At DumpsterFly, we strive to bring you the best service at the best price available. We have a wide selection of dumpster sizes in stock in Rousseau, KY, with flexible & timley pickup and delivery. Give us a call today for all your dumpster rental and roll off needs.
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Shady Maple RV, is one of the premiere PA RV dealers located in Lancaster County, Pennsylvania. Here at Shady Maple we offer New and Used RVs, RV rentals and RV sales featuring new RV trailers from the Forest River Rockwood line. Whether you are looking for camper rentals, new RV sales Pennsylvania or used camper trailers we are committed to outfitting your family with the camper of your dreams.
Our Rockwood brand of travel trailers is one of the best built and lightest RV trailers in the industry. Be sure to check out our inventory of new Forester Class C Motorhomes, Travel Trailers and Pop Ups. Already own an RV and are looking to upgrade? Why not talk to one of our qualified sales professionals about trading your RV in on a new model or we offer consignment on qualified used RV's as well.
Shady Maple RV also has a large parts department and employs some of the finest RV technicians in the Lancaster, Lebanon, Berks County area. Our knowledgeable service team is available to meet all your RV service needs, including inspection, repairs, service and more. We offer onsite RV service to the surrounding area.
Here at Shady Maple we service major brands like, Forest River, Jayco, Thor, Heartland, Shasta, Rockwood, Forest River, Trail Runner, Keystone, and more. We also offer RV collision repair services. If your RV has been in an accident and needs repairs we provide damage estimates for insurance claims and do the repairs correctly the first time. Whatever your RV service needs we are here to help.
We know you have many RV Dealers to choose from when looking for RV Sales, RV Rentals or Camper Rentals, we would be honored to serve you from our Lancaster County Pennsylvania location!


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Q: import { * } from "@angular" instead of "angular2" I am little confused here in angular2. Many example show like
import { Component } from "@angular/core"

But actually in node_module there is angular2directory exists. So logically it should be
import { Component } from "angular2/core"

What is the difference between this two ?

A: That's a change that was introduced with the update from beta.17 to rc.0
https://github.com/angular/angular/blob/master/CHANGELOG.md#200-rc0-2016-05-02

redpajama_set_name: RedPajamaStackExchange


Unique patterns of contrasting green tones merge and part throughout the medalion agate centerpiece of each coaster. The swirling sea of hue and tone creates a tempestuous whirlwind of merging patterns that are almost mesmerizing.
These coasters are sold in sets of four, and when you receive them you wills ee that each one is a unique expression, a one of a kind with its own personality distinctive qualities. That makes these sets extremely eye catching and intriguing.


Former Aviation Minister, Femi Fani-Kayode, has hailed former president Goodluck Jonathan as he clocks 59.
The campaign spokesman for the PDP during the 2015 election lamented that many do not remember that November 20 was Jonathan's birthday because he was no longer in power.
Fani-Kayode's birthday message on Sunday reads: "Happy 59th birthday to President Goodluck Jonathan, a man of honor and peace and one that has brought so much joy and hope to millions".
"You have proved to the world that African leaders can be competent, kind, gentle, humane and selfless. You have everything to be proud of and much still lies ahead for you in the affairs of our nation.


College students headed to campus have a lot to do before they leave home. In addition to tossing their favorite pillow and laptop in the car, there are some apps to add to their homescreen.
College students headed to campus have a lot to do before they leave home. In addition to tossing their favorite pillow and laptop in the car, there are some apps to add to their home screen. Here are 5 apps for college students that can almost guarantee a higher GPA and a little extra money left over from buying textbooks.
iStudiez keeps track of assignments, schedules and homework. You set it up by adding your classes, room numbers, teacher's name and contact information, then instead of writing down assignments on paper, you do it in the app. Everything is placed on a calendar so you won't have an excuse to miss anything. iStudiez also keeps track of your grades and your GPA. It's iPhone only.
For Android carrying students, try Student Agenda. Designed by students, this app also keeps track of schedules and assignments and places them all on a calendar so you'll never miss another assignment.
For organizing notes, papers, articles you may need later, there's Evernote. It's a virtual file cabinet with folders and notebooks. Set up a folder for each class, then toss everything you need into that folder. You can also add things you scan with your phone like notes, or articles stick them in the folder and share them with other students or coworkers who can add their own information. You can access it on any device or computer from anywhere.
One of the worst parts of writing a paper is the bibliography. RefMe makes that headache go away by handling anything you need to cite with just your camera. Scan the barcode of the book you cited, and RefMe generates the citation to put in your report. If you're citing something from a website, just enter the url.
To save money on textbooks, check out Chegg. This app lets students buy, sell and rent textbooks way less than anywhere else. I found a $200 Biology textbook on Amazon but it is available to rent on Chegg for a little over $60. You can also get access to thousands of etextbooks. and if you need help with homework, you can hire a tutor! The Chegg app and website are a great place to save money on what's one of the biggest expenses.


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Hockey strive to be better
By seren on	 December 11, 2013 Sport
For BUHC, this has been a season full of thrill, spills, ups and downs. At the beginning of the semester, the club bid farewell to many of those who had finished their third,fourth and fifth year at Bangor University, which also meant that starting positions within the firsts, seconds, and thirds were up for grabs for those remaining. The firsts play in the North West Hockey League Division 2, the seconds play in the North West Hockey League Division 7 Southwest and the thirds play in the Glyndwr University North Wales Men's Hockey League Division 1. The firsts and seconds play on Saturday, as well as Wednesdays in BUCS, and the thirds on Sunday.
For the first team and their captain Mike Urqhuart, with the team affected by many members leaving this was going to be a tough semester. Especially as they play in a tough, close and competitive league. So far, the firsts are bottom of the table, but have so far outscored 3 teams above them, Formby, Timperley and Bolton, which just shows how close the league really is this season. The opening day, a 5-1 defeat to Colwyn Bay was down to a lack of hockey being played over the summer, resulting in a lack of match fitness. Subsequent games saw the firsts lose close games against Knutsford, Prescot and Timperley. A well earned point against Bolton was on the cards, until an erroneous umpiring decision resulted in a Bolton goal giving them an underserved win. However "good things come to those who wait", and finally on second of December, the firsts earned their first league points with a comprehensive 4-1 win against Wilmslow. This looked like the firsts had finally turned a corner, but bad luck hit their next few games, including a close 4-3 defeat to Bowden. A run of four defeats was broken with a great result against Formby, finishing 3-1. Whilst the league table may not look good now, with lessons learned and game experience, there is no reason why the Men's firsts cannot rocket up the table next semester and have a strong end to the season.
The seconds were facing an interesting year, with their new captain, who had just made the massive, but well deserved step up from the third team to the second. The opening game saw the seconds against Colwyn Bay thirds. In a 7 goal thriller, Bangor snatched a winner with just 2 minutes remaining. The next game was a rarity for the Bangor second team, a 0-0 draw, but over the next few games, the goals would start to flow. A 3-0 win over Denbigh, a comfortable 4-0 win against Bebington fifth, two 5-2 wins against Oxton fifths and sixths and a 9-0 demolition against Northop Hall. Whilst a 1-1 draw against undefeated Neston sixths was a good result, the back to back defeats against Llandudno and Rhyl were frustrating for varying reasons. When Bangor went to Llandudno, they had found out that the opponents had decided to drop a handful of first team players to their second team. This, and the fact that both umpires were Llandudno based didn't help. Their inconsistent and, at times, one sided decisions contributed to a 2-1 defeat for Bangor. The 2-1 defeat to Rhyl was all down to a fantastic defensive display from Rhyl, as well as their goalkeeper pulling off some world class saves. The seconds are aiming for promotion this year, and while one or two results haven't gone their way, semester two will definitely see them scoring goals for fun and picking up points.
The third team have had a tough season this semester. Captain Josh Banks has inherited a team full of freshers, with some being inexperienced in a game of hockey, having never played in their life. It also does not help when they play in a league notorious for the other teams dropping the firsts and seconds to play in the Sunday league. Despite all this there are signs, that semester two could see plenty of goals and wins for the third teams, as evident in the game against Aberystwyth. Fantastic play and an all round game was undermined when two defensive errors saw the opponents snatch an agonising 2-0 win. Despite this, their show of resilience will come and they will pick up points in the second semester.
Football's International Transfer Window closes October 7, 2020
Art Prompts over the Summer September 29, 2020

