Aerospace Week will be celebrated at the University of Manitoba today by the Faculty of Engineering and Manitoba Aerospace.
At 11 a.m., an open house in the Engineering and Information Technology Complex will include tours of facilities and projects, while students show off their awards for aircraft design.
Representatives from the university, aerospace industry and the Manitoba Aviation Museum will discuss industry/university partnerships, their benefits to staff and students and how industry partnerships impact the local economy.
The University of Manitoba Space Applications and technology Society (UMSATS) design group will describe plans for building an experimental satellite for launching into space.


Stainless Steel Mill Products - USITCcompetitive pressures on U.S. producers. U.S. .. competitiveness of the U.S. stainless steel mill .. Shanghai, China; Walsin-Lihwa has also entered into a.competitive stainless steel mills in china,Changshu Walsin - Stainless Steel WorldLtd. has become one of the leading stainless steel seamless tube and pipe manufacturers in China. 2010 was a . market competitiveness. This is shown,.PUBLIC VERSION in20l7, up from t - American Wire Producers .Mar 29, 2016 . excess capacity, multiple Chinese stainless steel producers have recently expanded capacity . Market Access and Industrial Competitiveness.
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The Situation and Feature of Chinese Stainless Steel Circulation Market .. these years, which will inevitably produce competition with state-owned large mills.
Oct 31, 2007 . over allegedly unfair trade competition from China, and has .. American Stainless plant in Kentucky is the largest stainless steel plant in the.
Nov 19, 2010 . ArcelorMittal Stainless steel segment proforma in 2005 and 2007. Shipments in million of tonnes . plants located in Brazil, Belgium and France.
2 Jiancaoping,Taiyuan,Shanxi,P.R.China. Post Code . Building TISCO into the Most Competitive Stainless Steel . sheet of silicon in the history of China steel industry. TISCO is .. is strengthened before pickling, and on-line skin pass mill.
improve competitiveness and facilitate long-term growth. .. construction of several large integrated steel plants, such as the Wuhan. Steelworks (Nolan 2001). ... of stainless steel, hot-dipped galvanized sheets and other technology- intensive.
Jun 30, 2016 . Yongxing Special Stainless Steel Co Ltd () .. filings of China's largest steel companies revealed that fewer companies .. The government is allowing smaller, non-competitive steel mills to go out.
which has left them more competitive than their. Western .. provincial governments invested in their own steel mills. With so many . magnesium, gold, bismuth, cadmium, copper, lead, nickel, stainless steel, rare-earth elements, and zinc.
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Comparative Value Chain and Economic Analysis of the Apparel .
increase crown cork productivity and competitiveness at the business strategy and business ... Bars and rods of stainless steel, angles and shapes. 16. ... Of the over 24,000 companies operating in China's processed metal sector, half are.
Jun 9, 2016 . companies to make greater efforts to be competitive. In 2015 .. the manufacture of stainless steel in China, because production in this country.
However, since 2014 steel and metals demand from China has deteriorated, largely due .. For both steel manufacturers and steel traders, bank financ- ing is the major .. cheaper imports from China and other foreign competitors, price volatility ... The stainless steel segment is less impacted by Chinese dump- ing policies.
as competition for raw materials becomes fierce. In China, we are adding a steelmaking plant at Zhangjiagang—POSCO Stainless Steel, with an annual.
China has virtually left the CRC market now, but is very aggressive in HR products. Thus, CRC .. Positive outlook at European stainless steel mills. FY 2016.
Sep 15, 2015 . by competition from CIS-based suppliers .. sector, are also reducing steel mills' production ... Chinese stainless steel trade data ('000 tonnes).
Dec 7, 2017 . The average manufacturing wage in China has more than doubled in . Global stainless steel production rose by 10 percent last year, totaling 45.8 . competitive -- further challenging integrated producers -- unless. Chinese.
May 29, 2013 . Chinese output was below 7 million metric tons; last year it . short ton/year stainless steel mill in. Alabama. Initiated . competition. Some of the.
in the australian anti-dumping commission steel reinforcing bar .
considering the MEPS Asian [Grade] 304 SS CRC [stainless steel cold-rolled coil] price . Commission has replaced Chinese manufacturers' steel billet costs with . prices into the Commission's benchmark for competitive costs of production.


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Baby Animals reform original lineup and release rare recordings for 25th anniversary celebrations
Baby Animals are to play two huge live shows and release a raft of previously unheard material as part of their 25th anniversary celebrations in 2016.
Marking a quarter century since the release of their debut album, the Aussie rock band will play Melbourne's Forum Theatre on the 21st of May followed by a show at Sydney's Enmore Theatre on the 28th of May.
Each night will see the band perform two sets. The first will comprise material from across Baby Animals' back catalogue and will be played by the BA's current members (Suze DeMarchi, Dave Leslie, Dario Bortolin and Mick Skelton). The second will be a performance of the band's eponymous debut album in full and will be played by Baby Animals' original lineup (Suze DeMarchi, Dave Leslie, Eddie Parise and Frank Celenza.)
On top of the live shows Baby Animals will also release BA25, a re-mastered recording of a live show that the band played in Boston whilst on tour in the US with legendary rockers Van Halen. The album features five songs that have never been released, as well as b-sides and demos that are all previously unheard. BA25 will be released on the 20th of May.
Says Baby Animals frontwoman Suze DeMarchi: "It seems like only yesterday that we were at Sound Level rehearsal studios in Sydney beginning this journey that's lasted 25 incredible years."
"These parties are going to be the biggest shows Baby Animals have played in a while. If you've been with us from the start we cannot thank you enough for sticking around, this is all for you and because of you. And if you're a new fan, welcome to the party."
You can pre-order BA25 via thebabyanimals.com now. Tickets for the live shows go on sale at 9am on the 2nd of December.
Tagged BA25, Baby Animals, Live, New Album
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Modoc – tribù di nativi americani

Geografia
Modoc – CDP della Carolina del Sud
Modoc – comune dell'Indiana
Contea di Modoc – contea della California

Pagine correlate
Guerra Modoc

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Tomorrow is State Primary Day here in Minnesota. Do you care?
The Republicans know who they're running for US Senate. That'd be their incumbent, the spineless, shapeless, self-serving, barometer of public opinion, shell of a human being, Norm Coleman.
The DFL has an establishment candidate who has no reason to be a senator except that he has (loud) opinions and money. He has also told some jokes. He is up against a never-gonna-win challenger with a silly name. This is almost interesting.
But the Independence Party does not have one or two candidates. Not even three. No, they have seven candidates running for Senate. And you know what? Each one of them sends me about an email a day. It annoys the hell out of me, but I like being on the IP's mailing list otherwise, so I'm bearing with it.
But seriously: Norm Coleman has it sewed up, as does Al Franken. Your protest vote tomorrow won't mean nearly as much if you cast it for PLF, because, as I said, she's a never-gonna-win candidate. She started way too late and she's up against a (for some reason) very popular DFL-endorsed Al Franken.
My suggestion is, no matter how you plan to vote in November, tomorrow I think you should vote in the IP primary. I'll take this opportunity to throw my powerful punditary weight behind Dean Barkley. He's no Jesse, but he's close enough for me. The other IP guys are all very well-meaning and bright, but, quite frankly, none of them have the Colbert-style balls to win on an IP candidacy. In order to do that, you need to be a brazen dickhead like Jesse was in 1998 (and after). And I mean "brazen dickhead" in the most admiring, endearing way possible.
Here's hoping the Minnesota US Senate race finally gets interesting.
Maybe you should pay a little bit more attention to politics. Many of your statements are blatantly uninformed. You're bringing down the Metroblogging brand.
I have been paying attention to politics. I am completely uninspired by this senate race, and yeah, maybe I'm a little flippant in this post, but show me where Priscilla Lord Ferris is overtaking Al Franken, or how Norm Coleman isn't any of the things I've said about him, or that Al Franken has any right to be a senator.
I'm not trying to be defensive, but I guess I'm not sure which points in this post are "blatantly uninformed."
The DLF has an establishment candidate who has no reason to be a senator except that he has (loud) opinions and money. He has also told some jokes.
Outside of spelling "DFL" wrong, he is not an establishment candidate and I guess you must have forgotten about all the work he's done writing about government and media corruption and lies… and that doesn't include all the work he's done helping DFL candidates in the last number of years. And what's this "any right to be a senator" BS? He has just as much right as you do. He's from here and he lives here and he knows the ins and outs on how to be effective. Have you read one of his books?
And he's done a ton of work in the public service capacity. I sometimes argue that Franken has done more for the troops in Iraq than Coleman has in the Senate the last 6 years.
Try learning something about the candidates before you trash them. Or why not call the campaigns and ask to speak with them directly if you have questions?
Thank you for pointing out the typo. Turns out I'm human after all. I have corrected it. I know it's the D-F-L, the Democratic-Farm-Labor Party.
And I stand by everything I said about Al Franken. By "establishment candidate" I simply meant that he was endorsed by the DFL, which is the Establishment. Perhaps not the best choice of words, but I don't feel like changing them. They say what I intend to convey.
I knew all of the things you said about Al Franken already. He's a wonderful human being! I have dismissed all of those things in my assessment of him as a candidate for US Senate. He's a capable comedian, but I have still yet to be shown any reason why he deserve my vote to be in the Senate. I am glad that he's helped our troops, but does that mean he can negotiate a bill to help our troops in the Senate? Maybe if he's doing such a good job helping the troops outside of the Senate he should keep it up.
And yes, I read Lies and thought it was kind of funny, but overall needlessly inflammatory. Jon Stewart knows how to criticize media, Al Franken knows how to throw out red meat. I've also listened to his show (and others) on Air America and found them to be the exact mirror image of the things he calls out in that book.


