text:
Home Airlines Emirates Airline Emirates introduces sustainable blankets made from 100% recycled plastic bottles
Emirates introduces sustainable blankets made from 100% recycled plastic bottles
Maarten Van Den Driessche
Dubai, UAE – Emirates has introduced new sustainable blankets made from 100% recycled plastic bottles. The soft and warm blankets are made using ecoTHREAD™ patented technology and is now available in Economy Class on all long-haul Emirates flights.
Each Emirates ecoTHREAD™ blanket is made from 28 recycled plastic bottles. With the latest innovation, the bottles are recycled into plastic chips before being turned into yarn, creating a polar fleece material. The fine thread is then woven into soft blankets.
The environmentally-friendly blankets were designed in partnership with Buzz, the world's leading inflight product specialists, and are part of Emirates' continued commitment to product innovation and sustainability. Emirates already runs a green programme on board recycling aluminum cans, plastic and glass bottles, and clean paper products such as newspapers, magazines and cardboard cartons where possible.
By the end of 2019, Emirates ecoTHREAD™ blankets would have rescued 88 million plastic bottles from landfills– equivalent to the weight of 44 A380 aircraft. This initiative makes it the largest sustainable blanket programme on board in the airline industry. In addition, the manufacturing process of using recycled polyethylene terephthalate (PET) reduces energy emissions by 70%.
ecoTHREAD™ is certified with the Intertek Green Leaf Mark by third party testing and certification body Intertek, independently verified to use 100% recycled materials.
The Emirates ecoTHREAD™ blanket for Economy Class completes the recent comforter overhaul across all three classes. The airline introduced a plush, faux sheep-skin blanket in First Class and soft duvets in Business Class.
In the last year, Emirates has added several new products for customers travelling in Economy including the world's first interactive amenity kits. The amenity kits – filled with necessities such as an eye mask, earplugs, toothbrush and toothpaste, and socks – uses augmented reality technology to unlock entertainment on customers' mobile devices using the Blippar app. The content was refreshed last month to feature a new interactive game called The Emirates Destination Dash to keep customers' busy on long-haul flights or on the ground.
Emirates Economy Class cabins are also equipped with the largest in-seat screens in the world in Economy at 13.3 inches and more than 2,500 channels of on-demand entertainment on the award-winning inflight entertainment system, ice Digital Widescreen.
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http://www.quixoticguide.com

redpajama_set_name: RedPajamaCommonCrawl


text:
/*	$NetBSD: _libdwarf.h,v 1.2 2014/03/09 16:58:03 christos Exp $	*/

/*-
 * Copyright (c) 2007 John Birrell (jb@freebsd.org)
 * Copyright (c) 2009-2011 Kai Wang
 * All rights reserved.
 *
 * Redistribution and use in source and binary forms, with or without
 * modification, are permitted provided that the following conditions
 * are met:
 * 1. Redistributions of source code must retain the above copyright
 *    notice, this list of conditions and the following disclaimer.
 * 2. Redistributions in binary form must reproduce the above copyright
 *    notice, this list of conditions and the following disclaimer in the
 *    documentation and/or other materials provided with the distribution.
 *
 * THIS SOFTWARE IS PROVIDED BY THE AUTHOR AND CONTRIBUTORS ``AS IS'' AND
 * ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE
 * IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE
 * ARE DISCLAIMED.  IN NO EVENT SHALL THE AUTHOR OR CONTRIBUTORS BE LIABLE
 * FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL
 * DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS
 * OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION)
 * HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT
 * LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY
 * OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF
 * SUCH DAMAGE.
 *
 * Id: _libdwarf.h 2075 2011-10-27 03:47:28Z jkoshy
 */

#ifndef	__LIBDWARF_H_
#define	__LIBDWARF_H_

#if HAVE_NBTOOL_CONFIG_H
# include "nbtool_config.h"
#endif

#include <sys/param.h>
#include <sys/queue.h>
#include <assert.h>
#include <limits.h>
#include <stdio.h>
#include <stdlib.h>
#include <string.h>
#include <gelf.h>
#include "dwarf.h"
#include "libdwarf.h"
#include "uthash.h"

#include "_elftc.h"

#define DWARF_DIE_HASH_SIZE		8191

struct _libdwarf_globals {
	Dwarf_Handler	errhand;
	Dwarf_Ptr	errarg;
	int		applyrela;
};

extern struct _libdwarf_globals _libdwarf;

#define	_DWARF_SET_ERROR(_d, _e, _err, _elf_err)			\
	_dwarf_set_error(_d, _e, _err, _elf_err, __func__, __LINE__)
#define	DWARF_SET_ERROR(_d, _e, _err)					\
	_DWARF_SET_ERROR(_d, _e, _err, 0)
#define	DWARF_SET_ELF_ERROR(_d, _e)					\
	_DWARF_SET_ERROR(_d, _e, DW_DLE_ELF, elf_errno())

/*
 * Convenient macros for producer bytes stream generation.
 */
#define	WRITE_VALUE(value, bytes)					\
	dbg->write_alloc(&ds->ds_data, &ds->ds_cap, &ds->ds_size,	\
	    (value), (bytes), error)
#define	WRITE_ULEB128(value)						\
	_dwarf_write_uleb128_alloc(&ds->ds_data, &ds->ds_cap,		\
	    &ds->ds_size, (value), error)
#define	WRITE_SLEB128(value)						\
	_dwarf_write_sleb128_alloc(&ds->ds_data, &ds->ds_cap,		\
	    &ds->ds_size, (value), error)
#define	WRITE_STRING(string)						\
	_dwarf_write_string_alloc(&ds->ds_data, &ds->ds_cap,		\
	    &ds->ds_size, (string), error)
#define	WRITE_BLOCK(blk, size)						\
	_dwarf_write_block_alloc(&ds->ds_data, &ds->ds_cap,		\
	    &ds->ds_size, (blk), (size), error)
#define	WRITE_PADDING(byte, cnt)					\
	_dwarf_write_padding_alloc(&ds->ds_data, &ds->ds_cap,		\
	    &ds->ds_size, (byte), (cnt), error)
#define	RCHECK(expr)							\
	do {								\
		ret = expr;						\
		if (ret != DW_DLE_NONE)					\
			goto gen_fail;					\
	} while (/*CONSTCOND*/0)

struct _Dwarf_AttrDef {
	uint64_t	ad_attrib;		/* DW_AT_XXX */
	uint64_t	ad_form;		/* DW_FORM_XXX */
	uint64_t	ad_offset;		/* Offset in abbrev section. */
	STAILQ_ENTRY(_Dwarf_AttrDef) ad_next;	/* Next attribute define. */
};

struct _Dwarf_Attribute {
	Dwarf_Die		at_die;		/* Ptr to containing DIE. */
	Dwarf_Die		at_refdie;	/* Ptr to reference DIE. */
	uint64_t		at_offset;	/* Offset in info section. */
	uint64_t		at_attrib;	/* DW_AT_XXX */
	uint64_t		at_form;	/* DW_FORM_XXX */
	int			at_indirect;	/* Has indirect form. */
	union {
		uint64_t	u64;		/* Unsigned value. */
		int64_t		s64;		/* Signed value. */
		char		*s;   		/* String. */
		uint8_t		*u8p;		/* Block data. */
	} u[2];					/* Value. */
	Dwarf_Block		at_block;	/* Block. */
	Dwarf_Locdesc		*at_ld;		/* at value is locdesc. */
	Dwarf_P_Expr		at_expr;	/* at value is expr. */
	uint64_t		at_relsym;	/* Relocation symbol index. */
	const char		*at_relsec;	/* Rel. to dwarf section. */
	STAILQ_ENTRY(_Dwarf_Attribute) at_next;	/* Next attribute. */
};

struct _Dwarf_Abbrev {
	uint64_t	ab_entry;	/* Abbrev entry. */
	uint64_t	ab_tag;		/* Tag: DW_TAG_ */
	uint8_t		ab_children;	/* DW_CHILDREN_no or DW_CHILDREN_yes */
	uint64_t	ab_offset;	/* Offset in abbrev section. */
	uint64_t	ab_length;	/* Length of this abbrev entry. */
	uint64_t	ab_atnum;	/* Number of attribute defines. */
	UT_hash_handle	ab_hh;		/* Uthash handle. */
	STAILQ_HEAD(, _Dwarf_AttrDef) ab_attrdef; /* List of attribute defs. */
};

struct _Dwarf_Die {
	Dwarf_Die	die_parent;	/* Parent DIE. */
	Dwarf_Die	die_child;	/* First child DIE. */
	Dwarf_Die	die_left;	/* Left sibling DIE. */
	Dwarf_Die	die_right;	/* Right sibling DIE. */
	uint64_t	die_offset;	/* DIE offset in section. */
	uint64_t	die_next_off;	/* Next DIE offset in section. */
	uint64_t	die_abnum;	/* Abbrev number. */
	Dwarf_Abbrev	die_ab;		/* Abbrev pointer. */
	Dwarf_Tag	die_tag;	/* DW_TAG_ */
	Dwarf_Debug	die_dbg;	/* Dwarf_Debug pointer. */
	Dwarf_CU	die_cu;		/* Compilation unit pointer. */
	char		*die_name;	/* Ptr to the name string. */
	Dwarf_Attribute	*die_attrarray;	/* Array of attributes. */
	STAILQ_HEAD(, _Dwarf_Attribute)	die_attr; /* List of attributes. */
	STAILQ_ENTRY(_Dwarf_Die) die_pro_next; /* Next die in pro-die list. */
};

struct _Dwarf_Loclist {
	Dwarf_Locdesc 	**ll_ldlist;	/* Array of Locdesc pointer. */
	int 		ll_ldlen;	/* Number of Locdesc. */
	Dwarf_Unsigned	ll_offset;	/* Offset in .debug_loc section. */
	Dwarf_Unsigned	ll_length;	/* Length (in bytes) of the loclist. */
	TAILQ_ENTRY(_Dwarf_Loclist) ll_next; /* Next loclist in list. */
};

struct _Dwarf_P_Expr_Entry {
	Dwarf_Loc	ee_loc;		/* Location expression. */
	Dwarf_Unsigned	ee_sym;		/* Optional related reloc sym index. */
	STAILQ_ENTRY(_Dwarf_P_Expr_Entry) ee_next; /* Next entry in list. */
};

struct _Dwarf_P_Expr {
	Dwarf_Debug	pe_dbg;		/* Dwarf_Debug pointer. */
	uint8_t		*pe_block;	/* Expression block data. */
	int		pe_invalid;	/* Block data is up-to-date or not. */
	Dwarf_Unsigned	pe_length;	/* Length of the block. */
	STAILQ_HEAD(, _Dwarf_P_Expr_Entry) pe_eelist; /* List of entries. */
	STAILQ_ENTRY(_Dwarf_P_Expr) pe_next; /* Next expr in list. */
};

struct _Dwarf_Line {
	Dwarf_LineInfo	ln_li;		/* Ptr to line info. */
	Dwarf_Addr	ln_addr;	/* Line address. */
	Dwarf_Unsigned	ln_symndx;	/* Symbol index for relocation. */
	Dwarf_Unsigned	ln_fileno;	/* File number. */
	Dwarf_Unsigned	ln_lineno;	/* Line number. */
	Dwarf_Signed	ln_column;	/* Column number. */
	Dwarf_Bool	ln_bblock;	/* Basic block flag. */
	Dwarf_Bool	ln_stmt;	/* Begin statement flag. */
	Dwarf_Bool	ln_endseq;	/* End sequence flag. */
	STAILQ_ENTRY(_Dwarf_Line) ln_next; /* Next line in list. */
};

struct _Dwarf_LineFile {
	char		*lf_fname;	/* Filename. */
	char		*lf_fullpath;	/* Full pathname of the file. */
	Dwarf_Unsigned	lf_dirndx;	/* Dir index. */
	Dwarf_Unsigned	lf_mtime;	/* Modification time. */
	Dwarf_Unsigned	lf_size;	/* File size. */
	STAILQ_ENTRY(_Dwarf_LineFile) lf_next; /* Next file in list. */
};

struct _Dwarf_LineInfo {
	Dwarf_Unsigned	li_length;	/* Length of line info data. */
	Dwarf_Half	li_version;	/* Version of line info. */
	Dwarf_Unsigned	li_hdrlen;	/* Length of line info header. */
	Dwarf_Small	li_minlen;	/* Minimum instrutction length. */
	Dwarf_Small	li_defstmt;	/* Default value of is_stmt. */
	int8_t		li_lbase;    	/* Line base for special opcode. */
	Dwarf_Small	li_lrange;    	/* Line range for special opcode. */
	Dwarf_Small	li_opbase;	/* Fisrt std opcode number. */
	Dwarf_Small	*li_oplen;	/* Array of std opcode len. */
	char		**li_incdirs;	/* Array of include dirs. */
	Dwarf_Unsigned	li_inclen;	/* Length of inc dir array. */
	char		**li_lfnarray;	/* Array of file names. */
	Dwarf_Unsigned	li_lflen;	/* Length of filename array. */
	STAILQ_HEAD(, _Dwarf_LineFile) li_lflist; /* List of files. */
	Dwarf_Line	*li_lnarray;	/* Array of lines. */
	Dwarf_Unsigned	li_lnlen;	/* Length of the line array. */
	STAILQ_HEAD(, _Dwarf_Line) li_lnlist; /* List of lines. */
};

