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Many home builders focus solely on getting probably the most overall measurement in a building, when the true bargain is to get essentially the most performance in a given space. Free home building plans is a good technique to see the many ground plan layouts out there for a given square foot house. House plans should have building lot recommendations for every set of plans to ensure the perfect last outcomes you are hoping for. You may have seen houses that have been designed for a full measurement basement and but it was built on a level lot. Floor plans format in your house plans ought to give alternate selections relying on how versatile the set of plans are that you have chosen. Owners of Craftsman house plans can enjoy a fantastic, distinctly American home that belongs to a longstanding tradition of U.S. What's extra, those who choose the American Craftsman dwelling additionally assist to uphold a longstanding. Also identified as the "American Craftsman" fashion, designs in this architectural model, although rooted in Britain, 1 floor house plans have a distinct "Yankee" air. All of us can by no means have enough storage house!
A brand new storage shed will be an extremely functional and economical addition to your property especially in the event you decide to promote your property sometime sooner or later. If a do it your self shed kit make sense for you, you solely want fundamental carpentry skills and some additional time in your fingers. The correct funding in the design aspects of the shed will truly end up saving you cash whenever you build the shed when it comes to the fabric cost and the actual time spent on labor. You could possibly borrow the instruments needed to further save you money. You may want to contemplate transferring a door and even including a door where the house plans have them positioned. Unfortunately most free plans are simply drawings and you must guess on the supplies you'll need which could be pricey since you won't be capable to develop a correct finances that you can persist with. The founders of the motion's ideals sought to advertise "larger standards in the handicrafts," and ultimately developed Craftsman dwelling plans in all their splendor.
One can identify the craftsman house by its high-quality balance of simplicity and elegance-a pure response to both Victorian lavishness and the menace of the mass-produced house. Today, with so many subdivisions during which one house is virtually indistinguishable from every other within the neighborhood, many look with a nostalgic eye to occasions when architectural magnificence and character had been much less an exception. The architectural detail in your house plans is key to getting the ultimate look of your new house. It's the main points that truly can get the visible look, equal to the attraction and the value you paid to attain the look. Choosing a ground plan that's custom-made to your family size and day by day functions is the right strategy to get essentially the most from your new house. This arranging or rearranging of the house plans is the perfect way to get essentially the most home to your cash. By choosing to go along with format somewhat than complete square foot, you may really get extra home for the cash.
Potential dwelling builders need not battle to search out unique Craftsman house plans; and since Craftsman home plans span a variety of square footages, ultimate plans for any lot could be discovered with ease. House plans in addition to garage plans might be beneath rated and over hyped, if bought based mostly on square footage alone. A superb set of plans should have detailed step-by-step directions, a full materials record to the last nail and measurements in addition to useful photographs to guide you during this undertaking. They must also embrace lumber reduce sizes so that you are positive to purchase the correct amount of wooden and have it minimize to the precise sizes to fit collectively. This takes away from the curb appeal and people house plans just were not proper for that lot. You want to decide on house plans or storage plans that first fit your lot or higher yet the contour to your building lot. You'll first need to acquire a building permit if mandatory in the neighborhood that you reside in.
Whether you take pleasure in DIY initiatives or if that is your first DIY mission, using professionally prepared building plans is essential and will aid you scale back costs and time spent on this challenge. After obtaining a constructing permit, you will then need a superb set of professionally drawn up plans. Not all plans come like this so make sure you get some that do. America has offered a unique contribution to the architectural, design, and decorative arts within the form of Craftsman house plans. Craftsman residence plans started to sprout on US soil throughout the late nineteenth century in Boston. House plans are designed to be a planning instrument, not the finished and unchangeable format. You can rapidly see how many variations there really are. True, this type loved its peak in popularity before the nineteen thirties, but the tradition remains robust not solely in properties of the previous, but in addition in new house development.
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Photo, Print, Drawing General George Crook, U.S.A.
- Annotation from negative, scratched into emulsion: 1473 [crossed out], 2600, Gen. Geo. Crook.
- Corresponding print in LOT 4192.
Title from unverified information on negative sleeve. Annotation from negative, scratched into emulsion: 1473 [crossed out], 2600, Gen. Geo. Crook. Corresponding print in LOT 4192. Credit line: Brady-Handy photograph collection, Library of Congress, Prints and Photographs Division. Purchase; Alice H. Cox and Mary H. Evans; 1954. General information about the Brady-Handy photograph collection is available at https://hdl.loc.gov/loc.pnp/pp.brhc Forms part of: Brady-Handy photograph collection (Library of Congress).
General George Crook, U.S.A . , None. [Between 1870 and 1880] Photograph. https://www.loc.gov/item/2017893337/.
General George Crook, U.S.A . , None. [Between 1870 and 1880] [Photograph] Retrieved from the Library of Congress, https://www.loc.gov/item/2017893337/.
General George Crook, U.S.A . [Between 1870 and 1880] Photograph. Retrieved from the Library of Congress, <www.loc.gov/item/2017893337/>.


A high-profile case in point began in 2017, when a Tennessee resident filed a quitclaim deed transferring the interest in an acre of rural land to the Trump Organization. After the conveyance became news, the Trump Organization filed a petition to void the quitclaim, stating that the organization did not know about, let alone participate in, the deed transfer, execution, or recordation.
In January 2019, Third Judicial District Chancellor Doug Jenkins voided the troublesome deed.
Checklist: Spot the Issues Before Accepting a Deed.
It is not uncommon for a nonprofit organization to receive an offer of land. But the organization should look for any potential drawbacks before accepting a donation of real property. It is often best to refuse a deed if due diligence reveals that the land will create significant burdens.
The donor (grantor) holds title to the property, as affirmed by the recorded deed, title policy, and property tax records.
No other co-owners or parties need to consent to the conveyance.
The donor intends to transfer the entire interest in the property.
No encumbrances exist on the property. Taxes, insurance, utility bills, and any fees or dues are paid up. There is no mortgage, land contract, or mechanic's lien.
Optimally, the deed is a general warranty deed rather than a quitclaim deed, so that the grantor is warranting good title, free from clouds that would make the property difficult to sell in the future. Alternatively, the donor should participate in the drafting of a gift agreement, including an agreement to indemnify the recipient organization if an unknown encumbrance or defect surfaces in the future.
Weigh the Costs and Benefits Before Accepting a Deed.
The grantee organization must become the new beneficiary of any title insurance policy. Title insurance is necessary—especially in cases where only a quitclaim deed is given. If the donor wishes to cover insurance or other costs related to the property, the legal gift agreement should explain the terms of payment.
Be sure, too, that the property is both professionally inspected and appraised. High-value real estate that will perform well on the market may justify the expenses involved in accepting the deed. In addition to monetary value, the organization should ensure that the property and its surroundings are conducive to uses the grantee could make of it, even if the only intention is land preservation.
Examine the likely maintenance costs for the property. Any outstanding contracts, agreements, or offers to buy or sell the property must have acceptable, sustainable terms.
To Prevent Liability, an Organization Might Decide Not to Take the Deed Directly.
The organization accepts the deed as a direct gift.
The organization forms a sole-member limited liability company (LLC) to accept and hold the property. This is especially prudent if the property could contain environmental or other liabilities.
The Internal Revenue Service deems a charitable contribution to an LLC wholly owned by a charity tax-deductible—to the same extent as a contribution made directly to its sole member, the charity. Yet some states may deem the LLC ineligible for property tax exemptions. Check state and local tax provisions.
To understand all cost, income, and tax ramifications, the recipient should consult with its accountant, and seek a tax attorney's advice.
Your due diligence should include an Environmental Site Assessment (ESA) to evaluate the environmental liability of the property.
Seek advice from a qualified environmental specialist to select the proper assessment for either residential or industrial real estate.
Environmental due diligence is normally a buyer's responsibility. Yet in the case of a gift to an organization, the donor (grantor) may be reasonably expected to conduct it. This enables the donor to make appropriate representations and warranties, to avoid conveying heavy burdens and liabilities, and to correctly assess the value of the donation.
Use a written disclaimer if you receive an unwanted deed. Follow federal tax disclaimer laws for deadlines. Select your state to view the Disclaimer of Interest (such as this page for an Ohio disclaimer). Execute a copy to submit to the recorder of deeds in the same county as the property. Note that the Ohio provision we link here matches Internal Revenue Code Section 2518, which requires you to submit the disclaimer within 9 months of the property conveyance.
Forms on Deeds.com are always easy to download and complete, and continually updated. Contact us with questions, keeping in mind that legal advice must come from your own lawyer, based on an examination of your case-specific facts and needs.
Previous PostPrevious What is the Chain of Title in Real Estate?


