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1923 zine and website launch
Towards the beginning of this year I ran a Kickstarter campaign for a monthly zine of archival material from the year 1923.
That year has some copyright and public domain significance. For twenty years following the 1998 Copyright Term Extension Act, 1922 was the most recent publication year for which a given work could be categorically determined to be in the public domain. That made "1922 and earlier" a common category for digitized databases of older works. On January 1, that border advanced for the first time in two decades, and the zine is something of a celebration of that fact.
The zines sold out quickly—I only intended to offer a hundred subscriptions, which were snapped up in about two hours—and so I added a "digital subscription" option. That meant I would have to figure out how to distribute the zines digitally too, but I was probably going to want to do that anyhow.
I sent out and posted (for backers only) the first two issues together after the campaign closed in the beginning of February. This week I sent out and posted the third issue, and so I've removed the "paywall" for the first two.
Which means: you can now check out the January and Feburary issues of 1923 at 1923.press.
This has been a big endeavor for me, and I've had to learn a lot about a tiny area of publishing and fulfillment.
In the coming days I'm going to publish some notes about my zine-creating process, which I think is sort of idiosyncratic but may also be instructional. I've written a few scripts and one-liners to ease the process, and I'd love if those ended up being helpful to other zine makers!
Posted byParker Higgins 23 March, 2019 23 March, 2019 Posted inUncategorizedTags: copyright, kickstarter, public domain, publishing, zine
Introducing: cursewords, a crossword puzzle solving interface for the terminal
I'm releasing new software today for solving crossword puzzles in the terminal. cursewords is a small Python program to open, navigate, and solve puzzles stored as .puz files. If you're a Mac or Linux user, you can install it today by running pip3 install --user cursewords in your terminal, and then use the cursewords command to open a .puz file on your computer.
In case you're not a crossword nerd: the .puz file was developed for popular solving software called AcrossLite, and it remains the most popular format for transmitting crosswords online, from independent creators all the way up to the New York Times.
cursewords in action on my terminal
In fact, many independent puzzle creators only distribute their puzzles as digital files. For example, I subscribe to a handful of excellent puzzle outlets—American Values Club, The Inkubator, Crossword Nation, Fireball Crosswords—that don't offer an online solver or an app like the Times does. As a Linux user, I didn't have a lot of options to open them: AcrossLite isn't compatible, Web-based solutions have their limitations, and beyond that, I wanted to be able to introduce fun features like a "downs only" mode that hides the across clues. (You can try it: running cursewordswith the --downs-only flag activates this very challenging mode.)
But also, I liked the challenge of writing my own software as a way of thinking more about how crosswords are built and how we hold them in our head for navigation. I also love the retro-computing aesthetic that comes with terminal applications, and—while I think this is the first ever terminal crossword client—that it's mostly based on tech that has remained unchanged for decades. In that way I've likened it to efforts to, say, imagine what a car built with first-century technology would look like: it's not necessarily the most useful or the best, but it's instructive (and in my case, actually works)!
As the name may suggest, cursewords relies on a famed programming library called curses that helps to build text-based user interfaces. It is also heavily indebted to a curses wrapper called blessed, and a library called puz that reads and writes .puz files.
If you're interested in cursewords, please give it a try and let me know how it works for you. I've been very interested in how to solve this problem for over a month now and I am excited to talk about it more publicly.
Posted byParker Higgins 3 March, 2019 3 March, 2019 Posted inUncategorizedTags: computers, crosswords, cursewords, new york times, programming, python3 Comments on Introducing: cursewords, a crossword puzzle solving interface for the terminal
Shutting down @LinkArchiver, the Twitter link backup bot
After a little over a year of service, @LinkArchiver, the Twitter bot that automatically made Internet Archive backups of the links you tweeted, has archived its last link. In that time it archived somewhere around 7.2 million links total from about 9,000 users.1"Quote tweets" are treated like links to tweets, and constituted about a third of the total links. Something like 4.8 million links backed up were at domains other than Twitter. The last link it archived was this LA Times story about Verizon throttling California firefighters, tweeted on Thursday morning.
LinkArchiver stopped working this week when Twitter turned off the User Stream API that it relied on. Under the hood, LinkArchiver was only looking at its timeline, so it could use Twitter's built-in following features to make its user list. Since that API change, it can't pull down a "stream" of its timeline, and so would have to be redesigned to continue to work.
Even as this project is shutting down, I consider it a pretty major success. I am very grateful to Jacob Hoffman-Andrews for pitching me the underlying idea. Writing the code (and seeing it get an enthusiastic reception) was a great way to kick off my time at Recurse Center last summer. I'm also grateful to Ben Cotton who gave it a nice write-up at opensource.com when it launched.
I've had a few people ask me about archiving and backup options now that this is no longer available. I'm considering doing something similar for Mastodon, or for plain RSS feeds, but I also don't want to downplay the fact that Internet Archive does a very good job of running the Wayback Machine crawler, and so the main value I can add is adding a personal layer. In any future work on things like LinkArchiver, I'd want to keep track of that.
There's also a way to do a Twitter redesign with existing APIs, probably. Instead of getting a stream from Twitter that pinged on new tweet events, it could request new tweets at regular intervals, using an API that's still operational. If somebody wants to write that, they're welcome to, but given the way Twitter is, I'm not eager to do so.
1. ↑ "Quote tweets" are treated like links to tweets, and constituted about a third of the total links. Something like 4.8 million links backed up were at domains other than Twitter.
Posted byParker Higgins 26 August, 2018 Posted inUncategorizedTags: bots, programming, twitterLeave a comment on Shutting down @LinkArchiver, the Twitter link backup bot
Twitter should allow users to "hide" old tweets: my correct opinion
Twitter should allow users to "hide" old tweets so that they are only visible to that user, and selectively "un-hide" individual tweets from that collection so that they once again become available at their original URL, in quote tweets and threads, and in sites where they are embedded around the web.
The need for a mechanism to remove old tweets is very clear and becoming abundantly moreso with every rightwing campaign trawling for old statements to weaponize by taking out of context. Numerous guides have been written about how and why to delete your tweets, and it's beyond the scope of the argument I'm making today. Many of these guides, too, address the emotional difficulty of actually pulling the trigger and wiping an archive—in many cases spanning a decade or so of interaction.
One of the best encapsulations of this problem (and that solution) is John Herrman's Awl 2015 piece "Time Is a Privacy Setting." Even just the phrase in the headline is an important contribution, and gets at why simple dichotomies of "public" and "private" are so unsatisfying. A lot more goes into our understanding of privacy than a binary toggle, and time is certainly a factor.
And just as interesting, to me, is something Herrman said this week, in a tweet thread that began with his a link to that now three-year-old essay: "You thought you were talking, but you were writing." It's true! Twitter has managed, for many people, to clear out a barrier that can otherwise be insurmountable, letting people be comfortable writing down their thoughts and conversations. Something the tweet-deleters flirt with, but never seem to quite put their finger on, is that writing (as opposed to talking) has some real advantages in addition to the drawbacks.1By definition, most of the articles about deleting tweets are written by writers. Writers, again by definition, tend to write more stuff down. So maybe the benefits of having a place to write stuff down if you otherwise wouldn't isn't quite as clear to them.
This observation is obviously not new to Twitter. My father, a writer, has always exhorted me to keep a journal or a diary, though I've never really been able to. One real value of Twitter, for me, has been breaking through that hesitation by setting the threshold of participation so incredibly low that I can just, y'know, write. It'd be better to keep a journal or to blog, but in many cases tweets are good enough.
Over the decade that I've been on Twitter, I've gone through periods of prolific writing and total dry spells. I've maintained this blog regularly at times, and at others it's sat dormant for months. And the thing is, I frequently refer to and read the old entries for time periods where they exist! Human memory is fickle and fragile, and it is genuinely interesting and educational for me to look back on old writing and see the germs of ideas that later grew into real passions. Looking up old tweets isn't quite as good, but it fills in the gaps.
Beyond just lowering the threshold to producing such writing, Twitter did some important things to make online writing even more valuable. Search, the villain in recent sagas, is a powerful tool when used for good. Joanne McNeil recently raised a use case I love:
One of my favorite things things to do on twitter is search my friends' old tweets for their reactions over the years to whatever film or book I just finished
— joanne mcneil (@jomc) August 2, 2018
I do that too! Yes, it'd be great if all my friends blogged about every movie they watched or book they read (and I had a good way of finding those posts when they became relevant to me), but this is a decent runner-up. If you want, too, you can see first interactions with people who later became important to you, or all the people who've made a joke you just thought of, or people discussing an article you've just read, and Twitter (helpfully, in this case) collapses the time gap between you and those people.
Beyond that, Twitter puts a time stamp and a URL on each of these things. In recent years it even preserves the semantics of threads. I don't want to downplay the very real harm these attributes can cause, but it's also true that in some situations they provide a ton of value.
Which brings us back to tweet deletion and why it is emotionally difficult for people to do. For better or for worse, this archive we've created of our own writing is valuable, and deleting tweets is permanent. (Emily Dreyfuss' article at Wired does an especially good job at grappling with it.) Every guide I've read to deleting tweets walks through the process of creating an "archive," but even doing so misses some of these benefits of keeping old tweets online.
Archiving-then-deleting may preserve a copy for you, but it permanently rips each tweet out of its context in threads, at a URL, within quote tweets, embedded in articles, and in the Search index.2Beyond that, there's no easy way to present your archive on your own terms to anybody but yourself, a feature I've argued for in other contexts. Maybe you want to do all those things, and you should have the power to do so! But with a corpus of tens of thousands of tweets, in many cases, it is overwhelming to permanently make that decision for everything all at once.
(Side note: that permanence is in large part a result of Twitter's centralization. Under a more decentralized model,3Check out Mastodon. where we controlled our own domains, you could maybe just rebuild your database from a backup and point all the right URLs to all the right content. There's pros and cons to such centralization—and in particular, people seem to love the guarantee that the archive hasn't been tampered with—but in any case that's the situation we're in and what can you do.)
So here's the solution, referred to up top. Twitter should give users a new option to "hide" old tweets, which would look to every other user like deletion, but which would be a reversible operation. Your hidden tweets should still appear in your searches and views of old threads, but greyed out to indicate they're not otherwise available. And—and this is probably the hardest part—Twitter should introduce a per-tweet configurability for these settings.
That's the kicker. Individual tweets could be deleted (fully gone), hidden (just for you), private (for your followers, no retweets), or public. That would be a big change! But it's important.
(Another side note: when I posted this opinion on Twitter, I got a few responses that such an option should not be available for public figures or politicians or what-have-you. I tend to think that we should not rely on Twitter to preserve these public records, and that their introduction of a feature that has real benefits to real users shouldn't be hindered by the possible exploitation by shifty officials. And just as with deleting tweets or blocking critics, the behavior can be barred without Twitter needing to intervene.)
Twitter the company has mismanaged Twitter the product in a dozen different ways, and its policies on speech, censorship, harassment, and abuse have often been incoherent. It's also provided an invaluable platform for many of my favorite writers and thinkers, and done so in a way that is reasonably consistent with the technology of the web.4Two good things that stand out: canonical URLs for every tweet, and the fact that unavailable embedded tweets degrade gracefully into text. On the other hand, the normalization and ubiquitous use of a URL shortener sucks. Giving users more tools—in this case a new privacy setting with more granularity—is the right next step in overcoming the former without diminishing the latter.
1. ↑ By definition, most of the articles about deleting tweets are written by writers. Writers, again by definition, tend to write more stuff down. So maybe the benefits of having a place to write stuff down if you otherwise wouldn't isn't quite as clear to them.
2. ↑ Beyond that, there's no easy way to present your archive on your own terms to anybody but yourself, a feature I've argued for in other contexts.
3. ↑ Check out Mastodon.
4. ↑ Two good things that stand out: canonical URLs for every tweet, and the fact that unavailable embedded tweets degrade gracefully into text. On the other hand, the normalization and ubiquitous use of a URL shortener sucks.
Posted byParker Higgins 5 August, 2018 Posted inUncategorizedTags: mastodon, privacy, twitter, writingLeave a comment on Twitter should allow users to "hide" old tweets: my correct opinion
Subtitles for Norway's SlowTV train ride to Oslo
One thing I enjoy is Norway's public service broadcaster's production of a train ride from Bergen to Oslo, which was first broadcast in real time, over seven or so hours, in 2009. It's predictably pretty quiet stuff, but—at least now that it's on Netflix—there are in fact subtitles of what little dialog there is.
Netflix makes it pretty straightforward to extract the subtitles from a given program, and it stores them according to a very fun standard called the Timed Text Markup Language, or TTML, which just missed adoption by the WHATWG in favor of a lighter-weight, less-XML spec called WebVTT.
Anyway, I pulled out the (very spare) subtitles in that format and wanted to convert them to something a little more usable. So first I converted them to JSON, and produced an array with an object for every subtitle, and then processed it a little further and created a version where "adjacent" subtitles are combined into single objects.
The result is nearly as hypnotic as the original video:
"begin": "00:17:21",
"end": "00:17:23",
"text": [
"[metallic clang]"
"[indistinct conversation / woman laughs]"
"[woman laughs]"
"[indistinct conversation]"
Posted byParker Higgins 4 April, 2018 Posted inUncategorizedTags: slowtv, subtitles, trainsLeave a comment on Subtitles for Norway's SlowTV train ride to Oslo