struct _Dwarf_NamePair {
	Dwarf_NameTbl	np_nt;		/* Ptr to containing name table. */
	Dwarf_Die	np_die;		/* Ptr to Ref. Die. */
	Dwarf_Unsigned	np_offset;	/* Offset in CU. */
	char		*np_name;	/* Object/Type name. */
	STAILQ_ENTRY(_Dwarf_NamePair) np_next; /* Next pair in the list. */
};

struct _Dwarf_NameTbl {
	Dwarf_Unsigned	nt_length;	/* Name lookup table length. */
	Dwarf_Half	nt_version;	/* Name lookup table version. */
	Dwarf_CU	nt_cu;		/* Ptr to Ref. CU. */
	Dwarf_Off	nt_cu_offset;	/* Ref. CU offset in .debug_info */
	Dwarf_Unsigned	nt_cu_length;	/* Ref. CU length. */
	STAILQ_HEAD(, _Dwarf_NamePair) nt_nplist; /* List of offset+name pairs. */
	STAILQ_ENTRY(_Dwarf_NameTbl) nt_next; /* Next name table in the list. */
};

struct _Dwarf_NameSec {
	STAILQ_HEAD(, _Dwarf_NameTbl) ns_ntlist; /* List of name tables. */
	Dwarf_NamePair	*ns_array;	/* Array of pairs of all tables. */
	Dwarf_Unsigned	ns_len;		/* Length of the pair array. */
};

struct _Dwarf_Fde {
	Dwarf_Debug	fde_dbg;	/* Ptr to containing dbg. */
	Dwarf_Cie	fde_cie;	/* Ptr to associated CIE. */
	Dwarf_FrameSec	fde_fs;		/* Ptr to containing .debug_frame. */
	Dwarf_Ptr	fde_addr;	/* Ptr to start of the FDE. */
	Dwarf_Unsigned	fde_offset;	/* Offset of the FDE. */
	Dwarf_Unsigned	fde_length;	/* Length of the FDE. */
	Dwarf_Unsigned	fde_cieoff;	/* Offset of associated CIE. */
	Dwarf_Unsigned	fde_initloc;	/* Initial location. */
	Dwarf_Unsigned	fde_adrange;	/* Address range. */
	Dwarf_Unsigned	fde_auglen;	/* Augmentation length. */
	uint8_t		*fde_augdata;	/* Augmentation data. */
	uint8_t		*fde_inst;	/* Instructions. */
	Dwarf_Unsigned	fde_instlen;	/* Length of instructions. */
	Dwarf_Unsigned	fde_instcap;	/* Capacity of inst buffer. */
	Dwarf_Unsigned	fde_symndx;	/* Symbol index for relocation. */
	Dwarf_Unsigned	fde_esymndx;	/* End symbol index for relocation. */
	Dwarf_Addr	fde_eoff;	/* Offset from the end symbol. */
	STAILQ_ENTRY(_Dwarf_Fde) fde_next; /* Next FDE in list. */
};

struct _Dwarf_Cie {
	Dwarf_Debug	cie_dbg;	/* Ptr to containing dbg. */
	Dwarf_Unsigned	cie_index;	/* Index of the CIE. */
	Dwarf_Unsigned	cie_offset;	/* Offset of the CIE. */
	Dwarf_Unsigned	cie_length;	/* Length of the CIE. */
	Dwarf_Half	cie_version;	/* CIE version. */
	uint8_t		*cie_augment;	/* CIE augmentation (UTF-8). */
	Dwarf_Unsigned	cie_ehdata;	/* Optional EH Data. */
	Dwarf_Unsigned	cie_caf;	/* Code alignment factor. */
	Dwarf_Signed	cie_daf;	/* Data alignment factor. */
	Dwarf_Unsigned	cie_ra;		/* Return address register. */
	Dwarf_Unsigned	cie_auglen;	/* Augmentation length. */
	uint8_t		*cie_augdata;	/* Augmentation data; */
	uint8_t		cie_fde_encode; /* FDE PC start/range encode. */
	Dwarf_Ptr	cie_initinst;	/* Initial instructions. */
	Dwarf_Unsigned	cie_instlen;	/* Length of init instructions. */
	STAILQ_ENTRY(_Dwarf_Cie) cie_next;  /* Next CIE in list. */
};

struct _Dwarf_FrameSec {
	STAILQ_HEAD(, _Dwarf_Cie) fs_cielist; /* List of CIE. */
	STAILQ_HEAD(, _Dwarf_Fde) fs_fdelist; /* List of FDE. */
	Dwarf_Cie	*fs_ciearray;	/* Array of CIE. */
	Dwarf_Unsigned	fs_cielen;	/* Length of CIE array. */
	Dwarf_Fde	*fs_fdearray;	/* Array of FDE.*/
	Dwarf_Unsigned	fs_fdelen;	/* Length of FDE array. */
};

struct _Dwarf_Arange {
	Dwarf_ArangeSet	ar_as;		/* Ptr to the set it belongs to. */
	Dwarf_Unsigned	ar_address;	/* Start PC. */
	Dwarf_Unsigned	ar_range;	/* PC range. */
	Dwarf_Unsigned	ar_symndx;	/* First symbol index for reloc. */
	Dwarf_Unsigned	ar_esymndx;	/* Second symbol index for reloc. */
	Dwarf_Addr	ar_eoff;	/* Offset from second symbol. */
	STAILQ_ENTRY(_Dwarf_Arange) ar_next; /* Next arange in list. */
};

struct _Dwarf_ArangeSet {
	Dwarf_Unsigned	as_length;	/* Length of the arange set. */
	Dwarf_Half	as_version;	/* Version of the arange set. */
	Dwarf_Off	as_cu_offset;	/* Offset of associated CU. */
	Dwarf_CU	as_cu;		/* Ptr to associated CU. */
	Dwarf_Small	as_addrsz;	/* Target address size. */
	Dwarf_Small	as_segsz;	/* Target segment size. */
	STAILQ_HEAD (, _Dwarf_Arange) as_arlist; /* List of ae entries. */
	STAILQ_ENTRY(_Dwarf_ArangeSet) as_next; /* Next set in list. */
};

struct _Dwarf_MacroSet {
	Dwarf_Macro_Details *ms_mdlist; /* Array of macinfo entries. */
	Dwarf_Unsigned	ms_cnt;		/* Length of the array. */
	STAILQ_ENTRY(_Dwarf_MacroSet) ms_next; /* Next set in list. */
};

struct _Dwarf_Rangelist {
	Dwarf_CU	rl_cu;		/* Ptr to associated CU. */
	Dwarf_Unsigned	rl_offset;	/* Offset of the rangelist. */
	Dwarf_Ranges	*rl_rgarray;	/* Array of ranges. */
	Dwarf_Unsigned	rl_rglen;	/* Length of the ranges array. */
	STAILQ_ENTRY(_Dwarf_Rangelist) rl_next; /* Next rangelist in list. */
};

struct _Dwarf_CU {
	Dwarf_Debug	cu_dbg;		/* Ptr to containing dbg. */
	Dwarf_Off	cu_offset;	/* Offset to the this CU. */
	uint32_t	cu_length;	/* Length of CU data. */
	uint16_t	cu_length_size; /* Size in bytes of the length field. */
	uint16_t	cu_version;	/* DWARF version. */
	uint64_t	cu_abbrev_offset; /* Offset into .debug_abbrev. */
	uint64_t	cu_abbrev_offset_cur; /* Current abbrev offset. */
	int		cu_abbrev_loaded; /* Abbrev table parsed. */
	uint64_t	cu_abbrev_cnt;	/* Abbrev entry count. */
	uint64_t	cu_lineno_offset; /* Offset into .debug_lineno. */
	uint8_t		cu_pointer_size;/* Number of bytes in pointer. */
	uint8_t		cu_dwarf_size;	/* CU section dwarf size. */
	Dwarf_Off	cu_next_offset; /* Offset to the next CU. */
	uint64_t	cu_1st_offset;	/* First DIE offset. */
	int		cu_pass2;	/* Two pass DIE traverse. */
	Dwarf_LineInfo	cu_lineinfo;	/* Ptr to Dwarf_LineInfo. */
	Dwarf_Abbrev	cu_abbrev_hash; /* Abbrev hash table. */
	STAILQ_ENTRY(_Dwarf_CU) cu_next; /* Next compilation unit. */
};

typedef struct _Dwarf_Section {
	const char	*ds_name;	/* Section name. */
	Dwarf_Small	*ds_data;	/* Section data. */
	Dwarf_Unsigned	ds_addr;	/* Section virtual addr. */
	Dwarf_Unsigned	ds_size;	/* Section size. */
} Dwarf_Section;

typedef struct _Dwarf_P_Section {
	char		*ds_name;	/* Section name. */
	Dwarf_Small	*ds_data;	/* Section data. */
	Dwarf_Unsigned	ds_size;	/* Section size. */
	Dwarf_Unsigned	ds_cap;		/* Section capacity. */
	Dwarf_Unsigned	ds_ndx;		/* ELF section index. */
	Dwarf_Unsigned	ds_symndx;	/* Section symbol index. (for reloc) */
	STAILQ_ENTRY(_Dwarf_P_Section) ds_next; /* Next section in the list. */
} *Dwarf_P_Section;

typedef struct _Dwarf_Rel_Entry {
	unsigned char	dre_type;	/* Reloc type. */
	unsigned char	dre_length;	/* Reloc storage unit length. */
	Dwarf_Unsigned	dre_offset;	/* Reloc storage unit offset. */
	Dwarf_Unsigned	dre_addend;	/* Reloc addend. */
	Dwarf_Unsigned	dre_symndx;	/* Reloc symbol index. */
	const char	*dre_secname;	/* Refer to some debug section. */
	STAILQ_ENTRY(_Dwarf_Rel_Entry) dre_next; /* Next reloc entry. */
} *Dwarf_Rel_Entry;

typedef struct _Dwarf_Rel_Section {
	struct _Dwarf_P_Section *drs_ds; /* Ptr to actual reloc ELF section. */
	struct _Dwarf_P_Section *drs_ref; /* Which debug section it refers. */
	struct Dwarf_Relocation_Data_s *drs_drd; /* Reloc data array. */
	STAILQ_HEAD(, _Dwarf_Rel_Entry) drs_dre; /* Reloc entry list. */
	Dwarf_Unsigned	drs_drecnt;	/* Count of entries. */
	Dwarf_Unsigned	drs_size;	/* Size of ELF section in bytes. */
	int		drs_addend;	/* Elf_Rel or Elf_Rela */
	STAILQ_ENTRY(_Dwarf_Rel_Section) drs_next; /* Next reloc section. */
} *Dwarf_Rel_Section;

typedef struct {
	Elf_Data *ed_data;
	void *ed_alloc;
} Dwarf_Elf_Data;

typedef struct {
	Elf		*eo_elf;
	GElf_Ehdr	eo_ehdr;
	GElf_Shdr	*eo_shdr;
	Dwarf_Elf_Data	*eo_data;
	Dwarf_Unsigned	eo_seccnt;
	size_t		eo_strndx;
	Dwarf_Obj_Access_Methods eo_methods;
} Dwarf_Elf_Object;

