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Rising High: Exclusive talk with multi-country operator IM Cannabis
By: The Fly | | Friday, November 26, 2021 at 09:36 am EST
In this edition of "Rising High," The Fly conducted an exclusive interview with Oren Shuster, Chief Executive Officer of IM Cannabis (IMCC), an Israeli-based multi-country operator in the medical and adult-use cannabis sector. Here are some highlights:
INTERNATIONAL OPERATIONS: IM Cannabis is an international cannabis company offering premium products to medical patients and recreational consumers globally. The company operates in Israel through its commercial relationship with Focus Medical to cultivate, import and distribute cannabis as well as through its medical cannabis retail pharmacies, online platforms, distribution centers and logistical hubs. IM Cannabis also operates in Europe through Adjupharm, a German-based subsidiary and EU-GMP certified medical cannabis producer, and in Canada through Trichome JWC Acquisition and MYM, where it cultivates and processes cannabis for the adult-use market under the WAGNERS and Highland Grow brands. "IMC is in a bit of a different position because we're working in three markets," Shuster said. "Each of our markets is very different. The Canadian market is more mature but still growing, the Israeli market is growing rapidly and the German market will expand very rapidly in the near future." He added that IMC has a well-balanced portfolio with a handful of revenue growth and margin opportunities in each of the countries, noting WAGNERS and Highland Grow continue to build momentum and market share in Canada. "I can tell you that we've become one of the leaders in the ultra-premium segment in Canada," the CEO said. "We are number two now in the Ontario Cannabis Store and we serve all the provinces." IMC is also making significant moves in Israel and Germany, he said, which will come to fruition mainly in Q1 and beyond.
Q3 EARNINGS: On November 15, IMC reported third quarter revenue of C$14.4M, a sequential increase of approximately 30% from Q2. The company also reported gross margin of 20%, up from 5.4% in Q2, and Adjusted EBITDA loss of C$7M, inclusive of C$1.6M of non-recurring acquisition-related costs. IMC guided to continued sequential revenue growth in Q4 and into 2022 and anticipated that gross margin will continue to increase as revenue growth offsets fixed operating costs. "The momentum of growth will continue for IMC and we will see an increase in revenues, EBITDA and gross margins in the next quarters," the CEO said. "We've seen growth of about 20% for the last quarter and I think that we will continue to see very similar growth in the next quarter. I am very optimistic about that and most of the growth will come organically and not through M&A."
To see the rest of the story Click Here.


Working from home can bring on a whole host of benefits: no commute, less stress, in many cases, fewer distractions, and financial savings. Working from home as a parent ups the ante with the benefit of more time for your children.
Working parents may likely agree that time is short when you have to rush out the door early in the morning to spend nine or more hours at your job. Becoming a work-at-home mom or dad can bridge the gap between needing to work and not spending all of your time doing so. Below we're featuring eight inspiring success stories from moms and dads who used FlexJobs to find a work-from-home job. And after that, check out a few tips for finding your own remote job.
Remote jobs come in a variety of options: part-time or full-time schedules, freelance or employee status, alternative or flexible schedules, occasional, and long-term or short-term options. Evaluate your financial situation and your time availability to determine what kind of job you need. This information can expedite your job search by weeding out the options that won't work for your life.
Getting a home office together, even before you start your job search, is a wise idea. If you get to the interview stage for a potential remote job, it's likely the interviewer will want to know about your home office space. Having a dedicated space to work already set up will help show you're ready to work remotely and will also help you get started more quickly once you do land a work-from-home job.
Scams do abound in the remote work world. Use the proper job boards to help ensure your success. FlexJobs has 10 years of experience vetting and verifying legitimate remote jobs for job seekers. We guarantee you won't find any scams on our site, and we feature remote jobs in over 50 career categories. Using the right job searching resource can likely cut down on your searching time by avoiding scams and dead-end postings.
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Q: USB Drive with FAT 32 partition created in Linux not seen by Windows I have a old USB drive reformatted several times. Lately I wanted to share some files with some Windows PCs and I reformatted it again. From a Linux PC I created a ms-dos partition table and a single FAT 32 partition.
To my surprise no Windows PC could see the drive, when it was plugged nothing happened and upon a brief search no new drive was found. Since I wasn't the owner of the machines I could not start fiddling on them, so I just found another way to share the files, but I still wonder why Windows could not see the drive. At the beginning I wondered if Windows was discontinuing ms-dos partition table support in favour of GPT, but after I brief search I discarded the hypothesis. Another possibility is that Windows didn't have the rigth drivers, however my USB drive might be old, but not so much, it would be going a little bit too far with planned obsolescence.
What else could be the problem?
The Windows PCs all seemed to be running Windows 10, but I can't be sure about it.
The partition actually was created twice. The first time using KParted on Debian, the second time using SUSE Partitioner on OpenSUSE 15.2
The disk is a Danelec Z Mate. Here below are the driver details as seen from fdisk.
Disk /dev/sda: 15 GiB, 16039018496 bytes, 31326208 sectors
Disk model: Z Mate 16GB
Units: sectors of 1 * 512 = 512 bytes
Sector size (logical/physical): 512 bytes / 512 bytes
I/O size (minimum/optimal): 512 bytes / 512 bytes
Disklabel type: dos
Disk identifier: 0x6c484ftc

Device     Boot Start      End  Sectors Size Id Type
/dev/sda1        2048 31326207 31324160  15G  c W95 FAT32 (LBA)

UPDATE:
By chance I could try the drive on an old PC running on Widows 7 and it worked without any change. So, for the moment I'll assume that there are no issues for the partition table and the partition, but for the usual planned obsolescence Windows 10 does not have the drivers for that USB drive.

redpajama_set_name: RedPajamaStackExchange


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Is Open Source Without Copyright An Oxymoron?
"Countries whose lack of functional copyright law has jeopardized their membership in WIPO have touted open source as the inexpensive alternative that will allow them to comply with copyright while living within their means. Yet free software doesn't come free — it has strings attached: the strings of copyleft, strings being pulled via a license written with a strong U.S. copyright enforcement landscape in mind.
"The bottom line is that free software lives and dies by the sword of copyright law — and the sword outside the U.S. and Europe is not very sharp. Enforcing free software licenses in the U.S. is hard enough. We all know that noncompliance is rampant in the U.S., though this is due less to defiance or malfeasance than to inattention, poor record keeping, or suspecting that some of the more opaque licenses were actually written by Chinese students who learned English from an official cultural-revolution-era phrasebook.
Heather Meeker. Only in America? Copyright Law Key to Global Free Software Model. TechNewsworld. May 16, 2006.


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Q: How I can keep the selected value in the select option after loading the page based on selected value I couldn't keep the selected value after loading the page, that's why I couldn't take the selected value from the select  option  in Database after done some function..
Here is my code
<select name='courseID' class="mySelect" id='courseID'>
    <?php while ($row1 =mysqli_fetch_array($result1)):;?>
    <option value="<?php echo $row1['CourseID'];?>"><?php echo $row1['CourseID'];?></option><?php endwhile; ?></select>
<script type="text/javascript">document.getElementById('courseID').value="<?php echo $_GET['courseID'];?>";</script>

Did JS can add in a HTML in this way??

A: You have add condition to check if the course id is in the result.
<?php while ($row1 =mysqli_fetch_array($result1)):;
    $selected = ($_GET['courseID'] == $row1['CourseID']) ? 'selected' : '';
    ?>
        <option value="<?php echo $row1['CourseID'];?>" <?php echo $selected;?>><?php echo $row1['CourseID'];?></option>
    <?php endwhile; ?>


text:
Luis Somoza Debayle (né le  à León et mort le  à Managua), est un homme d'État nicaraguayen. Il fut  président du Nicaragua, du  au .

Biographie

Après l'assassinat de son père, le dictateur Anastasio Somoza García, Luis lui succède comme président du Nicaragua. Les libertés civiles restent limitées et la corruption demeure répandue.

Son frère, Anastasio Somoza Debayle, est à la tête de la Garde nationale. Luis reste le véritable homme fort du Nicaragua jusqu'à sa mort en 1967 d'une crise cardiaque à l'âge de 44 ans à Managua.

Sous le régime de Luis Somoza, le Nicaragua a été un acteur clé dans la création du Marché commun d'Amérique centrale. Dans l'opération de la Baie des Cochons, il a permis aux rebelles cubains formés par la CIA  d'utiliser la base de Puerto Cabezas, sur la côte des Caraïbes.

Les sandinistes ont commencé leur lutte contre le gouvernement en 1963, un combat qui allait renverser son frère en 1979.

Il est inhumé au cimetière occidental avec son père dans le mausolée de la Garde nationale à Managua.

Liens externes

Naissance à León (Nicaragua)
Président du Nicaragua
Naissance en novembre 1922
Décès en avril 1967
Décès à 44 ans
Mort d'une crise cardiaque
Décès à Managua

redpajama_set_name: RedPajamaWikipedia


Cytora is an artificial intelligence company building a new way for commercial insurers to target, select and price risk. With the Cytora Risk Engine, insurers can grow premiums measurably and reduce loss ratios while delivering more accurate prices to customers.
Cytora was incubated in the University of Cambridge's Judge Business School Accelerate Programme and was initially supported by Cambridge Enterprise, the University's commercialisation arm. The Cytora team has taken natural language processing techniques and machine learning technology developed at the University of Cambridge and applied them to commercially relevant applications for the insurance industry.
The company is deploying its Risk Engine internationally across property and casualty lines with a core group of insurers. Cytora's Risk Engine transforms the way insurers select target and price risk by applying AI to identify patters of good and bad risks over time. These insights enable insurers to achieve improved loss ratios and premium growth while delivering more accurate and fair prices to customers.
It is backed by a syndicate of investors, including insurance companies Starr and QBE, who are also early adopters of the Cytora technology.


