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<Future of London Placemaking Report
Malmö>
Assessments, Urbanism Awards
Adminon January 8, 2014 /Comments closed
Category: The European City of the Year Award 2014
Date of Visit: 2013
Learning Moments
1. Transformation of a city image
Within just over a decade Istanbul has achieved an impressive transformation of its image from a insular, politically unstable, high risk investment option, to a globally significant commercially driven capital city, economic gateway between East and West and a serious contender as Olympic host city.
2. Clarity of vision
Istanbul faces severe challenges from a combination of massive population growth and ever-present tectonic threats. The progress it has achieved in the last 10-15 years has been made possible by the municipality having clear focus on the ultimate goal, and driving a programme which will deliver all of the necessary components to achieve this goal via several dedicated agencies at an immense scale and pace.
3. Using culture and heritage as an economic driver
Just as the city has repositioned itself economically, it has done so culturally. Having inherited a magnificent built heritage, the city has augmented this by significant investment put into upgrading basic infrastructure (roads, pavements, drainage), public realm (parks, squares, water features) and connectivity via public transportation. Now the 5th most visited city in the world, it has managed to use its cultural heritage to drive a threefold increase in visitors in a decade. With a tourism income growth rate of over 30%, this is set to grow even more over the next decade.
4. Tectonic challenges
The city faces ongoing tectonic challenges, with the strong probability of a major earthquake (and associated disasters such as landslide, tsunami, etc) within the next 15 years. It is moving fast to try to safeguard as much of its population as it can. Structurally deficient buildings are being cleared at a very fast rate, and replaced in lower-risk locations with new earthquake resistant housing. Structural requirements in the planning and building permit systems are being reinforced and new earthquake resistant construction technologies introduced.
5. Maximising strategic locational opportunities
The city has sought to not simply re-establish its historic role as the trading epicentre of East and West gateway, but to proactively take advantage of the opportunities quickly emerging from resource rich nations in Middle Asia, for example those awakening from Soviet-era dominance. It is also politically positioning itself as the judicious interface between Western cultures and Islam.
At just over 13.5 million, Istanbul is the second largest city-proper on the planet by population. The palaces and imperial mosques that line Istanbul's stunning hilly skyline remind of its historical importance as the cultural, political and economic heart of Turkey. First settled 8,500 years ago, the city was the capital of four great empires: first Roman, and then – as Constantinople – Byzantine, Latin and finally Ottoman. Its location at the crossroads of Europe and Asia, linking the Black Sea, the Sea of Marmara and the Mediterranean, means it has always had immense strategic value as a place of trade, with travelers using the Silk Road, the Bosphorus (still one if the world's busiest waterways) and more recently major road and rail links. This long history as a major trading centre has created a city where all cultural, ethnic and religious groups have learned to live and work together. Centuries of entrepreneurialism has imbued its citizens with a charismatic industriousness, and a determined yet courteous competitiveness. The centre of the city feels vibrant and alive 24/7, yet welcoming and safe.
Although economic growth has slowed somewhat since its mid-2000s double digit peak to a rate of around 3.5-4% today, the city still delivers 27% of the entire country's GDP and 60% of the country's trade – far greater levels than that of Ankara, the country's capital city since it became a republic in 1923. Tourism is a major boom industry, with 7.6 million visitors in 2012 (up from 2.4 million in 2000), making it the 5th most visited city in the world. Revenue from tourism is growing at over 30%, which is the fastest rate of all global cities.
Now spanning an area of 5,343 sq km, Istanbul quite literally bridges two continents, both above and below ground. Above ground its main commercial and historical centres sit in Europe, with the remaining third sitting in Asia; below the surface it straddles the tectonic divide between the African and Eurasion plates. Unfortunately this makes it highly susceptible to major earthquakes, such as the devastating 1999 quake – with another major quake expected within the next 15 years. Its waterside location raises the possibility of tsunami impact too.
After the establishment of the republican state of Turkey in 1922, Istanbul's population was relatively stable. In the 1950s it started to grow quickly as people from very poor rural areas, notably in the east of Turkey, moved to Istanbul to look for employment and better living conditions. From under 1 million in 1950, the population grew in bursts to 1.7 million in 1965, to 5.5 million in 1985, to 13.5 million today. At 3.45% Istanbul still has the highest rate of growth of any nation in the OECD, and now accounts for almost 20% of Turkey's population. On current projections Istanbul's population will reach 24 million by 2023. Culturally, the in-migration from rural areas has underpinned the rise of more conservative Islamic aspects of the city's life, as evidenced by the dominance of the conservative-Islamic AKP Party, which has been in power since 1994 and is now led by the former Mayor of Istanbul.
This population explosion has meant that Istanbul's physical boundaries have had to extend into its hinterland, notably towards the Black Sea, eating up valuable open countryside, agricultural land and rural settlements, and compromising its natural productive capacities. Its municipal limits now extend more than 100km, and are close to absorbing the two nearest cities, Izmit and Tekirdag. Until recently the city's spatial development was driven strongly by gecekondu neighbourhoods, for example in Gaziosmanpaşa. Gecekondu was a legal loophole which allowed development of a building without any building permits or ownership rights if construction started after dusk and was completed and occupied before dawn the next day. Inevitably physical and structural quality of these gecekondu – along with much of the other mass housing developed in through the last 30 years, plus associated retail and transport infrastructure – was compromised.
It is estimated that 2-3 million buildings in the city will not withstand the major (>7 on the Richter Scale) earthquake, similar to that which hit the city in 1999, killed 35,000 and made 0.5 million people homeless. The urgent driver for Istanbul is that scientists predict a similar-sized earthquake will hit the city within the next 15 years. The city's disaster-planning scenario for such a tectonic event is for up to 3 million fatalities and homeless. Istanbul therefore recently began a comprehensive 20-year urban renewal programme, which aims to demolish and replace up to 50,000 dwellings per year – many of which are gecekondu, which it is estimated still house 5-6 million Istanbul citizens. Enormous mass high rise, block based housing schemes are being built, often on the undeveloped rural peripheries of the municipality in districts such as Arnavutköy and Ataşehir and Esenyurt, up to 35km from the centre. Many are reminiscent of the large post-war estates developed in the 1950s, 60s and 70s in Western Europe. Unfortunately placemaking with community engagement, such as that delivered by the Kadikoy Design Centre, is rare.
But such enormous growth over such a short space of time has unsurprisingly left the city with a range of other non-housing issues. Congestion and air pollution due to vehicular dominance is a potential threat to empirical economic growth, but also to essential connectivity between areas of socio-economic need and areas of economic growth; it also challenges of quality of life and health equalities. Natural resources are being pushed to their limits, with for example the current water resources only capable of supporting a population of 16 million. Deforestation and loss of natural water storage capacity adds to climatic risks from land stability and flooding, which are exponentially higher due to existing tectonic risks. Essential housing, transport, health care and education infrastructure is under immense strain, despite enormous levels of investment over the past 10-15 years, as is access to green space. The city is some way behind on ecological sustainability measures and in exploiting natural potential from the likes of wind and geothermal power, and is only now just beginning to introduce programmes.
The AKP Party have delivered a welcome period of political stability in the city – for many years a major detractor to investment – plus major institutional reform and modernisation, notably in commercial legislation and finance, enabling introduction of modern loans and mortgages. In order to capture and anchor global investment they reversed the city's outlook from insular to outward, and within a decade have transformed it into a highly successful transnational corporate business platform. Certain sections of Istanbul's society have benefited greatly from this newfound wealth over the past decade, which has strengthened the party's support. By 2010 Istanbul had the 4th largest number of billionaires amongst global cities.
But this wealth has not trickled down to all classes or ethnic groups in Istanbul's society. Whilst incomes have risen tenfold over the past decade, income distribution is still highly skewed, with a per capita GDP difference of over 60% – one of the highest in the OECD. New neighbourhoods are highly socio-economically segregated, with the middle classes and upwards cosseted in gated residential compounds. Distinctive historic urban fabric and lifestyles are being increasingly replaced with generic high-rise commercial developments and huge nondescript shopping malls.
On the corollary, those at the lower end of society have been hit by a combination of the increasing disappearance of unskilled jobs providing subsistence wages and a lack of upskilling opportunities, the demise of gecekondu rights and a relative dearth of social housing. Poverty and social polarisation has become more visible in Istanbul. Correlation between deprivation and certain ethnic groups, notably Kurdish and Roma, is high. Long established neighbourhoods in central historic areas such as Suleymaniye are being displaced by the first wave of controversial renewal projects and resultant gentrification. As a result, lower classes are increasingly concentrated in poorer rundown areas or in the distant new peripheral housing projects far away from social networks and economic generators, with the risk of suffering the same unintended consequences of similar poor urban quality development in post-war Europe such as loss of community cohesion and social unrest.
At the same time, de-secularisation by the government is generating increasing nationwide tension with those fiercely proud and protective of the nation's recent republican status. Citizens are increasingly exposed to global influence and consumer lifestyles, yet frustrated and disenfranchised by a top down governmental system (self-acknowledged as 'powerful mayor, weak council') which isn't transparent, does not engage them in decisions and seems to only serve the interests of a minority. The Arab Spring in adjacent countries has added a further dimension to this situation. The current focus of protest and confrontation around Gezi Park/Taksim Square – one of the last large open public green spaces in an increasingly crowded city centre which is being developed by stealth for private commercial uses – is a physical manifestation of this situation, with worrying little sign of compromise.
Yet the transformation and subsequent economic growth that Istanbul has achieved over the past decade is undeniably impressive. The municipality's clarity of vision and purpose is strong, and is being driven forward at an incredible pace. The city has reinvented itself into a sophisticated global player on the commercial and cultural stages, well positioned to exploit the opportunities as the frontier of 'East-meets-West' and the economic gateway to the newly emerging 'Middle Asia' region. It has driven delivery via a number of well resourced and professionally staffed dedicated agencies for housing, transportation, conservation, etc, each delivering programmes far greater in scale than elsewhere in Europe, focused on the need to accommodate, move and provide services for a rapidly expanding population, yet simultaneously safeguard them against tectonic threat and natural resource challenges. Considerable concerns still surround some of the mechanisms used, and at some of the ongoing and prospective new challenges this may generate in social and physical terms, but the scale of the issues and the achievements to date cannot be underestimated.
[mappress mapid="17″]
Tagged: European City of the Year Housing Natural Disasters

