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From the Archives: Thanksgiving
Nov 22, 2019 | Archives and History, Featured post
Bishop James Kemp Thanksgiving Prayer
by Mary Klein, Diocesan Archivist
Following Independence in 1776 and the end of church taxation in Maryland in May of 1788, the vestry of St. Peter's Parish in Talbot County wrote to parishioners concerning their plans to financially support themselves. Parishioners were to enroll shortly after Easter, and in June the vestry was to "apportion by Poll the sum which each shall contribute towards the expenses of the parish." Then each member was to "appear at the church the first Thursday in November (set apart as a Day of Prayer and Thanksgiving for the Fruits of the Earth) and pay into the hands of the Registrar." This is an early reference to a day set aside for thanksgiving for the "Fruits of the Earth," which was a common practice in many civilizations around the world, and making its way towards becoming an official American holiday.
Bishop Whittingham's note on the back of a Proclomation from the Governor
The first presidential Thanksgiving proclamation had nothing to do with pilgrims, or harvest bounty, or family gatherings, but was "to commend to the people of the United States a day of public thanksgiving and prayer to be observed by acknowledging with grateful hearts the many signal favors of Almighty God especially by affording them an opportunity peaceably to establish a form of government for their safety and happiness." Ordered by President George Washington on October 3, 1789, the Thanksgiving Proclamation came at the request of both Houses of Congress. President Washington's second Thanksgiving Proclamation was issued on January 1, 1795 at the conclusion of the Whiskey Rebellion. The so-called "whiskey tax" imposed by the newly formed federal government was the first tax on a domestic product. But on America's western frontier, farmers, having objected to the tax for four years, stormed the home of the tax inspector. President Washington himself rode to western Pennsylvania with 13,000 militiamen, and the rebels all went home before there was any confrontation. In Washington's mind, this demonstrated that the new federal government could successfully handle resistance to even unpopular laws. So he asked everyone to set aside Thursday, February 19 to give thanks for the "seasonable control which has been given to a spirit of disorder in the suppression of the late insurrection."
On Maryland's Eastern Shore, as rector of Great Choptank Parish, future bishop of Maryland James Kemp turned the president's proclamation into a prayer. "O Thou Great Ruler of Nations: Accept our sincere and hearty thanks for the manifold and signal mercies which distinguish our lot as a nation…"
Governors, Congress and presidents often called for days of prayer and thanksgiving for various purposes. The House of Bishops met in Special Convention in October and November of 1821 in Philadelphia, where Bishop Kemp preached on the first day of the meeting. The notation for Thursday, November 1, read, "This being Thanksgiving Day, the bishops attended Divine Services in the several churches." So it seems that the notion of a Thanksgiving Day service was widespread by 1821.
Letter from Mayor Smith to William West
Proclamation from Governor to the State of Maryland
Letter from St. Peter's vestry to the congregation, 1788
In 1835, the Rev. William Wyatt, rector of St. Paul's parish in Baltimore, rallied the clergy of the city and wrote to the mayor of Baltimore, Samuel Smith, asking him to set aside a "Day of Thanksgiving and Prayer to God for the Fruits of the Earth and all his other blessings during the last turbulent months." Indeed, there had been turbulence! The failure of the Bank of Maryland in March of 1834 caused the loss of millions of dollars which had belonged to individuals. In Baltimore, four days of riots in August resulted in smashed windows, home destruction, bonfires made from the libraries of bankers, and looters in the streets. The mayor, Jesse Hunt, resigned, and 83-year-old General Samuel Smith, hero of the defense of Baltimore during the War of 1812, turned back the rioters and took over as mayor. Mayor Smith reported to William West that he had written the governor, James Thomas on December 12, asking him to declare such a Day of Thanksgiving, but the governor's term expired on January 14, and we have no record of his response.
Bishop William R. Whittingham, from 1843 onwards, pushed successive governors of Maryland to set aside an annual Day of Thanksgiving, and he encouraged all his clergy to hold services and preach on the topic of thanksgiving on the day specifically set aside. The designated date changed almost yearly, but was most often sometime in November, after the harvest. Thanksgiving did not become a federal holiday until 1863, when President Lincoln declared the last Thursday in November to be set aside for "Thanksgiving and Praise to our beneficent Father who dwells in the Heavens."
But the person who pushed hardest and longest for Thanksgiving to become a national holiday is unknown to most Americans. Sarah Josepha Hale, the editor of Godey's Ladies' Book, and author of "Mary Had a Little Lamb", began her one-woman crusade in 1827, saying, "We have too few holidays. Thanksgiving, like the Fourth of July, should be considered a national festival and observed by all our people." In 1847, she wrote, "the Ladies' Book, suggests that, from this year, 1847, henceforth and forever, as long as the Union endures, the last Thursday in November be the day set apart by every state for its annual Thanksgiving." She even thought the holiday might avert the war which was looming, by fostering a "moral and social reunion of the people." She rejoiced in 1863 with Lincoln's proclamation of a national holiday.
Thanksgiving became a political football during Franklin D. Roosevelt's presidency. From 1939 to 1941, he declared the next-to-last Thursday of November to be Thanksgiving Day so that merchants would have a longer Christmas selling season, hoping to uplift the Depression economy; but half the states objected, calling it an "affront to Abraham Lincoln." Finally both houses of Congress solved the problem by declaring that from 1942 onwards, the fourth Thursday in November would be Thanksgiving Day.
Perhaps, to add perspective to the long and busy holiday season, we should take to heart the Collect for Thanksgiving Day: "Almighty and gracious God, we give you thanks for the fruits of the earth in their season and for the labors of those who harvest them. Make us, we pray, faithful stewards of your great bounty, for the provision of our necessities and the relief of all who are in need…"
General Convention Journal, 1821
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Filter: All Active Categories Admission Tickets & PassesAgricultural Prizes, Academic & Sporting AwardsArchiveBritish Medals & Works of ArtHistorical Greetings CardsMaritime - including the Nelson & Napoleonic ErasPoliticsWorld Medals - including The Commonwealth Nations
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Admiral Lord Nelson, , Dr. Turton's Medal for the Battle of Trafalgar, , bronze, 1805, by Thomas Wyon Snr. uniformed bust of Lord Nelson with hair tied back profile left, NELSON AT BRONTI. VICTOR TRAFALGAR ET VICTIMA, (NELSON AND BRONTE, VICTOR AND VICTIM OF TRAFALGAR) PERIIT ET PERIIT . OCT . 1805, (HE PASSED THROUGH AND PERISHED, OCTOBER 1805. ), rev. a view of the battle, with two British columns approaching the enemy lines, MEMORIAE . CONSECRAVIT. GUL. TURTON. M. D. F. L. S. (WILLIAM TURTON DOCTOR OF MEDICINE AND FELLOW OF THE LINNAEAN SOCIETY HAS DEDICATED THIS TO HIS MEMORY), 45mm (BHM 586; Hardy 43; MH 496), Extremely fine and rare. £Sold
Death of Lord Nelson, bronze medal, , 1805, by T. Webb, Webb after J. Flaxman, bare head of Lord Nelson with short hair left, rev. Bellona stepping over the sea towards war galleys, IPSE BELLI FULMEN (HIMSELF THE THUNDERBOLT OF WAR), 53 mm (BHM 577). Good extremely fine. £Sold
Death of Lord Nelson, silver medal, , 1805, by A. Abramson, uniformed bust of Lord Nelson right, hair in a pigtail, HORATIUS NELSON, rev. a rostral column decorated with anchors, four prows of galleys and laurel wreaths, Victory standing on prow at base of the column, FAMAN QUI TERMINAT ASTRIS (WHO BOUNDS HIS FAME ONLY BY THE STARS), 40 mm (BHM 574). rubbing on the high points, otherwise extremely fine and very rare. £Sold
Visit of The Paris Mayors to Schoenbrunn, bronze medal, , 1805, by Galle & N. Brenet, Napoleon and Marat standing receive the two mayors, rev. Fame, with arms and trophies at her feet, blows a trumpet while holding a proclamation inscribed, IMP/ URBI/ SVAE, 68 mm (Bramsen 453). One or two minor marks, otherwise extremely fine. £Sold
Battle of Trafalgar, bronze-gilt medal, 1805, by C. H. Kuchler, after C. Andras, uniformed bust of Lord Nelson left, HORATIO VISCOUNT NELSON K. B. DUKE OF BRONTE, rev. panoramic view of the engagement, ENGLAND EXPECTS EVERY MAN WILL DO HIS DUTY, in exergue, TRAFALGAR OCTR. 21 1805, 48mm (BHM 584; Pollard 30i), contained in original Matthew Boulton shells. Practically mint state and extremely rare in this condition and metal. £Sold
Admiral Collingwood and the Battle of Trafalgar, bronze medal, , 1805, uniformed bust of Admiral Collingwood almost facing, rev. general view of the British and French fleets at the beginning of the battle, HIS COUNTRY�S FUTURE HOPE/ TRAFALGAR/ VICTORY/ OCTOBER 21 1805, 38 mm (BHM 593). Extremely fine and rare in bronze. £Sold
Death of Lord Nelson, white metal medal, , 1805, uniformed bust of Lord Nelson with short hair left, H. VICECOM. NELSON, rev. inscription within closed wreath of laurel and palm, H. VICECOM. NELSON/ OB PATRIAM PUGNANDO/ MORT. OCT. XXI. MDCCCV, 39 mm (BHM 581). Almost extremely fine. £Sold
Death of Lord Nelson, pewter medal, , 1805, by P. Wyon, bust of Lord Nelson on a plinth above a tomb inscribed, GALLANT NELSON/ DIED IN THE/ HOUR OF VICTORY/ 21 OCTR. AD 1805/ TRAFALGAR, rev. . Britannia seated weeping, Neptune drawing a veil over an urn inscribed HN, a plinth below inscribed, BASTIA/ ABOUKIR/ COPENHAG. / IN LIFE VICTORIOUS IN DEATH TRIUMPHANT/ MDCCCV, 51 mm (BHM 579). Minor marks, otherwise about extremely fine and rare in this condition. £Sold
Visit of The Paris Mayors to Schoenbrunn, bronze medal, 1805, by Galle & N. Brenet, Napoleon and Marat standing receive the two mayors, rev. Fame, with arms and trophies at her feet, blows a trumpet while holding a proclamation inscribed, IMP/ URBI/ SVAE, 68 mm (Bramsen 453). One or two minor marks, otherwise extremely fine. £Sold
Charles James Fox, gilt-brass plaque, , circa 1806, by P. Wyon, of Charles James Fox with high collar profile right, within acorn and oakleaf border, 170 mm, contained within circular wood frame with loop for suspension. Some minor damage to the frame, otherwise extremely fine. £Sold

