Now that we've all had time to recover from the initial shock of the Taylor Swift-Calvin Harris breakup news, it's time for a reality check: The pop mega-star (and her brand) will be completely fine, if not stronger.
For the past 15 months, Swift had a seemingly perfect relationship with the international DJ. But something bigger happened during that time—Swift transformed from a talented entertainer into a veritable business powerhouse. She took on Apple and forced the tech giant to change the way Apple Music compensates musicians. She was on three Fortune lists for her business savvy, including World's Greatest Leaders, Most Powerful Women, and 40 Under 40. Most recently, she became the first female artist to win two Grammys for Album of the Year with her album 1989, the fastest-selling album of the past decade.
When reports of the breakup surfaced Wednesday, there was immediate speculation about how her time with Harris might inspire her next song. If history is any indication, then we could expect a powerful new hit in the near future.
Here's a look at some of Swift's biggest hits and the ex-boyfriends that are widely believed to have inspired them.
Singer Taylor Swift and actor Jake Gyllenhaal briefly dated back in 2010.
Taylor Swift and Harry Styles are seen walking around Central Park on December 02, 2012 in New York City.
Conor Kennedy and Taylor Swift had a short summer romance in 2012 that barely lasted 3 months.
John Mayer and Taylor Swift perform onstage during Z100's Jingle Ball 2009 presented by H&M at Madison Square Garden on December 11, 2009 in New York City.


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'SLOW AND PAINFUL': PETA U.K. releases disturbing video of matador stabbing bull
Aidan WallaceMore from Aidan Wallace
WARNING: GRAPHIC CONTENT
There's a reason bullfighting is called a blood sport.
A stomach-churning video released by PETA U.K. shows a Spanish matador brutally drive a knife into the skull of a bull several times, wiping the blood-soaked blade on the dying animals face during an event in September 2018, Daily Mail reports.
The grisly spectacle took place in Bilbao, Spain and has drawn outrage from animal welfare activists and organizations. PETA U.K. started a petition and wrote a letter to Spain's Prime Minister Pedro Sanchez imploring him to take a stand and outlaw the centuries-old practice.
"Bullfights are immensely cruel events in which thousands of animals are slowly and painfully killed across Spain every year," the letter reads.
"Attackers on horseback and on foot drive lances and sharp sticks into bulls' necks and backs, and when the animals have become weakened by blood loss, a matador finally kills them with a sword."
"Please listen to the voices of people in Spain and across the world and ban bullfighting and bull runs now," the letter concludes.
Support for a countrywide bullfighting ban has been growing in recent years within Spain. The Daily Mail reports more than 100 Spanish towns have banned bullfighting and the independent region of Catalonia put a stop to the practice in July 2010.
"It's time for the Spanish government to step up and protect animals," a PETA spokesperson said.
"These deaths are slow and painful," the spokesperson said, adding, "Compassionate people understand that this violence is needless and unjustifiable, and opposition to bullfighting is growing both within Spain and around the world."
BULLS---: Activists see red after young Spanish bullfighting students kill 24 calves in 4 days as training
World's most barbaric festival? Spanish 'Fire Bull' ritual sees bull beaten, burned before death
Three people gored on first day of Spanish bull-running festival
The Spanish tourism website advertises bullfighting as an adrenaline-filled, exciting event.
"Imagine feeling the excitement of the world of bullfighting," it reads, adding that bullfighting is not just an event but a "key element of many fiestas in towns and villages."
Meanwhile, most Twitter users commenting on the video appeared to condemn the practice. One user wrote: "That's why I don't travel to Spain. This is no more a modern traditional sport. Only cruelty."
The PETA U.K. Twitter account responded to another user's comment, writing: "This barbaric spectacle should be banned."
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redpajama_set_name: RedPajamaCommonCrawl


It's Anzac Day tomorrow. This morning the children and I talked about Anzac Day, what it means, and their great grandfathers who fought in WWII. We made some ANZAC biscuits to commemorate the day. We can't be strictly traditional, because of the gluten and dairy. These come pretty close though! They are so yummy, I'm now wondering why I always wait for ANZAC Day to make them!
*Just a quick note about Oats – I buy Bob Red Mills Wheat Free Oats. There's a bit of contention about whether oats are safe on a gluten free diet. My specialist and dietician have given me the okay to eat them. If you are unsure about whether they are safe for you, just replace them with the same quantity of rolled quinoa flakes or gluten free cornflakes.
In a large bowl, combine flour, sugar, desiccated coconut baking powder and oats.
Melt the nuttelex in a smaller bowl, and stir in the golden syrup while it is still warm. Stir through the milk.
Make a well in the centre of the dry ingredients. Pour in the wet ingredients.
Stir with a large spoon until combined. Roll into balls of roughly a tablespoon in size. Squash until they are about a centimetre thick.
Bake for 10 minutes. Biscuits will be crunchier as they cool down.
Enjoy with a good strong cup of tea!
This recipe has been a staple lately at my place, as my little girl loves it. I've played around with a few variations, and this chocolate version is very popular. If you prefer a sweeter dessert, add an extra tablespoon of maple syrup. We like it plain, but tonight we are having it with fresh raspberries and coconut milk ice cream.
Place ramekins in a baking dish, and pour 2cm of water into the bottom of the dish.


Own Every Moment Powered by Frostbite, FIFA 17 transforms the way you play, compete and emotionally connect with the game.
Pre-order and kick-off your season with 5 FIFA Ultimate Team Draft Tokens, one 8-match FUT loan player, and access to Special Edition FUT kits. Test your squad building skills with 5 FUT Draft Tokens, and choose Eden Hazard, Anthony Martial, Marco Reus, or James Rodriguez as your loan player for 8 full matches.


EXPLO's Arrival and Departure Whether traveling by plane, train, or car, all students should plan to arrive at EXPLO and depart campus at the close of the session within the designated Arrival and Departure time windows. PLEASE NOTE — we cannot accommodate early arrivals. EXPLO is not responsible for the supervision of any student arriving on the Yale campus before the start of registration on Arrival Day. Be sure to check out the specific dates and time windows for your program (Exploration or Focus), as these can vary by program. Traveling to Yale Welcome to EXPLO! Before booking travel to campus this summer, please reference the Arrival and Departure Schedule on the right. Arrival and Departure happens on the Yale campus Enter in your GPS: "Old Campus, Yale University" Follow EXPLO signs to drop-off and pick-up when you get close to campus. Please Note: Be sure to use the GPS information above when driving to our summer campus at Yale University (not The Exploration Center in Norwood, MA).
SESSION 1: EXPLO at Yale Arrival Day: Sunday, June 23, 2019 Get to campus by car: 1:00 p.m. - 5:00 p.m. Flights arrive at JFK: 12:00 p.m. - 6:00 p.m. Departure Day: Saturday, July 13, 2019 Leave campus by car: 9:00 a.m. - 12:00 p.m. Flights depart from JFK: 8:00 a.m. - 2:00 p.m. SESSION 2: EXPLO at Yale Arrival Day: Sunday, July 14, 2019 Get to campus by car: 1:00 p.m. - 5:00 p.m. Flights arrive at JFK: 12:00 p.m. - 6:00 p.m. Departure Day: Saturday, August 3, 2019 Leave campus by car: 9:00 a.m. - 12:00 p.m. Flights depart from JFK: 8:00 a.m. - 2:00 p.m.
Psychology + Neuroscience Sports Management Arrival Day: Sunday, July 14, 2019 Get to campus by car: 1:00 p.m. - 5:00 p.m.. Flights arrive at JFK: 12:00 p.m. - 6:00 p.m. Departure Day: Saturday, July 27, 2019 Leave campus by car: 9:00 a.m. - 12:00 p.m. Flights depart from JFK: 8:00 a.m. - 2:00 p.m. Get to campus by car: 2:00 p.m. - 4:00 p.m. Flights arrive at JFK: 12:00 p.m. - 6:00 p.m. Departure Day: Saturday, July 13, 2019 Leave campus by car: 9:00 a.m. - 12:00 p.m. Flights depart from JFK: 8:00 a.m. - 2:00 p.m.
Get to campus by car: 2:00 p.m. - 4:00 p.m. Flights arrive at JFK: 12:00 p.m. - 6:00 p.m. Departure Day: Saturday, August 3, 2019 Leave campus by car: 9:00 a.m. - 12:00 p.m. Flights depart from JFK: 8:00 a.m. - 2:00 p.m.


