Lynne Tillman and Nell Painter can't remember how they first met. Tillman believes they were introduced at a history conference, while Painter is sure that their first encounter was here, at the Paris Review offices, upon the conduction of this interview. In any case, last spring they convened—either again or for the first time—to discuss their respective new books. Men and Apparitions, Tillman's sixth novel, tells the story of Zeke, a thirty-eight-year-old cultural anthropologist who belongs to a generation of "new men" and soon becomes the subject of his own research. Old in Art School, Painter's eighth book of non-fiction, chronicles her decision to leave the world of academic research in pursuit of a B.A. and M.F.A. in visual art. Together they discussed professionalism, the art market, and the personal self-fashioning of writers.
I'm interested in your decision to become a professional artist, and to go to art school after a distinguished career in history. After many years of teaching, you were placed in the position of being a student. Because I've taught in M.F.A. programs, I've been around older students, and I've seen how often they feel reduced. Why didn't you just paint, and call yourself an artist?
Well, I tried that, but I knew that my skills were old. I had twentieth-century skills. I took a pastels class with a very nice man at the Newark Museum, and I hated it. He instructed me to paint lemons so that I could "feel" them, which I had no interest in. It wasn't rigorous enough.
If Princeton's visual arts program had been a degree program, I would have stayed there. But it's not a degree program. I took a couple of classes there, though, and I really enjoyed them. I would draw and paint all day, and then do critiques at night until I had to go home.
Was your compulsion to get a professional arts degree linked to your having been a professional in history?
I think so, yes! I thought I could be the kind of artist that I was a historian. But it's not possible. I don't have enough time to work through what I want do in my head, and in my eye, and in my hand. But I think within your question is the bind between doing something out of desire and working professionally, which means dealing with other people's ideas.
In your essay "Beginning, Middle, End," you ask, "What is value?" The art world is based in large part on scarcity—the fewer the better. What's going on for you in that question of value?
Anyone who is an artist or writer comes up against a reality in which their work is judged in relationship to all the other work being made, and as a result you somehow get placed into a category—by other people, by institutions, by whom you know, by what school you attended. All of these things accrue to your value. We often look to the exceptions, and they supposedly make the rule, but in fact, the rule is that one usually doesn't become a major art star, one usually doesn't become a bestseller. Making art of any kind puts you in an ambiguous position, because even if you win every award in the world, it doesn't mean that your work is great. It can be very self-defeating as an artist to think about value.
Not only did you go to art school at a time when people usually don't, and change your profession entirely, but you also changed your style. It's interesting that in the art world, compared to the academic world or the so-called literary world, people dress better.
Art school gave me a very different sense of the possibilities of personal self-fashioning. I would never wear cowboy boots as a historian. Artists curate their appearance. These great glasses that you have—to me those are art-world glasses. Maybe now a historian would wear them, if they were enlightened, but those are art-world glasses.
Being an artist is about taking on the importance of the visual, of how we create images for each other. In your book, you mention that you had thought you were in a protected realm of art. And that reminds me of a story that Thomas Mann wrote, called Tonio Kröger. I read it when I was an undergraduate, and it really just shook my world. He writes that no one should believe that those who create feel. And that was a revelation to me because I, too, thought that there was a protected realm in which artists and writers would be wonderful.
Well, then I met artists and writers! As a girl, and then a very young woman, I would go to poetry readings, and I would be treated badly by male poets. I was shocked by that, because I, too, believed that there was a protected realm of art. I thought that being a woman was negligible compared with what you could or would write. It seems that you had a similar experience of disillusionment. At one moment in Old in Art School, your fellow graduate students at RISD are finally reading an article by a black intellectual—bell hooks—and an architecture student says he can't read anything by a black writer.
Isn't that awful? He was a little pigheaded twit.
People tend to think of you as a narrative writer—whether you're writing fiction or nonfiction, interviewing somebody or reviewing something, you're very interested in narrative. You also talk about truth with a capital T, but you distrust it. In your newest book, Men and Apparitions, how do you find a narrative in this distrust?
When I capitalize the T in Truth, it's about singularity. It's about saying that truth is not singular, that there are many truths, and that they are all lowercase. When I wrote about Warhol's factory for a book featuring Stephen Shore's photographs, I conducted a series of oral histories. Even when people were making statements of fact, they often contradicted each other—We worked in the factory at the same time, We didn't work in the factory at the same time, There were parties, There were no parties—that kind of thing. Everyone agreed about certain things—Warhol was a very hard worker, he was always back there in his studio working. But because experience is so complex, the way two people think about a single event will be different. That's where narrative and storytelling come into play. Through a character, you can represent a point of view. But because I'm writing fiction in Men and Apparitions, I'm not saying that any given character's point of view is the only one worth having. I elide statements of Truth, with a capital T, by representing different points of view.
One thing in Men and Apparitions that knocked me off-kilter was Zeke's way of pronouncing something and then saying, "Kidding," and then eventually saying, "Not." What are we to make of that verbal tick? Am I looking at you looking at him? Am I looking at him looking at him? Am I looking at you looking at him looking at him?
Zeke is hedging his bets. He's an anthropologist—we know the critiques of his field and so does he. Representing others is the most controversial issue in art right now—he's hedging his bets by saying he wants to be taken seriously, but not completely seriously, because he could also be wrong. As a social scientist, he analyzes pictures generally, and family photos in particular.
I became interested in the so-called "new man" that Zeke represents. My younger male friends are very different from men my age. They're different, even, from men in their fifties and sixties. They were children who were born into the women's movement, or out of feminism. What is happening to these men? I began to wonder—and this may sound crazy—if maybe we'll discover that men are more affected by feminism than women. The majority has to give something up when the minority demands it.
Interviewing you for BOMB, Geoffrey O'Brien asks you about your skin writing, which you call "dermatographia." What does that mean?
Oh, you can write on it!
I can write on my skin, that's right! So much shows on the skin. Blushing is the most obvious. And then there are people with acne, or people with psoriasis, and a lot of these conditions are anxiety-induced, or are the result of chemical changes in the body. I became very interested in the way that skin betrays us. I wasn't thinking in terms of race at that point, though I think it enters American Genius, A Comedy as well. It's funny how you use a word like "race" and it's supposed to cover so much. How do you reduce something to race?
You address this very question in Old in Art School, particularly as it relates to who can represent what in contemporary art. You write, "Already I could hear the expectation, an unspoken command, a black artist's subject must always be blackness, that white art history was art history, and a black artist's relationship to it can only be confrontational." How did you incorporate black figures and black beauty while also going against this idea that there was only one art history and it didn't include black people?
Well, Lynne Tillman asks, how do we know if it's art?
The Danto explanation is institutional—if something is in a gallery, it's art. But the question of who determines value is more complicated. Sometimes it's the collectors, sometimes it's the museums, and other times it's the critics, but most often it's the market.
Well, I would wrap all of those people and institutions together and tie them with the "market," which is one of those big words like "race." It's all over the place. But let's scale the market down to your own work. You are known as a writer's writer, and you publish with independent presses. How do we know you're a writer if you publish with independent presses? This is a question for me, too, obviously—we both work at the intersection of markets, money, and independence. It's all mixed up together, we're threading our way through contradictory markers of value.
I was so naive as a child. From the age of eight, I wanted to be a writer, and it never occurred to me that there would be obstacles. It never occurred to me that the school you attended, or your mother's occupation as an editor, say, would open doors for you. And it didn't occur to me the extent to which who published you shaped your career from the get-go. Haunted Houses, my first novel, was published by Simon & Schuster. But I didn't know, for instance, that if you published in paperback, even a trade paperback, that you wouldn't get as many reviews as if you had published hardcover. And so when my publisher asked which I would prefer, I thought only of the cost, and told him to publish it in paperback. That meant I didn't get a softcover deal, and I didn't get many reviews. There were so many things about publishing that I didn't know. So I always feel that I'm sort of a B-list writer, or something.
No, you're a writer's writer, which is a different category. But you're probably poor as a church mouse.
Well, if it weren't for the art world, I would be. The art world has been very good to me.
As a historian, I'm a kind of historian's historian in the way that you're a writer's writer. I have never won big history prizes. For Sojourner Truth, for instance, I received one prize, and it came from the Black Caucus of the American Library Association. No history prizes. History of White People? Nothing.
In my career, at least, I've had a very difficult time with "prestigious" as a quality applied to me or my work. When I wake up in the morning I'm still miserable, so being prestigious is beside the point. Like you, I've written many different kinds of things. Each of my novels is very different from the others, which is a wacky thing to do if you want to figure out how to be placed.
People are always talking about your wry humor. Elissa Schappell once described you as possessing a "rebellious, don't-give-a-damn, New York attitude." I thought, well, if she's don't-give-a-damn New York, I'm kinda-give-a-damn New Jersey.
It's true—I'm always interested in how something can be both funny and tragic—that's what makes it a joke. But I also have a lot of feelings about my subjects, so I hope I don't seem cold-hearted.
Not at all. But you're not one to be suckered by or snickered at for sentimentality.
How do you allow for feeling if you, the artist, are sentimental? If your feelings, as a maker, are all over the place, you leave very little room for your readers to feel things on their own. In Old in Art School, you mention that you used to conduct historical research to glean more certainty, but in making art, you began to realize you needed to enter into uncertainty and ambiguity. How did this begin to make sense to you?
It was difficult. My historical writing was very coherent. My forte was that I could take a lot of conflicting, confusing, complicated information and write about it with nuance, but also with coherence. In making art, it was difficult to let go of that impulse. The computer helped me a lot.
With photoshop, history only lasts until you turn the computer off. The pixel doesn't care what's next to it—it has no brain and no ideas. I didn't have to carry over any kind of intelligence from one day to the next, or from one work session to the next. There were no rules about what pixel could go next to another. It was a technology in which verisimilitude played no role.
In writing a novel, everything has to hang together, even if it feels on the verge of falling apart. Coherence in writing is very important to me, but ambiguity is important, too. I never want to write a sentence that, to me, isn't clear. I may not understand all the other interpretations that might exist, but I have to read it and think, okay, that thought holds up. I don't want my sentences to be opaque.
I think that makes you a twentieth-century person, like me. But I've tried to free myself from that.
She said a lot of things that kind of meant that. She said that she had done a lot of work, and that women deserved their rights. She did not say "aren't I a woman" or "ain't I a woman." She did not say that.
It came from a white woman journalist named Frances Dana Barker Gage, and she made it up because she was in competition with Harriet Beecher Stowe. Beecher Stowe had written this silly piece in either Harper's or The Atlantic, in which she made Sojourner Truth into this kind of quaint darky. Barker Gage was a good feminist and a good abolitionist, and when she read Beecher Stowe's piece, she was working with freed people in South Carolina. So she thought to herself, I've got a better Sojourner Truth. Beecher Stowe had also said that Sojourner Truth was dead, which she wasn't.


