After using,first use pure water to replace the buffer salt in column, and then store in 20% ethanol.
Note: During the analysis process, both the sample and the mobile phase must be filtered with a membrane with pore size of 0.45 μm.
Protein A affinity chromatography has great performance when capture antibody in horse plasma samples.
Binding Buffer: 20 mM PB, 150 mM NaCl, pH 7.0; Elution Buffer: 100 mM Gly, pH 3.0.


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Elizabeth Warren Just Released a Wide-Ranging Plan to Give Power Back to Workers
The Massachusetts Democrat promises it will be "the most progressive and comprehensive agenda for workers since the New Deal."
Sen. Elizabeth Warren speaks after she joined striking Stop & Shop supermarket employees on the picket line in Massachusetts.Josh Reynolds/AP
Just two weeks after she joined the picket line outside a General Motors assembly plant in Detroit, Senator Elizabeth Warren on Thursday morning released a wide ranging labor plan, which promises to tackle an overarching problem: "American workers don't have enough power." The 14-page document, significantly longer than both Vice President Joe Biden's and Senator Bernie Sanders' plans, includes provisions to protect union workers, independent contractors, and employees that have historically been discriminated against, such as LGBTQ people, people of color, people with disabilities and pregnant people.
On the first day of a Warren administration, the Massachusetts Democrat promises to sign an executive order mandating a $15-an-hour minimum wage for federal contractors. She intends to eventually extend that minimum wage to all workers—including tipped workers—through federal legislation.
The plan also calls for the passage of legislation that allows public sector workers, graduate students, gig-economy workers, farm workers, domestic workers, home care workers, and some managers to unionize. Like her fellow presidential frontrunners Biden and Sanders, Warren recommends repealing right-to-work laws (which gut union funding) and prohibiting companies from permanently replacing workers on strike. But she takes it a step further with promises to strengthen enforcement authority of the National Labor Relations Board and appoint "a demonstrated advocate for workers to fill any Supreme Court vacancy."
The workers of @UAW are fighting for fair wages and good benefits—and I have their backs. When unions win, all workers win. pic.twitter.com/xC2di0jzLH
— Elizabeth Warren (@ewarren) September 22, 2019
"We cannot have a truly democratic society with so little power in the hands of working people," Warren writes in the plan. "We cannot have sustained and inclusive economic growth without a stronger labor movement. That's why returning power to working people will be the overarching goal of my presidency."
Why the Labor Strike Is Back
Bryan Schatz
Trump's National Labor Relations Board Trips Up Again
Elizabeth Warren Just Released a Plan to Increase Social Security Through New Taxes on the Richest 2 Percent
Ben Dreyfuss

redpajama_set_name: RedPajamaCommonCrawl


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As Trump targets immigrants, U.S. farm sector looks to automate
By Lisa Baertlein and P.J. Huffstutter
LOS ANGELES (Reuters) – Convincing big U.S. dairy owners to buy robots to milk their cows – and reduce the farmhands they employ – used to be a tough sell for Steve Fried. Recently, his job has gotten easier, he says, in part because of President Donald Trump.
"I get calls on a daily basis and it typically starts with, 'I don't want to deal with this labor headache any more'," said Fried, sales manager for Lely North America, which makes robotic dairy milking and feeding systems.
Trump's crackdown on illegal immigration through stepped-up arrests and border enforcement has shaken the U.S. agricultural sector, where as many as 7 in 10 farm workers are undocumented, according to the American Farm Bureau Federation.
In addition, Republican lawmakers in Congress have introduced legislation that would require all employers to check social security numbers against federal databases to ensure their workers are in the country legally, something that is now voluntary in all but a handful of states.
The get-tough approach "has created a great deal of anxiety," said Tom Vilsack, chief executive of the U.S. Dairy Export Council, who was U.S. Agriculture Secretary for eight years under President Barack Obama.
The shift comes as the industry was already struggling to cope with a shrinking, aging workforce. That is ratcheting up pressure on the sector to embrace new technology.
Farmers and food companies increasingly are moving to automate dairy operations, chicken processing, crop production and harvesting. Even delicate crops such as strawberries and peaches are being considered for mechanization.
"You'd be a fool to not have a plan that moves you that way," said Duff Bevill, who owns a vineyard management company in Sonoma County, California.
Pilgrim's Pride Corp, the second largest U.S. chicken producer, this year cited a tightening migrant labor market as key to its decision to invest in robots and X-ray technology for its slaughterhouses. The goal: to swap human hands for machines that can debone the front half of chickens and perform other chores.
"We're investing heavily in automating our processes, taking labor out and making jobs easier," Pilgrim's CEO William Lovette said in an earnings call. He said the company also decided to increases wages.
In Gilroy, California, Christopher Ranch is likewise embracing new machinery. The largest North American producer of fresh garlic, Christopher Ranch will spend about $1 million this year for a new Spanish-made robot in its packing plant that inserts garlic heads into sleeves, according to Ken Christopher, vice president of the family-owned business.
A 2014 report by WinterGreen Research forecast significant growth in the use of robotics in "every aspect of farming, milking, food production" and other agricultural enterprises. The report put the market for agricultural robots at $817 million in 2013 and projected that it would reach $16.3 billion by 2020.
Sensing opportunity, investors are stepping up to address agriculture's labor squeeze with new automation, helped by falling electronics costs and advancements in software, robotics and artificial intelligence.
Google Ventures, the venture capital arm of Alphabet Inc , this year spearheaded a $10 million investment in Abundant Robotics, which is working on an apple-picking robot. It also participated in a $20 million funding round for Bowery Farming, which uses robotics to grow leafy greens indoors.
Elsewhere, farm machinery maker Deere & Co announced that it spent $305 million to buy precision weed-killing robot maker Blue River Technology.
INCENTIVES TO AUTOMATE
While little official data exists to illustrate the impact of Trump's immigration policies on farm laborers, there is no question that illegal migration is down sharply since he took office in late January.
The number of people caught trying to enter the United States illegally from Mexico dropped almost 60 percent between February and May compared the same period last year, according to government figures. Between late January to early September, the number of individuals arrested in the interior of the country by U.S. Immigration and Customs Enforcement (ICE) rose almost 43 percent over the same period in 2016.
Gary Wishnatzki, a third-generation strawberry farmer in Florida, says scarce labor convinced him to raise $5 million so far to build a robotic strawberry picker that he hopes someday will reduce his industry's need for field hands.
Bruce Taylor, CEO of Taylor Farms, a Salinas, California producer of salads and chopped vegetables for stores and restaurants, says his company has automated 20 percent of its packing plant.
The company has also teamed with an equipment maker to build a mechanized romaine harvester that is currently in use, and it is exploring automation for iceberg lettuce, broccoli and other field crops, Taylor said.
RISING PAY
In the meantime, farmers are raising wages. Data from the U.S. Department of Agriculture's most recent farm labor report shows average wages during the week of April 9 to 15 were $13.23 per hour, up 4 percent from the same week a year ago.
"The mantra in agriculture right now is automate what you can and pay well for the labor you absolutely have to have," said Paul Pittman, CEO of Farmland Partners Inc, a real estate investment trust that invests in North American farm land.
To win the loyalty of its full-time production workers, garlic grower Christopher Ranch decided to raise pay by 50 percent between 2016 and 2018, getting a four-year jump on California's mandated $15 minimum wage that will take effect in 2022.
"Companies need to find ways of adapting and adjusting," Christopher, the executive, said. "We're going to take a small financial hit, but we're going to be ready."
Follow Trump's impact on energy, environment, healthcare, immigration and the economy at The Trump Effect https://www.reuters.com/trump-effect
(Reporting by Lisa Baertlein in Los Angeles and P.J. Huffstutter in Chicago; Additional reporting by Ann Saphir in San Francisco; Editing by Sue Horton and Marla Dickerson)


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OC�
Our Correspondent
No money for development: PM Imran Khan
ISLAMABAD: Prime Minister Imran Khan Monday said cash economy was the biggest hurdle in tapping true potential of 220 million population of the country.
He was addressing the inaugural ceremony of the State Bank of Pakistan (SBP) digital payment system 'Raast' here. The initiative is country's first instant digital payment system and part of PM's Digital Pakistan vision to include poor segments of society in the informal economy.
He explained that cash economy badly affected tax collection, which was evident from the fact that only two million, out of 220 million, people were tax-returns filers, while 30,000 of taxpayers make 70 per cent of the total tax collection in the country.
He said, "Digital Pakistan is a step forward from cash economy towards the point, where we can take maximum benefit of our 220 million population, as Pakistan collects almost the lowest taxes in the world, hence biggest loss of cash economy is in tax collection".
The PM said the real effort was to improve our economy; our biggest problem was that the informal economy was so big that we could not collect taxes and the country could not develop.
"This obstacle in tapping true potential is because we can't build our infrastructure, we can't educate children, we can't improve hospitals, the fastest growing country in the region 50 years ago can't move forward because it does not have that much money for the development of the country," he added.
The PM said, "We can't spend as much money as we should on our people. SBP's new initiative is a big step towards a digital Pakistan. Just as it keeps us away from drugs, we will gradually get away from the cash economy.
"Because of the Raast initiative, we can include the lower class in our development. We are trying to reduce poverty under the Ehsaas programme, using mobile wallets and talking about women's bank accounts. The live programme will take this forward," he added.
The premier congratulated the SBP on the way it dealt with the overseas Pakistanis, as our capital had grown at a record rate, never in the history of Pakistan. "Our Pakistanis abroad sent money in an official manner due to which the current account deficit, which had been going on for years went into surplus for five months and the people did not care how much benefit was gained from it," he added.
The biggest benefit of this, he pointed out, was that the pressure on our rupee had eased because when there was a current account deficit, there was pressure on the rupee, which affected the poor in particular.
He said the current account surplus had put a lot of pressure on our rupee and encouraged Pakistanis to send money through regular channels. In the end, he thanked the Queen Maxima for taking so much interest in Pakistan, in the well-being, especially of women living in the deprived areas, wanting their to be financially included in Pakistan. "And, I know the interest you have taken in the Ehsaas programme, so I want to thank you for that. I thank the Bill Gates Foundation, especially I thank for the help they have given to Pakistan, especially in the polio programme but also in other areas, whenever we need help, the Gates Foundation is always there," he remarked. Prime Minister also thanked the British high commission and the World Bank for the help they had given to Pakistan.


