Selling a classic vehicle for money could be a complicated process, particularly if you haven't tried it before. You will probably find yourself unclear about selecting the very best buyer. Also, you may be concerned about not receiving enough money for the vehicle. If you're a novice at selling junk cars, you will find several problems which you may face. To be able to avoid these, you have to research completely concerning the process of selling a classic vehicle. Despite the fact that several automotive companies are in possession of offers which will make the procedure highly convenient, you must still be aware of essential particulars. Also, you will find several tips and methods you should use across the process to obtain the maximum benefits from it. Here are the tips you should use.
For just one, you have to make certain that you simply avoid all mistakes which will make the procedure more than it must be. With this, you have to feel the automotive company's needs and rules carefully. Several companies, for example, only allow 4 tires per vehicle. You mustn't, therefore, range from the chubby tummy or aspire to get extra cash for this. You are able to steer clear of the hassle by simply getting rid of the chubby tummy out of your vehicle. Also, you have to make certain that the vehicle is drained of fuel prior to the buyer picks up. You have to remove any oil or gas that might be contained in the vehicle. By doing this, you'll have the ability to obtain the cash immediately and won't need to reschedule the selling process.
An execllent tip would be to make the most from the spares of the vehicle. Like spare tires, you will find several parts the buyer may not want using the vehicle. This doesn't, however, imply that these parts will go to waste. You are able to really earn money from these by selling them individually. You are able to request the automotive company if they would like to purchase them individually. Otherwise, you can just advertise the spares on the internet and get cash on their behalf! No areas of your old junk vehicle, therefore, must see waste.


. . . wretched refuse of my teeming resonance. (apologies to Aesop Rock) is my first composition in many years for fixed media. Whereas previous attempts in the medium were somewhat abortive musically (i.e. lacking form, development, a sense of pitch relationships, a rhythmic profile, general cohesiveness, and proper mixing), I was determined that this time around things would be different. Fueled by that determination (and Jim Beam), I set out to coax as many interesting sounds as possible from my 5-string banjo; variously employing a violin bow, coins, golf balls, a giant foam finger, screws, a guitar slide and, eventually, an empty whiskey bottle. Restrictions were placed on gratuitous processing and reverb was deployed only in the direst of circumstances; the end result a kind of sonification of my insecurities in the realm of the acousmatic.


This article is a continuation of the previous two articles on Netfilter. It discusses the network address translation table of Netfilter.
With the new 2.4.0 kernel and Netfilter, you've already seen how the new filter table incorporates states such as new, established, and related. It also filters on syn, ack, rst, and other masks, so it shouldn't come as a surprise that the NAT table is also enhanced.
For those of you who used masquerading under ipchains, think of this as masquerading on steroids. Normal masquerading remains, but as a special case. In fact, if you can avoid it, you'll not want to use masquerading at all—you'll want to use the new source and destination nat.


With Primitive Photo Resizer, you will no longer have any questions how to quickly resize one photo without starting huge image editors and other complex and slow software to solve this simple problem. All you have to do is load a photo in Primitive Photo Resizer, resize the window and save the result. And that is all! Primitive Photo Resizer supports only the most popular image formats: JPEG, GIF and BMP.
...... And that is all! People who have only basic skills in using computers will find this program especially useful, even a child can handle it. Primitive Photo Resizer supports only the most popular image formats: JPEG, GIF and BMP.
Primitive Photo Resizer is absolutely free and does not require installation.
Qweas is providing links to Primitive Photo Resizer 2.0 as a courtesy, and makes no representations regarding Primitive Photo Resizer or any other applications or any information related thereto.
Any questions, complaints or claims regarding this application Primitive Photo Resizer 2.0 must be directed to the appropriate software vendor.
You may click the publisher link of Primitive Photo Resizer on the top of this page to get more details about the vendor.


Examiner: Would you please tell me your opinion of house decoration?
Sample answer: I'd like my walls painted blue, because blue is my favorite color. I feel relaxed when I see blue color. There is a poster on my wall showing the pop music singer called Andy. I want him to stay with me in my room, I am a big fan of him.


text:
Q: Typescript - To replace the value of a property is it is not the default value I have 2 objects. The first object A has a default value of 'enabled' for all properties.
public A(): any {
    const enabledObject = { enabled: true };
    return {
        property1: enabledObject,
        property2: enabledObject,
        property3: enabledObject,
        property4: enabledObject,
    };
}

The second object has different properties
public B(): any {
    const appProperty = {
        property1: { enabled: true },
        property2: { enabled: false},
        property3: { enabled: true },
        property4: { enabled: false},
    };
}

I want to return object A minus any properties that are specified to be 'enabled=false' in object B.
public A(): any {
    const enabledObject = { enabled: true };
    return {
        property1: enabledObject,
        property3: enabledObject,
    };
}

I am attempting to fix this with the following but it does not work.
return _.assignInWith(A, B, this.Disabled);

private Disabled(destination: any, source: any, key: any): any {
    const disabledObject = { enabled: false };
    if (_.isUndefined(destination)) {
        return disabledObject;
    }
    return destination;
}

A: There is also a simple solution without using lodash:
function AmB(): any {
  const a = A();
  const b = B();
  const res = {};
  for (let aKey in a) {
    if (!b[aKey] || b[aKey].enabled) {
      res[aKey] = a[aKey];
    }
  }
  return res;
}

Stackblitz demo of this example

A: While I do not know loadash syntax, this could be easily done through JavaSscript (or converted to Typescript)
   var enabledObject = { enabled: true };
    var A = {
      property1: enabledObject,
      property2: enabledObject,
      property3: enabledObject,
      property4: enabledObject
    };

    var B = {
      property1: { enabled: true },
      property2: { enabled: false},
      property3: { enabled: true },
      property4: { enabled: false}
    };

    var diff = {};
    for(var p in A){
        //diff[p] = {};
      //if B does not have the property, add it to result and continue
      if (!B.hasOwnProperty(p)) {
        diff[p] = A[p];

      } else {
        if(B[p].hasOwnProperty('enabled') && !B[p]['enabled']) {
            diff[p] = A[p];
        }
      }
    }

just run this code on the console of your browser and print diff variable
If you wanted to, you could further generalize the logic to compare two object with different structure and return the differences

A: You can achieve the following using lodash as follows:
function AmB(): any {
 const a = A();
 const b = B();

 const bPairs = _.toPairs(b);
 const bNotEnabled = _.filter(bPairs, bPair => { return !bPair[1].enabled });
 const aPairs = _.toPairs(a);
 const aMinusB = _.reject(aPairs, aPair => _.find(bNotEnabled, b => b[0] === aPair[0]));
 return {...aMinusB}
}

And you can see this working here

redpajama_set_name: RedPajamaStackExchange


SavannahBlue . BryanHotBoy. LifeStyleFetish. DivineAnabelle.
sEXYOmaYCoolErikka99SweetLaureteForUPleasureOlga .MackAndDerlyHotSexyBoy6666TalliaSkyeTalliaSkye .CamillaMoodybarberiantwinkHotladyforyouxxxMelissaStuart .PleasureOlgaLingeriePrincessRedGirlXSexyLeksy .HappyHeyHavenShaz1BigSexyBenSquirtL0ng .flybigtitsnow7xMistisexy69anadandickhard .MichellineLovebarberiantwinkHONEYxKNOCKERSbbwsakura .tsannafaeLesbiCuteLatEMILIOBOYsexyqueenkarlaa .queenkarlaaHONEYxKNOCKERSJulieNicolleJessicaReeves .JonyJoksSophiaConnerSnowGuy1992JonyJoks .JingleWoodFireFoxBbEsteyaDaisyAnne .
MilanaCharmHONEYxKNOCKERSEvaRangelAllisonRios .versatileTScumtsannafaeAnelisssKrystalDesireX .TiffanyLollipopbarberiantwinkEsotericGeminitsannafae .MikeyHotStud4UhotfibiNikita4uKonnerina .LingeriePrincess00CatwalkSofiaAriztizabalSexyLeksy .XCuteAsyaXTalliaSkyeKonnerinaversatileTScum .GiantCockCock69pervmistress21PleasureOlgaJonyJoks .LingeriePrincessCarrieRedCherrySAMFullerAdorableAmelie .xMistiCarrieRedCherryDaisyAnneMichellineLove .1BigSexyBenbarberiantwinkBryanHotBoyKonnerina .MilanaCharmLingeriePrincessJulieNicolleFHModel .


text:
Olympic swimming champion Klete Keller charged over US Capitol invasion
By Roberto Silman on January 13, 2021 World
Two-time gold medallist charged on three counts over unrest38-year-old was teammate of Michael Phelps on US relay teams
Olympic swimming champion Klete Keller has been charged over the invasion of the US Capitol by a pro-Donald Trump mob last week.The 38-year-old won two relay gold medals as a teammate of Michael Phelps at the 2004 and 2008 Olympics.
Charges of knowingly entering or remaining in a restricted building, disorderly conduct in the Capitol building and impeding law enforcement were filed against Keller in a Washington DC court on Wednesday.Olympic Champion Klete Keller Appears to Have Been in US Capitol During Insurrection – https://t.co/JiDwxgSPog pic.twitter.com/9b0zwbLXCH— Swimming World (@SwimmingWorld) January 12, 2021
A number of people who saw videos of the Capitol invasion identified a tall man in a US Olympic team jacket as the 6ft 6in Keller. The man in the video was part of a crowd being pushed towards the exit of the Capitol by police. He did not appear to be acting violently.Golf's pitch to distance itself from Donald Trump came five years too lateRead more"We respect private individuals' and groups' rights to peacefully protest but in no way condone the actions taken by those at the Capitol last week," a spokesperson for USA Swimming told the Guardian on Wednesday, before the charges against Keller were announced.The US Olympic and Paralympic Committee CEO Sarah Hirshland did not name Keller in a statement released on Wednesday, in which she condemned the Capitol violence."As many of you know, there are reports of an alumni Olympic athlete involved in the horrific acts at the US Capitol building last week," read the statement. "I strongly condemn the actions of the rioters at the US Capitol. They do not represent the values of the United States of America or of Team USA."Keller deleted his social media accounts earlier this week and is yet to comment on the allegations against him.
Swimming website SwimSwam reported that prior to the deletion, Keller had written several posts in support of Trump.In recent years, Keller has spoken about his struggles to adapt after his swimming career ended, but he had been working as a real estate firm, Hoff & Leigh recently. The company this week said they no longer employed Keller."Hoff & Leigh supports the right of free speech and lawful protest," the company wrote in a statement. "But we cannot condone actions that violate the rule of law."On Wednesday, Trump became the first president in history to be impeached twice, after he incited the mob to invade the Capitol. Trump baselessly claims he lost the presidential election because of voter fraud.Five people, including a Capitol police officer, died as a result of last week's violence.
Previous Article'The Carol Burnett Show': The Real Reason Lyle Waggoner Left the Show
Next Article 'Lord of the Rings': Amazon's Series Promises 'the Greatest Villain That Ever Flowed From Tolkien's Pen'

