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Benjmn
Raised by New York, but based in Los Angeles, writer-producer Benjmn has forged a lane for himself from sheer power of...
BreakCode
In a world full of constant noise and chatter, where everyone is looking for the next step in musical evolution but...
Callie Reiff
New York-based electronic producer & DJ Callie Reiff is just getting started with her self-made music career, having previously released music...
While the name may escape you, if you've got even a fingernail on the pulse of pop culture, you've almost certainly...
Joel Thomas Zimmerman, better known by his stage name deadmau5, is a Canadian record producer, DJ, musician, and composer. Zimmerman produces...
GNTN
It's rare to find a duo with as much live chemistry and raw creativity as GNTN, whose passion for music production...
Grégory Reveret
French born Gregory Reveret is an award winning composer, producer and arranger. He is most notably known for collaborating with accomplished...
Jay Robinson is your favourite DJs favourite producer. With support for his music arriving from all corners of the electronic music...
Krunk!
In a time where EDM has been seemingly invaded overnight by a plethora of barely legal production prodigies, Krunk! commands the...
Latroit
Dennis White (aka Latroit) is a Grammy Award winning Producer and Artist with ARIA and BPI certified Gold, Platinum and Double...
Livsey
Livsey has cemented his position as an in-demand bookings in the UK in recent months, laying down numerous releases on the...
Luke Wylde
"I don't sing or rap" begins Luke, "But I sure as hell have something to say!" A songwriter, producer and former...
Monstergetdown
Monstergetdown was born from a need to create not only new music, but new soundscapes altogether. He's as much an artist...
Rinzen
Rinzen is a new producer out of Los Angeles seeking to create entire worlds with his music. Signed to mau5trap, Rinzen...
Infamous for delivering sweat-soaked, hypnotic performances, with each seminal release standing the test of time, Sian burns deep into the collective...
Speaker Honey
Speaker Honey is the electronic music and DJ performance project created by American-Canadian producer Kirsty Zeandra Parker. By developing her own...
Deadmau5's (Joel Zimmerman) as his techno-driven alter-ego, TESTPILOT.
House legend, Daft Punk collaborator, and Grammy winner Todd Edwards is known for his hypnotic collage of cut-up samples over swung...
Qrion
The music Qrion creates takes inspiration from all the environments she finds herself in. Whether sampling the sounds of nature found...
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Raised by New York, but based in Los Angeles, writer-producer Benjmn has forged a lane for himself from sheer power of will. Before he was old enough to drive a car, he'd had notched up mixtape cuts with the likes of Chris Brown, Lil Wayne and more. And Before he was old enough to legally celebrate with a drink, Ben expanded his resume with production credits for Jason Derulo & K-Michelle, Yo Gotti and Young Thug. After finding his feet in urban music, Benjmn's touches can now be found across dance, pop and country records – both in the booth and behind the boards. Now, at 22 years of age, and with a Gold Plaque under his belt, Benjamin's equal abilities as a topliner and producer have allowed him to collaborate and cut with an entire spectrum of writers and artists including the likes of Wallis Lane, Isabela Moner, Frank Dukes, Diana Gordon, Normani, SZA, Twice as Nice, Louis Bell, Illangelo, Frank Dukes, CL, 1mind, White Shadow and more.With an unrelenting work ethic, and a sixth sense for what's next, Benjmn has cemented himself as the go to guy amongst the next generation writers and producers.
In a world full of constant noise and chatter, where everyone is looking for the next step in musical evolution but no one wants to break from the formulative design and structure of the current music scene comes BreakCode, a raw powerful assault on your musical senses bringing some of the most exciting sounds in electronic music today to the forefront of the music industry.
With musical beginnings in techno this project pushes further then the limitations the producers of today have placed on themselves. Encompassing the raw energy of the Punk scene, the rebellion of 90's Hip-hop, the powerful sound of techno & all out sonic assault of the early rave scene. This live electronic act is set to bring a sense of urgency and ever evolving sound back to the people to make you question the society we live in and the same continuous music being handed out by the industry.
Don't follow trends, don't be trapped by one scene or sound, push forward & believe in a dancefloor built for you to express yourself your way….This is BreakCode!
New York-based electronic producer & DJ Callie Reiff is just getting started with her self-made music career, having previously released music on OWSLA's NEST HQ imprint, A-Trak's renowned Fool's Gold label, Ultra Records, & most recently Universal Music. In only a short time, she has already taken NYC by storm performing across major club venues & building a strong foundation within the club circuits.
Her early experiences in the New York City Ballet's 'The Nutcracker' at 7 years old proved an instant love & attraction with music & performance. Becoming a self-taught drummer watching and learning from YouTube tutorial videos by the age of 10, Callie three years later enrolled in acclaimed NYC electronic music production & DJ School Dubspot, having her first lesson mixing vinyl under the guidance of JP Solis. All while moving forward in her modeling career with NEXT models, gaining global profile with aligned brands such as H&M, American Eagle, Converse & Beats by Dr Dre, as well as editorial spreads for Vogue, Milk & Teen Vogue.
Having reached almost one million streams on Spotify, Callie's thrilling debut release "Tin Machine" via NEST HQ in 2016 displayed a trendsetting talent within the electronic soundscape. Just a couple months later, she returned to the limelight with her inaugural EP 'Shadow Dancing' through A-Trak's Brooklyn-based Fool's Gold Records, including her original title track & a jaw-breaking collaboration with KANDY. The following year she cemented her ability in crafting bass-backed beats & laser-beaming riffs, with
her 2017 self-released single "Stimulate". Chiming in elements of live electronica, drumbeat, & ethereal sound design, Callie is a production powerhouse in the making.
Within this time, Callie has gained global support from the likes of Radio 1's Annie Nightingale, Diplo and Rinse FM's Marcus Nasty, while touring New York's most prominent music venues Output & Terminal 5. Reiff has also made history by becoming the youngest DJ at 15 to have graced the stage at the renowned Webster Hall, opening for Skrillex, Zedd, Ed Sheeran, Wolfgang Gartner & more.
Notable achievements include fronting Spotify's 'Women of Electronic Music's' Playlist for Women's History Month, as well as delivering remixes for Sofi Tukker, Kayzo, & Ultra Records, as well as being named one of Teen Vogue's '10 female artists who are changing the music game', displaying her ability to merge both industries together to succeed in a mainstream climate.
2018 has been a phenomenally successful year, with highlights including opening Tomorrowland festival in Belgium, playing a guest mix on Rinse FM alongside Skream, touring with Ghastly as part of his North American run, and capping off the year being part of the official remix album pack for Alison Wonderland with her track 'No'. As Reiff prepares to fully launch her self-made name in the limelight, this left field artist is set to take the path less taken in 2019 fronting the Tommy Hilfiger 'Make It Possible' campaign & recently signing with Seven20 Management, establishing the next phase of her professional career.
While the name may escape you, if you've got even a fingernail on the pulse of pop culture, you've almost certainly heard Dawg's music before. In his other life as hip-hop producer, Dawg's production, writing, and studio prowess have enabled him to assemble a group of elite collaborators that read like a who's who of pop music. Between the clubs, radio, film and TV, and the Billboard Hot 100, Dawg's paw prints have been left on records far and wide.
Inspired by Los Angeles' melting pot parties like Space Yacht and Brownies & Lemonade, Dawg's sound is a hybrid of rap-ready beats meets festival energy. Known as "junkyard bass," the premise is simple – take the club-appeal of rap beats, and put the energy on steroids.
Unleashed and unchained, Dawg exploded onto the scene with several million streams on a Post Malone remix. Since then, Dawg has released a constant stream of head-turning bootlegs, with the likes of EDM.com, Earmilk, Run The Trap, and Billboard amongst his loudest supporters.
Joel Thomas Zimmerman, better known by his stage name deadmau5, is a Canadian record producer, DJ, musician, and composer. Zimmerman produces a variety of styles within the progressive house genre and sometimes other forms of electronic music.
It's rare to find a duo with as much live chemistry and raw creativity as GNTN, whose passion for music production started in their school years. Jan and Marcel were brought together by their excitement for building new sounds, which spurred years of friendship and a kind of music savvy and creative drive that's impossible to fabricate.
After honing their craft through school, the duo established its signature sound of powerful, deep and melodic house and techno and after only a few years of releasing music, landed on some of the most influential underground labels like Filth On Acid and Stil Vor Talent. Know for their warm bass and the complexity and depth of their melodies, the 21-year-olds have extended far beyond their roots in the Ruhr area of Germany to play shows in legendary venues like Egg London and festivals like Parookaville and Sonne Mond Sterne. As 2019 unfolds with a new EP on Yoshitoshi on the horizon, GNTN continues to prove that they are a force to be reckoned with within the European underground.
French born Gregory Reveret is an award winning composer, producer and arranger. He is most notably known for collaborating with accomplished artist and musician deadmau5 on their album "Where's the drop?", writing re-imagined orchestral works of the artists previous catalog. He has also worked under composers Tom Holkenborg (Junkie XL), Brian Tyler, Christopher Young contributing works on projects such as Furious 7, Avengers: Age of Ultron, Deadpool, Power Rangers. Besides working on film, Reveret's electronic music has been featured on BBCRadio 1, garnering support from artists such as Laurent Garnier, Bastille, Madeon, Bassnectar and Pendulum.
Jay Robinson is your favourite DJs favourite producer. With support for his music arriving from all corners of the electronic music world Jay's unique brand of bass heavy house has seen him play shows in seminal venues such as the Warehouse Project in Manchester, Printworks in London and the critically acclaimed Le Nuits Sonores in Lyon, where Jay was invited to play a special back to back with techno legend, Laurent Garnier.
Jay has releases on some of the worlds biggest labels such as Ministry of Sound, Confessions and Night Bass – and has recently made his debut on the electronic music powerhouse that is Mau5trap.
With multiple USA tours under his belt and a massive slew of gigs across Europe, Jay has taken his inimitable sound to dance floors on a truly global scale.
