A flexible impeller pump is a type of rotary positive displacement pump, which uses a rubber rotor (it is called an impeller, even though it really isn't) with flexible radially oriented vanes or blades that bend and rub against the eccentrically shaped casing in which they rotate. The main advantages of flexible impeller pumps are that they are self-priming, relatively low in cost, and they can handle all kinds of fluids, including those containing solids, without causing any damage.
In flexible impeller pumps, the rubber impeller has radially oriented blades which are in contact with the inner walls of the eccentrically shaped casing. As the impeller rotates, the blades bend as they pass across the eccentric part of the casing. This creates a vacuum which draws fluid into the pump inlet. The flexible impeller then carries the fluid between the blades of the impeller and the casing, and directs the fluid to the discharge, where it pushes the fluid out the discharge. This type of pump is only capable of generating relatively low pressures (about 60 psi) and relatively low flows (about 150 gpm), so that may limit its applications. The rotation of the pump can be reversed to change the direction of flow in the pump. Since the impeller is rubber, this pump cannot be run dry, as the rubber would be damaged by rubbing against the pump casing.
The most common application for flexible impeller pumps is in the marine industry, where they are used as ballast and bilge pumps in small and medium sized marine craft. They are ideal for handling fluids that are delicate, usually with relatively low viscosities, and are also used across the pharmaceutical, cosmetic, and food industries. Sanitary versions of this pump are available, with FDA approved rubber materials for the impeller.
Other related Pump Types include: sanitary pump, water pump, marine pump, industrial pump, self priming pump.


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Linsley Peninsula () is a broad, roughly rectangular ice-covered peninsula which protrudes into the south part of Murphy Inlet, northern Thurston Island, Antarctica, dividing the inlet into two arms at the head. The peninsula was first plotted from air photos taken by U.S. Navy Operation Highjump, 1946–47, and was named by the Advisory Committee on Antarctic Names for Lieutenant Commander Richard G. Linsley, U.S. Navy, a pilot of LC-130 Hercules aircraft who made flights in support of the United States Antarctic Research Program geological party working at Thurston Island in the 1968–69 season.

Maps
 Thurston Island – Jones Mountains. 1:500000 Antarctica Sketch Map. US Geological Survey, 1967.
 Antarctic Digital Database (ADD). Scale 1:250000 topographic map of Antarctica. Scientific Committee on Antarctic Research (SCAR), 1993–2016.

References

Peninsulas of Ellsworth Land

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Private First Class Frank Leslie Keck was born on June 1, 1946. Frank attended Saline High School in Saline, Michigan for six years returning to Kalkaska, Michigan after the death of his father in 1965. He would have been in the 1964 graduating class in Saline where he played varsity basketball. He worked in construction before entering the Army in June of 1968.
Private First Class Keck began his tour in Tay Ninh Province, South Vietnam on December 22, 1968 serving as an infantryman with C Company, 4th Battalion, 23rd Infantry, 25th Infantry Division. He died as a result of enemy small arms fire on March 29, 1969.
Frank Leslie Keck is survived by his wife and son, his mother, and one brother. He lived 22 years, 9 months and 28 days. Frank's name is listed on the Vietnam Memorial in Ypsilanti Township under Saline. His name also appears on the Vietnam Memorial in Washington, DC on Panel 28W Line 082.
I'd like to thank everyone who posted comments to my fathers page (www.thewall-usa.com). I would also like to invite anyone who served with him to write me with stories or photos.
Brother you are not forgotten!
I was there on the day you died in Tay Nihn Prov. You and your fellow brothers where HERO'S. May you rest in peace. All gave some and some gave all. Bless you my brother.


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Q: Divergent series solution to PDE - Failure of Cauchy-Kovaleska Consider the diffusion equation
$\partial_t u =\partial_{xx} u$
where $x \in [-1,1]$ and $t>0$, subject to IC
$u(x,0)= \frac{1}{1-x}$.
If I construct a power series in $t$ at the origin using the PDE+IC as in Cauchy-Kovaleska theorem (CK) I get
$u(0,t)=\sum_{n=0}^\infty \frac{2n!}{n!} t^n$
which is clearly divergent $\forall t \neq 0$.
My question is why did this happen? And what changes should be made to get a convergent series? CK only requires analicity in a neighbourhood of the origin. And although $\frac{1}{1-x}$ is not analytic, it is analytic in a nbh of $0$. I guess what I am trying to understand with this question is a simple case where CK hypothesis fail and why.
Thank you!

A: Well, that's actually the example which Kovalevskaya herself gave to demonstrate the neccesity of one of the conditions in the theorem. Namely, the order of differentiation for the variable $t$ in the lhs should be greater or equal to the order of the rhs differential operator.

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Home » McDonald's restructures on c.o.o.'s retirement
McDonald's restructures on c.o.o.'s retirement
OAK BROOK, ILL. – McDonald's Corp. said it will shuffle its global management structure following the retirement of Tim Fenton, chief operating officer, effective Oct. 1.
Mr. Fenton will retain his position during a brief transition period, after which he will become a special advisor to Don Thompson, McDonald's president and chief executive officer, with a focus on global franchising, restaurant portfolio optimization and other business strategies. Mr. Fenton, who has 41 years of experience with McDonald's, said health reasons have interfered with the travel demands of his job.
Rather than replace the c.o.o. role, McDonald's board of directors has approved several reporting structure changes. McDonald's regional presidents, who are responsible for operations of the fast-food chain's 35,000 restaurants worldwide, will report directly to Mr. Thompson. Additionally, the company has broadened responsibilities for two leaders. Pete Benson, executive vice-president and chief financial officer, will oversee worldwide supply chain, development and franchising functions. Steve Easterbrook, executive vice-president and global chief brand officer, will assume responsibility for the restaurant solutions group, corporate strategy and the global CSR, sustainability and philanthropy department. As part of the changes, Mr. Benson and Mr. Easterbrook have been named senior executive vice-presidents.
"We are confident that Pete, Steve and our global leadership team will remain focused on driving the business forward and delivering an outstanding restaurant experience to our 70 million customers we serve daily around the world," Mr. Thompson said. "On behalf of the entire McDonald's system, I salute Tim for his 41 years of continuous service to McDonald's, and want to thank him for his countless contributions to our business. We have benefitted greatly from his international experience, deep commitment to operational excellence and proven track record of success."
Business Food Service Companies Sales Channels McDonald's Corp.
Coca-Cola restructures leadership as chief growth officer retires
McDonald's restructures leadership team
Twenty-year McDonald's vet to retire
Bob Evans Farms swings to loss during year on restructuring
Wendy's on a quest for Q.S.R.'s cleanest label

