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HomeFilm SchoolHow to Network in Hollywood: Tips for Connecting in the Film Industry
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How to Network in Hollywood: Tips for Connecting in the Film Industry
Here is a guide on how to network in Hollywood.
Why Networking in Hollywood is important
Some people are not aware of the importance of networking. Why is networking so important? The film industry is a network of people, and the opportunity is knowing and socializing with other people. From the screenwriter to the production assistant to the background actor, people work together to make a production happen. You can have all of the capabilities in the world. You can work 80 hours a week, and you can be the next celebrity A-lister. But, unless you get an opportunity, all of your hard work is wasted.
Effective networking is planting seeds with many people so that when you need assistance, you do not have to depend on a chance to make it happen.
How to find opportunities?
Most people do not understand how to find opportunities to network and socialize. Some believe these opportunities are random, and most people will get discovered. Other people go to networking events, keep a collection of business cards, make phone calls, and send out pitches. These people are not effective at networking. The biggest celebrities and influencers in Hollywood grow and build opportunities. Effective networking is planting seeds with many people so that when you need assistance, you do not have to depend on a chance to make it happen.
If you're looking for production jobs, auditions, and casting calls, visit our jobs page here.
Become more outgoing
It is not possible to network from the comforts of your own home. As tempting as it may be to stream the latest TV series, it is essential to go out there and network with as many people as possible. Do not pass up on the chance to play basketball at your local gym or a party over the weekend; these are all chances to make new friends, build relationships, and connect with others.
Live in a major city.
Major cities such as Los Angeles, New York, Chicago, and Vancouver, have thriving entertainment industries. Attend movie screenings, festivals, and parties. An aspiring filmmaker can make great connections by attending meet-and-greets and striking up a conversation with another working filmmaker. The same applies to actors; attend a free acting workshop or showcase, where you can network and connect with other like-minded individuals.
Maintain Connections
While it is great to give someone your business card, it is not enough for someone to care about you. Get a business card from everyone you meet and follow-up. It is a great way to continue to build a relationship and grow a relationship. If the person does not have a business card, add their contact information to your phone with their name, the location you guys met, and something personal about them. You will reference these things when you follow-up in the next coming weeks. Maintaining contact may feel uncomfortable or different, but it is crucial to keep a connection alive.
In these times of COVID-19, it is impossible to connect and socialize with people in the same way. It is why Project Casting offers a fantastic resource for people to connect with like-minded people, influencers, and others in the entertainment industry. While other platforms give people the ability to search for someone, we believe that it's far better to potentially connect with someone you already do not know. Sign-up today and get started networking! More Project Casting Entertainment Resources:
How to Find Acting Auditions and Casting Calls
What Are The Skills for Acting? What You Need to Know to Become an Actor
How To Become an Actor With No Acting Experience
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break my heart 1000 times Thu, 06 Dec 2018 13:31:00 GMT break my heart 1000 times pdf - Subscribe now and save, give a gift subscription or get help... Get this from a library! Break my heart 1,000 times. [Daniel Waters] -- A spine-chilling, heart-stopping supernatural thriller from the critically-acclaimed author of Generation Dead, Daniel Waters. You'll want to read this ghost story with the lights on.
Downloads Break My Heart 1000 Times Pdf [Free Download] Downloads Break My Heart 1000 Times Pdf - PDF Format. Book file PDF easily for everyone and every device. heart to heart kathryn kuhlman pdf Break My Heart 1,000 Times (eBook) : Waters, Daniel, 1969- : A spine-chilling, heart-stopping supernatural thriller from the critically-acclaimed author of Generation Dead, Daniel Waters. You'll want to read this ghost story with the lights on.
For this reason, �Break My Heart 1,000 Times� is an excellent pastime, able both to instigate and constantly urge curiosity, and to close the book and feel satisfied. Daniel Waters He has written several novels for young audiences such as tetralogy �Dead generation� (2008-2016) or Dead Kiss (2011).


The beginning of the social media phenomenon was marked with Facebook. It has been regarded as one of the most popular social media platforms and rightfully so. As it became insanely popular, hackers started devising different techniques to hack Facebook accounts and their passwords. We will be telling you about how to hack Facebook password without software or another program.
Though Facebook has adopted strict privacy policies, hackers are still on the lookout for new techniques that could help them hack Facebook passwords. The security measures adopted by Facebook have helped the social media giant gain their users' trust so far but still, the hackers are giving them a tough time.
The most astonishing fact is that the hackers are coming up with techniques to hack Facebook password without seeking help from a software or another program. They are using conventional hacking methods to hack someone's Facebook password which we have mentioned below.
If you are interested in knowing how to hack Facebook password without software then we would suggest you keep reading this post.
