text:
Generation: 1
1. MASTERTON James
James — TORBET Margaret. [Group Sheet]
2. MASTERTON William was born Bef 11 Jul 1756, Ratho, Midlothian, Scotland; was christened 11 Jul 1756, Ratho, Midlothian, Scotland; died Bef 2 Jan 1763.
3. MASTERTON John was born Bef 8 Jul 1759, Ratho, Midlothian, Scotland; was christened 8 Jul 1759, Ratho, Midlothian, Scotland.
4. MASTERTON William was born Bef 2 Jan 1763, Ratho, Midlothian, Scotland; was christened 2 Jan 1763, Ratho, Midlothian, Scotland.
5. MASTERTON Robert was born Bef 22 Mar 1765, Ratho, MidLothian, Scotland; died 22 Mar 1852, Bathgate, Linlithgowshire, Scotland.
6. MASTERTON Charles was born Bef 12 Jan 1772, Torphichen, West Lothian, Scotland; was christened 12 Jan 1772, Torphichen, West Lothian, Scotland; died 1837, Bathgate, West Lothian, Scotland.
2. MASTERTON William (1.James1) was born Bef 11 Jul 1756, Ratho, Midlothian, Scotland; was christened 11 Jul 1756, Ratho, Midlothian, Scotland; died Bef 2 Jan 1763.
3. MASTERTON John (1.James1) was born Bef 8 Jul 1759, Ratho, Midlothian, Scotland; was christened 8 Jul 1759, Ratho, Midlothian, Scotland.
4. MASTERTON William (1.James1) was born Bef 2 Jan 1763, Ratho, Midlothian, Scotland; was christened 2 Jan 1763, Ratho, Midlothian, Scotland.
William — STEVEN OR STONE Margaret. [Group Sheet]
7. MASTERTON James was born Bef 28 Sep 1788; was christened 28 Sep 1788, Bathgate, West Lothian, Scotland.
8. MASTERTON Janet was born Bef 25 Apr 1790; was christened 25 Apr 1790, Bathgate, West Lothian, Scotland.
William married BARCLAY Janet 7 Dec 1794, Uphall (Strathbrock), West Lothian, Scotland. Janet was born Bef 7 Apr 1767, West Lothian, Scotland. [Group Sheet]
9. MASTERTON William was born Bef 5 Oct 1795; was christened 5 Oct 1795, Uphall (Strathbrock), West Lothian, Scotland.
10. MASTERTON Charles was born Bef 19 May 1799, Bathgate, West Lothian, Scotland; was christened 19 May 1799, Bathgate, West Lothian, Scotland; died 2 Mar 1885, ??? Poor House, Linlithgow, Scotland.
5. MASTERTON Robert (1.James1) was born Bef 22 Mar 1765, Ratho, MidLothian, Scotland; died 22 Mar 1852, Bathgate, Linlithgowshire, Scotland.
Robert — AULD Sarah. Sarah (daughter of AULD John and GLASGOW Jean) was born 28 Dec 1759, Glasgow, Lanark, Scotland. [Group Sheet]
11. MASTERTON Margaret was born Bef 26 Oct 1788, Bathgate, West Lothian, Scotland; was christened 26 Oct 1788, Bathgate, West Lothian, Scotland; died 1 Apr 1865, Robertson's Square, Bathgate, West Lothian, Scotland.
12. MASTERTON Janet was born Bef 28 Mar 1790, Bathgate, West Lothian, Scotland; was christened 28 Mar 1790, Bathgate, West Lothian, Scotland; died 13 Sep 1871, Bathgate, West Lothian, Scotland.
13. MASTERTON Helen was born Bef 15 Jun 1793, Bathgate, West Lothian, Scotland; was christened 15 Jun 1793, Bathgate, West Lothian, Scotland.
14. MASTERTON Elisabeth was born Bef 28 Jun 1795, Bathgate, West Lothian, Scotland; was christened 28 Jun 1795, Bathgate, West Lothian, Scotland; died 11 Sep 1870, Engine Street, Bathgate, West Lothian, Scotland.
15. MASTERTON Mary was born Bef 14 May 1797, Bathgate, West Lothian, Scotland; was christened 14 May 1797, Bathgate, West Lothian, Scotland; died 1865, Bathgate, West Lothian, Scotland.
16. MASTERTON Robert was born Bef 16 Jun 1799, Bathgate, West Lothian, Scotland; was christened 16 Jun 1799, Bathgate, West Lothian, Scotland; died 21 Feb 1870, Bridgend, Bathgate, West Lothian, Scotland.
17. MASTERTON Isabella was born Bef 30 Jun 1800.
18. MASTERTON John was born Bef 4 Jul 1802, Bathgate, West Lothian, Scotland; was christened 4 Jul 1802, Bathgate, West Lothian, Scotland; died 28 Nov 1837, Bathgate, West Lothian, Scotland.
6. MASTERTON Charles (1.James1) was born Bef 12 Jan 1772, Torphichen, West Lothian, Scotland; was christened 12 Jan 1772, Torphichen, West Lothian, Scotland; died 1837, Bathgate, West Lothian, Scotland.
Charles married JOHNSTON Margaret 29 Dec 1800, Greenock Old or West, Renfrewshire, Scotland. Margaret died Bef 13 Feb 1879. [Group Sheet]
19. MASTERTON Robert was born Bef 14 Nov 1801, Glasgow, Scotland; was christened 14 Nov 1801, Glasgow, Scotland.
20. MASTERTON James Dickson was born Bef 13 Feb 1811, Bathgate, West Lothian, Scotland; died 13 Feb 1879, 21 Hopetoun Street, Bathgate, West Lothian, Scotland.
7. MASTERTON James (4.William2, 1.James1) was born Bef 28 Sep 1788; was christened 28 Sep 1788, Bathgate, West Lothian, Scotland.
8. MASTERTON Janet (4.William2, 1.James1) was born Bef 25 Apr 1790; was christened 25 Apr 1790, Bathgate, West Lothian, Scotland.
9. MASTERTON William (4.William2, 1.James1) was born Bef 5 Oct 1795; was christened 5 Oct 1795, Uphall (Strathbrock), West Lothian, Scotland.
10. MASTERTON Charles (4.William2, 1.James1) was born Bef 19 May 1799, Bathgate, West Lothian, Scotland; was christened 19 May 1799, Bathgate, West Lothian, Scotland; died 2 Mar 1885, ??? Poor House, Linlithgow, Scotland.
Charles — BARRON Elizabeth. Elizabeth (daughter of BARRON William and THOMSON Mary) was born 23 Nov 1809, Uphall (Strathbrock), West Lothian, Scotland; died 9 Nov 1867, Broxburn, Uphall, Linlithgowshire, Scotland. [Group Sheet]
21. MASTERTON Janet was born Bef 10 Nov 1848, Uphall (Strathbrock), West Lothian, Scotland; died 10 Nov 1875, Broxburn, Uphall, Linlithgowshire, Scotland.
22. MASTERTON Charles was born Bef 7 Apr 1852, Broxburn, Uphall, Linlithgowshire, Scotland; died 9 Jun 1916, Fife and Kinross District Asylum, Cupar, Fife, Scotland.
11. MASTERTON Margaret (5.Robert2, 1.James1) was born Bef 26 Oct 1788, Bathgate, West Lothian, Scotland; was christened 26 Oct 1788, Bathgate, West Lothian, Scotland; died 1 Apr 1865, Robertson's Square, Bathgate, West Lothian, Scotland.
Margaret — MYRES William. William died Bef 1 Apr 1865. [Group Sheet]
23. MYRES Robert
12. MASTERTON Janet (5.Robert2, 1.James1) was born Bef 28 Mar 1790, Bathgate, West Lothian, Scotland; was christened 28 Mar 1790, Bathgate, West Lothian, Scotland; died 13 Sep 1871, Bathgate, West Lothian, Scotland.
Janet — DUNCAN Andrew. Andrew died Bef 30 Mar 1851. [Group Sheet]
24. DUNCAN Robert was born Bef 30 Mar 1825, Bathgate, West Lothian, Scotland.
13. MASTERTON Helen (5.Robert2, 1.James1) was born Bef 15 Jun 1793, Bathgate, West Lothian, Scotland; was christened 15 Jun 1793, Bathgate, West Lothian, Scotland.
14. MASTERTON Elisabeth (5.Robert2, 1.James1) was born Bef 28 Jun 1795, Bathgate, West Lothian, Scotland; was christened 28 Jun 1795, Bathgate, West Lothian, Scotland; died 11 Sep 1870, Engine Street, Bathgate, West Lothian, Scotland.
Elisabeth — BREATCLIFF John. John died Bef 11 Sep 1870. [Group Sheet]
25. BREATCLIFF Sarah was born Bef 30 Mar 1827, Bathgate, Linlithgowshire, Scotland.
15. MASTERTON Mary (5.Robert2, 1.James1) was born Bef 14 May 1797, Bathgate, West Lothian, Scotland; was christened 14 May 1797, Bathgate, West Lothian, Scotland; died 1865, Bathgate, West Lothian, Scotland.
Mary married THORNTON James 2 Dec 1820, Bathgate, West Lothian, Scotland. [Group Sheet]
16. MASTERTON Robert (5.Robert2, 1.James1) was born Bef 16 Jun 1799, Bathgate, West Lothian, Scotland; was christened 16 Jun 1799, Bathgate, West Lothian, Scotland; died 21 Feb 1870, Bridgend, Bathgate, West Lothian, Scotland.
Robert — ARTHUR Margaret. Margaret was born 1793; died 7 Feb 1848, Bathgate, West Lothian, Scotland. [Group Sheet]
26. MASTERTON Robert was born Bef 3 Dec 1820, Bathgate, West Lothian, Scotland; died 3 Dec 1879, Bridgend, Parish of Bathgate, West Lothian, Scotland.
27. MASTERTON Margaret was born Abt 1823, Bathgate, West Lothian, Scotland; died 1909, Bathgate, West Lothian, Scotland.
28. MASTERTON James was born Bef 3 Jun 1841, Bathgate, West Lothian, Scotland; died 5 Aug 1925, Royal Infirmary, Edinburgh, Scotland.
17. MASTERTON Isabella (5.Robert2, 1.James1) was born Bef 30 Jun 1800.
18. MASTERTON John (5.Robert2, 1.James1) was born Bef 4 Jul 1802, Bathgate, West Lothian, Scotland; was christened 4 Jul 1802, Bathgate, West Lothian, Scotland; died 28 Nov 1837, Bathgate, West Lothian, Scotland.
John — MCNEE Jane. Jane was born Bef 6 Jun 1801, West Lothian, Scotland. [Group Sheet]
29. MASTERTON Ann was born Bef 26 Apr 1827, Bathgate, West Lothian, Scotland; died 26 Apr 1894, Croftgary, Aberdour, Fife, Scotland.
30. MASTERTON Sarah was born Bef 6 Jun 1830, Bathgate, West Lothian, Scotland; died 27 Mar 1910, Tranent Mains, Haddington, Scotland.
31. MASTERTON John was born Bef 6 Jun 1832, West Lothian, Scotland; died 29 Mar 1894, Beechwood House, Uphall, Linlithgow, Scotland.
32. MASTERTON Robert was born Bef 6 Jun 1835, West Lothian, Scotland.
33. MASTERTON Margaret was born Bef 6 Jun 1838, West Lothian, Scotland; died 21 Oct 1918, 30 Cochrane Street, Bathgate, West Lothian, Scotland.
19. MASTERTON Robert (6.Charles2, 1.James1) was born Bef 14 Nov 1801, Glasgow, Scotland; was christened 14 Nov 1801, Glasgow, Scotland.
20. MASTERTON James Dickson (6.Charles2, 1.James1) was born Bef 13 Feb 1811, Bathgate, West Lothian, Scotland; died 13 Feb 1879, 21 Hopetoun Street, Bathgate, West Lothian, Scotland.
James married SAMUEL Marion 10 Apr 1841, Bathgate, West Lothian, Scotland. Marion (daughter of SAMUEL William and GRAY Marion) was born Bef 3 Apr 1819, Bathgate, West Lothian, Scotland; died 13 Aug 1889, Bathgate, West Lothian, Scotland. [Group Sheet]
34. MASTERTON Marion was born Bef 12 Jan 1841, West Lothian, Scotland; died 12 Jan 1900, 13 Hopetoun Lane, Bathgate, West Lothian, Scotland.
35. MASTERTON Margaret was born Bef 30 Mar 1842.
36. MASTERTON James was born Bef 3 Apr 1845, Bathgate, West Lothian, Scotland; died 18 May 1908, Saint Giles, Midlothian, Scotland.
37. MASTERTON William was born Bef 7 Apr 1848, Bathgate, West Lothian, Scotland; died 1909, Shoreditch, London, England.
38. MASTERTON Charles was born Bef 30 Mar 1850, Bathgate, Linlithgowshire, Scotland; died 24 Aug 1909, Edinburgh Infirmary.
39. MASTERTON Robert was born Bef 7 Apr 1853, Glasgow, Lanark, Scotland; died 9 Nov 1906, 45 Princes Street, Sydney, NSW, Australia; was buried 10 Nov 1906, Church of England Cemetery, Rookwood, Sydney, NSW, Australia.
40. MASTERTON John was born 10 Apr 1855, Cochrane Street, Bathgate, West Lothian, Scotland; died 2 Aug 1926, Gardner's Lane, South Bridge, Bathgate, Scotland.
41. MASTERTON Thomas was born 25 Mar 1858, Bathgate, West Lothian, Scotland; died 1 Aug 1895, 234 High Street, Linlithgow, Linlithgow, Scotland.
42. MASTERTON Samuel was born 26 Dec 1862, Bathgate, West Lothian, Scotland; died 1952, 87 Hopetoun Street, Bathgate, Linlithgow, Scotland.
21. MASTERTON Janet (10.Charles3, 4.William2, 1.James1) was born Bef 10 Nov 1848, Uphall (Strathbrock), West Lothian, Scotland; died 10 Nov 1875, Broxburn, Uphall, Linlithgowshire, Scotland.
Janet married JEFFREY James 1871, Uphall, West Lothian, Scotland. [Group Sheet]
43. JEFFREY Elizabeth was born 1873, Uphall (Strathbrock), West Lothian, Scotland.
22. MASTERTON Charles (10.Charles3, 4.William2, 1.James1) was born Bef 7 Apr 1852, Broxburn, Uphall, Linlithgowshire, Scotland; died 9 Jun 1916, Fife and Kinross District Asylum, Cupar, Fife, Scotland.
