text:
namespace stockpile {

//--------------------------------------------------------
Pile PileCreator::createPile(const PileDefinition& pileDef, const std::string& resourceRoot) const
{
	std::unique_ptr<PileData> pileData(new PileData);

	for (const auto& chunkDef : pileDef.getChunkDefinitions())
	{
		std::stringstream ss;
		int pos = 0;

		std::unique_ptr<ChunkData> chunkData(new ChunkData);

		for (const auto& resourceDef : chunkDef.getResourcesDefinitions())
		{
			std::string path = resourceRoot;
			if (!chunkDef.getBasePath().empty())
			{
				path += "/" + chunkDef.getBasePath();
			}
			path += "/" + resourceDef.getFilename();

			std::ifstream input(path, std::ios::binary | std::ios::ate);
			if (input.fail())
			{
				throw new std::exception();
			}

			const auto inputLength = input.tellg();
			std::vector<char> inputData(inputLength);

			input.seekg(0, std::ios::beg);
			input.read(&inputData[0], inputLength);

			const std::string s(inputData.begin(), inputData.end());
			ss << s;

			chunkData->resources.emplace_back(resourceDef.getTargetPath(), pos, (int)s.size());

			pos += s.size();
		}

		chunkData->data = ss.str();

		pileData->chunks[ResourcePath(chunkDef.getChunkName())].reset(new Chunk(chunkData));
	}

	return Pile(pileData);
}

}


text:
Лихачевка () — упраздненное село в Алтынсаринском районе Костанайской области Казахстана. Ликвидировано в 2009 году. Входило в состав Лермонтовского сельского округа (ныне имени Ильяса Омарова).

География
В 7 км к юго-востоку от села находится озеро Аксор.

Население
В 1999 году население села составляло 60 человек (31 мужчина и 29 женщин).

Примечания

Упразднённые населённые пункты Алтынсаринского района

redpajama_set_name: RedPajamaWikipedia


Teotronico (hereinafter referred to as Teo), a robot pianist born in Imola of Italy in 2012, is designed and manufactured by Mateo Suzi. Teo plays the piano through many dynamically controlled joints, 53 fingers of whom can move in an extremely fast and exact manner.
Teo has made successful performances in domestic cities since 2015, such as Guangzhou, Beijing, Chongqing, Shanghai and Tianjin. In 2017, Teo was invited by Hunan TV programme "I am a singer" with soprano Zhang ; and was invited to the world conference on robot exhibition. Teo with pianist Lang Lang and starts the first class recorded CCTV programme. In the first half of 2018, Chen anke, a pianist, and singer ren xianqi recorded the CCTV Spring Festival gala.
Roberto Prosseda was born in Latina, Italy, in 1975. After winning major prizes in several important piano competitions, including the "U. Micheli" in Milan, "F. Schubert" competition in Dortmund, the "A.Casagrande" competition in Terni and the 7. "W.A.Mozart" piano competition in Salzburg, he has performed with success in more than thirty countries in Europe, Asia, North and South America. In the last three years he gave more than 150 public performances.
Roberto Prosseda's sensational discovery of new works by Mendelssohn made the headlines in Europe and led to several Decca releases. His albums have won much acclaim in the press, including the CHOC from Le Monde de la Musique Classique, the Diapason d'Or and Chamber Music CD of the Month in the UK's Classic FM magazine.
During the concert, Teo and Roberto will consecutively play piano and orchestra music in "Piano Battle". Teo will make a discussion and negotiation with Roberto and audiences: How could players moderately perform the works composed firstly by composers? This battle between human beings and robots aims to explore the essence of musical performance and to stimulate the public to appreciate the music in a more independent, critical and devoted manner.
Beethoven: 2nd movement from Sonata Op.27, No.2 "Moonlight"


