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Metal Fridge Magnet: Spain. Toledo (Scroll-Shaped, Brass Color)
Ex Tax: US$5.99
Dimensions: 8.00mm x 55.00mm x 75.00mm
Beautiful Keepsake of One of the Most Beautiful Churches in Spain
The Cathedral of Toledo is a magnificent example of Gothic architecture and is also one of the most notable attractions in Spain. This image of the cathedral is captured on a scroll-shaped refrigerator magnet from Worldwide Gifts and is a fantastic keepsake souvenir from your visit to Spain. The scene depicted here is the view of the main facade from the Plaza del Ayuntamiento. The front entrance to the church is known as Puerta del Perdon, the Portal of Forgiveness. Other facades include the Portal of the Clock, which is the oldest, the Level Portal added in the 1800s, the Facade of Saint Katherine decorated with images of lions, and the Portal of the Presentation
As the religious center of the country for hundreds of years, this magnificent church has seen a great deal of the history of the country. Although the grounds were consecrated for religious services in 587, construction on this UNESCO World Heritage site actually began in the year 1266, and it wasn't completed until 1493.
Other Interesting Attractions to Enjoy in Toledo
The structure that dominates the skyline of Toledo is the Alcazar and its four towers. This is a stone fortress that was originally a Roman palace and later became the central site for battles of the Spanish Civil War. Today the Alcazar houses the Castilla- La Mancha Regional Library, and the Museum of the Army.
The Monastery of San Juan de los Reyes is the second most popular tourist attraction in Toledo and one of many religious sites throughout the city. Visitors also enjoy seeing the Puerta Nueva de la Bisagra, he New Gate of Bisagra, which is located at the castle of Alfonso VI and its name means "Door of the Sacred." Don't miss seeing the beautiful Don Quixote windmills at Consuegra or the beautiful Bridge of San Martin.
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"I recently had a client ask me, "do you really think a person can change?", and without hesitation I said, "YES." Coaching with Wendy has helped me navigate and experience the change I desired. The work we did in identifying my saboteurs was profound. Who knew that "over-achiever" could be a bad friend? By exploring that relationship, I was able to recognize, feel and acknowledge the role it has played in my life and the limitations it created. I also discovered how it robbed me of being fully alive and available in the present, and at times, paralyzed and unable to move forward.
The gift of stepping into presence is hard for me to describe, but the good news is the feeling is hard to forget. I summon it daily and choose to be fully present in this moment. I live in awareness of the availability of endless possibilities and my power of choice. What a great place to be!
In the last three months, I have started a new business, expanded my client base and let go of practices and beliefs that have stood in my way. Oh, I still have a tiger in my tank, but there is peace, contentment and a renewed creativity that's fueling my journey.


A contemporary, neo-cubism oil painting by Alain Beraud.
Alain has a long career dedicated to photography, painting and filmmaking. His canvases suggest moods and stories, encouraging the viewer to travel beyond thoughts into the sensory.


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Portland's George Colligan to Headline Montavilla Jazz Festival August 20–21, 2016
by tina | May 19, 2016 | Press | 0 comments
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Montavilla Neighborhood Association also announces grants to local schools that expand music education opportunities for youth.
PORTLAND, Oregon—May 19, 2016—One of Portland's most celebrated jazz performers and composers, multi-instrumentalist George Colligan, will headline Montavilla Jazz Festival 2016. Now in its third year, the festival features local jazz artists on the forefront of creative expression.
The Montavilla Neighborhood Association is pleased to announce that the festival will be hosted at Portland Metro Arts on August 20–21, 2016. This year, several extraordinary local musicians will perform new compositions as well as host world-class musicians in their ensembles:
Pianist Kerry Politzer will perform works from her new album, Below the Surface, and feature New York City saxophonist, Laura Dreyer.
Guitarist Mike Gamble's group, the InBetweens, will feature New York City drummer Conor Elmes and bassist Noah Jarrett (acclaimed pianist Keith Jarrett's son).
"The Montavilla neighborhood is becoming an epicenter of arts and culture in Portland," said Neil Mattson, development director for the festival. "We created the Montavilla Jazz Festival to capitalize on the neighborhood's appreciation and support of local artists and world-class cultural events. Jazz is one of America's greatest gifts to the arts community, and we are thrilled by what the talent lineup and quality of the festival means to our neighborhood and community."
Additional artists will also perform new, original work and offer attendees the opportunity to explore music that makes Portland a unique city on the forefront of moving jazz into the next millennium.
Homegrown artist George Colligan is a central player on the national jazz scene.
George Colligan is one of the most original and compelling jazz artists of his generation. An award-winning composer (a Chamber Music America/Doris Duke Foundation grant recipient) and performer, Colligan is highly in demand as a sideman. He has worked with jazz greats like Cassandra Wilson, Don Byron and Buster Williams and has appeared on more than 100 albums, including 24 of his own recordings as a composer. His latest album on the Origin Records label, The Endless Mysteries, features Larry Grenadier and Jack DeJohnette. Colligan is an assistant professor at Portland State University and was previously on the faculty of the Juilliard School.
As the headliner for both nights of the festival, pianist Colligan will perform new original compositions in two different incarnations. On the opening night of the festival, he'll showcase Fathers and Sons, a set of original music that features Colligan performing with the Portland Jazz Composers Ensemble. Led by executive director Douglas Detrick, the ensemble is a 12-piece jazz chamber orchestra that commissions and performs original works by its members and by other jazz composers in the Portland music community.
On the second night of the festival, the George Colligan Trio will take the stage. The group will feature an array of talent in the form of New York City stalwarts Rudy Royston and Boris Kozlov. Drummer Rudy Royston is a formidable powerhouse, having performed with greats like Bill Frisell, Les McCann and Ravi Coltrane. Bassist Boris Kozlov is a two-time Grammy Award winner who currently serves as bassist, arranger and musical director for the Mingus Big Band, Mingus Dynasty and The Orchestra.
"I'm looking forward to the festival, which will be a great opportunity to unveil some of my recent projects," noted Colligan. "It's important to create a supportive environment in Portland that allows artists to experiment and push the boundaries of music. The Montavilla Jazz Festival not only delivers a wonderful cultural experience for artists and fans but also paves the way for the next generation of local artists."
Montavilla Jazz Festival generates community support for music education.
As a project of the Montavilla Neighborhood Association and a small group of Portland residents, the festival is also focused on supporting the next generation of local creative students.
With a national trend of limited funding for music and arts programs, festival organizers worked closely with the Montavilla business community to create new opportunities for area youth in the form of the Montavilla Schools Music Fund. This year, the festival has granted $2,000 to three neighborhood schools, made possible with proceeds from festival ticket sales. The grants were awarded to Bridger Elementary, Creative Science School and Vestal School through a competitive proposal process. Each school will use the grants to enhance music education through inclusive opportunities for students to explore their creative potential.
"Schools are a vibrant reflection of their community," said Emily Glasgow, principal of Vestal School. "The joy of music is something that every student should have the opportunity to experience. With the opportunity to bring new resources to our students through the Montavilla Schools Music Fund, we are thrilled by the support of the community to enrich the creative environment of our school."
In the spirit of jazz, everyone has something to bring to the table. The Montavilla Jazz Festival believes that everyone has a part to play in the support of music, culture and experiences that bring us together. Individuals, businesses and organizations are encouraged to get involved with the Montavilla Jazz Festival through volunteer and sponsor opportunities.
Dates and Location:
When: Saturday and Sunday, August 20–21, 2016
Where: Portland Metro Arts, 9003 SE Stark, Portland, OR 97216
Festival Passes: Information about day-pass prices and availability to be announced soon
For more information, please visit: www.montavillajazzfest.com and www.facebook.com/montavillajazzfestival.
About Montavilla Jazz Festival:
The Montavilla Jazz Festival supports and strengthens local music culture and enriches the community by showcasing the best of Portland's originally composed, progressive jazz. Montavilla Jazz Festival is a project of the Montavilla Neighborhood Association and is fiscally sponsored by SE Uplift, a 501(c)(3) nonprofit and coalition of twenty Portland neighborhoods.
George Colligan, featured performer at Montavilla Jazz Festival 2016
Lo Res | Hi Res
Lo Res | Med Res
The Portland Jazz Composers' Ensemble, appearing with George Colligan at MJF 2016 to perform his composition Fathers and Sons
© 2016 Aaron Hayman, All Rights Reserved
Lo Res

redpajama_set_name: RedPajamaCommonCrawl


90-year-old former President Jimmy Carter recently revealed that he is being treated for melanoma cancer that has now spread to his brain. One of his comments was, "Now I feel it is in the hands of God, whom I worship, and I'll be prepared for anything that comes." Regardless of your views of Mr. Carter's theology and political views, we all do well to consider the content of his comment.
Much of our life is spent getting ready, preparing for something that lies ahead. Whether it's getting an education, a project deadline at work, an athletic team anticipating their next opponent, investing finances, personal grooming, making meals, cleaning a house, planning a social event or a trip, we do well to take the time and put forth the efforts to make the necessary preparations for what we see is coming.
Our nation is facing significant events and consequences for which most of us are not adequately prepared. How can we be adequately prepared for demonized people wielding guns, sexual predators, impending economic collapse, food and water shortages, rioting in and burning of our major cities, the establishment of martial law, a lying news media, the proliferation of evil leaders at nearly every level of society, foreign invasions, wars, increased persecution of true believers in Jesus Christ, the vile mental programming from much of the internet and movies, the homosexual agenda, the rapid spread of Islam and increased natural disasters?
Webster's New World Dictionary defines "ready" as "prepared or equipped to act immediately…waiting to be used…available immediately". The old-time preachers of the gospel urged us to be ready to "preach, pray or die" and be ready for the return of Jesus Christ.
A "prepper" is often stereotyped as a wild-eyed "crazy" building an underground bunker in a remote area, stockpiling enough packaged food to last 30 years and enough guns and ammo to supply a small militia, or now someone simply moving to a "safer place" in some other country. It is certainly wise to make some physical, off-grid preparations for what we know is coming. But of far greater importance is my answer to the question: Am I spiritually ready right now, and for whatever is coming my way in the future?
The greatest preparation we can make is to be sure our hearts are right with God. In these troubling days, He wants us to live in His peace and rest without fear of whatever disasters and judgments are coming upon America. Peter thought he was ready to go to prison and death for the sake of Christ (Luke 22:33-34). Jesus told him rather that die for Him he was going to deny Him. Though Peter denied that he even knew Jesus, he repented, was forgiven and eventually boldly proclaimed the gospel and was crucified upside down for the cause of Christ.
Make sure your whole armor is on "And your feet shod with the preparation of the gospel of peace" (Ephesians 6:15).
"But sanctify the Lord God in your hearts: and be ready always to give an answer to every man that asketh you a reason of the hope that is in you, with meekness and fear" (I Peter 3:15).
Jesus told his disciples to be alert, watch for His coming and be caught in the act of serving Him when He arrives. "Therefore be ye also ready: for in such an hour as ye think not the Son of man cometh" (Matthew 24:44).
By God's Word, Spirit and grace, you and I can live ready for whatever comes our way today and in the days to come; and know God is always fully ready to provide all that is needed at just the right time for those who trust Him.


Bungie, the developers of the successful franchise Halo, are now working on another space based adventure game code named Destiny.
The details of the new game were revealed to IGN.com through a document leaked by a reader.
Elsewhere in the document, the massive alien ship is referred to as "the Traveler," said IGN.
Destiny will be a follow up to Halo and expectations will be for a game as massive and engaging as Halo.
Here is the concept art released by Bungie.
Share your predictions on what Destiny will be like in the comments section below!


