeth Kraft Scholarship in Sculpture
High Desert Test Sites 2017 (HDTS 2017), Joshua Tree, CA, October 21 – 22
High Desert Test Sites 2015 (HDTS: Epicenter), Green River, Utah, October 9 – 12 (catalogue)
High Desert Test Sites 2013 (HDTS 2013), Joshua Tree, CA, October 12 - 19, 2013 (catalogue)
Andrea Rosen Gallery, New York, NY, Gallery 2: Lior Shvil, "Operation OZ Belev-Yam," May 5 - June 11, 2011
High Desert Test Sites CB08 (HDTS CB08), Joshua Tree, CA, November 7 - 8, 2008 (catalogue)
High Desert Test Sites 2007 (HDTS 2007), Joshua Tree, CA, May 12 - 13, 2007 (catalogue)
High Desert Test Sites 5 (HDTS5), Joshua Tree, CA, May 6 - 7, 2006 (catalogue)
High Desert Test Sites 4 (HDTS4), Joshua Tree, CA, OCTOBER 23 - 24, 2004 (catalogue)
High Desert Test Sites 2 (HDTS2), Joshua Tree, CA, MAY 23 - 24, 2003 (catalogue)
High Desert Test Sites 1 (HDTS1), Joshua Tree, CA, NOVEMBER 23 - 24, 2001 (catalogue)
Artist Space, NYC, 'Artists Select: Part I,' (an artist curated exhibition, Zittel selected Craig Kalpakjian) NOVEMBER 20, 1993 - JANUARY 15, 1994
Artist's Books and Projects
In the Midst of Things, Bournville, Birmingham, UK, AUGUST 4 - SEPTEMBER 18, 1999 (project with Sebastian Clough)
Perfected Pillow (edition of 39), New York: Artists Space, 1995. (black and green velvet single bed with pillow)
Project in print with Rudi Molacek, Der Standard, MAY 24/25, 1995.
Artist's Writings
'Shabby Clique,' Artforum International, Summer 2004, 211.
'A-Z Uniforms,' Sleek Magazine, no 2, 2003, 56-63.
'A Brief History of A-Z Garments,' A-Z Advanced Technologies: Fiber Forms, Gallery Side 2, Tokyo, font-family:. Artist's brochure.
'A-Z Thundering Prarie Dogs,' Media and the Muman Body: Fukai Biennale 7, Fukai, Japa: Fukai Media City Forum, 1998. Exhibition catalogue.
'A-Z Deserted Islands,' Skulptur Projekte in M?nster1997, Munster, Germany: Westalisches Landesmuseum, 1997. Exhibition catalogue.
'Andrea Zittel,' Purple Fashion, no. 2, 1997, 23.
'The A-Z Travel Trailer Units,' Performing Arts Journal, SEPTEMBER 1996, 71-75.
'Presenting Three Generations of A-Z Units by Andrea Zittel,' New Art 6: Andrea Zittel, Cincinatti Art Museum, 1996. Artist's brochure.
'Introducing the A-Z Travel Trailer Unit,' Andrea Zittel: New Work, San Francisco Museum of Modern Art, 1996. Artist's brochure.
Andrea Zittel Selected Sleeping Arrangements: The A-Z Bed Book. Catalogue with text by Andrea Zittel and Tatyana Gubash. Produced in conjunction with Transcript: A Journal of Visual Culture, University of Dundee, Scotland, 1995. Printed in conjunction with work exhibited in the following exhibitions: Andrea Rosen Gallery, New York, 1995 Whitney Biennial Exhibition, Nutopia, Rooseum Center for Contemporary Art, Malmo, Sweden.
'Homeowner's Statement,' Living with Contemporary Art, Ridgefield, CT: The Aldrich Museum of Contemporary Art, 1996, 56.
'Andrea Zittel - Auto Interview,' Transcript, Summer 1995, 34-36.
'Introducing A-Z Ottoman Furniture by Zittel,' Printed in conjunction with work exhibited at the Carnegie Museum of Art, Pittsburgh, PA and the Grazer Kunstverein, Graz, Austria. Artist's brochure.
'Introducing the A-Z Administrative Services 1994 Living Unit by Zittel,' Printed in conjunction with work exhibited at the Museum of Modern Art, New York, 1994. Artist's brochure.
'Introducing the A-Z Administrative Services 1994 Living Unit by Zittel.' Printed in conjunction with work exhibited at the Anthony d-Offay Gallery, London, 1994. Artist's brochure.
'Introducing the A-Z Administrative Services 1993 Living Unit by Zittel,' The A-Z Administrative Services 1993 Living Unit, Jack Hanley Gallery, San Francisco, CA, MARCH 31 - MAY 1, 1993. Artist's brochure.
'Striving for Perfection,' Aperto '93: Emergency, Venice: Italy: XLV Biennale Di Venezia, 1993, 456.
Monographic Books
Julin, Richard. Andrea Zittel: Lay of My Land. Stockholm: Magasin3, Munchen: Prestel, 2011.
Alberto Salvadori, ed. Andrea Zittel: Between Art and Life. Milan: Mousse Publishing, 2010.
Vischer, Theodora, ed. Andrea Zittel: Gouaches and Illustrations, Steidl, Göttingen, 2008.
Paola Morsiani and Trevor Smith, Andrea Zittel: Critical Space, Prestel Verlag, Munich, 2005.
Ingvild Goetz and Rainald Schumacher, Andrea Zittel, Munich, Germany: Herausgeber, 2003.
Simona Vendrame, Andrea Zittel Diary #01, Milan, Italy: tema celeste editions, 2002.
Felix Zdenek, Personal Programs: Andrea Zittel, Hamburg, Germany: Deichtorhallen Hamburg, 2000.
Andrea Zittel: Living Units, Basel, Switzerland: Museum für Gegenwartskunst Basel, 1996.
Friedli, Bettina, ed. Schaulager: Preserve, Study, Share. Basel: Schaulager, 2012.
Christian Gether, et al. Utopia & Contemporary Art. Ishøj: Arken Museum of Modern Art, Ostfildern: Hatje Cantz, 2012.
Deborah Schneiderman. Inside Prefab. The Ready-Made Interior. New York: Princeton Architectural Press, 2012.
Valeria Napoleone. Valeria Napoleone's Catalogue of Exquisite Recipes. London: Koenig Books, 2012.
Smith, Trevor. "The Rules of Her Game: A-Z at Work and Play." Toward a New Interior: An Anthology of Interior Design Theory. Ed. Lois Weinthal. New York: Princeton Architectural Press, 2011.
Huber, Jorg, et al, eds. It's Not a Garden Table: Art and Design in the Expanded Field. Zurich: JRP/Ringier, 2011.
Sass Brown, ECO Fashion, London: Laurence King Publishing, 2010.
Christian Gether, ed. Utopic Curating: Arken Bulletin Volume 5, Denmark: Arken Museum of Modern Art, 2010.
Katrin Groegel, Utopics: Systems and Landmarks, Zurich, Switzerland: JRP/Ringier, 2009.
Dorothee Wimmer, Christina Feilchenfeldt and Stephanie Tasch. Art Collectors: Peggy Guggenheim to Ingvild Goetz. Berlin, Germany: Dietrich Reimer Verlag GmbH, 2009.
Eleanor Heartney. Art & Today. London: Phaidon, 2008.