redpajama_set_name: RedPajamaCommonCrawl


I saw a few people posting the debuts they're most anticipating in 2015 and thought, you know, I want to jump on that train! Because I have some writing friends/acquaintances with books coming out this year, and I'm really excited about that. Besides, I'm not going to have any reviews for a couple of weeks because I'm catching up on some adult reading thanks to Christmas gifts :). So, here we go.
THE SOUND OF LIFE AND EVERYTHING comes out in May, and Krista's second book, DON'T VOTE FOR ME, will be out in August. I'm so excited for Krista!
In keeping with the Team Krista theme, one of my Team Krista teammates, who also was so kind as to beta-read one of my manuscripts, will also debut this year. Anna-Marie McLemore's THE WEIGHT OF FEATHERS is about two teenagers from rival families of traveling performers who fall in love despite impossible odds. Doesn't that sound amazing?? I wish there was a cover for me to share. The fall is so far away! In the meantime, you can follow Anna-Marie on Twitter for updates.
Braden has always measured himself through baseball. Now the rules of the sport that has always been Braden's saving grace are blurred, and the prospect of playing against Alex Reyes, the nephew of the police officer his father is accused of killing, is haunting his every pitch.
I mean, faith, baseball, impossible choices? Right up my alley!
So there you have it–a few debuts I can't wait to read this year. Unfortunately I have to wait until fall for two of them! Unless I can get my hands on ARCs … hmm. What debuts are you anticipating in 2015? Or other books?
These all look so good! I'm especially excited for Krista's and MarcyKate's books. I'm also looking forward to reading UNDER A PAINTED SKY by Stacey Lee and THE WRAITH AND THE DAWN by Renee Ahdieh.
Two more to add to my list. Thanks for the tips!
I can barely keep up with what I haven't read from last year, so I'm going to get right on these when they're released. They all sound very intriguing with unique story lines. Thanks for the heads-up.


text:
The Real Story of January 6 | Documentary
"The Real Story of January 6," a documentary by The Epoch Times, reveals the truth that has been hidden from the American people. While a narrative has been set that what took place that day was an insurrection, key events and witnesses have been ignored until now. The documentary takes an unvarnished look at police use of force and the deaths that resulted in some measure from it. The film asks tough questions about who was responsible for the chaos that day. With compelling interviews and exclusive video footage, the documentary tells the real story of January 6. The film is narrated by Joshua Philipp, host of "Crossroads" on EpochTV and a senior investigative reporter at The Epoch Times.
Jasper Fakkert, editor-in-chief of The Epoch Times, said: "There has been a narrative perpetuated about January 6 that omits many of the facts about what happened that day.
"With in-depth interviews and exclusive video footage, we take an objective look at the issues, the people, and the impacts of the events."
The film takes a close look at the shooting of 35-year-old Air Force veteran Ashli Babbitt and the deaths of three other supporters of former President Donald J. Trump. It analyzes the police response to the massive crowds and use of force around the U.S. Capitol.
It examines the human impacts of Jan. 6, including the suicide of one defendant and the long pretrial imprisonment of dozens of others. It also investigates claims that some attacks on the Capitol and police were carried out by unindicted suspicious actors.
What Really Happened on January 6? | The Real Story of January 6
While the dust from Jan. 6, 2021, has long cleared, it has been replaced by a smoke screen. A carefully crafted narrative has been set that claims the events of that day amounted to a "violent insurrection." This claim, however, does not match the facts. "The Real Story of January 6" takes an objective look at what happened through the eyes of those who were there. The Epoch Times provides the first comprehensive look into what really happened that day. The Truth can't be hidden.
Watch Here: The Real Story of January 6 | Documentary
Global Government New World Order Political Manipulation US News #Capitol Hill #Insurrection #January 6


text:
Q: Compare 2 dataframes imported from excel I am working on data comparison project. Here i have 2 excel files 'Prod1' and 'Proj1' which i had imported in python as data frames. Both the data frames have 46 identical columns with identical labels. But different number of rows across both files (e.g. Prod1 is having 100 while Proj1 is 110). I want to compare cell by cell values and highlight the mismatch as 'TRUE' or 'FALSE'in another dataframe. Which can be further exported in excel. Till now i am able to read the files but got struck in comparison part. Kindly assist
import os

import pandas as pd

import numpy as np

import xlrd

os.getcwd()

os.chdir("C:\\Users\\desktop\\Python Project")

Prod1= pd.read_excel("Prod1.xls")

df1 = pd.read_excel('Prod1.xls', 'Prod1')

print(df1)

df2 = pd.read_excel('Proj1.xls', 'Proj1')

print(df2)

A: Assuming df2 is the larger dataframe, as you say in your explanation, resize to match df1:
>>> df1 = df1.reindex(index=df2.index)

Then just print the following:
>>> print(df1 == df2)

Example
# Define two Pandas Dataframes

>>> df1 = pd.DataFrame(data={'col1': [1,2], 'col2': [3,4]})
>>> df2 = pd.DataFrame(data={'col1': [1,2,3], 'col2': [3,4,5]})

>>> df1
   col1  col2
0     1     3
1     2     4

>>> df2
   col1  col2
0     1     3
1     2     4
2     3     5

The Dataframes purposely don't match in size, so if you tried to do the following:
>>> print(df1 == df2)

You would see an error like this:
ValueError: Can only compare identically-labeled DataFrame objects

In order to compare the two, use the index of the bigger Dataframe df2 (this describes the labels applied to each row) and we use it to redefine the index of df1. Note this only works if the two datasets utilise the same indexing.
>>> df1 = df1.reindex(index=df2.index)
>>> df1
   col1  col2
0   1.0   3.0
1   2.0   4.0
2   NaN   NaN

Now if you try to compare them, you will see the following:
>>> print(df1 == df2)
    col1   col2
0   True   True
1   True   True
2  False  False

A: This is the approach you want to have, first let's recreate two dataframes:
import itertools
import pandas as pd
import numpy as np

np.random.seed(1234)

df1 = pd.DataFrame(np.random.randint(0,2,size=(2,2)),columns=list('AB'))
df2 = pd.DataFrame(np.random.randint(0,2,size=(4,2)),columns=list('AB'))

Df1,  Df2:
   A  B       A  B
0  1  1    0  0  0       # False
1  0  1    1  0  1       # True
           2  1  1       # False
           3  1  1       # False

Now we compare those dataframes row-wise by zipping the values together and make sure all .all() values are the same.
[(a==b).all() for a,b in itertools.zip_longest(df1.values, df2.values)]

Or without izip_longest:
[(a==b).all() for a,b in zip(df1.values, df2.values)]+[False]*abs(len(df2)-len(df1))

And output is:
[False, True, False, False]


text:
Environmental Arts and Humanities at Oregon State University
Graduate Student Conference
There is a place for you in our community! Here is an alphabetical list of current graduate students in EAH and related programs, along with their ideas, projects, and interests.
Jay Baker is an interdisciplinary artist from Colorado and New Mexico. He holds a BA in Visual and Performing Arts with emphases in creative music and film studies from University of Colorado at Colorado Springs. After graduating in 2012, he has worked as a member of various artistic communities in New Mexico such as Basement Films and The Roost Creative Music Series. Throughout this time he has also created music and visual art under the pseudonym Tom Foe. His artwork has been published and shown in UNM's Blue Mesa Review, UCCS's riverrun, Basement Films' MadLab Series, OSU's Sound Box Three, and more. His studies at OSU revolve around creative residency programs, land conservation, social/environmental justice, and the relationships between them.
Sarah De La Rosa holds a BA in Political Science and a Masters of Public Administration. She has served in the U.S. Army since 2004, as both a Combat Medic and a Signal Officer, in a variety of positions and locations, including working with the Department of State's U.S. AID and the military-military advising detachment of the U.S. Army. During her work with domestic and foreign government and non-government agencies, she developed a strong passion for the plight of refugees and a strong awareness of how the pending climate crisis will disproportionately affect those communities. Her work with the OSU EAH program will focus on policy and legislative advocacy for rethinking the immigration and refugee admittance process for the U.S. in a way that is more humane, sustainable, and transparent for both the newcomers and the communities who are receiving them.
Emma Deane completed her BS in Environmental Science with a specialization in environmental education from Oregon State University in 2021. Emma's passion for environmental and outdoor education prompted her decision to pursue a master's degree in Environmental Arts and Humanities. She also has interests in environmental justice and advocacy. Outside of the classroom, Emma represents OSU as a student-athlete on the women's soccer team. She will finish out her final two years of eligibility as an intercollegiate student-athlete while in the EAH program. Upon graduation, Emma plans to pursue a career as a professional soccer player, in environmental or outdoor education, or both!
Olivia Goodfriend initially explored her love of art and science through studying both dance and biology at the University of Florida. After graduating in 2017, Olivia worked as a project coordinator and biological scientist for a Wildlife Ecology lab, where she realized she has a passion for science communication. Following that passion, Olivia joined the Environmental Arts and Humanities program where she seeks to integrate her love of performance art and biology in order to discover new and creative ways of communicating science with the public.
Haley McKinnon is a native Oregonian, a writer, and an animal lover. She received a BA in Creative Writing from Pacific University in 2018, and is interested in science communication and sociological approaches to environmental issues. Along with an MA, Haley is pursuing a graduate certificate in Wildlife Management with a focus in marine mammal conservation. Ultimately, she hopes to work closely with marine biologists, policy experts, and climate change scientists to create comprehensive understandings and solutions to negative anthropogenic influences on the ocean and its inhabitants.
Jordan Laughlin
Anita Spaeth is an interdisciplinary artist and arts-integrated environmental educator based in Oregon (currently residing on Kalapuya land). She/they graduated with their bachelors from Pacific Northwest College of Art (Portland, OR) in 2018 with an emphasis in book arts, ecology, and poetry. When not teaching or making, Anita is passionately learning land restoration practices, organic farming and animal husbandry while working towards their dream of cooperatively running a farm & artist residency in the Oregon Coastal range. Anita is currently a graduate student at Oregon State University in the Environmental Arts & Humanities program. She has worked in creative and educational contexts with PNCA (OR), OCAC (OR), OMSI (OR), The Girl Scouts of North America, and Islandwood (WA).
Ali Trueworthy completed her BS in mechanical and ocean engineering at Massachusetts Institute of Technology in 2017 and decided to continue her studies in engineering as a PhD student in Mechanical Engineering at OSU in Fall of 2018. Inspired by the ways of thinking and creating that she learns from the arts and humanities and motivated by the possibilities of blending disciplines, Ali joined the EAH program officially in the Fall of 2019. Ali does deign engineering research and science communication for the Pacific Marine Energy Center and is interested in engineering practice in the context of the climate emergency and ways we can create technologies that maintain our bond to place, encourage diversity, and preserve productive human and non-human relationships.
Anthony Vitale received a B.A. in Environmental Geography from Kent State University in Ohio where he studied wildlife conservation and land-use change. His professional work as an environmental consultant and later as a journalist exposed him to many unique and insightful people with very different perspectives on the world around them. Within the Environmental Arts and Humanities program he seeks to integrate and build upon these experiences by developing a greater understanding of the nature-human relationship and progressing his communication skills.
stateofthecoast-2016_011
Kei Lin Chang
ys-wolf-releasing-sawtooth-pup_npsjimpeaco_680
wolf-pack-yellowstone
56a8bd683d440
Get Involved in Projects
Spring Creek Project for Ideas, Nature, and the Written Word
OSU Downwinders Project
Andrews Forest Research Projects
Technology and Environment Research Cluster (Center for the Humanities)
Food, Culture, and Social Justice
Marine Studies Initiative
Artists, Scientists, Philosophers ask "What Will Nature Do?" December 6, 2021
Is the Ocean Our Climate Superhero? December 1, 2021
Designing for Spatial Justice Means Living Together Beautifully December 1, 2021
The Role of Dystopian and Utopian Imagery in Inciting Hope for the Future November 30, 2021
Climate Change, Fire, and Indigenous Science December 4, 2020
A Chance to Save Our Most Fragile Ecosystem: The Coral Reef December 4, 2020
Lama Rod Owens: The Birth and Caretaking of a Violent Thought December 3, 2020
Story Map: Indigenous Naming of Creeks on Marys Peak December 3, 2020
Scientists Making Art: Marine Food Webs March 21, 2020
Eco-Film Festival February 28, 2020
© 2023 Environmental Arts and Humanities at Oregon State University, all rights reserved.