text:
← The Museum That Never Was, Part 1
Catching Some Rays →
The good news about the Debbie Reynolds Auction is that there was an auction at all. She saved all these items from oblivion, and now they're around for us to see. Debbie's main interest was in the costumes, but there's plenty of other stuff in her collection, like this concept painting from the 1963 Cleopatra. Just to illustrate how things can change from the early concept stages to final production…
…here's how the battle of Actium looked on screen. The painting has a dramatic grandeur that contrasts sharply with the frame from the movie, which looks rather stodgy and pedestrian — and which, as it happens, is pretty much how the battle scene plays out in the movie itself. The same is true of other Cleopatra paintings on display in the catalogue; they show an energy and drive that survives only sporadically (and sometimes not at all) in the picture as it finally played in theaters.
My point is: It's thanks to Debbie Reynolds that I'm even able to make this comparison. Maybe 20th Century Fox would have preserved these paintings and sketches. Maybe. But they didn't. In 1971, reeling from the financial debacles of white elephants like Dr. Dolittle, Star! and Hello, Dolly! (and for that matter, Cleopatra, which eventually turned a decent profit, but too late to do any good), and with Star Wars still six years in the unseeable future, I'm sure Fox was only too happy to pick up a little spare change by getting rid of things like this. And Debbie Reynolds was there to take them for safe-keeping.
Now that Debbie is relinquishing her stewardship, we can reasonably assume that, whoever may wind up with this or that individual piece, the collection as a whole is safe for the forseeable future; nobody pays $5 million for a dress if they're planning to leave it wadded up on the bottom shelf of the linen closet, or set it out on the curb next time the Salvation Army truck comes around. But where are the pieces going, and what precisely is going to become of them? Collectors can be a secretive and territorial bunch, not always quick to share. (And who can blame them? There are a lot of unscrupulous people out there; see here for a mention of the mysterious fate of Marcel Delgado's production photos from The Lost World ['25] and King Kong ['33].) In the auction catalogue from Profiles in History, there's a special plea from London's Victoria and Albert Museum, asking for the loan of certain items in the collection for an exhibit on Hollywood costumes planned for October 2012 through January 2013. Debbie had promised curator Deborah Nadoolman Landis the use of any costumes she wanted — until the need to sell torpedoed the arrangement; it'll be interesting to see if any of the new owners come through for the V&A.
So the Debbie Reynolds Collection existed in the first place, and it's (most likely) safe now; that's the good news. The bad news is that it won't be a collection anymore. True, last month's auction was only 587 lots out of whatever (5,000? 10,000?) is the total. Does Debbie intend to sell only enough to pay her outstanding debts, then start again at Square One with what's left? Perhaps, but she certainly sounds as if she's in the process of washing her hands of the whole kit and kaboodle. That's perfectly understandable, but it's still a shame.
I'll miss having the opportunity to wander through the halls of the Debbie Reynolds Hollywood Movie Museum, and to go back as often as time and resources would allow; I suspect a single day wouldn't have been enough to see it all. It's comforting to know that these things are in the hands of people who'll appreciate them, but having them all together in one place would have made the museum so much greater than the sum of its parts. As Virginia Postrel says, "To understand the past you need a large sample. Only then can you separate idiosyncratic variation from broad trends."
I hinted at this idea in Part 1, when I suggested mix-and-matching a Cleopatra costume from the 1930s, '40s and '60s. How instructive it would have been to compare costumes from the 1925 and '59 versions of Ben-Hur; or Mutiny on the Bounty '35 and '62; or how Adrian dressed Charles Boyer as Napoleon in Conquest ('37) vs. how Rene Hubert and Charles LeMaire dressed Marlon Brando in Desiree.
Or take this shot of Katharine Hepburn as Mary of Scotland (1936). You can see Mary of Scotland any time you like, and maybe you have. But while you were taking in the lavish settings and costumes captured by Joseph August's richly atmospheric, deeply shadowed black-and-white cinematography, did it ever occur to you that the gown Kate is wearing here…
…really looked like this? We enter so completely into the world of any black-and-white movie (and arguably, Mary of Scotland is not one of the best) that we tend to forget that anyone ever thought of them in terms of color. We think, perhaps, that the studios wouldn't spend money on something the camera wouldn't see. But think that one through: The actors would see it. If Katharine Hepburn's costume had really been composed of the shades of black and gray that we see on screen and in the picture above, she would surely have acted differently than she did in this sumptuous red and gold garment. And the camera would certainly have seen that.
This is one of the things I most noticed in looking through the costumes in the catalogue, the striking variety of color in costumes and set pieces built for black-and-white movies. That gold gown from DeMille's Cleopatra is another example; it may look silver on screen, but no, it was gold.
Here's yet another. It's Tallulah Bankhead as Catherine the Great in A Royal Scandal (1945, begun by Ernst Lubitsch, who became ill during production and handed the direction off to Otto Preminger)…
…and here's the dress she's wearing, a "cognac silk