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The IPP Open is a tennis tournament held in Helsinki, Finland, since 2001. The event is part of the ATP Challenger Tour and is played on indoor hard courts.

Past finals

Singles

Doubles

External links

ATP Challenger Tour
Sports competitions in Helsinki

redpajama_set_name: RedPajamaWikipedia


Disclaimer: There are no implied or expressed guarantees on this property profile page. Real Estate Investments are subject to risk and loss of capital. All numbers provided are projections based on historical data, but future performance cannot be guaranteed as markets and economies shift. Rents, property taxes, insurance, loan rates, maintenance and vacancy costs all vary depending on micro and macro-economic factors. Vacancy and Maintenance are not included in this page but should be factored into any individual's own calculation of performance. Investors should perform their own due diligence to best forecast the potential performance of their rental properties. *Taxes, Insurance, Fees, Purchased with Financing Cap Rate, Purchased with Financing Annual Income, Purchased with Financing Monthly Income, Purchased with Cash Cap Rate, Purchased with Cash Annual Income and Purchased with Cash Monthly Income are estimates only, not guaranteed and are subject to change. Loan rate for Leveraged Cap Rate is estimated at 5.5% and is subject to change. You may want to consult with an accountant, attorney, real estate agent or financial advisor before proceeding with any transaction regarding securities or real estate.
Our properties have the ability to qualify for conventional loans in which our buyers can purchase these properties with 20% down or less. Based on current rents this could potentially increase the returns of each property. If needed we can refer you to different lending institutions.
Having a competent and efficient property manager can be extremely important in the process of owning rental homes. If needed we can recommend you to a few different property managers.
Fill out the form below and one of our property experts will reach out to you with more information.
Check out a step-by-step overview of out investment process.


Determine the names of the following compounds.
Which of the following empirical formulas is correct? Check all that apply.
Which of the following empirical formulas is correct?
Which of the following properties are representative of ionic compounds? Check all that apply.
Which of the following properties are representative of molecular compounds? Check all that apply.


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FILE PHOTO: GOCOP Members with Femi Adesina and Garba Shehu
Buhari won't ask media to "kill" stories – Femi Adesina
byPress Release
The Special Adviser to President Muhammadu Buhari on Media and Publicity, Femi Adesina, has disclosed that his principal will not request any journalist to "kill" stories for him.
Mr. Adesina said instead of doing that, the administration will rather encourage newsmen to run stories that will critically examine the workings of government and provide it with the way forward.
A statement on Sunday by the President of the Guild of Corporate Online Publishers (GOCOP), Malachy Agbo, said Adesina said these on Thursday at a dinner held for him and other presidential spokesmen by the online publishers.
Also hosted by the GOCOP members were the Senior Special Assistant on Media to President Buhari, Garba
Shehu, and the Senior Special Assistant in the Office of the Vice President, Laolu Akande.
Mr. Adesina said the first thing the President told him when he assumed office was: "Always tell me the truth."
He said Mr. Buhari was emphatic when he equally told him that as a General he loved to argue, but would always bow to superior arguments.
He added: "The President told me: 'Please do not fail to argue with me.'"
Mr. Adesina is one of the trustees of GOCOP.
Mr. Adesina said Mr. Buhari has vowed to run an open and transparent government so much that he would have nothing to hide and would have no cause to want to ask for any story to be "killed".
He said the only thing he asked is that for any news item, the Presidency should be allowed the opportunity to state its side before being put in the public domain.
Mr. Adesina commended the online publishers for coming together to form a group, even as he advised them to look out for spoilers, gate crashers and those who might hide under the canopy of online publishing to damage the reputation of innocent public officers.
He said: "There is a saying that one bad coin can spoil hundreds of other coins.
"My advice is that you should not allow any of your members to use the platform to malign innocent people.
"You should also find a way of sanitising the social media practitioners who just sit in their bedrooms to churn out news without professional touch."
Also speaking, Mr. Shehu thanked members of the Guild for the support they gave him when he handled the media and publicity department of All Progressives Congress Presidential Campaign Council as Director.
According to him, the APCPPC was the poorest in terms of resources, "but the richest in terms of people's goodwill.
"And the online publishers were the greater part of that process."
Mr. Akande similarly acknowledged the contribution of the online media and the social media in the actualisation of the Buhari Presidency.
He advised Nigerians to adopt the government as their own because "this is the change we have been talking about".
Earlier, Mr. Agbo had assured the presidential spokesmen of the support and cooperation of the members, even as he appealed to them to always make themselves available for any news item that requires clarification.
He assured them that members of the Guild, who are veterans in the journalism profession, would continue to support them with prayer to achieve success in their assignment.
Several other GOCOP members who spoke at the occasion commended the presidential media team for recognising the important role of the online media in modern information dissemination and appealed to them to keep it up.
Disqus (16)
DIGITAL TV TALK: ABC Of Digital Migration (3)
Buhari orders review of economic policies before 2016 budget
Group demands reinstatement of Ogun teachers sacked over exam question

redpajama_set_name: RedPajamaCommonCrawl


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Fancy AF Cocktails
Drink Recipes from a
Couple of Professional Drinkers
Bravo's cult classic, Vanderpump Rules, is a show centered around the crazy, booze-fueled lives of the staff at Lisa Vanderpump's wild West Hollywood restaurant, SUR. Ariana Madix and Tom Sandoval, two of the breakout stars, fell in love on the show and have stuck together through it all. With an emphasis on booze-fueled, this book includes recipes for not only cocktails but shots and recovery recipes. From your pregame to hosting a party, and even the morning after, are all covered.
$24.99 / $15.40 at Amazon
Inspired by an unnerving true story, a tenacious attorney uncovers a horrific secret that connects a growing number of unexplained deaths due to one of the world's largest corporations. In the process, he risks everything to expose the truth. This movie is being released at the perfect time, a reminder that doing the right thing is better than staying silent.
The "season" has arrived, when the art world and stylish Europeans and New Yorkers seeking sun and good parties converge in Miami. Now in its 17th year, Art Basel Miami Beach runs through December 8th. The exhibits and events around Miami and the Beach are filled with especially inventive paintings, sculptures, installations, photographs and films.
ArtNews has a cheat sheet to the fairs
Air Jordan 1 Mid Fearless Edison Chen
Fearless Edison Chen
Nike adds to its illustrious collection of top-tier collaborations with fashion designers. Designer Edison Chen, the man behind the fashion label CLOT, adds his personal story to the Air Jordan I Mid "Fearless" series. Utilizing influences from both Eastern and Western design styles, Chen brings the simple but loud collaboration that this sneaker has been needing for a while. There's also a Chinese token for a dubrae that spells out "Jordan."
Pearl Harbor Remembrance Day
This Saturday marks the 78th anniversary of the Japanese attack that killed 2,403 American service members and civilians. Three of this year's memorial ceremonies will be live-streamed from Pearl Harbor beginning at 7:50 am local Hawaii Time (12:50 pm ET).
CBS News has a gallery from what's known as the "Day of Infamy"


