text:
MUTED follows Lena Gladwell, a black mother who struggles to get police & local media involved when her teenage daughter disappears.
Brandi Ford
Rewards Campaign FAQ 10 Updates 26 Comments 7 Community
Los Angeles, CA Shorts
Muted follows Lena Gladwell, a mother whose world is shattered when her teenage daughter Crystal disappears. Springing into action, Lena attempts to enlist the help of the press and the police. Expecting the full support of law enforcement and local media, Lena quickly learns the painful and tragic lesson that all missing persons are not created equal.
*Our director is the very talented Rachel Goldberg (Neighbors, Rosita Lopez for President), a 2012 HBO/DGA Directing Fellowship finalist, 2010 AFI Directing Workshop for Women participant and named one of "30 Emerging Filmmakers to Watch" by Film Independent.
*Actress/Writer Brandi Ford penned the script and was inspired to write the film after learning about the real missing person cases of Mitrice Richardson, Phoenix Coldon and Romona Moore. Brandi's feature version of Muted was in the final round of the 2013 Sundance Screenwriters Lab.
*Actress/Writer Tara Tomicevic has taken on the role of producer and is excited to share a story she feels will connect with all. Tara spoke about Muted on Good Day Sacramento:
http://gooddaysacramento.cbslocal.com/video/9011410-local-filmmaker-tara-tomicevic-talks-about-muted/
*Tina Pavlides, owner of Still Standing Productions, keeps us on track as our diligent Line Producer.
*The multi-talented Danette Wilson (seriously, she's awesome both in front of & behind the camera) is our hard-working Production Manager.
*The dynamic duo of Greg Cruser and Lex Benedict will be handling post-production under their Longlost Pictures banner.
*Matthew Owyang is our dynamic Social Media Manager.
Casting is currently underway so stay tuned as we look forward to bringing you tons of production updates!
How does this whole pledge thing work?
This is the beauty of Kickstarter - your money is handled by Amazon.com and does not leave your bank account until our goal is reached! If $15,000 is not raised by our deadline, all pledges are cancelled and you keep your money. Please, help us NOT let that happen! :-)
For those of you who prefer a visual breakdown...
$14,999 = Funds nothing! We don't receive a penny if we raise this amount or less.
$15,000 = Success! After Kickstarter & Amazon both take their cut (approximately 10% total or $1500) we'll have the absolute bare bones amount needed to shoot this film.
$18,000 = Funds a reasonable day rate for our cast and crew, upgrades our production design and covers basic editing costs.
$23,000 = Funds additional post-production needs such as sound mixing, color grading, light visual effects and score composition and upgrades some of our equipment.
$25,000 = Funds film festival submission fees, marketing materials and venue fees for the screening.
What's In It For You
We have some exciting rewards that we're happy to offer to thank you for joining our team! Everything from a Facebook/Twitter shout-out, photographs from the set, homemade cake pops and chocolate-covered Oreos (YUM!) and invitations to the private screening. If there's a reward you'd love to have that's not currently being offered just send us a message using the blue "CONTACT ME" button next to our picture and we'll see if we can make it happen.
We can't begin to describe how excited we are to begin production on this film! We have a story to share and hope you'll participate in bringing it to life.
Stay connected by liking us here: www.facebook.com/mutedthemovie
*Special thanks to Longlost Pictures, Hugo Carbajal, and Martin Tapalla for helping us create the above video & graphics!
**Proud participants of Kicking It Forward: http://kickingitforward.org
Making a film is a huge undertaking that always brings challenges and risks such as unforeseen weather situations, actors dropping out, and locations having to change. However, we feel 100% capable of completing this film given our experience, commitment to the project and massive preparation.
Challenge #1: We hope to shoot this film in late July or August. We'll do everything we can to make that happen if funded. The cast and crew who are currently attached have made themselves available for this window. However, we have not cast two of our main characters, Crystal and Lena. We hope to attract great actors, and great actors can be busy. There is a chance that we find the perfect actors to play the roles but they are unavailable this summer, pushing us back until September. We'll do all we can to avoid this as we'd rather not slow down the project's momentum.
Challenge #2: After the film is shot, we'll need to edit it. If we meet but do not exceed our bare minimum goal of $15k, and if we are unable to find a donor who will match our Kickstarter funds, it will take us a bit longer to raise the amount needed to edit and score the film. This challenge can be overcome as it only requires finding more money but that will take time.
Despite these challenges, we are confident in our team's ability to complete this film because of the following:
*Our team has a ton of DIY experience - We're used to keeping costs low and filling multiple roles on set. We know how to keep the process moving even when external factors are working against us.
*We KNOW this script intimately - We've spent a LOT of time with this story. This means we know it well enough to make quick decisions about content and tone and what can stay or go from the script without sacrificing quality.
We're planning everything down to the last detail, from production insurance to contingency plans to lookbooks so that we can concentrate on the most important part: telling a good story.
IN THE WINGS - Access to production updates and behind the scenes info plus a thank you shout out on our Twitter & Facebook pages.
EARLY BIRD - The first 25 backers, no matter the amount, receive the $35 level PROPONENT reward as a thank-you for getting our Kickstarter ball rolling!
ALLY - Your name listed in the Special Thanks section of our website as someone who made this film possible plus the IN THE WINGS rewards.
SUPPORTER - Digital download of exclusive behind the scenes footage and first peek at the trailer plus the ALLY rewards.
FRIEND - Digital download of our Muted poster (perfect for a screensaver or new cover photo on your Facebook page) plus the SUPPORTER rewards.
PATRON - Password-protected digital download of the completed film one week before its official online release (after its film festival run) plus the FRIEND rewards.
PROPONENT - A production postcard (perfect keepsake to remind you of how you helped make a movie!) plus the PATRON rewards.
ADVOCATE - Special Thanks IMDb credit. Your name will forever be connected to this film in the Special Thanks section of IMDb plus the PROPONENT rewards.
ACTIVIST - Hard copy of the signed "Muted" script and YOUR INPUT on our poster creation plus the ADVOCATE rewards.
GROUNDBREAKER - YOUR NAME in the film credits in our "Digital Producers" section, DVD of the completed film mailed to your home and a handwritten thank-you card from the director & producers plus the ACTIVIST rewards.
CHAMPION - YOUR FACE in one of the missing posters used in the montage of our title shot AND half a dozen chocolate-covered Oreos or Rice Krispy Treats courtesy of Sugar Swag Bakeshoppe (available for Los Angeles pickup only or add $10 for shipping & handling) plus the GROUNDBREAKER rewards.
BENEFACTOR - Invitation for you & a guest to the Los Angeles premiere and exclusive wrap party for cast & crew with reserved seating and a special shout out at the screening during the intro to the film (transportation & lodging not included) AND half a dozen delectable cake or brownie pops courtesy of Sugar Swag Bakeshoppe (available for Los Angeles pickup only or add $10 for shipping & handling) plus the GROUNDBREAKER rewards.
ASSOCIATE PRODUCER - Ever wanted to say you've produced a film? Now you can! Choose this reward and you'll receive an IMDb Credit as an Associate Producer plus the BENEFACTOR rewards.
CO-PRODUCER - This reward takes the producing thing one step further and gets you an IMDb credit as Co-Producer and an invitation to join us on set for 1 day (transportation & lodging not included) plus the BENEFACTOR rewards.
EXECUTIVE PRODUCER - This reward offers the top of the line status as our EP. You'll constantly be updated during all phases of production and also be sent an early cut of the film as we are editing so that you get a sneak peek into our development. In addition to being invited to the screening, you'll also be invited to all the film's special events. (transportation and lodging not included). You'll get all the bells and whistles of every reward listed AND you'll get to be a real part of the filmmaking process!


text:
This page was generated with Wiki Builder. Do not change the format!

## Info

## Schema
* **Schema Type:** Class
* **Type:** object

## Properties
Name | Type | Description
---- | ---- | -----------
groupType | [[GroupType|GroupsV2-GroupType]]:Enum | Type of group, either Bungie.net hosted group, or a game services hosted clan.
name | string |
about | string |
motto | string |
theme | string |
avatarImageIndex | integer:int32 |
tags | string |
isPublic | boolean |
membershipOption | [[MembershipOption|GroupsV2-MembershipOption]]:Enum |
isPublicTopicAdminOnly | boolean |
isDefaultPostPublic | boolean |
allowChat | boolean |
isDefaultPostAlliance | boolean |
chatSecurity | [[ChatSecuritySetting|GroupsV2-ChatSecuritySetting]]:Enum |
callsign | string |
locale | string |
homepage | [[GroupHomepage|GroupsV2-GroupHomepage]]:Enum |
platformMembershipType | [[BungieMembershipType|BungieMembershipType]]:Enum | When operation needs a platform specific account ID for the present user, use this property. In particular, groupType of Clan requires this value to be set.

