text:
Sino-Portuguese architecture, also known as Chinese Baroque, Straits/Singapore Eclectic architecture or Peranakan architecture is an Asian hybrid style incorporating elements of both Chinese and Portuguese architectural styles. It is common in urban centers where Chinese settlers lived in southern China and the Peranakans of the Malay Peninsula, with examples found and most prominently conserved and maintained in Singapore.

Historical areas with such architecture can also be found throughout Malay Peninsula, Southern Thailand (primarily Phuket), Macau, Vietnam and Hainan (primarily Haikou). In many of these places however, such structures has either be demolished or are in a state of disrepair.

Sino-Portuguese style
The characteristics of Sino-Portuguese architecture is a mix of European and Chinese styles or simply colonial architecture. These older buildings were built by the Chinese coolies. The building has the design (painting) in Chinese format, but the structure is Portuguese. Typically, the building is a one or two storey mixed commercial-residential building. The wall has strength due to the weight of the tiles on the roof. The roof is clad in curved tiles of Chinese provenance.

In contemporary Singapore, such structures are conserved and maintained regularly, making them a huge tourist attraction for foreigners unacquainted with such structures. Its historical heritage as well as its location in the city-centre also makes them highly valuable.

Sino-Portuguese history in Phuket
The old town in Phuket has a history as the center of a tin mining and trading province. In the era of Western imperialism, after 1511 (2054 BE), Portuguese settlers came to Phuket and to the trade port of Malacca. The settlers brought Western culture with them, as well as science, religion, and their own architectural styles. Portuguese settlers employed Chinese workers to build their houses and establishments. These structures mixed Portuguese and Chinese art styles together, giving rise to Sino-Portuguese architecture.

Gallery

See also

 Architecture of Singapore
 Bahay na Bato
 Malay houses
 Nipa hut
 Rumah adat
 Shophouse
 Tong lau

References

External links
 Old Phuket Houses. Retrieved 3 October 2016, from www.phuket.com
 Phuket's Old Town Movement. Retrieved 3 October 2016, from lestariheritage.net
 Sino-Portuguese Architecture. Retrieved 3 October 2016, from www.roughguides.com

Architectural styles
Architecture in Thailand
Architecture in Singapore
Architecture in Malaysia
Singaporean culture
Portuguese colonial architecture
Portuguese diaspora in Thailand
Buildings and structures in Phuket province


Addressing the Scottish Parliament's justice sub-committee on policing today [6 December], which took evidence on Police Scotland's support for the Home Office's immigration and compliance enforcement teams, Scottish Refugee Council policy officer Graham O'Neill highlighted the SRC's experience "at the sharp end" of immigration policies, and advocated a multi-agency approach at a Scottish level which could help achieve better standards and practices.
This follows a new report by HM Chief Inspector of Prisons, which revealed that dozens of torture victims detained in the infamous Dungavel House in South Lanarkshire have been refused release, despite reports submitted by doctors to the Home Office warning over the mental health of these detainees.
Despite the institution of 'Rule 35', which was designed by the Home Office to protect vulnerable people in detention and allow for their release if concerns were expressed by a doctor, the report states that of 49 'Rule 35' reports produced at the detention centre over the previous six months, only 13 of these were released.
While immigration enforcement is a reserved matter carried out by the Home Office, Police Scotland cooperate closely with immigration enforcement teams. Such multi-agency cooperation has meant that Police Scotland cells have been used on 537 occasions over the course of 2017/18 to detain those arrested during immigration raids.
Ahead of today's meeting, sub-committee convener and Green MSP John Finnie commented: "We welcome police efforts to positively engage with minority groups, and to show Scotland as a welcoming place.
After it was noted by Finnie at the outset of the meeting that the Home Office have "done us the discourtesy" of not responding to the sub-committee's inquiries, evidence was provided by O'Neill on behalf of the SRC, Chief Superintendent John McKenzie and Sergeant Graeme Stirling of Police Scotland.
Regarding the UK Government's 'hostile environment' policy, O'Neill said there has been a "real, exponential growth" in the number of actions within immigration law that have been defined as crimes, which will affect Police Scotland's practice.
"There are people that have vulnerabilities, particularly around mental health issues, that really should not be put into immigration detention in the first place.
During the use of Police Scotland custodial facilities in detaining or transporting those subject to immigration law, O'Neill continued, there will be a "really important opportunity" to check whether those detained by the Home Office should be detained in the first place.
Scotland must "maximise all the opportunities we can get" to make sure that those subject to far-reaching immigration powers are being treated appropriately and justly, O'Neill said.
That being the case, there's a higher risk of insecure immigration status affecting a higher number of people.
Chief Superintendent McKenzie emphasised that Police Scotland abides by "exactly the same standard" as the Home Office in judging the vulnerability of those subject to immigration law, citing the 21-question vulnerability assessment applied to anyone who comes through Police Scotland custody.