velvet two-piece period gown heavily jeweled with gold and white stones." Talk about your Scarlet Empress! If you Ctrl-click on the picture to open it in a new tab, then "plus" it up to full size, you can see the exquisite detail in the jeweling, which probably went all but unnoticed by audiences at the time. (You can, alas, also see that time has visited its ravages on the gown — mostly, no doubt, between 1945 and '71, when Debbie acquired it from 20th Century Fox.) Bidding on this one started at $3,000 and it sold for $7,000 plus another $1,610 for the house commission and sales taxes.
(And by the way, I said in Part 1 that I had no idea how much those Cleopatra costume pieces finally sold for. Well, now I know, thanks to the icollector.com Web site: Cleopatra ['34] gown, $40,000; Cleopatra ['63] headdress, $100,000; Caesar and Cleopatra wig and headband, $4,250. Maybe those "duelling Cleopatras" showed up after all. Also, Debbie's How the West Was Won gown brought $11,000. All prices are before 20 percent "buyer's premium" and sales tax.)
I could go on like this all day, but I'll just give a few more examples, all from the same picture: Marie Antoinette (1938), Irving Thalberg's last project, a vehicle for his wife Norma Shearer that was eventually released nearly two years after Thalberg's death. Because it was Thalberg, and because he was doing it for Norma, no expense was spared. For starters, here's a silk brocade jacket and vest with breeches (a pair of pink-and-brown ribboned shoes came with) for John Barrymore as King Louis XV…
…and here's a wool coat with black velvet buttons for Tyrone Power as Count Axel de Fersen, the would-be rescuer of the doomed Louis XVI (Robert Morley) and his queen…
…while here's a tunic worn by a servant attending the king at a royal ball. This costume, mind you, worn by a nameless extra whose own mother probably didn't notice or recognize him.
These three samples alone — and the catalogue has eight more from the same picture — bear witness to the fact that the set of Marie Antoinette must have been an absolutely intoxicating riot of color. It makes us wonder what the movie might have looked like if Technicolor had been available (well, technically it was, but MGM was still timid about using it). Even more than that, it makes me (at least) think what an absolute Wonderland the set of Marie Antoinette must have been. Can you imagine? Well, you'll have to, because you'll probably never see these costumes all together in the same place again.
That, again, is the bad news of the Debbie Reynolds Auction: the opportunity to browse through these exhibits is in all likelihood slipping away from us forever. They're all safe enough from outright destruction, no doubt, but they've been spirited away God knows where, to some private mansion or mountaintop retreat or private hall or atrium or display case, to be shared, if at all, with only a small circle of friends.
That's why I'm glad I ordered my own copy of Profiles in History's catalogue, even though my vague ideas about going to the auction or putting in some bids never went anywhere. And it's why I plan to get a copy of the next edition in December (who knows, by then I may even be able to bid on something). The catalogue is like a souvenir book from the gift shop of the Museum That Never Was, a memento of the last time these exhibits were all under one roof — something I can leaf through at my leisure and pretend that I actually spent a day or two in the Debbie Reynolds Hollywood Movie Museum and saw all this myself first-hand.
If you're interested in a catalogue of your own, you can (at least as of this date) order it here from Profiles in History. If you don't want to pay the $39.95 — and don't mind not getting the quality high-gloss paper it's printed on — you can even download the catalogue for free on PDF. But be warned: It's 312 pages and will probably take quite a while to download (and even longer to print), and it'll probably take up quite a chunk of your hard drive when it gets there.
Allen Hefner on July 22, 2011 at 3:15 pm said:
Thanks, Jim, for a fascinating look at what Debbie auctioned. Your notes are very interesting, and bear out the color pictures you included.
Let's hope the new owners are inclined to lend some (most) of the items to various museums around the country so they can be enjoyed by others.
Jim Lane on July 22, 2011 at 11:21 pm said:
Welcome, Allen, and thanks. And while you're here, let me return the compliment: kudos on your tribute yesterday to Hattie McDaniel on your Bit Part Actors blog; I urge my readers to check it out.
DorianTB on July 30, 2011 at 9:22 pm said:
Jim, thanks a million for sharing those wonderful pictures of the various pieces of Debbie Reynolds' collection in Part 2 of "The Museum That Never Was." Wouldn't it be great if at least some of Debbie's memorabilia was lent to museums around the country, if not the world? I blame this damn economy for the fate of Debbie's treasures!
On a more upbeat note, will you be contributing to the '50s Monster Mash Blogathon, already in progress until August 2nd? I'm sure I speak for all your readers when I say that with your encyclopedic knowledge of and love for classic movies, you'd surely whip up a terrific post!
Thanks, Dorian; your comments are always welcome. We can probably blame the bankruptcy of the Belle Island project on the current economy — but what was the excuse (not Debbie's, but everybody else's) for the 30 years before that?
As for the Monster Mash Blogathon, yes, my post is in the oven even now. Look for me to bring up the rear of the parade on Tuesday, when I chime in on The Beast from 20,000 Fathoms and The 7th Voyage of Sinbad.
The Lady Eve on August 2, 2011 at 5:18 am said:
The more I learn about wardrobe and costuming, the more fascinated I become. Really enjoyed your post with so many gorgeous accompanying photos. One thing I'm learning is that even the wardrobes for major black and white films were often breathtakingly colorful and opulent. I thought you might be interested in a link to a blog (by a collector of fine taste) I follow…you may already know of him, but in case not: http://vintagefilmpropsandcostumes.blogspot.com/
Jim Lane on August 3, 2011 at 6:47 am said:
Welcome, Eve, and thanks for the tip on Vintage Film Costume Collector; a most interesting blog!

