text:
Will the last candidate standing please vote for someone else
I've been consciously participating in Australian politics since I first voted in 1974 and I can't recall any campaign period that's been more shambolic than this one.
Already, fourteen (yes, 14) candidates have been disendorsed by their parties and one, the bankrupt former One Nation senator, Rod Culleton, has been referred to police over his ineligibility to stand.
Most have been struck down since nominations closed a week ago, so they'll still be on the ballot paper.
What an omnishambles wrapped in a clusterf*ck and dipped in glitter-infused turds!
I don't think even 1975 came close to being this bad and that was a bitter campaign on both sides that eventually saw Malcolm Fraser elected and Whitlam vanquished.
The Murdoch press played a role then in demonising the ALP and helping Fraser win. The Murdoch papers and Sky News are playing a similar role today – as they have in almost every election since the late 1960s – this time, though, their preferred Prime Minister is looking like a cooked goose.
Leave a Comment »	| #auspol, australian politics	| Tagged: #AusVotes2019, Angus Taylor, Bill Shorten, election 2019, humour, One Nation, Scott Morrison	| Permalink
#AusVotes2019: Are we there yet?
As a rule, I don't mind election campaigns but this one already feels like stale pizza sitting in the bottom of the fridge. I'm hungry, but I really don't want to eat it.
So, we got through the first couple of the of five election campaign weeks relatively unscathed. Good Friday provided a respite day even though we still got footage of a smirking Prime Minister bothering God and small children.
Bill Shorten went to Luna Park in Melbourne, an apt metaphor for the swings and round-abouts of campaigning and the roller-coaster ride of chaos that has characterised federal politics over the last four years.
The 'circus' analogy gets over-used, but if it's OK for Michelle Grattan to double-down on it, who am I to be picky.
We may have had a short break from the campaign over Easter, but are we any closer to having a clear front-runner for the only poll that counts on 18 May?
Well, I thought it was pretty clear from the last gazillion Newspoll results that the ALP was going to win the election in a canter.
However, Michelle Grattan (no, I'm not picking on her) reckons it was a "scratchy" first week for Shorten because of a small gaffe on superannuation and because he's "vulnerable" on Labor's ambitious carbon emission reduction policies.
Well, I'm Okay with that because at least the ALP has some policies to quibble about. The Liberals, on the other hand, are in such confusion they don't even know what their own policies are – like on electric cars, for example.
But some scribes even reckon Morrison is somehow making a comeback.
That's like saying a man on life-support in a palliative care ward is going to make a full recovery.
I'm really not sure how they reach such fanciful conclusions.
Ah well, I suppose anything is possible inside the Canberra "bubble".
So how is Morrison going to stage this political miracle?
Well he is, after all, Scott the "disruptor" according the Katharine Murphy writing in The Guardian:
Scott Morrison's strategy is to run over the top of the trench firing bullets every which way, in an effort to disrupt Shorten's rhythm.
Well, he has to, doesn't he?
Morrison has no choice but to act like a demented and stupid-brave World War One sapper high on the fumes of battle. There is nothing else there.
The Liberal Party has been totally devoid of ideas, imagination, initiative and innovation ever since Peta Credlin and Tony Abbott were running the country after trashing the joint in the 2013 election.
Turnbull had nothing in 2016 and only just hung on because Labor started from a long way behind after the Rudd-Gillard-Rudd omnishambles and the deceitful 'carbon tax' campaigning masterminded by the discredited Credlin.
Three years later and Morrison has had a chance to prove to the Australian public that he's an empty vessel. Well, not exactly empty, he's actually full to overflowing with bombastic populism, smug ego and meaningless fury.
Let's take the electric cars policy as an example.
The COALition began the campaign bagging Labor's pledge to have 50 per cent of all new car sales converted to electric vehicles by 2030. That's a whopping decade away and its only half of the average 1.1 million new cars sold each year, according to industry figures.
So that's 500,000 electric vehicles added to the national fleet, on average from 2030 onwards.
It is an ambitious policy given that there are less than 10,000 electric vehicles currently on Australian roads, including about 4000 Tesla models. This is about 0.3 per cent of the total number of cars on the road.
So, it seems that the Liberals might have been right to poke holes in Labor's policy. The only problem was, the COALition had an almost identical policy on the books.
Morrison and his ministerial colleagues looked stupid when they were warning Australian petrol-heads that Bill Shorten was coming for their petrol utes and big-engined cars, in a bid to wreck their enjoyment of the traditional Aussie weekend pursuits, like boat and caravan towing and driving illegally off the beaten track through national parks.
Morrison looked stupid, but then Peter Dutton and Angus Taylor stepped up and gave Scotty their beers.
Peter Dutton is on a knife-edge margin in his Queensland electorate of Dickson, so he made the excellent decision to attack his Labor opponent for not living in the electorate.
Fair enough, if you conveniently forget that Dutton owns several luxurious multi-million dollar properties outside of Dickson himself.
But the attack focused on Ali France's disability. She has a prosthetic leg because of a horrific car accident. She lives close to Dickson in a home she spent over $100,000 on to modify in order to make it convenient for her.
So what did Dutton do? Well, he's well-known for his sensitivity to less-fortunate people and promised us when challenging Turnbull that we would see more of his engaging human side.
Thanks Peter, you're doing well.
He said – in an engaging and human way – that Ms France was milking her disability in order to win the sympathy vote in Dickson. His grovelling apology was equally engaging and human.
Peter Dutton targets Labor's candidate, accusing amputee Ali France of using her disability "as an excuse'' for not moving into the seat. https://t.co/2mnYT8FGnJ
— The Australian (@australian) April 11, 2019
I guess we should also not be surprised that this story was first run in The Australian. The Murdoch media is going all out to help the coalition.
Senior kool-aid dispenser Piers Akerman was photographed out on a door-knocking campaign walk with Tony Abbott in Warringah. He looked really happy to be there just standing "in the background", but the candid snap confirmed what we have been saying all along.
The Liberal Party is a subsidiary of NewsCorpse.
News Corp columnist Piers Akerman, in Tony Abbott tee shirt, campaigning for Abbott in pic tweeted by Abbott but now deleted. Not even pretending they're balanced now are they? pic.twitter.com/aNPrqpu6m9
— Stephen Spencer (@sspencer_63) April 13, 2019
And what about poor old Angus Taylor. Taylor is the Energy Minister in Morrison's government and he has previous form as a nasty, spiteful dickhead. He was famously sacked by British Tory knob, Boris Johnson, while he was mayor of London.
In that instance Taylor was accused of making insensitive racist comments. He's right at home in the modern Liberal Party where he has languished for the last five years.
Taylor must have been thinking that the Liberal campaign could do with a boost in the past week, so he thought it the right time to grab the headlines with a poorly-timed and ill-conceived threat of legal action against two independent journalists over their retweet of a now infamous Twitter thread on the minister's involvement in the snowballing water scandal that brewing away nicely in the background.
There is no better way to draw the spotlight onto yourself and your possibly dodgy dealings than issuing threatening legal letters to journalists who don't have a lot to lose.
Given Mr Taylor's propensity to launch his lawyers at anyone suggesting he acted with impropriety we are making no comment on the water sales issue, but we can't help but think that firing off a defamation threat in the middle of an election campaign is a distraction Scott Morrison could do without.
As an aside, we can note that the other senior COALition figure allegedly in the centre of the water sales scandal is the delightful family man and member for New England, Barnaby Joyce.
Question for Barnaby and Angus. Who owns the other 90pc of the shares in the Caymans entity which benefitted from the sale of Aus water rights? #Watergate https://t.co/1Wpt7KLuMU
— 💧Michael West (@MichaelWestBiz) April 20, 2019
It's a short week this week with the Easter Monday and ANZAC Day holidays. Both Morrison and Shorten have said they won't officially campaign on those two days, but we can be sure that their faces will grace the nightly news and dominate the front pages because it's much easier for the journalists to just follow the leaders than attempt to cover actual policies.
Burn of the campaign – so far
The false war over electric cars made for some interesting door stops and prompted several car manufacturers to publicly critique the COALition's scare-mongering.
My favourite burn moment of the campaign so far has been the start of a television advertising campaign for the global launch of the all-electric Hyundai Kona, a compact SUV that will retail for around $37,500.
This is an affordable and smart-looking option for people wanting to go into the EV market.
It may not be deliberate, but the Hyundai advert feels like a giant FU to the Liberals this week.
It's quite funny to think that the COALition might get run down by a fleet of electric cars.
Leave a Comment »	| #auspol, elections, Politics (capital P)	| Tagged: #AusVotes2019, #watergate, federal election 2019, Scott Morrison	| Permalink


