IF YOU LOOK UNPRESENTABLE OR OF BAD HYGIENE YOU WILL BE TOLD SO AND NO ENTRY ALLOWED.
_____________________________________________________ 6- THE VENUE: KINGS LYNN - NORFOLK - PE33 0BE With wifi, this fully licensed lifestyle venue currently consists of a large furnished chill-out social area with 4 individual playrooms leading off it.
You may bring your own alcohol except for the Swing Social when a small licenced bar is run. Ample free parking and high-level security to the front of the property. Driving instructions for The Annex: postcode for your sat nav is PE33 0BE, which will direct you to the Garage Lane Industrial Estate in Setchey.
This is also an ideal venue for amateur or professional photographers to hire for shoots and filming or can be used as a naughty daytime getaway for players during the week, subject to availability for those who cannot accommodate and would prefer an alternative to a hotel room. _____________________________________________________ 7- WHERE IS THE ANNEX? For directions, turn in to the trading estate off the A10 and continue straight down to the bottom of Garage Lane (do not turn left).
Ratios are managed via the guest list, aiming for a 3 to 1 ratio of males to females being the ideal.
Of course we can only be excused for those who get invited and fail to show up, this is noted.
When you reach the un-tarmacked road, drive along that untarmacked road (there are some potholes) so please drive SLOWLY past the lorry park (on your left hand side - which at nights this can be the overspill parking area).
Proceed through the iron gates after the lorry park and The Annex entrance is to the right of the large green building with signage.
_____________________________________________________ All YOU need to know - Sections below include: 1- PARTY MESSAGES ONLY REQUIRED 2- SWINGERS ETIQUETTE 3- YOU WANT TO ATTEND A PARTY? 4- YOU HAVE BEEN INVITED BUT CAN NO LONGER ATTEND: 5- SWINGERS DRESS CODE 6- THE VENUE: KINGS LYNN - NORFOLK - PE33 0BE 7- WHERE IS THE ANNEX?** "NO SHOWS", and LATE "cancellations" are noted in personal notes and this can affect future preference invites especially when ratio's are near or nearing venue capacity.NOTE: SERIAL NO SHOWS AND LATE CANCEL OFFENDERS MAY BE BLOCKED._____________________________________________________ 5- SWINGERS DRESS CODE @THE ANNEX: Ladies - Dress to impress. Gents - Smart casual, nice and clean and smelling good is very acceptable.NOTE: NO SPORTSWEAR - NO SCRUFFY TRAINERS, NO WORKWEAR.


AIBD is the proud supporting organisation of ConnecTechAsia, and would like to extend an invitation to you to attend the #ConnecTechAsia2019 Summit which is held alongside ConnecTechAsia Exhibition from 18 – 20 June 2019.
In today's hyper converged business landscape, it is vital to forge new alliances, secure partnerships and initiate collaborations with partners who share the same passion and drive. ConnecTechAsia2019 Summit will stage this platform for you to meet like-minded professionals who will share their views and ideas at the topical sessions and plenary stages.
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text:
Q: celery+rabbitmq empty queue I am using celery+rabbitmq. I can't find convenient way to clear queue in celery+rabbitmq. I do it with remove and create vhost.
rabbitmqctl delete_vhost <vhostpath>
rabbitmqctl  add_vhost <vhostpath>

Is it prefer way to clear some celery queue ?

A: If you are facing this problem because you used rabbitmq for the result backend and as a result you got too many queues, then i would suggest using a different result backend (redis or mongodb)
This is one well known flaw with the celery. It will create a separate queue for each result if you amqp for result backend.
If you still want to stick to amqp as result backend. It will clear itself in 24 hours. You can however set it to a smaller value using  CELERY_AMQP_TASK_RESULT_EXPIRES setting.

A: I'm not quite sure how celery works, but I suspect you want to purge a RabbitMQ queue (you're currently simulating this by deleting the queues and having celery re-create them).
You could install RabbitMQ's Management Plugin.  Its WebUI will allow you to purge the required queue.  This should also tell you which queue you're aiming for, so you wouldn't need to delete everything.
Once you know which queue it is, you could purge it programatically.  For instance, using py-amqplib, you would do something like:
from amqplib import client_0_8 as amqp

conn = amqp.Connection(host="localhost:5672", userid="guest", password="guest", virtual_host="/", insist=False)
conn = conn.channel()
conn.queue_purge("the-target-queue")

There's probably a better way to do it, though.

A: If you need to delete ALL items in queue (especially when the list is long)
1) Saves all items into the file
sudo rabbitmqctl list_queues -p /yourvhost name > queues.txt

don't forget to remove first and last lines from 'queues.txt'
2) Use mentioned python code to do the job
from amqplib import client_0_8 as amqp

conn = amqp.Connection(host="127.0.0.1:5672", userid="guest", password="guest", virtual_host="/yourvhost", insist=False)
conn = conn.channel()

queues = None
with open('queues.txt', 'r') as f:
    queues = f.readlines()

for q in queues:
    if q:
        #print 'deleting %s' % q
        conn.queue_purge(q.strip())

print 'purged %d items' % len(queues)

redpajama_set_name: RedPajamaStackExchange


text:
Boys in blue lift County Cup
Thu 8th Dec 2022
King's First XV rugby squad have lifted the Cheshire U18 Cup in what they hope is a prelude to national glory.
The gutsy Macclesfield side withstood an early onslaught from Wirral Grammar to win the County Cup for the first time since its inception 22 years ago.
Having been on the back foot for the first 20 minutes, their sublime skill sets began to grace a packed out Wilmslow Rugby Club under moody lights. In the end, King's won by a comfortable 26 - 3 to make the most taxing of challenges look easier than the score-line ultimately suggested.
King's Head of Rugby and First XV coach Giles Hetherington said: "They threw everything bar the kitchen sink at us in the first quarter, but this side is resilient, tough and always ready to stand toe to toe. It was the individual skills of some superb ball players that made the difference."
Scrum half Harrison Milner opened King's account with an opportunist short-range snipe peeling off the base of the scrum to pounce under the noses of the opposition. Next on the score sheet was lightning wingman Fred Riordan darting over after a fluent 15-man interchange at breakneck speed.
Then in a move taken straight from coach Rick Jones' training paddock drills, hooker Ted Broadley finished off a superb driving and rolling maul relentlessly pushing back and aside the forlorn Merseysiders. The final nail was delivered courtesy of fly-half Fin Usher's tactical acumen with a sublime chip and chase to leave Wirral chasing shadows.
It has been a golden year for King's Rugby with the First Team taking on Finborough School from Suffolk in the Quarter Final of the prestigious National Schools' Cup. They go in to the match on 9 December as favourites, having already knocked out two-time champions, Bromsgrove School.
Talisman and captain Haydn Keogh, who is pictured holding the trophy on the right alongside vice-captain Harrison Milner, has led by example and star player, centre Toby Wilson has been invited to train with the England under-18 squad.
This year King's has won 11 of their 12 fixtures on the tough Northern circuit with the talented U15 side also in the National Cup Quarter Final, while the irrepressible U13s are also still undefeated.
Giles added: "It's no idol boast to say this is the best year in the 92 year history of King's Rugby and we hope this is only building on that wonderful legacy."
Kings School
King's becomes the first school to win a Gold Award
The Sunday Times puts King's in the Top 10 in the North West
Sixth Form Charity Fashion Show raises stunning £20,000
King's staff take on the challenge for Men's Health causes
King's netball hot shots get call-ups for county and country

redpajama_set_name: RedPajamaCommonCrawl


House for an Art Lover ARE YOU A SUPPLIER?
No one can imagine a more gorgeous place for a Scottish wedding than House for an Art Lover. Situated in Bellahouston Park, this Mackintosh inspired building -once voted as one of the 50 best wedding venues in the UK by the Independent Newspaper- will undoubtedly be the ideal venue to create romantic memories to cherish forever.
This venue is just perfect for ceremonies and meals for up to 120 people and reception for up to 150 evening guests -please note that they have a minimum booking requirement of 60 adult guests for meals for weddings taking place on Fridays and Saturdays.
Hannah, your dedicated wedding co-ordinator will help you from the very first moment you hire this venue to guarantee that everything runs smoothly on your big day whilst still keeping a relaxing ambience for you and your guests. Arrange a visit and let her show you around and discuss the most important day of your life.
Amaze your guests with a menu with that 'wow' factor you are looking for. The skilled chefs at House for an Art Lover will design and offer you excellent meal choices for you, your friends and family to enjoy.
Beautiful venue, one room more beautiful than the next. Staff extremely helpful and make sure everything went to plan .
Only down side was due to the venue being in public park, difficult for guests to park. Perhaps that wee car park should be reserved for House for Art Lover only, as a few folks were dog walking and had parked up.


text:
export default function Page() {
  return (

Layouts

            A layout is UI that is shared between multiple pages. On navigation,
            layouts preserve state, remain interactive, and do not re-render.
            Two or more layouts can also be nested.

Try navigating between categories and sub categories.

