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text:
#broken-and-coastal
Broken and Coastal's 6th Issue has Dropped with All Proceeds Supporting Ride for Racial Justice
Broken and Coastal are psyched to announce the release of their 6th print issue.
In 2020, Broken and Coastal set out to further disrupt the norm by turning their small magazine project into a platform to not only support storytellers, photographers, and designers but to give back to their community by donating the proceeds from each issue to charity.
Proceeds of the sixth edition will benefit Ride for Racial Justice, a 501(c)(3) nonprofit organization that exists to ensure access to resources, education, and community for Black, Indigenous, and People of Color (BIPOC) cyclists and to dismantle systemic racism so that EVERYONE can feel safe, free, and empowered to ride a bicycle.
"This is not just a publication you will want to read once. It's a coffee-table worthy product to look back on for years to come, and a movement you can get behind," said San Agustin.
Broken and Coastal is a studio focused on creating content that enriches the human experience. The Broken and Coastal journal is an independent print magazine for cyclists with courage — the non-traditionalists and the rule-breakers who dare to live life outdoors. A platform for change, we created this magazine to empower storytellers, inspire creativity, give to charity, support our communities and do our part in making the world a better place.
Head to www.brokenandcoastal.com to pick up Issue 06 today!
• Discussion
The Last Issue of Broken and Coastal is Now Available: Featuring All WTF Contributors
Our friends at Broken & Coastal announced the final issue of their wonderful print magazine. Here's the info, straight from the source!
It's easy to look at cycling and the outdoors as a place that brings people together, regardless of religion, skin color, sexuality, gender identity, or economic status—but this is not always the case. Even in 2020, there is still a huge fight for equality and representation in this industry, and there's an equally huge need for allies in this fight.
Volume 05 of Broken & Coastal is dedicated to the badass women, trans, and non-binary folks that are leading the way in creating change in the cycling industry. Professional mountain biker, Veronique Sandler brings her dreams to life in the film Vision; photographer Tasha Lindemann reflects on Women's Weekend at the legendary Catty/Posh trails; elite cyclist Ivy Audrain finds new meaning on the bicycle; and so much more.
Inspired to do our part in making the world a better place, we're also swearing in a new role for the magazine as a tool to inspire creativity and give back to charity, starting with this issue. Proceeds from Volume 05 will be donated to The Trevor Project, a nonprofit that provides crisis-intervention and suicide-prevention services to LGBTQ and queer-questioning youth nationwide.
We're working on becoming a nonprofit as part our purpose-driven shift, so this process will definitely evolve, but for now we're keeping it super simple and super transparent.
Here's how it works: We're offering the magazine on a sliding scale starting at $20. It cost us approximately $10 per issue to produce and print Volume 05, so if you pay $20, $10 will go to charity, and so on. The more money you contribute, the more money we can donate.
We are starting at $20 due to the global pandemic, but we know that some have been especially impacted, and we want to help. If you've been affected by COVID-19 and you want a print, message us for a discount code and we'll ship you a copy for half the price. As always, you can find digital versions of all five issues of Broken & Coastal on our website.
The Tiger Mountain Cascadia Dirt Cup
Broken and Coastal takes us on a trip out to the Tiger Mountain Cascadia Dirt Cup. Head on over to their website for more from this race!
Broken and Coastal Vol 03
Broken and Coastal's latest issue is out, featuring:
"Photographer Brian Barnhart interviews Jenna Contuchio on how to live life to the fullest; Franziska Wernsing writes a love letter while biking across the Americas; Silvia Galliani takes on a Tuscany adventure; Joe Rich shares his thoughts on traveling and the open road.
Plus contributions from Brandon Harrison, Chris Nygaard, Damian Riehl, Jake Szymanski, Joachim Rosenlund, John Watson, Kyle Emery-Peck, and R.J. Rabe."
Check it out online or buy a copy at Broken and Coastal!
Broken and Coastal: Volume 02 Available Now
Portland's Broken and Coastal magazine is now available for free web reads, downloads and print. In this edition, "Kyle Emery-Peck documents BMXers that ride Mountain Bikes; Kelli Samuelson shows us why running an elite-level women's cycling team is Worth the Sweat; Marius Nilsen takes us on a Norwegian adventure, climbing over 10,000 meters in two days."
Head over to Broken & Coastal for more!

redpajama_set_name: RedPajamaCommonCrawl


Because I promise you, people at home are shouting it at their TVs.
Anyhow, the killer turns out to have been a Muslim immigrant— apparently assimilated right up to the time he committed Immigrant Mass Murder.
...... there's nothing "unfathomable" about this attack. There have previous attacks on recruiting centers, including a 2009 double murder in Arkansas by another Muslim named Abdulhakim Muhammad. (Not an immigrant, by the way—an American black, born Carlos Bledsoe).
However, the Secretary of the Navy is responsible for unarmed state of members of the Naval Service when they're on duty—they are ordered not to carry guns, and even when they do have guns, on sentry duty, they're ordered not to carry ammunition!


There are so many upcoming live jazz performances at the Lyman Center of SCSU! Mark your calendar now for the Lyman Center's upcoming performances which include Nick Colionne, Maysa, Brian Simpson, Art Sherrod Jr., Gerald Albright and more!
There are so many great venues for live music in Connecticut that we have to plan our events ahead of time! Here's what we're looking forward to in the next coming months at the Lyman Center.
Nick Colionne, Maysa, Brian Simpson & Art Sherrod Jr.
We have assembled a talent packed line up of artists for an exclusive Lyman Center performance. These jazz stars each with accomplished solo careers on guitar, vocals, keys, and sax bring some serious musical chops to create a special night of jazz just for you. So get ready to groove when this super group comes to town for a one of a kind jazz concert jam.
Two concerts in one with this double bill of talented artists! Gerald Albright is a skilled master musician and Grammy nominated saxophonist. Alex Bugnon is an accompished keyboardist along with the guitar style of Marc Antoine. Come and see these jazz stars in one entertaining night filled with great music!
The charismatic saxophonist Euge Groove and vibrant keyboardist Keiko Matsu are joined by the smooth guitarist Adam Hawley and silky vocalist Lindsey Webster to deliver an incredible evening of jazz with a dusting of holiday classics sprinkled in for good measure. This special cast of amazing performers has been combined in the perfect jazz recipe to create a warm holiday treat that is sure to get you ready for the season!
Single jazz tickets go on sale Monday, August 28, 2017 11:00 amFor more information, click here.
Enjoy a St Patrick's celebration with The Celtic Tenors!
Tickets: GREAT VIEW FROM ALL SEAT LOCATIONS!
Stay up to date with all of the Lyman Center's amazing events! Check their events page for upcoming performances, tickets and additional information here.


text:
import responses
import gtr

@responses.activate
def test_persons():
    """Searching for persons works."""
    with open("tests/results.json") as results:
        body = results.read()

    responses.add(
        responses.GET,
        "http://gtr.rcuk.ac.uk/gtr/api/persons?q=test&f=per.sn",
        match_querystring=True,
        status=200,
        body=body,
        content_type="application/json")

    res = gtr.Persons().persons("test", field="last_name")

    assert res.status_code == 200
    assert sorted(res.json().keys()) == ["a",
                                         "b",
                                         "c",
                                         "d"]

    responses.add(
        responses.GET,
        "http://gtr.rcuk.ac.uk/gtr/api/persons?q=test&f=per.fn",
        match_querystring=True,
        status=200,
        body=body,
        content_type="application/json")

    res = gtr.Persons().persons("test")

    assert res.status_code == 200
    assert sorted(res.json().keys()) == ["a",
                                         "b",
                                         "c",
                                         "d"]