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Today in Tech History – Apr. 13, 2014
Today in Tech History / April 13th, 2014
In 1960 – The United States launched Navy Transit 1-B. It demonstrated the first engine restart in space and more famously the feasibility of using satellites as navigational aids, proving systems like GPS would work.
In 1970 – The crew of Apollo 13 heard a sharp bang and vibration followed by a warning light. Jack Swigert radioed back the famous words "Houston, we've had a problem here."
In 1974 – Western Union, NASA and Hughes Aircraft, teamed up to launch the United States' first commercial geosynchronous communications satellite, Westar 1. The system relayed data, voice, video, and fax transmissions to the continental U.S., Hawaii, Puerto Rico, Alaska, and the Virgin islands.
In 2000 – Heavy metal band Metallica launched their lawsuit against Napster for enabling thievery and copyright infringement. It was the beginning of the end for Napster and all music piracy. Well, at least for Napster.
Subscribe to the podcast. Like Tech History? Get Tom Merritt's Chronology of Tech History at Merritt's Books site.
FSL Tonight 2014: Hoth's Tove League

redpajama_set_name: RedPajamaCommonCrawl


New development in the heart of Sant Julià, 6-storey building constructed according to the highest quality standards of the time, thanks to its central location leaves us coming all the services needed for the day. This 110m2 apartment is distributed in a functional and has three bedrooms, one bedroom Is in suite with bathroom with bath, and two double rooms sharing a bathroom with shower. The three bedrooms has wide built-in wardrobes of the mark Carré, who has been in charge of all woodwork and marquetry of the apartments. The day area is a large living room with panoramic views and an open kitchen type office. Also, there is a room used for laundry. The floors are parquet and the living rooms, porcelain tiles for kitchen and bathrooms, underfloor heating, electric shutters, aluminum windows with thermal break. The parking spaces and storage are optional, the price is € 22,200 and € 2,725 respectively.


Agra and Jaipur are two popular historical Place of India. Taj Mahal is the major highlight of India tourism. People from different corners of world visit India to get a breathtaking view of the Taj Mahal. Hawa Mahal is another striking monument of India famous for its numerous windows. It is one of the must visit attractions of Rajasthan. You can also visit these popular monuments. Plan a trip and embark on a journey. You can hire a car to make your journey convenient and comfortable. You will also find many other attraction sites in home city of these monuments.
Taj Mahal is one of the most visited monuments of India. It is positioned in Agra, Uttar Pradesh. Millions of tourists visit India to see marvelous Taj Mahal. It is one of the Seven Wonders of Medieval World. It is also an UNESCO World Heritage Site. It is believed to be one of the most beautiful creations of Mughal Period. There is a famous story behind the construction of Taj Mahal. It was constructed by Shah Jahan in loving memory of his wife Mumtaj Mahal. It is therefore, called as "Epitome of Love". It is made of white marble. The marbles were specially brought from Rajasthan.
The Taj Mahal is a very beautiful monument and has stunning interior decorations. The interiors are decorated with mural, stone carvings, etc. The doorway of the Taj is adorned with bands of calligraphy. The tomb is beautifully crowned with lotus buds and finials. These all things make it a wonderful monument. Besides Taj Mahal, you can visit many other tourist attractions sites like Agra Fort, Itmad -ud -Daulah Tomb, Panch Mahal, Akbar's Tomb, etc in Agra. You can rent an Agra car rental to visit all these tourist attraction spots. You can easily get a car rental Agra near by railway station and airport.
The Hawa Mahal is situated in Jaipur, Rajasthan. It is popularly called as "Palace of Winds". There are more than 950 windows in the Mahal. These windows are called as Jharokhas. Jharokhas are small windows. These jharokhas are decorated with intricate lattice work. It is really very beautiful monument. It is made of red and pink sandstone. It is the very charm of Jaipur city. Apart from Hawa Mahal, there are many other historical sites in Jaipur. Some of the popular historical sites of Jaipur are Amber Fort, Jaigarh Fort, Nahargarh Fort, City Palace, Jantar Mantar, etc. You should hire a Jaipur car rental to visit all these places.


Enjoy exclusive discounts on specially selected cases, plus free delivery, by joining the BBC Good Food Wine Club, offered in partnership with Laithwaite's.
Welcome to the BBC Good Food Wine Club. In partnership with Laithwaite's, we're offering discounts on exclusively curated cases of wine, chosen by wine experts and the BBC Good Food team, for you to subscribe to or buy as a gift.
All cases contain a free bottle of Prosecco and two Dartington champagne flutes (together usually worth £30.99).
Read about how to sign up today.
What can you expect in your first case?
Order for just £54.99 (saving over £55) – only £4.59 a bottle!
There's a European slant to this selection, but the wines are far from traditional. From the east we have a Romanian wine, a blend of local grape Fetească Neagră with Shiraz. Then from the country next door, Moldova, a Cabernet that tastes exotic and spicy. The same grape tastes quite different when grown in the Languedoc, like the ripe juicy Chevalier de Caylus. With the whites we have two Italian classics, a Verdicchio and a heady blend from Tuscany. Finally there's a lone New World wine – although 'new' is a bit of a misnomer, as Marsanne has been planted in Australia for well over 150 years.
Order for just £54.99 (saving over £61) – only £4.59 a bottle!
This season's white case (with one rosé) contains grape varieties that deserve to be better known. If you think German Rieslings are sugary, you're in for a pleasant surprise with the bone-dry, lime-scented Von Reben. Then there's a Marsanne, a speciality of Victoria in Australia. Next come two blends, the heady Collezione di Paolo Bianco Vergine from Italy combining Trebbiano with Chardonnay and Malvasia, and a mixture of southern French grapes from a legendary producer, Mas de Daumas Gassac. Finally, a delicate rosado from Portugal made from local varieties combined with a grape that needs no introduction – Cabernet Sauvignon.
Order for just £54.99 (saving over £69) – only £4.59 a bottle!
Two of the wines here showcase case the adaptability of Cabernet Sauvignon, the grape originally from Bordeaux that has conquered the world. It thrives almost anywhere with enough sunshine but it always tastes different. There is the ripe Chevalier de Caylus from the Languedoc, and then in the Pueblo Gaucho from Argentina the Cabernet plays a supporting role to Malbec. And then three wines that are completely different: the crowd-pleasing Dinastía Manzanos Rioja, the Burebista from Romania which combines Shiraz with a native grape, and finally from the Douro valley in Portugal the utterly irresistible Castelo do Vinteiro.
What is the BBC Good Food Wine Club?
The BBC Good Food Wine Club offers you savings on exclusively curated cases of Laithwaite's wine. Once you've signed up using our introductory offer, you will be enrolled onto a Laithwaite's plan of four, eight or 12 weeks, unless you opt out after creating your account. Your plan is customisable, plus Laithwaite's will regularly send you exclusive offers on BBC Good Food collaboration cases.
Each case will contain tasting notes for pairing wine with food, along with the stories behind each bottle and serving suggestions.
If you're not happy with the plan, you can cancel at any time, no questions asked.
To read more, visit bbcgoodfoodwineclub.com.
How is the wine chosen?
In collaboration with wine writer Henry Jeffreys, the BBC Good Food team has selected food-friendly bottles of red, white and rosé wine to make up our introductory cases. Guided by the expert team at Laithwaite's, we tasted each wine to bring you our ultimate selection.
We chose red, white and mixed cases, each containing award-winning, beautiful wine that we're confident our readers will love. Each case is priced at £54.99, offering you amazing savings of up to £69 on each case – that's only £4.59 a bottle.
To redeem the offer, visit bbcgoodfoodwineclub.com to choose one of the three cases, create an account and place your order. You'll then receive your first case within three working days.
Offer ends 1st November 2018.
By purchasing a case of wine under this introductory offer, you are joining the BBC Good Food Wine Club and the following terms apply in addition to our Wine Plan terms and conditions. Future selections are priced from £99.99 (plus £7.99 for delivery) every 12 weeks (or 4 or 8 depending on the frequency requested by you), with an additional case at Christmas.
New BBC Good Food Wine Club customers only for delivery in the UK (excluding Channel Islands and BFPO addresses). You or anybody you buy wine or other alcoholic products for must be 18 years or over. All goods are subject to availability and all orders are subject to acceptance by us. Offer limited to one case plus free gift and free delivery per household and cannot be used in conjunction with any other offer or promotion. In the unlikely event of a wine becoming unavailable, a substitute of similar style and of equal or greater value will be supplied. If you are unhappy with any substitutions you receive we will arrange to collect them from you (free of charge) and replace the bottles or give you a refund as appropriate. Standard delivery (usually £7.99 per order but free with this offer) takes 3 working days (delivery to offshore islands, NI Scottish Highlands and some other areas of Scotland may take a few days longer). If you change your mind about some or all of your order, you may cancel your order up to and including 14 calendar days after the day on which you receive your order by phone, email or completing the cancellation form. We will then arrange to collect (free of charge) the unwanted goods and reimburse the appropriate sum paid including delivery costs if applicable (up to the amount charged for the least expensive kind of delivery service we offer) within 14 calendar days after the day on which you tell us that you wish to cancel. However, if you handle the goods whilst in your possession in a way which would not be permitted in a shop (e.g. by opening a bottle of wine or removing a seal), we will reduce your refund to reflect the reduction in the value of the goods. If you have any questions about an offer (including on purchasing different quantities of wine), your order or privacy matters, please call 03330 148 188 (calls to this number cost the same as calling an 01 or 02 number. Where calls to an 01 or 02 number are part of any 'inclusive' minutes (on mobile or landline), calls to this number will also be included), or email us at [email protected]. We may monitor and record calls for training purposes.
BBC Good Food Wine Club is operated by Laithwaite's Wine, part of Direct Wines Ltd. Registered in England and Wales. Registered Number 1095091. One Waterside Drive, Arlington Business Park, Theale, Berkshire, RG7 4SW.
Unless otherwise stated, all wines contain sulphites.
What do Tour de France cyclists eat?


