text:
NAKED STRIP GAME ON LIVE TV
Skip to this video now. Play Video. From dating to surviving in the wilderness, contestants are baring it all. All rights reserved. Popular naked reality television shows have participants baring it all in the nude. Related Extras. Related Videos. Video Transcript. With that rash of nudity in the news, it seems some stars do want to keep their private parts private. And yet, it's not just celebrities bearing their Bolds recently.
The iPhone carrying crowds can naked girls on live tv to a remarkable extent, are snapping sexy selfies. Teens and even tweens shamelessly stripping down. So, when did it get so fashionable to get undressed? Reporter: In a culture where less means more and skin is in, these days, everywhere you look, it seems like you have to nakfd um, look away.
On hb O's "Girls," it sometimes feels like Lena Dunham is naked in every episode. Kim Kardashian, who you are teenly posts racy photos stripped down and posed nude on the cover of the new girs of british "Gq, naked girls on live tv. Why are celebrities taking naked photos of themselves to begin with?
To be a celebrity, there is a Serb amount of narcissim, where you feel like you are above everything. People want to see all of you. There is a sense of a bubble and people and this web page feel like they're protected, but the naked girls on live tv is, if you liive takin a digital tb, you're not protected.
Reporter: Still, naked girls on live tv, it seems like everyone is doing it now. Adults are sexting. Apparently nude is becoming the new black. When I was growing up, I don't recall thinking, I'm going to take a nude photo of myself. Is this just a sign of the times? I think the internet, in terms of exposure and what we see in terms of images and certainly television now, there is this sense that anything goes, naked girls on live tv. Reporter: And just when you thought television couldn't shock you anymore -- This is awkward.
Reporter: Enter the naked reality show. Your Hanging out. Reporter: Where contestants bear their souls -- Oh, my god. Reporter: And their bodies. On "Naked and afraid," contestants are left in the middle of a hostile environment. No water, no food, no clothes. Hi, how are you doing? How's it going? Nice to meet naked girls on live tv. I'm Billy. I'm KY. I see you're naked. Yeah, I know. I'm naked, too, and you're naked. Yeah, yeah, nice necklace. Thank you. I'm, like, so embarrassed right now.
Me, too. Reporter: When KY was approached about being on the naked girls on live tv, she initially said no. They're like, just bear with it, the title is "Naked and afraid" and I was like, no way. And then they explained to me, you'll be pix lated. Reporter: But the lack of clothing became the least of their worries as they struggled to survive for 21 days naked in the wilderness. Get out. Snake, snake. They bite you, you're done. I'm going to go Rambo. Of course you are.
Are you digging for something? Oh -- oh, okay. Remove your clothes and expose the real you. All in hopes of finding true love. Being named is a new way to meet someone in your most vulnerable state. Reporter: Contestants pack their girs with activities, like archery. I wanted to seal that since I saw "The hunger https://sioneinkerem.info/miilf/webcam-girls-from-stickam.php. You pull it, aim -- Reporter: One couple did find true love.
It was the most beautiful part of the experience. Reporter: And they are getting married. On TV, of course. This is too beautiful right now. Reporter: But not everyone is happy. Hi, I'm Jessie. Reporter: year-old Jessie movie sex 18 free a contestant on the show. I'm extremely comfortable in my own skin.
Being please click for source really means absolutely nothing.
Reporter: But she's now suing viacom, VH1's parent company, for 10 million bucks for allegedly showing her too naked. You feel uncomfortable like this?
I'm fine. How are you? I don't mind it. Reporter: Jessie claims she was humiliated after producers assured her certain parts of her body would be covered during a wrestling scene. But when the show aired, she says viewers were treated to the full Monty, naked girls on live tv.
She pull out a statement saying, obviously, I did not expect the whole world gitls see my private parts. Vh1 and their parent company viacom had no comment, but the lawsuit hasn't put a damper on the show's popularity. So, there's barriers like the internet oon cell phones and all these things that get in the way of communication that breaking that down and getting rid of all of that and getting rid of the clothing again that we hide behind, amature gay boy webcam sex brings out different parts of people's personalities.
Reporter: A not entirely surprising success considering how well "Naked and afraid" has done. When people want to buy nudist real estate, they come to me.
I've already sold over 25 homes to nudists this year. Top that. Reporter: Her clients are the area's nudists, naked girls on live tv. What can Naked girls on live tv expect when they come in? Do I hug, do I shake hands? Are they going to be clothed, are they going to be naked? Most likely they're going to be nude.
Reporter: Though they don't need big closets, they do need a roof over their head. I'm Amanda. I'm Cole. I have been a nudist from almost 20 years. Reporter: With those big audiences tuning in, the shows are creating a lot of buzz. What does it say livs our culture that we're okay with nudity and we're okay with being naked? Well, we live in a per misive culture, where we giels new ideas and we need to be exposed. I'm nakd against nakedness, but I think certainly if you are going to be naked, you're going to take pictures of yourself, understand that you, once you take that digital image, you may have lost all criminal over that image.
So, be prepared for the fallout and don't whine about it if it gets in the wrong hands.
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Back in the day, you had to go out to a video store, look in a private room behind some beaded curtains for a video, drive back home, and then use your VHS player to get nakedness on your television. Or, even worse, you had to call a numbe r and pay over the phone each time you wanted to watch some nudity on screen.
But we've come a long way, baby, and now pretty much every channel barring basic cable has their own way for a viewer to get their eyes on some boobs and naked girls on live tv butts. We've gathered the 22 most naked shows on television for you, and happy watching! Amazon's Carnival Row is here to fill the "fantasy elements with lots of naked people" shaped void in your TV diet.
The steampunk-set series takes place in an alternate reality where faeries, fauns, and other magical creatures exist alongside humans and get busy with them, naked girls on live tv.
If it's on HBO, you can bet there are going to be naked people. True Detective has had some notable nude moments, like when Alexandra Daddario bared all in Season 1. If you've always wondered what would happen if you took Game of Thrones and the Pirates of the Caribbean franchise and put them in a blender, then start binging Black Sails.
This short-lived HBO series about the record industry boasted an A-list cast with the likes of Olivia Wilde and Juno Temple, as well as some of the rawest, most naked girls on live tv moments of TV nudity ever to hit the airwaves. Spartacus: Blood and Sand is the just click for source season of Starz's Spartacus series, which follows a gladiator in ancient Rome.
Period costumes, continue reading, drama, lots of sexy times and nudity—this is literally the naked girls on live tv fix if you're ever feeling Game of Thrones withdrawal.
If HBO dramas and gratuitous nudity are synonymous at this point, True Blood deserves a hot teen anal sex of the credit. The vampire-fueled, paranormal romance made Game of Thrones look tame when it comes to nudity.
HBO's gritty teen drama, Euphoriais all about the darkest side of teenage life and it dives headfirst into heavy issues like drug use and sex in honest and real ways. So, yes, nudity is a given. When a show's title is literally a play on the word "fornication," you should know going in that you're in for a lot of sex click here, by extension on premium cable, anywaya naked girls on live tv of nudity.
Showtime's Californicationabout a sex-obsessed novelist, is definitely that. I mean, this Hulu original series is about a brothel. Nudity is almost built into the equation. Starring Samantha Morton as Margaret Wells, an 18th-century brothel owner and mother who finds her entire way of life thrown askew when a rival madam steps into her territory. Lots of cleavage to be seen in these corseted gowns. Yet another show with a concept just begging for nude scenes.
Starring James Franco and Maggie Gyllenhaal, this show is sexy as hell, and even more naked. Naked is in the title, I couldn't leave this one off of the list! Yes, it's naked, and no, not the sexy kind of naked.
Naked and Afraid takes two strangers—usually a man and a woman—and drops them in a desolate, dangerous environment, with no food, water, or clothing. And they have to just They've got to make it to 21 days Shameless lives up to its name with the amount of nudity the show has. Following a working-class family in Chicago just trying to make things work, this show's ensemble cast has never shied away from showing a little skin.
Oof, The Affair is another show where the title implies a little bit of nudity must be involved. There's plenty of sex, naked girls on live tv, and plenty of skin to be found here. Considering the first episode includes a naked Evan Rachel Wood, this list would be incomplete without Westworld. Taking place in well porn men estudiantes webcam opinion future at a webcam young sttrips teen for adults of the same name, allowing visitors to become gunslingers in the Wild West.
How his theme park operates is through androids, who look like humans but are easily programmable, or so they initially thought. While the premise may not sound naked-friendly, it's got plenty of boobs and butts to be found.
Easy is an anthology series following modern https://sioneinkerem.info/sexdina/small-cock-tgirl-webcam.php in Chicago, so there's plenty of sex to be found here. Given that each episode follows a new storyline, and the show has some of your favorite celebs, you may get a glimpse on someone who you never knew you wanted to see in the nude! Following the story of the rise of the cocaine trade in the 's and the real life stories of the drug kingpins and the law enforcement trying to take them down.
And yes, there are plenty of nude scenes. Orange takes place in a woman's prison and the catalyst for the show involves a lesbian romance—there's no question about how naked this show gets.
Telling the stories of the prison and how the women came to get there, naked girls on live tv, this naked girls on live tv has an abundance of nude scenes. Based on the book of the same name, Altered Carbon takes place years in the future where memories and consciousness can be transplanted into an organically created "surrogate" called a "sleeve ", following Takeshi, a political operative with mercenary skills as he wakes up suddenly in a continue reading "sleeve" and is given the choice to go to jail for his crimes, or help the police solve a murder they believe his "sleeve" has committed.
Everyone gets naked on this show. Naked AF. Sex Education is far raunchier and more explicit than the average teenage drama, and being on Netflix surely helps that. The series follows a lonely high schooler who recruits his sex therapist mother and another girl in his class to open a "health clinic" for teens.
It's a show about sex, so no surprise about the naked content here. Caitriona Balfe and Sam Heughan's time-travel romance show is very sexy, and very naked! Balfe plays Clare Randall, a nurse in who finds herself suddenly back clickand must rely on Jamie Heughan to help her. Of course, another period piece means plenty of space for cleavage! Well, the first nude scene on this show involves a man getting absorbed into a woman's vagina, so it's needless to say that American Gods is naked-friendly, and equal-opportunity naked go here both men and women bare all.
Based on the Neil Gaiman novel of the same name, American Gods follows Shadow, after the death of his wife, being visited by Mr. Wednesday, a mysterious man who knows a lot about him and his dark past. Wednesday gives Shadow a warning that things are only getting crazier from there, and spoiler alert: they do, naked girls on live tv. For more stories like this, including celebrity news, beauty and fashion advice, savvy political commentary, and fascinating features, naked girls on live tv up for the Marie Claire newsletter.
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Television has long been the home of a sort continue reading censored reality, one in which people hardly ever swear and never, ever, get naked. But live TV can be a different beast. Like a boss. The crowd just laughs, Niven makes his jokes and the goddamn orchestra even starts playing a streaking soundtrack. It truly was a better time. Look, sometimes you meet Bob Barker and naked girls on live tv get so excited your titties come flying out.
I get it. Again, this is a case where visit web page is just chill about some random nudity. Everyone just wants to spin the wheel, maybe win a new washer and dryer set and the next thing you know there are go here everywhere and, you know what? Bob Barker handles it like a pro, makes some jokes and they all get on with it.
This one often goes overlooked, which is bizarre, because you would think nerds would have been all over their beloved Xena slipping a boob. Another fine production, indeed. Starving children in Africa have seen this. But we have to talk about it because this marked a crucial point in TV nudity.
Gone were the days of jokes and orchestras playing along, replaced by quick camera cut-aways and nervous apologies from grim-faced talking heads. Now, you can look at this two ways. Or it was, as everyone claimed, an accident, in which case JT basically got away with sexually assaulting Janet Jackson on live TV.
Truly, pro wrestling at its finest. The sport of kings naked girls on live tv. If anything, the reaction to this was surprisingly subdued. Just think https://sioneinkerem.info/tvsexi/hot-and-fucking-girls.php that. Probably not on their version of the goddamn Today Show Wetten, Dass.? Germany is fucked up. By the way, Salma Hayek also suffered a little slip on her appearance on Wetten, Dass…? Yeah, I thought so. For some reason, cameras are always catching NFL naked girls on live tv naked in locker rooms.
But it happens all the time in the NFL. There were multiple incidents in alone, like the above clip, which comes from the Bengals locker room. The most famous incident probably is the Visanthe Shiancoe dong-hanging, where cameras caught his goddamn baby arm reaching out to them in the Minnesota Vikings locker room.
You all remember this. In fact, given that Miley has pretty much become a nudist, it was almost surprising that this was all she ended up showing. Sure, there was still a quick cut-away and no orchestras started playing, naked girls on live tv, but no one really freaked out either.
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Q: C++ variadic templates with repeating types Is it possible to write variadic templates or fold expressions where the function signature can be something like
void f(int, string, int, string, ...)