Charles married REID Margaret 17 Aug 1877, Easter Aberdour, Fife, Scotland. Margaret (daughter of REID George and BALD Margaret) was born Bef 17 Aug 1849, Aberdour, Fife, Scotland; died 13 Jul 1931, 6 Leys Park Road, Dunfermline, FIfe, Scotland. [Group Sheet]
44. MASTERTON Margaret was born Bef 3 Jun 1880, Aberdour, Fife, Scotland.
23. MYRES Robert (11.Margaret3, 5.Robert2, 1.James1)
24. DUNCAN Robert (12.Janet3, 5.Robert2, 1.James1) was born Bef 30 Mar 1825, Bathgate, West Lothian, Scotland.
25. BREATCLIFF Sarah (14.Elisabeth3, 5.Robert2, 1.James1) was born Bef 30 Mar 1827, Bathgate, Linlithgowshire, Scotland.
26. MASTERTON Robert (16.Robert3, 5.Robert2, 1.James1) was born Bef 3 Dec 1820, Bathgate, West Lothian, Scotland; died 3 Dec 1879, Bridgend, Parish of Bathgate, West Lothian, Scotland.
27. MASTERTON Margaret (16.Robert3, 5.Robert2, 1.James1) was born Abt 1823, Bathgate, West Lothian, Scotland; died 1909, Bathgate, West Lothian, Scotland.
Margaret married BAILLIE John 18 Nov 1849, Bathgate, West Lothian, Scotland. John was born Bef 30 Mar 1826, Cramond, Midlothian, Scotland. [Group Sheet]
45. BAILLIE Margaret (Rettie) Masterton died 7 Apr 1937, Liberton Hospital, Edinburgh, Midlothian, Scotland.
46. BAILLIE Mary
47. BAILLIE William M was born Bef 30 Apr 1850, Bathgate, West Lothian, Scotland.
28. MASTERTON James (16.Robert3, 5.Robert2, 1.James1) was born Bef 3 Jun 1841, Bathgate, West Lothian, Scotland; died 5 Aug 1925, Royal Infirmary, Edinburgh, Scotland.
James married SHIELDS Agnes 21 Feb 1868, Torphichen, West Lothian, Scotland. Agnes (daughter of SHIELDS William and MARSHALL Jane) was born Bef 8 Oct 1843, Torphichen, West Lothian, Scotland; was christened 8 Oct 1843; died 17 Mar 1921, Torphichen, West Lothian, Scotland. [Group Sheet]
48. MASTERTON Jean (Jane) Marshall was born 31 Aug 1868, Torphichen, West Lothian, Scotland; died 1928, Torphichen, West Lothian, Scotland.
49. MASTERTON Margaret Arthur was born 1870, Torphichen, West Lothian, Scotland; died 1960, Linlithgow, West Lothian, Scotland.
50. MASTERTON Agnes was born 1872, Torphichen, West Lothian, Scotland; died 19 Jul 1913, Edinburgh Infirmary, Edinburgh, Midlothian, Scotland.
51. MASTERTON Elizabeth was born 1874, Torphichen, West Lothian, Scotland; died 6 Jan 1955, St Andrew, Edinburgh, Midlothian, Scotland.
52. MASTERTON Robert was born Bef 3 Mar 1881, Torphichen, West Lothian, Scotland.
29. MASTERTON Ann (18.John3, 5.Robert2, 1.James1) was born Bef 26 Apr 1827, Bathgate, West Lothian, Scotland; died 26 Apr 1894, Croftgary, Aberdour, Fife, Scotland.
Ann married BRADCLIFF Benjamin 28 Oct 1849, Bathgate, West Lothian, Scotland. Benjamin was born Bef 7 Apr 1826, Bathgate, West Lothian, Scotland. [Group Sheet]
53. BRADCLIFF Benjamin was born Bef 7 Apr 1850, Bathgate, Linlithgowshire, Scotland.
54. BRADCLIFF Jean was born Bef 7 Apr 1851, Bathgate, Linlithgowshire, Scotland.
55. BRADCLIFF Marion was born Bef 7 Apr 1857, Bathgate, Linlithgowshire, Scotland.
30. MASTERTON Sarah (18.John3, 5.Robert2, 1.James1) was born Bef 6 Jun 1830, Bathgate, West Lothian, Scotland; died 27 Mar 1910, Tranent Mains, Haddington, Scotland.
Sarah married NEWLANDS Alexander 1858, Bathgate, West Lothian, Scotland. Alexander was born Bef 3 Apr 1835, Bathgate, West Lothian, Scotland. [Group Sheet]
31. MASTERTON John (18.John3, 5.Robert2, 1.James1) was born Bef 6 Jun 1832, West Lothian, Scotland; died 29 Mar 1894, Beechwood House, Uphall, Linlithgow, Scotland.
John married WARDROPE Agnes Shields 1858, Bathgate, West Lothian, Scotland. Agnes was born Bef 3 Apr 1841, Bathgate, West Lothian, Scotland; died 11 Aug 1912, 91 Beechwood Cottages, Uphall Station, West Lothian, Scotland. [Group Sheet]
56. MASTERTON Agnes Shiels was born 1858, Bathgate, West Lothian, Scotland; died 1931, Portobello, Midlothian, Scotland.
57. MASTERTON John was born Bef 7 Apr 1860; died 23 Apr 1878, 6 Hill Street, Bathgate, West Lothian, Scotland.
58. MASTERTON Lewis Wardrope was born 1863, Bathgate, West Lothian, Scotland; died 15 Oct 1916, 78 Bonaly Road, Edinburgh, Scotland.
59. MASTERTON Robert was born 1865, Bathgate, West Lothian, Scotland; died 4 Mar 1916, Hawthorn Place, Uphall, West Lothian, Scotland.
60. MASTERTON Jane was born 1869, Bathgate, West Lothian, Scotland; died 30 Oct 1953, 18 Millbank Place, Uphall, West Lothian, Scotland.
61. MASTERTON William was born Bef 3 Apr 1873, Bathgate, West Lothian, Scotland; died 1951, South Africa.
62. MASTERTON Henry was born Bef 3 Apr 1875, Bathgate, West Lothian, Scotland.
63. MASTERTON Margaret Boag was born Bef 3 Apr 1878, Bathgate, West Lothian, Scotland; died 1910, Uphall, West Lothian, Scotland.
64. MASTERTON John was born 18 Jul 1880, Bathgate, West Lothian, Scotland; died 12 Jan 1966, Royal Infirmary, Edinburgh, Midlothian, Scotland.
65. MASTERTON Ann was born 1884, Bathgate, Linlithgowshire, Scotland.
66. MASTERTON Elizabeth was born 1886, Bathgate, Linlithgowshire, Scotland.
32. MASTERTON Robert (18.John3, 5.Robert2, 1.James1) was born Bef 6 Jun 1835, West Lothian, Scotland.
33. MASTERTON Margaret (18.John3, 5.Robert2, 1.James1) was born Bef 6 Jun 1838, West Lothian, Scotland; died 21 Oct 1918, 30 Cochrane Street, Bathgate, West Lothian, Scotland.
Margaret married THOMSON Henry 30 May 1860, Bathgate, West Lothian, Scotland. Henry (son of THOMSON John and PENNYKID Elizabeth) was born Bef 30 May 1837. [Group Sheet]
Margaret married HAIR William 1878, Bathgate, Linlithgowshire, Scotland. [Group Sheet]
67. HAIR Thomas
34. MASTERTON Marion (20.James3, 6.Charles2, 1.James1) was born Bef 12 Jan 1841, West Lothian, Scotland; died 12 Jan 1900, 13 Hopetoun Lane, Bathgate, West Lothian, Scotland.
Marion married EARLE Thomas 1858, Bathgate, West Lothian, Scotland. Thomas was born Bef 3 Apr 1836, Maybole, Ayr, Scotland. [Group Sheet]
68. EARLE James was born Bef 3 Apr 1863, Bathgate, West Lothian, Scotland.
69. EARLE John was born Bef 3 Apr 1866, Bathgate, West Lothian, Scotland.
70. EARLE Agnes was born Bef 3 Apr 1871, Bathgate, West Lothian, Scotland.
71. EARLE William was born Bef 3 Apr 1874, Bathgate, West Lothian, Scotland.
72. EARLE Robina was born Bef 3 Apr 1876, Bathgate, West Lothian, Scotland.
73. EARLE Margaret was born Bef 3 Apr 1879, Bathgate, West Lothian, Scotland.
35. MASTERTON Margaret (20.James3, 6.Charles2, 1.James1) was born Bef 30 Mar 1842.
Margaret married MITCHINSON John 16 Nov 1863, Bathgate, West Lothian, Scotland. John (son of MITCHINSON John and CUMMINGS Hannah) was born Bef 16 Nov 1842. [Group Sheet]
Margaret — unknown. [Group Sheet]
74. MASTERTON Alexander was born Jun 1868, Bathgate, West Lothian, Scotland; died 4 Aug 1868, Gideon Street, Bathgate, West Lothian, Scotland.
36. MASTERTON James (20.James3, 6.Charles2, 1.James1) was born Bef 3 Apr 1845, Bathgate, West Lothian, Scotland; died 18 May 1908, Saint Giles, Midlothian, Scotland.
James married DUFF Rebecca 17 Nov 1871, Bathgate, West Lothian, Scotland. Rebecca was born Bef 3 Apr 1846, Belfast, Northern Ireland; died 1917, Inveresk and Musselburgh. [Group Sheet]
75. MASTERTON James was born Bef 28 Jan 1868, Glasgow, Lanark, Scotland; died 28 Jan 1939, Mistrule ??? House, Linlithgow, Scotland.
76. MASTERTON Catherine Scott was born 18 Apr 1873, Bathgate, West Lothian, Scotland.
77. MASTERTON William was born 16 Feb 1875, Bathgate, West Lothian, Scotland; died 12 Dec 1932, 1967 Venables St., Vancouver, BC, Canada; was buried 15 Dec 1932, Ocean View Burial Park, Vancouver, BC, Canada.
78. MASTERTON Charles was born 1878, Bathgate, West Lothian, Scotland; died 3 Aug 1920, Royal Infirmary, Edinburgh, Scotland.
79. MASTERTON Elizabeth Marion was born 1881, Bathgate, West Lothian, Scotland.
80. MASTERTON Robert was born 27 Mar 1885, 55 Hopetoun Street, Bathgate, West Lothian, Scotland; died 1966, NSW, Australia.
37. MASTERTON William (20.James3, 6.Charles2, 1.James1) was born Bef 7 Apr 1848, Bathgate, West Lothian, Scotland; died 1909, Shoreditch, London, England.
William — Margaret R. Margaret was born 1851, Antrim, Ireland. [Group Sheet]
38. MASTERTON Charles (20.James3, 6.Charles2, 1.James1) was born Bef 30 Mar 1850, Bathgate, Linlithgowshire, Scotland; died 24 Aug 1909, Edinburgh Infirmary.
Charles married BAILLIE Agnes 1889, Saint Giles, Midlothian, Scotland. Agnes was born Bef 5 Apr 1856; died 8 Mar 1916, 28 Henderson Row, Edinburgh, Midlothian, Scotland. [Group Sheet]
81. MASTERTON Agnes was born Bef 5 Apr 1890, Bathgate, West Lothian, Scotland; died 1940, George Square, Edinburgh, Midlothian, Scotland.
82. MASTERTON James was born 1892, Bathgate, West Lothian, Scotland; died 22 Mar 1918, Arras, France.
83. MASTERTON Margaret was born 1893, Bathgate, West Lothian, Scotland; died 1983, Bathgate, West Lothian, Scotland.
39. MASTERTON Robert (20.James3, 6.Charles2, 1.James1) was born Bef 7 Apr 1853, Glasgow, Lanark, Scotland; died 9 Nov 1906, 45 Princes Street, Sydney, NSW, Australia; was buried 10 Nov 1906, Church of England Cemetery, Rookwood, Sydney, NSW, Australia.
Robert married LAWRENCE Annie 3 Aug 1882, East Kempsey, NSW, Australia. Annie (daughter of LAWRENCE John and CARTWRIGHT Rosanna) was born 1858; died 1937; was buried Yes, date unknown. [Group Sheet]
84. MASTERTON was born 1880, Macleay River, NSW, Australia; died 1880, Macleay River, NSW, Australia.
85. MASTERTON Marion was born 1882, West Kempsey, NSW, Australia; died 1884, Kempsey, NSW, Australia.
86. MASTERTON James Dixon was born 15 Feb 1885, West Kempsey, NSW, Australia; died 1970, NSW, Australia.
87. MASTERTON Vera Heather was born 1897, Sydney, NSW, Australia; died 20 Sep 1988, Sydney, NSW, Australia.
40. MASTERTON John (20.James3, 6.Charles2, 1.James1) was born 10 Apr 1855, Cochrane Street, Bathgate, West Lothian, Scotland; died 2 Aug 1926, Gardner's Lane, South Bridge, Bathgate, Scotland.
John married BAILLIE Jane 1882, Armadale, West Lothian, Scotland. Jane was born 1860; died 1917, Bathgate, West Lothian, Scotland. [Group Sheet]
88. MASTERTON Agnes was born 1881, Bathgate, West Lothian, Scotland; died 21 Jul 1943, Grayshall, Bathgate, West Lothian, Scotland.
89. MASTERTON James was born Bef 20 Aug 1883, Bathgate, West Lothian, Scotland; died 20 Aug 1954, Maryfield Hospital, Dundee, Scotland.
90. MASTERTON Marion was born 1885, Bathgate, West Lothian, Scotland; died 1958, Bathgate, West Lothian, Scotland.
91. MASTERTON Jane (Jeanie) was born 1887; died 1971, Morningside, Edinburgh, Midlothian, Scotland.
92. MASTERTON Catherine was born 1889, Bathgate, West Lothian, Scotland.
93. MASTERTON Mary was born 1891.
94. MASTERTON Rittie was born 1894.
95. MASTERTON Emma was born 1896, Bathgate, West Lothian, Scotland; died 1991, Newington, Edinburgh, Scotland.
96. MASTERTON Jessie was born 1898, Bathgate, West Lothian, Scotland; died 1985, Bathgate, West Lothian, Scotland.
41. MASTERTON Thomas (20.James3, 6.Charles2, 1.James1) was born 25 Mar 1858, Bathgate, West Lothian, Scotland; died 1 Aug 1895, 234 High Street, Linlithgow, Linlithgow, Scotland.
42. MASTERTON Samuel (20.James3, 6.Charles2, 1.James1) was born 26 Dec 1862, Bathgate, West Lothian, Scotland; died 1952, 87 Hopetoun Street, Bathgate, Linlithgow, Scotland.


