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{% extends "layout.html" %}
{% block head %}
{% endblock %}
{% block content %}

        <textarea id="topic-text-area" src="/real_time_test"></textarea>

    {% block footer %}
    {% endblock %}

{% endblock %}

redpajama_set_name: RedPajamaGithub


How do you know when it is time to call in expert heating technicians to repair or replace your heating and cooling system? A general rule of thumb is to replace a system at the end of its lifespan, which is generally around 10-15 years.
However, age is not the only factor when you are considering a replacement. There are several ways for a homeowner to know when it is time to start thinking of buying a new unit.
Excessive sounds – If your machine is making a lot of noise while it is functioning, it indicates that some of its components have worn out. While you can replace the worn parts, you will have to see if the cost of replacing the parts is more than replacing the entire unit. A heating contractor can offer useful guidance in this case.
Reduced indoor air quality – An aging machine can begin to leak and throw dust particles in the air; this may reduce the indoor air quality. The heat exchanger in the appliance can develop cracks and holes, which may release carbon monoxide into the air. Another important indication is when soot builds up around the vents.
High costs – When the costs surrounding your system begin to increase, it is a sign that you need to replace the unit. Whether it is high energy costs or increased repair bills, it shows that your machine has become less efficient.
If you are looking for heating and air conditioning service Anaheim CA has some great companies such as Specialty Air, Inc. We are one of the leading names in the region and are fully qualified to handle all your appliance requirements. Our team of experts have a great deal of experience in expertise in dealing with systems of all brands. Call us to schedule an appointment today.


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Iranian Journal of Medical Sciences
Tumefactive Fibroinflammatory Lesion: A Diagnostic Dilemma
Document Type: Case Report(s)
Promil Jain 1
Rajeev Sen 1
Nisha Sharma 1
Shilpi Bhargava 1
Virender Singh 2
1 Department of Pathology, Pt BDS PGIMS, University of Health Sciences, Rohtak, India;
2 Department of Oral Pathology, PGIDS, University of Health Sciences, Rohtak, India
Tumefactive fibroinflammatory lesions (TFLs) are rare idiopathic benign fibrosclerosing lesions that clinically simulate a malignancy. TFLs are seen more frequently in males between 10 and 74 years of age. The usual site of involvement is the head and neck region, but rarely the extremities may be involved. Coexisting fibrosclerotic processes have been reported including retroperitoneal fibrosis, sclerosing cholangitis, sclerosing mediastinal fibrosis, and orbital pseudotumors. The etiology of this poorly understood entity remains unknown. Possible suggestions include exaggerated responses or autoimmune reactions to any chronic infection. The clinical and radiological appearance of TFLs is that of malignancy, but histopathology reveals them to be a benign process broadly classified under non-neoplastic, fibroinflammatory proliferations. The treatment strategies for these lesions are not well defined and variable and include steroids, surgery, and radiotherapy either alone or in combination. TFLs, albeit not fatal, have a high recurrence rate; patients should, therefore, be kept on long-term follow-up. We describe a young female patient presenting with a rapidly developing cheek swelling, which was diagnosed histopathologically as a TFLs.
Tumefactive fibroinflammatory lesion
March and April 2017
Jain, P., Sen, R., Sharma, N., Bhargava, S., Singh, V. (2017). Tumefactive Fibroinflammatory Lesion: A Diagnostic Dilemma. Iranian Journal of Medical Sciences, 42(2), 205-209.
Promil Jain; Rajeev Sen; Nisha Sharma; Shilpi Bhargava; Virender Singh. "Tumefactive Fibroinflammatory Lesion: A Diagnostic Dilemma". Iranian Journal of Medical Sciences, 42, 2, 2017, 205-209.
Jain, P., Sen, R., Sharma, N., Bhargava, S., Singh, V. (2017). 'Tumefactive Fibroinflammatory Lesion: A Diagnostic Dilemma', Iranian Journal of Medical Sciences, 42(2), pp. 205-209.
Jain, P., Sen, R., Sharma, N., Bhargava, S., Singh, V. Tumefactive Fibroinflammatory Lesion: A Diagnostic Dilemma. Iranian Journal of Medical Sciences, 2017; 42(2): 205-209.

redpajama_set_name: RedPajamaCommonCrawl


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Known for In Pursuit of Silence (2015), Problema (2010), Bring Your Own Brigade (2021), Gringo Trails (2013)
Find more people with Discover People.
Become a member to see Pico Iyer's STARmeter.
Become a member to see Pico Iyer's contact information.
Self (14 titles)
Bring Your Own Brigade (2021)
World's Greatest Hotels (2020)
(TV Series) - Self (1 episode, 2020) Self (1 episode, 2020) See fewer
Raffles (Jan 10, 2020) Season 1, Episode 2 - Self Self See fewer
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Finding Happiness (Jan 16, 2017) Season 5, Episode 70 - Self - Guest Self - Guest See fewer
The Last Dalai Lama? (2016)
In Pursuit of Silence (2015)
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Revealing Mr. Maugham (2012)
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(TV Series) - Self (2 episodes, 2008) Self (2 episodes, 2008) See fewer
Episode dated 17 February 2012 (Feb 17, 2012) Self Self See fewer
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The God of Small Things (Oct 10, 2010) Season 1, Episode 13 - Self Self See fewer
How to Live Forever (2009)
Independent Lens (2004)
Los Angeles Now (Nov 23, 2004) Season 6, Episode 4 - Self Self See fewer
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Self - Expert Self - Expert See fewer
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For the second straight olympics, USA Basketball has brought home gold against Spain. Though the game was close throughout, USA was able to pull out the victory 107-100. Spain posed a size issue with NBA stars, the Gasol brothers and Serge Ibaka, in the paint, but USA was able to use their speed and shooting help them win. Kevin Durant helped USA by scoring 30 points along with LeBron's 19. Carmelo struggled to score ending with 8 points in 21 minutes. Chandler scored 2 points and grabbed 1 rebound. USA went without a loss throughout the Olympics. The last time USA lost in Olympics competition was in 2004 where LeBron James and Carmelo received bronze medals.


Put three candles in a bone for Bravo's resident pup.
Three years ago, our very own Andy Cohen took a major life leap and decided to adopt a mutt (his first dog ever!) from a kill shelter in West Virginia. Andy found the pooch on PetFinder.com and was immediately drawn to the beagle-foxhound mix's resemblance to Snoopy—whom he basically tries to kill in the video above.
After a trial first date, it was love: Andy made it official and christened the dog Wacha (after the esteemed St. Louis Cardinals pitcher). The decision not only changed his life, but those of Bravo viewers as well: Wacha is a certified Bravolebrity (with over 200K Instagram followers!), and a frequent guest on Watch What Happens Live.


Spireaux produces fresh Spirulina paste for local restaurants and retailers. The paste can be consumed in a pure form but because it has a neutral taste and odor, it can be easily blended to fortify other foodstuffs. This will not only enhance the nutritional profile of the final product but also lower the environmental impact in most cases.
Our paste lacks the typical strong flavor and smell that dried spirulina has. Because of its smooth yet rigid texture, it can be easily incorporated in most existing foodstuffs or be used as a vegan food binder.
Order a sample now and experience this unique product for yourself!
Though our production scale has increased a lot during the last few years, at this moments our production capacity is still very limited.
However, if you are interested to work together and allow us to scale up further, let us know!


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Guidance for Speakers
2015 Final of the Finalists
GOTG 2015 Grand Final
Round 5 - February 2015
Round 4 - January 2015
Round 3 - November 2014
Round 2 - October 2014
Round 1 - September 2014
Round 5 - Feb 2014
Round 3 - Nov 2013
Round 2 - Oct 2013
Round 1 - Sept 2013
Round 4 - Jan 2013
March 2010 Final
Final of the Finalists
From expats with drinking problems to women in beards...
Round II of the 2015 GOTG got off to a slow start, literally, last night. But it soon found the pace and was, by all accounts, one of the most enjoyable nights in the series so far. Five speakers took to the stage to woo an audience of 90 or so regulars and newcomers alike.
First up was an old hand, Balázs Tóth who amused us with his account of meeting women at airports, and the dangers that chocolate, Cadbury Flakes in particular, can pose to a relationship. Following second, Ildi Amon put sarcasm to good use in an excellently written piece on football hooliganism in Budapest. I hope she posts it somewhere as it is well worth a read. Next, the only Irish man of the evening, Frank Carlin, with a voice made for radio, shared with us why he adopted Oscar Wilde as his role model. Jennifer Walker then took us to various countries, exploring their drinking habits and gave some insight into the correlation between expat life and booze. Finally, Tamás Kiss made his GOTG stage debut, going public with how he, as a Russian teacher, contributed to bringing down the last regime.
With the audience a little looser and the speakers playing for the bottle of Famous Grouse donated by Richard Holmes and Gerrards Wealth Management, it was all to play for.
Ildi went to the audience with her choices - Nagymezo utca on a Friday evening or beer vs wine. No prizes for guessing which they picked. Was/is Piaf really a brothel? And who knew there were so many men picking up women in Instant. Balázs also went to the audience with his picks - sex at airports or the Cotton Club. Even though we'd already been to the airport with him, the audience wanted Part II. And they got it. For Frank, the audience was more curious about what he would have for his last meal rather than what he thought of the everyday variety of Hungarian fashion that he sees. In what can only be described as a very graphic account of Francois Mitterand's last meal of Ortolan, he educated us all. If you're curious to know more, check this link. But in sum, what sort of food would Frank eat? A lot. With Tamás, not one person want to hear about shining in the spotlight. The audience was unanimous in its vote to hear him speak on hormonal imbalance. And in a word, it was hilarious. With his punfarts and secondary sexual objects, and women and beards, he had the audience in stitches. Jennifer went for two picks, too, with the audience curious to know the difference between push and pull and give and take rather than showing any interest in what she'd make of the troublesome kid. Clearly defining her take on it all, Jennifer went with reciprocity vs toxic when it comes to relationships.
The judges - Szilvi, Gordon, Robin, Virginia, and Tim - were on form and in the end, there was a winner. Ms Jennifer Walker will be joining Gerard Lucey on stage for the final in March.
Thanks again to Richard Holmes for the booze and to the IHBC for the trophy. To Kath for the door, Ilona and Miklos for the mics, Steve for taking photos, Jeremy for being his inimitable self, to the Cotton Club for the venue and most of all, to the audience - we added 97 000 huf to the kitty bringing the 2015 total to 202 000 huf. Not bad for a night's work.
See ye next month - 26 November - when we'll get to see our photographer extraordinaire, Steve Collison, take to the stage.


