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Home Cricket Eng v Ind Moeen Ali is back where he belongs
Eng v Ind
Moeen Ali is back where he belongs
Arunabha Sengupta
"Moeen Ali is back, and it is clear that he belongs here"
A crucial 40, 5 for 63, 4 for 71.
In the middle of all this, he was also sent in at No 3 in the second innings. Why not? After all, he had batted at No 3 for Warwickshire just a week earlier against Yorkshire in Scarborough and had hit a double hundred.
The move had not come off. He had fallen cheaply. But it had allowed captain Joe Root to come in at No 4 and look more assured than he has in recent times in his less preferred No 3 position. Indeed, Moeen Ali was considered the one man capable enough to be pushed up that high in the order, even if purely in a makeshift capacity.
It did come as a surprise to many when Moeen was not selected for the series. What compounded the vexation was that the man chosen as the spinner was Adil Rashid. The latter had already voiced his reluctance to play the red-ball versions of the game. It was probably the look on Virat Kohli's face as he was bowled by the leggie during the Headingley ODI that sealed his place in the side. England knew that Kohli was the man to get if they were going to win the series. And Rashid seemed to have some sort of a clue about getting him out.
Moeen was perhaps not that surprised. Neither was he too disappointed! He knew he had had a torrid time Down Under. In fact, he voiced that he should have been sent to the county grounds earlier, to get his game back in order, to get his thinking sorted, his head uncluttered.
The 219 and the second innings six-wicket haul in that Scarborough match meant that his claims could be overlooked no longer. England did include him in the side for the fourth Test, although with some peculiar selection choices. Moeen came in to replace Ollie Pope, an off-spinning all-rounder for a genuine batsman. And with Johnny Bairstow sent up the order, he was slotted to bat at No 7.
Replacing a batsman Moeen did his bit. Coming in at 69 for 5, he steadied the ship with Sam Curran, and essayed an important 40, adding 81 for the seventh wicket with the young Surrey all-rounder. And soon after that, he was in the thick of things as a match-winner.
It was evident right from the moment he was brought on that Moeen was far more in tune with the concept of bowling in the longest format than Rashid had been in the three previous Tests.
The leggie had sent down 12 overs at Edgbaston, 9 overs in the first innings in Trent Bridge, and had not got to bowl at Lord's. It was only when the Indians were on their way to a big score in the second innings at Nottingham, had he been given an extended bowl, amounting to 27 overs. He had taken 7 wickets in all. Here he bowled 14 more overs, without adding to his tally.
Moeen bowled 42 overs in this match itself, picking up 9 wickets.
He found the rough immediately on arrival at the bowling crease. In the first innings, he ran through the lower order with plenty of relishes. It was a five-for.
In the first innings he managed to bowl 61% of the balls in the rough. As a result, he spun a web of confusion around the Indian batsmen, brought up on a steady diet of such pitches and the turning ball. Ravichandran Ashwin, arguably the best off-spinner in the world, could pitch less than 50% of his deliveries in the offending zone.
In the second innings, India were starting to look the favourites with Kohli and Ajinkya Rahane stitching together a brilliant partnership. At 123 for 3, with half the required runs already obtained, England were falling behind in this riveting Test match, starting to become desperate for a breakthrough.
Moeen had beaten the bat on occasions. Loud appeals had been rejected on field, decisions had been overturned by the television umpire.
But then he struck. The ball turned, popped up a bit, and it went off Kohli's glove into the hands of short-leg. The huge, huge wicket.
Rishabh Pant hit him for a huge six, essayed another lofted drive for four. Moeen tempted him with another tossed up delivery, the field pushed deep. The youngster, not yet schooled in the merits of the middle path, succumbed. The first innings had seen him eke out a painstaking 29-ball duck. Here, he tried to clear the boundary again, this time over deep cover. The man was waiting. The match had turned.
And then it was the fighting knock of Rahane that came to an end when he went too far back, and the ball, turning in from the rough, beat the bat and struck him on the backfoot.
Up went the finger. The review was ineffectual. The resistance was over.
Moeen ended with 4 for 71 off 26 overs. There could be no other Man of the Match.
A spectacular return for a man who engineers critical turns in the game, but most often remains inconspicuous.
At Southampton, he has played the Indian side twice. His wickets tally in those two Tests read 17. He has done the winning turn in both these games.
If his omission was surprising, his return was overdue, and the nature of his performance was beyond mind-boggling.
Perhaps the break from the Test side was warranted. Perhaps it did him a world of good.
But his rightful place in the side should never be in doubt.
51 Tests, 2544 runs, 142 wickets. The bowling average still needs improvement, but he has the uncanny knack of spinning England to victories against some of the best players of spin in the world.
Moeen Ali is back, and it is clear that he belongs here.
IndvEng
Southampton Test
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Arunabha Sengupta is a cricket historian and the author of Sherlock Holmes and the Birth of The Ashes. He tweets @senantix.
Video: England gift Cook a fitting farewell
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— железнодорожная станция, расположенная в районе Симогё японского города Киото. На станции установлены автоматические платформенные ворота.

Линии
Киото обслуживается следующими линиями:
JR West
Линия Токайдо
Линия Косей
Линия Нара
Линия Санъин
JR Central
Токайдо-синкансэн
Kintetsu Railway
Линия Кинтэцу Киото
Киотский метрополитен
Линия Карасума

Ссылки

 JR West: Станция Киото
 JR Central: Станция Киото
 Киотский метрополитен: Станция Киото
 Kintetsu: Станция Киото

Линия Токайдо
Станции West Japan Railway Company
Транспортные здания и сооружения Киото
Железнодорожные станции, открытые в 1877 году
Появились в 1877 году в Японии

redpajama_set_name: RedPajamaWikipedia


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Project Information +
Neubau Archäologisches Landesmuseum Rostock Germany
civic projects, museums & art galleries, regeneration
Selected alongside a shortlist of elite European architects, Keith Williams Architects' design proposals were produced for the invited high-profile design competition for the Neubau Archäologisches Landesmuseum in Rostock.
To be erected on a site that is currently open water at the wharf's edge, the project was conceived by the city to house the collection of the Archaeological State Museum of Mecklenburg-Western Pomerania, and to support scientific networking in cooperation with the University of Rostock. The Landesmuseum was also required to be an essential building block for the urban regeneration, upgrading and further development of Rostock's city harbour, a key aspect of the future of this historic Hanseatic and university city.
Our designs conceived the Neubau Archäologisches Landesmuseum as a powerful new architectural and urban form, establishing a major new cultural pavilion, and a key marker on the historic Stadthafen waterfront. Clad in Gauinger Travertine the Landesmusum is designed to contrast sharply with the brick of the city backdrop allowing the new building to stand out as a wholly distinct new symbol for Rostock inset amongst this famous brick city's historic towers and spires.
The horizontal emphasis of the building's form has been generated in response to key horizontal data established by the city, established to preserve the rich skyline of towers and pinnacles that characterise Rostock's skyline. Typologically a pavilion building, visible from all sides, great care has been taken to ensure that the Landesmuseum will be of the highest architectural merit when viewed from every angle offering "five facades"of high design quality. The building forms containing the temporary and permanent exhibition spaces at first floor level, cantilever at either end maintaining the water views from at ground level from key streets and opening up the views to the museum entrance.
Internally, the foyer gives direct access to the upper foyer hall and the first floor exhibition spaces via the grand stair, and two public lifts. With panoramic vertical windows at either end framing vistas onto the historic city and the Unterwarnow, the city's main river, the upper foyer forms a cleft through the stone surfaces of the museum, symbolically and visually connecting the Landesmuseum with both the city and the sea.
The placing of both temporary and permanent exhibition spaces at first floor level allows these primary spaces to occupy almost the entire floor area giving maximum museological flexibility. Both the temporary and permanent galleries, with 8m clear height are column free giving enormous latitude to museum curators and the maximum possible exhibition design freedom.
Net Room Area (Nutzungsfläche NUF) = 4,856m2
Net Area Total (Netto-Raumfläche NRF) = 6,944 m2
Budget : €45 million

redpajama_set_name: RedPajamaCommonCrawl


text:
Carlton Motor Co. war ein britischer Hersteller von Automobilen.

Unternehmensgeschichte
Das Unternehmen aus Coventry begann 1901 mit der Produktion von Automobilen. Der Markenname lautete Carlton. 1902 endete die Produktion. Eine andere Quelle gibt den Bauzeitraum mit 1900 bis 1903 an.

Fahrzeuge
Carlton verwendete Einbaumotoren von Aster. Folgende Motoren werden genannt:
 Einzylindermotor mit 3,5 PS Leistung
 Einzylindermotor mit 6 PS
 Einzylindermotor mit 8 PS
 Zweizylindermotor mit 12 PS
 Zweizylindermotor mit 20 PS
 Vierzylindermotor mit 24 PS

Literatur

 George Nick Georgano (Chefredakteur): The Beaulieu Encyclopedia of the Automobile. Volume 1: A–F. Fitzroy Dearborn Publishers, Chicago 2001, ISBN 1-57958-293-1. (englisch)
 David Culshaw, Peter Horrobin: The Complete Catalogue of British Cars 1895–1975. Veloce Publishing PLC, Dorchester 1997, ISBN 1-874105-93-6. (englisch)

Einzelnachweise

Ehemaliger Pkw-Hersteller (Coventry)
Gegründet 1901
Aufgelöst 1902


Expanding on this article previously written regarding launching Gnome Terminals from Ubuntu menu items would be if you want to set the size of the Gnome Terminal. The terminal window is launched using gnome-terminal as shown in more detail below. You can use the –geometry switch to set the size of the Gnome Terminal window which is shown in the second example below.