text:
Tag: Editorial
Kira Kosarin – Composure Magazine
STORY BY MIN. A. LEE
PHOTOGRAPHY BY KAREN ROSALIE
MAKEUP BY ARCHANGELA CHELSEA FOR CELESTINE AGENCY
HAIR BY LUCY GEDJEYAN FOR CLOUTIER REMIX
STYLING BY JACLYN FLEURANT FOR THE ONLY.AGENCY
Kira Kosarin may be known for her superhero moves as Phoebe on Nickelodeon's longest running tv series The Thundermans, but she's here now to show us the very sincere and human side to her. The series may have said its final goodbye, but it's the beginning of a new chapter in Kosarin's career.
Taking on the music scene with her mesmerizing vocals and songwriting abilities, Kosarin's debut single "Vinyl" was met with deep respect and praise. The song pulls at you, reminds you of past loves, and leaves you wanting to know what music will come next from the new recording artist. We can't help but be impressed with Kosarin's ability to transition effortlessly back and forth between two of the toughest industries.
For our 20th issue, Kosarin shares with us more on her journey from a young teen actress to a self-confident woman—no cape, no mask, no disguises.
Composure Magazine: Looking back, what were some of the most valuable lessons you learned while working on Nickelodeon's The Thundermans?
Kira Kosarin: I learned how big the world is, and how much smaller it feels when you travel the world. I am grateful to Nickelodeon for all the incredible experiences I had while doing international promo for the show.
CM: How does it feel to shed the image of Phoebe and share more of yourself with the world?
KK: It's a relief to be able to share myself in a more authentic way, even if it does open me up to a lot more criticism. People are very used to a preconceived notion of who I am or rather who I was as a young teen on television.
Categories Uncategorized•Tags Celebrity Cover, Celebrity Style, composure magazine, Editorial, featured, Kira Kosarin, The Thundermans

