text:
Essays & PapersCorporationAmerican Barrick Resources Corporation
American Barrick Resources Corporation Essay
The gold market is risky as it is impossible to predict the direction of price fluctuations. The greater the range or dispersion of the price changes, the greater the risk involved (market or price risk). When building a risk-management strategy, the firm will start by looking at its operational management to see if it can find ways of reducing the risks it is taking. It will try to ensure that the inflows and outflows are balanced in nature, by currency, and interest-rate sensitivity and so forth, thus creating internal hedges matching by costs and revenues.
Operational hedging involves the firm changing sources of supply, the location of manufacturing, adjustment of production etc. in order to reduce the impact of economic factors. Unfortunately, there are many problems associated with operational hedging. Changing suppliers disturbs existing business relationships, may lead to production and/or quality control problems and is slow to implement.
ABX might consider operational business decisions which involve considerable long-term investment which, probably have significant `exit cost elements. ABX could face considerable costs in altering operational procedures as a risk management tool and would hence not use strategic risk management as their primary means of controlling their macroeconomic exposures. arrick-Cullaton Gold Trust, marketed in
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Canada and Europe. Figure 1 shows the payout diagram for the investor (right hand scale) and the costs to ABX (left hand scale). The gold trust paid investors 3% of the mine's output when the price of gold was at or below $399 per ounce, rising to 10% of production when gold was at $1'000 per ounce. ABX totally raised $17 million trough this trust.
The trust represents indirect equity comparable to preferred stock. Trust holder have a right on interest payments (can be seen as dividends) but no voting rights. The payoff for ABX was that it limited the cost of this equity to 3% (of the firms output) when the gold price was at or below $399 and at the same time offering its investors a substantial upside potential of 10% of the mines output when the gold price would reach $1,000 per ounce. This limited potential cost of debts to 10% for ABX.
In addition, ABX had the possibility to buy the trust back if gold prices and production rose significantly in their favour. By doing so, they could protect themselves from paying large amounts of interests. The characteristic that the payout was tied to the mines output helped further to reduce cost of debt when the gold price was at an unfavourable level and thus stabilized the net income. This instrument does not hedge ABX gold price risk on the sales side but on the cost side.
Bullion Loans
ABX entered a bullion loan contract with Toronto Dominion Bank in which it received 77,000 ounces of gold that ABX sold immediately on the sport market for $25 million ($324.68/ounce). Over the next 4 years ABX had to repay in monthly gold ounce instalments incl. 2% annual interest. The assets of the mine (value $54.2 million) and a guarantee issued by ABX collaterized the loan. Additionally, ABX was required to make accelerated deliveries equal to 50% of the cash flow from the mine after deducting capital expenditures and mandatory deliveries.
Figure 2 shows the ABX firm value diagram for the bullion loans. ABX locked the price when it sold the gold on the spot market for $325 over the next 4 1/2 years. ABX would suffer from forgone profits if the gold price rose above $325 because they could sell it on the spot market for a higher price. On the other hand, if the price would fall, ABX is better off at a price of $325. Additionally, ABX was contractually committed to make accelerated deliveries equal to 50% of the mines cash flow. That means, with high cash flows ABX was in a position to quicker pay back its debt in ounces of gold. This resulted in lower forgone profits (slope decreased as depicted.
The characteristic of the repayment and especially accelerated repayment is shown in figure 3. The dotted lines indicate accelerated repayment of gold that can vary depending on the level of cash flows that the mine produced. Characteristics of the repayment of gold with possible scenarios of accelerated repayments (dotted line) ABX raised $ 50 million in 2% gold-indexed notes. Investor paid $1'308 per note and received $26.16 annual interest payments (2%) and the right to redeem the note between February 88 and February 92 with an linearly increasing amount of gold as depicted in figure 5. At expiration the note had to be redeemed. At a prior redemption date, earliest February 88, the investor could chose whether to receive cash or gold bullion whose value equalled 3.2150 ounces at the first redemption date and 3.3804 ounces of gold at expiry. There was no collateration.
Figure 4 shows the payoff for ABX for the first redemption date. The payoff for ABX was limited at the cost of the index-note of 2% plus the premium of the call option at the redemption date. The major payoff for ABX was the low debt financing costs of only 2%. On the other hand, the note holder was attracted by the fact they could participate in the raising gold price. ABX had to deliver a specified quantity of gold at specific date for a price fixed at the beginning of the contract. The parties were free to close out their positions through a negotiated settlement. Forward sellers receive a premium above the current gold price called contango. The contango rate was set according to the difference between the interest rate of $ (7%) and the lease rate of gold (2%). This resulted in a contango premium of 7% – 2% = 5%.
ABX logged the gold prices for the future production and therefore insured the risk of price fluctuation between now and the specified delivery date of the contract. This allowed ABX to exactly predict their revenues, and with its stable production costs, its cash flows. Options and Warrants (collar strategy) ABX sells and buys simultaneously a call (sell) and a put (buy) option on gold. The exercise price of the put is below that of the call. No cash outflow occurs as the premium received form the sale of the call is used to purchase the put.
The collar with an put and a call option with different exercise prices x1 and x2 By setting the exercise price of put and call ABX can determine the degree of gold price risk they want to take. ABX can adjust the exercise of new puts / calls according to new market prices. By following this strategy ABX is able to stabilize its revenues without the cost for financial instruments.
American Business Machines Corporation
American Whatchamacallit Corporation
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American Chemical/ Dixon
Corporation and Partnership
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looks cool! Some people (myself included) made site for calc (and other programming) projects, but this is new! Keep going, and don't forget the lettuce!
Very beautiful photos MateoConLechuga, thank you.
I love how clean and modern it is. One thing though, is that the main text font looks a little big.
I also like how the main image changes everytime you reload the page. Very creative. For that, though, you could make the central image slightly bigger to draw more attention to it, and likewise, make the text in that box bigger.
If you feel like it, try making the top thingy cycle every few seconds, to make more movement.
It's his own domain. thhew.net. No host? maybe. I don't know.
Those are completely different things Yes, it is on a hosting site which hosts my custom html and things I guess. It is encased in the Materialize CSS framework which was customized. Thanks!
I like the indentation of the HTML, very Mateo-like.
Who are you hosted with if you don't mind me asking? Always on the lookout for a good deal.
iPage. But don't listen to their frivolous deals and stupid website builder. Just need the base domain and hosting is all.
And yeah, calc stuff will probably be thrown in there at some point haha.
© Copyright 2000-2019 Cemetech & Christopher Mitchell :: Page Execution Time: 0.182250 seconds.


The beautiful detached house Kor is situated on the banks of the river Nežárka, 8 km south of the historical city of Jindřichův Hradec. The direct surroundings of your house are very peaceful, the house is located in a small suburb. Your neighbours are residents of nearby holiday homes. You'll have a nice garden with swings and barbecue at your disposal. This house is most suitable for those seeking peace and quiet, for families with children or for anglers. The river Nežárka is ideal for anglers (permits are for sale in Jindřichův Hradec) as well as for swimming and trips in an inflatable boat (there's one available at the house). The beautiful town centre of Jindřichův Hradec and the castle in Stráž nad Nežárkou (the famous Czech opera singer Ema Destinnová used to live here) are both interesting. You could also visit the magnificent castle in Červená Lhota or go for a walk in the area. There are forests and ponds all around. There are also a few cycling routes in the area.


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redpajama_set_name: RedPajamaCommonCrawl


text:
import * as React from 'react'
import {Input, Icon} from '../../../components'

export default class InputPrefix extends React.Component {
  render () {
    return (
      <div>
        <Input prefix={<Icon name='search'/>}/>
      </div>
    )
  }
}