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//
// Diese Datei wurde mit der JavaTM Architecture for XML Binding(JAXB) Reference Implementation, v2.2.5-2 generiert
// Siehe http://java.sun.com/xml/jaxb
// �nderungen an dieser Datei gehen bei einer Neukompilierung des Quellschemas verloren.
// Generiert: 2014.02.04 um 12:22:03 PM CET
//

package org.onvif.ver10.schema;

import javax.xml.bind.annotation.XmlAccessType;
import javax.xml.bind.annotation.XmlAccessorType;
import javax.xml.bind.annotation.XmlAttribute;
import javax.xml.bind.annotation.XmlElement;
import javax.xml.bind.annotation.XmlType;
import javax.xml.namespace.QName;

/**
 *

 * Java-Klasse f�r Config complex type.
 *
 *

 * Das folgende Schemafragment gibt den erwarteten Content an, der in dieser Klasse enthalten ist.
 *
 *

 * <complexType name="Config">
 *   <complexContent>
 *     <restriction base="{http://www.w3.org/2001/XMLSchema}anyType">
 *       <sequence>
 *         <element name="Parameters" type="{http://www.onvif.org/ver10/schema}ItemList"/>
 *       </sequence>
 *       <attribute name="Name" use="required" type="{http://www.w3.org/2001/XMLSchema}string" />
 *       <attribute name="Type" use="required" type="{http://www.w3.org/2001/XMLSchema}QName" />
 *     </restriction>
 *   </complexContent>
 * </complexType>
 *

 *
 *
 */
@XmlAccessorType(XmlAccessType.FIELD)
@XmlType(name = "Config", propOrder = { "parameters" })
public class Config {

	@XmlElement(name = "Parameters", required = true)
	protected ItemList parameters;
	@XmlAttribute(name = "Name", required = true)
	protected String name;
	@XmlAttribute(name = "Type", required = true)
	protected QName type;

	/**
	 * Ruft den Wert der parameters-Eigenschaft ab.
	 *
	 * @return possible object is {@link ItemList }
	 *
	 */
	public ItemList getParameters() {
		return parameters;
	}

	/**
	 * Legt den Wert der parameters-Eigenschaft fest.
	 *
	 * @param value
	 *            allowed object is {@link ItemList }
	 *
	 */
	public void setParameters(ItemList value) {
		this.parameters = value;
	}

	/**
	 * Ruft den Wert der name-Eigenschaft ab.
	 *
	 * @return possible object is {@link String }
	 *
	 */
	public String getName() {
		return name;
	}

	/**
	 * Legt den Wert der name-Eigenschaft fest.
	 *
	 * @param value
	 *            allowed object is {@link String }
	 *
	 */
	public void setName(String value) {
		this.name = value;
	}

	/**
	 * Ruft den Wert der type-Eigenschaft ab.
	 *
	 * @return possible object is {@link QName }
	 *
	 */
	public QName getType() {
		return type;
	}

	/**
	 * Legt den Wert der type-Eigenschaft fest.
	 *
	 * @param value
	 *            allowed object is {@link QName }
	 *
	 */
	public void setType(QName value) {
		this.type = value;
	}

}

redpajama_set_name: RedPajamaGithub


text:
Q: Tu's An Introduction to Manifolds Applying the Lemma Repeatedly Confusion Page Seven On page 7 of Loring Tu's book called "An Introduction to Manifolds", he makes a jump and a probable mistake.  It pertains to his proof of Taylor's remainder Theorem.
https://www.math.toronto.edu/~jeffrey/matd67/tu.pdf
Tu states "Applying the lemma repeatedly gives
gi(x) = gi(0) +xgi+1(x)."
Can anyone tell me where Tu got this result?  Is Tu even right?  Any help is appreciated.  (I have tried to tackle this part of the proof on and off since 2010).

A: Lemma 1.4. says for $n=1$ and $p=0$ that a smooth function can be written as
$$
f(x)=f(0)+(x-0)\cdot g_1(x) \text{ with } g_1(0)=\left. \dfrac{\partial f}{\partial x}\right|_{x=0}=\left. \dfrac{df}{dx}\right|_{x=0} =f'(0)
$$
During the proof, we saw that $g_1(x)$ is smooth again. Now we can therefore apply Lemma 1.4 again, this time not on $f(x)$ but on $g_1(x).$ This gives us an equation
$$
g_1(x)=g_1(0)+(x-0)\cdot g_2(x) \text{ with } g_2(0)=\left. \dfrac{\partial g_1}{\partial x}\right|_{x=0}=\left. \dfrac{dg_1}{dx}\right|_{x=0} =g_1'(0).
$$
If we go on and on, then we get increasing indices for ever new functions $g_i,$ but the equation remains:
$$
g_i(x)=g_i(0)+(x-0)\cdot g_{i+1}(x) \text{ with } g_{i+1}(0)=\left. \dfrac{\partial g_i}{\partial x}\right|_{x=0}=\left. \dfrac{dg_i}{dx}\right|_{x=0} =g_i'(0)
$$
Here we have $0$ as the point $p,$ $g_i$ as the function $f$, and $x$ as the variable. Since the dimension $n=1$ is only one, partials turn into common derivatives of a real function.
It is important to note that in general $f'(x)\neq g_1(x)$ and $g'_i(x)\neq g_{i+1}(x).$ They are only identical at $p=0,$ so $f'(0)= g_1(0)$ and $g'_i(0)= g_{i+1}(0).$ This is important to remember when the accuracy, i.e. the discrepancy between $f'(x)$ and $g_1(x)$ will be investigated.

redpajama_set_name: RedPajamaStackExchange


Cepstral Community • View topic - How do I install old_robot effect?
Hi! I bought "Lawrence" voice and I'm going to use it in a project but i'd like to add it the old_robot effect that we can try on Cepstral website.
If it isn't possible. Is there something I can do to turn the voice sound like a robot?
I've edited the name of the sfx file in the sfx files directory and then copied the file to "Lawrence" main directory.
Using Swift Talker, Lawrence is already speaking automatically with the new effect. But, using the Software there is no effect. Should I install the voice again in Windows?
Also, if you could help me, is it possible to edit Pitch and Rate in our voice as "default"?
Reinstall is not required for it but you can try rebooting your system and check if that makes it work. Make sure that you changed the old_robot.sfx to default.sfx and moved it to Program Files/Cepstral/voices/Lawrence.
You can use ssml tags for manipulating pitch and speech rate of the voice.