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Abbreviated List of Publications
"The Art of Mercy: New and Selected Poems." (Book). Holm Press. Dasya Zucarello, Publisher. Johnny Cordova, Editor. Pending.
"Squirrel." (Story). Reed Magazine, Issue 156. Pending.
"Old People with Little Dogs," "Pierrepoint," "Pertinence." (Poems). Sho Poetry Journal. Johnny Cordova, Managing Editor. Pending.
"'55 Chevy, Inline Six." (Story). Front Range Review. Pending.
"Crossing Wren," "Peas," "When You're Old (VII)," "When You're Old (VIII)." (Poems). Trajectory. Chris Helvey, Editor. Pending
"Beating Back the Night." (Poem). Evening Street Press Review. Pending.
"Dennis Cooper Racing Stables," "Midnight at the Quarterpole Bar and Lounge." (Poems). A Sarabande Anthology of Louisville Poets.
Joy Priest, Editor. Pending.
"Man as Cartoon," "Asphalt." (Poems). Aji Magazine. Erin O'Neill Armendarez, Editor-in-Chief. Pending.
"All The Cool Kids." (Poem). Black Coffee Review. David M. Taylor, Editor. Pending.
"Culling." (Poem). Kentucky Monthly. Pending.
"Trailer Park, Valdosta, Georgia, 1983." (Poem). Trailer Park Quarterly. Dan Crocker and Rebecca Schumejda, Editors. Pending.
"After the Plague," "Encouragement," "All That I Have Done." (Poems). New World Writing Quarterly. January 2023. Frederick Barthelme, Editor and Publisher.
"Mute." (Story). Spillwords. January, 2023. Spillwords.com
"Fancy." (Story). The Bookends Review. December, 2022. Jordan Blum, Editor-in-Chief. Jen McConnell, Fiction Editor.
"Penulitmate." (Poem). Ripe Literary Journal. Issue Two. September, 2022. Leeor Margalit, Poetry Editor.
"Gone," "One More Night," "Long Form." (Stories). Typehouse Magazine. Vol. 9, No. 3, Issue 26. Val Gryphin, Editor.
"Clockwork." (Story). The Rye Whiskey Review. John Patrick Robbins, Editor. August, 2022.
"The Last Ones." (Poem). Bluepepper: Poetry with Bite. Justin Lowe, Editor. July, 2022.
"The Boy From Owsfield, Kentucky." (Story). The Twinbill: A Literary Baseball Journal. Bryan St. Amand, Fiction Editor. July, 2022.
"There is Still Time." (Poem). Antipoetry Magazine. Issue 2, June 2022. Jeanna Paden, Editor.
"Dexterity." (Poem). The Coachella Review. Summer, 2022. Yennie Cheung, Executive Editor.
"Dream State." (Story). Fiction International. Harold Jaffe, Editor. Issue 55, October, 2022
"Two Days Off." (Story). Call Me {Brackets}. University of Alabama Creative Writing Program. May, 2022.
"BK," "Empty." (Poems). North Dakota Quarterly. Spring/Summer 2022.
"I Am Trying to Save Your Life." (Story). LEON Literary Review. Lisa Trudeau, Laurie Rosenblatt, Editors. April, 2022.
"Lottery Winner." (Poem). Sheila-na-gig. March, 2022. Hayley Mitchell Haugen, Editor.
"Sic Terminus." (Poem). Mason Street Review. February, 2022. Celeste Schantz, Editor.
"Untuned." (Story). Opossum: A Literary Marsupial. Rima Ruhman, Editor. Pending.
"Megan," (Story), "When You're Old (V)," (Poem), "Plywood Methhead Jesus," (Poem). Literary LEO 2022.
"Cinema." (Prose). Barely South. Volume 13.1. Fall, 2021. As Robert "E." Penick.
"Dependency," "Flood," "General Accounting." (Stories). Ligeia Magazine. www.ligeiamagazine.com. Fall, 2021.
"Parenthetical." (Poem). Trouvaille Review, October, 2021.
"Girl." (Story). Pif Magazine. Number 292, September, 2021. www.pifmagazine.com Alexandra Panic, Editor.
"Compleat History." (Prose Poem). Unbroken Journal, Issue 31. October, 2021 Unbrokenjournal.com. Ken Chau, Chief Editor.
"When You're Old (IV)." Poem. 805 Litmag. Stephanie Katz, Editor-in-Chief, Courtney DeSear, Poetry Editor. September, 2021.
"10." (Poem). Third Wednesday Magazine. Ann Arbor, Michigan. David Jibson, Editor. ISBN 9798465232562. September, 2021.
"Ode to the Furnace." (Essay). Lion and Lilac. Issue 6. August, 2021. Omotayo Sangofadeji and Tolu' Akinyemi, Editors.
"Obit." (Poem). Literary LEO. Louisville, Kentucky, USA. March, 2021
"Thrift Store." (Poem). Broad River Review. Volume 53. Gardner-Webb University. C.V. Davis, Editor. 2021.
"The Last Hours of Melville Snatchko," "Valentine," "All Right, Bob" (Poems) Brickplight. Jason Barber, Editor. Issue 3, Spring 2021.
" Nobody Move, Nobody Get Hurt; Census, Bardstown Road, Thunderstorm; Ode to the Greyhound." (Poems). The Ann Arbor Review. Fred Wolven, Editor. April, 2021.
"Don't Get Too Lost." (Poem). Alba: A Journal of Short Poetry. Harold Bowes, Editor. Issue #35, Winter 2021.
"Winter Zen." (Poem). The Bookends Review. May, 2021. Jordan Blum, Editor-in-Chief. . Steve Bellin-Oka, Poetry Editor.
"Unencumbered." (Poem) Plainsongs. Winter 2021. ps://www.corpuscallosumpress.com/plainsongs Eric R. Tucker, Editor. ISSN 1534-3820
"Duty." (Poem). Little Patuxent Review. Winter 2021. www.littlepatuxentreview.org Maryland State Arts Council.
Chelsea Lemon Fetzer, Editor. P.O. Box 6084, Columbia, Maryland, USA 21045.
"Sic Transit." (Story). Maryland Literary Review. December, 2020. Nathan Leslie, Editor.
"Personals." (Poem). Welter. University of Baltimore. December, 2020.
"Rusted Red Tilt-a-Whirl." (Story). San Antonio Review. December, 2020.
"Wicked," "Storm." (Poems). The Wild Word. November, 2020. www.thewildword.com Kusi Okamura, Editor-in-Chief.
"Funny." (Poem). Ghost City Review. October, 2020. www.ghostcitypress.com. Justin Karcher, Editor-in-Chief.
"Artifact," "Heal," "This Cafe of Solitary Souls." (Poems) Ann Arbor Review. Issue 24, Fall, 2020. Fred Wolven, Editor.
"Get a Tattoo, Charlene." (Poem). West Trade Review. Charlotte, NC, USA. July, 2020. Ken Harmon, Editor.
"Semper Noel." (Story). The Rye Whiskey Review. www.ryethewhiskeyreview.blogspot.com. December, 2020.
"When You're Old (I)", "When You're Old (II)", "Veer." (Poems). Piker Press. www.pikerpress.com Fall, 2020.
"68th Birthday Poem." (Poem). Oxford Magazine. Miami University. Issue 44, June 2020. Joe Squance, Editor.
"The Little Drunkards," "Not the Summit." (Poems). K'in Literary Journal. June, 2020. Mary Carroll-Hackett, Editor.
"You Already Know." (Poem). Sheila-Na-Gig. Volume 4.4, Summer 2020. Hayley Mitchell Haugen, Editor.
"Self-Promotion." (Story). Fewer Than 500. Fewerthan500.com. Ritta M. Basu, Editor. May, 2020.
"Foster Child," "New." (Poems). The Round Table Literary Journal. Volume 54, Fall 2020. Hopkinsville, Kentucky. Caitlin Chester and Elizabeth Burton, Editors.
"Your Future, Burning." (Poem). Chrysanthemum 2020 Literary Anthology. Goldfish Press. Seattle, Washington. ISBN 13:981-1-950276-00-4. Koon Woon, Editor.
"The Price of Kindness." (Story). Adelaide Literary Magazine, Number 36. Stevan Nikolic, Editor. May, 2020.
"Purchase." (Poem). Apple Valley Review. Vol. !5, Number 1. Spring 2020. ISSN 1931-3888. Leah Browning, Editor. www.applevalleyreview.com
"Yield." (Story). Scribble Literary Journal. Volume 2, Issue 6. July, 2020. www.scribblelit.com Jae Johnson and Stephanie Katz, Editors
"Prize." (Poem). Mason Street Review. April, 2020. www.masonstreet.org Newark, New York, USA.
"Duel," "Fall," "Things (Poems). McKinley Review, Issue 8. Spring, 2020. Adam Zhou, Editor-in-Chief.
"Respite." (Poem). Tar River Poetry Review. Volume 59, Number 2. Spring 2020. ISSN 0740-9141. Luke Whisnant, Editor.
"Carousel." (Poem). Literary Heist, March 2020. www.literaryheist.com Ryan Brinkhurst, Editor.
"Vacation." (Story). Cherry Tree: A National Literary Journal. Issue Six. ISSN: 2372-9791. Lindsay Lusby, Managing Editor.
"Midnight at the Quarterpole Bar and Lounge," "Pilgrim." (Poems). January Review: A Journal of Poetry. March, 2020.
Simon Anton Nino Diego Baena, Editor.
"Oppenheimer Spoke,'" "Flies" (Poems) Slipstream #39. Fall, 2019. ISSN: 0749-0771. Robert Borghatti, Dan Sicoli, and Livio Farallo, Editors.
"The Things We Don't Get Over." (Poem) Chestnut Revew Volume 1, Number 1, Summer 2019. www.chestnutreview.com ISSN 2688-0342 James Rawlings, Editor, Melissa Parnell, Poetry Editor.
"Day 63." (Story). Panoply, Issue 13, Summer/Autumn 2019. www.panoplyzine.com Jeff Santosuosso, Editor.
"Corpse." (Story). Open: Journal of Arts and Literature. February, 2019. www.ojalart.com Cutter Streeby, Executive Editor.
"Swagger," "Grace to Go," "Camp Hemingway." (Stories). And So Yeah, Volume 6. www.andsoyeah.com February 2019.
"Cabron." (Story). White Wall Review. Ryerson University, Toronto, Ontario, Canada. www.whitewallreview.com Lauren Kirshner, Editor. January, 2019.
"Mistake." (Poem). Tule Review. 2019. ISSN 2375-3471. Sacramento, California. Allie Gove, Editor-in-Chief.
"23 August." (Poem). Isacoustic* www.isacoustic.com February, 2019. Barton Smock, Editor.
"The night keeps to itself"; "Practice"; "What Every High School Senior Should Know." (Poems) Sheila-Na-Gig online, Volume 3.3, Spring 2019. Hayley Mitchell Haugen, Editor.
"Island;" "Seven Days Sober." (Poems) From the Edge Poetry Magazine. January, 2019. www.fromtheedgepoetrymagazine.com Fiona Sinclair, Editor.
"The Orphans." (Story) Literary Heist. December, 2018. www.literaryheist.com Ottawa, Ontario, Canada. Ryan Brinkhurst, Editor.
"Patient Zero." (Story). Bull & Cross #19. October, 2018. www.bullandcross.com Dan Julian, Editor.
"Scare." (Poem) Stoneboat Literary Journal. Issue 9.1 Fall, 2018. Lisa Vihos, Katie Amundsen, Poetry Editors.
"We're So Sorry." (Story) Whale Road Review. www.whaleroadreview.com Issue 13. Winter, 2018. Katie Manning, Editor.
"Wilson." (Story). 805 Lit + Art. Volume 4, Issue 4. www.805lit.org ISSN 2379-4593. Bradenton, Florida. Stephanie Katz, Editor.
"What to Do When the Night is Done with You." (Poem). 2018. The Meadow. ISSN 0886-8654. Lindsay Wilson and Rob Lively, Editors.
"Cocker's Best Chance." (Story) And So Yeah. www.andsoyeah.com Issue #4. Summer 2018.
"Floating." (Story) Soundings East Literary Journal. Volume 40, Spring 2018. Salem State University. Cathy Fahey, Managing Editor.
"Nice." (Story) Indiana Voice Journal. www.indianavoicejournal.com Issue #39 May/June, 2018 Janine Pickett, Editor.
"The Electric Suit." (Story) Hawaii Pacific Review. www.hawaiipacific.org Patrice M. Wilson, Editor. May, 2018.
"Coda." (Poem) Five Willows Literary Review. http://fivewillowsliterarysociety.blogspot.com/ Koon Woon, Editor. April, 2018.
"Safe." (Story). Gravel: A Literary Journal. May, 2018 www.gravelmag.com
"Oh." (Story). The Corvus Review. www.corev.ink Spring/Summer 2018
Ghost." (Story). Gambling the Aisle. www.gamblingtheaisle.com Jenna Park, Editor. March, 2018.
"Aerie." (Story) The Olive Press. www.theolivepresslit.com Jill Gerard, Editor. February, 2018.
"Motivation." (Story) Panoply. www.panoplyzine.com Jeff Santosuosso, Editor. January, 2018.
"Fatality." (Story). Flatbush Review. www.flatbushreview.com Issue #3 Margot DeSalvo, Brian P. Katz, and Eben Wood, Editorrs.
"You Are Never Going to Get an Apology From This World." (Story) Literary LEO. February 7, 2018.
"The Empty Poet." (Story) The Big WIndows Review. Thomas Zimmerman, Editor. Online December, 2017. Print February, 2018.
"The Blue." (Essay) Echo, Journal of Non-Fiction. ISSN 2574-4569 Henry Scully, Editor.
"It's Always Monday." (Story) 4th & Sycamore. December, 2017. fourthandsycamore.com Amanda Rodeheffer-Olson, Editor.
"Night." (Story) Taxicab Magazine. www.taxicabmag.com November, 2017
"Exit, Stage Left." (Poem) Rockvale Review. Issue One. November, 2017. www.rockvalereview.com Brentwood, Tennessee. Sandy Coomer, Editor.
"You and Freud in the Middle of the Night." (Story) Postcard Poems and Prose. October, 2017. www.postcardpoemsandprose.wordpress.com Christy Miron, Editor
"Matters of Principle." (Story) Oddball Magazine. October, 2017. www.oddballmagazine.com Jason Wright, Editor.
"Anna and Molly." (Story) Foliate Oak Literary Magazine. October, 2017. www.foliateoak.com McKenzie Jones, Editor.
"Grandmother, Coney Island Bus Line, July 27th, 1992." (Story) Indiana Voice Journal. September/October 2017. Issue #36
Anderson, Indiana. Janine Pickett, Editor.
"Smiley's Victory." (Story) Literary Heist. September, 2017. www.literaryheist.com Ottawa, Ontario, Canada. Ryan D. Brinkhurst, Editor.
"Slice." (Story) The Remembered Arts Journal. Fall, 2017. www.rememberedarts.com Elise Matich, Editor
"Midnight Run to Nacagdoches." (Story) Westview. Southwestern Oklahoma State University. Volume 35, Issue 1. Summer, 2018.
Amanda Smith, Editor. Pending.
"Sapling." (Story) Gravel: A Literary Journal, September 2017. University of Arkansas at Monticello. Karen Weyant, et al, Editors.
"Two Dollars to Show." (Story) Bull + Cross. Issue 4, July 2017. bullandcross.com Daniel R. Julian, Editor.
"Submerged." (Poem) Aji Magazine, Issue 6, Spring, 2017 Alamogordo, New Mexico. Erin O'Neill Admendarez.
"The One." (Story) Gambling the Aisle, April 2017. gamblingtheaisle.com Jenna Parks, Editor.
"Procession." (Poem) The Remembered Arts Journal, Spring 2017. Elise Matich, Editor.
"Income." (Story) Funnyinfivehundred.com, March 31st, 2017. David Gregory, Editor.
"All Night Radio." (Story) Bridge Eight Literary Magazine, Issue 5. Jacksonville, Florida. Erica Dawson and Jeff Parker, Editors.
Jared Rypkema, Publisher.
"Game Called with the Score Tied." (Poem) Have Your Chill, Issue January 2017, Donnithorne Street Press. Melbourne, Australia.
Pete Spence, Editor
"This Particular Dawn." (Poem) Gyroscope Review, Issue 17-1, Winter 2017, gyroscopereview.com Constance Brewer, Kathleen Cassen Mickelson, Editors.
"Forecast." (Poem) Apricity Magazine, December 2016. apricitymagazine.com Margaret Siu, Editor-in Chief.
"Recovery," "Reminder." (Poems) work to a calm, Issue 11, October 2016. www.worktoacalm.wordpress.com Nastia Lenkova, Editor.
"Busy Hands, Devil's Workshop." (Story) The First Line, Volume 18, Issue 3, Fall 2016. ISSN 1525-9382 David Labounty, Editor.
"Connection." (Story) Four Ties Lit Review August, 2016. Issue Five, Volume One. www.fourtieslitreview.com Matthew W. Larrimore, Editor
"The Bright Side." (Story) Postcard Poems and Prose July, 2016. www.postcardpoemsand prose.wordpress.com Christy Miron, Editor
Elizabeth Stark, Art Director Dave Morehouse, Founding Editor
"Crucifix." (Story) Gambling the Aisle April, 2016. www.gamblingtheaisle.com Denver, CO, USA. Jenna Park, Editor.
"Stammerman." (Essay) Foliate Oak Literary Magazine March, 2016 www.foliateoak.com University of Arkansas-Monticello Elizabeth Archey, Editor
"Decisions." (Story) Blue Mountain Review Issue Two. Jennifer Avery, Prose Editor
"Shoot Out the Lights." (Story) Literary LEO 2016 January 27, 2016 Louisville, KY Ron Whitehead, Editor.
"Sometimes the Smallest Thing." (Story) Burning Word Literary Journal #77 January 2016 ISSN 2161-8992, 2157-7366 Kokomo, IN
"I Keep A Close Watch On This Heart Of Mine." (Story) The MacGuffin, Volume XXXII, Number 1. ISSN 1527-2346 Schoolcraft College
Livonia, Michigan. Stepehn A. Dolgin, Editor
"Coroner's Office." (Story) Mad Swirl, January 2016. www.madswirl.com Dallas, Texas Johnny R. Olson, Editor
"The Ghost of Tammy Thompson." (Poem) Plainsongs, Volue XXXVI, Number 2 Winter 2016 ISSN 1534-3820 Hastings College Press
Hastings, Nebraska. Eric R. Tucker, Editor
"Girl, Hen, Heat Lightning." (Story) Everest Magazine. Fall, 2015. www.everest-magazine.com Sarah Sassone, Sonya Maizell, Editors
"Navidad." (Poem) Oddball Magazine. December, 2015. www.oddballmagazine.com Jason Wright, Editor.
"Talking through the Wall." (Essay) Twisted Vine Literary Journal, Fall 2015. CaseyRenee Lopez, Editor Western New Mexico University
"Hell Hath No Fury." (Story) Referential Magazine, www.referentialmagazine.org. Robin Parks, Fiction Editor
"Boneyard." (Poem) The Hudson Review, Volume LXVII, Number 4. ISSN 0018-702X Paula Dietz, Editor
"Last Letter to You." (Poem) China Grove Number 3. ISSN 2330-4882 R. Scott Anderson, Editor
"What We Called Art" (Essay) The Vellum Underground Number 2. Plano, Texas David LaBounty, Editor
"The Exhumation of Abraham Lincoln, September 26, 1901." (Poem) Footnote #1. Alternating Currents Arts Co-op. ISBN 13:978-0692479223.
ISBN 10:0692479228. Palo Alto, CA. Leah Angstman, Editor.
"Post-Punk." (Poem) Stone Boat Literary Journal. Sheboygan, WI
"Each of You." (Poem) The Cape Rock ISSN 016-2199 Susan Swartwout, Editor
"Natural Disasters." (Story) Trajectory, Issue 9. ISSN 2158-1231 Christopher Helvey, Editor
"Epitaph." (Poem) Rusty Truck Press. May, 2013. ISSN 2154-2252. Scot Young, Editor
"The Seer" (Story) Kansas City Voices, Volume 11. ISSN 978-0-96470
"Malady" (Poem) Slipstream Number 33 ISSN 0749-0771
"Traffic Stop (Story) Literary LEO, 2013. Louisville, Kentucky, USA
"Getting Sober Again," "Poem of Fright." Mochila Review.
"Kicking Goals" (Poem) Mas Tequila Review Number 4. Albuquerque, New Mexico. Richard Vargas, Editor
"Photograph of Rucker Kelly Sitting on the Front Porch." (Poem) Literary LEO 2012 Sara Havens, Editor
"Four A.M., Radio On" (Poem) Presa Number 14 Rockford, Michigan
"The Old Man at the Window" (Story) Squalorly Magazine Autumn 2012 Pete Stevens, Fiction Editor
"Taking the Phone to Bed" (Poem) Grasslimb Volume 10, Number 2 Valerie Polichar, Editor San Diego, CA
"Tuesday" (Poem) Askew Number 10. Ventura, California. Phil Taggart, Editor
"Stillwater" (Poem) Lilliput Review Number 180 Pittsburgh, Pennsylvania Don Wentworth, Editor
"This is the Last Day of the First of your Life (Story) Midway Journal, 2011. Ralph Pennel, Fiction Editor
"The Gentleman" (Poem) The Snail Mail Review #3. Modesto, California. Chritine Chesko, Kris Price, Editors.
"The Man Who Disappeared." (Story) Literary LEO 2010. Louisville, Kentucky, USA
"Selling Bibles" (Poem) The Licking River Review 2010 ISSN 1087=7509 Wes Crout, Editor
"Kusak Said" (Poem) Chiron Review ISSN 1046-8897 Michael Hathaway, Editor
"A Hundred Dollars a Week and the World can Kiss my Ass" (poem) Minotaur # Port Townsend, Washington Jim Watson-Gove, Editor
"What Got Him" (Poem) Quiddity Volume 2, Number 1 ISSN 1941-2606
"Anyãthing You Can't Leave Behind" (Poem) Taproot Literary Review Volume 12 ISBN 1-890269-22-0
"Drowning" (Poem) Kudzu Hazard, Kentucky Donna Sparkman, Editor
"Xmas Eve (Again)" (Poem) Free Verse #99/100 Marshfield, Wisconsin Linda Aschbrenner, Editor
"Masonry Blues" (Poem) Nerve Cowboy Number 25 ISSN 1088713x Austin, Texas Joseph Shields, Jerry Hagins, Editors
"Early March" (Poem) Oracle: A Journal of the Arts Volume 7 ISSN 1941-7896
"Retirement" (Poem) Georgetown Review Volume 9, Issue 1
"I Want You to Tell Me" (Poem) Descant Volume 46 ISSN 0011-9210 David Kuhne, Lynn Risser, Editors
"Error" (Poem) Over the Transom 17 Jonathan Hayes, Editor
"Sixteen, Seventeen, Maybe Many More" (Poem) Cokefishing in Alpha Beat Soup New Hope, Pennsylvania Dave Christy, Editor
"Remembering the Dead" (Poem) Buckle & Number 16
"Bath Day" (Poem) Bogg #73/74 ISSN 0882-648x
"Salem State Mental Hospital" (Poem) Blind Man's Rainbow Troy, Montana Melody Sherosky, Editor
"Courtney Love" (Poem) North American Review Vol. 291, Number 2. ISSN 0029-23297 Grant Tracey, Editor.
"Mia Zapata" (Poem) The Best of Intentions: The Avow Anthology. Keith Rosson, Editor. ISBN-13: 9789-0972696746//ISBN-10: 0972696741.
"Safe" (Poem) White Pelican Review Volume 2, Number 2
"Something New" (Poem) Rainbow Curve, Issue Six Las Vegas, Nevada
"Better Men Have Died in Worse Rooms" (Poem) Powhatan Review Norfolk, Virginia Steven Hewitt, Editor
"Fan Letter to Jane Kenyon" (Poem) Antietam Review ISSN 1078-0580 Hagerstown, MD
"Learning to Count to One" (Poem) Louisville Review Number 55-56
"Counting Dawns Until" (Poem) California Quarterly Volume 30, Number 2
"The First Time He Saw Her Naked" (Poem) The Haight-Ashbury Literary Review
"Bottle of Night" (Poem) Pearl Volume 33
"Blue Forms" (Poem) Churches Banks and Bars John Kusak, Editor
"Cleaning," "The End of June," "Something New," "Error." Sho. Number Two. ISSN 1539-8145. Johnny Cordova, Editor.
"Beware the Madman" (Poem) Sulphur River Literary Review ISSN 1073-5933 Austin, Texas James Michael Robbins, Editor
"Seeds" (Poem) Blue Monk New Orleans, Louisiana
"Mapmaking" (Poem) Pitchfork Austin, Texas Chris Gibson, Editor
"What He Thinks About as he Drives to Work" (Poem) Bender ISSN 1097-5578
"What Happened Saturday Night" (Poem) Lummox Journal ISSN 1525-2140 Raindog, Editor
"Whore, Walking" (Poem) Fuck! Volume 5, Number 1 Lee Thorn, Editor
"Autopsy" (Poem) Revue Microbe Pont-a-Celles, Belgium Eric Dejaeger, Editor
"Last Night at Work I Wanted" (Poem) Iodine Summer 2001 Charlotte, North Carolina Jonathan K. Rice, Editor
"Wilmington Sunrise" (Poem) 5th Gear #23 Andy Fogle, Editor
"Noon Prayer" (Poem) Ibbetson Street Press Boston, MA Doug Holder, Editor
"Just Checking" (Poem) Unwound #10 Lindsay Wilson, Editor
"Scar" (Poem) La Jete du Matin #6 ISSN 1269-0546 Dijon, France Jan Bardeau, Editor
"The Gold Days of Professor Ristau" (Poem) Black Dirt Volume 2, Issue 2 ISSN 1096-2344
"Culling" (Poem) Free Lunch #23 ISSN 1096-2344 Ron Offen, Editor
"Alcoholism" (Poem) The Brown Bottle Volume 1, Issue 1 Nathan Graziano, Editor
"Photo for Show" (Poem) Doggerel Issue 5 ISSN 1801-3632 Hattiesburg, MS Hugh Rozelle, Editor
"Davenport Tao" (Poem) Cotyledon #13 Huntsville, AL Georgette Perry, Editor
"Second Message in a Bottle" (Poem) Planet Chaos! Spring 1999 Elizabethtown, KY Ladonna Eastman, Editor
"The Way Mengele" (Poem) Brouhaha #12 New York, NY Ian Griffin, Editor
"Last Watch of the Night (Poem) Penny Dreadful Review #34 Nashville, TN C Ra McGuirt, Editor.
"Ohio Blue Tip Matches" (Poem) Midwest Poetry Review July 1998 ISSN 0745-8738 John Ottley, Jr., Editor
"Good" (Poem) Heeltap #4 Minneapolis, MN Richard Houff, Editor
"Retrospective" (Poem) The Higginsville Reader Volume 8, Number 2. ISSN 1083-5040 Three Bridges, NJ
"Thoughts on Leaving Juarez" (Poem) Fuel #22 ISSN 1080-5540 Chicago, IL Andy Lowry, Editor
"Dancer" (Poem) The Cherotic Revolutionary Vol. 1, Issue 7. ISSN 1083-8872 San Francisco, CA Frank Moore, Editor.
"Without Harmony" (Poem) Talus and Scree #3 October 1997 ISSN 1092-3489
"Rest Easy, Eddie D." (Poem) The Royal Vagrant Review Volume 1, Number 1 Chattanooga, TN ISSN 1091-434x Mark Brimm, Editor
"High Noon" (Poem) Parnassus Volume 21, Volume 1 Spring 1997 ISSN 0748-8787 Forest Park, GA Denver Stull, Editor
"Fireplace Poem" (Poem) The Plastic Tower #27 ISSN 1066-6044 January, 1997
"There is a Reason" (Poem) The White Crow Volume 3, Number 2 ISSN 1085-1518
"It Hurts Too Much to Say" (Poem) Calligraffiti Literary Journal Winter 1997 ISSN 1095-1636
"Work" (Poem) Atom Mind Volume 5, Number 17 ISSN 0004-704X Albuquerque, NM Gregory Smith, Editor
"Veronica" (Poem) Mudvein #3 Chicago, IL Stephen Loudon, Editor
"Second Poem for Christina" (Poem) Rag Mag Volume 13, Number 1 Winter/Spring 1996 Goodhue, MN Beverly Voldseth, Editor
"Laurel, Mississippi, 1983" (Poem) Joey and the Black Boots #10 February 1996 Cari Taplin, Editor
"Letting Out the Dogs (Poem) Potato Eyes Volumes 11 and 12 Nightshade Press ISBN 1-879205-64-5
"I Carry the Dead with Me (Poem) The Raspberry Reader #9 July, 1995 Panama City Beach, FL Reberiano Pena, Editor
"This Country" (Poem) Wooden Head Review #2 East Liverpool, OH Mark Hartenbach, Editor
"What is Left?" (Poem) Blank Gun Silencer #10 ISSN 1067-1005 Racine, WI Dan Nielsen, Editor
"Neighbor" (Poem) The Letter Volume 6, Number 2 Louisville, KY David Williams, Editor
"Elie Wiesel in Sarajevo" (Poem) The Pinehurst Journal Volume 4, Number 3 Milpitas, CA Michael McNamara, Editor
"1-31-93" (Poem) Dry Crik Review Volumes 3, Numbers 3 and 4 ISSN 1062-3612 Summer/Fall 1993
Robert L. Penick
The Art of Mercy: Poems, prose, and a couple of
books looking for publishers.
Abbreviated Bibliography
Poems and Prose
© 2023 by Samanta Jonse. Proudly created with Wix.com