Sucessfully running a Facebook Group of Film and Film School related topic at www.facebook.com/groups/820448194704287. All the group members respect me and they are happy that the group is very helpful for them.
I can convert any document in PDF format.
Film and Television Institute of India is a film school in India which conducts entrance exam to select candidates for admission. The problem is they don't share question papers after exams. Also no book is available for the preparation nor any online question bank. So, no one have any idea what will be asked in exam. With the help of my online research tactics not only I found the question papers but also contacted some Ftii Students online and got some tips on preparation. Here is the compiled question papers which I found with the help of my tactics https://drive.google.com/open?id=0B-MCt5sbnzNqMHBZNTZzY2pTSUE .


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Interview Hindi
It is a nice space to be in, says Ayushmann Khurrana on playing Bala
Riding a wave of success, Ayushmann Khurrana plays a balding young man in Amar Kaushik's next, Bala.
Mumbai - 05 Nov 2019 11:00 IST
Shriram Iyengar
It is easy to see why Ayushmann Khurrana is going through a purple patch at the moment. The actor carries himself with an easy confidence as he walks into the room for an interaction with journalists in the run-up to the release of Amar Kaushik's Bala. Unlike his character, Khurrana sports styled hair and the air of a man who can do no wrong.
"The idea is to just have my own space," Khurrana tells the journalists. "The film, Bala, is about self-discovery. It took me a while to discover myself too. Immediately after Vicky Donor (2012), there were a few unsuccessful films. Then I thought this is my zone. Let me just consolidate that and play to my strengths. Then, once in a while, let me just change it."
The space Khurrana is referring to has been redefined over the past two years. In these two years alone, the actor has explored films like Andhadhun (2018), Badhaai Ho (2018), Article 15 (2019) and Dream Girl (2019), all of which have been critically feted and commercially successful.
With Bala, he enters new territory as a bald leading man. "I have ventured into far-fetched territory like sperm donation and erectile dysfunction, this is the most common one," the actor explained. "Most of my friends are suffering from it in their thirties and even twenties. Moreover, it was the empathy [in the script] which I thought drew me to it."
At the media interaction, the actor spoke about his choice of films, the message in Bala, the controversy surrounding the film and his acceptance of stardom. Excerpts:
It has been a rollercoaster journey over the past couple of years. With Bala, it is new territory....
I have ventured into far-fetched territories like sperm donation and erectile dysfunction, this [premature balding] is the most common one. Most of my friends are suffering with it in their thirties and twenties. Moreover, it was empathy which I thought drew me to it. I have met people who are bothered by it, and those who don't care about it. The idea is to have that side be more prominent. That is the message. What is the fun of making a film without a message or value creation?
Bala arrives at the same time as Ujda Chaman (which was released last week, six days ahead of Bala). Any thoughts on their approach to the subject?
Bala is celebrating self-love. It is not about receding hair or baldness, it is about discovering yourself and loving yourself. We shot our film first, and announced it first. It is simply about one line of the film which is the same. I have seen the southern film [Ondu Motteya Kathe (2017, Kannada)] and our film is completely different.
Does that bother you, both films coming out at almost the same time?
It happened with [the] Bhagat Singh [films] also [in 2002]. The film which is good will do well. This [Bala] is a beautiful film, and one of the best scripts I have ever read. Anybody can come up with the same idea. It is about treatment.
Did the experience of playing a bald man teach you something new?
Not really. I knew everything [about the subject]. I have had friends who have receding hairlines and even Hakim Alim, who styles my hair, is bald. By default, I knew every possible thing that people do.
It is also about any complex you might have. The film is about acceptance, which is a beautiful message in the end.
Your next film, Shubh Mangal Zyada Saavdhan, is again about a complex subject. Given all these pressures of moving from script to script and the pressure of the box office, does it become difficult?
Well, it comes with success. The success of the films plays on your stardom, of course. You get less time with your family. People start seeing you in a different light. At the same time, it is difficult to choose topics that are rare every single time. But I am glad we are born in a country where there are so many taboo subjects.
Our country is full of conservative people and full of progressive people. When they meet, that is when comedy emanates. There is a very bizarre situation in our country where 70% of our nation is primarily rural. When these people migrate to the cities, they get a cultural shock. Cinema gets fodder from these situations.
In Bala, for example, there is a definition of beauty followed across the nation. A guy has to be tall, has to have a good head of hair, a girl has to be fair. We need to challenge these definitions of beauty.
Always, the aspiration will be to choose topics that are novel.
Another point of contention for the film was writer Kamal Kant Chandra claiming that he first gave you the idea for the film.
Right, to answer that, I have been given the same idea by six different people. The same idea of hairfall. There was another film Hair Is Falling in 2011. It was my decision to go with the best director and best producer on the subject.
Do you feel yourself under pressure to choose your next script, and whether it will match your previous success?
That's always there. We always have to touch the benchmark legacy each time. It is a pressure for sure, but it is a happy pressure. It gives you confidence each time, and encourages you to be more of a risk-taker.
At the same time, I want to take it easy now. My line-up for the next year is ready. Gulaabo Sitaabo and Shubh Mangal Zyaada Saavdhan will happen next year. Now, I am just reading scripts.
You have become synonymous with playing the common man. Would you like to be part of an out-and-out superhero or larger-than-life film?
The idea is to just have my own space. The film, Bala, is about self-discovery. It took me a while to discover myself also. Immediately after Vicky Donor (2012), there were a few unsuccessful films. Then, I thought this is my zone. Let me just consolidate that and play to my strengths. Then, once in a while, let me just change it.
My zone is slice-of-life, quirky, taboo films, but once in a while I will venture out and do a film like Andhadhun or Article 15. It is a good space to have.
What was the experience of seeing yourself in the mirror with the prosthetics?
It was a different person altogether! I didn't recognize myself. I thought I looked like my grandfather. But I could relate to why the complex exists. My father is quite gifted. He turns 70 next year and still has a full head of hair. My grandfather, I remember, had sparse hair. So then I started empathizing with a lot of people. My friends, for example.
The toughest part was the prosthetics. I did want to go completely bald and shave my head. But there were different stages of baldness that we needed to show. So we opted for the prosthetics. I would take two and a half hours to get ready. For a 7 o'clock early morning shot, I would wake up at 4 o'clock.
Did you have any 'outsider' complex when you entered the film industry with Vicky Donor in 2012?
To be honest, I was like a lost cow those days. I didn't have anybody to guide me. There was nobody to tell me this is the diktat, and you should follow this. I discovered everything on my own. There was no outsider complex that way. It is only because of that. I was breaking all the rules, because I did not know any rules.
What does stardom seem like, now that you are the peak of your game?
Stardom, by default, makes you an opinion leader. Everybody puts you on a pedestal and expects you to give an opinion on everything.
At the same time, stardom is also treading a thin line between contentment and ambition. For your own sanity, you cannot be completely contented, otherwise you won't be excited to work. You can't be overly ambitious. In that case, you will be going cuckoo in your head, or become a hustler.
How do you navigate that?
With discipline, of course. You approach a particular film with ambition. If it does well, you have to be contented. You cannot always feel like you have to do better than this. It should be there in the back of your mind, of course, but you have to go with the craft. Not commerce all the time. That's not your headache. It is your producer's headache. That's all there is to it.
People in this story
Actor, Composer, Singer
Amar Kaushik
Actor, Executive Producer, Second Unit Director
Movies in this story
Vicky Donor
Ujda Chaman


Cubes&Crayons developed out of one mom's frustration as she tried to have her cake and eat it, too.
By 8:00 am on Monday morning, I have gone for a run, handled two dozen messages and reviewed the financial statements for Cubes&Crayons, all as while refereeing my two girls at breakfast. Before Cubes&Crayons I was a professional ready to go back to my job full time. Then my first daughter was born, and suddenly, I was in love. She was the most beautiful creature and I literally could barely put her down for the first month of her life. It was then that I first thought of Cubes&Crayons as a solution to my goal to have a creative work community with a fun and educational place for children.
Fast forward two years with many late nights and early mornings trying to scrunch work into time slots when I wasn't with my daughter and I was pregnant again. As a mom working out of my home, I found myself lacking both the professional community to work in. Before Cubes&Crayons, I was literally juggiling singing lullabies and sending email and neither my daughters were happy nor was I. There had to be a better solution. And so, armed with a gut feeling, months of research, and two mini-me "helpers" of my own, I launched Cubes&Crayons, a space for kids and parents to develop side-by-side. Look out, Corporate America. New moms are ready to head on up the corporate ladder…with tots in tow.
It's been a joy to build and I continue to grow as mom, entrepreneur and career gal looking for new solutions to life issues. In addition to loving Cubes&Crayons and my children, I enjoy running, cooking, hiking, yoga, traveling, and reading, and ultimately finding that balance.
To learn about our journey from idea to first campus and beyond, take time to read my blog a running narrative of the trials and tribulations of being entrepreneur and mom. Grab a slice of cake with our friends and family discount on my first book, Take the Cake, the key to your best life. Check back for updates!


