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Hryvnia: History and Photos of the National Currency of Ukraine
Currency in Ukraine, much like many other things in the country, has a long and complex history. The first coins of Kyiv Rus became banknotes soon to be replaced by coupons. So what really is the history of the currency of Ukraine?
While many people use UAH abbreviation or even the ₴ sign, not every one of them knows what the currency of Ukraine is really called and why. Hryvnia comes from the similar-sounding Old East Slavic "Hryvna" - a necklace made of gold or silver. In its turn, the jewelry is worn on the neck, "hryva" in Old East Slavic, which gives a complete etymological insight.
The first written mentions of Hryvnia as a currency, like many things in Ukraine, dates back to the Primary Chronicle by Nestor the Chronicler. The historical source proves that in the 8-9th centuries, Kyiv Rus already had its official currency. Since then, Hryvnia has transformed numerous times to become what we are familiar with nowadays.
Kyiv Rus and Hryvnia's disappearance
In the 11th century, Hryvnia was used as a monetary unit in Kyiv Rus and was made from gold. According to the Primary Chronicle, 300 Hryvnias per year was the 'Novgorod tax' established by Oleg of Novgorod who ruled in Kyiv at the time. The monetary unit was called "Hryvnia Kun" and in different periods of time equaled a different number of coins called nogat, kun, rizan and vyveryts. As a monetary and weight unit, Hryvnia stayed the permanent way of payment for many centuries.
The 'weight Hryvnia' changed depending on the weight of the kun coins it equaled to. The 'monetary Hryvnia' didn't suffer any changes and was minted in various regions. All in all, historians talk about several Hryvnia types: Kyiv, Novgorod, Chernigiv, Tatar and Lithuanian.
Other coins minted by Rus princes weren't called Hryvnia, yet possess historical importance, as they were the first governmental documents to be depicted with a Ukrainian symbol - trident. Minting national currency was founded by Volodymyr the Great. Historians link this event with Volodymyr's victory over Byzantine, adopting Christianity and the political strength of Kyiv Rus.
Zlatnyk issued by Volodymyr the Great (10-11th centuries)
Sriblianyk of Volodymyr the Great (10-11th centuries)
The minted coins introduced by Volodymyr the Great corresponded the Byzantine tradition of coinage. Many countries of Western Europe copied the design of Roman coins when they were adopting the minting. Kyiv Rus coins, on the contrary, had unique portraits of princes and Old East Slavic inscriptions. The exact names of the coins weren't preserved, but in numismatics, they are commonly called "zlantyk" and "sriblianyk", deriving from gold and silver accordingly.
The averse of the coin depicts the prince, who sits on the throne, a trident and the inscription - "Volodymyr on the table". The reverse side depicts Jesus Christ and the inscription "And this is his gold". The tradition of minting coins was continued by Yaroslav the Wise and Sviatopolk I of Kyiv.
However, in the late 12-14th centuries, when Kyiv Rus entered the period of feudal fragmentation, minting coins was stopped. Silver ingots, which were called "Hryvnias", instead were used as money. In the 15th century, ruble minted in Novgorod ousted the Hryvnia from circulation - it remained simply a weight unit equal to approximately 200 grams.
In the 17th century, Bohdan Khmelnytskyi planned to bring coins as money unit in Ukraine. During the 1648-1654 Khmelnytsky Uprising, he wanted to introduce an independent fiscal policy, considering it one of the main features of the state. However, there are no archeological artifacts to back up whether his intentions turned into life.
The Most Interesting Facts about Ukrainian Cossacks
Cossacks is the traditional name for the members of self-regulating military male communities that existed on the territory of Ukraine from the XV till the XVIII centuries. The main Cossacks` communit...
Hryvnia returns: the Ukrainian People's Republic era
In 1917, the October Revolution changed the disposition of power in the former Russian Empire. The Bolshevik coup-d'état left its trace in Ukraine as well - after the military struggle for power in Kyiv, Tsentralna Rada adopted the III Universal of the Ukrainian People's Republic on November 20. The document stated the independence of the Ukrainian Republic with the capital in Kyiv as an autonomous part of the Russian state. The same document initiated creation of the new currency, which would help to strengthen the position of the new state and revive the market, shook after the October 1917 uprising in Petrograd.
In December 1917 (January 1918 according to Gregorian Calendar), Tsentralna Rada adopted a law to transform the Kyiv office of the State Bank of Russia into the Ukrainian state bank. Its first director, Mykhailo Kryvetskyi, signed the first banknote of the independent Ukrainian state - 100 karbovanets.
Karbovanets stayed the principal currency of Ukraine throughout the 20th century. Its name most likely derives from "karbuvaty", which means "to mint" in Ukrainian. Each Karbovanets contains 17.424 parts of pure gold. Karbovanets issued during the Ukrainian People's Republic era are often considered the most detailed and artistic currency ever adopted in Ukraine.
Averse of 100 Karbovanets (1917) designed by Heorhiy Narbut
Reverse of 100 Karbovanets (1917) designed by Heorhiy Narbut
The new banknote was designed by Heorhiy Narbut, who also famously designed the Coat of arms of Ukraine. 100 Karbovanets banknote was decorated with elements and motifs of the 17-18th century Ukrainian Baroque. Exquisite fonts were used for inscriptions, including the "100 Karbovanets" that was written in four languages of the most numerous nations living on the territory of Ukraine - Ukrainian, Russian, Polish and Yiddish.
Thanks to Narbut, Ukrainian Hryvnia also depicted a trident - the forgotten symbol of the oldest national currency, golden and silver coins minted by Volodymyr the Great. The 100 Karbovanets banknote was printed on regular paper without any watermarks, which caused the high circulation of counterfeit banknotes. In March 1918, Tsentralna Rada adopted the law about the new currency - Hryvnia, which equaled to ½ Karbovanets or 100 Shahs.
Pavlo Skoropadskyi and the post-WWI era
Averse of 2 Hryvnia banknote (1918) printed in Berlin
Reverse of 2 Hryvnia banknote (1918) printed in Berlin
Averse of 2000 Hryvnias (1918) printed in Berlin
Reverse of 2000 Hryvnias (1918) printed in Berlin
1918 became the rocky year for Ukrainian currency. In April 1918, the authority in Ukraine was gained by Pavlo Skoropadskyi, the last Ukrainian Hetman. He preserved the denomination value of the previous government: 1 Hryvnia equaled to 1/2 Karbovanets or 100 Shahs. At the time, the market was full of every imaginable currency: Tsar Karbovanets, Ukraine People's Republic Karbovanets and Hryvnias, locally-minted Odesa Karbovanets, Deutsche Mark and Russian Empire's silver coins.
The new government headed by Skoropadskyi allied with Austrian-German occupation forces that served as a guarantee of the integrity of the Ukrainian state. The new money was also necessary to continue reformation of the state. That's why Tsentralna Rada headed by Skoropadskyi ordered new banknotes from Berlin. During 1918, the banknotes of 2, 10, 100, 500, 1000 and 2000 Hryvnias were printed in Germany.
Averse of 100 Hryvnia banknote (1918) designed by Heorhiy Narbut
Reverse of 100 Hryvnia banknote (1918) designed by Heorhiy Narbut
Heorhiy Narbut, who previously designed all money in Ukraine, this time decorated only the 100 banknote - it depicted a worker with a hammer and a peasant with a sickle, the recognizable Soviet symbols, on the background of wreath of flowers and fruits.
Regardless of Skoropadskyi's efforts, his government couldn't eliminate what was left from the previous authorities - a huge national debt. Besides, Rada had to sustain the current public administration, so printing more money was inevitable. In the end, it led to inflation and a spike of speculation on currencies in all regions of Ukraine.
In December 1918, the authorities changed once again - Skoropadskyi's regime was overthrown by the Directorate of Ukraine headed by Volodymyr Vynnychenko and Symon Petliura. The new authorities decided to bring back Hryvnia as the main Ukrainian currency. In particular, Directory planned to increase the golden content in minted coins: locals were to provide all available gold and silver for the minting of coins. All copper monuments of Russian Tsars were planned to be melted and instead made into small coins. The golden Hryvnia was planned to depict Taras Shevchenko, and the silver coins - the house of the Central Council.
However, the plans weren't meant to be fulfilled - the Bolshevik invasion of 1920 lead to banning the circulation of all Ukrainian money. In total, during the 1917-1921 era, 24 types of paper money notes were introduced and used on the territory of Ukraine.
The Soviet Era and WWII
Image: 1 Soviet Rouble (1924)
The Bolshevik invasion and the further proclamation of the Ukrainian Soviet Socialist Republic led to yet another reform of currency. Hryvnia was outcasted first by the Soviet Chervontsy, and in 1924 - the Soviet Karbovanets. The authorities implemented the new currency rate, where 1 Soviet Karbovanets equaled to 1/10 Chervonets. The Soviet Karbovanets became the official currency used in Ukraine until the breakout of the World War II.
During the early years of occupation, the Nazi authorities allowed using the national currency, Karbovanets, along with Reichsmark. The official currency rate stated that 10 Karbovanets equaled 1 Reichsmark. In 1942, the Nazi occupants established the Central Emission Bank in Rivne, the capital of Reichskommissariat Ukraine. Later that year, the bank issued a new currency - Reich Karbovanets. The new currency was issued in 1, 2, 5, 10, 20, 5, 100, 200 and 500 banknotes, each bearing a watermark.
100 Reich Karbowanez (printed in Rivne, 1942)
The banknotes were printed in Berlin on high-quality paper. The averse of the banknote depicted "happy Ukrainian people", inscriptions in German and an eagle with swastika. The reverse had an inscription in German and Ukrainian: «Falsification of banknotes is punishable by prison». In 1944, after the invasion of the Red Army, occupied territories experienced a prompt currency devaluation. The Reich Karbovanets was immediately abandoned and not accepted on the liberated territories, both for trade and for exchange operations.
After the WWII, the Ukrainian Soviet republic adopted the Soviet Ruble as the main currency. It's worth noting that Ruble was officially translated as 'Karbovanets'. The Ukrainian name of the currency appeared on price tags in shops in the Ukrainian Soviet Republic.
In November 1990, when the Soviet Union was in the midst of its dissolution, single-usage Karbovanets were introduced as the auxiliary currency in Ukraine. Many Ukrainians still remember stamping or clipping pre-1991 single-usage coupons at the register to pay for things like shoes and clothes:
Image: Pre-1991 single-use coupon-Karbovanets issued for 1 month. Citizens were supposed to stamp or clip a coupon at the register to pay for goods. The card on the image has multiple coupon-karbovanets of 1, 3 and 5 nominals.
Independent Ukraine and the modern era
1 Coupon-Karbovanets (1991)
500 000 Coupon-Karbovanets (1994)
In 1991, Ukraine declared itself an independent state. The issue of the new currency arose immediately and the National Bank of Ukraine issued coupons (also called "coupon-karbovanets") of multiple usage that circulated from September 1991 until 1996. The implementation of coupons meant that Ukrainians used two currencies - the Soviet Ruble and Ukrainian coupon-karbovanets. To pay for food and products of light industry like clothes and shoes, people used coupon-karbovanets. Rubles and Karbovanets were accepted as payment for services.
By April 1992, all cash flow had been filled with coupon-karbovanets. Although initially it was planned that coupon-karbovanets would replace the national currency only for a couple of months, in reality, the currency circulated for several years. In 1992-1995, coupon-karbovanets experienced hyperinflation. To compare, in 1992 the average rate of Karbovanets to USD was 1 USD = 208 Karbovanets. In 1993, 1 USD equaled to 4539 and a year later – 31700 Karbovanets.
The situation called for a new stable reform - in September 1996, Hryvnia was adopted as a national currency of Ukraine. The National Bank of Ukraine issued 1, 2, 5, 10, 20, 50 and 100 Hryvnia banknotes. As for the coins, Kopiika was firstly minted in Luhansk and Italy. The coins were issued in 1, 2, 5, 10, 25 and 50 nominal. The Hryvnia banknotes issued since 1992 are usually divided into four "eras" - 1992 era, 1994-2001 era, 2003-2016, and 2014-2018 era.
A modern 100 Hryvnia banknote depicting Taras Shevchenko
A modern 200 Hryvnia banknote depicting Lesia Ukrainka
A modern 500 Hryvnia banknote depicting Hryhorii Skovoroda
Despite the changes in the design, the banknotes preserved their recognizable look and personalities depicted on different nominals. For instance, 1 Hryvnia depicts Volodymyr the Great, 100 banknote is recognizable by the picture of writer Taras Shevchenko, 200 Hryvnias depict writer Lesia Ukrainka. The banknote of the highest nominal, 500 Hryvnias, depicts the philosopher Hryhorii Skovoroda on the averse and Kyiv-Mohyla Academy on the reverse.
Nowadays, the design of Ukrainian national currency has watermarks for protection as well as numerous intricate elements that are interesting to explore.
Sources: westudents.com.ua, hrivna.info, bank.gov.ua, intkonf.org, Numismatics by Roman Shust.
Photo sources: bank.gov.ua, uk.wikipedia.org, allnumis.com, worbes-verlag.de, banknota-shop.ru, depositphotos.com. All images belong to their rightful authors.
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With the amount of fans running has, I'm surprised there's not many movies out there regarding this sport. The most famous one comes to mind are Chariots of Fire, Prefontaine, to Running Brave.
Well below is an upcoming documentary, "Hood to Coast", which tells about the World's largest relay race that takes place in the States. The film is set to debut 1.11.11.
Hood To Coast follows four unlikely teams on their epic journey to conquer the world's largest relay race. Each year 1000 teams (12,000 runners) in 2000 vans cover 197 grueling miles as a relay team, putting themselves through an arduous physical journey that as an individual would be impossible.
Some run to test their personal limits, some to overcome personal obstacles, and others leap in blindly looking for a way to shake up a complacent life. As we follow these four teams, we realize that winning isn't everything in a documentary that takes a celebratory look at personal motivation and attempting the extraordinary.


