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DWU women cruise to road win at Presentation
Tigers improve to 11-2 ahead of a Saturday contest at Dickinson State (N.D.)
By Mitchell Republic Sports, Landon Dierks
ABERDEEN — Make it eight wins in a row for Dakota Wesleyan women's basketball.
The Tigers controlled their matchup against Presentation College from the opening tip, leading for all but the opening 17 seconds in a 72-55 victory on Friday afternoon at the Strode Center.
DWU held the Saints to 5 for 28 (17.9%) shooting in the first half, as the Tigers rolled to a 40-16 lead after 20 minutes.
Presentation was more efficient in the second half, scoring 39 points on 14 for 30 (46.7%) shooting, but was unable to cut into the DWU lead. The Tigers held a 58-35 lead after three quarters as the advantage swelled to 28 points — the largest of the contest — with 7:48 remaining in the contest.
Jada Campbell paced the Tigers with 18 points to go with four rebounds, while Rynn Osthus (12 points, eight rebounds) and Kaylee Kirk (11 points, eight rebounds, three steals) also reached double figures in scoring.
Emma Ogitchida 15 points and nine rebounds, as Brittiney Seymour added 12 points and six rebounds for the Saints (3-9, 0-1 North Star Athletic Association). Al Morones also chipped in 13 points.
DWU (11-2, 4-2 GPAC) continues its road trip north to take on Dickinson State (N.D.) at 3 p.m. on Saturday, Dec. 18.
Related Topics: BASKETBALLCOLLEGE BASKETBALL
An 8-0 run by DWU capped by a Koln Oppold go-ahead 3-pointer gave the Tigers the final edge, as the Red Raiders put up just two points over the final 4 1/2 minutes of play.
The Tigers never trailed for the second game in a row, pulling ahead by as many as 18 points in the third quarter on the way to a road GPAC win.
USF's Bob Young: A life well lived
"I think he truly felt like you were going to be rewarded for doing the right things," Washington coach Kalen DeBoer said of the legendary late Cougar football coach.
Briar Cliff cracks century mark in defeat of Dakota Wesleyan men
Briar Cliff connected on 39 of 59 shots, including 13 of 21 (61.9%) from 3-point range in addition to 12 of 14 at the free-throw line.

redpajama_set_name: RedPajamaCommonCrawl


Released in December 2013, the romantic comedy Take Me Out (Papita, Maní, Tostón) became the most watched film in the history of Venezuelan cinema, and it's still on its way to break all box office records in this country, currently held by James Cameron's Titanic.
Written and directed by Luis Carlos Hueck, Take Me Out is a spirited love story between Andrés (Jean Pierre Agostini) and Julissa (Juliette Pardau), both of whom are passionate fans of baseball. Unfortunately their happiness can't be complete: Andrés roots for Los Leones del Caracas, while Julissa is not only an ardent supporter of Los Navegantes del Magallanes, but is also the team manager's daughter. When Andrés mistakenly gets tickets to see a game in the Magallanes VIP Zone, he gets enchanted by Julissa, but the rivalry between their teams may lead them down the road of Romeo and Juliet.
The music for Take Me Out is provided by Los Angeles-based Venezuelan composer Elik Álvarez, a dynamic artist with roots in classical, rock and Latin inspired rhythms. Recorded by the Macedonian Radio Symphonic Orchestra, the score ranges from elegant strings writing to contemporary pop-rock sounds lead by processed guitars and synthesizers; it also carries a good amount of Latin influenced rhythms that perfectly set the tone of the Venezuelan culture. The music mainly underlines the love story and drama that occurs between the main characters (including separate character themes for Andrés and Julissa Julissa) rather than the constant comedy present in the film.