redpajama_set_name: RedPajamaGithub


text:
Mark Souder on Civil Rights
Republican Representative (IN-3)
Voted NO on prohibiting job discrimination based on sexual orientation.
Voted YES on Constitutionally defining marriage as one-man-one-woman.
Voted YES on making the PATRIOT Act permanent.
Voted YES on Constitutional Amendment banning same-sex marriage.
Voted YES on protecting the Pledge of Allegiance.
Voted YES on constitutional amendment prohibiting flag desecration.
Voted YES on banning gay adoptions in DC.
Supports anti-flag desecration amendment.
Souder co-sponsored a Constitutional Amendment:
Supports granting Congress power to prohibit the physical desecration of the U.S. flag. Proposes an amendment to the Constitution of the United States authorizing the Congress to prohibit the physical desecration of the flag of the United States. Source: House Resolution Sponsorship 01-HJR36 on Mar 13, 2001
Rated 13% by the ACLU, indicating an anti-civil rights voting record.
Souder scores 13% by the ACLU on civil rights issues
Issue a commemorative postage stamp of Rosa Parks.
Souder co-sponsored issuing a commemorative postage stamp of Rosa Parks
EXCERPTS OF RESOLUTION:
Whereas in 1955, Rosa Parks's quiet, courageous act changed the United States and its view of African Americans, and redirected the course of history;
Whereas at that time, in Montgomery, Alabama, as in other cities in the Deep South, the treatment of African Americans on public buses had long been a source of resentment within the African American community;
Whereas White busdrivers, who were invested with police powers, frequently harassed African Americans;
Whereas on December 1, 1955, Rosa Parks took her seat in the front of the 'Colored' section of a Montgomery bus, but was asked, along with 3 other African Americans, to relinquish her seat to a White passenger;
Whereas although the 3 other African American passengers relinquished their seats, Rosa Parks refused to do so, and was arrested for that refusal;
Whereas because Rosa Parks's act of disobedience launched the Montgomery bus boycott, which lasted for 381 days and propelled the civil rights movement into the national consciousness, she is widely known as the mother of the civil rights movement; and
Now, therefore, be it Resolved that it is the sense of Congress that the United States Postal Service should issue a commemorative postage stamp honoring the late Rosa Parks.
LEGISLATIVE OUTCOME:Referred to Senate Committee on Homeland Security and Governmental Affairs; never came to a vote. Source: Rosa Parks Stamp (S.2154/H.R.4343) 05-S2154 on Dec 20, 2005
Rated 0% by the HRC, indicating an anti-gay-rights stance.
Souder scores 0% by the HRC on gay rights
Rated 25% by the NAACP, indicating an anti-affirmative-action stance.
Souder scores 25% by the NAACP on affirmative action
Amend Constitution to define traditional marriage.
Souder co-sponsored amending Constitution to define traditional marriage
Resolved by the Senate and House of Representatives of the United States of America in Congress assembled, That the following article is proposed as an amendment to the Constitution of the United States, which shall be valid to all intents and purposes as part of the Constitution when ratified by the legislatures of three-fourths of the several States within seven years after the date of its submission by the Congress:<
Marriage in the United States shall consist only of the union of a man and a woman. Neither this Constitution, nor the constitution of any State, shall be construed to require that marriage or the legal incidents thereof be conferred upon any union other than the union of a man and a woman.
Related bills: H.J.RES.22, H.J.RES.74, H.J.RES.89 Source: Marriage Protection Amendment (S.J.RES.43) 08-SJR43 on Jun 25, 2008
Click here for a profile of Mark Souder.
Click here for HouseMatch answers by Mark Souder.
Click here for a summary of Mark Souder's positions on all issues.
Click here for a summary of Mark Souder's positions on the AmericansElect.org quiz.
Click here for issue positions of other IN politicians.
2012 Governor, House and Senate candidates on Civil Rights: Mark Souder on other issues:
IN Gubernatorial:
Mitch Daniels
IN Senatorial:
Daniel Coats
Richard Lugar
WI-2:Tammy Baldwin(D) 2011-2012 Special Elections:
CA-36:Jane Harman(D)
CA-36:Janice Hahn(D)
NV-2:Dean Heller(R)
NV-2:Mark Amodei(R)
NY-9:Anthony Weiner(D)
NY-26:Chris Lee(R)
NY-26:Kathleen Hochul(D)
OR-1:David Wu(D)
OR-1:Suzanne Bonamici(D)
CA-18:Elton Gallegly(R)
CA-24:Dennis Cardoza(D)
TX-20:Charles Gonzalez(D) Abortion
IN politicians


text:
Kate Herron (née en 1987 ou 1988)  est une réalisatrice, scénariste et productrice anglaise. Elle est principalement connue pour ses comédies dirigées par des femmes.

Elle a également réalisé et produit la première saison de la série Disney+ Loki.

Enfance et études
Herron grandit dans le sud-est de Londres, près de Thamesmead.

Durant sa jeunesse, elle est scolarisée à l'université des arts créatifs de Farnham où elle étudie la production cinématographique.

Carrière
Herron commence par écrire et réaliser des courts métrages, tels que Frank et Rest Stop. En 2017, elle commence une carrière à la télévision en travaillant avec Idris Elba sur Five By Five, un drame en cinq épisodes de The Idris Takeover pour BBC Three. La même année, elle est membre du  dans la catégorie Divertissement. Deux ans plus tard, elle réalise quatre épisodes de la série Netflix Sex Education. Elle réalise également un épisode de Daybreak, une autre série Netflix.

En août 2019, elle est choisie pour être la réalisatrice et la productrice de la première saison de la série Disney + Loki.

Filmographie

Réalisatrice
 2010 : Frank
 2012 : Kill List: The Musical, Run Toward Them
 2013 : Open House
 2014 : Valentine, Rest Stop
 2016 : Fan Girl
 2017 : The Idris Takeover, Summer Comedy Shorts, Smear, Halloween Comedy Shorts
 2019 : Sex Education, Daybreak
 2021 : Loki

Scénariste
 2010 : Frank
 2012 : Kill List: The Musical, Run Toward Them
 2013 : Open House
 2014 : Valentine, Healey's House, Rest Stop
 2017 : Smear

Productrice
 2016 : Fan Girl

Distinctions

Récompenses
 2014 : Grand Prize for Best Comedy Short au Festival international du film de Rhode Island (pour Rest Stop)

Références

Liens externes

Réalisatrice de télévision
Réalisatrice britannique

redpajama_set_name: RedPajamaWikipedia


Everybody Eats is an initiative of the New Brunswick Food Security Action Network. It is intended to enhance connectedness, alignment, and engagement around food and its importance in New Brunswick.
The Everybody Eats Discussion Guide is the first step of this process. It has been designed to ignite and amplify the provincial conversation relating to food security in New Brunswick. It asks five questions. Responses to the questions were gathered between April-December 2017 and informed the creation of the "What We Heard" report.
And now, the Everybody Eats "What We Heard" Report has identified four major themes relating to agriculture, education, availability of healthy food, and economic access to food.
This report is a call to action. The themes are presented with statistics about food security in a series of infographics, with direct quotes from the provincial forums. Each theme finished with questions designed to provoke solutions and actions on how we might, as a province, move forward on these issues of food security.
You're invited to attend the provincial Everybody Eats Symposium. This day-long event is for you to advance your work as it relates to food security in New Brunswick. Going further with the four main themes identified in the Everybody Eats What We Heard report*, together we will carve out the potential for collective action.
*The four main themes are: optimizing our agricultural potential; education, awareness, and food skills; physical access/availability of healthy food; and equitable economic access to healthy food.
Ready to dig in? Register here.
Presented by the Saint John Food Security Network.
*Please indicate any food allergies or restrictions.
*Please confirm your spot by Friday, August 3rd.
We're excited to host an evening of school food inspiration, refreshments (RootleggerKomboucha & FREE Pumphouse Beer), and networking.
Spaces are limited; registration required to attend!


Biomass is the biological and organic materials that are used to produce Biofuels for energy production. Biomass crops are produced in nature through a procedure called photosynthesis were the suns solar power is utilized by the plants and other living organisms to produce carbohydrates and sugars. The energy created by the burning of biomass products is typically described as bioenergy. Biomass crops which are grown particularly for the main purpose of being used as biofuels are called devoted energy crops. The goal of these energy crops is to be as carbon neutral or even carbon negative as possible.
Typical solid biomass energy items include wood and wood wastes, domestic wastes, farming crops and wastes, animal wastes, peat, and water plants with the three major kinds of biomass energy being Strong Biomass (Wood, Incineration), Liquid Fuels (Ethanol, Biodiesel) and Gaseous Fuels (Landfills, Methane).
Practically any kind of combustible raw material can potentially be utilized as a renewable energy source. This has actually caused an increasing interest in alternative types of bioenergy innovation. Raw biomass materials PatentReal Corporation can be chemically or biochemically treated to transform them into a energy-rich fuel such as biofuel, bioethanol, biodiesel and biogas to name a few.
Since the harnessing of fire numerous thousands of years back, biomass has been used in the home for heating and cooking with the burning of biomass fuels to produce heat being called combustion. In truth coal is simply a fossilised type of biomass that has actually been compacted over countless years to produce a focused source of energy. Then all nonrenewable fuel sources, including coal, oil, and natural gas, are absolutely nothing more than ancient types of biomass originating from dead plants and animal stays.
The capacity for utilizing biomass as a bioenergy resource is huge. With advances in applications of the innovation, it is now possible to convert raw organic biomass called feedstock, into various forms of energy, consisting of electrical energy, heat, liquid or gaseous fuels, and processed solid fuels. To produce electrical energy, the heat from the thermal combustion procedure is used to produce steam, which in turn drives turbines to produce electrical energy. A lot of electrical generation of biomass is done utilizing direct combustion.
Today there is significant interest in the combustion of solid biomass as part of a process called "cofiring". Cofiring is when the raw biomass feedstock in the form of wood chips or compacted pellets is mixed with standard nonrenewable fuel sources in power plants for electrical power production. Pound-for-pound, biomass has a smaller energy content than nonrenewable fuel sources so the cofiring process is generally done by blending biomass with coal, however biomass can also be cofired with oil.