redpajama_set_name: RedPajamaCommonCrawl


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Ohio Abortions Decline for Tenth Consecutive Year
Historically Low Number of Abortions Reported in 2010
CONTACT: Rachel Schlater
(COLUMBUS, OH) - Ohio abortions have reached an all-time low, declining for the tenth consecutive year, according to the latest report released by the Ohio Department of Health. The 2010 Abortion Report revealed a decrease of approximately 600 abortions from 2009 for a state total of 28,123 abortions performed in 2010. The new statistics show that abortions in Ohio have declined a total of 26% since the year 2000. Since 1982, when reported abortions peaked, the number of abortions in Ohio has decreased by nearly 40%.
"During the past decade, more and more women and families chose life in Ohio," Ohio Right to Life Executive Director Mike Gonidakis said. "While we will not rest until the number of reported abortions is zero, each year these statistics reaffirm our statewide pro-life strategies which focus on supporting young women through our pregnancy centers, promoting adoption and identifying common sense legislative solutions to end abortion. Moms are being protected, more babies are alive today and we can all agree that this is good public policy," said Gonidakis.
The 2010 Ohio Abortion Report reports shows that of all abortions:
The majority occur in the metropolitan areas of Cuyahoga County at 36.8%, Franklin at 19.2%, and Hamilton at 17.8%;
The majority are performed on women younger than 24 years old;
37.1% are performed upon black women (while only 12.2% of the population is black);
56.6% occur during the first 9 weeks of gestation; and,
83% are performed upon women who are unmarried.
"Ohio Right to Life will continue enacting a targeted, truthful and compassionate educational approach for young women and men to combat the manipulative marketing campaigns of Planned Parenthood," said Gonidakis.
"In July, Governor John Kasich signed our late-term abortion ban. Had this law been enacted last year, up to 629 more babies could be alive in Ohio today. No longer will babies who can live outside their mother's womb be put to death in Ohio," said Gonidakis.
The 2010 abortion report can be reviewed in its entirety by visiting www.ohiolife.org.
Ohio Right to Life, the affiliate of the National Right to Life Committee, is a statewide, non-profit, non-sectarian educational organization. For more than 40 years, Ohio Right to Life continues to experience success in its mission to promote and protect life due to its dedicated board members, executive staff and affiliated chapters located throughout the state.


Adam Gumble and the West Chester University Incomparable Golden Rams Marching Band return to the prestigious Bands of America Grand National Championships in Indianapolis, November 7 – 10, 2018.
The Grand National Championships is a three-day competition for High School bands from across the country. The band will perform in exhibition in Lucas Oil Stadium in front of 100 high school marching bands there to compete, as well as tens of thousands of spectators.
The show the band will perform is called "The Traveler," and is loosely based on Robert Frost's famous poem, "The Road Not Taken." In it are 38 12 ½ foot, moving, yellow trees. Themes in the music may be recognizable to fans, including a bit from "That Lonesome Road," a song made popular by James Taylor.


The Play Order Editor window gives you plenty of control over your alternative song arrangements.
Cubase 's Play Order Track is a powerful, but often overlooked, facility that is a Godsend for songwriters, composers and remixers alike.
Until the arrival of Cubase SX3 a couple of years ago, I'd long been frustrated by the songwriting process in Cubase. In fact, the same frustration applied to all the major sequencers that adopted the now-ubiquitous graphical arrange page model, with a timeline running left to right. Though the arrange page model offers some obvious benefits, and is fairly intuitive to those who learned to ply their trade on reel-to-reel tape and splicing blocks, it omits some of the excellent functionality that evolved in the earlier days of electronic and computer music: functionality that, until recently, was terribly missed!
Anyone who has ever used Reason, or one of the myriad groovebox emulations, will be familiar with pattern-based sequencing. But these all attempt to recreate hardware sequencers, along with many of their inherent limitations. While eight-, 16- or 32-step sequences can be great for constructing loops and grooves, they can be pretty limiting for full-scale remixing and songwriting.
It wasn't always this way. Way back in the year dot, when I started computer recording (for MIDI — audio at that time was limited to bounces on my four-track Tascam Porta 05), my sequencer of choice was Prism by Magnetic Music, who seem to have long since disappeared from the music-tech radar. Like Notator, Vision, and several other of the early MIDI sequencers, it was pattern-based. There was no timeline, no timeline-based looping of selections, and no arrange page. In fact, the approach was more akin to a relational database than a modern computer sequencer. You programmed your various parts, comprising your rhythms, chords and melodies, then programmed the order and number of repetitions of each of these parts to form your song. There was some flexibility: for each play of each section, you could mute, solo or transpose different tracks. The reasons for moving to a timeline-based approach when technology allowed are obvious, but it was a surprise to see the pattern-based functionality all but disappear with this move.
Logic allowed some flexibility with its folder tracks, but none of these solutions was anything like as elegant as the earlier attempts. Cubase VST allowed you to experiment with different Arrangements of your song within the same project, but to the user, these effectively appeared to be separate songs, and this option disappeared with the introduction of Cubase SX1.
To add a Play Order Track to your project, simply select Project / Add Track / Play Order Track.OK, enough reminiscing and lamenting: the Cubase Play Order Track, introduced in Cubase SX3 (and retained in Cubase 4) righted the wrongs. It is an elegant reintroduction of the pattern-based concept, but this time, running within the modern timeline-based sequencer. Although there are still a few features I wish Steinberg had had the sense to include or improve (see the 'Wouldn't It Be Nice' box) it is nonetheless the best such solution I'm aware of, by quite a distance.
Let's start with the basics: how do you use the Play Order Track, and to what uses can you put it?
Before you start, it is worth saving your project under a new name. There's no destructive editing of audio files involved in using the Play Order Track, but it is easy to hit Save and overwrite your project, so this is a worthwhile safeguard. Next you need to add a Play Order Track: to do this, go to Project / Add Track / Play Order Track. The empty Play Order Track should show beneath the currently selected track. When you select the new Play Order Track, the Track Inspector displays its various options allowing you to determine the order and repeats of the parts you create. Alternatively, if you prefer a floating window, you can click on the track's 'e' icon to access the same functions in the Play Order Editor.
We'll come back to the editing shortly, but you'll first need to create the parts that you are going to sequence. Creating these parts is easy, but it is easier still if you have the Play Order Track positioned next to the timeline, so I find it is best either to drag the Play Order Track to the top, or create a ruler track above or below the Play Order Track. When you've decided on the sections of your song that you want to create parts from (I suggest keeping things simple to start with, and limiting yourself to a few parts), you draw a part onto the Play Order Track using the pencil tool. This is rather like drawing multiple loops on the timeline and, as with the timeline, you may want to make sure that the pencil is snapping to the bar, beat or grid before you do this.
Parts are drawn into the Play Order Track using the pencil tool, just as you can with any other parts on other tracks.
By default, the new parts in the track will be labelled A, B, C and so on. You'll also see them appear in the Inspector or the Play Order Editor. It's a good idea to rename the parts, as the A, B and C labels otherwise quickly become about as helpful as air-con in the Arctic. I didn't find this an intuitive process: the usual click, wait and click again to select the text for editing doesn't work, and double-clicking does something else, as we'll see later. In fact, you have to hold down the Alt or Option key and double-click (to be fair, it does mention that in the manual, but why the departure from convention, I don't know).
Creating your arrangement is much more intuitive. If you double-click one of the parts, it will appear in a list in the left half of the Play Order Editor or the top part of the Inspector. Click it again and you'll see the number next to it go up incrementally: this determines how many times this loop will play. Alternatively, you can type the amount of repeats into the box. If you want to add additional parts to the arrangement, you can either keep double-clicking (which is why this doesn't work for renaming the part) or you can drag and drop the part into the list at the desired position. Sequencing the patterns really couldn't be simpler.
The bright orange icon switches Play Order mode on and off. When it is greyed out, Cubase remains in its default mode.To hear the effect your new Play Order has on the arrangement, you need to activate Play Order mode by clicking on the button, either in the Play Order Track itself, in the Editor, or on the Transport Bar. When this mode is activated, you'll notice the project cursor running in the cycles you have programmed in the Play Order Editor, rather than along the timeline as is usual. There are also basic transport tools which allow you to skip to the next part and so on.
Although you can only have one Play Order Track, you can create multiple Play Orders within it, either by creating a new one, or by duplicating the current one as a starting point. This facility should appeal to anyone who used to use multiple Arrangements in Cubase VST, as this effectively means you can have multiple arrangements within one project.
Steinberg have announced via their www.cubase.net forum that they will not, after all, be issuing the long-awaited 3.1.2 update for Cubase SX3. The announcement comes despite several reported bugs remaining unfixed in the program, and it has not surprisingly been ill received by many users. Steinberg had previously promised this final update to resolve the bugs, but have now admitted that they underestimated the effort it would take to adapt Cubase 4 to run on 64-bit systems. As a result, they have decided to divert the SX3 development resources to meet that requirement. While it is not uncommon for software developers to retire older products and focus on development of newer products, it is nonetheless common practice to issue a final fix to ensure that the product is fully functional. Let's hope the sacrifice is worth it!
By clicking on the Play Order Track name, you get a drop-down menu that offers the option to 'flatten' your Play Order, which effectively creates a traditional linear Cubase arrangement based on your Play Order.When you're happy with the arrangement, you are able to flatten the Play Order to create a standard, linear version in the Arrange page, as you would normally have in Cubase (you just select 'Flatten Play Order' from the drop-down menu as shown on the next page). But beware! Although this process isn't destructive to your audio files, it can be destructive to your arrangement, as flattening the Play Order will remove any sections that are not in the Play Order (including any alternative Play Orders you might have created). Though it's reversible via Undo, it is a good idea to back up the project before flattening and, if you want to keep it, to save it as a new version after flattening.
Recording is possible in Play Order mode, but isn't fully integrated with the idea. While the cursor will happily skip from one part to the next on playback, any audio files that you record are recorded as single files and appear as continuous parts in the timeline in the usual way. In other words, the audio you record doesn't line up on screen with what is in the Play Order. I suppose this makes sense, given that you would otherwise have to record audio over itself where you repeated parts, but if Steinberg are reading this, they should note that there is potential here for a very powerful addition to the Play Order facility.
OK, so we have pattern-based sequencing in a modern MIDI + Audio sequencer, and a great tool it is, but what can it do for the creative process?
There are some obvious uses, not least creating multiple arrangements as mentioned above, or creating and sequencing parts to create a basic remix. But there are a number of alternative uses that work well. It is great as an initial sketchpad while you are writing or composing: while you'll probably want to add more variety later on, you can get the basic structure of intro, verse, chorus and so on, and then flatten it to give you the basic track to work on. For the same reason, it can make a great time-saving tool if you are working with a band in the studio, as you can rearrange guide tracks on the fly and still record along in linear fashion in the project.
You can also use it for loop creation — for remixing short drum parts, for example — though, for some reason I can't discern, you can only draw Play Order parts as small as an eighth of a bar, so the options here are a little limited. Alternatively, extending the guide-track idea, it is easy to create a drum guide track and then jam along to the rhythm, using your keyboard or drum pads to humanise the rhythm, and adding fills along the way. This works particularly well if you have a sample library with individual hits as well as loops, as you get both the sound you're after and the feel, but you can create your own variations on the loop; I suppose there's nothing to stop you doing this anyway, but I find it much easier using the Play Order Track, rather than copying and pasting or repeating loops that I'd later need to delete.
If you've ever found yourself needing to insert bars for an additional section in the midst of a complex arrangement (as I have many times!), it becomes much easier with the Play Order Track, particularly if you need to insert more than one such section. It also enables you to work in a different way with the timeline: I sometimes find it more convenient to work on loops as individual sections, separated by silence on the Arrange page, as I find this makes for ease of editing and navigation. With the the Play Order facility, working in this way is much improved.
When you 'flatten' the Play Order Track, Cubase naturally cuts the audio as if you were cutting out a loop. Consequently, you get the same pops and clicks as you normally do when editing, so it is worth making sure that Cubase 's 'Snap to Zero Crossing' box (Cubase / Preferences / Editing / Audio) is ticked before flattening the Play Order. This will make the transitions as smooth as possible.
'Snap to Zero Crossing' can be useful to avoid nasty pops when you flatten your re-ordered track.You'll also probably find that there are Events that start before, or finish after, the edit points, and you'll need to go into the flattened track to do a little fine-tuning. For example, if you have any transitional sounds, such as sustained notes that overlap the end/start of different sections, or slow pads that climax after the edit point, the Play Order will chop them short. And if you have MIDI notes that are played slightly ahead of the bar, these will also disappear. Thankfully, the editing task isn't massive: it's just a case of going back in and dragging the Events to the size they need to be to allow these notes to sound properly.
One risk with using the Play Order Track (as with any loop-based composition process) is the ease with which you can produce mind-numbingly repetitive music. So it is probably a good idea to think of the Play Order as one step in a longer process. It really is worth going into the flattened track and adding back in a bit more variety, particularly with things such as volume and panning automation, or filters on audio, and with timing and velocity on MIDI parts. This way you get a fantastic 16-bar loop instead of four of the same four bars, which will help to keep interest in your track!
First, something that harks back to Prism and the other early pattern-based MIDI sequencers: the ability to edit the MIDI information for each instance of each part, or at least basic elements such as transposition, program changes, mutes and so on.
It would also be helpful to have more recording options in Play Order mode. If you record audio in the Play Order mode, it records as a single continuous file. I'd like to see it able to create regions alongside the Play Order parts. There are good design reasons for doing the continuous recording, and such a change might be complicated to implement, but it should be possible: and this would potentially provide a very powerful facility.
Flatten Play Order is destructive: it doesn't affect your audio files, but you do lose your old arrangement completely. While you can always click Undo, it would be nice to have the option of flitting between your different arrangements, rather like you could do in Cubase VST, even after things have been flattened.
A 'retain full MIDI note length' function would be useful. This would avoid the need for some of the editing you need to do to tidy things up after flattening things. At present, MIDI notes that sustain beyond the end of the looped part are cut off at the transition, but you often want them to keep going until they reach their natural end.
As Mark Wherry noted in his review of Cubase SX3 back in SOS November 2004, you can start to run into problems when working with video: when the project cursor is leaping all over the place it doesn't do wonders for synchronisation! It would be nice to see an elegant solution developed to address this.