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HomePortfolios
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Portico - Signed & Numbered Portfolio
Alfonso Azpiri, Azpiri, Alfonso, One of 2500 numbered copies signed by the artist, Very Fine in Very Fine folder, Heavy Metal/Norma Editorial, Barcelona, 1996, 1st, 16.5 inches, 12 inches, color
This portfolio consists of five color plates and a signed & numbered illustrated limitation plate in a color illustrated folder. Five paintings of...
1987 Monkey Wrench Gang Calendar
Edward Abbey, Robert Crumb, Abbey, Edward, Crumb, Robert, Near Fine (very small, light crease to the lower corner, otherwise very flat, tight, clean, with no dents), Dream Garden Press, Salt Lake City, UT, 1986, 1st, 11.75 inches, 12 inches, 28 pages, 14 full-page and 4 and 39 illustrations, Softcover, wraps, English
From the Edward Abbey website: The Dream Garden Press edition of The Monkey Wrench Gang issued in the Spring of 1985, with illustrations by Robert Crumb,...
Jeffrey Jones 1998 Edgar Rice Burroughs Calendar
Jeffrey Jones, Jones, Jeffrey, Very Fine in publisher's shrinkwrap, FPG, Pittsburgh, PA, 1997, 1st, 12 inches, 12 inches, 24 pages, 12 full-page color , 1 black & white illustration, 2 photos, softcover, wraps, English
Brand new still in the original shrinkwrap! Twelve all-new paintings by Jones honoring the works of Edgar Rice Burroughs. 12 full-page color...
Claire Wendling
Wendling Perpetual Calendar (Near Fine)
Claire Wendling, Wendling, Claire, Very Good+ (moderate rubbing to the covers and corners), Le Cycliste, Bordeaux, 2005, 1st, 12 inches, 12 inches, 16 pages, color, Softcover, wirebound
Long out of print. A portfolio of thirteen new color illustrations by Claire Wendling of girls and their pets: big and small, wild or domesticated. A...
Jack Kirby's Gods
Jack Kirby, Kirby, Jack, Very Good plates (numerous mild creases, age toning) in a Good envelope (envelope is stained and very worn), Communicators Unlimited, Newbury Park, CA, 1972, 1st, 17.5 inches, 11.5 inches, four color and one black & white illustration
"Jack Kirby's Gods--A Set of 4 Full Color Posters" Produced in 1972, this is a portfolio of four color plates reproducing watercolor paintings of four...
Polaroids Portfolio - Signed & Numbered
Gabriele Pennacchioli, Pennacchioli, Gabriele, One of 100 numbered copies signed by the artist, Very Fine plates in Very Fine portfolio, Les Sculpteurs de Bulles, Cresserons, 2020, 1st, 13 inches, 10.5 inches, color, English
Gabriele Pennacchioli's first portfolio, limited to 100 numbered copies signed by the artist. This beautiful and luxurious collectible gathers 53 of his...
Berni Wrightson
Stephen King's The Stand: A Portfolio of Illustration by Berni Wrightson
Berni Wrightson, Wrightson, Berni, #400 of 1200 copies with an extra illustrated plate signed by Wrightson, Near Fine plates in a Very Good+ folder (the top edge of the first plate is rubbed and has a bit of red ink embedded, the folder has multiple mild creases along the folds), Glimmer Graphics, Trenton, NJ, 1991, 1st, 17.5 inches, 13 inches, 13 black & white illustrations, English
In 1984 and 1985, Wrightson created 12 illustrations for the Anniversary edition of The Stand. This portfolio adds a thirteen illustration not in the book,...
Frank Frazetta Portfolio One - The First Frazetta Middle Earth Portfolio
Frank Frazetta, Frazetta, Frank, Limited to 500 copies, Near Fine (light wear to the edges and corners, very clean), Middle Earth, Denver, CO, 1973, 1st, 15 inches, 11 inches, 7 black & white illustrations
This was the very first of the Frank Frazetta portfolios published by Middle Earth. The next three were The Lord of the Rings (1974), Kubla Khan (1977),...
Al Feldstein
EC Comics Panic Cover Print Set
Al Feldstein, Feldstein, Al, Fine in Near Fine envelope (mild wear and toning from age), Russ Cochran, West Plains, 1985, 1st, 13.5 inches, 9.5 inches, color, English
12 color plates in a printed envelope. During the production of Russ Cochran's Complete EC Comics Library, the printer ran off extra sheets of the color...
Tony DiTerlizzi
Dungeon Drawings Vol. II - Signed & Numbered Portfolio
Tony DiTerlizzi, DiTerlizzi, Tony, One of 100 numbered copies signed by the artist, Very Fine in a Very Fine folder, Tony DiTerlizzi, Amherst, 2020, 1st, 14 inches, 11 inches, English
A portfolio of 10 brand new never-before-seen pen & ink images by the award-winning illustrator Tony DiTerlizzi! Tony has created a portfolio in...
Charles Vess
A Fall of Stardust - Benefit Portfolio
Neil Gaiman, Charles Vess, Gaiman, Neil, Vess, Charles, The 29 color plates are all Very Fine. Susanna Clarke chapbook is Very Fine. Gaiman chapbook has a mild crease to the upper corner of two pages but is otherwise Very Fine. Folder has a few mild creases along the folds and two 3/8-inch tears at the top of , Green Man Press, Abington, VA, 1999, 1st, 10.25 inches, 7 inches, 29 color plates and 20 pages, 29 color plates and 10 black & white illustrations, Softcover, color folder, English
A Fall of Stardust portfolio was published in 1999 by Vess's own Green Man Press and contained 29 full color plates measuring 6.5 x 10 inches and two prose...
Neil Gaiman, Charles Vess, Gaiman, Neil, Vess, Charles, Very Fine in Very Fine folder, Green Man Press, Abington, VA, 1999, 1st, 10.25 inches, 7 inches, 29 color plates and 20 pages, 29 color plates and 10 black & white illustrations, Softcover, color folder, English
Fantasmagories Wendling Portfolio - Signed & Numbered
Claire Wendling, Wendling, Claire, One of 250 numbered copies signed by the artist, Very Fine in Fine folder, Fantasmagories, Paris, 1997, 1st, 11.4 inches, 8.4 inches, color
Portfolio with seven silkscreen printed color plates. Seven original ink illustrations by Claire Wendling created expressly for Fantasmagories for this...
The Punisher Portfolio One by Mike Zeck - Signed Seven Times
Mike Zeck, Zeck, Mike, Fine in Fine folder, Marvel Press, New York, 1990, 1st, 16 inches, 12 inches, color, English
Although issued unsigned, the previous owner has gotten this entire portfolio autographed by Zeck: each of the six plates is signed by the artist in gold...
Jordi Bernet
Las Chicas de Torpedo Portfolio - Signed & Numbered
Jordi Bernet, Bernet, Jordi, One of 100 signed & numbered copies, Very Fine in Very Fine box, Edizioni Di, Italy, 2019, 1st, 15 inches, 11.25 inches, black & white, Italian
16 black & white plates. The first plate is numbered and signed in pencil by Bernet.Plus one cover plate and one limitation plate, numbered,...
"B 6/8" Portfolio - Signed & Numbered
Tanino Liberatore, Liberatore, Tanino, One of 200 signed & numbered copies, Edizioni Di, Italy, 2009, 1st, 15 inches, 11.25 inches, black & white, Italian
10 black & white plates. Each plate is numbered and signed by Liberatore! Plus one cover plate and one limitation plate, numbered, reproducing all the...
"Variazioni" Portfolio - Signed & Numbered
Tanino Liberatore, Liberatore, Tanino, One of 160 signed & numbered copies, Edizioni Di, Italy, 2006, 1st, 15 inches, 11.2 inches, color, Italian
13 color plates, each plate signed by Liberatore. The first plate is both signed and numbered. The plates are in a color printed folder, also numbered,...
Chiara, Chica E Le Altre Portfolio - Signed & Numbered
"Clara, Chica and the Others." Bernet pays tribute to all his most famous female characters in these fifteen original illustrations. 15 black & white...
Chiara Di Notte - Portraits Portfolio - Signed & Numbered
Jordi Bernet, Bernet, Jordi, One of 200 signed & numbered copies, Very Fine in Very Fine box, Edizioni Di, Italy, 2007, 1st, 15.2 inches, 11 inches, color and black & white, Italian
Fifteen original illustrations of Jordi Bernet's lovable sex worker Clara de noche or Clara of the Night. 15 plates--5 color plates and 10 black &...
Chicas Sexy Portfolio - Signed & Numbered
Jordi Bernet, Bernet, Jordi, One of 100 signed & numbered copies, Very Fine in Very Fine box, Edizioni Di, Italy, 2015, 1st, 12.5 inches, 9.5 inches, color and black & white, Italian
21 original illustrations by Jordi Bernet. 21 plates--3 color plates and 18 black & white plates. The first plate is numbered and signed in pencil by...
Guapas Portfolio - Signed & Numbered
21 plates--9 color plates and 12 black & white plates. The first plate is numbered and signed by Bernet. Plus one cover plate and one limitation...
Fernando Caretta
Bad Girls Portfolio - Signed & Numbered
Fernando Caretta, Caretta, Fernando, One of 100 signed & numbered copies, Very Fine in Very Fine box, Edizioni Di, Italy, 2020, 1st, 12.5 inches, 9.5 inches, color, Italian
21 color plates. The first plate is numbered and signed by Fernando Caretta. Plus one cover plate and one limitation plate, numbered, reproducing all the...
Teens Portfolio - Signed & Numbered
Fernando Caretta, Caretta, Fernando, One of 100 signed & numbered copies, Very Fine in Very Fine box, Edizioni Di, Italy, 2018, 1st, 12.5 inches, 9.5 inches, 20 pages, color, Italian
20 color plates. The first plate is numbered and signed by Caretta. Plus one cover plate and one limitation plate, numbered, reproducing all the images in...
O'Ryann's Odyssey - Limited Edition
Steranko, Steranko, Limited to 750 copies, Very Good+ (mild darkening to the edges, mild wear, flat, tight, clean), Supergraphics, Reading, PA, 1970, 1st, 11 inches, 8.5 inches, 16 pages, black & white, softcover, wraps, English
"A portfolio of sketches from the Steranko masterwork O'Ryann's Odyssey." This commemorative art portfolio is the only sample of Steranko's unrealized...
Frankenstein Portfolio #2 - Signed & Numbered
Berni Wrightson, Wrightson, Berni, One of 2000 numbered copies signed by the artist, Fine-Very Fine plates in a Near Fine envelope, Tyrannosaurus Press, New York, 1978, 1st, 15.75 inches, 11 inches, black & white illustrations, English
This was the second of three portfolios publishing selected illustrations for Berni Wrightson's Frankenstein project. This portfolio features the very...
Alex Nino
The Dark Suns of Gruaga Portfolio - Signed & Numbered
Alex Nino, Nino, Alex, One of 1000 numbered copies signed by the artist, Very Fine plates in a Very Fine folder, Schanes & Schanes, San Diego, 1978, 1st, 16 inches, 11 inches, black & white illustrations, English
Eleven incredible pen & ink illustrations by Alex Nino telling the allegorical story of a mother and child fighting evil forces. Nino returns to...
Frank Frazetta, Frazetta, Frank, Limited to 500 copies, Very Fine in Very Good+ envelope (moderate wear to edges of envelope), Middle Earth, Denver, CO, 1973, 1st, 15 inches, 11 inches, 7 11x15 plates
Absolutely rare in this pristine condition and with the original mailing envelope! This was the very first of the Frank Frazetta portfolios published by...
Barry Windsor-Smith
The Drawings of Barry Windsor-Smith - Signed & Numbered Portfolio
Barry Windsor-Smith, Windsor-Smith, Barry, One of 750 numbered copies signed by the artist, Very Good to Fine plates (spotting to three plates, slight wear to a few corners) in a Very Good box (sides and edges of the boxtop discolored, light wear), Cygnus, Arlington, MA, 1983, 1st, 17 inches, 14.5 inches, 8 illustrated plates and 2 text plates in a printed hinged box, English
Eight incredible pencil drawings by Barry Windsor-Smith beautifully reproduced: Title plate with list of plates (moderate spotting) Introduction by Barry...
Barry Windsor-Smith, Windsor-Smith, Barry, One of 750 numbered copies signed by the artist, Very Good to Fine plates (spotting to five plates, light wear to corners) in a Near Fine box (light wear), Cygnus, Arlington, MA, 1983, 1st, 17 inches, 14.5 inches, 8 illustrated plates and 2 text plates in a printed hinged box, English
Eight incredible pencil drawings by Barry Windsor-Smith beautifully reproduced: Introduction by Barry Windsor-Smith (plate) (very slight spotting)...
Berni Wrightson, Wrightson, Berni, One of 2000 numbered copies signed by the artist, Very Fine plates in a Near Fine envelope (light wear, mild toning along the edge), Tyrannosaurus Press, New York, 1978, 1st, 15.75 inches, 11 inches, black & white illustrations, English
Fantastic Islands - Signed & Numbered Portfolio
Barry Windsor-Smith, Windsor-Smith, Barry, #871 of 1000 numbered copies signed by the artist, Fine plates in Near Fine folder (light wear), Gorblimey Press, New York, 1978, 1st, 16.6 inches, 10 inches, black & white illustrations, English