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Q: Pine script code, stop to breakeven. but cant figure out I was coding this YouTube strategy. I did most of them but could cot figure out
how to code "stop to breakeven" so the strategy has only one entry and one exit.
can any one help me?
I want to take 50% position out at first TP (1 x atr) and put breakeven stop at the entry and exit the remaining position when ssl channel crosses oposite direciton
This is the strategy video
//@version=4
strategy("for jcolina1 v2",overlay=true)
//Inputs------------------------------------------------------------------------
startDate        = input(timestamp("2020-07-30T00:00:00"), type = input.time, group="Back-testing range")
finishDate       = input(timestamp("2022-09-09T00:00:00"), type = input.time, group="Back-testing range")
profit_multiplier= input(1,title="profit multiplier", type=input.float)
stop_multiplier  = input(1.5, title="stop loss multiplier", type=input.float)
level_offset     = input(5, type=input.integer, title="Length", group="levels")
bearish_levels   = input(color.new(color.red,0), type=input.color,title="Bearish", inline ="0",group="levels" )
bearish_L_text   = input(color.new(color.purple,0), type=input.color,title="text", inline="0", group="levels")
Bullish_levels   = input(color.new(color.green,0), type=input.color,title="Bullish", inline ="00",group="levels" )
Bullish_L_text   = input(color.new(color.yellow,0), type=input.color,title="text", inline="00", group="levels")
ssl_len          = input(title="ssl length", defval=10,inline="1",group="Base indicators")
en_ssl           = input(true,title=" ", type=input.bool,inline="1",group="Base indicators")
Up               = input(#66ff00, type=input.color,title="Up", inline="1",group="Base indicators")
Dn               = input(#ff0000, type=input.color, title="Dn", inline="1",group="Base indicators")
kiju_len         = input(26, minval=1, title="Kijun-Sen",type=input.integer,inline="2",group="Base indicators")
en_ki            = input(true,title=" ", type=input.bool,inline="2",group="Base indicators")
col_kijun        = input(color.white, type=input.color, title=" ", inline="2", group="Base indicators")
Sensitivity      = input(150, title="Sensitivity", type=input.integer,group="Waddah attar explosion")
Fast_Length      = input(20 , title="Fast Length", type=input.integer,group="Waddah attar explosion")
Slow_Length      = input(40 , title="Slow Length", type=input.integer,group="Waddah attar explosion")
Channel_Length   = input(20 , title="Channel Length",type=input.integer,group="Waddah attar explosion")
Multi            = input(2.0, title="BB Multi",type=input.float,group="Waddah attar explosion")
//Computing required calculations-----------------------------------------------
smaHigh = sma(high, ssl_len)
smaLow = sma(low, ssl_len)
Hlv = int(na)
Hlv := close > smaHigh ? 1 : close < smaLow ? -1 : Hlv[1]
sslDown = Hlv < 0 ? smaHigh : smaLow //output
sslUp = Hlv < 0 ? smaLow : smaHigh  // output
donchian(d_len) =>
    avg(lowest(d_len), highest(d_len))
baseLine = donchian(kiju_len)
Calc_Macd(Source, Fast_Length, Slow_Length) =>
    Fast_Ma         =   ema(Source, Fast_Length)
    Slow_Ma         =   ema(Source, Slow_Length)
    Fast_Ma - Slow_Ma
Calc_Upper(Source, length, Multi) =>
    Basis           =   sma(Source, length)
    Dev             =   Multi * stdev(Source, length)
    Basis + Dev
Calc_Lower(Source, length, Multi) =>
    Basis           =   sma(Source, length)
    Dev = Multi * stdev(Source, length)
    Basis - Dev
t1  = (Calc_Macd(close, Fast_Length, Slow_Length) - Calc_Macd(close[1], Fast_Length, Slow_Length)) * Sensitivity
e1  = Calc_Upper(close, Channel_Length, Multi) - Calc_Lower(close, Channel_Length, Multi)
trendUp   =   t1 >= 0 ? t1 : 0
trendDown =   t1 < 0 ? -1 * t1 : 0
DEAD_ZONE =   nz(rma(tr(true),100)) * 3.7
atr = atr(14)
time_cond  = time >= startDate and time <= finishDate
// entry logic------------------------------------------------------------------
ssl_bul = crossover(sslUp,sslDown) , ssl_bear = crossunder(sslUp,sslDown)
kij_bul = (close > baseLine) , kij_bear = (close < baseLine)
wae_filter = ((trendUp > e1) or (trendDown > e1))
bullish = ((ssl_bul and kij_bul) and wae_filter)
bearish = ((ssl_bear and kij_bear) and wae_filter)
// computing required dynamic data for short
var float S_stop   = na
var float S_entry  = na
var float S_target = na
if ((bearish and barstate.isconfirmed) and time_cond)
    S_entry := close
    S_stop := (close + (atr * stop_multiplier))
    S_target := (close - (atr * profit_multiplier ))
    strategy.entry("Short", strategy.short)
    strategy.exit("S exit", "Short",limit = S_target, stop = S_stop)

    tt = (time - time[1]) * level_offset
    //stop
    line.new(x1=time, y1=S_stop,
         x2=time + tt , y2=S_stop , color=bearish_levels,
         xloc=xloc.bar_time,width=2)
    label.new(x=time +(time - time[1]), y=S_stop, text=tostring(S_stop)+" short SL",color=color.new(color.black,100), style=label.style_label_lower_left,textcolor=bearish_L_text,xloc=xloc.bar_time,textalign= text.align_left)
    //target
    line.new(x1=time, y1=S_target,
         x2=time + tt , y2=S_target , color=bearish_levels,
         xloc=xloc.bar_time,width=2)
    label.new(x=time +(time - time[1]) , y=S_target, text=tostring(S_target)+" short TP",color=color.new(color.black,100), style=label.style_label_upper_left,textcolor=bearish_L_text,xloc=xloc.bar_time,textalign= text.align_left)

// computing required dynamic data for long
var float L_stop   = na
var float L_entry  = na
var float L_target = na
if ((bullish and barstate.isconfirmed) and time_cond)
    L_entry := close
    L_stop := (close - (atr * stop_multiplier))
    L_target := (close + (atr * profit_multiplier ))
    strategy.entry("Long", strategy.long)
    strategy.exit("L exit", "Long",limit = L_target, stop = L_stop)
    tt = (time - time[1]) * level_offset
    //stop
    line.new(x1=time, y1=L_stop,
         x2=time + tt , y2=L_stop , color=Bullish_levels,
         xloc=xloc.bar_time,width=2)
    label.new(x=time +(time - time[1]), y=L_stop, text=tostring(L_stop)+" Long SL",color=color.new(color.black,100), style=label.style_label_upper_left,textcolor=Bullish_L_text,xloc=xloc.bar_time,textalign= text.align_left)
    //target
    line.new(x1=time, y1=L_target,
         x2=time + tt , y2=L_target , color=Bullish_levels,
         xloc=xloc.bar_time,width=2)
    label.new(x=time +(time - time[1]) , y=L_target, text=tostring(L_target)+" Lomg TP",color=color.new(color.black,100), style=label.style_label_lower_left,textcolor=Bullish_L_text,xloc=xloc.bar_time,textalign= text.align_left)

// signals -------------------------------------------------

if (bullish and time_cond)
    lbl = label.new(bar_index, low,text = "Buy" ,textcolor = color.white)
    label.set_color(lbl,color.green)
    label.set_yloc(lbl,yloc.belowbar)
    label.set_style(lbl,label.style_label_up)
if (bearish and time_cond)
    lbl = label.new(bar_index, low,text ="Sell",textcolor = color.white)
    label.set_color(lbl,color.red)
    label.set_yloc(lbl,yloc.abovebar)
    label.set_style(lbl,label.style_label_down)

//Ploting the data------------------------------------------------------------------------
plot(en_ssl ? sslDown : na, linewidth=2, color=Up)
plot(en_ssl ? sslUp   : na, linewidth=2, color=Dn)
plot(en_ki ? baseLine : na, color=col_kijun, title="Kijun-Sen")

A: According to your description of the strategy you have to have two exit orders for each entry. The first one should describe how to exit the first 50% and the second one should describe the other half. The difference is that the other half should have only the stop loss, while the first one should have both take profit and stop loss. Try to replace lines 68-69 with
strategy.entry("Short", strategy.short)
strategy.exit("S exit1", "Short", from_entry = "Short", qty_percent = 50, limit = S_target, stop = S_stop)
strategy.exit("S exit2", "Short", from_entry = "Short", stop = S_stop)

and lines 91-92 with
strategy.entry("Long", strategy.long)
strategy.exit("L exit1", "Long", from_entry = "Long", qty_percent = 50, limit = L_target, stop = L_stop)
strategy.exit("L exit2", "Long", from_entry = "Long", stop = L_stop)

Notice that qty_percent = 50 will make exit order "S exit1" to exit only half of the initial "Short" order!
Also it would be good to set pyramiding = 0 on your strategy for debug purposes so you have only one active order to deal with.
To set your stop loss for exit2 orders to breakeven you need to know if the take profit order was activated. You can achieve that by monitoring the strategy.position_size
e.g something like
var longTakeProfitExecuted = false
...

longTakeProfitExecuted := strategy.position_size > 0 and (longTakeProfitExecuted[1] or strategy.position_size < strategy.position_size[1] or (strategy.position_size[1] == 0 and high >= L_target))

Then you can use this info to set the correct price for stop Loss
e.g.
strategy.exit("L exit2", "Long", from_entry = "Long", stop = longTakeProfitExecuted ? Breakeven_stop : L_stop)

redpajama_set_name: RedPajamaStackExchange


Take Washington Street south towards Mt. Vernon. Exit at Belleview Boulevard (just past Belle Haven Marina). Go through two lights; the church is about a quarter-mile past the second light on your left (At the second light Belle View Boulevard becomes Beacon Hill Road).
Take the George Washington Parkway north. Exit at Belleview Boulevard. Go through two lights; the church is about a quarter-mile past the second light on your left (At the second light Belle View Boulevard becomes Beacon Hill Road).
Take the U.S. 1 South - Fort Belvoir exit. Proceed south on Route 1 to Beacon Hill Road (between Rite-Aid and Walgreens). Turn left onto Beacon Hill Road. The church is approximately one-quarter mile down the road on your right.
Take Route One north. Turn right onto Beacon Hill Road (between Walgreens and Rite-Aid). The church is approximately one-quarter mile on your right.
Click here for a map/driving directions from Google Maps.


before junior creditors receive any payment.
The school of macroeconomic thought prior to the rise of Keynesianism.
A type of bond that has an infinite life but is not issued in the U.S. capital markets.
those of its subsidiaries over which it has voting control of common stock.


