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Much of my life these days has been spent handling film in some way, in just about every way other than shooting it: processing it (or sending it off to a lab), cutting it, scanning it, and organizing it (I switched from pages in binders to envelopes in boxes for film storage, and I'm still in the middle of organizing it all). I don't mind that, but I'm starting to feel that "I need to shoot something" itch again. I shot some macro work of some dried flower petals in the studio earlier this month, and a few things around the house, but it's not been quite enough to scratch the itch.
Here's a Polaroid test of the petals (actual frame being just in the corner, as the Contax 645's Polaroid back places it).


text:
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Biography/History
Collection Inventory
I. Correspondence
II. Events
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VIII. University of Pennsylvania
IX. Writings
X. Theatrical scrapbooks
XI. Newspaper and magazine article clippings
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Felix E. Schelling papers
Ms. Coll. 1118
This is a finding aid. It is a description of archival material held at the University of Pennsylvania. Unless otherwise noted, the materials described below are physically available in our reading room, and not digitally available through the web.
University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts
Schelling, Felix Emmanuel, 1858-1945
Date [inclusive]:
Felix E. Schelling (1858-1945) was a professor of English at the University of Pennsylvania, an expert on Shakespeare, and an author of scholarly works on Shakespeare and Elizabethan literature. This collection documents Schelling's life as a student, a professor, a scholar, and an author. It also documents the University of Pennsylvania through the eyes of an individual who was a student and a faculty member over a period of more than fifty years.
Felix E. Schelling papers, 1856-1945, Ms. Coll. 1118, Kislak Center for Special Collections, Rare Books and Manuscripts, University of Pennsylvania
Finding Aid's Permanent URL:
http://hdl.library.upenn.edu/1017/d/ead/upenn_rbml_PUSpMsColl1118
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Felix Emmanuel Schilling was born on September 3, 1858, the son of Felix and Rose (White) Schelling. He and his siblings, Julia and Ernest were all very musical and, in 1873, he studied with Henry C. Timm in New York. According to Thomas H. Hill's dissertation, Felix E. Schelling had been tutored at home, but "was accepted as a sophomore by the University of Pennsylvania even though he had never attended a school," (Hill, page 9). As a student, he was class poet, sang with the Glee Club, and was a member of several fraternities. He earned his A.B. at the University of Pennsylvania in 1881, his LL.B in 1883, his A.M. in 1884, his Litt. D. in 1903, and his LL.D in 1909. In 1893, he began his career as the John Welsh Centennial professor of English Literature, a title which was renamed in 1930 as the Felix E. Schelling Professorship of English Literature. At the time of his retirement, after serving as a faculty member for 48 years, he was considered the "Father of the English Department" at the University of Pennsylvania and it is stated that "his course in the modern novel was the first of its kind in American colleges," (box 1, folder 2) Following his retirement, he served as the curator of the Howard Furness Memorial Library.
According to resolution adopted in 1934, Schelling's "place in the world of scholarship is attested not only by the large number of students inspired and trained by him who occupy important positions in colleges and universities throughout the county, but by his own writings," (box 1, folder 2). Indeed, he authored more than 15 books and countless articles and edited 7 works, most of which relate to Shakespeare and Elizabethan literature and writers.
In 1886, Schelling married Caroline Derbyshire and they were the parents of Dorothea and Felix. Schelling died on December 15, 1945.
Biography (box 2, folder 19)
Hill, T. H. (1970). Ernest Schelling (1876-1939): His life and contributions to music education through educational concernts.
Resolution on Schelling's retirement (box 1, folder 2)
This collection documents Schelling's life as a student, a professor, a scholar, and an author. It also documents the University of Pennsylvania through the eyes of an individual who was a student and a faculty member over a period of more than fifty years. The collection is arranged in eleven series: Correspondence, Events, Financial records, Personal items, Research, Speeches and addresses, Teaching, University of Pennsylvania, Writings, Theatrical scrapbooks, and Newspaper and magazine article clippings.
Series I. Correspondence includes letters to and from Felix E. Schelling, although the bulk of the letters are addressed to Schelling. He appears to have had a wide range of correspondents, but there are a few people with whom he corresponded fairly regularly. These correspondents include Joseph Q. Adams, Raymond M. Alden, Frank Aydelotte, Henrietta Bartlett, A.S. Bouton, A. Brandl, J. LeGay Brereton, Tucker Brooke, Martin G. Brumbaugh, Edgar Potts Cheyney, Florence Coates, Allen S. Cook, Morris W. Croll, J.E. Davies, George W. Douglas, A.R. Elsasser, John Erskine, Max Farrand, Albert Feuillerat, Horace Howard Furness, Dr. M. Nelson Gay, Austin K. Gray, Francis B. Gummere, J.M. Hart, Henry Hanby Hay, Morris Jastrow, H. La Barre Jayne, W.W. Keen, Horace Liveright, Percy Long, Hughes Mearns, S. Weir Mitchell, Harrison S. Morris, A. Edward Newton, D. O'Bolger, E.H. Oliphant, Willard Parker, Leonidas Payne, Josiah H. Penniman, William Lyon Phelps, Agnes Repplier, Ernest Rhys, Maura Skinner, J. Duncan Spaeth, Charles William Wallace, Cornelius Weygandt, and W.A. White. Researchers interested in Schelling's career at Penn (and also collections found within the Kislak Center) will find letters from colleagues including E. Scully Bradley, E.P. Cheyney, Thomas Sovereign Gates, Joseph Hergesheimer, Edgar L. Potts, Arthur Hobson Quinn, J. Howard Reber, J.G. Rosengarten, and Edgar F. Smith. Letters are largely professional in nature, although there are several letters to and from his family (filed under Schelling in box 1, folder 18). If letters had attachments, the attachments are filed behind the letters. Material in this series is arranged in alphabetical order.
The second series, II. Events, contains invitations, programs, and memorabilia relating to events which Schelling almost certainly attended. Early events focus on musical performances in which Schelling and family members performed. From 1878 to 1884, there are many University of Pennsylvania student events represented, including performances of the Glee Club, Cremation ceremonies, athletic events, class days, and commencements, to name the most prevalent. Later years include memorabilia from University of Pennsylvania alumni events and commencements, the Shakespeare Society of Philadelphia, and other local institutions such as the American Philosophical Society. A few notable events include a trip to the University of Glasgow Jubilee in 1901, the Deutsche Shakespeare-Gesellschaft in 1914, the Shakespeare Tercentenary in 1916 (multiple events), cornerstone dedication at the University of Louvain in 1918, and a trip to England in 1923 which included the Cambridge University Jubilee and the 800th anniversary of the foundation of St. Bartholomew's Hospital. Material in this series is arranged in chronological order.
Series III. Financial records and IV. Personal items are both very small but contain important information for researchers interested in Schelling's writing career. These series contain receipts, royalty statements, biographical material, and copyright certificates.
The fifth series, V. Research, contains material that Schelling used for his scholarly work on Shakespeare and the Elizabethan literary world. This group of material contains photocopies of works by Bacon, Flacci, Lenton, and Livy and a number of inventories of collections of primary sources held at repositories, largely in New York. The primary source collections relate to theater. Material in this series is arranged in alphabetical order.
Schelling's career at the University of Pennsylvania is documented in series VI. Speeches and addresses and VII. Teaching. Schelling appears to have been a popular speaker during his career, and topics addressed are the Elizabethan literary world, Shakespeare, theater, teaching, and education. Very few of the speeches have titles and many are undated and therefore, the speeches are arranged chronologically whenever possible, with a large numbered grouped together as "undated." His teaching career is not particularly well documented--there are a few lectures (at least two of which were not held at the University of Pennsylvania), several of the exams he gave, and some student records.
Schelling's connection to the University of Pennsylvania was strong. Not only did he teach at the University for 48 years, he also earned all his degrees from Penn. The eighth series, VIII. University of Pennsylvania includes some academic records from his time as a student, alumni information, and publications about the University. Events relating to his time as a student and alumni of the University of Pennsylvania are located in Series II.
The bulk of the collection can be found in Series IX. Writings. Schelling appears to have been a prolific writer, publishing books, articles, and reviews on others' works. He also wrote a play which was performed and many poems, but it is unclear if many or any of them were published. The material in this series is arranged by type of publication and then alphabetically by title within Books, Drafts, Play, and Poetry, and chronologically within Published articles and Reviews (written by Schelling). The poems are in Schelling's original folders, but there appears to be a great deal of duplication. It is unclear if Schelling tried to publish the same poems under several different titles over a period of time. Researchers interested in Schelling's poems should take the time to look at all folders in the group.