text:
Children's TV Show Features Same-Sex Relationship
by admin | Aug 30, 2016 | children, Featured, LGBTQ Youth, television
Steven Universe, a children's cartoon series, is exploring queer identity. The popular TV show just wrapped up season three and began season four, which included the episode "The Answer," which is Steven Universe's second Emmy-nominated episode.
"The Answer" is a particular important episode, not just to fans of the show, but for LGBT communities of all ages. It's an episode of a children's show that portrays, in an undeniable fashion, a same-sex relationship from first realizations through lifelong commitment.
Rebecca Sugar, the show's creator, said that she wanted to give Garnet (who is single-handedly the same-sex couple in question, it's hard to explain) a traditional fairy tale love story. The art for the episode is inspired by love story classics, like Disney's "Sleeping Beauty" and "The Adventures of Prince Achmed," which is the oldest surviving animated film.
Rebecca Sugar, who identifies as bisexual, has said in the past that it's very important that stories for kids include stories about sexuality, stories about consent, and stories about the unconventional.
"So many stories for kids are about love, and it really makes a difference to hear stories about how someone like you can be loved," she said at San Diego Comic Con in July earlier this year, and added, "It's very important to me that we speak to kids about consent, that we speak to kids about identity… I want to feel like I exist, and I want everyone else who wants to feel that way to feel that way too."
Television critics are lauding the series as "heartwarming," "innovative," and "inspiring." Ratings for the show continue to climb, despite what many deem a "controversial" episode. Rebecca Sugar's approach to Steven Universe and its worldwide success are proof that diversity in the people who make our entertainment can only improve the quality of life for all of us.


text:
#include "common.h"
#include "common/streams.h"
#include "common/mail.h"
#include "mud/player.h"
#include "mud/server.h"
#include "mud/macro.h"
#include "mud/command.h"
#include "mud/color.h"
#include "mud/settings.h"
#include "net/telnet.h"

/* BEGIN COMMAND
 *
 * name: set color
 * usage: set color <type> <color>
 *
 * format: set color :0% :1% (60)
 *
 * END COMMAND */

void command_set_color(Player* player, std::string argv[])
{
	// must have a telnet connection
	if (player->getConn() == NULL) {
		*player << "Must have an active telnet connection.\n";
		return;
	}

	// get type/color
	int ctype, cvalue;
	for (ctype = 0; !color_type_names[ctype].empty(); ++ctype)
		if (strEq(color_type_names[ctype], argv[0]))
			break;
	for (cvalue = 0; !color_value_names[cvalue].empty(); ++cvalue)
		if (strEq(color_value_names[cvalue], argv[1]))
			break;

	// invalid color type
	if (color_type_names[ctype].empty()) {
		// determine column count
		int max_col = (player->getWidth() - 3) / 20; // figure max size
		if (max_col <= 0)
			max_col = 3;

		// print list
		*player << "Invalid type '" << argv[0] << "'.  Possible options are:\n";
		int col = 0;
		for (uint i = 0; !color_type_names[i].empty(); ++i) {
			// display
			player->setIndent(col * 20 + 2);
			*player << color_type_names[i];

			// move column
			if (++col >= max_col) {
				*player << "\n";
				col = 0;
			}
		}
		if (col)
			*player << "\n";
		player->setIndent(0);

		// invalid color
	} else if (color_value_names[cvalue].empty()) {
		// determine column count
		int max_col = (player->getWidth() - 3) / 20; // figure max size
		if (max_col <= 0)
			max_col = 3;

		// print list
		*player << "Invalid color '" << argv[1] << "'.  Possible options are:\n";
		int col = 0;
		for (uint i = 0; !color_value_names[i].empty(); ++i) {
			// display
			player->setIndent(col * 20 + 2);
			*player << color_value_names[i] << " (" << color_values[i] << "ABC" << CNORMAL << ")";

			// move column
			if (++col >= max_col) {
				*player << "\n";
				col = 0;
			}
		}
		if (col)
			*player << "\n";
		player->setIndent(0);

		// set color
	} else {
		player->getConn()->pconnSetColor(ctype, cvalue);
		*player << "Color '" << color_type_names [ctype] << "' set to " << color_values[cvalue] << color_value_names[cvalue] << CNORMAL "\n";
	}
}

redpajama_set_name: RedPajamaGithub


This document section brings 38 photo of Grade, some of them are including 5th Grade Math Word Problems Frazers Wall 2 Ps67 Pinterest 3. Fifth Grade Math Worksheets Beautiful Penny Candy Math Worksheets. Worksheet Place Value 5th Grade Worksheets Grass Fedjp Worksheet. 5th Grade Math Worksheets Free 5th Grade Math Worksheets 31.


text:
Anger Rising in Mexico Over Alleged Police Brutality Death
Images of George Floyd and other African Americans killed by police hang surrounded by roses on a security barrier outside the U.S. embassy in Mexico City, Saturday, May 30, 2020. A sign in Spanish reads "Racism kills, here, there, and in the whole world," on the display put up by a group of Americans living in Mexico, along with other ex-pat and Mexican friends. (AP Photo/Rebecca Blackwell)
MEXICO CITY (AP) — As protests rock the United States over allegations of police abuses, anger built in Mexico on Thursday over its own police brutality case: a young man allegedly beaten to death after officers detained him for not wearing a face mask during the coronavirus pandemic.
Hundreds of protesters marched Thursday evening in Guadalajara, the capital of Jalisco state, to demand justice in the death of Giovanni López. Some broke into the state Capitol and sprayed graffiti on the walls while others later set two police patrol vehicles on fire.
Police officers murdered #GiovanniLópez, a 30-year-old bricklayer, on 4 May near Guadalajara,Mx. He was picked up for not wearing a mask but the pigs beat, shot & tortured him before he died. The people have taken to the streets in Guadalajara. #ACAB!! pic.twitter.com/XYs5MtpatH
— Voices in Movement (@VIM_Media) June 5, 2020
An online campaign already in progress calling for justice in López's death has drawn support from stars like Oscar-winning director Guillermo del Toro.
Authorities in Jalisco have said that López was detained May 4 in a town near Guadalajara for a misdemeanor equivalent to disturbing the peace or resisting arrest.
Riots have broken out in Guadalajara, Mexico after 30-year-old Giovanni Lopez was murdered in police custody. He had been violently arrested for not wearing a face mask.
The struggle against police brutality is a global struggle. #JusticiaParaGiovannipic.twitter.com/uKWfxbYZW4
— Jerome Roos (@JeromeRoos) June 5, 2020
A video of his detention shows municipal police wrestling him into a patrol truck as residents argued with officers about excessive use of force and rules requiring face masks, a measure designed to slow the spread of the coronavirus. Hours later he was taken from his cell for medical treatment and died.
COPS MURDERED GIOVANNI
Giovanni López, 30yo day laborer arrested for not wearing a mask, criminalised by cops and brutally beaten to death bc he belongs to the Mexican racialized underclass.
ACAB EVERYWHERE
https://t.co/ifIhGkqFhm… #JusticiaParaGiovanni#JusticeForGiovanni pic.twitter.com/Qv617s5gWB
— Sergio Beltrán-García (@ssbeltran) June 4, 2020
None of the municipal police in the town of Ixtlahuacán de los Membrillos have been arrested, fired or charged in the death, which officials have said was the result of beatings.
Jalisco state prosecutor Gerardo Solis said Thursday that the police officers had been placed under investigation.
State Gov. Enrique Alfaro called the López's death "an atrocity" Thursday and promised results from the investigation "within hours."
But the governor also said the incident was "an act of the municipal authorities" and the state wasn't to blame. "I am also hurt, I am also indignant, I am also enraged that these happen in Mexico," Alfaro wrote.
But the federal Interior Department said in a statement that the tough anti-pandemic measures implemented by Alfaro in Jalisco, including detaining people for violating curfews or not wearing masks, contributed to the problem.
"This event came in the context of the restrictive measures implemented by the governor of Jalisco to fight the pandemic, which included the use of law enforcement forces, and which led to abuses by authorities," the department said.
Assistant Interior Secretary Alejandro Encinas wrote that he "condemns acts in which law enforcement has been used to enforce preventative measures against the pandemic, or the arbitrary arrest of people, particularly the most vulnerable among us."
There have been disputes before about pandemic prevention measures in Mexico, where some towns put up roadblocks or checkpoints to seal themselves off from the outside world, required visitors to isolate or enforced curfews.
Jesús Peña, of the office of the U.N. High Commissioner on Human Rights in Mexico, said that "we encourage the authorities of Jalisco state to send a clear and unequivocal message that human rights violations will not be tolerated in the enforcement of emergency measures during the COVID-19 pandemic."
Police brutality has a long history in Mexico that predates the coronavirus pandemic. Police and military personnel have very seldom been punished for excessive use of force or extrajudicial killings.
Case of Mother Burned to Death in Mexico Takes New Twist
Botched Autopsy in Mexico Killing Leads to Cover-Up Charge
Amir Locke Protesters Seek Acting Police Chief's Resignation
One response to "Anger Rising in Mexico Over Alleged Police Brutality Death"
3 Mexican Police Officers Arrested for Alleged Beating Death says:
[…] MEXICO CITY (AP) — Authorities in western Mexico arrested three police officers, including the commissioner, and took over their local police department Friday in connection with the alleged beating death of a man in police custody. […]