In a time where EDM has been seemingly invaded overnight by a plethora of barely legal production prodigies, Krunk! commands the ears and eyes of DJ's across the planet. Between mixing and touring the Wild Nights compilation, the Adelaide native has been raising hands and heartbeats across Australia's biggest spots, headlining shows at Billboards, HQ Complex, Club Liv, Gilligans, and Wah Wah Lounge, between holding down support sets at Future Music Festival and Sterosonic.
In the midst of traversing the terrain, the would-be heir to the Mitani Chicken Salt empire has been refining and developing his now trademark musical style; a combination of melodic breakdowns and pace maker shattering drops, forming into post-Melbourne, festival ready big room sound. Quickly captivating the attention of those in the know, Krunk! has been handpicked to bring the ruckus to remixes for the likes of Uberjakd, Bombs Away, The Twins, Sean Finn, Mr Wilson, Rave Radio, Havana Brown and DJ's From Mars. The results resonate across the ARIA & Beatport Top 40 charts and even as far as DJ City's Chuckie remix comp which saw Krunk! take out the international honours with his take on Chuckie's 'Makin Papers' record. There is no wonder that Krunk! has quickly earned a reputation as the secret weapon in every remix pack. With a to-be-revealed collaboration with Uberjak'd signed to xxx (we can't say just yet, but you know them), and a starting place in Australia's foremost EDM Talent Agency, Krunk! is poised to conquer the known world in 2014, just like his much-famed Macedonian forefathers.
Dennis White (aka Latroit) is a Grammy Award winning Producer and Artist with ARIA and BPI certified Gold, Platinum and Double Platinum selling records, and over twenty top 10 Billboard Club Chart tracks including remixes for artists ranging from Nile Rogers, to deadmau5, to the venerable Depeche Mode, for which he won a Grammy in 2018 for 'Best Remixed Recording – 'You Move' (Latroit Remix)'. His place in the annals of Dance Music history are assured by his early work with Kevin Saunderson's pioneering Detroit Techno act Inner City, The seminal UK release of the Static Revenger song 'Happy People' (charted by Fatboy slim as one of the top 10 songs of the Decade), to his current suite of Latroit releases, which enjoy the support of the worlds biggest DJ's and broadcast outlets.
Livsey has cemented his position as an in-demand bookings in the UK in recent months, laying down numerous releases on the likes of Crucast & his own label 'Switch Up Records'. That alongside tearing up a number of the biggest bass events & venues on more than one occasion up and down the country such as Fabric, Ministry of Sound, Tank, Leeds O2 Academy and Festivals such as Bass Festival, Fearfest & Parked Out.
At only a young age he has supported the likes of DJ EZ, TQD, My Nu Leng, Sigma, Pendulum, Stormzy along with a host of other names both in the UK and overseas.
"I don't sing or rap" begins Luke, "But I sure as hell have something to say!"
A songwriter, producer and former hip hop DJ by trade, South Australian born Luke Wylde's current artistic role is best described as a director.
Inspired by the likes of Quentin Tarantino and Guy Ritchie, Wylde writes his stories, and then assembles a distinguished cast and crew of vocalists and musicians t tell them.
"The beats I make are the set, and the lyrics are the script" Luke explains, "but the most important part of my job is to extract the best performance from the vocalists"
Raised on a diverse musical diet of 90's rap music and Aussie rock, Luke Wylde's signature sound is a unique blend of fresh and familiar. Combining powerful and provocative story telling vocals with smoky guitar riffs and heavyweight hip hop drums, Luke's debut single "Devils On The Loose" is aggressive and unpolished, and unapologetically authentic.
He might be taking an unusual path, but with a cast of collaborators that includes Xavier Dunn (Jack River, Peking Duk), Sean Kantrowitz (Ruel, Dr Dre) and newcomer Swamp on lead vocals, Luke Wylde's journey to the top won't be a lonely one.
Monstergetdown was born from a need to create not only new music, but new soundscapes altogether. He's as much an artist as he is a shape-shifter – moving between genres seamlessly and taking to the streets to turn everyday sounds into groovy and atmospheric house and techno.
Growing up in Boyle Heights, an area just east of downtown Los Angeles, Monstergetdown began producing amid his discovery of artists like Green Velvet, Surkin, Deadmau5, Paco Osuna, Stimming and Tim Green in 2007. In the shadow of a city famous for artifice, he used his love of music to start building something real and raw – a mix of house and techno
After a few releases on European labels, his breakout moment happened when Deadmau5 heard his track 28MM in 2015. Mau5trap signed him immediately, and he spent the next two years honing in his sound and building the 28MM EP.
In 2016, Monstergetdown remixed Deadmau5's hit Strobe for a vinyl exclusive of his W:/2016ALBUM/. This added to his 28MM momentum and has led to Deadmau5 bringing him on tour globally in 2017 and 2018 on the same bill as techno powerhouses like ANNA.
2018 continues to be a huge year for Monstergetdown's growth, with artists like Richie Hawtin playing out his tracks and furthering his global appeal, it only promises to get bigger. With the May release of his Blakmajik EP, his track That's That garnered attention from Pete Tong who played it out on his BBC1 Radio show. As he continues to tour with Deadmau5 in both the US and Europe, Monstergetdown continues to expand and create sounds that go far beyond his LA roots.
Rinzen is a new producer out of Los Angeles seeking to create entire worlds with his music. Signed to mau5trap, Rinzen combines cinematic sound design with forward-thinking house and techno production to create something that is downright awe-inspiring.
Rinzen began in January 2017 with an official remix of Giorgio Moroder for Casablanca Records. The song received praised from Moroder himself, who stated: "This is Rinzen's first official release, and I am so honored to be a part of it." The remix was ultimately picked up by SiriusXM, who would go on to support it on BPM for three consecutive months.
In March of 2017, Rinzen joined deadmau5's iconic mau5trap imprint with his first original, 'Renegade,' before following up with his debut EP, Forbidden City, in October. The three-track concept EP marked the first iteration of Rinzen's true vision — to build entire worlds — and was lauded by Billboard as "a sonic exploration of human depth." Rinzen further cemented the vision in May of 2018 with his second concept EP, Exoplanet, offering a three-track exploration into planets beyond our solar system.
Rinzen has been selected for Mixmag's coveted Impact series, as well as been featured in DJ Mag's Bubblin' spotlight. Having recently performed alongside Eric Prydz, deadmau5, Matador, Cristoph and more, Rinzen shows no signs of slowing down anytime soon.
Infamous for delivering sweat-soaked, hypnotic performances, with each seminal release standing the test of time, Sian burns deep into the collective psyche of electronic music like hot black chrome. Adhering more to the avant-garde side of club culture, both his, and the label's output possess an otherworldly, driving and ecstatic atmosphere. Instantly recognizable, a powerhouse right on the razors edge, with a new-school attitude toward both sound and design aesthetics. Classic modern techno is what Sian and his label, Octopus, truly represent.
Born in Ireland, raised in Spain, and now calling the sprawling, sun-drenched metropolis of Los Angeles his beloved home. Sian's DJ Sets and Live shows exhibit a unique, focused higher power. Selecting music from his vast catalogue, and warping it beyond belief through unusual hardware and software signal paths. Acidic, energetic, pulsating, and totally adventurous in his approach, Sian is consistently delivering pounding performances on stage, to euphoric, heaving masses. His touring adventures have taken him around the globe non-stop since the first single, with clubs and festivals alike experiencing his unmistakeable vibrant sound firsthand, on packed dance-floors worldwide.
His seminal label Octopus, has constantly broke all the rules and remained hyped-up in the charts, radio and press, for almost a decade. With releases and remixes from luminaries such as Nicole Moudaber, Gregor Tresher, Jay Lumen, Anna, Marc Houle, DVS1, Victor Ruiz, Pig & Dan, Julian Jeweil, Slam, Gui Boratto, Carlo Lio, Oliver Huntemann, and many more, it now also includes a steadily growing core roster of fresh faces. Fearlessly crossing genre lines and nurturing true artistic talent over everything else, the label is consistently breaking the next wave of exciting talent.
Remaining true to his roots in experimental nightlife, Sian and Octopus have created a ruthlessly underground party concept, the Octopus Warehouse series. Where he and very special guests conduct memorable sweat-soaked events, with custom sound and visuals pushed to their upper limits, including an accompanying white label release series.
Always inventive, raw and uncompromising in his creative process, Sian continues to demonstrate complete command over his audience, creating electrifying soundscapes with each and every step into the strobe lit haze..
Speaker Honey is the electronic music and DJ performance project created by American-Canadian producer Kirsty Zeandra Parker. By developing her own take on techno and electrohouse, Speaker Honey is truly playing a role in a new wave of dance music. Self sufficiency and originality remain the cornerstones from which her captivating presence is born.
House legend, Daft Punk collaborator, and Grammy winner Todd Edwards is known for his hypnotic collage of cut-up samples over swung beats and lively disco-flavored baselines.
Credited as one of the godfathers of UK garage, his four-to-the-floor beats have earned him a passionate following. In addition to his own legendary productions, Edwards has remixed Daft Punk, Phoenix, Justice, Matthew Dear, Hot Chip, Spank Rock, Boris, Appaloosa, Klaxons, Surkin, Robin S, Zoot Woman, St. Germain, and Dimitri From Paris.
Edwards is the only artist Daft Punk has collaborated with twice: he sang, co-wrote, and co-produced "Face to Face" from Daft's 2001 album 'Discovery' and "Fragments of Time" from Daft's 2013 album 'Random Access Memories,' for which he received a Grammy.
The music Qrion creates takes inspiration from all the environments she finds herself in. Whether sampling the sounds of nature found on the Japanese island she grew up in, or the familiar pinging of an iPhone application, she uses the noise of the world around her to create intimate songs anchored by energetic beats and lush synth textures.
Born and raised in the snowy city of Sapporo, Qrion began making her own sounds in high school as a hobby by using her phone. Soon enough, she upgraded her tools and started sharing her songs online, demanding the attention of her peers and idols alike. Qrion connected with the world well beyond her home in northern Japan, working with producers like Ryan Hemsworth, Giraffage, Spencer Brown and many more. She's released a steady stream of music from labels all over the globe, like Mad Decent, Moving Castle, and Anjunadeep to name a few.
Qrion has toured all over the world, and she's only getting started. She's shared the stage with the likes of Above & Beyond, Porter Robinson, Tourist, and joined Slow Magic on a North American tour. She's played stages at NoisePop, Tomorrowland, HARD, and is poised to take her music to even more audiences in 2019


