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What Is Artificial Wall Climbing?
Artificial wall climbing, otherwise known as sport climbing, has grown in popularity, so much so it earned a spot at the 2021 Olympics.
A climbing wall is a man-made wall withholds for your feet and hands, used for climbing. Modern artificial wall climbing started in the United Kingdom.
One of the earliest artificial climbing walls was constructed in 1964 by Don Robinson at Leeds University.
He was a Physical Education Lecturer and was the initiator of the DR Climbing wall by slotting in rock pieces in a corridor wall.
The other artificial climbing wall was constructed in Sheffield, and since then, there have been many more built throughout the world.
Mostly, artificial walls were utilized for ascending as a convenient practice setting for rock climbing, where a rock was not available. Eventually, it has grown into a professional and autonomous sport.
Here we cover more on artificial wall climbing from what it is and its history to the wall types available and the tallest walls in the world. Let's get started!
Artificial wall climbing is a sport that involves climbing a man-made, rock-like wall featuring hand and footholds and a belaying device. Artificial wall climbing is one of the most popular types of climbing these days.
Artificial Wall History
The first artificial climbing walls featured tiny concrete aspects with handholds made of medium-sized rocks.
It is believed that Seattle's Schurman Rock was the first man-made climbing wall in the US, and it was built in 1939.
After that was a more modern artificial climbing wall version built in the UK in 1964 at the University of Leeds by Don Robinson, a physical education lecturer.
He placed rock pieces in a corridor wall, which the climbers used as handholds and footholds.
The original commercial climbing wall was constructed in Sheffield, conventionally England's climbing center, because of its vicinity to the Peak District.
A few years later, the pioneer indoor climbing gym was built, Vertical World, in 1987 in Seattle, US.
Related Article: Name Something You Can Climb Answers: Text or Die Trivia
What are the Artificial Wall Types?
Climbing walls are made using a handful of materials, but the easiest wall type to build is plywood. This is normally referred to as woody among climbers with a mixture of either screw-on or bolt-on grips.
Screw-on grips are usually small due to the nature of their setting. Again, these are typical screws, and you can fix them anywhere on the wall's surface.
On the other hand, bolt-on grips are affixed to the walls using iron bolts, typically placed via the hold, which comes with pre-positioned bolt points, and then secured into the pre-assigned holes on the wall.
Other wall types include pre-designed fiberglass panels, textured fiberglass, inflatable, manufactured aluminum, and steel panels; concrete gushed on a wire mesh and granite walls.
The most recent and impressively magnificent innovation is a rotating artificial climbing wall. It is typically a mechanical wall that revolves like a treadmill to complement your style of climbing.
Indoor climbing has become quite popular; it is a discipline of rock climbing done on artificial walls that try to copy the experience you get when outdoor rock climbing.
In 1987, the pioneer indoor climbing gym was established; Seattle's Vertical World. Before that, the original indoor climbing hall was constructed in 1974, in Bolzano, Italy, by Eric Abram.
The abundance of indoor climbing gyms has surged, thus boosting the popularity and accessibility of this climbing discipline.
Since weather conditions, from the integrity of the structures and the gear worn to the adequate utilization of the gear and weather elements, can be better regulated in an indoor setting, indoor climbing is probably a more secure and beginner-friendly environment.
Initially, indoor climbing walls were constructed mainly with brick, which restricted the wall's steepness and range of the holds.
Of late, indoor climbing routes are built of plywood instead of metal frames, with bolt-in plastic foot and handholds, and at times layered with texture to emulate the surface of a rock.
Many climbing contests are held in indoor climbing gyms; thus, they are part of indoor climbing.
Indoor Climbing Compared to Outdoor Climbing
Outdoor and indoor climbing can be different when it comes to gear, climbing style, and techniques.
Ascending artificial walls, particularly indoors, is significantly safer as the holds and anchor points are securely fixed, and the environmental elements are more controlled.
When indoor climbing, the grips are visible compared to natural structures, where locating a convenient hand or foothold may be tricky.
Then again, climbers on artificial walls are relatively controlled by the grips set up on the terrain, while on natural structures, the climber can exploit any of the cracks and slopes on the wall surface.
Some natural rock features can be challenging to mimic on artificial climbing walls.
Artificial Wall Construction
The most common builds are bolt-in resin foot and handholds on boards. These boards could be of different steepness and heights, with a combination of different holds affixed.
You can find anything from entirely horizontal designs to almost vertical designs in terms of steepness.
The holds can range from tiny pinches, slanted slippers, and crimps to jugs, typically easier to grasp.
This wide array of holds, plus the ability for the route to be adjusted by shifting the grips to different placements on the wall, has led to indoor climbing becoming quite a popular sport.
What is the Equipment needed for Artificial Wall Climbing?
Adequate climbing gear is mandatory when indoor climbing. Most gyms rent belay gadgets, auto belay devices, ropes, and harnesses. Some will also offer you chalk bags and climbing shoes. Scarpa climbing shoes are a great option for artificial wall climbing.
Again, some gyms will require you to use chalk balls or liquid chalk, instead of loose chalk, to lessen chalk dust in the gym and spill when the chalk bag is stepped on or hit.
Decreasing the chalk in the air is handy in preventing congesting the ventilation systems and lessening the dust which builds upon the not-so-vertical walls.
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Artificial Wall Climbing Routes and Grading
Grips come in a wide range of colors. Those with similar shades are typically utilized to symbolize one route, letting routes on unalike complexity levels be overlapped.
Colored tape positioned beneath the climbing grips is another technique utilized to mark routes with different complexity.
In trying to ascend a route, you can only use holds of a given color as handgrips.
However, you're typically permitted to utilize both footholds and handholds of the given color and the textures and structures of the surface as footholds.
The terrain's grade, normally the difficulty, is an agreed-upon decision between the person who sets the route and a few climbers who ascend this route first.
Multiple indoor climbing walls have climbers who're given the task of setting different ratings. They are known as the course or route setters.
Since climbing walls are typically utilized to assess the growth of your ability, routes are usually color-coded.
Every indoor gym features a chosen terrain to climb, known as the route. Every route is differentiated by marked tape pieces or a monochromatic series of climbing grips.
Therefore, if the path is taped, each grip on the route will feature tape of the same color, showing which grips to hold or step on.
Some modern climbing gyms have adopted the monochromatic mechanism; rather than utilizing colored tape as terrain indicators, this mechanism applies colored climbing grips.
Every monochromatic terrain is set up with grips of the same color; this way, climbers follow the grips with one color the whole route.
Setting a route is designing the terrain by positioning climbing grips in a technical, planned, and fun way, determining how it will look.
There are many different methods concerned when setting routes, and about five certification levels are awarded to qualified individuals.
Therefore, route setting is the heart of indoor climbing, as, without a reliable set of terrain, a climbing gym cannot accommodate a decent number of climbers.
What is the Tallest Artificial Climbing Wall in the World?
The tallest chimney in Europe was converted to the tallest artificial climbing route globally. Slovenia's rarely-used 360 meters long chimney was equipped with a multi-pitch 5.14a path.
Domen Skofic and Janja Garnbret, documented by various film crews, were the first to attempt ascending this route.
The attempt looked especially tiring for these two championship sport climbers. Simon Margon and Katja Vidmar, sport climbing designers, called this establishment the Never-Ending Story.
Honestly, the title fits as Skofic and Garnbaret spent about 12 hours on their first ascend on this route.
The documentary based on this ascend maps the route's construction and Skofic's and Janja Garnbret's climbs. Every pitch provides different demands and a unique feel.
And even though the gradient is consistent on this vertical route, the designers desired to make sure it did not feel like one challenge throughout the entire 360 meters.
Nine of the World's Most Unique Climbing Walls
In this list, we will take a look at the 9 of the world's most unique climbing walls.
The Mighty Excalibur
The Dam Route
Indoor Ice Climbing
The Fairytale Wall
Frozen Grain Silo
Color Climb
Cathedral Climbs
Go Psicobloc
1. The Mighty Excalibur
This Excalibur is situated in Bjoeks, Netherlands. It's a climbing wall that's more than 120ft tall and features a 36ft overhang.
The climber Jorg Verhoeven graded this route a 9a and promised the first person to ascend it to completion 1000 Euros.
2. The Dam Route
This is a large dam located in Blenio, Switzerland. This dam was converted into a climbing wall of 540 ft.
Climbers require utilizing a ladder to reach the first 20ft to the grips. All the same, once you climb the entire route, you will get a picturesque Alps view.
3. Indoor Ice Climbing
As the name suggests, this is an indoor ice wall situated in Kinlochleven, Scotland. It allows climbers to practice climbing indoors throughout the year, without the hassle and inconvenience of environmental conditions.
It is a 39 ft wall, and it's the biggest indoor ice wall globally. The well-known West Highland Way terrain inspired its design.
4. The Fairytale Wall
The fairytale designer wall is in Tokyo, Japan. It combines Tokyo's incredible fashion with outdoor sports.
Its design is inspired by the Illoiha club and utilizes interior design aspects to build the wall, allowing climbers to attempt this sport effortlessly.
5. Frozen Grain Silo
This ice-layered grain silo is a group of grain silos in Cedar Falls, Iowa, turned into fascinating ice-climbing paths.
Don Briggs came up with this idea in 2001 and perfected a technique to rig horses to develop winter-like weather.
6. Color Climb
The colorful climbing walls are ideal for kids and have a wide array of colors, which offer them an alluring look.
They're located in Auckland, NZ, and they're versatile and complex enough for grownups as well.
7. Against the Grain
Here, at this grain silo route, in Bloomington, Illinois, you get the chance to enjoy climbing 65ft high silos.
They're three silos, and two of them facilitate chimney ascends. In the middle is an outdoor wall, the main area with a handful of terrain and bouldering caves.
8. Cathedral Climbs
The previously called Victorian cathedral was redesigned for climbing and is situated in Manchester, UK.
The routes in this structure are showered with lights of different colors and stained glass for a glorious view as you climb.