Barry Windsor-Smith's Fantastic Islands Portfolio, signed & numbered by the artist on the first plate. After his award-winning run on Conan, Smith...
F.O.O.G. Friends of Old Gerber Portfolio
Very Fine plates in Near Fine envelope (light edge wear, mild toning), 1982, 1st, 14.25 inches, 11.25 inches, black & white, English
F.O.O.G. Friends of Old Gerber Portfolio. Ten 11.25" x 14.25" black & white plates in an illustrated envelope. Plates by Jack Kirby, Barry Windsor...
The Neal Adams Portfolio Set A
Neal Adams, Adams, Neal, Very Fine plates in Very Fine folder in a Very Good envelope (slight tanning and corner wear, envelope flap sealed, Sal Quartuccio, Brooklyn, 1978, 1st, 14 inches, 11 inches, Five color and one black & white illustration
Neal Adams' paintings for Ballantine's Tarzan paperbacks were immediately acclaimed as some of Adams' best work.The Neal Adams Portfolio reproduced all 12...
Paul Smith Plate from World's Best Comic Books Artists Portfolio
Paul Smith, Smith, Paul, #273 of 1500 numbered copies, Fine, Editions Deesse, Paris, 1983, 1st, 16.2 inches, 11.8 inches, black & white
One plate from the World's Best Comic Books Artists Portfolio published by Editions Deesse in Paris in 1983. Numbered on the plate.
Denis Sire
Denis Sire Plate from World's Best Comic Books Artists Portfolio
Denis Sire, Sire, Denis, #273 of 1500 numbered copies, Fine, Editions Deesse, Paris, 1983, 1st, 16.2 inches, 11.8 inches, black & white
Michael Kaluta
Dante's Inferno - Signed & Numbered Portfolio
Michael Kaluta, Kaluta, Michael, One of 2000 numbered copies signed by the artist, Very Fine plates in a Fine folder, Christopher Enterprises, Detroit, MI, 1975, 1st, 16 inches, 12 inches, English
Eight oil paintings by Kaluta. Eight 12"x16" color plates in a black & white illustrated folder.
Michael Kaluta, Kaluta, Michael, One of 2000 numbered copies signed by the artist, Near Fine-Very Fine plates in a Fine folder, Christopher Enterprises, Detroit, MI, 1975, 1st, 16 inches, 12 inches, English
Eight oil paintings by Kaluta. Eight 12"x16" color plates in a black & white illustrated folder. Seven plates are Very Fine, one plate has mild...
The Fantasy Worlds of Alex Nino - Signed & Numbered
Alex Nino, Nino, Alex, One of 2000 numbered copies signed by the artist, Near Fine plates (occasional light staining to the white borders of five plates) in a Very Good folder (moderate wear to the edges, with a 1/4 and 1 inch tears at the top and bottom of the fold), Christopher Enterprises, Detroit, MI, 1975, 1st, 16 inches, 12 inches, color illustrations, English
Eight paintings by Alex Nino. Eight 12"x16" color plates in a black & white illustrated folder.
The Dark Suns of Gruaga Portfolio
Alex Nino, Nino, Alex, Limited to 1000 numbered copies signed by the artist. This copy is part of the overrun, unsigned and unnumbered., Near Fine-Very Fine plates (one plate has a mild wrinkle at one corner, others are Very Fine) in a Near Fine folder (mild wear along the edges), Schanes & Schanes, San Diego, 1978, 1st, 16 inches, 11 inches, black & white illustrations, English
Marshall Rogers
Strange - Signed & Numbered Portfolio
Marshall Rogers, Rogers, Marshall, #905 of 1200 numbered copies signed by the artist, Very Fine plates in a Near Fine folder (light wear to the folder), Schanes & Schanes, San Diego, CA, 1979, 1st, 16.2 inches, 11.2 inches, black & white illustrations, English
A portfolio by the late Batman artist. Featuring his original characters and story. Six 11 x 16 inch plates and an 8.5 x 11 inch text plate (Artist's...
Alex Nino, Nino, Alex, One of 2000 numbered copies signed by the artist, Very Fine plates in a Near Fine folder (very light wear to the corners), Christopher Enterprises, Detroit, MI, 1975, 1st, 16 inches, 12 inches, color illustrations, English
Alex Nino, Nino, Alex, One of 1000 numbered copies signed by the artist, Very Fine plates in a Near Fine folder (light wear), Schanes & Schanes, San Diego, 1978, 1st, 16 inches, 11 inches, black & white illustrations, English
Jack Kirby Plate from World's Best Comic Book Artists Portfolio
Jack Kirby, Kirby, Jack, #273 of 1500 numbered copies, Fine, Editions Deesse, Paris, 1983, 1st, 16.2 inches, 11.8 inches, black & white
One plate from the World's Best Comic Book Artists Portfolio published by Editions Deesse in Paris in 1983. Numbered on the plate. Captain Victory by Kirby.
Gil Kane Plate from World's Best Comic Books Artists Portfolio
Gil Kane, Kane, Gil, #273 of 1500 numbered copies, Fine, Editions Deesse, Paris, 1983, 1st, 16.2 inches, 11.8 inches, black & white
Michael Wm Kaluta Plate from World's Best Comic Books Artists Portfolio
Michael Kaluta, Kaluta, Michael, #273 of 1500 numbered copies, Fine, Editions Deesse, Paris, 1983, 1st, 16.2 inches, 11.8 inches, black & white
The Batman Portfolio
Marshall Rogers, Rogers, Marshall, Fine plates in a Near Fine envelope (mild wear and browning to the edges of the envelope), S.Q. Productions (Sal Quartuccio), Brooklyn, 1981, 1st, 14 inches, 11 inches, four color and one black & white illustration, English
Four 11" x 14" color plates in a black & white illustrated envelope. Humidity has sealed the envelope flap shut. Four dramatic images of Batman...
World Without End Portfolio - Signed & Numbered Edition
Jeffrey Jones, Jones, Jeffrey, #454 of 1000 numbered copies signed by the artist on the envelope and including a limited edition b&w plate, Very Fine plates in a Very Good envelope (edge wear, staining and spotting to the envelope), Sal Quartuccio, Brooklyn, 1980, 1st, 14 inches, 11 inches, four color and two black & white illustrations, English
This is the limited edition of this portfolio. It is signed & numbered by the artist on the envelope and has a fifth extra plate not in the general...
Marshall Rogers, Rogers, Marshall, #1031 of 1200 numbered copies signed by the artist, Very Fine plates in a Near Fine folder (moderate spotting to the folder), Schanes & Schanes, San Diego, CA, 1979, 1st, 16.2 inches, 11.2 inches, black & white illustrations, English
A portfolio by the late Batman artist featuring his original characters and story. The Strange portfolio was the first of only two portfolios created by...
The Art of Jim Fitzpatrick Portfolio - Signed
Jim Fitzpatrick, Fitzpatrick, Jim, Signed by the artist on the first plate, Fine plates in a Near Fine folder (mild staining, toning, and wear to the folder), De Danann Press, Dublin, 1981, 1st, 16 inches, 12 inches, color illustrations, English
Eight 12" x 16" color plates in a color illustrated folder, signed by the artist on the first plate. Eight scenes from Celtic mythology. Some nudity.
The Art of Jim Fitzpatrick Portfolio 2 - Signed
Jim Fitzpatrick, Fitzpatrick, Jim, Signed by the artist on the first plate, Near Fine-Fine plates in a Near Fine folder (light wear and mild toning to the folder), De Danann Press, Dublin, 1982, 1st, 16 inches, 12 inches, color illustrations, English
Eight 12" x 16" color plates in a color illustrated folder, signed by the artist on the first plate. Eight scenes from Celtic mythology. Some nudity....
The Neal Adams Portfolio Set B
Neal Adams, Adams, Neal, Very Fine plates in Near Fine envelope (slight tanning and corner wear), Sal Quartuccio, Brooklyn, 1979, 1st, 14 inches, 11 inches, four color and one black & white illustration
Neal Adams' paintings for Ballantine's Tarzan paperbacks were immediately acclaimed as some of Adams' best work. The Neal Adams Portfolio reproduced all 12...
Jean-Claude Gal
Jean-Claude Gal Plate from World's Best Comic Books Artists Portfolio
Jean-Claude Gal, Gal, Jean-Claude, #273 of 1500 numbered copies, Fine, Editions Deesse, Paris, 1983, 1st, 16.2 inches, 11.8 inches, black & white
Paul Gillon
Paul Gillon Plate from World's Best Comic Books Artists Portfolio
Paul Gillon, Gillon, Paul, #273 of 1500 numbered copies, Fine, Editions Deesse, Paris, 1983, 1st, 16.2 inches, 11.8 inches, black & white
Phillipe Caza
Phillipe Caza Plate from World's Best Comic Books Artists Portfolio
Phillipe Caza, Caza, Phillipe, #273 of 1500 numbered copies, Fine, Editions Deesse, Paris, 1983, 1st, 16.2 inches, 11.8 inches, black & white
Brian Bolland
Brian Bolland Plate from World's Best Comic Books Artists Portfolio
Brian Bolland, Bolland, Brian, #273 of 1500 numbered copies, Fine, Editions Deesse, Paris, 1983, 1st, 16.2 inches, 11.8 inches, black & white
Burroughs Artist Frank Frazetta - 1968 Portfolio
Frank Frazetta, Frazetta, Frank, Fine plates in Near Fine envelope (light wear along edges), Opar Press, Clinton, LA, 1968, 1st, 15 inches, 11 inches, black & white, English
A sharp example of the original 1968 portfolio. This is the very first Frank Frazetta Portfolio, issued five years before Middle Earth's Frank Frazetta...
Kubla Khan - Signed & Numbered Portfolio
Frank Frazetta, Frazetta, Frank, #1004 of 1000 copies signed by Frazetta, Very Fine plates in Near Fine folder (very small chip out of the bottom of the otherwise pristine folder) in Near Fine envelope (light wear, Frazetta Prints, East Stroudsburg, PA, 1977, 1st, 15 inches, 11 inches, black & white, English
Five dramatic pen-&-ink drawings by Frazetta of the Mongol warrior. This was the second of only three signed & numbered Frazetta portfolios (The...
Steve Rude
Nexus/Crossroads Portfolio - Signed & Numbered
Steve Rude, Rude, Steve, #106 of 1900 numbered copies signed by the artist, Very Fine plates in Very Good folder (moderate wear to edges), Graphitti Designs, Anaheim, 1988, 1st, 16 inches, 10.5 inches, color
Illustrated signed & numbered cover plate and ten color plates in a color printed folder. Cover paintings for Nexus #45-48 and #50 and Crossroads #1-5....
Robin Hood Portfolio - Signed & Numbered
Howard Chaykin, Chaykin, Howard, #469 of 1000 numbered copies signed by the artist, Very Fine plates in Near Fine folder (occasional spotting, clean, flat) in Near Fine envelope (occasional spotting around edges, light wear to corners), Schanes & Schanes, San Diego, 1978, 1st, 15.2 inches, 11 inches, black & white
Six black-and-white plates in a printed folder and envelope. This is #469 of 1000 numbered copies, signed by the artist on the first plate. Limited...
Blas Gallego
Bewitched: Coven of Darkness Portfolio
Blas Gallego, Gallego, Blas, Very Fine, S.Q. Productions, Toms River, 1994, 1st, 14 inches, 11 inches, color
Six 11 x 14 inch color plates of paintings by Blas Gallego. Limited edition portfolios were a phenomenon of the 1970s and 80s. They grew out of a greater...
Cody Starbuck Portfolio (1980)
Howard Chaykin, Chaykin, Howard, Near Fine plates (occasional spotting along the edges) in Very Good+ envelope (moderate wear, minimal spotting), S.Q. Productions Inc., Brooklyn, 1980, 1st, 14 inches, 11 inches, color
Four 11 x 14 inch color plates in a printed black-and-white envelope. Chaykin's second portfolio featuring his swashbuckling space pirate. Cody Starbuck...
Esteban Maroto
Touch of the Temptress Portfolio
Esteban Maroto, Maroto, Esteban, Very Fine, S.Q. Productions, Toms River, 1994, 1st, 14 inches, 11 inches, color
Six color plates by Esteban Maroto. Known for his work in the field of fantasy and sci-fi, Maroto captures the sensual beauty and grace of the temptress....
Cody Starbuck Portfolio (1978) - Signed & Numbered
Howard Chaykin, Chaykin, Howard, #631 of 1000 numbered copies signed by the artist, Fine plates (very minimal spotting to first plate) in Very Fine folder in Near Fine envelope (minimal spotting and wear to edges of envelope), Schanes & Schanes, San Diego, 1978, 1st, 15 inches, 11 inches, black & white
Six black-and-white plates in a printed folder and matching envelope. This is #631 of 1000 numbered copies, signed by the artist on the first plate....
Alfredo P. Alcala
Voltar Portfolio - Signed & Numbered
Alfredo P. Alcala, Alcala, Alfredo P., #421 of 1000 numbered copies signed by the artist, Near Fine (light foxing along the edges of the plates) in Near Fine folder (light wear to corners, light foxing, flat, clean), Schanes & Schanes, San Diego, 1979, 1st, 16 inches, 11.25 inches, black & white, English
"Voltar: A Visual-Splendor in the Tradition of the Masters" Six black-and-white plates in an extra-illustrated, printed folder. This is #421 of 1000...
Frank Cirocco
Empyreal Visions Portfolio - Signed & Numbered
Frank Cirocco, Cirocco, Frank, #243 of 250 numbered copies signed by the artist, Near Fine-Fine plates (fold to corner of first plate) in Very Good+ folder (moderate staining, light wear), Horizon Zero Graphiques, San Jose, 1979, 1st, 15 inches, 13 inches, black & white