Jennifer Siegal, ed. More Mobile: Portable Architecture for Today. New York, Princeton Architectural Press, 2008.
Shamim M. Momin, Adam D. Weinberg. Whitney Museum of American Art at Altria: 25 Years. New Haven: Yale UP, 2008.
Daimler Art Collection, Stuttgart, Daimler AG, 2007.
Whitney Chadwick. Women, Art, and Society. (Fourth Edition). London: Thames & Hudson, 2007.
Chan, Yenna, Contemporary Design in Detail: Small Environments. Gloucester, Mass.: Rockport, 2007.
Ruth Slavid, Micro: Very Small Buildings, Laurence King Publishing LTD, 2007.
Shamim M. Momin, Olga Adelantado. Six Impossible Things Before Breakfast #4. 146 pages, b/w. 2007.
Jim Postell, Furniture Design, Hoboken, NJ: John Wiley and Sons, Inc., 2007. Robert Klanten and Lukas Feireiss, Space Craft: Fleeting Architecture and Hideouts, Berlin: Die Gestalten Verlag, 2007.
Matthew Rosenzweig and Francesca Richer, eds. No. 1: First Works of 362 Artists. New York: Distributed Art Publishers, 2006.
Margaret Lazzari, Dona Schlesier, Exploring Art: a global, thematic approach, Bermont: Thomson Wadsworth, 2005. p. 387.
Alicia Foster, Tate Women Artists, London, England: Tate Publishing, 2004.
Marisa Bartolucci, Living Large in Small Spaces: Expressing Personal Style in 100 – 1,000 Square Feet, NY: Harry Abrams, Inc., 2003.
Coutenay Smith and Sean Topham, Xtreme Houses, London: Prestel Publishing, 2002.
Coulter-Smith, Graham, Deconstructing Installation Art. Mardid, Spain: Brumaria, 2002.
Uta Grosenick and Burkhard Riemschneider, Art Now: 137 Artists at the Rise of the New Millenium, Köln, Germany: Taschen, 2002.
Klaus Kertess, Photography Transformed: The Metropolitan Bank and Trust Collection, New York: Harry Abrams, Inc., 2002.
From Arkhipov to Zittel: Selected Ikon Off-Site Projects 2000 – 2001, Birmingham, England: Ikon Gallery, 2002.
The Collections of the Cincinnati Art Museum, Cincinnati, OH: Cincinnati Art Museum, 2002.
Uta Grosenick and Ilka Becker, Women Artists in the 20th and 21st Century, Köln, Germany: Taschen, 2001.
Robert Storr, Art 21: Art in the 21st Century, New York: Harry Abrams, Inc., 2001 (accompanied by a 2 video box set produced by PBS Home Video)
Lars Bang Larsen, Uta Grosenick, and Burkhard Riemschneider, Art Now: Icons, Köln, Germany: Taschen, 2001.
John Welchman, Art After Appropriation: Essays on Art in the 1990's, New York: Routledge, 2001.
Iwona Blazwick and Simon Wilson, Tate Modern: The Handbook, Berkeley, CA: University of California Press, 2000.
Anthony Dunne, Hertzian Tales: Electronic Products, Aesthetic Experience & Critical Design, London: Royal College of Art, 1999.
Uta Grosenick, Burkhard Riemschneider and Lars Bang Larsen, Art at the Turn of the Millennium, Köln, Germany: Taschen, 1999.
Claudia Gould and Valerie Smith, 5000 Artists Return to Artists Space: 25 Years, New York: Artists Space, 1998.
Karin Thomas, Bis Heute Stilgeschichte der bildenden Kunst im 20. Jahrhundert: Dumont Publishers, 1998.
Francesco Banami, Echos: Contemporary Art at the Age of Endless Conclusions, New York: Monacelli Press, 1997.
Sarah Vowell, Radio On: A Listeners Diary, New York: Martin's Griffin, 1997.
Linda Weintraub, Arthur Danto and Thomas McEvilley, Art on the Edge and OverSearching for Art's Meaning in Contemporary Society 1970's – 1980's, Art Insights, Inc., 1997.
Roxana Marcoci, Diana Murphy and Eve Sinaiko, New Art, New York: Harry Abrams, 1997.
Coutts Contemporary Art Awards 1996: Per Kirkeby, Boris Michajlov, Andrea Zittel, (award catalogue) Zurich: Coutts Contemporary Art Foundation, 1996.
Joel Sanders, STUD: Architecture of Masculinity, Princeton, NJ: Princeton Architectural Press, 1996
The Flat Field Works, Middelheim Museum, Antwerp, Belgium
Hapgood, Susan and Cornelia lauf. In Deed: Certificates of Authenticity in Art. Amsterdam: Roma Publications, 2011.
The [Secret] Return of Noever. Los Angeles: Ace Museum, 2011.
Coppard, Abbie, ed. Aware: Art Fashion Identity. London: Royal Academy of Arts, 2010.
Susan Brown et al., Fashioning Felt. New York: Cooper-Hewitt, National Design Museum, 2009.
Jane Simon, Return to Function. Madison: Madison Museum of Contemporary Art, 2009.
Consider the Lobster and Other Essays. Annandale-on-Hudson: Center for Curatorial Studies and the Hessel Museum of Art, 2009. 80-83.
Bruderlin, Markus and Annelie Lutgens, eds. Interior Exterior: Living in Art. Ostfildern: Hatje Cantz, 2008.
MAXImin: Maximum Minimization in Contemporary Art, Madrid, Fundación Juan March, 2008.
Don't Look, Wellesley Mass., Davis Museum and Cultural Center, 2007.
Going Staying. Movement, Body, Place in Contemporary Art, Kunstmuseum Bonn, Bonn, Germany, 2007.
Katie Holten: Paths of Desire, Contemporary Art Museum, St. Louis, 2007.
Spaid, Sue. The HandMaking, Abington Art Center, Jenkintown, Pa., 2007.
Unmonumental: The Object in the 21st Century, The New Museum, New York, 2007.
Living in the material world: "Things" in art of the 20th century and beyond, The National Art Center, Tokyo, 2007.
Brooke Hodge. Skin + Bones: Parallel Practices in Fashion and Architecture, Museum of Contemporary Art, Los Angeles, 2006.
Less: Strategie alternative dell'abitare, Padiglione d'Arte Contemporanea di Milano, Milano, 2006.
Stephanie Smith and Victor Margolin. Beyond Green: toward a sustainable art. Chicago: Smart Museum of Art, University of Chicago and New York: Independent Curators International, 2005.
Logical Conclusions: 40 Years of Rule Based Art, Pace Wildenstien Gallery, New York, essay: Marc Glimcher.
Klaus Biesenbach, Die Zehn Gebote, Dresden, Germany: Deutches Hygiene-Museum & Hatje Cantz Verlag, 2004.
Singer, Momin, Iles, 2004 Whitney Biennial Exhibition, New York: Whitney Museum of American Art, 2004.
Multiple R?ume (1): Seele: Konstruktionen des Innerlichen in der Kunst, Baden-Baden, Germany: Staatliche Kunsthalle Baden-Baden, 2004.