In the olden days of Aladdin's Lamp there were magic carpets to help us find our way and comfort us on our journey. Carpets that would fly and carpets on which you could ride, nap, read a book, or just relax with your dog. Last month I unexpectedly found the perfect carpet for my little, 1958 camper trailer: Luciee. A hand-knotted, imported (from the middle east) llama wool carpet captured my imagination—I just had to have it.
There was a small problem though, it was simply too large for my trailer floor space and needed to be cut and bound to fit around various obstacles on Luciee's floor while maintaining its inherent handwoven beauty. This presented a unique challenge since I didn't want the carefully hand-knotted rug to ravel out, leaving me with a pile of fluffy but useless llama wool! I don't have much experience or knowledge about binding hand made rugs, especially a rug like this one—thick, soft, comfortable and hand-tied. After some research though, I found the perfect craftsmen who would definitely be up to the task— Armel Enterprises.
The carpet looks and fits so great!
Armel Enterprises has been in business in Virginia Beach, Virginia since 1971. Its name is derived from the husband and wife team founders, Arlene and Mel Losick, who now employ the management, people and carpet skills of their son, Heath and his wife, Beverly. They specialize in binding and serging (stitching) carpets, bringing artistry and fine old world craftsmanship to each project.
Heath and Beverly are also artists of the music world, as well. Heath plays the trumpet, and Beverly, originally from Australia, plays both the trumpet and the French horn. These two make sweet music together throughout Hampton Roads, VA as part of the group, Symphonic Artistry. Their mission is to perform fine music and to instill the importance of music into today's youth through musical mentoring and internship programs. You may visit their website at www.SymphonicArtistry.com.
Combining multi-generational talents, this family business brings the skill and dedication necessary to provide knowledgeable and caring service. I put my prize carpet in their capable hands and couldn't be happier with the result created by my carpet magicians from Armel!
Visit the Armel website at www.armelcarpet.com. Learn all about carpet construction techniques and the services this fine company has to offer Hampton Roads homeowners.
So good to know there are still some craftsmen around who take pride in their work.