text:
Germany players cover mouths at World Cup in FIFA protest
SecurityNovember 23, 2022
Sign up to Miguel Delaney's Reading the Game newsletter sent straight to your inbox for free
Sign up to Miguel's Delaney's free weekly newsletter
Germany claim Fifa "denied us a voice" after their players covered their mouths in a World Cup statement before their Group E match with Japan.
It is the latest development in the row with the world's governing body over the "One Love" initiative, with Fifa censoring Germany and other teams in Qatar, where homosexuality is illegal.
The four-time World Cup winners lined up for the photo opportunity on the pitch before the Group E match at the Khalifa International Stadium, collectively covering their mouths.
A statement from the German FA read: "We wanted to use our captain's armband to take a stand for values that we hold in the Germany national team: diversity and mutual respect. Together with other nations, we wanted our voice to be heard.
"It wasn't about making a political statement – human rights are non-negotiable. That should be taken for granted, but it still isn't the case. That's why this message is so important to us. Denying us the armband is the same as denying us a voice. We stand by our position."
The German players also wore rainbow sleeves on their training tops during the warm-up.
German federal minister of the interior and community Nancy Faeser could be seen in the stands wearing the One Love armband before kick-off.
Germany's football team players cover their mouths before the World Cup group E match against Japan
(AP)
German vice chancellor Robert Habeck had declared his intent to wear the multi-coloured OneLove armband at Qatar 2022 in the build-up to the Japan match.
Asked by broadcaster ZDF whether players should wear the armband, Habeck replied: "I am not the media adviser of the DFB [German football association] and I am not Manuel Neuer, but the opportunity is there.
"I'm a politician trying to do my job properly, but what would happen if it happened now? I would like to know and I would take my chances," he added.
German politician Nancy Faeser wears the One Love armband
Fifa has attempted to crack down on players wearing the armbands in support of diversity at this year's World Cup.
In response, Rewe, one of Germany's biggest supermarket chains, scrapped its advertising campaign with the DFB.
washingtonlatest November 23, 2022
Apple users with certain old iPhone, iPad devices should install this security update – Fox News
SmartStory Achieves HITRUST Risk-Based, 2-Year Certification to … – MarTech Series
Sacked GCHQ employee launches legal claim under whistleblowing defence
LastPass Parent Company GoTo Suffers Data Breach, Customers' Backups Compromised
Data clean rooms: An adtech privacy solution? – International Association of Privacy Professionals
China's Huawei looks to ports, factories to rebuild sales – The Associated Press – en Español
Samsung Galaxy Store App Found Vulnerable to Sneaky App Installs and Fraud
Massive Tech Layoffs Continue to Increase Insider Risks for Enterprises – Security Boulevard
I'm a security expert – why your fridge, TV, heating and WiFi could be very dangerous… – The US Sun
Arsenal 3 Aston Villa 0: Maanum nets brace as Gunners set up Conti Cup semi-final clash with Manchester City
January 26, 2023Sports


text:
nephrogenic love
nephrogenic
Same as n ephrogenous.
adjective medicine, anatomy that forms the tissues of the kidney
nephro- + -genic
The ailment, which is sometimes fatal, is called nephrogenic fibrosing dermopathy and has been reported in patients with weakened kidney function.
Yahoo! News: Business - Opinion
But the U.S. Food and Drug Administration (FDA) recently announced that these drugs will now require a black box warning label-the strongest in the industry-because they can cause a rare, and sometimes fatal, condition known as nephrogenic fibrosing dermopathy (NFD).
Breaking News: CBS News
KTBS.com - Local News
Certain drugs used as contrast agents in MRIs will get new, tougher warnings from the FDA due to their association with a dangerous skin condition known as nephrogenic systemic fibrosis.
Saundersblog.com
The gadolinium-based contrast agents (GBCAs), which are intravenous drugs used to help make diagnostic tests such as MRI scans or angiography easier to read, can cause a rare and potentially fatal condition known as nephrogenic systemic fibrosis in kidney disease patients, the FDA said.
The ailment is called nephrogenic fibrosing dermopathy and can be fatal.
KVUE - Home
KCCI.com - Local News
He described a cluster of cases at his hospital in Copenhagen where kidney patients who received Omniscan developed a rare disorder called nephrogenic systemic fibrosis.
ScienceBlogs Channel : Life Science
Omniscan and other products have been linked with a skin condition in kidney patients, known as nephrogenic systemic fibrosis.
Aftermath News
same context (18)
Words that are found in similar contexts
acute-phase
bazillion
can't-miss
celeb-obsessed
ellynika'
estrogenic
humoral
immunogenic
lymphoproliferative
osseous
pericardial
pulmonic
thrombolytic
well-observed


text:
Q: Why do I keep getting illegal address error? I am currently trying to implement the Gmail API to send email to a group of addresses along with an attachment file.
My code to implement the Gmail API is as follows:
public class GMailSender extends javax.mail.Authenticator {
private String _user;
private String _pass;

private String[] _to;
private String _from;

private String _port;
private String _sport;

private String _host;

private String _subject;
private String _body;

private boolean _auth;

private boolean _debuggable;

private Multipart _multipart;

public GMailSender() {
    if (rb1 != null && rad.isChecked()){
        message=s1;
    }else if(rb1 != null && rad1.isChecked())
    {
        message=item;
    }
    _host = "smtp.gmail.com"; // default smtp server
    _port = "465"; // default smtp port
    _sport = "465"; // default socketfactory port

    _user = "abhishek.roychoudhury69@gmail.com"; // username
    _pass = "abhishekcena"; // password
    _from = "abhishek.roychoudhury69@gmail.com"; // email sent from
    _subject = s3; // email subject
    _body = message; // email body

    _debuggable = false; // debug mode on or off - default off
    _auth = true; // smtp authentication - default on

    _multipart = new MimeMultipart();

    // There is something wrong with MailCap, javamail can not find a handler for the multipart/mixed part, so this bit needs to be added.
    MailcapCommandMap mc = (MailcapCommandMap) CommandMap.getDefaultCommandMap();
    mc.addMailcap("text/html;; x-java-content-handler=com.sun.mail.handlers.text_html");
    mc.addMailcap("text/xml;; x-java-content-handler=com.sun.mail.handlers.text_xml");
    mc.addMailcap("text/plain;; x-java-content-handler=com.sun.mail.handlers.text_plain");
    mc.addMailcap("multipart/*;; x-java-content-handler=com.sun.mail.handlers.multipart_mixed");
    mc.addMailcap("message/rfc822;; x-java-content-handler=com.sun.mail.handlers.message_rfc822");
    CommandMap.setDefaultCommandMap(mc);
}

public GMailSender(String user, String pass) {
    this();

    _user = user;
    _pass = pass;
}

public boolean send() throws Exception {
    Properties props = _setProperties();

    if(!_user.equals("") && !_pass.equals("") && _to.length > 0 && !_from.equals("") && !_subject.equals("") && !_body.equals("")) {
        Session session = Session.getInstance(props, this);

        MimeMessage msg = new MimeMessage(session);

        msg.setFrom(new InternetAddress(_from));

        InternetAddress[] addressTo = new InternetAddress[_to.length];
        for (int i = 0; i < _to.length; i++) {
            addressTo[i] = new InternetAddress(_to[i]);
        }
        msg.setRecipients(MimeMessage.RecipientType.TO, addressTo);

        msg.setSubject(_subject);
        // msg.setSentDate(new Date());

        // setup message body
        BodyPart messageBodyPart = new MimeBodyPart();
        messageBodyPart.setText(_body);
        _multipart.addBodyPart(messageBodyPart);

        // Put parts in message
        msg.setContent(_multipart);

        // send email
        Transport.send(msg);
        Log.d("The message is:", String.valueOf(msg));

        return true;
    } else {
        return false;
    }
}

public void addAttachment(String filename) throws Exception {
    BodyPart messageBodyPart = new MimeBodyPart();
    DataSource source = new FileDataSource(filename);
    messageBodyPart.setDataHandler(new DataHandler(source));
    messageBodyPart.setFileName(filename);

    _multipart.addBodyPart(messageBodyPart);
}

@Override
public PasswordAuthentication getPasswordAuthentication() {
    return new PasswordAuthentication(_user, _pass);
}

private Properties _setProperties() {
    Properties props = new Properties();

    props.put("mail.smtp.host", _host);

    if(_debuggable) {
        props.put("mail.debug", "true");
    }

    if(_auth) {
        props.put("mail.smtp.auth", "true");
    }

    props.put("mail.smtp.port", _port);
    props.put("mail.smtp.socketFactory.port", _sport);
    props.put("mail.smtp.socketFactory.class", "javax.net.ssl.SSLSocketFactory");
    props.put("mail.smtp.socketFactory.fallback", "false");

    return props;
}

// the getters and setters
public String getBody() {
    return _body;
}

public void setBody(String _body) {
    this._body = _body;
}

public void setTo(String[] toArr) {
    // TODO Auto-generated method stub
    this._to=toArr;
}

public void setFrom(String string) {
    // TODO Auto-generated method stub
    this._from=string;
}

public void setSubject(String string) {
    // TODO Auto-generated method stub
    this._subject=string;
}

// more of the getters and setters …..

}
The code for calling the GmailSender function from another activity:
 GMailSender m = new GMailSender("abhishek.roychoudhury69@gmail.com", "abhishekcena");

    s4=editText.getText().toString();
    String[] toArr = {s4}; //s4 is the edittext.getText().toString() field.
    m.setTo(toArr);
    m.setFrom("abhishek.roychoudhury69@gmail.com");
    m.setSubject(s3);
    m.setBody(message);
    for (int i = 0; i < toArr.length; i++) {
        try {
            m.addAttachment(path);

            if (m.send()) {
                Toast.makeText(context, "Email was sent successfully :)", Toast.LENGTH_LONG).show();
            } else {
                Toast.makeText(context, "Email was not sent :(", Toast.LENGTH_LONG).show();
            }
        } catch (Exception e) {
            //Toast.makeText(context, "There was a problem sending the email.", Toast.LENGTH_LONG).show();
            Log.e("MailApp", "Could not send email", e);
        }

    }

The problem is that suppose I type in 2 email ids (eg: "xyz@abc.co.in, acb.123@gmail.com") into my editText field s4, I get an error in this format:
javax.mail.internet.AddressException: Illegal address in string ``xyz@abc.co.in, acb.123@gmail.com''
    at javax.mail.internet.InternetAddress.<init>(InternetAddress.java:108)

But if I give those same emails as parameters to my toArr[] (i.e., toArr[]={"xyz@abc.co.in, acb.123@gmail.com"}), the email gets sent. Why?

A: Your setTo method is expecting an array of strings, with each string containing only a single email address.
If you want to allow multiple email addresses to be entered in a single text field, and thus appear in a single string, change your setTo method to take a single String, then use that String in the MimeMessage.setRecipients method.
While you're in there cleaning up this code you copied from somewhere else, you should also fix all these common JavaMail mistakes.

