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Chris & Jonathan discuss the Spurs/Thunder heavyweight matchup, Dwayne Wade looking like The Flash, Raptors backcourt continues to struggle, Steph Curry comes back right where he left off, Cavs shoot the lights out vs disappointing Hawks, solid and questionable coaching moves, offensive linemen and tight ends get shown the money, more claims that Joe Paterno was told about Jerry Sandusky's behavior back in the 70's and 80's, should the Angels trade Mike Trout, Bartolo Colon hits his 1st career HR, Bryce Harper intentionally walked 6 times in a game, Aaron Moorehead causing players to avoid Texas A&M, ESPN making more changes and more.
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I am a reader from China focused on toxicology and metabolism. Your work which combined the FACS and metabolite profiling was interesting.
It is a great work with strict design. However, I still have some quesions after read your paper.
Firstly, the Fig 2 results showed that the sorted cells had a different metabolite profilings compared with the dash groups and it was significant that the difference between sorted and dash was larger than one in sorted and pellet (Fig 2b). And I found that the sorted cell were collected by trypsin treatment. Did you have made a sorted cell sample from directly collected cell by physically methods like the dish group (like using the suspension cell lines) ?
Another quesion is about the application of this works. I think your works will influence the data analysis and pretreatment steps of relative studies in future. I wondered how your team would analysis the changes after the sorting steps which could influence the accurance of metabolism in sub-celltypes. Did your found any regularity like which kinds of peaks would be more likely influenced during sorting or some mathematics model to evaluate this kind of influence in special chemicals which might be the ones reseachers interested.Did optimizing the sorting steps like changed sheath fluid or control the temperature during FC helped?
If you don't mind, I suggested that your team could release the protocal of this works in some journals published the protocals like nature protocal or JOVE. The standard protocals would limit the difference caused of operation and improved the reproducibility of results.
Thank you for your group's works.
The sorted samples were first trypsinized then sorted. For practical reasons we do not scrape the cells before sorting like we do in direct extract. However, as a control for the trypsinization step we have included pellet extracts which can tell if that particular step affects the cell metabolism.
Regarding the question about the effect of sorting on metabolism, we have seen that sorting procedures affects the metabolism and it is reflected in the peak areas of metabolites. However mass isotopomer fractions of metabolites in isotope labeled samples are not affected in the same way. They reflect the metabolism of cell in the dish and are more reliable for analyzing metabolism of sorted samples.
Thank you for your suggestion. We are planning to publish our protocol in JOVE and the manuscript is currently under revision. We hope that a video of the protocol will make it easier for the method to be used by other labs.


Published on Monday, October 3, 2016. This article appears in the October/November 2016 issue of American Craft Magazine.
There's both pathos and wit in Mimlitsch-Gray's Candelabrum, Seven Fragments (2002 – 03).
Myra Mimlitsch-Gray is well equipped and well trained. But of all of her tools, her ability to learn may be the most powerful. What has been most influential in the 30-year career of the upstate New York metalsmith is her willingness to embrace the ambiguity – the awkwardness, the anxiety, the reach into the unknown – that accompanies learning. Again and again, she has channeled that uncertainty into new, potent bodies of work.
In 2007, she engaged in another shift – this one way outside her comfort zone. She became an artist in residence at the Kohler Co. in Wisconsin, best known for its porcelain kitchen and bath components and plumbing fixtures; there she cast iron and brass among the factory workers, whose process was "very rigorous, linear, specific, and meticulous," she says.
It was just the disruption she needed. "I had really run aground," she says; her mastery of hollowware had become a crutch. "I really needed to find a new way of working, to put myself in the position of a novice." When she returned to her own studio, she had to reacquaint herself with old techniques – which led to yet another body of work. "I found myself back in my own studio – my own little studio with my own little tools and my own thin little metal." She began making loops of metal, forming them as if they were fabric, shifting her perspective from table to wall.
Lately, she's changed her practice again, experimenting with vitreous porcelain enamel on steel. She's immersed in a new material and a new approach – along with a new openness to serendipity. "I'm learning to celebrate the incidental aspects that come out of the kiln," she says.
Day job: When she's not in the studio, Mimlitsch-Gray directs the metal program at SUNY New Paltz.
The look of function: Her primary gallerist, Sienna Patti, says people often point to a Mimlitsch-Gray work and ask her, "What it is for?" "There's something inherently present in a metal object that suggests that it's game for something," says the metalsmith.
Decanters (1990) is among her many works that refer to the domestic realm.
Mimlitsch-Gray has been making her wall works, which appear to drape like fabric, since 2007.
Split Slab (2012), of sterling silver, is a sculptural piece, but like many of the artist's works, has a curious air of functionality.


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On Oct 20, 2010, Yao Jiaxin, a 21-year-old student at the Xi'an Conservatory University of Music knocked down a cyclist Zhang Miao while driving at 11 pm. When he saw Zhang staring at his number plate, Yao is alleged to have taken out a knife and stabbed Zhang eight times until she was dead, China Daily said. In a hurry to flee the scene, Yao allegedly knocked and injured two other passers-by, a man and a woman. Then the man took Yao to the police. Yao was brought to trial on March 23 and the result was to be declared another day.
This case again intrigued hot debate on the media like several other car accidents having special people involved in, such as Li Gang, Qian Yunhui and Hu Bing. Today many people on the Internet are discussing whether Yao should be sentenced to death. Many mainstream media such as CCTV have been involved in this accident reporting, making this issue complicated.
I was not about to talk about this case because it is just one of the hundreds of car accidents or murders, nothing too special. But I find it's hard to avoid this topic because every time I get onto any Chinese website, "Yao Jiaxin" is there. Everybody, even some celebrities, is expressing his/her own idea on whether Yao should be sentenced to death.
It is the media who fires the debate at first. There is the trend in today's China media (both traditional and new media) workers to tag the identity of the interested party, such as the rich second generation, the second officer generation, who are regarded as the privileged class. Dramatizing attracts audience but it also misleads. Once someone is considered as the privileged class, anything he does might be biased as harm to the ordinary public or the vulnerable group.
In Yao's case, the web media, people in the discussion forums and microblogs, are twisting people's understanding of it. Yao's father is a retired mid-level officer from the army. His mother is a laid-off worker. Many people on the Internet are saying Yao's the army's second generation. People are concerned if the court will lean to Yao and will not give a fair penalty to him. CCTV even reinforced people's concern by its unprofessional report on only Yao's side of the story. Then some believe Yao must have some strong military background.
It is a hard time for the court. Like the O. J. Simpson's case 16 years ago in Los Angeles, the media was affecting the public opinion and the public opinion was putting pressure onto the judge. The court's responsibility is to give an independent fair judgment, not a satisfactory one. Many years ago, another driver called Zhang Jinzhu, was sentenced to death to "assuage the people's anger", which is acknowledged to be an extremely unfair media trial. Today, Yao's life is partially in the hand of the public again. Again, the court should make its own decision, not be affected by the irrational mass.


