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Home > Internal Medicine > Psychiatrics > Psychoanalysis and Colonialism (Routledge Introductions to Contemporary Psychoanalysis) (EPUB)
Category : Psychiatrics
By Sally Swartz
Within this important and insightful book, Sally Swartz introduces readers to early entanglements of psychoanalytic theory with colonialism and how it has led to significant and long-lasting implications for psychoanalysis.
Psychoanalysis and Colonialism is unique in drawing together a wide array of sources and a span of history from the beginnings of psychoanalysis to current theory and practice. The book explores ways in which Freudian theory incorporated the idea of the primitive into the centre of mapping the untamed territories of the unconscious, via notions of taming instinctual excess, civilizing the primitive and conquering and bringing order to wildness. The text describes the influences of colonialism on the thinking of Freud and Jung and goes on to describe anti-colonial voices, including Césaire and Mannoni, Memmi and Fanon, and their contribution to psychoanalytic theory. It concludes with thoughts on the challenges of decolonizing psychoanalysis.
This book is an accessible account of the links between colonialism and psychoanalysis and is suitable for general readers with an interest in the topic, as well as all psychoanalytic practitioners grappling with the ways in which issues of race, class, gender and sexuality affect their ways of working and writing.
Publisher  :  Routledge; 1st edition (September 23, 2022)
ISBN-10  :  036747767X
Psychoanalysis and Colonialism (Routledge Introductions to Contemporary Psychoanalysis) (EPUB) quantity
Psychoanalysis and Colonialism (Routledge Introductions to Contemporary Psychoanalysis) (EPUB)
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A resume is usually a one- to two-page document summarizing your career objectives, professional experiences and achievements, and educational background. The heading in the resume should contain your reputation, address and phone information. One's body of the resume needs to be broken into the examples below sections: career objective, profile/summary, professional experience, achievements, scholastics, and references. Your work objective should be brief, up to 2 sentences; it must give your potential employers a concept of how you would like to advance as part of your professional life. A compressed profile or an overview should discuss who you are and how your skills and experience best apply for the job you've got an interest in. The summary, together with other parts of your resume, ought not contain private information that discloses ethnicity, sexual orientation, marital status, age, living situations, and other private information that isn't directly related for your career. Personal profile/summary should only contain several well-written sentences that convey what you are able provide for the table with regards to the specific job. Use this to draw the employer's attention, but don't exaggerate in trying being creative – stay professional. Your experience listing include information in one to 5 jobs you've held, beginning from your existing or last job, and listing previous positions in chronological order.
The listing should add the date range of one's employment, name of the businesses or person(s) you have worked for, and town and state in which the place of employment can be found (full address of employment seriously isn't necessary). List your title and your primary responsibilities, with emphasis on duties that happen to be applicable to the sort of work you will be seeking. Your education will incorporate college, graduate and post-graduate work, along with any courses or professional certifications which can be highly relevant to your career development. Achievements, volunteer positions, publications and interests should just be listed if they apply for your professional experience References really should be listed if requested; best practices suggest never to list generic statements about references being released upon request as this is understood.
While in the competitive, internet-driven arena of job searches, your resume represents someone to potential employers. It serves because your tool build awareness, get the interview and/or obtain a job. An incredible resume can make you stand out from other candidates by showcasing your aptitudes. Think of your resume as your sales pitch – it is advisable to sell yourself in the perfect way. Invest a serious amounts of research into developing your resume. You need to be sure that your resume is error free – double look at your grammar and spelling, be sure that all company and school names and cities are spelled properly. A resume containing errors, regardless how minimal, can give your potential employer the idea that a sensational scene attention to detail, you don't remember to make sure your work, and that you're a poor communicator. Additionally, maintain your resume is formatted well. Adhere to basic fonts, like Arial and Times New Roman. Keep the font size and color standard; avoid large fonts or multi-colors as part of your resume. Don't exaggerate with bold, italicized, or large-cap text. Maintain your format consistent and ensure the fact that resume looks great when viewed online along with when printed out. Keep resume to a few pages – any additional pages give an impact that either don't discover how to concisely summarize your education and experience, or you're listing unnecessary information as a starting space. If you've never written a resume before, reference books, Internet resources or seek help from an established resume writing service. A well-written resume can make a distinction between being stuck at your existing job and having a conversation to land the job of this dreams.
The most difficult and time consuming a part of any resume is definitely the number of your work experience, no matter the level you have reached with your professional career. The key is to contemplate your career objective and prioritize your job with respect in your goals.
Your professional experience ought not only showcase the activities you have carried out in your previous jobs, but should demonstrate your qualifications in exactly how motivates employers to need to know more. Of course, we have been speaking about results, any tangible, measurable items that are impacting to the end line. Let your employers know that the project came within budget, for you to exceeded the timeline, which you acquired X number of new customers, or that you increased sales by way of a double-digit percentage. Employers can wrap the minds of men around numbers, simply because they're devoted to them daily. You intend to let your potential employer know that one could think such as they do and you take results into serious thought because your perform your job on day-to-day basis.
To get going with work history, begin each description with a power word, such as managed, developed, communicated, etc. Do your homework and only use the facility words and phrases that work for ones industry. Make certain that the statements you list first under your career responsibilities quantify your achievements – don't forget to list out sales figured, customer acquisition rates, budget and timeline successes, or another figures that help put your responsibilities in a very context from the business/field you might be working in. Be specific. Of having your statements are truly quantified is in the event you include numbers. On the grounds that you acquired clients is significantly not the same as saying that you increased the shopper database by 10%. As stated before, this can be a most critical element of listing your livelihood descriptions in your resume. Your employer wants to know not merely what learn about, but exactly how well in college it. Also, these statements needs to be aligned with your career objective you included near the top of the resume. If you wish to get work in project management, letting your employer know for you to managed a team of 20 people and the general results you achieved will effectively highlight your qualifications. It is essential to quantify your task description statements for your resume; however, as a thing of caution, usually do not quantify all statements, just one or two which have been most essential to your job and are generally goal driven. This shows your employer that you just think with regard to exceeding your goals. All subsequent descriptions of the responsibilities should include the first one or two items with your list.
For a final test, reach the sneakers of this employer. Cross-check the position description and ensure that you address the qualifications required to do the job with the data on the resume. Let your potential employer know you've whatever they are searching for, and are sure to have a great impression.
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You only have one shot at a first impression, so make it a good one!
People always ask "What should I wear to an interview?" The truth is that first impressions last forever! You should always choose the outfit that lets your experience and personality shine through, since that is what is most important. Remember, before you even have a chance to speak, the interviewer will already have formed an impression of you by the way you are dressed. Below, you will find a series of tips that will help you to successfully portray yourself in a professional manner at the time of an interview.
Wear a suit with a pressed shirt and tie (men)/Business dress with a jacket or a knee length skirt or trousers with a pressed shirt (women) whenever possible.
Insider tip: The outfit does not need to be all black! Add a splash of color, but do not go overboard. For instance, wearing a pressed shirt that is blue or white can add vibrancy to your attire while refraining from being overly flashy.
Don't have a suit? Don't worry! Wear your most professional outfit, and don't be afraid to let the interviewer know that you don't own a suit yet, but are so interested in the opportunity that you came anyway.
Make sure your outfit is ironed and wrinkle-free. This says a lot about how serious you are about the job.
Insider tip: Whatever outfit you choose, make sure your clothes are free from stains, missing buttons, loose seams, and wrinkles. You don't want to show up to your interview looking messy.
Test your outfit the day before your interview.
Insider tip: Try on your entire outfit the day before. This way, you'll be able to see how comfortable you will feel wearing it and hang it up so it stays neat and clean.
Do not forget to polish your shoes!
Insider tip: Wear closed-toe, solid colored shoes. Choose dress shoes, flats, or heels in a neutral color that complements your attire – no platforms, furry boots or strappy sandals. Have you heard someone say, "A person's shoes say a lot about the person"? Indeed, they do.
When interviewing for a retail, warehouse or position that requires manual labor, you should dress in business casual attire. Business casual does not mean sloppy, no sneakers, flip-flops, jeans, hats or caps, sweatshirts, and no t-shirts with graphics or writing. You do not need to wear a suit, but you do need to be neat and tidy. Understanding the work environment of the employer is key to picking the best outfit for the interview.
Men can choose from dress slacks or chinos, a button down or polo shirt, socks, and dress shoes or loafers.
Women can choose from a skirt (appropriate length) or slacks, blouse, sweater, twinset, or polo shirt, and closed toe shoes.
Many think they need to spend a lot of money on interview clothes, but in fact you do not! You can easily find a reasonable price interview attire between $5-10 for an entire outfit. I highly recommend going to a secondhand/thrift store like Goodwill. Also, don't be afraid to borrow from a friend or family member!
No revealing outfits, no fancy jewelry, no platform heels, no big logos or overly large apparel (saggy pants). You want to leave an impression om the recruiter showing you are a reliable, professional, and well-kept individual – especially if you are applying for a position where you will be interacting with customers. The hiring manager will be trying to see how you would represent the company, so you want your professional personality to shine, not your outfit.
And don't forget to take off your coat or jacket! During Chicago winters sometimes that extra puffy coat is necessary, but make sure to take it off after you enter the building so your professional attire can give the right impression. On a similar note, if you must wear winter boots, you should always change into your professional shoes as soon as you enter the building.
Why does this matter? Recruiters will pass on candidates simply because they wore one piece of clothing that was wrinkled, dirty, or too casual. Sure, that sounds unfair, but remember that YOU are responsible for giving them every reason to hire you. Wearing a puffy jacket or winter boots that leave a puddle of salt and slush might be the tipping point from a "Yes, I'll give them a shot" to a "No, they don't have what it takes".
Having your entire outfit prepped the day before the interview will save you time in the morning, and will help you avoid last-minute stressful decisions. Being prepared the night before will also allow you to take care of any stains or wrinkles that you come across ahead of time. Make sure to try it all on! There have been times when I thought I knew what I wanted to wear for an interview, but as soon as I tried it on I felt uncomfortable. During those times, I was glad I had time to make changes. Taking the time to review your outfit and dressing well will give you the confidence to do great in the interview!
Appearance and what you wear to the interview can be the "make it or break it" piece in landing the job. Your first impression is critical – make sure YOU are the candidate that stands out above the rest! Dress to impress!
*Special Circumstances* While these may seem like hard and fast rules to follow, understanding the interview situation and the employer's company culture is key. Break the rules when needed, but just be 100% sure it is the right time to do it.