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Q: How to verify if a button is enabled and disabled in Webdriver Python? I tried using the following from another post driver.find_element_by_name("sub_activate").click().is_enabled()
but got this error:

AttributeError: 'NoneType' object has no attribute 'is_enabled'

A: The following works for me:
element = driver.find_element_by_name("sub_activate")
prop = element.get_property('disabled')
print (prop)

>>>> False

Returns 'true' if enabled 'element.get_property('enabled')

A: You don't need to call click(). Just find the element and call is_enabled() on it:
element = driver.find_element_by_name("sub_activate")
print element.is_enabled()

FYI, click() is a method on a WebElement, it returns None.

A: You are calling is_enabled() on the click() result (None).
Instead, you should first get the element, check if it is_enabled() then try the click() (if that is what you are trying to do).
Take a look at the docs for the methods on the webelement.
is_enabled()
    Whether the element is enabled.

click()
    Clicks the element.

For example:
elem = driver.find_element_by_id("myId")
if elem.is_enabled():
    elem.click()
else:
    pass # whatever logic to handle...

A: IWebElement button = driver.FindElement(By.Id("ButtonId"));

Assert.AreEqual(false, button.Enabled); /*Validates whether the button is Disabled*/

Assert.AreEqual(true, button.Enabled); /*Validates whether the button is Enabled*/

A: driver.find_element_by_name("sub_activate").click().is_enabled()

In the above method you have used click() method. Without using it you can verify whether a button is disabled or enabled. It returns a Boolean value.

A: You Can try this one also:
Assert.assertTrue(driver.findElementById("Disable Element Id").isEnabled());

It worked fine in my case.

redpajama_set_name: RedPajamaStackExchange


CellStat is a tool for quantitative analysis of in vivo imaging of yeast cells in microscopy. The emphasis lies on robust methodologies, which enables long time-lapse studies of protein localization, migration, and inheritance over several cell cycles, as well as high throughput screening of protein functionality of a large number of gene-disrupted cells.
CellStat is a plug-in for Matlab with a graphical user interface that incorporates automated recognition and tracking of yeast cells from transmission microscope images with quantification and localization of GFP-labeled proteins using fluorescence microscopy. The recognition part features gradient based segmentation, boundary tracing, neck point detection, ellipse fitting, and a highly specialized dynamic programming scheme while the tracking utilizes the Hungarian algorithm. CellStat currently runs under Windows® 32-bit with Matlab® from Mathworks installed (no toolboxes required). A version of CellStat can be supplied on request by email to cellstat@fcc.chalmers.se.


text:
Nicolae Constantin Dică, né le 9 mai 1980 à Pitești, est un ancien footballeur international roumain évoluant au poste de milieu offensif.

Biographie

Palmarès

En club

Distinctions personnelles
 Vice-meilleur buteur de la Coupe UEFA 2005-2006 avec 6 buts

Liens externes

Footballeur international roumain
Joueur du FC Argeș Pitești
Joueur du Steaua Bucarest
Joueur de Calcio Catane
Joueur de l'Iraklis Thessalonique
Joueur du Manisaspor
Joueur du CFR Cluj
Joueur du FC Viitorul Constanța
Entraîneur roumain de football
Naissance en mai 1980
Naissance à Pitești

redpajama_set_name: RedPajamaWikipedia


Gary Kirsten on Monday appreciated the sentiments of Indian players, who want him to stay as coach of the World Cup winning team, but politely refused to honour the wish, citing family commitments.
Senior India batsman Sachin Tendulkar and Yuvraj Singh want Kirsten to continue in the job, saying the inspirational South African worked hard for the team's success and would be missed.
Kirsten said it would not be possible as he needs to spend time with his family.
"It's been humbling to be asked to stay back. This has been a massive privilege for me but I did make a commitment to my family that it's gonna be a three-year journey," Kirsten said.
"It's a lot of sacrifice to be away from home for long time. I have two sons — seven and four — and they need to see little bit of dad. It's not easy," he told a telivision channel.
Kirsten had decided to quit from his position as India coach before the World Cup had begun and has played a key role in transforming the Indian team into world beaters.
"Personally I want Gary to continue but I understand he has got commitments and he must have thought about this before the tournament. I respect his decision," Tendulkar said.
"It has been a pleasure to work with him, he worked as hard as the players, he is like a bowling machine, bowling 200-300 balls to the batsmen. It has always been a fabulous experience to rub shoulder with him, we will miss him," he added.
Yuvraj, who was going through a rough patch before the World Cup, said Kirsten was a father figure and helped him to regain his confidence.
"He always kept a check on me. He pulled me up when the chips were down. He is a father figure and I am going to miss him," Yuvraj told ICC's official website.
"Cricket has been in the right direction since Gary came on and I hope it will remain so," said Yuvraj.


