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Lake Superior (courtesy of Willard Clay)
Adventure Water Sports
Fly-Fish Michigan
Ryan Krogh , Sam Moulton , Stephanie Pearson
In Michigan, you're never more than 90 miles from a Great Lake, which is the reason, I suppose, it's nicknamed the Great Lakes State. By those standards, it should also be dubbed the Unbelievably Sick Trout-Water State. The Au Sable, the "Big" and Little Manistee, the Muskegon—there are quality rivers everywhere. But there are also anglers. Avoid combat fishing by hitting the Jordan River, in the northwestern part of the state. It's small water, but the browns grow to impressive size (20-plus inches), and the brookies will go for any beat-up dry fly hanging from your cap. (Grab flies and licenses at the Northern Angler, in Traverse City; 231-933-4730.) Some of the best water is near Graves Crossing, outside Elmira. Just string your rod and fish below the bridge. Grab dinner at Terry's Place, in Charlevoix (terrysofcharlevoix.com). It's stuffy for waders, but the sauteed perch—hey, it's the Great Lakes State, after all—is damn good. Beforehand, shower up at the Weathervane Terrace Inn (doubles, $120; weathervane-chx.com).
Dive Thunder Bay
Sailing in Thunder Bay
Lake Superior's notoriously fickle weather, plus a few centuries' worth of shoddy navigation, have turned Thunder Bay into a graveyard for schooners, yachts, and even a Confederate blockade runner. As a result, it's a diver's paradise. Wally Peterson, owner of Wally's Thunder Country Diving (thundercountrydiving.com), has been diving here since 1976 and can serve up coordinates for everything from shallow wood wrecks for intermediate divers to deep, technical dives like the Gunilda, a yacht that sank three miles offshore in 1911 and is still remarkably well preserved. (Thirty-eight-degree water can embalm anything.) Peterson offers diving-certification lessons and guided day trips on Superior (lesson, US$340; trips from US$90). Crash at the Dockside Bed and Breakfast, a restored 38-foot Downeaster docked in Thunder Bay Marine Park (doubles, US$118; sailsuperior.com). Ask nicely and captain Gregory Heroux will take the inn for an evening sail.
Minnesota Multisport
Boundary Waters Canoe Area
Minnesota may have 10,000 lakes, but it's 1,000 miles from the nearest coast. Luckily, there's Lake Superior's North Shore, an area featuring jagged peaks, short, powerful rivers, and access to a 31,000-square-mile freshwater ocean. Bring every piece of gear you own to Tettegouche State Park, 60 miles northeast of Duluth. In a hiking mood? Lace up your boots for a seven-mile round-trip trek to Palisade Valley Overlook (trail information available at the park's ranger station; 218-226-6365). Looking to climb? Break out the ropes and 'biners on Palisade Head, a headland rising 200 feet above Lake Superior; there are dozens of 5.10-plus routes up the cliffs. Kayaking? Got that too. Rent a boat from Sawtooth Outfitters, in nearby Tofte ($50 per day; sawtoothoutfitters.com), and paddle five miles from the marina at Silver Bay past Palisade Head to the mouth of the Baptism River. When you've had your fill, the 47 lakefront rooms at Cove Point Lodge (doubles, $128; covepointlodge.com), in Beaver Bay, are a good place to recover.
ODE: Huge Statues
In no other part of the country do the World's Largest Paul Bunyan statues, giant musky statues, and six-pack-of-beer statues proliferate the way they do in the Great Lakes region. They are beacons born out of the Field of Dreams presumption: Build it large enough, and close enough to the road, and someone just might come. They reside in out-of-the-way towns like Pequot Lakes, Minnesota (fishing bobber), Ishpeming, Michigan (chain saw), and Mercer, Wisconsin (loon). They're protected as historic landmarks and adopted as symbols of community spirit. But that's not why I love them. I love them because they make me picture the eureka moment down at the pub in Vining, Minnesota, when someone said, "You know what this town really needs? A giant square knot," and then set to it. —Ryan Krogh
Mountain-Bike Wisconsin
Scenic Ridge Campground on Whitewater Lake (courtesy of Scenic Ridge Campground)
Does it bother me that some of my friends think it's schmaltzy? Or that the greatest song about an American shipwreck was actually written by a Canadian? Or that I can't name one other song by Gordon Lightfoot? No, uh-uh, and nope. Nothing bothers me about the song except its length. It's six and a half minutes long. I wish it were 12. When I listen to it (which is often, in the car, alone), I want to stand defiantly in the face of a raging storm on some rocky outcropping. I want to grow a mustache. Or, because I look terrible with a mustache, round up all my buddies from Wisconsin, head out to one of the warm and welcoming bars that dot the Northwoods, and get schnockered. –SAM MOULTON
My home state is pretty flat. Except where it isn't. Like in Kettle Moraine State Forest, which, thanks to a 10,000-year-old glacial grudge match, is downright hilly. I grew up cycling in the state forest's Northern Unit, but the Southern Unit, with more than 30 miles of mostly singletrack, is the best place for knobby tires. My favorite ride: "Blue," a ten-mile singletrack loop with just enough switchbacks and rock gardens to keep things interesting. Like all of the trails here, it's hard-packed and fast—and popular. But while these trails do see heavy use, they're also in great shape, thanks to meticulous upkeep. Backyard Bikes and Ski, in LaGrange, Wisconsin, 1.5 miles from the main trailhead, rents single-speeds, 29ers, and full-suspension rigs (from $30 per day; backyardbikes.com). Rent a cottage at Scenic Ridge Campground, on nearby Whitewater Lake (from $120; scenicridgecampground.com).
Sail Georgian Bay
Sailing on Georgian Bay
There's a reason yachties flock to Lake Huron's Georgian Bay: It's considered the best cruising water in the world after the Caribbean and the Mediterranean, thanks to 30,000 islands, consistent wind, and deserted beaches. Hikers flock to Killarney Provincial Park's La Cloche Mountains in the same spirit: The three-billion-year-old range offers undulating hiking through pine forests that rise out of red granite. Straddling these two geographic superlatives is Killarney Mountain Lodge, a classic fifties-era resort. Sign up for the property's guided day trip to 1,800-foot Silver Peak, which includes a boat ride, canoe paddle, and trek to the highest point in the La Cloche range. Sailors: Book a day on the Stormy Night, a 46-foot sailboat docked at the lodge. The trip includes a stop on a remote island for a swim. The 46-bedroom lodge offers two-person cabins and hotel-style rooms. Go with a cabin (from US$150; hiking and sailboat day trips, $90 per person; killarney.com).
Canoe Algonquin Provincial Park
Algonquin Park (courtesy of Yamada Taro Digital Visions)
It would take a lifetime to explore Ontario's Algonquin Provincial Park—the area, three hours north of Toronto, has 1,500 lakes and nearly two million acres of forest. But since you don't have that kind of time, head directly for the park's remote western portion. The easy way to explore: Let Algonquin Outfitters design a guided canoeing-and-hiking trip based on your preferences (US$75 per person per day, plus a $200 daily guide fee; algonquinoutfitters.com). The more interesting method: Score an entry permit through the park's Web site for access point 3, on Algonquin's western edge (US$11; ontarioparks.com), and paddle and portage eight miles to Little Trout Lake. Pick one of the lake's two islands, throw up your tent, and go Tom Sawyer underneath towering white pines. Algonquin Outfitters will set you up with a canoe rental, plus food and all the requisite camping gear (from $65 per person per day).
Paddle Pukaskwa
Rock Island Lodge (courtesy of Naturally Superior Adventures)
With sandy beaches and sheltered coves, the Apostle Islands National Lakeshore, on Lake Superior's southwest shore, is a welcoming place to launch a sea kayak. The opposite side of the lake? Not so much, especially the coastline of Canada's Pukaskwa National Park. It's just as pretty but far more rugged, meaning it's harder to find a friendly beach if you get in trouble. Only a handful of kayakers paddle under its steep cliffs every summer, and there isn't a single road for the entire length of the park's 50-mile coastline. In other words, it's one of the wildest places to paddle in North America. You'll want to savor it, like Naturally Superior Adventures' guided eight-day trip does (US$1,560; naturallysuperior.com). Because the trip averages a relaxed nine miles per day, there's plenty of time to poke around. Which is a good thing: From red-and-orange-striped basalt formations to woodland caribou on Otter Island, there's a lot to see. Start and end your trip at NSA's Rock Island Lodge (from $95; rockislandlodge.ca), near Wawa, Ontario. It's the only hotel in the area with rooms overlooking the lake.
Denali National Park and Preserve
Lead Photo: courtesy of Willard Clay
In 'Welcome to Earth,' Will Smith Conquers His Adventure Anxiety
By: Erin Berger
Seasonal Guides Are Speaking Up About the Stresses of the Job
By: Kitty Galloway
Come Test Gear in Alaska with Outside Editor in Chief Christoper Keyes
By: The Editors