redpajama_set_name: RedPajamaGithub


text:
IJCAI-JAIR Awards
Conference Award Track
AI and COVID-19
AI and Society
Deep Learning, Knowledge Representation and Reasoning
Cross-Language Algorithms and Applications
Description Logics
Nonmonotonic Reasoning
4th International Planning Competition
3rd International Planning Competition
Using Linguistic Cues for the Automatic Recognition of Personality in Conversation and Text
PDF PS
DOI: https://doi.org/10.1613/jair.2349
F. Mairesse
M. A. Walker
M. R. Mehl
R. K. Moore
It is well known that utterances convey a great deal of information about the speaker in addition to their semantic content. One such type of information consists of cues to the speaker's personality traits, the most fundamental dimension of variation between humans. Recent work explores the automatic detection of other types of pragmatic variation in text and conversation, such as emotion, deception, speaker charisma, dominance, point of view, subjectivity, opinion and sentiment. Personality affects these other aspects of linguistic production, and thus personality recognition may be useful for these tasks, in addition to many other potential applications. However, to date, there is little work on the automatic recognition of personality traits. This article reports experimental results for recognition of all Big Five personality traits, in both conversation and text, utilising both self and observer ratings of personality. While other work reports classification results, we experiment with classification, regression and ranking models. For each model, we analyse the effect of different feature sets on accuracy. Results show that for some traits, any type of statistical model performs significantly better than the baseline, but ranking models perform best overall. We also present an experiment suggesting that ranking models are more accurate than multi-class classifiers for modelling personality. In addition, recognition models trained on observed personality perform better than models trained using self-reports, and the optimal feature set depends on the personality trait. A qualitative analysis of the learned models confirms previous findings linking language and personality, while revealing many new linguistic markers.
2020 IJCAI-JAIR Prize Awarded
Special Track on AI and COVID-19 (revised dates)
IJCAI 2020 Journal Track
Help Support JAIR
JAIR invites submissions in all areas of AI. Articles published in JAIR must meet the highest quality standards as measured by originality and significance of the contribution.
AI ACCESS FOUNDATION
JAIR is published by AI Access Foundation, a nonprofit public charity whose purpose is to facilitate the dissemination of scientific results in artificial intelligence. JAIR, established in 1993, was one of the first open-access scientific journals on the Web, and has been a leading publication venue since its inception. We invite you to check out our other initiatives.
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Sephora's Biggest Store In The U.S. Is Here
Story from Beauty
Sephora's Biggest Store In The U.S. Is Here — & It's Worth The Trip
Kelsey Castañon
Photo: Alamy.
This story was originally published March 31, 2017.
Sephora is the grown-up version of a candy store. It elicits the same giddy, childlike euphoria, only in place of shelves filled with cherry-flavored licorice, bubblegum, and Hot Tamales, there are beauty products. (Look, sugar is wonderful, but even the tastiest chocolate bar can't hold a flame to the way the perfect red lipstick makes you feel.)
The retailer opened up its first U.S. shop back in 1998 on a bustling New York City street, and has since expanded to more than 2,300 (!) stores worldwide. That's why the latest venture — the opening of the beauty giant's largest destination to date at its landmark location on 34th Street — is particularly sweet. Measuring in at a massive 11,300 square feet, you could easily consider it the Dylan's Candy Bar of beauty retail shops. But there's a lot more going on behind the glass doors than meets the eye.
For starters, the focus here will be on one-of-a-kind, "experiential" beauty services. It will have a number of stations scattered throughout the store, all with the coolest technology and trained consultants meant to give you the best product recommendations for your face, hair, and body. Considering the fact that the shop will house a whopping 13,300 products, we have a feeling you're going to need all the help you can get.
Spending $733 dollars all in one place? Now it's a piece of cake — find out why, ahead.
Sephora Largest Store Opening New York City Perks
Beauty • Best Beauty Products • Entertainment News • Fragrance • Health Trends
written by Kelsey Castañon
Dedicated Feature
These Skin-Care Ingredients Do All The Work While You Sleep
As thrilling as it is to delay sleep for as long as you can (whether it's by going down YouTube rabbit holes, gaming, or doomscrolling), here's an
by Deanna Pai
8 Top-Rated Lip Masks That Conquer Dry Lips Overnight
by aimee simeon
20 Body Lotions That Will Make Cold Weather Less Miserable
by Samantha Sasso
Selena Gomez Makes A Case For Putting Flowers In Your Hair Right Now
In the middle of winter, we normally find ourselves wrapped up in a sweater and dreaming of warmer days. That said, Selena Gomez's latest Instagram post
I Got My Damaged Hair Color Corrected — & This Is The Result
The creative possibilities are endless when it comes to coloring your hair at home, and even when the finished look is exactly what you wanted, you'l
by Sydney Clarke
Essie's New Y2K-Inspired Collection Will Bring Back So<...
Under-$20 Shampoo & Conditioners The Pros Actually Swear By
by Lexy Lebsack
18 Balms That Will Make Chapped-Lips Season Bearable
by Thatiana Diaz
7 Cleansers That'll Kick Your Acne-Fighting Routine Off Right
This $10 Nail Primer Made My Lazy-Girl Manicure LAST
I'll admit, even as a self-professed lover of DIY manicures, I'm a little lazy when it comes to nail prep. Choosing a shade? See you in ten min
Sephora Announces Action Plan To Create An Equitable Shopping Exp...
Last year, Sephora commissioned a large-scale national survey to measure the issue of racial bias experienced by U.S. retail shoppers. The Racial Bias in
by Megan Decker
21 Beauty Products Our Editors Used To The Last Drop In 2020
Aimee Simeon, Senior Beauty Writer "There are three areas in the hair department that I don't compromise on: a good deep conditioner, a reliabl


text:
Q: How to Unhighlight the text in JTextPane I have write a code to find a word in JTextPane.  Problem here is when I enter a search word and click on search button it was highlight the all the occurrence of the given search word. I want to Highlight the first occurrence of the word then click on search button shows second occurrence of the way like that. Another one is it was not unHighlight the after search complete when click on text pane.
My code:
public class FindAWord extends javax.swing.JFrame {

    public static void main(String args[]) {
        /* Set the Nimbus look and feel */
        // <editor-fold defaultstate="collapsed"
        // desc=" Look and feel setting code (optional) ">
        /*
         * If Nimbus (introduced in Java SE 6) is not available, stay with the
         * default look and feel. For details see
         * http://download.oracle.com/javase
         * /tutorial/uiswing/lookandfeel/plaf.html
         */
        try {
            for (javax.swing.UIManager.LookAndFeelInfo info : javax.swing.UIManager
                    .getInstalledLookAndFeels()) {
                if ("Nimbus".equals(info.getName())) {
                    javax.swing.UIManager.setLookAndFeel(info.getClassName());
                    break;
                }
            }
        } catch (ClassNotFoundException ex) {
            java.util.logging.Logger.getLogger(MarkAll.class.getName()).log(
                    java.util.logging.Level.SEVERE, null, ex);
        } catch (InstantiationException ex) {
            java.util.logging.Logger.getLogger(MarkAll.class.getName()).log(
                    java.util.logging.Level.SEVERE, null, ex);
        } catch (IllegalAccessException ex) {
            java.util.logging.Logger.getLogger(MarkAll.class.getName()).log(
                    java.util.logging.Level.SEVERE, null, ex);
        } catch (javax.swing.UnsupportedLookAndFeelException ex) {
            java.util.logging.Logger.getLogger(MarkAll.class.getName()).log(
                    java.util.logging.Level.SEVERE, null, ex);
        }
        // </editor-fold>

        /* Create and display the form */
        java.awt.EventQueue.invokeLater(new Runnable() {
            @Override
            public void run() {
                new MarkAll().setVisible(true);
            }
        });
    }

    Highlighter.HighlightPainter myHighLightPainter = new FindAWord.MyHighightPainter(
            Color.LIGHT_GRAY);
    // Variables declaration - do not modify
    private javax.swing.JScrollPane scrollPane;
    private javax.swing.JTextField searchText;
    private javax.swing.JTextPane textPane;
    private javax.swing.JButton search;

    public FindAWord() {
        initComponents();
    }

    public void removeHighLights(JTextComponent component) {
        Highlighter hilet = component.getHighlighter();
        Highlighter.Highlight[] highLites = hilet.getHighlights();
        for (int i = 0; i < highLites.length; i++) {
            if (highLites[i].getPainter() instanceof MarkAll.MyHighightPainter) {
                hilet.removeHighlight(highLites[i]);
            }
        }
    }

    public void highLight(JTextComponent component, String patteren) {
        try {
            removeHighLights(component);
            Highlighter hLite = component.getHighlighter();
            Document doc = component.getDocument();
            String text = component.getText(0, doc.getLength());
            int pos = 0;
            while ((pos = text.toUpperCase().indexOf(patteren.toUpperCase(),
                    pos)) >= 0) {
                hLite.addHighlight(pos, pos + patteren.length(),
                        myHighLightPainter);
                pos += patteren.length();
            }
        } catch (Exception e) {
        }
    }

    @SuppressWarnings("unchecked")
    // <editor-fold defaultstate="collapsed" desc="Generated Code">
    private void initComponents() {

        search = new javax.swing.JButton();
        searchText = new javax.swing.JTextField();
        scrollPane = new javax.swing.JScrollPane();
        textPane = new javax.swing.JTextPane();

        setDefaultCloseOperation(javax.swing.WindowConstants.EXIT_ON_CLOSE);

        search.setText("Search");
        search.addActionListener(new java.awt.event.ActionListener() {
            public void actionPerformed(java.awt.event.ActionEvent evt) {
                searchActionPerformed(evt);
            }
        });

        scrollPane.setViewportView(textPane);

        javax.swing.GroupLayout layout = new javax.swing.GroupLayout(
                getContentPane());
        getContentPane().setLayout(layout);
        layout.setHorizontalGroup(layout
                .createParallelGroup(javax.swing.GroupLayout.Alignment.LEADING)
                .addGroup(
                        layout.createSequentialGroup()
                        .addGap(36, 36, 36)
                        .addComponent(search,
                                javax.swing.GroupLayout.PREFERRED_SIZE,
                                91,
                                javax.swing.GroupLayout.PREFERRED_SIZE)
                                .addGap(32, 32, 32)
                                .addComponent(searchText,
                                        javax.swing.GroupLayout.PREFERRED_SIZE,
                                        120,
                                        javax.swing.GroupLayout.PREFERRED_SIZE)
                                        .addContainerGap(114, Short.MAX_VALUE))
                                        .addGroup(
                                                javax.swing.GroupLayout.Alignment.TRAILING,
                                                layout.createSequentialGroup().addComponent(scrollPane)
                                                .addContainerGap()));
        layout.setVerticalGroup(layout
                .createParallelGroup(javax.swing.GroupLayout.Alignment.LEADING)
                .addGroup(
                        layout.createSequentialGroup()
                        .addGap(36, 36, 36)
                        .addGroup(
                                layout.createParallelGroup(
                                        javax.swing.GroupLayout.Alignment.BASELINE)
                                        .addComponent(search)
                                        .addComponent(
                                                searchText,
                                                javax.swing.GroupLayout.PREFERRED_SIZE,
                                                javax.swing.GroupLayout.DEFAULT_SIZE,
                                                javax.swing.GroupLayout.PREFERRED_SIZE))
                                                .addPreferredGap(
                                                        javax.swing.LayoutStyle.ComponentPlacement.RELATED)
                                                        .addComponent(scrollPane,
                                                                javax.swing.GroupLayout.DEFAULT_SIZE,
                                                                235, Short.MAX_VALUE)));

        pack();
    }// </editor-fold>

    private void searchActionPerformed(java.awt.event.ActionEvent evt) {
        if (searchText.getText().length() == 0) {
            removeHighLights(textPane);
        } else
            highLight(textPane, searchText.getText());
    }

    class MyHighightPainter extends DefaultHighlighter.DefaultHighlightPainter {
        MyHighightPainter(Color color) {
            super(color);
        }
    }
}

