text:
Barton House Railway
Work on the Barton House Railway began in 1960 when the first straight sections of track were laid and the engine run after its rebuilding. The circular track was completed during 1962, and the railway officially opened by Mrs Howlings (grandmother of the writer) on Sunday, April 28th, 1963. The first public running was held in July of that year, and the first full season operated during 1964. Until 1970, all money raised was in aid of Wroxham Church Restoration Fund, a total of £600 having been reached. From 1971 all receipts have been in aid of charities. On Easter Monday 23rd April 1973, a 10th Anniversary Ceremony was performed by Mr William Mervyn.
During 1979 the first section of the new 7 1/4 inch gauge Riverside Railway was laid, from the riverside terminus to the Wroxham Station near the Signalbox, 300 feet in length. On Easter Monday 7th April 1980, the line was officially opened by Mr Paul Barnes of Anglia TV, after a short service of blessing by Reverend Henry Stapleton.
During the winter of 1980/81, the line was extended by a further 200 feet to a second riverside terminus. The new extension was officially opened by Michael Chapman of Radio Norfolk on Easter Sunday 19th April 1981, after a short service of blessing by Revd. Cedric Bradbury. In 1988 we celebrated our Silver Jubilee, with several special events taking place during the year, including an anniversary ceremony on Sunday 21st August performed by Mr John Timson of Radio 4.
After the 1992 season, the 3 1/2" gauge line was 'temporarily' closed for repair, and efforts were initially concentrated on improving the Riverside Railway. Wroxham Station was rebuilt, enabling trains to pass in the station, Riverside East was given an extra platform and signalled, and we commenced running the steam loco from 1998 onwards. And from 1999 a huge amount of work was done on the 3 1/2" line, enabling it us to reopen it as the Mid-land Railway at the start of the 2001 Season. That year we also celebrated the centenary of the opening of Honing East Signalbox on 23rd June 1901, with invited guests including relatives of those who had worked the box in M&GN/BR days, former BHR signalmen and former staff and friends who helped move the box in 1967. We were also able to affix the superb Honing East name-boards made by Stan Gardner. In 2003 season we celebrated our 40th Anniversary, with Helen McDermott, Paul Barnes, and Richard Bower taking part in a ceremony on Sunday 20th April, and special events at runnings.
In 2007 we had another Signalbox event, celebrating its 40th Anniversary of being at the BHR. We were also offered a building that was in the garden of a neighbour's house. Underneath a tarpaulin and mock thatched roof was a Boulton & Paul sectional building in excellent condition. It was dismantled by BHR staff, re-erected here on a new concrete base, and with a new partition fitted opened as our new booking office in 2008. In August 2008 we celebrated the completion of the refurbishment of Dickerson's Diner, known as Project 4; as well as much improved catering facilities it has given us storage space for carriages (doubling as Santa's Grotto once a year), a room that can be used for events for up to 50 people and an excellent staff mess room complete with Stations Master's Office. In 2009 the new Platform Canopy was erected, using original cast iron posts from Yarmouth Beach Station, with woodwork to the original design. 2010 saw the Riverside West building opened for ticket sales, and in 2012 we re-built the platform at Wroxham Station. We also replaced the Signalbox steps, for the 3rd time - hopefully being oak they should last longer.
We have also embarked on another ambitious project, to build a passenger line up the garden. Earthworks have already started on the upper section, and the old booking office moved to the proposed Museum Station site, where it is proposed to build a small Signalbox alongside with a 10 lever frame we already have from Oulton Broad Swing Bridge box. The Joint Friends are raising money to buy the track.
In 2013 we celebrated our 50th Anniversary with a ceremony attended by Carol Bundock in April and other events during the year. 50 Years and still moving forward!
Barton House Railway, part of the Wroxham Railway Heritage Trust, Registered Charity No. 1093170
© 2022 Barton House Railway


1.Thank you to everyone who said they would date me/ shared their quirks from my last post. Some of you said I just should just copy and paste that post into my profile and someone would surely love me. I know that advice came from a good place, but I couldn't help but think that it sounded like the advice my orthodontist gave me, "Wear your head gear to school. Your friends will support you." He was wrong...Barb Jones laughed at me in my own home so I don't know how I was expected to trust my friends who were a bunch of jerks just like me.
It was a pretty magical time.
Mainly because we got to meet Wanz the guy who sings on "Thrift Shop."
3. Much to Grace's dismay I bought 2 new pairs of TOMS last week. I wear them because they're pretty comfy and make me feel cool since I work with college students. There was a pair I wanted to return but was afraid that if I did, the child would also have to return their pair.
I couldn't live with that guilt so I decided to keep them.
I was later informed that TOMS probably had a solid business plan that accounted for returns and exchanges.
This is why I was a communication studies major in under grad.
4. This past weekend I was reunited with some of my very best frangs for Foxfield in Charlottesville.
This was my second time to the race and I was eager to go back...mainly because I wanted to recreate the best photo bomb of all time.
I'd like to think that I was successful.
5. It just becomes second nature...you just pick it right back up.
If ruining pictures is wrong then I don't wanna be right y'all.
7. To the point where I was photobombing videos....twice.
I'm off to dive into aloe vera to cure this awful sunburn.
Some might say it's karma for the memories I have ruined with my big dumb mug.
I got oddly excited when I saw you posted- I just felt like I had to confess that.
Those photo bombs are classic.
You live the high life. Jealous!
Oh my gosh, hilarious!!! I am laughing so hard!!
does an individual have some paleo-friendly cookies?
We wish a number of people proper deal with cooking.
also really mean it truly is more water proof and gaze after understand it protected from the most important sleet together cellular fluids.