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The Story Tree: Imagination of former teacher brings quality time through storytelling
Skylar Rispens
Great Falls Tribune
Stacey Bergquist spent decades known as Mr. Bergquist or "Mr. B" in theater classrooms. Now, nearly a decade into his retirement, he has conjured up a new identity as S. A. Bergquist, a published author.
Bergquist's book, "The Story Tree: Year One," is about a grandfather and grandson exploring the nature of western Montana by sharing stories about the creatures they encounter.
But the book is far more personal for Bergquist. The adventures described in the book are actually stories he has shared with his children and grandchildren for decades at the story tree located at his family's cabin. The books are sectioned into three parts, spring, summer and fall. Each story is based on what they experience in the wilderness with Bergquist's creativity and imagination mixed in.
"I hope they (the readers) get an experience of quality time with somebody they love," said Bergquist. "What I hope that they get out of it is to experience a little bit of nature through the storytelling and telling the story to their daughter, their son, their grandkids."
The size of the book was intentional, he explained that it is designed to be held in one hand and the reader's other arm is meant to be around a grandchild or a loved one, a setting similar to how Bergquist's stories originated.
"At the end of the day when we have dinner and we're sitting around the fire, I ask them to put their stone by the tree, then I freewheel a story based on something we saw that day," explained Bergquist about his storytelling tradition.
The family cabin clearly holds a special place in Bergquist's heart. Nestled in the mountains of western Montana, the remote cabin provides him an escape from the busyness of the modern world and nature becomes the center of his world.
"It's a magical place, it's absolutely wonderful," said Bergquist. "As soon as you drive out of the flats of Great Falls, and you're heading to the mountains to the west, you know you're going someplace cool."
His ideas for the book began about 35 years ago at the cabin with his children. At the time, he said he was too busy raising children and with his teaching career to write any of the stories down. After he retired from C. M. Russell High School after working 23 years as a theater teacher, he began writing the stories down following the encouragement from family members.
Originally, Bergquist planned on taking six months off after retiring and then auditioning for a professional theater company in Seattle to continue pursuing his passion.
"It suddenly occurred to me that I had spent 42 years sitting in small and closed dark places memorizing lines, directing plays, learning blocking, taking care of technical problems, so I suddenly realized I was done," said Bergquist.
Through Bergquist's experiences in theater, he developed a love of oral storytelling. After spending years adapting stories into plays for his students to perform, he took those skills and infused them into "The Story Tree" series.
"I didn't know for sure if I could translate the oral storytelling tradition into the written form but then I found a way that I think works for me and I hope it works for other people," said Bergquist.
According to Bergquist, he begins collecting his thoughts for his books by jotting down ideas on sticky-notes. But after 35 years of stories, sometimes he struggles to remember all of the details – so he calls in reinforcements.
About eight months ago, Bergquist was working on a story titled 'The Deep Dark Pool,' but he had forgotten chunks of the story. He called in his grandson Dylan to jog his memory.
"It was so cool because that's his favorite story," said Bergquist. "I just started taking notes and asking 'then what happened?'"
"I mean, for me, it's been the perfect thing to do for my grandchildren," continued Bergquist.
Last year, Bergquist learned about the Get It Factory publishing house of Great Falls, a business started by Ryan and Becky Acra. He set up a meeting with the Get It Factory and presented them with a story. Like J. K. Rowling, author of the Harry Potter series, he shared the final story of the series with Becky and Ryan.
More:Mansch On Montana: New Great Falls publishing business specializes in hopes and dreams
"I'd already written the last story in the last book and as I was telling that story to Brian and Becky I thought I made an impact on them which was pretty cool," said Bergquist. "I went home and they called back the next day and Ryan said 'it's a goal, we want to do the story, you made my wife cry.'"
Bergquist is on contract with the publishing house to write two more books for the series. The first book is centered around the adventures of Bergquist and his oldest grandson, Dylan. The second book will focus on his other grandson, while the third book will be about his granddaughter. The detailed illustrations, by Jamie Carrier of Fort Benton, provide a glimpse into the world surrounding his cabin. Bergquist is also working on stand-alone books based in the same setting to accompany the series. He said that digital and audio versions of the book are currently in the works.
Since his book's release last month, Bergquist has done author signings and live readings. According to Bergquist, his book has had to be restocked numerous times at Cassiopeia Books in Great Falls, Barnes and Noble as well as Amazon. He has even seen it listed internationally in Toronto, Vancouver, Sydney and London.
For Bergquist, it's been an exciting experience to record his stories and share them with the world.
"This is such a totally different thing than I ever experienced with theater because theater is an ephemeral art. You know, theater exists here and now in this moment and then it's gone, you never get to have that again – other than a memory," explained Bergquist.
"But in this particular case, you know, I'm thinking about Shakespeare. He died 400 years ago...but he's still very much alive because his works are being done," continued Bergquist. "There's going to come a point in time where winter happens in the story and it's really cool to think that this is going to be around after me."
Skylar Rispens is a reporter for the Great Falls Tribune. To contact her with comments or story ideas please email her at srispens@greatfallstribune.com.
Follow her on Twitter @skylar_rispens or on Facebook at Skylar Rispens