struct _Dwarf_Debug {
	Dwarf_Obj_Access_Interface *dbg_iface;
	Dwarf_Section	*dbg_section;	/* Dwarf section list. */
	Dwarf_Section	*dbg_info_sec;	/* Pointer to info section. */
	Dwarf_Off	dbg_info_off;	/* Current info section offset. */
	Dwarf_Unsigned	dbg_seccnt;	/* Total number of dwarf sections. */
	int		dbg_mode;	/* Access mode. */
	int		dbg_pointer_size; /* Object address size. */
	int		dbg_offset_size;  /* DWARF offset size. */
	int		dbg_info_loaded; /* Flag indicating all CU loaded. */
	Dwarf_Half	dbg_machine;	/* ELF machine architecture. */
	Dwarf_Handler	dbg_errhand;	/* Error handler. */
	Dwarf_Ptr	dbg_errarg;	/* Argument to the error handler. */
	STAILQ_HEAD(, _Dwarf_CU) dbg_cu;/* List of compilation units. */
	Dwarf_CU	dbg_cu_current; /* Ptr to the current CU. */
	TAILQ_HEAD(, _Dwarf_Loclist) dbg_loclist; /* List of location list. */
	Dwarf_NameSec	dbg_globals;	/* Ptr to pubnames lookup section. */
	Dwarf_NameSec	dbg_pubtypes;	/* Ptr to pubtypes lookup section. */
	Dwarf_NameSec	dbg_weaks;	/* Ptr to weaknames lookup section. */
	Dwarf_NameSec	dbg_funcs;	/* Ptr to static funcs lookup sect. */
	Dwarf_NameSec	dbg_vars;	/* Ptr to static vars lookup sect. */
	Dwarf_NameSec	dbg_types;	/* Ptr to types lookup section. */
	Dwarf_FrameSec	dbg_frame;	/* Ptr to .debug_frame section. */
	Dwarf_FrameSec	dbg_eh_frame;	/* Ptr to .eh_frame section. */
	STAILQ_HEAD(, _Dwarf_ArangeSet) dbg_aslist; /* List of arange set. */
	Dwarf_Arange	*dbg_arange_array; /* Array of arange. */
	Dwarf_Unsigned	dbg_arange_cnt;	/* Length of the arange array. */
	char		*dbg_strtab;	/* Dwarf string table. */
	Dwarf_Unsigned	dbg_strtab_cap; /* Dwarf string table capacity. */
	Dwarf_Unsigned	dbg_strtab_size; /* Dwarf string table size. */
	STAILQ_HEAD(, _Dwarf_MacroSet) dbg_mslist; /* List of macro set. */
	STAILQ_HEAD(, _Dwarf_Rangelist) dbg_rllist; /* List of rangelist. */
	uint64_t	(*read)(uint8_t *, uint64_t *, int);
	void		(*write)(uint8_t *, uint64_t *, uint64_t, int);
	int		(*write_alloc)(uint8_t **, uint64_t *, uint64_t *,
			    uint64_t, int, Dwarf_Error *);
	uint64_t	(*decode)(uint8_t **, int);

	Dwarf_Half	dbg_frame_rule_table_size;
	Dwarf_Half	dbg_frame_rule_initial_value;
	Dwarf_Half	dbg_frame_cfa_value;
	Dwarf_Half	dbg_frame_same_value;
	Dwarf_Half	dbg_frame_undefined_value;

	Dwarf_Regtable3	*dbg_internal_reg_table;

	/*
	 * Fields used by libdwarf producer.
	 */

	Dwarf_Unsigned	dbgp_flags;
	Dwarf_Unsigned	dbgp_isa;
	Dwarf_Callback_Func dbgp_func;
	Dwarf_Callback_Func_b dbgp_func_b;
	Dwarf_Die	dbgp_root_die;
	STAILQ_HEAD(, _Dwarf_Die) dbgp_dielist;
	STAILQ_HEAD(, _Dwarf_P_Expr) dbgp_pelist;
	Dwarf_LineInfo	dbgp_lineinfo;
	Dwarf_ArangeSet dbgp_as;
	Dwarf_Macro_Details *dbgp_mdlist;
	Dwarf_Unsigned	dbgp_mdcnt;
	STAILQ_HEAD(, _Dwarf_Cie) dbgp_cielist;
	STAILQ_HEAD(, _Dwarf_Fde) dbgp_fdelist;
	Dwarf_Unsigned	dbgp_cielen;
	Dwarf_Unsigned	dbgp_fdelen;
	Dwarf_NameTbl	dbgp_pubs;
	Dwarf_NameTbl	dbgp_weaks;
	Dwarf_NameTbl	dbgp_funcs;
	Dwarf_NameTbl	dbgp_types;
	Dwarf_NameTbl	dbgp_vars;
	STAILQ_HEAD(, _Dwarf_P_Section) dbgp_seclist;
	Dwarf_Unsigned	dbgp_seccnt;
	Dwarf_P_Section	dbgp_secpos;
	Dwarf_P_Section	dbgp_info;
	STAILQ_HEAD(, _Dwarf_Rel_Section) dbgp_drslist;
	Dwarf_Unsigned	dbgp_drscnt;
	Dwarf_Rel_Section dbgp_drspos;
};

/*
 * Internal function prototypes.
 */

int		_dwarf_abbrev_add(Dwarf_CU, uint64_t, uint64_t, uint8_t,
		    uint64_t, Dwarf_Abbrev *, Dwarf_Error *);
void		_dwarf_abbrev_cleanup(Dwarf_CU);
int		_dwarf_abbrev_find(Dwarf_CU, uint64_t, Dwarf_Abbrev *,
		    Dwarf_Error *);
int		_dwarf_abbrev_gen(Dwarf_P_Debug, Dwarf_Error *);
int		_dwarf_abbrev_parse(Dwarf_Debug, Dwarf_CU, Dwarf_Unsigned *,
		    Dwarf_Abbrev *, Dwarf_Error *);
int		_dwarf_add_AT_dataref(Dwarf_P_Debug, Dwarf_P_Die, Dwarf_Half,
		    Dwarf_Unsigned, Dwarf_Unsigned, const char *,
		    Dwarf_P_Attribute *, Dwarf_Error *);
int		_dwarf_add_string_attr(Dwarf_P_Die, Dwarf_P_Attribute *,
		    Dwarf_Half, char *, Dwarf_Error *);
int		_dwarf_alloc(Dwarf_Debug *, int, Dwarf_Error *);
void		_dwarf_arange_cleanup(Dwarf_Debug);
int		_dwarf_arange_gen(Dwarf_P_Debug, Dwarf_Error *);
int		_dwarf_arange_init(Dwarf_Debug, Dwarf_Error *);
void		_dwarf_arange_pro_cleanup(Dwarf_P_Debug);
int		_dwarf_attr_alloc(Dwarf_Die, Dwarf_Attribute *, Dwarf_Error *);
Dwarf_Attribute	_dwarf_attr_find(Dwarf_Die, Dwarf_Half);
int		_dwarf_attr_gen(Dwarf_P_Debug, Dwarf_P_Section, Dwarf_Rel_Section,
		    Dwarf_CU, Dwarf_Die, int, Dwarf_Error *);
int		_dwarf_attr_init(Dwarf_Debug, Dwarf_Section *, uint64_t *, int,
		    Dwarf_CU, Dwarf_Die, Dwarf_AttrDef, uint64_t, int,
		    Dwarf_Error *);
int		_dwarf_attrdef_add(Dwarf_Debug, Dwarf_Abbrev, uint64_t,
		    uint64_t, uint64_t, Dwarf_AttrDef *, Dwarf_Error *);
uint64_t	_dwarf_decode_lsb(uint8_t **, int);
uint64_t	_dwarf_decode_msb(uint8_t **, int);
int64_t		_dwarf_decode_sleb128(uint8_t **);
uint64_t	_dwarf_decode_uleb128(uint8_t **);
void		_dwarf_deinit(Dwarf_Debug);
int		_dwarf_die_alloc(Dwarf_Debug, Dwarf_Die *, Dwarf_Error *);
int		_dwarf_die_count_links(Dwarf_P_Die, Dwarf_P_Die,
		    Dwarf_P_Die, Dwarf_P_Die);
Dwarf_Die	_dwarf_die_find(Dwarf_Die, Dwarf_Unsigned);
int		_dwarf_die_gen(Dwarf_P_Debug, Dwarf_CU, Dwarf_Rel_Section,
		    Dwarf_Error *);
void		_dwarf_die_link(Dwarf_P_Die, Dwarf_P_Die, Dwarf_P_Die,
		    Dwarf_P_Die, Dwarf_P_Die);
int		_dwarf_die_parse(Dwarf_Debug, Dwarf_Section *, Dwarf_CU, int,
		    uint64_t, uint64_t, Dwarf_Die *, int, Dwarf_Error *);
void		_dwarf_die_pro_cleanup(Dwarf_P_Debug);
void		_dwarf_elf_deinit(Dwarf_Debug);
int		_dwarf_elf_init(Dwarf_Debug, Elf *, Dwarf_Error *);
int		_dwarf_elf_load_section(void *, Dwarf_Half, Dwarf_Small **,
		    int *);
Dwarf_Endianness _dwarf_elf_get_byte_order(void *);
Dwarf_Small	_dwarf_elf_get_length_size(void *);
Dwarf_Small	_dwarf_elf_get_pointer_size(void *);
Dwarf_Unsigned	_dwarf_elf_get_section_count(void *);
int		_dwarf_elf_get_section_info(void *, Dwarf_Half,
		    Dwarf_Obj_Access_Section *, int *);
void		_dwarf_expr_cleanup(Dwarf_P_Debug);
int		_dwarf_expr_into_block(Dwarf_P_Expr, Dwarf_Error *);
Dwarf_Section	*_dwarf_find_section(Dwarf_Debug, const char *);
void		_dwarf_frame_cleanup(Dwarf_Debug);
int		_dwarf_frame_fde_add_inst(Dwarf_P_Fde, Dwarf_Small,
		    Dwarf_Unsigned, Dwarf_Unsigned, Dwarf_Error *);
int		_dwarf_frame_gen(Dwarf_P_Debug, Dwarf_Error *);
int		_dwarf_frame_get_fop(Dwarf_Debug, uint8_t *, Dwarf_Unsigned,
		    Dwarf_Frame_Op **, Dwarf_Signed *, Dwarf_Error *);
int		_dwarf_frame_get_internal_table(Dwarf_Fde, Dwarf_Addr,
		    Dwarf_Regtable3 **, Dwarf_Addr *, Dwarf_Error *);
int		_dwarf_frame_interal_table_init(Dwarf_Debug, Dwarf_Error *);
void		_dwarf_frame_params_init(Dwarf_Debug);
void		_dwarf_frame_pro_cleanup(Dwarf_P_Debug);
int		_dwarf_frame_regtable_copy(Dwarf_Debug, Dwarf_Regtable3 **,
		    Dwarf_Regtable3 *, Dwarf_Error *);
int		_dwarf_frame_section_load(Dwarf_Debug, Dwarf_Error *);
int		_dwarf_frame_section_load_eh(Dwarf_Debug, Dwarf_Error *);
int		_dwarf_generate_sections(Dwarf_P_Debug, Dwarf_Error *);
Dwarf_Unsigned	_dwarf_get_reloc_type(Dwarf_P_Debug, int);
int		_dwarf_get_reloc_size(Dwarf_Debug, Dwarf_Unsigned);
void		_dwarf_info_cleanup(Dwarf_Debug);
int		_dwarf_info_first_cu(Dwarf_Debug, Dwarf_Error *);
int		_dwarf_info_gen(Dwarf_P_Debug, Dwarf_Error *);
int		_dwarf_info_load(Dwarf_Debug, int, Dwarf_Error *);
int		_dwarf_info_next_cu(Dwarf_Debug, Dwarf_Error *);
void		_dwarf_info_pro_cleanup(Dwarf_P_Debug);
int		_dwarf_init(Dwarf_Debug, Dwarf_Unsigned, Dwarf_Handler,
		    Dwarf_Ptr, Dwarf_Error *);
int		_dwarf_lineno_gen(Dwarf_P_Debug, Dwarf_Error *);
int		_dwarf_lineno_init(Dwarf_Die, uint64_t, Dwarf_Error *);
void		_dwarf_lineno_cleanup(Dwarf_LineInfo);
void		_dwarf_lineno_pro_cleanup(Dwarf_P_Debug);
int		_dwarf_loc_fill_locdesc(Dwarf_Debug, Dwarf_Locdesc *, uint8_t *,
		    uint64_t, uint8_t, Dwarf_Error *);
int		_dwarf_loc_fill_locexpr(Dwarf_Debug, Dwarf_Locdesc **,
		    uint8_t *, uint64_t, uint8_t, Dwarf_Error *);
int		_dwarf_loc_add(Dwarf_Die, Dwarf_Attribute, Dwarf_Error *);
int		_dwarf_loc_expr_add_atom(Dwarf_Debug, uint8_t *, uint8_t *,
		    Dwarf_Small, Dwarf_Unsigned, Dwarf_Unsigned, int *,
		    Dwarf_Error *);
int		_dwarf_loclist_find(Dwarf_Debug, Dwarf_CU, uint64_t,
		    Dwarf_Loclist *, Dwarf_Error *);
void		_dwarf_loclist_cleanup(Dwarf_Debug);
void		_dwarf_loclist_free(Dwarf_Loclist);
int		_dwarf_loclist_add(Dwarf_Debug, Dwarf_CU, uint64_t,
		    Dwarf_Loclist *, Dwarf_Error *);
void		_dwarf_macinfo_cleanup(Dwarf_Debug);
int		_dwarf_macinfo_gen(Dwarf_P_Debug, Dwarf_Error *);
int		_dwarf_macinfo_init(Dwarf_Debug, Dwarf_Error *);
void		_dwarf_macinfo_pro_cleanup(Dwarf_P_Debug);
int		_dwarf_nametbl_init(Dwarf_Debug, Dwarf_NameSec *,
		    Dwarf_Section *, Dwarf_Error *);
void		_dwarf_nametbl_cleanup(Dwarf_NameSec *);
int		_dwarf_nametbl_gen(Dwarf_P_Debug, const char *, Dwarf_NameTbl,
		    Dwarf_Error *);
void		_dwarf_nametbl_pro_cleanup(Dwarf_NameTbl *);
int		_dwarf_pro_callback(Dwarf_P_Debug, char *, int, Dwarf_Unsigned,
		    Dwarf_Unsigned, Dwarf_Unsigned, Dwarf_Unsigned,
		    Dwarf_Unsigned *, int *);
Dwarf_P_Section	_dwarf_pro_find_section(Dwarf_P_Debug, const char *);
int		_dwarf_ranges_add(Dwarf_Debug, Dwarf_CU, uint64_t,
		    Dwarf_Rangelist *, Dwarf_Error *);
void		_dwarf_ranges_cleanup(Dwarf_Debug);
int		_dwarf_ranges_find(Dwarf_Debug, uint64_t, Dwarf_Rangelist *);
uint64_t	_dwarf_read_lsb(uint8_t *, uint64_t *, int);
uint64_t	_dwarf_read_msb(uint8_t *, uint64_t *, int);
int64_t		_dwarf_read_sleb128(uint8_t *, uint64_t *);
uint64_t	_dwarf_read_uleb128(uint8_t *, uint64_t *);
char		*_dwarf_read_string(void *, Dwarf_Unsigned, uint64_t *);
uint8_t		*_dwarf_read_block(void *, uint64_t *, uint64_t);
int		_dwarf_reloc_section_finalize(Dwarf_P_Debug, Dwarf_Rel_Section,
		    Dwarf_Error *);
int		_dwarf_reloc_entry_add(Dwarf_P_Debug, Dwarf_Rel_Section,
		    Dwarf_P_Section, unsigned char, unsigned char,
		    Dwarf_Unsigned, Dwarf_Unsigned, Dwarf_Unsigned,
		    const char *, Dwarf_Error *);
int		_dwarf_reloc_entry_add_pair(Dwarf_P_Debug, Dwarf_Rel_Section,
		    Dwarf_P_Section, unsigned char, Dwarf_Unsigned,
		    Dwarf_Unsigned, Dwarf_Unsigned, Dwarf_Unsigned,
		    Dwarf_Unsigned, Dwarf_Error *);
void		_dwarf_reloc_cleanup(Dwarf_P_Debug);
int		_dwarf_reloc_gen(Dwarf_P_Debug, Dwarf_Error *);
int		_dwarf_reloc_section_gen(Dwarf_P_Debug, Dwarf_Rel_Section,
		    Dwarf_Error *);
int		_dwarf_reloc_section_init(Dwarf_P_Debug, Dwarf_Rel_Section *,
		    Dwarf_P_Section, Dwarf_Error *);
void		_dwarf_reloc_section_free(Dwarf_P_Debug, Dwarf_Rel_Section *);
void		_dwarf_section_cleanup(Dwarf_P_Debug);
int		_dwarf_section_callback(Dwarf_P_Debug, Dwarf_P_Section,
		    Dwarf_Unsigned, Dwarf_Unsigned, Dwarf_Unsigned,
		    Dwarf_Unsigned, Dwarf_Error *);
void		_dwarf_section_free(Dwarf_P_Debug, Dwarf_P_Section *);
int		_dwarf_section_init(Dwarf_P_Debug, Dwarf_P_Section *,
		    const char *, int, Dwarf_Error *);
void		_dwarf_set_error(Dwarf_Debug, Dwarf_Error *, int, int,
		    const char *, int);
int		_dwarf_strtab_add(Dwarf_Debug, char *, uint64_t *,
		    Dwarf_Error *);
void		_dwarf_strtab_cleanup(Dwarf_Debug);
int		_dwarf_strtab_gen(Dwarf_P_Debug, Dwarf_Error *);
char		*_dwarf_strtab_get_table(Dwarf_Debug);
int		_dwarf_strtab_init(Dwarf_Debug, Dwarf_Error *);
void		_dwarf_write_block(void *, uint64_t *, uint8_t *, uint64_t);
int		_dwarf_write_block_alloc(uint8_t **, uint64_t *, uint64_t *,
		    uint8_t *, uint64_t, Dwarf_Error *);
void		_dwarf_write_lsb(uint8_t *, uint64_t *, uint64_t, int);
int		_dwarf_write_lsb_alloc(uint8_t **, uint64_t *, uint64_t *,
		    uint64_t, int, Dwarf_Error *);
void		_dwarf_write_msb(uint8_t *, uint64_t *, uint64_t, int);
int		_dwarf_write_msb_alloc(uint8_t **, uint64_t *, uint64_t *,
		    uint64_t, int, Dwarf_Error *);
void		_dwarf_write_padding(void *, uint64_t *, uint8_t, uint64_t);
int		_dwarf_write_padding_alloc(uint8_t **, uint64_t *, uint64_t *,
		    uint8_t, uint64_t, Dwarf_Error *);
void		_dwarf_write_string(void *, uint64_t *, char *);
int		_dwarf_write_string_alloc(uint8_t **, uint64_t *, uint64_t *,
		    char *, Dwarf_Error *);
int		_dwarf_write_sleb128(uint8_t *, uint8_t *, int64_t);
int		_dwarf_write_sleb128_alloc(uint8_t **, uint64_t *, uint64_t *,
		    int64_t, Dwarf_Error *);
int		_dwarf_write_uleb128(uint8_t *, uint8_t *, uint64_t);
int		_dwarf_write_uleb128_alloc(uint8_t **, uint64_t *, uint64_t *,
		    uint64_t, Dwarf_Error *);

