-Miami should get a #1 seed as long as they beat Notre Dame. It's a lot less likely if they're in the consolation game.
-Looking very strong for Mankato to get in barring an upset in one of the title games. Making the title game isn't good enough for BU. They're going to need the autobid if they want to get in.
-Not looking so good for Wisconsin unless Notre Dame loses both games at the Joe. Even then there are a lot of scenarios where Notre Dame still gets in. It looks like Princeton winning might be key for the Badgers as well. And clearly UNH or BC would have to win Hockey East to keep a second at-large team out of Hockey East from getting in.
-Commenter Chi SF played around with the PWR in the comments of the article below and likes Michigan's Madison odds (yay!). Losing twice is bad m'kay. We should probably try to avoid doing that.
It appears that so long as Northern Michigan loses twice this weekend and Michigan does not lose twice, Michigan will end up the #1 seed. If Northern stays as a TUC and Michigan loses to Miami, Miami will be #1.
- Amazingly, if Michigan loses to Northern but then beats either Notre Dame or Miami in the consolation game, Michigan will stay #1.
- If Michigan beats Northern and loses to Miami, but Notre Dame beats Northern, Michigan stays #1. Only if Michigan beat Northern, loses to Miami, and Nothern beats ND, does Michigan drop to #2 behind Miami.
- If Michigan loses twice, they drop to #5.
Anyway, play around with it and let me know if you find anything that's interesting and realistic.
I've edited a few things from the original posting of this article. It looks like NMU winning the consolation game would kind of screw us up if we lose to Miami in the title game. If they fall from being a TUC, then Miami only has 9 games against TUCs and their strong record in that category would be excluded. It looks like even a loss & tie for NMU would bump them out of the PWR rankings, which would be good for us should we lose the CCHA Championship game.
I'm still getting us #1 if we lose to Miami in the championship game so long as ND beats Northern in the consolation game (keeping Northern out of the TUCs, which takes away TUC wins for Miami). If Northern wins the consolation game, then we drop to #3.
It looks like NMU winning the consolation game is what would screw us up, moreso than NoDak winning the WCHA.
Thanks for the pub - I guess I should screw around at work more often.
I'm rooting hard for Madison - it is a very short trip from Chicago. But, in my mind, the most important part of the Kohl Center is its bigger ice sheet. Sparty seems to be stuck in the 8-9 pairing no matter what. If we're going to get them, I want it on the bigger sheet.
anyone know what section the michigan students will be in this weekend at the joe? i dont want to buy tickets unless i know where to sit.
I got an email from someone who called the ticket office and they told him that the Michigan students will be in section 221, with the band in section 217a.
Michigan needs to be placed away from madison.Why do you want to face the badgers on their home sheet. Albany here we come.
How could I NOT be afraid of playing Wisconsin on their home ice. They're in the WCHA, where even 6th place means that they'd probably make the 3rd round of the NHL playoffs.
No, I'm not overly afraid of playing Wisconsin on their home ice. I don't think that team is any good. But we of all people know what can happen when you play a team in the tournament in a home game. I'd prefer to avoid it. I don't think the Badgers are making the tournament, however, so it probably won't matter.
You guys might be in line to have some fun in Colorado Springs, Sioux Me.


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No Preservatives: Conversations about Conservation
Examining Roles and Investigating Responses; a Conversation with Rebecca Uchill
by Richard McCoy | Jan 19, 2010
Rebecca Uchill
Caring for contemporary artworks usually requires a team effort.
I've been fortunate at the Indianapolis Museum of Art to work with colleagues who take their role in caring for artworks very seriously. For instance, I worked with former Associate Curator of Contemporary Art, Rebecca Uchill, who arrived in 2005 and left Indy in 2008. Soon after her arrival, she began putting together exhibitions that among other things challenged the existing procedures of the museum and in a variety of ways pushed us to more clearly define our roles. In 2008 Uchill left Indianapolis to pursue a PhD at the MIT department of History, Theory, and Criticism of Art and Architecture. While I appreciated the exhibitions she brought to the IMA, one the most important projects she spearheaded is the creating of the Variable Art Team (VAT), an interdisciplinary team focused on the preservation of artworks that possess a changing observable state. Such artworks can involve variable presentation formats, time-based fluctuations or other types of variables, for example:
Installation or site-sensitive artwork with artists' instructions for implementation;
Electronic or media-based art with updating platforms and devices;
Conceptual art, ephemeral art, or art made with unsustainable materials.
Since Uchill's departure, the VAT, currently led by Associate Curator of Contemporary Art, Sarah Urist Green and myself, has grown in scope and continues to be a museum-wide collaborative and interdisciplinary effort.
Richard McCoy: Will you go back to 2006 and talk about what you had in mind when you started the Variable Art Team (VAT)?
Rebecca Uchill: I had been speaking with my friend Cara Starke, Assistant Curator of Media Art at the Museum of Modern Art (MoMA), about their similar inter-departmental group, and I was also interested in the work of Jon Ippolito in naming and thinking freshly about Variable Media. My original, very simple intention was to make clear and evident that everyone had a role not only in the process of putting an artwork on exhibition and that these roles also contributed to an artwork's preservation in different ways. As you know, sometimes documents related to the production of artworks weren't archived because they seemed incidental at the time, but they would later emerge as essential–or at least desirable–records. For example, an artist's napkin sketch drawn in the exhibition design offices might later become an important art historical document, as well as a partial roadmap to future re-creation of the work.
RM: I think finding, storing, and then retrieving all of the necessary documents around contemporary projects is among the biggest challenges facing institutions these days. One thing I remember from those early meetings is that we didn't want to make any new institutional policies, and we didn't want to try and force people to attend the team meetings. Raising awareness of what each person's role in the exhibition and preservation of an artwork is complicated enough. I also remember spending a lot of time working with the VAT to make the "Variable Artwork Production and Archiving Flowchart." While that isn't always how artworks are produced at the IMA, it provides a good framework for how they could be commissioned.
Variable Artwork Production and Archiving Flowchart Rev. 1.1 (2008)
RU: The flowchart definitely forced a conversation about what people were actually doing, and demonstrated that almost everyone has a role. It made it possible to have a more nuanced conversation about what interactions or transactions were happening at each stage of a process.
From your perspective as a conservator, it seems what's interesting (with the flowchart) is to figure out the legacy of the documentary traces of an artwork's production. But what I find additionally interesting, as an art historian, is to see the distributed agency in the production of an artwork made manifest through that kind of chart. One often conceives of an artwork as being the product of a particular artistic position, but frequently it's not that way entirely. There are other attributes–as with any other creative or productive act–that influence the outcome. Thinking about those influences that result from institutional contexts of production and display is now an academic focus for me.
This summer, for example, I am going to work in residence at the Canadian Centre for Architecture (CCA), where I will conduct research on the ways that certain 20th- and 21st-century museum architectures have affected contemporary art or reflected its changing approaches, especially towards the performative and dialogical.
Rebecca Uchill, Adrian Schiess, and Richard McCoy installing Schiess' 2007 IMA exhibition.
RM: Today, I can say that IMA conservation, curatorial, registration, and other departments work together well and understand their integrated roles. And just recently two museum educators began coming to the VAT meetings. We are hoping that education is going to be a big part of the VAT in the future. Sarah and I have been planning a number of conservation-related projects that have all come out of our VAT meetings, and they all seem to revolve around the way we educate visitors at the museum. We want to make more public our work and push some of our thinking out into the galleries through didactics and a video.
RU: I think that's much more interesting than many other kinds of "behind the scenes" exhibition documentaries that are out there. The idea of how the installation of an artwork affects what you see is elucidating and fundamentally relevant to the mission of the museum. I'd like to see more of this.
RM: Yeah, me too. We're also thinking about how docents and security guards affect the experience of seeing a work in the gallery. In particular, we've been thinking about the installations Untitled by Fred Sandback and Acton by James Turrell.
RU: That's really great. This kind of inquiry is exactly what I think we need to be more aware of in the academy. Just as one example: the concept of relational aesthetics is so theoretically predicated on how people interact with and around art projects, and yet there's so little attention paid to how people actually interact with art outside of theory or after the opening reception, once it's placed on long-term display.
Instead, it seems like people tend to think in the abstract about projects like Rirkrit Tiravanija's Pad Thai, which involves serving food to audience participants, as a site for democratic interaction. When Claire Bishop reconsidered the "intrinsic" democracy of Bourriaud's Relational Aesthetics in her 2004 article in October, she pointed to a review by Jerry Saltz that demonstrated how the project had been a meeting-site for art-world networking, for a delimited sphere of participants. But when I saw the re-creation of Tiravanija's Untitled (Free) project in 2007 at David Zwirner gallery, I just felt hungry!
2007 Recreation of Rirkrit Tiravanija's "Untitled (Free)" at David Zwirner Gallery
I hate to admit it, because I made that trip to New York primarily to see the piece. But after a long day of gallery-hopping, my experience was really more about feeling starving than feeling social. Most of the participants there that day were sort of restless and waiting for the rice to finish being cooked. I'm not sure what I was expecting.
On this note, I've been thinking about methodologies for better thinking and writing about interactive or audience-participatory work. I noticed your discussion here with Glen Wharton, who we were in communication with when we began the VAT project. You cite the INCAA document that suggests modes for communicating with artists, and Glenn talks more explicitly about borrowing from anthropological methods for interviewing artists. I've been thinking about anthropology too, as a disciplinary consideration.
I'm curious about how to best report on audience experiences, including my own, when the art itself is inherently experiential. How does one write criticism that does justice to the immersive, subjective nature of it, without it becoming simply autobiographical reportage? One person I just became aware of recently who is doing really interesting work with ethnography in the museum is Albena Yavena. She applies actor network theory from science studies to objects as agents at work in design and in the museum. Her article about the installation of Muckenbus by Carsten Höller/Rosemarie Trockel examines the roles of the curator, museum technicians, and others in the corporeal realization of that piece–and also shows how the art object itself provoked social relations and linkages between the interior and exterior of the museum space. The article is titled, "When a bus met a museum," and you can find it in the November 2003 issue of Museum and Society–I highly recommend it.
RM: You know sometimes, when I'm working on a project it's hard to recognize all the important questions. I'm usually so busy just trying to make the project happen – and, not to be a downer – but I also think a lot about how patrons might negatively interact with an artwork and what we can do to protect it while it's on view.
I think one of my primary roles in the display of contemporary art is to understand and legitimize the risk we take when we display it. When we agreed to take a paycheck for working at a museum, we agreed to put artwork on display; from an idealistic (art conservation) perspective, in this way we're already operating from a position of loss. Of course, there are ways to minimize risks, but in complex installations, sometimes you don't even know all the risks. You can't predict all of the things that patrons are going to do.
Also, it's awfully hard to understand all of the different kinds of materials artists use and how they will degrade over time (or even what ones should be degrading, or eaten in the case of Pad Thai). This is why the VAT is so vital, because we can discuss projects and then make decisions together, and then no one person is out on an island when a decision is made.
RU: This whole process of consultation and negotiation–the flowchart, so to speak–is about who gets a voice. Fire code, for example, can change an installation art work. Your voice and my voice very often changed the display of works at the IMA, allowing a piece of minimalist sculpture to be displayed with or without a stanchion, for example.
In your interview with Jorge Oteros-Pailos, who taught a class here at MIT last year, I was interested in his notion that conservators aspire to be invisible. He later discusses conservators' projects that are being made visible or otherwise integral by artists. I think what we tried to do at the IMA was to make conservation work un-invisible, and integrated in the production of art, and not in a post-facto manner. We would have meetings with artists from the earliest stages of their proposals that didn't just address how to produce and display the works during the run of the exhibition, but anticipated how something should be kept, if at all.
Sometimes we acquired the work, and sometimes not. But the artists' interviews were very important documents. At least two institutions requested our interviews, installation diagrams, and other materials for files associating with works in their own collections.
RM: What else are you working on at MIT?
RU: Well, outside of the classroom, I'm organizing the List Center's 2010 Wasserman Forum, with the title "'Parody, Politics and Performativity." The event will take place on March 13 at 3pm at MIT, and is free and open to the public. When I proposed doing a performance-based theme, MoMA had recently announced the expansion of their Media Art Department to include performance, and it seemed like an interesting time to consider performance in the institution. The forum is now taking shape under the guidance of our moderator, Jens Hoffmann, and will feature artists like Tania Bruguera and Tino Sehgal. I'm very excited about the program. The calendar on the List Center website will soon be updated with information about the Forum, so check back there for more details.
Allison Smith with "The Donkey, The Jackass, and The Mule," 2008. Photograph by Michelle Pemberton.
I also recently wrote about the project with Allison Smith that we worked on together at the IMA for On Procession, called The Donkey, The Jackass, and the Mule.
As you remember, the discussions about conservation of Allison's work were pretty complicated, given that it had been produced as a performance piece but would live in the museum as an installation. I was interested in re-thinking this project. Allison is very interested in re-enactments and living history practices. I wanted to compare the interpretive act of history that happens thematically in her work with the interpretive act that is required when collecting, preserving, and displaying her art. With variable art, like Allison's, so much of the ongoing display of the work is based on the institutional interpretation of the piece: how it will be installed, contextualized, and possibly used, if it will ever be activated again.
In another project by Allison, she learned how to make Ruskin Lace. John Ruskin was a big advocate of putting meaningful handiwork into the hands of the people, so that they would not suffer from the moral impoverishment casued by the industrial revolution. I once heard Allison speculate that this particular lace-work tradition continues to exist because of 20th-century practitioners who insisted that a special linen not be discontinued. From Ruskin to the lace-tradition preservationists, there is a strange kind of moral certitude and material finality that lingers in the background. Not to say that's what you do, but there is a parallel in the sort of suspension of time that happens when you freeze a tradition or declare an artwork to be its own final version, so that it will no longer be subject to change. That's been the mandate of conservation, traditionally. But if you think about Ruskin and the lace, or the question of preserving performance props so that they cannot be re-used, it seems to me that there's an important question – is it always the ethical thing to save something?
RM: Traditionally, art conservators focus their efforts on saving artworks from harm (light, poor climate, etc). Or they are charged with restoring artworks to some kind of authentic state of representation. Having an artwork that has a performative aspect isn't something that we're really accustomed to dealing with. It requires a new kind of thinking–and, really, it's at this point when the words conservation, preservation, and restoration all become inaccurate in some way.
Works like Allison Smith's really challenge me to understand not only what my role is alongside the artwork, but also to understand what the artwork is and can be. But no matter what kind of project an art conservator is working on, I think the first step is to understand what it is and from where it came. This goes for everything from archeological finds to artworks being made today. Only then then can we deal with how to display it.
Also, and I may not be a "real conservator" to say this, but I'm really okay with some artworks going away forever, and also okay with some artworks evolving and changing inside the institution. I think this is just being honest and understanding that not everything is here forever.
I think this is such a great question to end on, and I want to leave it open for others to consider.
Adrian Schiess
Allison Smith
Cara Starke
FriendsWithYou
Jerry Saltz
Michelle Pemberton
Omer Fast
On Procession
Richard McCoy
Rirkrit Tiravanija
RothStauffenberg
Ruskin Lace
spurse
Variable Art Team
Variable Meida
Wasserman Forum
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"Deep Fake"
Colored Time
by American Artist
American Artist discusses science fiction in the context of contemporary art and the concept of "Colored Time."
Teaching with Contemporary Art
Extending Beyond Craftsmanship, into Inquiry and Exploration
by Dana Helwick
Dana Joy Helwick explains how, and why, she uses contemporary artists as role models in her classroom.
Horror, Contemporary Art, and Film: In Conversation with Dan Herschlein and Chad Laird
by Art21
New York Close Up artist Dan Herschlein, and professor, Chad Laird, discuss the intersection of contemporary art, film and horror.