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Lawmakers, Freeholders Holding Food Distribution Event Saturday
A free food distribution event is being held Saturday at the Riverside Public Works facility on Monroe Street. Beginning at 10 a.m., county residents who are in need of food during the crisis will be able to drive up to receive emergency boxes without leaving their vehicles.
RIVERSIDE — Burlington County residents who are jobless or struggling to afford food due to the ongoing coronavirus outbreak can find some help this weekend.
The event is being held by the Food Bank of South Jersey in partnership with the county freeholders and 7th Legislative District lawmakers, Sen. Troy Singleton and Assembly members Herb Conaway and Carol Murphy.
Riverside's municipal government is hosting and assisting with the distribution. Officials said they hope to distribute thousands of pounds of food to county residents who are considered vulnerable to the coronavirus or struggling financially due to the economic fallout from the pandemic.
"An unintended consequence of the COVID-19 pandemic has been food insecurity resulting from the closures of schools and places of employment," Singleton said. "To address this, we are working in partnership with the Food Bank of South Jersey to ensure that children and families in Riverside, and throughout Burlington County, have access to nutritious food in the midst of this unprecedented, public health crisis."
More than 1 million New Jerseyans have filed for unemployment during the crisis and the Food Bank reported a more than 200% increase in food demand across the region. And more than 40% of those seeking help are first-time food bank resource recipients.
Conaway and Murphy said residents struggling during the pandemic should not have to go hungry or worry about their next meal.
"With unemployment on the rise and millions of children out of school, more people are now facing hunger than ever. Many may be facing food insecurity for the first time and no family should have to choose between putting food on the table and paying their bills," Conaway said.
"The very real and ever-present reality of food insecurity was exacerbated by the COVID-19 pandemic and all of the other issues that it caused," added Murphy. "I am proud to work with Riverside Township, as well as, the Food Bank of South Jersey and the Burlington County Freeholders to help address residents' need for nutritious food during this unprecedented situation."
All county residents are eligible to receive an emergency food boxes. Those who attend should be prepared to present proof of New Jersey residency. The distribution will be done direct-to-vehicle, eliminating person-to-person contact points. Residents are required to wear masks – and remain in their vehicles while Food Bank staff and volunteers place the food boxes and other resources into their vehicles.
County Freeholder Deputy Director Tom Pullion said the event was intended to provide some relief for residents struggling during the unprecedented crisis.
"Some Burlington County residents are struggling for basic necessities while facing uncertain health and employment situations," he said. "We are here to help relieve some of that burden by sponsoring various emergency food distribution events throughout our county and to help our residents in any way we can."
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The Democratic Alliance will make a submission to the North West Health Administrator, Jeanette Hunter, requesting her to change the draft of the Annual Performance Plan (APP) so that it addresses critical challenges within the Department of Health.
The APP that was presented today during the North West Department of Health Portfolio Committee meeting in Mahikeng is not worth the paper it is written on.
During the meeting, the DA objected to the Department's inability to demonstrate its commitment to addressing critical challenges in the delivery of health services in the province.
- A commitment towards introducing an electronic filing system, especially in large district hospitals such as Potchefstroom Hospital where the manual filing system is compromising patient information and thus endangers the lives of patients.
It is every citizen's constitutional right to have access to quality health services, a provision which the ANC has failed to uphold. The DA will continue to use all platforms to ensure that the people of North West receive quality and accessible health services.