9. Go Psicobloc
This deep-water soloing scene in Utah Park offers you a lavish feel as you ascend. Most routes in the Utah park are deep-water structures, which is quite awesome. St. George in Utah is a popular place for rappelling and canyoneering.
What are Wall Climbers Called?
Wall climbers are called sport climbers. While there are several disciplines of sport climbing, like rock climbing, lead, and wall climbers are often referred to as sport climbers.
How Much Does a DIY Climbing Wall Cost?
A DIY climbing wall will cost you approximately 75 to 600 dollars per M2. Therefore, it depends on the complexity and size of the design you want.
Again, a rock climbing wall is about 40 to 60 dollars per sq. ft, though this will depend on the grips and board you'll use.
What are the Three Basic Forms of Climbing?
Climbing is a sporting activity loved by many, and due to its popularity, there are numerous types of climbing invented for various reasons. However, the three basic forms of climbing are;
Lead climbing
Climbing is a varying and vast activity and can take up multiple forms. On the other hand, some people think climbing on artificial walls should not be seen as true climbing.
And while all forms of climbing are beneficial in their way, this write-up concentrates on artificial wall climbing, and hopefully, it has helped you understand what it is and its wonderful history.
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Kidscreen East
Kids TV and the power of serialized storytelling
Why making binge-worthy shows with intricate story arcs and complex characters is not just for grown-up TV anymore.
By Gary Rusak
The shift from a traditional linear broadcast model to the prominence of streaming platforms has had far-reaching implications for content production. The emergence of Netflix, Amazon, Hulu and YouTube has shifted the business and creative models for kids entertainment, in particular. A decade ago, broadcasters with 24/7 linear platforms needed formatted content that could be slotted to fit multiple spots on the schedule. Accordingly, strippable, stand-alone 22-minute animated and episodic live-action fare filled the airwaves. Those days are gone.
Now, as producers navigate an environment increasingly dominated by streaming platforms, new creative opportunities to tell deeper, longer, more engaging and immersive stories abound. And the easy marriage between bingeable content and on-demand platforms is the single biggest reason for the increase in production of serialized content for kids.
"The key thing is the dominance of Netflix and Amazon and other streaming sites and the desire to have kids watch and watch and watch," says Rebecca Hodgson, head of drama for Manchester, England-based Lime Pictures. David Michel, president and co-founder of Paris-based producer Federation Kids & Famiy, which produces live-action tween serial Find Me In Paris, agrees. "Telling stories that fit the medium is not a fad," he says. "It simply works better."
Serialization is not a one-size-fits-all proposition. Each production is the result of crucial creative decisions that must take into account different platforms, diverse viewing habits and a fragmented audience. As with any evolving creative process, hard-and-fast definitions are rare.
"You could say there is 'light serialization' and 'heavy serialization,'" posits Brian Hamilton, partner and executive producer at Vancouver, Canada-based Omni Film Productions. Hamilton is an executive producer on serialized animated series Mech-X4, currently in production on its second season for Disney XD. "I am not sure there are satisfying definitions for either one."
Disney XD's Mech-X4, mixes levels of serialization to achieve the right balance for linear TV
Broadly, light serialization is characterized by certain aspects of one episode being linked to the next one—creating elements of a story that fit into a broader arc, but where the series doesn't necessarily have to be watched in order to be understood. Heavy serialization, on the other hand, uses more distinct cliffhangers—like the Perils of Paulina "tied to the railroad track" type of story that echoes the earliest days of filmed entertainment. Generally, the closer a series is developed for a dedicated streaming service—for example, DreamWorks Animation's deal to produce exclusive content for Netflix (more on that later)—the heavier the serialization. However, the more producers need to rely on a linear broadcast model for financing, the lighter the serialization.
Serialization Part One: Working Together
I: The Marvel approach
Marvel adopted serialization halfway through the run of Ultimate Spider-Man and saw the series' linear ratings jump on Disney XD
Marvel employed a hybrid approach to serialization for its Ultimate Spider-Man series that debuted on Disney XD in April 2012. In fact, producers adopted serialization halfway through the series' run with the assistance and guidance of the network.
"The first two seasons of Ultimate Spider-Man were all standalone episodes," says Cort Lane, SVP of animation and family entertainment at Marvel, explaining how the company fine-tuned its approach to the series on the fly. "We wanted to try something new, and we worked with the network to understand what we could do in terms of stunting and running marathons."
He says the network loved the idea of adding serialization to the mix. "We saw a remarkable rise in ratings when we started to do it," notes Lane. "After 52 episodes of a series, to see a jump like that was really significant."
Lane says the shift was seamless. After all, serialization is in the company's storytelling DNA—comic books are highly serialized themselves, with arcs running through a number of issues and uber-arcs through the entire lifespan of a character.
Marvel took a careful approach to the transition from episodic to serial—aided by its tight relationship with primary broadcaster Disney XD (both belong to the same parent company)—by chunking episodes into mini-arcs, bigger arcs and uber-arcs.
"We don't think that kids necessarily want to follow a storyline for a 26-episode run or across 10 or 11 months," says Lane. He notes that the duration of an arc in real time needs to be considered for linear broadcast, but it is not a concern on streaming platforms.
According to Marvel's internal research, six- to eleven-year-olds "get excited for four eps in a row," or roughly a two-hour time commitment.
"It's really done in varying chunks," Lane says, adding that Marvel is approaching the next season of its Avengers Assemble series with a similar strategy. "The first couple of episodes, we have a lot of Avengers, and then some of them are taken out of circulation and a new team emerges. That leads us into a 'secret world' storyline."
Lane says with the large cast of characters in Avengers Assemble, the mini-arc format allows the team to create a sharper focus on a smaller group of characters within a story. "That way the audience can really connect and relate to the specific characters and it's not overwhelming," he says. "Throughout the 26 total episodes, there are some two-partners, but typically the arcs within the season are four to seven episodes long."
Additionally, the overall uber-arc of a series has to be considered. "For Spider-Man there is really a series arc, where we are watching a character grow from being a rookie who didn't know what he was doing to becoming one of the great superheroes in the Marvel Universe—that is the overall series arc that the mini-arcs are servicing."
From a broadcast standpoint, Lane says that the content team worked with the network to create stunts and programming events around serialized episodes—giving XD powerful promotional opportunities around arcs like Spider-Man's crossover with the Avengers and the two-part series finale "Graduation Day," which featured the web-slinging hero taking on archenemy Doctor Octopus to save New York City.
A new Spider-Man series, Marvel's Spider-Man is slated to bow on Disney XD later this year. It will start the entire arc from the beginning with a retelling of the origin story and use the same varied approach to serialization.
Coordination and collaboration between Marvel and Disney XD is essential, notes Lane. It is especially crucial when considering that each series also takes place within an even larger Marvel universe that includes big-budget movies, live-action series on other networks, publishing programs and more. With many irons in the creative fire, Marvel relies on monthly story summits in which four or five episodes of each series are planned out and carefully vetted, ironing out story anomalies and inconsistencies before a rabid fanbase can point them out. "We always have strong lead story editors supervising the producers, and they work to keep an eye on all of that," Lane says.
II: Lucasfilm
Lucasfilm, the creator of Disney's other major cinematic universe, applies a similar formula to storytelling in Star Wars Rebels—which also airs on Disney XD and was recently greenlit for a fourth season.
With the series, Lucasfilm is always striving to find the perfect shade of serialization—striking the right balance between driving the narrative forward while also creating many entry points into the grand mythology.
"At the start of a season, we look towards where we want to be at the end of the season, but we aren't only driven by that," says Carrie Beck, VP of animation development at Lucasfilm and co-creator of Star Wars Rebels. "We know there is a journey from beginning to end, but we also have to make each episode has its own beginning, middle and end. Whatever movement we have in each episode will get resolved, but it also moves the characters further along the arc."
The company's work, like Marvel's, is further complicated by the fact that it inhabits a bigger universe that is being simultaneously mined and pushed further in other mediums such as feature films, publishing, short-form content and more. The depth of the universe and the strict adherence to its mythology and timeline could be considered a creative barrier, but Beck prefers to see it as the solid backbone of the IP.
"It's our biggest strength and opportunity," she says. "There aren't a lot of storyworlds as rich and vibrant and beloved as Star Wars. We have an incredible group of people who are passionate about it. Although it takes a lot of work, there is a pleasure in making all the pieces fit together."
III: DreamWorks & Netflix
It follows that series co-produced or commissioned specifically for Netflix lean towards the heavier side of the serialization spectrum. DreamWorks Animation's current slate, bolstered by a robust production deal with Netflix, offers a good window into how content is being tailored specifically for the streaming platform.
Last December, Netflix released 26 episodes of Trollhunters, an animated 22-minute adventure-comedy series developed by renowned director/auteur Guillermo del Toro, which made for the company's largest single release of episodes for a new series.
"It would be hard to imagine that series existing anywhere else," says Andy Yeatman, director of global kids content at Netflix. "Guillermo had a rich, compelling story to tell, and it would have been hard to fit it into a 90-minute movie."
The heavily serialized 26-episode release was quickly deemed a success and at press time was Netflix's most-watched original series for kids." We have heard tons of anecdotal evidence that kids and their parents have made it through the entire first season at a pretty impressive rate," says Peter Gal, head of television development at DWA. Yeatman adds that more than a third of viewers who started the series have just a few months later, completed it—presumably watching the eps in order. Plans for season two are already in the works.