redpajama_set_name: RedPajamaCommonCrawl


text:
Rhagonycha bicolor is een keversoort uit de familie soldaatjes (Cantharidae). De wetenschappelijke naam van de soort werd in 1997 gepubliceerd door Takahashi & Imasaka.

Soldaatjes


text:
7 cool things to do in Florida this year!
Because when we have Stone Crab in our plates and Manatees to Swim with and a chance to be with an Astronaut, we will be left overwhelmed and gasping for more for sure!
"All of Florida is different," says Nicole from Visit Florida. "People need to get out of their comfort zones and explore the hidden gems".
A snorkeler watches a Manatee (Image from Shutterstock)
Don't get me wrong. My first time to Florida was a touch and go of a total of 72 hours in Miami, Everglades and Key west - we explored what was touristic. But I ain't planning regular jaunts in Florida anymore. Because now I know, if I truly wish to enjoy Florida, I got to breathe and eat Florida as Nicole , Meagan and Chef Brian from the state tells us at the New York Times Travel Show 2018.
So, here are 7 cool and unique things to do in Florida this year:
1. Swim with Manatees in Crystal River: "I would highly recommend Crystal River. Crystal River has Manatees and its the only place in North America where you can swim with Manatees", says Nicole. "Manatees are marine mammals that are sometimes known as sea cows. They live in the water and its their own breed. If one come next to you you can swim with them. Its adorable. Its in their natural habitat and its not a park of any kind. "
I would love to do this on my next visit to Florida. Crystal River is about 1 hour 40 minute drive from Orlando and a couple of travel operators do Snorkeling tours in the area. Crystal river is 5 hours from Miami.
Nearest Airport: Tampa (1 hour 15 min) , Orlando (1 hour 40 min)
I read some great reviews about River Ventures Manatee Tour Center.
Viator also has a tour that combines Crystal River Manatee Snorkeling + Airboat tours of Homosassa River, the link for which is here
Check out the official page of Crystal River for more information.
2. Kennedy Space Center: "Another cool experience on the Atlantic Side is the Kennedy Space Center. There is an astronaut training program. You actually get to meet an astronaut. Go through the day learning to be an astronaut. How cool is that!" , says Nicole.
Huge rocket standing at the Kennedy space center museum( Image from Shutterstock)
Kennedy Space Center is home to many historic and current space exploration vehicles, including the actual space shuttle Atlantis, a Saturn V moon rocket, a SpaceX Dragon capsule, a Boeing CST-100 Starliner test vehicle, the Apollo 14 Kitty Hawk capsule, the Mercury Sigma 7 capsule, the Gemini 9 capsule and the rockets of the Rocket Garden.
Check out how to watch Rocket Launch at Kennedy Space Center: How to watch Rocket Launch
Learn more about Astronaut Training Center here
Nearest Airport: Orlando (45 min)
3. The Food, Seafood and The Catch & Cook Program: "You have to stick with the fresh seafood in Florida. You can't go wrong. South Florida is for Stone Crab, Key west is for lobster and scallops etc," says Nicole.
Stone Crab at Joe's Stone Crab, Miami
Stone Crab season opens October each year and runs through May.
"Something very cool about Stone Crab is that they are sustainable, they catch the Stone Crab and they take out one claw and they throw them back and then they regenerate the claw. So that's something very interesting about Florida Stone Crab a lot of people may not know about," says Meagan.
In the Northern part of the state a lot of resorts have "Catch" and "Cook" program where you go out with the fisherman during the day and catch your fish and they'll cook you what you caught. Pensacola is one of the great spots for that. And they'll make it anyway you want it whether its blackened, fried, broiled or baked.
Tallahassee as far a culinary goes is amazing. "Food from that area is an influence of southern and a lot of gulf coast Regional Food," says Chef Brian. As he served us mouthwatering Shrimp escabeche or Pickled Shrimp made from Florida Key West Pink Shrimp, I couldn't resist making "Culinary Tours" as part of my itinerary next time I am in Florida. "Pink Shrimp are hard to come by, because we don't let them leave the state," states Brian.
