text:
Push Play...
Okay, here's how this podcast works:
1) Check the episode title to see which movie we're watching together this month.
2) Pop that flick into your home entertainment player.
3) Turn down the volume on your tv. Turn up the volume on your computer/mp3 player.
4) Start the podcast. Play the feature when we give you the go ahead.
5) Listen to us talk through the movie as you watch along.
Alex Paxton knows more about cinema than just about anyone we know. He reads -- and somehow retains -- every bit of information in the closing credits of the many, many films he sees, and he brings that knowledge to "Talking Pictures" each month. Alex is also one of the co-hosts of "That Movie Podcast: Film Talk Q&A" on the FASE Media Podcast Network.
Larry Duane is not even close to being the fount of cinematic knowlege that his co-host is, but he does have a great love for movies, and is always up-to-date on the latest spoilers, rumors, and news coming out of Hollywood. Thanks to certain entertainment databases on the web, he can also hold his own when it comes to movie trivia. Larry hosts "Not Ready For Radio" and is also the head of FASE Media.
Talking... "Kiss Kiss Bang Bang" 1:45:39
Talking... "Thor" 1:59:30
Talking... "A Nightmare On Elm Street" 1:37:26
Talking... "Caddyshack" 1:43:29
Talking... "Smokey and the Bandit" 1:42:25
Talking... "Superman: The Movie" 2:38:54
Talking... "Star Trek" Double Feature 2:54:20
Talking... "The Producers" 1:34:15
Talking... "The Fugitive" 2:19:46
Talking... "My Bloody Valentine" 1:37:10
Talking... Marvel's Avengers 2:30:24
Talking... "A Christmas Story" 1:39:33
Talking... "Rudolph the Red-Nosed Reindeer" 56:56
Talking... "Frosty the Snowman" 28:21
Talking... "Mr. Magoo's Christmas Carol" 54:31
Talking... "Planes, Trains, and Automobiles" 1:39:02
Talking... "Halloween" 1:33:29
Talking... "Kansas City Bomber" 1:44:27
Talking... "The Exterminator" 1:51:28
Talking... "Jaws" 2:08:58
Our Feature Presentation
Larry and Alex celebrate Christmas with an action-comedy set during this festive season, and featuring a number of things sure to land them on Santa's naughty list: guns, boobs, dead bodies, and digital dismemberment. Shane Black has a knack for writing excellent action-packed stories set during Christmas, and "Kiss Kiss Bang Bang" is no different, except that Black also made his directorial debut with this Robert Downey, Jr. / Val Kilmer vehicle. Tune in now to listen to the boys as they down eggnog and discuss one of their festive film favorites.
In the Vault
Larry and Alex join Katie for a viewing of the God of Thunder's feature film debut in Marvel's "Thor"! This month's picture was all her idea, because she was super-excited about Chris Hemsworth's return to the silver screen as the Prince of Asgard in the sequel to this 2011 smash hit. So before rushing out to see the new movie, which they hope will be just as Thor-rific as this one, the gang gathers for a refresher on the Avenger's origin (or lack thereof, as the trio discuss in this episode). Wouldst thou join them?
Alex is out making a movie, so Drew, Ja'son, Melissa, and Katie sit in with Larry for October's "Talking Pictures" feature. Together, the group watch and discuss Wes Craven's 1984 horror classic, "A Nightmare On Elm Street". The movie that saved New Line Cinema and introduced the world to Freddy Krueger is one of the most well-known and respected of the genre, but half of the people at the table this month are seeing it for the first time, which makes for an interesting perspective on the film. Tune in now to join the gang for a fun discussion about the famous slasher flick, dreams and nightmares, special effects, and more. But, whatever you do, don't fall asleep!
Caddyshack (1980)
Alex and Larry reconvene once again, this time to watch the hilarious goofball golf comedy "Caddyshack". Bill Murray, Chevy Chase, Rodney Dangerfield, and Ted Knight are all at their best in this cult classic. In fact, they are so good that the guys end up doing more watching and laughing than talking (oops!). Still, though, they manage to offer some interesting tidbits about the film, and they had a pretty darn good time watching it. And, really, that's the point, right?
The Royal Tenenbaums (2001)
Gene Hackman, Bill Murray, Anjelica Huston, Danny Glover, Gwyneth Paltrow, Ben Stiller, Owen Wilson, and Luke Wilson star in this month's (obviously) star-studded "Talking Pictures" selection -- "The Royal Tenenbaums"! Join Alex and Larry as they watch one of Larry's top three comedies of all time, which also happens to be a somewhat touching (if pretentious) family drama about a bad dad's misguided attempt to reconnect with his family of spectacular has-beens.
Smokey and the Bandit (1977)
There were two huge movies in the summer of 1977, and this episode of "Talking Pictures" sees Alex and Larry discussing the one that didn't introduce the world to lightsabers and Wookies. "Smokey and the Bandit" instead features a Playgirl icon in a fast car, a super-sexy Sally, a "Honeymooner" in hot pursuit, and a country music legend with a hound dog, all in an action-packed comedic plot about moving some Coors beer from one town to another. Also, as a follow-up to last month's feature, there's a little bit of "Man of Steel" talk thrown in for good measure. Enjoy!
In one of the most talkative "Talking Pictures" to date, Larry and Alex revisit the Man of Steel's first feature length adventure just in time for his most recent one, which is hitting screens this month. The pair discuss the hero's history (including the comic books, the tv shows, the cartoons, the movies, etc.), and they also share their hopes and expectations for the new film, all while still managing to comment on the film they are currently watching -- the Richard Donner-helmed "Superman: The Movie".
STAR TREK DOUBLE FEATURE
Star Trek: Space Seed (1967)
Star Trek II: The Wrath of Khan (1982)
With a new "Star Trek" film arriving in theaters this month, it seems like the ideal time to revisit the franchise's glorious past with a "Talking Pictures" double feature of "Space Seed" from the original series, and "Star Trek II: The Wrath of Khan". Both of these classic voyages of the Starship Enterprise feature Kirk and crew in a showdown with Ricardo Montalban's villainous Khan. Grab yourself a glass of Romulan Ale, and join Alex and Larry as they learn that the needs of the many outweigh the needs of Spock!
The Producers (1968)
This month on "Talking Pictures", Alex brings a really funny flick to the show: Mel Brooks' "The Producers". Larry hasn't seen it in ages, so he gets kinda wrapped up in the comedy and forgets that they're recording, but some interesting tidbits are nonetheless discussed between the hosts. A few odd tangents are taken, as well. Grab a copy of this classic movie, pop it into your player, and tune in to the podcast to laugh along!
The Fugitive (1993)
Larry needs to cleanse his pallette after watching a pretty terrible action film in theaters recently, so he and Alex sit down to take in a pretty great action movie from the 1990's: "The Fugitive". Harrison Ford stars as the falsely-accussed Dr. Richard Kimble, with Tommy Lee Jones' Sam Gerard hot on his freshly-escaped-from-prison ass. You'll have to forgive our hosts for letting the conversation wane a bit towards the end of the episode; they kinda got sucked in by this terrific flick.
My Bloody Valentine (1981)
The month of February provides an excellent opportunity for Larry and Alex to open their hearts and once again profess their love for classic horror films. With lights dimmed, palms sweaty, and hearts racing, the pair indulge in the special edition of "My Bloody Valentine". Join the movie-lovers as they revisit the story of a mining town's Valentine's Day dance gone very, very badly.
Marvel's Avengers (2012)
Your heroes assemble once again to watch and discuss one of their favorite flicks, and this time they are taking in the biggest box office hit of the past year! Join Larry and Alex as they discuss their opinions on the Marvel team up movie which brings together Captain America, Thor, Hulk, Iron Man, Black Widow, Hawkeye, Nick Fury, and Phil Coulson to deliver justice to the bad guys. The conversation also veers off into rumor territory with the latest rumblings about some DC superheroes, and Marvel's next planned superhero team movie.
Alex, Larry, Krabby Katie, Quincy, and other FASE Media friends are present for this holiday episode of "Talking Pictures". This time, the group is watching (some for the first time!) that movie-marathon classic: "A Christmas Story". So spike your cider, find a basic cable channel airing the flick, mute your television, and listen to the festive FASE Media crew as they watch the fudge out of this movie (only we didn't say "fudge").
Rudolph the Red-Nosed Reindeer (1964)
Join Alex and Larry for their viewing of Rankin-Bass' "Rudolph the Red-Nosed Reindeer". Some interesting facts about the holiday special are discussed, speculations are made about Hermey the Elf's desire to be a... dentist, and it's revealed that the misfit toys don't only have mere physical abnormalities.
Frosty the Snowman (1969)
Larry Duane, Krabby Katie, Jay, and little Ashley watch and talk about the Rankin-Bass Christmas classic "Frosty the Snowman". The group decides that Frosty would be terrifying in the real world, and that the snowman is a pretty irresponsible babysitter. Also, the pizza guy arrives during the recording and makes fun of Katie's festive flair.
Mr. Magoo's Christmas Carol (1962)
The first of four holiday specials recorded at the FASE Media Christmas party in 2012, "Mr. Magoo's Christmas Carol" (a Rankin-Bass animated feature from the 60's) gets the "Talking Pictures treatment thanks to Larry Duane, Alex Paxton, Krabby Katie, and a roomful of festive friends.
Planes, Trains, and Automobiles (1987)
Alex and Larry celebrate Thanksgiving with their friends Gabe and Scott, and also with Neal Page and Del Griffith with this month's movie: "Planes, Trains, and Automobiles". This flick, starring John Candy and Steve Martin, is no turkey, and those gathered at the table are thankful for the belly full of laughs it provides.
The FASE Media Podcasters have all come home for this month's viewing of John Carpenter's "Halloween". Larry Duane, Krabby Katie, Quincy Brown and Alex Paxton gather to watch and discuss the movie that introduced the world to babysitter-stalker Michael Myers, and to his over-worked psychiatrist, Dr. Loomis. Join us for this bloody good episode of "Talking Pictures"!
Kansas City Bomber (1972)
For this month's roller-derby-themed flick, Larry Duane (Not Ready For Radio) and Alex Paxton (That Movie Podcast: Film Talk Q&A) are joined by a couple of derby girls from the Kansas City Roller Warriors. The group laces up their quads for a lap around 1972's "Kansas City Bomber", a classic of the roller derby genre (if there exists such a thing) starring the lovely Raquel Welch as underdog jammer K.C. Carr from K.C., MO.
The Exterminator (1980)
Commentators are in short supply this month, but Larry Duane (Not Ready For Radio) and Alex Paxton (That Movie Podcast: Film Talk Q&A) have got you covered. The pair settle in to enjoy what Alex refers to as "the godfather of vengeful vet movies": James Glickenhaus' 1980 grindhouse classic, "The Exterminator".
Since we're in the middle of a hellishly hot summer, we thought we'd remind you to stay out of the water by watching Steven Spielberg's first blockbuster. This month's featured commentators are Drew Black (of the rock band Drew Black & Dirty Electric), Nat B., Alex Paxton (co-host of That Movie Podcast: Film Talk Q&A), Katie (of the Katie Gets Krabby podcast), and Larry Duane (from Not Ready For Radio).
Nat, Alex, and Larry (our commentators for this month's selection) celebrate the recent release of Ridley Scott's latest venture into the "Alien" universe by watching the film that started it all.