Be responsible for the overall cleanliness of our guest rooms.
Be detail oriented by reportng maintenance deficiencies on daily basis as needed to maintain the room in compliance with standards.
Duties include making beds, cleaning bathrooms, dusting, vacuuming, special projects and washing windows.
Respond to special requests made by guests.
Ability to communicate with guest requests and respond accordingly in a helpful, friendly- efficient manner.
Able to move lift and carry large objects up to 80 lbs.


text:
Q: distance function is p- superharmonic? In this article in page 3:
http://arxiv.org/pdf/0904.1332.pdf
says:
If I consider $\Omega$ a open bounded and convex set, then the function $\delta (x) = \displaystyle\min_{y \in \partial \Omega } |x-y|$ ($x \in \Omega$) is p - superharmonic with $p >1$.
Someone know if the function $\theta (x) = d (x ,A)$ ($x \in \Omega - A$) (d denotes the set distance) where $A \subset \Omega$ with $\overline{A} \subset \Omega$ is p-superharmonic in the weak sense  in  $\Omega - A$(p>1) ?

A: Let $\Omega\subset\mathbb{R}^N$, $N\geq 2$, be an open set containing the origin and $A=\{0\}$. Consider the function $$u(x)=\operatorname{d}(x,A)=\|x\|$$
Note that $u$ is subharmonic for every open set in $\mathbb{R}^N$ not containing the origin, hence, $u$ is weakly subharmonic in every open set not containing the origin. This implies that for any $\varphi\geq 0$ such that $\varphi\in C_0^\infty(U)$, with $U$ open and $\overline{U}\subset\Omega\setminus A$, we have that $$\int_{\Omega\setminus A} \nabla u\cdot\nabla\varphi dx=\int_U\nabla u\cdot\nabla\varphi\geq 0$$
Therefore the function $u$ cannot be weakly superharmonic in $\Omega\setminus A$, however, is its weakly subharmonic.

redpajama_set_name: RedPajamaStackExchange


text:
Complete forestry solutions
Crane control systems
Harvester head control systems
Mobile machinery control components
Connectivity & IoT
Technion Oy merges into the HYDAC Group
Hydac Oy, part of the HYDAC Group, has acquired a majority of Technion Oy.
Technion Oy specializes in the design and manufacture of electronic control systems for mobile machinery, and its headquarters are located in Naantali, Finland. The company's key customers are leading manufacturers of mobile machinery both in Finland and abroad. In addition to Naantali, Technion has R&D competence centers in Tampere and Forssa, and the company employs approximately 65 people.
HYDAC Group is a German family-owned group of companies and one of the world's leading designers and manufacturers of hydraulic, control and sensor components and system solutions. With operations in nearly 50 countries and with over 9,000 professionals, HYDAC can meet the challenges set by customers comprehensively and globally. Hydac Oy has offices in Vantaa and Tampere and employs over 70 people.
"The integration of Technion Oy into the HYDAC Group will enable us to provide even more comprehensive solutions, especially for mobile machinery manufacturers, in an operating environment that is constantly becoming more digitized. With the acquisition, our range of electronic control systems and software will become significantly more versatile. Technion will continue to operate as an independent company under the current management and retain the well-known name of Technion Oy," says Harri Karlén, CEO of Hydac Oy. "In addition, Technion's portfolio of wiring harnesses will enable HYDAC to introduce a whole new product segment to complement our current offering."
"With the acquisition, Technion Oy will gain access to the HYDAC Group's global sales channel network and receive a significant addition to its product offering," says Markku Laaksonen, CEO of Technion Oy. "A large international family-owned company as a major shareholder brings us credibility and additional resources, enabling us to develop our business in the long term to the benefit of our customers. Together with other HYDAC companies, we will be able to provide our customers with more comprehensive and competitive systems."
Harri Karlén, CEO, Hydac Oy, tel. +358 10 773 7138
Markku Laaksonen, CEO, Technion Oy, tel. +358 400 782 125
HIRING: Summerjob/Internship in Product Development
Are you interested in product development and software design? Are you looking for a summer job, an internship, or a company to do your thesis for? Do you want to be involved in developing the next ge… Read more
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Are you interested in developing new generation autonomous control systems in a growing company where the work is diverse and you can have an impact? We are now looking for a software developer to str… Read more
We wish all our customers, partners and employees a merry Christmas and a happy new year 2023! Thank you for the past year. Again this year we are supporting Pelastakaa Lapset ry in order to give finn… Read more
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During the last decade fast growing number of scientific publications relating to soil, sediment and dust magnetism is observed. According to ISI Web of Science since 2000 annually more than 50 related scientific articles is published. Fast and easy measurable magnetic parameters (even in field conditions) being the result of magnetic minerals concentration and structure are very often used as a tracers of environmental processes and/or anthropogenic influx. The authors that using magnetic mineralogical parameters are not only geophysists but also scientists from many other disciplines of Earth Sciences as geochemistry, environmental geology, mineralogy, soil science, physical geography, environmental protection and ecology. This session is addressed to scientists from different disciplines who study problem of magnetic properties of soils and sediments, occurring as a result of both: anthropogenic or technogenic processes (urban and industrial pollution) as well as natural processes (caused by pedogenic or geogenic features) and also to those scientists who study magnetic properties of atmospheric, urban and industrial dusts. The aim of this session is presentation of scientific results and exchange of experiences of scientists from different disciplines using magnetic parameters for investigation of environmental processes in geophysics, environmental physic, environmental protection, geochemistry, soil science, environmental geology etc.). It is welcome to emphasis the practical application of magnetic methods and techniques for assessment of ecological state and changes of natural environment, pollution monitoring and health related problems.