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text:
STOLEN?
FM in the Press
Festival for Maribor
About Festival for Maribor
About Maribor
Getting to Maribor
Ambasadors and Volunteers
Is music property? Under what circumstances can music be stolen? Such questions lie at the heart of the timely look of borrowing, appropriating and outright theft of music from Baroque till the 21st century, from classical to jazz, rock, pop and electronic dance music.
In the Baroque era, Bach, Handel, and other masters routinely recycled their own music and were quite unscrupulous when it came to stealing from others. Evidence exists that Mozart, too, wasn't quite as inventive in writing; in those days musicians borrowed freely from each other as colleagues and partners, within their theatrical community, as they made livings off ticket sales. It is also not uncommon for classical-music composers to quote each other; using age-old tunes like the dirge "Dies Irae" (used most notably in Berlioz's Symphonie Fantastique), chorales of Bach (in tons of music from the Baroque to the present day). Beethoven (and many others after him) used Pachelbel's Canon in the rondo of his Op. 28 Piano Sonata; Richard Strauss took 50 themes from Vittorio Gnecchi's opera Cassandra to use in Elektra in what was less tribute than underhanded grab. Famous folk tunes like the Eastern European Melody that first appeared in Smetana's Moldau were absorbed into the mainstream European classical tradition. Leading composers like Antonín Dvořák, Zoltán Kodály, Béla Bartók made strenuous efforts to collect and record local forms of European folk music and folk songs. A good example of this process was the enduringly popular suites of Hungarian dances by Dvořák and Johannes Brahms.
Igor Stravinsky, a self-styled musical "kleptomaniac" whose genius could transform almost any compositional source material into a highly original work of art, borrowed from Rimsky Korsakov and Debussy (who in turn had absorbed quite a bit from Mussorgsky) and finally from ragtime including a ragtime-style dance in his music-theatre piece The Soldier's Tale.
Shostakovich commented on the whole issue of theme-stealing himself with his use of "We Wish You a Merry Christmas," an instantly recognizable tune, in his sarcastically witty "Prelude No. 15."
Visual, sound, and text collage, for many centuries relatively fugitive traditions, became central in the twentieth century: futurism, cubism, Dada, musique concrète, situationism, pop art, and appropriationism. In fact, collage, might be called "the"art form of the twentieth century, never mind the twenty-first.
Blues and jazz musicians have long been enabled by a kind of "open source" culture, in which pre-existing melodic fragments and larger musical frameworks are freely reworked. Technology has only multiplied the options for musicians to "duplicate" sounds literally rather than simply approximate them through allusion.
In 2012, when Bob Dylan was questioned over his alleged plagiarism of others music he responded, "It's an old thing – it's part of the tradition. It goes way back" and B.B. King stated on the issue, "I don't think anybody steals anything; all of us borrow".
In Seventies Jamaica, King Tubby and Lee "Scratch" Perry deconstructed recorded music, using primitive pre-digital hardware, creating what they called "versions." The recombinant nature of their means of production quickly spread to DJs in New York and London. With the rise of disco, hip-hop, and electronic dance music, transformative appropriation has become the most important technique of today's composers and songwriters.
Today an endless, gloriously impure, and fundamentally social process generates countless hours of music and there is no artist who would deny the existence of, and relation between, musical genres. All forms of music can be said to include patterns; the exchange of musical ideas throughout time is fluid.
Anthropologists have been studying the process of appropriation or borrowing in music, as part of cross-cultural exchange and intercultural communication. Unfortunately treating all forms of music the same may be identified as a melting pot effect and does not mean that everyone is being treated fairly.
According to Theodor Adorno's highly controversial view, popular music in general employs extensive plagiarism: variety in the musical material occurs in details whereas genuinely original musical content tends to be sparse when compared to classical or art music.
In this regard the contemporary construction of copyright also needs to be questioned. The confusion regarding Intellectual Property law reached a boiling point in 2002, when the British crossover-classical artist Mike Batt released an album that contains a one-minute section of silence that is necessary to separate various remixes. Batt titled the track "A One Minute of Silence" and facetiously credited it to himself and to a fictitious "Cage," in honour of John Cage's famous silent piece, 4'33". As a consequence he was accused of copyright infringement…
Opening new ways to look at the tension between copyright law, musical meaning and appropriation, artistic freedom will be one of the challenges in presenting the STOLEN? Project.
Most artists are brought to their vocation when their own nascent gifts are awakened by the work of a master. That is to say, most artists are converted to art by art itself. How could we interpret `finding one's voice´? Is it an emptying and purifying of oneself from the influences of others or an adopting and embracing of origins, communities, and discourses, or is it both? Correspondingly Jonathan Lethem wrote about innovation and inspiration and concluded: ˝Inspiration could be called inhaling the memory of an act never experienced. Invention, it must be humbly admitted, does not consist in creating out of void but out of chaos˝.
Simply put - creativity is all about chaos and our STOLEN? Project is about creative chaos cutting across different forms and genres in the realm of cultural production.
In this sense, the dramatic arc of the musical kaleidoscope from borrowing in classical music, the postmodern music remix and all the way to DJs will be accumulated.
With the STOLEN? Project we are seeking to explore stealing, borrowing and appropriating in music in a sophisticated context.
"Good Artists Borrow, Great Artists Steal" - thus go words that Pablo Picasso may have said, meaning that one must be able to understand the principles why something works and then be able to apply this knowledge in new original ways.
And finally, from this prospect - the taking of ideas is essential in order to keep art alive.
Festival Maribor Countdown: 10 more days to go
According to the well-known Slovenian dancer and choreographer Jasmina Križaj, who put ballet on...
Samo Šalamon and Miloš Karadaglić are two brilliant guitarists who have reached for the stars and...
Festival Maribor is in its fifties. It is, however, able to keep its youthful appearance with...
Since their last year's remarkable premiere performance of The Magic Flute, it has become quite a...
Do MORE with LESS. This has always been a guideline of the Maribor Festival. Either musical...
When heading to an event at the Maribor Udarnik cinema one expects EVERYTHING but evening gowns and...
The Most Beautiful Sound Next to Silence
What is the connecting link between the Swiss cellist Thomas Demenga and the Hungarian pianist...
Dancing with the Waves
After the project Musica Surfica, presented at the Maribor Festival 2009 that has been richly...
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redpajama_set_name: RedPajamaCommonCrawl


MOSCOW — Russia opened an investigation into suspected terrorism after a 17-year-old youth blew himself up on Wednesday in the lobby of an office belonging to Russia's Federal Security Service (FSB) in the north of the country.
Russia's Investigative Committee said the unnamed teenager had detonated a homemade bomb in the lobby of the FSB, the country's main domestic security and intelligence service, in the city of Arkhangelsk. It said he had died on the spot.