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L.A. Olympic Bid
The LA City Council is deciding whether Mayor Garcetti should be authorized to sign an agreement with the US Olympic Committee. In preparation for the council meeting, a 200-page "bid book" was made public. It includes budget details—the projected cost is $5.8 billion—and plans for venues and the Olympic Village. City analysts also released their own report, which raises questions about the bid.
Ruben Gonzalez - LA Area Chamber of Commerce - @rubzg3
Jack Humphreville - Department of Water and Power Advocacy Committee - @Jack90020
Matt Holzman, Anna Scott, Jolie Myers, Christian Bordal, Ryan Kailath
New Details on LA's Olympic Bid, Privacy and Abortion Rights, and Ashley Madison
The LA City Council is deciding whether Mayor Garcetti should be authorized to sign an agreement with the US Olympic Committee. In preparation for the council meeting, a...
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The fight over abortion rights has taken a new turn. More and more, anti-abortion activists are trying to uncover personal details about women who get abortions and doctors...
Film Roundup: No Escape and More
August is the new February, when it comes to movies. And thankfully, we're nearing the end of this cinematic wasteland. We discuss the late August dumping ground on our...
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The infidelity dating site Ashley Madison has been trying to attract women users, but an analysis of the hacked data found that close to zero percent of the site's 37...


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Home Stories Abandoned by His Father As A Kid, He Now Gives Dad Advice...
Abandoned by His Father As A Kid, He Now Gives Dad Advice To Others
It's a story far too common, often with a sad cycle of disappointment and neglect that ruins generations of families. But in this family, someone broke the cycle.
Rob Kenney's dad left his family when he was only 12. Rob was one of eight kids, and when this upheaval happened, some of his siblings were already adults. At the age of 14, he was forced to go live with his older brother.
The trauma of having his father walking out on them stayed with Rob. But he decided to do something good with it.
A father figure for kids who don't have one
Rob is now a father of two grown children and he wants better for other kids, who find themselves growing up without a dad. So he decided to start a YouTube channel "Dad, How Do I?" full of free practical advice and wisdom kids may go to their dads for, assuming they had a dad that was around.
These advice videos cover topics like "Ways To Tie a Tie", "How to Unclog a Sink" and "How to Check the Car Oil." His channel was only started in April 2020, but it's already exploded in popularity! And it's only growing in popularity across other forms of social media as well.
A Facebook post shared by Chris Hart described Kenney's "Practical 'Dadvice'" channel has gone incredibly viral, which lead to even more followers for Kenney's YouTube channel, which is now up to nearly a million subscribers.
His intention was always to give back
In an interview with WICU on May 13, Rob explained what prompted him to start "Dad, How Do I?" Much of it has to do with his upbringing.
"I come from a fractured home, and so my goal in life was to raise good adults and so then when I got to, you know, early 50s, I'd felt like I'd already done that. Now what? I still got a lot of life to live," Rob said.
That's why he was inspired to give back to others.
So if I could pass some of what I have learned, to help people…and it's it's definitely resonating. I'm getting such amazing comments from people. I'm humbled by it.
Rob Kenney
His daughter helps him find ideas
Rob's own daughter helps him run the channel and she herself calls him with adulting questions all the time. In fact, this is how he gets many of his video ideas!
Rob knows that being a father is much more complex than the advice he gives out. "Obviously there's a lot more to being a dad than being able to screw in a light bulb or whatever," he explained. But to him, that's a first step into hopefully much bigger projects.
"We talk about all kinds of things—finances, and what do you do with this, and what do you do with that." He's trying to figure out how to cover some of those subjects, and may branch out into doing a podcast.
He never expected his success
Rob never expected to touch people in such a profound way. "I was just thinking I was going to be showing people how to do stuff. But it's resonated on such a different level," he told WICU.
In fact, he has unknowingly been a source of comfort to many.
Some of the emotional responses I've gotten from people who don't have fathers, or didn't have a relationship with their father, or have lost their father, you know, and they've said they watched my videos in tears, just being reminded of missing their dad. It's amazing.
And some of the comments under his videos prove his words.
Kenney has turned his own personal upheaval into an amazing gift to the world. What a great dad–and guy! He shows that our small actions can indeed have much more meaningful impact on others.
If you have a project or hope to make a change or help others, then believe that it can work!
More inspiring heroes:
Heroic Police Officer Steps in to Take Girl to Father-Daughter Dance
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Man Buys $6 Million Super Bowl Ad To Pay Back the Heroes Who Saved His Dog
Woman Fired For Act of Kindness Now Has Companies Lining Up To Hire Her
Woman Delivers Her Own Baby And Saves Truck Driver From a Deadly Explosion
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Aly Walansky is a NY-based lifestyles writer focusing on travel, food, and wellness.
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What You Should Know About Halsey's Parents And How She Defied The Odds Of A Troubled Upbringing


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Джа́комо Анто́нио Доме́нико Кваре́нги, в старом написании Гваренги (; 20 сентября 1744, Бергамо — , Санкт-Петербург) — архитектор, рисовальщик, акварелист и ведутист итальянского происхождения, едва ли не самый плодовитый представитель палладианства в русской архитектуре. Почётный вольный общник Императорской Академии художеств.

Биография

Джакомо Кваренги родился в селении Рота-Фуори близ города Бергамо на севере Италии, в Ломбардии (Северная Италия), крае, который издавна славился умелыми каменщиками и строителями.

В 1763 году Кваренги уехал в Рим, где учился живописи в мастерской Антона Рафаэля Менгса, затем у Стефано Поцци и архитектуре у Паоло Пози, дружил с будущим архитектором Винченцо Бренной. Под влиянием последнего и гравюр Дж. Б. Пиранези молодой Кваренги увлёкся классической архитектурой. В Риме Кваренги познакомился с трактатом Андреа Палладио «Четыре книги об архитектуре», и это событие определило всю его дальнейшую творческую биографию. Под влиянием книги начал путешествовать по Европе, изучая архитектуру.

Построил манеж в Монако и столовую залу в доме эрцгерцогини Моденской в Вене.

Кваренги много путешествовал по Северной и Южной Италии, ему были известны постройки другого палладианца из Виченцы — Оттоне Кальдерари (1730—1803). В Италии, а затем и в России Кваренги часто копировал чертежи других архитекторов-классицистов: французов Шарля де Вайи, Клода-Николя Леду, также поклонника Палладио, Этьенна-Луи Булле, Жака Гондуэна, английского классициста Роберта Адама.

В 1769 году Кваренги получил заказ на перестройку интерьера средневековой церкви Санта Сколастика (Святой Схоластики) в городе Субиако близ Рима. Строительство велось в 1770—1773 годах. Интерьер этой церкви «является одним из первых и самых ценных примеров неоклассицизма… единственным в Лациуме».

В 1771 году Кваренги посетил Виченцу, где находятся основные постройки Палладио, встречался там с Оттавио Бертотти-Скамоцци (1719—1790), поклонником Палладио, опубликовавшим в 1776—1783 годах собрание подлинных чертежей выдающегося архитектора.

В Венеции Кваренги подружился с Томмазо Теманца, автором жизнеописания Палладио, опубликованного в 1762 году. Итальянский палладианец также копировал чертежи английских архитекторов-палладианцев А. Джонса, Дж. Уэбба по изданию «Британский Витрувий», осуществлённому лордом Р. Б. Бёрлингтоном в 1717—1725 годах в 3 томах.

Кваренги был неудовлетворен вкусами, которые господствовали в архитектуре современной ему Италии («пережитки барочной пышности»), об этом он писал в письмах Иоганну Фридриху Райффенштайну (1719—1793), знатоку римских древностей, другу Й. И. Винкельмана.

В 1779 году Кваренги вернулся в Рим, где состоялось его знакомство с Фридрихом Гриммом. Барон Гримм приехал в Италию по поручению императрицы Екатерины II: найти зодчих для работы в России. По рекомендации Райффенштайна, бывшего также «художественным агентом» Екатерины II в Риме, с Кваренги был заключен контракт на работу в России (вначале на 3 года), где архитектор проработал 37 лет вплоть до смерти.

В октябре 1779 года Кваренги с женой через Венецию и Чёрное море отправился в Крым, а оттуда в Петербург. Будучи 35 лет от роду, в отличие от других итальянцев в России, с большим опытом работы в январе 1780 года Кваренги прибыл в Санкт-Петербург в качестве «архитектора двора её величества».

Направляясь в Россию, Кваренги вез с собой два первых тома чертежей А. Палладио, изданных в Венеции О. Бертотти-Скамоцци (позднее, вероятно, выписывал и последующие издания). Перед выездом архитектор и его супруга М. Маццолени заручились у нотариуса документом, удостоверяющим знатность их рода. Род Кваренги известен в Бергамо с XII в. В то время для устройства на работу в России знатность рода была особенно важна. При императоре Павле I (1796—1801), сделавшим себя гроссмейстером Мальтийского ордена, католик Кваренги 19 июля 1800 года был также посвящен в кавалеры ордена. Император предложил ему должность орденского архитектора (один из предков Кваренги в XVI в. уже состоял в ордене иоаннитов). В Российском государственном архиве в Петербурге хранится герб семьи Кваренги, нарисованный архитектором и заверенный неаполитанским послом. В 1799 году дворец графа М. И. Воронцова, возведённый по проекту Ф. Б. Растрелли (1749—-1757), отвели под резиденцию Мальтийского ордена. Архитектор Кваренги спроектировал и пристроил к дворцу Мальтийскую капеллу.

В первое десятилетие своего пребывания в России он построил Английский дворец в Петергофе (1780—1787), павильон в Царском Селе (1782). В Санкт-Петербурге Кваренги построил здания Эрмитажного театра (1783—1787), Академии наук (1783—1785), Ассигнационного банка (1783—1789), Иностранной коллегии. Он выполнил также ряд заказов высокопоставленных вельмож, среди которых выделяется летний дворец графа Безбородко в Санкт-Петербурге.