Series X. Theatrical scrapbooks contains eleven scrapbooks, some of which may have been created by Schelling. There are three scrapbooks created by the physician Charles W. Burr which document theater fairly generally. These scrapbooks include clippings (largely magazine) of theater actors and actresses and scenes from plays and other productions. A scrapbook which appears to have been created by Owen Marlowe contains clippings, letters, and playbills from his career. A few writings (manuscript) are scattered through the scrapbook, and the last few pages contain recipes for champagne and orange wine. The Clara Woodward scrapbooks include playbills and images of actors and actresses. For the most part, the playbills are for the Broad Street Theatre, the Castle Square Opera Co., the Chestnut Street Theatre, and the Chestnut Street Opera House. The remaining scrapbooks have no names attached to them, but several are in the same style as Clara Woodward's and may well be created by her. All scrapbooks relate to theater, regardless of the creator.
The final series, Series XI. Newspaper and magazine article clippings, cover a variety of topics and are arranged alphabetically by topic. Reviews of Schelling's works are located at the end of the series.
University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts, 2015 September 23
Finding Aid Author
Finding aid prepared by Nicole Love and Holly Mengel
The bulk of this collection is open for research use. Researchers interested in using the scrapbooks (located in boxes 6 to 13) will require assistance from Kislak staff as the items are extremely fragile. Please make an appointment to use these materials so that staff will be available.
Copyright restrictions may exist. For most library holdings, the Trustees of the University of Pennsylvania do not hold copyright. It is the responsibility of the requester to seek permission from the holder of the copyright to reproduce material from the Kislak Center for Special Collections, Rare Books and Manuscripts.
Custodial History note
Gift of Mrs. Schelling, 1946.
Controlled Access Headings
Corporate Name(s)
University of Pennsylvania. Libraries.
University of Pennsylvania.
Form/Genre(s)
Theater programs
Writings (documents)
Personal Name(s)
Burr, Charles W. (Charles Walts), 1861-1944
Shakespeare, William, 1564-1616
College teachers
Drama--History and criticism
Literature--Study and teaching
I. Correspondence.
Box Folder
Adam, John S.-Aydelotte, Frank, 1914-1938.
"Baconian"-Bouton, A.S., 1907-1938.
Bradley, E. Scully-Butler, Pierce, 1906-1935.
Camac, C.N.B.-Cunningham, Hal, 1890-1937.
Da Costa, [Illegible]-Dwight, M.N., 1890-1936.
Earle, Governor George H. and Mrs.-Evans, Elizabeth, 1888-1938.
Farquhar, F.G.-Furness, William Henry III, 1893-1942.
Garland, Hamlin-Gummere, Richard M., 1888-1940.
Haas, John A.W.-Hay, Henry Hanby, 1893-1935.
Hays, Morris-Ishida, Kenji, 1891-1942.
Jackson, Francis A.-Krebs, Arnold, 1880-1936.
Lane, Andrew-Long, Percy, 1885-1936.
Macaulay, G.C.-Mustard, Wilfred P., 1890-1937.
Nason, Arthur H.-Northup, Clark S., 1904-1938.
Oakley, Thornton-Parker, Willard, 1906-1935.
Parmenter, C.L.-Princeton University, 1891-1936.
Quinn, Arthur H.-Runk, L.B, 1897-1944.
Saints Mary, George-Symmes, Harold S., 1892-1945.
Tannenbaum, Samuel A.-True, Rodney H., 1888-1936.
Valentine, Alan C.-Von Moschzisker, Robert, 1912-1926.
Wallace, Hulda-Young, Karl, 1891-1936.
Unidentified (illegible or unsigned), 1919-1936, undated.
Relating to Thor, 1917-1918.
II. Events.
1915-1916 June.
1924, 1926-1928.
1934-1938, undated.
undated.
III. Financial records.
Receipts, 1923-1926.
Royalty statements, 1927-1938.
IV. Personal items.
Biographies, bookplate, passport, and report of accident of Ernest H. Schelling (brother) in World War I, 1919-1929.
Collected bookplates and memorabilia, undated.
Commonplace book, undated.
Copyright certificates, 1893-1932.
V. Research.
Bacon, Facci, Livy, and others, notes on and writings by, undated.
Inventory of Beck's collection of prompt books at New York Public Library, 1936.
Inventory of Burton's theatre play bills at New-York Historical Society, circa 1936-1937.
Inventory of Drama-tragedy programs at New York Public Library, Fridenberg Galleries, Keen's Chop House, The Lambs Club, and the Elks Club, volumes 1 and 2, circa 1936.
Inventory of the John James collection at New York Public Library, circa 1936-1937.
Inventory of manuscripts and prompt books at Columbia University, circa 1936-1937.
Inventory of the May D. Seymour collection, circa 1939.
Inventory of Play bills at the New York Public Library, Keen's Chop House, and the Elks Club, circa 1936.
Inventory of Theodore Liebler collection at the New York Public Library, circa 1936-1937.
Inventories of Van Damm collection of theatrical flashlights, the Altman collection, the Daly theatre collection, and Special program collection, circa 1938.
Musical notation, correspondence and notes, 1922-1929.
Lenton, Francis, copied manuscript notes and poems, undated.
Lenton, Francis, photocopy of Great Britains Beauties, undated.
Lenton, Francis, photocopy of Lenton's Leisures Described, undated.
Lenton, Francis, photocopy of Characterismi, undated.
Lenton, Francis, photocopy of Innes Of Court Anagrammatist, undated.
Lenton, Francis, photocopy of The Young Gallants Whirligigg, undated.
List of Gilbert and Sullivan opera publications, circa 1938.
Lists of English and Latin plays, and Elizabethan and Shakespeare material, undated.
Photographs of Shakespearean actors and actresses (photographs by Gilbert Bacon), undated.
VI. Speeches and addresses.
1890s.
Schelling's farewell address at retirement from the University of Pennsylvania, 1938.
VII. Teaching.
Lectures on the Elizabethan Age, omitting the drama, circa 1904.
Philadelphia Branch, International Kindergarten Association, syllabus of six lectures, 1904.
Exams and student grades, 1932-1937.
Johns Hopkins lecture on Shakespeare, undated.
VIII. University of Pennsylvania.
Alumni information, undated.
Education, exams, 1878-1882.
Education, notes and grade reports, 1878-1881.
Education, Masters of Arts thesis: "On Literary Criticism", 1884.
Publications, 1920-1940.
IX. Writings.
a. Books.
English Chronical Play, uncut and unbound copy, 1902.
Foreign Influences in Elizabethan Plays, page proofs, 1923.
Pedagogically Speaking, galley proofs, 1929.
Poetic and Verse Criticism in the Reign of Elizabeth, unbound copy, 1891.
Shakespeare and Biography, 1937.
Shakespeare and Demi-Science, galley proofs, 1927.
Thor and Some Other War Rhymes, page proofs, 1918.
b. Drafts.
"Some Contemporary Picturings of the State and its Personnel in Shakespeare's Days," notes, manuscript pages, and annotated typescript, circa 1897.
"Robert Browning in Retrospect," annotated typescript and manuscript notes, undated.
"Story of a Teacher," corrected typescript, probably 1930s.
"Three Great Elizabethans," annotated and corrected typescript, undated.
Articles, probably by Schelling, undated.
Music manuscripts, undated.
c. Play.
"The Family Failing," performed at Houston Club Smoker, corrected manuscript and announcement (includes Schelling's note, "a dismal failure"), 1896.
d. Poetry.
"Busy Buzzie," drafts and typed copies of poems, undated.
"Echoes and Epigrams", undated.
"The Golden Age," class poem, circa 1881.
"Sonnets of the Nations," typescript, 1917.
Miscellaneous manuscript and typescript copies of poems, undated.
e. Published articles.
1880s-1890s.
"The Gownsman" articles, drafts and newspaper clippings, 1919, undated.
"Variorum Shakespeare," includes correspondence, circa 1931-1936.
By others or unknown, 1890-1935.
f. Reviews (written by Schelling).
X. Theatrical scrapbooks.
Conditions Governing Access note
Researchers interested in using the material in this series will require assistance from Kislak staff as the items are extremely fragile. Please make an appointment to use these materials so that staff will be available.
Charles W. Burr theatre scrapbook, images of actors, actresses, and scenes from plays (3 volumes), undated.
Owen Marlowe theatrical scrapbook, clippings, playbills, letters, writings, and recipes, 1856-1874.
Clara Woodward theatrical scrapbook, playbills and images of actors and actresses, 1894-1987.
Volume containing clippings and images of actors and actresses, 1896-1897.
Volume containing playbills and images of actors and actresses, 1898-1899.
Volume containing clippings, 1907-1910.
XI. Newspaper and magazine article clippings.
Contemporary Club, 1919.
Folger Shakespeare Library, 1932-1936, undated.
Furness memorial and collection donated to the University of Pennsylvania Libraries, circa 1932.
Mitchell, S. Weir, memorial, 1928.
Politics and world events, 1926-1937, undated.
Portraits of famous and notable personages, 1940, undated.
Schelling, Felix E., 1879-1921.
Schelling, Felix E., appointment as Felix E. Schelling Professorship of English Literature, 1930.
Schelling, Felix E., receiving honors, awards, and degrees, 1909-1934.
Schelling, Felix E., speeches and addresses, 1902-1930.
Schelling, Felix E., teaching (at University of Pennsylvania and other), 1888-1921.
Shakespeare, 1877-1934.
Shakespeare, tercentenary of his death, 1916.
Wallace, Charles William, 1909-1932.
Writers, poets, and libraries, 1910-1936.
Relating to Appraisement and Asperity, circa 1922.
Relating to Ben Jonson's Timber: or discoveries made upon men and matter, 1892-1897.
Relating to Book of 17th Century Lyrics, 1900.
Relating to Book of Elizabethan Lyrics, 1895-1897.
Relating to Elizabethan Drama, 1908-1909.
Relating to Elizabethan Playwrights, 1925.
Relating to English Chronicle Play, 1902.
Relating to English Drama, 1914-1915.
Relating to English Literature during the Lifetime of Shakespeare, 1910-1911.
Relating to The English Lyric, 1913-1914.
Relating to Masterpieces of the English Drama, circa 1912.
Relating to Pedagogically Speaking, 1929-1930.
Relating to Poetic and Verse Criticism of the Reign of Elizabeth, 1894.
Relating to The Queen's Progress, 1904-1905.
Relating to Shakespeare and Demi-Science, 1927.
Relating to Summer Ghosts and Winter Topics, circa 1924.
Relating to Typical Elizabethan Plays, circa 1926.
© University of Pennsylvania | dmcknigh@pobox.upenn.edu