text:
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About TUI Group
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Hannover/London, 13 May 2015
Capital Markets Day for analysts: TUI Group sets out roadmap for growth
Underlying EBITA CAGR is expected to grow by at least 10 per cent over next three years1
Profitable top line growth of at least 3 per cent per annum over next three years
Focus on TUI master brand / Rebranding to be launched in the Netherlands from the autumn of 2015
Digitisation: Entry into new markets with innovative IT – first pilot successfully started in Spain
Growth drivers Hotels & Resorts to be expanded / Hotel brands to be streamlined with hotel brand TUI Blue
Cruises on a successful path – Fleet to be successively expanded in the next few years
Other businesses: Hotelbeds Group and Specialist Group to be run independently from Tourism
Setting tomorrow's travel trends as an integrated provider
Hanover/London, 13 May 2015.
Nearly five months after the successful merger between TUI AG and TUI Travel PLC, the TUI Group presented an update about the integration and the Group's strategy. In the framework of a Capital Markets Day held in London, the Executive Board of the TUI Group presented clear strategic milestones to be achieved by 2018, aimed at increasing the efficiency and agility of the Group and accelerating its profitable growth. The Group is aiming to grow faster than the market. Fritz Joussen and Peter Long, Joint CEOs of the TUI Group: "The integration process is ahead of our original plan. The strategy we have presented will help us strengthen TUI as the world's leading tourism group. We are in an excellent position: We do not just act as travel agents; TUI actually owns more than 300 hotels, cruises and an aircraft fleet of around 140 planes. This differentiates us from our competition. We will therefore be able to shape market entry into new destinations ourselves, setting travel trends for the future." TUI has created a new, flat organisational structure introduced a mid-term strategic agenda to investors.
Growth roadmap set until 2018
The TUI Group's Executive Board has confirmed the goal of ensuring that the Group will achieve profitable growth and grow faster than the market in the next few years. The Group expects to achieve average annual profitable top line growth of at least three per cent* per annum by 2018. Moreover, its underlying operating result is expected to grow by at least ten per cent** per annum within the same period.
In order to achieve these goals, a number of measures will be launched. In the Central Region (Germany, Austria, Switzerland, Poland) and Western Region (Netherlands, Belgium, France), the proportion of online sales is expected to increase substantially, strengthening direct distribution. Moreover, the offering will be expanded in order to win additional customers. At the same time, longhaul flight capacity will also be increased, including third-party flying. Overall, TUI's travel offering is to be more tailor-made and offer more flexible durations.
The Group has identified further growth potential through the internationalisation of TUI's own strong hotel brands and exclusive hotel concepts such as Robinson. In addition, new, exclusive hotel projects are to be developed and operated in prime locations. This approach will also strengthen TUI Group's crucial competitive advantage: There is no other tourism group in the world that owns a hotel and cruise portfolio of this scope and is capable of designing an end-to-end travel experience for customers based on its own aircraft fleet. Through its investments, TUI shapes the future world of travel and tomorrow's travel trends.
Online platform in Spain: Successful launch of pilot
Additional turnover growth is also to be achieved by opening up new markets. In February 2015, the TUI Group launched the online platform tui.com/es in Spain for the dynamic packaging of flights, hotels and transfers.
The platform enables the Group to win additional customers and generate further growth – even in markets in which the Group has not established an in-house travel agency and tour operator business. "This is a very innovative and efficient investment in IT. It offers our customers ease of use, individual options for choice and packaging of holidays and constitutes a further step on the way to the online world," said CEO Joussen. Such platforms are to be rolled out to other countries such as Portugal, Brazil and Turkey.
TUI to be global master brand*** / Rebranding in markets abroad to be launched in the Netherlands in the autumn of 2015
Fritz Joussen, Joint CEO of the TUI Group: "We seek to use the strength of our TUI brand on a global scale. A global brand experience and a global brand identity offer many advantages for our customers and for our employees. The appeal of TUI and the Smile are extremely high. A strong global presence of the TUI brand will strengthen our Group's competitiveness in the digital age." The Group is planning to carry out the brand migration process in two phases. The companies in the Netherlands, France and Belgium are to play a pioneering role in launching the TUI brand in their markets. The Netherlands are to introduce the brand in the autumn of this year. Other markets are to follow suit.
The TUI Group is also planning to use one single branding for its airlines. TUI currently operates around 140 medium- and long-haul aircraft in various markets under different brand names (TUIfly, Thomsonfly, Arkefly, Jetairfly, TUIfly Nordic). A strong one-brand policy will make it considerably easier to use the aircraft of the European fleet and the crews across the individual countries, as demand requires it. The resulting increase in the effectiveness of TUI airlines is to enable TUI to deliver operational efficiency improvements worth 50 million euros per annum by 2018.
Growth drivers Hotels & Resorts to be further expanded / Streamlining of hotel brands with hotel brand TUI Blue
The TUI Group is planning to make further investments in the growth areas Hotels & Resorts and Cruises in the next few years. The hotel portfolio is to be expanded by around 60 new TUI hotels by financial year 2018/19. The core brands will be RIU, Robinson, Magic Life and the new hotel brand TUI Blue. The offering will be rounded off by the three hotel concepts Sensatori, Sensimar and Family Life. The hotel brands and hotel concepts differ in that the brands will be managed by TUI as hotel operator, while the hotel concepts may also be taken over by other hotel operators for their facilities.
The cruise fleet, which currently comprises 13 ships, will also be expanded in the next few years. Last week, Mein Schiff 4 was delivered for operation by the joint venture TUI Cruises. The new ship will depart on its maiden voyage in June. In the next two years, Mein Schiff 5 and Mein Schiff 6 will follow. The Group also has options for the construction of Mein Schiff 7 and Mein Schiff 8. With the acquisition of the Splendour of the Seas a few weeks ago, the TUI Group also initiated the rejuvenation and modernisation programme for the fleet operated by its UK subsidiary Thomson Cruises. It intends to continue the programme in future.
The team at Hapag-Lloyd Kreuzfahrten has managed to get the economic performance of the company, which operates the world's two best cruise ships, back on track. The successful realignment was supported through the acquisition of Europa 2. The luxury segment is now excellently positioned in the market. The Executive Board of the TUI Group will also examine in detail where closer cooperation between the three companies can be achieved in the cruise business in order to deliver synergies.
The Executive Board has developed a very clear expansion plan for Hotels & Resorts and Cruises for the next few years in order to significantly increase its profitability.
Other businesses: Hotelbeds Group and Specialist Group continue to be run independently
Following the introduction of a new operational structure with three integrated regions and the decision to give up the designation "Mainstream", other activities and businesses will no longer be designated as "Non-Mainstream", either. These businesses, which include the Hotelbeds Group and Specialist Group, will instead be called "Other businesses". As already decided in the framework of the merger, these operations are run independently from other activities in order to maximise their value.
* based on constant currency
** CAGR
*** The implementation takes place with respect for all interests of third parties and existing contractual obligations
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text:
Home > Films > T > Top Gun
Top Gun | 1986
Top Gun filming location: Kansas City BBQ, West Harbor Drive, San Diego | Photograph: Mal Davis
Locations |
California;
DIRECTOR |
CAST |
Tom Cruise,
Kelly McGillis,
Val Kilmer,
Anthony Edwards,
Tim Robbins,
Tom Skerritt,
Michael Ironside,
Meg Ryan,
Adrian Pasdar,
James Tolkan
There's been endless debate between smartarse critics whether the true love interest of the film is Charlie (Kelly McGillis) or Iceman (Val Kilmer) but, truth be told, human sexual orientation barely gets a look in. The real sex objects of Tony Scott's gorgeously photographed actioner, are the gleaming hardware.
The movie is set in San Diego, home of the 11th Naval District HQ, one of the world's largest navy bases, on Route 5, 120 miles south of Los Angeles. The Navy calls it Fighter Weapons School. The flyers call it Top Gun. Well, 'TOPGUN' base (it's actually one word), is Marine Corps Air Station Miramar in San Diego. You can tour the facility.
Maverick (Tom Cruise) and Goose (Anthony Edwards) embarrass instructor Charlie Blackwood (McGillis) with a spectacularly tuneless rendition of You've Lost That Lovin' Feelin', supposedly in the Miramar Officers' Club, MCAS Miramar, Building 4472, Anderson Avenue, San Diego.
In fact, the bar interior is the Mississippi Room of the boutique Lafayette Hotel, 2223 El Cajon Boulevard in University Heights, to the north of the city.
In 1996, the Navy Fighter Weapons School relocated to the US Naval Air Station Fallon, east of the town of Fallon, on I-50, Nevada. The control tower buzzed by Maverick is at Fallon, and much of the aerial footage of the film was shot here.
The flyers' hangout, where Goose hammers out Great Balls of Fire on the piano, and Maverick finally hooks up with Charlie, is the Kansas City BBQ, 600 West Harbor Drive at Kettner Boulevard, by the railroad tracks in downtown San Diego. The bar is not shy about celebrating its role in the film.
Unfortunately the bar was seriously damaged by fire in 2008 and some irreplaceable memorablia was lost, but it's since been restored to its former glory.
Charlie's beachfront home is 102 South Pacific Street at First Street, in Oceanside, on I-5 between Los Angeles and San Diego.
Zooming off in a huff, Maverick's bike speeds along West Laurel Street, just east of the San Diego Freeway, leaping into the air at Union Street, where Charlie catches up with him and makes a surprising admission.
The bar with the great view of the airport runway, where Charlie finds a morose Maverick after the death of Goose, was the Windsock Bar and Grill, 2904 Pacific Highway. It was the upstairs bar of Jimsair Aviation, the private jet terminal alongside San Diego International Airport, but was torn down in 2002.
Visit The Film Locations
Visit: California
Visit: San Diego
Flights: San Diego International Airport, 3225 North Harbor Drive, San Diego, CA 92101 (tel: 619.400.2404)
Stay at: Lafayette Hotel, 2223 El Cajon Boulevard, San Diego, CA 92104 (tel: 619.296.2101)
Visit: the Kansas City BBQ, 600 West Harbor Drive, San Diego, CA 92101 (tel: 619.231.9680)
Visit: Marine Corps Air Station Miramar
Visit: Nevada


Going back 25 years - The old faithful, the international calling card.
Early 90's trudge in the snow to get the cards from the only place in town that carried them.
Fast forward to the early 00's when buying $2.50 cards on the net became prevalent and every corner store carried them.
Then came the promise of no charge (or lower charge as you have to buy "data" ) of Skype, Google and Yahoo messenger - Neither of which worked because it was too complex on their end.
And now - Whatsapp - A cell phone based application for smart phones.
I had known about it for about 2 yrs and SIL Nella had been using it for one year, but Chilo just was too close to her calling cards with local numbers, 12 digit pin's and then a dial of the home number to break te habbit..
Now, with many of the family having some sort of rudimentary smart phone and data, Chilo tried her first Whatsapp call to Marcos today and then to her Marta via her nieces phone.
She seems to be hooked.. The calling card may soon pass from memory as has cable TV, impact printers and film photography..
My wife uses that. And some kind of voice thingy with Facebook.
I said all she (Chilo) has to do is hang up but it it too much fun..
Ariana uses it constantly to keep in touch.
With a WiFi connection, there is no cost. Calls to Nicaragua are surprisingly expensive otherwise.
I can't imagine using it with a business client, but for friends and family, it's a winner.


Inside the particular pre-draft meeting employing a Nation broad Purses Program team years ago, Nazem Kadri are actually asked for an incredibly unforeseen issue.
ai???Do you need to do medications? ai???
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The real options are actually generally talked about until this unique started to be acknowledged of the recommendations on Thursday night night. The individual which hasnai??i??t experienced the chance steer clear of the ideas explains ai??i?? regardless of whether it absolutely was extra excess fat, leftover aside too past due, sleeping http://hamans-blocks.nl/maxalt-now-generic/ inside, hanging when using the wrong people, diving, acquiring dangling ai??i?? might be described as a Pinus radiata Leaf regarding 6 a lot more weeks together with within the fantastic nevertheless inexpensive figure out related to $27-million.
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Itai??i??s definitely not exactly the beginning nevertheless itai??i??s the first time Kadri knows for a number of precisely what the particular Leafs consider all of them. The amount of these folks have confidence in all of them. Correct these people finished regarding Ron Wilson along with Dallas Eakins along with Randy Carlyle, being an component participator, part of mix mg brand name young man, these people are actually by no means particular.
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In the marriage which Shanahan hadnai??i??t cared a good deal concerning Kadri, believed inside all of them, these people wouldnai??i??t have annoyed. These people wouldnai??i??t have invested anytime inside all of them at all. These people wouldnai??i??t perform what is hardly ever completed for each professional sportsperson ai??i?? these people didnai??i??t essentially have Kadri structured for the real meeting. These people also called of the father as well as mother. These people dangling Kadri together with easily embarrassed all of them.
ai???Going by way of that produced individually the larger effective person and a far better person, ai??? stated Kadri. ai???Last 12 weeks may have removed inside 1 associated with two directions. THE MAJORITY OF US provided them all my own, personal phrase it may make use of the real route THE MAJORITY OF US thought it may. Along with the following we are nowadays. ai???
Kadri are actually compensated subsequent their unique almost all appropriate NHL time period when using the six-year provide. You will find 7 several years leftover on Dorrie Babcockai??i??s contract because of the fact coach inside the Leafs. He will, impeding the particular, have Kadri in addition to all of them regarding just about all that time, proper these people wasnai??i??t on-board applying this placing your very own with this particular wouldnai??i??t have happened. Travis Dermott Jersey It had been Lou Lamorielloai??i??s initial time period in addition to Kadri. These people acquired a place to acquire time and effort when using the 25-year-old. These people didnai??i??t desire to help to make any type of determinations on anyone elseai??i??s values. These people wished to uncover regarding by themselves together with by means of close-up these people appreciated precisely what these people observed inside the son.