#endif /* !__LIBDWARF_H_ */

redpajama_set_name: RedPajamaGithub


Die Beobachtung des Kosmos hat den Menschen in seinem Denken und der supplier seines Lebens von jeher stark beeinflusst. Das astronomische Weltbild spiegelt sich auch in faith und Philosophie. Diese Aspekte wie auch die astronomische Ortsbestimmung, die Theorie des Planetensystems, die Physik der Sonne und der Fixsterne und die Beziehung der Astronomie zu Kunst und Technik behandeln die Autoren dieses umfassenden Sammelwerks zur Astronomie.
Qualitativ hochwertiger Nachdruck der Originalausgabe aus dem Jahr 1921.
Offers a entire account of the hot 'Spirit' and 'Opportunity' Mars Exploration Rover missions. Relates how NASA/ESA have sought facts of existence on Mars, with the present temper occasionally being confident and occasionally pessimistic. information an account of the explanation for the checks for all times conducted by means of the Viking missions in 1976, with an account of the talk over their effects.
Over 540 pages. publication measurement - eight. five" X 11". LIGIA BALU offers a whole Astrology advisor that incorporates an advent to ASTROLOGY, LOVE-SIGNS - advent TO RELATIONSHIPS AND COMPATIBILITIES, THE TWELVE homes OF THE SOULS, THE effect OF THE PLANETS, THE MOON indicators, MOON signal TABLES, chinese language ZODIACS and NUMEROLOGY.
Crucial Radio Astronomy is the one textbook at the topic particularly designed for a one-semester introductory path for complex undergraduates or graduate scholars in astronomy and astrophysics. It starts off from first rules with a view to fill gaps in scholars' backgrounds, make instructing more uncomplicated for professors who're no longer professional radio astronomers, and supply an invaluable connection with the fundamental equations utilized by practitioners.
Starting with the touchdown of the Spirit and chance rovers in 2004 and concluding with the tip of the interest undertaking in 2014, this moment quantity of The foreign Atlas of Mars Exploration maintains the tale of Mars exploration in dazzling aspect. it's an important reference resource on Mars and its moons, combining medical and historic info with special and designated illustrations to supply an intensive research of twenty-first-century Mars venture proposals, spacecraft operations, touchdown web site choice and floor destinations.


text:
ALBANY, NY — New York Governor Andrew M. Cuomo is pushing for the legalization of marijuana and mobile sports betting to help cover budget
Joseph R. Biden Jr. took his oath of office Wednesday and became the 46th president of the United States on the West front of
The American political landscape, once dominated by pitchman-turned-president Donald J. Trump, is about to tack in a new direction helmed by President Joseph R.
DETROIT — Immigrants are big business. An estimated $180 billion in remittances was sent abroad in 2017 by migrants in the United States. Immigrants
Iron Man: Dubai Man Continues Lifting Weight With Artificial Heart Pump
Dubai, UAE — A Jordanian weightlifter has set a record of weightlifitng despite being fitted with a mechanical heart pump for almost two years.
Eyes On The Prize: New Synthetic Cornea Restores 78-Year-Old's Sight
Jamal Furani wasn't able to see his new grandchild until January 3. That's when the Haifa, Israel, resident became the first patient to receive
An Education Without Student Debt Has Even Olympic Champion Simone Biles Studying Online
Whether chosen for schedule flexibility, lack of a commute, affordability or just out of necessity during a global pandemic, distance learning is everywhere. From
She's Four Years Old And Aging Like A Senior Citizen
BARCELONA, Spain — Like many four-year-olds, Alexandra Peraut Martinez loves dancing and playing with her siblings. But unlike other girls her age, a rare
Britishers Continue to Break Lockdown Rules, Imposed with Heavy Fines
Leicester, UK – British officers issued 142 Fixed Penalty Notice to the value of £57,800 to residents who disregarded the Covid-19 lockdown rules during
Lack of Sleep: The Body's Silent Enemy
Sleep doesn't just recharge our batteries, it is a physiological necessity. The body suffers when it lacks rest. For optimal performance in daily life
Biden, nuevo presidente toma su cargo en alerta pero en paz
Ejército de México promete colaborar en caso Ayotzinapa tras nueva filtración


City of Gardiner. Mayor's Address, Annual Reports, City Government and Joint Committees, March, 1889.
Gardiner (Me.)., "City of Gardiner. Mayor's Address, Annual Reports, City Government and Joint Committees, March, 1889." (1889). Maine Town Documents. 2273.


* The sound design. There is barely a moment that isn't underscored by an unsettling noise… a mechanical hum, pouring rain, something grinding, the hiss of a radiator.
* Speaking of sound design, how about when Henry enter Mary's home and there's a few disturbing minutes before you find out where that infernal squeaking is coming from… a litter of puppies nursing in the corner.
* And speaking of that, the way the film handles fear of parenthood. Although Lynch has said that no one has ever interpreted the film the way he meant it, it's impossible to write off fear of parenthood as a dominant theme. Fear of not caring enough for your children, and fear of doing the wrong thing and destroying them. We are supposed to have a biological imperative to reproduce, but I think most people could relate to these fears.
* And that makes me think of the way Lynch reacts to human biology in general. There's a fascinated repulsion to it, an emphasis on how… well, gross we all are, once you really start thinking about it. Perhaps what's most unsettling about the "baby" is not how different it is from us, but how alike it is.
* Oh, that baby! What a marvel of production design and special effects!
* The use of the music, namely the incongruous Fats Waller organ ditties and the memorable "In Heaven" serenade.
* The comedy. For a film that's so bizarre and gloomy, it sure is funny. There's just a handful of lines spoken, but most of them are quotable gems. "OKAY, Paul!" "Look at my knees!" "Oh, you ARE sick!" And that silly grin on Allen Joseph's face during the hilarious dinner scene. Pure gold.
* The decrepitude of the surroundings and masterful set design. Everything is just the right amount of dirty and falling apart and fucked up. The insane plant on Henry's nightstand or the pile of what appear to be pine needles around his radiator. The peeling wallpaper. The desolate landscapes. The grimy window at Mary's house.
* That part where Mary is tugging on the bed and you don't know what the hell she's doing.
* Trying to figure out what's real and what's a nightmare, or if there's a difference. Puzzling out the meaning of the Man in the Planet (Henry's lifeforce?) or the titular sequence or the little worm he finds in his mailbox. Sometimes I think I have a grasp on these things, sometimes I feel the significance of them without understanding them, sometimes they just come off as dreamlike imagery. But always they are fascinating and add to the grand experience of it.
This entry was posted on December 3, 2014 at 4:25 pm	and is filed under Movie Reviews. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.


