text:
import * as graphic from '../../util/graphic';
import {round} from '../../util/number';
import SeriesModel from '../../model/Series';
import { SeriesOption } from '../../util/types';
import type Cartesian2D from '../../coord/cartesian/Cartesian2D';
import type Polar from '../../coord/polar/Polar';
import { CoordinateSystem } from '../../coord/CoordinateSystem';
import { isFunction } from 'zrender/src/core/util';

type SeriesModelWithLineWidth = SeriesModel<SeriesOption & {
    lineStyle?: { width?: number }
}>;
function createGridClipPath(
    cartesian: Cartesian2D,
    hasAnimation: boolean,
    seriesModel: SeriesModelWithLineWidth,
    done?: () => void,
    during?: (percent: number, clipRect: graphic.Rect) => void
) {
    const rect = cartesian.getArea();

    let x = rect.x;
    let y = rect.y;
    let width = rect.width;
    let height = rect.height;

    const lineWidth = seriesModel.get(['lineStyle', 'width']) || 2;
    // Expand the clip path a bit to avoid the border is clipped and looks thinner
    x -= lineWidth / 2;
    y -= lineWidth / 2;
    width += lineWidth;
    height += lineWidth;

    // fix: https://github.com/apache/incubator-echarts/issues/11369
    x = Math.floor(x);
    width = Math.round(width);

    const clipPath = new graphic.Rect({
        shape: {
            x: x,
            y: y,
            width: width,
            height: height
        }
    });

    if (hasAnimation) {
        const baseAxis = cartesian.getBaseAxis();
        const isHorizontal = baseAxis.isHorizontal();
        const isAxisInversed = baseAxis.inverse;

        if (isHorizontal) {
            if (isAxisInversed) {
                clipPath.shape.x += width;
            }
            clipPath.shape.width = 0;
        }
        else {
            if (!isAxisInversed) {
                clipPath.shape.y += height;
            }
            clipPath.shape.height = 0;
        }

        const duringCb = isFunction(during)
            ? (percent: number) => {
                during(percent, clipPath);
            }
            : null;

        graphic.initProps(clipPath, {
            shape: {
                width: width,
                height: height,
                x: x,
                y: y
            }
        }, seriesModel, null, done, duringCb);
    }

    return clipPath;
}

function createPolarClipPath(
    polar: Polar,
    hasAnimation: boolean,
    seriesModel: SeriesModelWithLineWidth
) {
    const sectorArea = polar.getArea();
    // Avoid float number rounding error for symbol on the edge of axis extent.

    const r0 = round(sectorArea.r0, 1);
    const r = round(sectorArea.r, 1);
    const clipPath = new graphic.Sector({
        shape: {
            cx: round(polar.cx, 1),
            cy: round(polar.cy, 1),
            r0: r0,
            r: r,
            startAngle: sectorArea.startAngle,
            endAngle: sectorArea.endAngle,
            clockwise: sectorArea.clockwise
        }
    });

    if (hasAnimation) {
        const isRadial = polar.getBaseAxis().dim === 'angle';

        if (isRadial) {
            clipPath.shape.endAngle = sectorArea.startAngle;
        }
        else {
            clipPath.shape.r = r0;
        }

        graphic.initProps(clipPath, {
            shape: {
                endAngle: sectorArea.endAngle,
                r: r
            }
        }, seriesModel);
    }
    return clipPath;
}

function createClipPath(
    coordSys: CoordinateSystem,
    hasAnimation: boolean,
    seriesModel: SeriesModelWithLineWidth,
    done?: () => void,
    during?: (percent: number) => void
) {
    if (!coordSys) {
        return null;
    }
    else if (coordSys.type === 'polar') {
        return createPolarClipPath(coordSys as Polar, hasAnimation, seriesModel);
    }
    else if (coordSys.type === 'cartesian2d') {
        return createGridClipPath(coordSys as Cartesian2D, hasAnimation, seriesModel, done, during);
    }
    return null;
}

export {
    createGridClipPath,
    createPolarClipPath,
    createClipPath
};


text:
#include <algorithm>
#include <cctype>

#include "reaper_plugin_functions.h"

#include "TransferSearch.h"
#include "WAAPITransfer.h"

TransferSearch::TransferSearch(WAAPITransfer *transferObject, HWND parent, const int regionListViewId, const int RegionTracksToRenderListViewId)
    : m_waapiTransfer(transferObject)
    , m_hwnd(parent)
    , m_regionListViewId(regionListViewId)
    , m_regionTracksToRenderListViewId(RegionTracksToRenderListViewId)
{
    HWND regionView = GetRegionListViewHWND();
    {
        LVCOLUMN column{};
        column.mask = LVCF_FMT | LVCF_TEXT | LVCF_WIDTH | LVCF_SUBITEM;
        column.fmt = LVCFMT_LEFT;
        column.cx = 125;
        column.iSubItem = RegionListViewSubItemID::Name;
        column.pszText = "Name";
        ListView_InsertColumn(regionView, RegionListViewSubItemID::Name, &column);
    }

    {
        LVCOLUMN column{};
        column.mask = LVCF_FMT | LVCF_TEXT | LVCF_WIDTH | LVCF_SUBITEM;
        column.fmt = LVCFMT_LEFT;
        column.cx = 125;
        column.iSubItem = RegionListViewSubItemID::NumRenderItems;
        column.pszText = "Render Items";
        ListView_InsertColumn(regionView, RegionListViewSubItemID::NumRenderItems, &column);
    }

    ListView_SetExtendedListViewStyle(regionView, LVS_EX_FULLROWSELECT | LVS_EX_LABELTIP);

    //region render items view
    HWND regionTracksToRenderView = GetRegionTracksToRenderHWND();
    {
        LVCOLUMN column{};
        column.mask = LVCF_FMT | LVCF_TEXT | LVCF_WIDTH | LVCF_SUBITEM;
        column.fmt = LVCFMT_LEFT;
        column.cx = 125;
        column.iSubItem = RegionTracksToRenderListViewSubItemID::AudioFileName;
        column.pszText = "Audio File";
        ListView_InsertColumn(regionView, RegionTracksToRenderListViewSubItemID::AudioFileName, &column);
    }

    {
        LVCOLUMN column{};
        column.mask = LVCF_FMT | LVCF_TEXT | LVCF_WIDTH | LVCF_SUBITEM;
        column.fmt = LVCFMT_LEFT;
        column.cx = 125;
        column.iSubItem = RegionTracksToRenderListViewSubItemID::RenderSource;
        column.pszText = "Render Source";
        ListView_InsertColumn(regionView, RegionTracksToRenderListViewSubItemID::RenderSource, &column);
    }

    RefreshState();
}

void TransferSearch::RefreshState()
{
    RefreshReaperState();
    RefreshRenderItemIndexing();
}

void TransferSearch::RefreshReaperState()
{
    m_trackGuidToRenderItems.clear();
    int numTracks = CountTracks(0);

    m_trackGuidToRenderItems.reserve(numTracks);

    //enumerate reaper tracks
    for (int trackIdx = 0;
         trackIdx < numTracks;
         ++trackIdx)
    {
        MediaTrack *track = GetTrack(nullptr, trackIdx);
        char name[256];
        GetSetMediaTrackInfo_String(track, "P_NAME", name, false);

        //name -> tolower for searching, can cause collisions with two names capitalized differently but thats an odd use case
        //and user can still select track and match GUID anyway.
        std::transform(std::begin(name), std::end(name), std::begin(name), [](char c) { return std::tolower(c); });

        char guidStr[64];
        guidToString(GetTrackGUID(track), guidStr);
        m_trackGuidToRenderItems.insert({ guidStr, {} });
    }

    m_regionIdToRenderItems.clear();
    int numRegions;
    CountProjectMarkers(0, nullptr, &numRegions);
    m_regionIdToRenderItems.reserve(numRegions);

    //enumerate regions
    bool isRegion;
    double start, end;
    const char *regionName;
    int regionIndex;

    for (int markerIdx = 0; /* */; ++markerIdx)
    {
        if (!EnumProjectMarkers(markerIdx, &isRegion, &start, &end, &regionName, &regionIndex))
        {
            break;
        }

        if (!isRegion)
        {
            continue;
        }

        char regionNameStrBuffer[512];
        strcpy(regionNameStrBuffer, regionName);

