Equipo Nizkor - Report Says 54 Countries Helped C.I.A. After 9/11.
Some 54 countries helped facilitate the Central Intelligence Agency's secret detention, rendition and interrogation program in the years after the Sept. 11, 2001, terrorist attacks, according to a new human rights report that documents broad international involvement in the American campaign against Al Qaeda.
The report, to be made public Tuesday by the Open Society Justice Initiative, a rights advocacy group, is the most detailed external account of other countries' assistance to the United States, including things like permitting the C.I.A. to run secret interrogation prisons on their soil and allowing the agency to use their airports for refueling while moving prisoners around the world.
The report identifies 136 people who had been held or transferred by the C.I.A., the largest list compiled to date, and describes what is known about when and where they were held. It adds new detail to what is known about the handling of both dedicated Qaeda operatives and innocent people caught up by accident in the global machinery of counterterrorism.
Some of the harsh interrogation methods the C.I.A. used on prisoners under President George W. Bush have been widely denounced as torture, including by President Obama, who banned such techniques. In addition, some prisoners subjected to extraordinary rendition -- transferred from one country to another without any legal process -- were sent to countries where torture is standard practice.
Such operations remain the subject of fierce debate, with former Bush administration officials asserting that they were necessary to keep the country safe and critics saying the brutal interrogation techniques were illegal and ineffective. The debate has been renewed most recently with the release of the movie "Zero Dark Thirty," which portrays the use of torture in the hunt for Osama bin Laden, though intelligence officials deny that was the case.
When he took office in 2009, Mr. Obama rejected calls for a national commission to investigate such practices, saying he wanted to look forward and not back. The Senate Intelligence Committee recently completed a 6,000-page study of the C.I.A. detention and interrogation program, but it remains classified, and it is uncertain whether and when it might be even partially released.
Amrit Singh, the author of the Open Society report, "Globalizing Torture," said she had found evidence that 25 countries in Europe, 14 in Asia and 13 in Africa lent some sort of assistance to the C.I.A., in addition to Canada and Australia. They include Thailand, Romania, Poland and Lithuania, where prisoners were held, but also Denmark, which facilitated C.I.A. air operations, and Gambia, which arrested and turned over a prisoner to the agency.
"The moral cost of these programs was borne not just by the U.S. but by the 54 other countries it recruited to help," Ms. Singh said.
For some former intelligence officials, such critiques of the aggressive operations against Al Qaeda smack of second-guessing. Michael V. Hayden, the former C.I.A. director, said in a panel discussion last week at the American Enterprise Institute that few voices had called for restraint in the panicky aftermath of 9/11.
"We are often put in a situation where we are bitterly accused of not doing enough to defend America when people feel endangered," Mr. Hayden said. "And then as soon as we've made people feel safe again, we're accused of doing too much."
But Ms. Singh said that the United States had flagrantly violated domestic and international law and that its efforts to avoid accountability were "beginning to break down."
In December, the European Court of Human Rights found the C.I.A. responsible for the torture of Khalied el-Masri, a German citizen abducted by the agency and taken to Afghanistan in a case of mistaken identification. And on Friday, an Italian appeals court convicted a C.I.A. station chief and two other Americans of the kidnapping of a radical cleric taken from the streets of Milan in 2003 and sent to Egypt. Twenty-three Americans had previously been convicted in the case.
This document has been published on 07Feb13 by the Equipo Nizkor and Derechos Human Rights. In accordance with Title 17 U.S.C. Section 107, this material is distributed without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes.


text:
Hotel California: The White House is Run by Abaddon
abaddon water, albert pike, american one, american presidents, as goodman, better business bureau, biblical great tribulation, blue lodge, both dupont circle, brig general albert pike, brother master mason, c. an, capitol, central park, circle, connecticut avenue, continental congress, dupont circle, extreme rebellion, familiar spirits, first president, four elements, freemasonry, general gordon granger, general granger, george washington, goathead, goathead pentagram, government center, governmental buildings, governmental center, hotel california, house judiciary committee, in europe, jefferson memorial, jesus mathra, lafayette square, logan circle, louisiana avenue, lucifer, luciferic goathead pentagram, luciferic new world order, magic symbol, magic symbols, magical symbols, mason headquarters, masonic president, master mason, master masons, monument, new age, new age dictionary, new beginning, new beginnings, new hampshire, new jersey, new world order, new york, new york city, north, north american free, north carolina, number, obelisk, occultic numerology, pennsylvania avenue, pentagram, peter tomkins, pierre charles, point, president andrew johnson, president johnson, queen semiramis, ralph epperson, rhode island, roman catholosicim, s. government, s. governmental center, scott circle, secret societies, seeing eye, seventeenth president andrew johnson, sixteenth street, south carolina, southern point, spiritual, square, st peter, symbols, third degree, thomas circle, thomas jefferson memorial, unidentified flying objects, union square, united states, united states capitol, vermont avenue, vernon square, washington, washington avenue, washington circle, washington dc, washington monument, white, white house, world

redpajama_set_name: RedPajamaCommonCrawl


The Pontiac-based M1 Concourse, an 87-acre racetrack, hosted more than 300 vehicles and motorcycles at the annual Italian Happening Car Show and Festival on Sunday, June 11, 2017. This year's event marked the largest gathering of modern Italian exotics, supercars, and classics in Michigan, and the first time that the M1 Concourse was the host.
More than 6,000 people came for the event, which previously had been held at the Concours d'Elegance of America car show. Visitors even had a chance to test-drive one of four 2017 Alfa Romeo Giulias around the M1 track.
M1 Concourse is an 87-acre playground for auto enthusiasts that includes a secure community of 250+ Private Garages and a state-of-the-art 1.5-mile Performance Track with its own private Motorsports Club. M1 is a place where enthusiasts can keep, show and exercise their vehicles in the company of other enthusiasts and enjoy unforgettable experiences in a social setting unavailable to people who keep their cars at home or in a traditional storage facility. Plans for the development also include an open-air experiential walkable village of auto-focused retail businesses with year-round entertainment programming open to the public, including car shows, concerts, celebrity speakers, product demonstrations and more.
Photography By: Steven Hauptman. All rights reserved.