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Home /Ender's Game (The Ender Quintet #1) (Paperback)
Ender's Game (The Ender Quintet #1) (Paperback)
(YA-YOUNG ADULT FICTION)
I have repeatedly recommended this science fiction novel to both teens and adults. It is the story of Ender Wiggin, who is recruited to attend the future-world's Battleschool. At the school Ender trains in the military strategies needed to fight aliens who are threatening to invade Earth. Ender's Game is full of action and adventure and has a surprising conclusion.
In order to develop a secure defense against a hostile alien race's next attack, government agencies breed child geniuses and train them as soldiers. A brilliant young boy, Andrew "Ender" Wiggin lives with his kind but distant parents, his sadistic brother Peter, and the person he loves more than anyone else, his sister Valentine. Peter and Valentine were candidates for the soldier-training program but didn't make the cut—young Ender is the Wiggin drafted to the orbiting Battle School for rigorous military training.
Ender's Game / Ender in Exile / Speaker for the Dead / Xenocide / Children of the Mind
Ender's Shadow series
Ender's Shadow / Shadow of the Hegemon / Shadow Puppets / Shadow of the Giant / Shadows in Flight
Orson Scott Card is best known for his science fiction novel Ender's Game and its many sequels that expand the Ender Universe into the far future and the near past. Those books are organized into the Ender Quintet, the five books that chronicle the life of Ender Wiggin; the Shadow Series, that follows on the novel Ender's Shadow and are set on Earth; and the Formic Wars series, written with co-author Aaron Johnston, that tells of the terrible first contact between humans and the alien "Buggers." Card has been a working writer since the 1970s. Beginning with dozens of plays and musical comedies produced in the 1960s and 70s, Card's first published fiction appeared in 1977 -- the short story "Gert Fram" in the July issue of The Ensign, and the novelette version of "Ender's Game" in the August issue of Analog. The novel-length version of Ender's Game, published in 1984 and continuously in print since then, became the basis of the 2013 film, starring Asa Butterfield, Harrison Ford, Ben Kingsley, Hailee Steinfeld, Viola Davis, and Abigail Breslin. Card was born in Washington state, and grew up in California, Arizona, and Utah. He served a mission for the LDS Church in Brazil in the early 1970s. Besides his writing, he runs occasional writers' workshops and directs plays. He frequently teaches writing and literature courses at Southern Virginia University.
He is the author many sf and fantasy novels, including the American frontier fantasy series "The Tales of Alvin Maker" (beginning with Seventh Son), There are also stand-alone science fiction and fantasy novels like Pastwatch and Hart's Hope. He has collaborated with his daughter Emily Card on a manga series, Laddertop. He has also written contemporary thrillers like Empire and historical novels like the monumental Saints and the religious novels Sarah and Rachel and Leah. Card's recent work includes the Mithermages books (Lost Gate, Gate Thief), contemporary magical fantasy for readers both young and old. Card lives in Greensboro, North Carolina, with his wife, Kristine Allen Card, He and Kristine are the parents of five children and several grandchildren.
"Card has taken the venerable sf concepts of a superman and interstellar war against aliens, and, with superb characterization, pacing and language, combined them into a seamless story of compelling power. This is Card at the height of his very considerable powers--a major sf novel by any reasonable standards." —Booklist
Publisher: Tor Science Fiction
Series: The Ender Quintet
Fiction / Science Fiction / Military
Fiction / Science Fiction / Space Opera
Fiction / Science Fiction / Action & Adventure
Kobo eBook (April 1st, 2010): $7.99
Paperback (March 4th, 2014): $12.99
CD-Audio (October 2013): $29.99
Prebound (July 1994): $18.80
Prebound (April 5th, 1996): $18.40
Prebound (February 2002): $16.00
CD-Audio (August 5th, 2008): $45.99
Paperback (February 2002): $5.99
Paperback (October 2013): $12.99
Mass Market Paperback (January 1986): $5.99
Hardcover (May 7th, 2013): $18.99

redpajama_set_name: RedPajamaCommonCrawl


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Send your name to Mars now
Tuesday September 8, 2015 11:42 AM, IANS
Washington: Do you wish to send your name on a mission to Mars? Do it now. NASA is inviting space enthusiasts to send in their names that will go on the next mission to Red Planet and the deadline is Tuesday.
In March, 2016, NASA will launch the InSight mission to Mars - a robotic, stationary lander designed to study Mars geophysics.
You can send your name that will be embedded on a computer chip aboard the InSight lander.
InSight is an acronym for Interior Exploration for Seismic Investigations, Geodesy, and Heat Transport. The mission will launch on an Atlas V 401 rocket from Vandenberg Air Force Base in California on March 4, 2016.
As part of a series of tests, the spacecraft was commanded to deploy its solar arrays in the clean room to test and verify the exact process that it will use on the surface of Mars.
It is scheduled to land in Mars' Elysium Planitia (Plain of Ideal Happiness) on September 20, 2016.
Once on Mars, the mission is designed to last two years.
AIMIM will contest polls in all Indian states except Assam and Kerala: Owaisi
Though still undecided whether to contest assembly elections in Bihar, due in next month, the All India Majilis-e-Ittehadul Muslimeen president Asaduddin Owaisi said he has plans to contest elections in all Indian states except .... More
Minutes later, Reem began to weep and the chancellor stroked her head and tried to comfort her in a way critics said appeared awkward and cold, and which led to a storm of protest on social media. . ...... More
Yoga, Surya Namaskar in schools, even if optional, unacceptable: Muslim Panel
Kick-starting its nationwide 'Save Faith, Save Constitution' (Deen Bachao - Dastur Bachao Tehreek) campaign from Malegaon – the Muslim dominated textile city in North Maharashtra, the Muslim panel, the highest ranked representative . ...... More