Furore is also known as "the town that doesn't exist", for its urban layout characterized by scattered villages surrounded by terraced vineyards.
The town's name derives from the praia, or beach, from the Latin word pelagium, meaning "open sea." Praiano had an important local silk industry, however, it disappeared during the 19th century. With the discovery of corals in the vicinity around the 1800s, Praiano's economy was revitalized, mainly focusing on the fishing and tourism industries ever since. One popular attraction is the Church of San Luca Evangelista, dating back to 1123. Another attraction is the Church of San Giovanni Battista, featuring a well-preserved maiolica tiled floor, dating back to the 12th-13th centuries.
Positano isone of the best known places of the Amalfi coast for its picturesque staircases, whitewashed houses following the natural course of the mountain and creating a vertical landscape.
Amalfi is the town that gives its name to the coast, is situated at the mouth of the Valle dei Mulini.
Meeting with the tour guide and departure by de luxe coach or private limousine to Sorrento. The road winds through small and picturesque villages like Praiano, Furore. Stop in Sorrento, a beautiful city of the Amalfi coast, famous its his Limoncello. Then we will reach a viewpoint of the Sorrentine Peninsula where you can enjoy the beautiful view over the Volcano Vesuvius. Continue to the romantic city of Positano where a special welcome drink will be served in a fascinating location. Continue to Amalfi, the last stop of this special tour.
Wishing to enjoy this fabulous tour? Drop us a line!