redpajama_set_name: RedPajamaCommonCrawl


Hi, my name is Lynn Harris Olins. This is my 3rd year at St. Mark School and I am very excited to be here. Before I came to St. Mark School, I worked at the Discovery Museum and Planetarium in Bridgeport, CT for 10 years. My job there was Director of Education. While there, I had many amazing experiences, including have the opportunity to travel to NASA Goddard in Maryland and Jet Propulsion Labs in Pasadena to be trained in many NASA education programs. I love science and have since I was a kid. I left the museum because I really missed being in the classroom. Prior to the Discovery Museum, I was a teacher with Fairfield Public Schools for 10 years. I have also taught biology for Choate Rosemary Hall's Summer Programs.
When I am not at school, you will find me spending time with my family. My husband and I have two sons, Sam and Matt. We like to do activities as a family such as skiing, playing football in the backyard or playing board games. I also have several pets. I have a schnoodle (part schnauzer, part poodle, all crazy) named Fergus MacDuff, an 7 year old leopard gecko named Cheetie, a frog named Albie, and a turtle named Grumpy who lives at school during the academic year.


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redpajama_set_name: RedPajamaGithub


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Move Exchange programmes from where the individual attained a passing level are skilled for analysis and university or college exchange credit rating can be granted. Regardless whether you're a high classroom person which would like to gain a top class for the publication register, or else a School person seeking to buy a doctorate, we've tailor-made systems for what you will seek. Pupils are required to visit MCC training even in case the university isn't in time for getting a chosen period.
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Bulat Chagaev, the controversial Chechen owner of Swiss top-flight club Neuchatel Xamax, does not have a valid residence permit to live in Switzerland, the newspaper Le Matin reported on Thursday.
Chagaev, who is under investigation in Switzerland for falsification of documents and money laundering, is believed to only have a basic visa that must be renewed every six months, and only after leaving the country.
Le Matin reports that Chagaev was unable to produce a valid visa when police visited him at his office in Geneva.
"He is an illegal immigrant that could be thrown out of the country at any time, just like any other foreigner who is on Swiss soil illegally," claims the paper.
Le Matin also reports that Chagaev gave a Bank of America headed letter to the Swiss Football League signed by a so-called Tomas Milller -- with three 'l's -- a mistake that they believe will not have gone unnoticed by investigators.
The letter is in the hands of police, along with another letter, pertaining to be from the Bank of America, which attests that Chagaev has an account containing $35 million.
In the last 10 days, police have issued warrants to search Chagaev's offices in Geneva, his home near Lausanne and Neuchatel Xamax's club offices.


Go West Summit allows participants to discover the American West.
Go West Summit is the premier travel tradeshow bringing together the world's top tour operators with suppliers from 13 Western States. Go West's event formula and program are designed to provide participants with opportunities to negotiate business contracts, establish relationships, and gain a better understanding about a variety of topics relevant to the tourism industry.
The 2014 Go West Summit features suppliers representing destinations, properties, and attractions from the American West and international tour operators participate in multi-day networking sessions, familiarization trips, and Adventure Day activities with the goal of showcasing the destination for future tourism business.