Most people love having one off pieces, especially if it was a Vintage designer piece, but who wouldn't, make mine a Vintage Chanel handbag please. But unfortunately, if it's not a designer brand, many don't tend to shop vintage, they would rather go High Street. I guess there are a few disadvantages to shopping vintage, it's usually none refundable, the condition's not always perfect and rummaging through rails and rails of clothes can be off-putting. But saying that, there are more advantages and getting yourself some great bargains is one of them.
I started shopping Vintage in my early 20's, mainly from the Topshop or Urban Outfitters vintage section where I mostly purchased accessories and maybe the odd dress. I then explored into areas like Camden and Spitalfields, and it was only last year I got back into Vintage again when I came across Brixton's Vintage Kilo Sale, you pay £15 for a kilo worth of clothes...amazing! I bagged myself two levis cut off's, two shirts and two t-shirts (here).
This year I was invited over by the lovely owner of Make Do and Mend, Sarah Bennett (Pictured above). She showed me around her shop and was very lucky to have been given a chance to find a kilo worth of outfits for free, obviously for me this was easy. I picked up two jumpers (here and here), a gorgeous striped dress and an Adidas tracksuit jacket (here).
Following her kind gesture, I decided to do a post on Vintage and asked Sarah on the day if she would be happy to answer a few questions.
Hi! I'm Sarah and I own Make Do and Mend, a vintage boutique and alterations company based in Brixton, South London. We sell vintage clothing for both men and women from the 1950's to the 1990's (yes the 90s is considered vintage now!). All our vintage is handpicked and we travel as far and wide as we can to bring you our unique collection of clothing and accessories - all at affordable prices!
As well as our clothing range we run a successful alteration service which is offered for anything you find in store or you have at home – we believe in reusing and recycling the fashion that already exists whether through selling vintage and repairing and upcycling what you have! We run sewing workshops, vintage and makers markets and we currently run the very popular Brixton Vintage Kilo Sale.
I opened the shop in Pop Brixton nearly two years ago after starting life selling on market stalls in the local area and at vintage events. I also live in Brixton with my fiancé Alex! Before starting Make Do and Mend, I worked in Costume in the West End for about 10 years, working on shows such as Les Miserable, Hairspray and War Horse. I absolutely loved working in theatre and I had some of the most incredible experiences but I had always had a dream of owning my own business and having a shop. So about 4 years ago I did a business course, then started up the market stall. I then read about a new start up project for local businesses and residents – Pop Brixton. So I applied, secured a space and we have been open ever since - which was nearly two years ago now!
I really started getting into vintage when I was a student at university. But as a child I had always loved going through my grandma's wardrobe, trying on all her jewellery and fur coats! I lived in north London as a student and we had the most amazing charity shops which me and my friends would scour on a weekly basis! We would find incredible pieces for next to nothing. We used to try and get in the shops first to get the best bits! I was hooked from then. The thrill of finding something amazing for a bargain, knowing that no one else would be wearing the same as you is a feeling I still get a buzz from!
3. Why do you think more of us should shop Vintage?
There has been a huge positive shift in recent years around sustainable and ethical fashion and people are much more aware of how and where they are buying their clothes from, while also wanting to be fashionable and on trend. I think buying vintage fits the bill for that perfectly. You are buying clothing that already exists and in general, is actually made much better than their modern counterparts! There are some bigger vintage companies out there but generally when you buy vintage you are supporting small independent business who are passionate about what they do. Buying vintage is also so much more fun! Vintage is still a huge trend on both the high street and on the catwalk, year on year. Why buy the copy when you can find the original!
4. What one piece of advice would you give to my readers who want to shop Vintage but not sure what to look for or where to begin?
Whether shopping in a store or online don't be put off by the amount of items there are for sale! Every vintage item is different so vintage shops tend to have a lot of items in them compared to modern stores. Perhaps pick one item that you are looking for when shopping vintage. One of our consistent top sellers are vintage blouses. They are so easy to wear, affordable and can be worn with almost anything. We have a huge variety of prints, colours, patterns and styles in our store and they are such an easy way into wearing vintage. You can wear for work with trousers or tucked into a skirt (they are especially great with a leather skirt!) dressed up or down with jeans at the weekend. I wear mine usually buttoned all the way up with a statement necklace, tucked into skinny jeans with boots. We sell them a lot to shoppers who don't normally buy vintage; because they are affordable, versatile and often much cheaper than the modern version sold in high street stores.
5. And lastly what's your favourite Vintage piece you own?
Ooh, a tough one as I have a LOT of vintage in my wardrobe and I love it all – haha. I tend to keep items as they remind me of a certain place or time but I would say my favourite is a beautiful fitted 1950s dress I bought when I had not long been working full time. It was in this tiny little vintage shop in Muswell Hill where I was living at the time and I fell in love with it. I saved up and bought it and every occasion I could I wore it. It needs a bit of tlc now as I've worn it to death but I still love it. Every now and again I wear it and feel amazing when I do! The fit, the colours, the style – it's just perfect!
I don't know about you, but Sarah's answers have made me want to shop vintage more. Celebrities like Alexa Chung and Fearne Cotton are just a couple that shop vintage, but if anyone wants some daily inspiration on Vintage clothing Emily Hamilton from Vintagemumdiary is a good one to follow on Instagram as she is vintage obsessed, as well as trainers and fashion.
If you do fancy going to the next kilo sale check out www.mdam.co.uk or follow the store on Instagram for updates. Sarah does alterations too in her shop, so don't worry about the fit as I'm sure she can help you out. Sarah's shop is situated minutes away from the northern line or southeastern rail. Have a day out there, you'll love it.
Thank you for reading and thank you to Sarah for agreeing to do this interview.


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Like the same sweatshirt pulled out on every chilly day.
It is a rhythmic tone resonating in your head.
It sings softly in your ear like a lullaby from years ago.
It resonates as smoothly as the water that ripples away from your toe when it dips.
It presses like a thumb, deeper in your mind, causing you to think again.
Did you hear it the first time?
Maybe you heard it. Did you really listen?
Drink it in another time but let it enfold you like you've never tasted before.
Bring yourself back to the mind of a child, who craves it and devours it.
Let me hear it once more.
Like a baby learning a new word or fingers on the guitar finding the right strum.
How many times until it becomes a part of you?
Until it presses so hard it sticks?
I like this especially: "It presses like a thumb, deeper in your mind, causing you to think again." Makes me think, Kimber, which I like!
This post is captivating to me. I love using repetition in my writing as well…but the way you attached actions, thoughts, and feelings to it … Simply WOW. Thank you for sharing your brilliance and thoughtfulness with us tonight. I will save this slice. LOVE.


text:
Brasserie Du Vin is Closing—What's Next?
Brasserie Du Vin owner David Stewart talks about closing the restaurant.
Diane Lee,
Photo: brasserieduvin.com
After nearly nine years in business, Brasserie Du Vin will be closing its doors at midnight Saturday, Jan. 31. The popular French-inspired wine bar and bistro announced on social media networks Tuesday night it would be closing. The abrupt news was a surprise to many, because the restaurant seemed successful, having collected multiple awards through the years (including Hale 'Aina Awards for Best Wine Program and Wine Spectator Magazine's Award of Excellence).
Owner David Stewart (aka The King of Chinatown) says he decided it would be too expensive to keep running the business with a 51 percent rent increase, after a lease dispute with the Plumbers and Fitters Union, which owns the building. The union did not return a call for comment.
"We found out on Monday afternoon that the judge ruled against us," Stewart says. "The issue was that I didn't give them 120 days notice before the end of the first five years to tell them I was staying."
In the past few years, a number of Chinatown businesses have closed their doors including thirtyninehotel, Indigo, Rakuen Lounge and Mercury Bar. Stewart says it's a sad day for Chinatown.
"It's a struggle down there to make money. It's been 20 years I've been playing the game," Stewart says. "People think we do so well on First Friday; it's lucrative, but you can't live off one day of sales."
Stewart says he has no plans to open a replacement restaurant, but he does plan to be at Du Vin every night before it closes. If you're in downtown Honolulu this week, stop by Brasserie Du Vin for half off all drinks—from handcrafted cocktails and top shelf brandys to $499 bottles of French red wine—until closing time.
Stewart opened Du Vin in 2006, because he wanted to recreate his favorite European travel experiences. He renovated the space formerly occupied by Harbor Lounge, adding European-inspired furnishings and decorating the walls with vintage artwork from his collection. Though there's no word on what's going to be taking over the space, we caught up with Stewart to reminisce about Du Vin and find out about his plans for the future.
The Baked Brie stuffed with pecans and dried cranberries, wrapped in golden puff pastry and topped with Mānoa honey.
HONOLULU Magazine: Any favorite memories?
David Stewart: I thoroughly enjoyed running it. It started off as a wine bar, but people couldn't get the concept and they wanted to make reservations. And they morphed it into a restaurant from a wine bar. That was probably the mistake I made, I should have kept it as a wine bar.
Everybody tells you that's where they meet their girlfriends and wife—and that's why I do these things. I just loved to create the ambiance that made people keep coming back.
I've still got Bar 35 and eleven44. I am basically getting out of the restaurant business. I've done this for too long. With the lovely restaurant, I thoroughly enjoyed it, but people in Hawai'i didn't understand it.
Right now, I'm living in London. I'm renovating my mother-in-law's house. I'll see what I want to do.
What would you like to see take over that spot?
I would love it to continue to be what it is. There are a few people calling me and asking about it. Some people might be able to get a deal with the landlord.
Did you ever consider selling Du Vin?
A while ago I thought about it, but I overvalued it. You can't sell something if you don't have a good lease.
What about selling Bar 35 and eleven44?
God, no.
Have a favorite memory from Du Vin you'd like to share? They'll be posting photos and favorite memories on their website. Email submissions to info@brasserieduvin.com.
Read More Stories by Diane Lee