При Павле I Кваренги построил в Царском Селе Александровский дворец (1792—1796). В это же время спроектирован дворец графа Завадовского в Ляличах.

В первом десятилетии XIX века по проектам Кваренги в Санкт-Петербурге построены Конногвардейский манеж (1800—1807), здание Императорского кабинета (1803—1806), Мариинская больница для бедных (1803—1805), здания Екатерининского института благородных девиц (1804—1807) и Смольного института благородных девиц (1806—1808).

В конце 1810 года Кваренги в последний раз выехал из Санкт-Петербурга в Бергамо. В родном городе ему была устроена торжественная встреча. Но уже в 1811 году Кваренги поспешил вернуться в Россию. В связи с подготовкой похода наполеоновской армии в Россию итальянцам, состоявшим на русской службе, было приказано вернуться в Италию; однако Кваренги отказался выполнить этот приказ и был заочно приговорён к смертной казни с конфискацией имущества. К последним годам творчества мастера относится постройка временных деревянных триумфальных ворот за Нарвской заставой в честь победы над Наполеоном.

Д. Кваренги скончался 2 марта 1817 года в Санкт-Петербурге. Похоронен на католическом участке Волкова кладбища, где его могила долгое время считалась утерянной. В 1960-е годы было объявлено об обнаружении могилы Кваренги, после чего его прах был в 1967 году перезахоронен на Лазаревском кладбище Александро-Невской лавры.

Творческий метод и стиль
Попав в Петербург, Кваренги оказался в сложной ситуации. Российская столица представляла собой в архитектурном отношении весьма противоречивое целое. Следы регулярной планировки, сохранившиеся от петровского и аннинского периодов (трехлучевая система центра города), сочеталась с хаотичностью застройки и пышными барочно-рокайльными фасадами дворцов, возведённых Растрелли в середине XVIII в. За пышными фасадами и курдонерами на французский манер царил полный хаос. Кваренги сумел перенести архитектуру загородных италийских вилл (лат. Villa suburbana), разработанную Палладио, в городскую застройку. Несмотря на возникавшие сложности, Кваренги умел преломлять свое классицистическое, даже пуристское понимание архитектуры через барочные ощущения. Он смело включал собственные постройки в сложившуюся до него барочно-живописную среду российской столицы. Так, например, здание Ассигнационного банка (1783—1790) строго симметричной палладианской композиции Кваренги мастерски вписал в асимметричное пространство между Садовой улицей и изгибом Екатерининского канала (полуциркульные открытые колоннады были позднее изменены). Кваренги, в отношении планировочной традиции, как и Палладио, был истинным римлянином, но способным в случае необходимости совмещать оба композиционных принципа: симметричный и асимметричный, живописный.

Используя опыт английских палладианцев (У. Кента, К. Кэмпбелла, Р. Морриса, И. Вэра, Дж. Ванбру) и архитекторов французской Академии архитектуры, Кваренги сумел сплавить воедино типичную композицию италийской виллы, разработанную Палладио, и французского отеля (городского особняка) с треугольным фронтоном и двором-курдонером. Кваренги, в отличие от парижских академиков и английских палладианцев, удалось создать собственный вариант неоклассической архитектуры, вошедшей в петербургский стиль екатерининского классицизма второй половины XVIII в. Вичентистские последователи Палладио перенимали у своего великого учителя лишь отдельные приемы компоновки фасадов с помощью ордерных элементов. Композиции классицистических флорентийских фасадов плоскостны. Кваренги, обращаясь через Палладио непосредственно к античным образцам, создавал «блокообразные» и пространственные композиции.

Внешне постройки Кваренги в Петербурге однообразны, это объясняется тем, что в своих проектах зодчий из Бергамо неукоснительно следовал им же сформулированным принципам классицистической архитектуры:
 зрительная цельность и замкнутость композиции;
 выделение центрального портика наружной лестницей, колоннадой и треугольным фронтоном;
 простота, лаконичность и ясность пропорций «по Палладио» (в отношениях простых целых чисел).

Современник Кваренги русский поэт Г. Р. Державин несколько иронично отмечал особенность зданий русского классицизма, созданную прежде других Кваренги, — портик с треугольным фронтоном в центре главного фасада, подчеркивая, что такие здания имеют «храмоподобный вид». В своей первой постройке по приезде в Россию — «Английском дворце» в юго-западной части Петергофа (уничтожен фашистами в 1941 г.), загородном особняке императрицы Екатерины II — Кваренги практически полностью повторил композицию А. Палладио — виллу Мочениго на реке Брента (между Падуей и Венецианской лагуной, в прорисовке О. Бертотти-Скамоцци). В центре здания — восьмиколонный портик с треугольным фронтоном и ведущая к нему широкая лестница. Ещё один характерный прием, часто повторяющийся у Кваренги, — подъём колоннады на высокий цоколь или арочный бельэтаж. Этот приём встречается не у самого Палладио, а у В. Скамоцци.

Некоторые здания той же схемы построенные Кваренги в Петербурге схожи с творениями английских палладианцев. Кваренги использовал открытые протяженные колоннады, почти не встречающиеся в проектах Палладио, например, в усадьбе графа А. А. Безбородко в Петербурге (1783). Палладио чаще включал в свои композиции закрытые колоннады типа лоджий, восходящие к традиционным для сельской Италии навесам на столбах. Во Франции полуциркульные галереи применены, в частности, во внутреннем дворе Отеля Субиз в Париже (1705—1709), но там они также закрытые. Тем не менее Кваренги называл «прозрачные» колоннады «alla francese» (итал., «на французский лад»). Именно они со временем стали типичными для русской усадебной архитектуры.

Совершенно оригинальна композиция здания Эрмитажного театра (1783—1787) для придворных спектаклей, прототипом которого был выбран древнегреческий театрон (не без участия императрицы). Кваренги ранее изучал античные театры, а для гравированного издания 1787 г., посвящённого Эрмитажному театру в Петербурге он специально выполнил чертеж римского театра и обмерный чертеж театра Олимпико в Виченце (проект Палладио, строительство В. Скамоцци, 1552—1616). В интерьере театра Кваренги использовал колонны коринфского ордера, облицованные искусственным мрамором, ниши со статуями Аполлона и девяти муз, круглыми медальонами с профильными портретами знаменитых поэтов и композиторов. На сцене театра шли многие оперные, балетные и драматические постановки, в том числе пьесы, написанные императрицей. По объяснению самого Кваренги, он строил Эрмитажный театр по непосредственным впечатлениям от античного театра в Помпеях. Сценические маски на коринфских капителях интерьера театра сделал, «следуя образцам виденных в Риме и, главным образом, найденных мною в раскопках театра Помпеи».

Мотив свободно стоящей колоннады Кваренги удачно развил в здании Кабинета Аничкова дворца в Санкт-Петербурге, довольно необычно совместив ионические капители с дорическим антаблементом. Композиция Александровского дворца (для будущего императора Александра I) в Царском Селе (1792—1796) вообще не имеет прямых прототипов, ни в античности, ни у Палладио. Два ризалита «стянуты», обращенной к водоему протяженной двойной колоннадой коринфского ордера, сквозь которую «просвечивает» внутренний двор, что-то среднее между римским атриумом и французским курдонером. В иных постройках Кваренги почти в точности копирует Виллу Ротонда (Альмерико-Капра) Палладио. Творчество Дж. Кваренги в России уникально, оно не повторяет произведения других выдающихся зодчих екатерининского классицизма: А. Ринальди, Ж.-Б. Валлен-Деламота, Ч. Камерона, Н. А. Львова, М. Ю. Фельтена, оно также отлично от творений итальянских, французских и английских палладианцев.

Важная часть наследия Кваренги — его графика. Кваренги — выдающийся рисовальщик. Он много рисовал с натуры: памятники древнерусской архитектуры, произведения его коллег, портреты, шаржи. Его архитектурная, в том числе проектная графика, отличается живой, беглой манерой. Свои постройки он любил изображать пером и кистью, акварелью и тушью, в пейзажной среде, пронизанной светом, населенной человеческими фигурами. Особый интерес представляет сравнение манер двух выдающихся архитектурных графиков: Дж. Кваренги и Ч. Камерона.

Реализованные проекты

В Санкт-Петербурге
 1781—1794 годы — Английский дворец в Петергофе (разрушен в 1942)
 1783—1784 годы — усадьба «Кирьяново», дача Е. Р. Дашковой — пр. Стачек, 45;
 1782—1784 годы — Смоленская церковь в Пулкове (разрушена в 1944)
 1782—1788 годы — концертный зал в Царском Селе
 1783—1785 годы — Академия наук — Университетская набережная, 5
 1783—1787 годы — Эрмитажный театр — Дворцовая набережная, 32
 1783—1799 годы — Ассигнационный банк — Садовая улица, 21
 1788 — Дом Салтыкова — Дворцовая набережная, 4
 1789—1793 годы — дворец Юсуповых на Садовой улице — Садовая улица, 50-а
 1790-е годы — Малый гостиный двор — улица Ломоносова, 2
 1792—1796 годы — Александровский дворец в Царском Селе
 1798—1800 годы — Доходный дом Жеребцовой — Дворцовая набережная, 10
 1798—1800 годы — Мальтийская капелла — входит в архитектурный комплекс Воронцовского дворца, пристроена к главному корпусу дворца со стороны сада
 1800—1801 годы — Павловский дворец: жилые покои императрицы Марии Федоровны
 1804—1807 годы — Екатерининский институт — набережная реки Фонтанки, 36
 1804—1807 годы — Конногвардейский манеж — улица Якубовича, 1
 1806—1808 годы — Смольный институт — Смольный проезд, 1
 1814 год — деревянные Нарвские триумфальные ворота (позднее перестроены в камне и металле В. П. Стасовым)

Помимо пулковской, Кваренги иногда приписывают сходные по своему облику церкви Вознесенская в Фёдоровском посаде и Преображенская в Московской Славянке.

В Москве
 1780 год — перестройка Екатерининского дворца в Лефортово
 1786 год — торговые ряды на Красной площади (не сохранились)
 1790—1805 годы — Старый гостиный двор — улица Варварка, 3
 1803 год — Странноприимный дом (пересмотр частично реализованного проекта).