text:
Railway Events and Exhibitions
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Welcome to the Railway-News Events and Exhibitions directory, where you can browse the leading events and exhibitions in the rail sector globally. If you would like to list your event with us, please click below.
Rail Wellbeing Live's Wellbeing Wednesdays take place on the first Wednesday every month. Livestreams are free and cover a range of topics.
Rail Cybersecurity Europe
Rail Cybersecurity Europe will take place in London, UK at the Millennium Gloucester on 8-9 February 2022.
TransCityRail Midlands
TransCityRail Midlands 2022 will take place in Birmingham, UK at The Vox Birmingham on 10 February 2022.
Rolling Stock Forum
Rolling Stock Forum 2022 will take place in London, UK at Clifford Chance on 10 February 2022.
International Railway Summit
The 11th International Railway Summit (IRS11) will take place in Berlin, Germany on 15-17 February 2022. Organised by IRITS Events Ltd.
International Sustainable Railway Awards
International Sustainable Railway Awards 2022 (ISRA) will take place in Berlin, Germany on 17 February 2022.
Fire Protection of Rolling Stock
Fire Protection of Rolling Stock will take place in Berlin, Germany on 23-24 February 2022. This event is organised by Arena International.
28 Feb 2022 - 02 Mar 2022
AusRAIL PLUS
AusRAIL PLUS will now be taking place at the International Convention Centre in Sydney, Australia from 28 February to 2 March 2022.
Nationally Significant Infrastructure Projects Forum
The Nationally Significant Infrastructure Projects Forum will take place in London, UK and virtually on 1-2 March 2022.
RailTech Europe
RailTech Europe 2022 will take place in Utrecht, the Netherlands at Jaarbeurs Utrecht on 8-10 March 2022. Organised by ProMedia Group.
IT-TRANS
IT-TRANS will be taking place both ONLINE and in Karlsruhe, Germany on 8 – 10 March 2022. This event is organised by Messe Karlsruhe.
Transit State of Good Repair Conference
The 10th Edition of the Transit State of Good Repair Conference will take place in Washington, D.C., USA on 9-10 March 2022.
Rail Cybersecurity USA
Rail Cybersecurity USA will take place in Celebration, Florida, USA on 15-16 March 2022. This event is organised by Cyber Senate.
Accelerate: Rail
Accelerate: Rail 2022 will take place in London, UK at the Hilton Tower Bridge on 16 March 2022. Brought to you by MarketforceLive.
RailwayTech Indonesia
RailwayTech Indonesia will take place in JIEXPO Kemayoran, Jakarta, Indonesia on 17 – 19 March 2022. A B2B international rail trade expo.
Rail Innovation Exhibition
Rail Innovation Exhibition 2022 is brought to you by the Department for Transport, Innovate UK, Innovate UK KTN, and the Railway Industry Association.
Transport-led Development in the North of England
Transport-led Development in the North of England will take place in Leeds, UK at Addleshaw Goddard LLP on 19 January 2022.
H2 Forum
H2 Forum will take place in Berlin, Germany at Estrel Convention Centre and ONLINE on 4-5 April 2022.
Track Access Charges Summit 2022
Track Access Charges Summit 2022 will take place in Riga, Latvia on 20-21 April 2022. This event is organised by ProMedia Group.
World Tunnel Congress
World Tunnel Congress: Underground solutions for a world in change will take place in Copenhagen, Denmark on 22 - 28 April 2022.
WOF Summit 2022
Two thrilling days including top-class speakers, panel discussions among leading experts, workshops with applicable expertise and...
Transport Evolution Mozambique Forum & Showcase
Transport Evolution Mozambique Forum & Showcase will take place in Maputo, Mozambique at the Port of Maputo on 10-12 May 2022.
Railtex / Infrarail
Railtex / Infrarail 2022 will take place in London, UK at Olympia London on 10-12 May 2022. This event is organised by Mack-Brooks Exhibitions.
Asia Pacific Rail
Asia Pacific Rail will take place in Bangkok, Thailand at the Bangkok International Trade and Exhibition Centre (BITEC) on 11-12 May 2022.
Electrotrans
The event, Electrotrans 2022 will take place in Moscow, Russia at the Expocenter Fairgrounds on 11-13 May 2022.
Safety of Passenger Conference
The Safety of Passenger Conference, concerning the safety of bus, minibus and tram passengers, takes place in Poland on 17-18 May 2022.
The Rise of IoT & Big Data in Rail
The Rise of IoT & Big Data in Rail will take place in Cologne, Germany at the Maritim Hotel Köln on 17 – 18 May 2022.
30 May 2022 - 01 Jun 2022
The 28th International Exhibition for Track Technology (iaf)
The 28th International Exhibition for Track Technology (iaf) will take place in Münster, Germany on 31 May - 02 June 2022.
Sydney Infrastructure Expo
Sydney Infrastructure Expo 2022 Australia's construction infrastructure & transport show, takes place on 1 – 2 June 2022.
World Congress on Railway Research
World Congress on Railway Research (WCRR) will take place in Birmingham, UK at the ICC Birmingham on 6-10 June 2022.
International Level Crossing Awareness Day
International Level Crossing Awareness Day will take place in Denver, USA on 9 June 2022. The campaign has been spearheaded by the UIC.
Multimodal will take place in Birmingham, UK at the NEC, Birmingham, UK on 14-16 June 2022. This event is organised by Clarion Events.
Rail Safety Week
Rail Safety Week aims to address, engage, promote and bring rail safety to the forefront of people's minds across a dedicated week.
Rail Live UK
Rail Live will be taking place at Long Marston Rail Innovation Centre, Warwickshire UK on 22 - 23 June 2022.
Rail Industry Meetings
Rail Industry Meetings 2022 will take place in Valenciennes, France on 22-23 June 2022. This event is organised by ABE.
Transport Ticketing Global 2022
Transport Ticketing Global 2022 will take place on 1-2 February and will be hosted at the iconic Olympia London in London, UK.
Rolling Stock Networking 2022
Rolling Stock Networking (RSN) 2022 will take place in Derby, UK at the Derby Arena on 7 July 2022. This event is organised by RSN Events.
International Conference on Railway Technology
International Conference on Railway Technology will take place in Montpellier, France at Le Corum Congress Center on 22-25 August 2022.
AREMA 2022
The AREMA 2022 Annual Conference & Expo will take place in Denver, USA at the Colorado Convention Center on 28-31 August 2022.
14 Sep 2022 - 16 Sep 2022
Maintenance & Resilience ASIA 2022
MRA 2022 will take place in Bangkok, Thailand at the Bangkok International Trade & Exhibition Centre on 14-16 September 2022.
InnoTrans 2022: InnoTrans is the leading international trade fair for transport technology and takes places every two years in Berlin.
Persontrafik 2022
Persontrafik 2022 will take place in Stockholm, Sweden at the Stockholmsmässan on 25-27 October 2022. Why not hop on board!
Modern Railways RVE
Modern Railways RVE Show 2022 will take place in Milton Keynes, UK at the Marshall Arena on 26 October 2022.
Scandinavian Rail Optimisation
Scandinavian Rail Optimisation is taking place in Stockholm, Sweden on 9 November 2022.
Transport Research Arena
Transport Research Arena (TRA) Conference 2022 will take place in Lisbon, Portugal at the Congress Center in Lisbon on 14-17 November 2022.
Africa Rail
Africa Rail will take place in Johannesburg, South Africa at the Sandton Convention Centre on 23-24 November 2022.
8th Railway Forum
The 8th Railway Forum 2023 will take place in Berlin, Germany at the Estrel Convention Center and ONLINE on 5 – 6 September 2023.
TRAKO
TRAKO the international railway fair will be taking place in Gdańsk, Poland at the AMBEREXPO on 19-22 September 2023.
30 Sep 2023 - 03 Oct 2023
Railway Interchange 2023
Railway Interchange 2023 will take place in Indianapolis, IN, USA at the Indiana Convention Center (ICC) on 1-4 October 2023.
Elmia Nordic Rail
Elmia Nordic Rail will take place in Jönköping, Sweden at the Elmia Kongress & Konserthus on 10-12 October 2023.
If you would like to list your event with us, please use the contact form opposite. A member of the team will be in touch shortly.