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Sleepy Hollow, Season Three, Episode Fourteen: Into the Wild
The episode begins with Abbie and Jenny rock climbing. It's clear that the year Abbie spent in the alternate dimension has left her in some great shape. Abbie is also in no mood to suffer fools when some strange man tries to get her to play the role of helpless woman. Gotta say, Abbie had me screaming booya.
When they get back, Abbie learns that Ichabod has made plans for them to travel to Rochester N.Y. to meet a professor to discover more about the symbol which Abbie seems to be addicted to. Abbie has to take a rain check because Daniel has organized a survival training weekend for the FBI. I was initially not pleased to see Abbie and Ichabod go their separate ways for this episode because Sleepy Hollow is always better when these two are playing off of each other. We've also had enough of Abbie and Crane being separated from each other recently.
At the training site, Abbie learns that they are going to be given the bare minimum to survive and this means no cell phones. As a die hard city girl, I would consider this particular assignment cruel and unusual punishment. Unsurprisingly, Abbie gets paired up with Sophie and because their third partner is in the hospital, Daniel decides to join them. Sophie is certain that this is going to be awkward and she's right. As I mentioned earlier, I wasn't pleased to see Abbie and Crane separated but this little weekend retreat gives Abbie and Sophie a chance to bond which is important given that they are going to be working together. We learn that Sophie sees the supernatural as something which could possibly give her answers regarding her missing parents while Abbie can only see all that she has lost because of the supernatural. While the women chat, Daniel and the tour guide find an old well. The tour guide leans in long enough to take a picture and it quickly becomes clear that there's something supernatural in the well.
They don't get far from the well when the guide is attacked by some mummy looking reject. The guide gets bitten and Abbie and Sophie cover claiming that the guide was bitten by a coyote. After giving the guide some basic first aid, they build a wooden stretcher planning to walk him out of the woods. Sophie believes that Daniel should be told what is going on but Abbie is adamant that anyone she has ever brought into the supernatural has suffered extreme consequences. Ummm so how is letting the man walk through the woods unaware of the real threat actually taking care of him? Abbie feigns tiredness and stays behind as Daniel and Sophie start walking back to the cars. The creature attacks and Abbie manages to cut off its hand, only to watch in horror as it regenerates. This time, it's Sophie to the rescue and she manages to save Abbie. When they meet up with Daniel, Abbie suggests resting at a cabin for now. Is anyone else wondering why they feel the need to rest? How far could they have gotten from the starting point given that at one point they were walking in circles?
They aren't at the cabin for long before Daniel decides that he can move faster by himself and should go and get help. Abbie tries to talk him out of it but Daniel is in no mood to listen, claiming that everything is always about Abbie. A stunned Abbie questions why he asked her to come back and Daniel cryptically answers that maybe he didn't have a choice. Daniel takes off and for the life of me the fact that Abbie still doesn't tell the man she so clearly cares about what is going on is astounding. Is Daniel suddenly going to go invisible in the woods so that creature cannot see him? Abbie checks on the wounded guide and discovers that he has maggots crawling around in the wound. Yeah, it's as gross as it sounds. Sophie just happens to find a journal in the cabin and learns that when the reject mummy creature bites someone, they also turn into a reject mummy creature. I guess there's no need to explain to us how or why Sophie reads Dutch right? Right on cue, the guide stands up snarling and Abbie knocks him unconscious with a huge piece of wood. The women figure out that the only way to save the guide is to kill the creature which infected him.
Meanwhile in Rochester, Ichabod learns that the symbol is actually two pieces. When he puts the symbol on the tablet, he gets a vision of Abbie. Seeing that Abbie is in trouble, Ichabod takes off and arrives in time to shoot the tacky mummy looking creature. Did anyone else question exactly how it is that Ichabod got there so quickly? Did I miss something? Can Ichabod fly? With the monster dead and the guide doing much better, Ichabod reveals that the symbol may not be a bad thing and that it actually helped him to know that Abbie was in trouble.
Back in civilization, Abbie goes to see Daniel and tells him that he was right to go and try and find help on his own. I suppose we'll just ignore that by letting him go, Abbie allowed Daniel to unwittingly risk his life. Then Abbie admits that not only did she love Daniel she still does and refused to admit it because with the life she is living now, having a successful relationship seems like an improbability. I hope the writers work something out because thus far,,Abbie is the only one who hasn't gotten any.
I am going to shift to Joe and Jenny now. I really dislike the way that these two have been so disconnected to Abbie and Ichabod this season, only appearing with them briefly each episode. It at times feels like watching two separate shows and since I like both Jenny and Joe so much, I hate the fact that they are often positioned as a distraction to what is really going on. This week, the two head to an auction where they bid one million dollars for a piece of Pandora's box. We know that this isn't going to end well right? Joe touches the box and his eyes go all white, drawing Pandora's attention to what is going on.
They don't get far with the artifact before being confronted by Pandora. When Pandora uses magic to choke Jenny, Joe grabs the artifact and tries to return it but it turns him into a Wendigo. Pandora says that Joe is a creature of darkness. Joe scratches Pandora, causing her to run off and then he promptly collapses in Jenny's arms.
Later, back at the trailer, Jenny tells Joe that she has hidden the artifact where neither he or Pandora can find it. Jenny is confident that as long as Joe stays away from the box, he will continue to be himself - the man she loves. Joe doesn't seem convinced and is upset to know that the wendigo is still a part of him.
Back in Pandora's lair, the Hidden One accuses her of being a failure. Yea, I still really hate the dynamic between these two. The racial implications are just awful. The Hidden One decides that since Pandora cannot get the job done, he's going to take care of business himself and kill Ichabod and Abbie.
Posted by Renee at 9:00 AM
Labels: 3.5 Fangs, fox, Sleepy Hollow, television
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Gomo
Posted September 2, 2015 by GAMERamble in PC Game Reviews, PC Reviews
Gomo is a polished and intriguing adventure through a very surreal landscape, but the low challenge makes it more suitable for younger players or those new to the genre. The game has a lot of humor and is very unpredictable, making it fun to play, but the whole experience is over all too soon. If you don't mind a game that you can complete in one sitting or plan on playing it with your children then you can't go wrong with Gomo.
Gameplay: Simple to play, but much too easy for veterans.
Graphics: Very simple but quite charming and amusing.
Sound: Does the job and never becomes annoying
Summary 7.0 Good
Developer: Fishcow Studio | Publisher: Daedalic Entertainment | Release Date: 2013 | Genre: Point & Click Adventure / Indie | Website: Official Website | Purchase: Steam
Gomo is a strange little creature that wakes up one day to find that his faithful dog, Dingo has been captured by aliens. Apparently the aliens want some rare crystal in exchange for Dingo so Gomo leaves his peaceful home behind and sets out on a surreal journey. While Gomo is not the first gaming protagonist to mount a pet rescue mission, he certainly is one of the more memorable.
Gomo's journey plays out as a point and click adventure that will take you through more than 35 bizarre locations. The first destination is the subterranean mines where Gomo has to liberate the rare crystal, but the beauty of the game is that you never know what is going to happen next. The hand painted backdrops look like the illustrations from a children's novel and Gomo, reminded me a lot of the Jeff Thomas webcomic characters, Pon and Zi.
I really liked the whimsical visual style and how the artists crammed lots of little details into each scene. While you are busy solving puzzles you might notice little red riding hood encountering a wolf in the background or a tiny stickman riding his sled down a mountain. You'll also spot quite a few pop culture references which I am not going to spoil. This is definitely a game where you should take your time to soak in all the details instead of rushing through.
The animations are also very humorous with some of the best ones coming from Gomo. Since he is a little sackcloth type creature with a stitched mouth and arms five times longer than his legs just watching him navigate the environments are funny. Every time Gomo picks up a new item he unzips his own back, stuffs the object inside himself and zip it back up. There is also plenty of slapstick humor with Gomo frequently taking a fall. The game uses a very limited color palette, but this adds to the unique visual style and doesn't detract from the experience. The game unfortunately does not have widescreen support so playing on a high definition monitor result in a square block surrounded by big black bars.
The gameplay is very simple which leads me to believe that the game is aimed at either very young players or people who are new to the genre. The game is very linear, so you don't have to worry about backtracking and all objects needed for a puzzle are usually just a few steps away. Gomo can only carry three items at a time and used objects are immediately discarded. I won't spoil any of the puzzles, but be prepared to work with sheep, balloons, hamsters and bombs during the course of your adventure.
There is no speech or text in the game, but it is not needed as the story is so simple. The music is good and fits the game, but none of the tunes really stood out as memorable. There are plenty of sound effects, however, which younger players will love. The game uses a standard point & click interface and even has an "easy" mode which shows if you currently selected inventory item can interact with the object you are hovering your mouse cursor over.
As each scene is rather small and feature very little hotspots it is almost impossible to become stuck for long. You can't look at or interact with any objects that are not related to the puzzle at hand and there are no item descriptions either. On the one hand, this means that you never have to pixel hunt in order to progress, but the downside is that the game can be completed quite comfortably in one sitting. During the course of the game you can unlock three mini-games that are accessible from the main menu, but these do not extend the longevity by much.
I would have loved for a longer adventure but quite enjoyed what was on offer and can't argue with the budget price. If you have younger children or a significant other that you want to introduce to the genre then Gomo is perfect. If you are a veteran player or want an in-depth experience, then unfortunately the game might feel too short and simplistic, although it might just win you over with its charm. I definitely had fun playing Gomo but anyone still on the fence can head to the official website and play the demo straight from their browser to get a taste of the full game.
Minimum Mac OS X System Requirements
Recommended Mac OS X System Requirements
Minimum SteamOS + Linux System Requirements
Recommended SteamOS + Linux System Requirements
OS: Windows XP SP3
Processor: Intel Core 2 Duo 2.0Ghz or equivalent
Graphics: Intel Core HD Graphics 3000/4000, NVIDIA 8800 GT, ATI Radeon HD 4850 or better
Sound Card: DirectX 9.0c compatible sound card
Additional Notes: NOT SUPPORTED: ATI Radeon X1600, Intel GMA950, NVIDIA Geforce 7050
Processor: Intel Core i5 2.8Ghz or equivalent
Graphics: NVIDIA GeForce 450, AMD Radeon HD 5670 or better
OS: Snow Leopard 10.6.8 or newer
Graphics: Intel Core HD Graphics 3000/4000, Nvidia GeForce GT 330M, ATI Radeon HD 4850 or better (ATI Radeon X1600 NOT SUPPORTED)
Additional Notes: NOT SUPPORTED: ATI Radeon X1600, Intel GMA950
Graphics: GeForce GT 650M, AMD Radeon HD 6750M or better
OS: Ubuntu 12.04 or newer, other unsupported distros may work
Graphics: Intel Core HD Graphics 3000/4000, NVIDIA 8800 GT, ATI Radeon HD 4850 or better (Open Source Drivers NOT SUPPORTED)
Sound Card: lib32-alsa-plugins or libasound2-plugins:i386 and libasound2-plugins-extra:i386 may be required.
Anna's Quest
Moebius: Empire Rising
Tags: Indie, PC, Point & Click Adventure, Review
If you are new to the genre Horizon can look pretty complicated at first glance. This is one of those titles where playing the tutorial and checking out the manual is not optional, but essential if you want to get the most out of the game. It doesn't quite reach the heights of genre classics, but there is a lot to like and it remains addictive throughout. Gameplay: Appears daunting at first, but becomes more intuitive with extended play. Graphics: There are some nice visual elements mixed in with all the stats and charts. Sound: Atmospheric enough to suit the theme of the game.
Open Sorcery
Open Sorcery is a gripping text adventure that opts for an intuitive keyword based interface over a cumbersome parser. The result is a game that is streamlined, very engrossing and so well written that you won't want to stop reading until you see the end credits. It is not a very long game, but there are a number of different endings and lots of branching story paths to get to them, so the replay value is very high. It is not a game for people who hate reading or must have the best graphics in their games, but anyone with even a passing interest in magic or technology should find it thoroughly enjoyable. Gameplay: Simple enough that anyone can play it, but so engrossing that you will want to complete it multiple times just to experience everything. Graphics: Virtually non-existent, but it is a style that doesn't hamper the experience in the least. Sound: Maybe a bit too minimal, but it allows players to read the story without too much distractions.
Distance spent a long time in Early Access, but this has resulted in an addictive arcade racer that is as polished as it is entertaining. The game not only features a unique racing meets platformer style, but it is also brimming with content. With three short campaigns, an arcade section with multiple tracks and modes, multiplayer and even track editor with Steam Workshop integration means you'll be coming back to this one again and again. It also features something that we wish more games would do in the form of actual in-game rewards for obtaining certain Steam Achievements. If you are a fan of arcade racers, then this one is not to be missed. Gameplay: Extremely addictive and the game feature a ton of content to keep you busy. Graphics: Stylish and sleek along with plenty of visual variety. Sound: The soundtrack as well as sound effects are top notch.
Highschool Possession
Highschool Possession tells the tale of a student named Hikaru, who one day finds his conscience mysteriously alternating between the bodies of two girls in his school. It is an interesting premise, but due to the short length of the game not a lot of time is spent on fleshing it out more. While the art and audio is decent enough the story could definitely have benefited from a bit more work. Gameplay: The basic story is quite interesting, but due to its short length a lot of things feels glossed over. Graphics: Nice artwork, but not many different backgrounds Sound: The soundtrack is decent, but the game features no voice acting.
Tiny Barbarian DX
Tiny Barbarian DX does not set out to revolutionize the genre but instead offers a solid and enjoyable platform romp that is steeped in 8-bit nostalgia. The game is a joy to play, especially if you can remember the heyday of the NES platform era. It also packs quite a challenge but remains fun throughout. The best part is this is only the first episode with three more to follow. Gameplay: Platform action with a hefty dose of nostalgia. Graphics: Straight out of the 8-bit era. Sound: A rocking chiptune soundtrack.
Nihilumbra
Nihilumbra is one of those games that is hard to put down once you start playing. The stylish hand painted visuals along with some excellent creature designs give the game a visual flair of its own while the brilliant narration and moody soundtrack sucks you into the gameworld. Things start off deceptively easy but, once you unlock Void mode, you better be prepared to put all your skills to the test. Gameplay: A charming mixture of platforming and puzzle solving. Graphics: The hand painted visuals are stylish and enhances the atmosphere. Sound: Brilliant narration and a moody soundtrack.


