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Het wereldkampioenschap superbike van Phillip Island 2006 was de tweede ronde van het wereldkampioenschap superbike en het wereldkampioenschap Supersport 2006. De races werden verreden op 5 maart 2006 op het Phillip Island Grand Prix Circuit op Phillip Island, Australië.

Superbike

Race 1

Race 2

Supersport

Tussenstanden na wedstrijd

Superbike

Supersport

2006
Phillip Island

redpajama_set_name: RedPajamaWikipedia


This is a solid sterling silver Aries Horoscope charm threaded onto an adjustable Sailing Rope bracelet, tied by a slip knot. The personality traits of an Aries are courageous, determined, enthusiastic, optimistic and honest. Our horoscope signs has been designed by the talented Swedish artist Niklas Gustafson and created in sterling Silver by Daniella. Wonderfully elegant this piece makes a versatile addition to your jewellery box or a perfect birthday present.
Note: Engraving will be on the back of the charm.


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Modest Economic Growth Eases Inflation Concerns
In the first quarter, US growth rate slows down to 2.6 percent - less than anticipated
By Ron Scherer Staff writer of The Christian Science Monitor
OLD man winter put the economy in the freezer in the first quarter. The Commerce Department reported yesterday that the nation's gross domestic product (GDP) grew at a modest 2.6 percent annual rate in the first three months of the year. The economic slowdown was most noticeable in the construction area, which is weather sensitive.
Although economists had expected the weather to slow the economy, the government's preliminary report on the first quarter's economic health was slightly below expectations.
Economists expected more
Surveys indicated economists anticipated the first quarter would grow at about a 3.5 percent annual rate.
The first quarter report also reflected the effect of the California earthquake in January and a previously announced decline in exports. US aircraft manufacturers reported a big surge in overseas orders last quarter. This activity was not sustained at the beginning of the year.
Economists say there are plenty of signs that the economy has already recovered from the weather distortion. ``We are now expecting a 4.5 percent growth rate in the second quarter,'' says Sandy Batten, a senior economist at Citibank in New York. He cites stronger consumer buying and a rebound in the housing sector. ``The weakness in the first quarter was ephemeral,'' he adds.
Fed still cautious
The first quarter numbers are not likely to change the Federal Reserve Board's view that the economy is growing above its potential. ``The Fed will continue to tighten, they will see through this number,'' says Ian Borsook, a senior economist at Merrill Lynch & Co.
Although economists say the pace will pick up in the second quarter, there will be some restraints on growth. For example, auto production is now scheduled to decline.
(Separately, General Motors Company reported yesterday that its first quarter earnings jumped by 66 percent to $854 million. The results would have been higher but the auto giant took a $758 million accounting charge for retired employees.)
In another indication that the economy is back on a moderate growth pace the government reported yesterday that factory orders in March for durable goods such as cars and appliances grew at a modest 0.4 percent rate.
Economists had expected the first quarter to slow down from the 1993 fourth quarter's 7 percent growth rate.
The February trade numbers, reported on April 19, warned economists that the first quarter economic growth rate would be slower. The trade deficit soared to $13 billion. ``Demand has been satisfied by foreign production,'' explains Brian Fabbri of Fabbri Global Economics in New York.
However, there are still plenty of signs of a healthy economy. ``Consumer confidence is very good,'' says Cynthia Latta, an economist at DRI-McGraw Hill in Lexington, Mass. On Tuesday, the Conference Board reported its consumer confidence index had risen in April to 91.7, up from 79.9 in February.
One of the reasons consumer confidence is soaring is the surge in new jobs. Economists will get a better idea of how strong job growth is when the government releases the April unemployment rate on May 6. Mr. Fabbri says, however, he anticipates the numbers will show slightly less growth than March when payroll employment grew strongly. Since the International Brotherhood of Teamsters was on strike during the survey week, Fabbri points out the unemployment rate could swell by 50,000 to 60,000. ``There will have to be an adjustment for the Teamsters,'' Fabbri says.
Consumers benefit
Latta says the consumer pocketbook has also benefited from the opportunity to refinance mortgages. ``This has allowed consumers to get the balance sheets back in order,'' she explains. As a result, consumer credit has been very strong for the last five months. However, whether it stays strong is questionable since interest rates on credit cards are rising.
Despite the slower growth, Latta expects the Fed will continue to raise interest rates. So far the Fed has increased short term interest rates by 3/4 of one percentage point. DRI expects the Fed will raise rates again soon, followed by two more rate hikes later in the year.
Signs the US economy is strengthening in 2016
New GDP numbers do Obama no favors
The New Economy Will US economic growth persuade the Fed to raise interest rates?

redpajama_set_name: RedPajamaCommonCrawl


Since I left eBay in November 2006 (it feels like a lifetime ago) I've probably spent more social time with eBay PowerSellers than I ever did as an employee. In the last few weeks I've been chatting with a clutch of sellers: it's been fun.
What have we been talking about? There was plenty of debate about DSRs. We chewed the fat about fee changes. Much was said about the leadership changes and the management shuffle. And looking at all of the stodgy change that eBay has served up already in 2008 we were all agreed: the communication has lacked finesse and compassion.
But that aside, the most interesting comments that remain in my head relate to traffic sources. And I know how dull that sounds.
Recently, though, I've heard savvy sellers say much the same: they're interested and excited by the amount of traffic they're getting from Google. These are sellers who otherwise fret over the effect DSRs are having and spend good money on listing enhancements. But by spending a bit of time with their traffic reports they know that people who come to buy aren't just coming from eBay.
Do you know what's coming your way from Google?
If you don't, and you're a serious eBay seller, you should find out (it's a moment's work in your Traffic Report). If you do, and you're willing to share, I'd love to know more (either publicly or privately). But so far it seems to me that a little bit of the gilt may be coming off the eBay gingerbread. Is Google the 'eBay killer' after all? Being the source of so much traffic to ebay sellers, puts it in a very powerful position.
3 Responses to eBay sellers: what's coming from Google?
Since first using Google Base Storeconnector in October last year, my traffic reports have shown hits from Google searches increasing from around 5-6% to consistantly over 20% since.
Seeing the keywords used in Google to find my products also made me consider alternative words and phrases in the title and description which has started showing further positive results.
The traffic reports are a frequently overlooked benefit of having an eBay shop subscription.
Thanks Steve. Interesting stats and in line with a lot of what I've been hearing. Fascinating to know that the Google numbers have been increasing.
Agree strongly regarding the eBay reports: worth the Shops subs alone. IMHO.
I sell on ebay with 400 listing of Calvin Klein Men's Underwear. Recently sell just disappeared. This week end no sales at all. So all my listing on Ebay is helping google customers at my cost. Eaby still charges me for listing and store rent.
Each of my listing has two or three other websites as sponsored link. As customer comes to my listing and opens it, they see sponsored links. It is just like Burger King Pays rent and landlord finds a right to access agreement to put a big sign that says McDonald special of the week or day.
I have stopped relisting untill I know what is going on. I cannot continue listing on ebay so that they make money of my lsiting with sposnored links from google.
I thought ebay was socially respobcible company. That is the reason I came and it worked Ok for me untill now. The fees are higher but it was worth it. I was considering upgrading my store to anchor and this hit. I call ebay and they tell me it is part of agreement and they will have sponsored links form other calvin klein underwear sellers on my listings.


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Q: Query to find out the duplicate rows among two DataTable? I have an excel sheet with columns:
Id,Data

I have a table in sql server database:
Id,Data

I have derived rows of both in two different DataTables, now I want to detect rows which are common in both excel and database table and store the duplicates in another DataTable.
Something like this:
OleDbCommand command1 = new OleDbCommand("select * from [Sheet1$]",connection);
DataTable dt2 = new DataTable();
try
{
    OleDbDataAdapter da2 = new OleDbDataAdapter(command1);
    da2.Fill(dt2);
}
catch { }

A: try out using linq way like this
var matched = from table1 in dt1.AsEnumerable()
               join table2 in dt2.AsEnumerable() on
             table1.Field<int>("ID") equals table2.Field<int>("ID")
             where table1.Field<string>("Data") == table2.Field<string>("Data")
             select table1;

A: If you want to find duplicates, you can try this
var result = table1.AsEnumerable().Intersect(table2.AsEnumerable()).Select(x => x);

If you want to eliminate duplicates from union, you can try this
var result = table1.AsEnumerable().Union(table2.AsEnumerable()).Select(x => x);

redpajama_set_name: RedPajamaStackExchange


Boston, MA -- (SBWIRE) -- 05/27/2013 -- BMI View: Our outlook for Venezuela's agricultural sector is cautious given the country's uncertain political and economic outlook. The country has significant growth potential, but the government's policies of expropriation have seen production of key crops decline and a growing reliance on imports. Although the poultry section, for example, is well integrated, arable production and cash crops such as cocoa or coffee have been poorly managed. Following the death of president Hugo Chavez, we anticipate a new presidential election within months and believe that interim president Nicolas Maduro of the ruling Partido Socialista Unido de Venezuela will win and will continue the interventionist policies of Chavez's era. However, we believe the pace of reforms may be more moderate and see significant potential for economic growth over our forecast period. This will, however, be dependent on the improvement of infrastructure and the adoption of more market-friendly policies.
- Corn production growth to 2017: 45.7% to 2.04mn tonnes. Despite ongoing challenges including a lack of fertiliser and low profitability, we believe that corn output will expand strongly on the low 2012 levels.
- Coffee consumption growth to 2017: 4.7% to 1.38mn bags. After surging by 48.3% from 2007-2012 owing to a steep rise in imports, our demand forecast for the coming five years is more moderate.
- Poultry production growth to 2017: 4.0% to 697,000 tonnes. Although the poultry sector is well organised and efficient, production growth is constrained by high input costs and the state-controlled price regime, which is squeezing profitability.
- BMI universe agribusiness market value: US$4.61bn in 2013 (down from US$4.68bn in 2012; forecast to grow annually by 1.7% on average to 2017).
- 2013 real GDP growth: 2.6% (down from 5.6% in 2012; forecast to grow annually by 3.4% on average between 2012 and 2017).
- 2013 consumer price index: 30.0% year-on-year (y-o-y) (up from 20.1% in 2012; forecast to grow annually by 22.9% on average between 2012 and 2017).
- 2013 central bank policy rate: 15.5% (up from 15.0% in 2012; forecast to increase to 16.5% in 2014).
- Corn consumption in 2012/13 revised up by 10.8% to 3.80mn tonnes. While consumption is forecast to decline in y-o-y terms, we have revised up our outlook due to an increase in demand from the livestock sector.
- Poultry consumption in 2012/13 revised down by 2.1% to 867,000 tonnes. Consumption is expected to fall due to high costs.