VR, AR and MR 3D technologies are quickly evolving as standards of content delivery. Fully immersive and interactive experiences highly enhance conversion of prospects into customers. Let us talk about how this impacts website architecture. What are the benefits and challenges of 3D in websites? What are Drupal's current 3D capabilities and available tools? How do we reshape Drupal content architecture for 3D?


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Unkempt, rough and tough looking members of the gang, or lynch mob, or vigilantes, or posse riders, or cow herders. They had minimal or no dialog, not much screen time, and were generally not listed in the film credits. Some would show up as a face in the crowd, portraying townspeople, barflys, deputies, wagon drivers, ranch hands, etc. We tend to recognize some of their faces, but have no clue as to their real names.
Jack Montgomery
John Travers Montgomery
1890 or 1891 - 1962
Special thanks to Diana Serra Cary for help on this webpage on her Father. Diana was "Baby Peggy" Montgomery and she starred in over a hundred comedy shorts in the 1920s. Diana and I connected via e-mail and telephone back in 2011 to do her dad's bio. Her father was Jack Montgomery, a real life cowboy who came to Hollywood and became a silent and sound B-western performer and stuntman. Click HERE for more on her book The Hollywood Posse: The Story of a Gallant Band of Horsemen Who Made Movie History and a separate window/tab will open.
Sad to report that 101 year old Diana passed away on February 24, 2020.
When I did the profile on Hank Bell, I was reminded that I also needed to do a similar profile on Jack Montgomery. He was one of the so-called "Gower Gulch men", a real cowboy type that came to Hollywood and found his livelihood doing stuntin', ridin' and doublin' in silents as well as A and B grade talkies.
In sound westerns, Montgomery was most often uncredited, portraying a henchman, rancher, gambler, lawman, etc. He also shows up playing townsmen, barflys, etc. in 1950s TV shows CISCO KID, HOPALONG CASSIDY, RANGE RIDER, ANNIE OAKLEY, DEATH VALLEY DAYS, more.
He appeared in about 175 films and TV shows scattered over the years 1923 - 1959.
Montgomery was the father of "Baby Peggy", the silent screen youngster that starred in over a hundred comedy shorts in the 1920s. Diana Serra Cary wrote about her father and the western in the book "The Hollywood Posse: The Story of a Gallant Band of Horsemen Who Made Movie History" (Houghton Mifflin Company, Boston, 1975). Diana includes much emphasis and history on her parents, the western, and a bunch of real cowpokes who did movies. Also in the book are many stories and anecdotes on Hank Bell, Charles 'Slim' Whitaker, Bill Gillis, Shorty Miller, Ed Hendershot, Jack Padjan, Neal Hart, Leo McMahon, brothers Bob and Fred Burns, Artie Ortego, and many others. The book includes interesting tidbits about her Dad and the film business, and I'll mention a few of those:
one of Jack's early jobs, circa 1918 - 1920, was as a U. S. Park Ranger, initially at Yosemite and later, at the Grand Canyon.
her father's finest moment was doubling for Walter Pidgeon in THE DARK COMMAND (Republic, 1940).
the "Gower Gulch men" had a decades long battle with Cecil B. DeMille ... because DeMille demanded them to do as he said ... even though the scene or stunt may be dangerous ... and some of the riders and stuntmen could be (and were) injured during filming.
things changed dramatically with the western during the post World War II era and the arrival of the TV western. Jack Montgomery quote from the book: "... it costs a studio fifty dollars a day just to put an empty horse on the set with his wrangler ... "
the "not real" cowboys and "not real" western movie heroes were called "White Hats".
in the early days of Disneyland circa 1955, there were plans for a stagecoach ride as well as a trail ride on pack mules. Jack Montgomery was in charge of the pack mules. Driving one of the miniature stages was Artie Ortego, a frequent portrayer of Indians and henchmen in the B western. Diana's book details the incident when Ortego was severely injured when he purposely "heeled" the stage over to avoid trampling bystanders.
Diana adds more on her father and family (excerpted/paraphrased from several of her e-mails):
"One way I have of checking on his films is that he was out of Hollywood for the entire summer of 1941 (leasing a Dude outfit near Kalispell, Montana). He was also out of town and away from movie work from April, 1943 until October or late September of 1945. This was the period when he was running his own ranch in Grand Lake, Colorado which he finally soured on and sold in 1945.
Altho he arrived in Hollywood and soon doubled for Tom Mix, he was busy with my Baby Peggy career from April, 1920 until we returned to Hollywood in June of 1932. He was also busy with our Wyoming dude ranch venture from June, 1929 until we lost it in May of 1932.
My father didn't get into full time "riding extra" work until 1935. Of course from then on, those were the Golden Years of Republic, Hopalongs, DeMille's big epics and John Ford's greatest Westerns, the best times of all for the cowboys."
Suffering from cancer, 70 year old Jack Travers Montgomery passed away on January 21, 1962 at the Motion Picture Hospital, Woodland Hills, California. Pierce Bros. Hollywood was the funeral director and interment at San Fernando Mission Cemetery.
(From Old Corral collection)
Left to right are Jack Montgomery, Andy Clyde, and Robert Mitchum in the Hopalong Cassidy adventure FALSE COLORS (United Artists, 1943). Montgomery appeared in seven of the Hoppy films and a handful of the Hoppy TV shows. This was an early film role for Mitchum - he appeared in seven 1943 Cassidy films and was most often billed as 'Bob' Mitchum.
(Courtesy of Les Adams)
Above is the title lobby card from THE RENEGADE (PRC, 1943) with Buster Crabbe on the right sneaking up on Jimmy Aubrey (blue shirt) and Jack Montgomery. Jack appeared in five of Crabbe's Billy the Kid / Billy Carson series at PRC.
Although some of the data is incomplete or inaccurate, the Internet Movie Database (IMDb) has information on Jack Montgomery: https://www.imdb.com/name/nm0599799/
Family Search (free), Ancestry.com (subscription), California Death Index, death certificate, and other sources have more on Jack Montgomery and family:
1910 census and census takers worksheet - owning their home in York, DuPage County, Illinois were 50 year old Robert Montgomery (born Ireland; occupation "Rec. Teller - Bank"), his 43 year old wife Louise (born Canada) and 18 year old son John Montgomery (born Nebraska; no occupation). Also there are two other sons (Edmund, Graham; both born in Nebraska), two daughters (Marcella, Florence; both born in Nebraska), and Robert's brother John G. Montgomery (born Canada): https://www.familysearch.org/ark:/61903/1:1:MK8Y-CF2
World War I draft registration dated June 5, 1917 - 27 year old Jack T. Montgomery was living at 630 Webster Avenue, Cook County, Chicago, Illinois. He was married with child; was born November 14, 1890 in Omaha, Nebraska; occupation was "Barnman" for Wm. Smith, 630 Webster Avenue, Chicago: https://www.familysearch.org/ark:/61903/1:1:K6D6-4SM
1920 census and census takers worksheet - renting in Grand Canyon Precinct, Coconino County, Arizona were 28 year old Jack Montgomery (born Nebraska; occupation "Ranger - U. S."), his 24 year old wife Marion (born Wisconsin), 3 year old daughter Louise (born Illinois) and 1 year old daughter Peggy (born California): https://www.familysearch.org/ark:/61903/1:1:MCR6-TWN
1930 census and census takers worksheet - owning their home in Woods, Albany County, Wyoming were 39 year old Jack Montgomery (born Nebraska; occupation "Farmer"), his 32 year old wife Marion (born Wisconsin), 13 year old daughter Louise (born Illinois), 11 year old daughter Peggy (born California; occupation "Actress - Vaudeville"), two servants and a lodger. He was not a World War I veteran: https://www.familysearch.org/ark:/61903/1:1:X771-1H2
1940 census and census takers worksheet - 48 year old Juan [sic] Montgomery (born Nebraska) and 42 year old wife Marion (born Wisconsin) are among many renters living at 5534 Fernwood Avenue, Los Angeles. His occupation was "Actor - Motion Pictures", and in 1939, he worked 44 weeks and earned $2468.00: https://www.familysearch.org/ark:/61903/1:1:K9CX-DB6
Ancestry.com had his World War II draft registration dated April 26, 1942 - 50 year old Jack Travers Montgomery was born November 14, 1891 in Omaha, Nebraska. He and wife Marian lived at 1210 North Orange Grove Avenue, Los Angeles. Employer was Central Casting Office, Hollywood Boulevard, Los Angeles. He's 6 feet, one inches tall and weighed 174 pounds: https://www.familysearch.org/ark:/61903/1:1:V4DH-KFR
Death certificate - 70 year old Jack Travers Montgomery was born November 14, 1891 in Nebraska and parents were Robert S. Montgomery and Louise Howell. Occupation was "Actor - Motion Pictures", and he and wife Marian lived at 11854 Magnolia Boulevard, North Hollywood, Los Angeles. Suffering from cancer, he passed away on January 21, 1962 at the Motion Picture Country Hospital. Pierce Bros. Hollywood was the funeral director and interment at San Fernando Mission Cemetery.
California Death Index mirrors the death certificate - Jack T. Montgomery was born November 14, 1901 in Nebraska, mother's maiden name was Howell, and he passed away January 21, 1962 in the Los Angeles area: https://www.familysearch.org/ark:/61903/1:1:VP4Q-PY9
Death notice for Montgomery from the January 24, 1962 Los Angeles, California Times newspaper - survivors included Mrs. Robert Cary which is daughter Diana ('Baby Peggy'): https://www.newspapers.com/clip/45608732/jack-montgomery/
Find A Grave confirms that Jack Montgomery is interred at San Fernando Mission Cemetery, Mission Hills, Los Angeles County, California: https://www.findagrave.com/memorial/149169458/jack-travers-montgomery
"Baby Peggy" - 1923 photo
1920s child star "Baby Peggy" was born Peggy-Jean Montgomery (1918 - 2020).
After her Hollywood career ended, she changed her name to Diana Serra. Her second marriage was to Robert Cary and she became Diana Serra Cary.
Although some of the data is incomplete or inaccurate, the Internet Movie Database (IMDb) has information on Diana Serra Cary / Baby Peggy: https://www.imdb.com/name/nm0045133/
The Los Angeles, California Times newspaper website has a March, 2011 article by Susan King titled "Highs and lows of child star Baby Peggy - Diana Serra Cary, now 92, has fond memories of her 1920s Hollywood run as Baby Peggy, but it's tempered with the family ruin that came post-fame": https://www.latimes.com/entertainment/la-xpm-2011-mar-19-la-et-baby-peggy-20110319-story.html


