The prenatal family allowance aims to encourage motherhood by compensating for the increased costs during the period of pregnancy.
The prenatal family allowance is a monetary support provided by the State to pregnant women. This benefit is attributed to the pregnant woman, from the 13th week of gestation.
The prenatal family allowance has a value equal to that of the family allowance for children under the age of one year and varies depending on the household income.
This is one of several important supports for young mothers. The State aims, therefore, to encourage motherhood and increase the birth rate in Portugal.
Read on to learn more about prenatal family allowance.
WHAT ARE THE CONDITIONS FOR GRANTING THE SUBSIDY?
Have the reference income equal to or less than the value established for the 3rd income bracket (equal to or less than 1.5xIASx14).
The value of the IAS (Index of Social Support) is € 421.32.
It is also necessary to take into account that the applicant for the prenatal family allowance and his / her household can not, at the date of the application, have movable assets (such as bank deposits, stocks, bonds, savings certificates, participation and units in collective investment institutions) in the amount of more than € 101,166.80, corresponding to 240xIAS.
HOW TO CALCULATE THE REFERENCE YIELD VALUE?
The reference income is calculated by summing the total income of each household member, divided by the number of children and young people entitled to the family allowance, in that same household, plus one and more the number of unborn children.
The amount calculated through this calculation is included in different income brackets.
The income brackets are established on the basis of the IAS and the value to be considered is that set for the year to which the household income on which the reference income of the household is based.
3rd step – More than € 5,898.49 to € 8,847.72.
Household income subsidies or other public housing subsidies on a regular basis.
HOW LONG DO YOU RECEIVE THE PRENATAL FAMILY ALLOWANCE?
The prenatal family allowance is assigned for 6 months, from the month following that in which the 13th week of pregnancy is reached.
In cases where the period of pregnancy exceeds 40 weeks, the prenatal family allowance is awarded for 6 months or up to and including the month of birth. If the pregnancy period is less than 40 weeks, it is attributed for 6 months and can be accumulated with the family allowance for children and young people after birth.
If the pregnancy is interrupted, the payment is attributed until the month of termination of pregnancy, and this must be reported to the Social Security services.
End the period of validity of the residence permit in national territory.
WHAT IS THE AMOUNT TO RECEIVE?
The amount of the allowance is variable, based on the reference income of the household and corresponds to the value of the family allowance for children and young people in the first year of life. In addition, it is further increased by 35% in single parenting situations.
A single parent is considered to be a pregnant woman living alone or in a common economy, with only children or young people entitled to the family allowance.
€ 95.08 for the 3rd step.
From Form Mod. RP5045-DGSS, to be submitted to Social Security or Citizen's shops.
It may be required during the period of pregnancy or within 6 months from the month following the birth.


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I read this article and found it very interesting, thought it might be something for you. The article is called Winter Keeps a Tight Grip on the Alpsand is located athttp://welove2ski.com/snow-report/january-28-2019.
The latest weather front washed across the Alps yesterday and this morning, dumping more than half a metre of fresh snow in parts of the western Alps. According to MeteoFrance's avalanche service, parts of the Chamonix valley have had 55cm of snow since Saturday night, and in Val d'Isere there's been about 30cm.
Meanwhile, further east, in the Austrian Tirol, St Anton has had 5-20cm of fresh snow, depending on altitude. Settled snow depths range from 95cm to a whopping 495cm on the Valluga at the top of the ski area.
Temperatures jumped briefly during the weekend, with the freezing point above 2000m on Saturday afternoon: but they dropped sharply as the snow fell, and the white stuff was settling in even the lowest resorts this morning.
Here's how it looked above Going in the Tirol's Skiwelt earlier today. The snow here is 170-250cm deep – impressive for a ski area that tops out at around 1900m. It's a good indication of how exceptionally snowy January has been in Austria.
This was the scene at La Croisette in Courchevel this afternoon, where the cover is 125-173cm deep.
In parts of the French Alps, the avalanche risk rose to 4/5 yesterday, with the new snow bonding poorly with existing cover. It's now settled back to 3/5 – although that still means great caution is needed, off-piste.
The southern side of the Alps also saw some snow yesterday – above Canazei in the Dolomites for example, there was 5-30cm of fresh snow, which will have freshened up the pistes nicely. However, in contrast with their Austrian neighbours to the north, the Dolomite resorts have had a fairly dry winter so far. The pistes are in great shape (this is the home of some of the world's best snow-making systems): but the cover is still thin off-piste.
Here's how it look at on the Col dei Rossi this afternoon.
Tomorrow should see a prolonged spell of sunshine in the Alps – and fabulous skiing. But after that we're expecting three separate weather fronts to move quickly through the region, on Wednesday, Thursday and Friday/Saturday.
The north-western Alps will see the heaviest snow: but on Friday it looks as though one of the storms will roll along the southern side of the Alps too, bringing significant falls to the Italian Alps. It's a weather pattern we've not seen much of this winter.
According to some mid-range forecasts, the weather will stay cold and snowy until the early next week. Next Tuesday (February 5) there's a chance warmer air will push in from the Atlantic, but it's too soon to be sure of that yet.
It's been snowing hard all day across the French Pyrenees and in Andorra. More of the same is expected on Wednesday.
Here's how it's looking at La Mongie this evening. The resort has been cut off from the outside world today because of the avalanche risk.


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Margit Frenk Freund (Hamburgo, 21 de agosto de 1925), en documentos oficiales Margarita Ana María Frenk y Freund, también conocida como Margit Frenk Alatorre, es una filóloga, hispanista, folclorista y traductora alemana nacionalizada mexicana. Es miembro de número de la Academia Mexicana de la Lengua desde 1993,12 miembro correspondiente de la Real Academia Española y de la British Academy, profesora e investigadora con doctorados honoris causa de la Universidad Nacional Autónoma de México, 3 de la Universidad de Sevilla y de la Universidad Sorbona Nueva, París III. Es hija de la traductora Mariana Frenk-Westheim. Fue esposa del filólogo Antonio Alatorre, y es hermana del endocrinólogo Silvestre Frenk.

Biografía
Margit Frenk reside en México desde 1930. Estudió en la Facultad de Filosofía y Letras de la UNAM. Hizo su maestría en la Universidad de California en Berkeley y se doctoró en lingüística y literatura hispánica en El Colegio de México en 1972, con la tesis Las jarchas mozárabes y los comienzos de la lírica románica.

En 1946, con una beca, fue un año al Bryn Mawr College, cerca de Filadelfia, y estudió literatura inglesa y teatro español del siglo XVI con el hispanista Joseph E. Gillet. Luego estuvo cinco años en la Universidad de Berkeley, donde enseñó español, aprendió italiano y estudió literatura española con hispanistas como Griswold Morley, Erasmo Buceta, William Entwistle y, sobre todo, el republicano español José Fernández Montesinos, gran especialista en Lope de Vega y en Benito Pérez Galdós que llegó a ser un verdadero maestro para ella. Tras obtener la maestría en artes en Berkeley (enero de 1949), volvió a El Colegio de México (Colmex), institución pública donde fue profesora e investigadora entre 1950 y 1980 y en la que trabajó con el hispanista argentino Raimundo Lida antes de que él marchara a los Estados Unidos en 1952. En el Colmex hizo estudios sobre el Romancero, el español oral de la Ciudad de México. Colaboró en la Nueva Revista de Filología Hispánica (NRFH), dirigida por Alfonso Reyes y coordinada por Raimundo Lida y luego por Antonio Alatorre, con quien se casó y tuvo tres hijos.4 Empezó a traducir del inglés y del alemán (el libro de Stephen Gilman sobre Cervantes y Avellaneda, El gusto literario de L. Levin Schücking y La poesía de Johannes Pfeiffer), y tradujo para el Fondo de Cultura Económica los dos volúmenes de la magna obra de Ernst Robert Curtius, Literatura europea y Edad Media latina, cuyos textos en griego y en latín fueron traducidos por Antonio Alatorre. En París y en Madrid (1951-1952) asistió a los cursos del hispanista Marcel Bataillon y empezó a profundizar en el estudio de la lírica tradicional hispánica. En 1958 comenzó a coordinar un grupo de investigadores del que al cabo surgieron entre 1975 y 1985 los cinco volúmenes del Cancionero folklórico de México. En 1962 tuvo a su tercer y último hijo.

También es profesora en la UNAM desde 1966, en la que creó en el 2000 y dirige hasta la fecha la Revista de Literaturas Populares. Es miembro del comité científico de la revista española Paremia. Fue profesora visitante en Harvard, en Heidelberg y en Hamburgo. De 1986 al 1996 fue coordinadora del Centro de Estudios Literarios del Instituto de Investigaciones Filológicas de la UNAM, donde fundó y dirigió la revista Literatura Mexicana. Es autora de 23 libros y más de 140 artículos sobre fundamentalmente lírica tradicional y folclor, en lo que es una consumada especialista, autora de compilaciones como el Corpus de la antigua lírica popular hispánica (Madrid: Castalia, 1992) y, más recientemente, del Nuevo corpus de la antigua lírica popular hispánica (México: UNAM, El Colegio de México, FCE, 2003). En 1997 publica Entre la Voz y el Silencio, libro en el que muestra cómo la "lectura" durante el Siglo de Oro español era, básicamente, una práctica oral y vocalizada. Era a través del oído como mucha gente del pueblo, iletrada, conocía obras literarias.

