text:
Magnis byla římská pevnost v bezprostřední blízkosti Hadriánova valu v severní Británii. Její pozůstatky jsou známé i pod jménem římská pevnost Carvoran nebo Magnae Carvetiorum. Leží v hrabství Northumberland v severní Anglii, na místě, kudy vedla římská silnice Stanegate. Silnice i pevnost byly postaveny ještě dříve než Hadriánův val, okolo roku 80. Vallum se, což je neobvyklé, táhne severně od pevnosti, kterou od Hadriánova valu odděluje.

U pevnosti se nachází Muzeum římské armády.

Název
Pevnost Carvoran je všeobecně ztotožňována s názvem "Magnis", který se vyskytuje jak v ravennské Kosmografii, tak v dokumentu Notitia Dignitatum. Další důkaz podporující tuto podobu názvu pochází z částečně zachovalého nápisu (RIB 1825), který zřejmě viděl William Hutchinson v roce 1766. Ztracený zlomek nesl nápis Magne(n)s(ium). Jméno by mohlo vycházet z latinského tvaru adjektiva "magnus" (velký): Magni nebo Magna, proto se pevnost někdy uvádí pod jménem "Magna". Toto pojmenování bývá však pro tuto poměrně malou pevnost považováno za dosti nevhodné, proto se uvažuje i o další možnosti, totiž že název je odvozen z keltského slova Maen ("kámen").

Římská pevnost
Magnis byla původně postavena, aby chránila křižovatku silnice Maiden Way se Stanegate, s klíčovou zásobovací cestou, která spojovala pevnost Coria (Corbridge) na východě s pevností Luguvalium (Carlisle) na západě. A jako taková je starší než Hadriánův val.

Magnis je jednou ze šestnácti římských pevností při Hadriánově valu; kromě nich tam bylo 80 menších mílových pevností (milecastle) a 158 věžiček. Silnice Maiden Way vedla na jih od Magnis k pevnosti Bravoniacum (Kirkby Thore poblíž Penrithu). Pevností na půli cesty mezi těmito dvěma na Maiden Way byl hrad Whitley neboli Epiacum, severně od Alstonu v hrabství Cumbria, ačkoli sama pevnost Magnis leží nedaleko za hranicí už v hrabství Northumberland.

Archeologické nálezy

Zachovala se část zdiva severozápadního rohu pevnosti.
Kromě toho letecké fotografie ukázaly, že na tomto místě stávala mnohem větší pevnost, některé důkazy svědčí o tom, že tam snad dokonce bylo několikero pevností před tou kamennou, jejíž zbytky lze vidět. Geofyzikální výzkum ukázal stopy po polích na západě, kasárenské bloky na severu pevnosti a kamenné domy při silnici Stanegate. Žádný archeologický výzkum v Carvoranu dosud neproběhl, oltáře a nápisy byly objevovány náhodně. Podle nich některé zdejší jednotky pocházely z tak vzdálených krajů, jako je Sýrie.

Lázně ležely mimo samotnou pevnost.

Vnější kamenný val byl postaven v letech 136 až 137 kohortou Hamianů, která tehdy tvořila posádku pevnosti. Byla to kohorta lučištníků, což je samo o sobě neobvyklé. Geofyzikální průzkum v roce 2000 ukázal, že pevnost byla obrácená k jihu; na západ, jih avýchod kolem ní se rozkládala rozsáhlá civilní osada (vicus).

K artefaktům z pevnosti Magnis patří železná hlavice kopí o délce 61 cm nalezená v hloubce 11 m ve studni, a bronzový modius, kterým se měřilo množství obilí.

Muzeum římské armády
V pevnosti Magnis je umístěno římské armádní muzeum, které provozuje Vindolanda Trust. Stejně jako muzeum ve Vindolandě bylo v roce 2011 zmodernizováno a znovu otevřeno. Seznamuje s životem v pohraničí na severním konci Římské říše. Muzeum vystavuje pravé římské artefakty včetně zbraní a nástrojů; dále repliky ve skutečné velikosti; minulost a přítomnost Hadriánova valu názorně ukazuje 3D film. Je zde také galerie věnovaná samotnému císaři Hadriánovi. Velká galerie ukazuje každodenní život v římské armádě, viděný očima týmu osmi pomocných vojáků; další film ukazuje, kterým činnostem se věnovali. K pozoruhodným exponátům muzea patří jediný dochovaný hřeben přilby.

Reference

Literatura

Související články
 Hadriánův val
 Northumberland
 Aesica
 Camboglanna
 Stanegate

Externí odkazy

 "Magnis Carvetiorum" Roman Britain Online
 Hadriánův val: Magnis

Pevnosti Hadriánova valu
Starověká římská architektura
Starověká římská vojenská architektura
Archeologické lokality v Anglii
Northumberland

redpajama_set_name: RedPajamaWikipedia


Cute April 2019 Calendar Printable : The calendar at this time has the theme of animals from the beautiful nature and has a sweet voice, namely birds. Cute Calendar April 2019 we gave a bird touch to the header. This calendar is minimalist but delicious in the eyes. We give you 5 beautiful bird calendars at the same time.
Pictures of birds in this calendar made using watercolor have a very strong impression of art. We share this free for you, to download Cute April 2019 Calendar Printable the way you click on the image, after that the image will become large and you can save it on your computer or cellphone. You can print as many calendars as you want, but we ask not to remove the copyright mark from us.
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text:
5 March 1993 Time-division-multiplexed matrix-addressed FOS network of three dimensions
Shichuang Hu,	Jianmin Ran,	Qiyan Li
Shichuang Hu,1 Jianmin Ran,1 Qiyan Li1
1Huazhong Univ. of Science and Technology (China)
Proceedings Volume 1797, Distributed and Multiplexed Fiber Optic Sensors II; (1993) https://doi.org/10.1117/12.141295
Event: Fibers '92, 1992, Boston, MA, United States
A group of sensors in a ladder OFS network, in general, employs two main optical fibers, the feed fiber and the return fiber. As another feed fiber, called nth feed fiber, is introduced into the ladder network, another group of sensors which uses the original return fiber path and the nth feed fiber as its feed path can be identified with address code n. On the other hand, as another return fiber, called mth return fiber, is introduced into the ladder network, a new sensor group which uses original feed fiber path and the mth return fiber as its return path also can be identified with the address code m. When both the nth feed fiber and the mth return fiber are introduced into a ladder network, a 3-dimensional OFS network is formed. In a basic ladder OFS network, the individual sensor is identified by a time coded system with the detected kth pulse. Therefore, the 3-dimensional network can be identified by 3 integer variables (k, m, n). When k, m, n take the values from 1 to N, it can be achieved in a 3- dimensional OFS network that the N X N X N sensors are monitored by means of 2 X N optical fibers. A temperature sensor system using the 3-D network is being implemented in our lab.
Shichuang Hu, Jianmin Ran, and Qiyan Li "Time-division-multiplexed matrix-addressed FOS network of three dimensions", Proc. SPIE 1797, Distributed and Multiplexed Fiber Optic Sensors II, (5 March 1993); https://doi.org/10.1117/12.141295
Fiber optics sensors
Time division multiplexing
Self-Referencing Frequency Division Multiplexing Technique For Fiber Optic Sensors
Spread spectrum technique for passive multiplexing of reflective frequency out...
Fiber Optic Geophysics Sensor Array
Time-division multiplexing with sampled modulation of laser diode
Selected multiplexing schemes for fiber optic interferometric sensors
Proceedings of SPIE (December 30 1993)
Predetection correlation in a spread spectrum multiplexing system for fiber...
Shichuang Hu, Jianmin Ran, Qiyan Li, "Time-division-multiplexed matrix-addressed FOS network of three dimensions," Proc. SPIE 1797, Distributed and Multiplexed Fiber Optic Sensors II, (5 March 1993); https://doi.org/10.1117/12.141295

redpajama_set_name: RedPajamaCommonCrawl


Asus ZenFone fans have something to get excited about with some details of an unreleased new version of the ZenFone making the rounds today. A new ZenFone 3 configuration has turned up after testing via GFX Bench called the Z010DD. The benchmarks gave up some details on the hardware the phone has inside.
The smartphone runs Android 6.0 out of the box and has a 5.9-inch 1280 x 720 resolution screen. That low res screen makes this sound like it may be a mid-range ZenFone 3. The ZenFone 2 has a 5.5-inch full HD screen so it isn't like that this particular ZenFone 3 is the high-end device with lesser resolution than the previous model.
The processor inside the leaked device is a Snapdragon 615 and it has 3GB of RAM. Integrated storage is listed at 24GB for this device. Rear camera is a 12MP unit that can record full HD video. The front camera is 4.8MP and it can record full HD video as well.
Other details include an accelerometer, Bluetooth, compass, GPS, light sensor, WiFi, and a single SIM card slot. A different ZenFone 3 model was seen last month packing a Snapdragon 820, 4GB of RAM, and quad HD resolution.