Answer Man: Elvis Presley's guitar sold at auction by Asheville owner?
Answer Man: Elvis Presley's guitar sold by local owner?
Question: I heard the Elvis Presley guitar that a local guy owned was sold. Is this correct? Who did he sell it to? Why? How much did he get?
My answer: Why sell? I mean, how many times can you stand in front of a full-length mirror in your homemade Elvis jumpsuit, strumming the King's guitar and belting out, "You ain't nothing but a hound dog!" OK, admittedly a few hundred thousand times, if you're an aging, paunchy dude like me, but eventually you hit a wall.
Real answer: South Asheville resident Mike Harris is the man who owned the Elvis Presley guitar, a claim to fame that dates to a sold-out Elvis show at the Asheville Civic Center on July 24, 1975. Siting in the front row with his girlfriend and future wife, Debbie Pless, at one point Harris had pointed at the King's custom-made black Gibson J-200.
The King, being the King, called Harris onstage and gave it to him, saying, "Hold onto that. Hopefully, it'll be valuable one day."
"When he gave it to me at the Civic Center that night, his dad was sitting there on the stage," Harris told me this week. "Now, 40-plus years later, I'm thinking, 'How did his dad feel that night, watching him give away that guitar?'"
For 41 years, Harris, an enormous Presley fan and somewhat unlikely Elvis impersonator, held on to the acoustic guitar, which Elvis' dad, Vernon Presley, had bought in Memphis in 1969 as a standard color, blonde guitar. Vernon Presley had the guitar painted black and added a Kenpo karate placard on the front, as Elvis had recently achieved his black belt in that style of martial arts.
Vernon Presley also had the shop inlay "Elvis Presley" in mother of pearl along the front of the guitar's neck. As an instrument alone, it was valued at $1,400.
Checking our archives, I found that I interviewed Harris about the guitar in 1997 and 2002, the 20th and 25th anniversaries of Elvis' tragic death in 1977 at age 42. Now 64, Harris still says the King meant a lot to him growing up and through his adulthood.
"Every kid my age in the early '60s, we wanted to be like Elvis 'cause of the charisma and charm —and the way he got the women. He still means charisma and charm. He means music and a way of life the way it should be."
So no, it was not an easy decision to part with that custom Gibson.
"It was tough. It was tough," Harris said. "You've had something like that for 40 years, and that was my story for 40 years."
People still ask him about the instrument when they bump into him, and Harris sometimes just says he still has it, rather than getting into the whole story and the reasons he sold it.
Ultimately, Harris said, "It was time."
He has three grown children, and passing down such a valuable heirloom would've been problematic, to say the least.
"As we get older, you start looking at the progression and all your friends starting to die, and I'm thinking, 'What am I going to do with this guitar?'" Harris told me, noting that he kept it in a bank vault. "They can cut it up into three pieces and try to sell it. Knowing my kids, they would've done the same thing, the right thing, and had it auctioned and split the money."
Harris first decided to part with the guitar in 2016, and it actually made it to Graceland in Memphis for a January auction. But Harris didn't like some behind the scenes activities and pulled it at the last minute.
The next day, Darren Julien of Julien's Auctions contacted Harris, assuring the Asheville man he could sell the guitar in a satisfactory way.
The instrument went up for auction in May 2016, ultimately selling to a California neurosurgeon for $334,000, according to Artnet News.
Take out a cut for the auction house and pay capital gains taxes, and Harris came out with about half that.
"Those that know I've sold it, they'll say, 'How many many millions did you get for it, and I'll say, 'I can't count that high,'" Harris said with a laugh.
Harris, who owns a party supply store, said the money he netted "is put away" and will ultimately go to his kids.
Some people thought the guitar would fetch a lot more, but Harris noted it was the most ever paid for an Elvis guitar, and while Presley remains incredibly popular, his fan base is aging. Also, the King was not a serious guitar player, and the acoustic instruments he held on stage were essentially props, Harris said.
Still, the custom Gibson Harris sold is one of the best documented Elvis guitars.
"The thing about that guitar is it was the most photographed guitar with Elvis," Harris said. "It was in 176 pictures and in five (movies). It was the first stage guitar used during his comeback, and it was in the big 'Aloha from Hawaii' movie. And his dad had given him that guitar as a gift."
Back in 2002 when I wrote about the guitar, Todd Morgan, who was director of media and creative development at Graceland, Presley's Memphis, Tennessee estate, told me the guitar appears in dozens of Presley pictures, several album covers and in multiple movies, including "Aloha from Hawaii" and "Elvis on Tour."
"He used it for quite a while," Morgan said then. "It's rather well-known."
The estate would "love to have it," Morgan said then, but Harris' asking price was "beyond our acquisitions budget."
By the way, Harris also mentioned that a ring Elvis Presley gave to a fan that night in 1975 at the Civic Center also got auctioned recently. Given to Asheville resident and concert-goer Donna Lewis, the white gold ring topped with 50 full-cut round diamonds sold in June of this year for about $100,000.
Selling such treasured artifacts is never easy, but Harris counseled Lewis through the process and connected her with Julien's. He understands when it's time to let go and move on.
Harris, who plied his Elvis impersonator business at trade shows and other events, does not hit the stage nearly as often these days.
"It's like everything else, you get real tired of it, and I'm not as young as used to be — and I don't fit into the costume as well anymore," he said with a laugh.
But Harris also becomes a bit wistful when he reminisces about that July night that changed his life.
"In 1975, what would that make me, 21?" Harris said. "So I got that guitar when I was 21. I had hair and was thin."
He had to laugh at that.


Despite an attempt to start racing at 1100 the wind was just too light, and straight onshore, to enable the big boards and sails to get off the beach. Over night the onshore breeze made sure there were plenty of waves to greet the sailors as they arrived at the beach, it was always going to be a difficult day for formula. After several squalls the wind eventually swung a little more sideshore and after a long postponement it was decided to try again. But, as the race committee returned to station, the wind picked up significantly averaging 18 knots with gusts of 25. It was decided to switch to slalom and release he formula sailors for the day. Of course everyone stayed to watch the action and enjoy some excellent slalom racing.
Heat board and course diagram had already been prepared early in the morning - two heats of 12, with a 10 man final (the top 5 from each), with the others to the losers final.
It was another good day for Steve Allen (AUS-0) with two wins followed by Arnon Dagan (ISR-1) with two second places, and these two dominated proceeding. Meanwhile 3rd place overall was keenly contested between Janis Preiss (LAT-23), Maciek Rutkowski (POL-23) and Michal Polanowski (POL-16) - Janis finishing one point ahead of his rivals.


Hercules Performance Processor - Myles Marine Electronics, Inc.
Performance polar data wins more races. Fast, accurate information such as True Wind Angle, True Wind Direction, Target Boat Speed, Optimum Wind Angle, Polar Speed, Optimum Wind Angle gives racing edge.


text:
A timely word about Jeremy Corbyn and the British Chief Rabbi
As much as I welcome, the Archbishop of Canterbury for his solidarity with the Chief Rabbi's stance on Jeremy Corbyn, I do not welcome the so-called support of Muslim Council of Britain, because, what is the difference between Adolph Hitler and the Grand Mufti of Jerusalem, Hajimi Al-Alhusseini during the European Jewry Holocaust?
Let the Muslim Council of Britain first condemn the actions of the Grand Mufti of Jerusalem's role in the holocaust before jumping onto a popular bandwagon at this point, because the Labour Party has been hijacked by Islamists and it is the reason for Jeremy Corbyn counting on the Muslim's voting block to ignore blatant Muslim hijacking of the Labour Party to impose a culture of antisemitism, hatred of Jews, anti-Israel and anti-Zionism in the Labour Party.
The root of antisemitism in the Labour Party comes from this Muslim hijacking of Labour. It must not be swept under the carpet, as the role played by the Grand Muffti of Jerusalem during the holocaust, which has remained ignored that the Muslims were as guilty as Adolph Hitler. They should not just pretend and blame it on Jeremy Corbyn. Although Jeremy Corbyn is antisemite, and Muslims have exploited it for their benefits when they hijacked the Labour Party. Both are not different from the other, as Hajimi Al-Alhusseini was the tail, and Adolph Hitler was the head of a penny coin.
These two are not better than the other. Birds of the same feathers flocks together. No whitewash of their culpability should be ignored. They drove Jews out of the Labour Party. The slogan was Jews and Bible-Christians out of the Labour Party… Muslims take over. Therefore, any vote for the Labour Party, is a vote for ISLAM, sharia, and Islamisation of Great Britain. That is the agenda of MCB. They should not pretend, they hound with the DEVIL in the wee hours of the night, and come out publicly to weep with the bereaved, they murdered in the secret.
Latest -
Latest News -
Statement about Moriel New Zealand, January 2020
Israel Tour Brochures for 2020 and 2021
Secular Jews: Jewhaters will not care that you are a leftwing liberal: only that you are a Jew!
About Dave Borlase from Amos Farrell (Genesis Christian Radio TV), Dec 24, 2019