I n today's fast paced, interconnected business markets, there is an increasing need for sophisticated pricing strategies to compete. Subscription pricing, SaaS, and usage-based pricing to name a few.
As pricing strategies become more sophisticated, the pulls on an organization's resources have grown in scope, scale and complexity. Many Finance and Marketing executives struggle to effectively manage pricing in such an environment, often lacking the know-how and tools needed.
A growing number of companies establish "pricing offices" and/or "deal desks" to manage this complexity. However, many find that establishing a pricing office was not easy or quick – often taking months to staff and hitting many snags along the way. Even when up and running, these companies find that the analytics of managing pricing consumes much of these resources, hindering pricing directors' ability to focus on valuable pricing strategy work. The result, over time, after pricing strategies and systems are implemented, the incremental value provided by pricing offices start to diminish.
The Pricing Office brings experienced pricing experts to address your pricing needs within your existing organizational structure – without the hassle, cost, and risk of hiring full-time dedicated resources. The Pricing Office gives you the bench strength you need to better compete in today's marketplace at a fraction of the costs of going it alone. Typical engagements with The Pricing Office have a 2:1 to 3:1 ROI compared to building a pricing team internally.


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Q: A question on Lebesgue's covering dimension Roughly, a compact, Hausdorff space $X$ has covering dimension $\leqslant n$ if each finite  cover $\mathcal{U}$ of $X$ can be refined by a cover $\mathcal{V}$ such that each point $x\in K$ belongs to at most $n+1$ sets from the new, refined cover.
Hence my question:

Suppose that $X$ is one-dimensional compact Hausdorff space and let $\mathcal{U}$ be a finite open cover for $X$. Can $\mathcal{U}$ be refined in such a way that each element $x\in X$ belongs to precisely two sets from the new cover?

A: This doesn't appear to be true for even the unit interval $[0,1]$. Take the simple open cover $\mathcal{U} = \{ [0,\frac{2}{3} ) , (\frac{1}{3},1] \}$, and suppose $\mathcal{V}$ is an open refinement of $\mathcal{U}$ in which all points belong to exactly two sets.
Let $V_1,V_2$ be the two sets in $\mathcal{V}$ containing $\frac{1}{2}$. Note that either $\alpha = \sup ( V_1 \cap V_2 ) < 1$ or $\beta = \inf ( V_1 \cap V_2 ) > 0$, so without loss of generality assume the latter holds.  Then $\beta$ does not belong to at least one of $V_1$ or $V_2$, so there must be a $W \in \mathcal{V}$ containing $\beta$ which is different from $V_1 , V_2$. But it follows that $W \cap V_1 \cap V_2 \neq \emptyset$, contradicting our assumption on $\mathcal{V}$.

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I had a short but very nice visit this evening with Ed (Anna and Annasbro's brother). He is an administrator at an inner city high school and one heck of a nice guy.
I took the opportunity to ask him about any memories about Anna's disappearance and in particular any memories about the "couple in the car" incident. He admitted that his memories from that time are all fuzzy and he is not sure what he actually remembers and what he merely heard from others and thinks he remembers. He has no specific memories of the incident with the couple.
I did give him the links to come to this site. Anna's disappearence was hard on him (like the rest of the family, though each probably have dealt with it in different ways). I hope that as he looks at this site, some things may come back to him, but even if they don't, I hope that the site will give him some reassurance that people still do remember and care about his sister.
We would all welcome you with open arms!
Hey Eddie, if you're reading this, I just want to say that we all get fuzzy memories as we get older. I do remember though your science project with plants, and how you lined them up and studied how they each reacted to different types of attention and different types of music! I think maybe the variables were one plant was ignored, one was talked to, one was touched, one you sang to, one you played something like Jimi Hendrix to, one got to hear some classical music....I can't remember the results though, can you?? I am also remembering Saturn the dog and Patchouli the cat and the big fat sheep.
I sobbed with you. I try to understand, but can't. When I first started reading about Anna I was still hopeful about mystery woman C. When C turned out to not be Anna, I couldn't help but think about my son, almost 5 and Annas 5 yr stats. When the date came they were the same age, I could not have imagined missing him. I don't know that I would or could have pulled myself out of just crawling into a hole like your mother, Joe Ford, your family and friends have.
If it is some conselation (sp?) I have not only shared Anna's story, I have shared her drawings and her pictures with my 5 yr old. He tells me her drawings were so perfect. Your mom and I have private messaged a few times, and she was so kind to share a little about her personal life. While I am about 1.5 yrs older than Anna, one of my closest "girl friends" from my teens through early college years was two days older than Anna. Oh boy did we have fun back in the day... coming home at 4am after driving up to Wisconsin when the drinking age was 18 then 19 there and 21 here.... All the crazy things we did.... including droping her off a few houses down with the car lights off and knowing we would hear it from her mom for the next 3 days. I can't help but think of Anna having a blast with us, and probably getting in trouble with your mom. (Sorry Mikie, I promise the one thing we always did was have a designated driver AND make sure we dropped our friends off at home.) None of us were ever arrested.....even when we drove from the Chi town area to the border of Wisconsin and IL in a Camero with 6 girls and 6" of snow.
Hi, my name is Julie and I live in Jacksonville, Fl. I'm 34, single, and work as an optician, mainly in the lab making the glasses. I'm the proud aunt of 3 nieces and 3 nephews, have a cat named Jake, and stay pretty busy (when not on WS) with church activities and friends.
About the only research experience I had before WS was through genealogy. I stumbled onto this website after surfing the web and finding the Sodder case, and I got really involved in it. I deliberately avoided all other "big" cases on WS that had long threads, because I did want to invest more time, spread myself too thin, and get all the details mixed up on the various cases. I only got into a couple of Jacksonville cases since they were local and the Dalton case because I like baseball, so the title caught my eye. I thought they were all safe because they were all on the first page of posts.
A few weeks ago, I got a PM from someone on the Dalton case telling me about a message she got about the "Who is George Brody?" thread, and the comparisons to Dalton. As soon as I started reading about Anna and her family I was hooked. It is just so sad, but so inspiring to see how her family, Dr. Doogie, and all of you have worked so hard to uncover what you have. I am amazed at your research and ideas.
As I read the old threads, I'm learning so much about random topics too- early 20th century boxing, hair dryers, Eastern European history, numerology, enemas- and you never know when it may come in handy in the future! Saturday night I was playing Trivial Pursuit and there was a question about the location of Minsk, and I was able to say, "I just studied a map of that area last night."
My heart just goes out to Annasmom, Joe Ford, Annasbro, her other brother, Annasunc, Dr. Doogie, and everyone else involved. I hope you get answers soon, and I want to help you in any way I can. I'm praying for all of you and Anna.
Congratulations to Sidekick!!! Her daughter gave birth to twins on Saturday at 10:10pm. She reports everyone is doing well!
Despite researching Anna's case and posting here, I have not yet introduced myself. Part of the reason is I really am a shrink which means privacy and confidentiality in my field. I actually began viewing this site after a client of mine thought a family member may have been involved in a murder about thirty years ago. There were no avenues to expose nor explore this information without breaching my professional ethics. Through a few private contacts here, however, I was able to allude to the possible suspect without naming the person directly. It seems that the person now may be on police radar as he left town in the middle of the night with his family, leaving all their possessions behind. In any event, my spouse has been a judge and my grown children make us proud. I am also in direct contact with local police about a missing person from our area attempting to locate the body. My practice of over thirty years has included politicians, mafia molls, clergy and professionals among others. While I may seem a bit direct in my postings on-line, I genuinely feel great compassion for the victims and their loved ones. Just as an aside, I have supervised and taught professionals in my field as well as young people entering the fields of psychology, psychoanalysis and social work over the years. Sleuthing is my hobby and passionate interest.
Thank you for introducing yourself, NJS. I am wondering if you have any thoughts about a diagnosis of folie a deux for the two Georges. I suggested this to a professional at one point, but he dismissed the possibility because of his assumption that GW had intimacy issues and could not possibly be that close to GB. Of course, this was completely erroneous, since they were living together at the time.
It is always a temptation to finger the "bad guy" in a drama such as the one we are investigating, but I can't help believing that GB did great harm all around.
Joe Ford's description is fairly accurate as I understand the concept of folie a deux. It is usually associated with one person holding a particularly strange notion or even a delusion. The person may or may not have a psychotic diagnosis. It can sometimes be viewed as a delusion. An example might be the persons who lived at Ruby Ridge who held the belief that the government was out to destroy them. While it turned out to be somewhat the case due to tactical and judgment errors, the original people was convinced that there was a conspiracy to do so. The wife also adopted this view espoused by her husband, hence we would say a folie a deux. Since I did not kniow the Georges personally, I can't really diagnose. It is not generally believed that folie a deux is a formal diagnosis today but merely a symptom of another disorder. It can accompany a psychotic disorder or a personality disorder.
This is Joe Ford's birthday. Cheers!
Happy birthday, Joe! Have a great day!
I'm Danielle, I'm 24, married, and live in Bay Area California.
I just ordered a copy of "Searching For Anna" and am quite anxious to read it. I've read several of the threads here on Anna, but haven't really checked in with the case for a few months. I'll get around to catching up tomorrow!
I'm quite familiar with the Half Moon Bay area. In high school, my best friend and I used to drive up there quite frequently to spend afternoons hanging out at the pretty beach areas. It is a lovely place.
Welcome Aboard, Danielle (Shecky). Don't hesitate to join in with any suggestions or ideas.