That style is very popular and user-friendly in python, but I couldn't get it to work in C++. In particular I would use it to feed a plotting function with data followed by a label for example.
edit: to expand, I would like to call the function like this:
f(5, "first number");
f(5, "first number", 6, "second number");

and with 4, 6 or ... 2*n parameters.

A: You can write a variadic function like this:
template<typename ...Ts>
void f(int data, string const &label, Ts&&... rest)
{
  process(data, label);
  f(std::forward<Ts>(rest...));
}

with a base case:
void f() {}

to terminate the recursion.
Now only calls of the form:
f(1, "hi");           // ok
f(1, "hi", 2, "bye"); // ok
// etc

will compile, whereas:
f(1);          // error
f("hi");       // error
f(1, "hi", 2); // error

will not.

A: For instance, define two overloads:
void f() {}

template<class... Ts>
void f(int i, std::string s, Ts... ts) {
    f(std::move(ts)...); // static recursion
}

redpajama_set_name: RedPajamaStackExchange


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Author talks for Aug. 27 through Sept. 3, 2017
Things To DoBooks
Albert Flynn DeSilver is one of the poets who will read his work Tuesday at the Corte Madera Library. (Jeff Vendsel/IJ archive)
By Marin Independent Journal |
PUBLISHED: August 25, 2017 at 3:22 p.m. | UPDATED: July 19, 2018 at 11:40 a.m.
Book Passage: 51 Tamal Vista Blvd., Corte Madera; 415-927-0960; bookpassage.com. Aug. 27: Walter Stahr discusses "Stanton." 1 p.m.; Aug. 29: Gershon Shafir discusses "A Half Century of Occupation." 7 p.m.; Sept. 1: Louise Penny discusses "Glass Houses." 2 p.m. $25 to $50. Register online; Sept. 2: Deirdre Hade and Will Arntz discusses "The (Not So) Little Book of Surprises." 4 p.m.
Diesel, A Bookstore: 2419 Larkspur Landing Circle, Larkspur; 415-785-8177; dieselbookstore.com. Aug. 30: The Larkspur Book Club Pioneers discuss "The Noise of Time" by Julian Barnes. 6:30 p.m.; Sept. 1: Bethanie Deeny Murguia reads "The Too Scary Story" as part of the Kids' PJ Party. 6 p.m.
OTHER TALKS
Book Passage: 51 Tamal Vista Blvd., Corte Madera; 415-927-0960; bookpassage.com. Aug. 27: Spirit Rock's family program coordinator and teacher Dawn Scott discusses "Spirit Rock Mindfulness for Children." 2 p.m.; Aug. 28: Marin Shakespeare Company artistic director Robert Currier and Marin Shakespeare actors discuss Shakespeare's "Love's Labour's Lost" and upcoming performances. 7 p.m.
Corte Madera Library: 707 Meadowsweet Drive, Corte Madera; 415-924-3515; marinlibrary.org. Aug. 29: Marin Poetry Center Summer Traveling Show with local poets Albert Flynn DeSilver, Lily Iona MacKenzie, Charlotte Schmid, Margaret Wagner, Susanne West, Susan Zerner and host Mark Meierding. 7 p.m.
Mill Valley Public Library: 375 Throckmorton Ave., Mill Valley; 415-389-4292; millvalleylibrary.org. Aug. 28: Kier Holmes discusses "GardenSmart: Herbs, Herbs, Herbs" and how to care for them. 7 p.m. Registration recommended; Aug. 30: Give and get constructive feedback on your work during the Writers' Drop-In critique group. 3 p.m.; Aug. 31: Marin Poetry Center Summer Traveling Show with poets Karen Benke, Marie Henry, Jennifer Nichols, Marvin R. Hiemstra, Lonner Holden, Rhodes Young and host Jean Hawkins Sublett. 7 p.m.
The Redwoods: 40 Camino Alto, Mill Valley; sfopera.com. Aug. 28: Artistic and musical director of West Edge Opera and assistant conductor and prompter for San Francisco Opera Jonathan Kuhner discusses San Francisco Opera's upcoming performances of Puccini's "Turandot." 7:30 p.m. $10.
Sunrise Center: 645 Tamalpais Drive, Corte Madera; 415-924-7824; sunrisecenter.org. Sept. 1: "Hacking American Elections, Gerrymandering and Voter Suppression: An update and what we can do about it," panel presentation and discussion with Bob Fitrakis, Jim Soper, John Brakey, Lori Grace and others. 7 p.m. $15. Register online.
— Compiled by Colleen Bidwill
The Literary Calendar appears Sundays. Email listings to calendar@marinij.com or mail to Literary Calendar/Lifestyles, Marin Independent Journal, 4000 Civic Center Drive, Suite 301, San Rafael, CA 94903. Items should be sent two weeks in advance. Photos should be 300 dpi JPGs with a minimum file size of 2 megabytes and should include caption information. Include a daytime phone number on your release.
Marin Independent Journal