redpajama_set_name: RedPajamaCommonCrawl


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Bejan Named Member of the Academia Europaea
Adrian Bejan, the J.A. Jones Professor of Mechanical Engineering at Duke, has been named a member of Academia Europaea, the Academy of Europe.
The Academia Europaea comprises 3,000 eminent scholars of international distinction, irrespective of nationality, location or discipline. Members are nominated by their peers and confirmed by the Council of the Academia.
Bejan, a graduate of the Massachusetts Institute of Technology, is noted for research in wide range of topics in thermodynamics, heat transfer, fluid mechanics, convection and porous media, and for developing the constructal law of design in nature (constructal.org).
He is the author of 28 books and 580 peer-referred articles, and has ranked since 2001 among the 100 most highly cited authors worldwide in engineering according to the Institute for Scientific Information. Bejan has received 16 honorary doctorates from universities in 11 countries.
Bejan and other new members of the Academia Europaea will be inducted during the academy's 2014 annual conference in Barcelona, Spain.


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All The Colours
The members of alt-rock Melbourne band All the Colours have been around the block. Two of them (bassist Josh Moriarty and drummer Jonathan Toogood) have been jamming together since they were in their teens in New Zealand, and Joshua Mann (guitar, vocals) has been gigging in Melbourne since 2004. The band came together in 2012 and have been shredding ever since, gracing stages in Australia and overseas, and releasing two well received albums with a third on its way.
Mann tells me that if he's learned one thing over his years in the music industry it's this, "Be more patient, and sow seeds on good soil". Also this, "It's all about the slog". And he adds, "Some people are lucky and get stuff overnight, but it's such a small fraction of a number that you might as well not even mention it. Everyone else gets where they are through hard work, repetitive hard work. That is key."
Just as any independent band in a constantly changing landscape, they also have to keep up with ways to get their music heard while using resources wisely. Resources can be limited in a line of work known for financial insecurity, and as Mann points out, "Most industries wouldn't survive a day if they attempted to pay you in alcohol what they were supposed to pay you in money." He adds, "You have to keep pushing stuff, using those free angles like social media. We've done work with PR companies before and had pretty much the same outcome, except we've spent thousands of dollars."
These guitar-worshipping rockers have gained a reputation for their blistering live shows, and recently completed a weekly residency at Frankie's Pizza in Sydney, something of a spiritual home for them. They have also supported high profile bands including Eagles of Death Metal, and have plans to announce a slew of gigs in LA soon, where they recorded their forthcoming record.
The band recorded 'Vol. 3' at Vox Recording Studio almost a year ago, and it's due to be released before the end of 2019. Chris Taylor from Grizzly Bear was producing, and Mann describes the experience as a career highlight.
"The gear was amazing, but it was everything all together. There was this moment on the last day when we were listening to all the mixes and there was a particular song with a particular section that's quite emotive. And I started tear up a little bit because it was like, 'this is everything that you've dreamed of'."
For All the Colours, the dream might not have happened overnight, but it did happen.
Photos by Stu Morley
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The Irish pub will host its first annual St. Patrick's Day celebration, featuring an exciting live music lineup of bagpipes, DJs and more, plus all kinds of shenanigans in the blocked off parking lot.
Guests can expect 82 beers on tap, including green Miller Lite and Guinness, along with some of the pub's most popular food items, such as the Jumbo Local Pretzel made with beer cheese and honey mustard; dirty fries topped with chili, queso, green onions, bacon, sour cream, and jalapeño; and Jack & Ginger's take on a traditional shepherd's pie.
The celebration will feature an exciting live music lineup featuring bagpipes, DJs and more.


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Salman Khan shares new 'jawaani' poster from Bharat with Disha Patani
April 18th, 2019 | by vBollywood Author
Bollywood superstar Salman Khan's Bharat is an upcoming drama film. The film is directed by Ali Abbas Zafar, the film is set to hit the theatres on June 5, 2019. The film is jointly produced by Atul Agnihotri, Alvira Khan Agnihotri, Bhushan Kumar, Krishan Kumar, Nikhil Namit and Salman Khan.
After a long break, we will get to see Salman Khan and Katrina Kaif sharing the screen together. Besides them, Tabu, Disha Patani and Jackie Shroff will also be seen in the movie. The movie is an adaptation of South Korean film Ode to My Father.
Salman Khan has shared the latest look from the movie Bharat where he looks young and handsome. Soon after he shared the poster on his Instagram and Twitter accounts, #BharatKiJawaani started trending, apparently inspired by his witty caption – 'Jawaani humari Jaaneman thi'.
Salman Khan is sharing various looks in a unique manner. The superstar first dropped his look of an old man and it captivated all his fans. His recently posted a look of a young and man. The poster also has Disha Patani on it. Disha is showcased as a Trapeze artist on the poster, looking glamorous.
Photo courtesy: www.indiatvnews.com
Bharat disha Patani Salman Khan


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Here is a sample on how to configure a django project with a virtualenv on nginx and uwsgi under Centos 7.

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redpajama_set_name: RedPajamaGithub


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Some racing games add elements to the competition that make them even more exciting. In Drift Traffic Racer we'll sit behind the wheel of fast sports cars in a competition in which not only do you have to win the race, but also do the best stunts.
Exciting races through the traffic.
In this game we'll turn our Android smartphone into a window to a city in which we'll take part in exciting races around the city at full throttle. Defeat your rivals, dodge the obstacles, do the best drifts and don't let the police catch you.
Use nitro to drive faster.
Earn money with your drifts and reckless driving.


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Toyota unveils clean new 2D logo in Europe
Will other markets follow?
PHOTO: Toyota Motor Europe
It seems like every couple of months, a car manufacturer makes changes to its brand identity. In late 2019 we had Volkswagen, and in January this year its fellow German carmaker BMW followed. Just last week, Nissan unveiled its sleek new logo along with the production version of the Ariya. Now? It's Toyota's turn.
Yes, the Japanese car manufacturer has made alterations to its iconic logo…in Europe. Toyota Motor Europe recently unveiled its new look, saying its regional rollout will begin with the launch of the 2020 Yaris. There has been no word, though, as to whether or not other markets will adopt the new logo as well.
Similar to what BMW and Volkswagen did with their brand logos, Toyota has opted for a more simplified 2D appearance that translates better to digital platforms. The company also clarified that the conventional Toyota logo will still be in use on its vehicles. Also revealed was the new bespoke 'Toyota Type' font the company will use. Check it out:
PHOTO BY Toyota Motor Europe
"We developed the new brand visual design with 'tomorrow' in mind. Our focus was on enabling ever better customer connections allowing them to keep pace with Toyota's rapid expansion of electrified vehicles, mobility services, and online retailing," Didier Gambart, Toyota Motor Europe's vice president of sales, marketing, and customer experience, says.
"The design was re-purposed to better connect with customers across a diversity of touchpoints, which they can experience for the first time with the launch of the new Yaris Hybrid, the all-new fourth-generation of our innovative city car."
Again, there's been no word regarding a global rollout of this look. It is a rather clean-looking logo, though. Do you like it?
Commuters can now use these bike racks at MRT-3 stations
Japanese cars,
brand logo,
corporate logo,
Europe,
Japanese carmakers,
global pinoy