Four black-and-white plates in an illustrated printed folder. This is #243 of 250 numbered copies, signed by the artist on the first plate. Scarce. In...
John Romita Jr.
John Romita Jr. Daredevil Portfolio - Signed & Numbered
John Romita Jr., Romita Jr., John, #629 of 2500 numbered copies signed by the artist, Fine plates in Very Good+ folder (moderate wear to folder), Editions Deesse, Paris, 1991, 1st, 15.75 inches, 11.75 inches, black & white, English
This is #629 of 2500 numbered copies, signed by the artist on the first plate. This portfolio contains six 30 cm x 40 cm plates. Housed in a large folder...
Concrete Portfolio
Paul Chadwick, Chadwick, Paul, Very Fine plates in a Near Fine envelope (light wear), Dark Horse, Milwaukie, 1989, 1st, 12.2 inches, 9.5 inches, black & white
Five black-and-white plates in a printed envelope. Also includes a four page booklet with Chadwick's annotations for each plate. This portfolio...
The Book of Conquests Portfolio - Signed & Numbered
Jim Fitzpatrick, Fitzpatrick, Jim, #138 of 1500 numbered copies signed by the artist, Very Good-Fine plates (edge of two plates discolored and chipped) in Very Good folder (mild spotting, mild bumps to corners), Jim Fitzpatrick, Dublin, 1983, 1st, color and black & white
Eight plates in a printed folder. There are four color A3-size plates (11.7 x 16.5 inch), two black-and-white A3-size plates (11.7 x 16.5 inch), and two...
John Buscema
Warriors of the Shadow Realm Portfolio
John Buscema, Buscema, John, Very Good+ plates (mild wear to right edge of the plates, otherwise fine) in Very Good folder (moderate wear), Pacific Comics, San Diego, 1979, 1st, 11 inches, 16.2 inches, color
Six color plates in a printed folder. Penciled by John Buscema, inked by Rudy Nebres and colored by Peter Ledger, six full-color prints featuring...
Jack Katz
The First Kingdom Portfolio - Signed & Numbered
Jack Katz, Katz, Jack, One of 999 numbered copies signed by the artist, Fine plates in Very Good folder (worn and rubbed), Bud Plant Inc., Grass Valley, 1982, 1st, 16.3 inches, 11.3 inches, black & white
Six black-and-white plates in an extra-illustrated, printed folder. Signed by the artist on the first plate. The First Kingdom was a 24-issue, 768-page...
Brian Bolland Portfolio - Signed & Numbered
Brian Bolland, Bolland, Brian, One of 666 numbered copies signed by the artist, Fine plates in Very Good folder (worn and rubbed), Editions Deesse, Paris, 1985, 1st, 16 inches, 11.6 inches, black & white
Six black-and-white plates in a printed folder. Signed and numbered by Brian Bolland on the first plate. All of the artwork was created specifically for...
The Seven Dreams of Sinbad Portfolio - Signed & Numbered
Frank Cirocco, Cirocco, Frank, #465 of 1200 numbered copies signed by the artist, Near Fine plates (mild spotting along edges) in Very Good+ folder (foxing and age toning to white folder), Schanes & Schanes, San Diego, 1980, 1st, 14.5 inches, 11.25 inches, color and black & white
One color and six black-and-white plates in a printed folder. This is #465 of 1200 numbered copies, signed by the artist on the interior of the portfolio...
Val Mayerik
Images Portfolio - Signed & Numbered
Val Mayerik, #281 of 500 numbered copies signed by the artist, Fine plates (very minimal spotting along edges) in Near Fine folder (minimal spotting to interior), Mayerik, Val, Dark Eagle, 1979, 1st, 14 inches, 11 inches, black & white
Six black-and-white plates in a printed folder. This is #281 of 500 numbered copies, signed by the artist on the first plate. Limited edition...
Stephen E. Fabian
Crystal of a Hundred Dreams Portfolio - Signed & Numbered
Stephen E. Fabian, Fabian, Stephen E., #468 of 550 numbered copies signed by the artist, Very Fine plates in a Fine folder, Underwood/Miller, San Francisco, 1979, 1st, 13 inches, 10.8 inches, black & white
Sixteen black-and-white plates in a printed folder. This is #468 of 550 numbered copies, signed by the artist on the first plate. A handsome portfolio...
Michael Golden, Jackson Guice, Jim Lee, Kevin Nowlan, George Perez, and Mike Zeck
The Keepsake Collection - Signed & Numbered Portfolio
Michael Golden, Jackson Guice, Jim Lee, Kevin Nowlan, George Perez, Mike Zeck, Golden, Jackson Guice, Jim Lee, Kevin Nowlan, George Perez, Mike Zeck, Michael, One of 5000 numbered copies signed by Mike Zeck, Very Fine plates in a Near Fine envelope, Comic Images, Saddle Brook, 1991, 1st, 9 inches, 6 inches, color and black & white
Surprisingly scarce. Six 6 x 9 inch black-and-white plates and a 7 x 7.5 inch color plate in a 7.5 x 10.5 inch envelope. Art by Michael Golden, Jackson...
Norman Felchle, Jack Keefer, and Alex Sheikman
Thunder Dreams Portfolio #1
Norman Felchle, Jack Keefer, Alex Sheikman, #28 of 200 numbered copies, Very Fine plates in a Fine Envelope, Felchle, Jack Keefer, Alex Sheikman, Norman, Thunder Dreams Studio, 1995, 1st, 11 inches, 8.5 inches, black & white
Nine black-and-white plates in a printed envelope. Comes with an introduction page that gives background information on the artists and describes the...
M.W. Kaluta
Bird of Death Portfolio - Signed & Numbered
Augusta Lamar Ogden, M.W. Kaluta, Ogden, Augusta Lamar, Kaluta, M.W., #153 of 750 numbered copies signed by the artist and author, Near Fine plates (a few slight spots along the top edge of plates) in Near Fine folder (light foxing and age toning, small bump to upper left corner), Kingslayer Productions, Lathrup Village, 1984, 1st, 14.5 inches, 11.5 inches, black & white, English
Six 11.5 x 14.5 inch black-and-white plates in a printed folder. This is #153 of 750 numbered copies, signed by the artist and author on the first plate....
The Chimera Portfolio - Signed & Numbered
P. Craig Russell, Russell, P. Craig, One of 1000 numbered copies signed by the artist, Very Fine in Near Fine folder (light wear), Earthart Graphics, Canoga Park, 1976, 1st, 16.75 inches, 11.25 inches, black & white
Ten black-and-white plates in a printed folder. Limited to 1000 copies, signed and numbered by the artist on the inside of the folder. From the interior...
The Curse of the Ring Portfolio - Signed & Numbered
P. Craig Russell, Russell, P. Craig, #685 of 1200 numbered copies signed by the artist, Near Fine plates (light foxing along the edges of plates) in Near Fine folder (light foxing and age toning, mild edge wear), Schanes & Schanes, San Diego, 1979, 1st, 18 inches, 12.5 inches, black & white
Six black-and-white plates of various sizes in a 12.5" x 18" printed folder. This is #685 of 1200 copies, signed and numbered by the artist on the first...
Arthur Suydam
Mysterious World: The Art of Arthur Suydam - Signed & Numbered Portfolio
Arthur Suydam, Suydam, Arthur, One of 2000 numbered copies signed by the artist, There is a bit of black in spray on the folder and the edge of the first plate otherwise Very Fine in Very Fine folder, Schanes & Schanes, San Diego, 1983, 1st, 12 inches, 9 inches, black & white, English
Six 9 x 12 inch black & white plates in an illustrated folder. Six lush painted images of Cholly and Flytrap from the early heady days when Suydam burst...
The Art and Imagery of Robert Williams - Signed & Numbered Portfolio
Robert Williams, Williams, Robert, One of 2000 numbered copies signed by the artist, Very Fine in Fine folder, Schanes & Schanes, San Diego, 1982, 1st, 12 inches, 9 inches, color, English
"The Art and Imagery of Robert Williams is a limited-edition portfolio of 2,000 copies." Robert Williams' first portfolio. With eight color plates...
Visions from the Book of Night - Portfolio
Charles Vess, Vess, Charles, One of 925 numbered copies signed by the artist, Very Fine in Near Fine envelope (envelope sealed shut), Archival Press, Cambridge, MA, 1978, 1st, 11 inches, 8.5 inches, black & white, English
Six 8.5 x 11 inch plates in an illustrated envelope. Six intricate pen & ink illustrations by Vess. Signed by the artist on the first plate. During...
Howard Chaykin, Chaykin, Howard, #113 of 1000 numbered copies signed by the artist, Very Fine plates in Very Fine folder in Very Fine envelope, Schanes & Schanes, San Diego, 1978, 1st, 15 inches, 11 inches, black & white, English
Howard Chaykin, Chaykin, Howard, #312 of 1000 numbered copies signed by the artist, Very Fine plates in Near Fine envelope (some light wear to the envelope corners), S.Q. Productions Inc., Brooklyn, 1980, 1st, 14 inches, 11 inches, color, English
Four 11 x 14 inch color plates in a printed black-and-white envelope. This limited Signed & Numbered edition of the portfolio has one extra, exclusive...
Women of the Ages Portfolio - Signed & Numbered
Frank Frazetta, Frazetta, Frank, #559 of 1500 numbered copies signed by Frazetta, Very Fine plates in a Fine folder in a Near Fine envelope, Middle Earth, Denver, 1977, 1st, 16 inches, 11 inches, black & white, English
Seven fantastic pen-&-ink drawings of Frazetta's favorite subject matter. This was the last of only three signed & numbered Frazetta portfolios (The...
Dragon Slayers Portfolio - Signed & Numbered
William Stout, Stout, William, One of 1000 numbered copies signed by the artist, Very Fine plates in Very Fine folder, Schanes & Schanes, San Diego, 1979, 1st, 14 inches, 11.5 inches, black & white, English
Six black-and-white plates and a bonus plate in an extra illustrated, printed folder. Seven 11.5 x 14 inch plates in an illustrated folder in a 12 x 15...
Camelot 4005 - Signed & Numbered Portfolio
Jim Starlin, Starlin, Jim, #157 of 1000 numbered copies signed by the artist, Very Fine plates in a Near Fine envelope in a Near Fine sleeve, Bob Hakins, Pleasant Hill, CA, 1978, 1st, 14 inches, 11 inches, color and black & white, English
Nine 11 x 14 inch plates (one color and seven black & white plates and an extra-illustrated text plate) in a printed envelope in a 12 x 16 inch printed...
Marie & John Severin
Kull II Portfolio - Signed & Numbered
Marie & John Severin, Severin, Marie & John, #292 of 1500 numbered copies signed by John Severin, Very Fine plates in a Very Fine folder in a Near Fine envelope, Middle Earth, Denver, 1977, 1st, 16 inches, 11 inches, black & white, English
Eight fantastic pen-&-ink drawings. Seven 11 x 15 inch plates in an illustrated folder in a 12 x 15.5 inch illustrated envelope. The seven plates...
Frank Brunner
Bran Mak Morn - Signed & Numbered Portfolio
Frank Brunner, Brunner, Frank, One of 1000 numbered copies signed by the artist, Very Fine plates in a Very Fine folder in a Near Fine envelope, Middle Earth, Denver, 1976, 1st, 15 inches, 11 inches, black & white, English
Seven illustrations from Frank Brunner's peak period: he had just finished his runs on Dr. Strange and Howard the Duck. Six 11 x 15 inch plates in an...
Jack Katz, Katz, Jack, One of 999 numbered copies signed by the artist, Near Fine plates in Very Good folder (worn and rubbed), Bud Plant Inc., Grass Valley, 1982, 1st, 16.3 inches, 11.3 inches, black & white, English
Tim Burgard
Blood Sisters Portfolio - Signed & Numbered
Tim Burgard, Burgard, Tim, #239 of 1200 numbered copies signed by the artist, Near Fine plates (spotting along upper edge otherwise Very Fine) in a Very Fine folder, Schanes & Schanes, San Diego, 1982, 1st, 16 inches, 11 inches, black & white
Six black-and-white plates in a printed folder. This is #239 of 1200 limited-edition numbered copies, signed by the artist on the first plate. Limited...
Guy Colwell
Street Scenes - Signed & Numbered Portfolio
Guy Colwell, Colwell, Guy, #163 of 200 numbered copies signed by the artist, Very Fine in Near Fine folder (small bump to lower right corner of folder and very light bump to first 5 plates), Fantagraphics Underground, Seattle, 2015, 1st, 10 inches, 10 inches, 36 pages, black & white illustrations
From the publisher: Guy Colwell, the seminal underground cartoonist who created Inner City Romance, has been constructing social realist pen and ink...
Steve Fastner, and Rich Larson
DarkeWorld Portfolio
Steve Fastner, Rich Larson, Fastner, Rich Larson, Steve, Very Fine plates, issued without a folder or envelope, S.Q. Productions, Toms River, 1992, 1st, 14 inches, 11 inches, black & white
Seven black-and-white plates. The set of plates were issued shrinkwrapped without a folder or envelope.
Barbarian Babes Portfolio
Steve Fastner, Rich Larson, Fastner, Rich Larson, Steve, Very Fine plates, issued without a folder or envelope, S.Q. Productions, Toms River, 1994, 1st, 14 inches, 11 inches, color
Six color plates. The set of plates were issued shrinkwrapped without a folder or envelope.
Naked Steel Portfolio
Space Runners: Vixens of the Vacuum Portfolio