I strive to know my patients and understand their goals, so I can help them achieve their best outcome.
I enjoy spending time with my husband, two children, and dog. I enjoy traveling, shopping, and going on walks.


Today Gallery Alma Blou in Landhuis Habaai is the oldest and largest gallery on Curaçao, featuring local and Caribbean art.
The mansion has an ideal layout: A large main gallery, the heart, is flanked by a front and a back gallery. The building is situated in a way that makes daylight filter through it beautifully, enhancing the artworks beauty. Collections of paintings, sculptures, ceramics, jewelry and dolls are exhibited in different spaces in such a way that their quality stands out even more.
Themes and materials vary widely, but all art has a Caribbean character and Curaçaoan flair. Artists are inspired by the colors, the architecture, the people, the underwater life, the wind, mythology, the sea or the landscape. In short by all Curaçao and the Caribbean with their diversity has to offer and triggers the artists imagination.
Former Plantation House ´Landhuis Habaai` (Habaai Mansion) as it shows now, was build at the second half of the 18th century ( +/- 1752 ); The plantation exist much earlier. It is also one of the oldest on the island.
Nelson Gonzalez' Brilliant Stories is explained by the artist as a way of trying to find the analogy between the material and the mental image. That is the beginning of the creation of any artistic work. Gallery owner Lusette Verboom conducted a curatorial dialogue with the artist and all attendees.
Gallery Alma Blou brings to you the exhibition of 8 Surinam artist. This group came together especially for the exhibition. Un Du meaning together one.
Opening words were done by Fifi Rademaker.
The exhibition will be visible until Oktober 14th 2017.
Gallery Alma Blou Presents the exhibition titled 'Wenden' by Carlos Blaaker. He is an international well known artist for his paintings. In this exhibition he presents himself as a very talented sculptor. His work is inspired by the neighborhood Otrobanda with it's cultural diversity.
We celebrated World Animal Day together with CARF and I-Animal during our before-last Marshe di Artesania. It was a day filled with unique crafts, delicious natural juice & four-legged furry friends.
To celebrate 20 years in the art world, Gallery Alma Blou organized BAN TOPA ARTE. This 2-day event featured a special edition of our monthly Marshe di Artesania.
Electricity fills the air at Gallery Alma Blou when Philippe Zanolino shows his work. His is inspired by the spirit of freedom and love.
On April 18, 2006 we opened Gallery Alma Blou in Landhuis Habaai. You are cordially invited to celebrate this milestone with us on April 18, 2016 at 6 PM.
Our monthly handcraft market was combined with a Meet the Artists and demonstration by the Suriname artists featured in the current exhibition Tri Murni. The exhibition will remain on display until April 23.
Gallery Alma Blou has the honor to present a retrospective exhibition by the unique artist Martie Genger. It was an interesting afternoon to all who attended.
Gallery Alma Blou heralded the New Year with a fresh new beginning! Our artisans brought new products at the monthly handcraft market, we had a new menu, fresh dance music, a 2ndLife was given to recycled material and many visitors on the patio. Meanwhile inside the Gallery, painter Didi Dometilie welcomed guests who came to take a last look at his exhibition.
The National Library of Curacao organized a Siman di Ban Lesa (Week of Reading) in December 2015. Many schoolchildren were invited to different location to meet and interact with local authors. Landhuis Habaai was most happy to host.
't Was the day before Christmas at Landhuis Habaai! Our last Handcraft Market of the year was transformed in a festive holiday event with music, ayaka's and many, many beautiful handmade items by local artisans.
Fascination at Gallery Alma Blou Susan Rudolf showed her mosaic & driftwood pieces last Saturday at Gallery Alma Blou. It was a wonderful morning, where visitors could talk to the artist and browse our gallery. These pieces will remain on display until the end of August 2015.
Op zondag 12 januari 2014 hadden we heel gezellige zondagochtend opening van de expositie van de bekende naive kunstenaar Fred Breebaart.
March 15 was the presentation of the monograph of the life and work of one of Curacao most talented artists Yubi Kirindongo. It was a very special happening with the presence of the Governor of Curacao rs. Lucille Wout and husband, the writer of the book Thomas Meyer zu Slochteren, the editor Ron de Wit and other guests. Nicole Henriquez and Rene Metch were the god mother and father. 21 musicians were blowing the horn in a very special way to make this day a special one.
On June 7 Roland Colastica opened the exhibition of Anton Heyboer. Together with Roderick on the conga, they brought formed a dynamic duo, to present the very special life and body of work of Anton Heyboer to the visitors.
On Sunday, June 8, 2014 the last 2 exhibitions to commemorate 150 Years Abolition of Slavery, organized by Arte \'99 Foundation opened: Swinging Through History curated by Lusette Verboom on the Queen Emma Bridge and Tula 2.0 in the Renaissance Mall, curated by Daisy Casimiri of Mon Art Gallery. These exhibitions are sponsored by Mondriaan Funds, PBCF, Maduro & Curiel`s Bank, Spigt and D-Sign. The picture of Daisy Casimiri and Lusette Verboom is taken by Persburo Curacao.
On October 18, 2014 we had the very exciting opening of Slave of Love. This exhibition featured sculptures and paintings by Philippe Zanolino. Curator Lusette Verboom herself picked out the paintings - dating from the 90s - to compliment the breathtaking sculptures. The central piece `Slave of Love` towers over 2 meters and dominates the room with its presence, radiating an atmosphere of peace of love. This would be indeed the message the artist wanted to bring with his work, as the making of these sculptures were a spiritual journey for him.
As usual, the last `Marshe di Artesania` of the year dresses up for the holidays. We moved the time to the evening hours, put up Christmas lights and arranged for soulful steel pan music. we had delicious snacks and natural juices as is our custom. Even with the record number of participants, we still didn`t expect so many visitors. They browsed to their heart`s content through beautiful and creative Christmas gifts. We are looking forward to next year when we will continue to offer local artisans a place to showcase their products.
On November 15, 2014 we had the opening of Kanti Playa, oil paintings by Bianca Berends. She is one of the best portrait painters of Holland and loves the beaches of Curacao. This collection depicted several scenes of our very own local beaches. Opening words were spoken by Ron Gomes Casseres who had lovely words to say about the artist.
The Gallery and the Gift Shop are completely separated from each other.
While visiting Landhuis Habaai, you will first go through the different exhibition areas of the Gallery before you get to the Gift Shop.
We carry a very interesting variety of locally handmade products like driftwood, calabas, coconut and other materials.
Curaçao is proud to have so many artisans presenting their souvenirs and other items to our visitors, as well as a collection of books and music showcasing the myriad of artistic flavors of the island.
In our daily dealings with art, we do all the framing ourselves.
We demand a high standard of quality of work, which is why we are comfortable offering exceptional framing to our clientele as well.
On a very professional way we advise on the best ways to have their artwork framed. We only use acid free materials as this is very important, especially in the tropics, to protect the art.
We give a unique service based on knowledge, skills and talent to produce a one-of-a-kind product.


Jay didn't know who I was.
Miki was not at all ashamed of his extra-marital affair.
I don't think it was Horst and Hon.
I talked to Izchak just the other day.
I'll have a talk with Knudsen.
It's possible Karl didn't know about the meeting.
I'm pretty sure Patty's a teacher.
I had the documents sent to Farouk.
Naren should've never let Travis go.
I told Amir how much I valued Louie's opinion.
Celeste smiled apologetically and left the room.
Sunil is angry and embarrassed.
Dana didn't need to be here.
Charley needs all the help he can get.
Robert was arrested Monday afternoon.
Radek is going to be with you today.
I was hoping I'd see Panos again.
Teri isn't used to walking barefooted.
Olaf and Linley are both determined to make the best of this situation.
Harmon is so old that even the oldest in the village first knew him as an old man.
Pravin doesn't have a ticket yet.
I don't think Kenneth told Felix anything.
Lanny and Jill dated for 3 years.
Mahesh collapsed because of the heat.
Sal bent over to pick something up.
Lester didn't say who he was planning to go with.
Shakil is a hula dancer.
Glen isn't willing to ask Allan for help.
Vladimir looks depressed and frustrated.