          Learn more

  );
}

redpajama_set_name: RedPajamaGithub


text:
Urvashi Dholakia Talks About Her Twins Making Their Bollywood Debut
Updated: August 08, 2019 05:29 IST
Authors: Mahi Kharbanda
TV Actress Urvashi Dholakiya has made her mark on the small screen and through these years she flaunted her splendid acting skills in various shows but what caught everyone's attention was her role as Komolika in 2000's famous TV show Kasauti Zindagi Kay and various other reality shows. Having so much of talent in her, there's no doubt that Urvashi's kids would be anywhere behind.
23💪🏻
A post shared by Kshitijdholakia🕉 (@kshitijdholakia) on Jun 19, 2018 at 1:52am PDT
A lot of people are unaware of the fact that both children just like their mother want to become actors. When asked Urvashi about both Sagar and Kshitij, who are quite popular on social media, Urvashi says "Don't tell them that... chane ke jhaad pe chadh jaayenge."
Earlier Kshitij and Sagar both worked as assistants for the film Dream Girl which starred Ayushman Khurana. The movie was directed by Raaj Shaanilyaa under the banner of Ekta Kapoor's Balaji Films.
#dreamgirl #ad #shooting #setlife
A post shared by Kshitijdholakia🕉 (@kshitijdholakia) on Dec 14, 2018 at 10:14pm PST
Urvashi also wished all the luck to her sons for stepping into Bollywood and said, "Yes they do have aspirations to come to the field," the actress speaks, "As a mother, I truly love them and wish them the best."
On professional front Urvashi is currently seen in Nach Baliye 9, with her ex-boyfriend Anuj Sachdev, She further adds while talking about her sons, "Now let's see what happens aage chal ke (in the future); how far they go because they have to push themselves. They have to work hard. Nothing is coming on a platter to them for sure." She makes it clear that as the Bollywood industry faces a lot of nepotism both her sons Sagar and Kshitij will make their mark in the industry on their own.
Urvashi Dholakia urvashi dholakia kids
In Pictures: Urvashi Dholakia Celebrates Her Twins Birthday
The Cast Of Dekh Bhai Dekh: Then And Now!
12 TV Actors Who Played Negative Roles Better Than Normal Roles
BB13: Paras Chhabra's Attitude Irks Salman Khan
Check These Memes On Love Aaj Kal
Madhurima's Mom Slams Vishal Aditya Singh


This entry was posted on November 28, 2010 at 1:49 pm and is filed under harvest, Travel.	You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.
What fun! We have a local farmers' market here in season, but I rarely wake early enough!
There was lots there today, the normal white variety too. I'd love to meet you there & have a coffee next sunday!


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Vinyl: Very Good- : a clean, well-played record with numerous scratches –Biro 'X's on both labels - both sides play through without jumping, sticking or skipping – low crackle (mainly noticeable on run-in/run-out), but still sounds bright and dynamic.
In New, White Paper Sleeve.
My records are visually graded using the 'Record Collector' guide.
I do not play them unless stated in the item description.
I'm happy to combine postage - please request invoice on multiple purchases.
I remove all my LPs, 12" & 7" singles from outer and printed inner sleeves and place in plain white sleeves before packing to avoid damage to covers during transit.
All vinyl is dispatched in polythene sleeves and shipped in card mailers with stiffener.


text:
▪ Date ? Tour Dates are coming soon
Tour Dates Buy Tickets
Jo O'Meara Fan Chat
Welcome to our Message Boards here at Jo O'Meara Source - an area where fans can chat freely amongst themselves with other Jo fans. Please keep the chat respectful and be kind to one another.
Website Name : Jo O'Meara Source
Website Domain : www.jo-omeara.com
About : Jo O'Meara
Theme Design : Lorna
Host : Flaunt
Online Since : June 2007
Relaunched : October 2018
Contact Us : E-Mail
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New Album : With Love
Release Date : 27th August 2021
Info : Jo is back with her second solo album, "With Love" - 16 years after the release of her first album "Relentless"
Buy Now Track Listing
New Single : On The Surface
Release Date : 25th June 2021
Info : Jo has released the first single taken from her brand new album "With Love"
Pre-Save Song Watch Music Video
New Single : Relentless (unplugged)
Release Date : 26th May 2021
Info : Jo has released a special newly recorded, unplugged version of her song "Relentless" - a song that featured on her debut solo album of the same title back in 2005
New Single : Don't Stop Movin' (unplugged)
Release Date : 23rd April 2021
Info : Jo has released a special unplugged version of the S Club 7 hit Don't Stop Movin' in honour of the songs 20th anniversary
Download Song Watch Music Video
Project : YouTube Channel
Status : Online Now
Info : In early 2020, Jo started her own YouTube channel. She has been posting videos of some live performances of some of her songs, and covers live from the studio or from her living room at home during the recent lockdown. She has also been posting some fun things like fan Q&A's and Vlogs.
Subscribe to Jo's Channel
Project : Live Tour
Tour Dates: To be announced
Info : Jo has confirmed that she will be doing a solo Tour around the UK in 2021, following the release of her brand new album
Jo O'Meara Source Is a non-profit fansite which is ran by fans, for other fans. We are here to purely share our love with other fans only and to keep fans updated on Jo's career. All photos and media found on this website belong to their respectful owners - No copyright infringement is intended, but if you find anything on this website that belongs to you and you want it removed or respectfully sourced, please Contact Us before taking any legal action and we shall remove/source it right away. Our website is proudly hosted by Flaunt
Jo O'Meara Source 2007 - 2023
< Jo O'Meara Source | Your online source for Jo O'Meara
Jo's brand new album "With Love" will be released on August 27th
It's finally the news that everyone has been waiting for.. Jo's brand new album With Love will be released on all platforms on August 27th
You can Pre-Order the album now by clicking here
Album Track Listing :
01 – I'll be there
02 – On the surface
03 – Breathe in
04 – Closer
05 – I hope you dance
06 – Lay your hurt on me
07 – Pieces
08 – Sweet Surrender
09 – Missing You
10 – Relentless (Unplugged)
11 – Heaven
12 – Don't Stop Movin' (Unplugged)
New Album With Love


FLOW-MATIC(본래 이름: B-0 (Business Language version 0))은 영어와 비슷한 최초의 데이터 처리 언어이다. 1955년부터 1959년까지의 기간 동안 그레이스 호퍼 하의 레밍턴 랜드의 유니박 I용으로 개발되었다. 코볼 개발에 중대한 영향을 미쳤다.
호퍼는 사무용 데이터 처리 고객들이 수학 기호에 불편해한다는 것을 발견하였다. 1953년 말 그녀는 데이터 처리 문제는 영어 키워드를 이용하여 표현되어야 한다고 주장하였으나 랜드 관리부는 이 아이디어가 실현 불가능하다고 생각하였다. 1955년 초, 그녀와 그녀의 팀은 이러한 프로그래밍 언어에 대한 사양을 작성하고 프로토타입을 구현하였다. FLOW-MATIC 컴파일러는 1958년 초에 대중들의 이용이 가능하게 되었으며 실질적으로는 1959년에 완성되었다.
FILE-D ; HSP D .
IF EQUAL GO TO OPERATION 5 ; OTHERWISE GO TO OPERATION 2 .
(2)  TRANSFER A TO D .
(4)  JUMP TO OPERATION 8 .
(5)  TRANSFER A TO C .
(6)  MOVE UNIT-PRICE (B) TO UNIT-PRICE (C) .
(8)  READ-ITEM A ; IF END OF DATA GO TO OPERATION 14 .
(9)  JUMP TO OPERATION 1 .
(10)  READ-ITEM B ; IF END OF DATA GO TO OPERATION 12 .
(11)  JUMP TO OPERATION 1 .
(12)  SET OPERATION 9 TO GO TO OPERATION 2 .
(13)  JUMP TO OPERATION 2 .
OTHERWISE GO TO OPERATION 15 .
(16)  CLOSE-OUT FILES C ; D .
이 샘플에는 오직 프로그램의 실행문들 COMPILER 섹션만 포함되어 있다. 레코드 필드 PRODUCT-NO와 UNIT-PRICE는 DIRECTORY 섹션에 정의되며, 여기에는 영어와 같은 문법을 이용하지는 않았다.
Hopper, Grace (1959). "Automatic programming: Present status and future trends", Mechanisation of Thought Processes, National Physical Laboratory Symposium 10. Her Majesty's Stationery Office. pp 155–200, cited in Knuth, Donald; Trabb Pardo, Luis (August 1976). 《The Early Development of Programming Languages》 (기술 보고서). Computer Science Department, School of Humanities and Sciences, Stanford University. 2016년 3월 19일에 확인함.
↑ Hopper (1959) p. 198.
↑ Hopper (1978) p. 16.
↑ Sperry Rand (1957) p. 7.
↑ Sammet (1969) p. 323.
↑ Hopper (1978) p. 18.
이 문서는 2018년 5월 17일 (목) 21:59에 마지막으로 편집되었습니다.


text:
Akne eller acne kan avse:

Akne – en godartad hudsjukdom
Acne (företagskoncern) – en svensk företagskoncern grundat 1996 med huvudkontor i Stockholm
Acne Studios – ett svenskt klädmärke

redpajama_set_name: RedPajamaWikipedia


I've got a HT5 head, when i switch power on I get a hum out of ther speaker then after about 30sec I switch on standby but i get no sound throuh the speaker and the hum disappears.
I'll switch the standby off then wait a further minute and try again still no sound, standby off again then wait a few seconds then back on with standby and its on and working. sometimes this whole process can take up to 5 minutes to get the amp on and working. Both tubes are glowing within 10 secs of powering on. Could this be as simiple as the standby switch, also the Emulated output doesnt work in standby mode should this be the case. I'm not sure of the age of this amp but it does have the newer style main PCB.


I'm not sure why, but recently I've had almost 3 – 4 calls a day from landlords and home-owners, asking me about what their property is worth and if its worth selling. I think it may be to do with the fact that a lot of you may not know what your property is actually worth. When I tell most people the value of their own home, or their investment property, the response, 90% of the time, is 'Really???'.
So, I was just looking through the back-end of Rightmove (where Agents create comparable material) and this property on Canning Road, Croydon, CR06QF popped up.
It was sold in 2014 for £175,000. It was again sold just last month for £335,000. That's quite a jump in price wouldn't you say? Overvalued? Not really, £335,000 is the going rate for these roads in East Croydon.
I'm in the process of picking up a property on Canning Road as we speak for £310,000. In my eyes, for a 2 bed, being this close to the station and a current rental income of £1300pm, it's a good deal. I think I know what this flat will be worth in 5 – 7 years, so I'm holding on to it!