This is a very useful variety of the two-handed pass, by means of which cards placed simultaneously in different parts of the pack are at once brought together. Say, three cards have been selected by various spectators. The performer presents the pack to each in turn, requesting to have the card chosen placed in any portion of it. The chooser thereupon pushes the card between the others, which are not opened out by the performer, but merely presented in a compact body. The card is not permitted to be pushed quite home, the performer withdrawing the pack in time to prevent this. The pack is presented to the two other selectors of cards, and, when the three have all been placed in it, the performer apparently pushes them home with the right hand. What he actually does is thus described: Nip the three cards by the still protruding portions between the thumb and middle finger, across their width, and, in the act of pushing them into the pack, turn them obliquely sideways sufficiently to cause the right-hand top corners to project a quarter of an inch from the pack. The length of this projecting portion will be rather more than an inch, and is easily hidden from the spectators by means of the first and second fingers of the left hand. The top left-hand corner must be pushed down out of sight, and it will then be found that there are two considerable projections on the side and bottom of the pack. The right-hand one is hidden by the palm of the hand, and the lower one by the little finger. The pack, as it appears at this stage of the trick, held in the left hand (the right hand being removed for the sake of clearness), is shown at Fig. 34.
As the cards are supposed to be pushed home along with the rest of the pack, it is advisable to actually remove the right hand for a short time, the performer commencing to say what he is about to do with the cards. When he subsequently brings the hands together again, for the purpose of making the pass, the thumb and second finger of the right hand should again nip the upper end of the pack. A simultaneous twisting movement is made with both hands, the right hand turning the pack to the right, whilst the left turns the three cards to the left, until they are clear of one another, when the motions are reversed, the three cards being placed either on the top or at the bottom, as the performer may desire. He will find it easier to place them at the bottom, as they come more naturally there. The position of the left hand remains the same throughout, the three cards being held in position by the pressure of the little finger at the lower right-hand corner. The making of the pass must be covered by a slight swinging movement of the two hands in any direction. Some performers, finding it rather difficult to push home several cards into the desired position simultaneously and neatly, make the pass each time a card is placed in the pack. It is open to the learner to adopt this method if he so pleases, but he is more liable to detection; besides which, the feature of the pass is the showing the cards all in different parts of the pack, and then apparently pushing them home at one and the same time.
An alternative method is to push the cards down, with the projecting corner on the thumb side of the left hand, and then, by straightening the cards at once, leave half an inch or more of the whole width of the chosen cards projecting from the bottom of the pack, instead of having them diagonally across the pack, as is shown in illustration. A trial will show the learner that this method is an expeditious one, but my reasons against its use are twofold. Firstly, too much of the cards to be passed is exposed, and, secondly, the act of pushing them down is extremely likely to carry along with them indifferent cards intervening between two of them. This is especially likely to be the case with cards that are at all worn. The reason for this is that there is no stop to the body of the cards, which stop is provided, in the method shown at Fig. 34, by the little finger, during the whole of the operation. The act of pushing the cards transversely down, from the opposite side of the pack to that depicted, renders it impossible that the little finger can be in position on the lower side of the cards at the most critical time, the commencement, to prevent any but the desired ones from being pushed down. Its presence just at the corner seems to me to be very essential to the effective performance of the pass, combined with security from mishap.


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Demi Moore's daughters reportedly not speaking to her: Ugliest celeb mother-daughter battle?
By | SodaHead.com
Demi Moore (AP2011)
Demi Moore isn't on great terms with her daughters, if you believe the latest gossip -- and it has nothing to do with the nude pictures of 18-year-old Tallulah that were reportedly going around last week. Nor does it have to do with 20-year-old Scout's arrest for underage drinking and using fake ID.
SODAHEAD SLIDESHOW: See the ugliest celebrity mother-daughter battles.
Moore's daughters with ex-husband Bruce Willis are no longer talking to their mom after their relationships with her reached a "breaking point" following numerous fights, RadarOnline.com reports.
"Rumer, Scout and Tallulah just don't want to deal with the drama at the moment," a source close to the family tells the gossip site. "Since breaking up with Ashton [Kutcher], Demi has been a mess. The girls were there for her through it all -- the split and the rehab but now they just feel like they need a little distance."
And believe it or not, they still miss their former step-dad. "Another huge bone of contention has been the girls' relationship with Ashton," the source says. "They all adore him and talk to him regularly which Demi hates, but he was a huge part of their lives when they were growing up and they don't want to break off all contact with him."
PHOTOS: See the latest celebrity pictures to hit the Internet.
From Demi and the girls to Jennifer Aniston and her mom, let us know: Who had the ugliest celeb mother-daughter battle?


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10 kings and queens of feedback
By Si Truss 11 September 2013
A handful of our favourite feedback pioneers
(Image credit: Katy Winn/Corbis)
Come on feel the noise...
Audio feedback. It's the soundman's worst enemy: responsible for ruining gigs, blowing amps and inflicting tinnitus on unsuspecting audience members. It is also, however, responsible for some of the most exciting moments in modern music.
When harnessed and used with skill, the gritty, undulating sound of an audio signal feeding back in on itself becomes a raw and primal sound source. It can create otherworldly drones, turn mundane guitar parts into roaring crescendos, and the past hundred years of music wouldn't be the same without it.
Here, we've rounded up ten of our favourite feedback-wielding musicians, bands and composers - from early pioneers to modern masters of noise. Have we missed any of your favourites? Who else deserves a special mention? Let us know in the comments section below.
Next: 10 kings and queens of feedback
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(Image credit: Dieter Klar/dpa/Corbis)
If we're going to talk about feedback, Hendrix seems like an obvious place to start.
He might not have been the first musician to utilise the roar of noise created when the sound of an electric guitar is allowed to fold back on itself, but his iconic manipulation of the technique makes him an undisputed feedback king.
Live, feedback became a cornerstone of Hendrix's gritty and exciting playing style, whilst on record... well, just try listening to the opening of Fox Lady without getting excited.
(Image credit: Hulton-Deutsch Collection/CORBIS)
Supposedly, The Beatles '64 single I Feel Fine is first instance of feedback being used on a pop recording.
The effect, found at the track's opening, was the result of a note played on McCartney's bass being picked up and fed back through Lennon's semi-acoustic, which was resting against its amp at the time. Listen to said feedback in all its isolated glory below.
The Liverpool lads repeated the idea of starting a song with a swell of feedback - in more grizzly and overt fashion - a few years later, with Yellow Submarine's It's All Too Much.
(Image credit: Jay Dickman/CORBIS)
Lennon and McCartney might be able to lay claim to its first recorded use, but The Who's Pete Townshend is easily guitar feedback's most notable early proponent.
The bands' 1965 singles Anyway, Anyhow, Anywhere and My Generation both see Townshend manipulating his instrument to work screeches and throbs of feedback into his playing. Right from the outset too, feedback was an iconic feature of the bands energetic and destructive early live shows.
(Image credit: Jörg Carstensen/dpa/Corbis)
It would be a fallacy to imply that feedback is a sound technique solely pioneered by rock guitarists. There are multiple influential uses of feedback manipulation that appear throughout 20th Century classical music.
US composer Robert Ashley was possibly first to experiment with feedback as a compositional tool. His 1964 work The Wolfman, a piece based around vocal mic feedback, gained a reputation for being potentially threatening to the listener's health and hearing.
American minimalist Steve Reich's Pendulum Music is, however, probably the most notable modern classical work to take feedback as its primary sound source. The piece is based around a series of microphones suspended by their leads over speakers, which are rocked like pendulums to create throbbing and slowly evolving feedback that eventually morphs into a constant drone as the mics come to rest at a standstill.
(Image credit: Jean-Louis Atlan/Sygma/Corbis)
Lou first embraced the noise with the Velvet Underground during their White Light/White Heat period, but it was his '75 album Metal Machine Music that really saw him pushing feedback manipulation to new extremes.
The record features four extended drone pieces, each comprised entirely of guitar feedback created by feeding differently tuned guitars through reverb pedals and then placing them in front of powerful amps.
Perhaps unsurprisingly, the album received a critical slating upon its initial release. It's undoubtedly proved an influential record though - an important foundation in the noise rock genre and a grand statement within Reed's post-Velvets career.
(Image credit: Lynn Goldsmith/Corbis)
Ever-touring psychedelic jam band icons the Grateful Dead were one of the first acts to include extended stretches of feedback and noise into their live shows.
Alongside their standard drawn-out sets and extended improvisations, Deadheads could often expect to be treated to long period of squealing guitar noise pumped out through the band's custom-built Wall Of Sound PA system.
(Image credit: Christopher Felver/Corbis)
Although controlled feedback was a pretty prominent sound throughout underground rock in the late-'80s and '90s, few bands became masters of it in the way Sonic Youth did.
The band's three guitarists - Thurston Moore, Lee Ranaldo and Kim Gordon - pushed rock playing into new territory by combining the sort of feedback experiments pioneered by Lou Reed with techniques borrowed from modern classical composers (notably, they performed Reich's Pendulum Music on their '99 release Goodbye 20th Century.)
(Image credit: JOSE COELHO/epa/Corbis)
As both a musician and a producer, Steve Albini is modern rock's go-to man for noise.
Albini's screeching, dissonant style of feedback and distortion-drenched guitar playing has provided the defining feature of his bands Big Black and Shellac. Creating abrasive, almost-industrial riffs that provide percussion more than melody.
Moreover, as studio engineer for bands like Nirvana, Pixies and The Jesus Lizard (to name just a few of literally hundreds) he's been responsible for capturing the feedback-soaked performances of some of the most iconic, noisy rock bands of the past 25 years.
Whilst he might not be quite as prolific a feedback merchant as some of the other musicians included here, King Crimson icon Robert Fripp deserves inclusion for being responsible for one of the most iconic uses of guitar feedback of all time: the guitar line to David Bowie's Heroes.
Working with producer Tony Visconti, Fripp formed the famous lead line by positioning himself and his guitar at various points around the studio to record each note and create the pitched, sustained feedback effect.
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(Image credit: Jared Milgrim/Corbis)
To be fair, on record, the ear-splitting noise experiments of MBV main-man Kevin Shields aren't entirely unparalleled. His effect-laden playing style has obvious roots in the work of bands like Sonic Youth and The Jesus And Mary Chain - both of which should be considered feedback icons in their own right.
The Irish four-piece deserve mention, however, for their apocalyptically loud live shows, which generally climax in a section known as 'the holocaust'. The performance sees closing track You Made Me Realise descend into an interlude of feedback and distorted noise, played at deafening volume, which tends to last for around 30 minutes.