There is something of a whimsical and ethereal component to double exposed imagery, a dreamy quality which almost demands you stop and take a closer look.
With two images rolled into one, I can't help feeling the force of those two images combined, making a greater impact telling two stories in one, and thus creatively having a stronger influence on the viewer.
Here are some of my current favourites… which ones make you stop and look, and ultimately think and feel more deeply?
The best dieting advice we have come across all year!
Images of young icons that made us go 'wow'!
Actress and model Tippi Hedren, also the mother of actress Melanie Griffith was best known for her role in Hitchcock's film The Birds.
In 1969, Tippi was filming a movie in Africa and visited an abandoned house in Mozambique occupied by 30 lions and their cubs. Her time spent there changed her life forever and prompted both her and her husband to make a movie about what they had seen.
Production of the 1981 epic film Roar which was considered to be one of the most dangerous films ever made. Little did Tippi and her husband know, but this film starring dozens of African lions would be an 11-year investment that would later cost them their marriage. For a project that cost over $17.5 million, the film only grossed just over $2million in the end.
Soon after production of the film wrapped in 1983, she founded the Shambala Preserve, a fully functioning animal sanctuary to protect exotic animals who suffered from gross mistreatment and neglect.
We present to you this stunning authentic antique leather gunpowder flask from the American Civil War era, circa 1865. The leather body of this piece is embossed with a truly beautiful hunting scene depicting a gentleman wearing a top hat, carrying a gun with his hunting dog by his side in the woods.
This mid 19th Century flattened pear shaped design is referred to as the 'powder pear' or, 'poire-poudre'. It has a quick loading gunpowder measuring and dispensing mechanism in excellent working order, and the spout is made of brass. At the bottom of the pear shaped flask is a small ring which was once used to thread with cord and sling around the neck for quick access. Gunpowder flasks with these rings were eventually phased out after the 19th Century when Europeans incorporated large pockets into the design of hunting clothes.
(See history below for further information).


text:
(318) 352-9519 This email address is being protected from spambots. You need JavaScript enabled to view it.
Dimension Development Names Amy Burbine as Director of Sales of the Hilton Garden Inn Sacramento, CA
Natchitoches, LA. (May 2019): Dimension Development is pleased to announce Amy Burbine as Director of Sales of the Hilton Garden Inn Sacramento, CA
Amy has a long and distinguished career in hospitality. Most recently, she served as Director of Sales and Marketing at Springhill Suites, Marriott in Roseville, CA. Prior to that, Amy was the Director of Sales and Marketing at TownePlace Suites Cal Expo, Sacramento CA and provided taskforce for hotels throughout the Western region. Amy has a passion for sharing the secrets to successful hotels and thrives on not only reaching goals but exceeding beyond the expected.
"I am very excited to have the opportunity of working with a company that makes you feel welcomed like a second family and provides the tools to for success. My knowledge of the local market, along with my ability to determine what factors are necessary in running a successful hotel, make this an ideal fit, said Amy Burbine."
Located only two miles from the Sacramento Convention Center and downtown Sacramento, offering easy access to many shopping, dining, and entertainment destinations. Dine at the Garden Grille and Bar, grab a takeaway meal from our 24-hour Pavilion Pantry®, or indulge in evening room service in a sophisticated guest room. Enjoy the convenience of cooked-to-order breakfast and complimentary WiFi at one of the best hotels in Sacramento. The property features beautifully designed rooms: 153 guestrooms, 1,300 sq. ft. of customizable meeting space, outdoor pool and a 24-hour fitness center. For more information visit: hiltongardeninnsacramento.com
Dimension Development adds the iconic JW Marriott Houston Downtown to its portfolio
18 Jul-2019
Grand Hyatt Nashville Announces General Manager
27 Jun-2019
28 May-2019
Discover how you can become part of our team.
Dimension Development Company
PH : (318) 352-9519 / This email address is being protected from spambots. You need JavaScript enabled to view it.
© Dimension Development Company. All rights reserved.


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Andrew Lloyd Webber Sheet Music (Piano)
On OKTAV you can discover sheet music for piano by Andrew Lloyd Webber. Play pieces like Memory, Don't Cry For Me Argentina, Skimbleshanks: The Railway Cat. Andrew Lloyd Webber's music is mainly in the genres Musical, Broadway, Show/Broadway.
About Andrew Lloyd Webber
Broadway & Musicals
OKTAV Originals
Show/Broadway
Broadway Showtunes
Top titles by Andrew Lloyd Webber
Memory 1993 Piano Solo 48/100 (Ambitious)
Don't Cry For Me Argentina 1976 Accompaniment 45/100 (Ambitious)
Skimbleshanks: The Railway Cat 1980 Piano Solo 58/100 (Advanced)
Macavity: The Mystery Cat 1981 Piano Solo 59/100 (Advanced)
Jesus Christ Superstar 1971 Piano Solo 65/100 (Advanced)
Audio Samples by Andrew Lloyd Webber
Cats Musical - Memory
Madonna - Don't Cry For Me Argentina (Official Video)
Skimbleshanks The Railway Cat - part one. HD, from Cats the Musical - the film
Macavity (From The Motion Picture Soundtrack "Cats")
All piano sheet music by Andrew Lloyd Webber (23)
Jesus Christ Superstar Tim Rice,	Andrew Lloyd Webber
Don't Cry For Me Argentina Andrew Lloyd Webber
Gus: The Theatre Cat T. S. Eliot,	Andrew Lloyd Webber
Jellicle Songs For Jellicle Cats Andrew Lloyd Webber,	T. S. Eliot
Macavity: The Mystery Cat Andrew Lloyd Webber,	T. S. Eliot
Mr. Mistoffelees Andrew Lloyd Webber,	T. S. Eliot
Mungojerrie and Rumpelteazer Andrew Lloyd Webber,	T. S. Eliot
Old Deuteronomy Andrew Lloyd Webber,	T. S. Eliot
Bustopher Jones: The Cat About Town Andrew Lloyd Webber,	T. S. Eliot
Skimbleshanks: The Railway Cat Andrew Lloyd Webber
The Ad-Dressing Of Cats Andrew Lloyd Webber,	T. S. Eliot
B-flat Major
The Old Gumbie Cat T. S. Eliot,	Andrew Lloyd Webber
The Rum Tum Tugger T. S. Eliot,	Andrew Lloyd Webber
Hopes And Dreams - Save The World - His Theme - Toby Fox
Layla - Eric Clapton
Love Theme From El Cid (The Falcon And The Dove) - Miklos Rozsa
Love Is A Game - Adele
I'll Take You Home Again, Kathleen - Anonymous
Jesus Wept - Sia
Recovery - Frank Turner
I Had My Heart Set On You - Rosalie Allen
Jamaica Farewell - Lord Burgess
Here Comes The Rain - Leapy Lee
Come On Home - Everything but the Girl
Sun In Our Eyes - Diplo, MØ
Manhattan Square Dance - David Rose
Find You - Zedd
The Greatest Love Songs... Ever!
What The World Needs Now Is Love - Jackie DeShannon
More Than You Know - Axwell Λ Ingrosso
Esta Noche En Tokio (Tonight In Tokyo) - Sandie Shaw
Ain't That A Shame - Fats Domino


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News Erdoğan signals reinstatement of death penalty after referendum
Erdoğan signals reinstatement of death penalty after referendum
Turkish President Recep Tayyip Erdoğan has revealed plans to reinstate the death penalty in Turkey following a public referendum that will be held on April 16 on a constitutional reform package introducing an executive presidency in Turkey.
Speaking at an inauguration ceremony in the central province of Aksaray on Friday, when Erdoğan heard slogans in support of the death penalty from his supporters, he said: "You know my attitude on this issue. God willing, April 16 will be its first signal. The fate of those who kill my soldiers, police officers, village guards and citizens should be exactly the same, execution. Do you say 'yes' to this? The main opposition party is afraid of this."
The president said he does not care about foreign criticism concerning plans to re-introduce capital punishment, with the European Union constantly warning Turkey, a candidate for EU membership, that such a development would mean the end of accession talks.
"We just don't care what George or Hans says. We care about what Fatma, Ahmet or the Mehmet under the soil [refers to fallen soldiers] says. If we can't take revenge for the blood spilt by Mehmets, we can't give an accounting of our actions," he said.
Erdoğan and the government have been pushing for reinstatement of the death penalty since a failed coup attempt on July 15.
Turkey has been officially negotiating as a candidate country with the EU since 2005 and abolished capital punishment in 2004 as part of EU reforms. (turkishminute.com)
HDP deputy to Turkish government: How can ISIS bring Yazidi slaves to Ankara?