Fans of Chelsea Handler and Michelle Wolf should rejoice. While Netflix had the good sense to cancel those shows, Hulu's I Love You, America with Sarah Silverman has somehow returned despite a horrible, terrible, no-good, very bad first season. For a show that claims to "love" America, it sure hates a good part of it.
Good to know that she's not even trying to represent the other side anymore.
Do you think we get a break after that heavy-handed take on the judicial confirmation process? Nope. That's only the first three minutes of the episode. In her opening monologue, she starts warning her audience about the "liars" who want to divide the country. Apparently, liars in politics have only existed since 2016, so she needs to warn us of the dangers of dishonesty and fear-mongering that are unique only to the Trump Era. This is coming from the person claiming Kavanaugh is somehow a literal threat to Americans.
Of course, Silverman only attributes lies to conservatives. She mocks those claiming "liberals want to take your guns" (which is true) and that "Mexican immigrants are rapists" (which the president never said). It's ironic that she claims conservatives think "what behooves only them [is] what's best for America," but then proceeds to lecture to us what she thinks is good for America. Self-awareness is clearly not her strong suit.
She then somehow connects the notion of lying liars to the Colin Kaepernick controversy and how people are trying to besmirch this man who "risked everything to expose injustice." I wish I was exaggerating.
Sarah: Look, tonight's the first game of the NFL season, right? And there's already anger over Nike's deal with Colin Kaepernick, a man who risked everything to expose injustice. How totally un-American. And politicians will once again roll out their stock takes on why players are kneeling during the National Anthem.
Paul Ryan: It's misguided to protest the anthem and the flag.
Matt Gaetz: They indict our country, our service members, our first responders, our founding fathers.
Ted Cruz: NFL protestors protesting our national anthem.
Donald Trump: When you go down and take a knee or any other way, you're sitting essentially for our great national anthem. You're disrespecting our flag, and you're disrespecting our country.
Sarah: Okay, those are lies. All of those people know the players are not protesting a song. And they pretend to think that players are protesting our national anthem, our military, our flag, when they know – they know – that they are protesting police brutality. The players have all been very transparent about that because it's what they are literally trying to bring attention to. And I hate that I just ended that sentence with a preposition. I can fix that. Sorry, I'm usually a stickler.
The episode is sadly only half-over when we move to our next segment: speaking to the pro-life group Survivors of the Abortion Holocaust. While this could come off as reaching out to the other side, it quickly becomes clear it is anything but that. For every scene she has with members of the pro-life group, it's contrasted with an interview with abortionist Dr. Willie Parker. While she's posing questions to the pro-lifers, she's taking down "anti-choice" strawmen with the abortionist. Heaven forbid we believe she just wants to learn about pro-life ideas.
After the entire segment, she still declares the group wants to "take away women's rights while co-opting the Holocaust" before ultimately declaring "we're all human..except for fetuses, according to science." Well, except science disagrees, but it looks like Sarah isn't interested in that. It's almost like the segment was for nothing.
She then ends the episode speaking with NFL players Malcolm Jenkins and Doug Baldwin on the controversy over players kneeling during the National Anthem. Many of the same comments from earlier come up as they degrade the NFL's "unpatriotic" choice to clamp down on the protests.
While both players are leagues ahead of Kaepernick personality-wise, none of them seem to understand that it's not simply the act of protesting that people despise. It's doing it during the National Anthem, a time where we are supposed to be united as a nation. Feel free to protest in some way before or after those two minutes and we can debate then, but let us at least have those minutes of peace to honor and remember those who have truly sacrificed for our nation. Unfortunately, it's too much to ask for this show to understand the perspective of most Americans.
I almost long for the days when she would just visit a family from Chalmette, Louisiana, to meet real-life Trump voters in their natural habitat. At least then she had a semblance of consideration for reaching out to the other side. This season, it just seems to be fear-mongering, lecturing, and promoting progressive beliefs non-stop. I can't see anyone even right of Sen. Elizabeth Warren enjoying this nor do I think Silverman cares. Congratulations, Sarah Silverman, you've now reached Samantha Bee-levels of awful.