text:
House District 3: Janis Triplett Patterson
Janis Triplett Patterson - HD3
"Between my parents and me, we have 100 years of combined experience in education in Prentiss County, so I am a strong advocate for public education. I support funding for Pre-K and full funding of MAEP. I also support a meaningful teacher pay raise that matches the Southeastern average."
~ JANIS TRIPLETT PATTERSON
A native of Prentiss County, Janis Patterson has served much of her life in education just like her parents. A graduate of Booneville High School, she received an Associate of Arts degree from Northeast Mississippi Community College, a Bachelor of Arts in education from the University of Mississippi and a Master of Arts in English from Atlanta University. She earned 30 additional graduate hours from the University of Mississippi for her Ph.D. in English.
Patterson taught English at Northeast Mississippi Community College for 27 years, and during
her last five years, she served as Academic Division Head for Languages and Humanities. By her retirement in June 2018, she had taught a total of 35 years. She served as president of the Mississippi Council of Teachers of English (MCTE), and she served on the Joint Advisory Committee for the State Superintendent of Education.
A member of Gamma Chapter of Kappa Kappa Iota, Patterson serves as a board member of the Prentiss County Electric Power Association (PCEPA) and the George E. Allen Library. She previously served on the Booneville Chamber of Commerce and the Renasant Board.
Patterson was a long-time member of Beckley Chapel C.M.E. Church of Booneville before joining Mount Zion Community Church in Guntown. She has one daughter, Alison Ellice Patterson, who attended Booneville schools; graduated from the Mississippi School of Math and Science; received a Bachelor of Art in biology from Wellesley College in Wellesley, Massachusetts; and earned a Master of Science in management studies from Boston University. Ellice is the founder and director of Abilities Dance Boston, a nonprofit professional dance organization for dancers of all abilities.
ABOUT HOUSE DISTRICT 3
Counties represented: Prentiss and Alcorn Counties
School Districts represented: Booneville School District, Prentiss County School District


Roast Chicken flavour potato crisps exclusively made with 100% British potatoes.
Contains Yeast. May Contain Gluten, Wheat, Lactose, Celery, Mustard, Soya, Milk.
Potatoes, Vegetable Oils (Sunflower, Rapeseed, in varying proportions), Roast Chicken Seasoning [Salt, Glucose, Yeast Extract, Flavourings, Onion Powder, Garlic Powder, Potassium Chloride, Parsley, Colour (Paprika Extract), Sage, Antioxidant (Rosemary Extract)].


Facebook is not a marketing strategy. Nor is a strong following on Twitter. Sure it's great customer engagement and promotion for your business, but it doesn't replace your overall marketing strategy. Social media should integrate with your marketing strategy to support and enhance your overall strategic goals, objectives and activities.
In a world where everyone is pushing social– you'd think sometimes that it's the only marketing tool available. A lot of marketers are guilty of falling in love with the technology at the detriment of strategy and other tried and testing activities that deliver results which can be more successful when integrated with social and online.
Marketers everywhere, and especially B2B marketers, can often struggle with the question of how to add social media on top of their other marketing activities. However social media should be seen as another marketing tool that is now available to communicate with customers. It shouldn't be an on top add-on.
Marketers need to approach social media as an effective communication channel within a larger, integrated marketing strategy that is focused building customer interaction and relationships.
If you are struggling to integrate social media into your overall marketing strategy, you're not alone. A recent survey conducted by CMO Council looked into what results marketers and consumers expect from a brand's Facebook page. From a company point of view, they are currently struggling to integrate it fully into their marketing strategy with 34 per cent saying that while they've developed strategies which include social media, it still isn't fully integrated into their strategies.
A summary of the survey found that overall 68 per cent of brands struggle to integrate social media into marketing strategies.


text:
module Spec
  module Runner
    class Configuration
      include Spec::Example::ArgsAndOptions

      # Chooses what mock framework to use. Example:
      #
      #   Spec::Runner.configure do |config|
      #     config.mock_with :rspec, :mocha, :flexmock, or :rr
      #   end
      #
      # To use any other mock framework, you'll have to provide your own
      # adapter. This is simply a module that responds to the following
      # methods:
      #
      #   setup_mocks_for_rspec
      #   verify_mocks_for_rspec
      #   teardown_mocks_for_rspec.
      #
      # These are your hooks into the lifecycle of a given example. RSpec will
      # call setup_mocks_for_rspec before running anything else in each
      # Example. After executing the #after methods, RSpec will then call
      # verify_mocks_for_rspec and teardown_mocks_for_rspec (this is
      # guaranteed to run even if there are failures in
      # verify_mocks_for_rspec).
      #
      # Once you've defined this module, you can pass that to mock_with:
      #
      #   Spec::Runner.configure do |config|
      #     config.mock_with MyMockFrameworkAdapter
      #   end
      #
      def mock_with(mock_framework)
        @mock_framework = case mock_framework
        when Symbol
          mock_framework_path(mock_framework.to_s)
        else
          mock_framework
        end
      end

      def mock_framework # :nodoc:
        @mock_framework ||= mock_framework_path("rspec")
      end

      # :call-seq:
      #   include(Some::Helpers)
      #   include(Some::Helpers, More::Helpers)
      #   include(My::Helpers, :type => :key)
      #
      # Declares modules to be included in multiple example groups
      # (<tt>describe</tt> blocks). With no <tt>:type</tt>, the modules listed
      # will be included in all example groups.
      #
      # Use <tt>:type</tt> to restrict
      # the inclusion to a subset of example groups. The value assigned to
      # <tt>:type</tt> should be a key that maps to a class that is either a
      # subclass of Spec::Example::ExampleGroup or extends
      # Spec::Example::ExampleGroupMethods and includes
      # Spec::Example::ExampleMethods.
      #
      # For example, the rspec-rails gem/plugin extends Test::Unit::TestCase
      # with Spec::Example::ExampleGroupMethods and includes
      # Spec::Example::ExampleMethods in it. So if you have a module of helper
      # methods for controller examples, you could do this:
      #
      #   config.include(ControllerExampleHelpers, :type => :controller)
      #
      # Only example groups that have that type will get the modules included:
      #
      #   describe Account, :type => :model do
      #     # Will *not* include ControllerExampleHelpers
      #   end
      #
      #   describe AccountsController, :type => :controller do
      #     # *Will* include ControllerExampleHelpers
      #   end
      #
      def include(*modules_and_options)
        include_or_extend(:include, *modules_and_options)
      end

      # :call-seq:
      #   extend(Some::Helpers)
      #   extend(Some::Helpers, More::Helpers)
      #   extend(My::Helpers, :type => :key)
      #
      # Works just like #include, but extends the example groups
      # with the modules rather than including them.
      def extend(*modules_and_options)
        include_or_extend(:extend, *modules_and_options)
      end

      # Appends a global <tt>before</tt> block to all example groups.
      # <tt>scope</tt> can be any of <tt>:each</tt> (default), <tt>:all</tt>, or
      # <tt>:suite</tt>. When <tt>:each</tt>, the block is executed before each
      # example. When <tt>:all</tt>, the block is executed once per example
      # group, before any of its examples are run. When <tt>:suite</tt> the
      # block is run once before the entire suite is run.
      def append_before(scope = :each, options={}, &proc)
        add_callback(:append_before, scope, options, &proc)
      end
      alias_method :before, :append_before

      # Prepends a global <tt>before</tt> block to all example groups.
      #
      # See <tt>append_before</tt> for scoping semantics.
      def prepend_before(scope = :each, options={}, &proc)
        add_callback(:prepend_before, scope, options, &proc)
      end

      # Prepends a global <tt>after</tt> block to all example groups.
      #
      # See <tt>append_before</tt> for scoping semantics.
      def prepend_after(scope = :each, options={}, &proc)
        add_callback(:prepend_after, scope, options, &proc)
      end
      alias_method :after, :prepend_after

      # Appends a global <tt>after</tt> block to all example groups.
      #
      # See <tt>append_before</tt> for scoping semantics.
      def append_after(scope = :each, options={}, &proc)
        add_callback(:append_after, scope, options, &proc)
      end

      # DEPRECATED - use Spec::Matchers::DSL instead
      #
      # Defines global predicate matchers. Example:
      #
      #   config.predicate_matchers[:swim] = :can_swim?
      #
      # This makes it possible to say:
      #
      #   person.should swim # passes if person.can_swim? returns true
      #
      def predicate_matchers
        @predicate_matchers ||= Spec::HashWithDeprecationNotice.new("predicate_matchers", "the new Matcher DSL")
      end

      # Adds patterns to the list of patterns ignored in the backtrace when a
      # failure is output by rspec. Example:
      #
      #   config.ignore_backtrace_patterns /spork/, /shoulda/, "/some/weird/path/"
      #
      # When quiet backtraces are turned on (default), this will exclude any
      # lines that match any of the Regexps and Strings passed.
      #
      def ignore_backtrace_patterns(*patterns)
        @ignored_backtrace_patterns ||= []
        @ignored_backtrace_patterns += patterns
      end

      def ignored_backtrace_patterns # :nodoc:
        @ignored_backtrace_patterns ||= []
      end

      def suppress_deprecation_warnings!
        @suppress_deprecation_warnings = true
      end

      def suppress_deprecation_warnings?
        @suppress_deprecation_warnings ||= false
      end

    private

      def include_or_extend(action, *args)
        modules, options = args_and_options(*args)
        [get_type_from_options(options)].flatten.each do |required_example_group|
          required_example_group = required_example_group.to_sym if required_example_group
          modules.each do |mod|
            Spec::Example::ExampleGroupFactory[required_example_group].__send__(action, mod)
          end
        end
      end

      def add_callback(sym, *args, &proc)
        scope, options = scope_and_options(*args)
        example_group = Spec::Example::ExampleGroupFactory[get_type_from_options(options)]
        example_group.__send__(sym, scope, &proc)
      end

      def get_type_from_options(options)
        options[:type] || options[:behaviour_type]
      end

      def mock_framework_path(framework_name)
        "spec/adapters/mock_frameworks/#{framework_name}"
      end

      def scope_and_options(*args) # :nodoc:
        args, options = args_and_options(*args)
        return scope_from(*args), options
      end

      def scope_from(*args) # :nodoc:
        args[0] || :each
      end
    end
  end
end