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Miles Davis — Live at the Fillmore East (March 7, 1970) - It's About That Time
(Columbia C2K 85191, 1970/2001, 2CD)
McLatchey's Second Tier
This is essentially the first of four Miles albums in this tier, all of which are centered around 1970 which happens to be my perfect sweet spot with his music. In fact this wasn't the only outstanding gig on this stint and I'll get to the other when I go through the unreleased stuff. This was the Miles band a little before he added Keith Jarrett to the mix and you often wonder why when you consider how truly busy everyone was on this release. There's still a touch of the 1969 and Bitches Brew band hanging around in the air, particularly in the freeness. Corea's keys zig and zag modally all over the place, almost creating a soundscape in a way and the end of Wayne Shorter's run we see him in a way that almost makes him feel like the heir apparent to Coltrane. I still love the idea that in an era where Bill Graham was creating shows with a host of different styles of musicians and groups that Miles could go up on stage with his band and sunglasses and leave the rest of the bands in the wreckage.
Filed under: New releases, 2001 releases, 1970 recordings
Related artist(s): Jack DeJohnette, Miles Davis, Chick Corea, Airto Moreira
Manooghi Hi - Silence – Manooghi Hi are nothing if not ambitious, at least when it comes to sound. Every track on their second CD features lush arrangements, intense singing, and a full complement of rhythm from the bass and... (2011) » Read more
Simon Dupree flies his "Kite"


Well-being experts from the UK, USA and Europe met last week (November 2) at Brunel University's School of Social Sciences to review the latest research findings regarding the way in which we adapt to events and changes in personal circumstances and the effect this has on our life-satisfaction.
The conclusion was that subjective factors, such as time spent with family, tend to have a greater impact on a person's well-being than objective factors, such as economic income.
• Our well-being is a product of personal trade-offs between satisfying intrinsic needs (such as time spent with family) versus satisfying extrinsic desires (such as income and status). When it comes to decision making (e.g. whether or not to take a new job which offers a considerably higher salary but will involve a much longer commute) we tend to lay more importance on the extrinsic factors (salary) than on the intrinsic factors (commute) even though these intrinsic factors may have a greater impact on our life-satisfaction in the long run.
Dr. Yannis Georgellis, senior lecturer at Brunel University's School of Social Sciences and coordinator of the international workshop, comments: "Examining whether events or changes in life circumstances have a lasting impact on subjective well-being is not a new area of psychological research. However, for the first time, this selection of research explores sophisticated methodologies to assess patterns of adaptation to these changes that exist across varieties of events and groups of individuals.
"Some of the research findings, particularly those regarding adaptation to unemployment, are surprising at first glance but make sense when you consider the circumstances more closely. For example, a higher rate of adjustment to unemployment amongst those with higher job and life-satisfaction could be explained by the fact that this group of individuals is more determined to take action to exit unemployment than those who were less happy prior to unemployment.


Bio: Fanny was born in Camps Road, Haverhill in 1874. It is not clear where her middle name comes from, although 'Ager' is a name local to the area and it may well have been passed down from a relative on her mothers side. She had a fairly unsettled start to life as her parents left Haverhill and moved around quite frequently in the Cambridge area, spending spells in Gazeley and Barton before living in Teversham at the time of the 1881 census. Here we find her with parents Thomas and Louisa and younger brothers Arthur and Charles Herbert.
Fanny moved to London at some point over the next decade, most likely to find work - and we see her on the 1891 census working as a general domestic servant at the home of William Newcombe, 74, a retired barge-owner and widower who lived at 91 Darenth Road, Stamford Hill, Hackney.
In 1898 Fanny married Lewis Gillingwater. At the time she was living at 22 Dawlish Road, Tottenham. They can be seen living at 34 Spencer Road, Tottenham on the 1901 census where Lewis is working as a mason's labourer, and Fanny is bringing up their son, Lewis. They have a boarder, James Dooley, 29, who is a navvy.
Fanny and Lewis saw out the remainder of their days in Edmonton, and Lewis died in 1949 at the age of 84.(7) and Fanny followed him 9 years later dying in 1958(5) having given birth to 9 children and living for 83 years.
(8) Ancestry.com, London Electoral Registers, 1847-1965.


Here we have powerful Kessil A160we Tuna Blue in full working order. The light unit is in very good condition.
The controller works but has a little water damage to the display. I have included lots of picks so you can see but to be honest it doesnt detract from the overall usability and spends most if the time with display off untill you need to use it. Comes with the metal mounting plate too. The item "KESSIL LED A160WE LIGHT MARINE TUNA BLUE A160 + GOOSENECK BRACKET + CONTROLLER" is in sale since Tuesday, July 17, 2018. This item is in the category "Pet Supplies\Fish & Aquarium\Lighting & Hoods".
The seller is "daveysmoocheybaby" and is located in Tamworth. This item can be shipped to United Kingdom, Austria, Belgium, Bulgaria, Croatia, Cyprus, Czech republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Latvia, Lithuania, Luxembourg, Malta, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden, Australia, United States, Canada, Brazil, Japan, New Zealand, China, Israel, Hong Kong, Norway, Indonesia, Malaysia, Mexico, Singapore, South Korea, Switzerland, Taiwan, Thailand, Chile.


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Comic Book Pass Look for 09/04/2019
Welcome comic book fans! Welcome as Northwest Comics & Games Presents Comic Book Pass Look for 09/04/2019. Today, we're taking one last look at what came out last week.
Spawn #300 $7.99 Image Comics
SPAWN MAKES HISTORY! With this 300th issue, SPAWN becomes the longest-running independent series in comic book history. To celebrate, legendary artists TODD McFARLANE and GREG CAPULLO return with ALL-NEW interior pencils, with additional art provided by JASON SHAWN ALEXANDER, J. SCOTT CAMPBELL, and JEROME OPEÑA, a cavalcade of celebratory covers, and additional writing by SCOTT SNYDER! And next month, RECORDS WILL BE BROKEN with SPAWN #301!
Red Sonja Vampirella #1 $3.99 Dynamite Entertainment
The first ONGOING series, co-starring The Daughter Of Drakulon and The She-Devil With A Sword! From Eisner winner JORDIE BELLAIRE (Buffy The Vampire Slayer, Redlands) and DREW MOSS (Star Wars) comes a saga spanning space and time, filled with horror, adventure, mystery and murder!
House of X #4 (of 6) $4.99 Marvel Comics
Xavier's dream turns deadly for some of his students as they fight back against the humans' plan to eliminate them. Superstar writer Jonathan Hickman (FANTASTIC FOUR, AVENGERS, SECRET WARS) continues his reshaping of the X-Universe alongside Young Gun artist Pepe Larraz (EXTERMINATION, AVENGERS). The Future of the X-Men begins here!
Dceased a Good Day to Die #1 $4.99 DC Comics
While the mainstays of the Justice League-Superman, Green Lantern and Wonder Woman - battle the worldwide infection in the pages of DCEASED, a group of other heroes work to stop the impending apocalypse-no matter who they have to kill! Mr. Terrific assembles a motley group of surviving heroes including Mister Miracle, Big Barda, John Constantine, Blue Beetle and Booster Gold as they attempt to fight back against the tide of death. Can this ragtag group save the world where the Justice League has thus far failed?