This chapter shall be called the Quality Bass Anglers Sportsman Society of San Antonio, Texas. Its short name shall be "Quality BASS Club".
To stimulate public awareness of bass fishing as a major sport. To offer our state conservation department our organized moral and political support and encouragement. To promote full adherence to all conservation codes and to demand adequate water standards. To detect and report any polluter and call public and political attention to the crime. To improve our skill as bass anglers through a fellowship of friendly exchange of expert bass-catching techniques and ideas, and to promote and encourage youth fishing, and a love for this great recreation. To function as a dynamic and effective link with other Chapters of the State B.A.S.S. Chapter Federation embracing the principles and purposes of Bass Anglers Sportsman Society (c).
Total general membership shall not exceed 50 members.
(c) Be recommended by a member at a regular monthly meeting.
(d) Be voted on by membership with affirmation by majority of members present at the meeting.
(e) Club membership dues shall be $5.00 annually, payable upon being voted into the Chapter. B.A.S.S. membership and Texas B.A.S.S. Federation membership is required.
(f.) The new member(s) should receive a "New Members Information Package" to include: Chapter By-Laws, Tournament Rules and Schedule, Chapter roster and Application for B.A.S.S. membership (if needed).
(a.) Vote on what expenses will be paid for by the club each year.
(b.) Vote on the number of two versus one day tournaments for the year.
(b) Any action which would reflect dishonor and disgrace on this Chapter, as decided by the Board of Directors.
(c) Failure to attend a minimum of 10 functions during the calendar year.
(d) Appeals for termination may be submitted to the Board of Directors for final resolution.
(a) President: Presides over all meetings and directs all official business. Appoints and is an ex-officio member of all committees. Supervises all Chapter functions. Allowed discretionary spending up to $25 per month and $150 per year; any spending must be accompanied by receipt and presented at the next club meeting.
(b) Vice President: Acts as program chairman, assists the president in his/her duties, and presides in the absence of the president.
(c) Secretary: Maintains accurate minutes of all regular and special meetings as called by the Chapter president. Maintains regular liaison between the Chapter and the Bass Anglers Sportsman Society and the B.A.S.S. Chapter Federation. Ensures that the results of the Meetings and Tournaments are posted on the Internet at the Quality Bass Club Home Page.
per year; any spending must be accompanied by receipt and presented at the next club meeting.
(e) Sergeant at Arms: Controls and maintains order during Chapter functions. Assures members sign in at each meeting.
(f) Tournament Director: Presides at meetings not attended by the President and Vice President and chairs the Tournament Committee.
The election of officers shall be held annually at a regular meeting during the month of December. Election shall be by simple majority of members present. Election for each officer shall be held separately in order listed in Article III, Section 1. Additionally, members will vote on the Sportsman of theYear during the annual elections.
The term of office is for one year, which shall begin on January 1, and end on the last meeting day of December or until a successor assumes office. Original slate of officers shall serve until the last meeting day of the following December.
In the event of an office becoming vacant, nominations shall be asked and an election held to fill the unexpired term of the individual vacating the office. National B.A.S.S. headquarters shall be notified immediately of the change of any officers.
(a) Have been a member for six months.
(b) Have attended at least 3/4 of Chapter meetings and 3/4 of Chapter functions.
(a) Board of Directors: The Board of Directors will consist of nine (9) members; 1] President, 2] Vice President, 3] Secretary, 4]Treasurer, 5] Immediate Past-President, 6] Tournament Director, 7] Sergeant At Arms, and two (2) members elected at-large by a majority of the members present at the December regular meeting.
(3) The Board will decide on all protests concerning tournaments with the Board of Directors to serve for appeals only after the Tournament Committee has ruled.
(4) Develop agenda for monthly meetings.
(b) Youth Committee: The purpose of this committee shall be to plan, organize, and implement a Chapter Youth Project; to introduce young people to the goals of B.A.S.S.; to give them a basis for respect of our national heritage, an appreciation of the basic rules of honesty, integrity, fair play, and sportsmanship; and to give them an introduction to the sheer joy of fishing.
(c) Conservation Committee: The purpose of this committee shall be to protect our national environment from harmful change; to document and report to the proper authorities violations of local, state, and federal anti-pollution laws, statutes, regulations, ordinances, and other regulatory devices; to take political action to improve our environment; to take legal action where appropriate; to undertake informational and educational programs to bring public awareness to threats on our environment; and to take a leadership role in repairing the harm that has already been done to the life-saving waters of America.
(d) Tournament Committee: The purpose of this committee shall be to plan, organize, and operate all Chapter tournaments. The Tournament Committee will draft tournament rules which must then be approved by the general membership.
(e) Other Committee: The purpose of this committee shall be to organize other club activities as required for the club, such as the annual Fund Raiser.
(f) Distribution of Fund-Raising Proceeds: A minimum of 20% of fund-raising proceeds will be designated to selected charities by the club membership annually by vote.
(a) Approval of Chapter Charter by B.A.S.S.
(b) Update B.A.S.S. with Chapter membership roster once each year, immediately following election of Chapter officers and directors.
(c) Names and addresses of new members joining the Chapter during the year must be submitted to B.A.S.S. as they occur. The necessary forms are included in the B.A.S.S. Chapter handbook.
(d) Maintain 80% B.A.S.S. membership.
(e) Support State Federation conservation and youth programs. Any additional requirements that the State Federation establishes for Chapters, such as membership dues, attendance at meetings, etc., would be necessary in order for the Chapter to participate in the State Federation qualifying tournament(s), and any other federation sponsored tournaments or events.
The Constitution and By-Laws may be amended at any regular meeting by 2/3 vote of the members present, provided written notice of the proposed amendment has been presented to the membership at least one regular meeting prior to the vote.
Meeting time and location will be the same unless changed and approved by 2/3 vote.
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text:
As part of Muslim Women's Day, we caught up with Rashida, a Clinical Lead Nurse within our Specialist Residential Service team to discuss how she broke down barriers in terms of her career progression.
How have you found the Trust's inclusive culture and has this helped you to progress your career?
I feel that the Trust's inclusive culture has always been a great support to me. I have been working at HPFT since I was a student and have always felt supported by the Trust to practice my religious beliefs and have been generously provided facilities to accommodate this. I have always felt encouraged by my colleagues and senior members of staff to progress through my career and my religion has never been a factor from withholding me from progression. Being a Muslim woman is a key part of my identity and I have never felt that it has ever been a detriment to my career but in fact has been a great asset for my career as a nurse.
How do you feel being a senior staff member in the Trust and has your religion had any impact on this?
I feel humbled and privileged to be in this position where I can help support my team to help improve the care that are offered to our service users and their families. I feel that Islam has provided me with a great insight into how I can best support the team. By having religious practices of my own, I try my best to ensure that we try our best to facilitate it so that staff can attend their religious gatherings and also feel supported at work when they are observing their religious practices. Also for our service users, we have a very diverse service user population in SRS and feel that it is important that their religious beliefs are respected and facilitated at every point of their life, whether that has been religious festivals, weekly services or even at their time of passing.
With Islam having such principles as caring for others, this has helped me improve my skills as a nurse and do my best to provide a caring focus for our service users. Also Islam has a strong focus on the role of family and the importance of it, that it has also helped me see our service users as more than just people we care for, but having spent my entire nursing care with some of these amazing individuals and SRS being a long stay ward, they have become like family and I feel it is important that we treat them in that manner.
Have you had to battle any stereotypes throughout your career from service users or staff?
As like many Muslims, the atrocities of 9/11 was quite an important turning point in our lives, and initially I did encounter some reactions from others (a very small number) which did make me feel uncomfortable, however I felt very supported by my manager when I mentioned it to them and they dealt with the issue. I've always been very grateful for all the support that I have been provided in this respect. But apart from that I have only really felt appreciated and supported for my religious belief which is something I am truly grateful for and find such an amazing quality in my colleagues.
What has the response been like from your family/friends and from your local Muslim community?
I have always felt grateful for the support I have received from my family and friends and I have found that the Muslim community hold the NHS in such high esteem. The Trust has always supported me in being able to accommodate my family and community commitments.
Like many other communities, I feel there is a lot more work we can do to improve awareness of mental health and learning disabilities. It is incredible when we hear how many people are encountering difficulties with mental health or learning disabilities either with themselves or their loved ones, and I feel that we all have a responsibility to help support them and having had opportunities to meet with members of our local community it has really helped me to gain a better understanding of mental health and learning disabilities and I hope to help however I can.
Having spoken to other Muslim women, we have an understanding that attaining the skills and qualifications to work in the caring profession is a gift that Allah (God) has provided us with and that we feel it is our duty upon us to make use of this gift to help look after those who are in need. I feel that the Trust has supported me all the way through to help accomplish this, and that is something I am very grateful for.


text: Q: how to make a Carousel as a background I can display things as a side bar menu on it I want to put a side bar menu over the carousel when I hover the principal side bar  using css  I mean to consider the carousel as a background

redpajama_set_name: RedPajamaStackExchange


text:
Q: How to get Selected Row Cell Values From RepositoryItemSearchLookUpEdit I want to get selected row cell values using RepositorySearchLookUpEdit but i don't know how to get it.

A: If you need to access an edit value, use the SearchLookUpEdit.EditValue property. This value corresponds to a value contained in the ValueMember datasource column.
If you wish to access any cell value from a selected row, use the SearchLookUpEdit.Properties.GetRowByKeyValue method. You will need to pass the current edit value there. Then, cast this method return value to your data row type and access cell values.

A: If you mean that you want to read columns from the selected row of your LookupEdit repository on a GridView, you can do that in the CloseUp event of the RepositoryEdit like this
private void RepositoryFabricId_CloseUp(object sender, DevExpress.XtraEditors.Controls.CloseUpEventArgs e)
{
    if (e.CloseMode == DevExpress.XtraEditors.PopupCloseMode.Normal)
    {
        DataRow row = ((GridLookUpEdit)sender).Properties.View.GetDataRow(((GridLookUpEdit)sender).Properties.View.FocusedRowHandle);
    }
}

This example is for a GridLookupEdit repository, I guess it will also work for a LookupEdit repository


text:
Jaguar S-Type ›› 2000 ›› 2000 Jaguar S-Type Recalls
Used Jaguar S-Type For Sale
Select another year: 2008 ⋅ 2007 ⋅ 2006 ⋅ 2005 ⋅ 2004 ⋅ 2003 ⋅ 2002 ⋅ 2001 ⋅ 2000
Select another model: S-Type ⋅ XJ ⋅ XK
Find the latest 2000 Jaguar S-Type recalls as issued by the National Highway Traffic Safety Administration (NHTSA) and Manufacturers.
Dates of Manufacture January 1999 - September 2000
Potential Number of Units Affected 38681
Remedy Dealers will inspect the torque on the two ball joint attaching nuts. Vehicles with loose ball joint attaching nuts will either have the fasteners tightened to specification, or if necessary, the ball joints will be replaced. The manufacturer has reported that owner notification began Nov. 27, 2000. Owners who do not receive the free remedy within a reasonable time should contact Jaguar at 1-201-818-8500.
Summary On certain passenger vehicles, the front suspension lower ball joints were not tightened to specifications when they were attached to the lower control arms. If the ball joint attaching nuts are not adequately tightened, they can loosen and, ultimately result in fracture of the ball joint stud. If the ball joint fractures, control of the vehicle could be affected, increasing the risk of a crash.


text:
"Security, hurry up and take a look at this. What the hell is going on here?"
Everyone became nervous and panicked all of a sudden, since they had no idea what was going on.
The security was even more confused.
"What the hell is going on? Something like this has never happened before."
"It can't possibly be poisonous gas, right? All of the doors and windows are open, and there is good air ventilation. Also, if it was poisonous gas, why were only a few people poisoned?"
"Perhaps it's food poisoning?"
"But that's even less likely."
"The unconscious people all reacted differently, and two of them had not even eaten anything at the bar. How could they have gotten food poisoning?"
Just as the security was perplexed by the situation, suddenly, a lady's scream tore through the air.
"Ah! Snake! There's a snake!"
"A snake?"
The music stopped. The lights were turned on, and the crowd spread out as everyone's gazes were drawn over.
All they could see was a bright red snake curled under a table. Also, the most special feature of the snake was that it had two heads!
Everyone was totally dumbfounded.
"Who would be that juvenile to put a toy snake in here?"
The guard scoffed and frowned. "Are you trying to frighten the people?"
As a matter of course, he thought that the two-headed snake was fake.
As he was speaking, the security guard walked over and reached down under the table. He wanted to pull the fake snake out.
"This place is already chaotic enough. Who on earth would pull a prank like this?"
"That's not a toy snake, it's real!" exclaimed the lady who had just screamed. "It was literally slithering beneath the table when I spotted it just now!"
The security laughed. "It's a real snake? Are the snakes in your house two-headed too?"
In the security guard's opinion, it was merely a prank someone pulled, and if the snake moved, then it was just someone controlling it with a remote. It was not anything to be concerned about.
The security guard did not believe something that bizarre would exist on this planet. The only times they would exist were in movies. However, as his hands were stretched in front of the snake, the two-headed snake pounced abruptly, and one of their heads bit the guard's hand.
"Ouch!" The guard yelled and immediately withdrew his hand from the pain.
He stared at the snake under the table in horror while holding his hurting hand.
The snake was also staring at him and kept flicking its tongues.
The snake was real! And it was alive too!
That threw the guard totally off guard. "I-it's real. The snake is real," he stammered.
But how could a serpent with two heads exist?
It must be the spawn of evil, and it had crawled out of hell to destroy humanity.
The security guard did not even have time to call the cops before blacking out and collapsing unconscious on the floor.
The crowd erupted in frenzied screams, and all the people bolted from the bar.
It was a venomous snake no one had ever seen before, and it had hurt numerous people in a short period. No one knew how many more people it would kill next, much less whether it was a demon from hell. All in all, it would be best if they fled the bar as quickly as possible.
In an instant, the entire bar was thrown into chaos.
The source of the mayhem, the two-headed snake, was still hiding beneath the table, flicking its tongue as if nothing had happened.


text:
Woodrow Wilson "Woody" Bledsoe (* 12. November 1921 bei Maysville, Oklahoma; † 4. Oktober 1995) war ein US-amerikanischer Mathematiker und Informatiker, der sich mit Künstlicher Intelligenz, Automatischem Beweisen und Mustererkennung befasste.