A: If you need just to highlight one word you don't need all the addHighlight() and removeHighlight() calls.
Just figure out the word's offset (and length) and use setSelectionStart()/setSelectionEnd() method of the JTextPane passing the word start and start + length
UPDATE as requested the working code
import javax.swing.text.*;
import java.awt.*;

public class FindAWord extends javax.swing.JFrame {

    public static void main(String args[]) {
    /* Set the Nimbus look and feel */
        //<editor-fold defaultstate="collapsed" desc=" Look and feel setting code (optional) ">
    /* If Nimbus (introduced in Java SE 6) is not available, stay with the default look and feel.
     * For details see http://download.oracle.com/javase/tutorial/uiswing/lookandfeel/plaf.html
     */
        try {
            for (javax.swing.UIManager.LookAndFeelInfo info : javax.swing.UIManager.getInstalledLookAndFeels()) {
                if ("Nimbus".equals(info.getName())) {
                    javax.swing.UIManager.setLookAndFeel(info.getClassName());
                    break;
                }
            }
        } catch (Exception ex) {
            ex.printStackTrace();
        }
        //</editor-fold>

    /* Create and display the form */
        java.awt.EventQueue.invokeLater(new Runnable() {
            @Override
            public void run() {
                new FindAWord().setVisible(true);
            }
        });
    }
    Highlighter.HighlightPainter myHighLightPainter=new    FindAWord.MyHighightPainter(Color.LIGHT_GRAY);
    // Variables declaration - do not modify
    private javax.swing.JScrollPane scrollPane;
    private javax.swing.JTextField searchText;
    private javax.swing.JTextPane textPane;
    private javax.swing.JButton search;
    public FindAWord() {
        initComponents();
    }
    public void highLight(JTextComponent component,String patteren){
        try {
            Document doc=component.getDocument();
            String text=component.getText(0,doc.getLength());
            int pos=component.getCaretPosition();
            if (pos==doc.getLength()) {
                pos=0;
            }
            int index=text.toUpperCase().indexOf(patteren.toUpperCase(),pos);
            if (index>=0) {
                component.setSelectionStart(index);
                component.setSelectionEnd(index+patteren.length());
                component.getCaret().setSelectionVisible(true);
            }
        }
        catch(Exception e){
            e.printStackTrace();
        }
    }
    @SuppressWarnings("unchecked")
// <editor-fold defaultstate="collapsed" desc="Generated Code">
    private void initComponents() {

        search = new javax.swing.JButton();
        searchText = new javax.swing.JTextField();
        scrollPane = new javax.swing.JScrollPane();
        textPane = new javax.swing.JTextPane();
        searchText.setText("test");
        textPane.setText("test qweqw test asdasdas test");

        setDefaultCloseOperation(javax.swing.WindowConstants.EXIT_ON_CLOSE);

        search.setText("Search");
        search.setFocusable(false);
        search.addActionListener(new java.awt.event.ActionListener() {
            public void actionPerformed(java.awt.event.ActionEvent evt) {
                searchActionPerformed(evt);
            }
        });

        scrollPane.setViewportView(textPane);

        javax.swing.GroupLayout layout = new javax.swing.GroupLayout(getContentPane());
        getContentPane().setLayout(layout);
        layout.setHorizontalGroup(
                layout.createParallelGroup(javax.swing.GroupLayout.Alignment.LEADING)
                        .addGroup(layout.createSequentialGroup()
                                .addGap(36, 36, 36)
                                .addComponent(search, javax.swing.GroupLayout.PREFERRED_SIZE, 91, javax.swing.GroupLayout.PREFERRED_SIZE)
                                .addGap(32, 32, 32)
                                .addComponent(searchText, javax.swing.GroupLayout.PREFERRED_SIZE, 120, javax.swing.GroupLayout.PREFERRED_SIZE)
                                .addContainerGap(114, Short.MAX_VALUE))
                        .addGroup(javax.swing.GroupLayout.Alignment.TRAILING, layout.createSequentialGroup()
                                .addComponent(scrollPane)
                                .addContainerGap())
        );
        layout.setVerticalGroup(
                layout.createParallelGroup(javax.swing.GroupLayout.Alignment.LEADING)
                        .addGroup(layout.createSequentialGroup()
                                .addGap(36, 36, 36)
                                .addGroup(layout.createParallelGroup(javax.swing.GroupLayout.Alignment.BASELINE)
                                        .addComponent(search)
                                        .addComponent(searchText, javax.swing.GroupLayout.PREFERRED_SIZE, javax.swing.GroupLayout.DEFAULT_SIZE, javax.swing.GroupLayout.PREFERRED_SIZE))
                                .addPreferredGap(javax.swing.LayoutStyle.ComponentPlacement.RELATED)
                                .addComponent(scrollPane, javax.swing.GroupLayout.DEFAULT_SIZE, 235, Short.MAX_VALUE))
        );

        pack();
    }// </editor-fold>

    private void searchActionPerformed(java.awt.event.ActionEvent evt) {
        highLight(textPane, searchText.getText());
    }

    class MyHighightPainter extends DefaultHighlighter.DefaultHighlightPainter{
        MyHighightPainter(Color color){
            super(color);
        }
    }
}

redpajama_set_name: RedPajamaStackExchange


"Sharing-teaching-spreading the philosophy of ~All Our Relations~ to as many people on Mother Earth as possible!"
About Me I'm just a contrary ol' wolf doing what I can to help All my Relations and using whatever means available.
My Philosophy Mitakuye Oyasin~Niksokowa~Akina Nindinawemaaganaan~All Our Relations...All Living Beings: the 4 leggeds, the Wingeds, the 2 Leggeds, the Trees, the Rocks (all living things)....All those who have lived before Us, those living now, and those yet to be ~ we are ALL related and we need to treat each other that way!
What Gives Me Hope My sweet tiny dancer, my butterfly...she is the Light of my Life and utter joy!
If I were Mayor, I'd make the world a better place by How about declaring a Humanity Equality Week?
I thought of you when I saw this. Hope you're feeling better today. Big Hugs & Lots of Luv 2U!
I consider you to be one of these rare friend. Big Hugs 2U!
I'm about to pull my hair out trying to get into even my Yahoo email. Nothing seems to be working for me on this computer. GRRRRRRR!!!
Rainy K. (3) Thanks! I am learning to get around! Thank you for the add!
Hope you're having a relaxing day!
Hope to be able to sit around the campfire and roast marshmallows and enjoy seeing the Northern Lights with you one of these days in the near future.
Thank you for accepting my friend request. Big Hugs 2U!


text:
package com.ibm.spark.magic.builtin

import com.ibm.spark.kernel.protocol.v5.MIMEType
import com.ibm.spark.magic._

class LSMagic extends MagicTemplate {

  val cellUnsupportedMessage =
    "Cell magic unsupported. Please use the line magic %lsmagic."

  /**
   * Lists all available magics
   * @param code The single line of code
   * @return The output of the magic
   */
  override def executeLine(code: String): MagicOutput = {
      val classes = new BuiltinLoader().getClasses()
      val magics = classes.map("%" + _.getSimpleName).mkString(" ").toLowerCase
      val message =
        s"Available magics:\n$magics\n\nType %<magic_name> for usage info."
      MagicOutput(MIMEType.PlainText -> message)
  }

  /**
   * Unsupported for this magic.
   * @param code The list of code, separated by newlines
   * @return The output of the magic
   */
  override def executeCell(code: Seq[String]): MagicOutput = {
    MagicOutput(MIMEType.PlainText -> cellUnsupportedMessage)
  }
}


Buy Arizona Diamondbacks Patrick Corbin Jerseys from Diamondbacks Team Store and gear up for this season in style. Store for your favorite Patrick Corbin and browse from Cool Base jerseys from Majestic, Cooperstown jerseys from Mitchell & Ness, and more. Get your official Patrick Corbin jerseys for this season from Diamondbacks Store.
Patrick Corbin Jersey There are no products in this category.