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Mychael Danna (born September 20, 1958) is a Canadian composer of film and television scores.He won both the Golden Globe and Oscar for Best Original Score for Life of Pi.He has also won an Emmy Award for Outstanding Music Composition for a Miniseries, Movie or a Special (Original Dramatic Score) in his work on the miniseries World Without End
Mychael Danna - Wikipedia
https://en.wikipedia.org/wiki/Mychael_Danna
Mychael Danna Music - Video Results
♥ Pi's Lullaby Official Music Video Life Of Pi ♫ feat Mychael Danna & Bombay Jayashri ♥
The Blood of Cu Chulainn (Official Music Video) | Jeff Danna & Mychael Danna
♥ Pi's Lullaby Official Music Video Life Of Pi ♫ feat Mychael Danna & Bombay Jayashri ♥ YouTube
THE WILD SONG: music by Benjamin Britten and Mychael Danna.
More Mychael Danna Music videos
www.mychaeldanna.com
Mychael Danna is an Academy Award-winning film composer recognized for his evocative blending of non-western traditions with orchestral and electronic music. His works include the Oscar and Golden Globe-winning score for Ang Lee's Life of Pi, following his collaborations with Lee on The Ice Storm (1997) and Ride with the Devil (1999).
Mychael will be traveling to Mumbai this October . to serve...
Mychael is represented by: Fortress Talent Management 23632...
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Mychael Danna on Amazon Music
www.amazon.com/Mychael-Danna/e/B000APJF5Q
Check out Mychael Danna on Amazon Music. Stream ad-free or purchase CD's and MP3s now on Amazon.
Mychael Danna music, videos, stats, and photos | Last.fm
www.last.fm/music/Mychael+Danna
Born In Winnipeg, Winnipeg Capital Region, Manitoba, Canada Mychael Danna (born September 20, 1958) is a Canadian film composer. Danna has been scoring films since his 1987 feature debut for Atom Egoyan's Family Viewing, a score which earned Danna the first of his eleven Canadian Film Award nominations.
See full list on last.fm
en.wikipedia.org/wiki/Mychael_Danna
Mychael Danna | Album Discography | AllMusic
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Find Mychael Danna discography, albums and singles on AllMusic
Mychael Danna | Biography, Albums, Streaming Links | AllMusic
www.allmusic.com/artist/mychael-danna-mn0000936521
Find Mychael Danna bio, music, credits, awards, & streaming links on AllMusic - Oscar-winning composer of Life of Pi whose…
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Mychael Danna on Apple Music
music.apple.com/in/artist/mychael-danna/1046523
Composer/keyboardist Mychael Danna released a handful of ambient neo-classical albums early in his career, including 1991's Sirens, while embarking on what would become a long, award-winning career in film and TV scoring.
Moneyball (Original Motion Picture Soundtrack) by Mychael Danna
music.apple.com/us/album/moneyball-original...
Sep 20, 2011 · Listen to Moneyball (Original Motion Picture Soundtrack) by Mychael Danna on Apple Music. Stream songs including "One Out Away", "A Little Bit of Faith" and more.
On the Basis of Sex (Original Motion Picture ... - Apple Music
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Dec 14, 2018 · Listen to On the Basis of Sex (Original Motion Picture Soundtrack) by Mychael Danna on Apple Music. Stream songs including "A Harvard Man", "The Times Have Already Changed" and more.
Ride With the Devil (Music from the Motion Picture) by ...
music.apple.com/us/album/ride-with-the-devil...
Preview, buy, and download songs from the album Ride With the Devil (Music from the Motion Picture), including "Opening Credits," "Miss McLeod's Reel," "Jayhawkers and Bushwackers," and many more. Buy the album for $11.99. Songs start at $1.29.
Released on: November 26, 1999
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Canadian composer
Oscar-winning composer of Life of Pi whose recurring collaborators include brother Jeff Danna and film directors Atom Egoyan and Ang Lee. en.wikipedia.org
Born: September 20, 1958 (age 62), Winnipeg
Spouse: Aparna
Children: Arjun Danna, Keshav Danna
Active from: 1996
Jeff Danna
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Varshadhaare
Source: MOVIEBUZZ
By: By Moviebuzz
Critic's Rating: 3/5
Vemgal Jagannath Rao
Mithun Tejaswi, Payal Ghosh, Sooraj, Sangeetha Shetty
Director Vemgal Jagannath Rao, known for his horror flicks, has come up with a psychological thriller in Varshadhaare. His previous film www.bhaya.com was a disaster. This one does not offer anything new, as there are innumerable films made on the life of a split personality.
The film revolves around a girl (Payal Ghosh) married to a weird character. The husband (Mithun Tejaswi) is unwilling to consummate the marriage and it often leads to discord between the two. A confused Payal becomes a split personality unable to control her behavior.
There are other aspects to the film like a team that is developing trend-setting software. But the team members are murdered by an unknown person. There is a villain (Sooraj) who has sinister motives. The female protagonist is caught amidst this chaos and she has to save her marriage.
The story is not only confusing but meanders unnecessarily into new territories that add no value to the movie. Some thrilling scenes have been added to the movie. But they appear to be out of context. Then, there is the use of graphics. Again, it looks unrelated to the script. Towards the end of the movie, the audience is sure to be left wondering about the entire film.
The only saving grace of the movie is Payal Ghosh, who makes a debut in Sandalwood. The Bengali actress? performance is neat. Mithun, who has acted in a few films as a lead, is ok. None of the other artistes? performance is convincing.
Music by Ajaneesh Lokanath is pathetic. Most of the tracks are not worth recalling. Besides, the background score for a thriller is disappointing. A highlight of the movie is the serene locations of the songs.
Verdict: Below Average
Keshu Ee Veedinte Naadhan
Time pass comedy entertainer
Plan Panni Pannanum
Average comedy entertainer
Velan
Decent rural family entertainer
Soubin Shahir and Mamta Mohandas shine in this conventional film
#Bollywood trends in January 2022
#Throwback Thursday: January-March 2022
Keerthy Suresh signs Udayanidhi Stalin's film
Raashii Khanna commences shooting for 'Yodha'


habitissimo.com.br is 8 years 5 months old. It has a traffic rank of #70,876 in the world by Alexa, which is the measure of a website's popularity. The domain name has a .com.br top-level-domain extension. It has a 3 PageRank from 10 by Google, a website with a higher PageRank is deemed more important and is more likely. This website is worth $ 117,360.00 that it is estimated with our system and have a around $ 163.00 income a day. habitissimo.com.br is safe to browse, and has no risk issues.
O Habitissimo é o guia fácil onde você encontrará informações detalhadas, orçamentos e opiniões de profissionais, empresas e marcas de arquitetura, decoração de interiores, obras e reformas.
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Q: Wretch addon modules not found for import in React app on Node 14.15.1 We have a React app running on node 14.15.1 and I'm in the process of upgrading dependencies. I've upgraded the wretch (https://github.com/elbywan/wretch) dependency to wretch@2 which requires import of it's addon modules, e.g import QueryStringAddon from 'wretch/addons/queryString' however my app now no longer compiles with the following error:
Module not found: Can't resolve 'wretch/addons/queryString' in 'C:\Users\path\to\my\component'