Andreas Mügge has been a stalwart of the main room techno scene for decades. Under the D. Diggler alias, he has a catalogue of uncompromising and visceral techno that would be the envy of many. He is also a prolific contributor to the Lucidflow family, often popping up on the epic remix albums for the work of Nadja Lind and Helmut Ebritsch. However, Radium marks the first time he has released under his own steam on the label, and it is a true to form.
The title track, Radium, doesn't beat around the bus and its driving percussion is quick to get into gear. The rigidity of the 4/4 rhythm is softened with a detuned syncopated stab that wiggles its way in-between the kicks, while a brief moment of light is allowed towards the end when a gentle arpeggio drifts in for the scantest cameo.
Rolling and tribal, Blue Orange works on two planes; one, in the distance, cavernous samples echo away against the scant melodic elements, and two, in the foreground, where the percussion rarely lets up, only ever dropping back to a two tone patter before jutting back in on unexpected beats.
In comparison, a greater sense of space is allowed to Kwun Tong; the midrange bongos and high end shaker work become hypnotically prominent. An illusion that is sideswiped on the final breakdown, which drops into detuned harmonic chords before picking up an ever so slight hook for the final salvo.
Nadja and Helmut chip in for the final piece of the puzzle with a deep take on Radium. It's got one of those kicks that is almost too eager to register itself, resulting in a funky double punching thwap. The syncopated bass tone takes on new life as it often veers from its trajectory into new realms of echo and pitch. Come for the deep, stay for the entrancing breakdowns and the exquisite FX work, enjoy yourself thoroughly.
Released on 16th May 2016, please jump on board with us and help us celebrate.
Safari users: In order to prelisten on SAFARI browsers you need to have Flash UPDATED!


Days 0–3 Weather Summary: Some drizzle, heaviest during Sun night. Warm air temperatures (max 24°C on Sun afternoon, min 22°C on Sun morning). Winds increasing (light winds from the NNE on Sun morning, fresh winds from the SE by Tue night). Days 4–6 Weather Summary: Heavy rain (total 39mm), heaviest during Thu night. Warm air temperatures (max 26°C on Thu morning, min 22°C on Fri night). Winds decreasing (fresh winds from the SSW on Wed night, light winds from the SW by Fri morning).


text:
<?xml version="1.0" encoding="UTF-8"?>

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		<item value="675" key="dialogHeight"/>
		<list key="orderedProviders">
		</list>
		<list key="textArray">
		</list>
		<list key="orderedElements">
		</list>
		<list key="textEntries">
		</list>

		<item value="org.eclipse.ui.wizards.import.ExternalProject" key="ImportExportPage.STORE_SELECTED_IMPORT_WIZARD_ID"/>
		<list key="ImportExportPage.STORE_EXPANDED_IMPORT_CATEGORIES">
			<item value="org.eclipse.ui.Basic"/>
		</list>

redpajama_set_name: RedPajamaGithub


text:
Bolton go bottom after draw
Sam Ricketts marked his return from more than 10 months out injured with a superb goal for Bolton but it was not enough to prevent the Trotters beginning 2012 at the bottom of the Barclays Premier League table as they drew 1-1 with Wolves.
The full-back, making his first appearance since rupturing an Achilles in February, had never scored for the Trotters before but he showed a striker's eye for goal in the 22nd minute with a superb curling shot into the far corner from 25 yards.
Bolton deserved their half-time lead despite Stephen Ward's thunderbolt against the bar but Wolves levelled less than four minutes into the second half when Steven Fletcher headed home Matt Jarvis' free-kick.
Sam Ricketts


text:
Q: Node JS dispatch Cannot GET error I'm trying to use dispatch but when I do a test in the broswer (http://127.0.0.1/user) I get the following message

Cannot GET /user/

what am I doing wrong?

127.0.0.1 - - [Mon, 14 May 2012 17:40:13 GMT] "GET /user/ HTTP/1.0" 404 - "-" "Mozilla/5.0 (Windows NT 6.1; WOW64; rv:12.0) Gecko/20100101 Firefox/12.0"

http://www.something.com/api/ping -> works fine
My nginx config file has this entry also.
location /user/ {
      proxy_pass http://www.something.com:8181;
}

Any have any suggestions how I can get dispatcher working?
var dispatch   = require('connect')

function init() {
   var port = process.env.VCAP_APP_PORT || process.env.PORT || parseInt( process.argv[2], 10 )
   var staticFolder = __dirname + '/../site/public'

   console.log('port='+port+' static='+staticFolder)

   var server = connect.createServer(
   connect.logger(),
   connect.bodyParser(),
   connect.cookieParser(),
   connect.query(),
   connect.session({secret: config.secret}),

   dispatch({
            '/user': {
                     GET: api.get_user,
                     '/socialmsg/:when': {
                           POST: api.social_msg
                     }
             }
    }),

function(req,res,next){
  if( 0 === req.url.indexOf('/api/ping') ) {
    console.log(req.url+': '+JSON.stringify(req.query))
    res.writeHead(200)
    res.end( JSON.stringify({ok:true,time:new Date()}) )
  }
  else next();
},

 connect.static( staticFolder )
 )

 server.listen( port )
 }

A: As per https://github.com/senchalabs/connect, I would significantly refactor your code to make it more readable and more obvious as to what went wrong. In short, I don't believe the static directory seem to be configured as desired. I have not found a createServer() method as per the Connect module (ExpressJS and http/https modules have it though), especially one with 8 parameters as you've provided.
That said, I would stick the documentation's convention as follows:
var connect = require('connect'),
    http = require('http');

var staticFolder = __dirname + '/../sites/public';

var server = http.createServer(
    connect
        .use(connect.static(staticFolder))
        .use(connect.logger)
        .use(connect.bodyParser)
        // etc for each of the 'connect.' middleware you are using above
        .use(function (req, res) {
            // Request handling here
        });
);

server.listen(8181);