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Failed without error message: wkhtmltopdf PDF not save my folder in localhost.
I'm getting an error : Failed without error message: wkhtmltopdf "C:\Users\Fujitsu\AppData\Local\Temp\tmp1470.tmp.html" "C:\Users\Fujitsu\AppData\Local\Temp\tmp1480.tmp.pdf"
$pdf_html = view('frontend.pdf.pdf_template', $data)->render();
    $pdf = new Pdf;
    $pdf->addPage($pdf_html);

    if (!$pdf->saveAs(public_path() . '/assets/invoices_pdf/invoice_' . $tran_id . '.pdf')) {
        $error = $pdf->getError();
        print '<pre>'; print_r($error); print('</pre>'); die();
    }

I'm using Windows 10

A: have you checked that you can read write to that paths? I had that kind of errors several times in the past and 80% of the time was problems with the path (insufficient permisiones, malformed paths, paths that doesn't exist...)
Also could be that the path to the wkhtmltopdf binary is not correct, or that there is a missing dependency. For instance in Linux you need to have xvfb installed.

redpajama_set_name: RedPajamaStackExchange


Impromptu trip number 2: Brussels to get our mussels on! The first restaurant we wanted to go to ended up being closed on a Saturday, which is so so hard for someone from Hong Kong to understand. I mean, who doesn't want business on a SATURDAY? But despite the bummy start to the trip, things picked up after we got some food going. Mussels, fries, waffles and beer. Pretty much the epitome of a stereotypical Belgian meal.
All these photos were taken on a 60mm macro lens, so any full body pic was taken from at least 10 -15 meters away, no joke. You end up looking like a crazy person posing for what seems like…well…nobody. Who knew a macro lens could be so lols?


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Turkey descends into civil war as conflict in southeast escalates
By Joris Leverink | (Inter Press Service) | – –
ISTANBUL, Turkey, (IPS) – – The latest footage to come out of Sur, the historical district in Diyarbakir that has been under total lock down by Turkish armed forces for the past sixty days, shows a level of devastation one would sooner expect in Syria. In more ways than one – empty streets lined with debris, bombed-out buildings, tanks and soldiers shooting at invisible assailants – the situation in Turkey's predominantly Kurdish southeastern regions resembles a war zone.
The bullet-ridden Fatih Paşa Mosque in the heart of Diyarbakir's historical Sur district, which was heavily damaged in clashes between Turkish armed forces and local militant youths. Credit: Joris Leverink/IPS
The Turkish government maintains that it is engaged in a fight against terror. However, the security operations are characterized by a disproportionate use of violence, whereby entire towns and neighborhoods are cut off from the outside world with civilians trapped inside their homes for weeks on end. This has led to calls by international human rights organizations to end the collective punishment of an entire population for the acts of a small minority.
At its second general congress in late January, the key political representative of the Kurdish population in Turkey, the Peoples' Democratic Party, or HDP, stressed its determination to seek a peaceful solution to the violent conflict. "If politics can play a role, weapons are not necessary. Where there's no politics, there will be
weapons," Selahattin Demirtaş, the co-chair of the party summarized the situation.
From autonomy to conflict
In the spring of 2013 hopes were high for a political solution to the decades-old violent conflict between the Turkish state and its Kurdish minority, represented on the battlefield by the leftist Kurdistan Workers' Party, or PKK. After years of fighting and tens of thousands deaths, both parties appeared determined to bring the war to an end and engage in peace talks. For almost 2.5 years the fighting ceased. The precarious peace came to an end in the summer of 2015.
As a spillover from the war in Syria, tensions between the Kurds in Turkey and the ruling Justice and Development Party, or AKP, reached a boiling point. In Syria, local Kurds had been fighting off a number of Turkey-backed jihadist and Syrian opposition groups – most prominently the so-called Islamic State, or ISIS. When Kurdish groups in Turkey became the target of two ISIS-linked suicide attacks – in Diyarbakir in June, and Suruç in July – it was the AKP that was held responsible for the onslaught.
The ceasefire broke down and violence escalated quickly. Turkey launched air raids against PKK targets in northern Iraq, in response to which security forces inside Turkey were attacked by Kurdish militants. Having lost their trust in the Turkish state to properly address Kurdish grievances concerning the right to speak and be educated in their mother tongue, to practice their own religion, to be represented politically and to protect the natural environment of their historical homelands, many Kurds instead turned to the ideology of "democratic confederalism".
Developed by the jailed leader of the PKK, Abdullah Öcalan, democratic confederalism promotes the autonomy of local communities and a decentralization of the state.
When towns and neighborhoods across the Kurdish regions of Turkey started declaring their autonomy in the wake of the re-escalated conflict, the Turkish state under the leadership of President Recep Tayyip Erdoğan responded by sending in the army and declaring dozens of so-called curfews that in practice amount to military sieges. Besides hundreds of casualties among the army and Kurdish militants, around two hundred civilians are believed to have been killed in the past six months.
Bleak prospects for peace
After the HDP became the first party with roots in the Kurdish freedom movement to pass the exceedingly high electoral threshold of 10 per cent at the parliamentary elections in June – and again at the snap elections in November – it has come under severe pressure from the political establishment. President Erdogan personally suggested that the HDP representatives ought to be stripped from their immunity so that they could be prosecuted for supporting terrorism.
Nonetheless, the party refuses to succumb to the intimidation and has consistently called for a peaceful and democratic solution to the conflict. "Despite all the oppression, a new democratic model is emerging," HDP co-chair Figen Yüksedağ said in her speech at the congress. "This model continues to gain support, even while under attack. The HDP has a historical responsibility to bring this project to a successful end."
Her co-chair Demirtaş added the warning that "If we fail to produce a solution for the end of the violence, it is the end of politics in Turkey." Unfortunately, prospects for a political solution are bleak. Mayors and political representatives of the towns and districts where the population has called for autonomy are prosecuted and jailed. At the same time President Erdogan warned that, "It should be known that we will bring the whole world down on those who seek to establish a state within a state under the name of autonomy and self-governance."
Prime Minister Davutoğlu recently vowed to continue the military operations until "our mountains, plains and towns are cleansed of these killers." This type of uncompromising discourse from the country's two most powerful political leaders instills little hope that the government is prepared to return to the negotiation table any time soon. The Kurds, both at home and across the border in Syria, are seen as the biggest threat to the territorial integrity of Turkey, and to stop this perceived threat no price is too high.
In the same way that Turkey has refused to allow the Syrian Kurds a seat at the negotiation table in Geneva, it is refusing to enter into dialogue with the Kurds at home.
The multiple references to Syria in this article are no coincidence; if the Turkish government continues to ignore all but a military solution to the current unrest, there is a very real threat that part of the country will soon resemble its southern neighbor.
The HDP's invitation is there. In the words of co-chair Demirtaş: "Dialogue and negotiation should be the method when the public is under threat. Strengthening democracy is the only way to save Turkey from disaster."
Licensed from Inter Press Service
Filed Under: Kurds, Turkey


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Tag: U.S. Space and Rocket Center
Southern Places: Huntsville Alabama's U.S. Space and Rocket Center remembers the 50th anniversary of the moon landing
Some moments in history take our breath away. Fifty years ago, America's moon landing millions had millions of Americans holding their breath. The Saturn 5 rocket took off from Florida's Kennedy Space Center on July 16. Inside the rocket were three men. Two of the men, Neil Armstrong and Buzz Aldrin, would make history as the first Americans to walk on the moon, with Armstrong uttering one of the most iconic phrases in our country's history. Michael Collins piloted the command module Columbia. Armstrong and Aldrin took the Eagle, the lunar model to the moon, hence the phrase, "The Eagle has landing." Eight days after blast off the three men would splash down in the Pacific Ocean.
The U.S. Space and Rocket Center in Huntsville, Ala. is commemorating the 50th anniversary of the moon landing with an exhibit, "Apollo, When We Went to the Moon." The exhibit runs until the end of the year so you still have time visit. The Space and Rocket Center also has a permanent exhibit of a Saturn 5 rocket, which is one of only three in the world.
Display at the U.S. Space and Rocket Center
I had not visited the Space and Rocket Center since I was in 6th grade when we took an impromptu visit recently. I have few memories from that trip 40 years ago but the ones I have are unforgettable. I remember seeing Miss Baker, one of the animals America sent into space. I also remember the G-Force Accelerator, which I got on and got off of for fear I would be sick. I was worried my friends would think I was chicken for getting off but I don't recall any teasing—at least about that. Miss Baker died in the 1980s and I knew better than to get on the G-Force some 40 years later (my husband, who is normally daring, also declined).
We were there mostly to see the Apollo exhibit, which we found first. The exhibit was more than just displays of memorabilia. Like many of the exhibits at the Space and Rocket Center, the exhibit was interactive with things kids (and big kids) will enjoy. We enjoyed sitting in a 'moon buggy.' And I made that 'one small step for man (or woman) and one giant leap for mankind).
Steve and I try out the "moon buggy"
For me, it was some of the items that some may overlook while enjoying a walk on the moon or time in the buggy. I was moved by a letter from former First Lady Jacqueline Kennedy, who asked that the contributions of her late husband not be forgotten. It was President John F. Kennedy who passionately stated "we choose to go to the moon" in a speech he delivered on Sept. 12, 1962 in Houston Texas' Rice Stadium. Kennedy was assassinated in November of 1963 and never lived to see the moon landing The speech is part of the display and you can hear at the exhibition which includes the famous words: "We choose to go to the Moon in this decade and do the other things, not because they are easy, but because they are hard; because that goal will serve to organize and measure the best of our energies and skills, because that challenge is one that we are willing to accept, one we are unwilling to postpone, and one we intend to win, and the others, too."
The exhibit does not gloss over the turbulent times of the 60s. The battle for civil rights was blazing. Martin Luther King Jr. and others were leading marches and peaceful protests. King's life would end by an assassin's bullet in April of 1968. An unpopular war was taking place in Vietnam. The moon landing brought all Americans together on July 20th to watch Armstrong make those historical steps.
One of the displays in the Saturn V Hall at the U.S. Space and Rocket Center
The Space and Rocket Center does not stop telling the story of the historic moon landing with the Apollo exhibit. Saturn V Hall has one of only three of the Saturn V's on display. You can learn more about the science behind our space journeys. Something I found interesting: the three men had to continue living together in a small space even after they returned to Earth. They were quarantined in an Airstream RV until they were medically cleared. You can sign up for a guided tour of the Saturn V Hall or walk through at your own pace. The hall includes some play areas for kids.
Shuttle Park at the U.S. Space and Rocket Center
The main purpose of our visit was to see the Apollo 11 exhibit. But the Space and Rocket Center has several standing and changing exhibits, rides and experiences. Kids can climb the Mars Climbing Wall or take a ride in the Hypership simulator. Two great exhibits are outside. Rocket Park gives you a sense of just how big the rockets are. A large space shuttle is the centerpiece of Shuttle Park. Families can find a diverse menu at the Mars Grill that is reasonably priced. I enjoyed a burrito bowl and my husband had a grilled chicken sandwich and fries. You can spend an entire day there and not do everything.
Huntsville also has several other fun places for families to visit including the Huntsville Botanical Gardens and the Earlyworks Children's Museum. We will be back to learn more about all of Huntsville has to offer!
U.S. Space and Rocket Center, Huntsville, Ala.
Admission: General Admission is $25 for those 13 and older. Admission is $17 for those ages 5-12 and children 4 and younger are free. Senior and military discounts are available. You can purchase several add-ons including movies in the planetarium and guided tours.
Parking: You can park for free right outside the center.
Directions: Huntsville is located right off U.S. You know you are getting close when you see the large replica of the Saturn V rocket in the distance. Exact directions from your location can be found here.
Dining: The Mars Grill is located inside the center. The food is reasonably priced and you have a lot of variety. Huntsville has several well-known eateries and local restaurants for everyone's taste.
Where to stay: Huntsville has several brand-name hotels near the U.S. Space and Rocket Center. We booked an apartment through Airbnb that was reasonably priced and had a kitchen just in case we wanted to save money and cook for ourselves.
U.S. Space and Rocket Center website
Huntsville/Madison County Convention and Visitors Bureau website
Posted on July 16, 2019 July 16, 2019 Categories Travel, UncategorizedTags 50th anniversary moon landing, Alabama, Buzz Aldrin, Huntsville Alabama, moon landing, Moon walk, Neil Armstrong, Saturn V, Southern travel, Space, Travel blogger, U.S. Space and Rocket CenterLeave a comment on Southern Places: Huntsville Alabama's U.S. Space and Rocket Center remembers the 50th anniversary of the moon landing