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Film Reference
Writers and Production Artists Me-Ni
Dudley Nichols - Writer
Writer. Nationality: American. Born: Wapakoneta, Ohio, 6 April 1895. Education: Attended the University of Michigan, Ann Arbor. Family: Married Esta Vacez Gooch-Collins, 1924. Career: 1913—Ship's radio operator on Great Lakes; 1918–19—served in the United States Navy (devised electronic device to protect mine-sweepers); 1920–29—journalist for New York Evening News and New York World ; also freelance writer; 1930—first film as writer, Men without Women ; 1938–39—President, Screenwriters Guild; 1943—first film as director, Government Girl . Awards: Venice Festival Prize and Academy Award for The Informer , 1935; Writers Guild Laurel Award, 1953. Died: 4 January 1960.
Films as Writer:
Men without Women (Ford); On the Level (Cummings); Born Reckless (Ford); One Mad Kiss (Silver); A Devil with Women (Cummings); El Precio de un beso
Seas Beneath (Ford); Hush Money (Lanfield); Not Exactly Gentlemen (Stoloff); Skyline (Taylor)
This Sporting Age (Bennison and Erickson); Robber's Roost (King)
Pilgrimage (Ford); Hot Pepper (Blystone); The Man Who Dared (MacFadden)
You Can't Buy Everything (Reisner); Hold That Girl (MacFadden); Wild Gold (Marshall); Call It Luck (Tinling); Judge Priest (Ford); The Lost Patrol (Ford)
Steamboat 'round the Bend (Ford); Mystery Woman (Forde); The Informer (Ford); The Arizonian (C. Vidor); The Crusades (DeMille) (co); The Three Musketeers (Lee)
Mary of Scotland (Ford); The Plough and the Stars (Ford)
The Toast of New York (Lee); The Hurricane (Ford and Heisler)
Bringing Up Baby (Hawks); Carefree (Sandrich)
Stagecoach (Ford); The 400 Million (Ivens and Ferno)
The Long Voyage Home (Ford)
Man Hunt (F. Lang); Swamp Water (Renoir)
This Land Is Mine (Renoir); Air Force (Hawks); For Whom the Bell Tolls (Wood); Government Girl (+ d)
It Happened Tomorrow (Clair); The Sign of the Cross (DeMille) (prologue)
And Then There Were None (Clair); The Bells of St. Mary's (McCarey)
Scarlet Street (F. Lang); Sister Kenny (+ d)
Mourning Becomes Electra (+ d)
The Fugitive (Ford)
Pinky (Kazan)
Rawhide (Hathaway)
Return of the Texan (Daves); The Big Sky (Hawks)
Prince Valiant (Hathaway)
Run for the Sun (R. Boulting)
The Tin Star (A. Mann)
The Hangman (Curtiz)
Heller in Pink Tights (Cukor)
By NICHOLS: books—
The Informer (script) in Modern British Drama , edited by Harlan Thatcher, New York, 1941.
With Jean Renoir, Stagecoach (script) and This Land Is Mine (script) in Twenty Best Film Plays , edited by Nichols and John Gassner, New York, 1943.
Editor, with John Gassner, The Best Film Plays of 1943–44 , New York, 1946.
By NICHOLS: articles—
Screen Guild's Magazine , March and April 1935.
"Film Writing," in Theatre Arts (New York), December 1942.
"The Writer and the Film," in Theatre Arts (New York), October 1943.
"Death of a Critic," in Theatre Arts (New York), April 1947.
On NICHOLS: articles—
On The Informer in Novels into Film , by George Bluestone, Baltimore, Maryland, 1957.
Cinéma (Paris), March 1960.
Avant-Scène (Paris), February 1965.
Kino Lehti (Helsinki), no. 6, 1970.
Jensen, Paul, in Film Comment (New York), Winter 1970–71.
Films in Review (New York), February 1971.
Lesser, Stephen O., in American Screenwriters , edited by Robert E. Morsberger, Lesser, and Randall Clark, Detroit, Michigan, 1984.
"Dudley Nichols," in Film Dope , no. 47, December 1991.
Sesonske, Alexander, "Jean Renoir in America: 1942, This Land is Mine ," in Persistence of Vision (Maspeth), no. 12–13, 1996.
Dudley Nichols started his Hollywood career in 1930, and collaborated with John Ford on his films of the 1930s and early 1940s. While these films are somewhat dated, they are still highly valued. Nichols did other scripts, but the ones he wrote for Ford constitute the real contributions to cinema. The single possible exception would be the screwball comedy he wrote with Hagar Wilde—Howard Hawks's Bringing Up Baby . It is significant that the script for this comedy lacks the sentimentality that often flaws Nichols's scripts for Ford. It may be, then, that Nichols was above all a collaborator. Concerning his work with Ford, Nichols was self-deprecating. In a letter dated 24 February 1941 (in the Lilly Library collection) he wrote to the director that screenwriting "is not a creative act like directing."
Men without Women and Born Reckless , both made in 1930, were the first films Nichols and Ford worked on and contain some of the themes and settings that the two were to handle so successfully in the coming decade. Born Reckless certainly offers one important characteristic of the best of Nichols's screenplays—a brooding urban underworld of lights and shadows. In this scenario, Nichols demonstrates a careful attention to dialects and street idioms. There is also the element of maternal/filial affection between Ma Beretti and her son. Men without Women (also in the Lilly collection) opens with a characteristic chiaroscuro street-scene, carefully described in the "stage" descriptions. This scene is set in front of an American bar in Shanghai; it ends with the redemption of a traitor, like that in The Informer , Nichols constructs The Informer as a labyrinthine journey through misty streets. Men without Women also contains a noble self-sacrifice, as does The Long Voyage Home . The latter film culminates in the paternal sacrifice of an older sailor's life so a young sailor can experience what all sailors dream of, but often fail to achieve—a voyage home. By directing the several O'Neill plays towards this spiritual culmination, Nichols ably gives the material a dramatic unity not in the original.
With a characteristic expansive, exuberant humanity, Nichols poured out 146 pages of a densely packed rough-draft script for Stagecoach (the released dialogue-continuity is 40 sparsely covered pages). In the process of realizing the script on film, Ford had severely pared down Nichols's script. Nichols's screenplay shows a real sense of cinematic techniques; yet the masterstrokes of Ford—like the tracking shot up to Ringo's (John Wayne's) face—had to be added in the filming. All in all Nichols's script seems to have been a rich and varied grab-bag of ideas from which Ford could pick and choose.
—Rodney Farnsworth
Dudley Nichols - Writer forum
Newman, Thomas Nihalani, Govind