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Home Articles HIV, malaria, TB, others may become untreatable due to rise in medicine...
HIV, malaria, TB, others may become untreatable due to rise in medicine resistance, experts warn
by admin - Nov 26, 2020
Over the past decade, the world has witnessed unprecedented scale-up of antiretroviral therapy (ART), which has saved the lives of tens of millions of people. As of December 2019, 25.4 million people out of an estimated 38 million people living with Human Immuno-deficiency Virus (HIV) were receiving ART globally.
Increased use of ART has, not unexpectedly, been accompanied by the emergence of some degree of HIV drug resistance, the levels of which have steadily increased in recent years.
HIV drug resistance can jeopardise the efficacy of antiretroviral drugs used for both HIV treatment and prevention of the infection and is associated with an increased number of HIV infections and HIV-associated morbidity and mortality.
Combating antimicrobial resistance (AMR), including resistance to HIV medicines, is a global priority that demands coordinated action across all government sectors and levels of society.
The Global Action Plan on HIV drug resistance 2017–2021, aligned with World Health Organisation's (WHO's) global action plan on antimicrobial resistance, defines key actions for the country and global stakeholders to prevent, monitor, and respond to HIV drug resistance and to accelerate progress towards achieving the global targets for HIV epidemic control by 2030.
The key actions are:
Prevention and response: implement high-impact interventions to prevent and respond to HIV drug resistance.
Monitoring and surveillance: obtain quality data on HIV drug resistance and HIV service delivery from periodic surveys, while expanding routine viral load and HIV drug resistance testing.
Research and innovation: encourage relevant and innovative research, which will have the greatest public health impact in minimising HIV drug resistance.
Laboratory capacity: support and expand the use of viral load testing and build capacity to monitor HIV drug resistance.
Governance and enabling mechanisms: ensure country ownership, coordinated action, advocacy, and sustainable funding are in place to support action on HIV drug resistance.
Also, antimalarial drug resistance has emerged in recent years as a threat to global malaria control efforts, particularly in the Greater Mekong sub-region. The much-anticipated Report on antimalarial drug efficacy, resistance, and response: 10 years of surveillance (2010–2019) will present a decade's worth of data on drug efficacy and surveillance and recommendations to protect the efficacy of malaria treatments in the decades to come.
Meanwhile, a study has warned that children may be more likely to suffer from chronic illnesses like allergies, asthma, eczema, and obesity if given antibiotics before the age of two.
The full findings of the study were published in the journal Mayo Clinic Proceedings.
United States (U.S.) researchers analysed the health records of 14,500 children and found a correlation between chronic illness and early antibiotic use.
The team has speculated that the antibiotics — while used to help fight off 'bad' bacteria — can impact the beneficial microbes that make up our gut microbiome.
Allergies — which are the most common chronic disorder among children — affect more than one-in-four people in the United Kingdom (U.K.) at some point in their lives.x
Antibiotics are used to treat bacterial infections like urinary tract infections but are not effective against viruses such as the common cold or coronavirus.
"We want to emphasise that this study shows association not causation of these conditions," said paper author and physiologist Nathan LeBrasseur of the Mayo Clinic in Minnesota.
"These findings offer the opportunity to target future research to determine more reliable and safer approaches to timing, dosing, and types of antibiotics for children in this age group," he added.
In their study, Professor LeBrasseur and colleagues analysed the health records of more than 14,500 children — around 70 per cent of who had been treated with antibiotics before the age of two.
The team found that these children appeared more likely to develop chronic illnesses — including asthma, attention deficit hyperactivity disorder, celiac disease, eczema, food allergies, hay fever, obesity, and weight issues.
"While recent data show an increase in some of the childhood conditions involved in the study, experts are not sure why," said LeBrasseur.
"Other than the issue of multidrug resistance, antibiotics have been presumed safe by most pediatricians."
Those babies who had received multiple courses of antibiotics were more likely to have more than one chronic condition during their childhood, the team also noted.x
The types of illness suffered varied dependent on the child's age, the kind of antibiotics they were on, and how many doses they were given.
"The ultimate goal is to provide practical guidelines for doctors on the safest way to use antibiotics early in life," LeBrasseur added.
Although there are over 100 types of antibiotics, one of the most commonly prescribed is amoxicillin — used to treat assorted conditions including middle ear infections, strep throat, skin infections, pneumonia, and urinary tract infections.
Diabetes drug shows promise in treating and reversing heart failure
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Recommended - The End Of Oil?
This page will list suggested reading on Amazon. We will also have links to websites that have powerful articles on the topics related to this website as a whole. Whenever we find a particularly accurate and/or convincing author, we can share them with you.


Are you looking to learn to make jewellery? Here are the current and future Beginner jewellery courses we have on offer.
These courses are suitable for people having no experience in jewellery making as well as for those with some experience and wishing to further develop the foundation skills in designing and making jewellery.
If you can't see what you need, get in touch – we are always interested to expand our repertoire.


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redpajama_set_name: RedPajamaGithub


text:
Q: Is it possible to see domains in a metal/magnet under microscope I was just curious to know that is it possible to see domains of a magent/metal in motion on being magnetized, under microscope. If there is someone who has access to microscopes, can help me out on this. I was thinking of buying one.
Question is lil stupid but I am putting it here because I know no better place !!

A: You actually have a couple of options without have to resort to a microscope.  One of the most interesting is Magnetic Field Viewing Film which should allow one to view magnetic fields easily over large domains.  The film is pretty responsive, so it would likely allow one to view domain formation in larger materials.
An interesting way to viewing magnetic effects is to use an old computer crt and some magnets.  If you wanted to get down to the nano scale, that is possible too, but probably out of most people's budget.  The viewing film is definitely budget friendly.


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Andra Day and Janelle Monáe Release New Music for Netflix's 'We The People' Series
Both tracks are from the Netflix Series "We The People."
Andra Day and Janelle Monáe have contributed new songs to Netflix's upcoming animated musical series, We The People.
The 2021 Best Actress Golden Globe winner reunites with Warren "Oak" Felder for "All Rise," an empowering selection that calls for justice and equality for all. Day reminds young people to stand their ground for what is right until a positive change happens for people everywhere.
On "Stronger," a fist-pumping tune, Monáe finds herself leaning on the resilience of her friends to pick herself back up to carry on in the fight against social adversities. She sings that she and her legion of freedom fighters don't "want the life without the liberty."
H.E.R. shared the inspiring anthem "Change" for We The People, which is executive produced by former President Barack Obama and former First Lady Michelle Obama. The series, all about educating children on the basics of rights and citizenship, debuts July 4.
Most recently, Day was invited to join the Academy of Motion Picture Arts and Sciences as a 2021 member. She performed a medley of songs from The United States vs. Billie Holiday soundtrack at the 2021 BET Awards. She also won Best Actress at the ceremony. In April, she released her new track "Phone Dies," produced by Anderson .Paak.
Monáe has joined the cast of Knives Out sequel. It follows her recent roles in Antebellum and The Glorias. She last released an album in 2018 called Dirty Computer. It ranked No. 2 on Rated R&B's 25 best R&B albums list that year.
Listen to the We The People additions from Andra Day and Janelle Monáe below.
Tags: Andra DayJanelle Monae
Janelle Monáe Announces New Book 'The Memory Librarian: And Other Stories of Dirty Computer'
Janelle Monáe has announced The Memory Librarian: And Other Stories of Dirty Computer, a new collaborative book inspired by personal and universal...
Janet Jackson, H.E.R., Andra Day, and More Invited to Motion Picture Academy 2021 Member Class
The Academy of Motion Picture Arts and Sciences continues to move forward with its diversity and inclusion efforts regarding membership....


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Although there has been widespread enthusiasm, Web.0 is still full of intimidating interfaces and endless security concerns with poor usability. Rating is available when the video has been rented. Opera is..
The addition of Transfast adds to our leading position in meeting business, government and consumer payments needs whether B2B, P2P or other flows. The company will host a conference call to..