Cuban food is also very popular in Florida. Meagaan says "You get best Cuban Sandwich in St. Pete. In fact, great cuban food is available everywhere in the state". Since a lot of produce comes from the state of Florida including greens , the citrus fruits and the seafood, there has been a lot of farm to table movement in recent years. We tried Gator Nuggets and the Lion Fish and the Stone Crab in Miami & Keywest and one word I'll say "The Stone Crab is wow!"
When in Florida, Check out Miami Culinary Tours(book in advance online) for Little Havana and South Beach. We did not had so much time so we did these places on our own.
4. Everglades National Park: " I would also recommend Naples in Everglades. Everglades spans from the gulf side all the Atlantic side. At Naples, you can see alligators, crocodiles, birds of all kind. Get out there into the wild", says Nicole.
Although we did not venture as far as Naples, we did go to Everglades National Park and had a rendezvous with the Alligators from the Airboat ride which was super fun too!
Everglades is 2 hours from Miami and there are many tour operators who does one day tour to Everglades.
5. The Festivals: "We have the largest Strawberry festival and thats something unique. We have some other unique festivals out here. Art Basel is another huge event everybody raves about and thats where everyone comes together. There are also festivals that highlights food choices we have in Florida, " says Nicole.
"This year is the 2nd year of the 7th seafood and wine festival at Seaworld. I would suggest doing the rides first and thereafter you can punch card and do a taste around the world around the regions that are laid out. They have beers and wines and cocktail to pair with food from region. I am very southern and my favorite is bacon and cheddar hush puppies with honey butter. Its amazing!We have tons of festivals from pensacola all the way to Key west where you get sampling of the food. We even have a Stone Crab Festival." , says Meagan.
There are many food and wine festivals in Florida, do have a look at them here
I would advise you on checking out the Festival calendar before planning a trip to Florida. We missed the Wynnwood Art Walk in Miami that happens every second Saturday. And we were in Miami on a second Saturday..
6. The Beaches: "Outside of Tampa, Art and Food scene at St. Pete Beach is amazing. You'll just love it! . Another beach that I would recommend is Pensacola Beach, the sand there is just sugar. Its picturesque and gorgeous. I have been spending a lot of time in West Palm Beach it Ft Laureldale lately," says Nicole from Visit Florida.
Bahia Honda is gorgeous!
I loved the crashing waves of the South Beach , Miami. I was also hoping that the Atlantic side of Bahia Honda State Park near Marathon(20min) in Florida Keys opens soon(estimated May end) that was damaged due to hurricane Irma because that was one gorgeous beach I saw from the fences. A friend of mine suggested going to Haul Over Beach in Miami , may be next time! A few locals we met in Keywest suggested North Florida for beaches.
Check out Florida Beach Finder by Visit Florida
Also Check out Florida Beach Camping by Visit Florida
7. Dry Tortugas National Park: Almost 70 miles (113 km) west of Key West lies the remote Dry Tortugas National Park. It's only accessible by boat and seaplane from Keywest. It comprises 7 islands, plus protected coral reefs. On nearby Loggerhead Reef, the Windjammer Wreck, the remains of an 1875 ship, is a popular dive site. The most popular way of getting to Dry Tortugas is the National Parks Service's ferry, the Yankee Freedom III on a 2.5 hour ferry ride. One can also camp in Dry Tortugas (on advanced reservations). You also have to book the ferry ride in advance (online) as the tickets gets sold out fast.
The crystal clear water of the gulf of Mexico from Fort Jefferson, Dry Tortugas NP (Image from Shutterstock)
For more information on Dry Tortugas camping, click here
For more information on Dry Tortugas check here
I know I haven't talked about the Keys and the Keywest - the famous road trip of a lifetime. I will in my next post on "Miami in 72 hours" where we uncover the touristy spots as a tourist wanting to be laid back but trying to tick off from the checklist everything we could. ;)
Tags: Visit Florida