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Did you know that insurance companies buy insurance from other companies? Parts or all the policies that an insurance company writes may be sold to other insurance companies, mainly to spread risk, and all is done without the policyowner knowing any difference. Reinsurance is the term that describes this distribution of policies and the attendant risk among insurers. The insurance company that wrote the policy for the insured is called the primary insurer, otherwise known as the direct writer or as the ceding company or, simply, as the cedent. The insurance company that accepts the transference is the reinsurer. The reinsurer usually pays a ceding commission to the direct writer to compensate it for the acquisition of the new business.
The amount of the insurance that the primary insurer retains is the retention limit (aka net retention), and the amount that is ceded to the reinsurer is the cession. The reinsurer may transfer some of the insurance to another reinsurer — the retrocessionaire — and the amount transferred is the retrocession.
Reinsurance is also used to cover major disasters, such as hurricanes, earthquakes, and nuclear accidents. While a catastrophe is often called a loss event, a major loss affecting several reinsurers is deemed an industry loss event.
Reinsurance Benefits the Insurer
The main benefits of reinsurance to insurance companies are the following:
increases the underwriting capacity of the insurer;
protects against a catastrophic loss, which helps to stabilize profits;
reduces the unearned premium reserve;
allows an insurer to exit a territory or line of insurance by transferring the whole policies of the territory or insurance line to a reinsurer;
and reinsurers can provide advice about specific lines of insurance to insurance companies that are starting up or entering a new line of insurance business.
Sometimes reinsurance is used by a mutual company that wants to convert into a stock insurance company. The stock company is either acquired or organized by the mutual insurer, then the policy liabilities are transferred by reinsurance to the stock insurance company, and then the mutual company is liquidated.
Because reinsurance increases the underwriting capacity of a primary insurer, the primary insurer can sell policies that normally it would not accept because the policy limit is above the insurer's retention limit. If the insurer refuses the policy, then it will lose business to competitors. Using reinsurance, the primary insurer can write the policy, retain an amount up to its retention limits, and sell the rest to a reinsurer. Transferring insurance amounts above the retention limit also prevents catastrophic losses that may result from the crash of a commercial airliner, a terrorist attack, or a natural disaster.
When an insurer sells a policy, the entire amount of the premium goes into an unearned premium reserve, which is required by law and is the unearned part of the premium. Premiums are paid for future insurance coverage, so the premium is earned when a specific amount of time elapses during coverage. The insurer cannot use the money in the unearned premium reserve to pay its own expenses. For example, if you pay $1,200 per year for auto insurance, then the insurer can only transfer $100 per month from the unearned premium reserve into a general account that the insurer can use to pay expenses.
Furthermore, insurers must pay acquisition expenses, such as commissions for sales agents and administrative processing, so when an insurer sells a policy, it initially has less money than before it issued the policy. This limits how fast an insurance company can expand. Reinsurance lowers the unearned premium reserve requirement for the primary insurer, and increases its surplus, thus allowing it to expand its business more rapidly than would otherwise be possible.
The reinsurer also pays a commission to the direct writer for its acquisition of the customer, so the assets of the direct writer decrease less than the liabilities that are transferred to the reinsurer. So if a direct writer transfers $100,000 in premiums to the reinsurer, minus a ceding commission of $40,000, then the assets of the direct writer are reduced by $60,000, but its liabilities are reduced by $100,000, resulting in a net increase in the direct writer's surplus of $40,000. So, in essence, the ceding commission paid to the direct writer increases its surplus by the same amount.
Reinsurance Companies
Older reinsurance companies are often named after their place of origin — such as Cologne Re (now known as General Reinsurance AG), Hannover Re, Munich Re (the largest reinsurer in the world), and Swiss Re — and they are often started after a disaster. For instance, Cologne Re was formed after about a quarter of Hamburg, Germany was destroyed by fire in 1842 and Swiss Re was formed in 1863 after a good part of Glarus, Switzerland was destroyed by fire. In fact, at least several reinsurance companies crop up after every major disaster, since insurance companies are more apt to buy reinsurance after such major events. For instance, 8 new reinsurers were created after Hurricane Andrew in 1992, 8 more were formed after the terrorist attacks on September 11, 2001, and 5 more after Hurricanes Katrina, Rita, and Wilma in 2005.
Whereas most insurance companies use the law of large numbers to calculate premiums, reinsurance companies must use computerized statistical models, since major events occur only rarely. Lloyd's of London publishes an annual list of Realistic Disaster Scenarios, which is a list of the greatest possible disasters that could conceivably occur.
However, if a reasonable estimate of the probability of an event cannot be determined, then a reinsurer will exclude it from its coverage. Such is the case for terrorism, which reinsurers excluded after the September 11 attacks. Previous to that, terrorism that resulted in major destruction was considered an unlikely event.
Reinsurance companies often learn something new from each major disaster — particularly on what to exclude or to limit. For instance, before the 1960s, reinsurance treaties did not have an hours clause for hurricanes that would limit the time that the insured could file a claim for damages. Nowadays, the standard hours clause limits the time to 96 hours.
Reinsurers also update their computer models based on the new information, so that future predictions would hopefully be more accurate. However, statistical models for predicting major disasters are often woefully inaccurate, causing reinsurers to suffer major losses. Nonetheless, reinsurers can easily raise their premiums based on the new information, since insurance companies are more than eager to buy reinsurance after a major disaster.
Facultative and Treaty Reinsurance
There are 2 basic types of reinsurance: facultative and treaty reinsurance. Facultative reinsurance is based on individual agreements to cover specific losses. When the primary insurer needs reinsurance for a particular coverage, it enters the market, and negotiates the amount of coverage and the premium with different reinsurance companies, seeking the best value. Under most agreements, the reinsurer pays a ceding commission to the primary insurer to pay for acquisition costs.
Treaty reinsurance (aka automatic reinsurance) involves a standing agreement with a particular reinsurer. The amount of insurance sold by the primary insurer that is transferred and the services provided by both parties are specified by contract. There are various types of treaty reinsurance arrangements that differ according to the liability of the reinsurer.
Pro rata reinsurance (aka quota-share treaty) is the proportionate sharing of premiums, losses, and expenses between the primary insurer and the reinsurer. For example, the primary insurer may decide to retain 70% of new business and transfer 30% to the reinsurer, and dividing income, losses, and expenses by the same proportion. The retained limit is specified as a percentage. The main benefit of the quota-share treaty is that it allows the primary insurer to reduce its unearned premium reserve significantly at the cost of transferring a lot of profitable business to the reinsurer.
Excess-of-loss reinsurance (aka excess-of-loss treaty) is an arrangement where the reinsurer only covers losses that are greater than the primary insurer's retained limit, which is usually expressed as a dollar amount. This coverage is bought mainly to cover catastrophic events, and can be written to cover a single occurrence, a single exposure, or as a dollar amount that pays for losses that exceed the primary insurer's cumulative losses within a given period.
Surplus-share treaty is an agreement that shares some of the qualities of the quota-share and excess-of-loss treaties. The retention limit for each policy, known as a line, is specified as a dollar amount, and the reinsurer pays anything above the line, up to a specified maximum amount. If there is a loss, then the primary insurer and the reinsurer pay for the same proportion as the provided coverage for that policy. For example, suppose that the primary insurer sold 2 policies with policy limits of $400,000 and $500,000 dollars, and its own line is $200,000 on each policy. Then the reinsurer would cover $200,000 on the 1st policy and $300,000 on the 2nd policy. If the policies eventually pay out $300,000 each for losses, then the reinsurer would pay 50% ($200,000/$400,000) of the loss for the 1st policy, or $150,000, and 60% ($300,000/$500,000) of the 2nd policy, or $180,000. The main benefit of the surplus-share treaty is that it increases the primary insurer's underwriting capacity, but, because the coverage provided by the reinsurer depends on each policy, there is more recordkeeping and greater administrative expenses.
A reinsurance pool is formed by a group of insurers that combines their financial assets to underwrite insurance jointly. These pools are formed to provide coverage for aviation disasters, nuclear accidents, and exposure in foreign countries, where losses can be catastrophic and that could easily exceed the financial capability of any single insurer. Reinsurance coverage can be provided as a set proportion of each policy, or as an excess-of-loss arrangement, where each insurer pays for their own claims up to their retention limit. Losses greater than the retention limit are shared among the other insurers of the pool.
Sometimes, the state government provides reinsurance at lower rates than that of commercial reinsurers to lower insurance costs for its residents. For example, Florida has set up the Florida Hurricane Catastrophe Fund that insurers can draw upon to pay large claims from major storms.
Like insurance companies, there are both admitted and nonadmitted reinsurers. If an insurance company purchased reinsurance from an nonadmitted carrier, then, previously, it could not show it as a credit on its financial statements unless the reinsurer posted collateral. The Credit for Reinsurance Model Act and Regulation reduced the collateral requirements, if the reinsurers were supervised by an approved jurisdiction.
Reinsurance Association of America
NAIC Reinsurance Task Force
Reinsurance - NAIC
The God Clause and the Reinsurance Industry
The Top 10 Costliest and the Top 10 Deadliest Disasters since 1970