redpajama_set_name: RedPajamaCommonCrawl


text:
Elliot Page Net Worth, Real Estate, Career, Personal Life & Relationships
By: Bushra
Elliot Page is a popular Canadian actor and director. She has gained a lot of love and appreciation from fans and that is how she has got a huge fortune under her belt. She has done many good films in her career but Juno, Inception, and X-Men: the last stand happens to be her most famous works. Many fans want to know about her personal and professional life so let's get started.
1 Quick fact and Bio
2 Beginning of career and success
3 Personal life and relationships
4 Net Worth
Quick fact and Bio
Elliot page was born on Feb 21st, 1987, and is currently 33 years old. She resides in Halifax Nova Scotia since her young age. Her parents were always very supportive and even when she chose the field of acting they helped her out. The actress is known for her hard work and choosing great roles in her career. Surprisingly Elliot is from a small house and a very liberal background. Her parents Denis and Martha were working efficiently to provide their kids with everything. As she grew up Elliot started doing some jobs so she could earn a living for herself. Her height is five feet and five inches.
Beginning of career and success
Elliot started her career by doing very small roles but she got a lot of attention due to her good performances. The television shows like pit pony and trailer park boys were her first shows. Her debut film happens to be 'The wet season'. Once she did all these roles there was no looking back. She got a lot of love and appreciation after starring in Juno where she played the role of a pregnant girl. Her performance was appreciated by the critics too and she got a nomination in Golden Globe, Academy Award, and Bafta for best actress. To date, she has been nominated for about 25 award functions.
Read More: Five Feet Apart Review: Is the film worth watching?
Personal life and relationships
Elliot has got immense fame due to her hit movies and television shows. You will be surprised to know that in her real-life she is a philanthropist. If this isn't enough she has lent her voice for many different causes. She is giving a lot of charity to many organizations and that is how fans love her too. Elliot has been a part of many hit movies like Whip it, Inception, and many other important films. She is endorsing many brands and they pay her a good amount of money. There was no relationship news coming out from her side and people were surprised to see it happening. In 2014 Elliot revealed to people that she is not straight and got married to her choreographer friend Emma Portner.
The total net worth of Elliot is around $12 million. She is among the richest actors in the entertainment industry and likes to live a luxurious life. Her sexual orientation has been the talk of the town and it was quite shocking for her fans too. She is the owner of a $1.2 million home which is very huge. After some time she sold the property to another celebrity as she had her eyes on some other property.
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Inside Out 2: Expected Release Date, Cast, And Plot
by Mad Tek
Inside Out 2: Will There Be a Sequel? Expected Release Date, Cast, And Plot
Inside Out has been widely known as one of the finest animation movies of all time. Directed by Peter Docter, the flick revolves around a brilliantly made and executed story of a nine-year-old Riley, who moves to San Francisco with her parents, leaving her childhood home. The most unique part about the teen story is the physical creation of intangible emotions. Five emotions (characters) – Joy, Sadness, Fear, Disgust, and Anger discover ways to be familiar with Riley's inner turbulence. The emotions reflect the kid's constant struggle to adapt to the new environment of the unfamiliar city. There are islands like Friendship Island, Family Island, and Hockey Island depicting the girl's personality. Based on her newly found hobbies, the islands come into existence. It is something that attracts people of all age groups from children to adolescents.
Since its release on 18th May 2015, there have been several talks about the sequel of Inside Out. As of now, there is no official statement confirming the same, yet considering the audience's expectations, Inside Out- 2 is a possibility.
Here's everything you need to know about Inside Out 2 cast, plot, and release date.
Inside Out 2: Plot
Inside Out ended with Sadness and Joy coming to terms with each other. It was the encounter with Riley's imaginary childhood buddy, Bing Bong that made Joy ponder about Sadness and its significance. Inside Out 2 might unleash exciting adventures and possibilities. Either Pixar studio may witness a grown-up Riley who has attained puberty. Or there might be a time-lapse. In the absence of any information, there is no concrete idea about the plot yet. However, we are optimistic that there must be more creative developments unfolding with the flick's second part.
Inside Out 2: When Is The Trailer Coming out?
Since there is no official statement on whether there will be a second season to the series, a trailer has not been released yet. For now, we can only speculate things.
Until the trailer of Inside Out's second season is released watch Inside Out Season 1.
Inside Out Box Office
The first edition of Inside Out, which is known as one of the finest animation movies of all time turned out to be a huge hit in terms of critics rating and box office. It earned an overall worldwide collection of $858.8 million. As per the fact, Inside Out first part was the seventh highest grossed film of 2015. Also, the film was placed at the sixth position in the Most Valuable Blockbusters of 2015. Precisely talking about the United States, the film earned a huge sum of $356.9 million specially in the USA. While it has a massive collection of over $500 Million single Handley in Canada. Produced by Pixar animation, the film earned over $40 million in the opening weekend in the 37 markets.
Inside Out 2: Cast
If the story picks up from where it ended, it may continue with its old cast of Inside Out, Amy Poehler, Phyllis Smith, Mindy Kaling, Bill Hader, Lewis Black as Joy, Sadness, Disgust, Fear and Anger respectively. But Bing Bong will not make a reappearance. New characters may also become a part of the cast depending upon the storyline of Inside Out 2.
Updated October 2022
Amy Poehler as Joy
Phyllis Smith as Sadness
Richard Kind as Bing Bong
Bill Hader as Fear
Lewis Black as Anger
Mindy Kaling as Disgust
Kaitlyn Dias as Riley
Diane Lane as Mom
Kyle MacLachlan as Dad
Paula Poundstone as Forgetter Paula
Bobby Moynihan as Forgetter Bobby
Paula Pell as the dream director and Mom's Anger
Dave Goelz as Subconscious Guard Frank
Frank Oz as Subconscious Guard Dave
Josh Cooley as Jangles
Flea as Mind Worker Cop Jake
Inside Out 2: Release Date
Pixar Studios is entirely invested in a couple of original projects at present with their releases in 2022. Luckily, fans won't have to wait long to see the movie because the sequel is anticipated to hit theatres on June 19, 2022.
Interestingly, the story character 'Riley', is inspired by Peter Docter's daughter, Elie. Docter was put in one or another capacity in Pixar's movies. Being the chief creative officer there, he says that things are not as simple as it seems and sees if they can come up with something.
Inside Out: Where To Watch
Inside Out Season 1 is now available to watch by the viewers on Netflix. The upcoming part will be released in your nearby theatres.
For any further updates on the show stay tuned in, we promise to keep you updated.
Inside Out 2 Fan-made trailer
Until the trailer of Inside Out Season 2 is released watch the trailer of Inside Out fan made trailer here.
Inside Out 2 is set to come out in summer of 2024.
(Last Updated 1 Oct. 2022)
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Schools System
Alumni Guidance
Students Guidance
Tag: alumni management system
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CEO 2018 is upon us, and there are a ton of games being played at the event.
With over 3000 people attending, there's barely any point in listing all the notable players you might see, but if you want a closer look at who's showing up, make sure to check our tournament preview from yesterday.
This is a Capcom Pro Tour Premier event for Street Fighter 5: Arcade Edition at the Capcom Pro Tour, a Master event for the Dragon Ball FighterZ World Tour, a Master event for the Tekken World Tour and a Premier event for the Injustice 2 Pro Series.
Besides these games, the event will also be hosting Super Smash Bros. 4, Super Smash Bros. Melee, Guilty Gear Xrd REV 2, Under Night In-Birth EXE: Late[st], Super Street Fighter 2: Turbo, Marvel vs. Capcom: Infinite, Street Fighter 3: 3rd Strike, Killer Instinct, King of Fighters 14 and Capcom vs. SNK 2.
On top of this, the upcoming Super Smash Bros. Ultimate will be playable at the event, so there's likely to be ample gameplay from that extremely hyped game, and there will also be exhibition events for the upcoming Soul Calibur 6 and the recently released Fighting EX Layer.
Streaming is being done at Capcom Fighters, Dragon Ball FighterZ, Tekken, CEO Gaming, Team Spooky, VG Boot Camp, NetherRealm, Data FGC, Polarity GG and Villain904.
• Grand finals, second set: FD|Fujimura (Ibuki) eliminated DouyuTV|Xiao Hai (Cammy) 3-0.
• Grand finals, first set: FD|Fujimura (Ibuki) beat DouyuTV|Xiao Hai (Cammy) 3-1.
• Losers finals: FD|Fujimura (Ibuki) eliminated NVD|Phenom (Necalli) 3-1.
• Losers semi-finals: NVD|Phenom (Necalli) eliminated FAV|Sako (Menat) 3-2.
• Winners finals: DouyuTV|Xiao Hai (Cammy) beat FD|Fujimura (Ibuki) 3-2.
• FAV|Sako (Menat) eliminated RZR|Xian (Ibuki) 3-2.
• NVD|Phenom (Necalli) eliminated PG|Infiltration (Menat) 3-0.
• RZR|Xian (Ibuki) eliminated NuckleDu (Guile) 3-2.
• PG|Infiltration (Chun-Li) eliminated Fursan|Verloren (Cammy) 3-2.
• Winners semi-finals: DouyuTV|Xiao Hai (Cammy) beat NVD|Phenom (Necalli) 3-2.
• Winners semi-finals: FD|Fujimura (Ibuki) beat FAV|Sako (Menat) 3-0.
• PG|Infiltration (Menat) eliminated WBG|CJ Truth (Cammy) 2-0.
• RZR|Xian (Ibuki) eliminated Rise|Caba (Guile) 2-0.
• NuckleDu (Guile) eliminated CYG|Fuudo (R. Mika) 2-1.
• WBG|CJ Truth (Cammy) eliminated GGP|Kazunoko (Cammy) 2-0.
• RZR|Xian (Ibuki) eliminated UYU|NL (Cammy) 2-1.
• NuckleDu (Guile) eliminated UYU|OilKing (Rashid) 2-1.
• CYG|Daigo (Guile) eliminated AB|Poongko (Abigail) 2-0.
• NVD|Phenom (Necalli) beat Rise|Caba (Guile) 2-1.
• DouyuTV|Xiao Hai (Cammy) beat CYG|Fuudo (R. Mika) 2-0.
• FD|Fujimura (Ibuki) beat Fursan|Verloren (Cammy) 2-0.
• FAV|Sako (Menat) beat PG|Infiltration (Juri) 2-0.
• GGP|Kazunoko (Cammy) eliminated DNG|Itabashi Zangief (Abigail) 2-1.
• NuckleDu (Guile) eliminated Rise|MenaRD (Akuma) 2-1.
• UYU|OilKing (Rashid) eliminated Rise|Smug (Balrog) 2-0.
• RZR|Xian (Ibuki) eliminated Mouz|Problem X (Abigail) 2-0.
• UYU|NL (Cammy) eliminated RB|Bonchan (Karin) 2-1.
• AB|Poongko (Abigail) eliminated FNATIC|Akainu (Guile) 2-0.
• CYG|Daigo (Guile) eliminated OG|Shine (Ibuki) 2-0.
• WBG|CJ Truth (Cammy) eliminated FOX|Tokido (Akuma) 2-0.
• FOX|Tokido (Akuma) eliminated Mago (Cammy).
• GGP|Kazunoko (Cammy) eliminated Bbyongbbyong (Birdie).
• Bbyongbbyong (Birdie) eliminated CYG|GamerBee (Cammy) 2-0.
• FOX|Tokido (Akuma) eliminated Gachikun (Rashid).
• Bbyongbbyong (Birdie) eliminated CO|Go1 (Menat).