Moderator: Ying Chan, Journalism and Media Studies Center at The University of Hong Kong.
An award-winning journalist, Chan is currently professor of journalism and director of the Journalism and Media Studies Center at The University of Hong Kong. As founding director of the JMSC, she has created graduate, undergraduate and professional programs in Hong Kong and mainland China.
Prior to joining HKU in 1998, Chan spent 23 years working as a journalist in New York City. Her honors include a Nieman Fellowship, a Polk Award for her reporting on the human-smuggling trade from China, and an International Press Freedom Award for her battle against a criminal libel suit in Taiwan.
She consults often for HK and international media organizations and serves on the board of directors of the Media Development Loan Fund, USA, and the steering committee of the Global Fund for Media Development. She was also a board member of the Peabody Awards for electronic media from 2004 to 2009. Her research interests include media development in China, journalism education, and practices of professional journalism.
Hannah Beech is TIME's East Asia Correspondent and China Bureau Chief. She covers politics, conflicts, culture, diplomacy and other regional issues from a base in Beijing. Beech joined TIME, the world's largest English-language newsweekly, in 1997 as a reporter in Hong Kong. In 2000 she moved to Beijing as a correspondent and later relocated to Shanghai to serve as Shanghai Bureau Chief. She became the Bangkok-based Southeast Asia Bureau Chief in 2006 and returned to China in 2010. One of the few international journalists to report widely from Burma, she also has spent more than a decade documenting the tremendous rise of China and other Asian economies.
During her tenure at TIME, Beech has reported across Asia, from Afghanistan and Papua New Guinea to East Timor and Tajikistan. She has won numerous reporting honors, including the Amnesty Human Rights Press Award, the Henry Luce Award and several Society of Publishers in Asia prizes. In 2011, she was named the Journalist of the Year by the Society of Publishers in Asia. Beech, who is half-Japanese and half-American, speaks Japanese, Mandarin and French.
Kate O'Keeffe is the Wall Street Journal's global gambling reporter. Based in Hong Kong for the past four years, she has contributed to major Wall Street Journal scoops on the dispute between Steve Wynn and his former partner Kazuo Okada, and on the U.S. government's money laundering and bribery investigations into Las Vegas Sands Corp.
She has also taken on special assignments such as disaster reporting in the Philippines and a series on Cambodia's garment industry.
She joined the company as an editor in Singapore in 2008 after graduating from Princeton University in 2005. She is a native of Buffalo, NY.
Bopha Phorn is Editor-at-Large for The Cambodia Daily, Cambodia's leading newspaper. She has been working as a journalist for about eight years. As an investigative journalist, Bopha covers economics, politics, corruption and environmental issues. Bopha tracks the activities of the prime minister, other cabinet ministers, opposition leaders and National Assembly members. She began her career with Deutsche Presse Agenteur in 2006 when she was 21 years old. She started working for The Cambodia Daily newspaper in 2008. After two years of reporting, she was assigned as Assignment Editor.
Bopha received the Courage In Journalism Award from the International Media Foundation (IWMF) for her report on rampant illegal logging when she was shot at by military police while investigating the story. Bopha also attended the Political and Electoral Reporting course of the International Institute for Journalism in Germany in 2012 after she attended the Writing and Reporting News course supported by Thomson Reuters in London in 2010. She also has contributed a chapter to a book called Phnom Penh Noir.
Didi Kirsten Tatlow is a correspondent for the International New York Times in Beijing.
Didi has won a dozen journalism prizes, including SOPA awards and human rights awards. Born in Hong Kong, she has worked and lived in Asia and Europe for nearly two decades and speaks several languages including Chinese and German. She previously worked at The Associated Press, Die Welt, and the South China Morning Post, among others.
She lives in Beijing with her husband, children and two Boxer dogs. She's chiefly interested in the sociocultural politics of the (to her) Big Three: gender, the state, and the arts.


"I am very grateful for Master Hon, for sharing Spring Forest Qigong in his community and helping achieve this vision."
Qigong Master Hon Lee is a Spring Forest Qigong Certified Instructor and Qigong Master, owns the Sports Edge Acupuncture Clinic in Herndon, Virginia.
He's an adjunct professor at the Virginia University of Oriental Medicine, and is co-founder the Jow Ga Shaolin Institute.
Hon graduated from the Maryland Institute of Traditional Chinese Medicine, had clinical training at the Shanghai College of Traditional Chinese Medicine, and completed postgraduate studies in Chinese herbs at the TAI Sophia Institute.