## Example
```javascript
{
    // Type: [[GroupType|GroupsV2-GroupType]]:Enum
    "groupType": {},
    // Type: string
    "name": "",
    // Type: string
    "about": "",
    // Type: string
    "motto": "",
    // Type: string
    "theme": "",
    // Type: integer:int32
    "avatarImageIndex": 0,
    // Type: string
    "tags": "",
    // Type: boolean
    "isPublic": false,
    // Type: [[MembershipOption|GroupsV2-MembershipOption]]:Enum
    "membershipOption": 0,
    // Type: boolean
    "isPublicTopicAdminOnly": false,
    // Type: boolean
    "isDefaultPostPublic": false,
    // Type: boolean
    "allowChat": false,
    // Type: boolean
    "isDefaultPostAlliance": false,
    // Type: [[ChatSecuritySetting|GroupsV2-ChatSecuritySetting]]:Enum
    "chatSecurity": 0,
    // Type: string
    "callsign": "",
    // Type: string
    "locale": "",
    // Type: [[GroupHomepage|GroupsV2-GroupHomepage]]:Enum
    "homepage": 0,
    // Type: [[BungieMembershipType|BungieMembershipType]]:Enum
    "platformMembershipType": {}
}

```

## References
1. https://bungie-net.github.io/multi/schema_GroupsV2-GroupAction.html#schema_GroupsV2-GroupAction

redpajama_set_name: RedPajamaGithub


refreshments, use the external bar (drinks may be consumed in the church) and listen to Bridgnorth Sinfonia and Whalebone. It is guaranteed to be an evening of fun and laughter!
Bridgnorth Town Council have agreed to excercise the break clause in their current ANPR car parking and parking enforcement contract with effect from 11th May 2016. Therefore with effect from Thursday 12th May Severn Park will revert to a pay and display car park with the same payment scales with enforcement being carried out by Shropshrie Council Parking Wardens.
that a casual vacancy has occurred in the office of Councillor for the Morfe Ward of the Town of Bridgnorth following the resignation on Monday 25th April 2016 of Mrs Pauline Harris.
The rule allows TEN ELECTORS for the parish [ward] in which the casual vacancy has arisen to request the Returning Officer to hold an election to fill the vacancy.* That request must be made within FOURTEEN DAYS, calculated in accordance with the rules,** of the date of this notice. The fourteen-day period ends at midnight on Thursday 19th May 2016.
Rule 5(5) of the above Rules will apply. The Parish Council must, as soon as practicable after the expiry of the fourteen-day period, co-opt a person to fill the vacancy.
* There is no form of words for this request, which might simply be a letter headed with such words as "We the undersigned being electors for the [Ward of] … Parish, call for an election to fill the vacancy arising from the [death][resignation] of …". A template entitled "Request for an Election" is available to download from Shropshire Council's website – www.shropshire.gov.uk - under "Current Council Vacancies". It is helpful if the ten signatures are accompanied by printed names and addresses.
** In calculating the notice period, day one is the day following the date of this notice; a Saturday, Sunday, Christmas Eve, Christmas Day, Good Friday or a Bank Holiday or day appointed for public thanksgiving or mourning shall be disregarded, and the period closes at midnight on the fourteenth day after the date of this notice. Rule 5(2) of The Local Elections (Parishes and Communities) (England and Wales) Rules, 2006 now applies.
Shropshire RCC have organised a Diabetes Awareness Programme on 12th & 19th May in the Baptist Church.
Bridgnorth Fairtrade Group are hosting an open meeting to consider Bridgnorth's future as a Fairtrade town. All welcome!
Bridgnorth's Annual Town Meeting will be taking place on Wednesday 20th April at 7pm in the Low Town Community Hall.
This is a meeting of the Town and is an opportunity for residents to meet with the Divisional Surveyor's Department, Police, Shropshire Councillors and Bridgnorth Town Councillors to ask any questions they may have.
Also present at the meeting are two guest speakers; Logan Pope, a Young Carer and Fundraiser and Clive Leworthy from Shropshire Rural Community Council.
The Mayor invites you to join him at a Charity Fashion Show being held in M&Co in Bridgnorth High Street on Friday 29th April. Monies raised will go to Medecins Sans Frontieres, Telford Samaritans and Local Causes.
Tickets are £5.00 and are available from M&Co.
(approx. 25 hours) from Easter to 30th September each year including weekends and Bank Holidays.
Some out of hours working and holiday cover will be required for both positions.
The Diocese of Hereford and Shropshire RCC have organised an event about setting up local Good Neighbour schemes.
It is being held at Bridgnorth Baptist church and is open to anyone interested in learning more about this and how it benefits a community.


text:
/// <reference types="node" />
import * as fs from 'fs';
import * as fsExtra from 'fs-extra';
import * as p from 'path';
import {absoluteFrom} from './helpers';
import {AbsoluteFsPath, FileStats, FileSystem, PathSegment, PathString} from './types';

/**
 * A wrapper around the Node.js file-system (i.e the `fs` package).
 */
export class NodeJSFileSystem implements FileSystem {
  private _caseSensitive: boolean|undefined = undefined;
  exists(path: AbsoluteFsPath): boolean {
    return fs.existsSync(path);
  }
  readFile(path: AbsoluteFsPath): string {
    return fs.readFileSync(path, 'utf8');
  }
  readFileBuffer(path: AbsoluteFsPath): Uint8Array {
    return fs.readFileSync(path);
  }
  writeFile(path: AbsoluteFsPath, data: string|Uint8Array, exclusive: boolean = false): void {
    fs.writeFileSync(path, data, exclusive ? {flag: 'wx'} : undefined);
  }
  removeFile(path: AbsoluteFsPath): void {
    fs.unlinkSync(path);
  }
  symlink(target: AbsoluteFsPath, path: AbsoluteFsPath): void {
    fs.symlinkSync(target, path);
  }
  readdir(path: AbsoluteFsPath): PathSegment[] {
    return fs.readdirSync(path) as PathSegment[];
  }
  lstat(path: AbsoluteFsPath): FileStats {
    return fs.lstatSync(path);
  }
  stat(path: AbsoluteFsPath): FileStats {
    return fs.statSync(path);
  }
  pwd(): AbsoluteFsPath {
    return this.normalize(process.cwd()) as AbsoluteFsPath;
  }
  chdir(dir: AbsoluteFsPath): void {
    process.chdir(dir);
  }
  copyFile(from: AbsoluteFsPath, to: AbsoluteFsPath): void {
    fs.copyFileSync(from, to);
  }
  moveFile(from: AbsoluteFsPath, to: AbsoluteFsPath): void {
    fs.renameSync(from, to);
  }
  ensureDir(path: AbsoluteFsPath): void {
    const parents: AbsoluteFsPath[] = [];
    while (!this.isRoot(path) && !this.exists(path)) {
      parents.push(path);
      path = this.dirname(path);
    }
    while (parents.length) {
      this.safeMkdir(parents.pop()!);
    }
  }
  removeDeep(path: AbsoluteFsPath): void {
    fsExtra.removeSync(path);
  }
  isCaseSensitive(): boolean {
    if (this._caseSensitive === undefined) {
      // Note the use of the real file-system is intentional:
      // `this.exists()` relies upon `isCaseSensitive()` so that would cause an infinite recursion.
      this._caseSensitive = !fs.existsSync(togglePathCase(__filename));
    }
    return this._caseSensitive;
  }
  resolve(...paths: string[]): AbsoluteFsPath {
    return this.normalize(p.resolve(...paths)) as AbsoluteFsPath;
  }

  dirname<T extends string>(file: T): T {
    return this.normalize(p.dirname(file)) as T;
  }
  join<T extends string>(basePath: T, ...paths: string[]): T {
    return this.normalize(p.join(basePath, ...paths)) as T;
  }
  isRoot(path: AbsoluteFsPath): boolean {
    return this.dirname(path) === this.normalize(path);
  }
  isRooted(path: string): boolean {
    return p.isAbsolute(path);
  }
  relative<T extends PathString>(from: T, to: T): PathSegment|AbsoluteFsPath {
    return this.normalize(p.relative(from, to)) as PathSegment | AbsoluteFsPath;
  }
  basename(filePath: string, extension?: string): PathSegment {
    return p.basename(filePath, extension) as PathSegment;
  }
  extname(path: AbsoluteFsPath|PathSegment): string {
    return p.extname(path);
  }
  realpath(path: AbsoluteFsPath): AbsoluteFsPath {
    return this.resolve(fs.realpathSync(path));
  }
  getDefaultLibLocation(): AbsoluteFsPath {
    return this.resolve(require.resolve('typescript'), '..');
  }
  normalize<T extends string>(path: T): T {
    // Convert backslashes to forward slashes
    return path.replace(/\\/g, '/') as T;
  }

  private safeMkdir(path: AbsoluteFsPath): void {
    try {
      fs.mkdirSync(path);
    } catch (err) {
      // Ignore the error, if the path already exists and points to a directory.
      // Re-throw otherwise.
      if (!this.exists(path) || !this.stat(path).isDirectory()) {
        throw err;
      }
    }
  }
}

