text:
The Territory: iDOLS DON'T EXIST DVD Review
By: Draven Cage
Running Time: 96mins (main feature)
Director: Tom Botchi
Editors: Tom Botchi and Drake Nelson
Producer: Tom Botchi
Match Listings – Disc 1
Double Hell Cage Match: The 2008 Territory Match of the Year
Street Fight: Adam Thornstowe v MPT
Barefoot Thumbtack Match: - 2007 runner-up for MotY
Tables Match
Taipei Death Match
6-Man Street Fight
Falls Count Anywhere: - Rik Luxury v Adam Thornstowe
Cage Match: - Rik Luxury v Adam Thornstowe
The Reno SCUM invasion: - The Scum take over BRAWL and massacre the local boys
10-Man Anything Goes Match: - winners get control over BRAWL
Hardcore Iron Man Match: - Rik Luxury v Adam Thornstowe
plus more extras
I received a very nice email from Tom Skowronski, telling me that he enjoyed my reviews on Wrestling 101 and would I like to review the first ever DVD release from The Territory, a TV show that highlights the talent around northern California. Always eager to broaden my own horizons and keen to get W101 more exposure as well, I readily agreed.
Some emails back and forth later and the DVD came through the post all the way from the good ol' Yoo-Ess-Ay and into my PC ready to watch. I checked the discs (there are two discs; the second is extras) to make sure they worked and then left them on the side until I had the time to devote myself to watching their product.
Going in, I was impressed by two of the claims laid out by Tom in our email exchanges. The first "It's kind of a smart show, aimed at the smart fan" caught my eye due to really enjoying the Wrestling Reality series that used to on The Fight Network before it closed. The second really stood out and, in my opinion, put a lot of expectation on the quality of what I was about to see.
"Drake & I are both former workers as well as working towards degrees in the Media Arts & Television field. Therefore the production values are high, I would say on the level of Vince except without the HUGE crew. Our magic comes in the post production process and making the show come across live and being shot by a 64-man production crew, yet there is only two of us. The fact that we're former workers also provides us with what we like to believe would be somewhat of an advantage with our production in terms of knowing where the emphasis should be and why."
As you can see, Mr. Skowronski made quite the bold claim, with the bolded and highlighted sections being the ones to totally grab my attention. With all of that in mind, I pressed play on Windows Media Player and sat back to watch what promised to be the greatest indy DVD release in history.
Now, credit where credit is due, the pre-titles video package is very well presented and edited, but that only serves to be a false dawn, a blighted beacon of hope, a calm before the storm. As soon as the first match begins, these claims are shown to be nothing more than propaganda and spin; the footage is of no better level than the usual UK indy. In fact, The videos Saz posts of KSW leave The Territory in the shade.
The DVD proper opens with the Double Hell Cage Match having started and absolutely nothing explained to the viewer as to what this structure is, why it's being used, who the eight wrestlers are, whether they are heel or face, why they are fighting, who, if anyone, they are either feuding with or aligned with... or anything else that would, you know, be useful information. Add into that, one of the commentators is annoying (Cannibal) and the other and the other (Tom Botchi) is even worse. If I could have watched it on mute, I would have, but, in the interests of fair play and objectivity, it has only been six minutes, so there is hope this is just a bad introduction to the company.
The Double Hell Cage is a match that involves two rings, one with a cage around it and the other with the ropes wrapped in barbed-wire. There are the usual weapons involved and some of the more "exotic" examples like a staple-gun. The trouble is that I have no clue who anyone is and, as such, have no emotional investment in anything that's happening. People are hit with weapons, dumped on wire, the commentators run over some rule about having to get a belt down from one ring and having to hang it on another, but, with no pre-match explanation, it's all lost as to why they need to do this and how they ended in the match to need to do this in the first place.
Some of the guys aren't too shabby, but the others look like what you would expect a low-level independent wrestler to look like and wrestle as you'd expect a low-lever independent wrestler to wrestle like. The one guy who's name I did pick out, Lester the Legend, does own the best hair this side of John Morrison though, so we like him. Lester also seems competent inside the ring while some of the other wrestlers bumble around and come across as very amateurish. Harsh, but then again, I'm working from the hype generated from the claims generated by the email exchange I had with Tom before receiving the discs.
There are some nice spots in the match (including a sweet 450-splash from the apron to the floor by Virgil Flynn), but they're not enough to save it from being a psychologically-bereft clusterfunk. Oh, and the way they switch to a replay will drive you insane.
But, with the start of the second chapter, things do appear to be picking up. Adam Thornstowe, who looks like a wrestler and carries himself like a wrestler, is in the ring and cutting a decent promo challenging anyone to come out and face him in a street fight. The audio is hampered by the commentators talking over Adam, but the point is across and, unlike the first match, I know who this guy is and, by his tone of voice and actions, what his personality and character is too. I am, to use my own phrase from earlier, emotionally invested in the situation.
The man who accepts the challenge is Mr. Prime Time (or MPT), who ruins the seriousness of the challenge by coming out and dancing like a 1990s Rave-scene reject. The fans in the building holler with delight, so I'm hoping once the match starts, the first impression proves to be wrong... and he does so by giving us quite the brawl with a fantastic finish that comes out of nowhere. This easily makes up for the first match and makes me feel that all the negatives I found with the first are going to be confined there.
Match #3, a Barefoot Thumbtack Tag Match between three male wrestlers and one female wrestler (called, Cassie Summers – and she's a good-looking woman; much better looking than you normally find on an indy show), continues the good stuff. Surprisingly, for such a gimmick match, there is a lot of good psychology (particularly a genius spot with a broom) and the four wrestlers make a good accounting of themselves, giving us a reason to hate the heels and like the faces (depending on your viewpoint, you may go the other way, but at least you have some feeling either way). The spot of the match is Cassie being superplexed onto a pile of tacks. Stupid, but also brave on the part of the lady; I, for one, was impressed by her willingness to take huge bumps (she also takes a brainbuster, that is stunningly set up, into the tacks). For the second match in a row, The Territory impresses.
The impressive Adam Thornstowe (with a new look) is up next in his long-running rivalry with Rik Luxury as both men face off in a Table Match.. It's a really nice, but short, encounter, but it's marred by some really piss-poor lighting that has you squinting to see what's going on. The lighting withstanding, the two guys brutalise each other in front of an excitable crowd and you can tell these guys are very comfortable with each other. Another good match and the bad is definitely being outweighed by the good.
The next match, which goes back to the "giving the viewer nothing to know why the match is taking place, etc", has a staple of hardcore indy feds ever since the original ECW used it to end the feud between Ian and Axl Rotten; the Taipei Death Match. Taken from the Van Damme movie, 'Kickboxer', it involves both competitors having their fists taped, soaked in resin or glue and then pressed into broken glass. This is then used to shred your opponent.
The original was quite exciting to see, mainly because it was original. Every other TDM has failed to live up to the Rotten Brothers and this was no exception, although it came close. The blood-loss is immense, particularly from Thatcher, and the action is brutal. It just falls short, however, due to the "seen most of it before" dilemma of virtually all stipulation matches. The risks taken aren't worth it (in all honesty, are they ever?), but fair play to the guys for going all out to please their audience. Some of the spots are inventive and the finish is very well done. The only problem is that with so much garbage wrestling on show, you soon get desensitised to it all and by this point in the DVD, you find yourself getting, I don't want to say bored by it, but definitely blasé.
After a poor start, The Territory redeems itself with four good-to-great matches in a row. Unfortunately, it couldn't last. Opening with a multi-man clusterfunk, the disc also closes with one that, again, gives us no reason to care. Some of the action is really good, but the lack of emotional investment detracts from it and, ultimately, takes much away from the match for it to really click as well as it would for those who had followed the storyline and knew the ins and outs of the angle.
The second disc has another four matches and one invasion angle, but, unfortunately, it wouldn't play on any of the DVD players in the house (one downstairs, one upstairs or the PS3) or on the PC or Laptop, so I have no idea whether the bouts are any good or not.
With that in mind, if you liked the Rik Luxury and Adam Thornstowe matches from the first disc, then you'll love this (and, vice-versa, if you disliked them, you have little to interest you) as it has a further three bouts featuring the two squaring off. The other two segments are an invasion from the Reno SCUM and a subsequent 10-man match for control of the BRAWL promotion.
As I said, I cannot comment on the quality of this disc, but you'll know from the first disc whether this is worth viewing for you.
After a piss-poor start, the collection really picked up and I was pleasantly surprised by the quality on show from the talent in the ring. The commentators are super annoying, so you may want to try and block them out if you can, but they don't detract that much from the later bouts. The camerawork, while nowhere near the outrageous claims made in the email, is of a good quality for a low-budget release, but the method of switching to a replay is ridiculous and WILL start to grate almost immediately.
The talent on show vary from guys who have no business being near a wrestling ring to those who are almost too good for this level of promotion, but not quite good enough for the more "name-value" feds around.
Overall, this is a mixed bag of content that will divide the wrestling fans down the middle. If you dislike garbage wrestling or weapons-infested brawls for no storyline reason, this should be avoided, but if you're looking for something where a little blood & guts goes a long way, you should check it out.
It's not my proverbial cup of tea, but the middle three matches on the first disc are worth seeking out the collection for.
"The Hangman" Draven Cage
To find out more about the company and to purchase the DVD see: TerritoryTV.com
- Contact Draven Cage -
T3C: WWE WrestleMania 21 PreviewBy Stephen Ashfield - 04/01/2005 11:00 PMWilliam Regal Interview - Part 2By Adam Sibley - 05/04/2005 11:00 PMWWE One Night Stand 2007 DVD ReviewBy Draven Cage - 04/15/2008 7:12 PMUltimate Warrior ProfileBy Dan - 04/24/2005 11:00 PMThe Gorilla Position #5: A Christmas StoryBy Darlin' Danny Dunn - 12/24/2006 12:00 AMLaughing at the fat kidBy The Cynic - 06/03/2004 11:00 PMChris Harris InterviewBy Dan - 06/08/2005 11:00 PMAnd the sneak shall inherit the earthBy The Cynic - 02/02/2004 12:00 AMTLW: Observations on the Wrestling World...By Tony Cottam - 02/10/2004 12:00 AMThe Blue Meanie Interview Part 2By Saz - 10/15/2005 11:00 PM
WWE Monday Night RAW May 10, 2010 Detailed ResultsBy Cassidy Haslett - 05/11/2010 4:06 AM Attorney says Benoit suffered from hormone disorderBy Kam - 08/23/2007 10:59 AM Big TNA News: Lacey Von Erich Gets Into Backstage Altercation With Awesome Kong!By Nemesis Enforcer - 10/13/2009 2:41 PM ROH: Newswire - 3rd FebruaryBy Devilish Angel - 02/03/2006 2:40 PM WWE: Video of Mr. McMahon On The Today ShowBy Cassidy Haslett - 06/12/2008 5:08 PM ECW December 2, 2008 ResultsBy Cassidy Haslett - 12/03/2008 3:36 AM WWE: News press confrence hyping Wrestlemania held yesterdayBy Nemesis Enforcer - 03/12/2008 4:52 PM WWE: RAW Rating for October 25, 2010By Cassidy Haslett - 10/28/2010 6:08 PM WWE Friday Night SmackDown October 8, 2010 Detailed ResultsBy Cassidy Haslett - 10/09/2010 2:09 AM WWE: WWE in Big Trouble with USABy Cassidy Haslett - 10/10/2007 3:58 PM
The Rumor Mill: Featuring Bret Hart, Kane, Future Guest Hosts and More.By The Informant - 09/26/2009 8:52 PMKR: The BIG Statement with a BIG ShowBy Robert Heard - 03/29/2008 10:56 PMCBlog XXV- WWE RAW, Rey and UnforgivenBy Cassidy Haslett - 09/02/2008 10:21 PMFPU: Smackdown Title Situation *Contains Smackdown Spoilers - 20th July 2007*By Seabass - 07/18/2007 11:33 AMCBlog XXXV- Christian's Return and WWE No Way Out 2009 PredictionsBy Cassidy Haslett - 02/15/2009 7:45 PMCBlog #47- Bret Hart, SmackDown and WWE Hell in a Cell PredictionsBy Cassidy Haslett - 09/27/2009 9:12 PMCBlog XXVIV- WWE Cyber Sunday PredictionsBy Cassidy Haslett - 10/22/2008 10:39 PMSSP#26: WWE Over the Limit 2010 PredictionsBy Edgedogg - 05/23/2010 10:45 AMCBlog #52- WWE Royal Rumble Predictions, Raw Guest Hosts and WrestleMania 26By Cassidy Haslett - 01/25/2010 10:11 PMSSP #16: WWE Night of Champions Aftermath, Summerslam 2009 and Chris MastersBy Edgedogg - 08/17/2009 10:51 PM