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FRIDAY, JANUARY 16, 2004 MOVIE REVIEW by Lauren Lansing '/n "Yes You Can," proclaims an electronic billboard in Time Square as an Irish family of four hears and sees Manhattan for the first time. The ever flashing lights and signs of New York City engulf this family as the tune "Do You Believe in Magic" fills their ears. Even though the characters have no money, home or jobs, such hope and magic pervade director Jim Sheridan's ("My Left Foot," "The Boxer") semi-autobiographical new film, "In America." Johnny (Paddy Considine) and Sarah (Samantha Morton) decide to move with their two children Christy and Ariel (sisters Sarah and Emma Bolger) from Ireland to the Big Apple to escape the memories of the loss of their brother and only son, and to allow Johnny to pursue his dream of acting. Their new "castle" is a rundown apartment building inhabited by drug addicts, transvestites and "the man who screams." Mateo (Djimon Hounsou), a seemingly angry and self-pitying neighbor, turns out to be the salvation of the family. From here, the story is not about how Johnny and Sarah and their children survive living in a ghetto of New York, but rather about how they learn to deal with their past by understanding the new city and people around them. The adult performances in this film comment brilliantly on the demands and responsibilities of raising children with little money in a large city, while at the same time pursuing one's dreams. Beautiful 'America' America' shows the pain, joy of family Considine and Morton rise above the schmaltzy emotions usually depicted with the loss of a child. Instead, they choose the more honest emotions of frustration and guilt, which tear at their relationship, but also fuse them together. Yet, a deliberate layer of happiness in America WITH: Paddy Considine, 'Samantha Morton and Dijmon Hounsou DIRECTED BY: Jim Sheridan RATED: PG-13 A- covers all this honestly. As Sarah says, "for the sake of the children," they can get past the death of their child. Mateo feels and understands the hidden emotions of the neighboring family, even in the midst of his own suffering. Hounsou's subtle movements and quiet demeanor superbly portray the all-knowing spirit we hope is watching over us all. Still, Mateo has secrets of his own. The daughters understand even more than Mateo. The incredibly insightful script is not the only element that allows these girls to be An Irish family moves into New York and struggles to survive in 'In America.' Movie Trivia Challenge "If the sky were to suddenly open up, there would be no law, there would be no rule. There would only be you and your memories." There was no winner last week for the movie "The Road Warrior." Submit your full name and your answer to depauliamagazine@depaul.edu before noon on Wednesday. This week's winner will recieve a daily Movie Trivia calender. MAGAZINE the truth of the film as their eyes attest that they understand far more than their age. Wide and bright blue, their eyes penetrate the protective layer their parents and Mateo have erected. This allows the audience to truly understand the reason they have tried to eradicate their horrible past. The Bolger sisters are not only beautiful and adorable, but their acting equals that of the adults. Sheridan chooses unique cinematography to portray his insightful characters. The meta-cinematic effect of using Christy's camcorder within the film allows extreme close-ups and prolonged shots on hands or eyes to highlight an outof-place emotion or a fitting hand gesture. Not only does Sheridan use it to direct our attention, but he also allows Christy to narrate through the camera. Her narration makes known her family's feelings on their past and about America. They do not want to assimilate, but this changes as the girls begin school and meet people in their building. Christy also realizes that her camera many help her to understand situations, the objective lens also separates her from them. Using this realization, Sheridan comments on the art of film itself. Does film help us to relate and understand, or does it comfortably remove us from reality? This may be different for each film we see, but "In America" encourages us to understand the truth through Christy and Ariel. Photo Courtesy of rottentomatoes.com Catherine Leyden Photo Editor Classic Rock Woman Iers. LOVE MUSIC. I LOVE IT MORE THAN CHOCOLATE, catching a nap amid a chaotic school week and 30-minute showI never get tired of that wonderfully overwhelming feeling an old classic rock song gives me the feeling that keeps the song spinning in my head for days. However, lately I have been eager for some new music and fresh faces who know how to capture that same classic rock sound. For most of my young adulthood, I have been living in a world of classic rock. Sure I'm a 20-year-old girl from the Midwest and, as far as the stereotypes are concerned, I should be blaring Brittany Spears and Clay Aiken from my speakers. Instead, I surround myself with tunes that have been playing on the radio for decades. The 60s and 70s produced what will forever be the greatest music ever recorded and preformed. I am doubtful that there will ever come anew song that will measure up with The Who's "Who are you?" or AC/DC's "Back in black." However, I'm on a mission to prove my doubts wrong. I have been somewhat successful in discovering a few current bands putting out music with heavy classic-rock undertones. An electrifying and certainly flamboyant band emerged out of England this past summer. Known as The Darkness, this rock group is a modern day Queen. The song I am currently obsessed with, "I believe in a thing called love," throws afresh spin on rock and roll. Lead singer Justin Hawkins is a dead ringer for Freddie Mercury and has no trouble hitting the high notes. In the music video, Hawkins prances around wearing a sparkling white jump suit unzipped to reveal his whole torso. The four members of The Darkness are following a trend that has deep roots in classic rock. There has always been more to rock and roll besides the music itself and that is the image that a band must possess in order to be picked up on the music scene. The sparkling white jumpsuit aside, Hawkins could easily be mistaken for Robert Plant. Other members of the band also project the typical rock persona. Their hair is long, the pants are tight and clouds of cigarette smoke constantly hover above their heads. This description is typical of almost all past and present rock groups. Another band I stumbled across recently call themselves Jet. Straight out of the land Down Under, drummer/vocalist Chris Cester states that the band is, "interested in tracing the roots of this music ... we wanted to look beyond the 60s and 70s and find out where that music came from." On the one hand I think it is crucial to keep the influences of bands past in the music of today, yet I get the impression from Cester that fresh bands are not even trying to develop a new sound. They simply just look to what worked in the past and attempt to add their own twist. Nonetheless, Jet knows how to rock. Their first CD, "Get Born" is a potpourri of sounds. From "Are you gonna be my girl" to "Rollover DJ" the collection of songs vary and it makes it very easy to find something anyone would like. JE THE DEPAULIA Justin Hawkins of The Darkness One last band I encourage everyone to give a listen to are my boys, The Strokes. In 2000 the five guys from New York released their first CD, "Is this it." It was fresh rock and roll that was long overdue. They mastered the ability to throw together simple drumbeats and guitar riffs to produce amazing songs that give me that great feeling I spoke about earlier. I can't stop listening to their most recent album, "Room on Fire." It is one of those CDs that can be listened to all the way through without skipping a track. The Strokes are one of the fastest rising bands in the rock world. I get the impression through reading articles that these five boys could care less whether or not their music is accepted by record companies, radio stations and even the fans. They purely love to make music for the sake of doing what they love. They don't feed off of attention or look to impress anyone. The Strokes are laid back and carefree and that is what good rock and roll is about. These three bands are current examples of respectable rock and roll, and I am currently listening to all of them. However, when it comes down to it, perhaps their sound is not that new. The words are original, and the faces are unfamiliar but the influence of classic rock from decades ago are not hard to find. I think that bands like The Darkness, Jet and The Strokes are good signs of what is still to come. I can thankfully say that boy bands have been forgotten and "American Idols" days are numbered. Rock and roll will forever be around because it is raw and truthful. I love the way music has away of evoking emotion in all people. Catherine Leyden's opinions are his own and do not necessarily reflect those of The DePaulia. Catherine is a sophomore communication major and is Photo Editor of The DePaulia.
Transcript FRIDAY, JANUARY 16, 2004 MOVIE REVIEW by Lauren Lansing '/n "Yes You Can," proclaims an electronic billboard in Time Square as an Irish family of four hears and sees Manhattan for the first time. The ever flashing lights and signs of New York City engulf this family as the tune "Do You Believe in Magic" fills their ears. Even though the characters have no money, home or jobs, such hope and magic pervade director Jim Sheridan's ("My Left Foot," "The Boxer") semi-autobiographical new film, "In America." Johnny (Paddy Considine) and Sarah (Samantha Morton) decide to move with their two children Christy and Ariel (sisters Sarah and Emma Bolger) from Ireland to the Big Apple to escape the memories of the loss of their brother and only son, and to allow Johnny to pursue his dream of acting. Their new "castle" is a rundown apartment building inhabited by drug addicts, transvestites and "the man who screams." Mateo (Djimon Hounsou), a seemingly angry and self-pitying neighbor, turns out to be the salvation of the family. From here, the story is not about how Johnny and Sarah and their children survive living in a ghetto of New York, but rather about how they learn to deal with their past by understanding the new city and people around them. The adult performances in this film comment brilliantly on the demands and responsibilities of raising children with little money in a large city, while at the same time pursuing one's dreams. Beautiful 'America' America' shows the pain, joy of family Considine and Morton rise above the schmaltzy emotions usually depicted with the loss of a child. Instead, they choose the more honest emotions of frustration and guilt, which tear at their relationship, but also fuse them together. Yet, a deliberate layer of happiness in America WITH: Paddy Considine, 'Samantha Morton and Dijmon Hounsou DIRECTED BY: Jim Sheridan RATED: PG-13 A- covers all this honestly. As Sarah says, "for the sake of the children," they can get past the death of their child. Mateo feels and understands the hidden emotions of the neighboring family, even in the midst of his own suffering. Hounsou's subtle movements and quiet demeanor superbly portray the all-knowing spirit we hope is watching over us all. Still, Mateo has secrets of his own. The daughters understand even more than Mateo. The incredibly insightful script is not the only element that allows these girls to be An Irish family moves into New York and struggles to survive in 'In America.' Movie Trivia Challenge "If the sky were to suddenly open up, there would be no law, there would be no rule. There would only be you and your memories." There was no winner last week for the movie "The Road Warrior." Submit your full name and your answer to depauliamagazine@depaul.edu before noon on Wednesday. This week's winner will recieve a daily Movie Trivia calender. MAGAZINE the truth of the film as their eyes attest that they understand far more than their age. Wide and bright blue, their eyes penetrate the protective layer their parents and Mateo have erected. This allows the audience to truly understand the reason they have tried to eradicate their horrible past. The Bolger sisters are not only beautiful and adorable, but their acting equals that of the adults. Sheridan chooses unique cinematography to portray his insightful characters. The meta-cinematic effect of using Christy's camcorder within the film allows extreme close-ups and prolonged shots on hands or eyes to highlight an outof-place emotion or a fitting hand gesture. Not only does Sheridan use it to direct our attention, but he also allows Christy to narrate through the camera. Her narration makes known her family's feelings on their past and about America. They do not want to assimilate, but this changes as the girls begin school and meet people in their building. Christy also realizes that her camera many help her to understand situations, the objective lens also separates her from them. Using this realization, Sheridan comments on the art of film itself. Does film help us to relate and understand, or does it comfortably remove us from reality? This may be different for each film we see, but "In America" encourages us to understand the truth through Christy and Ariel. Photo Courtesy of rottentomatoes.com Catherine Leyden Photo Editor Classic Rock Woman Iers. LOVE MUSIC. I LOVE IT MORE THAN CHOCOLATE, catching a nap amid a chaotic school week and 30-minute showI never get tired of that wonderfully overwhelming feeling an old classic rock song gives me the feeling that keeps the song spinning in my head for days. However, lately I have been eager for some new music and fresh faces who know how to capture that same classic rock sound. For most of my young adulthood, I have been living in a world of classic rock. Sure I'm a 20-year-old girl from the Midwest and, as far as the stereotypes are concerned, I should be blaring Brittany Spears and Clay Aiken from my speakers. Instead, I surround myself with tunes that have been playing on the radio for decades. The 60s and 70s produced what will forever be the greatest music ever recorded and preformed. I am doubtful that there will ever come anew song that will measure up with The Who's "Who are you?" or AC/DC's "Back in black." However, I'm on a mission to prove my doubts wrong. I have been somewhat successful in discovering a few current bands putting out music with heavy classic-rock undertones. An electrifying and certainly flamboyant band emerged out of England this past summer. Known as The Darkness, this rock group is a modern day Queen. The song I am currently obsessed with, "I believe in a thing called love," throws afresh spin on rock and roll. Lead singer Justin Hawkins is a dead ringer for Freddie Mercury and has no trouble hitting the high notes. In the music video, Hawkins prances around wearing a sparkling white jump suit unzipped to reveal his whole torso. The four members of The Darkness are following a trend that has deep roots in classic rock. There has always been more to rock and roll besides the music itself and that is the image that a band must possess in order to be picked up on the music scene. The sparkling white jumpsuit aside, Hawkins could easily be mistaken for Robert Plant. Other members of the band also project the typical rock persona. Their hair is long, the pants are tight and clouds of cigarette smoke constantly hover above their heads. This description is typical of almost all past and present rock groups. Another band I stumbled across recently call themselves Jet. Straight out of the land Down Under, drummer/vocalist Chris Cester states that the band is, "interested in tracing the roots of this music ... we wanted to look beyond the 60s and 70s and find out where that music came from." On the one hand I think it is crucial to keep the influences of bands past in the music of today, yet I get the impression from Cester that fresh bands are not even trying to develop a new sound. They simply just look to what worked in the past and attempt to add their own twist. Nonetheless, Jet knows how to rock. Their first CD, "Get Born" is a potpourri of sounds. From "Are you gonna be my girl" to "Rollover DJ" the collection of songs vary and it makes it very easy to find something anyone would like. JE THE DEPAULIA Justin Hawkins of The Darkness One last band I encourage everyone to give a listen to are my boys, The Strokes. In 2000 the five guys from New York released their first CD, "Is this it." It was fresh rock and roll that was long overdue. They mastered the ability to throw together simple drumbeats and guitar riffs to produce amazing songs that give me that great feeling I spoke about earlier. I can't stop listening to their most recent album, "Room on Fire." It is one of those CDs that can be listened to all the way through without skipping a track. The Strokes are one of the fastest rising bands in the rock world. I get the impression through reading articles that these five boys could care less whether or not their music is accepted by record companies, radio stations and even the fans. They purely love to make music for the sake of doing what they love. They don't feed off of attention or look to impress anyone. The Strokes are laid back and carefree and that is what good rock and roll is about. These three bands are current examples of respectable rock and roll, and I am currently listening to all of them. However, when it comes down to it, perhaps their sound is not that new. The words are original, and the faces are unfamiliar but the influence of classic rock from decades ago are not hard to find. I think that bands like The Darkness, Jet and The Strokes are good signs of what is still to come. I can thankfully say that boy bands have been forgotten and "American Idols" days are numbered. Rock and roll will forever be around because it is raw and truthful. I love the way music has away of evoking emotion in all people. Catherine Leyden's opinions are his own and do not necessarily reflect those of The DePaulia. Catherine is a sophomore communication major and is Photo Editor of The DePaulia.