/**
 * Toggle the case of each character in a file path.
 */
function togglePathCase(str: string): AbsoluteFsPath {
  return absoluteFrom(
      str.replace(/\w/g, ch => ch.toUpperCase() === ch ? ch.toLowerCase() : ch.toUpperCase()));
}


WHAT THE **** AM I GETTING OUT OF COLLEGE???
TheHalfwayPoint	Comments Off on WHAT THE **** AM I GETTING OUT OF COLLEGE???
PEAK INTO LESOTHO INLOCO WITH THIS VIDEO!
TheHalfwayPoint	Comments Off on PEAK INTO LESOTHO INLOCO WITH THIS VIDEO!
Hello! Welcome to Halfway Point! Here you will find interpretations, questioning, thoughts, memories, realizations, and discoveries that stand out as I go through my travels. I am sharing my personal experiences that I find most impactful as I progress through this middle or "halfway point" towards a lifelong career. I welcome you to share your inspiring stories too as I hope this blog can help embrace more outreaching educational methods and share life lessons.


text:
#include "SkTypes.h"

#include "GrBackendSurface.h"
#include "GrBackendTextureImageGenerator.h"
#include "GrContext.h"
#include "GrContextPriv.h"
#include "GrGpu.h"
#include "GrRenderTargetContext.h"
#include "GrSemaphore.h"
#include "GrSurfaceProxyPriv.h"
#include "GrTexturePriv.h"
#include "GrTextureProxy.h"
#include "SkCanvas.h"
#include "SkImage_Base.h"
#include "SkGpuDevice.h"
#include "SkPoint.h"
#include "SkSurface.h"
#include "SkSurface_Gpu.h"
#include "Test.h"

static constexpr int kSize = 8;

// Test that the correct mip map states are on the GrTextures when wrapping GrBackendTextures in
// SkImages and SkSurfaces
DEF_GPUTEST_FOR_RENDERING_CONTEXTS(GrWrappedMipMappedTest, reporter, ctxInfo) {
    GrContext* context = ctxInfo.grContext();
    if (!context->priv().caps()->mipMapSupport()) {
        return;
    }
    GrGpu* gpu = context->priv().getGpu();

    for (auto mipMapped : {GrMipMapped::kNo, GrMipMapped::kYes}) {
        for (auto isRT : {false, true}) {
            // CreateTestingOnlyBackendTexture currently doesn't support uploading data to mip maps
            // so we don't send any. However, we pretend there is data for the checks below which is
            // fine since we are never actually using these textures for any work on the gpu.
            GrBackendTexture backendTex = gpu->createTestingOnlyBackendTexture(
                    nullptr, kSize, kSize, GrColorType::kRGBA_8888, isRT, mipMapped);

            sk_sp<GrTextureProxy> proxy;
            sk_sp<SkImage> image;
            if (isRT) {
                sk_sp<SkSurface> surface = SkSurface::MakeFromBackendTexture(
                                                                           context,
                                                                           backendTex,
                                                                           kTopLeft_GrSurfaceOrigin,
                                                                           0,
                                                                           kRGBA_8888_SkColorType,
                                                                           nullptr,
                                                                           nullptr);

                SkGpuDevice* device = ((SkSurface_Gpu*)surface.get())->getDevice();
                proxy = device->accessRenderTargetContext()->asTextureProxyRef();
            } else {
                image = SkImage::MakeFromTexture(context, backendTex,
                                                 kTopLeft_GrSurfaceOrigin,
                                                 kRGBA_8888_SkColorType,
                                                 kPremul_SkAlphaType, nullptr,
                                                 nullptr, nullptr);
                proxy = as_IB(image)->asTextureProxyRef(context);
            }
            REPORTER_ASSERT(reporter, proxy);
            if (!proxy) {
                gpu->deleteTestingOnlyBackendTexture(backendTex);
                return;
            }

            REPORTER_ASSERT(reporter, proxy->isInstantiated());

            GrTexture* texture = proxy->peekTexture();
            REPORTER_ASSERT(reporter, texture);
            if (!texture) {
                gpu->deleteTestingOnlyBackendTexture(backendTex);
                return;
            }

            if (GrMipMapped::kYes == mipMapped) {
                REPORTER_ASSERT(reporter, GrMipMapped::kYes == texture->texturePriv().mipMapped());
                if (isRT) {
                    REPORTER_ASSERT(reporter, texture->texturePriv().mipMapsAreDirty());
                } else {
                    REPORTER_ASSERT(reporter, !texture->texturePriv().mipMapsAreDirty());
                }
            } else {
                REPORTER_ASSERT(reporter, GrMipMapped::kNo == texture->texturePriv().mipMapped());
            }
            gpu->deleteTestingOnlyBackendTexture(backendTex);
        }
    }
}

// Test that we correctly copy or don't copy GrBackendTextures in the GrBackendTextureImageGenerator
// based on if we will use mips in the draw and the mip status of the GrBackendTexture.
DEF_GPUTEST_FOR_RENDERING_CONTEXTS(GrBackendTextureImageMipMappedTest, reporter, ctxInfo) {
    GrContext* context = ctxInfo.grContext();
    if (!context->priv().caps()->mipMapSupport()) {
        return;
    }
    GrGpu* gpu = context->priv().getGpu();

    for (auto mipMapped : {GrMipMapped::kNo, GrMipMapped::kYes}) {
        for (auto willUseMips : {false, true}) {
            GrBackendTexture backendTex = gpu->createTestingOnlyBackendTexture(
                    nullptr, kSize, kSize, GrColorType::kRGBA_8888, false, mipMapped);

            sk_sp<SkImage> image = SkImage::MakeFromTexture(context, backendTex,
                                                            kTopLeft_GrSurfaceOrigin,
                                                            kRGBA_8888_SkColorType,
                                                            kPremul_SkAlphaType, nullptr,
                                                            nullptr, nullptr);

            GrTextureProxy* proxy = as_IB(image)->peekProxy();
            REPORTER_ASSERT(reporter, proxy);
            if (!proxy) {
                gpu->deleteTestingOnlyBackendTexture(backendTex);
                return;
            }

            REPORTER_ASSERT(reporter, proxy->isInstantiated());

            sk_sp<GrTexture> texture = sk_ref_sp(proxy->peekTexture());
            REPORTER_ASSERT(reporter, texture);
            if (!texture) {
                gpu->deleteTestingOnlyBackendTexture(backendTex);
                return;
            }

            std::unique_ptr<SkImageGenerator> imageGen = GrBackendTextureImageGenerator::Make(
                    texture, kTopLeft_GrSurfaceOrigin, nullptr, kRGBA_8888_SkColorType,
                    kPremul_SkAlphaType, nullptr);
            REPORTER_ASSERT(reporter, imageGen);
            if (!imageGen) {
                gpu->deleteTestingOnlyBackendTexture(backendTex);
                return;
            }

            SkIPoint origin = SkIPoint::Make(0,0);
            SkImageInfo imageInfo = SkImageInfo::Make(kSize, kSize, kRGBA_8888_SkColorType,
                                                      kPremul_SkAlphaType);
            sk_sp<GrTextureProxy> genProxy = imageGen->generateTexture(context, imageInfo,
                                                                       origin, willUseMips);

            REPORTER_ASSERT(reporter, genProxy);
            if (!genProxy) {
                gpu->deleteTestingOnlyBackendTexture(backendTex);
                return;
            }

            if (GrSurfaceProxy::LazyState::kNot != genProxy->lazyInstantiationState()) {
                genProxy->priv().doLazyInstantiation(context->priv().resourceProvider());
            } else if (!genProxy->isInstantiated()) {
                genProxy->instantiate(context->priv().resourceProvider());
            }

            REPORTER_ASSERT(reporter, genProxy->isInstantiated());
            if (!genProxy->isInstantiated()) {
                gpu->deleteTestingOnlyBackendTexture(backendTex);
                return;
            }

            GrTexture* genTexture = genProxy->peekTexture();
            REPORTER_ASSERT(reporter, genTexture);
            if (!genTexture) {
                gpu->deleteTestingOnlyBackendTexture(backendTex);
                return;
            }