Herkunft und Ausbildung
Er auf einer kleinen Farm bei Maysville in eine kinderreiche Familie geboren. Er besuchte nur eine kleine Dorfschule, was unterbrochen wurde als der Vater 1934 starb und er und seine Geschwister die Farmarbeit vollständig übernehmen mussten. Mit 16 Jahren riss er aus und absolvierte 1939 die High School in Calliham in Süd-Texas. 1940 zog er wieder zu seiner Mutter, die in Norman (Oklahoma) wohnte, und begann sein Studium, das er als Tellerwäscher (mit täglicher 12-Stunden-Schicht einschließlich Sonntag) finanzierte. Er ging bald darauf zur US Army, absolvierte die Offiziersausbildung und war als Pionieroffizier in der 3. US-Armee von George S. Patton an der Rheinüberquerung nach Deutschland beteiligt (als Hauptmann). Er entwickelte vor Ort eine Methode, die schweren Landungsboote schnell ins Wasser zu lassen. Ab 1945 studierte er zunächst Ingenieurwesen und Physik, dann Mathematik an der University of Utah, an der er 1948 seinen Bachelor-Abschluss erhielt. Danach wechselte er mit einem vollen Stipendium an die University of California, Berkeley, wo Alfred Tarski und John L. Kelley zu seinen Lehrern zählten und er 1953 bei Anthony Perry Morse promoviert wurde (Separative Measures for Topological Space).

Industrietätigkeit
Nach seiner Promotion schlug er Lehrangebote an Universitäten aus und ging zur Sandia Corporation in Albuquerque (den späteren Sandia National Laboratories), wo er als Mathematiker bzw. Systemanalytiker an Geheimforschung in Zusammenhang mit der Wasserstoffbombe wirkte (er war 1956 beim Test einer Wasserstoffbombe auf dem Eniwetok Atoll). Ebenfalls bei Sandia wandte er sich der Mustererkennung zu, damals für die Erkennung geschriebener oder gedruckter Buchstaben. Mit seinem Sandia-Kollegen Iben Browning entwickelte er die 1959 veröffentlichte Bledsoe-Browning N-Tupel-Methode. Der Lern-Algorithmus zur Buchstabenerkennung war an ein Gitter von N Photozellen angepasst, die zufällig zu Paaren verbunden waren und jeweils 1 Bit Information repräsentierten. In der Folgezeit arbeitete er ständig an Verbesserungen des Algorithmus. Er verließ Sandia und gründete mit Iben Browning und Lloyd Lockingen (beide von Sandia) 1960 eine eigene Firma Panoramic Research Inc. (PRI) in Palo Alto, die weiter an diesen Problemen mit Aufträgen des Verteidigungsministeriums und verschiedenen Geheimdiensten (aber auch zum Beispiel für eine Zeitung) arbeitete.

Bledsoe hatte in dieser Zeit Kontakte zu vielen Pionieren der Künstlichen Intelligenz in den USA (Marvin Minsky, John McCarthy, Saul Amarel, Hans Joachim Bremermann). Mit Bremermann experimentierte er Anfang der 1960er Jahre an Genetischen Algorithmen und Evolutionären Algorithmen. In dieser Zeit entwickelte er auch mit Bremermann Ideen über den Einfluss der Quantenmechanik auf Speicherkapazität und -zugriffszeit in Computern. 1964/65 unternahm er geheime Arbeiten zur Gesichtserkennung (mit Helen Chan und Charles Bisson) für einen Geheimdienst (Vergleich mit in einer großen Datenbank gespeicherten Fotos, wobei damals noch ein menschlicher Operator Fixpunkte auf den Bildern festlegte). Nachdem Bledsoe PRI 1966 verließ wurde das Projekt von Peter Hart am Stanford Research Institute fortgesetzt.

Professur in Texas
Bledsoe wollte 1965 wieder in die akademische Forschung und wurde Professor an der University of Texas at Austin. Die Initiative dazu kam von Genetikern der Universität, mit denen er zusammenarbeitete (Wilson Stone). Damals unterschied man Genorte auf Chromosomen an den Bänderungsmustern, und Mustererkennungsalgorithmen waren für die Forschung nützlich.

Er war zweimal Vorstand der Mathematikfakultät, zuerst 1967. Damals kam es zum Fakultätsstreit zwischen Mitgliedern der damals einflussreichen Moore-Methode von Robert Lee Moore, die jegliche Benutzung von Büchern ablehnten und auch keine anschaffen wollten und nach der sokratischen Methode vorgingen, und deren Gegnern. Bledsoe unterstützte die Moore-Methode, die er selbst in Utah kennengelernt hatte (und damit für sich die Existenz des Riemannintegrals für stetige Funktionen bewies, was ihn dazu brachte, sich der Mathematik zuzuwenden). Seine zweite Zeit als Vorstand begann 1973. Er blieb an der Universität bis zu seiner Emeritierung 1994 (unterbrochen von seiner Zeit als Präsident der AAAI bis 1987).

Als 1983 führende Computerfirmen der USA beschlossen als Antwort auf das japanische Fifths Generation Computer Projekt das MMC Konsortium (Microelectronics and Computer Technology Corporation) zu gründen (unter Leitung des ehemaligen NSA-Direktors Bobby Ray Inman), das an der University of Texas at Austin angesiedelt war, übertrug man Bledsoe die Abteilung Künstliche Intelligenz. Er förderte dort insbesondere das Cyc-Projekt von Doug Lenat.

Bledsoe selbst befasste sich mit seinen Studenten an der University of Texas weiter mit automatischem Beweisen, unter anderem entwickelten sie Mitte der 1970er Jahre das Programm UT Prover.

Zu seinen Doktoranden zählt Robert S. Boyer.

Ehrungen und Mitgliedschaften
1994 erhielt er den Herbrand Award. 1991 erhielt er den IJCAI Distinguished Service Award und den Milestone Award der American Mathematical Society.

1977 war er Vorstand der International Joint Conference on Artificial Intelligence (IJCAI) und 1978 bis 1983 in deren Board of Trustees. Ab 1983 war er Präsident der American Association for Artificial Intelligence (AAAI).

Privates
Er war seit 1944 mit Virginia Bledsoe verheiratet und hatte drei Kinder. Seine Frau war Mormonin aus Salt Lake City und auch Bledsoe trat den Mormonen bei, bei denen er zweimal zum Bischof seiner Gemeinde gewählt wurde (dass der Funktion eines Pastors entspricht, der sich aber auch um die sozialen Belange der Mitglieder kümmerte), Berater des Präsidenten seines Kirchenbezirks (Stake) wurde und Stake Patriarch wurde. Er war auch in leitender Funktion bei den Boy Scouts of America.

Bledsoe starb an ALS.

Schriften (Auswahl)
Außer den in den Fußnoten zitierten Schriften:

 The Model Method in Facial Recognition. Technical Report PRI 15, Panoramic Research, Inc., Palo Alto 1964
 Some Results on Multicategory Pattern Recognition, J.ACM, Band 13, 1966, S. 304–316.
 Splitting and Reduction Heuristics in Automatic Theorem Proving, Artif. Intell., Band 2, 1971, S. 55–77.
 A New Method for Proving Certain Presburger Formulas, Proc. IJCAI 1975, S. 15–21.
 Non-Resolution Theorem Proving, Artificial Intelligence, Band 9, 1977, S. 1–35.
 mit Michael Ballantyne:. Automatic Proofs and Theorems in Analysis Using Non-standard Techniques. Journal of the ACM, Band 24, 1977, Nr. 3
 mit Michael Ballantyne: On Generating and Using Examples in Proof Discovery. Machine Intelligence, Band 10, 1982
 mit Kenneth Kunen, Robert E. Shostak: Completeness Results for Inequality Provers, Artif. Intell., Band 27, 1985, S. 255–288.
 I Had a Dream: AAAI Presidential Address, 19. August 1985. AI Magazine, 1985

Literatur
 Robert S. Boyer: Automated Reasoning: Essays in Honor of Woody Bledsoe. Kluwer Academic Publishers, 1991
 Michael Ballantyne, Robert S. Boyer, Larry Hines: Woody Bledsoe: His Life and Legacy. AI Magazine, Band 17, 1996, Nr. 1

Weblinks
 Biographie an der University of Texas

Einzelnachweise

Informatiker
Person (Künstliche Intelligenz)
Mathematischer Logiker (20. Jahrhundert)
US-Amerikaner
Geboren 1921
Gestorben 1995
Mann
Hochschullehrer (University of Texas at Austin)
Mitglied der Association for the Advancement of Artificial Intelligence

redpajama_set_name: RedPajamaWikipedia


The 1 oz Perth Mint gold bar is a beautiful premium gold bar for La Jolla.
On the reverse of the 1 oz Perth Mint gold bar are silhouettes of jumping kangaroos, a native species of the Australian outback, where gold has been minted commercially since 1851.
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The Perth Mint of Australia has a storied history, founded in 1899 as the Western Australia branch of Britain's Royal Mint.
As opposed to shipping gold to London and distributing gold to colonies, the Royal Mint build a number of branches throughout the Empire where there was gold.
Sovereigns, the Mints' gold coin, were withdrawn from circulation in 1931 and the Mint continued refining gold into coins. The Mint was under British ownership until 1970 as control was handed to the Western Australian government.
The Perth Mint is a tourist site in Western Australia and at the mint you can watch a gold pour and even hold a 400 oz 24k gold bar.
The 1 oz Gold Perth Bar is carries a low-premium, making it a cost-effective means of buying physical precious metals online with Bitcoin or US Dollar. The precious metals buyer likes the 1 oz Perth bar because it comes with a Certificate of Authenticity.
This 1 oz Gold Perth Bar is available in weights ranging from five grams to 10 ounces. Perth Mint Gold Bars are struck in 24k gold.
Gold futures slumped to a 21 month low last week and most of the media is talking about the 'bull' that's turned into a 'bear'.


Dot blot analysis of CCNB2 Antibody (Phospho S10) Phospho-specific Pab (Cat. #AP3837a) on nitrocellulose membrane. 50ng of Phospho-peptide or Non Phospho-peptide per dot were adsorbed. Antibody working concentrations are 0.6ug per ml.
This CCNB2 Antibody is generated from rabbits immunized with a KLH conjugated synthetic phosphopeptide corresponding to amino acid residues surrounding S10 of human CCNB2.
Phospho-CCNB2(S10) Antibody is for research use only and not for use in diagnostic or therapeutic procedures.
Essential for the control of the cell cycle at the G2/M (mitosis) transition.
Cyclin B2 is a member of the cyclin family, specifically the B-type cyclins. The B-type cyclins, B1 and B2, associate with p34cdc2 and are essential components of the cell cycle regulatory machinery. B1 and B2 differ in their subcellular localization. Cyclin B1 co-localizes with microtubules, whereas cyclin B2 is primarily associated with the Golgi region. Cyclin B2 also binds to transforming growth factor beta RII and thus cyclin B2/cdc2 may play a key role in transforming growth factor beta-mediated cell cycle control.