Whatever your working environment, all of us need to relax from time to time. Our Massage Therapist will be onsite offering free 30 minute massage sessions.
When: The appointments will take place on April 12th from 09:00 - 17:00. Appointments will be 30 minutes in duration.
Do I Need to Sign Up? Yes. Places are limited so register today via the booking form below.


text:
Q: Criteria matching in cstore columnar storage In columnar storage all analytical query will be faster than the row-store. what if the records to be included in a query is filtered with a criteria?
select sum(A.a) from A where A.b > 100 and A.c <= 10;
How does columnar storage manage filtering when columns are stored separately. Also how does it apply join across various tables.

A: cstore_fdw uses block range filters for each column block. It first checks the data range is compatible with the filter before reading column data. Therefore, if your data distribution along the filtered column helps removal of data blocks, then you would get significant performance gains.
Regarding joins, cstore_fdw does not perform any operation. It composes rows of data and forwards that to postgres engine for further processing. Further processing might be anything like aggregation, window function processing or join operation.


amb un denominador comú: esport.
At Kaptiva Sports, our team of professionals provides event management capabilities coordinating all logistical, operational and marketing components of an event. From initial creation to post-event clean up, we ensure success. This leaves you with the task of simply outlining your organization's objectives to our team and enjoying the event.


This series, Seeing from the Field, is based on interviews conducted with community development practitioners about the values, goals, and premises underlying their work as well as the contours and directions of their ongoing practice. Conducted by graduate students of urban planning, public health, international affairs, and education programs in the Boston area as part of Dr. Lily Song's Spring 2018 course, "Community Development: Past, Present, and Future," at the Harvard Graduate School, the interviews highlight the possibilities and dilemmas of operationalizing theories of change in set institutional, spatial, and cultural contexts that are complex, contentious, and shifting.
Ray is a man of many hats, but when I imagine him it is his black beret. I met Ray once, when he hosted our group for a Martin Luther King, Jr. Day of Service project at Brook Park, the community garden he helps lead in the South Bronx. He was wearing the same black beret another time I remember him seeing him around, at a food policy breakfast as President of the New York City Community Garden Coalition (NYCCGC), forcefully advocating for a more community- driven approach in a room full of researchers and public health workers. I imagine Ray's beret comes with him to the Pratt Institute – Graduate School of Architecture, where he is a Visiting Instructor in the Graduate Center for Planning and the Environment (GCPE). While I had a heard a little already in these chance encounters, I was intrigued by Ray's holistic approach to planning and how he connects his passions for food, youth, and community development. I connected with Ray over the phone for about an hour so that I could ask him about his approach. The responses that follow have been edited and condensed.
1) Where are you from? How did you end up in the work that you are in now?
I'm from NYC, specifically East Harlem, otherwise known as Spanish Harlem, or El Barrio. It's demographically similar to and located geographically across the bridge from the Mott Haven community where I am actively working a Youth Alternatives-to-Incarceration, Workforce, and Entrepreneurial initiative at the Youth Community Farm at Brook Park in the South Bronx. My formal background is in education policy: not so much looking to be an educator but to glean insights into what informs wholesome and robust human development for individuals in their formative years. That led to me to studying how pedagogy and curriculum and resources are shaped by a macro context of expectations for communities. There are disparities around education and social outcomes, and I wanted to glean insights into what is shaping these outcomes. That led me to alternative modalities for education, specifically, to experiential learning modalities: engaging in hands-on activities as a vehicle for learning and for promoting human growth and development – hence, my engagement in urban agriculture, generally, and in community gardens and community farming specifically.
2) How did you make that transition? Were you working with schools?
Initially, I worked as an education consultant to after school programs, and, in the course of these activities, I wound up attending an agricultural conference that featured a workshop session on urban agriculture. I was immediately taken by the opportunity that it represented from not only a community food-based perspective but from a youth engagement perspective. It was an opportunity to engage in community development through engaging in youth development activities via urban agriculture. That was a good 20 years ago.
3) How do you describe the work you're doing now?
It's an interplay of embracing my philosophies as well as looking at the salient issues confronting the young people of the South Bronx – in particular, the issues associated with the school-to-prison pipeline. Young people of color are being alienated from education. As a result of "zero tolerance" public school discipline policies in New York City that, in turn, result in disproportionately punitive – separation from education – school suspensions, these young people are dropping out or otherwise being pushed out from school. This institutional alienation notwithstanding, these young human beings persist – from a developmental perspective -in looking for alternatives that affirm their sense of personal agency and personal power by becoming members of street families; joining street organizations – more often pejoratively referred to as street gangs. That, in turn, leads to high-risk behaviors that make them increasingly vulnerable for coming into contact with the criminal justice system.
At Brook Park, we have a Youth Alternatives-to-Incarceration (YATI) program where we work with young people who either have been court adjudicated or are currently adjudicated, or who are formerly incarcerated. The Youth Community Farm lends itself to working with these young people in a developmentally responsive manner. By engaging in the activity of growing, cultivating, and harvesting food and bringing it over to local community food pantries, the youth are also engaging in fulfilling their own needs in the process for wholesome human growth and development. Some of these same youth who come through our YATI program are invited to be a part of the Pepper-growing Collective of community farms in the South Bronx – growing and selling peppers to a hot sauce company – BRONX HOT SAUCE. Both of these dimensions of engagement allow for young people to experience a more reassuring sense of their self- esteem – being "fed" by activities that are not only socially responsible but also personally beneficial and rewarding.
More often than not, these young people are also being fed, because they are hungry – literally. They're food insecure, and they need money in order to eat. So, for them – instead of having to resort to desperate means such as selling drugs in order to earn money to buy some food, they now have an opportunity to earn money by selling peppers to the hot sauce company and staying free and out of prison. To be sure, our YATI program is as much an Alternatives-to-Desperation program as much as it is an Alternatives-to-Incarceration.
4) It seems empowering to have these peppers served everywhere from the South Bronx to the Union Square Greenmarket. Does that show the young people you're working with that this is something they should value for themselves?
It is implicit and explicit that work has value. To be remunerated for it helps to underscore that value. It doesn't take a whole lot for a young person to arrive at a place within themselves wherein they are open and receptive to embracing an alternative for their lives, another way of being productive and powerful. That's what community farming means for our young people – it nurtures their capacity for growing increasingly resilient in the face of personal adversities. Accruing to the continuity of their engagement over time in the Youth Community Farm, the young people have additionally been involved in building school gardens in Mott Haven and in engaging in agricultural skill-sharing with elementary school children – showing the children how to plant, how to prepare the soil for planting, and how to care for the fruit and vegetable plants. This set of inter-generational, agricultural mentoring activities on the part of our YATI youth with the elementary school children who actually look up to them represents a powerful vehicle for validating the sense of personal efficacy for all involved – the elementary school children and the YATI youth alike.
5) Other than being from El Barrio, what events or experiences have informed your decision to get into this kind of work?
It's really just observing what's going on in our community and having an overall sense of social sensitivity and social responsibility. I thank my primary educator, my mother, for that. In El Barrio and in the South Bronx, I observed that things were not as they should be. There were far too many disparities informing abysmal outcomes in our community, not the least of which is the massive unemployment and poverty, which informs food insecurity in particular and the criminalization of youth by extension.
6) You've done this work with Brook Park for a long time, but you're also the president of the New York City Community Garden Coalition and teaching at the Pratt Institute Graduate Center for Planning and the Environment. How do you balance these whole body consuming experiences?
It is whole body and whole soul and it keeps me extremely busy, but I look at it as multidimensional engagement; it's all part of the same work. With the garden coalition, I'm trying to replicate the community development vehicles we see in Brook Park and other community farms and community gardens around the city. I'm currently working to formally realize, from a public policy perspective, regulatory protections for these types of community-cultivated institutions so that, going forward, there is a continuity that can promote community development. Community development is not incidental. It requires the continuity of institution building over the long haul. Pratt affords me the opportunity to go deeply into issues and the great privilege of working with the future professionals coming into urban planning. Pratt GCPE is about the future: about how to promote sustainable community development from the very practical considerations of urban planning. In order for that to come to fruition, we have to look at planning as a field that promotes innovative approaches to public service that can help to dismantle structural inequalities around race and class.
Look to Dudley Street Neighborhood Initiative as an example of best practices in this regard. We, through the New York City Community Garden Coalition (NYCCGC), are working on the establishment of a comparable community land trust initiative. It involves a formal collaboration between a local South Bronx based community development corporation, Nos Quedamos, and NYCCGC. We came together on a project that is now being sponsored by the New York City Department of Housing, Preservation, and Development (HPD). We submitted a formal response to HPD's Request For Expressions of Interest—essentially concept papers— on how community land trusts (CLT's) can be effectively planned for and developed. We asserted that CLT's can be developed in a way that is sustainable—that includes, as examples: Green Infrastructure, Micro-Grids, hyper local Micro-Food Hubs—as well as affordable housing.
We're now in a concerted collaboration with other groups that were shortlisted by NYC-HPD on the development of community land trusts in the South Bronx and around the city. The over-arching question that we're addressing is: "How can planning and development be rooted in local communities in such a way that we have active community engagement and stewardship over the long haul?" In this regard, we recognize that community gardens are not mere landscaping amenities, but that they are integral to a local community's cultivation of viscerally meaningful relationships to the land that are culturally indigenous to the local community and which, further, serve as catalysts for focusing community engagement and long term community stewardship for truly sustainable development – economically as well as environmentally. Community gardens have always been a grassroots-driven, informal form of community-based institution building in heretofore abandoned and historically marginalized neighborhoods. They are community-cultivated green spaces where folks have come together as a collective and came to consensus about what they would like to see out of these previously abandoned spaces. Folks in these communities were really resisting what would otherwise be the manifestations of the trappings of poverty, unemployment, and abandonment. Through community gardens, local folks have been embracing community self-determination in the humblest of ways (without the fanfare of press conferences and "photo-opts") – being productive in such a way that honors their sense of human dignity. Community gardens have served, and continue to serve, as a very efficacious foundation for engaging in the next level of community development in relation to community land trusts.
7) You're getting into this already, but I'm curious about your theory of change. What change is your work designed to create? How are you creating the change that you want to see?
I look to the work with and through and by community gardens. Again, these are community-cultivated spaces that allow people to respond to their aspirations and priorities as a collective and to delineate their productivity in a way that is self-determining and that honors their sense of human dignity. In so doing, community gardens help lay the foundation for civic engagement, leadership development, and continued community development initiatives that are genuinely sustainable. Community residents involved in community gardens come out to vote. They hone their sense of leadership by virtue of the initiatives that they take in and through their community garden. community gardens address some of the worst vestiges of poverty. Poverty is not just economic, but it's also a poverty of inactivity, of being idle. Community gardens really do get at this in a way that is both liberating folks and motivating them to be engaged in individual and community revitalization efforts.
With the Collective of Pepper Growers in the South Bronx, we've demonstrated already the economy of (production) scale that can be realized as a result of community gardens and community farms coming together in aggregating a harvest of peppers that supports BRONX HOT SAUCE, which, in turn, is being sold in upscale retail outlets as well as right here in the South Bronx at local Farmers' Markets throughout the South Bronx. The young people who are in the Pepper-growing Collective are not only earning and saving money for themselves but they're helping to save the city and state money vis-à-vis incarceration costs. To realize such savings and to generate income that is circulates locally is a pretty robust model for community-based economic development.
Additionally, from an Ecosystem Services perspective, the permeable surfaces along with the rooted plants and trees in community gardens—help to mitigate storm water runoff. NYCCGC is currently implementing a major storm water runoff mitigation – Green Infrastructure – project in the Lower East Side of Manhattan. Close to 50 community gardens in that neighborhood have – through a local community garden coalition, Loisaida United Neighborhood Gardens (LUNGS), and NYCCGC – jointly received a $2 million grant from the New York State Governor's Office of Storm Recovery. That may sound like a lot of money, but it's literally a "drop in the bucket" when it comes to storm water runoff mitigation – for to build conventional "Brick & Mortar" (Grey Infrastructure) sewage treatment facilities to handle comparable storm water overflows as a result of extreme weather from climate change would be cost-prohibitive. Ecosystem Services such as those found in the Green Infrastructure of community gardens represent another cost savings opportunity for local municipalities.
8) You talked a bit about the successes, but what are the challenges and struggles that you are facing right now? If these challenges were to be alleviated, what possibilities would that open up for the rest of your work?
Community gardens are still grossly undervalued in New York City from a Land Use policy perspective. As such, they continue to be vulnerable to destruction. When one destroys a community garden, one is, by default, already acting violently to destroy a community. In El Barrio, a low-income and primarily Latino and African descendent community, there are, at present, 7 community gardens that are threatened by real estate development that is being driven by the mayor's "Re-zoning for Affordable Housing" policy initiative. The vast majority of community gardens in New York City are found in its lowest income communities whose scars from the structural trauma of racist Redlining, Exclusionary Zoning, Benign Neglect, Planned Shrinkage, etc., continue to fester to this day. Yet, it is the community gardens that rose up – in these very same communities – that have served as a collective form of grassroots resistance, reclamation, healing and rebuilding. The Re-zoning that is currently taking place in these communities is the contemporary analog of Urban Renewal – implicitly equating, in this case, the re-zoned community of El Barrio's community gardens with "blight" in as much as these community gardens are also located in the historically designated Urban Renewal areas that were "cleared" 40+ years ago but were never developed upon except by the "blood, sweat, and tears" of local community residents who reclaimed the rubble-strewn abandoned parcels of land as community-cultivated spaces. This community and its community gardens are now facing imminent destruction. If, however, the City of New York were to somehow reverse course and preserve these community gardens, then the residents of El Barrio could pick up where they left off and continue their work of community regeneration and revitalization.
9) Looking into the future, where do you see yourself and/or your work headed?
We have a burgeoning movement of local community residents around the country embracing community land trusts. That along with the rising appreciation for a democratic culture of Cooperative Economics bode well for ongoing Sustainability and Resiliency efforts. I'm excited about all of the advocacy and community organizing and the research that is now going forward and that is complementing local community efforts – so that we can have communities that are rightfully and respectfully developed.
10) Is there anything else you would like to share? Do you have any final words of wisdom for professionals working in community development after their graduate education in planning?
Revisit the history of planning assumptions that are currently informing urban planning practice and Public Policy- making when it comes to the valuation/under-valuation of communities which, in turn, has helped to rationalize economically reductionist "justifications" for the type real estate development that has come too often at the expense of under-investment in local communities such as the South Bronx and similarly situated communities around the country. I see a need – for professionals working in community development after their graduate education in planning – to contextualize their planning practice in the history of planning's impact on municipalities, in general, and on marginalized communities, in particular. That way, all concerned can better grasp the structural violence of social inequality and be better positioned to embrace Community Inclusion within planning and Social Justice that can lead to a very practical "win-win" for local community development as well as development at the broader municipal scale. To be sure, this is a very high bar – so it is incumbent upon us all to KEEP OUR EYES ON THE PRIZE. In this regard, I draw inspiration from community gardens, community land trusts and cooperative economics as examples of best practices – as alternative structural innovations from the margins!