Margit Frenk es doctora honoris causa por la Sorbona, correspondiente de la British Academy, miembro numerario de la Academia Mexicana de la Lengua desde el 23 de noviembre de 1993 y presidenta honoraria de la Asociación Internacional de Hispanistas. En el Sistema Nacional de Investigadores tiene nivel III desde 1987, y reconocimiento como Investigadora Emérita. También es profesora emérita de la UNAM e investigadora emérita de El Colegio de México. Fue ganadora del Premio Nacional de Ciencias y Artes en el área de Lingüística y Literatura en 2000.5 En 2009 recibió el XXIII Premio Internacional Menéndez Pelayo. En 2012 se crea el Premio Internacional Margit Frenk a la Investigación sobre tradiciones poéticas.

Obras

Libros
 Del Siglo de Oro español. México: El Colegio de México, 2007. ISBN 068-12-1286-X.
 Estudios de lingüística. México: El Colegio de México, 2007. ISBN 968-12-1308-4.
 Poesía popular hispánica: 44 estudios. México: Fondo de Cultura Económica, 2006. ISBN 968-16-7368-9
 Nuevo corpus de la antigua lírica popular hispánica: Siglos XV a XVII. 2 vol. México: Universidad Nacional Autónoma de México/El Colegio de México/Fondo de Cultura Económica, 2003. ISBN 968-16-6782-4.
 Entre la voz y el silencio (La lectura en tiempos de Cervantes). Alcalá de Henares: Centro de Estudios Cervantinos, 1997/México: Fondo de Cultura Económica, 2005. ISBN 968-16-7588-6.
 Lírica española de tipo popular. Madrid: Cátedra, 12.ªed. 2001. ISBN 84-376-0096-0.
 Cancionero sevillano de Nueva York. Con José J. Labrador y Ralph A. DiFranco. Sevilla: Universidad de Sevilla, 1996. 551pp.
 Spanish Romances of the Sixteenth Century. [Texto y Música]. Con Thomas Binkley. Ed. de Bloomington: Indiana University Press, 1995. 172pp. Charla de pájaros o Las aves en la poesía folklórica mexicana. México: UNAM, 1994. ISBN 968-36-3939-9
 Symbolism in Old Spanish Folk Songs. London: Queen Mary and Westfield College, 1993.
 Ed. de Fernán González de Eslava: Villancicos, romances, ensaladas y otras canciones devotas. México: El Colegio de México, 1989. ISBN 968-12-0410-7.
 Corpus de la antigua lírica popular hispánica. Siglos XV a XVII. Madrid: Castalia, 1987, 1990. ISBN 84-7039-491-6.
 Corpus de la antigua lírica popular hispánica. Suplemento. Madrid: Castalia, 1992. ISBN 84-7039-638-2.
 Ed. de Juan Ruiz de Alarcón: Comedias. Caracas: Biblioteca Ayacucho, 1982. ISBN 84-660-0104-2.
 Literatura española del Siglo de Oro. México: Trillas, 1982. ISBN 968-24-1296-X.
 Estudios sobre lírica antigua. Madrid: Editorial Castalia, 1978. ISBN 84-7039-270-0.
 Cancionero de romances viejos. México: Universidad Nacional Autónoma de México, 3a. ed. 1984. ISBN 968-837-217-X.
 Las jarchas mozárabes y los comienzos de la lírica románica. México: El Colegio de México, 2a ed. 1985. ISBN 968-12-0268-6.
 Entre folklore y literatura. México: El Colegio de México, 2a ed. 1984. ISBN 968-12-0258-9.
 Coplas de amor del folklore mexicano. Con Yvette Jiménez de Báez. México: El Colegio de México, 1970.
 Cancionero folklórico de México. Dirigió un gran equipo compilador. México: El Colegio de México,  en cinco tomos: 1, Coplas del amor feliz (1975); 2, Coplas del amor desdichado y otra coplas de amor (1977); 3, Coplas que no son de amor (1980); 4, Coplas varias y varias canciones (1982), y 5, Antología, glosario, índices (1985).
 Lírica hispánica de tipo popular: Edad Media y Renacimiento. México: Universidad Nacional Autónoma de México, 1966.

 Traducciones
 L. Levin Schücking. El gusto literario. México: Fondo de Cultura Económica, 1950.
 Johannes Pfeiffer. La poesía. Hacia la comprensión de lo poético. México: FCE, 1951.
 Stephen Gilman. Cervantes y Avellaneda. México: El Colegio de México, 1951.
 Ernst Robert Curtius. Literatura europea y Edad Media latina. 2 vol. México: FCE, 1955. Con Antonio Alatorre.
 Edward Sapir. El lenguaje. México: FCE, 1958. Con Antonio Alatorre.
 Rüdiger Schott. Consecuencias de la expansión europea para los pueblos de ultramar. México: El Colegio de México, 1966.
 Stephen Gilman. La Celestina: Arte y estructura.'' Madrid: Taurus, 1974.

Referencias

Enlaces externos
 Bibliografía de Margit Frenk y algunos textos suyos en Dialnet.
 Currículum y autobiografía de Margit Frenk.
 Entrevista.
Entrevista de Adriana Cortés Koloffon, "Entre el corrido y la lírica popular", https://www.jornada.com.mx/2011/06/12/sem-adriana.html

Nacidos en Hamburgo
Miembros de la Academia Mexicana de la Lengua
Alumnado de la Facultad de Filosofía y Letras de la UNAM
Investigadores del Instituto de Investigaciones Filológicas
Alumnado de El Colegio de México
Hispanistas de México
Folcloristas de México
Traductoras de México
Traductores del alemán al español
Premio Internacional Alfonso Reyes
Premio Nacional de Ciencias y Artes (México)
Doctores honoris causa de la Universidad Nacional Autónoma de México
Escritores en español del siglo XX
Escritores en español del siglo XXI
Emigrantes alemanes hacia México
Doctores honoris causa por la Universidad de Sevilla
Galardonados con el Premio Internacional Menéndez Pelayo
Profesoras eméritas de la Facultad de Filosofía y Letras de la Universidad Nacional Autónoma de México
Alumnado de Bryn Mawr College
Académicos e Investigadores de El Colegio de México
Editores de México
Ensayistas de México del siglo XX
Ensayistas de México del siglo XXI
Escritoras de México del siglo XX
Escritoras de México del siglo XXI
Críticos literarios de México
Cervantistas

redpajama_set_name: RedPajamaWikipedia


Make Up For Dolls: Eylure's New Look Lash Collection - preview & giveaway!
Eylure really know lashes - they hand make all their lashes and have been doing so for nigh-on 65 years now. It was formed in 1947 by two brothers, David and Eric Aylott, renowned make up artists in the Hollywood film industry at the time, and creators of the very first false eyelashes worn by Hollywood stars like Elizabeth Taylor and Joan Collins. Now that's a claim to fame. This new collection from Eylure features both understated lashes, designed to just add length or volume to existing lashes, and more dramatic lashes, for a more fun and daring look.
Naturals #20 are a fantastic introduction to lashes - a gossamer-fine, evenly balanced lash for subtle length and fullness. If you're not used to wearing lashes, these are a great place to start. They'll just look like your own lashes have taken a gentle steroid hit, but they won't look remotely obvious. I've been wearing these now even into work (the day job) and no-one has known I'm wearing lashes, but I have had questions about what mascara I'm using :-) Clearly, these are exactly as the name describes: nice and natural.
Lengthening #116 gives lovely length, but still looking somewhat wispy and natural. They have a very slight bias towards an increase in outer-corner length, and they're slightly more dense than the Naturals, but not dramatically so.
Volume #100 are a classic, regular lash look but with lots more volume. For me, while the Naturals are a great day-time lash, the Volume lashes are a fantastic lash for night-time looks for Lash Newbies. These really fill out the lashline nicely and create gorgeous depth and volume and flutter.
Definition #120. I love these! They're a super spikey style with slightly teased tips. These are not for the faint of heart, but they're a lot of fun.
Dramatic #202 are great if you like to wear two sets of lashes on each lid, these are already a double-layered lash with a really full, fluttery, flirty, airy, fluffy finish.
These are possibly the longest flirtiest lashes I've ever seen. Not for everyday wear perhaps... gorgeous nonetheless.
Exaggerate #202 are particularly full lashes with an emphasis on the outer edge - these kind of lashes are fantastic when you're wearing a dramatic graphic cats eye, complete with super-black liner, or an uber-winged-out smokey eye, as they mirror the shape of the eye. In general, I tend to wear these kind of lashes, as I like to elongate my eyes and lift them upwards with flicks and ticks of varying degrees.
Texture #154 have a shorter length but a really chunky, dense finish - these ones manage to look like your own lashes, just a lot fuller. They're kind of a half-way house between the more understated lashes and the more dramatic ones.
I've teamed with Eylure PR to offer a giveaway of set of four of these new lashes; Volume, Texture, Dramatic and Exaggerate!
To enter, I need you to either (a) comment below, or (b) comment below my Facebook post, referencing EylureOfficial on Facebook or (c) retweet any of my promotional tweets for this post (preferably with a comment and also including @EylureOfficial). I'll run the competition for a week as I usually do, then draw the winner out of a hat. It's open to everyone as always, and I'll undertake to post the lashes to your location, wherever in the world. Incidentally, Eylure run reasonably frequent giveaways, so go and give 'em a follow or a like of Facebook/Twitter (or even both!) if you're a fan of lashes.
This new collection is launching any day now and will be available at McCabes Pharmacy, Sam McCauley Chemists, Shaws Departments Stores, Cara Pharmacy, Mulligans Pharmacy, Healthwise and most other independent pharmacies nationwide – in other words, as I mentioned before, pretty much everywhere! You'll also find Eylure online here.