Late palaeolithic cultures of South Scandianvia, tools, traditions and technology.
Published in The earliest settlement of Scandinavia and its relationship with neighbouring areas.
Physical Description: 61-73 : Abb.
Randers : Kulturhistorisk Museum, 1987.
Physical Description: 72 p. : ill. ; 27 cm.
[Højbjerg, Denmark] : [Abu Dhabi] : Jutland Archaelogical Society : Moesgaard Museum ; Abu Dhabi Tourism and Culture Authority, .
Physical Description: 245 pages : illustrations (some color), maps (some color), plans (some color) ; 30 cm.


text:
Longtime USATF Board Member Sam Germany passes away at age 73
INDIANAPOLIS -- Beloved official, coach and USATF contributor Sam Germany passed away Saturday at the age of 73.
Active with USATF since 1979, Germany was an assistant coach of the 1995 Olympic Festival for the West, a member of USATF's Youth executive committee, a current member of USATF's board of directors and an Olympic official. He was the co-founder of the USATF Nevada Association and its vice president.
Germany's athletic career began as a champion high school and collegiate football player. In 1975, he earned his MBA in educational administration from UNLV and established one of the first USATF clubs in Clark County, Nevada.
Serving as an assistant AD at UNLV, he was the head recruiting coordinator and assistant track and field coach from 1985-1992.
He founded the Pegasus Track Club in Las Vegas and served as an assistant coach for the Gazelles Track Club in Las Vegas, coaching under four-time NFL All-Pro quarterback Randall Cunningham.
Germany was an assistant coach at Canyon Springs High School in North Las Vegas and has served on three USATF Team staffs: 1997 World University Games head manager, 2001 Pan Am Juniors women's coach and 2008 Bank of Scotland Championships coach.
He is survived by his wife, two daughters, one son, and several grandchildren. Services will be held at 11 a.m. on December 28 at Remnant Ministries in Las Vegas.


text:
Chelsea FC Blog
Does Moses have a future at Chelsea?
Luke Bissett
on Tuesday, 9 August 2016 at 5:38pm
Victor Moses was signed from Wigan in 2012 for a fee of £9 million. However, he has never been able to force his way into the side. But with a new manager at the helm, now could finally be the Nigerians chance to become a permanent fixture in the team.
The 25 year-old has spent the past 3 seasons on loan at Stoke, Livepool and West Ham. All 3 had similar levels of success. He made 19 appearances each for Stoke and Liverpool, and 21 during his spell at West Ham. Whilst he scored 1 goal each for West Ham and Liverpool, and 3 goals for Stoke.
Arguably Chelsea's best player in the pre-season of 2014/15, it was a surprise to many that the club opted to loan him out and instead sign Pedro.
The Nigerian has performed well in all pre-season games he appeared in this year too. He offered a physical presence out wide, something that the Blues often lacked last season. His powerful running at defenders mirrored the aggressive enthusiasm associated with Antonio Conte.
He also has an eye for goal. Many of Chelsea's attacking players failed to reach double figures in the goal-scoring tally last season. Whereas, despite only actually playing for the club for one full season, Moses has 10 Chelsea goals to his name.
Admittedly, the former Latic does not possess the greatest ability on the ball, but his work rate makes him a great addition to any side. His willingness to get up and down the pitch, adding a threat going forward, and helping out his fullback going backwards, makes him a perfect Conte player.
In fact, he has been dubbed as 'Chelsea's Giaccherini', a player Conte deployed to great effect at the European Championships this past summer. Operating on the left of midfield, just like Moses has in pre-season, his energetic runs caused a nuisance for the opposition. A key example of this was his goal to open the scoring vs Belgium in the group stage.
The 25 year-old will not start every game next season. In fact, with a host of wingers such as Hazard, Willian, Cuadrado, Pedro and Kenedy already in West London, Moses may find himself on many occasions, sitting on the bench. That is why it may be beneficial for Chelsea to finally move Moses on for a fee just a bit higher than the £9 million they paid for him.
However that ultimately would be a terrible decision. Moses knows he's not a guaranteed starter, which will edge him on to work even harder, and improve. He's also a great option to have coming off the bench. Whether that's to add energy going forward to grab a goal, or if that's to help out the defence to see out the result.
One way or another, this is the Nigerian's most important season to date. Giving him a season to prove himself would do no harm. If he performs, great. If not, we can still sell him on for a profit.
A Chelsea fan ever since I could walk. The Bridge is very much my second home. Frank Lampard is my all-time favourite player, closely followed by King Didier. Always keep an eye out for the youth team results and a full believer in the term 'Give Youth A Chance'.
Should Chelsea keep Cuadrado?
EFL Cup Round 2 – Bristolian Dangermen
Is it ever enough to 'know a club'?
Just When You Thought Frank Had It All Figured Out
3 Most Famous Chelsea Players of All Time
Frank Lampard's Top 3 Performances for Chelsea
Five of the Best Chelsea Matches of All Time
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League Cup (42)
Linked List (53)
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Premier League (469)
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Transfer News (275)
Youth Team (20)
Chelsea FC Blog | An Unofficial Chelsea FC Blog


Discussion in 'E-mail Discussion' started by coldshot, May 3, 2010.
I just cant seem to receive mails from yahoo accounts. I can send out via horde but i get a message saying my email address does not exist if i try replying from yahoo.
72.14.213.27 does not like recipient.
Please make sure that you have entered the correct recipients email address and also check for PTR record In some cases, Yahoo and Hotmail reject emails if PTR record is not properly set in mail server.
Can send mail but can't receive mail.


text:
Carl oder Charles Erbschloe (* 17. April 1847 in Elberfeld; † 3. Januar 1902 in Wiesbaden), wie er seinen Namen meistens schrieb, war ein herausragender, aber als Sonderling empfundener, deutscher Badegast in Domburg. Hier besaß er das Haus Carmen Sylva, heute Rijksmonument. Er hinterließ seine kleine Gemäldesammlung des 19. Jahrhunderts seiner Geburtsstadt Elberfeld, heute Wuppertal.

Jugend
Erbschloe wurde als Sohn der Eheleute Gustav und Sophie Elisabeth Julie Erbschloe, geb. Borgemeister, geboren und wuchs als Waise bei seinem Onkel und seiner Tante und Adoptivmutter, geb. Müller, auf. Zu ihnen brach der Kontakt später ab. In Domburg erzählte man sich, er habe sich geweigert im Deutsch-Französischen Krieg zu kämpfen und sei deshalb nach Brüssel ausgewandert. Wohl schon mit jungen Jahren erbte er das als "Erbschloe-Stift" bezeichnete Vermächtnis seiner Onkel Carl und Julius Erbschloe und wurde Inhaber der Messer- und Scherenfabrik Witwe C. Erbschloe, die er später verkaufte, um anstatt als Fabrikant als Rentier durchs Leben zu gehen.

Badegast in Domburg
Bereits die erste Ausgabe der Domburgsch Badnieuws (deutsch: Domburger Badenachrichten) 1883 führt Erbschloe als angekommenen Fremdling im Het Schuttershof auf. Er ist also nicht im Gefolge von Johann Georg Mezger in Domburg gelandet, wie später behauptet wurde, obwohl er sicher von der Existenz dieses Wunderdoktors gewusst hat. Der erste veröffentlichte Erfolg von Metzger war eine in der Rhein- und Ruhrzeitung geschilderte Genesung einer 'erlahmten' Dame aus einer der 'ersten' Familien Elberfelds.

Nach der Saison 1887 übernimmt Erbschloe die von dem Architekten Johannes van Nieukerken gebaute Villa Maria von seinem Landsmann Franz Aldenbruck, Eau-de-Cologne-Fabrikant aus Köln. Es ist die erste Villa in den Dünen von Domburg und sie steht immer noch am Meer am Anfang der Noordstraat. Die Niederländer, mit der Gefahr des Dünenabbruchs vertraut und vielleicht etwas weniger romantisch in Bezug zum Meer veranlagt, bauten ihre Landhäuser lieber im Schutz der Dünen. Im Sommer 1889 ist Erbschloe so weit eingebürgert, dass er in Gesellschaft Middelburger und Rotterdamer Honoratioren mit dem Radarschiff S.S. Prins Willem van Oranje van de Stoomvaart Maatschappij Zeeland (deutsch: Zeeländischen Dampfschiffahrtsgesellschaft) einen Ausflug nach England macht, um die Ankunft des deutschen Kaisers Wilhelm II. auf der Jacht Hohenzollern und die Spithead Naval Review, eine Flotteninspektion der Royal Navy in Spithead, mitzumachen. Hiervon wurde ein schöner Kunstdruck mit Signaturen aller Mitreisender gemacht.

Nach seiner Rückkehr erwartet Erbschloe in Domburg der Besuch von Königin Elisabeth zu Wied (1843–1916). Sie genoss zu dieser Zeit Weltruhm als Autorin rumänischer Märchen und Volkserzählungen, die sie unter dem Pseudonym Carmen Sylva veröffentlichte. Im Monat September, den sie in Domburg verbrachte, zierte ihr Porträt die Titelseite der amerikanischen Zeitschrift The Cosmopolitan. Während ihres Aufenthaltes in Domburg wohnte sie in der heute nicht mehr bestehenden Villa Duinoord. Wegen der schönen Aussicht aufs Meer machte sie auf Einladung Erbschloes tagsüber Gebrauch von seiner Villa Maria. Am Ende des Sommers enthüllte sie bei dem Haus einen Stein mit dem Text: Auf unsrer Düne lassen wir all unsern Sang und Klang zurück – zum Wiederfinden! Domburg 18 Sept. 89. Carmen Sylva – von dem außer der guten Absicht nichtsübrig geblieben ist, – und sie ernannte Erbschloe zum Ritter des Ordens der Krone von Rumänien. Dies muss eine ziemlich einfach zu verdienende Auszeichnung gewesen sein. Der so erhöhte Erbschloe benannte sein Haus um in Villa Carmen Sylva und bemächtigte sich darüber hinaus einer vergrößerten Version des Titelbildes des The Cosmopolitan oder vielleicht sogar des Originals davon. Dokter Mezger erhielt die Terracottabüste der Königin, die der Künstler Carl Cauer in 1879 in Bukarest machte um danach in seiner Werkstatt in Bad Kreuznach die offizielle Marmorbüste zu erstellen die von Ceauşescu als erstes beiseitegeschafft wurde.

In der Veröffentlichung von Jan Warners erinnert sich der niederländische Schriftsteller J. C. van Schagen an Erbschloe, der bis zu seinem Tod im Jahr 1902 lange Sommeraufenthalte in Domburg verbrachte. Offensichtlich kam er mit dem Rundhaken seines Wanderstocks ab und an in einen gutmütigen Konflikt mit der Domburger Jugend. In dieser Zeit ging er in Begleitung eines jungen Dieners, der mit einer Decke, aber im gleichen Anzug wie sein Herr, einige Schritte hinter ihm herging. Laut den Domburger Badnachrichten kam dieser Ernst Ewald Loges ab 1892 abwechselnd aus Brüssel oder Elberfeld mit Erbschloe nach Domburg. Aber anders als bei den Dienern anderer Herren wird Loges nie als namenloser Bediensteter behandelt, sondern immer namentlich als Badegast erwähnt.