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Book of Lamentations Explained
Select The Chapter you want
Title: "Lamentations" was derived from a translation of the title as found in the Latin Vulgate translation of the Greek Old Testament, the Septuagint (LXX), and conveys the idea of "loud cries." The Hebrew exclamation Ekah ("How," which expresses "dismay"), used in 1:1, 2:1, 4:1, gives the book its Hebrew title. However, the rabbis began early to call the book "loud cries" or "lamentations" (compare Jer. 7:29). No other entire Old Testament book contains only laments, as does this distressful dirge, marking the funeral of the once beautiful city of Jerusalem (compare 2:15). This book keeps alive the memory of that for all and teaches all believers how to deal with suffering.
The Hebrew title of the book, Ekah, "How," comes from the first word of the text. It was often used to introduce laments, as here (compare Isaiah 1:21), and stands also at the head of chapters 2 and 4. The Greek title "Tears/Wailings," is the same in the Latin Vulgate which adds a subtitle "That is, The Lamentations of the Prophet Jeremiah." For this explanation comes the title in the English versions.
Authorship: The author of Lamentations is not named within the book, but there are internal and historical indications that it was Jeremiah. The LXX introduces Lam. 1:1, "And it came to pass, after Israel had been carried away captive", Jeremiah sat weeping (compare 3:48-49, etc.). God had told Jeremiah to have Judah lament (Jer. 7:29). And Jeremiah also wrote laments for Josiah (2 Chron. 35:25).
Jeremiah wrote Lamentations as an eyewitness (Compare 1:13-15; 2:6, 9; 4:1-12), possibly with Baruch's secretarial help (compare Jer. 36:4; 45:1), during or soon after Jerusalem's fall in 586 B.C. It was mid-July when the city fell and mid-August when the temple was burned. Likely, Jeremiah saw the destruction of walls, towers, homes, palace, and temple; he wrote while the event remained painfully fresh in his memory, but before his forced departure to Egypt (in ca. 583 B.C.; compare Jer. 43:1-7). The language used in Lamentations closely parallels that used by Jeremiah in his much larger prophetic book (compare 1:2 with Jer. 30:14; 1:15 with Jer. 8:21; 1:6 and 2:11 with Jer. 9:1, 18; 2:22 with Jer. 6:25; 4:21 with Jer. 49:12).
Both Jewish and Christian traditions hold that Jeremiah is the author of Lamentations. Internal evidence supports this conclusion:
(1) The author was an eyewitness to Jerusalem's destruction (1:13-15; 2:6-13; 4:10).
(2) The language, vocabulary, and sentiment of the prophecy of Jeremiah and lamentations are often very close (compare 1:16a; 2:11 with Jeremiah 9:1, 18; 13:17; Lam. 2:20; 4:10 with Jer. 19:9; Lam. 2:22 with Jer. 6:25; 20:10; Lam. 3:15 with Jer. 9:15; 23;15; Lam. 3:64-66 with Jer. 11:20).
(3) In both books Jerusalem's downfall is ascribed to Judah's sin (compare 1:5-18; 3:42; 4:6, 22; 5:7, 16 with Jer. 14;7; 16:10-12), and to its corrupt leadership (compare 2:14; 4:13-15 with Jer. 2:7-8; 5:31; 23;11-40).
In the light of the external and internal evidence, then, no other person qualifies so well to be the author as the traditional candidate, Jeremiah.
Historical Setting: Lamentations was composed after the author personally witnessed Judah's downfall and the capture of Jerusalem, with the resultant suffering of his people. In its final form, the book cannot be dated much later that Jerusalem's fall (586 B.C.). The author thus pens his sorrow over the tragedy that befell his country and city, and over the people's sin that invoked God's severe judgment. In response to all that has happened, he urges repentance (compare 5:21) and leaves his bearers with a note of hope by personally relying on the sure mercies of God (3:22-23).
Jerusalem, indeed the entire land of Israel, was a heartbreaking sight in 586 B.C. With its glory consumed by fire and defeat, the City of David was now a city of utter devastation.
The 10 northern tribes, Israel, had been decimated by Assyrian armies in 722 B.C. And Judah's elite (including Daniel and his three Hebrew friends), had recently been deported to Babylon (in 606 B.C.). This attack on Jerusalem was simply the final blow. The temple was obliterated, the walls of the city was flattened. Mount Zion was a pile of rubble, with only wind, wild animals, and weakened survivors left.
Those who remained had two questions: Why, and what now? The "why" was clear. God's prophets had warned for years against the consequences of ongoing sin. As for "what now", the Book of Lamentations answers: repentance.
Jeremiah had told the people that the land would be allowed to rest for 70 years (Jer. 25:11), after the devastation. It would be that long before the captives would return and the city and temple could be rebuilt. If those left behind did nothing but repent for 70 years, it would be time well spent. And the five laments compiled in the Book of Lamentations would be their prayer book.
Lamentations is often called the most sorrowful book in the Bible, written by the most sorrowful author, Jeremiah, known as the weeping prophet (Jer. 7:29; 8:21; 9:1, 10, 20).
Background: The prophetic seeds of Jerusalem's destruction were sown through Joshua 800 years in advance (Joshua 23:15-16). Now, for over 40 years, Jeremiah had prophesied of coming judgment and been scorned by the people for preaching doom (ca. 645 – 605 B.C.). When that judgment came on the disbelieving people from Nebuchadnezzar and the Babylonian army, Jeremiah still responded with great sorrow and compassion toward his suffering and obstinate people. Lamentations relates closely to the book of Jeremiah, describing the anguish over Jerusalem's receiving God's judgment for unrepentant sins. In the book that bears his name, Jeremiah had predicted the calamity (in chapters 1-29). In Lamentations, he concentrates in more detail on the bitter suffering and heartbreak that was felt over Jerusalem's devastation (compare 46:4-5). So critical was Jerusalem's destruction that the facts are recorded in 4 separate Old Testament chapters (2 Kings chapter 25; Jer. 39:1-11; chapter 52 and 2 Chron. 36:11-21).
All 154 verses have been recognized by the Jews as a part of their sacred canon. Along with Ruth, Esther, Song of Solomon and Ecclesiastes, Lamentations is included among the Old Testament books of the Megilloth, or "five scrolls," which were read in the synagogue on special occasions. Lamentations is read on the 9th of Ab (July/August), to remember the date of Jerusalem's destruction by Nebuchadnezzar. Interestingly, this same date later marked the destruction of Herod's temple by the Romans (in A.D. 70).
Lamentations consists of five poems. Each of the first four is composed as an acrostic of the 22 letters of the Hebrew alphabet (although it should be noted that chapters 2, 3 and 4 are somewhat irregular since they invert the letters pe and ayin).
Chapters 1, 2, 4 and 5 have 22 verses; chapter 3, however, devotes three verses to each letter, yielding 66 verses. This familiar poetic device indicates that the author is covering his material thoroughly ("from A to Z"), in a way easy for is audience to understand and remember. The Jewish people read Lamentations every year on the date commemorating the destruction of the temple in Jerusalem.
Historical and Theological Themes: The chief focus of Lamentations is on God's judgment in response to Judah's sin. This theme can be traced throughout the book (1:5, 8, 18, 20; 3:42; 4:6, 13, 22; 5:16). A second theme which surfaces is the hope found in God's compassion (as in 3:22-24; 31-33; compare Psalm 30:3-5). Though the book deals with disgrace, it turns to God's great faithfulness (3:22-25), and closes with grace as Jeremiah moves from Lamentation to consolation (5:19-22).
God's sovereign judgment represents a third current in the book. His holiness was so offended by Judah's sin that He ultimately brought the destructive calamity. Babylon was chosen to be His human instrument for wrath (1:5, 12, 15; 2:1, 17; 3:37-38; compare Jer. 50:23). Jeremiah mentions Babylon more than 150 times (from Jer. 20:4 to 52:34), but in Lamentations he never once explicitly names Babylon or its king, Nebuchadnezzar. Only the Lord is identified as the One who dealt with Judah's sin.
Fourth, because the sweeping judgment seemed to be the end of every hope of Israel's salvation and the fulfillment of God's promises (compare 3:18), much of the book appears in the mode of prayer:
(1) 1:11, which represents a wailing confession of sin (compare verse 18);
(2) 3:8, with its anguish when God "shuts out my prayer" (compare 3:43-54; Jer. 7:16);
(3) 3:55-59, where Jeremiah cries to God for relief, or 3:60-66, where he seeks for recompense to the enemies (which Jer. chapters 50 and 51 guarantees); and
(4) 5:1-22, with its appeal to heaven for restored mercy (which Jer. chapters 30-33 assures), based on the confidence that God is faithful (3:23).
A fifth feature relates to Christ. Jeremiah's tears (3:48-49), compare with Jesus' weeping over the same city of Jerusalem (Matt. 23:37-39; Luke 19:41-44).
Though God was the judge and executioner, it was a grief to Him to bring this destruction. The statement "In all their affliction, He [God] was afflicted" (Isa. 63:9), was true in principle. God will one day wipe away all tears (Isa. 25:8; Rev. 7:17; 21:4), when sin shall be no more.
A sixth theme is an implied warning to all who read this book. If God did not hesitate to judge His beloved people (Deut. 32:10), what will He do to the nations of the world who reject His Word?
Each of the chapters are done individually. Some due to length, have been shortened into "continued" sections. Each section contains a questionnaire which follows the section which has been done to aid in the learning process.
Lamentations Chapter 1 Lamentations Chapter 3 Lamentations Chapter 4 Lamentations Chapter 5
Lamentations Chapter 2 Lamentations Chapter 3 Continued


Meet Nina Teicholz, author of The Big Fat Surprise: Why Butter, Meat and Cheese Belong in a Healthy Diet. Nina is an investigative reporter who dove into the history of the low-fat diet craze and made some frightening, yet amazing discoveries. Turns out saturated fat is good for us!
It turns out there was one man, Ansel Keys, who lead the crusade to fight heart disease in the 1950's. He believed saturated fat was the root cause of atherosclerosis, by raising the level of cholesterol in the blood. Keys conducted a famous study, The Seven Countries Study, that proved people living on a low-fat diet were less likely to have heart attacks. This study blazed the trail for the modern American diet, better known as the USDA Food Pyramid. What we didn't find out until years later is that there were actually 22 countries in Keys Seven Country Study, but he chose not to include the other 15 that didn't support his hypothesis. He basically cherry picked the data that best supported his hypothesis. Oops!
The best part of all of this, is that the American Heart Association (AHA) took what Keys told them as fact and started advising the US public to start eating a low-fat diet. Well, since then, things have certainly taken a turn, and the US population has grown fatter and much more unhealthy in the last 60 years.
This is all just the tip of the iceberg. Teicholz did her research to find out if there is actually any studies done to support the low-fat diet hypothesis. To the contrary, she found just the opposite. Eating a high-fat, low-carb is much more healthy.
This is just a taste of the things we talk about in the hour long interview. Nina also tells use why cholestarol is not an indicator of heart disease, how we jumped the gun when it comes to including woman and children in the low-fat diet and what foods you should be avoiding at all costs.
Here's how you can pick up Nina's book, The Big Fat Surprise: Why Butter, Meat and Cheese Belong in a Healthy Diet. You can also download her book on Audible, if you're too busy to sit and read. If you're interested in reading the article that sparked my attention, check out this post in the Wall Street Journal.
If you enjoy this interview and the content we're providing, please like leave us a review on iTunes and like us on Facebook, Twitter and Instagram!
Thanks for listening/reading Episode 13 – Nina Teicholz: The Big Fat Surprise! We hope you have gained more knowledge on how to be a healthier you.


Taliban Training Monkey Soldiers for Jihad?
The People's Daily, a newspaper produced by China's ruling communist party, has either been hilariously pranked or has out-reported every news outlet in Afghanistan to secure the scoop of the century. The outlet today reports that the Taliban in Afghanistan is "training monkeys to use weapons to attack American troops." After 16 years of war and nine years of battling the U.S., the Islamist insurgents have decided to arm monkeys with "AK-47 rifles and Bren light machine guns in the Waziristan tribal region near the border between Pakistan and Afghanistan."
The Chinese author, who apparently believes that PETA is more influential than the 31 percent of Americans who oppose the Afghan war, tries to explain what's happening. "Analysts believe that apart from using 'monkey killers' to attack the American troops, the Taliban also sought to arouse Western animal protectionists to pressure their governments to withdraw troops from Afghanistan."
Ace blogger and journalist Steve Hynd uncovered this strange article, adding, "I have no idea where China's People's Daily got this or what it thinks it's doing by publishing it, but it's too weird/funny not to pass along. ... Banana Akhbar!" It's not clear what species of monkey is involved in the alleged jihad, but the most likely may be the mischievous Rhesus Macaque, which can be found in parts of Afghanistan.
The Atlantic Wire cannot speak for everyone but our reflections have certainly been aroused.


It's existence continues to shine over the ages.
Tiles are an essential for conceputual spaces in contemporaly Japanese interior design.
Graceful and stunning tiles spark the imagination.
Allow us guide you though 'Seiwa Ceramics' to enhance favotite space.