redpajama_set_name: RedPajamaGithub


7/9/2007 – Levon Aronian is one of the hot favourites for the world championship in Mexico City this September. What does he think of his chances, what does he think about the format? In an article in the German broadsheet Neues Deutschland, born in Armenian and now living in Berlin, speaks about these and other subjects relating to the inclusion of Veselin Topalov in the FIDE cycle. Interview.
A Berliner by choice, Levon Aronan, 24, born in Armenia and playing for the Bundesliga team SC Kreuzberg, is one of the top favourites at the World Championship which is being held from September 11 to October 1st 2007 in Mexico City. ND author René Gralla spoke to the world championship candidate.
Neues Deutschland: At the Chess Olympiade 2006 you won Gold with the Armenian team. Do you want to crown this achievement with a world championship title in 2007?
Levon Aronian: I will do my best and hope to be successful.
During the recently ended Candidates Tournament in Elista you convincingly managed to qualify for the world championship. Is that a good sign?
I don't think about it. I am in training to increase my form for the world championship. Then I will see how things proceed.
You were able to beat world champion Vladimir Kramnik of Russia 4:2 in a match played just two months ago in the Armenian capital of Yerevan. Does that make you feel optimistic about the world championship?
That was rapid chess, 25 minutes per player and game. But I also lost to Kramnik before that. So it is difficult to make any prognosis for the world championship.
After the loss in Yerevan shouldn't the world champion be afraid of you?
You will have to ask him if that is the case. In addition I am not sure that fear is the right word. Kramnik knows that I can cause him some problems.
The other big world championship favourite is Viswanathan Anand of India, who won the title in 2000 and is currently the number one in the world rankings. What do you think of your chances against him?
What I said about Kramnik also applies to Anand. I look forward to our encounter, it will be quite interesting.
You have publicly wondered how you were able to reach the top of the world rankings in spite of what you call your "chaotic" style on the board. Do you still agree with this assessment?
Yes, I love unclear positions in which nobody can predict the outcome precisely. In such positions I have the necessary scope for my creativity.
Considering that around 800 million people in the world play chess, do you think that chess is receiving adaquate publicity?
Naturally I would be glad if chess was more popular. The game should be used more intensively in the school curriculum, because it trains the faculty for reasoning. Studies in the USA and in Russia have proved that conclusively.
In your home country of Armenia you are a superstar. What is the reason for this chess enthusiasm?
It is not so much chess as the success of our national team. The country has gone through a difficult phase, and people long for a taste of glory. That explains the enthusiasm we saw when our team returned for the Chess Olympiade in Turin with the Gold medal.
Tigran Petrosian, the world champion from 1963 to 1969, was from Armenia. Do you consider yourself a possible successor of Petrosian?
Some people in Armenia confuse our first names and call me Tigran. But seriously: the question is premature. We must wait for the world championship to take place.
If you win the title then the deposed world champion Kramnik gets a second chance. The World Chess Federation FIDE has given Kramnik the right to challenge the winner of the world championship. It this a fair privilege?
The world championship 2007 in Mexico City is a round robin tournament. In my opinion the world championship should actually be decided in a match between the title holder and a challenger. That is the traditional way of deciding the world championship. We are returning to that when the winner of the world championship tournament has to play a match against the former world champion.
The reunification world championship match in Elista in 2006 between the two world champions Vladimir Kramnik and the Bulgarian Veselin Topalov specified that the loser would be left out of this year's world championship tournament. Both sides agreed in advance to this article of the contract. Now the Bulgarian side is trying to get Topalov into the 2007 world championship cycle. What do you think of this?
Both sides knew full well under what conditions the world championship in Elista was being staged, and what the consequences of defeat for one of them would be. They accepted these conditions. For this reason I do not like what the Topalov camp is doing.


text:
Los Angeles Spouse Corporal Injury Lawyer Kraut Law Group Home
Contact Santa Clarita, California Domestic Violence Attorney Kraut Law Group
Crimes by Code Section
California Penal Code Section 273.5(a) PC: Corporal Injury To Spouse
1. Definition and Elements of the Crime
California Penal Code Section 273.5(a) PC makes it illegal to injure a spouse, cohabitant or fellow parent in an act of domestic violence. This offense is also referred to as domestic abuse, domestic violence, or corporal injury to a spouse.
To prove that a defendant committed the crime of inflicting injury on a spouse, cohabitant or fellow parent resulting in a traumatic condition, a prosecutor must be able to establish the following elements:
The defendant intentionally and unlawfully inflicted a physical injury on his or her current or former spouse, cohabitant or child's parent.
The injury resulted in a traumatic condition.
The defendant did not act in self-defense.
A traumatic condition is a wound or other bodily injury, whether minor or serious, caused by the direct use of physical force. Cohabitants, as used in the statute, means more than roommates and instead describes a relationship of two people living together for a substantial period of time. A person can cohabit with more than one person at the same time.
2. Examples
A man and his wife get into a domestic dispute after an argument about finances. The man strikes the woman and she calls 911. When officers arrive they hear the woman's account and see that she has a visible black eye. This man could be prosecuted for corporal injury to a spouse as he physically struck his wife and the attack caused a traumatic condition.
In a similar example, the wife calls 911 to report a domestic violence incident to police. When police arrive, the wife tells the officers that her husband physically pushed her, but she was not hurt and did not suffer any injury. In this situation, corporal injury charges would probably not apply because there was no traumatic injury. However, the husband could still be charged with domestic battery in violation of California Penal Code Section 243(e)(1) PC.
3. Related Offenses
Other similar or related offenses include:
Domestic Battery - California Penal Code Section 243(e)(1) PC
Assault - California Penal Code Section 240 PC
Battery - California Penal Code Section 242 PC
Battery Causing Serious Bodily Injury - California Penal Code Section 243(d) PC
4. Defenses to Corporal Injury to a Spouse
As with many offenses involving acts of physical harm, a person is allowed to use force to defend themselves or others from an immediate threat of violence or harm. This right of self-defense applies to domestic violence cases and may be a viable defense if the spouse had to use physical force to protect him or herself or the children.
As with many incidents involving domestic disputes, corporal injury to a spouse is a criminal offense that is highly susceptible to false accusations made by one party hoping to get their partner in trouble. Unfortunately, once an allegation has been made, police and prosecutors will often go forward even if the accuser regrets their actions and wishes to recant. In these cases the assistance of an effective Los Angeles Criminal Defense Attorney can be crucial in helping convince police and/or prosecutors that the alleged crime did not occur.
5. Penalties
Corporal injury to a spouse is a "wobbler" offense that can be prosecuted as either a felony or a misdemeanor. Prosecutors typically review the level or harm or force used, the defendant's criminal history, and other factual circumstances when deciding whether to file felony or misdemeanor charges. If charged as a felony, a defendant can be sentenced to up to four years in prison (with an additional five years possible if great bodily injury has been inflicted) and have a possible strike on their record. Under California's Three Strikes Law, this conviction could be used to enhance future convictions. In addition, a person would lose their ability to own or purchase firearms.
6. Criminal Defense for Corporal Injury to a Spouse Cases
Corporal injury to a spouse is a domestic violence offense that may arise from a moment of anger but carry lifelong consequences. If you or a loved one have been arrested for this offense, it is very important to meet with a Los Angeles Criminal Defense Attorney right away. Los Angeles Criminal Defense Attorney Michael Kraut is a former Deputy District Attorney with over 14 years of prosecutorial experience who has both prosecuted and defended charges of this nature. As a result, Mr. Kraut has a unique perspective that sets him apart from many other criminal defense attorneys. Mr. Kraut it highly regarded throughout the court system as a tough and knowledge advocate for his clients.
For more information about corporal injury to a spouse charges, and to schedule your free consultation, contact Los Angeles Criminal Defense Attorney Michael Kraut at the Kraut Law Group located at 6255 Sunset Boulevard, Suite 1480, Los Angeles, CA 90028. Mr. Kraut can be reached 24/7 at 888-334-6344 or 323-464-6453.


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text:
LeBron James, Michael Jordan debate rages on as Isiah, Pippen exchange words
Jordan or James? You decide! [Image via Howard Elite Basketball/YouTube]
Who is the best ever in terms of NBA greatness? It seems everyone has an opinion.
by Joseph Karbousky (article) and Parasshuram Shalgar (video)
April 9, 2018 at 5:31 PM April 9, 2018 at 5:31 PM
LeBron James, Michael Jordan debate rages on again - Video
"LeBron is better!" "No way, no one is better than Michael Jordan!" The never-ending battle between die-hard Jordan fans and the self-proclaimed King is once again heating up. Actually, for NBA fanatics, it never really goes away. Comparing players from different time eras is never easy, but when it comes to James and Jordan all hoops fans have an opinion.
By the numbers, the King is better, but there's more to it
LeBron James is smashing records every time he steps onto the court. It is hard to argue against James in this battle of basketball gods when you do a simple numbers check, but then again, not everything can be judged by statistics alone.
Intangibles and court leadership matter as well, and those things do not show up in the box score.
According to Hoops Hype, James is the king if we are strictly looking at the numbers. LeBron has more all NBA first team selections, more consecutive games in double digits, more playoff points, more NBA Finals appearances and more triple-doubles than Jordan - and the list goes on from there. Now, one thing James' fans cannot argue is that LeBron has had an easier path to the Finals. Let's be honest, the bottom seeds in the Eastern Conference haven't been much to write home about over the past five seasons or more.
Jordan had to deal with Bird's Boston Celtics, Dominique's Atlanta Hawks and the Bad Boys in Detroit. And when it comes to James breaking all of these scoring records, Jordan fans just simply point to NBA championship titles. So the battle rages on.
Isiah picks LeBron, Pippen reacts
How about going old school? This debate has even brought out the competitive nature of two old Eastern Conference foes, Isiah Thomas and Scottie Pippen.
Thomas' Pistons would battle Pippen and MJ's Bulls to the wire for years, but when Thomas recently was asked who is the greatest, MJ or LeBron, Isiah said LeBron, hands down.
Scottie Pippen is SICK AND TIRED of Isaiah Thomas 😂😭 pic.twitter.com/vh1bARs8P5
— Dynamics • £ (@theDYNAMICS) April 7, 2018
That didn't sit well with Pippen, who fired back at Thomas by saying that Jordan is clearly the best ever, and he (Pippen) added that there is "no game I would ever play in and pick LeBron James over Michael Jordan." Even retired players have a strong opinion on who is the best.
It seems after hearing the way Pippen reacted to Thomas' comments, Scottie has a bit of an ax to grind with Isiah. That or he still can't get over all of the hard fouls that Bill Laimbeer, Rick Mahorn, and the other Pistons put upon him in the 1990's.
The beauty of this is that no one is really wrong. After all, opinions are never wrong, just debatable. So who is your pick NBA fans? LeBron or Michael? Personally, I like Kobe, but that is for a different time!
Joseph Karbousky
Joseph has worked as a freelance writer online since 2010 and covers a range of topics, with sports being at the top of his list. NFL and MLB are his forte along with selecting games against the Vegas number.
Follow joe on Facebook Follow joe on Twitter Follow joe on Linkedin
Read more on the same topic from Joseph Karbousky:
Patrick Mahomes named Madden 20 Cover Athlete prior to 2019 NFL Draft Detroit Lions NFL Draft 2019: Lions to select in all seven rounds starting Thursday Detroit Lions Schedule 2019: Times, dates, way too early predictions for each game


text:
Archive for the 'Michael Trevino' Category
The Vampire Diaries: New poster and actor!
Posted: July 29, 2009 in 90210, Dawson's Creek, Ian Somerhalder, Michael Trevino, Nina Dobrev, Paul Wesley, Scream, Vampire Diaries
This new The Vampire Diaries poster has been making its rounds around the net. Pretty hot! It features the 3 main stars of the series: Paul Wesley as Stefan, Nina Dobrev as Elena, and Ian Somerhalder as Damon. Also, the character of Tyler Stratton has been cast. He'll be played by none other than Michael Trevino, who played Ozzie during the first season of the new 90210.
Michael Trevino as Tyler Stratton
Finally, here are some ads for the new series.
This show looks really promising, and the fact that Kevin Williamson (Dawson's Creek and Scream) is the brains behind it makes me really excited! Again, I got this information from TV Fanatic. Hope you all enjoy!