For the magazine, see Musician (magazine).
For the video game, see Musician (video game).
"Instrumentalist" redirects here. For the philosophical position on science, see Instrumentalism.
Guy Pratt, a professional session musician, playing bass guitar.
A musician is a person who plays a musical instrument or is musically talented. Anyone who composes, conducts, or performs music is referred to as a musician. A musician who plays a musical instrument is also known as an instrumentalist.
Musicians can specialize in any musical style, and some musicians play in a variety of different styles depending on cultures and background. Examples of a musician's possible skills include performing, conducting, singing, rapping, producing, composing, arranging, and the orchestration of music.
"A chantar m'er de so qu'eu no volria"
Written by Beatritz de Dia.
In the Middle Ages, instrumental musicians performed with soft ensembles inside and loud instruments outdoors. Many European musicians of this time catered to the Roman Catholic Church, and they provided arrangements structured around Gregorian chant structure and Masses from church texts.
Renaissance musicians produced music that could be played during masses in churches and important chapels. Vocal pieces were in Latin—the language of church texts of the time—and typically were Church-polyphonic or "made up of several simultaneous melodies." By the end of the 16th century, however, patronage split among many areas: the Catholic Church, Protestant churches, royal courts, wealthy amateurs, and music printing—all provided income sources for composers.
from George Frideric Handel's The Messiah.
The Baroque period (about 1600 to 1750) introduced heavy use of counterpoint and basso continuo characteristics. Vocal and instrumental "color" became more important compared with the Renaissance style of music, and emphasized much of the volume, texture and pace of each piece.
"Piano Sonata No. 8 in A minor"
Composed by Wolfgang Amadeus Mozart.
Classical music was created by musicians who lived during a time of a rising middle class.[when?] Many middle-class inhabitants of France at the time lived under long-time absolute monarchies.[clarification needed] Because of this, much of the music was performed in environments that were more constrained compared with the flourishing times of the Renaissance and Baroque eras.
"Piano Concerto No. 4 in G Major- Andante con moto"
Composed by Ludwig van Beethoven.
The foundation of Romantic period music coincides with what is often called the age of revolutions, an age of upheavals in political, economic, social, and military traditions. This age included the initial transformations of the Industrial Revolution. A revolutionary energy was also at the core of Romanticism, which quite consciously set out to transform not only the theory and practice of poetry and art, but the common perception of the world. Some major Romantic Period precepts survive, and still affect modern culture.
"3 Pieces for Clarinet Alone"
The world transitioned from 19th-century Romanticism to 20th century Modernism, bringing major musical changes. In 20th-century music, composers and musicians rejected the emotion-dominated Romantic period, and strove to represent the world the way they perceived it. Musicians wrote to be "...objective, while objects existed on their own terms. While past eras concentrated on spirituality, this new period placed emphasis on physicality and things that were concrete."
The advent of audio recording and mass media in the 20th century caused a boom of all kinds of music—pop, electronic, dance, rock, folk, country and all forms of classical music.
Musicians can experience a number of health problems related to the practice and performance of music. These can include tinnitus and noise-induced hearing loss, which occurs slowly and over a long period of time, and most musicians do not seek help until they start to experience secondary symptoms such as tinnitus (buzzing or ringing in the ears), distortion of sounds, diplacusis (hearing two different tones when stimulated by a single frequency), and hyperacusis (extreme sensitivity to everyday sounds).
In addition, musicians are at increased risk for both musculoskeletal and vocal health problems when producing high sound levels on musical instruments. Increased biomechanical demands, whether at the hands, embouchure, or vocal cords, elevates the risks for occupational health problems like tendonitis, carpal tunnel, rupture of facial muscles, and vocal cord malfunction.
^ "Types of Musician". About MusicSchools.com.
^ "Music in the Renaissance". The Metropolitan Museum of Art.
^ "The Baroque Era". Oracle Education Foundation. Archived from the original on 28 April 2012.
^ "Unit IV 1750–1914". West Forsyth HS History.
^ "The 20th Century". Fine Arts Society Radio. Archived from the original on 11 June 2012. Retrieved 2 April 2012.
^ "Reducing the risk of hearing disorders among musicians". U.S. National Institute for Occupational Safety and Health. 1 July 2015. doi:10.26616/NIOSHPUB2015184.
Look up musician in Wiktionary, the free dictionary.
This page was last edited on 20 April 2019, at 06:51 (UTC).


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text:
Generali Group / Media / News / Olympic Presence
Olympic Presence
Three pieces from Generali's archaeological collection showcased in outstanding Rio exhibition
Discovering the Olympic sporting disciplines throughout archaeological pieces coming from all over the world. The opportunity is given by the exhibition dedicated to The Olympic Games in Greece and Rome, which is to be inaugurated on July 26 at the Museum of Arts in Rio de Janeiro, host city to the 31st Olympic Games. The exhibition gathers 54 outstanding works from antiquity, grouped by Olympic sporting disciplines, and include three pieces from Assicurazioni Generali's archaeological collection that is kept in the museum located at the Generali Building in Rome's landmark piazza Venezia.
The three pieces that have made their way to the ciudad maravillosa are remarkable slabs depicting sportsmen – wrestlers and boxers – carved by their adoring fans.
Pieces coming from the "Roots of the Present" archaeological collection are present in what is a truly unrepeatable exhibition, chosen alongside amazing pieces such as the Diver of Paestum or the Discus Thrower, the latter an outstanding figure of classic art.
"Roots of the Present" is a unique museum hosting the archaeological finds that surfaced at the time the foundations of the Generali building in Rome were being dug in the early 1900s. Some of these finds go back 2000 years to a time when on that exact spot there was an insula, a kind of multi-floored apartment building where most of the urban citizen population of ancient Rome lived in.
This exhibition is part of the activities promoted by the Italian foreign affairs ministry as part of its Sistema Paese business internationalisation project focused in 2015-2016 on the Year of Italy in Latin America initiative.
The Olympic Games in Greece and Rome
An exhibition at the Museum of Arts of Rio de Janeiro
(26 July through 2 October 2016)
Two of the slabs on loan in Rio depict a couple of boxers with their respective names carved on top. The pictorial pattern is standard: the winner holds one arm aloft, clutching in his hand a glove. The third piece is fragmentary being extant only the figure of the vanquisher. In the course of time, Romans "recycled" such slabs, utilising them as door jambs or even as flooring.


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text:
Q: The universal property of the Liouville $1$-form I am not totally sure if this question is appropriate for MathOverflow, or if it more adeguate to MathStackexchange.
As usual any feedback is welcome.
Introduction
Given an arbitrary smooth manifold $Q$, on the cotangent bundle $T^\ast Q$ there exists a $1$-form $\lambda_Q$, which is variously known as the Liouville $1$-form, or the tautological $1$-form.
Local expression in fibered coordinate
For any local coordinate system $q_i$ on $Q$, let $(q_i,p_i)$ be the associate coordinate on $T^\ast Q$.
Then, locally, $\lambda_Q$ can be given by $$\lambda_Q=\sum_i p_i  \cdot dq_i.\tag{$\star$}$$
These local descriptions can be correctly patched together to give a global $1$-form on $T^\ast Q$.
Intrinsic expression
For any $1$-form $\phi$ on $Q$, we have also $$\phi^\ast\lambda_Q=\phi,\tag{$\star \star$}$$ where in the left-hand side we are looking at $\phi$ as a section $\phi:Q\to T^\ast Q$ of the cotangent bundle $\tau_Q^\ast:T^\ast Q\to Q$.
Indeed this condition is enough to completely determine $\lambda_Q\in\Omega^1(T^\ast Q)$ as its unique solution.
Question
In some references (cfr. these lecture notes on page 8), I have found condition $(\star\star)$ referred to as the universal property of the Liouville $1$-form.
All the examples I know of mathematical objects characterized (up to isomorphisms) by a certain universal property, can be recast in the language of category theory, as universal objects of some category (cfr. for example here).
Now my question is:

The universal property $(\star ~ \star)$ of the Liouville $1$-form can be recast in the language of category theory? or otherwise, in what sense can it be called a universal property?

A: I'm not an expert in differential geometry, but it seems to me that the property of the Liouville $1$-form only talks about the given manifold and its tangent bundle, no other manifolds are involved, hence this isn't a universal property. But I think that we can generalize the property as follows:
Let $\mathsf{Mfd}/X$ denote the category of smooth manifolds $Y$ equipped with a smooth map $Y \to X$. Consider the functor $(\mathsf{Mfd}/X)^{\mathrm{op}} \to \mathsf{Vect}$ which maps $Y \to X$ to $\Omega^1(Y)$. Then I claim that this functor is represented by the Liouville $1$-form $(T^* X \to X,\lambda_X)$. This means: Given $Y \to X$ and $\omega \in \Omega^1(Y)$, there is a unique smooth map $f : Y \to T^* X$ over $X$ such that $f^* \lambda_X = \omega$.
In fact, one defines $f$ to be the composition $Y \xrightarrow{\omega} T^* Y \to T^* X$. Then $f^* \lambda_X = \omega^* \lambda_Y = \omega$.
EDIT: As mentioned in the comments, one has to take relative differential forms $\Omega^1(Y/X)$.


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Does Proposition 47 apply to the crime of Vehicle Code 10851 joyriding?
At the moment, California courts haven't yet made up their minds about the answer to this question.
Proposition 47, passed by California voters in 2014, provided that theft of property worth less than nine hundred fifty dollars ($950) would be a California misdemeanor for most defendants. (Prior to Prop 47's passage, all theft of motor vehicles, regardless of their value, was considered to be grand theft auto, which potentially carries felony penalties.)
The problem is that Prop 47 didn't say anything Vehicle Code 10851, California's joyriding law. Joyriding is the crime of taking and driving someone else's car even if you don't intend to keep it. (In contrast, normal grand theft auto under California's grand theft law requires that the defendant intended to deprive the owner of the car permanently or for a material period of time.) Before Prop 47, joyriding was a wobbler, which is a crime that can be charged as either a misdemeanor or a felony.
Prop 47 makes it clear that stealing a car worth less than $950 is a misdemeanor. But it is NOT clear that the same is true of taking a car worth less than $950 for a joyride.
One California court recently said that Prop 47 DOES apply to joyriding. In People v. Gomez, the California Court of Appeals for the Fourth Appellate District said that under Prop 47 a VC 10851 conviction involving a car worth less than $950 should be a misdemeanor.
By extension, this means that if you were convicted of joyriding as a felony and the car involved was worth less than $950, you should be able to apply to have that conviction reduced to a misdemeanor under Prop 47.
The problem is that the same California Court of Appeals had said exactly the opposite a few months earlier. In People v. Page, the court concluded that–because the statutes added to the Penal Code by Prop 47 don't mention Vehicle Code 10851–joyriding remains a wobbler regardless of the value of the car involved.
The confused state of the law on this point means clients with felony convictions for joyriding in an inexpensive car should still try for a Prop 47 petition for resentencing.


