Ever noticed how people in love call each other 'honey' and 'sweetie'? There is hardly any reference to other tastes. Occasionally, we might see a reference to a hot chilli or a spicy pepper, but that is more about sexiness and attraction rather than feelings of love itself. And no, it isn't yet another western notion that has come to India. People in India have been calling their lovers 'laddoo,' 'jilebi' and what not. I haven't heard anybody call their sweet-heart 'mysore-pak' or 'kaaju katli' but someone out there probably does use these terms for their loved one. A 'paal payasam' or a 'kheer' might be stretching it, but other more solid sweets – there is probably a person high on love somewhere calling out to the object of their affection with what could be the menu card of their local mithai wallah.
When we are not sweetening it, we are quite likely babying it. Babe, baby, coochie-pie, kutti, kanna and every other thing that we last called a cousin's 6 month old.
What is it about love and sweetness and cuteness? What makes us become a melting pot of sweet, gooey chocolate when loving some one? Why do we go on and on with sweet nothings ?
Are all these terms just empty calories that is going to fatten up the person, or is there anything actually nourishing to the soul about these sweet endearments that make us use them?
It really shouldn't be a surprise, but it turns out that we are all suckers for the kind of desire that the sweet words imply. When our loved one addresses us with the sweet endearments that show us we are special to them, we react with a specialness as well. Often times, even without realising that we have kinda softened, we reciprocate in some similar fashion. We may not use the sweet words ourselves, but we might be paying a bit more attention to them, feel a bit less hostile or angry, be less agitated or upset.
Try it out next time you are having a fight with your beloved. For the first couple of times, have the argument using only their given name through the whole fight. No pet names. No sweet terms. No terms of endearment. Just see how long it goes and how bad it gets before you both work it out. Observe yourself, and observe your partner. A few days later, when you have the opportunity again (and I am sure there will be) use your pet names for them, use the terms of endearment, the sweet talk – and observe again what happens to the fight. Are you fighting as hard or as bitterly? Does it go on for as long? Are you both more willing to make up, or less so? Just notice what happens.
For the everyday conflicts, I would bet that fights where you remember to use your sweet somethings (and mean it) are shorter, less harsh, and more easy to recover from.So, go on. Use those endearments.
Even in non-romantic situations, trying to start a conversation about it can be met with: "Why such dark thoughts?" or, "Stop. You are scaring me!" or, "Are you OK? Should we go to the doctor or something? Shall I call your mother?" We don't want to engage with these topics at all thinking them to be bad omens and macabre.
With the Supreme Court ruling a few days ago on dignity in death, and allowing for passive euthanasia and living wills, these conversations really do need to happen in living rooms and bedrooms across the country, and yet it is the rare couple that seriously talks about death, its effect on them and what might be needed to work around it.
If you are in love with someone, and you trust them with your life, your bank account login details, your google mail password and even your old Tindr account, then why not trust them with death as well? Let's face it. Death is an integral part of living, so why should it not be a part of loving as well?
We are not talking stuff like the Gerard Butler movie P.S: I love you, or for a younger generation, The Fault In Our Stars. Though loving in the face of death, like in these movies, is important as well, the emphasis is on whether we should wait till death announces a date with us? Would we really know, anyway? Quite sadly, in all likelihood, each of us know a few people lost tragically too soon to accidents, incidents and illnesses.
So. can you as an act of true love, talk with your lover about death? What you'd like to happen in the event of? What worries you or scares you about it? What projects of yours would you hope outlives you? What of your other loved ones? What secrets would you want handled? What do you feel happens after death?
Of course, keep it clear, direct. Don't bore your loved one to death over it.


Yesterday morning I received an email from Matt Dorfman at The New York Times about an illustration for today's Op-Ed by Mohsin Hamid on the recent extremist violence between India and Pakistan and the growing public outcry. I pitched ideas of a flaking icon of militarism or figures coming together in the wake of destruction to see if either struck a chord. The flaking fresco won out, and twelve hours later it's in the paper. Thanks again to Matt Dorfman.


3 bedroom, 2 bathroom Seven Hills Ranch with 1 car attached garage. Main floor features kitchen with separate eating space, living room, 2 bedrooms and full bathroom. Vaulted ceilings. Finished basement with family room, gas fireplace, 3/4 bathroom and additional bedroom (non-conforming). Fenced yard backing to greenbelt. Newer exterior paint and water heater. All appliances stay. Excellent starter home!


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text:
Q: What is one word for a "messy mixture of a lot of ingredients"? I am looking for a single word that describes:  a mixture of a lot of things that ends up pretty messed up.
What would that be?

A: My candidate is hodge-podge.

hodgepodge (countable and uncountable, plural hodgepodges)
A collection of miscellaneous things; a jumble.
  His latest sculpture is a hodgepodge of kitchen clutter and scrap glued together. In fact, all his recent pieces have been similar hodgepodges.

*

*1653, Izaak Walton, The Compleat Angler
Man's life is but vain, for 'tis subject to pain, / And sorrow, and short as a bubble; / 'Tis a hodge-podge of business, and money, and care, / And care, and money, and trouble.

  (Wiktionary)

A: Concoction — Vocabulary

A concoction is a curious mixture of things, like a bunch of liquids stirred in a cup, or the elaborate and unbelievable story you make up to explain not finishing your homework.
Mix eight different liquids in a glass and you've got a concoction. Scientists create concoctions of chemicals in test tubes, and a bicycle made of junkyard scraps is a concoction too. The word's Latin root means "cooked together," referring to when you heat metals in order to purify them. A concoction is also a tall tale told to get out of trouble or entertain someone. If your story has ostriches, trampolines, lasers, and Abraham Lincoln, it's probably a concoction.

A: Perhaps you would consider olio, which any dictionary will tell you is a hodgepodge or collection of miscellany. The word is ultimately from the Latin olla (pot), a word which the Spanish adopted for olla podrida, a spicy stew of mixed meat and vegetables. The literal Spanish for the full name means rotten pot, but neither the full name for the dish nor its shortened English cognate have a necessarily pejorative connotation.

A: Cocktail — ODO

noun 1.1 A mixture of substances or factors, especially when dangerous or unpleasant
"he was killed by a cocktail of drink and drugs"
"A cocktail of substances is now burning from several storage containers, but fire authorities say the blaze is well under control."

A: Conglomeration is a good one.

a number of different things, parts or items that are grouped
  together; collection: a loose conglomeration of pieces.

A: A mélange is a mixture of often incongruous elements.

