text:
.. _app:

Creating an injectable |c.t.app.App|_
=====================================

Lifecycle
---------

If you haven't already, take a look at the |c.t.app.App|_
`lifecycle documentation <../getting-started/lifecycle.html#c-t-app-app-lifecycle>`__.

Getting Started
---------------

To create an injectable |c.t.app.App|_, first depend on the `inject-app` library. Then use the
`inject framework <../getting-started/framework.html#inject>`__ to create an injectable App. Finatra
provides an injectable version of the |c.t.app.App|_ trait: |c.t.inject.app.App|_. We
also recommend using `Logback <https://logback.qos.ch/>`__ as your `SLF4J <https://www.slf4j.org/manual.html>`__
implementation.

E.g., with sbt:

.. parsed-literal::

    "com.twitter" %% "inject-app" % "\ |release|\ ",
    "ch.qos.logback" % "logback-classic" % versions.logback,

For more information on logging with Finatra see: `Introduction to Logging With Finatra <../logging/index.html#introduction-to-logging-with-finatra>`__.

Extending the |c.t.inject.app.App|_ trait creates an injectable |c.t.app.App|_.

This allows for the use of `dependency injection <../getting-started/dependency_injection.html#dependency-injection>`__
in a |c.t.app.App|_ with support for `modules <../getting-started/modules.html>`__ which allows for
`powerful feature testing <../testing/index.html#types-of-tests>`__ of the application.

Scala Example
-------------

Given a `module <../getting-started/modules.html>`__ definition:

.. code:: scala

  import com.twitter.inject.TwitterModule

  object MyModule1 extends TwitterModule {

    @Singleton
    @Provides
    def providesFooService: FooService = ???

    /**  Java-friendly way to access this module as a singleton instance */
    def get(): this.type = this
  }

You could define an |c.t.inject.app.App|_:

.. code:: scala

  import com.google.inject.Module
  import com.twitter.inject.app.App

  object MyAppMain extends MyApp

  class MyApp
    extends App {

    override val modules: Seq[Module] = Seq(MyModule1)

    override protected def run(): Unit = {
      // Core app logic goes here.
      val fooService = injector.instance[FooService]
      ???
    }
  }

Java Example
------------

.. code:: java

  import java.util.Collection;
  import java.util.Collections;

  import com.google.inject.Module;

  import com.twitter.inject.app.AbstractApp;

  public class MyApp extends AbstractApp {

      @Override
      public Collection<Module> javaModules() {
          return Collections.<Module>singletonList(MyModule1.get());
      }

      @Override
      public void run() {
          // Core app logic goes here.
          FooService fooService =
            injector().instance(FooService.class);
      }
  }

Then create a "main" class:

.. code:: java

  final class MyAppMain {
      private MyAppMain() {
      }

      public static void main(String[] args) {
          new MyApp().main(args);
      }
  }

See the Finatra `examples <https://github.com/twitter/finatra/tree/develop/examples>`__ for detailed examples with tests.

`App#run`
---------

The single point of entry to the |c.t.inject.app.App|_ is the ``#run`` method.

The Finatra `Startup Lifecycle <../getting-started/lifecycle.html#startup>`__ ensures that the injector
will be properly configured before access and provides the ``#run`` method as the function for implementing
the app.

Using Injection
---------------

The |c.t.inject.app.App|_ exposes access to the configured `c.t.inject.Injector <https://github.com/twitter/finatra/blob/develop/inject/inject-core/src/main/scala/com/twitter/inject/Injector.scala>`__ which can be used to obtain instances from
the object graph.

.. note::

    You should take care to only access the injector in the `App#run` function as this is the correct place in the
    `lifecycle <../getting-started/lifecycle.html#c-t-app-app-lifecycle>`__ where you are ensured to have a fully
    configured `c.t.inject.Injector`. Accessing the `c.t.inject.Injector` too early in the lifecycle (before it is
    configured) will result in an Exception being thrown.

An Example of Handling Signals
------------------------------

There may be cases where you want your application to handle an
`IPC signal <https://en.wikipedia.org/wiki/Signal_(IPC)>`__ instead of closing normally
once the code execution is done, e.g., handling an `INT` (Ctrl-C) or `TSTP` (Ctrl-Z) signal.

You can use the
`com.twitter.util.HandleSignal <https://github.com/twitter/util/blob/aaa3d6e2bf37a3bd565a8c51187fd9b6db8a0b25/util-core/src/main/scala/com/twitter/util/Signal.scala#L75>`__ utility to apply a callback to run on receiving
the signal.

.. note::

  Please consult the scaladocs for `com.twitter.util.HandleSignal <https://github.com/twitter/util/blob/aaa3d6e2bf37a3bd565a8c51187fd9b6db8a0b25/util-core/src/main/scala/com/twitter/util/Signal.scala#L75>`__
  to make sure you are aware of the limitations of the code in handling signals.

For example, to exit the application upon receiving an `INT` signal:

.. code:: scala

  import com.google.inject.Module
  import com.twitter.inject.app.App

  object MyAppMain extends MyApp

  class MyApp extends App  {

    override val modules: Seq[Module] = Seq(MyModule1)

    HandleSignal("INT") { signal =>
      exitOnError(s"Process is being terminated with signal $signal.")
    }

    override protected def run(): Unit = {
      // Core app logic goes here.
      val fooService = injector.instance[FooService]
      ???
    }
  }

An Example of Handling Console Output
-------------------------------------

There may be cases where your application needs to output information to the console, such as when you are
writing a command-line utility that prints its result when a computation has finished. There are some gotchas
to making console output testable, so Finatra has exposed a `ConsoleWriter <https://github.com/twitter/finatra/blob/develop/inject/inject-app/src/main/scala/com/twitter/inject/app/console/ConsoleWriter.scala>`__
that can be used by both Java and Scala applications. The `ConsoleWriter` avoids modifying global JVM state, as modifying
`System.setOut()` and/or `System.setErr()` may result in flaky tests.

.. note::

  Finatra exposes Logging integrations, which are a separate concern from the `ConsoleWriter`. The output
  of a Logger may not be appropriate for a command-line utility. The testing/binding of a `Logger`
  is currently beyond the scope of the `ConsoleWriter`. Additionally, `Logger` configuration is
  extremely flexible and there are no guarantees of messages reaching the console.

  For more information on logging with Finatra see: `Introduction to Logging With Finatra <../logging/index.html#introduction-to-logging-with-finatra>`__.

If your implementation is in Scala, the `ConsoleWriter` acts
as a drop in replacement that allows for capturing any `scala.Console` output (i.e. via `println()`) within the
`c.t.inject.app.App#run()` method via the `TestConsoleWriter <#testconsolewriter>`__ without explicit use of the `ConsoleWriter`.

For example,

.. code:: scala

    import com.twitter.inject.app.App
    import com.twitter.inject.console.ConsoleWriter

    class MyApp extends App {

      override def run(): Unit = {
        val console = injector.instance[ConsoleWriter]
        console.out.println("Hello, World!")
        console.err.println("Oops!")
        // println("Hello, World!") will be forwarded to `console`
        // Console.out.println("Hello, World!") will be forwarded to `console`
        // System.out.println("Hello, World!") will NOT be forwarded to `console`
      }
    }

If your implementation is in Java, the `System.out` and `System.err` calls will not be forwarded
to the `ConsoleWriter` automatically, due to their previously mentioned coupling to global JVM state.
For Java users, it would be preferred to have expected console output of the `c.t.inject.app.App#run()`
method use the `ConsoleWriter` directly.

For example:

.. code:: java

    import com.twitter.inject.app.AbstractApp;
    import com.twitter.inject.console.ConsoleWriter;

    public class MyApp extends AbstractApp {

        @Override
        public void run() {
            // Core app logic goes here.
            ConsoleWriter console =
              injector().instance(ConsoleWriter.class);
            console.out().println("Hello, World!");
            console.err().println("Oops!");
            // System.out.println("Hello, World!") will NOT be forwarded to `console`
        }
    }

See `TestConsoleWriter <#testconsolewriter>`__ for testing and verifying `ConsoleWriter` output.

Testing
-------

First extend the |c.t.inject.Test|_ trait. Then to test, wrap your |c.t.inject.app.App|_ with an `c.t.inject.app.EmbeddedApp <https://github.com/twitter/finatra/blob/develop/inject/inject-app/src/test/scala/com/twitter/inject/app/EmbeddedApp.scala>`__.

For example,

.. code:: scala

    import com.twitter.inject.Test
    import com.twitter.inject.app.EmbeddedApp

    class MyAppTest extends Test {

      // build an EmbeddedApp
      def app(): EmbeddedApp = app(new MyApp)
      def app(underlying: MyApp): EmbeddedApp =
        new EmbeddedApp(underlying).bind[Foo].toInstance(new Foo(2))

      test("MyApp#run") {
        app().main("username" -> "jack")
      }

      test("MyApp#works as expected") {
        // create a version of the app local to this test
        // here we could change the configuration of the app under test
        val localTestInstanceApp = app(new MyApp)
        localTestInstanceApp.main("username" -> "jill")

        // expect behavior against instances from the `localTestInstanceApp` injector
        localTestInstanceApp.injector.instance[Foo].value should be(Foo(2))
      }
    }

and in Java:

.. code:: java

    import java.util.*;

    import org.junit.Assert;
    import org.junit.Test;

    import com.twitter.inject.app.EmbeddedApp;

    public class MyAppTest extends Assert {
        private EmbeddedApp app() {
            return this.app(new MyApp());
        }
        private EmbeddedApp app(MyApp underlying) {
            return new EmbeddedApp(underlying).bindClass(Foo.class, Foo.apply(2));
        }

        @Test
        public void testRun() {
          Map<String, Object> flags = new HashMap<String, Object>();
          flags.put("username", "jack");

          app().main(flags);
        }

        @Test
        public void testWorksAsExpected() {
          Map<String, Object> flags = new HashMap<String, Object>();
          flags.put("username", "jill");

          // create a version of the app local to this test
          // here we could change the configuration of the app under test
          MyApp localTestInstanceApp = app(new MyApp());
          app(localTestInstanceApp).main(flags);

          // expect behavior against instances from the `localTestInstanceApp` injector
          Foo foo = localTestInstanceApp.injector().instance(Foo.class);
          assertEquals(/* expected */ Foo.apply(2), /* actual */ foo);
        }
    }

.. important::

    Note: every call to `EmbeddedApp#main` will run the application with the given flags. If your application is stateful,
    you may want to ensure that a new instance of your application under test is created per test run, like written above.