Micropolítiques I: Art I quotidianitat: 2001-1989, Castelló, Spain: Espai d'Art Contemporani de Castelló, 2003.
Paulo Herkenhoff, Roxana Marcoci and Miriam Basilio, Tempo, New York: The Museum of Modern Art, 2002.
Simon Lamuniere, L'image habitable/Versions multiples, Geneva, Switzerland: Centre pour l'image contemporaine, 2002.
Marit Woltmann, Passenger: The Viewer as Participant, Norway: Astrup Fearnley Museet for Moderne Kunst, 2002.
Public Affairs: Von Bueys bis Zittel: Das Öffenliche in der Kunst, Zürich, Switerland: Kunsthaus Zürich, 2002.
Kristin Chambers, Comfort: Reclaiming Place in a Virtual World, Cleveland, OH: Cleveland Center for Contemporary Art, 2001.
Markus Heinzelmann and Ortrud Westheider, Plug-In: Einheit und Mobilit?t, M?nster, Germany: Westf?lische Landesmuseum f?r Kunst und Julturgeschichte M?nster, 2001.
WolfgangSchoppmann, Without Hesitation: Views of the Olbricht Collection, Bremen, Germany: Neues Museum Weserburg.
Rainald Schumacher and Matthias Winzen, Die Wohltat der Kunst: Post/Feministische Positionen der neunziger Jahre aus der Sammlung Goetz, Baden-Baden, Germany: Sammlung Goetz, font-family: (revised English edition, Just Love Me: Post/Feminist Positions of the 1900's from the Goetz Collection, Munchen, Germany: Sammlung Goetz, 2003)
Noemi Smolik and Rainald Schumacher, American Art from the Goetz Collection, Prague: Galerie Rudolfinium, Munich: Goetz Collection, 2001.
Patsy Tarr, Inside Cars, New York: 2wice Arts Foundation, 2001.
Without Hesitation: Views of the Olbricht Collection, Bremen, Germany: Neues Museum Weserburg, 2001.
Stephanie Barron, Made in California: Art, Image and Identity 1900-2000, Los Angeles: Los Angeles County Art Museum, 2000.
Franco Fanelli, Quotidiana: The Continuity of the Everyday in 20th Century Art, Torino, Italy, Castello di Rivoli, 2000.
Judith Tannenbaum, Against Design, New York: Distributed Art Publishers, 2000.
O. Zahm and E. Fleiss, Elysian Fields, Paris: Editions du Centre Pompidou, 2000.
HausSchau: das Haus in der Kunst, Hamburg, Germany: Deichtorhallen Hamburg, 2000.
Sammlung DaimlerChrysler: New Acquisitions FEBRAUARY2001, Berlin: DaimlerChrystler Contemporary, 2000.
Irene Hofmann, Gregory Wittkopp and David Wilson, Weird Science: A Conflation of Art and Science, Bloomfield Hills, MI: Cranbrook Museum of Art, 1999.
Peter Noever, Microspace/global time: An architectural Manifesto, Vienna: MAK Center for Art and Architecture, 1999.
Culbutes: Oeuvre d'impertinence, Montral, Canada: Musée d'art contemporarain de Montréal, 1999.
Verkehr: Steirische Landesausstelling 1999, Graz, Austria: Knittfeld, 1999 (catalogue for Styrian Regional Exhibition)
Amy Cappellazzo, Wild/Life or the impossibility of Mistaking Nature for Culture, Greensboro, NC: Weatherspoon Art Gallery, 1998
Sammlung Goetz and Zdenek Felix, Emotion- Young British Artists and American Artists from the Goetz Collection, Hamburg, Germany: Deichtorhallen Hamburg/Cantz Editions, 1998.
Modelle, Wien, Austria: Österreichische Galerie Belvedere, 1998.
Klaus Bußmann, Kasper KOnig and Florian Matzner, Skulptur Projekte in Münster 1997, Munster, Germany: Westalisches Landesmuseum, 1997.
Donna DeSalvo and Mary Ann Caws, Staging Surrealism, Columbus, OH: Wexner Center for the Arts, 1997.
documenta X / Poetics, ed. Documenta and Museum Fridericianum Veranstaltungs-GMBH, Ostfildern-Ruit, Germany: Cantz Verlag, 1997.
Kunst...Arbeit, Ostifildern-Ruit, Germany: Herausgeber, Cantz Verlag and Autoren, 1997.
Media and Human Body: Fukui Biennale 7, Fukui City, Japan: Fukui Municipal Art Museum,
Check in! Eine Reise im Museum für Gegenwartskunst, Basel, Switzerland: Museum für Gegenwartskunst, 1997.
Lelia Amalfitano, Social Fictions: Lari Pittman and Andrea Zittel, Boston, MA: School of the Museum of Fine Arts, 1996.
Klaus Biesenbach and Nicolaus Schafhausen, nach weimar, Ostildern-Ruit, Germany: Kunstsammlungen zu Weimar, Cantz Verlag und Autoren, 1996.
Jean Louis Froment and Abdellah Korroum, Urgence: Nan Goldin, Noritoshi Hirakawa, Jack Pierson, Wolfgang Tillmans, Andrea Zittel, Bordeauz, France: capc Musée d'art contemporain, 1996.
Judith Hoos Fox, RE:formations/design directions at the end of a century, Chandler Gallery, Wellesley, MA: Davis Museum of Art, 1995.
Robert Gober and Harry Philbrick, Living with Contemporary Art, Ridgefield, CT: The Aldrich Museum of Contemporary Art, 1995.
Klaus Kertess, 1995 Biennial Exhibition, New York: Whitney Museum of American Art, 1995.
Terry Ann R. Neff and Robert V. Sharp, About Place: Recent Art of the Americas, Chicago: Art Instiute of Chicago, 1995.
Lars Nittve, Nutopia, Malmo, Sweden: Rooseum Center for Contemporary Art, 1995.
Campo 95 [Libro] ,Venezia: Fondazione Re Rebaudengo Corderie Biennale; [S.l.]: Umberto Allemandi & C, 1995.
Sammlung Volkmann zeigt: Faustrecht der Freiheit, Gera, Germany: Kunstsammlung Gera, 1995.
Joshua Decter, Don't Look Now, New York: Thread Waxing Space, 1994.
Rebecca Katz and Jane McFadden, Living in Knowledge: An Exhibition About Questions Not Asked, Durham, NC: Duke University Museum of Art, 1994.
Lynn Zelevansky, Sense and Sensibility: Women Artists and Minimalism in the Nineties, New York: The Museum of Modern Art, 1994.
Esprit d'amusement, Graz, Austria: Grazer Kunstverein, 1994.
L'hiver de l'Amour, Paris, France: Musee d'Art Moderne de la Ville de Paris, 1994.
Gavin Brown, Real Time, London: Institute of Contemporary Arts, 1993.
Giancario Politi, Aperto '93: Emergency, Venice: Italy: XLV Biennale Di Venezia, 1993.
Connie Butler, Warp and Woof: Comfort and Dissent, New York: Artists Space, 1991.
Catherine Lui, Plastic Fantastic Lover (object a), New York: Blum Helman Gallery, 1991.
© 1991- 2014 Andrea Zittel. All Rights Reserved. Credits