• NVD|Phenom (Necalli) beat CYG|Daigo (Guile) 2-1.
• Rise|MenaRD (Birdie) eliminated FOX|Punk (Karin).
• Fursan|Verloren (Cammy) beat RB|Bonchan (Karin) 2-0.
• FD|Fujimura (Ibuki) beat Mouz|Problem X (Abigail) 2-1.
• Rise|Caba (Guile) beat AB|Poongko (Kolin) 2-0.
• Rise|Smug (Balrog) eliminated CYG|Chris Tatarian (Ken).
• GGP|Kazunoko (Cammy) eliminated RB|Luffy (R. Mika).
• FD|Fujimura (Ibuki) beat Mago (Cammy) 2-1.
• RB|Luffy (R. Mika) eliminated GRPT|MOV (Chun-Li).
• OG|Shine (Ibuki) eliminated Kindevu (Blanka).
• FNATIC|Akainu (Guile) eliminated FE|Humanbomb (Chun-Li).
• OG|Shine (Ibuki) eliminated Ponos|Moke (Cammy).
• RB|Bonchan (Karin) beat CYG|GamerBee (Cammy) 2-1.
• CYG|Daigo (Guile) beat FOX|Punk (Karin) 2-1.
• AB|Poongko (Abigail) beat Wolfgang (Blanka) 2-0.
• FAV|Sako (Menat) beat NuckleDu (Cammy) 2-1.
• DouyuTV|Xiao Hai (Cammy) beat WBG|CJ Truth (Cammy) 2-0.
• FNATIC|Akainu (Guile) eliminated FD|Haitani (Akuma).
• Ponos|Moke (Cammy) eliminated THG|Ludovic (Menat).
• PG|Infiltration (Juri) beat UYU|OilKing (Rashid) 2-0.
• CYG|Fuudo (R. Mika) beat DNG|Itabashi Zangief (Abigail) 2-0.
• NuckleDu (Cammy) beat OG|Shine (Ibuki) 2-0.
• DNG|Itabashi Zangief (Abigail) beat UYU|NL (Cammy).
• FAV|Sako (Menat) beat Kindevu (Blanka) 2-0.
• CYG|Fuudo (R. Mika) beat Commander Jesse (Dhalsim) 2-0.
• THG|Ludovic (Menat) eliminated Liquid|Nemo (Urien).
• PG|Infiltration (Juri) beat Liquid|John Takeuchi (Rashid) 2-0.
• K-Brad (Cammy) eliminated CO|Dogura (Urien) 2-0.
• Mouz|Problem X (M. Bison) beat GW|Eita (Ken) 2-0.
• Fursan|Verloren (Cammy) beat FD|Johnny (Karin) 2-0.
• Wolfgang (Blanka) beat Circa|Wolfkrone (Zeku) 2-1.
• FD|Fujimura (Ibuki) beat iG|Jiewa (Akuma) 2-0.
• Circa|Wolfkrone (Zeku) beat K-Brad (Cammy) 2-1.
• Wolfgang (Blanka) beat CO|Dogura (Urien).
• AB|Poongko (Abigail) beat RB|Luffy (R. Mika) 2-0.
• RB|Bonchan (Nash) beat Kusanagi (Sakura) 2-0.
• FD|Haitani (Akuma) beat FNATIC|Shakz (Laura) 2-0.
• Gachikun (Rashid) beat TS|Arturo Sanchez (Dhalsim) 2-1.
• Kusanagi (Sakura) beat Neon (Kolin) 2-0.
• CYG|Chris Tatarian (Ken) beat CO|Go1 (Menat, Chun-Li) 2-0.
• CYG|Daigo (Guile) beat Kreymore (Menat) 2-0.
• Mago (Cammy) beat Rise|MenaRD (Birdie, Akuma) 2-0.
• Rise|Caba (Guile) beat Tempo|Alex Myers (Cammy) 2-0.
• UYU|NL (Cammy) beat SB|DoomSnake (Vega).
• GGP|Kazunoko (Cammy) beat RB|Snake Eyez (Abigail, Akuma) 2-0.
• Epsilon|Takamura (Akuma) beat FOX|Tokido (Akuma) 2-0.
• DNG|Itabashi Zangief (Abigail) beat FNATIC|Akainu (Guile) 2-0.
• WBG|CJ Truth (Cammy) beat Liquid|Nemo (Urien) 2-1.
• FAV|Sako (Menat) beat NVD|SaltyKid (R. Mika) 2-1.
• DouyuTV|Xiao Hai (Cammy) beat FOX|Momochi (Kolin) 2-1.
• Liquid|John Takeuchi (Rashid) beat Mo-Joe (R. Mika) 2-1.
• RZR|Xian (Ibuki) beat NVD|Momi (Cammy) 2-0.
• AB|StormKubo (Abigail) eliminated PrincessSlim (F.A.N.G).
• OG|Shine (Ibuki) beat NB|ZachInABox (Kolin) 2-0.
• NB|ZachInABox (Kolin) beat PrincessSlim (F.A.N.G).
• PrincessSlim (F.A.N.G) beat AB|StormKubo (Abigail) 2-1.
• Grand finals, second set: GGP|Kazunoko (Kid Buu, Adult Gohan, Yamcha) eliminated CO|Go1 (Cell, Bardock, Vegeta) 3-1.
• Grand finals, first set: GGP|Kazunoko (Kid Buu, Adult Gohan, Yamcha) beat CO|Go1 (Cell, Bardock, Vegeta) 3-1.
• Losers finals: GGP|Kazunoko (Kid Buu, Adult Gohan, Yamcha) eliminated CO|Fenrich (Cell, Bardock, Vegeta) 3-0.
• Losers semi-finals: GGP|Kazunoko (Kid Buu, Adult Gohan, Yamcha) eliminated CO|Dogura (Kid Buu, Cell, Goku) 2-0.
• Winners finals: CO|Go1 (Cell, Bardock, Vegeta) beat CO|Fenrich (Cell, Bardock, Vegeta) 3-0.
• CO|Dogura (Kid Buu, Cell, Goku) eliminated NRG|HookGangGod (Cell, Piccolo, Vegeta) 2-0.
• GGP|Kazunoko (Kid Buu, Adult Gohan, Yamcha) eliminated FOX|SonicFox (Cell, Kid Buu, Gotenks) 2-0.
• CO|Dogura (Kid Buu, Cell, Goku) eliminated FOX|Dekillsage (Gotenks, Adult Gohaan, Android 16) 2-0.
• GGP|Kazunoko (Kid Buu, Adult Gohan, Yamcha) eliminated BC|ApologyMan (Piccolo, Tien, Goku) 2-0.
• Winners semi-finals: CO|Fenrich (Cell, Bardock, Vegeta) beat FOX|SonicFox (Cell, Kid Buu, Gotenks) 2-0.
• Winners semi-finals: CO|Go1 (Cell, Bardock, Vegeta) beat NRG|HookGangGod (Cell, Piccolo, Vegeta) 2-0.
• BC|ApologyMan (Piccolo, Tien, Goku) eliminated NRG|Supernoon (Kid Buu, Cell, Vegeta) 2-1.
• GGP|Kazunoko (Kid Buu, Adult Gohan, Yamcha) eliminated BeyondToxin (Cell, Android 18, Goku Black) 2-1.
• FOX|Dekillsage (Adult Gohan, Gotenks, Android 16) eliminated Ponos|Moke (Kid Buu, Cell, Trunks) 2-0.
• CO|Dogura (Kid Buu, Cell, Goku) eliminated TSM|Leffen (Android 21, Cell, Vegeta) 2-0.
• NRG|Supernoon (Kid Buu, Cell, Vegeta) eliminated R-Cade|Alioune (Android 21, Majin Buu, Vegeta) 2-1.
• TSM|Leffen (Android 21, Cell, Vegeta) eliminated PAG|Fame96 (Vegito, Blue Vegeta, Cell).
• FOX|Dekillsage (Adult Gohan, Gotenks, Android 16) eliminated UYU|Cloud805 (Adult Gohan, Cell, Kid Buu).
• BeyondToxin (Cell, Android 18, Goku Black) eliminated Crescent|Doza (Blue Goku, Goku Black, Goku).
• FOX|SonicFox (Android 18, Cell, Kid Buu) beat Ponos|Moke (Kid Buu, Cell, Trunks) 2-0.
• CO|Fenrich (Cell, Bardock, Vegeta) beat CO|Dogura (Kid Buu, Cell, Goku) 2-1.
• NRG|HookGangGod (Cell, Piccolo, Vegeta) beat BC|ApologyMan (Piccolo, Tien, Goku) 2-1.
• CO|Go1 (Bardock, Cell, Vegeta) beat GGP|Kazunoko (Kid Buu, Adult Gohan, Yamcha) 2-1.
• TSM|Leffen (Android 21, Cell, Vegeta) eliminated PerfectLegend (Bardock, Cell, Vegeta).
• PAG|Fame96 (Vegito, Blue Vegeta, Cell) eliminated FOX|Punk (Cell, Trunks, Vegeta).
• UYU|Cloud805 (Adult Gohan, Cell, Kid Buu) eliminated WAY|AMiniAssassin.
• FOX|Dekillsage (Adult Gohan, Gotenks, Android 16) eliminated nowKami (Android 21, Cell, Goku Black).
• Crescent|Doza (Blue Goku, Goku Black, Goku) eliminated FOX|Momochi (Adult Gohan, Bardock, Goku).
• BeyondToxin (Cell, Android 18, Goku Black) eliminated PG|Nakkiel (Cell, Kid Buu, Bardock).
• NRG|Supernoon (Kid Buu, Cell, Vegeta) eliminated EG|NYChrisG (Bardock, Tien, Vegeta).
• R-Cade|Alioune (Android 21, Majin Buu, Vegeta) eliminated GGWP|Souji (Kid Buu, Cell, Vegeta).
• FOX|Momochi (Adult Gohan, Bardock, Goku) eliminated GOTE|Rival (Android 21, Cell, Goku) 2-0.
• PAG|Fame96 (Vegito, Blue Vegeta, Cell) beat MikeAndIke (Kid Buu, Cell, Vegeta) 2-0.
• BeyondToxin (Cell, Android 18, Goku Black) beat Randomfiend (Bardock, Cell, Goku Black) 2-1.
• FOX|SonicFox (Android 18, Cell, Kid Buu) beat R-Cade|Alioune (Android 21, Majin Buu, Vegeta) 2-0.
• BC|ApologyMan (Piccolo, Tien, Goku) beat FOX|Dekillsage (Adult Gohan, Gotenks, Android 16) 2-0.
• NRG|HookGangKid (Cell, Piccolo, Vegeta) beat UYU|Cloud805 (Adult Gohan, Cell, Kid Buu) 2-0.
• R-Cade|Alioune (Android 21, Majin Buu, Vegeta) beat Teemo (Kid Buu, Fused Zamasu, Cell) 2-0.
• FOX|SonicFox (Android 18, Cell, Kid Buu) beat CLN|Yohosie (Gotenks, Kid Buu, Android 16) 2-0.
• UYU|Cloud805 (Adult Gohan, Cell, Kid Buu) beat BeyondToxin (Cell, Android 18, Goku Black) 2-0.
• NRG|Supernoon (Kid Buu, Cell, Vegeta) beat ScrawtVermillion (Adult Gohan, Blue Goku, Cell) 2-0.
• KnowKami (Android 21, Cell, Goku Black) beat Sherm (Bardock, Cell, Vegeta) 2-0.
• CO|Dogura (Kid Buu, Cell, Goku) beat PG|Nakkiel (Cell, Kid Buu, Bardock) 2-0.
• GGP|Kazunoko (Kid Buu, Adult Gohan, Yamcha) beat FOX|Punk (Cell, Trunks, Vegeta) 2-0.
• CO|Go1 (Cell, Bardock, Vegeta) beat TSM|Leffen (Android 21, Cell, Vegeta) 2-1.
• PG|Nakkiel (Cell, Kid Buu, Bardock) beat PAG|LostSoul (Cell, Android 21, Android 16) 2-1.
• CO|Fenrich (Cell, Bardock, Vegeta) beat EMP|RogueYoshi (Nappa, Gotenks, Kid Buu) 2-0.
• TSM|Leffen (Android 21, Cell, Vegeta) beat GGWP|Souji (Kid Buu, Cell, Vegeta) 2-1.
• CLN|Yohosie (Gotenks, Kid Buu, Android 16) beat DATA|JaazzRap (Cell, Bardock, Goku) 2-1.
• Ponos|Moke (Kid Buu, Cell, Trunks) beat GOTE|Rival (Android 21, Cell, Goku) 2-0.
• NRG|HookGangKid (Cell, Piccolo, Vegeta) beat Kindevu (Cell, Kid Buu, Bardock) 2-0.
• Teemo (Kid Buu, Fused Zamasu, Cell) beat Caius (Cell, Kid Buu, Goku Black) 2-0.
• BC|ApologyMan (Piccolo, Tien, Goku) beat LuisThePanda (Beerus, Cell, Goku Black) 2-0.
• MikeAndIke (Kid Buu, Cell, Vegeta) beat FOX|Momochi (Adult Gohan, Bardock, Goku) 2-1.
• BeyondToxin (Cell, Android 18, Goku Black) beat Mike J (Kid Buu, Bardock, Cell) 2-0.
• FOX|Dekillsage (Adult Gohan, Gotenks, Android 16) beat DacidBro (Cell, Bardock, Gotenks) 2-0.
• Randomfiend (Bardock, Cell, Goku Black) beat Yeshuasaves (Android 21, Blue Goku, Goku) 2-1.
• Kef (Teen Gohan, Trunks, Vegeta) beat Juicy (Captain Ginyu, Kid Buu, Bardock) 2-0.
• EG|NYChrisG (Bardock, Tien, Vegeta) beat Ceehil (Yamcha, Piccolo, Tien) 2-0.
• FOX|SonicFox (Android 18, Cell, Kid Buu) beat Duffo (Bardock, Goku, Teen Gohan) 2-0.
• GGP|Kazunoko (Kid Buu, Adult Gohan, Yamcha) beat ShinPaulo (Bardock, Goku Black, Android 16 | Bardock, Cell, Goku Black) 2-0.
• UYU|Cloud805 (Adult Gohan, Cell, Kid Buu) beat PerfectLegend (Bardock, Cell, Vegeta) 2-0.
• CO|Fenrich (Cell, Bardock, Vegeta) beat FSA|HeavyCura (Captain Ginyu, Yamcha, Vegeta) 2-1.
• KaneBlueRiver (Bardock, Cell, Vegeta | Android 16, Goku Black, Vegeta) beat PAG|Fame96 (Vegito, Blue Vegeta, Cell) 2-1.
• TSM|Leffen (Android 21, Cell, Vegeta) beat PG|RayRay (Cell, Goku Black, Kid Buu) 2-0.
• MastaStef (Android 21, Kid Buu, Goku) beat 3G|SmoothBunz (Cell, Goku Black, Vegeta) 2-0.
• Skeezermui (Trunks, Beerus, Tien) beat Egypt (Gotenks, Cell, Vegeta) 2-0.
• FOX|Punk (Cell, Trunks, Vegeta) beat Zero E Lopez (Bardock, Android 21, Goku Black) 2-0.
• R-Cade|Alioune (Android 21, Majin Buu, Vegeta) beat UYU|Brian_F (Cell, Android 16, Vegeta) 2-0.
• Crescent|Doza (Blue Goku, Goku Black, Goku) beat Hotashi (Gotenks, Adult Gohan, Cell) 2-0.
• GGWP|Souji (Kid Buu, Cell, Vegeta) beat Dadpool (Cell, Gotenks, Android 16) 2-0.
• Sherm (Bardock, Cell, Vegeta) beat PZPoy (Adult Gohan, Android 21, Vegeta) 2-0.
• NRG|Supernoon (Kid Buu, Cell, Vegeta) beat UA|Terry Bogard (Trunks, Tien, Goku Black) 2-0.
• CO|Go1 (Bardock, Cell, Vegeta) beat UBN|Tsuntenshi (Bardock, Goku Black, Goku) 2-0.
• PAG|LostSoul (Cell, Android 21, Android 16) beat BxA|Argenrost (Cell, Android 16, Vegeta) 2-0.
• Grand finals, second set: UYU|Jeondding (Eddy) eliminated UYU|Qudans (Devil Jin) 3-2.
• Grand finals, first set: UYU|Jeondding (Eddy) beat UYU|Qudans (Devil Jin) 3-0.
• Losers finals: UYU|Jeondding (Eddy) eliminated FOX|JDCR (Dragunov) 3-2.
• Losers semi-finals: UYU|Jeondding (Eddy) eliminated ITS|Lil Majin (King) 2-1.
• Winners finals: UYU|Qudans (Devil Jin) beat FOX|JDCR (Dragunov) 3-0.
• ITS|Lil Majin (King) eliminated EQNX|Dimeback (Asuka) 2-1.
• UYU|Jeondding (Eddy) eliminated AR|Book (Jin) 2-0.
• ITS|Lil Majin (King) eliminated Jimmy J Tran (Bryan) 2-1.
• AR|Book (Jin) eliminated Binchang (Josie, Claudio) 2-0.
• Winners semi-finals: FOX|JDCR (Dragunov) beat EQNX|Dimeback (Asuka) 2-0.
• Winners semi-finals: UYU|Qudans (Devil Jin) beat UYU|Jeondding (Eddy) 2-1.
• AR|Book (Jin) eliminated Kkokkoma (Josie, Devil Jin) 2-1.
• ITS|Lil Majin (King) eliminated UYU|Princess Ling (Xiaoyu) 2-1.
• Binchang (Josie) eliminated Circa|JoeyFury (JACK-7, Paul) 2-0.
• Jimmy J Tran (Bryan) eliminated FOX|Saint (JACK-7) 2-0.
• ITS|Lil Majin (King) eliminated Shadow20z (Claudio, Lee) 2-0.
• Binchang (Kazumi) eliminated KoDee (Kazuya) 2-1.
• AR|Book (Jin) eliminated NG Obscure (Alisa) 2-1.
• FOX|Saint (JACK-7) eliminated RB|Anakin (JACK-7) 2-0.
• FOX|JDCR (Dragunov) beat Kkokkoma (Geese) 2-1.
• EQNX|Dimeback (Asuka) beat Circa|JoeyFury (Paul) 2-1.
• UYU|Qudans (Devil Jin) beat Jimmy J Tran (Bryan) 2-0.
• UYU|Jeondding (Eddy) beat UYU|Princess Ling (Xiaoyu) 2-1.