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Difference between revisions of "Buccaneers"
[[Category: Video Games]]
[[Category: Arcade Games]]
[[Category: Beat-Em-Up]]
[[Category: Video Game Genre - Beat-Em-Up]]
[[Category: Pirates]]
Buccaneers is a pirate-themed beat-em-up developed and published by Duintronic for the arcade in 1989. This was the company's first and last game. It was never ported to any other platform.
I found this game randomly while exploring MAME.
I do not own this game, I have not beaten it, and have no desire to ever play this game again.
Best Version: 18%
The game has pretty nice graphics.
The game is terribly monotonous, the enemies are very dull.
You play on a 2-D platform without the ability to move up or down despite the graphics making it look like you should.
Jumping is very difficult to control.
The ending is the same as the title screen.
The bosses are defeated almost entirely by mashing the kick button.
Play control is so slow and sluggish that the game is practically unplayable.
With only 4 stages, the game is really short. It can be finished in about 5 minutes.
Stage 1.
Cut Scene.
youtube.com/watch?v=wLVhMmMal-U - Longplay.
arcade-museum.com/game_detail.php?game_id=13394 - Arcade Museum.
Retrieved from "http://thealmightyguru.com/Wiki/index.php?title=Buccaneers&oldid=24505"
Video Game Rank - 1
Video Game Graphics Rank - 5
Video Game Sound Rank - 1
Links to GameFAQs
Video Game Genre - Beat-Em-Up


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Informações Gerais
Um dos intermediários reativos que podem ser inseridos na classe dos Arinos é o Benzino.

O benzino é uma espécie reativa não isolável facilmente, com a estrutura planar hexagonal contendo seis elétrons π  deslocalizados  e 2 elétrons π adicionais. A adição de dois elétrons π não afeta o caráter aromático do anel , uma vez que não interferem no número de Huckel. Possui estrutura de um anel de seis membros contendo ligação tripla C-C e é  esta ligação tripla que confere alta reatividade para a espécie. O benzino foi  detectado e capturado de várias maneiras , mas nunca foi isolado como substância pura.

Embora o benzino seja representado usualmente como um cicloalquino, a vibração de deformação axial da ligação tripla aparece no IV em 1846 cm-1, um valor intermediário entre o da ligação dupla (ciclo hexeno, 1652 cm-1) e o da ligação tripla (3-hexino, 2207 cm-1). Os valores de 13C-RMN destes carbonos (δ= 182,7 ppm) também não são típicos de ligações triplas puras, o que indica a contribuição considerável de uma forma de ressonância relacionada a um trieno cumulado (Figura 1). A ligação é substancialmente enfraquecida pelo pequeno entrosamento dos orbitais p no plano do anel. O diagrama de orbitais moleculares abaixo (Figura 2) mostra que os seis elétrons aromáticos π estão localizados em orbitais perpendiculares aos dois orbitais híbridos adicionais que, por sua vez, formam uma ligação tripla distorcida. Estes orbitais híbridos se superpõem fracamente e por isso o benzino é muito reativo. O benzino apresenta grande importância como intermediário altamente reativo em química orgânica, com aplicações que permeiam sínteses totais e preparações de materiais funcionais, desta forma, uma gama de métodos empregados na sua formação encontram-se à disposição na literatura.  No entanto, vale destacar que os métodos tradicionais para geração de arinos, embora em posição de destaque no contexto da química de benzino,  inviabilizavam muitas das aplicações de tais  espécies reativas no universo da química orgânica, devido às condições   reacionais   drásticas  utilizadas ,   incluindo altas temperaturas ,  reagentes extremamente básicos ou fortemente oxidantes.

Em virtude do cenário reacional complexo, Kobayashi e colaboradores publicaram no início da década de 80, uma rota sintética para a obtenção de 2-(trimetilsilil) fenil triflato, que foi utilizado na formação de benzino sob condições reacionais brandas, que envolvem o uso de uma fonte de íons fluoreto, um solvente polar aprótico e temperaturas próximas da temperatura ambiente, conforme ilustrado na Figura 3.Embora o emprego das condições brandas apresentadas na Figura 3 possa ser considerado um enorme avanço para a química de benzino, tal  metodologia permaneceu pouco utilizada até o final do século X X ,   quando   Guitián   e   colaboradores   empregara m   2 - (trimetilsilil) fenil  triflato  na  preparação  de  benzo[a] pireno.

Os arinos apresentam caráter altamente eletrofílico, resultado de seus LUMOs de baixa energia, e por isso, até mesmo nucleófilos de baixa nucleofilicidade  atacam  facilmente  benzino  e  seus  derivados  produzindo espécies  zwiteriônicas,  que  atuam  como  intermediários  chaves  nas reações de inserção em ligações sigma  conforme mostrado na Figura 4.A decomposição térmica de sal 1-diazoniobenzeno-2-carboxilato (Figura 5) é um exemplo de geração de arinos via espécies zwiteriônicas. A oxidação com tetraacetato de chumbo de 1-aminobenzotriazole enquadra-se nas estratégias de fragmentação de sistemas cíclicos para formação de arinos.

Síntese do Benzino
As rotas mais utilizadas para síntese do benzino são mostradas abaixo.

1. Tratamento de halobenzenos com íon amideto- Não é SN2

- Não é adição-eliminação (não tem grupo ânion estabilizador)

- Só ocorre com nucleófilos muito básicos

2. Decomposição térmica e fotólise3. Reação do fenil lítio4. Tratamento de lítio com dihalobenzenoO esquema abaixo (Figura 6) mostra uma visão geral de algumas rotas de síntese do benzino.Os intermediários de benzino podem ser "capturados" através do uso das reações de Diels-Alder. Um método conveniente para a geração do benzino é  a diazotização do ácido antranílico (ácido 2-aminobenzóico), seguida pela eliminação de CO e N2.

Reações do Benzino
1.  Benzino como eletrófilo:  reação de adição2. Reação de adição 1,43. Reações Polares: Benzino como nucleófilo e eletrófilo4. Regioquímica de adição nucleofílica no benzinoA regioquímica da adição nucleofílica é influenciada pelos substituintes do anel. Grupos eletro atrativos (EWG) favorecem a adição de nucleófilos em posições mais distantes da ligação tripla, pois permitem a máxima estabilização da carga negativa. Por outro lado, grupos eletro doadores (EDG) apresentam o efeito contrário. Estes efeitos são, provavelmente, oriundos da interação entre o substituinte e o par de elétrons localizado no carbono orto.