There may be cases where you want to assert some metrics are written by your application for the purpose of testing functionality, even though your application may not export them for collection.

TestConsoleWriter
-----------------

Finatra provides a `ConsoleWriterModule <https://github.com/twitter/finatra/blob/develop/inject/inject-app/src/main/scala/com/twitter/inject/app/internal/ConsoleWriterModule.scala>`__ which will bind the `ConsoleWriter <https://github.com/twitter/finatra/blob/develop/inject/inject-app/src/main/scala/com/twitter/inject/app/console/ConsoleWriter.scala>`__ to the object graph.
The `ConsoleWriter` can be bound for testing with the `TestConsoleWriter <https://github.com/twitter/finatra/blob/develop/inject/inject-app/src/test/scala/com/twitter/inject/app/TestConsoleWriter.scala>`__ in order to inspect the console output of a command-line style `App`.

Assuming you have an App:

.. code:: scala

    import com.twitter.inject.app.App
    import com.twitter.inject.app.console.ConsoleWriter

    object MyAppMain extends MyApp

    class MyApp extends App {

      override protected def run(): Unit = {
        // Core app logic goes here.
        val console = injector.instance[ConsoleWriter]
        console.out.println("Hello, World!")

        // output to the Scala `Console` will also be captured, the following would be equivalent:
        // Console.out.println("Hello, World!")
        // println("Hello, World!")
      }
    }

and in Java:

.. code:: java

    import com.twitter.inject.app.AbstractApp;
    import com.twitter.inject.console.ConsoleWriter;

    public class MyApp extends AbstractApp {

        @Override
        public void run() {
            // Core app logic goes here.
            ConsoleWriter console =
              injector().instance(ConsoleWriter.class);
            console.out().println("Hello, World!");
            // System.out.println("Hello, World!"); will NOT be captured for testing
        }
    }

You could then test emitted console output like so:

.. code:: scala

    import com.twitter.inject.Test
    import com.twitter.inject.app.EmbeddedApp
    import com.twitter.inject.app.TestConsoleWriter
    import com.twitter.inject.app.console.ConsoleWriter

    class MyAppTest extends Test {
      val console = new TestConsoleWriter()
      // build an EmbeddedApp
      def app(): EmbeddedApp = app(new MyApp).bind[ConsoleWriter].toInstance(console)

      override def beforeEach(): Unit = {
        console.reset()
        super.beforeEach()
      }

      test("assert count") {
        val undertest = app()
        undertest.main()

        assert(console.inspectOut() == "Hello, World!\n")
      }
    }

and in Java:

.. code:: java

    import com.twitter.inject.app.EmbeddedApp;
    import com.twitter.inject.app.TestConsoleWriter;
    import com.twitter.inject.app.console.ConsoleWriter;

    import junit.Assert;
    import junit.Test;

    public class MyAppTest extends Assert {

      @Test
      public void testOutput() throws Exception {
        TestConsoleWriter console = new TestConsoleWriter();
        EmbeddedApp app = new EmbeddedApp(myApp).bindClass(ConsoleWriter.class, console);
        app.main();
        assertEquals(console.inspectOut(), "Hello, World!\n");
      }
    }

InMemoryStatsReceiver
---------------------

Finatra prodives a `StatsReceiverModule <https://github.com/twitter/finatra/blob/develop/inject/inject-modules/src/main/scala/com/twitter/inject/modules/StatsReceiverModule.scala>`__ which will bind the `LoadedStatsReceiver <https://github.com/twitter/finagle/blob/develop/finagle-core/src/main/scala/com/twitter/finagle/stats/LoadedStatsReceiver.scala>`__ to the object graph.

.. note::

    Finagle uses service-loading to allow for users to pick their `com.twitter.finagle.stats.StatsReceiver` implementation. We recommend
    using Twitter's `util-stats <https://twitter.github.io/util/guide/util-stats/index.html>`__ implementation
    which will be service-loaded as the implementation of `LoadedStatsReceiver` if the dependency is on your
    classpath.

Finagle provides an `com.twitter.finagle.stats.InMemoryStatsReceiver <https://github.com/twitter/util/blob/develop/util-stats/src/main/scala/com/twitter/finagle/stats/InMemoryStatsReceiver.scala>`__
which stores metrics in an in-memory Map to make it simple to query and assert their values. You can bind an instance of the `InMemoryStatsReceiver` to the underlying app's object graph as the implementation of the app's `StatsReceiver` when testing to be able to assert metrics emitted by the application.

Assuming you have an App:

.. code:: scala

    import com.google.inject.Module
    import com.twitter.finagle.stats.StatsReceiver
    import com.twitter.inject.app.App
    import com.twitter.inject.modules.StatsReceiverModule

    object MyAppMain extends MyApp

    class MyApp extends App {

      override val modules: Seq[Module] = Seq(
        StatsReceiverModule
        MyModule1)

      override protected def run(): Unit = {
        // Core app logic goes here.
        val statsReceiver = injector.instance[StatsReceiver]
        statsReceiver.counter("my_counter").incr()
        val fooService = injector.instance[FooService]
        ???
      }
    }

You could then test emitted metrics like so:

.. code:: scala

    import com.twitter.finagle.stats.InMemoryStatsReceiver
    import com.twitter.inject.Test
    import com.twitter.inject.app.EmbeddedApp

    class MyAppTest extends Test {
      private val inMemoryStatsReceiver: InMemoryStatsReceiver = new InMemoryStatsReceiver

      // build an EmbeddedApp
      def app(): EmbeddedApp = app(new MyApp)
      def app(underlying: MyApp): EmbeddedApp =
        new EmbeddedApp(underlying)
          .bind[Foo].toInstance(new Foo(2))
          .bind[StatsReceiver].toInstance(inMemoryStatsReceiver)

      test("assert count") {
        val undertest = app()
        undertest.main("username" -> "jack")

        val statsReceiver = undertest.injector.instance[StatsReceiver].asInstanceOf[InMemoryStatsReceiver]
        statsReceiver.counter("my_counter")() shouldEqual 1
      }
    }

For more information on the Embedded testing utilities, including on testing with `GlobalFlags <../testing/embedded.html#testing-with-global-flags>`__ see the documentation `here <../testing/embedded.html>`_. Also see the documentation for more information on the `#bind[T] DSL <../testing/bind_dsl.html>`__ used above.

And lastly, for the complete testing guide, see the Testing `table of contents <../#testing>`__.

.. |c.t.app.App| replace:: `util-app App`
.. _c.t.app.App: https://github.com/twitter/util/blob/develop/util-app/src/main/scala/com/twitter/app/App.scala

.. |c.t.inject.Test| replace:: `c.t.inject.Test`
.. _c.t.inject.Test: https://github.com/twitter/finatra/blob/develop/inject/inject-core/src/test/scala/com/twitter/inject/Test.scala

.. |c.t.inject.app.App| replace:: `c.t.inject.app.App`
.. _c.t.inject.app.App: https://github.com/twitter/finatra/blob/develop/inject/inject-app/src/main/scala/com/twitter/inject/app/App.scala


text:
Egypt match results
Successive team names
United Arab Republic
South Yemen
African Games qualifiers
Afro-Asian Cup
Arab Nations Cup
King's Cup
Korea Cup
Kuneitra Cup
Olympic Games qualifiers
Palestine Cup
Pan Arab Games
Simba Cup
Egypt Elo ratings evolution
Egypt results by competition
World Cup 7 0 2 5 5 12 -7
World Cup qualifiers 102 58 21 23 178 95 +83
Confederations Cup 6 1 2 3 9 16 -7
Africa Cup of Nations 107 60 20 27 168 90 +78
Africa Cup of Nations qualifiers 103 53 29 21 190 84 +106
Total 809 411 193 205 1413 850 +563
Results of Egypt
Page 1 / 17 Next Last
+18 November 18th, 2022
+4 September 27th, 2022
+3 September 23rd, 2022
-7 June 14th, 2022
in South Korea
-54 June 9th, 2022
+3 June 5th, 2022
-14 March 29th, 2022
+3 February 6th, 2022
+3 February 3rd, 2022
+33 January 30th, 2022
+3 January 26th, 2022
-26 January 11th, 2022
+6 December 18th, 2021
-22 December 15th, 2021
+21 December 11th, 2021
+6 December 7th, 2021
+13 December 4th, 2021
+8 December 1st, 2021
+6 November 16th, 2021
-10 November 12th, 2021
+22 October 11th, 2021
+5 October 8th, 2021
-5 September 5th, 2021
+5 September 1st, 2021
+5 March 29th, 2021
-8 March 25th, 2021
in the Comoros
+2 November 7th, 2019
+2 October 14th, 2019
-40 July 6th, 2019
+15 June 30th, 2019
+11 June 21st, 2019
+5 June 16th, 2019
-11 March 23rd, 2019
in Eswatini
+9 September 8th, 2018
-35 June 25th, 2018

redpajama_set_name: RedPajamaCommonCrawl


text:
// ----------------------------------------------------------------------------------
//
// Copyright Microsoft Corporation
// Licensed under the Apache License, Version 2.0 (the "License");
// you may not use this file except in compliance with the License.
// You may obtain a copy of the License at
// http://www.apache.org/licenses/LICENSE-2.0
// Unless required by applicable law or agreed to in writing, software
// distributed under the License is distributed on an "AS IS" BASIS,
// WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
// See the License for the specific language governing permissions and
// limitations under the License.
// ----------------------------------------------------------------------------------

using Microsoft.Azure.Commands.EventHub.Models;
using System.Management.Automation;
using Microsoft.Azure.Commands.ResourceManager.Common.ArgumentCompleters;
using Microsoft.Azure.Management.Internal.Resources.Utilities.Models;

namespace Microsoft.Azure.Commands.EventHub.Commands.GeoDR
{
    /// <summary>
    /// 'New-AzureRmEventHubDRConfiguration' Cmdlet Creates an new Alias(Disaster Recovery configuration)
    /// </summary>
    [Cmdlet(VerbsCommon.New, EventHubDRConfigurationVerb, DefaultParameterSetName = GeoDRParameterSet, SupportsShouldProcess = true), OutputType(typeof(PSEventHubDRConfigurationAttributes))]
    public class NewAzureRmEventHubGeoDRConfiguration : AzureEventHubsCmdletBase
    {
        [Parameter(Mandatory = true, ParameterSetName = GeoDRParameterSet, ValueFromPipelineByPropertyName = true, Position = 0, HelpMessage = "Resource Group Name")]
        [ResourceGroupCompleter]
        [ValidateNotNullOrEmpty]
         public string ResourceGroupName { get; set; }