redpajama_set_name: RedPajamaCommonCrawl


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Accueil Podcasts Musique Radio 3's Piano A to Z
Radio 3's Piano A to Z
Londres Royaume-Uni Podcast Musique
Z for Zany
The alphabetical exploration of the piano concludes with Z for Zany, an affectionate look at the role of the piano in comedy. Told at the keyboard by pianist and singer Joe Stilgoe.
Y for Yellow River
In 1969 at the height of the Chinese Cultural Revolution the Yellow River Piano Concerto, commissioned by Madame Mao, received its highly politicised premiere. Despite being banned from Chinese musical life in 1976 it has slowly filtered back into the musical mainstream in a country with a huge affinity with the piano today. To say that 30 million Chinese school children are learning to play the instrument is a conservative estimate: some say the figure is as high as 90 million. For the Chinese the piano has become a potent symbol of the importance of hard work and dedication, as well as the perfect instrument for the one-child family system.
X for X-treme
Although every instrument has a history of extreme techniques, the piano seems to have attracted more than its fair share of people wanting to see how far it, and they, could go. From Beethoven, who was known for destroying pianos during the course of a performance, through to John Cage (who invented the prepared piano by inserting screws, rubbers and bolts into it) and beyond, this episode of the Piano A–Z is not for those of a sensitive disposition.
W for Workshops
What goes into the making of a piano? How do the pianos of today differ from those which Liszt or Debussy might have played? In the central London workshop of Steinway's, there are stripped down pianos everywhere, skeletons with their strings and frames exposed, and benches with vices and chisels like any carpenter would use. The scene is much like it would have been a hundred years ago, and Steinway still employs apprentices who are trained in the craft and art of piano maintenance. Ulrich Gerhartz, their Director of Concerts and Artist Services explains what goes into the crafting of Steinway's delicately balanced instruments, and pianist Stephen Hough reflects on how changes in the manufacture of pianos means that the sounds he makes today are very different from the virtuosi of the past.
V for Virtuoso
Virtuoso is a term applied to many of the world's top pianists of today. With its roots in the Italian usage of the 16th and 17th centuries, a virtuoso is an individual who possesses outstanding technical ability in any intellectual or artistic field. But it takes much more than just playing demi-semi quavers on a keyboard to dazzle an audience. So what are the true qualities of virtuosity and which particular composers are regarded as virtuosi, writing music to show off their own technical prowess at the keyboard? Featuring Lang Lang, Angela Hewitt and Stephen Hough.
rtl2 - pop-rock station by zégut
rtl2 - pop rock party
live à fip
nassau beach club ibiza with alex kentucky
rtl - les nocturnes
Radio 3's Piano A to Z: Playlist
À propos de Radio 3's Piano A to Z
Écoutez Radio 3's Piano A to Z, In Our Time: Philosophy ou d'autres radios du monde entier - avec l'app de radio.fr
Radio 3's Piano A to Z Londres Podcast
In Our Time: Philosophy Londres Podcast
Radio 3's Piano A to Z: Podcasts du groupe
a history of mozart in a dozen objects
britten 100
the essay
the lebrecht interview
the story of music question time


Large room on the ground floor featuring it's own deck with outdoor table and chairs, overlooking the garden and pool.
Super king size bed with crisp cotton sheets and luxury bedding. The ensuite has robes, hair dryer and toiletries.
The Hibiscus room also has sofa/beds (2), 32" LCD TV, Free WiFi, fridge, tea and coffee making facilities.


First true solo work in 25 years/a year in the garage.
Many of the original trax, remixed trax, and several brand new tunes are included in the new new project.
The video for the re-recorded title track is available on YouTube, now!!!!
01 new click for video tour of the garage!! (feat. Curtis)!!!
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16 Hemp Farm remix 2015 click 4 gr8 party video!!
New Videos on our YouTube Channel!!!
OUR LABEL IN A BOX WILL SOON BE AVAILABLE FOR FREE LEGAL DOWNLOAD. Everything you need to become a legit label and publish your sound recordings.


text:
Q: Associação de várias classes em Java O projeto consiste em um sistema de gerenciamento para uma transportadora, onde um administrador gerencia viagens, e estas viagens possuem motoristas e caminhões.
Utilizei associação para relacionar as classes, porém estou tendo dificuldades para finalizar um método de verificação de disponibilidade de caminhões e motoristas.
Como faço para receber estas informações em um método da classe Viagem? Como posso "amarrar" os dados de Motorista e Caminhao dentro de uma viagem?
public class Administrador extends Funcionario{

    private static int codAdministrador=0;
    private String login;
    private String senha;
    int contViagem=0;
    private Viagem []viagem = new Viagem[contViagem];

    public Administrador(String nome, String cpf, String email, double salario, String endereco, String rg,
            int codAdministrador, String login, String senha, int contViagem) {
        super(nome, cpf, email, salario, endereco, rg);
        codAdministrador++;
        this.login = login;
        this.senha = senha;
        this.contViagem=contViagem;
    }

    public int getCodAdministrador() {
        return codAdministrador;
    }

    public String getLogin() {
        return login;
    }

    public String getSenha() {
        return senha;
    }

    public Viagem planejarViagem(Viagem viagem, Caminhao veiculo, Motorista piloto){
        if(viagem.verificaStatus(veiculo, piloto) == true){
            return viagem;
        }
        return null;
    }

    /*public boolean verificaDisponibilidadeCaminhao(Caminhao veiculo){

        if(veiculo.getStatus() != true){
            return true;
        }
        else{
            return false;
        }

    }

    public boolean verificaDisponibilidadeMotorista(Motorista piloto){
        if(piloto instanceof Motorista){
            Motorista aux = (Motorista) piloto;
            if(aux.getStatus() != true)
                return true;
            else
                return false;
        }
        return false;
    }*/

    @Override
    public String toString(){
        StringBuilder info = new StringBuilder();

        info.append("\nRelatório de Viagem")
            .append("\nNome do Gerente que emitiu o relatório: "+getNome())
            .append("\nDados da viagem"+viagem.toString());

        return info.toString();
    }

}

public class Motorista extends Funcionario{

    private int codMotorista;
    private boolean status;

    public Motorista(String nome, String cpf, String email, double salario, String endereco, String rg,
            int codMotorista, boolean status) {
        super(nome, cpf, email, salario, endereco, rg);
        this.codMotorista = codMotorista;
        this.status = status;
    }

    public int getCodMotorista() {
        return codMotorista;
    }

    public boolean getStatus() {
        return status;
    }

    @Override
    public String toString() {
        StringBuilder info = new StringBuilder();

        info.append("\nCargo: Motorista")
            .append("\nCodigo do Motorista: "+codMotorista)
            .append("\nStatus: "+status);

        return info.toString();
    }

}

public class Caminhao {

    private String marca, modelo, placa;
    private int ano, contaManutencao = 0;
    private boolean status;
    private double quilometragemInicial;
    private double quilometragemFinal;
    private Manutencao manutencaoPreventiva;

    public Caminhao(String marca, String modelo, String placa, int ano, boolean status, double quilometragemInicial, double quilometragemFinal) {
        super();
        this.marca = marca;
        this.modelo = modelo;
        this.placa = placa;
        this.ano = ano;
        this.status=status;
        this.quilometragemInicial = quilometragemInicial;
        this.quilometragemFinal = quilometragemFinal;

    }

    public String getMarca() {
        return marca;
    }

    public String getModelo() {
        return modelo;
    }

    public String getPlaca() {
        return placa;
    }

    public int getAno() {
        return ano;
    }

    public double getQuilometragemInicial() {
        return quilometragemInicial;
    }

    public double getQuilometragemFinal() {
        return quilometragemFinal;
    }

    public boolean getStatus() {
        return status;
    }

    @Override
    public String toString() {

        StringBuilder info = new StringBuilder();

        info.append("Dados do Caminhao: ")
            .append("\nMarca: "+marca)
            .append("\nModelo: "+modelo)
            .append("\nPlaca: "+placa)
            .append("\nAno: "+ano)
            .append("\nConta Manutencao: "+contaManutencao)
            .append("\nStatus Caminhao: "+status)
            .append("\nQuilometragem Inicial: "+quilometragemInicial)
            .append("\nQuilometragem Final: "+quilometragemFinal)
            .append("ManutencaoPreventiva: "+manutencaoPreventiva);
        return info.toString();
    }

}

import java.util.Arrays;

public class Viagem{

    private String horaSaida, horaChegada, dataChegada, dataSaida, destino, origem;
    private int codViagem;
    int indiceGeral=0;
    private Manutencao revisao;
    private Caminhao []veiculo = new Caminhao[20];
    private Motorista[]piloto = new Motorista[15];

    public Viagem(String horaSaida, String horaChegada, String dataChegada, String dataSaida, String destino,
            String origem, int codViagem) {
        super();
        this.horaSaida = horaSaida;
        this.horaChegada = horaChegada;
        this.dataChegada = dataChegada;
        this.dataSaida = dataSaida;
        this.destino = destino;
        this.origem = origem;
        this.codViagem = codViagem;
    }

    public String getHoraSaida() {
        return horaSaida;
    }

    public String getHoraChegada() {
        return horaChegada;
    }

    public String getDataChegada() {
        return dataChegada;
    }

    public String getDataSaida() {
        return dataSaida;
    }

    public String getDestino() {
        return destino;
    }

    public String getOrigem() {
        return origem;
    }

    public int getCodViagem() {
        return codViagem;
    }

    public boolean verificaStatus(Caminhao veiculo, Motorista piloto){

        Caminhao auxC = (Caminhao) veiculo;
        Motorista aux = (Motorista) piloto;

        if(auxC.getStatus() != true && aux.getStatus() != true){
            return true;
        }
        else{
            return false;
        }

    }

    public Viagem planejarViagem(Viagem []viagem, Caminhao []veiculo, Motorista []piloto){
        if(viagem[indiceGeral].verificaStatus(veiculo[indiceGeral], piloto[indiceGeral]) == true){
            indiceGeral++;
            return viagem[indiceGeral];
        }
        return null;
    }

    public double calculaKm(double kmInicial, double kmFinal){
        return kmFinal-kmInicial;
    }