Q. Does the library have textbooks? How do I know what books I need for my courses?
The library does not provide textbooks for all classes taught at GHC. Individual instructors may choose to place a copy of the textbook "on reserve" for in-library use only, but this is done at the instructor's discretion. Feel free to contact us to see if we have a certain book on reserve.
To find required textbooks for a class, visit the Georgia Highlands College Bookstore.


text:
Octane 120 Pro Beer Arcade combines beer and gaming together
By New Atlas
Octane 120 Pro Beer Arcade com...
The Octane 120 Pro Beer Arcade is an arcade-style racing game system, with its own beer tap
What could be better than having your own arcade-style racing game? How about having your own arcade-style racing game with its own beer tap?
The Octane 120 Pro Beer Arcade includes a wireless arcade control panel and 200 different games, along with a built-in keg to keep you hydrated. The arcade has a fully-adjustable steering wheel and seat, dual-motor force feedback, a 2-player control panel with built-in trackball, and a high-output HD projector.
Each unit can hold two 5-gallon (19-liter) kegs or one half-barrel keg, ensuring you always have a drink by your side. A built-in cup holder also makes it possible for you to pour that drink while you play, never having to get up from your seat.
The Octane 120 Pro Beer Arcade is available now for US$5,995 (plus shipping and handling).
Interestingly enough, it isn't the only product of its kind - the Gamerator is a stand-up arcade-style video game system, with a built-in keg fridge and tap.
GamesVideo GamesBeerDrinking
New Atlas
New Atlas has been celebrating innovation and human endeavor since our first website launched on March 1, 2002. Since then we've produced more than 50,000 articles covering advances in technology, science, transportation, architecture, design, and many other disciplines.
Burnerjack December 5, 2011 09:32 PM
Sounds like fun, but like actual driving, the motor skills required deteriorate to a point where one loses interest. Although, years ago, we would play \"Super Mario Bros.\" while drinking. Sure, we sucked at it (much more so after catching a buzz) but, on the other hand, we got SO bad it became hilarious.
Ed December 5, 2011 09:58 PM
Unfortunately, most people using this would fill it with swill, or what Americans call \"beer\"...over carbonated beer flavored soda-pop!
bwalsh December 6, 2011 04:41 AM
@Ed: If by Swill, you mean the worlds best craft beer selection, then, yes.
1,753 breweries and counting!
Also: http://www.craftbeer.com/pages/stories/craft-beer-muses/show?title=the-view-from-abroad-foreign-perceptions-of-the-u-s-craft-brewing-scene
That\'s how American\'s do beer. We make it better. We make it new.
I will give you this: there is still plenty of swill here.
But anyone who buys the machine in this article has enough cash on hand to make sure swill never enters the equation.
Paul Anthony December 6, 2011 02:11 PM
@bwalsh Thank you for saying what needed to be said!
WowCube takes gaming to another dimension
Touchscreen table packs dozens of digital board games and puzzles
PlayStation 5 and PS5 Digital Edition vs. Xbox Series X and Xbox Series S
Atari bounces back with portable mini Pong table


SmartPool Trading Limited is a Multi-lateral Trading Facility (MTF) set up by NYSE Euronext, BNP Paribas, HSBC and J.P. Morgan. It received Financial Services Authority (FSA) approval in January 2009 to launch its dark pool for block trading in European stocks.
SmartPool began trading services on Feb. 2, 2009. It recently expanded its London management team with the appointment of Johanna Danby, chief operating officer, previously with Deutsche Bank, and Charles Armytage, senior sales manager, formerly employed at Reuters.
EuroCCP will clear and settle trades in Spain for SmartPool.
On Aug. 16, 2009, it was announced that SmartPool would extend into trading mid-market capitalization stocks.
As of July of 2009, 17 brokerages, including Knight Capital Group Inc., Exane SA, Instinet Europe Ltd., Investment Technology Group Inc., Credit Suisse, UBS and Nomura were sending orders to SmartPool.
↑ SmartPool Receives FSA Approval to Begin Trading on Feb. 2, 2009. NYSE.
↑ NYSE Euronext's SmartPool Adds Mid Cap Stocks. Fidelity.com.
This page was last modified on 6 February 2012, at 11:47.


text:
'use strict';

import core from 'metal';
import dom from 'metal-dom';
import { Align } from 'metal-position';
import Component from 'metal-component';
import { EventHandler } from 'metal-events';

/**
 * The base class to be shared between components that have tooltip behavior.
 * This helps decouple this behavior logic from the UI, which may be different
 * between components. The Tooltip component itself extends from this, as does
 * the crystal Popover component, which can be accessed at metal/crystal-popover.
 */
class TooltipBase extends Component {
	/**
	 * @inheritDoc
	 */
	attached() {
		this.align();
		this.syncTriggerEvents(this.triggerEvents);
	}

	/**
	 * @inheritDoc
	 */
	created() {
		this.currentAlignElement = this.alignElement;
		this.eventHandler_ = new EventHandler();
	}

	/**
	 * @inheritDoc
	 */
	detached() {
		this.eventHandler_.removeAllListeners();
	}

	/**
	 * @inheritDoc
	 */
	disposeInternal() {
		super.disposeInternal();
		clearTimeout(this.delay_);
	}

	/**
	 * Aligns the tooltip with the best region around alignElement. The best
	 * region is defined by clockwise rotation starting from the specified
	 * `position`. The element is always aligned in the middle of alignElement
	 * axis.
	 * @param {Element=} opt_alignElement Optional element to align with.
	 */
	align(opt_alignElement) {
		this.syncCurrentAlignElement(opt_alignElement || this.currentAlignElement);
	}

	/**
	 * @param {!function()} fn
	 * @param {number} delay
	 * @private
	 */
	callAsync_(fn, delay) {
		clearTimeout(this.delay_);
		this.delay_ = setTimeout(fn.bind(this), delay);
	}

	/**
	 * Handles hide event triggered by `events`.
	 * @param {!Event} event
	 * @protected
	 */
	handleHide(event) {
		const delegateTarget = event.delegateTarget;
		const interactingWithDifferentTarget = delegateTarget && (delegateTarget !== this.currentAlignElement);
		this.callAsync_(function() {
			if (this.locked_) {
				return;
			}
			if (interactingWithDifferentTarget) {
				this.currentAlignElement = delegateTarget;
			} else {
				this.visible = false;
				this.syncVisible(false);
			}
		}, this.delay[1]);
	}