The Weight Management Program at Washington University School of Medicine is dedicated to the management of excessive weight. By applying the most current methods, the program helps patients manage their weight and reduce the medical risks linked with being obese.
Whatever your personal goals are in losing weight, our program offers three proven options to promote your success.
Weight management is a challenge for everyone. An individualized approach to weight loss is essential because we are all different in genetic make-up, lifestyle, behaviors and physical activity.
By using the most current methods and medical monitoring, the Weight Management Program professionals are able to help people lose weight safely.
This program combines the expertise of physicians, psychologists, registered dietitians and physical therapists to provide a comprehensive approach to the medical management of obesity.
Obesity is a disease that requires long-term treatment for successful management.
Health benefits are associated with a modest amount of weight loss (5 to 10 percent or more of one's body weight), as long as it is maintained.
Changes in eating habits are essential for weight loss.
Physical activity is important for long-term weight management success.
Gradual weight loss will be achieved by following a structured, low-calorie meal plan that includes meal replacement products.
Physicians will medically monitor treatment.
Patients will learn to gradually increase the number of minutes they engage in physical activity.
Patients will learn weight loss skills as well as strategies for long-term weight maintenance, by adopting a healthier lifestyle that can be kept up in the long-term.
The Weight Management Program staff are leaders in their field and collectively represent the area's leading experts in all areas of managing obesity. To speak to one of the staff members, please call 314-286-2080.
Providing diagnosis and leading-edge treatment of medically significant obesity and applying the most current research on weight loss, the program helps patients manage their weight safely and successfully, and reduce their risk for long-term complications of obesity.
Medically significant obesity is defined as a body mass index (BMI) of 30 and above - or 27 and above, if the individual has medical complications of obesity such as diabetes or heart disease.
Before joining the Weight Management Program, an initial screening is scheduled. Prior to that visit, the patient will be asked to complete a food diary, food frequency form and a three-part psychological assessment, which is mailed in advance. The initial screening takes approximately three hours and involves a medical examination with blood tests and EKG, a psychological assessment, and a detailed nutritional evaluation.
Many people who lose weight tend to regain it over time. For this reason, the ability to sustain that loss is just as important as the initial weight loss itself. Staff members teach the skills necessary to help maintain weight loss and achieve realistic goals. Even moderate long-term decreases in body weight -- five to 10 percent of initial body weight -- can result in considerable health benefits.
The Washington University Weight Management Program, in affiliation with Barnes-Jewish Hospital, offers medical and surgical specialists collaborating to treat people who are obese.
It is our philosophy that patients need to be fully informed of the risks and benefits of both the surgical and medical treatments for obesity to make informed decisions. Patients referred to the Program are thoroughly evaluated to ensure that the most appropriate weight management approach is selected for them.
A clinical study, also called a clinical trial, is an organized experiment performed on human participants to answer a specific scientific question. Obese individuals can choose to participate in a clinical trial to help increase knowledge of obesity by participating in federally funded studies. Using the most sophisticated techniques, researchers hope to gain a better understanding of why people are overweight and use these insights to develop better management for those who want to lose and maintain long-term weight loss.
The Gastroenterology Department is one of two centers in the country to have been awarded a Digestive Disease Research Core Center and a Clinical Nutrition Research Unit by the National Institutes of Health.
Our physicians are trained to recognize medical conditions related to excessive weight and weight loss and to monitor changes in patient health. Regular medical monitoring helps reduce health risks related to weight loss and enables the staff to make appropriate adjustments to a patient's treatment.
Establish an encouraging support group.
Nutritional education provided by registered dietitians will teach patients how to make healthier eating choices through individualized meal planning. Patients will also learn the importance of identifying environmental factors that influence weight gain and how to change their surrounding environment to support ongoing weight control.
Individual consultations with patients are provided for meal planning. Most meal plans utilize meal replacements, which are high quality, calorie-controlled nutritional products.
A physically active lifestyle is an essential component in health and weight management. Physical therapists provide guidance in establishing a safe and effective physical activity routine that best suits each patient.
Weight and blood pressure monitoring weekly.
Monthly group sessions with limited medical supervision.
Regular physical activity is an essential part of healthy living and weight control. The medical weight management curriculum provides guidelines and goals for incorporating physical activity into your lifestyle.