redpajama_set_name: RedPajamaStackExchange


text:
D. Willson
milk (part 2)
January 12, 2016 February 4, 2017 | D. Willson
Photo by Brooke Collier. brookecollierphotography.com
Our first night at home with Mila was a very determined and complicated dance. Mike would hold her as I tried to squeeze little beads of milk out of my boob onto a spoon. Then we'd put it in her mouth. She would soothe for a second as I let her suck on my pinky finger and then she'd remember that she wanted food and start screaming again. So we'd repeat the process. Pass her to dad, massage the boob, collect three tiny drops on the spoon, put in baby's mouth, let her suck, scream, repeat. After several rounds, then we'd try to get her to latch on with the shield. It felt like a nightmare. And our Wednesday appointment with the lactation consultant felt like a million years away. Surely our baby was going to die of starvation.
The next day, as I continued to work with Mila to latch on, I angrily thought about how "beautiful" everyone told me it would be. How I'd be washed over with drug-like oxytocin as I gazed into my baby's big eyes. But this was not the case. It was worse than anything I could have imagined. It was a circus-act of attaching a plastic shield to my boob as I juggled a screaming baby and tried to prop pillows and keep her flailing arms from knocking the shield off. But my knowledge of what was "best" brought me stubbornly back to it, breathing through the pain and hating every second of it.
That afternoon during a particularly painful nursing session, I looked down to find the nipple shield was filled with blood. Freaking out, I quickly checked her mouth to determine the source and then realized that it was actually me that was bleeding. I remember thinking. Dear God, why is this so fucking terrible? How did anybody ever survive before formula was invented? And my heart lurched with equal parts dread and guilt every time anybody would say, "I think she's hungry."
At five o'clock, one of the local La Leche League leaders called me back. We had been playing phone tag since the night before. And while I am usually a very cautious call-screener, I answered the phone on the first ring. The kind woman introduced herself as Joy and listened carefully as I told her about the blood and how much it hurt. She asked questions and suggested resources. She stayed on the phone with me even when I could hear her own children demand her attention on the other side of the line. And then she asked if I'd like her to come over. I almost cried. "Yes, please!"
Joy knocked on my door an hour later, with her littlest one in tow. He was in his pajamas and looked sleepy. So did Joy. I invited her to my room where I had set up camp for my "postpartum recovery" and brought in some toys for her little one to play with while we talked. She asked if I would like for her to watch me feed Mila. It felt weird, this complete stranger, standing in my bedroom and asking me if I wanted her to watch me. I recalled how I said I'd never be that lady who just bares her boobs for all to see. But again, somehow, I didn't care any more. I immediately started undoing my nursing bra.
After observing me fumble around with my feeding routine, Joy mentioned a technique called "laid back breastfeeding." She had me strip Mila down to her diaper, lie back on some pillows, and put Mila on my tummy. Essentially, the goal was for her to wiggle herself up to my breast on her own. I had seen videos of brand new babies doing it straight out of the womb, army crawling up their mom's bodies in search of the breast, and latching right on as if they were professionals. It was nuts. But I'd try anything at that point.
It didn't really work…I had to help Mila get up to my boob (what a lazy little critter, she just laid there like a slug) and I still had to put my nipple in her mouth. But there was something very relaxing about it, even with a complete stranger watching. No one was grabbing my boob and trying to shove it into my baby's mouth. I also noticed something different. When Mila spit the shield out, it was full of milk.
Joy looked at me and said, "I think your milk is coming in."
It was like a Christmas miracle in mid-September. I had totally forgotten about milk because I was so focused on those tiny amounts of colostrum. I felt some serious relief to know that, while my brain was busy being Panicky-Polly, my body went ahead and did what it was supposed to. My boobs went from a dripping faucet to a bursting fountain in a matter of hours. At the very least, I could squirt this stuff into her mouth or pump it out. I didn't care how, my baby was going to eat!
When Wednesday came I was both excited and nervous. It meant we could finally see a lactation consultant again but it also would be the first time leaving the house with Mila. My mom and I drove across town with a "hungry baby" as they instructed us to bring. Like three highways and a lot of traffic, across town. I cried the whole drive there because the radio kept playing songs that reminded me of a friend who had just passed away. Meanwhile, Mila screamed as if her life was over in the backseat and my boobs tingled and hurt in response. The Bluetooth connection between mama's milk ducts and the sound of her baby's cry is ridiculously good technology.
The new lactation consultant welcomed my mom and I into her little office with a bright beaming smile. She invited me to sit in a cushiony chair so she could watch me feed Mila. I unbuttoned my shirt for yet another stranger with front row seats to my topless show. Mila did an ok job of latching. I think she was showing off. But it only worked if I bent my body way over her and held my boob in her mouth, and only if it was on the left side.
After watching me for a bit, the consultant recommended that I continue to use the shield but assured me that I'd be able to wean her off of it eventually. She then weighed Mila as I nervously awaited the verdict. I expected her to immediately grab a can of formula and perform an emergency feed right on the spot.
"Good job mama," she said confidently. "She is well within range of normal weight loss after birth. You are doing great!"
I almost looked behind me to see to whom she was referring. I couldn't believe it.
Sure, we both really sucked at this nursing thing (no pun intended). It was annoying and hurt like hell and I didn't think I'd ever be able to manage it in public, with all the acrobatics that were required. But my baby wasn't going to die of starvation. So I vowed to try to make it to six weeks. Even though I really hated it. Like, a lot.
© 2016 D. Willson
Posted in motherhood
< milk (part 1)
milk (part 3) >
life – in general

redpajama_set_name: RedPajamaCommonCrawl


Your kid's first 3D printer!
A great introductory 3D printer for you or your kids.
Connects to your iPad for easy 3D design transfer.
3 2oz cans of Play-Doh included.
Why buy things from stores when you can print them yourself? The DIY 3D printer revolution is here, friends, and have we got the entry-level 3D printer for you. It's the Play-Doh 3D Printer, and it's loaded with features without a price tag that will set your wallet on fire. Let's take a quick tour, and then you'll want to buy one.
First, some quick assembly (of the snap-together variety) and your Play-Doh 3D Printer is almost ready for action. Add 2 C batteries, plug it into your iPad, and launch the free app: iPlay-Doh 3D. Quickly design all sorts of things on the free app and then send them to your Play-Doh 3D Printer. Add up to 3 different colors (they'll blend like soft serve ice cream) to the top of the Play-Doh 3D Printer and then watch your iPad for directions. The iPlay-Doh 3D app will let you know when the printer is ready for you to start cranking.
There are two different cranks on the Play-Doh 3D Printer: one to drip the Play-Doh down onto the conveyor belt and one to move the conveyor belt back and forth (to make sure the Play-Doh gets in just the right place). Sure, the overall product isn't as sturdy as an expensive 3D printed object, but it will air-harden and can be painted just like one. With the Play-Doh 3D Printer, you'll learn basic CAD skills, bow hunting skills (just kidding), and 3D printing skills. It's time to stop reading and get one now. Go on. Get!
The most economical and fun entry-level 3D printer on the market.
Uses Play-Doh as a print medium, so it's safe for kids and noobies.
Can print in up to 3 colors at once (blending them like soft serve ice cream).
Connects to iPad for easy designing with free iPlay-Doh 3D app.
iPlay-Doh 3D app also lets you share designs with others (and print their designs).
Power: 2 C Batteries and you (it's mostly crank powered).
Includes: Play-Doh 3D Printer with conveyor belt, cranks, and printing head; plastic knife; 3 2oz cans of Play-Doh; and instructions.
Dimensions: approx. 15.5" x 8" x 19"


Van Peperzeel is the main sorting and processing centre of used and discarded batteries in the Netherlands. Millions of batteries are collected and processed at its premises each year from where they are later transported throughout Europe for further handling. Van Peperzeel ensures a safe and responsible collection while it helps maximize used battery recycling. What's more, Van Peperzeel offers consultation to other companies and organizations across the EU in regards to end-of-battery-lifecycle management.
FirePro Benelux delivered a solution based on the specifications required, the container volume and a wellengineered design that permitted the installation and maintenance of the FirePro System and its Units. The system currently protects intermodal containers across Europe against LiB related fire incidents. These Intermodal Container Units are an innovative solution to the endclient and the industry worldwide.
LiBs are growing in appeal for use in military, electric vehicles and aerospace applications. Their growing use however, has brought with it an increase in fire incidents related to current LiB technology. The task therefore, was to design, install and maintain a fast response fire detection and suppression system for the custom-made intermodal means of transportation of used and compromised Lithium-ion batteries. The intermodal fire protection had to be compact, durable and reliable in order to fulfil the application's specific requirements. It should also be designed according to the requirements of BRL-K23001, BRL-K23003 and KIWA declaration of design evaluation P161200382-02 on Lithium-ion Batteries.
The modularity, compactness and autonomy of the system are fundamental factors in the equation. Yet, it is compliance to legislation according to primary research that was the key to this very challenging application. FirePro is currently the only fire suppression technology that possesses a declaration from KIWA, confirming its effectiveness in suppressing LiB related fires. FirePro's technology is also backed by the most respected industry certifications and by a vast experience in industrial applications. All these features enhancements to FirePro's Engineering ingenuity, dedication and trustworthiness to serve and protect clients and industry.
FirePro Benelux delivered a solution based on the specifications required, the container volume and a well-engineered design that permitted the installation and maintenance of the FirePro System and its Units. The system currently protects intermodal containers across Europe against LiB related fire incidents. These Intermodal Container Units are an innovative solution to the end-client and the industry worldwide.