	/**
	 * Handles show event triggered by `events`.
	 * @param {!Event} event
	 * @protected
	 */
	handleShow(event) {
		const delegateTarget = event.delegateTarget;
		super.syncVisible(true);
		this.callAsync_(function() {
			this.currentAlignElement = delegateTarget;
			this.visible = true;
		}, this.delay[0]);
	}

	/**
	 * Handles toggle event triggered by `events`.
	 * @param {!Event} event
	 * @protected
	 */
	handleToggle(event) {
		if (this.visible) {
			this.handleHide(event);
		} else {
			this.handleShow(event);
		}
	}

	/**
	 * Locks tooltip visibility.
	 * @param {!Event} event
	 */
	lock() {
		this.locked_ = true;
	}

	/**
	 * Unlocks tooltip visibility.
	 * @param {!Event} event
	 */
	unlock(event) {
		this.locked_ = false;
		this.handleHide(event);
	}

	/**
	 * Synchronizes the value of the `currentAlignElement` internal state
	 * with the `alignElement`.
	 * @param {Element} alignElement
	 */
	syncAlignElement(alignElement) {
		this.currentAlignElement = alignElement;
	}

	/**
	 * State synchronization logic for `currentAlignElement`.
	 * @param {Element} alignElement
	 * @param {Element} prevAlignElement
	 */
	syncCurrentAlignElement(alignElement, prevAlignElement) {
		if (prevAlignElement) {
			alignElement.removeAttribute('aria-describedby');
		}
		if (alignElement) {
			const dataTitle = alignElement.getAttribute('data-title');
			if (dataTitle) {
				this.title = dataTitle;
			}
			if (this.inDocument) {
				this.alignedPosition = TooltipBase.Align.align(this.element, alignElement, this.position);
			}
		}
	}

	/**
	 * State synchronization logic for `position`.
	 */
	syncPosition() {
		this.syncCurrentAlignElement(this.currentAlignElement);
	}

	/**
	 * State synchronization logic for `selector`.
	 */
	syncSelector() {
		this.syncTriggerEvents(this.triggerEvents);
	}

	/**
	 * State synchronization logic for `triggerEvents`.
	 * @param {!Array<string>} triggerEvents
	 */
	syncTriggerEvents(triggerEvents) {
		if (!this.inDocument) {
			return;
		}
		this.eventHandler_.removeAllListeners();
		const selector = this.selector;
		if (!selector) {
			return;
		}

		this.eventHandler_.add(
			this.on('mouseenter', this.lock),
			this.on('mouseleave', this.unlock));

		if (triggerEvents[0] === triggerEvents[1]) {
			this.eventHandler_.add(
				dom.delegate(document, triggerEvents[0], selector, this.handleToggle.bind(this)));
		} else {
			this.eventHandler_.add(
				dom.delegate(document, triggerEvents[0], selector, this.handleShow.bind(this)),
				dom.delegate(document, triggerEvents[1], selector, this.handleHide.bind(this)));
		}
	}

	/**
	 * State synchronization logic for `visible`. Realigns the tooltip.
	 */
	syncVisible() {
		this.align();
	}
}

/**
 * @inheritDoc
 * @see `Align` class.
 * @static
 */
TooltipBase.Align = Align;

/**
 * TooltipBase state definition.
 * @type {!Object}
 * @static
 */
TooltipBase.STATE = {
	/**
	 * The current position of the tooltip after being aligned via `Align.align`.
	 * @type {number}
	 */
	alignedPosition: {
		validator: TooltipBase.Align.isValidPosition
	},

	/**
	 * Element to align tooltip with.
	 * @type {Element}
	 */
	alignElement: {
		setter: dom.toElement
	},

	/**
	 * The current element aligned tooltip with.
	 * @type {Element}
	 */
	currentAlignElement: {
		internal: true,
		setter: dom.toElement
	},

	/**
	 * Delay showing and hiding the tooltip (ms).
	 * @type {!Array<number>}
	 * @default [ 500, 250 ]
	 */
	delay: {
		validator: Array.isArray,
		value: [500, 250]
	},

	/**
	 * Trigger events used to bind handlers to show and hide tooltip.
	 * @type {!Array<string>}
	 * @default ['mouseenter', 'mouseleave']
	 */
	triggerEvents: {
		validator: Array.isArray,
		value: ['mouseenter', 'mouseleave']
	},

	/**
	 * If a selector is provided, tooltip objects will be delegated to the
	 * specified targets by setting the `alignElement`.
	 * @type {?string}
	 */
	selector: {
		validator: core.isString
	},

	/**
	 * The position to try alignment. If not possible the best position will be
	 * found.
	 * @type {number}
	 * @default Align.Bottom
	 */
	position: {
		validator: TooltipBase.Align.isValidPosition,
		value: TooltipBase.Align.Bottom
	},

	/**
	 * Content to be placed inside tooltip.
	 * @type {string}
	 */
	title: {
	}
};

/**
 * CSS classes used for each align position.
 * @type {!Array}
 * @static
 */
TooltipBase.PositionClasses = ['top', 'right', 'bottom', 'left'];

export { TooltipBase };
export default TooltipBase;

redpajama_set_name: RedPajamaGithub


Although LoMA offers Dance during the academic school day, All Dance Majors are required to attend scheduled rehearsals and performances after school hours. All hours earned will be logged and recorded and can be used as to meet extra-curricular hours needed to graduate. Students are responsible for logging hours. A dance rehearsal log sheet will be provided each marking period and due on the last day of each marking period.Mandatory rehearsals will be factored into the grading policy.
Observe other dancers and assess their performance as assigned.
Explore and perform the movement material with the goal of learning and understanding its intended benefit.
Observe others to aid you in your own learning process.
Oral, written, and performance skills testing.
Performance & movement assessments; recording dance tasks and performances.
Teacher generated rubrics or checklists.
Students will observe and discuss each other's work.
Students will assist other students whom may need extra assistance.
Rehearsing and performing short assignments in movement manipulation, evaluating others' work, watching videos, discussion with class members and instructor.
Writing 1 reflective paper on the knowledge gained and how it has influenced perception of each genre as an art form.
Viewing and critiquing each genre.
Attend all classes in both body and mind and be fully present and engaged in the class.
Remain open to the exploration of new concepts and material. It may feel strange or even uncomfortable to you at first, but you can learn and grow as a dancer through the study of new techniques and movement concepts.
Be present in the classroom at all times through practice, exploration and observation. It is important to note that we can earn a great deal from observing others.
Use each class period as an opportunity to discover more and the process of doing so is an essential part of learning.
Please respect the studio, your fellow dancers and the space you are occupying. The classroom is a community of learners and you should feel pride in enhancing the growth of that community through your awareness.
Unexcused absences will be marked as a 0%. If you are absent, you are not participating.
2 sit outs = 1 absence.
Dance Attire: is mandatory. Students must still participate if they are present without dance attire. It will result in 50% for daily participation grade.
Group Performance & written component.
Development of technical skills in Modern & Contemporary, Jazz, Hip Hop and Social/Cultural Dance, including rhythmic perception and spatial awareness, with emphasis on aesthetic and expressive qualities that lead to performance. Students must be physically fit and injury free in order to complete the requirements for this course.
Maintain basic alignment while standing.
Maintain basic alignment while in motion.
Increase and apply strength and stamina.
Increase and apply flexibility/range of joint motion.
Grasp and retain the sequence of exercises and combinations.
Grasp and retain the nuances of rhythm/phrasing of exercises and combinations.
Grasp and retain the qualitative dimensions of exercises/combinations.
Maintain whole-body and body part clarity of spatial orientation in movement.
Move quickly from learning to performing; apply technique w/sense of "self".
Implement technical/artistic corrections consistently & in all applicable contexts.
Maintain a commitment to instruction and correction by observing carefully, listening actively, practicing on the side, and assessing your own and others' progress and improvement as assigned.
Maintain a sense of personal responsibility for learning by completing written assignments on time and with thoroughness and clarity, and learning and using correct terminology.
Gain ideas and appreciation for reading/viewing dance as a performing art.
Use and understand movement and dance as a form of intelligence.
Work independently and in groups to solve movement challenges.
Understand the history and development of dance.
Explore cultural for connections to learning goals 13-16.
Move contra-laterally during locomotion (left/right halves in opposition).
Grasp and retain sequences of simple exercises and combinations.
Breathe appropriately and as needed while moving.
Anticipate the beat when required.
Maintain energy/endurance throughout each combination and a full class.
Demonstrate commitment/responsibility as appropriate in and out of class.
Demonstrate awareness and attention to studio/classroom procedures.
Demonstrate dynamic alignment—as appropriate to exercises/combinations in the class (see attached alignment statement) and involving awareness of center.
Move on the beat when required.
Confidence/full engagement, and some degree of invention—and/or demonstrate creative spontaneity within a given technique.
Show appropriate use of the legs as called for in an exercise/combination.
Show appropriate use of the feet as called for in an exercise/combination.
Show command of skills involving initiation of movement.
Show command of skills involving weight shift.
Fulfill the time/counts given for each part of the movement.
Demonstrate attributes of/qualities in movement as specified.
Demonstrate clarity of body line in simple movement combinations.
Demonstrate clarity of spatial direction in simple movement combinations.
Warm-‐up exercises and combinations designed to enable your achievement specifically of learning goals will remain fairly consistent over the course of the semester. Other exercises and combinations will develop over the course of the semester in length, speed, and in rhythmic and qualitative complexity so as to enable the achievement specifically of learning goals and to provide opportunity to practice the integration of skills inherent to the achievement of learning goals 1--20. Excellence in dance artistry is a matter of developing a high degree of skill in each area and integrating these skills during the performance of movement. Learning goal 6, 7, 19 and 20 describe efforts/attitudes necessary for progress toward excellence in dance and indicate specific behaviors that demonstrate them.
Study of the elements of time, space, and design through Laban Movement Analysis (LMA) vocabulary. These elements are artistically significant in dance, including rhythmic perception and spatial awareness, with emphasis on aesthetic and expressive qualities that lead to performance.
Realize increased familiarity and comprehension of the rehearsal process from the point of view of a choreographer.
Craft dances which demonstrate rhythmic skills and a comprehension of spatial design.
Craft dances which demonstrate an understanding of aesthetic concepts such as choreographic structure, dynamics, and development of movement material.
Articulate ideas about choreography as art.
Successful completion of assignments in rhythmic and spatial design during.
Choreography of your final choreographic project. Grading is based on how well your dance integrates the tools, concepts and ideas we have been working with including, the use of dynamics, an effective beginning-‐middle-‐end, clarity and effectiveness of spatial design, integration of all choreographic elements, the presence of a through-‐line which gives the work an internal coherence, and the level of performance by your dancers.
Professionalism in classroom and rehearsal situations, including attendance, promptness, participation in discussions.
To introduce students to information about dancer's health, technique, and injury prevention. We will cover the skeleton, specific muscles and their actions, chronic injuries and anatomical abnormalities common to dancers, and methods of assessing posture and fitness, as well as healthy lifestyle choices and professional care options. We will cover the basics of the skeletal and muscular systems and the ankle and foot, we will cover a specific region, possible actions, muscles, bones and connective tissue of the joint(s), as well as individual differences and anomalies common to dancers. Regions covered will be: Ankle and Foot; Knee and Patellofemoral joints; Pelvic Girdle and Hip; Spine; and Shoulder/Scapula.
Provide study and activities which expand the dancer's understanding of the human body as the instrument used in creating the art of dance.
Provide study and activities that develop the student's ability assess strengths and weaknesses and anatomical differences, enabling the student to make changes and to adapt his/her technique to accommodate what cannot be changed.
Provide information that will enable the dancer lead a healthy lifestyle and to avoid injury in technique class, rehearsal and performance, and when injured, enable the dancer to seek appropriate treatment and work intelligently with medical professionals.