text:
package org.axonframework.messaging.deadletter;

import org.axonframework.messaging.Message;

import java.util.Optional;

/**
 * An {@link EnqueueDecision} stating a {@link DeadLetter dead letter} should not be enqueued.
 *
 * @param <M> An implementation of {@link Message} contained in the {@link DeadLetter dead letter} that is decided on.
 * @author Steven van Beelen
 * @since 4.6.0
 */
public class DoNotEnqueue<M extends Message<?>> implements EnqueueDecision<M> {

    @Override
    public boolean shouldEnqueue() {
        return false;
    }

    @Override
    public Optional<Throwable> enqueueCause() {
        return Optional.empty();
    }

    @Override
    public String toString() {
        return "DoNotEnqueue{}";
    }
}

redpajama_set_name: RedPajamaGithub


We are opening JUNGLE GYM that you can use anytime like after work, in shopping time and your free time.
So, we settle an original system that it is not necessary to wear training wear and indoor shoes. What is more, we are not setting Monthly payment system so when you want to do exercise, just come and pay in each time.
We have a personal training system that you can obtain the maximum benefit in the short term to meet your goals. As well as actual training, we offer a comprehensive support and guidance, including counseling and nutrition advice. We recommend personal training for the people who want to enhance your sports performance, haven't been doing exercise long time, want to lose your weigh as well as be anxious about rebound. Our experienced trainer support and organize your training according to each customer's objectives.
We provide protein drink in our protein bar so you are able to easily obtain necessary nutrition in the best timing. So you can further increase the training effect in supply at the right moment. Also, we offer various flavors of proteins that make protein drinks tasty.
Our sports massage makes your training effect to maximize efficiently by relaxing your muscles before or after training. It is also recommended to the people who have stiff neck, back pain and want to relief your tiredness.


text:
'use strict';
var utils = require('utils'),
  store = persist('signs', {});

require('utils/string-exts');
/*
  Define the signs module - signs are persistent
  (that is - a menu sign will still be a menu after the
  server has shut down and started up) plugins now have persistent state - Yay!
*/
var signs = {};
var hasSign = null;
module.exports = function(hs) {
  hasSign = hs;
  return signs;
};

var setLine = null;
if (__plugin.canary) {
  setLine = function(sign, i, text) {
    sign.setTextOnLine(text, i);
  };
}
if (__plugin.bukkit) {
  setLine = function(sign, i, text) {
    sign.setLine(i, text);
  };
}

/*
  redraw a menu sign
*/
var _redrawMenuSign = function(p_sign, p_selectedIndex, p_displayOptions) {
  var optLen = p_displayOptions.length,
    i,
    text;
  // the offset is where the menu window begins
  var offset = Math.max(
    0,
    Math.min(optLen - 3, Math.floor(p_selectedIndex / 3) * 3)
  );
  for (i = 0; i < 3; i++) {
    text = '';
    if (offset + i < optLen) {
      text = p_displayOptions[offset + i];
    }
    if (offset + i == p_selectedIndex) {
      text = ('' + text).replace(/^ /, '>');
    }
    setLine(p_sign, i + 1, text);
  }
  if (__plugin.canary) {
    p_sign.update();
  }
  if (__plugin.bukkit) {
    p_sign.update(true);
  }
};

var _updaters = {};
/*
  construct an interactive menu to be subsequently attached to
  one or more Signs.
*/
signs.menu = signMenu;

function signMenu(label, options, callback, selectedIndex) {
  if (typeof selectedIndex == 'undefined') {
    selectedIndex = 0;
  }
  //
  // variables common to all instances of this menu can go here
  //
  var labelPadding = '---------------';
  var optionPadding = '              ';
  var i;
  var paddedLabel = (labelPadding + label + labelPadding).substr(
    (label.length + 30) / 2 - 7,
    15
  );
  var optLen = options.length;
  var displayOptions = [];
  for (i = 0; i < options.length; i++) {
    displayOptions[i] = (' ' + options[i] + optionPadding).substring(0, 15);
  }
  /*
   this function is returned by signs.menu and when it is invoked it will
   attach menu behaviour to an existing sign in the world.
   signs.menu is for use by Plugin Authors.
   The function returned by signs.menu is for use by admins/ops.
   */
  var convertToMenuSign = function(/* Sign */ sign, save) {
    if (typeof save == 'undefined') {
      save = true;
    }
    //
    // per-sign variables go here
    //
    var cSelectedIndex = selectedIndex;
    setLine(sign, 0, paddedLabel.bold());
    var _updateSign = function(p_player, p_sign) {
      cSelectedIndex = (cSelectedIndex + 1) % optLen;
      _redrawMenuSign(p_sign, cSelectedIndex, displayOptions);
      var signSelectionEvent = {
        player: p_player,
        sign: p_sign,
        text: options[cSelectedIndex],
        number: cSelectedIndex
      };
      callback(signSelectionEvent);
    };

    /*
     get a unique ID for this particular sign instance
     */
    var signLoc = sign.block.location;
    var menuSignSaveData = utils.locationToJSON(signLoc);
    var menuSignUID = JSON.stringify(menuSignSaveData);
    /*
     keep a reference to the update function for use by the event handler
     */
    _updaters[menuSignUID] = _updateSign;

    // initialize the sign
    _redrawMenuSign(sign, cSelectedIndex, displayOptions);

    /*
     whenever a sign is placed somewhere in the world
     (which is what this function does)
     save its location for loading and initialization
     when the server starts up again.
     */
    if (save) {
      if (typeof store.menus == 'undefined') {
        store.menus = {};
      }
      var signLocations = store.menus[label];
      if (typeof signLocations == 'undefined') {
        signLocations = store.menus[label] = [];
      }
      signLocations.push(menuSignSaveData);
    }
    return sign;
  }; // end of convertToMenuSign function

  /*
   a new sign definition - need to store (in-memory only)
   its behaviour and bring back to life other signs of the
   same type in the world. Look for other static signs in the
   world with this same label and make dynamic again.
   */

  if (store.menus && store.menus[label]) {
    var signsOfSameLabel = store.menus[label];
    var defragged = [];
    var len = signsOfSameLabel.length;
    for (i = 0; i < len; i++) {
      var loc = utils.locationFromJSON(signsOfSameLabel[i]);
      var block = utils.blockAt(loc);
      var sign = hasSign(block);
      if (sign) {
        convertToMenuSign(sign, false);
        defragged.push(loc);
      }
    }
    /*
     remove data for signs which no longer exist.
     */
    if (defragged.length != len) {
      store.menus[label] = defragged;
    }
  }
  return convertToMenuSign;
}

/*
if (__plugin.canary){
  console.warn('signs/menu is not yet supported in CanaryMod');
  return;
}
*/
if (__plugin.canary) {
  events.blockRightClick(function(event) {
    var sign = hasSign(event.blockClicked);
    if (!sign) {
      // it's not a sign
      return;
    }
    var evtLocStr = utils.locationToString(event.blockClicked.location);
    var signUpdater = _updaters[evtLocStr];
    if (signUpdater) {
      signUpdater(event.player, sign);
    }
  });
}
if (__plugin.bukkit) {
  //
  // update it every time player interacts with it.
  //
  events.playerInteract(function(event) {
    /*
     look up our list of menu signs. If there's a matching location and there's
     a sign, then update it.
     */
    var sign = hasSign(event.clickedBlock);
    if (!sign) {
      return;
    }
    var evtLocStr = utils.locationToString(event.clickedBlock.location);
    var signUpdater = _updaters[evtLocStr];
    if (signUpdater) {
      signUpdater(event.player, sign);
    }
  });
}


text:
Q: What should be regular expression to replace only two quotes? <element>
  <Argument Name="AWSAccessKeyId" Value="APOEIUVWIE8E78E6"></Argument>
  <Argument Name="SearchIndex" Value="Apparel"></Argument>
  <LegalDisclaimer>Leriya Fashion products,on amazon.in."Leriya Fashion" in search.</LegalDisclaimer>
</element>

I want to replace only quotes in this word ("Leriya Fashion").I have tried many regular expression but they replace all the quotes.Right now we know this word but what if we don't know the actual word.

*

*"|[a-z]$$|"$

*"|"+\s
I want to replace it with blank or space. And the main problem is occurred when we convert this xml to json. Because json take this double quoted as value but in actual its not a value its just a name which is double quoted.So for me its very tough to replace this quote with blank in json thats why I'm trying to replace this in xml file.

A: If it's only "Leriya Fashion", then why not just use String::replace
str = str.replace("\"Leriya Fashion\"", "Leriya Fashion");

I'm assuming you just want to remove the quotes.