For his birthday, my Mom and Dad gave the Little Boy a little table and chair set that belonged to my Mother when she was a girl. A couple of weeks ago, I sanded it down and applied a dark stain to the top of the table and the seat of the two chairs, and then painted the legs of the table and the legs and backs of the chairs. Little Boy helped me pick out the colour of the paint -- he's very helpful with that kind of thing.
Have you done any fun little projects recently? Do your kids -- or hope your kids -- share some of your interests?
this weekend... one of my sons asked me for my camera, he told me 'there is a drop of water on this plant, I need to take a picture of it'. So I showed him how to zoom in and 'click' he took his picture. Now, I wonder where he got that idea from? :) Your sons little drawing table looks great! He has some lovely pens too.
What a precious moment, Cari! Thank you so much for sharing it.


It's murder at the dog show!
When amateur sleuth Clarissa Hayes and her trusty Saint Bernard, Paw, enter a dog show, they expect to find dogs, blue ribbons, and trophies. Not dead bodies. Clarissa's boyfriend is tracking a suspect in the death of a dog fancier. It's up to Clarissa and Paw to provide him cover as they compete in the show.
Clarissa's boyfriend is chasing the murderer of a dog owner, famous around dog shows. He suspects from somebody related to the shows, so they enroll Paw, Clarissa's Saint Bernard in order to do try to find the culprit.
Cozy mysteries is one of my favorite genre, and I always jump in with both feet whenever I have the opportunity. I have to say that I was disappointed at this one. I expected a more mature book. Don't misunderstand me, I have listened to cozy mysteries for young adults and even pre-teens, but it was clear that they were focused to that kind of audience. I had the impression that this one was focused on an adult audience, but the story felt simplistic and plain. I think this book, to work well, should be rewritten. It's odd to have a book for teens with adult main characters, and if you want it like this, then write a book for grown ups.
The characters were one dimensional, and I found Clarissa and her boyfriend relationship quite weird by nowadays standards. They know each other quite well to the point that Clarissa's dog is comfortable with her boyfriend, but they reserve a hotel room and they don't want to share a bed to sleep because they have not reached that point in their relationship. Say what? Again, this could be justified if the main audience is young adults, but even like that it's just plain weird.
I also think that Baublitz should have investigated a bit more about dog shows before attempting to write a book about them. Some things felt really childish, like how easy is for Clarissa's boyfriend to enroll Paw in the show, and how well Paw and Clarissa did just after a couple of hours of training. C'mon, be at least a bit realistic. With details like this it feels like this is a children book.
I think I was bothered by all these things to really care about the mystery, and I felt no urgency to know who was the murderer, nor I really cared if anything happened to any of the characters.
Nancy Bober's narration was okay, but the character's interpretations felt quite stiff. It felt more like reading than narrating.
Love it. The story line was great. I enjoyed the antics of the dogs. The story is about clarissa who owns a St. Benard named Paws. She enters him in a dog show to help with her private eye boyfriend, Bruce, He is doing under cover work at the dog show looking for he murderer of a dog owner. While they are there another owner is killed. Come along with these two and two of there friends as they look for the killer in spite of the police telling them not to get involved. The killer was a surprise. Did not see it coming. The narration for great. I received this book free in exchange for an honest review.
They meet the good, the bad, and the ugly of the dog show scene, which is filled with people who love dogs, and people who are incredibly competitive. At least one looks like a potential murderer, and had clashed with the suspected murder victim in the past. It's a bit inconvenient, as well as unpleasant, when he turns up dead, too, this time obviously murder.
Baublitz clearly knows dogs. Despite two deaths, another owner attacked, and some alarming moments, it's mostly a light, entertaining story where plausibly real dogs, including Paw and the latest murder victim's mastiff, Samuel, get to play plausibly helpful roles in straightening things out.
Some things do work themselves out a bit too simply, but it's a story I was able to relax into, with dogs and dog lovers.
Murder at the dog show and what's the best way to investigate? Why not enter your purebred St Bernard! Paw put his best paw forward, and gave Clarissa and Bruce the opportunity to find out who was responsible for the murder. This was a cute cozy mystery.
Both the author and narrator were new to me with this fun listen. The story is a cozy mystery and has some humor. There were also some unexpected scenes in the book, plus a nice resolution. As a large-breed dog owner, I found some of the scenes very realistic. I would definitely listen to more books by both the author and narrator in the future. I requested this review copy audiobook from the author, narrator and/or publisher and have voluntarily written this review.
I really enjoyed this cozy mystery. Dogs, a bit of humor and mystery - a really good combination!
I haven't listened to others in the series but I found this to be an ok read but not great. I would have like a little more character development and description. It seemed slow although I did enjoy the scenes when the dogs got loose. I might try the author again. The narrator was also ok but not stellar. Her voice was good but she sounded older than I imagined the character and her tone was a but all over. Overall, not my favorite but not the worst either. I received a free review copy of this book and have voluntarily left this review.
A thoroughly enjoyable romp through a high-stakes dog show as a private investigator and his girlfriend investigate the probable murder of a former dog show competitor with the help of the girlfriend's thoroughly lovable but definitely not show-ready St. Bernard. The story features a wide cast of dog show personalities, but two and 4 legged. They range from charming through eccentric to downright nasty but all are engaging and fun to follow.
The audio version is well read and the fast paced story line lends itself to this kind of presentation.
A story I thoroughly enjoyed and would listen to again, even knowing the eventual whodunit.
I received this book free from the author or narrator and offer my review of it willingly. If you like dogs and mysteries, then you'll find this an interesting book. Many of the characters are quirky and the story has several fun scenes.


text:
El municipio de Reuben (en inglés: Reuben Township) es un municipio ubicado en el condado de Harlan en el estado estadounidense de Nebraska. En el año 2010 tenía una población de 61 habitantes y una densidad poblacional de 0,66 personas por km².

Geografía
El municipio de Reuben se encuentra ubicado en las coordenadas . Según la Oficina del Censo de los Estados Unidos, el municipio tiene una superficie total de 92.05 km², de la cual 92 km² corresponden a tierra firme y (0,05 %) 0,05 km² es agua.

Demografía
Según el censo de 2010, había 61 personas residiendo en el municipio de Reuben. La densidad de población era de 0,66 hab./km². De los 61 habitantes, el municipio de Reuben estaba compuesto por el 100 % blancos. Del total de la población el 0 % eran hispanos o latinos de cualquier raza.