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Xavier Portela, Kobe
Photographer: Xavier Portela,
City: Kobe, Japan,
Section: Architecture/Landscape/Urbanism, Free Time,
TAGS: Photography,
Xavier Portela, the photographer known for his brightly-coloured images of urban nights in cities like Tokyo, New York and Bangkok is back, this time in Kobe, Japan. A city that inspired him to use warmer hues in his postproduction work for a visual narrative that captures the city's atmosphere.
With a population around 1.5 million, Kobe is located on the southern side of the main island of Honshū, Japan, on the north shore of Osaka Bay between the sea and Mount Rokko. It is Japan's fourth busiest container port and was one of the first cities to open for trade with the west in the 19th century, but it is mostly famous for its signature marbled Kobe beef. Photographer Xavier Portela, known to Floornature for his Glow series - a meticulous reprocessing of his pictures in the finest tradition of visually documented everyday life in the city - was attracted by the visual potential of the city of Kobe. After the massive earthquake in 1995 that caused many victims and destroyed tens of thousands of buildings, the city centre has now been completely rebuilt and there are very few signs of that terrible disaster.
The Brussels-based, Belgian-Portuguese photographer tells us: "I related to Kobe in a very special way; the first time I wandered around the city, I thought of doing a Glow series but when I tried to post-process the images, I thought 'that's not what I remember'. That set me to thinking about how Kobe was so intimate, warm and much more 'people-oriented' than big cities like NYC, Bangkok, Hongkong, Tokyo. So I based my series around that premise and worked on this idea of a dark scene always brightened by warm, welcoming light; it was as if I wanted to go somewhere hot. I think that's how I got the idea."
Portela only takes his pictures after dusk, and here he gives us images of streets, laneways, restaurant signs, people going about their business, enlivening the night scenes with everyday actions that showcase the more human dimension of this city compared to the metropolises he had portrayed previously. Which is why his photographs of Kobe don't have the same vibrant but colder pink and purple hues of his Glow series. Instead, Xavier Portela focuses on capturing the mood of the city and how he felt while he was there.
The idea behind the creative process for Kobe is the same one he adopted for the eye-catching visuals of his previous work: manipulate the colours in order to feel the vibrancy and atmosphere of the location. Because he doesn't always use the same settings for the photographs in a series. Each and every scene has its own light and requires a different process.
Because, as Xavier Portela explains, "it's what you remember about a given place rather than what you've seen". A feeling that photographers - professional and amateur alike - all know well, a feeling that emphasises the subjectivity of the photographic image, anything but a portrayal of reality but rather a story enriched by the personal experience of whoever crafted it.
Location: Kobe, Japan
Images: Xavier Portela - on Behance
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Jazz LP Abdullah Ibrahim (Dollar Brand)
About Product Images
This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Abdullah Ibrahim (Dollar Brand)
LP (Item 916542) Gearbox (UK), 2019 — Condition: New Copy
$23.99 ...
LP, Vinyl record album
List Price: 24.99
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Gearbox (label)
Jazz (CD, LP)
Abdullah Ibrahim (Dollar Brand) — Balance ... CD 13.99
Really fantastic material from legendary pianist Abdullah Ibrahim – a set cut with a larger group of musicians, which we like even more than Ibrahim's work in a solo or trio format! The group here is his Ekaya ensemble – who flesh out Abdullah's larger musical ideas in a really great way – providing this sensitive soul and spirit for his work on piano – which, after all these years, still echoes the rhythmic impulses that made him such a standout in the 60s – but which also has this matured approach to color and tone that's really wonderful – and beautifully illuminated by the group! Players include Cleave Guyton Jr on alto and flute, Lance Bryant on tenor, Andrea Murchison on trombone, and Marshall McDonald on baritone – and the rhythm section features great work from Will Terrill on drums, and Noah Jackson on bass and cello. Titles include "Jabula", "Tuangu Guru", "ZB2", "Dreamtime", "Nisa", "Tonegawa", and "Devotion". © 1996-2020, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".
Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.
Near Mint - (minus)
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
May have slight surface noise when played.
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean, and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.
Very Good - (minus)
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.
Good + (plus)
Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.
A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
In most cases, a poor quality copy of a very difficult to find record.
This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.
Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.
Just In Time – The Final Recording (3LP collector's edition)
Gearbox (UK), 1986. New Copy 3LP Gatefold
LP...$38.99 39.99
The last-ever recording of drumming great Buddy Rich – and a set that we'd put right up there next to his best records of the previous two decades! Buddy's in familiar formation here, but the sound is wonderful – recorded live at Ronnie Scott's nightclub in London, with this mixture of ... LP, Vinyl record album
Best Of Gabor Szabo (red vinyl pressing)
Impulse/Modern Harmonic, Late 60s. New Copy Gatefold (reissue)
A record that's every bit as beautiful and striking as its cover – a cool collection of all the wonderful guitar-driven grooves that guitarist Gabor Szabo created for Impulse Records in the 60s! Szabo first rose to fame working with Chico Hamilton – but soon established himself as one ... LP, Vinyl record album
Junius Paul
International Anthem, 2019. New Copy 2LP Gatefold
LP...$26.99 28.99 (CD...$11.99)
A fantastic record from the contemporary Chicago scene – one that both gives bassist Junius Paul his first showcase as a leader, and underscores the richly collaborative energy in which the musician works! The set was recorded at various points in the Windy City underground – with Paul ... LP, Vinyl record album
Jazz In Detroit – Strata Concert Gallery (5LP set)
Strata/BBE (UK), 1973. New Copy 5LP
A fantastic live performance from Charles Mingus – recorded in Detroit, with a slightly unusual group – and done with the more open, freewheeling quality that grace his live recordings of the early 60s! The set was recorded at the Strata Gallery – and has some of the deeper ... LP, Vinyl record album
Sun Ra & John Cage
John Cage Meets Sun Ra – The Complete Concert (clear vinyl pressing)
Meltdown/Modern Harmonic, 1986. New Copy 2LP Gatefold
A legendary meeting of talents from two different sides of the underground – avant composer John Cage and jazz visionary Sun Ra – both performing together at a special one-night event that took place at Coney Island in 1987! The set doesn't really feature Ra jamming with Cage (as if ... LP, Vinyl record album
Channel The Spirits (with bonus download)
Leaf (UK), 2016. New Copy
The amazing first full length set of Comet Is Coming – one of the boldest statements from the London jazz scene in recent years – and a brilliant blend of live jazz instrumentation and electronics! Shabaka Hutchings – as King Shabaka – is in the group on tenor, which he ... LP, Vinyl record album
My East Is Your West (3LP set)
A really amazing little record – one that's partly in the "jazz meets Indian" mode of Joe Harriott's experiments of the 60s – but a performance that also brings in a lot more from spiritual jazz, even though most of the instrumentation is more traditional! The set is live, ... LP, Vinyl record album
Binker Golding
Abstractions Of Reality Past & Incredible Feathers (180 gram pressing)
Gearbox (UK), 2019. New Copy Gatefold
A great solo set from tenorist Binker Golding – an artist we usually hear on the Gearbox label as part of the Binker & Moses combo, but who maybe sounds even bolder and stronger here in the lead on his own! The set's a quartet date, with a relatively straight group – but the sound ... LP, Vinyl record album
Jiro Inagaki & His Soul Media
Head Rock (Japanese Record Day release)
Columbia (Japan), 1970. New Copy Gatefold (reissue)
LP...$49.99
A definite head rocker here – a brilliant bit of funky jazz from Japan, and a record that beautifully balances acoustic and electric elements! Jiro Inagaki plays some heavy tenor and soprano sax on the record – working with a combo that includes electric guitar, electric bass, and ... LP, Vinyl record album
Weldon Irvine
Time Capsule (180 gram pressing)
Nodlew/Pure Pleasure (UK), 1973. New Copy (reissue)
One of the most beautiful records to come out of the early 70s – a tremendous indie effort from a young Weldon Irvine! Irvine put this album together as sort of a musical "time capsule" of his generation – an effort to capture the era's thoughts, feelings, and emotions ... LP, Vinyl record album
Horace Tapscott
Live At Lobero Vol 1 (180 gram pressing)
Nimbus/Pure Pleasure (UK), 1981. New Copy (reissue)
A strong trio session from Horace Tapscott – recorded in Santa Barbara in 1981, with a trio that features Sonship on percussion and the great Roberto Miranda on bass! Miranda's tone is round and warm, and brings out some of the most soulful sides of Tapscott's playing – even when he's ... LP, Vinyl record album
Takeshi Inomata & Sound Limited
Sounds Of Sound Limited (Japanese Record day release)
Columbia (Japan), 1970. New Copy (reissue)
A killer funky group from early 70s Japan – a slightly large ensemble, but one with some really heavy drums at the bottom – plus some great use of organ and electric guitar! There's a tight brace of horns at the top – flute, tenor, trumpets, and trombone – but the rhythms ... LP, Vinyl record album