    @Override
    public String toString() {
        StringBuilder info = new StringBuilder();

        info.append("Viagem \nHora Saida: "+horaSaida+" hrs")
            .append("\nHora Chegada: "+horaChegada+" hrs")
            .append("\nData Chegada: "+dataChegada)
            .append("\nData Saida: "+dataSaida)
            .append("\nDestino: "+destino)
            .append("\nOrigem: "+origem)
            .append("\nCodigo da Viagem "+codViagem)
            .append("\nViagens realizadas: "+indiceGeral)
            .append("\nRevisao: "+revisao)
            .append("\nDados do Veículo: "+veiculo.toString())
            .append("\nQuilometragem percorrida: "+calculaKm(kmInicial, kmFinal))
            .append("\n\nPiloto que realizou a viagem: "+piloto.toString());

        return info.toString();
    }

}

A: Embora tenha coisas estranhas vou responder de acordo com o que está descrito na pergunta e nos comentários. Se os requisitos estiverem errados é claro que a solução sairá errada, mas aí o problema não é de programação. Talvez a dificuldade em codificar seja por ter requisitos ambíguos ou conflitantes.
Primeiro elimina-se o array de caminhão e motorista já que só pode ter um em cada viagem:
private Caminhao veiculo;
private Motorista piloto;

Arrumamos o construtor. Tiramos a chamada a super() que não faz o menor sentido (se o Eclipse faz isso, é um IDE muito ruim). E colocamos um parâmetro para preencher esses campos, afinal a viagem não pode existir sem esses dados. Pra isso servem os construtores.
public Viagem(String horaSaida, String horaChegada, String dataChegada, String dataSaida, String destino, String origem, int codViagem, Caminhao, caminhao, Motorista, motorista) {
    this.horaSaida = horaSaida;
    this.horaChegada = horaChegada;
    this.dataChegada = dataChegada;
    this.dataSaida = dataSaida;
    this.destino = destino;
    this.origem = origem;
    this.codViagem = codViagem;
    this.caminhao = caminhao;
    this.piloto = motorista;
}

Um método pode ser muito simplificado:
public boolean verificaStatus(Caminhao veiculo, Motorista piloto) {
    return !veiculo.getStatus() && !piloto.getStatus();
}

Nem falei que provavelmente está exagerando no uso de getters e setters.
Coloquei no GitHub para referência futura.
Não consigo entender o método planejarViagem() colocado depois. Ele não parece fazer o menor sentido e está em desacordo com a descrição do problema. Talvez haja um erro generalizado no código e planejamento das classes, mas não tenho como afirmar sem conhecer o requisitos certos. Talvez esse método indique que os requisitos estejam errados. Mas só posso trabalhar com o que foi expressado.
Na verdade você precisa aprender mais como funcionam expressões booleanas. Ela é usada de forma redundante aí também.
Normalmente o toString() é para uso interno do código. Não digo que está errado, mas listar todas informações do objeto não costuma ser o mais certo. Quando precisa disso é melhor ter um método mais apropriado. Parece ser abuso do recurso.
Também seria bom manter um padrão de nomenclatura das coisas. Acho estranho ter lugares que o motorista passa ser chamado de piloto e o caminhão de veículo. Veículo me parece mais correto sempre a não ser que tenha algum lugar que precise das discriminação exata do tipo de veículo, o que não parece ser o caso, não há estrutura para isto.

redpajama_set_name: RedPajamaStackExchange


Another specification is that HP3-E High Pressure Coolant System has PLC Connection.
HP3-E High Pressure Coolant Units are used as mobile station. They have wheels under units and you may easily move it where you prefer them to be placed at your workshop.


As we step into the new tabling year, I would like to take the opportunity to present to you the new greeting cards catalog which is attached along in this email. The catalog was officially released in the First NEX of 51st Board at Mumbai on 14th July. Owing to space constraints, we are sending you the low resolution catalog for ready reference. However, the high resolution catalog is available online at www.roundtableindia.org/greeting-cards-3. Alternatively, you can obtain a high resolution soft copy or a hard copy of the catalog from your respective Area Greeting Cards Convener.
In the catalog, you will find 4 sections – "Exclusive", "Festivals", "Season's Greetings" & "Classics". The first 3 sections of the catalog contain the new handpicked designs for this year & we hope that you will find them to your liking. These cards are available to you at Rs. 8.50 per card against a minimum order of 50 cards. The designs under the "Classics" section are available to you at Rs. 6.50 per card against a minimum order of 50 cards. Please do note that the stocks under the Classics section are limited. You can mail your greeting card orders to us at gc@rti.in (more details available in the catalog).
The successful clearance sale which began on May 15, 2012 through till June 30, 2012 set the tone for the new tabling year for Greeting Cards. Thanks to your support, I am happy to report that we sold a total of 10,150 cardsas a part of this initiative. We also had a fairly successful last year in greeting cards sales, with a total of approx.96,220 cards sold raising a total of approx. Rs. 6.79 lacs. While I strongly believe that we have the capability to push that number closer to Rs. 20 lacs, the support displayed by all of you has been phenomenal & I thank you for the same. This support was recognized in the recently concluded Change Over Banquet at Mumbai by the way of certificates of recognition.
Take a bow guys, you were the movers & shakers in Greeting Cards sales last year. But then, this is not the end. To further inform you, the first 3 certificates will be given out on a half yearly basis, while the last one will be based off any new initiatives that we run from time to time. It would be great to see your Area/ Table's name figure in this list the next time.
I would like to once again thank you for your support on the greeting cards front last year & strongly believe that you will extend the same & greater level of support in this new tabling year to me. If you do have any further questions, please feel free to reach out to your Area/ Table Conveners or me for further assistance.
Vizag Vikings RT 213, Area IX, RTI.


text:
Skyriders service offering sweetens the deal for the local sugar industry
Rope access specialist Skyriders is confident of expanding its footprint into the sugar industry, having already established a reputation for being a leading provider of rope access-aided inspection, non-destructive testing (NDT) and maintenance services in Africa.
Skyriders service offering sweetens the deal for the local sugar industry 16.46 KB Download
Preview Internal roof cleaning and maintenance in storage silo 1 4.26 MB Download
Preview Internal roof cleaning and maintenance in storage silo 3 4.2 MB Download
Skyriders' unique rope access aided services can provide the South African sugar industry with significant savings related to cost and time, due to the fact that tall onsite structures such as silos and chimney stacks often have limited or zero means of access.
By using various industrial rope access techniques such as bolting and aiding, Skyriders marketing manager Mike Zinn points out that these structures can be swiftly ascended or descended by the Skyriders team of rope access technicians.
"Rope access also allows for increased manoeuvrability in confined spaces, which enables the technicians to carry out challenging tasks at height, with relative ease. There are various facilities and infrastructure at most sugar mills where height and confined space could be a limiting factor, similar to those at cement factories, where our rope access technicians have extensive experience."
Zinn highlights the fact that a large number of South African sugar factories are ageing, and believes that Skyriders has the necessary skills and expertise to provide a value-added service that is tailor-made specifically for the local market. "Due to ageing infrastructure, concrete inspection, repair and waterproofing is vitally-important in ensuring that the lifespan of the silo is extended. With regards to silo maintenance, steel liners are traditionally replaced by means of scaffolding to prevent it from damaging the concrete structure. The scaffolding access option is costly and time consuming, and the cost can often be disproportionate the actual work that needs to be done."
Zinn adds that Skyriders is able to undertake routine maintenance on all steel chutes and liners, in order to detect any signs of corrosion. "The Skyriders team of rope access technicians are also able to undertake inspections on wall thickness, in addition to grit blasting and repainting on the outside of the structure," he continues.
Zinn highlights the fact that sugar mills also experience pest infestations. "Another valuable service that Skyriders can offer to the sugar industry is the cleaning and fumigation of silos to eradicate the dangerous and costly problem of pests, which can contaminate tons of valuable produce, that would otherwise have to be destroyed."
Looking to the future, Zinn is confident that Skyriders can gain market share into the sugar industry in the short-term. "I believe that the rope access services provided by Skyriders can save the sugar industry a substantial amount of time and money, and we will be looking at promoting the benefits of these services to the industry through various demonstrations, and examples of successful case studies in other industrial applications," he concludes.
Notes to the Editor
There are numerous photographs specific to this press release. Please visit http://media.ngage.co.za and click the Skyriders link.
About Skyriders
Skyriders (Pty) Ltd, established in 1998, is a leader in the South African rope access industry, providing cost- and time-saving solutions to clients in the power generation and petrochemical industries who require rope access aided inspection, NDT and maintenance work to be done in difficult to reach, high-up locations.
Skyriders Contact
Mike Zinn
Skyriders Marketing Manager
Phone: 0861 000 759 (SKY)
Email: mike [at] ropeaccess [dot] co [dot] za
Web: www.ropeaccess.co.za
Ryan Collyer
NGAGE Public Relations
Email: ryan [at] ngage [dot] co [dot] za
Web: www.ngage.co.za
Browse the Ngage Media Zone for more client press releases and photographs at http://media.ngage.co.za


About a quarter of a mile beyond Durlston Castle and its Great Globe lies an entrance to the Tilly Whim Caves.
These are not natural caves, but rather a group of three limestone quarries dating back to the 17th Century. They were extensively worked in their day, producing stone which was used to build fortifications along the south coast during the Napoleonic Wars. After the end of the war demand for the stone fell; the quarries were little used from 1812 onwards, save by smugglers. In 1887 the owner of Durlston Castle re-opened the caves as a tourist attraction. Public access continued right up to 1976 when serious rock falls made the caves so unsafe that they were closed. They remain closed to this day. This is the old tourist entrance.
It is thought that the caves got their name from a former quarryman named "Tilly" and the word "Whim", a type of crane. The whim would lower quarried blocks down the cliff edge and into waiting boats below. These boats would then transport the blocks off to a larger sailing ketch anchored out at sea, or take them direct to the yards at Swanage.
I gazed at the entrance wondering what might be inside. I looked at the heras fencing that was blocking the access.
But no, that was a bad idea. Even I could see that!
Slightly further along the coast we came to another entrance. This entrance was also accessible if you really wanted to have a look around; indeed I know one person who has gone into the caves from here to explore.
"Are they dangerous?" I asked.
"Not at all," he said, "Unless they collapse…".
This entry was posted in Dorset and tagged caves, coast, Dorset, Durlston, quarry, South West Coast Path, Tilly Whim Caves, travel, walking. Bookmark the permalink.
Good progress. You'll be Jurassic very soon!
It's not just me that's been tempted to try and get in those caves then! I've not done it, but the thought of trying has certainly come to me.