text:
Writing. Life.
Reflections on Creative Nonfiction, Life-Writing, and the Essay
Siberian Exile
Epistolophilia
Silence is Death
"And I burned with shame"
Selected Essays
Teaching & Learning Materials
Oh Dear, How Do I Pronounce Your Name?
Category: Death
On the Occasion of Birutė's Funeral
I think I was around 6 when I learned that my aunt Birutė didn't know how to swim. My father Algirdas (her brother) told me this on the drive from our house to hers one Sunday.
"No way," I said, "I don't believe you."
I had been swimming since before I could remember. Swimming, to me, was like breathing. It seemed impossible not to know how to do it.
"Ask her yourself," my father said with a shrug.
I burst through the door of her house at 66 Aberdeen Road and posed my question before even saying hello. Birutė laughed and confirmed that, yes, it was true, she didn't know how to swim. Between the war and the DP camps, she'd simply never had the chance to learn.
The story stayed with me into adulthood. Before that day, Birutė had simply been my aunt with the beehive hairdo, immaculate house, and tidy garden – a woman without a history. But after that day, I became curious. I wanted to understand who she was. I wanted to know what kind of path had led to a life without swimming.
Swimming or no swimming, Birutė was a woman of great style and dignity. She was exacting and demanding of herself and those around her. To a child, she was even a bit scary. But as I grew, I began to see more and more evidence of a different Birutė – a devoted, loving, complicated, wounded, and generous one. I noticed how she forged strong bonds and maintained them. In particular, her late-in-life friendship with a woman named Habiba delighted me. Over the past few years, I heard stories about Habiba's trips home to Africa, her family there, her delicious cooking, and her beauty. I know I'm not alone in my gratitude and appreciation for Habiba's care and affection.
Birutė was the last living connection to our grandparents (for some of us, our great-grandparents, and even great-great grandparents) and to their story of tragedy and survival. She was our repository of memory and family history. She was my connection to the past and to people I wish I'd known better or lost too early. Her death has left me with a sort of ache, as if something (a limb, perhaps?) has been cut away. I will miss her always. Now that she's gone, I will try to remember as she did, so that, when I'm old, our children and grandchildren can hear the stories of their ancestors.
Ilsėkis ramybėje, Birute. You were loved.
[Photo: simpleinsomnia]
Survival Baking
In the cupboard beside my oven, I keep two time-worn notebooks full of recipes gathered from friends, learned from my mother, or photocopied from borrowed or discarded books. I used to feel sheepish about these notebooks and rarely admitted to keeping them. They felt overly domestic: too reminiscent of the suburban housewife I never wanted to be mistaken for.
But now that I've kept them for over 20 years, and now that I've almost run out of pages in the second book, and now that we're living in plague times, I've come to see them differently. The books tell the history of our life as a family. Of the everyday that revolves around the kitchen, the cycles of seasons, sustenance, and celebrations.
I've come to see the notebooks as memory.
Like many of you out there, I'm baking more than ever these days: bread, cake, cupcakes, pizza . . . you name it, I'm making it. Armed with my apron, I stare death down. I beat it back and coax yeast and flour to life instead. By feeding the people I love and by keeping them alive, I keep the plague at bay. At least, that's my hope.
Maybe baking is keeping you and yours alive too.
Dear Reader, if you're out there: take this recipe as a gift. It's a simple, sensible (i.e., the best kind of) recipe passed on to me by my Aunt Ruth more than a quarter-century ago. Not a blood relative, but family nonetheless, beloved Aunt Ruth died eight years ago. This was not her most significant legacy and I suspect that she may have been surprised that I bake and remember her by this unassuming loaf, but life's in the small things. That's where love resides.
If you bake Aunt Ruth's Banana bread and like it, please remember her and toast her with a cup of tea. Ruth was whip-smart, funny, and used to call her daughter (my dear friend Anna) "Bananes." She had beautiful curly black hair and loved her husband with a tenderness and devotion that most can only aspire to. She was also a great cook.
Aunt Ruth's Banana Bread
1) Mash 3 bananas (I like to put over-ripe bananas in the freezer and pull them out for this recipe)
2) Mix bananas with:
3) Bake in a loaf pan for about 55 minutes @ 350F.
You'll know it's ready when a skewer comes out clean.
[Photo: The Notebooks, by Julija Šukys]
Posted on December 9, 2018 June 15, 2019
Essay Daily: Deep Roots (Thinking About "Koreans With Guns")
Every year, the people at Essay Daily put together an essay Advent Calendar. That is, with every day of Advent, a new essay appears. Sometimes the calendar is themed; this year's calendar was unthemed. We were simply asked to write about an essay or essayist that we liked or that interested us.
I wrote about Sam Cha's essay called "Koreans With Guns." The piece comes from his chapbook American Carnage. "Deep Roots (Thinking about "Koreans With Guns") is my first publication connected to a new book project examining college campus shootings.
Thanks to Ander Monson for making a place on the calendar for me. I'm so happy to be part of the project. You can read my December 8, 2018 installment here.
[Image: ATOMIC Hot Links]
CNF Conversations: An Interview with Mary Cappello
Mary Cappello, Life Breaks In (A Mood Almanack). University of Chicago Press, 2016.
Mary Cappello is the author of five books of literary nonfiction, including Awkward: A Detour (a Los Angeles Times bestseller); Swallow, based on the Chevalier Jackson Foreign Body Collection in Philadelphia's Mütter Museum; and, most recently, Life Breaks In: A Mood Almanack. Her work has been featured in The New York Times, Salon.com, The Huffington Post, on NPR, in guest author blogs for Powells Books, and on six separate occasions as Notable Essay of the Year in Best American Essays. A Guggenheim and Berlin Prize Fellow, a recipient of The Bechtel Prize for Educating the Imagination, and the Dorothea Lange-Paul Taylor Prize, Cappello is a former Fulbright Lecturer at the Gorky Literary Institute (Moscow), and currently Professor of English and creative writing at the University of Rhode Island.
About Life Breaks In: Some books start at point A, take you by the hand, and carefully walk you to point B, and on and on.
This is not one of those books. This book is about mood, and how it works in and with us as complicated, imperfectly self-knowing beings existing in a world that impinges and infringes on us, but also regularly suffuses us with beauty and joy and wonder. You don't write that book as a linear progression — you write it as a living, breathing, richly associative, and, crucially, active, investigation. Or at least you do if you're as smart and inventive as Mary Cappello.
What is a mood? How do we think about and understand and describe moods and their endless shadings? What do they do to and for us, and how can we actively generate or alter them? These are all questions Cappello takes up as she explores mood in all its manifestations: we travel with her from the childhood tables of "arts and crafts" to mood rooms and reading rooms, forgotten natural history museums and 3-D View-Master fairytale tableaux; from the shifting palette of clouds and weather to the music that defines us and the voices that carry us. The result is a book as brilliantly unclassifiable as mood itself, blue and green and bright and beautiful, funny and sympathetic, as powerfully investigative as it is richly contemplative.
"I'm one of those people who mistrusts a really good mood," Cappello writes early on. If that made you nod in recognition, well, maybe you're one of Mary Cappello's people; you owe it to yourself to crack Life Breaks In and see for sure.
"Are we sometimes not astonished by the beautiful futility of encountering some sudden fugitive moment that renders us so vulnerable to 'unanticipated forms': of perhaps an inner light or an inner dark? Here, with Mary Cappello's ravishing prose, lies a vibrating scalpel that intricately parts the belly of little swirling vertigos that we have no name for but know so deeply."
— The Brothers Quay
"Mood is alpha and omega, it is everything and nothing" – Mary Cappello, Life Breaks In
Julija Šukys: Mary, first of all, congratulations on your book. Life Breaks In is learned, rigorous, and, at times, intimate and devastating. On the one hand, the text is incredibly wide-ranging: you take the reader through subjects as varied as Joni Mitchell's music, mood rings, your father's darkness, your friend's death from cancer, taxidermy, and the weird queer history of children's books. But on the other hand, your book is impressively focused and disciplined as it continually loops back to thinking about mood as sound, as space, as reading, as color. It does so in an almost oblique way and manages to look closely at something that is otherwise almost invisible.
You have written that the challenge of the book was "not to chase mood, track it, or pin it down: neither to explain nor define mood – but to notice it – often enough, to listen for it – and do something like it without killing it in the process" (15). It seems like mood is something that you can only see through the prism of something else, like those ghosts in children's cartoons that become visible in the dust beaten out of a chalkboard brush. Can you say a little bit about how you came to your subject? And can you talk a bit about the title, Life Breaks In, and the role that rupture plays in a meditation on mood?
Mary Cappello: This question of how we come to our subjects is perpetually intriguing to me. Some subjects for me have been urgent givens (for example, cancer); others, I've arrived at through intricately circuitous routes even though, once there, they greeted me with a kind of "ah-ha" or "but-of-course" feeling (e.g., awkwardness); still others were the result of an accidental encounter, what Barthes might call a "lucky find," almost like a punctum in photography (e.g., the Chevalier Jackson foreign body collection). Mood happened for me in yet another way—in its own way—and it was as though it was always hovering. The subject has played around the edges of my consciousness for many years, and, by the time I brought the book to completion, it felt as though it was the work toward which all of my work had been tending.
Sometimes I'll be reading a book I've read a thousand times, and I'll find marginalia that I wrote in it dating back twenty years relative to mood. I guess I'm trying to say that mood felt to me like the thing I've been writing about all along but that had never announced itself as such—which makes me wonder if this is a sort of experience relevant to all writers. Unlike my other ostensible "subjects," mood seemed to be following me rather than vice versa.
The title is a phrase lent to me by Virginia Woolf who wrote these wonderfully suggestive lines in one of her diary entries: "How it would interest me if this diary were ever to become a real diary: something in which I could see changes, trace moods developing; but then I should have to speak of the soul, & did I not banish the soul when I began? What happens is, as usual, that I'm going to write about the soul, & life breaks in."
I'm really interested in the time/space that mood exists in—I mean, moods seem to be a bedrock of our being (we're never not in a mood of one sort or another), at the same time that moods seem to exist quite apart from our ability to perceive them. Are moods co-terminus with the thing we call "life" or "living"? Does life interrupt mood or do moods interrupt life? This is related to the aesthetic problem that you refer to in your question—I mean, here's this thing that is ephemeral, amorphous but ever-present and foundational. It will not let you pin it down, and it might only come into view when you aren't trying to discover it. If you look too directly at it, it may not show itself, or will vanish. And the minute it does materialize, life is sure to break in, and poof, it's gone.
I hope that readers take pleasure in the unexpected ways in which breaks enter in to the book, and I'd hardly exhaust those ways if I mentioned just a few, like day break and breaks in clouds; breakthroughs and heartbreaks; the breaking of a silence and the breaking into song.
As you know, I read this book very slowly, in fits and starts. At first, my pace embarrassed me (confession: I'm a slow reader at the best of times), but the deeper into the book I got and the more I thought about what you were doing in it, the more I made peace with my meandering methods.
You've subtitled the book "A Mood Almanack" and elucidate it like this: "the almanack is a revelatory book and a book of secrets. A book whose tidings we look out for and consult from time to time…. A book to wander in a desert with…. A book whose only requirement is that we float into and out from the streets where we live, pausing long enough to feel the mood beneath us shift." (16) It occurs to me now that this is a book that values the slow reveal and invites a reader to go off, wander around, and return according to her inclinations (or, indeed, mood).
Can you say a little more about your notion of the book as almanack? (By the way, my autocorrect keeps trying to remove the k at the end of that word!)
All that I can say about the slow reveal is: yes, yes, yes. Meandering methods, both in writing and in reading, yes. I'm so glad that this is how you experienced the book, Julija. I seem to have found my ideal reader!
Mood called for what I describe as "cloud-writing," which asked for an aesthetic of hover and drift. Like my second book, Awkward: A Detour, this book can be dipped into, read front to back, or not. For the reader interested in moving front to back, the book is structured to allow for various more and more voluble returns (as you note in your opening lines here), and a frame tale relative to voice and mood (most especially, the role of the voices of our earliest caretakers, how we may have come to receive those voices and, if we grew up to be writers, how we later constructed voice-imbued atmospheres in the form of writing).
I had a lot of reasons for calling the book an "almanack," and with that older spelling, too. I wanted to nod in the direction of those early autobiographical experiments of Ben Franklin's Poor Richard's Almanack, but also the less well-known book by Djuna Barnes, her Ladies Almanack (1928) and its wonderful sub-title, "showing their Signs and their Tides; their Moons and their Changes; the Seasons as it is with them; their Eclipses and Equinoxes; as well as a full Record of diurnal and nocturnal Distempers, written & illustrated by a lady of fashion."
Formally, though, the "almanack" appealed to me for its generic specificity and range: an almanack (especially a "farmer's alamanack") shares a kinship with mood-writing because it's a place we turn to for chartings of weather patterns and cloud movements, the prospect of a good harvest or a drought, and it's a space where different types of knowledge on a subject can intermingle, where folk wisdom meets philosophy, aphorism and recipes coincide—more to the point, where a kind of non-knowledge or useless knowledge (à la Gertrude Stein) prevails. I didn't structure the book like an almanack—this would have felt artificial to me—but when I learned more about the etymology of the word, I couldn't believe how fitting it was for a mood-book: from classical Arabic, munaāk, it refers to a place where a camel kneels, a station on a journey or the halt at the end of a day's travel. Simultaneously, it derives from cognate Arabic words for "calendar," and "climate." This blew my mind because it seemed to bring together so many mood-relatives: temporality, charts and unchartability, atmosphere, rest and pause. There is also a warmth to the Farmer's Almanack that I was hoping to invoke.
Continue reading "CNF Conversations: An Interview with Mary Cappello"
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"And I burned with shame"
How to Grow a Book: A Feeding and Watering Guide for the First-Time Nonfiction Writer