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Accessibility Resources for WIT Faculty and Students
Resources for Creators
A guide to web accessibility for users and creators.
Creating Accessible Documents
Accessibility for Video, Audio and Images
Library Resources and Accessibility
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Google Accessibility Features for Users
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Go Back WIT Digital Accessibility Home
Accessibility Resources for Designers and Creators
This section highlights user guides and video tutorials that will help you to design and produce more accessible digital products for your users. It is especially useful for instructors who want to make their Word documents, PDFs, slide presentations, videos, etc., more user-friendly for a broader audience. Use the navigation on the left to access resources related to the kind of content you are working with.
Universal Design in Higher Education by Sheryl E. Burgstahler (Editor); Michael K. Young (Foreword by) This second edition of the classic Universal Design in Higher Education is a comprehensive, up-to-the-minute guide for creating fully accessible college and university programs. The second edition has been thoroughly revised and expanded, and it addresses major recent changes in universities and colleges, the law, and technology. As larger numbers of people with disabilities attend postsecondary educational institutions, there have been comparable greater efforts to make the full array of classes, services, and programs accessible to all students. This revised edition provides both a full survey of those measures and practical guidance for schools as they work to turn the goal of universal accessibility into a reality. As such, it makes an indispensable contribution to the growing body of literature on special education and universal design. This book will be of particular value to university and college administrators, and to special education researchers, teachers, and activists.
Call Number: 378.0087 .U55 2015
Pro Html5 Accessibility by Joshue O. Connor Pro HTML5 Accessibility helps designers come to grips with building exciting, accessible and usable web sites and applications with HTML5. The book covers how to use HTML5 in order to serve the needs of people with disabilities and older persons using assistive technology (AT). It aims to be a useful 'go-to' guide, providing practical advice. It takes several approaches, including a look at the new semantics of HTML5 and how to combine its use with authoring practices you know from using earlier versions of HTML. It also demonstrates how HTML5 content is currently supported (or not) by assistive technologies such as screen readers, and what this means practically for accessibility in your web projects. The HTML5 specification is huge, with new APIs and patterns that can be difficult to understand. Accessibility can also seem complex and nuanced if you have no experience interacting with people with disabilities. This book walks you though the process of designing exciting user interfaces that can potentially be used by everyone, regardless of ability. Accessibility is really a quality design issue, and getting it right is often more a matter of approach than having sophisticated, cutting-edge tools at your disposal. This book will be your companion in your journey to understand both HTML5 and accessibility, as the author has many years of experience as a designer and web developer working directly with people with all types of disabilities. He has been involved with the development of HTML5 from an accessibility perspective for many years, as a member of the W3C WAI Protocols and Formats working group (which is responsible for ensuring W3C specifications are serving the needs of people with disabilities) as well as the HTML5 Working Group itself. Introduces the new HTML5 specification from an accessibility perspective Shows how incorporating accessibility into your interfaces using HTML5 can have benefits for all users Explains how HTML5 is currently supported by assistive technologies like screen readers, and how to work around these limitations when developing
A Web for Everyone by Sarah Horton; Whitney Quesenbery; Aaron Gustafson (Foreword by) If you are in charge of the user experience, development, or strategy for a web site, A Web for Everyone will help you make your site accessible without sacrificing design or innovation. Rooted in universal design principles, this book provides solutions: practical advice and examples of how to create sites that everyone can use.
Handbook of Usability Testing by Jeffrey Rubin; Dana Chisnell; Jared Spool (Foreword by) Whether it's software, a cell phone, or a refrigerator, your customer wants - no, expects - your product to be easy to use. This fully revised handbook provides clear, step-by-step guidelines to help you test your product for usability. Completely updated with current industry best practices, it can give you that all-important marketplace advantage: products that perform the way users expect. You'll learn to recognize factors that limit usability, decide where testing should occur, set up a test plan to assess goals for your product's usability, and more.
Universal Principles of Design, Revised and Updated by William Lidwell; Kritina Holden; Jill Butler Whether a marketing campaign or a museum exhibit, a video game or a complex control system, the design we see is the culmination of many concepts and practices brought together from a variety of disciplines. Because no one can be an expert on everything, designers have always had to scramble to find the information and know-how required to make a design work-until now. "Universal Principles of Design, Revised and Updated" is a comprehensive, cross-disciplinary encyclopedia of design. Richly illustrated and easy to navigate, it pairs clear explanations of every design concept with visual examples of the concepts applied in practice. From the "80/20" rule to chunking, from baby-face bias to Occam's razor, and from self-similarity to storytelling, every major design concept is defined and illustrated for readers to expand their knowledge. This landmark reference will become the standard for designers, engineers, architects, and students who seek to broaden and improve their design expertise.
Web Accessibility by Simon Harper (Editor); Yeliz Yesilada (Editor) Covering key areas of evaluation and methodology, client-side applications, specialist and novel technologies, along with initial appraisals of disabilities, this important book provides comprehensive coverage of web accessibility. Written by leading experts in the field, it provides an overview of existing research and also looks at future developments, providing a much deeper insight than can be obtained through existing research libraries, aggregations, or search engines.
Digital Accessibility as a Business Practice: Essential Skills for Business Leaders
Introduction to Web Accessibility: Essential Accessibility for Everyone
Professional Web Accessibility Auditing Made Easy: Essential Skills for Web Developers, Content Creators, and Designers
Understanding Document Accessibility: A Reference for Creating Accessible Office Documents
Web Accessibility for Developers: Essential Skills for Developers
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URL: https://library.wit.edu/guides/accessibility
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"The whole event on the Golden Jubilee was excellent!"
"Thank you and the team for a great night on board the Golden Jubilee"
"CPBS are fantastic boats for an amazing party. We would definitely recommend the hire of one of the boats to our friends."
"It was a superb evening, really well organised, lovely boat, lovely crew and service throughout."
The Golden Jubilee party boat has proven herself time and again to be one of the best London party venues on the River Thames. With two spacious internal decks, a bar on each level, and an extensive sundeck, the Golden Jubilee is extremely flexible and suitable for all types of function for up to 240 guests.
Why not have a look round with our fully interactive 360° tour, or alternatively contact us now to discuss your party idea and put your preferred date on hold for free.
The most common comment we receive about the Golden Jubilee is just how much space there appears to be. Her 2 spacious decks can hold 240 passengers with ease and still leave room for a band or casino tables.
The lower deck contains a solid wood dance floor with lots of bench seating around the front and down the sides of the deck, leaving ample room in the centre for 3 rows of tables, if required. The bespoke bar was created by our in-house design team and is fully stocked with a selection of draught and bottled beer, a full range of branded spirits, soft drinks, wines and champagne. Should you require catering a full service galley is also on this deck, hidden out of sight of your guests, behind the bar area.
On the spacious upper deck you will find a second bar, further seating and another solid wood dance floor. There is a bespoke, enclosed DJ booth and plenty of space for a live band or other entertainment if you wish.
On warm summer day or evening functions the double doors will remain open, allowing guests to take full advantage of Golden Jubilee's magnificent sundeck - large enough to hold 150 guests with ease. What better way to enjoy the summer and views as we cruise past many of the best known landmarks in London?
Golden Jubilee is able to accommodate up to 240 guests.
Minimum numbers may apply during busy months, please call the office for more details.
DJ's, live entertainment and catering can be arranged on request.
Special rate applies for New Years Eve.