Senior year of high school is a time of significant change, and these photos will be long-lasting keepsakes commemorating one of the most formative years of your lives. A senior portrait session is your time to let your personality shine. Every session is personalized to each graduate, so feel free to bring outfit changes that express your individuality. Whether your style is classic, contemporary, or edgy, I can accommodate you and your distinct personality. I love to have outdoor portrait sessions at Cantigny or the Naperville Riverwalk, and I also have a Naperville studio location for indoor sessions. Feel free to bring your prom dress as an outfit change. Since prom dresses are usually an investment, you might as well take some beautiful, professional photos in them. Style your makeup and hair however you feel most confident because we want these photos to showcase your authentic self. I work with graduates from Neuqua, Naperville North, Naperville Central, Waubonsie, Metea, and Plainfield.


text:
More Machine Than Man - Binary Sex
John Wikström Goth, Industrial Yes, the Hollywood legendaries are back with a remix album. But I have to admit that I was positively surprised over this collection of music because it has a higher standard than their debut album (I have reviewed that album month's ago). This album has two new tracks, "Why?" and "Tonight" which is pretty decent.
I don't like the concept of an album that is based on remixes of two or three tracks. It becomes rather tedious after a while. It doesn't help that big names like Aslan Faction and XP8 have made the remixes. I can't say that I think the music is interesting but it will maybe suit a dance floor. Maybe dancing is the right way to experience More Machine Than Man.
This review was written 2004 and initially published on Neurozine.com January 1, 2004 http://www.brutalresonance.com/review/more-machine-than-man-binary-sex/ -50
"No rating"
Electroracle
Released 2003 by Black Flames Records
Goth, Industrial
Yes, the Hollywood legendaries are back with a remix album. But I have to admit that I was positively surprised over this collection of music because it has a higher standard than their debut album (I have reviewed that album month's ago). This album has two new tracks, "Why?" and "Tonight" which is pretty decent.
This review was written 2004 and initially published on Neurozine.com
Grundik+Slava - '...For Electronics and Birds'
Mona Mur - 'Into Your Eye'
John Wikström
Writer and contributor on Brutal Resonance
Buy this release
We don't have any stores registered for this release. Click here to search on Google
More Machine Than Man - 'Electrolust'
Review, Jan 01 2004
Murder Love God - 'Death Circle Blues'
Review, Jun 25 2013
Ad Inferna - 'DSM'
Review, Aug 10 2010
Angelspit - 'The Product'
Review, Sep 24 2014
Ego Likeness - 'East'


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text:
Q: Generate java classes with wsdl/xsd files using RAD I am new to webservice world. I just got WSDL and XSD files from another Interface Application and want to start from here. Can anyone please help with the steps or tutorial to generate java classes with available wsdl and xsd files using RAD?

A: Two walkthrus for this process
IBM's docs
OR you can try this Websphere docs

A: There are a number of resources. YOu got to state the version of RAD that you are using. Redbooks are a good source for such information besides the Infocenter.
This approach that you are looking at is called a Top-Down Process where in you start with the WSDLs & XSDs and create the service implementation.
Try this one: http://www.redbooks.ibm.com/abstracts/sg247672.html
Look at chapter 18 Developing Web services applications and you should be looking at "Creating a top-down Web service from a WSDL"
HTH

redpajama_set_name: RedPajamaStackExchange


text:
Leostyletus misakiensis is een slakkensoort uit de familie van de knuppelslakken (Eubranchidae). De wetenschappelijke naam van de soort is voor het eerst geldig gepubliceerd in 1960 door Baba.

Verspreiding
Leostyletus misakiensis is een zeenaaktslak. Deze knuppelslakkensoort is inheems in Japan en is geïntroduceerd in Californië, waar het zich gevestigd heeft in de Baai van San Francisco. Er zijn geen andere locaties bekend vanaf de westkust van Noord-Amerika. Het wordt gevonden in gebieden en havens met zacht sediment, waaronder pieren, steigers en drijvende constructies. Het is herhaaldelijk gevonden op een cryptogene hydroïdpoliep (Obelia-soorten), maar het bereik van zijn dieet is niet bekend.

Eubranchidae

redpajama_set_name: RedPajamaWikipedia


text:
Q: Required field missing account current object I created a custom object, with a button to my visual page.
When I click on my button, I get the good redirection.
The problem is that I am trying to insert in my custom object (child of account) some info.
akta__c aktaplus = new akta__c(name='test', Type_of_alert__c='yeyey');
insert aktaplus;

Because my akta__c is a child of account, I have to set up the required field account (which is normal)
But because I click on the button from a specific account that already exist, I would like that field to be automatically fixed to the account from which I click on the button so the information is stored in my account page, inside my custom object
How can I do that ?

A: Consider, if applicable, using a Quick Action, optionally with Predefined Field Values (although they aren't required simply to populate the master-detail field) to create this child record.
Using a Quick Action will allow you to maintain compatibility if you should move to Lightning.
If you have other reasons to utilize a Visualforce page, change the button's content source to URL, and add the referring Account Id as a URL parameter to the page. Then, in the page's controller, use ApexPages.currentPage().getParameters() to obtain the value.


Seth Harris is a member of the Obama-Biden Transition Project's Agency Review Working Group responsible for the labor, education, and transportation agencies. He is a professor and the Director of Labor & Employment Law Programs at New York Law School.
Mortimer Downey is a self-employed transportation consultant who served for eight years as the Deputy Secretary of Transportation under President Clinton, and was an Assistant Secretary of Transportation during the Carter Administration.
Michael Huerta is Group President of ACS Transportation Solutions, a company that provides technology solutions for the transportation industry.
(Biographical elements are from the OPE transition website).