In the empty function (req, res) {} you would want to put all the stuff you have for api/ping as well as the equivalents for the /user request.
In your question you provided the 'connect.static()' as an argument for createServer() (i.e. connect.createServer(connect.static)) as opposed to an argument for connect.use(), the middleware handling function in the module.

redpajama_set_name: RedPajamaStackExchange


Leicestershire County Council, on behalf of Leicestershire County Council and Rutland County Council is undertaking a procurement seeking suitable providers to deliver independent assessment and monitoring services for Deprivation of Liberty referrals.
In this present instance, Leicestershire County Council, on behalf of Leicestershire County Council and Rutland County Council (hereafter referred to as "the Councils"), is undertaking a procurement seeking suitable providers to deliver independent assessment and monitoring services for Deprivation of Liberty referrals. These services will be provided on behalf of the Deprivation of Liberty Safeguards (DoLS) team which has a statutory requirement, under the Mental Capacity Act 2005, to determine whether vulnerable adults have the mental capacity to make decisions regarding health care and/or accommodation issues.
Who suffers from a mental disorder or disability of the mind – such as dementia or a profound learning disability.
Who lacks the capacity to give informed consent to the arrangements made for their care and / or treatment and for whom Deprivation of Liberty is considered, after an independent assessment, to be necessary in their best interests to protect them from harm.
The safeguards cover patients in hospitals, and people in care homes registered under the Care Standards Act 2000, whether placed under public or private arrangements.
— ensure people can be given the care they need in the least restrictive regimes.
— prevent arbitrary decisions that deprive vulnerable people of their liberty.
— provide safeguards for vulnerable people.
— provide them with rights of challenge against unlawful detention.
The Council require the appointment of suitable service providers to a framework for the statutory Paid Persons Representative role under the Deprivation of Liberty Safeguards (Mental Capacity Act 2005).
Legislation sets out that once Deprivation of Liberty has been granted an individual's care needs are monitored by an allocated Paid Persons Representative (or Relevant Persons Representative) who is independent of the care planning process. A Paid Persons Representative is responsible for deciding if the care plan remains in the person's best interests and monitoring whether Deprivation of Liberty still applies.
The Council has pre-determined the maximum rates that it will pay for the service and so price will not form part of the evaluation.
Quality will be assessed by reference to a number of method statements prepared by the tenderer, in response to questions posed in this tender document.


text:
The Action RPG Haven Is Available Now; Takes Players On A Journey About Love And Freedom
Haven is an action RPG about two lovers that travel to a lost planet after having lost everything they knew and treasured. They're in a foreign place, but through an unbreakable connection, they'll battle the odds and risk even more to continue on with a new life.
The Stylish Beat'Em Up Ape Out Is Now Free On The Epic Games Store
This RPG is now available on all platforms and thus far, it seems to be receiving mostly positive reviews. Gamers have appreciated the themes of love and togetherness, which the world could surely use right now. Even still as we draw closer to 2021, COVID-19 is affecting so many.
Gaming has been a natural escape from the pain that this pandemic is causing. If you're looking to escape reality and enjoy a beautiful relationship between the couple Yu and Kay, then Haven might be the perfect title to play during these unprecedented times.
Epic Game Store Will Soon Offer Twelve Free Games For The Twelve Days Of Christmas
The game further highlights the couple's connection by synchronized combat. Players to get to play as both characters, learning how to balance each other's attacks for a beautiful symphony of chaos whenever they're up against tough odds.
Despite having reached a foreign place that is seemingly abandoned, there are still powers at play that want to tear Yu and Kay apart. Fortunately, they're love is strong and it will stand whatever is thrown its way if you can master the connected combat.
When you're not battling it out with enemies, you'll get to spend time doing what couples do in everyday life. That includes cooking and cleaning. You'll also have to do some scavenging for resources because the planet you now find yourself on is untapped.
Throughout your adventures as this loveable couple, you'll be forced into making tough decisions. That's when emotions run high as you try to figure out the path for survival.
Haven has a lot of great elements as you can see in the trailer up above. From the themes of love and companionship to the unique combat, it has a lot of things going for it that you should check out if you're a fun of adventure games with serious subject matter.
Atomic Heart Explores Its Existence On PlayStation 5, Xbox Series X, PS4, Xbox One, and PC Systems
Who knows? Maybe you'll forge an unforgettable bond that lets you appreciate those you care most about in your own life. At the very least, you'll appreciate the developer's storytelling, graphic designs, and fun combat that you can pick up and feel comfortable with immediately. It's also just a great game to escape to when you're feeling in a loving mood.
Read More About The Action RPG Haven Is Available Now; Takes Players On A Journey About Love And Freedom at happygamer.com
← Elon Musk is open to talking about merging Tesla with another car company. These are the 4 most likely candidates, experts say. (TSLA)
'Black Panther' Star Letitia Wright Responds to Anti-Vaccine Tweet Backlash →


text:
package io.machinecode.chainlink.core.jsl.impl.partition;

import io.machinecode.chainlink.core.jsl.impl.PropertiesImpl;
import io.machinecode.chainlink.core.jsl.impl.PropertyReferenceImpl;
import io.machinecode.chainlink.spi.configuration.Configuration;
import io.machinecode.chainlink.spi.context.ExecutionContext;
import io.machinecode.chainlink.spi.inject.ArtifactReference;
import io.machinecode.chainlink.spi.inject.InjectablesProvider;
import io.machinecode.chainlink.spi.inject.InjectionContext;
import io.machinecode.chainlink.spi.jsl.partition.Collector;

import javax.batch.api.partition.PartitionCollector;
import java.io.Serializable;