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Q: Laravel sometimes doesn't load new controller I'm facing a problem in Laravel. It seems that sometimes the Laravel framework loads an old version of a controller.
I created a new function and sometimes Laravel found it and sometimes it returns that the method does not exist.
What could be the problem in this case?
This is my function:
public function test(){
    echo 'Here'; exit();
    return view('welcome');
}

The Page sometimes show only Here (which is correct) and sometimes it redirects me to the welcome blade without showing the Here message.

A: Please make sure you are define the url in web.php within route folder
or use this command
php artisan cache:clear
php artisan config:cache

redpajama_set_name: RedPajamaStackExchange


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Home > Atlantics > Results > British Formula Atlantic > Brands Hatch 27 Dec 1971
Yellow Pages Trophy Race
Brands Hatch, 27 Dec 1971
#19 (see note 1) 20 0.17.17.0
#5 Graham Eden (see note 2) 20
4 Bob Evans (F3) 1.6-litre March 713M [8] - Ford twin cam Vegantune
#69 McKechnie Racing (see note 3) 20 0.17.41.0
5 John Powell Chevron B18 [18.71.1] - Ford twin cam Hart
6 David Purley (F3) 1.6-litre Ensign LNF3/71 [71.3] - Ford twin cam Holbay R71
7 Bob Salisbury Brabham BT30 [15] - Ford BDA
#37 F.R. Gerard (see note 5) 20
8 Stan Mathews (F3) 1.6-litre Brabham BT28 [9] - Ford twin cam Holbay R71
10 Tony Brise (F3) 1.6-litre Brabham BT35 [2] - Ford twin cam
#51 (see note 8) 20 1' penalty
11 Bev Bond (F3) 1.6-litre March 713M [10] - Ford twin cam Holbay R71
#62 (see note 9) 19 10" penalty
12 Del Bennett Huron Mk1A [1] - Ford twin cam
#3 Jack Smith (see note 10) 19
13 Mick Jones Merlyn Mk 14A [140/F3/68?] - Ford twin cam
#44 Kentish Times Newspapers Racing
14 Herb Moger (F3) 1.6-litre Chevron B15 [F3-69-8] - Ford twin cam
#54 (see note 11) 17
R Peter Wardle Lotus 69 [59-XB/F3-38] - Ford BDA Eden
#7 (see note 12) 16
R Roger Williamson (F3) 1.6-litre March 723 [1] - Ford twin cam Holbay R71
R Peter Hull (F3) 1.6-litre Brabham BT28 [17] - Ford twin cam
#53 Motor Auctions Derby & London
(see note 13) 11
R Beric Ewin Lotus 48 [R2] - Ford twin cam
#45 (see note 14) 5
R Reg James (F3) 1.6-litre Brabham BT28 [38] - Ford twin cam
#61 3
DNA Mike Webber Royale - Ford twin cam
#9 Did not arrive
DNA Vern Schuppan Palliser WDB4 - Ford BDA BRM
#11 Did not arrive
#18 D.J.Bond Did not arrive
DNA Tom Pryce (F3) 1.6-litre Royale RP11 - Ford twin cam
DNA John Finch (F3) 1.6-litre Chevron B17 [17.70.08] - Ford twin cam
DNA John Marston (F3) 1.6-litre Lotus 69 - Ford twin cam
DNA Val Musetti (F3) 1.6-litre Royale RP11 - Ford twin cam
1 Clive Santo (F/Atl) 1.6-litre Palliser WDF3/B4 - Ford BDA Hart
2 Roger Williamson (F3) 1.6-litre March 723 [1] - Ford twin cam Holbay R71
7 Mick Jones (F/Atl) 1.6-litre Merlyn Mk 14A [140/F3/68?] - Ford twin cam
9 Beric Ewin (F/Atl) 1.6-litre Lotus 48 [R2] - Ford twin cam
11 John Powell (F/Atl) 1.6-litre Chevron B18 [18.71.1] - Ford twin cam Hart
12 Reg James (F3) 1.6-litre Brabham BT28 [38] - Ford twin cam
13 Del Bennett (F/Atl) 1.6-litre Huron Mk1A [1] - Ford twin cam
14 Peter Hull (F3) 1.6-litre Brabham BT28 [17] - Ford twin cam
15 Bob Evans (F3) 1.6-litre March 713M [8] - Ford twin cam Vegantune
18 Stan Mathews (F3) 1.6-litre Brabham BT28 [9] - Ford twin cam Holbay R71
19 Bev Bond (F3) 1.6-litre March 713M [10] - Ford twin cam Holbay R71 No time
March 713M [8] (Bob Evans): New for James Hunt, replacing the 713S he had raced earlier in the season. The 713M was run as part of a newly constituted team run by Chris Marshall, based at his Sloan Marshall Garages in London and entered as Team Rose Bearings with Baty Group. Hunt won first time out, at Crystal Palace in June, and also at Brands Hatch in August, but the car was heavily damaged in a crash during practice at Snetterton in October. Repaired and used by Bob Evans in the Boxing Day meeting at Brands. Bought from the March factory by Anthony Binnington and raced in F3 through 1972. Then to Nick Crossley for one race early in 1973 before his new 733 was ready. To Peter Stahl (Ascot, Berkshire) and raced in the 1600cc class in hillclimbs in 1973. Stahl later went abroad on business and his wife sold the March to Geoff Deakin (Penrith, later Carlisle) who hillclimbed it between 1975 and 1977. It was in 742 bodywork by 1977, and Deakin called it a "742X". Deakin recalls selling the car to a fellow hillclimber who crashed it badly the following year, taking out one side of the monocoque. Photographs show that Deakin's car exactly matches the "742X" hillclimbed by Ken Ayers (Twyford, Berkshire) in 1978 and crashed by him at some point. After this accident, the car was rebuilt on another 1971 March tub, and run with 1975 bodywork until a second accident at Le Val des Terres in July 1979. The car was then rebuilt using a 1975 March monocoque and 76B bodywork, effectively ending its link to the original 713M.
Chevron B18 [18.71.1] (John Powell): A new car built for Brian Redman after he wrecked the development B18 while testing in South Africa. Fitted with a 1.8-litre Cosworth FVC engine and raced by Redman in two races in South Africa in January 1971. This car returned to Bolton and became the works entry in F2 for Chris Craft during the 1971 F2 season. It was then sold to Canadian John Powell and rebuilt to Formula B specification. Powell raced it in the Brands Hatch Boxing Day meeting at the end of 1971 and then loaned it to Brian Robertson to race in the two Bogotá FB races in February and March 1972. Raced by Powell (Ottawa, Ontario) in the Canadian FB series in 1972, Sold to Paul Wheatley (Montréal, Quebec) and raced in the Canadian series in 1973. Wheatley appeared on a couple of early-1974 entry lists but the car was not seen again until he advertised it in April 1975.
Brabham BT28 [9] (Stan Mathews): New to Sverrir Thoroddsson (Iceland) and raced in F3 across Europe in 1969, starting at Mallory Park at the end of June. Like many BT29, this car was retained for 1970 but Thoroddsson did not reappear until late July. Entered by the Jim Russell Racing Driver School in 1970. To Texan Sandy Shephard for 1600cc F3 in Britain in 1971 and then to Stan Mathews (Wicken, Wolverton, Bucks) late in the season. To Mo Harness for F3 in 1972. Last seen when advertised from Bishopston, Wales, during 1974.
Brabham BT35 [2] (Tony Brise): Colin Vandervell's 1971 F3 car, entered and practised for the Atlantic race at Brands Hatch September 12, 1971 but ran in F3 race the same day. Later used at end of season by Tony Brise, including in the joint Atlantic/F3 race at Brands Hatch on Boxing Day 1971.
March 713M [10] (Bev Bond): New to Bev Bond (Fareham, Hampshire) in August 1971 for British F3, after he lost his seat in the works Ensign. Unknown in 1972. To Glenn Hyatt of Low Cost Racing for 1973 and raced in Formula 4. History then unknown until raced by Nigel Fright (Frythe, Kent) in Historic F3 in 1988. Later owned by Bob Sellix in the 1990s. Bought from him by Jim Parsons and used in the Classic F3 Championship until sold to Maurice Levy in 2002 or 2003. Raced by his son Chris Levy, in 2003, winning the championship, and in 2004. Sold to Frans Kinkel (Utrecht, Netherlands) and used in the HMR Championship in Germany from 2005 to 2013. It was not raced again and was advertised on motorsportsmarket.com in 2015, showing as sold by early 2016.
Huron Mk1A [1] (Del Bennett): The single car built by Huron in 1971 for Formula Atlantic and run for Del Bennett. The car was unusual in that it seems to have started with a BDA engine, and worked back to a t/c when the BDA installation proved troublesome. Huron went into liquidation at the end of 1971, but was purchased by Mike Chambers and Geoff Daly. Bennett's car was amongst the assets and run for him again in 1972. Probably the car run by Felstead Racing for Colin Selvage in early 1973.
Chevron B15 [F3-69-8] (Herb Moger): New to Brendan McInerney's Race Cars International and raced by McInerney in British F3 in 1969 using Holbay engines. Retained by McInerney for 1970 and raced in European F3 until May when he moved to a Brabham BT28 and then to the team's own Nemo F3 car. The Chevron was used again in November, and then hired to Luiz Pereira Bueno for the Brazilian races in January 1971. Not seen for the main 1971 season but sold to Herb Moger (London) and reappeared at the Boxing Day Brands Hatch meeting. Raced by Moger in British F3 in 1972 as a 'B17'. Moger then moved into Formula 4 for 1973, fitting the B15/17 with a 1-litre Ford Cosworth engine again. Reappeared in F4 in early 1973. Advertised by Moger in May 1973. Last seen when advertised by F4 promotors Low Cost Racing in July 1973.
Brabham BT28 [17] (Peter Hull): To Frank Williams Racing Cars and entered for John Kendall in mostly British F3 in 1969. Retained for 1970 until August when Kendall moved the car to Paul Watson Racing Organisation where it was driven by Richard Scott. To Peter Hull for 1971 who advertised it as a BT28 with BT30 chassis. To Bob Shellard for hillclimbs in 1972, then to Phil Kidsley & Paul Squires who ran it in sprint and hillclimbs until at least 1989, using a Cosworth MAE at first but later with a supercharged 1100cc Ford BDA. Said to be with Tommy Reid in 2006.
Lotus 48 [R2] (Beric Ewin): Graham Hill's regular Team Lotus entry in Formula 2 in 1967, raced by him in 16 of that season's races. Retained for 1968, when it was entered by Gold Leaf Team Lotus for Hill in a further eight F2 races. Sold to Gerry Kinnane's Team Ireland for 1969, and raced by John Pollock in the Thruxton F2 race in April and then in Irish 1600cc racing. Sold to Kevin Murphy in 1970 for Frank Keane to drive in Irish libre racing, primarily at Mondello Park, and in hillclimbs. Traded to Bobby Howlings for a Brabham BT30 in September 1970, and advertised by him the following month. Then evidently to Beric Ewin (Finchley, London) and fitted with a Ford twin cam engine for the new Formula Atlantic category in 1971 and 1972. Then unknown until acquired by a private collector in the late 1970s.
Chevron B17 [17.70.08] (John Finch): New to Ken Sedgley and raced in British F3 and libre racing in 1970, using Holbay engines. Retained for 1971 and converted to the new 1600cc F3, again with Holbay engines, but rarely seen. Sold to John Finch (Chesterfield) in July 1971 and used in F3 for the rest of the season. Updated to B17c specification and retained by Finch for 1972, now sharing with Graham Lynch, but did not actually race very often. Converted to Formula Atlantic specification for 1973 but used with more success in Formule Libre. Reappeared in 1974 when raced by Alan Thomson in Scottish and northern English sprints and hillclimbs, winning the Scottish hillclimb championship in 1976. To Russell Paterson for 1977 but wrecked. Later via dealer Bobby Howlings (Alderley Edge, Cheshire) to "M Wakefield-Brand" in 1978, then to David Pullen (Guildford, Surrey) in 1991. Raced by Pullen in HSCC Classic Racing Car Championship events in 2004. Driven by Alexander Sims for an Autosport test in February 2011. The "ex-Pullen" B17 acquired via John Pearson by Jim Blockley (Stroud, Gloucestershire) in 2015.