Since Facebook shot to fame, hackers have been trying to invent different methods to hack Facebook without using any software or program. One of the methods they are likely to use is phishing. By using this technique, the hacker creates a webpage similar to Facebook's login page and then upload it to a hosting whose domain name is almost identical to that of Facebook's.
When the fake web page is successfully created, the hacker sends its link to users in a personal message/email, asking them to use that link to log in to their Facebook account. Users mistakenly click on the click and enter their credentials, thinking they are only logging in to their Facebook account. Once they are logged in, the hacker gets access to their credentials including their Facebook email ID as well as password.
Apart from phishing, hackers also use the reset Facebook password option to hack someone's Facebook. This technique is mostly used by someone who is close to you such as your friend, colleague or your relative. Since they happen to be close to you, they may have a vague idea of your Facebook email ID or password. They can reach to your laptop, open your Facebook ID, where your Gmail account is already logged in, and then hack your Facebook account by using the password reset option.
There are also other Facebook hack techniques hackers can use which include plain password grabbing and social engineering. However, the smartest hackers may not even use all of these techniques and may adopt something more advanced such as a Facebook monitoring tool to keep a close eye on your Facebook activity.
A Facebook monitoring such as Mobistealth can also be used to hack someone's Facebook. It may not be termed as a conventional Facebook hack solution but can be used to closely monitor someone's entire Facebook activity, hence this is why it is known as a Facebook hack tool.
This advanced monitoring solution also tells you about how to hack Facebook messages without password. It means you can hack someone's Facebook Messenger and read all their conversations without knowing the password to their account.
There are several fake Facebook hack tools on the internet so we will only recommend using authentic monitoring tools. Mobistealth is a credible Facebook hack tool, providing advanced surveillance features for your computers and mobile devices. This tool helps you hack someone's Facebook without downloading any additional software.
All you need to do is download and install this monitoring tool on your target's device whose Facebook you want to monitor and then wait for the tool to record all their Facebook activity. Once the monitoring tool is successfully deployed on the target's device, it will record all their Facebook activity and then transport the information to your online Mobistealth account, allowing you to remotely monitor their Facebook updates.
Hackers may also use conventional techniques to hack someone's Facebook password but with the help of Mobistealth they can carry out the hack in a stealth mode.


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WATCH: Cisco CEO Chuck Robbins On How To Win As A Leader
Cisco's Chuck Robbins says an open and honest culture is key to his success: "I've told our teams that if it doesn't put the company at risk or me in prison, they can ask me any question and I'll answer it."
By Diana Blass February 04, 2019, 06:22 PM EST
Chuck Robbins took over as Cisco's CEO about four years ago. At the time, former CEO John Chambers referred to Robbins as an "execution machine," describing him as a fast learner who can turn a vision into results.
So far, that's exactly what we've seen.
[Related: Cisco CEO Robbins On Tariffs, Security, And The State of The Global Tech Industry]
Cisco capped off its 2018 fiscal year with its highest-ever annual revenues of $49.3 billion. Ask Robbins his secret and he credits a culture of authenticity and openness.
"Be the same person you were 20 years ago and be the authentic human because everybody else just wants to know who you are," said Robbins. "I've told our teams that if it doesn't put the company at risk or me in prison, they can ask me any question and I'll answer it."
Robbins urged executive to remain grounded and honest in order to gain the trust of employees. For more of Robbins' interview, watch the video included in this article.
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redpajama_set_name: RedPajamaCommonCrawl


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The king and queen of comics: In conversation with Art Spiegelman and Françoise Mouly
Though it's possible you'd be able to find two people who have done more for modern comics than Art Spiegelman and Françoise Mouly, you will certainly never find another couple
Illustration by Steve Murray
Afterword
Though I doubt it, it's possible you'd be able to find two people who have done more for modern comics than Art Spiegelman and Françoise Mouly; you will certainly never find another couple. Since coming together in 1970s New York, they have been at the forefront of comics' rise from the magazine racks at head shops to the front pages of intellectual magazines, to say nothing of the walls of museums.
The seed of their fruitful contribution to comics was Raw, a magazine that changed the definition of what comics were and could be. Hand-printed by Mouly and edited by both in their New York loft, it managed, in a mere eight issues spread across the first six years of the '80s, to: serve as the launching ground for Maus, Spiegelman's Pulitzer-winning book that basically invented the graphic novel as we know it; propel Mouly into an art directorship at The New Yorker, where she has brought to life some of the most striking magazine covers of the last 30 years; and launched the careers of, among others, Lynda Barry, Charles Burns and Chris Ware.
Spiegelman and Mouly were in Toronto last weekend for the Toronto Comics Arts Festival, launching Spiegelman's forthcoming career retrospective, Co-mix. The National Post had a chance to sit down and talk to them about their partnership and the role of Raw in the modern comics landscape. Below are some selected words of wisdom from the first family of comics.