text:
Raqqa living in fear of ISIS
Ahmad Ramadan
Children line up outside a charity organisation
RAQQA - Just before his meal to break a day-long fast, middle-aged construction worker Abu Ibrahim turned to his wife to complain about Islamic State (ISIS) militants who control his province in northern Syria.
"We're forced to pray and fast," he grumbled, whispering to his wife as they sat on the front porch of their house in Raqqa.
The couple awaited their 9-year-old son, Ibrahim, and 7-year-old daughter, Sarah, to bring them their only meal of the day from an ISIS-run charity in the neighbourhood.
"Many are no more worshipping God out of conviction, but rather out of their fear of ISIS," said Abu Ibrahim, sporting a traditional Arab headdress worn by tribes who dominate the area.
Raqqa, in northern Syria, became in 2013 the first city to fall to armed rebels fighting to topple President Bashar Assad. A variety of rebel groups, ranging from hard-line Islamists to religious moderates, held sway there, although the Islamists dominated.
In 2014, ISIS clawed its way into control, ruthlessly eliminating rival insurgents. Critics were beheaded or escaped to Turkey. Government offices, health-care and education facilities were taken over. Alcohol was banned. Barber shops and movie theatres were shut down.
The marketplace closed by afternoon and streets were empty by nightfall. Communications with the outside world were allowed only through ISIS.
Rebels and activists who stayed behind largely "repented" by pledging alliance to ISIS leader Abu Bakr al-Baghdadi and, once forgiven, they were allowed to keep their homes. Some even joined the group.
For Ibrahim, the holy Muslim fasting month of Ramadan under ISIS is making people "starve".
"We wait for this one meal per day from the charity," he said, pointing to a grain soup his son and daughter brought in from the charity, where a public kitchen is run by ISIS-enlisted pharmacist Mutaab Zueit, widely known as Abu Ahmed Tabibeh.
The pharmacist, who is also responsible for ISIS's medical and health-care services in the city, prepares meals for an estimated 1,000 families each day. The menu is only legumes, occasionally with seasonable vegetables, depending on availability.
Raqqa residents said ISIS looted and razed all non-government organisations' warehouses that used to distribute food and other supplies to residents. A relief agency worker, who declined to be identified for fear for his safety, said ISIS instead distributed its content to jihadists or to families assisting the militants.
"We have been fasting and hungry since the day this ominous ISIS ruled us," sighed Abu Ibrahim.
In contrast, pictures of ISIS jihadists on social media networks, some shared by the group itself, show a handful of men with long dark beards and Afghan-style robes, smiling as they sit on a floor filled with various luscious Middle Eastern dishes.
A Raqqa widow, a mother of three girls who identified herself as Um Fatima, said she heard that ISIS was "collecting alms from wealthy Muslims, but failed to distribute that to poor people like us".
Abu Ibrahim, who used a pseudonym to avoid ISIS retribution, said he was fired from his government job on suspicion that he worked for ISIS and was thus deprived of his only income.
"I only renovated a building that ISIS asked me to fix," he said. "I didn't get a penny for doing that."
Arguably, Ramadan under ISIS is different as the group is preoccupied with maintaining its control over the territory after the nearby Tal Abyad was seized from the group by Kurdish rebels, backed by armed Syrian militias.
The capture of Tal Abyad, on the border with Turkey, was a blow to ISIS, which used the area for smuggling weapons and ammunition into Raqqa, while exporting cheap oil to sell on the black market to finance its operations.
The arrival of 200,000 Syrians from Tal Abyad further strained ISIS and forced an across-the-board increase in prices. A 20-litre cylinder of kerosene fuel used for cooking sells at 5,000 Syrian pounds ($23) in Raqqa, compared with 1,500 pounds ($7) in Damascus. One kilogramme of bread is 300 pounds ($1.40), while it sells at 35 pounds (16 cents) in Damascus.
With ISIS' attention focused north, Raqqa residents explained that the tight grip it had on their city has loosened.
Abu Anas, from Raqqa's Bedouin district, said residents "are no longer forced to pray following the sundown meal, like last year", when they were obliged to attend evening prayers and a sermon by a Tunisian jihadist.
"One would be in trouble if he left before this man, who's in his 30s and spent half of his life in France and its bars, finished the sermon and we shook hands with him and thanked him for correcting our understanding of the religion," Abu Anas said.
Abu Anas, also another pseudonym used for safety reasons, stressed that the number of foreign fighters in Raqqa has ebbed, saying, "We're not seeing as many foreigners in town.
"They are busy with the fighting up north, which is giving us room to breathe," he said. "I hope they'll never come back and, if this happens before Ramadan is over, I will break my fast in celebration."
Written By Ahmad Ramadan
Ahmad Ramadan, a pseudonym
used for safety reasons, is an Arab
Weekly reporter in Raqqa.


Karijini National Park (formerly know as Hamersley Range) is one of Western Australia's most spectacular parks, and at 6274 square kilometres, it is the second largest in size only to Karlamilyi National Park.
Based in the heart of the Pilbara region some 1200 km north of the capital Perth, Karijini National Park offers visitors rugged gorges, waterfalls, plunge pools, walking trails of various levels and a red beauty that is distinctly north-west Australian.
The Pilbara is generally known as the mining hub of the west, but as the locals will proudly tell you, there is so much more to see than open-cut mines.
Situated just north of the Tropic of Capricorn, the best time to visit Karijini is in the late autumn, winter and early spring when the days are clear and warm. Summer in this semi-desert region can see the temperature soar well over 40 degrees with the chance of cyclones and flooding.
A party led by explorer F T Gregory first visited the area in 1861 and he named it Hamersley Range after his friend Edward Hamersley. The park is the traditional home of the Banyjima, Kurrama and Innawonga Aboriginal people, with the Banyjima name for the area being Karijini. Occupation for the first Aboriginal people in the area dates back more that 20,000 years.
The rocks found at Karijini were some two billion years in the making, a time frame that we cannot even begin to comprehend. Visitors to the park will also have the opportunity to see many beautiful wildflowers (in the cooler months) and a large array of Australian wildlife that includes red kangaroos, rock wallabies, lizards, snakes, bats, echidnas and goannas. There are also plenty of huge termite mounds which feature in the landscape all through the north and never fail to surprise me with their shapes and shear size.
Following is a list of the different walks you can take at Karijini supplied by the Department of Environment and Conservation. Many of the walks are considered suitable only for fit and healthy people who are well-prepared so please take care and notify a ranger before starting out on the longer ones.
This is a loose, steep descent, then an easy ramble to the hidden gardens of Circular Pool. (800m return.) This is an arduous walk, so you must allow at least two hours return.
A four-kilometre return trail runs along the bottom of the gorge. Allow three hours for the return walk.
There is a 30-minute return walk into the gorge's lush, shaded pool. Alternatively, walk within the gorge along a stream and small ponds (Three hours return).
Spectacular views from the top of the second tallest peak in WA, called Bunurrunha by the Aboriginal people. There are three walks of varying lengths and difficulty: Marandoo View is 500 metres and takes 30 minutes return. Honey Hakea Track is 4.6 kilometres - allow three hours return. The walk to Mt Bruce Summit is 9 kilometres - allow five hours for the return trip. This walk is recommended only for fit and experienced walkers.
A walk trail takes you down the steep descent into Weano Gorge and through the bottom of the gorge to Handrail Pool (300m return). Please tell the ranger if you intend to walk past this point.
You can fly to Exmouth, Karratha, Newman, Paraburdoo (near Tom Price) or Broome to join a tour or hire a vehicle and drive yourself there. Karijini is about 80 km north-east of Tom Price and you will need a four-wheel drive and a bit of research and preparation if you choose to make your own way. Once you are there however, the first gorge is only a 50 metre walk from the car park.


MESA, Ariz. -- Chicago Cubs right-handed pitcher Todd Wellemeyer, who needed a cortisone shot on Sunday, will throw a side session Tuesday in an attempt to get back on the mound this week.
Wellemeyer has been held to six innings pitched this spring. The veteran is in camp on a minor-league contract. The team has an option to send him to a minor-league affiliate if he doesn't make the 25-man roster.
Infielder Augie Ojeda had an epidural shot in his back on Monday to relieve pain. Ojeda told ESPNChicago.com he hopes to be able to participate in a game by the weekend.
He originally was to battle Darwin Barney for the backup shortstop role. Barney had won that job outright and is now competing for the starting second base job.
Ojeda has signed a minor league contract in case the team asks him to start the season in the minors.
Third baseman Aramis Ramirez will miss his third straight game with flu-like symptoms. He had been battling a 102 fever. He returned to camp Tuesday for the first time in three days.
Ramirez said he'd take batting practice and ground balls Tuesday and try to return to Cactus League play in the next two days.
The Cubs will leave Mesa on March 30 and have a closed workout at 1 p.m. CST at Wrigley Field on Thursday, March 31.


text:
Q: How to decode scrapy responses? Scrapy response differs from Requests module response I've been using scrapy for about 1 year and for the first time I'm facing an encoding problem. I don't use any arguments in the definitions for headers or cookies as I use an external proxy rotation service. And I've already verified that the request is done correctly (utf-8).
What happens is that when I make the request with the "requests" module I can get the source code correctly encoded/decoded and using a scrapy.Selector it is possible to get what I need. When I use scrapy I'm having problems with the decode, several special characters appear and I need to encode in latin-1 and again decode in utf-8:
    cache_response = response
    try:
        response = response.text.encode("latin-1").decode("utf-8")
        response = Selector(text=response)
    except Exception as e:
        LOGGER.error("Exception Encoding")
        response = cache_response

Scrapy vs requests (Same Headers):
Requests

Certificação energética:

Scrapy

Certificação energética:
Scrapy response.css('span[id="foo"]::text').get() -----> 107 m² construÃ\xaddos, 64 m² úteis
How can i make the response object come formatted correctly?