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Live Auction 16216 A London Season: Works Of Art From A Private Collection in Eaton Square
Ben Marshall (Seagrave 1768-1835 London)
Portrait of a sportsman carrying a gun, with a pointer in a landscape
signed and dated 'B. Marshall pt. 1799' (lower left)
28 x 36 ¼ in. (71 x 92 cm.)
in a contemporary carved and gilded frame
Edward Balfour (1849-1927), Balbirnie, Fife; his sale (?), Christie's, London, 31 May 1907, lot 141 (126 gns. to Wilson).
Anonymous sale; Christie's, London, 12 October 1945, lot 54, sold for 2,400 gns. to Ellis and Smith, on behalf of the following,
Walter Hutchinson (1887-1950); his sale (?), Christie's, London, 20 July 1951, lot 107, sold 3,400 gns. to Gordon, on behalf of the following,
Eric Moller, Thorncombe Park, Surrey, and by inheritance to his wife,
Mrs. Norma Moller; her sale (?), Sotheby's, London, 10 November 1993, lot 119 (£250,000).
Country Life, 26 October 1945, p. 738.
R.W. Symonds, Furniture Making in 17th and 18th century England, London, 1955, p. 101, illustrated.
J. Egerton, 'Solitary Sportsmen: The Shooting Paintings of Ben Marshall (1768-1835)', Country Life, 24 July 1975, p. 190.
A. Noakes, Ben Marshall 1768-1835, Leighton-on-Sea, 1978, p. 32, no. 27, pl. 1, as a portrait of the artist.
E. Waterhouse, The Dictionary of British 18th Century Painters, London, 1981, p. 233, illustrated, as 'conceivably a self portrait'.
R. Walker, Regency Portraits, I, London, 1985, p. 335, as 'so-called self-portrait'.
(Possibly) London, Royal Academy, 1801, no. 698.
Donata Von Gizycki
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This atmospheric picture of a sportsman with a pointer in a landscape is an exceptionally fine work by Ben Marshall, the artist described by Ellis Waterhouse as 'the most distinguished sporting painter in the generation after Stubbs' (op. cit., p. 232).
Long considered to be a self-portrait of the artist, it has been more recently suggested that the picture is the untraced work exhibited at the Royal Academy in 1801 (loc. cit.), showing the celebrated sportsman J.G. Shaddick. A full-length portrait of the sitter by Marshall, now in the National Gallery of Art, Washington (fig. 1), was exhibited at the Royal Academy in 1806 with the lines: 'His skill acquired/ No bird of flight escapes'. The backdrop of the present work is reminiscent of Marshall's portrait of Colonel Henry Campbell Shooting (c.1806; Richmond, Virginia Museum of Fine Arts), in which the Colonel stands surrounded by his three dogs and his horse in a similarly Romantic landscape, drawing the focus to the figure itself. In her 1975 article Judy Egerton (loc. cit.) wrote that Marshall's shooting paintings 'carry conviction because the artist understands his subject so thoroughly that he can combine the tangible – man, beast, costume, gear – with the intangible – expertise, endurance, wind and weather'.
Marshall was born in Seagrave, Leicestershire, the fifth of seven children. Little is known about the artist's early life but by 1791 he is recorded as leaving his post of schoolmaster and moving to London to study painting under the portraitist Lemuel Francis Abbott (1760-1803). Legend tells that on seeing Sawrey Gilpin's Death of a Fox at the Royal Academy in 1793, he turned his back on portraiture to focus on animal subjects. Early in his career Marshall secured royal patronage, executing horse portraits for the Prince of Wales (later George IV), and exhibiting at the Royal Academy from 1800 for two decades. In 1821 he became racing correspondent for the Sporting Magazine, and from 1812 until 1825 he lived in Norfolk, before returning to London, where he remained until his death in 1835.
Edward Balfour (1849-1927), 8th of Balbirnie, lived at Balbirnie House, Glenrothes, which had been rebuilt by his father Lieutenant-General Robert Balfour, 6th of Balbirnie, by 1817. A number of works from the 1907 Balfour sale are now in the Museum of Fine Arts, Boston, including Ships in a Storm by Jacob Adriaensz. Bellevois (1621-1676), A Landscape with a Ferry and a Church by Jan Josephsz. Van Goyen (1596-1656), and Barnyard Fowl and Peacocks by Melchior d'Hondecoeter (1636-1695).
Walter Hutchinson (1887-1950) ran the eponymous publishing company that had been founded by his father, Sir George Hutchinson, in 1887. In the 1920s he published many of E.F. Benson's 'spook stories' in Hutchinson's Magazine, and subsequently in a series of books. Other notable authors who published their works with the house included Arthur Conan Doyle, H.G. Wells and Vladimir Nabokov. His acquisition of this picture was probably for the National Gallery of British Sports and Pastimes, which he opened in February 1949 at Hutchinson House, near Oxford Street in Stratford Place. Originally named Stratford House, the building was later known as Derby House. After the bombing of Christie's King Street salerooms during the Second World War, the 17th Earl of Derby allowed the auction house to occupy Derby House rent free. With Hutchinson's death in 1950 the gallery closed and the contents were dispersed by Christie's at Spencer House, St James's Place, in July 1951. Highlights from the sale included Constable's Stratford mill on the Stour, near Bergholt, or 'The Young Waltonions', 1820 (London, National Gallery), Stubbs's Gimcrack on Newmarket Heath (sold again in these Rooms, 5 July 2011, lot 12), Gainsborough's Partridge Shooting near Sudbury (1745), and other significant works by artist such Munnings, Sickert, Tissot, and Hogarth.
Eric Moller was a businessman and racehorse owner who assiduously restored Thorncombe Park in Surrey, which housed his outstanding collection of furniture, clocks and pictures. Born in Shanghai into a Scandinavian ship-owning family, Moller rapidly rose within the family business, establishing the Moller Line as one of the largest independent fleets in the Far East. Escaping to England after the Japanese invasion, Moller took up a senior position within the Ministry of War Transport, subsequently returning to the Far East and relocating the company to Hong Kong. Moller was a keen sportsman, pursuing interests in polo and thoroughbred racing. In Shanghai he had ridden as an amateur jockey, and once in England, he took over the running of the famous White Lodge Stud at Newmarket in partnership with his brother Ralph and the expert trainers Harry and Geoffrey Wragg.
Trailblazer, fashion icon, creative force: the collection of André Leon Talley
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More from A London Season: Works Of Art From A Private Collection in Eaton Square


