Gionee F6 is a mid-range Smartphone with dual rear camera setup.
This handset is a successor of the Gionee F5.
This handset features 5.7-inch HD IPS display with a resolution of 720 x 1280 pixels and pixel density of 277 ppi.
This device runs on Android 7.1 Nougat with Amigo UI OS, powered by quad-Core processor clocked at 1.4 GHz.
This handset comes with 3/4GB RAM support and internal storage of 32GB. The device also supports external storage via microSD, up to 128 GB.
This model comes with dual rear cameras featuring 13MP primary caamera + 2MP Auxiliary snapper. It also has a selfie-taking 8MP front camera.
This device packs 2960 mAh battery.


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News & Events at Telethon Kids
Six-minute Strep A tests dramatically cut wait time in remote settings
Children at risk of potentially life-threatening Strep A infections no longer have to wait five days for timely treatment, thanks to a Telethon Kids Institute study conducted in the remote Kimberley region of Western Australia.
Published today in the American Journal of Tropical Medicine and Hygiene, Australian researchers have demonstrated that rapid, molecular point-of-care tests can be used in remote settings to accurately detect the presence of Strep A bacterium in just six minutes.
Found in the throat and on the skin, Strep A infections are often responsible for sore throats and painful skin infections, which can lead to irreversible and potentially deadly heart and kidney damage if left untreated.
Dr Janessa Pickering, Research Fellow at the Wesfarmers Centre of Vaccines and Infectious Diseases, based at Telethon Kids Institute, said traditional, culture-based laboratory testing methods took several days, significantly delaying the delivery of health care in remote settings.
"The longer the results take, the greater the opportunity for complications to develop and bacteria to spread throughout the community, and this means we urgently need testing methods that provide accurate information as soon as possible," Dr Pickering said
"In this study, we were able to evaluate the performance of Strep A point-of-care tests in remote settings for the first time by screening 120 children from two schools in the north-west of Western Australia.
"The tests gave us extremely quick results, allowing us to identify on-the-spot that 72 per cent of children with sore throat symptoms had Strep A pharyngitis. As well as being quick and easy to administer, we found the tests were more sensitive than traditional testing methods.
"The ability to get such immediate results means children will be able to receive the urgent treatment they require, and could significantly reduce the spread of Strep A in populations at risk of serious complications."
Associate Professor Asha Bowen, Head of Skin Health at the Wesfarmers Centre of Vaccines and Infectious Diseases, said the results were highly relevant for the Centre's ongoing research within remote Aboriginal communities.
"Aboriginal Australians living remotely have some of the highest rates of rheumatic heart disease in the world, and these areas also face major issues around antimicrobial resistance and antibiotic shortages, so improved testing will make a big difference in advising appropriate medical treatment going forward," Associate Professor Bowen said
"With COVID-19 point-of-care testing established in very remote communities as part of the Aboriginal community controlled health organisation-led response this year, there is now even greater potential to consider additional tests such as Strep A being made available where needed."
This study was supported by the END Rheumatic Heart Disease Centre for Research Excellence, a National Health and Medical Research Council funded collaboration dedicated to eliminating rheumatic heart disease (RHD) as a public health priority in Australia.
Visit the Strep A and RHD page for more information about research underway at the Wesfarmers Centre of Vaccines and Infectious Diseases.
First published Tuesday 8 September 2020.
Wesfarmers Centre of Vaccines & Infectious Diseases
Preventing rheumatic heart disease in Aboriginal communities
Strep A & Rheumatic Heart Disease
Please direct general enquiries to our reception on (08) 6319 1000.
Please direct media enquiries to our media team:
Kate Crassweller
Phone: +61 8 6319 1424 (office)
Email: Kate Crassweller

redpajama_set_name: RedPajamaCommonCrawl


The apprenticeship levy - an additional tax or an investment?
Many large retailers have seen the benefit of apprenticeship schemes in recent years. One of those benefits has been the opportunity to obtain a grant or funding to employ an apprentice, however changes to the system are afoot that will increase some retailers' costs.
From 6 April 2017, all UK employers with annual pay bills of more than £3 million will have to pay an apprenticeship levy. The levy sum will be 0.5% of their annual pay bill and will apply whether the employer has apprentices or not, or whether it already pays into an existing industry levy scheme. In some cases, this could be a substantial amount so it is important for retailers to get to grips with the new system as soon as possible.
A 'levy allowance' of £15,000 will apply to each employer and will reduce the levy payment; the Government has confirmed that employers will also receive a Government top up equal to 10% of their monthly apprenticeship levy contributions. This will be applied by HMRC via PAYE. Employers will be able to spend the money on apprenticeship training and they will also be given the ability to choose and pay for the apprenticeship training they want, although they will have to use approved providers.
Employers will have an electronic account, called the digital apprenticeship service, to access and administer the money and will be able to transfer up to 10% of it to other employers, such as suppliers. If employers do not use the money in their account, they will lose it after 24 months.
Changes to the current apprenticeship framework will also be introduced, for example the restrictions that have prevented adults and graduates from undertaking apprenticeships will be removed and this could be beneficial to employers. There will also be incentives for smaller employers to take on apprentices.
The levy has so far been controversial, mainly because of the cost to employers. The Government response has been that all employers are required to make an investment in apprenticeships and that they can benefit by training apprentices. However, in the current (and uncertain) post-referendum environment, the levy is seen by many employers as an additional employment tax.
Further information about apprenticeships is available online via www.gov.uk, which includes more details of funding and support. Further guidance from HMRC on how to calculate and pay the apprenticeship levy is expected to be available in December.
A retailer has 7,000 employees, each earning £15,000 gross per year.
Total available to spend: £561,000.