redpajama_set_name: RedPajamaCommonCrawl


That was my word for 2017.
Even when I didn't want it. Especially when I didn't want it.
This was the year that forced me to face some pretty terrifying demons. I've learned more about myself this year than I have in the past ten.
I met (and learned from) some incredible people.
I moved into my dream house.
I started the year with one job. Then accepted another part-time job. Then accepted another full-time job. Then quit the part time job. Then was let go from my full-time job. Then accepted another amazing job.
The ups and downs of the job changes alone were intense.
But this was the year my family changed. The year we have our new normal. 2017 is the year that my parents are no longer together.
At the time, I didn't realize how this would speak to me. I knew the pain of my own struggles, but I didn't know how much more I would be capable of taking on.
Growth is connected to pain. I know that firsthand now. I know pain eases with time, and I've seen myself grow immeasurably this year. I tell myself every day that I'm okay; I'm breathing. I want the same for each member of my family who's hurting. I feel it with them, and I know it well.
Pain and growth are connected to my other word of the year: empathy.
I read a lot about empathy this year. It's one of the principles a lot of people/organizations are still trying to get right. A lot of them say, "we value empathy, we have empathy for our user, for our customer, for our employees." Now I know what that really looks like. Empathy is feeling with people.
I got some great advice last week from one of my favorite people. He's been a boss, a mentor, and a friend.
Two things I hope my 2018 has more of.
So well spoken, Ashley….. love you and your family….. prayers for peace!


The Accrediting Agency of Chartered Colleges and Universities in the Philippines (AACUP) has granted the College of Teacher Education ISPSC, Tagudin Campus level III Phase 2 accreditation which is valid until November 30, 2021.
Dr. Imelda N. Binay-an (left), Associate Dean of Graduate School, Dr. Ederlina M. Sumail, Associate Dean of College of Teacher Education, Prof. Femarie M. Capistrano, Associate Director of Laboraroty High School, and Prof. Ernest Padiwan (right), Faculty of College of Teacher Education answer accreditors' queries.
In the 3rd survey visit of College of Teacher Education (CTE) on November 27, 2017 four areas were evaluated—two of which were mandated by AACCUP: (1) curriculum and instruction, and (2) extension while two were the areas of choice of the college: (3) faculty development, and (4) library.


How are secret keys handled?
Senzing ER implements a PKCS#11 interfaced secure store that leverages AES-128 encryption using a PKCS#5 like password expansion technique augmented with a SHA2-256 hash.
Secret keys are automatically generated (per instance) using openssl's random bytes generator. The secret key is then placed directly into the secure store (never seen by human eyes). Alternatively, if a user's policies require it, a user can provide a secret key and store it in the secure store. When hashing utilities are deployed to multiple locations, the secret key is shared by copying the secure store.
By default, Senzing ER uses an HMAC-SHA2-256 one-way hashing algorithm with a 1024-bit secret key. While this construct was developed for use in IPSec, we use it here for entity resolution with no modifications.
This varies by implementation. Configuration determines whether all or none of the fields are hashed. Attribution fields (source system and record ID) are typically not hashed.
Where are the fields hashed?
Local Hashing: As records are being ingested into the Senzing ER engine, selected values are hashed as described above. The clear text is discarded. The hashed values are retained in the database.
Single-tier Hashing: Before records are transmitted from a source system to a secondary system, selected values are hashed as described above. The recipient system then performs entity resolution using the hashed values. The hashed values are retained in the database.
Multi-tier Hashing: Before records are transmitted from a source system to a secondary system, selected values are hashed as described above. The independent recipient re-hashes using a different secret key. "n" re-hashing tiers can be implemented. Entity resolution is performed on the final hashed values. These hashed values are retained in the database.
What are some implementation best practices?
Encrypt all communication flows whether the data is hashed or not.
Use encrypted data at rest whether the data is hashed or not.
Do everything possible to prevent an owner of the hashed data from gaining access to secret keys.
Prevent humans from observing the secret keys.
Hash all identifiers to increase the difficulty of field re-construction within a stolen database.
When sharing secret keys, use a different channel than the data flow channel (e.g., FedEx).
Hire a security/crypto professional to help you architect a system consistent with your goals.
Be sure you understand how systems like this can be attacked e.g., dictionary attacks, chosen text attacks, statistical attacks.
We encourage you to submit additional best practice suggestions.
What security and privacy claims can be made?
The most basic claim that can be made is: storing hashed data helps reduce the risk of unintended disclosure. With implementation details and professional oversight additional security and privacy claims can be made.


text:
Taarab, auch Tarabu, Twarab, (von ) ist ein Musikstil, der sich unter der Swahili-Gesellschaft auf der Insel Sansibar entwickelt hat und Elemente der arabischen, indischen und afrikanischen Musik kombiniert. Taarab ist dort und entlang der ostafrikanischen Küste von Tansania und Kenia verbreitet.

Zentren des Taarab sind Sansibar, Mombasa, Daressalam und Tanga. Taarab kommt außerdem auf den Komoren vor. In den 1960er Jahren wurden auch in Burundi einige Taarab-Ensembles gegründet.

Geschichte und Etymologie
Taarab ist vom arabischen Wort tarab abgeleitet, mit dem eine besondere Stimmung der improvisierten gesungenen klassischen- und populären arabischen Musik bezeichnet wird. Die Wurzel trb bedeutet Gefühlserregung, Emotion oder feinsinniges Vergnügen, hervorgerufen durch die Musik. Arabisch tarab ist kein Begriff für eine spezifische Musikgattung. Swahili tarabu und twarab sind neben taarab ebenfalls gebräuchlich. Die Verbindung mit arabu (Araber) wie auch mit ustaarabu (zivilisiert sein) geht fehl. Vielmehr trifft man die Definitionen: "Musik der Küste, zu der nicht getanzt wird" bzw. "music of gambusi and zeze, accompanied by singers". Gambusi (vgl. gambus) und zeze sind ältere Swahili-Saiteninstrumente.

Etwa ab 1870 wurde am Hof der Sultane in Sansibar Musik gespielt, die der Taarab-Musik zuzurechnen ist. Sie entstand offensichtlich aus einer Vermischung arabischer und afrikanischer Elemente, erst ab 1880 lassen sich indische Stilelemente nachweisen. Ab 1900 förderte Sultan Hammud ibn Muhammad ibn Said die Gründung der ersten Taarab-Clubs nach dem Vorbild anderer Musik-Clubs im Mittleren Osten. Einer der ersten Clubs war 1905 Akhwan Safaa in Sansibar. Wahrscheinlich ging der Begriff Taarab in den 1930er Jahren in den Swahili-Wortschatz ein, da zu der Zeit arabisch-ägyptisch geprägte Musik auf Schallplatte und in ägyptischen Musikfilmen einer breiteren Öffentlichkeit zugänglich gemacht wurden.

Taarab zeigt exemplarisch das Aufeinandertreffen afrikanischer und arabisch-islamischer Musizierpraktiken an der ostafrikanischen Küste. Beide sind insofern nur schwer voneinander zu trennen, denn die Kontakte zwischen der arabischen Halbinsel und der ostafrikanischen Küste dauern mittlerweile tausend Jahre. Der Taarab ist der musikalische Ausdruck einer Swahili-Identität, die das Ergebnis aus der gegenseitigen kulturellen Beeinflussung am Indischen Ozean ist.

Hochzeitsfeiern gehören zu den häufigsten traditionellen Anlässen für Taarab-Aufführungen. Mittlerweile wird der Taarab auch in Bars gespielt und erfährt Veränderungsprozesse; nicht zuletzt durch die Musikindustrie und die immer schnellere Verbreitung und Vermischung von Stilrichtungen im Zuge der Globalisierung.

Instrumente
Taarab wird von einem Orchester gespielt, das europäische, arabische und afrikanische Musikinstrumente kombiniert. Gespielt werden mehrere Violinen, Cello, Kontrabass, Pianoakkordeon oder Harmonium, die arabische Zither kanun, die arabische Längsflöte nay, die Kurzhalslaute ʿūd, afrikanische Trommeln ngoma und weitere Perkussionsinstrumente. Hinzu kommen Sologesang und häufig ein Chor aus mehreren Frauenstimmen. Das bekannteste gegenwärtige Taarab-Orchester ist der Culture Musical Club, der sich 1958 gründete. Das Orchester tritt mit etwa 25 Musikern und einem Dutzend Sängerinnen auf.