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Are India's ageing air force planes falling out of the sky?
All air forces have accidents, but accounts of Indian warplanes crashing on training flights have become almost routine news.
The latest incident came earlier this week, when a Russian-made Sukhoi-30 crashed in eastern India - both pilots surviving after ejecting for unspecified reasons.
All five crew died in March this year on a training flight in their US-made Hercules transport aircraft.
But it is the Russian-made aircraft that form the backbone of the Indian fleet which have been the most accident-prone. The MiG jet in particular has become known as the "flying coffin" or the "widow maker".
Two years ago, India's then defence minister told an astonished parliament that more than half the 872 MiGs it had purchased from Russia had been lost in accidents, at a cost of over 200 lives.
Yet only this month the air force chief warned the delay in introducing replacements was putting India's security at risk as parts of the fleet were on "their last legs".
Meanwhile, India's regional rival China continues to leap ahead in both spending and firepower.
Indian-designed warplanes have so far not been up to the job. But more than two years since a deal was signed to buy 126 Rafale fighters from France, the bargaining goes on.
Some say it's not what India needs though.
If it does eventually buy French, that will only worsen matters, warns Delhi-based defence analyst Bharat Karnad.
"We have a diversity problem," he says, referring to the wide variety of planes the air force already uses, "making it much harder to keep training and maintenance up to standard".
The Russians have also been accused of being tardy with supplies of spare parts. India - now the world's largest arms importer - is increasingly turning to the West for its weapons. The US is now its number one supplier.
Yet Mr Karnad fears Western nations will hold up critical spare parts and support "as a means of political leverage on India", something he believes the Russians are less prone to do.
But it's not just the air force that has a problem with its gear.
Just yesterday [Tuesday], a former Indian navy chief lashed out at defence ministry as "so dysfunctional" he couldn't even order "a set of batteries" for his submarines.
Admiral DK Joshi made headlines last year after resigning following a series of submarine accidents that left 18 sailors dead. As it happens, the vessels involved were also Russian-made.
The new Prime Minister, Narendra Modi, partly won office on the back of hopes he will put India on course to becoming a superpower and has promised to modernise the military.
But it's an old challenge, says retired navy officer Uday Bhaskar. "Finding the solution is something that's eluded every Indian leader until now."


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Der Unterricht war sehr gut vorbereitet, freundlich und aufbauend gestaltet. Es gab nichts, was besser gemacht werden könnte. Insgesamt war ich fasziniert vom Kurs.
I liked the course very much, only regret that it was so short. I would definitely recommend it to others.
I enjoyed the course because Indra personalized the content to make sure I was able to speak German in the situations I was likely to be in. For example, it was great that she taught me a lot of wedding related words as well as how to talk about what I had been doing or what I would be doing in the future so I can talk to my parents in law.
Für mich ist Indra die Beste!
I truly enjoyed that both the course and Indra's teaching style really fit my learning style. She was very visual and always had multiple examples that facilitated my learning. Indra was very patient and constantly gave me praise while eliciting self-correction. Learning German was a difficult task but one that became very durable with such an amazing teacher.
The lessons were very relaxed but were well structured to make sure the course content was fully covered. It was great that there was always time to have more general conversations in German to practice what was taught in that lesson. I liked that Indra would always make me repeat words and phrases I had learnt in earlier lessons to make sure I was carrying forward my knowledge from one lesson to the next.
Indra made the lessons fun and interesting and even when I felt I wasn't making much progress she was encouraging and always made me feel like I was getting better.
I liked Indra's positive, motivating attitude to teaching. She was always prepared for classes and brought additional material for me. I definitely liked Indra's work organization - full professionalism.
Tolle lockere Atmosphäre, die immer zum Sprechen einlädt, was Spaß macht! Das bringt mich meinem Ziel frei zu sprechen nah.
I think Indra balanced the lessons well to make sure I was talking a lot but also that I learned the correct grammar. I would highly recommend Indra as a teacher.
I highly recommend Indra because she will always go above and beyond for her students!!!
Mir gefällt die offene ehrliche Kommunikation, die Platz für Fehler lässt und Mut zur Sprache gibt. Indra unterstützt und hilft in einer sehr lehreichen Art und Weise ohne zu beschämen. Echt top!!!


text:
Blackbaud Announces General Availability of SKY API
Social Good Software Leader's Open API gives organizations unmatched flexibility and choice
Charleston, S.C. (December 8, 2016) —— Blackbaud, Inc. (NASDAQ: BLKB), the world's leading cloud software company powering social good, today announced that SKY API for Raiser's Edge NXT and Financial Edge NXT is now generally available to customers and partners.
With SKY API, developers will have access to open, industry-standard REST APIs, allowing them to customize, integrate or extend the functionality of their current solutions – changing the game for how organizations contribute to the ecosystem of good. Today's SKY API launch includes a constituent API for Raiser's Edge NXT, Blackbaud's flagship cloud fundraising and relationship management solution, as well as accounts payable and general ledger APIs for Financial Edge NXT, Blackbaud's cloud financial management solution.
"Today's announcement builds on the 2015 release of our open SKY UX, and launches the first wave of what will be a very rich set of SKY APIs supporting the social good community," said Mary Beth Westmoreland, senior vice president and chief technology officer at Blackbaud. "By giving our customers and partners access to open, REST APIs, we're enabling them to connect and integrate Blackbaud solutions with other applications and services that are critical to their mission success."
Blackbaud is actively empowering its developer community with tools to support its open innovation, and has already received industry praise for its SKY API developer portal. Vlad Vinogradsky, principal product manager from Microsoft's API management team said, "Developers leveraging Blackbaud's SKY API have robust tools at their fingertips. The SKY API Developer Portal, powered by the Azure API Management product, is excellent and probably the best portal I've ever seen in terms of how carefully it was built out. Blackbaud's team has put a lot of effort behind it and has worked closely with our product team allowing us to provide valuable feedback throughout the development process."
Beta customer Corning Museum of Glass already has seen new value from leveraging Blackbaud's SKY API. "The power of the SKY API is that, for developers, it changes our conversations inside the organization," said James Truxon, lead application developer. "Since it's an industry-standard REST API with clear documentation, we can now speak confidently to stakeholders about integration options, timing and budget."
YMCA of Middle Tennessee sees today's announcement as another way Blackbaud is anticipating the needs of the modern nonprofit. "SKY API will support our best-of-breed approach to software," said Blake Moody, director of philanthropic information technology. "Staff in different units can work efficiently in their chosen systems, as key information syncs in a consistent and automated fashion for improved visibility and effectiveness across the organization."
For more information about today's announcement or to stay informed of upcoming SKY API releases, visit https://developer.sky.blackbaud.com.
Blackbaud (NASDAQ: BLKB) is the world's leading cloud software company powering social good. Serving the entire social good community—nonprofits, foundations, corporations, education institutions, and individual change agents—Blackbaud connects and empowers organizations to increase their impact through software, services, expertise, and data intelligence. The Blackbaud portfolio is tailored to the unique needs of vertical markets, with solutions for fundraising and relationship management, digital marketing, advocacy, accounting, payments, analytics, school management, grant management, corporate social responsibility, and volunteerism. Serving the industry for more than three decades, Blackbaud is headquartered in Charleston, South Carolina and has operations in the United States, Australia, Canada, Ireland, and the United Kingdom. For more information, visit www.blackbaud.com.
Except for historical information, all of the statements, expectations, and assumptions contained in this news release are forward-looking statements that involve a number of risks and uncertainties. Although Blackbaud attempts to be accurate in making these forward-looking statements, it is possible that future circumstances might differ from the assumptions on which such statements are based. In addition, other important factors that could cause results to differ materially include the following: general economic risks; uncertainty regarding increased business and renewals from existing customers; continued success in sales growth; management of integration of acquired companies and other risks associated with acquisitions; risks associated with successful implementation of multiple integrated software products; the ability to attract and retain key personnel; risks related to our dividend policy and share repurchase program, including potential limitations on our ability to grow and the possibility that we might discontinue payment of dividends; risks relating to restrictions imposed by the credit facility; risks associated with management of growth; lengthy sales and implementation cycles, particularly in larger organization; technological changes that make our products and services less competitive; and the other risk factors set forth from time to time in the SEC filings for Blackbaud, copies of which are available free of charge at the SEC's website at www.sec.gov or upon request from Blackbaud's investor relations department. All Blackbaud product names appearing herein are trademarks or registered trademarks of Blackbaud, Inc.