/**
 * @author Brent Douglas
 * @since 1.0
 */
public class CollectorImpl extends PropertyReferenceImpl<PartitionCollector> implements Collector {
    private static final long serialVersionUID = 1L;

    public CollectorImpl(final ArtifactReference ref, final PropertiesImpl properties) {
        super(ref, properties);
    }

    public Serializable collectPartitionData(final Configuration configuration, final ExecutionContext context) throws Exception {
        final InjectionContext injectionContext = configuration.getInjectionContext();
        final InjectablesProvider provider = injectionContext.getProvider();
        try {
            provider.setInjectables(_injectables(configuration, context));
            return load(PartitionCollector.class, configuration, context).collectPartitionData();
        } finally {
            provider.releaseInjectables();
        }
    }
}


text:
Simple wrapper for [showdown](https://github.com/showdownjs/showdown).

## Install

```sh
$ bower install --save MudElements/mud-markdown
```

## Usage

```html
<mud-markdown flavor="vanilla">
  # <mud-markdown>
  [MudElements/mud-markdown](https://github.com/MudElements/mud-markdown)
</mud-markdown>
```

* (Optional) `flavor` property value same as [showdown](https://github.com/showdownjs/showdown), the example shows default values.

## Test

MudElements based on Polymer 2.0.0-rc.2, there is not yet a reliable test solution.


text:
What happened in the UK in 1707?
What were the two countries that made up the Kingdom of Great Britain in 1707?
Who occupied Britain in 1707?
What events happened in 1707?
When did Scotland fall to England?
Why is Wales not on the Union Jack?
Which kingdoms were united in 1707 to form Great Britain?
When did the Kingdom of Great Britain become a country?
What was the date of the Treaty of 1707?
What was the result of the Acts of Union 1707?
The Acts of Union, passed by the English and Scottish Parliaments in 1707, led to the creation of the United Kingdom of Great Britain on 1 May of that year. From the Act of Union to the Scotland Act, the United Kingdom in the twenty-first century.
The state was created by the 1706 Treaty of Union and ratified by the Acts of Union 1707, which united the kingdoms of England (which included Wales) and Scotland to form a single kingdom encompassing the whole island of Great Britain and its outlying islands, with the exception of the Isle of Man and the Channel …
The two countries had shared a monarch since the Union of the Crowns in 1603, when King James VI of Scotland inherited the English throne from his double first cousin twice removed, Queen Elizabeth I….Acts of Union 1707.
Commencement 1 May 1707
Status: Current legislation
Revised text of statute as amended
Apr 25 Battle of Almansa; Franco-Spanish forces defeat British and Portuguese.
Apr 29 English and Scottish parliaments accept Act of Union; creates the United Kingdom of Great Britain (comes into being 1st May)
May 1 Acts of Union comes into force, uniting England and Scotland to form the United Kingdom of Great Britain.
Scotland subsequently entered into a political union with the Kingdom of England on 1 May 1707 to create the new Kingdom of Great Britain. The union also created the Parliament of Great Britain, which succeeded both the Parliament of Scotland and the Parliament of England.
The Union Flag, or Union Jack, is the national flag of the United Kingdom. The Welsh dragon does not appear on the Union Flag. This is because when the first Union Flag was created in 1606, the Principality of Wales by that time was already united with England and was no longer a separate principality.
The state came into being following the Treaty of Union in 1706, ratified by the Acts of Union 1707, which united the kingdoms of England and Scotland to form a single kingdom encompassing the whole island of Great Britain and its outlying islands.
Kingdom of Great Britain. The Kingdom of Great Britain, officially called simply Great Britain, was a sovereign state in western Europe from 1 May 1707 to 31 December 1800. The state came into being following the Treaty of Union in 1706, ratified by the Acts of Union 1707, which united the kingdoms of England (which included Wales)…
1707 in Great Britain. Events from the year 1707 in Great Britain, created on 1 May this year as a consequence of the 1706 Treaty of Union and its ratification by the 1707 Acts of Union.
Acts of Union 1707. By the two Acts, the Kingdom of England and the Kingdom of Scotland —which at the time were separate states with separate legislatures, but with the same monarch —were, in the words of the Treaty, "United into One Kingdom by the Name of Great Britain ".
CategoryLifehacks