We started with two hectares and so far grew to five hectares. The farm currently produces only Cucumbers (Persian cucumber) for the ethnic markets in the U.S. and Canada. Currently, about 80% of the production is sold only in California.
The investment is required for the expansion of the farm and its activity. Our intention is to increase the farm at about 4 Hectares and to improve the existing technologies in order to optimise and increase our production capacity.
A second purpose is to establish an independent marketing system for the relevant markets.
The planned ROI is about 30 up to 34 months.
There is no classic competition in our target markets. Depending on the supply and demand the price of the product is set daily.
Since we are in the business of basic food products, in fact most of the year the demand exceeds the supply, and even the economic crisis and recession has little significant impact on the business.


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Ewan still stung by Tour of France debut denial
Caleb Ewan at the start of Stage 1 of the 2018 Tour of Britain (Getty)
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Fast man Caleb Ewan is closing his season and a four-year tenure with Mitchelton-Scott at the Tour of Britain this week, still stung from the denial of a publicly promised Tour de France debut.
Sophie Smith
Cycling Central
3 Sep 2018 - 11:31 AM UPDATED 3 Sep 2018 - 11:37 AM
Ewan was in the mix on Stage 1 to Newport, Wales overnight, finishing second to Andre Greipel (Lotto Soudal) in a bunch kick, with Fernando Gaviria (Quick-Step Floors) third.
It was a likely start for the candid Australian, so disappointed he considered throwing away the rest of the season following his shock Tour de France omission, which team management attributed to form and pundits to murky transfer politics.
"The Tour was my motivation for the year and then to miss that, it put me off a little bit," he told Cycling Central before the start of the 174.8km undulating stage from Pembrey County Park.
"I had two options - I either could try and go for more results this year or take the rest of the year, not off but not as seriously. I think it would have been bad for my development, and my career, to really take off the rest of the year, so I still trained hard."
In December, Mitchelton-Scott announced the star sprinter would make his long-awaited Tour debut, which Ewan found out would not be the case just days before the squad was officially announced.
WATCH: In January, Caleb Ewan and Mitchelton-Scott discuss his Tour de France debut
Ewan had three wins to his name in the lead-up management said was not enough to warrant splitting resources with British climber Adam Yates as originally outlined. However, there was heavy speculation a rumoured and now confirmed transfer to Lotto Soudal was the real reason behind the oversight.
Ewan confirms move to Lotto Soudal
Rising star Caleb Ewan has confirmed that he will move to Belgian squad Lotto Soudal for the 2019 and 2020 seasons.
The Milan-San Remo runner-up conceded he hasn't been as prolific this season but also emphasised his consistency that at the Tour of California saw him repeatedly level alongside contemporary Gaviria, who was the reckoning sprint force in France.
"That was also after two months of no racing, so I think my form was coming along quite well.
"If the team told me that I had to be winning in California I would have done my training a little bit differently," Ewan said.
"It's been a disappointing year, but I haven't been too far off the mark. I haven't lost all my confidence or anything like that. I'm excited for next year and being in a team that is going to fully support my sprint ambitions."
Why Mitchelton-Scott loses in Ewan's Tour non-selection
From the moment that Caleb Ewan signed on with GreenEdge back in 2013, it's not been a matter of if the prodigious sprinter would get a start at the Tour de France, but when.
Ewan camp deals with Tour de France backflip
Mitchelton-Scott created a big surprise in the Tour de France squad announcement, leaving out Caleb Ewan after the young sprinter had previously been assured of a spot on the team.
Lotto Soudal first expressed interest in Ewan in 2016 but he opted to extend at an incarnation of Mitchelton-Scott. Two years later the Giro d'Italia and Vuelta a Espana stage winner couldn't say no.
"With the team [Mitchelton-Scott] going more GC and Lotto being more a sprint and classics team, it was an easy decision in the end," he said.
The 24-year-old will replace Greipel as Lotto Soudal's marquee sprinter from 2019, with teammate Roger Kluge also moving across. Greipel will embark on a solo move to Fortuneo-Samsic, with the German's long-time lead-out man, Marcel Sieberg bound for Bahrain Merida.
"It's good that I can take someone from my current train with me, someone that knows me well," Ewan said of Kluge. "It's going to be starting from scratch again next year with a new lead-out so to have someone come with me is a bit of a benefit and a bit of a head start I guess.
"I think they [Lotto Soudal] realised Andre was kind of coming toward the end of his career and they wanted someone coming through. I think I was probably one of the only sprinters on the market this year, one of the younger sprinters on the market, and they had an interest in me."
In the immediate future is the Tour of Britain. Ewan won three stages here last season and hopes to finish this week, his season and chapter with Mitchelton-Scott in a similar style.
"I was looking at the profiles and it's a bit more difficult than last year. There is always a climb right near the end, or a climb at the end. I think I'm going to have some pretty good form to repeat what I did last year," he said.
Greipel claims Tour of Britain opener over sprint rivals
Andre Greipel claimed Stage 1 of the Tour of Britain switching the dial from a taxing Oasis rock tune playing on his mind to a trumpeted beat.
King crowned again as Yates pulls on red
A dogged Ben King spent the entire day in the break before a solo move earned him a second stage win of the 2018 Vuelta a España as Simon Yates paced himself into the race lead.
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Your local police force could download everything from your phone without your consent
(In order to click the hyperlinks in the explainer below, please download the pdf version at the bottom of the page).
Content type: Press release
New report reveals that the UK police are secretly downloading content from suspects' mobile phones on a massive scale
Key points: Privacy International have today published a report entitled 'Digital Stop and search: how the UK police can secretly download everything from your mobile phone', based on Freedom of Information requests to 47 police forces across the UK about their use of 'mobile phone extraction' technologies, which enable them to download all the content and data from a mobile phone. Police forces across the UK are secretly downloading data from the smartphones of people across the UK,…
How our smartphones became the new frontier for police stop and search
This op-ed originally appeared in the New Statesman. Imagine the police searching your home without good reason, without a warrant, without your knowledge. For good measure let's also imagine that they take a full inventory of all of your possessions and store this in a secret database indefinitely. A peculiar feature of modernity is that what we would find dystopian in the real world is banal in our virtual world. And the irony is that this can be a greater violation of our privacy and…
Ghosts in Your Machine: Spooks Want Secret Access to Encrypted Messages
Privacy International has joined a global coalition of privacy campaigners, tech companies, and technology experts to respond to proposals by British intelligence chiefs aimed at allowing them access to encrypted messaging apps such as WhatsApp or Signal. If implemented, the proposals would allow government authorities to force messaging platforms to silently add a law enforcement participant to a group chat or call. Such a capability poses serious threats to cybersecurity and fundamental…


MARK SCHULTZ "Letters From War"
What a data of un-ambiguity and preserveness of precious knowledge on the topic of unpredicted feelings.
What i don't realize is actually how you are not really much more well-liked than you may be now. You're so intelligent. You realize thus considerably relating to this subject, made me personally consider it from a lot of varied angles. Its like men and women aren't fascinated unless it is one thing to accomplish with Lady gaga! Your own stuffs nice. Always maintain it up!