Reinvent Family Movie Night. Instead of watching a movie together, you can MAKE your own movie together!
This Mommipop original trailer and movie were filmed and edited on an iPhone. Be sure to watch BOTH below for inspiration to make your own family movie. Hollywood-style templates are available in iMovie. You and your cast of kids can get creative and do it too!
The making of our family's movie — The Story of Mommy & Daddy — made for a fun day of filming. It's my hope your family can dig up some fun, old memories as inspiration to make a film — and make new memories while creating the film together too!


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Portraits of the Past
The Godmother of Goth: 40 Vintage Photos That Show the Classic Goth Look of Siouxsie Sioux From Late-1970s British Punk
October 26, 2018 Vintage Everyday 1970s, 1980s, beauty, celebrity & famous people, England, fashion & clothing, female, music, portraits 0
She became the icon of Goth girls everywhere, a mantle she didn't accept or relish, but nonetheless Siouxsie Sioux is synonymous with goth style, even being referred to as the 'Godmother of Goth'.
Born Susan Janet Dallion, the front woman of Siouxsie and the Banshees took the group's name from the Vincent Price horror movie Cry of the Banshee.
She debuted in London's 100 Club in 1976, singing a 20 minute rendition of the Lord's Praye,r accompanied by Sid Vicious on drums. She was part of the infamous Bromley Contingent, although she despised being labeled as such.
The Bromley Contingent was the name given to a group, primarily made up of teenagers, who followed the Sex Pistols around London in the early 1970s. Many famous people came from this scene, including Adam Ant, Billy Idol, Malcolm McLaren, and Vivienne Westwood with her store "Sex."
Siouxsie and the Banshees released their first album in 1978, entitled The Scream, with Hong Kong Garden hitting the top ten in the British Charts.
Her punk rock style was copied by edgy women everywhere, and helped breed a subculture of "Batcavers," named after the Batcave club in the Soho district of London, England which is often considered to be the birthplace of gothic subculture.
The things that most exemplify Siouxsie's look are bold, Egyptian inspired makeup and electric hair. Although she is known more for her look in the 1980s New Wave scene, where she started a movement in hair, fashion, and makeup, her origins were rooted in punk, wearing deconstructed clothing as we see now.
The early 1970s was the dawn of completely new and innovative fashion, the likes of which, the fashion industry had never seen before. Vintage clothing was reworked, torn, and reconstructed with safety pins. Vivienne Westwood launched fashion into a whole new direction, expanding on the look of deconstructed clothing, by adding controversial elements such as chicken bones, used to spell words like "ROCK" on t-shirts.
Siouxsie embraced that style and led the movement into 1980s mainstream culture, taking it from street fashion to the cat walk. Her clothing was layered and boxy, draping off of her slender frame.
She played with contrast, taking aspects of men's fashion, such as oversized suit jackets, vests, and shirts, and accompanying them with leggings, fishnet gloves, stockings, and studded jewelry.
Never the victim, she was a woman in control of her image, and was a source of inspiration to many young girls who wanted to emulate that tough rocker chic.
In makeup, the strong retro looks being worn today can be traced back to Siouxsie's heavily lined eyes and bold colored shadows.
The Great Love of Jimmy: Beautiful Pics of James Dean and His Girlfriend Pier Angeli in the 1950s
60 Rare and Amazing Behind the Scenes Photos From the Making of "The Exorcist" (1973)
Search The Vintage News Archives
50 Wonderful Color Photographs That Show What Gas Stations Looked Like in the U.S From the 1950s and 1960s
Colossal Hand and Torch of the Statue of Liberty, on Display at the 1876 Centennial Exhibition in Philadelphia
Vintage Photos of Japanese-American Life After the War in the 1940s
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The quality is so good here. Like you look amazing. This is such a shallow comment, but you look great nevertheless.
Awwwww, cute!!! Woot woot for you!
well done sade; looking forward in particular to seeing your hair posts!
I'm so glad your on YouTube.


