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Blog - Los Angeles Production Company | Tiger House Films
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Creative Agencies Los Angeles | 3 Things To Know | Tiger House Films
03.07.2019 , Ad Agencies, Ad Agency, Advertising Agencies, Advertising Agency, Best Commercial Production Companies, Best Commercial Production Companies Los Angeles, Best Production Companies, Best Production Companies Los Angeles, Best Video Production Companies, Best Video Production Companies Los Angeles, Boutique Production Company In Los Angeles, Brand Content, Brand Content Agency, Brand Film Production, Branded Content, Branded Content Agency, Branded Content Production Company, Branded Video Production, Celebrity Video, Commercial Production Company, Commercials, Creative Agencies Los Angeles, Creative Agency, Creative Agency Los Angeles, International Commercial Production Company, LA Production Company, Los Angeles Production Company, New York Advertising Agencies, New York Advertising Agency, New York Commercial Production Companies, New York Commercial Production Company, New York Fashion Commercial Production Companies, New York Fashion Commercial Production Company, New York Production Companies, New York Production Company, New York Production House, New York Video Production Companies, New York Video Production Company, NY Production Companies, NY Production Company, NYC Production Companies, NYC Production Company, OUR FEATURED PROJECTS, Production Company, Video Production, Video Production Company, Viral Video, Web Commercial Production , 0 Comments
TIGER HOUSE FILMS | CREATIVE AGENCIES LOS ANGELES: Creative agencies in Los Angeles are numerous and come in many different forms and flavors. Some are geared more toward infomercials, some for high end television and web commercials, and others for live events. How do brands choose...
Netflix The Society x Our Brand Video Production Company
13.06.2019 , Ad Agencies, Ad Agency, Advertising Agencies, Advertising Agency, Best Commercial Production Companies, Best Commercial Production Companies Los Angeles, Best Production Companies, Best Production Companies Los Angeles, Best Video Production Companies, Best Video Production Companies Los Angeles, Boutique Production Company In Los Angeles, Brand Content, Brand Content Agency, Brand Film Production, Branded Content, Branded Content Agency, Branded Content Production Company, Branded Video Production, Celebrity Video, Commercial Production Company, Commercials, Creative Agencies Los Angeles, Creative Agency, International Commercial Production Company, LA Production Company, Los Angeles Production Company, New York Advertising Agencies, New York Advertising Agency, New York Commercial Production Companies, New York Commercial Production Company, New York Fashion Commercial Production Companies, New York Fashion Commercial Production Company, New York Production Companies, New York Production Company, New York Production House, New York Video Production Companies, New York Video Production Company, NY Production Companies, NY Production Company, NYC Production Companies, NYC Production Company, OUR FEATURED PROJECTS, Production Company, Video Production, Video Production Company, Viral Video, Web Commercial Production , 0 Comments
ABOUT NETFLIX THE SOCIETY & OUR BRAND VIDEO PRODUCTION COMPANY: With the release of their brand new show "The Society", Netflix approached Tiger House Films to produce their promotional content for the web and social media platforms. Our brand video production company partnered with the Netflix...
2019 KCA's x Our Branded Content Agency In Los Angeles
03.05.2019 , Ad Agencies, Ad Agency, Advertising Agencies, Advertising Agency, Best Commercial Production Companies, Best Commercial Production Companies Los Angeles, Best Production Companies, Best Production Companies Los Angeles, Best Video Production Companies, Best Video Production Companies Los Angeles, Brand Content, Brand Content Agency, Brand Film Production, Branded Content, Branded Content Agency, Branded Content Production Company, Branded Video Production, Commercial Production Company, Commercials, Creative Agencies Los Angeles, Creative Agency, Fashion Commercial Production, Fashion Film Production, Fashion Video Production, International Commercial Production Company, LA Production Company, Las Vegas Advertising Agencies, Las Vegas Advertising Agency, Las Vegas Commercial Production Companies, Las Vegas Commercial Production Company, Las Vegas Fashion Commercial Production Companies, Las Vegas Fashion Commercial Production Company, Las Vegas Production Companies, Las Vegas Production Company, Las Vegas Production House, Las Vegas Video Production Companies, Las Vegas Video Production Company, Los Angeles Production Company, LV Production Companies, LV Production Company, New York Advertising Agencies, New York Advertising Agency, New York Commercial Production Companies, New York Commercial Production Company, New York Fashion Commercial Production Companies, New York Fashion Commercial Production Company, New York Production Companies, New York Production Company, New York Production House, New York Video Production Companies, New York Video Production Company, NY Production Companies, NY Production Company, NYC Production Companies, NYC Production Company, OUR FEATURED PROJECTS, Production Company, Video Production, Video Production Company, Viral Video, Web Commercial Production , 0 Comments
ABOUT KIDS CHOICE AWARDS & OUR BRANDED CONTENT AGENCY / PRODUCTION COMPANY: As a branded content agency / production company in Los Angeles, Tiger House Films was contacted by Cox Communications to cover the 2019 Nickelodeon Kids Choice Awards for their online video platform. Our branded...
Birdies Bridal x Our Boutique Production Company In Los Angeles
ABOUT BIRDIES BRIDAL & OUR BOUTIQUE PRODUCTION COMPANY IN LOS ANGELES: As a boutique production company in Los Angeles, Tiger House Films specializes in crafting specialty commercial productions for brands looking to market their products in the modern age of social media and internet marketing. Our boutique...
Vogue Italia Article | Napapijri x Our Boutique Production Company In Los Angeles
15.03.2019 , Ad Agencies, Ad Agency, Advertising Agencies, Advertising Agency, Best Commercial Production Companies, Best Commercial Production Companies Los Angeles, Best Production Companies, Best Production Companies Los Angeles, Best Video Production Companies, Best Video Production Companies Los Angeles, Boutique Production Company In Los Angeles, Brand Content, Brand Content Agency, Brand Film Production, Branded Content, Branded Content Agency, Branded Content Production Company, Branded Video Production, Commercial Production Company, Commercials, Creative Agencies Los Angeles, Creative Agency, Fashion Commercial Production, Fashion Film Production, Fashion Video Production, International Commercial Production Company, LA Production Company, Los Angeles Production Company, OUR FEATURED PROJECTS, Production Company, Video Production, Video Production Company, Web Commercial Production , 0 Comments
VOGUE ITALIA x NAPAPIJRI & OUR BOUTIQUE PRODUCTION COMPANY IN LOS ANGELES: As a boutique production company in Los Angeles, our ultimate goal is to create the best project possible with creative, interesting people. For this reason, it was a dream for our commercial production team...
Napapijri x Our Fashion Commercial Production Company