A: As @Mark Rotteveel said, the setTo() method was taking the whole textfield as an array. What I did was, I first splitted the email textfield based on the "," symbol. After that I put each of the value of the splitted array into another array and set that as a parameter to the setTo() method. As a result, now its taking each individual email id as a single array.
 String splitedemail[]=new String[5];
 for(int i=0;i<splitedemail.length;i++) {
                s4 = text3.getText().toString();
                splitedemail=s4.split(",");
            }
 for( i=0;i<splitedemail.length;i++) {
        toArr[i] = splitedemail[i];
        String arr[] = {toArr[i]};
        m.setTo(arr);
        m.setFrom("abhishek.roychoudhury69@gmail.com");
        m.setSubject(s3);
        m.setBody(message);

        try {
            m.addAttachment(path);

            if (m.send()) {
                Toast.makeText(context, "Email was sent successfully :)", Toast.LENGTH_LONG).show();
            } else {
                Toast.makeText(context, "Email was not sent :(", Toast.LENGTH_LONG).show();
            }
        } catch (Exception e) {
            //Toast.makeText(context, "There was a problem sending the email.", Toast.LENGTH_LONG).show();
            Log.e("MailApp", "Could not send email", e);
        }

    }


As an affordable and high-performing choice, felt roofing is popular option with our clients. Using modern techniques, our team ensure that you receive a sturdy, secure option. Flat roofing insulation is also provided, and we provide free quotations which allow you to see exactly what you are purchasing. Your business is sure to benefit from the results that we provide.
Our 3-layer high-performance felt roofing systems are traditionally hot rolled and poured onto a flat surface. Using a state-of-the-art blow torch, our team efficiently lay the roof using a mineral finish. A range of colour options are also available to add character. As well as this, we provide aluminium, solar, and reflective paint finishes to prolong the life of the felt roof.
Once you request our services, we visit your property to measure the area. Advice and guidance is also provided, and a free quotation is then offered to ensure that we meet your needs.
All our felt roof systems are built to the British Standard 747. This ensures their quality, and allows you to receive a great roof at a cost-effective price. Removing rotting timbers, our team replace them with sturdy alternatives, and each felt roof has a 15-year guarantee for your peace of mind. Our team also provide certification for insurance companies.
Stay warm and cosy with the aid of our insulation options. Suitable for flat roofs, we apply this for built-up felt roofing and rubber membrane EPDM systems. It's an environmentally friendly option, and we use the best materials to install insulation of up to 100 millimetres.
Contact our specialists for further information about our felt roofing and roof insulation options.


text:
Q: mysql - #1109 - Unknown table '...' in field list Yes I have read other queries with this title, and they're either unanswered or the answers given are irrelevant. This is in a WordPress installation. The Unknown table is one of the core WordPress tables, so it should exist, no?
The output, in phpmyadmin, is

#1109 - Unknown table 'baqhllRepostmeta' in field list.

A table was created
DROP TABLE IF EXISTS baqhllReacf_digital;
CREATE TABLE baqhllReacf_digital (
    `id` bigint(20) NOT NULL AUTO_INCREMENT PRIMARY KEY
    . . .

A query was run
INSERT IGNORE INTO `baqhllReacf_digital` (post_id, ....)
SELECT `baqhllRepostmeta`.post_id .....

Does the table exist?

It would seem so, yet still the error persists.
I know the SQL is OK. I've run it on two other website databases. so why in this case does it fail?

A: Digging deeper, I found some corruption in a table that referenced a field and table that had had some of the back ticks removed.


text:
Best ways to get from AKF Martial Arts Academy Of Eau Claire to Country Inn & Suites By Radisson, Chippewa Falls, WI
AKF Martial Arts Academy Of Eau Claire
Come see what you and your family can accomplish through martial arts training! We offer a free private lesson for all new students. Call to schedule your appointment today!
Address:1606 S Hastings Way, Eau Claire, WI 54701
Website:http://martialartseauclaire.com
Martial Arts Dojos
Country Inn & Suites By Radisson, Chippewa Falls, WI
Situated just north of Eau Claire, the Country Inn & Suites by Radisson, Chippewa Falls, WI is a family-friendly hotel focused on exceptional service. Join us Monday through Thursday evenings for a complimentary snack, and be sure to chat with other guests for tips on visiting nearby attractions....
Address:1021 W Park Ave, Chippewa Falls, WI 54729
Website:https://www.countryinns.com/chippewa-falls-hotel-wi-54729/wichippe?s_cid=os.amer-us-cis-WICHIPPE-yxt
How far is it from AKF Martial Arts Academy Of Eau Claire to Country Inn & Suites By Radisson, Chippewa Falls, WI?
How long does it take to get from AKF Martial Arts Academy Of Eau Claire to Country Inn & Suites By Radisson, Chippewa Falls, WI?
How do I schedule a Lyft ride from AKF Martial Arts Academy Of Eau Claire to Country Inn & Suites By Radisson, Chippewa Falls, WI?
From AKF Martial Arts Academy Of Eau Claire
From AKF Martial Arts Academy Of Eau Claire to Holiday Inn Express & Suites Eau Claire North
From AKF Martial Arts Academy Of Eau Claire to Days Inn Eau Claire West
From AKF Martial Arts Academy Of Eau Claire to Best Western Plus Eau Claire Conference Center
From AKF Martial Arts Academy Of Eau Claire to Hickory Hills Golf Course
From AKF Martial Arts Academy Of Eau Claire to Country Inn & Suites By Radisson, Eau Claire, WI
From AKF Martial Arts Academy Of Eau Claire to Regency Inn & Suites
From AKF Martial Arts Academy Of Eau Claire to Campus Footbridge
From AKF Martial Arts Academy Of Eau Claire to Anytime Fitness
From AKF Martial Arts Academy Of Eau Claire to Lake Hallie Golf Club
From AKF Martial Arts Academy Of Eau Claire to Left Leaning Apartment
From AKF Martial Arts Academy Of Eau Claire to Avis Car Rental -
From AKF Martial Arts Academy Of Eau Claire to Holiday Inn
From AKF Martial Arts Academy Of Eau Claire to GrandStay Residential Suites Hotel - Eau Claire
From AKF Martial Arts Academy Of Eau Claire to Dragonfly Dance And Wellness
From AKF Martial Arts Academy Of Eau Claire to Red Cedar State Trail
From AKF Martial Arts Academy Of Eau Claire to Eau Claire County Dog Park
From AKF Martial Arts Academy Of Eau Claire to UWEC Stairs
From AKF Martial Arts Academy Of Eau Claire to Country Inn & Suites By Carlson, Menomonie, WI
From AKF Martial Arts Academy Of Eau Claire to Milwaukee Burger Co.
From AKF Martial Arts Academy Of Eau Claire to Oakwood Mall
From AKF Martial Arts Academy Of Eau Claire to UW-Eau Claire Clock Tower
From AKF Martial Arts Academy Of Eau Claire to Super 8 Menomonie
From AKF Martial Arts Academy Of Eau Claire to AmericInn
From AKF Martial Arts Academy Of Eau Claire to Beaver Creek Reserve
From AKF Martial Arts Academy Of Eau Claire to BioLife Plasma Services
To Country Inn & Suites By Radisson, Chippewa Falls, WI
From Wagner's Lanes to Country Inn & Suites By Radisson, Chippewa Falls, WI
From McIntyre Library to Country Inn & Suites By Radisson, Chippewa Falls, WI
From Eau Claire YMCA to Country Inn & Suites By Radisson, Chippewa Falls, WI
From Lake Hallie Golf Club to Country Inn & Suites By Radisson, Chippewa Falls, WI
From Memorial Student Center to Country Inn & Suites By Radisson, Chippewa Falls, WI
From Jacob Leinenkugel Brewing Company to Country Inn & Suites By Radisson, Chippewa Falls, WI
From Left Leaning Apartment to Country Inn & Suites By Radisson, Chippewa Falls, WI
From Davies Student Center to Country Inn & Suites By Radisson, Chippewa Falls, WI
From Anytime Fitness to Country Inn & Suites By Radisson, Chippewa Falls, WI
From Campus Footbridge to Country Inn & Suites By Radisson, Chippewa Falls, WI
From BioLife Plasma Services to Country Inn & Suites By Radisson, Chippewa Falls, WI
From Al's snowplowing llc to Country Inn & Suites By Radisson, Chippewa Falls, WI
From Blue Devil Productions to Country Inn & Suites By Radisson, Chippewa Falls, WI
From Beaver Creek Reserve to Country Inn & Suites By Radisson, Chippewa Falls, WI
From Don and Nona Williams Stadium to Country Inn & Suites By Radisson, Chippewa Falls, WI
From Hickory Hills Golf Course to Country Inn & Suites By Radisson, Chippewa Falls, WI
From The Cabin In Davies to Country Inn & Suites By Radisson, Chippewa Falls, WI
From Super 8 Menomonie to Country Inn & Suites By Radisson, Chippewa Falls, WI
From Eau Claire County Dog Park to Country Inn & Suites By Radisson, Chippewa Falls, WI
From Planet Fitness to Country Inn & Suites By Radisson, Chippewa Falls, WI
From Best Western Plus Eau Claire Conference Center to Country Inn & Suites By Radisson, Chippewa Falls, WI
From Silver Dollar Saloon (The Buck) to Country Inn & Suites By Radisson, Chippewa Falls, WI
From The Pickle to Country Inn & Suites By Radisson, Chippewa Falls, WI
From UWEC Stairs to Country Inn & Suites By Radisson, Chippewa Falls, WI
From Milwaukee Burger Co. to Country Inn & Suites By Radisson, Chippewa Falls, WI