zenith Group is a stone crusher and sand making machine manufacturer ... Our rock crushers can be used various ores and stones. ... Mobile Cone Crusher.
Supplier of cone and jaw crushers, screens, manganese liners and spare parts for all machines. ... Fixed plant and mobile equipment, wear products and parts.
Mining Equipment - Crushing & Screening. To view detailed ... KPI-JCI Vertical Shaft Impact Crushers. Model, Jaw ... KPI-JCI Portable and Stationary Conveyers.
aspects of mobile and transportable equipment used at Mines, Surface of ..... highwall auger, mobile crushing plants and the like but excluding transformers.
WHEEL MASTER (WM) Series Mobile Crushing & Crushing Plant – Offering best in ... needs of customers/contractors in quarry, mining and recycling operations.
African Mobile Crushers specialises in crushing, screening, drilling and blasting. ... roads, railway lines and concrete work for mine infrastructure developments.
Throughout most of industrial history, the greater part of crushing and mining part of the .... Some crushers are mobile and can crush rocks as large as 60 inches.


text:
Q: How to split String Data type separated with comma in a MS ACCESS database using a QUERY in vb.net I don't have idea how to split data using a query... I want to implement the split on the WhERE Clause because I am trying to select data Where the value of WHERE Clause is separated with comma
My sample Query
SELECT Name FROM Entry_time WHERE Edate = '"Combobox.selectedItem"'

I want that only the date
The Data value from database:
Fri, 02/21/15

A: First, convert to a DateTime, then to a formatted string expression for Access SQL:
Dim FilterDate As DateTime
Dim FilterText As String
Dim Provider   As System.Globalization.CultureInfo = New System.Globalization.CultureInfo("en-US")

FilterDate = DateTime.ParseExact(Combobox.selectedItem.Text.Split(",")(1).Trim(), "MM'/'dd'/'yy", Provider)
FilterText = FilterDate.ToString("yyyy'/'MM'/'dd")

SQL = "SELECT [Name] FROM Entry_time WHERE Edate = #" + FilterText + "#"


I AM DIVINE – Teaser from Jeffrey Schwarz on Vimeo.
A documentary about Baltimore's favorite drag queen, Divine, (nee Harris Glenn Milstead) is making quite a splash at South by Southwest this week, the New York Times reports. Filmmaker Jeffrey Schwarz tells The Times that the movie about the John Waters muse focuses on his "celebration of the outsider and renegade in all of us." The movie has been a standout in a large field of documentaries at the festival about lesbian, gay, bisexual and transgender icons.
Read "Looking Divine at South by Southwest" at The New York Times.


Rock your magazine subscriptions! Get a magazine subscription to the most famous publications in the world. When you buy a magazine subscription to Rolling Stone magazine, or any other music publication, you will receive a special free e-book with your purchase.


Organizations are embracing change, and agile seems to lead the way of working. And as organizations grow from small to medium or large enterprise, there is a compelling need to scale. The SAFe Agilist certification will help the participants understand the framework supporting lean thinking, and its principles and practices. Apart from the framework, the learning will be more on Agile Portfolio Management, Agile Development, SAFe ScrumXP, Agile Release Train, Agile Scaling and Architecture Leadership. Upon successful certification, the participants can empower their organization by bringing in tremendous value-add by their knowledge in Safe Agile and contribute towards knowledge transfer, training and implementation of safeAgile practices to achieve both business and organizational goals.
Our accredited courseware, interactive training provided by an industry expert with hands-on Projects experience, simulated tests, coupled with e-learning access will prepare you to clear the SAFe® Agilist Certification exams on your first attempt.
Take the first step towards exploring an opportunity to become an Power BI certified professional. Prepare for the SAFe® Agilist Certification exam and fast track your career as an SAFe® Agilist certified practitioner. Please fill-in the enquiry form on this page or call now on +1 (713)-518-1852 or e-mail info (at) icertglobal (dot) com for our training consultant to understand your training and learning objectives and guide you with an optimum way to achieve your goals.
SAFe Agilist training and certification is becoming basic and mandatory training for Scaling large scale organizations engaged in Lean/Agile initiatives. As SAFe® Agilist Certified professional , you can advance your knowledge and use the skillset in the application of Scaled Agile Framework, lean thinking, and product development flow principles in an operations and business.


SR 0038 of 2019 Senate Resolution A resolution to urge the U.S. Fish and Wildlife Service to remove the Michigan gray wolf from the federal endangered and threatened species list.
SR 0039 of 2019 Senate Resolution A resolution to recognize May 7, 2019, as Michigan Foster Care Day.
SB 0057 of 2019 Senate Bill Public employees and officers; ethics; former members of the legislature; prohibit from engaging in certain lobbying activities for a period of time. Amends sec. 6a of 1978 PA 472 (MCL 4.416a) & adds sec. 6b.
SB 0169 of 2019 Senate Bill Highways; memorial; portion of M-15; designate as the "Michael Cathcart Memorial Highway". Amends 2001 PA 142 (MCL 250.1001 - 250.2080) by adding sec. 1084.
SB 0174 of 2019 Senate Bill Animals; other; animal industry act; modify. Amends title & secs. 1, 3, 7, 9, 11b, 12, 14, 19, 20, 22, 31, 39, 40, 43 & 44 of 1988 PA 466 (MCL 287.701 et seq.); adds secs. 3a, 3b, 12a, 12b, 14a, 17b, 17c, 17d, 40a, 40b & 43a & repeals secs. 4, 5, 6, 8, 10, 13, 13a, 15, 16, 17a, 23, 24, 24a, 26a, 27, 28, 29, 29a, 30, 30a, 30b, 30c, 30d, 32, 33, 35, 41 & 46 of 1988 PA 466 (MCL 287.704 et seq.).


You are in "Ambiences" category.
In this category there are sounds of the background: at rooms, theatres, churches, during a trip, on airports, stations and other similar situations.
A sound of a slow train arriving at the station.
A sound of a speaker announcing a train through the megaphone.
Sounds of a freight train drawing out.
A sound of a freight train stopping at the station.
An ambience sound recorded at the empty platform.
A small group of planes recorded during an air show.
A sound of a michrophone feedback.
3 sounds of a hailstorm.
A sound of cicadas (with a loop as a second version).
Sounds of average and calm sea waves recorded on the shingle beach.


text:
// Package keytab implements Kerberos keytabs: https://web.mit.edu/kerberos/krb5-devel/doc/formats/keytab_file_format.html.
package keytab

import (
	"bytes"
	"encoding/binary"
	"errors"
	"fmt"
	"io"
	"io/ioutil"
	"time"
	"unsafe"

	"gopkg.in/jcmturner/gokrb5.v7/types"
)

const (
	keytabFirstByte byte = 05
)

// Keytab struct.
type Keytab struct {
	version uint8
	Entries []entry
}

// Keytab entry struct.
type entry struct {
	Principal principal
	Timestamp time.Time
	KVNO8     uint8
	Key       types.EncryptionKey
	KVNO      uint32
}

// Keytab entry principal struct.
type principal struct {
	NumComponents int16
	Realm         string
	Components    []string
	NameType      int32
}

// New creates new, empty Keytab type.
func New() *Keytab {
	var e []entry
	return &Keytab{
		version: 0,
		Entries: e,
	}
}

// GetEncryptionKey returns the EncryptionKey from the Keytab for the newest entry with the required kvno, etype and matching principal.
func (kt *Keytab) GetEncryptionKey(princName types.PrincipalName, realm string, kvno int, etype int32) (types.EncryptionKey, error) {
	//TODO (theme: KVNO from keytab) this function should return the kvno too
	var key types.EncryptionKey
	var t time.Time
	for _, k := range kt.Entries {
		if k.Principal.Realm == realm && len(k.Principal.Components) == len(princName.NameString) &&
			k.Key.KeyType == etype &&
			(k.KVNO == uint32(kvno) || kvno == 0) &&
			k.Timestamp.After(t) {
			p := true
			for i, n := range k.Principal.Components {
				if princName.NameString[i] != n {
					p = false
					break
				}
			}
			if p {
				key = k.Key
				t = k.Timestamp
			}
		}
	}
	if len(key.KeyValue) < 1 {
		return key, fmt.Errorf("matching key not found in keytab. Looking for %v realm: %v kvno: %v etype: %v", princName.NameString, realm, kvno, etype)
	}
	return key, nil
}

// Create a new Keytab entry.
func newKeytabEntry() entry {
	var b []byte
	return entry{
		Principal: newPrincipal(),
		Timestamp: time.Time{},
		KVNO8:     0,
		Key: types.EncryptionKey{
			KeyType:  0,
			KeyValue: b,
		},
		KVNO: 0,
	}
}

// Create a new principal.
func newPrincipal() principal {
	var c []string
	return principal{
		NumComponents: 0,
		Realm:         "",
		Components:    c,
		NameType:      0,
	}
}

// Load a Keytab file into a Keytab type.
func Load(ktPath string) (*Keytab, error) {
	kt := new(Keytab)
	b, err := ioutil.ReadFile(ktPath)
	if err != nil {
		return kt, err
	}
	err = kt.Unmarshal(b)
	return kt, err
}

// Marshal keytab into byte slice
func (kt *Keytab) Marshal() ([]byte, error) {
	b := []byte{keytabFirstByte, kt.version}
	for _, e := range kt.Entries {
		eb, err := e.marshal(int(kt.version))
		if err != nil {
			return b, err
		}
		b = append(b, eb...)
	}
	return b, nil
}

// Write the keytab bytes to io.Writer.
// Returns the number of bytes written
func (kt *Keytab) Write(w io.Writer) (int, error) {
	b, err := kt.Marshal()
	if err != nil {
		return 0, fmt.Errorf("error marshaling keytab: %v", err)
	}
	return w.Write(b)
}