2019 Maserati Levante SUV is made as an answer to the market in growth, a luxury SUV market. While other manufacturers like Porsche, Mercedes, and Lamborghini had already made their versions, Maserati started with luxury sedan Quattroporte, which is attractive, but not that interesting to the SUV buyers. However, this year they decided to change this and correct this large mistake, making a luxury SUV that answers to all demands and challenges.
Firstly the manufacturer has to resolve is how to combine a luxury design with the largeness and massiveness that SUV has to have. 2019 Maserati Levante SUV obviously has both, with many unique details. The front end is rounded and soft, with gridded elliptical grille, large front lights and mesh air intake below it. There are two air vents on the sides and small rounded fog lights on the sides of the bumper. The rear end is sharp with large rear lights spread on the sides of the bumper and wide spoiler on the rear window. Looking from the sides the car is larger than SUVs, meaning that reminds more on sedans than SUV.
The cabin in 2019 Maserati Levante SUV is expectedly elegant and luxury with many great devices and high technology in there. The dashboard, steering wheel, and the seats are covered with special Pieno Fiore natural leather, while interestingly designed dashboard has many details in chrome and modern air vents and buttons. In the middle of it stands large touchscreen, and below it is a center cluster with the clutch and important commands. The cabin is large and comfortable, with plenty of space for passengers on every seat.
The manufacturer obviously decided to follow market's demands but also competition when chosen the engine for 2019 Maserati Levante SUV. Like other luxury SUVs, this vehicle has V8 type under the hood, so instead of 3.0-liter V6 that is used in other sporty versions; this Maserati has 3.8-liter V8. Unlike this engine in Maserati Quattroporte, the version in Levante produces 582 horsepower and 538 pound-feet of torque. The speed of 60 mph increases for 3.7 seconds.
2019 Maserati Levante SUV should be on the market during this summer for the base price of $75,000, but keep in mind that with special demands and in case that you choose one of the higher trims that number could be even higher and goes to $120,000. That surely puts the model far beyond the competition. Speaking about the competition, we already said that this vehicle is made as an answer to luxury SUV class, like Mercedes-AMG GLE63, BMW X5 M, and Porsche Cayenne Turbo.


Just like our previous reports (#1 – May 17, 2012; #2 – Nov. 01, 2012; #3 – Sept. 05, 2013) the focus of this audit is strictly on the league and team websites: how they promote and integrate social media on the website. All findings are based on research of team sites on September 04-05, 2014.
The Patriots had been the only team to include promotion of Vine (albeit linking to Tim Tebow's acct, good to see they fixed that), but Philadelphia and Atlanta have added it this year.
The Jets and Redskins were again the only teams to include promotion of Reddit.
The Eagles and Saints were the only teams to promote Snapchat.
Foursquare went down by two with removals by the Texans, and Patriots.
The Chargers haven't removed their promotion of an inactive Tumblr account (http://bolts.tumblr.com/ – last post 2 years ago), while the Saints continue to frequently update theirs (http://neworleanssaints.tumblr.com).
Four teams dropped Pinterest (Cardinals, Colts, Vikings, and Rams), while the Bears were the only team to add it.
Google+ added one as the Ravens and Jaguars added it, and the Rams dropped it.
The Chargers haven't removed their inactive Flickr account (www.flickr.com/photos/sandiegochargers/ – last photo from June17, 2013), but interesting to see the 49ers add it and make it first in their list of universal social media icons on their website.
The 49ers still promote Tout and YouTube activations, but both are clearly inactive as they haven't posted a Tout since February 2, 2013 (http://www.tout.com/u/49ers), and a video since August 23, 2012 (www.youtube.com/user/sanfrancisco49ers).
*Interesting that the Eagles and Ravens are the only teams to use bottom-only universal footer icons. Missing an opportunity for immediate exposure in the top header area.
A few teams have included social graphics for download. The Cardinals and Pats need to update their offerings.
Not directly related to social media integration on the website, but wanted to callout the Packers and Redskins for including infographic pages. The Packers appear to do a better job of frequently updating theirs, but smart inclusion of content by both teams.
Solid directory here by the Falcons with five categories.
Noted this feature last year, but noticed on the page they now also include a #Ravens Instagram module. Not sure if this was strategically placed or luck of the side ad column draw, but there are opportunities for making these full page width and a more impactful visual.
The Ravens do a good job with their hashtag galleries, and I like that they let fans submit photos under multiple categories. I'd go one step further and create individual game galleries too.
Full disclosure we worked with the Panthers on the social content section. The Hub includes a promotional content viewer; feeds for Twitter, Facebook, Pinterest, Instagram, and Google+; Tweet #Panthers Button; Twitter Directory; callouts for Mobile, Foursquare, and Message Boards; Hashtag Gallery, and content admin.
Browns have the start of a good idea including a "Twitter Roster" link in their Team section, but execution could be improved. The animation appears to come from v1 of Flash, and the feed doesn't really help fans find out which of the players are on Twitter. Should include a true directory along with the feed.
Packers might be the only team to provide a graphical callout for their Promos account on Twitter. Well done on the promotion, and on creating the account in the first place – could provide nice benefits for fans.
Similar to the Patriots example, but with possibly a better display, a value-add social directory for fans by the Jags.
Interested to see if the Pats carry this through for the 2014 season, but the pats provided a curated Twitter & Instagram feed of fan photos on this page, and they also included a sponsor – Bob's Discount Furniture.
Normally not a fan of simple directory pages, because they list the main team accounts only, but in this case the Pats do a good job of listing multiple team-related accounts under most platforms which provide a solid value-add of information for fans. One addition I would add is a separate Players Directory page.
The Hashtag Schedule idea is similar to the Colts and Giants, but I like that the Eagles went a step further and under the main Schedule section included an actual link for "Hashtag Schedule".
Props to the Eagles for going the extra step and promoting their accounts on Vine and Snapchat. Make it easy as possible for fans to find you.
Nice job by the Eagles to showcase content from Snapchat the fans may have missed and creating a photo gallery out of it. Now they just need to include a description line about checking them out on Snapchat for more great photos.
The Eagles included a hashtag link in their main header bar which goes to a separate site. The callout is a little weak and hidden actually, and there are no details on what the actual purpose is, but the site features: an incredible hype video, Tagboard feed for the hashtag, links that go back to the main site for News – Team – Schedule – Photos – Shop.
Somewhat similar setup to the Pats, but with a Voting option instead of Share – Chargers showcase fan submissions from Twitter and Instagram with the related hashtag.
Much was made of the 49ers "Forty Viners" program (and rightly so), but it was very surprising to not see any promotion of the Vine channel or the program (other than the original news release) within the site. Could have been a cool content addition with a 'Forty Viners Gallery' for fans to browse on the site.


