Welcome to the White Acres Guru festival 2016. We are really excited that new to 2016 we have the dynamic tackle company Guru as our new festival sponsor.
On top of our usual pay-out for top 3 Guru have very generously added an extra £1000 to the overall winner, a further £750 to second place and an extra £500 to whomever finishes third, as if that's not enough there are £2000 worth of prizes for the top 10 and each angler has received a goody box worth £10!
We have an almost full house of 180 anglers fishing but with some last minute cancellations we are just a few anglers short. They'll be fishing over 5 days in 9 peg sections rotating daily between lakes Pollawyn, Twin Oaks/Trelawney Jennys/Trewaters, Porth and Bolingey.
Today's winner on Pollawyn was Adam Rooney on peg 16 with 127lb, Adam fished method feeder and meat. Dave Bruton on peg 13 finished in second weighing in at 79lb 14oz fishing pellet feeder and meat. Finishing third and fishing pellet shallow from peg 20 with a weight of 73lb 12oz was Jack Caple. Phil Canning took fourth on peg 36 with 69lb 6oz fishing waggler and meat down the edge.
Swapping between long lining to the island and fishing paste at 5 metres from peg 43 Trewaters was Sam Collett with a weight of 120lb 13oz. Alan Scotthorne took second on peg 19 Trewaters with 114lb 14oz fishing meat in the margins. Finishing in third place was Adam Lee on peg 45 Trewaters with 112lb 15oz fishing the short pole with pellets. With a weight of 97lb 6oz Michael Pegg fished meat at 7 metres from peg 49 Trewaters.
With a weight of 142lb 15oz Sam Powell secured himself first place on Twin Oaks peg 16 fishing meat at 5 metres. Steve Conway finished in second place with a weight of 131lb 8oz on peg 14 Twin Oaks with pellet at 6 metres. Tony Watson fished shallow from peg 4 Trelawney and had 124lb 12oz. With a weight of 110lb 6oz was Derek White on peg 21 Twin Oaks fishing the feeder at 5 metres.
Lee Riley took first place today on Porth with 15lb 12oz from peg 20 fishing method and maggots. With 14lb 14oz Paul Holland was on peg 18. On peg 89 Simon Gould finished in third with 13lb 10oz fishing long with boilies. Fishing ground bait and maggot was Danny Bennett who had 12lb 5oz from peg 85.
With a weight of 160lb 10oz Kevin Wadge finished first on Bolingey today fishing meat down the margins from peg 38. In second place Robert Kite weighed 151lb 5oz on peg 44, Robert fished dead red maggots in the margins. Alex Hulme fished corn in the margins from peg 36 and bagged 131lb 4oz. On peg 45 Scott Russell took fourth with 119lb 4oz meat on the short pole.
Today's winner on Trewaters was Ian Hudson fishing pellet feeder and bread from peg 33 he had 91lb 8oz. Wayne Sharman on peg 37 Trewaters finished in second weighing in at 84lb 9oz fishing the long pole with banded pellet. Finishing third on peg 16 Jennys with 82lb 15oz was Phil Canning. Nick Crouch took fourth place on peg 31 Trewaters with 70lb 5oz fishing bomb and bread.
In first place on peg 16 Twin Oaks was Roy Penkethman with 114lb 14oz, Roy fished pellet feeder with 6mm pellets. Adam Lee took second place fishing meat and pellet at 5 metres and later on in the day bread against the bank from peg 18 Twin Oaks with 105lb 1oz. Finishing in third place was Andrew Griffiths on peg 14 Twin Oaks with 95lb which he caught on method feeder across and meat down the edge. With a weight of 94lb 5oz Johnny Maddison finished fourth on peg 26 Trelawney.
With a weight of 11lb 12oz Kevin East secured himself first place fishing the long pole with maggot from peg 89. Andy Power finished in second place with 10lb 12oz on peg 76 fishing feeder and worm. In third place was Tony Watson on peg 82 with 8lb 6oz. With a weight of 7lb 10oz was Martin Rogers on peg 38 fishing at 11 metres with maggot.
James Thirkill took first place today on Bolingey fishing pellet in the margins from peg 47 and had 156lb 4oz. With 140lb 10oz Paul Holland fished long with pellet and later on short with corn from peg 46. On peg 3 Pemb Wrighting finished in third with 132lb 1oz. Fishing meat on bomb and pellet short from peg 16 was Paul Tidball who had 124lb 4oz.
With a weight of 131lb 10oz Kieron Rich finished first on Pollawyn today on peg 29. Kieron caught on the waggler and with pellet. In second place Steve Mazza weighed 66lb fishing from on peg 27. Lee Turner finished third on peg 25 with a weight of 63lb 2oz. On peg 28 Scott Russell took fourth with 62lb.
Today's winner on Twin Oaks was Shaun Cooke fishing bomb and bread from peg 18 and had 173lb 6oz. Dave Bruton on peg 12 Twin Oaks finished in second weighing 129lb 3oz fishing pellet feeder. Finishing third on peg 23 Twin Oaks with a weight of 115lb 3oz was Craig Meadows, Craig fished on the bomb, method and short. Phil Canning took fourth place on peg 28 Trelawney weighing in at 110lb 5oz fishing waggler and meat down the edge.
In first place on peg 37 was Alan Scotthorne with 11lb 8oz, Alan fished the feeder and maggot. George Organ took second fishing long and short with worm, maggot and feeder from peg 21 and had 9lb. Finishing in third was Sandra Scotthorne on peg 19 with 8lb 2oz. With a weight of 7lb 5oz Rob Brennan finished fourth fishing waggler from peg 85.
With a massive weight of 264lb 2oz Andy Power secured himself first place fishing corn in the margins and pellet long from peg 45. Sam Powell finished in second place with 121lb 7oz on peg 47 fishing corn in the margins and pellet shallow. In third was Alan Crouch on peg 11 with a weight of 115lb 8oz. With 111lb 10oz was Ben Reynolds on peg 38.
Paul Holland took first place today on Pollawyn with 180lb on peg 27, Paul fished waggler and pellet. With 96lb 6oz was Paul Taylor on peg 28. On peg 29 James Thirkill finished in third with a weight of 76lb 6oz. Fishing the tip off peg 15 was Jake Gallagher with 76lb 2oz.
With a weight of 105lb 11oz Chris Kitchin finished first on Jennys today fishing method to the island from peg 7. In second place John Whincup weighed in at 79lb 10oz on peg 45 Trewaters, he fished bomb to start with and then meat down the edge. Scott Russell finished third on peg 47 Trewaters with a weight of 74lb 14oz fishing down the edge with worm. On peg 4 Jennys Lewis Fantom took fourth with 72lb 5oz.
Today's winner on Porth was Andy Dargue fishing the feeder and worm from peg 38 with 10lb. Andy nelson on peg 86 finished in second with 9lb 12oz fishing worm. Finishing third on peg 36 with a weight of 9lb 5oz was Tony Stevenson. Ian Hudson took fourth fishing maggot from peg 23 weighing in at 8lb 15oz.
In first place on peg 17 was Sam Collett with a weight of 190lb, Sam fished paste at 5 metres. Johnny Maddison took second on peg 18 with 165lb 7oz fishing meat in the margins. Finishing in third place was Wayne Ibbotson fishing meat short from peg 46 and had 130lb 10oz. With a weight of 128lb 14oz Rob Brennan finished fourth on peg 47.
With 89lb 4oz Tony Watson secured himself first place on peg 21 fishing pellet and waggler. Martin Rodgers finished in second place with a weight of 68lb 4oz fishing long with 8mm pellet from peg 45. In third place was Stewart Bracey on peg 22 with a weight of 65lb 2oz. With a weight of 54lb 14oz was Derek Hartshorne on peg 17.
Lee Riley took first place today on Trewaters with 93lb 8oz fishing bomb and bread then caster short from peg 41. With 90lb 4oz Danny Bennet fished the long pole with pellet deep from peg 27 Trewaters. On peg 15 Jennys Paul Holland finished in third with a weight of 86lb 6oz and fished method and worm. Fishing from peg 16 Jennys was Alan West who bagged 77lb 1oz.
With a weight of 133lb Robert Kite finished first on Twin Oaks today on peg 14, Robert fished meat at 6 metres. In second place John Birchall weighed in at 120lb 5oz fishing the hybrid feeder and boilie from peg 8 Trelawney. Scott Russell finished third on peg 32 Trelawney with 117lb 10oz fishing bomb and bread. On peg 19 Brett Nicholas took fourth with 113lb 14oz fishing short with meat on Twin Oaks.
Today's winner on Bolingey was Mark Taylor fishing in the margins with meat and corn from peg 1 with 133lb 4oz. Andy Nelson on peg 8 finished in second weighing in at 108lb 2oz fishing down the edge with meat and at 5 metres with meat. Finishing third on peg 22 with a weight of 100lb 8oz was Phil Canning who fished the long pole with meat and corn. Andy Inglesant took fourth on peg 40 weighing in at 98lb 5oz, Andy switched between long and short pole on meat.
In first place on peg 45 was Sam Collett with a weight of 64lb 14oz. Gary Rowlands took second place on peg 25 with a weight of 63lb 4oz. Finishing in third place was George Organ on peg 21 with 58lb 2oz. With a weight of 53lb 6oz Johnny Maddison finished fourth on Pollawyn fishing from peg 30.
With a weight of 86lb 14oz Steve Conway secured himself first place on Jennys fishing worm long on the deck from peg 6. Pete Franklin finished in second place with a weight of 86lb 6oz on peg 21 Trewaters fishing pellet feeder and meat in the margins. In third place was Andy Power on peg 21 Jennys with a weight of 83lb 13oz, Andy fished corn and waggler. With a weight of 74lb 12oz was Martin Rodgers fishing at 5 metres on meat from peg 13 Jennys.
Pemb Wrighting took first place today on Twin Oaks with 187lb 3oz of carp and f1's, fishing on the bomb with mainly bread or pellets from peg 18. With 130lb 14oz Keith Vaughan on peg 16 Twin Oaks fished pellet waggler and caught some later on in the day on method. On peg 10 Twin Oaks Ryan Bennett finished third with a weight of 120lb 1oz, Ryan fished pellet long. Fishing at 5 metres and in the margins with meat and caster Russell Grimes had 108lb 12oz from peg 2 Trelawney.
With a weight of 15lb 14oz Joe Cartwright finished first on Porth today fishing the feeder with worm and caster from peg 89. In second place Alex Hulme weighed in at 13lb 10oz on peg 73, Alex fished the feeder with worm. Mick Lees finished third fishing the feeder with maggot and worm off peg 83 and had 11lb 9oz. On peg 34 John Whincup took fourth place with 11lb fishing the long pole with maggot.
It's been a great week's fishing for our first ever Guru Festival here at White Acres.
Congratulations to John Whincup for winning this week, with an overall weight of 323lb 12oz John won his section every day except Thursday on Trelawney where he took second in the section with 8 points, well done John who now goes home £4,000 richer!
And well done to Alan Scotthorne for taking second place on the festival and Paul Holland for finishing third.
I would like to take this opportunity to once again thank Guru for sponsoring this event and for the amazing money and prizes that they have contributed towards the festival.
Next year we have the Guru and the Milo festival running back to back from the week commencing Saturday 29 th April, so if you want to fish one or both of these then get booking up now!
Thank you again from all the fishing team here at White Acres.