// Unmarshal byte slice of Keytab data into Keytab type.
func (kt *Keytab) Unmarshal(b []byte) error {
	//The first byte of the file always has the value 5
	if b[0] != keytabFirstByte {
		return errors.New("invalid keytab data. First byte does not equal 5")
	}
	//Get keytab version
	//The 2nd byte contains the version number (1 or 2)
	kt.version = b[1]
	if kt.version != 1 && kt.version != 2 {
		return errors.New("invalid keytab data. Keytab version is neither 1 nor 2")
	}
	//Version 1 of the file format uses native byte order for integer representations. Version 2 always uses big-endian byte order
	var endian binary.ByteOrder
	endian = binary.BigEndian
	if kt.version == 1 && isNativeEndianLittle() {
		endian = binary.LittleEndian
	}
	/*
		After the two-byte version indicator, the file contains a sequence of signed 32-bit record lengths followed by key records or holes.
		A positive record length indicates a valid key entry whose size is equal to or less than the record length.
		A negative length indicates a zero-filled hole whose size is the inverse of the length.
		A length of 0 indicates the end of the file.
	*/
	// n tracks position in the byte array
	n := 2
	l := readInt32(b, &n, &endian)
	for l != 0 {
		if l < 0 {
			//Zero padded so skip over
			l = l * -1
			n = n + int(l)
		} else {
			//fmt.Printf("Bytes for entry: %v\n", b[n:n+int(l)])
			eb := b[n : n+int(l)]
			n = n + int(l)
			ke := newKeytabEntry()
			// p keeps track as to where we are in the byte stream
			var p int
			parsePrincipal(eb, &p, kt, &ke, &endian)
			ke.Timestamp = readTimestamp(eb, &p, &endian)
			ke.KVNO8 = uint8(readInt8(eb, &p, &endian))
			ke.Key.KeyType = int32(readInt16(eb, &p, &endian))
			kl := int(readInt16(eb, &p, &endian))
			ke.Key.KeyValue = readBytes(eb, &p, kl, &endian)
			//The 32-bit key version overrides the 8-bit key version.
			// To determine if it is present, the implementation must check that at least 4 bytes remain in the record after the other fields are read,
			// and that the value of the 32-bit integer contained in those bytes is non-zero.
			if len(eb)-p >= 4 {
				// The 32-bit key may be present
				ke.KVNO = uint32(readInt32(eb, &p, &endian))
			}
			if ke.KVNO == 0 {
				// Handles if the value from the last 4 bytes was zero and also if there are not the 4 bytes present. Makes sense to put the same value here as KVNO8
				ke.KVNO = uint32(ke.KVNO8)
			}
			// Add the entry to the keytab
			kt.Entries = append(kt.Entries, ke)
		}
		// Check if there are still 4 bytes left to read
		if n > len(b) || len(b[n:]) < 4 {
			break
		}
		// Read the size of the next entry
		l = readInt32(b, &n, &endian)
	}
	return nil
}

func (e entry) marshal(v int) ([]byte, error) {
	var b []byte
	pb, err := e.Principal.marshal(v)
	if err != nil {
		return b, err
	}
	b = append(b, pb...)

	var endian binary.ByteOrder
	endian = binary.BigEndian
	if v == 1 && isNativeEndianLittle() {
		endian = binary.LittleEndian
	}

	t := make([]byte, 9)
	endian.PutUint32(t[0:4], uint32(e.Timestamp.Unix()))
	t[4] = e.KVNO8
	endian.PutUint16(t[5:7], uint16(e.Key.KeyType))
	endian.PutUint16(t[7:9], uint16(len(e.Key.KeyValue)))
	b = append(b, t...)

	buf := new(bytes.Buffer)
	err = binary.Write(buf, endian, e.Key.KeyValue)
	if err != nil {
		return b, err
	}
	b = append(b, buf.Bytes()...)

	t = make([]byte, 4)
	endian.PutUint32(t, e.KVNO)
	b = append(b, t...)

	// Add the length header
	t = make([]byte, 4)
	endian.PutUint32(t, uint32(len(b)))
	b = append(t, b...)
	return b, nil
}

// Parse the Keytab bytes of a principal into a Keytab entry's principal.
func parsePrincipal(b []byte, p *int, kt *Keytab, ke *entry, e *binary.ByteOrder) error {
	ke.Principal.NumComponents = readInt16(b, p, e)
	if kt.version == 1 {
		//In version 1 the number of components includes the realm. Minus 1 to make consistent with version 2
		ke.Principal.NumComponents--
	}
	lenRealm := readInt16(b, p, e)
	ke.Principal.Realm = string(readBytes(b, p, int(lenRealm), e))
	for i := 0; i < int(ke.Principal.NumComponents); i++ {
		l := readInt16(b, p, e)
		ke.Principal.Components = append(ke.Principal.Components, string(readBytes(b, p, int(l), e)))
	}
	if kt.version != 1 {
		//Name Type is omitted in version 1
		ke.Principal.NameType = readInt32(b, p, e)
	}
	return nil
}

func (p principal) marshal(v int) ([]byte, error) {
	//var b []byte
	b := make([]byte, 2)
	var endian binary.ByteOrder
	endian = binary.BigEndian
	if v == 1 && isNativeEndianLittle() {
		endian = binary.LittleEndian
	}
	endian.PutUint16(b[0:], uint16(p.NumComponents))
	realm, err := marshalString(p.Realm, v)
	if err != nil {
		return b, err
	}
	b = append(b, realm...)
	for _, c := range p.Components {
		cb, err := marshalString(c, v)
		if err != nil {
			return b, err
		}
		b = append(b, cb...)
	}
	if v != 1 {
		t := make([]byte, 4)
		endian.PutUint32(t, uint32(p.NameType))
		b = append(b, t...)
	}
	return b, nil
}

func marshalString(s string, v int) ([]byte, error) {
	sb := []byte(s)
	b := make([]byte, 2)
	var endian binary.ByteOrder
	endian = binary.BigEndian
	if v == 1 && isNativeEndianLittle() {
		endian = binary.LittleEndian
	}
	endian.PutUint16(b[0:], uint16(len(sb)))
	buf := new(bytes.Buffer)
	err := binary.Write(buf, endian, sb)
	if err != nil {
		return b, err
	}
	b = append(b, buf.Bytes()...)
	return b, err
}

// Read bytes representing a timestamp.
func readTimestamp(b []byte, p *int, e *binary.ByteOrder) time.Time {
	return time.Unix(int64(readInt32(b, p, e)), 0)
}

// Read bytes representing an eight bit integer.
func readInt8(b []byte, p *int, e *binary.ByteOrder) (i int8) {
	buf := bytes.NewBuffer(b[*p : *p+1])
	binary.Read(buf, *e, &i)
	*p++
	return
}

// Read bytes representing a sixteen bit integer.
func readInt16(b []byte, p *int, e *binary.ByteOrder) (i int16) {
	buf := bytes.NewBuffer(b[*p : *p+2])
	binary.Read(buf, *e, &i)
	*p += 2
	return
}

// Read bytes representing a thirty two bit integer.
func readInt32(b []byte, p *int, e *binary.ByteOrder) (i int32) {
	buf := bytes.NewBuffer(b[*p : *p+4])
	binary.Read(buf, *e, &i)
	*p += 4
	return
}

func readBytes(b []byte, p *int, s int, e *binary.ByteOrder) []byte {
	buf := bytes.NewBuffer(b[*p : *p+s])
	r := make([]byte, s)
	binary.Read(buf, *e, &r)
	*p += s
	return r
}

func isNativeEndianLittle() bool {
	var x = 0x012345678
	var p = unsafe.Pointer(&x)
	var bp = (*[4]byte)(p)

	var endian bool
	if 0x01 == bp[0] {
		endian = false
	} else if (0x78 & 0xff) == (bp[0] & 0xff) {
		endian = true
	} else {
		// Default to big endian
		endian = false
	}
	return endian
}


Key Stage 1 this week were treated to a flute demonstration by Mrs Haigh, who also teaches the clarinet. She told the children all about the history of the flute ,as well as letting many of them have a go.
Learning an orchestral instrument is a fantastic way to get involved with ensemble playing and a position in the orchestra from Year 4. If you would like to learn the flute or clarinet, Mrs Haigh is offering taster sessions over the next few weeks where children can have a go before beginning lessons in September. Please let Mrs Matthews know if you are interested.


God is the Master Artist.
God is the Master Artist!
After creating the universe, He looked at it and declared it good. Everywhere we look God communicates to us through His creation showing us his majesty, creativity, and sense of beauty. Art deepens our awareness and appreciation of His creation. We were blessed with vision and intelligence to sharpen our skills of observation, problem-solving and imaginative thinking. He gave us the ability to communicate our own thoughts and feelings visually moving ourselves and others to worship Him.
Students will be encouraged to look at the world around them creatively, with sensitivity to colors, line, shape, space and balance.
Grow in awareness and appreciation of the beauty of God's world. Art is all around us everyday!
Have the opportunity to develop independent thinking and self-motivation.
Have an outlet for creative expression.
Recognize and use art as a means of communication.
Gain skill in imaginative and complex forms of problem solving.
The observation of the natural beauty of our surroundings.
Self-critiques of their art. Students will incorporate new vocabulary while learning how to understand and evaluate art.
Projects that use a variety of media to develop and advance a student's skill level. In turn this promotes greater confidence enabling self-expression.
A basic knowledge in various arts media including drawing, painting, printmaking, and sculpture.
Studying other artists both contemporary and historically. Understanding better an artist's environment, their drive, and the methods they used to convey their message help students recognize and use art as a means of communication with the world around them.
Students receiving basic instructions and methods for a project. They will then be encouraged to individualize their project promoting creative thinking which develops problem solving skills.
View video of Lizzie Oothoudt's photography art project.