Ellie is a foundling, raised by the nuns at Cloonhill, placed with the widowed farmer Dillahan as a servant ("there's not many as lucky") and later promoted as his wife — the only difference in that new state being that she now shares a bed.
Florian Kilderry is another orphan, albeit a recent one. His watercolor-painting parents have recently died and he has inherited a rambling and declining 18 room house and a lot of debts. He is a decent enough fellow, still trying to find himself, somehwat aimless with no real trade or ambition.
Miss Connulty (she has a first name but even her twin brother hasn't used it for decades) is the daughter of the recently deceased matron of the town of Rathmoye. The family controls much of the town commerce (pub, coal yard and B and B) and she has just moved into the large bedroom, taking with her the family jewels and her own tortured memories.
Orpen Wren used to be a servant of the St Johns of Lisquin, a family long departed from Rathmoye with their own scandals responsible. But Wren continues to live in that past, jealously guarding the family papers as he awaits the return of a St John of the current generation and, in the meantime, wandering the town in his own version of a realitiy set some decades past.
Does this seem to shape up like William Trevor country? While I haven't read a lot of his work, it did seem like familiar territory to me only a few pages in — a cast of characters who are for the most part likable, yet every one of them harbors powerful influences from a past that, as the book unfolds, will move more and more into the present and become ever more threatening.
Florian shows up at Mrs. Connulty's funeral with his camera (photography is the latest career option for him). He is actually in search of the remnants of the town cinema (where Mr. Connulty perished in a fire) but does stop to take some pictures of the funeral, much to the dismay of Miss Connulty. He asks Ellie for directions.
Cycling out of town, Ellie wondered who the man who'd been taking photographs was. The way he'd asked about the old picture house you could tell he didn't know Rathmoye at all, and she'd never seen him on the streets or in a shop. She wondered if he was connected with the Connultys, since it was the Connultys who owned the picture house and since it had been Mrs Connulty's funeral. She'd never seen photographs taken at a funeral before, and supposed the Connultys could have employed him to do it. Or he was maybe off a newspaper, the Nenagh News or the Nationalist, because sometimes in a paper you'd see a picture of a funeral. If she'd gone back to the house afterwards she could have asked Miss Connulty, but the artificial-insemination man was expected and she'd said she'd be there.
Trevor's characters lead small lives in a small town with small concerns, like meeting the artificial-insemination man. That does not mean that the tragedy that awaits them is anything but small.
Florian and Ellie continue to meet, seemingly without purpose, except to the spying eyes of Miss Connulty who projects her own unhappiness and history onto their relationship. It is entirely without basis; it turns out to be correct.
Ellie's husband, the farmer Dillahan, carries his own remorse — he backed a loaded trailer into his wife and child, killing them both. Ever since, he has carried the feeling that the entire town is speculating on what his responsibility for the accident (drunkenness? desire?) was. The characters of Love and Summer don't repress history, they attribute meaning to it and let it influence their present.
And while Orpen's memories may come from a confused, semi-demented past they do have their own version of sense — and his determination to recount them provides a key leverage point in Trevor's plot.
This novel (and previous Trevor works that I have read) does have its inconsistencies — such as the rapidity with which Ellie and Florian fall in love. Also, while Florian lives within easy cycling distance of Rathmoye it appears he has never been there before the book opens, neither do any of the residents know him. Farmer Dillahan, who has a car, has never been to Florian's village either. None of this is believable in a conventional sense; I'd like to think that Trevor is using these illogical inconsistencies not sloppily but deliberately, to remind readers that some characters consciously choose to lead constrained lives. The author makes them pay a price for that.
It took me two readings to appreciate what Trevor accomplishes with this novel. The world that he portrays is so tightly-constrained that the first time through "major" incidents pass unnoticed — there is not a lot of cause in this work, there is a lot of effect. I think his point is that the simple contains all the elements that will produce tragedy that the complex does and his world is that simple. It is an exceptionally well-done work that demands attention and "ear" from the reader like few others, but in the end rewards the perseverance. It is not the kind of novel that appeals to everyone's taste; it certainly appealed to mine.
For anyone who is contemplating the Booker longlist, it is impossible not to make comparisons between this novel and Colm Toibin's Brooklyn (reviewed here). Both are set in small towns in Ireland that are experiencing change (Trevor doesn't actually say Rathmoye is in Ireland but it seems a fair assumption). The central character in both — Trevor's Ellie and Toibin's Eilie — is a confused young woman, not quite up to dealing with everything that is around her. There are certainly differences; Toibin has more breadth (much of Brooklyn is set in the U.S.), Trevor has more depth. This novel is more finely written, but Toibin's bigger canvas adds more layers of interest. I liked both and do appreciate the differences. If forced to make a choice (as the Booker jury at some time must), I would opt for the Toibin — but that is probably more a reflection of my living in North America rather than a conclusion about the quality of the book.


Gosh, this is new! Yes its black and white photos. Sure, its a blog about colour... but hey, things change. I don't do b&w much, colour is just too exciting. But sometimes it just really works. So I have made a new tag/category, and may put some up from time to time. Thanks again you two for being such good models.
I love black & white photos and will be happy to see many more. These are great!
thank you. I will put more in B&W up soon!
Follow these links to find The Colour H on Instagram (@thecolourh). Or like The Colour H on facebook.
Hi, I am a photographer in Perth, Western Australia with a strong interest in architecture, heritage, art and landscapes. My email is thecolourh at gmail.com. Click on the images to make them larger. Thanks for dropping by! H.


Operating an office is not a child play. It needs a fine tuning of coordination among your organization's management and employee. It is a fact of any organization culture that it requires a pure balance of team management.
Being the leader, your subordinates or colleagues look up to your suggestions and advice. So, to keep the team management healthy and worth functioning. It is helpful so that nobody in the team should hover over your shoulder as you tick off every task each day.
Here, you would learn about 5 encouraging steps which you as a team leader should incorporate. So the whole team together for harmonious notes.
1. Review your team's current workload: Being the team leader of your group, it is very important to have team collaboration. And this you would learn via team's current workload. Which team member is working upon which task/project should be acknowledged to you. You should have real time update of your team activities with ease.
3. Identify under allotted staff: Well, everything has two sides. So if we have discussed over allotted staff, then we should discuss under allotted staff too. In every team, you would find this kind of people who do not produce an ample amount of work. To know which type of tasks they are busy, you can even have casual meets or even take help of google hangout chats.
4. Account for skills and absences: Team management does not only ask for managing task accordance with a due date. It too requires to know that you as the team leader of your group should know that when they would likely to take holiday or be away from their workspace. Communicate to them and know their point in action and according to plan your working. So, track their work smoothly and know on which project they are working upon.
5. Adjust the assignment: Being the leader of your team, you need to be vigilant about everything. Look out for tasks which are big and is taking a lot of time to complete. Chunk it out in different portion. Create tasks related to this to the members who are not so busy. Hold a conversations chat with team members and thus you receive updates from an individual or multiple teams with ease. You can too get a hang of google calendar.
My friend, these points are possible manually but you are in the 21st century. During the recent scenario, BusyOn bot as an ultimate solution for everything.
Two years from now, we expect that bots would take over the human conversation style. This will provide a smooth information flow in all channels in real time. If you want to manage your task with ease, you have got BusyOn bot for Hangouts Chat. As discussed above, you can manage each and every task with utter smoothness and system.
Necesito mas capacitación acerca de esta herramienta, para poder aprovechar todos los beneficios, que material de apoyo disponen preferiblemente en español.