text:
Team Blog Charity Good News Subscribe Contact
Topics Testimonials Videos Resources
Speaking Topics Testimonials Videos Resources TeamBlogCharityGood NewsSubscribeContact
Innovation In Space: An Astronomical Feat
Tomas J Soderstrom is the Chief Technology and Innovation Officer at NASA's Jet Propulsion Laboratory (JPL). He's excited about how the world is becoming more efficient, more curious and more exploratory, and he believes space is hugely important for humanity from our potential to redirect asteroids to the terabytes of data we can collect on carbon emissions via satellite. The game is changing, and it's humankind making it all possible.
I grew up in a very small town in Sweden, and I would never in a million years have imagined I'd be working at JPL in the United States. When I grew up I wanted to be a journalist, in Sweden. That was my dream, but dreams change. When I finished high school, friends said I should come to the US and swim. I was a swimmer. And I thought 'ok, I'll give that a try'. And long story short, I did get invited to swim at a school here, in California, in Los Angeles, and one winter turned into two, two turned into three, and three turned into forever. I've been here many years now, but certainly never would I have dreamed of it when I grew up.
Could you tell us a bit about NASA's Jet Propulsion Lab and your work?
My title is Chief Technology and Innovation Officer. I used to be a CTO, which normally stands for Chief Technology Officer. I like to think of it as Chief Toy Officer. Because today's toy is tomorrow's tool, but you don't really know which toy will become a tool until you play with it. So we're bringing some playfulness into how we explore space and help humanity search for Earth 2.0, redirect an asteroid, send humans to mars—and those are just some of the things we're working on right now, including exploring icy planets to see if there's life there. The exploration, the early prototyping, the rapid and agile iteration will lead to lasting successes. And there are of course many rapid failures, but if they're small and they're fast, why not make it all fun? This can lead to success. So that's kind of how I look at the future.
NASA is of course an extremely future-focused organisation. What do you see as its biggest challenges over the next decade, and how is it overcoming them?
I think the challenge is one of opportunity, they're one and the same. Part of what we're doing is to further humanity, further mankind, being able to find earth-like planets. And we've found several, we don't know how earth-like they are yet. We're looking at finding life out there. We're looking to be able to redirect an asteroid, being able to land humans on Mars. All of those things, there really is no immediate commercial value there. So we need the brightest and the best people we can find, to be on these massive transformative purposes. But those people are also being courted by Facebook, by Microsoft, by Google, all of those big companies, and now of course lots of startups. So the challenge is to really track and retain the talent that it takes to make this happen. And part of the solution is to partner with everyone who's interested in this. So I think that's probably the biggest challenge.
There's also the opportunity in that just about nobody does what we do, looking for these things that NASA looks for, and NASA and JPL have been voted best places to work for many years going. You get to do something you don't get to do anywhere else. So I think the challenge is competition for talent. The opportunity is extraordinary. Intergalactic!
Why do you think the average person should care about space?
Well, not to be morbid, but if a really big asteroid came and hit us one day, that'd be a really bad day! For not just us, but everybody. So somebody has to care about it. Somebody has to figure out how to redirect an asteroid. If we one day needed to export humanity, we'd need to have a place to go. Somebody has to try and search for Earth 2.0. Human nature is exploratory, we'll always want to expand. So why should people care about space? Because it affects all of us, it is all of our future. It's the future of humanity that we're looking at.
Do you think space travel is changing what it means to be human?
I do. And it's a very pertinent question. When you talk to astronauts, and I've talked to several, who have actually been looking back at earth from space (I have not, I wish I had!)—what you hear is they get a much bigger perspective. They look back at earth and they say 'why do we have wars?' It's such a fragile little place, it's about humanity. So they get a very different perspective looking back at earth as a unified thing, not as a whole bunch of different countries, perhaps fighting with each other. That's one way.
The other way is that a space traveller is an explorer who's exploring for all of humanity. So I think science and engineering and space is a great ambassador for collaboration across all of humanity. Sounds geeky, but I'm a proud geek! (Future Crunch note: YES! We'll high five to that.)
Some people might not know NASA and JPL aren't just focused on space, but also on Earth. What sort of work do you do concerning the planet we live on, and why?
From JPL's perspective, we send out spacecraft or satellites that orbit the earth. As they orbit the earth they look back at the earth using different types of instruments. For instance, they look at carbon. Is there too much carbon coming up that could lead to global climate change? They look at water. Where is the water table, is it rising? Is it shrinking? So we have satellites in space that are looking back, able to predict droughts, able to predict floods. Now we have two new ones, and they're always in collaboration with other countries. We'll be able to look back on the water table on earth, whether in rivers, or in lakes or even reservoirs, and circle it every few weeks.
So now we can map all the earth's water, which means you'll be able to farm much better, you'll be able to prepare for unusual disastrous events. Even things like malaria, because mosquitoes need water. And look at earthquakes and tsunamis, all of those things are earth science in nature. So when you look at the earth from space, you get a very different perspective. It's all about perspective. And as you look over several years you get data, data we can actually use. We're not into making policy, we're interested in looking at the data and presenting the data to anyone who cares. Luckily, people do care.
What does digital disruption mean for NASA and other large organisations?
I spend my time looking at disruptors. And then I prototype them. If something's likely to disrupt us, we prototype it, prototype meaning how will it affect us? So we look at something called 'the next IT decade'. The next IT decade is the next 3 years, because if you look at humans, there's really a human decade every 3 years in IT. It moves so fast. So a disruptor is not a bad thing. The word disrupt tends to mean bad; a disruptor is only a bad thing if you didn't see it coming. So by being able to look at disruptors, were able to prototype them, predict them, and by the time they disrupt us, we were already already there.
What are some of the disruptors? When the first iPhone came, it was the first smartphone, that was a disruptor. And the disruptor wasn't the phone, it was the apps. All of a sudden, you'd be able to use your smartphone and have access to just about everything. Another disruptor was tablets when they came. Cloud computing may be one of the biggest disruptors of them all. We saw all of these coming, and we decided these could disrupt us so let's test them.
Eight years ago we started playing with cloud computing. At the time it was a toy, something you backed up your music to so you didn't lose it. Certainly could have nothing to do with an enterprise. Or could it?
So we decided to prototype it and test it. And now, just about everything we do is in cloud computing because we don't have to own the servers, we don't have to have the data centres, we can have infinite capacity for storage. And we have done things for a fraction of the cost we could do before. Like how we process carbon dioxide data, all of it that's been collected. We're talking hundreds or terabytes of data. And we've reprocesssed that for a tenth of the cost and in a tenth of the time that it would have taken the old way. So the disruptors are very powerful, and they're a good thing if you see them coming.
Some of the new ones coming are AR and VR, and we're already using that. You can explore Mars using your Hololens. We use a lot of Google Glass to do prototypes. Another disruptor is self driving cars and automation. We have self-driving cars—problem is we only have a couple of them and they're on Mars! But they drive themselves. So can we take advantage of the huge disruption coming from the self-driving cars community in space? We think we can.
Another disruptor is robotics, and we have robots that swim, that fly, that hop…and of course that fly into space. The miniaturisation that's happening with all the tech means we can impact that and partner with industry. Other disruptors are of course smart watches, smart shirts, smart earring, smart rings…everything smart! They mean everything ties into your smartphone, and then your body. You wear sensors on your body which report to your smart phone, talk to your doctor or your tennis coach, and the analytics that go into that are tremendous. So it's kind of the quantified self that's driving the next level of AI, which is the other disruptor were now looking at. Whether you call it AI, machine learning, deep learning, digital assistance—that's probably the biggest disruptor of all. And if we take advantage if it, it'll have the biggest benefit that anyone's ever seen.
What are the biggest technological challenges that affect humans' interaction with space?
I want to talk about space, but also about enterprises. One of the key challenges is to be able to take advantage of consumer tech in the enterprise. Because we all have legacy, things we're used to using. Call it 'classic apps'. Now you want to bring in the new way of doing things and it doesn't necessarily mesh easily with the way we've always done things. So changing how we work is one of the biggest opportunities and biggest challenges for any enterprise.
What does that mean for space? Everything. Because the people who put spacecraft in space, they're not the martians. They're the people on earth who want to use the latest technology and the latest tools. And the faster we can get them access to all that data from the devices they're comfortable working on, including tying in AI, digital assistance and things like that, then they can put better spacecraft on the surface of Mars, or Europa (one of the Galilean moons orbiting Jupiter), and other planets quicker. So it all comes back to changing how we work.
At JPL, we like to call ourselves an 80-year-old startup! Because it's a very entrepreneurial place. And so being able to take all that energy and harness it and steer it in a way that people can use the tools they want to do that wonderful work they do: that's the challenge and the opportunity. Not just for NASA and for JPL, but for all enterprises out there.
Do think all businesses should think like a startup to some extent?
Every startup is a life or death experiment in technology. So if you look at all of that together, its like a petri dish of innovation that we can take advantage of—and we are. We actually mentor many startups and work with them and learn from them, of course realising that there's a risk because it may not be proven, but there's a risk to every enterprise out there.
What makes you most optimistic about the future? What are you most excited about?
I am extremely optimistic about the next gen of explorers. The new generation coming in are very IT-savvy. They are used to using the latest tech; they expect to see them and use them and be able to take advantage of them, and it's anything from apps to the cloud. It's the impatience of needing to do something as quickly as possible. I think that's the power. The speed is changing. Agile development, cloud computing, the partnering that goes on between government and commercial. In the space business in the US, it's a very positive thing. And all the startups that are coming out in space and outside.
When I grew up, I looked into space an I saw something yellow out there. Then I watched TV and I saw people landing on that yellow thing, the moon. The amazing thing was that they could do it. That's incredible. Now, the next gen is not even asking if they can do it. They're assuming they can do it. And they're asking 'what will we find?'
I think just that change in attitude will drive us much much farther, and faster. We're going to be able to ask the big questions and actually get answers. Is there life out there? Can we send people to Mars? Is there an Earth 2.0? Can we redirect an asteroid? Can we predict floods, droughts and all those things? I think these questions will be answered in my lifetime, which I never thought was possible. So I'm extremely optimistic about new technologies, and the people who drive those new technologies.
Tom Soderstrom will be speaking at the Gamechangers Summit held in Sydney from 28 February - 2 March. Future Crunch's co-founder Angus Hervey will be chairing a group of the world's leading innovators, scientists and experts in a discussion on emerging technologies. He's pretty excited.
Disruptive TechnologiesTanushree Rao January 18, 2017 future of work, space, VR/AR/MR, artificial intelligence, robotics, DIGITISATIONComment
How to be a Thought Leader on the 'Future of Work'
Looking to the FutureAngus Hervey January 19, 2017 future of work, AUTOMATION
99 Reasons 2016 Was a Good Year
A Better HumanityAngus Hervey December 5, 2016 PROGRESSION, energy, social impact, health, law and order, media
Future Crunch
330 Park Street,
Carlton North, VIC, 3054,
info@futurecrunch.com.au