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of portal
Ukrainian Railways Should Be Opened To Foreign Operators – Omelian
News 10 July 2017, 17:46
The draft law had not yet been adopted
Minister of Infrastructure Volodymyr Omelian is in favor of allowing foreign railway operators to operator in Ukraine. Omelian announced this at the Grain Ukraine conference in Odesa.
"My vision for development of the railways is simple: the railways should be responsible for the infrastructure and the state for the roadbed. Everything else – railcars and rolling stock – can be private. I am in favor of opening the railway to private operators, including foreign operators, which will offer competition, the best quality, and equal conditions for all. The relevant bill is in the parliament, and I will insist on its consideration despite all the resistance. However, you can already think about this today: how you will transport goods by railroad in three to five years. Possibly, they will be your locomotives and railcars," the minister of infrastructure said.
As reported, the reforms that are intended to separate the economic and regulatory functions in the industry were essentially expected to begin with the draft law on rail transport. However, the draft law had not yet been adopted by the time the Ukrainian Railways public joint-stock company (Ukrzaliznytsia) began operation (instead of the state railway administration) in early 2016. Voting on it has been postponed several times.
Ukrzaliznytsia and businesses have already begun reaching mutual understanding on the issue of traction despite the fact that there are currently no private locomotive operators in the country. For example, PJSC Ivano-Frankivsk Cement uses a General Electric locomotive on its main route, thanks to Ukrzaliznytsia's decision to change its tariffs to accommodate "private locomotives with their own locomotive teams."
However, a law is needed before businesses can start using their own locomotives on Ukrzaliznytsia's networks on a large scale. Ukrzaliznytsia's own fleet of locomotives is considerably outdated and insufficient to meet the needs of all customers
The head of Ukrzaliznytsia's supervisory board, Yevhen Kravtsov, said in April 2017 that it would take five to six years for private operators to be allowed to operate locomotives on Ukrzaliznytsia's network. "We cannot liberalize traction right now – before creation of competitiveness and stabilization of the situation in Ukrzaliznytsia – because this will undoubtedly lead to collapse of the railway. We estimate this period at five to six years," he said.
Tags: Ukrzaliznytsia, government, law
Join us on our Telegram channel, read us on Facebook and Twitter to know first about new articles and key events of the day.
Ukrzaliznytsia To Transform Volnovakha - Kamysh-Zoria Railway Into Dual-Track Railway
Ukrzaliznytsia Transports 1.6 Million Passengers To Europe In 2 Years Since Introduction Of Visa-Free Travel
Ukrzaliznytsia Confirms Willingness To Allow Private Operators To Operate On Kyiv–Boryspil Airport Route
First European-Registered Car Undergoes Customs Clearance In Ukraine Under New Rules
Cabinet Allocates UAH 200 Million For Reconstruction Of Airport Runway In Dnipro
10:45 Lviv Airport To Reopen Old Terminal For Charter And Domestic Flights
12:01 Ukrzaliznytsia To Transform Volnovakha - Kamysh-Zoria Railway Into Dual-Track Railway
10:47 Cabinet Allocates UAH 200 Million For Reconstruction Of Airport Runway In Dnipro
10:36 Ryanair Performs First Flight From Odesa
10:30 Ukrainian Seaports Increase Cargo Transshipment By 13% In January-May
In Search Of Our Own Locomotive: Can Electric Locomotives Be Manufactured In Ukraine Today?
Boryspil by Train: What We Know About the Future Railway Line from Kyiv to the Boryspil Airport Bringing Locomotives Back to Life in the City of Shipbuilders Only The Strongest Will Survive: On Perspective And Challenges For Ground-Handling In Polish Airports
All that Glitters in China is Not Gold: Five Frozen Chinese Infrastructure Projects in Ukraine
The US Kremlin List: Analysis by Cargo Volumes Extremely Simple: How China's CHEC is Dredging the Yuzhny Port KPI for Ukrzaliznytsia: Push Off From the Bottom
Nobody Waits For Nobody: How the Hutchison Ports Container Terminal Operates in Barcelona
How Will Ukrzaliznytsia Upgrade Its Commuter Trains? Hello! Laundry? How Ukrzaliznytsia Washes Linen The Lost Port: How Ukraine Will Dispose Of Its Asset In Vietnam
Reprint of materials allowed only with link to cfts.org.ua.
Reprint, copy, reproduction, or other use of materials containing reference to the "Interfax Ukraine" news agency is expressly prohibited.


Young people don't have the benefit of a good credit history, which means there are less options available for loans at a good rate. Read on to get the best rate possible for your situation.
How good a loan you can get is based upon your credit score or credit history, which is basically a record of how successfully you have paid your debts in the past.
However as a young person you will often start out with little to no credit history, and so loan providers are skeptical of you.
Often young people will have their parents paying for things like mobile phone contracts, car insurance, car finance, etc.
Instead of them paying it directly, set it up so the bills are in your name, and they simply direct debit you the amount every month.
This will improve your credit score without you taking on any debt that you cannot handle.
You may have heard of the "upgraded" current accounts that come at a small monthly fee (of around £10 per month) that offer bonuses like free travel insurance, breakdown cover etc.
Well by simply paying these small charges off every month you are building a credit history, so as a young person signing up for these can be a useful strategy.
For our full guide on improving your credit score click here.
Here are the best loans UK for young people if you just need the money for your personal bills or investments.
When you're young the best loans you can get are limited by your credit score. However by using a guarantor (someone who "backs you" on the loan application) you can get a much better interest rate because it uses the better credit history of the guarantor.
To learn more about how you could get a guarantor loan if you have bad credit, see our guide here.
Unfortunately traditional loans are not available to anyone under the age of 18, however you can work on building up your credit score (see advice above) so that when you turn 18 you're in the best position to apply for a loan.
If you're a newly qualified driver and you're looking for a loan for your first car then you might not find many good value options out there.
However if you had a guarantor for your loan then you could have a much better chance of getting a low APR % and therefore a cheaper car loan.
Visit our guide on car financing with a guarantor for more info.
It's smart to invest in yourself, and as a young person investing in further education can be the best route into a life of financial well being that you can make.
Tuition fee loans – these are to pay for the fixed fee of the course.
Maintenance loans – these are to pay for your living expenses such as rent and food.
You may also be able to apply for a grant or be eligible for a bursary depending on your parent's financial situation (income, etc).
Post graduate programs and other courses that could help you climb up the corporate ladder aren't very cheap, with many costing over £10,000 per year.
Luckily the UK government is running a program called career development loans, which helps people improve their skills without having to pay the cash up front. You get an interest free loan until you finish the course, allowing you to focus on studying hard for a good grade instead of worrying about expensive repayments.
You may have been inspired by watching Gary V or Richard Branson, and now want to start a business of your own with your fantastic new idea.
However it's very difficult to start a business with no money up front, and so getting a good business loan can be essential for your start.
However obviously as a young person you haven't proven yourself, and so it may be hard for a traditional bank to give you a loan because of the risk.
But luckily there are some options for you.
The Prince's Trust offers people under the age of 30 a chance to get a great value business loan for their new idea. They offer money, mentoring and guidance to give a new business the best possible start.
You can receive a loan of up to £7,500 through their enterprises programme.
This service offers a much bigger loan of up to £25,000, and is backed up by the UK government. The repayment term for the loan is 1-5 years, and you receive mentoring alongside it.
A peer to peer loan is a crowdsourced way of receiving a loan, because lots of people provide you with a small portion of the loan which together adds to your full amount.
Similar to the mentality of Kickstarter, you can pitch your business idea and inspire the masses to fund it.
As a young person your credit history is fresh but also vulnerable.
A few bad payments could send you into a bad score that will take years to repair, and cripple you with debt in the process.
Loans to avoid include anything with a high interest rate, such as payday loans, as these often become very difficult to manage, with debt increasing very quickly if you cannot make a payment.
You might be thinking about an instalment loan, but even though these are better because of the predictable payments, they are still very high interest rates which should be avoided by young people.
You should also avoid high interest credit cards if you don't think you'll be able to pay off the full amount each month, as you can get hit with very high interest rates on these cards.
Don't suffer in silence, as the longer it goes on the worse it will get.
Have you really made a conscious effort to save the money you need the loan for?
If you really tried to cut costs, limit outgoings and increase your income how much could you save per month?
These are important questions to task yourself, as paying 0% interest by saving money first is a better way to become rich in the long term.
Young people, just starting out on their own, will probably need to take out a loan, at some point.
They may need to borrow money to purchase a car or a home. When they do, many will feel overwhelmed because although they may be knowledgeable about loans, they've never had the responsibility of choosing a loan. Other individuals won't be familiar at all with loans.
For these individuals, the stress of learning about loans, in addition to choosing one, can result in additional feelings of pressure. Fortunately, with a little research, it's possible to learn all that one needs to know in order to make an intelligent decision.
The best loans for young people will vary, based on the individual and what the loan is for.
For instance, a person on a limited budget, interested in purchasing a home, may find that either an interest-only or traditional home loan is best but for different reasons.
A traditional loan is good simply because a person knows exactly how much their mortgage will cost each month. There aren't any surprises in this regard, which can be nice for a person is on a fixed income.
An interest-only loan might be good for people that aren't making a lot of money at the present time but who believe they will be earning significantly more in the next few years. By the time the terms of the loan changes and the borrower begins to pay both interest and principle, they would hopefully, have a higher paying job and thus be able to afford it.