redpajama_set_name: RedPajamaCommonCrawl


Four-piece rock band Forget The Whale, from Jersey City, made their startling debut three years ago with an explosive little EP called What I Tell Myself. The record put on display, more than anything else, the band's wild eclecticism, deriving influences from jazz, blues, funk and even nu-metal. And now, finally ending the long wait, Forget The Whale returns with What I Tell Myself Vol. 2, to continue their fiery rock 'n roll crusade.
The EP opens with an all-out assault to the senses with Hex. With its loud, muddy guitar riffs and bluesy soloing, the track possesses a minimalist rawness and energy reminiscent of The White Stripes but also manages to maintain a mainstream appeal. Alishia Taiping's powerful vocals and AJ Zienowicz's terse drumming only heighten the experience. This sound is explored further on Another Trick Up My Sleeve, but as we arrive to The Little Robot, the album makes a surprising change in direction, shifting to a smoother and mellower tone. The pace drops, and melody takes the spotlight.
Listeners are then led into another album highlight, Sails – an ambitious, November Rain-esque ballad, complete with a piano and two wailing guitar solos, before the record closes with a sweet pop-rock number that Paramore would approve of. All in all, Forget The Whale, with its expansive range of styles and emotions, is sure to appeal to every audience.


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Q: Chrome bug asp.net updatepanel posts twice This is my markup:
<asp:UpdatePanel ID="updPnl" runat="server" UpdateMode="Conditional">
        <ContentTemplate>
            <asp:TextBox runat="server" ID="txtEmail" AutoPostBack="true" OnTextChanged="txtEmail_TextChanged" />
            <asp:Panel runat="server" Visible="false" ID="pnl">
                <asp:TextBox runat="server" ID="txtUname" AutoPostBack="true" OnTextChanged="txtUname_TextChanged" />
            </asp:Panel>
        </ContentTemplate>
    </asp:UpdatePanel>

and this is the code behind:
and these are the event handlers in the code behind:
 protected void txtEmail_TextChanged(object sender, EventArgs e)
        {
            pnl.Visible = true;
            updPnl.Update();
            txtUname.Focus();
        }

        protected void txtUname_TextChanged(object sender, EventArgs e)
        {

        }

If I press enter on txtEmail textbox it works fine in all browsers and the focus comes to txtUName textbox except Chrome. On debugging I found that is happening because Chrome makes Ajax request twice. Is there anyway to fix this Chrome bug?
Note that it works fine in Chrome too if I use Tab instead of enter. However, I need to fix this Chrome bug of Enter too.

A: you may enter key trigger a post to the form,
you should prevent the submit action on enter (so enter key and tab key would have the same behavior)
you can do it with JavaScript (onkeydown) for instance.
however, I think update panel here is an overkill,
why not to use only JavaScript on the client side?
$("#txtEmail").change(function() {
   var email = $(this).val();
   // now you can do whatever you want with the value.
});

redpajama_set_name: RedPajamaStackExchange


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Ро́за () — третья серия одиннадцатого сезона британского научно-фантастического сериала «Доктор Кто». Сценаристы серии — Мэлори Блэкмен и исполнительный продюсер сериала Крис Чибнелл. Режиссёр — Марк Тондерей. Премьера серии состоялась 21 октября 2018 года.

В серии Тринадцатый Доктор (Джоди Уиттакер), Грэм О'Брайен (Брэдли Уолш), Райан Синклер (Тосин Коул) и Ясмин Хан (Мандип Гилл) прибывают в штат Алабама в 1955 год и мешают планам путешествующего во времени преступника из будущего, который планирует предотвратить становление Розы Паркс — важной фигуры движения за гражданские права в США. Сценарий серии затрагивает тему расовой сегрегации в США, существовавшей в то время и включавшей закон об общественном транспорте в Алабаме.

Сюжет
Пытаясь вернуться в Шеффилд 2018 года, Доктор случайно приводит своих друзей в город Монтгомери (штат Алабама) 1955 года. Перед тем как вернуться, Доктор узнаёт о следах артронной энергии от другого устройства перемещения во времени в этой области. Решив исследовать ситуацию, группа выясняет, что они прибыли за день до того, как Роза Паркс должна отказаться уступить место в автобусе, когда того потребует водитель Джеймс Блейк, что в итоге повлияет на движение за гражданские права чернокожих в США. Отслеживая энергию, команда находит чемодан с оборудованием из будущего, но тут появляется его владелец и заставляет группу бежать. Доктор предполагает, что этот человек пытается изменить историю Розы Паркс.

Оставив друзей узнать побольше о критическом моменте 1 декабря, Доктор возвращается изучить содержимое чемодана, перед тем как использовать его в качестве щита против владельца. Доктор узнаёт, что тот является отсидевшим срок убийцей по имени Краско и хочет изменить жизнь Паркс, поскольку его нервные имплантаты не позволяют убить какое-либо живое существо. Не убедив его отказаться от затеи, несмотря на уничтожение манипулятора временно́й воронки, она с друзьями концентрируется на срыве плана, убедившись, что Паркс не уступит место по требованию Блейка в необходимое время и при тех же условиях. И хотя Краско пытается противостоять им, группа опережает его и возвращает историю на верный путь.

Пока Райан срывает поддельные листовки, информирующие о закрытии маршрута, он встречает Краско, который перегородил дорогу, где должен проехать автобус, автомобилем. Райан понимает, что действия преступника мотивированы его расистскими взглядами, и использует устройство Краско на нём, чтобы переместить того назад во времени. Устранив помеху на улице, он вместе с остальными присоединяется к Доктору в качестве пассажиров. Когда наступает момент, Доктор осознаёт, что они стали важной частью событий, и призывает их остаться в автобусе. После того, как Паркс арестовывают за нарушение закона о сегрегации, группа возвращается в ТАРДИС и убеждается в том, что Роза станет живым символом борьбы за свободу.

Производство

Кастинг
После премьеры серии «Женщина, которая упала на Землю» было объявлено, что в сезоне среди прочих появятся Винетт Робинсон и Джошуа Боуман. Винетт Робинсон ранее появлялась в сериале в роли Аби Лернер в серии «42», которая также была написана Крисом Чибнеллом.

Актёр Морган Диар, сыгравший в серии Артура, тоже ранее был в сериале в роли Хока в серии «Дельта и знаменосцы» 1987 года.

Съёмки
Съёмки данной серии, как и предыдущей («Призрачный памятник»), начались в ЮАР в январе 2018 года.

Показ
За один вечер серию посмотрело 6,4 миллионов зрителей. Это второй результат вечера и пятый за всю неделю среди программ со всех каналов. Доля зрителей серии составила 29,6 %.

Критика

Серия «Роза» получила преимущественно положительные отзывы от критиков. На сайте Rotten Tomatoes она получила одобрение 95 % на основе 19 отзывов при среднем рейтинге 7,71 из 10. Был дан следующий критический консенсус: «Новый сценарист "Доктора Кто" Мэлори Блэкмен пишет проницательную серию, которая возвращает сериал к образовательным истокам и служит напоминанием того, насколько сильной может быть целенаправленная научная фантастика».

Примечания

Ссылки

Серии «Доктора Кто» на Земле
Эпизоды с Тринадцатым Доктором

redpajama_set_name: RedPajamaWikipedia


It appears that US president Donald Trump may finally have figured out how to hit Russia where it hurts. Last Friday, the US Treasury put seven Russian oligarchs, 12 businesses and 17 government officials on its Specially Designated Nationals list, which prohibits US citizens and companies from doing business with them.
The big difference this time round, as Marcus Ashworth points out on Bloomberg, is that the US government has also threatened secondary sanctions – in other words, it has warned that it will also levy sanctions on anyone for "knowingly facilitating significant transactions for or on behalf of" those it has targeted in the latest round. As a result, says Ashworth, "a wide range of transactions involving Russia are now incredibly tricky for global economies and markets. The motto for all becomes 'if in doubt, don't touch'".
The plight of aluminium producer Rusal shows just how dramatic an impact these sanctions can have. The company is in danger of technically defaulting on bond interest payments next month – not because it can't afford to pay them, but because it may well be locked out of the global financial infrastructure that enables it to do so. As Timothy Ash at BlueBay Asset Management put it in the Financial Times, that makes these sanctions "a major game changer in terms of how one should view Russian credit and market risks".
That's already sinking in, as investors sold Russia heavily in the wake of the news. Indeed, the whole situation has left Russia looking very cheap on a global basis. It's never been a market that I have been terribly keen to invest in (particularly not now that I need to worry about being able to get my money back out), but it is also fair to say that markets only ever get this cheap when the risks involved are high, so if you have an appetite for this sort of thing, now may be your chance. Just make sure that it's money you can afford to lose.
But this isn't just about Russia. It's also another major warning flag to investors who grew up in the heyday of globalisation, when capital and (to an extent) labour flowed freely across borders, that we have moved well beyond what some of us had perhaps assumed was "business as usual". The things we took for granted in the past – easy access to exotic markets, a general consensus that globalisation and ever-growing levels of trade are good things, and that governments were largely on the same page when it came to free markets – are now up for discussion again.
On the other hand, while politics and relationships in much of the developed world are deteriorating, we're seeing improvements in other areas that have long been troubled – my colleague Matthew Partridge looks at the opportunities in one such area, sub-Saharan Africa, in this week's cover story.