text:
BJ's Wholesale Club Partners with LifeSpeak Inc. to Expand Mental Health and Caregiver Support for Employees
LifeSpeak Inc.
LifeSpeak Inc.'s solutions remove barriers to mental health access and provide support to unpaid caregivers in the workplace
TORONTO, Jan. 25, 2023 /PRNewswire/ - LifeSpeak Inc. (TSX: LSPK), an integrated, whole-person wellbeing platform for employers, health plans, and insurance companies, today announced that it has been selected by BJ's Wholesale Club (NYSE:BJ) to provide expert-led digital mental health and wellbeing education and caregiver support to BJ's approximately 30,000 employees and their dependents.
LifeSpeak Inc.'s solutions will give BJ's team members anytime, anywhere access to a curated library of expert-led resources that include classes on mindfulness, building resilience, managing stress, and related mental health topics. Additionally, BJ's team members will also have access to LifeSpeak Inc.'s caregiver support product, Torchlight, and expert advisors who can empower them to resolve modern caregiving challenges quickly and efficiently. Meanwhile, BJ's management team will have access to education and insights to help them more fully understand and support employee caregiving needs.
"Adults are struggling to balance their professional lives with caregiving responsibilities. In fact, a report produced by Mental Health America found four in five employees say workplace stress affects their relationships with friends, families, and co-workers, and a publication from Harvard Business School found 80% say caregiving affects their productivity at work. This signals a clear need for workplace mental health and caregiving support," said Michael Held, CEO and founder of LifeSpeak Inc. "By giving employees access to a diverse range of resources, personalized support, and learning opportunities, BJ's Wholesale Club is demonstrating its commitment to improving the mental health and quality of life for its employees."
With approximately 53 million family caregivers in the United States, according to the National Alliance for Caregiving and the American Associate of Retired Persons, a growing number of employers are recognizing the need for workplace wellbeing solutions that go beyond gym memberships to encompass whole-person health. BJ's among these innovative employers. A leading operator of membership warehouse clubs, BJ's is a pioneer in the wholesale club retail model. The company currently operates 235 clubs that serve more than 6.5 million members in 18 states. The company also operates 164 gas stations across its growing footprint.
"LifeSpeak's digital mental health and caregiver support solutions allow us to support the unique needs of our team members across our footprint, many of whom are facing personal and caregiver challenges at home, while delivering exceptional support to our team members in the field," said Mark Griffin, SVP, Chief Human Resources Officer, BJ's. "By providing our team members with 24/7 access to micro-learning videos, podcasts, guides and advising from hundreds of the world's leading well-being and caregiver support experts, we hope to destigmatize conversations about mental health in the workplace and expand our family-first culture."
BJ's joins a rapidly expanding global community of LifeSpeak Inc. clients and partners. For more information about LifeSpeak Inc.'s solutions for workplace wellbeing, visit www.lifespeak.com.
About BJ's Wholesale Club Holdings, Inc.
Headquartered in Marlborough, Massachusetts, BJ's Wholesale Club Holdings, Inc. (NYSE: BJ) is a leading operator of membership warehouse clubs in the Eastern United States focused on delivering significant value to its members. The company provides a curated assortment of grocery, general merchandise, gasoline, and other ancillary services to offer a differentiated shopping experience that is further enhanced by its omnichannel capabilities. Since pioneering the warehouse club model in New England in 1984, the company currently operates 235 clubs and 164 BJ's Gas® locations in 18 states. For more information, please visit us at www.BJs.com or on Facebook, Twitter, or Instagram.
About LifeSpeak Inc.
LifeSpeak Inc. is the leading whole-person wellbeing solution for employers, health plans, and other organizations. LifeSpeak Inc.'s suite of digital solutions allows organizations to provide best-in-class content and expertise at scale, empowering individuals to live their healthiest lives. As the parent company to LIFT Digital, ALAViDA Health, Torchlight, and Wellbeats, LifeSpeak Inc. provides a flexible portfolio of wellbeing solutions across mental health, wellness, fitness, nutrition, substance use, and caregiving. LifeSpeak Inc. has more than 30 years of collective experience working with Fortune 500 companies, government agencies, insurance providers, and others across the globe. Insights from LifeSpeak Inc.'s digital and data-driven solutions uncover gaps in wellbeing at the individual and organizational levels, ultimately enhancing workplace performance outcomes. To learn more, follow LifeSpeak Inc. on LinkedIn (http://www.linkedin.com/company/lifespeak-inc), or visit www.LifeSpeak.com.
Forward-Looking Information
This press release may include "forward-looking information" within the meaning of applicable securities laws. Such forward-looking information may include, but is not limited to, information with respect to our objectives and the strategies to achieve these objectives, as well as information with respect to LifeSpeak Inc.'s beliefs, plans, expectations, anticipations, estimates, and intentions, including the wellness benefit and its access to LifeSpeak Inc.'s platform and individuals' participation in LifeSpeak Inc.'s programs.
In some cases, but not necessarily in all cases, forward-looking information can be identified by the use of forward-looking terminology and phrases such as "forecast", "target", "goal", "may", "might", "will", "could", "expect", "anticipate", "estimate", "intend", "plan", "indicate", "seek", "believe", "predict", or "likely", or the negative of these terms, or other similar expressions intended to identify forward-looking information, including references to assumptions. In addition, any statements that refer to expectations, intentions, projections or other characterizations of future events or circumstances contain forward-looking information. Statements containing forward-looking information are not historical facts nor guarantees or assurances of future performance but instead represent management's current beliefs, expectations, estimates and projections regarding possible future events, circumstances or performance.
Forward-looking information is necessarily based on a number of opinions, estimates and assumptions that, while considered reasonable by LifeSpeak Inc. as of the date of this release, is subject to known and unknown risks, uncertainties, assumptions and other factors that may cause the actual results, level of activity, performance or achievements to be materially different from those expressed or implied by such forward-looking information. Important factors that could cause actual results to differ, possibly materially, from those indicated by the forward-looking information include, but are not limited to, the risk factors identified under "Risk Factors" in LifeSpeak Inc.'s annual information form for fiscal year ended December 31, 2021 dated March 30, 2022, and in other periodic filings that LifeSpeak Inc. has made and may make in the future with the securities commissions or similar regulatory authorities in Canada, all of which are available under LifeSpeak Inc.'s SEDAR profile at www.sedar.com. These factors are not intended to represent a complete list of the factors that could affect LifeSpeak Inc. However, such risk factors should be considered carefully. There can be no assurance that such estimates and assumptions will prove to be correct. You should not place undue reliance on forward-looking information, which speak only as of the date of this release. LifeSpeak undertakes no obligation to publicly update any forward-looking information, except as required by applicable securities laws.
View original content:https://www.prnewswire.com/news-releases/bjs-wholesale-club-partners-with-lifespeak-inc-to-expand-mental-health-and-caregiver-support-for-employees-301729880.html
SOURCE LifeSpeak Inc.