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HomeCULTURETim Complains About Beer, Vol. 2 – When Is A Beer Not Actually A Beer?
Tim Complains About Beer, Vol. 2 – When Is A Beer Not Actually A Beer?
I'm back and I've got a bee in my bonnet and a bug up my butt about beer that really isn't beer.
April 3, 2020 Tim Johnson CULTURE 0
Welcome back, dear readers, to another edition of Tim Complains About Beer. Think of this as sort of an Adam Ruins Everything, but about beer. Also, my name is Tim and not Adam. And I'm not actually funny, just grumpy. Still, you just might learn something.
What am I angry about today? Additive-laden beers.
We all have that friend who says they like coffee, but when the server fills their cup, they grab seven sugar packets and 3 things of half and half. They don't really like coffee; they like coffee-flavored drinks. That seems to be the way a lot of consumers are drinking beer these days, only instead of Sweet & Low and creamer, it's fruit and lactose. And, in this not-so-humble curmudgeon's opinion, it has gone too far!
Look, I know people have been adding stuff to beer for centuries. Many traditional lambics are fermented with fruit. A Berliner Weisse is often served mit Schuss—typically a woodruff or raspberry syrup. And I'm not saying I have a problem with adding stuff to beer. I've made a chocolate milk stout before. I am firmly on #TeamCoffeeBeer. I'll get down on a well-balanced shandy on a hot summer day, and one of my all-time favorite beers is a blood orange IPA. Heck, I'm even fine with beer cocktails. I also understand liking sickly sweet things. I housed an entire box of Cocoa Pebbles the past two days. I eat candy like a 4-year-old. So, yeah, I don't think every beer needs to be dry and bitter. As I frequently say, drink what you like.
What drives me insane, however, is when I go into a bar or brewery and I can't tell if I'm reading a beer list or a TGI Friday's drink menu. I came to enjoy a beer, not a boozy shake! A bartender who knows I'm a brewer once handed me a sample and asked me what I thought.
"I don't know," I replied.
"Come on, Tim! You always have an opinion! Do you think that is a good beer?" He's right, I'm not shy with the hot takes.
"I don't know," I repeated. "I can't taste the beer."
Tim Johnson | The Tailgate Society
I get that people like a lot of flavors but having 5 different milkshake IPAs and 3 pastry stouts on your menu isn't actually variety. And when you add so many ingredients, words start to lose meaning. I once had an "IPA" brewed with lactose, fruit and wild yeast. IPA? Get outta here! Just because you double dry hopped it doesn't mean it's an IPA! It was also a muddy mess. I couldn't finish it.
But it's not just style degradation that bugs me about these beers, it's also that at some point they cease being beer. You can call yourself a "car guy" but if I ask you what your favorite cars are and you respond, "red ones," I don't think you're a car guy. If your favorite beers all taste like blueberry juice or a strawberry malt, you don't really like beer. And that's fine! You don't have to like beer! But don't expect me to take you seriously when you self-identify as a beer snob! (To be fair, I tend to not take anyone who self-identifies as a beer snob seriously.)
At some point, all these additives materially change a beer. A brewery in Indiana recently raised some feathers when their 8% beer with raspberry, blackberry, graham cracker, cinnamon and vanilla tested out to be only 2.6% ABV! They added so many things post-fermentation, they essentially turned what was a high alcohol beer into a low alcohol fruit smoothie. Still sold, at high ABV IPA prices, though. At that point, save yourself some money and make yourself a screwdriver.
All these additives don't just dilute the beer, they can also be dangerous. Most small breweries don't pasteurize their products, and a lot are hesitant for whatever reason to add preservatives like potassium metabisulfite to make a beer shelf stable. Beer should be kept cold, but many consumers and even some liquor stores don't do that. At room temp, secondary fermentation can easily occur and all those added sugars can turn a beer into a ticking time bomb. I certainly wouldn't want to be anywhere near a can when it passes its 90 psig threshold because re-fermentation raised the beer from 2.5 volumes of CO2 to 4.0.
Look, drink what you want to drink. If you want to shell out $20 for a six pack of grapefruit juice with a hint of ethanol, be my guest. But please, keep it cold and drink it fresh. Even if it doesn't explode, oxidation can make some of these things just plain nasty.
My biggest gripe is how all these "cocktail" beers are starting to kill some really good, really clean, well-crafted styles. You know, actual beer-flavored beer. Adding a ton of cacao nibs, vanilla bean and fruit juice doesn't tell me if you're a good brewer. If anything, I may wonder if you're just covering flaws. But you do you, Boo.
Drink what you like, like what you drink, be safe, and come yell at me on Twitter at @TimJohnsonMN.
Now get off my lawn!
Beer Snob
Tim Johnson	14 Articles
A native Iowan, Tim has spent the better part of the last two decades in Minnesota. With degrees from the College of Design at Iowa State and the Graduate School of Management at Hamline University, he has done everything from graphic design to cognitive neuroscience research. Most recently he was Head Brewer at Badger Hill Brewing in Shakopee, MN. When not cracking wise on the internets, Tim enjoys hanging out with his daughter and experiencing the outdoors.
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redpajama_set_name: RedPajamaCommonCrawl


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Fanning the Flame (亀仙人の芭蕉扇, Kame sen'nin no Bashōsen, lit. "Kame-Sen'nin's Bashō Fan") is the thirteenth chapter of the Dragon Ball manga.
This chapter does not feature a cover page, but a two-page artwork, which was later included in the Akira Toriyama - The World and Akira Toriyama - The World Special artbooks, was featured in the Shonen Jump in which this chapter premiered.
"What?! The Bashō-Sen?! The magic fan that can raise a typhoon with a single wave, a thunderstorm with two and a monsoon with three?! That Bashō-Sen?!"
After arriving at Kame House, Goku and Chi-Chi see Master Roshi. When Goku introduces Chi-Chi to Master Roshi, he makes a comment saying that he would have preferred Bulma to have come with him instead because her breasts were bigger and that the name Chi-Chi was more appropriate for her. Chi-Chi who seems to not believe that he was not Master Roshi decides to take the blade out of her helmet and throw it at Roshi saying that if he can dodge it that it must really be him. Roshi turns around at the last second to try and block it with his cane, but the blade cuts through it and hits him and gets stuck in his head. Afterwards, Roshi shows her his drivers license to prove its him which she then apologizes and pulls the blade out of his head causing him more pain.
Once they request that they want to borrow the Bansho Fan to Roshi, he looks in his house for it but Umigame reminded him that he was using it as a potholder and threw it out after he spilled wonton soup on it. Instead, Roshi decides that he will journey to Fry-Pan Mountain himself to put the flames out. In exchange for putting the flames out for them though, Roshi privately sets up a deal with Goku to allow him to feel Bulma's breasts. When Goku and Chi-Chi get back on the Flying Nimbus to head back, Master Roshi summons the flying Baby Gamera to take him to Fry-Pan Mountain. Once they get back to Fry-Pan Mountain to meet back up with everyone, Roshi arrives but is dizzy from riding Baby Gamera and vomits.
Master Roshi vomits after riding Baby Gamera.
This is the only chapter in the Emperor Pilaf Saga to not feature Yamcha and Puar after their debut.


Fabulous fun Christmas card, love it.
I love that digital stamp, and your card is super cute!
Great card, love the santa on snowboard.
Wow that's a great card.
What a great card and a fun image.
Hihihi, wat een geweldig leuke digi! Ik kende hem nog niet.
Wat een leuke kaart met een grappige digi.
Fabulous card Heidy, such a great image and stunning colouring.
wat een vrolijke kerstkaart met die leuke stoere kerstman van MO en prachtig gekleurd!!
heb de booghop gedaan en zag geweldig mooie/leuke kerstkaarten en ja de digi's van MO blijven mij steeds verrassen!
geweldige kaart Heidy een totaal andere digi dan de rest van de bloghop.
I love this stamp!!! Last year I mad lots of cards with, because everybody smiles when you got such a funny christmas card.
This is one cool Santa. I wonder if he can do a half pipe? Very cute!
What a cute image!! Fabulous coloring on your card!!
What a fun card and cute image.
Wat een leuke kaart met een geweldige digi! Helemaal top!
I love this, Santa rocks. He's definitely come into the 21st century.
Oh goodness, a snowboarding Santa! Absolutely adorable and fabulous coloring, alway amazing!
Fantastic card! I love the coloring!
Awesome Christmas card! Such a fun image and your coloring is perfect! Love the stitching!
Nobody colors fur like you. Super fun card Heidy. Hugs!
A fantastic creation Heidy. Love it.
Ha,ha, are you sure this Santa is giving gifts, he looks like he is trying to make a quick getaway instead. LOL. Wonderful coloring and card design.


Kermit gone wild. Twist on the original meme.
@Supreme Dalek, But that's none of my business.
Who is this 'much' and why are we drinking to him?
Stuff like this wouldn't happen if you drink too much tea ...but that's not my business.