text:
Egypt jails 15 football fans
Egypt to try 16 over football stadium deaths
Three dead as police, Cairo football fans clash
Pirates look to beat Zamalek away
Cairo - A court in Egypt on Monday jailed 15 hard core football fans known as "ultras" for trying to kill the chair of the popular Cairo-based Zamalek club, an official said.
"Ultras", who were at the forefront of the 2011 uprising against ex-president Hosni Mubarak, had already been banned as a group since May 2015 after another court found them guilty of taking part in violence.
Since February 2012 the authorities have banned all spectators from football matches in stadiums, as whenever some games were opened to the public they were marred by crowd violence, sometimes deadly.
On Monday, a court sentenced 11 Ultras White Knights, diehard Zamalek supporters, to one year for "planning, participating and attempting to murder Mourtada Mansour", chair of the club, in August 2014, the official said.
They were also found guilty of possessing weapons and fireworks.
The prosecution said the defendants attacked Mansour at the club's gate, and during the assault a security guard and a journalist were wounded by birdshot.
The attack came after Mansour banned Ultras White Knights from Zamalek training sessions, the court official and a defence lawyer said.
Four other defendants were also each sentenced to one year for the raid on the club, during which club property was also damaged.
Last May, a court banned all activities by the Ultras after a case filed by Mansour, who had openly opposed Mubarak's overthrow but backed the army's ousting in 2013 of his Islamist successor Mohamed Morsi.
Lawyer Osama al-Gohari, representing 10 defendants in the trial, said 12 of the 15 were in court for sentencing. He also said he planned to appeal.
Monday's judgment came following a retrial of the 15 after they were earlier sentenced in absentia to five years in prison.
Read more on: zamalek | egypt | north africa | football
Polokwane Jobs


The fairgrounds are located south of the South Park Recreation Center and are home of the Park County Fair.
We have 2 arenas, a barn, and a large building equipped with a kitchen that is used for classes and meetings, as well as large events.
Please contact us if you are interested in renting this facility.


WP 16/2012; Considering the Italian healthcare system, the present study analyzes the aspects that might affect the efficiency of Italian hospitals. In this work, the authors analyze what influences a specific definition of efficiency, which is calculated maximizing healthcare production but minimizing potential financial losses. In other words, this work considers efficient each hospital which is able to maximize the production of medical treatments while complying, at the same time, with budget constraints. Hence, the results of this paper are two-fold: from the organizational point of view and from the technical one.


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It is simple but important to learn how to clean fused glass.
You have spent a lot of time preparing and cutting your pieces for a particular project.
Don't allow something as simple as cleaning your glass thoroughly to ruin that master piece.
Any impurities such as cutting oil, grit, and fingerprints can destroy an incredible project.
Reading some of the technical tips on the Bullseye site will worry and shock you about cleaning glass prior to firing.
According to this site, just about anything your might have thought would be good to clean glass can actually promote devitrification.
If using other window cleaners, they suggest that the product be tested on transparent and opalescent glass to see if the cleaner will cause devitrification.
The Spartan window cleaner contains isopropanol, acetic acid, and water.
A quart bottle of Spartan makes 5 gallons of cleaner.
You can call Spartan to find out a distributor in your area.
Their phone number is 1-800-537-8990. For more information about this product, see Spartan.
Home Depot sells a brand named Zep for tinted windows.
Be sure to purchase the one that is labeled for tinted windows.
It is said that this product is very similar to Spartan.
This product is greatly recommended by glass fusers.
So what do successful fusers use on a daily basis?
A lot of individuals use Glass Plus because it has no alcohol. They don't suggest using Windex.
It has a tendency to leave streaks after firing.
Some fusers use Dawn detergent and spritz with some alcohol.
Others prefer diluted white vinegar, while some others use a mixture of even amounts of Mr. Clean and water.
When using tap water be careful.
Some tap water can contain minerals that might cause problems.
It is suggested that distilled water is used to rinse glass.
The most crucial period of the glass cleaning procedure is where your drying towel is just a little moist.
As you are drying during this phase is where you can remove the last tiny deposits.
Don't stop drying until all the moisture has vanished.
Hopefully these suggestions on how to clean fused glass will help to make your projects victorious.
Check out the recommended products for successful glass cleaning.


Report: december 5, 2018. observation began at approximately 11:00pm. i noticed looking out the backyard facing window of our home what appeared at first impression to be a bright star or planet. while observing the bright object i noticed it appeared to change luminance differently than the shimmer of normal star shine atmospheric effects and seemed to be wobbly moving in small increments and at times the light from it went out completely (could not be seen) then would come on again. intrigued i went outside to get a better look to ensure what i was seeing wasn't the effect of a bright star or planet simply shimmering and being covered up by tree branches in the wind to make it appear as if it was moving and obscuring the light from time to time. i went outside and noticed it was still and quite quiet. i took a video of object 1 (obj1) (125 degrees se at an elevation of 12.9 degrees) on my phone and tried to keep very still - it did to me appear the object was moving around in small increments around the same area of sky and the light disappearing on its own rather than the result of branches. the light also appeared to change colour. i went back in the house. and observed it again from the window. my dog came downstairs and started to bark. i then witnessed a second light/object — obj2 which moved close to obj 1 and appear to interact. i ran outside and quickly shot the video showing the two lights/objects interacting (best viewed in slow motion where both objects light up, then go dark (disappear), then light up again changing position relative to one another in the night sky. obj2 momentarily moves up in altitude at an angle from obj1 they both move up slightly and then obj2 makes what appears to be a momentarily large jump in altitude from obj1. obj2 then reappears almost parallel to obj1 and then heads southward (174 degrees towards the south from my vantage) at a decreasing altitude disappearing momentarily as the light passed behind a hydro pole in our lane way and a tree in our neighbour's yard, reappearing after passing behind these objects that temporarily obstructed view of obj2 as obj 2 lowered in altitude (9.1 degrees) and disappeared behind my neighbour's garage roof. i should note that there is no airport in winnipeg or surrounding area in that direction and that my home is on an often used flight path but aircraft make sound (and with these objects there was no aircraft sounds despite the cold and silence of the night). and that that flightpath would be to winnipeg international airport and aircraft would go directly over our home (or close by) and at much lower altitudes and proximity. aircraft also have landing lights and navigation lights and neither had flashing anti-collision beacons. these objects emitted a single light and these changes in luminance and went out entirely at times.


Union Government has decided to organise National School Games in a big way at four to five venues in the country every year. The objective is to ensure proper promotion and development of various games at the school level with the twin objectives of early identification of talent and ensuring physical fitness of children.
For the purpose of efficient organisation of the National School Games, the Department of Sports is joining hands with the School Games Federation of India (SGFI) for conduct of the games and with the selected state governments for infrastructure.
It is expected that participation of large number of children in the proposed National School Games from various parts of the country will not only contribute to the objective of sports promotion but also national unity and harmony.
A beginning in this regard is being made by supporting these games in the state of Kerala- where they are proposed to be held in Jan 2016. A request received in this regard from Govt of Kerala to be host of these games has been accepted.