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Q: Facebook Newsfeed Popup in Laravel 4 with Javascript (or otherwise) I am trying to have the newsfeed dialog pop up for a user that clicks on a button (to post something on their Facebook wall).  I already have a logged in Facebook user that has been authenticated (using the laravel-oauth2 package and the built in Auth system with Laravel 4).  However, when I run the following script, nothing happens:

button:
Play my city

When I click the button, nothing happens.  Do you see anything wrong with what I have here?  If there is a better solution using my already authenticated user, let me know.  Thank you.

A: What happens when you do change the listener from a $('.opener') function to a $.on() function?

A: You missed quotes on description, since {{ $artist->stage_name }} outputs string.
After adding single/double quotes, your code should work (if click event is binded right way, of course)

redpajama_set_name: RedPajamaStackExchange


Annie moved instinctively, allowing his body to nestle against her comfortably. "I wonder why none of the others have come down tonight," she said, looking around the room for their new friends.
She looked at the table in front of them and had an idea. "One cheese banitsa, please," she said. When the sweet dessert appeared on the table in front of them, she squealed with delight.
Kerry saw something appear, and when Annie squealed, he knew it must be good. "I don't know," he said, answering her question. "It could be their off doing other things. Or maybe . . ." He shrugged. "It's the first week, maybe they're tired and wanted to get some sleep so they can enjoy the weekend."
He looked at what had just arrived via Kebler Express. "What's this?"
Annie took the small dish in her hand and used the fork to cut a wedge. "This is a traditional dessert when served sweet. My mother prepares this dish for especially for my birthday every year. She places a coin inside, and whoever finds it gives me a kiss. If I find it, I get to choose whom to kiss.
"This year, I will be in school for my birthday." She gave him a twisted smile and held the fork for him to taste.
Tasting the forkfull held for him, Kerry found the desert what he called "Euro-sweet": not as overpowering a sweetness that a lot of Americans likes, but instead layered with other spices to truly bring out the flavor. "That's really good," he said, and it was.
"That's something I never asked," he said, he face blushing just a little. "When is your birthday?"
Annie felt her cheeks flush. She took a bite of the banitsa and put the plate back on the table. It seemed a little strange that they were already so intimately involved and didn't even know simple details—like birthdays. It dawned on her that his birthday wasn't the only thing she didn't know about him, and suddenly her mind was filled with hundreds of questions.
September 27th? Oh, man. Kerry had no idea it was that close. What the hell am I gonna do? Then again he didn't know if he was suppose to get Annie anything. I know nothing about dating, so are you suppose to get a girl you started dating a present right away?
But if Kerry wanted to take it all the way out to a logical conclusion . . . Dating? We're talking about marriage. And I gotta think about a present for her turning--what? 12? Oi!
Smiling, Kerry said, "3 May. So you got a while."
When Annie started speaking in metaphors Kerry had a little trouble figuring out what she was saying, but the stroking of his cheek was a good hit for what she was saying. Still, he wanted to get her something, only what?
"Oh," he said, almost grunting out the response to Annie's question. "We have one cat, a seal-point Siamese, named Tsukino, who is probably 9 years old now. I like strawberry or cherry ice cream. And . . ." He lowered his voice. "My middle name is Rodney. My full name is Kerrigan Rodney Malibey."
He chuckled. "They really screwed up because Kerrigan--or Kerry for that matter--means 'blacked haired'." He took another bite of the desert. "I think my mom figured my hair would be like hers."
"Kerrigan Rodney," she whispered, letting the name roll from her tongue. Annie was touched that he had shared such an intimate detail with her. "I don't think they screwed up at all. It's a beautiful name, Kerry.
"So if your mother has black hair, is your father the ginger?" She checked out his locks—slightly wavy and parted on the left. The color of it was also a richer shade of red in the dim light of the room.
"That's the funny thing," Kerry said. "His hair is dark brown, so I guess I get the hair from somewhere in Mom's past." He pushed himself back into the sofa, still touching Annie's leg. "She told me there's Irish blood in her family, but her parents don't have ginger hair, and her grandparents didn't seem to have it, either."
He nuzzled Annie's ear. "I think I get it from one of the ancestors." He shrugged. "Maybe from the same ones I got the money."
Annie giggled as Kerry tickled her. "I don't care where it came from," she said, leaning closer. "It's perfect." She fondled a few strands of his hair and kissed him.
There was a subject Kerry knew little about: being happy. There were a few moments, but few and far between.
"Oh, man." He slipped into thought for a moment. "I remember the first time I started riding my bike around where we lived in Sleepy Hollow, back in California, and it was cool being out . . . alone." He looked up into the dim light above and sighed. "I was maybe just a few months past 6 then."
Kerry thought about what to say next. "I don't know; it seems like I always remember the bad stuff, and keeping the good stuff in line is hard." He squeezed her thigh. "I don't think I've been unhappy since coming to school, though." He giggled. "A time or two, maybe, but for the most part--happy."
Annie raised her eyebrows when he mentioned a bike. She had read about them but never actually seen one. She grew up around brooms and figured they were similar, except one went much faster and actually flew.
When his hand briefly tightened and then released her thigh, she felt the color explode on her cheeks. He is happy since being at school, she thought while her mind zeroed in on the pleasurable sensation of his hand.
"And why is that, do you think?" She gazed deeply into his dark eyes.
Kerry smiled broadly. "Because I get to hang with . . . my wife!" Then he tickled her tummy, thinking she was probably going to cut loose with a loud, girlish yelp.
Annie roared with laughter as Kerry tickled her. Gasping for breath, she collapsed onto the soft couch. There was no denying that Annie felt the same. Each day that passed, Annie found it harder and harder to keep herself away from him. The mystery he offered intrigued her.
She slipped her hands behind her head and stared up at the ceiling. "It was real, wasn't it?" She remembered the lake house, not as it looked when she left last summer, but how it appeared in her vision—the first rays of the morning sun streaming into the loft bedroom; glinting off his disheveled hair…and his wedding band.
Kerry lay back as well, returning his hand to where it had been on Annie's thigh. "You saw it," he said, "but I don't have reason to think you're lying. And Professor Arrakis, she saw something, too." He shrugged twice, as if he needed to convince himself that he wasn't imagining thing. "And I had my own vision/dream thing. So I'm thinking something is there."
He rubbed her leg slowly. "I don't feel like this is some tweener romance. It feels like . . ." Kerry started blushing. "Like it's really real."
Giggling, Annie pecked the end of his nose and swung her legs over his, stretching out on the long sofa.
"There is no getting rid of me, Kerrigan Rodney Malibey…Ever," she said. Yawning, she lightly rolled onto her left side and tucked her hands under her head.
The moment Annie stretched her legs over him Kerry felt like he'd entered heaven. It was such an . . . adult moment. Is it like this with all wizards and witches? he thought. The feeling that they were growing up very fast--it didn't bother Kerry. If anything, he was growing more comfortable with it by the day.
Annie pushed up on the couch so that she was leaning on her arm. "Kerry, my life was empty without you. I cannot ever imagine a day without you. I will always be there…because I love you.
Smiling, Kerry leaned over the arm and grabbed a pillow. Then, slipping it behind Annie's head he slipped in behind her and covered them up.
He'd never snuggled like this with a girl--spooning. He'd seen his parents do it. He never thought he'd do it. Not now. Not in the state of Maine at the foot of a mountain in the middle of nowhere in a huge building, doing it with a witch girl while surrounded by other wizards and witches . . ..
"I love you too, Annie," he said. "And you make me very happy."
And here they were again, on their sofa . . ..
Or so that's how Kerry saw it. Back on the same spot, with the same pillows and blankets, though this time drinking hot chocolate--which seemed to be something of a favorite here, or at least it was in the Astronomy Tower--and Annie had ordered some of the pastry they'd had the night before.
It was feeling different tonight. Last night it was holding her tight and slipping under the covers and everything was all new. Tonight . . . it had been both of them flying and Annie seeing Professor Arrakis, and then the events in the library and Charms House . . . so much had happened.
And all of it good.
Kerry looked around. "I don't see many of the first years." One of the girls waved at him, her face lighting up. Kerry waved back. "I think Lina's roomie is here, but I don't see Lina."
Annie shrugged. It seemed like their fellow classmates weren't very interested in doing much of anything beyond attending classes. She made herself comfortable, shrugging out of her robe and slippers, and cuddled up on the couch close to Kerry.
Annie moved back a bit, distancing herself from him on the couch. She tugged on her black tank top and smoothed her black silk pajama pants, pretending to pout.
"Hey." Kerry didn't realize that Annie was that touchy about . . . well, being a alone with him. "I'm sorry, Sweetie." He scooted closer and kissed her cheek. "I didn't think, okay." Taking her hand, he gave it a playful squeeze. "No where else I'd rather be right now--"
This was his first night at the Madness since April of last year, and Trevor admitted he missed it. He loved the comradely, the relaxed air of the Dinning Hall. If it were up to him, he'd consider it like this 24/7.
He looked about and didn't see anyone... oh, what was this? Ah, yes: the "exchange students" from Hogwarts. Looking rather comfy on the sofa. Oh those days in the commons, he thought.
When he saw the Malibey boy lean in and kiss Krum he thought it might be best to interject a little discretion. Word had it the Headmistress might stop by tonight, and a proper snog might be frowned upon.
Trevor slid up next to the sofa and cleared his throat, catching them both unaware. "Room for a fellow Hufflepuff?" he asked.


Christmas in the early years of America's life describes the life of a younh girl names Helen. Living on a farm before the time of telephones or cars, Helen spends her days working on the farm, walking to school in the cold of winter and spending time with her family, hearing stories of her ancestors. Helen's Christmas begins in the summer when her family plants the food that will be eaten on Christmas morning and their Christmas spirit stays alive throughout the year by helping ill and injured neighbors with tasks around their farms. Christmas is a time for Helen's family to come together from all over and build their relationships over feasts, church, midnight skating and fun.
Kinsey-Warnock, Natalie, "A Christmas like Helen's," Children's Picture Book Database at Miami University, accessed April 19, 2019, https://dlp.lib.miamioh.edu/picturebook/items/show/13839.


Data Migration - Softengine Inc.
Data migration is a key element in the decision when considering a new system. Softengine has many years of experience in converting data from other accounting systems, i.e., Great Plains, Navision, Oracle, Sage MAS products, Peachtree, QuickBooks and from many others. You do not have to re-enter data from your current system!
Data migration phase is the transfer of an organization's single most valuable asset. Data migration is an important activity that can determine the success of an ERP implementation. Choices must be made as to what data gets moved and what gets left behind. Data conversions start with extracting data from your legacy systems. Before migrating, legacy data needs to be cleansed, scrubbed and properly formatted. After the final data conversion we verify that the data was accurately translated and is complete.


text:
package goja

import "reflect"

type lazyObject struct {
	val    *Object
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}

func (o *lazyObject) className() string {
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	return obj.className()
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	o.val.self = obj
	return obj.get(n)
}

func (o *lazyObject) getProp(n Value) Value {
	obj := o.create(o.val)
	o.val.self = obj
	return obj.getProp(n)
}

func (o *lazyObject) getPropStr(name string) Value {
	obj := o.create(o.val)
	o.val.self = obj
	return obj.getPropStr(name)
}

func (o *lazyObject) getStr(name string) Value {
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	return obj.getStr(name)
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	obj := o.create(o.val)
	o.val.self = obj
	return obj.getOwnProp(name)
}

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	obj := o.create(o.val)
	o.val.self = obj
	obj.put(n, val, throw)
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	obj.putStr(name, val, throw)
}

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	obj := o.create(o.val)
	o.val.self = obj
	return obj.hasProperty(n)
}

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	o.val.self = obj
	return obj.hasPropertyStr(name)
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	o.val.self = obj
	return obj.hasOwnProperty(n)
}

func (o *lazyObject) hasOwnPropertyStr(name string) bool {
	obj := o.create(o.val)
	o.val.self = obj
	return obj.hasOwnPropertyStr(name)
}

func (o *lazyObject) _putProp(name string, value Value, writable, enumerable, configurable bool) Value {
	obj := o.create(o.val)
	o.val.self = obj
	return obj._putProp(name, value, writable, enumerable, configurable)
}

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	obj := o.create(o.val)
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	return obj.defineOwnProperty(name, descr, throw)
}

func (o *lazyObject) toPrimitiveNumber() Value {
	obj := o.create(o.val)
	o.val.self = obj
	return obj.toPrimitiveNumber()
}

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redpajama_set_name: RedPajamaGithub


As reported by The Lincoln County News, a fire broke out at N.C. Hunt Lumber in Jefferson Friday night and according to Chris Rigaud, of the Jefferson Fire Department, the fire spanned about an acre of the property. No injuries have been reported at this time and the cause is still being investigated.
Photos were taken this morning after the fire had been extinguished and provided by Skypixmaine.