        [Parameter(Mandatory = true, ParameterSetName = GeoDRParameterSet, ValueFromPipelineByPropertyName = true, Position = 1, HelpMessage = "Namespace Name")]
        [ValidateNotNullOrEmpty]
        public string Namespace { get; set; }

        [Parameter(Mandatory = true, ParameterSetName = NamespaceInputObjectParameterSet, ValueFromPipeline = true, Position = 0, HelpMessage = "Namespace Object")]
        [ValidateNotNullOrEmpty]
        public PSNamespaceAttributes InputObject { get; set; }

        [Parameter(Mandatory = true, ParameterSetName = NamespaceResourceIdParameterSet, ValueFromPipelineByPropertyName = true, Position = 0, HelpMessage = "Namespace Resource Id")]
        [ValidateNotNullOrEmpty]
        public string ResourceId { get; set; }

        [Parameter(Mandatory = true, ValueFromPipelineByPropertyName = true, Position = 2, HelpMessage = "DR Configuration Name")]
        [ValidateNotNullOrEmpty]
        public string Name { get; set; }

        [Parameter(Mandatory = true, ValueFromPipelineByPropertyName = true, Position = 3, HelpMessage = "DR Configuration PartnerNamespace")]
        [ValidateNotNullOrEmpty]
        public string PartnerNamespace { get; set; }

        [Parameter(Mandatory = false, ValueFromPipelineByPropertyName = true, HelpMessage = "AlternateName required when DR configuration name is same as Primary Namespace")]
        [ValidateNotNullOrEmpty]
        public string AlternateName { get; set; }

        [Parameter(Mandatory = false, HelpMessage = "Run cmdlet in the background")]
        public SwitchParameter AsJob { get; set; }

        public override void ExecuteCmdlet()
        {
            PSEventHubDRConfigurationAttributes drConfiguration = new PSEventHubDRConfigurationAttributes() { PartnerNamespace = this.PartnerNamespace };
            if (!string.IsNullOrEmpty(AlternateName))
                drConfiguration.AlternateName = AlternateName;

            if (ParameterSetName == NamespaceInputObjectParameterSet)
            {
                ResourceIdentifier getParamGeoDR = GetResourceDetailsFromId(InputObject.Id);

                if (getParamGeoDR.ResourceGroupName != null && getParamGeoDR.ResourceName != null)
                {
                    if (ShouldProcess(target: Name, action: string.Format(Resources.DRNew, Name, getParamGeoDR.ResourceName)))
                    {
                        WriteObject(Client.CreateEventHubDRConfiguration(getParamGeoDR.ResourceGroupName, getParamGeoDR.ResourceName, Name, drConfiguration));
                    }
                }
            }

            if (ParameterSetName == NamespaceResourceIdParameterSet)
            {
                ResourceIdentifier getParamGeoDR = GetResourceDetailsFromId(ResourceId);

                if (getParamGeoDR.ResourceGroupName != null && getParamGeoDR.ResourceName != null)
                {
                    if (ShouldProcess(target: Name, action: string.Format(Resources.DRNew, Name, getParamGeoDR.ResourceName)))
                    {
                        WriteObject(Client.CreateEventHubDRConfiguration(getParamGeoDR.ResourceGroupName, getParamGeoDR.ResourceName, Name, drConfiguration));
                    }
                }
            }

            if(ParameterSetName == GeoDRParameterSet)
            {
                if (ShouldProcess(target: Name, action: string.Format(Resources.DRNew, Name, Namespace)))
                {
                    WriteObject(Client.CreateEventHubDRConfiguration(ResourceGroupName, Namespace, Name, drConfiguration));
                }
            }
        }
    }
}

redpajama_set_name: RedPajamaGithub


Are current assets temporary or permanent?
To model this policy, we must add lines on the balance sheet (if they aren't there already).
Add a way of checking for balance at the bottom of the balance sheet.
Add a line that shows the balances of all accounts on both sides of the balance sheet except for the marketable securities and liabilities/equity.
One for each side of the balance sheet.
These are there to use in bringing the whole thing iteratively into balance.
Using the All-But lines, balance by bringing the lower one up by the amount needed to balance.
This is done on Excel with if statements.
Then we will add lines that add the interest income and expense to the income statement.
Which means that new lines are also added to the income statement to ease our modeling.
Finally, a macro is written to copy and paste the necessary lines into the balance sheet and income statement respectively.
Then an iteration is added to have it continue until the balance sheet balances.
See the example we did in class.
Financial Analysis, Planning and Forecasting Theory and Application -. chapter 18. short-term financial analysis and planning. by alice c. lee san francisco state university john c. lee j.p. morgan chase cheng f. lee rutgers university.
Slides by Matthew Will -Principles of corporate finance brealey and myers sixth edition. short term financial planning. slides by matthew will. chapter 29. irwin/mcgraw hill. the mcgraw-hill companies, inc., 2000. topics covered.
International Financial Management P G Apte -Chapter - 17. short term financial management in a multinational corporation. international financial management p g apte. short term financial management in a multinational corporation.


Back to Home Back to News & Tour Back to General news Back to 2009 Back to April Back to Which Brit will end the Major drought?
Which Brit will end the Major drought?
It's ten years since Paul Lawrie was the last Brit to become a Major Champion by winning the 1999 Open at Carnoustie but which of our current crop will end the drought?


Good news for all those who are searching for Indian Railway Jobs 2015. If you are searching for Indian Railway latest vacancies 2015 then here is an update that the Indian Railway is going to recruit 60,000 candidates for various technical and non technical vacancies. All these vacancies will be going to be started very soon and you can read the below article carefully.
The Indian Railway will release the Indian Railway 60000 vacancies for Technical and non technical posts. The Indian Railway also has decided to conduct the recruitment examination through online mode. The Indian Railway is one of the employment providing source to the graduates and class V carde vacancies. Every year the Indian Railway recruits huge number of candidates and to hire huge number of candidates, online process will help the candidates and Railway board to recruit candidates in a fair manner.
The Indian Railway is going to organize the recruitment examination for 2000 Engineers posts which will be conducted in October 2015. If the experiment gets successful then the the Indian Railway 60000 Vacancies 2015 process will be started. The board will also invited the applications for 4th carde/Group D through online.
The RRB will invited the applications through online mode. There are 20 RRBs out of whichy 04 RRBs have been updated already. The RRB 60000 Online Applications 2015 will help to recruit candidates with transparency. The all coming future RRB recruitment 2015 will be done online and as per the source says, there will be around 25 to 30 thousands vacancies to be open in year 2016.
There are many benefits of inviting online applications and conducting online examinations is that candidates will be able to know about their status of application submission timely. There will be no delay in receiving the RRB Cal Letter 2015 by post. The candidates will be able to download it online.
As early as the RRB 60000 vacancies 2015 notification will be released , we will make update here and till then you can stay in touch with us by bookmarking this page by pressing Ctrl+D. You may feel free to ask your queries in comment box below.


text:
Government school built in Vasant Vihar on the lines of private school, gift of Kejriwal government
oi-Ashutosh Tiwari
Published: Saturday, January 21, 2023, 23:48 [IST]
New Delhi: The Kejriwal government has given a new gift to the people of Vasant Vihar. On Saturday, Deputy Chief Minister and Education Minister Manish Sisodia inaugurated the new 4-storey building of Government Co-Ed Middle School here. Along with this, he talked about making this school up to class 12th by preparing another new building block here till class 10th in the coming time. The Kejriwal government is determined to fulfill its promise of providing quality education to children from all walks of life in Delhi. In view of the same, this new state-of-the-art school with 40 classrooms built by the Delhi government has modern classrooms, library, laboratories, a CWSN room for children and staff room for teachers.
Inaugurating the new school and addressing the students on the occasion of the school's anniversary, Sisodia said, "When I came to visit this school about 4-5 years ago, it was a dilapidated school with dilapidated classrooms , there was no black-board and the roof was leaking. There were no toilets for students and teachers. Teachers told that it is difficult for them to teach children in such a dilapidated school building, but now I am happy that our children are studying in this school. They will study in the splendid school building and they will get more facilities here than a private school.He said that here students come from different socio economic background and development in school infrastructure will help them to get quality education and build a better future.
The Deputy Chief Minister said, "I have now talked to the Director of Education and concerned officials to extend this school up to 10th and will soon start the exercise to convert this school into a school up to 10th. He said that the land available in the school in future But a new building will be constructed so that this school can be made a school up to 12th and the students coming here can get their education up to 12th from this school.
Tell that along with the inauguration of the newly constructed building of the school, the annual festival was also organized in the school. Appreciating the excellent performance of school students in the annual festival, said that our Delhi government school students are no less than private schools. Earlier such performance of pipe band was seen only in private schools, but now the students of our schools are performing better than them. He said that there was a time when no one could even imagine that there would be such a wonderful band in a government school, but due to their talent, rock stars of tomorrow are being prepared in these Delhi government schools today.
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To get breaking news of Oneindia. Get news updates all day long.
Government school built in Vasant Vihar on the lines of private school
Story first published: Saturday, January 21, 2023, 23:48 [IST]
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Submitted by sanmiles on Wed, 2018-11-28 18:44.
Submitted by sjkeedy on Sun, 2018-11-18 18:26.
Is this how you position your fingers for the peace sign?
Submitted by sfiles on Thu, 2018-11-15 13:00.
Submitted by tkdefeli on Thu, 2018-11-15 08:49.
Submitted by jkolanow on Wed, 2018-11-14 17:05.
Is this your hair or mine?
Submitted by jkolanow on Wed, 2018-11-14 17:04.
Submitted by jdynlach on Wed, 2018-11-14 16:27.
David Byrne is David Byrne in the one-man show "And you may ask yourself, how do I work this: A David Byrne one-man show."
Submitted by ashjbrow on Wed, 2018-11-14 15:40.
"I can't seem to find the toggle for the wipers on this invisible car..."
Submitted by tcthatch on Wed, 2018-11-14 15:36.
Professor Rip Van Winkle lectures IUPUI students on time management.
Submitted by leara on Wed, 2018-11-14 15:28.
My beard in competition with my ideas. Let's see who wins !!
Submitted by craftja on Wed, 2018-11-14 15:19.
Submitted by jthazer on Mon, 2018-11-12 19:27.
Hey man, do you dig my imaginary harp?
Submitted by jordbrin on Mon, 2018-11-12 11:48.
The secret for my perfect beard you ask? Well I brush it 100 times a day! Makes it look glossy.
Submitted by jordbrin on Mon, 2018-11-12 11:47.
I'm serious, Brenda! I was BORN with this beard!
Submitted by kapuch on Tue, 2018-11-06 11:45.
Submitted by orme on Mon, 2018-11-05 14:27.
I don't care HOW long this game of 'Statues' lasts! I'm gonna win!
Submitted by mjhinsma on Mon, 2018-11-05 00:04.
"Yup, every Autumn it turns bright colors and then falls off."
Submitted by rischult on Thu, 2018-11-01 13:11.
Now imagine a clump of hair THIS big one day clogging up the sewage pipe that runs through the Archives of our future University Library.