            GrBackendTexture genBackendTex = genTexture->getBackendTexture();

            if (GrBackendApi::kOpenGL == genBackendTex.backend()) {
                GrGLTextureInfo genTexInfo;
                GrGLTextureInfo origTexInfo;
                if (genBackendTex.getGLTextureInfo(&genTexInfo) &&
                    backendTex.getGLTextureInfo(&origTexInfo)) {
                    if (willUseMips && GrMipMapped::kNo == mipMapped) {
                        // We did a copy so the texture IDs should be different
                        REPORTER_ASSERT(reporter, origTexInfo.fID != genTexInfo.fID);
                    } else {
                        REPORTER_ASSERT(reporter, origTexInfo.fID == genTexInfo.fID);
                    }
                } else {
                    ERRORF(reporter, "Failed to get GrGLTextureInfo");
                }
#ifdef SK_VULKAN
            } else if (GrBackendApi::kVulkan == genBackendTex.backend()) {
                GrVkImageInfo genImageInfo;
                GrVkImageInfo origImageInfo;
                if (genBackendTex.getVkImageInfo(&genImageInfo) &&
                    backendTex.getVkImageInfo(&origImageInfo)) {
                    if (willUseMips && GrMipMapped::kNo == mipMapped) {
                        // We did a copy so the texture IDs should be different
                        REPORTER_ASSERT(reporter, origImageInfo.fImage != genImageInfo.fImage);
                    } else {
                        REPORTER_ASSERT(reporter, origImageInfo.fImage == genImageInfo.fImage);
                    }
                } else {
                    ERRORF(reporter, "Failed to get GrVkImageInfo");
                }
#endif
            } else {
                REPORTER_ASSERT(reporter, false);
            }

            // Must make sure the uses of the backend texture have finished (we possibly have a
            // queued up copy) before we delete the backend texture.
            context->flush();
            gpu->testingOnly_flushGpuAndSync();

            gpu->deleteTestingOnlyBackendTexture(backendTex);
        }
    }
}

// Test that when we call makeImageSnapshot on an SkSurface we retains the same mip status as the
// resource we took the snapshot of.
DEF_GPUTEST_FOR_RENDERING_CONTEXTS(GrImageSnapshotMipMappedTest, reporter, ctxInfo) {
    GrContext* context = ctxInfo.grContext();
    if (!context->priv().caps()->mipMapSupport()) {
        return;
    }

    auto resourceProvider = context->priv().resourceProvider();
    GrGpu* gpu = context->priv().getGpu();

    for (auto willUseMips : {false, true}) {
        for (auto isWrapped : {false, true}) {
            GrMipMapped mipMapped = willUseMips ? GrMipMapped::kYes : GrMipMapped::kNo;
            sk_sp<SkSurface> surface;
            GrBackendTexture backendTex = gpu->createTestingOnlyBackendTexture(
                    nullptr, kSize, kSize, GrColorType::kRGBA_8888, true, mipMapped);
            if (isWrapped) {
                surface = SkSurface::MakeFromBackendTexture(context,
                                                            backendTex,
                                                            kTopLeft_GrSurfaceOrigin,
                                                            0,
                                                            kRGBA_8888_SkColorType,
                                                            nullptr,
                                                            nullptr);
            } else {
                SkImageInfo info = SkImageInfo::Make(kSize, kSize, kRGBA_8888_SkColorType,
                                                     kPremul_SkAlphaType);
                surface = SkSurface::MakeRenderTarget(context, SkBudgeted::kYes, info, 0,
                                                      kTopLeft_GrSurfaceOrigin, nullptr,
                                                      willUseMips);
            }
            REPORTER_ASSERT(reporter, surface);
            if (!surface) {
                gpu->deleteTestingOnlyBackendTexture(backendTex);
            }
            SkGpuDevice* device = ((SkSurface_Gpu*)surface.get())->getDevice();
            GrTextureProxy* texProxy = device->accessRenderTargetContext()->asTextureProxy();
            REPORTER_ASSERT(reporter, mipMapped == texProxy->mipMapped());

            texProxy->instantiate(resourceProvider);
            GrTexture* texture = texProxy->peekTexture();
            REPORTER_ASSERT(reporter, mipMapped == texture->texturePriv().mipMapped());

            sk_sp<SkImage> image = surface->makeImageSnapshot();
            REPORTER_ASSERT(reporter, image);
            if (!image) {
                gpu->deleteTestingOnlyBackendTexture(backendTex);
            }
            texProxy = as_IB(image)->peekProxy();
            REPORTER_ASSERT(reporter, mipMapped == texProxy->mipMapped());

            texProxy->instantiate(resourceProvider);
            texture = texProxy->peekTexture();
            REPORTER_ASSERT(reporter, mipMapped == texture->texturePriv().mipMapped());

            // Must flush the context to make sure all the cmds (copies, etc.) from above are sent
            // to the gpu before we delete the backendHandle.
            context->flush();
            gpu->testingOnly_flushGpuAndSync();
            gpu->deleteTestingOnlyBackendTexture(backendTex);
        }
    }
}

// Test that we don't create a mip mapped texture if the size is 1x1 even if the filter mode is set
// to use mips. This test passes by not crashing or hitting asserts in code.
DEF_GPUTEST_FOR_RENDERING_CONTEXTS(Gr1x1TextureMipMappedTest, reporter, ctxInfo) {
    GrContext* context = ctxInfo.grContext();
    if (!context->priv().caps()->mipMapSupport()) {
        return;
    }

    // Make surface to draw into
    SkImageInfo info = SkImageInfo::MakeN32(16, 16, kPremul_SkAlphaType);
    sk_sp<SkSurface> surface = SkSurface::MakeRenderTarget(context, SkBudgeted::kNo, info);

    // Make 1x1 raster bitmap
    SkBitmap bmp;
    bmp.allocN32Pixels(1, 1);
    SkPMColor* pixel = reinterpret_cast<SkPMColor*>(bmp.getPixels());
    *pixel = 0;

    sk_sp<SkImage> bmpImage = SkImage::MakeFromBitmap(bmp);

    // Make sure we scale so we don't optimize out the use of mips.
    surface->getCanvas()->scale(0.5f, 0.5f);

    SkPaint paint;
    // This should upload the image to a non mipped GrTextureProxy.
    surface->getCanvas()->drawImage(bmpImage, 0, 0, &paint);
    surface->flush();

    // Now set the filter quality to high so we use mip maps. We should find the non mipped texture
    // in the cache for the SkImage. Since the texture is 1x1 we should just use that texture
    // instead of trying to do a copy to a mipped texture.
    paint.setFilterQuality(kHigh_SkFilterQuality);
    surface->getCanvas()->drawImage(bmpImage, 0, 0, &paint);
    surface->flush();
}


This medication is used to clean the intestine to prepare you for rectal or bowel examinations.
This product is a combination of two laxatives, bisacodyl and PEG with electrolyte. Bisacodyl works directly on the large intestine to make you have bowel movements. It is known as a stimulant-type laxative. PEG with electrolyte works by holding water in the stool to cause watery bowel movements. It is known as an osmotic-type laxative.
Take this product by mouth exactly as directed by your doctor. Do not take antacids for at least one hour before starting this product. Take the prescribed number of bisacodyl tablets with water before using the PEG with electrolyte oral solution. Do not chew or crush the tablets. You should have a bowel movement usually within 1 to 6 hours after taking bisacodyl. After you have your first bowel movement or after waiting for a maximum of 6 hours, begin drinking the PEG with electrolyte oral solution.
The PEG with electrolyte powder must be mixed with water before use. Follow the instructions provided with the product or as directed by your doctor or pharmacist. Fill the container with the correct amount of water, cap the bottle, and shake well to make sure the powder dissolves completely. Drink one full glass (8 ounces or 240 milliliters) of the solution every 10 minutes until you finish the total amount prescribed by your doctor. Rapid drinking of each glassful is preferred to drinking small amounts continuously. Do not save any unused solution for future use. Ask your doctor or pharmacist if you have any questions about how to use this product.
If severe bloating or abdominal pain occurs, drink the solution more slowly or temporarily stop drinking the solution until the symptoms improve.
Do not take any other medication by mouth within 1 to 2 hours of starting this product since the other medication may not be absorbed. Talk to your doctor or pharmacist about rescheduling your other medications while you are taking this product.
Be sure to follow your doctor's instructions about your diet before starting this product, while you are taking it, and after you finish the product. It is usually recommended that you drink only clear liquids and do not eat any solid food when you are preparing for your bowel examination. Drink plenty of clear liquids as directed by your doctor to prevent losing too much body water. Ask your doctor or pharmacist if you have any questions.
Nausea, stomach fullness, cramping, or vomiting may occur. These effects are usually temporary. If any of these effects persist or worsen, notify your doctor or pharmacist promptly.
Persistent vomiting may result in a serious loss of body water (dehydration). Contact your doctor promptly if you notice any symptoms of dehydration, such as unusual dry mouth/thirst, fast heartbeat, or dizziness/lightheadedness.
Before taking this medication, tell your doctor or pharmacist if you are allergic to polyethylene glycol; or to bisacodyl; or if you have any other allergies. This product may contain inactive ingredients, which can cause allergic reactions or other problems. Talk to your pharmacist for more details.
If you have a history of breathing food/liquids into the lungs (aspiration) or trouble keeping food down (regurgitation), you may need to be monitored by a health care professional when you take this medication. Ask your doctor for more information.
The elderly may be more sensitive to the side effects of this product.
It is not known if this product passes into breast milk. Consult your doctor before breast-feeding.
Do not use other laxatives while taking this product.
Laboratory tests (e.g., electrolytes, kidney function) may be performed before and after you take this medication to check for side effects. Consult your doctor for more details.
If you forget to take this medication when directed or remember too late to finish it, call your doctor for instructions.
Store at room temperature between 68-77 degrees F (20-25 degrees C) away from light and moisture. Brief storage between 59-86 degrees F (15-30 degrees C) is permitted. After the oral solution is mixed, refrigerate it and use within 48 hours. Do not store in the bathroom. Keep all medicines away from children and pets.