redpajama_set_name: RedPajamaCommonCrawl


text:
using Castle.DynamicProxy;
using NSubstitute;
using NUnit.Framework;
using WiseInterceptors.Common;
using WiseInterceptors.Interceptors.Cache;
using WiseInterceptors.Interceptors.Cache.CacheInvocationMethod;

namespace WiseInterceptors.Test.InterceptorsTest.CacheTest
{
    [TestFixture]
    [Category("Cache")]
    public class CacheInterceptorTest
    {
        ///TODO ALL CACHE INVOCATION MANAGERS ARE TO TESTED
        [Test]
        public void should_Intercept_call_build()
        {
            var cache = Substitute.For<ICache>();
            var helper = Substitute.For<IHelper>();
            var invocation = Substitute.For<IInvocation>();
            var invocationManagerStrategySelector = Substitute.For<ICacheInvocationStrategySelector>();
            invocationManagerStrategySelector.GetCacheManagerImplementation().Returns(Substitute.For<CacheInvocationManager>(cache, helper));
            var sut = new CacheInterceptor(cache, helper, invocationManagerStrategySelector);
            sut.Intercept(invocation);

            invocationManagerStrategySelector.Received().GetCacheManagerImplementation();
        }

        [Test]
        public void should_Intercept_call_GetInvocationResult()
        {
            var cache = Substitute.For<ICache>();
            var helper = Substitute.For<IHelper>();
            var invocation = Substitute.For<IInvocation>();
            var invocationManagerStrategySelector = Substitute.For<ICacheInvocationStrategySelector>();
            var cacheInvocationManager = Substitute.For<CacheInvocationManager>(cache, helper);

            invocationManagerStrategySelector.GetCacheManagerImplementation().Returns(cacheInvocationManager);
            var sut = new CacheInterceptor(cache, helper, invocationManagerStrategySelector);
            sut.Intercept(invocation);

            cacheInvocationManager.Received().GetInvocationResult(invocation);
        }
    }
}