A: Lambda replaceAll
str = Pattern.compile("(.)\"([^\"\r\n]*\"").matcher(str)
    .replaceAll(mr -> mr.group(1).equals("=") ? mr.group()
                      : mr.group(1) + mr.group(2));

This will replace all quotes from any text "..." from non-HTML-attributes (="...").
The dangerous assumption is that quotes only appear in pairs.

redpajama_set_name: RedPajamaStackExchange


text:
OSKAR SCHINDLER EXHIBITION OPENS AT THE…
OSKAR SCHINDLER EXHIBITION OPENS AT THE NATIONAL WORLD WAR II MUSEUM
NEW ORLEANS, LA — Oskar Schindler, an ethnic German and Nazi party member, has come to personify those heroic individuals who risked their lives to rescue Jews and others from the Nazis and their collaborators during the Holocaust. Schindler is the subject of a traveling exhibition by the United States Holocaust Memorial Museum that will be on view at The National World War II Museum starting June 10, 2008. This fascinating exhibition, simply titled Schindler, will be on view through August 31, 2008 in the Orientation Center on the Museum's Lower Level. The exhibit consists of 12 free-standing exhibition panels featuring reproductions of photographs and documents, maps, text panels, object labels, and a flipbook with the list of people saved by Oskar Schindler.
"Oskar Schindler was an ambitious German businessman who joined the Nazi party, albeit probably more for expediency than conviction," says Stephen Goodell, Director of Exhibitions at the United States Holocaust Memorial Museum and curator of Schindler. "While his political beliefs remain ambiguous, party membership afforded increased business opportunities. He made a fortune during the war and enjoyed living the high life. He is not one we would think of who would subsequently risk everything he acquired to save people he didn't know, yet that is exactly what he did."
In 1939, the year Germany invaded Poland and launched World War II, Oskar Schindler was living in Moravia, Czechoslovakia, a region with a high ethnic German population. He joined the Nazi party on February 10, 1939. He assumed responsibility for a formerly Jewish-owned factory in Poland and eventually established a second under his ownership. The new factory became a haven for its approximately 900 Jewish workers for much of the war. Although he amassed a fortune exploiting their labor and trading on the black market, he protected them by insisting they be housed at his factory rather than the local labor camp, Plaszów, which was run by a sadistic SS commandant Amon Leopold Göth.
In late summer 1944 as the German war effort was collapsing, Schindler, through negotiations and bribes from his wartime profits, secured permission from German Army and SS officers to move his workers and other endangered Jews to Brünnlitz, near his hometown of Zwittau, where he had been assigned to oversee a new munitions factory. Its workers were placed on "Schindler's List" and were transported to the factory where they remained in relative safety throughout the remainder of the war.
Asked in 1964 why he had intervened on behalf of the Jews, Schindler replied, "The persecution of the Jews in the General Government in Polish territory gradually worsened in its cruelty. In 1939 and 1940 they were forced to wear the Star of David and were herded together and confined in ghettos. In 1941 and 1942 this unadulterated sadism was fully revealed. And then a thinking man, who had overcome his inner cowardice, simply had to help. There was no other choice." In 1967, Schindler was honored with a tree in the Garden of the Righteous Among Nations in Israel.
For more information on Schindler or Real to Reel: Hollywood and WWII, also currently on display at the Museum, call 504-527-6012 x 357. For information on upcoming programs and exhibitions, visit www.nationalww2museum.org.
The National World War II Museum, dedicated in 2000 as The National D-Day Museum, has been designated by Congress as the country's official National World War II Museum. The Museum illuminates the American experience during the war era and celebrates the American spirit, the teamwork, optimism, courage and sacrifice of the men and women who won World War II. For more information on The National World War II Museum, visit www.nationalww2museum.org or call 877-813-3329.

redpajama_set_name: RedPajamaCommonCrawl


Is it possible to get a good deal on a used car for less than $10,000? Indeed it is, but you have to do your homework and pick a reputable dealer for starters.
Consumer Reports offers those looking for such a deal some helpful information, along with their list of the best used cards for under $10,000. Honda dominates the list with four vehicles, including two Acuras.
CR says to follow come common-sense rules. The first and foremost is to find a track record of good reliability for the vehicle under consideration. That includes reading as much research as you can on the model and its performance for the model year you're considering. Then take advantage of any available maintenance and accident histories, including Carfax and Autocheck. Most reputable dealers will make these histories available to potential customers for free on their websites.
CR also recommends that you choose a vehicle with electronic stability control (ESC) — "a system that has proven to save as many lives as seat belts." Curtain airbags, which provide head protection in side crashes, is also a key safety feature, but not available in older models.
Buy as new a vehicle as you can afford, CR also suggests. That's because a newer car likely has more safety features and fewer miles on it.
Make sure to buy from a reputable seller. New car dealerships are usually the best place to find a good selection of "gently used vehicles," CR writes. But you can also find good deals at established used car lots and private sellers.
The cars and SUVs below are those that CR recommends to friends and family. They performed well in CR tests and have consistently had above-average reliability for the model years shown. See CR's full report here. See an abbreviated version of the list at bottom, or the Consumer Reports video below.


text:
Newly reopened Campatelli tower shines new light on historic town of San Gimignano
Posted on 28 April 2016 in Italy, Tuscany
San Gimignano in Tuscany is famous the world over for being one of the world's prettiest historic villages, perched atop a hill overlooking the lush greenery of the Val d'Elsa. Dating back to the Middle Ages, the city, located close to many of our Italy villas, is characterised by its several historic towers, many of which hark back to the city's medieval origins.
As a result of the city's wealth, by the end of the 14th century, as many as 70 towers decorated the village, however, only 14 of these survive today. One of these such towers, dating back to the 12th century is the Campanelli tower (Torre Campanelli), has recently reopened to the public following an important restoration.
Located on Via San Giovanni in the heart of the town, the tower and its neighbouring 19th century building were gifted to Fondo Ambiente Italiano by the Campatelli family in 2005, in the hope the organisation would be able to further educate visitors about their ancestors and San Gimignano's history. In 2011, the organisation, whose work helps to restore and preserve Italy's cultural and artistic heritage, began work on restoring the tower, after raising two million euros in funding.
The restoration was completed this year, with Torre Campanelli reopening its doors on April 16, becoming the only private house in San Gimignano to regularly be open to the public. With its interiors and exhibitions, it aims to educate visitors on San Gimignano and its history, the surrounding Tuscan landscape, the building's history and the Campatelli family. It gives visitors free rein on the main floor, which has on display a number of items including furniture, souvenirs, photographs, letters and paintings.
Image: Mark Goebel, available under Creative Commons


text:
NY Judge scolds OneCoin's co-conspirator over moot application for more time
September 27, 2019 10:04 am UTC, Maria Nikolova
David Pike's application for extension of time to reply to the complaint launched by victims of OneCoin has been nixed by the Court as moot.
The formal procedures involved in the lawsuit brought by customers of fraudulent crypto scheme OneCoin appear to be confusing for some of the parties in the case. This was exemplified on September 26, 2019, as Judge Valerie E. Caproni of the New York Southern District Court denied as moot a motion for extension of time filed by one of the defendants in the lawsuit – David Pike.
David Pike is an alleged co-conspirator of OneCoin who worked alongside Mark Scott, a former attorney. The so-called "Scott defendants" have allegedly aided and abetted the fraudulent cryptocurrency scheme.
As FinanceFeeds has reported earlier this week, David Pike submitted a Letter Motion with the New York Southern District Court asking for 30 additional days, that is, until October 30, 2019, to respond to the complaint. The reason for the requested extension of time to file response is that the case is complex and the defendant needs to retain counsel and that the counsel has to prepare an appropriate response.
On September 26, 2019, Judge Valerie E. Caproni signed an order denying as moot Pike's Motion for Extension of Time. The Judge explained that all proceedings in this case have been stayed. Mr. Pike's answer is not due until further order by this Court.
The plaintiffs in this case will have to provide monthly updates on the status of service on each of the defendants. According to the latest such report, service has not yet been executed on a number of defendants, including "crypto queen" Ruja Ignatova.
According to the victims of OneCoin, from 2016 through in or about 2018, the Scott defendants provided substantial assistance to the OneCoin Defendants' fraudulent scheme by laundering in excess of $400 million of OneCoin's fraud proceeds thereby affirmatively assisting the OneCoin Defendants (Konstantin Ignatov, Ruja Ignatova, Sebastian Greenwood and Irina Dilinska) in defrauding OneCoin investors and evading regulatory scrutiny and international law enforcement efforts by concealing the OneCoin Defendants unlawful, immoral and fraudulent conduct which has caused, and is continuing to cause, significant financial harm to the plaintiffs.