The USD on Wednesday weakened throughout the market. The Fed decided to keep their interest rate at 0.25-0.50%. It was announced that the rate is to be raised twice this year, and not four times as was said earlier. It is this that caused a sharp fall of the dollar.
The Kansas Fed president George voted to lift rates by 0.25%, with the other 9 voting to keep things unchanged. The forecast for the economy and inflation was dropped. After Yellen spoke, experts began saying that the Fed is setting things in motion for rates to be dropped.
US stats came out mixed. The US industrial production index for February stood at -0.5% (forecasted: -0.1%, previous: 0.8%).
The US CPI for February was -0.2% (forecasted: -0.2%, previous: 0.0%). The CPI which doesn't take food and energy prices into account for the month was 0.3% (forecasted: 0.2%, previous: 0.3%).
Housing construction in the US for February stood at 1.178 million (forecasted: 1.153 million, previous: 1.120 million). There were 1.167 million construction permits issued (forecasted: 1.205 million, previous: 1.202 million).
On Thursday the key event of the day for the currency market is the Bank of England's meeting. The bank is set to keep its interest rate and asset purchases at previous levels. No surprises are expected. I reckon the euro/dollar pair will continue to rise to 1.1280.
12:00, Eurozone February CPI and January balance of trade figures.
14:00, BoE interest rate and asset purchasing decision, along with BoE minutes.
14:30, US balance of trade for Q4, initial unemployment benefit applications and Philadelphia Fed PMI for March.
Intraday target maximum: 1.1280, minimum: 1.1205 (current Asian), close: 1.1255.
After the Fed meeting, the euro/dollar headed above the U3 (upper limit of the MA channel). This line will keep the euro from strengthening further. To shift higher, we will need to see the rate hold at its current level for 6 hours. The MA line is facing upwards, so in 6 hours the road to 1.1280 will open up.


I've been reading the latest Laurie R. King novel, Dreaming Spies, featuring Mary Russell and Sherlock Holmes. Much of the novel is set in Japan in 1924 and features the haiku of Basho, as well as beginning-of-the-chapter haiku written by King.
This got me to thinking about haiku, a verse form I both admire and appreciate — but one I'm not naturally suited to. I love the syllabic nature of haiku: those constraining 5-7-5 lines. And there are children's books featuring haiku. Two I particularly like are If Not for the Cat, by Jack Prelutsky, and Won Ton, by Lee Wardlaw.
By tradition, haiku suggest the essence of something seen, heard, or felt. My haiku do more than suggest. They tell. Explain. Summarize. And for that reason, they aren't totally successful.
I think these two are better than the first two, but still, they lean toward telling. And so, because I was never totally satisfied with any of my haiku, I abandoned trying to write them. But I love thinking in syllable counts and wished I could do something that involved syllable counts.
Lucky for me, I did more exploring, and that's when I learned about two other syllable-count forms. The tanka, a five-line poem with a 5/7/5/7/7 syllable count, is of Japanese origin. The cinquain is of European origin, although the form I became most interested in was the particular form used by American Adelaide Crapsey — five lines totaling 22 syllables in the pattern of 2/4/6/8/2. The syllables above and beyond 17 (14 extra in the tanka, 5 extra in the cinquain) make all the difference for me and my writing style.
I also learned about a late-20th century syllable count poem, the fibonacci, or, as its affectionately called, the fib. All three of these forms gave me much greater writing satisfaction. But that's a subject for another blog or two. For now, suffice it to say that haiku and I have met, walked a small distance together, and parted ways.


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Heineken becomes title sponsor of Formula 1 Las Vegas Grand Prix 2023
On November 18, 2023, the event will be the first Saturday F1 race, taking place late at night on an incredible street course.
One of the world's much-awaited Formula 1 races, next year's clash in Las Vegas, has inked a new sponsorship agreement with beer brand, Heineken. With this deal, the brand has been labelled as the title sponsor of the race which will eventually be called 'Formula 1 Heineken Silver Las Vegas Grand Prix 2023."
As a Formula 1 global partner, Heineken has a long history of commemorating and expanding some of the sport's most significant global moments. This trinity of F1, Las Vegas, and Heineken is ideal for international fun and extraordinary fan experiences.
The announcement comes just one day prior to the Las Vegas Grand Prix's Launch Party, which will include a live car operation on the Las Vegas Strip with drivers from Oracle Red Bull Racing and Mercedes-AMG Petronas F1 Team, in addition to a public fan area with activations like the Pit Stop Challenge, Esports Simulators, car and trophy photo opportunities, and more – all in celebration of the countdown to the Formula 1 Heineken Silver Las Vegas Grand Prix 2023.
Heineken has been dedicated to genuine shifts in perceptions toward drunk driving since joining motorsport in 2016, and they re-launched the 'When You Drive, Never Drink' campaign in May. Heineken has always promoted responsible consumption, and worldwide motorsport alliances are now supplying an excellent framework to decriminalise responsible drinking. Furthermore, Heineken has committed to investing 10% or more of its total media budget to help of these programmes.
Stefano Domenicali, President & CEO, Formula 1, said, "We can't wait to see the spectacle at the Las Vegas Grand Prix next November and adding Heineken Silver as the title sponsor for the race takes it to the next level. Heineken has become a huge part of the F1 family, providing exciting and engaging entertainment opportunities for our global fanbase, both at track and at home, and we can't wait to see what they bring to the iconic Las Vegas Strip."
Renee Wilm, CEO, Formula 1 Heineken Silver Las Vegas Grand Prix, said, "We are thrilled to be able to expand on F1's existing partnership with a world-class global brand like Heineken. With their deep knowledge of hospitality and the Formula 1 brand, it was a natural fit to partner with them to create the ultimate fan experience in a town as vibrant and eclectic as Las Vegas and ensure that the Formula 1 Heineken Silver Las Vegas Grand Prix will be the must-see sporting event of 2023."
Dolf van den Brink, CEO, Heineken International, commented, "We're excited to be title partner of the most anticipated race of the 2023 season. The track takes in the sights of the iconic Las Vegas strip and promises to deliver an exceptional fan experience. With Heineken® serving up entertainment in the entertainment capital of the world, the Formula 1 Heineken® Silver Las Vegas Grand Prix will be so much more than a race. The countdown to 18th November 2023 begins!"
Maggie Timoney, CEO, Heineken USA, said, "The Heineken Silver Las Vegas Grand Prix is the perfect culmination of our successful global partnership with F1 that has brought groundbreaking events to the tracks of Austin and Miami in the US. We are so excited to pair the most anticipated F1 race with our most anticipated innovation – Heineken Silver. Next year will be an extraordinary event which we are so thrilled to be part of."
Las Vegas Grand Prix


We completed the clean-up today, clearing several down trees and shrubbery west of the Brushy Mtn tunnel.
Fletcher Tree Service had cleaned-up everything to the east side of the tunnel but was told that Polk County took care of everything west of the tunnel.
The trail looked good when we left, but heavy rains for Saturday and 20+ mph predicted wind gusts will likely topple a few more trees.
Thank you, Chris, and the gentleman ahead of you in the video.
Yes a BIG THANK YOU Chris!
Thanks for all you do, Webgeek! Without you, the Silver Comet Trail and the ATL Cycling community would be nowhere near it is today!
Ray Fletcher told me that he was instructed by Paulding County to not clean west of the tunnel.
Evidently there is some political drama between Polk and Paulding over maintaining that little section of trail.
I was out on the Cobb section today. It was clear with the exception of leaves, sticks, and a few limbs--normal "rain" debris.
I rode the trail today.
No debris for the gravel bike to run over.
Rode today Florence to Coots and back. See why trail was closed past mile 26, lots and lots of trees cut up. Ran into debris and a few branches, but over all a good freezing cold ride!


If you're earning a gross salary of £18,100 per month, you'll take home £10,513 after tax and national insurance. A monthly gross salary of £18,100 will result in a £217,200 yearly salary. We'll use this sum to calculate your tax, NI, and take home pay below.
As we already mentioned above, if your total yearly earnings are £217,200, you'll get paid £10,513 every month after tax, in your bank account.
We've also calculated your hourly rate, which is £104.43, assuming that you'll work a full time 40 hours a week.
You will have to pay a total tax of £6,895 per month (£82,740/year)out of your gross £18,100 monthly income.
You'll also have to pay pay £692 National Insurance every month (or £8,308 per year) in the 2019 - 2020 tax year.
One important fact about your £217,200 yearly salary (equivalent to £18,100 / month) is that you have a personal allowance of £0 in the tax year 2019 - 2020 (or £0 per month). Which means that you'll only pay tax on £217,200 of your earnings for the total year.
According to our calculations, you'll have a total taxable amount (the part of your salary that is getting taxed) of £217,200 (we extracted your personal allowance from your yearly wage).
Apart from tax, you'll also have to pay national insurance, which is truly just another form of tax. You won't pay NI on the full amount of your salary - you can earn up to £8,632 a year (or £166 a week) £217,200 (we extracted your personal allowance from your yearly wage).