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Thompson hoping to catch eyes in Germany
Published:Tuesday | September 22, 2020 | 12:08 AMRobert Bailey/Gleaner Writer
Having recently signed with German Euro League club Alba Berlin, Jamaican basketballer Shevon Thompson said the move is one step closer to securing a roster spot on a team in the NBA in the United States.
Thompson, who stands at 7 feet tall, is coming off what he considers a successful year in the Belgian League last season, where he averaged 10 points and 10 rebounds with Oostender.
He says the German league is the best in Europe, and provides what he says is the perfect platform for him to capture the attention of NBA scouts.
"The aim is to get better and continue to learn from the more experienced guys on the team, and to be one of the big and key players on this team," Thompson said.
Thompson, a graduate of George Mason University, said that his main aim is to dominate the league this season, and once he does this, the rest will be left up to the NBA scouts.
"I am looking forward to it and hopefully I can have a successful year with the club, so that is the goal right now.
"I am just going to keep pushing and grinding and see how it works out," Thompson said. "This is the best league in Europe, and so it is a great opportunity to be able to play here. The group of guys here are good and the coaches are excellent, and so I couldn't ask for better than."
The German Euro League is scheduled to begin next month and Thompson said that he is fit and ready for the competition.
"I am ready whenever they say it is time to go, so I am just waiting on the opportunity to play. My body is in good shape to where I want it to be, so I am grateful for that," he said.
Thompson, who went undrafted in 2016, represented the Los Angeles Clippers and Orlando Magic in the NBA Summer League competition before.
robert.bailey@gleanerjm.com
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Blue spot flathead, bluespot flathead, blue-spotted flathead, drift flathead, eastern blue spot flathead, eastern blue-spotted flathead, long nosed flathead, longnose flathead, long-nosed flathead, red spotted flathead, red-spotted flathead, sand flathead, shovelnose flathead, yank flathead.
These appropriately named bottom-dwelling marine fish have a flat-triangular shaped head and long tapering body covered with pale blue or red spots. Wild-caught, they are found mainly on the mid-continental shelf at depths of 50-90m are caught off NSW as bycatch of prawn and fish trawling. It is endemic to Australia and looks quite similar to southern sand flathead.
Available year round with peaks in NSW from June to December.
Commonly 400-700g and 35-45cm, but can grow to 1.5kg and 60cm.
Bartail, deepwater, dusky, longspine, northern sand, rock, southern bluespotted, southern sand, tiger, and other flatheads.
Sold whole (gilled and gutted) and in fillet form. In whole fish look for lustrous skin with a slippery, mucilaginous coating, firm flesh, and a pleasant, fresh sea smell. In fillets, look for yellowish-white, firm, lustrous, moist flesh without any brown markings (dark veins are common) or oozing water and with a pleasant fresh sea smell.


When a student graduates from Capitol, we believe they can go anywhere and do anything.
Former students feel a strong connection to the school and often times stay in close contact with us. We love it when graduates come back to visit! It's amazing to hear stories about all the places they've gone, and the opportunities that they have been able to participate in.
I am a graduate of both the Cosmetology and the Instructors training program. After graduation, I moved to Chicago and worked for Pivot Point International world headquarters as an International Educator for many years. Next I moved to Washington DC and was Director of Education for Graham Webb Academy of Hair. This was at both the US and London campuses. I have worked in sales and marketing, was a photo stylist, worked on movies and theatre creating hair services. It has been awesome traveling the world thanks to being a hair designer. Currently, I am working as the National Sales Manager for Redken Professional in their Spa Division.
I can't believe it's been 15 years since I've graduated from Capitol. Time flies when you are having fun. I chose Capitol because there is no other school like it. The education I received from them is top notch and you will find it no where else. I've taught classes in numerous beauty schools throughout the South East and nothing even comes close to touching Capitol's reputation and talent. I never have and never will regret my education from Capitol and am a very proud graduate. My experience at Capitol was one of the best times of my life. Granted, I was not the ideal student, but I turned out to be a pretty darn good hairstylist, if I do say so myself. What are some successes that I have achieved in my career? I've worked and done hair from coast to coast. I worked for Bed Head for about 6 years and was an educator for them as well as one of their Artistic Directors for their Scottsdale Arizona location. I have done numerous photo shoots, runway shows, and some hair for television. I recently graduated from the University of Arizona, with a Bachelors Degree in Design Technology for Theatre. I have designed numerous wig and hair styles for theatre productions. I am currently living in Los Angeles and working for Disneyland Resorts in their entertainment department working with their Pixar Play Parade. My future goal is to work with Cirque Du Soleil in Las Vegas working in their wig and makeup department. I've been very fortunate in my 15 year career and could not have done all of it without the help from everyone at Capitol. I'm forever grateful.
It is crazy to think that I graduated 12 years ago from Capitol. I have the best memories from my time there. After graduation in 2003, I worked in several salons, gaining experience behind the chair and making contacts in the local film and theater industry. To sharpen my skills and gain a foothold in the West Coast market, I moved to Los Angeles and enrolled in Makeup Designory (MUD). This is a school specializing in hair and makeup design for the film industry. After graduation, I stayed in Los Angeles, focusing my energies on developing film and theater contacts by volunteering for student films, aspiring photographers' photo shoots, local ballets, and more. In 2008, nervous but hopeful that I had gained the knowledge and experience necessary to be able to freelance from my hometown, I moved back to Omaha. Since my return I have expanded my work to include hair and makeup for film, music videos, fashion and commercials. In 2012, I opened a boutique salon, The Cutting Room, where I accept private clients who generously encourage my freelance schedule and out-of-town film projects. I have worked on everything from a Lady Gaga music video; to Larry the Cable guy Prilosec commercials, as well as over 75 shows with the Broadway music Wicked and other Broadway musicals as well. I was able to do hair for director Alexander Payne on the movie "Nebraska." It did well at many film festivals and was nominated for six Academy Awards. I cannot believe all of the wonderful projects I have been fortunate to work on. Capitol helped me build my skills and confidence to make it in this industry. I think of Mr.McCaig often and hope he would be proud.
He would be proud Melanie!
Mr. McCaig was Capitol's Owner, Director & Lead Instructor. He taught thousands of hair school students in Omaha over the span of 5 decades. We're working on a future article to celebrate the impact Mr. McCaig had on the beauty industry – both around the Omaha area and internationally!
I first graduated from university of Minnesota with a bachelor degree in "global studies" and at the same time like doing hair on the side. I Though cosmetology degree will be a good idea and Im so happy I didn't do it in MInnesota, vatterot, xenon( places I checked before Capitol) but Capitol . The first time I step my feet at Capitol, i knew right away this is the place for me. Miss champion was the first one I talk to in the office and I felt like I've known her for so long . Mr Mike, is such a nice, talented, fun person to work with. The care I received from all the staff was amaaaaaazing. I just graduated 2 weeks ago (11-11-2015) and I don't regret choosing Capitol over other school. I will go again, and again if I have another opportunity. And I can do hair anywhere in the US without going back to school with Capitol degree. " not everybody can graduate from Capitol" so cheer for all graduates out there.