My rule of thumb is this. To tell a good chicken place, look at the people inside. If it's full of beautiful young women taking selfies, likely isn't good chicken. If it's full of middle-aged men who look like life has kicked them in the teeth–GREAT CHICKEN!
Just because it's healthy doesn't mean people will buy it. It's gotta taste good too.
Crispy Onions Rings made with SOJU!
One night, I noshed on a multi-hour old onion ring. It was still light and crispy. Not greasy. It came from our new little experiment that we've implemented at OK Burger on the Cheonggyecheon.


This album is for all of you who have played your heart out in the deliverance and inner healing journey and no matter what the experts say, you know that you know that something is still wrong. What is an alien human spirit? Honestly, I am not quite sure. This is simply a term I invented to discuss this "other" thing that is not a curse, or covenant, or demon, or spiritual device but does block people from thriving in their spiritual walk.
This album will cover diagnostic techniques along with a very wide array of tools for evicting the intruders. It will certainly NOT answer all your questions.
Mostly it is a tool to open dialog in the Body of Christ about something that has been out there for a while. Most therapists have one or two clients for whom none of their tools work. And most can look back on a few really weird ministry sessions where something definitely happened, but they aren't sure what or why.
This album is not for the faint of heart of those wedded to proper theology. But if you are on a journey and you could use another tool or two in your tool box, take a look and see if this fits any of your mystery situations.


You can't be a writer until you first learn how to be a human being. Most people think they can skip the first part -- or pick it up later. It shows in their work.
2001: Where the Heck is Australia?
Getting my review done early!
Being around all those animals.
The psychiatrist is out of town for a week!
The writers' group held its first meeting last week, when I was in Seattle. The report was that one person showed up, other than the facilitator.
I felt that I was getting in on the ground floor and felt comfortable in such a small group, my usual reticence for joining groups taking a back seat. I could handle half a dozen people. We'd work together to bring in others. The group would grow.
Well...Uh...yeah! In the past 2 weeks the facilitator had posted signs around town and yes, the group had grown.
Joan decided to come with me too, and by the time we got there, a little late, since the book store where the meeting was being held had moved from one part of town to another part of town, there was already a group so large they were looking to add a second table and bring in more chairs.
Ultimately there were 17 of us, the youngest looking like a guy in his mid 20s, all the way through the decades to a white haired man sitting next to me, a horse trainer who still raises thoroughbreds, who is writing his memoirs.
Our experience and interest level was also diverse. Several are working on memoirs, either with or without the benefit of a class. One woman is interested in ethnic diversity and just loves interviewing people and learning about them. Another has written a book for middle-school age children about surviving divorce. The book is 3 years in the process and has been shopped around to publishers (so far with no nibbles). Someone else mentioned that her writing is humorous (hmmm...competition...). One woman wants to get back into writing fiction. Several of us keep journals.
As we went around the circle, telling our stories, we each had something positive to offer. I shared information about Dr. G's experience finding a publisher, and on the status of on-line publishing today and gave people the url for Lulu.com. (Didja check out my new calendar on Lulu?) A gentleman who is retired from the Parks Service (he worked at Fort Point, one of my favorite spots in San Francisco) has been doing Julia Cameron's "The Artist's Way" for years and swears by its methods for freeing up creativity.
Other book suggestions followed, including Natalie Goldberg's "Writing Down the Bones," and Anne Lamott's "Bird by Bird."
We discussed how we want the group to operate. We're going to meet on the 1st and 3rd Saturdays for an hour and a half, bring things we want critiqued, and then see where we go from that point. The horse trainer also invited people to join a group that he has in his home, and mentioned a class that is also held at the book store, and Joan has invited me to join a group of people at her house, who meet regularly and who are working on writing their memoirs. So it seems that there is suddenly a whole world of opportunity out there for getting serious about writing.
At the conclusion of the group, the woman interested in diversity pulled me aside to talk with me about a project she's working on, which involved a lot of interviews she did in Poland. She mentioned that she's "a terrible transcriber." I quickly ducked into a phone booth and emerged as SUPERTRANSCRIPTIONSIT! When she saw my cape and "S" on my chest, her eyes lit up and she said that if she can find any money to pay someone, she will definitely contact me about doing some work for her.
Heck, this might end up being more than simply a way to get serious about writing. But if all that happens is that I get a chance to have some nice interaction with other people who are interested in writing, that will be a good outcome of this first foray out of my house and into the world.
I was supposed to meet the volunteers at the SPCA at 2:30, but had warned them I might be late. In fact, I didn't leave until after the Kentucky Derby (congratulations, Smarty Jones!). By the time I arrived, a lot of the crowd had thinned. They didn't have a lot of dogs this week--just two adults and 2 puppies. There were more cats than dogs. I did my best with the photos, but nobody seemed to know what I was there for, or what to have me do.
When I got home and checked the SPCA web site, I discovered that all of the animals I photographed today had pictures on the web site already, some of which were better than mine. But I did get better cat pictures than they had, so I sized and zipped the lot and shipped them off to the webmaster and they can decide what they want me to do (or not do).
It was fun doing it, whether this becomes a regular thing or not. There was a very sweet little terrier mix, very mellow who caught my eye, but the chemistry was not right, even if she was very cute.
It's been a productive day and I can take the night off to watch a Netflick or two with a clear conscience. I even have my review of Gypsy written and shipped off to the paper a whole two days early.