• Grand finals, second set: FOX|MKLeo (Bayonetta, Marth) eliminated Tweek (Donkey Kong, Bayonetta) 3-1.
• Grand finals, first set: Tweek (Donkey Kong) beat FOX|MKLeo (Lucina, Bayonetta) 3-0.
• Losers finals: Tweek (Cloud) eliminated Cosmos (Corrin) 3-0.
• Losers semi-finals: Tweek (Cloud) eliminated CaptainZack (Bayonetta) 3-0.
• Winners finals: FOX|MKLeo (Cloud) beat Cosmos (Corrin) 3-0.
• Tweek (Cloud) eliminated GRV|Dabuz (Sheik, Olimar) 3-0.
• CaptainZack (Bayonetta) eliminated CND|Raito (Duck Hunt) 3-1.
• Winners semi-finals: Cosmos (Corrin) beat GRV|Dabuz (Rosalina & Luma) 3-0.
• Winners semi-finals: FOX|MKLeo (Lucina) beat CND|Raito (Duck Hunt) 3-2.
• Tweek (Bayonetta) eliminated Falln (Rosalina & Luma) 3-1.
• CaptainZack (Bayonetta) eliminated Abadango (Mewtwo) 3-1.
• Tweek (Bayonetta) eliminated Vinnie (Sheik, Rosalina & Luma) 3-0.
• Falln (Rosalina & Luma) eliminated Captain L (Pikachu) 3-0.
• CaptainZack (Bayonetta) eliminated Liquid|Salem (Bayonetta) 3-0.
• Abadango (Bayonetta, Mewtwo) eliminated Marss (Zero Suit Samus) 3-2.
• CND|Raito (Duck Hunt) beat Captain L (Pikachu) 3-1.
• FOX|MKLeo (Marth) beat Vinnie (Sheik) 3-0.
• Cosmos (Corrin) beat Abadango (Mewtwo) 3-1.
• GRV|Dabuz (Rosalina & Luma) beat Liquid|Salem (Bayonetta) 3-0.
• Tweek (Bayonetta) eliminated Fatality (Captain Falcon) 3-1.
• Falln (Rosalina & Luma) eliminated Elegant (Luigi) 3-2.
• CaptainZack (Bayonetta) eliminated Rideae (Pikachu) 3-1.
• Marss (Zero Suit Samus) eliminated Wrath (Sonic) 3-0.
• Grand finals, second set: Zexus|Nuki (Chun-Li) eliminated Damdai (O. Ryu) 3-2.
• Grand finals, first set: Damdai (O. Ryu) beat Zexus|Nuki (Chun-Li) 3-0.
• Losers finals: Damdai (O. Ryu) eliminated AfroLegends (Dee Jay) 3-1.
• Losers semi-finals: Damdai (O. Ryu) eliminated Zexus|NakanoSagat (Chun-Li) 3-0.
• Winners finals: Zexus|Nuki (Chun-Li) beat AfroLegends (Dee Jay) 3-1.
• Damdai (O. Ryu) eliminated Tomo (Ryu) 3-0.
• Zexus|NakanoSagat (Chun-Li) eliminated IFM|TechnicalMonkey (Chun-Li) 3-2.
• Tomo (Ryu) eliminated JoshC (Vega) 3-1.
• Zexus|NakanoSagat (O. Sagat, Chun-Li) eliminated Zexus|Foosuke (Dee Jay) 3-1.
• Winners semi-finals: Zexus|Nuki (Chun-Li) beat IFM|TechnicalMonkey (Chun-Li) 3-0.
• Winners semi-finals: AfroLegends (Dee Jay) beat Damdai (O. Ryu) 3-0.
• Grand finals, second set: Liquid|Hungrybox (Jigglypuff) eliminated PG|Plup (Sheik) 3-0.
• Grand finals, first set: PG|Plup (Fox, Sheik) beat Liquid|Hungrybox (Jigglypuff) 3-2.
• Losers finals: PG|Plup (Sheik) eliminated FOX|Mew2King (Sheik, Marth) 3-1.
• Losers semi-finals: FOX|Mew2King (Sheik, Marth) eliminated Wizzrobe (Captain Falcon) 3-1.
• Winners finals: Liquid|Hungrybox (Jigglypuff) beat PG|Plup (Fox) 3-1.
• FOX|Mew2King (Marth) eliminated CLG|SFAT (Fox) 3-1.
• Wizzrobe (Captain Falcon) eliminated PG|Zain (Marth) 3-2.
• Winners semi-finals: Liquid|Hungrybox (Jigglypuff) beat FOX|Mew2King (Fox, Jigglypuff) 3-1.
• Winners semi-finals: PG|Plup (Sheik) beat PG|Zain (Marth) 3-2.
• Wizzrobe (Captain Falcon) eliminated ALG|n0ne (Captain Falcon) 3-1.
• CLG|SFAT (Fox) eliminated VGz|lloD (Peach) 3-2.
• Grand finals, second set: Noble|Semiij (Catwoman) eliminated Noble|Tweedy (Starfire) 3-1.
• Grand finals, first set: Noble|Semiij (Catwoman) beat Noble|Tweedy (Starfire) 3-1.
• Losers finals: Noble|Semiij (Catwoman) eliminated BC|Biohazard (Bane) 3-0.
• Losers semi-finals: BC|Biohazard (Bane) eliminated F3|DR Gross (Black Adam) 3-1.
• Winners finals: Noble|Tweedy (Starfire) beat Noble|Semiij (Catwoman) 3-1.
• F3|DR Gross (Aquaman) eliminated ForeverKing (Batman) 3-0.
• BC|Biohazard (Starfire, Bane) eliminated FOX|SonicFox (Michaelangelo) 3-1.
• ForeverKing (Batman) eliminated NASR|TekkenMaster (Starfire) 3-1.
• FOX|SonicFox (Michaelangelo) eliminated BC|HoneyBee (Starfire, The Flash) 3-0.
• Winners semi-finals: Noble|Semiij (Catwoman) beat F3|DR Gross (Black Adam) 3-0.
• Winners semi-finals: Noble|Tweedy (Doctor Fate) beat BC|Biohazard (Starfire, Black Manta) 3-0.
• Grand finals, first set: GGP|Kazunoko (Raven) eliminated Kidviper (Johnny) 3-0.
• Losers finals: KidViper (Johnny) eliminated BjornSonOfBear (Chipp) 3-0.
• Losers semi-finals: BjornSonOfBear (Chipp) eliminated UYU|KizzieKay (Sin) 2-1.
• Winners finals: GGP|Kazunoko (Raven) beat KidViper (Johnny) 3-1.
• UYU|KizzieKay (Sin) eliminated Hotashi (Elphelt) 2-0.
• BjornSonOfBear (Chipp) eliminated Mystic (Baiken) 2-1.
• UYU|KizzieKay (Sin) eliminated Mr. K (Leo) 2-1.
• Mystic (Baiken) eliminated KnowKami (Zato-1) 2-0.
• Winners semi-finals: GGP|Kazunoko (Raven) beat Hotashi (Elphelt) 2-1.
• Winners semi-finals: KidViper (Johnny) beat BjornSonOfBear (Chipp) 2-1.
• Winners semi-finals: Hotashi (Elphelt) beat GGP|Kazunoko (Raven) 2-0.
Note: It was discovered that this match was played on an old version of the game, and thus the result was deemed invalid and the match had to be replayed.
• Grand finals: MnT|Thompxson (Jago) eliminated LetalisVenator (Aganos) 3-1.
• Losers finals: LetalisVenator (General RAAM) eliminated NWO|ZTrainOver9000 (Maya, Shadow Jago) 3-0.
• Losers semi-finals: LetalisVenator (Aganos) eliminated Circa|Nicky (Fulgore) 3-0.
• Winners finals: MnT|Thompxson (Jago) beat NWO|ZTrainOver9000 (Maya) 3-1.
• LetalisVenator (General RAAM) eliminated UA|Bass (Shadow Jago) 3-2.
• Circa|Nicky (Fulgore) eliminated BC|FiyahLiger (Riptor) 3-1.
• LetalisVenator (Aganos) eliminated TBS|Sickle (Kim Wu) 3-1.
• BC|FiyahLiger (Riptor) eliminated SYN|Aphex (Rash) 3-2.
• Winners semi-finals: NWO|ZTrainOver9000 (Maya) beat Circa|Nicky (Mira, Fulgore) 3-2.
• Winners semi-finals: MnT|Thompxson (Jago) beat UA|Bass (Spinal, Mira) 3-0.
• Grand finals, second set: Knives (Dormammu, Sigma) eliminated TLT|Tayson (Gamora, Ultron) 3-2.
• Grand finals, first set: Knives (Dormammu, Sigma) beat TLT|Tayson (Gamora, Ultron) 3-2.
• Losers finals: Knives (Dormammu, Sigma) eliminated NoelBHungry (Rocket Raccoon, Gamora) 3-1.
• Losers semi-finals: Knives (Dormammu, Sigma) eliminated Unknown (Zero, Dante) 3-0.
• Winners finals: TLT|Tayson (Gamora, Ultron) beat NoelBHungry (Rocket Raccoon, Gamora) 3-1.
• Unknown (Zero, Dante) eliminated SOKP|NinjaNam (Dr. Strange, Nova) 3-2.
• Knives (Dormammu, Sigma) eliminated EG|NYChrisG (Morrigan, Monster Hunter) 3-2.
• Unknown (Zero, Dante) eliminated IHeartJustice (Winter Soldier, Captain America) 3-1.
• Knives (Dormammu, Sigma) eliminated AsianDemon (Ultron, Thanos) 3-0.
• Winners semi-finals: NoelBHungry (Rocket Raccoon, Gamora) beat EG|NYChrisG (Morrigan, Monster Hunter) 3-0.
• Winners semi-finals: TLT|Tayson (Gamora, Ultron) beat SOKP|NinjaNam (Dr. Strange, Nova) 3-2.
• Grand finals, second set: Clim (Phonon) eliminated SuperScience|GuillotineGorilla (Gordeau) 3-0.
• Grand finals, first set: Clim (Phonon) beat SuperScience|GuillotineGorilla (Gordeau) 3-0.
• Clim (Phonon) eliminated BxA|Argenrost (Waldstein) 3-0.
• Losers semi-finals: Clim (Phonon) eliminated J3 (Linne) 2-0.
• Winners finals: SuperScience|GuillotineGorilla (Gordeau) beat BxA|Argenrost (Waldstein) 3-0.
• Clim (Merkava) eliminated SUCC|AyoItsDave (Merkava) 2-0.
• J3 (Linne) eliminated SchoolBus (Wagner) 2-1.
• SUCC|AyoItsDave (Merkava) eliminated ScrawtVermillion (Akatsuki) 2-0.
• SchoolBus (Wagner) eliminated IThatGuy (Byakuya) 2-0.
• Winners semi-finals: SuperScience|GuillotineGorilla (Gordeau) beat J3 (Phonon) 2-1.
• Winners semi-finals: BxA|Argenrost (Waldstein) beat Clim (Merkava) 2-0.
• Grand finals, first set: Bas (A-Groove: Blanka, Vega, M. Bison) eliminated SonicO (A-Groove: Vega, M. Bison, Blanka) 3-0.
• Losers finals: SonicO (A-Groove: Vega, M. Bison, Blanka) eliminated Rugal B (K-Groove: Blanka, Cammy, Sagat) 3-1.
• Losers semi-finals: SonicO (A-Groove: Vega, M. Bison, Blanka) eliminated PatTheFlip (K-Groove: Athena, Vega, Sagat | K-Groove: Nakoruru, Vega, Sagat) 2-0.
• Winners finals: Bas (A-Groove: M. Bison, Vega, Blanka) beat Rugal B (C-Groove: Cammy, Blanka, Sagat) 3-0.
• PatTheFlip (K-Groove: Athena, Vega, Sagat) eliminated KNR|InTehWeeds (A-Groove: Rolento, Iori, Eagle) 2-0.
• SonicO (A-Groove: Vega, M. Bison, Blanka) eliminated CTUIR|Umthrfkr (C-Groove: E. Honda, Sagat, Blanka) 2-0.
• PatTheFlip (K-Groove: Athena, Vega, Sagat) eliminated ChrisRedfield (A-Groove: Sakura, M. Biosn, Ken) 2-0.
• SonicO (A-Groove: Vega, M. Bison, Blanka) eliminated RSC|Cakes (K-Groove: Mai, Ryu, Sagat) 2-0.
• Winners semi-finals: Rugal B (K-Groove: Rock, Cammy, Sagat) beat KNR|InTehWeeds (A-Groove: Iori, Rolento, Eagle) 2-1.
• Grand finals, first set: Zexus|Nuki (Chun-Li) eliminated EG|NYChrisG (Ken, Sean) 3-1.
• Losers finals: EG|NYChrisG (Ibuki, Chun-Li) eliminated Gootecks (Urien) 3-2.
• Losers semi-finals: Gootecks (Urien) eliminated Cookye (Elena) 2-0.
• Winners finals: Zexus|Nuki (Chun-Li) beat EG|NYChrisG (Yang) 3-0.
• Cookye (Elena) eliminated RVRSL|Bacardi (Urien, Yun) 2-0.
• Gootecks (Urien) eliminated CommonSense (Dudley) 2-0.
• RVRSL|Bacardi (Urien) eliminated Tommy2Step (Chun-Li, Elena) 2-0.
• CommonSense (Dudley) eliminated KenInBlack (Dudley) 2-0.
• Winners semi-finals: Zexus|Nuki (Chun-Li) beat Gootecks (Urien) 2-0.
• Winners semi-finals: EG|NYChrisG (Yang) beat Cookye (Elena) 2-0.
• Grand finals, second set: DouyuTV|Xiao Hai (Heidern, Kula, Iori) eliminated VegasKOF|Wero Asamiya (Najd, Iori, Yuri | Athena, Iori, Yuri) 3-1.
• Grand finals, first set: DouyuTV|Xiao Hai (Heidern, Kula, Iori) beat VegasKOF|Wero Asamiya (Najd, Iori, Yuri) 3-0.
• Losers finals: Carlos C (Clark, Benimaru, Ryo) eliminated DouyuTV|Xiao Hai (Heidern, Kula, Iori) 3-0.
• Losers semi-finals: Carlos C (Heidern, Clark, Ryo) eliminated TxC|Vicio (Mature, King, Leona | Mature, Leona, Chang) 2-0.
• Winners finals: VegasKOF|Wero Asamiya (Najd, Iori, Yuri) beat DouyuTV|Xiao Hai (Kula, Heidern, Iori) 3-1.
• Carlos C (Kim, Clark, Ryo | Heidern, Clark, Ryo) eliminated KPB|JDR (Kyo, Ralf, Terry) 2-1.
• KPB|JDR (Kyo, Ralf, Terry) eliminated PAG|VicViper (Mian, Hein, Verse) 2-0.
• TxC|Vicio (Mature, King, Leona) eliminated DATA|JonRaptor (Alice, King of Dinosaurs, Terry) 2-0.
• TxC|Vicio (Mature, King, Leona) eliminated OZ (Najd, Heidern, Iori) 2-0.
• Winners semi-finals: DouyuTV|Xiao Hai (Benimaru, Heidern, Iori) beat DATA|JonRaptor (Alice, King of Dinosaurs, Terry) 2-0.
• Winners semi-finals: VegasKOF|Wero Asamiya (Najd, Iori, Yuri) beat Carlos C (Clark, Heidern, Iori) 2-1.
• Grand finals, second set: PAG|Fame96 (Yu, Jin) eliminated KidViper (Blake, Hyde) 3-1.
• Grand finals, first set: PAG|Fame96 (Yu, Jin) beat KidViper (Blake, Hyde) 3-2.
• Losers finals: PAG|Fame96 (Yu, Jin) eliminated TheArm (Orie, Hazama) 3-0.
• Losers semi-finals: TheArm (Orie, Hazama) eliminated Method|Flux (Blake, Jin) 3-0.
• Winners finals: KidViper (Blake, Hyde) beat PAG|Fame96 (Yu, Jin) 3-2.
• TheArm (Hyde, Orie) eliminated FOX|Punk (Yu, Jin) 3-1.
• Method|Flux (Blake, Jin) eliminated GoTE|Mlorenzo (Ruby, Yu) 3-1.
• Winners semi-finals: KidViper (Blake, Hyde) beat FOX|Punk (Yu, Jin) 3-1.
• CO|Fenrich was disqualified, leading to GoTE|Mlorenzo advancing.
• TheArm (Hyde, Orie) eliminated Manny (Orie, Hazama) 3-2.
• Winners semi-finals: PAG|Fame96 (Yu, Jin) beat Method|Flux (Blake, Jin) 3-2.
• Grand finals, first set: SuperScience|GuillotineGorilla (Allen) eliminated Cookye (Shirase) 3-0.
• Losers finals: Cookye (Shirase) eliminated PAG|Virgo (Allen) 3-0.
• Losers semi-finals: PAG|Virgo (Allen) eliminated BxA|Argenrost (Jack, Allen) 3-2.
• Winners finals: SuperScience|GuillotineGorilla (Allen) beat Cookye (Shirase) 3-0.
Contributions to this story have been made by Zekayasd and NoctisOnyx.