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rtd3
The 2010 Annual Transbay Skronkathon
As summer drew to a close, much of the Bay Area new music community gathered at 21 Grand for our annual ritual of live musical performance, socializing and tasty barbecued treats known as the Annual Transbay Skronkathon. The Skronkathon is also a benefit for the Transbay Creative Music Calendar, a free print publication that serves the creative music community here with event listings and articles (including several from this site).
I had been planning my own part in this ritual since, well, last year's Skronkathon when Polly Moller discovered that my CatSynth review had been reposted in "spammogrified form" by another website. That became the basis for this years performance, which featured a reading of the spammogrified text and the inexplicable repeated phrase as a dominate. Another thing that was different this year was our "live tweeting team" of myself, Polly Moller and Tom Duff. It sort of happened spontaneously. It seems a bit difficult to search for the past #skonkathon posts via Twitter, but I have collected them all and will sprinkle a few throughout this article. (Look for the @ signs.)
[Live tweeting. Photo by Suki O'kane. (Click to enlarge.)]
In fact, one of Tom's live tweets described the duo of Ann O'Rourke and Carlos Jennings as "a disco remix of Berio's Visage". I am sorry I did not arrive earlier – it's hard to pass up something with a description like that.
Rachel Wood-Rome. Photo by Michael Zelner.
I did arrive in time to see Rachel Wood-Rome's performance for solo horn. Her melodic performance seemed like a snippet from a 19th or early 20th century concerto, minus the orchestra. However, in listening I started to fill in an orchestral part myself. She then presented a sing-along of a piece with lyrics by Max Gutmann. It included this refrain song with a minor melody in 5/8 time:
Our librarian is Miss Marion
she is scary an' very old
pause and pity us
'cause she's hideous
very hairy an' likes to scold
Wood-Rome was followed by Respectable Citizen. Usually the duo of Bruce Bennet and Michael Zbyszynski, they were actually a trio on this occasion with the guest appearance of Jeff Ridenour on violone. For those not familiar with the violone, it is a large bowed stringed instrument with frets, closer to the viols used in Renaissance and baroque music than to the modern orchestral string family. The set started off softly with flute, picking on the violone, and stringy ethereal sounds.
[Respectable Citizen. Photo by Michael Zelner. (Click to enlarge.)]
The next piece featured more noise and distortion, with scratching sounds on the violone and a particularly interesting moment with the keyboard resonated together with squeaking sounds from the saxophone. There was also a section of "loungy free jazz" – which is certainly fun for me – mixed with some FM-like sounds.
as a dominate
Respectable Citizen was followed T.T.F.W.'z. If I had to describe their performance, it would be "punk skronking", with loud, fast, driving rhythms and noisy squawks, squeaks and long strings of notes. And they had their own fan section doing 1990s-style jumping-up-and-down dancing. Given the loudness, I opted to enjoy their set from the alley, and even relive a bit of my youth by briefly demonstrating this form of dance to some of my musical colleagues.
The next set was one I was quite looking forward to: a duo of Matt Davignon with "a table full of junk" (as Tom Duff delicately described it) and Eric Glick Rieman on prepared electric piano. I am quite fond of electric piano (e.g., Fender Rhodes) and interested in prepared acoustic piano, but this was first time I had seen and heard the two concepts together.
[The prepared electric piano. (Click to enlarge.)]
The sounds of the Rieman's instrument and Matt's drum machines and effects ranged from high and tinny, to scratchy, glitchy, or sometimes more bell-like. The piano certainly made some unique sounds: boings. bell-like scratching and other effects that made the purely electronic sounds seem tame by comparison On occasion, the instrument's piano-like quality would stand out, and one could hear the tines that are characteristic of electric pianos. At other times it was more aggressive and percussive. Rieman's playing style brought out this quality, and I found myself watching the mechanics of the instrument as I was listening to the music. There was moment that seemed like film music, with long piano notes set against "squishy sounds" from Matt Davignon's electronic effects. And then a sound that reminded me of marbles. There were anxious harmonies, and rhythms on top of rhythms in samples.
[Matt Davignon and Eric Glick Reiman. Photo by Michael Zelner. (Click to enlarge.)]
Next up was blipvert (aka Will Northlich-Redmond). Standing behind a table with an Alesis Air and a Pioneer DJ controller, he launched into an intense and frenetic blast of music and choreography (@TomDuff He doesn't *act* like a guy in cargo pants & a black teeshirt). The electronics were all controlled by his voice or other live sounds and gestures, so when he shouted or snapped or spun around or fell and the floor only to spring back up moments later, it would trigger a new sound or change in the sonic process. The hits and squeaks and thuds and sample loops and retro-1980s synthesizer sounds were perfectly timed to his over-the-top theatrics and choreography. It is clear that he spent a lot of time practicing and perfecting this. And it was definitely a fun performance to watch! Just when it seemed he was running out of energy and about to collapse from exhaustion, he got back up with a shout and launched into the next one. It is difficult to describe in words, but you can get a flavor from his videos from other performances. And the videos do not give the full sense of the energy.
[Blipvert. Shared by @TomDuff on twitter. (Click to see original post.)]
Blipvert was followed by Blowout Preventer (@TomDuff fresh from their gig at Deepwater Horizon), a clarinet quartet featuring Philip Greenlief, Dan Plonsey, Ceylan Yagmur and Michael Zelner. I am always intrigued by clarinet ensembles, having played the instrument in the past and written a piece for clarinet quartet. This performance began with whaling sounds that sounded like sirens, and then suddenly became quiet and harmonic and even contrapuntal. An intricate rhythm emerged in the sum of the four parts – even though each part seemed relatively simple, the interaction was complex. There was also a section with long growling tones, followed by more harmonic sounds; scraping of mouthpieces set against multiphonics; and a waltz that was interrupted.
Next up was Kattt and Ron, a duo of Kattt Atchley on Ron Heglin on vocals with electronics. Their set began with long electronic drones with beating patterns. Heglin began his vocal incantations in this backdrop, with his words soft and purposefully hard to discern. The drone, which was slowly but continually changing, had a generally minor harmony, but with inharmonic tones and continued beating patterns. The overall effect was very meditative. There were some odd facial expressions as the vocals became more noisy. By this time, both Atchley and Heglin were performing with voice, gradually becoming more harmonic and moving between unisons and perfect intervals. I was able to hear the voices both as a single unit and as individuals, the male and female contrast. The sounds gradually faded to a single beating tone at the end with a sprinkle of more percussive vocalizations.
[Kattt Atchley and Ron Heglin. Photo by Michael Zelner.]
As always happens at Skronkathon, I miss the set right before my own as I set up and prepare. In this, the set featured Bob Marsh on classical guitar, CJ Borosque on pedals an turntable, and Sandra Yolles on electronic percussion.
This is as good a time to mention the work of art that served as a backdrop for the performances, perhaps the most beautiful that I have seen at 21 Grand. The piece is by Dina Rubiolo and is titled 13th Ave. It features 8500 35mm slides arranged into the shape of a building facade and backlit. (@pollymoller Stage area has a striking backdrop: a proscenium arch made of backlit photographic slides.)
It was then time for our performance. I recited the entirety of the spammogrified text (you can see a copy here), while Polly performed the refrain "as a dominate" as it appeared within the text, complete with props and choreography. It was interesting to both read (and hear) how my text was affected by the various translators and other processes that may have been used. Certain phrases kept popping out, such as "plum sonorous" and "plum decorous" – I think "plum" was the retranslated equivalent of "rather" or "quite", which I often use in my writing. Soft instruments or musical passes were re-worded as "sissified", and several people seemed to enjoy the phrase "sissified trombone" – and some people also had fun hearing their own names of those of their friends and colleagues appear in the middle of the barely comprehensible narrative.
[Amar and Polly. Photo by Michael Zelner. (Click to enlarge.)]
In terms of technology and instrumental accompaniment, I kept things rather sparse. I opted to only use the iPad, running the Smule Magic Piano and the a granular synthesis app called Curtis. As source material, I used some pre-recorded passes of myself reciting the text.
(@TomDuff Decourous as a notwithstanding. #skronkathon(Amar and Polly.). As a dominate)
We were followed by RTD3, with Doug Carrol on cello, Tom Nunn on his invented instruments, Ron Heglin on trombone and voice. They are always a fun group to watch. (@catsynth Scraping sounds percussive cello trombone and vocal blah blah. Some particularly interesting moments included all three instruments making percussive scraping sounds, Carrol performing the cello like a guitar and also upside-down, and a moment whether the tone of bowed cello and the skatch box and the two blended together. There were some very soft moments, such as soft staccato trombone tones, and a low drone-like rumble from the ensemble. There was also a series of sounds that conjured up the image of a scampering mouse.
Next was a trio of Matt Ingalls on clarinet, Tom Scandura on percussion, and Thomas Dimuzio on Moog guitar. This was the first time I had heard a Moog guitar in a live performance setting. Knowing the musicians involved, I knew in advance this was going to be a loud set (@catsynth Scandura, Ingalls and Dimuzio trio will definitely not be sissified). The music started off with a dramatic film-like drone, with the clarinet coming though on top. The drums gradually got louder and started to match. From this point, there was mixture of fast runs and loud notes, some sections that sounded like 1960s free jazz and others that seemed to follow a more Middle Eastern scale. At some point, both the clarinet and the electronic guitar become more inharmonic and the drums got wilder and louder. Then suddenly a beat entered into the music, a bit of a slow rock shuffle or rock ballad overlaid with dark ambient guitar sounds. Matt Ingalls switched the violin at one point during the set. As the music started to feel more relaxed, it suddenly get loud again with FM-like sounds and acoustic drum, and then it got "super loud". Even within the loudness, one could hear interesting details, such as a latin beat and a phrygian scale, and a really loud high-pitched squeak.
The contrast to the next set, a duo of Philip Greenlief and David Boyce, was rather dramatic. Although it was full of fast virtuosic runs, it was relatively quiet and spacious. There were moments where the seemed to go into unison, or where the rhythm seemed to stand still, before returning to the fast and complex runs. There were also a variety of interesting breathing sounds, mouthpiece effects, and other extended techniques. At one point, it sounded like a bird or a creature that was "laughing".
[Greenlief and Boyce in front of Dina Rubiolo's artowrk. (Click to visit original post.)]
The combination of the relative calm of the set and the time of the evening made this one that truly took advantage of the backdrop provided by Rubiolo's artwork. I featured this image of Greenlief and Boyce in front of it in a previous Wordless Wednesday.
They were followed by another duo, Gino Robair and John Shiurba under the name G / J. Robair was billed as playing "voltage made painful", and incorporated a Blippo Box, as well as a drum machine, effects boxes and a device for pre-recorded samples into the mix. Shiurba played guitar with a variety of extended techniques, including using a superball to excite the strings. The were lots of fast cuts and cartoonish moments, with boinks and slaps and machine noises. The Blippo Box had a liquidy organic sound that contrasted with finger-picking on the guitar. At one point in the performance, Robair set in motion a rather funky rhythm loop that sounded for a bit, then came in and out and decayed into grains of sound (@catsynth I want Gino to keep that funky rhythm background going longer. As a dominate.). There were moments that were a bit more aggressive, with loud piercing sounds, but then others that were…well, "plum sonorous" and featured minor harmonies.
[G / J in front of the wall of beauty. Photo shared on twitter by @TomDuff. (Click to visit original post.)]
Next up was Wormses, a trio of Jacob Felix Heule (percussion), Tony Dryer (bass) and Bobby Adams (electronics). The set started with a low rumble and hum, with the bass soon coming on top of scratchy electronic sounds and Heule playing a cymbal against a bass drum. The music became more anxious and busy over time, with some electronic insect-like sounds coming in above the other parts. Then all of a sudden things got very soft. A rhythm emerged in the background, but barely audible behind the bass and cymbal. As the set continued, a walking bass line came out of nowhere, then lots of swells and glissandi. Gradually, the music built back up to a rather loud level, a couple sounds that were like clipping and feedback, and ultimately ending with the sounding of the bass drum.
I think that was where I walked out to the alley for another break. There was lasagna!
The final set featured Ghost in the House, with Karen Stackpole (percussion), Tom Nunn (invented musical instruments), David Michalak (lap-steel guitar) and Andrew Voigt (who was sitting in for Kyle Bruckman on winds). I had heard them previously at the Wind Moon Concert back in April, and their sound is quite ethereal and airy, even for the percussion and lap-steel guitar. As with the previous performance, they began with a procession, of elemental instruments. The room was dark, except for the light from the 35mm slides in front. The performers then took their places for the remainder of the performance. The sounds were quite subtle at times, slightly minor, and sometimes like old film or radio soundtracks with eerie wind sounds mixed in. The metal instruments (primarily Stackpole's gongs on Nunn's instruments) served as a foundation, with the sounds of the wind instruments floating above. In addition to the long atonal sounds, there were moments with high squeaks and east-Asian harmonies and timbres. In the final piece, Stackpole played on an interesting metal-tube instrument and also used a vinyl record as percussion. Michalak's lap-steel guitar featured prominently in this piece as well. The overall effect sounded electronic, even though the ensemble was purely acoustic instruments. The night concluded with the ensembles recessional from the room, still appropriately dark.
(@casynth #skonkathon concludes. Good night)