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Theatre Press
Viewing and re-viewing Melbourne theatre
Tag: 2015 Melbourne International Comedy Festival
Comedy, Review, Whats On	 June 5, 2015
REVIEW: Laura Davis in GHOST MACHINE
Inviting, honest and amusing
By Myron My
There's a ghost that is said to haunt The Butterfly Club. Upstairs, in its theatre space, the spectre lingers on stage, flashing lights on and off and – oh hang on a minute, it's just Laura Davis covered in a white bed sheet in a return season of her 2015 Melbourne International Comedy Festival award-winning show, Ghost Machine.
Davis travels back to her first existential crisis at the age of 11, and from there she revisits the moments in her life where things haven't always been that great. It is all done however in a masterful way where despite sharing these personal stories and experiences, she gives the audience permission to laugh at and with her because we can all relate to what she is saying. We have all experienced the despair, the rage and the humiliation our circumstances have induced, in some way, shape or form.
Ghost Machine ponders the age-old questions of what are we doing and why are we here. The show is not a constant bellyache of laugh-out-loud humour but it's a damn good entertaining hour of insights and story-sharing. Davis has an extremely calming presence and even with the awkward stage persona and the loud talking, she creates a warm and welcoming environment for her audience. This is especially crucial for when she ventures into the crowd asking what their guilty pleasures are or to share the regrets of their lives.
If there's one thing to take away from Ghost Machine it's that life isn't always going to be a bunch of roses. There is always going to be crap that we are going to have to deal with but Davis lets it be known (because it something we need to constantly hear) that looking on the bright side is always important and that we should laugh the little things away. It's a very valuable lesson. Well that, and not to self-medicate based on a YouTube comment.
Venue: The Butterfly Club, 256 Collins St, Melbourne
Season: Until 7 June | Fri-Sat 9:00pm, Sunday 8:00pm
Tickets: $32 Full | $28 Conc
Bookings: https://www.thebutterflyclub.com/show/ghost-machine
Filed under: 2015 Melbourne International Comedy Festival, The Butterfly Club
Comedy, Performances, Review	 April 24, 2015 April 29, 2015
REVIEW: Simon Taylor's PERSONAL BEST
A personal favourite
By Christine Moffat
Upon introducing himself, Simon Taylor establishes he is a charming comedian. He is prone to serenading audience members, learning their names and chatting amiably with them from the stage. He lulls you into chuckles, and a more comfortable position in your seat. You smile, sip your drink and begin to relax. Once you are better acquainted, the content is riskier, but delivered suavely and with an infectious sense of fun.
Tayor is a writer as well as a performer, and has written for some big-ticket shows, including The Late Show with Jay Leno. His skill with words is crucial for his darker material to work when mixed in with his lighter banter. His fluid syntax is like good piano playing: unlike his piano playing, which is better that your uncle's but not as good as your high school singing teacher's. He tinkers with words to make sure they fit, to make sure you are surprised with them (a key ingredient to laughter) and to make sure you remember and think about them later.
However, Taylor's smooth style does not mean his show is good for 'all ages'. Your under-15s should probably do something else for the evening, unless you enjoy discussing curses and 'adult' concepts on the tram ride home. Taylor swears liberally when the story requires it, and writes a killer dick joke. Not despite this, but because of it, he is all the more urbane and funny.
In a storybook, Taylor would be Prince Charming's wingman: the guy that shakes his head at his mate's girlfriends, and goes to the State Library to pick up the geekyicious babe knitting a tea cosy. In an intimate comedy room like downstairs at The Butterfly Club, and at his Personal Best, Taylor is Prince Charming… if the prince was (a lot) shorter, had that Melbourne combination of romance and cynicism, and knew how to use hair product.
So, when you have the chance to see Taylor perform, take it. You will travel the world: discuss love, life, lust and death. You will discover just how diverse a comedy crowd can be (Antarctic honeymoon anyone?), have a bloody good time, and if you're lucky, maybe even meet his Nonna.
Simon Taylor's Personal Best was performed at The Butterfly Club as part of the 2015 Melbourne Comedy Festival. His next performance will be the FREE special-event, live-taping of his best stand-up comedy material on May 5: see http://www.eventbrite.com.au/e/simon-taylors-stand-up-comedy-special-live-taping-tickets-16745795124 for more information and to register for attendance.
Comedy, Events, Festivals, Review, Stand-Up Comedy, Whats On	 April 10, 2015
REVIEW: Chris Taylor and Andrew Hansen: In Conversation With Lionel Corn
The Chaser do-over Q and A
By Caitlin McGrane
The Chaser stars Chris Taylor and Andrew Hansen are here to ruin audience Q and As forever. Fictional author Lionel Corn is somewhere between Groundskeeper Willie, Malcolm Tucker and George R.R. Martin. However, I'm not sure there's enough under-shirt padding in the world that could make Andrew Hansen even vaguely resemble Martin in this almost totally transparent reference to the author in their debut MICF show. Corn's pairing with Taylor's totally inept interviewer/MC was wonderful; that I cannot remember his name has only enhanced the effective awfulness of his character and his love of his own voice.
In this show Taylor and Hansen do what they've always done best – lampooned popular culture and social conventions in order to score satirical points. Their fantastic send-up of The Festival of Dangerous Ideas, in which Lionel Corn was interviewed by the worst moderator in the world, had me laughing and cringing throughout. They opened well, with an extended gag about walk-on music that effectively called out the ridiculous music that always accompanies speakers onstage, to which literally no one else pays attention.
The whole show was a send-up of the endless festivals that we all love to attend – writers', emerging writers', film, dangerous ideas etc, etc. It also very satirically lambasted shows like Q&A, with their refusal to engage in a conversation about the lack of women and trans people on screen.
The only part that let the show down slightly was a bizarre sequence involving a disease invented by Corn/Hansen called 'Parkinsons of the arse'; it felt cheap and poorly thought out. I also missed out on seeing the promised guest comedian, but enjoyed the explanation of the empty chair on stage as symbolising the journalists and broadcasters who were locked up for political dissidence, or who couldn't be there due to a schedule mix-up.
While the show isn't exactly as groundbreaking or biting as some of their Chaser sketches, it was engaging, entertaining and kept me laughing.
Venue: The Forum
Season: Until Sunday 19 April (excl. Mon) Tue-Sat 7pm, Sun 6pm
Tickets: Full $34| Conc $30
Bookings: http://www.comedyfestival.com.au
Filed under: 2015 Melbourne International Comedy Festival, Andrew Hansen, Chris Taylor, comedy, The Chaser
Comedy, Events, Festivals, Music, Review, Stand-Up Comedy	 April 9, 2015 May 6, 2015
REVIEW: Jude Perl presents Is it just me?
Musical comedy with a conscience
By Narelle Wood
Jude Perl knows how to make an entrance, an entrance in a dress that would make Lady Gaga green with envy. Perl's musical comedy is full of musical and pop clichés in a satirical look at everything from being a pop star to asking the very poignant question Is it just me?
The songs cover a whole gamut of topics, but all seem to have some feminist undertones, or other social commentary hidden amongst the extremely witty and downright hilarious lyrics. Her songs drip with well-written innuendo and a smattering of over shares, which, she acknowledges from the start, are things the audience may not want to know.