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Showing posts with the label Pres. Manuel A. RoxasShow All
Langatian NHS Ext. - Lipakan
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Labakid Elementary School
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Jose Bael Elementary School
Jose Bael Elementary School is a school in the province of Zamboanga Del Norte, IX…
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Enjoy views of the beach and Gulf of Mexico Siesta Key. Relax on your balcony in this custom designed, beautiful 2 bedroom, 2 bath Tower 2 unit and watch the dolphins play!!
There are so many amenities to this unit and all with a designer touch. This condo is a class act on the beach. Ideally positioned to provide the most exceptional views possible, this condominium home is truly an element of surprise. Drive past the well-manicured entry and quaint cabanas to this condo and be prepared to be amazed when you walk through the door of Unit 502. This fabulous residence was completely gutted and creatively designed and completed with every bell and whistle possible. The 360 square foot terrace with sparkling southern exposure is an elegant extension of living space with breathtaking views of the beach and Gulf. There are even spectacular sunset views from the living room.
Please contact me with information regarding 502.
This property is beautiful. It has great views of the Gulf, beach, and sunsets. The renovations are top notch and it is decorated beautifully. Everything that we might have needed to be comfortable was there. It was very clean and easy to book. We especially liked the large deck with the beautiful deck furnishings. Definitely a step above. You are right on the beach, but feel that you have privacy at the same time by the way the building is constructed. Thank you so much, We will definitely be back.
I believe the best answer is "What didn't I like" and that answer would be absolutely nothing.
It truly was one of my best vacations. Your condo is beautiful, your furnishings, appliances and decorations, to the dishware, utensils, and quality cookware made me feel right at home. The view, the beach, all of it was wonderful. From what I hear the time of year that we went was nice for their were no crowds, felt a bit exclusive, I kayaked with the dolphins, paddle boarded with the manatees, played with my granddaughter in the beautiful sand, enjoyed the nearby town, the weather turned out to be amazing, inspite of the impending doom of hurricane Erica, my GOd was good and pushed her out of the way of dampening my 50th.
I definitely am planning to come back, actually my sister who is suffering from stage 4 colon cancer wants very badly to make it out there before she becomes to ill to make the trip. I am so hoping that happens. Either way I am planning on coming back time and time again.
Thank you again for providing a beautiful place to stay to make our memories so enjoyable.
Our experience in this unit was simply wonderful. Everything you need for an awesome vacation. The view was amazing. Perfect access to the ocean and pool. The staff in the office were very helpful. We booked next year for the same unit before we left. We can't wait to go back.


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Tamara Washington
is our "celebrity" recruiter.
Tamara uses her publicity and television producer background from NFL contacts to entertainers, Tamara will track you down and turn you over to our team of matchmakers.
Michelle Fuentes,
a native New Yorker, brings her East Coast swag to the heart of Texas. She is married and feels that the secret to a successful union is to keep it sexy and to keep them guessing.
The Latina fashionista feels that you can look great without spending a lot of money.
She strongly believes that your fashion and look inspire your attitude. She keeps her clients feeling inspired by mixing prints, adding a pop of color and a bold accessory.
Rebecca Bergeron
is deliciously dangerous and her Bustier Gourmet brand gives you permission to be a little scandalous, sexy, crazy and cool.
The culinary countess is a trained chef and forged into fitness modeling while maintaining her passion for food. She has partnered with Darian to expand the Bustier Gourmet brand with a line of Bustiers, lingerie and cookware.
Darian Ward's Playbook of Love..
When it comes to matchmaking, TV personality, turned matchmaker, Darian wants to help her clients find what she has had for years... A happy, healthy relationship with a sexy mate..
Byron Nichols & Darian Ward-Nichols
•For more than 15 years Darian has been a TV and radio personality for CBS, NBC, FOX and BET, but her great passion is Matchmaking!
•As a freelance writer she penned "Goddess of Love" columns for 002 Magazine and "Date Makeover" for Makeover Houston Magazine
•She's hosted relationship seminars and Speed Dating events.
•She was recently honored as a 2012 Top 25 Women of Houston.
•On the surface, Darian appears to be a sweet, positive pushover, but don't let her charming smile and engaging personality fool you—she is a stickler for matchmaking.
•This native New Yorker has a results-oriented secret weapon and is not afraid to use it.
Darian's Love Blog..
Joy in Motion Productions
A PASSIONATE matchmaker television and radio personality and motivational speaker with over 20 years of experience with FOX, CBS, NBC, and BET in Houston, Minneapolis, Atlanta and Milwaukee.
As a former television anchor, I know what it takes to look your best under the "bright" lights and when "all eyes are on you." How to see through the BS and keep a smile on your face, and the advantages of being FAT- Flexible, Adaptable and Teachable. By the way, my extra dose of good communication skills were seasoned well with a sense of humor. I know what it feels like to be lonely...and I know the joy of celebrating 10 years of marriage.
With these tips in mind, my hubby and I wrote the coolest, funniest book "How to Catch a Mate…with the Right Bait," which shows you how to Reel the Right One In. Over a two year period we interviewed more than 500 married couples about the series of moments when each person knew they were ready to walk down the aisle.
It's not easy finding "The Love of Your Life," but if you really want to get married it's going to take a little effort, tunnel vision and lady luck- that's ME!
This can be YOUR time. We are JOY IN MOTION…
Let us help you find your match and who knows in 2013 you could be lean and mean AND wearing that ring!!
By the way, check out my column, "Fascinating Singles in Houston" in Rolling Out Magazine.
-DARIAN WARD
Gregory Malonson
Popular actor, model and dancer is our "secret" recruiting weapon. He's been featured in music videos, works consistently as a model and is on the verge of a break out acting career.
...He is also a devastating dating recruiter for the team while keeping an eye open for the "Cougar" of his dreams.
DARIAN WARD has received Congressional recognition for her work. Some additional awards include, Excellence in Communication and Leadership-Toastmasters, Citizen of the Month-Houston Defender Magazine, African-American Young Achiever-YMCA, YWCA Outstanding Young Woman, Trailblazer Award, 2002 Influential Woman and World Youth Foundation Leadership Award. This Fox Diversity Fellow has worked professionally with companies such as Shell, Air Liquide, Travelocity and Microsoft as well as organizations such as UNCF, Texas Southern University, St. Thomas Univeresity and Houston Minority Business Council. Darian is an active member of the Houston Association of Black Journalists and the National Association of Black Journalists.
Darian is available as a Consultant, Lecturer, and Mistress of Ceremony through MoShows.com.
For booking information, call 713-521-0900 or send an email to info@moshows.com.
* "Programming Yourself for Super Success"
* "Divas-in-Training" Building Self-Esteem
* "How to Catch a Mate--With the Right Bait!"
* "The Next Phase of Your Life ...Begins Now!"
* "If You are Not the Lead Dog...
The Scenery Never Changes
See all our video demos on
Webmaster: WisemanCompany.com • 713-521-0900
TV PRODUCTIONS...
Darian Ward's television shows & projects
feature celebrity guests, athletes, art dealers, philanthropists,
famous interior designers, luxury living, exciting fashions, music, fun...and more!
Click a icon below for video clips and more information!
For more information, contact
713-835-9868 • info@joyinmotionproductions.com


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Union challenges BotswanaPost 'divisive' offer
When BotswanaPost announced early this month that it would give its workers a whopping 12-percent increase and increase their pensions from 11 to 15 percent with immediate effect, it sounded like manna from heaven for some.
The BotswanaPost offer, which Mmegi is in possession of, states that outstanding performer will get a 12-percent salary increase, a very good performers a 10-percent increase, and a good performer will get 8 percent, an average performer will get a 6-percent salary increase, while a poor one will get no increment at all.
Enter the Botswana Postal Services Workers Union. The union has discovered something fishy about the BotswanaPost offer: it is for non-unionionised members only.
The union has rushed to the High Court for an urgent application today because it fears the offer is will cause unionised members to abandon it in order to qualify for the windfall.
In the application, the union argues that the company is employing divide-and-rule tactics by dangling a carrot before its members to cause them to leave the union with no membership.
The union wants the High Court to declare the increment null and void and order BotswanaPost to go back to the negotiating table with the union about the increment.
is also worried the offer to non-unionised members of staff might hollow because it is tied to a performance-based system that has not been made known to the workers.
According to the application, BotswanaPost wants to implement (a) Performance Management System (PMS) without first considering the recommendations and complaints raised by the union which has argued in previous consultative forums that PMS should be preceded by a review of job profiles, training of supervisors and by addressing lack of resources that may impact negatively on workers' performance.
The union also argues that before PMS can be introduced, there should be a salary review across the board as wages are still very low.
The union also wonders how BotswanaPost can implement the PMS system with immediate effect when the employees have not signed performance contracts.
It says it is surprised because the employer is implementing PMS just when the union thought it was still in the middle of negotiations, which started in February and continued into March.