text:
featured Poverty
Welfare recipients take NS Human Rights Commission to court
By RobertDevet - December 13, 2016
KJIPUKTUK (Halifax) – A complaint by a group of welfare recipients who live with disabilities and require special diets is going to court this Thursday. Their special needs allowances have not kept up with ever rising costs, they say, and they want to force the Nova Scotia Human Rights Commission to conduct a tribunal.
The group is joined by the North End Community Health Centre. Arguing on their behalf is Vince Calderhead, senior staff lawyer at Nova Scotia Legal Aid.
The complaint is not directed at Community Services, the department that pays for special diets. It targets the Nova Scotia Human Rights Commission (NSHRC).
The group want a judge to order the Nova Scotia Human Rights Commission to hold a board of inquiry to look into charges that Community Services discriminates against them.
The Human Rights Commission counters that a tribunal is not warranted.
Photo Robert Devet
Special needs recipients say they're discriminated against
Special needs allowances are provided by the Department of Community Services to help people pay for special diets, among other things.
The five people who are lodging complaints have different dietary needs, but they all live with physical disabilities.
Their submission to the court states that from 1996 to the present, the Province has increased the personal allowance for adults by 77%, (from $144 to $255 per month).
Yet during the same time period special needs allowances did not increase at all, despite increases in the cost of special diets.
That's not fair to people with disabilities, and what's more, it's discriminatory, the group says.
Many people think it's also shameful, and terrible, and all that. But this is a legal case, and emotional arguments seldom sway a judge.
This Thursday's case
The core of Thursday's issue is for the judge to decide whether the NSHRC board of directors were justified in saying no to a Board of Inquiry.
What complicates the matter is that the letter from the NSHRC announcing its decision suggested that no board of inquiry was called because there was nothing that contravened the Human Rights Act.
That reason directly contradicts the recommendation of the NSHRC's very own investigator.
It's the investigator who looks at the evidence, and at submissions by all affected parties. Then he or she makes a recommendation to the Board of Directors of the NSHRC whether to proceed.The Board of Directors are the folks who make the final decision.
In this case the investigator thought the case had merit, and recommended that the NSHRC hold a board of inquiry.
Well, that may be so, but there were lots of other reasons we considered in rejecting a tribunal, counters the NSHRC, without further clarifying what these other reasons were.
Why it matters for people who receive special diets
What the judge decides is potentially very important for people on welfare who get a special diet allowance.
If the case proceeds to a tribunal, and if that tribunal decides that discrimination plays a part, then Community Services will likely have to raise these allowances, possibly by up to 77%.
That's a lot of ifs. And the government can appeal any of these decisions. But it could happen.
Similar cases in Ontario found that province to have been acting in a discriminatory manner in the way it dealt with special diet allowances. In some cases people who had been subjected to discrimination were even entitled to retroactive benefits.
The Nova Scotia Advocate will keep you posted.
If you can, please support the Nova Scotia Advocate so that it can continue to cover issues such as poverty, racism, exclusion, workers' rights and the environment in Nova Scotia.
Tags: #Community Services #Nova Scotia Human Rights Commission #NSHRC #Special Needs #Welfare
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Veronica Mays began quilting in 2004, and got serious quilt fever in 2015. She is based in Portsmouth, RI and works to preserve African-American heritage and history, as well as her family's history, through her quilts. She received a Project Grant for Individuals last year to create quilts celebrating African American history, as well as demonstrations, classes, and public showings of these pieces.
We asked her a few questions about her life and art making in Rhode Island for our new series, Rhode Island Cultural Anchors.
RISCA: Give us a brief overview of your day yesterday – what did you do in both your personal and professional life.
VM: Yesterday I went to church, then entertained my Aunt Marsha who is visiting from California – I took her out for a lobster roll. After that, I prepared lessons for my week as an English teacher and got my clothes, lunches and thoughts together. I took a long leisurely nap, which I regretted because I woke up at four in the morning – tossing and turning for an hour. I woke up and cooked three nights worth of dinner – baked chicken wings, steak and onions, a big pot of yellow eyed-beans, oven fries, broccoli, and fried monk fish. When I was done with these obligations, I returned to the love of my art life – quilting. I prepped three quilted post cards, created a Barack Obama quilt pattern, and continued to spread material all over the living room, two bedrooms, and the dining room table.
VM: I was born and raised in Newport in 1961. I have lived in three far away places – Long Beach, California, Fairbanks, Alaska, and Naples, Italy – but I always return home.
RISCA: What are you the most excited about right now in your art practice?
VM: When it comes to quilting I am like a kid in a candy store! This year I learned several new (to me) techniques including multi-media collage, fabric painting, quilted post cards, bottles and blooms, and accidental landscapes. However, the quilted post cards have taken on a life of their own.
RISCA: What is the biggest challenge for you in your art life?
VM: The biggest challenge is having to put my supplies away so that my family can have the space to use for its original intended purpose! This creates a wrinkle in my fluidity.
RISCA:What Rhode Island artists and/or arts organizations most inspire you and why?
VM: I am inspired by URI Professor Robert Dilworth. He is an art professor, painter, and has recently become an incredible quilter. In addition, I love two organizations I am a part of: Quilter's By the Sea and Studio Art Quilt Associates (SAQA). Both of these organizations expose me to artists and techniques that enhance my skills and creativity.
See more of Veronica's work on facebook or instagram, and catch her at the Broadway Street Fair in Newport on October 6th.
Eric Bennett is a Providence based writer and Associate Professor of English at Providence College. He is this year's fiction fellowship recipient, for his novel Make Yourself Decent.
We asked him a few questions about his life and art making in Rhode Island for our new series, Rhode Island Cultural Anchors.
EB: After dinner I polished a 250-word endorsement of Ralph Ellison's Invisible Man for the student newspaper at Providence College; googled clips of the Chinese internet celebrity HoneyCC; read about Meitu apps that transform Shanghai selfies into universal fantasies of perfection and drive the booming business in plastic surgery in Chengdu; kept trying to record a MIDI part for "Broke My Heart on You" for the forthcoming Hopper album, Hopperesque; and typed up some notes on William F. Buckley's God and Man at Yale.
RISCA: What Rhode Island artist or arts organization most inspires you?
EB: The painter Todd Ingham, now in exile in Oregon City, was an undervalued civic marvel throughout the years he roved the streets sorting plastic, gluing memory boards, painting the beauty in defunct bridges and saggy wires, and postulating how the divine delight of numbers, coursing invisibly all around us, structured reality, including the street plan of Elmwood.
EB: On Monday and Thursday nights you can walk from your apartment in the West End to band practice at the Wurks. On Tuesday night you can walk an even shorter distance to your writing group, comprised of brilliant, serious writers, meeting just off Dexter Field. On Wednesday night you can drive down to Cranston and drink a beer with Andy Davis at subModern Studios as he runs punk vocals through a wurlitzer and humors your affection for Bob Seger's "Fire Lake." On Friday, at Ada Books (also a short walk) you can browse comics drawn by locals, then head over to an opening at RISD or a play at The Players on Benefit Street. On Saturday afternoon you can chat with Mike Samos at Empire Guitar about what the band Geraldine's up to. Do I sound like a promotional magazine? Who cares? This place is the best!
You can read more about Eric at ericbennett.org, and catch him at Writers Night during the Fellowship Exhibition at the Warwick Center for the Arts in March 2019!
The Rhode Island State Council on the Arts (RISCA) is pleased to present works by artist Kate Wilson on exhibit through September 18, 2018 at the Block Island Airport Gallery. The Block Island Airport Gallery presents the work of contemporary Rhode Island artists in quarterly exhibitions.
Kate Wilson is a fine artist who blends photography and graphic design to transform reality by elevating ordinary objects into fine art on a grand scale. Each artwork has a love note or positive word, hidden within to ignite wonder & curiosity.
Graduating from Skidmore with a BS in Education & Liberal Studies, studio art concentration, Wilson has taught both elementary school and studio art. She furthered her studies in the RISD CE graphic design program, and taught herself the art and craft of photography. She has run her own graphic design and photography business before devoting herself full-time to fine art. Exhibiting widely throughout the New England region, Kate is represented by Candita Clayton Gallery in Pawtucket and Atelier Newport.
Exhibitors for the Block Island Airport Gallery were selected by juror Lisa Robb, Block Island's public schools arts educator.
The Block Island Airport Gallery, a partnership between the Rhode Island Council on the Arts and the Rhode Island Airport Corporation, promotes outstanding work by artists living and working in Rhode Island. The gallery will present art to an ever-changing audience of local, national and international travelers.
About RISCA: The Rhode Island State Council on the Arts is a state agency supported by appropriations from the Rhode Island General Assembly and grants from the National Endowment for the Arts, a federal agency. RISCA provides grants, technical assistance and staff support to arts organizations and artists, schools, community centers, social service organizations and local governments to bring the arts into the lives of Rhode Islanders.
The Rhode Island Airport Corporation operates T.F. Green Airport, the Block Island Airport and four other general aviation airports in Rhode Island. A long-time supporter of public art in Rhode Island, the Rhode Island Airport Corporation has worked with the Rhode Island State Council on the Arts on a number ofpublic art commissions.
Droppin' Knowledge: If the truth is told, the youth can grow.
The African-American proverb 'each one teach one' reflects a time in history when slaves in America were prohibited from learning how to read, do math, or anything that resembled gaining an education. It reflects the responsibility for every person to pass on the knowledge by teaching someone else. A local nonprofit, Pushed Learning and Media, has taken this proverb to heart- they visit middle schools, high schools, and universities, using a hip hop based curriculum to "promote critical thinking on the complexities of privilege, identity, and oppression," and producing short documentaries and social justice based curriculum. Founded in 2016 by three friends, Eric Axelman, Oliver 'SydeSho' Arias, and Nikolos Gonzales, they came together as artists and educators to develop a bicultural and multiracial teaching cohort model. I had the opportunity to sit down with Eric and Oliver to talk about their organization, the evolution of their own racial biases, and their goals for the future of Pushed Learning and Media. Note: interview edited for length.
Precious: Thank you guys for taking the time to sit with me, much appreciated. Ok, let's get started! Tell me about yourselves.
Oliver: I'm Oliver Arias, my artist name is 'SydeSho', I am the Program Director of Pushed Learning and Media.
Eric: Indeed! I'm Eric, Executive Director and co-founder of Pushed, SydeSho and I brought it together in 2016 and I'm also a hip hop artist – I rap; but these days I do a lot of film making as well, about half hip hop anti-racist work and half film making. It's all anti-racist work, but right now the film making is on a variety of topics. So, right now the major film we're working on is about the American-Jewish relationship to Israel/Palestine.
Oliver: A major part of the organization itself uses hip-hop culture as a vehicle or tool to open the conversation with youth, teachers and/or organizations about race, racial inequality, and social injustice – just about everything that's going on in the country and what's happening in local areas. So, specifically with Providence, we talk about the demographics and how now it's predominantly a city of color but also touching on the fact that over 90% of the kids in the Providence public school system are of color but about 70% of the teachers are white. The racial disparity in the Providence school system and having the ability to have these conversations with teachers and students about instances people of color face every day is what we want to bring forth with our work but these conversations never happen; so, we use hip hop culture to engage in these dialogues, using relevant artists to talk about these topics.
Engaging students with a difficult yet all too common issue for people of color with instances of just 'sitting while being a person of color', 'walking while being a person of color' and 'driving while being a person of color' are everyday occurrences people of color will face. The reality of the matter is people of color will forever endure microaggressions and racial biases no matter how successful, well dressed, and/or educated.