        LVITEM listViewItem{};
        listViewItem.mask = LVIF_TEXT | LVIF_PARAM;
        listViewItem.iItem = static_cast<int>(m_regionIdToMappedListView.size());
        listViewItem.iSubItem = 0;
        listViewItem.pszText = regionNameStrBuffer;
        listViewItem.lParam = regionIndex;

        const int listViewId = ListView_InsertItem(GetRegionListViewHWND(), &listViewItem);
        const uint32 mappedListViewID = ListView_MapIndexToID(GetRegionListViewHWND(), listViewId);
        m_regionIdToMappedListView.insert({ regionIndex, mappedListViewID });

        m_regionIdToRenderItems.insert({ regionIndex, {} });

        //reaper gives us an immutable string
        std::string regionStr(regionName);
        std::transform(regionStr.begin(), regionStr.end(), regionStr.begin(), [](char c) { return std::tolower(c); });
    }
}

void TransferSearch::RefreshRenderItemIndexing()
{
    //iterate render items
    for (auto it = m_waapiTransfer->s_renderQueueItems.begin(),
         itEnd = m_waapiTransfer->s_renderQueueItems.end();
         it != itEnd;
         ++it)
    {
        const RenderItem &renderItem = it->second.first;
        const RenderItemID &renderItemId = it->first;

        //check render track, add if guid's match
        auto trackGuidFoundIt = m_trackGuidToRenderItems.find(renderItem.trackStemGuid);
        if (trackGuidFoundIt != m_trackGuidToRenderItems.end())
        {
            trackGuidFoundIt->second.push_back(renderItemId);
        }

        //check region id, add if match
        auto regionIdxFoundIt = m_regionIdToRenderItems.find(renderItem.reaperRegionId);
        if (regionIdxFoundIt != m_regionIdToRenderItems.end())
        {
            regionIdxFoundIt->second.push_back(renderItemId);
        }
    }
}

redpajama_set_name: RedPajamaGithub


text:
Info Zone - gEngines, Ray Tracing, DLSS, DLAA, TSR, FSR, XeSS, DLDSR etc. NVIDIA GeForce 528.24 WHQL driver download & Discussion Intel Shares Fourth-Quarter and Full-Year 2022 Financial Results Forspoken implements Microsoft's DirectStorage API, offers faster load times but lowers frame rate AMD Software: Adrenalin Edition 23.1.2 for AMD Radeon™ RX 7900 Series Microsoft launched an Office Census. RTX 4090 Owner's thread Amernime Zone AMD Software: Adrenalin / Pro Driver - Release Discovery 22.12.2 WHQL Export and Share curve OC profiles for MSI AB (suggestion) Upgrade to Nvidia from Amd.
Guru3D.com » News » Researchers successfully bypass hardware encryption in Samsung and Crucial SSDs
Researchers successfully bypass hardware encryption in Samsung and Crucial SSDs
by Hilbert Hagedoorn on: 11/06/2018 10:52 AM | source: tweakers.net | 9 comment(s)
Researchers from the Netherlands discovered several vulnerabilities in various SSDs from Crucial and Samsung. The embedded hardware encryption can be bypassed.
Before we begin, the researchers have only tested a small number of Samsung and Crucial SSDs, it's likely more widespread to other brands as well. They gents not only have they been able to bypass encryption, they also simply download the firmware, reverse engineered it and found out how the security measures work for the SSD manufacturers. Carlo Meijer and Bernard van Gastel explain that the hardware data encryption technologies built into modern SSDs is easy to bypass making even Bitlocker ineffective. SSDs use native encryption solutions like AES and the researchers found that many hardware implementations with native encryption reveal security weaknesses, allowing for complete recovery of the data. They have published a paper on their findings which you can read here, Samsung already responded with an online notice.
Vulnerability CVE-2018-12037 shows up on the Crucial MX100, MX200 and MX300, the external Samsung T3 and T5 ssds and the Samsung 840 Evo and 850 Evo. The researchers obtained the right entry to security, by buffer overflows and the JTAG debug interface. According to Van Gastel, there are also other ways of enabling the execution of code on the controller, such as via power glitching. Vulnerability, CVE-2018-12038 shows an issue with wear leveling at the chip on which the key is stored. SSDs are delivered without a password at factory default, by default everything is encrypted with the key stored unprotected. When changing a password, a protected key is still written, but due to wear leveling, the unprotected data could still reside on other sectors. The key without a password can thus be read in that other location, although it is logically impossible to extract it. This was the case with the Samsung 840 Evo. The researchers warn that Windows BitLocker can automatically choose hardware encryption if a drive with TCG Opal support is present. Only a completely new installation, with reformatting the disk, forces software encryption. "The command to see if Windows outsources the encryption to the disk is' manage-bde-status' in the Command Prompt or PowerShell. If 'Hardware Encryption' is behind 'Encryption Method', the encryption will be outsourced to the SSDs', according to Van Gastel.
The flaws can be found in the encryption mechanism of various types of solid state drives (SSDs) (listed below) by two major manufacturers, namely Samsung and Crucial. The vulnerabilities occur both in internal storage devices (in laptops, tablets and computers) and in external storage devices (connected via a USB cable). The affected storage media include popular models that are currently sold a lot. Researcher Bernard van Gastel: "The manufacturers involved were informed half a year ago in accordance with current professional practice. The results will be made public today so that organizations and consumers involved can protect their data properly. '
Researcher Carlo Meijer: 'This problem mainly requires action from organizations that store sensitive data on these devices. And also of some consumers who use this form of data protection. However, most consumers do not yet use this form of data protection. '
If sensitive data needs to be protected, it is advisable to use software encryption in any case and not only rely on hardware encryption. One of the possible options is to use the free VeraCrypt open source software package, but there are other solutions as well.
Encryption (encryption) is the most important mechanism for data protection. This can be done via software and via hardware, for example in SSDs. In modern operating systems, software encryption is generally used for the entire storage. However, it is possible that such a control system decides to rely solely on hardware encryption (if supported by their storage medium via the TCG Opal standard). BitLocker, the encryption software built into Microsoft Windows, can make such a switch to hardware encryption, but in these cases it does not offer effective protection. Encryption software built into other operating systems (such as macOS, iOS, Android and Linux) seems unaffected when these switches are not executed.
Methods used
The researchers found these vulnerabilities with the aid of public information and around € 100 of evaluation equipment. They bought the SSDs that they researched through the normal sales channels. The vulnerabilities are quite difficult to discover. However, once the nature of the vulnerabilities is known, there is a risk that exploitation of these defects will be automated by others, making abuse easier. The researchers at Radboud University will not release such exploitation resources.
Products involved
The models where actual vulnerabilities have been demonstrated are:
the Crucial (Micron) MX100, MX200 and MX300 internal hard drives;
the Samsung T3 and T5 external USB drives;
the Samsung 840 EVO and 850 EVO internal hard drives.
Windows computers
On computers with Windows, a software component called BitLocker provides encryption of the data from the computer. Within Windows, the type of encryption that BitLocker uses is set via the so-called Group Policy. Only a completely new installation, including reformatting the internal drive, will force software encryption. Changing the default value does not solve the problem immediately because it does not re-encrypt existing data. More information about the Group Policy setting can be found in the left section below.
Both manufacturers were informed in April 2018 via the National Cyber Security Center (NCSC). The university has provided the data to both manufacturers so that they can adjust their product. The manufacturers themselves will provide detailed information to their customers about the models concerned; the necessary links are at the bottom.
When discovering a security error, there is always the dilemma of how to deal with this information. Immediate publication of the data can encourage attacks and cause damage. Long-term secrecy of the error can mean that the necessary steps to prevent vulnerability are not taken while people and organizations are still at risk. In the security community, it is common practice to look for a certain balance and to wait for defects to be exposed up to 180 days after the manufacturer of the product concerned has been informed. This procedure of responsible disclosure is used by Radboud University as standard.
The protection of digital data has become a necessity, especially in the light of the new European general data protection regulation (AVG). Radboud University wants to contribute to this through its computer security research, both by developing new security mechanisms and by analyzing the power of existing mechanisms.
The researchers are now about to publish the scientific aspects of their findings in the scientific literature. Today, November 5, 2018, a preliminary version (pdf, 757 kB) of these findings will be published. After the end of the peer review process, a definitive version will appear in the scientific literature. This publication is not a guide to breaking into SSDs.
« SK Hynix Launches CTF-based 4D NAND Flash (96-Layer 512Gb TLC) · Researchers successfully bypass hardware encryption in Samsung and Crucial SSDs · Review: ASUS ROG STRIX Z390-E Gaming »
Researchers find uefi rootkit that is actively being abused - 09/28/2018 08:36 AM
ESET researchers have shown that the Sednit operators used different components of the LoJax malware to target a few government organizations in the Balkans as well as in Central and Eastern Europe. T...
NVIDIA CEO Hands out Special CEO Edition Titan V GPUs to AI Researchers - 06/21/2018 04:21 PM
At the Computer Vision and Pattern Recognition conference in Salt Lake City Wednesday, NVIDIA's Jensen Huang told top AI researchers he wanted to help them achieve a very different kind of p...
Researchers reveal Variant 4 of Spectre vulnerability - 05/22/2018 05:38 PM
As discussed a few weeks ago, a new Spectre vulnerability has been shared and made public today. Earlier on it was reported that there are eight new vulnerabilities, grouped and named as Spectre-ng...
Researcher Demonstrates USB Stick That Can BSOD Any Windows 10 Device Even If Locked - 05/03/2018 07:28 AM
Microsoft has a security issue that affects both Windows 7 and Windows 10 operating systems. The code exploits a vulnerability in Microsoft's handling of NTFS filesystem images and was discovered by...
Researchers Discover new Intel processor Vulnerability - the BranchScope Attack - 03/28/2018 01:58 PM
A new Vulnerability has been discovered on Intel processors by researchers. The security attack uses the speculative execution features of modern processors to leak sensitive information and underm...
2 pages 1 2
till now, they probally didnt thought of it that others can reverse engineer theyr firmware, haha..
well, i guess from now on they gonna encrypt theyr firmware, since this will be cheaper or more easy then fixing teh software in the firmware...:p
Still no valuable method to break into a system. If anyone would be at this point of access, one could use more common methods to say "Hello!".
But nice to see a real PoC about it. ... to know what COULD be. ...
gx-x
When you hack/modify video game code - you get sued for breaking EULA. Maybe they should slap some EULAs onto CPUs and all the other stuff, there will be less articles like this. This "discovery" is basically just noise.
tsunami231
ever since the meltdown spectre debacile it been race to see who can find more flaws and where. I think it getting out hand especially in making it public
if it wouldnt go public, it might never get fixed..
So, its good when those multi million dollar coperations are forced to fix the Shit they did wrong in teh first place..
wich is, and will be good in the long run..