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Cliff Flamer, MS, NCC, NCRW, CPRW and CEO of BrightSide Resumes, is a preeminent career counselor, resume writer, and job-search coach with a background in recruiting. He has been writing resumes and coaching job seekers on their approach for over 2 decades in Silicon Valley and the San Francisco Bay Area.
Cliff leads a smart, positive, lean team of editors and administrative professionals who fully embrace the BrightSide and are masters in their own right.
Winner of the esteemed "World's Best Resume Writer" competition (People's Choice Award), earning top votes from a seasoned hiring panel of HR specialists, recruiters, executives, and fellow resume writers, as well as from thousands of anonymous job seekers via Facebook, LinkedIn, and Twitter.
Received the most prestigious award in Counseling from San Francisco State University, becoming an adjunct faculty member immediately upon graduation to lecture a class of 100+ counselors-in-training.
Nationally Certified Counselor with the National Board for Counselor Certification (NBCC)—a credential requiring 2 years of graduate-level counselor training from an accredited institution.
Certified Professional Resume Writer with the Professional Association of Resume Writers (PARW). Scored in top 1% in the country on entrance exam. Invited to join exam review board.
Nationally Certified Resume Writer with the National Resume Writers' Association (NRWA). Appointed as Certification Chair for a term due to credentials, reputation, and high-quality craftsmanship.
Master's degree in Career & College Counseling from San Francisco State University's CACREP-accredited graduate program. Ranked #1 in a class of 60 students, receiving the "Most Distinguished Scholar" award.
Bachelor's degree in English from Tufts University in Medford, MA. Received scholarship for Writing and Fine Art.
Previous career as a lead recruiter based out of Silicon Valley. Collaborated with 200+ hiring executives, HR staff, and in-house recruiters on their wants, needs, demands, and preferences in looking for qualified employees.
Well-honed expertise in coaching job seekers through all phases of the hiring process.
Cliff Flamer. Author of the book about creating a resume that works.
Joyce Lain Kennedy. Selected as 1 of 5 career experts whose resume *and* cover letter appears in this series.
Louise Kursmark. Selected as 1 of 40 writers whose samples appear in this publication, out of 1700+ resume-writer candidates.
Cliff Flamer, Career Planning & Adult Development Journal, Vol. 21, No. 4.
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Cliff's dad, in watching him do things his own way as a child, came up with a mantra that quickly stuck as Cliff's family nickname: "Clifford B. Clifford." Or "Clifford B." for short. He started to make it a point to do things differently.
In his Connecticut high school, Cliff won "Class Individual" after taking on roles as an ostentatious varsity scholar, a renegade mathlete, and a mulleted hip hop dancer. Senior year, he won a writing and art scholarship to Tufts University. He still had no idea what he wanted to do, which was starting to freak him out.
At Tufts, Cliff confirmed a talent in writing. He spent hours thinking about his characters' heartache and motivation; he loved toiling over the last paragraph of a good story. It was inspiring, but he hated the idea of giving up Math and Computer Science to become an English major.
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Cliff began changing peoples lives through their resumes, topping the industry as "The World's Best Resume Writer." BrightSide experienced unprecedented growth, which led to the hiring of 10 writers and a fleet of editors. But, even with all this success, Cliff knew something wasn't quite right.
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Cliff enjoys meaningful conversations every day. He's using his counseling skills, recruiting background, literary training, artistic sense, love of storytelling, compulsion to innovate, and analytical mind to get people closer to where they need to be. He does what he loves... with passion and authenticity.


text:
Levin levels senator who met secretly with Iranian foreign minister
By World Tribune on February 20, 2020
by WorldTribune Staff, February 20, 2020
Is no one really above the law, as Democrats so often contend? Or is there indeed a two-tier system of justice favoring them?
Consider the Logan Act, a federal law that prohibits unauthorized negotiations with foreign governments that are having a dispute with the United States.
The State Department said it was not aware of sen. Chris Murphy's meeting with Iran's foreign minister. / C-SPAN
In 2017, Democrat Sen. Chris Murphy of Connecticut called for the Department of Justice to investigate former national security adviser Michael Flynn for allegedly violating the Logan Act.
"Any effort to undermine our nation's foreign policy, even during a transition period, may be illegal and must be taken seriously," Murphy said at the time, following reports of leaks of a phone call Flynn had with a Russian ambassador, Sergey Kislyak.
Murphy on Tuesday confirmed reports that he met secretly with Iranian Foreign Minister Mohammad Javad Zarif in Munich during a security conference last week.
A State Department official said the department was not aware of the meeting between Murphy and Zarif. The Connecticut Democrat claimed in a tweet that he met with Zarif because "it's dangerous not to talk to adversaries, [especially] amidst a cycle of escalation."
Radio and television host Mark Levin had some sharp questions unasked by "journalists" employed by corporate media organizations.
"Did leftwing Trump-hating senator, Chris Murphy, violate the Logan Act by meeting secretly with Iran's foreign minister? Did he interfere with American foreign policy?" Levin said in a Tuesday morning tweet.
Levin followed with a second tweet, asking: "Will there be a special counsel and ethics investigation? How about an expulsion proceeding? Are the media in a frenzy over this act of disloyalty? Inquiring minds want to know."
President Donald Trump told reporters on Tuesday: "I saw that Senator Murphy met with the Iranians, is that a fact? I just saw that on the way over. Is there anything I should know? Because that sounds like, to me, a violation of the Logan Act."
The president added: "This is why Iran is not making a deal. Must be dealt with strongly!"
Murphy has been a staunch critic of the Trump administration, saying in January that Trump made the U.S. a "literal laughingstock" following the death of Iranian terrorist chief Qasem Soleimani.
"The damage has been done to the U.S. national security since the targeting of Qasem Soleimani. I don't think the administration gamed out how badly this would go for us," Murphy told ABC News last month. "We are going to now have to engage in all sorts of repair work to try and keep our troops from being kicked out of Iraq, to try to repair our reputation with that government, to set to try to suspend or counter-ISIS operations."
Following his meeting with Zarif, Murphy said: "But if Trump isn't going to talk to Iran, then someone should. And Congress is a co-equal branch of government, responsible along with the Executive for setting foreign policy. A lack of dialogue leaves nations guessing about their enemy's intentions, and guessing wrong can lead to catastrophic mistakes."
The Senate recently voted on a war powers resolution aimed at reining in Trump's actions against Iran. The resolution received a majority vote but ultimately failed to garner the two-thirds majority needed to overcome Trump's veto.
Levin levels senator who met secretly with Iranian foreign minister, Logan Act, Mohammad Javad Zarif, Sen. Chris Murphy, WorldTribune.com
Levin levels senator who met secretly with Iranian foreign minister added by World Tribune on February 20, 2020


Description: German Chamomile is an annual aromatic herb with branching stems, feathery leaves, and white flowers.
Characteristics: A dark blue, semi-viscous oil that has a sweet herbaceous odour with a fruity undertone.
Properties: Analgesic, anti-allergenic, anti-inflamma tory, antispasmodic, cicatrisant, hepatic, sedative, vasoconstrictor, vermifuge, vulnerary.
Uses: Commonly administered to relieve inflammations , cuts, acne, insect bites, toothaches, muscle pains, arthritis, menstual problems, and urinary infections. It works great on eczema, and allergies as well as decreasing redness of cheeks due to swollen capillaries. German chamomile is found in high-class perfumes because it prompts a warm, rich undertone during evaporation.
Blends well with Bergamot, carrot seed, clary sage, lavender, patchouli, jasmine, rose, sandalwood, ylang-ylang. Great for massage when diluted in evening primrose and jojoba oils.
Interesting Facts: The herb has a long medical tradition in Europe.
Safety: Non-toxic, non-irritant, non sensitising.


text:
Cork Counselling Services is a registered charity and non-profit organisation which provides professional counselling, psychotherapy and training services in the south of Ireland. It is managed jointly by Hugh Morley (Head Of Business), Laura Maybury (Head Of Clinical) and Karen Walsh (Head Of Training) – photographed here. All profits made in training go to ensuring counselling is available regardless of the clients ability to pay.
Cork Counselling Services
Formerly known as The Counselling Centre, Cork Counselling Services was founded in the early 1980s by Maria Huss, a Clinical Psychologist, Psychotherapist, and Trainer, who had moved to Ireland from Germany. The south of Ireland did not have a culture of professional counselling and psychotherapy at the time. The Counselling Centre was one of the first centres in the south to provide a professional counselling service to members of the community.
We are committed to providing counselling and psychotherapy to the highest ethical and professional standards to all members of society regardless of financial means, religious beliefs, race, ethnicity, sexual orientation or educational background.
From its foundation Cork Counselling Services were in high demand, and in 1989 we were granted charitable status. In spite of limited resources our services are as relevant and necessary today as when we started to work with clients over 35 years ago. For more information on our Counselling and Psychotherapy Services please click here.
Cork Counselling Services also expanded its reach into the community and currently runs a Positive Mental Health and Suicide Prevention Programme for schools and a Parenting Programme.
https://www.corkcounsellingservices.ie/wp-content/uploads/Meet-the-Team-Video-June-2017-72F993DA-B195-46BC-9EEC-18E68C463FAD.mp4
We are often asked about our interesting building so we've put a history of it here