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The Complete Guide to Saint-Joseph
Every wine needs a purpose. So what is the "purpose" of St. Joseph?
Is it just some kind of "alternative" to the more famous AOCs of Cornas, Cote Rotie and Hermitage?
A Northern Rhone for someone who just can't afford the big names?
Actually, in part at least, why not? I certainly have found myself studying a restaurant wine list and ending up wandering down to the St. Josephs after deciding that the Cote Roties are too expensive. There's nothing wrong with that.
But of course St. Joseph – good St. Joseph – offers much more than that.
Its greatest wines are special in their own right. They come from terroirs that are distinct, though similar, to the great terroirs of the famous AOCs.
Some of them reach heights equal to the greatest wines in the Northern Rhone. This has even been recognized by the market, and there is now one St. Joseph that sells for more than Lafite Rothschild!
Even putting aside those special wines, St. Joseph is able to offer something unique: a Northern Rhone Syrah that typically offers more drinkability, more vibrancy and more liveliness than its famous cousins.
While some are powerful wines that require years of cellaring, the majority of St. Josephs are wines you can enjoy on release. Many offer a casualness that permits drinking with simpler meals or even on its own. Yeah, the lower price tag helps with that
Whether at the serious or casual end of the spectrum, St. Joseph offers a lot of diversity.
The vineyards cover a series of different hills with slightly varying soil types, and there are lots of different producers taking slightly different approaches in the cellar.
The point of this guide is help you navigate through it all.
What I like most about St. Joseph
On top of everything I've said above – and in large part because of what I say above – the thing I like most about St. Joseph is that it accords perfectly with my philosophy of keeping a Reasonable Cellar.
Regular readers will know what I'm talking about: a cellar that isn't about chasing the latest trophies that are being hyped by everyone; a cellar that isn't filled with glacially aging wines that won't offer up anything to drink for 20 years; a cellar that doesn't cost a ton of money. Instead, a Reasonable Cellar is stocked with wines in the $20-$60 range that will be mostly ready to drink in three to five years. The wines are high in quality but rarely over-hyped and thinly-allocated.
St. Joseph is a fantastic source for wines just like that.
They almost all cost under $60 and they almost all can keep for three to five years and rarely need any more than that. A tiny number of St. Josephs are strictly allocated, but the vast majority are not. Along with regions like the Loire, the Mosel, Barbaresco, Chianti, and Campania, I regard St. Joseph to be one of the very top hunting grounds for a Reasonable Cellar.
St. Joseph Basics: What exactly is St. Joseph?
Before moving forward, let's back up and give all the key must-know facts about St. Joseph:
St. Joseph is an appellation d'origine controlee (AOC) located in the Northern Rhone region of southern France.
St. Joseph can be red or white.
Red wines must be made at least 90% from the red Syrah grape, and can have up to 10% Marsanne or Roussanne. In practice, red St. Joseph is generally 100% Syrah.
The red wines – about 90% of the production -- are classic Northern Rhone Syrahs. They can have notes of meat and spice, with fruit registers that range from red to blue to black.
Most reds can be approached on release but benefit from short-term cellaring. A few special bottlings can age for decades and rival great Cote Rotie or Hermitage.
White wines can be any combination of Roussanne or Marsanne.
The white wines tend to be full-bodied, floral, a bit nutty, and mineral.
Most are intended for drinking young, though there are a few interesting examples of cellar-worthy St. Joseph Blanc.
St. Joseph: The Big Picture, and What Distinguishes it from its Neighbors
Ok, let's put aside the stats and paint a broad picture.
St. Joseph is a long snake of a wine region that hugs the Rhone river on its west side. The vines grow on slopes that sprawl down towards the river, facing east. The soils here are almost all granite: there is none of the alpine glacial influences you get across the river in Hermitage or Crozes-Hermitage, none of the schist that you get in large parts of Cote Rotie, and very little of the sand or limestone that you find in Cornas to the south.
In short, St. Joseph is Syrah grown on east-facing slopes with granite soils. Period.
What about Crozes Hermitages….isn't that sort of the same thing as St. Joseph?
It's not a crazy question. Crozes Hermitages is the "other" AOC that offers decent Northern Rhone Syrah for a fraction of the price of Hermitage, Cote Rotie or Cornas.
Crozes is an AOC that lies across the Rhone River on the east side, as seen on the graphic above. Its soils are more alluvial and have more glacial deposits, without all the granite that dominates St. Joseph. This means that Crozes is generally less tannic than St. Joseph.
In the great Northern Rhone hierarchy, I would have to say that Crozes ranks behind St. Joseph. If one of the region's big negociants offers both a Crozes and a St. Joseph, the Crozes will invariably be cheaper. There are exceptions, of course: Graillot's Crozes and the Thalabert from Jaboulet are excellent. But for the most part, St. Joseph is the better wine.
I mean, I've made this guide to St. Joseph; I don't think I'll ever get to a guide to Crozes Hermitage (though I do discuss it in more detail in this guide to Hermitages).
What about the white wines?
The white wines of St. Joseph can be excellent, and certainly have the potential to be as great as white Hermitage. One day.
Remember that the northern tip of St. Josesph touches Condrieu, and the southern tip touches the white wine AOC of St. Peray. So it is not surprising that good whites can be produced just across the border (Condrieu actually overlaps with St. Joseph, so there are sites that produce both wines). More importantly, perhaps, is the fact that St. Joseph's slopes face east, making it easier to retain freshness in the white wine than in, say, the south-facing slopes of Hermitage.
For now, St. Josephs mostly taste like white Hermitages – a bit floral, a nice nuttiness, round fruit flavors – but they are not as grand.
I am hopeful that some producers will dedicate more energy into the white wines and one day we will think of the wines as Hermitage's equal. Already, a few examples come close, like Gripa's "Berceau".
Is it true that St. Joseph is too big?
St. Joseph is a long, thin AOC that stretches up the western bank of the Rhone river from Cornas, at its southern end, to Condrieu, at the north.
It's about 40 miles long – long enough that when you drive along its minor highways you will occasionally pause and think to yourself: is this really still St. Joseph? Your drive will take you through 26 different villages, more than in the entire Cote de Beaune and its cluster of 30 or so AOCs (but possessing just 16 villages) and far more than Cote Rotie, which has only three. Another way to think about this is in terms of ripeness: grapes at the southern end are often ready to harvest a full week before grapes at the top. I wonder if that's true in any other AOC in France.
So is it too big? This seems to be the first point that many commentators make when discussing St. Joseph. They recall a very simple history: back in 1956, when the St. Joseph AOC was invented, it covered only six villages. Now we are at 26. Clearly, there's been a lot of expansion, and often to vineyard sites that don't bear all that much in common with those that lie in the original six.
Yes, it's probably too big. An AOC is a brand, and the consumer is supposed to know roughly what's in the bottle from the brand name. Of course, the AOC system is far from perfect and it rarely works like that. Almost every AOC today has a diversity of producers, styles, terroirs and quality levels. But it's fair to say that St. Joseph has more than most. Also, a lot of the new land that has been added to the AOC doesn't even have a history of viticulture. Many farmers have grubbed up their apricots on the flatlands and planted vines. I'm not convinced that these sites will ever produce great wines.
That is not to say that good St. Joseph only comes from the six original villages. No, there are other sectors of St. Joseph that produce truly great wine, and most of the rest of St. Joseph produces wine that is at least decent.
In the next part of this guide, we'll sort all of that out.
A Tour of St. Joseph
St. Joseph is named for a single vineyard found near Tournon, one of the "original six" villages of the AOC and the main town in this part of the world. Tournon sits right on the Rhone river. Cross the river on a short bridge and you are in Tain-l'Hermitage, with the great hill of Hermitage looming above. Or, walk less than 3 miles south and you are in Cornas. It's not surprising that great Syrah can grow here.
St. Joseph is easiest to think of in two zones, a southern zone around Tournon, and a northern zone that covers the rest of the AOC.
The southern zone has older and more solid granite.
The north also has granite, but it is younger and looser.
The other major difference is temperature: the south, being further south, is slightly warmer, and grapes here manage to ripen several days earlier.
In both north and south, the vineyards tend to be planted on hillsides that face east. This is in contrast to the great south-facing sites of Hermitage, just across the river. Ripening mostly from the cool morning sun, this accounts for the energy and liveliness that is the signature of St. Joseph Syrah. It also means that, historically anyway, it was harder to ripen grapes here, so it was first Hermitage (south-facing), then Cote Rotie (southeast-facing), then Cornas (also east-facing but further south and therefore warmer) that got all the attention.
Historically, the greatest St. Josephs have come from the south. That's where the historic St. Joseph villages making up the original AOC are all located. This is still where the most powerful St. Joseph is produced.
But the north also has many excellent terroirs producing long-lived St. Joseph, though they do tend to be a little less structured, less ripe, more peppery, more herbaceous, and blacker fruited.
You might be tempted to think that most of the white grapes of St. Joseph are planted in the northern zone, which borders on Condrieu. But at the southern end, a portion of its border also abuts white wine land: St. Peray, where the same grapes you find in St. Joseph Blanc are grown. So you will find both white wines and red wines in both halves of the AOC.
Let's take a closer look at these two zones.
St. Joseph -- The Southern Zone
Of the six historic St. Joseph villages – all located in the southern zone -- the ones to know are (1) Tournon, (2) Mauves, and (3) St. Jean-de-Muzols.
Mauves is the closest to Cornas and the most famous (though Chateaubourg is even further south and is the village that actually abuts Cornas). The fame of Mauves is partly thanks to its current crop of well-known producers – Gonon, Chave, Coursodon and Gripa – a group that you might call the "Gang of Mauves". But Mauves' lofty reputation actually goes way back, and Jonathan Livingstone-Learmonth in his great guide to the Northern Rhone points out that Victor Hugo refers to "this good wine of Mauves" in Les Miserables! Indeed, according to JLL, the wines of Mauves fetched double the price of Cornas in Victor's Hugo's time (mid 19th century).
Mauves and Tournon are directly adjacent and quite similar, though Mauves has a touch more clay. The Gang of Mauves farms vineyards in both villages. North of Tournon, the hills break into a valley, and the vineyards take a short break before hitting St. Jean. The granite here is already a touch looser, and the hills above protect it from the northern winds.
Some of the sites in St. Jean face more south than east – unusual for St. Joseph -- and you are closer to Hermitage here than anywhere else in the AOC. It is in this village that legendary producer Raymond Trollat produced his St. Joseph. Gonon now owns the vines and occasionally releases a Vieilles Vignes cuvee that trades for astronomical prices. St. Jean is also home to Ste. Epine, a vineyard name that you will occasionally find on good bottles.
Keep heading north and you will get to two of the other villages of the original six, none of which figure significantly today, plus a couple of other minor villages. Then you get to Sarras, around where the southern zone ends and the northern zone begins.
St. Joseph – the Northern Zone
While none of the northern villages are very famous, you do hear about a few of them every now and then.
It's also possible that this zone's reputation will improve, relatively speaking, in the future. Global warming is pushing up temperatures and this area might become more ideal for perfect grape ripening than further south. Also, this being a more recent part of the AOC, most of the vines were planted in the 1980s or later. The wines should gain depth as the Syrah vines get into their 40s and 50s.
That said, a number of well-known St. Joseph producers – including many covered in my recommendations below – operate in the northern zone. That's because both zones have quite a bit of internal variation, and there are bits of the north that produce top class Syrah.
Heading north, for example, you quickly come to St-Desirat, home to top producer Monier-Perreol, who releases several single-vineyard bottles that showcase the village's excellent and varied terroirs.
And then there is Charnas, known to produce excellent white wine. But it's not until you reach St. Joseph's far north that you arrive in the zone's best-known village: Chavanay.
It's well-known partly because it's the sub-zone's commercial center; and partly because it's the closest area to Condrieu and Cote Rotie further north, so some famous names from those more northerly AOCs do some work here.
Indeed, there are some slopes in Chavanay that can produce Condrieu from Viognier and St. Joseph from Syrah. Aside from that, there is a solid group of very respectable wine-makers who make excellent St. Joseph in the surrounding hills.
Really, in this part of St. Joseph, you probably want to pay more attention to individual producers than to villages. There is some excellent St. Joseph here, and you will find it if you pay attention to the source.
With that in mind, let's take a look at the St. Joseph producers you need to know…
Stars of St. Joseph: Top Producers
One of the exciting things about St. Joseph is that it is one of those regions that is just frothing with new producers, generational changes, experimentation and the like.
You might compare it to Saumur in the Loire, as this is a very ancient part of the wine world where you will be surprised to discover new producers with frequency.
My current list of must-know producers is below, but it contains one producer who I only learned about in the past year and I expect that there will be new additions in the near future.
Classic Producers from the Historic Villages in the Southern District
Trollat
Cornas has Verset and Cote Rotie has Gentaz. Trollat is the St. Joseph version – a super-traditional producer whose last release was now well over a decade ago and whose wines now fetch incredible sums in the secondary market. Of the three producers, Trollat's wines are actually hardest to find. He made his wines from very old vines in St. Jean-de-Muzols. Gonon now has his vines.
Widely considered the greatest producer of St. Josesph of today, Gonon is based mostly in Mauves, but as noted above they also have a parcel acquired from Trollat in St. Jean. The Trollat parcel produces their Vieilles Vignes bottling released only in some years – now easily the most sought-after St. Joseph (bottles often trade above $1000). Even their regular St. Joseph has gone cult and is very hard to find.
Chave is most famous for his Hermitage, but in fact he is a member of the Gang of Mauves and he takes his St Joseph very seriously. His negoce arm produces the St. Joseph Offerus, which is easy to find and always a terrific bargain. His domaine St. Josephs are very high in quality, but also expensive and hard to find.
The third member of the Gang of Mauves, though the least-well known. They, too, craft traditional St. Joseph from old sites in and around Mauves. Look for their "Berceau" (French for cradle) produced from ancient vines in St. Joseph, the vineyard site in Mauves that gives the AOC its name. There is both a red and a white Berceau, and the white may be the greatest white in the whole AOC.
This Mauves producer has taken a different approach to St. Joseph, as they are not afraid to use new oak and to experiment with other modern techniques. Otherwise, the story here is similar to the other great names in the village, and they have plenty of old vines in great places in and around Mauves.
Classic Producers from the Northern District
Becheras
This producer actually straddles the two districts, as they have vines in the village of Vion, one of St. Joseph's original six villages but not one that you hear about much. But most of their vines are just north of there in the village of Arras, so it's in this section of the list. They have some interesting terroir on steep, rocky terraced sites, some of which bear limestone soils (which are not at all common in St. Joseph). This is a top-quality producer making classical St. Joseph.
Monnier-Pereol
A partnership formed in just 2008 between two family domains (hence the hyphenated name), these are specialists who produce a range of single vineyard cuvées from the higher-altitude sites around the village of St Desiderat. They were early adopters of biodynamic farming. I am a big fan of these wines.
Yves Cuilleron
Now we go all the way to the northern end of the AOC in Chavanay, where Cuilleron is the best known producer. He has quite an extensive range of bottlings from vines in and outside of Chavanay, including a number of delightful IGP wines from just outside St. Joseph's official boundaries. But the top wines are from old vines in Chavanay. The style is not too modern, not too traditional, but just good focus on clean and pure wines.
This is another Chavanay estate and one that is dear to my heart – and not just because of a lovely visit there several years ago. The wines speak to me with their upfront easy-going personality but also sneaky depth that seems to permit medium and long-term aging. The VV is a very special St. Joseph and it remains a bargain for under $50 when you can find it. This is the top traditionalist in Chavanay.
Gilles Barge
Ok, Barges is really a Cote Rotie producer but they produce such a good St. Joseph that I have to mention it here. He produces a St. Joseph from a Clos in Chavanay that he treats like his Cote Rotie, aging the wine in old barrels for 16 month. It's a very good deal but not around very often so grab it when you can.
Natural Producers
St. Joseph is a region of experimentation and it's the hottest center for natural wine production within the Northern Rhone. Here are three top producers who farm naturally and use very little or no sulfur in the cellar.
Herve Souhaut
Domaine Romaneaux-Destezet (better known by the name of its proprietor Souhaut) is actually located outside of St. Joseph – not too far – but he has old vines holdings in two very good sites in St. Jean-de-Muzols: St. Epine and the Clos de Cessieux. The wines are incredibly drinkable, thanks to minimal tannic extraction and sulfur additions. These are some of my favorite natural wines from anywhere. (You possibly met Herve's daughter Ludovine when she was an intern at Flation's NYC shop a few years back.)
Fermes des Sept Lunes
Operating in the hilltop town of Bogy, just north of St. Desiderat, this small estates maintains a small patchwork of vineyard plots a bit like a garden. These wines may seem a little less "natural" because they are more structured and have a more classic profile, but sulfur additions here are minimal – in some bottlings there aren't any at all – and farming is very natural (and polycultural).
Dard et Ribo
This is really a Crozes-Hermitage producer but they have such good holdings in southern St. Joseph – including 70 year-old vines in Tournon -- that they need a mention here. This may be the cultiest of the Northern Rhone's natural wine producers and the wines are getting tightly allocated.
Newer Names to Watch
Aurlien Chatagnier
In the northern sector of St. Joseph, especially south of Chavanay, there is still land with good terroir that is cheap enough that with patience and luck you may just be able to start your own domaine. That's exactly what Chatagnier did, after studying in Burgundy and with Cote Rotie producer Villard. This is a somewhat Burgundian take on St. Joseph, with a focus on elegance and fruit purity. It has become a fast favorite.
You can read more about the wine pictured above in one of the New York Store's recent blog posts.
Jolivet is the producer that was new to me in 2020 and what a find! For years they supplied wine to the local coop, but Bastien Jolivet withdrew in 2014 to bottle his own wines. OK, this is so far a pretty commonplace story, but Jolivet's holdings are in St Jean-de-Muzols and includes vines that are over 100 years old! Wine-making is great and quite traditional. I have a feeling that this is a name we will hear a lot about in the future.
The Future of St. Joseph
In 2015, Eric Asimov, writing for the New York Times, said that St. Joseph was the "next best wine in the Northern Rhone".
Hermitage was the historically recognized "best wine".
Then people discovered the beautifully elegant Cote Rotie.
Meanwhile, Cornas was dismissed as a "country" wine, until we discovered Noel Verset.
Now, just maybe, it is St. Joseph that will take its place among the greats.
The reasons to believe so are straightforward enough. Terroir-wise, St. Joseph has all the granite of top Hermitage – remember that top sites in the southern, historic sector of St. Joseph lie just across the bridge from that famous hill.
The biggest difference is really orientation. Hermitage vineyards face south. Cote Rotie lies more typically southeast. St. Joseph tends to point east. That makes it just a little harder to ripen grapes. Look at the diagram below and you can see that It all has to do with the flow of the river.
That's probably why St. Joseph has been behind the other AOCs in reputation. Cornas is also an east-facing site and it, too, was historically behind in reputation, before the wines of Verset helped elevate its stature. Cornas is also slightly warmer, being further south, helping to compensate for the eastern orientation.
But now we have a confluence of two big forces.
One is global warming. St. Joseph today is as warm as Cornas used to be. Soon – maybe already – those eatern orientations are going to be seen as a plus, mitigating the higher temperatures.
The other force is humans: like I talk about above, there is more buzz, more innovation, more experimentation, more new producers, more generational change-overs in St. Joseph than elsewhere in the Northern Rhone. It's a true hotbed, and we are seeing some of the excellent results in producers like Chatagnier and Jolivet. More are sure to come.
I don't know if it will ever be considered the "best wine" in the Northern Rhone, but the future of St. Joseph is looking very bright.
Buying and Cellaring St. Joseph
This is the easy part: St. Joseph is still far less expensive than the other AOCs of the Northern Rhone (except for Crozes), and with very few exceptions the wines are not (yet) fully allocated.
Shop St. Joseph in NYC.
Shop St. Joseph in SF.
But there are a few points I want to make here:
Don't miss out on St. Joe! Sure, Cote Rotie and Hermitage are the bigger names, but top-drawer St. Joseph can be just as good….and may be getting better as the planet warms up.
But do take advantage of the fact that so much St. Joseph is less expensive and more accessible. You can't make Hermitage your every-day red wine, but Chave's St. Joseph Offerus would sure be a good choice.
Find some room in your cellar for St. Joseph. Even $30-$40 St. Joseph improves with just two or three years of cellaring. If you share my Reasonable Cellar philosophy, St. Joseph should be high on your list.
Keep a close eye on this region. Things are changing fast. This is not 1st Growth Bordeaux, which has changed only once since 1855. This is a region where new names will explode on the scene out of nowhere. (Don't forget to subscribe to our newsletter for the latest developments….)
Guide to the Northern Rhone
Guide to Cornas
Guide to Hermitage
Regional Guide
Jeff Patten