12.02.2019 , Ad Agencies, Ad Agency, Advertising Agencies, Advertising Agency, Best Commercial Production Companies, Best Commercial Production Companies Los Angeles, Best Production Companies, Best Production Companies Los Angeles, Best Video Production Companies, Best Video Production Companies Los Angeles, Brand Content, Brand Content Agency, Brand Film Production, Branded Content, Branded Content Agency, Branded Content Production Company, Branded Video Production, Commercial Production Company, Commercials, Creative Agencies Los Angeles, Creative Agency, Fashion Commercial Production, Fashion Film Production, Fashion Video Production, International Commercial Production Company, LA Production Company, Los Angeles Production Company, OUR FEATURED PROJECTS, Production Company, Video Production, Video Production Company, Web Commercial Production , 0 Comments
ABOUT NAPAPIJRI & OUR FASHION COMMERCIAL PRODUCTION COMPANY: As a commercial production company, we love to take on challenges, especially when it comes to international fashion commercial clients. We were approached by Zelda Andreoli of Brand Consulting Agency Zelda Zelda to work with Golab Agency and creative...
Birdies Slippers x Our Branded Content Production Company
ABOUT BIRDIES & OUR BRANDED CONTENT PRODUCTION COMPANY: As a commercial and branded content production company, Tiger House Films has the privilege of producing many fashion and luxury brand campaigns in both the video and still photography. Our branded content production with San Francisco based company Birdies...
WikiWomen Brand Video Production Shorty Award Nomination
24.11.2018 , Ad Agencies, Ad Agency, Advertising Agencies, Advertising Agency, Best Commercial Production Companies, Best Commercial Production Companies Los Angeles, Best Production Companies, Best Production Companies Los Angeles, Best Video Production Companies, Best Video Production Companies Los Angeles, Brand Content, Brand Content Agency, Brand Film Production, Branded Content, Branded Content Agency, Branded Video Production, Celebrity Video, Commercial Production Company, Commercials, Creative Agencies Los Angeles, Creative Agency, Entertainment Industry Awards, International Commercial Production Company, LA Production Company, OUR FEATURED PROJECTS, Production Company, Television production, Tiger House Films News, Video Production, Video Production Company, Viral Video, Web Commercial Production , 0 Comments
VIEW PROJECT HERE: Wikipedia x American Woman Brand Video Production About Our Brand Video Production: This brand video production with Wikipedia and Paramount Network's American Woman marks our second production with NowThis Media . Shot at Nueuehouse in Hollywood, this production was nominated for a Shorty Award...
Royal Enfield Continental GT | Motorcycle Commercial Production
06.11.2018 , Ad Agencies, Ad Agency, Advertising Agencies, Advertising Agency, Best Commercial Production Companies, Best Commercial Production Companies Los Angeles, Best Production Companies, Best Production Companies Los Angeles, Best Video Production Companies, Best Video Production Companies Los Angeles, Brand Content, Brand Content Agency, Brand Film Production, Branded Content, Branded Content Agency, Branded Video Production, Commercial Production Company, Commercials, Creative Agencies Los Angeles, Creative Agency, LA Production Company, Los Angeles Production Company, New York Advertising Agencies, New York Advertising Agency, New York Commercial Production Companies, New York Commercial Production Company, New York Production Companies, New York Production Company, New York Production House, New York Video Production Companies, New York Video Production Company, NY Production Companies, NY Production Company, NYC Production Companies, NYC Production Company, Television production, Video Production, Video Production Company, Web Commercial Production , 0 Comments
VIEW PROJECT HERE: Royal Enfield Continental GT Motorcycle Commercial Production About Our Motorcycle Commercial Production: The Continental GT motorcycle commercial production was the first of two international commercial productions we created for Royal Enfield in conjunction with Storytellers.in from Mumbai, India. This spot for the new Continental...
Shooting Fashion & Luxury | LA & New York Production Company
19.09.2018 , Ad Agencies, Ad Agency, Advertising Agencies, Advertising Agency, Best Commercial Production Companies, Best Commercial Production Companies Los Angeles, Best Production Companies, Best Production Companies Los Angeles, Best Video Production Companies, Best Video Production Companies Los Angeles, Brand Content, Brand Content Agency, Brand Film Production, Branded Content, Branded Content Agency, Branded Video Production, Commercial Production Company, Commercials, Creative Agencies Los Angeles, Creative Agency, Fashion Commercial Production, Fashion Film Production, Fashion Video Production, LA Production Company, New York Advertising Agencies, New York Advertising Agency, New York Commercial Production Companies, New York Commercial Production Company, New York Fashion Commercial Production Companies, New York Fashion Commercial Production Company, New York Production Companies, New York Production Company, New York Production House, New York Video Production Companies, New York Video Production Company, NY Production Companies, NY Production Company, NYC Production Companies, NYC Production Company, Video Production, Video Production Company, Web Commercial Production , 0 Comments
ABOUT OUR FASHION & LUXURY PRODUCTIONS AS AN LA & NEW YORK PRODUCTION COMPANY: As an LA and New York production company Tiger House Films has had the privilege of producing many fashion and luxury brand campaigns in both the video and still photography worlds. Over the...
Commercial Production Companies New York vs. Los Angeles
10.09.2018 , Ad Agencies, Ad Agency, Advertising Agencies, Advertising Agency, Best Commercial Production Companies, Best Commercial Production Companies Los Angeles, Best Production Companies, Best Production Companies Los Angeles, Best Video Production Companies, Best Video Production Companies Los Angeles, Brand Content, Brand Content Agency, Brand Film Production, Branded Content, Branded Content Agency, Branded Video Production, Celebrity Video, Commercial Production Company, Commercials, Creative Agencies Los Angeles, Creative Agency, Fashion Commercial Production, Fashion Film Production, Fashion Video Production, Hidden Camera Production, International Commercial Production Company, LA Production Company, Las Vegas, Las Vegas Advertising Agencies, Las Vegas Advertising Agency, Las Vegas Commercial Production Companies, Las Vegas Commercial Production Company, Las Vegas Fashion Commercial Production Companies, Las Vegas Fashion Commercial Production Company, Las Vegas Production Companies, Las Vegas Production Company, Las Vegas Production House, Las Vegas Video Production Companies, Las Vegas Video Production Company, Los Angeles Production Company, LV, LV Production Companies, LV Production Company, New York Advertising Agencies, New York Advertising Agency, New York Commercial Production Companies, New York Commercial Production Company, New York Fashion Commercial Production Companies, New York Fashion Commercial Production Company, New York Production Companies, New York Production Company, New York Production House, New York Video Production Companies, New York Video Production Company, NY Production Companies, NY Production Company, NYC Production Companies, NYC Production Company, Television production, Video Production, Video Production Company, Viral Video, Web Commercial Production , 0 Comments
COMMERCIAL PRODUCTION COMPANIES NEW YORK vs. LOS ANGELES There may be a lot of debate as to which city is better for quality commercial production companies New York, or Los Angeles. While it is obvious that both coasts have exceptional talent and high quality commercial production...