Property finance is a very broad area with increasing numbers of bespoke and unique offerings for specific purposes and financial products. These include the likes of bridging, auction and commercial finance as well as tailored loans for self-build projects; all of which can be provided by specialist lenders in the UK (Source: SPF Short Term Finance). Traditionally, loans for properties were almost entirely limited to traditional mortgages from high street lenders and banks. However, nowadays there is a multitude of providers.
Whilst mortgages remain available, it is sometimes more difficult than many expect to secure the loan, so a dedicated, expert lender is sought. However, other property finance options can be much more accessible depending on the precise nature of the case in question and the purpose of the loan. These loans however, must be secured against a property due to their nature and the sizes these loans tend to be; often hundreds of thousands of Pounds.
A benefit of modern day property finance is its accessibility to almost all property owners. This allows more people than ever before the capability to expand a property portfolio, improve a property's value, up size their property and invest in the property market. Two of the most common types of property finance are mortgages and bridging finance.
Traditional mortgages are one of the most utilised forms of finance around and the most common type of property finance. They are a very well-established route to property ownership and the utilisation of existing equity in a property for constructive purposes. Typical uses for mortgages are either for the purchase of a property or as a way of secured funding to refurbish or develop the property in question.
For example, a prospective property buyer will likely need a mortgage in order to purchase a property, as they are unlikely to have hundreds of thousands of Pounds in the bank, available to make the purchase outright. A mortgage would therefore work in this case to purchase the property (which is used as the security for the loan). Then, the buyer will then need to repay the lender through monthly repayments with interest added over a period of time; sometimes 20 years or more.
Another common use for mortgages is for the purpose of property renovations. For example, a loft conversion can cost around £60,000, but can increase a property's overall value by potentially more than 20%. Therefore, in the case of a property worth £500,000 for example, where the owner takes a mortgage of £60,000 to pay for a loft conversion, could see its value rise by more than £100,000, providing a return on investment of potentially more than £40,000.
How do Interest Rates on Mortgages Work?
These mortgages literally 'fix' the interest rate according to what it is at a specific time for a predetermined period of time, with the interest rate in the UK set by The Bank of England. For example, the interest rate may be low at 0.25%. In a case such as this, a borrower may agree to fix the mortgage at that rate for 5 years.
This means that during the fixed period, even if the Bank of England raise the interest rate, the borrower's rate remains fixed. These mortgages may however have expensive exit fees should a borrower wish to remortgage or change providers before the term of fixation is up.
Also referred to as 'Variable Rate Mortgages,' tracker mortgages follow the Bank of England base rate. This means that should the interest rate rise, so too will that of the mortgage, but should it fall, the mortgage's rate will fall with it. The benefit of these mortgages is that the borrower is not tied down as they are with a fixed rate mortgage and should any interest rate cuts be on the horizon, these mortgages will fell the benefits when the drop in interest rates occurs.
These mortgages require the borrower to only pay the mortgage's interest month on month. However, at the end of the term, the remaining capital of the loan must be repaid in full to avoid steep charges and penalty fees.
These mortgages tend to be used when property investors are awaiting the sale of another high-value asset to pay off the capital of the mortgage, allowing them to repay the minimum [the interest] in the interim. For example, a block management company who own a number of large blocks seek to purchase another block, but are selling off a development in their portfolio to fund this new purchase.
Whilst waiting for the sale to go through though and rather than missing out on the deal altogether, they take out an interest only mortgage until the development is sold to pay off the loan.
Bridging loans, or bridging finance is a type of short term property finance for property investors, owners and developers who require a short term funding solution. These work by literally 'bridging the gap' between property purchases. They are also commonly used when there is a break in the chain and a sale falls through. For example, a homeowner may be looking to up-size to a larger property. their current property is worth £500,000 and their new, desired property worth £650,000; with the sale amount of their initial property covering the majority of the second property's purchase.
However, having found a buyer, the deal falls through. Rather than having to miss out on the purchase, potentially losing tens of thousands of Pounds used as a deposit, the prospective buyer can take out a bridging loan. These loans work by providing the full purchase amount.
Then, the buyer sells their initial property, with its value paying off the majority of the bridging loan. The remaining money (£150,000 plus interest in this case) is paid off by remortgaging the new property as a cheaper rate than that of the bridging loan.


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Most of the courses are offered monthly in our classrooms in Capelle aan den IJssel. For these courses we aim for groups of 4 up to 10 participants. Hereby, we ensure that all the participants can benefit from maximum guidance of our teachers. During these courses we offer practical cases and workshops to increase the learning opportunity.
The participant can go through the training materials with his/her own pace. Besides the selected courses, in the Aram Academy E-learning environment the participant has access to a forum, library and background information to deepen his/her knowledge if indeed and desired. After each course section, the participant has to take a test at the Academy.
In this form of learning, just like the E-learning, the participant will go through the course materials and tests independently. At the same time, the students can use one of our Knowledge Centres. Hereby the students can use our computers with the required (project management) softwares installed on them and also use the library. The trainer will coach the students during their study period.
In the Virtual Live Classroom, you will receive lessons behind your own computer. With the use of modern communication tools, you will therefore have a real-time contact with your trainer where you can also ask your questions. You will be able to look at the presentations, instructions and even share your desktop view. The Virtual Live Classroom is supported by our E-learning environment.
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The demand for those cars declines when the yen is strong. That is, determine the possible differences between the costs of hedging versus no hedging. In this case, the U. Assume that these percentage changes are normally distributed. Jade has noted that the interest rates in Mexico are increasing and is fearful that investment in Mexico will increase the value of the pesos and reduce the value of dollar.
Samson can borrow funds in the U. Chapter 11 - Finance 4923 with Wi He at Mississippi State. If Samson uses a money market hedge, how much should it borrow in the U. Study 25 Chapter 11 flashcards from Katherine K. Assume the following information: U.
The money market hedge is an effective alternative to other hedging tools such as forwards and futures as a means to mitigate currency risk. Determine the amount of dollars it will pay for the payables, including the amount paid for the option premium. The identified results of money market hedging can be compared with the results of forward or futures hedging to determine the type of hedging that is preferable. If the 90-day forward rate of the euro underestimates the spot rate 90 days from now, then the real cost of hedging payables will be: a. It will exercise the option in 90 days if at all. What was the real cost of hedging the payables for this U.
Setting up the hedge In effect a foreign currency asset is set up to match against a future liability and vice-versa. For the next quarter, Hanson has identified its net exposure to the pound as being £1,000,000. Repay the foreign loan and interest out of the foreign proceeds received from the Debtor? Could anyone explain to me what is 6. It is trying to determine whether to hedge this position. At the spot rate of 1. If Lorre implements a forward hedge, what is the probability that hedging will be more costly to the firm than not hedging? It outsources the production of the appliances to a Chinese manufacturer, and the imported appliances are priced in dollars.
An example of cross-hedging is: a. As treasurer of Tucson Corp. Forward versus options hedge on Receivables. Under what conditions would Zona Co. Any earnings generated by the subsidiary are reinvested to support its operations.
If Lorre implements a forward hedge, what is the probability that hedging will be more costly to the firm than not hedging? Under what conditions would Zona Co. Assuming the firm is correct, the ideal strategy is to: a. On the other hand, money market hedge is achieved by borrowing or lending the present value of foreign currency receivables or payables, thereby creating offsetting foreign currency positions. Using the information above, what will be the approximate value of these exports in 1 year in U. Smith Corporation plans to purchase options to cover its future payables. Potential reasons could be that the company is too small to obtain a forward currency facility from its banker; or perhaps it did not get a competitive forward rate and decided to structure a money market hedge instead. A money market hedge, that is not as extensively as the forward hedge, is an alternative technique for managing the foreign exchange risk of the short-term cash flow position of a firm, and it involves borrowing and investing in domestic and foreign short-term money markets based on thorough analysis of foreign exchange markets and domestic and foreign money markets.
The manufacturer also produces some cars in the U. Under what conditions would Zona Co. Money Market Hedge on Payables example. However, Small observes that the five-year interest rate in the U. B and C Which of the following reflects a hedge of net payables on British pounds by a U. This amount would then be used to take care of the net payables. What is Pablo's cost from implementing a money market hedge assume Pablo does not have any excess cash? It will exercise the option in 90 days if at all.
We can take this example a step further to calculate the one-year forward rate for this currency pair. Example 1: Consider a small Canadian company that has exported goods to a U. The only rate that is certain is the current spot rate, but how can you convert dollars to pounds now at spot if you are not going to receive dollars until say three months from now? If Jade uses a money market hedge to capitalize on foreign and domestic rates differentials, what would be the present value of the savings on the transaction assuming a 360 day year? If you use a money market hedge, the amount of dollars you need in 360 days is: a. Per Becker book, this is a money market hedge for payble question, and also this should belong to borrow fund from domestic category. Jordan 360-day borrowing rate 6% 5% 360-day deposit rate 5% 4% Refer to Exhibit 11-1.
What is money market hedge?
What is the probability that hedging will be more costly to the firm than not hedging? Assume that Stevens Point Co. Because the foreign currency loan plus the interest on it should be exactly equal to the amount of the receivable. Assume the following information: 90-day U. Its major competitor for appliances is located in Mexico. Years ago, Wisconsin established a subsidiary in Zambia that has consistently generated very large profits denominated in Zambian kwacha. Would it be better off using a forward hedge or a money market hedge? Consequently, management believes its forecasts to be biased. The basic idea is to avoid future exchange rate uncertainty by making the exchange at today's spot rate instead.
Based on this information, what is the expected real cost of hedging payables? International Chapter 11 Flashcards Quizlet Start studying International Chapter 11. What is the probability that the call option will be exercised assuming Montana purchased it? Would it be better off using a forward hedge or a money market hedge? Note that although the entity who is devising a money market hedge may already possess the funds shown in step 1 above and may not need to borrow them, there is an involved in using these funds. Based on this information, the standard deviation of this two-currency portfolio is approximately: Use the following information to calculate the dollar cost of using a money market hedge to hedge 200,000 pounds of payables due in 180 days. It wishes to hedge this payables position. It could borrow these funds. Its main competitor is Mez Co.