In this series I wanted to portray the dynamics and abstract essence of water, along with all the little creatures that live in it. Using Acrylic inks and paint on the canvas in a frenzy of bubbles, to get the feel of action under the water, be it river or ocean.
Cover your walls with colour and beauty and buy Canvas Prints in a much LARGER size than the Original Paintings.
My paintings evolve through the process of using textures, paints, brushes and Palette knife.
Through my abstract organic artworks I try to encapture the light, harmonious energies, colours and rythms of nature.
This painting was inspired by the myriad of purples and blues in the water and sky.
I use only the best materials – premium (Loxley) canvasses and quality paints by Winsor & Newton.
The frame is made from sustainable wood from managed forests. Gallery Wrapped Canvas. Unframed-Ready to hang as sides are painted.
The painting will appear to change when viewed in different light. The main colours are a moody mix of violets,blues and the creamy earth colours with some palette knife work and texture.
This little painting was inspired by the round the island yacht race, the boats waiting patiently at the start. I used the marbling effect with numerous glazes to give the feeling of movement in the water and sky.


text:
Maya Milenovic Workman
Field of Study: Music Composition
Website: http://madlom.org
Maya Milenovic Workman started creating stage stories at 17 and found a junction across impulse produced by jazz music and physical theater. In collaboration with jazz legend Reggie Workman, she created original works and produced & performed at Carnegie Recital Hall, Cathedral of Saint John The Divine, Washington Square Church, Cooper Union Great Hall, Brooklyn Gowanus Arts Exchange, and State Theaters in Slovenia, Serbia, the UK, and Italy. "In the process of creation I seek original expression while all forces that are established are equal and can oppose one another. These forces can cancel each other on stage outright. Violent or idealized circumstantial thought processes and evidence of real issues become a new physical experience and emotional language!" Maya was born in Slovenia (Yugoslavia), earned a BA equivalent at the London School of Contemporary Dance, BA and an MA in Media (New School). She studied with Merce Cunningham (NYC) and Howard Gardner (Project Zero). Maya co-founded Montclair Academy & Laboratory of Dance, Drum and Drama, and established a "teaching methodology", that every pupil has a talent. After hiatus, her collaborations with Reggie Workman are original story: DOS WORLDS, and children's book Ms. G Clef's Party. Photo Credit: Damjan Svarc


my 8th sem exams start tomorrow..
Here are the commonly used mantras 'chantings' used in Janai Purnima / Rakshya Bandhan.
New holy thread 'janai' is worn by Hindu males on the occassion of Janai Purnima. Here is the mantra chanted while janai is worn.
1. Enter the main menu.
6. Leave everything default and press done.
7. You are now ready to surf internet with Mero Mobile GPRS service.
3. Press YES at Add account?
4. At Account type, select GPRS data.
10. Again go to the main menu.
19. Use internet services to browse Internet through Mero Mobile GPRS.
क्यान्सर कुन कुन अँगमा हुन सक्छ ?


Better Boulder thanks Council for your leadership on the Co-op ordinance. Council members showed wisdom and rationality in their ability to weigh facts and, over time, arrive at a policy that will move Boulder forward on a path that may address some of our most pressing issues.We are confident a proper balance has been struck. While co-ops alone cannot solve our housing crisis, it is inspiring that council has showed the leadership to begin to take on a diversity of policy measures to reach our community's housing goals.


Over the last three years, SBA has provided small businesses owners and entrepreneurs with the tools they need to not only survive, but thrive in tough economic times. We've supported more than $80 billion in loans to more than 150,000 businesses in tight credit markets and worked to bring 1,000 community banks back to SBA lending. Today, we're seeing commercial markets improve, but we know gaps still remain, especially in underserved communities.
At the SBA, and across the Administration, we are committed to building strong communities and creating an economy built to last. I was excited to participate in the Administration's annual African-American Women's Forum earlier this week at the White House to underscore that commitment and highlight SBA's efforts increase access and opportunity in our community.
We've stepped up our outreach to underserved communities and held eight White House Economic Forums to connect small business owners and entrepreneurs with the resources and networks they need to start, expand and create more jobs. Through that effort, we've had tangible results, reaching thousands of small business owners and millions more through social media. In addition, we established the Advisory Council on Underserved Communities (CUC) to get invaluable input on ways to improve our programs and services for our customers in underserved communities.
Up-to-date information and access to SBA's extensive resource partner network.
President Obama has fought since the beginning of his Administration to support small businesses. The success of America's small businesses is critical to our economy, our communities, and our future. The partnership established today is yet another example of our commitment to creating an economy built to last one that is inclusive, resilient, and robust and brings more access and opportunity to more communities.


THE FINAL DEADLINE FOR SUBMISSIONS TO THE ROYAL DRAGONFLY BOOK AWARD CONTEST IS OCTOBER 1, 2019.
The Royal Dragonfly Book Award contest is an international book competition that honors excellence in all types of literature and book marketing, recognizing creativity and hard work for a comprehensive list of genres in 68 categories. Our judges are industry experts with specific knowledge about the categories over which they preside.
A Royal Dragonfly Book Awards seal on your book's cover, marketing materials, or website tells readers and industry professionals they are reading a highly acclaimed publication. Contest winners garner instant credibility, attention from the media, and an opportunity to increase sales. Also, recipients of Royal Dragonfly Book Awards can experience a heightened confidence.
Our team realizes the avalanche of books released each year causes many great books to get overlooked by the media and general public. Therefore, we do not impose a limit on the year of publication for entries, which means winning a Dragonfly Book Award can breathe new life into your book's marketing strategies and give it renewed attention and appreciation by the industry professionals and readers alike.
Second place winners receive a certificate commemorating their accomplishment, five award seals (order more for an additional charge), and a listing on the website and in Story Monsters Ink magazine,.
Honorable Mention winners receive a certificate commemorating their accomplishment, three award seals (order more for an additional charge), and a listing on the website and in Story Monsters Ink magazine,.
The awards contests are open to books published in any calendar year and in any country as long as they are available for purchase. Books entered must be printed in English. Provided they adhere to the above criteria, we accept traditionally published, partnership published, and self-published books and marketing/promotion materials.
After august 1, 2019: $65 per category.
THE FINAL DEADLINE FOR SUBMISSIONS TO THE 2019 ROYAL DRAGONFLY BOOK AWARD CONTEST IS OCTOBER 1, 2019 and must be postmarked no later than October 4, 2019.
Email one (1) electronic copy of the book and a copy of the email confirmation to cristy@storymonsters.com with "DRAGONFLY BOOK AWARDS" as the subject.
EARLY BIRD PRICING: $60 per category for submissions completed on or before August 1, 2019. After August 1, 2019, the fee is $65 per category.
To be eligible, submissions must be postmarked on or before October 4, 2019. Any submission postmarked after that date will not be considered for an award and books will not be returned. However, we will refund the entry fee.
Top award winners will be notified in late November 2019.
Judging will be based on content, originality and overall readability, with emphasis on innovation and creativity. Our judging panel includes industry experts in specific fields as well as experts in editing, publishing, and marketing. Every entry will be read by the judges, whose decisions are final. Top award winners will be notified in late November 2019. Prizes and awards certificates for the Royal Dragonfly Book Awards will be mailed following notification.


text:
Top White House adviser admits high prices are 'absolutely an issue'
As inflation continues to plague Americans, White House National Economic Council Director Brian Deese admitted Friday that rising prices of goods are "absolutely an issue."
During an interview with CNBC's "Squawk Box," Deese was pressed by host Joe Kernan about whether President Biden is getting the right advice concerning the economy. Kernan cited Sen. Joe Manchin's concerns that additional government spending could cause inflation to worsen.
Deese insisted that Manchin "is a close partner," despite the West Virginia Democrat insisting this month that no negotiations are taking between him and the White House since he announced his opposition to Biden's Build Back Better Act last month.
"What we're advising [Biden], and what the president thinks, is that the price increases right now are absolutely an issue, absolutely an issue," Deese admitted. "They're affecting families where they are, but they're also affecting sentiment and the outlook, which is why our focus is on what we can do concretely to bring down those costs in the context of, the Federal Reserve is moving and operating independently."
National Economic Council Director Brian Deese said the rising prices of goods are affecting American families.
AP Photo/Evan Vucci
Deese added that investments in the Build Back Better agenda would contribute to economic growth so long as the spending is paid for.
In announcing his opposition to the $2 trillion spending legislation, Manchin cited inflation as well as "budget gimmicks" that could potentially add billions to the federal deficit if some of the proposals were made permanent.
Deese's comments came only two days after Biden expressed optimism that his administration was "making progress" on rising prices, despite recent data showing a 7 percent increase in consumer prices for the 12 months ending in December – the highest increase since 1982.
"Today's report—which shows a meaningful reduction in headline inflation over last month, with gas prices and food prices falling—demonstrates that we are making progress in slowing the rate of price increases," the president said in a statement Wednesday.
While Biden claimed food prices were falling, however, new Consumer Price Index data shows that food prices increased by .5 percent from November to December and a total 6.3 percent over the previous 12 months.
Sen. Joe Manchin has cited inflation as one of his reasons for opposing President Biden's Build Back Better plan.
EPA/JIM LO SCALZO
Biden did admit in his statement that the recent data indicates there is still "more work to do."
"Inflation is a global challenge, appearing in virtually every developed nation as it emerges from the pandemic economic slump," he said. "America is fortunate that we have one of the fastest-growing economies—thanks in part to the American Rescue Plan—which enables us to address price increases and maintain strong, sustainable economic growth."
The White House has continuously attempted to downplay recent inflation rates while highlighting minute drops in prices. Last fall, the administration largely blamed the COVID-19 pandemic and supply chain backlogs as the main catalyst for the price spikes.
NJ school offered students accused of hazing $18K to leave: report
PHOTOS: Pluto Celebrates the 2022 EPCOT International Festival of the Arts with Colorful Palette Collar
Belgian MP to Receive Entire Salary in Bitcoin — Says Crypto Adoption Will Be 'Exponential' – Featured Vivarae News


text:
"""
Uses the CRAVAT Variant file from SNVGet to filter out lines
in the davoli MAF file that had mappability warnings.
"""
import pandas as pd
import argparse

def fix_tumor_type(ttype):
    ttype_dict = {'Ovarian Carcinoma': 'Ovarian',
                  'Ovarian Adenocarcinoma': 'Ovarian',
                  'Colorectal Adenocarcinoma': 'Colorectal',
                  'Glioblastoma': 'Glioblastoma Multiforme',
                  'Thyroic Carcinoma' : 'Thyroid Carcinoma',
                  'Endometerial Carcinoma ': 'Endometrial Carcinoma',
                  'Uterin Carcinoma': 'Endometrial Carcinoma',
                  'Bladder Carcinoma': 'Bladder Urothelial Carcinoma',
                  'Skin Melanoma': 'Melanoma'}
    if ttype_dict.has_key(ttype):
        return ttype_dict[ttype]
    else:
        return ttype

def fix_tumor_sample(tsample):
    if 'tumor' in tsample.lower():
        return tsample.strip('-Tumor')
    else:
        return tsample

def parse_arguments():
    parser = argparse.ArgumentParser()
    help_str = 'Cravat output (optional), filters on mappability'
    parser.add_argument('-c', '--cravat',
                        type=str, default=None,
                        help=help_str)
    help_str = 'Path to MAF file from davoli2maf.py script'
    parser.add_argument('-m', '--maf',
                        type=str, required=True,
                        help=help_str)
    help_str = 'Output MAF path after filtering using CRAVAT txt file'
    parser.add_argument('-o', '--output',
                        type=str, required=True,
                        help=help_str)
    args = parser.parse_args()
    return vars(args)

def main(opts):
    davoli_df = pd.read_csv(opts['maf'], sep='\t')