FUMBLES: Cleveland Gladiators-DIEKER, Chris 1-0; AUSTIN, Shane 1-0. Spokane Shock-EDWARDS, Hank 1-0; SANDERS, Terran 1-1.
1 NORMAN, Marrio 7 2 8.0 1.0/2 . . 1-5 . . . .
3 JACKSON, LaRoch 6 4 8.0 . . . . . . . .
2 JONES, Dominic 5 . 5.0 . . . . 2 . . .
21 FORD, Larry 3 1 3.5 . . . . . . . .
5 PHINISEE, Joe 1 3 2.5 . . 1-0 1-30 1 . . .
11 DEGRATE, Anthon 1 1 1.5 0.5/2 . . . . . 0.5/2 .
56 MCGINNIS, Willi 1 1 1.5 0.5/3 . . . . . 0.5/3 .
88 COLLINS, Tyrone 1 . 1.0 . . . . . . . .
8 MOORE, Terence 5 5 7.5 1.0/3 . . 1-0 . . . .
21 NNABUIFE, Bryan 5 3 6.5 . . . . 1 . . .
5 SANDERS, Terran 6 . 6.0 . . . 1-0 1 . . .
1 STEPHENS, Paul 3 2 4.0 . . . . 4 . . .
4 GEATHERS, Jerem 3 1 3.5 2.0/11 2 . . . . 2.0/11 .
56 SUMMERS, Derric 2 3 3.5 1.5/7 . . . . . 1.0/4 .
67 TAYLOR, Terranc 1 2 2.0 1.5/4 . . . . . 1.5/4 .
11 BRIGGS, Diyral . 3 1.5 0.5/2 . . . . . 0.5/2 .
28 FITZGERALD, JT . 2 1.0 . . . . . . . .
44 RUFFIN, James . 1 0.5 0.5/3 . . . . . . .
Cleveland Gladiators: 4-PETTREY, Aaron, 14-DIEKER, Chris, 17-TAYLOR, Collin, 21-FORD, Larry.
Spokane Shock: 6-ROWAN, Taylor, 11-BRIGGS, Diyral, 14-EDWARDS, Hank, 16-BROWN, Jarrett, 28-FITZGERALD, JT.
James 1-5; THOMPKINS, Bran 1-1; TENNELL, Adron 1-minus 2.
Shock-THOMPKINS, Bran 12-128; TENNELL, Adron 6-79; EDWARDS, Hank 6-45.
1-5. Spokane Shock-STEPHENS, Paul 1-2; SANDERS, Terran 1-0.
FUMBLES: Cleveland Gladiators-AUSTIN, Shane 1-0; DIEKER, Chris 1-0.
Spokane Shock-EDWARDS, Hank 1-0; SANDERS, Terran 1-1.
Cle 1-10 at Cle00 SPO ball on SPO0.
6-ROWAN, Taylor kickoff 56 yards to the CLE-6, 2-JONES, Dominic return 13 yards to the CLE7 (21-NNABUIFE, Bryan).
Cle 1-10 at Cle07 10-AUSTIN, Shane pass complete to 88-COLLINS, Tyrone for 40 yards to the SPO3, 1ST DOWN CLE (5-SANDERS, Terran).
Cle 1-G at Spo03 PENALTY CLE delay of game (10-AUSTIN, Shane) 5 yards to the SPO8.
Cle 1-G at Spo08 10-AUSTIN, Shane pass incomplete to 16-GOODMAN, Domini.
Cle 2-G at Spo08 10-AUSTIN, Shane sacked for loss of 7 yards to the SPO15 (4-GEATHERS, Jerem), fumble recovered by CLE 79-O'BREIN, Kitt at SPO14 (56-SUMMERS, Derric;44-RUFFIN, James).
Cle 3-G at Spo14 10-AUSTIN, Shane sacked for loss of 1 yard to the SPO15 (67-TAYLOR, Terranc).
Cle 4-G at Spo15 PENALTY CLE offside 10 yards to the 25 yardline.
Cle 4-G at Cle25 4-PETTREY, Aaron field goal attempt from 40 GOOD, clock 11:20.
4-PETTREY, Aaron kickoff 58 yards to the SPO-8, touchback.
Spo 1-10 at Spo05 SPOKANE SHOCK drive start at 11:16.
Spo 1-10 at Spo05 9-MEYER, Erik pass incomplete to 14-EDWARDS, Hank.
Spo 2-10 at Spo05 9-MEYER, Erik pass complete to 17-TENNELL, Adron for 14 yards to the SPO19, 1ST DOWN SPO (3-JACKSON, LaRoch).
Spo 1-10 at Spo19 9-MEYER, Erik pass complete to 17-TENNELL, Adron for 4 yards to the SPO23 (1-NORMAN, Marrio).
Spo 2-6 at Spo23 9-MEYER, Erik pass complete to 14-EDWARDS, Hank for 6 yards to the CLE21, 1ST DOWN SPO (5-PHINISEE, Joe;3-JACKSON, LaRoch).
Spo 1-10 at Cle21 9-MEYER, Erik pass complete to 14-EDWARDS, Hank for 18 yards to the CLE3, 1ST DOWN SPO (1-NORMAN, Marrio).
Spo 1-G at Cle03 9-MEYER, Erik rush for 3 yards to the CLE0, 1ST DOWN SPO, TOUCHDOWN, clock 07:30.
6-ROWAN, Taylor kickoff 48 yards to the CLE2, 2-JONES, Dominic return 7 yards to the CLE9 (11-BRIGGS, Diyral;28-FITZGERALD, JT).
Cle 1-10 at Cle09 CLEVELAND GLADIATORS drive start at 07:13, PENALTY SPO unsportsmanlike conduct (51-TUPA, Samuel) 10 yards to the CLE19, 1ST DOWN CLE.
Cle 1-10 at Cle19 1st and 10.
Cle 1-10 at Cle19 10-AUSTIN, Shane pass complete to 16-GOODMAN, Domini for 10 yards to the SPO21, 1ST DOWN CLE (21-NNABUIFE, Bryan).
Cle 1-10 at Spo21 10-AUSTIN, Shane pass complete to 16-GOODMAN, Domini for 12 yards to the SPO9, 1ST DOWN CLE (67-TAYLOR, Terranc;8-MOORE, Terence).
Cle 1-G at Spo09 10-AUSTIN, Shane pass complete to 88-COLLINS, Tyrone for 9 yards to the SPO0, 1ST DOWN CLE, TOUCHDOWN, clock 05:44, PENALTY SPO offside declined.
4-PETTREY, Aaron kickoff 56 yards to the SPO-6, 5-SANDERS, Terran return 21 yards to the SPO15 (3-JACKSON, LaRoch).
Spo 1-10 at Spo15 SPOKANE SHOCK drive start at 05:11.
Spo 1-10 at Spo15 9-MEYER, Erik pass complete to 2-THOMPKINS, Bran for 5 yards to the SPO20 (3-JACKSON, LaRoch;1-NORMAN, Marrio).
Spo 2-5 at Spo20 9-MEYER, Erik pass complete to 2-THOMPKINS, Bran for 14 yards to the CLE16, 1ST DOWN SPO (2-JONES, Dominic).
Spo 1-10 at Cle16 9-MEYER, Erik rush for 5 yards to the CLE11 (5-PHINISEE, Joe).
Spo 2-5 at Cle11 9-MEYER, Erik pass complete to 14-EDWARDS, Hank for 8 yards to the CLE3, 1ST DOWN SPO (5-PHINISEE, Joe;1-NORMAN, Marrio).
Spo 1-G at Cle03 2-THOMPKINS, Bran rush for 1 yard to the CLE2 (3-JACKSON, LaRoch;55-BLACK, Luke).
Spo 2-G at Cle02 9-MEYER, Erik rush for 1 yard to the CLE1 (21-FORD, Larry;55-BLACK, Luke).
Spo 3-G at Cle01 9-MEYER, Erik rush for 1 yard to the CLE0, 1ST DOWN SPO, TOUCHDOWN, clock 01:08.
6-ROWAN, Taylor kickoff 58 yards to the CLE-8, 2-JONES, Dominic return 20 yards to the CLE12 (8-MOORE, Terence).
Cle 1-10 at Cle12 CLEVELAND GLADIATORS drive start at 00:29.
Cle 2-10 at Cle12 Start of 2nd quarter, clock 15:00.
Cle 2-10 at Cle12 10-AUSTIN, Shane pass complete to 79-O'BREIN, Kitt for 11 yards to the CLE23, 1ST DOWN CLE (56-SUMMERS, Derric).
Cle 1-10 at Cle23 10-AUSTIN, Shane sacked for loss of 5 yards to the CLE18 (67-TAYLOR, Terranc;11-BRIGGS, Diyral).
Cle 2-15 at Cle18 10-AUSTIN, Shane pass incomplete to 6-LEWIS, Thyron, PENALTY SPO pass interference (1-STEPHENS, Paul) 10 yards to the SPO22, 1ST DOWN CLE, NO PLAY.
Cle 1-10 at Spo22 10-AUSTIN, Shane pass complete to 6-LEWIS, Thyron for 4 yards to the SPO18 (5-SANDERS, Terran).
Cle 2-6 at Spo18 10-AUSTIN, Shane pass incomplete to 16-GOODMAN, Domini (21-NNABUIFE, Bryan).
Cle 3-6 at Spo18 10-AUSTIN, Shane pass incomplete to 16-GOODMAN, Domini (1-STEPHENS, Paul).
Cle 4-6 at Spo18 10-AUSTIN, Shane pass incomplete to 6-LEWIS, Thyron, PENALTY SPO illegal defense (56-SUMMERS, Derric) 6 yards to the SPO12, 1ST DOWN CLE, NO PLAY.
Cle 1-10 at Spo12 10-AUSTIN, Shane sacked for loss of 4 yards to the SPO16 (56-SUMMERS, Derric).
Cle 2-14 at Spo16 10-AUSTIN, Shane pass incomplete to 17-TAYLOR, Collin (5-SANDERS, Terran).
Cle 3-14 at Spo16 10-AUSTIN, Shane pass incomplete to 6-LEWIS, Thyron.
Cle 4-14 at Spo16 Timeout Cleveland Gladiators, clock 09:33.
Cle 4-14 at Spo16 10-AUSTIN, Shane pass intercepted by 5-SANDERS, Terran at the SPO-1, 5-SANDERS, Terran return 0 yards to the SPO-1, 5-SANDERS, Terran for no gain to the SPO-1, touchback.
Spo 1-10 at Spo05 SPOKANE SHOCK drive start at 09:26.
Spo 1-10 at Spo05 9-MEYER, Erik pass complete to 2-THOMPKINS, Bran for 25 yards to the CLE20, 1ST DOWN SPO (1-NORMAN, Marrio).
Spo 1-10 at Cle20 9-MEYER, Erik pass complete to 17-TENNELL, Adron for 17 yards to the CLE3, 1ST DOWN SPO (2-JONES, Dominic), PENALTY CLE holding declined.
Spo 1-G at Cle03 9-MEYER, Erik pass complete to 2-THOMPKINS, Bran for 3 yards to the CLE0, 1ST DOWN SPO, TOUCHDOWN, clock 07:59.
6-ROWAN, Taylor kickoff 56 yards to the CLE-6, 2-JONES, Dominic return 13 yards to the CLE7 (13-CARTER, Rashaad), PENALTY SPO personal foul (44-RUFFIN, James) 10 yards to the CLE17, 1st and 10, CLE ball on CLE17.
Cle 1-10 at Cle17 CLEVELAND GLADIATORS drive start at 07:22.
Cle 1-10 at Cle17 10-AUSTIN, Shane pass complete to 16-GOODMAN, Domini for 6 yards to the CLE23 (1-STEPHENS, Paul).
Cle 2-4 at Cle23 10-AUSTIN, Shane pass complete to 17-TAYLOR, Collin for 11 yards to the SPO16, 1ST DOWN CLE (5-SANDERS, Terran).
Cle 1-10 at Spo16 10-AUSTIN, Shane pass incomplete to 16-GOODMAN, Domini, PENALTY SPO pass interference (1-STEPHENS, Paul) 8 yards to the SPO8, 1ST DOWN CLE, NO PLAY.
Cle 2-G at Spo08 10-AUSTIN, Shane pass complete to 16-GOODMAN, Domini for 5 yards to the SPO3 (21-NNABUIFE, Bryan;8-MOORE, Terence).
Cle 3-G at Spo03 10-AUSTIN, Shane pass complete to 17-TAYLOR, Collin for 3 yards to the SPO0, 1ST DOWN CLE, TOUCHDOWN, clock 04:38.
Cle 1-G at Spo03 PENALTY CLE delay of game (4-PETTREY, Aaron) 5 yards to the SPO8.
4-PETTREY, Aaron kickoff 55 yards to the SPO-5, 5-SANDERS, Terran return 17 yards to the SPO12 (21-FORD, Larry).
Spo 1-10 at Spo12 SPOKANE SHOCK drive start at 03:50.
Spo 1-10 at Spo12 9-MEYER, Erik pass complete to 14-EDWARDS, Hank for 7 yards to the SPO19 (1-NORMAN, Marrio).
Spo 2-3 at Spo19 9-MEYER, Erik pass complete to 14-EDWARDS, Hank for loss of 3 yards to the SPO16, fumble by 14-EDWARDS, Hank recovered by SPO 1-STEPHENS, Paul at SPO16.
Spo 3-6 at Spo16 PENALTY SPO false start (14-EDWARDS, Hank) 5 yards to the SPO11.
Spo 3-11 at Spo11 9-MEYER, Erik pass incomplete to 2-THOMPKINS, Bran, PENALTY CLE illegal formation (99-ROSE, Robert) 5 yards to the SPO16, NO PLAY.
Spo 3-6 at Spo16 9-MEYER, Erik pass incomplete to 17-TENNELL, Adron.
Spo 4-6 at Spo16 9-MEYER, Erik sacked for no gain to the SPO16 (99-ROSE, Robert), PENALTY CLE illegal formation (99-ROSE, Robert) 5 yards to the SPO21, NO PLAY.
Spo 4-1 at Spo21 9-MEYER, Erik pass complete to 17-TENNELL, Adron for 7 yards to the CLE22, 1ST DOWN SPO (3-JACKSON, LaRoch).
Spo 1-10 at Cle22 9-MEYER, Erik pass incomplete to 14-EDWARDS, Hank.
Spo 2-10 at Cle22 9-MEYER, Erik pass complete to 2-THOMPKINS, Bran for 22 yards to the CLE0, 1ST DOWN SPO, TOUCHDOWN, clock 00:25.
6-ROWAN, Taylor kickoff 56 yards to the CLE-6, 2-JONES, Dominic return 18 yards to the CLE12 (21-NNABUIFE, Bryan;28-FITZGERALD, JT).
Cle 1-10 at Cle12 CLEVELAND GLADIATORS drive start at 00:21.
Cle 1-10 at Cle12 10-AUSTIN, Shane pass complete to 6-LEWIS, Thyron for 9 yards to the CLE21 (5-SANDERS, Terran).
Cle 2-1 at Cle21 10-AUSTIN, Shane pass incomplete to 16-GOODMAN, Domini.
Cle 3-1 at Cle21 10-AUSTIN, Shane pass incomplete to 88-COLLINS, Tyrone (1-STEPHENS, Paul).
Cle 4-1 at Cle21 10-AUSTIN, Shane rush for 11 yards to the SPO18, 1ST DOWN CLE (4-GEATHERS, Jerem).
Cle 1-10 at Spo18 Timeout Cleveland Gladiators, clock 00:03.
Cle 1-10 at Spo18 4-PETTREY, Aaron field goal attempt from 25 MISSED - wide left, spot at SPO18, clock 00:00.
Spo 1-10 at Spo18 End of half, clock 00:00.
Spo 1-10 at Spo18 Start of 3rd quarter, clock 15:00, CLE ball on CLE0.
4-PETTREY, Aaron kickoff 55 yards to the SPO-5, 5-SANDERS, Terran return 19 yards to the SPO14 (3-JACKSON, LaRoch;5-PHINISEE, Joe).
Spo 1-10 at Spo14 SPOKANE SHOCK drive start at 14:50.
Spo 1-10 at Spo14 9-MEYER, Erik rush for 5 yards to the SPO19 (11-DEGRATE, Anthon).
Spo 2-5 at Spo19 9-MEYER, Erik pass intercepted by 5-PHINISEE, Joe at the SPO23, 5-PHINISEE, Joe return 10 yards to the SPO13.
Cle 1-10 at Spo13 CLEVELAND GLADIATORS drive start at 13:54.
Cle 1-10 at Spo13 10-AUSTIN, Shane pass complete to 6-LEWIS, Thyron for 6 yards to the SPO7 (8-MOORE, Terence;1-STEPHENS, Paul).
Cle 2-4 at Spo07 10-AUSTIN, Shane pass complete to 16-GOODMAN, Domini for 7 yards to the SPO0, 1ST DOWN CLE, TOUCHDOWN, clock 12:52.
Cle 1-G at Spo03 PENALTY CLE delay of game (14-DIEKER, Chris) 39 yards to the CLE8.
4-PETTREY, Aaron kickoff 55 yards to the SPO-5, 5-SANDERS, Terran return 17 yards to the SPO12, fumble by 5-SANDERS, Terran recovered by CLE 5-PHINISEE, Joe at SPO12.
Cle 1-10 at Spo12 CLEVELAND GLADIATORS drive start at 12:04.
Cle 1-10 at Spo12 10-AUSTIN, Shane pass complete to 16-GOODMAN, Domini for 11 yards to the SPO1, 1ST DOWN CLE (8-MOORE, Terence).
Cle 1-G at Spo01 10-AUSTIN, Shane rush for 1 yard to the SPO0, 1ST DOWN CLE, TOUCHDOWN, clock 11:00.
4-PETTREY, Aaron kickoff 55 yards to the SPO-5, 5-SANDERS, Terran return 22 yards to the SPO17 (88-COLLINS, Tyrone).
Spo 1-10 at Spo17 SPOKANE SHOCK drive start at 09:56.
Spo 1-10 at Spo17 9-MEYER, Erik pass incomplete to 17-TENNELL, Adron.
Spo 2-10 at Spo17 9-MEYER, Erik pass complete to 17-TENNELL, Adron for 14 yards to the CLE19 (2-JONES, Dominic), PENALTY SPO holding (55) 10 yards to the SPO7, NO PLAY.
Spo 2-20 at Spo07 9-MEYER, Erik middle pass intercepted by 1-NORMAN, Marrio at the 25 yardline, 1-NORMAN, Marrio return 5 yards to the SPO20, 5-PHINISEE, Joe for 20 yards to the SPO0, TOUCHDOWN, clock 08:20.
4-PETTREY, Aaron kickoff 55 yards to the SPO-5, 5-SANDERS, Terran return 30 yards to the 25 yardline (4-PETTREY, Aaron).
Spo 1-10 at Spo25 SPOKANE SHOCK drive start at 07:45.
Spo 1-10 at Spo25 9-MEYER, Erik pass incomplete to 2-THOMPKINS, Bran, PENALTY CLE pass interference (2-JONES, Dominic) 10 yards to the CLE15, 1ST DOWN SPO, NO PLAY.
Spo 1-10 at Cle15 9-MEYER, Erik pass complete to 2-THOMPKINS, Bran for 12 yards to the CLE3, 1ST DOWN SPO (21-FORD, Larry).
Spo 1-G at Cle03 17-TENNELL, Adron rush for loss of 2 yards to the CLE5 (1-NORMAN, Marrio).
Spo 2-G at Cle05 9-MEYER, Erik pass incomplete to 17-TENNELL, Adron (5-PHINISEE, Joe).
Spo 3-G at Cle05 9-MEYER, Erik pass complete to 2-THOMPKINS, Bran for 5 yards to the CLE0, 1ST DOWN SPO, TOUCHDOWN, clock 05:18.
6-ROWAN, Taylor kickoff 56 yards to the CLE-6, 2-JONES, Dominic return 13 yards to the CLE7 (8-MOORE, Terence).
Cle 1-10 at Cle07 CLEVELAND GLADIATORS drive start at 04:34.
Cle 1-10 at Cle07 17-TAYLOR, Collin rush for 4 yards to the CLE11 (1-STEPHENS, Paul;21-NNABUIFE, Bryan).
Cle 2-6 at Cle11 10-AUSTIN, Shane pass incomplete to 6-LEWIS, Thyron.
Cle 3-6 at Cle11 10-AUSTIN, Shane pass incomplete to 17-TAYLOR, Collin.
Cle 4-6 at Cle11 10-AUSTIN, Shane pass complete to 16-GOODMAN, Domini for 10 yards to the CLE21, 1ST DOWN CLE (21-NNABUIFE, Bryan).
Cle 1-10 at Cle21 10-AUSTIN, Shane pass incomplete to 17-TAYLOR, Collin, PENALTY SPO IC (1-STEPHENS, Paul) 5 yards to the SPO24, NO PLAY.
Cle 1-5 at Spo24 10-AUSTIN, Shane pass incomplete to 16-GOODMAN, Domini.
Cle 2-5 at Spo24 PENALTY SPO offside defense 5 yards to the SPO19, 1ST DOWN CLE.
Cle 1-10 at Spo19 10-AUSTIN, Shane pass complete to 16-GOODMAN, Domini for 5 yards to the SPO14 (1-STEPHENS, Paul).
Cle 2-5 at Spo14 Start of 4th quarter, clock 15:00.
Cle 2-5 at Spo14 10-AUSTIN, Shane pass incomplete to 16-GOODMAN, Domini.
Cle 3-5 at Spo14 10-AUSTIN, Shane pass complete to 16-GOODMAN, Domini for 2 yards to the SPO12 (21-NNABUIFE, Bryan).
Cle 4-3 at Spo12 3rd and 3.
Cle 3-3 at Spo12 10-AUSTIN, Shane pass incomplete to 17-TAYLOR, Collin, PENALTY CLE holding declined.
Cle 4-3 at Spo12 PENALTY SPO offside defense (56-SUMMERS, Derric) 5 yards to the SPO7, 1ST DOWN CLE.
Cle 1-G at Spo07 75-SCHOFIELD, Chad rush for 2 yards to the SPO5 (5-SANDERS, Terran).
Cle 2-G at Spo05 10-AUSTIN, Shane pass intercepted by 8-MOORE, Terence at the SPO1, 1-STEPHENS, Paul return 2 yards to the SPO3.
Spo 1-10 at Spo03 SPOKANE SHOCK drive start at 12:25.
Spo 1-10 at Spo03 9-MEYER, Erik pass complete to 2-THOMPKINS, Bran for 10 yards to the SPO13, 1ST DOWN SPO (1-NORMAN, Marrio).
Spo 1-10 at Spo13 44-RUFFIN, James rush for 5 yards to the SPO18 (3-JACKSON, LaRoch).
Spo 2-5 at Spo18 9-MEYER, Erik pass complete to 17-TENNELL, Adron for 6 yards to the SPO24, 1ST DOWN SPO (3-JACKSON, LaRoch).
Spo 1-10 at Spo24 9-MEYER, Erik pass complete to 2-THOMPKINS, Bran for 9 yards to the CLE17 (56-MCGINNIS, Willi).
Spo 2-1 at Cle17 9-MEYER, Erik rush for 2 yards to the CLE15, 1ST DOWN SPO (21-FORD, Larry).
Spo 1-10 at Cle15 9-MEYER, Erik pass complete to 2-THOMPKINS, Bran for 5 yards to the CLE10 (2-JONES, Dominic).
Spo 2-5 at Cle10 3rd and 5.
Spo 3-5 at Cle10 9-MEYER, Erik pass incomplete to 2-THOMPKINS, Bran (2-JONES, Dominic).
Spo 4-5 at Cle10 9-MEYER, Erik sacked for loss of 5 yards to the CLE15 (56-MCGINNIS, Willi;11-DEGRATE, Anthon).
Cle 1-10 at Cle15 CLEVELAND GLADIATORS drive start at 08:20.
Cle 1-10 at Cle15 10-AUSTIN, Shane pass complete to 88-COLLINS, Tyrone for 7 yards to the CLE22 (1-STEPHENS, Paul).
Cle 2-3 at Cle22 10-AUSTIN, Shane pass complete to 6-LEWIS, Thyron for 28 yards to the SPO0, 1ST DOWN CLE, TOUCHDOWN, clock 07:33.
4-PETTREY, Aaron kickoff 56 yards to the SPO-6, 5-SANDERS, Terran return 22 yards to the SPO16 (2-JONES, Dominic).
Spo 1-10 at Spo16 SPOKANE SHOCK drive start at 06:42.
Spo 1-10 at Spo16 9-MEYER, Erik pass complete to 17-TENNELL, Adron for 31 yards to the CLE3, 1ST DOWN SPO (3-JACKSON, LaRoch).
Spo 1-G at Cle03 9-MEYER, Erik pass complete to 2-THOMPKINS, Bran for 3 yards to the CLE0, 1ST DOWN SPO, TOUCHDOWN, clock 05:26.
9-MEYER, Erik pass attempt to 2-THOMPKINS, Bran good, PENALTY CLE holding declined.
6-ROWAN, Taylor kickoff 56 yards to the CLE-6, 2-JONES, Dominic return 39 yards to the SPO17 (16-BROWN, Jarrett).
Cle 1-10 at Spo17 CLEVELAND GLADIATORS drive start at 04:36.
Cle 1-10 at Spo17 14-DIEKER, Chris pass incomplete to 88-COLLINS, Tyrone (1-STEPHENS, Paul).
Cle 2-10 at Spo17 14-DIEKER, Chris rush for 9 yards to the SPO8 (8-MOORE, Terence).
Cle 3-1 at Spo08 14-DIEKER, Chris rush for no gain to the SPO8 (11-BRIGGS, Diyral;56-SUMMERS, Derric).
Cle 4-1 at Spo08 Timeout Cleveland Gladiators, clock 02:27.
Cle 4-1 at Spo08 14-DIEKER, Chris rush for 2 yards to the SPO6, 1ST DOWN CLE (4-GEATHERS, Jerem;8-MOORE, Terence).
Cle 1-G at Spo06 PENALTY CLE delay of game (14-DIEKER, Chris) 5 yards to the SPO11.
Cle 1-G at Spo11 Timeout Cleveland Gladiators, clock 01:19.
Cle 1-G at Spo11 14-DIEKER, Chris rush for no gain to the SPO11 (56-SUMMERS, Derric;8-MOORE, Terence).
Cle 2-G at Spo11 Timeout Spokane Shock, clock 01:12.
Cle 2-G at Spo11 14-DIEKER, Chris pass incomplete to 6-LEWIS, Thyron (1-STEPHENS, Paul).
Cle 3-G at Spo11 14-DIEKER, Chris sacked for loss of 4 yards to the SPO15 (4-GEATHERS, Jerem), fumble recovered by CLE 14-DIEKER, Chris at SPO14 (8-MOORE, Terence).
Cle 4-G at Spo14 4-PETTREY, Aaron field goal attempt from 22 GOOD, clock 00:43.
4-PETTREY, Aaron kickoff 55 yards to the SPO-5, 5-SANDERS, Terran return 16 yards to the SPO11 (1-NORMAN, Marrio).
Spo 1-10 at Spo11 SPOKANE SHOCK drive start at 00:40.
Spo 1-10 at Spo11 9-MEYER, Erik pass incomplete to 2-THOMPKINS, Bran (2-JONES, Dominic).
Spo 2-10 at Spo11 9-MEYER, Erik pass complete to 2-THOMPKINS, Bran for 15 yards to the CLE24, 1ST DOWN SPO (2-JONES, Dominic).
Spo 1-10 at Cle24 9-MEYER, Erik pass incomplete.
Spo 2-10 at Cle24 9-MEYER, Erik pass complete to 14-EDWARDS, Hank for 5 yards to the CLE19 (1-NORMAN, Marrio), PENALTY CLE roughing passer (56-MCGINNIS, Willi) 15 yards to the CLE9, 1ST DOWN SPO, NO PLAY.
Spo 1-G at Cle09 9-MEYER, Erik pass complete to 14-EDWARDS, Hank for 9 yards to the CLE0, 1ST DOWN SPO, TOUCHDOWN, clock 00:13.
6-ROWAN, Taylor kickoff 56 yards to the CLE-6, 2-JONES, Dominic return 14 yards to the CLE8 (21-NNABUIFE, Bryan).
Cle 1-10 at Cle08 CLEVELAND GLADIATORS drive start at 00:04.
Cle 1-10 at Cle08 14-DIEKER, Chris pass complete to 16-GOODMAN, Domini for 13 yards to the CLE21, 1ST DOWN CLE (5-SANDERS, Terran).
Cle 1-10 at Cle21 Clock 00:02.
Cle 1-10 at Cle21 14-DIEKER, Chris pass complete to 6-LEWIS, Thyron for 29 yards to the SPO0, 1ST DOWN CLE, TOUCHDOWN, clock 00:00.