redpajama_set_name: RedPajamaCommonCrawl


Featuring part one of the William A. Litle estate glass collection, Garden Grove, CA; part one of the important miniature lamp collection of Barbara and Moe Tourison, Concord, MA; good fairy lamps; a fine collection of antique and modern paperweights deaccessioned by the Strong National Museum of Play, Rochester, NY, to benefit the Collections Fund; fine American and European art glass; lighting including Tiffany and Pairpoint; plus more.
All potential bidders must establish an account with JSE&A. In order for us to set up your account we will need a copy of your current driver's license or similar document showing your full name and physical address. We will also need your telephone number and email address for contact purposes.
Your bid constitutes a legally binding contract.
By bidding with Jeffrey S. Evans & Associates, Inc. either directly or through an online bidding platform (e.g. Auction Flex, Invaluable or LiveAuctioneers), you are agreeing to abide by all associated auction terms.
Bidder approval is at the sole discretion of Jeffrey S. Evans & Associates.
1. The auctioneer reserves the right to reopen bidding on a sold lot (under extreme circumstances only) and is the sole determinant concerning all bid disputes and the final authority in regard to all auction terms and conditions.
2. All auction lots sold are subject to a buyer's premium. Payment in full is due on date of sale for lots won in person.
3. Unless exempted by law, all purchases are subject to a 5.3% VA state sales tax. VA state sales tax does apply to out-of-state, non-tax exempt buyers who pick up their purchases at our gallery in Virginia.
4. VA law requires that all dealers must have a valid, signed Virginia Dept. of Taxation Sales and Use Tax Certificate of Exemption on file with us (required per auction for non-Virginia dealers). Dealers licensed outside of the state of Virginia are also required to provide a copy of their resale tax exempt license/certificate for our files.
5. Phone and absentee bidding directly with our auction house, and not through a third party company such as LiveAuctioneers, is offered as a courtesy. We are not responsible for errors or unexecuted absentee or telephone bids. (Bidders may place bids themselves in person or online.) Our online absentee bidding is powered by Auction Flex. No online transaction fee is imposed on lots won by online absentee bidding through jeffreysevans.com via Auction Flex.
6. Non-Internet bids: If you do not have Internet access, you may fax, mail, or hand-deliver bids to us and we will enter the bids on your behalf. Non-Internet bids must include the auction date and a signed statement indicating that you accept all terms and conditions of the auction. Note: Your local library may provide Internet access for free, or for a nominal fee.
7. All absentee bids must be in written form. We cannot accept verbal absentee bids. Submitted bids that are not commensurate with our standard Bid Increments will be rounded up to the appropriate level.
8. We welcome international bidders; however, all communications must be in comprehensible English.
9. Make sure that you have the correct lot number! If you accidentally bid on a lot and win, you are still liable for payment as we are liable to the consignor.
10. Absentee bidders may be in competition with various LIVE bidders which may include FLOOR or ON-SITE/IN-HOUSE bidders (bidding in person at our gallery), INTERNET bidders (bidding in real time via computer) or PHONE bidders (bidding in real time via telephone).
12. Absentee bids placed in person at our gallery or through the Invaluable system are accepted at any time prior to the sale of the item. The deadline for all other absentee bids (e.g. bids placed through the catalogue on our site using Auction Flex, through LiveAuctioneers, mailed/emailed bids, and faxed bids) is two (2) hours prior to the start of the auction.
13. All Telephone bids are subject to a minimum opening bid per lot ($250 for calls within the USA and $500 for international calls). Phone bids must be arranged by 3:00 PM ET, the day prior to the auction We may reject requests submitted after our deadline.
14. We will notify all successful bidders by email (or by phone if no email) within 2 business days of the end of the auction. (All emailed invoices are normally sent on the first business day following the sale; however, if we have an extraordinarily high volume of invoices, some may be sent on the second day.) Post-auction instructions are on our website under BUYING>After the Auction.
15. Successful bidders are required to contact us to confirm receipt of invoice and to make arrangements for payment and shipping or pick up. EMAIL IS PREFERRED. Unless otherwise stated the deadline to contact us is 5:00 PM ET on the Friday following the auction (if sale was held on a weekend) or 5:00 PM ET on the Monday following the auction (if sale was held on a weekday). Calls to our office should be made during OUR business hours.
17. Any special payment arrangements must be pre-approved by an authorized representative of Jeffrey S. Evans & Associates. Such arrangements must be requested in writing, and authorization must be obtained prior to bidding.
18. See all categories under our BUYING webpage for additional auction terms and other important information.
19. Once an item is sold to an in-house bidder, the buyer assumes full risk and responsibility for said item.
20. Each returned check is subject to a $50.00 service charge.
21. Accounts that are unpaid after 25 days of the sale date will be subject to a 2% monthly finance charge; administrative fees may also apply.
22. The buyer is liable for all fees/costs associated with the collection of balances due, including attorney's fees.
23. Unless prior arrangements have been made with us, any merchandise not removed within 2 weeks of the sale date will be subject to a storage fee. Any merchandise not removed or consigned within 60 days of the sale date will be considered abandoned.
Refund requests in regard to authenticity must also include at least one supporting written and signed statement from an authority recognized by the auctioneer.
Refunds in regard to condition for items purchased in person at the gallery must be requested before the item in question is removed from the gallery.
Lots catalogued without circa dates are not guaranteed as to age.
No refunds will be considered on Oriental rugs which are sold strictly "as is" with no guarantee as to age, origin or condition.
DO NOT return any item until a refund authorization has been obtained from Jeffrey S. Evans & Associates.
Once a refund is approved AND the complete lot is returned to the satisfaction of the auctioneer (in the same condition in which the buyer received it), a full refund of the hammer price and buyer's premium will be issued. We do not refund shipping cost nor do we offer partial refunds.
25. Additional conditions of sale may apply, as noted on our website and/or as announced by the auctioneer prior to the auction.
These terms and conditions, as well as the respective rights and obligations hereunder, shall be governed by and construed and enforced in accordance with the laws of the Commonwealth of Virginia. The purchaser shall be deemed to have consented to the jurisdiction of the state courts of, and the federal courts sitting in, the Commonwealth of Virginia.
Condition Report: Undamaged lamp, collar with scratches. Burner with corrosion and several small repairs, chimney undamaged.
Condition Report: Undamaged lamp and setup, scattered wear to decoration and some old touch-up black paint to one boot, shade with normal as-made roughness to rims.
Condition Report: Undamaged lamp, shade fitter with as-made roughness. Burner with gallery losses and denting, chimney rims with roughness.
Condition Report: Undamaged. Chimney with a minor underfill to the top rim, as made.
Condition Report: Excellent condition, font undamaged, four toe tips with minor flakes/roughness, shade with a very minute flake to a petal tip. Setup undamaged.
Condition Report: Undamaged lamp and setup, shade and chimney rims with normal as-made roughness.
Condition Report: Undamaged lamp. Burner deflector with light denting, chimney undamaged.
Condition Report: Undamaged lamp and setup.
Condition Report: Undamaged lamp, shade fitter with lightly oil-stained air-traps. Burner thumbwheel frozen, chimney undamaged.
Condition Report: Undamaged lamp and burner, one toe with a hint of roughness to the tip, chimney-shade rims with normal as-made minute flakes/roughness.
Condition Report: Excellent condition, some scattered tarnish, oblong reflector with some minute denting.
Condition Report: Font with a very light bruise to one rib, Burner will not tighten, otherwise setup undamaged.


Prepping for your weekend outing to any of the numerous Malindi Beaches or going for a holiday? If you are not really sure about what you are going to wear while down there, we are going to make sure that we answer all your questions and give you the best male fashion tips, Just like bros!
If we are to actually count the number of times that we have planned to go to Malindi and failed on our fingertips, we probably need another hand or two, maybe we can even start counting with the toes. No Kidding, right? It is surreal the number of times we have dreamt and planned to go to Malindi and it turns into a flop show. There is always that one friend that messes up things at the last minute, unavoidable circumstances, or non-permitting parents. But when it reaches to that point where all your Malindi trip plans have been successfully reached, definitely kudos to that! By now you have confirmed everything from travel routes to Malindi, mode of transport, booked a hotel or villa on TripAdvisor Llc or booking.com, bookmarked some of the best restaurants and clubs in Malindi, the only thing remaining on your checklist is to figure out your wardrobe.
Beaches are the best place to chill and unwind while on holiday or just for the weekend. Whether it is the sound of waves from the Indian Ocean against the shoreline of the white sandy beaches or the flocking of people on the Marine Park beach, coconut palms swaying in the wind – every single thing seems to have its own appeal to you. If you are Planning to spend the day or maybe a better part of the day walking around the golden and white sands of Malindi and Watamu beaches, you need to pack casual beachwear items.
This is perhaps the simplest outfit you can pull off and is a must-have in every man's closet who plans on visiting Malindi and Watamu for the holidays. Aside from looking trendy when worn at the beach, Bermuda shorts are very comfortable.
A colourful pair of shorts won't even need any other piece of clothing to go with – it is a complete look on its own. Just change into your favourite pair of colourful shorts once you get to the beach and you will not have to worry about strolling along the beach bare-chested.
These shirts just get you into the beach mood even before you leave your room. Putting one on will simply make you feel some type of way about going to the beach. Hawaiian shirts look best when matched with a pair of khaki shorts.
Accessories are a must-have for every human being on this planet. They are what make any fashion look complete. Accessories come in the form of sunglasses, wrist watches, chains, caps, and what-not. You can always throw in one or two of your favourite accessories any time you feel like going to the beach. Be careful not to wear too much of them though, as that will kill the simple beach vibe.
Open top shoes, especially sandals and flip-flops, can never go wrong with any beach outfit. They are not only comfortable and friendly to your feet, but they're also very stylish. You can get modish men's Swahili sandals from many vendors along the streets of Malindi.
You can always pair up a sleeveless t-shirt and denim shorts for that stylish look. If you'd like to show off a few your muscles, you can go for a fitting sleeveless t-shirt or better still, walk bare-chested once you get to the beach! This look can be made complete with a pair of sunglasses and a fedora.
Did you know that you could easily turn an official shirt into a beachwear? Get one of those shirts that you no longer plan on wearing to the office and pair it with some short shorts for that hot beachwear look. Fold the sleeves of the shirt up to your elbows and unbutton it and your abs will thank you later for letting them experience the cool breeze too. You can either unbutton your shirt halfway or all the way down to the last button – take your pick!
Whether you are planning to head to Watamu beach, Diani beach, Nyali beach, Shela beach, a beach in Miami Florida, Maldives, Bali, or on any of the beaches in Kenya, these are some of the things that are considered to be part of beachwear. Do you have any others to add? Let us know in the comments.