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Environment and Climate Change Canada is the home of the Sky Watchers Program. This program is an educational initiative which provides free teaching material on the subject of weather, including information, explanations, lesson plans, experiments, activities, posters, a full weather glossary, and a virtual & video tour of a weather forecasting office. The site also includes a detailed teacher's guide which is filled with information relating to weather stations, weather elements, severe weather in Canada, ultra violet radiation, air quality, and a host of other topics and areas of interest.
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All Sky Watchers resources are bilingual and are available to download free of charge. Our resources are designed to meet the needs of today's teachers and to engage students in fun, hands-on science!


text:
Q: Did Tolkien come up with the Ents as he was writing Lord of the Rings, or before? Ents play a pretty important role in The Lord of the Rings. However, they existed as far back as the First Age.
I expected them to have a pretty big role in The Silmarillion when I started reading it. I imagined they'd already been an important aspect of it, and that Tolkien "borrowed" them to his new work. However, they barely appear in The Silmarillion, at least in its published form.
Did Tolkien come up with the notion of Ents as he was writing The Lord of the Rings, and only then went back and inserted them into The Silmarillion?

A: I found further evidence for the fact Tolkien spontaneously came up with Ents as he was writing The Lord of the Rings, and only then edited them into the legends of the Elder Days.

There are or were no Ents in the older stories – because the Ents in fact only presented themselves to my sight, without premeditation or any previous conscious knowledge, when I came to Chapter IV of Book Three. But since Treebeard shows knowledge of the drowned land of Beleriand (west of the Mountains of Lune) in which the main action of the war against Morgoth took place, they will have to come in.

(From The Letters of J.R.R. Tolkien, letter no. 247 [to a reader]).

A: Tolkien did indeed create the Ents for The Lord of the Rings, only inserting them into The Silmarillion as he revised it later.  From a relatively early point (probably following the hobbits' encounter to Old Man Willow, who was an older character from Tolkien's poems about Tom Bombadil), he had decided to include a more elaborate tree-related scenario later in the story, although it still took some time for him to finalize the nature of the Ents.
He discussed his creative process in a letter written in 1955 (letter 163, to the poet W. H. Auden).  The letter actually comes from before the printed edition of The Return of the King appeared, although well after it had been rendered in final form.

Take the Ents, for instance.  I did not consciously invent them at all.  The chapter called 'Treebeard', from Treebeard's first remark on p. 66, was written off more or less as it stands, with an effect on my self (except for labour pains) almost like reading some one else's work. And I like Ents now because they do not seem to have anything to do with me.  I daresay something had been going on in the 'unconscious' for some time, and that accounts for my feeling throughout, especially when stuck, that I was not inventing but reporting (imperfectly) and had at times to wait till 'what
really happened' came through.  But looking back analytically I should say that Ents are composed of philology, literature, and life. They owe their name to the eald enta geweorc of Anglo-Saxon, and their connexion with stone.  Their pan in the story is due, I think, to my bitter disappointment and disgust from schooldays with the shabby use made in Shakespeare of the coming of 'Great Birnam wood to high Dunsinane hill':  I longed to devise a setting in which the trees might really march to war.  And into this has crept a mere piece of experience, the difference of the 'male' and
'female' attitude to wild things, the difference between unpossessive love and gardening.
...
It would have been a big task without anything else; but I have been a moderately conscientious administrator and teacher, and I changedp rofessorships in 1945 (scrapping all my old lectures).  And of course during the War there was often no time for anything rational.  I stuck for ages at the end of Book Three.  Book Four was written as a serial and sent out to my son serving in Africa in 1944.  The last two books were written between 1944 and 48. That of course does not mean that the main idea of the story was a war-product.  That was arrived at in one of the earliest chapters still surviving (Book I, 2).  It is really given, and present in germ, from the beginning, though I had no conscious notion of what the Necromancer stood for (except ever-recurrent evil) in The Hobbit, nor
of his connexion with the Ring.  But if you wanted to go on from the end of The Hobbit I think the ring would be your inevitable choice as the link.
If then you wanted a large tale, the Ring would at once acquire a capital letter; and the Dark Lord would immediately appear.  As he did, unasked, on
the hearth at Bag End as soon as I came to that point.  So the essential Quest started at once.  But I met a lot of things on the way that astonished me.  Tom Bombadil I knew already; but I had never
been to Bree.  Strider sitting in the corner at the inn was a shock, and I had no more idea who he was than had Frodo.  The Mines of Moria had been a mere name; and of Lothlórien no word had reached my mortal ears till I came there.  Far away I knew there were the Horse-lords on the confines of an
ancient Kingdom of Men, but Fangorn Forest was an unforeseen adventure.  I had never heard of the House of Eorl nor of the Stewards of Gondor.  Most disquieting of all, Saruman had never been revealed to me, and I was as mystified as Frodo at Gandalf's failure to appear on September 22.  I knew nothing of the Palantíri, though the moment the Orthanc-stone was cast from the window, I recognized it, and knew the meaning of the 'rhyme of lore' that had been running in my mind: seven stars and seven stones and one white tree. These rhymes and names will crop up; but they do not
always explain themselves.  I have yet to discover anything about the cats of Queen Berúthiel.  But I did know more or less all about Gollum and his plan, and Sam, and I knew that the way was guarded by a Spider.  And if that has anything to do with my being stung by a tarantula when a small child, people are welcome to the notion (supposing the improbable, that any one is interested).  I can only say that I remember nothing about it, should not know it if I had not been told; and I do not dislike spiders particularly, and have no urge to kill them. I usually rescue those whom I find in the bath!