James joined our Berlin office in the summer 2016. We asked him about his impressions, and his path to a career as an Industrial Designer.
Hi James! Tell us a little bit about yourself.
I´m 24 years old. I come from Paris and I´m currently studying Industrial Design at Ecoles de Condé Paris.
Why did you decide to study Industrial Design? What do you like about this field?
I decided to study design because initially I wanted to become a car designer, and later on I became interested in designing objects in general. It was logical for me to choose this field because I've been a maker since I was a child. At that time, I made my own toys out of wood and other materials. I love this field because you can provide real solutions for people in their daily life, throughout an object.
How did you find out about Colorfy? What made you decide to apply here?
I found Colorfy on a design directory and I was really interested in their work because this studio gives a real reflection of a change that we are living through now — the digital revolution. Colorfy also considers innovative ecological notions in its projects. This is exactly my way of thinking about design nowadays, so I've decided to apply to be part of the team. I also wished to carry out my internship in Germany, and especially in Berlin, because I didn't know this city before. I think this is really important to discover new environments in order to boost creativity.
What projects are you working on? What exactly do you do in your daily work?
At the moment I am working on a smart/electric mobility project. I work on exterior/interior design to define an aesthetic and I think about the use. In my daily work I do a lot of sketches on paper and digital, after that, I use 3D modeling software like Rhinoceros to transform sketches into realistic objects and, for example, think about the proportions. At the end, I use a rendering software to choose and adapt colours and materials. I also do a technological and design watch to stay informed about the innovation in the field.
What are your favourite resources / blogs / publications for industrial designers that inspire you?
I use several resources such as the website lemanoosh.com or Pinterest to do moodbards. I also read the French design mag Intramuros and check new projects on Kickstarter.
Which areas of Industrial Design interest you the most? What would be the projects you would be most excited to work on in the future?
I'm interested in industrial design in general but at the moment I'm exploring connected objects, sports and smart mobility fields. The most exciting project for me is to work on a new kind of mobility solutions. Pollution and climate change are the biggest problems to solve nowadays, so we have to change our travel modes. I'm really happy because Colorfy give me a chance to work on that.
How do you like your internship so far?
This internship is rewarding for me because I'm at the root of the projects and my ideas are really taken into consideration. I feel not like an intern but as a part of the Colorfy team.
Interested in joining James and the rest of us at Colorfy? Check our our jobs page & apply!


Six World Title Matches Tonight!
Ann LaVerne defeated Helen Hild in two falls, and Daniel Boone Savage pinned Jimmy Ray then was disqualified against Herb Lawson in last night's matches at the Beach Arena.
In a mixed team match, LaVerne and Lawson wrestled Hild and Saul Weingeroff to a draw. Chester Piechocinski defeated Jimmy Ray and Ted Rozankowski took the Boston Bull, who was disqualified.


text:
Q: Index was outside the bounds of the array.C# I've a part of program that have method to generate code (HelmID), to generate it, i've to read from text file to get the latest HelmID. Here's my text file.
T001#C001#H001#FullFace#S001#
T001#C001#H002#FullFace#S002#

The problem is, the method wont generate to H003 (after H002) and give error message 'Index was outside the bounds of the array'. Here's my method code.
public string newHelmetCode()
        {
            string Str, HelmetCode;
            int HelmetInt;
            string[] strArray = new string[5];
            if (new FileInfo("TransDetail.txt").Length == 0)
            {
                HelmetCode = "H001";
                return HelmetCode;
            }
            else
            {
                Str = File.ReadLines("TransDetail.txt").Last();
                strArray = Str.Split(new string[] { "#" }, StringSplitOptions.None);

                HelmetCode = strArray[2].Substring(1, 3);
                HelmetInt = Convert.ToInt32(HelmetCode) + 1;

                if (HelmetInt <= 9)
                {
                    HelmetCode = "H00" + HelmetInt.ToString();
                }
                else if (HelmetInt <= 99)
                {
                    HelmetCode = "H0" + HelmetInt.ToString();
                }
                else if (HelmetInt <= 999)
                {
                    HelmetCode = "H" + HelmetInt.ToString();
                }
                return HelmetCode;
            }
        }

The error come from this code HelmetCode = strArray[2].Substring(1, 3);. It should generate cause i'm using Substring (and convert to int) to get latest number on last row on text file. Any reply would appricate

A: Maybe there is a linebreak after the last line or something like that. You can use LINQ to the only the relvant lines:
var lineFields = File.ReadLines("TransDetail.txt")
    .Select(line => line.Split(new string[] { "#" }, StringSplitOptions.None))
    .Where(arr => arr.Length >= 5)
    .ToArray();

if(lineFields.Length > 0)
{
    string[] lastFields = lineFields.Last();
    int helmetInt;
    bool valid = int.TryParse(lastFields[2].Substring(1), out helmetInt);
    // check if it's valid otherwise log/throw error

    // you dont need the if...else if...else if... part, this is enough:
    string helmetCode = "H" + helmetInt.ToString("D3");
    // ...
}

A: Obviously the strArray has less than three items in it.
You should check on the length first. (My guess is that the last line is an empty line btw):
if (strArray.Length >= 3)
{
    // do
}

You should also check the length of the string you want to Substring, because when the length < 1, you will get an ArgumentOutOfRangeException.
So check the length:
string test = strArray[2];

if (test.Length > 1)
{
    // do
}


Description: Newhaven Display provides custom and standard monochrome character and graphic LCDs with a wide variety of backlight color combinations.
Description: The OLED (Organic Light Emitting Diode) is a brighter, higher contrast display that has faster response times, wider viewing angles, and consumes less power than conventional VFD, LED or LCD Displays.
Description: COG (Chip-On-Glass) displays are monochromatic passive or active matrix LCD displays that can display information as text or in a dot matrix pattern. Unlike typical LCD displays, COG displays don't have a built-in PCB board and instead have the IC directly mounted on the glass of the display.


text:
Sci-Fi Crimes es el quinto álbum de estudio de banda de rock de  Grayslake Chevelle, seguido de su predecesor, Vena Sera en 2007. Fue lanzado el 31 de agosto de 2009 a través Epic Records.

Antecedentes
El álbum fue grabado en  Nashville, Georgia en el 2009 con el productor Brian Virtue. El 9 de abril de 2009, Chevelle estrenó dos canciones nuevas, "Letter from a Thief" y "Sleep Apnea" en un concierto en Atlanta, Georgia. El vocalista Pete Loeffler declaró que los temas fueron "sencillos posibles" del álbum. "Jars" fue el primer sencillo del álbum y comenzó Airplay radio en 23 de junio. La lista de canciones y obra se reveló el 21 de julio de 2009, además de una pre-orden que es puesta a disposición que incluía la posibilidad de descargar tres canciones: "Jars", "This Circus", y "The Clincher (Versión 103)"  (una versión alternativa de la pista de  This Type of Thinking (Could Do Us In)). La portada del álbum es una cuadro al óleo realizados por el bajista Dean Bernardini con un lienzo de 24x48. "Letter From a Thief" fue el segundo sencillo del álbum y comenzó Airplay radio el 7 de diciembre de 2009. "Shameful Metaphors" es el tercer sencillo del álbum y comenzó Airplay radio el 12 de julio de 2010. Un espectáculo en directo de vídeo de música para "Shameful Metaphors" estrenado el 16 de septiembre de 2010.

Grabación
A diferencia de los álbumes anteriores, Sci-Fi Crimes fue grabado en vivo en el estudio como banda, sin el uso de muestras "Queríamos hacer un disco que fue más fiel a lo que nuestro sonido vivo es como," explica Sam Loeffler. "Quisimos ir al estudio y reproducir las pistas y simplemente grabar y no hacer un disco perfecto han sido mi forma de pensar a muchos de nuestros discos de el pasado realizado. Queríamos competir en el mismo nivel al no ajuste el voz y no de ajuste cada acorde sola y no muestras añadiendo así cada coincidencia atrapar sola es exactamente el mismo Simplemente entró y registró No es un disco musicalmente perfecta;.. es más como que se obtiene si usted entra en un estudio y el juego justo. Y tengo curiosidad por ver si la gente nota la diferencia. "

Lista de canciones

Créditos
 Pete Loeffler - Voz, guitarra
 Sam Loeffler - batería
 Dean Bernardini - Bajo
 Brian Virtue - Productor, ingeniero, mezcla
 Chevelle - Coproductor
 Dean Bernardini - Portada
 Kyle Mann -Asistente de ingeniero
 John Netti - Asistente de ingeniero
 Ted Jensen - Mastering

Listas y ventas
Fue lanzado el 31 de agosto de 2009 debutando en el # 6 de los Estados Unidos con ventas de alrededor de 46 000, la mayor entrada en la tabla hasta la fecha para la banda. A partir de diciembre de 2009, que vendió más de 100 000 copias, según Nielsen Soundscan.