redpajama_set_name: RedPajamaCommonCrawl


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Home » Musicians » Julius Hemphill
Julius Hemphill
Julius Hemphill - alto and soprano saxophone (1928 - 1995)
For over thirty-five years Julius Hemphill earned a reputation as one who broke down boundaries and defied labels. A prodigious composer who wrote luscious and shimmering sonorities with the ever-present tang of the blues, Hemphill was as comfortable writing for full orchestra as he was for his Sextet or Big Band. He composed for theater and multi-media productions and worked with some of this generation's most acclaimed writers and choreographers who sought his unifying consciousness for collaborative projects. An improviser of immense talent and saxophonist who could coax the best out of any musical unit, Hemphill performed in almost every major jazz festival and hall in North America and Europe, including the Berlin, Montreal, Kool, Rome, Paris, Den Haag (North Sea), and Warsaw festivals.
Born in 1938, Julius Hemphill divided his attention between music and sports while growing up in the fertile musical environment of Fort Worth, Texas. He gained experience playing in local blues bands and jazz groups and began focusing on his musical career in earnest after moving to St. Louis in 1966. In 1968, Hemphill joined the Black Artists Group (BAG), playing an instrumental role in developing this interdisciplinary performance collective that included future World Saxophone Quartet members Oliver Lake (alto) and Hamiet Bluiett (baritone). In the early 70s, the composer recorded two albums, "Dogon A.D." and "Coon Bid'ness," that were later released on the Arista/Freedom label.
Hemphill moved to New York in 1973 to continue his dance on the edge of free jazz. In 1976, he became the founding member and principal composer/arranger for the World Saxophone Quartet"a four-horn band which proved that saxophones could swing and sing without the support of a rhythm section. Hemphill's performances with the WSQ can be heard on "World Saxophone Quartet Plays Duke Ellington" and "Dances and Ballads," recorded for Elektra/Nonesuch, as well as "Rhythm & Blues," recorded for Elektra/Musician.
After leaving the World Saxophone Quartet in 1989, Hemphill devoted more of his time to collaborative multi-media projects and expanded his compositional palette. The Julius Hemphill Sextet was first featured in Hemphill's Long Tongues: A Saxophone Opera, a multi-media composition with dancers, actors, and slide projections, built exclusively on instrumental music and loosely based on the history of the Bohemian Caverns Jazz Club from 1943 to 1968. Developed from an earlier collaboration with District Curators and Malinke Robert Eliott, the work received its world premiere in Washington D.C. in 1989 and its New York premiere at the Apollo Theater in 1990.
The Last Supper at Uncle Tom's Cabin: The Promised Land, composed for choreographer Bill T. Jones and featuring the Julius Hemphill Sextet, toured the United States and Europe with the Bill T. Jones/Arnie Zane Co. during the 1990-91 season to a chorus of raves. In 1991, Hemphill received a Bessie Award for each of his dance compositions, Long Tongues: A Saxophone Opera and The Last Supper At Uncle Tom's Cabin: The Promised Land. (The Bessies, named for the highly regarded teacher of dance composition, Bessie Schonberg, are presented annually by Dance Theatre Workshop in recognition of outstanding achievement by a select few choreographers and performance artists.)
"Fat Man and the Hard Blues," the Julius Hemphill Sextet's recording debut, was released by Black Saint in 1992 and voted one of the top ten CDs of 1992 by Downbeat Magazine. Both "Live from the New Music Cafe," featuring Hemphill's unusual jazz trio collaboration with cellist Abdul Wadud and percussionist Joe Bonadio, and "The Oakland Duets," featuring Hemphill and Wadud in duo, can be heard on the Music & Arts label. The 1992 December issue of Downbeat gave five stars to both Hemphill's Sextet and Trio CDs. In 1994, JMT/Polydor KK released "Diminutive Mysteries" (Mostly Hemphill), a recording performed by one of Hemphill's celebrated students, Tim Berne, and featuring compositions by Hemphill. In 1994, Black Saint released Hemphill's second Sextet recording, "Five Chord Stud," and in 1997 New World Records released "At Dr. King's Table," a CD of previously unrecorded Sextet music that Hemphill composed.
Recent commissions included "One Atmosphere (For Ursula)," a piano quintet premiered by the Arditti String Quartet and pianist Ursula Oppens in 1992, and "Plan B," an orchestral work premiered by the Julius Hemphill Sextet and the Richmond Symphony in 1993. A Bitter Glory, a music-theater piece composed by Hemphill with libretto by New Orleans-based writer Dalt Wonk and commissioned by the Walker Art Center and the American Music Theater Festival, received a workshop performance in Minneapolis in December 1994. Hemphill had recently been commissioned by the Pacific Rim Players, with funds provided by the Meet The Composer Jazz Program, to write a new work for improvising ensemble (the Northwest Creative Orchestra), and pianist (Ursula Oppens). Julius Hemphill died on April 2, 1995. He was inducted into the Downbeat Hall of Fame later that year.
Source: Sobito Music
Julius Hemphill saxophone, alto
Dogon and Friends
Extended Analysis
Julius Hemphill / Peter Kowald: Live at Kassiopeia
Dogon A.D. by Troy Collins
The Hard Blues by Germein Linares
One Atmosphere by Jeff Stockton
Blue Boye by Mike Neely
Julius Hemphill - Dogon A.D. (Arista/Freedom 1972, 1977; International...
STLJN Audio Archive: Julius Hemphill - Dogon A.D.
"The Hard Blues," by Julius Hemphill
Composer Portrait: Julius Hemphill Bobby Zankel's Warriors of the...
Notes from the 'Net: Inside the Kind of Blue Sessions, a Julius...
Julius Hemphill Composition Awards
The Complete...
Julius Hemphill /...
NoBusiness Records
Dogon A.D.
Live at Kassiopeia
GR2 Classics
The Hard Blues
One Atmosphere
Anthony Braxton
saxophone, alto
Albert Ayler
saxophone, tenor
Greg Osby
Satoko Fujii
Tim Berne
saxophone, soprano
Joe McPhee
Instrument: Saxophone, alto
Born: January 24, 1938
Died: April 2, 1995
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This summer, we rented a car and road tripped out to Snowdonia National Park in Wales. We ventured out there so that Andrew could participate in the Snowman Triathlon, and, luckily, we also had some time to explore this absolutely beautiful part of the UK.
We rented a car in London and set out for Wales on a Saturday morning. You will be unsurprised to hear that Andrew did the driving. In theory, the drive should take around four and a half hours. Since it was a quick trip for us, we decided to take the scenic route and enter Snowdonia National Park at its southeastern corner and drive up to Betws-y-Coed from there to see more of what the park has to offer.
It is a beautiful, relaxing place and I highly recommend visiting!
Planning sights to see was a little bit challenging – there really wasn't that much that I could find easily on the Internet! I typically create GoogleMaps to get a sense of where we'll be going and where the points of interest are, but even the information on GoogleMaps was a bit sparse.
We were able to find Dolgoch Falls, and we were pleasantly surprised to find a public parking lot and loo at their base. To find them, simply put The Dolgoch (B4405, Bryncrug, Tywyn LL36 9UWWe) in your maps. The car park is just in front of this quaint B&B and tea room. We parked the car and set out on foot from there to see the falls.
The initial part of the path is well-kept and quite easy to walk. It is fairly flat, so for anyone who can handle a nice stroll on a gravel path, it is worth it!
It is so green in the forest there. There are green moss and green ferns wherever you turn. I read a path-side sign that told me it is a rainforest. The vibrant green and lush plant life do indeed feel almost tropical.
In addition to the hiking paths, we passed a few caves. They were pretty freaky, but neat to explore.
The climb up to the falls was more challenging than the initial path. We didn't want to spend too much time here, so once we made it up to a view of the falls we headed back to the rental car to keep on our way to Betws-y-Coed.
Back on the road, we drove through incredible hills and fields. At one point it felt like a moonscape.
The reason behind our trip was Andrew's triathlon, the Snowman Triathlon. Featuring a swim in the icy looking Llynnau Mymbyr, a 40 mile bike ride on the winding, hilly roads of Snowdonia, then finally a 10k race up a mountain, this was not your average triathlon.
Until we arrived and saw an abundance of IronMan tattoos and gear on the people getting ready to race, I'm not sure Andrew realized just how intense of this particular triathlon would be. Once he was left scaling a mountain during the "run" portion, I think it settled in.
The triathlon started with a swim in the lake, then was followed by the bike. Andrew transitioned from wetsuit to bike way faster than I anticipated so I didn't capture the best pictures, but I love how happy he looks setting out on his cycle adventure! Snowdonia makes a truly gorgeous backdrop.
The start and finish were at the Plas y Brenin National Mountain Sport Centre, which was quite nice and the staff working in the cafe were great. I was thankful to have a nice, warm spot to stay while Andrew was out in the mountains. It was also amusing to watch the little kids practising their skiing down this strange faux-snow hill just outside. It did feel cold enough for skiing after standing outside for a while!
After climbing Braich Bryn-engan, Andrew crossed the finish line! It was a very exciting day.
When Andrew finished, it was early afternoon, so we took advantage of the time we had to explore more of Snowdonia National Park.
We hopped in the car to take a drive around the sites of Snowdonia when we passed a car park that led to some trails. We decided to venture up the Miner's Track a ways.
This path leads all the way up Mt. Snowdon, but the park we walked was pretty easy and well-paved.
The stone provided a dramatic contrast to the green hills.
Up in the mountains, we came up two lakes nestled among the hills. The first was smaller, but so pretty.
The bigger lake, Llyn Llydaw, was breathtakingly beautiful.
The trail started to become steeper and it was getting late, so we turned back after reaching the lake. There were castles to see!
It's not a trip without a castle sighting! We drove over to Castell Dolbadarn to check out the ruins.
Off a short path up a small hill, there sits the mostly preserved tower.
There are beautiful mountains all around, and you can even climb to the top of the tower, which I was brave and actually did do.
Just driving by, you may not even realize there is a beautiful castle here because the trees obscure it from the road. Don't miss it!
There was something so peaceful about being out in the mountains, I wish we had had more time to explore more of Snowdonia National Park. We did make a stop on the drive home to Conwy Castle, just outside Snowdonia. Check out the post about this beautiful Welsch castle here.
Andrew's triathlon was in Capel Curig, so we booked an Airbnb just down the road in the little village of Betws-y-Coed.
It was adorable with its stone buildings and walls. It was a great place to stay, thanks to its close location to the triathlon as well as its many restaurants and shops.
Betws-y-Coed was a beautiful backdrop to our stay – just don't ask me to try and pronounce it!
Our first night, we made a big pasta dinner for the triathlete at our Airbnb. Thankfully, the nearby Spar in Bewts-y-Coed had a whole little gluten-free section.
To celebrate Andrew's triumphant finish, we went to Y Stablau for a late lunch and a pint. It was awesome!
We had passed by the night before and the huge garden area was full. This seems to be the place to grab a meal or a pint in Betws-y-Coed.
That evening we had dinner at the beautiful and newly reopened Grill Room at the Royal Oak Hotel. We didn't mean to have a nice dinner, but it was the only restaurant we could get a seat at without a booking. Lucky for us, it was delicious!
They had just remodelled and I was loving the design features! Our waitress was also so nice and helpful. It was a great end to our time in Betws-y-Coed and Snowdonia!
Wow, what incredible photos. I am definitely adding Snowdonia National Park & the surrounding areas to my UK travel list :)!
Jess, thank you! Yes, you must! I will be posting about Conwy Castle which is just outside the northeastern corner of the park – wait until you see those photos! It is beautiful. Highly recommend!
Loving your new travel videos, you are such a natural on camera!!