text:
画廊信息
安雅·尼埃米(Anja Niemi)
She could have been a cowboy, 2018
In her latest series, Anja Niemi continues her investigations of the self. This time she turns the lens to a life lived under the constraints of conformity. Every day her fictional character finds herself trapped in the same pink dress, but what she really wants is to be a cowboy, dressed in fringe and leather, riding horses in the Wild West. Through this series of photographs with multiple layers and possible interpretations, Niemi delivers her most political work to date.
"The story is not really about being a cowboy. It's about wanting to be another."
The woman who never existed, 2016
The Woman Who Never Existed by Anja Niemi was inspired by the words of the pioneering Italian actress Eleonora Duse. Eleonora worked the international theatre stage alongside Sarah Bernhardt in the early 20th century. In contrast to Bernhardt's outgoing personality, Duse was introverted and private, rarely giving interviews. She once famously told a pushy New York journalist, that 'away from the stage I do not exist.'
Niemi takes on the role of a fictional character visualized after reading Eleonora's words. The Woman Who Never Existed tells the story of an actress who only exists in front of an audience, when no one is looking she starts to disappear.
In the same way as before Niemi works alone. Photographing, staging and acting out the characters in all of her photographs
Darlene & Me, 2014
Starlets, 2013
Do not disturb, 2011
挪威 , 1976
Niemi (b 1976) studied at the London College of Printing and Parsons School of Design in Paris and New York. She resides and works on an island across from Oslo.
Niemi always works alone. Photographing, staging and acting out the characters in all of her photographs.
Since her first solo exhibition in London at The Little Black Gallery in 2015, she had gallery exhibitions in Oslo, London, Paris and New York and has been shown at Art Fairs (Photo London, Photofairs San Francisco, AIPAD).
She will have her first retrospective museum show at Fotografiska Stockholm in February 2019, together with the publication of a book at Thames & Hudson. Her work is highly collectable – including being part of the Nion McEvoy Collection, the Hudson Bay Company Global Art Collection, and the Susanne von Meiss Collection (exhibited at C/O Berlin in 2016 with the accompanying book published by Kehrer). Her works have very successfully sold at auctions, including the Christie's Photographs sales in London in May 2018.
Four monographs of her works have alread been published.
Niemi's website
相关展览
办展和参展
2020 | PhotoLA 2020 | Barker Hangar, Santa Monica
2019 | In Character | Galerie XII Los Angeles
2019 | PhotoLA 2019 | The Barker Hangar, Santa Monica
2018 | Retrospective | PAPER Shanghai
2018 | PhotoShanghai 2018 | Shanghai Exhibition Center
2018 | She Could Have Been A Cowboy | AIPAD, NY - Photo London
2017 | The Woman Who Never Existed | Galerie XII Paris
The Doyennes
An0ther
Photomonitor
The Royal Photographic Society
Royal Photographic Society Journal
Thames and Hudson (1/2)
The Herarld (1/2)
The Herald (1/2)
Arte Magazine
FD Holland, septembre 2018
Libération, 2018
A women's things
Eurostar Magazine
A New Type of Print
Ideat, Avril 2017
La Gazette Drouot
Fotografia magazine
Professionnal Photography
Art Magazin, Germany
Glam Cult
Las Ultimas Noticias
Cote Magazine, avril 2017
Tatler Shanghai, September 2018
Vanity Fair UK
Vogue Netherlands, March 2017
Monthly Photography, Korea, November 2014
GUP 52, 2017
Réponses Photo, avril 2017
PIBE, juin 2018
Intelligent Life, Sept. 2018
Weihui Post, Sept. 25, 2018
Chasseur d'images, avril 2017
Thames and Husdon (2/2)
Palace Costes, March-April 2017
Harpers Bazaar Ukraine, March 2017
展览空间
接触法国前沿摄影师,尽在Galerie Photo12
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Gayle Maloy was the host on the "Meet a Pioneer" radio show for KFAR radio in Fairbanks, Alaska in 1985.
Roland Lombard 87-82-17 Dog Mushing in Alaska Project Jukebox Dr. Roland Lombard was a veterinarian and a racer, who was on the "Meet a Pioneer" radio show on March 15, 1985 with Gayle Maloy for KFAR radio in Fairbanks, Alaska. In this interview, he talks about how he got interested in dog mushing, starting his veterinary career, coming to Alaska to race, methods for making a stronger race dog, his relationship with his dogs and other racers, and the importance of having a good leader. This recording has been edited to remove the commercials from the original radio show.