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After many years of being an individual top producing agent, it was clear to Nancy Johnson it was time to expand. The challenge for her was finding competent people that had her same drive, enthusiasm, loyalty customer service, and drive for satisfaction that Nancy needed to make sure her clients were happy and well taken care of.
After graduating from the University of Arkansas with a major in Marketing and minor in Real Estate, Nancy's daughter Alex, joined the team as an assistant. She has since evolved to become one the brightest and most adept young realtors in the metroplex. In addition to assisting Nancy with styling homes, she has her own client base that is expanding each year. In January of 2017, Nancy also added realtor Amy Malooley, who has been in the industry since 2006. Amy brings to the group extensive knowledge of the market, devotion to customer service, and an exuberant personality. Amy is delighted to work alongside Nancy, an industry juggernaut she has admired for quite some time.
Nancy also discovered that in order to effectively manage her high volume, while still providing "hands on" customer service, she needed help, so she brought two assistants on board. Megan Marrin joined the group in February of 2015, and came from a background in teaching. She is organized, attentive to detail, and diligent about responding to clients' needs. Nancy's other assistant, Jo Schellenberg joined the group in February 2017, but has been with Dave Perry-Miller as Listing Coordinator since 2012. Jo brings to the team a superb eye for detail, dedicated work ethic and great sense of teamwork. Last, but definitely not least, Judie Heitzman works with Nancy as a home stager and stylist. With Judie's degree in Interior Design, she and Nancy collaborate on styling and staging in order to display the home in its best light, helping to minimize days on market and maximize sales price.
Together, these six strong and fun-loving women make up The Nancy Johnson Group. Not only is this group consistently #1 in East Dallas, we are also consistently among in the top 5 in Dallas. We have successfully mastered maintaining a personal level of service, while we continue to grow. While much of the group's business is from prior clients, we also steadily add new business, because of our vast knowledge of the market, contract expertise, negotiating, staging, styling, and most importantly, the clients that become our new friends.