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Image: @sophmackintosh / Instagram
"The impossible endeavour": Warwick graduate Sophie Mackintosh's journey from campus to publication
By Amy Beecham
I had told all my friends to buy theirs, and ordered myself a second copy of Sophie Mackintosh's The Water Cure before I realised I'd heard her name before.
As it turned out, she was not only a Warwick alumni but a graduate of my exact degree – English and Creative Writing – for which there is an intake of approximately 25 students per year.
A graduate of the Warwick Writing programme realising their dream by making a name for themselves in the publishing world? I immediately felt as though I had to know everything about her: how she did it, what she learned, where she finds inspiration, what perfume she wears…
During my time at Warwick I wrote the start of what was to become another novel, one which I have now put in a drawer but which I learned a lot from writing
The Water Cure is a stunningly poignant dystopian novel that The Guardian has hailed as "an extraordinary otherworldly debut" and Emma Jane Unsworth, author of Animals, has described as "brutal and poetic – it transported me, savaged me, filled me with hope and fear". I can fully attest to all of this praise and more. My experience of reading it was akin to finishing a beautiful meal and licking the plate clean. I was horrified, in awe and desperate for answers in equal measure, which is the sign of a great read in my view.
So it was my privilege to have a chat to her, where she told me all the things my aspiring writer's heart so desperately wanted to hear (minus the perfume – it would've been weird for me to ask).
Tell me about the inspiration for The Water Cure?
It originally started as a post-apocalyptic story about a family living on an oil rig – it was very different to the final version of The Water Cure, focused on eco-disaster and more straightforward survival. However, there was something missing – it wasn't really coming together. I kept veering away from the main story and writing little snippets about strange rituals and a world where a terrible sickness was affecting women and realised that, actually, these snippets were the story I should be writing.
Was writing it a process that began at all at Warwick?
It wasn't, but during my time at Warwick I wrote the start of what was to become another novel, one which I have now put in a drawer but which I learned a lot from writing. I think there are definitely commonalities in the novels; I don't think I could have written The Water Cure without writing that one first.
There's so much to learn and really the best way is by doing
What was the best thing you got out of the Warwick Writing Programme?
It was the first time that I really had to finish a long piece – 10,000 words. All my writing up to that point was short because I didn't have the stamina to carry on; I would have a good idea, but I wouldn't develop it so it would just fizzle out.
10,000 words is a good basis to build on and having to write something polished of that length taught me a lot, gave me something that within a few months I would expand to book length (the drawer novel!) and also gave me the miraculous realisation that I liked writing longer works – that seeing a piece grow, working on it and creating something sturdier than previous fiction I'd written was actually really satisfying and fun. Once I'd written 10,000 words I realised that if I did that six times I'd have a short novel, which gave me the confidence to think that actually writing a book wasn't the impossible endeavour it seemed.
What advice would you give to your student self, knowing what you know now?
I'd say to her: be a bit bolder and more experimental, and to read more and read more widely. To read everything when I had the time to do it! I think now that I was maybe a bit complacent and had coasted on being a decent natural writer and didn't realise that actually improving means a huge amount of hard work, no matter your level of talent. There's so much to learn and really the best way is by doing.
Now, I cheerfully accept that you have to put the hours in. But I also think I had to re-remember that I loved writing on my own terms, because I did struggle a bit with my confidence. Also, I admit that I spent too much time as an undergraduate hungover in bed watching Come Dine With Me instead of writing, but food does feature heavily in much of my work, so maybe even that was positive!
How has it been receiving the positive feedback you have for The Water Cure?
It's been really amazing. My expectations were very low at first, but I realised when it sold at auction that actually it might reach a bigger audience than I first thought, and that people aside from my mum might read it. It's very anxiety-provoking to hear what people think of your work, especially something as personal as a debut novel, but I've been incredibly lucky so far that most feedback has been so thoughtful and enthusiastic. I read a lot of one-star reviews of classic books that I love to remind me that everything is subjective and no book in the world is universally adored.
Brexit was happening, Trump was about to be president, the world felt new and strange
The book deals with gender politics in a very interesting way – what inspired you to explore that narrative and how important do you think the work the book does is to today's society?
When I abandoned the oil rig idea and developed the idea of a sickness affecting women, it felt like a natural next step to explore the idea that men were the cause due to the world we were living in. I felt like social media was really amplifying our awareness of violence done to women, and it was becoming clearer than ever that we really did live in a patriarchy that had little interest in actual structural change. Brexit was happening, Trump was about to be president, the world felt new and strange. I don't think my book is important, but I hope it makes readers feel seen and maybe gives them hope.
What are your future plans, for yourself and your writing?
I plan to keep writing for a long, long time, and have a few things in the pipeline that I'm happily working on, both long fiction and short. I'd like to publish a short story collection one day and have a few ideas mulling around for future books too.
You can buy The Water Cure by Sophie Mackintosh here.


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Q: Call to the 'userConnect()' method skips I'm posting this question because I'm clueless of what went wrong.
I recently coded a Client-Server Interactive File Sharing Application using select() API as part of my Homework.
It works perfectly on my laptop. But I was told to get it running on university servers, because that is where my project will be tested. I made sure my application is working and submitted the project.
When my app start's off it calls 'getMYIPAddress()' method to fetch host's local IP address which I later used it for flagging self connections. Now problem is, If I remove the 'cout << ' in this method, It skips 'userConnect()' routine.
void getMyIPAddress (char* command, char* port) {
    struct hostent *he;
    struct in_addr ipv4addr;
    char dnsIP[] = "8.8.8.8";                                   // Google DNS IP
    char dnsPort[] = "53" ;                                     // Google DNS TCP Port
    // Converting IP to struct in_addr type
    inet_pton(AF_INET, dnsIP, &ipv4addr);
    // getting host details from IP address
    he = gethostbyaddr(&ipv4addr, sizeof ipv4addr, AF_INET);
    cout << "BAZINGA!" << endl;
    // Connecting to google DNS to get IP address of this process
    userConnect (he->h_name, dnsPort, port, command);
}

I did remove this unnecessary 'cout' before submitting. Now It doesn't enter userConnect() which connects to google DNS and retreives IP address. If I keep it, it works fine.
I didn't post this question to waste your valuable time. If you can comprehend what possibly could cause this, you'll ease up my frustration.
EDIT::@Tanmay's Answer:
"I moved the cout<< into the userConnect() routine before it connects. It didn't work."
"There is no bug in 'userConnect()' it just works as it should when it is called."
EDIT: I realized where it went wrong. Please see the follow up post.
Variable is being changed for some reason
Thanks,sarath.

A: There is a possibility of a bug in either gethostbyaddr or userConnect that is being resolved due to cout. Most probably due to flushing the output buffer.
Please try replacing it with some other code and share the results of your experiment if you can.
Good luck.