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Tag Archives: duets
MUSIC NEWS ROUND-UP | Week of Oct 7 – Oct 13, 2013
Here are the latest news about your favorite OPM & US artists (Week of Oct 7 – Oct 13, 2013)
LOCAL HIGHLIGHTS:
Gracenote says "Stop Stop" in their latest music video from their First Movement album http://youtu.be/5aTMUKXarvY
Viva artist James Reid reveals dance practice video for his single "Alam Niya Ba" from his self-titled album http://youtu.be/FepIp_cUgWc
Jason Farol, FilAm 'Duets' finalist reveals "Believe In Love Again" video off his self-titled album under Viva http://youtu.be/VT8_xMUMxuI
MY.M.P represents the Philippines at the Asia Song Festival 2013 in South Korea w/ "Say You Love Me" http://youtu.be/MMurfJzfytU
MY.M.P performs Especially For You at the Asia Song Festival 2013 held last night in SKorea http://youtu.be/TbBITRsM9pM
Enrique Gil to Conquer the Big Dome on Nov29 for his "King Of The Gil" concert [Starmometer] http://po.st/V3kc5O
Watch the behind-the-scene of Dennis Trillo & Tom Rodriguez photoshoot for their upcoming album http://youtu.be/T4BbfMdGlac
Hear snippets from Gloc-9's 'Liham at Lihim' album http://youtu.be/vH_h3vhfm14 w/c will be launch on Oct26 at Eastwood City
Martin Nievera to stage a repeat of "3D (Tatlong Dekada)" on Nov22 at Smart Araneta http://manilaconcertscene.blogspot.com/2013/10/martin-nievera-stages-repeat-of-3d.html#.UlKLlYnAjjl.twitter …
Watch the music video of "Mula Sa Puso" from Star Records' new classical-pop tenor trio, The Angelos https://www.facebook.com/photo.php?v=10151630133851331 …
US HIGHLIGHTS:
Here's OneRepublic's video for "Something I Need", 4th single off Native http://youtu.be/qKCGBgOgp08 See them Live on Nov6 at Smart Araneta.
Watch Lady Gaga's "Aura" lyric video from "Artpop" album plus see clips from the movie "Machete Kills" movie http://youtu.be/V6qXX82I-Hs
Watch Miley Cyrus performing her hit single "Wrecking Ball" on SNL (Saturday Night Live) http://youtu.be/rk7p2kPqm_c
Eminem premieres today the music video for "Survival," 2nd single from The Marshall Mathers LP 2 http://youtu.be/NlmezywdxPI
Westlife's Shane Filan releases the music video for "About You," the 2nd single off his solo album You and Me http://youtu.be/aX5zDIT6xaw
Paris Hilton has released the music video for "Good Time" ft Lil Wayne from her upcoming 2nd album http://youtu.be/K1JMjwJG2UM
Lorde performs her Billboard Hot 100 #1 single "Royals" Live on Good Morning America, watch here http://youtu.be/-tgeOMrSS-0
P!nk drops the tour video of her new single "Walk Of Shame" check it out http://vimeo.com/76136034
For the latest music news, follow us on twitter — https://twitter.com/musicnewsph.
By MusicNewsPh • Posted in Compilation, Events, International, Local, Lyrics, music channel, Music News, News, performance, philippines, Radio, television, tv, Various, Videos, Youtube	• Tagged 2013, 3d, About You, Alam Niya Ba, album, america, artists, Artpop, Asia Song Festival 2013, Aura, behind the scene, Believe In Love Again, Big Dome, bts, concert, dance practice, Dennis Trillo, duets, Eminem, Enrique Gil, Especially For You, filipino, First Movement, footage, Gloc 9, gloc9, Good Morning America, Good Time, Gracenote, International, James Reid, Jason Farol, King of the GIL, lady gaga, LIHAM AT LIHIM, Lil Wayne, live, Lorde, Lyric Video, Machete Kills, Martin Nievera, Miley Cyrus, movie, Mula Sa Puso, music, Music News, music video, MY.M.P, MYMP, news, Oct 7 - Oct 13, Oct 7 to Oct 13, October 13, October 7, OneRepublic, opm, p!nk, Paris Hilton, performance, philippines, photoshoot, pilipino, pink, pinoy, repeat, round-up, Royals, Saturday Night Live, Say You Love Me, self-titled, Shane Filan, smart araneta, SNL, Something I Need, south korea, Stop Stop, Survival, Tatlong Dekada, The Angelos, The Marshall Mathers LP 2, Tom Rodriguez, tour video, us, video, Viva, Walk Of Shame, Westlife, Wrecking Ball, You and Me
TONY BENNETT'S DUETS II #1 ON THE BILLBOARD ALBUM CHART
Source: www.tonybennett.com
Tony Bennett's highly anticipated new release, DUETS II (RPM Records/Columbia Records) debuts at the #1 position on Billboard's top albums chart, with 179,000 units sold in the first week. The album has remained in the top 5 on iTunes' album chart in the US and other countries since its release. Digital albums represented 20% of overall sales, the highest for any Bennett album to-date.
Danny Bennett, Tony's son and manager stated, "It's an unprecedented and historical event that an artist at the age of 85 has topped the charts. He's remained at the top of his game without having ever compromised his integrity and standard of excellence."
"The number one success of Duets II pays tribute to the enduring genius of Tony Bennett," said Steve Barnett, Chairman, Columbia Records. "It is a true testament to Tony's artistry that he continues to top the charts while at the same time reaching a broader fan base and breaking new ground."
A long-term PR campaign, beginning with the start of the recording sessions in February, fueled robust pre-sale orders that launched on the singer's 85th Birthday on August 3rd. Extensive TV appearances on 20/20, the MTV Video Music Awards, the America's Got Talent finale, The Today Show, Late Night with Jimmy Fallon and HSN, leading up to the release, enhanced pre-sales. Print features in the New Yorker, Entertainment Weekly, USA TODAY, The Wall Street Journal, among others, all appeared in advance of the in-store date. TV appearances after launch included The Today Show, The View, Tonight Show with Jay Leno, Piers Morgan Tonight, and The Daily Show with Jon Stewart as well as a duet performance prominently featured in the season premiere of CBS TV show "Blue Bloods." CBS Sunday Morning also highlighted the new release in their fall music preview.
Partnerships with Target, AARP, Starbucks, Tiffany & Co, Godiva, Koss Corporation, among others created extensive exposure in the marketplace. Non-traditional retail outlets included HSN, Walgreens, Nordstrom and Wegmans.
Nearly twenty years after making ground-breaking headlines with his "Steppin' Out" video being added to MTV in 1993, Bennett has once again been added across all MTV Networks worldwide with the premiere of the Amy Winehouse duet of "Body and Soul." Widespread listener response to the DUETS II's Lady Gaga and Amy Winehouse tracks across all radio formats has garnered major airplay on Top 40, Hot AC and AAA stations. "Body and Soul" has broken into Billboard's Hot 100 Singles charts.
The entire six month recording process for DUETS II, during which Bennett recorded live with each duet partner in the studio, was documented on film by Academy Award winning cinematographer Dion Beebe. Footage from sessions held in New York, Los Angeles, London, Nashville and Italy was distributed to a variety of online outlets. Clips were tailored, often as exclusives, to iTunes, Vevo, MTV and Barnes and Noble among others, resulting in over 100 million impressions online and will become the basis of a documentary "The Zen of Tony Bennett," an intimate look into the artist's creative process as he reflects over his 60 year career within the context of his latest recording project.
DUETS II has received unprecedented response in sales and profile internationally, including the UK, Canada, Germany, Spain, Portugal, Mexico and Australia. An extended campaign was implemented early on in the project to develop and expand awareness and exposure for Tony Bennett and DUETS II through promotional trips, publicity outreach, and concert appearances.
DUETS II was produced by Phil Ramone and Bennett's son, Dae Bennett. It features a celebrated roster of many of today's greatest artists–including Lady Gaga, Michael Bublé, John Mayer, Carrie Underwood and Amy Winehouse–performing with Tony, showcasing his catalog of greatest hits. DUETS II is a follow-up to Bennett's highly successful DUETS CD, which was released for the singer's 80th birthday, received three Grammy Awards and became his best-selling record to-date. A concentrated catalog campaign was also initiated resulting in DUETS return to the charts, with top five placement at Amazon and Barnes and Noble.
RPM/Columbia/Legacy announced plans to release the labels' most extensive boxed set collection in their history. TONY BENNETT: THE COMPLETE COLLECTION features 73 CDs and 3 DVDS and will be available on November 8 exclusively through Barnes and Noble retail stores, bn.com and tonybennet.com.
Tony Bennett has garnered high praise with DUETS II. Some of the highlights are below:
"Each of the megastar pairings with Tony Bennett on his second disc of duets is momentous" US WEEKLY 3 1/2 stars
"Tony Bennett is the oldest artist to ever grace the Hot 100 charts. He and Amy Winehouse bow at #87 with Body and Soul. He's also taking the crown for longest span. He holds an impressive 53 year, 2 month existence on the charts! Nice! Tony, you're just makin' all sorts of headlines this year, aren't ya?!!" PEREZ HILTON
"As savvy as ever at 85, Tony Bennett leaves no box unchecked…" PEOPLE
"…constantly reaffirming his position as pop music's greatest living patriarch" WALL STREET JOURNAL
"…he's also timeless, popular to at least three generations and in many ways even emblematic of this one." LOS ANGELES TIMES
"Tony Bennett is as timeless as the songs he sings on DUETS II, which should put him back on the charts for a remarkable seventh straight decade." ASSOCIATED PRESS
www.tonybennett.com
www.exploringthearts.org
www.benedettoarts.com
By MusicNewsPh • Posted in International, Tony Bennett, Various	• Tagged 2011, album, amy winehouse, artist, billboard, chart, collaboration, duet II, duets, ii, International, lady gaga, philippines, sony music, Tony Bennett, top, various artists
TONY BENNETT "DUETS II" WITH AMY WINEHOUSE, LADY GAGA, ANDREA BOCELLI AND MORE!
Source: tonybennett.com
Frank Sinatra called him "the best singer in the business" and Queen Latifah called him "The King of Cool" Tony Bennett is a living legend!
DUETS II is the follow-up to Tony Bennett's multi-platinum CD, DUETS, which was released in conjunction with Tony's 80th birthday in 2006. DUETS won three Grammy Awards and was the singer's best selling album to date.
Now the legendary performer celebrates a milestone 85th birthday with the release of DUETS II. The singer has completed recording with Lady Gaga and Aretha Franklin, adding to a celebrated list of artists previously announced including Amy Winehouse, Michael Buble, Norah Jones, John Mayer, Queen Latifah, Carrie Underwood and many others. Lady Gaga joined Tony for a rendition of the Richard Rodgers song, "The Lady Is A Tramp" and Bennett and Franklin collaborated on the Alan and Marilyn Bergman classic, "How Do You Keep The Music Playing." Phil Ramone produced the original DUETS as well as DUETS II.
DUETS II , available in music stores nationwide, only from Ivory Music & Video, the exclusive licensee and distributor of Sony Music in the Philippines.
By MusicNewsPh • Posted in International, Tony Bennett	• Tagged album, amy winehouse, body & soul, body and soul, carrie underwood, duets, ii, John Mayer, lady gaga, listing, Michael Buble, new, out now, philippines, Queen Latifah, sony music, Tony Bennett, track, video
TONY BENNETT RELEASES "BODY AND SOUL" VIDEO FEATURING AMY WINDEHOUSE
The music video for "Body and Soul", Amy Winehouse's final recording and duet with her hero Tony Bennett was released last September 14 to commemorate Amy Winehouse's birthday. The song was recorded in March of this year at Abbey Road Studios in London for Tony Bennett's upcoming Duets II album.
Proceeds of "Body And Soul" will aid the Amy Winehouse Foundation which was set up by her family to help a number of charities connected with children and young people. Amy's father Mitch said, "We wanted to make a positive difference and help a range of causes close to Amy's heart. This could include help for children in trouble, suffering from health problems, children's hospices and more.
"Body and Soul" is one of 17 tracks included on Tony Bennett's "DUETS II" album. Released in honor of Bennett's 85th birthday, which was celebrated last August 3rd, it features a celebrated roster of artists who all recorded with Bennett live in the studio including, Lady Gaga, Michael Buble, Queen Latifah, Carrie Underwood and John Mayer. Check out the full track list below:
ANDREA BOCELLI STRANGER IN PARADISE
MICHAEL BUBLÉ I WANNA BE AROUND
MARIAH CAREY WHEN DO THE BELLS RING FOR ME?
NATALIE COLE WATCH WHAT HAPPENS
SHERYL CROW THE GIRL I LOVE
ARETHA FRANKLIN HOW DO YOU KEEP THE MUSIC PLAYING?
JOSH GROBAN THIS IS ALL I ASK
FAITH HILL THE WAY YOU LOOK TONIGHT
NORAH JONES SPEAK LOW
LADY GAGA THE LADY IS TRAMP
k.d. lang BLUE VELVET
JOHN MAYER ONE FOR MY BABY (AND ONE MORE FOR THE ROAD)
WILLIE NELSON ON THE SUNNY SIDE OF THE STREET
QUEEN LATIFAH WHO CAN I TURN TO?
ALEJANDRO SANZ YESTERDAY I HEARD THE RAIN
CARRIE UNDERWOOD IT HAD TO BE YOU
AMY WINEHOUSE BODY AND SOUL
By MusicNewsPh • Posted in International, Tony Bennett, Videos	• Tagged album, amy winehouse, body & soul, body and soul, carrie underwood, duets, ii, John Mayer, lady gaga, listing, Michael Buble, new, out now, philippines, Queen Latifah, sony music, Tony Bennett, track, video