The next year (letter 180, unsent), he added:

So through being a philologist by nature and trade (yet one always primarily interested in the aesthetic rather than the functional aspects of language) I began with language, I found myself involved in inventing 'legends' of the same 'taste'.  The early work was mostly done in camps and hospitals between 1915 and 1918 — when time allowed.  But I think a lot of this kind of work goes on at other (to say lower, deeper, or higher introduces a false gradation) levels, when one is saying how-do-you-do, or even 'sleeping'.  I have long ceased to invent (though even patronizing or sneering critics on the side praise my 'invention'):  I wait till I seem to know what really happened.  Or till it writes itself.  Thus, though I knew for years that Frodo would run into a tree-adventure somewhere far down the Great River, I have no recollection of inventing Ents.  I came at last to the point, and wrote the 'Treebeard' chapter without any recollection of any previous thought:  just as it now is. And then I saw that, of course, it had not happened to Frodo at all.

A: Tolkien wrote this in letter 180, in 1956:

[...] though I knew for years that Frodo would run into a tree-adventure somewhere far down the Great River, I have no recollection of inventing Ents. I came at last to the point, and wrote the 'Treebeard' chapter without any recollection of any previous thought: just as it now is. And then I saw that, of course, it had not happened to Frodo at all.

So he invented them as he was writing LoTR.

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Oh yum they look gorgeous.
Saw your wonderful store over at Daniella's...just beautiful.
Oh, yum! I've been in your store a few times -- but didn't realize that you had a blog until I saw it on Daniella's blog! I'll be back!
I decided to write this post because if I had read something similar to this when I was first starting out in Real Estate, I would have saved myself a lot of time, headaches and stress.