It's hard to think of anything more callous: The U.S. House of Representatives, in the grip of zealous right-wing leaders, passed a bill that would allow pregnant women to die in the emergency room. We are determined to stop this bill in the Senate, and I'm asking you to stand with NOW at this critical hour.
We've been tracking the offensively named "Protect Life Act" all session. Not only does it permit Catholic hospitals to allow a woman to die rather than perform a life-saving abortion, it also prohibits insurance plans on state exchanges from covering abortion care. It's part of the radical right's core strategy to chip Roe v. Wade to bits. They won't outlaw abortion per se, they'll just make it virtually impossible to access.
Not only must we stop this bill in the Senate, we must also mobilize the women's vote so we can replace the anti-woman legislators who voted for it with feminists who will stand up for our right to reproductive health care. You can help by making a generous donation today.
Through NOW's network of hundreds of grassroots chapters and hundreds of thousands of online activists, we are writing, emailing, tweeting, blogging and phoning to get the message out: We won't go back. We are fighting back.
Please give today. I can't overstress how difficult this fight is going to be.
P.S. You can be proud to stand with the National Organization for Women in the fight for abortion access, not just for women with private insurance, but also the many women currently at risk under the deeply unjust ban on federal funding for abortion care. Your help makes a difference.


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redpajama_set_name: RedPajamaGithub