Sansibar
Musiker aus Sansibar datieren die Anfänge von Taarab gemeinhin in die Zeit von Sultan Barghasch ibn Said (1870–1888). Damals soll der Sultan Musiker nach Ägypten geschickt haben, damit sie dort das Kanun-Spiel erlernen; Musiker gingen in andere Städte, um dort einen bestimmten Stil, eine bestimmte Aufführungspraxis oder ein bestimmtes Instrument zu erlernen.

Im Sultanshof traten regelmäßig Musiker aus der islamischen Welt und Indien auf. Diese Auftritte erfreuten sich großer Beliebtheit und mögen, nach Werner Graebner, einen Grundstein für die Entwicklung von Taarab gelegt haben.

In der Herrschaftszeit Ali bin Hamads (1902–1919) holte man sich Taarab-Lehrer an den Hof. Sie kamen aus Ägypten und brachten Schallplatten mit, die den Suahelimusikern als Vorlage gedient haben sollen, eigene Lieder zu schaffen. Somit meldet Graebner in seiner Forschung einen ägyptischen Einfluss an, der aber neben den Erfahrungen aus der Vorzeit, den heimischen Traditionen und weiteren Einflüssen nur ein kleiner Teil des Ganzen ist.

In diese Zeit fallen ebenfalls Gründungen von Musikklubs und arabische Musik auf Schallplatten nahm weiter Einfluss auf die musikalischen Entwicklungen. Durch die Einnahmen der Musikklubs konnte man sich nun neben professionellen Musikern auch ausländische Instrumente leisten (Oud, Kanun, Violine). In der Tat entwickelten sich größere Ensembles, die bis heute ein Kennzeichen des spezifisch sansibarischen Taarabs sind.

Die Musiker suchten nach wie vor andere Städte auf, um dort weiter zu lernen, wodurch die Stile immer wieder Wandlungsprozessen unterworfen sind. Besonders beliebte Musiker aus dem islamischen Raum wirkten hier stilbildend. Die bekanntesten sansibarischen Musiker unternahmen ab den 1930er Jahren Reisen (v. a. nach Indien), wo sie Schallplatten produzierten und wiederum neue Einflüsse mitbrachten.

Kenia

Lamu
Bwana Zena und vor allem Mohamed Kijumwa waren bekannte Musiklehrmeister und Dichter. Die traditionsreiche Swahilidichtung wurde gesungen deklamiert, woraus die Kombination zwischen Dichtung und Musik als untrennbares Ganzes hervorgeht. Nach Graebner war aufgrund der im Swahili gebräuchlichen Bezeichnung für Taarab (mutribu, wörtlich: derjenige, der bezaubert) diese Musik als Instrumentalmusik ohne Gesang nicht vorstellbar; der Liedtext war integraler Bestandteil der Aufführung.

Solche Gungu-Lieder wurden auch vertanzt, wobei die Rolle des Tanzes und die Aufführungspraxis je nach Aufführungskontext unterschiedlich sind. Kijumwa und die Tradition der Gungu-Lieder werden von Graebner als eine Quelle für den zeitgenössischen Taarab angesehen.

Eine weitere Tradition aus Lamu ist die kinanda-Aufführungspraxis. Es gibt wohl zwei Formen von kinanda: eine, die getanzt wird und eine, zu der nicht getanzt wird. Die kinanda-Aufführungspraxis hat ein stark interaktionales Moment, wie es auch aus anderen afrikanischen Liedkulturen bekannt ist.

Kinanda (ursprünglich Laute, zumindest Saiteninstrument) steht heute auch für Tasteninstrumente wie das indische Harmonium, Akkordeon und Keyboards. Ein sprachlich manifestierter Hinweis dafür, so Graebner, dass die neuen Instrumente, die aufgrund stärker werdender, ökonomischer und dadurch auch kultureller Kontakte die ursprüngliche Laute ablösten.

Des Weiteren zählt Graebner zu möglichen und nachweisbaren Einflussfaktoren auf Taarab den Import von Schallplatten mit Musik aus Kuwait und Ägypten. Da sich die kuwaitische Musik großer Beliebtheit erfreute, kamen auch kuwaitische Musiker nach Lamu. Die Musik aus Kuwait ist nach Graebner so beliebt, "weil im Bereich des Rhythmus große Ähnlichkeiten zwischen den in Kuwait und den in Lamu üblichen Tänzen bestehen. Eine Erklärung hierfür bietet sich an: In Kuwait und im südlichen Irak leben zahlreiche Afrikaner (ehemalige Sklaven), die mit ihrer Musik auch auf die Musik der arabischen Bevölkerung Einfluss hatten."

Den Hauptanlass für Taarab-Aufführungen bildeten Hochzeiten. Heute gibt es, vor allem bedingt durch den wirtschaftlichen Zusammenbruch Lamus nach dem Zweiten Weltkrieg, kaum noch professionelle Musiker in Lamu.

Mombasa
Die Hafenstadt Mombasa war schon länger Sitz von Plattenfirmen und einer Radiostation, so dass sich auch hier für Taarab-Musiker Verdienstmöglichkeiten eröffneten. Diese musikalische Professionalisierung begünstigte in besonderer Weise qualitative musikalische Entwicklungen.

In Mombasa ist aber weniger der islamisch beeinflusste Taarab populär, sondern der Taarab indischer Prägung, der mit Harmonium und später auch mit Akkordeon, heute sogar mit Keyboard zusätzlich instrumentiert ist. Die Beliebtheit des indisch-pakistanischen Stils begründet Grabner vor allem mit dem starken ökonomischen Kontakt nach Indien, was der Einfluss der indischen Musikfilme besonders verstärkte. In den ab 1910 gegründeten Musikklubs blühte der Taarab in Mombasa auf, der im Übrigen ab den 1920er Jahren mehrheitlich mit weiblichen Singstimmen aufgeführt wurde.

Tansania

Daressalam
Auch in Daressalam prägten ab den 1920er Jahren Musikklubs das städtische Musikleben. Die Mitglieder dieser Klubs waren in der Regel ältere und angesehene Araber und auch Swahili. Hier überwog das Interesse an Taarab ägyptischer Prägung, was auch mit der großen Beliebtheit eingeführter ägyptischer Musikfilme zusammenhängt.

In der Folge entwickelten sich in Daressalam größere unterschiedlich besetzte Ensembles (Geigen, ūd, Mandoline, kanūn, Harmonium, Akkordeon, Klarinette, Trommeln, abwechselnde Gesangssolisten, Chor), die sich später einfach nur Tanzbands nannten. Heute gibt es dort viele Tanzbands (mit elektrischen Keyboards, E-Gitarren und Trommeln), aber wenige Profimusiker, aufgrund schlechter wirtschaftlicher Verhältnisse.

Tanga
In Tanga existierten ebenfalls Musikklubs, in denen in den 1960er Jahren die Sängerin Shakila auf sich aufmerksam machte. Ihr Gesang war ein arabisch-indischer Cross-over, begleitet von Akkordeon, Orgel, E-Bass und zwei E-Gitarren. Die Musik wurde nun nicht mehr nur bei Hochzeiten aufgeführt, sondern hatte den Markt auch über Radio und Schallplatte erobert. So konnte sich die Musik mit ihren Texten auch stärker mit gesellschaftspolitisch relevanten Fragen auseinandersetzen. Im Taarab, der oft nur als "Swahili love songs" charakterisiert wird, ist es aber ohnehin üblich, dass alle Bereiche des Lebens thematisch von den Texten erfasst werden.

Literatur
 Kelly M. Askew: Performing the Nation. Swahili Music and Cultural Politics in Tanzania. University of Chicago Press, Chicago IL u. a. 2002, ISBN 0-226-02980-8 (Chicago Studies in Ethnomusicology).
 Werner Gräbner: Tarabu – Populäre Musik am Indischen Ozean. In: Veit Erlmann (Hrsg.): Populäre Musik in Afrika. Museum für Völkerkunde, Berlin 1991, ISBN 3-88609-213-5, S. 181–200 (Veröffentlichungen des Museums für Völkerkunde, Berlin NF 53, Abteilung Musikethnologie 8).
 Werner Graebner: "The Swahili Coastal Sound". 2000. In: Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Hrsg.): World Music, Vol. 1: Africa, Europe and the Middle East, S. 690–697. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0.

Weblinks
 Mwambao (englisch)
 Said A. M. Khamis: Wondering about Change: The Taarab Lyric and Global Openness. Nordic Journal of African Studies 11(2), 2002, S. 198–205 (PDF; 55 kB)
 Flavia Aiello Traore: Continuity and Change in Zanzibari Taarab Performance and Poetry. Swahili Forum, 11, 2004, S. 75–81 (PDF; 134 kB)
 Mwenda Ntarangwi: A Socio-Historical and Contextual Analysis of Popular Musical Performance among the Swahili of Mombasa, Kenya. University of California, Cultural Analysis, 2, 2001, S. 1–37 (PDF; 109 kB)
 Janet Topp Fargion: Nyota Alfajiri – The Zanzibari "Chakacha". Afrikanistische Arbeitspapiere 42, Institut für Ethnologie und Afrikastudien, Universität Mainz, 1995, S. 125–131 (PDF; 659 kB)