Cut the VEGANSAUSAGE Chorizo into small square cubes.
Mix together with the soya yoghurt, caraway and chives. Season with salt and pepper.
Place into a bowl and skewer each single Chorizo cube.
Dip in soya yoghurt and enjoy with fresh Parisian white bread!


text:
House and Senate Have Different Views On Criminal Illegal Immigrants
Opposing Views Staff
As the House and Senate continue to debate the best way to change America's immigration system, differences about how the two want to handle criminal illegal immigrants keep emerging.
After two police officers were killed, allegedly by illegal immigrant drunk drivers with prior DUI arrests, the debate has only become more heated.
"There are thousands of Americans killed intentionally and accidentally by illegal immigrants who have already been arrested and could have been deported from the U.S.," said Kris Kobach, an attorney who represents Immigration and Customs Enforcement agents.
After he was arrested in 2010 for drunk driving and unlawful carrying of a weapon, 23-year-old Andres Munos allegedly struck and killed 47-year-old Sgt. Dwayne Polk while he was driving drunk in May. In a separate incident, Jesus Cabrera-Molina admitted he was drunk and high on cocaine the night that Phoenix Police Officer Daryl Raetz was struck and killed with Cabrera-Molina's SUV. (Cabrera-Molina denies he was behind the wheel). Munos and Cabrera-Molina are both believed to be in the country illegally, Fox News reported.
Under a House bill, Munos and Cabrera-Molina would likely get deported immediately because of their federal immigration statutes. Under s Senate bill, both men would be entitled to a hearing and a taxpayer-funded lawyer. The Senate bill also says that illegal immigrants with three or fewer misdemeanors would be allowed to remain in the country if they had children or wives in the U.S.
Advocates say that using discretion in these sorts of cases is important.
"These are real human situations that require human decisions," said Crystal Williams of the American Immigration Lawyers Association. "Drunk driving needs to be treated as the crime that it is -- an alcohol-related, a substance abuse-related crime and not something related to immigration. The two are wholly unrelated."
Sources: Fox News, The Daily Beast
Kris KobachAmerican Immigration Lawyers AssociationAndres MunosCrystal WilliamsJesus Cabrera-MolinaImmigration and Customs Enforcement Agents
Illegal Immigrant Driver's License Bill Pending in Ohio
Federal Court Says Illegal Immigrants Don't Have Right to Guns
Report: 600 Illegal Immigrants with Criminal Backgrounds Were Released in 2013
Donald Trump On Illegal Immigrants: 'They Have To Go'
Illegal Immigrant Scales Fence at Arizona Border In Sight of Visiting US Senators
2016 Presidential Candidates' Views Differ On Marijuana
Senate To Discuss Bills On Immigration Controls
New Proposal Could Give U.S. Citzenship to 11 Million Illegal Immigrants


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text:
Q: Flagged needed mod attention, question closed by mod, but flag declined? I couldn't find anything specific regarding this as all flag questions seem to address the flag in particular, that said:
I usually wouldn't post anything like this as it is just a flag, and the question was closed anyways - however, this seems to happen a bit with my declined flags.
For this exact case, the question was: https://stackoverflow.com/questions/15759141/how-to-slow-down-progressively-a-web-application
And I flagged it for moderator review. I then see that the flag was declined by "declined - a moderator reviewed your flag, but found no evidence to support it", and when looking at the question, I see:

closed as not constructive by tjameson, Álvaro G. Vicario, J. Steen, Rikesh, Andrew Barber♦ 19 mins ago