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Iridium Satellite Phones Offer a Host of Communication Facilities
February 20, 2011 | Admin | Communication |
The Iridium constellation was designed by Motorola to provide Mobile Satellite Telecommunications Services (TSM) with global coverage. Its name comes after the element Iridium (Iridium) which has an atomic number of 77, equivalent to the number of satellites in the constellation included in the original design. This system aims to provide voice and data communications service by using portable devices in the areas outside the coverage of traditional communication systems.
At present, solutions provided by Iridium, which were bought and relaunched by new partners, are actively used in vertical markets such as oil, mining, ecotourism and military. After the events of September 11, 2001, U.S. security agencies have been using Iridium solutions as their preferred system of mobile voice satellite telecommunications. Only Air Force United States currently has over 25,000 active iridium satellite phones.
In 2010, the Iridium satellite phones cost more for modern and unique production, the Iridium 9555, is approximately $ 1,500.00 in U.S. The communication cost per minute is about $ 1.30. The cost per minute is independent of the country they originate or terminate calls, but there are no roaming charges. Iridium has a system for sending and receiving text messages that can accommodate up to 150 messages of 160 characters per month free of cost. 9505A Iridium phones and the new 9555 can also send emails directly using the keypad. The cost of each email sent, which can have a maximum of 160 characters is about $ 0.60
Iridium launched the service of OpenPort in 2009, focusing primarily on maritime segment, which allows data transmissions up to 128 kbps with global coverage. The current cost of OpenPort terminal is approximately $ 5,500.00 and the cost of transmission/reception of data is approximately $ 5.00 x Megabyte. In the late 2009, Iridium had already sold OpenPort 1000 terminals. OpenPort received a mixed review for service but it expected the system to function optimally in the first half of 2010. It is estimated that the Iridium system now exceeds 300,000 users.
Tags Atomic Number Communication Facilities Data Communications Service Data Transmissions Element Iridium Global Coverage Iridium Constellation Iridium Phones Iridium Satellite Phones Mobile Satellite Telecommunications Mobile Voice Oil Mining Openport Preferred System Present Solutions Reception Of Data Roaming Charges September 11 2001 Telecommunications Services Traditional Communication
Here Is How To Address Car Hacking Threats
What's in a Link?
Tips For Eco-Friendly Mobile Life
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HealthDay News — For patients with hereditary angioedema due to C1-inhibitor deficiency (C1-INH-HAE), those with bacteriuria have a higher number of edematous attacks, according to a study published online August 22 in Allergy.
Zsuzsanna Zotter, MD, from Semmelweis University in Budapest, Hungary, and colleagues examined bacteriuria in the urinalysis of 139 C1-INH-HAE patients. The presence of bacteriuria was analyzed in relation to clinical symptoms.
The researchers found that the cumulative number of edematous attacks was higher in patients with versus those without bacteriuria, taking into account three randomly selected urine specimens (P=0.019, 0.022, and 0.014). Considering the same patients, those with versus without bacteriuria had a significantly higher attack number (14.51 versus 8.63; P<0.0001).
"In patients with bacteriuria, we found a higher incidence of edema formation during the year before evaluation, which may suggest the triggering role of bacteriuria in the occurrence of edematous episodes," the authors write.


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WELL another 90, 000 euros down the drain again by the regional government. Here the government are trying to convince us that the Catalan language is the way forward. Whilst I agree that local traditions need to be preserved, children in the current education system find it extremely difficult to cope with the Spanish language once they leave school. Students are restricted to enrolling in either the Balearic or Barcelona universities as their Spanish language skills are deficient.
Christopher Jackson
Marratxi
I WAS most impressed by the letter of David Lee (Saturday 7th June) which spells out so logically the problems which are besetting the Middle East, Israel and the Palestinian Arabs in particular. I agree with him wholeheartedly that your correspondent, Ray Fleming, appears to have an irrational prejudice on this issue, and cannot somehow bring himself to realise that very few, if any, international conflicts can be settled over a cup of tea with some gravy train merchant from the United Nations. Mr Lee is right, that until Iran is called to order, and its pugilistic despot Ahmadinejad is ousted, peace will be difficult to achieve across Lebanon, Israel and the Palestinian lands.
It is both amusing and sad that Mr Fleming had been placing some hope in Barack Obama to take an anti Israel stance but, as it now seems, this can no longer be expected. Quite the opposite.
The same applies to Mr Fleming's continuous apologias on Gordon Brown's current predicament. Trying to pass off the PM's problems on global trends is total nonsense. Much of the economic disaster now affecting the UK can be attributed to Gordon's years at the Treasury, selling off the nation's gold reserves at rock bottom prices, adding at least a million to the drone class of bureaucrats and increasing borrowing for public sector expenditure. The hens have merely come home to roost, and predictably soon, Brown is surely going to fall, or be pushed off his perch. It has been suggested he should go and take an economics degree. I do hope Mr Fleming will soon realise that the facts of life are not necessarily to be found in the Guardian or the Times - and certainly not at the BBC. If he wants to catch the real mood of the main issues, he should consult the rightish wing media of France, Germany, Spain and the UK.
Yours faithfully, Andrew Ferguson


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Q: Excel Conditional Formatting Formula I am trying to make a column do this: so lets say
If the score of 4 is made from a 2 x 2 then it is green.
If the score of 4 is made from a 4 x 1 or a 1 x 4 then it is yellow.
I am done the formula for the green and the yellow but it only happens once. So if I change a 2 x 2 to 4 x 1. It will stay green. Not change to yellow.
Formula for Green (2x2):
=IF(G31=4,IF(D15=2,IF(F15=2,0,1),1),0)
Formula for Yellow (4x1, 1x4):
=IF(G31=4,IF(D15=4,IF(F15=1,0,1),1),0)
Please help me work this one out. Thank you.
enter image description here
Tried the formula but does not work, even if I remove every other formula:
enter image description here

A: Use a combination of AND and OR
Formula for Yellow (4x1, 1x4) =AND($G31=4, OR($D15=1, $D15=4))
Formula for Green (2x2) =AND($G31=4, $D15=2)
EDIT
As per your screenshot, if you are trying to change a range, not just cell G31, use the following:
Formula for Yellow (4x1, 1x4) =AND($G1=4, OR($D1=1, $D1=4))
Formula for Green (2x2) =AND($G1=4, $D1=2)
Change the number 1 for the starting row of your cells (3, 4, 5 whatever) and set the Range to be =$G$1:$G$100 again changing the 1 and 100 for your start and end row.
I cannot stress enough, if your data does not start in row 1, you will need to edit the above to suit your needs.


text:
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Genetic Counseling Match Day
Posted by Fran Higgins | April 24, 2020
Genetic Counseling students spell out "Congrats" for the newly matched students during a Zoom meeting
by Katie Tlusty, genetic counseling student
A confetti cannon. A confetti cannon is what I think of somebody talks about Match Day. Faculty and staff from the UNMC Genetic Counseling Program, College of Allied Health Professionals, and Munroe-Meyer Institute shot off a confetti cannon on Match Day last year to celebrate the news of who would be in the first cohort of genetic counseling students at UNMC. We (the inaugural genetic counseling class) were looking forward to joining the live event this year, but instead we will gather via Zoom and celebrate the big day remotely.
Today is Match Day for genetic counseling programs – a day full of many emotions for anyone involved. For programs, there is excitement to discover who the incoming cohort will be. For applicants, Match Day may be a day of nerves, excitement, joy, disappointment, relief, or surprise. A lot of time and effort has been put into the ranking from both the applicants and the programs.
The Genetic Counseling Admissions Match is a method to maximize the placement of applicants into an accredited genetic counseling program. This process is similar to the way in which other programs such as medicine or dentistry recruit residents—see "About the Match" for more info.
The Match process is advantageous to use because it is a fair method of placing applicants into a program on a single day. The process tries to maximize benefit to the applicant. The Match alleviates the process of an applicant who is given multiple offers of making decisions if they are waiting to hear back from a preferred program. The process maximizes the applicants in each program without the program going over in size. Last year, about half of the applicants participating in the Match were matched to a program.
I remember Match Day last year. I received the email from the Match and I knew it had my result, but I could not open it right away. I was so excited and so nervous. The email contained information that would dictate my future for the next two years. I had so many thoughts and questions running through my mind: Did I get matched to a program? Which program will it be if I was matched? What opportunities will I have? Who will be in my cohort? Will I become friends with them? How will this play a role in my future? Needless to say, it took me several minutes (several here means as long as an hour) to gather myself before opening and reading the email. Eventually, I opened that email and it said I had been matched to the University of Nebraska Medical Center! What exciting news! I was so excited to be matched to this program and be able to pursue my goal of becoming a genetic counselor. I remember I received a call from our program director, Holly Zimmerman, formally congratulating me and my cohort on being matched to the program. She was so excited to know the names of the first cohort and was so ready to help us on our way.
Today is Match Day. Today, there are so many emotions, thoughts, and questions that are involved in becoming a part of a genetic counseling program. Congratulations to those who matched with UNMC! We are so excited to meet you as a cohort! Let the confetti fly!
About the match:
The Match process begins with registration for the Match and application to programs. After interviews have been performed, applicants rank the programs. Applicants rank any program they would consider going to and may choose not to rank a program if they do not want to attend that program. In a similar way, programs rank the applicants. On Match Day, results are returned to the applicant via email. On this day, programs also receive the information about who was matched.
The Match determines a result by an algorithm that attempts to place applicants into their preferred program. The algorithm compares the rank the applicant gave the program with the ranking the program gave the applicant. So, the applicants' #1 ranked program is compared and the match is attempted. The match is attempted until there are no more programs in the list of ranked programs. Reference
Posted in Dean's Office, Education, frontpage, Genetic Counseling, Health, Kudos
Welcome new staff: Megan Krenzer
7 Keys to Making it to the Finish Line
Sedentary behavior the topic of funded NIH study
Welcome new staff: Catarina "Cat" Francisco
Leah Stade a UNK Title IX Trailblazer
Welcome new staff: Jessica Chairez Escalante
Donner and Imhoff "Talk Micro"
COM colleagues to be honored at research awards January 31, 2023
The ceremony, which will honor the late Diana Florescu, MD, as UNMC Scientist Laureate, will be held on March 9.
John Keenan
Med center's Healing Arts Program shares artwork online January 30, 2023
The program has helped transform the med center.
Jeffrey Robb
Presentation recaps the State of Diversity at med center January 30, 2023
The discussion looked at efforts to advance diversity, equity and inclusion at Nebraska Medicine and UNMC.
UNMC tickets are available for chamber's YP Summit January 30, 2023
Fill out the request form by Feb. 10. Recipients for the limited allotment will be chosen at random.
COM research highlights, February 2023 January 30, 2023
The UNMC College of Medicine received grant and funding awards representing nearly $2 million in new funding in December.
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Q: Set title in createStackNavigator onPress I am making react native app. I have button and onPress i want to send headerTitle to createStackNavigator but i have some errors. I am sending title with setParams and in createStackNavigator i get it with getParam.
Why it is not working how is correct?
Code:

// page.js

   <TouchableOpacity
           onPress={() => navigate('Page2', {
             this.props.navigation.setParams({Title: 'Title'});
           })}>

           // createStackNavigator

     export default createStackNavigator(
    {
      Main: {
        screen: Page1,
      },
      Page2: {
        screen: Page2,
        navigationOptions: ({ navigation }) => ({
          headerTitle: navigation.state.getParam('Title', 'Default Title'),
        }),
      },
    },
    {
      initialRouteName: 'Main',
    }
  );

A: The problem appears to be occurring in the operating order of the app.
Because the value is already obtained before the value is set, the value must be null or undefind, which is the value before the setting.
Try using it as a global function.
globalScreen
let TITLE = "defaultTitle"
function setT(data){
 TITLE = data;
}

function getT() {
return TITLE;
}

export { setT, getT }

Usage
// page.js
   import {setT } from "globalScreen"
  <TouchableOpacity
           onPress={() => {
                   setT("page2");
                   navigate('Page2'); }}>

           // createStackNavigator

   import {getT } from "globalScreen"

     export default createStackNavigator(
    {
      Main: {
        screen: Page1,
      },
      Page2: {
        screen: Page2,
        navigationOptions: ({ navigation }) => ({
          headerTitle: getT(),
        }),
      },
    },
    {
      initialRouteName: 'Main',
    }
  );


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The pain of Django reminds us of America's dark chapter
2013 is making it difficult to avoid one of America's greatest sins—slavery. We've just marked the 150th anniversary of the Emancipation Proclamation, and a plethora of films, documentaries and TV specials are scheduled to address slavery.
One blockbuster hit that's playing in cinemas now, and is likely to walk away with several Golden Globes and Oscars, is Quentin Tarantino's Django Unchained."
"Django Unchained" depicts a slave-turned-bounty hunter (Jamie Foxx) who fearlessly treks across the U.S. to find his wife (Kerry Washington) in order to rescue her from a brutal Mississippi plantation owner (Leonardo DiCaprio).
The film is classic Tarantino; this time a homage to the spaghetti western with romance and revenge narrative. Tarantino set the story in the most unlikely of places— America's Deep South before the Civil War in 1858.
Tarantino is known as the "King of Carnage," and his films' aestheticized depictions of violence (which he calls "movie violence") is both cruelly disturbing yet undeniably entertaining. In giving his view of "Django Unchained," "New York Times" film critic A. O. Scott wrote, "A troubling and important movie about slavery and racism..Like Inglourious Basterds, "Django Unchained" is crazily entertaining, brazenly irresponsible and also ethically serious in a way that is entirely consistent with its playfulness."
It is Tarantino's playfulness set in the troubling historical environment that is still unsettling many Americans. But leave it to Tarantino—he's challenged us to ask a number of difficult questions:
Is it politically incorrect to depict American slavery in a playfully entertaining way?
Is there a politically correct way to depict American slavery?
While some will contest that Tarantino is being well…Tarantino, and he means no disrespect, others argue that his privilege as a well-respected moneymaking white heterosexual male filmmaker gives him carte blanche to recklessly express his creative juices even if it reinscribes stereotypes that many feel Django does.
But Tarantino pushes his critics back stating his objective in making "Django" is to stir a conversation about slavery because America won't. And he takes his making of Django to heart.
"It's one thing to write on the page, 'Cotton field in the background while two white characters are drinking lemonade, 100 slaves picking cotton in the background,'" Tarantino told "Nightline. "It's another thing to plant that cotton and put 100 black folks in slave costumes broiling under the hot sun picking cotton. That can get to your soul a little bit."
In many African American communities Tarantino's films got to their souls, too, and it received mixed reviews from a tepid nod to expressions of outrage. And those outraged by the film feel "Django Unchained" needs to be locked up, bound, buried if not burned because the film uses the inhumanity of slavery as a backdrop and it dishonors those who have suffered under its reign.
Then there's the liberal use of the n-word in the film which many will find deplorable. When asked about it, Tarantino told Cynthia McFadden on ABC's "Nightline," "I don't think anybody is actually going out there saying that we used the word more excessively than it was used in 1858 in Mississippi. And if that's not the case, then they can shut up."
But one critic in particular who won't shut up about Django is renown African American filmmaker Spike Lee whose gripes resonate for many and were recorded in the New York Times.
I can't speak on it 'cause I'm not gonna see it," Lee said. "The only thing I can say is it's disrespectful to my ancestors, to see that film." Days later on Twitter he tweeted, "American Slavery Was Not A Sergio Leone Spaghetti Western. It Was A Holocaust. My Ancestors Are Slaves. Stolen From Africa. I Will Honor Them."
American slavery continues to be a difficult topic to talk about. And it's avoided at all cost, particularly if not spun to appeal to white audiences.
For example, the Queen of Daytime talk, Oprah Winfrey tried to tackle the topic with her production of the 1998 film "Beloved" based on Toni Morrison's novel by the same name. It was a box office failure. The failure is speculated to be that the film didn't appeal to white audiences, casting them in a negative light. Some critics contest that the movie was too serious, not entertaining enough, and was mind-numbing to both black and white audiences of all ages. The weekend "Beloved" opened it was beat out by the horror flick "Bride of Chucky".
The 1977 hit television series "Roots" based on Alex Haley's novel by the same name was an international success, nominated for 36 Emmys and winning nine. It was intentionally written to win over white viewers.
"Familiar television actors like American (sic) actor Lorne Greene were chosen for the white, secondary roles, to reassure audiences. The white actors were featured disproportionately in network previews. For the first episode, the writers created a conscience-stricken slave captain (Edward Asner), a figure who did not appear in Haley's novel but was intended to make white audiences feel better about their historical role in the slave trade," the Museum of Broadcast Communications reported.
Tarantino's creative rendering of it, albeit understandably troublesome, sheds a disturbing light on our culture's ability to willingly sit alone in a dark theater for two plus hours watching an entertaining film about American slavery than to voluntarily sit in a lit room face-to-face with each other and talk about it.
American slavery is an American story. And we all have ownership of it.
lisantiadmin 2016-05-05T14:10:00+00:00 January 9th, 2013|