Come and learn how to make your very own beautiful traditional Christmas Door Wreath with one of our trained and highly experienced florists. Workshop will include frame, greenery, decorations and lights.
Light refreshments will also be available. Demonstration included.
Come and learn how to create a stunning Christmas Table Centre arrangement with one of our highly trained and experienced florists. Workshop will include pot (you can also bring your own favourite if you'd prefer), greenery, decorations and candle. Light refreshments will also be available. Demonstration included.
If you're interested in either of our workshops please send your details below. Our classes are suitable for any ability...you don't need to be an expert!


Directed by Stephen Hopkins, this biographical drama focuses on African American athlete Jesse Owens, who won a record-breaking four gold medals at the 1936 Berlin Olympic Games. While there, he struggled with the racist propaganda and growing tensions of Nazi Germany. Stephan James stars as Owens alongside Jason Sudeikis, William Hurt, and Jeremy Irons.


Vevo has announced Jack Garratt as their first act of 2016 to feature in Vevo's LIFT series. Throughout February there will be exclusive content from Jack Garratt over on Vevo.com, featuring exclusive performances and behind-the-scenes access, illustrating his incredible talent that has led to his ascent over the past year.
So to kick things off is a brand new Jack Garratt track, "Surprise Yourself", which is lifted from his forthcoming album "Phase".


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Q: bluetooth problem ubuntu I have a problem on Ubuntu 22.04 while using a bluetooth device. When I connect the bluetooth device to a computer with Windows and put on Spotify it sounds perfectly fine, but when the computer is running Ubuntu it sounds very cut and not fluid at all.

A: It sounds like maybe your computer is using HSP/HFP instead of A2DP, go into sound settings, then see what the Bluetooth device is set to use.


If you love the outdoors and want to find a new thrill, then look no further than our Austrian snowboarding resorts - with a huge variety of lessons and tuition available, this is ideal for beginners and more advanced snowboarders alike.
Our snowboarding holidays to St. Anton are full of fun and excitement. The buzzing town located in the Austrian Alps has all you need for an unforgettable trip in one of Europe's most exciting ski resorts. Fresh powder and thrilling runs by day before enjoying St. Anton's renowned après ski in the evenings. For families, groups or solo travellers looking for a memorable snowboarding trip, St. Anton is the full package.
Why visit Austria for your snowboarding holiday?
Austria is renowned for its excellent ski areas and St Anton is no exception. With over 305 kilometres of pistes to explore and runs to suit all levels of snowboarder from beginner to expert, this is one of the most extensive ski areas in the country. For those who enjoy venturing off-piste there are a number of zones within the ski area where you can explore the untouched routes filled with fresh snow. Be sure to check with local guides on where the best and safest areas are before you head off.
St. Anton is positioned in one of the snowiest parts of the Alps meaning that the resort is blessed with good snow for the entire season, making it a particularly good choice if you are snowboarding at the start or end of the winter. For beginner snowboarders, the town has a number of excellent schools where you can learn the basics before heading onto the runs higher up the mountain.
In St Anton, the Skischule Arlberg offers snowboard lessons for 4 different levels of ability, going from green to black depending on the amount of experience you have. So whether you're just getting started or are looking to perfect your technique, you will find the courses for you!
Austria is one of the worlds most popular locations for one key reason - the incredible snow conditions for snowboarding, with seasons spanning from November to April and acceptable conditions outside of this time. This means you not only have huge flexibility but very predictable and inimitable snow, making this a must-see location.
Be sure to check the snow forecast to make sure you are booking the best possible dates and don't delay- our most popular dates fill up very fast!
Once you have finished with the slopes the fun doesn't stop. St. Anton has been known for its lively après ski and nightlife since the 1960s and guests at Chalet Hotel Rosanna are at the heart of the action. Positioned on the main street in town and next door to the well-known Scotty's bar, the hotel lounge acts as a meeting point for guests before they head out to enjoy the many bars located close by. For those who like to start a little earlier, mountain bars serve up a cocktail of table top dancing and DJ sets from around 3.30pm onwards.
Chalet Hotel Rosanna is the perfect hotel for your next snowboarding holiday. With charming, traditionally styled rooms, the hotel provides a comfortable and cosy place for guests to relax after a long day on the mountain. Our resort has a great social atmosphere with meals all served in a spacious dining area with long tables providing the perfect place to get to know fellow guests before heading out for the evening. Located just five minutes from the ski schools and main lifts, there is no need to walk long distances with your board. For families, children are welcome at Chalet Hotel Rosanna throughout the school holidays.


text:
import * as fs from 'fs';
import * as shelljs from 'shelljs';
import * as pkgUp from 'pkg-up';
import * as spawn from 'cross-spawn';
import * as handlebars from 'handlebars';
var hbt = require('../lib/templates/templates.js');

export class ProjectTools {
    constructor() {
        this.getProjectRoot();
    }

    projectRoot = null;

    // Note that @storybook/react-native should be installed with 'getstorybook' but there seems to be a bug in the CLI.

    devPackages = [
        'jest',
        'typescript',
        'jest-expo-ts',
        'react-test-renderer@16.0.0-alpha.12',
        'react-native-typescript-transformer',
        '@types/react',
        '@types/react-native',
        '@types/react-test-renderer',
        '@types/jest',
        '@storybook/react-native'
    ]

    devRnPackages = [
        'typescript',
        'ts-jest',
        'react-native-typescript-transformer',
        'babel-preset-es2015',
        '@types/react',
        '@types/react-native',
        '@types/react-test-renderer',
        '@types/jest',
        '@storybook/react-native'
    ]

    packages = [
        'mobx',
        'mobx-react'
    ]

    private getProjectRoot() {
        let pr: string =  pkgUp.sync(process.cwd());
        if(pr !== null) {
            this.projectRoot = pr.replace('/package.json', '');
        }
        else {
            this.projectRoot = null;
        }
    }

    async installPackages(isCrna) {

        let cmd = null;
        let devArgs = [];
        let args = [];

        if(this.userHasYarn()) {
            //Use Yarn
            console.log('Using yarn to install packages...');

            devArgs = ['add', '-D'];
            args = ['add'];

            args = args.concat(this.packages);
            devArgs = isCrna ? devArgs.concat(this.devPackages) : devArgs.concat(this.devRnPackages);
            cmd = 'yarnpkg';
        }
        else {
            //Use NPM
            console.log('Using NPM to install packages...');

            devArgs = ['isntall', '-D'];
            args = ['install'];

            args = args.concat(this.packages);
            devArgs = isCrna ? devArgs.concat(this.devPackages) : devArgs.concat(this.devRnPackages);
            cmd = 'npm';
        }

        try
        {

            let devResult = spawn.sync(cmd, devArgs, { stdio: 'inherit' });
            let result = spawn.sync(cmd, args, { stdio: 'inherit' });

        }
        catch(err)
        {
            console.log('err: ' + err);
        }
    }

    /**
     * Add sourceExts/transformer to app.json
    */
    async modifyAppJson() {

        try
        {
            let appJson = JSON.parse(fs.readFileSync(this.projectRoot + '/app.json').toString());

            if(appJson.expo.packagerOpts === undefined) {
                appJson.expo.packagerOpts = {};
            }

            appJson.expo.packagerOpts.sourceExts = [ 'ts', 'tsx'];
            appJson.expo.packagerOpts.transformer = 'node_modules/react-native-typescript-transformer/index.js';

            fs.writeFileSync(this.projectRoot + '/app.json', JSON.stringify(appJson, null, 4));

            return 'done';
        }
        catch (err)
        {
            console.log(err);
            return err;
        }
    }

    async createBablercFile() {
        try
        {
            let babel = {
                "presets": ["react-native"],
                "sourceMaps": "inline"
            }

            fs.writeFileSync(this.projectRoot + '/.babelrc', JSON.stringify(babel, null, 2));

            return 'done';
        }
        catch (err)
        {
            return err;
        }
    }

    async createRnCliConfig() {
        try
        {

            let cliConfigTemplate = handlebars.templates['RnCliConfig'];
            let cliConfig = cliConfigTemplate({});

            fs.writeFileSync(this.projectRoot + '/rn-cli.config.js', cliConfig);
            return 'done';
        }
        catch (err)
        {
            console.log(err);
            return err;
        }
    }

    async setupTests() {

        try
        {
            let basicTest = handlebars.templates['BasicTest'];
            let template = basicTest({});

            fs.writeFileSync(this.projectRoot + '/__tests__/index.unit.tests.js', template);

            fs.unlinkSync(this.projectRoot + '/__tests__/index.ios.js');
            fs.unlinkSync(this.projectRoot + '/__tests__/index.android.js');