We read the news today, oh boy: the 2007 McCay Cellars Jupiter Lodi Zinfandel ($24) was named among the TOP 100 Wines of 2010 by the San Francisco Chronicle.
The significance? There are, after all, thousands upon thousands of wonderful wines produced around the world each year that don't make prestigious top 100 lists. More importantly, this is one of the first times a Lodi wine was conscientiously picked to be among an elite. Sure, in recent years Lodi grown wines – especially our heritage Zinfandels – have stockpiled awards like golds, platinums, double-golds, double-platinums and occasional Best of Shows, but those have been circumstances under which mainstream wine judges (i.e. "experts") were forced to recognize Lodi wines: situations where the wines were tasted "blind" – the identities unbeknowst to the judges – and thereby circumventing the usual prejudices against wines produced in a place John Fogerty once castigated in song (although, years later, Mr. Fogerty revealed the fact that when he originally wrote Stuck in Lodi, he had never been to Lodi – he actually picked "Lodi" because he thought the name sounded "cool").
What do you give a Zinfandel lover who has everything, has been there and done that? It is possible to find something he (or she) would shout hallelujah! about in the early hours of Christmas morn; and that something would be something rare, highly individualistic (in terms of pure winemaking aesthetics), and yes, a bit of an expenditure (operative term: "bit," since even rare, higher priced Lodi wines are still such damned good values).
The following four gift ideas can be found at their respective wineries (visit their Web sites for hours); and so, dear zin shoppers, start your engines!
It's mid-December, and who among us is not thinking about… It's a Wonderful Life? We sure were, last week when Chris Storm, Viticulturist for Lodi's Vino Farms, took us through this vineyard management company's showcase property: grandly named Grand Vin Lands.
It was on the last day of this past November when we met with Lance Randolph, owner/winemaker of Peirano Estate, one of Lodi's original landmark wineries; located just off of Hwy. 99, south of Peltier. Mr. Randolph, conspicuously, was wearing a warm flannel shirt and a clean pair of jeans rather than bright red shorts: the latter accoutrement signaling, to the entire Lodi wine community, that harvest 2010 is now officially over.


I made this Bucket Bag for my knitter friend, Linda, a few weeks ago. I took the FREE Craftsy Class on Bag-Making Basics. It was really fun, and taught me a few techniques that I had previously tried to figure out on my own a few times and failed at miserably! The tutorial with Kristen Link explained the process wonderfully, and made the project very quick and easy. You can view my project write up on my Craftsy Page.
The fusible fleece was a bit of a challenge to work with for my first time. It's very thick, so it's important to get the cutting done properly to avoid sewing extra bulk into the seams. Also, it didn't fuse very well for me. Next time I'll iron longer.
I think the embroidery pattern I used is from EmbroideryDesigns.com, but I may be wrong about that. I've had it for a while. I've been wanting to use it on something. When I saw this bucket bag I knew it was perfect.


Thank you to everyone who supported our Jumble Sale on Saturday.
We had crowds at the door waiting for us to open and by the end of the afternoon we had raised over £150 for our Scout Group.
Thank you also to our team of volunteers who collected Jumble, made cakes, manned the stalls and helped to clear up. We couldn't do it without your help.


We are not accepting custom work at this time.
One of the most enjoyable aspects of operating The Whirlygig Factory is meeting and corresponding with a great many interesting people from all walks of life.
Often this leads to a discussion about having a custom item created for a specific function, a business, or a special individual. One thing is certain... even the "person who has everything" is incomplete until they have their very own custom Whirlygig!
Below are a few samples of some of the custom pieces we have created for customers. If you are interested in commissioning a custom item, just use the following form to get the conversation started. We love a creative challenge!


Cool Gadgets Wholesaler Ankaka Announces cool LCD Walkie Talkie with Speaker and FM Radio.This Cool LCD Walkie Talkie with Speaker and FM Radio is characterized by multiple features that can make your proud and happy. Apart from being a wonderful communication device it also serves as an excellent multimedia system that can keep you busy and entertained. You can use this walkie talkie to a maximum distance of up to 3 km. The torch light embedded in the device could be very useful to you at nights. You can put the FM radio included in the walkie talkie to good use especially when you want to listen to your favorite music.
This splendid device supports several multimedia file formats including MP3 and WMA. The clarity of sound is brought about by the inclusion of a powerful speaker. The TF card reader and the SOS alarm also add to value of this exquisite little device much to your delight and satisfaction. Life can never be boring when you have this walkie talkie in your hand!
This entry was posted on 2013/01/28, 6:19 am and is filed under News. You can follow any responses to this entry through RSS 2.0. Responses are currently closed, but you can trackback from your own site.


Hospitals are protected by special laws and secrecy. But, why? Here is an example why we should change that. Here, the FDA issues recall notice over children's ventilators that have defective software in January 2013. It seems that the ventilators can kill babies because the oxygen consumption was miscalculated. So, when was the last time a frightened parent of a newborn asked the nurses, "so, what software version do you have in that machine that is keeping my baby alive?" Patients should be empowered. And, hospitals should not be secret places.
Post a Comment to "More reasons why hospitals should not be secret places or protected by special laws. FDA issues recall notice in January 2013 for ventilators using defective software. Read recall notice here."


To email Ms Radcliffe (Year Group Leader) - please use the contact form below.
Green , Verde, Alowa Ewe, E gjelbërt, Cagaaran and Shobuj classes!
Welcome to our Year 4 page! Here, you will find information with regards to announcements, learning, Pupil Voice and celebrations.
We have a wonderful year of learning ahead and are all very pleased with how the Year 4 Pupils have begun their learning journey. We thank you for helping these wonderful learners to be prepared with school by helping them to arrive on time, in full school uniform with all their equipment!
Below, you will find an introduction to the staff who are working with your Life Long Learners which is accompanied by portraits drawn by the children.
Let's meet your child's class teacher and teaching learning advocate for the academic year 2018-2019.
What standard is expected in Year 4? Take a look at our Target Tracker National Curriculum Steps.
Expmaple of a Reading Record Book.
Each day must be dated by an adult.
At Gascoigne, we understand that reading is not just an academic skill, but a life skill. Children who are able to read well have a greater chance at being successful in all areas of life. Reading also improves confidence, questioning skills and helps to develop vivid imaginations. Studies also show that children who can read well are also able to write well; an important year with only two years until your child's final assessment in this school.
Your child has access to books to take home and read. This should be done on a daily basis for about 10-20 minutes. Reading should be aloud, as this helps to develop and understanding of how to use punctuation and expression.
To help your child make more progress, ask some questions to check their understanding of the text. You could also help them to use a dictionary to check unfamiliar words.
Here are some tips you could use when checking your child's understanding of a text they have read.
1. Questions don't have to be saved until the very end.
Readers who struggle with attention span many times do better if asked questions while reading versus saving all of them until the very end.
Asking questions is also an effective comprehension strategy good readers use throughout reading, not just at the end.
2. Questions that start with "how" or "why" tend to delve deeper into comprehension.
To develop understanding beyond a basic level, move beyond "what", "who", "where" and "when" questions. " How" and "why" questions develop greater understanding.
"Why do you think the main character did that?" or "How do you think she is going to solve this problem?" These questions require young readers to "read between the lines". They must take what they know and add it to what the author is telling them to create an answer.
Answering the deeper questions requires your child to know the basic answers. For example, if you ask your young reader, "Why do you think the main character did that?", listen for your child to use the main character's name while answering.
3. Questions can lead to more questions.
Asking how your child got the answer requires her to think about the strategies he/she used to get the answer.
While some questions only have one right answer, the questions that don't for two reasons.
1-They lead to great conversations and discussions between you and the child.
2-They put the child at ease. When children struggle with comprehension, the last thing they need is the added pressure of trying to figure out the one answer you want them to give (on top of simply coming up with an answer). Try adding, "In your opinion…" or "Why do YOU THINK…" to the beginning of questions to indicate to the child that their opinion and thinking matters more than getting the "right" answer.
Thank you to all the parents who came to support us during our Sports Day.
We have been listening to different poems and have been performing some of our favourites.
This term we are learning about electricity. We looked at how to make a simple circuit with wires, a bulb and a battery.
Find out about fractions using this website.
We designed and made our own digestive systems using a range of materials.
We carried out an experiment to learn about the different functions of teeth. We tried a variety of foods and thought about which teeth we used to eat them. Find out more about teeth here.
We have also been learning about teeth. Click below to find out about the different types of teeth.
We used disclosing tablets from the dentist to show up any areas of plaque on our teeth.
This term we have been looking at how much sugar is in our food. We decided to design our own healthy snack and make fruit lollies. They were delicious!
In English we have been learning how to write instructions. One class made jam sandwiches and wrote instructions on how they did it.
We have been looking at the different designs on Roman shields and have been making our own.
Year 4 have been learning about the Romans and had the opportunity to visit Colchester castle.
This term in maths we have been learning about shapes. We have identified the properties of 2D and 3D shapes including lines of symmetry and angles.
We have also been calculating perimeter and have been using multiplication to calculate area.
In English we have been learning how to use descriptive language in our writing. We have looked at how we can use interesting verbs, adverbs and adjectives to describe characters and settings.
There were some fantastic costumes in Year 4 for World Book Day.
This week we have been learning how to convert different units of measurement by multiplying and dividing.
Year 4 have been designing their own potion bottles and have made them using clay.
Year 4 were visited by Professor Fox who introduced this term's topic – Potions. He showed us how the particles inside a solid, liquid and gas are different.
He also showed us how gases can be made by mixing solids and liquids.
All of the children at Gascoigne School took part in an end of term performance which showed Christmas around the world. Year 4 looked at USA and performed songs and poems from this country.
This term in Year 4 we have been learning about Ancient Greece. We read lots of different myths and enjoyed learning about the mythical creatures. We looked at the features of myths and have written myths using our own characters. We have also used drama to help us write recounts.
We have also looked at non-fiction books this term to find out information about Ancient Greece. We have been recapping the key features of writing non– chronological reports such as headings/ sub-headings, paragraphs, technical vocabulary and how to write in the present tense. This information has been used to help us write non-chronological reports.
In our Science lessons we have been learning about sound.
Using different materials, we carried out an investigation to see which was the best for muffling sound.
We also made our own musical instruments using straws. We found that if we cut the straw the pitch would be higher.