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Marcelo Lehninger | Bob Bernhardt | Julian Wachner
Pearl Shangkuan | Sean & Leah Ivory | Yaniv Segal
Marcelo Lehninger | Music Director
Marcelo Lehninger, who led the Grand Rapids Symphony's critically acclaimed return to Carnegie Hall in 2018, is in his fourth season as Music Director of the Grand Rapids Symphony and recently signed a five-year contract renewal that now extends through the 2025-26 season.
Awarded the 2014 Helen M. Thompson Award for an Emerging Music Director by the League of American Orchestras, Lehninger has led the symphony orchestras of Detroit, Chicago, Houston, Seattle, Toronto and Vancouver. Elsewhere he has conducted the Deutsches Symphonie-Orchester Berlin, the Lucerne Symphony, and the Slovenian Philharmonic. As an assistant to Mariss Jansons, he has toured with the Royal Concertgebouw Orchestra.
In the past year, Lehninger returned to his native Brazil for concerts with the Orquestra Sinfônica Brasileira in Rio de Janeiro, the Orquestra Sinfônica da Universidade de São Paulo, and the Orquestra Filarmônica de Minas Gerais. He traveled to Japan to guest conduct the Yomiuri Nippon Symphony Orchestra in Tokyo and the Kyushu Symphony Orchestra in Fukuoka. Coming this season, he'll make his debuts with the St. Louis Symphony Orchestra, the San Antonio Symphony and the Sarasota Orchestra, and he'll return for engagements with the Rochester Philharmonic Orchestra and with the Boston Symphony Orchestra where he spent two years as assistant conductor followed by three years as associate conductor.
Appointed Assistant Conductor of the BSO in 2010, the following year, on just three days' notice, he led the orchestra in performances that included the world premiere of a new violin concerto by Harrison Birtwistle. Weeks later, the Boston Symphony Orchestra repeated the program in New York City's Carnegie Hall with Lehninger on the podium.
In 2007, Lehninger made a successful debut with the National Symphony Orchestra at the Kennedy Center in Washington, D.C., and was invited to conduct the NSO again the following year. During the 2007-08 season, Lehninger served as music advisor of the Youth Orchestra of the Americas, conducting concerts across South America with the ensemble composed of 120 musicians from more than 20 countries with Placido Domingo as artistic advisor.
Selected by Kurt Masur, Lehninger was awarded the first Felix Mendelssohn-Bartholdy Scholarship in 2008, sponsored by the American Friends of the Mendelssohn Foundation. On three separate occasions he served as Maestro Masur's assistant, with the New York Philharmonic, with the Gewandhaus Orchestra in Leipzig, and with the Orchestre National de France during its residency in Vienna.
In 2011, he participated in the League of American Orchestra's Bruno Walter National Conductor Preview. The following year, he was named music director of the New West Symphony Orchestra, serving four years with the Los Angeles-based orchestra.
Before dedicating his career to conducting, Lehninger studied violin and piano. He holds a master's degree from the Conductors Institute at Bard College Conservatory of Music in New York. A dual citizen of Brazil and Germany, Marcelo Lehninger is the son of German violinist Erich Lehninger and Brazilian pianist Sônia Goulart.
Lehninger, his wife, Laura Krech, and their daughters, Sofia and Camila, live near Grand Rapids.
Updated November 2019
Bob Bernhardt | Principal Pops Conductor
Beatrice A. Idema Chair
Bob Bernhardt is in his seventh full season as Principal Pops Conductor of the Grand Rapids Symphony, continuing to bring his easy style, fine musicianship and infectious enthusiasm to a city and orchestra he has come to love.
In the world of pops, Bernhardt has worked with stars of Broadway including Brian Stokes Mitchell and Kelli O'Hara, with pop/rock and country acts including the Beach Boys, the B-52s and Wynonna, and with entertainers who perform music from multiple genres, including their own songs, such as Ben Folds, Randy Newman, Jason Alexander and Ann Hampton Callaway. He's seldom met a style of music he doesn't enjoy.
Bernhardt, who first appeared with the Grand Rapids Symphony in September 2013 to lead a "Boston Pops Tribute Show," has been a regular guest conductor with the Boston Pops since his debut in 1992 at the invitation of then-Boston Pops conductor, John Williams.
Besides the Boston Pops, Bernhardt has been a frequent guest conductor with orchestras including the Baltimore Symphony, the Detroit Symphony, the Cincinnati Pops, the Pittsburgh Symphony, the Dallas Symphony, the Florida Orchestra, the Seattle Symphony, the Pacific Symphony, the St. Louis Symphony, and the Edmonton Symphony Orchestra, where he's served for 14 15 seasons as conductor of Edmonton's "Symphony Under the Sky Festival."
This season, Bernhardt celebrates his 40th anniversary with the Louisville Orchestra which is also his 25th season as Principal Pops Conductor there. He also is in his tenth season as Music Director Emeritus and Principal Pops Conductor of the Chattanooga Symphony and Opera, where he previously was Music Director for 19 seasons.
His previous posts include serving as Principal Conductor and Artistic Director of the Rochester Philharmonic, as Music Director and Conductor of the Tucson Symphony, as Music Director and Conductor of the Amarillo Symphony, and as Artistic Director of the Lake Placid Sinfonietta.
A lover of opera, he conducted productions with Kentucky Opera for 18 consecutive seasons as well as for 19 seasons with his own company in Chattanooga, along with many guest conducting engagements with the Nashville Opera.
Bernhardt received his master's degree with honors from the University of Southern California's School of Music, studying with Daniel Lewis. He received his bachelor's degree in fine arts from Union College in Schenectady, New York, where he graduated Phi Beta Kappa, summa cum laude, and was an Academic All-American Baseball Player.
He lives with his wife, Nora, in Signal Mountain, Tennessee.
Julian Wachner | Grand Rapids Bach Festival Artistic Director
Studio C | Loeks Family Chair
Julian Wachner, Artistic Director of the Grand Rapids Bach Festival, is a multi-Grammy-nominated conductor, composer and keyboardist who also serves as Director of Music and the Arts at Trinity Church Wall Street in New York City.
Appointed Artistic Director of the Grand Rapids Bach Festival in March 2018, Wachner will lead the 12th biennial festival in March 2019, including the awarding of the inaugural Linn Maxwell Keller Distinguished Bach Musician Award.
Named one of New York City's "10 Imagination-Grabbing, Trailblazing Artists of 2014" by WQXR-FM in the New York metropolitan area, Wachner oversees an annual season of hundreds of events at historic Trinity Church Wall Street in lower Manhattan. His duties include conducting Trinity's flagship weekly series, Bach-at-One, and leading Compline-by-Candlelight, Trinity's innovative fully-improvised variation on an ancient monastic ritual. Wachner curates the church's the long-standing series Concerts-at-One, an eclectic program of weekly concerts that are webcasted in live HD. At Trinity Wall Street, Wachner serves as the Principal Conductor of NOVUS NY, Trinity's resident contemporary music orchestra, the Trinity Baroque Orchestra, and the Choir of Trinity Wall Street.
His guest conducting credits include engagements with the Philadelphia and Pittsburgh Symphonies, San Francisco Opera, Lincoln Center Festival in New York City, Handel & Haydn Society in Boston, and Philharmonia Baroque Orchestra & Chorale in San Francisco. He served as Music Director of the Washington Chorus in Washington, D.C., for nine seasons from 2008 until 2017.
A composer with more than 60 works to his credit, Wachner's extensive outburst of compositional creativity in 2017-18 included Gaudé: An LB Anniversary for Large Orchestra, commissioned by the Colorado Music Festival; TS Variations, commissioned by the Royal College of Canadian Organists; and Psalm 90, composed for The Tallis Scholars, Norwegian Soloists Choir, Netherlands Chamber Choir, and The Choir of Trinity Wall Street for Lincoln Center's White Lights Festival.
His 2017-18 season included Regina Coeli à 8 for the Ora Singer's ORA100 recording project with Harmonia Mundi; Epistle Mass, written in collaboration with librettist Royce Vavrek for Trinity Wall Street's Mass Reimaginings project; and a festival setting of I'll Praise My Maker which was premiered at the opening ceremony of the American Guild of Organists Regional Convention in Richmond, Virginia.
Crowning these works was the world premiere of Wachner's second full-length opera, REV 23, a farcical comedy with an original libretto by Pulitzer-Prize-winner Cerise Lim Jacobs imagining life after Armageddon for White Snake Projects.
Wachner's many recordings are for labels including Chandos, Naxos, Atma Classique, Erato, Cantaloupe Music, Arsis, Dorian, and Musica Omnia. In 2017, Wachner, the Choir of Trinity Wall Street, and NOVUS NY released a recording of Du Yun and Royce Vavrek's Angel's Bone, winner of the 2017 Pulitzer Prize. Other recent releases include the Grammy-nominated recording of Handel's Israel in Egypt, and the world premiere and Grammy-nominated recording of Julia Wolfe's 2015 Pulitzer prize-winner Anthracite Fields.
Pearl Shangkuan | Chorus Director
Covenant Chair
Pearl Shangkuan, now in her 18th season as chorus director of the Grand Rapids Symphony Chorus, is a much sought-after guest conductor who has led performances and workshops and presented lectures in six continents. Active among the national leadership of choral conductors, she has served as president of the Central Division of the American Choral Directors Association.
Recent engagements include conducting international choral festivals in France in 2017 and in England in 2019 in a joint residency with American composer Dan Forrest. Shangkuan has conducted in New York City's Carnegie Hall and for many prestigious All State Choral Festivals in the United States. She has lectured at many international conferences and served as a judge in several international choral competitions in Europe and Asia.
Director of Choral Activities and professor of music at Calvin University, Shangkuan's choirs have performed at the national, division, and state conferences of the American Choral Directors Association and have toured Asia, Europe, South America, and South Africa.
A student of the late Joseph Flummerfelt, pre-eminent American choral conductor and former chorus master of the New York Philharmonic, Dr. Shangkuan received her Bachelor of Music degree in church music (summa cum laude) and Master of Music in choral conducting (with distinction) from Westminster Choir College in Princeton, New Jersey. She earned her Doctor of Musical Arts in choral conducting from Rutgers University.
Dr. Shangkuan has a signature choral series with Earthsongs publishing and is the music editor of the Calvin Institute of Christian Worship music series, published by GIA. She and her family live in Grand Rapids.
Sean & Leah Ivory | Youth Chorus Co-Directors
Jane Gaebe Memorial Chair
Founding director of the Grand Rapids Symphony Youth Chorus and its select treble ensemble, Mandala, Sean Ivory is a choral conductor, pianist and composer living in Grand Rapids.
Mr. Ivory attended Northwestern University, Calvin College and Michigan State University. Since 1992, he has been the vocal music instructor at Forest Hills Central High School. He has held past positions at St. Cecilia Music Center, the North American Choral Company, Calvin University and has directed the Calvin College Oratorio Society. In January 2020, Mr. Ivory became the director of the Calvin University Alumni Choir.
In addition to his activities as a teacher and conductor, Mr. Ivory also works as a pianist and composer. Several of his works, many of which are collaborations with Chicago composer Paul Caldwell, are published by Earthsongs, Alliance Music, Hal Leonard and GIA Music. Mr. Ivory's solo compositions are published by MusicSpoke, a new online music distributor.
One of Mr. Ivory's new compositions, The Peace of Wild Things, is featured on Ecstatic Songs, a new recording released in March 2018 on the Blue Griffin label, by mirabai, a professional women's choral ensemble directed by Dr. Sandra Snow from Michigan State University.
Leah Ivory, Grand Rapids Symphony Youth Choruses co-founder, has accompanied for choirs at St. Cecilia Music Center, the North American Choral Company, and at Calvin University, her alma mater. She currently serves as artistic director of GRSYC and co-directs the Youth Chorus with her husband Sean, in addition to directing the intermediate choir, Mosaic Singers.
Mrs. Ivory accompanies the choirs at Grand Rapids Christian High School. In addition to her piano and choral work, she is a drummer in the West African tradition, certified through the Tam Tam Mandingue Djembe Academy. Mrs. Ivory teaches djembe, offers drumming workshops in schools, leads team building activities, composes music featuring West African rhythms, and performs in a variety of settings.
In January 2021, Mrs Ivory began teaching World Music at Calvin University.
Choirs led by Sean and Leah Ivory have performed at both state and regional conventions for the American Choral Directors Association, and have toured Ireland, the Netherlands, Finland, Estonia, Ghana, the Czech Republic, Trinidad and Iceland.
Updated December 2021
Yaniv Segal | Interim Youth Symphony Conductor
Creative polymath Yaniv Segal has achieved critical success since childhood for his work as a symphonic conductor, composer, actor, and violinist. A rising star who is "redefining classical music" (Esquire Magazine), Yaniv is Conductor Laureate and Artistic Advisor of the Chelsea Symphony, former Assistant Conductor of the Detroit Symphony Orchestra and the Naples Philharmonic, and has also assisted at the New York Philharmonic. He has collaborated with performers such as Yitzhak Perlman and Nadja Salerno-Sonnenberg, guest-conducted orchestras around the globe including the Minnesota Orchestra, Kansai Philharmonic, Sinfonietta Cracovia, and Beethoven Academy Orchestra, and been described as "enthusiastic, lively, and incisive" (Giornale di Sicilia) and "illuminating" (New York Times). In addition to serving as the Interim Conductor of the Grand Rapids Youth Symphony and Classical Orchestra during the 21-22 season, Yaniv is a Music Director finalist with the Rockland, Ashland, and Salina Symphony Orchestras.
In 2020, NAXOS released Yaniv's Beethoven REimagined, a commercial recording made with the BBC National Orchestra of Wales. The album, called "exciting [and] outrageous" (Times of London), presents contemporary music inspired by Beethoven arranged and written by Yaniv as well as composer/DJ Gabriel Prokofiev. Previous commercial releases include the works of David Chesky on the album Joy and Sorrow, and The Mice War, an opera that teaches the children about the folly of war.
Drawing on his experience as a music educator and father of two young boys, Yaniv wrote The Harmony Games in 2018. It was commissioned by the Naples Philharmonic to introduce school-age children to the orchestra while connecting music to math, and has already been performed over fifty times. In 2021-22, Yaniv's works will be performed by the Reno Philharmonic, Ashland Symphony Orchestra, Macau Orchestra, and Norwalk Symphony.
Yaniv grew up in New York with a Polish mother –a violinist who was one of the first women in the New York Philharmonic– and an Israeli father –a luthier who made the instruments his family plays on. As a child, he sang at the Metropolitan Opera, then starred as Colin in the International Broadway Tour of The Secret Garden, and was "convincing" (New York Times) as Joe in Tom Stoppard's Hapgood at Lincoln Center. He studied violin with Setsu Goto, and twice was a soloist with the Yonkers Philharmonic. Yaniv attended Vassar College and earned graduate degrees in conducting and composition at the University of Michigan with support from the Paul and Daisy Soros Fellowship for New Americans. He has also studied with Lorin Maazel and Kurt Masur, and continues to receive mentorship from international conductors Leonard Slatkin and Andrey Boreyko.