В других регионах
 1769-76 — Вардурское поместье барона Арундела в графстве Уилтшир

 1780—1790-е гг. — строительство крупного усадебного комплекса графа П. В. Завадовского в Ляличах (Брянская область)
 1786 — Присутственные места в Харькове на Соборной площади (не сохранились)
 1791 — Спасо-Преображенский собор в Новгороде-Северском
 1792 — саркофаг на могиле генерал-поручика В. А. Ангальт-Бернбург-Шаумбург-Хоймского в Выборге
 1793—1812 годы — Ярмарочный дом, Курск, Коренная пустынь (не сохранился)
 1817 год — рижская Колонна победы (приписывается, одно из последних творений мастера).

На основании сходства с типовыми палладианскими проектами из альбомов Кваренги ему приписывают ряд провинциальных усадеб, как то:
 дача Донаурова на берегу Жерновки (Ириновский проспект, 9);
 дворец-усадьба Шарлотты Карловны Ливен в Межотне (Мезоттене), Курляндия (1797—1801 годы);
 проект Хотенского поместья в Харьковской губернии (конец 1790-х, сохранились два флигеля).

В Италии

Среди немногих работ, осуществлённых Кваренги в Италии, — перестройка интерьера средневековой церкви Санта Сколастика (святой Схоластики в бенедиктинском аббатстве в Субиако близ Рима в 1769 году. Также по его проектам в Италии выполнены главные алтари приходских храмов: в честь Святейшего Искупителя в Сериате датируется 1775 годом и Успения Святой Марии и Святого Иакова в Романо-ди-Ломбардия между 1797 и 1799 годами.

Коллекция рисунков, писем, документов частного характера и др. артефактов (всего более 700 единиц хранения) имеется в муниципальной библиотеке «Angelo Mai» в Бергамо. Другие собрания бумаг Кваренги хранятся в миланском музее Кастелло Сфорцески и в Кабинете рисунков муниципального художественного собрания (Gabinetto dei Disegni delle Civiche Raccolte d'Arte) Милана.

Память

В 1967 году, к 150-летию со дня смерти, установлен памятник-бюст Кваренги (скульптор Л. К. Лазарев), около здания б. Ассигнационного банка (ныне ФИНЭК) на Садовой ул., 21; тогда же установлена мемориальная доска на Дворцовой наб., 32 на доме, в котором жил Кваренги (архитектор В. Д. Попов)

В 2003 г. к 300-летию Санкт-Петербурга установлены памятники итальянским архитекторам, в том числе Дж. Кваренги, на Манежной площади (скульптор В. Э. Горевой)
 В память об архитекторе названы улица в Бергамо и переулок в Санкт-Петербурге.
 В 1967 году, к 150-летию со дня смерти, выпущен почтовый художественный маркированный конверт.
 В 1994 году, к 250-летию со дня рождения, выпущена почтовая марка.
 В 2017 году, к 200-летию со дня смерти, выпущен почтовый художественный маркированный конверт тиражом 1 млн экз.

Примечания

Литература

 Михайлова М. Б. К вопросу о месте Кваренги в архитектуре неоклассицизма // Джакомо Кваренги и неоклассицизм XVIII века: к 250-летию со дня рождения архитектора: Тез. докл. научн. конф. / Отв. ред. М. Ф. Коршунова. — СПб.: Гос. Эрмитаж, 1994. — С.6—10.

 Талепоровский В. Н. Кваренги: Материалы к изучению творчества. — М.; Л.: ГИЛСА, 1954.

Архитекторы Санкт-Петербурга
Архитекторы Царского Села (Пушкина)
Архитекторы Москвы
Архитекторы классицизма
Почётные вольные общники Императорской Академии художеств
Перезахороненные с Волковского лютеранского кладбища
Похороненные на Лазаревском кладбище Александро-Невской лавры

redpajama_set_name: RedPajamaWikipedia


text:
Sofia Vergara to Portray Drug Queenpin Griselda Blanco in New Netflix Series "Griselda"
Posted on November 3, 2021 by Tom Castaneda
Sofia Vergara is dealing her way to the small screen…
The 49-year-old Colombian-American actress, television producer, presenter and model is set to portray notorious drug queenpin Griselda Blanco in a new Netflix limited series.
The six-episode series Griselda chronicles the real-life of Griselda Blanco, who created one of the most profitable cartels in history. A devoted mother, Blanco's lethal blend of charm and unsuspecting savagery helped her expertly navigate between family and business leading her to become widely known as the "Black Widow".
The series comes from writer Ingrid Escajeda, who is showrunner, writer, and executive producer, as well as Eric Newman, Doug Miro, Andrés Baiz, and Carlo Bernard— the creative team behind Narcos – but it is unrelated to Netflix's drug thriller franchise.
Vergara will also serve as executive producer of the project with Luis Balaguer for Latin World Entertainment. Colombian native Baiz will direct all episodes.
"Griselda Blanco was a larger-than-life character whose ruthless but ingenious tactics allowed her to rule a billion dollar empire years before many of the most notorious male kingpins we know so much about," Vergara said. "We are thrilled to have found the perfect partners in Eric, Andrés and Netflix to help us bring this story of her life to the screen."
Newman added, "Griselda Blanco has long been a passion project for Sofia and we are grateful that she and her partners at LatinWe have chosen us to help her tell that story. Sofia is a brilliant talent and her passion combined with a fantastic story from Doug and Ingrid, and the amazing Andrés Baiz at the directing helm, means we have a very exciting series to share with audiences."
Peter Friedlander, VP, UCAN scripted series at Netflix, said, "Eric Newman has deftly brought to life among the most dynamic characters and stories on screen today. We're excited to continue on this creative path with him and for this collaboration with Sofia Vergara — a force in entertainment and a world-beloved talent. With an incredible team at the helm — we can't wait for the world to see how Ingrid Escajeda, Doug Miro, and Andrés Baiz take on the twists and turns of Griselda Blanco's epic story."
Blanco burst onto the pop culture scene after her exploits were highlighted in the 2006 documentary Cocaine Cowboys and its sequel two years later from Billy Corben. She was portrayed by Catherine Zeta-Jones in the Lifetime biopic Cocaine Godmother in 2018.
Jennifer Lopez announced she'd portray Blanco in the film The Godmother, a project she is rumored to also direct.
This entry was posted in https://www.hispanicallyyours.com/dating-an-italian-american-man/ and tagged local dating app, japanese dating marriage, dating someone with anxiety, https://www.hispanicallyyours.com/victoria-dating/, Cocaine Godmother, Doug Miro, Eric Newman, Griselda, Griselda Blanco, Ingrid Escajeda, Jennifer Lopez Catherine Zeta-Jones, Latin World Entertainment, Luis Balaguer, Narcos, Netflix, Sofia Vergara, The Godmother by Tom Castaneda. Bookmark the permalink.


text:
Aston Clinton is een civil parish in het bestuurlijke gebied, in het Engelse graafschap Buckinghamshire met 3682 inwoners.

De plaats geeft zijn naam aan het Engelse automerk Aston Martin.