Between the musical numbers, Perl performs some non-musical comedy that is just as funny. While I really enjoyed these parts of the show, the highlights for me were the musical numbers; I couldn't pick a favourite song if I tried. My absolute favourite part of the show was Perl's voice; it sounded like an incredible cross between Alicia Keys and Suzie Quatro resulting in a sound that I found both familiar and completely unique.
I thoroughly enjoyed Is it just me? from beginning to end. There is something very endearing about Perl that made even the audience participation moments (which I usually dread) completely okay. Jude Perl's Is it just me? is extremely entertaining and honest comedy at it's musical best. If good comedy and good music is your recipe for a good night out then this show is a must.
Venue: The Butterfly Club, Carson Place, Melbourne
Season: 6pm Wed 13 May – Sun 17 May, 7pm Sat 16
Bookings: www.thebutterflyclub.com
Filed under: 2015 Melbourne International Comedy Festival, Jude Perl, musical comedy, stand-up, The Butterfly Club
Comedy, Festivals, Review	 April 9, 2015 April 9, 2015
REVIEW: Backward Anorak presents The Hip Hikers' Guide to the Galaxy
An Intergalactic Comedy
Backward Anorak's show The Hip Hikers' Guide to the Galaxy was promoted as an 'intergalactic master class on assimilating one's alien self into a hipster world'. It was not so much a master class as it was a brief aside to many of the other chaotic and mostly funny antics on stage.
The show began with lots of promise; awkward dancing with impressive flair (Laura Frew); a DJ dropping some very hip beats (Leo Milesi); and the stylish entrance of the show's two main characters Prince Harian (Vincent Milesi) and his slave Minge (Michelle Braiser). The story is that Prince Harian must find a wife and the audience are employed to help find him one.
The show is a musical comedy and the music selection is great, as is the reworking of the lyrics; it also helps that Milesi and Braiser have fantastic voices. I loved the costumes; it was like the 80's had thrown up on stage but in a fabulously atrocious kind of way. And full credit to the cast who wore the spandex leggings, sparkly hot pants and oversized knit cardigan seemingly with pride.
While there were some laugh-out-loud moments, especially in the opening minutes, there always seemed to be too much going on. It felt like very little of the show was spent on the storyline. Instead the plot degenerates into seemingly unnecessary cheap jokes about sex, swearing, and some ill-placed and offensive references to ISIS and sex offenders. In fact a lot of the comedy relies on the bullying of one of the characters; I couldn't quite see how this was humorous. These moments were in direct contrast to the really witty and well-written musical numbers, so I left feeling confused rather than entertained.
I found it to be a combination of things I really enjoyed and things I really didn't. A Hip Hikers' Guide to the Galaxy is worth a look if you are familiar with Backwards Anorak's work or if you like comedy that crosses the line more than once.
Season: Until 19th April (excl. Mon): Tue, Wed & Sun 8pm, Fri & Sat 9pm
Bookings: thebutterflyclub.com
Filed under: 2015 Melbourne International Comedy Festival, backwards Anorak, Laura Frew, Leo Milesi, Michelle Braiser, musical comedy, The Butterfly Club, Vincent Milesi
Comedy, Events, Festivals, Stand-Up Comedy	 April 7, 2015
REVIEW: Claire Sullivan presents Space Cadet
A comedic space adventure
Claire Sullivan's madcap space adventure started well; her voice appeared from behind the audience over a $2 megaphone to hurry people in from the bar at Hugs & Kisses. The show began with an unusual level of audience participation – Sullivan invited everyone in the intimate theatre-cum-dance floor onto the stage where we were told we were going into space and had to participate in the take-off. This level of participation was about all I was ready to handle, and am very glad I was not called upon when Sullivan instructed the audience to ask questions about space. I enjoyed this mini Q & A but couldn't help feeling like this was stalling for time.
The performance was often enjoyably frenetic, disjointed and ludicrous – the moments where Sullivan shone were where she was ad-libbing and interacting with the audience (which appeared to be mostly made up of her friends and former singing teachers). The weakest parts for me were when the seemingly vague script forced Sullivan to flail on stage and reach for props from plastic bags; it didn't seem so much hilariously zany as it appeared disorganised.
Sullivan is certainly talented and I enjoyed her raw comedic energy, but I found myself distracted by her attempts to wrestle with technology and direct the show towards a coherent conclusion. It was the first night of the show, and these things often take time to fine tune, but I am aware that this show has been performed in Perth so I was surprised by how scattered it seemed. I look forward to seeing what Sullivan does next, and I hope her next show is tighter and sharper because I do thoroughly believe she has it in her to produce something brilliantly bonkers that tells a great story.
Venue: Hugs and Kisses, 22 Sutherland Street, Melbourne
Season: Until 18th April, 8pm (no show Sundays)
Tickets: Full $17 | Conc $12
Bookings: http://www.trybooking.com/GPYC
Filed under: 2015 Melbourne International Comedy Festival, Claire Sullivan, comedy, Hugs and Kisses, Space Cadet
Comedy, Festivals, Performances, Stand-Up Comedy, Whats On	 April 5, 2015
REVIEW: Katerina Vrana presents About Sex
Let's talk about sex baby. If you like my body and you think I'm sexy. Let me play with your body make you real hot. Despite these three sentences being lyrics to three very well known songs about sex, they also encapsulate Katerina Vrana's show, aptly titled About Sex.
Born in Greece but having lived almost two decades in England, Vrana has a wealth of stories and anecdotes to share of these two cultures and their dealings with sex. Her impersonations of her family members, including her mother and father, are brilliant but it is when she talks about her 17-year-old brother asking her for sex advice that things really get cracking. One simple question from him is all it takes for the audience to be simultaneously shocked and howling in laughter.
Vrana covers a range of topics, from her first one-night stand to the differences between single sex, married sex, and gay and lesbian sex, however her focus is pretty much on sex pre-1994 and sex post-1994. Why 1994? Generally speaking, that's when Internet porn took over the world and changed everyone's ideas about what sex is and should be.
Vrana has great comedic timing on stage and her delivery and facial expressions of punch lines is impeccable. She knows exactly how far to push the envelope and then step back to let us take it all in before she gets straight back into it.
As an added bonus, Thursday night shows are performed in Greek, so it's a perfect opportunity for those Greek grandchildren out there to take your grandparents out on the town for a laugh and some fun.
Vrana's insights in About Sex are more than just cheap dick jokes and 'wham-bang thank you ma'am' type of comedy. Vrana is opening up discussion about sex so we are not ashamed or embarrassed by it or our bodies; after all, we all do it, so why shouldn't we enjoy doing it and talking about it?
Venue: Elephant & Wheelbarrow, Cnr. Bourke and Exhibition St. Melbourne.
Season: Until 18 April | Thurs-Tue 8:30pm
Bookings: TixNoFee
Filed under: 2015 Melbourne International Comedy Festival, comedy, Katerina Vrana
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Review: The Choir of Man
Review: Songs For Nobodies
Review: Chicago
Review: Anna
Review: The Barber Of Seville
REVIEW: Punk Rock
REVIEW: The Taming of the Shrew
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text:
require 'test_helper'