redpajama_set_name: RedPajamaGithub


text:
Conceptual Development
National Dialogue Handbook: A Guide for Practitioners
Background
Partners & Funding
Publications
Over the last decade, the concept of National Dialogue has gained much popularity among conflict stakeholders, civil society and peacebuilding practitioners as an inclusive and participatory tool for conflict transformation. However, while the practice has advanced significantly over the past decade, there is barely any comparative and practice-oriented literature on this topic. The 'National Dialogue Handbook. A Guide for Practitioners' seeks to address this gap. The Handbook offers a unique practice-oriented resource guide for comprehensively designing and implementing National Dialogue processes. It also includes sound comparative lessons-learned, policy guidelines, graphical elements and process tools.
Following the conclusion of the first project phase and the publication of the National Dialogue Handbook, the second project phase aims at putting the Handbook into practice.
Building on the analytical insights and expertise acquired throughout the development of the Handbook and applying it practically, the project's aim is to contribute to an improvement of National Dialogue processes as well as to enhance the capacities and contributions of conflict stakeholders and third-parties toward their successful implementation. In this respect, the Berghof Foundation will work closely with influential political and societal local stakeholders in different National Dialogue processes as well as with representatives from international 3rd parties.
What makes National Dialogues attractive as a peacebuilding tool is their promise to bring a range of conflict stakeholders (state and non-state) together on a broad mandate to support them in resolving key conflict issues. The aim is to promote public participation, foster a political culture of dialogue and build a nationwide consensus with respect to conflict issues of national importance, meanwhile supporting the development of a new social contract.
Usually following severe national crises, National Dialogues are a move away from elite deal-making and towards gathering popular consent and support for fundamental political and constitutional reforms. While they are often specifically associated with post-conflict peacebuilding, the effective use of National Dialogues is not restricted to open conflict, but can also be used in situations where political institutions are de-legitimised or blocked. National Dialogue formats have long been used in a range of different settings. Examples include national conferences in francophone Africa in the 1990s (Benin, Congo, Togo, Mali, Niger, Zaire, Chad), multi-party negotiations in South Africa (CODESA), national roundtables (Poland, Germany's unification process), constituent assemblies (Bolivia, Afghanistan) and current National Dialogue processes in the Arab World (Bahrain, Yemen, Tunisia, Lebanon).
However, only in recent years have National Dialogues been broadly discussed within the international peacebuilding community as a useful, inclusive tool for conflict prevention and resolution. The increasing reference to and support for National Dialogues by practitioners, policy-makers and (development) donors raises the need for conceptual clarity and leads to the question of whether standardised formats could help make conflict transformation processes more effective. So far, different actors use diverging concepts, definitions and approaches. In addition, few lessons-learned or best practices have been identified to address crucial National Dialogue issues as well as process design questions. In response to the strong need for conceptual guidance, practical hands-on tools and best practice recommendations, the Berghof Foundation is currently developing the National Dialogue Handbook.
The overarching goal of the Handbook project is to offer conflict stakeholders, practitioners, policy-makers, and donors consolidated policy-relevant recommendations and a practical tool for preparing, designing, supporting and implementing National Dialogues. Key challenges associated with National Dialogues will be dealt with, such as legitimacy, ownership, and inclusivity. Methodologically, the National Dialogue Handbook will be based on selected case studies, field research, consultation workshops, and interviews with stakeholders and advisors to past, on-going, and emerging National Dialogues. These methods will be complemented by desk research.
The project entails three main components/objectives:
Contribute to the strategic dialogue and exchange between local conflict stakeholders and international National Dialogue planners, advisors or donors;
Develop standard training modules resting on a sound conceptual framework and best-practices orientation;
Produce a comprehensive, hands-on resource intended to help conflict stakeholders, civil society, (inter)national development donors and policy-makers.
Aims and outcomes
The National Dialogue Handbook will offer a systematic reflection on the conceptual and contextual background; highlighting the relevance of National Dialogue processes as a mechanism for conflict transformation; outlining options for process design (agenda setting, criteria for participation, etc.); discussing key elements of a National Dialogue including dilemmas and trade-offs (inclusivity, legitimacy, etc.); elaborating on options for external (international) support in the different stages of National Dialogue (before, during and after); gathering lessons-learned from cases; and providing graphical visualisation tools directed towards process development.
In addition to the Handbook, a number of complementary publications will be published (single case studies and a policy brief). Finally, a training module will be developed and tested to assist conflict stakeholders, their advisers and international (development) actors to enhance their skills in providing National Dialogue support.
The project has no regional focus per se but aims to offer cross-regional insights. Comprehensive case study have been commissioned to study the processes in Lebanon, Mali, Sudan and Tunisia. Through the cooperation with swisspeace further studies were conducted on Guatemala and Nepal.
The project is funded by the German Federal Foreign Office, in cooperation with the Swiss Federal Department of Foreign Affairs. It is implemented by the Berghof Foundation, in cooperation with swisspeace.
The Berghof Foundation's close collaboration with the German and Swiss Foreign Ministries, swisspeace and other bi- and multilateral donors (such as the EU, UN and World Bank), conflict stakeholders and experts ensures the broad dissemination and application of the Handbook. These strategic partnerships will be strengthened and complemented by collaboration with local and international partners.
Current Activities (2017-2018)
The project is divided into three main streams of activities.
Technical support, regional trainings and the development of training modules. This includes the translation of the National Dialogue Handbook into Arabic, Spanish and French. Additionally, it entails supporting National Dialogue processes through technical advice and trainings, including exchange between local conflict stakeholders from different context experiences in National Dialogues (Mali, Afghanistan, Libya, South Sudan). Moreover, the team will produce a synthesis report summarizing the lessons-learnt from four country case studies (Sudan, Tunisia, Libya and Mali) which will feed into the ongoing development of training modules.
Development of target trainings, coaching, andtraining modules for third-partysupport. The Berghof Foundation will organize and carry out trainings for third parties with particular focus on the German Federal Foreign Office.
Contributing to the strategic dialogue and exchange between local conflict stakeholders and international National Dialogue planners, advisors and donors. With the strong interest in, and potential for learning from the Tunisian experience, especially in the MENA region, the Tunisia case study will be translated into Arabic and widely disseminated at a regional dissemination event and beyond.
April 2018 Roundtable in New York >
Nov 2017 Geneva Peace Week >
Past Activities (2015-2017)
The past activities of the first project phase of the National Dialogue Handbook were divided into five phases.
The first phase of the project mainly consisted of developing the conceptual framework, holding a 'Roundtable on Emerging National Dialogues' in Berlin and constituting an advisory group. The Roundtable Meeting involved conflict stakeholders, development actors, policymakers and technical experts from countries with emerging National Dialogue processes.
The second phase consisted of producing four case studies and compiling a synthesis report.
April 2016: Focus group on Libyan National Dialogue
The third phase inculded writing, editing and consolidating the Handbook. Besides analysing the literature and data gathered in the field and through peer-to-peer exchanges and knowledge-sharing, the Berghof Foundation will organise a small in-house expert workshop to validate and improve the overall lessons-learned from the research.
Phase four of the project serves to launch and disseminate the Handbook at an International Symposium in collaboration with the German Foreign Office in Berlin. The symposium will bring together National Dialogue stakeholders from various countries (including those that participated in the research phase) as well as international third-parties and implementers.
February 2017: Launch Event on 27 Feb 2017 in Berlin >
As a fifth and last component of this project, the Berghof Foundation, in cooperation with swisspeace, will develop a standard training module on National Dialogues based on the Handbook and its accompanying case studies. The training module will help conflict stakeholders, their advisers and international (development) actors providing National Dialogue support to enhance their skills.
Ousmane Sy, Ambroise Dakouo et Kadari Traoré: La Conférence d'Entente Nationale: Mise en œuvre et leçons apprises pour le dialogue national au Mali. 2018. Manuel sur le Dialogue National. Étude de Cas. PDF >
Felix-Anselm van Lier: National Dialogue in Libya: The National Dialogue Preparatory Commission. 2018. National Dialogue Handbook. Case Studies. PDF >
National Dialogue Handbook. A Guide for Practitioners. 2017. PDF >
Manuel de dialogue national. Guide à l'attention des praticiens. 2017. PDF >
Manual de Diálogos Nacionales. Guía para practicantes. 2017. PDF >
Berghof Foundation: Berghof Çatışma Dönüşümü Kavram Dizini.Teori ve uygulamaya yönelik 20 kavramlaştırma. 2018. Glossary. PDF >
National Dialogue Handbook (Arabic). 2017. PDF >
Rikke Hostrup Haugbølle, Amine Ghali, Hèla Yousfi, Mohamed Limam, Nina Grønlykke Mollerup: Tunisia's 2013 National Dialogue: Political Crisis Management. National Dialogue Handbook. Case Studies. PDF >
Rikke Hostrup Haugbølle, Amine Ghali, Hèla Yousfi, Mohamed Limam, Nina Grønlykke Mollerup: Tunisia's 2013 National Dialogue: Political Crisis Management (Arabic). 2017. National Dialogue Handbook. Case Studies. PDF >
Catherine Barnes: Dilemmas of ownership, inclusivity, legitimacy and power: towards transformative National Dialogue processes.. 2017. National Dialogue Handbook. Conceptual Studies. PDF >
Henrik Hartmann: National Dialogues and Development. 2017. National Dialogue Handbook. Conceptual Studies. PDF >
Christina Murray : National Dialogues and Constitution Making. 2017. National Dialogue Handbook. Conceptional Studies. PDF >
Ousmane Sy, Ambroise Dakouo and Kadari Traoré: National Dialogue in Mali. Lessons from the 1991 National Conference for the Nascent Conference of National Understanding. 2016. National Dialogue Handbook. Case Studies. PDF >
Elshafie Khidir Saeid: Sudan's National Dialogue Conference: The Permissible Questions. 2017. National Dialogue Handbook. Case Studies. PDF >
Martin Wählisch: The Lebanese National Dialogue: Past and present experience of consensus-building. 2017. National Dialogue Handbook. Case Studies. PDF >
Centro de Estudios de Guatemala (CEG) swisspeace: Observations and Reflections on the Negotiation and National Dialogue Process. Case Study on Guatemala. 2017. National Dialogue Handbook. Case Studies. PDF >
Bishnu Raj Upreti & Bishnu Sapkota swisspeace: Observations and Reflections on the Peace and Constitution-Making Process. Case Study on Nepal. 2017. National Dialogue Handbook. Case Studies. PDF >
National Dialogue Handbook. A guide for practitioners. Executive Summary. 2017. Executive Summary. PDF >
Manual de Diálogos Nacionales. Guía para practicantes. 2017. Resumen ejecutivo. PDF >
Manuel de dialogue national. Guide à l'attention des praticiens. 2017. Résumé analytique. PDF >