Posted on November 15, 2010 by catsynth Posted in Art, Music, Personal, Reviews, Synthesizers	Tagged 21 grand, amar chaudhary, andrew voigt, blipvert, bobby adams, bruce bennet, ceylan yagmur, dan plonsey, david boyce, david michalak, dina rubiolo, doug carrol, eric glick rieman, experimental music, ghost in the house, gino robair, jacob felix heule, jeff ridenour, john shiurba, karen stackpole, kattt atchley, matt davignon, matt ingalls, michael zbyzynski, michael zelner, oakland, philip greenlief, polly moller, prepared electric piano, rachel wood-rome, respectable citizen, ron heglin, rtd3, skronathon, T.T.W.W.'z, thomas dimuzio, tom duff, tom nunn, tom scandura, tony dryer, wormses	2 Comments
2009 Annual Transbay Skronkathon
It is mid-summer, and so once again the annual Transbay Skronkathon and BBQ comes around, with a full day of experimental and weird music at 21 Grand in Oakland. There are always a few from outside the Bay Area, or who are appearing in this setting for the first time, but overall it is a who's who of local experimental and avant-guard musicians and familiar faces. We spend the whole day performing and listening to music, and dining on a variety of grilled food items in the neighboring alley.
I arrived at 4PM, which was already three hours into the event. I was just in time to catch most of Respectable Citizen, a duo of Bruce Bennett and Michael Zbyszynski performing live improvisation with keyboard/electronics and saxophone, respectively. The set started with ethereal noisy computer sounds in the background, with the noises increasingly insistent and louder over time, culminating in a defined whistle sound and a wave that became something akin to electrical noise. The electronics were complemented by the saxophone improvisation; there was a moment where the sax and electronics together formed a sound like an emergency siren. Then things became quiet again with the noise growing into an ever louder rumble.
Next was electric-guitar looping performance by George Ludwig. It was very similar to the looping guitar performances I hear annually at the Live Looping Festival in Santa Cruz, with drones and long tones; mostly harmonic, though there was some good clean distortion effects as well.
I made sure to be in for the next group, T.D. Skatchit, featuring Tom Nunn and David Michalak on custom instruments called skatch boxes. I had just seen Nunn and his custom instruments at the "Tuesdays at Toms" performance. This performance featured similar instruments, made primarily of cardboard and performed with combs and other implements. The result is a series of scratches, streches, scrapes, squeaks and other noises, all very musical. With two performances and multiple instruments, harmonies start to form. Even when not looking directly at the performers (which is quite interesting to do), the performance had a very "visual" quality. The overall texture reminded me of the sounds of the woods at night. I could hear scampering mechanical creatures. Although the structure of the music was very static, the performance was very expressive.
The next set was a trio of Jacob Felix Heule (drums), Tony Dryer (double bass) and
Jay Korber (tenor sax). This set qualified as actual "skronking", with very rapid notes (especially on the drums) and the belting of inharmonic and variable pitch tones on the sax. Lots of details to listen to. But above all, skronking tends to be very loud, so I did end up listening to second part of the set from the alley, where I also had a chance to socialize and check out the barbecue.
However, the loudest set of all was yet to come, and it wasn't even officially on the program. Someone in a ski mask with a table-saw on an old turntable record player claimed to be the next set Sndrft eeoo, though it turned out he wasn't. Nonetheless, we were treated to ear-threateningly loud high-pitched noises that sent everyone out into the alley to join those of us already there for conversation and sausages (the official food of choice at the Skronkathon). Outside, the sound was somewhat bearable, and vaguely interesting. Sndrft eeoo and Mike Jacobs did get to play an abbreviated set once the impostor left the stage (much to our collective relief).
Hanuman Zhang described his set as found objects, toy piano, circuit-bent toys
noise, mayhem, and roaring silence. He was introduced by Tom Duff as playing "a big pile of junk" – but a nonetheless musical pile of junk. He started with stones and bass drum, making rhythms. He then moved to to bins and metal objects, all the while maintaining a basic rhythm. He bashed in a large plastic bottle really good. There were also some electronic circuit-bent toys, and a toy piano (acoustic toy piano being an instrument I am quite fond of). As the toys came to the forefront, the rhythm began to break down and the texture more sparse.
From loud skronking and found objects, we then had a very contrasting set from Protea, with Serena Toxicat and thereminist Joey D'Kaye performing ambient electronic music. Sporting a Hello Kitty tunic, Serena Toxicat gave an evocative performance with vocals and dancing . The vocals and theremin both consisted of long tones that followed one another without exactly matching. Overall, there were minor harmonies, etherial textures, gradual changes and a bit of tension.
We then switched back from ambient electronic to skronking (but it is really "skronking"?) with a free-improvisation set by z bug with David Leikam, Zachary Morris, Sheila Bosco and Craig Latta. Once again, lots of fast loud notes, with the bass acting as a third drum set (there were two drum sets in this group), and some performance with a Moog synth. Although the set was very loud at times, there was really a good range with sudden drops in volume where one could here bells and chimes sounding. However, I could not at all hear the vocals. I did like the sudden switch during the performance to a steady disco beat.
Tom Nunn and David Michalak returned as part of RTD3. Overall, the performance was similar to their set the previous tuesday, with Nunn and Michalak performing free improvisation together Ron Heglin on trombone and Doug Carrol on electric cello. However, Nunn's instrument in this set was quite different. It was a much larger board that he played vertically. It looked a bit like a modernist painting with some elements that seemed derivative of Kandinsky, but it had a very clearly marked eye and geometric shapes. The texture of music was more sparsem and there was a good moment with soft trombone. it sounded like "a radio from the past." There was a section that sounded vaguely ethnic (in the way that a contemporary western audience might label some music as "ethnic") and then hit a watery pattern on Nunn's instrument.
John Hanes and Steve Adams performed "dueling laptops" (and an iPhone). Moments in the music reminded me a bit of one of my favorite Stockhausen recordings, but there were also drums and beats, timbrally rich drones and bowed tones and loops. It reminded me a bit of the "Off-ICMC" concerts (often the more interesting performances) I would hear when I used to attend the computer-music conferences.
I did not get to hear as much of PG13 in detail as I would have liked because I was busy setting up for our upcoming set. The trio consisted of Phillip Greenlief on saxophone, John Shiurba on guitar and Thomas Scandura on drums. It seemed during the introduction that there was some question as to whether they should be described as "1970s rock" or not, but musically they did have a strong driving 4/4 beat with heavy drums and loud guitar. Greenlief also played very rhythmic accented lines on the saxophone that fit with the guitar and drums. So with my only partial listening, it did have a lot of "rock-like" elements, which were welcome, and a good lead in to our own set.
This was our first time performing re-named as Reconnaissance Fly and as a trio rather than a quartet, with myself, Polly Moller (flute, voice, heatsink) and Bill Wolter (guitar, custom electro-mechanical "boat"). We are currently looking for a bassist/composer to round things out.
The set consisted of four pieces based on "spoetry" or poetry found in spam emails – most email spam (or blog-comment spam) is completely worthless text, but occasionally there are very poetic passages that can be used for creative work. I did two pieces setting spoetry to graphical scores in which the performers improvised based on interpretations of graphical elements, and Polly and Bill each did more idiomatic pieces. All the practicing and rehearsing paid off, and the set was quite tight and full of energy, with fun and theatrics – and I'm glad I brought the full keyboard for playing more traditional jazz piano at various spots alongside the more esoteric electronic sounds from the Kaos pad. Probably the most memorable moments were repeated riffs on "Ca-a-na-da-a", and the rolling jazz bass and guitar in "Emir Scamp Budge". And it seemed like we had a pretty decent audience.
We were followed by the all-acoustic sfSound group. As an acoustic group with winds, strings and percussion, they have a really rich palatte of textures and timbres. One can hear small percussive phrases emerge from a series of long tones. The winds (Kyle Bruckmann,
Matt Ingalls, Christopher Jones, and John Ingle) sometimes match the percussion (Kjell Nordeson) , sometimes the strings (Alexa Beattie, Monica Scott). The performance was very subtle with lots of dynamic range and empty spots, and quite a contrast to our set with its loud electronic improvisations and theatrics.
sfSound was immediately followed by another powerful accoustic set, featuring Karen Stackpole with her impressive array of gongs, Jen Baker and Ron Heglin on trombones, and Tom Djll on trumpet. An unusual instrumentation, "Brass and Bronze" (as introduced by Tom Duff). The set began with the gongs followed by really soft long notes on the three brass instruments. The gongs resonated as Stackpole moved along their perimeters, producing beautiful long stretched out tones. They formed inharmonic chords anchored by drones on the brass. The texture became less sparse over time with bowing of gong and faster swells on trombone and notes on trumpet. This eventually turned to loud hits and gong strikes, and more expresive phrases.
The final set of the Skronkathon featured Gino Robair and Amy X Neuburg on dueling Blippo Boxes. The Blippo Box is a custom analog synthesizer by Rob Hordijk that features chaotic oscillators and a wide range of non-linear modulation options – I wouldn't mind having one of these myself. The Blippo Boxes produce constantly modulating sounds that are difficult to control in advance, the performer must react to whatever is produced using his or her best musically instincts. As the boxes can occasionally go unstable, being able to react quickly is key. Fortunately, we have two master musicians whose listening and improvisational instincts can be called upon to handle such situations. The result was a very expressive mixture of machine noise and rumbles, gargles, clicks and chirps – the chaotic sound actually becomes familiar after listening for a few minutes (though in fairness I should say years of listening to such music). And there were many moments where the oscillations of the two boxes seemed surprisingly on sync, with the waveforms and modulations slowing down to the level of musically distinct notes.
And once the Blippo Boxes went silent, this marathon event came to a quiet end.
Posted on July 19, 2009 September 20, 2010 by catsynth Posted in Music, Reviews, Synthesizers	Tagged 21 grand, amy x neuberg, bill wolter, blippo, bruce bennet, craig latta, david leikan, david michalak, doug carroll, electronic music, experimental music, george ludwig, gino robair, hanuman zhang, jacob felix heule, jay korber, jen baker, joey d'kaye, john hanes, john shiurba, karen stackpole, michael zbyzynski, mike jacobs, oakland, performance, phillip greenlief, polly moller, protea, reconnaissance fly, respectable citizen, ron heglin, rtd3, serena toxicat, sfsound, sheila bosco, skronkathon, sndrft eeoo, spoetry, steve adams, Synthesizers, thomas scandura, tom djll, tom nunn, tony dryer, z bug, zachary morris	9 Comments
and plays a molecular synthesizer
"Tuesday at Tom's" is a series of performances in a private home in Berkeley. This past Tuesday I had the opportunity to perform along with other small groups whose performances all took advantage of this informal and intimate setting.
Polly Moller and I performed the "Ode to Steengo." The piece was originally inspired by spam texts that were forward to the Bay Area New Music list that seemed to describe the adventures of a musician named Steengo – "he is a percussionist and plays a molecular synthesizer." The texts include a mixture of dialog about a band performing together, and sci-fi and surreal images.
[Photograph by Jennifer Chu. Click to enlarge.]
The performance included live electronic processing of spoken word as well as flute, bells and heatsinks. In addition to looping and effects, I also used a Korg Kaos pad, which has become one of my most reliable live-performance tools, to represent the "molecular synthesizer" as well as other interpretations of phrases in the text.
[Photographs by Jennifer Chu. Click to enlarge.]
The performance was well received , and I did get to hear part of it in videos. The balance and interplay between the synthesizer notes, spoken word, and instruments was very tight – once again practicing does pay off.
We were preceded on the program by New York-based guitarist and sound artist Terrence McManus.
Although his performance centered around the guitar, the instrument served as part of a system for generating abstract sounds with electrical and electronic effects. Musically, the sound ranged from quite noisy to very harmonic and serene, often with gradual shifts. There were sections where McManus did pick up the guitar and play it like a traditional guitar, with delays and other effects; he also at one point used a cell phone in conjunction with the guitar.
Following us was the duo of Johannes Bergmark and Tippi. Bergmark's homemade instruments are always intriguing, a mixture of found objects, sculpted creations of wood and metal, and contact mic:
By contrast, Tippi's contribution focused on electronics, including circuit-bent instruments and hardware synthesizers (such as the Nord Micromodular):
Musically, the combination was an intense mixture of sound objects and textures, with lots of strikes and crackles, rich metalic sounds, static and synthesizer noise, and toy sounds. I mostly focused on Bergmark's performance and his motions with the various toys and appliances and metal constructions.
The final set was the trio RTD3, consisting of Ron Heglin, Tom Nunn and Doug Carrol performing free improvisation.
I found myself focusing quite a a bit on Nunn's custom electronic instruments, two of which looked like boxes with interesting controls on top, and the third was a series of live metal rods that could be struck or bowed; and Carrol's rather unusual and theatrical positioning of his cello in some sections. Although there was an electronic component, the music itself sounded "acoustic", as it was dominated by cello, and Heglin's trombone (and occasional vocal) performance.
Posted on July 10, 2009 September 21, 2010 by catsynth Posted in Music, Reviews, Synthesizers	Tagged amar chaudhary, circuit bending, custom instruments, doug carroll, electronic music, experimental music, flute, guitar, johannes bergmark, kaos pad, korg, nord, performance, polly moller, review, ron heglin, rtd3, spoetry, spoken word, terrence mcmanus, tippi, tom nunn	4 Comments