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Genomics Inform. 2016 Sep;14(3):70-77. Epub 2016 Sep 30.
Structural Variation of Alu Element and Human Disease.
Kim S1, Cho CS2, Han K1, Lee J3.
Department of Nanobiomedical Science, Dankook University, Cheonan 31116, Korea.; BK21 PLUS NBM Global Research Center for Regenerative Medicine, Dankook University, Cheonan 31116, Korea.
Department of Neurosurgery, Dankook University College of Medicine, Cheonan 31116, Korea.
Division of Pulmonary, Critical Care and Sleep Medicine, Department of Medicine, University of Florida, Gainesville, FL 32610, USA.
Transposable elements are one of major sources to cause genomic instability through various mechanisms including de novo insertion, insertion-mediated genomic deletion, and recombination-associated genomic deletion. Among them is Alu element which is the most abundant element, composing ~10% of the human genome. The element emerged in the primate genome 65 million years ago and has since propagated successfully in the human and non-human primate genomes. Alu element is a non-autonomous retrotransposon and therefore retrotransposed using L1-enzyme machinery. The 'master gene' model has been generally accepted to explain Alu element amplification in primate genomes. According to the model, different subfamilies of Alu elements are created by mutations on the master gene and most Alu elements are amplified from the hyperactive master genes. Alu element is frequently involved in genomic rearrangements in the human genome due to its abundance and sequence identity between them. The genomic rearrangements caused by Alu elements could lead to genetic disorders such as hereditary disease, blood disorder, and neurological disorder. In fact, Alu elements are associated with approximately 0.1% of human genetic disorders. The first part of this review discusses mechanisms of Alu amplification and diversity among different Alu subfamilies. The second part discusses the particular role of Alu elements in generating genomic rearrangements as well as human genetic disorders.
Alu elements; genetic disorder; genomic rearrangement; master gene model; recombination
10.5808/GI.2016.14.3.70
Structural schema of Alu elements. A full-length Alu element is 300 bp in length and composed of left monomer, right monomer, and poly(A) tail. A and B boxes in the left monomer contain RNA polymerase III promoter binding sites. Alu inserts in the host genome using target site duplication (TSD) of flanking region.
Structural Variation of Alu Element and Human Disease
Genomics Inform. 2016 Sep;14(3):70-77.
Mechanisms of Alu amplification. This figure depicts four different mechanisms for Alu amplification. (A) Master gene model is a typical mechanism. All members of the same Alu subfamily are derived from one or a few transpositionally active Alu elements. When the active Alu element mutates but remains the transposition activity, it will produce a new Alu subfamily. (B) Intermediate model is literally an intermediate form of master gene and transposon models. More than a few active Alu elements exist in host genome and each of them actively produces its progenies. (C) Transposon model suggests that all Alu elements including mutated elements have transposition activities. (D) Stealth driver model suggests that old Alu element which stayed transcriptionally dormant for the extended period can produce a new Alu subfamily by retrieving a high transposition activity. Green and blue boxes indicate active and inactive Alu elements, respectively. X indicates a mutation and the mutated Alu elements represent different subfamilies.
Impact of Alu insertion on alternative transcription. Alu element inserting in the genic region could alter the expression level of the respective gene. (A) Alu insertion in the exonic region. Exons could be skipped and deleted, called exon skipping. (B) Alu insertion in the genic region, Alu element is able to provide a polyadenylation signal. Thus, Alu element could induce the premature termination of gene transcription. (C–E) Alu element is also able to provide cryptic splicing sites, leading to alternative gene transcripts. Blue and red boxes indicate exon and Alu element. Arrow shows promoter and the dash line indicates alternative splicing form.
Mechanisms of Alu recombination-mediated deletions. (A) Nonhomologous end-joining mediated deletion mechanism. After DNA double strand breaks, non-homologous templates are ligated by Alu element. (B) Nonallelic homologous recombination mechanism, interchromosomal recombination occurs between two different Alu elements which locate on different chromosomes and mediates genomic duplication or deletion. Intrachromosomal recombination occurs between two different Alu elements which locate on the same chromosome and mediates genomic deletion. Green and yellow boxes represent Alu elements. The red dot line indicates homologous sequences.
Publishing M2Community


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Globe Theatre of Shakespeare
William Shakespeare is one of the greatest writers and playwrights in English literature. He is considered as the 'father of English literature' because of his immense contribution to the language of English. He is often called England's national poet and the "Bard of Avon".[Places associated with great personalities become famous as the persons themselves.
As Shakespeare was a great playwright also, the globe theatre of William Shakespeare needs a special mention. The Globe Theatre situated in the Southward district eastwards as far as Porter Street and from Park Street southwards as far as the back of Gatehouse Square in London is associated with the great playwright William Shakespeare.
It remained unknown until discovered in 1989. It was not only one of the most famous playhouse's of all time, but the playhouse where Shakespeare was able to perform many of his greatest plays. The Theatre became as famous as he was during those times.
Globe Theatre History
1 Globe Theatre History
2 Globe Theatre Facts
2.1 Why was the Globe Theatre so important to Shakespeare?
2.2 Why was the Globe theatre called the Globe theatre?
2.3 Where was Shakespeare's Globe theatre?
2.4 Who built the Globe theatre?
2.5 Who were the groundlings in the Globe theatre?
2.6 How much did a ticket for the Globe theatre cost?
3 Elizabethan Era Audience
3.1 When was the Globe theatre rebuilt?
3.2 Is Shakespeare's Globe theatre still standing?
To trace the history of the globe theatre, commonly and in short called 'globe', there were several shareholders who owned their respective shares of the globe. Shakespeare himself was one of the co-owners. Two of the six Globe shareholders, Richard Burbage and his brother Cuthbert Burbage, owned double shares of the whole, or 25% each; the other four men, Shakespeare, John Heminges, Augustine Phillips, and Thomas Pope, owned a single share, or 12.5%.
As a result of these attempts, the theatre was opened in 1599. It became one of the most money-making playhouses of those times contributing much to art, literature and theatrics. The theatre is said to have been built by Cuthbert Burbage, brother of the famous Shakespearean actor Robert Burbage and son of James Burbage.
As regarding the capacity and structure of the theatre, had a total capacity of between 2,000 and 3,000 spectators. There was no lighting facility availability and therefore, plays were conducted during the day time. The acoustics were poor and the actors were compelled by circumstances to shout their lines, stress their enunciation, and engage in exaggerated theatrical gestures.
Globe Theatre Facts
Why was the Globe Theatre so important to Shakespeare?
The Globe theatre was so important because Shakespeare himself owned a share in the theatre and played an instrumental role in the construction of it. Many of Shakespeare's plays premiered in the Globe theatre and it became an integral part of the English Renaissance theatre which saw it develop and flourish.
Why was the Globe theatre called the Globe theatre?
Shakespeare's Globe theatre is basically a reconstruction of the Globe Theatre that was situated in the London Borough at Southwark. It was an old Elizabethan playhouse for which Shakespeare used to write his plays previously. It was built in 1599 but got demolished in 1644.
Shakespeare's Globe is a replica of the same and was constructed quite accurately but was built with keeping in mind modern safety measures. It, therefore, accommodated lass people than the original Globe Theatre did.
Globe theatre diagram
Where was Shakespeare's Globe theatre?
Shakespeare's Globe was built at the same place as the original Globe Theatre, in London by the bank of Thames river.
Who built the Globe theatre?
The Globe theatre was built by several people and Shakespeare himself had a share in it. It was owned by the people who were the members of Lord Chamberlain's Men. The main members involved were: James Burbage, Cuthbert Burbage, John Heminges, Augustine Phillips and Thomas Pope.
Who were the groundlings in the Globe theatre?
The groundlings were the section of the audience who had to stand on the ground right in from and around the stage and watch the performance. They were very close to the stage and often left the ground littered with orange peels, nuts and ale which they consumed during the performance.
This section of the audience was a mostly illiterate boisterous crowd who went to the theatres for cheap entertainment. Sometimes, visitors complained that the pit where the groundlings stood strongly smelled of beer and garlic, so much so that no good citizen could enter there. They would pay more money to secure a seat at the back or in the balconies.
Globe theatre stage
How much did a ticket for the Globe theatre cost?
The ticket for entering the indoor of the theatre cost 6 pence. In open-air theatres, the cheapest tickets cost 1 penny with which one had to stand in front of the stage and watch the performance. With another penny, one could secure a seat at the gallery on the ground.
Elizabethan Era Audience
The theatre had a stage which was a level platform about 43 feet in width some 27 or 28 feet deep that was raised about five feet off the ground. The theatre operated outside the jurisdiction of the city officials and bureaucracy although the same was condemned by the London authorities. The audience was well educated and mostly those sections of the population who enjoyed a high status in the society.
The plays which were performed here were Julius Caesar, were Hamlet (1600-1601), Twelfth Night Or What You Will (1601), Richard II (February 7th 1601) Troilus and Cressida (1601-1602), All's Well That Ends Well (circa 1602), Timon of Athens (c1604), King Lear (1605), Macbeth (1606), Pericles, Prince of Tyre (1607) possibly The Tempest in 1610, The Two Noble Kinsmen in 1611, Shakespeare's "lost" play Cardenio in 1612 and Henry VIII in 1613.
Elizabethan theatre audience
When was the Globe theatre rebuilt?
This globe theatre was destroyed by fire on 29 June 1613. A new one i.e. a second globe theatre was built on the same site by June 1614. But it was closed in 1642. However, A modern reconstruction of the Globe, named "Shakespeare's Globe" was opened in 1997. It is built on the London Borough of Southwark, on the south bank of the River Thames.
Is Shakespeare's Globe theatre still standing?
The original Globe theatre with which Shakespeare was involved was destroyed by fire. The reconstruction of the same, built-in 1997 is still functioning and is perhaps the most famous theatre of the United Kingdoms.
More Info On- Elizabethan Costumes, Theatre Facts, Theatre Globe, History of Theatre, Bear Garden Theatre, Grays Inn Theatre Playhouse