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Q: Fourier analysis expansion $f(x) = \sin(x)$ I am reading a book on Fourier analysis and I am having difficulty in understanding a step in the expansion of the function  $f(x) = \sin(x), 0 \lt x \lt \pi$ as a Cosine Fourier series. I attached the problem with the step highlighted in a red box, anyone able to explain how this result was reached?

A: First $b_n = 0$ means the sine coefficients must be 0, and that is because the function is even ( all sines are odd ). The rest is just applying the addition formula for sines and integrate. The red box is using $\cos(v+\pi) = -\cos(v)$ which you will realize if you take a look on the unit circle. Both x and y switch sign if you perform a half revolution.

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Meet EditShare at InfoComm 2021
Written by Rich D'Angelo
EditShare invites InfoComm 2021 attendees to booth 2809 to discuss how its award-winning FLOW media management and EFS shared storage solutions can simplify storytelling for video workgroups across Advertising, Broadcast, Corporate, Education, House of Worship, News, Production and Post-production. A perfect fit for any scenario ranging from a smart replacement of direct attached storage to building a high-performance, high-capacity enterprise workflow, FLOW and EFS offer flexible on-premise, cloud and hybrid configurations that facilitate a better creative collaboration experience.
System integrators and interested customers attending InfoComm 2021 can book a private appointment to meet with EditShare at https://editshare.com/event/infocomm-2021/
Article: Why you need a media management platform to support your growing online congregants
When houses of worship look to expand their media operations, size must be taken into account. In an exclusive piece for CFX's newsletter, EditShare Regional Sales Manager Mike Mahoney discusses what small to mid sized churches should evaluate when looking to expand their media foundation. He delves into media infrastructures and how they can enhance production value as well as how strong media management platforms can simplify workflows.
Customer Story: Massachusetts College of Art and Design
Massachusetts College of Art and Design – usually known simply as MassArt – is a forward-looking visual and applied arts college in Boston. Founded in 1873, it's the nation's oldest art school, and the only publicly funded arts college in the United States. The college first installed EditShare over ten years ago. More recently the disruption caused by COVID-19 has accelerated the school's journey into the cloud.
The pandemic and the subsequent shutdown in March 2020 meant that many students continued their studies either in a hybrid or remote setting. At first the school turned to WeTransfer but Briganti said "it was an awful way to work with video – we needed to find a way for students to remotely access their video in our local EditShare drives."
Students shooting in the college's studios on campus are able to upload to EditShare locally. Utilizing the FLOW media management solution makes that same material available from the cloud so that when they're at home, they can edit without returning to the college.
"Some of our students are shooting at very high resolutions like 4K and 6K. They definitely don't have the storage at home for that size of file, so they upload it into our EditShare server here and as soon as they do that, it's available to them from any location. FLOW and AirFLOW solves the two problems of storage and working remotely", said Briganti. "And this way of working isn't just for the pandemic: it's going to be our standard way of working into the future".
White Paper: Consideration for IT in Implementing Enterprise-Scale Media Storage
EditShare collaborative video storage and media management solutions can be found in media labs at hundreds of colleges and universities, the world over – from the Americas to Europe, from Africa to the Middle and Far East. The EFS storage and FLOW media management products enable dozens or hundreds of students, faculty members, and media staff to work directly and collaboratively off central storage for "in place" video editing and audio mixing, graphics and video effects design, video effects rendering, and much more. In the Americas, where college sports are hugely popular, EditShare installations are often shared between communications and athletics programs on opposite sides of a large campus. This document discusses some general EFS storage features that will help IT admins responsible for maintaining the storage system.
Read the White Paper
Webinar Replay: Best Practices with EditShare and AWS
With fewer opportunities for in-person teamwork, collaborative, geographically-distributed media production workflows have quickly become a must-have for traditional and nontraditional producers of video. In this webinar recording, AWS and EditShare demonstrate how quickly and easily a cloud-based production studio can be spun up to connect teams all over the world. They discussed the best practices in enabling cloud-based production with a focus on:
Scalable and cost-effective content production storage and media management on AWS
Balancing performance and capacity vs. cost
The ability to provide collaborative workflow environments with any mix of leading content tools
Open APIs for quick integration into media services and applications
See how easily an edit in the cloud environment can be provisioned and made operational in under an hour while hearing from AWS and EditShare technology leaders on best practices for production in the cloud.
Watch the Webinar Replay
Flow Story: Fast Turnaround for New Media, News, and Sports
Flow Story is designed for fast turnaround environments such as New Media, News and Sports, providing journalists and content creation teams the ability to quickly edit and package content for finishing or delivery to social media.
Live Webinar: Cloud Editing - Better, Faster, and Cheaper
EditShare has been hard at work looking at the economics and technical challenges of editing in the cloud, and they've had a breakthrough. Join EditShare's CTO and CSO for this very special webinar, where they will showcase editing in the cloud with an innovation that reduces costs by up to 75%, without compromising the workflow experience you expect using the creative tools you love. Please register for your preferred session below:
June 24th: 9am Eastern Time, 6am Pacific Time - Session #1
June 24th: 2pm Eastern Time, 11am Pacific Time - Session #2
June 24th: 9pm Eastern Time, 6pm Pacific Time - Session #3
Live Webinar: Production, Group Editing, and Remote Workflows with Adobe Premiere Pro
Join EditShare and Adobe as they explore EditShare's updated Flow Panel for Premiere Pro and the new Adobe Productions collaborative workflow. They will review how Flow enhances and facilitates production for group and individual editors, on-prem or in the cloud. They will also take a look at Adobe Productions capabilities to manage projects, share assets, and keep editors organized.
Thursday, May 28th - 9am PT / 12pm ET - Session #1
Thursday, May 28th - 6pm PT / 9pm ET - Session #2
AirFlow - Secure Multi-Team, Multi-Location Video Production
EditShare AirFlow brings all the media sharing capabilities of Flow media management to secure multi-team, multi-location productions. The simple and intuitive web-based interface lets collaborators located anywhere in the world search, log, organize and play media content – as well as upload and download content directly to and from EditShare central storage systems.
Webinar: Skinny MAM - Tackling Workflow without the Overhead
Whether you are working in your office, remotely connecting from home, or working in the cloud, EditShare's Flow media management suite is available to help you manage your production workflow.
During tomorrow's webinar, EditShare will take you on a guided tour of:
• Flow Story, AirFlow, and Flow Automation
• Third-party integrations leveraging EditShare's open set of RESTful APIs - including the Flow/Zoom integration discussed in this recent blog post
• EditShare's updated Premiere Pro panel - available as part of Flow 2020.3
Please register for your preferred session below:
May 6th - 9am ET, 1pm UTC - Session #1
May 6th - 7pm ET, 11pm UTC - Session #2
Meet EditShare at InfoComm 2021 Oct 21, 2021
Article: Why you need a media management platform to support your growing online congregants Sep 09, 2021
Customer Story: Massachusetts College of Art and Design Apr 02, 2021
White Paper: Consideration for IT in Implementing Enterprise-Scale Media Storage Jan 28, 2021
Webinar Replay: Best Practices with EditShare and AWS Jan 20, 2021
info@76mediasystems.com