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Just reading the word elicits a visceral reaction where it's as if you can almost smell the aroma of freshly ground beans. For many of us, coffee is the fuel of choice to jump start our day. So it should come as no surprise that your morning stimulant is the second largest traded commodity in the world with a $100 billion market worldwide. However, unbeknownst to many, women are responsible for 70 percent of growing and harvesting. Currently, farming communities in developing countries are forced to accept low prices and delayed payments for their harvested goods. Delayed payments means loss of ability to adequately provide for food and clothing for their family, send their children to school, or pay for some basic healthcare. While millennials and other coffee connoisseurs have been demanding for years a fundamental shift in coffee collection and supply chain transparency, a recent study by researchers at Harvard indicated that fair-trade coffee has small to negligible effects on coffee growers, especially the poorest ones.
If you remember a blog post from this time last year, you may recall us announcing that a Stellar integrator, bext360, had proposed a project with Ideo.org Open Challenge to create a smart coffee kiosk that would solve this problem and give these farmers the fair deal they deserve.
Today we are excited to announce that bext360 is launching out of stealth, with its first product, as well as its "bext-to-brew" platform that utilizes Stellar's blockchain technology to bring true transparency to the coffee supply chain, allowing for the traceability of the product from Bean-to-Brew to the consumer, and ensures that fair-trade payments are made.
bext360's first product is similar to Coinstar, but for coffee. Using machine learning and artificial intelligence, the machine will evaluate the coffee cherries and beans and then divide them into grades based on quality. Farmers will have access to a mobile app to view amounts of each grade and accept offers for payment. Powered by Stellar's network, the application immediately pays the farmers for their product. This solves the huge problem of a timely payment. Previously, coffee farmers would drop-off their crops to buyers, who would manually sort and inspect the beans, and pay the farmers, sometimes up to months later.
bext360 is utilizing the Stellar network to record timestamps, values and amounts, making it possible to accurately process payments and credits. Through the use of Stellar's network, all parties involved in the transaction—companies, farmers and coops—can access the data transparently, and farmers can be paid in real-time.
bext360 will be deployed to collect and analyze coffee and make instant payments to farmers based upon quality analysis. By making digital payments for loans and interest directly to lending organizations, while they analyze and collect goods, bext360 machines will literally pay for themselves. This process provides critical capital to entrepreneurs by reducing the cost for lenders to monitor and collect on capital equipment loans. This investment stimulates new businesses by providing capital to process commodities in the market of origin.
In addition to enabling payments, the bext360 platform enables the collection of key data at unprecedented levels. For example, bext360 machines will collect data on the quality and efficiency of farming practices, and then analyze supply chain dynamics in real-time, to create new business opportunities and supply chain efficiencies.
We are very excited to be announcing this partnership today with bext360 and Stellar network's involvement in helping them provide coffee suppliers in emerging markets with a synchronized payment structure, which will reinvent the distribution process for commodities.
For more information on bext360, visit: https://www.bext360.com.
The post bext360 Brings True Transparency to the Coffee Supply Chain appeared first on Stellar.


SOMEWHERE BEFORE THE MIDDLE of Toni Morrison's epic novel Beloved you realize that this is a story you've never heard. Perhaps its horror and beauty have been hinted at, whispered, but it has remained the unspeakable heretofore unspoken. Then, about fifty pages later, you realize that perhaps this is a story that you don't want to hear. But you have to.


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Category: Steve Young Jersey
mistaken First Kobe easy March
He'll get his share of highlights, but they won't be enough.I mean, our ratings were up on Christmas Day.Wade had been Converse's most visible NBA star since he began endorsing the shoes as a rookie out of Marquette in 2003, the same year Nike bought the iconic company for $306 million.Dallas Cowboys 18.Regarding Elite Mens Steve Young Jersey his contract extension, Cuban said, I always stick with brands I love, so I'm excited to be on this team for another year.If you would like to search for all players born on a certain day, for example all players born on December 25th in any year, choose the month and day with the drop down boxes and then choose the 'Month and Day Search' option.
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It can't be overestimated the degree to which Steph, Klay, Draymond, and Durant, in occupying an entire echelon by themselves, flatten everyone else out.Original pages from the manifesto, showing intriguing revisions, will go on display at The Olympic Museum �?the first time they have been shown to the public.It is fun to go and play in a game like this that is going to be in a great environment.
And this January, the 2018 College Football National Championship Game will be played in the new stadium.'cause the 3rd round of NBA All-Star Game fan votes have been released …I wish I wrote 'em.
Arizona Cardinals 9.To look at them as an athlete.Nobody begins to write sports with the objective of getting honored by your peers and being immortalized in the Hall of Fame, Brown said.
We're going to have to see if we can upgrade the rest of the roster while Shump is out." Suns Could Amnesty Childress May 26 10 AM Josh Childress could be amnestied by the Suns this offseason in order to create additional cap http://www.officialcoltslockerroom.com/elite-ben-banogu-jersey space.�?The NBA 2K League signed a deal with Panera Bread ahead of the 2020 NBA 2K League Draft , Panera Bread's first with a pro eSports league and the NBA 2K League's first with a restaurant partner.But according to a Washington Post poll from this past fall, only 52 percent of Americans still feel a scholarship is adequate compensation for athletes participating in revenue generating sports .Arizona Cardinals 9.Maria Sharapova 10.
Katelyn Ohashi By Barry Janoff August 21: Maria Sharapova, ranked No.I am proud to officially launch our bid with the USOC as we aim to bring the Olympic and Paralympic Games back to the U.S.Deal With CBS Sports Network Puts UFL Back In Play.But it is the power of the big name that drives the juggernaut and moves consumers into stores, not a corporate site map in which Elite Youth Ben Banogu Jersey Jordan Brand is a division of Nike.Now I know for a fact that all of the negativity was getting to him but now, no more.
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redpajama_set_name: RedPajamaCommonCrawl


This "online" thing is a kick!
Hey! The concert is one week from tonight! You can get tickets a little further down the page. But man! THANKS to everyone who showed up online last night! That was cool!
So good to see all the regulars and a handful of newcomers! So we'll hang out again TOMORROW, right here on your computer with people from all across the country and different parts of the world. We had a sweet bunch of regulars hangin' out from California, Florida, West Virginia, Amsterdam, North Wales in the UK, The Netherlands, Indiana, Ohio, Florida, Maine and all around New York City. Join us.
At last count there were about 100 tickets left!!!
TODAY! Hang with me LIVE!
THE CONCERT IS ONE WEEK AWAY! So I'm getting together with the kids in the rehearsal studio this afternoon. After that, we can all get together for a special edition of "The Weekly Show" but at a new time… (6:00 eastern) No matter where you live, you can join us. Recently we've had a sweet bunch of regulars hangin' out from California, Florida, West Virginia, Amsterdam, North Wales in the UK, The Netherlands, Indiana, Ohio, Florida, Maine and all around New York City. Join us.