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Martin McGuinness's decision to pull the plug on Stormont represents much more than a precipitous decision over a financial scandal which has shocked Northern Ireland.
It is a calculated abandonment of Sinn Fein's strategy under his leadership – and potentially the valedictory act on his political career.
On the latter point, Mr McGuinness's gaunt appearance, audible physical weakness and refusal to state that he will even be a candidate in what is likely to be a March election will lead many people to draw their own conclusions.
Mr McGuinness never reached – nor even came close to – the goal for which he fought, first in the IRA and then as a Stormont minister, of a united Ireland.
Yet Mr McGuinness's rise from humble beginnings in Londonderry's Catholic Bogside to de facto joint prime minister of Northern Ireland would in itself have been an astonishing personal success had his goal not been so much grander.
Once seen as an IRA hawk, he has morphed into Sinn Fein's most accommodating senior figure since his assent to office as Stormont's education minister in 1999.
And, since taking over as deputy First Minister with Ian Paisley in 2007, his overt strategy has been to accept all manner of perceived or actual slights by Sinn Fein's coalition partners, the DUP, or crises for the sake of 'the process'. In that time, the Stormont institutions were to him sacrosanct. No longer.
Yesterday's dramatic departure from office gave the imprimatur of the dove Sinn Fein leadership's to a strategy which now views the very presence of devolved government in Northern Ireland as a bargaining chip with the Government and with the DUP.
Although the straw which has broken this camel's back has been the Renewable Heat Incentive (RHI) scandal, Sinn Fein has known about this issue within government for more than a year and has shown scant enthusiasm for even making life difficult for the DUP over it, let alone collapsing the Executive.
But over the last month, since the BBC's Spotlight investigative programme brought to a mass audience the scale of what at best is a £500 million ineptitude, Sinn Fein's restrained response has been under growing pressure from its traditional supporters.
In many cases, their existing private view that the DUP has been running rings round Sinn Fein in government has been compounded by their party's apparent inability to hold its coalition partner to account – even when half a billion pounds of public money are at stake and hospitals are under winter pressure.
As Mr McGuinness's health has suffered and the crisis has deepened, Gerry Adams, who now sounds a much more hawkish tone in relation to Stormont, has returned north of the border in recent weeks.
The Sinn Fein president now speaks of a list of 'unresolved issues' from Sinn Fein's perspective which is close to double figures and includes such long-forgotten demands as a Bill of Rights and issues which Sinn Fein hasn't mentioned for months, such as the Red Sky scandal.
Mr Adams now appears to envisage yet another round of 'crisis talks' in Belfast in attempt to extract further concessions from the DUP and the Government, which Sinn Fein can then sell to its supporters in order to justify its continued position in a power-sharing arrangement with a party whose policies are far more right wing and far more unionist than those of Sinn Fein.
The price of power is compromise, and, having compromised on its goal of a united Ireland, Sinn Fein is struggling to sell further concessions to its supporters.
There is a second profound consequence of Sinn Fein's actions yesterday.
Mr McGuinness's message yesterday could be crudely summed up as "the DUP are bigots" and he cited the party's approach in areas as diverse as gay rights and the Irish language as evidence.
That is starkly at variance with what Mr McGuinness has been telling the public for more than a year since the (now seemingly inaptly named) Fresh Start Agreement – even though the DUP's position on those issues has not changed.
And since the election the DUP and Sinn Fein have been working together in unrivalled harmony, even joining forces in the Assembly to lampoon the SDLP and UUP.
Their excuse that it was the smaller parties who were responsible for past Executives' failures was removed in May with the creation of an Official Opposition and the Executive's determination to present a united front was evident in the hiring of the respected journalist David Gordon as spokesman for their joint message.
Those "promises" have been shredded a matter of weeks later, as has another pledge in the same article that they would not be "filling the airwaves with endless squabbles, making the Assembly a by-word for division".
That united front went on despite Sinn Fein having known the brutal scale of the RHI losses for more than a year. It continued into what is described as a cordial Executive meeting on December 14 – a week after the BBC Spotlight programme.
It therefore appears that Sinn Fein's decision has been taken in haste in a belated attempt to placate a nationalist electorate which believes that Sinn Fein either has been too soft in government.
And, through largely unrelated personal circumstances, the architect of that calculatedly temperate approach to the DUP may never again return to Stormont Castle.


text:
Complete Coverage
'Plus' Standards Spur Course Changes
Close readers of the common-core standards for math will notice that in the high school section, some items are marked with a plus sign (+). Those are the so-called "plus standards," designed to go beyond the general expectations and prepare students for advanced math courses.
Since the common core doesn't specify how the plus standards are to be integrated into coursework, school systems have taken different approaches in doing so.
The state of Utah, which requires districts to use an integrated-math course sequence, has set up an honors track that incorporates most of the plus material into the first three years of high school math.
"We never considered offering the plus standards as an additional course, because we see the standards as integrated," said Diana Suddreth, the interim director of teaching and learning at the Utah education department.
For the East Side Union High School District in San Jose, Calif., on the other hand, an honors track was never an option. "We wanted something that was equitable," said Barbara Schallau, the district's mathematics-curriculum coordinator.
Instead, the district incorporated much of the plus material into three 12-week "minicourses" that supplement the standard math requirements and are designed to prepare students for calculus. The minicourses are open to all students and can be taken as early as 9th grade in addition to regular math courses.
Both Utah and East Side also include some plus material in their standard math courses. Utah went so far as to remove the plus indicator from the standards to be covered.
"We intentionally took the plus off so that there would be no confusion about what is expected in which courses," said Ms. Suddreth.
By Jordan Moeny
Coverage of the implementation of college- and career-ready standards is supported by a grant from the Bill & Melinda Gates Foundation. Education Week retains sole editorial control over the content of this coverage.
Vol. 34, Issue 12, Page s26
Published in Print: November 12, 2014, as 'Plus' Standards Spur Course Changes
"Common-Core Math in Practice," November 12, 2014.


text:
« Dear readers | Main | Amplification »
Dreams and séances
I had an amusing e-mail exchange with Sarah Cahill, a superb pianist, whom I've known since I lived in Berkeley in 1990-91. She lived upstairs from me in a sort of enlightened boarding house on College Avenue. I would annoy the neighbors by blasting Nixon in China at all hours, not realizing that Sarah actually knew the great composer, or, as I found out this summer, that he lived a mile away. In any case, we wrote to each other about musical dreams, which may reveal something about the disparate anxieties of performers and critics. Sarah wrote: "I just woke up from a great dream about you. You had given me the score to the Schubert Fantasy in F minor for four hands, and we performed it together for a large and enthusiastic audience at a good old piano. It was so much fun! Then I announced that I was going to play a Mozart sonata by myself, and suddenly a flood of people came up apologizing that they had to go, they had dinner plans, and the hall cleared out completely. Before they left, many of them came up to you and introduced themselves a little fawningly. You said not to feel bad because concerts were at an awkward time anyway. But our Schubert duo was so polished and perfect!" Those who have heard me play the piano — a thankfully small community — will guffaw at the notion of polish and perfection on my part. The "flood of people" would have commenced, I think, a little earlier. Fawning, no.
I wrote back: "I should tell you that I've had a dream that goes like this. I have been invited to perform a large-scale Romantic concerto, something like the Brahms D Minor. I am sitting in the green room, trying to persuade the management that there has been some kind of gigantic misunderstanding, that I can't actually play this piece, that I can barely play the piano to begin with. They say, 'Oh, the usual nerves. You'll be wonderful! You're a good music critic — you're bound to be a wonderful pianist!' I go out on stage and stand before the audience, which is applauding in anticipation. I wake up in a cold sweat." This is probably where I am psychologically with my book. (A happier dream was of my meeting with Bartók. When I wrote about that, Alan Rich sent along the astounding information that at the premiere of Bartók's Concerto for Orchestra in 1944 he had gone backstage and shaken the composer's hand.)
All this is a contorted prelude to a mention of Sarah Cahill's marathon musical séance in San Francisco on December 3rd. Presented by Other Minds, the day-long concert will feature spiritually, supernaturally, Theosophically, and hypnotically tinted music by Satie, Scriabin, Ornstein, Ives, Cowell, Ruth Crawford Seeger, Dane Rudhyar, Mr. Adams, Lou Harrison, Terry Riley, Alvin Curran, Kyle Gann (some of his Disklavier pieces), and many others. Anyone who has attended Sarah's past marathons will know to expect the unexpected. Let's hope Scriabin doesn't come back and start the apocalypse.
November 30, 2005 | Permalink