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Watch Eric Clapton, Jack Bruce and Cream Play "White Room" (VIDEO)
Cream Perform "White Room" Live at Royal Albert Hall, London.
BP Staff
In May of 2005 Cream returned to London's Royal Albert Hall-to the same stage where they had completed what was thought to be their final performance in 1968. It was one of the most eagerly anticipated, hard-to-get tickets in rock history. With the exception of a brief reunion set at their 1993 induction into the Rock and roll Hall of Fame, Cream had not played together in nearly four decades. Here is their explosive performance of "White Room."
Watch Verdine White Perform "September," "Boogie Wonderland" and More (VIDEO)
Verdine White and Earth, Wind and Fire perform some of their biggest hits live
Watch "Bass Technique and Discussion With Jack Lawrence" Directed by Jack White (VIDEO)
Watch Jack Lawrence of The Dead Weather discuss his bass technique with Jack White
Jack Bruce: Tribute to a Trailblazer
Jack Bruce, more than anything else, was a force of nature.
By Chris Jisi
Watch Roger Waters and Pink Floyd Play "Echoes" and "Money" (VIDEO)
Live footage of Roger Waters and Pink Floyd performing two of their classics, ""Echoes" and "Money"
Watch Vini Stamato of In The Presence Of Wolves' "White Noise" Bass Playthrough (VIDEO)
Vocalist/bassist Vini Stamato explains that "White Noise" is one of the more important tracks in relation to the concept of Of Two Minds..
Watch Geddy Lee Play "Roundabout" With Yes at The 2017 Rock & Roll Hall of Fame Ceremony (VIDEO)
The band's co-founding frontman Jon Anderson reunited for a performance of Roundabout from 1971 Fragile with Rush bassist Geddy Lee, guitarist Steve Howe, keyboardist Rick Wakeman, guitarist Trevor Rabin and drummer Alan White.
From The Vaults: Jack Bruce, 2005
Blues You Can Use: Jack Bruce at the Crossroads (Part 2)
This month, we take another look at Jack Bruce's work with the supergroup Cream, this time from the 2005 reunion concerts at the Royal Albert Hall.
By ED Friedland


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Norselab invests in Tau Tech's cutting-edge technology for sustainable seabed-harvesting
Jan Kuijken Jan 17, 2022
Dredging the seabed for bottom-dwelling species is controversial internationally, and banned in Norway. Through a five-year research project, Norwegian company Tau Tech has developed a technology enabling sustainable seafood harvesting from the seabed. The company has raised 30M EUR from impact investor Norselab, Hofseth International and industrial profiles in Western Norway to start harvesting Arctic scallops on a commercial scale, using the new technology.
Photo: Tau Tech.
Cutting-edge Norwegian technology
The most widespread catching method for shellfish globally - so-called dredging - damages the fragile ocean ecosystem and releases large amounts of naturally stored carbon from the seafloor. Norway is one of the few countries that prohibits this method to protect seabed fauna. As a result, valuable seafood resources along the Norwegian coast have remained inaccessible for 30 years. The world counts today about 1,000 active shell dredgers.
Together with Norwegian independent research institute SINTEF, Tau Tech has developed a seabed-friendly harvesting method. In cooperation with the Institute of Marine Research, the Directorate of Fisheries and other leading marine experts, the company has proven over the past five years that its innovative technology makes it possible to identify, select and sort shells without destroying surrounding vegetation and life. This opens up new, sustainable opportunities for fisheries nationally and internationally by providing access to untapped seafood resources, while also protecting fragile marine ecosystems and preserving invaluable carbon sinks.
Historic breakthrough
Tau Tech sees great potential in sustainable seabed harvesting methods and believes the company is behind a historic breakthrough.
"We are very good at capturing species that live in free bodies of water. But on the seabed we encounter a paradox: either the resources remain untapped or they are harvested using destructive methods. Our method opens up for a new and sustainable seafood adventure," says Øystein Tvedt, CEO of Tau Tech.
In 2022, the technology company will reopen commercial Arctic scallops (chlamys islandica) harvesting in Norway, after having been awarded an annual quota of 15,000 tonnes for the next five years. Arctic scallops are a globally widespread and sought-after species. However, harvesting is mostly done using methods that face increasing scrutiny from academic communities and engaged consumers.
"It has been over 5 years since we knocked on the Directorate of Fisheries' door with the idea of reopening this fishery based on new technology. Since then, we have been through a long process with the authorities. They have tested, approved and patented the technology and the population of Arctic scallops has been remapped in the authorized zones. In addition, Tau Tech is working on adapting the method to other seabed-dwelling species that are currently challenging to harvest without damaging the seabed", adds Tvedt.
Based on the Arctic scallop population in Norway alone, the annual export revenues potential reaches over 50 million euro. This new activity will also generate employment for hundreds of people.
Outstanding international potential
The quota allocation was a milestone for Tau Tech, which in a recent growth round attracted a number of high-profile investors, industry players and supporters. Norselab, which specializes in investments in fast-growing companies with a significant contribution to sustainability, led the round together with the seafood group Hofset International. Subsea founder Hans Martin Gravdal and shipowner Andy Farstad were also significant participants in the round.
In addition, other supporters have played a crucial role in providing funding for the company's ambitious plans. Eksfin, the Norwegian export credit guarantee agency, and Sparebanken Vest, Norway's third largest savings bank, provide loans and coverage of credit risk to help the entrepreneurs realize the project. In addition, the company has received a larger grant from Innovation Norway and has been selected for business innovation support from the Norwegian Research Council.
According to Norselab, Tau Tech carries all the qualities of a world-class venture case. Norselab invests exclusively in companies with significant international ambitions and impact potential. The impact investor will work closely with the entrepreneurial team over the next few years to secure a global position for Tau Tech.
"Tau Tech's technology has the potential to transform how we harvest from the seabed worldwide. We know that there are many species that currently cannot be harvested without endangering ecosystems and destroying natural carbon sinks. Tau Tech removes these obstacles, providing access to globally sought-after and healthy ocean proteins. We believe Tau Tech has outstanding potential in combining fast growth with a solid positive contribution to sustainability," says Maria de Perlinghi, Partner at Norselab.
From left to right: Yngve Tvedt, Nicklas Holm, Christian Holm Nilsen
Norselab unveils new fund to funnel more capital to Nordic impact ventures
Norselab expands the toolbox for founders and inventors with an impact-focused Structured Equity fund to deliver on the untapped growth potential of low dilution funding in the Nordics.