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Diller Scofidio + Renfro and Woods Bagot win competition to design Adelaide Contemporary
India Block | 12 June 2018 Leave a comment
The competition to design a major new art gallery in Adelaide, Australia, has been won by Diller Scofidio + Renfro and Woods Bagot.
The winning design by New York-based Diller Scofidio + Renfro and Australian firm Woods Bagot, which was founded in Adelaide, includes "sky galleries", a "performance lab", and a "super lobby".
Renders show a series of stepped white volumes tilted slightly of their axis and unified by a slanting screen at rooftop level.
The white facade is designed to reflect the sky during the daytime and emit a soft glow from within after dark, while allowing glimpses of the art in the galleries to be seen by visitors from the outside.
The architects won the contest against a shortlist of teams made up of Australian architects paired with international studios, including: Adjaye Associates and BVN; BIG and JPE Design Studio; David Chipperfield Architects and SJB Architects; Hassell and SO-IL; and Khai Liew, Office of Ryue Nishizawa and Durbach Block Jaggers.
Occupying a site on North Terrace, the Adelaide Contemporary gallery will bridge the space between the former Royal Adelaide Hospital and the Botanic Gardens.
"Our approach will coalesce museum, city and gardens into a new arts centre that welcomes everyone, that provides a curatorial tool box which anticipates the future of culture," said Charles Renfro, partner at Diller Scofidio + Renfro.
Adjaye, Ingels and Chipperfield reveal shortlisted designs for Adelaide Contemporary gallery
A suspended rooftop garden will be planted with species from a pre-colonised South Australian landscape and themed around the indigenous Karuna people's word for relax, "minkunthi".
"The winning scheme is tightly-engineered, works the site hard, but is also a lot of fun," said competition director Malcom Reading.
Jury chair Michael Lynch added that the architects' decision to step down the building with the topography of the site was "inspired".
This flagship gallery for the Australian city will host a collection of Aboriginal and Torres Strait Islander art, displayed alongside pieces from Europe and Asia, as well as contemporary exhibitions and art performances.
Diller Scofidio + Renfro is the architecture firm behind New York's High Line park. One of its founding partner's Elizabeth Diller was named the world's most influential architect by Time magazine earlier this year.
Global architecture firm Woods Bagot has recently redesigned several of its own offices around the world, including a "gritty" New York studio featuring exposed concrete and black accents, and a timber-clad office for its Melbourne studio designed to encourage staff to socialise.
Diller Scofidio + Renfro
Woods Bagot
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Neri&Hu completes Aranya Art Center in Qinhuangdao
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Object & Thing launches in New York as alternative to ...
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Polish modernist Jadwiga Grabowska-Hawrylak is celebrated in ...