A proven advantage in outdoor. Omni Media kiosks feature backlit message displays, making your outdoor advertising big, bold, and beautiful. They are located in all the major downtown districts and 10 primary neighborhoods. There are 320 advertising faces, all strategically positioned on the corners of major intersections in the greater Cleveland area. The kiosk offers the most visible and effective advertising medium to pedestrian and vehicular traffic. Up-to-date map displays with substantial space allotments for corporate sponsorships offers easy to read directions for residents, visitors, and local businesses. Guerilla marketing options available for increased exposure.


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        android:title="@string/pref_header_data_sync" />

</preference-headers>

redpajama_set_name: RedPajamaGithub


text:
Eric Schneider, né le  à Batavia (maintenant Jakarta) et mort le  à Clamecy, est un acteur, metteur en scène et régisseur néerlandais, d'origine allemande et indonésienne.

Biographie
Eric Schneider, est fils d'un professeur allemand (né dans les Indes orientales néerlandaises) et d'une mère néerlando-indonésienne. En 1947, il arrive aux Pays-Bas où il passe par le . En 1956, il est admis à la , où il passe son examen final en 1960. Il est le frère du diplomate Carel Jan Schneider, connu comme écrivain sous le pseudonyme de F. Springer.

Eric Schneider a fait ses débuts en 1960 dans Sud, de Julien Green. En 1965, il a joué le rôle principal dans le long métrage néerlandais 10:32. En 1967, il reçoit le Louis d'or pour son interprétation du rôle-titre dans Hamlet au . Il a joué plus d'une centaine de rôles principaux - pour la plupart - dans de nombreuses compagnies telles que , ,  et Globe. Il est largement reconnu comme une éminence grise du théâtre néerlandais.

En 2009, Eric Schneider a fait le point sur une vie théâtrale avec la pièce Nocture, une comédie amère. Le Roi Lear de Shakespeare est considéré comme le couronnement de la carrière de chaque acteur. Eric Schneider a écrit son propre  avec Nocturne. Il revient sur la vie d'un vieil acteur et se sert d'un demi-siècle d'histoire du théâtre.

En mai 2010, il a de nouveau été à l'honneur dans le cadre du marathon du Márai (hommage à l'œuvre de l'écrivain hongrois Sándor Márai) dans la pièce  (), qui a remporté le prix du public.

Dans le film  (2003), il a joué le rôle du plus haut patron du fonctionnaire Pieter. En 2007, il a également joué un petit rôle dans le film . En 2007, Eric Schneider a également été vu comme un père de famille dément, Henk Keppel sr, dans la série télévisée . En 2010, il a été vu comme le vieux prince Bernhard dans la série télévisée Bernhard, un planificateur d'Orange. En 2012, il joue à nouveau le rôle du vieux prince Bernhard dans la série télévisée Beatrix, Orange sous le feu des projecteurs.

Eric Schneider est également administrateur. Depuis 1994, il enregistre également ses souvenirs de théâtre en dessins. Il a écrit un certain nombre de pièces. Certains titres sont : , , Le silence de l'autre côté de la route, Theodore, et une perte totale. En  est apparu son premier roman intitulé .

Vie privée
Eric Schneider a deux enfants avec l'actrice Will van Kralingen. Leur plus jeune fils, Beau Schneider, est également acteur et peut être vu dans . En , Eric et Beau Schneider ont joué ensemble pour la première fois dans le théâtre  de David Mamet (). En 2014, il a participé au programme .

Filmographie

 1966 :  : Peter Hartman
 1969-1970 :  : Paul
 1973 :  : Blammer
 1975 : Flanagran : Peter Babel
 1975 :  :
 1978 :  : Petypon
 1979 :  : Kees Slieps
 1982-1983 :
 1993 : Le Bazaar de l'épouvante : Henry Beaufort
 2003 :  : Brest
 2007 :  : Tom van Ophorst
 2010 :  - Bernhard
 2012 :  (2012) (tv-serie) - Bernhard