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Alcohol use disorder (AUD) is a major cause of morbidity and mortality. People with AUD have among the highest all-cause mortality of all people who receive treatment for mental disorders. A meta-analysis that included 81 observational studies from many countries showed that people with AUD have three-fold higher mortality in men and four-fold higher mortality in women than the general population. In all people who have AUD, mortality is relatively higher in women, younger people and people in treatment for addiction. However, comprehensive mortality data over time of patients with AUD are not available from Nordic countries.
Increased alcohol consumption is associated with increased disease burden, accidents, and social problems. In response to these effects, alcohol policies were created in Nordic countries (Sweden, Norway, Denmark, Finland and Iceland) to promote a decrease in alcohol consumption and restrict alcohol availability. The governments of all Nordic countries except Denmark have a monopoly of alcohol retail. However, after joining the European Union in 1995, Finland and Sweden shifted from a highly restrictive to a more liberal alcohol policy. The price of alcohol was reduced by tax reduction on alcoholic beverages in Denmark and Finland, abolition of quantitative quotas on alcoholic beverages in Sweden and Finland, and more generous opening hours of alcohol retailers in Sweden. These changes made alcohol more accessible to the public in these countries since 2003. The alcohol control policies of the countries were associated with total alcohol consumption; Sweden has the most restrictive, and Denmark has the least restrictive alcohol policies. Frequency of heavy alcohol drinkers and alcohol-related problems are often assumed to depend on the level of alcohol consumption in the general population.
The reliable nationwide health care registers in Denmark, Finland and Sweden provide a unique opportunity to study mortality in people diagnosed with AUD.
The purpose of this study was to evaluate mortality and life expectancy in people who had AUD in Denmark, Finland and Sweden between 1987 and 2006.
National health registers from Denmark, Finland and Sweden were used to follow the entire population, approximately 20 million people, aged 15 years or above, in these three countries and identify all people who were admitted to hospital because of AUD as the primary or secondary diagnosis during 20 years (January 1, 1987 to December 31, 2006). Data about patients were retrieved from the national hospital discharge registers in each country.
In Denmark, the number of men and women hospitalized because of AUD was similar for the 5-year periods from 1987 to 2001 but increased for 2002 to 2006. In Finland, the number of men and women with AUD increased from 1987 to 2001 and remained unchanged for 2002 to 2006. In Sweden, the number of men with AUD decreased and the number of women with AUD increased from 1987 to 2006.
Mortality was higher in Denmark than Finland or Sweden. Standardized mortality per 100 000 increased during the entire study period in men and women with AUD in Denmark. In Finland and Sweden, the standardized mortality per 100 000 decreased in men and women with AUD during the entire study period.
People hospitalized with alcohol use disorder have an average life expectancy of 47–53 years (men) and 50–58 years (women) and die 24–28 years earlier than people in the general population.
Westman J, Wahlbeck K, Laursen TM, Gissler M, Nordentoft M, Hällgren J, Arffman M, Ösby U. Mortality and life expectancy of people with alcohol use disorder in Denmark, Finland and Sweden.


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Screen Actors Guild award snubs: Kristen Stewart, Rachel Zegler, Issa Rae, and more
Stacey Ritzen Jan 12, 2022 4:59 pm Jan 12, 2022 4:59 pm
Spencer / Neon
The 2022 Screen Actors Guild Awards nominations were announced Wednesday, and it should come as little surprise that Power of the Dog and House of Gucci led the way in the film categories, clinching three nominations apiece. And likewise, HBO's Succession and Apple TV's Ted Lasso each scored five nominations in television.
Nominations for the SAG Awards lead up to the Academy Awards in February, which typically tends to foreshadow the Oscar race more than other awards shows such as Golden Globes and Critics Choice Awards. And because of this predictive nature, it seems even more egregious when actors and actresses are left out of the running.
It's impossible to please everyone, as the saying goes, but there were still a handful of notable exceptions this year — whether because of oversight or certain categories being stacked by the aforementioned films and series. The following are what we feel to be the biggest slights in 2022, and hopefully, these actors and actresses will have better luck when the final Oscar nominations are announced on Feb. 8, 2022.
Ever since the official trailer for Spencer dropped, Kristen Stewart has been largely considered a shoo-in for the Oscars best actress award for her transformative performance as Princess Diana. Yet, Stewart didn't even manage to score a SAG nomination — instead, being shut out by heavy-hitters Jennifer Hudson (Respect), Nicole Kidman (Being the Ricardos), Olivia Colman (The Lost Daughter), Jessica Chastain (The Eyes of Tammy Faye), and of course, Lady Gaga (House of Gucci). It remains to be seen whether the Academy will right this wrong.
Rachel Zegler
Despite the fact that Rachel Zegler is fresh off her Golden Globe win for West Side Story, only Ariana DeBose was nominated for a SAG award for West Side Story — leaving out Mike Faist and the rest of the ensemble cast in Steven Spielberg's reimagining of the classic musical.
Likewise, Michaela Jaé Rodriguez's historic win as the first trans actress to take home a Golden Globe wasn't followed by a SAG nomination for Pose, which has now been ignored for three seasons in a row. Billy Porter was likewise overlooked, but we can probably chalk that up to Succession hogging up three out of five nominations in the Best Actor in a Drama Series category.
Though Jane Campion's western-thriller The Power of the Dog led nominations with nods for Benedict Cumberbatch, Kirsten Dunst, and Kodi Smit-McPhee, the film failed to grab an ensemble cast nomination. Likewise, Jesse Plemmons received a big goose egg for his performance in the critically-acclaimed film.
Issa Rae / Insecure
The SAG Awards has never recognized Issa Rae or her HBO series Insecure has, so perhaps they figured, why start now? It's disappointing but not shocking — and unfortunately, given that the fifth and final season aired last year, there's no room to correct the mistake. Better luck at the Emmys?
Both Steve Martin and Martin Short received well-deserved nods for Hulu's rollercoaster murder mystery comedy, Only Murders in the Building. However, Selena Gomez, who deftly held her own alongside the two comedy legends, came up short. What gives, SAG awards? Fortunately, the streamer picked up a second season with a TBD 2022 release date, so Gomez still has a shot for next year.
Peter Dinklage is a two-time SAG winner for Game of Thrones in 2020 and Three Billboards Outside Ebbing, Missouri in 2017 — having collected over a dozen more nominations throughout the years. But his much-lauded musical performance in Joe Wright's Cyrano failed to earn him a nomination this year, where he was up against A-list actors including Denzel Washington (The Tragedy of Macbeth), Will Smith (King Richard), and Javier Bardem (Being the Ricardos).
There is no shortage of Oscar buzz surrounding Paul Thomas Anderson's coming-of-age dramedy Licorice Pizza, but newcomers Alana Haim and Cooper Hoffman were left out of SAG, even after both earning nominations from the Critics Choice Awards. Only Bradley Cooper managed to nab a nomination for best supporting actor, and the film was completely overlooked in the best ensemble cast category.
The 2022 Screen Actors Guild Awards will air Sunday, Feb. 27 at 8pm ET on TNT and TBS.