text:
By Jenny Sinclair|2019-10-23T05:09:37+00:00October 22nd, 2019|Categories: AUS|0 Comments
2019 has been perhaps the best year of Ashleigh Brazill's life. All-Australian honours in the AFLW, a thoroughly deserved recall to the Samsung Australian Diamonds, and, most importantly, a baby on the way. While Ash is quick to credit those around her – family, coaches and teammates, and particularly her wife – for their support, her tale is one of courage and inspirational perseverance.
Ash Brazill playing for the Mapgies in the Suncorp Super Netball league 2019. Image Aliesha Vicars
A country girl from New South Wales, Ash grew up on the sporting fields and courts of Bargo, where her parents played mixed netball. She laughed to remember her first trials for a representative side at Wollondilly, saying, "There were only five of us, so I was an automatic inclusion."
At that young age she had no idea that netball could be a career, or that it would become a consuming passion. Taken to see her first Sydney Swifts game when she was 16, she remembered, "It was a grand final, and to see the crowds, the atmosphere, I knew that was what I wanted to do. From that day on, I set my goal to one day be an elite netballer."
While Ash and her brother played football locally, netball training for the junior Hunter-Jaegers involved an enormous amount of travel. Ash's mum would leave work early, and the pair would drive four hours to Newcastle for a two hour court session, then four hours home again.
Spending eight hours in the car each trip was when Ash learned how to speak her mind, and more importantly, how to listen. She said, "Mum and I spent so much time together I think we got to have a different bond to many mothers and daughters. At times I forgot it was Mum and I was just chatting with my best friend. The amount of stuff we would talk about, and I also got to know her and see a different side of her." Those open lines of communication were to become crucial when Ash was struggling with her identity.
For some time the teenager had been wondering about her sexuality. Ash said, "I was questioning, 'Who am I?' I didn't want to be gay, and I was dating a guy just to prove to myself that I wasn't.' Being a country kid, you never heard anything positive back then. I didn't know of anyone who was gay, I didn't have any role-models to follow in their footsteps, you never heard of gay athletes, especially in netball. I didn't know who to speak to, and my parents were Catholic Italians. So it was all pretty nerve-racking for me."
Ash has a strong bond with her parents. Pictured together with wife Brooke. Copied, with permission, from Ash Brazill's Instagram account
Moving away from home to the Australian Institute of Sport was important for her growth: Ash listened to her inner voice, learning just as much about herself as she did about netball. She explained, "I wasn't sure who I was, and while I didn't have a girlfriend, I needed to make sure I was right before I said anything. There wasn't any background noise at the AIS. I had time to think, 'Is this okay? Am I okay with who I am?'"
Ash reached a point where she was comfortable with herself, and started quietly letting people know that she was gay. She said, "It was a secret for so long, and then I started leaving hints because I wanted people to know. Everyone respected me and wanted me to let them know rather than come and ask. So when I finally did, it was a weight off my shoulders. And the funny thing was everyone was like, 'Great, I'm glad you finally told us!'"
Ash was concerned about how her parents, with their religious beliefs, would take her news. She needn't have been, as their only worry was about whether she'd be accepted in netball circles. "It's pretty funny now when you think about it, but it mattered at the time. My parents have always been supportive and taught my brother and I to be who we are, although I don't ever think they expected me to be gay!"
"But they've always challenged us to speak up if we don't believe in something, if someone is getting picked on, and they've taught us to be kind and to be who we are. So, while I'd worried about the background noise, it was probably my noise rather than anyone else's, just not knowing how they'd react."
After a year at the AIS, Ash received a call from Sydney Swifts coach Julie Fitzgerald, offering her a contract with the club. It was a dream come true, even if for two years she sat on the bench during game day. Ash said, "I was very nervous going into the Swifts, with the likes of Cath Cox, Kim Green, Vanessa Ware, Susan Pratley, all the big names. I was starstruck, but loved it."
"It was hard being on the side lines for so long, but back then that was just what you did. You didn't question it, you just worked your butt off."
The second year was far better than the first; defenders Sonia Mkoloma and the newly arrived Mo'onia Gerrard took the youngster under their wings. According to Ash, "Mon was my idol. She'd say, 'At every session just think you need to beat Kim Green to get on court. Don't get down on yourself, because if you can beat her, you can beat anyone!'
"Having an older mentor put that kind of mindset into your head was great, and it something that I push with young kids now. I still rate Kim as one of the best wing attacks in the league, and it reminded me that you don't just get given a spot on court, you earn it."
However, with seven internationals playing for the Swifts, Ash knew it wouldn't get any easier to get court time. So when Norma Plummer, newly appointed to guide the Fever, rang, Ash accepted an offer to head west. She wanted to see how the highly respected former Diamonds' coach could add to her game.
Ash Brazill beats Kim Ravaillion to the ball, West Coast Fever vs Queensland Firebirds 2015. Image Simon Leonard.
Ash still rates the move as one of the biggest challenges of her life. She moved into a house with Verity Charles and Chanel Gomes, and at 20, was the oldest of the group. They learned how to fend for themselves, and what is needed of an elite athlete. Ash said, "You learn pretty quickly, especially with Norma, how to behave as an athlete. And a lot of changes happened to Fever over that year because of her expectations."
The changes were needed, because Fever had somewhat of a reputation. Ash said, "There was a stigma around the team at that point. It didn't matter to the players if they won or lost, they were going out afterwards, partying hard and having fun. You'd speak to players from that era and they said it was the best time they'd ever had. You'd ask why, and none of it was to do with netball."
"I remember when I came across I had an older player tell me not to get caught up in it. I'm not a partier, I'm a grandma – have a cup of tea at night and go to bed. I didn't really believe it until I got there. While I wouldn't want to change those people for the world – they're awesome humans, there was always that party mentality."
Ash met and married Brooke Grieves during her years at the Fever, describing her spouse as the 'strongest person I know.' "She knows what she wants and just goes for it. Even us dating, for instance, she'd never been with a girl before and we'd been hanging out. One day she said, 'I have these feelings and they're weird, but I want to know what they are.' I freaked out and said, 'Well, don't hurt me. I know who I am.' She knows who she is though, and I take my strength from her."
Ash and Brooke Brazill on their wedding day. Copied, with permission, from Ash Brazill's Instagram account
Towards the end of her fifth year with Fever, Ash knew it was time to move on. She was struggling with injury, too-frequent air travel, and an excuse mentality whenever they lost. She said, "I couldn't cope with that. Every loss hurt me more and more. I think we were blaming other people rather than taking accountability. When we were asked why we were unsuccessful none of the excuses were to do with us as a playing group."
When the 2016 season finished, Ash didn't leave her house for a week, spending much of her time in tears. "As captain I blamed myself, I wanted to be better and do everything better and I didn't know how. So, I decided to question everything and started to blame others. Brooke picked me up on it. She said I'd never, ever done that. At that point it just hit me that it was time to go."
In demand by four clubs, Ash spent time talking to each of their coaches. She heard the positives, which were uplifting, but it was Kristy Keppich-Birrell, newly appointed Collingwood coach, who surprised her. "She went through how to beat me. I'd never had a coach do that before, and I thought, 'That's ballsy, for starters!' But after that she went through how we could fix that, and how I could improve so I didn't have those weak spots in my game."
Personal reasons were also important for Ash and Brooke in their move to Victoria. They wanted to discover what they were like as a couple away from the comfort zone of relatives in Sydney or Perth. They'd also known from very early on that they wanted to have children. Ash said, "We started the process of IVF in Perth and it was extremely hard, even just getting paperwork done was ridiculous. It's more normalised for a gay couple in Melbourne."
Part II to follow…
NS Exclusive: Diamonds tie-up Constellation Cup with 6 goal win
October 17th, 2019 | 1 Comment