Notes et références

Liens externes

Naissance en août 1934
Naissance à Batavia
Naissance dans les Indes orientales néerlandaises
Acteur néerlandais
Metteur en scène néerlandais
Personnalité néerlandaise née d'un parent indonésien
Personnalité néerlandaise née d'un parent allemand
Décès en mai 2022
Décès à Clamecy (Nièvre)
Décès à 87 ans

redpajama_set_name: RedPajamaWikipedia


text:
15+ KDrama similar to K2 You Should Checkout in 2020
15. Bad Guys
14. Lawless Attorney
13. Witness Insecurity
12. Money Flower
11. The Crown Princess
10. Whisper
09. Cruel City (Heartless City)
08. Mask
07. Descendants of the Sun
06. City Hunter
05. Man to Man
04. Only Side By Side With You
03. Vagabond
02. Healer
01. Yong Pal
Kim Je Ha's Journey inspired you and left you wanting for more? But, sadly, like any other great show, it too has an ending and well! It's natural to look out for other similar shows. And that's why we prepared a list of KDrama similar to K2, just for someone like you.
Read on and list down which one is your favorite and well! Without wasting much time, start another binge-watch cycle. Also, if you know someone else who would like Kdrama recommendations, then you know where to lead them to, right? So now, let us get started with the list already.
15+ KDrama similar to K2
Best Websites To Watch Korean Drama With English Subtitles
Due to the increasing number of violent crimes, Detective Oh Goo-Tak is asked to form a criminals' task force. As the detective is currently suspended from the police force, Police Inspector Yoo Mi-Young joins the team. These two detectives aim to catch other serious criminals with the help of 3 murderers. However, this begs the question: Can a gangster, a contract killer, and a serial killer finally do something good for a change?
Just like The K2, it is action-packed and has an amazing set of actors. Once you start watching, you'll be kept on the edge of your seat with every episode. The plot is well thought, and the chemistry between the actors is off the charts, if I may say so myself. The drama is dark, slick, and fierce. You definitely don't want to miss out on this short series that packs a big punch. With beautiful filming and complex yet interesting writing, Bad Guys is a winner in almost every checkbox in a list of Kdrama similar to K2.
Bong Sang-Pil and Ha Jae-Yi are two lawyers who founded the Lawless Law Firm. The catch? They never had a lawsuit background. Sang-Pil is a former gangster who now has the highest number of case winnings in the country. Known for his robustness and fighting ability, he can get the truth out the hard way. On the other hand, Jae-Yi is a lawyer famous for her rules and integrity. She is gracious, smart, and calm by nature. But if necessary, she can create more havoc than you can imagine.
Both have been beaten by strong evil powers while growing up. Owing to this, Sang-Pil and Jae-Yi can't stand by idly and set a goal to bring down a corrupt Judge. Lawless Attorney and The K2 center in revenge stories. The villains in both dramas are similar as well. While The K2 is darker, Lawless Attorney throws in humor to lighten the mood. A slick drama with a solid story, this drama will guarantee an intense ride with action, humor, thrill, and romance. It is a strong combination that ensures an exciting and enjoyable experience.
Kiu Chi-Lam, the daughter of a wealthy businessman, is put under the Witness Protection Programme. This occurs when she becomes the target of villains who want to silence her. Silence for her, for what? You might be asking. Chi-Lam saw the assassin who attempted to murder her uncle. Now, officer Hui Wai-Sam is tasked with protecting her. As she fell into depression after the traumatic incident, Chi-Lam found comfort in music. In fact, the only things keeping her sane are her bodyguard and music.
As the connection between the two characters deepens, they fail to realize that their biggest enemy might be even closer than they imagined. The story of a male bodyguard being the lead along with a rich girl with mild PTSD might just have reminded you of The K2. The romance in the show is interesting and quite different from the usual love triangles. The cast put up amazing performances and left deep impressions – be it from the main leads or supporting characters, which is why it deserves a spot on the list of Kdrama similar to K2.
See Also: Best High School Korean Dramas
Kang Pil-Joo is a managing director at the Chungah Group. Known for his intelligence and exemplary job efficiency, Pil-Joo has made some enemies inside the cooperation, jealous of his work. He is a sweet, kind, caring, and blissful soul. Despite this, he has an ulterior motive of avenging his mother's death. To do so, he hides his identity and orchestrates a plan to make the company's scion Na Mo-Hyun, a science teacher, to fall in love with him. He wanted to make the group suffer the pain he went through before. Despite this, he finds himself falling for Na Mo-Hyun's fresh and earnest personality.
A thrilling and revengeful series that showcases and revolves around the greed and double identities of people. With some of the best plot twists, the drama shows money controlling their lives in a web of greed, hatred, and romance. Money Flower is a refreshing take on the genre, with a plot that is not driven by the hero's tragic past's irrational emotions.
After her coronation, Crown Princess Alice became the superpower of her country, Hrysos. This news of celebration became sensational to all the ears, including the family's greatest enemies. As tensions rise, Princess Alice is transported to a safe house in Thailand, where she meets her new bodyguard, Darwin Samuthyakorn. Darwin is strong, soft-hearted, but aggressive with his client's enemies. With Darwin's experience in the Navy SEAL and her family's ruthless enemies, they both have to cope with challenges coming across their path.
This drama has great acting and great action scenes as well. Each actor truly brings their character to life. It goes without saying that the chemistry between the main characters is touching as a result. The plot twist, costumes, music – all make for a great experience while watching! Which is why you should add it to your watch list under Kdrama similar to K2.
Whisper brings you the story of Shin Young-Joo. She's a self-made police officer who wanted to lift her family from poor conditions, and she did so with her hard work. Contrary to her life and somewhere in the judicial system, there is Lee Dong-Joon. Dong-Joon is a judge, passionate about his career, kind, sharp, handsome, and willing to do the right thing when necessary.
Life went on smoothly for both of them until Young-Joo takes up the case of Taebaek, the nation's biggest law firm. Young-Joo wants to expose the corrupt practices which the company has been hiding for a long time. The Chairman of the firm manipulates Dong-Joon into colluding with him. However, now Dong-Joon and Young-Joo came together to find the hidden secrets in the nation's biggest scandal ever.
The K2 and Whisper both have strong female leads with men who have changing sides. The K2 definitely has more action to offer, but the suspense, mystery, and plotting amongst characters is similar. Just like a strategic game of chess, Whisper is full of twists and turns that will keep any viewer engaged throughout.
See Also: Best Romance Korean Drama
This drama revolves around the struggles and romance of undercover cops and members of an infamous drug ring. Shi-Hyun is a drug dealer whom everyone is afraid of. His raw, arrogant nature and the famous tag name "Doctor's Son" is enough for him to scare people off, including the police. However, when Yoon Soo-Min's older sister Lee Kyung-mi was murdered while undercover in the criminal underworld, she is driven to pick up where Kyung-mi left off.
She goes undercover but unknowingly falls in love with the organization's drug kingpin. However, he just so happens to be the prime suspect in her sister's murder. There is an antihero male lead just like in The K2, and the chemistry between the leads is sizzling, to say the least. The drama has great plot twists and a quick pace to keep things moving. With slick production and moody cinematography, Cruel City exceeded at delivering what it needed to. Details are everything in this drama, so make sure not to miss them!
Ji-Sook is going through a difficult period due to the immense private loan her father took. She begins living as Eun-Ha, a girl from a wealthy family who looks just like Ji-Sook. When Min-Woo was just 7 years old, he had to become the successor of his family business. His family arranges his marriage with Eun-Ha. However, as he marries "Eun-Ha," he notices how different she is from the original assumption he had about her. Min-Woo starts to develop feelings for her.
Rich characters have to hide from the public, just like in The K2. The drama's action is superb, and the male lead, along with the rest of the cast, exhibits brilliant acting. This drama definitely deserves the hype it received. And thus, earns its 8th spot on the list of Kdrama similar to K2.
Yoo Shi-Jin is the captain of the special forces. He's earned respect through his dedication and dignity. While catching a petty thief, he arrives at a nearby city hospital where he finds Dr. Mo-Yeon. Dr. Mo is a renowned doctor, smart, intelligent, beautiful, and the best at her hospital. Shi-Jin falls in love with her and finds excuses to meet her. Soon after, these short meetings convert into dating as she also finds him intriguing.
But their 'honeymoon phase' soon transforms into dismay when their careers come in the way and the couple part ways. However, they meet again after 8 months in an army camp. Keeping past aside, both protagonists will now have to face several ferocious enemies, be it nature or human.
Unlike most KDramas, this one can be enjoyed by both males and females. It's got great elements to attract both sexes: romance, military scenes, action shots, crime, international politics, and, most important of all, humor. This is an absolute must-watch for Kdrama fans who, in general, and as well for someone looking for a title similar to K2.
City Hunter is a drama jam-packed with action. A young man called Lee Yoon Sung has the secret identity of "City Hunter." His mission is to avenge his father's death on the politicians who caused it. Originally, he didn't want to develop feelings for anyone. His plans changed as he grows closer to Kim Na Na, a woman he works with.
The relationship between the two leads contains a lot of heart-fluttering moments. This is an all-rounder drama with action, plot, romance, and more! There's a reason this drama was the most talked-about in 2011, after all.
See Also: Best Contract Relationship in Korean Drama
Yeo Woon-Gwang is one of the most popular movie stars with a huge fanbase and wide connections. As the question of his safety comes up, he hires Kim Seol-woo, a man trained in special investigations. He's also a mysterious man of many talents. Things are not how they seem on the surface, however. Seol-woo is, in fact, an undercover NIS black ops agent who has his own agenda.
The drama covers the budding bromance between the star and his bodyguard. However, Seol-woo finds himself falling for Woon-Gwang's manager. This spy-parody/action/rom-com drama is delightful. Especially when the three main characters come together on screen for a scene together. In fact, Netflix has purchased the exclusive broadcasting rights for the drama's international audience.
The drama portrays the story of Nan Qiao, a career-driven woman who catches her fiance cheating on her. Although she breaks up with him, she also loses a business partner as a result. Willing to do anything to find another solution, she meets potential investors at a bar. However, she ends up butting heads with the bar owner Shi Yue. As she seems to be someone related to his part, Shi Yue gets close to her on purpose to find out more. He ultimately falls in love with her in the process, though.
Both The K2 and Online Side by Side With You has a similar feel initially. Of course, the storylines are completely different, but the fighting, gangs, romance plots are similar. The drama focuses on human intertwined relationships and will not bore you even for a second. As you watch the journey unfold, you start to feel connected to the characters and the drama.
With dreams of becoming a world-famous action actor, Cha Dal Geon is a stunt man whose career is floundering. He's also the guardian for his nephew, who gets involved in a plane crash. Cha Dal-Geon becomes convinced that someone sabotaged the flight. Meanwhile, Go Hae Ri is a NIS agent in Morocco who is currently working undercover at the Korean embassy. Her task by the embassy is to help the families from the fatal crash. Once the two characters meet, Cha Dal-Geon and Go Hae-Ri uncover the truth behind the crash, which turns out to be a darker conspiracy than they expected.
The tone, along with the mystery, gives off a vibe that is similar to The K2's. This drama is much more than an action-filled drama. It's got thrilled, betrayal, a hint of romance, and mind games as well. It gives a glimpse into the dirty world of politics while engaging the audience well. Which makes this Kdrama similar to K2 on so many levels, and thus it's on our top 3 choices.
Kim Moon-Ho works at a major broadcasting company as a popular reporter. One day, he uncovers the true nature of a case that occurred in the past. As a result, he meets people who are related to the case and helps them. In the process, he agonizes over discovering the truth. Meanwhile, an internet reporter Chae Young-Shin and Seo Jung-Hoo, known as "Healer," Kim Moon Ho turns into a real reporter.
Healer has the same male lead as The K2, although it's not as serious as the latter. It's a special snowflake of a drama as it combines so many elements into one amazing show. The show's polished camera work and immersing OST will surely reel you in.
Kim Tae-Hyun is an exemplary surgeon, but loan sharks consistently harass him due to his younger sister. His younger sibling is in dire need of kidney dialysis that is expensive. To make extra money, he visits patients privately for a higher fee. As long as they can pay him, he doesn't care if these patients are criminals. His hospital's chief makes him a pawn in catering to VIP patients, however. One day, his life changes when he meets Han Yeo Jin, a chaebol heiress. She has been in a coma for three years, and Tae-Hyun aims to help her wake from her state.
This drama has the same writer as The K2's. While The K2 gives off "Snow White" vibes, this gives off "Sleeping Beauty" vibes. It also includes lots of political intrigues and strange characters. The comedy, action, melodrama, and relationships will hold your attention throughout the show. We won't say that you'll get exactly similar vibes to K2 While watching this Kdrama, but it has the closest resemblance going by the plot, and the audience reviews both.
It looks like you're done with the list finally. So, tell us in the comments which one you are going to watch next. Also, if you have any recommendations for the list of KDrama similar to K2, do mention that too. We love hearing from you. Now, before you go, be sure to check out other interesting content we've had in store for you, like best historical Korean dramas