This convertible T-shirt features a bright look with feathers printed at the front and a self-tie lace-up detail for an eye-catching. And this tee also has a cold shoulder short sleeve. Perfect for relaxing on the weekend or going out with friends, this T-shirt ensures you always look and feel your best.


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Santigold Performs "Can't Get Enough Of Myself" on 'Fallon'
blame it on Patrick Glynn March 3, 2016
In promotion of her 99¢ LP that officially dropped last week, Santigold joined The Tonight Show Starring Jimmy Fallon to perform the album's opening track, "Can't Get Enough Of Myself."
The performance comes after she dropped the interactive video for the single, which Fallon spent the first minute of the video properly hyping. With her backup band wearing jumpsuits with Santi on them, and Santi herself wearing a dress with her own face on it, the Philly native performed the song with the greatest amount of self-happiness a song named "Can't Get Enough Of Myself" can bring.
Santigold Performs "Can't Get Enough Of Myself" on 'Fallon' was last modified: March 31st, 2018 by Patrick Glynn
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Royce Da 5'9″ – "Tabernacle"
NxWorries (Anderson .Paak & Knxwledge) – "Link Up" (Video)


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Clarence (né Freddie) est un acteur animal né et élevé à Africa USA, en Californie.

Cet animal a joué dans tous les épisodes (89 épisodes de 50 minutes) de la série télévisée des années 1960, Daktari. D'un tempérament doux, ce félin avait pour particularité de loucher. L'autre animal fétiche de la série était une guenon burlesque nommée Judy.

Clarence meurt en juillet 1969, à l'âge de sept ans et demi, à Peoria, dans l'Illinois d'un trouble gastrique et d'un empoisonnement du sang.

Cet animal devenu célèbre fait référence à tous les loucheurs dans l'argot.

Références

Liens externes

Lion connu
Acteur animal
Animal de série télévisée
Animal mort en 1969
Animal mort aux États-Unis

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The Cold Blooded Truth
The Worst Car in the History of the World
Last Day of the Dinosaurs
The Great Hack
The Beatles Get Back: Part I
Addicted to Sexting
Wonders Of The Universe: Destiny
B-Movie: Lust and Sound in West-Berlin 1979-1989
Jodorowsky Dune
Aftermath Population Zero
Imagine if one minute from now, every single person on Earth disappeared. All of us. Human history just stopped. What would happen to the world without us? Aftermath: Population Zero features what scientists and others speculate the earth, animal life, and plant life might be like if humanity no longer existed, as well as the effect that humanity's disappearance would have on the artefacts of civilization. this documentary is inspired by Alan Weisman's The World Without Us.
Super Small Animals
From a primate that's no bigger than a mouse, to a chameleon that can fit on your fingertip, the natural world is full of fantastically small animals. Biologist Patrick Aryee explores the fascinating secrets behind these miniature marvels and shows that they're not the underdogs you might think they are. Super Small Animals follows him as he meets the leading experts on these pint sized superstars, and finds out what makes them some of the most successful on the planet.
First up, he reveals the huge benefits that being small can bring. There's the little lemur whose diminutive frame helps it to exploit a unique gap in the eco-system, the tiny hummingbird that uses its size to out-maneuver the competition, and the world's smallest seahorse that never has to leave home. He also explores why small animals are proportionally the strongest in the world, and introduces a peanut-sized beetle that can pull over a thousand times its own weight.
Next he explores the challenges that animals face when they shrink in size, and the ingenious ways they overcome them. We find out how the smallest armadillo in the world manages to control its temperature in the searing desert sun, and the how the world's smallest fish can survive in nothing more than a puddle, because it never really grows up. Patrick meets a secretive hippo that lives in the dense jungle, and looks like it's been shrunk in the wash, and some of the world's smallest snakes that give birth to enormous babies. He also meets a scientist that studies how really tiny spiders have a surprising trick that enables them to travel an incredible 40 miles per day, using almost no energy.
Then there are the animals that refuse to be pigeon holed as small, and manage to punch way above their weight. He puts some astonishing invertebrates to the test, to see how they work together to become much bigger than the sum of their parts and meets a pint-sized predator that takes on some of the largest and most dangerous creatures on the planet, getting hands on to discover how its build helps it to be brave. Finally he uncovers the incredible lengths that deep sea anglerfish go to in order to be big and small at the same time, and has an endearing encounter with a tiny carnivore that manages to be small in just one direction.
Whether their size helps them to hunt, hide or survive, all these remarkable animals prove that good things really do come in small packages.
The most important story of our time. 2022 is set to be a year of unprecedented climate chaos across the planet. As the world's leading climate scientists issue new warnings about climate change and the soaring cost of fuel highlights the world's ongoing dependence on fossil fuels – how did we get here?
The first part tells The story of what the fossil fuel industry knew about climate change more than four decades ago. Scientists who worked for the biggest oil company in the world, Exxon, reveal the warnings they sounded in the 1970s and early 1980s about how fossil fuels would cause climate change – with potentially catastrophic effects. Drawing on thousands of newly discovered documents, the film goes on to chart in revelatory and forensic detail how the oil industry went on to mount a campaign to sow doubt about the science of climate change, the consequences of which we are living through today
Series: Big Oil vs The World
Bird Brain
In the past few decades, scientists have learned that the basis of everything they thought they knew about bird brains—that they were largely comprised of the most primitive and instinctual of brain structures—was wrong. Fully 75 percent of the brains of parrots and thousands of other species of birds is actually made up of a sophisticated information processing system that works much the same way as the locus of human higher-mindedness, the cerebral cortex.
The film shows scientists putting birds to the test. Can they solve problems? Can they cooperate? Do they feel emotion? New research demonstrates just how clever they can be.
A guide to plants that thrive in human-dominated environments, including trees that grow across canyons in India, which have developed into living bridges. The programme examines the origins of growing crops and the ongoing influence on the world of wild plants, as well as efforts to preserve species, from snipers firing pesticide bullets from helicopters to fend off invasive plants to plants being painstakingly pollinated using a paintbrush.
Series: The Green Planet
Wonders Of The Universe
Eden: Untamed Planet


Lately I have been on a major salad kick! The great thing about salads is that you can basically add anything you want to fit your particular cravings. I always seem to go through periods of eating a lot of the same thing and then switching to something different, before I was eating a vegan diet I was eating a lot of salads but then I stopped because I was having a hard time finding dressings without any dairy products. Then I realized on of my families standby dressing mixes was dairy-free and could be made with lower fat as well.
To start with the salad I usually go with organic mixed baby greens and then top with whatever veggies I have on hand. Pictured below I topped the greens with 1/4c of quinoa, cucumber, red onion, cherry tomatoes, and half an avocado. Some other great toppings I use are chopped pecans, black beans, salsa, and even homemade guacamole! If you eat meat you can use grilled chicken, ground turkey, anything you feel like! This is the salad dressing that we love using, you buy the seasoning packets and then you can make them fresh at home and just keep it in your refrigerator. We use extra virgin olive oil, balsamic vinegar, and water then you simply add the seasoning and shake it up! It takes like two seconds and is super easy and has a really great flavor. So if you read the preparation instructions it shows a low-fat option and we usually use a little more than 1/4c of water and less oil and the dressing still taste delicious and has a lot of flavor. You can make this dressing in really any container that you have in your kitchen we have even made it in a ziplock container before because we don't have a specific salad dressing bottle but a mason jar would also be another great option. We have a bunch of blender bottles so we just use one of those and its great because you can easily pour it right onto your salad.
Salads are a great way to increase the amount of veggies you are eating but they don't have to be boring you can pretty much add whatever you want to switch up the texture and taste! Just make sure to measure out your dressing so that you aren't adding tons of extra calories to a really nutritious waist friendly meal!