Einzelnachweise

Musik (Kenia)
Musik (Tansania)
Sansibar
Musikgenre

redpajama_set_name: RedPajamaWikipedia


Shivanasamudra is a small town in the Mandya District of Karnataka. It is situated on the banks of the river Kaveri and is the location of the first Hydro-electric Power station in Asia, which was set up in the year 1902. Distance from Mysore, Karnataka to Shivanasamudra falls is 77.5 km and travel time is around 1 h 34 min. Distance from Bhadravati to Shivanasamudra is 279.0 km and takes around 5 h 30 min via Bangalore-Shimoga Road. Distance from Talakadu to Shivanasamudra is 29.9 km and travelling takes around 42 min via Talakadu - Malavalli Road and Belakavadi - T Narasipura Road.
Shivanasamudra Falls is a segmented waterfall. Segmented waterfalls occur where the water flow is broken into two or more channels before dropping over a cliff, resulting in multiple side by side waterfalls. It has an average width of 849 meters, a height of 90 m, and an average volume of 934 cubic meters / sec. The maximum recorded volume is 18,887 cubic meters / sec. It is a perennial waterfall. The time of best flow are the monsoon season of July to October.
A common misconception about these waterfalls are that the left segment is called Gaganachukki and the right segment is called Bharachukki. In reality the Bharachukki falls are a few kilomoters to the south-west of the Gaganachukki falls. This is due to the Kaveri river itself splitting a few kilometers to the south into western and eastern branches. The western branch results in the twin waterfalls of Gaganachukki, whereas the eastern branch results in the Bharachukki falls. The Gaganachukki waterfalls are best viewed from the Shivanasamudra watch tower. Most of the pictures showing the twin waterfalls are taken from that location. There is another approach to the Gaganachukki falls from the Darga Hazrath Mardane Gaib. Despite warnings being posted, people climb down the rocks and attempt to view the waterfalls from behind/top, resulting in many fatal accidents. it is 139km far from the bangalore.
Asia's first hydro-electric power stations, still functional, is located at the Shivanasamudra waterfall. This station was commissioned by the Diwan of Mysore, Sir K. Seshadri Iyer. The electricity produced here was initially used in the Kolar Gold Fields. Thus, Kolar Gold Fields became the first town in Asia to get hydro electricity.
Barachukki and Gaganachukki are two waterfalls situated near the island town of Shivanasamudra in the Mandya district of Karnataka. The waterfalls are created by river Cauvery that runs down a 75 metre gorge before it divides into two branches that flows around the island of Shivanasamudra.
Surrounding the Shivanasamudra waterfalls are hill forests of the Cauvery Wildlife Sanctuary. The Cauvery Wildlife Sanctuary is a protected area located in the Mandya, Chamarajanagar and Ramanagar districts of Karnataka, India. The Cauvery River passes through its midst. It was established on 14 January 1987 under Section 18 of the Wildlife Protection Act 1973 with the objective of providing protection, conservation and development of Wildlife and its environment.
Among the many faunal species found in the sanctuary, malabar giant squirrel (Ratufa indica maxima), grizzled giant squirrel (Ratufa macroura) are under the highly endangered category. The sanctuary is also home to many reptile species, 280 bird species which include 19 new species and 25 bird species of Malayan Tropical Dry Zone.
KSRTC runs only few direct buses from Bangalore to Shravanabelagola, except the luxury services going to Hassan which stops at Hirisave and Channarayapatna. You can get down at Hirisave which is 18 km away from Shravanabelagola but there is no frequent connectivity to Shravanabelagola. Either you wait for the KSRTC bus which may be a long wait or hop into any shared auto (14 Rs) to Shravanabelagola. To Channarayapatana which is 11km from Shravanabelagola there are ample number of KSRTC buses available from Bangalore. From Channarayapatana there are many KSRTC buses available to Shravanabelagola.
Distance from Buddhi School, 8th Main Road, Rachenahalli, Thanisandra to Shivanasamudra is 193.6 km and takes around 4 h 7 min via NH209. Distance from Vijayanagar to Shivanasamudra is 131 km and takes around 2 h 36 min via NH209. Distance from Bannerghatta Main Road to Shivanasamudra Falls is 119 km and travel time is around 2 h 29 min via NH209.


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text:
Q: Different multiple union type in ts I have 2 types like
interface RowOne {
    id: number;
    value: number;
    median: number;
    timestamp: string;
}

interface RowTwo {
    supply: number;
    pool1: string;
    pool2: string;
    fee: number;
}

Now I declare one Union Type like
interface Total {
   rows: RowOne[] | RowTwo[];
}

As usual, we should have one share field to check that the return type is RowOne or RowTwo
But now I have one function like const data = getTotal(): Total, this function will return data follow RowOne or RowTwo
But when I get data like data.rows[0].supply
it says that
Property 'supply' does not exist on type 'RowOne | RowTwo'.

So for this case, How can I pass this error?
Thanks

A: In your case, a union type does not work because it only can recognize common attributes between 2 types. You can check the document here
I'd suggest you use a generic type to determine the type's attributes
interface RowOne {
    id: number;
    value: number;
    median: number;
    timestamp: string;
}

interface RowTwo {
    supply: number;
    pool1: string;
    pool2: string;
    fee: number;
}

type Total<T> =  {
   rows: T[];
}

//define data with a specific generic type
const data: Total<RowOne> = {
  rows: [{ id: 1, value: 1, median: 1, timestamp: "1" }]
}

//assign generic types with an union
const getData = (): Total<RowOne | RowTwo> => {
   return data
}

const updatedData = getData()

console.log(updatedData)

Playground

A: This issue is caused since typescript is unable to find supply common property in the type Row1 | Row2. This happens bacuase the Row1 doesn't have the supply property.
To fix this issue, you have to add checks to determine whether the object contains the specific properties or not. Or better add a function to check the type of the object (Ref: https://stackoverflow.com/a/14426274/5309486 ).
Both approaches are as follow:
const row = data.rows[0];

// Approach 1
function isRowTwo(obj: RowOne | RowTwo): obj is RowTwo {
  return 'supply' in obj && 'pool1' in obj;
}

if (isRowTwo(row)) {
  console.log(row.supply);
}

// Approach 2
if (`supply` in row) {
  console.log(row.supply);
}

You can find the same code at: Playground Link

A: you can use generic types like this
Playground
interface RowOne {
  id: number;
  value: number;
  median: number;
  timestamp: string;
}

interface RowTwo {
  supply: number;
  pool1: string;
  pool2: string;
  fee: number;
}

interface Total <T>{
  rows:T[]
}

const getTotal = (): Total<RowTwo> => {
  return {
    rows: [{
      supply: 5
      , pool1: ""
      , pool2: ""
      , fee: 2
    }]
  }
}

const data: Total<RowTwo> = getTotal()
data.rows[0]?.supply

A: Thanks for strong support from community
As I posted before

As usual, we should have one share field to check that the return type is RowOne or RowTwo

So I support we have a solution to make our code better
interface RowOne {
    id: number;
    value: number;
    median: number;
    timestamp: string;
}

interface RowTwo {
    supply: number;
    pool1: string;
    pool2: string;
    fee: number;
}

interface Total <T>{
   rows: T[];
}

In function
const getTotal = async <T>(): Promise<T>

Call:
const data  = await getTotal();
Thanks @Nick Vu


text:
Die Saison 1953/54 war die 15. Spielzeit der 1. divisjon, der höchsten norwegischen Eishockeyspielklasse. Meister wurde zum insgesamt vierten Mal in der Vereinsgeschichte Furuset Ishockey.

Modus
In der Hauptrunde absolvierte jede der acht Mannschaften insgesamt 14 Spiele. Der Erstplatzierte der Hauptrunde wurde Meister. Für einen Sieg erhielt jede Mannschaft zwei Punkte, bei einem Unentschieden gab es einen Punkt und bei einer Niederlage null Punkte.

Hauptrunde
 Tabelle

Sp = Spiele, S = Siege, U = unentschieden, N = Niederlagen, OTS = Overtime-Siege, OTN = Overtime-Niederlage, SOS = Penalty-Siege, SON = Penalty-Niederlage

Entscheidungsspiel um den Meistertitel
 Furuset Ishockey – Gamlebyen 4:3

Weblinks
 Die Spielzeit auf der Website des norwegischen Eishockeyverbandes (norwegisch)

1953
Eishockeysaison 1953/54


text:
L'aplodiploidia è un sistema di determinazione sessuale che caratterizza la prole di svariate specie: api, vespe, coleotteri. Il sesso in questo tipo di determinazione sessuale dipende dal numero di gameti che l'individuo riceve. La femmina (diploide) è generata da un uovo fecondato, mentre il maschio (aploide) può essere generato dal solo uovo anche se non fecondato. Questo significa che i maschi hanno metà numero di cromosomi rispetto alle femmine diploidi.

Altri progetti

Collegamenti esterni

Riproduzione


Aren't there enough transient back packers disturbing the peace of local residents and devaluing the area? This development does nothing to add character or enhance Bondi Junction. I am in favour of rejecting the application due to the noise, litter, and safety concerns of such a dwelling in this vicinity.


text:
November 2017 Vol. II No. XI
General Poetry
ModPo and Experimental Poetry
Haiku & Zen Master
More African Poetry
Interview Continued
Reviews/Forum
Regular Features Pages
General Poetry with Suzanne Robinson
Haiku with Kevin McLaughlin
Formal & Rhyming Poetry with Vera Ignatowitsch
Translations with S. Ye Laird
with Rameeza Nasim, and Tendai Rinos Mwanaka
Sentimental Poetry with Anthony Watkins
ModPo & Experimental Poetry with Anthony Watkins
Featured Poem of the month
I AM A WOMAN WHO
I am a woman who sits beside the ocean,
listens to its rhythm
and hears the song of life.
I am a woman who loves trees,
tells them her stories
then listens to their wisdom.
I am a woman who dreams of fireplaces on rainy days,
looks out at squalls on the water,
and lights candles to brighten the gray.
I am a woman who sees a face in flowers
and smiles back at them.
I am a woman who genuflects to look into children's eyes,
delights in their stories,
and hears the wisdom that comes from their lips.
I am a woman who rises with the sun,
sits on the moon,
and rides a star in her dreams.
The author of the acclaimed book, A Life Interrupted: Living with Brain Injury (Pearlsong Press), Louise Mathewson's short stories, narrative essays and poems have appeared internationally in numerous publications including Wordgathering: Journal of Disability Poetry, and the first volume of the bestselling book series, Cup of Comfort. A traumatic brain injury survivor, Louise advocates for those who have been affected by brain injury, stroke and other disabilities. Online at www.louisemathewson.com.
REFLECTION SINKS
In a ray of sunshine
she sits atop the lake
rippling beside her
as she shivers in the breeze
but warmed by sun she calms
her reflection sharp as a mirror
until the sun sets
and the water rises
as she begins to sink.
SNOW REMNANTS
The crack in the pavement
smiles with remnants of snow
still gleaming between its borders
until afternoon sun melts it
into a tiny river
frozen at sunset.
Diane Webster grew up in Eastern Oregon before she moved to Colorado. She enjoys drives in the mountains to view all the wildlife and scenery and takes amateur photographs. Writing poetry provides a creative outlet exciting in images and phrases Diane thrives in. Her work has appeared in "The Hurricane Review," "Philadelphia Poets," "Illya's Honey," and other literary magazines.
Poetry Pages
....and now...
...from the mind of...
the Mad Poet
In Memoriam Richard Wilbur (1921-2017)
 Better Than Starbucks The Interview
Richard Wilbur interviewed by Jason Gray in the summer of 2004
This interview was first published in
The Missouri Review, Volume 27, Number 3, Winter 2004
Richard Wilbur (March 1, 1921 – October 14, 2017) was born in New York City. He twice won the Pulitzer Prize, for New & Collected Poems (1988) and Things of this World (1956), for which he also won the National Book Award. His other numerous honors included the Wallace Stevens Award, the Aiken Taylor Award for Modern American Poetry, the Frost Medal, the Bollingen Prize, the T. S. Eliot Award, two Guggenheim Fellowships, the Prix de Rome Fellowship. He was a former poet laureate of the United States and a chancellor emeritus of the Academy of American Poets. Retired from a teaching career that included Harvard University, Wesleyan University and Smith College, he lived in Cummington, Massachusetts, at the time of this interview. His books included eight volumes of poetry, children's poetry, several translations of Molière and two books of prose. His new Collected Poems was released at the end of 2004.
Jason Gray is the author of Photographing Eden, winner of the Hollis Summers Prize, and two chapbooks, How to Paint the Savior Dead and Adam & Eve Go to the Zoo. His poems have been featured in Poetry, The Kenyon Review, American Poetry Review, The New Criterion, and elsewhere. He is the associate editor of The Writer's Chronicle.
Love Calls Us to the Things of This World
The eyes open to a cry of pulleys,
And spirited from sleep, the astounded soul
Hangs for a moment bodiless and simple
As false dawn.
Outside the open window
The morning air is all awash with angels.
Some are in bed-sheets, some are in blouses,
Some are in smocks: but truly there they are.
Now they are rising together in calm swells
Of halcyon feeling, filling whatever they wear
With the deep joy of their impersonal breathing;
Now they are flying in place, conveying
The terrible speed of their omnipresence, moving
And staying like white water; and now of a sudden
They swoon down into so rapt a quiet
That nobody seems to be there.
The soul shrinks
From all that it is about to remember,
From the punctual rape of every blessèd day,
And cries,
"Oh, let there be nothing on earth but laundry,
Nothing but rosy hands in the rising steam
And clear dances done in the sight of heaven."
Yet, as the sun acknowledges
With a warm look the world's hunks and colors,
The soul descends once more in bitter love
To accept the waking body, saying now
In a changed voice as the man yawns and rises,
"Bring them down from their ruddy gallows;
Let there be clean linen for the backs of thieves;
Let lovers go fresh and sweet to be undone,
And the heaviest nuns walk in a pure floating
Of dark habits,
keeping their difficult balance."
Richard Wilbur, "Love Calls Us to the Things of This World" from Collected Poems 1943-2004. Copyright © 2004 by Richard Wilbur. Reprinted with the permission of Harcourt, Inc. This material may not be reproduced in any form or by any means without the prior permission of the publisher.
The BTS Interview Page Two
Movie Reviews and Forums