On meeting and the comics scene in the 1970s:
He was unique: there was nobody else who knew that much, or was that passionate, or had work that was that coherent. He was like a lone prophet. There wasn't anybody else who seemed to share the sense of possibility, of what had been done and what could be done.
Art Spiegelman To me, it seemed like there was some interesting energy in that underground comics thing, but it had already gotten to the point where if it wasn't like an underground comic that existed in 1968, publishers weren't interested, because there wasn't an audience for it outside the head shops. So if it wasn't about sex, drugs, cheap thrills, radical left politics or pornography, it didn't have a real niche. The overground, which is what I was calling it at the time, was pretty inert in the mid-'70s, so I couldn't really find a place.
On mistrusting the art world:
FM My roommate was trying to get paintings in galleries, so I had a good example of someone who functioned in the world of art. I wasn't confrontational, but I would ask her, "Can you explain to me what this painting is?" And then she would launch into this 12-minute discourse about the history of art as she had done it, but it told me nothing about the art itself. It was sort of like a deaf man's dialogue.
AS At that point, art had become a branch of philosophy. You couldn't really talk about something like, 'Why are we alive?' … So comics were never a choice for me. In fact, if anything, I was a slob snob: I didn't trust it if it was in a museum. It took, actually, [filmmaker] Ken Jacobs to drag me into a Picasso show in upstate New York, and there was a eureka moment: They're just large comics panels, a bit plusher, but he's a cartoonist. So then I could sort of drag him down to my level.
On choice early work:
FM My favourite piece [in Breakdowns, Spiegelman's first collection of work] was Don't Get Around Much Anymore. Which was, I mean, I love the fact that it was all in one page, and that there was so much articulated in something that seemed so nothing at first — so straightforward, but when you unpacked it, it was like an Escher drawing: multiple staircases kept bringing you back to the same places. The elegance of it was really exciting.
AS I've never heard it put that way before, but if that's the strip that won Françoise, it totally justifies the three months of drawing it, ripping it up and drawing it again that I went through. I was really trying to find something there that I didn't have the language for.
If anything, I was a slob snob: I didn't trust it if it was in a museum
On what they wanted Raw to be:
FM Basically, there were no venues for comics, and I just thought, "Well, I can do it myself." The idea was to show people what actually could be done … that it wasn't so much a style that was one answer to where comics should go, but was more that each person had their own voice.
AS It was like building a Potemkin village, pretending that there was an international comics scene. Most of the people didn't know each other, we were just finding things we thought were great. And it was only after we were making this Potemkin village that we realized it had turned into a real city. What's great, looking back, is not only that these artists are great artists, but that they have a whole school following them. There was something in their cocktail of words and drawings that made others want to follow them.
On their own digital divide:
FM It's like writing: if you write with a word processor, it looks like a finished text even when it's just a rough draft. If you sketch it out, you have a physical difference in all the different steps, and the finish is the finish. I try to discipline the artists when they send me sketches to The New Yorker: I want black-and-white thumbnails. The number of times I make them rewind the clock and get back to the original idea is just … The essence of the idea is in your thumbnails.
AS We disagree on this. I think it's amazing that this new technology that exists makes the most beautiful books since the Middle Ages possible. In the course of getting there, I don't admire my drawings that much: I just do what I need to do to get the damn thing done. There's a line in Fanny Hill that I remember reading when I was 13: There's some sort of love scene where a sailor is grabbing her and screams out, "Any port in a storm" as he enters the back door. I feel sometimes the same way: Anything that will get me there is fine.
Basically, there were no venues for comics, and I just thought, "Well, I can do it myself."
On where comics are now:
AS I am kind of confused by a world in which all of our projections have been realized, in a certain sense. If you look back on those Raw artists, though there are others, they're the core group you'd point to to see how comics have matured. Ben Katchor, Chris Ware, Charles Burns, Lynda Barry: all of these things were, at that time, like wandering through a desert and discovering a well with water in it. Now we're just drowning in an ocean of comics.
FM At a panel a little while ago, I made the point that it's not all comics that are interesting, or that can help kids learn to read or are somehow worthy of the good comics. And I thought I was going to get lynched, because most of the people in that room were the ones who were eager for the validation … so they could justify their love for a different kind of comic that, up until now, was considered genre literature. They felt that they don't want to separate good comics from bad. That's a confusion: I think it's important to open up and say that the medium has many possibilities, including producing crap. That means it's a full medium: not everything that's written is by definition worth reading.
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Associate membership is perfect for anyone with an interest in trees. It's also an excellent option for those starting out in the industry and looking to develop their career progression.
Associate membership can be attained by anyone with an interest in trees or in the tree care industry and is an excellent tool for anyone looking to get into the industry ,or simply for those who want to advance their knowledge and keep in touch with latest news and studies, equipment and key issues.