Civil parish in Buckinghamshire


Sets a user function (error_handler) to handle errors in a script.
This function can be used for defining your own way of handling errors during runtime, for example in applications in which you need to do cleanup of data/files when a critical error happens, or when you need to trigger an error under certain conditions (using trigger_error()).
It is important to remember that the standard PHP error handler is completely bypassed for the error types specified by error_types unless the callback function returns FALSE. error_reporting() settings will have no effect and your error handler will be called regardless - however you are still able to read the current value of error_reporting and act appropriately. Of particular note is that this value will be 0 if the statement that caused the error was prepended by the @ error-control operator.
Also note that it is your responsibility to die() if necessary. If the error-handler function returns, script execution will continue with the next statement after the one that caused an error.
The following error types cannot be handled with a user defined function: E_ERROR, E_PARSE, E_CORE_ERROR, E_CORE_WARNING, E_COMPILE_ERROR, E_COMPILE_WARNING, and most of E_STRICT raised in the file where set_error_handler() is called.
If errors occur before the script is executed (e.g. on file uploads) the custom error handler cannot be called since it is not registered at that time.
A callback with the following signature. NULL may be passed instead, to reset this handler to its default state. Instead of a function name, an array containing an object reference and a method name can also be supplied.
The first parameter, errno, contains the level of the error raised, as an integer.
The second parameter, errstr, contains the error message, as a string.
The third parameter is optional, errfile, which contains the filename that the error was raised in, as a string.
The fourth parameter is optional, errline, which contains the line number the error was raised at, as an integer.
The fifth parameter is optional, errcontext, which is an array that points to the active symbol table at the point the error occurred. In other words, errcontext will contain an array of every variable that existed in the scope the error was triggered in. User error handler must not modify error context.
This parameter has been DEPRECATED as of PHP 7.2.0. Relying on it is highly discouraged.
If the function returns FALSE then the normal error handler continues.
Can be used to mask the triggering of the error_handler function just like the error_reporting ini setting controls which errors are shown. Without this mask set the error_handler will be called for every error regardless to the setting of the error_reporting setting.
Returns a string containing the previously defined error handler (if any). If the built-in error handler is used NULL is returned. NULL is also returned in case of an error such as an invalid callback. If the previous error handler was a class method, this function will return an indexed array with the class and the method name.
7.2.0 errcontext became deprecated. Usage of this parameter now emits an E_DEPRECATED notice.
5.5.0 error_handler now accepts NULL.
5.2.0 The error handler must return FALSE to populate $php_errormsg.
By this function alone you can not catch fatal errors, there is a simple work around. Below is part of my error.php file which handles errors and exceptions in the application. Before someone complains I'll add that I do not care that I am using globals, this file is part of my mini framework and without the 'config' variable the application would crash anyways.
* Error handler, passes flow over the exception logger with new ErrorException.
* Checks for a fatal error, work around for set_error_handler not working on fatal errors.
* Map an error code into an Error word, and log location.
* @return array Array of error word, and log location.
And that at least helped me tremendously to then further pin-point where the problem is, as opposed to before just seeing the out of memory and not knowing which site/page it was on (as the PHP error only contains the very latest PHP code where it ran out of memory, which usually is just a shared included file, not the actual page).
It is not possible to handle fatal errors with own handler. Even if you have set your own handler, fatal error will be always handled by PHP's default handler. The reason is the script may be in unstable state after fatal error occurence (details here: http://marc.theaimsgroup.com/?l=php-dev&m=97673386418430&w=2).
Two notes on using set_error_handler() on behaviour that I noticed when migrating an application from php 4.2.1 to php 4.3.9 (I do not yet have php 5.0 available, this might not apply there!).
// after this, $last_handler == ""
// after this, $last_handler == "my_handler"
3rd level handler: print to stdout (if log into flat file fails) (this is the sytem handler, finally).
// I expected $last_handler == "my_handler"
// but here it is the empty string ""
i made an error handler that print also the backtrace and that can die on some errors. It can be useful if you want to die on every error you find.
As I said before, the reference operator doesn't have any effect on the the error handler.
$this->setIni(); // this causes PHP to ignore all other changes to the class.
Useful thing to note - if your error handler throws an error in itself, PHP is smart enough to use the deault error handler to handle it. This way, you don't end up in infinite flaming loops of death. This seems to be true, at least, in PHP 4.2.
"The following error types cannot be handled with a user defined function: E_ERROR, E_PARSE, E_CORE_ERROR, E_CORE_WARNING, E_COMPILE_ERROR, E_COMPILE_WARNING, and most of E_STRICT raised in the file where set_error_handler() is called."
This is not exactly true. set_error_handler() can't handle them, but ob_start() can handle at least E_ERROR.
I have realized that a few people here mentioned that you cannot capture parse errors (type 4, E_PARSE). This is not true. Here is how I do. I hope this helps someone.
2) Then add this "php_value auto_prepend_file /www/auto_prepend.php" to your .htaccess file in the web root.
* make sure you change the email address and the path to the file.
The @ operator sets the error_reporting() value to 0.
This might be handy if you don't want your clients to see the errors, and you do want to be one step ahead of them.
It emails you the errors even if it's a parse error.
set_error_handler() doesn't work for what I wanted.
"errcontext will contain an array of every variable that existed in the scope the error was triggered in. User error handler must not modify error context."
But do you know WHY you must not modify the error context? It appears that errcontext is (in effect if not literally) created by taking $GLOBALS and adding the non-global local variables as additional entries in that array, then passing the whole thing *by reference*.
(You can prove this to be true if you set up a custom error handler and then print_r($errcontext) within it, because $GLOBALS will be printed as a recursive array).
In other words, the language in the manual is misleading, because errcontext is NOT a copy of the variables that existed when the error WAS triggered, but rather is a reference to the *existing LIVE variables* in the calling script.
This includes superglobal variables like $_SERVER, $_POST, $_GET, etc., as well as all user-defined variables in scope.
The significance of that is that if you modify errcontext, you will be modifying those other variables, not just for the life of your error handling function, but for the life of the calling script as well.
That doesn't matter if you plan to halt execution in your error handling function, but it will lead to unexpected behavior if you modify $errcontext and then return to the program's normal flow after handling the error, because the variables will stay modified. For example, if you unset $_SERVER in your custom error handling function, it will remain unset once the function is over and you have returned to the page that generated the error.
The documentation is not clear in outlining these three examples.
1 E_ERROR (integer) Fatal run-time errors. These indicate errors that can not be recovered from, such as a memory allocation problem. Execution of the script is halted.
2 E_WARNING (integer) Run-time warnings (non-fatal errors). Execution of the script is not halted.
4 E_PARSE (integer) Compile-time parse errors. Parse errors should only be generated by the parser.
8 E_NOTICE (integer) Run-time notices. Indicate that the script encountered something that could indicate an error, but could also happen in the normal course of running a script.
16 E_CORE_ERROR (integer) Fatal errors that occur during PHP's initial startup. This is like an E_ERROR, except it is generated by the core of PHP.
32 E_CORE_WARNING (integer) Warnings (non-fatal errors) that occur during PHP's initial startup. This is like an E_WARNING, except it is generated by the core of PHP.
64 E_COMPILE_ERROR (integer) Fatal compile-time errors. This is like an E_ERROR, except it is generated by the Zend Scripting Engine.
128 E_COMPILE_WARNING (integer) Compile-time warnings (non-fatal errors). This is like an E_WARNING, except it is generated by the Zend Scripting Engine.
256 E_USER_ERROR (integer) User-generated error message. This is like an E_ERROR, except it is generated in PHP code by using the PHP function trigger_error().
512 E_USER_WARNING (integer) User-generated warning message. This is like an E_WARNING, except it is generated in PHP code by using the PHP function trigger_error().
1024 E_USER_NOTICE (integer) User-generated notice message. This is like an E_NOTICE, except it is generated in PHP code by using the PHP function trigger_error().
It is important to note that the registered SPL autoloader will NOT be called if an E_STRICT error triggers the error handler which, in turn, tries to use classes which are not yet loaded.
In this instance, you should manually load classes required by the error handler.
error handling function that handles both errors and exceptions; also features a backtrace including possible function arguments.
This will work, but it will bite you because each time you do this, it will cause a memory leak as the old error handler is put on a stack for the restore_error_handler() function to use.
Hi everyone. I don't know if it is an old behavior of previous versions, but currently you can set exception and error handlers as private or protected methos, if, only if, you call `set_exception_handler()` or `set_error_handler()` within a context that can access the method.
NOTE: these methods must match the callbacks parameters signatures.
// If another error handler was defined, call it.
// Use the standard PHP error handler.
Note that error handlers don't run recursively. If you have an error while an error handler is running (in the error handler itself or code called from it) then you won't get the error handler called again.
This has subtle ramifications for $php_errormsg. If you are relying on your error handler to suppress certain kinds of error message from going into $php_errormsg (via return true; because error_reporting doesn't affect $php_errormsg setting) then this will not work for any code called within that error handler.
Failed to retrieve data from string.
Attempting to make an error: Failed to find offset of data from string.
Attempting to make another error: Failed to calculate length of string.
Note that $php_errormsg (with track_errors) is only set if the function returns false (i.e. bubble on). If you return true then $php_errormsg will not be set.
There seems to be no way to access to access the _POST, _GET, etc if you call trigger_error from within a function inside a class file.
At work I have some code with errors that uncatched are the causes of integrity loss (people calling web services with file_get_contents that fails silently and afterwards insert garbage in the database).
using the output_buffer as a way to trap fatal errors from php itself, like E_ERROR, cannot offer a complete solution, b/c output buffering is disabled on the cli since 4.3.5 ..
If you choose to die() on such errors, __destruct()ors can still function, but we can't then return false and have the inbuilt handler log the error.
If you return false thus allowing the error to be logged, the script will halt, exit() style, and __destruct()'s won't happen.
It seems the only solutions in such a case is to a) log your own errors, or b) don't use E_USER_ERROR.
Note that this will only catch runtime errors. So calling a method in a non existing class, or declaring a function twice does not trigger the shutdown handler.
Note that this function may return NULL in some cases, even when there are no errors.
For instance, this is the case when you call this function for the first time: the function returns NULL simply because there is no previous error handler defined.
Be aware of efficiency and speed of your scripts!
If you use old-fashioned non-strict variable calling (example follows...), your custom error handler function degrades the script speed very big (especially for bigger projects). Because of for every "use of undefined constant" or "undefined variable" E_NOTICEs will be called your own custom error handler function.
If the result of the function isn't a valid file to be included, you wont get any errormessage, but your script will crash without any output (see the bug-database for further details: http://bugs.php.net/bug.php?id=41862).
Unfortunately, none of the procedures described here by other users to catch all errors work.
Then again this would be impossible as parse errors are triggered before the code is interpreted and executed so no code solution is possible (just as the documentation says).
using it in this form will trigger a Fatal Error (call to undefined function), which can't be caught by using your custom defined handler but *can* be caught by using the solutions presented by other programmers.
if you remove the ; from the end will trigger a Parse Error (syntax error), which *can't* be caught by any of these solutions. If this called is however places as the last line of code, just before the ?> then it will again generate a Fatal Error (call to undefined function).
if you further remove the () then you'll get a Notice (undefined constant) which can be caught by the manual method of defining a custom error handler.
When fatal error occurs, class destructors are not executed.
// get current error handler.
// if current error handler is not already php's or fails.
// check if not exceeding infinit loop.
// get its name and switch to it again.
// check if getting errorhandler failed.
In errors to exceptions conversion below I found some incorrect stuff. File and line properties of Exception point to line and file where Exception is thrown, but not where real error is occured.
It is because exceptions can't be thrown in __autoload().
As you see, exception is catched like it have been thrown by division by zero - in try/catch clause. But line numer and backtrace shows, that is was thrown by the error handler.
Both can point to the same object and handler_function so that both error and exception handling, which are very much alike usually, can be done by only 1 dedicated class.
set_error_handler also overrides the default behavior of postgresql which is to shoot HTML errors to the browser on a query failure or other database error.
I can't find a list of symbolic $errno names for postgres errors, but a normal "bad query" throws an errno of 2.
Be careful to not use an empty default case in your errno case statement if you use postgresql, and expect php to generate DB errors automatically.
I have not tested the functionality, but I think that the php.ini directive "log_errors" keeps working, but *only* when you call the default handler (= retrun false).
>>> Source : Mailing list thread about "re-invoking default error handler" at http://www.zend.com/lists/php-dev/200405/msg00491.html (be careful about the first post : "true" and "false" are switched - because it's only a proposition).
When a custom error handler is set, the php.ini directive "log_errors" stops working. I'm guessing to favor your custom handler. You can still log your errors with the "error_log" function, but it doesn't happen when you have a custom error handler.
That's not true. The reference operator does have effect, when used correctly.
Your code doesn't use the reference operator in the set_error_handler function, but it does when creating the new error object. In your case, you have to use the reference operator two times.
It seems that the reference operator '&' doesn't have any effect. That's why I submitted the comment.
You have to write set_error_handler(array(&this, 'my_error_handler')). The & is important for php to know that your error handler belongs to the same instance you allocate.
Just spent two days trying to find some method where a class can handle errors thrown at my convienience. After fighting with the pitfalls of this problem this is what I came up with. Hope it helps someone else save a little time. Its nice because all instances of this class will point to the same array that stores the errors.
Also note that even though the documentation states "errcontext will contain an array of every variable that existed in the scope the error was triggered in," that is not the case for $this in an instantiated object, as of PHP 5.1.1.
I discovered this when trying to write an error handler that would log the class the error occured in, as it was triggered from a function in a parent class extended by several individual classes.
Although errcontext is effectively an array passed by reference to your custom error handling function, you cannot simply copy it over to another variable, because that variable will also act like a reference to errcontext, almost like an object.
Instead, the only way I can find to copy the errcontext array to a separate variable so that you can actually modify its values without changing the surrounding variable context, is to copy it piece-by-piece with a foreach loop. Not the most efficient way of working, but then again, errors are hopefully exceptional enough for you that performance will not be an overriding concern in this case.
The best way, I have found to use a class/object as an error handler is to define a class, add your desired error handling function into the constructor and then call set_error_handler() to the name of your function, thats it. e.g.
Otherwise, no output whatsoever will ever be shown if an assert fails.
There's no problem with static class functions.
The class name is a string. If you don't quote the string, PHP treats it as a barestring and triggers a notice.
I was using a class, and needed to have a function within it handle php errors.
The following code will allow you to call a class function of already defined object while maintaining access to all the objects current data .
Sometimes, you want to "catch" only some errors, and let the default handler deal with the result. I just found out that (at least in PHP 5), the default handler will be called if you return false (not 0 or NULL or '', but false) from your custom handler. This allows for "chaining" handlers.
http://www.zend.com/lists/php-dev/200405/msg00491.html - the initial suggestion was to call the default handler if true is returned, but this was changed later on, apperently.