The principal technique used in this investigation was a Principal Components-based time series analysis (TSA). Using a set of 240 monthly composite multi-band AVHRR images for Morocco, a 20-year time series of monthly NDVI images was analyzed to understand the environmental dynamics in arid and semi-arid regions using different vegetation indices. In addition, a second analysis was conducted using a vegetation index specifically designed for use in areas of sparse vegetation - the Modified Soil-Adjusted Vegetation Index (MSAVI). The results showed that the NDVI archive produced a series of readily- interpreted components, including variations in biomass relating to geographic context (Component 1) and seasonality (Component 2). Of particular interest was one that was found to relate to the North Atlantic Oscillation (NAO) and another that showed a linear trend of increasing biomass levels over the entire series. The NAO index has a great impact on Moroccan agriculture. Success to model its occurrence results in a prediction of good and bad years in yield. Such process will help to plan for agriculture planning. In this research I have mapped spatially the occurrence of the NAO index and have found the concordance between component five and the occurrence of NAO. One problematic element in the NDVI analysis was its sensitivity to orbital decay. As the time of equatorial crossing decays over time, the NDVI measure is affected. This was picked up in several components and led to uncertainty in the interpretation of several. As a result, an initial exploratoryanalysis was undertaken of the MODIS instrument aboard the TERRA and AQUA satellites. Although the archive is currently very short, this product has a higher spatial resolution and is very well calibrated. An analysis of a three year sequence for Morocco clearly demonstrated the superiority of the product. However, it also corroborated the main interpretations of the AVHRR NDVI sequence. Surprisingly, the MSAVI analysis proved to be quite inconsistent with that from the NDVI analyses using AVHRR and MODIS data. Its greater sensitivity in areas of sparse vegetation was substantiated. However, the components were unusual and very difficult to interpret. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.


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Q: custom script (leaflet) in Contact page I added Leaflet map to contact page like here:
Can't add custom script (leaflet) to Contact page
I used the solution with success. If you want to put it into an extension (not just in a theme):
contact_index_index.xml:
<css src="<Vendor>_<module>::leaflet/leaflet.css" />
<script src="<Vendor>_<module>::leaflet/leaflet.js" />

I did place all leaflet files in a seperate directory in app/code/view/frontend/web/leaflet to get it seperated from other code and to get it independend from themes.
But I got a Javscript Error in the console:
"Uncaught Error: Mismatched anonymous define() module: function(t){..."

Site is working as expected, but I would like it to work without errors to avoid future problems. As far as I see this error is from require.js but how do I fix it the right way preferable without modifications to the leaflet.js files?

A: You have to declare the Leaflet JS Library in your requirejs-config.js.
Example:
var config = {
    map: {
        '*': {
            'leaflet': 'js/leaflet',
            'markercluster': 'js/leaflet.markercluster'
        }
    },
    shim: {
        'leaflet': {
            exports: 'L'
        },
        'markercluster': {
            deps: ['L']
        }
    }
};

And add your map in a your phtml :
<script type="text/javascript">
    require([
        "jquery",
        "leaflet"
    ], function ($, L) {
        $(function () {
            // Add your leaflet map here
            // Documentation : https://leafletjs.com/examples
        });
    });
</script>


Created by 20th century artist Ann Weaver Norton and situated at her residence and studio, now a West Palm Beach museum, these large-scale masonry sculptures exhibited grime, salt efflorescence, biological growths, and cracking of joints when RLA was brought in for assessment. Conservation was performed on 9 works over the course of two years. Structural repairs involved removal of corroded metal pins, partial repointing, and filling losses with conservation grade mortars. Surface biological growths were cleaned and salt efflorescence from proximity to the Atlantic Ocean was poulticed. RLA provided a maintenance plan to the owners that is implemented annually.


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Percussion Care & Repair
Home>MECA>Course Offerings>Percussion Care & Repair
Get yourself some new skin this fall by learning the basics for all standard percussion instruments, including snares, bass drums, concert toms, timpani and more. Tricks of the trade for changing heads, replacing keyboard strings and repairing timpani pedals are thoroughly covered, as well as proper assembly, cartage and storage of instruments. Bringing as many instruments for repair as possible is highly recommended. New drumheads to be made available by REMO at a discounted price.
Instructors: Jim Yakas & guests
Director of Percussion Studies James Yakas joined VanderCook in 2015, and is currently pursuing a Doctorate of Musical Arts in percussion performance from the University of North Texas, where he also earned his bachelor's degree in music education. After earning his master's degree in percussion performance and pedagogy from Northern Illinois University, he spent 12 summers in the Madison Scouts Drum and Bugle Corps, eventually becoming their percussion coordinator and arranger in 2003. Yakas has performed at festivals in Trinidad/Tobago and Seoul, South Korea. He studied Afro-Cuban drumming with Orlando Cotto, and accompanied ethnomusicologist Dr. Steven Friedson for tribal drumming studies in Ghana. Yakas endorses Yamaha Percussion, Vic Firth Sticks and Mallets, Remo Drumheads and World Percussion Instruments, and Sabian Cymbals. Currently he is vice president of the Illinois PAS chapter.
Instructors: James Yakas & Guests
Tuition: $340. tuition due in full at registration
WEEKEND MECA COURSE INFORMATION
Saturday classes are generally held from 8:00 a.m. to 5:00 p.m. Two 15-minute breaks and one 30-minute lunch break are scheduled.
Sunday classes are generally held from 8:00 a.m. to 1:00 p.m., with one 15-minute break scheduled. Individual schedules and break times may vary per individual instructor.
You may park in Visitor Lot B5 on the Main IIT Campus.
Click here for a parking map of the Main IIT Campus


Discus and support AppvlsvSubsystems64..dll missing in Windows 10 BSOD Crashes and Debugging to solve the problem; Hi I had to have a new hard drive installed on my computer which I picked up my laptop yesterday. This morning I reinstalled My Office & now I'm... Discussion in 'Windows 10 BSOD Crashes and Debugging' started by eeazye, Feb 11, 2019.
I had to have a new hard drive installed on my computer which I picked up my laptop yesterday. This morning I reinstalled My Office & now I'm trying to open a Word document. I am getting this WINWORD.EXE -System Error The code execution cannot proceed because AppVlsvSubsystems64.dll was not found. Reinstalling the program may fix this problem. I did reinstall My Office which didn't fix the problem.
From the description provided, I understand that you are unable to install any application/program in Windows 10. Let me assist you to resolve the issue.
As an initial recommendation, I suggest you to Unregister and re-register the Windows Installer. Follow the below steps.
a) Press the 'Windows + R' key on the keyboard to open the Run Command dialog box and type MSIEXEC /UNREGISTER, and then click OK.
b) Click Start, click Run, type MSIEXEC /REGSERVER, and then click OK. Even if you do this correctly, it may look like nothing occurs, or you may briefly see an hourglass. After you run this command, the operation is complete.
I only get as far as step a) no dialog box appear to continue to step b). What am I doing wrong?
None of the options worked. I still get the same error message w.hen I try to install the new software. Is there a place I can get AppVlsvSubsystems64.dll and add it to my computer?


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Who we are Global office network History MENA Team
Overview Investment Agency Consulting and Research Valuation Property and Facilities Management Real Estate Agency New Homes
Research Blog News
About Who we are Global office network History MENA Team Our Services Overview Investment Agency Consulting and Research Valuation Property and Facilities Management Real Estate Agency New Homes Research and Insight Research Blog News Contact us
Chestertons MENA appoints new Head of International Valuations
Chestertons has strengthened its team with the appointment of Adam Wilson as Director of International Valuations. Adam brings with him over 14 years of broad property and real estate valuation experience in the UK, UAE, Egyptian, Saudi Arabian, and Omani markets.
Hailing from Nottingham, UK, Adam recently worked as an Associate for Jones Lang LaSalle in Dubai for three years, where he conducted valuations of substantial property portfolios, land banks, development land, and various operating assets including retail, offices, industrial, staff accommodation, and residential communities. He also acted as Head of Valuation Advisory for JLL in Egypt.
Adam has worked with key regional clients including Dubai Holding, Emaar Properties PJSC, Majid Al Futtaim, and a number of local, regional, and international banks. During the course of 2017, he was a key member of the valuations team advising on the high-profile Emaar Development IPO.
Adam spent 10 years working as an Associate Director for FHP Property Consultants in the UK prior to joining JLL. A key area of his work was acting as Expert Witness and Single Joint Expert primarily for professional negligence claims, as well as other disputes and litigation matters. He helped FHP become one of the most active firms of surveyors in the property sector and also identified a need to provide valuation advice to an emerging education sector.
Chestertons MENA Managing Director Nick Witty said, "Adam's expertise in valuations will be crucial to our continued success in this fast-paced market and I'm confident his experience working with leading multi-national corporates and financial institutions will further our standing in the region."
"He will be responsible for all international valuations, whilst also taking a supervisory role for valuations here in the UAE."
Adam has been a member of the Royal Institution of Chartered Surveyors (RICS) since 2007 and is also an Associate Member of the Chartered Institute of Arbitrators (ACIArb).
Commenting on his appointment, Wilson said: "I have admired Chestertons, a company steeped in history, throughout my career. I hope I can help build their successful business, both here in the UAE and across the MENA region."
NewsRachel Maynard July 31, 2018
Purchase a home in London in 7 easy steps
BlogRachel Maynard August 1, 2018
Chestertons Berkeley announces partnership in China
Subscribe to get the latest Chestertons MENA news and insights.