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text:
Special Reports > Exclusives
AMA Laments Liability Insurance Premium Increases in Recent Years
— The last 3 years show highest coverage costs in 2 decades
by Cheryl Clark, Contributing Writer, MedPage Today March 11, 2022
Doctors across the country have been charged increasing amounts for medical liability insurance for each of the last 3 years, the largest percentage increase in some 20 years, according to a report from the American Medical Association (AMA).
Not only are premium increases of any size trending upward, there has also been a rise in large increases as well. In 2021, 7.5% of all premiums increased by 10% or more -- up from 3.9% in 2018 and 3.6% in 2019.
The largest premium increases ranged from 10% in Idaho and Washington, to 35.3% in Illinois, with physicians there seeing nearly 60% of premiums increasing 10% or more in 2020 to 2021.
Of note, insurance premium rates were increasingly stable from 2012 through 2018, with about 81% remaining the same as the previous year.
Actuaries reviewing the AMA analysis said liability insurers "started raising premiums in response to deteriorating underwriting results, lower loss reserve margins, and lower returns on investment," noting that they "expected that insurers would sustain or even push for higher premiums in 2021."
"The medical liability insurance cycle is in a period of increasing premiums, compounding the economic woes for medical practices that struggled during the past two years of the pandemic," said Gerald E. Harmon, MD, president of the AMA, in a press release. "The increase in premiums can force physicians to close their practices or drop vital services. This is detrimental to patients as higher medical costs can lead to reduced access to care."
While the increases generally coincide with the arrival of COVID-19, the analysis notes that "it is still unknown whether the pandemic will have a long-term significant impact," but that "it appears it has not affected base premiums for the time being."
The report also showed specific regional variation in premiums. For example, obstetricians and gynecologists in Los Angeles and Orange counties in California paid base premiums of $49,804 in 2021, while those in Miami-Dade County in Florida paid $215,649.
The data came from the Annual Rate Survey Issues of the Medical Liability Monitor up to October 2021. Rates were reported for three specialties -- obstetrics/gynecology, general surgery, and internal medicine -- in each state where major U.S. liability insurers provided coverage. Policies covering $1 million/$3 million limits were included.
The rates were taken from a list of manual premiums, and did not reflect credits, debits, dividends, or other factors that may change the amounts, and could be different than the amounts physicians actually paid, the report noted.
Cheryl Clark has been a medical & science journalist for more than three decades.


text:
Q: jquery 1.10.2 - Uncaught Error: Syntax error, unrecognized expression: unsupported pseudo: select I have two dropdowns in my page and I am setting the visibility of one according to the value of other as follows:
    $(document).ready(function () {
        if (($("#response option:selected").val() == "A") || ($("#response option:selected").val() == 'B')) {
            $("#additional").show();
            $(document).scrollTo('#additional');
        }
        $('#response').change(function () {
            $("#response option:selected").val();
            if (($("#response option:selected").val() == "A") || ($("#response option:selected").val() == 'B')) {
                $("#additional").show();

            } else {
                $("#additional").hide();
            }
        });
    });
----------------------------------------------------------

<select>
<option value="">Please Select</option>
<option value="A">A</option>
 <option value="B">B</option>
 <option value="C">C</option>
</select>

<select><option value="00">Please Select </option></select>

This is not working and I am getting a console error like "jquery 1.10.2 - Uncaught Error: Syntax error, unrecognized expression: unsupported pseudo: select" . What could be the issue?

A: just val and not option selected
$('#response select').val()

A: :selected is a typo. You can use :select pseudo-selector instead, but I recommend using val(). Also, I recommend storing the context you are reusing:
$(document).ready(function () {
    var responseSelect = $("#response select");
    var additional = $("#additional");
    if ((responseSelect.val() == "A") || (responseSelect.val() == 'B')) {
        additional.show();
        $(document).scrollTo(additional);
    }
    responseSelect.change(function () {
        var currentVal = $(this).val();
        if ((currentVal == "A") || (currentVal == 'B')) {
            additional.show();

        } else {
            additional.hide();
        }
    });
});

redpajama_set_name: RedPajamaStackExchange


text:
Commercial Client
Dispute Resolution & Debt Recovery
Dispute Resolution for Individuals
Winterbourne Office
Mixed Premises - Legal Status
Living 'above the shop' is quite common in the small business sector and where the premises are rented, the lease will cover both the business and residential parts of the property. However, the statutory basis for repossession is quite different for commercial and residential premises, especially where the latter qualify as 'assured shorthold tenancies'.
Recently a landlord was seeking to repossess, on the grounds of arrears of rent, premises it had let to a fishmonger. The premises consisted of the shop on the ground floor, which together with a basement made up the commercial premises, and a first-floor flat in which the fishmonger lived.
The District Judge considered the tenancy to be a business tenancy, and therefore not protected by the provisions which apply to shorthold tenants under the Housing Act. A possession order in favour of the landlord was therefore granted. On appeal, the judge ruled that the initial decision had been wrong in regarding the lease as commercial when a residential tenancy had been created and set aside the possession order. The landlord appealed to the Court of Appeal.
The Landlord and Tenant Act 1954 (LTA) will apply when the premises are occupied for business purposes, and a tenancy which is governed by the LTA cannot be an assured tenancy. The question therefore was whether the occupation of any part of the premises was for the purpose of a business carried on by the tenant. If so, the use of the residential part of the premises was incidental to the lease of the business premises and the tenancy could not be an assured shorthold tenancy.
The landlord won the appeal. The initial purpose of the fishmonger's lease was to secure business premises, so the LTA applied.
Landlords who let mixed accommodation should be prepared for prospective tenants to demand separate leases for the commercial and residential parts of the premises.
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text:
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text:
Q: Why is the vector Laplacian defined in a way that only makes sense for three-dimensional vector fields? Both Wikipedia and Mathworld define the vector Laplacian of a vector field ${\bf A}$ to be
$$
\nabla^2 {\bf A} := {\bf \nabla} (\nabla \cdot {\bf A}) - \nabla \times (\nabla \times {\bf A}).
$$
This definition only makes sense for vector fields on $\mathbb{R}^3$, because of the presence of the curls in the second term.
But it seems to me that the alternate, more general definition
$$
(\nabla^2 {\bf A})^j := \partial_i \partial_i A^j
$$
using abstract index notation (which is equivalent for vector fields on $\mathbb{R}^3$) is much more natural because:

*

*It makes the connection to the scalar Laplacian much clearer, thereby motivating the name of the operator.

*It applies to any vector field on Euclidean space of any dimension - and even more generally, on any Riemannian manifold (if the partial derivatives are promoted to covariant ones). Moreover, this more general operator remains $\mathrm{SO}(n)$ invariant for any dimension of vector space.

Is there any motivation for restricting to the less general (and arguably less intuitive) standard definition?