text:
ГлавнаяEnglishThe grotesque and avant-garde within the exhibition «I don't know whether the Earth is spinning or not…»
The grotesque and avant-garde within the exhibition «I don't know whether the Earth is spinning or not…»
I don't know whether the Earth is spinning or not… is a digital exhibition that brings together emerging artists, writers, and poets from over nine countries. The exhibition's title is borrowed from Velimir Khlebnikov's 1909 poem of the same title, which illustrates the poet's radical rejection of normative conventions and his deep mistrust of his own grasp on reality.
Works confront the estrangement, disassociation, and vulnerability brought about by our challenging and dark times by interweaving satire, irony, the comical, the uncanny, and the grotesque into multi-media forms. The bespoke digital platform was conceptualized as a reimagined urban landscape, distorting famed Moscow landmarks.
© notspinning.world
Sinister circumstances, global and local, have forced the participating artists, writers, and poets to construct novel ways of operating, resisting, and thriving within their current precarious realities. The artists, writers, and poets reveal their fears, anxieties, desires, hopes, and everyday truths with a profound desire to be seen.
The curators, Lizaveta Matveeva and Francesca Altamura, and Art Point Magazine invited three international arts professionals to select their favorite works from the digital exhibition, those including independent curators, educators, and critics. «I don't know whether the Earth is spinning or not…» is a digital exhibition as a part of one of the Main Projects of the VII Moscow International Biennale for Young Art.
Alexander Burenkov is independent curator of exhibitions and educational projects, art critic, and teacher, based in Moscow, Russia
«Master Key», Sasha Zubritskaya
Sasha Zubritskaya «Master Key», 2019. Exhibition view: Navicula Artis, St. Petersburg, Russia. Photo: Oleg Savunov
Sasha Zubritskaya is a member of both the self-organized feminist library Feminfoteka and Sever-7, an art collective which makes zines, works with graphics, objects, video installations, and who exhibited «Master Key» a year ago in St. Petersburg, which I was lucky enough to see in person, not virtually. In objects, printed graphics, and photographs taken by Zubritskaya, numerous enigmatic characters loom back and forth: a spring and a strawberry, a fontanel and a light, a spider and a knot. The artist constructs an intricate visual rebus, with references, riddles, and a cast from a silent play, by re-assembling fables and reality, and collecting various images from her environment, such as a plastic box with lighters, a huge hourglass, a fountain behind fences. Taking these situations out of everyday life, the artist transforms them into physical volumes filled with voids of meaning, and the online experience provides additional poetic layers to interactions with its key elements.
«SUMMIT», Dagnini
Dagnini, «SUMMIT», 2020. Performance loop, video, sound, color. Screengrab from https://summit.dagnini.com. Website development: Zarema Khalilova. Courtesy the artist
Dagnini perceives her body as a canvas for the performative. She catalogues stereotypes generated from pop cultural references and it's online manifestations in post-Soviet Russia. SUMMIT (2020) is a carnivalesque constellation of identities. It's furious never-ending search resonates with the country's experience of finding its own identity and the destiny of the «lost generation» which grew up in the 1990s (to which the artist herself belongs). For this generation, lost ideals of the Soviet past coexist with imperial architecture, gopnik worldviews, and digital experimentation. Reality splits into fragments due to the lack of public consensus on the historical traumas of the past. The layering of network and physical realities leads to apathy in front of infomedia, the main defense against which is memes, and the assimilation of which becomes the only true life strategy for survival.
«Vorozheya», Anna Afonina, Anastasia Korotkova, Maria Romanova, and Valeria Gray
Anna Afonina, Maria Romanova, Valeria Ghrai, and Anastasia Korotkova «Vorozheya», 2020 (still). Interactive online project. Courtesy the artistsAnna Afonina, Valeria Ghrai, Anastasia Korotkova, and Maria Romanova, «Vorozheya», 2020 (still). Interactive online project. Courtesy the artistsAnna Afonina, Maria Romanova, Valeria Ghrai, and Anastasia Korotkova «Vorozheya», 2020 (still). Interactive online project. Courtesy the artists
The interactive online project Vorozheya (2020) by Anna Afonina, Valeria Gray, Anastasia Korotkova, and Maria Romanova, offers an escape from the frustrating reality to the archetypal spaces of a Soviet sanatorium, a resort canteen, and a public beach. Traveling through space turns into the waves of memory as soon as quarantine allows all of us to travel inward and find calmness and serenity in a false retrospective nostalgia for a time in which we haven't even lived. An abyss separates us from the era of peremptory belief in the Internet as a utopian space for the realization of our innermost desires, where we can and should immediately escape. 2020 forced us to abandon illusions, if we ever had any, especially with the convenience of working from home. Accelerated integration into the digital economy no longer leaves us with a choice. The protest slogan of the 1960s «the beach beneath the street» is too idealistic for times when the only place of escape has been localized online, and if the beach exists today, it is buried in the infrastructure of Silicon Valley and internet of things,which ensures us with a continuous supply of our reality.
Helena Lugo is an independent curator and Artistic Director of Palmera Ardiendo based in México City, México
«Transcend and Die», Matt Copson
Matt Copson, «Transcend and Die», 2018/20 (still). Hand-painted 2K animation, sound, color; 4:33 min. Courtesy the artist and High Art, Paris
A story involving talking animals as anthropomorphized forces of nature usually conveys some sort of lesson. Matt Copson's tragic, ironic and almost unease fantasy, does not convey a moral to its story, but does act as a reminder of the absurdities entangled in the complex relationship between immanence and transcendence. Starred by an annoying-metaphysical-blue bird and a headless bleeding maned wolf, this animation is a quest for leaving a mark entangled in repetition, love, and decay. Such an elusive perspective on the world, in the shape of a false fable, ultimately humors us while laying bear our deepest desires.
In 1924, German art historian and cultural theorist Aby Warburg created the Atlas Mnemosyne: an unfinished, multi-layered, and endlessly open cartography that created different interpretations when indeterminate images were assembled together. Warburg succeeded to do this in an analogue world. In the same vein, Sasha Zubritskaya creates a system which works as a network of moving images, objects, photographs, drawings, .gifs, and patterns trapped in a labyrinth of sorts. The possibilities embedded in this digital mini-verse create a series of correspondences, affinities, and interpretations among symbols, words, peculiar figures and awkward situations that leave us shifting in our seats. Her intricate digital garden filled with riddles, eggs, cats, plot twists and strawberry juice makes us wander through this environment as familiar yet unknown territory.
«Vorozheya», Anna Afonina, Maria Romanova, Valeria Ghrai, and Anastasia Korotkova
Set in a dystopian, taciturn, post-apocalyptic and strangely funny «choose your own adventure» game, Vorozheya (2020) is a digital palimpsest that combines layers of a previous net-based world with random representations of objects and characters in quite a naïve and childish manner. Sad cats, hamburguers, Mariah Carey and a fake sun create a huge meme composed of recollections and fragments of a world we constantly represent yet can't grasp. With no particular narrative, depicting a very acid world seen through a late 1990's or early-2000's screen, this fake pixelated world is now more real than ever.
Ibrahim Cissé is an independent curator and educator based in London, UK.
Curatorial Statement and Project I don't know whether the earth is spinning or not…
I reckon this is a cheeky one. I picked another text based work, which is not art per se, yes… I did. But it helps me to think about my first encounter with Russian literature and interest in Russia to begin with. I was about 13 or 14 when I was introduced to Dostoevsky's Brothers Karamazov (1958). I was shook! Growing up in France, from Gambian parents who migrated before my birth, I have rejected most of the French culture I learned about at school, being very critical about the space that the society did not create for semi-foreigners like me. What was so glorious about it, if I was to stand in the dirt? French literature was alienating, at least, the novels I was aware of at the time. Dostoevsky opened a door into the human psyche, and showed me the power of words like nobody else before him. The characters he depicted became my friends, I held them close to me, secretly. Reading about Velimir Khlebnikov and revolutionary movements from the past century through the curatorial statement of the project and seeing the work of the participants brings me back to that feeling. All of us have a part to play, it is messy and full of drama and at the end we just die. But the thrill man, just give in. On that note, I would recommend everyone to delve into Vijay Masharani's exquisite piece datura thugi essay before parting ways with the exhibition. Big up the curators, and yes the Earth is spinning! Let's roll.
«DRAMA», Evgeny Granilshchikov
Evgeny Granilshchikov «DRAMA», 2019 (still). Single-channel video, sound, color; 22:37 min. Courtesy the artist
I laughed, several times. This work feels like walking too deep into a foreign wood until you realise that it is way past the time to go back home, yet, having no sense of direction to retrace your steps, nobody around, the sun is setting down on you, no signal, no torch… Here panic would be obvious but becomes the most irrational thing to do.
Евгений Гранильщиков «ДРАМА», 2019 (стилл). Одноканальное видео, цвет, звук; 22:37 мин. Предоставлено художником
Granilshchikov and the Russian youths featured in this experimental short film dance through the different states and stages of depression. I laughed because I have been there, more than once, «that's part of our whole generational problem,» says one of the multiple narrators. The non-story unfolds slowly and frames the chaos against and within the ways of the city. Depression comes and goes, but never really leaves, one only becomes better at handling it, two-stepping through webs of concrete. Is the Earth spinning or nah? Can anyone hear me? «Answering emails is difficult, difficult» I laughed at that one Evgeny, very hard.
Poems for Food, Galina Rymbu
«…window draft, with the smells of somebody's soup,
pie pomp. time pumped with rage.
the have-snots.
how do you say potato,
eat potato, eight potato in pot,
blue potato, red potato,
white potato, clods
of soil, holes of hope in the ground,
black tubers,
country matters.
tater-tatters,
pan fried,
with the skin still on,
crude sunflower-oil moon,
potato moon rovers,
the astronaut helmets of baby onions,
uneven craters left by my tongue.
coarse factory salt,
iodized, crystals.
salt to lick.
to suck salt.
finger the salt,
there's no salt.
the potatoes are out,
there's no bread.
if there's no bread,
it's the end» (excerpt).
Raw. I see myself as a poet first, as such I read every poem with great attention. I see the poetic in everything. This offering really resonated with me. My guts felt that. Not a day goes without a reflection on food, feeling increasingly alienated by the city. Not a day spent without a prayer sent in gratitude for the food I eat, ghosts of hunger haunting me and my close ones. At the end of the day you cannot really explain the world's ills without looking at the heart of the matter or hearing empty stomachs rumble to death, ready to die or to kill. It's 2020 and most of us, irrespective of location, are still trained to enter the world seeking domination, not quite content with abundance. Yet, poverty is looked at as a disease, it is easy to forget how people are being put and held into these dependent positions and stigmas. Unlike my note on the poem, the text is not moralist but very playful, very tasty to stick with the semantic on display.
It costs nothing to ask everyone around you if they have eaten before you have and to move accordingly, make it a habit: «that's what my paradise is like. / you don't sleep there, don't get sick, and don't fart, / you don't hiccup, hunger, or suffer. everybody takes part.»
ART Point magazine would like to thank the exhibition curators Lizaveta Matveeva and Francesca Altamura for their help in preparing the material. The exhibition is available at www.notspinning.world/.
Теги: Avant-garde Exhibition VII Moscow International Biennale for Young Art
Топ-12 книг 2020 года: Шекспир, Монтень, Бэнкси и другие
Средние века — это интересно: Лекторий журнала Точка ART и издательства «Бомбора»
Современное искусство через «Частные случаи» - новое исследование Бориса Гройса


text:
Bocanada (Puff) is the second solo album by Argentine rock musician Gustavo Cerati, considered by critics and fans as a highlight in his career and one of his best albums. His first album release after the breakup of Soda Stereo, Cerati had, during this time, been working with Plan V and Ocio, two bands oriented towards electronic music. Raíz was the album's first cut played in radio stations, Puente being the first music video to be released; "Bocanada" had the most music videos produced of any Cerati album to date.
Allmusic granted it 4 1/2 stars out of 5, which was viewed as surprising and unusual, considering it is not very commonplace for Allmusic to give a Latin album such a high score. The veteran Mexican rock critic David Cortés Arce had this to say about it, "Bocanada is a fundamental album in the history of Iberoamerican Rock, in general, in all of the Spanish speaking countries."
In short, the music in this record can be defined as a mix of electronic sounds with rock elements. Also, there are elements of many styles like alternative rock, experimental music, pop music and many others.
This page contains text from Wikipedia, the Free Encyclopedia -	https://wn.com/Bocanada
Bocanada, Gustavo cerati
Bocanada, Cerati Gustavo
Turbante noche, sigo despierto
Y se que el diablo frecuenta soledades
Pequeño cristo 3D
Podra salvarme esta vez
Fallo mi corazon
Y desde que partio
Su verbo vive en mi carne
Y cuento verdades como mentiras
La culpa es de nadie solo mia
Se que estoy falto de fe
Podras salverme tambien
La inutil perfeccion
De buscar el silencio


With a range of water sports, golf and tennis, Jamaica is ideal for both families and friends traveling together. Villas here often tie into a resort, allowing you easy access to chefs, tee times, and concierge services. WIMCO's seasoned Villa Specialists visit the region regularly and are ready to help you find the ideal villa for your vacation, and then to set-up your flights, rental cars, activities and more.