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DATA ACCESS & RESEARCH TRANSPARENCY
SISTER ORGS
2016 APSA Comparative Politics Symposium
In April 2016, the Comparative Politics section of the American Political Science Association featured a symposium on DA-RT. The symposium features many articles by DA-RT critics and skeptics. It also features an article by DA-RT organizers Colin Elman and Arthur Lupia (see pp. 44-52).
The symposium's introductory article, by newsletter editors Matt Golder and Sona Golder, begins with a brief review of the history of the project dating back to 2010 and then describes the debate and organized blacklash that began in 2015. The editors bring to light a number of historical documents about how various DA-RT policies came to be.
The article ends with a section entitled "Three Myths About DA-RT." It is a fair and thorough examination of key claims made about what DA-RT is and is not. We thank the editors for assembling a group of spirited articles that collectively clarify the different ways in which researchers have viewed our discipline's recent attention to important matters of transparency and openness.
See the complete symposium here: http://charlescrabtree.com/files/newsletter_spring2016.pdf
© 2015-6 DA-RT


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Raquel Zimmermann, née le  à Novo Hamburgo, Rio Grande do Sul, est un mannequin brésilien.

Biographie

Elle est découverte à l'âge de quatorze ans par un agent à Porto Alegre. Peu après, elle défile au Japon et à Paris. Le photographe  Steven Meisel contribue à lancer sa carrière en l'aidant à décrocher la couverture du Vogue Italia de .

Elle a défilé pour : Chanel, Prada, Balenciaga, Hermès, Gucci, Alexander McQueen, Dior, Chloé, Max Mara, Versace, Louis Vuitton, Fendi, Giorgio Armani, Valentino, et apparaît régulièrement dans les magazines Vogue (Usa, Vogue Paris, Vogue Italia), ou encore W, Harper's Bazaar, ', POP et Self Service.

Elle défile également pour Victoria's Secret en 2002, 2005 et 2006.

En , elle pose en couverture du Vogue américain (qui a pour titre The World's Next Top Models) en compagnie de Doutzen Kroes, Caroline Trentini, Lily Donaldson, Sasha Pivovarova, Agyness Deyn, Coco Rocha, Hilary Rhoda, Chanel Iman et Jessica Stam.

La même année, elle figure également en couverture du magazine V et apparaît dans une publicité télévisée pour le parfum Gucci by Gucci dirigée par David Lynch.

Raquel apparaît dans le clip Born This Way de la chanteuse américaine Lady Gaga, sorti le lundi .

 Campagnes publicitaires

Alexander McQueen, Alexander Wang, Balenciaga, Calvin Klein eyewear, Cavalli jeans, Cerruti, lunettes Chanel, Chloé, Dior, CK by Calvin Klein, Dolce & Gabbana, DSquared2, Emanuel Ungaro, Fendi, GAP, Giorgio Armani, Gucci, H&M, Hermès, Hugo Boss, Jean Paul Gaultier, Jimmy Choo, Juicy Couture, Lanvin, Louis Vuitton, Marc Jacobs, Max Mara, Miss Sixty, Neiman Marcus, Oscar de la Renta, Paco Rabanne, Prada, Roberto Cavalli, Saks Fifth Avenue, Shiseido, Valentino, Versace, Viktor & Rolf, Yves Saint Laurent et d'autres.

 Couvertures de magazines
 Vogue (Brésil, Chine, Allemagne, Grèce, Italie, Japon, Portugal, Russie, Espagne, Taiwan, États-Unis)
 Elle (Brésil, France, Japon, Slovénie)
 L'Officiel (France)
 Numéro (France, Japon)
 i-D (Royaume-Uni)
 Marie Claire (Italie)
 Harper's Bazaar (Japon)
 W (Corée)
 V (États-Unis)

 Liens externes

  Raquel Zimmermann sur Vogue Deutschland''

Mannequin femme brésilien
Naissance en mai 1983
Naissance à Novo Hamburgo


On this month's episode of Reading, Writing, Rowling, we examine references to other literary works within the Harry Potter books.
In this episode, hosts Katy McDaniel (Marietta College) and John Granger (HogwartsProfessor.com) talk with Oxford University Research Fellow Beatrice Groves about her new book, Literary Allusion in Harry Potter.
works. Groves' book explores the allusions throughout the Harry Potter novels, to everything from Petrarch to Shakespeare, Austen, Tennyson, and even Monty Python. As a specialist in Renaissance English literature, Groves guides us through these references so that we can understand how Rowling wants us to read and how she converses with other texts of the Western literary canon.
section, literally whispering to us, and we should be listening.
Previous story Giveaway: Win Tickets to "The Magical Music of Harry Potter"!
June 3, 2005 – Two copies of Harry Potter and the Half-Blood Prince are stolen but quickly recovered.


text:
<?xml version="1.0" encoding="UTF-8"?>
<Form xmlns="http://v8.1c.ru/8.3/xcf/logform" xmlns:app="http://v8.1c.ru/8.2/managed-application/core" xmlns:cfg="http://v8.1c.ru/8.1/data/enterprise/current-config" xmlns:dcscor="http://v8.1c.ru/8.1/data-composition-system/core" xmlns:dcsset="http://v8.1c.ru/8.1/data-composition-system/settings" xmlns:ent="http://v8.1c.ru/8.1/data/enterprise" xmlns:lf="http://v8.1c.ru/8.2/managed-application/logform" xmlns:style="http://v8.1c.ru/8.1/data/ui/style" xmlns:sys="http://v8.1c.ru/8.1/data/ui/fonts/system" xmlns:v8="http://v8.1c.ru/8.1/data/core" xmlns:v8ui="http://v8.1c.ru/8.1/data/ui" xmlns:web="http://v8.1c.ru/8.1/data/ui/colors/web" xmlns:win="http://v8.1c.ru/8.1/data/ui/colors/windows" xmlns:xr="http://v8.1c.ru/8.3/xcf/readable" xmlns:xs="http://www.w3.org/2001/XMLSchema" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" version="2.12">
	<WindowOpeningMode>LockOwnerWindow</WindowOpeningMode>
	<UseForFoldersAndItems>Items</UseForFoldersAndItems>
	<AutoCommandBar name="ФормаКоманднаяПанель" id="-1">
		<ChildItems>
			<Button name="ФормаВключитьВозможностьРедактирования" id="202">
				<Type>CommandBarButton</Type>
				<CommandName>Form.Command.ВключитьВозможностьРедактирования</CommandName>
				<LocationInCommandBar>InAdditionalSubmenu</LocationInCommandBar>
				<ExtendedTooltip name="ФормаВключитьВозможностьРедактированияExtendedTooltip" id="203"/>
			</Button>
		</ChildItems>
	</AutoCommandBar>
	<Events>
		<Event name="OnCreateAtServer">ПриСозданииНаСервере</Event>
	</Events>
	<ChildItems>
		<InputField name="Наименование" id="1">
			<DataPath>Объект.Description</DataPath>
			<EditMode>EnterOnInput</EditMode>
			<ContextMenu name="НаименованиеКонтекстноеМеню" id="2"/>
			<ExtendedTooltip name="НаименованиеРасширеннаяПодсказка" id="3"/>
		</InputField>
		<UsualGroup name="ГруппаСписок" id="200">
			<Title>
				<v8:item>
					<v8:lang>ru</v8:lang>
					<v8:content>Список</v8:content>
				</v8:item>
			</Title>
			<Representation>None</Representation>
			<ShowTitle>false</ShowTitle>
			<ExtendedTooltip name="ГруппаСписокРасширеннаяПодсказка" id="201"/>
			<ChildItems>
				<InputField name="Список" id="4">
					<DataPath>Объект.Список</DataPath>
					<EditMode>EnterOnInput</EditMode>
					<ContextMenu name="СписокКонтекстноеМеню" id="5"/>
					<ExtendedTooltip name="СписокРасширеннаяПодсказка" id="6"/>
				</InputField>
				<CheckBoxField name="ДляВнешнихПользователей" id="7">
					<DataPath>Объект.ДляВнешнихПользователей</DataPath>
					<TitleLocation>Right</TitleLocation>
					<EditMode>EnterOnInput</EditMode>
					<CheckBoxType>Auto</CheckBoxType>
					<ContextMenu name="ДляВнешнихПользователейКонтекстноеМеню" id="8"/>
					<ExtendedTooltip name="ДляВнешнихПользователейРасширеннаяПодсказка" id="9"/>
				</CheckBoxField>
			</ChildItems>
		</UsualGroup>
		<UsualGroup name="ГруппаХешИНеИспользуетсяС" id="212">
			<Title>
				<v8:item>
					<v8:lang>ru</v8:lang>
					<v8:content>Хеш и Не используется с</v8:content>
				</v8:item>
			</Title>
			<Representation>None</Representation>
			<ShowTitle>false</ShowTitle>
			<ExtendedTooltip name="ГруппаХешИНеИспользуетсяСРасширеннаяПодсказка" id="213"/>
			<ChildItems>
				<InputField name="Хеш" id="13">
					<DataPath>Объект.Хеш</DataPath>
					<EditMode>EnterOnInput</EditMode>
					<ContextMenu name="ХешКонтекстноеМеню" id="14"/>
					<ExtendedTooltip name="ХешРасширеннаяПодсказка" id="15"/>
				</InputField>
				<InputField name="НеИспользуетсяС" id="209">
					<DataPath>Объект.НеИспользуетсяС</DataPath>
					<ContextMenu name="НеИспользуетсяСКонтекстноеМеню" id="210"/>
					<ExtendedTooltip name="НеИспользуетсяСРасширеннаяПодсказка" id="211"/>
				</InputField>
			</ChildItems>
		</UsualGroup>
		<UsualGroup name="ГруппаСоставПолей" id="204">
			<Title>
				<v8:item>
					<v8:lang>ru</v8:lang>
					<v8:content>Состав полей</v8:content>
				</v8:item>
			</Title>
			<VerticalAlign>Center</VerticalAlign>
			<Representation>None</Representation>
			<ShowTitle>false</ShowTitle>
			<ExtendedTooltip name="ГруппаСоставПолейРасширеннаяПодсказка" id="205"/>
			<ChildItems>
				<InputField name="СоставПолей" id="10">
					<DataPath>Объект.СоставПолей</DataPath>
					<EditMode>EnterOnInput</EditMode>
					<ContextMenu name="СоставПолейКонтекстноеМеню" id="11"/>
					<ExtendedTooltip name="СоставПолейРасширеннаяПодсказка" id="12"/>
				</InputField>
				<LabelField name="РасшифровкаСоставаПолей" id="206">
					<DataPath>РасшифровкаСоставаПолей</DataPath>
					<TitleLocation>None</TitleLocation>
					<VerticalAlign>Center</VerticalAlign>
					<AutoMaxWidth>false</AutoMaxWidth>
					<Height>2</Height>
					<ContextMenu name="РасшифровкаСоставаПолейКонтекстноеМеню" id="207"/>
					<ExtendedTooltip name="РасшифровкаСоставаПолейРасширеннаяПодсказка" id="208"/>
				</LabelField>
			</ChildItems>
		</UsualGroup>
		<Pages name="Страницы" id="31">
			<Title>
				<v8:item>
					<v8:lang>ru</v8:lang>
					<v8:content>Страницы</v8:content>
				</v8:item>
			</Title>
			<ExtendedTooltip name="СтраницыРасширеннаяПодсказка" id="32"/>
			<ChildItems>
				<Page name="ГруппаШапка" id="198">
					<Title>
						<v8:item>
							<v8:lang>ru</v8:lang>
							<v8:content>Шапка</v8:content>
						</v8:item>
					</Title>
					<ExtendedTooltip name="ГруппаШапкаРасширеннаяПодсказка" id="199"/>
					<ChildItems>
						<InputField name="Значение1" id="16">
							<DataPath>Объект.Значение1</DataPath>
							<EditMode>EnterOnInput</EditMode>
							<ContextMenu name="Значение1КонтекстноеМеню" id="17"/>
							<ExtendedTooltip name="Значение1РасширеннаяПодсказка" id="18"/>
						</InputField>
						<InputField name="Значение2" id="19">
							<DataPath>Объект.Значение2</DataPath>
							<EditMode>EnterOnInput</EditMode>
							<ContextMenu name="Значение2КонтекстноеМеню" id="20"/>
							<ExtendedTooltip name="Значение2РасширеннаяПодсказка" id="21"/>
						</InputField>
						<InputField name="Значение3" id="22">
							<DataPath>Объект.Значение3</DataPath>
							<EditMode>EnterOnInput</EditMode>
							<ContextMenu name="Значение3КонтекстноеМеню" id="23"/>
							<ExtendedTooltip name="Значение3РасширеннаяПодсказка" id="24"/>
						</InputField>
						<InputField name="Значение4" id="25">
							<DataPath>Объект.Значение4</DataPath>
							<EditMode>EnterOnInput</EditMode>
							<ContextMenu name="Значение4КонтекстноеМеню" id="26"/>
							<ExtendedTooltip name="Значение4РасширеннаяПодсказка" id="27"/>
						</InputField>
						<InputField name="Значение5" id="28">
							<DataPath>Объект.Значение5</DataPath>
							<EditMode>EnterOnInput</EditMode>
							<ContextMenu name="Значение5КонтекстноеМеню" id="29"/>
							<ExtendedTooltip name="Значение5РасширеннаяПодсказка" id="30"/>
						</InputField>
					</ChildItems>
				</Page>
				<Page name="ГруппаШапкаДополнительно" id="33">
					<Title>
						<v8:item>
							<v8:lang>ru</v8:lang>
							<v8:content>Шапка (дополнительно)</v8:content>
						</v8:item>
					</Title>
					<ExtendedTooltip name="ГруппаШапкаДополнительноРасширеннаяПодсказка" id="34"/>
					<ChildItems>