We don't know if it's by chance or by choice but my highschool barkada, JLTS (short for Judith Learns to Sing), only meets once a year and that for 2010 happened last Thursday, October 28. After so many discussions on the rendezvous, we settled for Cable Car along Arnaiz Avenue in Makati.
To start off, we had Nachos. I'm not very fond of salsa so I barely ate it but they finished the entire plate so I can assume it was good. It was kinda pricey though, large platter was at Php515.
And then the pizza! It's good! Sadly though, we had to take half of it home because we are too stuffed already.
For the drinks, I originally ordered iced tea but changed my mind when I took a sip from Dianne's Mango Shake. Good thing they allowed me to change my order. I soooooo loved it!
Judith, Dianne and I had Ripe Mango Shake.
The two hours that we stayed in Cable Car was multi-tasking at it's finest. We ate, chit-chatted and took a lot of pictures at the same time.
(L-R) Pam, Maine and Me.
All of us were dumbfounded but still smiled sheepishly for the camera. After the shot, he gave the camera back and went on with his life while we're still starstruck. Hahaha.
The minutes that followed were spent thinking about how to approach him and have a picture taken with him (not just BY him haha). Not that we're fans. We just wanted a proof that he was the oh-so-kind guy who took a decent picture of us! LOL. And then when we finally mustered enough courage to walk up to him, a supermodel-esque gal came in and gave him a peck on the cheek. And that's our cue. We headed towards the exit disappointed and saying "Sayang!" again and again.
Over the free frap and pastry courtesy of the guys, we reminisced about our highschool days - the teachers, the classmates and most especially the mischiefs. Amidst the boisterous laughters, we spotted guys from the latest season of PBB (sorry I don't know the names) and took a picture with them. Yeah, this time we didn't let the chance pass. Hahaha.
"Wait, where do we look?" as Chriz and Deniel simultaneously took pictures.
At around 11pm, we had to call it a night. We thought we should take a picture of all 7 of us so I stretched my arms to shoot when another foreigner offered help. Amusing because instead of kababayans offering help, foreigners pa!


Inflow and infiltration (I/I) are terms that describe clear water that enters wastewater systems, takes up limited space in wastewater pipes, and increases demand at wastewater treatment plants. Excessive flows can result in public and environmental health concerns if untreated sewage discharges to basements, rivers, lakes, or other public areas.
Inflow and infiltration each have unique sources, methods of entry, and effects on the wastewater collection system. Both are costly to communities and utility ratepayers due to increased treatment and maintenance costs.
Inflow is typically stormwater that increases peak flow in the wastewater system during and after rainfall events from point sources such as broken manhole covers, sewer cleanouts, sump pumps, foundation drains and rain leaders.
Infiltration is typically groundwater that gradually enters the wastewater system through cracks and openings in sewer mains, service laterals, joints, and deteriorated manholes. Infiltration increases base flow in the wastewater system and removes water from the natural hydrologic cycle, which could otherwise recharge the regional aquifers.
Protect public and environmental health by preventing untreated sewage discharges to basements and the environment.
Minimize regional and local cost to convey and treat excessive I/I.
Ensure the vitality and sustainability of the regional water resources.
Homeowner, local community, and regional efforts to reduce I/I wastewater systems have resulted in reduced flows across the region.
The regional wastewater flow has been reduced by roughly nine billion gallons per year on average. The flow decrease has occurred even as precipitation volumes, rainfall intensities, and population have increased.
Two significant rainfall events occurred in October 2005 and June 2014. The 2014 rainfall event included higher precipitation and higher soil moisture, with lower peak flows recorded at the Metro and Blue Lake wastewater treatment plants when compared to the 2005 rainfall event.
What can homeowners do to reduce I/I?
Disconnect unlawful connections to the sewer system. Residents should contact the local Public Works department to help find reasonable alternatives.
Be familiar with the plumbing system in your home or business. If roof downspouts are piped underground, a sump pump has no identifiable discharge point, or foundation drains don't discharge to the roadside ditch or other low point on the lot, there may be sources of I/I on your property that are contributing to the problem.
Have your private sewer service lateral inspected and, if necessary, repaired.
What are local communities and the Council doing to reduce I/I?
Communities in the region have been working for years to mitigate I/I sources. Between 2007 and 2015, regional communities reported investments of over $157 M in I/I mitigation projects.
with advocacy of Metro Cities—has allocated a total of $10.5 M of grant funding to help communities mitigate I/I. Minnesota's Legacy Clean Water Fund also contributed $1 M to support roughly $3.3 M in investments.
MCES invested roughly $88 M on I/I mitigation activities from 2007-2015 and plans to invest about $80 million to $100 million annually in interceptor-related investments through year 2023.
Completed comprehensive analyses of the sewer systems to locate I/I sources. Many communities have developed strategies to mitigate I/I as part of comprehensive master plans and capital improvement projects.
MCES hosted I/I mitigation workshops and created public outreach videos. Find additional resources here.


text:
using System.Collections;
using System.Collections.Generic;
using UnityEngine;

public class DemoPlayer : MonoBehaviour {

    public Transform retical;

    public float reticalLowMax;
    public float reticalLowMin;
    public float reticalHighMax;
    public float reticalHighMin;
    public ParticleSystem shield;

    public Vector2 moveInput;
    public Vector2 aimInput;

    //public float shieldAlpha = 0.35f;

    public SpriteRenderer playerShip;

    public ShootProjectiles gun;

    public HingeJoint2D hinge;

    public float maxThrust;

    Rigidbody2D rb2d;