text:
by Graham Smith
Bailouts From Asia to the EU Signal Recession and Potential Crypto Opportunity
China's Hengfeng Bank is set to get a $14.2 billion bailout from both Chinese government and foreign investors. An emergency decree has been approved to bail out southern Italy's biggest lender, Banca Popular di Bari. Germany continues to struggle with bailout pains, as regional bank Nordlb finds itself now depending on another capital injection. None of this to mention the U.S. Federal Reserve's ongoing money creation via repo markets, with the people ultimately footing the bill. In this trajectory, many are also speculating about the role crypto and central bank digital currencies (CBDCs) might play in 2020 and beyond as another global recession hangs on the horizon.
Also Read: Lagarde Sees Demand for Stablecoins, Plans to Put ECB 'Ahead of the Curve'
Bailouts From China to the EU
Ever since the infamous bailouts of the last great recession kicked off in 2008 and saw lending giants like Goldman Sachs and JP Morgan receive billions in government assistance — with official estimates and media reports putting the total cost of all programs involved into the trillions — the new "cultural norm" of frequent bailouts has taken root in the minds of the masses.
Because of this, news of even more capital injections and rampant rescue missions for inept financial actors may not seem shocking. However, in the context of an ever-growing global trend to slash interest rates into negative territory, pump newly printed money and subsidies into already steroid-sick economies, and potentially leverage CBDCs to mitigate the problems this might create for the state, things deserve a second look. In a very literal sense, the last recession and relief efforts never ended, and things could be heating up for a "round 2" where crypto takes on an even more critically meaningful utility.
China's struggle with bank bailouts and bank runs over recent months continues as embezzlement-scandal-marred Hengfeng Bank is now on track to receive 100 billion yuan (~$14.2 billion) in assistance, according to a report by Caixin. The bank, founded in 2003 and with 334 branches across China, will issue 100 billion shares in a private placement to national and provincial government organizations, as well as Singapore's United Overseas Bank and "other investors," details the report. The news places Hengfeng Bank as the third commercial bank since May to receive state assistance.
Southern Italy's biggest lender, Banca Popular di Bari, will be receiving from 1 – 1.5 billion euros (~$1.1 – $1.6 billion) after an emergency decree to assist the bank was approved on Sunday by the Italian council of ministers. Banca del Mezzogiorno-Mediocredito Centrale (MCC), a state bank, will receive a capital injection of 900 million euros and work with interbank funds and other investors to restructure the failing lender. Banca Popular di Bari is currently placed under special administration by the country's central bank and blames its troubles on non-performing loans. Another Italian bank, Banca Carige Spa, was placed under European Central bank administration in January.
State-owned German lender Nordlb, which received a $4 billion bailout back in January, has been green-lighted by the EU for another capital injection this month. The 2.8 billion-euro (~$3.1 billion) injection was approved by the European Commission after it judged that the bank's restructuring program is not in conflict with EU rules. Private groups had initially bid to help the bank at the time of the first bailout, but this plan was rejected in favor of public assistance. Bad shipping loans were cited as the main issue eroding the institution's funding.
Arguably the biggest harbinger of another looming recession is the United States Federal Reserve's massive re-insinuation of itself into the country's overnight markets. Though they're painstakingly careful not to call this year's repo injections quantitative easing, it's clear that the program — continuing into 2020 and which has already seen the creation of $3 trillion — is attempting to avoid the inevitable. Such direct actions have not been taken by the Fed since the last recession. The bleak reality is that the economy appears to be stagnating and failing for everyone save those creating policy. Plans to pump an additional $400 billion have been announced which will continue into 2020.
CBDCs and Crypto Into 2020
With all the bailouts, underperforming and toxic loans, fresh money printing, and adventures into the land of near-zero or negative interest rates, some speculate the global economy has reached another point of no return, or a Great Recession, round two. How this might be dealt with is anybody's guess. With at least 23 countries working on their own central bank digital currencies (CBDCs), there's talk of states using the new digital paradigm as a flexible escape from the concrete economic realities more closely tied to the legacy monetary system. For example, if negative rate policies are evaded by people refusing to store money in banks — instead choosing to use cash — a CBDC could have its own nominal rate centrally adjusted leaving the consumer no choice. As Euronews puts it:
In the era of negative interest rates, CBDCs are also seen as offering a tool to control over how businesses and people use money. CBDCs, the argument goes, could be used to charge households and businesses to hold cash, forcing them to spend and invest and stimulating growth.
In essence, CBDCs could theoretically be used as a kind of "post-scarcity" money, where holders are increasingly taken care of by the government and supposedly don't need to worry about independent savings or wealth management as much as previously.
The traditional zero-bound and liquidity traps of logical economics go out the window. For advocates of permissionless, decentralized peer-to-peer money, however, this speculative forecast sounds perfectly abysmal, as true economic inclusion and sovereignty presents a level playing field of opportunity, and not just a glorified economic surveillance state. For this crowd, as existing systems continue to stagnate and fail, sound cryptocurrencies which are limited in supply and largely resistant to censorship could gain great utility and value in coming years. Especially in view of the ineptitude and corruption of the crowd advocating centralized control of money via infinite debt creation.
What are your thoughts on crypto and the global bailouts situation? Let us know in the comments section below.
Images courtesy of Shutterstock, fair use.
2008 Bailouts, Bailout, Bank Bailouts, bank of italy, Bank of Japan, BCH, Bitcoin, bitcoin cash, CBDC, CBDCs, China, Cryptocurrencies, Cryptocurrency, ECB, Economic stimulus, European Central Bank, Fed, Federal Reserve, Financial Sovereignty, Free Market, Germany, Italy, Negative Interest Rates, QE, Regulation
Did you know you can buy and sell BCH privately using our noncustodial, peer-to-peer Local Bitcoin Cash trading platform? The local.Bitcoin.com marketplace has thousands of participants from all around the world trading BCH right now. And if you need a bitcoin wallet to securely store your coins, you can download one from us here.
Graham Smith is an American expat living in Japan, and the founder of Voluntary Japan—an initiative dedicated to spreading the philosophies of unschooling, individual self-ownership, and economic freedom in the land of the rising sun.
Bitcoin History Part 22: The New Wealthy Elite
Whales Control Most of Litecoin, Many Ethereum Tokens
Fed's Bullard Wants to Raise Bank Rate to 3.5% by Year's End, Hints at 75 Basis Point Rate Hike
REGULATION | 24 hours ago


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Check out these peoples results with the CTFO CBD Hemp Oil products.
My first experience with energy blast!
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To your health my friends !
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I didn't really have many health issues, but when I started on the CBD oil I noticed more energy, regular bathroom visits, my stiffness was gone, a weird pressure behind my knee (couldn't put ANY pressure on my knees) that I've had for 7 years is now gone , and I can handle adverse situations without wanting to run away.
All amazing since I thought I didn't really need this.


text:
Q: count number if times a column has a certain value I have a  table with an id column (same id repeated across rows) and columns h1 to h18 where each column could contain either the word blob, par or birdie.
I want to count the number of times the word blob, par or birdie appears in columns h1 to h18 and for each id.
I want to end up with a table like ...
id blob par birdie
-- ---- --- ------
1  5    10  3
2  2    15  1
3  8    8   2

How would I do this?

A: It sounds like you should probably normalise your schema somewhat, but as things stand:
SELECT id,
       (h1='blob'  )+(h2='blob'  )+...+(h18='blob'  ) AS blob,
       (h1='par'   )+(h2='par'   )+...+(h18='par'   ) AS par,
       (h1='birdie')+(h2='birdie')+...+(h18='birdie') AS birdie
FROM   my_table

A: Maybe you can also consider this:
select
  id,
  sum(word='blob') as blob,
  sum(word='par') as par,
  sum(word='birdie') as birdie
from
  (select id, h1 word from words union all
   select id, h2 from words union all
   select id, h3 from words union all
   ...) w
group by id

to make the query faster, you could also write the subquery like this:
(select id, h1 word from words where h1 in ('blob', 'par', 'birdie') union all
 select id, h2 from words where h2 in ('blob', 'par', 'birdie') union all
 ...)

but it then becomes a little ugly. I would suggest you to normalize your database.

redpajama_set_name: RedPajamaStackExchange


Dave Sprinkle is a missionary and musician who, along with his wife Lisa, is carrying on Rich's vision of using music lessons to reach kids on the Navajo and Apache reservations through an organization called Hope in Transit (http://www.hopeintransit.org). Dave and Lisa use music as the vehicle, but their true goal is just to struggle alongside the kids, being real and trying their best to show the kids that they are loved instead of just telling them that they are loved.
After many years of following Rich's career, and some time working on the reservation Dave and Lisa, computer programmers at the time, got the call when Rich's family and friends decided to try to complete Rich's vision of a Traveling Music School. Now, 13 years into that ministry, Dave understands Rich's vision and passion for the reservation more each year.
Dave's speaking calls into question, "If the promises of Jesus are true, aren't the commands also true? If John 3:16 is true, isn't James 2:16 also true?" Dave issues the same challenge to the church that Jesus issued when he told the story of "the Good Samaritan"–Who is the good neighbor to Native people…the religious elite who stay clean by not getting mixed up in it, or those who will sacrificially give?
i am sure you read a lot of stories and testimonies about rich, and you probably have a lot of followers. i guess i am also a great fan of rich'es music, ever since his first self titled tape came out. It was heart breaking when i heard of his passing out of time. but i was happy that i heard about the Jesus project. truely as much as i like the produced songs, i like his demos the best, for they reflect his true heart.
i am writing because i am at a cross roads in my life. i live in Southern California at the moment. my wife and i came here for a grand child yet to be born. he's 10 now. but my wife has gone out of time as well recently. ever since she passed i was waiting for things to happen, but they aren't. so after 16 months of grief and disappointment i am ready To start over. i was fetting my storage cleaned out, and getting rid of a lot of stuff when yesterday i lost my job. it was my ticket out of california, as i was hoping to save money for a move back to either Ohio, (my home) or NC (my adopted home).
I am wondering if you still make grant opportunities available to faith based organizations? I am in search of funds for at-risk kids in Fresno County, California.
I saw the movie , Ragamuffin , about a year ago …. And now has become my go to church movie . How can I obtain about 10 copies of this movie ? I , too , came to Window Rock, AZ /Tse Bonito, NM almost 3 my ears ago as a care giver to the dead and the living on the Navajo Nation Indian Reservation . I was entranced with Rich Mullins Music and Messages ..
Hi, I am a Canadian Catholic speaker who, for the last four years, has been traveling and offering parish missions, conferences, retreats and youth events. I am also a musician who has written and recorded some of my own music. I am a huge Rich Mullins fan. He has inspired a lot of what I talk on when I am invited to speak. My goal is to help people overcome fear anxiety and hopelessness with faith, hope and love. I have also spent many years working with at risk youth. I would like to partner with you in some way. Do you have connections in Canada? Are you interested in making connections in Canada?


Short story shorter, today I painted away pain. It's amazing what standing at an easel with a large sheet of watercolor paper and paints can do for aches and pains. I may be sitting with a heat pad to my back as I type, but my body feels appreciably better than before this artful Medicine.
And as serendipity would have it, it fit nicely with this month's Mix it Monthly theme.


text:
RELEASE OF THE FIRST POETRY COLLECTION OF A PERSON WITH DEAFBLINDNESS IN SLOVENIA ON THE OCCASION OF THE EUROPEAN DAY OF THE DEAFBLIND
In The Deafblind Association of Slovenia DLAN, we marked the European Deafblind Day, which we celebrate on October 22, with pride and joy by publishing two books that represent an important novelty and a breakthrough in the field of deafblindness in Slovenia and worldwide.
Janko Plesec, the president of The Association DLAN, has become the first person with deafblindness in Slovenia to publish an independent poetry collection with title Veseli vandrovček. He has been writing poetry and with the help of personal assistants has been writing down everything since 2016, when membership in The Association DLAN brought him more indepedendence, self-confidence and inspiration.
The second published book, A Haptic Way of Communication with People with Deafblindness II (October 2020), is work of Simona Gerenčer Pegan, Ph.D. and people with deafblindness within the work group for development of the language of the deafblind of The Assocation DLAN and The Association of Deafblind Interpreters of Slovenia TAKTIL. A haptic way of communication is a part of the language of the deafblind based on touch. The book is enriched with an English translation and QR codes, which enable viewing of the video of the implementation of haptic signs. In November 2020 the book will also be available in Braille.
In 2020 we also published more translations into foreign languages and adapted ways of communication with people with deafblindness. The book The stories of people who listen with the heart and see with the palms: Living with Deafblindness (October 2019), which presents 14 stories of people with deafblindness, has been published in Serbian, English and Russian translation, e-format and audio record, by the end of 2020 will also be available in German, Braille and in Slovene sign language. The first part of the book A Haptic Way of Communication with People with Deafblindness will be available in Braille from November 2020.
At the Association DLAN we would like to take this opportunity to sincerily thank Lions klub Ljubljana Forum, Rotary klub Ljubljana – Barje, Ministry of Culture and FIHO, who co-financed the realeses. Special thanks to the volunteers for their excellent translation and design work. Thank you also to MDDSZ, City of Ljubljana, to all donors, the media and many organizations for a long-time support.