The employer-employee relationship is broken and managers face a seemingly impossible dilemma. The old model of guaranteed long-term employment no longer works in a business environment defined by continuous change, but neither does a system in which every employee acts like a free agent. How can companies build a new relationship? In this Harvard Business Review webinar, LinkedIn Co-Founder Reid Hoffman and co-authors Ben Casnocha and Chris Yeh, discuss their new book, The Alliance, and talk about how to recruit, manage, and retain entrepreneurial employees in the networked age.


text:
package org.c4sg.entity;

import javax.persistence.*;
import java.io.Serializable;
import java.util.Date;

@Entity
@Table(name = "bookmark")
public class Bookmark implements Serializable{

    @Id
    @GeneratedValue(strategy = GenerationType.AUTO)
    @Column(nullable = false, updatable = false)
    private Integer id;

    @ManyToOne
    @JoinColumn(name = "user_id")
    private User user;

    @ManyToOne
    @JoinColumn(name = "project_id")
    private Project project;

	@Column(name = "created_time", nullable = false)
	private Date createdTime;

	@Column(name = "updated_time", nullable = false)
	private Date updatedTime;

    public Integer getId() {
        return id;
    }

    public void setId(Integer id) {
        this.id = id;
    }

    public User getUser() {
        return user;
    }

    public void setUser(User user) {
        this.user = user;
    }

    public Project getProject() {
        return project;
    }

    public void setProject(Project project) {
        this.project = project;
    }

	public Date getCreatedTime() {
		return createdTime;
	}

	public void setCreatedTime(Date createdTime) {
		this.createdTime = createdTime;
	}

	public Date getUpdatedTime() {
		return updatedTime;
	}

	public void setUpdatedTime(Date updatedTime) {
		this.updatedTime = updatedTime;
	}
}

redpajama_set_name: RedPajamaGithub


text:
Health Career Center Blog
Subscribe to our monthly newsletter for useful tips and resources for healthcare job seekers.
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Job Seekers, Welcome to Health Career Center
Registered Nurse Inpatient Surgical Operating Rooms
JOB TITLE: Registered Nurse Inpatient
LOCATION: Geisinger Medical Center
DEPARTMENT: Surgical Operating Rooms
WORK SCHEDULE: Rotation
WORK TYPE: Full Time
Duration of on-the-job training to become familiar with job duties varies by individual
unit.
The specific statements shown in each section of this description are not intended to be all-inclusive. They represent typical elements considered necessary to successfully perform the job
One of the nation's most innovative health services organizations, Geisinger serves more than 1.5 million patients in Pennsylvania and New Jersey. The system includes 13 hospital campuses, a nearly 600,000-member health plan, two research centers and the Geisinger Commonwealth School of Medicine. A physician-led organization, with approximately 32,000 employees and more than 1,800 employed physicians, Geisinger leverages an estimated $12.7 billion positive annual impact on the Pennsylvania and New Jersey economies. Repeatedly recognized nationally for integration, quality and service, Geisinger has a long-standing commitment to patient care, medical education, research and community service. For more information, visit geisinger.org or connect with us on Facebook, Instagram, LinkedIn and Twitter.
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Ericsson is currently deploying a smart-metering network in Estonia in partnership with leading energy distributer Elektrilevi, and consumers are starting to enjoy the benefits.
In August 2012, Elektrilevi, the major Estonian electricity distribution network operator, signed a contract with Ericsson for the supply, deployment, systems integration and running of a smart-metering network.
As part of the deal, Ericsson is providing a turn-key solution to replace all Elektrilevi electricity meters with more than 625,000 remotely readable smart meters. The agreement also includes the implementation of a central automatic meter reading system (AMR) for data gathering and integration to Elektrilevi systems, as well as AMR managed services during the rollout period.
Elektrilevi stands to gain a lot from the solution, such as reduced costs and risk, improved network operation and maintenance, regulatory compliance (in EU and Estonia), and improved customer satisfaction. And because the smart grid provides Elektrilevi with data from each and every connection point, they are able to meet their customer's needs on a much more individualized level than before.
The project is now halfway through, with roughly 300,000 meters being installed, and Elektrilevi's consumers are starting to enjoy the benefits of the smart-meter solution, such as more accurate and timely billing, shorter outages, and improved possibilities to reduce their power consumption.


Konami has released a trailer for its next Metal Gear Solid project, a Pachinko machine based on Metal Gear Solid 3: Snake Eater.
The video, which you can watch below, shows an iconic scene from Snake Eater recreated in FOX Engine, the tech used to develop Metal Gear Solid 5 for PS4, Xbox One, and PC.
We get to see The Boss and Naked Snake's final confrontation with high-quality character models and environments, as well as updated version of The Pain, The Fear, The Fury, and The End.
The trailer is purely for a pinball machine to be released across arcades in Japan, and does not suggest Konami is working on a Metal Gear Solid 3 remake.
On the other hand, Konami has said it isn't done with new entries in the Metal Gear Solid video game series. On November 3, 2015, an unnamed representative for the company said discussions about a new Metal Gear game have begun, and the company is examining plans.
Given that the FOX Engine was developed internally for Metal Gear Solid 5 and that very few games have been developed using it since, perhaps Konami is thinking about remaking an older, beloved entry in the series instead of taking a chance on a new one without series creator Hideo Kojima. We can dream.


We offer the best car rental systems for your business so you can start generating income from your business. In a competitive marketplace, you need the best support to boost and sustain your automobile rental business.
We at AIS Technolabs help businesses like yours build the best car rental software that can steer as an action plan for your continuous success. With an interactive design, highly responsive car rental PHP script you can give a rich user-friendly experience to all your customers. We've compiled most of the features after weighing in the latest trends and customer demands in the car rental marketplace.
We care enough to cater to your budding business needs, we're a means to an end. In this case, the end is your success. With our expert professional developers, you can have your product ready in a flash. Not only that, we'd be glad to be on the call even after your PHP rental system is set up and delivered.
You can now set up multiple locations such as pickup, drop off as well as transfer locations for a single rental.
You can configure email notifications and text alerts about the rental information and send it to customers. You can also keep your customers informed about coupons, discounts or packages available.
In today's fast pace world, automation makes our lives easier, faster and our actions better planned. With the integration of automation into your car rental script your customers can now schedule bookings, select car type, make reservations in advance.
Customers commonly complain that similar applications in the market limit users to only booking one vehicle whereas, with us you can provide them the feature of booking more than one car on a single user account. You would still be able to run the system evenly.
Apart from all of the above, you can still add an unlimited number of extra features for your car rental system. Through our years of experience and our expert developer team, we'd be happy to recommend additional features that could fit in with your business requirements. Also, with the changing market trends, we understand the need to stay updated and relevant in the car rental marketplace. Therefore, we offer you the option of adding as many extra features you want.
Your customers can instantly search for the required result using our dynamic search tool. They can search using any number of fields or sub-fields such as car type, registration number, make or model, booking duration, cost and also through the extra features added. We ensure that this tool is highly responsive and works seamlessly across both web and mobile applications.
Unlike other car rental PHP MySql in the market, we provide a completely customizable standard script. It's so easy that our customers love it and you will too. This is the reason why we give you the freedom of adding extra features or completely adding new modules to your car rental script. The best part of all this is that our developer team will support you throughout the process and even further.
We also offer you the means to backup your database. You can just log in to your admin console and create a backup of all the important data. You can also manage your operations, control reservations, change settings through the admin system. In effect, you can have a better control over your day to day operations.
Whether it's a small or large business, tracking and maintaining your payment information is not easy. With this intention, we offer a payment tracker tool integrated into your software to manage your operations more efficiently.
Design and presentation is everything. In effect, we give you the freedom to choose from a wide range of themes for your product.
Not only developing the best car rental script, we also support you with marketing and promotion of your brand. In our constant endeavour to do better, we want to further collaborate with brands like yours more conscientiously than ever. If you're just starting out, then what's better than a professional help from your side.
Ultimately, you'd find an effective customer service and attitude while working with our team which is why our clients love us.