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Sotheby's Reportedly Taps Goldman Sachs, Morgan Stanley to Advise on Potential IPO
In the Studio: Ilit Azoulay
By Suzanne Landau
Suzanne Landau
Ilit Azoulay is best known for panoramic photomontages such as The Keys (2010) and Room #8 (2011), which depict arrangements of materials she has collected from demolished buildings around south Tel Aviv. These buildings were constructed as housing for immigrants who flooded the area in the 1940s and '50s. Azoulay first visited the buildings before demolition, exploring their rooms and examining their walls; after demolition, she returned, searching through the remains and gathering bits and pieces of them. In her studio, she carefully sorted and catalogued her findings. She then photographed the various items separately, under uniform lighting conditions and from the same head-on vantage point, using a digital camera with a macro lens (designed for close-ups).
To create each photomontage, Azoulay carried out a long, labor-intensive process of digital assembly. She first patched together numerous photographs of wall textures to create an expansive wall image that would serve as a background—and, in a sense, a tabula rasa—for her photographed objects. She then arranged her image—objects against this fabricated wall in playful compositions inspired by museum and archival displays. These panoramic tableaux present objects without hierarchy and offer a new world that is as realistic as it is abstract. The objects, which suggest historical relics, do not appear in realistic scale to one another, and clear links between them seem always to elude us; they exist in a kind of poetic syntax.
In Azoulay's more recent photomontages, such as Panic in Lack of an Event (2013), meticulous order has given way to almost apocalyptic chaos. The objects shown in these works are of a different character from their predecessors, and include items from the artist's studio, photographs from her personal collection and images from art books and journals. The format is now sometimes vertical rather than horizontal, and the background is a screen-type surface or a curtain instead of a wall. But Azoulay still performs her special brand of alchemy, transforming common materials into precious ones.
Born in Jaffa, Israel, in 1972, Azoulay received her BFA from the Bezalel Academy of Art and Design in Jerusalem and her MFA through the Bezalel graduate program in Tel Aviv. She has had two solo exhibitions at New York's Andrea Meislin Gallery, in 2011 and 2013; has participated in numerous group shows around the world; and is currently a resident at the Kunst-Werke Institute for Contemporary Art, Berlin, where she will have an exhibition in September 2014. Her pieces are in museums and private collections in Israel and abroad. She lives and works in Jaffa.
SUZANNE LANDAU Can you tell me about the process behind works like The Keys?
ILIT AZOULAY I was roaming buildings slated for demolition in south Tel Aviv. This was a hobby of mine; I didn't know how I'd connect it with photography. I would look at the walls, peel their surfaces with a knife and try to find out more about their layers.
LANDAU A kind of archeological digging.
AZOULAY I was enchanted by the traces that pictures or pieces of furniture had left behind. The walls looked like photographic negatives—they were darker wherever objects had once covered them, the sun having faded the surrounding areas. It was a lot of fun to be in these buildings alone.
LANDAU Were any actual furnishings left in them?
AZOULAY No. Only traces of them, since the spaces had been cleared for demolition. One time I took a piece of a broken wall and asked a construction contractor to tell me more about the house. He said that it was made of very cheap materials and cement used in the 1940s and '50s. It led me to realize that, from the beginning, Israeli construction hasn't had a strong sense of tomorrow, so to speak.
LANDAU These were wartime constructions.
AZOULAY Yes. And then I came across a building in Jaffa where I found a very weird wall made of two steel plates encasing a layer of cement, in which a lot of junk—seashells; pieces of plastic, iron and glass; even clothes—had been embedded. It turns out that contractors, whenever they had run out of cement, blocks and money, had simply improvised such walls, using waste materials from the area. I call these "fake walls."
LANDAU Did you take them to the studio?
AZOULAY I brought chunks of them to the studio. I broke open the pieces gently so that the objects inside wouldn't be harmed. It was like retrieving treasure. There was a lot of information inside the walls, so I would archive the objects on shelves or inside boxes. I have tremendous respect for these lost-and-found items.
LANDAU So you were acting not only like an archeologist but also like an archivist, organizing your discoveries in boxes labeled according to when and where you found the items.
AZOULAY And then when the objects were used in a photomontage, I'd place them together in a box labeled with the details of the work. I went to museums to study how they store, preserve and exhibit objects. Some of these methods—such as arranging small items in little boxes, as seen in archeological displays—found their way into the compositions themselves.
LANDAU Until 2008, you worked with a 4 x 5 technical camera and were devoted to the analog process. How did shifting to digital techniques change your work methods?
AZOULAY Well, in the past, I had all these objects in my studio, all cleaned, oiled and archived. I would arrange them on a table like a small installation, and then photograph the results with my 4-by-5 camera. I would create shadows with lights and little mirrors and make the arrangements look like architectural spaces, as in the works A Suggestion for a Backyard with a View and A Proposal for an Unoccupied Space [both 2009]. My budget was small, and the plates for the camera were very expensive and hard to find.
So I did a test in digital. I found myself shooting an installation from different angles, focusing on different parts, and then stitching the images together into one large file. Eventually I came up with a process in which I drew a grid on a piece of glass, stood the glass in front of the installation, "scanned" the installation by photographing each of the squares and then assembled the digital frames together on the computer. The result I got was better than with the 4-by-5 camera and was somewhat Cubist-like. I then took photographs of 1.5-centimeter portions of the "fake walls," and combined them to construct my first "wall" in Photoshop. This test made me realize that the wall is like a canvas, a surface on which to construct.
LANDAU There is no perspective in these compositions.
AZOULAY That's right. Everything was photographed head-on. For the shooting I needed northern light from my window, so I photographed only between 11 a.m. and 1 p.m.
LANDAU Mostly you focus on objects. There is one human figure in The Keys, though.
AZOULAY I wanted to include a "gaze" in that work, and so there is an image of a man turning his head toward the title set of keys. He is presented in the same direct format as the objects, so he, too, becomes an object of sorts.
LANDAU His shirt is covered in paint spots. It's as though you are referring to the accumulative process of painting, and not the immediacy of photography.
AZOULAY The work does have a lot to do with accumulation. The keys were the last object I put on the "wall." As keys, they suggest that there are different codes for the work that could be unlocked. The spaces initially seem to behave like an archive, but the rules keep changing as the objects reject the narratives that the brain tries to impose on them. They are also like a form of theater, but one in which the elements are hyperreal. It was freeing but also heartbreaking to realize that I didn't need the "decisive moment" anymore, that I didn't need the "event," or the perspective. There is no up and down, no hierarchy.
LANDAU Certain objects are repeated, although in different variations, in The Keys and in Tree for Too One [2010]. For example, a plastic bag of construction materials in the former work becomes a plastic bag of apples in the latter. Also, recalling the man gazing at the keys in the first work, in Tree for Too One an origami swan looks toward a woman in a framed photo from a 19th-century medical book.
AZOULAY Yes. And I drew a yellow line between the swan and the woman, physically connecting their eyes. I embedded another gaze in this work by adding an image of a book cover featuring a portrait of Francis Bacon. I am very much influenced by Bacon and his way of presenting his subjects as though on a stage.
LANDAU It seems you were discovering the endless possibilities of digital manipulation.
AZOULAY However, I don't distort the images. Though the scale of the objects might change.
LANDAU Your work reads like a kind of poetry.
AZOULAY It is very much like a language. The walls and the shelves are the platforms on which I can pursue a kind of writing. Haim Steinbach uses the shelf as a platform, Joseph Cornell uses boxes—I continue this line of practice. The objects I show are no longer connected to their original sources; they are somewhat anonymous, and I wish to free the viewer from the need to know what and where the items are. Although the objects have a very realistic appearance, I urge the viewer to discover a new retinal pleasure in their combination.
LANDAU You mentioned that you previously used light from your window during specific hours. Later, however, you started to photograph under various lighting conditions. Also, the window itself became an image in your work.
AZOULAY Yes. The work titled Window [2010] is connected to The Keys and Tree for Too One. When I finished those two panoramas I felt they were missing a connection. I looked at the window that had served me so well in photographing the objects, and I realized I wanted to use it as an icon for the very process of seeing. We know that the eye deconstructs an object and that the brain then reconstructs it. I tried to do the same—taking many photographs of the window's different parts and combining them into a unified image on the computer. I then enclosed this image in an oval frame, and suddenly it seemed to light up the other two works. Now, I usually exhibit the three works together as an installation.
LANDAU What was the next work you did?
AZOULAY Room #8. This was shown in my recent solo exhibition at Andrea Meislin Gallery in New York. I went back to the objects from my archive, but I wanted to move away from the domestic.
LANDAU You continued the same line of thought, but added more layers.
AZOULAY The issue of background and foreground entered, as in painting. I realized that in order to create an image of a glass plate I needed only an outline and a sheen, so I examined the way glass behaves under different lights. This helped me to incorporate a figure from Duane Hanson's sculpture The Tourists as a reflection in a glass plate; it looks as though the character is reflected in Room #8 as he views it. For me, the photographer acts as a kind of tourist, so that is why I included this figure here.
LANDAU The original version of Room #8 was a panorama [roughly 5 by 33 feet] that resembled a model of a room that had been flattened to become one long wall. The composition has also been exhibited in divided form, as an installation comprising four separate works. How long did you work on the initial version?
AZOULAY Seven months. It is made out of 3,500 macro photographs. All the items were photographed on the floor. The composition contains eight potential entrances or exits to other external or internal spaces. That's one of the reasons the work is called Room #8. Another is that the title plays on the word "roommate."
LANDAU Does every object in it have a story?
AZOULAY Some of the objects just ended up there. Others I knew I would include, such as the infrared lamp, which in the past I had used in the darkroom. The lamp serves as a lament for the end of my "dark era," since now I work in the light of the studio. Room #8 reveals itself slowly: whether it's shown as one continuous composition or as four discrete parts, the work requires the viewer to physically move around to take everything in. It unfolds in an almost cinematic way.
LANDAU Certain items, like plants, appear in almost all of your photomontages.
AZOULAY A few items have become motifs in my work. For example, I always have a column, or a doorpost. And I have this thing for plastic bags, since they have an interesting weight and interesting colors. And yes, I need a plant or other living thing in every piece. I might also include something for which I had to carry out an action. For Room #8, I took a wood plank from the street, burned it and added feathers, and then included an image of the resultant object.
By the time I made Telegram 24 [2010], I was getting used to the fact that the works take their own time. When making the pieces for my recent exhibition at Braverman Gallery in Tel Aviv, called "Linguistic Turn," I'd felt that the process was going out of my control. Usually I have a strong degree of control, but here it was different. For one of the works, Panic in Lack of an Event, I took a wooden eagle and burned it, created the upper portion of the composition, and made a yellow line—but I didn't understand what was going on, and nothing felt connected. I was in a panic. Finally, though, I realized that this lack of event was actually the subject of the work. This emotional process then found its way to the title.
LANDAU The composition is vertical, which somehow enhances the sense of panic. Also, it seems divided into two distinct sections: the upper one contains more recognizable objects, and the bottom area is more abstract.
AZOULAY There are many links between those two sections: for example, the sculpture of the naked figure at the bottom gazes upward, directing the viewer to look to the top. Further, the eagle in this work relates to the fragment of a horse statue seen in First Option [2012], another photomontage exhibited in the Braverman show. Both the eagle and the horse are imperial icons that here speak to defeat rather than victory.
LANDAU Can you talk about the horse statue?
AZOULAY It's from a monument in Germany. The original monument was destroyed in the First World War. Then it was remade, and the replica was ruined in the Second World War. Now there is a second replica. They can't seem to let this symbol go. It's important to me to use objects that represent a deterioration of the monument—usually these are symbols of power, victory and beauty. Also, by photographing such monuments, I try to ask questions about the status of the image—about the ways in which powerful symbols find their way into popular circulation—and about the erosion of memory.
LANDAU There is a magic to your works. When one sees the objects in your boxes they look arbitrary and almost banal, but you turn them into something unique. You bring overlooked objects to life.
AZOULAY My imagination is ignited by the most ordinary things. These objects once belonged to the everyday world; every fragment of the walls, for instance, was once a part of a home. In preserving something, you stop the natural process of decay, but at the same time, by doing so, you reflect back on decay, much as every act of remembrance reflects back on the act of forgetting.
SUZANNE LANDAU is director and chief curator of the Tel Aviv Museum of Art.
Ilit Azoulay