text:
Home News Beijing subways and buses no longer reject nucleic acid for more than 48 hours Passengers can take public transportation with the health treasure green code
Beijing subways and buses no longer reject nucleic acid for more than 48 hours Passengers can take public transportation with the health treasure green code
Source title: Beijing subway and bus no longer reject nucleic acid for more than 48 hours Passengers can take public transportation with the health treasure green code
According to the latest regulations of Beijing, starting from the first train on December 5, Beijing bus and subway operators shall not refuse to board passengers without a 48-hour negative nucleic acid certificate when verifying the health information of passengers. During the morning rush hour on Monday, reporters from the Beijing Youth Daily took subway lines 6, 10 and some bus lines. Some passengers found that their health treasure has a green code, but the associated ride-hailing software will display the red words "Health Code Abnormal". Pass without a hitch.
On the morning of the 5th, a reporter from the Beijing Youth Daily took the special bus at Tongzhou West Station to the Tongzhou Beiguan Subway Station on Metro Line 6. At this time, the Beijing Health Treasure of the Beijing Youth Daily reporter showed that the nucleic acid date was the fourth day, and the Health Treasure had a green code. When a reporter from Beiqing Daily swiped his card with a mobile phone with NFC function, he did not encounter any abnormal prompts and boarded the car smoothly. However, a reporter from the Beiqing Daily also noticed that when some passengers use the Beijing Public Transport App or the Yitongxing App to swipe the code to board the bus, if the nucleic acid exceeds 48 hours, the red words "abnormal health code" will appear. In this regard, a reporter from Beiqing Daily learned that the "abnormal health code" displayed by the system only represents the nucleic acid information related to the ride. The expiration of the nucleic acid does not affect the normal ride. Passengers only need to ensure that the health treasure is a green code.
See also In Friuli 151 companies are ready to vaccinate their workers: from Roncadin to Fantoni, here is the complete list
At Tongzhou Beiguan Station of Metro Line 6, passengers only need to measure their body temperature to swipe their cards or mobile phones to enter the station through the turnstiles. Rao Guangrui, head of the station on duty at Tongzhou Beiguan Station, said that during the morning rush hour, the passenger flow at the station was stable and passengers entered the station in an orderly manner. A reporter from the Beiqing Daily observed the scene for more than ten minutes and found no passengers unable to enter the station due to the expired nucleic acid.
It is worth mentioning that the staff in the station also disinfect frequently used credit card machines, fare collection machines, toilets, handrails, etc. frequently used by passengers to ensure safe travel. It is understood that the Beijing Subway Company strictly implements measures to disinfect gates, escalator handrails and other parts frequently touched by passengers at stations every hour during operating hours, and other public areas, operating equipment and facilities, and toilets every two hours.
At the same time, strictly implement the "5-step method" of daily train disinfection, that is, fully disinfect trains leaving the warehouse, spray disinfection on return trains, wipe and disinfect frequently touched parts such as doors, handrails, and poles of passengers on trains that do not return to the warehouse halfway. The train returning to the warehouse is fully and thoroughly disinfected, and the ventilation filter of the train is sprayed and disinfected.
See also Governor of Guangdong: Adhere to precise prevention and control and support qualified close contacts to implement home isolation|
On the morning of the 5th, a reporter from the Beijing Youth Daily took the special bus at Tongzhou West Station to the Tongzhou Beiguan Subway Station on Metro Line 6. At this time, the Beijing Health Treasure of the Beijing Youth Daily reporter showed that the nucleic acid date was the fourth day, and the Health Treasure had a green code. When a reporter from Beiqing Daily swiped his card with a mobile phone with NFC function, he did not encounter any abnormal prompts and boarded the car smoothly. However, the Beijing Youth Daily reporter also noticed that when some passengers use the Beijing Public Transport App or the Yitongxing App to swipe the code to board the bus, if the nucleic acid exceeds 48 hours, the red words "abnormal health code" will appear. In this regard, a reporter from the Beiqing Daily learned that the "abnormal health code" displayed by the system only represents the nucleic acid information associated with the ride. The expiration of the nucleic acid does not affect the normal ride. Passengers only need to ensure that the health treasure is a green code.
See also When attending the plenary meeting of the delegation of the People's Liberation Army and the People's Armed Police Force, Xi Jinping emphasized implementing the strategy of governing the army according to law and improving the level of the rule of law in national defense and military construction - Teller Report
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It's so beautiful that Wong Kar Wai even wrote a love letter for it. The city is finally connected by high-speed rail | Hung Hom Stadium | Central | Temple Street Night Market_Sina Fashion_Sina.com
Colombia to the final phase of the Sub-20: beat Argentina 1-0


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Home / News / Experiences from India on engaging with the private sector to improve nutrition
2017 30 June
Experiences from India on engaging with the private sector to improve nutrition
Thuy | Multi-stakeholder planning	SUN in Practice 2
For many people working in the nutrition sector or involved in efforts around nutrition scale up, understanding how the private sector can positively contribute to nutrition outcomes is a key priority. As part of ENN's work as a partner of the SUN Movement, providing support on learning documentation and sharing, we have identified private sector/business engagement as an important area for knowledge capture. As there has been relatively little documentation so far and we will continue to work to document and understand how this is evolving to contribute to addressing this important knowledge gap and priority in the sector.
In this post, we share the outputs from a recent visit to Delhi by ENN's Asia based Regional KM Specialist Dr Charulatha Banerjee. She worked on a 3-part video series which captures different perspectives on private sector engagement in nutrition from India. In recent years there have been some important changes in how government and NGOs are working with corporates to improve social and health outcomes, including nutrition, which has produced some interesting learning opportunities. For example, India was the first country in the world to introduce a law (in April 2014) which mandates that all large firms with earnings above a specified threshold must spend 2% of their net profits on Corporate Social Responsibility (CSR) projects. India also has a long history of work on food fortification which continues to expand in scope, through new initiatives such as food labelling and fortifying additional staple foods.
In this three-part series Dr Charulatha captures the experiences and reflections of three people – the Director of Nutrition at the large philanthropic organisation Tata Trusts (associated with one of the largest firms in the country), the CEO of the Food Standards Safety Authority in the Government of India, and the Director of Arupa Mission, an advisory NGO that supports corporates on how to shape their CSR spending.
Each video is linked to a discussion forum on ENN web forum en-net so please follow the links provided to share any questions or comments on these videos.
Dr Rajan Sankar, Director of Nutrition at Tata Trusts presents the vision of the trust formed by one of India's oldest corporate houses and its philanthropic work across the country.
Join the discussion forum
Dr Sankar speaks from his long experience, including previous experience as the Asia Regional Advisor for GAIN, on early efforts to bring business to contribute responsibly to social goals and the importance of working closely with Governments to create sustainable change. He also speaks about work on food fortification in India highlighting the usefulness of double fortified salt.
The discussion on food fortification continues with Mr Pawan Agarwal, Chief Executive Officer Food Standards Safety Authority of India.
Join the discussion forum.
The Food Standards Safety Authority is the body for all matters related to food safety and standards in the country speaks about how food fortification has been introduced in India through a process of engagement with all stakeholders. He also outlines the steps being taken to introduce fortified staples in public distribution and midday meal schemes and discussed the challenges of taking fortification to scale in a largely decentralised Government system.
Sonali Patnaik, Director Arupa Mission Research Foundation, speaks extensively on the CSR law in India and how it is working and has potential to impact nutrition programming and spending.
Sonali Patnaik has clear pointers on how to engage effectively with corporate houses to make their CSR impactful and elaborates on the challenges of human resource within the private sector to deal with this new aspect of running a business. She also discusses the importance of leadership and how some corporate houses have managed to make CSR part of "business as usual". She highlights several challenges with the law including alignment between government priorities and CSR funded programmes as well as some of the difficulties with M&E.
Through ENN's ongoing KM work to support the SUN Movement we will continue to work on documenting experiences around private sector engagement in nutrition, recognising that this is a new area for many in the nutrition sector with limited documentation on the "how to" of this engagement. ENN has also recently supported documentation of a SUN Business Network event in Africa which brought together SBN convenors from across the continent. We look forward sharing this and other content in the coming months.
About ENN support to the SUN Movement
ENN (formerly known as the Emergency Nutrition Network) is a United Kingdom registered charity which was set up to improve practice and strengthen the institutional memory of agencies involved in emergency food and nutrition sectors. ENN focuses on communities in crisis, typically humanitarian emergencies, and where undernutrition is a significant chronic problem. ENN receives funding from the Department for International Development to support the SUN Movement in the area of knowledge management until 2020. Click here for more information.
Bhavini Ajmera , ex consultant , DFID supported project ,Indore, M.P. | Jul 8, 2017 at 8:31 am
Excellent one. In fact I do believe that collaborative efforts are much needed to combat mal nutrition and fortification wd be an added benefit to boost the health of MAM & SAM Children. In fact people like Sonali Patnaik will be an asset to the organisation . Am very delighted to know the outcome of the project. All the very best.
Sonali Patnaik, Director, Arupa Mission Research Foundation | Jul 17, 2017 at 8:44 am
Thanks Bhavini.
WASH SUN Movement Secretariat gender equality Programming Nutrition-Sensitive Senegal Nutrition commitments Capacity building ENN Youth Peer-to-peer learning Policies & laws Climate Change Technical Assistance Business Monitoring Nepal Climate Kenya Multi-stakeholder planning