I'm using VSCode and it recognizes the module import including giving tooltip support, and I've confirmed the files are in the expected node_modules folder. Additionally if I change my import to a relative import into node_modules from my current file (e.g. import QueryStringAddon from '../../../node_modules/wretch/dist/addons/queryString') then that does compile.
I'm looking for a diagnosis of why my import is not successful, and what I can do to import the addons successfully.
Edit #1:
I believe the underlying issue is having a / in the path I'm importing from as after further investigation I don't believe we have any other imports of the form module/sub_module and doing import { queryStringAddon } from 'wretch/addons' similarly fails.
Edit #2:
I've now run the app starting up with the traceResolution option set to true in my tsconfig.json, it resulted in the following relevant section of the output:
======== Resolving module 'wretch/addons' from 'C:/Users/jake/path/to/my-app/src/components/ApiResource/index.tsx'. ========
Explicitly specified module resolution kind: 'NodeJs'.
Loading module 'wretch/addons' from 'node_modules' folder, target file type 'TypeScript'.
Directory 'C:/Users/jake/path/to/my-app/src/components/ApiResource/node_modules' does not exist, skipping all lookups in it.
Directory 'C:/Users/jake/path/to/my-app/src/components/node_modules' does not exist, skipping all lookups in it.
Directory 'C:/Users/jake/path/to/my-app/src/node_modules' does not exist, skipping all lookups in it.
Found 'package.json' at 'C:/Users/jake/path/to/my-app/node_modules/wretch/package.json'.
'package.json' has a 'typesVersions' field with version-specific path mappings.
'package.json' has a 'typesVersions' entry '*' that matches compiler version '3.8.3', looking for a pattern to match module name 'addons'.
Module name 'addons', matched pattern '*'.
Trying substitution 'dist/*', candidate module location: 'dist/addons'.
File 'C:/Users/jake/path/to/my-app/node_modules/wretch/dist/addons.ts' does not exist.
File 'C:/Users/jake/path/to/my-app/node_modules/wretch/dist/addons.tsx' does not exist.
File 'C:/Users/jake/path/to/my-app/node_modules/wretch/dist/addons.d.ts' does not exist.
'package.json' does not have a 'typings' field.
'package.json' has 'types' field './dist/index.d.ts' that references 'C:/Users/jake/path/to/my-app/node_modules/wretch/dist/addons/dist/index.d.ts'.
'package.json' has a 'typesVersions' entry '*' that matches compiler version '3.8.3', looking for a pattern to match module name 'dist/index.d.ts'.
Module name 'dist/index.d.ts', matched pattern '*'.
Trying substitution 'dist/*', candidate module location: 'dist/dist/index.d.ts'.
Loading module as file / folder, candidate module location 'C:/Users/jake/path/to/my-app/node_modules/wretch/dist/addons/dist/dist/index.d.ts', target file type 'TypeScript'.
Trying substitution 'dist/*/index.d.ts', candidate module location: 'dist/dist/index.d.ts/index.d.ts'.
Loading module as file / folder, candidate module location 'C:/Users/jake/path/to/my-app/node_modules/wretch/dist/addons/dist/dist/index.d.ts/index.d.ts', target file type 'TypeScript'.
Trying substitution 'dist/index.d.ts', candidate module location: 'dist/index.d.ts'.
Loading module as file / folder, candidate module location 'C:/Users/jake/path/to/my-app/node_modules/wretch/dist/addons/dist/index.d.ts', target file type 'TypeScript'.
Trying substitution 'dist/*/index.d.ts', candidate module location: 'dist/addons/index.d.ts'.
File 'C:/Users/jake/path/to/my-app/node_modules/wretch/dist/addons/index.d.ts' exist - use it as a name resolution result.
Resolving real path for 'C:/Users/jake/path/to/my-app/node_modules/wretch/dist/addons/index.d.ts', result 'C:/Users/jake/path/to/my-app/node_modules/wretch/dist/addons/index.d.ts'.
======== Module name 'wretch/addons' was successfully resolved to 'C:/Users/jake/path/to/my-app/node_modules/wretch/dist/addons/index.d.ts'. ========

So from that it looks like typescript is able to resolve it, but it's not being found when it's running.

A: I think this is related to the fact that wretch v2 uses the exports fields in its package.json. The exports field is supported starting from react-scripts v5 (which uses webpack 5). So you can either upgrade react-scripts or change your import to the real path import QueryStringAddon from "wretch/dist/addons/queryString";

A: You can specify in webpack.config:
alias: {
  "wretch": "wretch/dist"
}

In such case import from 'wretch/addons/queryString' will work correctly both for runtime and typings.

redpajama_set_name: RedPajamaStackExchange


text:
Model, who is suing Tory Lanez, says he was forced into a settlement
Home/Sports/WSU to face off against de Laura, Wildcats this Saturday
WSU to face off against de Laura, Wildcats this Saturday
Saturday will be a matchup with a known opponent. The Cougs out and about in Arizona, led by former WSU quarterback Jaden de Laura.
PULLMAN, Wash. — Washington State hit the magic number of six wins on Saturday, beating Arizona State 28-18 for its second straight win and earning bowl eligibility.
The offense has come back to life after scoring 80 points in the last two games. This is thanks in large part to the return of a healthy Nakia Watson. Watson has rushed for 282 yards and four touchdowns in his last two games against Stanford and ASU.
"The confidence when he has the ball and how he changed the look of what we wanted was really impressive," said Washington State head coach Jake Dickert.
"This is the 18th bowl game in US football history. We've been playing for over 100 years," Dickert said. "Any time our people don't see that as a great achievement, we're doing something wrong."
Next, a matchup with a known opponent. The Cougs will visit Arizona, which is led by former WSU quarterback Jaden de Laura.
en Laura didn't mince words when asked if he should play against his former team.
"This game is personal. It's personal," de Laura said after Arizona's disgruntled 34-28 win over No. 12 UCLA.
"I don't believe in external motivators very much. There's going to be great storylines for everyone in the next two weeks, okay, but Washington State Football as a program, we're focused on what we have to do," Dickert said. "You know, did you circle that game coach? No, I circle every game. Our team circles every game. We don't play against an individual. We're playing against a team from Arizona who have improved a lot."
If this game wasn't already making headlines, former WSU head coach Nick Rolovich, who recently filed a lawsuit against Washington State University over his cancellation of the COVID-19 vaccination, tweeted the Arizona football account, asking if it tickets are still available.
Is the game sold out? @ArizonaFBall? Ask for a friend. https://t.co/ngX34G4vKE
— Nick Rolovich (@NickRolovich) November 14, 2022
Maybe Rolovich will be spotted in Tucson.
Washington State in Arizona will kick off at 11 a.m. Saturday. This game can be viewed on the Pac-12 network.
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https://www.king5.com/article/sports/ncaa/ncaaf/cougars/wsu-preparing-former-quarterback-de-lauras-arizona-wildcats/293-392b14d0-5dc8-42b4-89ea-0d8a673f6c17 WSU to face off against de Laura, Wildcats this Saturday
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We are often asked about how much a business should worry about the spammy links that there are to their site, that are out of their control. These are links that have been formed naturally without help from link schemes or paid links.
When Should you Worry about Site Links?
We are often asked about how much a business should worry about the spammy links that there are to their site, that are out of their control. These are links that have been formed naturally without help from link schemes or paid links. Well, Matt Cutts is showing us the way once again to help administer his touch of Google advice and relieve us of our concerns. The new Link Disavow tool wi ..