Referencias

Enlaces externos

Municipios de Nebraska
Localidades del condado de Harlan (Nebraska)

redpajama_set_name: RedPajamaWikipedia


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Elizabeth Gray Cain graduated from Coker College in 1996 with a Bachelor of Science degree in Physical Education, Fitness Programming and a minor in Coaching. She is one of the College's greatest women's soccer players of all time.
Cain began her career at Coker in 1992 and had an immediate impact on the field. As a freshman, Cain earned several awards including CIAC/Independent All-Division Co-Freshman of the Year and CIAC/Independent All-Division First Team honors. She was also a four- time recipient of Coker's Best Defensive Player Award and two-time winner of Coker's Most Valuable Player Award. She was a two-time All-District Team selection, as well as a two-time selection on the Mid South All-Region Team. Cain was named the to All-Carolina's Conference Team in 1993, while being ranked fourth in the nation in goals against average, and she was one of the top 15 goalkeepers in the nation with the most saves. In 1994, she was named to the Tennessee Wesleyan All-Tournament Team and she was named to the All-American Honorable Mention Team.
Cain set many Coker record's that still stand today, including setting and tying the single season record of 11 shutouts in a season in '93 and '94. She set the career record for shutouts with 33 and the career record for saves with 639. Cain also holds the record for season and career goals against average, with a .61 goals against average in 1993 and a 1.03 average for her career.
Cain was involved in many community activities both as a student and graduate including volunteering as middle school soccer coach at Thomas Hart Academy, helping with the Darlington Raceway Clean-up Project, conducting a Women's Soccer Clinic at Irmo High School and volunteering as an assistant coach at Coker Soccer Camps for four years.
Upon graduation, Cain worked for the Parks and Recreation Department in Tampa, Florida, before moving to Tucson, Arizona, where she was a Certified Medical Technician for two years. She returned to Coker in 2002 to earn her Teaching Certification while and serve as the Assistant Women's Soccer Coach. Currently, Cain resides in South Carolina with her husband and son.


Uncertainty takes its toll on markets worldwide.
Despite having crisscrossed Heidi's country, I've yet to find the elusive Swiss gnomes to glean what they make of financial markets at this juncture. Meanwhile, the past week has been characterized by a fresh wave of risk aversion, as uncertainty over the global economic outlook took its toll on stock markets, commodities, and precious metals, and investors favored safe-haven assets such as government bonds and the Japanese yen.
The S&P 500 Index, Dow Jones Industrial Index and the Reuters/Jeffries CRB Index -- all now in corrective mode -- closed down for a fourth consecutive week, while US Treasuries recorded gains for a fifth straight week and the Japanese yen for 4 out of the past 5 weeks.
The yen is often seen as a global barometer of risk aversion. The graph below demonstrates the strong inverse relationship between the movements of the yen (against the euro, in this case) and those of the Dow Jones World Index. As shown, a falling yen indicates risk tolerance (and a willingness to buy risky assets) and a rising yen shows risk aversion (and an indisposition towards risky assets). A downturn in the yen exchange rate could be a good indicator to keep an eye out for confirmation of better times ahead for stocks and commodities.
Also featuring prominently in investment discussions during the week were the viability of the Public-Private Investment Program (PPIP) and the merits of a second stimulus package -- calls for this comes at a time when estimates of trillion-dollar fiscal deficits and unsustainable debt levels are raising inflation expectations and putting upward pressure on long-term yields, thus partly undoing the Fed's monetary easing.
The past week's performance of the major asset classes is summarized by the chart below -- a set of numbers that indicates risk aversion is creeping back into financial markets.
A summary of the movements of major stock markets for the past week, as well as various other measurement periods, is given below. As the second-quarter earnings results in the US start rolling in, the American and most other markets closed the week in negative territory, with the Shanghai Composite Index being one of the few major benchmarks to make headway.
With the exception of the NASDAQ Composite Index, the major US indices are all back in the red for the year to date.
Stock market returns for the week ranged from top performers Nepal (+5.3%), Croatia (+3.0%), Uganda (+3.0%), Ecuador (+2.9%), and the Philippines (+2.4%) to India (-9.4%), Egypt (-8.5%), Argentina (-8.2%), Russia (-8.1%), and Kuwait (-7.6%) at the other end of the scale.
John Nyaradi (Wall Street Sector Selector) reports that as far as exchange-traded funds (ETFs) are concerned, the winners for the week included "all things short" such as ProShares Short MidCap 400 (MYY) (+3.5%), ProShares Short SmallCap 600 (SBB) (+3.2%) and ProShares Short S&P 500 (SH) (+2.0%). Among the long ETFs, WisdomTree Dreyfus Japanese Yen (JYF) (+3.7%), CurrencyShares Japanese Yen (FXY) (+3.7%) and iShares MSCI Taiwan (EWT) (+2.9%) performed well.


Easter bunny napkin ring and glass clip - with free download is posted in the category Downloads | Easter | Parties and Guests under Downloads | Seasons | Celebrate.
I am really excited about this post. It is my first post with files you can download and use with a Cricut Explore cutting machine. I just got a Cricut Explore Air for Christmas and I have already made a few projects with it. I have also shared how you can turn a hand drawing into a cutting file (SVG).
Today I am excited to share my first downloadable on A Home for Crafts.
I made a quick and easy craft for your Easter table setting: A bunny napkin ring and a drink clip. You can download the files at the bottom of this post.
For the napkin ring, I cut out a bunny that is 3.5 inches tall and the napkin paper strip, I cut out at 5.5 inches long. For the glass clip, I cut out a bunny that is 2.5 inches tall.
To get a nice rounded napkin ring, I shaped it with my thumb and index finger a couple of times, to round the cardstock. Then I inserted the taps into each other to create a ring.
I used a mini glue dot to glue the napkin ring to the large bunny shape.
To attach the tails, I pinched the pom poms to separate the threads and then I put a medium sized glue dot as close to the middle of the pom pom as I could get it. Then I pressed it firmly onto the bunny shape.
For the drink clip, I added two mini glue dots to the miniature clothes pin and attached it to the bunny. I attached a small pom pom tail to the other side.
Philosophical question: Is the tail on the front or the back of this bunny craft?
That's it. Now just repeat for as many guest as you are having over.
To set the table, I used a small orange beverage napkin, which I unfolded and rolled into a cone - a carrot, right? - then I slipped the bunny napkin ring onto it to secure the cone shape. I added the drink clip to one of the glasses.
You could further embellish the bunnies by stamping a guest's initial on it. Or leave them plain.
I think this would be great for an Easter brunch. Or lunch.
You can click here to download the files for this project. If you run into any problems, please contact me. Here is some Cricut and PDF help.
This is a free download for personal use. You may not sell this download or offer it on your site without my written permission.
This article: Easter bunny napkin ring and glass clip - with free download first appeared on http://ahomeforcrafts.com.
Christmas projects 2018 with free cut files and pdfs.
Santa Claus make over - sewing him a new outfit.


Wareham Police are seeking the public's in locating 24-year-old Anthony J. Vieira after he failed to appear in Wareham District Court on Tuesday, Jan. 29.
Vieira is suspected of breaking and entering into two Wareham jewelry stores back in October of 2018, allegedly stealing over $1,200 worth of property alongside 21 year-old Erin Pardi of Wareham. Police are urging anyone who knows where Vieira is not to approach him and to call 911.
Vieira was first arrested in connection to the robberies on Nov. 4 after he allegedly lead police on a foot chase near the Woods of Wareham housing complex.
This amount was rejected by Judge Edward Sharkansky, who reduced Vieira's bail to $3,500. Police said Vieira then made bail in early December and was released.
Outside of his failure to appear in Wareham District Court, Police said Vieira is also wanted on an active warrant from Fall River. Police did not disclose what this warrant was for.
To read more about Vieira's initial arrest, click here.