Hypnosis does not resemble traditional method of treatment in any way. Hypnosis is a preferred form of treatment due to the fact that it is non-intrusive and does not involve any pain. Hypnotherapy is a psychological practice where the patient is made to go in to sleep or in a state of trance. This state of trance is of great importance because then the therapist will be able to access your subconscious mind where all the thoughts that influence s our decisions originate from. Better ways of handling and carrying themselves will be taught to an individual when the therapist can access the subconscious mind. Long after the hypnosis sessions are over, the patient will be able to rise above things that threaten their state of mind by utilizing the skills they got during therapy.
Ericksonian hypnotism is a practice that opened the world to the practice of hypnotism; during one of the days of his sickness, the future seemed bleak but the discovery of hypnosis enabled him to survive.
It is advantageous to use hypnosis techniques in people who suffer from PTSD; some people got through things in their lives that leave them mentally unstable but utilizing some hypnotherapy techniques such as the Milton Erickson Techniques may prove successful in healing PTSD because it gives one the ability to block out thoughts that they do not want and focus on getting better . It is of great importance to keep PTSD out of one's life because, at any time, one may have an episode of anxiety just from a memory trigger; such happenings may cause one not to enjoy their life. With skills they get from their hypnotherapist, they will be well equipped to handle these dark days.
After therapy, one comes to a realization that what keeps someone feeling miserable is how they choose to react to a situation in their lives. This is really important because then one will not be walking around with a victim mentality. You can, therefore, ley yourself go to enjoy life.
Once you have known of the benefits, it is important to know how to select a hypnotherapist to work with so as to guarantee successful treatment. One of the things to look for is whether the therapist has a license or not. Having a hypnosis license means that they are legalized to have a therapy studio because they sat for the board exams and passed. If they passed really well to the point of having a license there is a likelihood of them being qualified in there are of expertise thus according you excellent services which is something you need in your doctor.
Additionally, it is important to check for their quality of services because you want to work with an excellent therapist. Knowing whether you doctor has mastered their skill is not difficult because you can read testimonials from past patients or you can even read their online portfolios to see their success rate with other patients. Checking for good reviews will place you in a better place to get great hypnotherapy services.
So, if you are considering engaging the services of hypnotherapist, you should not be afraid because with the above-highlighted points you get to see the benefits of their work as well as what to look for when scouting for a therapist.


This particular secret all Nurses learn at some point in their career, although most of the time we learn it in Nursing school.
For some reason most nurses don't like talking about this.
Do you keep this a secret?
If not, why don't you?


Is the session.split meta key increased by hitting the max of Assembler Maximum Size, or is it increased by hitting the max of Capture Buffer Size? What is the difference between the two of them, and should they both be set to the same value?
From my test, the session.split was based on assembler maximum size. I changed the setting in my decoder to 64mb and restarted the decoder service.
After restarting the decoder, I went to a system in my network and downloaded a 512mb file.
Session.split was used and because the max size was set to 64mb, the session.split meta was handled accordingly. 64mb size x 8 splits = 512mb.
Not sure there needs to be a change to the Capture Buffer Size, but am checking into that.
Thanks, Chris. I happened to notice the same behavior in my tests, as well. What sparked the question was the new Live Content for "Outbound Session Greater Than 1GB" App Rule. The description discussed how the capture buffer size was what incremented the session.split meta value.
By default, the Decoders capture buffer size is 32MB. If you have modified this setting, then you may need to tune the condition for session.split within the rule. Once a session exceeds the capture buffer size, it is split into a separate session. Meta is generated on each split session called, session.split, which is incremented by a count of 1 with each new session. The default setting for the Decoder capture buffer size may be found through the NetWitness Suite UI > Administration > Services > Explore > decoder > config > capture.buffer.size.


Love Food Hate Waste is running a new campaign in the United Kingdom to draw attention to one of the biggest waste culprits clogging up British bins: bread. 24 million slices of bread end up being thrown out because it gets moldy or stale before it gets turned into a meal, according to The Independent. People are filling up their trash cans instead of their stomachs and Love Food Hate Waste wants to remind folks that they can make lots of snacks out of bread before it goes bad if they just freeze it. Then turn it into toast.
The "Make Toast Not Waste" campaign is intended to draw people's attention to the unnecessary bread waste and also advice folks on how to preserve and use their loaves a little longer. The organization took a consumer poll of 1,000 adults between the ages of 18 and 34, and found that 69 percent throw bread away every single week. One in four people admitted that they don't know how to freeze bread at all!
Environmentalist organization The Wrap recently conducted research that determined if even three less slices went to waste per person every week, it would make an enormous dent in trash production. Their head of products and services, Sarah Clayton, explained that the little changes people make can have a huge influence.
Often, discussions around waste management center on things like recycling, single-use plastic, and composting. But we can all consider how meal planning and proper food preservation means keeping food out of landfills and where it should be—in our tummies.


text:
Q: How to rename uploaded file before saving it into a directory? Below is the code I used in order to upload files into a directory. It works fine.
My main question is:
move_uploaded_file() is the one that saves the uploaded file into the directory, and it is also my guess that move_uploaded_file() is the one that sets the name for it.
How could I change the name of my file to a random number?
I have tried to do so below:
$allowedExts = array("gif", "jpeg", "jpg", "png");
$temp = explode(".", $_FILES["file"]["name"]);
$extension = end($temp);
if ((($_FILES["file"]["type"] == "image/gif") || ($_FILES["file"]["type"] == "image/jpeg") || ($_FILES["file"]["type"] == "image/jpg") || ($_FILES["file"]["type"] == "image/pjpeg") || ($_FILES["file"]["type"] == "image/x-png") || ($_FILES["file"]["type"] == "image/png")) && ($_FILES["file"]["size"] < 100000) && in_array($extension, $allowedExts)) {
    if ($_FILES["file"]["error"] > 0) {
        echo "Return Code: " . $_FILES["file"]["error"] . "<br>";
    } else {

        $fileName = $temp[0] . "." . $temp[1];
        $temp[0] = rand(0, 3000); //Set to random number
        $fileName;

        if (file_exists("../img/imageDirectory/" . $_FILES["file"]["name"])) {
            echo $_FILES["file"]["name"] . " already exists. ";
        } else {
            move_uploaded_file($_FILES["file"]["tmp_name"], "../img/imageDirectory/" . $_FILES["file"]["name"]);
            echo "Stored in: " . "../img/imageDirectory/" . $_FILES["file"]["name"];
        }
    }
} else {
    echo "Invalid file";
}

I tried changing variables such as the $_FILES["file"]["name"] and replacing it with the $fileName; variable so that the new name can be stored.

A: /* create new name file */
$filename   = uniqid() . "-" . time(); // 5dab1961e93a7-1571494241
$extension  = pathinfo( $_FILES["file"]["name"], PATHINFO_EXTENSION ); // jpg
$basename   = $filename . "." . $extension; // 5dab1961e93a7_1571494241.jpg

$source       = $_FILES["file"]["tmp_name"];
$destination  = "../img/imageDirectory/{$basename}";

/* move the file */
move_uploaded_file( $source, $destination );

echo "Stored in: {$destination}";

A: You guess correctly. Read the manual page for move_uploaded_file. Set the second parameter to whereever your want to save the file.
If it doesn't work, there is something wrong with your $fileName. Please post your most recent code.

A: You can Try this,
$newfilename= date('dmYHis').str_replace(" ", "", basename($_FILES["file"]["name"]));

move_uploaded_file($_FILES["file"]["tmp_name"], "../img/imageDirectory/" . $newfilename);

A: You can simply change the name of the file by changing the name of the file in the second parameter of move_uploaded_file.
Instead of
move_uploaded_file($_FILES["file"]["tmp_name"], "../img/imageDirectory/" . $_FILES["file"]["name"]);

Use
$temp = explode(".", $_FILES["file"]["name"]);
$newfilename = round(microtime(true)) . '.' . end($temp);
move_uploaded_file($_FILES["file"]["tmp_name"], "../img/imageDirectory/" . $newfilename);

Changed to reflect your question, will product a random number based on the current time and append the extension from the originally uploaded file.

A: The move_uploaded_file will return false if the file was not successfully moved you can put something into your code to alert you in a log if that happens, that should help you figure out why your having trouble renaming the file


text:
Bram ist eine französische Gemeinde mit  Einwohnern (Stand ) im Département Aude in der südfranzösischen Region Okzitanien.

Lage
Bram liegt auf einem Hügel im Südosten der Landschaft des Lauragais, etwa 75 Kilometer (Fahrtstrecke) in südöstlicher Richtung von Toulouse und 16 Kilometer von Castelnaudary entfernt. Bis nach Carcassonne sind es gut 20 Kilometer in östlicher Richtung. Bram hat einen Autobahnanschluss zur A 61 und einen Bahnhof an der Strecke zwischen Bordeaux und Sète. Das Gemeindegebiet wird vom Fluss Fresquel sowie vom parallel verlaufenden Canal du Midi durchquert.

Geschichte
Der Name der Gemeinde ist wahrscheinlich herzuleiten vom lateinischen Eburomagus, einer von den Römern um das Jahr 60 v. Chr. gegründeten Siedlung, von der man nicht weiß, ob sie sich nur in den Tallagen der Umgebung ausgebreitet oder auch auf den Hügel selbst erstreckt hat. In der Umgebung des Ortes wurden ebenso diverse Kleinfunde aus gallorömischer Zeit (4.–6. Jahrhundert) gemacht.

Im 12. Jahrhundert entstand auf einem Hügel das neue Bram mit einer völlig regelmäßigen Kreisstruktur (Circulade) bestehend aus drei Straßen mit den anliegenden Häusern und einem zentralen Platz in der Mitte, auf dem schon bald die Kirche des Ortes erbaut wurde. Es gab nur ein Stadttor im Osten; die ganze Anlage hatte somit einen deutlichen Verteidigungscharakter. In dieser Zeit wandten sich die meisten Bewohner von Bram dem Katharerglauben zu; dadurch geriet der Ort ins Blickfeld der Kreuzritter des Albigenserkreuzzugs (1209–1229) und wurde im Jahr 1210 nach einer dreitägigen Belagerung von den Truppen Simon de Montforts eingenommen. Während die meisten Bewohner in den Schoß der römischen Kirche zurückkehrten und straffrei blieben, ließ er 100 hartnäckigen Ketzern Nase und Oberlippe abschneiden und die Augen herausreißen; einem ließ er ein Auge, damit er die übrigen zum gut 30 Kilometer entfernten Lastours geleiten könne, dem nächsten Ziel der Kreuzritter.

Über die Zeit des Hundertjährigen Krieges (1347–1463) und der religiösen Unruhen des 16. Jahrhunderts ist nichts bekannt. Im 17. Jahrhundert erlebte die Stadt jedenfalls ihre wirtschaftliche Blütezeit – der Canal du Midi wurde in der Nähe gebaut und neue Häuser wurden nunmehr auch außerhalb des Mauerrings errichtet.

Internierungen und Deportationen

Spanische Internierte im Camp du Pigné
Anfang Februar 1939 wurde innerhalb von nur drei Wochen auf einer Fläche von 12 Hektar an der Grenze zwischen Bram und Montréal das Camp du Pigné errichtet. () Es lag an der Eisenbahnlinie nach Lavelanet, bestand aus 170 je 150 Quadratmeter großen Holzhütten und war von mehr als zwei Meter hohem Stacheldraht umgeben.