Eric: You know, racism is kind of like the elephant in the room in all educational settings and all our educational settings are either majority students of color with white teachers or just all white students and white teachers. So, we basically have this system where white people are in control of the educational systems and then just never talk about it or the racial dynamics. In Rhode Island, you know, most of our work is with students of color but we also work with schools that are predominantly white. There are a couple of pockets in Rhode Island where the schools are relatively balanced but they're the exception to the rule, and the rule is its basically all students of color or all white kids.
Precious: How have your own experiences prepared you or not prepared you for the racial disparities you see in your community and the world?
Eric: I was told a story by a white RI principal, as a kid he was caught doing graffiti once, the cop asked me where he was from and instantly *snaps fingers* he was let go. It was like he told him what school he went to and immediately he was let go. And, as a white person, I can name many examples from my own life where I've broken the law, not in huge ways, but clearly broken the law and cops have noticed me breaking the law and have done nothing. I think about how intensely segregated Newport and Providence are, and what we do is use the unbelievably obvious nature of segregation in American society as a jumping off point to talk about the larger impacts psychologically and structurally of how racism operates. And I think segregation really underpins a lot on how it operates because we are so physically separated, the great majority. I grew up in rural Maine, so both physically separated on a large scale and then also in our individual cities, so again, you can grow up in rural Maine and never interact with a person of color and you can be in Newport in a city that is fairly diverse and never interact with a person of color. It took me a long time to process how very racist the area of Maine I grew up in is and if a person of color would walk by in my town, the stares would be so shocking. Our white neighborhoods in the inner cities can also be racist just as the rural areas, they might be more liberal and progressive on things but they're just as racist and ignorant of the lives of other people since they're not interacting with them in the same way.
Oliver: When I'm on the east side.. *pauses* when I'm walking you can feel it; and that's the thing about racial tension, it's something you can't point out on paper or really pinpoint but people of color know that feeling all too well.
Precious: Of the schools you've visited in Rhode Island and the New England area, from predominantly minority public schools to predominantly white private charter and/or academy schools, do you see there is a lack of cultural competence between the students and teachers?
Oliver: It's interesting because a lot of the teachers that work in Providence are predominantly white but they also don't come from here. I can safely say they are not immersed in the culture or understand the situation of the kids and where they're coming from. There are situations where [students are] mostly kids of color and the teachers are white, I still feel like there isn't any cultural exchange where they're learning from each other; because they're just there to sit in a room and learn about an academic subject. There are no talks about how they grew up, a child expressing their situation at home, and of course we don't want to get into a student's private life but also, we want to break down those barriers. I think when a person of color can express their experience it can open sympathy or empathy for the individual and there's more of an understanding as to why he/she is acting out or misbehaving.
Eric: You know…Every person of color must deal with, in most cases of their life, being the only person of color in the room whereas a white person can live their entire lives and never have to be the only white person in the room.
Oliver: A person of color can almost never escape having to interact with a person who is white versus a person who is white can find a situation where they don't have to interact with a person/people of color.
Eric: And sometimes even when the white person does go into those situations its often as a position of authority and even myself dealing with my own internalize racism and things I've done is a difficult thing. One of the first teaching gigs I got was I had just graduated from college, so I was very qualified being a college grad *sarcasm* and was hired by an inner-city arts program and it was my first time working with students of color – I should not have been hired. I didn't know how to interact with the kids, they thought I was this random white dude coming in. My first interaction with them was as an authority figure, it was a five-week program and I did not do a good job, I failed those kids. But often again white people including myself come in and take positions of authority with very little knowledge of the context and it doesn't serve the kids or the teacher. I mean I also think that white people can obviously do a good job and can interact with people of color BUT if you don't have that cultural context then you're just a white authority figure and it's not good for you or for them and you're just going to be living a stereotype to a certain extent.
When it comes to teachers, particularly white teachers in predominantly minority schools, I believe having a level of cultural competency is imperative to an overall multicultural learning experience. The ability to have awareness of your own cultural identity and views about difference, and the capacity to learn and build on the varying cultural and community norms of students and their families can help close the gap in education where cultural diversity receives scant attention. While some if not many students may remain in their homogenized communities through higher education and adulthood, teachers still have a responsibility not just to themselves but to their students as well to introduce multicultural curriculum that's inclusive about 'the other'.
Precious: How do schools reach out to Pushed Media and Learning? Are schools reaching out to you because they're having an issue with these topics amongst the students?
Oliver: When we first started this work, you know and with every organization you must put the work in yourself and get out there. We'd done a few other schools which had given us our first opportunities, we made sure to document our time and experience with the students from past schools and from that they were really impressed with our approach, the way we interacted with the kids and of course our hip hop opening that really drew them into our presentation. Some schools have reached out to us and let us know what topics they'd like us to touch upon, like cultural appropriation and police brutality. Some schools are just more general, they just love our open discussion with the students. At this point, we've gotten a network of schools from private and boarding schools who want us to come out and have these conversation with their students. We also wanted to bring these conversations to cities like Providence with kids of color, Eric and I have totally different experiences and what's great is that we're able to come to a middle ground and talk about our experiences so openly and realize these instances happen all the time.
Eric: When we work with kids of color we are confirming this stuff is real and having outsiders confirming that is a positive thing and it's not my place to tell people how messed up the world is and it's a painful thing. I realize I'm a white dude telling you this and I'm so sorry this is how the world is but at least I can be open and honest and confirm what you already know. And often, we, as white people, we don't really want to deal with the repercussions of racism and that's because we don't have to and I think it is positive to have white people be very real and honest.
Precious: So, what does the future hold for Pushed Learning and Media?
Oliver: We will continue to do the work with schools that we've been building relationships with, including expanding to Boston Public Schools, to just spread our message as much as possible throughout the country and if there's an opportunity to go international, that would be cool. Obviously, we want the organization to grow. We want to have a broader staff, people that come from different backgrounds and perspectives that have different stories to tell. We're giving the male perspective and there've been times where we've gotten called out by women because we don't understand what it's like. My whole goal with Pushed Learning and Media is specifically educate kids of color on the actual adversities they'll face. My main goal is to educate them on American history and the way it plays a role in structural racism in America.
Eric: This is the first time we're getting invitations from colleges and universities to share our curriculum, so that's really cool for us. Unfortunately, we are still part time and it'll take a while before we can be full time with Pushed Learning and Media, and we're currently working on a nonprofit status for the organization. We really try to challenge kids to think about what their racist perceptions are of other people, even if you have good intentions they ultimately grow up in a place that's racist, I grew up in a place that was ultimately racist. Often its painful for people to have to deal with their own internalized racism even if you don't mean to be racist you're going to have racist thoughts.
Rebecca 'Becci' Davis, an interdisciplinary artist originally from Columbus, Georgia now residing in Wakefield, Rhode Island, has established herself as an artist who has created work she believes should be received universally, pieces that on some level could be understood by everyone. While attending Lesley University College of Art and Design in Cambridge, Massachusetts pursuing her MFA, she began thinking about her practices and goals she set in place, creating and talking about artwork that was very personal to her was a way to reach the masses. "It was something that happened very naturally, not on purpose…I was still making the same kind of work but I wanted to put more personal narratives in my work." I think it should go without saying, when an artist creates a body of work it's developed with a personalized aspect coming from within, drawing you into their personal narrative to better understand their work and who they are as an individual artist.
In 2017, Becci created a video, "Isaiah's Inventory (Fog Follows Rains)", one of the pieces she submitted that resulted in the 2018 RISCA Fellowship in New Genres. This piece details the inventory and appraisement of the estate of Isaiah Parker from Harris County, Georgia. Isaiah Parker was the slave owner of Becci's ancestors. This video was a depiction of how the value of life could be broken down to a simple dollar amount. Having value in one's family history can come with great pride and reverence. However, as Becci recites the name, race, and monetary value of each slave on the Parker Plantation, it is a feeling of worthlessness. Keeping true to the times, as the video progresses, take notice of the objects used in this piece such as the fountain pen with black ink on cotton rag paper, the unwritten names of the slaves along with their prices is very telling of the erasure and disregard of human life that can be so easily purchased and then forgotten about like an inanimate object.
Death Becomes Her. The Intimacies of Death. Death is Healing.
Kat's interest with becoming intimate with death and a celebration of those who've passed on connects with her culture and heritage, especially Dia de Los Muertos – a Mexican holiday which focuses on the remembrance of family and friends who've died and to help support their journey to the afterlife. She believes it's important to engage with death because it is an inevitable thing, "I'm very interested in flushing out what exactly death is and one of the main things I say is, I want people to be intimate with death. Lots of us are afraid of it and some are not. I'm not at peace with it but I think in creating work around it and asking people to kind of think about it, I am seeking to find a way to be at peace with death. My artwork is an exploration of healing." Kat will be graduating from Brown University in May of 2019 and her hopes are to work in community-based art practices that look at art more of a healing practice than any business element.
Project: Allison Newsome will create an aesthetically pleasing and functional garden sculpture for Mrs. Perry's Garden in Bristol's Thomas Park at Silver Creek. It addresses a critical need for water in gardens not served by any municipal source. The rain harvesting sculpture will stimulate and enhance a wide range of educational opportunities for children and adults in the community.
Exploring the purpose and function of the rain harvester will complement the learning of sustainability, conservation practices, and environmental science and climate topics for adults and children. As a focal point to raise public awareness, the rain harvester will be integrated into the Bristol Parks and Recreation Department's rain barrel campaign. This program is aimed at developing understanding and encouraging the use of rain barrel technology for water conservation and environmental improvement.
About the Organization: The Bristol Garden Club is an educational and charitable organization promoting knowledge of gardening and flower arranging, protection of the environment and encouragement of civic planting as well as charitable activities that further these objectives.
Artist Bio: Diane's professional artwork is inspired by the environmental concept that the more disorganized, over grown and rambling "nature" appears, the more life it can sustain. Her studio practice explores animal typologies, layering and pattern blocking to contemplate buoyancy, fecundity and collapse. She uses multi-media to make her work including paint, silkscreen printing, digital printed fabric and found textiles.
Diane has over twenty years of experience in undergraduate education. She has taught art classes at Brown University, Rhode Island School of Design and Leslie University of Art and Design and others. Diane loves teaching drawing, painting, digital collage and more.