There are numerous services with terrific possible that stop working due to the lack of knowledge the owners have regarding marketing or really making a sale. There will certainly be several site visitors who come to see the autos, yet without that included push, there will be no sales. An internet site without a sales funnel is the exact same, which is why you need to acquire Click Funnels in order to get the most number of sales possible.
If you are an ecommerce organisation proprietor, obtaining a great understanding of sales funnels and also transforming a lead to a client is one of one of the most standard points you ought to know from the start. To put it merely, a sales channel is the procedure that a potential customer experiences from being a visitor/lead to finally acquiring the product or the service. This procedure limits to completion, making it resemble a funnel, therefore the name. Your business as well as the revenue depend totally on how you handle to successfully execute this funneling procedure.
At initially, Click Funnels Pricing might make you believe if it deserves it, however you will certainly need it to make a fast progression as well as recognition among the consumers especially in the first couple of phases of running a company. This service particularly assists the start-ups and also the entrepreneurs who are not extremely accustomed to the marketing and also sales process to obtain the very best from their advertising and marketing strategies by transforming site visitors effectively to be buyers.
When you pay a regular internet designer to create an internet site for you, the final result might be aesthetically pleasing, yet they typically do not pay focus to making a sale with the system. Click Funnels has put with each other a number of site themes that are composed of a total sales funnels from the welcome display to the final Thank You display.
Click Funnels have been created by sales and advertising professionals with lots of years of experience in really making sales. Adhering to are some of the pre-designed sales funnels that you could select at the Click Funnels.
All the designs and also sales funnels that you obtain in the Click Funnels solution are significantly personalized. You can utilize your very own shade themes, photos and messages taking into consideration the tips that Click Funnels offer to get the very best outcomes. The customizing as well as editing procedure is an easy drag as well as decline technique making any person, also without any website design experience, to produce the kind of web site that you always dreamed to have for your business.
Click Funnels offer you with a pre-designed and well-curated sales channel which will certainly take your visitors through a persuading trip that will make them buy your product at the end. This final goal could be various depending upon the product that you sell or the service that you offer. Nonetheless, Click Funnels have developed a series of sales funnels that could lead you to attain your purposes by taking your site visitors with a well considered sales funnels. Complying with are a few of the goals which can be met by a sales funnels.
A sales funnel positively influences the idea procedure of your visitors to make the choice to go ahead with your objective. This is basically providing that little push a sales representative would certainly provide in a physical store to finally make up the way of thinking to go ahead with a purchase.
A web site resembles an online store, and also the function of putting a big investment right into creating a site is to eventually assist boost the earnings of your service. Lots of people, specifically the startups and the entrepreneurs that are brand-new to the online organisation world emphasis excessive on the looks of the layout to take into consideration whether it is reliable sufficient to really make a sale.
You might invest a whole lot of loan to work with the very best internet designers and programmers, as well as they might even deliver a great looking website to you, but if you have to think of the sales process within the web site, your financial investment will just cost you loan without a return. This is why you should acquire Click Funnels. A website developed through that solution is laser-focused to supply terrific marketing and sales effects from the starting to the end. Complying with are the four primary points that a well picked and positioned sales funnels do.
Drawing in new visitors to the internet site is the very first and also among one of the most vital tasks that a sales funnel does. This is the mouth of the funnel. The bigger the number of visitors attracted to the website, the extra energetic customers there will certainly be at the end. This is done by attractive layouts and themes of sites, easy to use user interfaces and simple social networks showcases that assistance pleased visitors to spread the word. The conversion process is when a mere site visitor becomes a possible client, which is a lead. This phase is narrower and also in the following step of the channel and should be well preserved because they are likely to earn an acquisition in the next couple of stages as long as you maintain them amazed.
Creating sales-oriented web sites to ensure the highest possible effectiveness of sales is not brand-new for the online service owners at this age. It is all concerning being useful, meaningful, and leading the site visitors to the website to make an action which makes money the business at the end of their searching trip. Leadpages as well as Clickfunnels are two solutions that aid mostly startups and also business owners to make useful sites that really drive the sales.
If you require a simple website that you can create simply the method you want it via dragging and going down features right into a blank canvas, this is the service for you. All the web pages you make on the site with the help of Leadpages give concern to "leads" or the possible consumers that involve your site. The service incorporates with e-mail provider to nurture the visitors that pertain to your website and also behave in a manner that makes them a lead. This means, you will certainly not miss out on any one of the potential clients who involve your site, which is incredibly vital in order to maintain up with the performance of converting leads right into customers in the end.
Leadpages does not need you to have any type of coding experience, develops web pages with high converting possibility and also provides you a big collection of alternatives when it comes to the style aspect of the site. In the fight of Leadpages vs Clickfunnels, Leadpages undoubtedly take a lead when it comes to the user-friendliness of the service. Complying with are a few of the vital features of the solution.
Clickfunnels is a total sales funnel home builder that does not just develop a web site but a tactical means to channel all the site visitors who come to your web site. There is a terrific attention to information when it comes to the various layouts that Clickfunnels has given that sometimes the point that converts a lead into a purchaser could be a simple distinction in the landing page.
Comparing to Leadpages, Clickfunnels is a bit extra complicated as well as the homepage itself is greatly material abundant. The founders of Clickfunnels have focused not just on producing an excellent website for you but likewise providing you enough knowledge and also details to act as an informed organisation person/entrepreneur. The funnel web pages that you have is all about developing the ideal sales channel.
When comparing Leadpages vs Clickfunnels, as a tool, Clickfunnels undoubtedly provide you more as you could plainly see. If you desire a much more complicated and precise process that will strategically come close to all your visitors and also create a high operating sales channel that will certainly execute long-lasting to obtain you the best earnings, Clickfunnels is surely the method to go.
Closing is the final phase of a channel where a lead ends up being a consumer. They proactively make the order and also acquire your product, register for your e-newsletter or primarily do what you planned them to do by developing the funnel. Following degree is client retention or keeping them thrilled with your product or the acquisition, so they come to be return customers.


What do you do when you learn those closest to you are not who they appear to be? For a man as loyal as Nicoli Moretti it's the ultimate betrayal. As the top lieutenant and best friend to the head of the Moretti family, he thought he knew everything about the man he considered a brother—but he was so very wrong. Still reeling from that blow, he discovers that not only did the woman he loves know before him, but she also has secrets of her own—ones that could well get her killed.
His thirst for revenge is almost overwhelming—yet so is his love for Minka Gavino. A relationship with someone from another mafia family would be complicated on a good day, but was it even worth fighting for now? Once the trust is gone, can it ever be rebuilt? Or, will he walk away from the only life he's ever known and the only woman he's ever loved?
This book is not currently available in any format because it has not yet been released—available 2019-10-14.


A nostalgic look at Leek and the Moorlands, featuring the villages of Cheddleton, Endon and Rudyard Lake, from 1925 to 1988.
Featured items are: Horses working on the farm. The railway in the days of steam. Armistice Sunday at the outbreak of World War II. The restoration of the Caldon Canal The annual events of Club Day, Endon Well Dressing and Cheddleton Carnival. Leek's last working silk mill captured on film in 1988. The Century of Motoring event held at Brough Park in 1966. Together with personal interviews and reminiscences, these "Moorland memories" and archive film bring to life a lost age.


text:
using UnityEngine;
using System.Collections;

public class Turret : MonoBehaviour {

    public int durability;
	public float minDistance;
	public float scanFrequency;
	public Enemy target;
	private static GameObject[] allEnemies;
    private Animator anim;
    private AudioSource[] audios;

	void Awake()
	{
		InvokeRepeating("ScanSurround", 0, scanFrequency);
        anim = GetComponent<Animator>();
        audios = GetComponents<AudioSource>();
	}

	void FixedUpdate()
	{
		HandleRotation ();
	}

	void HandleRotation()
	{
		if (target != null) {
			float rotz = Mathf.Atan2 ((target.transform.position.y - transform.position.y),
                  (target.transform.position.x - transform.position.x)) *
					Mathf.Rad2Deg - 90;

			transform.eulerAngles = new Vector3 (0, 0, rotz);
		}
	}

	void ScanSurround()
	{
		allEnemies = GameObject.FindGameObjectsWithTag("Enemy");
		foreach (GameObject enemy in allEnemies) {
			if (enemy.GetComponent<Enemy>().IsAlive()) {
				Vector3 difference = (enemy.transform.position - transform.position);
				float distance = difference.sqrMagnitude;

				if (distance <= minDistance) {
					target = enemy.GetComponent<Enemy> ();
					break;
				}
			} // if (enemy.GetComponent<Enemy> ().IsAlive())
		}

	}

    void OnCollisionEnter2D(Collision2D coll)
    {
        if (coll.gameObject.tag == "Enemy")
        {
            // for dynamic? objects
            // ...
            //Debug.Log("Collide!");

            // for physics objects

            coll.gameObject.rigidbody2D.velocity = gameObject.transform.up * 2.0f;
            //Vector3 normalForce = gameObject.transform.up * -200;
            //coll.gameObject.rigidbody2D.AddForce(normalForce);
            durability--;
            anim.SetBool("isDamaged", true);

            anim.SetInteger("currentCondition", durability);
            if (durability == 0)
            {
                audios[2].Play();
            }
        }

        if (coll.gameObject.tag == "Player")
        {

        }

    }

    public void SndOnCreate()
    {
        audios[1].Play();
    }

    void DamagedAnimationEnd()
    {
        anim.SetBool("isDamaged", false);
    }

    void DyingAnimationEnd()
    {

        Destroy(gameObject);
    }
}


Fastpacking is rapid, long-distance mountain travel, on foot, over multiple days, sometimes involving camps or bivouacs. It requires refined clothing and equipment choices, and practised skill sets that allow for both swift movement and self-sufficiency in a remote mountain setting.
Fastpacking is as much a philosophy as it is a technical system. Peaks come and go to the rhythm of a pounding heartbeat. No time for Instagram. Distance, miles on the legs, and the sheer bloody-minded slog of it is its own reward. Rest is welcome and sleep comes quickly in a tiny tent or bivy under the stars. Repeat.
Fastpacking expert Jenny Tough knows a thing or two about moving fast in the mountains. In this blog series, she outlines HOW to fastpack, covering everything from useful systems to master, kit management, and initial misguided attempts.
Kit selection is vital to fastpacking success. Weight reduction helps you go further AND faster, but it must be up to the task. As pioneers of fastpacking, we have the perfect selection of kit to keep you pushing your limits in the mountains.
Montane Ambassador Tom Kahler uses Fastpacking techniques strategically, allowing him to get the most out of short breaks and photography missions. In this report, Tom talks about how Fastpacking let him chase the sun from dawn to dusk in the French Alps.


text:
Transition Radiation as a Secondary Standard Source in the VUV
W. Böhm and D. Labs
The authors are with the Landessternwarte Heidelberg-Königstuhl, 69 Heidelberg, Germany.
W Böhm
D Labs
W. Böhm and D. Labs, "Transition Radiation as a Secondary Standard Source in the VUV," Appl. Opt. 10, 2021-2023 (1971)
Absorption coefficient
Complex dielectric constant
Optical constants
Synchrotron radiation
Original Manuscript: April 7, 1971
The optical radiation caused by electron bombardment of metallic surfaces was tested for its use as a secondary standard source in the VUV. Aluminum of high purity was found to be a suitable target material. The reproducibility of the radiation is of the order of 4% to 2% for 0.11 < λ < 0.15 μm and 0.15 < λ < 0.27 μm, respectively. In the spectral region 0.17 μm to 0.27 μm, the source was calibrated absolutely by comparison with a deuterium lamp of known absolute intensity.
Photometric Comparison between Two Calculable Vacuum-Ultraviolet Standard Radiation Sources: Synchrotron Radiation and Plasma-Blackbody Radiation
D. Stuck and B. Wende
J. Opt. Soc. Am. 62(1) 96-100 (1972)
VUV radiometry below 100 nm: the high-power hydrogen arc as a standard source of continuum radiation between 53 nm and 92 nm
K. Behringer and P. Thoma
Gas-liner pinch as a source of blackbody-limited VUV line radiation
F. Böttcher, U. Ackermann, and H.-J. Kunze
Vacuum ultraviolet radiometry. 3: The argon mini-arc as a new secondary standard of spectral radiance
J. M. Bridges and W. R. Ott
Appl. Opt. 16(2) 367-376 (1977)
Vacuum UV and soft x-ray optical emissions from electron impact on metals
R. H. Hughes, T. A. Heumier, and P. M. Griffin
Appl. Opt. 20(8) 1350-1354 (1981)