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Victor Osimhen Misses out on 23 Years Long standing ligue 1 record (He Almost Broke it)
byEm jay - May 02, 2020
Lille Forward, Victor Osimhen has missed out on two long-standing ligue 1 record set by Former Super Eagles Player, Victor Ikpeba due to the Cancellation of the 2019/20 Ligue 1 season.
Osimhen was on Course to equal and break the record for the most goals (16) by a Nigerian in a single Ligue 1 season set in 1997/98 by Victor Ikpeba while at Monaco. Osimhen was cruising tremendously with his goal scoring form and has bagged 13 goals Already with just 3 goals left for the Youngster to equal the record.
Osimhen was also on track to equal another of Victor Ikpeba's record for the most goals (23) in all competitions in a single ligue 1 season, set in the same Year, 1997/98 . Before the Cancellation of the 2019/20 Ligue 1 season, Osimhen had 18 goals ( 13 in the league, 2 in the UCL, 2 in coupe de la ligue and 2 in coupe de France)
DON'T MISS: A move to Liverpool for Osimhen as Lille Misses out on Champions league spot, PSG to be crowned champions.
Sadly for Osimhen, the record won't be broken by him this season and probably might take a long time for Another Nigerian to have a sniff at the record if the Nigerian should secure a move away from Lille. Samuel Kalu and Josh Maja both playing at Bordeaux are another Nigerian that may have a shot at the record which has been standing for 23 Years.


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Claudia Martinez And Her 2 Daughters Injured In Fort Lauderdale In Hit And Run On Las Olas Boulevard
Home » Blog » Hit and Run Accidents » Claudia Martinez And Her 2 Daughters Injured In Fort Lauderdale In Hit And Run On Las Olas Boulevard
Multiple persons were injured and several other cars damaged in a hit-and-run collision on Las Olas Boulevard and AIA in Fort Lauderdale.
Multiple persons were injured and several other cars damaged in a hit-and-run accident on Las Olas Boulevard and AIA in Fort Lauderdale.
Fort Lauderdale Police and Fort Lauderdale Fire Rescue responded to the collision which left a mother and her two children injured. Police say the driver of a white BMW struck three pedestrians on the sidewalk and several other vehicles including a city bus before taking off on foot.
"The car came from the left hand lane really fast and hit the car beside it and then came towards us," said Claudia Martinez, the children's mother. "Just hit my family and me."
Police transported the mother and her two children to Broward Health Medical Center. The children were said to be 4 and 5 years old. Their condition remains unknown.
According to officials, the driver abandoned his car and eventually fled the scene on foot. Police continue to investigate and seek more information on the driver.
Glen Levine, from the Law Firm of Anidjar and Levine, comments on this crash: "In representing a prior client of ours with similar type of situation, client was boarding the County bus which was outfitted with cameras that caught every angle of the accident scene. Because it was a city bus, we were able to get the film footage under the freedom for information act. In this case at our firm we would search the crash scene for additional surveillance cameras for any footage that would identify the driver that fled the scene. The steps taken immediately after an accident are perhaps the most important."
Traffic And Accident News Provided By Traffic Center News
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Four Hospitalized When Hit-And-Run Sends Truck, Boat Off Interstate 95
According to a crash report, a hit-and-run on Interstate 95 sent four people to the hospital and led authorities to arrest a driver. Report says first responders arrived on the scene in an Allapattah neighborhood where several vehicles were trapped in a ditch. A Dodge pickup truck was reportedly headed southbound, towing a boat, when […]
2 Young Children, Pregnant Mom Injured In Hit-And-Run Crash In Jacksonville
Police and rescue personnel were called in to a crash on Alpha Avenue and Alta Vista Street, off Cassat Avenue in Jacksonville. Two young children and their pregnant mother were injured when two SUV's collided. Police say a red Dodge Durango ran a stop sign and crashed into a Kia Sorrento, causing it to overturn. […]
Jesus Cruz, A Scooter Driver, Was Fatally Struck In Hit and Run Crash
A hit and run crash has resulted in the death of a man. The search is on for the driver who hit and killed a man riding a scooter in Miami-Dade. The deadly hit and run crash occurred along Northwest Seventh Street and 111th Avenue. According to officials, 60 year old Jesus Cruz was struck and […]
Hit-And-Run Accident In Northwest Miami-Dade Shown By A Ring Camera Video
On a Northwest Miami-Dade home, a video from a Ring camera shows a dramatic hit-and-run crash that sounds like an explosion as a car rammed into three parked vehicles. It was fortunate that no one was injured but one of the victims said, "If it happened ten minutes earlier, it would have killed me because […]
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Chef Alex Atala, of D.O.M., center, talks to guests at Eataly's fifth birthday bash. Photograph by Michael Nagle for Observer.
"The most important thing is I'm expecting not to work," Nicola Farinetti told the Observer with a wink when asked what he planned to do at Eataly New York's fifth birthday extravaganza the other night. Eataly's CEO (and son of its founder Oscar Farinetti) recalled the effort of celebrations past. This year, he and the American partners—Mario Batali, Lidia and Joe Bastianich, Adam and Alex Saper—asked themselves: "What can we do nice that's not going to be work?" The answer: invite five outside chefs; give them each one course and one restaurant to take over for the night.
The A-list chefs running the gourmand's food court for the night, included Alex Atala, Dan Barber, Nick Morgenstern, Alex Raij, Dale Talde.
"Wasted dumpster dive salad" created by Dan Barber. Photograph by Michael Nagle for Observer.
Spotting Ms. Bastianich, the ultimate Italian nonna in a white dress emblazoned with big red roses, at the entrance, the 48 guests in the third of five seatings became giddy. Franciacorta, a sparkler from Lombardy, flowed as did the assaggi (little morsels) by Fitz Tallon, Eataly's executive chef (one of many staffers who did indeed work the party).
Suddenly it was time for the night's biggest thrill. Brazilian chef Alex Atala of São Paulo's celebrated D.O.M. stirred a pot while a brothy amuse is passed. It contained jambu, an Amazonian herb that immediately tingles, numbs, changes the palate.
Each of the visiting chefs brought their own ingredients. Chef Barber's came from a vegetable processor in the Bronx; imperfections dissuade other buyers and would have landed this perfectly edible food in a dumpster.
Minutes later, we're already re-seated at the night's second table. And the ice has broken.
From "what happens if you don't use canned chickpeas?" to "did you kill Joan Rivers?" the strangers—Italian, Indian, Romanian, Long Islandian—adapted to the shared space and quickly bonded over shared experience: someone was hungry after WD-50. Everyone agreed. Someone was disappointed one out of two times at Eleven Madison Park, inspiring commiseration about consistency. Someone wanted bread to lap up the squid ink sauce in Chef Raij's Basque gnudi, a gnocchi variation. Everyone agreed. But again it was time to move, a gimmick that slowly lost its appeal.
"I'll go over, get everything to go, and come back," joked Anthony Volpe, an artist specializing in charcoal drawing, who illustrated Ms. Bastianich's upcoming cookbook.
Grazers next sampled Top Chef alum Dale Talde's Dungeness crab pancit palabok, a rice vermicelli nod to Italy. Fueled by the fourth glass of a Riesling from Piedmont, conversation amongst the foodies turned to cacio e pepe (pasta with cheese and pepper) at Del Posto, Ai Fiori vs. Marea, and Lupa's recent pasta tasting.
Guests snap a celeb chef at Eataly's Fifth Birthday Bash. Photograph by Michael Nagle for Observer.
Suddenly it was time for the night's biggest thrill. Brazilian chef Alex Atala of São Paulo's celebrated D.O.M. stirred a pot while a brothy amuse is passed. It contained jambu, an Amazonian herb that immediately tingles, numbs, changes the palate. None of us had been to D.O.M. None of us attended this July's Grand Gelinaz! Shuffle dinner—where restaurants covertly swap famous chefs for one night—at Blanca. None of us listed obscure rainforest plant when asked about allergies. This was exciting.
"We like food events. We like food in general," said Alex Mittnacht, an anesthesiologist. He and his wife Anoushka Afonso, also an anesthesiologist, go out as much as work and their 3-month-old allow. "We're not bad parents. What's his name again?" he said with a laugh.
Nick Morgenstern's ice cream quenelles were upon us: parmigiana, plum, kalamansi (Filipino citrus), apple cider. Unfortunately, he was in a car accident (all O.K.) so he could not attend. A glass of Moscato cured that moment of sobriety.
And then, three hours to the starting minute, we were on Eataly's rooftop, open to the lovely September night. "The common denominator is the people who care about good food," said Dr. Afonso as we posed for a new-friends iPad photo.