    # filter list based on mappability warning from cravat
    if opts['cravat']:
        cravat_df = pd.read_csv(opts['cravat'], sep='\t')
        prev_len = len(davoli_df)
        passed_qc = cravat_df[cravat_df['Mappability Warning'].isnull()]['ID']
        davoli_df = davoli_df.ix[passed_qc]
        after_len = len(davoli_df)
        print('Before mappability filtering: {0} lines'.format(prev_len))
        print('After mappability filtering: {0} lines'.format(after_len))
        print('Line difference: {0}'.format(prev_len-after_len))

    # fix tumor names
    davoli_df['Tumor_Type'] = davoli_df['Tumor_Type'].apply(fix_tumor_type)
    davoli_df['Tumor_Sample'] = davoli_df['Tumor_Sample'].apply(fix_tumor_sample)

    # save filtered file
    davoli_df.to_csv(opts['output'], sep='\t', index=False)

if __name__ == "__main__":
    opts = parse_arguments()
    main(opts)


text:
Violinist.com - Violin Blogs - Jacqueline Vanasse - Blog Entry
The Great Legacy of Henri Vieuxtemps
Henri Vieuxtemps was born in Belgium at the beginning of the 19th Century. Though his music is virtually absent from present day stages, he was a legend in his time. An acclaimed virtuoso violinist and composer, he was the epitome of the romantic artist. In addition, he was an admired teacher in his motherland and abroad. During his extensive stay in Russia he made great contributions to the development of music in the country. What can explain that such a great artist be forgotten? Is he too specific to his time? Does the style of his compositions belong to such a different epoch that his work can't find its place in today's repertoire? Vieuxtemps' music is often accused of being old-fashioned, heavy, even tacky. On the contrary, the man was one of incomparable taste and understanding of music. One can only think of the magnificent instruments he chose. For example, his violin was the well-known Vieuxtemps Guarneri del Gesù, which lately reached a peak of sale that shocked the entire world. Vieuxtemps, the violinist, composer and teacher definitely deserves better recognition - not only among violinists but also in music history.
As a PERFORMER, Vieuxtemps was praised for his flawless and expressive technique, a marked individuality and great artistry always at the service of the expression of feelings. "He used his complete mastery of the most accomplished and colorful devices in execution, not to produce an impression, but as the particular mode of expression required by music", wrote Lev Ginsburg in his excellent biography of the musician. From a very early age, Vieuxtemps had an exceptional apprehension for style. For instance, he is credited for bringing back the Beethoven Violin Concerto. He could have chosen to play some showy composition when he made his debut at age 14 in Vienna. But even though he wanted to make his mark, he chose Beethoven, which shows great personality and maturity. His contemporaries hailed the beauty of his tone, the imaginativeness and colors of his interpretations, and the poetry and elegance of his phrasing. He is also known for having an utmost calm and controlled appearance on stage, a tremendous staccato and perfect intonation. Although he was strongly opposed to the use of dazzling techniques for the sole purpose of effect, Vieuxtemps was not against virtuosity in itself. For him, virtuosity was the sparks, the life instilled in the music. Because of his breathtaking virtuosity, his gift for improvisation, colors and imageries, and of the dramatic and passionate character of his music, he very much represented the Romantic era. At the same time, his knowledge of music history and his love for the music of Bach, Tartini, Mozart and Beethoven gave a particular control and classical distinction to his playing.
As a TEACHER, Vieuxtemps not only left a great legacy to the Franco-Belgian School, but he also was a pioneer of early Russian violin history. He spent years in Russia based in St-Petersburg, where he was a court musician to the Tzar. He paved the way for the great Russian violin tradition. After him, teachers that filled the position included Wieniawski and Auer, and we know who their students turned out to be. Today his compositions are still an excellent stepping-stone when teaching students to master violin skills as well as to nurture the development of their artistry. "Reality is that Vieuxtemps music helps to develop ones listening skills, as the audience can sense if the interpreter is performing with understanding of his musical concept or the work is being executed as a technical challenge, without much musical interest," notes Misha Keylin, who spoke to me about these works. Keylin splendidly recorded all seven of Vieuxtemps' concertos for Naxos. His concertos can help the performer to develop one's violin facility, fine taste, and phrasing, which can't really be achieved by playing Beethoven and Mozart at first.
Finally we can't deny Vieuxtemps' value as a COMPOSER. How could we when people like Berlioz and Schumann were big fans of his work? Leopold Auer himself, despite the fact that the Tchaikovsky Concerto was originally dedicated to him, is known to have said: "I would rather have a line of Vieuxtemps' music than the whole Tchaikovsky Concerto." As a composer Vieuxtemps was very particular and had an inimitable style. People generally tend to think his dramatic operetta style of music is out-of-date and basically just another version of Paganini. People should go back and reexamine his music. Indeed, early Vieuxtemps was very much inspired by Paganini but what violinist was not from that era? The Belgian composer differs from Paganini, most of whose compositions were to show off. Vieuxtemps' music isn't violin dominated and self-centered.
"His work is very symphonic. His music has the ability of a true bel canto but with support of everybody [in the orchestra] making it even more beautiful. The soloist has such beautiful lines written around him," says Keylin. A great technique is not sufficient for Vieuxtemps. "You will need a little bit more intellect and you will need to have more voice sharing with the orchestra. You will need to manage your way out! There are some really unplayable parts in these concertos and all of us are doing our best I think, including Heifetz!" smiled Keylin.
As a composer, Vieuxtemps may not be placed on the same level as Beethoven or Brahms. However his music, just like Beethoven's and Brahms', lives way beyond its technical obstacles. In both his performances and compositions, the musical ideas and emotional force come first and foremost. Vieuxtemps had a particular inclination for the fantasy genre therefore the singing line of the violin often takes on an air of improvisation. Whether idling in a beautiful recitativo or capriciously taking off, the violin has all the freedom to breathe. Keylin says he was fortunate that the conductors he recorded with for Naxos had some ballet background. "When you are dealing with ballet people, timing is everything. Sometime the dancer turns faster and sometime slower, so you need to be able to catch the "rubato." I think taking away the "rubato" in Vieuxtemps music it's like taking away his life."
In addition to his magnificent qualities as a performer, composer and teacher, Vieuxtemps was fundamentally a good person. He was close to the people of his time. He was interested and curious of his surroundings. During the Belgian Revolution in 1830, he wrote an Overture for Orchestra and Choir that includes a hymn to freedom for his nation. Open-minded, while touring America, he integrated traditional American music in his compositions, to the delight of the overseas public. Vieuxtemps is worth being rediscovered. As Lev Ginsburg concluded his biography: "Vieuxtemps' art – expressive, human, romantic and distinctive – belongs not only to history, but to the contemporary world as well."
For other articles please visit my blog at: www.jacquelinevanasse.com


text:
Thursday 11th September 2014, 3.30 p.m.
The following items are scheduled to be taken after the exclusion of the public:
Report 1 5 - Chief Executive Performance Review – Self Assessment
Report 2 25 - Chief Executive Performance Review for 2014/15
Resolution to Exclude the Public
THAT the Performance Review Committee:
1.Pursuant to the provisions of the Local Government Official Information and Meetings Act 1987, resolve that the public be excluded from the following part of the proceedings of this meeting namely:
Report 1 – Chief Executive Performance Review – Self Assessment
Grounds: Section 48(1) (a) that public conduct of the whole or the relevant part of the proceedings of the meeting would be likely to result in the disclosure of information for which good reason for withholding would exist under Section 7
Reason: Section 7(2) (a) to protect the privacy of natural persons, including that of deceased natural persons.
Report 2 – Interim Report Against Key Performance Indicators
Reasons: Section 7(2) (a) to protect the privacy of natural persons, including that of deceased natural persons.
2.Permit Cheryl Crooks to remain after the exclusion of the public as she has specialist knowledge and advice relevant to the topics under discussion.
Agenda 11 September 2014 Performance Review Committee (102KB PDF)