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What is a Paradoxical Reaction?
A paradoxical reaction or paradoxical effect is an effect of a chemical substance, typically a medical drug, that is opposite to what would usually be expected. An example of a paradoxical reaction is pain caused by a pain relief medication.
Paradoxical reactions are more commonly observed in people with attention deficit hyperactivity disorder (ADHD).
Amphetamines are a class of psychoactive drugs that are stimulants. Paradoxical drowsiness can sometimes occur in adults.
The paradoxical effect or Eagle effect (named after H. Eagle who first described it) refers to an observation of an increase in survivors, seen when testing the activity of an antimicrobial agent. Initially when an antibiotic agent is added to a culture media, the number of bacteria that survive drops, as one would expect. But after increasing the concentration beyond a certain point, the number of bacteria that survive, paradoxically, increases.
In rare cases antidepressants can make users obsessively violent or have suicidal compulsions, which is in marked contrast to their intended effect. This can be regarded as a paradoxical reaction but, especially in the case of suicide, may in at least some cases be merely due to differing rates of effect with respect to different symptoms of depression: If generalised overinhibition of a patient's actions enters remission before that patient's dysphoria does and if the patient was already suicidal but too depressed to act on their inclinations, the patient may find themselves in the situation of being both still dysphoric enough to want to commit suicide but newly free of endogenous barriers against doing so. Children and adolescents are more sensitive to paradoxical reactions of self-harm and suicidal ideation while taking antidepressants but cases are still very rare.
Chlorpromazine, an antipsychotic and antiemetic drug, which is classed as a "major" tranquilizer may cause paradoxical effects such as agitation, excitement, insomnia, bizarre dreams, aggravation of psychotic symptoms and toxic confusional states.
Phenobarbital can cause hyperactivity in children. This may follow after a small dose of 20 mg, on condition of no phenobarbital administered in previous days. Prerequisity for this reaction is a continued sense of tension. The mechanism of action is not known, but it may be started by the anxiolytic action of the phenobarbital.
Benzodiazepines, a class of psychoactive drugs called the "minor" tranquilisers, have varying hypnotic, sedative, anxiolytic, anticonvulsant, and muscle relaxing properties, but they may create the exact opposite effects. Susceptible individuals may respond to benzodiazepine treatment with an increase in anxiety, aggressiveness, agitation, confusion, disinhibition, loss of impulse control, talkativeness, violent behaviour, and even convulsions. Paradoxical adverse effects may even lead to criminal behaviour. Severe behavioural changes resulting from benzodiazepines have been reported including mania, schizophrenia, anger, impulsivity, and hypomania.
Paradoxical rage reactions due to benzodiazepines occur as a result of an altered level of consciousness, which generates automatic behaviours, anterograde amnesia and uninhibited aggression. These aggressive reactions may be caused by a disinhibiting serotonergic mechanism.
Paradoxical effects of benzodiazepines appear to be dose related, that is, likelier to occur with higher doses.
In a letter to the British Medical Journal, it was reported that a high proportion of parents referred for actual or threatened child abuse were taking medication at the time, often a combination of benzodiazepines and tricyclic antidepressants. Many mothers described that instead of feeling less anxious or depressed, they became more hostile and openly aggressive towards the child as well as to other family members while consuming tranquilizers. The author warned that environmental or social stresses such as difficulty coping with a crying baby combined with the effects of tranquilisers may precipitate a child abuse event.
Self aggression has been reported and also demonstrated in laboratory conditions in a clinical study. Diazepam was found to increase people's willingness to harm themselves.
Benzodiazepines can sometimes cause a paradoxical worsening of EEG readings in patients with seizure disorders.
Barbiturates such as pentobarbital have been shown to cause paradoxical hyperactivity in an estimated 1% of children, who display symptoms similar to the hyperactive-impulsive subtype of attention deficit hyperactivity disorder. Intravenous caffeine administration can return these patients' behaviour to baseline levels.
The mechanism of a paradoxical reaction has as yet (2019) not been fully clarified, in no small part due to the fact that signal transfer of single neurons in subcortical areas of the human brain is usually not accessible.
There are, however, multiple indications that paradoxical reactions upon – for example – benzodiazepines, barbiturates, inhalational anaesthetics, propofol, neurosteroids, and alcohol are associated with structural deviations of GABAA receptors. The combination of the five subunits of the receptor (see image) can be altered in such a way that for example the receptor's response to GABA remains unchanged but the response to one of the named substances is dramatically different from the normal one.
There are estimates that about 2-3% of the general population may suffer from serious emotional disorders due to such receptor deviations, with up to 20% suffering from moderate disorders of this kind. It is generally assumed that the receptor alterations are, at least partly, due to genetic and also epigenetic deviations. There are indication that the latter may be triggered by, among other factors, social stress or occupational burnout.
Categories Mental Health Treatment•Tags ADHD: Attention Deficit Hyperactivity Disorder, Amphetamines, Antidepressant, Antipsychotic, Barbiturates, Benzodiazepine, Medication Side Effects, Paradoxical Reaction
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NBA Star's Lamborghini Urus Stolen And Totaled
by Jay Traugott Offbeat / Comments
Orlando Magic player Terrence Ross only had it in the shop for a flat tire!
This was not how rich-guy life was supposed to go. Terrence Ross of the Orlando Magic is a very happy owner of a Lamborghini Urus, or at least he was. The NBA star has revealed on his Instagram account he received an early morning phone call from the police the other day informing him his stolen car had been found but was, sadly, totaled. Ross was understandably confused because he had brought the Urus to the local dealership after it got a flat tire. It was an easy fix and he thought nothing more of it.
According to Ross, a couple of thieves broke into the dealership late at night and managed to locate where management stored the keys to several cars.
https://www.instagram.com/p/CPlINWbHtcN/
They just happened to grab the set that belongs to Ross' Lambo. It only took a few minutes and several clicks for the culprits to match the keys to Ross' Urus. And then they took off. They must have triggered the building's alarm because someone called the police informing them of the stolen vehicle.
The police were soon in hot pursuit but instead of pulling over they made a run for it and were completely unaware the SUV still had a flat. The driver lost control and ended up crashing the Urus into a building, totaling it. This was all explained to Ross, making his surprise and anger justified.
He only got the car three months ago as a 30th birthday present and proclaimed it was "the greatest car I ever had." But don't feel too badly for the guy. We're sure he got a good insurance policy that covers things like theft. He actually made the Instagram video at the Lambo dealer while doing some car shopping. Ross currently has a four-year, $54 million contract with the Magic.
But the one thing money might not be able to immediately buy is another orange-on-black Urus. That color combo is supposedly difficult to find. Unless he's willing to wait, the poor guy will just have to settle for his second color choice. Life's tough sometimes, right?
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Begin-Sadat Center for Strategic Studies
Perspectives Papers
Mideast Security and Policy Studies
Soft Power and Global Standing
Policy Memorandum
Colloquia on Strategy and Diplomacy
Madeleine Feher Annual European Scholar Series
Events 2010-2015
Home » Perspectives Papers » Khamenei's Slant on WWII: Iran Must Not Go the Way of Germany and Japan
Khamenei's Slant on WWII: Iran Must Not Go the Way of Germany and Japan
By	Col. (res.) Dr. Eran Lerman	September 28, 2016
Iran is in open conflict with the West and with Saudi Arabia too. Ayatollah Khamenei has adopted a totalitarian interpretation of Islam.This raises questions about the facile assumptions of change
BESA Center Perspectives Paper No. 367
EXECUTIVE SUMMARY: In a speech last week to the Iran Revolutionary Guards Corps, Supreme Leader Ali Khamenei spoke of the outcome of World War II in revealing terms. In the context of a debate over the size of the Iranian military, he invoked the humiliation inflicted upon Germany and Japan by the US. Read against the background of Iran's Holocaust denial, its exterminatory intent towards Israel, and its rejection of Western values, this invocation confirms Khamenei's totalitarian interpretation of Islam. Iran is in open conflict with the West and with Saudi Arabia too. This raises questions about the facile assumptions of change underpinning the nuclear deal with Iran.
Speaking on September 18, 2016 before commanders of Iran's Revolutionary Guards Corps (IRGC), the Supreme Leader of Iran launched into a bitter polemic against Rafsanjani's call to invest more in the economy and less in military build-up. (Ref. MEMRI translation and analytical observations.) The IRGC, Khameini declared, is the key to the success of the revolutionary project. Deterrence can only be achieved if fear of Iran's raw power is instilled in the hearts of her enemies. Neither the JCPOA (the nuclear deal between Iran and the P5+1 powers) in itself, nor a shift in strategy to more civilian pursuits, can protect Iran. The revolution must be translated into military might.
At this point in the speech, Khameini offered a fascinating point of reference. Look, he suggested, at Germany and Japan at the end of World War II: forced into submission, humiliated, and required to disarm. He made no effort to hide his sympathy. As far as Khameini is concerned, the bad guys won and the good guys lost in 1945, and the time has come to overthrow the entire post-war dispensation.
This position is, after all, in line with Iran's denial of the Holocaust (recall the caricature competition designed to denigrate and diminish it) and exterminatory stand towards Israel. It is not the personal quirk of Ahmadinejad, who was, in fact, just told by the Leader that he will not be allowed to run for president again this time. It is the position of Khamenei himself and of Khomeini before him: "Khatt al-Imam," the line of the Imam, the ultimate imperative of the revolutionary regime.
According to this line, Iran has a religious (or, rather, ideological) imperative to reject all Western mores. For this to be possible, the Revolution, even more than the State as such, must position itself as a strong military power in regional and global affairs. The alternative is unthinkable. The "values" the West and the US seek to impose include utterly base and noxious notions like homosexuality (with which Iran's present leaders are apparently obsessed). Military weakness would lead to moral weakness, a "cultural invasion," and the loss of all that Khameini and Khomeini have sought to establish.
Khameini told his audience that there are misguided souls in Iran who seek to negotiate with the US even as the Americans themselves seek a dialog with Iran on regional affairs (e.g., on Syria, Lebanon, Iraq and Yemen). He rejects this quest not only as poisonous for Iran, but as evidence that America is now a spent force.
With that American weakness in mind, the Iranian leadership is now openly calling for the total destruction of Wahhabism (read: the Saudi state). It makes this call while complaining, as did Foreign Minister Zarif in an op-ed at The New York Times, that "big money is being used to whitewash terrorism." This claim is, of course, extremely rich to anyone with even a smattering of knowledge about Iran's behavior in recent years.
Iranian arrogance is thus on the rise in the post-deal era, and with it Iran's hope of steadily undoing Israel and undermining regional and global stability until the true Imam or Mehdi appears on earth. Meanwhile, as Saudi Foreign Minister Adel Jubayr wrote in response to Zarif, it is Iran that remains at the top of the terror lists. It is Iran's ally in Syria, with the help of Iran's proxies in Lebanon, who is now engaging in unprecedented acts of carnage in Aleppo.
The Leader's extolling of military might is thus frightening to all in the region, even as Tehran tries to present itself as the voice of reason in the struggle against the Islamic State (Iran was quick to denounce the assassination in Amman this week of a Christian journalist who "insulted" the IS radicals).
There could be an opportunity here. Neither candidate for the US presidency seems to have bought into the strange notion, implicit (and at times explicit) in the positions taken by Obama and his inner circle, that Iran can serve as a useful counterweight to other forces in the region. Nor have they bought (yet) into the delusion that Iran's revolutionary impulse can be assumed to be benign. The US is thus still able to think of Iran as an enemy, which it is.
If so, the domestic tension and turmoil over the unfulfilled promise of economic relief, and over Khamenei's demand for more and more sacrifices by the people (a "resistance economy," as he calls it) can provide fertile ground for destabilization of the Iranian regime. Such an opportunity was lost in 2009. It need not be lost again.
Col. (res.) Dr. Eran Lerman is a senior research associate at the BESA Center, and former deputy for foreign policy and international affairs at the National Security Council. He is also a member of the faculty at Shalem College.
BESA Center Perspectives Papers are published through the generosity of the Greg Rosshandler Family
Topics: Iran Iran Nuclear Deal US Foreign and Defense Policy
Publication: Perspectives Papers
← Separation is not the Answer US-Israel Relations: Beyond the $38 Billion →
Col. (res.) Dr. Eran Lerman
(Ph.D. London School of Economics) Member of Faculty, Shalem Academic Center. Former deputy for foreign policy and international affairs at the National Security Council in the Israeli Prime Minister's Office. Held senior posts in IDF Military Intelligence for over 20 years. Also served as Israel director of the American Jewish Committee. Email: [email protected]
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A Different Perspective on the Temple Mount Crisis
September 8, 2017 Maj. Gen. (res.) Gershon Hacohen
Moderate leaders warn that the Israeli-Palestinian conflict may turn from a national conflict into a religious one. Right-wing leaders claim it has been a religious conflict from the start. Both approaches have been applied to the Temple Mount crisis, and both are affected by a totalist perception of the understanding of the religious imperative.
Palestinian Settler-Colonialism
September 3, 2017 Dr. Alex Joffe
The concept of "settler colonialism" has been applied with almost unique vehemence against Israel. But the fact that Jews are the indigenous population of the Southern Levant can be proved with ease. In contrast, historical and genealogical evidence shows Palestinians descend primarily from three primary groups: Muslim invaders, Arab immigrants, and local converts to Islam. The Muslim conquest of Byzantine Palestine in the 7th century CE is a textbook example of settler-colonialism, as is subsequent immigration, particularly during the 19th and 20th centuries under the Ottoman and British Empires. The application of the concept to Jews and Zionism by Palestinians is both ironic and unhelpful.
Israel's Possible Paths to Nuclear War
July 22, 2017 Prof. Louis René Beres
North Korea's nuclearization has implications for Israel's nuclear deterrence posture. There are several plausible means by which a nuclear conflict could arise in the Middle East. It may be time to consider a phase-out of Israel's "deliberate nuclear ambiguity" and to focus Israeli planning around evaluations of enemy rationality.
Ehud Barak: Blatantly Ignoring Danger
May 31, 2017 Maj. Gen. (res.) Gershon Hacohen
Former PM Ehud Barak's arguments in favor of withdrawal from Judea and Samaria undercut Israel's security and are a departure from the Oslo Accords' security vision. Israel would be wise to present President Trump with actual facts on this issue.
Myth: Israel Is the Largest Beneficiary of US Military Aid
February 10, 2017 Prof. Hillel Frisch
Many American detractors of Israel begin by citing that Israel receives the lion's share of US military aid. The very suggestion conjures the demon of an all-powerful Israel lobby that has turned the US Congress into its pawn. But these figures, while reflecting official direct US military aid, are almost meaningless in comparison to the real costs and benefits of US military aid – above all, American boots on the ground. In reality, Israel receives only a small fraction of American military aid, and most of that was spent in the US to the benefit of the American economy.
The Oslo Disaster
September 4, 2016 Prof. Efraim Karsh
The Oslo diplomatic process is the starkest strategic blunder in Israel's history and one of the worst calamities ever to have afflicted Israelis and Palestinians. Twenty three years after its euphoric launch on the White House lawn, the Oslo 'peace process' has substantially worsened the position of both parties, and made the prospects for peace and reconciliation ever more remote.
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Green Casserole is a one-dish meal for the entire family. If you're looking for a healthy bake. If you're on the run and pressed for time, but don't want to short-change on health, this one's for you!
This Vegetarian Bake is wholesome addition to your family favourites. Serve it as a green side or make it a part of your main meal.
Main Ingredients: Spinach, Corn, Onion, Parmesan and Cheddar Cheese, Milk and Whole wheat Flour.
Click here to see the cooking video.
Ms. Ujjwala Baxi is a Consultant Dietitian and has obtained her Registered Dietitian license from the Indian Dietetics Association. She is also a Diabetes Educator, certified by the International Diabetes Federation. She has worked in government as well as private hospitals in Mumbai, as a Chief Dietitian. She is the Founder and Director of "Poshan-Cure thru Diet" clinic and she has appeared on Indian cookery shows on Zee Marathi and Zee TV (India), demonstrating some healthy recipes. She also conducts Vegetarian healthy cookery classes and workshops for healthy living in Singapore. Her blog can be read at dietcure.blogspot.com.
Ujjwala has given our readers green rules to live by through The Green Casserole Recipe, Healthy Holidays and Guilt-Free Diwali Snacks. Living in Singapore, Ujjwala is a registered dietitian as well as a diabetes educator. She has 7 years of work experiencing spanning a variety of health-and-nutrition-based endeavours, including children's nutrition workshops, weight consultations and cookery lessons. Ujjwala likes to write for FUCHSIA because of the welcoming attitude of the team, who she feels connects well with its readers, making her feel good about writing for them. She is married and mother to a 4-year-old boy. Her hobbies include art, dancing, craft ideas, home décor, fashion and make up. She believes her calling is to contribute to the world by sharing her knowledge and making it a healthier place to live in.