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text:
In which I write a letter to OFQUAL
OFQUAL are currently consulting about the next wave of GCSE and A Level reforms. This politically-driven process worries me, and I'm especially irked by the kneejerk dismissal of all of the subjects I teach, which I see challenge, inspire, and stretch my students every day. Noticing that the on-line consultation offered little scope to defend particular subjects, I wrote this letter.
Completing GCSE, AS and A level Reform Consultation,
ofqual, Spring Place,
Coventry Business Park, Herald Avenue,
COVENTRY CV5 6UB
GCSE, AS and A Level Reform: Media Studies, Film Studies, and Creative Writing
I have recently completed your online consultation on the next wave of qualification reforms, and felt there was no real opportunity to defend certain subjects against the negative press they have been receiving from ambitious politicians and conservative media commentators.
I would like to take this opportunity to defend the relevance and rigour of the three subjects I currently teach at GCSE and A Level, while offering some criticisms of the current specifications.
I currently teach (AQA) A Level Media Studies, and think it an excellent specification, offering students an opportunity to express their creativity with professional discipline, and interrogate the world in which they live using theory, analysis, and independent research. In a world dominated by an ever-decreasing number of multi-national conglomerates, the task of Media Studies is to examine the ways in which social attitudes, political debates, and the national conversation is influenced by the powerful narratives provided by the Media. To argue that this subject lacks rigour – particularly from the comfortable perspective of someone who currently works in the media – is disingenuous to say the least.
I think that A Level Media has a good balance of academic content and practice, with the practice always informed by a professional brief and/or the need to undertake research. Students enjoy the subject, and often attest that they have had the "veil lifted from their eyes." In a media-saturated society, I would argue that an informed skepticism towards media messages is an essential life-skill, no matter what career an individual pursues. But when it comes to preparation for work and careers in the creative industries, marketing, public relations, Media Studies is also an excellent fit. These industries are worth £billions to the UK economy, and are among our most successful exports.
At GCSE level, I think Media Studies needs some reform. The current specification is too heavily weighted towards controlled assessment (coursework) and even the exam for the current single award (AQA) is like an additional piece of coursework. I think students should only complete two practical projects, in different media, and should sit an examination focused on a critical approach to the media industry. My opinion is that Media should only be available as a single award, with the examination component to be based on the current Unit 3 (answering questions on the Media Industry and interpreting data) from the double award.
While there should still be a skills focus, I think the GCSE in particular needs to develop a more interrogative attitude to the media industry and its regulators.
Film Studies is a popular subject at both GCSE and A Level. Students enjoy it, however, not just because they enjoy films, but because of the ways in which the subject helps them to achieve, overcoming technical and creative obstacles and acquiring a vast range of skills in the process.
In terms of "just watching films", students are soon disabused of the notion that the lessons will be a nice break from academic work. Films are constantly interrupted for questioning, replayed for analysis, and sometimes not even watched all the way through. Moreover, their knowledge and experience of film is extended from the multiplex fodder they typically consume to classic films of the past, and international, subtitled films from a broad range of cultures. Students taking the current WJEC GCSE, for example, have the opportunity to learn about the Spanish Civil War, and reflect upon the experience of young people in times of conflict.
The moving image was the pre-eminent art form of the 20th century, and in the 21st, continues to play a huge part in world culture whilst at the same time contributing vast amounts of money to the economy. British film technicians are world-renowned, and British actors are world famous (see the cast list of Game of Thrones, for example). I once compiled a list of all the skills necessary to make a short film, and it took up an entire page of A4. I won't burden you with the full list, but suffice it to say that the range of knowledge and skills needed to plan, shoot, edit, and export a 2-minute film is enormous. From handling a camera, through scripting and storyboarding, composing shots, lighting scenes, managing actors and crew, uploading footage, building a narrative with editing, creating a soundscape, all the way to final output is an incredible journey. The impact on a student who completes this journey, overcoming all the challenges along the way, is enormous. For many students, making a short film is the hardest thing they will ever do, and I have seen this process become the making of many an individual.
If I have criticisms of the current Film Studies specifications, they are as follows.
There's a tendency for the current trends at university-level Film Studies to filter down, to the detriment of the A Level. While the research and study at university is interesting and valid, I do believe that at school, as in English Literature, students should gain a knowledge of the classics. If we're going to get prescriptive, students should (at the very least) learn about Expressionism, Film Noir, Westerns, Hitchcock, European New Waves, and Kurosawa. While teachers fresh out of University may find these topics "done to death", from a student perspective, they are not. For many students, a Film Studies lesson is the only time they will see a subtitled film, a black and white film, or indeed a film made before they were born. They're always wary, and they're always enlightened. That's what education is for.
Overlap with Media Studies. The subjects are very different, and should be, but the ability for teachers to use the same material for both should be constrained. My personal opinion is that there is too much focus on the film industry in the current Film Studies specification. I believe there is sufficient material and rigour available in the analysis of films and how they create meanings and manipulate emotions, and in producing films using a range of techniques and skills. I think Film Studies should be more like the CCEA Moving Image Arts specification, which English and Welsh schools are no longer able to offer.
Finally, I would like to make some comments on the new (AQA) A Level of Creative Writing. It's particularly galling that some professional writers have been taking the opportunity to criticise this subject in the pages of national newspapers, as if they themselves had no training, no mentors, and did not develop their skills over a long period of time. One hypocrite was even employed as a creative writing tutor, but seemed to find the actual teaching required to be too much of a burden.
First of all, the notion that the craft writing can't be taught: of course it can. Indeed, every great writer learns to write, whether through constant repetition and practice, or through contact with professional editors and readers. For anybody to claim otherwise is disingenuous. That writing is already part of English is of course obvious – but for students who really love to write, English qualifications are too prescriptive and offer too few opportunities for self-expression.
Furthermore, while reading is of course an essential part of the English curriculum, reading for pleasure is far less prominent. While the study of classic literature and contemporary literary fiction is important, there is a place too for the study of popular and genre fiction, screenplays, magazine and newspaper journalism, and poetry. By encouraging students to focus on the craft and technique employed by writers they love, they gain a far greater understanding of writing techniques.
As to teaching creativity, just watch me. Students are riddled with fears and insecurities gained through years of subject and exam pressure. They come to doubt their own instincts and are often taught to suppress their creativity in service of conformity. They're under pressure from their parents, their teachers, and their peers. Part of my job as a creative writing teacher is to give them a range of strategies and techniques that help them get in touch with their own creativity.
There are very few careers that do not demand some kind of writing, and all good writing is creative. Employers frequently complain that students lack these basic skills, in spite of the fact that they have passed English examinations. Creative Writing focuses not just on creative free expression, but on writing flexibly to a brief, to a deadline, and to length. These are valuable marketable skills in most workplaces, and can also help students in all of their other subjects: writing an effective lab report for a science subject; writing marketing communications in Business studies or ICT; writing essays in English and the humanities; writing scripts for creative subjects; writing effective short and long answers in examinations.
Finally, I would like to add that I feel that all the exam boards and ofqual should be more forthright in defending certain subjects against attacks in the media. None of us know what skills might be required of our students in the future. There are jobs available now that did not exist even five years ago, when the current A Level specifications were introduced. On average, all of our young people will have between 10 and 14 different jobs during their lifetimes. To be closing off qualifications and narrowing choice is shortsighted, and absolutely the wrong thing to do.
One response to "In which I write a letter to OFQUAL"
18 June, 2014 at 1:52 pm
I nearly missed my stop on the tube earlier when I was reading your missive.
Well put.
Glenys.Stacey@ofqual is probably being forced by Gove on this agenda.
Despite all Gove's apparent U turns, it still comes across as part of his 'one size fits all' model about building qualification factories. Gove's push for linearity and all of the assessments at the end of the course doesn't fit will with some subjects and studies, nor is it particularly reflective of a modern world which is time-sliced and divided into many projects with competing priorities.
It seems to all be part of the (ongoing) EBacc/IGCSE agenda, with a narrow domain of traditional mid 20th century subjects (Eng Lang, Eng Lit, Maths, a science, a humanity, a language) such that even computer science had to be argued in later by industry lobbies. It looks as if the creative subjects are being parked around the back of the building – or over in the pay schools.
A pretty wide range of lobbyists have spoken out about this including Sir Jonny Ive and Vicky Featherstone from Royal Court (as examples – there's many more). The challenge is that the 2015 agendas are already set, and everyone will want to hold steady in the run up to the electoral rumpus.