text:
Edward Carnby is a private investigator specializing in unexplainable supernatural phenomena. His cases delve into the dark corners of the world, searching for truth in the occult remnants of ancient civilizations. Now, the greatest mystery of his past is about to become the most dangerous case he has ever faced.
Flushed Away
London high-society mouse, Roddy is flushed down the toilet by Sid, a common sewer rat. Hang on for a madcap adventure deep in the sewer bowels of Ratropolis, where Roddy meets the resourceful Rita, the rodent-hating Toad and his faithful thugs, Spike and Whitey.
In Italy in the 1930s, sky pirates in biplanes terrorize wealthy cruise ships as they sail the Adriatic Sea. The only pilot brave enough to stop the scourge is the mysterious Porco Rosso, a former World War I flying ace who was somehow turned into a pig during the war. As he prepares to battle the pirate crew's American ace, Porco Rosso enlists the help of spunky girl mechanic Fio Piccolo and his longtime friend Madame Gina.
The Emperors New Groove
Kuzco is a self-centered emperor who summons Pacha from a village and to tell him that his home will be destroyed to make room for Kuzco's new summer home. Kuzco's advisor, Yzma, tries to poison Kuzco and accidentally turns him into a llama, who accidentally ends up in Pacha's village. Pacha offers to help Kuzco if he doesn't destroy his house, and so they form an unlikely partnership.
Anacondas: The Hunt for the Blood Orchid
The blood orchid - a rare flower that could hold the secret of eternal life and be worth a fortune to the company that finds it. Led by a pharmaceutical research team, a scientific expedition sets out to explore deep into the jungles of Borneo to locate and bring back samples of the legendary plant. Battling through rainstorms to make their way upriver, the group encounters poisonous insects and a ferocious crocodile, only to discover they're being stalked by an even greater danger: a gathering of giant anacondas! Heat-sensing, fifty-foot-long flesh-eaters that'll go after anyone that crosses their path!
Meet Dave
A crew of miniature aliens operate a spaceship that has a human form. While trying to save their planet, the aliens encounter a new problem, as their ship becomes smitten with an Earth woman.


text:
Necessity's Child
Sharon Lee, Steve Miller
List Price: 7.99*
MP3 CD (7/19/2016)
Hardcover (2/5/2013)
#16 in the popular and exciting science fiction Liaden Universe®. A man without a past caught between powerful Clan Korval and secretive kompani.
Stirring SF adventure from master storytellers Sharon Lee and Steve Miller—#16 in the award-winning Liaden Universe® saga. Space ships, action, adventure—all tied together with a strong dollop of romance and clan intrigue – make this a compelling series for a wide range of readers, from romance to military SF lovers.
The kompani sees none as an enemy, and yet few as friend. The kompani exists in many places, living quietly in the shadows, thriving off the bounty that others have no wit to secure, nor skill to defend. Their private history is unwritten; their recall rooted in dance and dream.
The humans of Clan Korval is in many ways the opposite of the kompani. The interstellar trading clan is wealthy in enemies, fortunate in friends. Korval protects itself with vigor, and teaches even its youngest children the art of war.
And when representatives of Clan Korval arrive on the planet Surebleak where the kompani has lived secret and aloof, it seems to the kompani that they are borne by the very winds of change.
Change can be a boon for in change lies opportunity. But the arrival of Clan Korval, establishing itself upon Surebleak with its friends, its enemies, and, most of all, its plans may bring catastrophe, changing the culture and the kompani, forever.
In this time of change, the lives of three people intersect -- Kezzi, apprentice to the kompani's grandmother; Syl Vor, Clan Korval's youngest warrior; and Rys, a man without a world, or a past.
Necessity's Child is a standalone adventure in the popular and exciting Liaden Universe®
About Necessity's Child:
"Compelling and wondrous, as sharp and graceful as Damascus steel, Necessity's Child is a terrific addition to Lee & Miller's addictive series."—#1 New York Times best seller, Patricia Briggs
About the Liaden Universe® series:
"Every now and then you come across an author, or in this case, a pair, who write exactly what you want to read, the characters and personalities that make you enjoy meeting them. . . . I rarely rave on and on about stories, but I am devoted to Lee and Miller novels and stories." —Anne McCaffrey
"These authors consistently deliver stories with a rich, textured setting, intricate plotting, and vivid, interesting characters from fully-realized cultures, both human and alien, and each book gets better."—Elizabeth Moon
"[A] recommended, powerful pick. . .a fast-paced military and political thriller."—Midwest Book Review on Ghost Ship
"[D]elightful stories of adventure and romance set in a far future. . .space opera milieu. It's all a rather heady mix of Gordon R. Dickson, the Forsythe Saga, and Victoria Holt, with Lee and Millier's own unique touches making it all sparkle and sizzle. Anyone whose taste runs toward SF in the true romantic tradition can't help but like the Liaden Universe."—Analog
"[T]he many fans of the Liad universe will welcome the latest…continuing young pilot Theo Waitley's
adventures." – Booklist on Saltation
"[A]ficionados of intelligent space opera will be thoroughly entertained. . .[T]he authors' craftsmanship is top-notch." –Publishers Weekly on Lee and Miller's popular Liaden® thriller, I Dare
Baen, 9781476736310, 464pp.
Maine-based writers Sharon Lee and Steve Miller teamed up in the late 1980s to bring the world the story of Kinzel, an inept wizard with a love of cats, a thirst for justice, and a staff of true power. Since then, the husband and wife have written dozens of short stories and twenty plus novels, most set in their star-spanning Liaden Universe®.
Before settling down to the serene and stable life of a science fiction and fantasy writer, Steve was a traveling poet, rock-band reviewer, reporter, and editor of a string of community newspapers. Sharon, less adventurous, has been an advertising copywriter, copy editor on night-side news at a small city newspaper, reporter, photographer, and book reviewer. Both credit their newspaper experiences with teaching them the finer points of collaboration. Sharon and Steve passionately believe that reading fiction ought to be fun and that stories are entertainment. Steve and Sharon maintain a web presence at http://korval.com.