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text:
Photo by System 180
Turning immersive art into a shared experience at the Institute for Sound & Music
"It's about the world of art and its intersection with music and sound and science and technology. "
For decades, audiophiles have tried to invent new ways of making the listening experience more immersive. But the evolution from mono to stereo to surround sound to noise-canceling headphones proves some can never get too deep into the experience of sound.
Right now, immersive entertainment is often synonymous with virtual reality. The problem is, no matter how entranced you get, the bulky headsets are an uncomfortable reminder that you're still fundamentally disconnected—from the physical world and from other people.
The Institute for Sound & Music has a better idea.
Founded in Berlin in 2017 by Nicholas Meehan, Ben Fawkes, and Brendan Power, ISM is a non-profit with an ambitious mission: To demonstrate the cultural impact of sound by building a museum where people can immerse themselves in cutting-edge art installations.
Over the past three years, ISM has been collaborating with influential musicians, including Brian Eno, Thom Yorke, and Holly Herndon, to produce extraordinary exhibitions that showcase what's possible when you combine vanguard artistic concepts with emerging technology.
But when the pandemic forced the cancellation of major events like SXSW—where ISM was scheduled to bring their Hexadome—the team had to quickly adapt to a new landscape for live entertainment and adjust to life as a fully distributed team. To find how they pivoted their plans and kept their vibrant work alive, we spoke with Ben Fawkes, Vice Chairman at ISM.
"Not only were you experiencing the movement of the visuals, you're also experiencing the architecture of the room you're in."
DBX: Could you describe what visitors see and hear?
BEN FAWKES: We built the sound system based on the technology from an institution in Karlsruhe called the ZKM. They're a Digital Media Research Center. Over the last 10 years, their sound department developed a thing called the Klangdom, which is basically a spatialized sound system.
The idea is that you could, in theory, play 52 sounds via 52 channels. The Klangdom provides you with a way to move sounds in various different ways. The speakers are arranged from all the way to the top of the Hexadome structure all the way to the bottom.
The way we presented it with the Klangdom sound system in the Hexadome, no matter where you are in that space, you essentially have the same experience, you feel the spatialization, you feel the movement exactly the same. For the visual element of the Hexadome experience, we partnered with Berlin-based design and motion graphics studio Pfadfinderei. They came up with the hexagonal shape as it allowed for windows into the artistic experience but also the opportunity for the visitors to freely walk in and out of the space.
It also allows you to have an experience of the larger room that the Hexadome sits in, which adds to the experience, particularly if you're presenting in a museum. At the Gropius Bau, we presented in the atrium, which had a glass ceiling and a mezzanine.
Photo of the ISM Hexadome by Skye Sobejko
So being able to have those spaces and that negative space in between the screens meant that not only were you experiencing the movement of the visuals, you're also experiencing the architecture of the room you're in. From a very logistical, people-management perspective, it meant that people could come and go quite easily as well.
Was it originally conceived to be a mobile structure? Did you have the idea of taking it on tour from the beginning?
The Hexadome is one of many exhibitions we're trying to develop to help explain this long term goal of building a museum for sound. The Hexadome is our first achievement of delivering and presenting the kind of content we would make in this space. But yes, it was always at the back of our minds that it could be a tour-able exhibition. Since we presented it in Berlin, we have toured the exhibition in San Francisco during Gray Area Festival, Montreal for Mutek Festival and also at the amazing MASS MoCA in Massachussetts. We have plans for present it in 2021 also.
A lot of new music is now first heard on our phones or in cars instead of through speakers in a room at home. Was ISM created to address changes in the way we experience recorded music?
I don't think it's a reaction to the way we consume music. It's more reaction to what else can be done in the world of music, and being a facilitator and a platform for experimenting and innovating in that space. There is definitely a bit of a reaction to the need to provide a space and experiences that people can share together.
We often talk about shared experience. In the world we live in today, particularly with so many screens and the habits in work and the busyness of modern life, we want to provide a platform for artists to create things people can experience together in the real world. So it's not a reaction to anything about the music industry. It's more about "Where else could the music and artistic world can go together?" It's about the world of art and its intersection with music and sound and science and technology.
How did your team work together in development of the Hexadome or the museum?
A lot of it is online collaboration. We all work voluntarily, so to get everyone in a room at the same time is big challenge. Being able to use things like Dropbox with the ISM Hexadome at SXSW, we have all of our communication and technical information and press photos— all of the stuff we need to deliver to people at Paramount or press partners—they're all located on Dropbox. It's the same when it comes to anything that we do. If our guys have new videos for promotional work, they'll share them on Dropbox or will link to them on Slack. My colleague Martin does our website. He often will manage everything when it comes to the visual communications side by ordering and filing all that documentation on Dropbox and online. So it's very important for us to be able to collaborate in that way.
"Everything from project managing the creative side…to the boring stuff like accounting is all done on Dropbox."
With this North American tour that we did with the ISM Hexadome, which was funded by the Goethe-Institut and the German Foreign Office as part of the year of German American friendship. At the end of it, we had to do all the financial accounting reporting. Being able to take photos of all of the receipts and all of the printed out documentation, my colleague was telling me "Dropbox is great because you can take a photo and then it just gets put into a file, then our accountant that's sitting somewhere else was able to go into that file and check that it corresponded to the invoice online and budget." Everything from project managing the creative side, where we're working on other other exhibitions, and uploading ideas and renderings of those all the way to the boring stuff like accounting, is all done on Dropbox.
After the pandemic forced the cancellation of major events like SXSW, how did you adapt and begin rethinking the rest of 2020?
Well, it gave us more time to think about new exhibitions and projects for the future. It also made us think about what we can do online, think how we can do digital exhibitions and how we can focus on engaging with the local community. We've tried to make the best out of the situation because the one thing it's given us all is more time to think and deliberate.
Did the lockdown order change any of your work habits?
It's changed all our work habits, really. We would often meet in person in our office, this slowed down dramatically when the lockdown arrived. We've moved more to Zoom meetings, more phone calls and communicating through Slack and online docs through Dropbox.
Have you been redesigning with new safety precautions in mind to allow for social distancing?
The beauty of the Hexadome is that it's a large open space that can handle a lot of people at one time, or be controlled with a limited capacity. If and when we present the Hexadome again we'll be able to take social distancing into consideration quite easily and simply control the amount of people that get to experience it at one time. Also, we are working on some concepts that will be presented digitally first.
How has this extended period of isolation affected your ability to stay motivated and focused?
I can only speak for myself here, but the isolation came at a time where I was able to be incredibly productive with little distraction. As the year has evolved and the isolation has dragged on, it has been harder to remain motivated. But at the start, it enabled me to dive in without distraction. Now it's a case of being sure to take care of yourself, take breaks, do exercise—and actually schedule it in—and also proactively phone friends and colleagues to check in. As a team of volunteers working on this project along with our day jobs, our working structure and style is often online using Slack, Dropbox, Zoom, and email to keep things moving.
The ISM HEXADOME Listening Experience
What's next for the ISM team?
We recently launched the ISM Supporter Program. Donations over €40 will receive The ISM HEXADOME Listening Experience, a limited edition vinyl set featuring binaural recordings from the physical ISM Hexadome installation at MASS MoCA, Massachusetts Museum of Contemporary Art. The set includes eight live installation recordings pressed onto four 12" vinyl records with contributions from Suzanne Ciani, Ben Frost, Frank Bretschneider, Peter van Hoesen, Lara Sarkissian, CAO, Herman Kolgen, and René Löwe.
In 2021, ISM will begin to present ways in which sound and music can be a vehicle for change. And we'll explore the potential and possibility of a new center, or physical home, for sound, immersive art, and electronic music culture in Berlin.
To learn more about the Institute for Sound & Music, check out berlin-ism.com.
Drew Pearce
Drew Pearce is a Content Strategist on the Editorial Content team at Dropbox.
Reflections from three founders who launched businesses in 2020
Chatting space journalism in 2020 with Supercluster
By Andrew Shen
Dr. Woo on learning to work from anywhere and launching new lines in a lockdown
Jacob Collier on managing the complexity of virtual collaborations