text:
With Scheer's exit, will the Tories get serious about climate change?
Adam Radwanski
Published December 13, 2019 Updated December 13, 2019
By the time he announced his resignation as leader on Thursday, Mr. Scheer, seen here on Oct. 21, 2019, had made clear that he would never make carbon-emissions reduction a policy priority.
GEOFF ROBINS/AFP/Getty Images
For Conservatives who believe their party needs to get more serious about climate change, Andrew Scheer's exit is a step in the right direction.
By the time he announced his resignation as leader on Thursday, Mr. Scheer had made clear that he would never make carbon-emissions reduction a policy priority. After October's election, he doubled down on the indifference that may have contributed to the Tories' grim results east of the Prairies – scarcely mentioning the issue at all, other than to continue attacking Justin Trudeau's Liberals for imposing carbon pricing and being insufficiently supportive of fossil-fuel extraction.
But to look at the way the Conservative movement has taken shape in this country in recent years is to know there is no guarantee that whoever replaces Mr. Scheer will be more willing to embrace climate policy. And there is a real chance that the coming leadership campaign instead further entrenches the opposite.
Whether that happens will be a test of environmentally minded Conservatives' conviction, and of their ability to back it up with organizational prowess.
Conversations with Conservative elites in recent years have gone down an increasingly familiar path. Some people who have worked at high levels of government or past campaigns will acknowledge that they believe modern conservatism should involve a strong environmental streak, and that market-oriented carbon pricing theoretically aligns with conservative values. They worry about establishing the impression among younger voters that the party doesn't care about the future of the planet. Then they'll lament that the party base seems increasingly inclined to treat opposition to policies such as carbon pricing as a conservative litmus test.
It's easy to attribute such resistance to the Tories' staunchest supporters being disproportionately in Alberta and Saskatchewan, where opposition to anything that could adversely affect the resource sector runs highest. But the best recent evidence of how Conservative leadership contests can serve as vetoes of ambitious climate policy – even more striking than the rejection of Michael Chong, the lone candidate who advocated carbon pricing in the past federal leadership race – comes from Ontario.
Heading into that province's 2018 election, Progressive Conservative Leader Patrick Brown attempted to signal a new sort of green conservatism by building his platform around a carbon tax. His Tories seemed on pace to win, but the plan – which Mr. Brown had revealed only after winning the leadership – caused friction with party grassroots.
When sexual-misconduct allegations forced Mr. Brown out of his job months before the election, contenders to replace him initially pledged to maintain his policy agenda. But it was so obvious that the people who would vote in that contest hated carbon pricing that all of the candidates, even relative moderates such as Caroline Mulroney, rapidly disavowed it. Eventual winner Doug Ford continued to play to the base by rolling back even less contentious provincial climate policy, such as support for electric vehicles.
Myriad factors explain that sort of positioning becoming an article of faith for conservatives in Canada, despite greater cross-partisan climate consensus in many other (especially European) countries. But to some extent, it's been self-perpetuating.
In the 2008 election, Stephen Harper's Conservatives successfully hammered then-Liberal leader Stéphane Dion for a carbon-tax plan that he struggled to articulate, despite having themselves flirted with some manner of carbon pricing. From that point, they continually invoked it and other climate-oriented policy as a looming Liberal plot to make life more expensive and hurt the economy. The more they drove that home to core supporters through fundraising pitches and other messaging, the harder they made it to adjust course.
That doesn't mean the Tories are incapable of entering the next federal campaign with a much more robust climate plan than they did in this year's, through carbon pricing or other mechanisms. For one thing, their next leader could wait until after winning that job before unveiling it, although Mr. Brown's experience suggests that's not a great way to ensure a lasting shift.
The better hope, for Conservatives who believe they can't keep ceding the issue, is that there emerge leadership candidates capable of persuasively selling climate policy as part of their overall vision – and of backing it up with political organizing.
Only a sliver of Canada's population votes in parties' leadership contests, in the low hundreds of thousands at most, which means they tend to be dominated by the hard-core base. It also means that it doesn't take many new signups to affect the result. If a decent number of voters who align with the Conservatives on other issues but want more climate seriousness were enticed to take out memberships before the leadership vote, the party's complexion could change in a hurry.
But even attempting to engineer that change wouldn't be pleasant.
Tellingly, for all the election-night talk about lack of climate policy being a barrier to breakthroughs in Ontario and Quebec, Conservatives spent a lot more time subsequently citing Mr. Scheer's social conservatism as the problem. That one is relatively easy to fix: find a leader who hasn't stridently opposed same-sex rights and will go to a Pride parade, and they're much of the way there.
Trying to land on a level of climate advocacy that doesn't totally abandon the people who have most enthusiastically bought what the Conservatives have been selling for more than a decade is a much more precarious undertaking.
We're about to find out how many senior members of the party, those who would stand for the leadership and those who would back them, think it's worth the effort.
Conservative Party fires executive director, launches internal review over private-school fees Subscriber content
Who should be the next Conservative leader? First, consider their values, then choose Subscriber content
Scheer's departure alone won't fix the Conservative Party's long-standing problems Subscriber content
Follow Adam Radwanski on Twitter @aradwanski


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text:
Richard Hunter November 25, 2007
I first recorded my piece "Put The Lever Down" in 1981. I wrote the hook while jamming alone in a parking lot outside a rink where my dauighter was competing…
New sounds for Lever Down
By Richard Hunter - November 25, 2007
I first recorded my piece "Put The Lever Down" in 1981. I wrote the hook while jamming alone in a parking lot outside a rink where my dauighter was competing in a skating competition. I recorded the whole piece, from first note to final mix, in 5 hours with Andrew Maness on guitar played through an octave divider to simulate bass, a cheezy rhythm box for electronic drums, and Erik Lindgren engineering. In those five hours we recorded and mixed several parts on various amplified and acoustic harmonicas–there was a useful formula for electric harp ensemble in there, but I wasn't really interested in a "signature sound" at the time (foolish me), so I didn't pursue it in a series of pieces. You can hear what those five hours produced at broadjam.com/rhunter; look for "Put the Lever Down". If I may say so, it's a pretty passionate piece of music in its own wierd way, and it's certainly one of the most unique electric harp pieces ever recorded.
I decided recently to do a new version of the piece with a more modern rhtyhm section sound. You can hear the latest version at broadjam.com/rhunter under the name "Lever Down (Remix)." I completed a mix several weeks ago, and I liked it fine, but now I'm going back in to tinker some more.
The main thing I'm tinkering with (other than getting rid of a lot of clutter in the midrange) is the harp sounds. The first draft of the remix contains a pretty raw harp sound that's very similar to the 1981 original (which was recorded through a Boss BF-2 flanger into a tweed Fender Champ amp that Erik Lindgren had rescued from somebody's sidewalk trash in Cambridge a few days earlier–don't ask me why anyone in their right mind would throw out a working Tweed Champ; maybe it was a revenge thing). It's a hot sound, but I decided I wanted something more obviously electronic.
What I've done for the latest mix, which should be completed this week, is put two pitch shifters on the harp, one set to a perfect 4th down, the other to an octave down. You hear the 4th down first, then the octave down, then both together. I put a lot of effects on the pitch shifter too, and it comes out sounding something like a distorted tenor sax that adds a lot of weight to the harp.
I may mess with it some more–I might add an octave and a perfect 5th up, too–but I've already got something more electronic than what I started with. And for this remix, fresh sounds is the name of the game.
That reminds me: got to put some strings on it too to add some high end sheen. A producer's job is never done, at least until just before deadline.
← My first YouTube video
Richard Sleigh and Dennis Gruenling tear it up →