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Mary Coros
Mary Coros co-directed the Hellenic Dancers of Los Angeles, California, with Charlie Kyriacou.
She is an expert in Greek Dance with a specialty in staging and style of the dances of Crete. Her knowledge is gained from her experiences as a performing artist that began when she danced Syrtos from Crete. She has impressive educational credentials: BA and MA in dance from the University of California, Los Angeles, and Ph.D. in Cultural Dance from the University of Toronto.
As a result of her cutting-edge dissertation entitled, "From Dance Into Language," she became a recognized scholar of ethnic dance. Among her published credits are books and articles in such international publications as Oli Mazi, KPHTH, Journal of Dance Ethnology, and Dance Research for the International Council for Traditional Music Study Group on Ethnochoreology.
As a professional choreographer, she created a Cretan suite for the famous AMAN Folk Ensemble (aka, AMAN International Music and Dance Company). She was the choreographer and artistic director of Odyssey '93, a Cretan troupe sponsored by the PanCretan Association of America that toured Greece performing traditional dance, music, and songs from Crete.
Mary has taught many workshops and seminars in North America, including the FDF Symposium and Island Dance Workshop in Modesto, California; Winter Dance Conference in Boca Raton, Florida; and The PanCretan Association at San Francisco State University.
Dr. Coros has choreographed dance suites for Dionysos of the Greek Community of Metropolitan Toronto (CGMT). She lives in Florida and teaches workshops for Greek dance organizations and Greek dance groups all over the country.
Among Dr. Coros' publications is
"The 'forgotten' dances of Crete: dilemma for an American Cretan dancer, choreographer, teacher, researcher." Review paper for The International Council for Traditional Music.
"The Practice of and the Responsibility for Retention of Culture."
Dances Dr. Coros has taught include Malevisiotiko, Pentozalis and Sytrtos.