Veronica Canales of Fierecely Thriftin' has got more style in her pinky than most of us possess in our whole being. It's almost no wonder that thrifted items look so good on her. She rocks them with a modern edge that speaks to her own unique style. According to her, it's all about inspiration.
That's why I had to get her expert thrifting advice. Trust me, the girl knows what she's talking about. Read on to learn more!
When it comes to finding the right store, Veronica has got you covered.
So, what are her favorite thrift stores?
When planning a thrifting trip, I wondered whether it's better to go with something in mind or simply winging it? According to Veronica, it doesn't matter! it's all about your style and preference.
If you loved this post, be sure to follow Veronica's blog, Fiercely Thriftin'.


text:
Time Warner, Comcast Nail Down Adelphia
The cable companies definitively agree to a complicated transaction.
Apr 21, 2005 6:54 AM EDT
(TWX)
confirmed that they've reached a deal to acquire the assets of bankrupt
in a cash-and-stock deal that will let Comcast exit Time Warner Cable.
Talk of a deal has been swirling for some time, and in recent weeks
(CVC)
has emerged as a dark-horse suitor. But on Thursday Time Warner and Comcast said they'd reach a deal that would cost $12.7 billion in cash and give Adelphia shareholders -- the company's Chapter 11 creditors, mostsly -- a 16% in a newly public Time Warner Cable.
The result is that Time Warner Cable will control the assets of Adelphia, while Comcast will unwind its 21% shareholding in Time Warner Cable that the company acquired through its acquisition two years ago of AT&T Broadband.
As a result of these transactions, Time Warner Cable will gain systems passing 7.5 million homes, with 3.5 million basic subscribers. Time Warner Cable will then manage a total of 14.4 million well-clustered basic subscribers. Time Warner will own 84% of Time Warner Cable's common stock, and the cable company will become a publicly traded company at the time of closing.
Comcast will emerge from these transactions with 1.8 million additional basic subscribers for a net cash investment of $1.5 billion. Following these transactions, Comcast will serve a total of 23.3 million customers.
Time Warner Cable and Comcast will each acquire a portion of Adelphia's assets, representing 5.0 million basic cable subscribers in the aggregate. Time Warner Cable will pay $9.2 billion in cash and will issue common shares representing 16% of Time Warner Cable's outstanding common equity (taking into account the redemption transaction with Comcast) to Adelphia stakeholders in connection with its acquisition agreement. Comcast will pay $3.5 billion in cash.
Time Warner Cable and Comcast have agreed to swap certain cable systems to enhance their respective geographic clusters of subscribers, the companies added.
StocksInvestingTelevision Production/DistributionMediaRadio