The El Paso Police Department said a man died on Saturday after a shooting at Michelle's Apartments in the Lower Valley.
A man has died as a result of a shooting in a Lower Valley apartment complex, police said.
Mission Valley police officers responded to a call of a shooting at about 1:30 p.m. Saturday at Michelle's Apartments, 8507 Alameda.
The victim was transported to a hospital, where he died, said El Paso Police spokesman Darrel Petry.
Petry said there is no threat to the community. The Crimes Against Persons unit is currently investigating. No arrests have been made.


text:
Jesse Ventura for President and Veep Howard Stern? Oh my! PODCAST INTERVIEW
Mr. Media is recorded live before a studio audience of wrestling executives' wives running for U.S. Senate in the great state of Connecticut… in the NEW new media capital of the world… St. Petersburg, Florida!
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Underestimate Jesse Ventura at your own risk.
He may be an ex-wrestler and a guy who sounds on the radio a bit like Howard Stern wack packer Bigfoot, but a lot of people have gone wrong thinking the man lacked intellectual heft.
Ventura, a former Navy SEAL in Vietnam, was elected governor of Minnesota in 1998 while running as an independent, a rare feat indeed. He has written 10 books, the last three with conspiracy specialist Dick Russell.
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In other words, the man once known as "The Body" puts that brain to work, too.
Ventura made headlines last week when he kicked off the publicity tour for his latest book, Democrips and ReBloodlicans: No More Gangs in Government, on Howard Stern's Sirius radio show and not only announced his interest in running for president in 2016 as an independent, but making a convincing argument that Stern—who once ran for governor of New York—should be his vice president.
We'll talk about that.
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Home Local News Prince Andrew called 'an idiot' and the 'runt of the litter'
Prince Andrew called 'an idiot' and the 'runt of the litter'
Prince Andrew has been mocked as an "idiot" by the royal family's former longtime press secretary — who also dismissed him as the "runt of the litter."
Dickie Arbiter, who was Queen Elizabeth's spokesman for 20 years, joined other experts in ridiculing the scandal-scarred royal in "Prince Andrew: Banished," the Peacock documentary about his astonishing downfall.
"Andrew always had this holier-than-thou, I'm-greater-than-everybody -else, the queen-is-my-mom attitude," Arbiter recalled of Andrew, whom he called the queen's favorite son.
"The problem is, the man's an idiot," he insisted bluntly.
Arbiter, who was also a longtime media manager for the now-King Charles III, dismissed those who blamed Andrew's behavior on his isolated upbringing.
"There's always one runt of the litter, and Andrew was it," insisted Arbiter, who noted that the late queen's other children — Charles, Prince Edward and Princess Anne — do not share the same characteristics.
Dickie Arbiter was Queen Elizabeth's press secretary for 20 years.
Prince Andrew was reportedly Queen Elizabeth's favorite child.
Prince Andrew was removed from his royal duties after attempting to justify his relationship with Jeffrey Epstein.
The retired press secretary said that Andrew's mother always put up with her son's antics because he had long been her favorite child.
However, she was forced to "effectively fire" her son from royal duties after his disastrous attempt to justify palling around with convicted pedophile Jeffrey Epstein in a BBC interview, which he also used to deny knowing a woman accusing him of sexual abuse despite being photographed with her.
"That's very difficult for any mother to do, but she saw the need to do it," Arbiter said of the late queen, who even stripped her son of the title of His Royal Highness.
"To her, the institution of the monarchy is more important than safeguarding some of the stupid things that your children have done," he said.
Pizza Squared fires employee who denied police officers service
Oregon kidnapping suspect Benjamin Obadiah Foster dies of self-inflicted gunshot


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Pretty sure the barrel in my ship's hold is actually an assassin
Wait, I don't remember that barrel
By Cass Marshall Apr 14, 2021, 1:20pm EDT
Share All sharing options for: Pretty sure the barrel in my ship's hold is actually an assassin
Image: Rare/Xbox Game Studios
Rare begins the second season of Sea of Thieves on April 15, and this time there are a couple of fun twists.
Seasons are the new update model of Sea of Thieves, and they're due to come out every three months. Season 2 introduces a new emote that allows pirates to hide in a barrel and sneak aboard ships, as well as a new mega fort called the Fort of Fortune.
The sneaky emote can be earned for free through the season's Plunder Pass. Players can use the emote anywhere, including on contested Forts, other players' ships, and on the Reaper's Hideout. Hidden players are visually indistinguishable from a normal barrel, which is a common environmental prop.
A patient pirate can set up shop on a fort or another ship, hiding as an innocent barrel, and then surprise their foes at the worst possible time. The "stowaway meta" has existed for some time, with players using emotes to hide among their enemies by laying down out of sight, but having Solid Snake-style camo makes sneaking around far more sinister.
Sailors will also have to contend with the Fort of Fortune, a rare mutation of the fort that's been in the game since launch. When the familiar skull in the sky that denotes a skeleton fort has become active, it may be bright red and more menacing. That means it's going to be a much tougher target, and may require a server-wide alliance. These Forts of Fortune offer higher rewards, much more risk, and multiple Skeleton Lords to fight before an Ashen Lord finale.
Season 2's renown system will reward players with coins, doubloons, and cosmetics. The new rewards are based around nautical imagery and "Ocean Deep" themes. A set of "Lucky Hand" player cosmetics, based on gamblers and tavern games, will also be added.


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Home > Books in Korean > Non-Fiction > Non-Fiction II > Titles Starting With I ~ Z > The Road Not Taken Appears More Beautiful
The Road Not Taken Appears More Beautiful
Korean Title: Motgabon Giri Deo Areumdapda
Author: Wan-seo Park
Publisher: Hyundae Munhak
Hardcover | 268 pages | 223*152mm
Park Wan-seo's reflections on 40 years of writing
Revered novelist Park Wan-seo, who is seeing the 40th anniversary of her debut on the literary scene this year, seems more eager to reflect on her writing career and personal life rather than celebrate the occasion.
In "The Road Not Taken Is More Beautiful," the 79-year-old offers her short essays written over the past four years that constitute her personal experiences and thought-provoking issues through her poignant eyes with a care for society.
Born in 1931 in Gaepung-gun, Gyeonggi Province now in North Korea, the author experienced the Korean War (1950-53) and was separated from her mother and brother during it.
But she takes her memories of the war as her fictional inspirations in her numerous works.
"I think if I had no experience of the war, I might have not become a novelist, because a lot of stories related to the war have inspired my work and are likely to do in my future works," she writes.
Park often talks about the healing power and condolence of novels that can be shared by writers and readers alike as the main virtue of the genre.
"I admit I was salvaged by writing novels and I am proud of being a novelist myself. But I sometimes feel empty saying that because I seem to bluff it too much," she says.
Her soul-searching captures her deep sense of identity to overcome trauma marked by her personal history and the times as well. She has been caught in the memory from the wartime experiences and her family tragedy. Park lost her husband and son back to back in 1988, which left a deep scar in her life and deeply affected her later works.
Observations on life and nature are melted in her realistic portrayal which shows her idyllic life in her house in a small village, Guri, Gyeonggi Province, where she moved 12 years ago from Seoul.
The author discovered an everyday awe of plants, living creatures and soil in her small garden in front of her house. She reaps the pleasures of laboring in her garden, and takes comfort and peace from the soil.
"Lying on the grass, I feel a tiny movement deep under the soft and comfortable soil. Does this kind of vitality that can be made by the living creatures come from the soil or seed? I don�t think so. The soil and seed cannot be separable. The soil that embraces the seed feels soft and warm. If my body is laid to the soil, I don�t fear even death," she writes.
She notes that writing saves her from the temptation of withdrawing from society and keeps interested in and feel an affection for the world she lives in. "I am just an ordinary old person who feels horrible when I hear I look old and feels happy all day long when I hear I look young. But I want to act my age when it comes to writing," she says.
Park also points out the dilapidation of humanity due to an economy-oriented and materialistic social atmosphere. Through such incidents as the destruction of Sungnyemun, National Treasure No. 1 by arson and the sinking of the Cheonan warship, she labels them "absence of justice" and "coward pacifism" as a witness of modern Korean history.
The book is divided into three parts -- "Underline of My Life," "Paths of Books" and "For Yearnings." In particular, she writes tributes to the deceased such as Stephen Cardinal Kim Sou-whan, author Park Kyung-ni and painter Park Soo-geun.
Ahead of becoming an octogenarian next year, the author says she wants to write as long as she can. "As I get older, I cannot write as fast as I did in the past but now I write more carefully to leave a good sentence," she says.
The author began her writing career belatedly at the age of 40 in 1970 after getting married. Park�s early works dealt with the tragedy of families separated by the Korean War and the haunting pain for its survivors demonstrated in "The Naked Tree," "Warm Was the Winter that Year" and "Who Ate Up All the Shinga."
Her works turned to families and feminine issues in a patriarchal society in line with social and political landscapes through such works as "The Dreaming Incubator," "Bad Luck in the City," "Swaying Afternoons," "Are You Still Dreaming?" in the late 1980s.
She briefly stopped writing after the shock of the sudden deaths of her husband and son, and began releasing novels based on biographic tales in the 1990s, focusing on contemplatively looking at life away from the haunting trauma of the war.
Her oeuvre shines through eloquent words, combining realistic and sophisticated observations in human beings. She not only vividly portrays reality but also brings humor and attachment to life with delicate psychological descriptions.
By Chung Ah-young