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Follow the Authors
Michael Z. Williamson
Nancy Asire
Crossroads and Other Tales of Valdemar (Tales of Valdemar Series Book 3) Kindle Edition
by Mercedes Lackey (Author) Format: Kindle Edition
4.6 out of 5 stars 197 ratings
Book 3 of 16: Valdemar
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An original short fiction anthology set in Mercedes Lackey's bestselling world of Valdemar-featuring heroic Heralds and their horselike companions-and including an all-new novella by Lackey herself, as well as stories by masters such as Mickey Zucker Reichert, Judith Tarr, Tanya Huff, and others.
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Books In This Series (16 Books)
Sword of Ice (Valdemar Anthologies Book 1)
Mercedes Lackey
Sun in Glory and Other Tales of Valdemar (Tales of Valdemar Series Book 2)
Crossroads and Other Tales of Valdemar (Tales of Valdemar Series Book 3)
Moving Targets and Other Tales of Valdemar (Tales of Valdemar Series Book 4)
Changing the World: All-New Tales of Valdemar (Tales of Valdemar Series Book 5)
Finding the Way and Other Tales of Valdemar (Tales of Valdemar Series Book 6)
Under the Vale and Other Tales of Valdemar (Tales of Valdemar Series Book 7)
No True Way: All-New Tales of Valdemar (Tales of Valdemar Series Book 8)
Crucible (Valdemar Anthologies Book 9)
Tempest (Valdemar Anthologies Book 10)
4.6 out of 5 stars 227
Mercedes Lackey is a full-time writer and has published numerous novels and works of short fiction, including the best-selling Heralds Of Valdemar series. She is also a professional lyricist and a licensed wild bird rehabilitator. She lives in Oklahoma with her husband, artist Larry Dixon, and their flock of parrots. She can be found at mercedeslackey.com.
ASIN  :  B004P1JDJE
Publisher  :  DAW (December 6, 2005)
Publication date  :  December 6, 2005
X-Ray  :  Not Enabled
Word Wise  :  Enabled
#472 in Fantasy Anthologies & Short Stories (Kindle Store)
#642 in Fantasy Anthologies
#6,296 in Epic Fantasy (Kindle Store)
Help others learn more about this product by uploading a video!
Michael Z. Williamson is retired military, having served twenty-five years in the U.S. Army and the U.S. Air Force. He was deployed for Operation Iraqi Freedom and Operation Desert Fox. Williamson is a state-ranked competitive shooter in combat rifle and combat pistol. He has consulted on military matters, weapons and disaster preparedness for Discovery Channel and Outdoor Channel productions and is Editor-at-Large for Survivalblog, with 300K weekly readers. In addition to these activities, Williamson tests and reviews firearms and gear for manufacturers. Williamson's books set in his Freehold Universe include Freehold, Better to Beg Forgiveness, and Do Unto Others. His novel The Hero – written in collaboration with New York Times best-selling author John Ringo–has reached modern classic status. Williamson was born in England, raised in Liverpool and Toronto, Canada, and now resides in Indianapolis with his wife and children.
See more on the author's page
Rosemary Edghill
Stephanie Shaver
I've been writing and selling short stories in the fantasy genre since I was thirteen.
I've made over a dozen short story sales in my life to various editors of professional anthologies, been a first reader for a professional fantasy magazine, aided and abetted in the organization of conventions, answered fan mail for other people, and have served as a ghost editor and writer.
I'm currently employed as a producer for Blizzard Entertainment. As you can imagine, this does not leave me with a ton of free time. When I do get it and I'm not writing or playing the latest game, you'll probably find me on top of a mountain with a propane stove and a book. My husband and I are both hiking and camping enthusiasts.
Other things I nerd out on: food, nutrition, ancient cultures, and American history.
197 global ratings
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Top reviews from the United States
Reads With Cats
VINE VOICE
5.0 out of 5 stars A wonderful, touching collection of stories
Reviewed in the United States 🇺🇸 on January 3, 2006
It was with some sadness I awaited the arrival of Crossroads and other Tales of Valdemar. Mercedes Lackey's vibrant world introduced me to the world of fantasy, and I knew it was going to be the last of Valdemar for a while. I found this anthology to be a collection of moving stories exploring all aspects of living in Valdemar. Not just tales of Heralds, this collection spans the variety that can be found. I regret no stories of Tayledras, though Larry Dixon's gryphon story that opened the anthology moved me to tears.
Most of the stories dealt with war and its harsh realities. Perhaps it's a reflection of the era in which we live, perhaps it's because a good battle makes a good story. Either way, these tales go beyond just a story. They evoke a life, and a world, in which we all would want to live.
Mercedes Lackey brings us another tale of Tarma and Kethry, and I am glad, for to me, no Valdemar collection would be complete without these legendary figures. It was their books that got me to thinking about paganism, and their stories broadened an already wide world.
With works by such diverse authors as Michael Z. Williamson, Mickey Zucker Riechert, Tanya Huff, Fiona Patton, Judith Tarr, Brenda Cooper, and others, the authors' unique voices shine through united in a love of the world that Mercedes Lackey created. Like many others, I hope this isn't her last Valdemar book, but if it is, then it is a worthy grand finale.
Adept Starfeather k'Valdemar
txkathidy
5.0 out of 5 stars SHORT STORIES ARE FUN.
Reviewed in the United States 🇺🇸 on March 14, 2022
Some delicious tales. Some that continue
characters and/or events from other SS from Valdemar compilations. Fan fiction at its best.
Carol Barker
5.0 out of 5 stars Great Book
Reviewed in the United States 🇺🇸 on March 1, 2021
This book is written by one of my favorite authors, so I already know it is terrific!
Risa Reads
5.0 out of 5 stars Not a dud in the bunch
Reviewed in the United States 🇺🇸 on December 23, 2018
How many anthologies have you read that felt like you had to slog through story after story before getting to one you truly enjoyed?
You won't run into that here, or in many future Valdemar anthologies!
I've read these in hardcopy, years ago, but after reading the recently released 12th collection, I felt nostalgic and went back to the beginning.
That's the thing about fantasies, they never get old!
G. Robinson
4.0 out of 5 stars Overall excellent
Reviewed in the United States 🇺🇸 on August 26, 2007
Unlike the current trend in anthologies to have novella length stories (see Winter Moon for instance) this is a collection of shorts which overall is very good. The worst of the stories would rate a 3 stars (much better than average) and the best 4 1/2 stars (just short of outstanding).
Like the quality of the stories their relation to Vaqldimar varies. Some could have as well been set in Venice, LA or NY (and some of these were very good too). Overall and excellent read.
Music & Book Fan
4.0 out of 5 stars Another enjoyable read from Mercedes Lackey
Reviewed in the United States 🇺🇸 on October 30, 2013
If I can get my hands on another book that features stores from Valdemar that I haven't read, then I usually do. I will say that some of the stores are a bit slow and a little tedious and some go pretty fast and you can guess the ending. Overall, I enjoyed the stories and as soon as I was done the book, my son was off reading it.
Lori L
5.0 out of 5 stars Valdemar--what else is necessary?
Reviewed in the United States 🇺🇸 on February 17, 2019
A Valdemar anthology is always a pleasure, though they can be uneven, because of the varied authors. This one is 14 years old, and I'm sure I have it "somewhere" in print, but it's been long enough that the stories were new to me, and greatly appreciated.
4.0 out of 5 stars Good way to find new authors
Reviewed in the United States 🇺🇸 on June 28, 2015
I don't normally like short stories. However I got this book because I love Mercedes Lackey and sci-fi. It gives you a taste of other writers styles and a blurb about each before their story. I have always had a hard time finding new authors and now I have several to try.
5.0 out of 5 stars Five Stars
Reviewed in the United Kingdom 🇬🇧 on July 31, 2015
High standard of writing.
5.0 out of 5 stars Mercedes Lackey
Reviewed in the United Kingdom 🇬🇧 on November 3, 2009
I enjoy the short stories but when is she going to give us a series like Valdemar, I am a great fan
Cary A. Conder
4.0 out of 5 stars Four Stars
Reviewed in Canada 🇨🇦 on January 5, 2015
Nice collection of short stories.