The limit to fit your message into 140 characters will be removed by Twitter in the near future. Users could leave direct messages as long as they feel. Yes, Twitter, the micro-blogging platform will remove its 140 character limit on direct messages. The feature will be open for tests in the coming weeks before being widely deployed next month.
We've done a lot to improve Direct Messages over the past year and have much more exciting work on the horizon. One change coming in July that we want to make you aware of now (and first!) is the removal of the 140 character limit in Direct Messages. In order to make this change as seamless as possible for you we've included some recommendations below to ensure all your applications and services can handle these longer format messages before we flip the switch, says the blog post.
This, suggests that Public tweets will however still be restricted to 140 characters. If you are worried that users you do not follow will be at the liberty to send you long messages that you are not interested in, the new feature will allow you to block these users from sending the new, extensive messages. How? All you need to do once the feature rolls out, is to uncheck the "Receive Direct Messages from anyone" box that can be found in the Security and privacy section of your Twitter's settings.
Some users believe the move is intended to roll out of a separate messaging application similar to what Facebook created with messenger.


text:
Posted inHistorical Greenpoint
Before L-pocalypse: A History of Transit in North BK
by Lucie Levine March 7, 2018 March 7, 2018
B.C.R.R. Crosstown Trolley, Via the New York Transit Museum
As the MTA's planned 15-month suspension of L train service between Brooklyn and Manhattan draws near, all 200,000 daily riders of the L-pocalypse have been asking the same question: how will we get across the river? Brooklynites have been asking that question for generations, and personal ingenuity, along with municipal planning, has yielded several answers. All we can say for sure is that this is not the first time aggrieved Greenpointers have been up in arms over inadequate inter-borough transit. I'm just glad we don't have to take a rowboat.
The rowboat commute was the first in a line increasingly efficient methods of getting from Greenpoint to Manhattan that includes horsecars, trollies, ferry services, elevated trains, and the dawn and growth of the subway. Step in, stand clear and read on for a history of transit in North Brooklyn.
Alpheus D. Rollins was first to operate a commercial rowboat between Greenpoint and Manhattan. A carpenter by trade, he built the boat himself, and started the service around 1840, rowing passengers across the river to East 10th Street in Manhattan at 3 cents a trip. Soon, traffic increased, and rowboat service proved inadequate, so Rollins built a fleet of 4 or 5 sailboats to meet demand. Just as quickly, demand was so hot, the whole line turned to steam — Rollins chartered a steam ferry, and in 1853, the modern Greenpoint Ferry was born.
Ferry Routes between Manhattan and Brooklyn circa 1847
By the time steam-powered ferry service came to Greenpoint, the technology was nothing new. Three ferry routes connected Williamsburg to the Lower East Side and the Financial District in the first half of the 19th century: The Grand Street Ferry connected Grand Street in Brooklyn to Grand Street in Manhattan, The Houston Street Ferry operated between Houston and Grand, and Broadway Ferry linked Williamsburg with Peck Slip.
But, at that time, Greenpoint was still a verdant oasis hardly in need of regular commuter service. With the growth of industry in Greenpoint in the 1840's and 50s, and the build up of Brooklyn's "Walled City" of industrial behemoths following the Civil War, the area became an manufacturing center that required rapid and reliable transit options.
That same industrial growth and population explosion had lasting effects on transportation throughout Brooklyn. For example, 1853 not only saw the debut of steam ferry service in Greenpoint, but also the opening of the Brooklyn City Railroad, a horsecar line that began operating on Myrtle Avenue from Fulton Street to Marcy Avenue.
Cable Car Service Across the Brooklyn Bridge. Via the New York Transit Museum
And there your options stood for 30 years. Then the world changed: the Brooklyn Bridge opened in 1883. The occasion was so momentous that when Neil Armstrong landed on the moon in 1969, an elderly woman on Long Island pronounced the feat "interesting, but nothing compared to the day they opened the Brooklyn Bridge." The Great Bridge was not only the longest suspension bridge in the world when it was built but also it connected the cities of Brooklyn and New York more deftly than they had ever been before, and public transit followed apace. The newly opened bridge offered cable car service across the span from Sands Street in Brooklyn to Park Row in Manhattan.
Service over the Williamsburg Bridge ca. 1941 via the New York Transit Museum
Five years later, the Kings County Elevated Railway opened a Fulton Street Elevated Line which also served Bed Stuy, Brownsville and East New York, taking passengers across the Brooklyn Bridge to Manhattan. Some of Elevated Railway survives today, as part of the J train. The tracks serving the J train between Gates Avenue and Van Siclen Avenue are the oldest continuously running elevated tracks in the world, and north Brooklynites have been using them to reach Manhattan since the 19th century: In 1888, the tracks were extended past Marcy Avenue to connect passengers to Broadway Ferry.
Meanwhile, at street level, in 1890, trolley service transformed transit in Brooklyn. Brooklyn's trolleys chugged through the borough until they were retired in 1956. In 1893, the trolleys abandoned the folksy purity of their early years and went electric, with several lines serving North Brooklyn. By the 1920s, street-level trolley service fanned out like spidery tendrils all across the borough.
1912 BMT Map
But, as the century turned, a whole new system really put the "rapid" in Interborough Rapid Transit. The IRT subway opened its very first stations in 1904, and the first tunnel connecting Brooklyn and Manhattan opened in 1908. The same year, what we now know as the J Train was rerouted across the Williamsburg Bridge. Additionally, a shuttle train continued to connect passengers to Broadway Ferry until 1916.
In 1912, Greenpoint looked upon the elevated tracks of the J train, and scoffed. It was "subways or nothing," they demanded. Greenpoint residents filled the Eckford Club on Eckford and Calyer to protest construction of an elevated line in the neighborhood, and to demand subterranean connection to the forthcoming Canarsie Tunnel.
And this, friends, brings us to the very first inklings of the modern L train. Indeed, the Brooklyn Daily Eagle reported in 1912, "In the Eastern District and Greenpoint sections of Brooklyn, for the route known as the Fourteenth Street and Union Square section of the subway, which will run from Fourteenth Street and Sixth Avenue, Manhattan, under the river to Bushwick Junction, has been allowed the sum of $15,000,000."
The cost of building the tunnel, the paper continued, would eat up so much of that budget, there would only be enough money left over to build one mile of subway in North Brooklyn. The rest would have to be "an elevated road" to Greenpoint. At $2,000,000 per mile to construct the subway, versus $200,000 per mile to build elevated tracks, it seemed that Greenpoint was bound for above ground service.
An Ad for the Subway in the Brooklyn Daily Eagle, April 22, 1925
But Greenpoint stood firm. On March 19, 1915, transit-conscious Greenpointers gathered for the inaugural meeting of the Greenpoint Subway League. At that meeting, the group threw its support behind a crosstown route starting at Queensboro Plaza, running elevated to Box Street, then as a subway to North 7th, and through the Canarsie Tunnel.
In January 1916, construction on that tunnel, and what was then called the 14th Street-Eastern District Line, got underway, and Greenpoint heartily advocated for a Crosstown Line to match. By 1918, proponents of the Crosstown Subway had garnered support from not only Greenpoint but also Ridgewood, Bushwick and Long Island City. The latest plan, conceived to benefit workers who commuted in either direction across Newtown Creek, proposed a route "from the Williamsburg Bridge to Driggs Avenue to Manhattan Avenue to Greenpoint Avenue to Vandam Street to and across the Blissville Bridge and thence to the Queensboro Bridge."
1939 System-Wide Subway Map
In keeping with the spirit of the 1920s, the subway began to roar into Williamsburg in 1924. That year, the 14th Street- Eastern Line (now the L train) opened between 6th Avenue and Montrose Avenue. The service was extended further east in 1928, and in 1931, it was extended west to 8th Avenue to connect with the newly built A/C/E service.
And the 1930s brought subterranean glory to Greenpoint. On 12:01 am, August 19, 1933, the Crosstown IND, the G Train you know and love, began service between Nassau Avenue and Queens Plaza. It was the first subway to run from any point in Brooklyn directly to Queens, and its opening called for a celebration. Then as now, Greenpointers knew how to party. The festivities began at 10:30pm, with a parade, and continued "with music, shouts and speeches" until a minute after midnight. The route grew throughout the decade, so that by 1939, the G train didn't terminate at Court Square. In fact, you could ride it all the way to 169th Street in Queens, and down to Church Avenue.
The Opening of the G Train, August 19, 1933, via the Brooklyn Daily Eagle
But, as the Crosstown subway opened, the Greenpoint Ferry, which had spent nearly a century at the foot of Greenpoint Avenue bid its fond farewell. The service closed February 12, 1933. Funnily enough, today, as we face the L-pocalypse, ferry service across the East River is booming, and a direct ferry between Williamsburg and the Lower East Side is a major part of the MTA's alternate service plan. The situation makes Whitman's words as true as ever:
It avails not, time nor place—distance avails not,
I am with you, you men and women of a generation, or ever so many generations hence,
Just as you feel when you look on the river and sky, so I felt,
Just as any of you is one of a living crowd, I was one of a crowd
If history tells us anything, it's that we will survive L-pocalypse, because we, the great living crowd, will cross the river, one way or another.
On the Struggle Bus: The MTA finally reveals its plans for L-Pocalypse
You've Heard About the L-Pocalypse. What About the G-Pocalypse?
Do the Time Warp: When Slow Commutes Made Greenpoint Feel Like a "Municipal Step-Child"
In "(Not)Forgotten Greenpoint"
Tagged: BMT Lines, Crosstown IND, G Train, greenpoint ferry, greenpoint history, Greenpoint Subway League, History, J train, L Train, L-pocalypse, New York City Transit, New York Transit Museum, north brooklyn, The Brooklyn Daily Eagle, the mta, the subway, Transit Museum, walt whitman, Williamsburg History