West Belfast-based carton producer Delta Packaging has begun running a new printing and die-cutting line featuring a £2.5m Bobst Lemanic eight-colour flexo press, the only one in Europe.
This is believed to represent one of the biggest manufacturing industry investments in Northern Ireland's recent history.
Delta says the high-speed press – which uses water-based inks, and offers simultaneous two-sided printing from the reel and in-line die-cutting – will enable it to compete effectively for contracts with major buyers and ensure it retains a competitive edge serving clients including McDonalds, Gillette and KFC.


text:
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◀ Exhibitions
Terres de Paris
from the matter to the material
Exhibition presented from Ocotober 13 to January 8, 2017	Guest curators :
Paul-Emmanuel Loiret, architect, university lecturer and researcher, Labex AE&CC / CRAterre - ENSAG
Serge Joly, architect, university lecturer and researcher, LAB. La fabrique collective - ESA
Each year, over twenty million tons of soil are removed in the greater Paris area, to which can be added some forty million tons that will be excavated through 2030 to make room for an upcoming network of subway trains. This soil is particularly bulky and generates pollution when moved around, is complex to treat and sometimes toxic. Generally left out in the open, it is an issue of great concern. "Terres de Paris" analyzes the soil excavation process, reports on the state of knowledge of our subsoil and reveals a heretofore unexplored potential to imagine a new, more virtuous cycle, no longer ranging from soil to demolition debris, but instead from matter to materials. The exploration/exhibit presents the various techniques for building with the soil from the greater Paris area, including the first series of extruded bricks made of Parisian area clay.
When the constraints of soil waste encounter the challenges of construction, innovative concepts take shape. The never-ending development of knowledge and techniques by earth builders, in addition to the knowledge amassed on the composition of Parisian area subsoil, stemming in particular from the 5000 sections bored to accommodate the transportation infrastructures, provide the opportunity to envision another future for excavated soil. Architects Paul-Emmanuel Loiret and Serge Joly carried out this experiment, from the extraction to the workability tests, in conjunction with amàco, a center of excellence on material sciences for sustainable construction, and CRAterre, a global reference in the area of earth architecture.
Observing and processing earth samples taken from metropolitan construction sites, discovering the composition and diversity of soils or granulates in the greater Paris region, analyzing the characteristics conducive to potential construction materials, using prototypes to discover the various techniques for earth construction: rammed earth, adobe, mudbricks, poured earth… The exploration/exhibit offers visitors the unique opportunity to experience an ongoing construction process, that of a "little-known material, mistakenly looked down upon, a virtuous material that can be used to build but that above all affords the possibility of embodying a genuinely sustainable relationship with the world".
As regards the scientific approach, a second, more empirical experiment was carried out with the Allonne brickworks, located less than 70 km from Paris. This experiment involved producing, for the first time, extruded bricks from unusable Paris area clay aggregates. From matter to material, nearly 8000 bricks were created from 15 m3 of clay soil. Within a span of a few weeks, thanks to the support provided by storage and reprocessing specialists such as ECT (an inert material management and storage platform) in addition to the recycling centers Eurovia-SPL and Yprema, soil was removed from earthworks and construction sites, as the opportunities arose, then tested. Both the swiftness with which the experiment was carried out and the quality of the results are a testament to the tremendous diversity and potential of the Paris area subsoil in the area of construction.
Construction experiments using clay soil without additional stabilizers (which would make the clay too stiff), demonstrate, throughout the world, the potential for using this material in all types of construction projects. Museums, offices, schools and factories: each experiment further enhances the state of knowledge and the sectors of the stakeholders concerned. The underground expansion in the Paris metropolitan area offers a rare opportunity to utilize a new material. The exploration/exhibit "Terres de Paris" allows us to consider the natural earth to be the cornerstone in building the city.
Exhibition curators
Under the supervision of Joly&Loiret architecture agency
Romain Anger, CRAterre - ENSAG / Amàco - Grands Ateliers
Lionel Ronsoux, Amàco - Grands Ateliers
Hugo Gasnier, doctoral searcher, Labex AE&CC / CRAterre -ENSAG
Patrick Ribet, Alba Rivero, CRAterre - ENSAG/ Amàco
Mathilde Béguin, Atelier Alba
Alban Pinel, Mateis - INSA de Lyon
Prises de vue
Schnepp-Renou
Julie Houis
Terre de Paris. From the matter to the material
Pavillon de l'Arsenal is an, information, documentation,
exhibition center of Urbanism and architecture from Paris
and parisian metropole.