These necklaces are made from natural materials including resin, shell, silver leaf , pewter, aluminum, wood, silk, freshwater pearls and much more.
A stunning pair of bright rainbow earrings from Watch This Space on hypoallergenic ear wires.
These products are made from a wide range of natural materials, including resin, shell, silver leaf, pewter, aluminum, wood, silk, freshwater pearls and much more.


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Yves Beauchemin
Yves Beauchemin, writer (b at Noranda, Québec; d 26 June 1941). Before becoming a Radio-Québec researcher, Beauchemin taught and worked in publishing.
This began a pattern of creating award-winning films that are personal, lyrical and full of deep understanding of the human condition, while upon occasion shooting documentaries for others.
Cory Allan Monteith, actor, musician (born at Calgary 11 May 1982, died, 13 July 2013 in Vancouver, BC). Cory Monteith is best known for his starring role in the TV series Glee. Monteith grew up on Vancouver Island and attended school in Victoria.
Ma Vie en cinemascope
Ma Vie en cinemascope (2004) is a film about Alice Robitaille (known professionally as Alys ROBI), who was a radio and cabaret star from Québec during the 1930s and 1940s.
Les Automatistes
The Automatistes held a number of exhibitions, notably in New York in 1946 and in Paris in 1947. Their first Montréal exhibition was on Amherst St in April 1946, and they were designated as "Automatistes" at their second Montréal showing, on Sherbrooke St in February 1947.
Jean-Marie Beaudet
Jean-Marie Beaudet, conductor, pianist, administrator, organist, teacher (b at Thetford Mines, Qué 20 Feb 1908; d at Ottawa 19 Mar 1971). As a conductor and administrator, he promoted Canadian music at home and abroad.
Ian Hugh Wallace
Ian Hugh Wallace, artist (born at Shoreham, England 25 Aug 1943). He moved to Canada in 1944 and is an influential Vancouver artist and teacher known for his conceptual art, painting, photographic murals and critical writings.
George Arluk, artist (b in the Keewatin region, NWT 5 May 1949). An Inuit sculptor now living in Arviat, Nunavut, Arluk began to teach himself how to carve soapstone at age nine.
He was much admired in his day and, as drawing master at the Toronto Normal School for 26 years, had a lasting influence. He was associate member of the Royal Canadian Academy at its founding.
Ernest Howard Armstrong
Ernest Howard Armstrong, journalist, lawyer, politician, premier of Nova Scotia (b at Kingston, NS 27 July 1864; d at Bridgewater, NS 15 Feb 1946).
Angèle Arsenault
Angèle Arsenault, OC, OPEI, singer, songwriter, pianist, guitarist, actor, broadcaster (born 1 October 1943 in Abrams Village, PEI; died 25 February 2014 in Saint-Sauveur, QC).
Napoléon Bourassa
Napoléon Bourassa, sculptor, architect, author, painter (b at L'Acadie, LC 21 Oct 1827; d at Lachenaie, Qué 27 Aug 1916).
Max Braithwaite
Max Braithwaite, novelist, story writer, juvenile writer, humorist (b at Nokomis, Sask 7 Dec 1911; d at Brighton, Ont 19 Mar 1995). One of 8 children, he was raised in Prince Albert and Saskatoon, and educated at U of Saskatchewan.
Fritz Brandtner
Fritz Brandtner, painter (b at Danzig [Gdansk, Poland], Germany 28 July 1896; d at Montréal 7 Nov 1969). Generally considered to have introduced German expressionism to Canada, Brandtner was trained in Berlin and came to Winnipeg in 1928. He worked as a house painter until L.L.
Carol Bolt
Carol Bolt, née Johnson, playwright (b at Winnipeg, Man 25 Aug 1941; d at Toronto, 28 Nov 2000). A successful and prolific playwright, Bolt grew up in mining towns across Canada and was educated at UBC (BA 1961).
Jordi Bonet
Jordi Bonet, painter, muralist, sculptor (b at Barcelona, Spain 7 May 1932; d at Montréal 25 Dec 1979). Bonet met violence early in life as his native city suffered greatly during the Spanish Civil War.
Martin Hayter Short, CM, comedian, actor (born 26 March 1950 in Hamilton, ON). Martin Short is one of Canada's most celebrated, versatile and prolific comedians. A prominent cast member of SCTV and Saturday Night Live, he is known for his work in television, film and theatre, and as a performer, author and host. He is the creator of numerous iconic sketch characters, particularly Ed Grimley and Jiminy Glick. He is a member of the Order of Canada and has a star on Canada's Walk of Fame. He has won two Primetime Emmy Awards and a Tony Award, and received the Earle Grey Award at the 1995 Gemini Awards and a Lifetime Achievement Award at the 2016 Canadian Screen Awards.
Pierre Bourgault
Pierre Bourgault, journalist, politician, author and professor (born 23 January 1934 in East-Angus, QC; died 16 June 2003 in Montréal, QC). A talented public speaker and advocate of the French language, Bourgault was a pioneer of the Québec sovereignty movement.
Tom McCamus
Eli Bornstein, artist, educator (b at Milwaukee, Wis 28 Dec 1922). He was educated at the University of Wisconsin and in 1950 began teaching at University of Saskatchewan, becoming head of the art department in 1963.