redpajama_set_name: RedPajamaCommonCrawl


text:
759: Boy Scouts of Harlem
759: Boy Scouts of Harlem theatrical poster
Jake Boritt & Justin Szlasa
Justin Szlasa
Keith Dozier
Okpoti Sowah
Ann Dozier
Colin "KC" Byers
Emmanuel Nortey
Manahi Taber-Kewene
May 1, 2009 (2009-05-01)
759: Boy Scouts of Harlem is a family documentary about Boy Scout Troop 759, which meets in Harlem. It was directed by Jake Boritt and Justin Szlasa who also produced, wrote, and edited the film.
The documentary is available for streaming on Amazon Prime, for free on Vimeo, and is periodically broadcast on PBS stations in North America and on channels around the world.
The film premiered as a free community event on March 14, 2009 at the Schomburg Center for Research in Black Culture in Harlem on Malcolm X Boulevard.[1] Two weeks later it screened on board the Intrepid Sea-Air-Space Museum in Manhattan, then on October 8, 2009 Senator Jeff Sessions and Senator Ben Nelson sponsored a screening on Capitol Hill.[2] The film aired on public television stations around the country starting in August 2010, as presented by Maryland Public Television.
2 Subjects
The film follows four Boy Scouts and two Scout leaders, from the streets of Harlem to the woods of Camp Keowa on Crystal Lake in the Catskills. The newest Scout, eleven-year-old Keith Dozier, spends his first week at camp facing the challenges of the woods: the dock test in the deep lake, creatures of the night, the climbing tower, the raucous dining hall, and the kitchen. With help from his fellow Scouts and Scoutmaster Sowah, young Keith faces the challenges and earns his place as a Scout.[3]
Subjects[edit]
The Scoutmaster of Troop 759 is Okpoti Sowah, who was born in what is now Ghana. Sowah came to the United States to pursue his education and eventually earned a master's degree from Columbia University. The assistant Scoutmaster is Ann Dozier and the featured Scouts are Keith Dozier, Devon Howard, Emmanuel Nortey and the late Colin 'K.C.' Byers (1993-2011). Camp Keowa Staff include Andy Cabrera, John X. Restrepo and Marina Chernykh.[4]
^ "759: Boy Scouts of Harlem Documentary World Premiere Shines a Light on GNYC Scouts". Boy Scouts of America Greater New York Councils. Archived from the original on 2011-06-03. Retrieved 2009-05-17.
^ "So You Think You Know Boy Scouts?". Roll Call. Retrieved 2009-10-22.
^ "Filming the Scouts of Harlem". Hopkins Magazine. Retrieved 2009-12-04.
^ "Philly Tribune Documentary helps Boy Scouts Broaden Horizons". Archived from the original on 2011-10-09. Retrieved 2009-12-04.
Boston Globe Review
New York Daily News Review
Amsterdam News Review
NY Post Opinion Kids Lose as NYC Kills Scouting
Interview with Scouting News
Interview with Scouting Radio
Review by BSA-GNYC
Review from Condo Life
Scouting portal
harlemscouts.com
759: Boy Scouts of Harlem on IMDb
Retrieved from "https://en.wikipedia.org/w/index.php?title=759:_Boy_Scouts_of_Harlem&oldid=898137552"
Films about the Boy Scouts of America
American documentary films
2000s documentary films
Documentary films about children


Are You Ready for $5.00 a Gallon for Gas?
Let's just blur the picture because the price will change the next time you look! What is your risk tolerance? War in the Middle East is possible and could cause a big spike in pump prices. Are you willing to accept the pain in exchange for removing some angry Ayatollah?
Keep in mind there is the annual Memorial Day increase on the horizon and increases for Independence Day and Labor Day. A prolonged war (even if we're not involved) could cause a skyrocketing effect on fuel costs.
How long can you endure $4.00 a gallon or even $5.00 or more? The First Gulf War caused a sudden and brief spike nearly 30 years ago. Buckle your chin straps. This could be a bumpy ride.


This law firm is a debt collector, this is an attempt to collect a debt, and any information obtained will be used for that purpose.
You are being transferred to an external site contracted by Portnoff Law Associates, Ltd. to process electronic checks (ACH Transactions). All transfers are one time transfers. The maximum single transaction limit is $25,000.00.
NOTE: Payment due dates will be honored based on payment date. Funds will be applied to your account after five business days based on payment processing requirements.