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Continuity of Learning and COVID-19 Response Plan
The Teacher COVID-19 Grant program was created by Public Act 166 of 2020 to recognize the additional time classroom teachers in a district or nonprofit nonpublic school spent outside of normal working hours and additional costs classroom teachers have incurred or experienced to provide a continuity of learning during the period of school closure in 2019-2020 as a result of the COVID-19 pandemic. The program was funded under Article 5, Section 949p for grants to eligible K-12 classroom teachers.
The School Support COVID-19 Grant program was created by Public Act 166 of 2020 for grants to eligible K-12 school support staff to recognize the additional time spent outside of normal working hours, hazardous conditions, and additional costs school support staff have incurred or experienced to provide services to students during the period of school closure in 2019-2020 as a result of the COVID-19 pandemic. Please note if you work for a nonprofit nonpublic school you are not eligible for this grant. The program was funded under Article 5, Section 949q for grants to eligible K-12 school support staff.
Individuals Eligible for these grant funds will need to complete Form 5734 and submit to their school by December 4th, 2020. If you have questions or concerns over eligibility, or have a completed Form 5734, please contact Kim Romine via email at [email protected].
Welcome to Voyageur Academy!
Voyageur Academy achieves excellence through dedicated staff members, strong curriculum, excellent parental involvement and a host of extracurricular activities.
Voyageur scholars accept personal responsibility as they pursue academic success. Voyageur Academy is a free, public charter school serving students in grades K-12. We are chartered by Ferris State University.
We create and enhance our students' education and strengthen their foundation by providing them with the drive and determination to achieve academic excellence. Students receive a quality, well-rounded education through consistent discipline, intense focus and continuous hard work. Ultimately, we prepare all our students for success in high school, college and society.
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In Compliance with the OPEN MEETINGS ACT
MCLA 15.261 et seq Public Act No. 267 of 1976
A MEETING OF THE BOARD OF DIRECTORS OF
VOYAGEUR ACADEMY
A Charter School formed pursuant to the
Revised School Code of 1976
Will Be Held On
at approximately 6:35 pm.
This meeting will be held at
4366 Military
These meetings are open to the public under the State of Michigan's Open Meetings Act. Individuals requiring special assistance to attend the meetings should contact the School Leader's Office at [telephone number] no later than 4:00 p.m., three (3) business days prior to the meetings.
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Over 12,000 new cases on Thursday, highest in two and a half months
Update: November, 25/2021 - 19:06
A sample being taken for COVID-19 testing in Hà Nội. VNA/VNS Photo
HÀ NỘI — The Ministry of Health announced 12,450 new cases of COVID-19 on Thursday, the highest daily figure in over two and a half months.
A further 164 deaths were also recorded across the country.
Among the new cases, 6,842 were found in the community and 21 were imported.
The total number of cases nationwide is now 1,168,228.
Compared to Wednesday, the number of daily cases increased nationally by 640.
Hồ Chí Minh City topped the list with 1,582 new infections, followed by Cần Thơ Province with 741 and Tây Ninh with 683.
The capital city of Hà Nội reported 264 new cases.
The other infections were found in Bình Dương (678), Bà Rịa - Vũng Tàu (658), Bạc Liêu (617), Đồng Tháp (609), Đồng Nai (543), Vĩnh Long (491), Sóc Trăng (486), Bình Thuận (402), Bến Tre (401), Kiên Giang (397), Bình Phước (342), Trà Vinh (294), Cà Mau (287), An Giang (248), Hậu Giang (239), Lâm Đồng (235), Khánh Hòa (191), Bình Định (159), Hà Giang (135), Gia Lai (128), Tiền Giang (123), Bắc Ninh (122), Nghệ An (118), Long An (110), Thừa Thiên Huế (96), Đắk Lắk (93), Quảng Nam (92), Quảng Bình (91), Đắk Nông (69), Thanh Hóa (69), Đà Nẵng (66), Hòa Bình (64), Thái Bình (60), Vĩnh Phúc (54), Nam Định (42), Quảng Ngãi (39), Phú Thọ (34), Ninh Thuận (32), Tuyên Quang (28), Quảng Trị (26), Hà Tĩnh (26), Phú Yên (24), Bắc Giang (20), Quảng Ninh (19), Hà Nam (18), Điện Biên (17), Lạng Sơn (13), Hưng Yên (13), Thái Nguyên (10), Sơn La (9), Cao Bằng (8 ), Ninh Bình (5), Hải Dương (5), Lào Cai (2) and Hải Phòng (2).
A further 5,627 recoveries were reported on Thursday, taking the total number of patients given the all-clear to 942,888.
There are currently 5,475 patients in a serious condition in hospital; 26 are on life support (ECMO).
Việt Nam has so far administered more than 114.5 million doses of vaccines, and over 46 million people are now fully inoculated. — VNS
Update of COVID-19 new cases in Việt Nam on Jan. 21 afternoon (January, 21 2022)


a Patient in Acute Care.
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suPARnostic® is developed to measure the amount of suPAR protein (soluble urokinase Plasminogen Activator Receptor) in human blood.
It is the only CE-IVD certified product range applied for clinical determination of suPAR in human plasma and serum.
Read our latest news in our Press Room regarding our products, our company, suPAR abstracts and presentations, conferences and congresses where you can find us etc.