text:
package sri.universal.components

import chandu0101.macros.tojs.JSMacro
import sri.core._
import sri.universal.{ReactEvent, ReactUniversal}

import scala.scalajs.js
import scala.scalajs.js.{UndefOr => U, undefined}

case class WindowedListView[T](key: U[String] = undefined,
                               style: U[js.Any] = undefined,
                               data: js.Array[T],
                               renderRow: (T, Int, Int, String) => ReactElement,
                               renderWindowBoundaryIndicator: U[() => ReactElement] = undefined,
                               renderFooter: U[() => ReactElement] = undefined,
                               onScroll: U[ReactEvent[js.Object] => _] = undefined,
                               onVisibleRowsChanged: U[(Int, Int) => _] = undefined,
                               onViewableRowsChanged: U[js.Array[Int] => _] = undefined,
                               viewablePercentThreshold: U[Double] = undefined,
                               initialNumToRender: U[Int] = undefined,
                               maxNumToRender: U[Int] = undefined,
                               numToRenderAhead: U[Int] = undefined,
                               recomputeRowsBatchingPeriod: U[Int] = undefined,
                               renderScrollComponent: U[js.Object => ReactElement] = undefined,
                               enableDangerousRecycling: U[Boolean] = undefined,
                               disableIncrementalRendering: U[Boolean] = undefined,
                               asyncRowPerfEventName: U[String] = undefined,
                               ref: U[WindowedListViewM => _] = undefined) {

  def apply(children: ReactNode*) = {
    val props = JSMacro[WindowedListView[T]](this)
    React.createElement(ReactUniversal.WindowedListView, props, children: _*)
  }

}

@js.native
trait WindowedListViewM extends js.Object

redpajama_set_name: RedPajamaGithub


As our own Derek Beres says in his artice, The Vegetarian Wedding Planner, "It never ceases to amaze me that people assume I have limited culinary choices. It's impossible to explain how much variety was introduced into my diet when forgoing meat." How true that most think going vegetarian is painfully limiting. How also true what bologne that is! Vegetarians open themselves up to a world of inventive gastronomy when meat isn't the go-to highlight. In the spirit of vegetable-centric creativity, we're spotlighting some drool-worthy recipes that sprung on the blogoshpere this last week.
For a unique appetizer, give these Roasted Onions Stuffed with Curried Black Quinoa from the Healthy Green Kitchen a place at your tablescape. Not only delicious, but gorgeous.
Alongside Warm Potato Salad with Creamy Dijon Dressing & Pumpernickel Croutons from The First Mess, and now you have a meal that will be conversation fodder for tomorrow.
Move over burger, chicken and turkey sandwich. Falafel is in town! Ask around and the vegetarian/vegan community is bound to offer up the beloved falafel as a surefire diet staple (for those on a budget anyhow!). While generally obtained from one's local hole in a wall, this Home Made Falafel from Clookbook will give your kitchen a global flair and serve up an undeniably enviable lunch (or dinner!).
Now, here's an ingredient that's bound to be new to your repertoire: Freekeh. What is it, you ask? It's wheat that has been harvested while it's still green, sun-dried, and then lightly roasted by burning the chaff and stalks around it. Herbivoracious shares a mouthwatering recipe for Pomegranate-glazed Freekeh Kofte, otherwise known as meatballs. But these ones are vegan and delightfully new to the palate.


text:
The Listen Project
A Northeast Ohio Music Preservation Project
About the Listen Project
Posting of Music or Video
February 22, 2018 October 6, 2020 by Chris Noga
BAND OF THE MONTH – The Gypsy Moths: Like Moths To A Flame
"The Moth don't care when he sees The Flame. He might get burned but he's in the game. And once he's in, he can't go back. He'll beat his wings 'til he burns them black…" – Aimee Mann
Just as I have a reason for starting my posts of Cleveland compilations with From the Eerie Shore, my individual band release posts start with the self-titled EP by the Gypsy Moths. Around the first time I heard "Eerie Shores," (fall 1988) once again I was at Magnetic North Studio, probably handing over cash to my dark lord and master mentor, Chris Keffer for studio services rendered. Knowing I had a growing interest in learning to engineer, he invited me in to sit in on a session for a band called the Gypsy Moths. Unfortunately, I had to work (to make money to give to Chris and pay my car insurance) and couldn't make it. I still kick myself for not calling in sick! Sometime around the beginning of 1989, I was back at the studio and Chris played me the finished tracks that the Gypsy Moths recorded. What I heard coming from those speakers cemented my dedication to writing original music. Chris gave me a copy of the cassette and I played it over and over. I still have that tape and still listen to those songs in awe.
The Gypsy Moths were Leo Walsh (later aka Leo P. Love) on drums; Joe Milan on bass and both JD Spinner and Bill Stone on guitars and vocals. The music was simple and catchy – very catchy. The clean, chiming guitars were just as powerful as any Gibson Les Paul through an overdriven 100 watt Marshall amp. The rhythm section of Walsh and Milan provided a tight foundation underneath it all. It's hard to categorize the four songs on this EP so I think you will need to listen for yourself and decide (I hear shades of power pop mixed with a little bit of punk attitude). The band also had tracks on two Jim Clevo Presentations: "Run Away" with JD Spinner on lead vocals featured on Another Listen Is In Order and the scorching "Without You" on The Killer Blow. And they had THE best gig flyers of any Cleveland band (see below). Even with the punk influence, this was, without a doubt, something different than what had been emanating from the Northcoast since the mid 70s.
The Gypsy Moths soldiered on until sometime in 1990. Along the way, the band added keyboardist Lou Vogel (aka Lou Vox) and both Joe Milan and JD Spinner left replaced by other musicians leaving Bill Stone and Leo Walsh as the only members during the band's duration. From the ashes of the Gypsy Moths, though, came a number of bands that made a huge impact on the Cleveland music scene in the 1990s and Bill Stone was right in the thick of it. But those are stories for another day.
The Gypsy Moths – Self-titled EP
Cassette Format
All songs by Milan/Spinner/Stone/Walsh
Independence (lead vocals Stone)
Falling Up (lead vocals Stone)
Very Mary (lead vocals Spinner)
Cry (lead vocals, Stone)
← Previous Post From The Eerie Shore
Next Post → Another Listen…Is In Order! Again!


text:
<?php
require_once WPCF_INC_ABSPATH.'/classes/class.types.admin.php';
/**
 * Summary.
 *
 * Description.
 *
 * @since x.x.x
 * @access (for functions: only use if private)
 *
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 * @link URL
 * @global type $varname Description.
 * @global type $varname Description.
 *
 * @param type $var Description.
 * @param type $var Optional. Description.
 * @return type Description.
 */
class Types_Admin_Fields extends Types_Admin
{
    private $meta_key_posts = '_wp_types_group_post_types';

    public function __construct()
    {
        $this->init_admin();
    }

    public function init_admin()
    {
        /**
         * Summary.
         *
         * Description.
         *
         * @since x.x.x
         *
         * @param type  $var Description.
         * @param array $args {
         *     Short description about this hash.
         *
         *     @type type $var Description.
         *     @type type $var Description.
         * }
         * @param type  $var Description.
         */
        add_filter('wpcf_meta_box_order_defaults', array($this, 'add_metaboxes'), 10, 2);
        /**
         * Summary.
         *
         * Description.
         *
         * @since x.x.x
         *
         * @param type  $var Description.
         * @param array $args {
         *     Short description about this hash.
         *
         *     @type type $var Description.
         *     @type type $var Description.
         * }
         * @param type  $var Description.
         */
        add_action('wp_ajax_wpcf_edit_post_get_fields_box', array($this, 'ajax_metabox_custom_fields_get_content'));
    }

    /**
     * Summary.
     *
     * Description.
     *
     * @since x.x.x
     * @access (for functions: only use if private)
     *
     * @see Function/method/class relied on
     * @link URL
     * @global type $varname Description.
     * @global type $varname Description.
     *
     * @param type $var Description.
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     * @return type Description.
     */
    public function add_metaboxes($meta_boxes, $type )
    {
        if ( 'post_type' != $type ) {
            return $meta_boxes;
        }

        /**
         * types-608
         */
        add_action( 'admin_head', array( $this, 'wpcf_hide_field_groups' ) );

        $meta_boxes['field_groups'] = array(
            'callback' => array( $this, 'metabox_field_groups'),
            'title' => __('Field Groups to be used with ', 'wpcf'),
            'default' => 'normal',
        );

        $meta_boxes['custom_fields'] = array(
            'callback' => array( $this, 'metabox_custom_fields'),
            'title' => __('Post Fields to be shown as columns in Post Type listing in WordPress Admin', 'wpcf'),
            'default' => 'normal',
        );
        return $meta_boxes;
    }