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Think statewide for elk management
Wild herds in northwest clash with farms; how about focusing on northeast?
Think statewide for elk management Wild herds in northwest clash with farms; how about focusing on northeast? Check out this story on sctimes.com: https://www.sctimes.com/story/opinion/2016/02/03/think-statewide-elk-management/79688894/
Times Editorial Board Published 11:25 a.m. CT Feb. 3, 2016 | Updated 1:36 p.m. CT Feb. 3, 2016
Perhaps the long-term, statewide solution should be to craft a management plan focused on elk herd expansions in the northeast while holding elk numbers steady in the northwest
Minnesota is looking to grow the size of its three elk herds, which now stands at about 130-200 elk.(Photo: Getty Images)
Farmers have seen substantial damage; elk consume crops and wreck fences
Northeastern part of state is better suited with woodlands and open areas
While the reintroduction of wild elk is not drawing much attention in Central Minnesota, for vastly different reasons, this is a hot topic in northwestern and northeastern Minnesota.
In northwestern Minnesota, home to the state's only wild elk population, the state's need to update its elk management plan shows a clash between agricultural interests and those who want to expand the size of three herds there. In northeastern Minnesota, there's more excitement than controversy about a proposal to re-introduce elk in an area that includes tribal lands of the Fond du Lac Band of Ojibwe.
Given those differing perspectives, perhaps the long-term, statewide solution should be to craft a management plan focused on elk expansions in the northeast while holding elk numbers steady in the northwest. Here's why.
Never-ending clash?
Recent reports about elk numbers in the northwest make it clear there will always be conflicts between farmers and elk supporters there. And honestly, that's understandable.
Agriculture and tourism are powerful — and on this issue, competing — industries in this region. Even though elk numbers now range from about 130 to 200 spread among three herds, farmers already have experienced substantial crop losses and fence damage from the massive animals. The proposal to expand elk numbers will mean only more damage.
Not only will that exacerbate hard feelings, it also is likely to increase demand from farmers for state help with everything from fencing costs to compensation for lost crops. Granted, more elk may increase tourism and even hunting, but at what point does that gain (and the expense to get there) make up for agricultural losses, not to mention hard feelings?
Northeastern answer?
Elk used to roam most of the state until hunting basically wiped them out in early 1900s. More than 100 years later, if the state really wants to expand its minimal elk population, the natural habitat and minimal role of agriculture in northeastern Minnesota probably make it a better choice.
Researchers and elk supporters are asking for state funding to study that idea, according to a recent St. Paul Pioneer Press report. The Fond du Lac Band and the Rocky Mountain Elk Foundation would give $45,000.
Contrary to popular belief, elk do not need to live in high altitudes. Rather, they need woodlands and wide open areas complete with ample, year-round food sources. Northeastern Minnesota abounds with those on both public and private lands. As time has proven, northwestern Minnesota has those too, but it also has a strong agriculture presence.
Read or Share this story: https://www.sctimes.com/story/opinion/2016/02/03/think-statewide-elk-management/79688894/
When evil is allowed to reign
Voting in March 3 primary means risking privacy
Senators' pledge demands more witnesses testify
Step back and what do you see?
Capitalism has run its course
A bold proposal: Education as an equalizer


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Home » Champions League » Bad news for Arsenal in our 40/1 Champions League acca
Bad news for Arsenal in our 40/1 Champions League acca
James Middleton | 20.01.2013
All of last season's hard work hangs in the balance for 20 teams as they begin their two-legged play-off to determine whether they make it into the group stage of the Champions League.
Of these 10 clashes, we've picked a combination of four winners that will yield a payout of 40/1 if successful and it doesn't contain any good news for Arsenal.
Fenerbahce to beat Arsenal @ 7/4
The Gunners' inclusion could easily be chalked up as knee jerk fodder after Aston Villa's 3-1 win at the Emirates on the opening day of the season, but the sheer amount of injuries in the Arsenal ranks will make this trip to Turkey even more daunting than normal.
Fener squandered a lead of their own to lose in surprise circumstances at the weekend, but they look a big price to beat the north Londoners who will be without up to nine first-team regulars.
They were written off at this stage against Udinese two years ago and managed to scrape through, but this could be the year that Arsene Wenger's perfect Champions League qualification record comes to an end.
Shakhter Karagandy to beat Celtic @ 11/4
The Kazakh champions who claimed the scalp of BATE Borisov to set up this tie have proved they're capable of giving Celtic a fright.
Karagandy have prevailed in three of their previous four domestic games and have won seven on the spin on their own patch, keeping six clean sheets in the process.
Celtic themselves have only shipped one goal in six competitive outings already this season and will need to have their wits about them to stop the Miners.
Viktoria Plzen to beat Maribor @ 1/2
Czech side Plzen are establishing themselves as one of Europe's likeable little guys and they've got a great chance to book a ticket to the continent's elite competition here.
They're on a nine-match unbeaten run, winning eight of these straight, ahead of this encounter.
Maribor aren't doing too badly in their own league, but could only scrape by APOEL on away goals in order to set up this tie. Plzen will represent a far sterner test.
PSV to beat Milan @ 7/4
Mario Balotelli will return to the Milan fold for their trip to Eindhoven but the form of the Dutch side means the out-of-practice Rossoneri will struggle to avoid defeat in Holland.
PSV have prevailed in all five of their competitive matches this season, winning the latest three after running up 11 goals and conceding none.
Phillip Cocu's side haven't lost to this Italian adversary in any of their last three Champions League meetings and bettered them in their most recent tussles at home.
All odds and markets accurate as of publication's time and date
« Arsenal's Champions League hopes in jeopardy as tough draw looms
Casillas definitely won't play in Man Utd Champions League ties »
James Middleton
Matt Wiggins | 09.12.2013
Barcelona set to tempt another Arsenal midfielder to Spain
Ed Needham | 16.08.2010
Chelsea considering Burdisso to offer experienced defensive cover
Time to trust Arsenal to get job done at shortish odds against Newcastle


This court serves Amesbury, Merrimac, Newbury, Newburyport, Rowley, Salisbury, and West Newbury.
There is a public parking lot 2 blocks from the courthouse as well as a metered lot across the street from the courthouse and metered street parking.
The Newburyport District Court is accessible by the Newburyport/Rockport line of the MBTA. The closest stop to the courthouse is the Newburyport Station, which is approximately 1/2 of a mile from the courthouse. The courthouse is also accessible through the Cape Ann Transit Authority.


This ballsy album by Michael Hill has as much 'rock' in its roll as it has the blues. At the time, it was a lonely but prescient insight into the world to come. The fiery guitarist and provocative songwriter has a singular formula: intense social commentary combined with expression of love for beautiful women and for New York. Included are a couple of forthright songs criticising America's war in Iraq and George Bush in particular. Hill continues to produce blues for our times on this album. And the album's celebration of the mighty Hubert Sumlin has one unique extra: Mr Hubert Sumlin himself.
Produced by Michael Hill. Engineered by Jason LaFarge.
Recorded at Seizure's Palace, Brooklyn, New York.
Mixed & Mastered by Martin Atkinson at M.A.R.S.


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Today in Trump: Donald Trump's conversation with Taiwan's president: strategic or clueless?
The president-elect has caught some heat for his conversation with Taiwan's president. But was that what he intended?


These savory popovers are a tasty way to use up your sourdough discard. They have the added bonus of being company-worthy; your guests will never guess how easy they are to make.
Ida, my sourdough starter, turned four years old this month. I've shared my starter (mis)adventures on this blog a few times but a just a few years later, Ida has proven strong, active and reliable.
Always looking for ideas on how to incorporate sourdough in my baking projects, when I came across an unused popover pan hiding in the back of a kitchen cabinet lately I wondered if sourdough popovers could be a thing. Of course, a Google search revealed that the King Arthur Flour website has one that's been quite popular with sourdough bakers for years.
What I liked about their recipe is that it allows for the use of sourdough discard, the portion of the mother starter that is thrown out after it has been refreshed with flour and water. Since popovers are made with a loose batter and are leavened by eggs and steam rather than yeast, there's no need for freshly-fed starter which takes hours to become active.
My first attempt with the recipe yielded tasty popovers but they were heavy and were short on the pop factor. I realized later that my popover pan has slightly larger wells than a classic pan so my results may have been compromised by 1) being short on batter and/or 2) remembering that because I opted to use freshly-grated cheese rather than using cheese powder (which the original recipe recommends) and forgetting to add it to the top of the batter, I had to open the oven to fix my mistake, causing a lot of the critical heat/steam that I mentioned earlier to escape.
The recipe being so popular and well-received I knew that my failures had to do with my execution so I set out to do things differently based on the observations I made with my first attempt–1) don't open the oven door while they bake and 2) use more batter for my larger popover pan.
In addition to the above corrections, the second time around I also used less sourdough discard because I never have one cup of sourdough discard lying around. Instead of freshly-grated cheese (though I think this would be fine if correctly added before baking) I used a combination of my favorite Penzey's seasoning mixes for the cheesy, herby flavor. I was less than scientific about scaling up the batter to account for the reduced starter amount and for my larger pan so I crossed my fingers as the second batch baked.
These towering popovers were the product of my second attempt. They baked beautifully and looked determined to reach the sky–all I wanted to do was reach over and pop one into my mouth. Since they're best out of the oven I wasted no time tasting one and I was very pleased. Wonderfully light and airy with the subtle savory notes from my Penzey's seasonings I knew instantly that popovers will now be one of my go-to recipes for my sourdough starter.
Four years of sourdough baking later I'm happy to see my sourdough repertoire grow one tasty recipe at a time…and I have my Ida to thank for all of them.
These savory popovers are a tasty way to use up your sourdough discard. They have the added bonus of company worthy; your guests will never guess how easy they are to make.
Preheat your oven to 450ºF. Make sure to preheat your popover pan, too, so I recommend placing it in the oven once you turn it on. Set the popover pan over a baking sheet.
Make sure your milk is warm and that your eggs are at room temperature to get proper rise while baking. Combine the eggs and salt with the sourdough starter in a bowl and whisk until well combined. Pour the milk into the mixture and whisk again until combined.
In another bowl, whisk together the flour and seasoning mixes. If you're using fresh herbs, stir them into the milk/egg/starter mixture. Then add the flour into the liquid mixture and stir until just combined. Don't overmix–a few lumps is fine. The batter will be thin. Transfer the batter into a liquid measuring cup or any other vessel that has a pour spout so it's easy to pour into the wells.
Remove the popover pan from the oven (don't forget your gloves!) and spray each well with nonstick cooking spray. Carefully fill each well half full then top off with the remaining batter. The wells will be slightly over half full. If you want taller popovers like pictured here you will fill five wells 2/3 full and the last well will be barely half full and will yield a shorter popover compared to the rest. If you're using freshly grated cheese sprinkle it on top of the batter now.
Put on your gloves and return the pan to the oven. Bake for 15 to 20 minutes at 450ºF then reduce the heat to 375ºF and bake for another 15-20 minutes. Mine baked for 18 minutes at 450º and 17 minutes at 375º. (I use the convection feature of my oven so I reduce the heat by 25º and cook in slightly less time. You may need to full 20 minutes for each stage. The popovers should be a deep golden brown and be fully cooked, light and hollow inside when done.
Serve warm by themselves or with butter.
Seasoning Blends: You can use a combination or just one or two of these Penzey's seasonings or something similar. In one of these blends there is dehydrated Romano cheese for the cheese component. Feel free to use fresh herbs (1/4 cup stirred into the liquid) and/or freshly grated cheese (1/4 cup sprinkled on top of the batter once poured into the wells).
Popover Pan: I use the Nordic Ware Grand Popover Pan with six wells. If you have a popover pan with smaller wells you will end up with more, smaller popovers. Just make sure not to fill each well more than half to 2/3 full. Also watch your baking time if your popover pan is smaller.
I've never attempted popovers, mainly because I have a girlfriend that makes great ones…I get my fix at her house. Yours look wonderful and I'm sure the savory beauties are delicious.