text:
Angelina Jolie Doesn't Know Or Care About 'Jolieing' Leg Pose Craze
By Nikki Gantt	 Last updated May 26, 2013
Angelina Jolie is unaware of the craze she started with her Oscar leg thrust. TMZ reports that Angelina told HuffPo that she didn't pay any attention to the noise that followed her rather awkward leg pose during the Academy Awards presentation.
More: Angelina Jolie's Clothing Choice Implies That She Is Pregnant
TMZ reports: Even though her Oscar night pose spawned its own photo trend and even its own Twitter handle … Angelina Jolie says she didn't pay any mind to the craze known as "Jolieing."
The woman with the most famous right leg in Hollywood tells the Huffington Post she ignored all the press following her red carpet appearance.
She told HuffPo, "I honestly didn't pay attention to it. You know what I mean? I don't watch those TV shows and if I go online and see something about myself, I don't click on it. And the people I surround myself with don't really talk about that kind of stuff … I heard something, but I didn't pay any attention."
First we're supposed to believe she just struck the pose naturally (we're sticking with our theory that she did it on a bet — someone told her they'd donate money to a children's charity if she stuck her leg out) … and now we're supposed to believe she didn't relish the attention?
More people bought tickets to "The Tourist" than believed her story.
Nikki Gantt
Nikki was, is, and will always be a huge soap opera fan. Her passion for the soaps has led her to writing about them.
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Tiffany Haddish wants to cook for Angelina Jolie: 'I feel like she hungry'
Tiffany Haddish and Salma Hayek were doing a lot of promotion last week for their movie Like a Boss. I hate to say it, but they didn't get a ton of attention, mostly because of the Golden Globes and because of the giant royal story that broke. But we can still enjoy them, and I enjoyed the hell out of their chemistry together on Watch What Happens Live. I'm including the video of the "aftershow" at the end of the post, that's where Salma and Tiff answered call-in questions. The best part is when Salma was asked about Angelina Jolie – they're working together on The Eternals, and Salma has turned into a big Jolie stan. And as it turns out, Tiffany is already a Jolie stan.
Tiffany Haddish is ready for a girls date night with Angelina Jolie! While making an appearance on Watch What Happens Live on Thursday night (January 9) with her Like a Boss co-star Salma Hayek, a caller asked Salma about what it's like to work with her Eternals co-star, Angelina.
"I have to tell you I'm still working with her, we haven't finished. I love her," Salma expressed. "I absolutely absolutely love her. We worked really well together as actresses, she's incredibly talented. I've learned to discover a lot about her. She's kind of private and I'm really impressed with her as a mother, especially."
Interrupting, Tiffany asked if Salma would "let her know that I'd like to cook a meal for her?" Hayek reassured Haddish that Angelina Jolie would "love" her.
"I met her before, and I said, 'We should hang out,'" Tiffany said, repeating, "I would love to cook for her….I'm far from being a lesbian, but if I had to be, that's probably the route I would go… We should all hang out. I also wanna just cook for her 'cause I feel like she hungry."
[From JustJared]
Damn, now I want to see THAT movie. Tiffany Cooks For Angelina. Tiffany, Salma and Angelina Hang Out. I know Angelina probably doesn't get offered any comedy scripts at this point, but I would love to see her do something lighter, and working with Tiffany would be a great call. Come on, you'd love that! Plus, Tiffany really would be like "come here Angie, smoke this joint and I'm gonna cook for us."
This whole video is a gossip goldmine, but if you just want to see the part where they talk about Angelina, it starts around the 2:20 mark. Before that question, they talk about the Duke and Duchess of Sussex leaving and Salma and Tiffany are super-supportive of Meg.
Photos courtesy of WENN.
Why aren't we talking about how Joaquin Phoenix is playing the game this year?
All of the Names the Kardashians Have Given Their Kids – With Not One "K" Name in Sight


Here's a picture of my dad in Matilda, my home on wheels. Clearly, I need to do a little housecleaning. Things get cluttered in the back when I'm staying with friends/family.
This entry was posted in WaltzingMatildaVan and tagged family, travels. Bookmark the permalink.


Some of you may remember Tommy as the Runner-Up of 'So You Think You Can Dance' back in 2010. Since then Tommy has gone from strength to strength in the world of Commercial Dance and Hip-Hop and is a leading dancer and choreographer in this field. Not only did he choreograph the amazing Hip Hop routine performed by Charles and Karen on Strictly Come Dancing 2018, he also choreographed the winners, Stacey and Kevin's, final routine!
We are so excited that Tommy has agreed to act as a Patron of Rise Studios. Having worked with Tommy back in my dancing days, I know first hand, just what a hard worker and dedicated dancer he is, and couldn't be prouder that he supports what we do here at RISE!
Tommy was born and raised in Malmö in Sweden, and started his dance training there. Before continuing his training at the Urdang Academy in London he performed in various musicals in Sweden.
In 2013 Tommy won a Critics' Circle National Dance Award in the "Outstanding Male Performance, modern category" for his role as Simeon in Some Like It Hip Hop with ZooNation, and his efforts in The Rodin Project with Russell Maliphant Company.
In the same year Tommy was also nominated for The Times Southbank Sky Arts Breakthrough Award and in 2012 the Laurence Olivier Award for "Outstanding Achievement in Dance".
The following year he co-hosted the National Dance awards alongside Royal Ballet Principal Bennet Gartside. Tommy's other theatre credits include Mad Hatter's Tea Partyas Ernest (ZooNation, Royal Opera House and Roundhouse), The Five And The Prophecy of Prana(Boy Blue entertainment) as Wang Tang, ZooNation: Unplugged, Goldberg(Kim Brandstrup, Royal Opera House), Flashmob(Sadler's Wells), Blaze, Sadler's Wells, Breakin' Convention (Sadler's Wells), Bounceand Insane In The Brain(Bounce Streetdance Company).
Tommy appeared in the feature films Harry Potter 4, Mamma Mia!, Mamma Mia 2 – Here We Go Again, Aladdin and Cats.
Tommy's choreography credits include: Strictly Come Dancing-Some Like It Hip Hop performed by Charles and Karen, earning them their highest score of the series! Mad Hatter's Tea Party, Blaze, Cher Lloyd's music video Swagger Jagger and ident The Singer Takes It All with Allan Carr.
Tommy also performed at the Beijing Olympics and Paralympics 2008 with ZooNation assisting Kate Prince with the choreography.
In 2015 Tommy set up his own Production Company and performed a solo called Smile for Sadler's Wells.


Grossing $1.5M, this practice, with fully-digitized, 5-operatory office, and TRIOS scanner, features equipment and renovation 6-years old. With one-stop shopping via a visiting oral surgeon, the office, on the whole, creates sleep appliances, implant prosthetics, clear aligner therapy, endodontics, and a strong periodontal therapy component, which utilizes a model of complete health dentistry in the community. The office building is also available for purchase or a working lease will be provided by the Seller. This location features 2256sf with its own parking lot. It is part of a growing community and has a great, professionally-trained team. It has ties to Touro Medical College and the Orange Regional Medical Center both of which are within close proximity. Seller is available to stay on 3 to 5 years, either part-time or full-time, to mentor and assist in the transition.


As a speaker I'm often asked to share with an audience with just a few minutes notice. It may be that the speaker for the event can't make it, or someone is out sick. Other times, I may need to speak about a job related subject, or something I've blogged about. While I usually have a lot of ideas flowing around in my head, they may not pertain to the subject matter of the meeting. So how do you put together a meaningful speech that pertains to the subject at hand?
If you do your homework, you can create a wonderful speaker's toolbox, and have it available at your fingertips right on your smart-phone.
1. Download Evernote on your PC, iPad, and also your smartphone. Evernote is a powerful cloud based note collection system. You can store notes, web clips, audio, pictures, and even full documents, that synchronize between your electronic devices.
2. In Evernote, create separate notebooks for speaking notes, quotations, stories, and web sites. You can create a Speaker's stack (a stack is a collection of notebooks) to organize them in one place. You can modify this as necessary to meet your needs.
3. As you discover great stories, create short outlines in a note about the story (so you can remember it) and store it in your stories folder. Be sure to include keywords in the note so you can search for them later.
4. When you hear other speakers, write down quotations from their presentations, and store them in separate notes in your quotes folder. It's also a good idea to collect popular quotations from famous people about subjects you frequently speak about. The search feature in Evernote will allow you to find pertinent quotes quickly as long as they contain keywords that you would be likely to search on.
5. When you run across blog posts, web articles, and news stories that fit your genre, create a note under your web site folder and include a link or clip the page for future reference. This will allow you to retrieve information you have read before in just minutes.
7. When asked to speak, just open Evernote on your smart phone, and search for keywords that match the topic you need to speak about. You'll have notes, quotations, and web sites available for quick retrieval in just seconds. Take a piece of paper and jot down some quick notes, including quotations. You will absolutely amaze your audience with your ability to speak off the cuff about complex subjects and include powerful quotations that match the subject matter.
8. If you happen to have an iPad, you can use that as a note reference. Just open Evernote, do a search for your subject, and place the iPad on the lectern or podium. You can refer to it as necessary.
9. The better organized and complete your Evernote notebooks are the better your on-the-spot-speech or presentation will be. Adding to Evernote on an ongoing basis will give you a treasure trove of information right at your fingertips.
The Evernote website has lots of great tutorials to help you get up to speed quickly with this powerful program. Leadership expert Michael Hyatt has a couple of helpful articles about organizing a paperless filing system and using Evernote as a speaker/writer that will help you get things organized in an efficient manner.
Extra Credit: If you are doing a quick Powerpoint presentation, you can download pictures and notes right from Evernote to insert into your slides. In only minutes you can create a powerful presentation right on your laptop or iPad.
Question: Have You Used Evernote Before?
This is Big! The new iPad has been my constant companion for the last few weeks. It is a great machine for blogging, taking notes, and wonderful as a media consumption device. But with the addition of cameras, the iPad 2 is also a personal productivity bonanza.
With the free download of the productivity software Evernote, this little powerhouse can now be a capture device. Evernote allows you to take notes and store them in the "cloud" and also store pictures. This is where the productivity increase comes from. I can now take pictures of meeting agendas, business cards, and a whole collection of sticky notes and save them online.
Since Evernote can be installed on my regular PC, I can quickly access my saved notes and photos right on my desk. This not only improves productivity, it also makes it very convenient to organize ideas and create new documents. I can also cut and paste my notes into my paper based productivity tools such as my daily top 6 planner. This gives me the best of both worlds… Paper and digital.
Now instead of coming back from a meeting with a stack of sticky notes, business cards, and scraps of paper, I now come back with a couple of photo scans. Evernote also has a basic OCR program which turns scanned text into regular text which can be copied and pasted into almost any document. The other nice thing about the text recognition is that it lets you search your graphics that have words in them from the embedded search interface. This really can save a lot of time if you have a lot of notes.
Evernote also allows me to record audio, which works well for lectures and is just a simple click from the Evernote interface. The audio plays back well and will help you remember the finer points of a speech or lecture. Overall, if you have an iPad 2, you should definitely check out Evernote. The productivity improvement can be huge!