    /**
     * Summary.
     *
     * Description.
     *
     * @since x.x.x
     * @access (for functions: only use if private)
     *
     * @see Function/method/class relied on
     * @link URL
     * @global type $varname Description.
     * @global type $varname Description.
     *
     * @param type $var Description.
     * @param type $var Optional. Description.
     * @return type Description.
     */
    public function metabox_field_groups($ct)
    {
        $groups = wpcf_admin_fields_get_groups();
        if (empty($groups) ) {
            _e('There is no groups to display. Please add some first', 'wpcf');
            return;
        }
        /**
         * set post_type
         */
        $post_type = $this->get_type_from_request('wpcf-post-type');
        /**
         * build form
         */
        $form = array();
        foreach( $groups as $group ) {
            $post_types = wpcf_admin_get_post_types_by_group($group['id']);
            $options[] = array(
                '#title' => $group['name'],
                '#name' => 'ct[custom-field-group][' . $group['id'] . ']',
                '#default_value' => empty($post_types) || in_array($post_type, $post_types)? 1 : 0,
                '#inline' => true,
                '#before' => '
',
                '#after' => '
',
                '#attributes' => array(
                    'data-wpcf-nonce' => wp_create_nonce('save_custom_fields_groups', $post_type, $group['id']),
                    'data-wpcf-post-type' => $post_type,
                    'data-wpcf-group-id' => $group['id'],
                    'class' => 'js-wpcf-custom-fields-group',
                ),
            );
        }
        $form['custom-fields-groups'] = array(
            '#type' => 'checkboxes',
            '#options' => $options,
            '#name' => 'ct[custom-fields-groups]',
            '#inline' => true,
            '#before' => '
',
            '#after' => '
',
            '_builtin' => true,
        );
        $form = wpcf_form(__FUNCTION__, $form);
        echo $form->renderForm();
    }

    /**
     * Summary.
     *
     * Description.
     *
     * @since x.x.x
     * @access (for functions: only use if private)
     *
     * @see Function/method/class relied on
     * @link URL
     * @global type $varname Description.
     * @global type $varname Description.
     *
     * @param type $var Description.
     * @param type $var Optional. Description.
     * @return type Description.
     */
    public function metabox_custom_fields()
    {
        $type = 'wpcf-post-type';
        $id = $this->get_type_from_request($type);
        $before = sprintf(
            '
',
            esc_attr(wp_create_nonce($this->get_nonce('custom-fields-box', $type, $id))),
            esc_attr($id),
            esc_attr($type)
        );

        $form = array(
            'placeholder' => array(
                '#type' => 'markup',
                '#markup' => sprintf(
                    '
%s
',
                    __('Please Wait, Loading…', 'wpcf')
                ),
                '#before' => $before,
                '#after' => '
',
                '#pattern' => '<BEFORE><ELEMENT><AFTER>',
            ),
        );
        $form = wpcf_form(__FUNCTION__, $form);
        echo $form->renderForm();
    }

    /**
     * Summary.
     *
     * Description.
     *
     * @since x.x.x
     * @access (for functions: only use if private)
     *
     * @see Function/method/class relied on
     * @link URL
     * @global type $varname Description.
     * @global type $varname Description.
     *
     * @param type $var Description.
     * @param type $var Optional. Description.
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     */
    public function get_groups_with_post_types()
    {
        $groups = wpcf_admin_fields_get_groups();
        $groups_to_return = array();
        foreach($groups as $group) {
            $group[$this->meta_key_posts] = array_filter(explode(',', get_post_meta($group['id'], $this->meta_key_posts, true)));
            $groups_to_return[] = $group;
        }
        return $groups_to_return;
    }

    /**
     * Summary.
     *
     * Description.
     *
     * @since x.x.x
     * @access (for functions: only use if private)
     *
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     * @link URL
     * @global type $varname Description.
     * @global type $varname Description.
     *
     * @param type $var Description.
     * @param type $var Optional. Description.
     * @return type Description.
     */
    public function ajax_metabox_custom_fields_get_content()
    {
        // check nonce
        if ( ! isset($_REQUEST['_wpnonce'])
            || !wp_verify_nonce($_REQUEST['_wpnonce'], $this->get_nonce('custom-fields-box', $_REQUEST['type'], $_REQUEST['id'])) )
            $this->verification_failed_and_die();

        // we need an array of all possible fields to check agains what is stored in the database,
        // otherwise stored db fields will always be shown until next cpt save
        $possible_fields = array();

        // current selected groups
        $current_selected_groups = isset( $_REQUEST['current_groups'] ) && !empty( $_REQUEST['current_groups'] )
            ? $_REQUEST['current_groups']
            : array();

        // current selected fields
        $current_selected_fields = isset( $_REQUEST['current_fields'] ) && !empty( $_REQUEST['current_fields'] )
            ? $_REQUEST['current_fields']
            : array();

        // get post type slug
        $post_type_slug = $this->get_type_from_request( 'id' );

        // not saved yet
        if ( empty( $post_type_slug ) ) {
            $this->print_notice_and_die(
                __( 'Please save first, before you can edit the custom fields.', 'wpcf' )
            );
        }

        // current post type
        require_once WPCF_INC_ABSPATH.'/classes/class.types.admin.post-type.php';
        $wpcf_post_type = new Types_Admin_Post_Type();
        $post_type = $wpcf_post_type->get_post_type( $post_type_slug );

        // no groups selected
        if( empty( $current_selected_groups ) ) {
            $this->print_notice_and_die(
                sprintf(
                    __(
                        'You can include Post Fields in the listing page for %s. Add Post Fields to this Post Type and you will be able to select which ones will display in the listing page.',
                        'wpcf'
                    ),
                    $post_type['labels']['name']
                )
            );
        }

        // all custom field groups
        $custom_field_groups = wpcf_admin_fields_get_groups(TYPES_CUSTOM_FIELD_GROUP_CPT_NAME, true, true);

        if( empty( $custom_field_groups ) ) {
            echo wpautop(__('To use custom fields, please create a group to hold them.', 'wpcf'));
            die;
        }

        // form
        $form = $field_checkboxes = array();

        // add description to form
        $form['description'] = array(
            '#type' => 'markup',
            '#markup' => sprintf(
                '
%s
',
                __('Check which fields should be shown on this Post Type list as a columns.', 'wpcf')
            ),
        );

        $form_add = array();

        // for all custom field groups
        foreach( $custom_field_groups as $custom_field_group ) {

            // skip group if not selected
            if ( !in_array( $custom_field_group['id'], $current_selected_groups ) )
                continue;

            $id = 'group-' . $custom_field_group['id'] . '-';

            // add fields to possible fields
            if ( isset( $custom_field_group['fields'] ) ) {
                $possible_fields = array_merge( $possible_fields, $custom_field_group['fields'] );
            } else {
                $custom_field_group['fields'] = array();
            }

            // get field checkboxes
            $field_checkboxes = $this->build_options($post_type, $custom_field_group['fields'], 'custom-field-%s');

            // no fields
            if( empty( $field_checkboxes ) ) {
                $form_add[$id] = array(
                    '#type' => 'markup',
                    '#title' => $custom_field_group['name'],
                    '#markup' => __('There are no available fields in this group.', 'wpcf' ),
                    '#inline' => true,
                    '_builtin' => true,
                    '#pattern' => '

<TITLE>

<ELEMENT>

',
                );
                continue;
            }

            // if not first time loading fields use the selected fields and not the database stored
            if( $_REQUEST['init'] == 0 ) {

                foreach( $field_checkboxes as $field_key => $field_values ) {

                    // check if field is selected
                    $field_values['#default_value'] =
                        in_array( 'wpcf-'.$field_key, $current_selected_fields )
                        || in_array( $field_key, $current_selected_fields )
                        ? 1
                        : 0;

                    $field_checkboxes[$field_key] = $field_values;
                }
            }

            // add checkboxes to form
            $form_add[$id] = array(
                '#type' => 'checkboxes',
                '#title' => $custom_field_group['name'],
                '#options' => $field_checkboxes,
                '#name' => 'wpcf[group][supports]',
                '#inline' => true,
                '_builtin' => true,
                '#pattern' => '

<TITLE>

<ELEMENT>

',
            );
        }

        // if form is still empty here the user didn't create any group
        if( empty( $form_add ) ) {
            $form['no-fields'] = array(
                '#type' => 'markup',
                '#markup' => sprintf(
                    '
%s
',
                    __('No custom field groups found.','wpcf')
                ),
            );
            $form = wpcf_form(__FUNCTION__, $form);
            echo $form->renderForm();
            die;
        }

        $form['groups-open'] = array(
            '#type' => 'markup',
            '#markup' => '
',
        );

        $form += $form_add;
        $form['groups-close'] = array(
            '#type' => 'markup',
            '#markup' => '
',
        );

        /**
         * Sortable Area
         */
        // on first load use db stored fields
        if( $_REQUEST['init'] == 1 ) {
            $fields_selected = wpcf_admin_fields_get_active_fields_by_post_type($post_type['slug']);

        // otherwise use unsaved selected fields
        } else {
            $fields_selected = array();
            foreach ($custom_field_groups as $custom_field_group) {
                if( isset( $custom_field_group['fields'] ) )
                    $fields_selected += $custom_field_group['fields'];
            }
        }

        if( !empty( $fields_selected ) ) {
            $field_checkboxes = $this->build_options($post_type, $fields_selected, 'ct[custom_fields][%s]');
            foreach ( $field_checkboxes as $field_key => $field_values) {
                if( $_REQUEST['init'] == 0 ) {

                    $field_values['#default_value'] =
                        in_array( 'wpcf-'.$field_key, $current_selected_fields )
                        || in_array( $field_key, $current_selected_fields )
                        ? 1
                        : 0;
                }

                // remove if unchecked
                if ( empty($field_values['#default_value']) ) {
                    unset($field_checkboxes[$field_key]);
                    continue;
                }

                $field_checkboxes[$field_key]['#type'] = 'hidden';
                $field_checkboxes[$field_key]['#pattern'] = '
<ELEMENT><TITLE>
';
            }
        }

        $form['wpcf-custom-field-order-open'] = array(
            '#type' => 'markup',
            '#markup' => '
',
        );

        $fields_in_sortable = array();