Brick Kiln Barn is an immaculately presented four bedroom single storey barn conversion with flexible living accommodation. There is a fully vaulted double reception room with feature fireplace and exposed timbers, a traditional country kitchen/breakfast room, en-suite shower room and family bathroom.
Outside there is a gated driveway and enclosed formal gardens. The timber stable yard is well arranged with two loose boxes, a storage barn and storage shed (suitable as hay store/feed and tack room as required). There is a large paddock and a smaller turnout or schooling paddock which are both enclosed by a mixture of mature hedge and post and rail fencing.
Brick Kiln Barn would equally suit an equestrian family or those who are looking for a home with superb outdoor space in a rural location.


Of course the Carolus Thermen is accessible for disabled persons in almost all areas. Lifts guarantee accessibility of the different storeys, two disabled accessible dressing rooms allow secure and comfortable changing of clothes. Furthermore, a lift in the bathing hall provides for easy access to the large thermal water pool.
The font size of this web presence can be enlarged in two steps, in order to facilitate its legibility. Furthermore, the page www.carolus-thermen.de has been programmed in such a way that reading machines can read the texts without problem and this way give blind persons access to the contents.


text:
Siemens SIPROTEC Denial-of-Service Vulnerability
Original release date: July 21, 2015 | Last revised: August 27, 2018
Siemens has identified a denial-of-service vulnerability in the SIPROTEC 4 and SIPROTEC Compact devices. This vulnerability was reported directly to Siemens by Victor Nikitin from i‑Grids LLC Russia. Siemens has produced a new firmware update to mitigate this vulnerability.
Siemens reports that the vulnerability affects the following versions:
SIPROTEC 4 and SIPROTEC Compact product families
All devices that include the EN100 Ethernet module version V4.24 or prior.
An attacker could remotely cause a denial of service by exploiting this vulnerability.
Siemens is a multinational company headquartered in Munich, Germany.
The affected products, SIPROTEC 4 and SIPROTEC Compact devices, provide a wide range of integrated protection, control, measurement, and automation functions for electrical substations and other fields of application. The EN100 module is used for enabling IEC 61850 communications with electrical/optical 100 Mbit interface for SIPROTEC 4 and SIPROTEC Compact devices. According to Siemens, SIPROTEC devices are deployed across several sectors including Energy. Siemens estimates that these products are used worldwide.
DENIAL OF SERVICEa
Specially crafted packets sent to Port 50000/UDP could cause a denial of service of the affected device. A manual reboot is required to return the device to service.
CVE-2015-5374b has been assigned to this vulnerability. A CVSS v2 base score of 7.8 has been assigned; the CVSS vector string is (AV:N/AC:L/Au:N/C:N/I:N/A:C).c
Siemens has provided firmware update V4.25 for the EN100 module to fix the vulnerability.
The firmware update for SIPROTEC 4 can be obtained here:
http://www.siemens.com/downloads/siprotec-4
The firmware update for SIPROTEC Compact can be obtained here:
http://www.siemens.com/downloads/siprotec-compact
For more information on this vulnerability and more detailed mitigation instructions, please see Siemens Security Advisory SSA-732541 at the following location:
http://www.siemens.com/cert/advisories
ICS-CERT recommends that users take defensive measures to minimize the risk of exploitation of these vulnerabilities. Specifically, users should:
Configure firewall rules to appropriately restrict traffic to affected devices on Port 50000/UDP.
Monitor traffic to affected devices on Port 50000/UDP with an intrusion detection system (IDS).
When remote access is required, use secure methods, such as Virtual Private Networks (VPNs), recognizing that VPNs may have vulnerabilities and should be updated to the most current version available. Also recognize that VPN is only as secure as the connected devices.
a. CWE-400: Uncontrolled Resource Consumption ('Resource Exhaustion'), http://cwe.mitre.org/data/definitions/400.html, web site last accessed July 21, 2015.
c. CVSS Calculator, http://nvd.nist.gov/cvss.cfm?version=2&vector=AV:N/AC:L/Au:N/C:N/I:N/A:C, web site last accessed July 21, 2015.


Articles from across the Web that we at the IBM Center for The Business of Government found interesting for the week of August 20 - 24, 2018.
GEAR Center Priorities. Federal Times reports on an OMB open conference call regarding the GEAR Center: ""The two areas of focus that we have out of the gate revolve around reskilling the workforce for the jobs of the 21st century and commercialization of federal data," said OMB Deputy Director of Management Margaret Weichert during an Aug. 23 call.


text:
package com.cloudskol.dropwizardskol.resource;

import com.cloudskol.dropwizardskol.model.Book;

import java.util.ArrayList;
import java.util.Iterator;
import java.util.List;

/**
 * @author tham
 */

public class BookDataProvider {
    private static final BookDataProvider instance = new BookDataProvider();
    private static final List<Book> books = new ArrayList<Book>(12);

    private BookDataProvider() {}

    public static synchronized BookDataProvider getInstance() {
        return instance;
    }

    public List<Book> getBooks() {
        return books;
    }

    public Book getBook(String id) {
        for (Book book: books) {
            if (book.getId().equals(id)) {
                return book;
            }
        }

        return null;
    }

    public void addBook(Book book) {
        books.add(book);
    }

    public void removeBook(String id) {
        final Iterator<Book> iterator = books.iterator();
        while (iterator.hasNext()) {
            if (iterator.next().getId().equals(id)) {
                iterator.remove();
                break;
            }
        }
    }

    static {
        books.add(new Book("1", "1416562605", "The White Tiger: A Novel"));
    }
}

redpajama_set_name: RedPajamaGithub


Raised to species: Wilson, 2003A: 286.
Pheidole rufipilis var. dioneHNS Forel 1913m: 225.
Etymology Gr dioneHNS, a matronymic name for Aphrodite.
Diagnosis A member of the fallaxHNS group, most similar to the species listed in the heading above, distinguished as follows. Major: antennal scapes reaching within 2X their maximum width to occipital corners; rugoreticulum on each side of head forming a band from eye laterally to antennal fossa and forward slightly anterior to eye; carinulae on frontal lobes limited to their lateral margins and extending posteriorly to midway between eye and occipital margin; propodeal spines small, equilaterally triangular; pronotal profde in dorsal-oblique view a single convexity, and mesonotal profde subangular; postpetiole from above laterally subangulate; pronotum smooth; pilosity dense and long, many hairs longer than Eye Length.
Minor: pilosity long, some hairs 2X Eye Length; propodeal spines reduced to denticles; mesonotal convexity in dorsal-oblique view subangulate; occiput in frontal view feebly convex.
Measurements (mm) Lectotype major: HW 1.26, HL 1.34, SL 0.94, EL 0.18, PW 0.62.
Paralectotype minor: HW 0.60, HL 0.66, SL 0.84, EL 0.14, PW 0.40.
color Major: body and appendages plain light brown.
Minor: body plain light brown, appendages yellowish brown.
Range Known only from the types.
Figure Upper: lectotype, major. Lower: paralectotype, minor. ARGENTINA: Jujuy. Scale bars = 1 mm.


Romance sizzles for you early this month! Between February 5 and February 7, you'll have a cosmic recipe for the sexiest weekend possible. If you're dating someone or, if you're in a relationship, you can expect passion to be off the charts.
If you are single, this is a weekend you must be out socializing. Even if it's just a romantic fling, the prospects for sexual excitement are too intense to waste. After February 16, an office romance may heat up.


The Bearded is joining us on the Blue Plate Special with host Red Hickey on October 10th at noon. This event is free to the public and will be held at the Knoxville Visitor Center. In the meantime, enjoy this Bullet Backstory from The Bearded. they were gracious enough to answer our questions for this regular feature on the WDVX blog.
What advice do you have for young musicians who are trying to hone their craft? Get a day job! Be a good listener! Playing good music is about making the people you're playing with sound good, not just yourself.
If you could work with any musician (living or deceased) who would it be and why? Really hard question…The Folksmen. I think they would get us. Or Spinal Tap, either would work.
Anything else you would like to share? Favorite WDVX memory, etc? When it first started, We used to play the Blueplate special a couple times a month. We felt like the house band. Probably because our banjo player used to be the host.
This Bullet Backstory is brought to you by one of our great WDVX-Travaganza sponsors, Magpies Bakery!
Published on October 09, 2016 by WDVX Social Media.