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By BUSINESS DAILY
The Salaries and Remuneration Commission (SRC) has been relying on spot checks and face-to-face interviews which are weak, providing loopholes for civil servants to circumvent constitutional pay limits.
Using technology to capture names of all government institutions, the number of employees, and feeding their wages will not only promote equity in pay but also weed out ghost workers.
Expenditure on allowances has been growing and the SRC's centralised automated system will easily save billions of shillings in public funds lost through falsifications of documents.
SRC's automation plan vital to fight against payroll fraud
Tuesday January 12 2021
SRC chairperson Lyn Mengich. FILE PHOTO | NMG
The plan for an automated system to manage public servants' pay and perks has come at an opportune time.
For years, manual systems have aided theft and waste of taxpayers' money by civil servants.
Some officers have been known to claim generous reimbursements for non-existent workshops. This has ultimately inflated the wage bill that is now consuming more than half of tax collections against the background of reduced spending on development projects.
The wage bill stands at more than Sh800 billion, having risen from Sh458 billion in 2013. Part of the wages, about Sh1.8 billion annually, are paid to ghost workers, employees who are either retired or have deserted duty.
The government has in the past introduced a raft of austerity measures to reduce spending by the public service, including a card system a year ago that was to make it easy to account for the money a civil servant spent while on a trip.
But these measures have not yet substantially reduced the wage bill as civil servants still falsify documents to earn outsize allowances which are more than 247 in total, up from 31 in 1999.
Some government employees are on salaries and benefits that put their counterparts in the private sector to shame. The allowances double their pay and in some instances grow it by a factor of 10. These 'super salaries' are making many Kenyans scramble for public jobs, not because they want to serve but to strike it rich.
Capping the allowances at 40 percent of the gross pay, plus ensuring transparency through the use of technology will correct the salary distortions, reduce theft, and subsequently the wage bill.


Tommy, Chet and I will be joining hundreds of other like minded people on Mother's Beach in Kennebunk this coming Sunday Sept. 10th to raise money for the Animal Welfare Society's Sadie Fund. All money raised goes to helping rescue animals who need healthcare. The AWS is very important to us as this is where we found our Chey Doggie 14 years ago. If you can, please help us raise funds to meet our goal of $100. Thanks so much.


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MATTER OF NUMBERS
BULGARIA ECONOMY
Bulgaria's economy, society, finances after 6 months of Covid-19
Bank of Bulgaria
Six months after the Covid-19 pandemic forced the world into lockdowns and uncertainties, a fuller picture of its effect on the world economy is beginning to emerge. Bulgaria fared not too bad, according to recent statistical data.
According to Eurostat, in the second quarter of 2020 Bulgaria's GDP fell 9.8 percent in comparison to the same period of 2019. The result is better than in most of the EU, where average GDP fell by 14.4 percent and France experienced a decrease of 19 percent.
Unemployment data also looks encouraging. According to the National Statistical Institute, or NSI, between April and June 6 percent of Bulgarians were unemployed (Eurostat data claims a seasonally adjusted result of 4.6 percent in May). This is a significant increase from the 4.2 percent on a year earlier, but fits the EU's average of 6.7 percent. It is much better than Spain's 14.5 percent.
Data released in August by the Bulgarian National Bank, or BNB, shows a negative trade balance of 0.4 percent of the GDP for January-June 2020, compared to 1.6 percent on a year earlier. Exports have dropped by 7.5 percent and imports have decreased by 12 percent.
The average annual inflation for 2020 is 2.6 percent higher compared to 2019, according to the NSI. The biggest increase in prices was in the tourism and holiday industry (16 percent), central heating services (15 percent), bank and financial services (11 percent), and entertainment and culture (7.4 percent).
The NSI's traditional consumer attitude survey for July 2020 shows that consumer trust has increased by 3.3 percent in comparison to April 2020. Villagers are more optimistic than urban residents that the economy will improve in the next 12 months.
Notwithstanding the government's less-than-efficient policies to help households and companies mitigate the effect of the lockdown, the numbers look encouraging, yet it is too early to celebrate. As a general rule, trends in the Bulgarian economy tend to lag behind the economies of its main EU trading partners. Bulgarian citizens returning from the EU during the lockdown injected fresh cash into the country and its economy.
The data also does not cover summer tourism, a sector that is among the most heavily affected globally. Preliminary figures are devastating. In June 2020, the NSI registered a staggering 88 percent drop in revenue for hotels and other holiday accommodation compared to June 2019. As package tourism crashed and charter flights to the Black Sea resorts were cancelled, four- and five-star hotels suffered the heaviest blow. In June 2020, only 31 percent of hotel guests were foreigners, a decrease of 95 percent compared to June 2019.
Tourism is not the only sector affected by the crisis. According to the NSI, during the lockdown Bulgarian households cut back consumption on everything, except alcohol and tobacco products. A survey among Bulgaria's largest supermarket chains showed a 23 percent drop in customers and 11 percent decrease in profits in the first half of 2020, a direct result of lockdown. Customer behaviour also changed dramatically. The hectic stockpiling of nonperishable foods and toilet paper at the beginning of the lockdown was followed by more level-headed and pragmatic purchases afterwards.
There are also some paradoxical results. In July 2020, the government reduced VAT on food and alcohol sold by restaurants and bars from 20 to 9 percent. This change was promoted as a measure to help a sector that was suffering heavily from the lockdown, and professional organisations claimed that it would result in lower end prices. According to the NSI, however, the opposite happened: in July 2020 restaurant prices increased by 2 percent.
The BNB reports that in the second quarter of 2020 loans in arrears increased by 14 percent, the result of Bulgarians losing jobs and incomes during lockdown. The good news is that overdue loan payments make up only 7 percent of all loans, a significant decrease from the 20 percent registered in 2016.
Banks and companies are getting more cautious and lending continues to decrease, a trend that started before the Covid-19 pandemic. In the second quarter loans have grown by 4.9 percent on an annual basis, compared to 7 percent in March 2020.
Unsure about the future, Bulgarians continue to keep their money in banks, despite the record low interest rate, an average of 0.1 percent. BNB data shows that in June 2020 household deposits reached 57 billion leva, which is 4 billion leva more than in June 2019. The devil is in the details. BNB data shows that during the lockdown small savers closed about 150,000 deposit accounts with less than 1,000 leva in them and more than 23,000 accounts with up to 2,500 leva in them. Just like everywhere else, in Bulgaria, too, the rich got richer during the crisis. Deposits of between 50,000 and 500,000 leva rose by 10 percent and deposits over 1,000,000 leva saw a 14 percent increase. Forty-five more Bulgarians joined the ranks of millionaires.
Meanwhile, Bulgarian businesses struggle to collect money and payments from... the state. According to the Economy Ministry, by the middle of 2020 national and local governments are yet to pay 220 million leva to companies and citizens. This is why it is hardly a surprise that many companies are on the verge of collapse. A survey by the NSI showed that in July 34 percent of all companies reported a decline in their revenues, 13 percent sent employees on unpaid furlough, 8 percent fired staff and 3 percent reduced salaries.
Issue 167-168 coronavirus
BORISOV'S FIASCO
Nowhere is the abyss between what Boyko Borisov's GERB says it is doing and what it in fact does so obvious than in the economy of what firmly remains the EU's poorest state.
WHITHER GOEST THE ECONOMY?
From bad to worse? According to a poll by Alpha Research published at the end of 2011, the majority of Bulgarians consider 2011 to have been "the worst" since the economic collapse of 1997.
CRISIS IN PICTURES
In the third quarter of 2010 the average monthly income of an adult member of a family in Bulgaria decreased by 2.2 percent on a year earlier. At the moment it is 932 leva, or 466 euros, according to the National Statistical Institute.
THE CRISIS IN FIGURES
The crisis was already a fact in Bulgaria at the beginning of 2009, but the owner of an accountancy firm in Gorna Oryahovitsa would deny it even more vehemently than then Prime Minister Sergey Stanishev.
AT A TIME OF CRISIS
Rays of hope have started to peep through the cloud-covered economic horizon – even in the new EU member states. Poland has managed to avoid going into recession.
BRITS GONE HOME
At first, they stopped buying. Then it got worse - they started selling. Yes, it seems the British have deserted the Bulgarian property market and the Bulgarians are taking it very personally.
THEN € NOW
"The Bulgarian economy is stab
BITING HARDER
While last autumn the prevailing opinion of people in this country was that the economic crisis did not have a direct effect on them, their view is now completely different.
GO GREEN, EVERGREEN
The commercial real estate market in Bulgaria is at a crossroads.
WHAT A LOVELY CRISIS
The "monster munch," as Londoners call the current credit crunch, in my view is running out steam. Everyone is growing tired of the pundits.
GATED IN OR BLOCKED OUT
According to a saying very popular among Bulgarians in the past, "In his life, a man must do three things: raise a child, plant a tree and build a house for his family." Nowadays this way of thinking no longer reflects the urban lifestyle – the current rati
A ROOM WITHOUT A VIEW
The year 2008 taught the world a bitter lesson – in economy terms, we're all in the same boat. No country is safe from the effects of a global crisis.