That production, one of many to spring from DWA and Netflix's historic multi-year, multi-series production deal forged in 2013, has reaped the benefits of marrying the binge-happy viewing habits of the platform's users to its content.
"When we start any new shows, we are always thinking about how kids are consuming the content in this new landscape," Gal says. "We want to think about the best way to keep that audience engaged. Adding those serialized threads that make it imperative to keep watching is really important."
Serialization Part 2: Flexibility Matters
Serving linear and SVOD markets, The Deep accommodates full serialization with the inclusion of stand-alone eps
I: The Deep
Marvel, Lucasfilm and DWA are all big studios, so the question remains: Do smaller producers—those who have to sell to different broadcasters, on multiple platforms—have to take a different approach to serialization? Steven Wendland, VP at Technicolor, says with distribution on both streaming and traditional broadcast to consider, the creative team of co-pro The Deep (DXH Media, A Stark Production) had to arrange the plot to fit different platforms.
"Even if you are lucky enough to be fully funded by a streaming service, you are still going to need be aware of the traditional broadcast models," he says. "Serialization isn't fully platform-agnostic. You have to be aware that traditional broadcasters are still going to air a series in different orders, and kids will watch them in a different order."
He says the key is striking the right balance on the level of serialization. "There is a serial arc, but with the individual episodes it still feels like it can function as a stand-alones," says Wendland. "It is a puzzle you can put together in nearly any order and it still offers a satisfying resolution."
For example, the overall plot of the series explores the reason behind a change in the world where sea levels are rising and revealing the existence of unusually large or forgotten sea creatures in all corners of the globe.
"We are able to design one-off creature episodes that work really well as stand-alones," Wendland says. "But those eps still feed into the bigger overall arc."
While The Deep has found a home for its first 26 episode season on Netflix in the US, it also has traditional broadcast distribution in more than 125 countries globally. Considering the different distribution platforms and the diverse viewing habits attached to each is difficult. "It is a fine line," says Wendland, describing how to serve two masters—traditional broadcast schedules and Netflix. "On one hand, you have an audience that really craves a long, deep storyline, and on the other, you have to still make it work within the marketplace of traditional broadcasters."
II: Free Rein
Lime Pictures' Hodgson is currently producing Free Rein, a new teen-centric live-action series for Netflix and CBBC. The series walks the same line between creating satisfying stand-alone episodes and relying on heavy serialization. "What we are trying to do is make an episode that is about something specific and that links to the one before and the one after," she says. "You have to be constantly aware of where you are heading. You need a tight group of creatives working together to pull it off."
III: Molly and the Cryptos
Terry Kalagian, VP of creative for France-based Gaumont Animation, is currently mulling over the same decisions for the company's animated series Molly and the Cryptos, currently in development. The animated comedy-adventure series follows 10-year-old Molly as she searches the world for mythological creatures. Kalagian says the story has been developed in such a way that the level of serialization will depend largely on what platform it eventually calls home. "We can make it more serialized or less, depending on who our partner is," she says. "The series has a beginning and an end, but there are different ways of getting there."
IV: SpacePOP
Stone Newman, president of global consumer products, worldwide content sales and marketing for Genius Brands International, has used a similar flexible approach to serialization with the company's SpacePOP tween girls property. Its web series debuted on YouTube last June, and accordingly, Genius devised a formula that fits the platform's penchant for bite-sized content.
"We followed a telenovela style, but with each episode being three minutes long," says Newman. "Then we have self-contained story arcs that are six episodes in length."
While the launch of the IP has been successful on YouTube, amassing 14 million views and around 45,000 dedicated subscribers, Newman says Genius is looking for other platform deals for season two.
"We want to get out there in the broadest possible way," he says. "The way it has been produced, we can put six episodes together and have an 11-minute episode that would fit traditional platforms. A lot of what the series will look like in the future will depend on who our lead broadcaster is."
Serialization Part 3
I: Comedy and repeatability
One of the drawbacks of serialized content is its lack of repeatability. When 24-hour kidsnets and traditional broadcast models ruled the roost, repeatability was baked into every series. The same 22 minutes could be watched multiple times, with each viewing offering familiar and comforting beats every time. Iconic animated series such as SpongeBob SquarePants and The Simpsons set the standard for content that could be watched dozens and dozens (and dozens) of times in any order. It stands to reason that serialized content does not possess the same qualities. However, it is not a black-and-white issue. There are, in fact, ways to seed serialized content with repeatability—and in a lot of cases, it's connected to laughs.
"Comedy certainly brings a level of repeatability," says Paul DeBenedittis, SVP of programming strategy for Disney Channels Worldwide.
DreamWork's Gal says he considered the same thing when looking at the company's slate for Netflix, noting that comedy is still a valuable technique that welds together an audience and characters—forging bonds that will drive IPs through any iteration.
"Comedy is very important," he says. "You need a tone that balances epic, amazing action with comedic elements."
Light humor is also interwoven successfully into The Deep, says Wendland. "Comedy offers quick stickiness," he says. "You laugh and you are engaged. We use it in our show and it works really well. It creates that reaction and engagement in the audience that I think is important for keeping the audience immersed."
Repeatability can also emerge as a result from deep universes and nuanced, careful storytelling. "A series like Star Wars Rebels provides a level of depth of mythology that intrigues kids and brings them into it," says DeBenedittis. "You may actually have viewers watch episodes again and again, more because they want to make sure they know all the bells and whistles in each one."
II: The End?
Another possible drawback of serialized shows that producers of long-arc content must face is how exactly to end it. Producers who develop a series with season and series arcs have to reckon with the increased complexities of wrapping it all up. The task can become more difficult when the arcs fall within bigger universes such as Star Wars. A great deal of its mythology is anchored to specific events (i.e the rise of Darth Vader, the destruction of the Death Star), but the edges of the story are still unfolding across major movie releases.
So, how does a series like Star Wars Rebels come to a natural conclusion, and when? "I don't know how to answer that question yet," says Lucasfilm's Beck. "But we will be able to answer it…someday."
Planning that far ahead without knowing how an audience will respond to a series is not easy, agrees Wendland. "We had to think about where we ultimately want to take the story," he says. "What is the scope of the show and how do we accomplish that?"
He stresses that it comes down to balancing options and taking into account what an audience expects.
"It's a tricky thing," he says. "You don't want to string the audience along and make them think that you are promising something you can't deliver. We are very conscious of that."
There are more solutions for this dilemma when it comes to animated versus live-action series. While the demand for serialized preschool live-action CBeebies mega-hit Topsy and Tim was evident to everyone, time has taken care of any question of continuing the series.
"We started filming four years ago, so now the boys are almost teenagers—it came to a natural end." says Billy Macqueen, co-founder of UK-based production house Darrall Macqueen, maker of the series. "That is one drawback of live-action preschool serialization—the actors grow up!"
Netflix and Henson are prepping to debut the SVOD's first serialized preschool series Julie's Greenroom.
Serialization moves into preschool programming
The next frontier for serialization is preschool. It is a testament to the now ubiquitous nature of the storytelling tactic that a category traditionally thought of as ill-suited for serialized storytelling is quickly adopting it.
Topsy and Tim, produced by Darrall Macqueen, is a forerunner of the trend. The series was initially commissioned for 60 episodes by CBeebies and featured preschoolers' perspectives on everyday life told through a combination of short and long story arcs. For example, the entire first season showed the main characters attending a new school. There were also mini-arcs embedded in each of the seasons, such as a four-episode arc where Tim visited the dentist.
The runaway success of the series, which has attracted more than 100 million views on BBC's iPlayer since its introduction, has opened the industry's eyes to the possibilities of preschool serialization.
Darrall Macqueen currently has an animated series in the works with DHX for Netflix that features serialized adventures for four- to five-year-olds, and another live-action family comedy/drama series in development with CBeebies.
Netflix is also readying the release later this year of its first serialized preschool series, Julie's Greenroom, produced by The Jim Henson Company and starring iconic entertainer Julie Andrews.
"We encouraged the producers to build in serialized elements throughout the series," says Andy Yeatman, director of global kids content at the SVOD giant. "It hasn't been done very often with preschool, but it is something we are encouraging."
Darrall Macqueen co-founder Billy Macqueen says that he is buoyed by his company's success with Topsy and Tim, as well as ABC Australia's kids mockumentary series Little Lunch. He believes the industry as a whole now understands that preschoolers can follow detailed storylines with emotional resonance in a serialized fashion.
"You can still tell complex stories with a lot of emotions," says Macqueen. "But you have to do it with specific timing." He contends that one of the keys to Topsy and Tim's success was its deliberate and age-appropriate pacing.
"You aren't making a souped-up Jessica Jones or a Stranger Things—the narrative pace there is very fast," he says. "You have to slow it down. It's the same kind of pace you find in brilliant series like Doc McStuffins. Preschoolers will stay engaged, if you can find the right pacing."
feature, julie's greenroon, MECH-X4, serialized storytelling, Spiderman, The Deep, Trollhunters
Gary Rusak is a freelance writer based in Toronto. He has covered the kids entertainment industry for the last decade with a special interest in licensing, retail and consumer products. You can reach him at garyrusak@gmail.com
ABC TV and A Stark Production fall into The Deep production
DHX TV reveals fall skeds for rebranded channels
Netflix wants binge-worthy holiday with Trollhunters
SVODs gain ground in Children's Daytime Emmy noms