The father of New Flamenco music is all set to hit the stage in your city. With a host of concerts lined up, Jesse Cook is touring Houston, Dallas, Colorado and many other destinations this March. So it is almost time to rush and buy Jesse Cook tickets right away.
Jesse Cook, although of Canadian origin, spent much of his early years in France and Spain. He developed an inclination for the guitar from a young age and being in Spanish proximity he got familiarized with the Flamenco style of music. His multi cultural background and upbringing reflects considerably in the variation that he brings to his music. His work is a blend of jazz, Flamenco and World Music, which makes it a treat for listeners from various nationalities. His father was a famous filmmaker and so entering the field of media was not something new. Guitar lessons at a young age coupled with familiarity with the lead singer of the Gypsy Kings, Cook's style of music began to take shape. Later as his parents separated he began to live more of an international life. He would spend time with his father in France or Spain where he accustomed himself to the style of music prevalent in these countries. Apart from that he mainly resided in Canada with his mother where he continued to learn the guitar.
The 1995 Catalina Jazz Festival was a turning point in his life. His debut album "Tempest" had been released only a month earlier and he was supposed to perform in the break during the Festival. However, his short performance received unprecedented applause and so he was later called to perform on stage for the main event. From then onwards it was an uphill journey for Cook. He had the chance for opening up shows for singers such as B.B King and Ray Charles.
What sets him apart specifically is his inclination towards diversity which reflects in his music a great deal. In his career he has toured several countries to increase his musical diversity. He has recorded songs with a host of diverse artists. These include Flora Purim from Brazil, Alex Cuba from Cuba, Djivan Gasperyan from Armenia and many others. His work has had the honor of being played at The Olympic Games as well.
He has eight recorded studio albums to his credit along with three live DVDs. His album 'Free Fall' won the JUNO Award in 2001 for Best Instrumental album. He has also won the Canadian Smooth Jazz Award in the category of 'Guitarist of the Year' three times. His album "The Rumba Foundation" went up on number one for ITunes Canada. His album "Free Fall" was certified Platinum in Canada. His live performances undoubtedly remain his forte. Through these he is able to captivate large crowds and give out some of the most melodious and sweet sounding music. As his national and international touring continues, his fan base is growing extensively. This is a chance for all his followers to catch his electrifying performances. Buy your Jesse Cook tickets to enjoy a night of quality soothing music.
His latest album "Blue Guitar Sessions" is a step away from his traditional style of doing music. Like most of his albums, it has met with considerable commercial success but what sets it apart is the experimentation that Cook has done. He ventures into adding soft blues an atmospheric instrumental pop. For most of his albums, he has composed the songs himself but in many of his albums musicians vary by track. "Frontiers" was the one album for which he wrote all the songs himself. This album Cook describes was inspired by the birth of his son and his family's temporary relocation to Spain. Some of his most famous melodies include "Santa Maria", "Tuesday's Child" and "Orbit".
Today it has almost been seventeen years since the first time Cook stepped on stage; however, the energy that he exudes remains afresh. His international exposure is what sets his music apart from most contemporary artists. An exotic blend of historical Andalusia and Spanish melodies mixed with the electrifying Western guitars produces some of the most exquisite melodies in current time Flamenco music. For him music is not going about the rules but it is about experimentation and mixing. He even recalls times from his childhood when he would not concentrate on practicing what he had been taught rather he would simply sit and play whatever he wanted to. It is perhaps this rebellious streak that helped nurture the musical genius in him.
The average Jesse Cook tickets price will cost you between $159 and $344, if you are looking for the cheapest seats then catch the event being held at the Saban Theatre, Beverly Hills on 14/11/2019. The average ticket will cost you the highest on 15/11/2019 at the Tower Theatre - Fresno, Fresno.
Minimum get in price is for Jesse Cook tickets is $40 for the event being held at the Academy of Music Theatre - MA, Northampton on 17/10/2019 , there are some venues that have a much higher get in price, for instance the cheapest seats at the Tower Theatre - Fresno, Fresno on 15/11/2019 will set you back $251.