BANGALORE, India, March 9, 2018, Carmatec — In another strategic move to expand business in the digitally 'fertile' Middle Eastern soil, the multinational digital transformation business Carmatec has announced that it has signed a partnership agreement with the Dubai-based Tech Startup, eFatoora. The collaboration is focused around leveraging emerging technologies such as Blockchain on high-impact projects to bring about dramatic advances and drive HH Sheikh Hamdan Bin Mohammed Bin Rashid Al Maktoum's vision of paperless Dubai in 2021. In terms of technology advances, BlockChain promises in opening substantial opportunities, especially for the trade & logistics, capital markets, insurance, intellectual property, healthcare and government sector in Dubai.
With this partnership, Carmatec –which is a global leader in digital transformations and IT solutions–will be strengthening its ties with the Gulf countries and exploring opportunities in new market sectors. Up until February 2018, Carmatec has made significant technical contributions to the e-commerce, BFSI, media, print, advertising, healthcare, construction, automobile and IT supplies sectors in the Middle East. The award-winning company specialises in offering digital enablement, enterprise, Cloud & IT solutions to start-ups and small to large organisations and has an extensive clientele list from across 20 countries.
Ranked among the top 10 startups to watch out for by the GITEX Future Stars 2017, eFatoora has been making waves in the technology sector of Dubai for their latest Blockchain-based platform. This new platform offers 'smart contract' program for the BFSI (Banking, Financial Services and Insurance) sector which will eliminate the need of the middleman and reduce the cost of operation for financial service providers. Further, the platform promises to eliminate the hassles involved in money exchange and property & share related transactions and introduces a value of transparency to the entire process. The project is aligned with eFatoora's mission of making Dubai the smartest and happiest city by enabling sustainable technology across the city.


Programming tool for programmable oscillator: SG-8018, SG8101, SG-9101, SG-8002, SG-8503, SG-8504 and SG-8506series (Blank sample).
Able to program required frequency at customer side.
External power supply by USB cable.
Small body and easy carry.
*1If you have IC socket of either SG-8002 series it can use for both SG-8018 series , SG-8101 series and SG- 9101series.
Need IC *2 socket when you write each products.
*2 Conventional IC socket can be used with new SG-Writer.
2.The software update is required to program SG-8018, SG8101, SG-9101, SG-8503 SG-8504 and SG-8506series.
For details please contact your supplier.


text:
Articles Promising To Give Her A Job, 22-Year-Old Girl Raped By 40 Men...
Promising To Give Her A Job, 22-Year-Old Girl Raped By 40 Men !! OMG !!
A Chandigarh-based woman in her early 20s has alleged sexual assault by at least 40 men for four consecutive days in the Morni Hill area of Haryana's Panchkula district.
[wp_ad_camp1]
Police said on Friday that two persons have been arrested, while identification and search for others involved in the incident was under way.
The woman in a complaint lodged at the Manimajra Police Stationin Chandigarh alleged that she was kept captive at a guest house and raped by at least 40 men in turns, police said.
"We have registered a case under relevant sections of the IPC on a complaint from the victim and arrested two persons. Investigation is on," said Ranjit Singh, SHO of the police station.
Taken to Morni Hills for 'providing a job'
Police said that initial investigation revealed that one of the two arrested had taken the woman to Morni Hills on the pretext of giving her a job. She was taken to the guest house and raped there by for four days by 40 men. She managed to escape on Thursday, recounted the ordeal to her family and then approached the police.
SOURCEThe Hindu
Previous articleDhoni Said "No" To An Autograph For A Fan, Check What Virat Did There !!
Next articleAfter A Series Of Wrong Mob Killings In India, Whatsapp Decided Put A Full Stop In This Way !!


text:
'Antebellum' to head to VOD in September
By Amelia Emberwing 06 August 2020
Janelle Monae fights in Antebellum (Image credit: Lionsgate)
I won't mince words - this one hurts. Lionsgate has just announced that Antebellum, one of the most exciting horror announcements of 2019, will be headed to video on demand September 18th of this year rather than getting the theatrical release it so desperately deserves.
To their credit, the do seem to be making fun of themselves a bit.
Finally discover #Antebellum, the ultimate big screen event - watch on demand at home September 18, 2020. pic.twitter.com/EdFehlqMM0August 6, 2020
For those who might not remember, Antebellum was exciting at its first trailer because no one had heard of it yet. The film simply came out of the blue one day, and horror fans couldn't have been more thrilled. In the interest of stowing the sad-sack bit, the film is still very exciting and it looks like it will be a genuinely fun ride. It's just a shame it won't be getting the theatrical run that it deserves.
The film had just been pulled from Lionsgate's release calendar over the weekend.
Because so little is known about the project, the synopsis is pretty short and sweet: Successful author Veronica Henley finds herself trapped in a horrifying reality and must uncover the mind-bending mystery before it's too late.
Guess we'll find out what it's all about in the middle of September. On our couches. (I'll be fine.)
Netflix price: How much does Netflix cost in 2021?