text:
The Internet Home for Independent Role-Playing Games
About the Forge | Forums | Articles | Reviews
System Does Matter
by Ron Edwards <sorcerer@sorcerer-rpg.com>
Copyright Adept Press
I have heard a certain notion about role-playing games repeated for almost 20 years. Here it is: "It doesn't really matter what system is used. A game is only as good as the people who play it, and any system can work given the right GM and players." My point? I flatly, entirely disagree.
"Whoa," you might say, "my GM Herbie can run anything. The game can suck, but he can toss out what he doesn't like and then it rocks." OK, fine. Herbie is talented. However, imagine how good he'd be if he didn't have to spend all that time culling the mechanics. (Recall here I'm talking about system, not source or story content material.) I'm suggesting a system is better insofar as, among other things, it doesn't waste Herbie's time.
"Oh, okay," one might then say. "But it's still just a matter of opinion what games are good. No one can say for sure which RPG is better than another, that's just a matter of taste." Again, I flatly, entirely disagree.
Some definitions would be good. First, I'm talking about traditional roleplaying games, in which the GM is a human, and the players are physically present with one another during play. Second, by "system" I mean a method to resolve what happens during play. It has to "work" in two ways: in terms of real people playing the game and of the characters experiencing fictional events.
System Design: Part One
(The following is based on the ideas presented at http://www.darkshire.net/~jhkim/rpg/theory/threefold/, but I'm expanding their application pretty widely.) Three player aims or outlooks have been suggested, in that a given player approaches a role-playing situation pretty much from one of them, with some, but not much, crossover possible.
Gamist. This player is satisfied if the system includes a contest which he or she has a chance to win. Usually this means the character vs. NPC opponents, but Gamists also include the System Breaker and the dominator-type roleplayer. RPGs well suited to Gamists include Rifts and Shadowrun.
Narrativist. This player is satisfied if a roleplaying session results in a good story. RPGs for Narrativists include Over the Edge, Prince Valiant, The Whispering Vault, and Everway.
Simulationist. This player is satisfied if the system "creates" a little pocket universe without fudging. Simulationists include the well-known subtype of the Realist. Good games for Simulationists include GURPS and Pendragon.
Here I suggest that RPG system design cannot meet all three outlooks at once. For example, how long does it take to resolve a game action in real time? The simulationist accepts delay as long as it enhances accuracy; the narrativist hates delay; the gamist only accepts delay or complex methods if they can be exploited. Or, what constitutes success? The narrativist demands a resolution be dramatic, but the gamist wants to know who came out better off than the next guy. Or, how should player-character effectiveness be "balanced"? The narrativist doesn't care, the simulationist wants it to reflect the game-world's social system, and the gamist simply demands a fair playing field.
One of the biggest problems I observe in RPG systems is that they often try to satisfy all three outlooks at once. The result, sadly, is a guarantee that almost any player will be irritated by some aspect of the system during play. GMs' time is then devoted, as in the Herbie example, to throwing out the aspects that don't accord for a particular group. A "good" GM becomes defined as someone who can do this well - but why not eliminate this laborious step and permit a (for example) Gamist GM to use a Gamist game, getting straight to the point? I suggest that building the system specifically to accord with one of these outlooks is the first priority of RPG design.
(Note, therefore, that I might praise a given system because it matches beautifully with one of these outlooks - even if I don't share that outlook and might hate playing that game. This is an important point, because I now have some criteria to judge, instead of just yapping about "what I like.")
System Design: Part Two
Now that a system has an outlook or aim to use as a yardstick, it's time to dissect that resolution method in some detail. Here I follow Jonathan Tweet's suggestion (found in the rulebook of the excellent RPG Everway) that there are three modes of resolution in role-playing.
Fortune, meaning a range of results is possible for each instance (I rolled a 10 on 3 dice, under my skill of 12; I hit!). Most RPG systems are primarily Fortune-based for historical reasons; methods include dice, cards, and all sorts of other things.
Karma, which compares two fixed values (I have a 7 in fencing, you have a 4, I win). Amber is one of the few mainly-Karma games.
Drama, in which the GM (or rarely, the player) resolves the outcome by saying what happens ("You skewer him!" says the GM, without rolling or consulting numbers of any kind).
A given system may certainly mix and match these methods, and in fact Everway actually permits the GM to concoct his or her own smooth blend. Amber, for example, modifies its Karma system with Drama; Extreme Vengeance modifies its Drama method with Fortune; and Sorcerer modifies its Fortune method with Drama. Some systems use different methods for different sets of activities; e.g. AD&D uses Karma for magic and Fortune for combat.
Let's consider Fortune methods as the example because that's what most of us are used to. So the question becomes, given that a system is (e.g.) mostly Fortune-based, how well does it actually work during play? I suggest two things to check carefully (these terms are stolen from ecology, of all things).
Search time, meaning, how long does it take to know what you got? This includes knowing how many dice to roll, calculating modifiers, counting up the result, and so on.
Handling time, meaning, so what happens? This includes comparing the outcome to another roll or to a chart, moving on to the next step if any, ticking off hit points, checking for stunning, and so on.
I certainly can't dictate how much is too little or too much - but I do claim that if they are not appropriate for the player outlook of the game (Gamist, Narrativist, Simulationist), players will complain, rightly, that the system "bogs down" (Narrativist), is "unfair" (Gamist), or isn't "realistic" or "accurate" (Simulationist). A good system's resolution should get the job done in appropriate amount of real time. Which job, and how long is appropriate, depend on the outlook. A new RPG system has no excuse simply to rely on the old paradigm of (1) roll initiative, (2) roll to hit, (3) roll defense, (4) roll damage, (5) check for stunning, etc, etc. This is a leftover from wargaming and is strictly Simulationist + Gamist. The RPG for you might be very, very different. In Zero, for instance, the order of actions, the success of each action, the degree of success for each action (including damage), and every other aspect of resolution are determined by ONE roll per player and ONE roll by the GM, in all cases, even in large-group combat. This game's system is truly an eye-opener for those used to the older methods.
(Again: it so happens that I'm a hard-core Narrativist who enjoys Karma-based systems most, with a little Fortune mixed in. But according to the principles above, I can now judge a system according to its priorities, rather than just going by "what I like.")
Another interesting question about resolution methods is, what is actually being resolved in terms of numerical game mechanics? Consider three things: the actual event ("do I hit?"), the energy it takes to do it ("deduct 4 Endurance"), and the reward ("You did 18 damage, that's 18 EP's, mark'em down"). Food for thought: maybe an RPG needs only one of these, two at most, and can let the third just vanish - and it doesn't matter which. I'm still thinking about this issue, though; at the moment it's just a notion, not a conclusion.
To sum up, I suggest a good system is one which knows its outlook and doesn't waste any mechanics on the other two outlooks. Its resolution method(s) are appropriate for the outlook: they have search and handling time that works for that outlook, in terms of both what the players have to do and what happens to the characters. (One might even suggest that the method be thematically suitable as well, as in marbles for Asylum and playing cards for Castle Falkenstein; I like this idea too, but it's not absolutely necessary.)
Perhaps the ongoing debate about "system-light" vs. "system-heavy" is a waste of time. A system is not automatically good if it is more or less complex than another. The degree of acceptable complexity comes from the game's outlook, and should be judged in that context only. A Simulationist, Fortune-based game almost has to be complex, but a Narrativist, Karma-based game is most satisfying with a simpler system.
Please consider comparing a few systems yourself before reacting too strongly to this essay. I do respect your opinion, but it's fair to consider how many role-playing games you have actually, truly played. That is, real stories and sessions with characters the players created and cared about, not demos at a tournament or running a quick combat. I suspect that those of us who've played more than five or ten RPGs in a committed fashion will agree that "system doesn't matter" is a myth.
Last updated 28-Jan-2004 15:28:37 CDT
The Forge created and administrated by Clinton R. Nixon and Ron Edwards.
All articles, reviews, and posts on this site are copyright their designated author.


This week, That's Maths (TM006) describes the use of mathematical models to study the spread of infections like the SARS epidemic and swine flu.
Simple models such as the SIR model of Kermack and McKendrick (1927) can simulate the broad features of epidemics, but much more sophisticated models have been developed using the same approach.
For an elementary introduction to the mthematics of modelling infectious diseases, see Epidemic Modelling, by D. J. Daley and J. Gani, Cambridge Univ. Press, 1999.


The volleyball team of the BelSU won at the match with the Belgorod University of Cooperation, Economics and Law. This positive note ended the regional volleyball Universiade. Belgorod State Technological University is the second, and the team of the Belgorod State Agricultural University is the third.
The prize-giving ceremony was held by the pro-Rector for cultural and educational activities BSU Svetlana Ostrikova and head of the Sports club of the Belgorod state University Vladimir Rudenko.
Five teams took part in the regional Universiade: the teams of Belgorod State Universit, the Belgorod University of Cooperation, Economics and Law, the Belgorod State Technological University, the Belgorod State Agricultural University and the Belgorod Law Institute of The Ministry Of Internal Affairs Of The Russian Federation.