    // Use this for initialization
    void Start()
    {
        hinge = GetComponent<HingeJoint2D>();
        rb2d = GetComponent<Rigidbody2D>();

        hinge.enabled = true;
        //JointAngleLimits2D limits = new JointAngleLimits2D();
        //limits.min = 180 * (playerNum - 1);
        //limits.max = 180 * playerNum;
        //hinge.limits = limits;
        //hinge.useLimits = true;

        if (!Globals.Instance.GameManager.enableShields)
        {
            shield.gameObject.SetActive(false);
        }

    }

    void OnEnable()
    {
        //reset position etc.
        transform.localEulerAngles = Vector3.zero;

    }

    // Update is called once per frame
    void Update()
    {
        HandleAiming();
    }

    void FixedUpdate()
    {
        HandleThrust();

        //CheckHingeAlign();
    }

    private void CheckHingeAlign()
    {
        if (hinge.jointAngle < hinge.limits.min)
        {
            rb2d.AddForce(-transform.right * maxThrust * 0.5f, ForceMode2D.Force);
        }
        else if (hinge.jointAngle > hinge.limits.max)
        {
            rb2d.AddForce(transform.right * maxThrust * 0.5f, ForceMode2D.Force);
        }
    }

    void HandleAiming()
    {
        if (aimInput.magnitude > 0)
        {
            // Original Rotation Setup
            var angle = Mathf.Atan2(aimInput.y, aimInput.x) * Mathf.Rad2Deg - 90;

            //angle *= (2 / 3);

            retical.eulerAngles = new Vector3(0, 0, angle);

            float adjustedAngle;

            float max = 0.0f;
            float min = 0.0f;
            if (retical.localEulerAngles.z > 180)
            {
                //smoothing
                float angleOffset = 360 - retical.localEulerAngles.z;
                adjustedAngle = 360 - (angleOffset * 0.85f);

                max = reticalHighMax;
                min = reticalHighMin;
            }
            else
            {
                //smoothing
                adjustedAngle = retical.localEulerAngles.z; // * (2 / 3);
                adjustedAngle *= 0.85f;

                max = reticalLowMax;
                min = reticalLowMin;
            }

            Vector3 angles = new Vector3(0, 0, adjustedAngle);

            //if (playerInfo.playerNum == 1) { Debug.Log("Input: " + rInput + " Aim angle: " + adjustedAngle + " Local: " + retical.localEulerAngles.z); }

            retical.localEulerAngles = angles;

            if (retical.localEulerAngles.z > max || retical.localEulerAngles.z < min)
            {
                retical.localEulerAngles = new Vector3(0, 0, Mathf.Clamp(retical.localEulerAngles.z, min, max));
            }
        }
    }

    void HandleThrust()
    {

        ApplyJoystickThrust();

    }

    void ApplyJoystickThrust()
    {
        float x = moveInput.x;
        float y = moveInput.y;

        if (Mathf.Abs(x) > .5 || Mathf.Abs(y) > .5)
        {
            Vector2 toDir = new Vector2(x, y).normalized;
            //Vector2 fromDir = (Vector2)(Quaternion.Euler(0, 0, hinge.jointAngle) * Vector2.up);
            Vector2 fromDir = transform.localPosition.normalized;

            float ang = Vector2.Angle(fromDir, toDir);

            Vector3 cross = Vector3.Cross(fromDir, toDir);

            if (cross.z < 0) ang = ang * -1;

            //Debug.Log(fromDir + " " + toDir + " " + ang);

            Vector3 thrust = Vector3.zero;

            if (ang > 0)
            {
                thrust = transform.right * maxThrust;
            }
            else
            {
                thrust = -transform.right * maxThrust;
            }

            if (Mathf.Abs(ang) > 10)
            {
                rb2d.AddForce(thrust, ForceMode2D.Force);
            }
        }
    }
}

redpajama_set_name: RedPajamaGithub


text:
Q: Update DrawString at certain interval I'm trying to make a digital clock which then adds to a JPanel, Now when I call DrawString outside of the taskPerformer method it draws but when inside, it does not draw the String! Why is this and how would I go about implementing this class so that it redraws every second?
import java.awt.Color;
import java.awt.Font;
import java.awt.Graphics;
import java.awt.Graphics2D;
import java.awt.event.ActionEvent;
import java.awt.event.ActionListener;
import javax.swing.JComponent;
import javax.swing.JPanel;
import java.util.Date;
import java.util.Calendar;
import java.util.GregorianCalendar;
import javax.swing.Timer;

class DrawDate extends JPanel {
public Date ddate;
public Calendar ccalendar = new GregorianCalendar();
Date time;

public DrawDate() {
    this.ddate = new Date();
    time = this.ccalendar.getTime();
}

 public void paint(Graphics g) {
final Graphics2D g2 = (Graphics2D)g;
Font font = new Font("Arial", Font.PLAIN, 50);
g2.setFont(font);
//THIS DRAWS THE STRING
g2.drawString(time.toString() , 100, 100);

ActionListener taskPerformer = new ActionListener() {
    public void actionPerformed(ActionEvent evt) {
        Calendar ccalendar = new GregorianCalendar();
        Date time = ccalendar.getTime();
            //THIS DOES NOT DRAW A STRING.
            g2.drawString(time.toString() , 200, 100);

    }
};
final Timer timer = new Timer(1000, taskPerformer);
timer.start();

}
protected void paintComponent(Graphics g) {
    super.paintComponent(g);
    super.setBackground(new Color(100,100,100));
    paint(g);
}

}

A: Basically, you have a context problem. g2 has no context within the ActionListener, but there are other issues that need to be solved first...
Don't create the ActionListener or Timer within a paint method, in fact you should avoid overriding paint at all.
paint is suppose to call paintComponent, but because you've neglected to call super.paint, this won't happen, therefore your paintComponent method will never be called. But, you should avoid calling paint from within the paintComponent method
Instead, create the Timer and ActionListener in something like the constructor.  When the Timer ticks/triggers the actionPerformed method, simply update the value you want painted and then call repaint.
In the paintComponent method, do the actually rendering.
Take a look at Performing Custom Painting and Painting in AWT and Swing for more details

A: Try this:

datePanel.add(new ClockPane());

  public class ClockPane extends JPanel {

        private JLabel clock;

        public ClockPane() {
            setLayout(new BorderLayout());
            clock = new JLabel();
            clock.setHorizontalAlignment(JLabel.CENTER);
            clock.setFont(UIManager.getFont("Label.font").deriveFont(Font.BOLD, 32f));
            tickTock();
            add(clock);

            Timer timer = new Timer(500, new ActionListener() {
                @Override
                public void actionPerformed(ActionEvent e) {
                    tickTock();
                }
            });
            timer.setRepeats(true);
            timer.setCoalesce(true);
            timer.setInitialDelay(0);
            timer.start();
        }

        public void tickTock() {
            clock.setText(DateFormat.getDateTimeInstance().format(new Date()));
        }
    }

A: See tips in comments in the code..
import java.awt.*;
import java.awt.event.*;
import javax.swing.*;
import java.util.Date;
import java.util.Calendar;
import java.util.GregorianCalendar;

class DrawDate extends JPanel {

    public Date ddate;
    public Calendar ccalendar = new GregorianCalendar();
    Date time;

    public DrawDate() {
        this.ddate = new Date();
        time = this.ccalendar.getTime();