text:
L.A. Jazz Scene
Clifford Bell's Excellent Venture: Music Empresario Celebrates 40 Years on LA Scene
UNDER ONE MOON
Lynn Keller
Every Wednesday Band with Peggie Perkins
City Club of Los Angeles
Paul Kreibich "Thank You Elvin" Quartet at the Lighthouse
Tom Kubis Big Band at Sunset Jazz at Newport
Marlon Martinez
Kiki Ebsen To Dad With Love
Concert at Orange County Musicians' Local 7
Kiki Ebsen And Friends
Champian Fulton Trio with special guest Andy Martin
Bria Skonberg Quintet Sunset Jazz at Newport
Jazz CD Reviews December 2020
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Jazz Around Town
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Doc's Spot
Jazz Gumbo
Jazz Gumbo December 2020
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Jazz October 2019
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Gombo September 2018
Dee Dee's Jazz Diary
by Scott Yanow
No, Chick Corea and Kurt Elling did not perform together (which would be a very good idea sometime), but they shared the stage at Disney Hall during one of the finest Southern California jazz concerts of the year.
First Kurt Elling, arguably the finest male jazz singer of the past decade, took the stage. His current band consists of Stu Mindeman on piano and organ, guitarist John McLean, bassist Clark Sommers, and drummer Christian Euman with trumpeter Marquis Hill guesting on a few numbers. Elling celebrated the release of his new Okeh CD The Questions by performing some of the numbers from that disc including Bob Dylan's "A Hard Rain's A Gonna Fall" (performed as a folk song similar in treatment to what one might hear from Bill Frisell), "I Have Dreamed" from The King And I, and Leonard Bernstein's "Lonely Town." Elling talked philosophically between songs and asked unanswerable questions, getting the audience to chuckle when he asked "How did we get here? How long do we have to stay here?" But actually the highpoint of his set was the closer which is not on the CD, a burning version of Abbey Lincoln's "As Long As You're Living" that had his masterful scatting trading choruses with Hill's trumpet.
For the main act, Chick Corea performed a set of his compositions with the Jazz At Lincoln Center Orchestra. Although some were disappointed that Wynton Marsalis was absent, the all-star big band was in top form, clearly inspired by the presence of the great pianist-composer. In fact, it was fun to watch their smiles at Corea's solos, particularly Sherman Irby's. Starting with "Armando's Rhumba" (which was arranged by bassist Carlos Henriquez ), and continuing through Ted Nash's chart on "Windows," "Litha," "Wigwam," "Crystal Silence" and a very adventurous version of "Matrix," this was a particularly memorable set. Henriquez was a revelation throughout, pushing Corea and contributing a great deal of drive to the music. Other key soloists (usually on one song apiece) included trumpeters Michael Rodriguez and Marcus Printup, Ted Nash on flute, tenor-saxophonist Victor Goines, baritonist Paul Nedzela, trombonist Andre Hayward, and altoist Irby. But Corea was the main star, stretching himself on every song in his improvisations and, at 75, sounding both very creative and ageless.
Chick Corea has recorded with relatively few big bands throughout his busy career. Hopefully there will be a CD with the Jazz At Lincoln Center Orchestra in the future.
Andrew Choate and Peter Kolovos have for the past five years booked avant-garde jazz and experimental artists in Los Angeles. Recently they hosted the two-day Unwrinkled Ear Festival Of Improvised Music which was held at the First Presbyterian Church in Santa Monica. I found out about their festival just two days before and missed the first afternoon which had unaccompanied solo sets by saxophonists Roscoe Mitchell and Evan Parker, and a duet encounter by pianist Sten Sandell and percussionist Kjell Nordeson.
Fortunately all of the musicians were back for the three sets that took place on Sunday afternoon. Roscoe Mitchell (on alto), Evan Parker (sticking to soprano) and cornetist Bobby Bradford started off the day by playing a continuous free improvisation for 32 minutes. The musical conversation by the three horns, which featured giants from Chicago, England and Los Angeles, held one's interest throughout. The trio of veterans from the 1960s avant-garde jazz scene listened closely to each other, reacted quickly, and was engaged throughout in close interactions. Bradford, who sometimes used a mute, displayed his mellow tone which always makes his playing sound a bit accessible even when he is at his most dissonant. Parker, who could have been miked louder, played unpredictably and with plenty of passion. He had not performed in Los Angeles in quite a few years. But the main star was Mitchell who at 77 never seemed to run out of energy or creative ideas.
The second set had Swedish pianist Sten Sandell at first playing the church organ with a great deal of drama before switching to a piano which was "prepared" with a towel that distorted some of its tones. His improvising, which lasted 28 minutes, was always coherent even when it was at its freest.
The final set had three horns and Sandell returning with the addition of the Swedish percussionist Kjell Nordeson. Similar to the first set in that the 30 minutes of music was all ensemble, the difference this time was that Mitchell played soprano rather than alto and Nordeson's rumbling drums (mostly using mallets) and vibes added to the performance's volume and color.
All in all it was a fascinating afternoon of music played before a large and enthusiastic audience. Andrew Choate and Peter Kolovos are to be congratulated for this successful festival. Information about their upcoming events (which deserve to be supported) can be found at www.andrewchoate.us/the-unwrinkled-ear .
Oleg Frish, who first appeared at Catalina's last year, made a successful return visit recently. A regular host on radio and television in the New York area, the Russian-born singer (who moved to the U.S. 20 years ago) has always loved the Great American Songbook, particularly music of the 1940-70 period. While he has worked as everything from a "singing psychic" to a music journalist, a lecturer on the history of show business to the executive producer of the weekly Russian language television news and entertainment program "Time Out," his true love is singing. He has recorded four albums with the most recent one, Oleg Frish and His American Idols, including duets with a variety of famous veteran performers.
Frish, who can sing in 24 different languages, performed his "Swing Around The World" show at Catalina's. He was joined by a septet that included trumpeter Bill Churchill, trombonist Bob McChesney, Glenn Berger (on tenor, flute and clarinet) and pianist Rich Eames. The personable and charming singer began with a swinging version of "You Always Hurt The One You Love," and during the 100-minute set one heard such songs as "What A Difference A Day Made" (in both Spanish and English), "Rhode Island Is Famous For You," "Day By Day," "This Is A Lovely Way To Spend An Evening," "Slow Boat To China," "The Things We Did Last Summer," "Bring Me Sunshine,"
"You're Nobody Till Somebody Loves You," "Hello Dolly" and "I Wish You Love." Oleg Frish also sang tunes in other languages, all of which swung. He told interesting and colorful stories between the songs, featured the band on an instrumental version of "On The Sunny Side Of The Street," made sure that the audience had a good time, and displayed the joy of swing. Everyone went home with a smile on their face.
JAZZ GOES MOD
The R&B label (www.rhythmandbluesrecords.co.uk ) has been releasing two-CD sets in their rather unusual reissue series. Jazz Goes Mod. So far they have come out with twofers titled Soho Scene '61, '62 and '63 ('64 is thus far only out on Lp). Jazz Goes Mod is definitely a type of time machine. Imagine being in one's early twenties, living in Great Britain in 1961, and being a fan of modern jazz. You are not into trad (which was very popular in England at the time) or free jazz but instead enjoy hearing danceable and melodic jazz that grooves and is often a bit funky. What might you be listening to?
Each of these two-CD sets consists of a disc of some of the top performances recorded by British jazz musicians in that particular year plus a CD of influential American recordings. The set of American performances does not contain the expected names (Miles Davis, John Coltrane, Oscar Peterson, Ella Fitzgerald, etc.) and instead mostly concentrates on catchy soul jazz performances from lesser-known (and sometimes very obscure artists), many of which might have been heard on 45s or on jukeboxes.
Even if one does not necessarily buy the premise that this is the music that you would be listening to, the series is an excellent way to suddenly acquire a great deal of fun music that you might not have heard before.
Soho Scene '61 has 37 performances by the likes of Tubby Hayes, Cleo Laine, altoist Joe Harriott (the most adventurous of the British players), Ronnie Scott, Richard "Groove" Holmes, Grant Green, Ray Bryant and the long-forgotten Fred Ford. Here, as on the other sets, the British players hold their own with the Americans.
Soho Scene '62, which has 41 performances, features Tony Coe (one of the great British saxophonists), Ronnie Ross, Shake Keane, Quartette Tres Bien, Larry Frazier (does anyone remember his 1962 Impulse album?), Don Wilkerson, Phil Guilbeau ("Creole Walk"), Les McCann ("The Shampoo"), Prince Lasha (who takes it a bit outside while still featuring an infectious rhythm) and many others.
Soho Scene '63 expands to 49 selections, nearly all released as '45s. British modern jazz was at a cross roads at the time with very stiff competition from r&b, bossa nova and most of all American jazz artists. Few modern British players were being recorded unless they were aiming for hits and compromising their music a bit. Despite that, the British half of Soho Scene '63 has plenty of enjoyable if poppish performances by the likes of Ronnie Ross, Tubby Hayes, Dudley Moore and Humphrey Lyttelton. The American half of the twofer ranges from Joe Pass and the Jazz Crusaders to three musicians who I have never heard of: Tyrone Parsons, Timmy Sims and Terell Prude.
With the emergence of the Beatles and the dominance of rock around the corner, both British and American jazz would be going through some major changes very soon. The Soho Scene (each set has a colorful booklet with interesting notes about the time period and lots of photos of album and 45 covers) lets one hear some of the rewarding and accessible jazz of 1961-63, when it was still possible for occasional jazz performances to make the pop charts.
Every jazz musician needs a well-written press biography,
and every CD deserves informative liner notes.
I write both and more at reasonable rates.
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New York, NY: MEII Enterprises is proud to announce the forthcoming release of "Nada in Hamburg with Johannes Brahms" featuring Nada Loutfi, piano soloist, radio broadcaster, and educator. The 10-track album consists of prolific German composer Johannes Brahms' (1833-1897) earliest works.
May 7, 2016 is Brahms' 183rd Birthday celebration.
are chorales for piano. These pieces, transcribed by Nada for this album, represent the first recording of these chorales for piano.
"Nada in Hamburg" is the pianist's third album, the second with this artist for the MEII Enterprises label. Her first CD, the self-titled "Nada Loutfi Pianist" (1997), features the rarely performed sonata by Paul Dukas and the Fantasy pieces Op. 116 by Johannes Brahms.
Executive producer for "Nada in Hamburg" is Joelle Shefts, Producer is Eugene Marlow. The 64-minute album was recorded on a 9' Yamaha at TNT Studios (Louisville, KY), edited at Valhalla Studio (New York City), and mastered at Onomatopoeia (New York City).
Pianist Nada Loutfi, a U.S. citizen of Lebanese/Hungarian descent, with a Paris Conservatory education, enjoys a career as a soloist, radio broadcaster and educator. She was a first prize winner at the Paris Conservatory who then came to North America for advanced studies at the Banff Center for the Arts in Canada and Indiana University in the U.S. with the late pianist Gyorgy Sebok.
Her last recital tour took her to Tokyo and Nagoya, Japan. In New York City, she has performed Lebanese composer Elias Rahbani's works and recorded pieces by classical/jazz composer Eugene Marlow. Nada has notably performed piano concertos of Bach, Mozart, Beethoven, Brahms, Chopin, Grieg, Rachmaninoff, and Ravel.
Nada organizes, hosts, and performs in her own concert series "The Classical Hour" in Louisville, KY, where she has nurtured a large following of listeners over many years. "The Classical Hour" is a once-a-mouth live broadcast and a weekly pre-recorded program every Sunday at 4 p.m. local time which can be heard worldwide over the Internet. It is available as a free download at http://www.crescenthillradio.com/the-classical-hour-nada.html.
Brazilian, and classical music. Its catalogue of 18 albums can be found at www.cdbaby.com/artist/eugenemarlow.
The company also produces and distributes documentary DVDs, including "Shakerism: The First Two Hundred Years" (re-released in 2010) and "Zikkaron/Kristallnacht: A Family Story" (2015). Currently, the company is editing "From Decadent Dance Hall Music to Individual Freedom of Expression: Jazz in China" for release in 2017.