text:
Hungarian Germans
A program by Erasmus students (2014)
In German language
TRANSCRIPT IN ENGLISH
It's crowded in the foyer of the Müvesz Cinema in Budapst. It's Fridaymorning. Usually, the cinema is closed during this time. Not today. Today, there are hundreds of pupils for the FilmFestival "Abgedreht". The pupils produced films about the Hungarian Germans.
"Abgedreht", the hungarian-german Filmfestival, is for pupils between the ages of 14-19 young film-producers between the ages of 19 and 35. It's about showing their view on the Hungarin-Germans in form of Short-Films. The young film-producers are supposed to make advertising-spot for the Hungarian-Germans.
We show hungarian-german literature, it's a very old cradle-song called "Schlaf Kindlein, schlaf". It's from the 19th century. And there's also a cradle-song by Klaus Klotz. This is an overworked version of the first one and it has a totally different meaning from the first one. / The dog is nerved and he runs away, because his lordlings don't want to do anything with him. When he's in the city, he becomes scared and the he goes back home. And then he realizes that he's also a Schwabian. / We want to organize a birthday-party for Sara, but Sara doesn't feel good in modern clothings. This is why she dresses up in an schwabian dress.
The student which are gathered here, are mostly Hungarian-Germans. It means: They are decendants of Germans, who immigrated to Hungary hundreds of years ago. The term "Hungarian-German" is diffuse. Many Hungarian-Germans don't live in Hungary anymore – because of Trianon. But they all share a thing: they are living between two cultures.
Being Hungarian-German means, being a German in Hungary so to say. This is different from the community. But on the other side, we also belong to Hungary. It's an interesting mixture. / It's not only belonging to one Nationality, but belonging to two. It's the german and the Hungarian nationality. This is kind of a mixtured-identity. You try to combine it.
The first germans arrive in Hungary shortly after the foundation of the country. They are popular. Cities are being built after german example, they are seen as hard-working and they are welcome in Hungary. They find a new home.
Despite the fact that the Hungarian-Germans are called "Schwaben", only two percent of the immigrants are actually from Schwaben. There are different phases of immigration. Most of the immigrants are wealthy, hard-working and conformed. WW II brings a change.
There were few which always sympathized with Hitler. They stood by him and they even were in the SS. They were interested in the German fascism and thought it was good. But there were also Germans who didn't want to be part of all of this. They went to church. Nobody knows how many there were of them. But after the war, everybody was seen as a Nazi.
The Hungarian-Germans were brought to the SU. Until 1950, there were no German-Classes for the hungarian-german students. There was no cultural work, no press. Many emmigrated. After a while, the language got lost. Until today, there are fewer and fewer Hungarian-Germans which still know German.
If you have an identity, you need to work for it. Also, if you want to keep the language. But of course, if you are often in a community where you can't practise this, then it's easier to be conformed. This is why still many don't care about they hungarian-german heritage.
Monika Ambach is the director of the "Zentrum". They care for the hungarian-german heritage in Budapest.
Since September 2013, we work here on programmes for the Hungarian-Germans. We have theatre-plays, lectures, wine-tastings and so on. Everything what's interesting for the people. It's a very diverse work.
In Budapst, it's hard to offer programmes, because there is a lot already, also for german-speaking people.
Monika Ambach cares for the German language. She herself is a Hungarian-German. And it's important for her that she speaks two languages.
I've combined my private with my professional life. I've always worked on something which was linked to the german minority. I've been for a long time a moderator in the hungarian TV, of course for the german programme. Now, I have the possibility to work for the "Zentrum". So, it's easy for me to be with the Hungarian-Germans, because I see them at work and also in my private life.
For others, this is not so easy. They can't practise their German so often. That's why the events of the "Zentrum" are so important. Here, Hungarian-Germans can meet and talk – most of the time in German. For Monika Ambach, being Hungarian-German is part of the identity.
I think, it gives you the possibility to develop yourself. Some find it in art, music or in working in a garden. Others find their german roots and like it to be in a choir or to travel and meeting other poepole.
Monika Ambach also cares for the following generations.
The biggest question for all is, how to pass my heritage to my children. It's a big question right now. We have to combine the future with the present and also the past.
Daniel Schröder sees himself as a hungarian-german European. He's part of the younger generation, Monika Ambach aim at. He speeks German and Hungarian fluently. He's living with his family in Stuttgart. Right now, he is in Budapest for his Erasmus-Semester.
I just wanted to live in Budapest for a longer period of time. I've been many times here, it's a wonderful city. And I just wanted to life in the country, where my ancestors come form.
He's working on his heritage. Also, when he's in Stuttgart.
There is a cultural institute in Stuttgart and there are many events. There's also a youth centre and a centre for hungarian speaking students. There is another club for Germans with Hungarian-German roots. But there, only the old people speak Hungarian, that's not so much fun. I prefer to meet with the others in the hungarian cultural institute. It's always fun to meet hungarian students at University.
His parents always helped him to find out about his hungarian roots. When he was a child, his family has often traveled to Hungary – though it was a long and exhausting trip. The border controls were annoying. Everything needed to be controled.
We've had toys with us, my brother and me. This was also controlled by the police. Because we could have hidden something in there.
Daniel remembers these trips very well. He's glad that Europe has changed.
Since I was a child, Europe grew together more and more. In the 90s, Hungary was not part of the European Union. You've had to wait three hours at the border. There were very huge differences between Germany and Hungary. Nowadays, Hungary is part of the Western culture, it's more or less like Germany: part of the European Union. I can't think anymore in categories like East and West or German or Hungarian. Everything is so similar now.
Daniel, the hungarian-german European. It means for him speaking Hungarian and German. Also to talk in English. Living in Budapest for a period of time. Meeting other Hungarians and Hungarian-Germans in Germany. It doesn't mean dancing folk dances or listenting to Brassmusic – like for many others.
The hungarian-german culture is very interesting, because many only think of dancing, old songs or brassmusic. But now, there is a new generation which tries to combine modernity with culture, to keep the culture alive.
Mixing the modernity with the culture – it's also something which the Filmfestival "Abgedreht" tries. Right now, there is a pause in the cinema. Everybody's waiting for the second half of the presentation. Also Sebastian takes part in "Abgedreht" – for the third time now. He produced a film with his class. This time it's about a Schwabian dog and Clichees about Schwabians.
He loves to collect things, eating, loud music and saving money. These things. / Do you think that's part of being a Schwabian? / Somehow well…yes, kind of.
Sebastian and his classmates collected these clichees in the classroom. He has great hopes: the last three times, his team won a prize.
The year before last year we were first, last year third and this year, we take part for the third time. We're here every year.
The presentation starts again. Sebastian and the others are watching a movie about traditional dresses. His film was shown already in the first part. Now he has to check out his competitors.
Monika Ambach, who also organizes this Festival thinks it's a good opportunity for young people to find out about Hungarian-Germans.
They meet people, old people, younger people. They have to research about different things. This is how they get to know a lot of things about the Hungarian Germans. It's really important, I think. For me, the festival is always interesting. It's a weird feeling. You congratulate the winners, but there are always losers. And if there's a 15-year-old that he'll come back next year for sure – that's just great.
Sebastian is disappointed. He didn't win anything. Though, he'll come back next year. Although most of them don't dance folk dances, wear traditional dresses or are part of a brassband – they are Hungarian-Germans.
"Die alte Gärtnerei" for Solo-Piano, Martin Hauber, Drei Miniaturen für Klavier, 10. April 2008, Oomoxx Media
"Seid gegrüßt ihr Deutschen Brüder"; Text: Dr. Ernst Imrich; Melodie: Prof. Ludwig Hackl (1918); played by Ungarndeutsche Jugendblaskapelle
Paradise, Colplay, Paradise, 9. September 2011, EMI UK (Piano Version)
Poems:
Franz Zeltner – Meine zwei Sprachen
János Szábo – Mein Vaterland
Tags: identitás


It looks like we're busting out of here today. It is kind of bittersweet because Mari will have a little more freedom now but we'll be a little farther away from the babies.
We thank y'all for all the flowers and gifts (love the outfits A.S.!! sorry we missed you two yesterday; the bath supplies are definitely a necessity!!) and the wonderful comments on the blog. We love sharing this story with you and enjoy reading through the comments each day. We will continue to post on the blog while at the Ronald McDonald House so stay tuned. The bible verses posted have really helped us get through the days - and nights - and always remind us that God is in charge.
Everyday I turn my computer on and wait very impatiently while it loads in anticipation of your latest updates! I've been on here daily since your precious angels arrived and every time I cry tears of joy for all 6 of you! Chris, my hat's off to you for maintaining the blog and letting us all be a part of this blessing. Mari, I can't wait to see you! I think that you two are truly amazing and I am in complete awe of you both!
Mari & Chris-I am teary eyed right now from reading your blogs! You guys are so amazing and such faithful servants it just amazes me! I am honored and blessed to have yo guys in my life! I can't wait to see the babies! I will keep praying for a speedy recovery!
My late night reading - getting the latest update. I am glad to hear the packages were delivered to you. Hope you enjoy your new surroundings, can't wait to hear how God is working in your lives next. Psalm 28:7 - my favorite line in that verse is "...My heart leaps for joy..." What a picture that is of trust and faith-something the two of you strongly possess.


text:
Q: How to make pip install requirements automatically after cloning/checking out a repository? Well, now I should do:
# pip install git+<my repository url>#egg=foo
# cd src/foo
# pip install -r requirements.txt

How can I make pip install the requirements automatically.

A: I found that you can use install_requires in setup.py:
setup(name = 'foo',
      ...
      install_requires = ['bar', 'blah', 'blah2'])

but I still wonder if there's a way to automatically put the result of
pip freeze

as install_requires in setup.py.


NOLA house and indie lovers, prepare yourself: Pierce Fulton is making his way back to New Orleans. River Beats last caught up with Fulton before his Zoolu 23 set during Mardi Gras 2016. The Big Easy will host the third performance of Fulton's nationwide Better Places Tour at the House of Blues on Friday, November 17.
A multi-instrumentalist and producer, Pierce Fulton's musical versatility enables him to craft elaborate, but authentic arrangements using various instruments. The instruments he uses live and in recordings range from electric and acoustic guitars to xylophones and drum pads. These warm, organic instrumental samples only enhance the feels-y atmosphere Fulton seeks to create. The official video for his break-out progressive house hit "Kuaga" may best demonstrate the artist's instrumental proclivity.
Earlier this year, the Vermont native released his sophomore full-length effort, Better Places (2017), following the Borrowed Lives EP (2016) and Introducing Pierce Fulton (2014). Fulton is perhaps best known for soaring emotive and melodic compositions in the vein of progressive house and sweeping, airy soundscapes like "Yesterday." But through continued experimentation and collaborations with other vocal and instrumental artists, Fulton's signature style has both expanded and intensified. His sound remains distinctly his own. But, his chameleon-like adaptability also showcases his range as a performer, composer, and collaborator onstage and in the studio.
Vocals play a critical role in Fulton's music, but the style and timbre of the voices he features vary, establishing different tones and moods in their wake. They range from colossal resonance heard in tracks like in "Kuaga" to cleaner indie vocals (Think: Hot Chip) in "Listen to Your Mama." Also indicative of vocals' significance to Fulton's performance, two of his regular vocal collaborators join him on this U.S. winter tour.
That support includes Los Angeles-based artist collective and laptop punk purveyors NVDES, fronted by Josh Ocean. NVDES collaborated with Fulton on "Better Places," the title track for his latest album and tour. That's now in addition to their collaboration on "Borrowed Lives," the title track off Fulton's 2016 EP. Ocean has described his music in a previous interview as attempts "to capture a raw carelessness and spontaneous excitement." As such, NVDES brings a palpable energy listeners can feel on collabs with Fulton. And those fresh, funky vibes aptly complement Fulton's more emotional and melodic indie-fueled style.
Synth/electro pop vocalist Noosa also joins Fulton on the Better Places Tour. The Long Island native contributed vocals to two tracks on Fulton's new album. These include "Autumn Blossom" and "The Sound," which closes out the album in spectacular indie-pop fashion. The track's mesmerizing vocals and soulful acoustic guitar lines take center stage ahead of simpler indietronica synth drum patterns. That combo with Noosa providing live vocals should be an enticing song to catch performed live.
Tickets for Pierce Fulton's New Orleans performance are still available here.
Featured image via Pierce Fulton Facebook page.