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Best of Cannes – Day 5
As the sun sets on Cannes Lions 2018 over 16,000 people move from the Palais to the airport, heading home after a week of inspiration, networking and celebration of creativity. For OMD this has been a week centered on delivering better, more relevant experiences and content, to our clients and OMDers around the world. In our last Best Of mailer, we have curated content from our time here at Cannes Lions and our in-market activations. From our London and Singapore offices we unlock the potential of AI by mastering the balance of data and empathy. Back in Cannes, OMD UAE's Karan Kukreja continues the conversation stressing the need to measure for impact not re(a)wards by being people first and focusing on technology as the means not the end. This topic was also front of mind when chatting with Oath. Led by OMD USA's Doug Rozen, we discuss the powerful combination of art and science in advertising and how innovation and technology is affecting the relationship between brands and consumers. With over 50 pieces of content from 20 markets, there is plenty more to explore on cannes.omd.com. Signing off from the Cote d'Azur – see you in 2019!
OMD EMEA's Guy Marks talks to PepsiCo Beverages's Head of Marketing and Innovation for Western Europe, Mark Kirkham, about what Cannes means to brands and the evolving definition of purpose driven marketing.
OMD EMEA's Chelsea Horncastle explores how we have unlocked the potential of AI in London this week, while OMD Singapore's Harpreet Kaur looks into how we are striving to master the balance of data and empathy.
OMD USA's Doug Rozen talks to our friends at Oath about the powerful combination of art and science in advertising and how innovation and technology is affecting the relationship between brands and consumers.
"All companies will become technology companies." OMD Australia's Peita Pacey recaps on yesterday's Cannes Lions festival and how we should be keeping up with the speed of culture through smart data.
As the 65th Cannes Lions Festival of Creativity draws to a close, we finish the week winning 1 Gold and 2 Bronze in the Media Lions category. Huge congratulations go to OMD USA for a Gold Lion for 'Intel Re-imagines the 2018 Pyeongchang Olympics'. Intel is a leader in emerging technologies from Data Centers and Artificial Intelligence to Virtual Reality, yet still viewed by consumers as a PC-centric company. To shift consumer perceptions to Intel being a global leader in technology, the Olympics was identified as the perfect, large-scale platform through which to do this. By re-imagining how consumers experience the Olympic games, a campaign built around four pillars showcased key Intel technologies in action: drones, VR, 5G and eSports. Not only did Intel shift perceptions, they also earned 32% of all Olympic social engagement in relation to Olympic top sponsors – more than double the SOV of any other sponsor.
OMD USA also picked up a Bronze for an Apple campaign which highlighted and educated smartphone owners about one of the most compelling and differentiating features of the iPhone7 Plus – portrait mode. The other Bronze was awarded to OMD Dominican Republic for a campaign on behalf of UNICEF, bringing the practice of child marriage to light to demand action in terms of a change in the law from the government.
For the last three years, the coveted Media Network of the Year accolade has been an Omnicom one, with OMD picking up the award last year and PHD the previous two. This year, it was awarded to Mediacom and this was largely on the strength of their Tesco Grand Prix win. Cannes Lions rolled out a new points system this year that gives the Grand Prix 30 points vs. 10 points in previous years, giving them a total of 51.5 points vs. our 31 points. We are extremely proud to place second in the category and the work that was shortlisted, and those that converted throughout the week.
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