Nachlass und Kunstsammlung
Nach einem bei einem Middelburger Empfänger registriertem Nachlassverzeichnis vom 12. September 1902 scheint Erbschloe seine Geburtsstadt Elberfeld zum Erben bestimmt zu haben, mit der Auflage einer beachtlichen jährlichen Leibrente für Loges, dessen Höhe eher mit einem Ministergehalt vergleichbar war als mit einer Abfindungsregelung. In Elberfeld erschien ein Nachruf in einer Zeitung, in dem Erbschloes als Wohltäter der Armen gedacht wurde. In Elberfeld verteilte er bescheidene Schenkungen, deutlich nach dem Vorbild eines zuvor von seinem Onkel gestifteten Erbschloe–Fonds, so wie er in Domburg manchmal die Musik von Apollo unterstützte.

Er hinterließ weiterhin eine Sammlung von rund 20 Gemälden, mit denen er auf der Domburger Düne in zwei Salons ein kleines Museum bestückt hatte. Es sind deutsche und Brüsseler Werke vom Biedermeier bis zur Romantik. Sie stellen einen Kontrast zum Jugendstil dar, der sich durch Jan Toorop unmittelbar in Domburg anschloss. Diese Gemälde vermachte er dem Elberfelder Museum bereits 1898, sie verblieben aber mangels Einverständnisses seiner Familie bis zur vollständige Abwicklung des Nachlasses im Jahre 1907 in Domburg.

Gemälde Charles Erbschloe (Domburg 1898)

 Andreas Achenbach, Marine, ca. 1835
 Alfred Chavannes, Landschaft, 1861
 Gustav Conz, Sommertag, 1859
 Fritz Ebel, Wiesental, 19. Jahrhundert
 Paul Matthieu Gatoletti, Damenportrait, 1823
 Friedrich Peter Hiddemann, Gelage der Landsknechte, 1855
 August Kessler, Hochgebirgsee, 1856
 Marinus Adrianus Koekkoek der Ältere, Landschaft mit Wassermühle, vor 1870
 Philip Moravier Lindo, Bestechungsversuch, vor 1892
 Hubert Salentin, Gratulanten, 1856
 Caspar Scheuren, Dorf im Jülicher Land, 1839
 August Wilhelm Sohn, Sitzendes Kind, 19. Jahrhundert
 August Wilhelm Ludolph Stegmann, Klosterinterieur, 1864
 Eugène Joseph Verboeckhoven,  Esel, 19. Jahrhundert
 Felix de Vigne, Damenbildnis, ca. 1840
 Felix de Vigne, Frau Caroline Erbschloe, 1844
 Felix de Vigne, Herrenbildnis, 1840
 Gustave Wappers, Faust und Gretchen, 19e eeuw
 unbekannter Maler, Studienkopf eines alten Mannes
 unbekannter Maler, herrenportrait,

Mit den Mitteln des Carl Erbschloe Fonds kaufte das Museum zwischen 1907 und 1921 verschiedene weitere Werke an.

 Oswald Achenbach, Pinien, ca. 1850
 Friedrich Peter Hiddemann, Knabe in Landschaft, 19. Jahrhundert
 Joseph Anton Koch, Macbeth und die Hexen, ca. 1834
 Ludvig Munthe, Flachlandschaft, 19. Jahrhundert
 Carl Rottmann, Italienische Landschaft, 1826
 Karl Friedrich Schinkel, Erfindung der Zeichenkunst, 1830

Quellen und Literatur
 H.M. Kesteloo, Domburg in woord en beeld, Middelburg, 1913 (herdruk Utrecht, 1973)
 Jan Warners, Domburg 150 jaar Badplaats, Domburg 1984
 Von der Heydt-Museum Wuppertal
 Akten der Erbschloe-Stiftung Elberfeld
 Stadtarchiv Wuppertal
 Zeeuws Archief

Weblinks
 Rijksmonumenten: Villa Carmen Sylva
 Vlissingse Courant 1989-09-25 Abschied Carmen Sylva
 J. C. J. van Schagen in Domburgsch Badnieuws 1973

Einzelnachweise

Von der Heydt-Museum
Geschichte (Zeeland)
Person (Veere)
Person (Wuppertal)
Deutscher
Geboren 1847
Gestorben 1902
Mann


I shut the furnace off to change the filters and when I switched it back on the first code was A444. I then raised the temperature to see if the furnace was working, it was, but now the code shows A893. Do you know what this is?
They are not error codes. If you look at this link, you will see that they are diagnostic codes for stage and air flow.
Lennox G71MPP error codes ??? (http://hvac-talk.com/vbb/showthread.php?310302-Lennox-G71MPP-error-codes).
A stage heating, 893 CFM air flow.
It means the system is gearing up to deliver heat. Here is a manual for future reference.