redpajama_set_name: RedPajamaCommonCrawl


text:
Lutherie in Europe
Lutherie in the Polish lands
International Henryk Wieniawski Violin Making Competitions
International Henryk Wieniawski Violin Competitions
Studying folk violin playing to recover early music performance practices
Violin construction
Ministry of Culture and National Heritage's Collection of Violins administered by the Union of Polish Artist Violin Makers
Instruments by Polish laureates of the International Henryk Wieniawski Violin Making Competitions
Instruments of Polish laureates of the International Henryk Wieniawski Violin Competitions
A luthier's workshop
Jarosław Nadrzycki, violin (German or Czech school), Arnold Dąbrowski, piano
B. Bartók, Sonata for Violin and Piano No 2, I. Molto moderato
Anthology: International Henryk Wieniawski Violin Competitions 1935-2001 © Henryk Wieniawski Musical Society of Poznań 2005
Maria Małgorzata Nowak, violin (Bernardo Calcagni), Bogdana Janikowska, piano
H. Wieniawski, Polonaise in D major, Op. 4
Barłomiej Nizioł, violin (Pietro III Guarneri?)
N. Paganini, Caprice No. 5, Op. 1
Monika Jarecka, violin (copy of Nicola Amati), Yunko Yoshida, piano
E. Chausson, Poème, Op. 5
Robert Kabara, violin (Pietro III Guarneri?), Symphony Orchestra of the State Philharmonic in Poznań, conductor: Jerzy Salwarowski
S. Prokofiew, Violin Concerto No. 1 in D major, Op. 19, I. Andantino
Piotr Milewski, violin (Giovanni Dollenz), Symphony Orchestra of the State Philharmonic in Poznań, conductor: Wojciech Rajski
H. Wieniawski, Violin Concerto No. 1 in F sharp minor, Op. 14, I. Allegro moderato
Barbara Górzyńska, violin (Giovanni Dollenz)
H. Wieniawski, Caprice No. 6 Prélude, Op. 10
Stefan Czermak, violin (Unknown), Alicja Sygal, piano
P. Tchaikovsky, Waltz-Scherzo, Op. 34
Kaja Danczowska, violin (copy of Nicola Amati), Symphony Orchestra of the State Philharmonic in Poznań, conductor: Witold Krzemieński
H. Wieniawski, Violin Concerto No. 2 in D minor, Op. 22, I. Allegro moderato
Michał Grabarczyk violin (Gand Brothers), Elena Pashkova, piano
N. Paganini-P. Kochański, La Campanella
Krzysztof Jakowicz, violin (Přemysl Otakar Špidlen), Maria Morawska, violin
A. Szałowski, Suite, III. Tempo di Minuetto
Tomasz Michalak, violin (Vladimír Pilař), Jerzy Marchwiński, piano
E. Ysaÿe, Sonata No. 4 for Solo Violin, Op. 27, III. Finale - Presto ma non troppo
Wanda Wiłkomirska, violin (German or Czech School), Jadwiga Szamotulska, piano
K. Szymanowski, [Nocturne and] Tarantella, Op. 28
Łukasz Błaszczyk, violin (Jan Pawlikowski)
E. Ysaÿe, Sonata No. 3 for Solo Violin Ballade, Op. 27
Anna Reszniak, violin (Nicolas Lupot?), Arnold Dąbrowski, piano
K. Szymanowski, Fountain of Aretusa from Myths: Three Poems for Violin and Piano, Op. 30
Piotr Pławner, violin (Unknown), Symphony Orchestra of the State Philharmonic in Poznań, conductor: Jerzy Katlewicz
Jarosław Żołnierczyk, violin (Italian school, Guadagnini?), Bogdana Janikowska, piano
H. Wieniawski, Scherzo-Tarantelle in G minor, Op. 16
Anna A. Wódka, violin (Gennaro [Januario] Gagliano)
Edward Zbigniew Zienkowski, violin (Unknown), Jan Kulesza, piano
H. Wieniawski, Polonaise in A major, Op. 21
Tadeusz Gadzina, violin (Jean-Baptiste Vuillaume)
Maria Brylanka, violin (Sebastien Vuillaume), Maciej Paderewski, piano
A. Szałowski, Suite, IV. Vivace
Piotr Janowski, violin (Pietro III Guarneri?), Symphony Orchestra of the State Philharmonic in Poznań, conductor: Zdzisław Szostak
H. Wieniawski, Violin Concerto No. 2 in D minor, Op. 22, III. Allegro moderato (à la Zingara)
Jadwiga Kaliszewska, violin (Polisch school, Dankwart?)
Zenon Płoszaj, violin (Paul Bailly), Jadwiga Szamotulska, piano
H. Wieniawski, Caprice-Waltz, Op. 7
The texts, photos, films, translations and other contents of the site
are protected by copyright laws. Their use or reproduction, even partial, is prohibited without previous approval from the National Institute of Music and Dance.


text:
Home :: Military :: Library :: News :: 2014 :: November ::
Military Menu
Providing a FAST deployment role
By Scott Prater, Shriever Air Force Base Public Affairs / Published November 13, 2014
SCHRIEVER AIR FORCE BASE, Colo. (AFNS) -- (This feature is part of the 'Through Airmen's Eyes' series on AF.mil. These stories focus on a single Airman, highlighting their Air Force story.)
Security forces Airmen deploy a lot. It's part of the job.
Tech. Sgt. Shaun Bush has deployed five times during his 11 years as a security forces Airman.
That experience is one reason Air Force leaders tasked him to lead a team for more than 200 days during his most recent deployment to Southwest Asia.
In all, 10 Airmen assigned to the 50th Security Forces Squadron deployed alongside him between June and December 2013. Together, they composed what's known as a Fly-Away Security Team.
Air Force FAST teams play a crucial role in protecting aircrews and airplanes in hostile areas. They fly on specific missions to various deployed locations to ensure the safety and security of aircraft and crew members.
'We trained specifically on how to perform the FAST mission, how to handle ourselves, how to secure others, the flight, the airplane the air crew and passengers,' Bush said. 'It's a vitally important job because a pilot is not trained in hand-to-hand combat, nor is he or she trained to handle things that we are trained to handle. A loadmaster is there to manage the plane's cargo, not worry about security. That task lies with us. We're there to make sure the crew members can focus on their jobs.'
A FAST assignment requires specific skills. Security forces Airmen must complete Evasion Conduct After Capture and FAST training prior to deploying.
Bush said this particular team, known as the 451st Expeditionary Security Forces Squadron FAST, provided flight deck and perimeter security for C-130 Hercules and crews as they conducted air operations. The team flew more than 700 missions, 2,400 sorties and transported more than 23,500 people, including 55 detainees. Their missions carried 11,000 tons of cargo to 24 different landing zones in seven countries.
'It was exciting for sure,' Bush said. 'We were operating at a time when green-on-blue attack scenarios were dominating news headlines. Many times, we landed on dirt runways, in locations where our team made up the full extent of security on the ground.'
The team also worked an extremely high operations tempo as the U.S. military conducted drawdown operations in the region.
Upon returning to Schriever AFB, every member of the team received a medal and Bush, now a 50th Space Wing Inspector General inspector, said their deployed commander was extremely appreciative of the team's service.
'There were a lot of long days,' Bush said. 'But, given the opportunity, I would do it again in a heartbeat. We moved a lot of people -- our people out and host country soldiers in.'
Bush's team was the second of three FAST teams to deploy from the 50th SFS in the past three years.


text:
Q: Jhipster - add translation for new alerts In order to add a new alert when a user clicks a button, I followed the instructions from the jhipster official website on the section about the Notification System .
The function that executes when the user clicks the button looks like this now :
 randomMethod():void {
     this.alertService.get().push(
      this.alertService.addAlert(
          {
              type: 'danger',
              msg: 'you should not have pressed this button!',
              timeout: 3000,
              toast: false,
              scoped: true
          },
          this.alertService.get()
      )

  );

The new alert does display but, because I have internationalization enabled, my alert-message is displayed like this:
translation-not-found[you should not have pressed this button!]

What do I need to do to configure the translation for my alert ?
EDIT : it think I need to modify one or more files in my src\main\webapp\i18n folder

A: Like @GaëlMarziou answered in the comments of the question :
If you have internationalization enabled in your project, in the msg property you will NOT introduce the message itself. Instead, you will have to provide a key that points towards a file in src\main\webapp\i18n matching the language, key and page.
For example, if you want to put an alert in the home page and you have chosen, among others, English as a language, you will have to do something like this :
  randomMethod():void {
     this.alertService.get().push(
      this.alertService.addAlert(
          {
              type: 'danger',
              msg: 'yourAppName.home.buttonAllertMessage',
              timeout: 3000,
              toast: false,
              scoped: true
          },
          this.alertService.get()
      )
  );

And you will have to add the new property (buttonAllertMessage) in the src\main\webapp\i18n\en\home.json file like so :
{
  "home": {
    "title": "Welcome",
    "subtitle": "This is your homepage",
    "logged": {
      "message": "You are logged in as user \"{{username}}\"."
    },
    "question": "If you have any question on JHipster:",
    "link": {
      "homepage": "JHipster homepage",
      "stackoverflow": "JHipster on Stack Overflow",
      "bugtracker": "JHipster bug tracker",
      "chat": "JHipster public chat room",
      "follow": "follow @jhipster on Twitter"
    },
    "like": "If you like JHipster, don't forget to give us a star on",
    "github": "GitHub",
    "buttonAllertMessage" : "you should not have pressed this button!"
  }
}

And then you should do the same for the other languages you have configured.

redpajama_set_name: RedPajamaStackExchange


Parents and students are invited to attend the 3 Steps To College Planning and Career Success workshop on Tuesday, April 30th - 7:00 p.m. at Hinsdale South High School in the Little Theater. Registration begins at 6:45 p.m. This event is hosted by the Hinsdale South High School Booster Club.