If you've been injured by the CML drug Tasigna, we can help you fight for compensation.
Did You Know the CML Drug Tasigna is Associated With Arteriosclerosis and Wrongful Death?
1 Did You Know the CML Drug Tasigna is Associated With Arteriosclerosis and Wrongful Death?
5 Is There a Class Action Suit?
6 Do You Qualify to Receive Damages for Your Medical Problems Related to Tasigna?
Tasigna, used in the treatment of Philadelphia chromosome positive chronic myeloid leukemia (Ph=CML), has been associated with dangerous side effects and complications including rapid hardening of the arteries and related complications.
Leukemia is a malignant progressive disease that affects the bone marrow of the body and blood-forming organs make large numbers of young or abnormal leukocytes. The leukocytes hold back the creation of normal blood cells causing anemia and a variety of other symptoms.
Tasigna (nilotinib) is a chemotherapy drug prescribed to patients by their doctors to treat leukemia. It is a capsule typically taken every 12 hours by mouth with a full glass of water. Tasigna should be taken on an empty stomach an hour or two after consuming a meal. If the patient has difficulty swallowing, the capsule can be opened and the contents mixed with applesauce. You should wait at least one hour after taking the medication before eating again.
The Food & Drug Administration (FDA) approved the drug for use in the U.S. in 2007 and since then, they have received thousands of reports of serious issues related to its consumption. It has been claimed that Novartis, the manufacturer of Tasigna, knew about the side effects since 2011 but failed to notify prescribing physicians or their patients using the drug in the U.S. It is also alleged that Novartis participated in illegal misbranding and accepted kickback payments for the advertising and selling of Tasigna. A 2015 lawsuit initiated by the U.S. Department of Justice against the company resulted in them paying over $390 million for failing to disclose serious side effects.
Since 2010, Novartis was forced to pay the U.S. Department of Justice over $800 million in settlements for civil and criminal charges leveled against them. They have also had to pay huge fines in other countries around the world due to their illegal pharmaceutical sales and marketing tactics.
Is There a Class Action Suit?
Have you or any of your loved ones been prescribed Tasigna? Did any of you take the drug and end up suffering from any of the issues (common, serious, or severe) mentioned above or any other medical problems, you may want to consult with a lawyer that works specifically with Tasigna patients and sufferers. There has not been a class action lawsuit against Tasigna filed to date, and it doesn't look like there will be filed anytime in the near future.
Anyone that has taken the prescription medication or that has a family member that has taken it and experienced vascular problems like atherosclerosis can file a lawsuit against Novartis, the manufacturer of Tasigna. If there are enough lawsuits lodged against the drug's producers for damages, injuries, and health problems caused by taking Tasigna, the lawsuits may be combined in an effort to gather information.
Legal cases that are combined to be heard in a federal court of law are called multidistrict litigations (MDLs). It is called a state court consolidated proceeding if it is done at the state level. An MDL is different from class action lawsuits because combining the cases as opposed to going forward with a class action lawsuit is a more efficient and effective manner in which to handle claims that come from medical problems and issues caused by pharmaceuticals. It is another way for a Tasigna lawyer to work to get you and your family the reimbursement you need for your medical expenses, loss of income or life, and pain and suffering.
Do You Qualify to Receive Damages for Your Medical Problems Related to Tasigna?
It could be possible for you to receive monetary damages for your medical issues related to taking Tasigna, but you will need to meet with a lawyer and thoroughly discuss your case in detail prior to pursuing legal action. If you or a family member has experienced any of the following common side effects: tarry, black stools, bleeding gums, blood in urine or stool, pain in your bones, dry mouth, headaches, and confusion; severe side effects like: arm or leg amputation, unexpected death, strokes, severe infections, blocked arteries, or cardiovascular issues, you should schedule a free, consultation with a Tasigna lawyer. Even if you have some of the less common side effects like: dizziness, decreased urine output, nervousness, coma, tremors, quick weight gain, or rapid heartbeat, it is a good idea to speak with a lawyer.
The best way to determine if you or your family members are eligible to seek damages from the pharmaceutical company, Novartis, that produces Tasigna is to get the advice of a lawyer. You need to find an attorney that is knowledgeable about Tasigna and the product liability laws relating to pharmaceutical cases. Make sure you take all your documentation with you to the appointment and disclose all information related to the case with the lawyer so they can have all the facts related to your claim. They can also let you know if you meet the requirements to file a claim and tell you what steps you need to take to pursue your case.
Deciding to fight a major pharmaceutical company (Novartis) is not something you should do without first discussing your options with a Tasigna lawyer and then thinking it through. You should even take the time to talk to your family about the case to make the best decision for them. Locating a product liability lawyer in your area will allow you to stop worrying as they gather the necessary information and prepare your case for litigation.
The best option for you is to find a Tasigna lawyer that will have all the resources and tools needed to fight the big pharmaceutical company. A class action lawsuit lawyer will fight for your rights and the rights of your family. They will fight to make sure your rights are protected and that your case is heard by the appropriate audience. This is not a battle you want to take on by yourself.
Collect and review your documents to see if they meet the standard for legal action.
Prepare your case and argue it in front of the correct legal audience.
Protect your rights during all litigation proceedings.
Fight for the monetary damages you need to pay for your medical expenses, cover your loss of income or life, and pain and suffering.
Seek punitive damages, if applicable for you.
Make sure Tasigna manufacturers are held responsible for their negligence and ensure no other parties are harmed by them.
When you seek the help and guidance of a Tasigna lawyer, you know that you have the help of a professional dedicated to the fight for justice of those that have been wronged. They will work non-stop to make sure you receive everything you are entitled to and that your rights are protected.
If you let them, drug manufacturers will take advantage of you and your family. If you or a member of your family has suffered severe side effects or even lost their life from using Tasigna for their cancer treatment, you need to seek legal help to make sure your rights are protected. You took the medication you needed to treat your illness and it caused you even more medical problems. They failed to warn you of the possible issues related to using their treatment and it is time for them to be held accountable for their actions and negligent behavior.


We're so excited to have been featured by Roads Publishing out of Ireland for their new book titled The Creative Workplace. In the interview we had the opportunity to share what our design direction looked like for our office, as well as how we created a space that drives our creativity on an everyday basis.
Roads Publishing was inspired to create a book that focused on the design behind creative workplaces. The intention was to open up the doors of design, architecture, and branding firms around the world to highlight spaces that act as a physical example of the company's aesthetic. You can find our full spread, alongside over 50 other firms in their book that is now available to purchase here. Read more below for our story!


John Taylor has recently translated books by Jacques Dupin (Of Flies and Monkeys, Bitter Oleander Press), Philippe Jaccottet (And, Nonetheless, Chelsea), Pierre-Albert Jourdan (The Straw Sandals, Chelsea), and Louis Calaferte (The Violet Blood of the Amethyst, Chelsea). His most recent collection of personal writings is If Night is Falling, published by the Bitter Oleander Press in 2012. He is also the author of the three-volume essay collection, Paths to Contemporary French Literature (Transaction), and Into the Heart of European Poetry (Transaction). Born in Des Moines in 1952, Taylor has lived in France since 1977. Taylor has just been awarded the Raiziss-de Palchi Fellowship, from the American Academy of Poets, for his project to translate the Italian poet Lorenzo Calogero.


BnB Cabbage tastes great. Weather it's cooked with corned beef or whether you eat it raw as salad, it does taste very good.
Strideo I too enjoy cabbage. boiled or fresh. last night I had some tonkatsu and it was served on a bed of shredded cabbage so naturally once I had eaten the tonkatsu I munched on the cabbage a little at a time.


After serving four terms in office, a Minnesota dog's owners announced the canine is retiring as the city's mayor.
After eight years of immersing himself in many aspects of the city, Huether says it's time to catch his breath.
Jolene Loetscher addressed a crowd of supporters at the Jones 421 Building in Sioux Falls as she conceded the race for Mayor.
Does Sioux Falls Mayor Runoff Election Equal Family Friction?
"A house divided against itself cannot stand," is a quote for the ages full of wisdom and truth. Let's hope this Sioux Falls house can come back together.


text:
Tata Motors: Strike at Sanand plant enters 27th day; 350 workers detained
The workers are demanding the reinstatement of 28 suspended co-workers, who, Tata Motors said, were suspended for "serious misconduct."
By : S V Krishnamachari
Mar 20, 2016 16:23 IST
tata motors sanand strikeReuters file
More than 350 workers of Tata Motors were detained by the Gujarat police Saturday for holding demonstration outside the company's small car factory in Sanand, near Ahmedabad. The workers are on strike for the past 27 days demanding the reinstatement of 28 suspended co-workers.
The other demand of the workers -- recognition of their union by the Gujarat government -- which was the initial cause of the strike between the company and its workers has been met. The workers now want their 28 suspended colleagues to be taken back by the company, the Indian Express reported.
"We are happy that the union has been recognised. However, our major demand remains to have our 28 suspended colleagues reinstated, and our agitation will continue until a compromise is reached over the matter," the daily quoted Hitesh Rabari, president of the newly formed and recognised union, the Bhartiya Kamdar Ekta Sangh (BKES), as saying.
Besides Nano, the Sanand factory manufactures the company's hatchback Tiago.
The 300 workers went on an "illegal" flash-strike Feb. 22 demanding the reinstatement of their 28 colleagues, who, Tata Motors said, were suspended for "serious misconduct." The company also said the strike "does not have a material impact" on its operations. Media reports had put the number of striking workers at 422 of a total strength of about 2,200 workers.
However, a PTI report said that production of Nano has been curtailed to 10 percent of the Sanand unit's small car capacity. The company manufactures about 2,000 Nano cars on an average every month, statistics revealed.
The plant has an annual production capacity of about two lakh units.
The company set up the Sanand factory in 2010 since it faced problems in acquiring land for the plant in Singur, West Bengal.
Tata Motors appointed Guenter Butschek as chief executive officer and managing director Jan. 18. His last assignment was with Airbus Group where he worked as CEO at Airbus, according to Tata Motors.


text:
Q: Tomcat Unable to compile class for JSP in Servlet 3.0 I have created Servlet with this archetype: http://maciejwalkowiak.github.io/servlet3-maven-archetype/
mvn archetype:generate \
  -DarchetypeGroupId=pl.maciejwalkowiak \
  -DarchetypeArtifactId=servlet3-webapp-archetype \
  -DarchetypeVersion=1.0.1

then I add index.jsp into src/main/webapp directory
<%@ page language="java" contentType="text/html; charset=UTF-8"
    pageEncoding="UTF-8"%>
<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN" "http://www.w3.org/TR/html4/loose.dtd">