Vivian has worked for twenty years to improve response to gender based violence. She is Chief Counsel to the American Bar Association Task Force on Human Trafficking and Commission on Domestic & Sexual Violence.
Vivian Huelgo joined the American Bar Association Commission on Domestic & Sexual Violence as Chief Counsel in 2010. Under her leadership, the Commission has expanded its reach and solidified its mission to increase access to justice for victims of domestic & sexual violence by mobilizing the legal profession. Over the last several years, Vivian has established a broad, inclusive vision for the Commission's work, sponsoring critical policy, increasing its online presence, doubling funding for training and technical assistance to lawyers nationally, and establishing the Task Force on Human Trafficking, while also celebrating the 20th anniversary of the Commission.
Vivian has worked at the intersection of law and gender based violence for twenty years. She started her legal career as a prosecutor in the New York County District Attorney's Office. Vivian served as Director of Legal Services at Safe Horizon, Inc. the nation's largest crime victim's agency. As Community Law Project Director at Sanctuary for Families, she managed staff attorneys and pro bono lawyers representing domestic violence and human trafficking victims from marginalized populations including immigrant and LGBT communities. Vivian led planning for a Family Justice Center at the Office of the Mayor, City of New York. She has lectured for the US Department of State, Coalition against Trafficking, and the ABA globally on Gender Based Violence, Human Trafficking, and Access to Justice.
Vivian was born in Brooklyn, raised in the City of New York and now resides in the greater Washington, DC area with her twins.
The mission of the CDSV is to increase access to justice for victims of domestic violence, sexual assault and stalking by mobilizing the legal profession.


The RW Institute is an institution located in Irvine, which specializes in developing acting and personal improvement skills in children. Owned by Robert Winsor, a British born American citizen, and two other industry professionals, (producers/ directors), the Institute has been in business for sixteen years. With location in Irvine and Santa Barbara, The RWI institute will soon be opening other locations In Los Angeles and Pasadena.


Thank you so much for your very informative homepage about Genesis' and Steve Hackett's music.
Never I found a more interesting page like yours.
My Brother was there and he told me, that it was so fantastic.
- - - keep going - - - !
OH! THANK YOU! THANK YOU, dear Michael !!!!


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Amyris monophylla är en vinruteväxtart som beskrevs av T. S. Brandegee. Amyris monophylla ingår i släktet Amyris och familjen vinruteväxter. Inga underarter finns listade i Catalogue of Life.

Källor

Vinruteväxter
monophylla

redpajama_set_name: RedPajamaWikipedia


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Threepipe Supports Fantasy Football Relaunch
08 July 2019 | Advertising, B2C, Digital, Integrated, Marketing, News
Fantasy League, the original and most authentic fantasy football game experience, has appointed Threepipe to promote the auction based game ahead of the next football season.
Threepipe will be running a paid social campaign through Facebook, Instagram and Twitter to drive both brand awareness and sign ups to the 'original and the best' fantasy football game. Threepipe will also manage on and offline media partnership activity alongside the acquisition focused campaign.
The game is offered on a subscription fee basis and has consistently outperformed the market both in terms of customer engagement and retention. Fantasy League has redeveloped its platform for the 19/20 EPL season and is campaigning to grow its customer numbers to become the leading, premium EPL fantasy football game in the world
Using the original auction format on the English Premier League (EPL), the game allows fantasy football fans to create private leagues with friends, bidding against each other to build unique fantasy football squads and managing them throughout the season to score the most points. Points are scored using the Fantasy League's proprietary scoring system, based on the performance of players in the EPL.
Jim Hawker, Co-Founder, Threepipe: "Working with Fantasy League is a dream come true for lots of us who have been playing the game for years! It's great to be part of what is a big part of the amplifies enjoyment of football for so many fans around the world."
Andrew Wainstein, Founder and Managing Director, Fantasy Football: "We were impressed by Threepipe's passion for the game and also for their wider experience in the sports sector in delivering engagement strategies for the likes of the ICC and ECB. It's great to have them on board as we relaunch our offering for the coming season."
Digital, Fantasy Football, Fantasy League, football, marketing, Social
Threepipe gains Facebook Premium Agency Partner Status
As more budgets and agency time moves into social channels its key that brands feel reassured that they are working with an agency that knows what…
Tough Mudder Appoints Threepipe as its media agency to grow Mudder nation
Following a competitive tender process, Tough Mudder, the leading sports and active lifestyle brand has appointed Threepipe to elevate brand awareness and drive ticket sales for…
Threepipe and Earnie launch the ECB's 2019 Vitality Blast campaign
This week the England and Wales Cricket Board's (ECB) Vitality Blast campaign kicked off with activity going live across Facebook, Instagram, Paid Search and Display with…


In 2010 a member of our team, Sue Halmshaw, gained her level 3 in Forest school. When we moved onto Queensway school site in April 2011, Sue noticed a piece of land on the other side of the playing field, that didn't seem to be used. Mr Mark Shaw who was the Head teacher of Queensway at the time very kindly said that we could use this land to develop a 'Forest school' school environment for use of the Pre-school and Queensway school……so we did!
We approached a gardener who specialises in forest school and in those 2 years they helped to transform the space. The children have: dens, sensory plants, young trees, a large digging area, a log circle for story, song and mat times and also an 'Insect hotel', as well as the super pathways cut out of the long grass, ideal for a 'Bear hunt'!
This project is on-going and something we are always fundraising for.
Forest school allows the children to risk take and make their own decisions. Building their confidence and self-esteem in a natural outdoor environment, in a child led approach to children's learning which is fun and unhurried.
The trained adults are facilitators and observers allowing them time to step back and observe the children. Encouraging the children to have a voice, to have contact with nature and explore their environment using all of their senses.