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Mayor Garcetti plans to build a gondola to ferry visitors to the Hollywood sign.
Mayor Garcetti Proposes Gondola To Hollywood Sign
HOLLYWOOD HILLS—Over the weekend, Los Angeles Mayor Eric Garcetti proposed the construction of a gondola to transport tourists directly to the Hollywood Sign, during an interview with ABC 7 News.
The gondola would take off from or near Universal Studios and arrive at Mount Lee, taking the passengers right behind the Hollywood Sign. Though no concrete proposal exists, the idea for the gondola arose from appeals for easier access to the sign after the closure of the popular trailhead, Beachwood Drive gateway. During the interview, Garcetti mentioned that he had discussed ideas with Los Angeles City Council member David Ryu to bring people to the sign without navigating through streets to the south.
"We've got to figure out a better way that doesn't just choke all of the streets with a thousand tour buses. People can't get out of their own driveways," Garcetti told ABC 7. "Could we come up from this part of town? Could we come up from Universal Studios? Could we even have a gondola that goes up there?"
Garcetti noted that revenue from the gondola could go toward maintaining Griffith Park, where the sign is located, and reducing traffic in the foothill neighborhoods. A shuttle currently runs seven days a week taking passengers to Griffith Park, a popular site to see the sign.
The city stopped entrance to Beachwood Drive on April 18 after Sunset Ranch Hollywood filed a lawsuit. The ranch accused the city of channeling visitors to its driveway, blocking cars from reaching its business. Hikers used the path to get to Hollyridge Trail, which goes directly to the sign.
The non-profit organization, Friends of Griffith Park joined with the great-grandson of the founder of Griffith Park to intervene in the law case to re-open access to Beachwood Drive. They petitioned Los Angeles County Superior Court to become the plaintiff in the lawsuit.
On Monday, May 1, homeowners and Griffith Park preservationists from three local organizations filed a motion in Los Angeles Superior Court to challenge Los Angeles' April 18 decision to close the Beachwood Drive gate, which provides access to the popular Hollyridge trail to the Hollywood sign.
The suit was filed by the Griffith J. Griffith Charitable Trust, which represents the estate of the magnate who donated the land that became Griffith Park; Friends of Griffith Park, a non-profit group that promotes the stewardship of the park; and the Los Feliz Oaks Homeowners Association, which represents a neighborhood affected by the closure. The groups contended that permanently closing the Beachwood Drive gate blocks entry to public land and illegally gives a private party control over government property. According to the Los Feliz Oaks Homeowners Assn. website, they consider the city's decision to be unjustified and in direct contradiction to the ruling.
"A basic right of Angelenos is access to its public parks," Clare Darden, a trustee for the Griffith J. Griffith Charitable Trust, said in a statement. "Any access threatened by special-interest groups to Griffith Park land is a violation of Colonel Griffith's declaration that the park be free and open to all."
The city decided to close the trailhead and redirect hikers to canyons farther east. The closest is Bronson Canyon via Canyon Drive, which can connect hikers to the Hollyridge Trail via the Brush Canyon Trail. This rerouting adds an extra one mile, excluding distance to get to the trailhead.
A hearing on the motion to intervene will take place on June 13. Garcetti's gondola proposal is not the first. During a 2011 community meeting, it was proposed for a gondola to the Hollywood Sign from Travel Town, but councilmember Tom Labonge put the idea to an unsuccessful vote.
Many efforts have been made to solve issues arising from tourism to the Hollywood Sign. Some concerns raised during the 2011 meeting included tourists clogging narrow streets and littering, which can cause potential fire hazards.
During the meeting, Los Angeles Fire Department Battalion Chief Joseph Castro said that Hollywoodland is in no worse a situation than other Hills neighborhoods, citing its biggest problem instead to be construction trucks.
One speaker at the meeting suggested gating the neighborhood, but Labonge said homeowners would have to purchase the streets for that to happen. Another resident indicated the city needed to start treating the sign as a tourist attraction or at least add trash cans to the area.
In a statement on Monday, May 8, spokesman George Kivork said that Garcetti is "open to exploring ideas that ease congestion and encourages creative thinking when looking at ways to give Angelenos and tourists better access to the Hollywood sign and other iconic landmarks and destinations."
Garcetti
hollyridge
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Я желаю счастья всем!!!! Счастья в этом мире большом!!!!
AKUNA MATATA. Живи в полный рост!
it was learn in "to leran english by songs"
Talking to friends can be bad practic if this friends have not perfect English. U ll just get theirs mistakes. Try to find native speakers for getting good practic. Sometimes i used ICQ chats to speak in English. And have understood that this converastions just take my time and dont give me anything for improving my English.
Проигрывает не тот кто устал, а тот кто остановился!
Dear members, what do your mind about creating meeting for english-speaking practicing? For improve my english i am reading magazins, learn a new word, but *anything can't substitute speaking practicing.
So, what your opinion about meeting?