text:
Q: copy element from one dgn to another dgn Is there an equivalent command in microstation for the copyclip with basepoint from autocad to copy an element from one dgn to another dgn?
I tried attaching a reference and copying it that way, but then I can not detach that reference.
I get an error message about not being able to detach a model from a managed model.

A: Well, have you considered using the FF (FILEFENCE) command?
As you can see from the help topic it can be used in batch processing.
In short, you place a fence around the content to be saved to another file and then in the command window:
ff=<path_to_new_dgn>

Then, once you have your file, open the other DGN, and attach this new file as a reference.
Now go into the reference manager and right-click the attachment. Choose Merge to Master
Now the contents will be part of your DGN file.

A: *

*Select the element(s) you want to copy.

*Set a tentative snap point on the basepoint about which you'd like to copy. To set a tentative point, the default key is middle mouse button. If that button is not assigned, see this link.

*Menu Bar > Edit > Copy

*Open the drawing you'd like to copy into.

*Menu Bar > Edit > Paste

*Ensure your settings in the "Paste from Clipboard" dialog box are correct (angle, x scale, y scale).

*Click where you'd like to paste.


Senior living center to expand in Henderson Co.
HENDERSON CO., KY (WFIE) - The Henderson City-County Planning Commission has approved the site plan for an expansion of a senior living center.
Right now, Colonial Assisted Living is on Stadium Drive.
The site for the second facility will be on Airline Road and Adams Lane.
Construction should begin in the next few months.
On Tuesday evening, a 51 bed facility was approved. More could be added later.


text:
Kindle $2.99
Dice Man #1
19,268 ratings1,187 reviews
The cult classic that can still change your life...Let the dice decide! This is the philosophy that changes the life of bored psychiatrist Luke Rhinehart - and in some ways changes the world as well. Because once you hand over your life to the dice, anything can happen. Entertaining, humorous, scary, shocking, subversive, The Dice Man is one of the cult bestsellers of our time.
GenresFictionPsychologyThrillerNovelsContemporaryClassicsPhilosophy
Luke Rhinehart was the pen name of the author George Cockcroft.
He was born in the United States, son of an engineer and a civil servant. He received a BA from Cornell University and an MA from Columbia University. Subsequently he received a PhD in psychology, also from Columbia. He married his wife, Ann, on June 30, 1956. He has three children.
After obtaining his PhD, he went into teaching. During his years as a university teacher he taught, among other things, courses in Zen and Western literature. He first floated the idea of living according to the casting of dice in a lecture. The reaction was reportedly of equal parts intrigue and disgust, and it was at this point he realized it could become a novel. Cockcroft began experimenting with dice a long time before writing The Dice Man, but this made progress on the novel rather slow.
In 1971, London-based publisher, Talmy Franklin, published The Dice Man, Cockcroft's first novel as Luke Rhinehart. Soon afterwards, Cockcroft was engaged in the creation of a dice center in New York City.
In 1975, he was involved in a round-the-world voyage in a large trimaran ketch. Later, he spent some time in a sailboat in the Mediterranean, where he taught English and from there moved to a former Sufi retreat on the edge of a lake in Canaan, New York.
On 1 August 2012, at the age of 80, Cockcroft arranged for his own death to be announced, as a joke.
Cockcroft passed away (for real) at the age of 87 on November 6. 2020.


text:
232: Acquia U and career changers - meet Doris Wong
Doris Wong and I sat down at Acquia's Boston HQ to talk about her interesting journey through HTML and frontend work, to UX, to fitness, and finally to Drupal and Acquia, and how even at Acquia it took time, Acquia U and three jobs (!) to really settle in. Here, we talk about that path and what she got out of Acquia U.
Read this blog post on Doris's website for a wonderful, clear introduction to who Doris is and how she got to Acquia and Drupal development.
"Not all [my] experiences were a success, but the one thing I didn't stop doing was learning. Learning is one of the greatest tools you can have in your arsenal. I first came to Acquia as a UX intern with the goal of finding my next career. When I came to the realization that my heart was in web development, the Acquia U program came into fruition. When the program was finally announced, I hesitated to apply. I didn't know enough about Drupal to make an educated decision but then I thought, well, why stop learning now?" - Doris Wong
Name: Doris Wong
Work affiliation: Digital Marketer, Acquia
Acquia U profile: To the Front and Back
Blog/Website: http://dorismwong.com
Interview transcription
Meet Doris
jam: We are sitting here at Acquia's headquarters. How many days have you been working here so far?
Doris: I would have to break it down three ways. I have been here for a year with three different departments. I started as a UX Intern--User Experience--with the engineering team. That was for the summer ... No actually, I extended summer. Then from there ...
Backtrack: I was a frontend developer. I teach fitness on the side, and I was kind of looking for a change. Thinking I was going to do fitness, and then I worked at a company for frontend development because I wanted to get back into it who is focused on UX.
Then, I got connected to the UX team here. Then I thought, "Alright, what's next? I want to try something else". Then, I met Amy Parker. She kind of convinced me to sign up for Acquia U. I got in. I was at Acquia U, then I was kind of like, "Alright. Let's see what's next". Then I kind of found a role within Marketing, which was not really part of the curriculum, but I developed an interest in them. Right now, I am at Acquia as a Digital Marketer.
jam: Wow. I think we can draw two conclusions from this. The first conclusion we can draw is that you have trouble making up your mind.
Doris: Yes!
jam: The second conclusion we can draw is that three departments in a year at Acquia ... Acquia is a gold mine of opportunities for people who want to try stuff out.
Doris: Definitely. You see that a lot here. You see a lot of people who learn. It is not that I didn't learn much from the UX or with Acquia U. All of that experience has really helped me with my current role in Marketing, which is focusing on conversion for Acquia.com. So having the User Experience and the Drupal skillset to be able to use certain products on Acquia.com has really helped. In the end, actually surprisingly, all tied in together.
jam: Introduce yourself and tell us something non-Drupal-ly about you.
Doris: Alright. My name is Doris Wong. The non-Drupal-ly thing about me is that I currently teach a dance fitness class called BollyX. It is a Bollywood-inspired dance fitness program. So for those of you who have taken other dance fitness programs, this one introduces the mainstream folks to the world of Bollywood in a fitness format. It's a lot of fun.
jam: Wow, that's a cool non-Drupal-ly thing. You had this odd path into Acquia U where you had already touched Acquia - but before you came to Acquia, had you heard of Drupal?
Doris: No.
jam: How did you find out about that UX internship that you applied for?
Doris: This is where the power of networking comes in. At my internship ... It was an internship doing frontend development. It was more email marketing, but the company was involved with UX consulting or research. The former director of UX at Acquia, she had previously worked at that company. That company was probably the size of maybe 10 folks, so it is definitely a small company, very personal, intimate. I developed a relationship with the CEO. The CEO and the former director of UX here were good friends. Upon my exit, I expressed interest in developing a career in UX. During that time, the director was looking for an intern and hence the connection there. Definitely network.
Meet Acquia U
jam: What were your expectations going into Acquia U?
Doris: That's an interesting question. I don't think I had a lot of expectations. I feel that in my experience, I didn't have any expectations going into anything new, because it is a new program. I wanted to have a clear head going in, as to not have it affect my experience in the program. I was going in knowing that this was kind of the rebirth of the program since there was kind of a gap between the first program and this. So I knew it was going to be kind of like, so to speak, a pilot. There are probably going to be some hiccups and I knew that I would kind of have to go with it and run with it. Just having an open mind really helped me.
jam: What did you want to get out of it?
Doris: A sense of ... let me think about that. I think just kind of getting a better understanding of where I am in terms of my career and skills. It kind of helped me understand who I was and what I am capable of. Because Drupal was new, I was kind of coming from scratch. Didn't know anything. It really helped me figure out, "Alright, this is what I can do. This is what I am capable of. What's next?"
jam: Alright. How was it?
Doris: It was challenging. It was really challenging because it was a little more fast-paced. There were some folks within the program that had Drupal experience, some who have built sites around. I think for me having a frontend development experience really helps. Knowing a little bit – at least a general understanding of PHP, I knew the frontend stuff like CSS, HTML kind of helped, but I think it was more of the site building component and just understanding how it worked together. That was the more challenging aspect of it. But that was just the beginning. As I keep getting engrossed to it, it just got a lot easier.
jam: Run us through a day at Acquia U.
Doris: There is no typical day. But I can say that as you are going through the program, you would come in – usually the first half would be lecture. Going over ... reviews. That is also dependent on where we are. If we feel comfortable passing a subject, if we are familiar, we can move on to the next. Then, the second half of the day could be more of a project that we are working on. If we wanted to do more learning, there was some flexibility in the schedule. That was the great thing about the program, there is a lot of flexibility during the day. We will have a set schedule, but depending on what we wanted to do, the instructor was really great in allowing us to decide, "I think we want to focus on this today versus that".
jam: What's the most important thing you got out of going through Acquia U?
Doris: Definitely working with the team and learning more about the Acquia culture. That's the one thing that is really good about this program is because you are not just sitting in a random office or something that you are just learning something. You are actually engrossed in the culture, so you get an understanding for what it is like working here and working with the people around you.
jam: What's the one piece of advice that you would give for people looking for a new career?
Doris: One piece of advice is that--this may sound interesting--but you need to be dedicated. It is not easy making the transition. If you are serious about making a career change, then you want to be devoted to it and do everything you can to get better at it because you can just go in and say, "Maybe I will just try this and not do anything about it". You are not getting much value. You have to have dedication.
jam: Would you recommend Acquia U to others?
Doris: Yes. Not only are you learning a lot from the instructors, you are also learning from your peers because we have folks that are coming from different careers and I feel that anything that you learn, you can always translate that in whatever career you end up choosing afterwards.
jam: Awesome. Thank you!
Doris: Thank you! It's a pleasure.