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Categories: Drones, Gear, Opinion
Like It Or Not, All Drones Must Be Registered
Today, the FAA formally announced plans for the registration of small unmanned aircraft (UAS), better known as "drones". The new laws apply to any UAS weighing more than 0.55 pounds (250 grams) and less than 55 pounds (approx. 25 kilograms) including payloads such as on-board cameras. Effective December 21st, all owners of qualifying drones are required to register them with the FAA. Failure to comply may result in civil and criminal penalties. Registration includes a $5 fee, which will be refunded for all registrations submitted before January 20, 2016.
Reaction to the FAA plan has been mixed. Many understand the need; some see it as unnecessary governmental intrusion, especially hobbyist pilots. All should focus on that last word: pilots. Plain and simple, that's what drone operators are: pilots.
Make no mistake: unmanned aircraft enthusiast are aviators, and with that title comes a great deal of responsibility, said U.S. Transportation Secretary Anthony Foxx. Registration gives us an opportunity to work with these users to operate their unmanned aircraft safely. Im excited to welcome these new aviators into the culture of safety and responsibility that defines American innovation.
Historically, RC aircraft have not always required registration, but two things have changed that: ubiquity and cameras. Before DJI reinvented the market, RC aircraft were mostly gas-powered, fixed-wing planes which the average consumer could not afford to build and fly. With the original Phantom, DJI made battery-driven quadcopters accessible, affordable and easy to fly. And, they added cameras.
Cameras changed everything
No longer were RC aircraft only of interest to aviation buffs. Now, the devices had intriguing applications for art, commerce and surveillance. As a result, the market exploded and drones became fairly commonplace in skies across the country. Too often considered a toy, they ended up in the hands of people who flew them without fully understanding the risks. Here are just a few examples of near misses by inexperienced or irresponsible drone operators:
Drone Crashes into Hot Springs in Yellowstone
Drone Crash Injures 11-month Old Baby
Drones Interfere with Efforts to Fight Wildfires
Drone Hits Groom in Head During Wedding Shoot
Drone Lands on the White House lawn
The casual reader may think me "anti-drone". I am not. I own a DJI Phantom and am considering upgrading to a DJI Inspire. A close friend owns several large octocopters designed to fly cinema cameras. I love drones. They democratize and economize the capture of sweeping, cinematic shots in a way never before available to photographers and cinematographers. They are the very definition of "disruptive" technology; in mostly positive ways. But, I know first hand the risks an inexperienced operator can take with their own safety and the safety of others.
While shooting a film in Iceland, I brought my Phantom to capture the epic landscapes and glaciers for which the country is best known. I did not have many hours at the controls and what few I had were earned in the remote Nevada desert. During my first Icelandic flight, I went up in too much wind and the drone tipped and crashed; breaking three rotors. Out in the Icelandic backcountry, there was no one around to injure.
A few days later, with new rotors in place, I did an initial test flight in the front yard of our apartment in downtown Rekyjavik. I took the drone up 10 feet and she held stable. 20 feet up. Stable. 40 feet up. Stable. At 80 feet up, I started moving left to right in a small, tight test pattern. On the third pass, something rattled loose and I lost control. The drone veered hard away from me and over a public park. Then, it tipped over and dove out of sight behind an apartment building.
As I chased it, I was not thinking of lost investment in the drone. All I could think of was the swarm of kids I saw playing in that park the afternoon before. I have two small kids. I was terrified. Rounding the corner, I let out a sigh of relief to find the park empty. It was a school day. I found the drone in pieces, but I did not care. No one had been hurt.
Was the drone manufacturer responsible? No. In fact, DJI and other manufacturers are being very proactive in building "flight fences" into their products which use onboard GPS to restrict where they can fly. No. It was operator error. Putting that drone up in the air, within the city limits, was irresponsible of me. I did not have mastery of required skills and the drone was untested after a recent crash.
It was all on me.
I understand the impulse to dismiss FAA regulation of drones as unnecessary overreach. But, it simply isn't. HAM radio operators require a license because the public airwaves are just that: public. The same holds true for public airspace.
There are other concerns that merit FAA licensure, not the least of which are personal privacy and the possibility of bad actors using dangerous payloads (e.g. guns, bombs). But, the simplest and most obvious reason is preventing crashes due to unskilled operators.
We don't let unskilled operators drive cars and motorcycles on public streets. We should not let unskilled operators fly aircraft, no matter how small or seemingly innocuous, in public airspace.
It really is that simple.
Photo Credit: DJI Inspire 1 Drone by DFSB DE
Tags: drone, FAA, Iceland, license, registration, safety, UAS, UAV, Yellowstone
Lume Cube debuts STROBE anti-collision drone light
Autel Evo drone - How easy is it to fly?
Light painting with your drone


Yowindow has made enormous progress since it was launched.!
Looking forward to the new landscapes etc.!
Happy New Year to you all yowindow freaks!
Many thanks to the developers Pasha and Yuro, and also the admins, for their great teamwork!!
Topic: Widget is Blank White Screen!!!
Re: Widget is Blank White Screen!!!
Try to cleanup the browser cache and then reload the page.
It may happen that the old version of the widget is in the cache.
Thanks for the advice Pasha! It works again!
Gives me a warm feeling in this cold winter!
Nice job, compliments to pasha and yuri!
Stay healthy and have a nice day!
Congratulations to you Pasha and Yuri!
May your work still going strong, just like the horse in Hermans message!! All the best to you there.
Toine Culot wrote: Very nice animation and so natural!
It is really a gracious horse! Congratulations!
I am waiting now for the princess to ride on the horse. ha,ha..


These O scale, 10"x12" strips are sold in a package of 6, 16" (406 mm) long pieces.
NOTE: This product was sold under the part number MA339P12 (12" strips) or MA339P24 (24" strips) in the Mt. Albert Scale Lumber catalog. The Fast Tracks part number for this product is now ST-O-10x12-16.
First time buying wood from Fast Tracks since they took over from Mt. Albert. This is the same quality wood products that you would expect from Mt. Albert. Outstanding job from Fast Tracks also priced right.


First of all, thank you for visiting our site. Your interest in Kat Kustoms, LLC is much appreciated. Please let us know if there is anything we can help with or questions we can answer.
Kat Kustoms, LLC is a full service Truck and Off Road shop located in New Knoxville, Ohio. We offer quality parts and kits for mild to performance suspensions (lifted and lowered), gas and diesel performance,drivetrain upgrades and changes, off road parts and accessories, and much more that can be purchased at our shop or shipped to your door. We service and install what we sell offering professional advice along the way. Kat Kustoms, LLC is also equipped for and experienced in custom fabrication. Our award winning work has been published in numerous magazines and our customers spread from the Carolinas to California and from Michigan to Texas. Whatever the need-whether it's advice, any type of part, or a completely custom built truck, KatKustoms, LLC can help modify your truck for many different applications including daily driver, race, show, off road, pulling, towing, and more. We will do so with honesty and integrity too. That is why we can say Kat Kustoms means"Pro Built Trucks". Thank you for taking the time to look around here. We look forward to meeting you, our friends and customers, and helping you with your truck or off road vehicle.
A little of our history.
My Grandfather, Howard Katterheinrich, was a farmer that started doing repair and fabrication on agricultural equipment in the 1960s. He started building equipment to improve his farming operation and trenching business and neighbors soon started asking to have work done as well. As time went on, the shop was enlarged from a 2 car garage size to a 30 x 40 building.My father, Dennis Katterheinrich attended auto/ diesel technical school graduating in 1972. The work in the shop had become more than what Grandpa wanted for a side job and in 1976 Dad took over establishing Katterheinrich Repair. All types of repair and fabrication was done including auto/ diesel,agricultural, welding, machining, building custom pieces of equipment, diesel conversions into gas powered trucks and tractors, and more.
My brother Luke and I grew up working on the farm and in the shop learning more from Dad and hands on experience than any school could teach. As a young teenager, I developed a strong interest and passion for 4WDsand any type of custom vehicle. This led to establishing Kat Kustoms in 1996 in order to help others modify and improve their own vehicles. Dad and I worked along side each other with him doing repair work and welding, and I with truck and car modifications. Luke, who is also a car and truck enthusiast, is now apart of Kat Kustoms as well.
Kat Kustoms, LLC, has become known for the trucks we have built and even though Dad and Grandpa have since passed, we also still provide the agricultural, auto and diesel repair, and welding services they were known for as well.