text:
Q: Cannot access public facing website Windows Server 2003, IIS 6
We have a public facing website deployed and until this morning it was running fine.
Now when we try and access the website from outside the network the browser is returning a 'website not found' message.  We are not receiving an IIS error message, it's just stating that the website cannot be found.
Accessing the url from the internal network works fine, as does pinging the url and also the ip address internally, so it doesn't appear to be an IIS issue.  tracert is just hitting internal servers as expected, so this may be a DNS issue?
Any ideas where to start looking to solve this problem would be greatly appreciated.
Thanks,
Ciaran.
Edit:
We also have another public facing website (with a different IP address) on that same server and that site is accessible externally, so the problem might be related to the IP address of our site?

A: Check the A (Address) record for the site.
Open a command prompt and type the following:

*

*nslookup

*set type=a [Not necessary, but gives a fuller demonstration of what you're doing]

*server 4.2.2.2 [A well-known external DNS server]

*www.yourwebsite.com
You should get something similar to the following:
Microsoft Windows XP [Version 5.1.2600]
(C) Copyright 1985-2001 Microsoft Corp.

C:\Documents and Settings\Administrator>nslookup
Default Server:  dns.company.local
Address:  192.168.1.32

> set type=a
> server 4.2.2.2
Default Server:  vnsc-bak.sys.gtei.net
Address:  4.2.2.2

> www.google.com
Server:  vnsc-bak.sys.gtei.net
Address:  4.2.2.2

Non-authoritative answer:
Name:    www.l.google.com
Addresses:  66.249.89.99, 66.249.89.104
Aliases:  www.google.com

>

redpajama_set_name: RedPajamaStackExchange


Ocwen Financial Corp. is paying a $2.5 million penalty and submitting to a review by an independent auditor to avoid losing its license to make and service mortgages in California.
The settlement announced late Friday by California's Department of Business Oversight stems from Ocwen's refusal to turn over records sought by state regulators as part of an examination of its lending practices.
The standoff prompted California to initiate proceedings to suspend Ocwen's license, an action that now will be dropped as part of the agreement.
Ocwen won't be able to take on any new customers in California until state regulators are satisfied the Atlanta company will promptly respond to future demands for business records.
Ocwen didn't immediately respond to a Saturday request for comment about the settlement.


Find the Best Landing APK Mobile Android Apps and Games Below!
Emergency Landing is an Amazing Addictive game.
The best FREE APP! Land your spaceship on other planets in this simple action game.
Robot forces are arriving to reload! Lead them to have a successful landing to their hangars.
Be ready! Aliens will be landing from all sides!
Airport Traffic is an amazing and very addictive airplane landing simulation game.
Fasten your seatbelts and prepare for landing!