Sometimes life goes so badly out of control that it would be easy to think there's no coming back from it. However, with structured support, encouragement and guidance, there can be light at the end of the tunnel.
18-year-old Josh* was referred to Turning Lives Around (TLA) after being released from prison for arson, he was at a low ebb.
In addition to his previous offending, Josh's behaviour was chaotic and aggressive; he had mental health issues including personality disorder and self-harming; he was self-medicating and as well as having difficulties managing prescribed medication was abusing alcohol and other substances; he was disengaged, had personal care and diet issues and, due to a suspended Employment and Support Allowance (ESA) claim, had no income.
Josh needed so much support he was allocated two TLA keyworkers - one to concentrate on daily contact and building a rapport with Josh and the other to manage documents and contact with professionals.
Within days Josh's TLA team had a structure in place to help him get his life back on track. This included strategies for working with Josh when he was aggressive or agitated; carrying out an initial risk assessment and a management plan relating to his self-harming, ensuring Josh obtained a prescription for his medication from his GP and encouraging him to keep his medicines in the safe so they could be administered to him correctly and safely.
Keyworkers from TLA contacted DWP to get Josh's benefit claim reinstated, ensuring an up to date sick note had been received, and enabling him to receive an emergency benefits payment to meet his basic needs. As part of his move to independence TLA keyworkers then helped Josh to budget by encouraging him to store his benefits in cash in the office and supported him with his personal care with guidance on laundry, diet, and hygiene.
Slowly, thanks to the firm boundaries that TLA helped put in place, Josh's behaviour changed. Following GP reassessment and with staff support Josh became more stable and his medications were returned to him. With the support of his TLA keyworker he started to attend appointments with medical staff, Forward Leeds and other support agencies. Eventually, he was strong enough and capable to go on his own.
A closer look at Josh's situation revealed motivational issues which were holding him back. He was relying on his mum to deal with benefits, budgeting and attending appointments and his personal care and living conditions suffered when he was misusing substances.
His TLA keyworker encouraged him to be more responsible stressing it would make him more independent. He started to take on board more of the daily tasks himself. TLA keyworkers also encouraged him to eat healthily, exercise to improve his physical health and get involved in voluntary work as a way of making better use of his time and moving forward.
Josh's offending history means his move on options are limited so it has been agreed that he will be accommodated long term so we can find him the best home.


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Improving treatment outcomes for Australian myeloma patients
Dr Kylee Maclachlan moved her career and her family to New York City in August last year to help improve outcomes for Australian myeloma patients. Kylee is aiming to establish an ongoing collaboration between the Peter MacCallum Cancer Centre and the Memorial Sloan Kettering Cancer Centre to share clinical trials, treatment protocols and expert knowledge. Specifically, Kylee is working with Prof Landgren, a world leader in multiple myeloma minimal residual disease and Dr Maura, a specialist in myeloma genomic analysis. Kylee's research will help to better understand the impact of initial treatments on an individual's myeloma to determine the best treatment path going forward.
Sadly, for Australians, our myeloma first line treatment options are limited compared to the USA. The recent funding approval of triple therapy, lenalidomide-bortezomib-dexamethasone comes three years after it was shown to be effective. Kylee is hoping the research she is conducting will help to expedite funding for future treatments in Australia. Using the genomic characterisation of minimal residual disease, her research aims to show the impact of induction treatments on myeloma; to help define patients who have a very deep response and may not require more toxic treatments such as a stem cell transplant. This may change the healthcare economics of myeloma; prioritising highly effective induction therapy rather than transplantation. Kylee believes the incurable status of myeloma may be changing, with more patients living in remission every year. Funding is still required to help Kylee continue her research in 2021. If you would like to assist Kylee please donate here.


— On September 19, 1997, Bellwood-Antis rolled Southern Huntingdon from the ranks of the undefeated 26-16.
— Playing at Southern Huntingdon, the Blue Devils moved the ball, but kept shooting themselves in the foot in the first half. The Rockets couldn't stop B-A all night. Every Blue Devil series ended up with either a touchdown or B-A turnover.
— Jeremy Guyer, who rushed 20 times for 110 yards rushed twice for 20 yards to begin the first scoring drive. Then after taking turns carrying the ball with Don Lingenfelter, Guyer slammed in for the first of three TDs from the two-yard line to cut Southern's lead to 8-6.
— B-A, which limited the Rockets to 46 yards rushing and 50 passing in the second half, stuffed Southern Huntingdon's first try on offense in the third quarter and marched 72 yards for a score. Matt Miller completed passes to Josh Hayes for 14 yards, Dan Tubbs for 22, Jim Gwinn for 11 and Guyer accounted for 25 yards on four carries, including the four-yard TD.
— Tim Tyler came with his third interception in two weeks and returned the pick 26 yards to the SH-19. Miller tossed a nine-yard connection to Hayes and three caries by Guyer, the last for the three-yard score, put Bellwood-Antis into a 19-16 lead with the PAT kick by Tubbs.
— Southern marched to the BA-28, where the Blue Devils took over and turned around to march 72 yards for their final score.
— B-A used five different ballcarriers to deliver the final punch with Hayes notching the 11-yard TD and Tubbs adding the extra point kick.
— Junior tailback Steve Walker led Bellwood-Antis to a 24-6 victory over West Branch on September 19, 1980.
— Walker pounded in scores from four and five yards out for a pair of short touchdown runs, used his open field ability to scoot 22 yards for a third score and also grabbed a pass from Blue Devil quarterback Dave DiRoma for a 42 yard hookup to tally all of the points in the game.
— DiRoma, filling in injured starter Butch Riggleman, completed six of nine tosses, including the TD pitch to Walker, for 89 yards and no interceptions. The Blue Devils had been intercepted eight times in the previous two ballgames.
— Walker carried the ball 23 times for 114 yards and Jim Dorminy added 72 yards on a dozen carries for head coach John Hayes in his first year at Bellwood-Antis.
— Home for the third straight week to start the 1969 football season, Bellwood-Antis faced a Class B opponent for the first time in the season after losing to a pair of Class A foes in Tyrone 34-14 and Penn Cambria 20-0.
— Although the result was the same, the Blue Devils had their best offensive performance of the year in a 26-12 loss to West Branch on September 19, 1969.
— Sophomore Jim Nolan moved into the starting lineup at right guard for coach Chet Dillen, replacing Jay McCaulley, who shifted over to play left tackle. Dillen noted that he is pleased with the play of the sophomores in the lineup and may be moving more into the starting 11 in the near future if they continue to improve.
— Bellwood-Antis picked themselves up after trailing 14-0 with a 74-yard march for a score just before halftime. Senior quarterback Bo DelGrosso scrambled 52 yards on a bootleg for the score.
— West Branch tacked on another score in the third quarter and came up with a big defensive play, shaking the ball loose to stop a Blue Devils drive at the WB-20.
— The two schools then traded TDs in the fourth quarter with Bellwood-Antis striking first. Tim White capped a 74-yard drive with a 10-yard TD run with 8:21 remaining. B-A actually chalked up more first downs 13-12, but ended up on the short end of the score by two TDs.
— Dillen was helped by Bob Fowler and new assistant Darrell Claar, who in the winter began the school's first wrestling program.