text:
5 actors from Amazon Prime Video's 'The Boys' who you've seen before but could not recollect where
11 . Sep . 2020
If you thought you'd seen it all when it came to Superheroes, the mega hit series 'The Boys' by Amazon Prime Original series made everyone eat humble pie. The series offers an alternative take on the superhero world and the way they are perceived in a way beyond your wildest imagination. Set in a world where the multi-billion corporation Vought has their own brand of superheroes called The Seven or Supes, who have undisputed power over the public, politicians and the truth, we see a band of people team up to put them in their place and revolt against injustice.
After a phenomenal season 1, The Boys are ready to rock in season 2 with new episodes being dropped every Friday on Amazon Prime Video. With a third season already on the cards, it appears as though the show's incredible cast is going to be around for a very long time. With each of the characters leaving you in awe, you might be wondering if you've seen these stars from The Boys before. Without any further ado, it's time we refreshed your memory and tell you the shows or movies where you've watched them pack a punch.
Billy Butcher – Played by Karl Urban
Probably the most successful of the lot, Karl Urban is known for playing a pivotal role in movies like Lord of the Rings, Thor, Dredd and Deep Space to name a few. Famously known for playing Éomer in the LOTR franchise as well as Dr. Leonard "Bones" McCoy from the Star Trek films of the 2000s, we this time see Karl play the character of an ex-CIA officer who is fixated on bringing down the corrupt superheroes. Bringing his acting expertise of starring in these actor movies on screen, what we see from the New Zealand actor is him once again playing his role to perfection.
Hughie Campbell – Played by Jack Quaid
A true Hollywood royalty, Jack Quaid, the son of actor Dennis Quaid and actress Meg Ryan started his Hollywood career with the 2012 cult classic The Hunger Games. Though his role was relatively smaller, he still managed to make a lasting impression through his performance. He further played some noteworthy characters like Fish Bang in 2017's heist flick Logan Lucky along with starring in blockbusters like Rampage and the indie rom-com like Plus One. This time around in The Boys, we see the versatile actor play a character named Hughie who joins the group of vigilantes after his girlfriend Robin is killed by the Supe A-Train in an freak accident. With revenge on his mind, we can't wait to see what Hughie, a one-time die-hard fan of The Seven, has on his mind as he turns into their biggest nightmare.
The Deep – Played by Chace Crawford
Famously known for playing the character Nate Archibald in teen TV drama Gossip Girl, Chace Crawford was once considered to be the hottest names in Hollywood. The fame that he achieved as Nate all thanks to his boy-next-door looks got him various parts in movies like The Haunting of Molly Hartley, What to Expect When You're Expecting, Mountain Men, Rules don't apply and many more. We see the charming actor as a Supe name The Deep who is blessed with the ability to breathe underwater and can also speak to sea creatures – even fresh lobsters on the counter in the supermarket for that matter. The fishy superhero has a dreadful introduction to the series, as he uses his fame and powers for the sleaziest ends, but his story takes several unexpected twists turns across the first season itself as he looks to redeem himself and get his life back on track. With Chace, we always know that there's a lot to look forward to which is exactly why we can't wait to see what season 2 has in store for this fan favourite.
The Female/ Kimiko – Played by Karen Fukuhura
An awesome television career followed by an even better TV debut, Karen's career graph is something that most actors can only dream of. Best known for playing the character of the sword-swinging right-hand woman Katana in the 2016 DC Superhero film Suicide Squad, Karen has since the been part of the supernatural thriller Stray and also dubbed her voice for the characters of Sewer Queen and Alexis in the Cartoon Network series Craig of the Creek. This time around it isn't her voice that does the talking as she plays the character of mute girl called Kimiko who brings the much-needed muscle to the gang who are fighting against the Supes.
Homelander – Played by Antony Starr
Part-Superman, part-Captain America, TV most-terrifying superhero, Homelander has the ability to switch from a beaming All-American hero at one point to being sinister villain filled with pure evil the very next moment. Before landing the main lead in The Boys, you must have recognized Antony from the 2004 comedy Without a Paddle as well as the 2005 motorcycle drama The World's Fastest Indian. Also known for playing prominent roles in comedy crime drama Outrageous Fortune and mystery drama Wish You Were Here, for which he even won himself Best Supporting Actor award, Antony was yet to make a mark until The Boys came along and changed everything for him.
TAGS Amazon Prime Video Karl Urban Jack Quaid Chace Crawford Karen Fukuhura Antony Starr