Opening of SwanCeramics Art Gallery at my house and participation with the National Open Studio Weekend "Landelijk Atelier Weekend".
"Praise to Nature" / "Ode aan de Natuur"
41 members of the Dutch Association of Ceramic Artists exhibit 62 artworks in the National Tree Museum Gimborn in Doorn, Netherlands. The exhibition is open daily from 9:00am - 7pm and a staffer from from 11:00am - 5pm. A catalogue is €3,00. The art works are small, familiar, cozy and big(ger) installations.
The address is: National Tree Museum Von Gimborn Arboretum; Velperengh 13, 3941 BZ Doorn, Netherlands.
Please, come and enjoy the beautiful nature walk in this great Tree Museum and enjoy the artworks!
41 leden van de Nederlandse Vakgroep Keramisten exposeren 62 werken in het Nationaal Bomenmuseum Gimborn in Doorn, Nederland. De expositie is dagelijks open van 9:00 - 19:00 uur en een keramist is aanwezig van 11:00 - 17:00 uur. Een catalogus met routekaart kost €3,00.
Het adres is: Nationaal Bomenmuseum Von Gimborn Arboretum; Velperengh 13, 3941 BZ Doorn, Nederland.
Kom alstublieft en geniet van een prachtige wndeling in dit grote Bomenmuseum en geniet van de de kunstwerken!
International Tea Ware Expo of 29 artists selected by Mr. Lou Smedts at the KIA Gallery, Boomsesteenweg 4/6, 2630 Aartselaar in Belgium. The opening is on April the 7th at 2pm. There will be a Japanese tea ceremony on April the 8th at 1.30pm by Urasenke tea master Staf Daems. I made some new "Chawans" with colorful spring colors.
Internationale Thee Waren Expositie van 29 kunstenaars geselecteerd door Meneer Lou Smedts in de KIA Galerie, Boomsesteenweg 4/6, 2630 Aartselaar in Belgie. De opening is op 7 April om 14:00 uur. Er is een Japanse thee ceremonie op 8 April om 13:30 uur door de Urasenke Thee master Staf Daems. Ik heb nieuwe Japanse thee kommen "Chawans" gemaakt met vrolijke lente kleuren.
Exposition with my 2D Wall-Art at the Dutch Cancer Institute NKI, Anthony van Leeuwenhoeck Hospital. The address is: Plesmanlaan 121, 1066 CX Amsterdam, Netherlands.
At the same time, I have a 3D exposition in 2 cabinets in the hall when you enter the hospital. You can walk around in the hallways and email me when you like something.
Expositie met mijn 2D Wall-Art in het Nederlands Kanker Instituut NKI, het Anthony van Leeuwenhoeck Ziekenhuis. Het adres is: Plesmanlaan 121, 1066CX Amsterdam, Nederland.
Tegelijkertijd stel ik mijn 3D work ten toon in 2 kabinetten in de binnenkomst hal van het ziekenhuis. Je kan rondlopen in de gangen en als je iets mooi vindt, kan je me emailen.
Exposition with 3 other artists at Galerie de Pomp, Dorpstraat 38, 2361 BE Warmond, Netherlands. The reception is on December the 8th at 5pm. The opening hours are Wednesdays thru Sundays from 3pm - 5pm. Please call 071-3011109 for the hours during the holidays.
Expositie in Galerie de Pomp van 7 December - 10 Januari 2018. De receptie is op Vrijdag 8 December om 17:00 uur. Het adres is: Dorpstraat 38, 2361 BE, Warmond. Openingstijden zijn van Woensdag tot en met Zondag van 15:00 - 17:00 uur. Bel 071-3011109 voor openingstijden vanwege de feestdagen!!
International Ceramic Tea Ware Expo of 29 artists selected by Mr. Lou Smedts in "Galerij Keramisch Atelier" in Utrecht, Netherlands. Opening hours from 2 pm to 6 pm. Address: Brigittenstraat 12, 3512 KK Utrecht. The reception is on November 5 at 2 pm.
International Ceramics Tea Ware Expo van 29 kunstenaars geselecteerd door Mr. Lou Smedts in Galerie Keramisch Atleier in Utrecht, Brigittenstraat 12, 3512 KK Utrecht, Nederland. De openingstijden zijn 14:00 tot 18:00 uur. De receptie is op 5 November om 14:00 uur.
Theme: Bottles and Boxes in Vichte, Belgium.
Swanica participates with 4 Horsehair-Glazed Raku Bottles. There are 104 participants and 10 days of wonderful lectures and outings to connect all the clay artists from all over the world.
Exhibition of 2D art works in the town hall Gemeentehuis Ouder-Aemstel in Ouderkerk aan de Amstel, Netherlands.
International Ceramic Tea-Ware Expo of 29 artists selected by Mr. Lou Smedts in "Galerij Gesigneerd" in Tremelo, Belgium.
Exhibition of Horsehair Raku 3D artworks and Kamakura-Red Ware in 2 glass cases in the entrance of the hospital of the Dutch Cancer Institute and Hospital NKI in Amsterdam, Netherlands.
Astronomical and Meteorological Spring in March 2017. The exhibition is in the Grang de Paul Art gallery in s'Hertogenbosch. Opening hours on Thursday - Saturday from 11 - 5pm.
First exhibition in the village where I live in Ouderkerk aan de Amstel in the Netherlands. The exhibition is with 5 other artists in 't Jagershuis, a former restaurant hotel. The opening hours are from 11 - 5 pm.
ACGA Clay and Glass Exhibition at the Palo Alto Art Center on Newell Road and Embarcadero in Palo Alto, CA, USA.
"Kamakura-Red and Horsehair" SwanCeramics Exhibition at the Yu Gallery in Kamakura, Japan.
"Kamakura-Red" Exhibition at the Ginnosuzu Gallery in Kamakura, Japan. To show that Japan is getting better af ter the terrible tsunami of March 11, 2011 as well as my own little disaster of breast cancer detected in April of 2011.
The "Wing, Tsubasa" exhibition at the Toko Gallery in Mashiko, Japan: "Love is a bird, she needs to fly".
Exhibition by Swanica Ligtenberg / Dance of KAN ICHI.
This "Angel" Kamakura-Red Kamakura Bori inspired teapot and cup are in an exhibition of my goldsmith family, my uncle Rudie Arens and grandfather and brothers Arens in the Museum"Het Valkhof" of the city Nijmegen, The Netherlands.
This Kamakura Red Bamboo Teapot is acquired by the Yixing Ceramic Arts Museum in their International Hall of Teapots, China.
This Kamakura Red Bamboo Teapot is accepted in the China 2010 2nd Shanghai International Modern Pot Art Biennial Exhibition, China.
The Kamakura-Red PEONY Vase is accepted at the Jingdezhen International Ceramic Fair, November 2009, and acquired by the Jingdezhen Ceramics Museum, China.
"Kamakura-Red and Horsehair" Exhibition at the Ginsuzu Gallery in Kamakura in Japan.
The Kamakura-Red teapot was exhibited in the Shanghai International Ceramic Art Expo, China.
Koyasan (Holy Mountain of Japan) Exhibition organized by the organization "Happymaker" in Japan.
My "Golden Lotus Horsehair Vessel" is accepted by the San Diego Art Institute: Museum of the Living Artist in their 50th International Juried Awards Exhibition in San Diego, USA.
My "Kamakura-Red Bamboo TEAPOT" is accepted in the International Contemporary Teapot Exhibition with the title: "Beyond the Function". The exhibition dates are from April 6 – 12, 2009 in the French Designer Gallery of French Thompson in Scottsdale, Arizona and concurrent with the NCECA (National Council on Education for the Ceramic Arts) conference to be held in Phoenix from 8 – 11 April, 2009, USA.
Gallery House "Holiday Show", Palo Alto, CA, USA.
My "California Sun" Horsehair plate and 2 other pieces are selected for the California Clay '08 exhibition from the Association of Clay and Glass Artists at the Fresno City College, USA.
My "Circles of Life" Horsehair Plate won a Judges' Commendation Award in the Mashiko International Ceramics Competition 2008 and was exhibited in the MASHIKO MUSEUM of Ceramic Arts in Mashiko, Japan.
My "Cosmos Horsehair Plate" won an Honorable Mention in the 08 MINO international Ceramics Competition and is exhibited in the Ceramics Park MUSEUM in Mino, Japan.
Gallery House 3D-Show "Cast of Characters" in Palo Alto, CA, USA.
Coupa Cosas: "Art of Tea and Coffee" groups show from ACGA in Palo Alto, CA, USA.
Yufuku Gallery: Ceramic and Food Exhibition, in Tokyo, Japan.
Gallery House 50th anniversary: special April show in Palo Alto, CA, USA.
The "BOX" Groupshow in the GALLERY IN THE BLUE in the town of Utsunomiya, Tochigi prefecture, Japan.
"Holiday Groupshow" at the Gallery House in Palo Alto, CA, USA. My work was wood-fired during "The Fantastic Fire" workshop in Mashiko, Japan.
"Horsehair" exhibition at the Toko Gallery in Mashiko, Japan.
The Tokyo Nippon Tougei Club had their major Groupshow in the Mitsukoshi Nihonbashi store in Tokyo, Japan. I participated with 2 horsehair pieces.
My "Horsehair Vase' won a SPECIAL JUDGES AWARD in the Mashiko International Ceramics Competition 2006 and was exhibited in the MASHIKO MUSEUM of Ceramic Arts in Mashiko, Japan.


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<link rel="import" href="/bower_components/prism-js/prism-js.html">
<template>

Summary

The push() method adds one or more elements to the end of an array and returns the new length of the array.

Syntax

<var>arr</var>.push(<var>element1</var>, ..., <var>elementN</var>)

Parameters

elementN

The elements to add to the end of the array.

Returns

The new length property of the object upon which the method was called.

Description

The push method appends values to an array.

push is intentionally generic. This method can be used with call() or apply() on objects resembling arrays. The push method relies on a length property to determine where to start inserting the given values. If the length property cannot be converted into a number, the index used is 0. This includes the possibility of length being nonexistent, in which case length will also be created.

The only native, array-like objects are strings, although they are not suitable in applications of this method, as strings are immutable.

Examples

Example: Adding elements to an array

The following code creates the sports array containing two elements, then appends two elements to it. The total variable contains the new length of the array.

<prism-js language="javascript">var sports = ['soccer', 'baseball'];
var total = sports.push('football', 'swimming');
console.log(sports); // ['soccer', 'baseball', 'football', 'swimming']
console.log(total);  // 4
</prism-js>

Example: Merging two arrays

This example uses apply() to push all elements from a second array.