text:
Fast Rerouting for IP Multicast Traffic in Managed IPTV Networks
Tuesday, November 17, 2009 - 11:45am
UCSB COMPUTER SCIENCE DEPARTMENT PRESENTS:
Computer Science Conference Room, Harold Frank Hall Rm. 1132
HOST: Ben Zhao
SPEAKER: DR. XIAOMING FU
Computer Networks Group
University of Goettingen
Goettingen, Germany
Title: Fast Rerouting for IP Multicast Traffic in Managed IPTV Networks
Recent deployments of IP based multimedia distribution, especially
broadcast TV distribution has increased the importance of simple and
fast restoration during IP network failures for service providers. The
restoration mechanisms currently adopted in IP networks use either IGP
re-convergence (which could be too slow for multimedia apps) or some
form of fast reroute (which does not support IP multicast). Both would
increase router configuration and network operation complexity as well
as human-errors. In this talk, we present and evaluate a simple but
efficient restoration method that relies on unicast IP encapsulation for
undelivered multicast packets during failures. We tune IP link weights
such that the multicast routing path and unicast routing path between
any two routers are failure disjoint. We demonstrate that, our method
can be realized with minor modification to the current multicast routing
protocol (PIM-SM), while yielding to good performance in the Emulab
testbed. This is joint work with my student at Goettingen and
collaborators at AT&T lab.
Xiaoming Fu received his PhD in Computer Science from Tsinghua
University, Beijing, China in 2000. After that he moved to Germany,
firstly as a research fellow (2000-2002) at Technical University Berlin,
then as assistant professor (2002-2007) at the University of Goettingen.
Since April 2007 he is a professor and head of the Computer Networks
Group at the University of Goettingen.
He has also held visiting positions at ETSI, University of Cambridge and
Columbia University, and is currently a Fulbright Visiting Professor at
UCLA Computer Science Department. He has been a PI and steering
committee member of EU-sponsored research projects VIDIOS, ENABLE and
MING-T. He has served as a guest editor of the IEEE Network Special
Issue on Implications and Control of Middleboxes in the Internet, and an
area editor of the Computer Communications Journal (Elsevier), as well
as on the program or organization committees of several conferences such
as MobiCom/MobiHoc, MobiArch, INFOCOM, ICNP, ICDCS, CCW and ICCCN.
Currently he is secretary of the IEEE Communications Society's Technical
Committee of Computer Communications (TCCC).


text:
Ruchi al-Chatib (: روحي الخطيب, : רוחי אל-ח'טיב, žil 1914–1994) byl starostou Východního Jeruzaléma pod jordánskou správou v letech 1957–1967 a pak až do své smrti roku 1994 zastával formálně tento post, byť už nebyl spojen s faktickým výkonem svých pravomocí v důsledku obsazení Východního Jeruzaléma Izraelem .

Jeho faktický výkon starostenské funkce skončil 29. června 1967, den poté, co Izrael ohlásil sjednocení Jeruzaléma, kdy bylo oznámeno, že městská samospráva ve Východním Jeruzalému se rozpouští. Al-Chatib tento krok neuznal, ale zůstal v Jeruzalému a pracoval jako ředitel Arab Hotels Company a Jerusalem Electric Company. Správou Východního Jeruzaléma byl v třech týdnech mezi šestidenní válkou a zrušením východojeruzalémské samosprávy pověřen Izraelec Meron Benvenisti. Ten vzpomíná na Ruchiho al-Chatiba jako na člověka, který se bezprostředně po válce snažil obnovit městské služby a nastolit ve východních čtvrtích klid. Jednal s Izraelci o citlivých otázkách jako odvezdání zbraní v držení civilistů a vysídlení Arabů pobývajících od roku 1948 v zničených synagogách v Židovské čtvrti. Jeho pragmatické vyjednávání s Izraelci bylo pro některé Araby z Východního Jeruzaléma terčem kritiky. Poté, co byla východojeruzalémská samospráva rozpuštěna, se ovšem z al-Chatiba stal hlasitý odpůrce okupace.