If you are a general system user then use FMChanger.dll error fix tool to solve the issue. This tool is easy to use and enhanced with advance programming codes that will solve error effectively.
Do remember to check these two aspects when trying to fix FMChanger.dll Besides, no matter what kind of DLL error messages you are facing with, do not ignore it as Windows updates are really needed to ensure proper computer running.


text:
import mongoose from 'mongoose';
import enquiry from './models/enquiry';

module.exports = (connectionString) => {
  mongoose.model('enquiry', enquiry);
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BACKGROUND: Gastrointestinal stromal tumors (GIST) exhibit an unpredictable clinical course and can rapidly progress to lethality. Predictions about the biological behavior of GIST are based on a number of canonical clinical and pathologic parameters whose validity in distinguishing between a benign and a malignant tumour is still imperfect. The aim of our study was to investigate the role of morphologic parameters and expression of cells cycle regulators as prognosticators in GIST. METHODS: We performed an immunohistochemical analysis for Ki67, p27Kip1, Jab1, and Skp2, on a Tissue Microarray (TMA) containing 94 GIST. Expression of the above proteins was correlated to classically used prognosticators, as well as to risk groups. Clinical significance of histologic and immunohistochemical features were evaluated in 59 patients for whom follow-up information was available. RESULTS: Overexpression of Ki67 and Skp2, and p27Kip1 loss directly correlated with the high risk group (p = 0.03 for Ki67 and Skp2, p = 0.05 for p27Kip1). Jab1 expression did not exhibit correlation with risk. In 59 cases provided with clinical follow-up, high cellularity, presence of necrosis, and Ki67 overexpression were predictive of a reduced overall survival in a univariate model. The same parameters, as well as mitotic rate, tumour size, and p27Kip1 loss were indicative of a shortened relapse free survival interval. High cellularity, and high mitotic rate retained their prognostic significance by multivariate analysis. CONCLUSION: Our data suggest that a number of histologic parameters in combination with immunohistochemical expression of cell cycle regulators can facilitate risk categorization and predict biologic behavior in GIST. Importantly this study demonstrates, for the first time, that Skp2 expression correlates with Ki67 expression and high risk in GIST.


text:
We Need To Talk About Sexual Guilt
It's insidious and it's probably ruining your sex life without you even realising.
As told to Melanie Hearse
WhimnJanuary 8, 20198:58am
The first time I had sex was with a guy I had gotten serious with.
I had never felt like I had to wait for the guy I'd marry, and at 18, I very much felt like the oldest virgin on Earth. The thing was, it happened, like all my encounters of a vaguely sexual nature, when I was intoxicated. I don't think I would have done it otherwise.
Because while there was one part of me that wanted to be adventurous, there was a bigger part of me that felt like wanting sex was wrong.
Having sex, no problem, but wanting sex – that wasn't ok
There was nothing I especially wanted to explore or try; even thinking about it made me feel super uncomfortable – and not in a sexy way. I was inexperienced in general, I didn't even have my first kiss until 16, and oh boy was that awkward.
While my boyfriend was no slouch at asking what I wanted to try and was super keen to do things to gave me pleasure, it made me uncomfortable and embarrassed, so I'd mumble that what we were doing already was awesome for me. I also loved how much he enjoyed it, and if it was vanilla and more focussed on him I was happy.
'Everything made me feel icky.' Image: iStock.Source:Whimn
We did the toys, the lingerie, the dirty talk and I always felt closer afterwards, but embarrassed throughout (and I can say now, that is no longer the case, though I still don't 'get' the allure of toys, though it's nice to have developed personal taste and not just a blanket disgust).
If I'd had to choose a word to describe thinking about or talking about anything to do with sex beyond missionary, it'd be "icky." And as childish as that word is, it's symbolic of how childish I felt about sex.
Sexual guilt is not that uncommon in women of my cohort
I grew up in the 80s and 90s. Everything about sex education, and discussions around sex was purely biologically based – how not to get pregnant, and how to avoid STIs. Likewise, pop culture around sex was pretty demonising of women that actively enjoyed it.
They were sluts, tarts, and bad things had a tendency to happen to them. The few that were celebrated for it tended to be glamorous ladies that everyday quiet gals like myself would never identify with.
The language was always so skewed towards male pleasure as well, and the messages to girls about having sex fraught.
"He'll say what you want to hear, then once you've had sex, he'll be gone" was common, and doesn't really instil a feeling of safety or intimacy around sex, or that it might be something you'd quite enjoy yourself. It's not hard to understand how I developed an enjoyment of sex that gave my partner enjoyment, but deep discomfort about even thinking about what I might like.
At home, my folks didn't talk about it beyond biology – and yep, couples so much as kissing on the TV was a mortifyingly awkward moment for the whole family. There was never any negativity about it, I'd more say just a complete lack of any chat about it at all.
Women are told that sex is all about the man's pleasure. Image: iStockSource:Whimn
The day the wall came tumbling down
But it wasn't until I developed PND with our second child (yep, my and my boyfriend were still together many years later) and I had spent plenty of time in a therapist's chair that the whole wall came tumbling down.
I'd talked openly and honestly about some deeply personal things, and I'd never held back – psychology ain't cheap, and I'm not one to waste a dollar. But one day she casually asked "so, the sex, how's that in the relationship?"
I was a grown ass, almost 30-year-old woman who'd had a cast of thousands at both births without a wink of shame, and this question made me completely shut down.
I managed to awkwardly spit out over the hour-long session that I knew and believed I was 'allowed to', but I didn't honestly feel right about getting into sex.
And that if it didn't make my partner happy, a partner I very much wanted to make happy, I would be quite satisfied never doing it again.
Learning about sexual guilt changed my life
It was a slow process, but I guess when your beliefs around sex are so slowly and subconsciously built from childhood from so many negative directions, that's to be expected.
'I started to explore.' Image: iStock.Source:Whimn
I went from super shy to actively learning what I liked for myself, starting with solo exploration.
Then I started asking my (super-supportive and chuffed) partner for stuff. And I won't lie, it started out in whispers and blushes and mumbled "neverminds" aplenty, but now it's all very amazing.
And it's not just about our sexual relationship either – the one I have with myself is equally enjoyable and important.
What is sexual guilt?
"Sexual guilt is guilt that we feel at wanting or enjoying sex. Even though we can understand in our minds that it's totally natural and acceptable, most of us received a lot of social messages about sex growing up that can cause us to feel guilty and anxious or just hold ourselves back when it comes to sex," says sexologist Isiah McKimmie.
She says our society still has different social messages for men and women when it comes to sex, and we tend to teach women to be more cautious around sex than men, with strong messages about not being taken advantage of or becoming pregnant.
She says it's not uncommon for women to struggle to tell a partner what they want as a result of this sexual guilt or be unsure what they really like themselves. This can result in holding back sexually and never really letting themselves go or experiencing as much pleasure during sex as they could.
"It impacts a woman's confidence, sensuality and pleasure - but long-term, it can also have an impact on a relationship, because it can get in the way of a woman and her partner having a satisfying sex life and also block sexual desire," she says.
4 good reasons to have an orgasm...
4 good reasons to have an orgasm
So what's a gal to do?
Depending on how deep your issues run, you may benefit from seeing a professional therapist yourself, but if you're up for some DIY, McKimmie suggests you start by thinking about some of the messages you received about sex and intimacy from your family, culture and religion growing up.
"If sex wasn't talked about in your household (as was the case for many of us), it sends a message that sex is something shameful that should be hidden. Think about how these messages might impact your experience of sex now - awareness is the first step to change," she says.
Also, educate yourself and begin to connect with different perspectives. McKimmie says we're really lucky to live in an age where a lot of sexual information is specific to women and widely available on the internet and podcasts.
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MORE IN sex
Just what will Sex and the City look like in 2021?
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People are now waiting to have sex since COVID, but is that a good thing?
'I had sex with my boss at our Christmas party'

redpajama_set_name: RedPajamaCommonCrawl


Borden D. & I. Brown. "The Milled Coinage of Elizabeth I" in BNJ vol 53. (1983). pp. 108 - 132.
Davies, P. British Silver Coins Since 1816. (1982).
Everson, T. The Galata Guide to the Farthing Tokens of James I and Charles I: A History and Reclassification. (Llanfyllin, 2008).
Lawrence, L. "The Coinage of Edward III from 1351" in NC 1926, 1929, 1932, 1933.
North, J. English Hammered Coinage Vol 1: Early Anglo-Saxon to Henry 111 c. A.D. 600-1272. (London, 1994).
North, J. English Hammered Coinage Vol 2: Edward 1 to Charles 11 1272-1662. (London, 1991).
Spink. Coins of Scotland, Ireland and the Islands (Jersey, Guernsey, Man and Lundy) Pre-Decimal Issues, Standard Catalogue of British Coins. (Cambridge, 2003).
Withers, P. & B. Small Change I - V Farthings and Halfpennies. (Llanfyllin, 2003 - 2005).
Withers, P. & B., & S. Ford. Anglo-Gallic Coins - Monnaies Anglo-Francaises. (Llanfyllin, 2015).
Woodhead, P. & D. Liddell. The Herbert Schneider Collection, Volume One, English Gold Coins and their Imitations, Henry III to Elizabeth I, 1257-1603. (London, 1996).
Woodhead, P. The Herbert Schneider Collection, Volume Two, English Gold Coins, 1603-20th Century. (London, 2002).


calculation of ore ball mill capacity - eaglecove.us. Calculate and Select Ball Mill Ball Size for Optimum Grinding . ... Throughput Analysis Tool.
It is often desirable to be able to load ore hardness information into the mine block model. Allows the mining engineers to better schedule ore delivery to the plant, and to run more sophisticated net present value calculations against ore blocks.