Step onto New York City's hidden gem, Rare View Murray Hill, the gorgeous 5,000 square foot rooftop garden bar. A uniquely vast outside space for NYC real estate, the rooftop is designed into five outside rooms: Empire Lane, Picnic Patch, Beer Garden, Champagne Garden & "V.I.P" (Very Important Patio).
Across town from Rare View Rooftop Bar in Chelsea lies its partner Rare View Rooftop Bar on Lexington Avenue. It would be a disservice to let the people on the West Side of Manhattan enjoy such excellent service and not offer the exact same to those who party and reside on the East Side. Remarkably, it doesn't matter which location you visit because the impressive views of NYC are available at both venues along with fantastic music and cocktails.
Rare Lexington is also known for the seasonal cocktail menu and burgers along with other delicious picks available on their extensive menu. The bar scene is casual and upbeat, so you will never have a quiet time when stopping in for an elevated drinking experience. There is no doubt that this is a top NYC party scene where on selected nights you can enjoy live performances at this retractable rooftop bar with 360-degree views of the Manhattan skyline.


If you want to buy car part online, there is comfort in knowing that thousands of auto parts are available using the internet.
Deliveries of such parts are quick and receiving them are assured in this age of fast shipping. Online automobile parts store had cropped up catering to both domestic and car imports, of different car makes and models.
Get All Parts sells top-quality replacement automotive parts. They are the largest supplier of aftermarket replacement and crash auto parts in the industry. They specialize in new, aftermarket, used, remanufactured replacement, and salvaged auto parts for collision repair, or just to upgrade your car, truck, or SUV.
Their car part online are remanufactured and aftermarket parts come with an outstanding warranty and are guaranteed to fit, look, and perform as well or better than original-equipment auto parts at a fraction of the cost.
eEuroparts.com is a rapidly growing online auto parts retailer with nearly 20,000 parts in inventory.eEuroparts.com currently offers parts for BMW, Saab, Volvo, Mini, Audi, Volkswagen, Mercedes Benz, Porsche, and will soon be expanding our product line to include several other European makes and models. Since 2000 eEuroparts.com has offered a user friendly experience, outstanding customer service, fast free shipping, high quality products, and low prices to every customer.
Rear shock absorber (2 per car required; purchase seperately) for any 93-97 850 (without Nivomat) S/V 70 2WD (without Nivomat) 98-00 C70 (without Nivomat) 98-03. Heavy duty version (yellow).
Touring axle-back exhaust kit Made from aluminized steel this kit includes 2.5 tubing with dual 3.15 rolled tips at the rear. The touring series exhaust kits include two resonators for a milder exhaust note when compared to the Mototec sport exhaust kits. This kit will increase the sound and performance of your exhaust system by eliminating the muffler baffles and using a center perforated tube to absorb exhaust noise and reduce back pressure. This system offers a deep sound under acceleration and a softer tone while cruising. Includes hardware.
If you are looking for car part online, Auto Barn is a major presence on the Internet.


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Q: Hybrid App: Audio not playing on Android I am using Monaca.mobi to build a hybrid app. When I build the app for IOS everything is fine; however, when I build it for an android device (Nexus 7) audio does come through. In the Monaca debugger; however, the audio works fine. Is there something about android devices that I am not aware about, maybe some permissions of the app?
Sound is played through an angularJS function called on certain button clicks. I know that this code is correct, just thought I might share it:
function DontAsk($scope){
$scope.play = function(){
    var audio = new Audio();
        audio.src = 'sounds/DontEventAsk.mp3';
    audio.play();
}}

Thanks for any insight.

A: The big question here is what browser does the Monaca.mobi app use internally? The default Android browser is notorious for not supporting newer codecs like Audio that require HTML5. You might be better off setting some kind of flag that the app can watch and then use the app to play the sound instead of relying on the browser.

A: your above code is only working with iOS. For Android, the path to your local audio file is not recognized. The following code will work for both OSes. I've already tested with the built app too.
$scope.play= function(){
    var os = navigator.platform;
    if (os=='iPhone'){
        var url = "sounds/DontEventAsk.mp3";
    }
    else{
        var url = getPhoneGapPath() + "sounds/DontEventAsk.mp3";
    }
    var my_media = new Media(url,
        // success callback
        function() {
            console.log("playAudio():Audio Success");
        },
        // error callback
        function(err) {
            console.log("playAudio():Audio Error: "+JSON.stringify(err));
    });

    // Play audio
    my_media.play();
}

redpajama_set_name: RedPajamaStackExchange


text:
Fürstenrieder Straße 255 ist ein Wohn- und Geschäftsgebäude in München. Es ist als Baudenkmal in die Bayerische Denkmalliste eingetragen.

Beschreibung

Das Haus liegt in dem Münchner Stadtteil Sendling-Westpark an der Südostecke der Kreuzung Fürstenrieder Straße /Waldfriedhofstraße gegenüber dem Waldfriedhof. Auf dem Gelände betrieb der Münchner Grabmal-Bildhauer Georg Halbich, der auf dem benachbarten Grundstück Fürstenrieder Straße 257 seine Werkstatt hatte, in den 1920er Jahren einen Blumenkiosk. 1930 ließ er dort durch J. Wymer ein Wohn- und Geschäftsgebäude im Heimatstil errichten.

Obwohl das Haus an einer markanten Straßenkreuzung steht, ist es nicht als Eckhaus gebildet, sondern als zweigeschossiger Satteldachbau. Die Giebelfassade mit zweigeschossigem Treppengiebel zeigt zur Fürstenrieder Straße. Das Erdgeschoss hat große Arkadenbögen mit Schaufenstern für die Ladengeschäfte. Die Wohnungen im Ober- und Dachgeschoss haben Sprossenfenster mit Fensterläden. Das Obergeschoss hat an der Giebelfassade einen zweifenstrigen Erker. Die Fenster des Erkers sind von Figuren gesäumt, die vermutlich von Halbich selber stammen.

Literatur

Weblinks

Einzelnachweise

Wohn- und Geschäftshaus in München
Baudenkmal in Sendling-Westpark
Bauwerk in Sendling-Westpark
Munchen


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Virgin Blak Review
Virgin Blak's motto is "stand out or get out". Based in South Korea, they're known for their unforgettable and trendy clothing. Even though their clothing and accessories are geared towards men, I couldn't help but fall in love with their androgynous styles!
I'm not the least disappointed with the 0MQ Motorcycle Leather Jacket in Black ($84.99) that I received. However, it is no longer listed on their website. I'm hoping that more will come in since I wouldn't mind ordering the one in Brown as well. Made of leatherette, this jacket can easily be worn in all but the warmest months without sacrificing comfort. This jacket and their other jackets run smaller than normal US/European sizes. Therefore, I highly recommend ordering a size up.
Boy meets girl with this unique and trendy military-inspired jacket. It is something I wouldn't normally wear, but the 0YN SOU1004 Shiny Napoleon JK ($111.99) adds a bit of spunk to my wardrobe. Plus, it's a great way to stand out. I received it in the same size as the 0MQ Motorcycle Leather Jacket, but it has a slimmer fit. This jacket is one of their best sellers from last season. It's currently available in Gray, Beige, and Black.
I also received the 1BL Studded Sunglasses ($69.99), which is another item that I wouldn't normally wear, but I wanted to take a walk down the wild side (doo do doo do doo do do doo) for a change. These sunglasses exude an avant-garde feel and feature a pyramid studded exterior with comfortable visibility. However, I wouldn't suggest wearing these while driving. This particular style has been rocked by many celebrities! Rihanna sported a much similar style in the "Run This Town" music video. They're currently available in Gold, Silver, or Black.
The product in this review was provided to the reviewer for keeps and the purpose of writing a review. This in no way affects the quality of the review provided. No monetary exchange occurred in exchange for the writing of the review. The views expressed in this review are strictly that of the reviewer. All reviews provided here are the work of the reviewer and remain completely unbiased.
Just hopping along on the Thursday Blog Hop. I am your newest follower and you can find us at The Mommy Chronicles
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HilLesha O'Nan is also the founder of To the Motherhood and The Beauty Counter.
Please contact HilLesha at HilLesha@gmail.com. You can contact us via our contact form for a timely response.
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text:
Home Biography Gisselle Bravo
Gisselle Bravo Biography
Facts of Gisselle Bravo
May 15 ,
Relationship short Statistics of Gisselle Bravo
What is Gisselle Bravo marital status ? ( married,single, in relation or divorce):
How many children does Gisselle Bravo have ? (name):
Is Gisselle Bravo having any relationship affair ?:
Is Gisselle Bravo Lesbian ?
Gisselle Bravo is a model and media personality best known as the co-host at the Estrella TV. Moreover, the striking beauty is also famous as an on-air news reporter, she appeared on Don Cheto Al Aire, which is the number one Spanish language news program.
Is Gisselle Bravo married or in a relationship?
Although Gisselle Bravo is a famous TV personality, she likes to keep the romantic aspect of her life in the down low. As a matter of fact, Bravo keeps the cards of her personal life very close to her heart.
Gisselle Bravo is currently not married.
SOURCE: Reddit
Despite having a super public persona both in real life and social media, the efforts of the beauty to keep her life in a hush-hush manner is really appreciable. Guess the fans would have to wait some more before coming across the intricate details of her personal life.
Discover: Sania Mirza
It, however, would be safe to say that Bravo is currently unmarried as she doesn't wear any ring. Don't worry folks we would definitely let you know about anything we shall come across about the romantic aspect of her life in the near future.
Net Worth of Gisselle Bravo
Through her versatile career as a TV personality, she amassed a huge net worth of $1 million. Through the longstanding career as a presenter in the Television scene, she managed to garner massive amounts of fame and wealth.
Don't miss: Eliza Cummings
The average salary of stunning beauty as a radio host is between $75,000 and $100,000. Likewise, as a sports anchor, she bagged a total of $150 Thousand per year. Well, that immense income and net worth can sure provide you with a lot of possibilities in the luxury department.
Escape the ordinary Dress @fashionnova #novababe #fashionnova #instacars
A post shared by Gisselle Bravo (@gissellebravooficial) on Jul 1, 2019 at 5:33pm PDT
It can witness the posh lifestyle that Bravo lives through her social media profiles, through which she lets the world in on her adventurous and fun life.
Gisselle Bravo Wiki-Bio
Gisselle Bravo was born in Guadalajara, Mexico and her birthday falls on 15 May. As the exacts of her birth year is still under the wraps, we are not certain about her age.
Find out: Anna Selezneva
Gisselle belongs to mixed ethnicity, Mexican and American to be exact. As a matter of fact, she moved to California with her parents at the tender age of eight, where she relished her childhood. Gisselle stands tall at a height of 5 feet and 3 inches.
Stay on marriedwiki.com for more updates!
#wiki-bio
#media personality