Royal Caribbean's newest endeavor was all about experience design. The newest ship would need architecture, design and internal teams to work as a symbiotic unit to create The Ultimate Abyss. This new attraction had to set an adrenaline-pumping tone to appeal to fear-friendly seekers while simultaneously emphasizing a safe and fun environment. The attraction also needed to balance existing design with operational challenges, while offering a totally new integrated onboard experience.
Historically, Starwood Vacation Ownership deferred to the property management teams to run the onsite operations, which resulted in the variation of the guest experience across the portfolio of properties. Vacation owners wanted something different. Guests no longer wanted to be treated purely as owners; they wanted the same resort experience they would receive as guests at a Westin or Sheraton. Starwood Vacation Ownership leadership wanted to come up with two new experiences that could be scaled on a corporate level to achieve this resort feel for owners.
Using its highly focused and proprietary Playbook suite of tools and processes, Spark helped MSC Cruises launch its first technological marvels, termed "Smart Ships." Embedded within MSC for the better part of a year, Spark assisted in recruitment of advanced technical roles, training, program management, operational standardization, risk management, implementation oversight, and strategizing the overall program for continuous improvement. The engagement resulted in the successful launch a number of industry-first technologies for MSC Meraviglia and MSC Seaside, as well as the revitalization of MSC Splendida.


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Company -
October 19th, 2017 — Revature
WSJ – These Companies Will Pay You to Learn Your Job
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The Wall Street Journal | 9:00 AM ET Oct. 17, 2017
By Kelsey Gee | Photographs by T.J. Kirkpatrick for The Wall Street Journal
A handful of companies are building corporate finishing schools to attract and keep the skilled workers they need.
Capital One Financial Corp. COF 0.92% , software firm SAP SESAP 1.46% and kidney-health provider DaVita Inc. DVA 1.77% are among the companies hiring workers to attend bootcamp-style training courses where they learn the coding, patient care or communication skills they will need on the job. Workers are paid during the stints, which can last from six weeks to nearly a year, after which they start full-time as a software developer, project manager or nurse.
For companies, the programs solve a problem similar to the "last mile" hurdle in supply chains, in which getting goods over the final mile to their destination can be the most costly and tricky segment of the journey.
Employers' last-mile programs help companies get workers with the right attitudes and attributes fully ready for the job. Plus, they say it allows them to recruit from a broader group of potential hires by dropping lengthy experience requirements in favor of sharpening young talent in-house.
Companies also reason that the academies, which have emerged over the past five years, are less expensive than hiring more experienced workers who don't end up being a good fit for the role. One of the programs pays slightly more than minimum wage during the training period.
Learning how to do your first job is like learning how to drive a car, said Dave Hoerman, chief wisdom officer at Davita. While nursing school equips their entry-level clinicians with technical expertise, the company's training program gives new hires the confidence and context to do their jobs well, he said. "You can sit in a classroom and learn every rule in the book, but it doesn't make sense until you get out there on the road."
In July, Capital One opened a developer academy for 60 new-graduate hires who will spend six months in bank-owned classrooms learning programming skills and business processes. Capital One engineers and other employees lead courses on cloud computing and app development. Academy hires are also assigned a company mentor to help them understand the firm's culture and provide on-the-job advice.
Capital One doesn't ask academy recruits to commit to a set period of time, but Devin Lipawsky, the firm's leader of technology talent, says that young employees will be motivated to stay with a company that has invested in them.
After spending months learning about the company and preparing for the job, "the risk that they won't be successful in a role at Capital One is low," he said.
Diego Jimenez, 25 years old, said he joined the Capital One academy to step up into a software engineering role. Mr. Jimenez graduated from the University of California, Santa Cruz with a degree in technology and information management but said employers were hesitant to hire him without a computer science degree.
The 9-to-5 daily lectures, coding labs and team projects allow him to apply lessons to company problems, he said.
"Most of my peers were hired into a company where they were expected to sink or swim on day one," said Mr. Jimenez. "I love that I work in an environment similar to what I was used to in college."
U.S. employers' spending on training has increased during the last several years, reaching a high of $1,252 per-employee in 2015, according to the latest data from the Association for Talent Development, from $1,229 the year before. Many employers skimp on training for entry-level workers, reasoning that investing money in those workers doesn't pay off if they change jobs, said Peter Cappelli, a management professor at University of Pennsylvania's Wharton School.
New talent-development agencies such as Revature LLC and MemoryBlue have set up their own paid boot camps in recent years, hoping to tap those corporate dollars. Revature hires new college grads who make from $8 to $15 per hour while taking classes in programming languages and software platforms that client companies like Accenture PLC and Wall Street regulator Finra demand. MemoryBlue uses a similar model to train workers to become sales consultants for partner firms in the tech industry.
Dialysis provider Davita in 2014 began a program paying newly-minted registered and licensed practical nurses to learn the clinical skills needed on the job…
Read the entire article HERE


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Teacher Who Was Fired For 'Misgendering' A Student Slaps School With Lawsuit
Shutterstock/Yuganov Konstantin
Grace Carr Reporter
December 11, 2017 9:57 AM ET
A teacher who was fired for calling a transgender student by her biological gender hit back at the school with a lawsuit.
After math teacher Joshua Sutcliffe, 27, allegedly said "well done girls" to two students at an Oxfordshire secondary school in England, the school suspended him and called for a disciplinary hearing. He apologized to the student, but he was charged with misconduct for "misgendering," according to the Evening Standard.
Not long after, Sutcliffe was fired from his teaching post and he responded by sending a letter to the school saying that it's equality policies are "totalitarian," Metro reports. "I regret that our relations have reached this point, but I feel I have no choice but to bring legal proceedings against you without further notice," Sutcliffe wrote in his letter.
"While the suggestion that gender is fluid conflicts sharply with my Christian beliefs… I have never looked to impose my convictions on others," Sutcliffe, who is also a Christian pastor, said the school initially suspended him for six weeks, according to BBC News. He also thinks referring to someone by their birth gender isn't wrong or unreasonable, according to the Daily Mail. (RELATED: Teacher Faces Discipline After Using Wrong Pronoun For Transgender Student)
More than 2,000 children aged three to 18 in the U.K. were referred to a gender identity specialist last year, BBC reports. (Related: 8-Year-Old Boy Sues Private School For Not Letting Him Be A Girl)
The teacher's firing and sequential lawsuit comes after similar events in the U.S. An 8-year-old transgender student and his parents recently sued a California school for failing to let him express his identity as a girl and another set of parents filed a lawsuit against a school in New York, alleging the school created a hostile environment for their five-year-old kid, according to The New York Times.
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Grace Carr


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Бори́с Генна́дьевич Бушмелёв () — советский и российский кинорежиссёр-комедиограф, художник.

Биография
Родился 22 мая 1937 года в Москве в семье художника Геннадия Николаевича Бушмелёва (1903—1970). С детства увлекался рисованием, лепкой.

В 1960 году окончил  и в 1963 году стал студентом режиссёрского факультета ВГИКа. В 1964 году снялся в небольшой роли в фильме «Всё для Вас». Окончил институт в 1969 году (мастерская Л. Кулешова и А. Хохловой), в 1973 году защитил диплом. Был одним из режиссёров киноальманаха «100 грамм для храбрости». В 1976 году написал сценарий мультипликационного фильма «Сон автолюбителя». Снимал как полнометражные, так и короткометражные фильмы. В 2008 году режиссёр принял участие в телефильме о Владимире Басове (из цикла «Человек в кадре»).

Никогда не прекращая рисовать, Бушмелёв был автором многочисленных рисунков в гротесковом стиле, среди которых зарисовки со съёмочной площадки, портреты его учителей и коллег, шаржи. Есть у художника и постмодернистский живописный цикл «Бесконечные игры» (название было взято им у Ю. Трифонова, деревянная скульптура.

Для Бушмелёва пластический образ — ключ к зрительному ви́дению в кино. Бушмелёв-комедиограф сохраняет в своих рисунках иронично-гротескный стиль. В его портретах с юмором показан характер персонажей. Одни портреты — жестовые, передают подвижность, динамику. Другие — созерцательные. Третьи — жанровые: мир портретируемого раскрывает окружающая его среда. Рисунки кинорежиссёров (С. Эйзенштейн, А. Довженко, С. Юткевич, Ф. Феллини и др.) кровно связаны с пластикой. Никакой компьютер, никакой монтаж не могут заменить великолепную культуру рисунка.

В 2002 году в РГГУ прошла выставка «Бесконечные игры».
В 2012—2018 годах состоялись серии выставок «Сто рисунков» Бориса Бушмелёва, а также «Персонажи эпохи».

Бушмелёв умер 21 декабря 2020 года.