<prism-js language="javascript">var vegetables = ['parsnip', 'potato'];
var moreVegs = ['celery', 'beetroot'];
// Merge the second array into the first one
// Equivalent to vegetables.push('celery', 'beetroot');
Array.prototype.push.apply(vegetables, moreVegs);
console.log(vegetables); // ['parsnip', 'potato', 'celery', 'beetroot']
</prism-js>

Specifications

   Specification
   Status
   Comment

   ECMAScript 3rd Edition
   Standard
   Initial definition. Implemented in JavaScript 1.2.

   ECMAScript 5.1 (ECMA-262)
The definition of 'Array.prototype.push' in that specification.
   Standard

   ECMAScript 6 (ECMA-262)
The definition of 'Array.prototype.push' in that specification.
   Draft

See also

Array.prototype.pop()

Array.prototype.shift()

Array.prototype.unshift()

Array.prototype.concat()

This page on MDN: Array.prototype.push(), by Mozilla Contributors.
Licensed under the terms of Creative Commons Attribution-ShareAlike.

</template>

redpajama_set_name: RedPajamaGithub


text:
Q: where is the exact certificate required for my curl commands I have a python application which talks to JIRA APIs through emulating curl commands. take for an instance a curl command given below
curl -E mpadakan -X GET -H 'Accept:application/json' 'https://track-api.company.com/jira/rest/api/2/issue/EPMENGG-2329'

Now notice the string mpadakan after the -E option. it's my company Id and the command automatically fetches the required certificates for curl. This works fine in my local host but now i need to host this on a server for production.
I've tried deleting the files in the .ssh and .certs directory in my home folder but the command still works even without these folder and the files in them.
How do i migrate this to my server now? Thanks in advance


text:
About Tom Baker
PSP Review - 'Tomb Raider: Anniversary'
by Tom Baker on Sept. 4, 2007 @ 3:58 a.m. PDT
Using an enhanced Tomb Raider: Legend engine, the graphics, technology and physics bring Lara's adventure and pursuit of a mystical artifact known only as the Scion up to today's tech standards and offers gamers a completely new gameplay experience.
Publisher: Eidos Interactive
Developer: Crystal Dynamics
Buy 'TOMB RAIDER: Anniversary':
X360 | PS2 | PSP | PC
Tomb Raider: Anniversary gives gamers a chance to relive many an adolescent fantasy by once again putting them in the place of Eidos' iconic heroin, Lara Croft. Fans of the series may have faced bitter disappointment with some of Lara's previous escapades, fiddly control systems and a reliance on shooting over substance have left even the most die-hard "Raiders" embittered toward the game. Anniversary for the PSP does much to restore the good Croft name by reinventing the original Tomb Raider title.
Anniversary retells the original plot of the first game, where Lara is sent after the Scion, a rare artifact of unknown power which may hold the key to discovering the lost city of Atlantis. You will follow Lara though the lush jungles of the lost valley, ancient deserted Grecian temples and the lost city itself, finding artifacts and following the research left by Lara's father. Along the way, you will have to maneuver through traps and dispatch of various enemies from bears to the chronologically misplaced Tyrannosaurus Rex.
The game's main focus, however, lies in the traps and puzzles which need to be traversed in order to progress. This is usually accomplished with dramatic aerobatic feats akin to the Prince of Persia series, and it is obvious from the control system and certain features that this is the main style model from which Eidos drew the gameplay.
Anniversary relies very little on constant action or pitched battles. Weapons aren't presented to the gamer on a silver platter, but more in a survival-horror style, where more powerful weapons have to be rigorously searched for if you want to unlock them. The classic dual pistols with an infinite supply of ammo make an appearance as the backbone of Lara's arsenal, and you'll find yourself relying on these more than ever, as secondary ammunition for the various other weapons is scarce. Locations, weapons and dialogue are all lovingly recreated in a way which truly pushes the little PSP to its limits. To say that this game is a simple graphical rehash of the original would be downplaying the innovation and genius that has obviously sculpted Anniversary. The story and set pieces may have remained true to the original, but the introduction of new puzzles, special moves and equipment mean that this could be a standalone title.
That is not to say that Anniversary is a giant leap from what the original game was, which can only be a positive, since the more recent tomb raiding adventures have been a disappointing crop at best. Eidos used the original team from the first game to retell their genre-defining story on next-generation platforms, and while Anniversary is certainly not the step forward that the original Tomb Raider was, it has drawn from more recent titles and genre innovations to make a truly enjoyable game.
The gameplay of adventure titles such as Tomb Raider has always been tantamount to success. A cumbersome or loose control system can ruin even the most established titles, so it's a relief to see that Anniversary has recovered from the control issues present in previous incarnations in the series. More impressive still is that Eidos has accomplished this on a PSP single analog system. The d-pad acts as a quick inventory and controls the new grapple hook item, which allows Lara to unlock certain puzzles and perform ambitious swings in the crumbling temples. The shoulder buttons have the dual use of controlling the camera and, when pressed together, drawing Lara's weapon, which is less disruptive to gameplay than it sounds and very practical, considering the PSP's lack of actual buttons in comparison to a control pad.
The analog system may be well incorporated, but it still feels loose and slightly detached from Lara's actions. This can lead to some frustration, especially since a lot of the actions and puzzles require precision movement on very small ledges, and a deathly plummet off a cliff just meters away from the next checkpoint can cause needless amounts of backtracking. Even though adventure games would not be the same without this level of frustration and accomplishment, the unbalanced sensitivity of the analog stick at certain times can exacerbate this to the point where you simply just have to put the game down.
Aside from this minor issue, the gameplay is incredibly satisfying. Just making those distant jumps, wall-running to a secret location or even dispatching enemies with a variety of aerobic maneuvers are all still staples of the Tomb Raider experience. Even the combat has been tweaked with the new "adrenaline rush" feature. As an injured creature gets enraged, it charges Lara, giving you the chance to slow down time, dive from harm's way and deliver a potentially lethal shot to the head. Additions like this and the grapple hook make the gameplay feel individual to this title to the point where you may forget this is based as a remake of the first game. The targeting system has also been modified, providing you with locking crosshairs that tell you weather a target is in range. This makes up for an inability to manually aim your crosshair, and it makes combat that much more slick and integrated into the actual adventure, rather than making the gamer shift from combat to a "puzzle solving" portion of the game.
Graphically, Tomb Raider Anniversary boasts some of the most impressive set pieces and level of detail that I've seen in a handheld title. The sharpness of the PSP's screen makes the environments appear much clearer than even the PS2 version of the game, and the pixelation is minimal, even if you zoom in on surfaces. Lara has also never looked better — if you'll pardon the cliché — with a lot of time obviously being taken in the modeling of her actions and the intricate detail of her facial features.
The levels themselves can be huge, with elaborate traps and climbable surfaces all in a single arena, rather than segmenting them into smaller puzzles such as the Prince of Persia series. In one case, you'll find yourself scaling ancient water wheels built into the side of a massive waterfall, and you'll need to execute precision timing and death-defying leaps to reach the top before swan diving into an incredibly well animated pool. If anything, Anniversary is too ambitious when it comes to graphics because when entering some of these huge arenas or engaging multiple enemies, there can be significant slowdown. This poses more of a gameplay issue when combined with the loose control systems, as you may often find yourself suffering from slow frame rates as you're about to attempt one of the more devious leaps of faith.
The soundtrack of Anniversary is a welcome blast from the past, with the classical scores bringing back fond memories of being mauled by the bear on the first level and that one jump which could never be overcome. Everything from the eerie howls of the wolves to the firing of Lara's arsenal are all gloriously represented though the PSP's tiny speakers, reminding you of why Tomb Raider was such a timeless classic.
Like previous Tomb Raider games before it, there is no multiplayer function, but the ability to replay levels and a plethora of unlockable extras means that any serious or casual gamer will find hours of replayability in this title. Finding artifacts and relics to unlock cheats, cut scenes and ahem extra costumes for the buxom Lara will keep gamers more than occupied and introduces an extended lifespan which the original sadly lacked. Anniversary also has a time trial mode, which encourages players to speed run through completed levels in order to achieve the fastest times; it is these extra considerations that Anniversary includes which makes it stand out from previous Tomb Raider titles and other action adventure games.
Tomb Raider: Anniversary for the PSP is well worth a look, even if you are not a fan of the series. Any adventure aficionado would be hard-pushed to find much wrong with this title or find any other game which challenges the sheer playability that Anniversary has to offer. The Prince of Persia series may have Tomb Raider beat in its speed and precision of controls, but in terms of graphical prowess and simple nostalgia for the days of the first game, Tomb Raider stands head and shoulders above the competition. Those who enjoyed the original will be enthralled by all the additions to the gameplay, and those new to the series would not go wrong to start with Anniversary. There are a few minor but noticeable problems with this game, but they mainly stem from the PSP itself. Anyone with a better familiarity with the control system, especially on action adventure titles, should easily be able to overcome these hiccups. This game will leave you hoping to celebrate the next Anniversary with Miss Croft in another 10 years.


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A few weeks ago Eve (my cat) went into heat for the first time, at about 9 months old. She's growing up! But oh, what a racket!
Very strange noises, sounding like, 'rrrrrraaaaaarrrrrrrgggaaaaahhhhh!' You sort of get used to it after a while – except when you go to bed. It just doesn't stop! So she was locked into the lounge room, which gave us some relief. It lasted for almost a week and then stopped, and the vet told me that I'd have to wait a couple weeks after it stopped before I could get her de-sexed.
So I got it done Friday last week.
De-sexed. There's another politically correct term that tries to hide the reality of what actually happens. They cut her open and rip her inside bits out! Isn't 'de-sexed' or 'speyed' really just words to prevent sensitive cat owners from thinking about the torture their cat is experiencing?
Yeh, yeh, I know. It's got a healthy purpose – it prevents the owners from throttling their cats! And last but not least, it prevents the cats themselves from bringing into this world MORE cats!
Sure, they're all cute and cuddly when they're born, but then THEY make those noises too! And the pain just starts all over again!
Not to mention that we really have to think about what kind of world we're bringing them into. Crime, violence, dangerous cars, guns… and that's just what cats worry about!
De-sexed. The answer to the problems of the world. The human problems. With cats. Isn't it funny how there's this huge encouragement for people to have pets, but there's an even bigger encouragement for them to be desexed.
What does it mean? Of course, it means to prevent them from getting pregnant or causing pregnancy.
But what it REALLY means is that there's a conspiracy to DESTROY all the cats of the world! Make them extinct! How can they breed and continue the family line when they're de-sexed!
Cats are a dying species, and we're killing them off, all in the name of caring for them.
What a world we live in, hey?
I'm just happy I don't have that noise in the house any more.