							<Representation>List</Representation>
							<AutoInsertNewRow>true</AutoInsertNewRow>
							<EnableStartDrag>true</EnableStartDrag>
							<EnableDrag>true</EnableDrag>
							<FileDragMode>AsFile</FileDragMode>
							<DataPath>Объект.Шапка</DataPath>
							<Title>
								<v8:item>
									<v8:lang>ru</v8:lang>
									<v8:content>Шапка</v8:content>
								</v8:item>
							</Title>
							<RowFilter xsi:nil="true"/>
							<ContextMenu name="ШапкаКонтекстноеМеню" id="36"/>
							<AutoCommandBar name="ШапкаКоманднаяПанель" id="37"/>
							<ExtendedTooltip name="ШапкаРасширеннаяПодсказка" id="38"/>
							<SearchStringAddition name="ШапкаСтрокаПоиска" id="39">
								<AdditionSource>
									<Item>Шапка</Item>
									<Type>SearchStringRepresentation</Type>
								</AdditionSource>
								<ContextMenu name="ШапкаСтрокаПоискаКонтекстноеМеню" id="40"/>
								<ExtendedTooltip name="ШапкаСтрокаПоискаРасширеннаяПодсказка" id="41"/>
							</SearchStringAddition>
							<ViewStatusAddition name="ШапкаСостояниеПросмотра" id="42">
								<AdditionSource>
									<Item>Шапка</Item>
									<Type>ViewStatusRepresentation</Type>
								</AdditionSource>
								<ContextMenu name="ШапкаСостояниеПросмотраКонтекстноеМеню" id="43"/>
								<ExtendedTooltip name="ШапкаСостояниеПросмотраРасширеннаяПодсказка" id="44"/>
							</ViewStatusAddition>
							<SearchControlAddition name="ШапкаУправлениеПоиском" id="45">
								<AdditionSource>
									<Item>Шапка</Item>
									<Type>SearchControl</Type>
								</AdditionSource>
								<ContextMenu name="ШапкаУправлениеПоискомКонтекстноеМеню" id="46"/>
								<ExtendedTooltip name="ШапкаУправлениеПоискомРасширеннаяПодсказка" id="47"/>
							</SearchControlAddition>
							<ChildItems>
								<LabelField name="ШапкаНомерСтроки" id="48">
									<DataPath>Объект.Шапка.LineNumber</DataPath>
									<EditMode>EnterOnInput</EditMode>
									<ContextMenu name="ШапкаНомерСтрокиКонтекстноеМеню" id="49"/>
									<ExtendedTooltip name="ШапкаНомерСтрокиРасширеннаяПодсказка" id="50"/>
								</LabelField>
								<InputField name="ШапкаЗначение6" id="51">
									<DataPath>Объект.Шапка.Значение6</DataPath>
									<EditMode>EnterOnInput</EditMode>
									<ContextMenu name="ШапкаЗначение6КонтекстноеМеню" id="52"/>
									<ExtendedTooltip name="ШапкаЗначение6РасширеннаяПодсказка" id="53"/>
								</InputField>
								<InputField name="ШапкаЗначение7" id="54">
									<DataPath>Объект.Шапка.Значение7</DataPath>
									<EditMode>EnterOnInput</EditMode>
									<ContextMenu name="ШапкаЗначение7КонтекстноеМеню" id="55"/>
									<ExtendedTooltip name="ШапкаЗначение7РасширеннаяПодсказка" id="56"/>
								</InputField>
								<InputField name="ШапкаЗначение8" id="57">
									<DataPath>Объект.Шапка.Значение8</DataPath>
									<EditMode>EnterOnInput</EditMode>
									<ContextMenu name="ШапкаЗначение8КонтекстноеМеню" id="58"/>
									<ExtendedTooltip name="ШапкаЗначение8РасширеннаяПодсказка" id="59"/>
								</InputField>
								<InputField name="ШапкаЗначение9" id="60">
									<DataPath>Объект.Шапка.Значение9</DataPath>
									<EditMode>EnterOnInput</EditMode>
									<ContextMenu name="ШапкаЗначение9КонтекстноеМеню" id="61"/>
									<ExtendedTooltip name="ШапкаЗначение9РасширеннаяПодсказка" id="62"/>
								</InputField>
								<InputField name="ШапкаЗначение10" id="63">
									<DataPath>Объект.Шапка.Значение10</DataPath>
									<EditMode>EnterOnInput</EditMode>
									<ContextMenu name="ШапкаЗначение10КонтекстноеМеню" id="64"/>
									<ExtendedTooltip name="ШапкаЗначение10РасширеннаяПодсказка" id="65"/>
								</InputField>
							</ChildItems>

					</ChildItems>
				</Page>
				<Page name="ГруппаТабличнаяЧасть1" id="66">
					<Title>
						<v8:item>
							<v8:lang>ru</v8:lang>
							<v8:content>Табличная часть 1</v8:content>
						</v8:item>
					</Title>
					<ExtendedTooltip name="ГруппаТабличнаяЧасть1РасширеннаяПодсказка" id="67"/>
					<ChildItems>