        // on first load use db data if not empty
        if( $_REQUEST['init'] == 1 && isset( $post_type['custom_fields'] ) && ! empty( $post_type['custom_fields'] ) ) {
            $fields_in_sortable = $post_type['custom_fields'];

        // otherwise currently selected fields
        } elseif( ! empty( $current_selected_fields ) ) {
            foreach( $current_selected_fields as $field ) {
                $fields_in_sortable[$field] = 1;
            }
        }

        if ( ! empty( $fields_in_sortable) ) {
            $fields_to_add_to_sortable = array();
            foreach( array_keys( $fields_in_sortable ) as $key ) {

                // remove "wpcf-" of id if field in sortable area is not part of checkboxes
                if( !isset( $field_checkboxes[$key] ) )
                    $key = preg_replace( '/^wpcf-/', '', $key );

                // abort if sortable field is still not part of checkboxes
                // OR if field isn't in possible fields
                if( !isset($field_checkboxes[$key] ) || !array_key_exists( $key, $possible_fields ) )
                    continue;

                $fields_to_add_to_sortable['wpcf-custom-field-order-'.$key] = array(
                    '#type' => 'markup',
                    '#markup' => sprintf(
                        '
<input type="hidden" name="%s" value="1" />%s
',
                        esc_attr($field_checkboxes[$key]['#attributes']['data-wpcf-key']),
                        esc_attr($field_checkboxes[$key]['#name']),
                        $field_checkboxes[$key]['#title']
                    ),
                );
            }

            // add fields to sortable area
            if ( ! empty($fields_to_add_to_sortable) ) {
                $form['wpcf-custom-field-order-ul-open'] = $this->get_empty_ul();
                $form += $fields_to_add_to_sortable;
                $form['wpcf-custom-field-order-ul-close'] = array(
                    '#type' => 'markup',
                    '#markup' => '
',
                );
            }
        }

        // if no fields selected add empty ul
        if( !isset( $fields_to_add_to_sortable ) || empty( $fields_to_add_to_sortable ) )
            $form['wpcf-custom-field-order-ul'] = $this->get_empty_ul(true);

        // close sortable container
        $form['wpcf-custom-field-order-close'] = array(
            '#type' => 'markup',
            '#markup' => '
',
        );

        $form = wpcf_form(__FUNCTION__, $form);
        echo $form->renderForm();
        die;
    }

    /**
     * Summary.
     *
     * Description.
     *
     * @since x.x.x
     * @access (for functions: only use if private)
     *
     * @see Function/method/class relied on
     * @link URL
     * @global type $varname Description.
     * @global type $varname Description.
     *
     * @param type $var Description.
     * @param type $var Optional. Description.
     * @return type Description.
     */
    private function get_empty_ul($close_ul = false)
    {
        return array(
            '#type' => 'markup',
            '#markup' => sprintf(
                '

%s',
                esc_attr(__('Drag to reorder.', 'wpcf')),
                $close_ul? '
':''
            )
        );
    }

    /**
     * Summary.
     *
     * Description.
     *
     * @since x.x.x
     * @access (for functions: only use if private)
     *
     * @see Function/method/class relied on
     * @link URL
     * @global type $varname Description.
     * @global type $varname Description.
     *
     * @param type $var Description.
     * @param type $var Optional. Description.
     * @return type Description.
     */
    private function build_options($post_type, $fields, $option_name)
    {
        $options = array();
        foreach($fields as $field => $data) {
            if ( isset($data['data']['repetitive']) && $data['data']['repetitive']) {
                continue;
            }
            switch( $data['type'] ) {
            case 'embed':
            case 'checkboxes':
            case 'audio':
            case 'file':
            case 'textarea':
            case 'video':
            case 'wysiwyg':
                continue;
            default:
                $options[$field] = array(
                    '#name' => sprintf($option_name, esc_attr($data['meta_key'])),
                    '#title' => sprintf( '%s (%s)', $data['name'], $data['type']),
                    '#value' => 1,
                    '#inline' => true,
                    '#before' => '
',
                    '#after' => '
',
                    '#default_value' => intval(isset($post_type['custom_fields']) && isset($post_type['custom_fields'][$data['meta_key']])),
                    '#attributes' => array(
                        'data-wpcf-key' => $data['meta_key'],
                    ),
                );
            }
        }
        return $options;
    }

    /**
     * types-608
     */
    function wpcf_hide_field_groups() {
        echo '';
    }
}


text:
Walker camp denies 'Olympics-quality flip-flop' on immigration
By Kendall Breitman
Scott Walker is under fire for what a former aide calls an "Olympics-quality flip-flop" on immigration.
Walker has already moved away from his past positions on allowing undocumented immigrants a clear pathway to legal status — what many conservatives deride as "amnesty" for immigrants who arrived in the U.S. illegally.
On Monday, the Wisconsin governor appeared to go a step further, tellingradio host Glenn Beck that he supports limits on legal immigration.
"The next president and the next Congress need to make decisions about a legal immigration system that's based on, first and foremost, on protecting American workers and American wages," Walker said. "It is a fundamentally lost issue by many elected [politicians] today — is what is [legal immigration] doing for American workers looking for jobs, what is this doing to wages, and we need to have that be the forefront of our discussion going forward."
More on POLITICO
Polling Center
Walker aides note that the governor has laid out similar positions before, pointing to his past statements linking immigration to Americans' wages and job prospects and his previous support for more allowing in more skilled immigrants.
"Governor Walker supports American workers' wages and the U.S. economy and thinks both should be considered when crafting a policy for legal immigration," AshLee Strong, spokeswoman for Walker's Our American Revival PAC said. "He strongly supports legal immigration, and like many Americans, believes that our economic situation should be considered instead of arbitrary caps on the amount of immigrants that can enter."
Walker himself acknowledged his views had shifted on the "amnesty" issue in a March 8 interview on Fox News. "My view has changed. I'm flat out saying it," he said.
But his latest remarks struck a nerve with some on the establishment wing of the GOP.
On Monday, former Walker aide Liz Mair — who resignedfrom her post amid scrutiny of her Twitter account that criticized Iowa's early role in presidential nominations — torched the Wisconsin governor for his comments on Beck's show.
"Sad to see the full, Olympics-quality flip-flop by a former boss today. I guess some people think they can do what Romney did in 08 + win," Mair tweeted.
She continued, "In any event, I'm extraordinarily glad I don't have to defend a) that level of policy gymnastics or b) that specific dubious policy."
Conservative critics of Walker pounced, with the Washington Examiner's Philip Klein calling the latest shift "bizarre" and newsletter writer Ben Domenech describing Walker's position as "held by none of the other presidential candidates," including hard-line Sen. Ted Cruz. The Daily Caller's Matt Lewis called it "a demagogic pander."
"Walker should take the shots as a compliment, and hopefully, the rest of the field will begin to think and talk about immigration the same way," National Review's Rich Lowry fired back.
For his part, Beck said he enjoyed his interview with Walker. "I loved him," he said.
Immigration,
Glenn Beck,
Wisconsin,
Immigration Reform,
Politics,