прывітанне! (pri-vit-tan-nyeh) I'm really excited to be here in Minsk and today, I'll be talking about typesetting East Asian languages on the web with CSS, and how such techniques can also be used for other languages but for art direction and designing layouts.
Before I begin, can I have a show of hands if anyone in the audience speaks any East Asian languages, like Chinese or Japanese?
As for myself, I speak both Chinese and English. My name is Hui Jing, I go by Jing as well. I was born in Malaysia. Fun fact, I used to play basketball full-time and it kickstarted my web career.
I love CSS and will write articles about it. I also happen to be a Mozilla TechSpeaker, which is an initiative by Mozilla that supports technical evangelists in regional communities around the world by providing resources and funding.
So let's get into it. Before we can start talking about typography, however, we need to talk about writing systems.
Writing systems are visual representations of verbal communication. A means to record whatever we say, in our respective languages.
I did learn that the Belarusian alphabet has 32 letters, which is much less than the medieval Cyrillic alphabet which had 43.
The Hebrew alphabet has 22 letters, Arabic has 28 letters and English has 26. The point I'm trying to make here is that alphabetic writing systems utilise a small set of letters to form all the different words in that language.
Chinese is different. It is a logographic language whose characters number in the tens of thousands. Each character is a unique glyph that can express meaning on their own or be used in combination with other glyphs.
For example, захапленне (za-ha-ple-nyeh), Belarusian word of 10 letters. Chinese only needs 2 characters, 入迷.
The word, Communication, is an English word of 13 letters. In Chinese, 沟通.
Grianghrafadóireachta (Green-hra-fer-doi-rek-te), Irish word of 21 letters. Again, 2 characters will do, 摄影. It's as if Twitter was built for Chinese.
Although a lot of the world mostly read from left-to-right, writing systems can go in all directions.
Modern day vertical writing applies to East Asian scripts that utilise Han characters, so mainly Chinese, Korean and Japanese, and are read from right-to-left. Mongolian also uses vertical writing, but is read from left-to-right.
Han characters are sometimes called square characters, because each character is composed within a uniform square. Chinese texts can be typeset into neat rows and columns.
And if you don't understand Chinese, you may not know which direction the text is going. It could be vertical, right-to-left, or horizontal top-to-bottom.
The earliest letters were sans-serif when writing was done with a hard reed pen. Serifs may have came about due to a transition to a square-cut writing implement, like a flat stiff brush.
For quick informal writing, cursive scripts like Old Roman soon emerged. The Cyrillic alphabet was derived from the Greek uncial script, which developed from Old Roman.
Chinese characters have seen their own path of evolution as far back as 1600BCE, when the earliest glyphs were scratched into turtle shells and animal bones.
This early script was called Oracle Bone script because the ancient rulers would use them to ask various higher powers important questions about topics like agriculture, warfare, how many sons they would have and so on.
While Latin-based scripts are classified into sans-serif and serif typefaces, Chinese has its own script classifications. These 4 are mainly used for printing Chinese publications nowadays. 宋体, 楷体, 仿宋体 and 黑体.
Because of the huge volume of glyphs required, creating Chinese typefaces takes years of effort by teams of designers. If you take a look at any Chinese system font you have on your machine, they usually cover more than 30,000 glyphs.
For a typeface to be viably used as body copy, it will probably need a minimum coverage of around 7000 glyphs for simplified Chinese or around 13,000 for traditional Chinese.
For the longest time, writing has been done on analogue mediums. Etchings on bone, inscriptions on stone and bronze, calligraphy and printing on parchment and paper. All these are things we can touch and feel. But the medium of our time is now the screen, and the browser.
As more and more of our communications move onto the digital realm, it is important that we preserve language diversity.
I believe most people in this audience speaks more than one language, and if you can recall the words I tried to pronounce earlier, is it possible to fully express za-ha-ple-nyeh in another language?
There are more than 7000 languages spoken globally, but only a tiny proportion of that is represented in the online world. English is currently the dominant language on the web, largely because digital technologies were pioneered in English-speaking countries.
Languages are representative of human heritage. And embedded within every language are the values and beliefs of a people and the history of their culture.
There aren't that many Belarusian-language schools and the situation seems more problematic at the pre-school and university level.
85% of books published in Belarus each year are in Russian, while Belarusian books take up only 9.5% of the market.
But maybe, the internet can help with that. The number of internet users in Belarus has grown from around 2.1 million to 6.7 million at the end of last year.
Such explosive growth is an opportunity. An opportunity for the creation and proliferation of local content. And this is why Internationalisation is a priority at the W3C.
My not-so-secret agenda for this talk is to encourage you to create more content in your respective mother tongues. And the CSS we cover today, can help with presenting that local content correctly on the web.
And if you happen to be an English-speaker, don't worry, the web was built for you by default, so everything mentioned will work just fine. It's all relevant.
Anything we see on a screen has everything to do with the field of computer graphics. And digital typography is a cross-disciplinary field involving technical engineering, aesthetic design and mathematical precision.
When we talk about typography on the web, one of the first things that comes to mind is web fonts.
Different font formats store information about the font, like their glyphs, encodings, metadata about the font and so on, differently based on how their specifications were written.
But why do we have so many different font formats anyway? Time for a bit of history. The earliest fonts were pixel-based bitmaps, okay for low-resolution screens, but not for high resolution printing.
On the practical side of things, we use the @font-face rule to declare a list of different font formats for browser support but nowadays, it's safe enough to declare just WOFF and WOFF2.
The font-family descriptor is simply a label that we reference in other CSS declarations. So maybe you're using Helvetica, you don't have to put "Helvetica" as the descriptor. You could call it "Zefir" if you wanted.
The src descriptor tells the browser where to find the font file, it could be an external URL, or a local font. It also includes an optional format hint. If the browser doesn't support a particular font format stated in that hint, it won't bother looking for the font at all.
If you're bored at work, you could try assigning a black typeface to a font-weight of 100 and proceed to confuse your colleagues who cannot figure out why setting a weight of 100 gives them this massively bold typeface.
If office pranks are your thing...I'm just saying. But it's not my fault if you get in trouble.
We also have a unicode-range descriptor. which allows us to create composite fonts that mix glyphs from different fonts for different scripts.
My presentation is using a font called Farro, which unfortunately does not support Cyrillic letters. So I used the unicode-range descriptor to tell my browser to load a second font that did, when it encountered any Cyrillic characters.
Remember that for font-face rules, the font-family is simply a label, so what I've done here is created a composite font that uses the name Farro, but in actuality, loads 2 different font files depending on what characters need to be displayed.
But anyway, there's also the font panel that shows which fonts are loaded on your page. And if you're using the latest Firefox Nightly, you can toggle the font highlighter feature by editing the browser's configuration.
I have this habit of subsetting my webfonts quite aggressively. For presentations like this one, I only include characters for the few Belarusian words I use. But occasionally, I'll miss a character or two, so those letters will get rendered with the fallback font.
Sometimes I see that the fallback font is being rendered from the fonts panel, but can't figure out which characters I missed out. With the font highlighter tool, I can see exactly which characters are using which fonts.
Let's look at one which isn't that commonly used at the moment, font-synthesis.
Now, your smart apprentice can sometimes be too well-meaning. Sometimes the true italic or heavier version of a font does not exist, so the browser will try to create that effect by itself, based on a regular font.
Most Chinese fonts don't have italic variants. We can set the font-synthesis property to a value of none, to tell the browser to just leave the font alone.
Font feature properties were introduced in Fonts Level 3. which just became a Candidate Recommendation today. They allow us to utilise a variety of typographic features like swashes, ligatures, old-style numerals and so on.
Reading text that is typeset well, through use of features like small caps, italics and proper punctuation, is like listening to a compelling speech.
Other features like old style numerals and ligatures help maintain typographic colour and enhance the reading experience, which is necessary to hold your readers' attention.
OpenType Font Variations, AKA variable fonts, were introduced in September 2016, and has been gaining quite a bit of traction this year. And I'm pretty sure we'll get our minds blown by Bram's talk after this.
As a preview to Bram's talk, I'm showing you this incredible demo by Mandy Michael. The word "Grass" here is not a video or a gif, it's text that you can select and search on page.
One of the proposed values is digits, which controls limits the number of glyphs we can squeeze into that tiny one-character space to between 2 and 4, but no browser supports it yet. We only have the all value at the moment.
And it works fairly well, good support all around, as you can see here. Though when the word gets longer, things get a bit, tight. So maybe, don't do it for really long words?
If you do happen to work with languages that use East Asian text, here are some suggestions for typesetting them.
Different languages use different glyphs for the same character, so it's important to pick a font that supports glyphs for the correct language.
Han characters have a lot of strokes and visually, appear more dense than Latin alphabets, so it may be necessary to bump up the font size a little.
A larger line-height also improves readability for the same reason.
Usually margins between paragraphs already exist, but do take note not to let the amount of space be too wide.
As mentioned before, Han characters are square characters, so start and end of lines should be aligned well.
To vertically centre a block, setting the top and bottom margins to auto actually does work, unlike in horizontal writing, which is great. But trying to centre something horizontally is a pretty painful experience.
That's why we have a CSS Logical Properties specification. So instead of left or right, we use properties like block-start and block-end or inline-start and inline-end. So these directions continue to make sense, even if the writing mode of the document changes.
Support wasn't great when I first started talking about this specification, but it looks much better now, and will continue to garner more green as we go along, so do give it a go and try to wrap your head around it.
These writing-mode properties allow us to do proper vertical typesetting on the web, and is a step toward ensuring that a key aspect of East Asian culture can live on in the digital world, and maybe even thrive.
Laying out long passages of Latin-based left-to-right languages is a bad idea, but for short titles or headers, a vertical orientation can help break up the monotony on a long scrolling page.
Other subtle uses of vertical text could be for tags on blog posts for example, or wherever information is not critical to the main content, so laying it out vertically doesn't adversely affect the reading experience.
There are even more possibilities when we combine such techniques with media queries. When the viewport gets too narrow, we can revert to a horizontal layout that makes better use of the limited space.
Conversely, there are instances where text rotated vertically can work on narrow screen sizes as well. Studies have shown that the hamburger menu isn't an intuitive design pattern at all.
Statistically, there aren't that many sites which use the writing-mode property. When I tried to use Flexbox with vertical writing-mode, I broke my browser.
I then poked around and found quite a large number of cross-browser issues. Now if you're wondering why you sat through my presentation just to find out that support is a pile of poop, don't worry. I'm not trying to lead you on.
I'm trying to make a point. It's precisely because too few people were using flexbox with vertical writing-mode, that a large number of bugs were left undiscovered. And this applies to other CSS properties as well.
Browser release cycles have shortened immensely over the years. Look at how dense the blue is over these past 5 years. It's safe to say, evergreen browsers are a thing now, with bug fixes and new features being shipped faster than before.
It's a win for everyone. By taking the time to submit a bug report, you gain karma points, get your bugs fixed AND make the web better for all of us. By the way, that flexbox bug I showed? It got fixed in the next release. Just saying.
Some further reading for anyone who'd like to find out more about what I covered today.
If you need inspiration for vertical layouts, the Tateyoko Web Awards site has a really nice list. While Jen Simmons has an experimental layout lab where she showcases all the different things that are now possible with modern CSS. She updates it quite often, so bookmark it and check back for new stuff from time to time.
To me, attending conferences is not to gain expertise overnight. Rather, I'm here discover new things I did not know existed and perhaps gain insights and hear perspectives that never occurred to me before.
The techniques I talked about today may be relevant to you today, or maybe not. And that's perfectly fine. This talk was meant to show what the web is capable of, and what we can potentially build with it.
And one day, when you do work on a project that needs these techniques, maybe you'll remember that you found out about them here at CSS-Minsk-JS.


text:
Malanpu railway station is a small railway station in Bhind district, Madhya Pradesh. Its code is MLAR. It serves Industrial Area of Malanpur. The station consists of two platforms. The platforms are not well sheltered. It lacks many facilities including water and sanitation.

Major trains

 Indore–Bhind Express
 Jhansi–Gwalior–Etawah Link Express

References

Jhansi railway division
Railway stations in Bhind district

redpajama_set_name: RedPajamaWikipedia


text:
package com.michaelflisar.universalloader;

import android.os.Bundle;
import android.support.v4.app.FragmentActivity;

import com.michaelflisar.universalloader.helper.ULHelper;
import com.michaelflisar.universalloader.interfaces.IUniversalLoaderProvider;

public class ULActivity extends FragmentActivity implements IUniversalLoaderProvider
{
    private UniversalLoader mUniversalLoader = null;

    public void onCreate(Bundle savedInstanceState)
    {
        super.onCreate(savedInstanceState);
        mUniversalLoader = ULHelper.getUniversalLoader(this, true);
    }

    // ------------------
    // IUniversalLoaderProvider
    // ------------------

    public UniversalLoader getUniversalLoader()
    {
        return mUniversalLoader;
    }
}


text:
Taylor Swift Can Beat You Up and Has the Video to Prove it
Cynthia Benson
Taylor Swift may look tall and lanky, but the chart-dominating superstar has some serious skills when it comes to taking down bad guys. Taylor just posted this video to Instagram and claims it was only her first day of training for her "Bad Blood" music video, but it looks like she's been at this for years.
Throwback to my first day of fight training for the Bad Blood music video. Thank you so much for the 9 nominations. You can vote for Video of the Year NOW!!!
A video posted by Taylor Swift (@taylorswift) on Jul 21, 2015 at 10:02am PDT
Her training definitely paid off. She flexes some serious female power in the "Bad Blood" music video. Taylor Swift is currently on the road for her 1989 World Tour. Image Source: Instagram
instagram, music news, pop music, post, taylor swift


text:
Scott D. Owens, Esq.
Andree Quaresima, Esq.
Matthew Bobulsky, Esq.
Shannon Gunther
Don Kovaleski
Fair and Accurate Credit Transactions Act
Electronic Privacy
Condo & HOA Debt Collection
Unlicensed Debt Collection
A native of Italy, Ms. Quaresima is knowledgeable in both the American and European legal systems. In fact, Ms. Quaresima earned her first law degree in 2014 from Universita degli Studi Roma Tre in Rome, Italy where she was born and raised.
In May 2016, she graduated Summa Cum Laude from the Shepard Broad College of Law at Nova Southeastern University, where she was an active student member of the Moot Court Society, the Nova Law Review, and often collaborated with her professors as a research assistant.
A trilingual attorney recently admitted to the Florida Bar, Ms. Quaresima is dedicated to protecting the rights of all consumers.
Shepard Broad College of Law at Nova Southeastern University, Dual Degree Program, 2016
Università degli Studi di Roma Tre, Laurea Magistrale in Giurisprudenza (equivalent to JD), 2014.
© 2020 Scott D. Owens, P.A.
We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.CONSENT


Located in Albufeira , Hotel Baltum is one of our customers favourite destinations in Albufeira . Sunline Transfers provides private transfers on daily basis to Hotel Baltum. All transfers are private, direct between Hotel Baltum and Faro Airport with no other people on board or extra stops.
Stay in the heart of Albufeira – Great location - show map One of our top picks in Albufeira. This property is 2 minutes walk from the beach. Surrounded by a lively street with restaurants and bars, Hotel Baltum offers a 24-hour reception and air-conditioned rooms. Albufeira's beach is only 50 yards away. Guest rooms of The Baltum include a satellite TV, safe and private bathroom. Some rooms have a terrace or balcony. The unit also features accommodation in fully-equipped apartments, which enjoy access to the hotel's facilities. Guests can relax in the common living room to watch some TV or have a refreshing drink at the terrace. The air-conditioned indoor restaurant serves regional and international cuisine. A Continental breakfast is available, at an extra fee. Hotel Baltum is located 5 miles from the Pine Cliffs Golf & Country Club. Faro Aiport is a 40-minute drive from the hotel. Albufeira City Centre is a great choice for travellers interested in food, restaurants and nightlife.
Sunline Transfers Faro Airport Transfers to Hotel Baltum rated 4.9 out of 5 based on 109 customer reviews on	Tripadvisor.
Hotel Baltum is located in Albufeira at 40 km from Faro Airport, it will take around 45min to travel between Faro Airport and Hotel Baltum.
Sunline Transfers were extremely professional, with great communication and prompt responses. The driver was awaiting our arrival and was very friendly and helpful. On the day of our departure, he arrived early at Hotel Baltum to collect us and again was very helpful, as we were travelling with two children. I soul highly recommend Sunline transfers..
I had the pleasure of using Sunline Transfers during a recent trip to Albufeira. The chat box on their website was extremely helpful however and the whole thing was arranged in a couple of minutes. This company is a pleasure to do business with and fairly priced. I would recommend to anybody going to Hotel Baltum and hope to use them next time I'm in the area..
We have a fleet of new, clean and comfortable vehicles, the perfect choice for a smooth journey to Hotel Baltum.