Whats happening? Whose out there? How and when to be in touch?
Course is run by Kate Carne and Brigit Avison.
Mindfulness for Young People can be a fun and interesting way for our children to learn to relax and deal with life's ups and downs. Mindfulness can help with anxiety, sleep difficulties, stress, self harm and mood regulation.
Groups for young people: Minimum 5 students aged 14-19yrs. £120 per student for the 9 week course .
Tom Bedford graduated as an Osteopath from the European School of Osteopathy in 1998 with a first class degree in Osteopathy. He has worked in East Oxford for the last fifteen years and has a wide range of experience of treating adults and children. Tom is registered with the General Osteopathic Council, and as such practises as a Registered Osteopath. In September 2013 Tom became an Assessment of Clinical Performance Assessor for the General Osteopathic Council, a role that involves assessing Osteopaths who wish to join the UK Register of Osteopaths. Tom was a clinic tutor on the Oxford Brookes Osteopathy degree course for 10 years from 2003 and is Chairperson and co-founder of the Oxford Osteopathy Network, the regional group of Osteopaths in Oxfordshire. He has experience of teaching Osteopathic technique to undergraduate and postgraduate students in the UK and in Europe and is registered with AXA PPP, Aviva (Norwich Union) and Medisure insurance companies. Tom Bedford is married with two children.


Holiday House Rental is the largest tourism business with approx. 54% of all foreign tourist nights in Denmark. The industry accounts for a total turnover of approx. DKK 6 billion and creates a social value of approx. DKK 4 billion.
The Danish Association of Holiday House Letters represents 90% of the total organized rental in Denmark, and through this Code of Conduct the Association aims for a business process characterized by professionalism, seriousness and good business practice in the rental business for both owners and tenants of Danish Holiday Houses.
The Danish Association of Holiday House Letters encourage owners and tenants of Danish Holiday Homes to ensure that the company they work with is a member of the Association and thereby bound by the Code of Conduct of the Association.


Great to see the Seven Hills Crafts monthly challenges are back, they're always one of my favourite things to do. This month is a colour palette challenge.
I've gone for the middle set. No surprises, when I looked back at my top 9 Instagram posts of 2015, they were all pretty much blue! Perhaps I need to give the other two a whirl as well then! I've used my brand new MFT geometric background stamp, along with a Mama Elephant bunny, Mama Elephant scalloped die and an Avery Elle greeting. The background was heat embossed and coloured with distress inks.
sooooo cute! That has to be one of my all time favourite stamps sets - you've made me want to grab it right now & start playing! And your inky background is gorgeous!


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Still fit and fabulous: Jessica Lange showed off her slender figure and sarong in a knot at her waist, confidently flashing her leg as she walked. . Andre · Jeremy Hunt: Theresa May's Brexit deal is the 'best and final' offer. Jessica Lange showed that not all actress rely on Botox as she displayed And now, American Horror Story is going from strength to strength, with the .. Suki Waterhouse flashes her long legs in butter yellow dress at British.
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