Week ending 9th-10th February saw Dorset travel to Exeter to face the Devon County side at The Heavitree sports and social centre. Devon were 4 points below us in 3rd position in Division One we were 2nd some 7 points below Cambridgeshire who were top, so everything to play for. Dorset were on a high following their 22-14 win over Nottinghamshire at home. Traveling to Exeter was one of the shortest distances to travel so most went straight to the venue on Saturday. So how did we do?
Up first for us Julie Boggust who won her match 3-1 hitting a 14.26 average and was embarrassed to be our Lady of the Match (Julie normally hits a much higher average) followed by losses for Trina Perry and Kelly Stroud, putting us 1-2 down, then for me the ladies best game Cat Callard (18.72 Devon) v Claire Mabey (20.27 Dorset) good first leg from Claire after 18 darts sat on 56 and takes the first leg, Claire hits a 180 on her way to taking the 2nd leg. Good scoring 3rd leg from Cat and she takes the leg. Cat hits a 139 (in the 4th leg) to leave 72 returns and pokes it to force a deciding leg with the throw. Both score well in the 5th Claire hitting a ton and a 124 and hits a 78 to leave 24 as Devons Cat Callard pokes out (shows how important the throw can be) Cat was Devon's Lady of the Match hitting a 18.72 average not missing a double.
Next up Carol Llewellyn who lost 0-3 followed by Roz Annetts making her DEBUT for Dorset. Roz was a little shaky up on stage and played FAR FROM HER BEST losing 0-3. So the score for the women Devon 5 Dorset 1. Dorset ladies B suffering the worst defeat I can ever recall. It wasn't that long ago our ladies B went all season undefeated and won the league. So not the start we hoped for. Bring on the Men's B.
Up first for Dorset Richard Perry (22.64) who took his game to a deciding leg which went Devon's way. Matty Woodhouse (24.33) up next, Matty on a winning streak at the moment he scored well and no messing at the double winning 4-2. Matt Read (MOOSTER 24.16) has been playing well lately today it JUST didn't go his way playing Mark Turner who didn't miss his doubles and was Devon's Man of the Match hitting a 26.79 average running out a 4-1 winner. Declan Harris up next (down from the A) didn't have the best of games losing 1-4. Alan Ayres (22.30) needed a win and he fought hard and got it winning 4-2. Roy Pigeon who was playing only his 2nd game for Dorset had a great 4-0 win making the Men's B all even at 3-3.
Kevin Smith (25.74) playing his first game for Dorset this season (Kevin once an A player) had no problems running out a 4-1 winner and was Dorset's Man of the Match. Next up Neil White (25.18 Devon) v Graham Inniss (25.78 Dorset) what a close high scoring game this was, both hitting big scores both missing doubles a game that deserved a draw played in good spirits both complementing each other's good shots Neil winning 4-2. Next up for us Robby Morris (24.85) who had a tremendous game against Liam Goyne (25.04) Robby losing 2-4.
Next John Clark (team manager) John seemed to be struggling up on stage (limping apparently he fell over the oche while on the practice boards) and loses 0-4 Devon having won the last 3 matches in a row. Next up Kieran Burns (25.20 Devon) v Ryan Mabey (24.04 Dorset) two youngsters who BOTH played well. Kieran breaking Ryan's throw in the first leg but Ryan hits a 180 on his way to breaking breaking straight back. Ryan hits a 131 to leave tops returns to hit it and take the leg. Kieran takes the next then hits a 12 dart winning leg to put Ryan 2-3 down. Ryan breaks straight back to force a DESERVED deciding leg, Ryan with throw. What a way to start the deciding leg hitting a 177 first throw and goes onto take the win.
Up last for the draw Nigel Lamb (23.48), Nigel missed doubles, his game going to a deciding leg against the throw. Nigel starts well 140 100 and goes onto hit 94 to leave tops forcing his opponent Lewis Dare to poke 86 to take the win which he does, our Men's B losing 5-7.
So after Saturday the scores stood at Devon 12 Dorset 6. No one talking about the chances of promotion to the top division now but Sunday's a new day who knows anything can happen, our A teams on a par with each other.
First up Lisa Hughes (18.51 Devon) v Suzy Trickett (23.12 Dorset) Suzy takes the first leg pokes 92 to take the 2nd and after 12 darts Suzy is on 116 struggled a bit at the double but is so far in front and takes a 3-0 win. Next Merryl Dennis (21.17 Devon) v Julie Frampton (19.50 Dorset) Julie missed a few doubles and goes 0-2 down Merryl hits 2x140s in the 3rd leg and pokes 78 to take a 3-0 win the score line not reflecting the close game. Next Jodie Hawton (18.02 Devon) v Cathy Campbell 17.92) Cathy far from her best but forces a final leg decider this game one of missed doubles from both final leg going to Devon.
Next up Maria O'Brien (28.90 Devon) v Sarah Chick (26.58 Dorset) what an OUTSTANDING GAME this was as the averages suggests. Maria took the first leg, Sarah missed doubles in the second Maria poking 76 to go 2-0 up. A 15 dart 3rd leg from Maria poking a 101 shot out gave Maria a 3-0 win and put Devon ladies 3-1 up and was Devon's Lady of the Match.
Next Anna Johnson (20.65 Devon) v Sam Kirton 25.05 Dorset. Sam took first leg with throw, both missed doubles in the 2nd leg, leg going to Sam. Great 3rd leg from Sam and she wins 3-0 and was our Lady of the Match. Up last (we hoped for the draw) Chrissie Kinnaird (20.36 Devon) v Katie Mitchell (20.22) Katie's game was one of missed doubles and big scores from both players. In one leg Katie is well behind then hits a 140 and a 129 to leave 34 which she returns to hit her match going to a deciding leg Katie against the throw but takes the 3-2 win and give the women a 3-3 draw.
I never normally put ALL the players names or averages down BUT SUCH WAS THE QUALITY OF PLAY FROM ALL THE WOMEN this is probably the best women's A game I have watched DRAW fair result. So Dorset still well behind with overall score standing at Devon 15 Dorset 9. Bring on Men's A.
First up for Dorset Richard Wright. Richard HAD A MARE losing 0-4. Next Carl Beattie (22.21) Carl missed a few doubles and his match went to 2-2 then Carl upped his scoring and went onto win 4-2. Lee Turle (24.33) Lee scored really well in the first leg but missed doubles Devon pinching the first leg. Lee went onto win 4-2. Next up Scott Mitchell (27.45) didn't take long for Scott to find his range hitting a 180 second throw but even he had 5 darts at tops before taking the first leg, Scott then went onto give another lesson on how this game should be played running out a 4-0 winner. Danny Pearce (25.71) Danny pokes a 124 to take the first leg, 80 to take the 2nd leg, 75 to go 3-0 up then Devons Shaun Dring (25.94) pokes 120 to pull a leg back, in the 5th leg after 12 darts Danny's on 120 and goes onto win 4-1. Next up Paul Milford (29.04 Devon) v Mark Porter (23.80 Dorset) Paul is currently running 2nd in the County averages and has just been selected to play for England and you could tell why as he runs out a 4-0 winner and is Devon's Man of the Match.
Robbie Martin (25.37) Robbie started well hitting a 14 dart first leg and always looked in control as he wins 4-0. Next John Mann (26.79 Devon and England) v Steven Earley (24.36 Dorset) Steven goes 0-2 down then pokes 102 to win the 3rd leg has his chances in the 4th leg but loses 1-4. Matt Yarrow (23.71) up next his game went to a deciding leg which could of gone either way missed doubles from Devon's Ben Chamberlain giving Matt the win. Next Danny Allen (28.86 Devon) v Mark Grimes (28.08 Dorset) first 4 legs all went with throw, it took a 150 shot out from Mark Grimes to break Devon's throw. Two 140's from Danny Allen but Mark Grimes hits a 180 on his way to a 14 dart 6th leg to win 4-2. Mark Grimes was our Man of the Match.
Paul Allen (22.41) up next as CLARKY our team manager says "this boy doesn't know how to lose" was playing his first match in the A team, went 0-2 down Devon's Glyn Wells (23.97) missed doubles in the 3rd leg Paul pinching it then levelling at 2-2. Paul loses the 5th then missed double from Glyn and Paul forces a deciding leg with throw, starts with 2x140s and goes onto take the win putting Dorset in the unbelievable position of maybe pinching a draw as match standing at Devon 18 Dorset 17 no pressure then.
After Saturday we were well and truly UP AGAINST IT a great performance from our A teams means we are still WELL IN at a shot at finishing in the top two to earn promotion into the top league JUST 7 points separate the top 5 teams with 3 matches to go we just need to win and win well to progress. What some SUPPORT we gave our A teams Sunday it really made a difference. Our next game is home to Hertfordshire so we have the home advantage let's put it to good use. Don't know what went wrong with our ladies B team wasn't that long ago they were winning everything and looking at Devon's averages they were there to be beaten. Some tough decisions to be made by the 5 selectors NEVER EASY for them but we have a good chance this season let's not waste it. We showed GREAT fighting spirit to come back as we did.
Green Army still in the fight for promotion and marching on.