text:
NewslettersToday's paper
Charlottetown company to study feasibility of cross-lake ferry from Niagara to Toronto
By Karena WalterStandard Reporter
The St. Catharines Standard
Fri., June 21, 2019timer3 min. read
updateArticle was updated Jun. 02, 2020
If Paul Paterson can get his idea for a green cross-lake ferry between Toronto and Niagara off the ground, he doesn't want to be slow about it — but he does wants to be careful.
The founder of Redrock Power Systems said he'll be very deliberate, ensuring his company is in lock step with Ports Toronto, the City of St. Catharines and appropriate stakeholders for a painless process.
"We're in no rush," Paterson said by phone from Charlottetown, PEI. "I know probably commuters would like to have this solution in place ASAP, but on the other hand, if it's going to be sustainable and last basically forever, we want to make sure we get it right the first time."
Paterson is the founder of Charlottetown start up Redrock Power Systems, which focuses predominantly on hydrogen fuel cell technology for marine applications. He said most ferries operate on diesel.
The company recently received $15,000 towards a $35,000 technology and commercial feasibility study for a zero-emissions ferry on Lake Ontario from the federal government's clean transportation system research and development program. The new program will invest $2.4 million over four years to support projects that advance clean technology innovations or practices in the marine, rail and aviation sectors.
Paterson said the market for his company's fuel cell technology in the marine industry is predominantly in Scandinavia right now. But he said it's difficult for Redrock to participate in those markets when they don't have anything in their own backyard in Canada to point to as a reference to lend them credibility.
"We need to build a local green clean marine project in order to participate in those international markets," he said.
Trying to attract an established operator isn't easy, Paterson said, because companies can be enthusiastic about clean and green but may not have the money to invest in that technology right now. So they're going to have to build a brand new line in order to test the technology so they can access those foreign markets.
"As we looked across Canada and evaluated different geographies and needs, it seems like the St. Catharines to Toronto run just stood out far and beyond as one of the most predominantly needy areas in need of a solution," he said.
The study will determine what technology and commercial situation has to be in place in order to move forward with actual ferry deployment. The results, if favourable, will form a business case to bring on investors. Paterson said the aim is to finish the study this year.
The company's real stake is related to the technology they want to develop that can be applied across Canada and the world.
While environmentally ferries have been introduced in other areas, Paterson said it hasn't been done at high-speeds or over fairly long distances.
His company is hoping to get passengers from Niagara to Toronto in an hour at the most.
At least three companies tried to run commuter travel operations across Lake Ontario between Niagara and Toronto in the late 1990s but none lasted.
Paterson said commute times are longer now and those ferries may have been more successful today.
The start point from Niagara hasn't been chosen, but his company is looking at Port Dalhousie, among other places. Early concepts involve 150 passengers with one departure in the morning and one return in the evening. The ferry would not be ice capable and would operate as long as the lake hasn't frozen.
The cost of building a ferry could vary widely, depending on whether a new model would have to be built or it they could re-purpose an existing vessel.
He said the cities of St. Catharines and Toronto have been supportive.
Karena.Walter@niagaradailies.com
905-225-1628 | @karena_standard
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JFK Assassination Debate
The Education Forum
Controversial Issues in History
Officer Marrion Baker's mad dash for the.... Dal-Tex building?
By Sandy Larsen, April 18, 2016 in JFK Assassination Debate
David Josephs
Interests:History
12:30 1 (Chief of Police Jesse E. Curry) Go to the hospital – Parkland Hospital. Have them stand Get a man on top of that triple underpass and see what happened up there. Have Parkland stand by.
12:30 Dallas 1 (Sheriff J.E. "Bill" Decker) Have my office move all available men out of my office into the railroad yard to try to determine what happened in there and hold everything secure until Homicide and other investigators should get there.
Mr. BAKER - I heard Chief Curry, the chief of the police over there, say, "Get some men over on the railroad track." I think everyone at that time thought these shots came from the railroad track.
Mr. BELIN - By "everyone" do you include you, too?
Mr. BAKER - No, Sir. I had it--I was in a better position due to the wind and you know under it, that I knew it was directly ahead, and up, and it either had to be this building here or this one over here.
Guess you need pretty big hanging ones to contradict a direct order from the two top cops in the area at the time...
only to completely omit the lunchroom encounter on your same day affidavit and make the man tall, older and heavier...
"I had it..." ...(on good authority that the shots would come from the TSBD) ??? So rather than correct the broadcast and say over the radio that the TSBD appears to be the source of the shots... it seems everyone was streaming in to and out of this building that may or may not still have an assassin at large within it...
12:45 9 (Inspector J.H. Sawyer) On this building, it's unknown whether he is still in the building or not known if he was there in the first place.
Seems that Sawyer also heard that broadcast about the triple overpass:
Mr. SAWYER. I can't say whether it was officers or who, but there was a reference also made to the overpass.
Mr. BELIN. All right, in any event--pardon me, do you have anything else to add?
Mr. SAWYER. Also, there was a broadcast here in the transcript about the railroad yard.
Mr. BELIN. All right.
Mr. SAWYER. And this could be part of what I was thinking about, or what I had heard, was this broadcast on the radio about the railroad yard.
Mr. BELIN. Then what did you do? You went inside the building, is that correct?
Mr. SAWYER. We immediately went inside the building.
So the entire time no one is sealing off this building, the police and anyone else for that matter were allowed back into the TSBD, back up stairs to their offices 0 didn't seem real concerned about an assassin in the building.
Mr. Wesley FRAZIER - No, sir; I stood there a few minutes, you know, and some people who worked there; you know normally started to go back into the Building because a lot of us didn't eat our lunch, and so we stared back into the Building and it wasn't but just a few minutes that there were a lot of police officers and so forth all over the Building there.
Mr. BALL - Then you went back into the Building, did you?
Mr. FRAZIER - Right.
The whole episode of who was in and out of the TSBD between 12:30 and 1pm lead me to conclude that TSBD was a destination well before it was broadcast that the Triple overpass was the focus of the shooting and initial orders of investigation. Whether Baker continues on to Dal-Tex, I doubt very highly.The lunchroom was made up, yet the affidavit from that afternoon suggests Baker did what he wrote, and subsequently changed during his testimony.
Sandy Larsen
I think we've discussed this before.
Truly changes the trajectory of Baker's run. See gif.
He does appear to be running past the steps (could have been a split second decision). If he was going to run up the stairs initially, he more than likely would have entered on the left side of the handrail where the others are moving through. The right side is much too congested.
We talked about this briefly before, but as far as I know we never fully agreed upon an interpretation. I didn't push my interpretation because I had nothing prepared to back it up.
I do recall that you showed me that Baker began by running toward the TSBD. And of course I agreed with you. But I don't recall your saying that Truly changed Baker's trajectory. What do you mean by that? And which one is Truly?
It is only now that I am able to present what I believe to be a very strong case. I believe the evidence here shows that Baker had no intention of entering the TSBD. Not early on, that is. The evidence shows that Baker's intention was to run in the direction of the Dal-Tex building. For what reason I can only imagine.
Edited April 18, 2016 by Sandy Larsen
[Marrion] Baker had no intention of running into the TSBD when he began his mad dash, and didn't enter till later. As you will see, this is yet one more nail in the coffin of the Baker-Oswald second-floor lunchroom encounter myth.
The key to following the path taken by Baker is to follow his footsteps. As obvious as that sounds, it has surprisingly never been done. At least not seriously.
Marrion Baker was not headed for the TSBD. Not to go inside. No way.
The utter desperation of conspiracy theorists is astounding, as Sandy Larsen's ludicrous claim regarding Police Officer Marrion L. Baker in this thread clearly demonstrates.
Sandy thinks Baker told one lie after another FOR DECADES ON END after the assassination.
Now, all Sandy needs to do is to logically and reasonably tell us Why Marrion Baker would want to tell a bunch of lies about his movements on November 22, 1963.
Was he paid very handsomely for lying so much, Sandy? Or did the FBI threaten Baker's life if he didn't go along with the "LN" story?
Here's the proof that Sandy Larsen is dead wrong ----> MARRION BAKER INTERVIEW (1964)
David, have you no eyes to see? The photographic evidence is irrefutable. Unless, of course, you believe the Darnell video has been altered.
I believe Marrion Baker initially told the truth, and after that was convinced by powerful people to be a Patriot and protect the nation from America's "enemies." And thus his lies -- as hard as they were for him to keep straight -- were justified.
Notice in the foreground, the gentleman with the cowboy hat, Truly comes out from under it. Truly then proceeds to turn towards the TSBD after Baker passes.
Truly is the only obstacle between Baker and the stairs as Baker crosses the street.
If you watch Baker's left elbow/arm before he reaches Truly and after, you will see the angle/trajectory change.
Tom Neal
Excellent job with the gifs!
Have you considered 'triangulating' the individual positions of Bakers' footsteps relative to landmarks? These coordinates could then be transformed onto an overhead view of the surrounding buildings. The position vectors of his footsteps would then reproduce his path and implied destination.
Is Jimmy Darnell following Baker with his camera? A "running policeman" would certainly be of interest, and Baker does appear to be in the center of the frames until the camera begins to pan back to the left rather than follow Baker. If I'm interpreting this correctly, I have to wonder why he decided to pan back to the left rather than continue to follow Baker?
Robert Prudhomme
Location:British Columbia, Canada
Interests:Gold mining, horses, pickup trucks, fishing, hunting, killing trees, you know....the usual redneck stuff
Was Baker invisible?
Two Posts Per day
Location:Indiana, USA
Oh, for Pete sake. Get real, Sandy. The Darnell film doesn't come close to providing "irrefutable" evidence that Baker bypassed the Book Depository and was headed for the Dal-Tex Building instead. The film clip stops short of showing Baker actually reaching the Depository's front steps. So your "irrefutable" evidence is nothing but pure speculation and amateur photographic (film) interpretation on your part.
I, on the other hand, have Marrion Baker's own words and testimony, which make it clear that he immediately ran into the Book Depository after the shooting. And Baker's own signed affidavit, which he filled out on the day of the assassination itself, also bears out the fact that he went straight to the Depository after jumping off of his police motorcycle:
"I decided the shots had come from the building on the northwest corner of Elm and Houston. This building is used by the Board of Education for book storage. I jumped off my motor and ran inside the building." -- Marrion L. Baker (Via Affidavit); November 22, 1963
And, by the way, Sandy, this statement you made in your thread-starting post is not accurate at all:
"The official story has long held that police officer Marrion L. Baker found Oswald in the second story lunchroom of the Texas Schoolbook Depository (TSBD) within 20 to 25 seconds of the shooting." -- S. Larsen
Where on Earth did you get the "20 to 25 seconds" timing? Nobody that I know of has ever claimed that the second-floor TSBD encounter between Marrion Baker and Lee Harvey Oswald occurred as early as "20 to 25 seconds" after the assassination. It is generally accepted by almost everybody (even most conspiracy believers) that the encounter in the lunchroom took place approximately 90 seconds after the shooting, just as Officer Baker estimated in his CBS-TV interview in 1964.
Great work, Sandy. You know that you're square on the mark when you've got DVP on your tail trying to shoot you down.
Someone is worried.
Note the obvious attempt at distraction as DVP appears to be "confused" about how Baker made it to the 2nd floor in 20-25 seconds. He knows darn well this time refers to Baker's claim as to how long it took him to reach the front door.
Pat Speer
Not to be a stick in the mud, but I think one needs to take into account Baker's position in the motorcade. He drove up Houston on the East side of the street, headed straight toward the Dal-Tex. if his intention was to go to the Dal-Tex, he would not have made a left turn on Elm and parked his bike in front of the TSBD. IMHO.
Edited April 18, 2016 by Pat Speer
Can't you read, Bob? That's not what I'm talking about at all. I just posted the relevant (wholly wrong) quote written by Sandy on this matter. And Sandy wasn't ONLY talking about Baker's time to get to the TSBD's front door. Here's what Sandy said....
"The official story has long held that police officer Marrion L. Baker found Oswald in the second story lunchroom of the Texas Schoolbook Depository (TSBD) within 20 to 25 seconds of the shooting." -- Sandy Larsen
Edited April 18, 2016 by David Von Pein
There were people standing in the street. To reach the Dal-Tex by motorcycle, he would have had to force his way through the onlookers. The concrete island is the first place he could have contacted the curb without going through onlookers.
The same logic could be applied to the TSBD. Why did he go all the way to the concrete island, if he intended to ascend the steps of the TSBD, instead of just parking at the steps?
So Sandy made a little mistake. Get over it, Davey.
I knew what he meant.
Should I take that as an official apology, Bob, after you made a mistake when you accused me of being "confused" earlier?
Edited April 18, 2016 by Tom Neal