V březnu 1968 byl ve 3 hodiny ráno probuzen izraelskými policisty a předvolán k výslechu. Místo toho mu ale byl předán deportační výměr a byl odvezen k jordánské hranici, kde byl předán tamním úřadům. Nebylo mu umožněno si s sebou vzít nic a jeho rodina se o deportaci dozvěděla z rozhlasu. Manželka a dvě děti zůstaly v Jeruzalémě. Na podzim 1969 byla i manželka zatčena a odsouzena na tři měsíce. Po mnohých protestech byla propuštěna, získala i povolení k návštěvě svého manželka a k podstoupení lékařského zákroku v Bejrútu. Když se chtěla poté vrátit do Jeruzaléma, nebylo jí vydáno vstupní povolení. Po zlepšení vztahů mezi Izraelem a částí arabského světa se al-Chatib vrátil na Západní břeh Jordánu v květnu 1993. Zemřel 6. července 1994.

Reference

Externí odkazy

Narození v roce 1914
Úmrtí v roce 1994
Jeruzalémští starostové
Palestinští politici
Jordánští politici
Muži
Deportovaní

redpajama_set_name: RedPajamaWikipedia


Soprano Renée Fleming performed with the National Symphony Orchestra in Schubert songs Friday night at the Kennedy Center Concert Hall.
It is perhaps no surprise that soprano Renée Fleming finds Franz Schubert so fascinating. She injected a healthy dose of that wonderment with the composer synonymous with lieder into her first performance with conductor Gianandrea Noseda. The Italian conductor led an all-Schubert program at the helm of the National Symphony Orchestra Friday evening in the Kennedy Center Concert Hall.
Fleming never seemed compelled to compete with the orchestra to be heard. Indeed, she seemed to inspire the NSO toward a more balanced partnership. With Noseda's help, soloist and orchestra overcame a tenuous opening in Max Reger's orchestration of "Nacht und Träume." As the NSO achieved a gauzy sustained chord, the soprano added a colorful shimmer to her voice that uplifted the song's somber expression.
In Benjamin Britten's orchestration of "Die Forelle," Fleming sang with a playfulness that was returned in kind by the NSO. Even Noseda bounced side to side in a happy pairing that was punctuated by clarinets in cascading arpeggios. Max Reger's orchestration of "Gretchen am Spinnrade," brought out Fleming's operatic side, with the soprano voicing the verses from Goethe's "Faust" in an anguished tone. With each passing phrase, Fleming only grew more charismatic in her treatment of the music.
In between the lieder pairings, the NSO offered up selections from the composer's incidental music to Rosamunde, Fürstin von Zypern, growing more assured as the evening progressed. By encore time, with Fleming giving Schubert's "Ave Maria" a loving and glowing turn, soloist and orchestra were hand-in-glove with a nuanced and well-balanced sound.
For the evening's second half, the NSO opted for Rendering, a work written in 1990 by Luciano Berio. The Italian avant-garde composer took Schubert's unfinished Tenth Symphony and interspersed his own musical musings inspired by the Austrian's manuscript. The resulting composition was intended by Berio to be perceived as a refurbishment of a fresco, as Noseda remarked from the stage. Berio's 20th-century sounds become a connective tissue to fill in the gaps between Schubert's writing.
Noseda also noted that Schubert, before his untimely death in 1828, had just taken his first lesson on counterpoint two weeks before, and those notations were found scribbled on the same manuscript containing his final symphonic sketches. The NSO, in its first performance of the half-hour piece, proved that the amalgam of 19th- and 20th-century music could work. The musicians dove into Schubert's manuscript, meticulously articulating phrases and ringing out full declarative passages with verve.
Berio's writing, in contrast, often set the NSO into an atmospheric mode, with winds and upper strings carrying off in tremolos, trills and runs, and the lower strings and winds overlapping in four- or five-note motifs. The two worlds collided well in a pretty Andante section, with the winds dabbling in triplet melodies and countermelodies before melting away into a triumphant brass chorale section. An edgy trombone blast led into chromatic, almost jazzy riffs in the finale before drifting back into a rhythmic, lilting passage that tempted Noseda onto his tippy-toes to sway along.


text:
2016 / April
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This Thursday, we're headed to Mentor Public Library to host the first of two events in our Fred Talks series focused on our support in Lake and Geauga counties.For 25 years, the Cleveland Foundation has worked with our donors to enhance the lives of...
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