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user: ichurch1
ichurch1
www.yalelawjournal.org www.yalelawjournal.org
Architectural Exclusion: Discrimination and Segregation Through Physical Design of the Built Environment
ichurch1 19 Mar 2017
A present-day example of architectural exclusion comes in the form of decisions about where to place transit stops. Throughout the United States, many moderate- and high-income individuals travel—to their jobs, to events, to see friends, and to shop—in a private vehicle.120 In contrast, although people of all socioeconomic groups use public transit—buses, subways, and light rail—in larger metropolitan areas, low-income people and people of color often rely more heavily on public transportation than people from other groups.121 Those individuals therefore have a hard time reaching areas that are underserved by transit.
I also believe that transit stops throughout the city and entire country plays significant role on architectural exclusion in our country. Good example of this would be, a MARTA bus doesn't in the white wealthy neighborhood, and there is no stops no where near it, and if it is , then it could on the opposite site from the neighborhood.
#yalelaw #AtlSprs17
Another divider was an approximately ten-foot-high, 1,500-foot-long fence that separated the racially diverse (though predominantly white) suburb of Hamden, Connecticut, from the primarily black public housing projects in New Haven.97 Although the fence was finally removed in May 2014, while it was in place, residents in the public housing were extremely isolated from the surrounding community.98 In order "to buy groceries at a Hamden shopping center three miles away," the public housing residents would "have to travel into New Haven to get around the fence, a 7.7-mile trip that takes two buses and up to two hours to complete."99 The fence was originally erected by the city of Hamden in the 1950s to keep crime in the New Haven projects out of Hamden.100 As recently as 2012, calls to remove the fence were met with resistance from Hamden residents who "described the robberies and traffic overflow they said would result from opening the fence."101 Hamden agreed to remove the fence only after the New Haven Housing Authority threatened to "sue Hamden on civil rights grounds."102 A similar eight-foot-tall spiked fence was installed in 1998 around a public housing project in Hollander Ridge in Baltimore.103 This fence, which was constructed by the local housing authority with funding from the Department of Housing and Urban Development (HUD), blocked access to and through Rosedale, a contiguous, mostly white neighborhood.104 The Rosedale residents wanted the fence to keep out crime and keep their property values up, and "there was a not insubstantial vocal segment of the Rosedale whose racist views were made readily apparent."105
Racial segregation still exists today. White wealthy communities living up north in our city, while poor blacks and other minorities live in the south, and design of the city prevents poor minorities from entering the neighborhoods up north.
A municipality that lacks sufficient connections between different parts of the community is often exclusionary because residents are deterred from traveling. For example, sidewalks make walking easier and safer, in large part by reducing the risk of pedestrian and vehicle collisions.85 However, many communities lack sidewalks and crosswalks, making it difficult to cross the street or walk through a neighborhood. Sometimes this is intentional.86 For example, in his book detailing continuing racism and intentionally white communities in the United States, James Loewen describes architectural exclusion in some towns where "[s]idewalks and bike paths are rare and do not connect to those in other communities inhabited by residents of lower social and racial status."87 If someone wanted to walk or bike to another area, then, it might have to be along the shoulder of a busy road or on the road itself.
I live outside of the city and I don't have a car to get around, I wish there were side walks, long but sidewalks, because it is so hard to get around when don't live in the city. Even in the here in Atlanta isn't that many sidewalks, we have to rely on public transportation instead. This decisions by developers of city design aren't good, because they limit people's ability to get around city, if they don't have a car.
The architecture of the built environment directs both physical movement through and access to places. This Part details a number of ways that states and municipalities—through actions by their residents, police force, planning staff, engineers, or local elected officials—have created infrastructure and designed their built environs to restrict passage through and access to other areas of the community. A number of specific exclusionary techniques have been used to keep people out, including physical barriers to access, the siting of transit and transportation infrastructure, and the organization of residential neighborhoods. While some of these designs expressly serve to exclude those who are unwanted, others have that effect indirectly. This Part will examine a number of these methods of exclusion. A. Physical Barriers to Access
Reading this part I realized that architectural exclusion is everywhere, whether it's apartments, highways, parks, or even sidewalks, everything was design to the smallest detail, to prevent people access restricted areas.
Although regulation through architecture is just as powerful as law, it is less identifiable and less visible to courts, legislators, and potential plaintiffs.77 While this observation suggests that decision makers should be even more diligent in analyzing the impact of architecture, research demonstrates that they often fail to take it seriously.78 To be clear, officials may understand that an architectural decision could have an exclusionary effect—they might even intend that result—but they generally do not see their decisions as a form of regulation that should be analyzed and patrolled in the same way that a law with the same effect would be. Exclusion through architecture should be subject to scrutiny that is equal to that afforded to other methods of exclusion by law.79
I think we should not have exclusion in architecture towards minorities, it is unethical and not right, because with public transit unable to reach ends of the city, specifically our city of Atlanta, job opportunities become unreachable for those people, not everyone can afford buying a car.
they understand that traditional architects of the built environment influence our experience of the built environment.55 Traditional architecture is not just a useful metaphor for exposing hidden regulatory systems. It is regulation. Consequently, it makes even more sense to apply the concept of regulation through architecture to the built environment than it does to apply it to the Internet or structuring decisions.56 Although this may appear to be a banal observation, few in the legal community have discussed architecture itself as a regulatory tool.
I personally believe that set regulations on where the new business will be build and what type of business will it be can have a huge impact on communities around it, companies responsible for this businesses should discuss terms and conditions with communities so both can benefit from it.
For example, a cafeteria manager who places healthier food items in a more visible and accessible location than junk food in order to nudge people toward healthier choices is guiding actions through architectural decisions. These architectural decisions create architectural constraints: features of the built environment that function to control human behavior or hinder access—the embodiment of architectural exclusion.
Great example of human behavior, putting healthier foods on more visible place than junk food, so people can make healthier choices, I think we can say that about modern Architecture in the city as well. Not letting homeless people sleep on benches, apartment corners, not letting skate guys skate on the ledges by installing things throughout city, forcing people to make better choices not necessarily for them but for others.
That a highway divides two neighborhoods limits the extent to which the neighborhoods integrate. That a town has a square, easily accessible with a diversity of shops, increases the integration of residents in that town. That Paris has large boulevards limits the ability of revolutionaries to protest. That the Constitutional Court in Germany is in Karlsruhe, while the capital is in Berlin, limits the influence of one branch of government over the other. These constraints function in a way that shapes behavior. In this way, they too regulate.50
We never pay attention to the layout of our cities until we start studying vernacular or any architecture, then it surprises us, just like it did me. I never thought that Paris would have small boulevards on purpose, (to prevent big protests). That is a very clever idea. Now can see that in our city as well, wealthy neighborhoods have limited access for public transportation and so on.
We often experience our physical environment without giving its features much thought. For example, one might think it a simple aesthetic design decision to create a park bench that is divided into three individual seats with armrests separating those seats. Yet the bench may have been created this way to prevent people—often homeless people—from lying down and taking naps.27 Similarly, upon seeing a bridge, or a one-way street, or a street sign, many people tend to think that these are just features of a place—innocuous and normal.
Here we can see that, some people my think that Architecture of modern city, such as benches in particular, made to not give homeless people ability to sleep on them, by adding hands on them, but I personally think that it could also means, having your own seat, just like classrooms, be individual.
Throughout history, people have used varied methods to exclude undesirable individuals from places where they were not wanted. People used the law by passing ordinances saying that certain individuals could not access certain locations.24 Social norms encouraged some to threaten undesirable persons with violence if they were to enter or remain in certain spaces.25 And cities were constructed in ways—including by erecting physical barriers—that made it very difficult for people from one side of town to access the other side.26 The first two methods of discrimination have received sustained attention from legal scholars; the third form, which I refer to as architecture, has not. This Part departs from tradition by focusing on architecture instead of ordinances and social norms.
I have learned a lot from this article, the history of MARTA, and why the routes are placed where they are. Most of us know the history of slavery, we do know that industrial North wanted the progress in economy and that's where most of wealthy educated white people loved, while South still were fighting to keep slavery, that was the only way they could profit. IF we look now we aren't gonna see slavery anymore of course, but we still see discrimination through different things and one of them is architecture. This article focuses on architecture of Atlanta and how MARTA transit was build around it. What I noticed is that it doesn't go up north allot, it mostly stay here in the south and middle of Atlanta city. The reason of these being I think, is that people who live at North of Atlanta are mostly upper middle class citizens and higher. And they do not need a transit station, because most of them can afford a car. In addition to that they do not want low class citizens, which are mostly African Americans and Hispanics to have an access to their neighborhoods. This is a great example of discrimination and racism against minorities here in United States. The layout of a MARTA map is so controversial for that particular reason. If we take a look on how city use design to "get rid" of homeless people, which is, making benches that are impossible to sleep on, or spikes on the ground in the corner of an apartment. Here we can see similar situation, which is getting rid of unwanted individuals, even thou it has nothing to do with racism, this actions are still inhuman and ugly. I believe that architecture plays a huge role in people life, and explanation I have stated is a good example of it.
#AtlSprs17 #yalelawjournal #architecturalexplusion
#architecturalexplusion
#AtlSprs17
#yalelaw
#yalelawjournal
yalelawjournal.org/article/architectural-exclusion
atlspaceplacerhets17.robinwharton.net atlspaceplacerhets17.robinwharton.net
Invitation-to-Vernacular-Architecture.pdf
IntroductionxxiA third reason for concentrating on architectural evidence is that buildings often reveal aspects of behavior such as the mundane or the forbidden rarely spoken of in conventional texts. Structures have a way of showing us things about ourselves that we may feel are too mundane to mention but which nevertheless articulate routines essential for our survival. And certainly there are skeletons in the closet— things we do not want to talk about— for example, slavery or the suppression of women's rights. These features are part of what the geographer Pierce Lewis has called our "unwitting autobiography." In the way we create and use architectural space, we say things we would never say in our journals or diaries. There are many taboo topics, such as class differences— rarely talked about in the United States— that becom e evident in the architectural landscape. The distribution of buildings mirrors the distribution of the population according to economic class and makes such divisions visible not only in the sizes of houses, but also in the way the buildings of the rich and powerful physically dominate the landscape by their location and presence (fig. 6 ).1'*Fourth, objects are essential in the study and understanding of the artfulness of a culture. To understand how people bring beauty to their lives, one must study the buildings themselves rather than literature about them. For example, one can learn much about a culture's aesthetic preferences by simply looking at the way construction materials are treated. Wooden surfaces left in a natural state, which appeared in nineteenth-century romantic designs and again in the arts and crafts era, suggest a self- conscious attempt to express a cultural affinity for nature, while a cultural value for the
Vernacular Architecture also gives us an ability to study our past through the ancient buildings, sculptures etc.
#CarterCromley #AtlSprs17
Introductionxxvstantly evolving and changing. It incorporates many perspectives, and there are many ideas about what it is. The study of vernacular architecture has been around long enough, however, to have achieved some stability, patterns, and conventions, and our interest here is to highlight some of these commonalities in a way that presents a fairly unified, declarative statement of what the field is all about.In large part this book contains explanations of research methods, techniques, and theories. The method is not ours, but rather one worked out over the past thirty years by a variety of archaeologists, art historians, architectural historians, cultural geographers, folklorists, social historians, and preservationists, to name a few of the disciplines represented in this truly interdisciplinary field. Our focus is the buildings and landscapes of North America from colonial times to the present, although the approaches presented here could be applied to any region or time period. As a crash course in vernacular architecture studies, Invitation to Vernacular Architecture should be useful to a wid
For the past 30 years this book offered a great variety of tools for scientists and archaeologists to choose from, which essentially probably helped them in the research study they were doing.
IntroductionFig. 8. This Urge center-chimney, hull-parlor house in W ethersfield, Connecticut, is typical of those buildings that have survived all over New England from the late seventeenth century and the first half of the eighteenth century. Photo by Thom as Carter.Take, for example, a typical classroom (figs. 10 and 11). In both its formal organization and its use, the room reflects a normative approach to the education process. The teacher's space is to the front, facing out toward the students who sit in neat rows of chairs/desks, all bolted to the floor. Everyone has his (Dr her own desk— his or her own space—-reflecting the American value of individuality. There is no danger of one student violating another's territory. The whole room is ordered by tripartite symmetry. There are three rows of overhead lights. The blackboard is divided into threes, with the center panel being the most prominent. Only the teacher's podium is off-center, a decision necessitated by the need to use the retractable screen in the center for showing slides. In its form, then, the room adheres to all the conventions proper to educational space in the United States.1'1
I really like this example where they use vernacular architecture to explain to us, why classrooms were design the way they are. And it is simply because, I think whoever designed classroom wanted for each student to have their own space, to have sense of individuality.