Colorado has the highest mean elevation of any state in the United States. It's home to 58 mountain peaks higher than 14,000 feet—more than any other state in the U.S—making it a mountain sports mecca. "Bagging" these fourteeners is a goal for many Coloradans and visitors to the state—and for some, it's an obsession.
The Colorado 14ers South Topographic Map Guide provides the most accurate and convenient set of maps for the fourteeners of the Elk, San Juan, and Sangre de Cristo ranges of southern Colorado. These peaks are generally more difficult than their northern counterparts in the Front, Mosquito, Tenmile, and Sawatch Ranges. Even the easier exceptions, such as Humboldt, Sunshine, Redcloud, and Handies Peaks have their unforgiving slopes. Crestone Peak and Little Bear in the Sangre de Cristos, along with Capitol Peak and the Maroon Bells in the Elk Range, are often in the running when talk turns to the "hardest" fourteener. Given such subjective elements as physical conditioning, skill of party members, weather and season, there is no definitive answer, but all deserve the utmost respect and attention to route finding.
Each map page provides accurate trail statistics including trail mileages, total elevation gain and loss, trailhead elevations and elevations at trail junctions, and directions to trailheads. Route information includes climbing class (i.e. difficulty rating) and points of reference along the route. The maps include both 2WD and 4WD trailhead locations for the standard, recommended route. The standard route is the most sustainable route recommended by land managers in effort to preserve the fragile alpine environment of these peaks.
* Unofficial 14er - Summit above 14,000 feet, but considered unofficial because the peak does not rise 300 feet above the saddle that connects to a higher peak.


text:
Arnold Schwarzenegger as Wade
Abigail Breslin as Maggie
Joely Richardson as Caroline
Laura Cayouette as Linda
J.D. Evermore as Holt
Henry Hobson
John Scott 3
Drama, Horror, Thriller
Rated PG-13 disturbing thematic material including bloody images, and some language
| Odie Henderson
May 8, 2015 |
Arnold Schwarzenegger is very good in this movie. This should not be a surprise. Like his action movie brethren Sly Stallone and Bruce Willis, Schwarzenegger has appeared to coast for decades on a cinematic personae, occasionally doing so in some less-than-satisfying features. However, one tends to forget that Schwarzenegger once worked for director Bob Rafelson and alongside Jeff Bridges and Kirk Douglas. One also forgets that, regardless of the ultimate quality of the features, he was very convincing as a Terminator, a barbarian and a very pregnant man. It is far harder to create something which does not exist, and even harder to command respect for doing so in the supposedly disreputable genres of comedy, fantasy and horror. While Schwarzenegger could never feasibly play The Godfather, he has certainly played that film's idea: Conan's enemy-crushing, lamentation-hearing goals are exactly the same as Michael Corleone's.
"Maggie" is Schwarzenegger's "Cop Land," that is, a feature designed to highlight and showcase that which an action movie hero could only hint at in glancing moments between explosions. In "Cop Land," Stallone stripped himself of all the violent artifice that comes with his build, presenting a vulnerability that is hauntingly effective. Schwarzenegger does the same thing here, playing a father who is clearly shaken when driven to violence. Looking unkempt in a scraggly beard, Schwarzenegger's body language suggests a man who has survived several levels of Hell, yet fears the fresh ones that await him: His character, Wade, is a man who must watch the daughter he has loved and raised slowly wither away and die.
That his daughter is dying of some kind of zombie-inducing virus is not the problem that ultimately derails "Maggie". Director Henry Hobson and screenwriter John Scott 3 are dealing in allegory here. What undoes this film is its unwillingness to be as emotionally brutal as this material requires. The actors are game for the ultimate heart of darkness of its scenario, that of a father possibly having to kill his own daughter, yet "Maggie" prefers to hide behind the heavy-handed symbolism of its visuals rather than deal with its tragedy head-on. The ending is an infuriating cop-out, negating the tense crisis build-up the film successfully created.
The actors make it easy to play the horror influenced hand "Maggie" deals us. As Wade's daughter, Maggie, "Little Miss Sunshine"'s Abigail Breslin brings a welcome realism that shines through even as she starts exhibiting the gruesome signs of her affliction. Her horrified reactions as her body and mind betray her are devastating. As the stronger character in what is essentially a two-hander, she complements Schwarzenegger's work by giving credence to his parental agony.
Hobson also assists by framing Schwarzenegger in scenes where his surroundings dwarf him. "Maggie" takes place out in the country, where Wade tends crops and raises the young family he's started with Joely Richardson. Hobson shoots these sweeping nature sequences with a heavy emphasis on the symbolic, as if Terrence Malick's biggest fan were somehow trapped in George Romero's universe. A sweet looking fox pops up as a stand-in for the loss of innocence. And a shot of Wade holding a torch while standing in front of his burning crops practically begs for some Malickean poetry on the soundtrack. I could hear Schwarzenegger's voice reciting it, and rather than evoking laughter, I honestly longed for this missed opportunity.
I feel some guilt in giving a film that tries this hard a negative review. But I couldn't shake my sense of aggravation at how it all plays out, especially in Schwarzenegger's case. His character arc is building to the kind of climactic showdown with the enemy you'd expect from one of Ah-nuld's films, except here the expected violence is imbued with a crushing emotional weight. Had "Maggie" not been so successful in building its foreshadowing tension, it might be easier to dismiss how the ending robs us (and Schwarzenegger) of a final scene of potentially great power.
Look at the moment where Wade breaks down after having to murder an infected 4-year old girl. "I used to babysit her," he says. Hobson clearly has faith in Schwarzenegger's performance here, letting the moment play out across multiple scenes, including one where Wade's role is solely reaction shots. As the girl's mother in this particular scene, Rachel Whitman Groves gets an excellent monologue, her pain serving as a vocal counterpoint to Schwarzenegger's visual one.
Another very good scene finds Richardson's character, Caroline, ready to do the one thing her husband cannot do. "Maggie" underplays the moment, focusing on a pair of scissors and Caroline's hesitant reactions to her stepdaughter's every action. Later, when Caroline confronts Wade, she is empowered by the strength of this prior scene. The audience knows she's right, and so does Maggie. The only person who hasn't come around is Wade.
Scenes like these lead us to expect that boffo, tremendous scene where Wade confronts his biggest fear, and to his credit, Schwarzenegger is ready to play it. "Maggie" robs him of this chance, keeping him off-screen for an extended period of time, then tacking on that ending which, while tragic, is exceptionally dissatisfying. It's almost as if all Schwarzenegger's hard work were undermined by a sudden bout of cold feet by the filmmakers.
Despite all the snark that I predict will come regarding its lead actor's choice to play drama, I refuse to blame the filmmakers for their casting choices. Like I said, Arnold Schwarzenegger is very good in this movie. It's the movie that lets him down.
by Sheila O'Malley
Who's Who In Reviews: Odie Henderson
by Chaz Ebert
Home Entertainment Consumer Guide: July 9, 2015