Dear Daddy, happy Father's Day – from me!
Father's Day is just around the corner, so we've helpfully compiled a brilliant 2018 Father's Day Gift Guide to make your gift snaffling a whole lot easier!
From budget friendly to luxury, we've got a handful of stellar gift ideas tucked up our sleeve to celebrate dad this Father's Day – and not one is a box of chocolates!
Father's Day is just around the corner and for a gift brimming with hand-made love, look no further than our DIY gift guide. From personalised books to beard balm and bacon – we have it all!


text:
A Cantiere Navale Triestino foi um estaleiro naval sediado em Monfalcone, no litoral do Mar Adriático. Foi fundado em 1907 pelos irmãos Callisto, Alberto e Fausto Cosulich, donos de veleiros que se mudaram para Trieste, na Áustria-Hungria, em 1889 e pelos anos seguintes aproveitaram-se do crescimento industrial e influxo de imigrantes da região para crescer seus negócios.

Os Cosulich contrataram o engenheiro naval britânico James Steward para atuar como diretor técnico do estaleiro, trazendo também consigo um núcleo diretivo e de trabalhadores britânicos. O primeiro navio construído no novo estaleiro foi o navio de carga SS Trieste, lançado ao mar em 1908. A Cantiere Navale Triestino logo se tornou uma das principais empresas de Monfalcone, influenciando a economia da região e ajudando a cidade a quadruplicar sua população em apenas quatro anos.

Monfalcone passou para o domínio da Itália após a Primeira Guerra Mundial. O estaleiro foi danificado durante a guerra, porém voltou a funcionar apenas um ano após o fim do conflito. A empresa continuou a operar pela década seguinte, porém crises financeiras afetaram a Cantiere Navale Triestino, que em 1930 decidiu se fundir com a vizinha Stabilimento Tecnico Triestino a fim de formar a Cantieri Riuniti dell'Adriatico para poderem aproveitar melhor o mercado e crescimento industrial.

Ligações externas

Empresas fundadas em 1907
Estaleiros da Áustria-Hungria
Estaleiros da Itália
Empresas extintas em 1930


There's always been a lot of foodiness going on here at TechnoMedia and a lot of foodie talent, the sum of which is pretty extraordinary.
Besides the fact that we know design and marketing communications, each of us with more than 25 years experience doing our thing, we know food. Our two owners are the real deal. Roberta MacLean grew up on a working farm in Belfast, PEI. Roberta knows farming first hand. Blair grew up in a large family that made it's living in the fishing industry in Dartmouth, Nova Scotia and his insight is incredible. Donna grew up on a mini farm and is married to Chef Irwin MacKinnon. Heather is a professional food photographer and a contributing photographer to StockFood the world largest food stock agency located in Europe. Rose is a major food and cooking enthusiast who's loving food blogging. And there is always food going on in the office. Always!
We have a long list of food-related clients. You can't really know and understand them from an office chair. So we are in the fields with our farmers, on the boats with our fishers, in the processing plants, in development kitchens, the markets, the restaurants, and at home in the kitchen. Food has a journey involving many hard-working and super talented people and we want to tell the whole story.
So we started our PEI food blog; PEI Foodies. A community of foodies sharing Prince Edward Island's foodiness.
Because it's something we can all be proud of and should be sharing together. So we go out and talk to people, find out what they are up to, take photos, promote them on the blog and share it on social media.
Why are we doing this? Because we think PEI is the best, and food is meant to be shared.
It's a fun way to meet new foodies and build the community. So sign up and let's get cookin' Island style!


You know what's nice about being between graduation and jobs? Lots of time on my hands! I just criedwatched Pride of the Yankees, The Graduate, and Temple of Doom. I exercised! And I just finished Prince Caspian and am starting another four books (one is titled Pecked to Death by Ducks... it seemed cool!). I might be a little too optimistic!
Or maybe I'm just really, really pessimistic about getting a job.
Read "Dawn Treader". Having read them all multiple times, It's still far and above my favorite. Maybe not the best, but definitely the most fun.


Fox Pest Control is the #1 Chicago pest control & extermination company. We have over 22 years experience, and have helped over 40,000 homeowners and businesses with pest extermination and other pest control. Read on to learn why we are the top choice for pest control in Chicago, then pick up the phone and call us for same day help with your pest problems.
Great service and good education of what was doing to be done. How it all works along with being mindful of children and pets. We have seen the bugs trying to get out of the house and nothing wanting to come in. Thank you for your help looking forward to keeping you guys around to keep the creepy crawlers out of our house.
Everyone who visited was professional and courteous and seem to have doe a good job.


text:
Fordthorne FordStore
Rolling Road Day
CONSTITUTION OF THE:
WELSH FORD OWNERS CLUB
1. NAME: The name of the organisation shall be:
2. AIMS: The aims of the club will be:
A) To represent the full interests of each member of the club.
B) To encourage activities prompting the club and its members values.
C) To encourage and support all members with vehicle related projects that advertise/promote the club.
D) To discourage any discrimination and prejudice involving any persons, including those inside and outside of club membership.
3. MEMBERSHIP
Membership of the car club shall be open with equal opportunities for men and women
regardless of nationality, religion, race, gender, age, sexuality, disability or any other
potential cause of discrimination.
In no circumstances must members conduct themselves in a disrespectful manner that may cause other
members or any persons outside of club membership offense or distress. Those that do so will have their
membership reviewed and may risk having their membership removed following investigation.
Membership of the Car club is open to any persons who purchase a membership from the car club. All club
deals and discounts are subject to terms and conditions as stated on the club website.
Regardless of the time of year members sign up, they will be fully entitled to all membership benefits.
If a member wishes to leave club, regardless of their reasons, they must notify the clubs chairman and return
their membership card as soon as possible and no refunds will be issued if member resigns from the club.
Club benefits must not be taken advantage of once a member has resigned their membership.
All memberships are subject to review and the club reserves the right to revoke anyone's membership in
justifying circumstances.
At this time WELSH FORD OWNERS CLUB do not operate lifetime memberships.
4. MEMBERSHIP FEES:
Membership fees are as follows and no discounts will be offered regarding these fees.
- An annual membership is £15.
- Membership fees are subject to change and all new and existing members will be given a one month
Notification period of the change.
- Members hold the right to renew their membership upon expiry of their existing one.
5. MANAGEMENT
The club will be run by a team of administrators chosen by the club and must at all times make decisions in the best interests of the club and its members.
If any issues are raised to any members of the club's management, all other members of management must be informed via a club meeting and a cause of action must be established.
All members of management must conduct themselves respectfully towards other members of the club and must take responsibility for any events or incidents involving the club and its members.
The club management team are responsible for organising events and social gatherings where the club's name is involved as an organisational feature.
6. VOTING
Decisions made are at any time subject to a vote and members of management are under no circumstances
to make solo decisions involving the club and its members.
Voting will take place involving all members of management and a minimum of 5 other members of the club.
7. POWERS OF THE COMMITTEE
The management team have control over any interests and affairs involving the club and its members.
Certain affairs involving the club and its members may be subject to a vote (see above).
8. ANNUAL GENERAL MEETINGS
General meetings will be organised in the event of issues being raised or decision-making processes taking
If a meeting is held and a vote takes place where the voting conditions detailed above are not met, the said
vote will not be valid and another vote must take place before any actions regarding the decision made are
9. CONDUCT OF BUSINESS
A) All business matters must be handled professionally and must be handled with the interests of the club and its
members in mind.
B) Any meetings must be handled professionally and must not discriminate against any club members.
C) All subjects of meetings will be recorded and may be referred to at a later date where relevant incidences
occur.
10. FINANCE
A) All money raised towards the club (e.g. from online sales of merchandise) will be used to further promote
the club and its members.
B) The treasurer shall keep an up to date record of accounts and finances for the Car Club
and be responsible for banking money and also paying out for Car Club items.
C) All money from sales will be sent to the clubs financial account and will only be moved if necessary by the
club's treasurer. The treasurer will appoint one other member of the club who will share responsibility
for the movement of club funds.
D) The club's accounts will be subject to inspection on an annual basis.
11. EQUAL OPPORTUNITIES
The car club and its members will maintain a respectful manner at all times, and will uphold equal working
conditions with members at all times. Any activity that involves direct or indirect discrimination towards a
member or a member of the public including; victimisation, segregation or harassment on the grounds of
nationality, religious opinion, race, gender, age, sexuality, marital status, disability will not be tolerated and
action against those persons involved will be taken.
12. DISSOLUTION
If for whatever reason, club management make the decision to dissolve the club, members will be given 3 months' notice in advance. Any decisions regarding remaining assets, including financial assets, once all payments/debts that the club may have are settled, will be decided on by the club's members. A vote may be required in order for this to happen responsibly.
13. CODE OF CONDUCT
The car club aims to deal with all reported cases of anti-social behaviour / manner within its meetings and car shows, affectively and as quickly as possible. Anti-social behaviour is any behaviour that causes alarm, distress or harassment to others, this can also include criminal acts, intimidation and threatening behaviour.
A) Members of the Car Club must conduct themselves in a reasonable manner at all times
during meetings and car shows and not to pose as a threat to their fellow members.
B) If there is an incident between two fellow members of the Car Club, the Chair person
and secretary should be informed by letter or e-mail within ten days of the alleged
incident by the member/s making the complaint or allegation/s. The committee
members will call a meeting to consider each case.
C) The committee shall then meet to discuss the contents of the given letter and if they
consider there is a case to be met, they can inform the member/s making the allegations
by letter to appear in front of the committee to prepare the member/s defence.
D) If the member/s does not meet the requirements of this meeting on the time and date
given then the meeting shall go ahead as planned in the member/s absence.
E) If the allegations are proven, the member/s is given a caution re: - unreasonable manner
to another club member/s and informed if there is another incident within a twelve
month period, then an automatic expulsion from the Car Club will take place.
WELSH FORD OWNERS CLUB WILL NOT TAKE ANY RESPONSIBILITY FOR INCIDENTS THAT OCCUR
OUTSIDE OF CLUB EVENTS. ANY REPORTS OF INCIDENTS INVOLVING CLUB MEMBERS WILL BE
REVIEWED AND ALL MEMBERS INVOLVED MAY RISK THEIR MEMBERSHIPS BEING REVOKED.
This constitution was adopted as the constitution of the Welsh Ford Owners Club.
On the date below by the persons whose signatures appear at the bottom of this document.
This constitution was adopted on the 26/07/2018.
Club Management Signature
Alex Davies (Chairman/Treasurer) …………………………………..
Subscribe to our mailing list today
©2017 by WelshFord Owners Club.