text:
Backpack Reviews
Best Hunting Backpacks Reviewed
ALPS OutdoorZ
G.P.S.
Gear Categories
Thermal Scopes – Night Vision
Electronic Game Calls
Hunting Apparel
Top Hunting Gear
Best Hunting Backpack Reviews
Best Thermal Scopes and Night Vision Scopes with Buying Guide
Best Hunting Camera Reviews
Best Electronic Predator Call Reviews
Best Hunting Knives Reviews
Best Hunting Rangefinder Reviews
Best Hunting Binoculars Reviews
Best Rifle Scope Reviews
Best Shooting Spotting Scope Reviews
Best Hunting Crossbow Reviews
Best Hunting Rifle Reviews
Best Hunting Boots with Buying Guide
Hunting Per State
Hunting in the State of Alabama
Hunting in the State of Alaska
Hunting in the State of Arkansas
Hunting in the State of Connecticut
Hunting in South Dacota
Hunting in the State of Delaware
Hunting in the State of Florida
Hunting in the State of Georgia
Hunting in the State of Hawaii
Hunting in the State of Idaho
Hunting in the State of Illinois
Hunting in the State of Indiana
Hunting in the State of Iowa
Hunting in State of Kansas
Hunting in the State of Kentucky
Hunting in the State Of Louisiana
Hunting in the State of Maryland
Hunting in Massachusetts
Hunting in the State of Michigan
Hunting in the State of Minnesota
Hunting in the State of Mississippi
Hunting in the State of Missouri
Hunting in the State of Montana
Hunting in New Hampshire
Hunting in New York State
Hunting in the State of Nevada
Hunting in the State of New Mexico
Hunting in the State of North Dakota
Hunting in the State of Oklahoma
Hunting in the State of Pennsylvania
Hunting Experience in Rhode Island
Hunting in South Carolina
Hunting in the State of Tennessee
Hunting in the State of Vermont
Hunting in the State of Virginia
Hunting in the State of Washington
Hunting in the State of West Virginia
Hunting in the State of Wyoming
The All Time Backpack Hunting Gear List
August 25, 2019 Hunting Per State
Michigan is not a place that is widely known for its hunting opportunities. Yet with a surging deer population, this may well change within the coming years.
This document will give you the basic information you need to become a legal, successful hunter in the Wolverine State. For instance, you will learn how to obtain a license, become familiar with general hunting regulations and even be pointed in the direction of professional hunters who can further guide you along the path to success.
Most of the information in this text was gathered from webpages and booklets published by the Michigan Department of Natural Resources (DNR). While reading, you will be furnished with links to many of these files, which we recommend you visit if a particular subject grabs your interest, as this document is designed to be used as an introduction to those sources.
1 Obtaining a Michigan Hunting License
2 Where to Hunt in Michigan
3 General Hunting Regulations in Michigan
4 Hunting Seasons in Michigan
5 Hunting Guides & Outfitters in Michigan
6 Hunting Lodges in Michigan
7 Reporting Hunting Harvests in Michigan
8.1 Q. Who is defined as a Michigan resident by the Department of Natural Resources?
8.2 Q. What are Michigan's hunter orange requirements?
8.3 Q. Is falconry permissible in Michigan?
Obtaining a Michigan Hunting License
The DNR espouses two general means by which interested parties can obtain a hunting license. First is online through their eLicense webpage, which would require the user to create an account. Second is to buy it from an official license vendor, including some located outside of the State. And in that regard, they have provided an online map that features over-the-counter salesmen in selected counties as well as a list of the handful of establishments who sell Michigan hunting licenses in neighboring states such as Indiana, Ohio, and Wisconsin.
All hunters in Michigan are required to be licensed. However, the type of license a hunter must carry depends on his or her age. Those within the age range of 10 to 16 must purchase a junior license, which costs more than a Base Hunting License. And the Mentored Youth Hunting License, which costs around the same as a junior license, is required of those under the age of 10. However, as the name implies, when mentored youth are afield, they must be accompanied by a licensed hunter at least 21 years of age. Residents of Michigan who are at least 65 qualify for a senior license which is less expensive than both of the aforementioned.
A Base Hunting License for residents of Michigan is very affordable, costing less than its counterparts from other parts of the country. Nevertheless, a basic license for nonresidents is much more expensive, and that trend continues with most licenses are available to those who live outside the State. However, nonresidents also have the option of buying a seven-day license (to hunt small game) which though still a lot pricier than a resident's Base Hunting License is still more affordable than a basic nonresident license.
First-time hunters who were born after 31 December 1959 must complete a hunter safety course in order to purchase a license. The only exception to this rule is those hunting using an apprentice license. The course can be taken either in a classroom or online. That being said, those who decide to do so using the internet must be prepared to dedicate a day, in-person, to the field portion of the course.
Where to Hunt in Michigan
The Department of Natural Resources has published an interactive online map called MiHUNT. The purpose of MiHUNT is to display the boundaries that are open to the public for hunting. These areas include private lands, some of which grant public access to hunters through deals made with the States, making additional millions of acres available to sportsmen. These initiatives include the long-established Michigan Hunting Access Program, one of the oldest of such projects in the country. Those interested in participating in the Hunting Access Program should be advised that application approvals are first-come, first-serve. Other private lands are also available to the public, so long as regulations are faithfully followed.
Government-owned zones accessible to hunters include the likes of various wildlife areas, forests, and parks. MiHUNT, which displays different types of information on these places, is designed to serve as a comprehensive trip planner, and outdoorsmen in Michigan are advised to take advantage of such whether they plan on utilizing public or private land.
General Hunting Regulations in Michigan
For those interested in perusing the general regulations pertaining to the sport of hunting in Michigan, the DNR's Guides and Digests webpage features almost a dozen different PDF documents to suit your specific needs for information. These documents are a condensed version of the comprehensive rules which can be viewed on their Wildlife Conservation Order page.
Below are a few of the regulations you will find in those documents. The purpose of this list is to give readers an idea of how hunting is legally practiced in Michigan. As such, interested parties are still advised to read official DNR documents for a complete set of rules.
Fire cannot be used to drive the game, nor can the game be taken that is driven by fire.
Animals can only be taken during their open seasons.
Hunters cannot tamper in any way with the habitats of animals such as badgers, bears, beavers, minks, muskrats, raccoons and squirrels.
Aircraft cannot be used for hunting.
Artificial lights can only be used by hunters utilizing certain means of taking.
Only blind hunters to make use of laser-sighting devices on crossbows and firearms.
General hunting hours are 30 minutes before sunrise until 30 minutes after sunset.
Only residents of Michigan are eligible to purchase an Elk License.
Applicants for an Elk License must apply during the Spring.
Elk cannot be taken while they're swimming, nor can they be taken with a dog.
Only male pheasants can be harvested.
Bear cubs (those under one year of age), as well as female bears accompanied by a cub, cannot be taken.
Mentors must remain within arm's length of youth that is handling a hunting device.
Hunting Seasons in Michigan
The Michigan Department of Natural Resources has set up different webpages and released individual PDF documents containing information on some of the species listed below. The links to the site are embedded in the names of applicable animals.
The information featured here is the general hunting seasons in Michigan. Specific dates, which a hunter must become familiar with before going afield, are dependent on the management unit he or she is sporting in.
Turkeys have the distinction of holding two completely-separate seasons, one in the Fall and the other during Spring. The Spring season lasts for about a month-and-a-half during the second quarter of the year. Permission to hunt turkey in the Fall is granted on a limited basis, with the season taking up about half of the last quarter of the year.
Deer seasons, for the most part, occur in Fall. However, their muzzleloading seasons extend briefly into the Winter. And then there is the Late Antlerless Firearm season, which spans about three weeks and includes the New Year.
Elk seasons vary by the Elk Management Unit a hunter is in. Their times are also sporadic and only last for a few days. As such, they have dates in the late Summer, early Fall, and early Winter.
Bear seasons encompass the first part of the Fall.
Small game species in Michigan generally have longer open seasons than big game, in addition to more-liberal bag limits. For instance, an unlimited amount of crows can be taken for two months during the late Summer and Winter. Ruffed grouse also have two separate seasons, one for a single month and the other for a couple of months, which both begin in Fall. In contrast, their sharp-tailed cousins, who can also be hunted during this timeframe, can only be done so for about three weeks.
Pheasant seasons span a few weeks but collectively cover almost the entire fourth quarter. Rabbits, hares, and squirrels (gray and fox) can be taken for the entirety of Fall and Winter. Woodcocks, on the other hand, has about a month-and-a-half dedicated to their taking, and their season starts early in the last third of the year.
There are also a number of small game that has no closed season and no bag limits at all. These include coyotes, ground squirrels, house sparrows, opossums, porcupines, red squirrels, starlings, weasels, wild pigeons, and woodchucks. And of course, feral swine also hold this distinction in Michigan.
Most seasons for waterfowl also occur in the Fall. This is the case for ducks, coots, and mergansers. They can be hunted throughout the entire final third of the year, but where they can be taken on specific dates is based on zones.
The taking of common snipes, rails (Virginia and sora), moorhens and teals is permissible Statewide throughout the final weeks of Summer. And all, with the exception of teal, extend into the middle part of Fall.
The seasons for geese is dependent on the particular type being taken as well as the part of the State being utilized. However, their open seasons collectively span from early Fall into the middle of Winter.
Hunting Guides & Outfitters in Michigan
Michigan possesses some beautiful landscapes that outdoorsmen such as hunters can thoroughly enjoy. However, for those who are not experienced in a particular area, it is advantageous to interact with someone, such as a guide or outfitter, who is familiar with the territory. This not only helps with securing game but also in maximizing safety. Below are some hunting professionals located in Michigan that interested parties can contact to get a better idea of the services they offer.
Canada Creek Ranch
Coldwater Charters
Drakes Guiding Service
Further North Outfitters
Greenwoods Outfitting
Guidefitter (directory)
S & B Outfitters
Superior Sights
Turtle Creek Outdoors
Ultimate Deer Hunting (directory)
Hunting Lodges in Michigan
Hunting lodges are about as close as you can get to the field without giving up basic amenities. As such they are commonly patronized by sportsmen engaged in multiday expeditions. If you are planning such a trip in Michigan, then you can get a jump on the crowd during open seasons by contacting the establishments below, in addition to conducting your own search for suitable accommodations.
Address: 524 West Miller Road, Mio 48647
Website: cherrycreekfarm.com
Legends Ranch
Address: 2022 West 14 Mile Road, Bitely 49309
Website: legendsranch.com
Sanctuary Ranch
Address: 8529 100th Avenue, Stanwood 49346
Website: sanctuary-ranch.com
Timberdoodle Lodge
Address: 16631 V.25 Road, Rapid River 49878
Website: timberdoodlelodge.net
U.P. Wide Adventure Guide
Address: W6508 Epoufette Bay Road, Naubinway 49762
Website: upwideadventureguide.com
Reporting Hunting Harvests in Michigan
Elk harvests must be inspected by a representative from the DNR before the hunter can legally remove the carcass from the area that is open to elk hunting. Furthermore, within a two-week timeframe, the head of the elk must be submitted to a field office or management unit of the DNR.
Bears follow a somewhat-similar procedure. While they don't have to be checked in the area they were taken, the animal's body (or at least head and pelt) must be presented to the DNR for examination within a 72-hour timeframe.
Hunters of deer and turkey are not required to go through the same registration procedures as those who take bears and elk. However, the DNR still encourages them to complete online surveys as made available on their Surveys & Reports webpage. Also, deer that are from counties that have a history of the species suffering from Chronic Wasting Disease (CWD) must bring the carcass to a Deer Check Station before leaving the area.
Q. Who is defined as a Michigan resident by the Department of Natural Resources?
A. There are three general criteria for qualifying as a resident of Michigan. First is if someone has their permanent home in the Wolverine State. Second are active military personnel who are stationed in there. And last but not least, full-time students who attend schools in Michigan are regarded as residents of the state.
Q. What are Michigan's hunter orange requirements?
A. During a brief period in the Spring, virtually all hunters are required to wear hunter orange. However, to minimize injuries and fatalities, the DNR basically recommends that hunters commonly use this feature.
Q. Is falconry permissible in Michigan?
A. Yes. Falconers are of course required to have a falconry permit and must pass a test in order to obtain such. If a falconer possesses a license and raptors from another part of the country, he or she must get in contact with the DNR for paperwork updates within 45 days.
Michigan is not as abundant in-game species as some other parts of the country. However, there is an admirable variety of big game available as well as waterfowl and liberal small game hunting. Moreover, the Department of Natural Resources doesn't have strict reporting procedures. But it is deer hunters in particular who cannot ignore a place like the Wolverine State when considering where to conduct their next expedition.
Tags:Hunting in Michigan
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Nino Schurter – Interview and 650B.
Friday 1st of June 2012, Update.
A quick update note we are at the DH world cup and asking Scott about a 650B bike… everyone looked rather uncomfortable when the question was asked… here for story.
Update 6th of July 2012.
We managed to try a 650B bike today and we have to concur with what Nino says.
Nino Schurter is at Massa Vecchia near Massa Marittima training with the Scott team for the current 2012 season and developing bikes.
The first thing to note was the relaxed atmosphere and focus that the whole team has at the moment. The bike development squad were focusing on testing 650B, 29er and 26″ bikes in various flavours, including some secret project bikes.
Other than that It was business as usual with Nino focusing on his training, in this an Olympic year. Nino spoke to us about his riding and current bikes.
Taking time out to chat.
I grew up in the mountains in a village and was alpine skiing, for summer training I started to ride bikes. I then once I did a local race and won in my category, I was 7 years old so it is along time now I have been racing.
Why XC and not DH?
I did DH races for a while, but I really like in XC that you have the endurance and technical skills and everything together makes for me a nice sport. When you practice you can go everywhere you can climb up really nice mountains and it's training!
What about bikes? At the moment you seem to have quite a few possibilities to choose from…Why the 650B in South Africa?
Yer, for sure in the past years the big wheel advance has grown but a 29er has never fitted me perfectly. The bike for me is too big. I can't have my perfect race position on it because the handle bar is too high and never felt that good on a 29er. For sure you have an advantage with big wheels, then when less than a year ago we started the 650B project…the first time on that bike the fit for my body size and everything was just perfect, everything was in proportion. I think it is not just something like a size in-between, it is really the golden centre.
Nino is constantly riding a 650B size bike now.
How is rolling compared to a 26″?
It is much much smoother, not that hectic. It is rolling much smoother but still in cornering it is feeling like a 26″. With the 29er sometimes you need more power to put the bike in the corner, with the 650B it is like cornering with a 26″. When you go straight or over rocks its rolling much smoother you feel quite a big difference compared with a 26″. It is not a big difference with the wheel size but it is quite a bit different for riding and I think for me it is the perfect wheel size. I'm quite sure in the coming years it will be one of the wheel sizes everyone uses.
Are there courses that the 29er is good for still?
It depends on your riding style and how tall you are. I would say the most XC riders they are between 170-180 cm, and at that height the 29er is not the best size. You are more between the wheels and not on the wheels. For all those riders 650B is the best choice. Also for acceleration you feel it is lighter you don't have a heavy fork, everything is lighter so in my eyes for XC it is the perfect size 650B. 29er makes sense for tall racers, or if they are not riding that aggressive. I talked to a lot of other riders that are not riding Scott and they said that they want to have from their bike makers the 650B. Im sure in 2 years in the world cup, there will be more 650B bikes than 26″ and 29er.
Later we grabbed a video interview about South Africa and the Olympics.