        ActionListener taskPerformer = new ActionListener() {
            public void actionPerformed(ActionEvent evt) {
                    Calendar ccalendar = new GregorianCalendar();
                    Date time = ccalendar.getTime();
                    //THIS DOES DRAW A STRING.
                    repaint();
            }
        };
        final Timer timer = new Timer(1000, taskPerformer);
        timer.start();

        // this will invoke repaint()
        // if called within a paint/paintComponent - infinite loop
        super.setBackground(new Color(100,100,100));
    }

    protected void paintComponent(Graphics g) {
        super.paintComponent(g);
        final Graphics2D g2 = (Graphics2D)g;
        Font font = new Font("Arial", Font.PLAIN, 50);
        g2.setFont(font);

        // update the time
        time = new Date();
        //THIS DRAWS THE STRING
        g2.drawString(time.toString() , 10, 100);
    }

    public Dimension getPreferredSize() {
        return new Dimension(600,150);
    }

    public static void main(String[] args) {
        Runnable r = new Runnable() {

            @Override
            public void run() {
                JOptionPane.showMessageDialog(null, new DrawDate());
            }
        };
        SwingUtilities.invokeLater(r);
    }
}

redpajama_set_name: RedPajamaStackExchange


Find the best events happening in Cornwall this month, from the Tate reopening to the Bowie Lounge returning to the stage. Explore and create poetry and more at Newlyn Art Gallery, discover Tregothnan's beautiful gardens, and go on adventure in Rogue Theatre's Wild Spring Hare woods.
There are surf films and arts events galore in Newquay, and foodies can delight at Porthleven Food Festival and the Folk and Cider Fayre in Falmouth.
Cornwall 365's Easter Top Picks – School's out for Easter and we have an egg-cellent (sorry!) selection of Top Picks that will keep the kids entertained as well as grown-ups.
Tate St Ives reopens on Friday 31st March with The Studio and The Sea, a season of two exhibitions about the ceramics studio, the ocean and the landscape. That Continuous Thing: Artists and the Ceramics Studio, 1920 – Today examines the rise of studio pottery in the early 20th century to today.
British artist Jessica Warboys fills the sea facing gallery with her large scale sea paintings, alongside films and sculptures.
Tate have a full programme of events to accompany the exhibition: find out more here.
Join Rogue Theatre deep in the woods of Tehidy North Cliffs for an Easter trail like no other. Tangle with roots, follow the story trail and discover the new world of spring. Wild Spring Hare is an adventure for spring, an eruption of imagination and possibility, a twisting of paths, a collection of tales and a quest for life's hidden treasures.
Lose yourselves in the wild wood and find yourselves in even wilder tales, collect the clues and follow the Hare to the Woodland King. He'll be waiting at the heart of the woods with more stories and a chocolate Easter treat for everyone!
Visit the Rogue Theatre website.
An artistic response to the work of David Bowie in music, word, dance and art inspired by the late-60's Beckenham 'Arts Labs' which David was involved in as their inspiration, the Bowie Lounge perform a selection of his songs combined with readings, poetry, dance and live painting and photography.
The result is a unique celebration of a man who inspired so many people over the years, performed by a company of exceptional Cornish-based musicians and artists.
Visit the See Tickets website to book.
Inspired by Eastern European clubhouses for workers, Newlyn Art Gallery has been transformed into an establishment of recreational activity. Hosted by a different Cultural Secretary each week, The Palace of Culture will nourish both body and mind with workshops, performance and other stimulating pursuits designed to fight cultureless leisure.
For Week 4, poet and visual artist Ella Frears will be hosting RESISTANCE: A Guide to Self Improvement at Newlyn Art Gallery. With writing workshops, one-to-ones with writers and artists, poetry sessions, music and more, this is one not to miss.
Visit the Newlyn Art Gallery website.
The Annual Folk & Cider Fayre, a part of Falmouth Spring Festival, is back in its 5th year and is bigger, better and wetter than ever.
Festivities get underway on the Friday evening with a high energy Ceilidh and Barn Dance and cider sampling. Some of the finest folk, traditional and acoustic artists from across the UK will be filling Events Square with music. Head to the marquee full of food stalls for a bite to eat, or feed your creative side with arts and crafts.
The main event will, of course, be the cider! With over 70 classic ciders to try before you buy, means there's a tipple for every taste bud.
Visit the Falmouth Festivals website for more information.
Porthleven Food & Music Festival, now in its ninth year, is a well-established event on the festival calendar. The Festival brings around 30,000 people together in and around the stunning harbour port of Porthleven with national and international chef's theatre, food stalls, street food, music day and night and entertainment for all.
Visit the Porthleven Food Festival website.
Tregothnan opens its usually private gates to give an insight into the workings of the largest historic garden in Cornwall. Open for one weekend in the year visitors can experience Tregothnan's unequalled diversity of trees, rare collections, sweeping vistas and peaceful secluded groves on the banks of the beautiful river Fal.
Also available will be Cornish cream teas with Tregothnan tea and Kea plum jam, Salcombe Dairy ice creams, estate-reared meat cooked on a barbecue over Tregothnan charcoal, and delicious homemade lunches. Musical entertainment, children's activities, games and demonstrations are sure to keep visitors entertained throughout the weekend.
Cornish film club network C Fylm are joining forces with the Lighthouse cinema in Newquay to hold a mini festival of surf films showing a mix of archive, short films, documentaries and classic surf features for a whole weekend of surf content on the big screen.
Visit the C Fylm website.
A community festival with something for everyone – young and old, residents and visitors alike – with all activities free or low-cost.
Supported by local organisations and businesses, the event is a celebration of existing activity in the town as well as an opportunity to welcome artists and performers from further afield. Central to the ethos of the event is a contribution to increasing Newquay's positive profile. It's also about developing the offering for those who are here. There's plenty to see and do during the festival – so get involved!


text:
O /
Opprobrium
Opprobrium is a thrash/death metal band from Metairie, Louisiana. Founded in 1986 by brothers Francis and Moyses Howard under the name Incubus, and reappearing after a 10 year break from the music business in 2000, they were forced to change their name for copyright reasons and in order to avoid confusion with newly emerging Alternative rock band Incubus from California. The Howard brothers had originally emigrated to the USA from Brazil. The band is noted for their particular style, a Death/Thrash crossover, combined with some Christian lyrics.
Metairie, Louisiana
myspace.com/opprobrium
2019 The Fallen Entities 48
2016 Serpent Temptation (vinyl) 635
2016 Supernatural Death 641
2008 Mandatory Evac 1021
2008 Beyond the Unknown (re-issue) 911
2008 Serpent Temptation 833
2000 Discerning Forces 6817
2000 Beyond the Unknown/Serpent Temptation 910
1994 Serpent Temptation (Nuclear Blast) 990
1990 Beyond the Unknown 5122
1988 Serpent Temptation 1422


Playa Norte Mazatlan, located north of downtown and along the seaside Malecon, has beautiful white stretches of fine, soft sand. While the waves can be gentle at times, they can also be quite strong, meaning that this is not always the best beach for swimming, unless you stay close to shore and the lifeguard areas.
One of the best features of North Beach Mazatlan is its peaceful atmosphere, which can be a welcome break from busier Mazatlan beaches such as Playa Gaviotas. There is just enough bustle here to keep things moving, and the vendors, shops, and restaurants ensure that visitors have plenty of access to anything they might need for a day at the beach.
Three miles of luxurious white sand invite vacationers to enjoy sunbathing, and it's also possible to try water sports such as body-boarding and fishing. North Beach Mazatlan is an excellent place to cast a line at any time of the day; at the point on this stretch of sand are several large rocks, where many fishermen choose as the best place to throw one into the water. Those interested in surfing will find the best waves in this area at the northern end of Playa Norte Mazatlan.
Not too far from the city, just secluded enough to enjoy moments of tranquility as well as those pleasing moments of excitement, and plenty of refreshments to quench all thirsts, North Beach Mazatlan has the best of both worlds.