text:
thewholenote
Volume 23 Issue 5 - February 2018
A palette of sounds that
A palette of sounds that evoke amazing things – the popping of the trees in deep cold, the wind over the land, the sounds of birds in the pitch black of night. DMITRY MOKEYEV Northern Lights in Latvia and mythologized. Latvian skies rarely see the lights, but they are not unknown. Folklore tells stories of fallen warriors continuing their fights across the sky. To some, it is a giant fox jumping around, throwing the lights up into the sky along with the snow. For others, it is spirits playing soccer. Some of the stories are more sinister: if you whistle at the lights, they'll chop your head off. Robert Cooper, conductor of Orpheus, is a strong supporter of Ešenvalds. In 2011, one of Cooper's singers returned from a trip to Latvia with a pile of Ešenvalds' music, a name that was virtually unknown at the time outside of Latvia. "I was so intrigued by his music," says Cooper, "especially his longer piece Passion and Resurrection, unlike his other smaller works. I'm always looking for extended works for Orpheus and this was dramatic and theatric with semi-chorus and a demanding soprano line." Cooper performed the Passion in 2011 and again in 2013, with Ešenvalds visiting the second time as his popularity increased. Cooper recalls: "Ēriks started telling me about this story, about all the stories around Nordic Light and I was very intrigued." Orpheus joined with the Pacific Lutheran University Choral Union, the State Choir of Latvia, the Berlin Radio Choir, the Melbourne Symphony Orchestra and chorus, and the City of London Sinfonia to commission the Symphony. With Ešenvalds himself coming, many choral educators and groups across the region became interested in having him workshop. The program has evolved to incorporate various regions, multiple choirs and several Canadian cities, all made possible by the incredible support of Latvian Canadians, but also as part of Latvia's international celebrations of 100 years of independence. As Ešenvalds' popularity has grown, so too has that of Riga-based music publisher Musica Baltica. Distributed internationally under Edition Peters, Musica Baltica will be touring with Ešenvalds as a lead in the centenary celebrations and were a key partner in this tour. Ešenvalds is particularly excited about his visits to universities along the trip. He will be visiting Mark Vuorinen, at Conrad Grebel University College, University of Waterloo (February 26); Jean- Sébastien Vallée, at the Schulich School of Music at McGill University (February 27); and John Armstrong at the University of Ottawa (February 28). Ešenvalds himself is an educator, having studied at the Latvian Academy of Music where he now teaches, since completing his Cambridge University residency. In Toronto, the Orpheus Choir and That Choir are joined by their music directors – Bob Cooper and Craig Pike, respectively – for the Nordic Light Gala performance. Pike says: "Rehearsing Ešenvalds works, apart from being incredibly fulfilling, challenges us spiritually, musically and existentially." Both ensembles are enjoying the experience. "He writes with a great deal of depth. There's a quiet inner spirit," shares Cooper. "You know that something is happening behind his notes that he has really considered." Prior to the performance, there will be the Canadian premiere of the documentary Nordic Light: A Composer's Diary followed by a one-on-one with Ešenvalds. Over the course of the visit, Ešenvalds will engage with audiences and musicians from Kitchener to Toronto, Ottawa to Montreal. He'll be back in Canada for Podium 2018 in St John's, Newfoundland. Composers of Ešenvalds' calibre are rare finds; evocative storytellers at heart who listen to the world a little differently than the rest of us. And in listening, they can create a palette of sounds that evoke amazing things – the popping of the trees in deep cold, the wind over the land, the sounds of birds in the pitch black of night, and the especially powerful sound of hearing whales breathing in the fjords of Iceland – things heard and recreated in music by Ešenvalds. In many ways, Nordic Light is an act of listening, translated through Ešenvalds' unique way of hearing the world. TORONTO EVENTS A Choral Encounter with Ēriks Ešenvalds A seminar and singer's workshop for choirs, conductors and fans of choral music. Wednesday February 21, 2018, 7pm. St John's Evangelical Latvian Lutheran Church, Toronto. Canadian Premiere of Nordic Light: A Composer's Diary and One-on-One with Ēriks Ešenvalds. Saturday February 24, 2018, 3pm. Metropolitan United Church, Toronto. Nordic Light Gala Concert featuring the Canadian Premiere of the Nordic Light Symphony. Saturday February 24, 2018, 7:30pm. Metropolitan United Church, Toronto. KITCHENER-WATERLOO: A Choral Encounter with Ēriks Ešenvalds A seminar and singer's workshop for choirs, conductors and fans of choral music. Monday February 26, 2018, 7pm. Conrad Grebel University College, Waterloo. MONTREAL: A Choral Encounter with Ēriks Ešenvalds A seminar and singer's workshop for choirs, conductors and fans of choral music. Tuesday February 27, 2018, 7:30pm. Schulich School of Music, McGill University, Montreal. OTTAWA: A Choral Encounter with Ēriks Ešenvalds A seminar and singer's workshop for choirs, conductors and fans of choral music. Wednesday February 28, 2018, 7pm. St Joseph's Church, Ottawa. Follow Brian on Twitter @bfchang Send info/media/tips to choralscene@thewholenote.com. 14 | February 2018 thewholenote.com
FEATURE VOCAL MILESTONES Giving Voice to New Musical Ideas DAVID JAEGER Contemporary music is acknowledged as a means of introducing fresh ideas. And contemporary vocal music offers a powerful artistic medium for the delivery of meaningful and profound messages. I have witnessed this often throughout my career in broadcasting and music production. Before my professional life, one of the earliest and most indicative examples of this occurred when I met the Polish/ French composer and conductor René Leibowitz (1913–1972) while I was an undergraduate student at the University of Wisconsin (UW) School of Music in 1967. Leibowitz was a strong advocate of the music of Arnold Schoenberg (1874–1951), the Second Viennese School and new music in general, after World War II. He had been invited to UW as a guest lecturer in 1967, thanks to the efforts of Austrian/ American violinist Rudolf Kolisch (1896–1978), leader of the Pro René Leibowitz Arte String Quartet which was the quartet in residence at UW. Both Leibowitz and Kolisch had close ties with Schoenberg. Kolisch had been a student of Schoenberg since 1919, and in fact, after the death of his first wife in 1923, Schoenberg married Gertrude Kolisch, Rudolf's sister. In Leibowitz's case, it was hearing Schoenberg's work Pierrot Lunaire that inspired him to become a composer himself. During this, for me, momentous year at UW, Leibowitz and Kolisch collaborated in overseeing performances of several of Schoenberg's works, including Pierrot Lunaire, the Violin Concerto and, especially significant for me as a student, the choral work, Friede auf Erden (or Peace on Earth,) a work premiered in 1911. I was a member of the UW Concert Choir that year, and over the course of many rehearsals, we prepared Friede auf Erden under Leibowitz's baton. The process of preparing this intense and passionate cry for humanity was itself a memorable experience, focusing on achieving clarity through the intricate counterpoint and frequently fluctuating tempi of the score. But I will never forget the look on Leibowitz's face as we performed the work in concert. It was, for me, a young student, the first time I had witnessed a genuine, undiluted expression of pure ecstasy on the countenance of a conductor. This was a work whose message carried especially deep meaning for Leibowitz, and in turn, for all of us in the choir and the audience. Land's End Ensemble Sunday Feb. 04, 2018 Hope Lee Imaginary Garden VII v Sean Clarke Delirium Nocturnum v Matthew Ricketts Graffiti Songs Arnold Schoenberg (arr. A. Webern) Kammersymphonie Op.9 v Toronto Premiere Land's End Ensemble with guest artists Robert Aitken and James Campbell Gallery 345 | 345 Sorauren Ave. Webern with Schoenberg, Berlin 1927 Trio Arkel Sunday Feb. 25, 2018 Kaija Saariaho Cloud Trio Krzysztof Penderecki String Trio James Rolfe And Then Grace Arnold Schoenberg String Trio Op.45 Marie Berard violin Teng Li viola Winona Zelenka cello Gallery 345 | 345 Sorauren Ave. Concerts at 8:00 • Special film screening "Schoenberg: My War Years" February 25 at 6:30 www.NewMusicConcerts.com ( 416.961.9594 thewholenote.com February 2018 | 15
Page 1 and 2: PRICELESS Vol 23 No 5 FEBRUARY 2018
Page 3 and 4: 2017/18 SEASON HANDEL Toronto's f
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Page 7 and 8: FOR OPENERS | DAVID PERLMAN Trackin
Page 9 and 10: A: There were a bunch of actual equ
Page 11 and 12: FEATURE HUMBER AT 50 A Celebration
Page 13: FEATURE The Craft of Ēriks Ešenva
Page 17 and 18: Azrieli Music Prizes Two prizes rec
Page 19 and 20: and is the reason I love performing
Page 21 and 22: CARI FLAMMIA Music Society to prese
Page 23 and 24: Beat by Beat | Classical & Beyond T
Page 25 and 26: PH: In general for my recital progr
Page 27 and 28: Beat by Beat | Early Music Missed C
Page 29 and 30: Beat by Beat | Art of Song Tapping
Page 31 and 32: Beat by Beat | On Opera Electric Bo
Page 33 and 34: wanted to do your own thing, and th
Page 35 and 36: feature film is being made, written
Page 37 and 38: Lisette Canton Newburgh Hamilton ba
Page 39 and 40: to the label just as each was set t
Page 41 and 42: the band to study conducting with S
Page 43 and 44: Friday February 2 21 ST ANNUAL NOON
Page 45 and 46: THE PEASANT CANTATA by Johann Sebas
Page 47 and 48: Ian Bostridge with Julius Drake VAL
Page 49 and 50: Thursday February 22 ●●5:30: Ca
Page 51 and 52: TCC's Preparatory, Training Choir
Page 53 and 54: St E. 416-968-7747. ; (sr/st)
Page 55 and 56: ●●7:30: University of Toronto F
Page 57 and 58: Quartet: Vera Alexseeva and Anna Hu
Page 59 and 60: Feb 9 Ros Kindler Trio. Feb 10 Bria
Page 61 and 62: Classified Advertising | classad@th
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composers are alive and well, and l
José Serebrier leads the Concerto
incorporates catchy contemporary rh
terrifying. She is also in charge o
Philipp Emanuel Bach, Wilhelm Fried
In the Weeds Ventus Machina MSR Cla
Concert notes: Carol Welsman's Fe
Lounge "SymphRONica - Into The St
vocalist and pianist's bold and e
intimate before becoming quite impa
TWO SHOWS ONLY! Dvořák & Beethove
DISCOVER OUR 2018/2019 SEASON EUGEN
Volumes 21-25 (2015-2019)
Volume 25 Issue 4 - December 2019 / January 2020
Welcome to our December/January issue as we turn the annual calendar page, halfway through our season for the 25th time, juggling as always, secular stuff, the spirit of the season, new year resolve and winter journeys! Why is Mozart's Handel's Messiah's trumpet a trombone? Why when Laurie Anderson offers to fly you to the moon you should take her up on the invitation. Why messing with Winterreisse can (sometimes) be a very good thing! And a bumper crop of record reviews for your reading (and sometimes listening) pleasure. Available in flipthrough here right now, and on stands commencing Thursday Nov 28. See you on the other side!
Volume 25 Issue 3 - November 2019
Volume 25 Issue 2 - October 2019
Long promised, Vivian Fellegi takes a look at Relaxed Performance practice and how it is bringing concert-going barriers down across the spectrum; Andrew Timar looks at curatorial changes afoot at the Music Gallery; David Jaeger investigates the trumpets of October; the 30th anniversary of the Velvet Revolution (and the 20th Anniversary of our October Blue Pages Presenter profiles) in our Editor's Opener; the Toronto Mendelssohn Choir at 125; Tapestry at 40 and Against the Grain at 10; ringing in the changing season across our features and columns; all this and more, now available in Flip Through format here, and on the stands commencing this coming Friday September 27, 2019. Enjoy.
Volume 25 Issue 1 - September 2019
Vol 1 of our 25th season is now here! And speaking of 25, that's how many films in the upcoming Toronto International Film Festival editor Paul Ennis, in our Eighth Annual TIFF TIPS, has chosen to highlight for their particular musical interest. Also inside: Rob Harris looks through the Rear View Mirror at past and present prognostications about the imminent death of classical music; Mysterious Barricades and Systemic Barriers are Lydia Perović's preoccupations in Art of Song; Andrew Timar reflects on the evolving priorities of the Polaris Prize; and elsewhere, it's chocks away as yet another season creaks or roars (depending on the beat) into motion. Welcome back.
Volume 24 Issue 9 - June / July / August 2019
Volume 24 Issue 8 - May 2019
What a range of stuff! A profile of Liz Upchurch, the COC ensemble studio's vocal mentor extraordinaire; a backgrounder on win-win faith/arts centre partnerships and ways of exploring the possibilities; an interview with St. Petersburg-based Eifman Ballet's Boris Eifman; Ana Sokolovic's violin concert Evta finally coming to town; a Love Letter to YouTube, and much more. Plus our 17th annual Canary Pages Choral directory if all you want to do is sing! sing! sing!
Volume 24 Issue 7 - April 2019
Arraymusic, the Music Gallery and Native Women in the Arts join for a mini-festival celebrating the work of composer, performer and installation artist Raven Chacon; Music and Health looks at the role of Healing Arts Ontario in supporting concerts in care facilities; Kingston-based composer Marjan Mozetich's life and work are celebrated in film; "Forest Bathing" recontextualizes Schumann, Shostakovich and Hindemith; in Judy Loman's hands, the harp can sing; Mahler's Resurrection bursts the bounds of symphonic form; Ed Bickert, guitar master remembered. All this and more in our April issue, now online in flip-through here, and on stands commencing Friday March 29.
Volume 24 Issue 6 - March 2019
Something Old, Something New! The Ide(a)s of March are Upon Us! Rob Harris's Rear View Mirror looks forward to a tonal revival; Tafelmusik expands their chronological envelope in two directions, Esprit makes wave after wave; Pax Christi's new oratorio by Barbara Croall catches the attention of our choral and new music columnists; and summer music education is our special focus, right when warm days are once again possible to imagine. All this and more in our March 2019 edition, available in flipthrough here, and on the stands starting Thursday Feb 28.
In this issue: A prize that brings lustre to its laureates (and a laureate who brings lustre to the prize); Edwin Huizinga on the journey of Opera Atelier's "The Angel Speaks" from Versailles to the ROM; Danny Driver on playing piano in the moment; Remembering Neil Crory (a different kind of genius)' Year of the Boar, Indigeneity and Opera; all this and more in Volume 24 #5. Online in flip through, HERE and on the stands commencing Thursday Jan 31.
When is a trumpet like a motorcycle in a dressage event? How many Brunhilde's does it take to change an Elektra? Just two of the many questions you've been dying to ask, to which you will find answers in a 24th annual combined December/January issue – in which our 11 beat columnists sift through what's on offer in the upcoming holiday month, and what they're already circling in their calendars for 2019. Oh, and features too: a klezmer violinist breathing new life into a very old film; two New Music festivals in January, 200 metres apart; a Music & Health story on the restorative powers of a grassroots exercise in collective music-making; even a good reason to go to Winnipeg in the dead of winter. All this and more in Vol 24 No 4, now available in flipthrough format here.
Reluctant arranger! National Ballet Orchestra percussionist Kris Maddigan on creating the JUNO and BAFTA award-winning smash hit Cuphead video game soundtrack; Evergreen by name and by nature, quintessentially Canadian gamelan (Andrew Timar explains); violinist Angèle Dubeau on 20 years and 60 million streams; two children's choirs where this month remembrance and living history must intersect. And much more, online in our kiosk now, and on the street commencing Thursday November 1.
Presenters, start your engines! With TIFF and "back-to-work" out of the way, the regular concert season rumbles to life, and, if our Editor's Opener can be trusted, "Seeking Synergies" seems to be the name of the game. Denise Williams' constantly evolving "Walk Together Children" touching down at the Toronto Centre for the Arts; the second annual Festival of Arabic Music and Arts expanding its range; a lesson in Jazz Survival with Steve Wallace; the 150 presenter and performer profiles in our 19th annual Blue Pages directory... this is an issue that is definitely more than the sum of its parts.
In this issue: The WholeNote's 7th Annual TIFF TIPS guide to festival films with musical clout; soprano Erin Wall in conversation with Art of Song columnist Lydia Perovic, about more than the art of song; a summer's worth of recordings reviewed; Toronto Chamber Choir at 50 (is a few close friends all it takes?); and much more, as the 2018/19 season gets under way.
PLANTING NOT PAVING! In this JUNE / JULY /AUGUST combined issue: Farewell interviews with TSO's Peter Oundjian and Stratford Summer Music's John Miller, along with "going places" chats with Luminato's Josephine Ridge, TD Jazz's Josh Grossman and Charm of Finches' Terry Lim. ) Plus a summer's worth of fruitful festival inquiry, in the city and on the road, in a feast of stories and our annual GREEN PAGES summer Directory.
In this issue: our sixteenth annual Choral Canary Pages; coverage of 21C, Estonian Music Week and the 3rd Toronto Bach Festival (three festivals that aren't waiting for summer!); and features galore: "Final Finales" for Larry Beckwith's Toronto Masque Theatre and for David Fallis as artistic director of Toronto Consort; four conductors on the challenges of choral conducting; operatic Hockey Noir; violinist Stephen Sitarski's perspective on addressing depression; remembering bandleader, composer and saxophonist Paul Cram. These and other stories, in our May 2018 edition of the magazine.
In this issue: we talk with jazz pianist Thompson Egbo-Egbo about growing up in Toronto, building a musical career, and being adaptive to change; pianist Eve Egoyan prepares for her upcoming Luminato project and for the next stage in her long-term collaborative relationship with Spanish-German composer Maria de Alvear; jazz violinist Aline Homzy, halfway through preparing for a concert featuring standout women bandleaders, talks about social equity in the world of improvised music; and the local choral community celebrates the life and work of choral conductor Elmer Iseler, 20 years after his passing.
In this issue: Canadian Stage, Tapestry Opera and Vancouver Opera collaborate to take Gogol's short story The Overcoat to the operatic stage; Montreal-based Sam Shalabi brings his ensemble Land of Kush, and his newest composition, to Toronto; Five Canadian composers, each with a different CBC connection, are nominated for JUNOs; and The WholeNote team presents its annual Summer Music Education Directory, a directory of summer music camps, programs and courses across the province and beyond.
In this issue: composer Nicole Lizée talks about her love for analogue equipment, and the music that "glitching" evokes; Richard Rose, artistic director at the Tarragon Theatre, gives us insights into their a rock-and-roll Hamlet, now entering production; Toronto prepares for a mini-revival of Schoenberg's music, with three upcoming shows at New Music Concerts; and the local music theatre community remembers and celebrates the life and work of Mi'kmaq playwright and performer Cathy Elliott . These and other stories, in our double-issue December/January edition of the magazine.
In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!
In this issue: several local artists reflect on the memory of composer Claude Vivier, as they prepare to perform his music; Vancouver gets ready to host international festival ISCM World New Music Days, which is coming to Canada for the second time since its inception in 1923; one of the founders of Artword Artbar, one of Hamilton's staple music venues, on the eve of the 5th annual Steel City Jazz Festival, muses on keeping urban music venues alive; and a conversation with pianist Benjamin Grosvenor, as he prepares for an ambitious recital in Toronto. These and other stories, in our October 2017 issue of the magazine.
In this issue: a look at why musicians experience stage fright, and how to combat it; an inside look at the second Kensington Market Jazz Festival, which zeros in on one of Toronto's true 'music villages'; an in-depth interview with Elisa Citterio, new music director of Tafelmusik Baroque Orchestra; and The WholeNote's guide to TIFF, with suggestions for the 20 most musical films at this year's festival. These and other stories, in our September 2017 issue of the magazine!
Volume 22 Issue 9 - Summer 2017
CBC Radio's Lost Horizon; Pinocchio as Po-Mo Operatic Poster Boy; Meet the Curators (Crow, Bernstein, Ridge); a Global Music Orchestra is born; and festivals, festivals, festivals in our 13th annual summer music Green Pages. All this and more in our three-month June-through August summer special issue, now available in flipthrough HERE and on the stands commencing Thursday June 1.
From science fact in "Integral Man: Music and the Movies," to science fiction in the editor's opener; from World Fiddle Day at the Aga Khan Museum to three Canadians at the Cliburn; from wanting to sashay across the 401 to Chamberfest in Montreal to exploring the Continuum of Jumblies Theatre's 20-year commitment to the Community Play (there's a pun in there somewhere!).
In this issue: Our podcast ramps up with interviews in March with fight director Jenny Parr, countertenor Daniel Taylor, and baritone Russell Braun; two views of composer John Beckwith at 90; how music's connection to memory can assist with the care of patients with Alzheimer's; musical celebrations in film and jazz, at National Canadian Film Day and Jazz Day; and a preview of Louis Riel, which opens this month at the COC. These and other stories, in our April 2017 issue of the magazine!
On our cover: Owen Pallett's musical palette on display at New Creations. Spring brings thoughts of summer music education! (It's never too late.). For Marc-Andre Hamelin the score is king. Ella at 100 has the tributes happening. All; this and more.
In this issue: an interview with composer/vocalist Jeremy Dutcher, on his upcoming debut album and unique compositional voice; a conversation with Boston Symphony hornist James Sommerville, as as the BSO gets ready to come to his hometown; Stuart Hamilton, fondly remembered; and an inside look at Hugh's Room, as it enters a complicated chapter in the story of its life in the complex fabric of our musical city. These and other stories, as we celebrate the past and look forward to the rest of 2016/17, the first glimpses of 2017/18, and beyond!
Volume 22 Issue 4 - December 2016/January 2017
In this issue: a conversation with pianist Stewart Goodyear, in advance of his upcoming show at Koerner Hall; a preview of the annual New Year's phenomenon that is Bravissimo!/Salute to Vienna; an inside look at music performance in Toronto's health-care centres; and a reflection on the incredible life and lasting influence of the late Pauline Oliveros. These and more, in a special December/January combined issue!
In this issue: David Jaeger and Alex Pauk's most memorable R. Murray Schafer collabs, in this month's installment of Jaeger's CBC Radio Two: The Living Legacy; an interview with flutist Claire Chase, who brings new music and mindset to Toronto this month; an investigation into the strange coincidence of three simultaneous Mendelssohn Elijahs this Nov 5; and of course, our annual Blue Pages, a who's who of southern Ontario's live music scene- a community as prolific and multifaceted as ever. These and more, as we move full-force into the 2016/17 concert season- all aboard!
Music lover's TIFF (our fifth annual guide to the Toronto International Film Festival); Aix Marks the Spot (how Brexit could impact on operatic co-production); The Unstoppable Howard Cable (an affectionate memoir of a late chapter in the life of of a great Canadian arranger; Kensington Jazz Story (the newest kid on the festival block flexes its muscles). These stories and much more as we say a lingering goodbye to summer and turn to the task, for the 22nd season, of covering the live and recorded music that make Southern Ontario tick.
It's combined June/July/August summer issue time with, we hope, enough between the covers to keep you dipping into it all through the coming lazy, hazy days. From Jazz Vans racing round "The Island" delivering pop-up brass breakouts at the roadside, to Bach flute ambushes strolling "The Grove, " to dozens of reasons to stay in the city. May yours be a summer where you find undiscovered musical treasures, and, better still, when, unexpectedly, the music finds you.
INSIDE: The Canaries Are Here! 116 choirs to choose from, so take the plunge! The Nylons hit the road after one last SING! Fling. Jazz writer Steve Wallace wonders "Watts Goode" rather than "what's new?" Paul Ennis has the musical picks of the HotDocs crop. David Jaeger's CBC Radio continues golden for a little while yet. Douglas McNabney is Music's Child. Leipzig meets Damascus in Alison Mackay's fertile imagination. And "C" is for KRONOS in Wende Bartley's koverage of the third annual 21C Festival. All this and as usual much much more. Enjoy.
From 30 camp profiles to spark thoughts of being your summer musical best, to testing LUDWIG as you while away the rest of so-called winter; from Scottish Opera and the Danish Midtvest, to a first Toronto recital appearance by violin superstar Maxim Vengerov; from musings on New Creations and new creation, to the boy who made a habit of crying Beowulf; it's a month of merry meetings and rousing recordings reviewed, all here to discover in The WholeNote.
2016 is off to a flying start! We chronicle the Artful Times of Andrew Burashko, the violistic versatility of Teng Li, the ageless ebullience of jazz pianist Gene DiNovi and the ninetieth birthday of trumpeter Johnny Cowell. Jaeger remembers Boulez; Waxman recalls Bley's influence, and Olds finds Bowie haunting Editor's Corner. Oh, and did we mention there's all that music? Hello (and goodbye) to the February blues, and here's to swinging through the musical vines of the Year of the Monkey.
What's a vinyl renaissance? What happens when Handel's Messiah runs afoul of the rumba rhythm setting on a (gasp!) Hammond organ? What work does Marc-Andre Hamelin say he would be content to have on every recital program he plays? What are Steve Wallace's favourite fifty Christmas recordings? Why is violinist Daniel Hope celebrating Yehudi Menuhin's 100th birthday at Koerner Hall January 28? Answers to all these questions (and a whole lot more) in the Dec/Jan issue of The WholeNote.
"Come" seems to be the verb that knits this month's issue together. Sondra Radvanovsky comes to Koerner, William Norris comes to Tafel as their new GM, opera comes to Canadian Stage; and (a long time coming!) Jane Bunnett's musicianship and mentorship are honoured with the Premier's award for excellence; plus David Jaeger's ongoing series on the golden years of CBC Radio Two, Andrew Timar on hybridity, a bumper crop of record reviews and much much more. Come on in!
Vol 21 No 2 is now available for your viewing pleasure, and it's a bumper crop, right at the harvest moon. First ever Canadian opera on the Four Seasons Centre main stage gets double coverage with Wende Bartley interviewing Pyramus and Thisbe composer Barbara Monk Feldman and Chris Hoile connecting with director Christopher Alden; Paul Ennis digs into the musical mind of pianist Benjamin Grosvenor, and pianist Eve Egoyan is "On the Record" in conversation with publisher David Perlman ahead of the Oct release concert for her tenth recording. And at the heart of it all the 16th edition of our annual BLUE PAGES directory of presenters profile the season now well and truly under way.
Paul Ennis's annual TIFF TIPS (27 festival films of potential particular musical interest); Wu Man, Yo-Yo Ma and Jeffrey Beecher on the Silk Road; David Jaeger on CBC Radio Music in the days it was committed to commissioning; the LISTENING ROOM continues to grow on line; DISCoveries is back, bigger than ever; and Mary Lou Fallis says Trinity-St. Paul's is Just the Spot (especially this coming Sept 25!).
Volume 20 Issue 4 - December 2014
Includes the 2014 Blue Pages Member Directory
Volume 19 Issue 9 - June/July/August 2014
Includes the 2014 Canary Pages directory of choirs.
Includes the 2013 Canary Pages choral directory.
Volume 17 Issue 10 - July/August 2012
Volume 17 Issue 9 - June 2012
Volume 14 - Issue 10 - July/August 2009
Volume 14 - Issue 9 - June 2009
Volume 14 - Issue 8 - May 2009
Volume 14 - Issue 7 - April 2009
Volume 14 - Issue 6 - March 2009
Volume 14 - Issue 5 - February 2009
Volume 14 - Issue 4 - December 2008
Volume 14 - Issue 3 - November 2008
Volume 14 - Issue 2 - October 2008
Volume 14 - Issue 1 - September 2008
Includes the 2008 Canary Pages
Volume 13 - Issue 7- April 2008
Volume 11 Issue 10 - July 2006
Volumes 6 - 10 (2000 - 2006)
Volume 9 Issue 10 - July/August 2004
Volume 9 Issue 9 - June 2004
Volume 9 Issue 8 - May 2004
Volume 9 Issue 7 - April 2004
Volume 9 Issue 6 - March 2004
Volume 9 Issue 5 - February 2004
Volume 9 Issue 4 - December 2003
Volume 9 Issue 3 - November 2003
Volume 9 Issue 2 - October 2003
Volume 9 Issue 1 - September 2003
Volume 8 Issue 4 - December 2002/January 2003
Volumes 1-5 (1994-2000)
Volume 1 Issue 1 - September 1995 "Pulse"