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Humans and animals in a beautiful little village in Galicia: Oliver Laxe's FIRE WILL COME
After viewing FIRE WILL COME, the new film from French-born-but-works-all-over-the-place Oliver Laxe, I am convinced that cows are the most beautiful animals in the world (though there is a sad and glorious horse here, too, along with a quiet and noble dog).
M. Laxe (shown below), who also made Mimosas and You Are All Captains, is an oddball filmmaker, to say the least, and his latest will do nothing to counter that opinion.
And yet this movie is so calm and beautiful in its pacing, performances and visuals that it casts an immediate spell so strong that literally nothing that happens in the film -- from raging fire to angry fighting -- can break it.
The film begins in darkness, in a forest in which trees are suddenly falling, one after another after another. (A stray comment later in the film connects this with all that has come before and after.) Then we see paperwork and hear a man commenting on the recent release of a prisoner named Amador who was jailed for pyromania.
We meet that ex-prisoner, now come home to live with his mother in a gorgeous little village in Galicia, Spain. We also meet a few of the townspeople, some of whom try to cozy up to this fellow, while others simply make fun of him ("Hey, Amador: You got a light?").
There is also the local veterinarian, a handsome immigrant woman who seems to be attracted to our "hero," and he to her.
That's it, really, in terms of plot, but as the movie lasts only 86 minutes and is so stunningly beautiful to look at -- Galicia is certain to top the list of post-Covid-19 travel destinations for folk who see the film (one of the characters actually comments on this area's need for more tourism!) -- the only complaints should come from action-film aficionados.
Dialog is also pretty minimal, as is any real character development. Yet so strong is Laxe's sense of who these people are, and so true seems each of the performances, it's as though the filmmaker plucked his cast from the town itself and simply used them all as they were (which, for all TrustMovies knows, he actually did).
By the finale, we are left with the question: Did Amador start this recent fire, together with the former one? I suppose so, and yet it almost seems that the filmmaker does not care. Oddly enough, maybe neither do we. And it is not that this does not matter; it's more that perhaps there are other, more important things to consider. Laxe does not tell us, but I think he has certainly shown us, what these are.
Distributed by KimStim, this really lovely movie has its U.S theatrical premiere this Friday, October 30, in New York City at the Metrograph Virtual Cinema, then on Friday, November 6, it will open in Los Angeles at the Acropolis Virtual Cinema. To view all upcoming playdates, simply click here.
Labels: FIRE WILL COME, Galicia, gorgeous movies, Oliver Laxe, pyromania, quiet films
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In this episode we learn about the holiest day in all of Judaism: Yom Kippur, also known as the Day of Atonement through the lens of Messianic prophecy. What does an ancient feast have to do with the future? How will Jesus' second coming impact the Jews? What is the truth about replacement theology and more? All of this and more!
Levites = men from the tribe of Levi that were set apart for service to God. All priests were Levites, but not all Levites were priests. They helped maintain the Tabernacle and the Temple, were supported by tithes, and were fed from the food offered as sacrifice.
High Priest = the head priest who, once a year, would offer a sacrifice to purify himself and the accidental sins of the nation before entering the Holy of Holies in the Tabernacle/Temple to offer incense in the Presence of God's Spirit.
The High Priest would then conduct the goat lottery where one goat would be sacrificed as an offering for the people's sin, and another goat (the scapegoat) would be sent out into the wilderness to die.


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Blogging the Nebulas
Blogging the Nebulas: Alix E. Harrow's The Ten Thousand Doors of January Unlocks the Magic of Portal Fantasy
Joel Cunningham
Wed May 20, 2020 10:00am 1 comment 2 Favorites [+]
The Nebula Awards could be described as the Academy Awards of SFF literature; they are voted on by the professional peers of the award nominees—members of the Science Fiction and Fantasy Writers of America. There are six nominees in the best novel category this year. All this week, I will be reviewing each of them in turn and figuring their odds of taking home the prize. Welcome to Blogging the Nebulas 2020.
My introduction to fantasy took place through the back of a wardrobe that opened up onto a magical land. Portals to other worlds are one of the genre's definitional tropes, making a plot tool out of the metaphorical relationship between reader and novel: Books are gateways.
That's the operating thesis of Alix E. Harrow's The Ten Thousand Doors of January; its titular protagonist is a girl who enters, through a very peculiar book, into the life of Adelaide, a woman from an earlier era who discovers that some doors don't lead where you expect. January lives in the early 20th century, a ward of the wealthy, aristocratic Mr. Locke, who employs her father as an adventurer of sorts, sending him off in pursuit of rumors of fabulous treasures. Bored with her comfortable society life, January relishes losing herself in pulpy novels, and one day comes across a strange, handcrafted volume entitled "The Ten Thousand Doors." Assuming it is a gift from her father—who has not returned from Mr. Locke's last mission—she begins to read.
The book introduces a new narrative thread and a new and compelling—perhaps significantly more compelling than the wide-eyed teen January—protagonist in Adelaide Lee Larson, who lived a few decades before January was born. In chapters that alternate with January's tale, told in the first person, we follow Adelaide's adventures as viewed through the sort of scholarly report that makes up The Ten Thousand Doors, penned by someone who appears to be in pursuit of Adelaide and sharing her story. Said story—involving unexpected journeys, a doomed love affair, and a sinister plot to end magic—turns out to be intertwined with January's, to her (but not the reader's) surprise.
Given that this is a book preoccupied with the power of stories, it's appropriate that Alix E. Harrow so clearly understands how they work. The Ten Thousand Doors of January is deftly and carefully constructed, but it doesn't feel that way while you're reading along: it's more subtle, solid bones wrapped in glistening emerald skin. Intercutting the twin coming of age stories of January and Adelaide (albeit one told in a reverse order of sorts, in the case of the latter) gives the plot a narrative drive it might have lacked if solely focused on January, who is a bit too much of a teen to carry the dramatic weight her counterpart's sad tale delivers.
It's hard to talk about this book without mentioning the prose, which flows like a river: "It is at the moments when the doors open, when things flow between the worlds, that stories happen." "Destiny is a pretty story we tell ourselves. Lurking beneath it there are only people, and the terrible choices we make." "Books are Doors and I wanted out." Harrow is able to describe the experience of reading as an escape with tactile precision. This is fantasy that feels real, because it allows us to really believe that a book can be a doorway, and that doorways can lead somewhere magic.
Why it could win
The Ten Thousand Doors of January is Alix E. Harrow's first novel, but she's already a familiar name on awards ballots: Her short story "A Witch's Guide to Escape: A Practical Compendium of Portal Fantasies" won the Hugo Award and was a finalist for the World Fantasy, Locus, and—yup—Nebula awards. There's obviously a lot of enthusiasm out there for her writing, both from readers and her fellow pros (hence the novel's placement on both the Hugo and Nebula slates this year).
Moreover, the novel is an accessible fantasy—which is to say, not a dense volume in a multi-book epic—a form that has a decent track record at the Nebulas: see relatively recent wins for Naomi Novik's Uprooted and Jo Walton's Among Others. Like the latter, The Ten Thousand Doors… is a fantasy about the magic inherent in books, though perhaps in a more literal fashion; whereas Walton wrote about a lost girl finding herself in genre fiction, Harrow's characters literally become lost thanks to a singular book. In any case, writers are apt to enjoy a novel that's all about how putting pen to paper is a transformative and meaningful act.
This one may also win votes simply because it is so very hard to dislike. The prose sings, the characters leap from the page, and the narrative is designed to evoke maximum feels. It's a standalone, and doesn't leave you yearning for a sequel so much as satisfied that it doesn't need one. It's a complete story that ends perfectly, which may engender enough goodwill—and votes—to put it over the top.
Why it may not win
I've already laid out the case against debut authors taking home the Best Novel award; rather than reiterate it, I'll just point you to the "Why it may not win" section of my review of A Song for a New Day and leave it at that—partly because, with four debuts on the ballot this year, and all of them strong contenders, I have a pretty good feeling the point is going to be moot.
That said, Harrow's novel is a debut, and it occasionally feels like one. Though the central characters are remarkably distinct in terms of action and dialogue, the supporting ones can feel a bit sketched in and indistinct—including her villains, whose motivations and heel turns might have you scratching your head at times. The pacing is also a little lumpy, occasionally losing momentum and focus as the point of view shifts every chapter or two between January and Adelaide, rushing forward then staggering a bit, only to nearly race past the climax in its hurry to reach the happily ever after. I'm picking at the seams here—it's still an enormously enjoyable novel, and rightly adored by enough readers that it made it deep into the Goodreads Choice Awards—but with a Best Novel ballot this strong, the smallest perceived flaws could prove to be fatal ones.
Which is a bit melodramatic, yeah: Alix E. Harrow is no doubt well pleased to have even made the ballot in a standout year for the genres, and if she doesn't take home the award this time, well, something tells me it won't be her last shot.
Joel Cunningham was the founding editor of the B&N Sci-Fi & Fantasy Blog (RIP), where he explored the galaxy for 5 years, picking up a Hugo Award (well, tangentially) along the way. He's now managing editor of Lifehacker, which means he's managing at least one thing nowadays. He lives in an apartment in Brooklyn with his wife and two children and hopes to go outside again someday. He tweets @joelevard.
Alix E. HarrowBlogging the NebulasNebula AwardsNebula Nomineethe ten thousand doors of january
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Infinite Possibility: Five Fantasy Multiverses
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Browsing by Subject "history of botany"
An analysis of travel reports of the Finnish botanical expeditions to Russian Lapland (Murmansk Region and northern Karelia) in 1861 and 1863
Kozhin, Mikhail N.; Sennikov, Alexander N. (2020)
Finnish botanical expeditions which were made to Russian Lapland (present-day Murmansk Region and northern Karelia, Russia) in 1861 and 1863 published travel reports with preliminary information including numerous floristic novelties and phytogeographical observations, but they have been overlooked in present-day studies. Two reports appeared in print, by Gustav Selin on the expedition made in 1861, and by Nils Isak Fellman on the expedition made in 1863. We analysed the records of vascular plant species published in these reports in order to trace and evaluate first records and localities of rare and legally protected species on the basis of herbarium vouchers kept at H. In spite of high self-claims, Selin actually only reported nine species new to present-day Murmansk Region and one species new to Republic of Karelia, and four species of vascular plants that are currently under legal protection in Murmansk Region, whereas Fellman reported 11 species new to Murmansk Region and five species new to Karelia, with 34 species under legal protection in Murmansk Region. First records of alien plants were seven species from Selin and four species from Fellman. These records brought the contemporary floristic knowledge in Russian Lapland to 504 species of native plants (50% of the current total) and 54 species of alien plants (11% of the current total). Fellman's report included the first phytogeographical observations from the Kola Peninsula, with the first botanical limits observed, and the first descriptions of key botanical territories which are currently under strict protection. This study contributes to botanical history, plant protection and management of plant invasions in Murmansk Region.