Associate Membership costs £139 per year for UK members.
You can pay in several ways, including monthly Direct Debit and card payment.
Please note our membership year runs from 1st January to 31st December, so if you join midway through the year, your fee will be prorated to the nearest quarter year rate. Members joining in December will pay for the next year and receive December free. Overseas members will be charged a small additional shipping fee included in their membership rate.
Membership discount card – An Associate membership card entitles you to some fantastic offers from a host of over 40 suppliers in the industry. From clothing to software and even hotels, there's plenty of perks for all our members!
FREE entry to our annual ARB Show which attracts over 3,000 visitors and currently takes place at Westonbirt, The National Arboretum. Featuring a wide range of tree care industry exhibitors, there is lots for you to see and do at this hugely popular national event. You can check out the latest equipment in the showground area and you get free entrance to see the internationally renowned tree collection.
Monthly eNews bulletins – the Association's monthly e-mail newsletter is a concise digest which keeps you up to date with the latest Arboricultural Association news along with important cross industry developments and offers.
Arboricultural Journal – the Arboricultural Association Journal is a valuable resource to practicing and studying arborists. As a student member you get online access to the full library of back issues and will receive copies of the latest issues throughout the year.
AA Training Course Discounts – Associate members are all entitled to make the most of the varied course content on offer at significantly discounted member rates. We offer courses on everything from Climate Change and Subsidence, to Professional Tree Survey and Inspection.
Membership Discount Card – A student membership card entitles you to some fantastic offers from a host of suppliers in the industry. From clothing to software and even hotels, there's plenty of perks for all our members!
Access to FREE advice from Arboricultural Association Technical Officers - as a member you are entitled to FREE advice from our technical officers who are on hand to advise you on anything from TPOs to health and safety and best practice.
After your membership application is confirmed you'll receive your welcome pack which will include your Membership Card for the year with your official membership number.


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51% #1615: Immigrant Women, Black Women Writers, Skin Color
On this week's 51%, we meet an immigrant who shares the stories of other immigrant women; hear why one woman gave away money to Black women writers; and learn about a move away from skin lightening creams.
Dr. Bilha Chesner Fish is an Israeli-American immigrant living on Long Island and in New York City. Dr. Fish, a distinguished radiologist and founder of Manhasset Diagnostic Imaging and Pathways Women's Health, also established the Unbeaten Path, which provides programs for adolescents on topics such as anorexia, bulimia, STDs, bullying, and mental health issues, for which they receive health credit in high school. Dr. Fish is a longtime advocate for community service and women's empowerment. In her new book "Invincible Women: Conversations with 21 Inspiring and Successful American Immigrants," she speaks with women from around the world about their journeys to America and the obstacles they faced. She shared her own story of immigrating to the U.S. with 51%'s Elizabeth Hill.
When one white woman working in Hollywood received a surprise residual check, she skipped the bank and went to Twitter. She offered the money, $100 at a time, no questions asked, to support black women writers. During America's current racial reckoning, Beanndrea July asks whether Venmo donations offer a small but significant new-age form of reparations.
And now, KALW's Sandip Roy brings us a piece about the color of skin.
That's our show for this week. Thanks to Tina Renick for production assistance. Our executive producer is Dr. Alan Chartock. Our theme music is Glow in the Dark by Kevin Bartlett. This show is a national production of Northeast Public Radio. If you'd like to hear this show again, sign up for our podcast, or visit the 51% archives on our web site at wamc.org. And follow us on Twitter @51PercentRadio
Allison Dunne
51% #1614: How COVID-19 Impacts Women's Sports And, Separately, Internships
Courtesy of Dr. Amy Bass
On this week's 51%, a sports studies professor says the COVID-19 pandemic is costly for women's sports in particular; there's a study about support for transgender service members; and a teen's nonprofit offering virtual internships expands because of the pandemic.
51% #1613: Bending In 2020
Courtesy of Ahri Golden
On this week's 51%, we hear a story about the intersection of a tragedy and the COVID-19 pandemic through the story of one woman. When there were instructions to stay home and social distance, she got it.
51% #1612: How COVID-19 Affected A Regional Planned Parenthood
On this week's 51%, the CEO of a Planned Parenthood in New York says the COVID-19 pandemic brought out more protestors, and female film students want a more accessible path to directing.
51% #1611: Three Generations Of A Tribe, Hope After Stroke
Courtesy of Victor Yvellez
On this week's 51%, three generations of women talk about their now federally recognized tribe; a speech pathologist has a book out on hope after strokes; and Gilles Malkine profiles a woman in history.
51% #1610: Kathy Valentine From The Go-Go's Talks About Her Memoir
By Allison Dunne • Jun 3, 2020
On this week's 51%, she was the bassist for the Go-Go's. We spend the show with Kathy Valentine, who has written a memoir and a soundtrack.