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Two tandemly repeated DNA sequences of Gerbillus nigeriae (Rodentia) (GN1 and GN2) were isolated and characterized. Both share a 36 bp repeated unit, which includes a 20 bp motif also found in primate alphoid and other repeated DNAs. The localization of GN1 and GN2 sequences on metaphase chromosomes of three Gerbillus species, G. nigeriae, G. aureus and G. nanus, was studied by fluorescence in situ hybridization (FISH). In the G. nigeriae and G. aureus karyotypes, which were shown to possess large amounts of heterochromatin and to have undergone multiple rearrangements during evolution, both GN1 and GN2 sequences were observed at various chromosomal sites: centromeric, telomeric and intercalary. In contrast, the karyotypically stable G. nanus, which does not possess large amounts of heterochromatin and seems to be a more ancestral species, possesses only GN1 sequences, localized in the juxtacentromeric regions.


The purpose of this study was to determine the dimensions of customer trust in the context of Internet travel shopping. Based on the related literature on relationship marketing in online as well as offline contexts, the study proposed four main factors affecting customer trust towards Internet-based travel Websites. These are perceived quality of travel Web services, institution-based trust, calculative-based trust and trusting beliefs of the online vendor.
The study began by testing the developed survey questionnaire on small sample of customers who had a significant level of experience with Internet-based travel Websites. The final survey questionnaire using electronic mail service generated hundred usable responses. Exploratory Factor Analysis using Principal Component Analysis was performed on thirteen trust measures of customer trust in online travel shopping. These variables were grouped into two factors. The factors were denoted as perceived quality in travel Web services and perceived trustworthiness of online travel agencies. Independent sample t-tests run on the trust measurement constructs in online travel shopping indicated no significant difference for males and females. Thereafter, multiple regression analytical technique was used to determine the relative contribution of the two factors in the prediction of customer trust in online travel shopping. In this regard, it was found that perceived trustworthiness of online travel agencies had a higher predictive value in the formation of customer trust.
Travel service quality will aid online travel businesses in achieving a successful relational exchange.


So much of our work is inter-related – we work with children, their parents, and other community members. The following four discrete areas of our work each has its own objectives, and each supports our work in different ways.
To enable support and healing on a deeper level for children and adults in processing trauma, understanding their emotions, and building positive relationships and a positive self-image.
We make referrals to a range of services that include the statutory child protection services provided by George Child and Family Welfare; therapy, counselling and psychological services; and specialised private medical and mental health services.
To promote and teach environmental sustainability.
Vegetable gardening for primary school children with special needs.
Earth Keepers programme run by a psychologist.
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We undertake a wide range of ongoing training and capacity building. Some of the training becomes integrated into our programmes on a longer term basis, and some is once off.
To support our staff and community to have the requisite skills to implement our programmes and benefit from ongoing skills development.
These include programmes such as "Our Story Your Story" by Clowns Without Borders (with a focus on intercultural storytelling to bring communities closer together), mindfulness, health and safety and first aid, computer literacy, conflict resolution, life skills and goal setting, basic counselling skills, and proposal writing and fundraising.
Through our partnership with UCT and ISS we are able to increase our capacity to undertake evidence-based research as well as increase our reach in terms of sharing and promoting good practice.
To benefit from research in our community that we and others will use to engage with institutions and processes outside our community to strengthen our contribution to knowledge and increase the impact of our violence prevention work.
Supporting community involvement and leadership in promoting the values of positive parenting and active citizenship.
Research undertaken annually over a three-year period (2016-2018).
Presentations on findings made at national and international events and conferences, including at the National Dialogue Forum on Violence Prevention convened by the ISS.