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text:
The Boston Schoolyard Initiative: A Public-Private Partnership for Rebuilding Urban Play Spaces
Russ Lopez;
Russ Lopez
Richard Campbell;
James Jennings
https://doi.org/10.1215/03616878-2008-010
Russ Lopez, Richard Campbell, James Jennings; The Boston Schoolyard Initiative: A Public-Private Partnership for Rebuilding Urban Play Spaces. J Health Polit Policy Law 1 June 2008; 33 (3): 617–638. doi: https://doi.org/10.1215/03616878-2008-010
The Boston Schoolyard Initiative (BSI) is a policy effort to rebuild school yards in Boston through innovative citywide public-private partnerships. At the center of the initiative is a commitment to engage multiple stakeholders and utilize a bottom-up planning process to encourage meaningful change. Based on a case study of BSI, this article develops a framework to understand and analyze how different school and neighborhood sectors can partner to benefit neighborhood communities and utilize the built environment to encourage more active living and active learning. The article contributes to a literature that focuses on the effects of school yards and the role of physically active environments on learning. It expands on this literature by looking at the school-yard initiative as a way to build and expand relationships between teachers, parents, and the community at large. Finally, the study shows that even older schools in inner-city neighborhoods, previously considered blights, can be turned into community, educational, and political assets.
The text of this article is only available as a PDF.
Anderson, P., and K. Butcher.
. Childhood Obesity: Trends and Potential Causes.
Future of Children
-45.
Boston Public Schools (BPS).
BPS at a Glance
. boston.k12.ma.us/bps/bpsglance.asp (accessed August 31, 2006).
Brink, L., and B. Yost.
. Transforming Inner-City School Grounds: Lessons from Learning Landscapes.
Children, Youth, and Environments
-232.
Bronfenbrenner, U.
The Ecology of Human Development: Experiments by Nature and Design
. Cambridge, MA: Harvard University Press.
Brugge, D., and A. Kole.
. A Case-Study of Community-Based Participatory Research Ethics: The Healthy Public Housing Initiative. In
Community Research in Environmental Health: Studies in Science, Advocacy, and Ethics
, ed. D. Brugge and H. Hynes,
-48. Burlington, VT: Ashgate.
Chavis, D., and A. Watersman.
. Sense of Community in the Urban Environment: A Catalyst for Participation and Community Development.
American Journal of Community Development
Dyment, J.
. Green School Grounds as Sites for Outdoor Learning: Barriers and Opportunities.
International Research in Geographical and Environmental Education
Easley, C., C. Evans, and C. Heatherly.
Boston Schoolyard Initiative
. Boston: Boston University School of Public Health.
Flodmark, C.-E., C. Marcus, and M. Britton.
. Interventions to Prevent Obesity in Children and Adolescents: A Systematic Literature Review.
International Journal of Obesity
Flynn, M., D. McNeil, B. Maloff, D. Mutasingwa, M. Wu, C. Ford, and S. C. Tough.
. Reducing Obesity and Related Chronic Disease Risk in Children and Youth: A Synthesis of Evidence with "Best Practice" Recommendations.
Obesity Reviews
(suppl. 1):
Gamm, G.
Urban Exodus: Why the Jews Left Boston and the Catholics Stayed
Gital, R., and A. Vital.
Community Organizing: Building Social Capital as a Development Strategy
. Thousand Oaks, CA: Sage Publications.
Jennings, J.
. Urban Planning, Community Participation, and the Roxbury Master Plan in Boston.
Annals of the American Academy of Political and Social Science
Kahne, J., J. O'Brien, A. Brown, and T. Quinn.
. Leveraging Social Capital and School Improvement: The Case of a School Network and a Comprehensive Community Initiative in Chicago.
Educational Administration Quarterly
King, M.
Chain of Change: Struggles for Black Community Development
. Boston: South End Press.
Kloos, B., J. McCoy, E. Stewart, R. E. Thomas, A. Wiley, T. L. Good, G. D. Hunt, T. Moore, and J. Rappaport.
. Bridging the Gap: A Community-Based, Open-Systems Approach to School and Neighborhood Consultation.
Journal of Educational and Psychological Consultation
Kotlowitz, A.
There Are No Children Here
. New York: Doubleday.
Kozol, J.
Savage Inequalities
. New York: Crown.
Levine, H., and L. Harmon.
The Death of an American Jewish Community: A Tragedy of Good Intentions
. New York: Free Press.
Lopez, M.
Organizing Can Help Parents Improve Schools
. Cambridge, MA: Harvard Family Research Project.
Malone, K., and P. Tranter.
. Children's Environmental Learning and the Use, Design, and Management of Schoolgrounds.
(2). www.colorado.edu/journals/cye/13_2/Malone_Tranter/ChildrensEnvLearning.htm.
Medoff, P., and H. Sklar.
Streets of Hope
. Boston, MA: South End Press.
Portz, J., L. Stein, and R. R. Jones.
City Schools and City Politics: Institutions and Leadership in Pittsburgh, Boston, and St. Louis
. Lawrence: University Press of Kansas.
Rahm, J.
. Emergent Learning Opportunities in an Inner-City Youth Gardening Program.
Journal of Research in Science Teaching
Rich, M. J., M. W. Giles, and E. Stern.
. Collaborating to Reduce Poverty: Views from City Halls and Community-Based Organizations.
Urban Affairs Review
Riehl, C.
. The Principal's Role in Creating Inclusive Schools for Diverse Students: A Review of Normative, Empirical, and Critical Literature on the Practice of Educational Administration.
Review of Educational Research
Rutter, M.
. School Effects of Pupil Progress: Research Findings and Policy Implications.
Sherry, B.
. Food Behaviors and Other Strategies to Prevent and Treat Pediatric Overweight.
-S126.
Stone, C., J. Henig, B. D. Jones, and C. Pierannunzi.
Building Civic Capacity: The Politics of Reforming Urban Schools
Wandersman, A., and M. Nation.
. Urban Neighborhoods and Mental Health: Psychological Contributions to Understanding Toxicity, Resilience, and Interventions.
American Psychologist
Weinstein, C.
. Changing a Schoolyard: Intentions, Design Decisions, and Behavioral Outcomes.
Environment and Behavior
Wiltfang, G., and M. Scarbecz.
. Social Class and Adolescent's Self-Esteem: Another Look.
Social Psychology Quarterly
Yin, R.
Case Study Research: Design and Methods
. Beverly Hills, CA: Sage Publications.
© 2008 by Duke University Press
Openly available online through the support of the Robert Wood Johnson Foundation.
A Queerness of Extraction
Battie Boy
Interviews with Rebuild by Design's Working Group of Experts
Rebuilding Bildung: The Middlebrow Novel of Aesthetic Education in the Mid-Twentieth-Century United States
Dead Bastards
On Being Brown in America
In the School Yard