Located on the site of the former Ritz Carlton Hotel in the heart of the CBD of Hong Kong, the CCB Tower is a 22-storey 'Grade A' office building providing a total gross floor area of approximately 22,000 sq.m.
The tower serves as the headquarters for the Hong Kong operation of China Construction Bank, as well as offers high-end office facilities for other international firms.
From 2009 until the project completed in December 2013, we provided full Building Services Engineering Consultancy Services for this development.
Next to the CCB tower is the 39-storey AIA Central (previously, the AIG Tower), which was completed in 2005 and was also engineered by our Building Services Team.
I worked again with Oneinzero team, to produce the advertising and branding extension for this property.


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9: The Unsheathing
by Britt Kelly
He had said it. The strange man with the pale face and unyielding arms had said the name of the Great God in the throne room. Ever since her father's dream so many years ago she thought she would be the one to say his name. Over and over she had imagined herself teaching the King and Queen and all of her people about the Great God her father had seen. How he had come down from the sky and about the wounds in His hands and His feet. She knew they wouldn't understand the wounds at first, as she had not, but in her dreams he Great God would wield her words as a mighty sword and change the hearts of her people. She would speak as her father had with penetrating power. She had loved to hear her father talk. Her father had always told her service to the King and Queen would allow her to be an instrument in the hand of the Great God. Yet years of washing the blood of the King's diffident servants from the throne room steps had slowed her tongue. Whether it was from fear or patience, her bold truths remained encased in her mind.
Yet now the truth was known.
The Nephite had said all her father had known and so much more. The man who had shed blood so easily had brought the name of the great God before the King. He had protected the King's flocks with the indomitable power of his sword. She had seen the arms herself, and blamed the strange man instead of the careless, cowering servants for the blood she would have to clean from the throne room floor. This bold man had said the name of the wounded God was Christ. Then he had explained the wounds and the plan of peace. She was bordering between respect and resentment for the Nephite who had lived her dream.
Her memory of all that had happened in the throne room that afternoon filled her mind as she went about her evening chores. She bent at the river, letting her work allow the amazement to overtake her anger. Her father had been right, she had felt that all along, but to hear a stranger use the same words to describe the Great God had overwhelmed her. Her mind raced through his words like a hummingbird, from the creation of all things to the wounding of the God and back again.
"Abish!" The sharpness of the call focused her mind. "The King has been killed by the powers of the pale man. The queen wants you to sit with her." Abish startled. Sit with the queen? If the King was sick, she would sit with the Queen; if he was dead, she would need to wash the King, burn his clothes and make funeral robes. Confused, she hurriedly strapped the baskets of water to the goats and tried to hurry them back to the King's house. She must be prepared at this moment with the water of mourning or the comfort her Queen needed. As she rushed the resistant goats, she could hear the dissonant cries of mourning from the King's daughters.
She found the Queen by the King's pallet; he lay motionless. Her glance at the King made her keep the jar of water in her hands as she knelt waiting the orders of the Queen. She didn't have to wait long. The Queen in all her calm self-possession was a torrent under the surface. She waved the water away, looked at Abish and as slowly as only her royal discipline could allow demanded, "Tell me my husband is not dead." It was a direct order. Abish looked more carefully at the King. What could bring a man of such bearing and strength to such an enfeebled state? How could such an alert man ever lie so senseless? His eyes were closed, his chest betrayingly still. Abish had never lied to the Queen, so she once again retreated to the safety of her practiced silence, hoping the queen required her ears not her tongue.
Her patience was rewarded; the Queen drew in a breath of strength and began "I didn't see what enticed my husband to leave his throne. The servants said the strange man never touched the King, he just spoke about the Great Spirit; but when I came to the throne room, the King was on his knees, and unresponsive." The queen reached protectively for her king's shoulder causing an unwelcome clatter from her bangles. "The servants said his last words were about mercy. Why would he ask anyone for mercy? He was at his throne, surrounded by his men; how could there be danger from one Nephite?" Abish could see the Queen struggle to rein in her rushing thoughts, "Why do the servants not agree on what happened to their own King? Some say the man cast a spell on him, others say he spoke with power of the Great Spirit and even knew his name. "As the Queen ended, Abish became calm, steeling herself. This should be her unsheathing. She poised ready to be an instrument in the hands of God.
The Queen then, in her decided manner, quickly called for her husband's servants. One by one they came and told the Queen of what had happened. All of the shepherds agreed that the master Ammon, for that was the Nephite's name, had power from the Great Spirit; they felt the King was not dead but resting in the peace of the Great Spirit. Other servants spoke of the Nephite's deceit. From the moment he had entered the King's court they knew it was a plot against the King, and now that their King was dead, they came with their garments torn in the manner of mourning spitting at even the mention of the name of Ammon. They begged the Queen to let them bury their King with honor. Abish sat bewildered, her mind filled with repartees based on her ever observant mind and all the knowledge of her father; yet she must be silent before men, especially men the Queen had summoned.
Evening came and Abish was called away to her chores. Her mind was filled with the things she should have said, so much that she could have told her Queen. After years of silence, the truths she treasured seemed buried too deep to surface. She knew this was her time, the time her father had spoken of when she would witness to the kingdom of the truth. She wondered if her father had felt this much apprehension, if the prophet Ammon ever knew weakness. The evening wore slowly into night. The queen continued her search for truth while Abish was gathering the animals to their shelters. She lost herself in the familiarity of her work and time passed quickly.
Abish spoke with the word gracefully pouring from her. She reminded the Queen of all the servants had said of the strange man, his powerful sword, accurate aim and gentle strength. Then she told the Queen of the greater power the man had; the power of God to do His work on the earth. Ammon was a prophet, a man who knew of the coming of a Savior. She recounted her father's dream and his own long sleep after. She told the Queen everything she could remember and many things she never knew of the Great God which was called Christ. She felt the Master reinforcing her own weakness, overpowering her and edifying her. The words came through her, forming pictures she and the Queen could wonder at and learn from together. Near morning the Queen sat still while Abish stood up to once again do her chores, her head still floating. She had never before learned from what she herself had spoken. She had learned from her father's words, and wondered at how he would pause and ponder at what he, himself, had just said. Now she knew that when the Master wielded his servant, the servant learned even while speaking. In the Master's hands, the servant was a conduit of power touched and enlightened by all that flowed through it. The sword was purified and sharpened as it was formed and used, so with the servant of the Master. She pondered as she walked again to the well. She had served her Queen and her God well. She experienced the refreshing peace of having done what she had dreamed so long of doing. The Queen would summon Ammon, and would recognize him as a prophet.
Abish woke breathing as if after a run…it was a dream, just another dream. She had not spoken after all. She was still a servant girl, neither honoring her father nor the great God. She wept quietly in her overwhelming shame. All the mysteries and beauty in the dream was stale, kept too long in her mind.
Throughout the day Abish tried to focus on her many tasks, finding it necessary to soothe her fellow servants as she went. The servants' worries had increased as the day progressed. The king had still not risen. Had the strong man tricked them all and somehow poisoned the king? Rumors flew among the servants. Abish wanted to comfort the Queen and share her knowledge, but her confidence was shaken. She found comfort in the only place she knew, her chores. There was much to be done. Many of the servants were fighting amongst themselves defending Ammon or flattering a son of the King to position themselves for future power. Amidst the conflict, water still had to be carried, animals fed and food prepared. Abish made herself useful to avoid the nagging pull that she should be serving elsewhere. After all, the Queen had called Ammon to the King's side, yet still the King remained unchanged.
Abish would not prepare for a funeral as some servants did. She desperately, but quietly sided with those who believed the King lived. As long as the King lived, Ammon could still be revealed to her people as a prophet and she could still serve the Great God. She went through the day hoping that the King lived and she had not yet failed. If the King died, surely the only prophet she had ever met would be killed and with him the chance for her people to believe his words and find truth.
At the next sunrise, when Abish brought the water, the Queen was hopeful. Abish almost dropped the jar when she saw the change in the Queen's eyes, she was calm and peaceful. Then tension and pleading of two days earlier had stilled either by her practiced royal determination, or some other force. She looked as Abish had always dreamed she would, after her conversion. It was Ammon. Abish shrunk into the corner feeling her complete shame. Had she been quiet to preserve her life for the right moment or had it all been weakness? Never mind , it was done and perhaps as it should be; the Great God had chosen a Nephite man to come that far way to do what she had not done. Or would not do. Or perhaps should not do. Maybe she was not meant to witness to the Queen but to live to observe it. Perhaps she was not worthy to preach of such a Great, Mysterious God.
In her self-pitying silence she nearly missed the ripple of energy that shook the room. The King stood! He spoke, and though he intended the words for his Queen, they burned Abish's heart, remaking it, strengthening it, forging a new heart bursting with truth. The Great God still loved her. She could still serve Him. There was a place for her in his kingdom. She marveled at his love and the great light she felt burning within her. The treasure of her father given long ago was now glowing near the surface.
She could hear the King and Queen praying, Ammon the prophet praising Jesus, for that was the name of the wounded God. She saw the servants praying…and she joined with her own prayer of gratitude and amazement at the power of the Great God. One by one they fell to the earth overcome in the joy and an enveloping peace. The King and Queen had already fallen, Ammon and each of the servants fell; everyone fell into the sleep of the Great God, save Abish.
At first, little thoughts crept in her mind. What was she not feeling and experiencing? Why had she not fallen to the earth with the others? Should she continue praying? But she couldn't think of anything more to pray. She stood up refusing to question. The light of her heart shone and she felt this, at long last, was her calling. All of her people needed to see the change that was happening to their King and Queen. They must know for themselves of the great God. Hadn't her father spoken of the Great God gathering his people? Perhaps she was never meant to be his sword at all, but a simple servant to gather his people to hear the truth.
For the first time in her life, she left her servant's duties and ran unsent out of the king's house. She ran through the streets, going first to the place of her family. She had found her voice and though it still sounded tenuous to her, she could see the people responding. All of the King's people had heard of his mysterious stillness, and had wondered and worried. Some ran with curiosity, some ran hoping the King would be dead, and some ran to hear of this God Abish had spoken of. Others ran to know the truth whatever it would be, but whatever their reasons, all who could, ran to the King's throne. Even the shepherds and those in the fields had come at Abish's summons.
As she finished gathering her people to hear God's words she marveled. It had taken her much longer than she anticipated and she hastened to be in the King's place to watch the King and Queen and the prophet Ammon testify in such a way as to change the hearts of the people. She was gathering her people, she was serving God.
Joy had carried her back to the King's house, but once there a fierce contention overwhelmed her. A man lay near the prophet Ammon with his sword unsheathed and anger still clouding his face. Abish felt the dangerous pulsing of the crowd. The shouts of the crowd were frightening, "Monster Nephite! He must be killed"
"You kill the Nephite, I won't touch him. He's bewitched and any who dares approach the cursed ones will be cursed themselves!"
"The King is weak; he kills his own people, but not this Nephite! We need a new King!"
She looked at the King, his Queen, and Ammon still in their unmoving repose. Her tears flowed as she felt the weight of her failure. She needed someone with God's power to raise those sleeping and to speak. Had she gathered her people for this? Had she misunderstood? Was her desire to run only to escape the isolation she had felt as the other servants had all been overwhelmed in the spirit of the Great God while she had been left untouched? The light that she thought had shone so brightly in her heart earlier flickered amidst the blasts of contention surrounding her.
They must rise.
A wave of clarity passed through Abish. She could remember her father filled with the power of God laying his hands on her mother's head and her mother rising from her sick bed. That was the power she needed but lacked, yet the moment was here and would not wait. She moved hesitantly towards the Queen as she prayed and prayed for her rising. She hoped beyond hope that it would be enough, that she would be enough. The crowd seemed to pulse more slowly and the noise seemed far away and blurred. She walked around the fallen man, stepping over his outstretched sword. What would happen when she touched the Queen? Would she herself die? Would the Queen really rise? Or would nothing happen at all? Uncalled and unanointed as she felt, Abish knew what was needed and felt the power of God surge through her. The power of the Savior must be enough. This would either finally be her true unsheathing or it would break her.
She knelt down gently and reached to take the hand of her Queen. Through the power of Jesus and the piercing touch of Abish, the Queen rose. Abish fell forward and like a rushing wind the clamor of the crowd came back. The Queen, indomitable, praised Jesus with a loud voice then continued to speak many words that at first Abish could not understand. As Abish stared up at the Queen, trying to understand her words, it was as if her father was whispering their meaning to her. His voice became so strong, she turned expecting to see him and instead saw angels surrounding her. She turned wonderingly and saw angels accompany the Queen as she raised the King, helping to steady him. Other angels raised the servants who had fallen. The beauty was like nothing she had ever seen.
She would always pause at this point when she later told of the angels she saw that day and all they had taught her. Some things didn't go into words easily. It all sounded so distant and miraculous, while the change in her heart was so real. On that long ago day, the power of God had caused the King to rise and calm his people; all had heard of the truth of the Great God. The power of God had pierced the hearts of the people and many had converted. The sword that had been unsheathed to divide and change her people had changed to a gentle wind easing their way. The hand that had wielded the sword now comforted and calmed. Chores still needed to be done, food still needed to be prepared and contentions still happened, yet the people were different. There was a softness and openness, even in the King and Queen. Nephites came and went and trade increased. There was less maneuvering for power and more seeking for truth. Abish still gathered goats and carried water, but with peace in her heart and a story ready to be told.
Author: LDS Publisher
I am an anonymous blogger who works in the LDS publishing industry. I blog about topics that help authors seeking publication and about published fiction by LDS authors. View all posts by LDS Publisher
Author LDS PublisherPosted on February 18, 2010 Categories 2010 Book of Mormon
4 thoughts on "9: The Unsheathing"
This gave me a new perspective on Abish. I appreciate the insight.
Th. says:
I'm sick of purely introspective fiction, but I do love the idea that Abish would resent Ammon. That is brilliant.
Tamara Hart Heiner says:
though heavy on description (I'm not a fan), this carries a historical feel to it, including some knowledge and insight. Abish is a real person and we are privy to her thoughts and feelings.
Kelly Family says:
thank you for the comments. I'm glad my story made you think or you found parts insightful…even if you didn't like the style or description.
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text:
The Cattle Thief's Escape is a 1913 American short silent Western film directed by and starring William Duncan. It co-stars Rex De Rosselli and Myrtle Stedman while Tom Mix appears in a supporting role. The film was produced by the Selig Polyscope Company and released through the General Film Company. It was released as split reel with Elephant as a Workman, Rangoon, India.