Фильмография
  — Цветик-семицветик (короткометражный)
  — Страдания молодого Геркулесова (короткометражный)
  — «Сто грамм» для храбрости… (новелла «Какая наглость»)
  — Вечерний лабиринт
  — Зудов, вы уволены!
  — Арбатский мотив (телефильм)
  — Наш американский Боря (телефильм)

Примечания

Ссылки

Выпускники режиссёрского факультета ВГИКа
Персоналии:Мосфильм

redpajama_set_name: RedPajamaWikipedia


At the end of this short article, I am going to kindly request 30 seconds of your precious time.
Approximately a year ago, I surveyed a large segment of executives, business owners and leaders to hone-in on the top challenges for 2015. After the opportunity to tally the insight and get 'under the hood' on what's most important to you, the path for 2015 became clear.
In fact, my 2 words for 2015 became "Your Growth". They still are. From your personal life to your professional career, you're unsettled with anything less than an all-out chase to become more – in fact, you're passionately obsessed with stretching yourself, the people who matter to you, as well as your organization.
What I've learned is how much we have in common. We fit together. Thank you for being here and being a part of this rapidly growing circle.
From increasing revenue, to better strategy design, execution, leadership, talent development, innovation, and even personal growth topics, CircleMakers™ published well over 50 pieces of fresh content and delivered several hundred downloads of our Growth Strategy e-book and training webinar.
We launched Project 24, featuring 24 exclusive interviews where leaders shared real-world advice on how they juggle career and family — we completed the first 12 interviews in Q4, 2015 and are planning to release our second 12 in the spring of 2016 — look for more on this topic coming soon.
Can Exercise Really Make You A Better Leader?
I am grateful for the opportunity to share my passion with you and your colleagues. While the 33,000 views reflects an increase over the previous year (by a lot), I am far less concerned about your 'clicks' and way more interested in 'impact' and 'usefulness'.
As we embark on a new year, I need your insight and advice.
Help me make 2016 bigger and better. Help me deliver you the timely content and resources that you care most about, when you want it, and how you want it. Help me deliver you the very best and most relevant insight, inspiration and advice for your biggest growth challenges.
Most of all, help me protect your precious time. In the few minutes we spend together each week, I commit to bring punch, lift and value to your most important growth initiatives.
Will you take 30 seconds of your time to take my quick, leadership taste test?
Click here to take the taste test. I can't wait to hear from you.
In return, here's what I can promise you — the best is yet to come.


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Mini-Reviews from Around the Bowl: 22/02/17
By Mosh Hoff
We're back, with review nibblets for short attention spans. Jam on with some Six Feet Under, Benighted, Flesh of the Stars, Naddred, Cranial Engorgement, Soen, Don't Drop the Sword, Steelballs, Ruetz and Gösta Berlings Saga.
Six Feet Under – Torment
Metal Blade Records | February 24th, 2017
By now you'll have formed an opinion on SFU; you'll undoubtedly also already know that Torment will do absolutely nothing to persuade you to change your opinion one way or another. Personally, I'm not a fan. At all. Quite the contrary. Torment features a capable line-up (Marco Pitruzzella on drums, and Jeff Hughell on strings, both formerly of Brain Drill), so although the songs plod, groove and hack as ever before, the duo's playing occasionally hints at more technical ability than on any SFU record before. Likewise, it is to be said that there are only a couple of those embarrassing-ass moments that the band is nigh-synonymous with (to me), namely the stop-start riff on "Sacrificial Kill" and Chris Barnes' goat-shout intro to "Separation of Flesh from Bones". Other than that, Barnes sounds compressed, like the band was trying to minimize the damage. Anyways, I can't think of anything to say about this record, and I can't think of a single reason you should bother with it. Unless you're already a fan, in which case it might even make your favorite. —Karhu.
Benighted – Necrobreed
Season of Mist | February 17th, 2017
First off I want to address Benighted's latest's title. It has to be a misprint, it is clearly NecroBREEEEEEEEEEEEEEE and not Necrobreed. Faulty naming aside, this album RIPS. No genre-bending surprises here: Grind and core-y Death Metal with a good clear production is what's in store here, and this time around it really does feel like the band is hitting it way out of the park and not just going through the motions. Breakneck drumming and dense, chord and tremolo-packed guitars serve to highlight the sharp blows that the hardcore-tinged vocals help deliver straight to your unsuspecting skull. Experience some of that pleasant unpleasantness here. —Moshito.
Flesh of the Stars – Anhilla
Independent| February 14th, 2017
Flesh of the Stars play an interesting brand of psychedelic doom that is heavier in feeling and spirit than it is in brutality. Make no mistake, the riffs are there, but the dudes in Flesh of the Stars opt for a more dynamic and somewhat retro-minded approach. The riffs have a nice stoner fuzz to them, but they sometimes give way to clean guitar tones and synthesizers that create an atmosphere of melancholy in a way that is slightly atypical for a doom record. It's a neat little album that feels like a whole experience, more like one 45-minute jam than anything else. Even though it contains an intro, outro, and a pretty lengthy jam-session with keyboard solos in the middle, the album doesn't drag for me. It keeps the doomy atmosphere while allowing for a hefty dose of psychedelia. Anhilla is best enjoyed in a dark and smoky basement, walls laden with 70's band posters. Plan accordingly. Yep! —Rusty.
Naddred – Sluagh
Invictus Productions | February 13th, 2017
Naddred are the latest group to join the ranks of the nascent Irish black/death metal scene which is quickly amassing international attention. Featuring members of the narcotic Slidhr, and the epic Eternal Helcaraxe, Naddred's debut Sluagh is a consuming 20 minutes of exceptional quality black metal that draws influence from a healthy pool of adjacent sub-genres. The execution here is highly impressive for what is dubbed a "demo". Naddred infuse atmosphere at every moment through winding guitar passages and a robust percussive presence; think of the labyrinthine approach of Malthusian but with a more black metal-centric focus. The production is another notably strong point, and allows you to hear all the nuances of the riffing without sacrificing the integrity of the dense shroud that looms over each track. Well worth your time and money. —Lacertilian.
Cranial Engorgement – Horrific Existence
Gore House Productions | February 10th, 2017
Okay, so you should be able to accurately assess the contents of this here release with the previous information alone, but I'm here to help in case you can't. As far as I can tell, Cranial Engorgement want only for you to be ignorant in the pit with other long-haired and smelly individuals, and to attain their purpose they bring groovy but speedy drumming paired with slammy yet fast riffs. The perfomance is not 100% perfect or synced up to a click track grid, but I don't think anyone in their right mind would want it to be. Just crank it, be fruitful and multiply your moshing bruises. Listen to the full album here. —Moshito.
Soen – Lykaia
UDR | February 3rd, 2017
The album kicks off with an absolute riff fest in "Sectarian", slows down for a few songs, kicks some ass again on "Opal", has a few more high points over the next few songs, then ends on another downer in "Paragon". Lykaia is a bit of an odd one because I prefer Soen when the tempo is up, and there's probably a 50/50 split here with slow melodic stuff and awesome energetic Tool-esque metal [with good amounts of Opeth riffs that at times sound more like Opeth than Opeth. -M.O.]. It's a more subtle album, one that will surely grow on me, but if you're looking for loud and fast, you're in the wrong place. Although I sound like I am down on the album, I actually think it is excellent, it's just not what I was expecting after the singles they released. Regardless, it's a must have for fans of Karnivool, Caligula's Horse, etc. —Joaquin.
Don't Drop the Sword – Into the Fire (EP)
Independent | January 27th, 2017
Into the Fire was actually the first new metal release I purchased this year on Bandcamp. Nothing really jumped out at me throughout January and a lot of my time was spent in a dungeon. Lo and behold! A German band by the name of Don't Drop the Sword crossed my path. As you can imagine, their name is what caught my attention first and I honestly haven't decided if I like it or not just yet (it is certainly growing on me, however). Upon first stabbing play I was attacked with an onslaught of traditional Metal riffs and lyrics of GLORY that reminded me of early Blind Guardian, particularly in the vocalist's delivery (very much a young and melancholic Hansi Kürsch). So far, so good, me likey. In fact, as one could imagine, I purchased shortly after the intro track without a second thought. The eponymous follow-up track began and I was greeted with a Tolkien-inspired tale, complete with a passage recited in the Black Speech of Mordor. Yep, no regrets whatsoever, I had stumbled upon greatness! The EP continues on a path of righteousness in an epic display of grandeur that concludes with the song "Don't Drop the Sword" and is a triumphant calling card for this budding band. I am certainly looking forward to what they has to offer next. (h/t to the Verminerd John Brooks). —Boss the Ross.
Steelballs – Steelballs
Witches Brew | Decemeber 24th, 2016
Yet another band that gained my attention via their name, Steelballs suckered me in with their glorious cover art and triumphant song titles at first glance (though admittedly, I had discovered them late). This Argentinian band had worked their way into my heart and I hadn't even hit play! Lucky for me, they had the riffs, they had the speed and they had the power. After giving the tracklist one last mouth-watering glance, I hit play and was floored by an immediate drum roll, lightning speed riff and a rising falsetto scream. The next 15 minutes was so engrossing that I replayed it not once, not twice but 4 times during my first session. Their brand of speed metal riffs hit me just right and the tone sat so perfect in my ears that I couldn't help myself. Couple their riffs with singer Juan Pablo's almighty voice and Steelballs has released the perfect fist-pounding, anthemic metal EP to start off their career and I look forward to their output in 2017. They are most assuredly "Defenders of True Metal!" —Boss the Ross.
Ruetz – Melanoma
Holy Roar Records | December 16th, 2016
If blackened sludgy hardcore is not yet a thing then Ruetz possesses the ability to make it a thing. Their combination of those three things is outstanding in the way the music has the urgency and impact of hardcore, the grime and grittiness of sludge and the tremolos and blast beats that are synonymous with black metal. The icing on the cake is the use of hardcore shouting instead of the standard issue shrieks that usually accompany the artists who dabble in this style. That may deter some from even taking a stab at this, but if you leave your pre-conceived notions at the door you'll be handsomely rewarded with something that is fresh, new, innovative and exciting. The drum work alone will keep you dizzy with the constantly shifting beats and fills that manage to hang around in the background with the purpose of keeping things moving. The guitars do their part as well with riffs that flow smoothly from one part to the next. All this coming from two gentleman supplying guitar, drums and vocals who make it sound like there are more people than that involved in the proceedings. —Ron Deuce.
Gösta Berlings Saga – Sersophane
Independent | December 16th, 2016
This three piece from Sweden uses a wild array of instruments to make sweet instrumental love to your eardrums. It's a great mixture of jazz, rock, and a little old school prog that keeps things light, off-kilter, and undeniably funky. It's the furthest thing from noodly and is a lot closer to King Crimson than it is to today's progressive metal. I have to admit, I was first attracted to this album by what I thought was an outdoor toilet with a tree growing in it on the cover, but the music did not disappoint once I got past the thumbnail. If you want some background jazz but don't want to stray too far from metal, GBS has you covered. —Joaquin.
Hey you. Yeah YOU. Want to contribute to mini-reviews? Find an album you've dug (or not) that preferably hasn't been reviewed on the blog yet and has been released recently (within the last few months, or year if you're so inclined), write around 100-120 coherent words about it and send it to toiletminis[AT]gmail[DOT]com. Please include the album's release date, title, label, a link to the band's facebook (if they have one), another one to their bandcamp (or any other place to listen to/buy the album if they don't have one) and any other information/links that you think are relevant and want to include.
Don't do it for me. Do it for the ghost of the MasterLord.
TagsBenightedBlind GuardianBrain DrillCaligula's HorseChris BarnesCranial EngorgementDon't Drop the Sword.Eternal HelcaraxeFlesh of the StarsGösta Berlings SagaJeff HughellKarnivoolKing CrimsonMalthusianMarco PitruzzellaNaddredOpethRuetzSix Feet UnderSlidhrSoenSteelballsTolkienTool
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Mosh Hoff is an engineer (Huzzah!) who thinks he knows a lot about a bunch of stuff. He plays in a band called ERNIA.
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What if the banking information for my employee was incorrect?
The Telpay for Business software performs account number validation wherever possible based on information provided by the Canadian Payments Association. If the system cannot validate the banking information you have entered, the system will indicate this to you and request that you enter the information twice. However; if a deposit is rejected, you will be notified via e-mail. Once the funds have been returned by the bank to Telpay the money will be deposited back into your company bank account. Please note there is a $10.00 service charge for any rejected items.
What happens if an employee's bank account has changed? If it is closed?
If an employee's bank information has changed and the payroll has already been sent off we may be able to recall the funds for a $25.00 charge depending on the time frame. If the employees still has access to their old account they will have access to their funds. If an employee's bank account is closed the bank has up to 3 business days to return those funds to Telpay. We will return the funds to your company bank account less the $10.00 return items fee.