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< Back to case studies
Micreo acquired by L-3
Deal closed: October 2016
Oasis M&A mandate: sell-side
Sectors: Defence, Engineering, Technology, Manufacturing
Sub-sectors: Electronic warfare
Background and motivation
Micreo is an electronics warfare business based in Australia. The shareholders of Micreo were looking for a strategic exit that would enable the business to grow globally while looking after employee and customer needs.
Given the small and specialist niche Micreo work in and the disparate nature of defence companies globally, the key campaign challenge was to gather global interest in the business without divulging critical detail about their specialty that would compromise anonymity.
To manage this, we referred to Micreo only as a defence or aeronautics engineering business during initial contact with our target list. Additional detail was only revealed as the acquirer was further qualified. This ensured that Micreo shareholders were under no risk of destabilisation from public knowledge of a potential sale.
Once the acquirer was found, the challenge was effectively managing negotiations and communications with a global array of stakeholders. L3's head office is in USA, L3's subsidiary in electronic warfare most closely aligned with Micreo (L-3 TRL) was in the UK and we were in Australia.
Though a logistical challenge, this was readily managed thanks to modern communications technology without which this kind of deal was much more difficult in the past.
Numerous targets across the defence, technology and engineering sector globally were approached with the proposition of acquiring Micreo, however only L-3 had a strategic acquisition objective at that point in time that aligned with Micreo's offering.
The strategic advantage for L-3 in the acquisition was both expansion into the Australian market as well as to integrate Micreo with their existing UK division L-3 TRL, part of the Integrated Sensor Systems (ISS) sector within Electronic Systems, L-3's largest and most diverse business segment.
Within ISS, L-3 delivers sensor solutions in all domains – from submarines to surface ships, soldiers, ground vehicles, and airborne and space platforms and it expects L-3 Micreo to play a critical role in helping to further expand its business in these areas with particular focus on the EW portfolio.
"Micreo not only complements L-3's increasing portfolio of ISR and EW system capabilities but also increases our presence in Australia and supports a number of opportunities we are currently pursuing," L-3's vice president in Australia Alan Titheridge said.
"We set out to find a shareholder exit that would enable the business to grow and to look after employee and customer needs as well as satisfy our shareholders," Tim Shaw, Micreo CEO explained.
"I'm satisfied that we have achieved those aims and the company will continue to grow and to provide rewarding and interesting work."
Shaw will be taking on the role of Chairman at L-3 Micreo and the entire management team will continue their work at the new company.


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Cori "Coco" Gauff Has Become an Overnight Sensation at Wimbledon
by Dave Consolazioon July 5, 2019 July 5, 2019
On the men's side of professional tennis, the old guard of Novak Djokovic, Rafael Nadal, and Roger Federer are still at the top of their game, holding off the next generation with their continued success. All three of these veteran stars are still alive and well in this year's Wimbledon tournament and are likely to clash in some exciting head-to-head battles in the later stages of this event.
But the women's side is a different story. Serena Williams is the undisputed greatest of all time, but she may be past her prime at this stage of her career as she hasn't won a Grand Slam tournament since the Australian Open in 2017. Eight different women have won a Grand Slam title since then. Women's tennis is starving for a new star, and it appears to have exactly that in the 15-year-old sensation Cori "Coco" Gauff.
The 15-year-old defeats her childhood hero to captivate the nation
Cori Gauff shakes hands with her idol Venus Williams | Photo by TPN/Getty Images
Coco Gauff already had plenty to be proud of before she set foot on the court on Monday. At just 15 years old, she became the youngest competitor ever to qualify at the All England Club in the professional era.
In a wonderful stroke of seeding luck, Gauff found herself opposite Venus Williams in the first round. Venus and her sister Serena were the reason why the 15-year-old ever picked up a tennis racket in the first place. And here, in her first ever Grand Slam match, she was staring down her idol, a 39-year-old Williams that has five Wimbledon Championships under her belt.
Gauff's power, athleticism, and court IQ made her an intriguing prospect coming into this tournament. But plenty of players with tremendous skill have come and gone without making a splash in this sport as the mental game plays such a critical role in a player's long term success.
This is what made Cori Gauff's performance on Monday such a memorable one. In a spot against a far more experienced player, no one would have faulted Gauff for making some mistakes or getting caught up in the moment. But she did the exact opposite, playing with the poise and grace of a seasoned veteran as she dispatched of Williams in straight sets, 6-4, 6-4.
The crowd was elated. The 15-year-old broke down in tears of joy. Williams said after the match about Gauff that "the sky's the limit, it really is." Gauff, just as composed and professional after the match as she was during it, was gracious in victory. "I was just telling [Williams] thank you for everything she's done for the sport," Gauff said. "She's been an inspiration for many people. I was just really telling her thank you."
Incredibly, she wasn't done yet
The comeback kid – and then some! 👏
15-year-old @CocoGauff's irresistible run at #Wimbledon continues, rallying from a set down to defeat Polona Hercog 3-6, 7-6(7), 7-5 pic.twitter.com/bS79tUkMwG
— Wimbledon (@Wimbledon) July 5, 2019
When asked after her upset win over Venus Williams how far she thought she could go in this tournament, Coco Gauff confidently replied, "my goal is to win it."
The line wasn't delivered as a joke. It wasn't delivered with ego. It was delivered by a young woman confident in her game and her abilities. And so far, she hasn't given us any indication that she shouldn't be.
Gauff followed up her victory against Williams with another straight sets victory in the second round, defeating Magdalena Rybarikova 6-3, 6-3 on Wednesday. Rybarikova had upset No. 10 seed Aryna Sabalenka to advance into the second round, but she was no match for the young phenom.
It was in the third round against Polona Hercog that this Cinderella story appeared to be coming to its end. Hercog won the first set 6-3 and had a 5-2 lead in the second set. But Gauff showed off her resiliency in an amazing come-from-behind win, saving two match points en route to a 7-6 win in the second set and a 7-5 win in the match's final set to move on to the Round of 16.
It's one thing to ride the momentum when everything is going your way. But to overcome adversity, earn a break with your tournament on the line, on the Centre Court as a 15-year-old? This run is truly something special.
What's next for Coco Gauff
Cori Gauff will team up with United Kingdom native Jay Clarke in a mixed doubles match on Saturday morning. The two will have the England crowd in their corner against Robert Lindstedt and Jelena Ostapenko.
Gauff's singles run continues on Monday when she faces No. 7 seed Simona Halep, the 2018 French Open winner. Halep will be the betting favorite in this one, but Gauff will be the fan favorite.
Regardless of how Wimbledon wraps up for Gauff, it is difficult to believe that this will be the last we hear about the sensational 15-year-old. Her future looks awfully bright, but so does her present. As Venus Williams said, "the sky's the limit."
Tags: Tennis Wimbledon


I am currently involved in MPhil Sociology at University of Management and Technology Lahore I have taught as an English Language teacher approximately for 4 years. similarly, I participated in many seminars as well as conference to enhance my leadership skills. Furthermore, I have also done two months internship in NRSP Pakistan. Currently, I have one published paper as a co-author. now I am working on two more papers to get their publication.