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Have you been nervous lately? Having trouble sleeping because of strange, skittering noises in the walls and voices gibbering unpronounceable words in the middle of the night? Self-conscious because people seem to be staring suspiciously at you everywhere you go? Feel like you need a nice, long stay in a clean, well-padded room, or at least a vacation? Well, then, don't go to Mordavia.
Mordavia is a small valley nestled amidst the Malignant Mountains to the south, the Carpathologic Mountains to the west, the Aphotic Alps to the north, and the Heinous Hills to the east. There is but one pathway to this valley and as it is currently cut off by a mephitic and quagmire-filled swamp, entrance to Mordavia is rather difficult. This isolation, though, creates an atmosphere of fear and mistrust that will add immensely to the emotional state you will experience here.
From the abandoned Castle Borgov, whose last inhabitant disappeared under, shall we say, mysterious and suspicious circumstances, to the malevolent Monastery of the Mad Monk, to the uncanny and horrific Mouth of the Dark One, Mordavia has everything to put that spine-tingling chill in your blood and the delirium of incipient madness into your mind.
The town of Mordavia, too, has much to offer. You will be most welcomed at the Hotel Mordavia. Such a lovely place. The garlic hanging from the eaves gives this inn a festive appearance, as if every day were Hallowe'en. You'll meet the colorful natives, who will greet you with such apprehensive stares and furtive glances that they will soon have you feeling right at home among them. Be sure to visit the local Mad Scientist. You're sure to have an electrifying and illuminating experience there.
On the sightseeing tour, there is nothing quite like seeing the cemetery by moonlight. You never know whom you might run into there, after all. If you are very fortunate, you may catch a glimpse of various inhabitants rising from their graves to greet the darkness. Do not attempt to feed the Undead, for they rapidly develop a taste for human flesh, and that does wreak havoc upon the Tourist Trade.
All in all, you won't find a more interesting or exciting vacation paradise than the Land of Mordavia. Be thankful for small favors.
Of all the so-called Dark Ones, Avoozl is certainly one of the darkest. "Ye shall know Avoozl cometh when the very sun itself doth fear to show its face, and the Shadows of Darkness covereth the earth," or so wrote the notorious Mad Monk, Amon Tillado, before his unfortunate demise when he choked on a piece of cuttlefish. The study of the Cult of Amon Tillado is a object lesson of the fact that some things are better left unsaid, some deeds better left undone and some articles best left unwritten.
Amon Tillado was first heard of when he founded a Monastery in the faraway village of Mordavia hidden away in the valley of Mordavia. Little did the peaceful residents of this quaint little town realize the monstrous magnitude of the effect this malefic menage of morbid monks would make upon their fragile lives. For Amon Tillado drew into his hideous halls the myriad kooks and crackpots who seek desperately for someone to tell them what to think and do. And so they gathered like famished vultures around rotten carrion to worship unmentionable things and perform unsanitary rites.
Even the Boyar of the land was drawn into this maelstrom of monstrosity. For Barishnikov Vasiliovitch Borgov (or "Barney" as he was known to close acquaintances) was a most ambitious man. He thought that by encouraging the cult, he could draw many a curious and wealthy stranger into Mordavia, thereby sending real estate prices skyrocketing, and he would thus accrue a tidy profit from "Location, location, location." Little did Barney realize that he, too, would be drawn into a horror only the criminally insane or writers whose names end in King could ever comprehend.
For one dark, dreary day in the dire month of October, Amon Tillado croaked.
The Monks were thrown into chaos. Without the Mad Monk himself to lead them, they had no one to tell them what to do. Then did Barney comprehend the magnitude of disaster looming over his brilliant schemes of land development and urban renewal. Thus did Barney become High Priest of this unnatural and unwholesome cult.
So came the accursed, atrocious, and acrimonious moment when Barney heard the Call of Avoozl, and answered it!
The sun did hide behind black, foreboding clouds and the wind did wail with the caterwauling of cacophonous cries the day the cult began the vile and hopelessly sinister summoning to draw Avoozl into this world. Muttering unspeakably muffled shibboleths, the insane and misguided monks approached Mount Malign, a tall promontory south of town. Entering a small cave in the side of this mountain, they began the horrid rituals to evoke Avoozl's arrival. Heedless of the potential disaster and destruction of this world as we know it, the Monks prepared to do the deed of dire doings. Avoozl waited... and the mountain top writhed in anxious anticipation.
Then did the Mage Erana come, accompanied by the Paladin Piotyr and righteous armies of the surrounding areas. Drawn by the maelstrom of malevolent magic, summoned by the sound of sordid speeches, beckoned by the baneful and brackish blackness that besmirched the sky, these daring and undaunted do-gooders were determined to drive the Dark One back to its distant abode.
But they arrived too late. Already the cave was altering, mutating into the awful aspect of Avoozl. The armies met with the maddened monks who too were changed by the rituals. What were once humans, albeit rather moronic and hopelessly malleable ones, now had become creatures of such horrible appearance that even the sturdiest of the stalwart soldiers lost their lunches and blew chunks.
Hopelessly outnumbered and unmanned, yet did the good guys face the horrendous odds. The Mage Erana herself battled with the very essence of Avoozl. On and on into the endless night did the combatants con-tend, while the world awaited the outcome in flustered frustration.
At long last, the feeble rays of a hesitant sun broke over the eastern mountains. From the cave mouth of the Dark One, a single man came crawling, bearing a Wizard's Staff. Piotyr the Paladin returned with all that remained of Erana.
To this day, when the moon is dark, and the winds are still, strange things can be seen near the Cave of the Dark One. Forms and shapes of things that were once human still lurk in the vicinity, whispering in the night strange tales of a High Priest that did not die, but waits within the dark confines of the cavern, guarding a ritual that will someday again be used to summon the very shadows of darkness themselves. For is it not written, "In his vacation resort at Club Dead, Avoozl lies twitching"?


Unit 2 - Electrons, Atoms & Matter... Oh My!
In this unit we will be focusing on matter, the atom, and the periodic table.
We will be covering the following chapters in this unit.
Students will also have a variety of assignments from the textbook. Please consult the Course Calendar under the Mrs. Fergusson tab for the exact questions and page numbers.