text:
STEVIE NICKS: Explains Fleetwood Mac Delay until 2013
Stevie Nicks has explained to us why the next round of Fleetwood Mac activity, which had been expected to take place in 2012, has been pushed back to 2013. She says she wants to continue promoting her current solo album, InYour DreamsI, through next summer, and expects to release more singles and videos from it. "I just want people to see and hear it, so I want to keep this record going until next summer."
Stevie says Lindsey Buckingham, in particular, has been supportive.
"Lindsey knows how important this record is to me, because [he] was a part of [it]. And so he said to me, 'This record is your heart. Don't feel as if you have to run back to Fleetwood Mac, because you don't."
She's also got two movie projects -- both based on old songs -- she wants to "at least get started" next year. One is a movie version of the Welsh folk tale that inspired her to write "Rhiannon," the other an animated film based on a pre-Fleetwood Mac song called "The Ladybug and the Goldfish."
Dave Schulps
Star103FM
Posted by Nickslive at Friday, October 28, 2011 20 comments
Labels: Fleetwood Mac, In Your Dreams, Lindsey Buckingham, Stevie Nicks 2011
Stevie Nicks | Lindsey Buckingham and the Grammy Possibilities
Stevie Nicks and Lindsey Buckingham
Two amazing artists putting out arguably their best solo material
Could a Grammy be next?
2011 has been an incredible year for both Stevie Nicks and Lindsey Buckingham. Within the span of 5 months both have put out critically and to a certain extent commercially successful albums. They have both toured North America this spring, summer and fall and continue to tour with upcoming shows booked in the UK and Australia. They have surrounded themselves with incredible musicians backing them up in the studio and on the road which resulted in two stellar albums, cool videos and really amazing interesting live performances in some great historic venues! It goes without saying that each has had an amazing run as a solo artists over the years, not to mention being members of Fleetwood Mac, so to see this level of artistic achievement from them at this stage in their careers is just mind blowing... And both show no signs of stopping now! In fact it almost feels like they are just getting started! They continue to roll on with Lindsey releasing a live DVD/CD package out Oct 31st in the UK & November 1st in North America and Stevie is reportedly prepping her "Making of" In Your Dreams documentary. It's also been an incredible year for fans on both sides of the fence so any Grammy nominations on top of all this would just be icing on the cake!
I'm really excited for both of them and wish them both the best of luck as the list of artists and their submissions is fairly lengthy with a lot of really great performers this year hoping to grab a nomination.
Here's a list of submissions for Grammy consideration for both Lindsey and Stevie. Actual nominations are announced at some point in December with awards given out early next year.
Stevie and her team have submitted two songs in 5 categories. "Secret Love" for Song of the Year, Record of the Year and Best Short Form Music Video categories. They have also submitted "Soldiers Angel" in the Best Rock Performance and Best Rock Song categories. Stevie's album "In Your Dreams" was also placed in the Best Pop Vocal Album and Album of the Year categories. Lindsey Buckingham and his team have submitted his album "Seeds We Sow" in for consideration in the Best Pop Vocal Album and Album of the Year categories with the lead single "In Our Own Time" being submitted to the Best Pop Solo Performance and Song of the Year categories. GOOD LUCK TO BOTH!!
BEST POP VOCAL ALBUM
- In Your Dreams - Stevie Nicks
BEST ROCK PERFORMANCE
- Soldiers Angel - Stevie Nicks
BEST ROCK SONG
(Songwriter award)
- Secret Love - Stevie Nicks
RECORD OF THE YEAR
BEST SHORT FORM MUSIC VIDEO
- Seeds We Sow - Lindsey Buckingham
BEST POP SOLO PERFORMANCE
- In Our Own Time - Lindsey Buckingham
BRIEF EXPLAINING EACH CATEGORY:
CLICK HERE TO READ MORE »
Posted by Nickslive at Thursday, October 27, 2011 21 comments
Labels: In Our Own Time, In Your Dreams, Lindsey Buckingham, Secret Love, Seeds We Sow, Soldiers Angel, Stevie Nicks 2011
Buddy Holly Tribute with Stevie Nicks performing set to air on PBS beginning Dec 3rd
Stevie Nicks Sings 'Not Fade Away,' Patrick Stump Takes On 'Everyday' in Preview of PBS Special.
Set to air beginning December 3, the all-star concert also features performances by Chris Isaac, Lyle Lovett, Paul Anka, Boz Scaggs and Michelle Branch along with video tributes by Keith Richards, Ringo Starr and more.
PBS has released a preview clip of its upcoming Buddy Holly tribute concert, set to air beginning December 3 (check local listings). Listen To Me: The Ultimate Buddy Party features performances by Stevie Nicks, Chris Isaak, Lyle Lovett, Paul Anka, Boz Scaggs, Raul Malo, Graham Nash, Michelle Branch, Shawn Colvin, Patrick Stump and Cobra Starship's Gabe Saporta and Victoria Asher along with video tributes by Keith Richards, Ringo Starr, Jackson Browne, Brian Wilson, Eric Idle and more.
More at the Hollywood Reporter
Posted by Nickslive at Thursday, October 27, 2011 2 comments
Labels: Buddy Holly, Stevie Nicks 2011
WIN a pair of tickets to Lindsey Buckingham - Royal Oak, MI Nov 8th
Win a pair of tickets to see Lindsey Buckingham [of Fleetwood Mac] at the Royal Oak Music Theatre - November 8th!
Contest ends Nov 2nd - one entry per person.
Send an email to contests@939theriverradio.com
Remember to include the name of the prize in the subject line, your name, and a phone number to reach you at!
93.9 The River
Posted by Nickslive at Tuesday, October 25, 2011 0 comments
Labels: CONTEST, Lindsey Buckingham, Seeds We Sow Tour
Lindsey Buckingham... Late Night with Jimmy Fallon
Lindsey is scheduled on October 31, 2011
Posted by Nickslive at Monday, October 24, 2011 0 comments
Labels: Jimmy Fallon, Lindsey Buckingham TV Appearances
Lindsey Buckingham.... Live in Vancouver
Okay... Well I saw the show last night in Vancouver... and I loved it! It's a really fun show with a really good mix of what the broad public knows Lindsey for plus plenty from his solo career including a lot from the new album. The new music sounded great live.
I saw him in this theatre in 2006 on the Under The Skin Tour a little further back then my second row seat last night, so it was really cool just to watch his fingers attack his guitars... The man has great ability no doubt as do the others in the band. Walfredo on drums was a lot of fun to watch too... The facial expressions! What is it with drummers and their facial expressions? The sound didn't seem as loud compared to the last time I saw his show here. That could be because of my proximity to the stage and not exactly in front of the speakers. Still sounded great, it just could have been a little louder.
No changes to the setlist... The theatre was probably 3/4 sold, the crowd was alright, mainly a sit down appreciative crowd with Second Hand News being the catalyst to get a few up front on their feet. The Fleetwood Mac tracks do it every time. There was some sort of a mini orchestra pit right in front of the stage, so people in the front row actually couldn't get right up to the stage so when ever Lindsey did come to the edge, he was still it seemed, a couple of rows out of reach. The band definitely plays off audience enthusiasm and participation. Big smile on Lindsey's face at the beginning when he first walked on stage - someone from the audience shouted out SEEDS WE SOW! Then... WELCOME TO CANADA! More shouts of love and appreciation from the audience followed throughout the show... Some of which he acknowledged.
A couple of favourite tunes from the show for me were... Stars Are Crazy, Illumination and Turn It On... Hard to single out a few as everything was great to hear live and a real treat to witness. As Brett says, he's an American treasure!
During the intros Lindsey mentioned that having a few days off prior to the show had the guys a bit gitty as they were kinda horsing around a bit. Whether that's a rehearsed thing, I'm not sure. Lindsey was moving around a lot during this - when intros were over, he turned around to walk back towards the back of the stage and tripped over his own guitar cords and wiped out, in a sort of easy rolling down on his back, feet up in the air kind of way... nothing severe. He sat there for a second, strummed his guitar, got up and carried on with Treason.
All in all a great night in the beautiful city of Vancouver and I'm so happy I saw this show! Thanks to Lindsey, Brett, Neale and Walfredo!
Tried taking a few photos, none of which turned out to be anything but a blurry mess... The one above is the clearest.
Posted by Nickslive at Sunday, October 23, 2011 5 comments
Labels: Lindsey Buckingham, Seeds We Sow Tour Review
Lindsey Buckingham - Highlights From SiriusXM interview
Talks About The Seeds We Sow
Theinterrobang
Composer, musician, singer and songwriter Lindsey Buckingham stopped by the Sirius XM studios recently to talk with Ron Bennington about the release of his sixth solo album, The Seeds We Sow, and play a few songs. Buckingham is best known as the male frontman of wildly successful band Fleetwood Mac, which created one of the best-selling albums of all time– Rumours. Buckingham was also inducted into the Rock and Roll Hall of Fame as a member of Fleetwood Mac. Below are the highlights of that interview.