Mecanismos de reação para o Benzino
- Substituição Nucleofílica em Aromáticos

Os haletos de arila, tais como o clorobenzeno e o bromobenzeno não reagem com a maioria dos nucleófilos sob circunstâncias normais, eles reagem sob condições muito coercitivas. O seguinte mecanismo (eliminação/adição) foi sugerido para explicar a reação (fácil) de bases fortes (NaNH2 / NH3; carbânions) com halobenzenos (compostos não ativados para SNAr).A reação começa com a remoção do próton orto ao grupo de saída. O bromo remove densidade eletrônica, esta estabilização é fraca e isso só ocorre com bases fortes.Ocorre então a perda de brometo, numa reação de eliminação. Intermediário: benzino (eletrofílico). Ligação interna muito fraca, o benzino é muito instável.

- Mecanismo intramolecularEvidencias que comprovam o mecanismo proposto

A primeira peça da evidência clara foi uma experiência feita pelo J. D. Roberts , em1953 -  a que marcou o início da química do benzino. Roberts mostrou que quando o bromobenzeno marcado por 14C (C*)  é tratado com íon amideto na amônia líquida,  a anilina que é formada contém uma marca, igualmente dividida entre as posições 1 e 2. Este resultado é consistente com o seguinte mecanismo de eliminação-adição mas, naturalmente, não é nem um pouco consistente com uma substituição  direta ou com um mecanismo de adição-eliminação.

Outra evidencia que comprova o mecanismo proposto é a ocorrência de substituição na posição orto e não para.

Rearranjo no Benzino
Um dos rearranjos que ocorrem no benzino pode ser observado na conversão de m-Bromoanisol a m-Anisidina


Wasps are one of the most disliked insects due to the sick popularity that precedes them with regard to their stings. Nonetheless, it is necessary to maintain in thoughts that a wasp in most cases stings when it feels threatened or when its nest is disturbed. The region with the skin which the wasp stings generally results in being sore and itchy. Nearly at as soon as, pain sets in as well as the location starts getting inflamed resulting in amazing pain. In significant cases, the response may well final for over 12 hrs and may possibly be accompanied by nausea, vomiting, palpitations, cramps, lightheadedness plus a problems in breathing and swallowing. In this kind of cases, immediate medical related intervention is a good idea.
Removing the sting which is left behind through the wasp could be the most significant phase in relieving the signs and symptoms of wasp stings. The sting looks like a modest, dark-colored splinter, embedded in the skin. Wash the area thoroughly with cold h2o as well as a moderate antiseptic resolution. Then rub the region having a coarse towel. The friction will dislodge the sting. Placing a cold compress within the impacted area for 15-20 minutes will support to minimize the soreness and inflammation as soon as the sting is out. Pressing a cotton swab, dipped in apple cider vinegar, in opposition to the impacted area is an additional efficient house treatment as the vinegar neutralizes the effect with the venom deposited by the sting. The acidic naturel of lemon juice has related effects on the venom. Olive oil and aloe gel are recognized for their skin soothing and therapeutic qualities.
Citronella oil is definitely an remarkable natural insect repellent that includes a pleasurable fragrance. However, insects are repulsed by this scent. Include a number of drops of citronella oil to water and spray this solution about the home, applying a spray can. This may keep most insects at bay. If a wasp strays into the house or is casually flying around, it is actually greater to leave it by yourself. It is going to fly off as silently because it entered wasp killers. If a wasp senses worry, it will surely assault. For those who have a wasp nest inside the vicinity, burning some dried leaves just beneath the nest will assist in receiving rid of the wasps. Wasps can not bear smoke, and will leave the nest pretty much quickly. Then again, ensure that nobody is shut by and all windows and doors of neighboring homes are shut, as the angered wasps will assault anyone within their route. When the wasps have left, break the nest before they return.


'Beautifully considered visual language': Rosemary Waugh writes on Anna Jordan's new play, which follows three soldiers returning from different wars.
Theatre Royal Plymouth and Frantic Assembly's The Unreturning. Photo: Tristram Kenton.
Some wars sit easily in the national consciousness and others do not. The First World War in particular is normally digested in fairly simple terms: the tragedy of a generation of young men slaughtered on muddy battlefields. There's little spoken about The Enemy, perhaps because many people would struggle to discuss in any detail the political events backdropping WWI and accounts of it (fictional and factual) often focus on the effect it had on the returning soldiers. More recent wars, in particular Britain's involvement in Afghanistan and Iraq, have sharply divided opinion, making the returning soldier a much more complex figure, one who's very different to his historic counterpart.
Anna Jordan's The Unreturning mixes together the stories of three men coming home to Scarborough. The first two, George (Joe Layton) and Frankie (Jared Garfield) are as above. George is a shell-shocked veteran struggling to readjust to domestic life after witnessing his companions blown apart in France. Frankie's story, however, is far less simple. Instead of returning to England as the war hero he intended, he's coming back in disgrace. A video of him beating an innocent Afghan civilian has gone viral and the Sunday tabloids are well and truly after him.
Alongside these two stories is a futuristic narrative involving Nat (Jonnie Riordan), a lad attempting to make it back to Britain from Norway after an unspecified conflict has wrecked the country. This time, Nat isn't a soldier, but his lost brother is, albeit a rebel fighter not a recruit to national service. Nat's story is definitely the weak link of the piece, partly because it feels underdeveloped and too much is left to vague dystopian imaginings. Its links to the other two parts are also a little tenuous, while the contrast between George and Frankie – both in the specifics of their stories and in what they tell us about changes in the nation's mythologizing of war – is often fascinating.
But while the text has its weaker moments, this visual language of The Unreturning is beautifully considered. Andrzej Goulding's rotating shipping container cleverly suggests the continuous, overlapping cycles of war, along with how the memories of it remain with the soldiers once they return. But it's the video design (also by Goulding) and Zoe Spurr's lighting design that really nails the pitch of the overall piece. Although the general tone of the work is tragedy – not just the individual parts of the plot, but the overarching tragedy of conflict in how it fails everyone involved, Prime Minister to cannon fodder, lieutenant corporal to displaced civilian – The Unreturning stops short of becoming saccharine or sentimental.
Likewise, the choreography and movement of the work is a lovely balance of lyrical softness and upright-uptight masculinity. A co-production between Theatre Royal Plymouth and Frantic Assembly, there are several moments that feel quintessentially Frantic Assembly, particularly when the four cast members (Kieton Saunders-Browne joins the main three as, in turn, Nat's boyfriend and his brother) work wordlessly together to lift, support and manipulate each other. Yet the group it also resembles is BalletBoyz, especially with their own work on intergenerational war, Young Men.
Jordan's earlier play, Yen, collapsed together the machismo and intense vulnerability of boys-trying-to-be-men. And that sensitivity is here again in The Unreturning. She writes blokes well, perhaps simply because she takes them seriously, a talent and preoccupation that makes her work similar in some respects to Gary Owen's Killology. But in The Unreturning that rupture between rough muscularity and soft childishness is present as much in the physical movement of the production, as it is in the text. It's like standing on the edge of a pebbled beach, only to find the hard, rocky solidness gives way and collapses into the ocean as soon as you put your foot on it.
The Unreturning is on at Theatre Royal Stratford East until 2nd February, then touring to Chichester, Swansea, Leicester and Oxford. More info here.


D'Escoto is still one of Ortega's closest advisors and holds the rank of minister in the president's cabinet. Foreign diplomats have told The Nica Times, on the condition of anonymity, that d'Escoto is still the power behind Nicaragua's foreign policy, and that reaching an agreement with the Ortega government means first convincing Father d'Escoto.
Nicaraguan political analyst Luis Humberto Guzmán says he thinks d'Escoto's election as president to the U.N. General Assembly will help bring more international attention to the Sandinista government in Nicaragua.
"I think this is not only an important recognition of the Sandinista government from the 1980s, but it's also a positive for the new government," Guzmán told The Nica Times this week.