Geplant war dieses Centre d'accueil (Aufnahmezentrum) ursprünglich für ältere und zivile Flüchtlinge aus dem Spanischen Bürgerkrieg, die im Zuge der Retirada nach Frankreich gekommen war. Sie waren zunächst in den sogenannten Strandlagern Argelès-sur-Mer, Saint-Cyprien und Le Barcarès festgehalten worden, und mussten aufgrund der unhaltbaren Zustände dort schnell verlegt werden. So trafen dann ab dem 16. Februar 1939 die ersten Flüchtlinge, vorwiegend Männer, in von der Küste kommenden Zügen in Bram ein. Das als "Musterlager" konzipierte Lager war schnell überfüllt, da bis zum 20. März täglich große Konvois aus Argelès und Saint-Cyprien eintrafen, und Ende August lebten hier mehr als 10.000 Menschen. Für die Zeit vom 11. März 1939 bis zum Mai 1940 waren auch 1.300 Frauen und mehr als 1.000 Kinder im Camp du Pigné eingetroffen, und zeitweilig lebten hier bis zu 17.000 Flüchtlinge gleichzeitig; mehr als 30.000 Menschen haben das Lager während seines Bestehens durchlaufen.

Bei Peschanski dokumentiert in einer Tabelle detailliert die Belegung des Lagers zwischen dem 11. März 1939 und dem 21. August 1939. Sie lag zu Beginn dieses Zeitraums bei etwa 15.000 Personen und verringerte sich auf etwa 10.000. Peschanski geht dennoch von einer recht stabilen Belegung aus, verweist aber auf die dahinter verborgenen Repatriierungsströme, denn "die französische Politik [war] darauf ausgerichtet, die Flüchtlinge möglichst schnell zu repatriieren". Die französische Regierung übte massiven Druck auf die Geflüchteten aus, nach Spanien zurückzukehren, und nutzte die schlechten Lagerverhältnisse bewusst auch als Druckmittel. "Der Druck zur Repatriierung schien augenscheinlich beträchtlich gewesen zu sein. Anfang August [1939] erklärte das französische Innenministerium, daß etwa 250.000 Spanier, also rund die Hälfte der Flüchtlinge, bereits zurückgekehrt seien."

1940 errichteten die Quäker eine Entbindungsklinik in einem erst 1990 abgerissenen Gebäude. Die Quäker hätten die Flüchtlinge im Lager auch mit Essen versorgt.

Die Lebensbedingungen im Lager waren hart und die Baracken nach einem Inspektionsbericht aus dem Oktober 1940 völlig unbewohnbar, das Trinkwasser von schlechter Qualität. Im Jahre 2009 erinnerte sich Luis Caseres, der als Siebzehnjähriger ins Camp du Pigné gekommen war:

Aus dem Lager sind 224 Todesfälle dokumentiert, darunter 40 Kinder. Die Menschen mussten in unbeheizten Baracken übernachten, es herrschten schlechte hygienische Bedingungen, und als Folge davon grassierten Epidemien. "Tod durch Erschöpfung" lautete ein häufiger Eintrag in den Lagerakten.

Auf der unten abgebildetenGedenktafel mit den Namen der im Camp du Pigné zu Tode gekommenen Menschen heißt es, dass das Lager bis zum 15. Januar 1941 existierte. Eggers legt nahe, dass das Lager wegen seiner hygienischen Mängel geschlossen beziehungsweise in kleinerem Rahmen als Arbeitslager weitergeführt wurde. In einem Rundschreiben vom Januar 1942, in dem die Internierungslager im Bereich des Vichy-Regimes aufgelistet waren, kommt Bram nicht vor.

Lager für ausländische Zwangsarbeiter

Bei Eggers und Gaida finden sich Hinweise darauf, dass in Bram Fremdarbeiter-Kompanien stationiert waren. Eggers erwähnt für die Zeit von September 1941 bis September 1943 drei Groupes de Travailleurs Étrangers (GTE, Gruppe ausländischer Arbeiter): die GTE-Einheiten 226, 318 und 422. Gaida weist zusätzlich auf eine GTE 315 hin, die in Bram in den Nebengebäuden eines Schlosses untergebracht gewesen sei.

Anders als Eggers konnte Gaida die Existenz der GTE 226 bis in das Jahr 1939 zurückverfolgen. Diese Einheit wurde im April 1939 mit Prestataires (Dienstleistern) aus dem Camp du Pigné gegründet, war also ursprünglich eine "Compagnie de prestataires" (Dienstleister-Kompanien, auch Compagnies de Travailleurs Étrangers, CTE, Fremdarbeiterkompagnien) aus der Vor-Vichy-Ära. In welcher Beziehung die Gruppe noch zum Camp du Pigné stand, ist unklar; Gaidas Ausführungen verweisen auf eine eher Camp-unabhängige Existenz. Ihre Aufgabe war es, eine mit sechs Öfen ausgestattete Bäckerei zu betreiben, in der täglich 60.000 Kilogramm Brot für die gesamte Region hergestellt wurden. Zu ihrer Ernährung bewirtschaftete die Gruppe ein 50 Hektar großes Gelände, auf dem sie Gemüse anbaute, einen Schweinestall unterhielt und eine Seidenraupenzucht betrieb. Arbeiter der Gruppe hätten aber auch für Bauern in der Gemeinde gearbeitet. "Ende 1941 schuf die Gruppe in Bram ein Heim in dem Künstler und ein spanisches Orchester die Weihnachtsfeier für das Dorf organisierten, mit Süßigkeiten, die von der Bäckerei vorbereitet wurden." An der Weihnachtsfeier nahm auch der Bürgermeister teil und hielt eine Rede.

Während die Ernährung für die meisten GTE-Einheiten problematisch war und Diebstähle in Bauernhöfen und Schwarzhandel zur Folge hatte, berichtet Eggers über die GTE 318, deren Angehörige im Bergbau arbeiteten, vom Sommer 1943 von einer vergleichsweise guten Entlohnung. Anders dagegen in der GTE 318. Emil Rosenthal, der im November 1941 in dieser Einheit zum Ausheben von Gräben eingesetzte war, berichtete:

Judendeportationen
Am 24. und 26. August 1942 wurden 159 Juden, darunter 21 Kinder, die im Departement Aude wohnten, auf Anordnung der Vichy-Regierung zusammengetrieben und an die Nazis ausgeliefert. Sie wurden vom Bahnhof Bram in das Vernichtungslager Auschwitz deportiert. Auf dem Bahnhofsvorplatz, inmitten einer kleinen Verkehrsinsel, erinnert heute eine Stele mit der unten abgebildeten Inschrift an die Deportation.

Gedenken und erinnern
Der Künstler Andres Blume schuf 2004 das Mémorial aux Camps de Réfugiés Espagnols, das die Tore zum Camp du Pigné symbolisiert. Das Denkmal und dessen Erweiterungen mit den Tafeln für die Namen der im Camp du Pigné zu Tode gekommenen Menschen befindet sich an der Stelle, an der sich früher der Lagereingang befand. Die Steintafeln mit den Namen wurden 2009 eingeweiht.

Die 224 Opfer des Camp du Pigné waren zunächst auf einem Feld am Ende des Lagers begraben worden. Anfang der fünfziger Jahre wurden die Toten auf den Friedhof von Montréal überführt.

Bevölkerungsentwicklung

Im Mittelalter war Bram eine wichtige Stadt mit über 1000 Einwohnern.

Wirtschaft
Wie in den meisten Orten des Lauragais (auch Pays de la Cocagne = "Schlaraffenland" genannt) spielte der Anbau, die Weiterverarbeitung und der Handel von Färberwaid (pastel) im späten Mittelalter und in der frühen Neuzeit eine wichtige Rolle im Wirtschaftsleben der wohlhabenden Stadt. Doch bereits im 18. Jahrhundert wurde der Anbau von pastel aufgegeben – es war durch den neuen, aus der Indigopflanze hergestellten und zumeist in den amerikanischen Kolonien angebauten Farbstoff Indigo allmählich vom Markt verdrängt worden. Seitdem mussten sich die Bauern im Lauragais wieder von Getreide (Weizen, Mais, Sonnenblumen) und ein wenig Viehzucht (Schafe) ernähren.

Verkehr
Der Bahnhof von Bram liegt an der Bahnstrecke Bordeaux–Sète und wird im Regionalverkehr mit TER-Zügen bedient. Die frühere Bahnstrecke Bram–Belvèze ist stillgelegt und weitgehend abgebaut.

Sehenswürdigkeiten
 Wichtigste Sehenswürdigkeit von Bram ist das kreisrund geschlossene mittelalterliche Ortsbild, das allerdings nur auf Luftaufnahmen richtig erkennbar wird.

 Die Apsis und der auf der Nordseite der Kirche befindliche, gedrungen wirkende Glockenturm der Église Saint-Julien et Sainte-Basilisse werden dem ausgehenden 13. Jahrhundert zugerechnet; beide sind seit 1932 als Monument historique eingestuft. Große Teile des Langhauses stammen jedoch erst aus dem 17. Jahrhundert; im 19. Jahrhundert wurde die Kirche um zwei Joche nach Westen verlängert, so dass die gotisch anmutende Fensterrose und das Portal der Westfassade mit dem ursprünglichen Zustand nichts mehr zu tun haben. Im Innern ist es eine einschiffige Kirche mit Seitenkapellen und breiten Schwibbögen, auf denen eine hölzerne Dachverschalung aufruht; die spätgotische Apsis ist dagegen rippengewölbt. Die Ausmalung wurde nach der Verlängerung des Bauwerks im 19. Jahrhundert angebracht. Die Anerkennung des Kirchenschiffs als Monument historique erfolgte im Jahr 1987.
 Eine an einem Privathaus angebrachte Gedenktafel aus dem Jahr 1632 erinnert an den Aufenthalt Ludwigs XIII. in Bram. Auch sie ist seit 1930 als Monument historique eingetragen.
 Im Ort stehen zwei kleine Kapellen (Chapelle Notre-Dame de Miséricorde und Chapelle de l'Assomption) im neogotischen bzw. neoklassischen Stil des 19. Jahrhunderts.
 Das zu Füßen des Ortes gelegene Museum Eburomagus zeigt eine Vielzahl von Ausstellungsstücken aus der Antike und dem Mittelalter.
 Knapp vier Kilometer (Fahrtstrecke) nördlich von Bram erhebt sich das Château de Lordat, ein Herrensitz aus dem 18. Jahrhundert mit einem geometrisch angelegten Garten im französischen Stil.
 Einen Kilometer weiter steht ein ehemals zum Schloss gehörendes Landgut mit einem Taubenhaus (pigeonnier) aus dem 18. Jahrhundert.

Persönlichkeiten
 Pierre Rolland (1926–1967), Schachspieler und Professor für Philosophie

Siehe auch
 Albigenser (Zeittafel)

Literatur
 Christian Eggers: Unerwünschte Ausländer. Juden aus Deutschland und Mitteleuropa in französischen Internierungslagern 1940 – 1942, Metropol Verlag, Berlin 2002, ISBN 3-932482-62-X.
 Peter Gaida: "Überschüssige Ausländer": Spanische und jüdische Zwangsarbeiter in Vichy-Frankreich (1940-1944), 2021, ISBN 978-1008977853.
 Denis Peschanski: Les camps français d'internement (1938-1946) - Doctorat d'Etat. Histoire. Univer-sité Panthéon-Sorbonne - Paris I, 2000. (Online1 oder Online2)
 Reiner Tosstorff: Spanische Bürgerkriegsflüchtlinge nach 1939, in: Exile im 20. Jahrhundert, herausgegeben im Auftrag der Gesellschaft für Exilforschung von Claus-Dieter Krohn, edition text + kritik, München 2000 (Exilforschung; Bd. 18), ISBN 3-88377-645-9.

Weblinks

 Webseite der Gemeinde (franz.)
 Eburomagus – Fotos + Infos (franz.)
 Mairie de Bram: découvrir l'histoire de Bram
 Un mémorial, à Bram, pour les Républicains espagnols, Ladepeche.fr, 12. März 2009
 Bram. Déportation: une piqûre de rappel devant la stèle de la gare, Ladepeche.fr, 28. April 2022

Einzelnachweise

Ort in Okzitanien

Weinbauort in Frankreich

redpajama_set_name: RedPajamaWikipedia