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Pretty sure I just witnessed a modern day rock revival at the Mercury Ballroom in Louisville, Kentucky.
I am going with modern day rock revival here simply because it is the only fitting way to describe and sum up exactly went down at this show. For all the people out there still spewing that rock is dead garbage…I have a feeling you may not be getting out enough. I am pretty damn positive of that, actually. Sure, go ahead and come at me with the legacy artists touring on the same old back catalog, the singer can't sing or hit the notes anymore and should hang it up talk that we all hear constantly. Go head. None of that applies here.
Tom Keifer and his band, simply dubbed #KeiferBand is made up of the man himself on guitar, keys & lead vocals, Tom's wife, Savannah Keifervocals, percussion & piano, Tony Higbee lead guitar & vocals, Billy Mercer bass guitar & vocals, Kendra Chantelle vocals & percussion, Jarred Popedrums & vocals, and Kory Myers keyboards & vocals. The band is currently out on the road in support of their latest album Rise.
For a man that has lost his voice so bad to the point of undergoing multiple surgeries which eventually led to the discovery that his left vocal was paralyzed, you would think that Tom Keifer may fall into that category of singer that I mentioned above. Nope. Touring on just the back catalog? Nope. The show was packed with the classic Cinderella tracks you would expect or even demand to hear, but the set list was a great mix of those classics along with tracks from Tom's solo career.
The show kicked off with "Touching The Divine" which also kicks off the new album Rise. I am a big fan of the song for the simple fact that it is packed with that classic Keifer slide guitar playing that helped keep Tom and Cinderella from being lumped into that 80's rock…dare I say, Hairband category. The first album cover is another story. After really diving into Cinderella music I never really understood that album cover but, I digress. You're here for a show review not weird random shit that I've been pondering for 30 years or so.
"Night Songs" and "Coming Home" were up next and were a mix of #KeiferBand and a full venue of fans singing every word. At times the bands vocals dropped completely out of the mix so that the crowd could take over. I have been to a ton of shows in my lifetime and I don't think I've heard a crowd sing along as intense as this crowd did. To be honest, I am not really sure what I was expecting to see when I first heard that the band was coming to town. Yes, I am a Cinderella fan as well as a Tom Keifer solo catalog fan but, for whatever reason, I never had the chance to see Cinderella in concert. That said, this was the first time I have seen Tom Keifer in the flesh and Holy Shit…that man is about as Rock N' Rollas it gets. He bleeds, even sweats Rock n' Roll….I know, my camera was literally drenched in the mans sweat in that photo pit. Clone a Rockstar, anyone?
The title track of the new album Rise was one of the highlights of the set list. Rise has that mix of blues, soul and rock n' roll influences that Keifer always seems to be able to pour out of his song writing blender. If you haven't given a listen to the new album yet, get on it.
Up next was an incredibly powerful version of the classic "Nobody's Fool" which kicked off with the crowd singing the first few lines at an insanely loud level. So rad. "Don't Know What You've Got, Til It's Gone" was great and "Shelter Me" was another stand out of the evening for me. Back when that song/video was released, I latched on pretty hard because it was so different and fresher than anything that any of those bands that Cinderella was lumped into at the time were doing and really set them apart from their peers. That said, it was great to see/hear that performed live. I am not mentioning every song played here but just know this..if #Keiferband is hitting your area or even remotely close, do not miss this show! Travel if ya have too. I've been to more shows than I can count and this show was up there for me. Way up there. Seriously, I was blown away and a little taken back as to just how good #KeiferBand was live. Get those tickets and buy that new album while you're at it.
newsickmusic : TOM KEIFER #KEIFERBAND – "HYPE"


Flash chat rooms for video and webcams.
You can access the chat rooms with the links below, click the appropriate picture for the device you are using, left is desktop users and the right icon is for mobile users.
Please bear in mind the full-screen chat doesn't work so well on iPad or mobile.
I am rebuilding the site with a new theme as you can see it will take ages to get back to normal but least it's working for now.
Register a username and a password and then use this to get into the chat rooms themselves, if you can't get in clear your cache or try an incognito window, you should get in as it works.
When you sign up it will not TAKE you into the chat rooms, you have to go there afterwards and use your username and password you have just registered with the sign-up page.
You would get a profile when you register with World of Chat, which you can alter and put some basic details about yourself, which is better than the 123 Flash chat profiles we had before.
Why the change to the chat rooms?
123 Flash chat is no more they have gone out of business there will be no support for any of their software, which means World of Chat was dead in the water, as if anything went wrong we couldn't get it fixed EVER. I used to know a few people there but all have left and told me flash chat will not be returning.
If you want to make this chat room better you have to spread the word about http://www.worldofchat.co.uk and put the web address on as many sites as you can. Or use one of the share buttons and share us over Facebook, Twitter, and other social media.


Cover of "Turf and Sport Digest"
Welcome to History in Hand!
This is History in Hand, an online exhibition initiative drawn from the archival collections at the National Sporting Library & Museum (NSLM) in Middleburg, Virginia. NSLM is dedicated to preserving, promoting and sharing the literature, art and culture of equestrian, angling and field sports. Founded in 1954, the NSLM houses over 26,000 books dating from the 16th through the 21st Centuries, a growing collection of fine art, and a sizable archive collection.
The online exhibitions here are made available through the NSLM Internship Program. Under the program, interns studying Library Science, Museum Studies, Archival Studies, Art History, and related fields work to provide maintenance and care for a diverse collection of books, photos, letters, posters, manuscripts, scrapbooks, and ephemera. As part of their time at NSLM, interns collaborate with staff to digitize, arrange, and exhibit portions of the collection for the public.
Click here to learn more about NSLM and internship opportunities. You can also learn about our interns who have contributed to History in Hand. Click below to browse through the collections.


Extensively remodeled Rustic Modern Estate perched above the historic Riviera Golf Course in the most scenic corner of Santa Monica Canyon. Set off the street, behind tall gates, at the end of an extremely quiet cul de sac on 2/3 of an acre of lush, private grounds, this pristine, sun-filled home offers clean, contemporary lines, beautiful finishes, a perfect floor plan and an ideal indoor/outdoor lifestyle. French doors throughout open to trellis-covered and open patios, resort-like grounds and breathtaking, wide open views of the famed golf course. Formal entry leads to step-down living room with stone hearth and steel windows, formal dining room, large family room with beamed ceiling and stunning cook's kitchen with every imaginable amenity. There are six bedroom suites, including a fabulous master with pitched beamed ceiling, sitting area, lavish slab marble bath, furniture grade closet and views. Additional amenities include a gym, outdoor fireplace, three car garage, generous motor court and shared use of a tennis court. Situated within close proximity to the beach, this magical property offers rare privacy, seclusion and awe-inspiring views in a most desirable Westside location.


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Internally Displaced Persons
Stateless persons
News and story
Right to Protection is an NGO dedicatedto protecting the rights of asylum seekers, refugees, stateless andundocumented persons, as well as internally displaced and conflict affected persons.
The story of Pavlo. 27 years with a passport of a non-existing country
This year, a woman asked the Right to Protection for help for a friend of her husband – he still had a passport of a citizen of the USSR and did not receive a Ukrainian passport.
In March 2020, our staff contacted this man.
His name is Pavlo. He was born in Georgia, from where he moved to Kharkiv in 1977. In 1990 he received a passport of a citizen of the USSR.
After the collapse of the Soviet Union, in 1993 the authorized bodies of the Ministry of Internal Affairs of Ukraine added the inscription "citizen of Ukraine" to his identity document. However, the man never received a passport of a citizen of Ukraine.
Mr. Pavlo lives in a hospice. He recently had his leg amputated and needed immediate help, which was virtually impossible to obtain without valid documents.
After a detailed study of the situation, the lawyer of the Right to Protection CF assisted the man in preparing documents for applying to the State Migration Service of Ukraine (hereinafter – SMSU) with a statement on establishing citizenship of Ukraine. A joint visit was made with the staff of the SMSU of the Industrial District of Kharkiv to the hospice to receive the application documents from Pavlo and the documents attached to it. After the procedure, Mr. Pavlo received a certificate of registration of a person as a citizen of Ukraine.
With tears of undisguised joy in his eyes, Pavlo finally received the long-awaited passport of a citizen of Ukraine. From now on, he has the opportunity to enjoy social, economic, political and all other types of civil rights and freedoms that every citizen has.
It was result of the coordinated cooperation of the Right to Protection CF with the State Migration Service of Ukraine in Kharkiv region, and thanks to the incredible efforts and humanity of the management of SMSU of the Industrial District in Kharkiv – Ms. Kostromina Larysa and Ms. Rybalko Yuliya, who took all necessary steps to help Pavlo obtain a passport of a citizen of Ukraine.
We express our sincere gratitude to the employees of the State Migration Service of Ukraine in the Kharkiv region for effective cooperation in reducing statelessness!
Right to Protection is an NGO dedicated to protecting the rights of asylum seekers, refugees, stateless and undocumented persons, as well as internally displaced and conflict affected persons.
News and history
57 Shchekavytska Str.,Kyiv
© 2019 All Rights Reserved by CF «Right to protection» (R2P). When partial or complete copying of the information, the hyperlink to the site https://r2p.org.ua is obligatory.
Who made the site?