Ron Bennington: That's the new Lindsey Buckingham, Seeds We Sow is the album and that was End of Time. Lindsey welcome to the show today man.
Lindsey Buckingham: Nice to be here, thank you.
Ron Bennington: You did all this at your house?
Lindsey Buckingham: I did (laughing), that's right.
Ron Bennington: Everything was done by you though right?
Lindsey Buckingham: Well there's one song that has my road band on it, but yeah aside from that, everything yeah.
Ron Bennington: So a normal day for you- you're either writing, recording- it's gotta be this strange thing?
Lindsey Buckingham: Well it really isn't! You know you work with the band and it's kinda like movie making – it's a lot more chaotic, a lot more of a conscious process to get from point A to point B. You know you go down and you work by yourself it's more like painting. You don't have to have full songs fleshed out, you can have a notion and kind of start slopping the paint on the canvas so to speak, and the work will kind of lead you in directions you wouldn't expect to go.
Ron Bennington: So are you in the studio by yourself during that time?
Lindsey Buckingham: Yeah, I'm engineering and I mixed it. But again, you know you've got this one kind of political thing that goes on with working with a group, and the other thing is just way more meditative.
Ron Bennington: Just you, yourself and you're just being an artist. How do you know if it's for your solo work or whether this would be better for Fleetwood Mac?
Lindsey Buckingham: Well it usually gets defined for me by what I'm doing at the time. When I started working on – I was not really even expecting to make this album this last year, but the time opened up. It's really just a question of what it is that you're working for and that defines what it is. With Fleetwood Mac, again you have to have more completed songs, and there is a kind of A&R (Artist & Repertoire) factor that enters into it, an editorial filter going through the band in terms of what gets picked. But you know it's really just a matter of what happens to the basic song once you put it out there. If it's the band it's gonna be a band song, and if it's a different process it'll be a solo.
Ron Bennington: So you don't really – as you start to write the songs they're just songs – you don't think here's one that I think I'm going to be presenting in one way, or here's another one, you just let the song kind of unfold.
Posted by Nickslive at Friday, October 21, 2011 0 comments
Labels: Lindsey Buckingham Interview 2011, Seeds We Sow Press
Boxscore Update: Lindsey Buckingham / Stevie Nicks + Mick Fleetwood
Seeds We Sow Tour
Added Clearwater Florida and Anaheim to the list of shows published, which is far less then what he's performed, but these are the only dates published so far.
In Your Dreams Tour
So far two dates have been published for Stevie's In Your Dreams Tour
Stevie Nicks The Joint, Hard Rock Hotel
Las Vegas, Nev.
Date: Oct. 15, 2011
Gross: $198,346
Attendance / Capacity: 1,880 / 2,261
# of Shows / Sellouts: 1 / 0
Ticket Prices: $195, $160, $99.50, $49.50
Promoter: Concerts West/AEG Live
Stevie Nicks, Michael Grimm City National Grove of Anaheim
Anaheim, Calif.
Shows / Sellouts: 1 / 1
Ticket Prices: $125, $75
Promoter: Nederlander Concerts
Billboard Top 200 Album Chart
The ZZ Top Tribute album featuring Mick Fleetwood and John McVie's contribution (Sharp Dressed Man) reaches the Billboard Top 200 Album Chart this week debuting at No. 121.
"ZZ Top: A Tribute From Friends"
The tribute album, celebrating the songs of rock band ZZ Top, drives in at No. 121 with 4,000 sold. It also bows at No. 7 on the Compilations chart. The set boasts tributes from Steven Tyler, Mick Fleetwood (covering "Sharp Dressed Man"), Nickelback ("Legs"), Daughtry ("Waitin' for the Bus"), Jamey Johnson ("La Grange") and more. ZZ Top has notched 17 singles on the Billboard Hot 100 chart, including eight top 40 hits. Their biggest singles include "Legs" (No. 8), "Sleeping Bag" (No. 8), "Gimme All Your Lovin'" (No. 37) and "Rough Boy" (No. 22).
Labels: Chart Updates, IN YOUR DREAMS TOUR, Lindsey Buckingham, Seeds We Sow Tour, Stevie Nicks 2011
Recap: A Grammy Museum Evening with Stevie Nicks
Stevie Nicks Shares a Dozen Stories at L.A. Performance
Billboard Magazine by Phil Gallo, L.A.
Steve Nicks entertained and educated high school students and fans Wednesday at two sessions at the Grammy Museum in Los Angeles. She touched on everything from her childhood to her recently released album "In Your Dreams," providing the audience with imitations of her Fleetwood Mac bandmates Christine McVie and Lindsey Buckingham, tales of poverty and success and revelations about her past. Here are a dozen she shared.
1. "Moonlight" -- currently her favorite song on the new album "In Your Dreams" -- was written after she saw "The Twilight Saga: New Moon." "I saw it while we were on the road with Fleetwood Mac in Australia. I was so taken by the movie that I wrote a five-page essay after seeing it and went back to see it the next night in Brisbane. I had a piano in my room and I wrote ("Moonlight")."
2. There is music in the vaults from the "Fleetwood Mac" and "Rumours" sessions. "Lots of stuff -- lots of songs that turned into other songs. It could get released some day."
3. On the making of Fleetwood Mac's double album "Tusk" in 1979: "'Tusk' was 13 months at Village Recorders. Lindsey had tusks on the wall and all these weird Polaroids. I thought this must be what hell is like. With speakers. I felt like I was watching weirdo spirits. It's a lot more fun to tell stories about that record than it was to live through it."
More Photos at the "Continue Reading" link
Labels: Grammy Museum, Stevie Nicks 2011
Video: Stevie Nicks Shows Why She's A Reigning Queen Of Rock - @TheGRAMMYMuseum
Stevie Nicks Shows Why She's A Reigning Queen Of Rock
CBS 2 / KCAL 9 Los Angeles
Stevie Nicks made a special appearance to benefit the Grammy Museum and Foundation. Suzanne Marques was there. Stevie played 4 songs: Landslide, Rhiannon, Moonlight & For What It's Worth. Rhiannon and Moonlight were on the piano.
Reviews X 2 for Lindsey Buckingham & Stevie Nicks - The Grove of Anaheim
Stevie Nicks - City National Grove of Anaheim – 10/12/11
Review & Photos by Chris Loomis
SoCalmusictoday
The Gold Dust Woman, Stevie Nicks made the fourth stop of her brief intimate five date fall 2011 tour at The City National Grove in Anaheim on Wednesday October 12 supporting her latest solo release In Your Dreams (released May 2011). Nick's popularity is as strong as ever evidenced by the sold out show in Anaheim on this night. At 9:00pm the lights dimmed and the Missing Persons classic "Destination Unknown" was played until the Fleetwood Mac singer hit the stage and opened the show with the solo classic "Stand Back". Stevie Nicks made it clear to the packed house that "This was not a greatest hits tour" and she was promoting her latest album and then continued on with her nearly 2hr set comprised of solo material old and new with some Fleetwood Mac classics mixed in.
Continue to the full review + photos
Lindsey Buckingham - City National Grove of Anaheim – 10/17/11
Successful solo artist and Fleetwood Mac vocalist/guitarist Lindsey Buckingham brought his Seeds We Sow tour to the City National Grove in Anaheim Monday night October 17 just days after his Fleetwood Mac band mate Stevie Nicks rocked The Grove – Anaheim sure got its fix of Fleetwood Mac classics between the two. The Seeds We Sow tour is in support of Buckingham's latest solo album of the same name which was released back in September. At about 8:40pm Lindsey Buckingham kicked off a 90 minute set of music from his entire career. Buckingham began the night alone on the stage playing five songs with just an acoustic guitar that included one of his most popular solo hits "Trouble" and the Fleetwood Mac song "Never Going Back Again".
Labels: IN YOUR DREAMS TOUR, Lindsey Buckingham, Seeds We Sow Tour Review, Stevie Nicks 2011
Review: Lindsey Buckingham The Grove of Anaheim 10/17/11
Fleetwood Mac's guitarist returned to the Grove with a sterling new batch of songs and stories to tell.
It's been an exciting year for fans of live classic rock. In just the past six months or so, John Fogerty, the Zombies, Steely Dan, Paul Rodgers and even the Monkees have all delivered fantastic age-defying concerts throughout Southern California.
Add Lindsey Buckingham's 95-minute set Monday night at City National Grove of Anaheim to the list. Performing both alone on acoustic guitar as well as with a terrific three-man band, the singer-songwriter and guitar virtuoso – who appeared at the venue just days after Stevie Nicks sold it out – served up a mix of Fleetwood Mac classics, solo hits and new material that showcased how (like Neil Young) he is the rare 60-something who continues to challenge himself artistically while simultaneously creating some of the best work of his long career.
The Hall of Famer, who recently turned 62, is on tour in support of his September release Seeds We Sow, an outstanding 11-song disc that has deservedly garnered rave reviews. Many of the highlights of his 19-song set in O.C. came from that new album, including the experimental rocker "In Our Own Time," the beautiful "Illumination" with its lush vocal harmonies, and a rousing take on "That's the Way That Love Goes."
Continue to the full review at the OC Register
by ROBERT KINSLER
Photos Slideshow HERE
by KELLY A. SWIFT
Labels: Lindsey Buckingham, Seeds We Sow Tour