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The announcement came late last week, but just in case you missed it Wiley publishing will provide Autodesk Official Training Guides for Autodesk's 2011 products. Ten titles from Sybex, an Imprint of Wiley, will be exclusively designated as "Autodesk Official Training Guides". I'm excited to announce my upcoming book AutoCAD 2011 and AutoCAD LT 2011: No Experience Required was among the titles to receive this designation.
I just recently finished reviewing the last of the page proofs for my book, and let me say the folks over at Wiley did an incredible job at assembling the manuscript! I'll write a more in-depth post once the book is actually released, but my editorial team, which included fellow blogger Melanie Perry (aka Mistress of the Dorkness) as my technical editor, consistently impressed me throughout the entire project.
You can expect AutoCAD 2011 and AutoCAD LT 2011: No Experience Required to hit bookstores next month (June 2010). Its 950+ pages cover a long list of features which are complimented by best practices taken straight from industry ensuring you'll be productive applying each of the concepts you learn. The book also employs the increasingly popular U.S. National CAD Standards currently in use by many top architecture and engineering firms.
If not in the classroom of an Autodesk Authorized Training Center, I certainly hope you'll have a look at the book once it's released next month. Likewise, I invite you to contact me if you're looking for a CAD Manager or trainer to work with the CAD professionals within your firm.
I recently purchased this book, mainly to become more informed about 3D. I am skipping ahead to chapter 16 – Creating 3D Geometry. On page 833 under the heading of "Setting up a 3D workspace", it says to start by opening the file 15A-FPLAY1.dwg – using the provided link to Sybex.com. I have looked in the download section of that website for the book and I am not able to find that file. I find the 14A-FPLAY1.dwg and the 16A-FPLAY1.dwg, but not the 15A-FPLAY1.dwg. Can you tell me if this file exists and how I can obtain a copy? Thanks so much.


US President Donald Trump has levied a 25% tariff on steel and a 10% tariff on aluminiumimported from all countries except Canada and Mexico. Trump had hinted that the trade protections would exclude Australia, but it wasn't explicitly exempted.
Regardless, import tariffs on steel and aluminium will have only a small impact on the Australian economy, as Australia isn't a large exporter of steel or aluminium. What Australia does export to the United States is covered by a free trade agreement.
Even though the European Union, China and other countries will have tariffs levied on their steel and aluminium exports, the US move is unlikely to escalate into a trade war. The World Trade Organisation has powers to sanction countries that arbitrarily impose tariffs.
And Trump's justification for the tariffs in the first place, that the United States is losing something due to running trade deficits, has been thoroughly debunked by modern economics.
A tariff imposed on any good is an extra tax that raises its sale price equivalently, making it less attractive to buyers than the domestically made product.
There could be some concern if the United States extends tariffs to beef, other meat products, aircraft parts, pharmaceuticals and alcoholic beverages. These goods comprise the top five Australian exports to the United States and account for considerably larger trade volumes than steel and aluminium.
Yet there is no reason to expect tariffs will suddenly be imposed on these major exports, given the provisions of the Australia–United States Free Trade Agreement.
This agreement comprehensively covers trade in goods and services, as well as investment flows, between the two nations. It eliminated many of the pre-existing tariffs affecting trade.
US Vice President Mike Pence has even described this free trade agreement as "a model for the world".
The World Trade Organisation to the rescue?
In 2002, President George W. Bush imposed tariffs of up to 30% on imported steel in the midst of major structural change in the US steel industry. Major steel exporters Canada and Mexico were exempt from the Bush tariffs under the provisions of the North America Free Trade Agreement.
The World Trade Organisation rejected the Bush administration's claim that the tariffs were justifiable due to a surge in steel imports. The justification for the Trump tariffs is based on national security grounds, so it remains to be seen how the the World Trade Organisation will decide on the tariffs.
But there are grounds for hoping history will repeat and the World Trade Organisation will slap down the new tariffs, given the possible trade ramifications if countries retaliate with their own tariffs.
If the World Trade Organisation upholds the Trump tariffs, it could herald the end of the international trading system that has operated passably well over recent decades.
Trump frequently laments the persistent trade deficits the United States runs against other major economies, notably China, Japan and Germany, and refers to these deficits to justify protectionist measures.
But this argument isn't new – the idea that trade deficits are "bad" for an economy has been around since economics as an academic discipline began.
For instance, one strand of economics from Elizabethan England advocated achieving trade surpluses as the means to national prosperity. In the words of a leading proponent, Thomas Mun, it was necessary to "sell more to strangers yearly than we consume of theirs in value".
But this doctrine has been soundly debunked, first by the father of economics, Adam Smith, and modern economic theory has since confirmed Smith's position.
Modern economics shows that trade and current account deficits (a broader measure of trade that includes international money flows) are not problematic. This is because they are inflows of capital that can lead to increased domestic investment.
In other words, running a trade or current account deficit can actually assist economic growth, just as it has for Australia, by enabling lower long-term interest rates and higher capital accumulation than otherwise.
The major exception to this is when foreign capital inflow finances government budget deficits, thereby strengthening the local currency and worsening international competitiveness.
Ironically, the American manufacturing sector could suffer greater damage from lost international competitiveness than from cheap steel and aluminium imports.
This article was written by Griffith Asia Institute member, Professor Tony Makin and first appeared in The Conversation.


A photograph and text about Peter Cushing.
The text reads: Whilst Peter Cushing is recognised for his acting achievements, he was also a highly acclaimed model maker and artist. He was fortunate to be mentored by his close friend Edward Seago, who greatly influenced his work and who was one of England's premier artists. Peter's passion for painting is reflected in his delicate watercolours, which he painted at this home in Whitstable. Towards the end of his life, when he was suffering from terminal cancer, Peter was greatly comforted by the care and support of The Pilgrims Hospice, Canterbury, whose staff enabled him to remain in his much loved Whitstable home until shortly before his death.
His paintings displayed here are Evening At Whitstable Harbour 1987, and Whitstable Harbour 1958. These paintings remain copyright of Peter's Estate.
The text reads: Peter Cushing's career spanned the period from 1940 until the early nineties in the world of theatre, television and films. He made over ninety films for cinema, of which sixteen were for Hammer Studios. Some of his best known performances included The Curse of Frankenstein, Sherlock Holmes and The Hound of the Baskervilles. He also made over 60 films for television, the most memorable of which was George Orwell's 1984. His favourite live theatre performance was in RC Sherriff's Journey's End. In 1989, Peter was awarded the Order of the British Empire for services to the British Film Industry.
A photograph and text about The Curse of Frankenstein.
The text reads: The movie still, shown on screen above the bar, is taken from The Curse of Frankenstein. It was produced by Hammer Film Productions and released in May 1957. This scene shows Peter Cushing on the right, as Baron Victor von Frankenstein, and Robert Urquhart as Dr Paul Krempe. Based on the novel Frankenstein by Mary Shelley, the story of Victor Frankenstein's monstrous creation has become an icon of the gothic genre.
An old poster for john Steinbeck's film East of Eden.
Shown at Oxford Cinema in March 1955.
Starring Julie Harris and James Dean.
A collection of original cinematographic equipment.
The text reads: This collection of original cinematographic equipment on display was removed from the first floor projection area of The Oxford Cinema, which occupied the building between 1936 and 1984. Items include the original shutter racking, battery racks, various lighting and electrical switch gear. The large projector was manufactured and distributed by the London based company J Frank Brockliss Ltd. The film trading company was set up in 1908 and became one of Europe's leading distributors.
This projector would have originally used a carbon arc lamp as a means of illuminating the film reel. This type of lamp, first produced in the early 19th century, predated the invention of incandescent lighting.
A photograph and text about oysters in Whitstable.
The text reads: Oysters are collected by simply gathering them from the sea bed. Various rakes and tongs are used depending on the depth of the water. Their cultivation is a more complex process that depends upon the right mix of salt and fresh water and careful treatment of the seabed.
The Company of Free Fishers and Dredgers of Whitstable was created in 1793, later becoming The Whitstable Oyster Fishery Company in 1896. As the oyster trade grew and market boats travelled to Billingsgate market in London, Whitstable supplied half the market, sending 60 million oysters to market in 1862, with a value of £91,000. Today, the 2011 projected revenue for Whitstable harbour is £605,300.