# Tests for datetime, date and time inputs when HTML5 compatibility is enabled in the wrapper.
class DateTimeInputWithHtml5Test < ActionView::TestCase
  test 'input generates a datetime input for datetime attributes if HTML5 compatibility is explicitly enbled' do
    with_input_for @user, :created_at, :datetime, html5: true

    if ActionPack::VERSION::STRING >= '5'
      assert_select 'input[type="datetime-local"]'
    elsif ActionPack::VERSION::STRING < '5'
      assert_select 'input[type="datetime"]'
    end
  end

  test 'input generates a datetime select for datetime attributes' do
    with_input_for @user, :created_at, :datetime

    assert_select 'select.datetime'
  end

  test 'input generates a date input for date attributes if HTML5 compatibility is explicitly enbled' do
    with_input_for @user, :born_at, :date, html5: true

    assert_select 'input[type="date"]'
  end

  test 'input generates a date select for date attributes' do
    with_input_for @user, :born_at, :date

    assert_select 'select.date'
  end

  test 'input generates a time input for time attributes if HTML5 compatibility is explicitly enbled' do
    with_input_for @user, :delivery_time, :time, html5: true

    assert_select 'input[type="time"]'
  end

  test 'input generates a time select for time attributes' do
    with_input_for @user, :delivery_time, :time

    assert_select 'select.time'
  end

  test 'input generates required html attribute' do
    with_input_for @user, :delivery_time, :time, required: true, html5: true
    assert_select 'input.required'
    assert_select 'input[required]'
  end

  test 'input has an aria-required html attribute' do
    with_input_for @user, :delivery_time, :time, required: true, html5: true
    assert_select 'input[aria-required=true]'
  end
end

# Tests for datetime, date and time inputs when HTML5 compatibility is enabled in the wrapper.
class DateTimeInputWithoutHtml5Test < ActionView::TestCase
  test 'input generates a datetime select by default for datetime attributes' do
    swap_wrapper do
      with_input_for @user, :created_at, :datetime
      1.upto(5) do |i|
        assert_select "form select.datetime#user_created_at_#{i}i"
      end
    end
  end

  test 'input is able to pass options to datetime select' do
    with_input_for @user, :created_at, :datetime, html5: false,
      disabled: true, prompt: { year: 'ano', month: 'mês', day: 'dia' }

    assert_select 'select.datetime[disabled=disabled]'
    assert_select 'select.datetime option', 'ano'
    assert_select 'select.datetime option', 'mês'
    assert_select 'select.datetime option', 'dia'
  end

  test 'input generates a datetime input for datetime attributes if HTML5 compatibility is explicitly enabled' do
    swap_wrapper do
      with_input_for @user, :created_at, :datetime, html5: true

      if ActionPack::VERSION::STRING >= '5'
        assert_select 'input[type="datetime-local"]'
      elsif ActionPack::VERSION::STRING < '5'
        assert_select 'input[type="datetime"]'
      end
    end
  end

  test 'input generates a date select for date attributes' do
    swap_wrapper do
      with_input_for @user, :born_at, :date
      assert_select 'select.date#user_born_at_1i'
      assert_select 'select.date#user_born_at_2i'
      assert_select 'select.date#user_born_at_3i'
      assert_no_select 'select.date#user_born_at_4i'
    end
  end