This book is intended as a beginner's guide to vernacular architecture studies. The idea for it came from the classroom. As teachers, we wanted an introductory text for students that would both open their eyes to the world of ordinary buildings and outline a basic method for studying them. It had to be affordable, so it had to be short. And if not simple, the coverage had to be straightforward enough so that students and others encountering this material for the first time could easily use it. Luckily we had a model. When we were talking about what our research guide might look like, Jam es Deetz's pocket-sized Invitation to Archaeology immediately came to mind. The book cost $1.45 in the late 1960s and presented readers with a concise but detailed description of how to go about putting archaeology into practice. We honor both book and author in recycling its title and basic approach here. There was nothing we could do about the price.1The study of vernacu
My questioned about this Vernacular Architecture is why it isn't used now, when the new buildings constructed in for example, neighborhood, do they learn what type of architecture is present in that neighborhood and weather they can match the new house with it, to make it more on the same level with other houses?
IntroductionxxiA third reason for concentrating on architectural evidence is that buildings often reveal aspects of behavior such as the mundane or the forbidden rarely spoken of in conventional texts. Structures have a way of showing us things about ourselves that we may feel are too mundane to mention but which nevertheless articulate routines essential for our survival. And certainly there are skeletons in the closet— things we do not want to talk about— for example, slavery or the suppression of women's rights. These features are part of what the geographer Pierce Lewis has called our "unwitting autobiography." In the way we create and use architectural space, we say things we would never say in our journals or diaries. There are many taboo topics, such as class differences— rarely talked about in the United States— that becom e evident in the architectural landscape. The distribution of buildings mirrors the distribution of the population according to economic class and makes such divisions visible not only in the sizes of houses, but also in the way the buildings of the rich and powerful physically dominate the landscape by their location and presence (fig. 6 ).1'*Fourth, objects are essential in the study and understanding of the artfulness of a culture. To understand h
It is a very interesting thought that through Vernacular Architecture we can also learned something about our self. Perhaps what is more fascinating, is that we can learned something new about relatives who lived in the house before us, or any other people, in it can tell what kinda of person lived here.
At this point, studying buildings is starting to sound like a lot of trouble. It the point of our research is to understand human culture, why not just stick to the usual documents? It is a legitimate conc ern. We would not suggest that the study of buildings is some kind of academic panacea. Vernacular architecture research is not going to replac e other kinds of humanistic inquiry. In the right situations, however, it can contribute greatly in addressing many kinds of questions concerning human behavior. Cary Carson, director of research at Co
I agree with this argument, because I think when we gonna try to learn older generation through the architecture that was build back in the day, it is going to be hard because a lot of the buildings either damaged or destroyed, therefore it is going to be hard to make any statements regarding to the history of the past, because some of them could be just an opinion.
ionIntroductionxvTake, for instance, the two-family house pictured in figure 2. Built in 1906 on Richmond n Avenue in Buffalo, New York, the structure is a typical example of lower-middle-classdomestic architecture found in urban areas around the country during the early years of the twentieth century. The Richmond Avenue house is an object that has both substance— it is a material reality— and content— it evokes images, ideas, and meanings for its users. But while there can be little doubt that such a building has the potential l_ to communicate critical information about the social and cultural world of its various,r inhabitants, it nevertheless remains unclear how exactly we might go about decipher-, ing its meaning.7Analyzing and explaining the cultural content of a building is not something you can justr/o, after all, for the Buffalo house is not like a city history book, a building permit, a diary from the Banks family (one of many residents of the property), a letter from a grandparent, or even the federal census. Such documents, because they contain written messages, communicate in a language we readily (if variously) understand. The history might say something about the development of the Richmond Avenue section of Buffalo; the building permit might reveal the date when the house was constructed and even give the name of its builder; the diary might talk about specific events that occurred in the house; the letter might describe how one of the rooms in:e>f>rr-y>fes1sFig. 2. A two-family or double house at 299 Richmond Avenue, Buffalo, New York. Photo by Elizabeth Crnmlev
Thanks to this book, next time when we see this type of house we will have a good idea, what type of house it is, for what class it was build and when it was build.
#AtlSprs17 #CarterCromley
This book is intended as a beginner's guide to vernacular architecture studies. The idea for it came from the classroom. As teachers, we wanted an introductory text for students that would both open their eyes to the world of ordinary buildings and outline a basic method for studying them. It had to be affordable, so it had to be short. And if not simple, the coverage had to be straightforward enough so that students and others encountering this material for the first time could easily use it. Luckily we had a model. When we were talking about what our research guide might look like, Jam es Deetz's pocket-sized Invitation to Archaeology immediately came to mind. The book cost $1.45 in the late 1960s and presented readers with a concise but detailed description of how to go about putting archaeology into practice. We honor both book and author in recycling its title and basic approach here. There was nothing we could do about the price.1The study of vernacular architectu
This book explains on how to understand the buildings that were build back in the day, and also by using Vernacular Architecture we can understands how structure for this particular building was used, why it was used, and what were the reason this structure was build.
#CarterCromley
atlspaceplacerhets17.robinwharton.net/wp-content/uploads/2016/08/Invitation-to-Vernacular-Architecture.pdf
ichurch1 22 Feb 2017
IntroductionThis book is intended as a beginner's guide to vernacular architecture studies. The idea for it came from the classroom. As teachers, we wanted an introductory text for students that would both open their eyes to the world of ordinary buildings and outline a basic method for studying them. It had to be affordable, so it had to be short. And if not simple, the coverage had to be straightforward enough so that students and others encountering this material for the first time could easily use it. Luckily we had a model. When we were talking about what our research guide might look like, Jam es Deetz's pocket-sized Invitation to Archaeology immediately came to mind. The book cost $1.45 in the late 1960s and presented readers with a concise but detailed description of how to go about putting archaeology into practice. We honor both book and author in recycling its title and basic approach here. There was nothing we could do about the price.1The study of vernacular architecture is part of a larger scholarly undertaking known as material culture studies." Material culture m aybe defined, following Deetz, as "that segment of [the human] physical environment which is purposely shaped . . . according to culturally dictated plans."' Unlike other mammals, humans cannot simply live in nature; rather, we must devise ways of finding and making shelter, clothing and feeding ourselves, and producing the tools needed for survival. In short, people need things— objects, artifacts, however they are referred to— to live in the world, and we make those things, not randomly or by chance, but systematically and intentionally through our culture. Culture is unseen and immaterial, consisting of the ideas, values, and beliefs of a particular social group or society; but it is everywhere within us, shaping our behavior, helping us to choose the right things to say, providing rules for social interaction, and giving us mental blueprints for making the things we need, from bread pans to buildings. Among Americans, for example, people for whom private space is a highly valued commodity, any number of devices— from having your own plate from which to eat, your own drawers for your clothes, your own special chair on which to sit, to even having your own bathroom can help achieve the goal of privacy. Building separate, detached houses that are spaced far apart in the countryside or separated by just a few feet in urban neighborhoods (fig. 1) would be another way this spirit of individuation is advanced through architecture.1 We need to remember that the everyday objects we see all around us are indicators of our cultural values. The material world we construct around us is the world that the study of material culture reveals.If culture determines behavior, and we can see such behavior in the things people make, it is logical that we can also move in the opposite direction, working back from the object in an attempt to explain the ideas, values, and beliefs— the culture— that caused that object to com e into being.1 Archaeologists take this as the central axiom of their discipline since objects are all they have to work w
After reading article "Placemaking on Main Street: Revitalizing Rural Communities" by Project of Public Places, we can understand why "Invitation to Vernacular Architecture" is a good subject to study, because people who created this strong communities and build their houses and businesses are forced to give it up all for new more modern businesses, by doing so it ruins community and people lose jobs and homes. I think good example would be World Cup 2014 in Brazil, where they destroyed many houses in poor areas just so they can build more stadiums which are now stand empty with no use, many people lost jobs homes, and Brazil still suffers from financial impact till this day. I believe that instead of destroying communities, businesses should learn the history of the community and try to find a common ground where both can benefit from it, and that's is where this subject vernacular architecture plays big role. It provides great tools to teach how to study the history of architecture of that particular community. In the article that I mentioned earlier Placemaking on Main Street: Revitalizing Rural Communities, we can see how communities are able to partnership with National Main Street Center (NMSC) and Project for Public Spaces in order to create a better healthier communities that can progress with new businesses and keep jobs and businesses. http://kcleconomics.com/a-look-back-to-2014brazil-and-the-world-cups-economic-impact/
ound 1820 the Henry Dubois family built a new house in New Paltz, New York. The housewas curious in that the front elevation was constructed of red brick and the less visible remaining , walls— those to the sides and back— o f roughly laid lim estone. No family mem bers wrote downthe reasons for this particular design solution, nor can an explanation be found in local histories.^ The fact o f the house, however, remains as evidence o f human behavior that is directly available totis for interpretation. By looking at the house we might surmise that the Dubois family's finances prohibited building the entire house of brick, which was a prestigious but expensive material. Rather than foregoing the status that brick afforded, they put their m oney where it would do the I most good, on the front, w here their good taste and apparent affluence could be seen by all.i Photo by Thomas Carter
This is a very good description of what this subject offers. I could never understand why people have houses this way, and knowing that maybe financial or other reasoning for it. Perhaps knowing this can help us understand little bit more about those families. I personally would like to have this type of brick layout on my house, it could represent ancient style or cave style not only because my finance won't allow me to afford better brick.
xivIntroductionFig. 1. The preference For detached houses in America is visible in these rows o f houses from St. Louis, Missouri. While in densely developed cities the older British practice o f building continuous rows or terraces of houses was often followed, in less densely developed urban areas and suburbs American builders left gaps between the indi vidual houses, clearly articulating the bound aries of each household's space. Photo by Thomas Carter.history, Folklife studies, historic preservation, cultural landscape studies, industrial archaeology, and vernacular architecture studies— the field we are concerned with here— all revolve in their own ways around the study of objects for cultural meaning.Vernacular architecture studies may in this way be defined as the study o f thosehuman actions and behaviors that are manifest in commonplace architecture. In the category of commonplace architecture we include individual buildings, assemblages of such buildings, and entire architectural landscapes that serve as primary evidence for our research. The investigative techniques and interpretive theories employed by vernacular architecture scholars are those of material culture studies generally, for they center on the ability to find meaning in artifacts. As an academic exercise, the study of material culture is grounded in the physical and material presence of objects -in the case of vernacular architecture, buildings— and relies on the analysis of particular sets of forms and the patterns they make to tell us about human behavior both past and present. Written documents such as books, journals, and court records are used when and where they are available to augment the architectural record. Oral history and ethnographic observation are at times also important to the vernacular architecture researcher. It should he stressed, however, that the field of material culture studies remains artifact-driven, and the investigation and interpretation of buildings and landscapes play leading roles in the research process."This book is about architectural interpretation, the ability to find meaning in buildings. This is a skill, like most others, that requires both time and effort
As I mentioned in my previous annotations, this book is focuses on architecture of our surrounding and its history. We can apply this knowledge to one of the articles such as "The morbid and mortal toll of sprawl" by Robert Steuteville. This article states that death on the highway has increased by 9%, I want to focus only on this part. I believe that architecture of highways are one of the reasons why we have car accidents, yes there are many other reasons, such as texting while driving or driving under influence of alcohol or drugs. Quick turns, speed limit, no individual lines with boarders on the sides, I believe that if each line had like fences on the sides that could prevent from a car accident that is not the cause of texting or alcohol. It would have been so convenient, because for example if one line had a an accident, instead of slowing down traffic, blocking two lines, only one line would be blocked and instead of using that line drivers would know that there were accident and will not enter that line and enter safe line. It is all based on design of the highway from the past, the history of it, why there is no individual line, no personal space for every driver, that is where this subject of architecture and history can give us many answers. And maybe we will be able to learn from the past and present for the better future.
This book is intended as a beginner's guide to vernacular architecture studies. The idea for it came from the classroom. As teachers, we wanted an introductory text for students that would both open their eyes to the world of ordinary buildings and outline a basic method for studying them. It had to be affordable, so it had to be short. And if not simple, the coverage had to be straightforward enough so that students and others encountering this material for the first time could easily use it. Luckily we had a model. When we were talking about what our research guide might look like, Jam es Deetz's pocket-sized Invitation to Archaeology immediately came to mind. The book cost $1.45 in the late 1960s and presented readers with a concise but detailed description of how to go about putting archaeology into practice. We honor both book and author in recycling its title and basic approach here. There was nothing we could do about the price.
I believe that it is certainly an amazing idea to have this subject thought not just researches and scientist but everyday people as well. I believe it is very important to know your history not just through people or actions that took plays but through architecture as well.
#AtlSprs17 #CarterCromley #Deetz
#Deetz
Annotations: 22
Top tags 6
#AtlSprs17 22
#CarterCromley 12
#yalelaw 9
#Deetz 1
#architecturalexplusion 1
#yalelawjournal 1