text:
Sintering glass
What started off as a course project has developed in to a process of printing glass that is both transparent and structurally sound.
Researchers at the Massachusetts Institute of Technology (MIT) have developed what it claims is the first solid glass 3D printed structures. The high-temperature system retains properties often lost when glass is sintered, a common technique used within the 3D printing sector. The stream of glowing molten glass from the nozzle resembles honey as it coils onto a platform, cooling and hardening as it goes.
Sintering uses tiny particles of material melded together. For many materials including metals and plastics it has been used to great avail as the process puts the material in a molten state at lower temperatures than would be needed otherwise – and therefore uses less energy.
However, sintering glass results in parts that are structurally weaker and often optically cloudy. In addition to the finished properties, the process itself has the major obstacle of needing extremely high temperature to produce molten glass. However, the process developed is reportedly able to retain the properties of strength and transparency.
The concept began as an additive manufacturing course project. Researcher, John Klein, said: "Glass is inherently a very difficult material to work with. Its viscosity changes with temperature, requiring precise control of temperature at all stages of the process. This process could allow unprecedented control."
However, MIT has used molten glass loaded in to an overhead hopper that during operation extrudes molten glass at a maintained temperature in excess of 1,000°C, far higher than the temperatures normally seen in 3D printing devices.
One challenge the researchers faced was keeping the filament of glass hot enough so the next layer of the structure would adhere to it, but not so hot that the structure would collapse into a shapeless lump. They ended up producing three separate components that can independently be heated to the required temperatures: the upper reservoir for the stock of molten glass, the nozzle at the bottom of that chamber, and a lower chamber where the printed object is built up.
Associate Professor, Neri Oxman, said: "We can design and print components with variable thicknesses and complex inner features. We can control solar transmittance. Unlike a pressed or blown-glass part, which necessarily has a smooth internal surface, a printed part can have complex surface features on the inside as well as the outside, and such features could act as optical lenses."
Oxman adds that she foresees the process being adapted to create much larger structures. "Could we surpass the modern architectural tradition of discrete formal and functional partitions, and generate an all-in-one building skin that is at once structural and transparent?" she asked. "Because glass is at once structural and transparent, it is relatively easy to consider the integration of structural and environmental building performance within a single integrated skin."
The researchers are pushing research further in several additional directions. One is by adding pressure to the system — either through a mechanical plunger or compressed gas — to produce a more uniform flow, and therefore a more uniform width to the extruded filament of glass. Another is to look at the use of colours in the glass, which the team has already demonstrated as possible during initial testing and development work.
Klein says the printing system is an example of multidisciplinary work facilitated by MIT's flexible departmental boundaries — in this case, involving team members from the Media Lab, the Department of Mechanical Engineering, and the MIT Glass Lab.
Justin Cunningham
http://web.mit.edu/


A herd of plains bison (buffalo) is once more roaming the hills of Peepeekisis First Nation reserve one hour east of Regina, Saskatchewan. It's believed that these are the first buffalo to have been on this section of their native range since at least the 1880s. The return of the animals, viewed as sacred givers of life in some native cultures, has become a symbol of hope for the people of the reserve. They're also a reminder of how one person can make a difference. They wouldn't be there if it hadn't been for a dancer's dream and a rancher's faith.
Lima Nanai grew up on the South Pacific island of Samoa, a long ways from the Canadian Prairies. But the dancer had always been fascinated by stories of North American native life on the Great Plains. He found life for modern natives was very different from the stories he had heard in his youth when he, along with the fellow members of his Christian dance troupe, came to Canada to share their life and culture with First Nations people. Issues became even clearer after he met and married a Cree woman from Peepeekisis.
A few months later Johnson was in Carstairs, Alberta to meet with Ron Steckly The two are volunteers with OneBook, a charity that's translating the Bible into 250 different languages throughout Africa and Asia.
Lima Nanai says that giving a herd of bison to the Peepeekisis First Nation started out as a crazy idea that he had to give the band a symbol of hope.
Johnson passed on Steckly's interest to donating buffalo to Nanai at Island Breeze. Nanai's "crazy dream" was becoming a reality.
Nanai's organization, Island Breeze, offered to supply the band with twenty bred cows and two bulls. Island Breeze would retain ownership of the original herd but Peepeekisis would keep all of the calves. At the end of five years the original herd would be moved on to another reserve to start the process again.
The reserve decided the buffalo were to be kept for their symbolic value not their economic potential. Excess bull calves would be sold as warranted; that's a secondary venture.
"About this time I got a call from Lima that a group from Peepeekisis wanted to come to the farm to see the buffalo," Steckly says. "Initially just five were coming but the number kept growing until eighteen arrived on a bus. It was really neat to watch their faces when I took them out to see the buffalo for the first time and they realized they were soon going to get some of them for their reserve.
Steeped in controversy. The decision to accept the buffalo was not without controversy, says Pinay. People wanted to know where the buffalo were coming from, how we were paying for the fence and why the money wasn't being used to build housing instead.
The buffalo's return has given hope to people who sorely needed it.
All this was set aside on December 8th, 2014; the day the buffalo arrived to a lot of fanfare. A big ceremony marked the occasion.
It's hard to over-emphasize how important providing hope is to the people Peepeekisis. The reserve struggles with the same despair, suicides, addiction issues and other social ills that plague many Canadian reserves.
For now though they've given residents a measure of pride that they're part of the band that brought the buffalo home. It gives them something positive to talk about when they run into their friends who live in cities.
The arrival of the buffalo has brought a lot of positive attention and opportunity to the reserve. The coverage they've received has prompted people from across Canada to call with partnership offers in different business ventures. Bird says that in his mind it's because the buffalo spirit is here again in him.
Other reserves have noticed the impact that having buffalo has had on the Peepeekisis Nation. Bird is continually approached by other bands asking how they can get buffalo too.
Having them physically on the reserve has turned the buffalo from an abstract thought into a concrete entity that they can see every day, Lianne Bird says. Watching the young calves from the paddock fence has become a popular pastime in the spring.
Once there were millions of buffalo on the plains. They were hunted to near extinction but today the species has recovered. For the people of Peepeekisis First Nation perhaps it's a sign; if the buffalo can thrive here then just maybe the buffalo people can too.


text:
Frank McClelland is a chef and restaurateur in the Boston area who received a James Beard Foundation Award   in 2007 for Best Northeast Chef.

Culinary career
In 1988, McClelland bought L'Espalier, a fine dining French restaurant in the Back Bay, from Moncef Meddeb (chef) before closing it in 2018. His second restaurant was Sel de la Terre on State Street. In 2016 he opened the Essex, Massachusetts restaurant  Riverbend.