        }
        catch (err)
        {
            return err;
        }

    }

    /**
     * Modify Package.json
     */
    async modifyPackageJson(isCRNA) {
        try
        {
            let packageJson = JSON.parse(fs.readFileSync(this.projectRoot + '/package.json').toString());

            if (isCRNA) {
                packageJson.scripts = {
                    "prestart": "yarn cleanWatchman",
                    "start": "react-native-scripts start",
                    "eject": "react-native-scripts eject",
                    "android": "react-native-scripts android",
                    "ios": "react-native-scripts ios",
                    "test": "node node_modules/jest/bin/jest.js --watch",
                    "cleanWatchman": "watchman watch-del-all",
                    "startEmulator": "~/Android/Sdk/tools/emulator -avd Pixel_XL_API_26 &",
                    "increaseWatches": "sudo sysctl -w fs.inotify.max_user_watches=20000"
                }
            }
            else {
                packageJson.scripts = {
                    "android": "react-native run-android",
                    "ios": "react-native run-ios",
                    "start": "react-native start --transformer node_modules/react-native-typescript-transformer/index.js --sourceExts ts,tsx",
                    "test": "node node_modules/jest/bin/jest.js --watch",
                    "startEmulator": "~/Android/Sdk/tools/emulator -avd Pixel_XL_API_26 &",
                    "cleanWatchman": "watchman watch-del-all",
                    "increaseWatches": "sudo sysctl -w fs.inotify.max_user_watches=20000"
                }
                packageJson.jest = {
                    "preset": "react-native",
                    "globals": {
                      "ts-jest": {
                        "useBabelrc": true
                      }
                    },
                    "transform": {
                      "^.+\\.js$": "<rootDir>/node_modules/babel-jest",
                      ".(ts|tsx)": "<rootDir>/node_modules/ts-jest/preprocessor.js"
                    },
                    "testRegex": "(/__tests__/.*|\\.(test|spec))\\.(ts|tsx|js)$",
                    "moduleFileExtensions": [
                      "ts",
                      "tsx",
                      "js"
                    ]
                }
            }

            fs.writeFileSync(this.projectRoot + '/package.json', JSON.stringify(packageJson, null, 2));

            return 'done';

        }
        catch (err)
        {
            console.log(err);
            return err;
        }
    }

    /**
     * Creates the index.android.js and index.ios.js files
     *
     * @memberof ProjectTools
     */
    async createEntryFiles() {

        try {
            let packageJson = JSON.parse(fs.readFileSync(this.projectRoot + '/package.json').toString());

            let context = {projectName: packageJson.name};
            let template = handlebars.templates['EntryPoint'];

            let entryFile = template(context);

            fs.writeFileSync(this.projectRoot + '/index.ios.js', entryFile);
            fs.writeFileSync(this.projectRoot + '/index.android.js', entryFile);

            return 'done';
        }
        catch (err) {
            return err;
        }
    }

    async createLocalProperties() {
        try
        {
            let localProps = `sdk.dir = ~/Android/Sdk`;

            fs.writeFileSync(this.projectRoot + '/android/local.properties', localProps);
        }
        catch (err)
        {
            return err;
        }
    }

    /**
     * Create tsconfig file
     */
    async createTsConfigJson() {

        try
        {
            let config = {
                "compilerOptions": {
                    "allowJs": true,
                    "allowSyntheticDefaultImports": true,
                    "target": "es2015",
                    "module": "es2015",
                    "jsx": "react-native",
                    "moduleResolution": "node",
                    "experimentalDecorators": true
                },
                "exclude": [
                    "node_modules"
                ]
            };

            fs.writeFileSync(this.projectRoot + '/tsconfig.json', JSON.stringify(config, null, 4));
            this.deleteJsConfigJson();

            return 'done';
        }
        catch(err)
        {
            return err;
        }

    }

    /**
     * Creates a standard directory structure.
     */
    async createStructure() {
        try
        {
            if(this.projectRoot !== null) {
                shelljs.mkdir('-p',
                    [

                        this.projectRoot + '/src/components',
                        this.projectRoot + '/src/config',
                        this.projectRoot + '/src/navigation',
                        this.projectRoot + '/src/screens',
                        this.projectRoot + '/src/stores',
                        this.projectRoot + '/src/util',
                        this.projectRoot + '/__tests__/components',
                        this.projectRoot + '/__tests__/config',
                        this.projectRoot + '/__tests__/navigation',
                        this.projectRoot + '/__tests__/screens',
                        this.projectRoot + '/__tests__/stores',
                        this.projectRoot + '/__tests__/util'
                    ]
                )

                return 'done';
            }
            else
            {
                console.log('Please run rnutils from within your react native project.');
            }
        }
        catch(err)
        {
            console.log(err);
            return err;

        }
    }

    /**
     * Delete jsonconfig if it exists
     */
    private deleteJsConfigJson() {
        try
        {
            if(fs.existsSync(this.projectRoot + '/jsconfig.json')) {
                fs.unlinkSync(this.projectRoot + '/jsconfig.json')
            }
        }
        catch (err)
        {
            console.log(err);
        }
    }

    async addStorybook() {
        try {
            if(this.userHasStorybook()){

                let cmd = 'getstorybook'
                let result = spawn.sync(cmd, ['-f'], { stdio: 'inherit' });
                return 'done';
            }
        }
        catch (err)
        {
            return err;
        }
    }

    async setupDebugging(isCrna: boolean) {

        try {
            let settings = {
                "react-native": {
                    "packager" : {
                        "port": 19001
                    }
                }
            }

            let launch = {
                "version": "0.2.0",
                "configurations": [
                    {
                        "name": "Debug Android",
                        "program": "${workspaceRoot}/.vscode/launchReactNative.js",
                        "type": "reactnative",
                        "request": "launch",
                        "platform": "android",
                        "sourceMaps": true,
                        "outDir": "${workspaceRoot}/.vscode/.react"
                    },
                    {
                        "name": "Debug iOS",
                        "program": "${workspaceRoot}/.vscode/launchReactNative.js",
                        "type": "reactnative",
                        "request": "launch",
                        "platform": "ios",
                        "target": "iPhone 5s",
                        "sourceMaps": true,
                        "outDir": "${workspaceRoot}/.vscode/.react"
                    },
                    {
                        "name": "Attach to packager",
                        "program": "${workspaceRoot}/.vscode/launchReactNative.js",
                        "type": "reactnative",
                        "request": "attach",
                        "sourceMaps": true,
                        "outDir": "${workspaceRoot}/.vscode/.react"
                    },
                    {
                        "name": "Debug in Exponent",
                        "program": "${workspaceRoot}/.vscode/launchReactNative.js",
                        "type": "reactnative",
                        "request": "launch",
                        "platform": "exponent",
                        "sourceMaps": true,
                        "outDir": "${workspaceRoot}/.vscode/.react"
                    }
                ]
            }

            shelljs.mkdir(this.projectRoot + '/.vscode');

            if(isCrna) {
                fs.writeFileSync(this.projectRoot + '/.vscode/settings.json', JSON.stringify(settings, null, 4));
            }
            fs.writeFileSync(this.projectRoot + '/.vscode/launch.json', JSON.stringify(launch, null, 4));

            return 'done';

        }
        catch (err)
        {
            return err;
        }
    }

    /**
     *
     */
    async createBasicApp() {
        try
        {
            let appTemplate = handlebars.templates['AppTsx'];

            let file = appTemplate({});

            fs.writeFileSync(this.projectRoot + '/src/index.tsx', file);
        }
        catch (err)
        {
            return err;
        }
    }

    private userHasStorybook() {
        try {
            const result = spawn.sync('getstorybook', ['-V'], { stdio: 'ignore'});

            if(result.error || result.status !== 0) {
                return false;
            }

            return true;
        }
        catch(err)
        {
            return false;
        }
    }

    private userHasYarn() {
        try {
            const result = spawn.sync('yarnpkg', ['--version'], { stdio: 'ignore' });

            if (result.error || result.status !== 0) {
                return false;
            }

            return true;
        } catch (err) {
            return false;
        }
    }
}

redpajama_set_name: RedPajamaGithub


Ready to figure out where your money is going and redirect it to the areas that matter most to you.
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text:
Santa Fe de Calonge és una església de Calonge de Segarra (Anoia) protegida com a bé cultural d'interès local. Es troba envoltada d'arbres sota el turó on s'alcen les ruïnes d'un castell.

Descripció
És un edifici d'una sola nau amb transsepte i cúpula sobre el creuer. El presbiteri és de planta quadrada, però té dues absidioles, una a cada braç del creuer. De l'exterior cal destacar-ne el portal de ponent, ornat amb una arquivolta de secció circular. L'edifici que es conserva és fruit de diverses modificacions, sobretot a la coberta i la capçalera. La torre del campanar, de base hexagonal, i de construcció més tardana, està situada sobre la cúpula del creuer. L'església té adossada la gran casa de la rectoria, que conserva els arcs i un clos a la part de migdia.

L'església està dedicada a santa Fe, verge i màrtir d'Aquitània del .

Referències

Patrimoni monumental de Calonge de Segarra
Esglésies de Calonge de Segarra
Esglésies romàniques de l'Anoia
Esglésies barroques de l'Anoia

redpajama_set_name: RedPajamaWikipedia


Explore the selection of new Ford vehicles at the Stillwell Ford dealership near Blackman, MI. Our new Ford inventory includes the Ford Ranger, EcoSport, Edge, Escape, Expedition, Explorer, F-150, Fiesta, Flex, Focus, Fusion, Mustang, Super Duty, Taurus, Transit and Transit Connect. We offer convenient Ford financing, factory incentives and special offers. Our Ford finance center can help you find the best pricing and arrange affordable monthly car payments.
We offer a variety of used cars at our dealership near Blackman. Our pre-owned vehicle inventory includes used Ford models, many of which are certified pre-owned Ford cars and trucks. For anyone on a budget, buying a Certified Used Ford is a best way to get a reliable, low mileage vehicle at a reduced price.
If you are looking for Ford service near Blackman the Stillwell Ford service center is available for oil changes, tune-ups, wheel alignment, battery replacement, brake repair and much more. We use genuine Ford parts to keep your car, SUV or truck running its best. Our Ford service and parts departments also offer specials and service coupons to help you save money.
Search our full inventory to see listings of new Ford cars, SUVs, trucks and used vehicles. Compare vehicle details, photos and prices online then come in to test drive a Ford near Blackman, MI.