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Home/General News/428 Federal Ministries, Departments, Agencies can't pay salaries
428 Federal Ministries, Departments, Agencies can't pay salaries
CenturyPost Send an email November 2, 2020
At least 428 Ministries, Departments and Agencies, MDAs, in the federal civil service have reportedly exhausted their 2020 personnel costs and are, therefore, unable to pay salaries.
Funds meant for personnel costs are domiciled in accounts overseen by the Integrated Personnel Payroll Information System, IPPIS, department in the Office of the Accountant-General of the Federation, OAGF.
But an official of the Ministry of Finance who pleaded anonymity said that it was strange for MDAs to claim to have exhausted their personnel budgets before end of a fiscal year.
He said each MDA has a budget for personnel costs and wondered how anyone would claim there was no money to pay salaries. According to him, chief executive officers of such MDAs have to explain what is happening.
However, the situation is such that the morale of officers and men of the Federal Fire Service, FFS, for instance, is now at an all-time low, following inability of the Ibrahim Alhaji Liman-led management of the service to pay salaries of the operatives for the past two months.
Consequently, there are grumblings within the service, with plans by some personnel to stay away from work, saying they could no longer continue to borrow money to come to work.
While the operatives used to receive their salaries between 26th and 29th of every month, the situation took a dramatic turn in September as they were not paid.
Hopes that they would be paid in days became dashed when weeks after, they were still not paid. A similar situation recurred in the month of October.
Many of the operatives said life had become increasingly difficult for them as they are unable to meet financial obligations while they have exhausted their goodwill with their neighbours and can no longer continue to borrow money to feed and go to work.
It was learned that the situation is not different in many other MDAs.
"Schools were only recently reopened after the COVID-19 induced lock-down. This is the time to pay fees. Some of us have more than one child in school. Where do we get the money to pay the fees?" a staff in one of the MDAs lamented.
Another personnel who also declined to give his name for fear of possible sanctions, said he was tired of borrowing from neighbours.
He said: "I am deployed in one of the states where state workers are not even paid on time. Now, the Federal Government has not paid me for the past two months. Who do I borrow from? Is it from my neighbours who are state civil servants and who have also not been paid or who are paid in percentages?
"My wife sells foodstuffs. As I speak, we have exhausted all she had in the shop. My situation is even better. There are some couples who are both staff of the service. Only God knows how those ones have been surviving.
"We are not even talking about allowances or beverages that should be given to operations staff. We are asking for our salaries. They blame us for speaking in the social media but the truth is that most of us did not even say anything on the social media.
"When our creditors come to ask for debt repayments and we keep telling them that we have not been paid, definitely the news will get out to the public because those ones will start spreading tales about how we owe them and have refused to pay back."
Not only FFS, but other MDAs
The Federal Fire Service had issued two circulars within one month regarding the situation.
In the first circular dated October 14, 2020, and signed by the Director, Finance and Accounts of the Service, Agholor Michael, the paramilitary agency sought to downplay the development, saying it was not the only one affected.
"This is to inform the personnel of the service that delay in the payment of September 2020 salary was due to insufficient funds in the Federal Fire Service personnel cost head, just like other MDAs.
"Consequent upon the above, relevant agencies have been contacted and efforts are in top gear to resolve the issue as soon as possible," the circular stated.
Other services in the Ministry of Interior are not caught in the same web of non-payment of salaries.
Aside from the Federal Fire Service, other agencies in the ministry are the Nigeria Security and Civil Defence Corps, NSCDC, the Nigeria Correctional Service, NcoS, and the Nigeria Immigration Service NIS.
428 MDAs can't pay
However, in another circular dated October 30, 2020, the service was specific in stating that 428 "Ministries and Extra Ministerial Departments of the Federal Government" are affected.
The circular, signed by the Deputy Controller-General (Admin & Supplies), Mr Quintus G. Azogu, on behalf of the Controller General read: "I am directed to inform all personnel of the Service that the Integrated Personnel Payroll Information System, IPPIS, department of the Office of the Accountant-General of the Federation, OAGF, was unable to pay salaries since September 2020 due to insufficient fund in the Services 2020 Personnel budgetary allocation.
"Similarly, about four hundred and twenty-eight (428) Ministries and Extra Ministerial Departments of the Federal Government were affected.
"However, the Service is in touch with the relevant authorities of Federal Ministry of Finance to ensure that this delay is resolved as soon as possible to enable the payment of outstanding salaries for the year 2020.
"To this effect, I am further directed to seek the understanding, patience and cooperation of all personnel, pending the resolution of the matter."
The Energy Commission of Nigeria ECN had in a similar circular dated October 5, 2020, advanced the same reason for its inability to pay the staff.
Director, Finance & Accounts of the ECN, Cletus D. Nnah, who signed the circular on behalf of the commission's Director-General/CEO, had said the development affected 422 agencies.
The circular read: "I am directed to inform all staff of the commission that the Integrated Personnel Payroll Information System, IPPIS, department of the Office of the Accountant General of the Federation was unable to pay our September, 2020 salary due to insufficient fund in the commission's 2020 personnel budgetary allocation.
"However, the commission in conjunction with the Federal Ministry of Science and Technology (FMST) and OAGF IPPIS department is liaising with the Federal Ministry of Finance (FMF) to obtain authority to incur expenditure for payment of our outstanding salary for the year 2020. This delay is affecting about 422 agencies of the government and will be resolved quickly.
"Consequently, I am also directed to solicit the cooperation of all staff to be patient with the government, pending the resolution of this matter. You are also kindly advised to be prudent with whatever salary you receive within this fiscal 2020. Please be assured of the Director-General/CEO's warm regards, and best wishes."
Some staff of this agency also said life had been tough for them and their families, wondering how government expected to cope with the present inflationary trend in the country.
A staff who pleaded anonymity lamented: "It's been tough surviving. Another month (October) has ended now and there is no sign that he will be paid. How does one survive?"
While it was not clear how the personnel costs were exhausted, checks revealed that it was either the funds were deployed for other purposes or that the affected agencies overshot their recruitment allocation, in which case they recruited new personnel above what was approved for them. (News Express/Vanguard)


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Gloucester have just signed a new hooker
He's won 12 caps for Australia
Tom Gibbon
Australian international hooker James Hanson has signed for Gloucester on a short-term deal.
The 29-year-old, who has won 12 caps for the Wallabies, has arrived at Kingsholm to strengthen a position where Gloucester are short of senior options.
Ed Slater: 'We want to be talking about wins each week, not second-half fight'
Richard Hibbard and Motu Matu'u were the only senior hookers in the squad with back-up from England Under-20 duo Henry Walker and Joe Mullis.
"I have been keeping an eye on the club and watching some of the games this season," Hanson told the club website.
James Hanson runs the ball during a Melbourne Rebels Super Rugby training session (Image: Getty)
"I'm really excited to get involved where I can. I can see the enormous passion for the jersey, and I'm looking forward to being involved.
"Being coached by Johan Ackermann was a big part of why I was excited to come over here."
Five things we learnt from Gloucester's loss to Leicester
Hanson spent the majority of his professional career with the Queensland Reds in Brisbane before making the switch to the Melbourne Rebels.
He made 15 appearances for the Melbourne Rebels in Super Rugby competition to take his overall tournament tally into three figures.
James Hanson of the Rebels runs with the ball during the round 14 Super Rugby match between the Rebels and the Crusaders (Image: Getty)
Gloucester director of rugby David Humphreys said: "We have been looking to add some experience and strength in depth to our squad in this position.
"It is our goal to create competition for every shirt and a player of James' quality is a strong addition to our group.
"James knows what it takes to perform on the top level, and he is excited to represent Gloucester and experience what life is like in the Aviva Premiership."
Gloucester had been linked to a move for Lions hooker Akker van der Merwe while Argentina's Julian Montoya is believed to be a long-term target.
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