The soaring price also has provoked excited chatter among recreational miners, including those who pan and dredge for the leavings of past centuries' miners. However, the folks over at goldgold.com, a Web site run by a mining club called The New 49'ers, devoted to suction dredge mining in the Klamath region, lately have been shaking their fists more than burnishing their palms. Once again, they are peeved at the Karuk -- the upriver tribe that's lived along the Klamath River for thousands of years. "Karuks are at it again!" reads the subject line of one entry on the group's members forum.
The day after Christmas, the Karuk, California Trout, Friends of the North Fork and The Sierra Fund filed a petition with the director of the state Department of Fish and Game, Donald Koch, asking him to place emergency restrictions on suction gold dredge mining on sections of the Klamath, Scott and Salmon rivers and their tributaries in order to protect coho salmon, green sturgeon and lamprey. They also asked that segments of five streams on the west side of the Sierra Nevada be temporarily closed to suction dredge mining to protect native trout. They say suction dredge mining stirs up sediments, releases mercury into the streams, and kills salmon eggs and immature lamprey living in the gravels.
The emergency restrictions are necessary, says Craig Tucker, Klamath Campaign Coordinator for the Karuk, because the state has been too slow to meet a court order to update its guidelines for suction dredge gold mining. The Karuk sued DFG a few years ago, saying the agency's guidelines for dredge mining, made in 1994, fail to protect the coho salmon because it was listed by the state as threatened and by the feds as endangered after the rules were written. The DFG has to do an environmental impact study in order to change its suction dredge rules -- but it hasn't had the money to do so, says Tucker. And, legislative attempts to restrict dredge mining have failed.
But now suddenly there is the promise of money: The State Water Resources Control Board agreed last week to give Fish and Game $500,000 to work on the EIS, says Tucker.
You'd think there'd be high fives all around. But of course there's a catch, and of course it has to do with the state's budget horrors. In a letter to the board, and at the hearing, the Karuk Tribe and fellow petitioners asked the board not to promise DFG the money -- unless it also agreed to immediately restrict dredge mining.
"We're worried that, because of this budget crisis, that money could get yanked before they get the CEQA process started," said Tucker last Wednesday. "And so that's why we've moved forward with this petition because we want something to happen immediately."
The board voted to give DFG the $500,000 -- but with no strings attached. Regardless, said Tucker, the petition to the DFG director still stands; Koch has until Jan. 26 to make a decision. And, also last week, the petition gained the formidable support of the Pacific Coast Federation of Fishermen's Associations, whose board voted to support it.


So you're thinking about injectables and you've read some patient experiences of what it was like to get them?
Here is part one of our series for TOP TIPS for Injectables and Fillers (Insider tips for improving comfort and safety for optimal outcomes).
Lip Injections? One of the quickest facial enhancements you'll get, with very little down time.
One of the most popular procedures for injectables is Lip Enhancements with fillers made of an approved temporary-filler-solution based solutions. They are natural, soft and long lasting when the quality brands are used by an experienced injector.
Read a 53 year old patient's first experience with lip and facial injections.
In the wrong hands or the wrong products in the wrong places (or too much of the right product), they can lead to lip disasters (Read our blog on Filler Overuse Syndrome, Lip Fillers Gone Wrong, Less is More and the Top Five Injection Danger Zones).
First time lip injections. What is it really like?
Do lip injections hurt? Do we use products to prevent pain?
Ice packs (wrapped) just before and just after an injection works wonders for patient comfort!
We can also inject a numbing agent into your lip area prior to your lip fillers (or WITH the filler itself if appropriate).
Our aim is to help you to be as comfortable as possible for us to have the best environment to work with, but most patients report the discomfort is minimal and very quickly passing.
How long will I stay numb?
Some numbness is common after injections, but it is NOT the type of numbness that you would normally get when you visit a dentist – in fact, it's quite different. Your lips and mouth should still function quite normally although you might have tingling sensations and a bit of swelling.
Very minor bleeding (usually tiny drops) or redness at the injection point might occur during or after your injections.
Most clients regain full feeling in their lips approximately 6 hours after their appointment (or earlier).
Sometimes your lips may feel tender for a few days following the procedure but it's usually noticeable but not uncomfortable to where you'll be distracted from your normal day to day activities.
How long do I need to wait for injection side effects to calm down?
What should I avoid before or after lip injections?
An After Care plan or post-injection advice will be discussed in detail prior to your treatment.
Ask questions! We can answer!
Some patients and injectors mention that some patients find it helpful to avoid heavily salted foods or extreme friction on the lips as well as excessive sun exposure (excessive sun exposure is a no-no all the time because the sun causes so much skin damage and because sun exposure can also lead to skin cancer or melanoma).
We want you to get the most out of your time with us and to feel comfortable with your treatment plan.
We will discuss the specific solution and brand we'll use on your lips, as well as the injecting strategy, so you can know what to expect before your treatment. Experience also counts for optimal patient comfort and safety. Knowing our Injectors are all Senior Injectors with Div. 1 RN or Physician qualifications means you'll be able to relax knowing you'll be in very experienced hands – our Senior Nurse Injectors have 20 years experience in the industry and really know how to use the best quality brands to help you get the most pleasing lip shaping results.
Here are a few more tips for your first time lip injections.
Let your Injector know if you are taking any medications, including medications that lower your blood pressure or might interfere with proper healing.
If you are prone to cold sores on your lips or take anti-viral suppressants for lip infections, ask your Medical Injector or GP what's best before injections.
Ask if you need to stop taking non-steroidal anti-inflammatory medications prior to your treatment.
Some over-the -counter pharmacy medications can also thin blood or leave you more prone to bleeding; others may increase swelling; so discuss your supplements and medications with your injector.
Certain pain reliving medications or low dose aspirin can affect healing process so be sure to ask or let your Injector know all medications you are taking currently or plan to take just after your injections.
Keep in mind we do inject solutions into the tissue of your lips; in the event you need special care, or have a muscular condition that impacts your ability to move your lips or to smile, please let us know ahead of time so we can be accommodate your needs.
Do your research to learn what lip shape enhancement you might be aiming for – then discuss this with your top Injecting Clinician.
Use photos of individuals you find attractive as great guidelines for potential lip enhancement procedures.
Know that NOT all lip shapes will benefit or complement your facial anatomy or overall facial look – they key is what will look best on YOUR face – and a top injector like Dr Tina Purdon or Sandra – can help you understand what will best suit your overall facial anatomy and still look natural!
While we can make the best suggestions for proper technique and desired outcome, you should arrive prepared with an idea so we can make a successful augmentation.
You can improve your skin with a Healite II facial or an enzyme peel before or after your injection treatments (for some treatments you may want to wait a few weeks between treatments)!
When you begin the subtle enhancements of adding a slight pout to your lips – or adding a different shape or significantly more volume – we highly recommend to go slowly and be prepared to see us more than once.
Repeated visits allow the chance to adjust your lip size and shape (this gives more control; plus, filler is typically charged in relation to volume of the filler used, so extra appointments won't necessarily increase your investment it just allows more control of the volume over time rather than a lot at once).
Keep in mind the lip area involves facial and lip-moving muscles, which can take time to heal for some patients – but our excellent injectors know how to minimise post-injection skin trauma – there is a HUGE difference between injectors and your comfort levels and results.
Everyone has a different experience and different ideas of what makes great lips; we want to make your experience the best one possible and get you the lips YOU want, with long-lasting and natural looking results.
That noted, they are temporary. This allows for reversal of the filler if required (very rarely), but it means the filler may need to be repeated within 6 to 12 months for more fullness over time.
Arrive on time – get to your appointment 10 minutes beforehand and be sure all your paperwork is filled out ahead of time.
Hyaluronidase is an enzyme substance used to dissolve the effects of the injection of an approved temporary-filler-solution if needed.
Relax and know you are in great hands!
Lastly, it's OKAY to be excited!
Enhancing beauty is a wonderful aspect of being human with cosmetic options to change our looks to suit our tastes.
Most patients who enhance their lips with fillers report they appreciate having a better platform to wear lip makeup on, as well as having slightly poutier lips with better shape and volume.
Read one patient's first time injecting experience at Coco Ruby.
You can see Lip Injectors Dr Tina Purdon or RN Sandra at Hawthorn East.
Other popular blogs on injectables are listed below.
As always, use our form below to contact our office. We enjoy answering questions and taking your calls.
Senior Injector Nurse Sandra's blog: A Faster Facelift: The Liquid Alternative.
Or Send us a confidential enquiry or call on (03) 8849 1400 to arrange your Confidential Consultation with one of our Coco Ruby team's Senior Injectors or Aesthetic Physician.