text:
// -*- mode: java; c-basic-offset: 2; -*-
// Copyright 2009-2011 Google, All Rights reserved
// Copyright 2011-2012 MIT, All rights reserved
// Released under the Apache License, Version 2.0
// http://www.apache.org/licenses/LICENSE-2.0
package com.google.appinventor.components.runtime;

import android.app.Application;
import android.content.Context;
import android.util.Log;
import com.google.appinventor.common.version.GitBuildId;
import com.google.appinventor.components.runtime.util.EclairUtil;
import com.google.appinventor.components.runtime.util.SdkLevel;

import org.acra.*;
import org.acra.annotation.*;

/**
 * Subclass of Application. Normally App Inventor apps just use the
 * android.app.Application class as their main application. However we
 * use the ACRA debugging application with the MIT AI Companion
 * app.  This class is only pointed to by the Android Manifest if
 * Compiler.java (which builds the Manifest) is building the Wireless
 * version of the MIT AI Companion.  In this fashion we only turn on
 * ACRA when using the Wireless MIT AI Companion.
 *
 * @author jis@mit.edu (Jeffrey I. Schiller)
 */

@ReportsCrashes(formKey="")
public class ReplApplication extends Application {

  private boolean active = false;
  private static ReplApplication thisInstance;

  @Override
  public void onCreate() {
    super.onCreate();
    thisInstance = this;
    String acraUri = GitBuildId.getAcraUri();
    if (acraUri.equals("")) {
      Log.i("ReplApplication", "ACRA Not Active");
    } else {
      Log.i("ReplApplication", "ACRA Active, URI = " + acraUri);
      ACRAConfiguration config = ACRA.getNewDefaultConfig(this);
      config.setFormUri(acraUri);
      config.setDisableSSLCertValidation(true); // So we can use an MIT or self signed cert
      ACRA.setConfig(config);                   // On the server.
      ACRA.init(this);
      active = true;
    }
  }

  public static void reportError(Throwable ex, String reportId) {
    ACRA.getErrorReporter().putCustomData("reportid", reportId);
    reportError(ex);
  }

  public static void reportError(Throwable ex) {
    if (thisInstance != null && thisInstance.active)
      ACRA.getErrorReporter().handleException(ex);
  }

  public static boolean isAcraActive() {
    if (thisInstance != null && thisInstance.active) {
      return true;
    } else {
      return false;
    }
  }
}


I call this the halo owl because of the radiance about his face. This stoneware tile is about 4 1/4 inches square and about 3/8 thick. There is a notch on the back should you choose to hang it on the wall.


Melt the butter in a large stockpot over medium heat; cook and stir the onion, leeks, garlic, and celery in the melted butter until tender, about 10 minutes.
Pour 4 cups vegetable stock into the stockpot; add the potatoes. Bring the mixture to a boil, reduce heat to medium-low, and cook the mixture at a simmer 20 minutes.
Divide the stock mixture into 3 batches with equal amounts of liquid and vegetables; set aside to cool for 30 minutes.
Pour 1 batch of the stock mixture into a blender, filling the pitcher no more than halfway. Hold the blender lid firmly in place and carefully start the blender; use a few quick pulses to get the mixture moving before leaving it on to puree. Repeat process with second batch. Return the pureed batches to the stockpot.
Divide third batch into two equal batches. Puree only one of the two batches before returning both to the stockpot.
Bring 1 cup vegetable stock to a simmer in a small pot over medium-low heat. Cook the carrots in the simmering stock until soft, 5 to 7 minutes; add to the puree in the stockpot.
Stir the green onion and heavy cream through the puree; continue cooking another 5 minutes.
Season with salt and pepper; top with Cheddar cheese to serve.
Preheat an oven to 400 degrees F (200 degrees C).Slice bread..
Bring water to a boil in a saucepan. Add mung beans; cook un..
Dice grapefruit into blueberry-size pieces and transfer to a..
In a saucepan over medium heat combine the maple syrup, oil,..
Preheat oven to 400 degrees F (200 degrees C).Heat 2 tablesp..
Bring the turkey carcass and water to a boil in a large pot ..


Forget the bottled salad dressing with the omega-6 oils, sugar (or corn syrup !!!), chemicals and pseudofoods. Just make your own.
Cooking comes to me like the inspiration of an artwork. I never really follow a recipe to a T. Seriously. There are a million recipes of anything on the internet. I just look at them as a source of idea. Not only that, I can read Thai, so I can see the more authentic Thai recipes. Pinterest doesn't hurt, either.
It's funny that when I work in the lab, I have to measure everything to the nanoscale (no kidding!). That goes in stark contrast with my spontaneous and adventurous personality. I would just throw things together on the fly and rarely measure most things until I get to the point when I try to get really really lean. Somehow this sense of eye-balling didn't come to me naturally at all.
My kitchen training is like that. We all learn from the older ladies when we hang out in the kitchen, right? I learned from the older female relatives back home growing up, and it always baffled me as to why the best cooks never measured anything. When I asked them how they made a certain dish, they would come up with a list of things to include, and just seem to throw them in as they go. Even when I took a traditional Royal Thai dessert course at Suan Dusit Rajabhat University, which were taught by food scientists, most of the demonstrations were done by eyeballing the ingredients. The amazing part is that Royal Thai Desserts weren't just sugar and starch thrown together, they were pure works of delicate arts. Each item could take a whole 12 hour to make from scratch.
I mastered baking on my own during my early teenage years through reading recipe books, because everything was to be measured, optimized and calculated to perfection. Day after day the cakes and the cookies left my oven in its perfect shape and form. At that point I was dreaming of becoming a food scientist because all of that was just so much fun. I loved baking them and eating them.
As for the savoury dishes that I learned in the kitchen, I learned that it's either I screwed up or I didn't. The aunties and my mom told me that I could replace certain ingredients to serve the same purpose (e.g. salt for fish sauce, vinegar for lime juice, just omit it if you don't have it etc). I never really had to cook for myself until I left home for university. Then all of a sudden, I was called a good cook (by the people who lived on either Kraft dinner or eggs). The magic was perhaps the brand of oyster sauce that my mom always bought and making sure it wasn't too salty. The stir-fry could be assembled from any item that was on sale. That was the start of my experimental chef career.
These acquired skills which were critical for me to switch my lifestyle and body composition around to earn my six pack abs. It's massive massive fun and I feel the gratitude that I can take good care of myself. If anything, I live on "what's on sale?" diet. There's only a few simple rules that I follow.
So… if nobody ever call yourself a chef, then call yourself one right now!