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Covid-19: Italy strictens restrictions for unvaccinated
InternationalHealth
By Fatima Saeed	 On Dec 6, 2021, 6:50 pm 32 0
Italy: The Country has imposed tougher restrictions for unvaccinated people due to the rising concern over the Omicron variant and a potential increase in infections.
Many social and public activities will be off limits to anyone without a so-called Covid Super Green Pass from Monday onwards. The pass shows proof of vaccination, or recovery from the virus within the last six months. It will be needed to enter theatres, cinemas, music venues, sports events, restaurants and bars until mid-January.
The new measures strengthen the existing Covid green passes, which can be obtained following a negative test. The basic green passes will now be required to use public transport, as well as to access places of work. Italy is grappling with a spike in coronavirus infections, which have been rising gradually since mid-October.
There is also concern around Europe about the spread of the Omicron variant, which experts fear may be more transmissible and evade some immunity to Covid. Italy was ravaged by infections in the early stages of the pandemic and has one of the highest death tolls at more than 134,000.
But the country's vaccination rate is higher than many of its neighbours. About 73% of the total population have been fully vaccinated and 11% have had booster shots, according to the latest data.
Stay tuned to Baaghi TV for the latest news and updates!
https://en.baaghitv.com/salman-khan-starts-avoiding-jacqueline-in-fear-of-her-possible-arrest/
#COVID19#Italy#OmicronBaaghiTV
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Review: The Little Stranger
10 October 2018 By Jason Hewitt
1947. A young Doctor Faraday (Domhnall Gleeson) visits the ramshackle Hundreds Hall to attend to a servant girl who is claiming to be ill. However, strange things are afoot and Faraday soon becomes embroiled in the closed off world of the Ayres family that live there: the stern-faced matriarch; Roderick, a disfigured war veteran; and his can-do, no-nonsense sister, Caroline.
Based on Sarah Waters' novel, The Little Stranger is as much about the demise of the aristocratic classes after the war as it is a ghost story, and those that are expecting outright scares might leave disappointed.
Like the book, the film is an altogether quieter affair. Its set during a period that, as we all know, was steeped in change, post-war. No longer able to afford the upkeep of Hundreds given the change in their fortunes, Roderick has sold some of the estate's park land off so that a housing estate can be built; while Caroline, it could be said, has also opened the park to the lower classes, allowing Faraday to use the grounds as a short cut for his calls. Meanwhile, the impending arrival of the National Health Service is causing quite a stir among the local GPs, with Faraday (below) and his colleagues wondering if their days are numbered.
All this social commentary bubbles away nicely under the surface. Meanwhile, the supernatural shenanigans in the house and to what extent they might be the imaginings of the increasingly traumatised household, winds its course with a number of progressively alarming incidents. These are unlikely to cause a popcorn spillage but there's certainly a sense of pervading dread that slowly and effectively builds.
For anyone that already knows the story it's a safely played adaptation in both tone and pace. But, as with any long novel, there have been necessary cuts – some that will be barely noticed by the book's fans, while others might jar. Roderick's storyline, for example, is skipped over all too quickly and, just when it's getting interesting, in favour of the will-they-won't-they narrative that keeps Faraday and Caroline centre screen throughout most of the film.
The characters though, so rich in Waters' novel, are rather a mixed bag. As the story's narrator, Faraday is more complex than he first appears, but Gleeson struggles to bring much life to him in a role that is necessarily sterile and distant, but fails to connect. Meanwhile, Will Poulter's Roderick is little more than a hoity-toity caricature, with his significance so savagely cut from the story that it has little impact at all (to see Poulter at his best you should see Kathryn Bigelow's Detroit).
It's left to the female cast to carry much of the weight, and thankfully they do it with aplomb. Liv Hill's sullen-faced Betty gives just enough local twang and awkwardness to show just how out of place the young girl is as Hundred's last remaining servant. Charlotte Rampling's Mrs Ayres goes from controlling to ditsy and then full-out deranged, with us barely seeing the shifts until it's too late.
However, it's Ruth Wilson (above) who is the film's delight. She transforms herself into Caroline with a pitch-perfect performance, epitomising Caroline's looks, stance and sardonic wit, while beneath that, and unsaid, lurks the overwhelming tragedy of what Caroline's life has become. Only in a brief scene do we – and perhaps Faraday too – glimpse how different Caroline might have been given a different life – and, perhaps more tragically, where her heart truly lies.
It's a scene with a lightness of touch that could have been employed elsewhere. A subtle suggestion made at the end of the novel becomes the film's rather less subtle twist and raises more questions than it answers, unhinging some of the plot. And whilst there's much richness to the period detail, the authentically dour feel to everything creates a strange distancing that, at times, makes the film hard to fully engage with.
A solid adaptation then, and those that have not read the book and who like quietly growing chills may find much to admire; however, those that are fans of the book will perhaps, like Faraday, instead mourn what might have been.
The Little Stranger is out in cinemas now.
Jason Hewitt is the author of The Dynamite Room and Devastation Road.
Images: © Pathe UK
Filed Under: Reviews, TV, Film and Theatre, Watching History Tagged With: film review, Jason Hewitt, The Little Stranger


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UTC−05:00 je časovni pas z zamikom −5 ur glede na univerzalni koordinirani čas (UTC). Ta čas se uporablja na naslednjih ozemljih (stanje v začetku leta 2016):

Kot standardni čas (vse leto)

Severna Amerika

 otok Southampton
  - skrajni jugovzhod
 Quintana Roo

Karibi

 :

Srednja in Južna Amerika

 zvezna država Acre in jugozahod zvezne države Amazonas

 Velikonočni otok
  (brez Galapaških otokov)

Kot standardni čas (samo pozimi na severni polobli)

Severna Amerika
 :
Nunavut (vzhodni del), Ontario (večina ozemlja) in Québec (večina ozemlja)

 Celotno ozemlje zveznih držav Connecticut, Delaware, Georgia, Južna Karolina, Maine, Maryland, Massachusetts, New Hampshire, New Jersey, New York, Severna Karolina, Ohio, Pensilvanija, Rhode Island, Vermont, Virginija, Zahodna Virginija in Zvezno okrožje Kolumbija
 Večina ozemlja zveznih držav Florida, Indiana in Michigan
 Vzhodni deli Kentuckyja in Tennesseeja
 Neuradno nekaj občin na skrajnem vzhodu Alabame

Karibi

 :
 Otoki Turks in Caicos

Kot poletni čas (severna polobla)

Severna Amerika

 Manitoba, Nunavut (osrednji del), Ontario (zahodni del)
  (večina države)

 Celotno ozemlje zveznih držav Alabama, Arkansas, Illinois, Iowa, Louisiana, Minnesota, Mississippi, Misuri, Oklahoma in Wisconsin
 Zahodni deli Floride, Indiane, Kentuckyja in Michigana

Zunanje povezave

Časovni pasovi

redpajama_set_name: RedPajamaWikipedia


What Is Booking Holdings' Fair Value?
Is The Market Pricing Booking Holdings Fairly?
Why Did Priceline Decide To Invest In The Leading Chinese e-Commerce Platform, Meituan-Dianping?
What Will Booking Holdings' Revenue Growth Look Like Through Fiscal 2019?
Booking Holdings (NASDAQ: BKNG) is a giant online travel company, providing travel and related accommodations at hotels, hostels, apartments, vacation rentals, and other properties. In the first nine months of fiscal 2018, the company's revenues grew 15% year-over-year (y-o-y) to $11.3 billion. This revenue growth was largely driven by growth across operating segments. In addition, the company's gross bookings grew 16% y-o-y to $73 million, largely due to a 13% growth in accommodation room night reservations during this period. While the company's focus on increasing its direct business and reducing the dependence on performance marketing channels will likely be a drag on its performance in the short term, we believe that its strategy to drive loyalty and build a larger direct brand could increase its long-term value.
Going forward, we forecast Booking Holdings' revenue to increase more than 25% from fiscal 2017 through fiscal 2019. To arrive at our fiscal 2019 net revenue estimates for the company, we have broken down the revenue streams and estimated separately. We have also created an interactive dashboard on What Will Drive Booking Holdings' Near-Term Growth? which provides a detailed analysis of how to arrive at this growth figure. You can make changes to these variables to arrive at your own revenue estimates for the company. We maintain our price estimate for Booking Holdings at $1907, which is about 10% ahead of the current market price.
Booking Holdings generates revenue from three segments: Agency, Merchant, and Advertising and other revenue. The company primarily generates its revenues from commissions earned from facilitating reservations of accommodations and rental cars on an agency basis. The company also derives net revenues and travel reservation commissions on a merchant basis and customer processing fees from its accommodation, rental car, airline ticket, attractions, in-stay services, and vacation package reservation services. In addition, the company also generates advertising revenues primarily from sending referrals to online travel companies and travel service providers.
Looking at fiscal 2019, we expect Booking Holdings' Agency gross bookings to reach $88 billion. The company has witnessed increased gross bookings over the past couple of years, primarily due to the bookings on Booking.com. With a take rate of 14.5%, we forecast the company's Agency revenues to reach $12.8 billion in 2019. Further, we expect the company's Merchant gross bookings to hit $13.9 billion in 2019. Despite a slight decline in its average daily rate over the years in this segment, significant growth across the night rooms booked has led to increased Merchant revenue. With a take rate of 17.5%, which is less than the previous year's figure, we estimate the company's Merchant revenues to grow to $2.4 billion in 2019.