redpajama_set_name: RedPajamaCommonCrawl


The list was finalized as of June 6, 2012. Any updates to the list (for example, status changes or disqualifying events) will be reflected on superlawyers.com. Names and page numbers in RED indicate a profile on the specified page.


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Adam Wexler, Sports Anchor/Reporter
Published: July 25, 2019, 3:03 pm
Tags: MLB, Baseball, Local, Sports, Astros, News
Which players -- pitchers -- the Astros could target at the trade deadline
From left to right: Tony Watson, Noah Syndergaard, Marcus Stroman, Zach Wheeler, Will Smith (Getty Images)
HOUSTON – The Astros just completed an outstanding homestand going 5-1 against division foes Texas and Oakland.
They will welcome the return of shortstop Carlos Correa to the lineup on Friday when they play at St. Louis. Correa has missed the last 49 games with a fractured rib.
Houston sits comfortably in first place in the American League West division with a 7 1/2-game lead over Oakland.
But with eyes on the bigger prize, the Astros have been pretty clear about making a move at the trade deadline, which is Wednesday. The focus is clearly on adding pitching, possibly both in the rotation and the bullpen.
"We're active, very active. The reality is that this market would be concentrated to the last few days and that's what we're looking at right now," Astros general manager Jeff Luhnow said on Wednesday. "Once that first domino falls, I think the rest of them will move pretty quickly, but right now everybody is kind of in a waiting game because there are enough days left to negotiate and try to get the best deal. You can rest assured that we're active in that."
Luhnow also said the team's primary concern is getting a guy who can help them win a World Series this season and they've got an entire offseason to worry about what the pitching staff will look like next season.
Astros' top 5 trade targets:
Zach Wheeler
Mets right-handed starting pitcher
MLB seasons: Five
Pro: He has posted a career-high 9.8 strikeouts per nine innings and a career-best 2.8 walks per nine innings this season.
Con: He is on the 10-day injured list with a shoulder injury but is expected to start for the Mets on Friday. He missed the 2015 and 2016 season recovering from Tommy John surgery.
Contract status: He's a free agent in 2020 and is making $5.975 million this season.
Tony Watson
Giants left-handed reliever
MLB seasons: Nine
Pro: He's very consistent and has only walked five batters in 41 innings pitched this season. He has 16 games of postseason experience with a 2.25 ERA.
Con: The Giants have climbed back into the National League wild card race and may not be available via trade.
Contract status: He has a $2.5 million player option for 2020.
Noah Syndergaard delivers a pitch in the first inning against the Miami Marlins at Marlins Park on July 13, 2019, in Miami, Florida.
Pro: He has five games of postseason experience with a 2.42 ERA over 26 innings. His career WHIP is 1.15.
Con: This season's 4.47 ERA and .729 OPS allowed are career worsts and his 8.71 strikeouts per nine innings are also a career low.
Contract status: He is arbitration-eligible next season and can become a free agent in 2021. He makes $6 million this season.
MLB seasons: Seven
Pro: He's posted a career-best 2.44 ERA and 13.2 strikeouts per nine innings this season. He was a 2019 All-Star, which is his first season as a full-time closer.
Con: His trade value is very high and he is likely the best available closer.
Contract status: He becomes a free agent in 2020 and is making $4.225 million this season.
Blue Jays right-handed starting pitcher
MLB seasons: Six
Pro: He has a career-best 2.96 ERA this season, which is good for fourth in the American League. His last three starts he racked up 20 IP, a 1.80 ERA, 18 K and 3 BB.
Con: He had a shoulder injury in 2018 and missed two starts with a chest injury in June.
Contract status: He is arbitration-eligible in 2020 and could become a free agent in 2021. He makes $7.4 million this season.
Copyright 2019 by KPRC Click2Houston - All rights reserved.


Mr. Ian A. Schapiro is Director of the Company. Ian Schapiro is a Managing Director and the Portfolio Manager for Oaktree's GFI Energy Group, which executes the Power Opportunities investment strategy. Additionally, he leads and is a co-portfolio manager of the firm's Infrastructure Investing strategy following Oaktree's acquisition of the Highstar Capital team. Mr. Schapiro co-founded GFI Energy Ventures, the predecessor to the GFI Energy Group, which became part of Oaktree in 2009. He presently serves on the boards of Sachs Electric Company, Remedial Construction Services (RECON), and Infrastructure & Energy Alternatives LLC. Mr. Schapiro previously served on the boards of directors of Contract Land Staff; Solomon Holdings Corp.; Osmose Holdings, Inc.; Integrated Pipeline Services; Elgin National Industries, Inc.; NORESCO; Trans-Elect, Inc.; Smart Systems International, Inc.; LPPI Holdings LLC; UtiliQuest, LLC; Trace Technology; Xantrex Technology Inc.; InfraSource Inc.; Elgar Holdings, Inc. and Cherokee International Corporation. Prior to founding GFI Energy Ventures in 1995, Mr. Schapiro was a Partner of utility consulting firm Venture Associates and of Arthur Andersen & Co. following that firm's acquisition of Venture Associates. Previously, Mr. Schapiro was the Chief Financial Officer of a technology company and a commercial banker focused on the energy sector. Mr. Schapiro received a Bachelor of Commerce degree from the University of Witwatersrand in South Africa and an M.B.A. from the University of Southern California. Mr. Schapiro is qualified to serve as a member of the board of directors and as a member of the compensation committee and bid review committee because of his extensive financial expertise and long-term experience investing in and serving on the boards of companies active in the energy sector.


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Bersatu Leader Under Fire after Making Racist Remarks Against National Shuttler
Social NewsBersatu Leader Under Fire after Making Racist Remarks Against National Shuttler
As Malaysians celebrated for the achievements of our national shuttlers for making it into the semi-finals after a 12-year drought, racism had once again found its way to appear on the social media of all Malaysians.
This time, it was about a Facebook user, who calls himself "Borhan Che Rahim", has made a racist slur towards our national shuttler, S.Kisona, calling her "India Keling".
The post was then taken down not long after it was posted on Facebook. However, it was already too late, as netizens had made screenshots of the racist remark and had made it viral.
Nonetheless, netizens managed to find out that the Facebook user, "Borhan Che Rahim" was actually the Bersatu Batu Pasir vice-chairman, Borhanuddin Che Rahim.
Following the backlash, Borhanuddin posted a statement on his Facebook account and apologised to all Malaysians, adding that it was not his intention to belittle any individual or race when he wrote that status on social media.
He added that the term was used in Kelantan to refer to Indians.
"With this, I take it back and apologise openly to all Malaysians, especially those who have been impacted by that posting. I will also improve on my behaviour." he told Utusan Malaysia.
Meanwhile, he added that he will be resigning from his position as deputy chief of Bersatu's Pasir Puteh division for the sake of upholding the party's reputation.
The racist remark he made even caught the attention of many in the sport industry, and most notably, the Badminton Association Malaysia (BAM), who condemned Borhanuddin for using a racial slur against the national shuttler.
BAM stressed that they have zero tolerance for any form of racism or discrimination and they urge all Malaysians to stand up and condemn this senseless act.
On the other hand, the Youth and Sports Minister, Datuk Seri Ahmad Faizal Azumu also call out to Borhanuddin, saying that his remarks were not acceptable, especially when she had fought hard at the prestigious mixed team tournament.
Ahmad Faizal also stressed the importance of upholding the "Keluaga Malaysia" or "Malaysian Family" concept.
However, he said that the concept is like a bunch of bananas, where some are good and some are bad. Some do not know how to use good language when talking about something."
"We are made up of Malays, Chinese, Indians, Kadazans, Ibans and so on. Do not despise others because of their race, skin colour or religion… more so those who are fighting to make Malaysia's name famous." he said.
Spycam allegedly found in H&M's fitting room, M'sian encourages victim to lodge police report
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How to Upload Music Files to the Internet
Setting Up a New Business
By Steven Melendez Updated January 28, 2019
Adding Music to a Facebook Fan Page
How Do I Broadcast on YouTube?
How to Start Your Own Music Production Company
I Want to Install My PC Downloads to an iPad
Whether you're a musician or a concert promoter, or you just want to add some music to your Web presence, there are a variety of ways to upload music files to the internet. You can use a music hosting tool such as Bandcamp or SoundCloud to make music available to listeners. If you have your own site, you can upload an MP3 song or more than one to your own Web space.
If you just want to "listen to my music," you can upload your files to a generic cloud service or one specializing in music storage. Make sure you aren't violating a copyright if you're uploading someone else's recordings.
Upload Music to Hosting Services
If you're trying to distribute music to the public, you may want to use a music hosting service that makes your music easily discoverable.
SoundCloud is one common tool you can use to distribute music and track listener numbers. Visit the site; create an account and click the "upload" button to upload music in MP3 or other formats. You must have the rights to the music you're uploading.
Bandcamp is another common tool that musicians use to distribute their music. You can make music available for free or for sale. You can also sell physical recordings of your music, such as CDs, vinyl records or cassette tapes, along with other merchandise like tote bags and T-shirts.
If you want to place your music in digital music stores like iTunes or streaming networks like Spotify, you can either work with those distributors directly or work with a service that will help you place your music for a fee. Some common services for this purpose are DistroKid and CD Baby.
Put Music on Your Website
In some cases, you may want to upload music to a personal or business website. If you want the music file to be playable from the website, you can also upload it to a service like SoundCloud or YouTube, and embed it on the site.
To upload the file, check the documentation for your Web hosting service or work with your IT department if you have one. Many modern Web hosts will let you upload a file directly using your Web browser. You can also often use specialized tools for bulk uploads.
Once the file is online, you can send someone a link to it in order to play it or download it using a Web browser. If you want it to play within a Web page, you can use an HTML audio tag such as "<audio controls src='the-file.mp3'></audio>" to embed it in the page.
Make sure you have the rights to any music you're putting on your website. If you put someone else's music online without authorization, you could get sued.
Upload Music to the Cloud
You can also upload music to various cloud services. If you simply want to sync music between multiple computers, you can upload music files to tools like Dropbox, Microsoft OneDrive or Google Drive. These will let you access your files on any connected computers or smart phones.
You can use cloud music importer tools to sync your music to a cloud music player. Amazon offers a service for this to Amazon Music Storage subscribers. To use it, download the Amazon Music app on your computer. Then click your name; click "Preferences" and, under the "General" tab, click "Select Music." Choose music files on your computer to upload.
In some cases, it may make more sense to use a music streaming service such as Spotify or Apple Music rather than syncing your own music files between devices.
SoundCloud: Upload
Bandcamp: Bandcamp for Artists
DistroKid: Home Page
CD Baby: Sell on iTunes
GoDaddy: Upload Files
FileZilla: The Free FTP Solution
Apple: iTunes Homepage
Make sure you own the copyright to the music you upload. Uploading copyrighted music to the Internet without the consent of the copyright owner is illegal and may result in your music being removed from the website, or you could be ordered to pay civil or criminal penalties.
Steven Melendez is an independent journalist with a background in technology and business. He has written for a variety of business publications including Fast Company, the Wall Street Journal, Innovation Leader and Business BVI. He was awarded the Knight Foundation scholarship to Northwestern University's Medill School of Journalism.
How to Put Music From the Internet Onto Your MP3 Player
How to Download MP3 Files for a Mac
How to Create a Sheet Music Business Website
How to Import a Playlist From a Computer to an iPod Touch
How to Install a Music Player on a Web Page
What Do You Need for a Successful Web Radio Station?
How to Sell Your Copyrighted Music
How to Build a CCTV With a Webcam
How to Create & Sell Ringtones
1 How to Put Music From the Internet Onto Your MP3 Player
2 How to Download MP3 Files for a Mac
3 How to Create a Sheet Music Business Website
4 How to Import a Playlist From a Computer to an iPod Touch