Hi Jack! Just wondering if you can advise abit about the process about the course. While I understand there is alot of online process, technique and marketing that goes into an online business, my biggest issue is I just have no clue on what to run! I don'tk now my niche? I love investing – shares, equities, everything, but I am by far not a guru that I can setup a coaching style online business like those 'rich dudes' you see selling training courses online whiel worknig on their laptop in bali.
You can do this all 100% from the comfort of your home or in your case the farm. The WA website is a training center that teaches you Internet marketing and I like to think of it more like a online college. They teach you how to market a variety of products and services online and you can even learn how to create and market your own products and have other people sell them for you. The training walks you through how to do all of this and you are provided with all the necessary tools needed to get up and running including 2 free websites when you join.
So it begs the question – I would love to work from a laptop anywhere in the world with good internet , but how on earth do I get started when I have no business idea? I feel lost as all my life i've been an accountant but pretty 'clued up'. I love 'hustling' – buying and reselling stuff i find on the cheap, and I always felt an entrepreneurial streak as I love burning the midnight oil when it's my own work. I'm real sick of the corporate life and am about to finish up at my job after being 'shafted' on the probation period (told i was great, good, then suddenly now it was extended and i'm terrible, don't fit in etc. etc). I really just want to shove it at life and work for myself but what always holds me back isn't so much going for a course or learning how to do things – but I just don't know what idea/niche I want to pursue! I just have confidence and am curious about my entrepreneurial streak and ability to push forward – except I don't have a guiding idea or business/niche in mind? Any advice/help? I haven't seen your online business yet, so I am not sure what your online business sells – but I arrived here when googling your direct wines review on scams… again another attempt at seeing if I could 'work for myself'. but alas another one of those get rich quick schemes that get rich off your back more like it.
For starters they make no promises that what you will learn will be able to work on a regular site. The premise behind what they do is based on how blog-style sites work and generate traffic. Yes they do this in a completely different method. You can get traffic easier in a blog than with your web site. But since you "know what you are doing" already, you must have known that. 👍🏻 My Honest Wealthy Affiliate Review 👎🏻 - What is it all about? Full Video Review!
I have been searching for an opportunity like Wealthy Affiliate for close to 20 years now and I am so glad that I was able to find it. Since then, I have made it my mission to help other people do the same thing and help them avoid all the scams that are in the Internet world as you have called it. When I first started this website I didn't know the first thing about how to build or design a website and I owe everything to WA for showing me how everything works.
I am from Canada and I work as Customer Relations. My Concern is that I work for 4 days and I am off for next 4 days and I really want to make money when I am off for 4 days. Do you really think this is going to work for me as its 4 days on and 4 days off. If you think it's going to work then I might sign up under you as you really being helpful for everyone and I will also be expecting a huge help from you as I have no knowledge how to work this.
Before you get into the thick of things, you need to select a niche that you are comfortable with. It is best if you have some formal learning in it, but it is perfectly all right to be a newbie to the sector, as long as it is a topic that you like researching on and writing about. To be an affiliate marketer, you need your own platform – a website or a blog where you can post links and advertise your chosen products.
That training is outdated and no longer available on WA. That was from back in 2012 I believe and the training courses have been updated since then for 2015-2016. That was actually a street articles challenge(Which Kyle & Carson Also Own) back when I first started here in 2012. They don't edit or review your articles before they get published, but you can submit your site to their website feedback section to have it reviewed by other members of the community.
When I came into this I had 0 experience as well and I knew that there was tons of potential after just the first couple of days. I would suggest that you get started by opening your FREE account by clicking the "Join Now" button above. After you fill out your details and get your account created you should spend some time filling out your profile.