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10 Bollywood Child Artists Then & Now
Bollywood is blessed with such Artists who have been bloomed in the Bollywood world right from childhood. This child artist who created a name in Bollywood is seen now way different and wonderful now then before.
7th November 2019 | 05:37 PM (IST)
Child actors always have managed to entertain all the audience with some or other popular characters on TV or in films. They have also managed to stay in the minds of the viewers even after so many years. While some of the child artists grow up to excel on the small screen or some just disappear with time. Let see 10 Child Artists Now and Then.
Malvika Raaj-The actress is known for portraying the younger version of Kareena Kapoor Khan in "Kabhie Khushi Kabhie Gham". The actress is seen for Telugu movie "Jayadev".
Jhanak Shukla- The famous child actor who is the daughter of renowned actor Supriya Shukla is all grown up and looks beautiful. The girl who played the role of Preity Zinta's younger sister in Kal Ho Na Ho and the cute 6 years old robot we had seen in Karishma Ka Karishma is now 19 and looks so cute! Right now she is pursuing a BA in History from Bhavan's College in Mumbai.
Hansika Motwani- We all remember this cute little actress who played Hrithik Roshan's little friend in 'Koi. Mil Gaya' (2003) and also portrayed a 10-year-old rape survivor in 'Jaago' (2004). Three years later, she made her Bollywood debut as the female lead in 'Aap Ka Surroor'
Sana Saeed- This beautiful diva is famous for her role of SRK's adorable daughter Anjali in 'Kuch Kuch Hota Hai' (1998). She has also played the role of Tanya Israni in 'Student Of The Year' (2012). Not only that but Sana has also featured in television soaps like 'Babul Ka Aangann Chootey Na' and 'Lo Ho Gayi Pooja Iss Ghar Ki', and was part of 'Jhalak Dikhhla Jaa'
Ahsaas Channa- The actor portrayed the role of SRK's son in "Kabhi Alvida Na Kehna" and was last seen in a major release in 2010 and has been busy with TV and also Youtube.
Kavish Majumudar- Also known as Ladoo. Kavish Majmudar was fabulous as Laddoo. Ladoo from Kabhi Khushi Kabhie Gham has been one of the most memorable characters from our childhoods. Kavish Majmudar still has some chubby cheeks leftover from Kabhi Khushi Kabhi Gham (2001). He did not stop but continued pursuing his Bollywood dreams and has come in a movie like Gori Tere Pyaar Mein and Main Tera Hero. A lot of people have been seeing him but no many recognized him.
Pooja Ruparel- Do you remember the bubbly girl who played Kajol's younger sister in 'Dilwale Dulhania Le Jayenge'? Chutki from Dilwale Dulhaniya Le Jayenge) clearly can't be called Chutki any more. We are talking about Pooja Ruparel. Pooja made her attack into Bollywood as a sweet little girl with Jackie Shroff-starrer 'King Uncle', and later essayed a teenager 'Chutki' in 'DDLJ'. And now, this small little girl has turned into a gorgeous lady. Pooja Ruparel was recently seen in Anil Kapoor's TV series and is eyeing good roles in Bollywood. While starring in the Indian version of 24, Pooja was recently part of a DDLJ reunion on a comedy show.
Parzaan Dastur- He a popular actor is known for his role as the cute Sardar boy in Karan Johar's "Kuch Kuch Hota Hai" and is now seen to be an assistant director.
Jibraan Khan- The actor is known for portraying SRK's son in "Kabhie Khushi Kabhie Gham". He was last seen in 2002's "Rishtey".
Tanvi Hegde- Ever 90s kid is familiar with 'Son Pari' and the face of the serial, Tanvi Hegde. She is now out of the mainstream cinema but did you know, she has been a part of over 150 commercials while being a child actor?
now out of the mainstream cinema but did you know, she has been a part of over 150 commercials while being a child actor?
Bollywood Child Artists
Bollywood child artist Then and Now
popular Bollywood artist
child artist
Malvika Raaj
Jhanak Shukla
Sana Saeed
Ahsas Channa
Kavish Majumudar
Parzaan Dastur
Pooja Ruparel
Jibraan Khan
Tanvi Hegde
Unnecessary overdose of historical films in Bollywood- Panipat trailer!
Best Of Armaan Malik Romantic Songs
Bollywood Celebrities Losing Their Temper
Top 5 Mother Daughter Couples in Bollywood


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. a compilation of previously unreleased Bone material. The album? ��? hich shared the same name as the Flesh-N solo debut? ��? eatured no Flesh-N and no guest artists. Detroit, Michigan native, Grammy winner and multi-platinum producer Noel "Detail" Fisher produced five of the thirteen tracks on T. . . . .
I think the Reed's are a family which aren't being analyzed by GOT analysts enough. I think there is a possibility that Meera Reed will play a crucial role in the next season. Maybe she will remind Bran of his Stark self during a critical time. The Reed's clearly know 10 x more than everyone else about the Night King and about what's coming, maybe a few children of the forest are with them in their swamps. Anyway they must not be forgotten, they have no interest in the game of winning the throne but they have interest in winning the war against the long night. Lets have a breakdown of the Reeds and other cranogmen. Kerri McDonald 6 ? ? Alright. art 2! Been waiting. Some people think Bran drove Aerys mad, but I think no way.