Cast
 William Duncan as Reverend John Morrison
 Rex De Rosselli as Joe Craig
 Myrtle Stedman as Rose Craig
 Lester Cuneo as Charley Pointer
 Tom Mix as Pete Becker, Half Breed
 Old Blue as Pete Becker's Horse (uncredited)

References

External links

1913 films
1913 Western (genre) films
1913 short films
American black-and-white films
American silent short films
Films directed by William Duncan
Lost American films
Selig Polyscope Company films
Silent American Western (genre) films
1910s American films

redpajama_set_name: RedPajamaWikipedia


Excellent show, good food, highly recommend!
Funny show and great experience.
I liked it. Box office did not open as described, so we waited outside in line for to long.
This was a very fun, the food was quite tasty and the entertainment was great. The theatre has a beautiful vintage 20's-30's decour and the girls at the show were hotties.
Definitely a value with some good magicians- I just couldn't get past the high expectations I had coming in. Was hoping for Vegas and got well Buena Park . . .
The food was good. There drinks were week. The first act of the show was not very good. The second act was much better and we enjoyed that.
We had a great time, the food was delish too.
Had an excellent time at the show! Dinner, drinks, and entertainment were fantastic! Nice, fun, and intimate venue!
The show is a combination of acrobatics, magic, dancing so it's kind a different but loved it. Great for anniversaries and birthdays...The food is great too.
We took my son for his birthday not knowing what to expect, maybe a little dinner, a great show, and WOW! what a surprise! it was spectacular! the entertainment was non-stop and very funny.
What a wonderful, fun experience. The dinner was delicious. Highly recommended!
Super fun! The 5 course meal included generous portions and was delicious! The show was very funny and entertaining!


The Moon is Earth's only natural satellite and the fifth largest satellite in the Solar System. The Moon's surface area is less than a tenth of the Earth. The Moon is in synchronous rotation, which means it rotates about its axis in about the same time it takes to orbit the Earth. This results in it keeping nearly the same face turned towards the Earth at all times.


The Baton Rouge Area Foundation announced it has won a $350,000 grant to invest in efforts to reduce the jail population.
Through the John D. and Catherine T. MacArthur Foundation grant, BRAF and local law enforcement officials will establish a strategy to lower the number of people currently held for lengthy periods in parish jail before their court hearings by focusing on those who can "safely and productively remain in the community" while their cases are being processed.
Over-incarceration is one of the key areas of focus for the Chicago-based MacArthur Foundation, which also supports solutions related to global climate change, nuclear risk and increasing financial capital for the social sector.
The project is among several prison reform efforts in Louisiana, which in 2017 introduced sweeping policy changes to the state's criminal justice system.


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In informatica con il termine inglese Virtual Private Cloud (VPC) (in italiano "Nuvola informatica privata"), si definisce un insieme di risorse informatiche configurabili a richiesta in un ambiente cloud pubblico che fornisce un certo livello di isolamento tra varie organizzazioni che utilizzano queste risorse.

L'isolamento tra un VPC e gli altri utilizzatori del cloud è di solito realizzato attraverso l'uso di una sottorete IP e un meccanismo di comunicazione virtuale (ad esempio una VLAN o gruppo di canali criptati) per ciascun utente.

In un VPC il meccanismo descritto per fornire l'isolamento all'interno del cloud, è completato da un servizio VPN (per ogni utente) che garantisce la sicurezza di accesso remoto a risorse attraverso un sistema di autenticazione e crittografia. Attraverso questi meccanismi di isolamento, l'organizzazione che utilizza il servizio può effettivamente lavorare su un cloud praticamente privato (cioè, come se l'infrastruttura non venisse condivisa con altri utenti).

Il VPC è comunemente usato nel contesto di Platform as a service. In questo contesto, il fornitore di infrastrutture (cloud) e fornitore di servizi VPC delle infrastrutture potrebbero essere aziende diverse.

Implementazione
Amazon Web Services ha lanciato il suo servizio Amazon Virtual Private Cloud il 26 agosto 2009, che permette la creazione di connessioni tra Amazon Elastic Compute Cloud e altre reti attraverso una VPN con protocollo IPSEC.

Google App Engine supporta funzionalità simili attraverso il suo prodotto Secure Data Connector lanciato il 7 di aprile 2009.

HP offre un servizio aziendale  tra cui cloud privato, il cloud gestito e servizi cloud pubblici basati su OpenStack

Microsoft Azure offre la possibilità di creare un VPC utilizzando reti virtuali.