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text:
Motoarena Toruń im. Mariana Rosego is a multi-use stadium in Toruń, Poland.  It is currently used mostly for motorcycle speedway matches and it is used for car racing and concerts and it is the home stadium of KST Unibax Toruń in the Speedway Ekstraliga. The stadium has a capacity of 15,500 people and was opened on 3 May 2009. It is named after Marian Rose, former speedway rider from Toruń.

The speedway track is  long.

Hosted

International
 Speedway Grand Prix: 2010 (until 2016)
 European Speedway Club Champions' Cup: 2009 Final

Polish Championships
 Individual Speedway Polish Championship Final: 2009
 Polish Pairs Speedway Championship Final: 2010
 Speedway Ekstraliga Final: 2009
 Team Speedway Junior Polish Championship Final: 2009

Musical Events
 2010: José Carreras
 2011: Rod Stewart

See also
 Speedway in Poland
 Marian Rose Stadium

Speedway venues in Poland
Sports venues in Kuyavian-Pomeranian Voivodeship
Buildings and structures in Toruń
Sport in Toruń

redpajama_set_name: RedPajamaWikipedia


With the internet, cashless payments, instant messaging (WeChat), a growing middle class, and a younger Chinese consumer population, another Chinese revolution has come upon us.
This revolution however, is not spurred on by industrial companies, but rather the Chinese consumer, who seeks better-quality, homemade, foreign and personalised products. This consumer revolution is what now allows foreign small and medium-sized businesses (SMEs) and home businesses to enter the second largest market in the world.
I recently attended an SME convention in New York where I was approached by a group of American homemakers who made and sold chocolate fudge. They told me that over half their sales are coming from Chinese consumers. I heard similar stories from a wildlife artist and painter, a woman who made quilts and blankets, and an Oregon fisherman who crafted fly-fishing rods.
But small businesses often lack the expertise, experience, and money to export to China. How do we even start the process? What products should we sell? Do I need to speak Chinese? These are the types of questions I get from dozens of SMEs looking to China. It definitely can be a daunting task, but with a little elbow grease and some expert direction, you too can partake in the world's fastest growing market.
Here are four tips to get your started.
The first thing I always tell SMBs is to determine whether your product can easily be pirated or copied. If it can, don't even consider going to China as you'll not only fail in China but potentially create a competitor that can sell into your own domestic market, putting you out of business. I've personally witnessed this with such products as boogie boards (foam surf boards), children's specialty clothing, and electronics equipment. You see, although China has laws on the books that protect trademarks, copyrights, and intellectual property, the country still lacks enforcement capabilities. China's court system isn't yet set up to handle the myriad of business-related lawsuits. Further, as an SME, you certainly don't have the time, energy, and money to deal with a headache halfway around the world.
Don't ever think you can undercut a Chinese competitor in China. Many of my consulting clients have tried — all have failed. Chinese companies share the same advantages (and more) you have in your domestic market: they don't pay shipping charges of tariffs, have better market and customer information, speak the local language, and in many cases don't pay taxes on their profits. So, it's definitely a show-stopper once you've discovered Chinese manufacturers making products similar to yours. You'll face an uphill battle competing with locals willing to do anything to protect their home base.
For most consumer products, it's fairly easy to do a product search on many of the Chinese online retailers' websites, like Alibaba, Tencent, NetEast, Taobao, JD.com, and Tmall. Some sites are actually in English, but most are in Chinese, so ask a Chinese-speaking friend to assist you in the search. There are also various online English tutorials and how-to books that will guide you through the Chinese-language websites page by page. Besides the large online players, seek out the smaller, niche online retailers which cater to industry-specific products, such as sites which only sell car accessories or beauty products.
Once you're certain that you won't be creating any Chinese counterfeiters, take some of your more important documents —product descriptions, instructions, price sheets, regulatory certificates — and have them translated into Chinese. This will serve as a simple market tool for you to give to potential distributors and partners as most Chinese, especially other SME owners, cannot speak or write English. You can easily find translation services online or even find a Chinese-speaking friend to do the work. Don't spend a lot of money and don't make it elaborate. You just need something basic that provides information on the four Ps: Product, Price, Promotion, and Place.
A trade show – align the trip with a trade show associated with your product. This is where you can find partners, distributors, competitors, customers, logistics providers and just about anything you need related to your industry.
Retailers – schedule visits with the big online retailers and with the smaller, regional players. This will probably entail traveling to several cities, but it'll be well worth the time and money.
British Chamber of Commerce – there are British Chambers of Commerce in Beijing, Shanghai and Chengdu. They are a source for a myriad of information and can steer you in the right direction, provide contacts, and, most importantly, give insight on China's general business climate related to your product or industry. This is a must visit.
Related companies – lastly, meet with companies which manufacture complementary products to yours as you may find licensing or OEM (original equipment manufacturer) opportunities with them.
I always like to find indigenous products that are uniquely in-country. These cannot be copied or pirated, have no or few existing competitors and are always popular with Chinese consumers. Examples of consumer-related products include Scottish wool sweaters, British teas and deserts, or English hand-made leather belts and Oxford shoes. On the industrial side, stick with products or services that offer a distinct technological advantage or serve the present policies of China's government. For example, China's state-owned enterprises are actively seeking products and services in waste management, aviation, automotive, environmental engineering, pharmaceutical, bioengineering, artificial intelligence and clean air/water industries.
After having completed your evaluation and market study, based on the tips above, you should come back with a definitive answer as to whether your product stands a chance in China. If yes, then move on to the set-up phase, which I discuss in detail in the second edition of my book, Selling to China. At the same time, read other business books about China, and talk to consultants as well as other companies already doing business in China. I wish you the best of luck.
Stanley Chao is the author of Selling to China: A Guide for Small for Medium-Sized Businesses, which has recently been fully revised and updated. He is currently managing director of All In Consulting, a Los Angeles-based consulting firm helping Western businesses grow throughout China and Asia.