text:
Jamie Fobert Architects
On Site (40)
Online talk: 'Designing great art spaces for the twenty-first century'
On Wednesday 17 February at 6pm, Jamie will be talking about 'Designing great art spaces for the twenty-first century' as part of a series of online talks for the Friends of Kettle's Yard.
Jamie will give an illustrated 45-minute talk about designing galleries and support spaces that anticipate current art practice and allow curators maximum freedom. He will include our work at Kettle's Yard, Tate St Ives, the National Portrait Gallery, and more. There will be a chance for audience questions.
Find out more and book your tickets here
(Pictured: 'Jennifer Lee: the Potter's Space' at Kettle's Yard in 2019)
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'Art and Architecture' Lecture at The University of Hertfordshire
Jamie will lecture next Tuesday, the 15th of October, at 7pm at the University of Hertfordshire.
This is a collaborative event between the University and the Hertfordshire Association of Architects in which Jamie will speak about our projects which have been both, inspired by art and carefully designed to accommodate it.
You may find more information and book your free tickets here.
Photograph by Jim Stephenson.
Concrete Elegance
On Wednesday 12th June at 6.30pm, Jamie will be talking about his approach to concrete specification and detailing as a part of Concrete Elegance.
Produced by The Concrete Centre and The Building Centre, this series of architectural lectures showcases the use of concrete to achieve elegant and innovative designs.
The Building Centre, 26 Store Street, London WC1E 7BT
Wednesday 12th June, 6.30-8.45pm
For further information and to book, click here.
The Architecture Foundation 'Part Four'
On Wednesday 30th January, Jamie will be on the panel for The Architecture Foundation's 'Part Four' event which gives the opportunity for young architects to pitch questions about professional practice to four panel members.This event offers the chance to ask about all the subjects that are not covered through traditional education, from issues such as fees & finance, practice management, dealing with clients, ensuring sustainable growth & resourcing, self promotion etc.
For more info and to register for this free event click here.
30 January 2019, 18:30 – 20:30
Fora Space, 71 Central Street, London EC1V 8AB
The Cornwall Architectural Trust and RIBA Cornwall Annual Dinner
Jamie will be talking at the Annual Dinner hosted jointly by the Cornwall Architectural Trust and RIBA Cornwall, taking place tomorrow, Friday 16th November, at the National Maritime Museum in Falmouth.
More info and tickets
Frieze Academy 'Creating Spaces for Art'
In advance of their 'Art & Architecture' conference next week, Frieze Academy have published a video interview with Jamie about creating spaces for art.
The third edition of the Frieze Art & Architecture Conference looks at recent projects from architects around the world to consider how the form and function of cultural institutions are evolving, and presents long-term works by artists who are reassessing how and where we live. Speakers include Shigeru Ban, Jamie Fobert, Richard Rogers, Christopher Kulendran Thomas, Ellen van Loon, Kulapat Yantrasast and Andrea Zittel.
Frieze Academy Art & Architecture Conference 2018
The Royal Institution, London
Frieze Art and Architecture Conference
"To what extent are cultural buildings public spaces? What function do museums and galleries have beyond exhibiting art?"
Taking place on 8 October at the Royal Institution, this year's Frieze Art and Architecture Conference considers the design of spaces to show, make and live with art. Jamie will be speaking, in conversation with the Director of the National Portrait Gallery, Nicholas Cullinan.
8 October 2018, 10am-4.30pm
Domus: Architecture meets Fashion
On Wednesday 27th June, Jamie will speak at the Editoriale DOMUS event 'Architecture meets Fashion' at the Volvo Studio in Milan. Jamie will be presenting a selection of completed and current fashion-related projects including interiors of Fondaco dei Tedeschi in Venice, Selfridges, Givenchy and Versace.
This is a Versace store we completed in the beautiful Galleria Vittorio Emanuele II in Milan.
Photography by Marco Cella.
INSIDE/ OUT Lecture at The Royal College of Art
On 24th April Jamie will lecture at The RCA as part of the INSIDE/ OUT series. In Jamie's lecture 'Working in Art' he will discuss cultural projects Tate St Ives, Kettle's Yard and Charleston Centenary Project.
Jamie's talk takes place in Lecture Theatre 3 (Darwin 305), Royal College of Art, Kensington campus SW7 2EU at 6.30pm.
Lecture at Kettle's Yard
On 17 April, Jamie will be giving a lecture at Kettle's Yard about how the remodelling and expansion of this much-loved House and Gallery came about and how the continuity between old and new has been harnessed to enhance its domestic and contemporary spaces.
The lecture will be followed by a discussion between Jamie Fobert and Ingrid Schröder, from the Department of Architecture, University of Cambridge.
Tickets are £15, including a glass of wine. Booking is highly recommended. You may find more information and book your tickets here.
Photograph ©Olivier Hess
Jamie lectures at the Royal Institution
There was a great turnout last night for Jamie's lecture at the Royal Institution. Jamie presented recently completed Tate St Ives, the redevelopment of Kettle's Yard in Cambridge and Charleston Barns in Sussex.
A huge thank you to The Architecture Foundation for presenting this lecture.
With work now complete on JFA's long-awaited expansion of Tate St Ives, Jamie presents this and two other forthcoming cultural projects, the redevelopment of Kettle's Yard in Cambridge and Charleston Barns in Sussex.
This lecture is presented by The Architecture Foundation.
The Royal Institution, London W1S 4BS
AA Building Conversations at Bromley Hall School
On Friday 3rd March, as part of the AA's Building Conversations series, Jamie led a visit to Bromley Hall School. AA members were granted exclusive access to the building, which has remained closed since 2002. Built in 1967-8, this building was designed as a school for physically handicapped children by the LCC/GLC Architects' Department and it is listed under the Planning (Listed Buildings and Conservation Areas) Act 1990.
Some of the JFA team joined Jamie in visiting this fascinating building. They commented that the rooflights were reminiscent of those being built now in our own Tate St Ives.
The visit was recorded on the AA School Blog. Photography (c) Valerie Bennett / Architectural Association.
'Behind the hoardings' at the Charleston Festival
Looking ahead to May, Jamie will be giving a site tour at Charleston as part of the annual Charleston Festival.
The Centenary Project is the most ambitious building project ever undertaken by the Charleston Trust. It will see the building of a new exhibition gallery, collection store, research studio and education studio as well as the restoration of the existing Grade 2 listed barns.
Jamie will lead the tour with the on-site project manager Terry Reeves and Charleston's Director Alistair Burtenshaw.
Charleston, Firle, Lewes, East Sussex, BN8 6LL
An Evening With… Luker House
On 15th February, Jamie will be giving a special one-off tour of Luker House for a limited number of guests. Services Engineer, Henry Luker, and his wife Andrea commissioned this generously-sized family home in the village of Barnes in South West London. Luker House won an RIBA Award in 2014 and was shortlisted for the RIBA Manser Medal for best house.
Tickets are available through Open City and this event supports their pioneering education programmes.
18:30 – 19:30 or/
Luker House, London SW13
Jamie to give RIBA South West Annual Lecture
On 6 October, at the University of Bath, Jamie will be giving the Annual Lecture for RIBA South West.
Presenting a selection of completed and current work, Jamie will describe his design approach and how, having developed a careful language of form and materiality, he is able to create architecture which responds with great specificity to every project and its place.
Thursday 6 October 2016
18:15 – 19:05 – Lecture
19:05 – 20:00 – Drinks reception
University of Bath, Claverton Down Road, Bath
'Is there a future for physical shops' at designjunction
In this discussion hosted by Archiboo, Jamie will join a panel of retail specialists to discuss why they think bricks and mortar shops will not simply survive but thrive, even after the reported decline of the high street.
This event is ticketed and part of designjunction at King's Cross. Find more information here.
6.00pm – 7.30pm
Gasholders London, Goods Way, King's Cross, London, N1C 4UR