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Evanescence – Synthesis
Evanescence starts a 50 city international tour – with orchestra – from Oct 2017 through Apr 2018.
The orchestra arrangements are by David Campbell
Beck – Colors
David arranged strings for Beck's upcoming album colors!
Café Tacvba – Jei Beibi
David did arrangements for Cafe Tacvba's new album Jei Beibi!
Lady Antebellum – Hurt
Sept 7, 2017
David arranged the strings for Lady Antebellum's track Hurt on their recent album Heartbreak!
Rules Of The Game Awarded by the Cultural Centre of Novi Sad The INFANT Festival Prize
Congratulations to the Rules Of The Game collaborating artists, Daniel Arsham, Pharrell Williams, David Campbell, Chris Stamp, Aaron Copp, dancers, Albert Drake, Laura Gutierrez, James Koroni, Callie Lyons, James McGinn, Szabi Pataki, Sara Procopio, Betti Rollo and co-producers The Dallas Symphony Orchestra, SOLUNA International Music & Arts Festival, co-commissioners: BAM | Brooklyn Academy of Music, Krannert Center for the Performing Arts, Center for the Art of Performance at UCLA, presentation supporters: La Biennale de la Danse de Lyon, Brisbane Festival (Australia), curators, cultural producers, and the crew on the INFANT Festival Award. The Prize was unanimously given by the Jury, which included Professor Zorán Deric´, PhD, Theatrologist (Serbia); Chairman Professor Hristo Petreski, PhD, Theatre Critic (Macedonia); Gorán Ibrajter, MA, Dramaturge (Serbia).
"RULES OF THE GAME unites the contemporary dance and dramatic expression as a coherent whole with a metaphysical, philosophical charge and distinctive animation of theatrical props and set design. For the most part, it evokes the best productions of this theatrical genre."
This engagement was made possible thanks to a generous funding by TMU – Trust for Mutual Understanding.