There is at least a year's-worth of study on this page – start if you want with a range of introductory articles HERE but most of all 'do it' – at least an hour of practice for every hour of study!
Probably the most important element of study is to look at the best of street photography a few images every day. Study these guys to be found at iN-Public a great website started by outstanding street photographer Nick Turpin. Or get a copy of Street Photography Now – great writing as well as a flavour of Street Photography – now! Nick Turpin also made a stunningly good film about Street Photography which you can get HERE. I can't praise this film enough – it is brilliant!
My current project, Street Photography, is new – but it's also a fruition of a long time interest in photography.
Street photography can combine many elements, including the bizarre, strange juxtapositions, portraiture, graphic design, joie de vivre, compassion, admiration etc.
In addition to a few bits of my own photography, which is best viewed on Flickr HERE, I am assembling my own articles and other resources on Street Photography right here on this website as a set of drop-down pages, of which this is the introductory page . I will blog them as well.
WHAT IS A GOOD WAY TO DEEPEN QUICKLY UNDERSTANDING OF STREET PHOTOGRAPHY?
1 First and above all – Do it.
If you are inhibited watch the wonderful Joel Meyerovitz dancing his dance on a New York street corner – see 3 below. Or in an earlier incarnation, i.e. he had lots of hair, HERE – a 1 hour programme. G with a friend.
Do a weekend course – e.g. by Tomas Leuthard or Eric Kim.
2 Read the two free e-books by Thomas Leuthard a Swiss street photographer HERE – brilliant.
3 Buy the BBC DVD The Genius of Photography HERE – it shows street photography and in a historical context and in relation to other genre.
5 Check out who's doing what now.
Camera Lucida by Roland Barthes – brilliant overview HERE by Kalia Houlihan (a fine photographer).
Re On Photography by Susan Sontag – I have tried to read it several times but it is so depressing. She virtually accuses photography of being responsible for all of the ills of the last 200 years – ills that are more to do with corrupt politcians, consumerism, the human propensity for bread and circuses, out of control international corporations, manipulative popular culture & media generally etc.
Photography is simply another way of mark-making – an cultural and artistic activity that started many tens of thousands of years ago in caves and no doubt in many other places.
One real issue is the lack of appropriate education in schools to develop what many years ago I called visuacy to a comparable level to high-level iteracy.
7 Want to go another stage deeper?
What do you see? You should be at or near the one summit! The rest is Step 9.
9 Develop your practice – and be of service to others. If you are lucky enough to have a job, share with others – in the spirit of Thomas Leuthard – at 85mm.ch.


text:
Share this Story: A snapshot of a mass extinction
A snapshot of a mass extinction
Apr 04, 2019 • July 7, 2019 • 4 minute read
Fossil fish from an exceptional site in North America that may document the day of the mass extinction 66 million years ago. Photo by Robert DePalma/University of Kansas.
Palaeontology is the study of ancient living things or, perhaps more appropriately, ancient dead things. And a recurring focus of that study is mass extinctions, when large percentages of life on Earth went extinct at the same time. A new study in the scientific journal proceedings of the National Academy of Sciences details an incredible site that documents, like never before, one of the most significant mass extinctions: the one that caused the extinction of all non-bird dinosaurs and a host of other lifeforms at the end of the Mesozoic Era 66 million years ago.
Robert DePalma and co-authors this week described the geology of a new site from North Dakota, a site in which the geological traces of the mass extinction are highlighted like never before. The site preserves rows upon rows of extinct fossil fish, perfectly preserved in stone. How did the fish come to be buried this way? Well, the site sits at what was once a river bed close to the sea that covered parts of central North America. About 66 million years ago, the site was slammed by repeated giant waves, as if a tsunami had caused water from the ocean to flow up onto land. These waves buried the fish (along with a mix of other freshwater and oceanic fossils) in thick beds of rock.
A snapshot of a mass extinction Back to video
How do we know that these fossils date from the very end of the age of dinosaurs and were not deposited in some other geological catastrophe? The answer again lies in the rocks. When the asteroid that caused the mass extinction struck Mexico, it released a cloud of a rare element called iridium that slowly settled over the entire planet. This iridium layer marks the boundary worldwide between the Mesozoic and Cenozoic eras. That layer sits directly atop the site. What's more, this iridium layer is often coupled with small beads of glass called tektites, remnants of the liquefied rock that was ejected from the Earth on impact. These glass beads fell much more rapidly than the iridium in the atmosphere, probably within the first few hours after the impact, and at many sites a layer of rock immediately under the iridium layer is full of them. At the fossil fish site, these beads are found throughout the layer, including in the gills of the buried fish, meaning that debris from the asteroid impact was falling to Earth at the same time these fossil fish were buried under tsunami-like waves. The authors also argue that these waves were caused by massive earthquakes directly related to the impact itself.
The site is obviously exceptional, and one that has stirred up discussion in the palaeontology community. It appears to offer startling clarity on the timing of events following the asteroid impact 66 million years ago. Yet, as with many remarkable finds, it brings many more questions than answers. For example, why, with the geology of the site being so striking and the evidence that it represents the day of the mass extinction being so strong, has no one ever found sites like this before? If asteroid-triggered tsunamis were crashing into North America that day, why are there not a string of these sites at that layer all along the ancient coastline? How did these tsunamis affect the animals living on land like the dinosaurs? What species are preserved at the site? What does the complete map of fossil remains at the site look like? Hopefully, all of these questions will be answered in future papers. This find and the discussion around it has the potential to dramatically shift our understanding of this important extinction event, and I am excited to have future discussions about it.
Upcoming Philip J. Currie Dinosaur Museum Events
April 2 – May 7: 10 a.m. to 11:30 a.m. Dino Rhymes — Gain confidence in speaking, reading and filling out forms in English. This six week program is geared towards individuals whose first language isn't English. Brought to you by South Peace Rural Community Learning.
April 11: Application deadline for summer positions. dinomuseum.ca/support/jobopportunities/
April 12: 6:30 p.m. – 9 p.m. Palaeo Drawing — Fossilized Fun! Offered by practicing artist and art educator Lynn Lecorre. Try your hand at drawing trilobites or other prehistoric fossils. Learn how to draw from basic shapes and lines while observing from actual fossils. Learn how to work with the tools to create fossil textures. To register, visit dinomuseum.ca/events/art-classes-at-the-museum/.
April 13: 1 p.m. and 3 p.m. Wolverine: Ghost of the Northern Forest, Andrew Manske Lecture. This film recounts the fascinating story of Canadian wildlife filmmaker Andrew Manske's relentless, five-year quest to find and film one of the most legendary and elusive creatures on the planet. There are two showings of his documentary and the opportunity to meet and ask all your questions at a reception afterwards! For tickets, visit dinomuseum.ca/events/lectures-series/.
Try your hand at working with real dinosaur bones. The Fossil Preparation Lab Volunteer program is running Tuesdays-Thursdays and the first Saturday of the month from 10 a.m. – 5 p.m., and Fridays from 1–7 p.m.. For a posted schedule, see dinomuseum.ca/programs/public-programs/fossil-preparation-lab/.
-Derek Larson, Dino News and Views


This topic contains 7 replies, has 2 voices, and was last updated by Tracy Bui 2 weeks, 6 days ago.
I am going to use Beauty Shop for home page. I don't see in page customizer where I should do that.
This page is built by Visual Composer shortcodes, please edit this page then see all configurations.
In your first page you have three floating pictures. Where I can find these, substitute them with mine and configure their position in the page? I attached the first two.
You can check it, then feedback us.
The first one, I found it easily. The second one though (and the third) I didn't managed to find them.
Can you provide us with your website's URL & admin account privately via checking Set as private reply checkbox?


Aiming to help increase housing supply, the Placer County Board of Supervisors today voted to support an update to the county's ordinance for secondary dwelling units, making them easier to build. Secondary dwelling units, commonly known as in-law suites or granny flats, are permanent dwellings that are accessory to a primary dwelling on the same site. Currently, this does not include Tahoe Regional Planning Authority jurisdiction areas of Lake Tahoe.
The updated ordinance allows flexibility for either the primary or secondary dwelling on the property to be available for owner occupancy or long-term rental (31 consecutive calendar days or more).
Secondary dwelling units are an important source of housing since they can be built relatively inexpensively, have no associated land costs, and the smaller size of the unit tends to make them affordable. The units make it easier for homeowners to accommodate young adults attending college, college graduates returning home and those providing care for aging parents - helping ease pressure on a limited stock of rental housing.
They also create income opportunities for homeowners who want to build dwelling units on their property, creating a wider selection for potential renters.
"We are trying to incentivize additional workforce housing, what we're not trying to incentivize is additional vacation rental housing," said District 5 Supervisor and Board Chairwoman Jennifer Montgomery. "We don't want to turn residential neighborhoods into commercial operations."
The dwelling may either be attached or detached from the primary unit and must provide complete, independent living facilities for living, sleeping, eating, cooking and sanitation. Guest and pool houses are not considered secondary dwelling units.
The updated ordinance allows a maximum secondary unit size of 1,200 square feet on any lot size so long as it meets county height, setback and lot coverage requirements; allows attached secondary dwelling units sizes up to 50 percent of the existing structure's living area; keeps secondary dwelling units consistent with existing zoning and the county General Plan; and requires only one on-site parking space per secondary dwelling, either as tandem parking on an existing driveway or in setback areas, among other parking requirement exemptions.
Additionally, the ordinance allows a property owner to voluntarily deed restrict a secondary dwelling unit for affordability in order to be exempt from building permit and other specified fees, including county road network fees and county parks and recreational facility fees.
The changes will not apply to secondary dwelling units in the Lake Tahoe Basin, which are subject to different Tahoe Regional Planning Agency ordinances.
Placer County previously eased restrictions on secondary dwelling units in March 2016; this ordinance update brings the county's ordinance into line with state law passed subsequently that eased them even further. The ordinance is set to go into effect Dec. 12.