I'm super excited to announce that Melanie Diehl won our April "Guess & Win Essential Oils" Sweepstakes. We are sending her a $50 Amazon Gift Card.
The tree this essential oil is derived from was thought to cleanse the environment so the frail and sickly would live in areas where this fragrant tree grew. What is it?
What essential oil was named by Captain Cook's Crew?
This essential oil can be used to fight apathy, bad breath and headaches. What is it?
From Susquehanna, PA, Melanie is the business owner of an Auto Parts Restoration Company. Melanie uses essential oils in her everyday life to treat everything she can from aromatherapy to headaches to adding essential oils in her vacuum bag to refresh a room. She shared with me that she always has an extensive selection of scents on hand.
If you are on Facebook please be sure to congratulate Melanie.
This month's (May) questions have been posted. You could be our next winner.


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If you can demonstrate the initiative and commitment to excellence these roles demand, we can offer you excellent rewards, a modern working environment and further development opportunities.


Unless, of course, they started out trying to make a cube. If so then this this is a great save.
I remember someone a few years ago playing with led "candles "discovered that they were using a melody player if to drive the led producing the flickering effect.
By hooking a photo transistor or LDR to the input of an audio amp the tune could be detected and listened to.


text:
package br.com.rooting.roxana.message;

import br.com.rooting.roxana.UnitTest;
import br.com.rooting.roxana.message.mapper.MessageMapper;
import br.com.rooting.roxana.message.mapper.MessageMapperEnum;
import br.com.rooting.roxana.message.mapper.MockedMessageMapper;
import br.com.rooting.roxana.parameter.Parameter;
import br.com.rooting.roxana.parameter.finder.MessageMapperEnumParameterFinder;
import br.com.rooting.roxana.parameter.finder.ParameterFinderStrategy;
import br.com.rooting.roxana.parameter.mapper.Param;
import org.junit.jupiter.api.Test;
import org.springframework.stereotype.Component;

import java.lang.reflect.Constructor;
import java.util.ArrayList;
import java.util.List;

import static br.com.rooting.roxana.message.MessageSeverity.*;
import static br.com.rooting.roxana.utils.ReflectionUtils.isPackagePrivate;
import static org.junit.jupiter.api.Assertions.assertEquals;
import static org.junit.jupiter.api.Assertions.assertTrue;
import static org.mockito.Mockito.mock;

class MessageUnchangedCreatorTest extends UnitTest<MessageUnchangedCreator> {

    private static final String STRING_PARAMETER_NAME_01 = "StringParameterName01";
    private static final String STRING_PARAMETER_NAME_02 = "StringParameterName02";

    private static final String RANDOM_STRING_PARAMETER_VALUE_01 = "parameter01";
    private static final String RANDOM_STRING_PARAMETER_VALUE_02 = "parameter02";

    private static final String KEY = "mocked.key";

    @Test
    void testClassIsPackagePrivateTest() {
        assertTrue(isPackagePrivate(this.getUnitTestClass().getModifiers()));
    }

    @Test
    void testClassExtendsMessageCreatorTest() {
        assertTrue(MessageCreator.class.isAssignableFrom(this.getUnitTestClass()));
    }

    @Test
    void testClassIsASpringComponentTest() {
        assertTrue(this.getUnitTestClass().isAnnotationPresent(Component.class));
    }

    @Test
    void testClassWasOnlyOnePackagePrivateConstructorTest() {
        Constructor<?>[] constructors = this.getUnitTestClass().getDeclaredConstructors();
        assertEquals(1, constructors.length);
        assertTrue(isPackagePrivate(constructors[0].getModifiers()));
    }

    @Test
    void createTest() {
        MessageUnchangedCreator creator = new MessageUnchangedCreator();
        MessageMapper mapper = new MockedMessageMapper(KEY, INFO);
        List<Parameter> parameters = new ArrayList<>();

        MessageUnchanged message = creator.create(mapper, parameters);
        assertEquals(mapper.getSeverity(), message.getSeverity());
        assertEquals(mapper.getKey(), message.getKey());
        assertEquals(message.getParameters().size(), parameters.size());
        assertTrue(message.getParameters().containsAll(parameters));
    }

    @Test
    void createArgsTest() {
        MessageUnchangedCreator creator = new MessageUnchangedCreator();
        MessageMapper mapper = new MockedMessageMapper(KEY, INFO);
        Parameter parameter_01 = mock(Parameter.class);
        Parameter parameter_02 = mock(Parameter.class);

        MessageUnchanged message = creator.create(mapper, parameter_01, parameter_02);
        assertEquals(mapper.getSeverity(), message.getSeverity());
        assertEquals(mapper.getKey(), message.getKey());
        assertEquals(2, message.getParameters().size());
        assertTrue(message.getParameters().contains(parameter_01));
        assertTrue(message.getParameters().contains(parameter_02));
    }

    @Test
    void createBasedOnEnumMapTest() {
        List<Object> parametersValues = new ArrayList<>();
        parametersValues.add(RANDOM_STRING_PARAMETER_VALUE_01);
        parametersValues.add(RANDOM_STRING_PARAMETER_VALUE_02);

        ParameterFinderStrategy parameterFinder = new MessageMapperEnumParameterFinder(MapperEnumTest.MAPPER_WITH_STRING_PARAMETERS, parametersValues);
        List<Parameter> parameters = parameterFinder.findParameters();

        MessageUnchangedCreator creator = new MessageUnchangedCreator();

        MessageUnchanged message = creator.create(MapperEnumTest.MAPPER_WITH_STRING_PARAMETERS, parametersValues);
        assertEquals(MapperEnumTest.MAPPER_WITH_STRING_PARAMETERS.getSeverity(), message.getSeverity());
        assertEquals(MapperEnumTest.MAPPER_WITH_STRING_PARAMETERS.getKey(), message.getKey());
        assertEquals(message.getParameters().size(), parameters.size());
        assertTrue(message.getParameters().containsAll(parameters));
    }

    @Test
    void createBasedOnEnumMapArgsTest() {
        List<Object> parametersValues = new ArrayList<>();
        parametersValues.add(RANDOM_STRING_PARAMETER_VALUE_01);
        parametersValues.add(RANDOM_STRING_PARAMETER_VALUE_02);
        ParameterFinderStrategy parameterFinder = new MessageMapperEnumParameterFinder(MapperEnumTest.MAPPER_WITH_STRING_PARAMETERS, parametersValues);
        List<Parameter> parameters = parameterFinder.findParameters();

        MessageUnchangedCreator creator = new MessageUnchangedCreator();
        MessageUnchanged message = creator.create(MapperEnumTest.MAPPER_WITH_STRING_PARAMETERS,
                RANDOM_STRING_PARAMETER_VALUE_01,
                RANDOM_STRING_PARAMETER_VALUE_02);

        assertEquals(MapperEnumTest.MAPPER_WITH_STRING_PARAMETERS.getSeverity(), message.getSeverity());
        assertEquals(MapperEnumTest.MAPPER_WITH_STRING_PARAMETERS.getKey(), message.getKey());
        assertEquals(message.getParameters().size(), parameters.size());
        assertTrue(message.getParameters().containsAll(parameters));
    }

    @Test
    void createBasedOnEnumMapWithNoParameterTest() {
        MessageUnchangedCreator creator = new MessageUnchangedCreator();
        MessageUnchanged message = creator.create(MapperEnumTest.MAPPER_WITH_NO_PARAMETERS);

        assertEquals(MapperEnumTest.MAPPER_WITH_NO_PARAMETERS.getSeverity(), message.getSeverity());
        assertEquals(MapperEnumTest.MAPPER_WITH_NO_PARAMETERS.getKey(), message.getKey());
        assertTrue(message.getParameters().isEmpty());
    }

    private enum MapperEnumTest implements MessageMapperEnum {
        MAPPER_WITH_NO_PARAMETERS(ERROR),

        @Param(STRING_PARAMETER_NAME_01)
        @Param(STRING_PARAMETER_NAME_02)
        MAPPER_WITH_STRING_PARAMETERS(SUCCESS);

        private final MessageSeverity severity;

        MapperEnumTest(final MessageSeverity severity) {
            this.severity = severity;
        }

        @Override
        public MessageSeverity getSeverity() {
            return this.severity;
        }
    }

}


This pear variety packs rich dark tomato flavor into its small (1/2 oz.) meaty fruits. It's a brick red color overlaid with green or brown. Not as outrageously vigorous or as early as Beam's Yellow or Austin's Red, it nevertheless can keep up once it hits its stride, continuing to produce right up until frost.


text:
How Civilization Works
by Laurie L. Dove
The fact that this box contains six full civilizations leads us to suspect that it's bigger on the inside. (The lush artwork throughout, by Norwegian digital illustrator Henning Ludvigsen, only deepens the illusion.)
Image courtesy Fantasy Flight Games
The fate of civilization hinges on your next decision, and right about now you wish you could look into a crystal ball and see the future. Should you ramp up your society's military power or concentrate on the arts? Explore and conquer new territories or attempt to reach outer space?
It isn't every day that you can dictate the rise or fall of an entire society, but then again, Civilization isn't an ordinary board game. Its players can't succeed through luck, but must instead rely on layers of strategy. Players take on the persona of a famous leader and then take turns navigating a complex game system -- including a series of map tiles, military cards and hundreds of other cards and tokens -- so that they can advance their civilization through the ages to reach a victory based on one of four tracks: Technology, Culture, Economy or Military.
Sid Meier's Civilization: The Board Game, which debuted from Fantasy Flight Games in 2010, is based on the popular "Civilization" video game series (specifically "Civilization IV") created by Sid Meier -- which was, itself, originally based on a board game. This current version retains much of the digital version's visual appeal. Fantasy Flight Games also produces the board game versions of video games like World of Warcraft and StarCraft, along with classics like Talisman.
Civilization's playing field, which consists of a series of map tiles and a separate market board used to track the players' progress, is colorful -- and the artistic images on the game's cards are quite detailed. Players use the game cards, tokens and modular map to create a (hopefully) great civilization; this is done by conquering enemy territory, settling in new lands, building new cities, attracting notable citizens, researching innovative technology, creating prosperous economies, erecting historical wonders and fighting successful battles. The game, which is intended for two to four players of ages 13 or older, takes about four hours to complete. (That's less time than the video game generally takes, but the video game isn't necessarily played in a single sitting.)
Although it carries a nearly identical name, Sid Meier's Civilization: The Board Game should not be confused with an earlier and simpler predecessor of the game offered in 2002 by Eagle Games that is now out of print. Nor is it exactly the same as "Sid Meier's Civilization" video game series or "Civilization Revolution" for the iPad, both published by 2K Games. By its very nature, the 2010 Civilization board game requires a hands-on approach and a more lengthy set-up and playing time than the digital versions. It was designed by Kevin Wilson, whose other notable games include Arkham Horror, Descent: Journeys in the Dark and A Game of Thrones: The Card Game.
How Carcassonne Works
How Settlers of Catan Works
Top 10 Mind-bending Strategy Games