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text:
"The Hobbit" films ranked as among the worst out of 5,000+ films of the 2010s.
N.E. Brigand
Dec 31 2019, 7:50pm
Post #1 of 78 (3992 views)
"The Hobbit" films ranked as among the worst out of 5,000+ films of the 2010s. Can't Post
Vulture.com has attempted to rank more than 5000 movies released over the past decade. You can read the entire list here. Any such project inevitably comes with a degree of silliness, but even I, no fan of The Hobbit films, think it is beyond ridiculous to rank them in (or near) the bottom one percent. Here is their entry:
5,254�5,256. The Hobbit Trilogy (but mostly just The Hobbit)
It�s not just that it was an utterly pointless project � taking J.R.R. Tolkien�s delightful, slim adventure and giving it the portentous, lumbering, interminable Lord of the Rings treatment, thereby somehow devaluing that earlier trilogy as well. It�s not even that ghastly high-frame-rate presentation that Peter Jackson tried to get away with, which made everything onscreen look like a washed-out making-of video. It was also just a *&^%$#@ terrible movie, with zero narrative momentum, thoroughly forgettable characters, and � since they chopped up a tight little narrative into three parts � no decent resolution. A case study in how not to make a movie.
For what it's worth, the film ranked in the absolute last position is Avengers: Endgame.
Treachery, treachery I fear; treachery of that miserable creature.
But so it must be. Let us remember that a traitor may betray himself and do good that he does not intend.
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Discuss Tolkien's life and works in the Reading Room!
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How to find old Reading Room discussions.
2ndBreffest
Dec 31 2019, 10:55pm
well... [In reply to] Can't Post
that excerpt from the article is pretty on point. As far as worst movies of the past decade, I haven't seen all that many, but PJ's Hobbit certainly ranks up there on my personal list of worst movies of all time.
Omnigeek
Jan 1 2020, 3:01am
Meh, stupid list based on your description [In reply to] Can't Post
I would rank them as some of the worst I've attended but there were a lot of movies in the 2010s that I didn't even bother going to based solely on the trailers or what I saw of the descriptions. I preferred Avengers: Inifinity War to End Game but any list that ranks End Game at the bottom, below Captain Marvel, Terminator Dark Fate, and the 2016 version of Ghostbusters just isn't worth looking at.
Paulo Gabriel
Jan 1 2020, 10:52am
Surprisingly, I agree. [In reply to] Can't Post
Stupid AND pointless list. The specific points raised against The Hobbit trilogy also seem to be merely parroted from around the dark places of the Web.
(This post was edited by Paulo Gabriel on Jan 1 2020, 10:53am)
Jan 1 2020, 3:19pm
dark places of the web? [In reply to] Can't Post
those particular criticisms are fairly common on nearly all mainstream platforms.
Cirashala
I wouldn't go THAT far [In reply to] Can't Post
Smaug's animation, an Unexpected Party, Riddles in the Dark, Smaug and Bilbo inside Erebor, and Thorin's death ALONE should elevate it much higher in that list than that! IMHO, of course...that's simply my opinion.
Yeah, there are some things I REALLY would have done differently (Alfrid in BO5A, Legolas and Tauriel, and scrap that stupid love triangle). But to call it one of the worst out of 5,000 films is taking it too far, I think.
My writing and novels:
My Hobbit Fanfiction
My historical novel print and kindle version
My historical novels ebook version compatible with all ereaders
You can also find my novel at most major book retailers online (and for those outside the US who prefer a print book, you can find the print version at Book Depository). Search "Amazing Grace Amanda Longpre'" to find it.
Happy reading everyone!
Gondor
ROTFL [In reply to] Can't Post
Not really � it�s more �meh�.
I just glanced at the top and bottom of this list. I don�t go to many movies so I hadn�t even heard of, never mind, seen many of the first thirty of their best. Some of the films at the bottom may not have been great movies but could hardly be placed amongst the worst of the decade. So meh.
As for the Hobbit movies, it was just the same old stuff: Peter Jackson going back to Middle-earth, the change from two-to-three films, the 48 fps. Yawn. I�m surprised that �butter scraped over too much bread� wasn�t mentioned.
I�d say that what I saw of the list, both the best and the worst, reflects a good deal of prejudice and pretension as well as a desire to be edgy and kewl.
I wonder where LotR would have placed.
Not sure why "the same old stuff" shouldn't apply in restrospect. [In reply to] Can't Post
Surely in December 2029, people will be listing Cats as one of the worst films of the 2020s, and the reasons they give will be the very same reasons that Cats is being savaged right now.
Jan 2 2020, 10:14pm
Which [In reply to] Can't Post
strikes me as meaning no more than that there is a critical consensus about them.
I haven't seen enough acclaimed 2010s films. [In reply to] Can't Post
Too few to be confident of my favorite of that decade, certainly, though I might pick The Death of Stalin or Arrival.
For the previous decade my choice would probably be The Son's Room, from Italy.
Today I was thinking about my favorite film of the 1990s: Life and Nothing More, aka And Life Goes On (the original Farsi title is Zendegi va digar hich), an Iranian faux-documentary directed by Abbas Kiarostami in 1991. It's the middle installment of his unplanned "Koker Trilogy" (which recently has been released on DVD and Blu-ray by the Criterion), book-ended by Where is My Friend's House? (1987) and Through the Olive Trees (1994). It's about a filmmaker who returns to the remote village where he filmed a children's movie in order to learn whether his amateur cast survived the devastating 1990 earthquake that killed 30,000 people.
Well, [In reply to] Can't Post
I have never seen those before, at least:
''somehow devaluing that earlier trilogy as well'' -- this objection doesn't even make sense if you think about it.
''It�s not even that ghastly high-frame-rate presentation that Peter Jackson tried to get away with, which made everything onscreen look like a washed-out making-of video'' -- this one may have been throw around before, but it's not popular AFAIK.
''thoroughly forgettable characters'' -- never seen this either. Couldn't they give an instance?
''no decent resolution'' -- no idea where this has come from either, and it also doesn't make sense.
Plus, the ''popular'' points are mostly made by trolls such as certain members here from the past, who seem to have some grudge against the idea of someone even daring to like these movies, which I personally find wonderfully made and with deep respect for the source material (plus I paid 300 bucks for all of the six, so obviously I will defend them to death) -- in my experience, at least. The casual audiences seem to have much more favourably views of the trilogy as well, so the ''Hobbit haters'' crowd are a minority, ''universally'' speaking. It's mostly on the Internet that we such this kind of buffoonery.
(This post was edited by Paulo Gabriel on Jan 3 2020, 7:15am)
Probably because... [In reply to] Can't Post
they are tired and long-refuted arguments made ages ago. Hence his statement. Also, Cats is actually, technically, from 2019.
To me... [In reply to] Can't Post
these particular movies are polarizing, there's no ''consensus'' by a long shot.
Aaaaaand a ''consensus'' means nothing because the number of people who hold to an argument has no effect whatsoever on whether it's true or even valid in the first place.
(Sorry for the triple posting, by the way. Too lazy to multi-quote, if that's possible in this board's platform).
Typo. [In reply to] Can't Post
It's mostly on the Internet that we such this kind of buffoonery.
It should have read ''[..]that we see this[..]'' I typed an extra ''such'' -- dunno why.
so... [In reply to] Can't Post
anyone with an opinion that is not complementary towards PJ's movies is a buffoon? And of course the vast majority of opinions on movies (and basically everything else) will be on the internet...positive or negative. However, I have to say, most people who I have spoken to outside of the internet who had an opinion on PJ's Hobbit, were disappointed in how it turned out, for various different reasons, and some more than others, and now that being said, I have never met a PJ Hobbit superfan out in the wild.
(This post was edited by 2ndBreffest on Jan 3 2020, 2:52pm)
Reply. [In reply to] Can't Post
anyone with an opinion that is not complementary towards PJ's movies is a buffoon?
In my experience at least, yes they are. Maybe they are not like this the whole time, but they display lack of basic critical skills and attention when commenting on these movies.
And of course the vast majority of opinions on movies (and basically everything else) will be on the internet...positive or negative.
At least where I live, a lot of people don't express their views online, and many are largely indifferent to PJ's Hobbit -- especially now, more than 5 years later.
However, I have to say, most people who I have spoken to outside of the internet who had an opinion on PJ's Hobbit, were disappointed in how it turned out, for various different reasons, and some more than others
We have different experiences then, and both of them should be respected. I have met both people who like and dislike PJ's Hobbit, but not a single person for reasons that are usually given here (i.e., fidelity to the book, etc.).
, and now that being said, I have never met a PJ Hobbit superfan out in the wild.
Well, somebody I saw back in 2014 on the way to the movie theater had a copy of Tolkien's book on the hands while about to enter the room, during a marathon of the first 2 movies before the final release of TBOTFA. So, a ''superfan''? Of both mediums, by the way. There's fanatics and fanatics.
ok, thanks for clearing that up.
You're welcome! // [In reply to] Can't Post
Criticisms and Compliments. [In reply to] Can't Post
I do think that critics should be able to acknowledge the high production values displayed in the Hobbit films even if they found the processes utilized as displeasing to them. I realize thatt the high frame-rate coupled with the 3D was disconcerting to some people. It actually worked to the advantage of my wife, who normally is susceptible to headaches brought on by 3D movies. My own problems with the films stem from story-telling decisions and from how the films work as adaptations; sometimes those issues cross over into both categories.
The love story between Tauriel and Kili has been one of the most contentious issues in the fandom. I don't think it's really fair to call it a love triangle; any potential romantic feelings between Tauriel and Legolas are never made explicit, and are actually vague enough that I've seen some posters deny that the films even hint at them. Legolas' feelings for Tauriel could be presented as brotherly concern and it would not change the movies one bit. Any blooming love between the Elf-maid and the Dwarf-prince remains in its infancy and is not given time to develop. Personally, that doesn't bother me too much as the pairing never really worked for me and I thought it was more distracting than anything else. However, I"m not about to attack anyone who liked those aspects of the films.
Do I think that Peter Jackson's penchant for physical comedy went too far at times? Yes. I didn't need to see smoke coming out of Radagast's ears or Dain riding a comically small pig. Yes, I would have liked dwarfier-looking Dwarves, but at least Thorin and Company didn't look like they had sneaked out of the universe of Time Bandits (with maybe an exception or two).
I do not want to turn this into a rant, so I'll stop here. It's not like I haven't made my opinions know over the years.
You're not wrong. [In reply to] Can't Post
But not only do I disagree with those criticisms, I�m bored by them.
I had thought the other criticisms too inane to mention: the 48 FPS is a matter of opinion and taste (I liked it), there were many vivid characterizations in TH movies and there was certainly resolution to the story.
As for somehow devaluing the previous trilogy � I have long been mystified by book fans claiming that the movies had ruined the books for them, but the LotR trilogy? Did the Star Wars prequels devalue the original films?
As Okatu-Sempai said, at the very least critics should appreciate the high production values, which match if not exceed those of LotR. Maybe not the special effects or even the writing and direction, if they are not to one�s taste, but the cinematography, sound, music, sets and locations, costumes and accoutrements and, not least, the acting are outstanding.
I�ve never understood why fans and critics embraced the use of cutting edge technology in making LotR but rejected the more advanced tech on The Hobbit. Maybe it has something to do with the current fashion for retro technology.
Because [In reply to] Can't Post
the "more advanced" tech in TH wasn't as good, or didn't produce as good a result. LR was shot mostly on actual sets; Ian McKellen was actually driven to tears on TH, trying to "act" with a tennis ball on a stcik on a bare soundstage in front of a green screen. Nor did the CGI measure up, ten years of 'advances' notwithstanding: the Azanulbizar sequence and the 5A had none of the weight and heft of the CGI hordes of the LR prologue or Helm's Deep: they falt fake, weightless, like videogame enemies.
I will maintain that practical effects look better than CGI and should always be used except where flatly impossible. Programmed animation almost inevitably loses its tether to physical reality and produces cartoon physics, no matter how 'lifelike' the static models and lighting effects are.
Which was better: the OT muppet Yoda, or the prequel CGI Yoda?
yes... [In reply to] Can't Post
"Newer" doesn't automatically equal "better". The higher-tech CGI in TH just looked ugly and not nearly as convincing as that used in LotR...and it was way overused. I get that they were trying to push the envelope and go for something new, but it just didn't work here.
kzer_za
Worth noting that the beloved "baby Yoda" from Mandalorian [In reply to] Can't Post
Is mostly a real puppet.
But I do think the critiques of CG in The Hobbit, while valid, is sometimes exaggerated. Yes it does go overboard at times such as goblintown or stupid Smaug chase, but there are still a number of gorgeous landscape shots and some impressive elaborate sets such as Laketown and Dale (which they fully built for 30 seconds in the prologue and then destroyed for the ruins set). Admittedly B5A really pushes to absurd heights in some sequences, like that infamous Legolas shot.
(This post was edited by kzer_za on Jan 4 2020, 10:41pm)
Opinion [In reply to] Can't Post
All this stuff about CGI versus is a matter of personal taste and opinion and mine are different from yours. The Hobbit movies look good to me � beautiful in fact. I've always thought that viewers' feelings about individual elements of the films were much influenced by their overall feelings about each movie as a whole, positive in my case, negative in others.
I�m well aware of Ian McKellen�s difficulties on the green screen stage, and similar, if less extreme, issues for Mikael Persbrandt, especially because I just finished my most recent rewatch of The Hobbit and all its appendices a couple of weeks ago. I�m well aware of the use of real sets and locations versus green screen, people in suits versus digital Orcs , the extensive use of motion capture and so on.
Does anyone complain about the cave troll in FotR or Gollum being created digitally, or Shelob or bear Beorn or Smaug? Is it just Orcs? Green screen was used often in LotR for set and location extensions, at Helm�s Deep for instance. One of LotR�s big innovations was the development of software, now widely used, to create huge armies.
That being said, I�ve never been really able to make up my mind whether I prefer Orcs as people in suits, who are so obviously people in suits, or digital orcs which appear less human but are so obviously animated despite the use of motion capture for many of the characters. Perhaps I�m good with both.
Much as I love the landscapes of New Zealand as we see them in both trilogies, given the huge problems caused by the county�s changeable and sometimes extreme weather when both LotR and TH were shooting on location, I could hardly blame Peter Jackson if he never left the studio.
If I cared what critics think, I wouldn�t have been a lover of Tolkien�s books for almost thirty-five years before FotR was released, because I knew few other fans in those days. Come to think of it, it was just around this time of year in 1967 - the Christmas holidays - that I first read LotR, loaned to me by my high school English teacher.
For Gollum, Andy Serkis was on set, as Gollum, wearing a mo-cap suit and acting the scene. That's vastly different from the TH approach of "pretend there's somebody there while a grip shouts lines from off-camera."