What problems can occur with a total knee replacement?
Sometimes a total knee replacement can become problematic earlier than expected and may require revision surgery. Alternatively, you may be one of the many patients out there who has had a well-performed total knee replacement which has now failed or become problematic with the passage of time.
A problematic total knee replacement is often just that and the symptoms are often difficult to pin down and can be quite vague. Pain may or may not be present all the time – it may be slightly hot, warm or swollen. Your surgeon will examine you in the office and this often yields vital clues as to what the underlying diagnosis or cause could be.
The causes of a troublesome total knee replacement can be broadly divided into those intrinsic to the knee replacement or extrinsic to the knee replacement. Extrinsic hip or spine pathology can masquerade as knee pain. Therefore the treating surgeon needs to have a high index of suspicion before focussing on the knee replacement itself. Further, other systemic conditions such as metabolic bone disease/rheumatoid arthritis can all present with pain in the knee.
Causes intrinsic to the knee replacement: loosening, wear, mal-alignment, instability, stiffness (inability to fully bend or flex the knee), flexion contracture (inability to fully extend the knee), periprosthetic fracture, periprosthetic infection.
The routine bloods, including ESR and CRP, weight-bearing long leg films are taken in both AP and lateral dimensions.
If an infection is suspected, then often a full infective workup is performed which comprises, in addition to the ESR and CRP, an aspiration and a bone scan +/- bone implant interface biopsies.
A long-standing problematic total knee replacement is unlikely to spontaneously get better.
These can be activity modification, painkillers and physiotherapy. Revision joint replacement surgery is a lengthy, technically demanding procedure and therefore should be performed by joint replacement specialists.
Patient fitness and physiological status should be rigorously assessed prior to committing to such a procedure. Your surgeon will sit down with you at the time and go through all the complications.
Due to recent significant biotechnological advances, there are a number of implants available each with their own biomechanical and fixation philosophies. It is important to select a reconstructive option which best suits the unique personality of your knee.
As mentioned this is lengthy, challenging and technically demanding surgery and there is now, due to biotechnological advances, a significant number of reconstructive options available. The variety of options and implant choice specific to your individual needs and reconstructive personality, will all form part of a shared decision-making process in the office.
Click here for more information on revision knee replacement surgery.
During the operation, spinal anaesthesia with local infiltration of anaesthetic around the hip is often used. After the operation regular oral medication is then used. Ask for extra if required. Before discharge required prescriptions are provided.
When can I stop using a walking aid?
Stop using a stick once you feel comfortable to do so. Do not worry if this takes a bit longer since we all recover at different rates. Your surgeon will advise you at your follow-up appointment.
In the early stages, the knee will try and stiffen up and scar down to its preoperative stage. Many soft tissue releases are performed during the operation to balance the knee. These releases will also begin to scar down.
The best way to prevent this is to continue diligently with the physiotherapy programme. Remain motivated and enthusiastic about the physiotherapy since at this stage it a crucial part of the recovery programme. If there are any setbacks in the first few weeks the scar tissue may consolidate and lead to a stiff knee. Such cases may require a manipulation under anaesthesia.


Happy Thursday friends! Four years ago, I wrote a post that has remained one of my most popular posts which discussed 26 Ways to Help a Friend with Chronic Illness. It was widely appreciated by those who have a chronic illness and those who love someone with a chronic illness. As time went on I started to receive some emails asking if there were any specific thoughts or ideas on how to reach out to someone with a chronic illness during the holiday season. (Y'all are AWESOME. Seriously. I love emails like this- they are such an encouragement to my little heart!) So I wrote a post entitled, 17 ways to help a friend with Chronic Illness during the Holidays. (There is also a 30 Christmas Present Idea list for a friend with Chronic Illness that can be found HERE if you are interested and a 35 Christmas Present Ideas for Lyme Patients post that can be found HERE!) Two years ago I shared 15 ways to help a friend with a chronic illness during the thanksgiving season and today I wanted to re-share some of these ideas again with some updated thoughts!
I hope that this list helps! I am not an expert at all, but the things that I have listed below are things that friends have mentioned to me that have been wonderful or I have personally experienced that has truly touched my heart and my life during this holiday season, especially when I was very sick. So (in no specific order) here are 15 ideas to help a loved one with a chronic illness during the Thanksgiving holiday!
The holidays can be stressful for people and this is especially true of those with chronic illnesses.
2. When hosting a dinner party (or a get together) take the time to share with your chronically ill friend ahead of time the ingredients of all of your dishes.
This will save your friend any awkwardness of having to ask questions in front of the other guests and feel like a burden at the party.
3. When hosting a party- offer some foods that your friend (who is on a special diet) can eat.
Don't make this a big deal but try to incorporate snacks (or leftovers) that you know your friend can eat.
Understand that money is tight and that the holidays are incredibly stressful for your friend. Hosting a thanksgiving get together (even if it is "their year") can be extremely taxing on those suffering with chronic illness. I know I was told by one friend, "if it was just us, we would be eating eggs and toast because money is so tight but instead we have been missing treatments, not buying supplements, etc. for a couple of months just to save up to feed the family because it is our responsibility this year". Yikes! Unfortunately this is the case all too often. Be incredibly sensitive to the time, energy, and money that may be spent and try and help out with any (or all!) of these things!
Helping those who are less fortunate, serving at the homeless shelter, etc. are all wonderful ideas but have you ever thought about serving those who are even closer to you? Your chronically ill friend is in serious need. Consider serving those closest to you this year!
6. Offer to go grocery shopping (and pay for the groceries) for your friend.
This was such a great idea! Shopping is absolutely exhausting for a chronically ill person, but during the holidays it can be truly detrimental. Not only are their long lines and tons of people but often times there is more of a chance of someone picking up germs due to these large crowds. You most likely are already going to the store- why not ask your friend what you can pick up for them? Another idea? Why not get double of everything you are getting and then drop it off at their house (with the receipt). They will keep what they can use and exchange anything that can't be used. Such a simple but helpful thing for those who are ill!
Things may look different with your friend and family members who are seriously ill but remember that they are still the same person in their hearts. Be patient with the changes.
8. Laugh often with your friend or family member.
Maybe offer to bring over a comedy to watch together, send a funny card in the mail, or just leave a message that could bring a smile to their face!
9. Don't make it about you.
10. Consider starting new holiday traditions.
Yes, you have stuffed yourselves with Turkey and always played flag football for the whole afternoon finishing the day off with a movie marathon and then starting your all day Christmas shopping at midnight on Black Friday and that has been wonderful for years (or decades or generations) BUT... just reading that list may be exhausting for someone who is sick let alone being able to do 1/2 of those things for a chronically ill person. Why not start new holiday traditions while keeping the old ones? BE Creative. BE open. Your love and compassion will be the best holiday gift you could give someone.
11. Take up a secret holiday collection and give it to your friend before Christmas.
Why not surprise your friend with an early Christmas present and give it to them at Thanksgiving. Believe me... they are not going to be spending it on themselves unless it is for treatment but even then they probably will use it to buy Christmas presents for their loved ones.
12. Celebrate the simplicity of the holiday season.
Holidays are about PEOPLE. Not a tradition or a "pinterest worthy" house... but people. Spend the energy and love on the people who are hurting.
This is how I describe things to those who don't know me sometimes. "Remember how poorly you felt when you had the flu last year? Remember the headache and the backache you had last week? Remember when you had mono as a college student? Put all of them together and times it by ten and you have close to what I am feeling all of the time. Now if you felt that way... what would you like to do for the holidays?" Be thoughtful - put yourself in the others persons shoes.
15. Realize that your friend or family member with chronic illness is the best gift this season.
Their illness is forcing them to set limitations but the gift to you is remembering what is truly important in the holiday season. Celebrate PEOPLE. Not things or activities. At the end of the day people are the most important thing not whether or not you were able to buy every single gift in the world.
As I continue to heal from my health issues I look back and think about all of the grace that has been shown to me over the last several years and holiday seasons. One of the biggest gifts that I have received is the love and support of family and friends in this journey. If you ever feel like you wish you could do more, especially at the holiday season- know that your love and compassion and grace will be a gift that will last in their hearts forever!


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Expandable ASP Baton for those who are less partial to the 'LA classic' style nightstick, and prefer a more modern approach to policing. Used by many worldwide, US and UK police departments & forces, including the NYPD and the Metropolitan Police!
Follow me on my links to keep updated with the LATEST British mods for GTA 5!
- With OpenIV, go to "update\x64\dlcpacks\patchday3ng\dlc\x64\models\cdimages\weapons.rpf"
Thanks to TheNathanNS for a great tutorial!
§1 - Don't redistribute without my permission.
§2 - Don't edit any file and redistribute it without my permission.
§3 - I am not responsible for any damage that may be caused to your PC or game directory during a) the installation b) usage or c) removal of this mod. You are responsible for backing up your files!
§4 - If you want to include this mod in a pack, please contact me. Clan and private packs are an exception, as long as they stay 'private'. Correct credits must be given at ALL times.
@Double Doppler - Love your Brit mods mate! :-D My favourite car for driving around in is your BMW ANPR car!
Thanks guys. I will be reducing the size of the baton slightly as it's a bit big, I'll also improve the model very slightly.
Is it possible to make a mod that makes the baton do no damage?
When i downloaded your mod the file only had the changelog and credits in the file.


text:
disbelief
So maybe I don't believe in the church anymore. I don't. Really. It has its place, yes, but it is not all-important. Your church shouldn't define you, or your faith. Because the church is only human and humanity has a 110% success rate at tearing itself apart.
Sometimes it has nothing to do with finding the right church for you. It's about being hurt by the church, and being hurt by the people who should have known better, should have cared more and who will be held accountable for your soul.
Maybe when we've realised how flawed the church is the time when we've healed enough to take that step back. But until then, disassociation and de-conversion works takes its toll on our lives. And it is at that very point that the church, which should reach in grace, pushes its legalism and judgement, tipping the breaking point.
The feather of grace becomes the hammer of judgement.
So maybe I don't believe in church anymore, because the church has failed us too many times, where it really matters the most.
What I believe in is the Bride Unsullied. I believe in community. I believe in finding friends who won't let you go, no matter how far you run. I believe in friends who may not understand where you're coming from, and friends who have been where you are, and friends who may or may not agree with you, but friends who will still be friends, even when you've fallen from grace, or think you have fallen from grace. I believe in holding you to a higher standard, because I believe in you. Because i know you can rise again and it doesn't always have to be this way.
And I believe it when it says there is no condemnation even if I don't understand where you are, or why.
meiyi 15/07/2009, 08:15
i think there is no such thing as finding the right church, as we can never find the right one.
it's the people who change how a church would be like....
to be better or worst (sad)..
i used to church hop, now that I stopped, and you are so right that, what's more important is the friends that will hang on with us.


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