While at L'Espalier, he was the founder and CEO of New France which was a holding company for his restaurants.

Along with Daniel Bojorquez with whom he had worked at L'Espalier and Sel de la Terre, he opened La Brasa in Somerville.

The eponymous Frank opened in 2019 in Beverly, Massachusetts.

Awards and Honors
He is the only one in Boston to have earned seventeen consecutive Five Diamond Awards from AAA while at L'Espalier. In 1986, Food & Wine named him of the top 25 new chefs in the US to watch.

Personal life
He grew up in New Hampshire on his grandparents' farm and has lived in Essex, Massachusetts for more than forty years.

References

American male chefs
Chefs from Massachusetts
American restaurateurs
James Beard Foundation Award winners
People from Essex, Massachusetts
American chief executives of food industry companies
Chefs from New Hampshire


TNPI - how do I block abusive users?
vqadmin home : internet : mail : toaster : FAQ : how do I block abusive users? how do I survive a joe-job attack?
How do you stop something like this? Looks like some bonehead is trying to authenticate in order to relay email. This is just a snipett, it goes alot longer.
196.22.160-239.:allow,RBLSMTPD="-NetActive ADSL dynamic IP blocked."
After that, do a 'qmail cdb'. Connection attempts to port 25 from that range will then be politely told to go shove it.
Yes, that will certainly prevent a relay on port 25 and 587, but if the bonehead does get a successful authentication, they'll still be able to use it to relay using webmail, right? If it didn't happen all the time, I could ignore such scenarios, but them spammers are nothing if not persistent.
The best solution for this is making sure you enforce secure passwords. If you haven't done this, and can't for some reason, then I'd also block their connections to my POP3 server. After all, with qmail-pop3d, we're running under tcpserver so I'd imagine it's pretty easy to use a tcp.pop3 file to block connections to miscreants.
You can keep going and set up courier (man couriertcpd) to block their IP space, and finally, do the same with Apache and just refuse them connections to your system.
Finally, another less attractive alternative is blocking them to your system (or network) via a firewall, like IPFW. I personally don't recommend that, as I prefer to return a "your connection has been blocked due to network abuse" error message.


text:
Ropes & Gray Attorneys Discuss the Potential Retailization...
Ropes & Gray Attorneys Discuss the Potential Retailization of Private Equity
July 22, 2019 Practices: Asset Management, Tax, Private Equity, Private Funds, ERISA
On June 18, 2019, the SEC published its Concept Release on Harmonization of Securities Offering Exemptions (the "Release") to solicit public comment on exemptions from registration under the Securities Act. This issue has been of interest to sponsors of private funds because the Release suggests that the SEC is willing to consider expanding investment opportunities in private equity funds and venture capital funds to retail investors.
The issue of alternative investments gaining mainstream adoption in retirement plans is discussed in an article published by Pensions & Investments on May 27 titled "DC plans still slow on moving alts into lineups." The piece includes insights from asset management partner Michael Doherty and ERISA partner Josh Lichtenstein. "There's a good chance, probably the best in a number of years, that we're going to get some movement," said Mr. Doherty in the article, adding "I think the SEC staff wants to move things along."
In media coverage on the subsequent publication of the SEC's Concept Release provides insights from Mr. Lichtenstein. "If the SEC ultimately decides to broaden investors' access to private funds, this would have a dramatic impact on the entire retail market and would allow individual retirement savers to select investment options that have traditionally been limited to defined-benefit pension plans," states in a piece published by The Wall Street Journal Pro Private Equity on June 18 titled "SEC Seeks Input on Retail Investment in Private Offerings."
If the SEC decides to broaden investors' access to private funds, "this would have a dramatic impact on the entire retail market and would allow individual retirement savers to select investment options that have traditionally been limited to defined benefit pension plans," Mr. Lichtenstein opined in an article by ThinkAdvisor titled "SEC Wants to Ease Access to Private Placements."
In an Ignites article titled "Private Funds in 401(k)s? SEC Considers It" published on June 20, Mr. Lichtenstein highlights that "This all comes in the context of Chairman Clayton having signaled since the start of his tenure that he thinks that Main Street investors should have broader access to private investments."
Michael G. Doherty
Joshua A. Lichtenstein


text:
As we saw last year, a system is a set of elements that are related to each other to perform some function that they could not perform if it were not with the collaboration of the other components. Therefore, a system is made up of a series of elements that make up the parts of the system and the relationships that occur between these elements. Its operation involves an expenditure of matter and energy.
An ecosystem can be defined as the set formed by the physical environment (abiotic components, the biotope), by the organisms that live in it (biotic components, the biocenosis or community), and by the relationships that are established between all its components and the environment in which they live.
For example, the lake is a more or less transparent freshwater aquatic ecosystem, in which algae, aquatic plants, insects, worms, etc. live. The steppe is another ecosystem characterized by developing on poor and arid soils, in which plants and animals adapted to this environment live, such as thyme, rosemary, hare, lizards, etc.
The ecology is the science that studies ecosystems. Therefore, ecology studies the relationships of organisms with each other and with the environment in which they inhabit.
Ecosystems can have very different sizes, from the size of a decomposing log, to that of a pond, or that of a forest, an island, the ocean, or the ecosphere, which is the ecosystem that encompasses the entire planet.
Logically, ecosystems are not isolated from each other, but rather interact with the surrounding ecosystems. The transition zones between one ecosystem and another are called ecotones, and there are usually more or less abrupt changes in the biotope or biocenoses. Normally, in each ecotone there are species of fauna and flora typical of both communities, but there can also be particular organisms, alien to both.
By Lamiot (Own work) [GFDL or CC BY-SA 3.0], via Wikimedia Commons
Interactive activity: Operation of the "hive" system.


text:
Home / Products tagged "record"
BUNDLE: CD "The Stranger and the Hightide" (EP) + Vinyl "A Boat on the Sea"
€49.99 €44.99 incl. VAT
Vinyl "A Boat on the Sea"
Vinyl "Defenders of the Small Yard"
Vinyl "The Propaganda Machine"
Moron Police is an award-winning Norwegian prog/pop rock band considered to be one of Scandinavia's top live acts. Previously released albums were embraced by fans and critics alike and have earned the band international press coverage and radio play. The band is also known for its unique cover design and art. And their latest album was nominated for both "Album of the Year" and "Artwork of the Year" by The Independent Music Awards!

mail@moronpolice.no
by Moron Police // Mighty Jam Music Group
built by h-design
A Boat on the Sea (Album Medley)
Moron Police
https://www.moronpolice.no/
https://moronpolice.no/wp-content/uploads/2020/11/Moron-Police_Cover-Art_A-Boat-On-The-Sea_0500px.jpg
https://moronpolice.no/shop
https://moronpolice.no/wp-content/uploads/2020/11/Medley_Moron-Police_Boat-on-the-Sea.mp3
Defenders of the Small Yard (Album Medley)
https://www.moronpolice.no
https://moronpolice.no/wp-content/uploads/2020/11/Moron-Police_Cover-Art_Defenders-Of-The-Small-Yard_0500px.jpg
https://moronpolice.no/wp-content/uploads/2020/11/Medley_Moron-Police_Defenders-Of-The-Small-Yard.mp3
The Propaganda Machine (Album Medley)
https://moronpolice.no/wp-content/uploads/2020/11/Moron-Police_Cover-Art_The-Propaganda-Machine_0500px.jpg
https://moronpolice.no/wp-content/uploads/2020/11/Medley_Moron-Police_The-Propaganda-Machine.mp3


Cryolite|Sodium fluoride--Youxian Shengfa Fine Chemical Co.,Ltd.
Our company was founded in 1992 with the area of 4500 square meters, the total investment of RMB 10,000,000, 128 staff and 18 professionals.
We are engaged in production of sodium fluoride, cryolite and white carbon black, the annual production is respectively 6000 tons, 6000 tons, 1000 tons with total output RMB 100,000,000. We own complete facilities, advanced craft, abundant strength. The products are best-selling in domestic and foreign, export products output value accounts for 50% of total output.


The greatest Christmas song of all time!
Shane recorded this duet with Sinead O'Connor in 1994 – it was later featured in the 1996 film 'Two If By Sea'.
The Henry Rollins Show with Shane MacGowan talking The Pogues, Irish music and politics.
This unflinching, music-driven documentary provides a real insight into Shane's background and career.
Shane MacGowan and Victoria Clarke chat about their charity single 'I Put A Spell On You' featuring Nick Cave and Johnny Depp.
Shane & The Popes performing 'That Woman's Got Me Drinking' live on Nulle Part Ailleurs in France.


If there is one thing I like, its skulls. Don't ask me why. I love T-shirt designs that have skulls drawn on them, but I don't like normal tees. The skull has to be drawn or be presented in a creative way.
Here we go around the Internet searching for some the best digital artwork/illustrations/wallpapers/and other stuff that may have 'skulls' in them.