text:
Sam Benedict
Sam Benedict is an American legal drama that aired on NBC from September 1962 to March 1963. The series was created and executive produced by E. Jack Neuman.
Sam Benedict is based on real-life lawyer Jacob W. "Jake" Ehrlich, who served as technical consultant for the series.[1]
Quelle: Wikipedia(englisch)
Sam Benedict ast ga
Anwaltsdrama
MGM Television
Regie: Abner Biberman
Musik: Jeff Alexander
Darsteller: Edmond O'Brien
Richard Rust
Joan Tompkins
Primetime Emmy Awards
Primetime Emmy
Outstanding Single Performance by an Actor in a Leading Role


text:
Q: Sharing the GLES20 context and textures between different GLSurfaceViews? Is it possible to share the GLES20 context between different GLSurfaceViews (within one Activity)? Alternatively, how would one share a set of texture between different GLSurfaceViews?
On iOS, if you want to conserve memory and reuse (large) textures in different CAEAGLLayer-backed UIViews, you can pass around a EAGLContext object between them or use different EAGLContexts which share a common EAGLSharegroup object.
I wonder how to accomplish this on Android. Is there any equivalent technique?
Edit1
The initial suggestion, to implement your own EGLContextFactory, which will return the same EGLContext, doesn't work since every GLSurfaceViews dispatches the rendering to it's own private gl render thread and sharing the same EGLContext between different threads is not possible.
To rephrase my initial question:
You have several GLSurfaceViews in one screen (one Activity) and you need to access a set of common but large texture in the individual EGLContext of every surfaces, but loading your textures multiple times exceeds the memory of your device. How would you share your textures between GLSurfaceViews then?

A: The following code works on some of the devices, but not all of them:
public EGLContext createContext(EGL10 egl, EGLDisplay display, EGLConfig eglConfig) {
    EGLContext shared = .....;

    int[] attrib_list = { EGL_CONTEXT_CLIENT_VERSION, 2, EGL10.EGL_NONE };
    EGLContext context = egl.eglCreateContext(display, eglConfig, shared == null ? EGL10.EGL_NO_CONTEXT : shared,
        attrib_list);

    return context;
  }
}

A: *

*GLSurfaceView setEGLContextFactory

*GLSurfaceView.java
It seems that setEGLContextFactory enables to use the same GLES20 context between different GLSurfaceViews.
pseudo code:
private class MyEGLContextFactory implements EGLContextFactory {
    private static EGLContext mEGLContext;

    public EGLContext createContext(EGL10 egl, EGLDisplay display, EGLConfig config) {
        /* create EGLContext for GLES20 in first time */
        return mEGLContext;
    }

    public void destroyContext(EGL10 egl, EGLDisplay display,
            EGLContext context) {
    }
}

redpajama_set_name: RedPajamaStackExchange


Crown Resorts continue to offer an unprecedented opportunity to become an owner of a freehold property within the Community of Caronte in Riviera del Sol, with fabulous consolidated mature gardens, adult and toddlers' swimming pool and within walking distance to the beach.
Sales have gone well (and continue to), so don't miss out on this fabulous opportunity to purchase your own Crown Resorts home in the sun.
Do you have a special family or personal event to celebrate whilst on resort? A birthday or anniversary for example?
Contact our PLUS reservations team and let them know what you are looking for, no matter how extravagant!!
The Crown Resorts' team will go out of their way to exceed your expectations!
Repair works to the mini-golf located at the Delta Mar Leisure Centre have now been completed for the enjoyment and fun of our members and guests.
As previously reported in Club Talk, during September 2016 Crown Resorts acquired the remainder of the plot of land located opposite the Club Marbella reception.
Recently this land has been tarmacked and parking bays painted thereon.
The Sapphire Collection project, which comprises the upgrading to a high quality of a further 42 apartments within Club Marbella / Regency Palms, was initiated in the first week of November 2016 since when the vast majority of construction work has been completed. Furniture and furnishings are now being implemented.
If you are planning to visit the Club as from Easter 2017 and you would like to enquire about the possibilities of staying in one of these upgraded apartments, please contact the PLUS Department regarding the apartment allocation.
During the week commencing 16th January, the Crown Resorts Owners' Committee were at the resorts for four consecutive days of meetings. This gave all six committee members the opportunity to meet with various associates including the onsite Managers and Advisers. Meetings and discussions took place, including those which were focused on how best to secure the continuing success of the Club.
Additionally, Committee members were able to view and inspect first-hand the improvement programmes currently in progress.
If you are planning to escape from your daily routine and visit the Club in the next few weeks, click below in order to view the various activity programmes to be made available on-site.
We are pleased to report that the approved upgrade of 26 apartments at Club Calahonda, incorporating the installation of air conditioning, the replacement of lounge to patio doors and the upgrade of kitchens where a requirement, has now been completed.
Over the last two winters, in total 56 apartments at Club Calahonda have been upgraded. It is contemplated that the remaining 26 apartments will be addressed in due course.


Preheat the oven to 375 degrees F. Butter an 8-by-8-inch baking dish and set aside.
For the casserole: Fill a large pot with water. Add the garlic and a small handful of salt. Bring to a boil and add the potatoes. Cook until fork tender, 6 to 8 minutes. Remove the potatoes and garlic with a slotted spoon to a sieve to let drain. To the same water, add the green beans. Bring back to a boil if needed, then simmer until the green beans are bright and tender, 6 to 8 minutes. Remove to a sieve.
In a saute pan on medium heat, add the olive oil, onions, serrano chile and thyme. Season with a pinch of salt, a grind or 2 of pepper and paprika. Cook until the onions are tender, and then add the mushrooms and Worcestershire sauce, and season again with salt and pepper. Cook until the mushrooms release some of their moisture and become tender, about 10 minutes. Remove the thyme sprigs and slowly stir in the heavy cream. Raise the heat until things begin to bubble. Cook at this temperature, while stirring, until the cream thickens a bit, 6 to 8 minutes. Once thickened, turn off the heat and stir in the crema.
In one large bowl, add the potatoes. In another large bowl, add the green beans. Add the jalapenos to the potatoes. Then, add three-quarters of the mushroom mixture to the potatoes and the rest to the green beans. Divide the cheese the same way into both bowls. Mash the potatoes until combined. Press into the bottom of the prepared baking dish. Stir the green beans until combined, and spread evenly over the top.
For the topping: Rinse the potato peels and dry as much as possible with paper towels. In a bowl, add the potato strips, sage, thyme, paprika and olive oil. Season with a pinch of salt and a grind or 2 of pepper. Toss and sprinkle evenly over the top of the green beans. Bake until the potatoes brown and begin to crisp on the edges, about 30 minutes.
To prepare in advance, build casserole, but leave off the topping and refrigerate. Refrigerate the reserved potato peels already cut into strips in a container with water. Before baking, rest the casserole at room temperature for about 1 hour, and then make the topping and bake as instructed.


BIG chunky bars last and last! Try it on your toughest clothes' stains. Also, an excellent hand scrub for mechanics, gardeners and kids! So unique, others try to copy it! Get two chunks - one for the laundry room and one for the sink. It's made from a blend of all our soaps and cornmeal, so there's nothing harsh to worry about! If it is washable, you can 'Hogwash! it! Rich in glycerin so it won't dry your skin nor harm clothing. Gets out: grass stains, food stains, bubble gum, blood, pitch, grease, grape juice, set-in mildew, printers ink, etc!