It's not hard to be right so often, it's about refining expectation, defining insight and NOT being indentured to ANY financial institution!
The sector closed up having been below the waterline for most of the session.
The indexes posted their biggest weekly declines of the year. The major indexes all dropped more than 2% this week. The NASDAQ snapped a 10-week winning streak, while the Dow notched its second weekly decline of the year.
It has seemed to be a long week as the sector alternating in their closes.
Range of the 22 upside was +0.06% (CLLS) to +10.57% (CUR) while the 20 downside ranged from -0.06% (VYGR) to -7.95% (ADVM).


The Nemaha County Historical Society is located in what was the the Nemaha County Jail. The Jail also served as the Sheriff's residence. Constructed in 1879, it was Kansas' longest in-use County Jail until the new Jail was built in 1976. At this time the Nemaha County Historical Society bought the building and converted it into a museum. The museum houses artifacts of the area's settlers and displays depicting Nemaha County's history. As the inventory grew, two additional buildings were added. Tours of the Museum, Jail and Residence can be arranged by calling or e-mail.


text:
Mass Effect: Andromeda Gameplay Leaked
ThisGenGaming April 2, 2016 11 Comments	103 views	0 likes News
It looks like the first footage of Mass Effect: Andromeda has been leaked, we can't confirm if this is real, but it looks convincing. The video is down now after a claim from EA, but we managed to capture some screens from the video of the leaked gameplay. Which you can find below.
Update: It has been re-uploaded.
Credit: Playstation Lifestyle for the GIF. (thanks guys)
We want to know what you think of these early leaked images? We wish we could show you the full video, but as it's taken down these images are the best we can do for now.
Tags: Mass Effect: Andromeda Gameplay, Mass Effect: Andromeda Gameplay Leak Video, Mass Effect: Andromeda Gameplay Leaked, Mass Effect: Andromeda Gameplay Leaked 2016, Mass Effect: Andromeda Gameplay Leaked April 2016, Mass Effect: Andromeda Gameplay Leaked Video, Mass Effect: Andromeda Leak
Previous ArticleIs The Division Ubisoft's Next Big Franchise?Next ArticleQuantum Break Street Date Broken In The UK
Mass Effect Andromeda Gameplay Revealed at The Game Awards
Mass Effect: Andromeda Actual Release Date Possibly Leaked By Art Book
tplarkin7	 April 2, 2016, 7:01 am
It's on YouTube https://www.youtube.com/watch?v=opOdFKObpeM
It doesn't look new. I wouldn't be surprised if this was alpha footage from ME2.
MONKEY.D LUFFY	 April 2, 2016, 7:36 am
Looks amazing but please remove HUD on screen its annoying .make it optional to turn it on/off
James Fitzgerald	 April 2, 2016, 12:58 pm
Look average and not much better than the 360 version of ME3. Also is every god damn space game or future set game going to have fucking jet pack jumping?
lulzprime	 April 2, 2016, 2:02 pm
I think this was before even pre-alpha lol.
AndrewLB	 April 2, 2016, 7:36 pm
I don't think you know what pre-alpha is, nor do most people anymore. Pre-alpha is also referred to as first playable and is merely a working prototype that is built prior to any production of the actual game.Alpha has full gameplay functionality and is features complete, but has only partial assets. Beta contains all features and assets and is no longer adding content to the game. Beta is where all the testing is done to find and fix bugs that would prevent it from shipping.
This footage is clearly late alpha. Game assets are already being added to the game and gameplay has full features and functionality.
lulzprime	 April 3, 2016, 9:32 am
Ah, smartass of the day. Want a cookie?
My comment was simply based on the state of the game metaphorically, that it looks very dated. Not that it is literally in "pre-alpha".
HAppY_KrAToS	 April 2, 2016, 3:41 pm
Just like all the aaa titles, and like all the big studios…
…We can already prepare:
– 50 dollars/euros , for the 3 first single player DLC's , released the same day as the main game
– 3 special pre-order versions from 3 different outlets, each one with a special playable character only available on that store, for 120 dollars each
– 4 versions avaiable: standard, at 60 dollars, with 30% less content, a 100$ version with a weapon pack and 1 DLC, a 130$ version with almost everything (future content not included), and a 250$ version, with a 1/32 Normandy ship
– 5 weapon packs at 7$ each, avaiable day 1, or 34$ for all the 5
– a 80$ season pass
– 300 dollars/euros, for 10% of the available multi-player skins,outfits, weapons
– a multi-player grinding system, to force gamers into playing the same levels and level up their characters, so they can have more 'striking power' on the single-player game ( a la mass effect 3)
– thousands of dollars to level up the multi-player characters, with thousands of weapon parts, clothes, etc, a la littlebigplanet, perks, etc
– AND MOST IMPORTANT : the single player campaign will be much shorter than the other mass effect 1-3, with much less content and missions, shorter story, etc, BECAUSE …
… +60% of the development time will be spent on the multi-player side, because that's where the billions dollars are: level ups, perks, weapons, skins, maps, strikes, characters, and other thousands and thousands purchasable items.
– to avoid gamers spending only 60 $ on the game, spending 50-70 hours playing the main single player campaign, and at the end, they are fed up, and go play a different game they have purchased…without having played the multi-player game, and without having spent hundreds or thousands dollars/euros on mass effect Andromeda multi-player,
.. the studio will force gamers to go to the multi-player, whether by locking trophies /achievements online, like 'join 10 multi-player games', or by forcing gamers to go online and combat, or do whatever tasks ONLINE, and that, DURING the main campaign gameplay, only to force gamers to USE THEIR online pass, and to have gamers put a foot on the multi-player section, for dozens hours, and make it really difficult to win and progress, UNLESS the gamer spends REAL MONEY upgrading his online character.. otherwise, he will have to play 10 hours online, to achieve a simple task, that could be achieved with a little 5 or 10 dollars.
– for sure, the micro transactions in ME Andromeda will be omnipresent, everywhere, like we gamers haven't seen before : spaceship, weapons, masks, suits, cars, vehicles, oxygen, ammunition, spaceship parts, bombs, dozens thousands items will be avaiable to PURCHASE. All those parts, skills, options, etc, are just too good to not lock them behind a huge micro transactions system, that will take away between 100 and 300 dollars from each mass effect fan that will want to have '100% of the experience '
Mass effect series are on my top 5 games EVER,
that's why I'm already disgusted and sad, because Andromeda will simply follow the awful businesses trends, or even worse, and the studio will try to grab all the cash they can, out of it. Because they know there are several million fans that are ready to sell the liver or testicle, just to play another mass effect game.
Ian Upthagrove	 April 2, 2016, 4:05 pm
Im guessing you didn't play Dragon Age Inquisition
HAppY_KrAToS	 April 2, 2016, 10:09 pm
Why you're asking ? Is it micro transaction free?
Edit: just watched a video on YouTube, looks like we can buy 'chests' that will give random loot, from average to totally useless.
So I guess they already started implementing that cancer, on DA: inquisition 🙁
PachterStation	 April 2, 2016, 11:07 pm
All the Mass Effect games clocked in with great graphics, but all 3 of them bored me shitless. Running about all over the place, getting lost, the odd gun fight and endless amount of time chatting to Joe Bloggs along the way. Too many games out there like that.


Varsity volleyball team and their partners post game, participate in Breast Cancer awareness.
A 0-3 loss was taken for the girls varsity volleyball team at the Dig Pink game on Tuesday, Oct. 2. The Dig Pink game is an annual fundraiser to support breast cancer awareness. This year, they raised over 900 dollars.
Facing the T.C. Williams Titans, the Atoms had an amazing time volleying for the cure.
Co-captain senior Zain Ghul played brilliantly alongside her teammates.
The team's dedication and diligence conveys how much they care not only about the game, but also about raising awareness for breast cancer. Ayele worked hard on the court, putting her best foot forward.
"October is Breast Cancer Awareness month, which is during our season. Dig Pink is a nice way to raise money for something bigger than ourselves," Ayele said.
There are also many traditions that go along with Dig Pink.
One is that each player of the varsity volleyball team selects a boy to bring to the game.
Right before the girls begin playing, the partners perform their unique, and entertaining handshakes.
Additionally, the players and the boys make custom shirts and bandannas with each others' last names on them.
The players and the boys wear neon pink outfits on the day of Dig Pink.
Similarly, many other sports also have many traditions. For varsity field hockey on Senior Night, senior players are allowed to ask teammates, family, and friends for anything they want.
The players mainly ask for snacks, drinks, and food that they love. Also, for field hockey, they have "Big Sister, Little Sister," which is when a player from varsity from gets paired up with someone on JV, and they create a sisterhood by exchanging gifts and bonding with one another.
The swim team celebrates their tradition of dying their hair certain colors to boost morale and become more unified. The girls on the team usually dye the tips of their hair red, while the boys on the team bleach their hair blonde.
For lacrosse Senior Night, the senior girls wore the boys' jerseys in order to encourage each other and show team spirit.
Additionally, for the boys and girls soccer teams, the girls also wore the boys' jerseys, which again helps to support each other and encourage one another to perform better.


Jan. 25-27. Featuring eight of the most intense athletes of Monster Jam, fans will witness a fierce battle for the championship with each Triple Threat Series competitor contending in customized high-powered vehicles: Monster Jam Speedsters, Monster Jam ATVs and of course, the iconic Monster Jam trucks in six events sure to leave fans on the edge of their seats. Showtime is Friday-Saturday at 7 p.m. and Saturday-Sunday at 1 p.m.