text:
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Málaga province Mijas Pueblo
Local Events Museum & Art Nature & outdoors Sports & adventure
Mijas Pueblo - a View of the Costa del Sol
by John Kramer
13. May 2015 (Updated 11. Jun 2019)
in Mijas Pueblo Local Events Nature & outdoors Museum & Art
Mijas Pueblo is one of the most visited of Andalucia's white villages, a stroll around the narrow cobbled streets quickly reveals why.
Its winding streets, charming nooks and crannies, flower-decked houses and numerous tiny squares all contribute to Mijas' popularity.
The warmth of Mijas Pueblo invites you to explore the flower-filled patios, to discover the sights hidden around every corner, or to gaze at the stunning views of the Costa del Sol. It's hardly surprising that Mijas attracts tourists from all over the world, who enjoy the hospitality and kindness of the people.
Mijas Village - Mijas Pueblo
Mijas is located only 30 km from Malaga city. Driving towards the village, you climb a steep and windy road that cuts its way up to the village. Very quickly, you start getting glimpses of this typically Moorish and exceptionally beautiful white-washed village. The colourful plant pots brimming with bougainvillea, lavender and jasmine all add an extra dash of colour to this enchanting scene. Mijas was declared an Historic-Artistic village in 1969 and has been authentically preserved ever since.
The Mijas Bullring
This small bullring was built by popular demand in the 1900s. It still retains the typical white facade of the houses in these villages. The bullring is also curious for its oval shape (there are few in Spain) and for being located on a rock.
Since opening, it has seen many running of the bulls, but nowadays such events are no longer held. The bullring was closed from 1968 and subsequently reopened in 1977.
Antique Arab wall and Gardens
Stroll through the colorful gardens by the ancient wall and enjoy a quiet, relaxing and unique view across the Costa del Sol, undoubtedly one of the most spectacular in Malaga.
On a clear day you can see across the Mediterranean to the Rif Mountains in Morocco. The best viewing platform is called Cuesta de la Villa.
Sanctuary of the Virgin of the rock
This is one of the major attractions of Mijas Pueblo. During festivals, the whole town gathers in this mystical place. The chapel was excavated in solid rock by Friar Diego de Jesus Maria and San Pablo in 1548.
But the story goes back, according to folklore, to 1536, when a pair of children (cousins) saw a dove perched on the rock day after day. One of the children told his father, who was a mason by trade, the father decided to explore the rock and realizing that it was hollow he started digging. He soon found a series of religious objects and the image of the Virgin who, told him to build a chapel in the same place.
The dark interior still houses the image of the patron saint of Mijas. A must see.
The Church of the Immaculate Conception
In the upper part of the village you'll find another place of interest, the Church of the Immaculate Conception, built between the years (1541-1565) on the ruins of an old mosque. The church's bell is still housed in one of the Mosque's original towers.
Max's Miniature Museum
This collection of 360 miniatures is worth seeing. First opened in May 1972. You can find almost everything from stuffed fleas, a ballet dancer constructed from a toothpick or the Last Supper of Leonardo da Vinci on a grain of rice.
Mijas still has many more museums; The Bullfighting Museum, The Historic Culture Museum, Hermitage San Sebastián, Caves of the Old Forge, Ermita Ntra. Sra. De los Remedios, Mirador de la Sierra, Calvary Chapel, the Auditorium or Constitution Square among others.
Mayan Monkey Mijas Chocolate Factory
Mayan Monkey uses only locally sourced natural ingredients to create the best quality chocolate. Besides being able to buy chocolate they have developed a series of entertaining workshops where you can go through the process of making chocolate and even the possibility of developing your own. Discover more about this sweet spot in this article - Mayan Monkey Mijas Chocolate Factory.
If you are an intrepid hiker who likes to walk a network of paths, you can not miss the Red Trail of Mijas, a great opportunity to explore the natural surroundings of Mijas, whose starting point is the Mirador de Mijas Pueblo. Plano de rutas
Pampa Tabla and Tapas (Mijas Pueblo)
The English Tea Room (Mijas Pueblo)
Wine Museum
El Mirlo Blanco Restaurant
Restaurant la Alcazaba de Mijas
The best place to park your car is in the public parking right at the entrance of the village. A large, comfortable and possibly the cheapest parking in Malaga because you only pay 1 € for a full day.
How to get to Mijas Pueblo
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redpajama_set_name: RedPajamaCommonCrawl


Been meaning to do a resolution list of all sorts but I haven't gotten the inspiration for it. Briefly thought about a laundry list of the things to be grateful for in 2013 but haven't gotten around to that either.
Today marks the 1st day of the Lunar Calendar and it heralds the beginning of the Lunar New Year.
I have one goal in this Horsey Year.
I need room for more Love. More Self love, more love for my wonderful husband, my families, friends and people around me.
I want to work on 'Self Love', because the happier and more content I am with myself and my life, the more 'Love' I can give to those around me.
So this year, I will be less hard on myself, take more time to enjoy everything I'm blessed with and not feel guilty for the lack of conformity to societal's standards. I will be lazy some days and it will be okay. I will drive myself up the wall somedays and it will be okay. I will dream up dreams and they will crash and burn, but it will be okay.
It will be okay because everything I want and have is in my heart, mind and soul. I just need to reach in (sometimes with a little more effort than the other times) and grab it!
This entry was posted in Happiness, Housewifedays, Life, Love and tagged Happy CNY 2014 on January 31, 2014 by charleneisabelle.
New York City has restaurant week twice a year, once in Summer and another in Winter. As such you get prix fixe meals for a steal at some fancy places. Lunch goes for 25++ and dinner for 38++ (9% sales tax and tip of about 20%). The wonderful part of being a housewife? You can go for nice long leisurely lunches anytime. YAYYYY!!!!!!!
Today I booked Nobu New York for lunch with a friend. I've heard good things about it from many food reviews.
The shrimp tempura batter was so light and airy and very very lightly coated in batter. It had a tinge of spiciness and was nicely balanced with a tad of sourness from the lemon dressing. I loved it.
(Gindara, tuna, scallop, Alaskan crab, salmon, fluke).
The sushi was really really fresh and of remarkable quality. Sushi/Sashimi is all about the freshness of fish really, so it was a big WIN for me. The scallop was of outstanding quality actually, normally they come a little fishy for me but this was perfectly sweet and fresh. Loved it the most.The sushi rice was good too. Not as good as some of the Japanese rice I had in Tokyo but still decent quality for America.
My friend had Arctic Char with Ponzu sauce, which by the way is a cold water fish very similar to salmon. She said it tasted great but was a little raw in the middle. I guess its a Japanese restaurant after all.
Dessert – Raspberry cheesecake mousse.
You can't see it from the picture but its really tiny, perfect end to a meal. Sweet dessert but not heavy at all, very light and airy, texture was almost similar to whipped cream.
I was a very very happy housewife at the end of the meal.
105 Hudson Street, New York.
This entry was posted in Food, Housewifedays and tagged Food Review, Japanese Food, Nobu New York, Restaurant Week on July 30, 2013 by charleneisabelle.