Tamar Braxton's estranged husband, Vincent Herbert, is finally speaking out after many accusations broke the internet yesterday. The producer is ready to clear his name.
A paparazzi caught up with the celebrity manager and at first, he was silent. When the pap explained that he was just trying to get his side of things, Vincent decided to comment.
As of now, Vincent Herbert didn't reveal if he was involved with the "Basketball Wives" alum in any way.
This comes after Tamar Braxton ranted on Instagram that she just found out that he got someone pregnant. In the comments, she tagged Laura Govan insinuated that she was also involved with her soon-to-be ex-husband.
Tamar also hinted that her husband was recently arrested which was found to be true. Since then, fans of the singer have flocked to both Laura and Gloria Govan's social media to give their opinions.
After it seemingly became too much, Laura spoke out stating that she is not seeing Vincent Herbert and that she's in a relationship with someone else.
She also stated that she knew the source of the rumors. The finger is being pointed at her ex, Gilbert Arenas.
The mother of four said that he went to Tamar with the nasty speculation and he should instead be paying her the child support that he owes.
Gilbert took to social media to tell his version of things which included the accusation that she received money from Vince and other married men.
It doesn't seem like any of this will end anytime soon. Who do you believe?
Tamar Braxton Allegedly Has A Not-So-New Boyfriend: Singer Reportedly Has A Fake Instagram Page Where She Posts About Him!


text:
Organisers of the FIA F4UAE Championship powered by Abarth today announced a renewed partnership with Hankook Tires as the official tyre supplier for 2019/2020 season, with the Ventus F200 slick tyres bring provided by the Hankook Middle East appointed dealer, Dragon Racing.
The UAE-based team – which won the F4UAE drivers and teams titles in the 2017/2018 season – will continue to support the F4UAE championship thanks to its team of expert tyre fitters who service over 1500 tyres each season, and will again ensure parity across the grid for all competitors thanks to its advanced bar code scanning system.
As part of the arrangement with the Championship promoter, the Hankook-appointed dealers will again provide tyre fitting services at every event when official sessions take place and will provide an experienced tyre engineer who will be available to all teams for advice on their tyres and setup.
F4UAE technical director Craig Thompson said he was glad that the relationship with Hankook was continuing, to ensure teams have familiarity of the product and so that they can maximise their use of data from previous seasons.
"We are very pleased with the arrangement we've secured with Hankook and Dragon Racing to provide tyres for our fourth season of F4UAE," said Thompson. "Hankook provides the level of quality and safety we require for competition, especially when being able to withstand the hot and dusty conditions that the Middle East circuits are known for. They're a proven product, and this can only enhance the teams' ability to build on their understanding of the tyres' performance, which in turn will better prepare them for working with a new wave of young drivers who will head to the UAE to race later this year."
The 2019/2020 F4UAE Championship will again consist of 20 point-scoring races across five rounds that will be held at both Yas Marina Circuit in Abu Dhabi and the Dubai Autodrome where Dragon Racing is based.
"The Hankook Ventus F200 slick has been well received by the F4 competitors due to its minimal tyre degradation and consistent performance, which is critical to this championship where the track time available per weekend is often in excess of 8 hours," said Brad Fincham, F4 team principal at Dragon Racing.
"With the introduction of the bar code scanning system last year, we have also ensured that there is a fair environment for all teams and drivers to compete on. We are delighted to renew our partnership with F4UAE and in being able to service all the teams for what will be our third season of being a supplier of Hankook Tires to the open-wheel championship."
Open to drivers aged 15 years and above, F4 was created by world's governing body of motorsport, the FIA, to help young drivers bridge the gap between existing regional racing series and karting, to European competition and potentially Formula 1®.
Hankook Tires first joined F4UAE in the 2017/2018 season. More information about the upcoming F4UAE Championship season, including calendar and event information, will be announced next week.
More information can be found at www.f4uae.com
F4UAE Technical Director
E: craig@auhmotorsports.com
Brad Fincham
Dragon Racing F4 Team Principal
E: brad@dragonracing88.com
[Image credit: WSF Creative]


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text:
Shelburne Essays: With the wits
von Paul Elmer More
COPYRIGHT, 1919, BY PAUL ELMER MORE
es lany vilo MANJ
The essays in this volume were written some time ago, during the years when I was editor of the Nation, and were all published in that journal, with the exception of the one on Lady Mary Wortley Montagu which appeared in the Atlantic Monthly. They were occasional in their origin, suggested by the publication of various books, and composed with no design of forming a connected series. The title, therefore, under which they are now gathered together should not mislead the reader into looking for what in the nature of the case he cannot find. There has been no plan to write a history of "wit," no attempt to treat the subject with philosophic unity or erudite completeness. The essays do indeed for the most part deal with the "wits," technically so called, who clustered about the court of Queen Anne and went into opposition on the coming of George the First, and so far the title of the book may be justified; but some of the greater stars of the galaxy are missing, and others are included who had their rising at an earlier or a later date. Of certain of the names I fear the critical reader may even be tempted to exclaim: Que diable allait-il faire dans cette galère ? My galley, in fact, is only an excursion boat on the waters of jour
nalism, the company is mixed; if the brief trip on such a bark and with such comrades prove agreeable, I shall be content. Should
too curious student recall the memory of these essays as they came out originally in the Nation, he will note that some of them are considerably enlarged in their present state, and may surmise that the new material has been prepared specially for this reprinting in book form. As a matter of fact the procedure was quite the contrary: it was my custom to compose with free hand and then to cut down to the length permitted by the exigencies of space. The work of elimination sometimes gave me pain, but since I was acting as both contributor and editor, the pangs of the one were alleviated by the remorseless joy of the other. It was as if I wrote with pen in one hand and blue pencil in the other. The satisfaction, if so it may be called, is one of the few I have to regret since I exchanged the editorial chair for the much easier seat in my library.
These are secrets of the prison house, of little moment to the outside world; if I divulge them, it is not for vanity, but in the hope that some of the enemies I made as editor among over-teeming contributors, hearing that I could be stern to the offspring of my own genius as well as to theirs, may peradventure take me back into their good graces. Alas, if only I could appease other resentments by telling how often the hateful review
(the more hateful, sometimes, because just) was no product of my gall, nor even of a chosen enemy's, but came from some gentle friend of the author, who loved him not the less but truth the more. I remember once suffering a savage attack from an unflattered historian in the parlour of a common friend for a review supposedly by my pen but really the handiwork of our host. The honest reviewer would have diverted the storm to himself, had I not restrained him by a gesture. In another case the wife of a brother editor has pursued me relentlessly these ten years for the review of her husband's book which was written by one of his own favoured contributors
- and the review was fair.
Nevertheless, I left the Nation convinced that anonymous reviewing is the best. Scholarship and letters are more in danger of suffering from the false praise of log-rolling friends and climbing subordinates when reviews are signed, than from dishonest backbiting when reviews are anonymous. The only irritating source of injustice against which I had to be much on my guard was a kind of professional jealousy. I soon learned that it was virtually impossible to get fair consideration for a book written by a scholar not connected with a university from a reviewer So connected. Invariably the review, if it did not damn outright and outrageously, would begin by saying that for an amateur the work was
commendable, but —. Envy, my friend Plato assures me, has no place in the chorus of celestial beings; I shall tell him, if ever I have the joy of saluting him humbly where he walks in company with Socrates and all the wise, that envy seems to have abundant place in the present halls of Academe.
Such, then, were the conditions under which these essays were written. What appears to be new matter is for the most part only salvage from the blue pencil. Some alterations have been made to meet such criticism as the articles called forth at the time, and in particular I have to thank Professor C. A. Moore for his excellent and courteous correction (printed in the South Atlantic Quarterly for July, 1915) of one of the theses maintained in my paper on Berkeley; I hope he will be better content with the essay in its amended form. A few other changes have been made for the sake of consistency, but in the main the essays stand as they were first conceived. If any single theme predominates sufficiently to lend a kind of unity of purpose to the book, it is that expressed in an anecdote related by Boswell:
Mr. Beauclerk one day repeated to Doctor Johnson, Pope's lines,
"Let modest Foster, if he will, excel
Ten metropolitans in preaching well." Then asked the Doctor, "Why did Pope say this?" JOHNSON: "Sir, he hoped it would vex somebody."


Are you fond of wooden furniture designs? Then check out the latest furniture design, the GVAL chairs. The design of the GVAL chair is a unique way to redecorate your living space adding a fresh look to old style décor.
The creation is attributed to Gustavo Reboredo, Louis Sicard, and Nenad Katic, working in collaboration. The GVAL chairs are three pieces furniture that can be rearranged in many forms and used by multipurpose. A perfect way to reduce the wood cutting, is repurposing, as we remember in Earth Day Design post. The two ottomans can be stored in a big hollow chair resembling piece. If you look closely, the furniture design reminds you of the tree rings. This look is attained by layering of the sheets of plywood. By this look, the GVAL chairs are a constant reminder of the age the trees live and how precious is each cut down bough.
The GVAL chairs won the First prize at the Making Chairs category of the Art on Chair exhibition in Portugal. As the creators of this furniture suggest, it can be used as hip chair to sit on, or like a unique designer's pick. So whether you need them for home or office, it would equally fit. Just look at the ways two little pieces can be rearranged in so many different ways. No doubt it is quite a refined piece of furniture.
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