  test 'input is able to pass options to date select' do
    with_input_for @user, :born_at, :date, as: :date, html5: false,
      disabled: true, prompt: { year: 'ano', month: 'mês', day: 'dia' }

    assert_select 'select.date[disabled=disabled]'
    assert_select 'select.date option', 'ano'
    assert_select 'select.date option', 'mês'
    assert_select 'select.date option', 'dia'
  end

  test 'input is able to pass :default to date select' do
    with_input_for @user, :born_at, :date, default: Date.today, html5: false
    assert_select "select.date option[value='#{Date.today.year}'][selected=selected]"
  end

  test 'input generates a date input for date attributes if HTML5 compatibility is explicitly enabled' do
    swap_wrapper do
      with_input_for @user, :born_at, :date, html5: true

      assert_select 'input[type="date"]'
    end
  end

  test 'input generates a time select for time attributes' do
    swap_wrapper do
      with_input_for @user, :delivery_time, :time
      assert_select 'input[type=hidden]#user_delivery_time_1i'
      assert_select 'input[type=hidden]#user_delivery_time_2i'
      assert_select 'input[type=hidden]#user_delivery_time_3i'
      assert_select 'select.time#user_delivery_time_4i'
      assert_select 'select.time#user_delivery_time_5i'
    end
  end

  test 'input is able to pass options to time select' do
    with_input_for @user, :delivery_time, :time, required: true, html5: false,
      disabled: true, prompt: { hour: 'hora', minute: 'minuto' }

    assert_select 'select.time[disabled=disabled]'
    assert_select 'select.time option', 'hora'
    assert_select 'select.time option', 'minuto'
  end

  test 'input generates a time input for time attributes if HTML5 compatibility is explicitly enabled' do
    swap_wrapper do
      with_input_for @user, :delivery_time, :time, html5: true

      assert_select 'input[type="time"]'
    end
  end

  test 'label uses i18n to get target for date input type' do
    store_translations(:en, date: { order: ['month', 'day', 'year'] }) do
      with_input_for :project, :created_at, :date, html5: false
      assert_select 'label[for=project_created_at_2i]'
    end
  end

  test 'label uses i18n to get target for datetime input type' do
    store_translations(:en, date: { order: ['month', 'day', 'year'] }) do
      with_input_for :project, :created_at, :datetime, html5: false
      assert_select 'label[for=project_created_at_2i]'
    end
  end

  test 'label uses order to get target when date input type' do
    with_input_for :project, :created_at, :date, order: ['month', 'year', 'day'], html5: false
    assert_select 'label[for=project_created_at_2i]'
  end

  test 'label uses order to get target when datetime input type' do
    with_input_for :project, :created_at, :datetime, order: ['month', 'year', 'day'], html5: false
    assert_select 'label[for=project_created_at_2i]'
  end

  test 'label points to first option when time input type' do
    with_input_for :project, :created_at, :time, html5: false
    assert_select 'label[for=project_created_at_4i]'
  end

  test 'label points to attribute name if HTML5 compatibility is explicitly enabled' do
    with_input_for :project, :created_at, :date, html5: true
    assert_select 'label[for=project_created_at]'
  end
end

redpajama_set_name: RedPajamaGithub


text:
Allô la Terre, ici les Martin ( en anglais) est une série télévisée d'animation franco-canadienne Americaine en  de , créée par Léon Noël et Claude Lerist, et diffusée sur Cartoon Network à partir du  et entre le 2 juillet et le  sur Canal+.

Synopsis
Dans un futur proche, Krash industrie, une multinationale a construit une station spatiale orbitale qui s'apparente à un village ; la multinationale recherche des candidats (ou cobayes) et leurs familles, pour vivre sur cette station. Georges Martin postule au sein de Krash Industrie pour vivre et devenir responsable de la station orbitale, sa candidature est rejetée. Mais à la suite d'un courant d'air, dans les bureaux de Krash Industrie, la feuille de candidature de Georges Martin se retrouve à la place du candidat admis. Georges Martin est alors nommé responsable de cette station spatiale orbitale expérimentale et part vivre avec sa famille sur la station où l'aventure les attend. À commencer par retrouver les mêmes voisins qu'ils avaient quand ils habitaient sur Terre, Madame Schuman et son fils.

Production
La série, qui compte 26 épisodes, est produite par la société française Alphanim, la chaine française Canal+ et la société canadienne Les Productions Tooncan VI Inc. en association avec Gimages 2 et agogo[m]edia ltd.

Aux États-Unis, la série est initialement diffusée sur Cartoon Network le . En France, la série a été diffusée sur France 3 (2001-date inconnue), Canal J, Cartoon Network (2002), et rediffusée sur Gulli (2006-2007, puis en 2009). Au Québec, Canada, la série a été diffusée sur VRAK.TV et sur TV5 Québec Canada. Dans les autres pays, elle a été diffusée sur Cartoon Network au Royaume-Uni et en Irlande (2002-date inconnue), Nickelodeon en Allemagne (2004-date inconnue), Rai Due en Italie (2002-date inconnue), et Nickelodeon aux Pays-Bas (2003-date inconnue).

Distribution
 Patrick Béthune : Georges Martin
 Danièle Hazan : Monette Martin
 Nathalie Bienaimé : Betty Martin
 Susan Sindberg : Benjamin Martin
 Bruno Magne : Boris Labibine
 Bernard Demory : Guy, Fax (le chien)
 Olivier Hémon : Planouf

Épisodes

 Embarquement immédiat
 À mort l'alien
 Invasion
 Boris ce héros
 Georges le magnifique
 Je veux rentrer à la maison
 Georges mène l'enquête
 Monette aux manettes
 Les Durand
 Soupe cosmique
 Question de temps
 Le Truc
 Faites chauffer l'école
 Tout sur mamie
 Un Noël très spatial
 Les Cochons de l'espace
 Schuman recherche désespérément
 Black Out
 Fax ennemi public
 Le Masque de plexiglas
 Georges tout feu tout flamme
 Trou noir
 Dégraissage
 La Machine à apprendre
 Annexion
 Incubation

 Source.

Festivals et prix
La série a été sélectionnée en 2003 à Córdoba, en Argentine.