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Hugh Grant is a technology researcher who is always staying up to date on the latest tech news, trends and innovations.
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The Air Up There.
Central Track Contributor January 30, 2013
Air Review Has High Hopes For Its Latest Album.
Back in 2009, Air Review somewhat quietly released their debut album, Landmarks. But while that album eventually went on to earn a fair amount of praise — locally, at least — it was never one the band was entirely happy with. The comparisons to Radiohead and allusions to Brit-pop that began universally cropping up in reviews of the album, says frontman Doug Hale, weren't really the kinds of traits that he and his bandmates wanted to be identified with.
In response, Air Review decided to abandon the album concept in hopes of not only making themselves more appealing to music bloggers, but to help build buzz for their band over a longer period of time than they had enjoyed with the release of Landmarks.
And so, in 2011, Air Review returned with their single "America's Son," a dramatic shift in vision marked by gentle rhythms, silky falsetto vocals and a pleasing clarinet breakdown.
Their followup singles, which were initially intended to be released as an EP at a later date, have now been formally released as an LP, Low Wishes, a feat the band celebrated over the weekend with a release show at Trees. And even though several of the album's songs have been released previously as singles over the past couple of years, somewhat spoiling the album's surprise, the band doesn't regret the singles route they'd taken, either.
"We didn't necessarily have a change of heart," Hale says. "We did it, it was fun, it helped us discover who we wanted to be as a band, and then we moved on. It didn't feel right to keep releasing singles, as not every song we were writing felt like a single. The songs started to take shape in a different way, and it started to feel like something more."
Besides, older tunes like "America's Son," "My Automatic," and "Low Wishes," helped the band establish its newer, folkier direction. The album's new tracks follow similar suit, with an increased focus on adding more layers of noisy guitars and artfully mixing them in to fit in alongside loads of subdued percussion parts, keyboards and the most tasteful incorporation of electronics we've heard from a Dallas band in years. While other genres like hip-hop and pop are increasingly leaning on the crutch of heavy-handed elements from the electronic world, it's refreshing to see these elements meshed into a final product so flawlessly.
"'America's Son' was sort of our answer to our first album being so 'Brit-pop,'" Hale says. "It was basically the catalyst for our new direction and shift in our vision as a band. So when we wrote it, we decided we wanted to write a folksy, American-influenced EP to make a statement in a way. However, as we got further into the writing process, it became evident that we didn't want to merely be a folk band. It's not our forte, and not where we saw ourselves going. As we continued to write, we started to bring more of the layers that we had previously been so adamant about peeling away — more electric guitars, keys, electronics, and percussion. 'Rebel' and 'Animal' are two of the last few songs we wrote, and it just started to feel like we were finding something that worked for us. We bookended the album in those two songs, and it feels right."
Throughout the new disc, Air Review proves themselves to be deft craftsmen and sound arrangers, especially on tunes like "Waiting Lessons," which are somehow initially understated and yet so overwhelmingly anthemic. More impressive: The band's acoustic instruments, electric guitars, keyboards and other electronics never feel at odds on the record — a nimble feat that has more than once earned the band the "folktronic" label locally.
Still, even that's not a tag the band takes all that seriously.
"We have heard that label," Hale says. "It's funny because the first time I heard 'folktronic' was a reference to Ishi. We love Ishi — they're dear friends of ours — but obviously we sound nothing alike. It doesn't bother us at all. Genre labels are silly."
But none of the careful mixing and/or arranging would amount to all that much without the thematic imagery wonderfully drummed up by Hale's thought-provoking lyrics.
"I've got low wishes but I've got high hopes," Hale sings on "Low Wishes." He continues: "I've got no wishes now that I am old. I don't really know what to ask for anymore."
This underlying sentiment regarding the loss of youth and the realization that there is something more out there weaves throughout all of the tracks on Low Wishes. It's an idea that can be viewed as clandestine religiousness — a concept that perhaps devalues the sentiment here quite a bit — or simply a way to appeal to multiple audiences.
While the band's members don't shy away from their Christian upbringings, they at the same time realize that, while labels like "folktronica" can be meaningless phrases tossed about by music critics, others such as "Christian rock" can diminish the diverse viewpoints the band truly represents with their complex lyricism.
"I wouldn't say we're avoiding anything," Hale says. "[But] being coined as a religious band oversimplifies who we are as a band and what we present, lyrically. The way we're raised shapes the way we see the world. We all grew up in Christian homes and this undeniably comes across in our lyrics. But the overarching theme of the album is a look at growing into adulthood and realizing that the world, faith and relationships are far more complex than we believed when we were young. This is what I think people will hear when they listen to the record."
Air Review will perform album release shows on Saturday, February 2, with Centro-matic at Fort Worth's Live Oak Music Hall, and on Thrusday, February 7, with Chambers and Robert Gomez at Dan's Silverleaf in Denton.
Cover photo by Will Von Bolton.
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Loyola University Medical Center's Nate Karch Named to Illinois Nurses Foundation's 40 under 40 Emerging Nurse Leader List
Nurse leaders to be honored September 17 at virtual ceremony
MAYWOOD, IL—Loyola University Medical Center (LUMC) Nurse Manager Nate Karch, DNP, RN, PCCN-K, will receive an Illinois Nurses Foundation 2020 40 Under 40 Nurse Leadership Award. The recognition celebrates "young nurse leaders who are impacting health care and the nursing profession today, and who undoubtedly shape the future of the profession."
Karch works in cardiology at Loyola. He is also an assistant professor at the Loyola University Chicago Marcella Niehoff School of Nursing. He has a doctorate in nursing from Chamberlain University, with a focus on health care systems leadership; and a master's degree in nursing (he is a family nurse practitioner) from Olivet Nazarene University. Karch also is a certified progressive care nurse. Karch was nominated for the award by his supervisor, Sharon Rangel, executive director of inpatient nursing operations.
"It truly is a privilege to be recognized among so many distinguished nurses," said Karch. "I have to thank my mentors who have helped shape me into the leader I am today. Being recognized helps to further my trajectory in my leadership journey and I am truly excited about the future."
"Nate Karch exemplifies excellence in nursing leadership," said Tim Carrigan, chief nursing officer at Loyola. "We're proud to have him on the Loyola nursing team."
The 40 nurses will be honored at a virtual celebration, from at 6 to 7:30 pm on Thursday, September 17, 2020.
To learn more about Loyola Medicine or find a physician, visit loyolamedicine.org. Follow Loyola Medicine at: LinkedIn, Facebook or Twitter.
About Loyola Medicine and Trinity Health
Loyola Medicine, a member of Trinity Health, is a quaternary care system based in the western suburbs of Chicago that includes Loyola University Medical Center (LUMC), Gottlieb Memorial Hospital, MacNeal Hospital and convenient locations offering primary and specialty care services from 1,877 physicians throughout Cook, Will and DuPage counties. LUMC is a 547-licensed-bed hospital in Maywood that includes the William G. and Mary A. Ryan Center for Heart & Vascular Medicine, the Cardinal Bernardin Cancer Center, a Level 1 trauma center, Illinois's largest burn center, a certified comprehensive stroke center and a children's hospital. Having delivered compassionate care for over 50 years, Loyola also trains the next generation of caregivers through its teaching affiliation with Loyola University Chicago's Stritch School of Medicine and Marcella Niehoff School of Nursing. Gottlieb is a 247-licensed-bed community hospital in Melrose Park with 150 physician offices, an adult day care program, the Gottlieb Center for Fitness, the Loyola Center for Metabolic Surgery and Bariatric Care and the Loyola Cancer Care & Research at the Marjorie G. Weinberg Cancer Center at Melrose Park. MacNeal Hospital is a 374-bed teaching hospital in Berwyn with advanced inpatient and outpatient medical, surgical and psychiatric services, advanced diagnostics and treatments. MacNeal has a 12-bed acute rehabilitation unit, a 25-bed inpatient skilled nursing facility, and a 68-bed behavioral health program and community clinics. MacNeal has provided quality, patient-centered care to the near west suburbs since 1919.
Trinity Health is one of the largest multi-institutional Catholic healthcare systems in the nation, serving diverse communities that include more than 30 million people across 22 states. Trinity Health includes 94 hospitals, as well as 109 continuing care locations that include PACE programs, senior living facilities and home care and hospice services. Its continuing care programs provide nearly 2.5 million visits annually. Based in Livonia, Mich., and with annual operating revenues of $18.3 billion and assets of $26.2 billion, the organization returns $1.1 billion to its communities annually in the form of charity care and other community benefit programs. Trinity employs about 133,000 colleagues, including 7,800 employed physicians and clinicians. Committed to those who are poor and underserved in its communities, Trinity is known for its focus on the country's aging population. As a single, unified ministry, the organization is the innovator of Senior Emergency Departments, the largest not-for-profit provider of home health care services—ranked by number of visits—in the nation, as well as the nation's leading provider of PACE (Program of All Inclusive Care for the Elderly) based on the number of available programs.
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