text:
Dlouhá Třebová

Reference

Související články
 Seznam kulturních památek v okrese Ústí nad Orlicí

Externí odkazy

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text:
using System;

namespace Orleans.Providers.MongoDB.Test.Grains
{
    public interface IEmployeeLeave
    {
        int Identifier { get; set; }

        DateTime DateStart { get; set; }

        DateTime DateEnd { get; set; }
    }
}

redpajama_set_name: RedPajamaGithub


Home KS2 Poem My Dad's A Rock'n'Roll Star!
Then he dashes to town for his train.
And my dad and his band are rock stars!
And won't rest till our homework is done!
And we clap and we cry out for more!
As he potters around in the shed.
He's the trendiest dad that's alive!


text:
DIRECTORY="CurtisWebServer/"
if [ $# -eq 0 ]
  then
    echo "Please supply an image tag (ex: latest, 1.0.3 etc...)"
    exit
fi
echo "Using supplied image tag: $1"
if [ -d "$DIRECTORY" ]; then
  rm -rf "$DIRECTORY"
fi
cp -R ../../RaptureAPIServer/docker/rootfs/ rootfs
cp -R ../../RaptureAPIServer/docker/config/*.cfg ./RaptureWebServer/etc/rapture/config/
cp -R ../build/install/RaptureWebServer/ RaptureWebServer/
docker build -t incapture/webserver:"$1" .
PUSHED=false
OPT="push"
if [ $# -eq 2 ]; then
  if [ "$2" == "$OPT" ]; then
      docker push incapture/webserver:"$1"
      PUSHED=true
  fi
fi
if [ "$PUSHED" == true ]; then
  echo "Successfully built & pushed docker image: incapture/webserver:$1"
else
  echo "Successfully built incapture/webserver:$1 *** did not push ***"
fi


text:
Q: Observe customer address save, update collection I have a custom customer/address attribute gmap_lat which I would like to be included in the sales/order_address_collection.
I would like to observe the customer_address_save_before event, but it isn't dispatched and I'm not sure how to hook into the Observer:
magento\app\code\core\Mage\Customer\etc\config.xml:
422              <customer_address_save_before>
423                  <observers>
424:                     <customer_address_before_save_viv_observer>
425                          <class>customer/observer</class>
426                          <method>beforeAddressSave</method>
427:                     </customer_address_before_save_viv_observer>
428                  </observers>
429              </customer_address_save_before>

Should I make my own observer in addition to this one, or extend the customer/observer or what?  What is the best and fastest approach here?
** EDIT **:
By the way, this attribute is HIDDEN, installed in part by:
//Add attribute that will be used for Google Maps as a coordinate lat
$installer->addAttribute('customer_address', 'gmap_lat', array(
    'type'     => 'varchar',
    'input'    => 'hidden',
    'visible'  => false,
    'required' => false,
    'label'    =>   'GMap Latitude',
    'user_defined' => 0,
    'visible_on_front' => 0,
));

A: R.S made me realize my question didn't make sense anyway, and he directed me to the right answer.
No one should want to update the sales/order_address_collection on save!  I was getting confused between installing the attributes for the first time and how the attributes should work in the future.
If one installs the attribute as shown in http://www.magentocommerce.com/wiki/5_-_modules_and_development/how_to_add_custom_field_in_billing_and_shipping_address_in_frontend_and_backend
Then this config file will correctly copy an attribute (here called gmap_lat and gmap_lng) to and from customer_address and sales_flat_order_address, sales_flat_quote_address, at the appropriate times (during checkout).
<global>
  <resources>
  <sw_firsttime_setup>
      <setup>
          <module>StrollingWild_FirstTimeCustomer</module>
          <class>Mage_Customer_Model_Entity_Setup</class>
      </setup>
      <connection>
          <use>core_setup</use>
      </connection>
  </sw_firsttime_setup>
  <sw_firsttime_write>
      <connection>
          <use>core_write</use>
      </connection>
  </sw_firsttime_write>
  <sw_firsttime_read>
      <connection>
          <use>core_read</use>
      </connection>
  </sw_firsttime_read>
 </resources>
  <helpers>
  <firsttimecustomer>
      <class>StrollingWild_FirstTimeCustomer_Helper</class>
  </firsttimecustomer>
 </helpers>
  <admin>
    <fieldsets>
        <customer_dataflow>
             <gmap_lng><billing>1</billing><shipping>1</shipping></gmap_lng>
             <gmap_lat><billing>1</billing><shipping>1</shipping></gmap_lat>
        </customer_dataflow>
    </fieldsets>
 </admin>
<fieldsets>
  <customer_address>
    <gmap_lat><to_quote_address>*</to_quote_address></gmap_lat>
    <gmap_lng><to_quote_address>*</to_quote_address></gmap_lng>
  </customer_address>
  <sales_copy_order_billing_address>
    <gmap_lat><to_order>*</to_order></gmap_lat>
    <gmap_lng><to_order>*</to_order></gmap_lng>
  </sales_copy_order_billing_address>
  <sales_copy_order_shipping_address>
    <gmap_lat><to_order>*</to_order></gmap_lat>
    <gmap_lng><to_order>*</to_order></gmap_lng>
  </sales_copy_order_shipping_address>
<sales_convert_quote_address>
    <gmap_lat>
      <to_order_address>*</to_order_address>
      <to_customer_address>*</to_customer_address>
    </gmap_lat>
    <gmap_lng>
      <to_order_address>*</to_order_address>
      <to_customer_address>*</to_customer_address>
    </gmap_lng>
 </sales_convert_quote_address>
<sales_convert_order_address>
    <gmap_lat><to_quote_address>*</to_quote_address></gmap_lat>
    <gmap_lng><to_quote_address>*</to_quote_address></gmap_lng>
</sales_convert_order_address>
 </fieldsets>
</global>