Notes et références

Liens externes

Série télévisée créée en 2002
Série télévisée française des années 2000
Série d'animation de Canal+
Série d'animation française
Série télévisée française de science-fiction
Série télévisée canadienne de science-fiction
Série télévisée se déroulant dans le futur
Station spatiale dans la fiction
Série télévisée canadienne des années 2000
Série d'animation canadienne

redpajama_set_name: RedPajamaWikipedia


OAKLAND, CA – On Tuesday July 12 New Parish in Oakland hosted a cannabis industry night Sponsored by Jetty Extracts. The invite only event was exclusive to professionals of the cannabis industry and featured vendors from all over the Bay Area.
From 6:30 to 11:30 Tuesday evening the outdoor patio space of the New Parish was a morass of vendor tables crowded with canna-pro's of all shapes and sizes. Attendees exchanged joints, ideas and good vibes in what might be the most welcoming networking opportunity of any industry. Vendors were liberal in issuing free samples, nearly every table with a crowd facing dab-rig. Small bites of edibles were handed out ranging from the standard – yet delicious – baked goods to cannabis infused bacon.
Sponsor Jetty extracts presented a beautiful display of their line of solventless extracts including cartridges, waxes and oil packaged in a novel dabbing apparatus cleverly dubbed the Dablicator. Samples offered confirmed their claims of superior quality, potency and flavor.
Clarified Confections, Empress Extracts, Moxie Meds and Harborside Health Center were among the dozen or so other vendors present. M1 of Dead Prez made an appearance along with comedian Ngaio Bealum and DJ Rebel.
The Night also involved a raffle benefiting Weed For Warriors Project, an advocacy group for veterans who's aim is to provide a healthy alternative to the harmful treatments available to soldiers today.


Group Bike Rental Central Park - Special rates for schools & non-profits!
Book online for 40% off Central Park group bike rental! Bike helmets, bike locks and NYC bike maps free upon request with Central Park group bike rental. Central Park Group Bike Rental is located at 117 West 58th Street between 6th Avenue & 7th Avenue (E/W and near to 6th Avenue), and 1-block away from the 6th Avenue entrance to Central Park (N/S). We have thousands of adult men's and women's comfort-hybrid bikes and children's bikes available.
(212) 541-8759, or fill out the form below and a representative will contact you.
You must schedule and have confirmed your group bike rental a minimum two (2) business days (M-F) in advance when you purchase online. You will be contacted by a group sales representative to confirm your group bike rental details. Adult and children's bikes are priced equally for groups. The minimum-size group for online group bike rental purchase range is 15 – 50 persons/bikes. You will be contacted with your group confirmation at the email address you have provided. If you have a group larger than 50, or you have pre-purchase questions about group bike rental, or wish to negotiate a better rate; you may call group sales:(917) 283-2453 (M-F 9am-6pm, EST), or email group sales: marketing@bikerent.nyc for a timely response. All bike rental purchases are final and there are no refunds for bike rental, store credit is available with manager approval.
Book online for 40% off the discount cannot be combined with any other offer or coupon.
Free bike helmet, bike lock and bike map available for duration of rental period on request.
Bike rental insurance costs $2 per bike and covers 100% of damage, and 50% of replacement cost if bike is stolen.
Child Seat costs $5 for first hour, $10 for the second hour, $15 for additional hours up to all day – purchase in-store only.
Online group bike rental purchase 15 – 50 bikes; groups larger than 50 contact group sales to make arrangements.
Contact group sales for specialty bikes and prices for road bikes, tandem bikes and child bike trailers.
Central Park Bike Ride is located at 117 West 58th Street between 6th Avenue & 7th Avenue (E/W and near to 6th Avenue), and 1-block away from the 6th Avenue entrance to Central Park (N/S). You are encouraged to wear a bicycle helmet, which is provided free of charge and mandatory by NY State Law for anyone under the age of 14. Bicycle locks are provided free of charge upon request. Bicycles maps of Central Park and New York City are available free of charge and upon request. All bike rental purchases are final and there are no refunds for bike rental given. Store credit may be allowed for 1-year from original rental date, but only with managerial approval due to inclement weather or NYC emergency. In addition to this confirmation notice, you will be sent a notification from this website to the email you provided in the form, and another payment notification from PayPal.
Larger bike rental groups and guided bike tour groups can be accommodated when arranged in advance. No refund for bike rental purchase. Credit for Central Park bike rental may be given with managerial approval due to inclement weather or NYC emergency. Alternatively, you may choose a public guided Brooklyn Bridge group bike tour starting next to the Brooklyn Bridge in downtown Manhattan; Brooklyn Bridge Bike Tours & Rental (145 Nassau Street). Bike Rent NYC is New York City's largest provider of Central Park bike rental.


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NikkaSkycumsohotEmmaMiaREALCUMANAL4U .KateTeaserEvaDebbieTomAndCherryXLuisy .a00SexyKsanaChristinnnaMistressTalydaSquirtingGirlXX .xxRyanRVanessaRochyChristinnnaSABRINAwild .RyanReckittREALCUMANAL4UXXCarameloXXEvaDebbie .SweetKittenxx1EmmyBellAmelieBreeEmmyBell .00EvelynXSassyCabocheKassieLuva00SexyKsana .LexandraMoonKellyCuteDollVallenciaabelencruz .MiaAmourr8AZHARATCuteAliceXXXXTerryJackson .moniquelaitonKissyCrissyEmmaMiaAMANDAversusIVAN .AmeliaReeseAinaSweetXXNatalliexTerryJackson .


text:
Калинин —хутор в Тюльганском районе Оренбургской области в составе Тугустемирского сельсовета.

География
Находится на расстоянии примерно 18 километров по прямой на север-северо-запад от районного центра поселка  Тюльган.

Население
Население составляло 145 человека в 2002 году (русские 57%),  100 по переписи 2010 года.

Примечания

Населённые пункты Тюльганского района


This beautiful custom built home with Open floor plan and soaring vaulted ceilings, sits on a gorgeous 9792 sq. ft.waterfront lot. Expansive Lake front views for incredible sunsets. Custom paver driveway and huge paver screened porch and large paver patio, plenty of room for a pool. Sliders from Living room and Master bedroom with amazing water views. Large 4 bedrooms, 2 custom baths, master with dual sinks, separate soaking tub and shower stall. Separate Living room and family room for entertaining or large family. 2 car garage.Water purifying system.Custom decor throughout. Walk to the Country club, restaurants and 18 hole golf course. Enjoy the community Exercise room, heated Pool, Tennis and picnic area. Live the country club lifestyle in a quiet, convenient, location.