Puma Biotechnology, Inc., a development stage biopharmaceutical company, focuses on the acquisition, development, and commercialization of products for the treatment of various forms of cancer. Its drug candidates include PB272 (neratinib (oral)) for the treatment of advanced breast cancer patients, non-small cell lung cancer patients, and patients with HER2 mutation-positive solid tumors; and PB272 (neratinib (intravenous)) for the treatment of advanced cancer patients. The company is also developing PB357, an orally administered agent that is an irreversible tyrosine kinase inhibitor that blocks signal transduction through the epidermal growth factor receptors, HER1, HER2, and HER4. It has a license agreement with Pfizer, Inc. for the development, manufacture, and commercialization of neratinib (oral), neratinib (intravenous), PB357, and related compounds. Puma Biotechnology, Inc. was founded in 2010 and is headquartered in Los Angeles, California.
Puma Biotechnology, Inc.'s ISS Governance QuickScore as of Jun 1, 2015 is 5. The pillar scores are Audit: 1; Board: 7; Shareholder Rights: 2; Compensation: 9.
Amounts are as of Dec 31, 2014 and compensation values are for the last fiscal year ending on that date. Pay is salary, bonuses, etc.Exercised is the value of options exercised during the fiscal year.
Tonight's presentation examines the part genetics has to play in our ability to survive. Is everyone's ability to survive the same? Faced with the same perils, would we all cope just as well? And if not, is it down to luck or relative toughness, or is there such a thing as the will to live?
Charles Leonard Huskins (1897-1953) was an English-born Canadian geneticist who specialized in the field of cytogenetics. He is also sometimes referred to as C. Leonard Huskins or C.L. Huskins.
What can you do with a UMaine degree?
What Can You Do With a Degree in History?
What do you want to do with your Dowling Degree?


text:
import { GraphQLList } from 'graphql';
import { resolveMap } from '../resolve-map';
import getSelectionSet from './get-selection-set';
import getUnaliasedName from './get-unaliased-name';
import db from '../db';
import config from '../config/config';

export default function getResolver(type) {
    const typeData = resolveMap[type];

    if (!typeData) {
        throw new Error('Type "' + type + '" not a recognized type');
    }

    const pkAlias = typeData.primaryKey ? typeData.aliases[typeData.primaryKey] : null;
    return function resolveEntity(parent, args, ast) {
        const isList = ast.returnType instanceof GraphQLList;
        const clauses = getClauses(ast, args, typeData.aliases);
        const selection = getSelectionSet(type, ast.fieldASTs[0], typeData.aliases, typeData.referenceMap);
        const hasPkSelected = (
            typeData.primaryKey &&
            selection.some(item => item.indexOf(typeData.primaryKey) === 0)
        );

        if (typeData.primaryKey && !hasPkSelected) {
            selection.unshift(getAliasSelection(typeData.primaryKey, pkAlias));
        }

        if (parent) {
            const parentTypeData = resolveMap[ast.parentType.name];
            const refField = parentTypeData.referenceMap[ast.fieldName];
            const listRefField = parentTypeData.listReferences[ast.fieldName];

            if (refField) {
                const unliasedRef = getUnaliasedName(refField, parentTypeData.aliases);
                clauses[typeData.primaryKey] = parent[refField] || parent[unliasedRef];
            } else if (listRefField) {
                const parentPk = parentTypeData.aliases[parentTypeData.primaryKey] || parentTypeData.primaryKey;
                clauses[listRefField] = parent[parentPk];
            }
        }

        const query = (
            isList ? db().select(selection) : db().first(selection)
        ).from(typeData.table).where(clauses).limit(25);

        if (isList) {
            query.limit(args.limit || 25).offset(args.offset || 0);
        }

        if (config.debug) {
            console.log(query.toSQL());
        }

        // @TODO Find a much less hacky and error prone to handle this
        // Ties together with the Node type in Relay!
        return query.then(function(result) {
            if (result) {
                result.__type = typeData.type;
            }

            return result;
        });
    };
}

function getClauses(ast, args, aliases) {
    return Object.keys(args).reduce(function(query, alias) {
        if (alias === 'limit' || alias === 'offset') {
            return query;
        }

        let field = getUnaliasedName(alias, aliases);
        query[field || alias] = args[alias];
        return query;
    }, {});
}

function getAliasSelection(field, alias) {
    if (alias) {
        return field + ' AS ' + alias;
    }

    return field;
}


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text:
Angels Flight • literary west
Letter to L.A.
Wall of Resistance
Time, Time, Time
AFLW February 15, 2017 Fiction, UNREAL
Four Blades by Rachael Warecki
When Lisa first hears the police helicopter hovering above her apartment fourplex, she's braced against her bathroom sink, taking stock of her collection of razors, trying to determine which one will slice through her veins with the least amount of mess. She's never realized, until now, how many razors she's collected in her brief time as a tenant of 5919 Lakewood Boulevard. There's her older, duller Schick and her new, sharp Venus, purchased when CVS was out of Schick refills, but she's also unearthed a rusted-over Bic disposable and a men's electric razor, which is useless for her purposes. She can't explain the last two. She's never had a man here, and she's always hated cheap, throwaway products — one-day contact lenses, travel shampoo bottles, microwaveable lunches — but lately, her life has been reduced to the economical and non-reusable, fast-food wrappers and Salvation Army clothes and do-it-yourself haircuts. Which is why Lisa's picking the rust off her Bic, fiddling with the needle-nose pliers that will remove the blades from their plastic casing once she's melted it with her lighter. Twenty-three job application rejections, the most recent of which arrived yesterday, means that disposability has moved from a habit to a necessity.
Scratching the rust off the blades is a waste of time, she knows; if she does this right, she won't have to worry about tetanus poisoning her blood. She picks up the lighter, another cheap throwaway from a multicolored six-pack. This lighter is blue, also a product of the Bic company, like the razor she's dismantling and the pen she used to fill out all those job applications. A corporate family tree stained by what Lisa's about to do with its wares. Lisa's own family tree has collected plenty of those stains: her great-grandfather (hanging), her second cousin (shotgun), her uncle-by-marriage (car purposely stalled on the railroad tracks). Her stepmother used pills. She'd done it perfectly, just as she'd done everything else; Lisa had come home from school one day to find her stretched out in the recliner, a note and an empty bottle of lorazepam resting on the end table. Lisa has always striven for perfection, from the files she used to arrange in their cabinets to the check marks she's etched into so many application boxes. She goes back to picking the rust off her razor blades. She watches the tiny brown flakes fall into the sink.
A helicopter's whirring interrupts her work. The chopper has started flying in a tight loop, the loops closer now, as if the cops could see through her ceiling and know what she's planning. Lisa recognizes that this type of thinking is dangerous. Paranoid. Her next-door neighbor had ranted about conspiracies and privacy until he'd been evicted by the sheriff's department for lack of rent payment. Lisa had known that wasn't the way she wanted to go out even before she'd checked her bank account and felt its emptiness settle into her stomach, next to her ever-present, low-level hunger. No, it's more likely that the cops have zeroed in on some petty thief using her neighborhood as a getaway route.
Or maybe even using her backyard: The helicopter's rotor is louder than she's ever heard before, beating the air with a violence Lisa has always associated with her father's construction jobs growing up, the tools of his trade so much more visceral than the file folders and photocopiers she lost when her company downsized half its administrative staff. The chopper must be hovering immediately above her bedroom roof. She wonders if this brutal rush of air was the sound the firstborns heard in Egypt, just before the Angel of Death snatched their lives away. She wonders how it would feel to be borne to heaven by such a force of nature, to be snuffed out under the immense weight of its machinery. She remembers her father lifting her off the couch and carrying her up the stairs when she was a very little girl, his bedtime stories full of the sounds of jackhammers and bulldozers and hammers and saws, and she convinces herself that this experience would be very much like that one.
The helicopter drops lower. Its nearness is dangerously out of control: One slip of the pilot's joystick and her apartment building will become an accidental landing pad. Lisa imagines it bursting through her bedroom ceiling and incinerating the cheap, throwaway detritus of her life — perfect. When it happens, she wants to be waiting.
She takes one last look at her apartment before heading to her bed. She can see the entire space, bathroom and all, from her front doorway — the most obvious example of how small and ineffectual her life has become. There's no dishwasher or air-conditioning unit. The kitchen tiles, the bathroom cabinets and the bedroom door are all the yellow of uncared-for teeth. The pictures on her walls are from happier times — graduations, birthdays, family vacations — but they hang crookedly, as if her building has resigned itself to a permanent slouch. Lisa hates the fact that she's paying almost $1,000 a month to live in a place that so thoroughly embodies her despair. The thought of these four rooms ablaze kick-starts her heart into something close to happiness. When she flings herself onto her bed — face up, spread eagle, ready — her smile feels like it might break her face in two.
The helicopter continues to sink. Its searchlight glows through the bedroom windows, so that the entire room is suffused with an overwhelming light. The panes flex as if their muscles, too, are preparing themselves for impact.
Lisa's limbs go rigid and an immense pressure builds in her chest, as if she's already accepted how the landing skids will feel as they crush her body: her ribs cracked, her sternum snapped, her heart exploded. Her breathing accelerates until it matches the rhythm of the blades. It's too fast, she knows — her lungs cannot keep up — but the reptilian part of her brain won't regulate; it's tricked itself into thinking that her elevated heart rate and racing pulse are due to sex, or something like it, that's she's rushing to fulfill la petite mort. Part of her hopes that she will literally run out of breath in the instant before the helicopter lands — an even littler death.
The blades hover. Lisa breathes.
Then, the helicopter lifts up and away, so slowly at first that it takes her a moment to realize what's happening. There are no shouts from her neighbors or sirens from approaching police reinforcement, just a withdrawal of sound and light. Lisa listens until the thrum of its blades are no more menacing than the long-ago whisper of her father flipping the pages of a storybook.
Gradually, her breathing returns to normal. Her limbs unfreeze, although they feel strangely heavy, unwilling to break contact with the bedspread. Her smile is the last part of her to unkink, like a hose that's been incorrectly coiled. She doesn't know what exactly, but she knows the helicopter has taken something from her, ripped her certainty or determination or will straight out of her chest, so that her emptiness now extends through the entire core of her being.
Lisa returns to the bathroom sink. She stares at the razors for a long time.
Rachael Warecki's fiction has appeared in The Los Angeles Review, The Masters Review, Midwestern Gothic and elsewhere, and has received an honorable mention or been a finalist in contests held by Glimmer Train, The Masters Review and The Stoneslide Corrective. Rachael holds an MFA in fiction from Antioch University, Los Angeles, and is part of the leadership team for Women Who Submit, L.A.
Photo by D. Sinclair Terrasidius.
Posted in Fiction, UNREAL. Bookmark the permalink.
Letter to L.A.: 'Hey, Negro, You Don't Belong Here' by Mark Eckhardt
Excerpt & Q&A: YOUR HOUSE WILL PAY by Steph Cha
Excerpt & Q&A: BLACK INDIAN by Shonda Buchanan
Excerpt & Q&A: THE LAGER QUEEN OF MINNESOTA by J. Ryan Stradal
'The Moon Lives in the Lining of Your Skin': A Poetry Collective
About / Press
Salons / Classes
Angels Flight • literary west ©2016 All rights reserved
AFLW on Twitter
Excerpt: NEVER MIND THE RULES by Susan Hyatt and Lina Lecaro
Golden Shower by Martin Ott