text:
Military and Overseas Voter Information
Multnomah County Elections Division Home
Information for Voters
Information for Candidates, Campaigns & Jurisdictions
Results & History
Election Links & Resources
Accessible Voting Options
Pages1356
Military and Overseas Voters (UOCAVA)
Register or Update Registration | Voting | Election Information
Uniformed and Overseas Citizens Absentee Voting Act (UOCAVA) - U.S. citizens who are active members of the Uniformed Services the Merchant Marine, and the commissioned corps of the Public Health Service and the National Oceanic and Atmospheric Administration, their family members, and U.S. citizens residing outside the United States. This Act provides the legal basis for absentee voting requirements for these citizens.
If you are in the military or living out of the county, it is very important you are registered as a UOCAVA voter. UOCAVA ballots are mailed at least 45 days before an election; local ballots are mailed 20 days before an election. Once registered, UOCAVA voters have the option of accessing their ballot online along with the required forms and then have the option to return them by email or fax.
Register or update your registration
As a Military or Overseas voter, your residence address is your last Oregon residence address.Options on registering as a Military or Overseas voter:
Online at My Vote - If you have an Oregon Drivers license you can register or update online.
As a Military or Overseas voter, your residence address is your last Oregon residence address. Make sure to check the box under Mailing Address that you will be away from home on election day and then on the next screen the type of voter you are and your Military or Overseas address.
Please note, the online system will not work in the following countries.
The online registration may take 3-4 business days for the data to transfer and process, so if it is close to Election day, it is recommended that you use the FPCA form (PDF) and email it to elections@multco.us. Email forms can be processed more quickly.
Federal Post Card Application - complete form, sign, scan to PDF or take a picture and return by email to elections@multco.us. The FPCA form does not require an Oregon driver's license/ID or a social security number and the original does not need to be mailed if it has been sent by email.
Federal Post Card Application (FPCA) - fillable PDF
FVAP.gov - online form to complete and print.
As a Military or Overseas voter, your Oregon residence address is your last Oregon residence address. It does not need to be an address you plan to return to.
If you are living abroad as an overseas voter, an overseas mailing address must be provided, as Oregon law requires that a ballot be mailed to that overseas address. It does not need to be an address that you will receive mail at. Once you are registered as an overseas you will have the option of accessing your ballot and required forms online, but a ballot must also be mailed. Eligible military voters (active Uniformed service, Merchant marine and National Guard) and eligible spouses or dependents should use the appropriate mailing address (foreign or domestic) where they are stationed or receive mail.
Please note, when registering as an overseas voter, it is very important to mark the correct classification for your circumstance.
If you mark that your return is uncertain, you will receive a ballot with only Federal candidates (U.S. President, U.S. Senate and U.S. Congress). If you are a U.S citizen residing outside of the U.S. and intend to return at some point in the future, make sure to mark that box that you intend to return. That way, you will receive a full ballot with Federal, State and Local offices and measures. Eligible military voters (active Uniformed service, Merchant marine and National Guard) and eligible spouses or dependents always receive a full ballot.
Please see the flowchart below for more information on the types of ballots that UOCAVA voters will receive.
UOCAVA Flowchart (revised Sept. 2022) (67.86 KB)
Federal Post Card Application (FPCA)
Response letter - never lived in U.S. (39.31 KB)
If you are registered as a military or overseas voter, your ballot will be mailed to you at least 45-days prior to the election. If you update or register after that date, you will be mailed a ballot to your military/overseas address as soon as we receive the military/overseas registration. Oregon law requires that we mail you a ballot, but you have the option of accessing your ballot online. Please see the information below.
Military and overseas voters registered in Oregon have options in voting. Those options include how to mark the ballot and how to return the ballot. During the voting period, military & overseas registered voters can access and mark their ballot online by visiting My Vote, hosted by the Oregon Secretary of State's office. If you have any problems accessing your ballot online, please contact Multnomah County Elections. Please note, the online system will not work in the following countries.
MyVote
Instructions for Military & Overseas voters
Image below of the two links UOCAVA voters will need to click on (red arrows), once you log into My Vote to access your ballot and required forms.
Military and overseas voters can mail, fax or email their ballot back. The email to return the ballot is elections.ballot@multco.us. Please note, these options are only available to military and overseas voters. All other voters must return their ballot by mail.
Election Information for Military & Overseas Voters
Multnomah County Voters' Pamphlet - November 2022 (11.15 MB)
Multnomah County Military & Overseas Voters' Guide (original filings)
State of Oregon Military & Overseas Voters' Guide
Important dates for Military & Overseas voters
Sept. 23, 2022 - Miliary & Overseas ballots are mailed
Week of Sept 26, 2022 - Access to My Vote available for Military & Overseas voters
Nov 8, 2022 - General Election day
Information for Voters - Multnomah County Elections
Registration • Ballot Tracking and Replacements • Official Ballot Drop Sites • and more
Current and Upcoming Elections - Multnomah County Elections
Information on recent and upcoming elections, including the November 8, 2022 General Election.


text:
Miss MOLLY SWABEY: Very old are these Rhymes '
5XX Daventry, 19 April 1928 15.45
NURSERY rhymes-those quaint and haunting little verses that are still told by nurses to their children even in this wireless age-are interesting not merely because of their associations with our earliest memories, but because many of them have a long and important history of their own. Miss Molly Swabey has gone deeply into this subject, with a view to writing a book about it, and in this afternoon's talk she will give some surprising information about the origin of some of the most artless of these rhymes.
5XX Daventry is a radio service which began broadcasting on 15 December 1924 and ended on 8 March 1930. It was replaced by National Programme Daventry.
Feedback about Miss MOLLY SWABEY: Very old are these Rhymes ', 5XX Daventry, 15.45, 19 April 1928
Please leave this link here so we can find the programme you're referring to: http://genome.ch.bbc.co.uk/e14851efdea54b02810098ae48b9c480


text:
Hans Friedrich Wilhem Ernst von Raumer (10 January 1870 – 3 November 1965) was a German politician of the German People's Party (DVP). He served as minister in two governments of the Weimar Republic and was also active as a representative of German industry.

Early life
Hans von Raumer was born on 10 January 1870 in Dessau as the son of Friedrich von Raumer (1831-1911), a major in the Prussian Army and his wife Marie (née von Studnitz, 1843-1928). He had three brothers. Since his father was a war cripple, the family only had a modest income. Hans attended the Gymnasium at Hirschberg (Silesia) and at Görlitz and went on to the Ritterakademie at Liegnitz. After 1890 he studied law and government at Lausanne, Leipzig and Berlin, finishing with a Dr.iur.

Raumer married Stephanie (1882-1949, daughter of ) at Belgrad in 1905. They had one son and two daughters.