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Mercedes-Benz UK Partners With Chargemaster To Provide Hassle-Free Home Charging
Mercedes-Benz UK has partnered with Chargemaster, the UK's largest provider of EV charging infrastructure, to offer customers an easy home charging solution for their Mercedes-Benz or smart electric plug-in vehicle.
Mercedes-Benz currently offers four electric hybrid models in the UK: the C 350 e, E 350 e, GLE 500 e and S 500 e, as well as the all-electric B 250 e. Next year fully electric versions of the latest smart fortwo, fortwo cabriolet and forfour models will also join the line-up.
It's all part of an increasing focus on electric mobility – at the Paris motor show in September Mercedes-Benz announced the launch of EQ, a new brand which will focus solely on electric vehicles and products.
Mercedes-Benz and smart customers will have the choice of installing either a tethered or non-tethered, 3.6kW or 7kW Chargemaster Homecharge unit at their home for quick and convenient charging. Customers simply complete an online registration form and will then be contacted by the dedicated Mercedes-Benz Homecharge team. The team will assess the customer's property for suitability of the product and will advise on all elements of installation and maintenance. Chargemaster's own specialist engineers aim to complete nationwide trouble-free installations within two weeks of an order being placed.
Prices start from £279 for the 3.6kW Homecharge unit and just £354 for the 7.0 kW version, which charges three times faster than a normal 13A socket. Customers benefit from £500 of OLEV funding which Chargemaster applies for on their behalf (with the exception of the GLE 500 e). All units are covered by a three-year warranty.
As well as convenient home charging, Mercedes-Benz and smart customers will also benefit from six months' free access to Chargemaster's "Polar Network" when they sign up with Homecharge, making charging just as convenient when away as at home. "Polar Network" is the UK's largest network of public charging points with over 5,000 locations nationwide.
Nov 16, 2016 Blagojce Krivevski
Cadillac CT6 Plug-In Hybrid On Sale In Spring 2017; 400-Plus Miles Of Total RangeToyota Prius Prime Takes Top Honors for Electric/Hybrid Category at KBB Best Buy Awards
Mercedes-Benz starts production of the EQS electric sedan at Factory 56
Jaguar I-Pace SUVs used for wireless charging taxi fleet Oslo
November 16, 2016 Electric Car NewsChargemaster, EV Charging, mercedes benz
Rolls-Royce Spectre approaches 2 million km mark in latest phase of rigorous global testing


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«Telephone» és una cançó interpretada per la cantant Lady Gaga amb el suport de Beyoncé Knowles. És co-escrita per les dues cantants, produïda per Rodney Jerkins, i inclosa al tercer EP de la cantant, The Fame Monster de 2009. Va ser composta amb l'estil de cançó electropop i dance-pop de mig temps amb una melodia de nivell ascendent, en la qual la protagonista sent «por a la sufocació», en referència als orígens del disc.

Durant gener, febrer i març de 2010, «Telephone» va esdevenir el segon senzill internacional de l'àlbum. Va ser ben rebuda per part dels crítics, arribant a ser cridada un dels moments més destacats en el disc. «Telephone» va tenir una gran recepció comercial, entrant en el repertori dels deu més venuts en gairebé tots els països, i arribant al número 1 en països com Bèlgica, Irlanda i Regne Unit. Mundialment, la cançó ha venut més de 7.400.000 milions de descàrregues digitals, fent que sigui una de les cançons més exitoses del 2010. Gaga ha interpretat mundialment «Telephone» durant la seva gira The Monster Ball Tour, a més del fet que va presentar la cançó en programes de televisió com Music Station, al Japó, on la cantant va incloure una petita dramatització similar a la del mateix vídeo musical de la cançó, al programa britànic Friday Night with Jonathan Ross i en la cerimònia de premis Brit Awards de 2010 on va cantar una versió acústica dedicada exclusivament a la recent mort. Mentrestant, el videoclip de la cançó, dirigit pel director suec Jonas Åkerlund va ser rebut positivament, sent considerat "el vídeo de l'any»

Antecedents
Inicialment, Lady Gaga i Rodney Jerkins escriure «Telephone» per a la cantant estatunidenca Britney Spears,per tal d'incloure-en el seu sisè àlbum d'estudiCircus. Però, el segell discogràfic de Spears va rebutjar la cançó i Gaga decidir convertir la cançó en un duet amb Beyoncé.

Gaga comentar sobre això dient que:«la vaig escriure per a ella fa molt temps i no la va utilitzar per al seu àlbum. Està bé, perquè m'encanta la cançó i ara la faré servir jo». Tot i no acceptar la cançó, Britney Spears va ser triada originalment com la vocalista convidada, però per raons desconegudes, Gaga decidir que Beyoncé fos la col·laboradora.

Composició

La cançó va ser escrita per Lady Gaga, Rodney Jerkins, LaShawn Daniels, Lazonate Franklin i Knowles i produïda per Jerkins. «Telephone» està composta en compàs comú i en la tonalitat fa menor. L'instrument que sobresurt en la melodia és el teclat electrònic. El rang vocal de les dues cantants s'estén des de la nota F₃ fins C₅. La cançó segueix el seu progressió harmònica d'acords Fm–A♭–B♭–Fm en el cor. Tot i que la cançó està construïda per a un duet, Beyoncé apareix únicament com a suport en el cor i en un breu interludi. La cançó comença amb Gaga cantant mentre sona de fons un arpa i immediatament s'accelera el ritme. La lletra de «Telephone» rata sobre la cantant que es troba en una discoteca i el seu nòvio l'està trucant però ella no pot atendre, ja que està bevent i ballant la seva cançó favorita, tal com el cor diu:«Stop calling, stop calling, I don't want to talk anymore —en catalá:Per de trucar, per de cridar, no vull parlar més-» La inspiració principal darrere de la cançó va ser la por de Gaga a la sufocació. La cantant va explicar a MTV que:

Video musical

Enregistrament
El vídeo musical de «Telephone» va ser filmat el 28 de gener de 2010 pel director suec Jonas Åkerlund. Les primeres escenes produïdes van ser en les quals Beyoncé i Lady Gaga dialogaven i interpretaven el tema dins de la camioneta Pussy Wagon, la qual va ser usada en la pel·lícula Kill Bill de Quentin Tarantino. D'acord amb la revista New York, el concepte del vídeo tracta sobre com Gaga surt de la presó gràcies a Beyoncé. MTV va afegir que al vídeo hi hauria una escena en un restaurant en la qual participaria el cantant Tyrese Gibson. El 29 de gener de 2010,New York va confirmar que els dissenyadors Franc Fernández i Oscar Olimar eren els encarregats de dissenyar el vestuari per les cantants. Durant una entrevista a la revista E!News, va dir que:

El 5 de febrer de 2010, Gaga va tenir una entrevista amb el periodista Ryan Seacrest de l'emissora de ràdio KIIS-FM. La cantant va comentar que se sentia malament pel vídeo de «Bad Romance», ja que segons ella, el de «Telephone» és molt millor, i va afegir que «El que m'agrada és que serà un esdeveniment pop… quan era més jove, sempre m'emocionava amb aquest tipus d'esdeveniments». La banda novaiorquesa Semi Precious Weapons va revelar que farien un cameo per al vídeo.