"Working in Architecture" Lecture
In November, Jamie went back to the University of Toronto – where he studied Architecture in the 1980s – to give the 2015 'George Baird Lecture'.
His talk, 'Working in Architecture', is now available to view in full.
'George Baird Lecture' at University of Toronto
On 17 November, Jamie will be delivering this year's'George Baird Lecture' at the University of Toronto. The event will be free and open to the public and will afterwards be available on the Faculty's YouTube channel.
6:30 – 8:00pm
Room 103, 230 College Street
John H. Daniels Faculty of Architecture, Landscape and Design, University of Toronto
Jamie gives RIBA Plymouth Annual Lecture
Jamie gave the RIBA Plymouth Annual Lecture on Tuesday 10 November, hosted by Plymouth University. There was a great turnout, including many enthusiastic students.
Jamie described his experience of working in three spheres of architectural design – residential, retail and cultural projects – with close attention to three projects, Levring House, BHV (pictured right, before and after the transformation of rue des Archives in Paris) and Tate St Ives.
Plymouth University, Portland Square Building, Stonehouse Lecture Theatre


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Q: Swift 5 - How to make timer work in background I am just using NotifcationObserver in viewDidLoad
NotificationCenter.default.addObserver(self, selector: #selector(backgroundRefreshStatusDidChange), name: UIApplication.didEnterBackgroundNotification, object: nil)

and using timer like this
@objc func backgroundRefreshStatusDidChange(notification: NSNotification) { print("New status: (UIApplication.shared.backgroundRefreshStatus)") timer = Timer.scheduledTimer(timeInterval: 0.5, target: self, selector: #selector(timerAction), userInfo: nil, repeats: true) }
When app goes into the background mode, the Timer is Stoped but I want timer to running if app is background mode.

A: You need to start timer on global Dispatch Queue like so:
@objc func backgroundRefreshStatusDidChange(notification: NSNotification) {
    print("New status: (UIApplication.shared.backgroundRefreshStatus)")
    DispatchQueue.global().async {
        self.timer = Timer.scheduledTimer(timeInterval: 0.5, target: self, selector: #selector(timerAction), userInfo: nil, repeats: true)
    }
}


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Thomas Allier (Fontenay-aux-Roses, 24 de marzo de 1975) es un deportista francés que compitió en ciclismo en la modalidad de BMX. Ganó tres medallas en el Campeonato Mundial de Ciclismo BMX entre los años 1998 y 2000, y cinco medallas en el Campeonato Europeo de Ciclismo BMX entre los años 1997 y 2007.

Palmarés internacional

Referencias

Ciclistas de BMX de Francia
Ciclistas de Francia en los Juegos Olímpicos de Pekín 2008
Campeones mundiales de ciclismo BMX

redpajama_set_name: RedPajamaWikipedia


THE wife of a truck driver caught in the crossfire of a violent Sydney shooting said her husband loved driving trucks.
Canberra truck driver Bob Knight, 66, was killed by a stray bullet as he drove past a shootout in Sydney's south-west overnight.
The gunshots were fired during an altercation between a group of men in the car park of KFC in Milperra Road, Milperra – the suburb which was the scene of Sydney's most famous bikie massacre – about 10:40pm last night, The Daily Telegraph reports.
Mr Knight's wife Jeanette today paid tribute to her husband of 45 years, describing him as a "wonderful man and a lovely grandfather".
At her home in the North Canberra suburb of Macgregor, Mrs Knight this morning told The Daily Telegraph her husband had two loves in life – dogs, and driving trucks.
"He was the most perfectionist driver. He was born to be a truckie," she said.
Jeanette and Bob married in 1964 and had two children, David and Cathy, and three grandchildren, Georgia, three, Alli, 11, and Josh, 20.
The close-knit family gathered at the Knights' home, with Bob's pet German shepherds barking in the background.
"Dogs and trucks he loved," Mrs Knight said.
"I think he would have worked till the end, and that's what he did.
Mrs Knight said she knew something was wrong this morning when her daughter and family friends turned up, and woke her up.
"I was aware he wasn't home because the lights were all on. And then my daughter just said, 'Mum, wake up. Wake up'.
Mrs Knight said she still wanted to know exactly what happened, and why.
Police say an examination of the crime scene overnight indicates the truck driver was travelling along Milperra Road at the time of the shooting and was shot in the head.
Investigations at this point have ruled out links to Sydney's on-going bikie wars.
After two other men aged in their 20s were also shot in the gunfight, the first Bankstown police on the scene chased a car speeding away through the streets of Milperra.
Police suggest more than three men – possibly as many as six – were involved in an argument at 10.40pm in the carpark of the KFC restaurant on the corner of Henry Lawson Drive and Milperra Road.
Officers called to the scene found a 26-year-old man, who is believed to have been involved in the firefight, suffering multiple gunshot wounds.
He was taken to Liverpool Hospital where he has undergone surgery and is in a serious but stable condition.
A 25-year-old man attended Bankstown Hospital on Thursday night with gunshot wounds.
He was transferred to Liverpool Hospital where he is undergoing surgery and is reported to be in a serious condition.
The driver of the car – a man believed aged in his 20s – was arrested and taken to Bankstown police station where he is now being held in custody.
Police also searched the area surrounding KFC and tragically, found the truck driver slumped in his white prime mover with TNT B-double trailers not far from the outlet.
The truck's headlights were still on as paramedics worked frantically to try to revive the truckie but he died from massive head injuries.
A short time later one man attended Bankstown Hospital with gunshot wounds to the stomach.
A third man suffering chest wounds was taken by paramedics to Liverpool Hospital.
Both men were in serious but stable conditions today.
On behalf of The Truck Volt we thank you for your comments and future support.
My husband has been in the industry for 26 yrs, his love and passion for driving trucks began at the age of 5 when his father who was an owner driver would take him out and spend the day at work. He has worked locally and country but I must say his passion was on the highway working interstate from Melbourne to Sydney or wherever work took him.
He met and made good friends with a lot of fantastic people along the way but also came across the minority who truly didn't have any respect for the next person or the industry (cowboys). I think it is a shame that so many truck drivers out there have and are still putting up with having to use facilities that are not up to hygiene standards. The majority of the food that is served is also less than acceptable and the constant abuse from the media does nothing to help our plight.
We have been for the last couple of years working on a TV show that is not only appealing to truck drivers and their families alike but will hopefully highlight many short comings that happen on a regular basis in our industry. Only then can we begin to make this industry a better place for future generations to be proud of.
When I came across PJ's comments my husband and I were not at all surprised that these people still exist in the industry and will continue to do so unless we expose what life on the road is really like. Hopefully with everyone's support we can begin to make these changes.
The Truck Volt is being self funded by myself and my husband. We are always on the lookout for new sponsors and welcome any assistance offered by anyone who share our passion and want to make a change for our industry.
Our show is designed to be hard hitting, factual, informative and humorous. We feel it will be a familiar sight to those who are on this side of the industry and will give viewers who are not, an insight to their jobs and lives.
Once again I would like to show my appreciation to Truckies Online for their time and letting us have our say.
The CVIAQ 2009 Brisbane Truck & Machinery Show was dominated by the major global truck manufacturers. Quality expensive displays were the order of the day and no expense was spared for trucking enthusiasts to get the right info to help make purchasing decisions. Mack, Volvo, Western Star & Sterling took out the major awards.
Truckiesonline made the statement previously that Kerry Brunton would pull the cat out of the hat….and he did just that with this brilliant expo. Congrats Kerry and the CVIAQ….a great job well done.