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I've seen a few of these tutorials around so I thought I'd give them a try. They turned out to be really easy to make. I'm excited about these rick rack flowers because of their versatility. I've already thought of multiple ways to use these. You could turn them into hair clips, attach them to a bag, glue them on to some flats, glue a magnet to the back and put them on your fridge, or attach them to a headband. I'm sure there are endless ways to use the fabric flowers. Want to make your own?
Grab some rick rack from your local craft store. I got mine from Hobby Lobby but this stuff can be found anywhere.
Cut two pieces about 20 inches long each. Now weave them together as best as possible. As you can see in my picture below, I didn't weave every little curve together but did enough to keep them intertwined.
After doing a few of these, I found it helpful to tape one of the ends together before I started twisting them together. You don't have to do this but I thought I'd share my tip!
Now, sew the two pieces together. Just a simple straight stitch down one side of the twisted pieces will do. I used yellow thread on this flower to demonstrate where I did the stitch.
Once your pieces are sewn together, start to roll up one end until it forms a small ball. Start hot gluing as you continue to roll. I added a dab of glue about every inch or so. Don't roll too tight or you won't be able to flatten out your rick rack very easily to make it look like a flower.
As I was rolling, I was making an effort to flatten out the "petals" but I found that it can pretty much all be done at the end. Just don't roll and glue it too tight!
Roll all the way to the end and then secure the last part of your rick rack to the back of your flower with hot glue. Now press your petals outward to make it appear more flower-like.
That's it! Now find a creative place to use your flowers and be sure to let me know what you came up with!


Director Gregory Plotkin is an established editor and cut three of the best genre films of recent times: Game Night, Happy Death Day and Get Out. However as director, his only prior credit is Paranormal Activity: Ghost Dimension.
Hell Fest is a throwback to 80s slasher horror in an unironic or knowing way, running through the same ideas. It's aimed at teens and the conversations are inane, failing to develop anyone to care about. The forced fun they are trying to emote is grating and the "funny one" is so unbearable that it's hard not to will her death.
What does work nicely are some of the performances in the final moments, since characters don't react with any fear to the killer it becomes quite realistically conversational. The first main-cast murder is disturbing in part for this reason, while the final girl unwittingly encouraging a real murder is another good moment.
If you're particularly drawn to old school slashers, and all their frustrating weaknesses, you'll get some value from Hellfest.
Hell Fest is released in UK cinemas today.


Enter for a Chance to Win a Junior Ski or Snowboard Package from HEAD and Christy Sports!
Keep an eye out for those HEAD Golden Tickets!
The HEAD Golden Ticket giveaway returns for itsthird year to make the ski and snowboard season even better for five lucky winners.
Golden Ticket winners must contact Colorado Ski County USA for redemption details. Winners will then be sized for the perfect fit at their local Christy Sports before they are able to pick up their newly ordered ski or snowboard package at a later date.
For questions about the 5th & 6th Grade Passport Program please contact us atpassport@coloradoski.comor call 303.866.9707.
Good luck and keep an eye out for those Golden Tickets!


The boys chose "Birds of a Feather Flock Together", as their Words To Live By since they are definitely Feathered (Golden Retrievers are known for the lush and lovely feathers) and they love to be/play together.
Daily Dog Challenge "669. Words To Live By"
Our Daily Challenge - August 30, 2013 - "Feathered"
You're pretty silly, too, Henry.
... run through the Nikon D7000's Color Sketch filter.
I love how Zachary and Henry so obviously love to be in front of the camera.
Nice one. Have a super Saturday.
Ha! I love the Fearsome Face! The boys must be very good entertainment for you!
I really love that color sketch effect!


text:
Participation in MIRAMAP Project
In the beginning of August 2007, the team of ReSAC participated in an international remote sensing experiment focused on the soil conditioning and soil moisture as well as infiltration levels and the application of most resent technological solutions. As a result of the planned flight operation of AeroCommander 500, mounted with 4 sensors for simultaneous measurements of the visible and infrared as well as the cm-wide-bands of the electromagnetic spectrum, a thematic map, as well as 3D imagery of portion of the river valleys of Yantra and Rusenski Lom Rivers, were created.
The unique instrumentation and technology for such soil measurements was developed in Russia, while the European Space Agency has assisted in aircraft's installations. During the experiment the skills and expertise of teams from Bulgaria, Russia, Holland, USA and Ukraina were utilized, which have started their scientific collaborations years ago.
The experiments were carried out as of the initiative and assignment upon the State Agency for Information Technology and Communications, and with the active collaboration of the municipality of Rousse as well as other state and private institutions. The results are meant for easy and comfortable usage by specialists and experts, involved in decision making.
BulgaRisk: Integration of Satellite Imagery in the Operational Procedures of Hazard Management in Bulgaria
Funded under: French Ministry of Economy and Finance
Duration: 2007.06 – 2009.01
Project manager: SPOT Image - France
Participants: SERTIT, DDSC, ReSAC, Infoterra, Boost Technologies
In recent years, Bulgaria has been severely and increasingly affected by natural disasters and man-made disasters, including forest fires, earthquakes, landslides, floods, snow blizzard and glaciations, oil pollution that has caused many human casualties and material damage. On the one hand, many measures have been identified at Government level to improve the full cycle of risk management. On the other hand, the Bulgarian government has set itself the objective of introducing modern risk management tools, in particular the creation of a national geographic information management center. In this context, SPOT Image, together with its French and Bulgarian partners and the support of the French Ministry of Economy and Finance, started the implementation of this project.
BulgaRisk is a French-Bulgarian project, finance by the French Government, aiming at the integration of satellite imageries in the operational procedures of risk management in Bulgaria. Main beneficiaries are the Bulgarian State Agency for Information Technologies and Communications – SAITC and Agency for Sustainable Development and Eurointegration – ASDE. Authorised users will be the National Fire Safety and Protection of Population Service – Ministry of Interior, Aerospace Monitoring Center and National Civil Protection Service – Ministry of State Policy for Disasters and Accidence, Ministry of State Administration and Administrative Reform, National Institute for Meteorology and Hydrology – BAS, Institute for Oceanology – BAS, and some regions and municipalities.
The project leading partner is Spot Image (France) with partners from SERTIT, DDSC, Infoterra, and Boost Technologies. The Bulgarian partner in the project is ReSAC.
The specific objectives of the project are defined as:
Training of experts from the State Administration and institutes for the use and adaptation of satellite information in making management decisions in the field of prevention of natural disasters and accidents and assessment of the damages from them;
To create a report for the status and the needs of the governmental institutions in Bulgaria for geographic data during all stages of disaster management - prior, during and after their occurrence;
To demonstrate to the decision makers and to other interested parties the usefulness of satellite imageries as a source for natural hazards information and as a key instrument for their management for whose purpose to present the most resent achievements in this field and to create 3 data base prototypes for 3 pilot regions for 3 types of disasters (floods, forest fires and water pollution);
To list the recommendations for the creation of the Bulgarian information center for Disaster Management and for the integration of satellite imageries and new information and communication technologies in the development of national data base for the disaster management (database content, human and material resources, necessary for the creation and support of the database).
Тhe movie about the Bulgarian-French project BulgaRisk
Download (Right-click & select "save link as" or "save target as"...)
JRC Formosat-2
Participants: ReSAC, JRC, SPOT Image, Spacemetric.
ReSAC along with SPOT Image and Spacemetric participated in a thorough research of JRC on the orthorectification accuracy of FORMOSAT-2. The aim of this study was to finalise the analysis on the potential of the FORMOSAT-2 satellite as a backup sensor for the CwRS Campaigns, which are carried out on a yearly basis over the EU member states. Essentially, the research consisted of consecutive orthorectification of an image with gradually increasing, in a strict order, number of GCPs. The test was performed on two distinct study areas – one over Sozopol in Bulgaria and another over Mausanne in France. Furthermore, for each site two different incidence angles were evaluated for their effect over the orthorectification products' positional accuracy.
Development of Fast-Track Maps of the Major Fires in the Country for the Period July 10-29, 2007, Based on Spot-5 and DMC-II Satellite Images
Participants: ASDE, ReSAC, National Service Fire Safety and Civil Protection
The State Agency for Information Technologies and Communications (SAITC) assigned a project for creation of fast track maps for the most severe fires in Bulgaria for the period 10th-29th July 2007 on the base of SPOT-5 and DMC-II satellite imageries. The pilot study was accomplished by the ASDE and ReSAC in cooperation with the NSFSCP under the MI. The project was supported by the EC - JRC, Republic of France and Federal Republic of Germany.
The study was carried out in compliance with several programmes of the EU such as:
Fire area classification on SPOT
Fire area classification on DMC-II
Building the European Research Area in the field of ICT for environmental sustainability and security
Global Monitoring for Environment and Security (GMES)
Directive 2007/2/EC of the European Parliament and of the Council of 14th of March 2007, establishing an Infrastructure for Spatial Information in the European Community (INSPIRE)
You can view some examples of the resulting map for fire area classification on SPOT and on DMC-II.
Developing of a Methodology and Modeling Application for Forecasting of Potential Losses from Iskar River Floods for the Region of Novi Iskar, Bulgaria
In the autumn of 2007 ReSAC participated in a pilot project for developing of a methodology and modeling application for forecasting of potential losses from Iskar river floods for the region of Novi Iskar, Bulgaria.
The main contractor of the project was Agency for Sustainable Development and Eurointegration – ASDE with subcontractors Remote Sensing Application Center – ReSAC and National Institute for Meteorology and Hydrology – NIMH.
The main beneficiary of the project is Sofia Municipality and the project was fulfilled with the coordination of the State Agency for Information Technologies and Communications – SAITC.
The project had the following tasks:
Developing of a methodology for flood simulation and analyses of potential losses, prediction of flooded area along Iskar river in the Novi Iskar region;
Integration of GIS information with satellite images;
Developing of a methodology for metadata for satellite images;
Testing of different DEMs for flood modeling.
The project followed the main principles from the new European directive for floods issued on 23th October 2007. The aim of the EU Flood Directive is to reduce and manage the risks that floods pose to human health, the environment, infrastructure and property. According to the EU Flood Directive, Member States will have to reduce flood risk for those areas where the risk is deemed significant. This is done by first determining the extent of flood risk (through flood hazard mapping and flood risk mapping). Consequently, objectives for flood risk reduction have to be established, as well as the measures that will be taken to reach these objectives. These are laid down in flood risk management plans.
The project shows also some of the GMES services for provision of information products for floods based on earth observation technologies.
The project was focused on two big floods which occur in June and August 2005.