text:
Our staff includes registered professional engineers and land surveyors, with extensive experience in a wide variety of land planning, civil and environmental engineering projects for both public and private clients. The experience of our staff translates into successful projects for our clients.
Thiep Van Huynh, P.E.
Mr. Huynh has over 6 years of experience in the Civil Engineering field. Mr. Huynh is experienced in the planning, design, project management and construction management of civil site development for residential, commercial and municipal projects. Design of water, wastewater and stormwater facilities for residential & commercial developments. DOT coordination for driveway access permits. Mr. Huynh also has strong background in river system modeling and flood plain determination.
PROJECT EXPERIENCE:
Road Design:
State Route 162 south of SR 212 - Road Widening
Mr. Huynh served as the project manager for the 1,720 linear feet of widening, addition of center left turn lane and addition of 3 new street intersections and deceleration lanes. Duties for this project included entrance layout, grading and storm drainage system design. He also provided the client with construction cost estimates and coordination with GA DOT for permitting.
Proposed State Route 212 east of SR 162 - Road Widening
Proposed State Route 138 at US 78 - Road Widening & R/W Beautification
Mr. Huynh served as the project manager for the 1,310 linear feet of widening, addition of 1 new street intersection and deceleration lane. Duties for this project included entrance layout, grading and storm drainage system design. He also provided the client with construction cost estimates, coordinated with GA DOT for permitting and provided a tree preservation and replacement plan for DOT beautification along State Route 138.
Proposed State Route 124 at SR 211 - Road Widening & R/W Beautification
Mr. Huynh served as the project manager for the 1,020 linear feet of widening, addition of center left turn lane and addition of 1 new street intersection and deceleration lane. Duties for this project included entrance layout, grading and storm drainage system design. He also provided the client with construction cost estimates, coordinated with GA DOT for permitting and provided a tree preservation and replacement plan for DOT beautification along the access ramp to I-85 from State Route 211.
Commercial Site Development:
Thurman Baccus Industrial Park
Mr. Huynh served as the project manager for the site design and construction of 8.41-acre, 13-lot industrial park development in Social Circle, Georgia. Duties for this project included, site planning, grading, water, stormwater and wastewater system design, regulatory coordination and construction management.
Proposed Monroe Commercial S/D
Mr. Huynh served as the project manager for the site design of 13.44-acre site, which include 3 restaurants, 1 hotel and 38,500 sq. ft. of office/retail building for this project in Monroe, Georgia. Duties for this project included, site planning, grading, water, stormwater and wastewater system design. He was also responsible for MEAG power transmission easement encroachment coordination.
Proposed Gardens at Southern Plantation
Mr. Huynh served as the project manager for the site design of 17.82-acre, 99-unit, Independent Living Facility in Loganville, Georgia. Duties for this project included, site planning, grading, water, stormwater, wastewater system design.
Proposed Barrow County Animal Shelter
Mr. Huynh served as the project manager for the site design of 4-acre site, 13,266 sq. ft. Animal Service Center in Barrow County, Georgia. Duties for this project included, site planning, grading, water, stormwater and wastewater system design.
Proposed Barrow County Emergency Response Center
Mr. Huynh served as the project manager for the site design of 13.38-acre, 13,150 sq. ft. Emergency Response Center in Barrow County, Georgia. Duties for this project included, site planning, grading, water, stormwater and wastewater system design.
GA RDC Building Expansion
Mr. Huynh served as the project manager for the site design of 7.72-acre, 4,000 sq. ft. Office Building Expansion. Duties for this project included, site planning, grading, water, stormwater, and wastewater system design.
Country Crossing Child Development Center
Mr. Huynh served as the project manager for the site design of 2-acre, 8,015 sq. ft. Daycare Center in Walton County, Georgia. Duties for this project included, site planning, grading, water, stormwater and wastewater system design.
Proposed Corinth Christian Church Expansion
Mr. Huynh served as the project manager for the site design of 35.21-acre, 16,500 sq. ft. of a new assembly hall in Walton County, Georgia. Duties for this project included, site planning, grading, water, stormwater and wastewater system design.
Residential Site Development:
Twin Rivers Development
Mr. Huynh served as the project manager for the site design of 412.95-acre, 362-lot residential development in Newton County, Georgia. Duties for this project included, site planning, grading, water, stormwater system design.
Mr. Huynh served as the project manager for the site design and construction of 57.81-acre, 155-lot residential development in Social Circle, Georgia. Duties for this project included, site planning, grading, water, stormwater and wastewater system design, regulatory coordination and construction management.
Tilley Trace
Mr. Huynh served as the project manager for the site design and construction of 103.07-acre, 95-lot residential development in Walton County, Georgia. Duties for this project included, site planning, grading, water, stormwater system design, regulatory coordination and construction management.
Cedar Ridge Crossing
Mr. Huynh served as the project manager for the site design of 32.00-acre, 32-lot residential development in Walton, Georgia. Duties for this project included, site planning, grading, water and stormwater system design.
Posted by alcovy at 3:27 PM
© Alcovy Surveying, Inc.. all right reserved.
Provided by: NovoLogic, Inc.


We investigate efficient fourth-harmonic generation in a single two-dimensional (2D) quadratically nonlinear photonic crystal. We propose a novel parametric process that starts with phase-matched generation of a pair of symmetric second-harmonic waves, which then interact to produce a fourth-harmonic wave that is collinear to the fundamental. We show that this process is more efficient than conventional fourth-harmonic-generation schemes by a factor that reaches 4 at low intensities and discuss how to design and optimize the nonlinear 2D photonic crystals that are implemented in LiNbO3 and LiTaO3.


Description – This handsome pier mount fixture is reminiscent of an Arts and Crafts style lantern. The massive pier mount is finished in Timeless Bronze has Clear seedy glass panels and is handcrafted in the USA by Meyda artisans.
SKU: 23237. Category: Outdoor Lights.


In an oasis, or green island, in the red and yellow seas of sand that stretch beyond Europe toward the sunrise, there can be found a rather fantastic contrast, which is none the less typical of such a place, since international treaties have made it an outpost of the British occupation. The site is famous among archaeologists for something that is hardly a monument, but merely a hole in the ground. But it is a round shaft, like that of a well, and probably a part of some great irrigation works of remote and disputed date, perhaps more ancient than anything in that ancient land. There is a green fringe of palm and prickly pear round the black mouth of the well; but nothing of the upper masonry remains except two bulky and battered stones standing like the pillars of a gateway of nowhere, in which some of the more transcendental archaeologists, in certain moods at moonrise or sunset, think they can trace the faint lines of figures or features of more than Babylonian monstrosity; while the more rationalistic archaeologists, in the more rational hours of daylight, see nothing but two shapeless rocks. It may have been noticed, however, that all Englishmen are not archaeologists. Many of those assembled in such a place for official and military purposes have hobbies other than archaeology. And it is a solemn fact that the English in this Eastern exile have contrived to make a small golf links out of the green scrub and sand; with a comfortable clubhouse at one end of it and this primeval monument at the other. They did not actually use this archaic abyss as a bunker, because it was by tradition unfathomable, and even for practical purposes unfathomed. Any sporting projectile sent into it might be counted most literally as a lost ball. But they often sauntered round it in their interludes of talking and smoking cigarettes, and one of them had just come down from the clubhouse to find another gazing somewhat moodily into the well.
Both the Englishmen wore light clothes and white pith helmets and puggrees, but there, for the most part, their resemblance ended. And they both almost simultaneously said the same word, but they said it on two totally different notes of the voice.
"Splendid," replied the man by the well. But the first man pronounced the word as a young man might say it about a woman, and the second as an old man might say it about the weather, not without sincerity, but certainly without fervor.
And in this the tone of the two men was sufficiently typical of them. The first, who was a certain Captain Boyle, was of a bold and boyish type, dark, and with a sort of native heat in his face that did not belong to the atmosphere of the East, but rather to the ardors and ambitions of the West. The other was an older man and certainly an older resident, a civilian official–Horne Fisher; and his drooping eyelids and drooping light mustache expressed all the paradox of the Englishman in the East. He was much too hot to be anything but cool.
Neither of them thought it necessary to mention what it was that was splendid. That would indeed have been superfluous conversation about something that everybody knew. The striking victory over a menacing combination of Turks and Arabs in the north, won by troops under the command of Lord Hastings, the veteran of so many striking victories, was already spread by the newspapers all over the Empire, let alone to this small garrison so near to the battlefield.
"Now, no other nation in the world could have done a thing like that," cried Captain Boyle, emphatically.