<meta http-equiv="Content-Type" content="text/html; charset=UTF-8">
<title>Insert title here</title>

hello, world

when I run mvn tomcat7:run and open http://127.0.0.1/mycontext/index.jsp
this error occurs:
HTTP Status 500 - Unable to compile class for JSP:

type Exception report

message Unable to compile class for JSP:

description The server encountered an internal error that prevented it from fulfilling this request.

exception

org.apache.jasper.JasperException: Unable to compile class for JSP:

An error occurred at line: 1 in the generated java file
The type java.util.Map$Entry cannot be resolved. It is indirectly referenced from required .class files

Stacktrace:
    org.apache.jasper.compiler.DefaultErrorHandler.javacError(DefaultErrorHandler.java:102)
    org.apache.jasper.compiler.ErrorDispatcher.javacError(ErrorDispatcher.java:331)
    org.apache.jasper.compiler.JDTCompiler.generateClass(JDTCompiler.java:469)
    org.apache.jasper.compiler.Compiler.compile(Compiler.java:378)
    org.apache.jasper.compiler.Compiler.compile(Compiler.java:353)
    org.apache.jasper.compiler.Compiler.compile(Compiler.java:340)
    org.apache.jasper.JspCompilationContext.compile(JspCompilationContext.java:646)
    org.apache.jasper.servlet.JspServletWrapper.service(JspServletWrapper.java:357)
    org.apache.jasper.servlet.JspServlet.serviceJspFile(JspServlet.java:390)
    org.apache.jasper.servlet.JspServlet.service(JspServlet.java:334)
    javax.servlet.http.HttpServlet.service(HttpServlet.java:722)

what is the problem?
Update
I'm using java8 but I have following maven-compiler configuration in my maven:
        <plugin>
            <groupId>org.apache.maven.plugins</groupId>
            <artifactId>maven-compiler-plugin</artifactId>
            <version>2.3.2</version>
            <configuration>
                <source>1.7</source>
                <target>1.7</target>
            </configuration>
        </plugin>

A: You should double check your Tomcat version. Tomcat 7.0.32 contains a jar that is not fully compatible with Java 8, so upgrading your Tomcat version might help. Take a look at this.

A: Which JDK are you using? If it's 8 you will have to update Tomcat to 8 as well. If that's not the case, you should try going to the Project menu and select Clean... from there. Then try also cleaning the Server and the Server Working folder by selecting these options from the right click menu.


text:
Syria: Mother Agnes Investigates East Ghouta As A False Flag Chemical Attack: HR Watch Attacks Her
Middle East, Terror, World News
East Ghouta: False Flag Chemical Attack
Nikolai MALISHEVSKI
The International Institute for Peace, Justice and Human Rights (ISTEAMS) has just published a comprehensive report on the chemical attack in the Damascus suburb of East Ghouta. The document is called The Chemical Attacks on East Ghouta to Justify Military Right to Protect Intervention in Syria. With video clips and the evidence provided by witnesses to support the conclusions, the report has been submitted to the United Nations Human Rights Council and spread among foreign diplomats.
The author is ISTEAMS President and International Coordinator Mother Agnes Mariam of the Cross (el-Salib), the Mother Superior of the Monastery of St. James the Mutilated (Syria). A fearless faithful, she has been collecting the evidence related to bloody events in the conflict zone since the very start of Syrian rebellion: the militants running rampant, the staged fakes and instances of one-sided highlighting of the events in Syria by Western media…
The study of 35 videos posted on the Internet has made surface multiple disparities and brought into light the methods used to manipulate the public opinion. The clips showing hundreds of dead and suffocating victims, including scores of children suffering as a result of chemical weapons attack by government troops, had been prepared previously before the incident took place in order to justify a foreign intervention against Syria. The report offers the following fundamental conclusions:
Actually there were no local residents at the time of attack in the area of East Ghouta, the place chosen for staging the provocation. The majority of population had left East Ghouta before the combat actions started. The ones left were only a few elders and some «supporters of «rebels» – predominantly adolescent and grown-ups. The victims' dead bodies mainly belong to the people from various places situated far away from East Ghouta; some of them have been identified by relatives.
Many videos have fictional character or, to put it plainly, are obvious fakes with the dead bodies of people who were killed, kidnapped and missing as a result of the «rebels» attack against 11 Alawite villages in Latakia on August 3, 2013 (back then over 150 women and children were kidnapped to be exchanged for militants kept behind bars in Syrian jails, the authors of the report adduce the detailed list of already identified victims and the missing persons, they point out that the list contains 400 names, so, at present, it is far from being full). Here are the examples of staged incidents:
a) Scripted events of deaths and aid provided to victims. Two video clips presented by Jobar Revolutionary Coordination Committee and Revolutionary Committee of Hamouria, show contradicting pictures of the same adolescent dying in different footages. In some places the picture shows the very same child receiving emergency aid over and over again and each time it's done in a different way. The authors of the report and experts say it looks very much like a scripted footage when the very same picture is shot many times.
b) Demonstration of victims' bodies and their burial. Having announced the death toll was 1465, the «rebels» (this lie has been repeated many times by US top officials) could produce the evidence of only 8 burials. The bodies mainly belong to children, few victims are adults, and there are almost no women among the dead while the East Ghouta joint medical staff reported that many corpses were female.
c) Demonstration of extremely strange instances when persons were transported in space, the same dead bodies shown over and over again in different footages. For instance, the same woman, who was allegedly looking for her children, somehow managed to be present in five video clips shot at different places at the same time, she also found two of the children, and, somehow, did it in two different places as well. Another clip showed the chemical attack victims in Jobar, the children shown in the video appear as victims again, but this time in the place called Kfar-Batna, the third video clip shows the very same children as victims in Ain Terma…
There are other instances of outright lies and fakes that can easily be exposed. For instance, the falsifiers used photos and videos which were broadcast as photographic evidence of the death of the Ghouta residents early on in the immediate aftermath of the attacks and the propaganda push that followed it. The ISTEAMS report points out, however, that these photos and videos were not taken in Ghouta or even in Syria at all, but that they were actually photos taken in Cairo, Egypt, during the riots. The other example is a witness shown describing how his family smelled the poisonous gas sarin. This is a lie because sarin has no smell (the very same way the majority of poisonous substances – chemical agents used for war purposes – produce no smell).
The 50-page report of the International Institute for Peace, Justice and Human Rights is another evidence of the irrefutable fact that, according to Russian Foreign Affairs Minister Sergey Lavrov, «We have plenty of reports on chemical weapons use, which indicate that the opposition regularly resorts to provocations in order to trigger strikes and intervention against Syria», he said. «There's a lot of data. It's widely available on the internet. This data is presented in the report, which our experts put together in association with the use of chemical weapons in Aleppo in March this year. There's also plenty of data on the incidents that occurred in August in Ghouta, near Damascus» —Strategic reports
Mother Agnes Mariam Attacked…By Human Rights Watch!
Daniel McAdams
Ron Paul Institute
Since when does a human rights organization take to arguing the case for a military attack that will kill scores of innocent civilians? If you are Human Rights Watch, it's all in a day's work. The US regime's favorite "human rights " organization, which once praised the Obama Administration's continuation of its predecessor's torturous CIA "extraordinary rendition" program, pulled out all stops to bolster Obama's claims that the Syrian government was responsible for the August 21st chemical attack near Damascus.
As Obama was ready to teach Syria a lesson via Tomahawk cruise missiles, Human Rights Watch stood virtually alone in the world on the president's side. The human rights group was not busy trying to help the victims or promote international diplomatic efforts to end the crisis. They were instead feverishly engaged in a convoluted effort to prove that the missiles that purportedly carried the poison gas could only have come from Syrian government positions. They had no investigators on the ground, yet they determined independent of facts that the Syrian government must have been responsible. This is the job for a human rights group? To help a president make the case for war?
Human Rights Watch even repeated the lie that the UN inspectors' report on the August 21 incident "points clearly to Syrian government responsibility for the attack." It does no such thing, and in fact the UN had no mandate to determine responsibility for the incident. But this was the US administration's line and HRW was determined to repeat it — even as the rest of the world gasped in disbelief.
When the Russian effort to head off a US attack on Syria — which would no doubt have killed far more than it was claimed were killed by poison gas on August 21 — was finalized by a UN resolution providing for the destruction of the Syrian government's chemical weapons and facilities, one would think a human rights group would cheer that diplomacy triumphed over war. No so Human Rights Watch. The organization's UN representative Philippe Bolopion blasted the agreement, stating that it "fails to ensure justice."
At that point, even President Obama was happy to have avoided a military conflict in Syria. Not Human Rights Watch.
The organization has not let up, however. A recent report by Mother Agnes Mariam of the Cross and her Institute for Peace, Justice and Human Rights painstakingly refutes much of the photographic evidence presented of the attack. Being on the ground in Syria, she has also interviewed scores of victims of the insurgents' attacks. Her organization's report raises serious questions about whether the YouTube videos presented by the US government as the main US evidence of Syria government responsibility for the attack was manipulated or even entirely faked. Mother Agnes Mariam, dubbed by the BBC as "Syria's Detective Nun," finds her work attacked in a recent BBC article by…you guessed it, Human Rights Watch!
Peter Bouckaert, "emergencies director" of Human Rights Watch, who is not on the ground in Syria, brushes off Mother Agnes Mariam's work, stating flatly that "there's just no basis for the claims." He continues that, "she is not a professional video forensic analyst." Of course she never claimed to be. What she claimed is to have working eyes, which noticed — among other anomalies – that several of the purported victims of the attack were seen at several different locations at supposedly the same time and that it does not take a "professional video forensic analyst" to recognize that is impossible.
Human Rights Watch is a protected, pro-US regime NGO. They want to be the only voice on human rights issues and thanks to their favored status and enormous budget they have much weight on these issues. But how many times can they promote torture and war before people stop listening to their lies?
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When Should You Bring Your Car to an Auto Paint Shop in Denver?
A trip to the paint shop usually means a fresh coat of paint and polish for your ride. It would also mean scraping off the old paint first, probably along with a ton of grease or a stubborn layer of grit and dirt from the body of your car, too.
There's a marked difference between a skilled paint job and one carried out by an amateur, says Auto. Unlike other DIY projects, painting the body of a vehicle requires a certain level of skill and experience. It's better to let the pros have a go at it than risk messing up the paint job on your ride.
The work also requires a lot of complicated steps and the use of any number of tools. This also means using machines and equipment that include more than a kit or brush. If you have the skills and experience but not the right tools, you could botch it up anyway. Leave it to the experts instead.
Auto body paints are available in a ton of choices, and picking one out can be tough. They also come with various benefits and disadvantages. It would be easy enough for experts to tell you which one works best for your ride, though.
Whether your car is old or if you recently got into an accident and need to have your paint job fixed, sending it to a professional auto paint shop is better than going at it on your own.