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Qoldarreh (), also rendered as Qowldarreh, may refer to:
 Qoldarreh-ye Olya
 Qoldarreh-ye Sofla

redpajama_set_name: RedPajamaWikipedia


ConquerMaths is an online teaching resource that can be used at home by parents or by schools as a teaching resource. It covers UK curriculum ages 4-18 in Mathematics.
ConquerMaths is for use with computers, it is an online software that can be accessed at any time , day or night, throughout the week so long as you have access to your computer. Every lesson from primary right through to A Levels is voiced by the man who started it all, Patrick Murray, who voices all the lessons in a simple to understand format that lends a great deal of consistency and easy of progression.
All lessons are roughly 5-10 minutes in length and users have complete control over the tutorial, being able to stop or go back and forward in the tutorial at will. Currently there are over 1,100 lessons available for use.
Once questions are inputted, feedback is immediate and what was correct and what was incorrect is clearly displayed at the end in order to get accurate information on how well the questions were answered.
All lessons are categorised in a progressive curriculum, and while no specific exam boards are targeted, the lessons presented are all up to standard in order to tackle all official exams faced at school.
Accounts can be set up for parents to use at home, in which they can manage there children and monitor their progress or alternately, ConquerMaths can be used in schools by teachers for large amounts of students in which they can tailor each individuals learning path (depending on there skills) to suit them and encourage improvement as students with a lesser knowledge will not be confused and more advanced students will not be bored waiting for others to catch up. In addition, teachers can set homework tasks and use ConquerMaths to completely manage their students mathematics lessons.
Hundreds of free resources available that diagnose where students have gaps in their knowledge, teach the relevant lessons and re-test to ensure a solid understanding.


Adelaide United midfielder Dario Vidosic knows there is arguably no bigger game to make his Hyundai A-League debut for the Reds than in front of a full house at Hindmarsh Stadium against Melbourne Victory.
After Vidosic missed the loss in Perth last weekend due to an interrupted pre season schedule due to injury, Reds Head Coach Rini Coolen all but confirmed that his Australian marquee signing would see his first game time of the season tomorrow night as the Reds attempt to topple their fierce rivals.
"It-s a good game for him (Vidosic) to come in, whether that-s from the bench or in the starting eleven," Coolen said.
Due to the disruptions with his pre season which restricted his availability for a host of United-s lead up games, Vidosic cannot wait to play a part in the match against Melbourne and assert his influence to help the Reds try to record a third favourable result in a row over the Victory.
Whether he is required to fulfil the playmaker-s role as a traditional number 10 or in another position, he is determined to give it his all, particularly as he understands the added passion that comes with Adelaide United and Melbourne Victory matches and what they mean to the Reds faithful.
"At the moment I-ve only played 45 minutes against a local side and about 25 minutes against Melbourne Victory in the friendly, so I feel pretty good…but I think we-ll have to wait until tomorrow night and assess it afterwards," Vidosic said of his match fitness.
The addition of Australian football pinup Harry Kewell making his second appearance in Adelaide since signing with Melbourne Victory is the cherry on top to what already shapes as one of the most highly anticipated matches of the season for the Reds.
Kewell showed against Sydney FC last weekend that he still has much of the skill and talent that has made him a household name, not only in Australian but world football. But while there will again be attention on the former Liverpool and Leeds star, Vidosic says the Reds are not going to be overawed by the big stage.
Vidosic is the only inclusion into the squad that travelled to Perth from last week, with Coolen leaving Daniel Mullen out of consideration for tomorrow night due to the hamstring injury the defender suffered against the Glory.
Of the 24 matches they have played, this will be just the tenth time the sides have met at Hindmarsh Stadium, the last meeting at the venue between the sides coming back in September 2009.
All match day tickets for tomorrow night-s clash have been sold, however there is still an opportunity to fans to secure entry to the game by purchasing an Adelaide United season ticket through Ticketek. Gates open at 6.00pm with kick-off at 7.30pm.