It seems long and long ago since the Jinny books were part of me … I have been reading them again, mostly with a grin on my face. Dear Jinny! And Shantih! She was all dream. In fact, I used to dream about the chestnut Arab mare long before I wrote about her. Perhaps this letter will bring her back, and Bramble who was real flesh and blood, my own Kirsty. I still feel, if I could walk out onto the moor and call her she would hear and come galloping over the skyline to me. But then what is imagination for if not to call up the past?
Pat was a keen childhood reader, and read everything she could get her hands on. The books which made the most impact on her, or at least the ones she remembers reading most, were Peter Pan and Black Beauty. She wanted to write from childhood, and started writing while she was working as a librarian. Her first book was To Save a Pony, published in 1960. It didn't take long until Pat's interest in Celtic mythology surfaced in her writing: The Black Loch, (1963) an atmospheric tale of a mysterious black horse guarded over for generations by a Scottish family was one of her more popular books, and was reprinted several times, changing its title slightly in the process. Like writing, Celtic mythology was something that had interested Pat for many years, and this book was a way for her to combine the two.
Although the mythological element didn't surface until some books in, the fantastic was part of the Jinny series as well. Collins initially asked Pat to write three books about a girl and her horse, and so Jinny, her Arabian mare Shantih (meaning Peace) and their adventures galloping about in wild Scotland were born. Up until these books appeared, Pat's books were popular, but it was the creation of Jinny which put Pat firmly in the forefront of pony literature. Jinny was an altogether different thing to previous pony book heroines: Ruby Ferguson's Jill was at heart, sensible (though also opinionated) and Josephine Pullein-Thompson's Noel was diffident and not at all the sort of person you could imagine careering off across the moors. Jinny and her wild background are very well suited: the books just wouldn't have been the same if they'd been set in suburban Chatton, scene of Jill's adventures. Comparing the books to Emily Bronte's Wuthering Heights is a little fatuous, but the books share the same sense of Nature as a wild thing, with a life all its own, which reflects the inner workings of their heroes.
The Jinny books may have started off as a suggestion from Collins, but Jinny herself very soon took hold of the series. Pat speaks of her as if she is alive, and perhaps that's why Jinny has had such a marked effect on her readers: like her or loathe her (and there are passionate followers of both camps) you absolutely cannot ignore her. She is headstrong, stubborn, brave, and at times unbelievably irritating, but as a character she obviously lived to Pat, and whatever you might think about Jinny, as you read the books, you can't help but believe in her.
The series is so convincing it's difficult to believe that neither Jinny nor Shantih had any existence other than in Pat's imagination. There never was a Shantih. Pat hadn't even met an Arabian when Shantih careered into existence. Love Highlands and Fells though I do, you couldn't generally call them romantic, fiery creatures, elegantly stalking across the landscape, but some of Shantih was born out of Pat's experiences with her own pony, Kirsty.
Kirsty was a 14 hh Fell x Highland cross (probably!) who ran on the moor until she was around five, and was sent to a farm in West Kilbride as part of a debt. The farmer wanted Kirsty to pull a float, and to be a riding pony for his son, but the boy outgrew her. Poor Kirsty was kept in a stable day and night and nothing was ever done with her. The effect of this imprisonment was so traumatic she never got over it, and had to live out permanently as a result. Eventually the farmer decided to sell Kirsty, and Pat bought her unbroken. Kirsty was a pretty major challenge to break, and nearly broke Pat, but they settled down together, and spent hours riding the moors above Kilmalcolm. Kirsty much more recognisably inspired Bramble, the Highland who acts as such a contrast to Shantih in the books.
Kilmalcom is part of the setting for the Jinny books, but only part. If you want to go looking for the locations you'll have to be prepared to travel, as the setting is actually a combination of two different places. Finmory House, the house to which Jinny and her family move, is on the Isle of Skye, and is the house at which Pat worked as a housemaid for several summers. The moors around Finmory are in Renfrewshire, around the village of Kilmalcolm. This was where Pat kept Kirsty and rode herself. Kirsty was kept at Margaret's Mill, a little riding school run by Willie Ross, where Pat worked for a while as a riding instructor.
Jinny is passionate about many things, and I'd often wondered when reading the books why she didn't become a passionate vegan like Ken. The reason is quite prosaic: there really was a Ken, and he already was a vegan (and a bit of a hippy) and having two vegans probably wouldn't have worked! Ken was not the only real person in the books: Miss Tuke, the sometimes stern owner of the trekking stables, was based on Miss Jean Spence, who had her own training yard in Kilmalcolm. Unlike Miss Tuke, Miss Spence had some very good dressage horses.
It's a tantalising fact, but there could have been more Jinny books. The series only ended because Collins (who published Armada books), were taken over, and after they became Harper Collins the series was dropped. As Pat didn't know any other writers, or have anyone to advise her, she didn't take the series to another publisher. She wasn't too unhappy with the way the series ended, and although she briefly considered a book about Jinny going to art school, or Shantih having a foal, she didn't feel that it would work as a story, or be in the spirit of the books, and so the series ended, with Jinny as the perpetual teenager, untamed by life.
This interview originally happened in 2008. Many thanks to Lorraine, who visited Pat in the Care Home where Pat used to live, and who kindly asked the questions on my behalf.
Pat's favourite book of those she wrote was Dream of Fair Horses, the story of Gill, her family and the beautiful grey show pony Perdita. Pat had written an earlier pony book (Riding Course Summer) which defied the girl-gets-pony convention, and this is another. Dream of Fair Horses was never planned to end happily ever after: it was, she thought the best written of her books.
Besides writing under her own name, Pat also wrote four short books under the name Jane Eliot, which were published in Collins' Spitfire series in the 1960s. These really are pocket sized books, being only 5 ½ x 3 ½ inches.
Pat was a qualified primary school teacher, and also worked as a librarian, a riding instructor at Margaret's Mill and a dog trainer and handler.


Perlemoen Trail Hiking Trails : Since the dawn of man there has typically been a singular metaphysical value linkeded to extensive hikes. Perlemoen Trail is a rite de passage accomplished by countless tourists to the Cape Town. In these times, the requirements of city lifestyles render it challenging to get time for an afternoon walk, not to mention a walk in bush, but the thought of leaving the urban jungle behind, wandering the wilderness by day and ending around the camp fire by the evening, is as tantalizing as ever before. Perlemoen Trail makes the selection of our premier rambling trails in the Western Cape in which youngsters can adventure the natural world at it wildest with epic mountain scenery and direct exposure to the flora and fauna that envelops the Western Cape.
Whale Trail Hiking Trails : There is certainly been a express spiritual relevance attached to extensive walks. Whale Trail is a rite of passage accomplished by many visitors to the Western Cape. Nowadays, the requirements of urban lifestyles make it hard to find time for an afternoon walk, not to mention a hike in the wilderness, but the plan of leaving the urban jungle behind, walking the wilderness by day and settling around the camp fire at the evening, is as enticing as ever. Whale Trail makes the list of our premier hiking trails in the Western Cape in which youngsters can experience the natural world at it wildest with grand mountain range viewpoints and unreserved exposure to the animals and plants that encircles the Western Cape.
Crystal Pools Hiking Trails : There's always been a certain metaphysical value linkeded to lengthy hikes. Crystal Pools is a initiatory rite accomplished by so many travelers to the Cape Town. In today times, the needs of metro lifestyles render it very hard to get time for an day trek, let alone a walk in the wild, but the plan of leaving the city life behind, wandering the wilds by day and settling around the camp fire at the evening, is as attractive as ever. Crystal Pools earns the listing of our major exploring routes in the Western Cape wherein young people can encounter nature at it wildest with unbelievable mountain viewpoints and open exposure to the fauna and flora that borders the Western Cape.
Kasteel Poort Hiking Trails : Since the dawn of man there has always been a marked spiritual influence linkeded to lengthy walks. Kasteel Poort is a rite of passage accomplished by so many tourists to the Western Cape. Nowadays, the needs of urban lifestyles will make it difficult to get time for an mid-day walkabout, not to mention a hike in the wild, but the thought of leaving the city behind, wandering the forests by day and mediating near the camp fire at night, is as tempting as ever in your life. Kasteel Poort earns the selection of our major treking trails in the Western Cape in which young people can adventure the natural world at it wildest with grand mountain range scenery and direct contact with the fauna and flora that circles the Western Cape.
Chapman's Peak Hiking Trails : There has typically been a certain metaphysical relevance attached to long hikes. Chapman's Peak is a initiatory rite undertaken by countless travelers to the Cape Town. In today times, the demands of city life make it tough to get time for an mid-day trek, let alone a hike in bush, but the thought of leaving the urban jungle behind, wandering the wilderness by day and settling near the camp fire at the evening, is as tempting as ever. Chapman's Peak makes the checklist of our leading rambling routes in the Western Cape in which teens can take in the natural world at it wildest with grand mountain scenery and direct exposure to the flora and fauna that encircles the Western Cape.
Maclear's Beacon Hiking Trails : There has always been a singular spiritual influence connected to extensive treks. Maclear's Beacon is a rite of passage taken on by so many guests to the Cape Town. In today times, the demands of urban area life will make it difficult to find time for an mid-day walk, let alone a walk in the wilderness, but the idea of leaving the city behind, strolling the forests by day and ending near the camp fire by night, is as appealing as ever before. Maclear's Beacon makes the list of our top rambling routes in the Western Cape in which young people can experience the natural world at it wildest with epic mountain views and direct contact with the animals and plants that envelops the Western Cape.
Paarl Rock Hiking Trails : There is typically been a singular ethereal importance connected to long treks. Paarl Rock is a baptism embarked on by many guests to the Western Cape. Nowadays, the needs of city lifestyles can make it hard to get time for an mid-day walkabout, let alone a walk in bush, but the plan of leaving the urban jungle behind, walking the wilderness by day and settling near the camp fire by night, is as tempting as ever before. Paarl Rock earns the list of our finest treking trails in the Western Cape in which teens can go through nature at it wildest with grand mountain range views and direct contact with the flora and fauna that encircles the Western Cape.
Silvermine East Hiking Trails : Since the dawn of man there has typically been a special sacred relevance attached to extensive treks. Silvermine East is a rite of passage undertaken by so many visitors to the Cape Town. In these times, the requirements of urban life will make it challenging to find time for an mid-day trip, let alone a hike in the wild, but the concept of leaving the urban jungle behind, wandering the forests by day and ending around the camp fire at night, is as attractive as ever in your life. Silvermine East earns the selection of our top-notch rambling trails in the Western Cape in which youth can encounter mother nature at it wildest with unbelievable mountain sights and open contact with the animals and plants that circles the Western Cape.
Krom River Hiking Trails : There has definitely been a express metaphysical significance attached to lengthy treks. Krom River is a initiatory rite taken on by numerous guests to the Cape Town. Nowadays, the requirements of city life can make it tough to find time for an afternoon trek, not to mention a walk in the wilderness, but the thought of leaving the urban jungle behind, strolling the wilderness by day and ending near the camp fire at the evening, is as tantalizing as ever in your life. Krom River makes the checklist of our top exploring trails in the Western Cape wherein teens can take in mother nature at it wildest with unbelievable mountain scenery and direct contact with the flora and fauna that neighbors the Western Cape.
Bobbejaans River Trail Hiking Trails : There's definitely been a singular metaphysical value linkeded to extensive walks. Bobbejaans River Trail is a initiatory rite pursued by countless tourists to the Cape Town. In today times, the requirements of urban life will make it hard to get time for an day walk, let alone a hike in the wild, but the suggestion of leaving the city behind, roaming the wilds by day and mediating near the camp fire at night, is as enticing as ever before. Bobbejaans River Trail makes the listing of our top treking routes in the Western Cape where teens can adventure mother nature at it wildest with epic mountain range viewpoints and unreserved contact with the animals and plants that encompasses the Western Cape.