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'Pare Ko is 25?!' Joey Reyes reflects on the film that captured youth & friendship in the '90s
Pare Ko is about a bunch of kids struggling to keep a friendship despite money, love, and family problems. From left: Jomari Yllana, Nikka Valencia and Mark Anthony Fernandez
Culture	Movies
On the occasion of the film's 25th anniversary, its writer and director looks back on an age of innocence — "when kids were still kids, when friendships were real and not virtual."
Jose Javier Reyes | Jan 11 2020
A Facebook friend of mine posted: "Saw a clip of Pare Ko starring the Guwapings. Digitally restored daw. 25 years ago na raw. DYOS KO. Talaga ba?"
Even I was surprised when I realized this movie I shot with the then teen heartthrobs of the country is now celebrating its silver anniversary. But, really, I should not be. Jomari Yllana is a father of a teenage boy who is about his age when he shot this movie. Mark Anthony Fernandez is also the father of a young actor named Grae who is now a part of Star Magic.
The drama behind Aguila: Walkouts, diva turns and confrontation on the set of FPJ's best film
These photos from the restored 'Tisoy' will make you nostalgic for 70s Manila
The height of Alma fandom, Brocka versus Armida, and the making of 'Mga Bilanggong Birhen'
The classic film 'Biyaya ng Lupa' is coming to CinemaOne, freshly scanned
Note the big shirts and the bigger pants. The gang on a night out Gio Alvarez (Abe), Jao Mapa (Chipper), Yllana (Mackie), Fernandez (Francis), and Victor Neri (Lester).
Victor Neri, Jao Mapa, and Gio Alvarez occasionally appear in films and television but have built careers of their own outside the biz. Nikka Valencia also comes out in the small screen every so often but has a separate career on her own—while there is Claudine Barretto, now a mother and still visible in the public eye.
Yes, a generation has passed without fully realizing how the stretch of decades has created such great change in the world around us. There is great truth in the saying that youth is wasted on the young because it passes too quickly. The feeling of omnipotence and immortality which arm young people with such candor, (sometimes) misguided courage and cunning fade away all too quickly, all too suddenly.
Ogie Diaz plays Chipper's nosey boss in a fastfood chain.
Mackie and love interest Nadine (Claudine Barretto) early in the film, before Chipper becomes a third party in their romance.
I look back at Pare Ko not with a sense of nostalgia but with wonderment. I remember that first meeting with Charo Santos-Concio and the late Simon Ongpin with Malou Santos as we sat around a table in the makeshift offices of Star Cinema in JUSMAG, discussing the possibilities of coming up with a benchmark movie about the youth of the mid-'90s. Whereas the world of the Filipino kids in the '80s was captured in Maryo J. de los Reyes' Bagets, we wanted this project based on a song popularized by the Eraserheads to be the exemplification of the world view of the fin de siècle generation.
Valencia and Mapa. "What we did not foresee was how the film was embraced by the youth of that time," says Reyes.
But what we did not foresee was how the film was embraced by the youth of that time—how the idea of the barkada movie was embodied by the characters we gave life to, in a film about growing up in an age where kids were still kids, where there were no cellphones as appendages to existence, and when friendships were real and not virtual.
Viewing Pare Ko two decades and a half later was like peeking into a specific frame of a time machine. Suddenly, I felt this was no longer a film but more of a document of the way they were, what being young meant then, and how different it has become now. This was the life of Filipino teenagers at a time when there was no social media, no manic obsession for materialism and, as the cliché goes, when the world was far simpler than it has become today.
Lester, Mackie, and Francis hang out.
Yet despite all the changes that have taken place, there are still so many things that have remained the same. Kids are still acting tough to hide the fear of going to the next phase of life in a highly competitive and ambiguous world. Kids still seek the love and attention of parents—without asking for it. Kids still want to be needed but have found new ways of fulfilling these desires with what is accessible to them.
Then and now, "Kids still seek the love and attention of parents—without asking for it," says the author. Fernandez with Isabel Rivas, who plays his mother in the film.
Must be cold in the '90s: Lester, Chipper, and Abe dressed for Baguio weather.
Pare Ko is 25 years old and now restored. It somehow rattles me to think that films I have done are now being "redigitized" for the sake of drawing them out of the archives to be shown to a succeeding generation of movie viewers.
Finding the meaning of true friendship in the age before Facebook.
It is both sad and exhilarating. It is sad because the moving shadows I captured have become testaments to a past that can never be duplicated or retrieved—but it is exhilarating because films are immortal. The youthful faces and laughter of Jomari, Mark, Claudine, and the gang will remain forever as long as there are moviegoers curious and interested about life then and now.
ABS-CBN is screening Pare Ko this Sunday evening on Sunday's Best. Images courtesy of ABS-CBN Film Restoration
/ancx/culture/movies/01/19/20/review-richard-jewells-sterling-actors-are-overshadowed-by-a-problematic-film
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/ancx/culture/spotlight/01/19/20/jo-koy-in-manila-comedy-is-tough-this-guy-is-tougher
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Editorial: State aircraft policy must be tightened
Jul 27, 2007 at 12:01 AM Jul 27, 2007 at 6:24 PM
CANANDAIGUA, N.Y. -- At the bottom of all the rubble in the Spitzer administration scandal involving Senate Majority Leader Joseph Bruno is the state policy on the use of state aircraft.
For release Monday
At the bottom of all the rubble in the Spitzer administration scandal involving Senate Majority Leader Joseph Bruno is the state policy on the use of state aircraft.
In short, that policy needs to be much tighter.
The scheme to discredit and embarrass Bruno that unraveled last week was based on the majority leader's use of a state helicopter, specifically, a state police helicopter. Opponents claimed Bruno had used the helicopter to attend Republican fundraisers in Manhattan.
As it turned out, the investigation by Attorney General Andrew Cuomo's office found that Bruno had met with leaders in Manhattan on state business during the times in question, and the fundraisers he attended were at the end of the legislative business day. That's allowed under the state's weak ethics policy, a policy Cuomo described as "overly permissive and porous and allows for an abuse of taxpayer funds."
Such a lax policy is easy to abuse. Face it, "legislative business" is more likely to be planned around political fundraisers than vice versa, and that cheats taxpayers. In fact, the attorney general's office found that although each of the 10 trips taken by Bruno this year involving the helicopter included legislative business, some of that business occupied only a small part of the business day.
Clearly, the policy on state aircraft should be revised, as recommended by the attorney general, to provide stricter, clearer guidance concerning aircraft use in connection with official state business. Part of that revision must clearly state under what circumstances, if any, use of that aircraft is allowed to be combined with political or personal use.
Taxpayers should not have to subsidize either.
Furthermore, why not require lawmakers and other state officials to do what most employees in private business do? Use their own transportation and submit well-documented vouchers for public reimbursement. Maybe if state officials had to drive their own vehicles or use public transit they'd have a better sense of the people they represent.
Forking over a fifty to fill up at the pump, paying tolls or waiting for a late train could provide a good dose of reality that many lawmakers don't have. Getting out there with the people just might inspire them to work a little harder to help them survive.
Messenger Post Newspapers, Canandaigua, N.Y.
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Samsung Galaxy J3 (2016) Review
Samsung launched the Galaxy J3 (2016), it's new 4G smartphone with new S bike mode in India for Rs. 8,990 couple of weeks back. It has almost similar specifications as last year's Galaxy J2. Is the successor worth the price? Let us find out in the complete review.
We unboxed the smartphone recently, check out the video below.
Samsung Galaxy J3 (2016) smartphone in Golden color
2-pin charger (5V-1A)
Headset with microphone
S bike NFC tag
User manual and warranty information
Display, Hardware and Design
The Galaxy J3 (2016) has a 5-inch Super AMOLED display with a pixel resolution of 1280 x 720 pixels and a pixel density of around 294 PPI. The display is sharp and bright, has good viewing angles, offers vibrant color output and the sunlight visibility is also good. Blacks are perfectly black, thanks to the AMOLED panel. The display is definitely good compared to last year's J2 that comes with 4.7-inch qHD screen.