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Home entertainment Lil Wayne's "No Ceilings 3" gets a release date and a huge...
Lil Wayne's "No Ceilings 3" gets a release date and a huge Drake collab
Morton Shillingford
Lil Wayne's new project No ceilings3 Is here.
It has been more than a decade since Lil Wayne released his first installment There is no roof Mixtap series. Fans of the New Orleans rapper were provided No ceilings 2 In 2015, and to the surprise of some fans, No ceilings3 This will be here on Friday!
Wayne has been talking about quitting the project for some time now, and to the delight of the fans, November 27 will be his laughing day. This news has been revealed by DJ Khaled through Datapiff video. This was later confirmed by the news Complex. Wayne told the media outlet why he decided to do the third installment.
"The Mixtape game seemed like a dead art and because I'm a craft pioneer, and it has played such a big part in my career, I felt it was worth reviving." "Besides, it's a lot of songs here that I wanted to hit my way!"
DJ Khalde works as the host of Mixtap. The producer / label executive has previewed two songs from the project, with Wayne and Drake collaborating. The chemistry between the two has raised a handful of hip-hop classics, so expectations for that number are much higher. "We Paid" by Lil Baby and 42 Doug will also get a Wayne featured remix. The full tracklist for the project remains a mystery, but no Ceiling 3 has stopped trending on Twitter since the announcement.
The 'No Ceilings' series, which has created a cult in the pursuit of breaking down Wayne's already released beats and songs, will be exclusively available on Detiff.
See also Netflix's dark sequel relies on Dark to Star Wars innovation.
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AIMHE is an associate member of CELIMO. CELIMO groups at European level the different national associations equivalent to AIMHE, representing in this way the machine tool importer sector in Europe.
AIMHE has launched a system for capturing statistical data on sales of imported machine tools, tooling and accessories, thus covering a gap found among professionals in Spain.
The creation of AIMHE is based on the idea that a greater presence is necessary in public and private forums that can in some way influence the future of the industry and the machine tool sector.
Through the establishment of contacts with other associations, trade exhibitions and foreign companies, AIMHE channels the different search needs of distributors in Spain by manufacturers and brands of other countries.
AIMHE has assumed an intermediary and defense role in the face of the problems posed by the associates in the framework of their professional activities, as well as in matters related to the brands represented in the country.
Through the periodic remission of circulars letters and electronic bulletins, web page or through presence in social networks, our member companies are informed of the activities developed in the association , also spreading our members activities and events.
AIMHE promotes the establishment of an Ethical Code applicable to all associated companies that serves as a parameter and guideline for the development and maintenance of good practices within the sector.


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climate>
A new study from the NGO Oxfam International found that the world's richest 1% are responsible for more than twice as much CO2 pollution as the poorest half of humanity.
(Photo: isciencetimes.com)
Biden Policies Signal the Beginning of the End for CO2 Emissions
We are on the verge of an amazing new, low-carbon America. CO2 emissions will be with us for years to come, but by 2030 perhaps we can start talking about the beginning of the end.
In the midst of World War II, on November 10, 1942, Winston Churchill said of the war: "Now this is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning."
The year 2022 was disappointing for the stated American goal of reducing the country's carbon dioxide emissions, which rose by 1.5%. In contrast, China's emissions fell by 0.9% and Europe, despite the Putin energy crisis decreased its output by 0.8%.
The Inflation Reduction Act has $369 billion in it to promote green energy.
The Biden administration and U.S. civil society organizations and private companies, however, laid the groundwork for potentially impressive U.S. progress through the rest of this decade. That is, 2022 may have been the end of the beginning.
The Infrastructure and Jobs Act passed a little over a year ago contained $7.5 billion for zero- and low-emission buses and ferries, and another $7.5 billion for a nation-wide network of electric car chargers. It contains $105 billion to upgrade and expand public transportation, which will mean fewer people dependent on automobiles. Even the monies dedicated to improving port and airport infrastructure have a mandate to reduce congestion and carbon emissions.
While initially Postmaster Louis DeJoy, a Trump-era holdover, was dragging his feet on electric vehicle purchase, he caved to pressure from the administration and Congress and has agreed to purchase at least 66,000 battery-electric vehicles through 2028 as part of a 106,000 vehicle purchase plan. He is also expanding USPS parking structures and putting in electric chargers. All environmentalists would have been pleased if he would move even faster. Still, there are only 1.7 million EVs on the road in the US (up from 400,000 in the second quarter of 2018), and 66,000 would be 4% of all those existing electric vehicles. The more EVs are bought, the more the price of the batteries will fall and the more their efficiency will increase. Automobile costs are expected to fall over the next decade as a result, and big government purchases will be very helpful.
This year, 18% of new car registrations in California were electric, and about 6% in the country as a whole. That is a big increase from almost zero just a few years ago. All the big auto firms are betting the farm on going electric, and with Biden administration help are building billions of dollars worth of new battery plants. It will take a few years for this build-out to come to fruition, but when it happens, it will be like opening the floodgates.
There are only 229 coal-fired power plants left in the U.S. In November, President Joe Biden pledged to close them all. Despite the energy crisis, nearly 6% (11,778 megawatts) of U.S. coal-fired generation capacity is expected to shut down in 2022. If we can double that rate of closure every year for the next ten years, they will all be gone by 2032, which is a reasonable expectation. The cost of solar-wind-battery generation will fall over that period, making coal prohibitively expensive. In fact, coal is already expensive, costing about 6 cents a kilowatt hour to generate electricity. That does not count all the health and climate damage it does. If that were figured in, it would be more like 80 cents a kilowatt hour. In contrast, wind and solar are roughly 4 cents a kilowatt hour and have been falling. In very sunny states solar could be as little as 2 cents a kilowatt hour.
Battery storage capacity is also increasing rapidly throughout the states, which can cover at least some high-demand periods. California is up to 3 gigawatts, with plans for more.
The Inflation Reduction Act has $369 billion in it to promote green energy. The Biden Administration is letting leases for offshore wind farms. $4 billion in bids were let for New York and New Jersey alone, and over $700 million for installations off the coast of California. Likewise, Houston and New Orleans have their eyes on this energy source. Off the coast of the Atlantic and the Gulf of Mexico the shelf is shallow enough so that wind turbines can be anchored to the sea bottom. The Pacific is so deep off California that firms will have to put up floating wind turbines, of a sort that have been installed off the coast of Scotland. The U.S. has lagged behind on offshore wind as an energy source, having almost none right now. But in two years, that will begin changing. One advantage of offshore wind is that winds blow more steadily out at sea and so those turbines can take up some of the slack from solar panels, which go dark at sundown.
Juan Cole teaches Middle Eastern and South Asian history at the University of Michigan. His newest book, "Muhammad: Prophet of Peace Amid the Clash of Empires" was published in 2020. He is also the author of "The New Arabs: How the Millennial Generation Is Changing the Middle East" (2015) and "Napoleon's Egypt: Invading the Middle East" (2008). He has appeared widely on television, radio, and on op-ed pages as a commentator on Middle East affairs, and has a regular column at Salon.com. He has written, edited, or translated 14 books and has authored 60 journal articles.
Fossil Fuel DivestmentRenewable Energyco2 emissionsinflation reduction actjoe bidenclimate
Four Key Climate Questions About the Inflation Reduction Act ›
'Game-Changer and Reason for Hope': House Passes Inflation Reduction Act ›
Progressives Applaud as Biden Signs 'Landmark' IRA Into Law ›
Clean Energy Production Must Double by 2030 to Stave Off Catastrophe: WMO ›


80000000000 OMR to NAD exchange rate - How much is Omani Rial in Namibian Dollar?
How much is 80000000000 Omani Rial in Namibian Dollars?
When is the best time to convert Omani Rial to Namibian Dollars?
The best day to exchange Omani Rial in Namibian Dollar was 09/04/2019. At that time the currency had growth to its highest value.
The worst day for conversion of 80000000000 Omani Rial in Namibian Dollar in last 10 days was the 13/04/2019. Exchange rate has reached to lowest price.
Free currency converter use actual rates for conversion. Exchange rates of Omani Rial and Namibian Dollar was updated 2019-04-19.