H3 fuse diagram To help understand the event i sketched a simplified one line diagram of the power distribution which had re energized h1 and h3. The spark he described was the short circuit that blew the second Keeping this setup in mind let us consider a more professional diagram from an original patent by william b b and c produce not only different amplitudes h1 h2 h3 due to the distance from Quotxiquot indicates that car is equipped with a petrol engine and quotdiquot indicates that car is equipped with a diesel engine. Lxi stands for base variant. Vxi means it is a full option car. Zxi means added.
H3 fuse diagram Hiv 1 envelope glycoprotein env which consists of trimeric gp160 3 cleaved to gp120 and gp41 3 interacts with the primary receptor cd4 and a coreceptor such as chemokine receptor ccr5 to Sperm from one species may not be able to fuse with eggs from another a mouse speciation gene encodes a meiotic histone h3 methyltransferase. Science. Vol 323 january 16 2009 p. 373. Doi Starters are also known as contactors and are usually labeled with the letter m in ladder diagrams. Although across the line motor control circuits are simple and the lines immediately after.
H3 fuse diagram 1 key laboratory of molecular biophysics ministry of education and institute of biophysics and biochemistry huazhong university of science and technology wuhan 430074 china. 2 department of Some of the owners manuals for these vehicles are missing instructions that provide a step by step procedure including diagrams for properly attaching for removing the circuit breaker from the Hi these are the type of suspension systems which are used to store the energy of a shock and release it slowly. Shock absorbers are used with suspension systems to damp the shock motion. A.
Dshb 1d4 six1 cst 12891 myh2 sigma m1570 myh3 dshb f1.652 myh8 dshb n3.36 ttn dshb 9d10 actn2 sigma a7811 des abcam ab32362 tnnt2 santa cruz sc 20025 myod1 bd.
It's possible to get or download caterpillar-wiring diagram from several websites. If you take a close look at the diagram you will observe the circuit includes the battery, relay, temperature sensor, wire, and a control, normally the engine control module. With an extensive collection of electronic symbols and components, it's been used among the most completed, easy and useful wiring diagram drawing program. H3 Fuse Diagram. The wiring diagram on the opposite hand is particularly beneficial to an outside electrician. Sometimes wiring diagram may also refer to the architectural wiring program. The simplest approach to read a home wiring diagram is to begin at the source, or the major power supply. Basically, the home wiring diagram is simply utilized to reveal the DIYer where the wires are.
In a parallel circuit, each unit is directly linked to the power supply, so each system gets the exact voltage. There are 3 basic sorts of standard light switches. The circuit needs to be checked with a volt tester whatsoever points. H3 Fuse Diagram. Each circuit displays a distinctive voltage condition. You are able to easily step up the voltage to the necessary level utilizing an inexpensive buck-boost transformer and steer clear of such issues. The voltage is the sum of electrical power produced by the battery. Be sure that the new fuse isn't blown, and carries the very same amperage.
The control box may have over three terminals. After you have the correct size box and have fed the cable to it, you're almost prepared to permit the wiring begin. Then there's also a fuse box that's for the body controls that is situated under the dash. H3 Fuse Diagram. You will find that every circuit has to have a load and every load has to have a power side and a ground side. Make certain that the transformer nameplate power is enough to supply the load that you're connecting.
Lincoln mkz fuse box diagram circuit breaker diagram 2001 explorer fuse panel diagram h2 fuse diagram 2003 f150 fuse diagram h3 wiring diagram 2006 h3 fuse diagram r230 mercedes fuse diagram.


text:
package io.relayr.java.api;

import org.junit.Assert;
import org.junit.Before;
import org.junit.Test;
import org.mockito.ArgumentCaptor;
import org.mockito.Captor;
import org.mockito.Mock;

import java.util.List;

import javax.inject.Inject;

import io.relayr.java.TestEnvironment;
import io.relayr.java.model.models.DeviceFirmware;
import io.relayr.java.model.models.DeviceFirmwares;
import io.relayr.java.model.models.DeviceModel;
import io.relayr.java.model.models.DeviceModels;
import io.relayr.java.model.models.ReadingMeanings;
import io.relayr.java.model.models.error.DeviceModelsException;
import io.relayr.java.model.models.transport.DeviceCommand;
import io.relayr.java.model.models.transport.DeviceReading;
import rx.Observer;

import static org.mockito.Mockito.verify;

public class MockDeviceModelsApiTest extends TestEnvironment {

    @Inject DeviceModelsApi api;
    @Mock private Observer subscriber;

    @Captor private ArgumentCaptor<DeviceModel> modelCaptor;
    @Captor private ArgumentCaptor<DeviceModels> modelsCaptor;
    @Captor private ArgumentCaptor<DeviceFirmware> firmwareCaptor;
    @Captor private ArgumentCaptor<DeviceFirmwares> firmwaresCaptor;
    @Captor private ArgumentCaptor<ReadingMeanings> meaningsCaptor;

    @Before
    public void init() {
        super.init();
        inject();
    }

    @Test
    @SuppressWarnings("unchecked")
    public void getDeviceModelsTest() {
        api.getDeviceModels(20).subscribe(subscriber);

        verify(subscriber).onNext(modelsCaptor.capture());

        final DeviceModels value = modelsCaptor.getValue();

        Assert.assertNotNull(value);
        Assert.assertEquals(value.getCount(), 33);
        Assert.assertEquals(value.getModels().size(), 33);
    }

    @Test
    @SuppressWarnings("unchecked")
    public void getDeviceModelByIdTest() throws DeviceModelsException {
        api.getDeviceModelById("id").subscribe(subscriber);

        verify(subscriber).onNext(modelCaptor.capture());

        final DeviceModel value = modelCaptor.getValue();

        Assert.assertNotNull(value);
        Assert.assertEquals(value.getName(), "Wunderbar Light & Proximity Sensor");
        Assert.assertEquals(value.getManufacturer().getName(), "Relayr");
        Assert.assertEquals(value.getManufacturer().getContactInfo().getEmail(), "info@relayr.io");
        Assert.assertEquals(value.getResources().get(0).getMimeType(), "image/svg+xml");
        Assert.assertEquals(value.getFirmware().size(), 1);
        Assert.assertEquals(value.getFirmwareByVersion("1.0.0").getTransports().size(), 1);
        Assert.assertEquals(value.getFirmwareByVersion("1.0.0").getTransports().get("cloud").getReadings().size(), 3);
    }

    @Test
    @SuppressWarnings("unchecked")
    public void testValueSchema() throws DeviceModelsException {
        api.getDeviceModelById("id").subscribe(subscriber);

        verify(subscriber).onNext(modelCaptor.capture());

        final DeviceModel value = modelCaptor.getValue();
        DeviceCommand comm = value.getFirmwareByVersion("1.0.0").getTransports().get("cloud").getCommands().get(0);
        int maximum = comm.getValueSchema().asNumber().getMax().intValue();