							<Representation>List</Representation>
							<AutoInsertNewRow>true</AutoInsertNewRow>
							<EnableStartDrag>true</EnableStartDrag>
							<EnableDrag>true</EnableDrag>
							<FileDragMode>AsFile</FileDragMode>
							<DataPath>Объект.ТабличнаяЧасть1</DataPath>
							<Title>
								<v8:item>
									<v8:lang>ru</v8:lang>
									<v8:content>Табличная часть 1</v8:content>
								</v8:item>
							</Title>
							<RowFilter xsi:nil="true"/>
							<ContextMenu name="ТабличнаяЧасть1КонтекстноеМеню" id="69"/>
							<AutoCommandBar name="ТабличнаяЧасть1КоманднаяПанель" id="70"/>
							<ExtendedTooltip name="ТабличнаяЧасть1РасширеннаяПодсказка" id="71"/>
							<SearchStringAddition name="ТабличнаяЧасть1СтрокаПоиска" id="72">
								<AdditionSource>
									<Item>ТабличнаяЧасть1</Item>
									<Type>SearchStringRepresentation</Type>
								</AdditionSource>
								<ContextMenu name="ТабличнаяЧасть1СтрокаПоискаКонтекстноеМеню" id="73"/>
								<ExtendedTooltip name="ТабличнаяЧасть1СтрокаПоискаРасширеннаяПодсказка" id="74"/>
							</SearchStringAddition>
							<ViewStatusAddition name="ТабличнаяЧасть1СостояниеПросмотра" id="75">
								<AdditionSource>
									<Item>ТабличнаяЧасть1</Item>
									<Type>ViewStatusRepresentation</Type>
								</AdditionSource>
								<ContextMenu name="ТабличнаяЧасть1СостояниеПросмотраКонтекстноеМеню" id="76"/>
								<ExtendedTooltip name="ТабличнаяЧасть1СостояниеПросмотраРасширеннаяПодсказка" id="77"/>
							</ViewStatusAddition>
							<SearchControlAddition name="ТабличнаяЧасть1УправлениеПоиском" id="78">
								<AdditionSource>
									<Item>ТабличнаяЧасть1</Item>
									<Type>SearchControl</Type>
								</AdditionSource>
								<ContextMenu name="ТабличнаяЧасть1УправлениеПоискомКонтекстноеМеню" id="79"/>
								<ExtendedTooltip name="ТабличнаяЧасть1УправлениеПоискомРасширеннаяПодсказка" id="80"/>
							</SearchControlAddition>
							<ChildItems>
								<LabelField name="ТабличнаяЧасть1НомерСтроки" id="81">
									<DataPath>Объект.ТабличнаяЧасть1.LineNumber</DataPath>
									<EditMode>EnterOnInput</EditMode>
									<ContextMenu name="ТабличнаяЧасть1НомерСтрокиКонтекстноеМеню" id="82"/>
									<ExtendedTooltip name="ТабличнаяЧасть1НомерСтрокиРасширеннаяПодсказка" id="83"/>
								</LabelField>
								<InputField name="ТабличнаяЧасть1Значение1" id="84">
									<DataPath>Объект.ТабличнаяЧасть1.Значение1</DataPath>
									<EditMode>EnterOnInput</EditMode>
									<ContextMenu name="ТабличнаяЧасть1Значение1КонтекстноеМеню" id="85"/>
									<ExtendedTooltip name="ТабличнаяЧасть1Значение1РасширеннаяПодсказка" id="86"/>
								</InputField>
								<InputField name="ТабличнаяЧасть1Значение2" id="87">
									<DataPath>Объект.ТабличнаяЧасть1.Значение2</DataPath>
									<EditMode>EnterOnInput</EditMode>
									<ContextMenu name="ТабличнаяЧасть1Значение2КонтекстноеМеню" id="88"/>
									<ExtendedTooltip name="ТабличнаяЧасть1Значение2РасширеннаяПодсказка" id="89"/>
								</InputField>
								<InputField name="ТабличнаяЧасть1Значение3" id="90">
									<DataPath>Объект.ТабличнаяЧасть1.Значение3</DataPath>
									<EditMode>EnterOnInput</EditMode>
									<ContextMenu name="ТабличнаяЧасть1Значение3КонтекстноеМеню" id="91"/>
									<ExtendedTooltip name="ТабличнаяЧасть1Значение3РасширеннаяПодсказка" id="92"/>
								</InputField>
								<InputField name="ТабличнаяЧасть1Значение4" id="93">
									<DataPath>Объект.ТабличнаяЧасть1.Значение4</DataPath>
									<EditMode>EnterOnInput</EditMode>
									<ContextMenu name="ТабличнаяЧасть1Значение4КонтекстноеМеню" id="94"/>
									<ExtendedTooltip name="ТабличнаяЧасть1Значение4РасширеннаяПодсказка" id="95"/>
								</InputField>
								<InputField name="ТабличнаяЧасть1Значение5" id="96">
									<DataPath>Объект.ТабличнаяЧасть1.Значение5</DataPath>
									<EditMode>EnterOnInput</EditMode>
									<ContextMenu name="ТабличнаяЧасть1Значение5КонтекстноеМеню" id="97"/>
									<ExtendedTooltip name="ТабличнаяЧасть1Значение5РасширеннаяПодсказка" id="98"/>
								</InputField>
							</ChildItems>

					</ChildItems>
				</Page>
				<Page name="ГруппаТабличнаяЧасть2" id="99">
					<Title>
						<v8:item>
							<v8:lang>ru</v8:lang>
							<v8:content>Табличная часть 2</v8:content>
						</v8:item>
					</Title>
					<ExtendedTooltip name="ГруппаТабличнаяЧасть2РасширеннаяПодсказка" id="100"/>
					<ChildItems>

							<Representation>List</Representation>
							<AutoInsertNewRow>true</AutoInsertNewRow>
							<EnableStartDrag>true</EnableStartDrag>
							<EnableDrag>true</EnableDrag>
							<FileDragMode>AsFile</FileDragMode>
							<DataPath>Объект.ТабличнаяЧасть2</DataPath>
							<Title>
								<v8:item>
									<v8:lang>ru</v8:lang>
									<v8:content>Табличная часть 2</v8:content>
								</v8:item>
							</Title>
							<RowFilter xsi:nil="true"/>
							<ContextMenu name="ТабличнаяЧасть2КонтекстноеМеню" id="102"/>
							<AutoCommandBar name="ТабличнаяЧасть2КоманднаяПанель" id="103"/>
							<ExtendedTooltip name="ТабличнаяЧасть2РасширеннаяПодсказка" id="104"/>
							<SearchStringAddition name="ТабличнаяЧасть2СтрокаПоиска" id="105">
								<AdditionSource>
									<Item>ТабличнаяЧасть2</Item>
									<Type>SearchStringRepresentation</Type>
								</AdditionSource>
								<ContextMenu name="ТабличнаяЧасть2СтрокаПоискаКонтекстноеМеню" id="106"/>
								<ExtendedTooltip name="ТабличнаяЧасть2СтрокаПоискаРасширеннаяПодсказка" id="107"/>
							</SearchStringAddition>
							<ViewStatusAddition name="ТабличнаяЧасть2СостояниеПросмотра" id="108">
								<AdditionSource>
									<Item>ТабличнаяЧасть2</Item>
									<Type>ViewStatusRepresentation</Type>
								</AdditionSource>
								<ContextMenu name="ТабличнаяЧасть2СостояниеПросмотраКонтекстноеМеню" id="109"/>
								<ExtendedTooltip name="ТабличнаяЧасть2СостояниеПросмотраРасширеннаяПодсказка" id="110"/>
							</ViewStatusAddition>
							<SearchControlAddition name="ТабличнаяЧасть2УправлениеПоиском" id="111">
								<AdditionSource>
									<Item>ТабличнаяЧасть2</Item>
									<Type>SearchControl</Type>
								</AdditionSource>
								<ContextMenu name="ТабличнаяЧасть2УправлениеПоискомКонтекстноеМеню" id="112"/>
								<ExtendedTooltip name="ТабличнаяЧасть2УправлениеПоискомРасширеннаяПодсказка" id="113"/>
							</SearchControlAddition>
							<ChildItems>
								<LabelField name="ТабличнаяЧасть2НомерСтроки" id="114">
									<DataPath>Объект.ТабличнаяЧасть2.LineNumber</DataPath>
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Houses and heavy items are individually priced. Downton Manor Dolls House & Basement Large Flat Pack Mansion Collector's MDF Kit. 1:12 Scale - MDF with all wooden parts - British Made. Collector's dream doll's house.
The Downton Manor has been redesigned to included larger rooms, higher ceilings and a new style front, including attractive exterior quoin detailing. It is a grand house on three floors plus attic rooms and basement. 52 x 120 x 102 cm.
L x W x H. 2 Rooms - 42cm x 38cm x 28cm. 34.5cm x 38cm x 28cm.
1 Room - 42cm x 38cm x 24cm. 1 Room - 34cm x 38cm x 24cm.
42cm x 38cm x 24cm. 1 Room - 31cm x 18.5cm 24cm. 1 Room - 31cm x 38cm x 24cm. 31cm x 18.5cm x 24cm. 2 Rooms - 35cm x 38cm x 20.5cm. 35cm x 38cm x 20.5cm. 2 Rooms - 50cm x 38.5cm x 20cm. 1 Room - 39cm x 24cm x 20cm. 1 Room - 39cm x 12.5cm x 20cm. SKU: TK003&3A / Barcode: 8800159387807.
Over 4,500 Stocked Items With items added every day, you're bound to find what you need! We've got you covered! The item "Downton Manor Dolls House & Basement Large Flat Pack Mansion Collector's MDF Kit" is in sale since Saturday, October 6, 2018. This item is in the category "Dolls & Bears\Dolls' Miniatures & Houses\Dolls' Houses".