The Subiefestival is the largest gathering of subaru in Canada. The LP Aventure team organized, in collaboration with BFGoodrich, an off-road zone for the participants. It was the 9th edition of the event, there were a lot of people and we had a lot of fun in the off-road area. Here are some photos: You will find more pictures on this album: (click here) Thank you to all participants!


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Q: High CPU using while dragging with brush tool in photoshop cc This problem is happening while i am using my brush tool in photoshop cc. So you will be clear, please see the video i captured on youtube https://www.youtube.com/watch?v=C_f1cTjjPTc&feature=youtu.be Please let me know if there any solution you can have.
My System Info:

A: Do you  have GPU acceleration enabled (Edit > Preferences > Performance > Advanced Settings)?  Enabling that (if your computer supports it) will make Photoshop use your graphics card (GPU) instead of the CPU for some intensive tool operations.


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We help take care of all your car's parts and pieces, but also what helps keep you safe on the road: your tires. Investing in the best car or truck tires can be a great way to help keep your vehicle running newer, longer. Whether you're looking for sport performance tires or tough truck tires, we've got the right tire selection for your budget, climate, vehicle type, and driving style. And if your TPMS light comes on or you need flat tire repair? You can depend on us. Browse tires in-store or online and visit any Firestone Complete Auto Care near Navasota to help make sure your ride stays safe and smooth, no matter the season. We've been a premier tire store in Texas for years!
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From transmission work to batteries to brake repair, head to a Firestone Complete Auto Care near you for your car repair and maintenance services. We're an automotive shop, tire store, and car care center wrapped into one. And that? That makes taking care of your vehicle amazingly simple. Our highly qualified technicians work hard to help ensure that your vehicle runs the way it should. When you bring your car or truck to us for maintenance, we'll strive to provide unparalleled auto services. Explore our services below and schedule your next safety inspection or repair near Navasota, Texas today.


This eye mask will mesmerise you with its beautiful, hypnotic design. Slip it on and slip into a night full of peace and dreams, and wake up to a bright and beautiful new day. Made from soft fabric this eyemask is uniquely shaped to allow free eye movement during your sleep cycle and is best for relaxation and ease from daily stress. Encouraging a restful sleep, it leaves you feeling refreshed.


The Big 12's top two scoring offenses will battle Friday night for the right to go to next week's Big 12 championship game. There could be a rematch next week depending on how other games play out.
The Sooners (10-1, 7-1 Big 12, No. 6 CFP) are chasing their third-straight title along with a berth in the College Football Playoff but might need at least one team ahead of them to lose.
Oklahoma is the only team that West Virginia (8-2, 6-2, No. 13 CFP) hasn't defeated since joining the league in 2012. The Mountaineers also haven't gone a full season unbeaten at home since 2009.
Top the Sooners on Friday night and they'll accomplish both along with another first — playing for a Big 12 title.
West Virginia's Tony Gibson compares being a defensive coordinator in the Big 12 to "drinking water out of a fire hose." And there will be plenty of worries with Oklahoma's explosive offense.
The Sooners have surpassed 290 rushing yards in five straight games. Murray is dangerous both as a passer (3,310 yards, 34 TDs) and a runner (739 yards, 10 TDs). Murray played the first series against the Mountaineers last year in place of Baker Mayfield. On the first play from scrimmage, Murray took off on a 66-yard run.
Oklahoma's weakness is its defense. The Sooners have allowed at least 40 points over the past three weeks. That includes 524 yards allowed last week to Kansas , which has one of the league's worst offenses.
Yet Oklahoma has won five straight since a 48-45 loss to Texas .
Two of West Virginia's last three games have been decided in the final seconds.
Based on past performances in Morgantown, it might take 1,000 yards of offense to decide this game.
The teams combined for 1,440 yards in 2012 when Landry Jones and Oklahoma won 50-49, 1,013 yards in 2014 in a 45-33 Sooners win, and 1,064 two years ago in Oklahoma's 56-28 victory.
The winner will clinch a berth in the Dec. 1 league championship game in Arlington, Texas. If the Sooners lose, they'll get the second spot if No. 11 Texas loses at Kansas. West Virginia gets the second spot with a loss only if Texas loses and No. 25 Iowa State loses at home to Kansas State. Texas is in with a win over the Jayhawks.
Murray was recruited to Texas A&M by Jake Spavital, who was the Aggies' offensive coordinator and now has the same job at West Virginia. Murray left Texas A&M after the 2015 season, which coincided with Spavital's final year.
Spavital compared the similar experiences of Murray and Grier — two transfer quarterbacks who had to wait for their chance. Grier transferred from Florida to West Virginia after his freshman season in 2015.
Seventeen West Virginia seniors will be honored before their final home game, including Grier and wide receivers David Sills and Gary Jennings. Grier has combined for 43 touchdown passes to the pair over two seasons.
West Virginia running back Kennedy McKoy has scored four touchdowns in his last two games and is coming off a season-high 148 rushing yards in a 45-41 loss at Oklahoma State. Oklahoma has allowed a league-high 25 rushing touchdowns this season.


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Bryce Johnston
Recent Posts by Bryce
Jordan Reed Contract Analytics
Jordan Reed signed a five-year extension with Washington reportedly worth a stated value of $48,389,750, of which $46.75 million is considered "new money" and $14 million is guaranteed at the time of signing. The Expected Contract Value of the deal is $30,118,560 (62% of the stated value):
Cordy Glenn Contract Analytics
Cordy Glenn signed a five-year contract with the Bills that replaces his franchise tag and is reportedly worth a stated value of $36,000,000, of which $36 million is guaranteed at the time of signing. The Expected Contract Value of the deal is $52,362,561 (87% of the stated value):
Terron Armstead Contract Analytics
Terron Armstead signed a five year extension with the Saints worth a reported stated value of $66,671,000 over six seasons, of which $65 million is considered "new money" and $20.88 million is guaranteed at the time of signing. The Expected Contract Value of the deal is $52,605,849 (79% of the stated value):
Veteran Contract Ramifications of 2016 Draft Picks
The draft represents an avenue for NFL teams to acquire talent at a fixed price below the market value of similarly talented free agents. Drafting effectively is imperative for success, as no team can afford to pay the free agent market price for all 53 players on the roster. Teams who draft effectively are potentially able to release veteran players with large contracts, thereby freeing up cap space to reallocate to positions where no recently drafted player is prepared to fill a need in the roster. The draft decisions made in the early rounds of the 2016 draft may therefore have an impact on contract termination decisions made during 2016 training camp and the 2017 offseason. I have identified below a number of such draft picks and the veterans potentially affected by their selection, accompanied by the relevant Expected Contract Value calculations.
Expected Contract Value Impact of Cap-Driven Restructures
Each offseason a number of players agree to simple restructures of their contracts designed to free up cap room for their respective teams in the present year. These cap-driven restructures involve converting base salary (or roster bonus) to signing bonus, with the converted amount then prorated over the remaining years on the contract (up to a maximum of five years). These restructures only involve changing the nature of contract payments, as opposed to the amount of those payments, and are therefore distinguished from pay cuts, raises or extensions. There is clearly no downside to the player agreeing to do this, as he immediately receives money scheduled for payment more than six months in the future (and which is often not guaranteed). But what may be overlooked is that these cap-driven restructures typically increase expected earnings in future seasons without in any way changing the payment terms in those future season.
Josh Norman Salary Cap Analytics
Josh Norman signed a five-year contract with Washington for a reported stated value of $75 million, of which $36.5 million is guaranteed (using any common sense definition of the word "guarantee"). The Expected Contract Value of the deal is $54,848,581 (73% of the stated value):
Free Agency AfterMath: Running Backs
The chart below compares the Expected Contract Value with the stated contract value for each contract of $10 million or more signed during the 2016 offseason. Expected Contract Value 1.1 is applied at the time of signing. Expected Contract Value 1.1 takes into account the nature and timing of contract amounts, the resulting relationship between dead money and APY in each year of the contract, the length of the contract, and the position and age of the player. Expected Contract Value 1.1 is therefore a performance-neutral measurement of expected contract earnings. As a result, the primary way a player can exceed or fall short of his Expected Contract Value is to perform better or worse than the performance expectations implied by his contract.


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