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RBNC Hosts Dallas Zoo's Exotic Animals
by: Deron Molen
Posted: May 16, 2017 / 01:30 PM CDT / Updated: May 16, 2017 / 06:29 PM CDT
Some crazy critters are climbing, crawling and slithering their way to Wichita Falls.
The River Bend Nature Center is hosting the Dallas Zoo and many of their exotic animals.
Featuring lizards, armadillos, and much more, the show gives kids hands on experience with some of the world's most unique critters.
"A lot of these kids don't get to see animals like this — like a penguin, like a flamingo — up close and personal," said Alyssa Leslie, manager of outreach at the Dallas Zoo. "When you know how to protect something, that's when you know how to really care for an animal."
If you missed Tuesday's shows you're still in luck!
They have four more shows at 10 and 11:15 a.m. coming up Wednesday and Thursday. Groups of 10 or more must call to reserve a spot. Admission is $5 per person and children under one year old get in free.
Electra woman arrested after suspecting cheating, assaulting husband
ELECTRA (KFDX/KJTL) — An Electra woman is jailed after police said she assaulted her husband after she found an unfamiliar number in his phone and accused him of infidelity.
Mindy Stephens, 43, is charged with aggravated assault with serious bodily injury and is jailed on $25,000 bond.
by Fox News / Jan 17, 2020
CALIFORNIA (FOX NEWS) — One California community is joining forces to help a young child fighting for his life.
Four-year-old Jasper Mazzocco of Redding, California is currently battling brain cancer.
by Lauren Linville / Jan 16, 2020
WICHITA FALLS (KFDX/KJTL) — Less than a half year after Centennial Hall officially opened, Midwestern State University officials are onto the next big project.
The university has purchased the old Bank of America building at the corner of Midwestern Parkway and Maplewood Avenue.
New holistic shop opens in downtown Wichita Falls
Vernon man jailed after driving over mother, assaulted wife sentenced to prison


text:
package us.kbase.workspace.database.mongo.exceptions;

import us.kbase.workspace.database.exceptions.WorkspaceDBException;

/**
 * Thrown when a problem with the workspace blob store occurs.
 * @author gaprice@lbl.gov
 *
 */
public class BlobStoreException extends WorkspaceDBException {

	private static final long serialVersionUID = 1L;

	public BlobStoreException() { super(); }
	public BlobStoreException(String message) { super(message); }
	public BlobStoreException(String message, Throwable cause) { super(message, cause); }
	public BlobStoreException(Throwable cause) { super(cause); }
}


For edumacation about consumer issues, check out Cagey Consumer.
What is the Meaning Of Edumacation ?
Information about the webmaster Eli Mantel?
Are you prepared for a La Fiesta Ripoff ?
How about those "vegetarian" french fries at McDonalds ?
What is the reason for maintaining an Ftc Commission Actions index page? Google knows!
Please visit WelcomeGuest for tips on using TWiki.


The Diptyque Rose Oil Perfume rolls on your skin and absorbs into your pours the same amazing way French perfumes have for centuries. Eau de Lavande is a spicy, floral scent with a complex, generous nature. The warm, subtle fragrance is bottled as a roll-on perfume, making it perfect for travel. Diptyque uses only natural ingredients when composing fragrances, resulting in pure and natural scents, both complex and intriguing.
Net Weight: 20ml / 7oz fl oz.


A mixed basket for the home.
A standing easel heart with sunflowers.
A very distinctive and striking arrangement.
A wreath than can be placed around a photo or on an easel.
A glass vase of reds and whites suitable for home or service.
A large all white glas urn.