And while I can understand a question being closed by the close votes of users with enough rep, it was also closed by a moderator.  I flagged specifically "needs moderator attention".  Granted I chose other with "Asking to sabotage code" and then was slightly verbose as I wasn't quite sure how to mark it, but it shouldn't have affected the fact that it did need moderator attention, and was closed by a moderator as well.
My question in short is "What?" and "How does that happen?"
EDIT
Entire flag message:

Asking to help sabotage code. Not sure if I should have marked it this way or "Not Welcome in out community" as I believe it fits that title, though not really it's description. ^^

Flag decline reason:

declined - a moderator reviewed your flag, but found no evidence to support it

Flag type:

Need Moderator Attention -> other

A: Indeed it was closed by a moderator, but only finally, and that doesn't mean it received any particular 'moderator attention'; Andrew Barber, a dedicated community member who happens to be a mod, was in agreement with some others of his community and contributed to closing the question as a normal process - this wasn't unilaterally done as a result, necessarily, of any one flag demanding attention.
On the other hand, we have more than one mod, naturally, and - this gets told a lot - they're human and, although we're very much on the same wavelength here at large, the moderators generally more so, there are differences in how questions are perceived and handled. That is, one might pass it up for the community to handle, another might act with part of the community and handle it, and another might take the liberty themselves.
Your flag actually was unwarranted, so I don't see any contradiction here.
There is nothing of the post 'requiring moderator attention', hence your invalid flag when calling upon a moderator, but if a community member (who happens to be a moderator) is just passing, and sees fit to cast a close or delete vote, they will. You don't call the police if you lose a lottery ticket, but a policeman (like a good citizen) might register it for lost+found if they saw one blowing in the wind.
Anecdotally, the lottery ticket example comes to mind from a real-world example, when a colleague of mine arrived in work one day with such a story; during the draw he couldn't find is ticket, and, apparently in some kind of panic, not only called the police, but did so on the emergency services line (999 in the UK). To this day, I still can't quite believe how a thinking person could do such a thing. Needless to say, we all laughed at him hard.

A: Generally speaking, it's not a moderator's job to police the intent of a question or judge the legality of a question/enforce 3rd party stuff like NDAs and such.
So the moderator likely declined your flag for this reason. But closed the question because it also happened to be not constructive.

Here's a rather big example of a question with possible negative intent.
How to send 100,000 emails weekly?
No moderators intervened to bring it down. (In fact it was locked to prevent it from repeatedly getting deleted.)

A: Unfortunately, someone flagged the post in question as spam/offensive, which it was not. I declined that flag, which automatically declined the other flags on it the same way. It's an unfortunate limitation of the current flagging system; All open flags are dismissed as one. I wish it was not that way, but it is, and that is the explanation for your decline there.
For the record, I closed it for a slightly different reason than your flag indicated, and I'm actually not 100% sure I agree with your proposed reason to close it. We (moderators) do not generally judge the morality or legality of the topic behind a post. However, the question was still not constructive without that, in my opinion, hence I cast the final closing vote.

2014/6/6 edit: Moderators can now dismiss individual flags, so the above should be much more rare, now. It's still possible, if a moderator doesn't notice the other flags, or forgets that option. But we do have that ability, and it is just for these things.

redpajama_set_name: RedPajamaStackExchange


text:
MAASTRICHT. Would it not be a good idea if student council members were to receive ECTS credits for their work? This idea was proposed by some of the student members during the last council meeting at the Faculty of Arts and Culture. This was not for their own benefit, but to make council membership more attractive in the future, they said. After all, students also get credits for their work placements. Just like they do during their work placements, student members in the council gain work experience.
"You do this kind of work because you feel it is important," replied other students in the fraction. "We are already paid, which is an 'incentive'." There was also little enthusiasm for the plan among staff members and faculty board. "There are things that you do out of idealism, for the community." An observation that was fully endorsed, by the way, by those who submitted the plan.
There was also criticism for the idea that every student, upon completion of their term, would make an assignment, reflecting on their council work and so earn ECTS credits. That would not only increase the work pressure of staff, but would also bring about the situation that staff members who were in the council on an equal footing with the students would then suddenly have to assess their work.
With that, the proposal was rejected.
Riki Janssen - 23-Mar-2017 09:09
MAASTRICHT. Smoking is set to be banned at the entrance to the Turnzaal, on the terrace behind Bandi...
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