Cloud-Bricks.net è un esempio di un fornitore di cloud privato su hardware dedicato dove non risorse sono condivise con altri utenti.

FortyCloud è un esempio di un VPC che viene offerto sull'infrastruttura di cloud pubblico da un fornitore esterno, come AWS EC2 e ambienti ibridi da fornitori diversi.

Host Virtual è un fornitore di infrastrutture come servizio che incorpora CPV come una delle sue caratteristiche.

Ci sono anche VPC regionali come Cloud-A  e cloud.ca, Piattaforme cloud private virtuali canadesi.

Note

Voci correlate
 Amazon Elastic Compute Cloud
 Cloud computing
 Google App Engine
 Intercloud
 vCloud by VMware

Collegamenti esterni

Cloud computing


text:
Browse by Subject: Literature
Please note that while you may order forthcoming books at any time, they will not be available for shipment until shortly before publication date
The Remarkable Kinship of Marjorie Kinnan Rawlings and Ellen Glasgow
Ashley Andrews Lear
In this book, Ashley Lear examines the relationship between two pioneers of American literature who broke the mold for women writers of their time.
Sacraments of Memory: Catholicism and Slavery in Contemporary African American Literature
Erin Michael Salius
Sacraments of Memory is the first book to focus on Catholic themes and imagery in African American literature. Erin Michael Salius discovers striking elements of the religion in neo-slave narratives written by Toni Morrison, Ernest Gaines, Leon Forrest, Phyllis Alesia Perry, Charles R. Johnson, and Edward P. Jones.
At Fault: Joyce and the Crisis of the Modern University
Sebastian D. G. Knowles
At Fault is an exhilarating celebration of risk-taking in the work of James Joyce. Esteemed Joyce scholar and teacher Sebastian Knowles takes on the American university system, arguing that the modernist writer offers the antidote to the risk-averse attitudes that are increasingly constraining institutions of higher education today.
Ulysses Unbound: A Reader's Companion to James Joyce's Ulysses, Third Edition
Terence Killeen
Ideal for readers new to Ulysses and written with a depth of knowledge that scholars have found invaluable, "Ulysses" Unbound is a clear and comprehensive guide to James Joyce's masterpiece from one of the foremost Dublin-based Joyce experts.
Furiously Funny: Comic Rage from Ralph Ellison to Chris Rock
Terrence T. Tucker
A combustible mix of fury and radicalism, pathos and pain, wit and love--Terrence Tucker calls it "comic rage," and he shows how it has been used by African American artists to aggressively critique America's racial divide.
Resistance Reimagined: Black Women's Critical Thought as Survival
Regis M. Fox
Looking closely at nineteenth-century texts and twentieth-century novels written by African American women about antebellum America, Resistance Reimagined highlights examples of black women's activism within a society that spoke so much of freedom but granted it so selectively.
Joyce and the Law
Edited by Jonathan Goldman
Making the case that legal issues are central to James Joyce's life and work, international experts in law and literature offer new insights into Joyce's most important texts. They analyze Dubliners, A Portrait of the Artist as a Young Man, Giacomo Joyce, Ulysses, and Finnegans Wake in light of the legal contexts of Joyce's day.
Machaut's Legacy: The Judgment Poetry Tradition in the Later Middle Ages and Beyond
Edited by R. Barton Palmer and Burt Kimmelman
Pub Date: 11/7/2017
In a daring rewrite of literary history, this volume argues that the medieval poet and musician Guillaume de Machaut was the major influence in narrative craft during the late Middle Ages and long after.
James Joyce's Painful Case
Cóilín Owens
Demonstrating that one story from James Joyce's Dubliners is not only a turning point in that book but also a microcosm of a wide range of important Joycean influences and preoccupations, Cóilín Owens examines the dense intertextuality of "A Painful Case."
Foundational Essays in James Joyce Studies
Edited by Michael Patrick Gillespie


Now the popular photo-Video sharing social network has announced that it will release a translation feature for it's app.
Instagram says it will add an in-app translation that will automatically translate text such as comments, bio, descriptions.
The translation button will be seen next to feed stories and profile bios that are present in a different language.
Translation below the text to see it.
automatically based on the language they're written in and the language settings of the person viewing it.
The latest translation feature brings Instagram up with other social networks like Twitter and Facebook that has been offering automatic language translation detection for a long time.
welcome development as over 80% of Instagram users are from outside the US.


On September 11, 1956, Ben Webster - together with Art Tatum, Red Callender and Bill Douglas - recorded the eighth and final album in a series Norman Granz produced with Tatum and different horn soloists that came to be called The Tatum Group Masterpieces.
Tatum and Webster knew each other through many years of playing at private parties. Webster - who played piano for silent movies and was a fine stride player in his youth – had the highest respect for Tatum and considered him the greatest jazz musician of all time. He was therefore very humble when he came to the recording session in Los Angeles.
Webster's scrupulously formulated, simple lines fit like hand in glove with Tatum's dazzling, strongly ornamented style. There is a fine, relaxed feeling throughout the session. Webster does not "do battle" with Tatum, and the pianist doesn't "bulldoze" Webster as he does on some of the other sessions with Roy Eldridge or Benny Carter, for example. Instead he supports Webster, often rounding off their musical dialogue. All the tunes move at an easy tempo. Webster once said: "Remember: In jazz there are three tempi: Slow, medium and slow!" Which is quite fitting for the music here, while also reducing the risk of Webster being intimidated by Tatum's superior technique.
On All The Things You Are, which is presented in a slow-medium tempo - far slower than how Jerome Kern's beautiful melody is normally performed – Tatum conjures his way through the first chorus with all the harmonic ingenuity he can muster, after which Webster plays two choruses where he basically sticks to the theme in the first, with few embellishments, then improvises with balanced and calm phrasing in the second, employing his big, broad, warm sound throughout. After a brief piano intro, Webster delivers an incredibly beautiful interpretation of My One And Only Love. He displays such great fervor that, in his hands, the number becomes an unabashed declaration of love, stated with a tone that in the high register attains as much of a singing quality as he can possibly muster. The same can be said of My Ideal, where his use of dynamics also contributes to the warmth of his interpretation. On Gone With The Wind and Have You Met Miss Jones?, Webster sticks close to the themes, while Night And Day swings along persistently and self-confidently, with Webster in full control. On Where Or When - which actually is another take of Gone With The Wind - Webster again keeps to only a slight variation of the melody and then delivers a dazzlingly beautiful finale to this session, ascending step by step to the keynote in the highest register while again displaying his warm, fat tone and perfect intonation.
Art Tatum died less than two months later, and Ben attended the funeral on the 10th of November at North Neighborhood Community Church in Los Angeles. After the ceremony, Webster lingered at Tatum's grave along with some other musicians and bid him a last farewell by playing for him privately, with no audience.


The Moon Art Nouveau wall plaque is brimming with detail, thought & style available at Hidden Corne..
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text:
Q: Play Apple's .caf audio file on a webserver? Play Apple's .caf audio file on a webserver?  I have .caf audio files (Apple's open audio format) stored on my webserver and want to play them from a web browser on any O/S.

A: I understand, this doesn't seem like the solution you're looking for, but...
Several weeks ago we faced the same problem. We have several clients which are posting audio files to the web site from theirs iPhones, and we need to play audios on the web site.
But we didn't find any suitable flash player with .caf format support.
So we decided to convert .caf to .mp3 on the server through the ffmpeg.exe utility.
Happily, there a lot of flash players with .mp3 support.

A: Now I have not tried this... but...
This website:
http://modmyi.com/forums/skinning-themes-discussion/1769-how-do-i-create-caf-file.html
Seems to suggest that .CAF and .AIF may work interchangeably (It suggests that to convert to .CAF you convert to .AIF` and then rename the file).
Have you tried renaming it to .AIF and trying to play in a flash/java browser player? Alternatively just send it as a stream to the web-browser and let the client OS work out what to do with it (Like quicktime running inside the browser).
Let me know how it goes.


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August 24, 2015 Destination
By Felwa Alhudaithy
The relationship between education and fashion. What is it?
It would be pretentious and a flat out lie to say that education and fashion go together like a horse and carriage. However, I do believe that if you looked close enough you'll find that they have always had an on-off relationship.
From the dawn of time and the birth of schools and universities, uniforms have drawn a picturesque vision of perfectly assorted armies of pupils, on their way to a mecca of learning to educate themselves in everything they need to be better humans. They work hard while wearing matching outfits to 'level the field', because apparently we are all one when we adorn the same frock. From pleated skirts and knee socks to crest-adorned blazers and striped ties, elements of the classic school uniform have inspired fashion for years and will probably still be reincarnated every other season.
Some labels known for their preppy Americana aesthetics, like Ralph Lauren, Tommy Hilfiger and Michael Kors, have introduced the high society girl in their collections and inspired her wardrobe to classroom classics like kilts and jackets. Back to school elements have also popped up in the collections of avant-garde labels like Rag & Bone, Alexander Wang and Balenciaga. Of course, pop culture has played a critical role in the revival of the school uniform amongst the youth.
Tartan skirts and monogrammed blazers have appeared in countless films and TV shows over the past decades; from "Gossip Girl," "Clueless," "Harry Potter" series, "Cruel Intentions," to "Heathers," "The Craft" and "The Princess Diaries." They've certainly made a major impact on how we all perceive this academic attire. An à la mode uniform might look like Rory Gilmore's Chilton days, or Carey Mulligan's personification of the innocent bookworm in "An Education." She knows she's looking the part but she's not trying to. The key here is to look effortless. A plaid skirt will forever have a place in history as 'school-y' and let's be honest, after the 2003's Burberry mania; the plaid became, without a shadow of a doubt, a wardrobe staple.
I was a model student, under the radar and always abiding. If I had to do it all over again—God forbid— I would try to sneak in some pop culture references, and once a week do the unthinkable and wear a colored shirt! Not that I'm preaching for a rebellion, but why can't schools have a day of color, a day where students can come as they are? Rainbows can rule the world.
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