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Make No Law: The First Amendment Podcast
Fighting Faiths
Everyone loves a good redemption story. Maybe that's because it helps us believe it's never too late to change. But how does the same Justice who decided Schenck v. United States, a low point for First Amendment jurisprudence, become the ultimate source of famous First Amendment concepts and rhetoric?
In this episode of Make No Law, the First Amendment Podcast by Popehat.com, host Ken White explores Justice Oliver Wendell Holmes's transformation into the First Amendment hero we know him as today. To do this, Ken discusses the Sedition Act of 1918, Holmes's dissension in United States v. Abrams, and the discourse with his friends and colleagues that ultimately swayed his opinion on free speech. He also talks to Professor Thomas Healy, First Amendment and constitutional law professor at Seton Hall and author of "The Great Dissent: How Oliver Wendell Holmes Changed His Mind And Changed The History Of Free Speech In America."
Ken White explores the background of important First Amendment cases and the personalities and history that led to them. Join Ken, First Amendment litigator and law blogger at Popehat.com, as he interviews some of the people behind America's most important free speech cases.


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Electric Slide (film)
Get Electric Slide Film essential facts below. View Videos or join the Electric Slide Film discussion. Add Electric Slide Film to your PopFlock.com topic list for future reference or share this resource on social media.
Electric Slide Film
Tristan Patterson
Kirk D'Amico
Hans Ritter
Tristan Pattersan
by Timothy Ford
Kevin Haskins
Darran Tiernan
John Paul Horstmann
Media House Capital
Paragon Releasing
April 2014 (2014-04) (Tribeca Film Festival)
Electric Slide is a 2014 American biographical crime film written and directed by Tristan Patterson. It stars Jim Sturgess as Los Angeles-based bank robber Eddie Dodson, who robbed 64 banks in 1983 before he was caught. It premiered at the 2014 Tribeca Film Festival and received a limited theatrical release in April 2015.
Eddie Dodson borrows money from the bank to finance a stylish furniture shop that doubles as a nightclub. When he is unable to pay back the loans, he turns to loan shark Roy Fortune. After his upper-class girlfriend, Charlotte, dumps him, Dodson steals an expensive vase from his friend Tina and pawns it for a starting pistol. While at a nightclub, he meets Pauline. She insists he give her a ride, and they begin dating after bonding over their love of trendy Los Angeles punk music. Dodson confides in her that he plans to rob a bank.
The next morning, Dodson follows through on his plan. His stylish appearance and flirtatious behavior make an impression on the bank teller, and she does not set off the alarm until he leaves. The investigating police officers, Detectives Holiday and Mercury, have little to go on besides his expensive fashion sense. Although frustrated with his limited take, Dodson uses the money to slowly begin paying back Fortune. Impressed that Dodson has pulled off the robbery, Pauline eventually becomes his getaway driver. She suggests that he is not really stealing from people if he provides them with a service. Dodson targets female tellers, whom he compliments as he demands the money.
Dodson hits banks all over Beverly Hills and Hollywood, Los Angeles, funneling most of the money to pay off Fortune. However, during one of his robberies, the teller includes a dye pack, which explodes in his car. After another robbery, Tina recognizes him and engages him in conversation before he can leave the bank. When she invites him to a party, he leaves in her car, abandoning Pauline. The police discover Dodson's car in the bank's parking lot and issue a warrant for his arrest based on the dye splashed in it. However, the teller backs out of identifying him in a line-up. With no other evidence, the police release him. Pauline does not return home.
When Dodson begins spending the money to feed his lavish lifestyle, Fortune threatens to kill him. After Dodson pulls his starting pistol, an enraged Fortune forces him to commit another bank robbery under the eye of his thugs. The teller's supervisor is uncooperative and calls Dodson's bluff, but Dodson intimidates the teller into handing over the money. As Dodson runs from the bank, the supervisor chases him; Dodson eludes both the thugs and the supervisor. At his house, Pauline, who has finally returned, says she has already told the police everything, as she no longer loves him, though she quickly contradicts herself by saying the police do not know of her existence. The police surround the house, and Dodson first imagines suicide by cop before, in reality, being arrested by Det. Mercury, who recognizes the starting pistol as fake.
Jim Sturgess as Eddie Dodson
Isabel Lucas as Pauline
Patricia Arquette as Tina
Christopher Lambert as Roy Fortune
Chloe Sevigny as Charlotte
Vinessa Shaw as Mimi
John Doe as Detective Bill Holiday
Will McCormack as Detective Fred Mercury
Kate Micucci as Sue Fellucci
Constance Wu as Mika Oh
Megalyn Echikunwoke as Jean
Rhys Coiro as Glen
James Ransone as Jan Phillips
Oz Perkins as Andy Segal
Susie Castillo, Susan Park, Samantha Colburn, Joanna Spracklin, Kelsey Ford, and Amy Ferguson appear as bank tellers.
Electric Slide premiered at the 2014 Tribeca Film Festival.[1] Foreign distribution of the film caused an arbitration case after Osiris Entertainment said that the production company, Myriad Pictures, secretly allowed the film to be distributed in territories known for rampant piracy. After the film was pirated and went viral, Osiris Entertainment demanded a discount.[2] The dispute was resolved confidentially in August 2015.[3] Paragon Pictures gave it a limited theatrical release in the U.S. in April 2015.[4]
Rotten Tomatoes, a review aggregator, reports that 14% of seven surveyed critics gave the film a positive review; the average rating is 3/10.[5]Metacritic rated it 37/100 based on six reviews.[6]Frank Scheck of The Hollywood Reporter called it a dull film that "never manages to achieve the dramatic tension or satiric social commentary to which it aspires".[7] Though he complimented the film's attention to period detail, Ernest Hardy of The Village Voice wrote, "The film itself, despite being based on a larger-than-life true story, is limp and anemic."[8] Wes Greene of Slant Magazine rated it 2/4 stars and called the film style over substance.[9] Rodrigo Perez of Indiewire rated it D- and wrote, "Tiresomely told, uninteresting, and turgid, Electric Slide is as insipid as it gets -- a meaningless movie about almost nothing at all."[10] Brian Orndorf of Bluray.com awarded the film 3/10 and wrote, "The only performer who registers with unpredictability is Lambert, making a rare screen appearance as a hot-headed kingpin surrounded by bikini-clad women. He's a small offering of aggression in a flatlining film."[11]
^ Labrecque, Jeff (2014-04-04). "Tribeca 2014: Festival lineup includes 55 world premieres". Entertainment Weekly. Retrieved .
^ Gardner, Eriq (2015-02-27). "Patricia Arquette's New Film Caught in Legal Fight Over Foreign Piracy (Exclusive)". The Hollywood Reporter. Retrieved .
^ Siegemund-Broka, Austin (2015-08-11). "Hollywood Docket: Musicians Guild Sues Major Labels Over Streaming Revenue". The Hollywood Reporter. Retrieved .
^ Harmon, Jessica (2015-02-22). "America to do the Electric Slide this April". Moviepilot. Retrieved .
^ "Electric Slide (2015)". Rotten Tomatoes. Retrieved .
^ "Electric Slide". Metacritic. Retrieved .
^ Scheck, Frank (2015-04-02). "'Electric Slide': Film Review". The Hollywood Reporter. Retrieved .
^ Hardy, Ernest (2015-04-01). "Electric Slide Tries, Fails to Be an Eighties Bonnie and Clyde". The Village Voice. Retrieved .
^ Greene, Wes (2015-03-30). "Electric Slide". Slant Magazine. Retrieved .
^ Perez, Rodrigo (2014-04-02). "Review: Tiresome, Uninteresting And Insipid 'Electric Slide' Starring Jim Sturgess, Isabel Lucas & Chloe Sevigny". Indiewire. Retrieved .
^ Orndorf, Brian (2015-04-02). "Electric Slide review". Bluray.com. Retrieved .
Electric Slide on IMDb
The Electric Slide Film Complet VF En Ligne HDRip 720p
Electric Slide Full Movie HD 1080p
Electric_Slide_(film)