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US Warned About Impending Enormous Surge of Covid Cases
bignewsnetwork.com
The US is facing as many as 140 million new Covid cases in the first two months of 2022, according to a new scientific model that warns the nation should be ?expecting an enormous surge in infections? due to Omicron.
New data released by the Institute for Health Metrics and Evaluation (IHME) at the University of Washington's School of Medicine warns the US could see a peak of 2.8 million new infe
Original Article: bignewsnetwork.com
Third Dose of China's Sinovac Ineffective Against Omicron, Says Study Contrary to Company's Claim
Number of Londoners With Covid Estimated
A World Health Organization ((WHO)) advisory panel Friday recommended extending the use of a smaller dose of the Pfizer – BioNTech COVID-19 vaccine to children ages 5 to 11.
The recommendation follows a meeting this week by the WHO's Strategic Advisory Group of Experts ((SAGE)) on immunization to evaluate the company's vaccine. The WHO had previously recommended the vaccine for use in people ages 12 years and old
Original Post: bignewsnetwork.com
The Inside Story: Biden's First Year
Episode 23 – January 20, 2022
Opening Animation:
U.S. President Joe Biden:
I Joseph Robinette Biden Jr. do solemnly swear…
Voice of PATSY WIDAKUSWARA, VOA White House Bureau Chief:
A challenging first year for President Joe Bi
Source Here: bignewsnetwork.com
GENEVA – The World Health Organization reports a significant drop in the number of new cases of COVID-19 in Africa for the first time since the omicron variant began widely circulating on the continent two months ago.
The coronavirus pandemic has infected nearly 10.5 million people in Africa and killed more than 234,000. World Health Organization officials say the latest figures reflect a 20 percent drop in coron
Article: bignewsnetwork.com


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Dividend policy-1. Discuss the view that dividend policy is a more detail and ha
Dividend policy-1. Discuss the view that dividend policy is a more detail and has no impact on a firm to its shareholders.2. Discuss the arguments supporting the view t
Business Finance-Dividend policy-1. Discuss the view that dividend policy is a more detail and has no impact on a firm to its shareholders.2. Discuss the arguments supporting the view that corporate dividend policy is an important factor in the determination of the value to its owners.3. Explain the scope and significance of the dividend policy debate. Also critically evaluate the empirical evidence on the dividend policy.Please note the following-:Word Limit- Word Limit- Each question should be in 1500 words in length.A full list of references should be included in your work and any material taken verbatim from others must appear in quotation marks. Any plagiarism will be severely penalized.Business Finance-Dividend policy-1. Discuss the view that dividend policy is a more detail and has no impact on a firm to its shareholders.2. Discuss the arguments supporting the view that corporate dividend policy is an important factor in the determination of the value to its owners.3. Explain the scope and significance of the dividend policy debate. Also critically evaluate the empirical evidence on the dividend policy.Please note the following-:Word Limit- Word Limit- Each question should be in 1500 words in length.A full list of references should be included in your work and any material taken verbatim from others must appear in quotation marks. Any plagiarism will be severely penalized.


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Mother accused of hacking daughters to death says ghost did it
Published: Aug. 30, 2011 at 6:35 PM EDT|Updated: Sep. 9, 2011 at 6:36 PM EDT
Source: WYFF
ASHEVILLE, NC (WYFF) - A 33-year-old mother accused of killing her two young daughters with a hatchet and then trying to kill herself told investigators that a ghost killed her children, according to a warrant.
The murder warrant against Naiyana Patel also said that she has said she does not want to live and she did not want surgery for her head injuries.
On Saturday, Patel's husband, Lalji Patel, returned home from work to find his daughters, 7-year-old Jiya and 4-year-old Piya, dead and their mother seriously injured.
Police said Naiyana Patel struck herself in the head repeatedly with the hatchet after she killed the girls.
Relatives said Naiyana was being treated for depression after a pregnancy she did not carry to full term, and, at some point she switched medication because the initial prescription did not seem to help.
Investigators removed the medication from the home during the investigation.
Relatives said the children's funeral is planned Thursday.
After undergoing surgery, Naiyana was listed in serious but stable condition at Mission Hospital.
Police said she was transferred from the intensive care unit to a regular room. They're waiting to find out when she will be released from the hospital before deciding how to proceed.
Lt. Wallace Welch said it depends on how forthcoming Patel is with information. Welch said there is a possibility she could go straight from the hospital to the jail.
A memorial service for the family only is set for Thursday at the Groce Funeral Home from noon until 2 p.m.
A community event will be set for Thursday at 6 p.m. in the ball field behind Oakley Elementary School, the school Jiya attended.
Welch said the public event will celebrate the lives of Jiya and her sister, Piya.
Relatives of the Patels said Lalji Patel, who goes by Lalu, will stay with them while they plan the funeral and clean up the family's home.
"We don't want Lalu to have to think about any of this," Shelly Patel told WYFF. "We are trying to think for him."
Police: Mother kills daughters, hacks self with hatchet
Copyright 2011 WIS. All rights reserved.


Are you looking for a Mobile Disco in Tottenham, Greater London? Our catalogue includes 86 suppliers available for hire in Tottenham.
Recent review: Hi Andy, Everyone has been saying what a great time they had and how fab you guys were so I will be sure to tag my friends and family on facebook and hopefully will be booking you next year for my others sons 21st party. Thank you Rachel .


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Since the mid-1980s, MacArthur has supported more than 300 films that combine exceptional storytelling with in-depth journalism. These films are often used in educational, community, and policymaking settings to spark conversations and activities that contribute to social and policy change.
Year Browse By Year 2016 October 2014 January 2014 2013 2012 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1988
Now showing "All Documentary Films"
3 1/2 Minutes
Following the repercussions of the 2012 shooting death of unarmed African American teen Jordan Davis and the consequences of Florida's Stand Your Ground laws More
Skylight Pictures
The first trial in the Americas to judge the genocide of indigenous people polarizes a nation and has the potential to re-write history. More
A Closer Walk
A Closer Walk was the first film to exhaustively document the global HIV/AIDS epidemic and the impact it has had around the world. More
Adlai Stevenson: The Man from Libertyville
Public Broadcasting Service
A PBS documentary that vividly chronicles the life of Adlai E. Stevenson, the Democratic Party's nominee for President of the United States in 1952 and 1956. More
Africans in America
WGBH Educational Foundation
Africans in America examines how a history of co-existing freedom and slavery has shaped current views about race. More
After Spring
Following the struggles and triumphs of two Syrian families living in a Jordanian refugee camp as they contemplate an uncertain future More
A Kind of Order
Backbone Media
At California's infamous Soledad prison, A Kind of Order profiles inmates and staff struggling to break from the stark reality of America's "locked down" racial order. More
All the Difference
Ethno Pictures
In the face of incredibly challenging odds for African-American boys and men, two boys from Chicago graduate high school and make it to college. More
American Arab
Kartemquin Films
American Arab seeks to illuminate the lives and challenges faced by Arab-Americans in a hyper-sensitive post-9/11 world. More
American Exile
Kitchen Sync Group
Exploring the underreported issue of the U.S. government's deportation of American veterans More
Working to strengthen American democracy by informing, engaging, and activating Americans through deep investments in independent journalism and media
Challenging the 'Master Narrative'
Coalition to Protect Press Freedom
Documenting Immigrant Experiences to Support Community Action
Journalists and Anti-Immigrant Sources


Comprehensive list of Glendale, California based pet food supply stores and service providers - sitting, training, grooming & boarding.
Here at Arcadia Small Animal Hospital, we're committed to delivering best quality pet health and wellness services to help your pet in living a longer, happier, and healthier life. We work tight to supply our customers with access to leading-edge products and services and authoritative educational content focusing on enhancing the human animal bond.
I-Stay U-Go was established by Hilma Shahinian in 1997 as a tiny one-person operation. Hilma saw her firm grow into a complete-time occupation as customers realized that her experience as a California State humane officer and veterinary technician translated into quality, uncompromised care for their pets.
Glendale Pet Resort supplies a safe and affordable alternative to leaving your dog alone while you are away from home. We provide cage-free boarding and day care, delivering 24hr supervision by experienced specialists. The resort's new salon is headed up by a 20+ year veteran, providing the finest grooming services available.
Let our dedicated experts give you pet advice along with great client service to assist keep your pets healthy and cheerful. We provide all natural and holistic brands of pet foods and large range of pet provides and remedies. Simply the finest Grooming, Boarding, Cage Free Day Care, and Training Facility for the happiest pets on earth. Offering a true hotel experience for your pet.
Nelli Racsko - trainer, breeder and owner of Los Angeles K-9 Services and Danubius Kennels has been fond of all kinds of animals from an early age. While just a child, Nelli regularly volunteered to take attention of dogs, cats and birds of neighbors and friends. Later, in 1982, Nelli acquired her 1st German Shepherd from a breeder in Budapest, Hungary.