Remixing everyone from Tweet to Jessie Ware, DJ/producer extraordinaire TOKiMONSTA is someone who stays on our radar thanks to her edgy reworks of soulful music. Besides having the distinction of being the first female member of the Brainfeeder collective, the beat-making Los Angeles native recently struck out on her own to create Young Art Records, debuting her 2014 mini-album Desiderium as the label's first release.
As TOKi continues to develop her brand, she recently added Gavin Turek to the emerging Young Art roster. Ms. Turek is a fellow L.A. native and has spent the last few years generating buzz for her disco-inspired sound and entertaining live performances. By the way, if you're wondering why Gavin looks or sounds familiar to you, perhaps you remember her hypnotic moves as the gold-clad, tambourine-shaking backup singer in Tuxedo's "So Good" and "R U Ready" videos. Her vocals are also featured throughout their debut album. Though TOKi and Gavin have collaborated several times in the past, they're breaking new ground for the upcoming mini-album You're Invited, which will be their first "proper" release.
To give us a preview of what's to come, the duo recently premiered "Hemisphere," an ethereal ballad that puts the talents of both artists on full display. Turek, who penned the lyrics a few years ago while she was dealing with "loss and loneliness," says that TOKi "made the emotion I felt truly come to life musically." Gavin takes her time, using her delicate vocals to tell a story of love lost, while TOKi creates an alluring sonic landscape with warm synth and intricate beats.
Take a listen below then check out their recent live performance of the track on Revolt TV. The two have been touring to promote the album with sold out shows in Brooklyn and Miami. Unfortunately, the San Francisco show is also sold out, but L.A. Bouncers can still grab a few remaining spots. Head over to TOKi's website for ticket info as well as dates for her upcoming solo shows. You're Invited is set to drop on August 28th, but "Hemisphere" is available for download right now on iTunes. Be sure to visit SoundCloud for more music from Gavin (including her recent release for IHEARTCOMIX) and TOKiMONSTA.


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Why choose MSC Cruises ?
As a family-owned company with a seafaring history that spans over three centuries, we have a passion for exploring the world by sea. It's a passion you can sense from the moment you step on board from the expertise of our captains and crews to the elegant and innovative design of our ships. From the food to the evening shows, the destinations to the excursions and the pools to the spas, everything has been designed and planned to cater for your every need. This is what makes every MSC cruise a unique and memorable experience.
Seasonal itineraries cover Northern Europe, the Atlantic Ocean, Cuba and the French Antilles, South America, South Africa, China, Abu Dhabi, Dubai & Sir Bani Yas.
The MSC Cruises experience creates unique and unforgettable memories for its guests, with the discovery of different cultures, sights and tastes. Guests are transported to these magical experiences on 12 modern ships: MSC Preziosa, MSC Divina, MSC Splendida, MSC Fantasia, MSC Magnifica, MSC Poesia, MSC Orchestra, MSC Musica, MSC Sinfonia, MSC Armonia, MSC Opera and MSC Lirica.
Interested in MSC Cruises Holidays?


Tharoor's Oxford Address Was Brilliant, But What Next?
Shashi Tharoor is no stranger to controversy and has been dogged by scandals of various hues, but at this juncture I think he deserves to be celebrated as a modern citizen of the much-touted "Modern India". He is the kind of outspoken Indian citizen that so many of us desperately aspire to see more of, more often. Especially within the political ranks of the country.
It is not often that a video clip of an Indian politician trends on social media for a "good" reason. So when I heard about this 15-minute clip going viral on the internet, I decided to have a peek. Like most other people who have a strong patriotic streak for India, I found that the video resonated deeply with me.
The politician featuring in this clip is Dr Shashi Tharoor, a diplomat, a writer, a former minister, and a current Member of Parliament of India. The video clip is of his speech at a debate organised recently by the prestigious Oxford Union, an English debating society. In his speech, Dr Tharoor, emphatically presses forward his opinion that Britain must pay reparations to India and all its other former colonies for the oppression unleashed upon them during its extended imperial rule.
"Do you intend to show similar conviction and passion and seek reparations from your colleagues in the Indian political fraternity, for the oppression and loot over the last 60-odd years?"
No fluffy slogans, no throw-away lines, and no hollow remarks. Rather, he relies on a potent blend of intellect, passion, and old-fashioned confidence to run home a debate on behalf of every single citizen of India. He doesn't play victim, or portray India in that vein. At no stage does he endeavour to inflame emotions, yet manages to leave you with goose-bumps.
He acknowledges the history of the imperial rule for what it was and then gradually peels away the layers, exposing how colonialism held back India for almost two centuries. And then, as he closes off his well-placed arguments, he seeks some pragmatic reparations to move on from the scars of the past. He does not demand a monetary ransom disguised as an apology. Just a heartfelt acknowledgement of the oppression suffered by the people of India in those times.
Not for a minute does he come across flustered or out of his depth. His arguments are rational, succinct and articulate, steeped in passion and peppered with humour.
So, what now? Dr Tharoor put forward a sound voice of reason on behalf of India, but in the end, it was just a debate. One does not expect much to come out of it. But hopefully, this will project a better image of a "Modern Indian" to the rest of the world. An Indian who is educated, aware, and most importantly, empowered.
And as for Dr Shashi Tharoor. Well, you nailed it, Sir, with your oration. But here's a question I have for you. Do you intend to show similar conviction and passion and seek reparations from your colleagues in the Indian political fraternity, for the oppression and loot over the last 60-odd years?


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Idris Elba Is A 'Gunman' Alongside Sean Penn & Javier Bardem
Idris Elba Is A 'Gunman' Alongside Sean Penn & Javier Bardem
Kevin Jagernauth
Idris Elba's moment of hitting a bigger platform of fame, is nearly here. Of course, TV audiences already admire the man for this work on "The Wire" and "Luther," but he's not quite a kitchen table name just yet. However, he already has one of the most memorable lines of the summer ("We are canceling the apocalypse!") in the forthcoming "Pacific Rim," and he could be in the awards season hunt leading "Mandela: Long Walk to Freedom." And of course, he'll be back mixing it up in "Thor: The Dark World." So is it any surprise that his next gig is starring alongside Sean Penn and Javier Bardem?
Elba has joined "The Gunman," a better-than-average sounding movie from Pierre Morel ("Taken," "From Paris With Love"). An adaptation of the Jean-Patrick Manchette novel, Penn will play an international operative named Martin Terrier, who goes on the run after being betrayed by his organization and winds up battling Bardem. Elba will play Dupont, a mysterious operative. But really, Penn, Bardem and Elba? Of course, we're gonna watch the shit out of this.
Filming gets underway later this month in Europe and we presume about a year from now you'll be sitting down with a bucket of popcorn to watch this.
This Article is related to: News and tagged Idris Elba, The Gunman


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Harttiella (Гартієла) — рід риб триби Harttiini з підродини Loricariinae родини Лорікарієві ряду сомоподібні. Має 7 видів.

Опис
Загальна довжина представників цього роду коливається від 3,1 до 5,2 см. Голова видовжена (види різняться за її довжиною). Морда округла, верхня щелепа довша за нижню. Очі невеличкі. Тулуб кремезний, щільно вкритий кістковими пластинками. Хвостове стебло вузьке. Спинний плавець помірної довжини (6-7 м'яких променів), низький. Жировий плавець відсутній. Грудні плавці довгі. Черевні плавці практично не поступаються грудним, мають маленькі шипики. Анальний плавець менший за спинний (4-5 м'яких променів та 1 жорсткий промінь). Перед анусом присутні декілька маленьких кісткових пластинок. Хвостовий плавець витягнутий.

Забарвлення коливається від сірого і сіро-коричневого до суто коричневого з невеличкими окремими темними плямочками.

Спосіб життя
Це демерсальні риби. Воліють до прісних водойм. Зустрічаються в лісових струмках з каскадами і швидкою течією. Віддають перевагу скелястим ґрунтам з піщаними полянами. Живляться синьо-зеленими та діатомовими водоростями, личинками хірономід, всмоктуючи їх ротом-присоском.

Розповсюдження
Мешкають у басейні річки Суринам, в річках Французької Гвіани.

Види
 Harttiella crassicauda
 Harttiella intermedia
 Harttiella janmoli
 Harttiella longicauda
 Harttiella lucifer
 Harttiella parva
 Harttiella pilosa

Джерела
 Covain, R., S. Fisch-Muller, J.I. Montoya-Burgos, J.H. Mol, P.-Y. Le Bail and S. Day, 2012. The Harttiini (Siluriformes, Loricariidae) from the Guianas: a multi-table approach to assess their diversity, evolution, and distribution. Cybium 36(1):115-161.