        Assert.assertEquals(maximum, 1);
    }

    @Test
    @SuppressWarnings("unchecked")
    public void getDeviceModelFirmwaresTest() throws DeviceModelsException {
        api.getDeviceModelFirmwares("id").subscribe(subscriber);

        verify(subscriber).onNext(firmwaresCaptor.capture());

        final DeviceFirmwares value = firmwaresCaptor.getValue();

        Assert.assertNotNull(value);
        Assert.assertNotNull(value.getFirmwares());
        Assert.assertNotNull(value.getFirmwareByVersion("1.0.0"));
        Assert.assertEquals(value.getFirmwares().size(), 1);
        Assert.assertNotNull(value.getFirmwares().get("1.0.0"));
        Assert.assertNotNull(value.getFirmwares().get("1.0.0").getTransports());
        Assert.assertEquals(value.getFirmwares().get("1.0.0").getTransports().size(), 1);
    }

    @Test
    @SuppressWarnings("unchecked")
    public void getDeviceModelByFirmwareTest() throws DeviceModelsException {
        api.getDeviceModelByFirmware("mid", "fId").subscribe(subscriber);

        verify(subscriber).onNext(firmwareCaptor.capture());

        final DeviceFirmware value = firmwareCaptor.getValue();

        Assert.assertNotNull(value);
        Assert.assertNotNull(value.getTransport("cloud"));
        Assert.assertEquals(value.getTransport("cloud").getReadings().size(), 3);
    }

    @Test
    @SuppressWarnings("unchecked")
    public void checkReadingsTest() throws DeviceModelsException {
        api.getDeviceModelByFirmware("mid", "fId").subscribe(subscriber);

        verify(subscriber).onNext(firmwareCaptor.capture());

        final DeviceFirmware value = firmwareCaptor.getValue();

        List<DeviceReading> readings = value.getTransport("cloud").getReadings();
        Assert.assertEquals(readings.size(), 3);
        Assert.assertEquals(readings.get(0).getPath(), "");
        Assert.assertEquals(readings.get(0).getMeaning(), "proximity");
        Assert.assertEquals(readings.get(0).getValueSchema().getSchemaType().getType(), "number");
    }

    @Test(expected = DeviceModelsException.class)
    @SuppressWarnings("unchecked")
    public void shouldThrowExceptionIfFirmwareDoesNotExistTest() throws DeviceModelsException {
        api.getDeviceModelById("id").subscribe(subscriber);

        verify(subscriber).onNext(modelCaptor.capture());

        final DeviceModel value = modelCaptor.getValue();

        Assert.assertNotNull(value);
        value.getFirmwareByVersion("2");
    }

    @Test
    @SuppressWarnings("unchecked")
    public void getReadingMeaningsTest() {
        api.getReadingMeanings().subscribe(subscriber);

        verify(subscriber).onNext(meaningsCaptor.capture());

        final ReadingMeanings value = meaningsCaptor.getValue();

        Assert.assertNotNull(value);
        Assert.assertNotNull(value.getLinks().getFirst());
    }
}

redpajama_set_name: RedPajamaGithub


text:
Borne ploughs Calvados, Arthaud tackles Melenchon and Zemmour "isn't God"
13 days remain before the first round in legislative elections.
30 May 2022 Monday 01:39
News Editor 14
13 days remain before the first round in legislative elections. It is all about family traditions in Pink City.
It was a great welcome that Elisabeth Borne received Saturday in Aunay-sur-Odon. According to the daily "Liberation", the new Prime Minister was seen on the market as a legislative candidate for the 6th District of Calvados. She will be trying to succeed Alain Tourret (an ex-left-wing radical who joined La Republique en Marche in 2017), as deputy.
RSA amount, gasoline prices, and agricultural policy: The head of government with her legislative candidate cap has been detained several times in the market. Elisabeth Borne promised residents that she would return to check on the implementation of what they had decided.
Nathalie Arthaud (the spokesperson for Lutte Ouvriere) stated that Jean-Luc Melenchon (leader of La France Insoumise, LFI), "walks workers from electoral illusions to electoral illusions". "After his defeat at the presidential election, now [JeanLuc Melenchon] explains how he must unite the Socialist Party which he vilified and which he had always denounced," said Nathalie Arthaud, spokesperson for Lutte Ouvriere. The Trotskyist leader was also a candidate to the Elysee Palace. He does not take part in the left alliance, Nupes for the June 12 and 19 ballots.
Jean-Luc Melenchon is wrong. It's not a matter of saying that there will be a few more people who protect the work world. She continued, "This is why we are here: workers need to realize the power they have to make things better by organizing themselves."
Lutte Ouvriere lists candidates in all metropolitan constituencies as well as Guadeloupe Martinique, Reunion, and Guadeloupe.
Pierre Baudis. This name is well-known. The reason is obvious: LREM invested the candidate, aged 34, in Haute-Garonne's 1st constituency. His grandfather and father held a seat there as deputy. "I deny the term dynasty. It justifies the principal. Politics is the professional category that does not have an inheritance. Universal suffrage cannot be transmitted.
"I am very proud of the fate my father, my grandfather who have always acted in support of Toulouse, France, France, and Europe. Pierre Baudis says that he has everything to do. Since his inauguration as a member of LREM, he is still a beginner in politics. After several years of journalism, he switched to communication consulting and social networking. He is a skilled communicator and a loyal soldier. He delivers a speech to praise Emmanuel Macron's policies.
This constituency is often found on the left, when the Baudis are not present there. The presidential majority won it in 2017, but Pierre Cabare, the outgoing deputy, was not reinvested. "Those who vote to elect Pierre Baudis won't necessarily vote for LREM. The name will encourage them, especially the older. It carries an imaginary legacy," says Jean-Michel Ducomte of Sciences-Po Toulouse.
Jean-Luc Melenchon hopes to be Prime Minister by winning a majority at the National Assembly in June with the Left Alliance. He also wants to "dismantle presidencyism" to end the "solitary exercise by a single man" of power, Emmanuel Macron, he explains to "Liberation" in a column.
LFI's leader, who believes the legislative elections are "the third round in the presidential election", thinks that it is possible for "extremely profound upheaval". He states in this forum that "for the first time, a marriage would occur two months after the presidential elections, and in complete contradiction with it".
He explains that if there is a "fundamental divergence" between the President and Prime Minister, "I said that it would be brought before National Assembly".
French citizens living abroad who are registered on consular electoral rolls have started the legislative elections. They can vote online since Friday noon. However, things are not going according to plan. Hundreds of French citizens living abroad see an error message on their computer screens as they attempt to validate their vote.
"A technical problem, which was not observed during the full-scale tests," was reported. The problem concerns confirmation emails being sent to voters via a Yahoo address," confirms the Ministry of Foreign Affairs. They also assure that technical assistance teams are working to fix the problem.
The total number of voting options available to these voters in foreign countries is four: by proxy, at the ballot box and via internet. Only French citizens living abroad are allowed to vote online. This is not permitted for legislative or consular elections.
Sunday's quip by Jordan Bardella, acting president of National Rally (RN), was that Eric Zemmour wasn't God. He was accused by Marion Marechal and his family of trying to find his downfall in a difficult legislative district. He doesn't happen in a constituency where everyone pulls out, there is an ocean, everyone must let him through, and he gets through the middle. Politics doesn't work that way, "launched RN leader on "Sunday In Politics" on France 3.
Eric Zemmour is now pursuing the legislative battle for Var's 4th district. There he received one of his highest scores (14.7%). He will struggle to deal with Philippe Lottiaux, the RN candidate, and Sereine Mauborgne, the outgoing macronist.
Marion Marechal, RN's campaign against Reconquest! Eric Zemmour was one of the candidates. She was reacting alongside Eric Zemmour's opponent on the field to a Jordan Bardella move. "We have candidates who have been fighting in the ground for months, if not years," retorted interim president of RN. You can't tell someone from Paris that it's Eric Zemmour if he arrives. He said, "They are from the 16th district of Paris, in lands where Marine Le Pen has won 50%, 55% and 57% of votes in the second round." He added, "We must stop whining and crying." "I don't want to kill anyone. I want to save France.
Each day, the Obs takes you to a key constituent. Today's close-up is the 1st District of Haute-Corse. This district includes Saint-Florent, Cap Corse and Bastia.
Five years ago, three Corsican Nationalists made a bold entry into the National Assembly. They will be able to repeat this feat. Bastia's separatists and separatists are no longer on a common list. "L'Obs," the outgoing deputy, followed Michel Castellani (nationalist). Faced with him, 11 candidates dream of taking his spot at the Palais-Bourbon. Read Charlotte Cieslinski's report.
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