text:
The Inelations of the Everyday: an Interview with Garielle Lutz
By Nicholas Rys
Fiction Interviews
It's hard to say when I read Garielle Lutz's work for the first time. I know that a professor suggested Stories in the Worst Way. But I think I already had purchased Divorcer by that time, though I cannot recall if I had read it. Her work knocked me out.
Lutz's work is wholly and completely singular, a feat that feels as difficult as ever, though a phrase that feels ubiquitous in our times. But I dare you to find another living writer doing what Garielle is doing. Something that strikes anyone when first reading Lutz is the surgical precision, the kaleidoscopic vocabulary. Much of her work is a masterclass in defamiliarization.
There is not much that can be said that hasn't already about her genius, and if you are reading this interview, you know it already. She has, for writers like us, completely changed the game and though I know many who cite her as an influence or claim her as one, I can think of very few for whom I can see her fingerprints. Her latest book, Worsted, feels both a continuation of Lutz's previous work, and something exciting and new from the writer who has been thornily typing out life's most ordinary adventures for over twenty years.
Garielle and I talked about teaching, retirement, and influence, her latest work, and what's next.
I know that you taught creative writing as a Visiting Writer at various colleges and universities, but I believe you have mostly taught composition during your time as an academic. Can you talk about teaching composition versus teaching creative writing—if they are completely opposite to you, if you find yourself a more productive creative writer while you teach one or the other, etc.
I've always been drawn toward menial but personally meaningful jobs, and at most colleges, the most menial sort of faculty employment seems to be teaching freshman composition. When, during my second or third year of teaching it, I told the chairperson that I had no desire to teach anything else, another prof in the department took me aside and said, "Bad career move." I didn't have the heart to tell him that I didn't think of teaching as a career. I needed a job to support myself, true, but I'd always thought of "support" in its most literal sense–as a way of simply holding up. I found teaching composition to be an unsullying use of my time, a way to keep myself grounded. I've long felt that somebody somewhere ought to be telling students the truth about commas, about clauses, about the dark enchantments of specificity. Teaching comp is, of course, dirty work, because among the many papers coming at you every week you can always expect that more than a few of the pages will be provocatively grease-spotted and crudded with smudges and splotches and crusts–byproducts of all-nighter practitionings with snack foods, cosmetics, bodily discharge. On one page it might look as if smidgens of clay have been pressed deep into the paper stock; on another, you might come upon the dark bloods of whatever insects were still alive and crushable that month. As an instructor, I always felt it my duty to return the papers promptly and scrubbed reasonably clean. I tried my best with thicksome, stone-colored ink erasers that worked pretty well on certain strains of smutch, and there were chemical treatments that didn't call for all that much ventilation. Some days I resorted to little more than dollar-store wipes. (The pages would often be warped, though, by the time I was done with them.) Other days the filth would be obstinate, irremediable, permanent. You had to accept that there was only so much you could do. By the end of my workday (I did all my grading in my office at school), I'd need to get far away from words on paper, from any further verbal circumstance. So, no, I never did any writing of my own during the press of the semesters. When I returned to my apartment after work, I always reached for my electric guitar. It was a cheap, solid-body thing I never plugged into an amp, because I wanted the chords I fingered to come out as alluringly trebly and inaudible as I could manage. More often than not, these were nonsense chords, not the simple, stalwart C, F, and G of the recognizable blues. The music I produced lacked any universality whatsoever. I wrote my stories during the summers. I never taught creative writing often enough to draw any conclusions, other than that the students were always smarter than I was.
Do you feel like your process or approach to writing has changed over the years, or do you find yourself still writing in the same manner? If it has changed, how?
I was never a fast writer, was always a dawdler, a layabout, but the pace has slowed even further in the past few years. I long ago read somewhere that a writer, or any other sort of artist, is usually granted only fifteen years in which to come up with something decent, and after that, the work sinks into mannerism and the bitter brittleness of self-parody, or else completely dries up. That sounds just about right to me. I might have had a good month or two here and there. I feel I can live with two or three little things I've put into words.
Congratulations on retirement! How has retiring from teaching impacted your writing? I'm sure in positive ways, and am curious to hear those, too, but have there been other, more unexpected ways?
I'd never given much thought to retirement until things started turning a corner at school. The floor was more and more often being referred to as "the ground," as if we were no longer inarguably inside anywhere anymore. The ubiquitous typo "a women" was now welcomed into freshmanic discourse as a "valid colloquialism" and an "overdue and essential conflation of the Many and the One." If, on a Tuesday, I said, "The paper is due next Thursday," at least half the class would think that "next" Thursday meant "this" Thursday. The date of a momentous meeting of the faculty congress got "pushed back" a week, but that left some of us wondering whether we'd already attended it or whether it was yet to come. Worse, things kept rolling under the increasingly heavy, unbudgeable furniture in my office. Keys, coins, charms, markers, bracelets, engraved tokens of teacher's-pet affection, binder clips in once-in-a-lifetime colors from an odd-lots store–I couldn't coax any of them out with rulers or a coat hanger. I no longer had an in with any of the custodians. The campus was at the hardscrabble edge of town, and I'd been living at an apartment complex a stone's throw away, to be spared a commute. A cross-country train stopped right across the road, but only once a day, at a time convenient for neither arrival nor departure. A bus ran every two daylight hours from all the way out here in the outer county to the city. I often took the bus to the city on days I didn't teach. After every mile of advance, the bus had to backtrack a couple of miles to reach the glades and crossroads where, in all weathers, people boarded in shorts, sleeveless concernments, and running shoes so majestic, even cathedral-like, that it was hard for anyone to get very far on foot. The city itself, once we finally arrived, was a boarded-up backdrop whose streets all ran desultorily to the east. I'd walk for hours. To catch the bus back, you had to remember that the outer-county buses never stopped where the municipal buses stopped, but the stops for neither of the carriers had ever been marked. You had to rely partly on feel. The buses headed to the outer county had to be flagged down with an elaborate sequence of toreadoral flights and flourishes of the arm. My classes were always on Tuesdays and Thursdays. Wednesdays were interregnal hell. The new edition of the in-house human-resources manual was insistent on the point that, all too often these days, there was too fine a line to be drawn between resignation, firing, and retirement. I had stacks and stacks of papers to pack and seal into what were now called "burn boxes." People started catching their death of what turned out to be not a cold–first in Wuhan, China, and next in Washington state. I gave my office keys to a cleaning lady, drove home, noticed (on my way up some steps) that I'd recently begun to cling to every railing in every stairwell, unlocked the door, and then, first things first, snipped the collar off a spurned turtleneck to serve as my first stopgap mask.
People have brought up the connection between the title of the first Gary Lutz book, and the title of your latest collection, the first as Garielle. In what ways, if at all, was this intentional/do you feel these two collections are in dialogue with each other? Or are they not at all?
I've been thinking about this a lot. A little while back, a New York Times op-ed column by David Brooks, entitled "Is Self-Awareness a Mirage?," advanced the thesis that we probably never have any idea of why we actually do any of the things we do. For much of my adult life, I've assumed as much myself, because have any of us ever encountered anyone as fierce-heartedly mysterious, as wholly unknowable, as our own selves? Who doesn't wake up in the middle of the night and realize, with a fright, that everything about her life–from the first remembered self-bafflements of toddlerdom to the last thing she was doing before she shoved off into sleep (feeling, in this instance, some pangs of belated, petty empathy for a former co-worker, no doubt)–must have been part of the case history of somebody else entirely, surely not herself, because her only reconnoitering with herself, if she'd ever even been afforded any, must have been only in some dream that was smartening up, recomprising, and refining the dribs and drabs of some day definitively different from the one she has just brought to a finish? Case in point: too many times in my life–on urban sidewalks, in stores, in eateries–I have been accosted by people who claim they know me, who insist we once spent oodles of gallingly domesticized time together–and I try to explain to them, to no avail, that they have me mixed up with somebody else; and at first they say, "Stop pulling my leg," and the next thing you know, they start getting a little combative, and eventually they throw in the towel and wander off, but after a certain point, I always thought, Gosh, maybe they're right, maybe they know who I must be, or must have been, and maybe the person these people were bearing in mind was actually out there somewhere and walking unnotionally around, and what if I bumped into her someday–what would come of either one of us? Things like that kept going through my mind when I was writing my first book–suspicions, I mean, that nobody could count on themselves to be who they really were, that the margins of every error kept getting wider and wider the older you got. Every once in while there's a newspaper story about somebody (often drunk or stoned) bumbling into somebody else's apartment by mistake and making himself at home, helping himself to whatever's most enticing in the refrigerator, settling himself onto a receptive couch, and turning on the television, and you have to wonder whether that's the only homecoming a guy like that will ever unalloyedly enjoy. The inevitable aftermath of cozy little slip-ups of that sort must have been what I was going for in my first book, and for the title of it I wanted something that sounded stumbly and wrong-thoughten and flirtingly hospitable to every grossening misinterpretation. Thus: Stories in the Worst Way. Worsted, the title of my latest book, though, was just the result of my having loitered in a favorite unabridged dictionary. It was news to me that "worst" could do duty as a verb, so I took advantage of its past-participial disposition, which means bested, gotten the better of–something true, I imagine, of just about every character in the book. My first book and my latest one seem to be locked into some sort of staring contest with each other.
Do you ever think of the work you are doing, the kind of writing that you seem interested in and creating, as part of a lineage—beyond the Lish school? Do you feel connected to or see yourself in the tradition of any other movement or style or writers?
I guess any lineage I could see myself part of is whatever lineage there might be of short books, crabbed, sulky, irking little things, volumettes full of pained, paining yowls about emotional misfiguring, books probably best kept distant from anyone else in domestic vicinity.
Do you like music or film/do you feel influenced by or draw inspiration from mediums outside literature? Many writers, I think especially now, get their writing described as "cinematic." But ultimately, I'm not positive that is a compliment. I think the best books are unadaptable, the best art, and therefore writing, entirely specific to its medium, cannot be recreated elsewhere. Your work really seems like this to me. I suppose these are two questions, do you like music and film and do you draw inspiration or influence from them, but I'm curious about both.
I go through spells when I watch loads of movies, and then for long stretches I won't watch anything at all. I wish I could draw inspiration from movies. I'll watch a movie and tell myself I need to write some dialogue. But I almost never write even a line of it. My stories are more like conclusions than reports of anything actively ongoing. My stories just jump up out of language in summation of the inelations of the everyday. I don't seem to have ever regarded life cinematically at all. But my stories might have something in common with music, with songs, and I sometimes do listen to lots of music, usually a single killjoy song on repeat. I tend to listen obliteratively, to wipe out everything else except the song. Because isn't that what a good song is supposed to do–annihilate every other blastable thing in this sphere? I always find it weird that a lot of people listen to an album over and over for years but reread a beloved book maybe just two or three times in their entire lives.
What about the short story still excites you? After several years writing, you seem as interested in it as ever. Is there ever going to be a Garielle Lutz novel, or do you find in the story everything to satiate you?
My individual fictions started getting a little thick around the middle during the last half decade or so (my longest piece, the title story in Worsted, tips the scales at thirteen thousand words), but I'm never going to write a novel or even a novella, because even as a reader I'm most often drawn toward short-haul fiction, the kind that's actually poetry but without the wide ragged-rights, and anyway my fiction has already started to narrow itself out again.
What is your writing like these days? Are you working on anything you want to share?
I've been working, in fits and starts, on a memoir-like endeavor that consists of snippings from letters, journals, diaries, notebooks, logs, diatribal typings, handwritten threats to self, near-exact transcriptions of telephoned wailings on a moon-crowned mid-semestral Sunday night, flyleaf itemizings of roommates' malformations of person and of character, unmailed harangues occasioned by outings to the local discount houses, further definitive proof that the body eventually settles all old scores, tallyings of demerits earned by "friends," a flaneuse's guide to the heart-sinking six-square-block central business district, meditational bombast about Burger King, interlocutions overheard at Laundromats and luncheonettes and on buses and escalators, extracts from personal-ad responses, block-lettered misreckonings of romantic enterprise, the alternate chorus of an inurbanely titled sorrow-struck ballad of blinds-drawn-at-all-hours apartmentative life (from the click-tracked "chocolaten stupors" version), day-is-done remembrances of classroom disgrace, excerpts from the most blistering "student evaluations of teaching performance," the incomplete inventory of a prevailing partner's secreted overnight bag's gallimaufry of out-of-character slumberwear, doodledly annotated supermarket receipts with inexpert cross-hatching, autobiographical errata (misreports of bathroom gallantry, of "lunch things," of mistfalls during eye contact gone awry), documentation of human dishevelment witnessed not even halfway through overnight layovers in the Greyhound terminals of second-tier metropoli, yet another unruled index card's worth of the first drearings of yet another fresh fluster of love (some of the collated material dating as far back as the mid- and late 1970s, when I was inching woe-wrinkledly out of my teens), along with reminscential and self-denunciatory entries I started writing in the early months of the pandemic, when I felt it my duty to make productive use of my time as a flutterheaded shut-in surrounded by towers of boxed boil-in-bag brown rice and Great Value "Mixed Chili Beans" in fifteen-ounce cans. The book is called Backwardness and isn't a memoir in the standard, book-pitch sense, because there's no narrative through-line or thematic curvature from loss to recovery, there's nothing strictly calendrical in the ordering of the entries, and I suppose the tone ranges from the Octobral to the slaphappy. The book, in sum, is a mass of slattern paragraphs, and I wouldn't exactly call it introspective. It will be my longest book, because I seem to have always done the most writing during long stretches when I was somehow under the impression that I wasn't doing any writing at all.
What are you reading these days? Is there anything new getting published that is exciting you?
Anyone who only occasionally browses the major organs of review, the prominent saddle-stitched head-shop tabloids and such, might easily, excusably, form the impression that no more than a couple of dozen people are out there writing book-length works of fiction anymore. There are lots of other writers, though, and many of them are good and quite a few of them are extraordinary, but you'd never know that, you'd never even hear of them, unless you push your way past the entrenched, established periodicals, or unless you've got feelers of an especially well-developed sort. Not much of what I read and cherish enjoys much (or any) deserved attention and acclaim, but three books that I've recently loved to death, and that are not yet out in the world, will prove, I hope, to be vivid exceptions. Those are Anna DeForest's A History of Present Illness, Greg Gerke's In the Suavity of the Rock, and David Nutt's Summertime in the Emergency Room.
Garielle Lutz's most recent book is the short-story collection Worsted (Short Flight/Long Drive Books). Previous books include The Gotham Grammarian (Calamari Archive, Ink) and The Complete Gary Lutz (Tyrant Books).
Nicholas Rys lives in Syracuse, New York where he is a university writing instructor. His fiction has appeared in the Antioch Review, Lake Effect, BULL, and others. He holds an MFA in fiction from Bowling Green State University.