Bob Morgan, CEO, NorthCountry Federal Credit Union (left) presents John Sayles, CEO, Vermont Foodbank (right) with a donation of $50,000 to feed Vermonters facing hunger.
December 12, 2018, Barre, VT— Today, NorthCountry Federal Credit Union presented the Vermont Foodbank with a donation of $50,000 to help feed people in the state struggling with hunger. This gift will support the Foodbank's work of providing nutritious food and promoting health through their statewide network of community partners, working to end hunger for the 153,000 Vermonters who struggle to afford food.
Giving back to the community has always been a priority for NorthCountry Federal Credit Union. Last year they donated $394,352 and 760 hours of staff volunteer time to 218 local nonprofits. And with this gift to the Vermont Foodbank, they are taking a stand against hunger in Vermont.
In Vermont, 1 in 4 people turn to the Vermont Foodbank each year for food assistance. To meet the need, the Foodbank provides nutritious food through a network of 215 food shelves, meal sites, senior centers and after-school programs, and directly to families, children, older adults and individuals at schools and hospitals. This donation will help put more food on the tables of people struggling to access the food they need.


Richardson, Nan and Adams, Gerry and McIver, Janet and Whelan, Peter and Barrett, Mary and Beydown, Ahmad. A Tale of Two Cities : Belfast/Beirut. New York, NY: The Alternative Museum, 1990.
This list was generated on Mon Apr 22 07:02:33 2019 UTC.


NOTE: The University of Pretoria reserves the right to amend award values without prior notice.
Undergraduate achievement awards are based on the average percentage obtained (not on the number of distinctions).
Undergraduate achievement awards are made automatically to newly registered undergraduate students who meet the award criteria. Students do not apply for these awards.
First-year students who register for studies at UP directly after Grade 12 (final school-year) or who took a gap year(s) after their final school-year, who meet the award criteria, will be considered.
Students who have previously registered at a tertiary educational institution prior to registration at UP will not be considered for an achievement award. Students who registered at UP in previous years, are also not considered.
Qualifying students must be South African citizens or permanent residents in South Africa, or be citizens of a SADC country.
The average percentage for award purposes is the average of the actual percentages obtained for the six (6) best NSC/IEB/Cambridge subjects taken, excluding Life Orientation. This is for subjects taken in the final school-year end exams, based on the calculations done by the University of Pretoria.
The average percentage is not rounded off.
The awards are finalised on the basis of the final marks that the University receives from the Department of Basic Education for the final school-year. Results obtained for papers that have been re-marked are not taken into account for award purposes.
Awards are fully repayable if students discontinue or terminate their studies in the relevant study programme for whatever reason during the year in which the award is made.
If students change their study programmes during the year in which the award is made, the award value allocated for the study programme enrolled for initially will remain unchanged. That is to say, the award will not be cancelled or adjusted upward/downward to align it with consecutive study programmes enrolled for.
Qualifying students will be notified after registration.
The final decision regarding the selection of schools for this award rests with UP.
Qualifying students will be notified by letter.


Yahoo pushed an update to its Aviate Launcher application on Google Play today, bringing with it a brand new Search feature. With this, users can search their phone, as well as the Web, all from the home screen.
The feature is usable in up to 70 markets, so you best believe we here in the US can take advantage of it. Think of it like the Google app, which we would hope you are already using. But if Yahoo is more your thing, this is a good addition.
If you would like to try the update, go grab it on Google Play.


text:
Night of the Living Dead DVD
Night of the Living Dead DVD Release Date: February 13, 2018
Shot outside Pittsburgh on a shoestring budget by a band of filmmakers determined to make their mark, Night of the Living Dead, directed by horror master George A. Romero, is one of the great stories of independent cinema: a midnight hit turned box-office smash that became one of the most influential films of all time. A deceptively simple tale of a group of strangers trapped in a farmhouse who find themselves fending off a horde of recently dead, flesh-eating ghouls, Romero's claustrophobic vision of a late-1960s America literally tearing itself apart rewrote the rules of the horror genre, combined gruesome gore with acute social commentary, and quietly broke ground by casting a black actor (Duane Jones) in its lead role. Stark, haunting, and more relevant than ever, Night of the Living Dead is back, in a new 4K restoration.
.Night of Anubis, a never-before-presented work-print edit of the film
.New program featuring filmmakers Frank Darabont, Guillermo del Toro, and Robert Rodriguez
.Never-before-seen 16 mm dailies reel
.New piece featuring Russo about the commercial and industrial-film production company where key Night of the Living Dead filmmakers got their start
.Two audio commentaries from 1994, featuring Romero, Russo, producer Karl Hardman, actor Judith O'Dea, and more
.Archival interviews with Romero and actors Duane Jones and Judith Ridley
.New programs about the editing, the score, and directing ghouls
.New interviews with Gary R. Streiner and Russel W. Streiner
.Trailer, radio spots, and TV spots
.An essay by critic Stuart Klawans
Night of the Living Dead Blu-Ray-$39.95
Night of the Living Dead DVD-$39.95
Night of the Living Dead DVD Trailer
Starring: Duane JonesJudith O'DeaKarl HardmanMarilyn EastmanKeith WayneJudith RidleyKyra SchonCharles CraigS. William HinzmanGeorge KosanaFrank DoakBill CardilleA.C. McDonaldSamuel R. SolitoMark Ricci
Directed By: George A. Romero
Studio: The Criterion Collection
MPAA Rating Unrated
Interested in Night of the Living Dead DVD? Check out these films
Animal Kingdom The Complete Second Season DVD
Produced by John Wells Productions in association with Warner Horizon Scripted Television, Animal Kingdom centers on teenager "J" Cody, who moves in w...
Hell or High Water DVD
In the Hell or High Water DVD, when a desperate father (Chris Pine) learns that the bank is going to take his family's land, he and his ex-con brot...
Batman Gotham By Gaslight DVD
The Batman Gotham By Gaslight DVD takes place at the turn of the century as America's continued industrial revolution is to be showcased at aWorld�...
Death Race Beyond Anarchy DVD
Danny Trejo returns as the ruthless bookie, Goldberg, in the wildest, bloodiest, Death Race ever. After a failed attack on inmate and legendary drive...
Victoria Season 2 DVD
Jenna Coleman (Doctor Who) returns for a new season as the young queen who wants it all—romance, power, an heir, and personal freedom. Created and ...


text:
Two Rival Self-Driving Cars have Close Call in California
Two self-driving prototype cars, one operated by Google Inc and the other by Delphi Automotive Plc, had a close call on a Silicon Valley street earlier this week, a Delphi executive told Reuters on Thursday.
It was believed to be the first such incident involving two vehicles specially equipped for automated driving.
The incident occurred Tuesday on San Antonio Road in Palo Alto, said John Absmeier, director of Delphi's Silicon Valley lab and global business director for the company's automated driving program, who was a passenger in one of the cars.
No collision took place.


This entry was posted in Aipl and tagged aipl cattaro resale aipl cattaro resale gurgaon aipl cattaro resale price on 2014/12/01 by ABC.
Sizes: 3359 – 3786 Sq. Ft.
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Humdinger home address is awaiting for the people like you who just don't live because they have to, but those who live with confidence and pride and also enjoy life without compromising.
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text:
Q: Web mining or scraping or crawling? What tool/library should I use? I want to crawl and save some webpages as HTML. Say, crawl into hundreds popular websites and simply save their frontpages and the "About" pages.
I've looked into many questions, but didn't find an answer to this from either web crawling or web scraping questions.
What library or tool should I use to build the solution? Or is there even some existing tools that can handle this?

A: When going Python, you might be interested in mechanize and BeautifulSoup.
Mechanize sort of simulates a browser (including options for proxying, faking browser identifications, page redirection etc.) and allows easy fetching of forms, links, ... The documentation is a bit rough/sparse though.
Some example code (from the mechanize website) to give you an idea:
import mechanize
br = mechanize.Browser()
br.open("http://www.example.com/")
# follow second link with element text matching regular expression
html_response = br.follow_link(text_regex=r"cheese\s*shop", nr=1)
print br.title()
print  html_response

BeautifulSoup allows to parse html content (which you could have fetched with mechanize) pretty easily, and supports regexes.
Some example code:
from BeautifulSoup import BeautifulSoup
soup = BeautifulSoup(html_response)

rows = soup.findAll('tr')
for r in rows[2:]:  #ignore first two rows
    cols = r.findAll('td')
    print cols[0].renderContents().strip()    #print content of first column

So, these 10 lines above are pretty much copy-paste ready to print the content of the first column of every table row on a website.