1988 Gaither MusicASCAP. All rights reserved. International copyright secured. Used by permission.
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Children need core values, good habits, handy skills and a good sense of humor to keep them moving forward in a happy, healthy and productive manner. So says Sally Huss – imaginative artist, insightful writer and a friend of mine. Sally's 80+ children's books are stories full of fun rhymes and truly adorable illustrations that teach kids (and adults, too!) meaningful social and emotional skills. Plus, she adds to her children's book collection all the time (sign up here for a free download).
Growing up in Bakersfield, California, Sally started painting at 10 years old. She studied art Occidental College before graduating with a degree in Fine Art from USC. Along the way, Sally followed her dream of playing tennis – first as a U.S. and Wimbledon Junior Champion, then a semi-finalist in the Women's division at Wimbledon. Now a top senior player, Sally is a member of the Kern County Sports Hall of Fame (1977) and the Occidental College's Athletic Hall of Fame. (2015).
and I bet they'll do the same for you and your kids. You can also find all of Sally's books on Amazon.


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text:
Q: Python table comparison Is there any way to compare to printed tables at the same time printing for the same for loop? Can petl be used for such logics?.
What I exactly mean
loop = 2
up = 3
down = 4
listvar = [5, 6, 5, 8, 9, 7, 8, 5, 6]

docuvar = docx.Document()

for x in range(loop):
    tablevar = docuvar.add_table(rows=5, cols=5)
    for cell in (tablevar.rows[1].cells):
        for x in range(down):
            randomvar = random.choices(listvar)
        cell.text = str(randomvar)

Is there any way we can compare and control the integers printing or strings printing in each cell in the real time?

A: Still not sure, what you exactly want to compare but here is an example how you could compare values:
loop = 2
up = 3
down = 4
listvar = [5, 6, 5, 8, 9, 7, 8, 5, 6]

docuvar = docx.Document()

completeList = []

for x in range(loop):
    anotherList = []
    tablevar = docuvar.add_table(rows=5, cols=5)
    for cell in (tablevar.rows[1].cells):
        #** This loop her makes no sense, except:**
        for x in range(down):
            randomvar = random.choices(listvar)
        #** you intend cell.text**
            cell.text = str(randomvar)

            #eg comparing:
            if completeList:
                for list in completeList:
                    if list[x] == str(randomvar):
                        #control smth...
                        pass

            anotherList.append(str(randomvar))
    completeList.append(anotherList)

redpajama_set_name: RedPajamaStackExchange


New Delhi: Deepika Padukone will be joining the world's biggest superstars at Madame Tussauds with a wax Figure set for attractions in London and Delhi. The actress who is known as much for her beauty as she is known for her performing talent has stunned the nation ever since her inception in showbiz. The first figure will launch in London early 2019, while the Delhi figure will follow a few months later to draw more attention to tourists and the fans of the actress. Her striking figures, which will be created by world renowned artists, will allow fans to pose, interact and experience glamour like never before.


text:
Q: wacom intuos tablet not detected for ubuntu 16.04 I'm sorry if similar questions to this have been asked before but I cannot resolve the problem.
To set up a wacom intuos tablet on ubuntu 16.04 I followed the steps in
https://linuxwacom.github.io/:
For the kernel driver https://github.com/linuxwacom/input-wacom/wiki/Installing-input-wacom-from-source

*

*I downloaded and untared the latest input-wacom-0.46.0 release

*Then

if test -x ./autogen.sh; then ./autogen.sh; else ./configure; fi && make && sudo make install || echo "Build Failed"
which gives output
checking for a BSD-compatible install... /usr/bin/install -c
checking whether build environment is sane... yes
checking for a thread-safe mkdir -p... /bin/mkdir -p
checking for gawk... gawk
checking whether make sets $(MAKE)... yes
checking whether make supports nested variables... yes
checking whether to enable maintainer-specific portions of Makefiles... no
checking for gcc... gcc
checking whether the C compiler works... yes
checking for C compiler default output file name... a.out
checking for suffix of executables...
checking whether we are cross compiling... no
checking for suffix of object files... o
checking whether we are using the GNU C compiler... yes
checking whether gcc accepts -g... yes
checking for gcc option to accept ISO C89... none needed
checking whether gcc understands -c and -o together... yes
checking whether make supports the include directive... yes (GNU style)
checking dependency style of gcc... none
checking if build path '/home/samuel/Downloads/input-wacom-0.46.0' has spaces... no
checking for kernel type... Linux
checking for linux-based kernel... yes
checking for kernel source/headers... /lib/modules/4.4.0-198-generic/build
checking kernel version... 4.4.0-198-generic
checking RHEL6 minor release... 0
checking RHEL7 minor release... 0
checking power supply version... v4.1+
checking abs accessor version... v2.6.36+
checking CONFIG_MODULE_SIG... y
checking CONFIG_MODULE_SIG_FORCE...
checking CONFIG_LOCK_DOWN_KERNEL...
checking CONFIG_LOCK_DOWN_IN_EFI_SECURE_BOOT...
checking secure boot state... on
checking if modules must be signed... recommended
checking CONFIG_MODULE_SIG_HASH... sha512
checking for module signing hash algorithm... sha512
checking for kernel autogenerated key at /lib/modules/4.4.0-198-generic/build/certs/signing_key.pem... no
checking for kernel autogenerated cert at /lib/modules/4.4.0-198-generic/build/certs/signing_key.x509... no
checking for shim MOK key at /var/lib/shim-signed/mok/MOK.priv... no
checking for shim MOK cert at /var/lib/shim-signed/mok/MOK.der... no
checking for rEFInd MOK key at /etc/refind.d/keys/refind_local.key... no
checking for rEFInd MOK cert at /etc/refind.d/keys/refind_local.cer... no
checking for module signing key...
checking for module signing certificate...
configure: WARNING: Kernel module signing is recommended but we are unable to find signing keys. Consider re-running configure with the options '--with-signing-key=<key>' and '--with-signing-cert=<cert>' set.

checking that generated files are newer than configure... done
configure: creating ./config.status
config.status: creating Makefile
config.status: creating 2.6.32/Makefile
config.status: creating 2.6.38/Makefile
config.status: creating 3.7/Makefile
config.status: creating 3.17/Makefile
config.status: creating 4.5/Makefile
config.status: creating config.h
config.status: config.h is unchanged
config.status: executing depfiles commands
configure:
----------------------------------------
  BUILD ENVIRONMENT:
       linux kernel - yes 3.17
      kernel source - yes /lib/modules/4.4.0-198-generic/build

NOTE: The kernel drivers included in this package are only tested with the
X Wacom driver built from xf86-input-wacom. If you are running an X server
version older than 1.7, please use the drivers provided by the linuxwacom
package.