text:
How do I gain the trust of other PCs?
I'm having a bit of a problem regarding how to roleplay a schemer character when everyone knows exactly what I am.
I'm the most veteran player in my group, so, for long I have been setting example for other younger players. They know me very well, and know I can be quite of a schemer. In time, this has made them be on their toes with all character I make regardless them being innocent and light or dark and secretive. They don't trust me a bit, and I guess that's okay, it was my actions that set me as this guy who can detach himself from the situation and break all the rules.
Given it's so hard to play a schemer when everyone is so alert, lately I have been playing more goofy characters, or classic action oriented brutes. Still everyone watches closely. Every time it seems I might be planning on stepping out of whats expected of me everyone wants to know what I'm doing, they want an explanation. They know I have a history of suddenly changing and revealing to be something else they didn't expect.
Problem is, my last character in the campaing died (A very good and welcome death) and the DM asked for me to do a certain PC, something that pretty much sticks out as someone who has their own schemes. A politician who has a known connection with an old enemy of the team, but who wants to join forces to defeat a bigger evil. As soon as I make my entrance, everyone is going to go tense and begin schemes of their own, build their webs of secrets and pretty much make my new character feel utterly unwelcome in the team and pushed out of all the decission making. The old apprentices have turned into masters while I was going soft on them and I'm out of my vampire player gears, still they keep seeing me as this all-menacing terror of betrayal.
I know that in the end the problem is metagaming, they're reacting to me not my character. But I don't believe adressing this will solve anything, we will metagame regardless, maybe more subtly, but to the same effect.
I need a blank slate, and my starting position is very disadvantageous. I could always roll another character and play something else, some things are not meant to be, but I trust the DM and if he says he wants for me to do this, I should at least give it a try. So, how can I make the other players trust a character who's very probably not to be trusted?
system-agnostic roleplaying improvisation
edited Jun 25 at 20:37
Southpaw Hare
NameDisplayNameDisplay
\$\begingroup\$ Do the players trust you as a human being in real life? \$\endgroup\$ – mattdm Jun 14 at 13:21
\$\begingroup\$ This question reminds me a lot of Dale Carnegie's How to Win Friends and Influence People inspired discussion (during sessions for a course based on his book). \$\endgroup\$ – KorvinStarmast Jun 14 at 14:45
\$\begingroup\$ So, just to be clear, you want to regain the trust of your fellow players so that you can betray their trust again? \$\endgroup\$ – Miniman Jun 14 at 15:04
\$\begingroup\$ Is this character meant to be a betrayer? That's not clear from the question—only that the other players see "politician" and assume you're back to overtly being duplicitous. (I ask because being a political character doesn't need to be a betrayer; nobody automatically associates a "face" character with betrayal even though it's the exact same kind of character build.) Could you clarify the truth of the situation, to better help answers help you? \$\endgroup\$ – SevenSidedDie Jun 14 at 15:32
\$\begingroup\$ mattdm sure! they're my friends, they do trust me as a person. SevenSidedDie The character ins't mean to be a betrayer, that's up to me, but yeah, It's a Face character. Miniman yeah, that's what I'm asking, you make it sound as I'm a terrible person lol. \$\endgroup\$ – NameDisplay Jun 16 at 10:45
So the DM has asked you to play this type of character, and to have a connection to an enemy of the party. You ask "how can I make the other players trust a character who's very probably not to be trusted?", but has the DM actually asked you to play the character as untrustworthy going forward? That's a whole different kettle of fish from merely having a background that gives the party reason to be suspicious.
If the DM isn't actually working with you on a plot where you eventually betray the party, then it seems to be that you have a very good opportunity to play an interesting in-character story of a dubious character gradually winning the party over. And, in my experience, all you have to do for that to work is not betray them.
The players have all agreed to play a game with you. This game has very strong genre conventions of a group that sticks together through thick and thin. Almost all of the time, the players want to get their characters to that point and will confabulate towards that end. How many times has a new character sought to join an existing group and been quickly accepted, when there's no way an NPC with the exact same behaviour would have become an insider that way?
So long as you seem to be playing your character towards that goal of becoming part of the team and maintaining normal party relationships, they will want to work with you on that. Character-players who have particular reason to distrust your background may want to put on a show of initially refusing to trust you, but they will be far easier to win over (in-character) than really realistic, because the player out-of-character won't want to ruin the game in the real world.
If the players are automatically suspicious that your characters are likely to betray the party then you haven't just been playing schemers, you've been playing jerks (this is not to say that you-the-player have been a jerk; that depends on whether everyone's been having fun, and I assume they have been since they're still playing with you). You can play secretive and scheming characters in a team game just fine. You just need to scheme for the benefit of your friends (or at least not actively against them). Ideally you involve them in your schemes in a positive way (but maybe not the paladin).
So do that, and stick with it for the long term, and in-character trust will come. There aren't any magic words or actions you can take that will automatically fill the trust-o-meter, and there wont' be any singular moment where you can say "ah, that did it" and stop all this onerous not-betraying-them. You just need to have your character sincerely want to work with the party (which might mean putting some thought into designing one whose real goals actually are in alignment with the party's), and then keep doing that.
\$\begingroup\$ Thanks Ben, I've been talking with the DM and apparently he wants to go this route you mention, winning the part over and making a point a about setting differences appart to win as a group. So, thanks, your asnwer has been really helpful! \$\endgroup\$ – NameDisplay Jun 16 at 10:56
Earn trust without trying to deceive
Why should they trust you, the player? That's what to work on.
You have by your own admission demonstrated to your fellow players that you can't be trusted in past games on multiple occasions. A presumption that there is a magic trick In Real Life that will create perfect player/character separation on the part of the other players is a false one. The other players are not fools. As you note, they will metagame to a degree based upon whom they are playing with.
I've noted over the years that players who have a habit of pulling a fast one on the other players get a reputation, and are either treated with the skepticism that you are encountering, and are sometimes removed from a group. It really depends on the group and the game. Some groups enjoy the reveal of "you did what???" - while others react with hostility.
I'll suggest this article about the myth of character/player separation. It's not pithy, and has a somewhat abrasive style, but the core points are worth considering.
Summary: when we play a game we remain people at a table playing a game. The amount of immersion is very player dependent. Not all players will want to be, or are able to be, immersed in-character to the same level.
Your focus needs to be on the player-to-player interaction.
I may be misreading your question, but you appear to be asking "How do I deceive people into trusting me when they stopped trusting me a few sessions back?" This approach strikes me as having an internal contradiction, and may show an intrusion of My Guy Syndrome into the social contract at your table. As you admit, you've already lost their trust.
Here's another look at the problem you are facing: if I've cheated on my spouse, how do I get my spouse to trust me again?
So, how can I make the other players trust a character who's very probably not to be trusted?
You can't make anyone trust you -- in RL, there isn't a Charm or Suggestion spell -- but you may be able to earn their trust (or earn back some of the trust they've lost).
OK, how do I earn their trust?
Play a character straight with no shennanigans for a campaign arc, or for two. That's how you earn their trust, as players; be trustworthy. This is a people-to-people thing, not a character-to-character thing.
I need a blank slate, and my starting position is very disadvantageous. I could always roll another character and play something else
Then do that. That's your blank slate. You have the answer to your question already. This means that you politely tell the DM that you will decline that juicy opportunity that they offered to you, since you have some other in-character goals (and a few out-of-character goals) that you hope to achieve.
If your objective is to earn the trust of your fellow players so that you can stick it to them again ... that's for you and the rest of the table to work out in the longer term. If the group as a whole enjoys (at least some times) the betrayal themes, it can still be fun in a future campaign arc or a future game.
answered Jun 14 at 14:31
KorvinStarmastKorvinStarmast
\$\begingroup\$ Presumably the DM can then offer the opportunity to another character, who will have an easier job since everyone is watching OP... Could be interesting. \$\endgroup\$ – TimLymington Jun 15 at 17:44
\$\begingroup\$ @TimLymington Indeed, but it would sorta spoil it for this player to suggest that, as then the DM's plan would be known ahead of time by at least one player who was not supposed to be in the know .. \$\endgroup\$ – KorvinStarmast Jun 15 at 18:30
Do what is not expected.
In this case, the betrayal of your character against the other PC's is expected. It's a character theme and the 'what' is pretty much set in the other players' minds - now it's just a guessing game of the 'who'.
So, do something different. Involve other players into your schemes. And once you have them hooked, pit those schemes against other player schemes. A player who is working with you will never expect another player who is not you to betray them. Turn the party on itself.
Remember: A mastermind isn't someone who surprises others to gain the upper hand in a fight; a true mastermind has others fight his battles for him - never having to dirty his hands.
Sure, this may take some preparation and, depending on what your DM allows, some privacy with whatever character you're attempting to sway at the time, but it would be an interesting twist they wouldn't see coming.
Secretly be a redeemed character. Give all the outward appearances of plotting - secret meetings, knowing nods, being in places at weird times... but have it all be coincidence. You were asking for a bottle of wine, not organizing a meeting with that barkeep. You actually got lost and stumbled upon an illegal drug exchange, etc. So when the time comes to make the grand reveal... it was the players imagining things, confusing coincidence with cause all along, and the real betrayal was the mistrust of the players to a guy that tries only to do good.
Whatever you do, you have to realize that the Characters will be influenced by the Players' opinions. Metagaming of that nature cannot be helped. So, you must work with what you have and what you have is the expectation of subversion. So, working with that, shift it to other players or play into the expectation for a surprising outcome!
Jarrod ClevelandJarrod Cleveland
\$\begingroup\$ I think this is a good answer, but this stack heavily values the use of supporting evidence and experience to back its answers up. Have you used these techniques before? If so, how did it go? \$\endgroup\$ – MrSpudtastic Jun 14 at 13:49
\$\begingroup\$ These are very insteresting tools, thank you very much, it would be great if you could go about if you've seen them in action. \$\endgroup\$ – NameDisplay Jun 16 at 11:11
\$\begingroup\$ Thanks for the feedback, first answer ever for me, still getting used to it.. I'll think about the best way to answer this and come back to it. \$\endgroup\$ – Jarrod Cleveland Jun 17 at 16:11
I'm usually in a very similar situation. People who know me know that I do the unexpected all the time - and they're always on guard when I give something for free.
Your best bet might be meta-gaming since this is essentially a meta-game issue.
Plan yourself to do things that seem shady but are innocent. (i.e. after a fight, bend down next to a cart to relace your boots.) As players investigate things that seem to be "off" repeatedly, and get nothing, they'll loosen up a bit. If they want to roll to perceive what you're doing in these cases tell the DM they can just come over and look. And you can have the DM tell them exactly what you're doing. Just tell them your character is very meticulous.
Maybe you use the same thing (searching through your bag after an encounter or trap, dismounting your horse at random times, or whatever it might be). Eventually the players will just assume you're RPing a unique character who has some weird preferences. Once you've gained their trust then you can start "stealing gold" when you bend down next to a cart - or whatever it is your end goal is. That's just an example, obviously.
I've done this a few times and it only takes a session or two for the group to accept this character as being different than the others. Lay it on thick, and make sure you are nonchalant in "real life" to further throw people off. Just say they're nervous ticks, and say it out of character to treat the meta-game issue.
KorvinStarmast
Nick TydryszewskiNick Tydryszewski
\$\begingroup\$ Relacing your boots next to a cart (in an RPG) clearly has no purpose except to throw the other characters/players off guard. As the Chinese proverb has it "Do not tie your shoes in a melon field or adjust your hat under a plum tree if you wish to avoid suspicion". \$\endgroup\$ – TimLymington Jun 15 at 9:36
\$\begingroup\$ @TimLymington not quite. I had a character once who would always dust off his boots after every fight. People were suspicious because it seemed so odd - but after awhile they got used to it. Later they realized I had been playing my character as a fighter who was just "unlucky" with hits, but was in fact a bard trying to become a legend off their backs. Little things like that certainly have a place in an RPG. You just find the way to make it fit. Also, the issue is that the players (not the characters) don't trust this guy. A meta-game issue requires a meta-game solution. \$\endgroup\$ – Nick Tydryszewski Jun 16 at 4:51
Ask the DM to make you a Red Herring, and to have another player be the betrayer.
Everyone will suspect you, no matter what you do, so even if you know there is going to be another betrayer in the group, and you attempt to tell them at some point, preferably a good role-playing opportunity, they won't believe you.
Lean into it, act suspicious in the course of trying to discover the real enemy in the party. Once the scheme plays out, and the other players discover you've been telling the truth, chances are your reputation will be less sinister. Just make sure it is all in good fun and your party is cool with this type of game.
Edit: I haven't tried this to get other gamers to trust me, because when I used to game, everyone played someone sneaky at some stage, especially during games of Paranoia or Vampires. This answer is just a suggestion.
HoJHoJ
\$\begingroup\$ Welcome to RPG.SE! Take the tour if you haven't already, and check out the help center for more guidance. Have you tried this suggested course of action in your own games, or seen it tried? How has it worked, in your experience? \$\endgroup\$ – V2Blast♦ Jun 15 at 7:02
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