text:
The Backstreet Boys reveal what 'it' is in their hit song 'I Want It That Way'
One of pop music's biggest mysteries has been solved.
In 1999, the Backstreet Boys topped the charts in more than 25 countries - including New Zealand - with the song 'I Want It That Way' from their third album Millennium.
The catchy single became an instant classic, but left fans wondering: what exactly is 'it'?
Model Chrissy Teigen tweeted on Saturday (local time) that 19 years after the release of the Backstreet Boys' biggest song, she's still confused about its lyrics.
Thankfully, she got her answer in a reply from the band's official Twitter account.
The tweet clarified that 'it' refers to the state of the romantic relationship which is the subject of the song. The song's protagonist doesn't want their partner to want to be "two worlds apart".
Therefore when the band sings "I never want to hear you say 'I want it that way'," they mean they don't want their partner to tell them that they want the relationship to end.
Backstreet Boys fans thanked Teigen for getting to the bottom of a mystery that had haunted many for almost two decades. One said that the model should win a Nobel Peace Prize for her work.
Many Twitter users compared the mysterious 'it' to the same unspecified 'that' Mealoaf declared he wouldn't do in his 1993 hit song 'I'd Do Anything For Love (But I Won't Do That)'.


Patna : Former Bihar Chief Minister Jitan Ram Manjhi on Thursday threatened to embrace Buddhism if the atrocities against dalits continue. Manjhi who founded Hindustani Awam Morcha (Secular) after parting ways with Nitish Kumar said he was readying to follow the footsteps of Bhimrao Ambedkar.
Addressing a function to observe death anniversary of Ambedkar, he said Buddhism was the only way for dalits to gain equality. "I am ready to embrace Buddhism, but not any other religion, with my followers and adopt the path that Baba sahib showed us," he said.
Ambedkar had embraced Buddhism with his followers on October 14, 1956 at Nagpur, after feeling suffocated and humiliated in Hindu fold. He came to the conclusion that untouchables would get equality only when they walkout of Hindu religion which was allegedly dominated by Brahminical order.
Manjhi said that he would discuss the matter with his supporters. "It is a historical fact that dalits have been isolated in Hindu fold because of Brahminical order," he alleged. Ambedkar had taken 20 years for conversion after he declared his intent to convert.
Manjhi, who in now in grand alliance also raised reservation for dalits in private sector jobs. He said the constitution is under threat and he would agitate for the rights and reservation for dalits.


World Express is located in georgia.
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It was a famous antique furniture in JL.By Pass Ngurah Rai road 123 Sanur, Bali.


There's no question that Kevin Hart can always keeping us laughing, and pairing him up with Ice Cube has been an even more hilarious scenario. The two star in their upcoming Ride Along 2 sequel movie coming out next week, and they've been going heavy on the promo. The duo decided to help out Conan O'Brien during their press run, while teaching one of Conan's employees how to drive properly, which turned into some of the funniest moments we could ask for.
Watch Kevin Hart, Ice Cube, and Conan help a student driver on the following pages.
The whole sequence will leave you laughing from start to finish in over 11 minutes, and starts off with Conan's student driver looking pretty nervous. While he tries to show her how to tell off other drivers, he suggest they go pick up some friends for him, who happen to be Kevin Hart and Ice Cube.
As the four are in the car, Kevin and Ice Cube try to teach her to have pennies or batteries ready in her car so that she can throw it at the windshields of other cars. Kevin even asks her for her favorite fast food place, which she reveals is Popeyes, to his amazement.


Blue Tango Productions is made up of a team of creative professionals headed up by Marla Cooper, Executive Producer/ Creative Director (Surf City Office, CA). The Music City Office (TN) is headed by Associate Producer Lauren Friedler.
Marla's award-winning productions include television and radio commercials for Microsoft, AAA, Pacific Bell, FHP, Columbia Television, Kahlua, Pacific Theatres and CBS, to name a few.
She has worked with some of the largest and most prestigious advertising agencies in the world, including Chiat/Day and Ogilvy & Mather, and has also produced multiple independent feature films, television shows, training videos and music CDs.
Marla's clients tell her that her thorough knowledge of the production process, from project inception through final edit, brings them back time and again. She knows how to develop a script and she will recommend the special touches that make an impact - from motion graphics to music production. She knows how to budget for projects of all types - and how to implement the budget, from crew and equipment, to all phases of post-production, through delivery of the finished product. Her clients love her ability to put every penny up on the screen - and make it count!
She brings with her not only experience and knowledge, but also a unique sense of confidence and style, combined with a dedicated love and passion for all her projects.
Besides being the Executive Producer/Creative Director at Blue Tango Productions, Marla is a Professor in the Chapman University School of Film and Television, where she teaches Producing Commercials and Visual Storytelling. She is also on the Executive Board of Directors of the Orange County Advertising Federation.


This entry was posted in 365 pictures in 2011, A bit of this and a bit of that, Creative, My everyday life, Photography and tagged cooking, creative, photography. Bookmark the permalink.
Whenever I try to flip something like that (eggs, pancakes, you name it) it always ends in disaster.


text:
About Boris Johnson Overview >>
About Boris Johnson
On Tuesday 23rd July 2019, Boris Johnson was elected new leader of the Conservative party in the United Kingdom. The following day, he became the 14th person invited by Queen Elizabeth II to form a government. Johnson is thus the third British Prime Minister since the Brexit referendum that took place in June 2016.
Following the change of Tory PM, there has been a reshuffle of government. Johnson has described the new cabinet as a "cabinet for modern Britain". It includes Dominic Raab, who is the new Foreign Secretary and First Secretary of State. Priti Patel has replaced Sajid Javid as Home Secretary, who in turn is the new Chancellor. Stephen Barclay remains Brexit Secretary.
Alexander Boris de Pfeffel Johnson was born to British parents in 1964 in New York. His father is a former British Conservative Member of the European Parliament. Johnson therefore spent a couple of years of his childhood in Belgium. He was educated at Eton College and at the University of Oxford.
Prior to the referendum, Boris Johnson was one of the front figures of the Leave campaign who is believed to have contributed to the UK's decisions to leave.
After Theresa May became Prime Minister in July 2016, she appointed Johnson Foreign Secretary. He resigned two years later. Between 2008 and 2016, Boris Johnson was Mayor of London. Prior to becoming a Member of Parliament, he worked as a political journalist for newspapers such as The Times, The Daily Telegraph and The Spectator.
This update is for general guidance only. Specific legal advice should be obtained in all cases. This material is the copyright of Goodwille Limited (unless otherwise stipulated) and is not to be reproduced in whole or in part without prior written consent.


After choosing one another as potential partners, establish mutual ideas, goals, and philosophies operating in the team you are developing.
Look for enough compatibility to challenge and stimulate one another over time, as well as the presence of mutual trust.
Choose a partner whose strengths complement the limits of the other partner, and vise versa.
Establish the project or core focus of the partnership that is being created.
Determine the kind of Partnership that will be created.
some key items to consider. Hiring a Coach that has expertise in this area is recommended during the formative stages of the partnership, and at any time such support is needed in the future, in order to protect the best interests for each partner involved.
Develop a sound financial compensation plan for profits received that both partners agree to in a signed document or contract.
Legal representation for the partnership may be appropriate at this juncture.
Determine what roles each partner will play during the course of the project, defined and clearly documented for future reference.
Be accountable to your role, until both partners change the structure of roles established.
review the results of the action taken, and making expedient and necessary shifts that will support the health of the partnership over the lifespan of the alliance.
If possible get the support of your immediate support system established before entering into partnership.
You will need to educate them about expenditures of time, money, energy and other resources that will be needed to successfully launch the project(s) your partnership represents.
Have planned, regularly schedule meetings on a weekly basis.
These meetings will be set up for the purpose of discussing the wins and challenges, what's working and what's not, areas of discord and mutual planning for future growth and expansion.
Set a minimum time period that both partners will agree to a "no exit" clause.
New ventures take time to be planted, watered and nourished, weeded and ultimately harvested.


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Meghan Markle's father could testify against her in Mail on Sunday case
Thomas Markle could be called as a witness for the defence in the Mail on Sunday case
The Duchess of Sussex (Image: PA)
Meghan Markle's father Thomas could be called to testify against her in a legal battle with the Mail on Sunday after High Court documents show he forms part of the newspaper's defence.
The newspaper and its parent company Associated Newspapers face accusations they unlawfully published a letter from Meghan Markle to her father.
It argues publication was justified as a result of the "huge and legitimate" public interest in the "personal relationships" of the royals.
Legal documents show the Mail on Sunday will rely on evidence from Mr Markle, including "he had a weighty right to tell his version of what had happened between himself and his daughter including the contents of the letter".
It means if the case proceeds to trial, both father and daughter could testify against one another and the paper's sister publication The Daily Mail reported Mr Markle would be prepared to face Meghan in court.
The document also argues that members of the royal family "generate and rely on publicity about themselves and their lives in order to maintain the privileged positions they hold to promote themselves".
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The law firm, Schillings, representing Meghan, filed the High Court claim against the Mail on Sunday in October 2019, alleging misuse of private information, infringement of copyright and breach of the 2018 Data Protection Act.
In its legal defence, the paper claims the duchess "did not have a reasonable expectation of privacy that the contents of the letter were private and would remain so".
Meghan and Harry will divide their time between Canada and the UK (Image: Daniel Leal-Olivas /PA Wire)
The paper also argues the publication of the letter was in response to a "one-sided" article in People magazine in February 2019 featuring an interview with five unnamed "close friends" of Meghan which referenced the letter, meaning its existence was in the public domain.
It comes just a day after the Queen agreed Harry and Meghan could step back as senior royals and embark on a new life as an independent family.
Buckingham Palace also confirmed the couple and their son would being a "transition period" in which they would divide their time between the UK and Canada.
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