On the top there is a 5-megapixel fixed focus camera with f/2.2 aperture. Selfie shots are pretty good in daylight and the images obviously have a lot of noise when captured indoors in low lighting conditions. The front camera can record videos at HD resolution. It has a proximity sensor next to the earpiece, but the smartphone lacks an ambient light sensor, even though there is a cutout for it. It also lacks gyroscope, magnetometer and notification LED.
There is Samsung's signature home button below the display. The capacitive touch buttons for menu and back are present on either sides of the home button. These are not backlit, neither offer haptic feedback when pressed.
The power button or lock button is present on the right side and the phone is 7.9mm thick. Even though the phone has shiny rim running on the sides, the phone doesn't slip out of your hands easily.
The volume rockers are present on the left side, the micro USB slot is present on the bottom along with a microphone and the 3.5mm audio jack is present on the top.
The design of the phone is exactly same as the Galaxy J2 with leather-like back cover. Even though it has plastic build, the quality of the phone is good. It is 71mm wide, 142.3mm tall, which is good for a smartphone with a 5-inch screen. It weighs 138 grams. We have the Gold variant of the phone, but it also comes in Black and White colors. There is a 8-megapixel auto focus camera on the back with single LED flash. The loudspeaker grill is present next to it. The 4G branding is present on the bottom part of the back.
The secondary SIM card slot is present below the camera, while the microSD card slot is present next to it. The primary SIM slot is present below the microSD slot. The microSD slot is hot swappable, but you need to remove the battery to access the SIM slots.
The 8-megapixel auto focus camera with f/2.2 aperture is just average. Daylight shots are good, but the images are not bright. Macro shots came out well, but HDR shots are just average since there is no much difference compared to the normal image. Low light images have a lot of noise and images with flash are decent, but not the best. Apart from the auto mode, it has Pro mode that lets you adjust white balance, ISO and exposure manually. Other modes are Panorama, Continuous shot, Beauty face, Sound & shot and Sports.
Check out some camera samples (Click the image to view full resolution sample.)
HDR OFF
HDR ON
It can record videos at 720p HD resolution at 30 fps. Video is decent for an 8-megapixel camera, but the audio is not crisp since it doesn't have a secondary microphone. Check out the video sample below.
Coming to the software, it runs on Android 5.1.1 (Lollipop) with Samsung's own UI on top and also includes Android security update for March. Samsung doesn't usually offer major updates for their budget smartphones, so it is not clear if the phone will get Android 6.0 (Marshmallow) update. You can launch the dialer and camera easily from the lock screen. The drop-down notification bar has several toggles and lets you customize the row accordingly. It also has brightness slider with a toggle for outdoor mode since it doesn't have an ambient light sensor.
The main highlight of the smartphone is the new S bike mode that can be activated by tapping the Galaxy J3 on the NFC tag or by pressing the S bike icon on the phone's Quick toggle Panel. Once you activate the S bike mode, a pre-recorded message informs the caller that you are currently riding a bike. If the call is urgent, the caller can choose to press 1 to get through.
You can choose to take the call if it is urgent and the Motion Lock feature lets you take the call only after you have stopped your bike safely. It also shows the total travel time and also lets you earn bronze, silver and gold badges after you have traveled 50, 500 and 1000km, respectively. This is definitely a good feature that every phone should come with, but it is highly doubtful if people would buy phone only for this feature.
The Ultra data saving mode powered by Opera Max compresses cellular data across all contents such as videos, photos, media, almost all apps and websites. It compresses and reroutes data to the data-savings cloud using a Virtual Private Network (VPN). You can also add app exceptions if you don't want data from an app to be compressed. It offers timeline of app usage and how much data is saved in a day or month. You can also check out data savings by individual app as well. The Smart Manager app lets you manage your device's battery life, storage, RAM usage, and security all in one place.
Out of 1.5GB of RAM, you get 1.36GB of usable RAM, out of which about 645MB of RAM is free when the default apps running in the background. Out of 8GB of internal storage, just 4.27GB of storage is usable. You can also move compatible apps to the SD card when you insert one, but the internal memory runs out after installing some apps.
Apart from the usual set of utility apps and Google Apps, the smartphone comes with Microsoft apps, Bubble Bash 3, Midnight Pool 2, Prince of Persia and Zombie Infection 2 games. Wish Samsung had reduced the number of pre-installed games.
Music Player and FM Radio
It doesn't have a dedicated music player, so you have to rely on Google Play Music. It also doesn't have equalizer, but it has SoundAlive+ and Tube Amp sound effects that can be enabled from the settings. This improves the audio when listening through earphones. That said, audio through the bundled earphones is decent, but the loudspeaker output is not loud even in full volume. It has FM Radio with auto scanning and recording, which lets you store the recorded files in phone memory or SD card.
Dual SIM and Connectivity
It has the usual set of connectivity features such as Wi-Fi 802.11 b/g/n, Bluetooth 4.1, GPS and also comes with NFC support that most budget phones lack. It has 4G connectivity with support for TD-LTE 2300MHz (Band 40) and FDD-LTE 1800MHz (Band 3) for India. Both the SIMs support 4G, but you can enable 4G only in one SIM at a time, while the other goes to 2G.
You can set preferred SIM for voice call, text and data from the SIM card manager. As usual it has Smart Dual SIM feature, similar to other latest Samsung Dual SIM smartphones. This automatically forwards calls from the phone number on SIM 2, even if a user is on the phone with SIM 1's number. It also has USB on-the-go (OTG) support.
Performance and Benchmarks
Coming to the performance, the 1.5GHz quad-core Spreadtrum SC9830 processor offers average performance and there are occasional lags, but it doesn't have any heating issues. 1.5GB of RAM can handle multitasking fine, but the Spreadtrum processor with ARM's Cortex A7 CPU is not powerful compared to Snapdragon 410 with Cortex A53 64-bit CPU found in most mid-range 4G smartphones in the market. Check out some synthetic benchmark scores below.
AnTuTu Benchmark 5
It scored 23749 points in the AnTuTu benchmark 5.
Geekbench 3 Multi-Core
It managed to score 1281 points in the Geekbench 3 Multi-Core benchmark.
3DMark Ice Storm Unlimited
It managed to score 3702 points in the 3DMark Ice Storm Unlimited GPU benchmark.
Basemark OS II
It managed to clock 419 points in the Basemark OS II benchmark. Check out the complete set of Samsung Galaxy J3 (2016) benchmarks here. It has Mali-400 GPU. We tried several games, and some games were decent, but graphics was not the best.
Coming to battery life, the 2600mAh battery less than a day from average to heavy use. With minimal use, it lasts for a day. The power saving mode and ultra power saving mode lets you extend the battery life. The smartphone also has a removable battery, so you can swap it easily when required. In our battery test the smartphone achieved a One Charge Rating of 10 hours and 10 minutes, which is not impressive for a phone with a 2600mAh battery and a 5-inch HD screen. It also lacks fast charging so it take about 2 and half hours to charge the phone. The Galaxy J2 achieved a One Charge Rating of 12 hours and 56 minutes, even though it has just 2000mAh battery. We will bring you the complete set of Samsung Galaxy J3 2016's battery life test results soon.
At a price tag of Rs. 8,990, the Galaxy J3 (2016) is just an average budget 4G smartphone from Samsung. It comes with a good Super AMOLED display for the price, has 4G support and has unique S bike mode along with NFC, but Samsung has missed out the ambient light sensor for auto brightness adjustment, yet again and the performance is also not the best. Even though these is an 8-megapixel camera, the quality could have been better and just 4GB of usable storage is definitely not enough.
It also comes with double data offer for Vodafone 4G customers, which is good, but the phone is exclusively available only on Snapdeal. To summarize, here are the pros and cons of the smartphone.
Good display
S Bike mode, NFC
Decent front camera
Decent battery life
Lacks ambient light sensor
Average performance
Average rear camera
Loudspeaker output is low
Author Srivatsan SridharPosted on April 18, 2016 April 18, 2016 Categories India, Reviews, SamsungTags Galaxy J3 (2016), Galaxy J3 2016 Camera Samples, J3 2016 Camera Samples, Samsung Galaxy J3 (2016)
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