Reburg is a fictional city in which the concept of circular futures comes to life. The concept and content has been developed by Pantopicon, a studio for design and foresight with offices in Antwerp (Belgium), and a satellite studio in Toronto (Canada). The project has further been developed in collaboration with Plan C, Belgium's circular economy hub.
The goal? To render tangible a vision on the future of sustainable material management as a means to provide a framework for (entrepreneurial) innovators and society, to provoke and extend their thinking on what a circular economy is and could be.
This exhibit introduces the project and its platforms, illustrating the impact of exploring future scenarios through immersive and interactive design experiences.
In terms of envisioning circular futures, the project began by Pantopicon gathering a group of relevant thinkers for a workshop at the Hof van Busleyden museum in Mechelen, where they were invited to participate in an immersive future world building experience. Set up into four different 'world building stations' participants were faced with two opposing potential future worlds, presented in the form of a series of video clips and sounds.
Within this immersive context, the participants were invited to explore the nature of each world as a group through conversation and debate. With the help of wooden building blocks and a landscape depicting a chart of principles and technological developments, the participants would rate what principles resonated most with that respective world, building a simulated future landscape. To give a more societal expression to each world, the participants were asked to draw and write what the covers of magazines would say and what the headlines and stories in the local newspapers would be. Fictitious twitter, facebook and instagram feeds were also created.
Based upon the input from the workshop, Pantopicon then updated Plan C's future vision on circular economy, through identification of 4 main pillars: entangled realities, fabcities, bio-synthetics and hybrid systems. All of these were created, picking up on certain developments, both present and future as well as the existing 2008 vision.
Hyperlocal fabcities with local co-working, co-housing, co-learning, co-manufacturing spaces make for local circularity. The FabCity idea proposes a model based on production inside the city, using both cutting-edge and basic technology, recycling materials and meeting local needs through local inventiveness. Productive neighbourhoods equipped with digital fabrication laboratories (fablabs) are in turn linked up with other neighbourhoods and cities across the world to exchange know-how.
Hyperglobal virtual worlds piggyback on the idea of immaterial global knowledge networks, thereby exploring possibilities for less material use. Following recent advances like educational MOOCS, and born out of the haptic and multi-sensorial internet, global virtual spaces appeared, giving birth to trends like Virtual Prototyping, Virtual Mobility, where one can attend classes, work meetings, therapy visits, and so on within the virtual space.
Advances in biosynthetics lead the way to human engineered biomaterials which follow the same circular principles as organic materials. Materials and objects are grown on demand and biological systems take over functions previously taken care of by industrial tools and machines. Although a word of caution should be taken into account (how will the genetically engineered interact with current biologically complex systems), it shows promise to craft these processes in a sustainable way considering that they start and finish within the natural realm.
In a next step each of these pillars have been translated into separate episodes within a digital speculative city, called Reburg. Creating a fictitious circular futures city, would allow for the possibility to speculate on how they might manifest and affect our daily lives, both from a sustainability perspective as from a more socio-cultural perspective: how might this shape the current and future social fabric and our daily interactions?
Each of the episodes consists out of a series of crafted multimedia scenarios, which are being told through the eyes of future professionals, highlighting various touch points and giving insight into how ideas of circular economies could be adopted in the present.
The first episode on 'fabcities' features Zoe Mertens, a urbaculturalist, as a guide to navigate the first episode on fabcities. By using future professionals, the vision was to be extended beyond mere material touchpoints in the city into a more integrated socio-economic context.
By building a digital city encapsulated within an online platform of episodes, the concept not only became easily accessible from anywhere online but also had the capacity to be easily distributed via social media.
The city of Reburg is made up of a series of touchpoints, some specific to a certain future professional, but all connected and having some sort of overlap. For the second episode, called entangled realities, and narrated by Aina Mori, an entangled realities architect, these touchpoints include: Reality Layers, ER Street, The Holo, The Deablon, The Fabcenter.
In order for 'future' concepts and ideas to resonate, a link to the present is ever more crucial. 'Signals of Change' are both the strong and the weak signals of deeper underlying changes that are currently happening in society. They are what those interacting with the site can grab onto and seek out, and also use as inspiration to find their own ways to make their own future visions manifest.
Since today the tools exist to tell, deliver and share stories in more fluid and social ways, we decided to work along the idea of multimedia story-worlds. Using the Reburg website as our main communications hub, we created a conceptual framework of several multimedia elements.
As an entry point to Reburg, PlanC network members received an object to spark their interest in #circularfutures. For example, visitors were introduced to the first episode by receiving a postcard from the future. The postcard was an augmented reality object with a message from the future. When decoded, a 3-D rendering of knitwear from one of Reburg's future makers would pop up. In essence the postcard served to bridge the gap between the recipient's 'present' and the projected future world of Reburg, rendering it more tangible.
Next to that, Plan C was given access to and enabled to create any of a multitude of storytelling channels ranging from traditional postcards, ARG elements, social media, PR etc. as props to infuse the present world with snippets of #circularfutures and invite people to explore the Reburg stories online. During a Plan C event on circular futures in April 2016, for example two actors playing the role of inhabitants of Reburg, featured as hosts of the evening. Another Plan C event featured the yearly town hall meeting in 2036 in which the people gathered to discuss how life in Reburg should be organised.


text:
Острів імені Сагайдачного — острів в Дніпровському водосховищі в місті Запоріжжя.

Опис
Острів імені Сагайдачного утворився з частини правого берега, після завершення будівництва Дніпровської ГЕС і затоплення місцевості на початку 1930-х років, в результаті чого утворилося Дніпровське водосховище. Острів розташований в районі колишнього Кічкаського моста. Через спорудження греблі рівень води затопив значну частину суші, але невеличкий клаптик правого берега в найвищому місці залишився над поверхнею води і став островом.

До затоплення острів був частиною саме правого берега, незважаючи на те, що зараз він набагато ближче до Лівобережного Запоріжжя і знаходиться неподалік від Павло-Кічкаса. Саме в тому районі раніше перебувала відома з давніх років Кічкаська переправа  — відомому як Вовче Горло, ширина Дніпра становила всього 175 метрів.  На початку ХХ століття в тому місці був побудований Кічкаський міст — чудовий залізничний міст, шедевр інженерно-технічної думки початку ХХ століття, зруйнований в Громадянську війну і демонтований більшовиками на початку 1930-х років. Біля острова і зараз помітні залишки правобережної опори цього мосту (глибина Дніпра в цьому місці сягає до 60 метрів).

У радянські часи тут хотіли зробити піонертабір, а на початку 2000-х років обговорювали ідею звезти на острів з міста всі казино та гральні автомати, щоб зробити місцевий «Лас-Вегас», але всі ідеї залишилися на папері. Згідно генплану міста Запоріжжя через цей острів має бути побудований новий північний міст, на заміну історичному Кічкаському мосту.

Декомунізація
В ході декомунізації міською радою після звернення до краєзнавчого музею було виявлено факт того що всі роки свого існування як острова ця місцевість не мала офіційної назви, проте на військових та туристичних мапах, в народі і пресі скрізь називалась островом імені Леніна.

До 2015 року носив ім'я «Леніна». 16 листопада 2015 року острів було прийнято рішення перейменувати на острів імені Сагайдачного на честь гетьмана Петра Сагайдачного.

28 лютого 2017 року на сесії міської ради острову, який знаходиться в межах міста Запоріжжя в районі Дніпровського водосховища вище греблі Дніпрогесу, було надано назву - «острів імені Сагайдачного».

Цікаві факти
Згідно з одним з проектів острів планували перейменувати в острів Кічкас — на честь однойменої історичної місцевості, яка відома під такою назвою як мінімум з кінця XVI століття. Слово «Кічкас», за припущеннями істориків, відбулося або від тюркського «киць-каш» — «короткий, найбільш короткий», що, очевидно, могло використовуватися для характеристики переправи, або ж від тюркського «коч-коч» — «проходь, йди».

Слово «Павло-Кічкас» щодо поселення на протилежному, лівому березі Дніпра стало використовуватися вже при Російській імперії, в XVIII столітті: назву «ПавлоКічкас» (без дефіса) офіційно стало носити тут село на ім'я першого власника землі, російського генерала Павла Потьомкіна.