A: There really is no good solution here. You are right as you suspect that Python is probably the best way to start because of it's incredibly strong support of regular expression.
In order to implement something like this, strong knowledge of SEO (Search Engine Optimization) would help since effectively optimizing a webpage for search engines tells you how search engines behave. I would start with a site like SEOMoz.
As far as identifying the "about us" page, you only have 2 options:
a) For each page get the link of the about us page and feed it to your crawler.
b) Parse all the links of the page for certain keywords like "about us", "about" "learn more" or whatever.
in using option b, be careful as you could get stuck in an infinite loop since a website will link to the same page many times especially if the link is in the header or footer a page may link back to itself even. To avoid this you'll need to create a list of visited links and make sure not to revisit them.
Finally, I would recommend having your crawler respect instructions in the robot.txt file and it's probably a great idea not to follow links marked rel="nofollow" as these are mostly used on external links. Again, learn this and more by reading up on SEO.
Regards,

A: Try out scrapy. It is a web scraping library for python.
If a simple python-script is expected, try urllib2 in python.

A: Python ==> Curl <-- the best implementation of crawler
The following code can crawl 10,000 pages in 300 secs on a nice server.
#! /usr/bin/env python
# -*- coding: iso-8859-1 -*-
# vi:ts=4:et
# $Id: retriever-multi.py,v 1.29 2005/07/28 11:04:13 mfx Exp $

#
# Usage: python retriever-multi.py <file with URLs to fetch> [<# of
#          concurrent connections>]
#

import sys
import pycurl

# We should ignore SIGPIPE when using pycurl.NOSIGNAL - see
# the libcurl tutorial for more info.
try:
    import signal
    from signal import SIGPIPE, SIG_IGN
    signal.signal(signal.SIGPIPE, signal.SIG_IGN)
except ImportError:
    pass

# Get args
num_conn = 10
try:
    if sys.argv[1] == "-":
        urls = sys.stdin.readlines()
    else:
        urls = open(sys.argv[1]).readlines()
    if len(sys.argv) >= 3:
        num_conn = int(sys.argv[2])
except:
    print "Usage: %s <file with URLs to fetch> [<# of concurrent connections>]" % sys.argv[0]
    raise SystemExit

# Make a queue with (url, filename) tuples
queue = []
for url in urls:
    url = url.strip()
    if not url or url[0] == "#":
        continue
    filename = "doc_%03d.dat" % (len(queue) + 1)
    queue.append((url, filename))

# Check args
assert queue, "no URLs given"
num_urls = len(queue)
num_conn = min(num_conn, num_urls)
assert 1 <= num_conn <= 10000, "invalid number of concurrent connections"
print "PycURL %s (compiled against 0x%x)" % (pycurl.version, pycurl.COMPILE_LIBCURL_VERSION_NUM)
print "----- Getting", num_urls, "URLs using", num_conn, "connections -----"

# Pre-allocate a list of curl objects
m = pycurl.CurlMulti()
m.handles = []
for i in range(num_conn):
    c = pycurl.Curl()
    c.fp = None
    c.setopt(pycurl.FOLLOWLOCATION, 1)
    c.setopt(pycurl.MAXREDIRS, 5)
    c.setopt(pycurl.CONNECTTIMEOUT, 30)
    c.setopt(pycurl.TIMEOUT, 300)
    c.setopt(pycurl.NOSIGNAL, 1)
    m.handles.append(c)

# Main loop
freelist = m.handles[:]
num_processed = 0
while num_processed < num_urls:
    # If there is an url to process and a free curl object, add to multi stack
    while queue and freelist:
        url, filename = queue.pop(0)
        c = freelist.pop()
        c.fp = open(filename, "wb")
        c.setopt(pycurl.URL, url)
        c.setopt(pycurl.WRITEDATA, c.fp)
        m.add_handle(c)
        # store some info
        c.filename = filename
        c.url = url
    # Run the internal curl state machine for the multi stack
    while 1:
        ret, num_handles = m.perform()
        if ret != pycurl.E_CALL_MULTI_PERFORM:
            break
    # Check for curl objects which have terminated, and add them to the freelist
    while 1:
        num_q, ok_list, err_list = m.info_read()
        for c in ok_list:
            c.fp.close()
            c.fp = None
            m.remove_handle(c)
            print "Success:", c.filename, c.url, c.getinfo(pycurl.EFFECTIVE_URL)
            freelist.append(c)
        for c, errno, errmsg in err_list:
            c.fp.close()
            c.fp = None
            m.remove_handle(c)
            print "Failed: ", c.filename, c.url, errno, errmsg
            freelist.append(c)
        num_processed = num_processed + len(ok_list) + len(err_list)
        if num_q == 0:
            break
    # Currently no more I/O is pending, could do something in the meantime
    # (display a progress bar, etc.).
    # We just call select() to sleep until some more data is available.
    m.select(1.0)

# Cleanup
for c in m.handles:
    if c.fp is not None:
        c.fp.close()
        c.fp = None
    c.close()
m.close()

A: If you are going to builld a crawler you need to  (Java specific):

*

*Learn how to use the java.net.URL and java.net.URLConnection classes or use the  HttpClient library

*Understand http request/response headers

*Understand redirects (both HTTP, HTML and Javascript)

*Understand content encodings (charsets)

*Use a good library for parsing badly formed HTML (e.g. cyberNecko, Jericho, JSoup)

*Make concurrent HTTP requests to different hosts, but ensure you issue no more than one to the same host every ~5 seconds

*Persist pages you have fetched, so you don't need to refetch them every day if they
don't change that often (HBase can be useful).

*A way of extracting links from the current page  to crawl next

*Obey robots.txt

A bunch of other stuff too.
It's not that difficult, but there are lots of fiddly edge cases (e.g. redirects, detecting encoding (checkout Tika)).
For more basic requirements you could use wget.
Heretrix is another option, but yet another framework to learn.
Identifying About us pages can be done using various heuristics:

*

*inbound link text

*page title

*content on page

*URL

if you wanted to be more quantitative about it you could use machine learning and a classifier (maybe Bayesian).
Saving the front page is obviously easier but front page redirects (sometimes to different domains, and often implemented in the HTML  meta redirect tag or even JS) are very common so you need to handle this.

A: Heritrix has a bit of a steep learning curve, but can be configured in such a way that only the homepage, and a page that "looks like" (using a regex filter) an about page will get crawled.
More open source Java (web) crawlers: http://java-source.net/open-source/crawlers

redpajama_set_name: RedPajamaStackExchange


text:
Nick Young (ur. 1 czerwca 1985 roku w Los Angeles) – amerykański zawodowy koszykarz, występujący na pozycji rzucającego obrońcy, mistrz NBA z 2018.

Kariera NBA
Pierwszy mecz w NBA Nick Young rozegrał 15 grudnia 2007 przeciwko Sacramento Kings. 14 stycznia 2009, zanotował rekordowe 33 punkty, w meczu z New York Knicks.
W swoim pierwszym sezonie notował 7,5 punktu i 1,5 zbiórki na mecz. Przez dwa lata spędzone w NBA poczynił postępy widoczne w statystykach z sezonu 2008-2009 : 10,9 punktu, 1,8 zbiórki i 1,2 asysty na mecz.
Young swoją największą zdobycz punktową w meczu - 43 punkty - zdobył przeciwko Sacramento Kings 11 stycznia 2011.

15 marca 2012 Nick Young został wymieniony do Los Angeles Clippers na mocy trójstronnej umowy między LA Clippers, Denver Nuggets i Washington Wizards. Trzy dni później zanotował swój debiut w drużynie z Los Angeles przeciwko Detroit Pistons, kiedy to zagrał 28 minut, rzucił 9 punktów i zaliczył 1 asystę. W lipcu 2012 roku podpisał kontrakt z Philadelphia 76ers, a rok później z Los Angeles Lakers.

7 lipca 2017 został zawodnikiem Golden State Warriors.

10 grudnia 2018 dołączył do Denver Nuggets. 30 grudnia opuścił klub.

Osiągnięcia
Stan na 9 czerwca 2018, na podstawie, o ile nie zaznaczono inaczej.
 NCAA
 Uczestnik rozgrywek Sweet Sixteen turnieju NCAA (2007)
 Zaliczony do I składu:
 All-Pac-10 (2006, 2007)
 turnieju Great Alaska Shootout (2006)

 NBA
  Mistrz NBA (2018)
 Uczestnik konkursu rzutów za 3 punkty (2017)

Statystyki

Na podstawie Basketball-Reference.com
Stan na koniec sezonu 2018/19

Sezon regularny

Play-offy

Przypisy

Linki zewnętrzne
 Profil na stronie NBA

Amerykańscy koszykarze
Koszykarze Washington Wizards
Koszykarze Los Angeles Clippers
Koszykarze Philadelphia 76ers
Koszykarze Los Angeles Lakers
Koszykarze Golden State Warriors
Koszykarze USC Trojans
Koszykarze Denver Nuggets
Ludzie urodzeni w Los Angeles
Urodzeni w 1985