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Quebec police arrest man for online threats linked to self-declared 'queen of Canada'
Didulo claims to be queen and commander-in-chief of Canada
Police north of Montreal say they've arrested a 42-year-old man for allegedly making online threats in connection with his support for a woman who claims to be the queen of Canada.
Laval, Que., police said today they are investigating after Radio-Canada reported on Romana Didulo, a British Columbia woman who has allegedly called on her supporters to kill medical professionals vaccinating children against COVID-19.
In videos posted on YouTube, Didulo claims to be queen and commander-in-chief of Canada, a role she says she was given by the United States military after Queen Elizabeth was executed.
Laval police say Didulo has more than 70,000 subscribers on messaging application Telegram.
Police say the man they arrested had made online threats in connection with the vaccination campaign against COVID-19 at his child's school. They say the suspect was questioned by investigators and released.
Police have not disclosed the man's name because he has not been formally charged.
– The Canadian Press
No solid numbers to gauge flood damage repair costs, says B.C. finance minister
'I knew the challenges': Lethbridge police chief aware of problems before taking job


text:
That Shipping Giant's Collapse Is No Reason to Become a Pirate
The bankruptcy of Korean shipping giant Hanjin will make life on the high seas a bit more expensive and a bunch more complicated.
Patrick T. Fallon/Bloomberg/Getty Images
A century from now, no one's gonna say, September 2016: That's when the pirates took over.
Yes, the demise of shipping giant Hanjin will make life on the high seas a bit more expensive and a bunch more complicated. But the pain will be temporary.
First, the case for hysteria. South Korea's Hanjin Shipping, the seventh largest company of its kind in the world, declared bankruptcy Wednesday. Its ships that haven't been seized by creditors have been turned away from ports in Japan, China, Germany, Australia, and the US. Some---it's unclear how many---are just sitting offshore. Those that have docked sit untouched, cargo stuck on board.
Now that Hanjin's assets are frozen, the stevedores, tug boat pilots, truckers, railroad operators, and others who move goods from ship to shore to store know they won't get paid---and won't do the job. The Wall Street Journal reports the deliveries of roughly 540,000 containers will be delayed by up to a month.
All Aboard the Most Ridiculous, Most Stupidly Huge Cruise Ship on EarthArrow
The Lonely Transatlantic Journey of a Self-Sailing Solar ShipArrow
What Scientists Learned Mapping a Sunken Aircraft CarrierArrow
Meanwhile, America's National Retail Federation is fretting as the holidays approach. "There is millions of dollars worth of merchandise that needs to be on store shelves that could be impacted by this," Jonathan Gold, head of supply chain and customs policy, said in a statement.
Oh, and those ships stuck at sea? They have people onboard.
Now, the deep breathing. "This is going to be a short term crisis," says Ryan Petersen, CEO of Flexport, which helps clients coordinate shipping through the tangle of trucks, ships, and trains needed to take things from door to door.
The sailors on those ships afloat won't starve or abandon ship. If they're really stuck, their union, the local Seamen's Church Institute, or someone else can bring them extra supplies. Creditors worried about the state of valuable ships could arrange to pay sailors to keep them the job.
So no, this isn't your chance to swashbuckle onto ships full of suddenly up for grabs goods. And no, the sailors on those ships won't crack open the containers and enjoy lives of luxury under benign maritime law.
But yes, prices will go up. The cost of shipping a 20-foot container from China to California is expected to nearly double, according to the Korea International Trade Association. That's because shippers are rushing to profit from Hanjin's demise. They're desperate, Petersen says, because the whole industry is slipping under.
Here's a great opportunity for them to raise prices, right before Christmas season.
Ryan Petersen, CEO of Flexport
Roughly five years ago, just about every shipping company started ordering massive new vessels, enticed by the promise of greater capacity and efficiency. Beasts like 11the 194-foot wide, 1,312-foot long1 Maersk Triple-E can carry 18,000 containers and burn half the diesel of their punier predecessors. But the global economy didn't keep up. Ordered years in advance, ships kept hitting the water. Supply outstripped demand; the price of shipping cratered.
"Here's a great opportunity for them to raise prices, right before Christmas season," Petersen says. Hanjin handled about 3 percent of ocean container shipping, creating enough turmoil in the market for its competitors to negotiate better rates.
Eventually, Hanjin's ships will find new owners, the containers onboard will get delivered, the sailors will go back to work, and the prices will return to normal. "This will be good for the rest of the shipping industry," says Marc Levinson, an economist and author of The Box: How the Shipping Container Made the World Smaller and the World Economy Bigger. "There's just not sufficient demand to keep these things full," and consolidation is the natural solution. Hanjin's bankruptcy is a dramatic manifestation of the shift usually expressed in mergers and acquisitions.
Key word: eventually. This may not be a crisis, but it's certainly a mess for those directly involved. Hanjin is a multinational corporation. It has ships, subsidiaries, crews, creditors, and contracts all over the world. It filed bankruptcy in South Korea, but the legal fallout will be international. When shipping giant United States Lines went bust in 1986, it took two years to put together a reorganization plan, and four more to totally liquidate the company. The resulting litigation carried into the 2000s.
Hanjin's death rattle promises to be similarly excruciating. There are unions to consider, pension plans to fund, medical insurance premiums to pay. "There are about a million details," Levinson says. "Nobody's really in charge."
Forget piracy---become a lawyer.
1Post updated at 15:22 EST on Monday, September 5 to clarify size of the Triple-E.
Alex Davies is a senior editor at Insider and the former editor of WIRED's transportation section, where he specialized in covering autonomous and electric vehicles. He is also the author of Driven, a book chronicling the origin of and race to create the self-driving car.
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