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text:
package org.knowm.xchange.enigma.dto.trade;

import com.fasterxml.jackson.annotation.JsonProperty;
import java.math.BigDecimal;
import lombok.AllArgsConstructor;
import lombok.Data;
import lombok.NoArgsConstructor;

@Data
@NoArgsConstructor
@AllArgsConstructor
public class EnigmaWithdrawFundsRequest {

  @JsonProperty("settlement_type_id")
  private int withdrawalTypeId;

  @JsonProperty("amount")
  private BigDecimal amount;

  @JsonProperty("currency")
  private String currency;

  @JsonProperty("account_id")
  private String address;
}


text:
require 'spec_helper'

module SupportEngine
  RSpec.describe TicketsController, :type => :controller do

  end
end


text:
Dick Vitale, Tampa Bay super fan, revels in city's current pro sports surge
Scott Gleeson
Corrections/clarifications: A previous version of this story misspelled the first name of the Tampa Bay Lightning coach.
Before basketball became his passion, Dick Vitale's heart belonged to baseball as a kid growing up in East Rutherford, New Jersey.
His mother got him a pinstriped Yankees uniform as a five-year-old and he admits to skipping school to see baseball games at the old Yankee Stadium.
"People associate me with basketball for obvious reasons, but as a kid I was such a baseball fanatic that one time I even was able to sneak into Yankee Stadium and run around the dugout," Vitale told USA TODAY Sports. "That love of baseball has always stayed with me."
That's what prompted Vitale, an ESPN college basketball commentator for more than 40 years, to become a Tampa Bay Rays season ticket holder 21 years ago near his home in Lakewood Ranch, Florida. He's been with them from the start in 1998.
Vitale's upbringing near Yankee Stadium also made the Rays' playoff victory over the Yankees so sweet, giving him an opportunity to cherish the series win over family members who are Yankees fans.
The 81-year-old is not shy about being a Rays super fan, throwing out the first pitch at several games as the team's good luck charm, wearing his customized team attire and joking that at games fans and even players will come up to him for pictures. "In reality, I'm trying to be a groupie as a fan," Vitale said.
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"I have a blast whenever I'm there at games. The only negative thing about this year is I don't get to see the games in person, but it's OK because watching sports helps us escape the seriousness of coronavirus and everything we are going through in this country."
Once the Rays reached the World Series following Saturday's Game 7 win over the Astros, Vitale said he went "completely ballistic" celebrating as a Rays super fan. Social media evidence confirmed it, as Vitale jumped for joy as if he were a kid again watching the Rays reach the World Series and posting on Twitter to his 880,000 followers.
Vitale has also been a die-hard Tampa Bay Lightning and Buccaneers fan. He was likewise ecstatic when the Lightning won the Stanley Cup, even though he felt that he knew the franchise would win it all before its own head coach, Jon Cooper.
"He and I are good friends," Vitale explained. "What I told them after they lost last year (in the first round of the playoffs) after such a great season was you are going to be the Virginia and Tony Bennett of hockey next year."
Vitale drew a correlation to his sport in college basketball when Virginia lost in the first round of the NCAA tournament in 2018 as the first-ever No. 1 seed to fall to a No. 16. Then the next year, the Cavaliers, coached by Bennett, won the national championship in redemptive fashion.
"So I see Jon Cooper on ESPN after winning the Stanley Cup and he's wearing a Virginia hat," Vitale recalled. "Nobody knew the reference, but I did!"
Vitale said he's living the dream with three great sports teams, knowing that the Tom Brady-led Bucs also have a chance to do something special in 2020. Tampa will play host to the Super Bowl this year. An NFL team has never made the Super Bowl when it has been in its home stadium.
"The Bucs changed into a contender overnight," Vitale said. "(Tom) Brady has the competitiveness of the Jordans and LeBrons, that 'it' factor – a thirst to get better every day and not care about the trophy but focus on winning and what's next."
Vitale, known for his catch phrases in college basketball like "diaper dandy" and "it's awesome baby," said he's carried over the passion he brings as a broadcaster into fandom.
"I've always been a glass is half full kind of guy, during tough times, and being a fan means going through some of that to get to times like these," he said.
"We could have three champions in one year, baby."
Vitale's new book, "The Lost Season: A Look at What the Journey to the 2020 National Championship Could Have Been," can be found on dickvitale.com, with all the funds going to cancer research with the V Foundation.


Unalakleet Airport is a major commercial airport in the State of Alaska. Unalakleet is located on the west coast of Alaska, in a bay on the Bering Sea, approximately 650 km or 403 miles northwest of Anchorage.
The airport is on the northern edge of town.


Bad luck seems to follow you everywhere you go. Unexpected delays occur, unpleasant and unfortunate changes take place. You should expect the unexpected, but you can take comfort in the fact that all change involves a lesson and is therefore positive in the end.
It can mean bad luck or unexpected events or outside influences.


Stickers very funny and convenient since you may apply them quickly, give a fast-drying top coat and you're out the door with a fresh-looking manicure that's coordinated in color and design for the outfit you're wearing that day. Remove them later and alter up the design for an evening out on the town, removing only the top rated coat and sticker. One more fun and creative technique in the nail art accessories stadium is Fimo art, obtainable in just about every shape you can imagine, coming from simple abstract designs through complex looking fruits and animals. But using Fimo art is so simple, just anyone who's into first-timers nail art can use Fimo art and give themselves an extremely unique and interesting manicure that everyone will want to observe and talk about.
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text:
O.J. Simpson Fights To Appeal Charges In Hotel Scandal
It's been 14 years since the murders of Ron Goldman and Nicole Brown Simpson, ex-wife of former NFL superstar O.J. Simpson. Even after being found not guilty of the murders of his former wife and her friend, Orenthal "O.J." Simpson found a way to get involved in another troublesome situation that could potentially cost him years in prison. In September of 2007, he was arrested on armed robbery and kidnapping charges at a Las Vegas hotel. Simpson claims that his conviction in the hotel incident where he allegedly held someone at gunpoint was a vengeful attempt to send him to prison over his acquittal in the 1994 murder case. He also went on to say that he is requesting a new trial because there were no black people on the jury to back him up. I don't think that would have mattered much but hey you never know. Simpson's lawyer Yale Galanter said that his client's trial should have been held with delicacy considering his past:
"O.J. Simpson brought such baggage into the courtroom that special care had to be taken during jury selection, jury instruction, during testimony and the whole trial," "There had to be heightened awareness to ensure that O.J. Simpson received a fair trial." –Attorney Yale Galanter
There are quite a few people who would like to see O.J. go down by any means necessary. So it's not surprising that he feels like people are just out to get him. But putting himself in a position like this was not a smart move on his behalf. O.J. got let off the hook once already even though people still to this day think he is guilty. A second time is not looking to favorable for him at the moment.


Nate "Boone" Craft was voted #1 villain in the history of the GangLand television show. He confessed to over 30 murders as part of the "Best Friends" murder for hire and drug gang in Detroit. After serving 20+ years in protected Federal Custody he is out.


Save $20 when you purchase all 4 classes together!
Have you already looked at the schedule for the 4-part workshop series taking place at barre3 Legacy Village and know you want to attend each?? This is your chance to save $20 and purchase all 4 tickets ahead of time. Please review topics and dates because tickets are non-refundable.
Each class will be held Saturday at 11:30-1pm.
July 6: How to transition to a plant-based lifestyle & make it last!


text:
Mallory Everton, Stephen Meek, USA 2021, 80'
Poser Superior
Is it possible to make a rebellious, expressive comedy and nostalgic road movie (all in one) about the COVID-19 pandemic? The authors of Stop and Go, a hit at this year's South by Southwest festival, prove it is. At the same time, they don't lose sight of what is the most difficult in pandemic reality: loneliness and helplessness, fear for loved ones and unwanted life changes. All these experiences are shared by two sisters we meet in February 2020, when they have crazy and beautiful ideas for the months to follow. When we see them again, reality has already verified their plans. The women also receive a letter from the nursing home where their beloved grandmother lives. When it turns out that some of the residents have contracted the coronavirus, they decide to go there and bring her home. The long journey is an opportunity for talks, settling accounts, strange adventures and cementing sisterly bonds. At the same time, it proves to be an accelerated lesson in maturing and rediscovering yourself.
Mallory Everton
Mallory Everton is a director, screenwriter and actress, born in 1989 in Portland. She is a graduate of Film Studies at Brigham Young University. She gained renonwn for starring in the comedy project Studio C, which she also co-wrote, and her appearance on NBC's comedy Bring the Funny. Several years ago, she founded JK! Studios, where she produces online comedy series and shows. Stop and Go is her directorial film debut.
2021 Na dobrej drodze / Stop and Go (Recovery)
Stephen Meek
Stephen Meek is an actor, screenwriter, and comedian, born in 1988 in Hobbs, New Mexico. He graduated from Brigham Young University, where he met Mallory Everton and Whitney Call (whom he married a few years later). His projects include the Studio C and Divine Comedy. Meek and Everton coproduce online comedy series for JK! Studios, including Freelancers and Evening Plans. Stop and Go is his directorial film debut.
director Mallory Everton, Stephen Meek
screenplay Mallory Everton, Whitney Call
cinematography Brenna Empey
editing Mallory Everton, Stephen Meek
music Eric Michael Robertson
sound Brenden Bytheway, Doug May
cast Mallory Everton, Whitney Call, Julia Jolley, Anne Sward Hansen, Stephen Meek, Jessica Drolet
producer Scott Christopherson, Abi Nielson Hunsaker, Babetta Kelly
production Sorø Films, Buzzfeed Studios
sales Sorø Films