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The Brazilian real is symbolized with the R$ sign. Each real, plural reais, is divided into 100 centavos. The Central Bank of Brazil focuses on price stability with monetary policy and uses the USD as their reserve currency.
The BRL is available in banknotes valued at R$2, R$5, R$10, R$20, R$50, R$100 and coins valued at 5, 10, 25, 50 centavos, R$1. Both the R$1 banknote and 1 centavo coin were discontinued in 2006, though both remain in use as legal tender.


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Posted inFeatured, Political Animal
Did the Decline of Labor Finally Kill the Democrats?
This election has highlighted the long-lost political strength of unions.
by Steven Waldman November 19, 2016 January 9, 2022
Credit: Dennis Redfield/Flickr
The election results got me thinking about my Grandpa Hy. Grandpa was a labor organizer and later a union official in the garment industry where most of the members lacked college degrees. He was a loyal Democrat and I wondered what he would have made of all the people without college degrees voting for Trump.
The biggest shock was Wisconsin, which has trended Republican for three decades. And here's what else has happened over that time: The percentage of unionized workers in Wisconsin dropped from 17% in 2000 to 8.3 in 2015.
Imagine a "counter-factual" world in which unions hadn't declined in influence over the last twenty years. For one thing, wages would probably not have declined as much so some of the economic frustration may have dissipated.
Politically, a stronger labor union movement would have kept Democrats from turning free-trade. It's really odd that voters who are suspicious of trade deals just elected a Republican House, Senate, and president since they have been far more supportive of free trade than Democrats. But it is true that the Democrats have become split, in part because labor's influence over the party has waned. If unions had been stronger, I sort of doubt either Obama or Hillary would have advocated free trade deals quite the same way.
Most important, labor unions "at their best" were institutions that stitched together working class aspirations for people of different backgrounds. They preached that white and black workers, from different parts of the country, had common interest in fighting for certain policies. The workers might hear from Rush Limbaugh that it was blacks' fault, but their labor unions would teach them that it was the company's fault. Labor unions gave a progressive grounding for white blue collar workers, teaching a generation that government activism could be useful. Quite often, the union hall itself became a way for people from different backgrounds to forge alliances. And they provided vehicles for human connection and an antidote to individual isolation.
I say "at their best" because, especially early on, some unions were notoriously racist. But the larger industrial unions were simultaneously progressive on race relations and ardently defensive of worker's wages and rights.
There are many reasons unions have weakened including the decline of manufacturing, the rise of the service economy and passage of laws making labor organizing harder. And it's probably impossible to reverse these trends. But this election serves as a reminder of just how central they were to the Democratic party's strength with non-college educated voters.
Temperatures drop in Madison, but the political pressure heats up
Finally, Democrats Seem Poised to Win at Redistricting
Wisconsin, in context
Tagged: 2016 elections, Democrats, unions
Steven Waldman
Follow Steven on Twitter @stevenwaldman. Steven Waldman is the president and co-founder of Report for America, an initiative of The GroundTruth Project. He is the author of Sacred Liberty: America's Long, Bloody, and Ongoing Struggle for Religious Freedom. As senior adviser to the chairman of the Federal Communications Commission, he was the prime author of the landmark report Information Needs of Communities.
More by Steven Waldman


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Sujit Dey
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NBA announces starting lineup for 2023 All-Star Game
Home/Entertainment/Ms. Marvel: What to watch before the launch of the new Marvel series? – News Seen on the web
Ms. Marvel: What to watch before the launch of the new Marvel series? – News Seen on the web
Admin June 13, 2022 Entertainment Leave a comment 7 Views
Iman Vellani stars as new hero Kamala Khan, a huge fan of superheroes, including Captain Marvel (Brie Larson)
Doctor Strange in the Multiverse of Madness was a hit in theaters, but it's time for Marvel fans to turn their attention to TV, as a new heroine is on the way: Ms. Marvel opens June 8, featuring Kamala Khan, played by Iman Vellani. As has become a custom in the MCU, the series contains several easter eggs and connections to the other films and series in this cinematic universe. So if you don't want to get lost, it's good to get a good feel for this world, as the girl is a big fan of heroes.
On the Serie Ms. Marvel, Kamala Khan is an American Muslim teenager who grew up in Jersey City. The young woman has a huge imagination – particularly when it comes to Captain Marvel (Brie Larson), her idol. However, Kamala feels she doesn't fit in at school and even at home – that is, until she gains super powers like the heroes she's always looked up to. However, if you don't have time to marathon the dozens of Marvel works, the I love cinema comes up with some central works to help understand Kamala Khan's journey:
For starters, you need to know everything about Kamala Khan's great muse: Carol Danvers. Brie Larson's character is the young woman's idol, who even cosplays the heroine. Therefore, it is necessary to understand where such a character came from… In reality, she was a human with no memory, called Vers, who fought for the Kree army in a daily fight against the mysterious Skulls in the 90's. However, she ends up returning to to Earth, where she will discover the truth about her past and assume the mantle of Captain Marvel.
Avengers: Infinity War (2018) and Avengers: Endgame (2019)
On the other hand, checking out the duo Infinity War and Endgame is a matter of obligation in practically all new Marvel projects. After all, it is in this duology that the battle against Thanos (Josh Brolin) takes place – which culminated in the Blip, which erased half of the existing beings in the universe. Okay, the Avengers managed to bring the folks back, but that still created trauma in the context of the MCU. In addition, Captain Marvel plays an important role in endgamefalling out with Thanos a few times, as well as explaining what she's been up to since the events of her solo movie.
In captain marvel we also meet Maria Rambeau (Lashana Lynch), a pilot and Carol's best friend. along with her young daughter, Monica — whose present-day grown-up version is played by Teyonah Parris in WandaVision. As Carol, Monica and Kamala will meet in the future feature The Marvels, it might be good to meet the supporting character of the Scarlet Witch series after checking out Captain Marvel.
Shang-Chi and the Legend of the Ten Rings (2021)
Finally, here's the tip to see Shang-Chi; not only because it's a wonderful movie, but also because its post-credits scene features Brie Larson. It doesn't do much more than connect Shang-Chi (Simu Liu) with the rest of the MCU, but it does show Carol Danvers in touch with other Marvel heroes, giving a glimpse of what we're going to see in The Marvels.
All the aforementioned movies and series are available on Disney+, which will also launch Ms. Marvel on June 8.
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