Llançament
El 15 de febrer van ser publicades tres fotografies del vídeo en la pàgina oficial de la cantant. En les imatges, Gaga apareix amb un extravagant casc blau fet amb una part d'un telèfon, en una altra que se la veu ballant al restaurant amb un suport que té la bandera dels Estats Units i en una altra fotografia que apareix com mesera. El video va ser originalment programat per estrenar el febrer de 2010 però després es va retardar fins al març del mateix any. El 28 febrer 2010 Gaga anunciar, via Twitter, que el vídeo es llançaria aviat i que encara estava en procés d'edició. Concretament, va dir que:«Telephone ja ve, ho prometo. Encara està en edició. Vull que sigui perfecte. The Haus of Gaga l'ha denominat com una obra mestra ». L'estrena oficial del vídeo musical va ser l'11 de març de 2010 al canal E! i en Vevo.com.

Trama
El vídeo de «Telephone» dura més de nou minuts i comença on «Paparazzi» finalitzar, amb Gaga sent detinguda per enverinar el seu nòvio. La cantant és escortada per dos guàrdies a l'interior d'una presó anomenada:«Prison for bitches —en català: Presó per gosses—». En arribar a la seva cel, les guàrdies despullen a Gaga de la seva roba, la tiren al llit i li tanquen la porta. La cantant s'aixeca i s'enfila en els barrots de la cel, mostrant-se així, pràcticament nua. Al moment, les dues guàrdies es van i una d'elles diu:«I told you she didn't have a dick —en català:Et vaig dir que ella no tenia penis-» en referències als rumors sobre la falsa intersexualitat de la cantant. Durant tres minuts, el vídeo mostra les activitats de Gaga a la presó, les quals inclouen la seva petó amb una altra reclusa, on té llocs uns lents de sol fets a partir de cigarrets encesos, i una baralla entre dues presoneres, on la cantant porta en el seu cabell llaunes de refresc de cola simulant ser ruleras. Cal esmentar que la germana de Gaga, Natali Germanotta fa un cameo en aquestes escenes. Després d'això, la cantant és notificada per l'altaveu que té una trucada per telèfon de Beyoncé, i en despenjar el telèfon comença a sonar la cançó. Gaga realitza només la primera estrofa de la cançó a la presó, i apareix vestida amb poca roba i sabates de tac. També es mostren escenes curtes de la cantant embolicada amb les cintes grogues de precaució. Després, Gaga surt de la presó i es dirigeix cap a la Pussy Wagon,on Beyoncé, que és anomenada com Honey Bee en referència al personatge Honey Bunny de la pel·lícula Pulp Fiction de Tarantino, està esperant-la. Després d'un diàleg, Beyoncé canta el seu interludi i després es detenen en un restaurant anomenat Dinner: Home Style Cooking. Beyoncé s'asseu al davant de Gibson i intenta enverinar, però no aconsegueix matar-lo com ella esperava. El vídeo passa llavors a una escena intermediària titulada:«Let's Make a Sandwich —en català:Fem un sandvitx-». En aquesta escena, Gaga es troba en una cuina juntament amb els seus ballarins, i després de preparar i menjar-se un sandvitx, comencen a ballar. Més tard, es mostra una escena de tipus paròdia on Gaga ensenya una recepta de com preparar verí a través d'un programa fictici de televisió anomenat Poison TV. Agrega el verí a tots els aliments i de seguida apareix com mesera. Després de lliurar els plats enverinats, es veu com un a un van morint a causa de la intoxicació. Després, les dues cantants, vestides amb vestits inspirats en la bandera estatunidenca, i un grup de ballarins comencen a ballar al restaurant al voltant dels morts. A continuació, les dues s'escapen del lloc mentre es mostren breus talls de vídeo on Gaga està ballant davant de la Pussy Wagon vestida amb un cenyit vestit de pell de lleopard. Posteriorment, apareix la transmissió d'un reportatge a la televisió que mostra el que va passar al restaurant al qual anomenen «Homicide: The Telephone Effect —en català:Homicidi: L'efecte telèfon-». El final mostra a ambdues cantants escapant a la camioneta a través del desert amb les sirenes de la policia sonant de fons. El vídeo acaba amb la frase «To be continued... (en català, "Aquesta història continuarà...")».

Rebuda
Matt Donnelly de Los Angeles Times va dir que «el vídeo és un espectacle visual, fet de manera fantàstica, amb baralles entre noies i enverinaments». Amy Odell de New York va fer una llista amb les deu millors parts del vídeo i va comentar que «el vídeo és de Gaga, però Beyoncé es llueix bé, mostra l'enuig, el costat boig que acabem de conèixer que s'amagava sota la seva façana massa perfecta ». Monica Herrera de Billboard li va donar una revisió positiva al vídeo dient que «el clip està ple d'intriga, baralles de presó, enverinament en massa i un munt de conjunts». Tanner Stransky de Entertainment Weekly es va preguntar si realment el vídeo és millor que el seu antecessor, «Bad Romance». Concretament va dir "És tan bo com el seu èpic 'Bad Romance'? Lamentablement, jo no ho crec ». James Montogomery de MTV comentar que el vídeo:

Recepció

Crítica

La cançó va rebre en general comentaris positius per part dels crítics de música contemporània. Michael Hubbard del lloc web "MusicOMH" comentà que la cançó és «la millor part a The Fame Monster». El lloc web Britànic Popjustice va donar una revisió positiva de la cançó dent que «és com si la cançó de Gwen 'What Are You Waiting For?' conegués a 'The Way I Are' de Timbaland, i alhora es trobessin AMB Altres Cinquanta coses més ... L'estructura és bastant excitant ... aquí hi ha alguna cosa tumultuosament Brillant sobre la col·laboració de Beyoncé que fa que Tot llueixi Bé, com si aquest hagués estat el pla principal ».
Evan Sawdey de la revista "PopMatters" comentà que «la molt comentada" Telephone "-amb la col·laboració de Beyoncé-que, amb la seva compàs a doble temps i les seves estrofes trepidants és sens dubte una de les cançons amb més descàrrega d'adrenalina que Gaga ha forjat fins ara, sembla que canviarà de carril en qualsevol moment gràcies a la vertiginosa excitació compartida entre les dues dives, com a resultat d'això, la cançó passa fàcilment a ser l'incontrovertit plat fort de The Fame Monster». La cançó es va situar en el lloc número 3 dels 25 senzills del 2010, llista elaborada pel crític de la revista Rolling Stone, Rob Sheffield. Mikael Woods de Los Angeles Times sent que «Telephone» és una «meditació sobre el molest que és quan un amic et diu mentre tu estàs a la disco». Nicki Escuerdo de Phoenix New Times va allistar «Telephone» com una cançó fora de l'àlbum. Sarah Hajibagheri de The Times no es va impressionar amb la cançó i va comentar que «l'aparició de Beyoncé costat dels tons de trucada afegeix la sensació de caos absolut». Bill Lamb de About.com allistar la cançó entre les millors del disc i va comparar la cançó amb el seu primer senzill, "Just Dance». Lamb va escriure que:

Comercial
«Telephone» va tenir una gran recepció comercial, aconseguint entrar en el repertori dels deu més venuts en gairebé tots els països. Mundialment, la cançó va aconseguir vendre més de 7.400.000 milions de còpies que, d'acord amb la IFPI, van convertir a «Telephone» en una de les cançons més exitoses del 2010. Als Estats Units, la cançó va debutar gràcies a les descàrregues digitals en el lloc trenta en la setmana del 12 desembre 2009. Després de diverses setmanes, i després de ser confirmat senzill, la cançó va aconseguir el tercer lloc de la llista Billboard Hot 100,convertint-se en el sisè senzill consecutiu de Lady Gaga dins dels deu més venuts. El 27 de febrer de 2010, la cançó va aconseguir el número u en la llista Hot Dance Club Songs, on va romandre fins al 6 de març del mateix any. Billboard anunciar el 15 de març de 2010 que «Telephone» aconseguir el número u en la llista Pop Songs,convertint-se en el sisè número u consecutiu de Gaga a la llista, fent que ella sigui l'única artista en la història que aconsegueix posicionar els seus primers sis senzills siguin número u. Paral·lelament, es va convertir també en el sisè número u de Beyoncé, de manera que ambdues cantants van empatar a Mariah Carey qui també té sis números un. El juliol de 2010, Nielsen SoundScan va informar que la cançó va vendre als Estats Units més de 2.283.000 còpies legals, sense tenir en compte les vendes del 2009. En Canadà, la cançó va debutar en el lloc catorze, després d'unes setmanes va aconseguir el lloc n º 3. L'empresa de certificacions discogràfiques d'aquest país, CRIA, li va atorgar el reconeixement de tres vegades disc de platí per haver venut més de 120.000 còpies digitals. «Telephone» va tenir una gran recepció en el continent europeu, entrant al top ten de tots els països. Més específicament, en Regne Unit la cançó va debutar en el lloc trenta. En la seva quinzena setmana assoliment superar la seva posició i es va posicionar en el lloc número 12. Una setmana després, va saltar onze llocs aconseguint el primer lloc i convertint-se en el quart número u de la cantant al país. Al mismo tiempo, se convirtió en el séptimo número uno de Beyoncé. La cançó va aconseguir arribar al número u en Bèlgica, Dinamarca, Irlanda i Noruega. A més, va aconseguir ser certificat com a disc de platí a Itàlia amb més de 20.000 còpies venudes, i disc d'or a Bèlgica i Dinamarca, amb 15.000 còpies venudes a cada país.

En Oceania, la cançó va tenir una gran recepció. Concretament, en Austràlia «Telephone» va debutar en el lloc n º 29 i després d'unes setmanes va aconseguir la tercera posició. L'empresa de certificacions discogràfiques del país, Australian Recording Industry Association, li va atorgar el reconeixement de dos discos de platí per haver venut més de 140.000 còpies. En Nova Zelanda, «Telephone» va debutar en el lloc n º 31 i després d'unes setmanes va arribar a la tercera posició, on es va mantenir una sola setmana. La RIANZ, empresa de certificacions discogràfiques del país, li va atorgar el reconeixement de disc de platí per haver venut més de 15.000 còpies legals.

Interpretacions en directe

El 16 febrer 2010 Gaga va cantar «Telephone» en els premis Brit 2010. L'actuació va estar inspirada en la recent mort del seu amic i dissenyador de moda, Alexander McQueen. Inicialment s'havia planejat una versió diferent de l'actuació, però la cantant va canviar d'idea a l'últim moment, ja que volia retre homenatge a McQueen. Llavors va decidir que cantaria una versió acústica de "Telephone» i un remix de "Dance in the Dark». En començar l'actuació, Gaga anunciar al públic: «això és per Alexander McQueen». L'actuació va ser discreta en comparació amb les anteriors presentacions de Gaga. Després de cantar «Telephone», Gaga es va aixecar del piano i va caminar, al ritme de la música, cap a un keytar més gran del normal que hi havia a l'escenari, on va cantar una versió techno de «Dance in the Dark». Finalitzada l'actuació, la cantant va dir mitjançant el seu compte en Twitter:

El 16 d'abril de 2010, la cantant va interpretar «Telephone»en el programa de televisió japonès anomenat Music Station. L'actuació va incloure una petita dramatització similar a la del mateix video musical de la cançó, la cantant estava vestida amb un vestit dissenyat per Somarta i Yuima Nakazato. Gaga va cantar «Telephone» el 3 de març de 2010, juntament amb «Brown Eyes», al programa britànicFriday Night with Jonathan Rossper un episodi que va sortir a l'aire el 5 de març. La cantant va afegir «Telephone» a la llista de cançons que interpreta en la versió renovada de la seva gira The Monster Ball Tour, i la canta en el segon acte anomenat «metro».

Versions d'altres artistes
El 2 de maig de 2010, es va filtrar un suposat demo fet per Britney Spears. Després de diferents opinions sobre si realment el demo era de Spears, Darkchild, productor de «Telephone», va declarar que realment era el demo gravat per Britney. També el productor va dir, via Ustream, que «va ser de les primeres versions del demo, i ni tan sols estava barrejada». A més, va afirmar que no va ser ell qui va filtrar la cançó i que no donaria a conèixer la versió sencera. L'estil musical del demo ha estat comparat amb el de «Piece of Me», i la cançó en si va generar comparacions amb el seu cinquè àlbum d'estudi,Blackout. Rob Sheffield de la revista Rolling Stone va elogiar la versió de Britney. Altres versions de «Telephone» gravades i posades com a descàrrega digital a iTunes són les de HelenaMaria, Aston, Bangin Productions, y la de Pomplamoose. El guanyador del programa britànic The X Factor Joe McElderry va cantar una versió de «Telephone» a la secció Live Lounge de la ràdio Ràdio 1's Big Weekend. Llegiu Michele i Charice Pempengco van fer una versió especial de «Telephone» per a la sèrie Glee que va aparèixer el 21 de setembre de 2010 al capítol anomenat «Audition».

Crèdits
 Lady Gaga: composició i veu
 Beyoncé: co-escriptora i vocals
 Rodney Jerkins: co-escriptor i productor
 LaShawn Daniels: co-escriptora
 Mike Donaldson: gravació de vocals de Gaga
 Hisashi Mizoguchi: gravació de vocals de Beyoncé
 Mark Stent: mescla
Fonts: Allmusic i Discogs.

Referències

Cançons de Lady Gaga
Senzills del 2010
Senzills amb certificació de platí als Estats Units
Senzills amb certificació d'or a França
Senzills amb certificació de platí a Espanya
Actors del segle XXI

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