Educational Requirements: Post Graduate in Rural Development or Social work with relevant experience of atleast 10 years in organizing socio economic development programme. Proficiency in Advocacy and Documentation desirable.
How To Apply: Applications should be addressed to Dr. Anirban Gupta, Department of Civil Engineering, Bengal Engineering and Science University, Shibpur, Howrah 711 103 and should be sent through e-mail to the following e-mail ID : anirban@civil.becs.ac.in within 10 days from the date of advertisement. Candidates should indicate the post applied for with the application.


text:
China Chat
Antique China Values
How to Value Antiques
China Makers Guide
Porcelain China
Antique Bone China
China Replacement
Chinese Marks
Auction Tips
Clay Sculpting
Clay Art
Sculpting Supplies
Driving me 'potty' - possibly from England? Unknown mark
by Briar
My lovely bright coloured figurine lamp
A close up of their faces - note they have eyelashes
The back of my figurine lamp
I have shopped this pic to show the mark in more contrast to the man's jacket
I bought this lamp at a garage sale after falling in love with it. Something just draws me to it - probably because it's just so "pretty".
The lady I bought it off, who knew a fair amount about old stuff - said it was made in England - and she called it the crinoline lady lamp from the 1950s or 1960s.
I have spent probably over a hundred hours trying to search for the factory that made this but I have come to the conclusion it is not vintage or antique. I don't mind that it's a repro, I didn't pay a lot and I have no intention of selling it, but I'd love to know the background.
The base looks similar to the Japanese made figurines that are in the crinoline/Dresden style, but the eyes are not. In fact, the eyes are a lot more detailed than plenty of other figurines I have come across in image searches and things while trying to research this lamp. While leads me on to the form. It's not very detailed yet a lot of work has gone into the painting detail and has had a lot more work put into the painting than the cheaper figurines I have seen online. The lady and her partner even have eyelashes - many others do not.
Also, they are very childlike compared to most other figurines and the man is very feminine. They are also a lot brighter than most which all add to the piece's charm. I have come across lamps which have a street lamppost but not this chimney-style lamp post. My other half even checked the light fitting and I found that it is a bakelite fitting made in Australia.
I have found a Belgium mark that is similar yet not identical to the mark on my piece. I can look at the back of the piece and virtually see a jumble of heaps of different marks in the painted part of the man's jacket at the back. A close look at the pictures shows either an A or a 77 to the left of the main impressed mark (candle stick/silhouette of man/silhouette of angel/lion roaring/horn/pound sign????) and then there's what looks like a love heart from some angles, an E and an R or an L and an R, a circular arrow and all other little symbols.
Did the painters get bored and used symbols to add detail to the work? Or this piece is a total p**s take with a bunch of fake symbols all over it? I particularly like the latter idea, and if this was the case I would like it even more especially if it was made in Australia because that would make sense (us Aussies have that kind of humour).
If anyone could please help it would be appreciated.
Comments for Driving me 'potty' - possibly from England? Unknown mark
China lamp
by: Melissa
No idea who made it but I think the seller was spot on with the date, 1950s-60s. Not antique, but this would indeed make it vintage. I don't think "repro" is quite right. It's in the style of earlier lamps but its not copying them. It's of its own time. If there is a makers mark, I would expect to find it on the base, not in the man's jacket. If the bottom has a covering over it, it could possibly be hiding a mark or sticker.
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text:
Q: Provide additional behavior when editing a cell in JTable I am creating a app in Java. I need to provide additional behavior when editing of a cell in a JTable. So ideally this will happen when the cell loses focus after editing. Depending upon some post processing I might reset the value of the cell. I tried using a a Cell Editor but it is not giving me the desired behavior.
In the default JTable only when I Double click a cell it becomes editable. But in my implementation of CellEditor the cell becomes editable as soon as it comes into focus.
Here is the code for the My custom CellEditor,
public class ParameterDefinitionEditor
    extends AbstractCellEditor
    implements TableCellEditor{

    private JTable table;
    private DefaultTableModel defaultTableModel;

public ParameterDefinitionEditor(DefaultTableModel defaultTableModel,
JTable table) {

        super();
        this.table = table;
        this.defaultTableModel = defaultTableModel;

        TableColumnModel columnModel = table.getColumnModel();
        columnModel.getColumn(0).setCellEditor(this);

}

    public Component getTableCellEditorComponent(JTable table,
                            Object value,
                         boolean isSelected,
                        int row,
                         int column) {

        if (isSelected) {
            // Do some processing.
        }

        ((JTextField)component).setText((String)value);

        // Return the configured component
        return component;
    }

    public Object getCellEditorValue() {

        return ((JTextField)component).getText();
    }

}

Any help will be appreciated. Thanks.

A:
Depending upon some post processing I
  might reset the value of the cell.

You can do this right in the cell editor if you desire by overriding the stopCellEditing() method.

In the default JTable only when I
  Double click a cell it becomes
  editable. But in my implementation of
  CellEditor the cell becomes editable
  as soon as it comes into focus.

Extend the DefaultCellEditor. This is controlled by the setClickCountToStart() method.

So ideally this will happen when the
  cell loses focus after editing

I agree with the other suggestion that you should probably be adding the TableModelListener to the TableModel. Although depending on your requirement you may want to consider using the Table Cell Listener.

A: I don't think by providing custom cell editor serves your purpose.
If you want to do some processing based on user actions then your table model should have
a set of listeners (that implement TableModelListener) and your logic should be put
in the "tableChanged" method.
Check this section on Swing tutorial as well:
http://java.sun.com/docs/books/tutorial/uiswing/components/table.html

A: i achieved that type of behaviour by overriding stopCellEditing ( i use a custom implementation of AbstractCellEditor )
public boolean stopCellEditing()
{
String s = (String) getCellEditorValue();
if ( ! valueValidator.isValid(s) )
  {
  editorComponent.setBorder(new LineBorder(Color.red));
  Toolkit.getDefaultToolkit().beep();
  return false;
  }
}
else { ........


ACRF supporter, Jake Hesson, has first-hand experience of the devastating effect of cancer on families. He recently embarked on a unique fundraising challenge to raise funds for a cause close to his heart.
"Almost all of us, at some point in time, will be touched by cancer. Over the past 2 years, this disease has significantly affected a number of my family members, as well as my friends and their families. I recently lost two uncles and an aunt to cancer and now my father is also undergoing treatment for thyroid cancer.
I became inspired by the work of the Australian Cancer Research Foundation and wanted to help make a difference for families suffering from cancer. My brother is a cancer researcher so I know just how important charitable grants, like the ACRF grants, are to the scientific community.
I chose to combine my love of alpine mountaineering with fundraising and decided to take on New Zealand's Mt Aspiring. Not only is this mountain one of the most beautiful in the world, it was also going to be a very physical challenge.
I've been climbing since 2012 and have done a number of trekking trips. However, I had never climbed anything as technically difficult as this and certainly nothing quite as exposed! I did the trip with just one very experienced (and very patient) guide.
The highlight of my trip was definitely the isolation, absolute silence and beauty of the mountains. One night I woke up at 3:30 am and when I stepped out of the tent I looked at the summit and the Milky Way. It was all brighter than I had ever seen. It seemed to be coming directly from the top of the mountain.
My advice to others thinking about supporting cancer research is to just do it! It doesn't matter how you are planning to raise funds, the important thing is to try. Every donation contributes to advancements in cancer research and the sense of achievement and pride you will feel is really worth it.
I'd like to make a special note of gratitude to my employer, QBE (Australia) and the QBE Foundation for matching the sums I raised and donating almost $3,000 directly to ACRF." – Jake Hesson, ACRF supporter.
Thank you to Jake and QBE for their generous contributions to cancer research. Corporate Matching Schemes are a great way for you make the most of your fundraising efforts. If you have been involved in a fundraising event for ACRF, it could be worth asking your employer if they offer a Corporate Matching Scheme.


Did you know that you will no longer be able to purchase traditional phone systems, such as PTSN or ISDN from 2020?
We can now offer your business or organisation a cloud-based hosted VoIP telephone service, alongside our core IT support and web design services.
VoIP has many advantages over PSTN and ISDN too; it is much quicker to provision new lines, you can reduce your line rental due to needing fewer physical lines, and it is vastly scalable and flexible – for example you can redirect calls to different parts of the country at the flick of a switch, or have a single phone number follow you around the world irrespective of where you're working.
Whatever the size of your business, we have a solution for you.
Interested? Based in the Perth, Dundee or Fife area? Drop us an email or call 01738 450422 for a chat about your requirements.


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We offer a complete lifeguard hire service for any events or requirement where such would be needed, as a rule if your near water your need a lifeguard. They can cover your pool party or swimming club event maybe even.
All are fully trained and carry as standard lifesaving equipment, they are NPLQ or NPLB trained and continue to achieve high.
Our team offer a full pool or beach management programme for both indoor and out door pools, we train and provide the staff in our smart uniform ready to work, this taking the everyday running away from you and still making it affordable, they are great for hotels, spas, holiday camps etc.
Great for use when your event is near open water or even if its on open water, we have a fleet of jet skis, small ribs, and waling patrols who can cover your raft race, sailing event, swimming, canoe. Plus many more.