Лорікарієві

redpajama_set_name: RedPajamaWikipedia


The Germany national football team is the men's football team that has represented Germany in international competition since 1908. It is governed by the German Football Association , founded in 1900. Ever since the DFB was reinaugurated in 1949 the team has represented the Federal Republic of Germany. Under Allied occupation and division, two other separate national teams were also recognised by FIFA: the Saarland team representing the Saarland and the East German team representing the German Democratic Republic . Both have been absorbed along with their records by the current national team. The official name and code 'Germany FR ' was shortened to 'Germany ' following the reunification in 1990.
Germany is one of the most successful national teams in international competitions, having won a total of four World Cups , three European Championships , and one Confederations Cup . They have also been runners-up three times in the European Championships, four times in the World Cup, and a further four third-place finishes at World Cups. East Germany won Olympic Gold in 1976.
Germany is the only nation to have won both the men's and women's World Cups and after the 2017 Confederations Cup it became one of the only four nations - alongside Brazil, Argentina and France - to win all three most important men's titles recognized by FIFA: the World Cup, the Confederations Cup, and the Olympic tournament. They have also won their respective continental championship .


All soaps showed solid ratings during the holiday season! Get the details.
All Soaps Get Ratings Bump for the Holidays!
All four soaps got a solid ratings boost during the last week of 2016 from December 26-30, even though they were all down in viewership when compared to last year.
During the last holiday week of the year, top rated soap Young & The Restless was up more than 5 million in total viewers. Following right behind Y&R, sister soap Bold & Beautiful came in at a solid 4 million plus viewers. General Hospital held its own in third place with almost 3 million viewers, while Days of our Lives held its own to have more than 2.5 million viewers.
Unsurprisingly, with Sally Sussman returning as head writer, Y&R had a lock on all key demos of women 18-49, 18-34, and 25-54, respectively. B&B followed suit in a solid second place with gains across all demo categories. DAYS beat GH to take third place in the 18-34 ratings demo, while GH hit an all-time low for fourth place. DAYS also gained in all the other key demos and tied GH in total viewership in the 18-34 category.
You can check out the full ratings at Soap Opera Network.
Give us your input in the comment section below. Check back with Soap Cities for more soap opera ratings! Follow us on Twitter at @soapcities, on Instagram at @soapcities, and come chat with us in our Facebook group.
Previous ArticleSoap Cities Fun Poll: Who Should Get Custody of GH's Charlotte? You Be the Judge!


NOW: It's 1985. Freya Kallas has just moved across the world and into a new life. On the outside, she fits in at her new high school, but Freya feels nothing but removed. Her mother blames it on the grief over her father's death, but how does that explain the headaches and why do her memories feel so foggy?
When Freya lays eyes on Garren Lowe, she can't get him out of her head. She's sure that she knows him, despite his insistence that they've never met. As Freya follows her instincts and pushes towards hidden truths, the two of them unveil a strange and dangerous world where their days may be numbered.
Yesterday by C. K. Kelly Martin was a slightly disappointing read for me. I have heard really good things about this author but I was not overly wowed by this book, though the writing was good and I would still consider checking out her other works. I really liked the idea behind this story but the execution of it fell little flat for me and I found the story to be confusing, at least initially.
Yesterday is told from the perspective of Freya Kallas, a sixteen year old girl who is thrown into a new life and finds herself starting over at a new school in Canada. The year is 1985 and Freya has moved with her mother and sister from Auckland, New Zealand, after her father is killed in a freak gas explosion. Freya feels oddly disconnected to her life and it is not just her grief that is making her feel that way. She has blanks in her memories and some of the things that have happened to her feel as though they had happened to someone else.
Freya has difficulty connecting with people at her new school but one day, on a class trip to the museum, she sees a boy and feels somehow like she knows him, even though her memories are telling her otherwise. Freya follows the boy (who we later find out is called Garren Lowe) home and although she does not talk to him, she cannot shake off the feeling of deja-vu that she feels. Freya decides to confront Garren but he has no recollection of her. It is not until they realise that their backgrounds have a few too many similarities that Garren comes round to the idea that Freya may be right about them having a history. They decide to uncover the truth but their investigation has unforeseen consequences and the two teens find themselves on the run, fighting for their lives.
I feel that there was a very good idea within this story, and it definitely kept me reading as I wanted to find out what was going on, but i never felt really connected to the characters and I didn't feel invested in their struggles or the overall story. The writing itself was really good though (despite one chapter where Freya gets her memories back and proceeds to give a detailed but clinical version of their history.


The landscape of Tortel is a truly magnificent example of the natural beauty that makes Chile such a popular cruise destination. A glorious expanse of fjords, channels and islands, the lush hills that surround this quaint port are breath-taking. Majestic waterfalls and varnished boardwalks of cypress wood criss cross through the overgrowth creating a transcendent natural beauty which lingers long in the imagination of its visitors.
Protected wildlife areas surround the township itself, meaning this superb scenic landscape is destined to impress cruisers for years to come. The township of Tortel itself is shorefront of just over 350 inhabitants, but its small size belies a great deal of charm. Far removed from the riotous hustle and bustle of tourist magnets, the tranquil atmosphere of Tortel is something to be treasured. The picturesque wooden buildings lined up on its shoreline are embraced by poplar trees and ferns, making this beautiful harbour a nature spot for the ages.
This massive tidewater glacier is just south of the main town of Tortel, and is situated at the north end of the Southern Patagonian Ice Field, a huge expanse of fjords and ice sheets which extends for miles. With over 179 square miles of this stunning glacier to explore, you may feel a bit out of your depth, but with dedicated tour boats guiding you through the icy waters in total comfort, getting to see the astonishing sights of drifting icebergs and snowy cliffs will be a hassle free delight.
This national park is a wonderful testament to the variety of flora and fauna that Chile's landscape is blessed with. Native forests stand on the shores of tranquil rivers perfect for kayaking and rafting. The highlights of this amazing natural site are a set of majestic glaciers that have stood there for the centuries, such as the Balmaceda, the Tyndall, the Geike, and the Serrano. The wildlife in this park is abundant, with seabirds, ducks and geese populating its shorelines.
While the Bernard O' Higgins National Park is defined by its rivers, the Torres Del Paine is blessed with scrubland and forests that stretch far and wide for miles. The diversity of the environment, a wondrous side effect of Chile's unusually varied climate, means that mammals and birds of all shapes and sizes roam the park. On safari tours of the local wildlife, cruisers can get a chance to see pumas, skunks, foxes, condors, eagles, and even Chilean flamingos.
Being a small town, there isn't a commercial store to be found within Tortel, but fitting with the town's quirky aesthetic, some of the locals are superb craftsmen and artists, often selling their work on the harbour fronts.


130 RUB/kg. - from 25 kg.
Cellulose wheaten "Alba-Fibre W-200R" - the natural vegetable fibers which are made from vegetative part of grain crops. Possesses the high moisture connecting and zhirosvyazyvayushchy ability, the termostabilna and holodorezistentna is inert to any prescription ingredients, reduces the caloric content of products. It is used at the sausage industry, forcemeat, canned meat, pastes, candy stores and bakery goods, drinks, sauces, dairy products (yogurts, cottage cheese desserts, glazed cheese curds, processed, fresh and imitating cheeses), and also when developing products for dietary and healthy food.
The recommended norm of bookmark: 0,2 - 6,0% of mass of ready-made product.
Safety indicators: The maintenance of toxic elements, mycotoxins, pesticides does not exceed the admissible levels established the SanPiN 2.3.2.1078-01 (Enc. 1, index 1.4.3). Availability of GMO is not allowed!
Producer and country of origin: "Mikro-Technik" GmbH & Co.KG (Germany).
Packaging: multilayer paper bags with a net weight of 20 kg.
Storage: in the dry, dark and cool room at temperature not over 20 ºС and relative humidity no more than 75%, in original packaging (free of defects). Not to subject to influence of direct sunshine. Not to allow direct hit of moisture on product.
Expiration date: 3 years from the moment of production.
Unbelievable price on Cellulose wheaten Alba-Fibre W-200R in St petersburg (Russia) company Ingredienty. Razvitie, OOO.


Although Disney states that all characters are subject to change we have eaten breakfast at 1900 Park Fare several times and have always found the characters to include Mary Poppins, Alice, the Mad Hatter, Winnie the Pooh and Tigger. If these are charactes your children enjoy then you will love this breakfast. The food at this restaurant is very good.