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WHO DO YOU THINK YOU ARE KIDDING, MR PUTIN?
Royal Navy pledges to 'man mark' Vladimir Putin's fleet as Russians begin TEN-SHIP pincer move on the English Channel
Two more Russian vessels are steaming towards the English Channel from the Atlantic accompanied by HMS Dragon
By DANNY COLLINS
Updated: 20 Oct 2016, 22:51
ROYAL Navy warships will "man-mark" a menacing Russia fleet that is preparing a pincer move on the English Channel, the MoD has said.
Eight Russian vessels led by a aircraft carrier are heading down the North Sea and are expected to pass through the Dover Straits tomorrow morning.
And they are expected to link up with two more ships there, meaning TEN heavily-armed Russian ships will be operating just miles from the British coast.
Several aircraft were pictured taking off from the flotilla during drills in the North Sea yesterdayCredit: Norwegian Navy
Dramatic images released by the Norwegian Navy showed Russian jets and helicopters performing training sorties over the North SeaCredit: Norwegian Navy
The drills are being observed by both the Royal Navy and a Norwegian vessel as they head down towards the English ChannelCredit: Norwegian Navy
Two Russian jets were filmed carrying out training runs before they head on to the Mediterranean and SyriaCredit: Norwegian Navy
The actions have led the Royal Navy to track the giant flotilla just miles from the British coastCredit: Norwegian Navy
Several military helicopters were amongst those snapped by the Norwegian NavyCredit: Norwegian Navy
The Russian Northern Fleet is being stalked by two British warships, while two corvettes heading to Britain through the Bay of Biscay are being tracked by HMS Dragon.
Ministry of Defence chiefs are taking no chances and have pledged to keep the flotilla well within their sights.
A spokesman said: "When these ships are near our waters we will man-mark them every step of the way.
"We will be watching as part of our steadfast commitment to keep Britain safe."
They added: "It is pretty unambiguous that they have set a course to pass through the Dover Strait."
But former head of the Royal Navy Admiral Lord West dismissed it as "just a bit of willy waving".
The naval hero told The Sun: "It's Putin doing a bit of a willy waving in a sense, saying this is what I can do.
'JUST A BIT OF WILLY WAVING'
Royal Navy hero dismisses Vladimir Putin's posturing in the North Sea
The Sun Varmada
We send in Admiral Vardy to face Russian supersub in the English Channel
RUSSIANS IN OUR SIGHTS
Royal Navy stalks Putin's nuke flotilla as it heads to Channel on mission to 'seize' the Med
NAVY ON RED ALERT
Moment Russian warships sail for English Channel with Putin poised to test bombs off British coast
THE RUSSIANS ARE COMING
Putin's nuclear warships steaming towards the English Channel as Royal Navy prepares to scramble fleet
VLAD FLEXES HIS GUNS
Russian fighter jets, helicopters and warships flaunt their military might in Crimea
reds alert
Patrol ship HMS Tyne called on twice in a month to escort Russian warships through the Channel
VLAD'S MY BOY
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'UNSAFE AND UNPROFESSIONAL'
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"He's just showing that Russia is there on the world stage."
An MoD spokesperson told the Guardian they expect the fleet to pass Dover within the next 24 hours.
They said: "They're in the North Sea and they're not going to turn west now – they are going to go through the Channel.
"It's hard to say when."
Dramatic images released yesterday showed our boys monitoring Vladimir Putin's fleet off the Orkney Islands as they practised bombing sorties.
Russian media has referred to the manoeuvres as Operation Sea Fist - just a day after mocking the 'tiny' British fleet.
The giant Admiral Kuznetsov aircraft carrier was operating its Sukhoi Su-27 fighter jets near the Orkney Islands as it prepares to steam down the English Channel.
The 300 metre-long Kuznetsov billows smoke in the background as a Brit sailor observes from HMS Richmond just a few hundred metres away.
Putin's navy is understood to have carried out the drills to prepare their pilots for combat missions in Syria.
The eight hi-tech ships will sail to the war-torn nation's Mediterranean coast, with the fleet passing through the North Sea and English Channel in the coming days.
Two Russian corvettes are understood to be moving towards the English Channel to link up with a large fleet heading down the North Sea
HMS Dragon is heading out to meet two Russian corvettes heading towards the Channel from the Bay of BiscayCredit: London News Pictures
Sailors on HMS Richmond tracked the menacing Russian fleet as it carries out training drills in the North Sea yesterday
They will follow the fleet all the way down the North Sea, into the English Channel and on to the Straits of Gibraltar. The Admiral Kuznetsov can be seen in the background billowing smoke
First, it is expected to stop off in the shelter of the Moray Firth to re-fuel.
Earlier today, Russian broadcasters brazenly predicted iron man Putin is ready to "seize control" of the Mediterranean Sea.
A top Moscow military expert then mocked the 'tiny' Royal Navy, which has been tasked with tracking the threat.
Britain has been without an aircraft carrier since HMS Illustrious was scrapped in 2014 but will be commissioning the £3.1bn HMS Queen Elizabeth in May 2017.
The hi-tech carrier is 280m long and weighs over 70,000 tonnes, eclipsing the 43,000 tonne Kuznetsov.
The sabre-rattling move is Putin's latest show of strength as he continues to prop up Syrian dictator Bashar al-Assad against American wishes.
And insiders in Moscow's military circles say it marks a first step towards Russia asserting its dominance in the Mediterranean.
Defence expert for Russian news agency RIA, Alexander Khrolenko, said: "While the North Atlantic bloc is stalling in the sands of the Middle East, the Russian Navy seizes control over the Atlantic, not to mention the Mediterranean and Black Seas."
Russian navy flagship and nuclear-powered aircraft carrier Admiral Kuznetsov is leading a group of eight vessels towards the Syria port of TartusCredit: Getty Images
The ships are expected to pass through the English Channel, prompting the Royal Navy to prepare to scramble shipsCredit: Getty Images
The fearsome fleet is even expected to conduct naval drills off the coast of Scotland during the journey towards the Mediterranean
The fearsome Northern Fleet is led by nuclear aircraft carrier Admiral Kuznetsov and nuclear-powered battle cruiser Peter the Great.
The former is expected to provide more Russian jets to the bombing campaign aimed at anti-Assad fighters in the city of Aleppo.
And Khrolenko warned their presence in the Med will tip the naval balance of power away from Nato nations, adding: "They have no equal in the Mediterranean."
The Mail reported a source as saying: "The Admiral Kuznetsov is currently conducting flight operations off the east coast of the Orkneys.
"The pilots need to be certified for carrier take-offs and landings at day and night before it takes up station in the Mediterranean.
"They are free to do this in international waters, but once they are in the English Channel, the aircraft will be grounded."
The Russian fleet is believed to have anchored in the Moray Firth off the Scottish coast before heading down the North Sea
Destroyer HMS Duncan is expected to tail the Russian fleet as it passes through the North Sea and English ChannelCredit: Getty Images
She is likely to be accompanied by frigate HMS Richmond, shadowing the eight-vessel convoy down to the Straits of GibraltarCredit: Getty Images
Admiral Kuznetsov's Sukhoi SU-27-K fighter jets are currently carrying out practice sorties in the sea off the Orkney IslesCredit: Getty Images
Images emerged yesterday of the ships sailing past the Norwegian city of Trondheim towards the North Sea, where they are expected to pick up an escort from the Royal Navy.
The frigate HMS Richmond and destroyer HMS Duncan will likely shadow the Russian fleet to the Straits of Gibraltar.
But dismissive Khrolenko poured scorn on "what little remains of the Royal Navy".
Speaking about the approach of the ships, a Nato naval source told The Telegraph: "It's not catching us by surprise, we are working up what to do and we are all over it.
"The most likely thing is that they will go through the North Sea, down the Dover Strait and through the Channel.
"They might even stop off the North East coast to fly for a bit."
The fleet was pictured leaving its base in the Arctic last weekCredit: twitter
The ships are steaming down towards the North Sea and the English Channel before heading on to the Mediterranean and Syria
Russian experts have warned Vladimir Putin is asserting his country's dominance in the MediterraneanCredit: Getty Images
The show of strength is the latest act of defiance from Moscow in the face of Western pressure over its bombing campaign in Syria.
Earlier this month Russia bombers went on a run around Western Europe, forcing the air forces of four Nato members to scramble their fighter jets.
President Vladimir Putin has been supporting embattled Syrian dictator Bashar al-Assad with air strikes.
The bombing of an aid convoy last month saw a fragile ceasefire disintegrate and put even greater strain on relations between the US and Moscow.
Neighbour Turkey warned on Monday that Syria could become a proxy war for the two superpowers as they pile weapons and advisers into the Middle East.
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Home › Sports › Bengals QB Joe Burrow Sports Festive Outfit, Says SpongeBob Is 'All I Got' Following Historic Performance
Bengals QB Joe Burrow Sports Festive Outfit, Says SpongeBob Is 'All I Got' Following Historic Performance
by Jonathan Howard December 26, 2021
written by Jonathan Howard December 26, 2021 7:18 pm
(Photo by Andy Lyons/Getty Images)
The NFL has been full of style for years. However, after Joe Burrow threw for 525 along with 4 TDs, he kept things festive and simple.
I'll be honest, I love when a player has a big game and comes out wearing sunglasses, maybe a designer jacket, and they exude swagger. However, the Bengals QB might have taken that to another level with his outfit today.
Joe Burrow had one of the best games of the Super Bowl era today against the Baltimore Ravens. 37/46 through the air, 525 yards, 4 scores, and a couple of runs that mattered. He spread the ball around to seven receivers in the process. Three of them scored. When he strolled into the postgame press conference Burrow had all the swagger despite wearing a Santa hat and a Spongebob sweater.
Check out the tweet below and see for yourself:
Bengals QB Joe Burrow out here in the Christmas spirit: pic.twitter.com/KQm998umCg
— Ben Baby (@Ben_Baby) December 26, 2021
Wearing his "The Krusty Krab," sweater, Burrow answered questions following the best game of his career. One of those, was of course, related to the Nickelodeon cartoon. In response to that question, this is what he had to say.
"It's a great show. It's all I got."
— Joe Burrow on SpongeBob
— KimberlEY A. Martin (@ByKimberleyA) December 26, 2021
"It's a great show. It's all I got," Joe Burrow said about Spongebob Squarepants.
Reactions to Burrow's Outfit
As soon as those screenshots and pictures made it to Twitter, fans started to react. Honestly, it is hard not to like the 25-year-old QB.
One NFL fan reacted to the picture of Joe Burrow saying, "Damn I don't hate the Bengals now WTF."
Among the reactions was a sad Ohio State and Cleveland Browns fan who is left wondering what could have been. "Dreaming of a world [in] which he stayed at Ohio State and ended up with the Browns," @DJ_freese said.
However, my favorite reaction was from @mhc_76 who said, "the reason Burrow is so good is that he is a huge Spongebob guy." We love to see it, to be honest.
Joe Burrow and His Path to Greatness
Now, Burrow remains a very interesting player. Clearly, we haven't seen him put together a game like this until today. Despite having some doubters this season, he has persevered. It makes sense. He started his career at Ohio State in college. Then, transferred to LSU to try and find playing time.
Of course, football fans know what happened next. Burrow had an insane season that culminated in LSU and former coach Ed Orgeron winning the national title. Then, he went on to be the No. 1 pick in the 2020 NFL Draft. Now, he's in year two and starting to find his groove out on the field.
Joe Burrow remains one of the best young players in the league. He now has the fourth-most passing yards ever by an NFL QB in a single game. The team is 9-6. His passer rating was 143.2 and he was just about as flawless as one can be, including his postgame fit.


God has been faithful to His promise of being with us and guiding us as we carry out the mission of hope and wholeness. As we look back at 2018, we can identify the progress made by Atlantic Union Conference in spite of its challenges.
At the onset of 2018, we were faced with the stark reality that the survival of Atlantic Union College was in doubt. The college did not get its long-awaited accreditation, the student population was far below expectation, and at the same time, the college had to maintain a faculty and staff to ensure coverage for the various areas of discipline.
The Atlantic Union Conference Executive Committee commissioned a feasibility study, during which time some of the supporting conferences stopped, threatened to stop, or reduced the subsidy sent to the college. After the completion of the study, the recommendations of the committee were brought to a special constituency meeting of the college. It was decided that the college would suspend the academic program of the institution at the end of the 2017-2018 school year. This was a painful decision, but the institution had to face these realities.
The Atlantic Union had four conference constituency sessions in 2018: New York Conference in April, Greater New York Conference in June, Bermuda Conference in September, and Northern New England Conference in October. These sessions were well conducted, and we pray that the work of the Lord will continue in each conference.
In 2019, the Atlantic Union will move forward boldly with hope and optimism. Some of the issues in our worldwide church that we continue to grapple with include the role and function of women in ministry and unity amidst diversity. While focusing on the mission God has given the remnant church, the Atlantic Union must set its priorities and work assiduously to achieve them. With the outpouring of the Holy Spirit and the total involvement of clergy and laity, we will become fully engaged in the proclamation of the Three Angels' Messages of Revelation 14.
There are many crises in this world which we cannot escape. How we navigate them will determine how we make a meaningful impact on the world around us. Let us not expect the people to come to us, but rather meet them where they are and minister to their needs. Ellen G. White said it clearly, "A new element needs to be brought into the work. God's people must receive the warning, and work for souls right where they are, for people do not realize their great need and peril. Christ sought the people where they were, and placed before them the great truths in regard to His kingdom"—Medical Ministry, p. 319.
How do we address these challenges facing us today? We need to have a renewed perspective of the mission for which God has called us. While not necessarily using the traditional approach, we must assess where people are and provide practical solutions that will address their needs. People around us are hurting; many are confused, not knowing where to turn for help. Let us provide the source of help for our neighbors. The Lord said, "Behold, I will do a new thing, now it shall spring forth; shall you not know it? I will even make a road in the wilderness and rivers in the desert"—Isaiah 43:19, NKJV.
Our God is the God of the impossible. May we put our trust and confidence in Him to direct our path.
This editorial first appeared in the January 2019 issue of The Atlantic Union Gleaner magazine, page 3.