text:
Terakhir dicari: 00:10 inadequacy arti dari lintah darat Boation Commensurable arti dari kulakan Solanum burbankii riparian right beg off River tern see: dep Wood grass Manna sugar pizza parlor flam Wivern Cheer"less*ness Storm path Botrychium virginianum blechnum mala Natural person
Hasil cari dari kata atau frase: Natural person (0.01148 detik)
Found 1 items, similar to Natural person.
English → English (gcide) Definition: Natural person Person \Per"son\, n. [OE. persone, persoun, person, parson, OF. persone, F. personne, L. persona a mask (used by actors), a personage, part, a person, fr. personare to sound through; per + sonare to sound. See Per-, and cf. Parson.] 1. A character or part, as in a play; a specific kind or manifestation of individual character, whether in real life, or in literary or dramatic representation; an assumed character. [Archaic] [1913 Webster] His first appearance upon the stage in his new person of a sycophant or juggler. --Bacon. [1913 Webster] No man can long put on a person and act a part. --Jer. Taylor. [1913 Webster] To bear rule, which was thy part And person, hadst thou known thyself aright. --Milton. [1913 Webster] How different is the same man from himself, as he sustains the person of a magistrate and that of a friend! --South. [1913 Webster] 2. The bodily form of a human being; body; outward appearance; as, of comely person. [1913 Webster] A fair persone, and strong, and young of age. --Chaucer. [1913 Webster] If it assume my noble father's person. --Shak. [1913 Webster] Love, sweetness, goodness, in her person shined. --Milton. [1913 Webster] 3. A living, self-conscious being, as distinct from an animal or a thing; a moral agent; a human being; a man, woman, or child. [1913 Webster] Consider what person stands for; which, I think, is a thinking, intelligent being, that has reason and reflection. --Locke. [1913 Webster] 4. A human being spoken of indefinitely; one; a man; as, any person present. [1913 Webster] 5. A parson; the parish priest. [Obs.] --Chaucer. [1913 Webster] 6. (Theol.) Among Trinitarians, one of the three subdivisions of the Godhead (the Father, the Son, and the Holy Ghost); an hypostasis. "Three persons and one God." --Bk. of Com. Prayer. [1913 Webster] 7. (Gram.) One of three relations or conditions (that of speaking, that of being spoken to, and that of being spoken of) pertaining to a noun or a pronoun, and thence also to the verb of which it may be the subject. [1913 Webster] Note: A noun or pronoun, when representing the speaker, is said to be in the first person; when representing what is spoken to, in the second person; when representing what is spoken of, in the third person. [1913 Webster] 8. (Biol.) A shoot or bud of a plant; a polyp or zooid of the compound Hydrozoa Anthozoa, etc.; also, an individual, in the narrowest sense, among the higher animals. --Haeckel. [1913 Webster] True corms, composed of united person[ae] . . . usually arise by gemmation, . . . yet in sponges and corals occasionally by fusion of several originally distinct persons. --Encyc. Brit. [1913 Webster] Artificial person, or Fictitious person (Law), a corporation or body politic; -- this term is used in contrast with natural person, a real human being. See also legal person. --Blackstone. Legal person (Law), an individual or group that is allowed by law to take legal action, as plaintiff or defendent. It may include natural persons as well as fictitious persons (such as corporations). Natural person (Law), a man, woman, or child, in distinction from a corporation. In person, by one's self; with bodily presence; not by representative. "The king himself in person is set forth." --Shak. In the person of, in the place of; acting for. --Shak. [1913 Webster] Natural \Nat"u*ral\ (?; 135), a. [OE. naturel, F. naturel, fr. L. naturalis, fr. natura. See Nature.] 1. Fixed or determined by nature; pertaining to the constitution of a thing; belonging to native character; according to nature; essential; characteristic; innate; not artificial, foreign, assumed, put on, or acquired; as, the natural growth of animals or plants; the natural motion of a gravitating body; natural strength or disposition; the natural heat of the body; natural color. [1913 Webster] With strong natural sense, and rare force of will. --Macaulay. [1913 Webster] 2. Conformed to the order, laws, or actual facts, of nature; consonant to the methods of nature; according to the stated course of things, or in accordance with the laws which govern events, feelings, etc.; not exceptional or violent; legitimate; normal; regular; as, the natural consequence of crime; a natural death; anger is a natural response to insult. [1913 Webster] What can be more natural than the circumstances in the behavior of those women who had lost their husbands on this fatal day? --Addison. [1913 Webster] 3. Having to do with existing system to things; dealing with, or derived from, the creation, or the world of matter and mind, as known by man; within the scope of human reason or experience; not supernatural; as, a natural law; natural science; history, theology. [1913 Webster] I call that natural religion which men might know . . . by the mere principles of reason, improved by consideration and experience, without the help of revelation. --Bp. Wilkins. [1913 Webster] 4. Conformed to truth or reality; as: (a) Springing from true sentiment; not artificial or exaggerated; -- said of action, delivery, etc.; as, a natural gesture, tone, etc. (b) Resembling the object imitated; true to nature; according to the life; -- said of anything copied or imitated; as, a portrait is natural. [1913 Webster] 5. Having the character or sentiments properly belonging to one's position; not unnatural in feelings. [1913 Webster] To leave his wife, to leave his babes, . . . He wants the natural touch. --Shak. [1913 Webster] 6. Connected by the ties of consanguinity. especially, Related by birth rather than by adoption; as, one's natural mother. "Natural friends." --J. H. Newman. [1913 Webster +PJC] 7. Hence: Begotten without the sanction of law; born out of wedlock; illegitimate; bastard; as, a natural child. [1913 Webster] 8. Of or pertaining to the lower or animal nature, as contrasted with the higher or moral powers, or that which is spiritual; being in a state of nature; unregenerate. [1913 Webster] The natural man receiveth not the things of the Spirit of God. --1 Cor. ii. 14. [1913 Webster] 9. (Math.) Belonging to, to be taken in, or referred to, some system, in which the base is 1; -- said of certain functions or numbers; as, natural numbers, those commencing at 1; natural sines, cosines, etc., those taken in arcs whose radii are 1. [1913 Webster] 10. (Mus.) (a) Produced by natural organs, as those of the human throat, in distinction from instrumental music. (b) Of or pertaining to a key which has neither a flat nor a sharp for its signature, as the key of C major. (c) Applied to an air or modulation of harmony which moves by easy and smooth transitions, digressing but little from the original key. (d) Neither flat nor sharp; -- of a tone. (e) Changed to the pitch which is neither flat nor sharp, by appending the sign [natural]; as, A natural. --Moore (Encyc. of Music). [1913 Webster +PJC] 11. Existing in nature or created by the forces of nature, in contrast to production by man; not made, manufactured, or processed by humans; as, a natural ruby; a natural bridge; natural fibers; a deposit of natural calcium sulfate. Opposed to artificial, man-made, manufactured, processed and synthetic. [WordNet sense 2] [PJC] 12. Hence: Not processed or refined; in the same statre as that existing in nature; as, natural wood; natural foods. [PJC] Natural day, the space of twenty-four hours. --Chaucer. [1913 Webster] Natural fats, Natural gas, etc. See under Fat, Gas. etc. Natural Harmony (Mus.), the harmony of the triad or common chord. Natural history, in its broadest sense, a history or description of nature as a whole, including the sciences of botany, zo["o]logy, geology, mineralogy, paleontology, chemistry, and physics. In recent usage the term is often restricted to the sciences of botany and zo["o]logy collectively, and sometimes to the science of zoology alone. Natural law, that instinctive sense of justice and of right and wrong, which is native in mankind, as distinguished from specifically revealed divine law, and formulated human law. Natural modulation (Mus.), transition from one key to its relative keys. Natural order. (Nat. Hist.) See under order. Natural person. (Law) See under person, n. Natural philosophy, originally, the study of nature in general; the natural sciences; in modern usage, that branch of physical science, commonly called physics, which treats of the phenomena and laws of matter and considers those effects only which are unaccompanied by any change of a chemical nature; -- contrasted with mental philosophy and moral philosophy. Natural scale (Mus.), a scale which is written without flats or sharps. Note: Model would be a preferable term, as less likely to mislead, the so-called artificial scales (scales represented by the use of flats and sharps) being equally natural with the so-called natural scale. Natural science, the study of objects and phenomena existing in nature, especially biology, chemistry, physics and their interdisciplinary related sciences; natural history , in its broadest sense; -- used especially in contradistinction to social science, mathematics, philosophy, mental science or moral science. Natural selection (Biol.), the operation of natural laws analogous, in their operation and results, to designed selection in breeding plants and animals, and resulting in the survival of the fittest; the elimination over time of species unable to compete in specific environments with other species more adapted to survival; -- the essential mechanism of evolution. The principle of natural selection is neutral with respect to the mechanism by which inheritable changes occur in organisms (most commonly thought to be due to mutation of genes and reorganization of genomes), but proposes that those forms which have become so modified as to be better adapted to the existing environment have tended to survive and leave similarly adapted descendants, while those less perfectly adapted have tended to die out through lack of fitness for the environment, thus resulting in the survival of the fittest. See Darwinism. Natural system (Bot. & Zo["o]l.), a classification based upon real affinities, as shown in the structure of all parts of the organisms, and by their embryology. It should be borne in mind that the natural system of botany is natural only in the constitution of its genera, tribes, orders, etc., and in its grand divisions. --Gray. Natural theology, or Natural religion, that part of theological science which treats of those evidences of the existence and attributes of the Supreme Being which are exhibited in nature; -- distinguished from revealed religion . See Quotation under Natural, a., 3. Natural vowel, the vowel sound heard in urn, furl, sir, her, etc.; -- so called as being uttered in the easiest open position of the mouth organs. See Neutral vowel, under Neutral and Guide to Pronunciation, [sect] 17. [1913 Webster +PJC] Syn: See Native. [1913 Webster]


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Q: How to convert an array into an array object in javascript? My scenario is where i will upload a text file contain data like this
a1,b1,,c1,d1,
a2,b2,,c2,d2,

From the data, i able read and split it with ("\n") and result is
array=[array[0]:[a1,b1,,c1,d1]
       array[1]:[a2,b2,,c2,d2]]

How can i populate the array above into my array object?
sample output:
newarray=[[name="a1",age:"b2",address="",contact="c1",gender="d1"],
           [name="a2",age:"b2",address="",contact="c2",gender="d2"]]

A: As the position of each attribute in the array seems to be fixed, i would just create a function with a fixed assignment. Like this:

var str = "a1,b1,,c1,d1,\na2,b2,,c2,d2,";
var objects = parseString(str);
console.log(objects);

function parseString(strIn){
  var objectList = [];
  var splitResult = strIn.split("\n");
  for(var i=0;i<splitResult.length;i++){
    var valueArray = splitResult[0].split(",");
    objectList.push(mapToObject(valueArray));
  }
  return objectList;
}

function mapToObject(array){
  return {
    name: array[0],
    age:array[1],
    address: array[2],
    contact: array[3],
    gender:array[4]
  };
}

A:

function arrToObj(arr){
 var newArr = [];
 arr.forEach(function(value,index){
     obj = {};
     obj.name = value[0];
     obj.age = value[1];
     obj.contact = value[2];
     newArr.push(obj);

});
return newArr;
}