Career in the German Empire
A civil servant since 1899 (Regierungsassessor), Raumer became Landrat of the district Wittlage (Westfalen). He left public service in 1911 and became director of Hannoversche Kolonisations- und Moorverwertungsgesellschaft, an electricity plant at Osnabrück. From 1915 he was director of the Bund der Elektrizitätsversorgungs-Unternehmungen Deutschlands (the association of German power-generating utilities) at Berlin. From late 1916 until March 1918 he served as Kriegsreferent at the Reichsschatzamt (Imperial Treasury). In this position, he drafted the Kohlensteuergesetz (law on coal tax). In March 1918, Raumer along with Walther Rathenau and Carl Friedrich von Siemens created the Zentralverband der Deutschen elektrotechnischen Industrie (association of German electrotechnical industry) at Berlin. As executive director until 1933, Raumer was very influential in setting the association's course.

Career after the German Revolution
As the end of World War I approached, Raumer worked to facilitate a frictionless transition from a war to a peacetime economy. To this end he invited representatives of industry (Siemens, Rathenau, , ) and of the unions (Carl Legien, Gustav Bauer, August Schlieke, Theodor Leipart) to a meeting in October 1918. This resulted, one month later, in the creation of the  (ZAG), which established the formal equality of employers and employees and fixed the length of the working day at eight hours. Raumer was a member of the board of the ZAG as well as of the board of the .

From 1920 to 1930, Raumer was a member of the Reichstag for the right wing of the DVP. From June 1920 to May 1921, he was Reichsschatzminister (Treasury) in the cabinet of Konstantin Fehrenbach. He focused on the question of war reparations - into his tenure fell the Spa Conference of July 1920, the interruption of negotiations by the Allies in January 1921 and the occupation of Duisburg and Düsseldorf in March 1921.

Raumer continued to serve as an advisor to the government on economic issues. Together with Rudolf Hilferding he was a technical expert on the German delegation at the Genoa Conference of 1922. Having established contacts to the Soviet negotiators Karl Radek and Georgy Chicherin there, he subsequently pushed Rathenau to agree to the Treaty of Rapallo.

From August to October 1923, Raumer served as Reichswirtschaftsminister in the second cabinet of Gustav Stresemann.

Raumer worked to strengthen German-Soviet economic ties through his work in the Reichstag as well as member of the board of the Rußlandausschusses der deutschen Industrie and of the supervisory board of the Industriefinanzierungsgesellschaft Ost. After 1929, Raumer was a chairman of the German-Soviet arbitration commission. He also brought together German industrialists and Soviet leaders like Anastas Mikoyan, helping to establish German contributions to the Soviet Five Year Plan and, in 1931, landing Soviet orders from the German electrotechnical and machinery industries totalling 900 million Reichsmark.

Raumer was a friend of the French ambassador André François-Poncet and supported Heinrich Brüning's policy of economic rappraochment with France. However, after the government of Brüning fell, Raumer also supported the policies of Kurt von Schleicher.

Later life and death
In 1933, Raumer resigned from all positions. He had left the DVP in March 1932, but kept his distance to the NSDAP.

In 1941, he was chairman of the supervisory board of Königstadt AG für Grundstücke und Industrie Berlin and member of the supervisory boards at Berlin-Gubener Hufabrik AG, Elektrowerke AG Berlin, Gesellschaft für elektrische Unternehmungen Berlin, Koblenzer Elektrizitäts- und Verkehrs-AG as well as at the Steatit-Magnesia AG and at the Verkaufskredit AG Berlin.

Raumer's home was destroyed in 1943 by Allied bombing and he moved to Großlangewiesche (Priegnitz) and then to Dätzingen. In 1962, he returned to West-Berlin.

Raumer died there on 3 November 1965. He is buried at Dätzingen.

Works
 Dreißig Jahre nach Rapallo, in: Deutsche Rundschau 78, H. 4, April 1952
 Unternehmer und Gewerkschaften in der Weimarer Zeit, in: Deutsche Rundschau 80, H. 5, May 1954
 Die Zentralarbeitsgemeinschaft, in: Der Weg zum industriellen Spitzenverband, 1956, pp. 102–17.

References

External links

1870 births
1965 deaths
People from Dessau-Roßlau
Members of the Reichstag of the Weimar Republic
Weimar Republic politicians
German People's Party politicians
Grand Crosses with Star and Sash of the Order of Merit of the Federal Republic of Germany

redpajama_set_name: RedPajamaWikipedia


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From Interstate 99, take Exit #15 (Claysburg/King).
Take North for approximately 2.5 miles. After the Dollar General on the left and All Star Pizza on the right, take the next right. At the stop sign, turn left and the High School will be on the left.


The Obama administration has relaunched their health care marketplace and poured millions of dollars into improving healthcare.gov so Americans can shop for affordable health care plans, however surveys reveal that most consumers thinking shopping for health care coverage is worse than getting a cavity filled or filling taxes.
The survey results come form the Health Insurance Pulse Survey and was conducted by Princeton Survey Research Associates. They revealed their findings on Tuesday. The findings include health coverage spending preferences by income and age, as well as consumers feelings on Obamacare.
82% of consumers who shopped for coverage say it is as bad as doing their own taxes.
To perform the survey, Princeton Survey Research Associates talked to more than 1,000 adults by telephone in Spanish and English.


text:
About BeMA
Advisors & consultants
BeMA USA
APEAL
The Lebanese Ministry of Culture Collection
Restoration & Conservation
Education in Public Schools
Events & Activites
Virtual tours series  2021 - 2022
Virtual tours series
Aiming to provide an immersive escape during the COVID-19 pandemic, BeMA offered a selected series of virtual group tours, conducted by Mrs. Claudia Audi, a board trustee of the Beirut Museum and docent at the Metropolitan Museum of Art in New York.
Working with the Metropolitan Museum of Art in New York, the tours introduced BeMA's friends to the diversity and breadth of the MET Museum's collection, nurturing cross-cultural dialogue and collaboration between the United States of America and Lebanon.
So far, the tours included highlights of the galleries of Islamic Art, Modern and Contemporary Art, and Ancient Near East Art.
To learn more about the upcoming tours, check BeMA's social media platforms or email us at Bema@bema.museum
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text:
Security Negligence? Smith County, TX Nightclub Shooting Leaves One Man in Serious Condition.
Smith County, TX Nightclub Shooting Leaves One Man in Serious Condition. (Stock Photo: MurrayLegal.com)
Could the shooting at a Smith County nightclub have been prevented and are justice and compensation available to the victim? Read Our Legal Take below to find out what legal options are available.
Gunfire rang out at a Smith County, TX nightclub early Friday morning, November 20, 2020, leaving one man injured.
As reported by CBS19.tv, "around 1 a.m. on Friday, officials were called to the Country River Club, located at 1308 U.S. Highway 271 in Tyler, on reports of a shooting."
According to the report, "[w]hen deputies arrived on scene, the victim was bleeding profusely from a gunshot wound, and was going in and out of consciousness…[t]he victim was taken to a local hospital where he underwent emergency surgery and is listed as being in serious condition."
Property owners are generally required to protect against foreseeable harm to anyone and everyone legally on the premises. Should the investigation into this incident reveal facts that establish that the nightclub owner or management lacked adequate security to protect its visitors, the victim may seek justice and elect to pursue legal claims and substantial compensation for his injuries.
The Murray Law Firm has extensive and successful experience in handling security negligence claims on behalf of victims and their families, and suggests that an immediate, unbiased inspection of the property will need to be performed so as to limit evidence from being altered, damaged or destroyed. The complexities of pursuing a negligent security case are well understood by the legal team at The Murray Law Firm, and it is imperative that the victim retain a capable law firm who will work without delay to protect his interests.
Tagged: 1308 U.S. Highway 271, Country River Club and Smith County TX Nightclub Shooting