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Icelights: Your Burning Questions About Ice & Climate
Icelights Home
About Icelights
Arctic Sea Ice 101
Data 101
The Arctic Ocean is blanketed by sea ice that expands during the frigid Arctic winter, reaching a maximum extent in March. Sea ice retreats during the summer, reaching its minimum extent in September. The Arctic ice cover plays an important role in maintaining the Earth's temperature—the shiny white ice reflects light and heat that the ocean would otherwise absorb, keeping the Northern Hemisphere cool.
Arctic sea ice extent in September, 2010, was the third-lowest in the satellite record. Credit: NSIDC/NASA Earth Observatory
Arctic sea ice is declining at an increasing rate in all months of the year, with a stronger decline in summer months. Researchers who study climate and sea ice expect that at some point, the Arctic Ocean will lose its ice cover completely in late summer. A variety of evidence suggests that Arctic sea ice is declining because of climate warming resulting from increased greenhouse gases in the atmosphere. Because greenhouse gases persist and are expected to increase, scientists see no reversal to the downward trend in ice extent. Despite year-to-year variations, satellite data show a decline of more than 11 percent per decade in September ice extent, since the satellite record started in 1979. Before 1979, the data are less comprehensive, but shipping records and other evidence show that the ice extent has been in a continued state of decline for at least the last hundred years. Climate models predicted that Arctic sea ice loss would accompany warming temperatures in the Arctic. But the ice loss has happened faster than any models predicted, and researchers now expect that the Arctic Ocean will be ice-free in summer well before the end of the century.
Impacts of ice loss
Scientists are concerned that the loss of Arctic sea ice could set up cycles that increase future climate warming. As ice cover retreats, areas of open water absorb heat that the ice normally reflects. The water warms up, and before ice can form again in the fall, the ocean must release that heat to the atmosphere. Scientists call this cycle "Arctic amplification." Recent research suggests that it is already occurring.
Sea ice also covers the ocean near Antarctica, but the ice is thinner and the climate very different. Credit: Ted Scambos, NSIDC
In addition to changes in the Arctic climate, the loss of sea ice on the Arctic Ocean could open up new regions to shipping, tourism, and oil extraction. Researchers do not yet know how those activities will affect the region. NSIDC scientists also monitor the extent of Antarctic sea ice. In contrast to Arctic sea ice, the sea ice cover that surrounds the Antarctic continent has actually grown slightly since the start of the satellite record. However, this trend is smaller (1 to 4 percent in different months), and the Antarctic sea ice cover is more variable than the Arctic. Also, unlike Arctic sea ice, a majority of Antarctic sea ice already melts away each summer, and has done so since at least 1979. Even if wintertime Antarctic sea ice were to increase or decrease significantly in the future, it would not have a huge impact on the climate system. During the Antarctic winter, energy from the sun is at its weakest point; its ability or inability to reflect the sun's energy back into space has little effect on regulating the planet's temperature.
Is the Arctic Ocean a carbon sink?
What is under Greenland's ice?
What about that hole in the sea ice?
Can liquid water persist within an ice sheet?
The Karakoram Anomaly: Is it real?
What can stall a glacier?
What is the polar vortex?
Why is there so much Antarctic sea ice?
Is declining sea ice changing the atmosphere?
Celebrating 35 years of sea ice satellite data
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