take the lives of our fellow man.
By terrorists high-jacking our planes.
Depend on and support President Bush's strategy.
To those of you that were hit.
You all in my arms.
Keep you from anymore harm.
I have a hard time sleeping when I go to bed.
Exactly what is on its way.
That we all feel for you.


Summer is FLYING by! We know summer days are fleeting (last Thursday marked the half way point for our summer break), so we like to pack in as much fun as possible before we head back to school and into a more boring predictable schedule. Here's what we did in June.


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The Death Penalty Essay
Category: Death
The death penalty is an interwoven controversy. The law is supposed to bring together the basic principles and purposes of society, including the recognition and protection of individual rights to life, liberty, and the security of people and property. The two separate groups of norms that are woven into the death penalty are desirable social principles and respectable moral principles. The death penalty has shown itself to be an ineffective punishment, due to the fact that, it is an immoral and anti-social practice in todays society. It does not and will not uphold any of the basic principles that are the basis of the law in this country. This country desires revenge, and that is why we have the death penalty. Do not let people fool you with words such as justice and deterrence, because the death penalty serves neither of these purposes. The fact is, the death penalty is not a deterrent of crime, as the death penalty has been proven not to deter crime.
The death penalty cannot be called moral, because taking another human life in such a fashion is not moral. Also, there is always the risk that an innocent mans life may be taken. Now I ask you, is taking an innocent mans life moral. The discriminate way the death penalty is given to minorities is not a socially acceptable occurrence, especially in today s society. Last of all, the death penalty is an uneconomical practice, and wastes valuable social resources in a steady stream of court costs that seem never-ending. When you look at all these circumstances combined, it is futile to argue for the death penalty. The facts shown stand against it. In the end, the death penalty looks to be nothing but legalized murder, and there is no other solution but to execute the death penalty once and for all.
Any punishment should contribute to the reduction of crime; accordingly, the punishment for a crime should not be so idle a threat or so slight a deprivation that it has no deterrent or incapacitative effects. Most of all, it certainly should not contribute to an increase in crime.(Bedau 259) Does the death penalty really deter crime. The death penalty lobby wants you to believe the answer to that question is yes. But, in fact, it is a resounding no. there is a wide consensus among Americans top criminologists that the death penalty does, or can do, little to reduce rates of criminal violence. The United States is the only Western nation that still allows the death penalty, and we also have one of the highest crime rates. During the 1980s, the death penalty states averaged an annual rate of 7.5 criminal homicides per 100,000, while abolition states averaged a rate of 7.4 per 100,000. That means that murders were actually more common in states with the death penalty.
Also, in a nationwide survey of police chiefs and sheriffs, capital punishment was ranked last as a way of reducing violent crime. Only twenty-six percent thought that the death penalty significantly reduces the number of homicides. There is no hard evidence that proves the death penalty has a deterrent effect on criminal violence. Governor William Weld of Massachusetts bolsters his belief of the deterrent effect of the death penalty with data from his gut. Also, Ken Nunneley, an Alabama assistant attorney general in charge of the states capital litigation division, obtains his data from the same source. My gut tells me it has a deterrent, let me put it that way. Whether or not the or use of the death penalty is, has been, or could be a deterrent to homicide is a huge question that can not be on the basis of gut feelings. In the following research project, Michael L. Radelet and Ronald L. Akers sent out questionnaires to seventy former presidents from the Academy of Criminal Justice Sciences, American Society of Criminology, and the Law and Society Association.
The presidents were asked to answer some general questions on the basis of your knowledge of the literature and research in criminology.The questions asked were relating to deterrence issues. When asked if they believe or feel that the death penalty acts as a deterrent to murder or that it lowers the murder rate. Among the sixty-four that responded to the questions, fifty-six or 87.5 percent believe the death penalty does not have a deterrent effect on possible murderers or murder rates. These results chip away at the most important justification for the death penalty.(RadeletAkers 2-3) I believe the reason the death penalty is not a deterrent, is because murderers do not examine risk/reward charts before they kill someone. If a criminal was in a rational state of mind, life imprisonment should be enough to deter them. The fact is, most criminals are not in a rational state of mind. Besides, no criminal commits a crime if he believes he will be caught.
There are many moral arguments against the death penalty, that should make us think twice about our reasons for supporting it. The first is the execution of innocent people. As former Supreme Court justice Harry Blackmun said,the execution of an innocent person comes perilously close to simple murder. In fact, it is simple, and one of the most awful aspects of capital punishment. It is impossible to calculate the risk that an innocent person will be executed, but the risk is not zero, as the record of convicted, sentenced, and executed innocents shows. Since 1900, twenty-three people who we now know to be innocent have been murdered by the state. Three hundred and fifty people have been found not guilty while in death row awaiting execution. Yet, the death penalty lobby continues to support this slaughter of innocent people.
The second argument is, does the government have the right to kill? Of course we all know the government has the right to self defense, such as, a policeman firing on an armed and dangerous criminal feeling on an armed and dangerous criminal. If we apply the same standards to civilians that we have for the government. A civilian has the right to shoot an intruder as he is entering his home. What if the civilian catches the intruder, incapacitates him, and has him under his control, then shooting the intruder would be considered murder. That is what capital punishment is simple murder.
The next argument that I would like to address is, is there a difference between state killing and murder? The end result is the same; one more dead body, one more set of grieving parents, and one more cemetery plot. Every time we execute someone, we send a very confusing message to the American people about the value of human life. Every time we allow an execution, we as a society sink to the same level as the common killer. the people of the United states have blood on their hands, and it will stay there until we end this horrid practice.
The final moral argument is that the death penalty is a cruel and unusual punishment. It is torture to keep someone locked up when they know they are waiting to be killed. To paraphrase Camus, there is no equal retribution unless the convicted felon imprisoned his victim for years, and everyday informed him the date of his death. Also, the methods of executing people have all been found to be excessively cruel. It often takes ten minutes or more for a felon to die in the electric chair. The only methods that is known not to be painful is lethal injection, about which we know very little.
The death penalty is full of many abuses, but the most obvious is racial abuse. A 1990 report released by the federal governments General Accounting Office found a pattern of evidence indicating racial disparities in the charging, sentencing, and imposition of the death penalty. Professor David Baldus examined sentencing patterns in Georgia in the 1970s. After reviewing over 2,500 homicide cases in that state, controlling for nonracial factors, he concluded that a person acaccused of killing a white was 4.3 times more likely to be sentenced to death than a person accused of killing a black.
Also, Stanford Law Review published a study that found similar patterns of racial disparity, based on the race of the victim, in Arkansas, Florida, Georgia, Illinois, Mississippi, North Carolina, Oklahoma, and Virginia. For example, in Arkansas, findings showed that defendants is a case involving a white victim were three and a half times more likely to be sentenced to death; in Illinois, four times; in North Carolina, 4.4 times; and in Mississippi, five times more likely to be sentenced to death than defendants convicted of killing blacks.
The death penalty is not now, nor ever has been, a more economical alternative to life imprisonment, said Spangenberg and Walsh in an article in the Loyola of Los Angeles Law Review. A study by the NY State Defenders Association showed that the cost of capital trial alone is more than double the cost of life imprisonment. In Maryland, a comparison of capital trial costs with and without the death penalty for the years 1979-1984 concluded that a death penalty case costs approximately forty-two percent more than a case resulting in a non-death sentence, according to the federal governments Accounting Office. In 1988 and 1989 the Kansas legislature voted Against reinstating the death penalty after it was informed that reintroduction would involve a first year cost of more than eleven million dollars.
All these facts summed up show that the death penalty is not for America. All it does is bring down our morale and our dignity. It shows that we have no respect for human life, just like murderers. I hope that someone will read my essay and put the death penalty to sleep for good.
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Down syndrome is a genetic disorder arising out of abnormal cell division and results in additional genetic substance from chromosome 21. This genetic disorder results in permanent cerebral disability and growth delays, and in some it causes physical illness. It is the most common genetic problem in children; but with a clear understanding of the condition and early diagnosis, quality of living of kids and adults can be improved to a greater extent.
The decision to have the test is a personal choice keeping your age, family history and the consequences.
Early identification of the condition is based on the facial appearance of the baby. The medical practitioner will also order a blood test for chromosomal analysis called karyotype test. The presence of chromosome 21 confirms the diagnosis of Down syndrome.
Early intervention and diagnosis of Down syndrome can make a huge change in the life of children and in realising their underlying potential. Early intervention programs are tailor made initiatives present in every state which offers stimulation at an early stage with age suitable sensory, motor and cognitive activities. Relying on a team of specialists who will identify, administer and monitor any health concerns will enable holistic development of the child at any given point of time. Remember that your constant support is greatly required to help the child develop and learn important skills.


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Contact Lucky's Restoration today where we are "Taking Dreams to Reality!"


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This speech was delivered in Richardson Grove State Park October 24, 2009, by Natalynne DeLapp, EPIC's policy associate.
We are here today in Richardson Grove because it is threatened by Caltrans' proposal to widen Highway 101 in order to allow increasing numbers of larger trucks into Humboldt County. No matter how Caltrans tries to justify and mitigate it, this project will create significant and damaging effects to this sacred grove. With only a fraction of old-growth forest remaining, the potential harms to this grove are totally unacceptable. The project would cut through the stabilizing root systems of these ancient trees, move and compact huge amounts of soil and cause other unknown risks to these trees. This project is not "insignificant" to the grove.
Caltrans and big business interests would like to have you believe that small local business owners and the community of Humboldt County will benefit from this project. This spin on reality has confused many people. This project is likely to harm local businesses and could create a domino effect by granting greater access for giant trucks and corporate franchises to dominate our community, like they have most other places across the country. Our vision of a sustainable future would be compromised by this.
This project needs to be stopped. I feel confident, as does EPIC, that we can save Richardson Grove. We have beaten the odds before and can do it again. While EPIC will remain diligent in our resistance to this project, it will take all of us working together to stop this project.
As we elevate our tactics, we will need your help more than ever. More rallies like this one to show our growing numbers, letters to the editor and other media outlets to counter the spin and to use all other skills and resources that we have to creatively fight this project. We can save Richardson Grove and protect our community's way of life.
Our larger task, however, will be to deal with the global issue of climate change. The event you are all a part of today is to show the world leaders that the people of the redwood region are taking a stand against climate change. This campaign makes a brilliant point about our home. The forests, here in the Pacific Northwest, could provide an amazing reserve for climate storage, on a global scale.
While many communities are searching for how to "think globally and act locally," our region requires us to think locally because these forests may be one of the most valuable and natural defenses we have to combat the effects of global climate change.
Unfortunately, our forests have experienced a long history of destructive corporate logging, like that carried out by the late Maxxam's Pacific Lumber. Yet, we have many of you here to thank for preserving the remaining old-growth redwood forests for the future generations. We still have our work cut out for us restoring our forest's health on the rest of the degraded landscapes.
Yet, in the shadow of Pacific Lumber, another dragon has been lurking, largely unobstructed by grassroots campaigns, and their name is Green Diamond, formerly known as Simpson. If we are talking about deforestation and climate change in the redwood region, we are talking about Green Diamond.
Right in our backyards, Green Diamond, the largest landowner in Humboldt County, adheres primarily to the antiquated logging practice better known as clear-cutting. Their clear-cutting has consumed at least 65,000 acres in the last ten years. They have logged nearly three quarters of their 400,000 acres in the last 50 years and more than 80 percent of their land holding are under 65 years of age.
Their logging and management practices are wreaking havoc on wildlife and watersheds, releasing more carbon into the air than other kinds of logging, and failing to capture the carbon that these forests can and must capture if we hope to avoid catastrophic climate change.
Green Diamond's management practices need to be addressed. EPIC is calling on the community to hold this company accountable for its liquidation logging practices, and call for an end to their plans for widespread development of the redwood region. This process will be lengthy, like the fight with Pacific Lumber, but will prove critical for the future of our forests, our local communities and economy.
We need to restore forest function for climate resilience, stability, and for the very survival of our planet. We need to grow larger and older trees. If we don't deal with climate change, we are likely to lose these forests; and in order to deal with climate change, we need to use our forests–wisely.
The decision makers in charge of creating forest policy have been captured by the very industry that they are regulating; the regulated are writing the very rules that govern the forests. I have been actively engaged with the Board of Forestry and the Climate Action Reserve (CAR, an organization formed to write the rules that govern the U.S. carbon market for carbon offset credits) in Sacramento, trying to prevent the industry from running rampant and creating laws and regulations that only serve their profit-based needs. To give an example, just a few weeks ago the California Air Resources Board adopted Carbon Protocols for forests that allow timber companies to sell their carbon credits to industry while also clear-cutting their lands! This is ridiculous and needs to be reversed. These protocols essentially validate the bad science that the timber industry has created to justify their forest management practices and disregard the science that supports the importance of long-lived trees for storing carbon. How can we allow such policies to govern how our forests will be managed?!
How can a normal life make sense in this day and age when the climate is rapidly degrading and the economy is tanking? What will it take for people to snap out of it and take some responsibility for the fate of the world and their own lives?
Please take action against climate change and continue to stand up for our precious forests. Support EPIC's campaign against the Richardson Grove project, attend public meetings like the County's General Plan sessions or go to Sacramento and tell the decision makers that our forests are more than just timber–they are the stewards of clean air, water, biodiversity and carbon storage. Just get involved and stay involved. We all need to do this collectively in order to make it out alive.