Див. також
 ДніпроГЕС

Джерела
 Острів на wikimapia
 Мапа острова

Примітки

Острови Запоріжжя


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erpel » Rock » David Bowie - Changes
David Bowie - Changes mp3 flac download
XM VOX MMF AC3 MP3 ASF VQF
David_Bowie 1972 US
Changesbowie is a compilation album by David Bowie, released in 1990 in the United States by Rykodisc and by EMI in the UK as part of Rykodisc's Bowie remastering program, to replace the deleted RCA Records compilations Changesonebowie and Changestwobowie. While the cover artwork was generally dismissed as amateurish ("a sixth-form cut 'n' paste collage", according to author David Buckley), the collection gave Bowie his first UK chart-topping album since Tonight in 1984.
Changes originally appeared on David Bowie's 1971 Hunky Dory album. In 1972, it was released as a single with Andy Warhol as the B-Side. You think you can get away with anything when you're young. 2002, quoted in Nicholas Pegg, The Complete David Bowie, Changes. Written By David Bowie.
Changes" is a song by David Bowie, originally released on the album Hunky Dory in December 1971 and as a single in January 1972. Despite missing the Billboard top 40, "Changes" became one of Bowie's best-known songs. The lyrics are often seen as a manifesto for his chameleonic personality, the frequent change of the world today, and frequent reinventions of his musical style throughout the 1970s. It is one of four of Bowie's songs to be included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll
Главная Переводы песен D David Bowie Changes. 6 7 8 9. Changes (оригинал David Bowie). Перемены (перевод Катя Чикиндина из Могилева). I still don't know what I was waiting for. Я все еще не знаю, чего же я ждал, And my time was running wild. А мое время дико быстро бежало. A million dead-end streets.
The album cover depicted David Bowie wearing a dress, the first step in to creating the androgynous rock star Ziggy Stardust. He wore it on the streets of New York, on one occasion having a gun pulled on him. He toured the States on the strength of the album, and it was here he would first see Iggy Pop. Ziggy would be based on the singer to some extent, along with Vince Taylor. tour he wrote Hunky Dory, an art rock album. Hunky Dory would have a softer sound than The Man Who Sold The World. The lead single Changes performed moderately well, as did the album in general.
Album Name Changes Bowie. Music StyleGlam Rock. Members owning this album19. 2. John I'm Only Dancing.
single since its first appearance in 1969. Skip to main content. DAVID BOWIE Changes Two Bowie Album LP Vinyl Record. hanges - David Bowie Last. fm/music/David+Bowie/ /Changes. Watch the video for Changes from David Bowie's Hunky Dory for free, and see the artwork, lyrics and similar artists.
David Bowie's first RCA 45, both tracks taken from the album David Bowie - Hunky Dory. The timing of Changes is incorrectly listed on this, and most RCA releases it appears on, as 2:32. It is approximately 3:34.
A Changes 2:32
B Andy Warhol 3:03
Record Company – RCA Corporation
Pressed By – RCA Records Pressing Plant, Hollywood
Published By – Tantric Music Inc.
Producer – Ken Scott
Producer [Assistant] – The Actor
Written-By – David Bowie
From the "Hunky Dory" album
Pressing Plant ID (Stamped in runouts): H
Matrix / Runout (Label Side A): APKS-5949
Matrix / Runout (Label Side B): APKS-5956
Matrix / Runout (Stamped Side A): APKS 5949 3S H
Matrix / Runout (Stamped Side B): APKS 5956 3S H
GB-10468 David Bowie Changes (7", Single, RE) RCA GB-10468 US 1977
74-0605 David Bowie Changes (7", Single, Mono, Promo) RCA 74-0605 US 1972
none David Bowie Changes (7", Single, Pic) Rhino Records none US 2015
74-0605 David Bowie Changes (7", Single) RCA Victor 74-0605 US 1974
74-0605 David Bowie Changes (7", Single, Promo) RCA 74-0605 Canada 1974
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Supporting Each Other in the Marathons of Life
Twice during the past week I have had tears in my eyes as I watched a runner cross the finish line of a marathon. Monday I watched Meb Keflezighi win the Boston Marathon, the first American male to do so since 1983 and at 39, the oldest runner to do so since 1931. The odds of him winning Boston were clearly against him, and yet he found a way to pull away from the other favorites to win the race. Here is what was posted on his Facebook page the day after the race, the same day he received a congratulatory phone call from President Obama: Keflezighi's win was entirely unexpected. Turning 39 next month, his best days seemed to be in his past, especially given the Kenyan stronghold on the race. Since 1991, a runner from Kenya has won the men's race 19 times. Throughout the race he kept thinking, "Boston Strong, Boston Strong, Meb Strong, Meb Strong." The strains of Aerosmith's Dream On, the tribute version, also ran through his head. As the frontrunner throughout the race, Keflezighi was cheered by massive crowds from Hopkinton to Boylston Street. "You got this, Meb," they shouted. "U-S-A," they chanted. Keflezighi, wearing a red and white top and blue shorts, gave them a thumbs up or a fist pump in return. "I just used their energy," he said. "I take so much pride in being an American."
In several post-race interviews I heard Keflezighi talk about how much the fan support meant to him as he was straining to hold off his challengers in the final miles of the race. The cheering fans carried him along as he continued to run sub-five minute miles right until the very end.
My other experience of tearing up as I watched a marathoner cross the finish line happened two days prior to the Boston Marathon, when I had the delight of watching my wife, Holly, complete her first marathon in Salt Lake City. Four months earlier her longest run had been 13.1 miles and now here she was approaching her 60th birthday, and completing the 26.2 miles of a marathon. Our family was together for this exciting event, all cheering Holly on to her great accomplishment. While there was no call from President Obama the next day, her accomplishment was just as inspiring to all of us as if she had won the Boston Marathon.
A marathon is not just a running race. A marathon is ultimately all about the human race, about the indomitable power and perseverance of the human spirit. Each of us, in our own way, is most likely running some kind of marathon in our own lives--perhaps even several marathons. It might be a marathon of hard work, parenting, caring for a loved one, working for peace and justice, recovering from an addiction, or some kind of loss or setback. Life itself is its own kind of marathon. In all of these non-running marathons, there are not beginners and experts, there are simply souls who inspire to do the best they can, to give it all they have, and to keep moving forward by putting one foot in front of the other.
Both Keflezighi and my wife, Holly, both repeatedly have talked of how important it was to have people cheering them on. The energy and support of others truly pulled them across the finish line. Do you know someone who is running some kind of a marathon right now, someone who could use some fan support? Go ahead and make some noise for them. Make a sign that proclaims your support. Ring a cow bell when they are near or find some other way to express your encouragement. Thank them for inspiring your spirit to keep running the most important and inspiring race of all, the human race.
Newer PostThe Forgiveness Challenge
Older PostThe Ground Begins to Soften


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Flourish Africa
Foundation Lagos, Nigeria
Last updated on 23 Jan 2023
Flourish Africa is a women empowerment movement founded by Apostle Folorunso Alakija in 2017 to serve as a catalyst for female empowerment and development. Borne out of her passion to see women become truly fulfilled and empowered, the Flourish Africa movement is designed to create a platform for both female millennials and adults alike, to have access to information that will help them grow in the areas of career, living, love and relationship and inspirational messages from leading change-makers. Currently, Flourish Africa is in the process of implementing her NGN 1 billion grant program. This program will run for 5 years, and we plan to support 2,500 African females owned SGBs with entrepreneurship training and give a grant to of NGN 2 million each to 500 female- owned and managed SGBs in the span of five years. We share ANDE's vision of closing the gender equality gap, providing decent work and economic growth through our initiatives. By becoming members of Aspen we hope to benefit from the ANDE's rich pool of thought leaders, resources and platform to ensure that we provide the best to entrepreneurs we interact with.
Business Training, Entrepreneurial Ecosystems, Mentorship, Mindset/Confidence, Social Entrepreneurship, Youth


For the first time since July 1999 when medical supplies were airdropped to treat Jerri Nielsen, an airdrop was conducted at Pole on 20 December 2006. The flight left Christchurch just before noon, and after a refueling stop in McMurdo, the flight arrived in the skies over Pole around 2030. The drop consisted of 4 air pallets with triwalls of food, total weight was just under 70,000 pounds. These were dropped in a single pass from a height of about 1000 feet. The operation was conducted by a 14-person crew, members of the Air Force Reserve's 446th Airlift Wing based at McChord Air Force Base in Washington state.
"The main goal of this summer's C-17 airdrop is proof of concept. Before, all airdrops in the C-141, LC130 and older aircraft at the pole were computed by the navigator. He would figure out a sight angle, he knew his ground speed and the ballistics of the cargo and chute. When the drop zone (DZ) crossed his sight angle (navigators had many techniques on sight angle, one was drawing a grease pencil line across the front windscreen) he would start a stop watch for a given number of seconds and would count down and call green light, the co-pilot would then release the load for the drop. This is a very low tech delivery method , not very accurate but very reliable if you could see the DZ. The C-17 has done away with the navigator and flight engineer and replaced them with computers. These are far more accurate, and in normal conditions some what reliable. But as all of you know the South Pole is not a normal place and the Air Force and Boeing would like to know a drop will work near the pole when the plane is flying in grid mode. The pilots have run the profile in the simulator with mixed results and Boeing 'thinks it should work just fine'. Boeing has installed a special data collection computer on the C17; we will be using the data to help with any future software upgrade for polar operation which might be needed.
"The type of delivery method we will use on this drop is called a heavy equipment drop. We will be dropping 4 ea-16 foot platforms weighing between 16,625-17,765 pounds for a total weight of 68,500 pounds. This type of system can drop road graders, fuel bladders or other large equipment that needs a softer landing. This system employs a drogue chute, then an extraction package that will pull the cargo out of the aircraft, then deploy the main chutes (1 to 8 main chutes depending on the weight). After the load lands, the main chutes will release so the cargo is not dragged by any wind. The type of drop we use to deliver food, fuel barrels or supplies that can hit the ground a little harder is called a container delivery system (CDS). This load, when released, will simply roll out the back and the chutes will deploy from a static line just like a paratrooper.
"There are very few options for relief for the folks who winter over. We want to make sure airdrop is a viable and safe option before it's needed in an emergency."
Here's the cargo being prepared in Christchurch.
The food you see here is mostly baking items.
...a C-17 Globemaster III, same one used to ferry folks from ChCh to MacTown. Note that the aircraft used to drop cargo to the original station in the 1955-61 era was the C-124 Globemaster.
The aircraft first did a dry run, then circled back and made the drop approach about 10 minutes later. The ramp opened and a drogue chute appeared, this pulled the first pallet out. The others followed in quick succession. Afterward, the C-17 circled again and did a photo-op flyby down the skiway.
Now the work begins...all the chutes and rigging have to be gathered up quickly and sent back up north. A crew of specialized riggers from the NZ Army came to assist with this.
Here's more flour for the cargo folks to bring into the dome.
Well-wishes from the Air Force.
But there's more...from the vantage point of the aircraft, here's a video of the drop from start to finish (southpoleairdrop.mpg) (6MB, broadband connection recommended).
All of the Pole photos above were taken by Forest Banks, the Pole panorama is one of his favorites. The Christchurch photos and video were provided to the station by the Air Force team. Thanks also to Liesl Shernthanner and Glenn Grant.