Sencillos

Referencias

Álbumes de 2009
Álbumes de Chevelle
Álbumes de Epic Records
Álbumes de metal alternativo
Álbumes de rock alternativo
Álbumes de post-grunge
Álbumes en inglés

redpajama_set_name: RedPajamaWikipedia


GIL SCOTT-HERON-SMALL TALK AT 125TH AND LENNOX-VINYL EDITION.
There's been many an important day in Chicago's musical past. That's not surprising. The Windy City has given the world some of the biggest names in music. This includes Buddy Guy, Herbie Hancock, Nils Lofgren, Patti Smith, Ray Manzarek of The Doors and Pearl Jam's Eddie Vedder were all born in Chicago. So was musician, novelist poet and political activist Gil Scott-Heron. Sadly, despite all he achieved, Gil Scott-Heron is to some extent, one of Chicago's forgotten musical heroes. Gil Scott-Heron's story began in 1949.
April Fool's Day in 1949 was an important day in Chicago's musical history. That was the day Gil Scott-Heron was born. His mother Bobbie Scott-Heron was an opera singer. She sang with New York's Oratorio Society. Gil's father was Gil Heron was a Jamaican footballer, who at one time, played for Celtic Football Club. Sadly, Bobbie and Gil's marriage ended when Gil was young.
After this, Gil was sent to live with his maternal grandmother, Lillie Scott, who lived in Jackson,Tennessee. Then when Gil was just twelve, Lillie Scott died. Gil returned to New York to live with his mother. She was now living in the Bronx. Originally, Gil enrolled at the DeWitt Clinton High School, but later, moved to the Fieldston High School.
This came after impressing the head of the English department. He'd read one of Gil's essays and recommended that Gil received a full scholarship. This proved a poisoned chalice. The education he was receiving was better. However, he was only one of five black students. He felt alienated. Another problem was the socioeconomic gap. Other students came from a much more affluent background. Gil was the son of a single mother. It was at this period, that Gil became socially and politically aware. His eyes were opened to inequality, injustice and racism. This would shape his music in later years. Before that, Gil headed to university.
Lincoln University was where Gil headed after high school. Gil was recommend to head to Lincoln University by Langston Hughes. He was also at Lincoln University and was a member of Gil's first band, the Black and Blues. After two years at Lincoln University, Gil decided to take time out to write a novel.
During this period, Gil Scott-Heron wrote two novels. His first novel was a thriller entitled The Vulture, was published in 1970. Whilst writing The Vulture, Gil saw The Last Poets in Lincoln in 1969.
After watching The Last Poets, Gil approached the band and asked: "can I form a band like you guys?" The seed had been sown. Maybe, music rather than writing would be the direction Gil's career headed?
Having been impressed with The Last Poets and now considering a career in music, Gil had a lot on his mind as he headed back to New York. He found a new home in Chelsea, Manhattan. Once he'd settled in, Gil decided to make his dream a reality. So he looked for a record company. Gil just so happened to approach a label tailor-made for his music, Flying Dutchman Productions.
After his departure from ABC/Impulse Bob Thiele decided to found his own label. Over the last few years, Bob had worked with some of the most innovative and creative musicians in the history of jazz. Bob realised that often, large record companies aren't the best environment for innovative and creative musicians. Often, these musical mavericks didn't thrive within such an orthodox environment. Their creativity is restricted, meaning they're unable to experiment and innovate like they'd like. So when Bob parted company with Impulse, who he'd transformed into one of jazz's pioneering labels, he founded Flying Dutchman Productions. This was the label that Gil Scott-Heron approached. There was a problem though.
While Bob wanted to sign Gil, there was a problem, funding. The funding that Phillips, the Dutch record label had given Bob wasn't going as far as he'd hoped. Despite this, when he met Gil he was impressed by the poet, musician, and author. So what Bob did, was fund an album that was a fusion of poetry accompanied by understated, percussive arrangements.
This was Small Talk At 125 and Lenox, which will be reissued on 180 gram vinyl on OST Recordings. Recording of Small Talk At 125 and Lenox took place in the summer of 1970. Rather than record his debut album in a studio, Gil decided to record the album live. So, with percussionists David Barnes, Eddie Knowles and Charles Sanders accompanying him, Gil recorded fourteen tracks he had written. They became Small Talk At 125 and Lenox.
Prior to the release of Small Talk At 125 and Lenox, critics had their say on Gil Scott-Heron's debut album. Straight away, comparisons were drawn with the group who'd inspired Gil, The Last Poets. To some extent, this was a fair comment.
When one listens closely to tracks like Whitey On The Moon, plus what was the original version of The Revolution Will Not Be Televised, it's apparent that Gil was taking what The Last Poets had been doing to the next level. With just a trio of percussionists accompanying Gil, Small Talk At 125th and Lenox was a potent and explosive mix of social comment and humour. Given that The Last Poets had enjoyed a degree of success, surely so should Gil?
Sadly, when Small Talk At 125th and Lenox was released, it wasn't a commercial success. However, a small crumb of comfort was, that The Revolution Will Not Be Televised found its way onto radio play lists. That was encouraging for Bob and Gil. The Revolution Will Not Be Televised introduced a wider audience to Gil Scott-Heron's scathing take on politics, social comment and satire. This was first heard on Small Talk At 125th and Lenox.
The first thing you realise, is that Small Talk At 125th and Lenox is quite unlike most of the music being released in 1971. The nearest comparison is The Last Poets. However, Gil took what The Last Poets were dong as a starting point, and took it much further. The result, Small Talk At 125th and Lenox is a potent, powerful and explosive mix of social and political comment. It's a reflection of where America was, socially and politically. Racism still blighted America. Gil took this personally. It was like a personal affront. He felt obliged to speak up for those without a voice. On Small Talk At 125th and Lenox, Gil Scott-Heron also rails and rages against corruption, hypocrisy, inequality, poverty and racism. Gil Scott-Heron a long-term political activist and advocate for change warns against inactivity. He longs for change, and is determined to make America a better country. His manifesto for change was Small Talk At 125th and Lenox.
After introducing his band, fittingly, Gil Scott-Heron begins his set with the song that would become synonymous with him, The Revolution Will Not Be Televised. Accompanied by just bongos and congas, Gil delivers his unmistakable proto rap. His delivery is impassioned, as he encourages the audience to make a difference. Change won't happen if they're at home sitting on their sofas watching television. Instead, they've got to go out there and make it happen.
Having set the tone for the evening, Gil Scott-Heron goes on to combine satire and passion. Racism, poverty, corruption and inequality inspire Gil. So does hypocrisy on Brothers, The Rainbow Conspiracy on Comment #1 and the money spent on the space race on Whitey On The Moon. Gil rages against money spent on the space race, while deprivation is rife within housing projects. Gil's anger and disgust is apparent. His delivery is inspired and impassioned. Just like other tracks on Small Talk At 125th and Lenox, Gil delivers the lyrics as if they're a personal affront.
That's the case on Evolution (and Flashback) and Enough. Both tracks see Gil examine the progress of black America since slavery. On Evolution (and Flashback), anger and frustration fills his voice as he delivers the lyrics. Later, as he mentions the arrival of Dr. Martin Luther King, there's a sense of in Gil's voice. It doesn't last though. It's as if the dream has died. especially when Gil ruefully says: "the bitter truth lives on." Then on Plastic Pattern People compares life in the Northern and Southern states of America. Inequality and racism were rife in the South in the late sixties and early seventies. Again, Gil sees this as a personal affront. He rails against inequality, racism and injustice, as he provides a voice for the poor and oppressed. However, on a couple of tracks, Gil Scott-Heron draws inspiration from daily life.
Like all good poets, Gil finds inspiration in everything and anything. An example is Omen. He was found inspiration for Omen in the New York subway, when he saw a painting publicising Kinji Fukasaku's film The Green Slime. Then on Small Talk at 125th and Lenox, Gil found inspiration on the street corner. It's as if he's been eavesdropping on everyday conversations. He recounts what people were saying, right down to what they had for lunch. Then on a trio of tracks, Gil the poet becomes Gil the vocalist.
On The Vulture, Who'll Pay Reparations on My Soul? and Everyday, which closes Small Talk At 125th and Lenox sits down at the piano and sings. With just the trio of percussionists accompanying him, Gil is transformed. He proves to be a talented and soulful vocalist. Especially on Who'll Pay Reparations on My Soul?, which takes a diversion in the direction of jazz. Everyday proves the perfect way to close Small Talk At 125th and Lenox. Especially with gospel tinged harmonies and handclaps accompany Gil's heartfelt, soulful vocal.
Throughout a fourteen album career, Gil Scott-Heron provided a voice for the disenfranchised. Fearlessly, Gil highlights the social and political problems that blighted America. He encouraged Americans to join together and change America for the better. This pioneering poet and protest singer made a difference politically. Gil made people aware of the problems people were facing and urged them to take action. His career began with Small Talk At 125th and Lenox, which introduced the world to Gil Scott-Heron, novelist, poet, political activist, singer and songwriter.
For the next five decades, Gil Scott-Heron tried to make a difference with his music. His 1971 debut album, Small Talk At 125th and Lenox, is a mature and accomplished album. Gil combines power, passion, emotion, sadness, frustration, anger and confusion. In a way, his youthfulness helps Gil brings the lyrics to life. Gil was a young man and was aware of and possibly, had experienced the inequality and injustice he sings about.
Gil rails and rages against corruption, hypocrisy, inequality, poverty and racism. Gil Scott-Heron a long-term political activist and advocate for change warns against inactivity. He longs for change, and is determined to make America a better country. His manifesto for change was Small Talk At 125th and Lenox.
This potent, powerful and explosive mix of social and political comment was a reflection of where America was, socially and politically. Racism still blighted America. Gil took this personally. It was like a personal affront. He felt obliged to speak up for those without a voice on Small Talk At 125th and Lenox which will be reissued on 180 gram vinyl on OST Recordings.