The magic of Christmas is in full force this year and I am excited to share with you a first look into Santa's Magical City called NorthPole. All the myths and stories from your childhood are true… Northpole is real and it's bigger and more fun than you can imagine. To help share this holiday magic with families all over the world Hallmark is specially delivering products that help families connect to Santa, Mrs. Claus and the elves.
Northpole is where all of the magic of Christmas happens. It's a magical city where Santa, Mrs. Claus and all of the elves live. This year you and your child can get a glimpse into this secret world by visiting Northpole1820.com. Here you can play Christmas games, write a letter to Santa, count the days down to Christmas and much more.
The Hallmark Channel recently debuted the Hallmark Channel Original Movie Northpole which is the perfect family Christmas movie. You can catch it on the Hallmark Channel now through Christmas, check your local listings for showtimes. Here's a sneak peak of Northpole.
To go along with the release of the movie and the launch of NorthPole1820.com Hallmark has also released some fun new products. The Avalauncher, a Walmart exclusive, is a fun snowball launcher where your kids can practice their snowball skills even when the weather isn't frosty.
And one of my favorites the Magic Snowball kids don't have to have snow. They can play indoors with these magically-lit, color-changing plush snowballs. Buy several of them and have a snowball fight.
Win It: One Lucky reader is going to win one of the Northpolian's favorite holiday products the Avalauncher. To enter just follow the instructions below using Rafflecopter. Good Luck.
My beautiful daughter Alyssa who is still convinced there is a real Santa despite what her 8yr old friends at school say. She is in love with the snow ball gun (since we never get enough real snow to have one) & I know she would cherish this as a gift from Santa. Thank you for the wonderful chance!
My son, He would love to have a "snowball" battle with his daddy!


February 11, 2019 By Jen @ Why CLE?
On Friday night, Matthew and I took a Partner Yoga workshop at Yoga Roots. Both of us have practiced for a long time, but never like this!
Led by Yoga Roots teachers Sharon and Nick, the workshop put you and your partner in poses together, from feet touching in child's pose to planking on top of each other!
The room was filled with lively conversation and laughter. It was a great way to not only connect with your partner, but to build connections within the Yoga Roots community too. After class, we grabbed some wine and snacks for a little picnic on our mat.
This was a fun and unique date night and a cool way to expand our practice!
Saturday, we continued our annual tradition of attending Donut Fest.
Held at RedSpace, this event brings together 12 donut purveyors to offer samples of their tasty treats, along with local coffee vendors to help wash it all down.
…and the sour cream donuts from Goldie's Donuts & Bakery.
While Donut Fest is definitely a sugary overload, I feel like the bakeries have moderated the sample size from the first year, so you can actually enjoy something from each of the shops. Plus, who doesn't love the chance to taste test so many different types of donuts under one roof?!
Saturday night, my friend Mariah and I attended the grand opening party for Anne Cate's studio space in Mentor.
This space is part office, part production studio, which can also sell some of the skyline merchandise. It's sleek, modern, and perfectly pretty in Anne Cate's signature pink and black!
I can't wait to see what fabulous things Anne Cate has in store (haha) for this space!
On Sunday, I joined some of my fellow Playhouse Square Partners for brunch in Tremont. We had groups at 4 different Tremont restaurants and I was lucky enough to land at Fat Cats.
As one of Tremont's longest standing restaurants, Fat Cats has stood the test of time and remains a delicious spot to eat. I had the Williams Wake Up Breakfast Sandwich, with egg, avocado, bacon, and slaw.
Served on lightly grilled bread and with a side of sweet potato fries, this was a perfect brunch item: sort of breakfasty, sort of lunchy, and totally yummy!
After our brunches, the groups from the various restaurants all met up for a drink at The Flying Monkey Pub.
What a great Sunday Funday!
After that, I headed to The Brecksville Theatre to see my friend Wes in their production of "Bright Ideas." This show is a campy and fun look at parents trying to get their kid into a very exclusive preschool.
We definitely laughed a lot and found some very relatable moments in the show. It's playing February 15, 16, and 17 and you can purchase tickets online.
So that was our busy weekend! How was yours?
I was hoping to get a chance to talk to you at the Anne Cate opening but was caught in a whirlwind of people!
Side note – I'm looking for a Cleveland-based gift, preferably food – to take to my son's college this weekend. There's a gentleman who works in the cafeteria whom we met last year who keeps an eye on our son. He calls our son "Cleveland", so I would like to give him a food gift that is unique to Cleveland (and that will travel well…) Thanks for any suggestions you may have!
Oh, that's so sweet! So, Cleveland in a Box and CLE Pack both will create gift boxes for you and you can select non-perishable food items. Some of my favorite local items are Bertman's mustard, Malley's chocolates, and Pope's sauces and drink mixes.
← Why? Monster Jam Triple Series Threat Giveaway!


Vue Black Dashboard PRO is a beautiful Bootstrap 4 Admin Dashboard that comes in 2 versions: Dark and Light Mode. If you are looking for a tool to manage and visualize data about your business, this dashboard is the thing for you. It combines colors that are easy on the eye, spacious cards, beautiful typography, and graphics.
We made it our priority to not add things that you don't need, so the Vue Black Dashboard PRO comes with just enough features for you to easily use. It combines multiple components and plugins and features numerous example of how it can be used. Inside the archive, you will also find multiple example pages to get you started or provide inspiration.
Vue Black Dashboard PRO is the extended version of Black Dashboard PRO. Based on feedback from people that downloaded and used it, we have added needed components, and we have created multiple examples pages. We are curious to see how you want to use it and also improve it, so let us know any feedback you have.
Learn more about Vue Black Dashboard Pro in the light demo version. It has features from the full version. We hope you will like this introduction to this product!
I really want to love this template as it looks beautiful, but I'm seeing some fairly major layout issues in Safari - eg: https://cl.ly/00422853d8be https://cl.ly/836150596e98 Works beautifully in Chrome but I can't risk these kind of issues for some of my users. Any plans to fix?
I bought this version and didn't see fixedplugin.vue in the source code.
Beautiful, I look forward to patches for whatever small issues arise. Wonderful job.
1. Fix UI bug of horizontal scrolls appearing on tables.


Second-year medical student George Watson and Canterbury DHB cardiologist Paul Bridgman at the Christchurch Hospital cardiology ward. Photo: One News.
Broken heart syndrome or stress cardiomyopathy is a relatively rare condition that mimics symptoms of coronary heart disease. After the Canterbury and Kaikoura quakes, higher rates of patients presented with the disorder – giving researchers a unique chance to study it.
Second-year medical student George Watson interviewed 11 people who suffered 'broken heart syndrome' after the earthquakes. The interviews were for his Summer Studentship programme project, where medical or science students get the chance to take part in a real research project. They are supervised by clinicians and senior researchers over a 10-week period.
Watson found while patients felt worst on the first day the syndrome hits, they were more likely to die from arrhythmia on the following two days. Watson says these 'most fatal' days were often when patients reported feeling better and their blood tests were returning to normal.
Canterbury DHB cardiologist Paul Bridgman was one of Watson's supervisors. He says the findings provide scientific evidence on a condition that has become more common in the past decade. In Canterbury, there has been a 10 per cent increase in patients in last 10 years, or about one patient a week now. Bridgman says most patients in hospital survive the condition but not everyone. Patients in the community not receiving medical care were also of concern, he says.
The quality of Watson's project was so high, and findings so immediately beneficial to patients that he won the overall award for best Summer Studentship project, beating out more than 50 other students.


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Land Auction Spotlight: B & L Cattle Ranch
Browse archives for July 25, 2011
The popularity of property auctions has greatly increased in this challenging real estate market. Sellers are seeking effective and efficient methods of property disposal and buyers are scouting out wise investments in a straight forward transaction where they control the purchase price.
For over 100 years, Williams & Williams has partnered with the end users (buyers and sellers) of real property. With an operating footprint in all 50 states as well as the District of Columbia and Puerto Rico, the company has a proven performance record for all types of real estate sales including residential, commercial, farms and ranches, and luxury estates.
On Thursday, August 4, at 12 PM, bidders will assemble for the auction of B & L Ranch in Northeast Oklahoma. Approximately 480 acres, divided into 9 parcels, will be up for grabs and sold without reserve.
Craig County is located in the heart of northeast Oklahoma's "cattle country" and is notable for its productive pastures and abundance of legacy family farms and ranches. The former B&L Cattle Ranch operated on 480+/- acres about 10 miles west of the city of Vinita just north of Hwy 66. Its gently rolling terrain, hay meadows, numerous ponds and sparsely treed areas make it a desirable location for livestock operations.
The ranch, with a home, shop, barn and working cattle pens, is being offered in nine parcels ranging from 8+/- to 80+/- acres. Also selling will be approximately 320 round bales of hay. Two of the parcels are non-contiguous parcels and have Hwy 60 frontage and most parcels have ponds and fencing. The property and equipment includes two pick-up trucks, John Deere brush hog, fuel and water tanks, feeders and other ranch and shop equipment.
Williams & Williams clients include many of the world's foremost financial institutions, Fortune 500 Corporations, and local, state and Federal Government agencies, as well as thousands of individual sellers. Generating over $2 billion in sales annually and operating in all 50 states positions Williams & Williams as the premier brand in real estate auction. Only Williams & Williams has integrated, multi-platform auction strategies that deliver live competitive bidding between qualified buyers – in person, online, and via phone.
Williams & Williams is a sponsor of the 2011 LANDTHINK Summit in Atlanta, GA, hosted and produced by LANDTHINK.com.
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