Please run 'make && make install'.
make  all-recursive
make[1]: Entering directory '/home/samuel/Downloads/input-wacom-0.46.0'
Making all in 3.17
make[2]: Entering directory '/home/samuel/Downloads/input-wacom-0.46.0/3.17'
    Building input-wacom drivers for 3.17 kernel.
make -C /lib/modules/4.4.0-198-generic/build M=/home/samuel/Downloads/input-wacom-0.46.0/3.17
make[3]: Entering directory '/usr/src/linux-headers-4.4.0-198-generic'
  Building modules, stage 2.
  MODPOST 2 modules
make[3]: Leaving directory '/usr/src/linux-headers-4.4.0-198-generic'
make[2]: Leaving directory '/home/samuel/Downloads/input-wacom-0.46.0/3.17'
make[2]: Entering directory '/home/samuel/Downloads/input-wacom-0.46.0'
make[2]: Leaving directory '/home/samuel/Downloads/input-wacom-0.46.0'
make[1]: Leaving directory '/home/samuel/Downloads/input-wacom-0.46.0'
Making install in 3.17
make[1]: Entering directory '/home/samuel/Downloads/input-wacom-0.46.0/3.17'
make -C /lib/modules/4.4.0-198-generic/build M=/home/samuel/Downloads/input-wacom-0.46.0/3.17 modules_install mod_sign_cmd=''
make[2]: Entering directory '/usr/src/linux-headers-4.4.0-198-generic'
  INSTALL /home/samuel/Downloads/input-wacom-0.46.0/3.17/wacom.ko
/bin/sh: 1: /lib/modules/4.4.0-198-generic/extra/wacom.ko: Permission denied
  INSTALL /home/samuel/Downloads/input-wacom-0.46.0/3.17/wacom_w8001.ko
/bin/sh: 1: /lib/modules/4.4.0-198-generic/extra/wacom_w8001.ko: Permission denied
  DEPMOD  4.4.0-198-generic
make[2]: Leaving directory '/usr/src/linux-headers-4.4.0-198-generic'
mkdir -p /etc/depmod.d
echo "override wacom * extra" > /etc/depmod.d/input-wacom.conf
PATH="/usr/local/sbin:/usr/local/bin:/usr/sbin:/usr/bin:/sbin:/bin:/snap/bin:/bin:/sbin" depmod -a 4.4.0-198-generic
/usr/sbin/update-initramfs -u -k 4.4.0-198-generic
update-initramfs: Generating /boot/initrd.img-4.4.0-198-generic
make[1]: Leaving directory '/home/samuel/Downloads/input-wacom-0.46.0/3.17'
make[1]: Entering directory '/home/samuel/Downloads/input-wacom-0.46.0'
make[2]: Entering directory '/home/samuel/Downloads/input-wacom-0.46.0'
make[2]: Nothing to be done for 'install-exec-am'.
make[2]: Nothing to be done for 'install-data-am'.
make[2]: Leaving directory '/home/samuel/Downloads/input-wacom-0.46.0'
make[1]: Leaving directory '/home/samuel/Downloads/input-wacom-0.46.0'

Suggesting something wrong with the keys but was not sure how to change this..
Then to build X-driver https://github.com/linuxwacom/xf86-input-wacom/wiki/Building-The-Driver
sudo sh -c "apt-get update && apt-get install xserver-xorg-input-wacom$(dpkg -S $(which Xorg) | grep -Eo -- "-hwe-[^:]*")"
The wacom tablet seems to appear under usb devices https://medium.com/@microaeris/setting-up-wacom-tablets-with-ubuntu-16-04-d7277e4a595d
lsusb
Bus 002 Device 001: ID 1d6b:0003 Linux Foundation 3.0 root hub
Bus 001 Device 002: ID 8087:0a2b Intel Corp.
Bus 001 Device 004: ID 1bcf:2b91 Sunplus Innovation Technology Inc.
Bus 001 Device 003: ID 0a5c:5834 Broadcom Corp.
Bus 001 Device 005: ID 056a:0376 Wacom Co., Ltd
Bus 001 Device 001: ID 1d6b:0002 Linux Foundation 2.0 root hub

But xsetwacom --list devices returns nothing and it says no tablet detected in ->settings ->wacom tablet.
Any help to sort this would be much appreciated.


All homeowners in Indigo Run are members of the Indigo Run Homeowners Association! The Annual Assessment is paid by all members, and the fees contribute to the upkeep of Indigo Run's common elements.
To assure each homeowner of a well-run organization, a Managing Agent is an integral part of the Association's operations. The Managing Agent is responsible for guiding and assisting the Association, helping owners with problems or questions, and carrying out the policies and decisions made by the Board of Directors. To learn more about your Managing Agent, visit the Association Management page, available under the About option found on the navigation bar.


text:
Llanberis
in the county of Gwynedd
Mevagissey
a Picturesque Village in the county of Cornwall
Full Steam Ahead Into The Past
Dunsmore People and Happenings Remembered
Pictures of Warbleton
in the county of East Sussex
Book Accommodation | Pictures of Warbleton..
About Warbleton
If you would like to add a description of Warbleton, please use our Warbleton forum here. To upload your Warbleton photography and create your very own 'Pictures of England Gallery', click here or here to join the site and become part of the Pictures of England community, or simply see below for nearby recommended towns, attractions, and Warbleton accommodation.
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It is from his home in this very English village that Rudyard Kipling penned the wise and wonderful words of his poem 'If'...
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text:
Dilshad Vadsaria (, Karachi, Pakistán) es una actriz nacionalizada estadounidense, conocida por su participación en la serie GRΣΣK. Después de mudarse a Estados Unidos a la edad de seis años, pasó su infancia en diversas partes del país, incluyendo Chicago (Illinois), Richmond (Virginia) y Filadelfia (Pensilvania). Tras asistir a la Universidad de Delaware, se trasladó a Nueva York para estudiar actuación.

Filmografía

Enlaces externos

Actrices de televisión de Estados Unidos
Mujeres del siglo XXI
Nacidos en Karachi


Topfoison is a professional small-middle size LCD display module manufacture factory,we focus on 1.0 to 6.0inch small size LCD screen manufacture which is most used for Wearable(Smart watch) device,Automotion application and POS system products.
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The LCD panel is powered by LCD drivers that are carefully matched up with the edge of the LCD panel at the factory level. These same principles apply also for smart phone screens that are so much smaller than TV screens.
13 days ago· Gov. Tony Evers today warned the state will need to "continually monitor the progress" of the Foxconn Technology Group after the Taiwanese tech company said it is moving forward with plans to manufacture LCD screens in southeastern Wisconsin.


text:
Man has two fingers severed in critical juncture
Recently, when Mr. Zhang of Puning was working on a fishing boat, he had an accident and his fingers were completely cut off by the pulley. At a critical juncture, he was promptly sent to Shantou Haojiang Xinsheng Orthopaedic Hospital for rescue and underwent finger replantation. He is currently in stable condition.
Yesterday, when the reporter saw Mr. Zhang at Haojiang Xinsheng Orthopaedic Hospital in Shantou City, he had completed the operation for a week and was in good spirits.
Wang Jin, Chief Physician of Microscopy Section 1, Haojiang Xinsheng Orthopaedic Hospital, Shantou City: This will take some time to recover, because the nerves inside have just been connected, and it will take time for the nerves to recover, so I feel numb now Numbness is normal, but the hand needs to start moving slowly.
Recalling the scene when his finger was cut off by the machine, Mr. Zhang still has lingering fears. Fortunately, with the help of his relatives and the police from the Shantou Traffic Police Expressway Brigade, he was immediately sent to Shantou Haojiang Xinsheng Orthopaedic Hospital for treatment.
Patient Mr. Zhang:
The belt pulley was pinched and accidentally caught, and a lot of blood flowed, and I felt a little dizzy.
Wang Jin, chief physician and chief physician of Microscopy Division 1, Haojiang Xinsheng Orthopaedic Hospital, Shantou City:
At that time, the patient was working on a fishing boat and his two fingers were twisted by a leather strap. Critical, among which the thumb injury is more serious, close to the nature of complete amputation. The other finger was also seriously injured, and he was sent to our hospital with a simple bandage in the local area.
The hospital staff arranged finger replantation surgery for Mr. Zhang as quickly as possible. During the operation, with the help of a microscope, the doctor connected the damaged blood vessels and nerves one by one. After 2 hours of rescue, Mr. Zhang's finger was finally successfully connected.
Wang Jin, Chief Physician of Microscopy Area 1, Haojiang Xinsheng Orthopaedic Hospital, Shantou City:
In his case, we need to remove the bones and tendons in the fingers as our first step. To complete it, connect it back, because this blood vessel of his is as thin as our hair. It needs to be magnified through a microscope and connected back one by one. After the blood passes through, the hand will have a chance to survive.
The recovery is very normal, very natural, and can move slightly. Thank them very much, the doctors here are also doing their best, and they are very timely when they arrive.
The doctor reminds the public to take adequate protection when engaging in some dangerous work to avoid accidents. In the event of an accidental limb amputation such as a severed finger, it is necessary to quickly and properly handle the wound and the amputated limb to avoid secondary injury or damage to the activity of the amputated limb, affecting subsequent treatment.
Wang Jin, Chief Physician of Microscopy Section 1, Haojiang Xinsheng Orthopaedic Hospital, Shantou City:
If the fingers or limbs are not completely broken, there are still flesh or other tissues When it is necessary to fix the bandage locally, to prevent the severed limb from swaying and causing secondary injury in our patient; the second case is completely severed, and a simple hemostasis bandage is required. Refers to wrap it up, put it in a plastic bag and seal it or fasten the bag, and then store it in a container with ice cubes or ice water, and then quickly send it to a specialist hospital for emergency treatment.
(People's Livelihood Hotline)
First discovered in Korea
How to care for the liver in spring