text:
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Q&A with Peter Lahti, School of Dentistry
Peter Lahti is a first-year dental student with a passion for helping others.
Because of his scholarship, Peter will be able to fulfill his desire to work as a dentist in a rural or underserved area — caring for the region's most vulnerable. We asked Peter about his passion for dentistry, the impact of scholarships and how he wants to change health care.
What drove you to pursue dentistry?
My parents didn't go to college, but it was never a question to any of us that I was going to. They pushed me to succeed so I could have more opportunities than they had. They showed me what hard work was. Perhaps even more importantly than that, they showed me what it was like to have compassion. They are two of the most selfless people I know.
I pursued a career in dentistry because it makes me come alive — I have such a passion for helping others. As a dentist, I'll be able to take away pain, boost confidence through smiles and build relationships with people for many years. I'll get to use my brain to solve complex issues as well as my hands to physically make a difference.
What has receiving a scholarship meant to you?
I remember getting that email that I was a recipient of the SHOI scholarship at OHSU. It felt like the weight of the world was lifted off my shoulders. I called my parents and grandparents in tears to share the good news. Not only would I not have to worry about the immense burden of student loans, but I would also get to stay close to my family.
How do you want to change the future of health care?
Upon graduation, I will be working in a rural or underserved area, which is something that I am very passionate about. I want to provide care to those people that are in need. I want to be somebody who is able to help people and make a positive impact on their lives, and this scholarship will help me do just that. For that, I will be forever grateful.
Student Aria Javaheri finds joy in dentistry
By fusing his two disparate passions together, OHSU dentistry student Aria Javaheri was able to find his path.
Dentistry students grow, learn during yearly beach tradition
First-year students at OHSU's School of Dentistry resumed their traditional beach conference on professionalism and ethics.
Where dental care and public health meet
Ciara Robinson faced many obstacles on her road to college. With hard work and persistence, Ciara is now a second-year dental student with a goal to work in underserved, low-income areas.
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The big question about our trip: Is Crystal all it's cracked up to be? The answer: Well, sorta. My previous sailing experience has been on Celebrity, which I really liked, and Cunard, which has set a standard for luxury cruising for 100 years. But this was to be the Bandlers twelfth Crystal cruise, my friend Don loves the line, even Susan Rowley spent a month on the Crystal Harmony once and is still talking about it. So I was expecting a combination of the French Laundry, La Costa spa and the Ritz-Carlton. I"m not sure heaven itself could live up to the Crystal hype.
Modern cruise ships are floating resorts, with swimming pools, spas, gyms, theaters, tennis and basketball courts, golf driving cages, bars, sundecks, game rooms, shopping malls and casinos, kept pristine and shining by legions of dedicated crewmembers. You're going to love either cruise line. Crystal carries about 1000 passengers, Celebrity as many as 3000 on their newest ships. Bigger ship = more amenities, at the cost of crowds and lines. The larger ships also have a greater range of staterooms, from tiny, windowless inside cabins to expansive suites. Crystal has no interior cabins; their passenger list is considerably more homogeneous in terms of economics.
The food on Crystal is very good–just like on the other cruise ships. I enjoyed being able to order caviar every night. The cheese cart is fabulous. But the reality is that there is a limit to what you can do when you are trying to serve 500 people at once. The food is good, but it's no better than Celebrity and perhaps not as good as Cunard. That isn't a complaint–it would be a very lucky man who had Crystal quality food every day of his life. I call this a draw.
The Lido deck on Crystal is incredible!!. Excellent food from the buffet or two specialty food facilities. Service as good as the dining room. You can eat indoors or out, it's just a pleasure. On Celebrity, we called this area "the trough". In far too many ways, it reminded me of the college food service cafeteria. Carol Scott refused to eat there, ever. A clear win for Crystal.
Crystal is justly famous for its speaker program. Every sea day brings 3 lectures, from leaders in the fields of history, science or current events. Our cruise featured Howard Fineman, a senior writer for Newsweek and a frequent guest on MSNBC. The lectures are topical and fascinating, offering insights that are often unavailable to us mere mortals. Celebrity offers lectures, but without the superstar speakers.
Both lines offer daily bridge while at sea, as well as a host of other programs from dance lessons to computer classes and handicraft workshops. There are libraries on all ships, with books, CDs and movies. In the evening, size matters. Celebrity ships are much larger, holding 2ooo or even 3000 passengers. They can afford better entertainment, with larger casts, bigger bands, bigger stages, more production values. I guess this is a draw: Crystal wins the day, Celebrity wins the night.
When a cruise ship drops you in a foreign port like Captain Kirk beaming down, you need some help figuring out what to see and how to see it–and the cruise line is right there for you. For a fairly steep price, they offer tours of everything you might ever want to see or do. Crystal even offered an excursion to the Lamborghini factory near Venice, with the **chance** that you would get a ride in one. That little jaunt was $1800 per person.
Because they have so many more passengers, from a wider economic spectrum, You can also manage trips in the greatest spots in Malaysia, including trips from phuket to phi phi in any transportation system you choose. Celebrity offers more excursions, often at more reasonable price points. The downside is that there are just too darned many people, too many buses.
Going on a cruise means being waited on hand and foot all the time. Every single member of the ships staff is specifically directed to do anything possible to make you life perfect: even the janitors and engineers are willing and able to help. Crystal ships have fewer guests and a stronger ratio of passengers/crew. I've already mentioned the wonderful experiences on the Lido deck/buffet. In general, I would give the nod to Crystal, but there is one big exception: the butler. You don't get a butler on Crystal, at least not in our price range. You get a cabin stewardess, who is a very nice young woman from Thailand or Laos or the Phillipines who tries very hard to take good care of you, and does a darned nice job. On Celebrity, you get a trained butler. The difference is night and day. Your butler makes things happen by magic, and somehow manages to read your mind and know what you want before you do. If you are a person who enjoys hanging out in your stateroom, having a butler makes the trip a dream. If you're on the go all the time, you may not notice the difference. Since Gail and I are slugabeds on a cruise, I'm giving the nod to Celebrity on service.
Our stateroom on Crystal Serenity was 269 sq. ft., including the verandah. (Yes, that's how they spell it. With an 'h' on the end. Looks weird to me.) Our stateroom on Celebrity Infinity was 308 sq. ft., including the veranda. (Spelled the more normal way.} That 39 square feet make a huge difference, between being cramped for two weeks and feeling expansive. I don't understand the concept of going on an expensive vacation and feeling like I'm living in a broom closet. Celebrity wins the category.
Crystal is expensive. About 50% higher than Celebrity, for a markedly smaller room. Even the "Royal Suite" on Celebrity, at almost 800 square feet, is cheaper than the basic staterooms we had on Crystal. Yes, Celebrity dings you for little things like Cokes at the buffet–but it takes a ton of $2 sodas to make up a $4000 difference in the fare. On the other hand, getting met at the airport in Venice and taking a bus to the ship cost us $100 each with Crystal, so they're not above overcharging for things that should be included. Bottom line: as far as I'm concerned Crystal is grossly overpriced.
We had a wonderful trip, I'm certainly glad we went. Crystal Serenity is a beautiful ship, staffed by people dedicated to making your cruise pleasant every step of the way.
I just don't think it's worth the price, possibly because Gail and I just aren't interested in the 3 lectures a day and taking endless laps around the deck. We are on vacation to vacate, to kick back and nap and read and see a few ports, and we would much rather do that from a large and comfortable suite with a butler at our beck and call and save a couple of thousand dollars in the process. Your mileage may vary.


text:
set -e

CONFIGURATION_NAME=$1;

CONFIGURATION_FILE="${CONFIGURATION_NAME}.ini";

SOURCES_DIRECTORY="/media/greendale_images";
REFERENCES_DIRECTORY="/media/greendale_images";

RESULTS_DIRECTORY="plaso-out";

# Change path to test this script on Travis-CI.
if test ${CONFIGURATION_NAME} = 'travis';
then
	SOURCES_DIRECTORY="test_data";
	REFERENCES_DIRECTORY="test_data/end_to_end";
	CONFIGURATION_FILE="config/jenkins/${CONFIGURATION_NAME}.ini";
fi

mkdir -p ${RESULTS_DIRECTORY} ${RESULTS_DIRECTORY}/profiling;

if ! test -f ${CONFIGURATION_FILE};
then
	CONFIGURATION_FILE="config/jenkins/greendale/${CONFIGURATION_NAME}.ini";
fi
if ! test -f ${CONFIGURATION_FILE};
then
	CONFIGURATION_FILE="config/jenkins/sans/${CONFIGURATION_NAME}.ini";
fi
if ! test -f ${CONFIGURATION_FILE};
then
	CONFIGURATION_FILE="config/jenkins/other/${CONFIGURATION_NAME}.ini";
fi

PYTHONPATH=. python3 ./utils/check_dependencies.py

# Start the end-to-end tests in the background so we can capture the PID of
# the process while the script is running.
PYTHONPATH=. python3 ./tests/end-to-end.py --config ${CONFIGURATION_FILE} --sources-directory ${SOURCES_DIRECTORY} --tools-directory ./tools --results-directory ${RESULTS_DIRECTORY} --references-directory ${REFERENCES_DIRECTORY} &

PID_COMMAND=$!;

echo "End-to-end tests started (PID: ${PID_COMMAND})";

wait ${PID_COMMAND};

RESULT=$?;

# On Travis-CI print the stdout and stderr output to troubleshoot potential issues.
if test ${CONFIGURATION_NAME} = 'travis';
then
	for FILE in $(find ${RESULTS_DIRECTORY} -name \*.out -type f);
	do
		echo "stdout file: ${FILE}";
		cat ${FILE};
		echo "";
	done

	for FILE in $(find ${RESULTS_DIRECTORY} -name \*.err -type f);
	do
		echo "stderr file: ${FILE}";
		cat ${FILE};
		echo "";
	done
fi

exit ${RESULT};