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Restaurants News
World Of Beer Launches Nationwide Belgian Brew Tour
Popular Craft Beer Tavern Releases App Update, Offers Chance to Win Belgian Beer Getaway.
(1888PressRelease) May 24, 2014 - TAMPA, FLA. - Belgium: the land of waffles, chocolate, and some of the best beer on the planet. Now, World of Beer (WOB), a rapidly-expanding network of beer-centric taverns known for over 500 craft brews from around the world, craft spirits and Tavern Fare, wants you to see it for yourself by giving customers the opportunity to win a Belgian Beer Getaway. World of Beer is partnering with Global Beer Network for a new program through which loyalty members at participating locations can broaden their craft beer knowledge at Belgian Beer School, try a variety of Belgian brews, and enter for the chance to win a trip to Belgium. The program will run May 19 - June 15, 2014, and can be tracked on the updated WOB app with the acquisition of badges. On June 24, 2014, one lucky winner and their guest will be awarded nine days and nights in Belgium; an unforgettable Belgian beer experience during which they will visit 14 breweries.
"We couldn't be more excited to be partnering with Global Beer Network and bringing a slice of Belgium to World of Beer," said WOB Director of Brewer & Distributor Relations Marc Sawyer. "Belgium is one of the most famous beer-brewing locations in the world and touring 14 different breweries there would be a once in a lifetime opportunity. We can't wait to reward one of our loyal customers with such an incredible experience."
This collaboration with Global Beer Network and participating WOB locations includes VIP trips to visit beer havens, exclusive parties, giveaways, one-of-a-kind tasting events with unique products and more. New and current Loyalty Club Members will have opportunities to acquire points and share in rare products through exclusive access to beer-centric events via the updated WOB app. To take part in this free contest, customers must first be a WOB Loyalty Club member. After signing up to receive a Global Beer Network passport, customers are invited to try eight different beers, each of which will earn them a stamp on their passport. After enjoying at least six of these eight beers, the customer can turn in their stamped passport to enter the drawing for a chance to win the all-inclusive Belgian Beer Getaway. All who turn in a stamped passport are invited to a Belgian Beer Celebration with exciting and rare Belgian Beer, as well as a 1.5L Magnum for one local winner at each location.
"We are proud to represent some of the best brewers in the world and are equally proud of the authenticity and heritage of Belgian beer," said Steve Villani, President of Global Beer Network. "We can think of no better way to promote our brands than to have our consumers and retailers experience the magic that is Belgium."
The Global Beer Network line-up of beers includes several draft and bottle options. On draft will be WOB's exclusively brewed Belgian beer C'est la Vie! and Kasteel Rouge. Available in bottle will be Gulden Draak, Piraat, Poperings Hommel, St. Louis Framboise, Troubadour Magma and Bavik. Special beer cases, a mixed case of Boelens Dubbel Klok & Tripel Klok, will only be available at the Belgian Beer Celebration, to which all participants are invited. Throughout the promotion with participating WOB locations, Belgian Beer Schools will be hosted, allowing all customers to enjoy Belgian Beers and increase their craft beer knowledge.
For more information, please visit www.worldofbeer.com or contact your nearest World of Beer location.
World of Beer was founded in 2007 in Tampa, FL. Seven years later they have 55 locations in 17 states, and have sold a couple hundred more. WOB has rapidly expanded their presence to states including Alabama, Arizona, Colorado, Florida, Georgia, Illinois, Maryland, Michigan, New Jersey, New York, North Carolina, Ohio, South Carolina, Texas, Virginia, Washington and Wisconsin. The most recent announcement was the debut of a full Tavern Fare menu, craft spirits and WOB's signature handcrafted cocktails. The Tavern Fare complements the quality of the Craft Beer and Spirits. The menu starts with classic comfort foods, combining them with traditional bar offerings and a contemporary spin.
World of Beer has taken a unique and original concept, and combined it with a smart and progressive business strategy in order to bring the business to where it is today. The love for craft beer and passion for creating a friendly, welcoming atmosphere remain the founding philosophy, with constant innovations to widen appeal.
World of Beer Franchising: World of Beer is an uncommon establishment where the experience is as essential as the product. It is important that a broad spectrum of patrons, from the beer aficionado to the casual beer fan, can enjoy the best beers, cocktails and tavern fare on the planet while increasing their craft beer knowledge in a comfortable and upbeat setting. Visit www.worldofbeer.com for more information.
Hype Group: Hype Group is a full-service marketing, advertising and PR agency. Visit www.hypegroup.net.
Editors: For details, or to schedule an interview contact Brooke Boyd at brooke ( @ ) hypegroup dot net or 727 dot 623 dot 9085 dot
Contact: Brooke Boyd l Hype Group l 727.623.9085 l brooke ( @ ) hypegroup dot net l www.hypegroup.net
World Of Beer Launches Nationwide Belgian Brew Tour by Hype Group
South Camden Theatre Announces 2014 Summer Staged Reading Series by South Camden Theatre Company
Brooke Boyd
Hype Group
433 Central Avenue #205


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Charity. Twitter. Ego. Ideas.
'Am I bugging you? I didn't mean to bug ya.'
I've been at the centre of a shit storm over doing something for charity. Felt the negativity, not just from a random avatar on Twitter, but from someone that claimed to love me. It's a pretty disheartening experience and back in October I felt that Tweetathon2 had been ruined. And on a personal level, in the days after it finished, it was, but I continue to hear about how that money is being spent and I remember that it wasn't about me at all and that the doubters should go fuck themselves.
So why the negativity? Ego. It's all about ego. *Sigh*
I've spent a couple of weeks mulling this over. So here goes... for better or for worse.
Tw1tterband
I watched as Tw1tterband split 'my' Twitter down the middle. Not first time round so much but plenty on the night the second song was released. Yes, the song was wonderful, but my timeline grew more and more uncomfortable as the evening wore on, people I liked and respected weren't impressed, 'Where was the charity link to the JustGiving page?' they asked. It started to feel like a pretty reasonable response.
People had loved the first one partly because it felt so directly linked to a charity, band members had expressed why MacMillan meant so much to them, it all felt right and although we made a few errors on the site we kept the charity high on the agenda and raised over two grand in the process. Second time round we, and I count myself within that 'we', raised two hundred and fifty quid for the NSPCC which considering the interest generated around the song doesn't seem a great deal. Less than ten percent of the cash raised from over twice the views. The lines got blurred between social experiment on Twitter and a charity event and it didn't sit well with everyone. I get that. The responses on the Guardian article went too far, became personal and I felt for my friend of twenty years as he was attacked. People who I suspect had been quietly outspoken on Twitter took the opportunity to attack anonymously but in a very public place and that felt about as constructive as building a trampoline out of concrete. Mistakes were made and I hope if there are more Tw1tterband songs produced there's more clarity about whether it's a charity event or a vehicle for talented musicians. It can, as was proved first time around, be both but maybe it can't be that all the time or maybe we just should have stuck with one charity for all time.
The bottom line is we all have an ego. Doing a Tweetathon, being at the centre of all that, Jesus, I'd be lying or, like actually Jesus, if I said mine didn't get a stroke. Of course it does. I also got a massive buzz from raising the cash. Anyone who was in this house, watched on the web-cam, or knows me will know that. I wonder if I hadn't been brought crashing back to earth last October whether it would have gone to my head though. So you know, cheers for keeping me grounded Kappa. But, and this is a big thing for me, I get why being at the centre of a shit load of positive Twitter energy can be such a bizarre experience. Why getting an @ reply from the songs original guitarist might alter the balance of the thing, as cool as that was.
What ultimately concerns me though is the stifling of ideas. If every good idea got shot down because the person who had the original thought was derided as an attentions seeking, egocentric twat, well, I'd have no iPhone for a start, which would be a very bad thing. Tw1tterband was (and is) a great idea, just let it evolve into whatever it's going to become without vilifying those that were involved.
If you're after my opinion on Twit Relief you need to have been reading my tweets earlier today.
Tag Life, Social Media, tweetathon, twitter at 19:23 Posted by Gray Collins
....and awful as it sounds, I didn't realise that there had even been a second song until I read this post.
One of my first experiences of Twitter acting as a vehicle for fund raising was your Tweetathon, and it seemed to be all about the charity - I didn't really get that from Twitterband. Mainly because the idea to form a band seemed to turn up before the charity was decided on.
Of course people have an ego trip out of raising money - who'd do it otherwise? That's not a bad thing.
Valerie in San Diego 18 March 2011 at 19:44
Maybe it's just that things can get very fraught on Twitter sometimes -- I know I got that way myself about my own little personal issue. Even though I knew it was all about me and my own frailties, I had to air it on Twitter. Everything becomes magnified and so visible. There was my ego, much more on display than anyone needs it to be.
My perspective on Tw1tterband was and is that it was a brilliant idea, has been stunningly well executed and oh, how cool, it even raised some money for a charity -- that's fabulous and a plus. The people involved all did amazing things and impress hell out of me. It was a worthy endeavour *whatever* happened or didn't happen with the charity, because imnsho good music makes the world a better place.
Full disclosure: I'm in the process of conducting some research on how social networking involvement affects charitable giving. We're still developing the software to collect the data, so I don't have any results yet.
mongogushi 18 March 2011 at 19:45
There will always be haters, the decisions you make will always have a taste of selfishness, as do everyone's, so do what you do because its right and you enjoy it, fuck everything else.
Great to do stuff for charity, but why can't we do things for fun too?
No one HAS to follow Tw1tterband, or you my darling when you are 'thoning
There is an unfollow button or a cross at the top right hand corner of the screen.
wo0 18 March 2011 at 20:44
DavieLegend 21 March 2011 at 10:34
@wo0 I didn't know it was possible to do a bum fart emoticon.


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package com.telstra.springboot.repository;

import java.util.List;

import org.springframework.data.jpa.repository.JpaRepository;
import org.springframework.stereotype.Repository;

import com.telstra.springboot.domain.Customer;

@Repository
public interface CustomerRepository extends JpaRepository<Customer, Long> {