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OUTSPOKEN ACTRESS -- Interview with Colleen Dewhurst
In the 1950s, they called her the princess of Off-Broadway, because she first made her name working with Jose Quintero at Circle in the Square and playing Shakespeare in Central Park for Joseph Papp. In the 1970s, she became the matriarch of Broadway through her commanding performances as Martha in Edward Albee's revival of Who's Afraid of Virginia Woolf? And Josie in Eugene O'Neill's A Moon for the Misbegotten, among others. By now Colleen Dewhurst has extended the boundaries of her sovereignty to encompass all of the American theater. She recently succeeded Ellen Burstyn as the national president of Actors' Equity Association. She has lent her name, her presence, and her support to numerous political causes ranging from Performing Artists for Nuclear Disarmament to the gay civil rights bill in New York to the International Committee for Human Rights. And this month she makes her debut with the recently inaugurated American National Theater at the Kennedy Center playing Madame Arkadina in Chekhov's A Seagull, as it is titled in a new translation staged by Peter Sellars, the company's wunderkind artistic director.
"As I said when Jason Robards was here with The Iceman Cometh, part of our job is seeing to it that the royalty of the American stage will appear in the best plays," says Sellars. "These days, you usually see the royalty of the American stage in made-for-TV movies. An actress of Miss Dewhurst's stature should be taking the big roles."
Although Colleen Dewhurst is no stranger to the classics, Chekhov is relatively new territory for her. She once appeared in The Cherry Orchard at the Williamstown Theater Festival. "It was a disaster," she says, displaying the gravelly voice and the glinting Irish eyes that more than 30 years in show business have made so familiar. "I've tried to black out the whole experience." And she second-acted an off-Broadway production of The Seagull "a hundred years ago" to see Montgomery Clift in the role of Treplev. But for the most part she has brought a fresh perspective to A Seagull, along with enthusiasm and a lot of questions.
"The reason I am excited about this is that everybody has a different vision of this play and this character," says Dewhurst. "This is really up for grabs." Arkadina, the character she plays in A Seagull, is a famous actress who is summering on her retired brother's estate and who becomes embroiled in artistic and romantic rivalries involving her lover, a successful novelist, her son, an experimental playwright, and his girlfriend, an aspiring actress. In approaching her character, Dewhurst says, "You have to think about a lot of things. Is she a good actress? Or is she just a good actress? Is she charismatic and therefore threatened by age? Do we have a woman who could have been different in some way, or is she a woman who's just fine as she is? What is her Achilles' heel? I find it interesting that her husband, the father of her child, is never dealt with in any sense, not by name, not by casual reference – you don't know whether he's dead or alive. Those are the things you begin to sift."
The strong, earth-mother persona that Dewhurst most often projects contrasts sharply with the usual presentation of Arkadina as a pampered, temperamental grande dame. In particular, Dewhurst's political activism makes her a very different sort of public figure from the more self-involved Arkadina. "It probably started with my being astounded that anyone thought it would help if you came out in favor of something you thought was appalling," she says. "There's always this debate – should actors speak out? The intimation is that your brain is not too big, and actors are not thought of as intellectual. But I was lucky in that I started Off-Broadway with Joe Papp and with Jose. I became conscious of things happening around me and that I was not in the business of self-aggrandizement, even though it sometimes seems that it's all about how many pictures of yourself you can get in the paper."
But it was exactly because of her earthy forcefulness that Sellars made Dewhurst the cornerstone of a cast that also includes Henderson Forsythe as Sorin, Kelly McGillis (who co-starred with Harrison Ford in Witness) as Nina, and the titanic avant-garde actress Priscilla Smith as Masha. "These people are always played as vain and trivial, which is not enough," says Sellars. "Nobody in this play is stupid. And the main thing about Colleen Dewhurst as an actress is that she does no funny business, nothing vague. She goes right for the heart of something and nails it. So instead of being this dumb piece of frippery, you see her as a dangerous, lonely, tormented woman."
"Dangerous" is also the word Dewhurst uses most often to describe Sellars, whom she spoke to first on the phone and later met when they were both on a panel of artists in Washington. While noting that "this young boy could be my son," she found the director "very impressive. From talking to Peter, I immediately assumed it was not going to be your ordinary approach to Mr. Chekhov. The intellect is amazing, extraordinary, and of course the humor is what I like. If I can't laugh, I may as well go home again."
There are very few good directors in today's theater, Dewhurst opines. "The ones you meet that you adore, you never want to let go of. You realize that's ridiculous, but you're always looking for someone who keeps beckoning you, taking you somewhere you always felt you could go but maybe stopped short. When you act, there are things you're known for, adjectives they will always use for you, which may be complimentary but also begin to bore you. If you don't have a good director, they will accept what you're giving them as the best that you have. Someone else will not accept it, and that's what you're looking for. You're looking to stretch."
Born in Montreal and raised in Milwaukee, Dewhurst got her first training at the American Academy of Dramatic Arts in new York, and she learned her profession touring in stock with Edward Everett Horton and playing a bit part in Tyrone Guthrie's Tamburlaine long before starring on Broadway opposite Jason Robards and George C. Scott. But the actress confesses that she doesn't have a recipe for acting. "I use words like 'approach' and 'motivation,' but probably the truest word to use is 'intuition,'" she says. "I mean, I want to say how hard I study and all of that, and I do study, but I think when we were in our twenties we talked so much about acting that it bored me ever to open my mouth about it again. We were the group that grew up in the heavy Method, and we could talk and analyze everything to death. Unfortunately, we weren't always able to do it. Harold Clurman used to say the trouble with us was that we always wanted to make everything so difficult. 'If it's easy, just leave it alone,' he said once. 'You'll get to the hard part soon enough.'"
Stagebill, December 1985


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Beanstalk Data Hires New CMO
Growth Fuels Executive Hire at Big Data Start-Up
Beanstalk Data
May 23, 2013, 09:00 ET
CHARLOTTE, N.C., May 23, 2013 /PRNewswire/ -- Beanstalk Data has recently expanded its executive team by adding Michael Scully as Chief Marketing Officer. This move comes as the company has also relocated into new office space, expanding to meet the needs of its growing client base.
(Photo: http://photos.prnewswire.com/prnh/20130523/CL19779LOGO)
Scully was formerly the managing director for 2ergo Americas, a global mobile marketing firm, and prior to that, held leadership roles at Nokia and Virgin Mobile USA. He has a proven track record of driving significant growth for emerging businesses and a great deal of experience in the highly specialized field of mobile marketing.
Beanstalk Data specializes in big data marketing solutions that deliver customer relationship management (CRM), advanced analytics, and marketing automation at scale for consumer-centric organizations. Organizations utilizing Beanstalk Data's platform are able to surface actionable insights within massive data sets to improve acquisition and loyalty metrics.
"Methods for efficiently processing 'big data' are still relatively new, and we've just begun to scratch the surface of the applications for lifecycle marketing," said Scully. "The opportunity is tremendous."
Scott Nowokunski, CEO of Beanstalk Data, said, "Michael's passion for building great teams and standout products is a great fit for us as we grow as a business. His skills and experience will give us an edge as we fulfill our mission to improve marketing through data science and technology."
Scully holds a B.S. from the University of Central Florida in management information systems, and an M.B.A. from the Yale School of Management with concentrations in both marketing and strategy.
Beanstalk Data was founded in 2009, and its clients include Taco Bell, Fiesta Restaurant Group, and Okuma America. As a hub for financial services, healthcare services, energy, and retail industries, all of which generate massive amounts of data, Charlotte is well positioned for innovation in big data analytics. For more information, visit www.beanstalkdata.com.
Contact: Michael Scully
SOURCE Beanstalk Data


Ugbrooke House is the 'site of the week' for Capability Brown Festival!
Ugbrooke Park is the 'site of the week' for Capability Brown Festival!
Ugbrooke House is the "Site of the Week" for the Capability Brown 300th anniversary festival.
Ugbrooke House is the southernmost Landscape that Lancelot 'Capability' Brown designed and worked on. We are very proud and lucky to be able to wake up every morning and look out of the bedroom window to Dartmoor over the parkland and lake landscaped by the great man himself.
Growing up at Ugbrooke it has always been obvious that such a beautiful place has to be shared and as such we are the festivals Hub for the Southwest.
For more information on Capability Brown, visit the website here!
Agatha Christie and The Mysterious Affair at…Ugbrooke House!


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Peak District, England
The Peak District covers areas of Staffordshire, Cheshire, Derbyshire and Yorkshire and became Britain's first national park in 1951. Also, the fact that it is well frequented is only partly due to its proximity to places such as Manchester, Sheffield and Derby. It also contains some stunning scenery, some of which you are about to see, and is a haven for hill walkers. The photos that you find here come from every county in the list apart from Yorkshire, though there is the Pennine Way album for that too. 2013 saw me attend to addressing what felt like and undeserved neglect of the area and the album contains only digital photos now that I want to display larger photos than before. Just click on a thumbnail above to see how the larger ones look now. Naturally, this remains a work in progress so there may more improvements here yet.
City of Cork, Éire
City of Dublin, Éire
Kerry Countryside & Coast, Éire
Limerick City & County, Éire
West Cork, Éire
Castles of North Wales
Hills of Snowdonia
Rural England
Eastern Cheshire
Lake District, Cumbria
Urban England
Harrogate & Knaresborough
Isle of Arran
North Argyll
Southern Uplands & Borders
Pennine Way, England & Scotland
West Highland Way, Scotland
European Alps


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