On behalf of Yeedah, we wish you and your staff a Merry Christmas and a Happy New Year. Your efforts and support is the reason of our success. We appreciate all your cooperation in the past year. And we strongly believe that we will have more prosperous future in the coming new year.
Please down load product specification sheet on each page.
Manufacturing planning in the end of 2017.
How time flies! There is only one month left in the year of 2017. Our Production Dept. will arrange overtime working for current orders. If you have any urgently requirement, please contact with our sales people soon. It is the rush time for our factory in this time of the year, we will do our best to avoid any delay of your requirement. Thanks for your attention.
New company website for Yeedah homesearch.com.cn is on line!
Thank you so much for attention to our company and products in the past 12 years. We updated our company website homesearch.com.cn. The layout is completely different from old version, and it should be more user friendly. Welcome to give us your suggestions and inquiry.


Would you like to make an easy and quick cake? Here's one!
Mash the bananas with a fork. Beat the egg yolks with sugar until they are light and fluffy then add bananas, potato starch, baking soda and chopped almonds. Beat the egg whites until they are firm and gently add them to the mixture. Line a cake tin with baking paper (I used butter and flour) and pour the mixture. Put it in the oven at 180 °c for 20/25 minutes depending on the type of oven used.
If you want, once cooled, decorate with icing sugar.
If you use the whole almonds like me, you should peel them before you chop.
To peel more easily, you should put them in boiling water for a few minutes. Then you have just to press almonds with fingers to remove the skin. (if you have children make them do this work: they will have fun and you will save yourself the hassle of peeling the almonds :) ). Once peeled there's nothing left to do but dry and chop.
We call it Fecola di patate, I translated it in potato starch but maybe it's called in another way. I don't really know.
I think u can use cornstarch.
Great job - this look amazingly delicious!
Thank you! Amazingly delicious? If you like almonds and bananas sure it is!
Is the flavor more banana or more almond?
when you eat you feel the flavor of the banana, then the almond with its crunchiness. however I would say more banana.


Tom was born in the Bronx, New York. His family relocated to Chantilly, VA in the early 1980's. Tom graduated from Chantilly High School in 1986. He went to James Madison University in Harrisonburg, VA where he studied finance and was a brother in the Lambda Chi Alpha Fraternity. Tom graduated JMU in 1991 with a Bachelor of Arts Degree in Finance. He joined DEA in 1992 as an Intelligence Specialist assigned to Headquarters in the Financial and Special Intelligence Section. In 1996, Tom and Maureen Feeney married. That same year Tom was hired as a DEA Special Agent through the Washington Field Division and upon graduation was assigned to the Miami Field Division to an Enforcement Group. In 2002 he was reassigned to the Nassau Bahamas Country Office where he served for four years. In April 2006, Tom was promoted to Group Supervisor in the Houston Field Division where he served until his death.
Tom was survived by his wife Maureen and four children, Tommy, Joseph, Matthew and Michael. He was also survived by his parents, Thomas, a retired DEA Special Agent and Joan Byrne and two sisters, Patricia and Joann. Additionally, Tom had a large extended family, many of whom also work in law enforcement.
On May 13, 2009, the DEA held its annual Memorial Observance. This is an annual event to coincide with National Police Week. The purpose is to honor those who have fallen in the line of duty at the DEA and within other law enforcement agencies working in conjunction with the DEA (78 people to date). This year's memorial observance was to honor Tom and his induction into the DEA Wall of Honor.
The day was both somber in remembrance of Tom, and celebratory to commemorate Tom's courageous life of service to the DEA and his country. There were several speakers including DEA Administrator Michele Leonart, and U.S. Attorney General Eric Holder. Tom was represented by Maureen and his four sons as well as several family members, friends and colleagues.


Vermont Senator Bernie Sanders came out victorious during Tuesday night's West Virginia primary over Hillary Clinton, cutting into her delegate lead.
However, the win won't make a huge dent.
While Sanders' win certainly help him, it is unlikely that a win in the Mountain State will get him any closer to the nomination. Only 29 delegates were at stake on Tuesday, meaning that even a dominating win for Sanders would still leave him nearly 800 delegates behind Clinton (when accounting for all-important Super Delegates).
"Let me be as clear as I can be, we are in the campaign to win the Democratic nomination," Sanders to a crowd in Salem, Oregon, on Tuesday. "We are going to fight for every last vote."
But Clinton needs just 145 delegates to clinch the Democratic nomination in order to reach the 2,383 required. Even if she lost all the ret of the states by a landslide, she could still emerge as the nominee -- assuming her superdelegates, the key for her in this race, continue to back her.
The former Secretary of State also won a primary election Tuesday in Nebraska, though it won't increase her lead as the party allocated all of its delegates to the summer nominating convention at a caucus won in March by Sanders.
The win means Sanders has taken an impressive 19 states to Clinton's 23 -- and awkward scenario considering Clinton is so far ahead.
Meanwhile, according to Real Clear Politics , Sanders leads Clinton by an average of six points across three separate polls. The Vermont senator has found favor with disenfranchised rural Democrats, while Clinton has earned the ire coal miners with her green energy policies.