	List<Customer> findByLastNameStartsWithIgnoreCase(String lastName);
}

redpajama_set_name: RedPajamaGithub


We are constantly suggesting the best meals to eat and the ones to ignore for diabetics as well as suggesting low calorie food options. You can find selected restaurants offering diabetic meals as well as low calorie diet food options. if you are concerned about foods with high sugar or high cholesterol levels. You can also find instructions on picking the right food from the menus while looking for the best restaurants in Fulton, MO.
This place has turned me into a B&B fan. The owners were friendly but not intrusive, and willing to help however they could. I'm not a big dog person, but I really enjoyed their little dog Logan who couldn't be more friendly while still not licking or jumping on you. We stayed in the Garden Room. While the fact that it is in the basement might turn off some people, I thing the positives outweigh the negative. By being in the basement, you've got 2 floors between you and the other guests plus your own private entrance...so it felt more private than the other rooms. I liked that I didn't have to worry about having the TV too loud when we were watching a movie at night. The room was the only one with 2 comfy chairs (recliners) facing the TV. Plus it had a king size bed, gas fireplace, small table and the biggest bathroom in the place. I was temped to use the whirlpool tub, but didn't. The shower was nice though. Much nicer than the shower from the hotel the night before in KC. They have a lot of movies to watch from your room,,, though they tended to lean toward romance and movies more than a few years old. Breakfast on Sunday was served at 9. It was good but on the light side. Our first course of a cheese souffle (muffin size) with 3 sausage links (not my favorite) and the 2nd course was fresh fruit with whipped topping and a drizzle of chocolate (yum). Hearty eaters might leave a little hungry. The coffee was good. They had this fancy machine that made individual cups of coffee or tea with a number of flavor choices. They had a machine in the dining room and in every room. Oh...and the location is good. You can easily walk to downtown, even in winter, and to the Churchill Museum. If you are looking to get out of town from St. Louis or KC for a night, I would definitely recommend the Loganberry Inn. They do gift certificates...perfect for a romantic gift. Hint hint.
This is the subway we always dine at. Clean, big, standard subway fare with friendly staff. No complaints!
Okay, after several meals in adjusting my review. It's primarily a coffee shop, and it does have awesome coffee with a great variety of choices for how you want your espresso fix. One of probably only two places in Fulton you can get a real espresso beverage. The food end of this place is hit and miss. Nothing is really BAD, but many things just don't meet the same hi expectations the coffee sets. Sometimes the pastries are great! Some times the muffins are supper dry. Sometimes the sandwiches are genius (I really like the turkey on sourdough). But some times the bread is dried out or a bit stale, making for a disappointing sandwich. As a result of the hit/miss food situation I'm lowering my star level. But it still gets 4 stars for being a coffee shop with consistently awesome coffee and a very cute café environment.
Love the buffet! The pasta with alfredo sauce is awesome and they always have some new pizza to try on there! People who work there are always friendly has a real small town feel. The store could use some repairs though.
Very friendly staff, delicious food, and a much nicer atmosphere since they remodeled last year. Can be noisy is the Margaritas are flowing . . . but you won't ever be disappointed with the menu or the service. I've eaten here in both small and large groups, and gotten food to take home. Sometimes - if you are lucky - there can be a bit of entertainment if the waiters are in the right mood. Moderately priced.
Good authentic mexican food with a friendly staff. Would eat here again.
The food here is very good and inexpensive. The menu has a very large variety. We often order take-out here. The restaurant itself was in terrible shape, but they have been remodeling and the remodel looks like it will be a very nice place when complete.
I wish we could give negative starts. I hadn't known this place was shut down for health code violations or I wouldn't of ever went back. Well my family and I did last night. We will not ever go back. The food was horrible. Batter on the chicken was undercooked. And somethings were over cooked. My one daughter happen to get sick the same night. I do not recommend this place. And will definitely not return.
UPDATE: I really liked this place, but after it got shut down for some disgusting health violations, I will not be returning, even if it has been "cleaned" and is open again.
Going downhill... Used to be nice and clean with fresh food, then people stop dining here as much, food quality deteriorates and place gets dirty. Won't be eating here again. We were concerned with temperatures of items sitting on the buffet also.
The lady working the late night shift at McDonalds is probably the rudest person I have ever encountered.


By virtue of our baptism and the gift of faith that we have received from the Lord Jesus each of us is called to follow Him as His personal disciple. The word "disciple" comes from a Greek word that originally meant "student" or "learner." Jesus, being the Master or Teacher, asks us to follow Him as His committed, intentional "students", who daily strive to grow in our love for Him and for others.
To share the Good News of Jesus and the Catholic Church with others!
At Blessed Trinity Catholic Parish we are continually looking to become better disciples of Jesus Christ so that He might be glorified through us and so that more and more people might come to know His unfathomable love!


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Regular Faculty Handbook
Other Faculty
Campus Visitors
Contractors & Vendors
All Campus Visitors
Catalog Academic Policies
College Level Policies
Starting Fall 2017
Faculty Handbook Archive 2007-2017
Policy Details
Legal, Compliance & Risk Management
Faculty (FAC)
President's Cabinet (PC)
Student Code (STU)
Print Policy
Export Policy As PDF
Commercial Activity Policy
PC 10.4.1
Pursuant to Article VIII of the Michigan Constitution of 1963, Grand Valley State University ("the University") has the responsibility to serve as a public institution of higher education. To carry out this constitutional mandate, the University owns and/or controls property and facilities. The University has established the following policy to ensure the University's educational mission is actualized, while allowing certain Commercial Activities on University property.
The University reserves the right to deny proposed Commercial Activities that compete with the University or its operations. This policy does not apply to the use of student housing facilities by residents, which is subject to the terms and conditions of the housing agreement. The use of University property for government functions is not subject to this policy.
For the purposes of this policy, the term "Commercial Activities" includes:
The lawful selling, promotion, or offering of products, goods, or services;
The dissemination or collection of information for the purpose of facilitating the sale of goods or services;
Any activity that attempts to raise funds, whether through the sale of goods and services or via donations for any entity that is not a charitable organization (eg a 501(c)(3) nonprofit entity);
The distribution or offering of free gifts, incentives, or promotions.
1. University Departments
University departments and its service providers whose function includes the sale of food or merchandise or the use of outside vendors and/or advertisers are exempt from this policy. This includes, but is not limited to, all campus dining facilities, the Laker Store, University Athletics, and University Development.
2. Registered Student Organizations
Registered Student Organizations (RSOs) may engage in Commercial Activities on University grounds subject to the provisions in the Grounds and Facility Use Policy and the conditions below.
When an RSO is using University property for Commercial Activities, 100% of the proceeds must either return to the RSO or be donated to a specified charitable organization.
RSOs may not sponsor or partner with outside solicitors as part of a Commercial Activity.
RSOs must have at least one of their organization's members present at all times during the Commercial Activity period, and all sales must be made on a person-to-person basis.
Any literature distribution must include the name of the RSO responsible for the publication.
3. Students, Employees, and Non-University Solicitors
Students, employees, and those not affiliated with the University may engage in Commercial Activities only when renting indoor University facilities for an event, subject to the terms and conditions of their rental agreement, or when reserving outdoor space limited to the Cook Carillon Tower plaza. Outdoor reservations must be submitted to the Event Services Office at least five business days prior to the intended solicitation period. Due to high demand for space use, reservations must be canceled at least 72 hours prior to the scheduled event to receive a full refund or have previous payment applied to a new date. Reservations are subject to the provisions in the Grounds and Facility Use Policy.
When using a designated outdoor space for Commercial Activities, students, employees, and non-University solicitors are required to pay $250 per calendar day to the University.
There shall be no more than three separate Commercial Activities using outdoor locations at any one time.
Each individual or organization is entitled to use outdoor University property as provided in this policy for a maximum of five days per semester for purposes of Commercial Activities.


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DevilDriver Recording "Holier Than Thou" for 20th Anniversary Black Album Tribute
By Josh Hart published 9 June 11
DevilDriver are working on a cover of Metallica's "Holier Than Thou" for a special tribute to Metallica's self-titled classic album.
An update posted on the official DevilDriver Facebook page reads as follows:
"DevilDriver is recording Metallica's 'Holier Than Thou' for a 20th anniversary Black Album tribute! Drums were done yesterday and guitars start today!"
More details will follow.
In late 2009, Metallica's self-titled 1991 album (known as the Black Album) surpassed Shania Twain's 1997 CD, Come On Over, to become the best-selling album since Nielsen SoundScan began tracking sales for Billboard on March 1, 1991. Metallica has sold more than 15,500,000 copies of the album.
DevilDriver recently announced that they will head to South America this August in support of their latest album, Beast, which was released Feb. 22 via Roadrunner Records. This marks the first time in more than five years that DevilDriver has visited South America.
Full list of tour dates below.
10 - Buenos Aires, Argentina - Teatro Flores
11 - Santiago, Chile - Teatro Teleton
13 - Sao Paulo, Brazil - Carioca Club
14 - Curitba, Brazil - Music Hall
16 - Aug Bogota, Colombia - Teatro Metro
18 - Mexico City, Mexico - Circo Volador
Josh Hart
Josh Hart is a former web producer and staff writer for Guitar World and Guitar Aficionado magazines (2010–2012). He has since pursued writing fiction under various pseudonyms while exploring the technical underpinnings of journalism, now serving as a senior software engineer for The Seattle Times.


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Paul Winter receives Lifetime Achievement Award from Mortgage Finance Gazette
Home > Press Releases > Paul Winter receives Lifetime Achievement Award from Mortgage Finance Gazette
Added: 28 November 2016
Paul Winter receives Lifetime Achievement Award from
Mortgage Finance Gazette
Paul Winter MBE, chief executive of Ipswich Building Society, was awarded the prestigious Lifetime Achievement Award at the 2017 Mortgage Finance Gazette Awards. The award recognised Paul for his distinguished contribution to the mortgage and finance industry over the past 35 years.
Paul, who is retiring at the end of this year, joined Ipswich Building Society in 1982 and worked his way up from an assistant general manager to the Board. He was appointed chief executive in 2007 and has led the Society to growth through periods of significant change and uncertainty in the sector.
The reward recognised Paul's notable attributes, including helping the Society to become the first lender to successfully champion Mortgage Misfits – coining the term that is now industry recognised, providing a lending lifeline to those people who otherwise would remain overlooked by high-street banks, including the self-employed and older people.
Under his leadership, the Society has established numerous responsible business initiatives to support the local community, including the launch of a health and wellbeing programme in 2009. Paul has also made a valuable contribution to creating new opportunities for young people, an area which led to him being awarded an MBE for Services to Young People. A vocal supporter of the need to boost the nation's housing supply as a means of tackling homelessness and the right for people to have a roof over their heads, Paul has been an advocate of shared ownership for the last two decades, and worked closely with industry partners on the UK's first ever self-build shared ownership project.
Paul commented: "It's a great honour to receive this Lifetime Achievement Award. I am pleased to have been recognised for my work at Ipswich Building Society and I cannot go without acknowledging those I have had the privilege to work with over all these years. The Society's success has truly been a team effort and is the reason for all of our achievements."
The award was presented on 16th November at the 2017 Mortgage Finance Gazette Awards ceremony at Vinopolis near London Bridge.