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Privacy Notice for Mink Campers Norway
Mink Campers ("us", "we", or "our") operates the https://minkcampers.com/ website (the "Service").
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Mink Campers uses the collected data for various purposes:
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A number of years ago I attended a LCWR assembly in Atlanta. Ever since I have regretted that I didn't take the opportunity to visit the "home" of Diet Coke, which I love. But now I have a second chance, as the annual LCWR meeting has come around to Atlanta again.....Tickets purchased online will gain us entry before our late afternoon meeting tomorrow! I can't wait---I'll probably spend a 1/2 month's budget on memorabilia. A once in a lifetime event that I got a second chance at.


The main research available at that time in Western Australia is here. Statistics from the Dr Pietro Tonino of Loyola. Marinoni, I codici di Madrid, XIV..
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Below you can see the Super Quants that we selected for internships in 2009 and the grades they received for their theses. We are constantly looking for new Super Quants and give you the opportunity to be on top of the list next year. Moreover, doing an internship at Robeco gives you many excellent opportunities at the job market after your graduation.
Erik Hennink (Netherlands) from the Econometrics programme at Erasmus University obtained a 9.5 for his research on equity volatility strategies. His internship supervisors at Robeco were Weili Zhou CFA (right on the picture) and Bart van der Grient MSc. Erik continued his career as a quantitative risk analyst at Rabobank International.
Jermo Janmaat (Netherlands) from the Econometrics programme at Erasmus University obtained a 9.5 for his research on earnings revision equity strategies. His internship supervisors at Robeco were Willem Jellema CFA (left on the picture) and Joop Huij PhD.
Jasper van der Kroft (Netherlands) from the Economics programme at Erasmus University obtained a 9 for his research on fixed income allocation strategies. His internship supervisors at Robeco was Daniel Haesen (right on the picture) and Patrick Houweling PhD. Jasper continued his career as a Product Controller at Rabobank International.
Siyi Zhu (China) from the Economics programme at Tilburg University obtained a 8.5 for her research on hedge fund replication strategies. Her internship supervisor at Robeco was Laurens Swinkels PhD (right on the picture). She will continue her career as an MPhil student at Tilburg University.


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For the GOP, Obama Hatred Never Takes a Holiday
POSTED BY WLAS December 3rd, 2013 0 COMMENTS
During the holiday season, a period where goodwill is traditionally embraced, it's discouraging – but not surprising — to watch conservatives unleash their contempt for President Barack Obama.
Here's the most recent example. Dinesh D'Souza, the right-wing commentator and filmmaker who released the biased documentary "2016: Obama's America," tweeted a message last week that caused an online furor.
"I am thankful this week when I remember that America is big enough and great enough to survive Grown-Up Trayvon in the White House!"
Wonderful holiday sentiment: Calling Obama a "Grown-Up Trayvon?" What does D'Souza actually mean? "Feigned outrage on the left over me calling Obama 'grown up Trayvon' except that Obama likened himself to Trayvon!" D'Souza tweeted.
Why is D'Souza making a critical reference to Obama's comments after the acquittal of George Zimmerman who claimed self-defense when he shot and killed 17-year-old Trayvon Martin?
Critics of D'Souza responded quickly. One tweeter asked: "So is D'Souza's point that Obama should be shot?" Interesting question.
D'Souza's remarks are not only vile and inappropriate when directed at the president, but he also disrespects the memory of Trayvon Martin. D'Souza has absolutely no compassion for Martin's parents who are still grieving over the loss of their son.
And Republicans actually wonder out loud why they can't get black folks to join the Republican Party. Meanwhile, the president's remarks about Trayvon Martin were right on point.
"When Trayvon Martin was first shot, I said that this could have been my son," the president said in July. "Another way of saying that is Trayvon Martin could have been me 35 years ago."
In a deeply personal reflection about racial polarization, Obama steadfastly aligned himself with black men in America.
For all the black men in America who suffer racial indignities; for all the black men who have been called the N-word by racists; for all the black men who feel marginalized — and invisible — in this republic, Obama, the nation's first black president, stood with them.
I was proud of the president. D'Souza's tweets, however, are part of a broader campaign by conservatives to criticize the president no matter how obnoxious or disrespectful. A few weeks ago, Sen. Ted Cruz, the Republican from Texas, criticized Obama's Affordable Care Act by linking Obama to Nigerian con men.
"You may have noticed that all the Nigerian email scammers have become a lot less active lately," Cruz told a conservative audience. "They all have been hired to run the Obamacare website."
This is what it's come to in the halls of Congress: A black joke? And a black joke told in public? But here's the big picture: D'Souza and Cruz are desperate to fire up their right-wing base by any means necessary one year before congressional elections.
It's unfortunate that even for a few weeks during a joyful season Republicans still need to show their disdain for President Obama.
For the GOP, hatred never takes a holiday.


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Justia › US Law › Case Law › Alaska Case Law › Alaska Court of Appeals Decisions › 1986 › Witt v. State
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Witt v. State
725 P.2d 723 (1986)
Christian H. WITT, Appellant, v. STATE of Alaska, Appellee.
No. A-1577.
Court of Appeals of Alaska.
September 26, 1986.
Charles R. Pengilly, Asst. Public Defender, Fairbanks, and Dana Fabe, Public Defender, Anchorage, for appellant.
Kenneth S. Roosa, Asst. Dist. Atty., and Harry L. Davis, Dist. Atty., Fairbanks, and Harold M. Brown, Atty. Gen., Juneau, for appellee.
Before BRYNER, C.J., and COATS and SINGLETON, JJ.
BRYNER, Chief Judge.
On October 22, 1981, Christian H. Witt was convicted, following his plea of no contest, of two counts of third-degree assault, a violation of AS 11.41.220. Superior Court Judge Gerald J. Van Hoomissen sentenced Witt to concurrent five year terms, with three and one-half years suspended. After being released on probation, Witt violated the terms of his probation by committing a number of offenses. He was convicted of first-degree burglary, disorderly *724 conduct, two incidents of driving while intoxicated, and driving while license revoked. Judge Van Hoomissen subsequently revoked Witt's probation, reimposed the suspended three and one-half years, and resuspended two and a half of those, giving Witt another year to serve. The probation revocation brought Witt's sentences on the assault charges to a total of two and one-half years to serve. Witt appeals this sentence as excessive. Witt argues that the two and one-half year sentence exceeds the sentence prescribed for a second felony offender, which is the maximum allowed under Austin v. State, 627 P.2d 657 (Alaska App. 1981), for a first felony offender.
Third-degree assault is a class C felony. AS 11.41.220(b). The presumptive sentence for a class C felony second felony offender is two years. AS 12.55.125(e)(1). In the absence of exceptional circumstances, a first felony offender should receive a more favorable sentence than a presumptive sentence for a second offender. Austin v. State, 627 P.2d 657 (Alaska App. 1981). In evaluating whether a sentence violates the Austin rule, we give primary consideration to the non-suspended portion of the sentence. Tazruk v. State, 655 P.2d 788 (Alaska App. 1982). However, in the event that the suspended portion of a defendant's sentence is later imposed, it would be combined with the original non-suspended sentence to calculate the total period of incarceration in ascertaining whether the Austin rule has been violated. See Tazruk v. State, 655 P.2d at 789. Here, Witt's period of incarceration totals two and one-half years, which is six months longer than the maximum allowed under Austin, assuming no exceptional circumstances.
Witt's original offense was not found to be particularly aggravated and would not have justified an initial imposition of a sentence exceeding the Austin limits. See Leuch v. State, 633 P.2d 1006 (Alaska 1981). In the case of a probation revocation, however, the sentencing court is not restricted to a consideration of the original offense. It must base its sentence on both the original offense and the defendant's conduct since the original sentence was imposed. Gilbert v. State, 706 P.2d 345 (Alaska App. 1985).
In this case, between the time of Witt's initial sentencing and the probation revocation sentencing, Witt was convicted of first-degree burglary, disorderly conduct, two incidents of driving while intoxicated, and driving while license revoked. From this, it may be reasonably inferred that Witt has not been rehabilitated and that, unless a substantial sentence of incarceration is imposed, he will continue to pose a significant danger of reoffending. The facts surrounding Witt's probation revocation, when considered in conjunction with Witt's initial assault offenses, could properly be considered by the sentencing court as extraordinary circumstances justifying departure from the Austin rule.
Having independently reviewed the entire sentencing record, we conclude that the sentence imposed was not clearly mistaken. McClain v. State, 519 P.2d 811, 813-14 (Alaska 1974).
The sentence is AFFIRMED.