text:
Tulsi Gabbard Misses 2020 Presidential Debate Threshold
Nonprofit News Powered By Shelby Foster David Nash May Okihiro Michael Troy James Waddington Readers Like You
The Hawaii congresswoman didn't qualify for the September debates due to her low poll numbers, but she hopes to be back on stage in October.
By Nick Grube / August 28, 2019
WASHINGTON — Hawaii Rep. Tulsi Gabbard has failed to qualify for the third Democratic presidential debate.
That debate is set for Sept. 12 in Houston, Texas, and is hosted by ABC News and Univision.
That doesn't mean Gabbard is out of the race. Her campaign announced Wednesday that she still plans to campaign for the White House, with her next stop in Iowa. But she just won't have as much national exposure doing it.
Her campaign did not respond to Civil Beat's request for comment Wednesday.
Hawaii Congresswoman Tulsi Gabbard has a lot of work to do if she hopes to win the Democratic nomination to take on President Donald Trump in 2020.
The Democratic National Committee set two thresholds in order for candidates to make it to the September debate stage.
To qualify candidates needed to show that they received donations from 130,000 individuals, getting at least 400 each in 20 different states.
Candidates also needed to hit at least 2% in four qualifying polls publicly released between June 28 and Aug. 28. Those polls could either be national or in an early primary state, such as Iowa, New Hampshire, South Carolina or Nevada.
While Gabbard hit the donor threshold she missed the polling qualification having only reached 2% support in two polls recognized by the DNC rules.
Gabbard's campaign issued a press release earlier in the week criticizing the DNC and calling for it to explain why it chose the 16 polls that it did to measure whether a candidate qualifies for the September debate.
The campaign argued that Gabbard hit at least 2% in 26 national and early state polls, 24 of which didn't qualify under DNC rules.
Those 24 polls listed by the campaign were conducted by organizations ranging from the recognizable — The Economist, Harvard University and The Boston Globe — to the obscure — Change Research, THE 603 and PollerCoaster.
Gabbard's campaign questioned why some polls were approved by the DNC as qualifiers while others were not, saying the selection process did not seem fair or transparent.
The campaign also pointed to a lack of polls in the wake of the second Democratic primary debate in which Gabbard received a lot of attention for her attacks on U.S. Sen. Kamala Harris's record as a prosecutor.
The press release called on the DNC to change its poll criteria so that Gabbard can participate in the September debate.
Specifically, the campaign wanted the DNC to certify two polls that put her support at 3%, one conducted in New Hampshire by The Boston Globe and Suffolk University, the other conducted nationally by The Economist and YouGov.
The campaign also asked the DNC to certify a third poll from The Post and Courier newspaper in Charleston, South Carolina that put her support with voters there at 2%, saying there was "no justifiable reason for the DNC to exclude these polls, or polls from other credible organizations."
"The Gabbard campaign is calling on the DNC to hold true to their promise and make adjustments to the process now to ensure transparency and fairness," the press release stated.
"Crucial decisions on debate qualifications that impact the right of the American people to have the opportunity to participate fully in the Democratic process should not be made in secret by party bosses."
Ten candidates cleared the DNC's Sept. 12 debate hurdle, including Biden, Sanders, Harris and U.S. Sen. Elizabeth Warren, of Massachusetts.
Others who made the cut include South Bend, Indiana Mayor Pete Buttigieg, U.S. Senators Cory Booker and Amy Klobuchar, businessman Andrew Yang, former Texas congressman Beto O'Rourke and Julian Castro, who served as secretary of U.S. Housing and Urban Development under Barack Obama.
Those sitting on the sidelines with Gabbard include U.S. Sen. Kirsten Gillibrand, billionaire financier Tom Steyer and self-help author Marianne Williamson.
Gabbard wasn't alone in her criticisms of the DNC's poll selection process. Williamson's campaign also complained about the DNC's rules.
Even Yang, who met the polling threshold, had expressed frustrations with the DNC's method of counting poll results. He backed off his criticisms, however, in a recent interview with Fox News, one in which he said the DNC's process was both "fair and transparent."
"I'm a little bit biased because I'm making the fall debates so I think the rules are fine," Yang said.
"I will say that the rules have been out there for us all to see for months and if you were going to complain about the criteria, you would probably want to complain about it a little bit earlier in the process to make it seem like it's not purely self-interested."
Gabbard's campaign announced Wednesday that she was returning to the campaign trail following two weeks of active duty service overseas with the Army National Guard. Her first stop is in Iowa, followed by visits to Georgia and New Hampshire.
Nick Grube
Nick Grube is a reporter for Civil Beat. You can reach him by email at nick@civilbeat.org or follow him on Twitter at @nickgrube. You can also reach him by phone at 808-377-0246.
Use the RSS feed to subscribe to Nick Grube's posts today


Alternative Dispute Resolution. Methods of resolving disputes which do not involve the normal trial process.
A lawyer, appearing in a court of law.
Factors making a situation worse. For example, burglary is aggravated in the eyes of a court if the burglar is armed, or injures someone while committing the offence.
The British and Irish Legal Information Institute, which provides free access to the British and Irish primary legal materials on the internet, including a wide variety of court judgments.
Being placed under a legal obligation, for example being 'bound over' to keep the peace. Failure to observe a binding order may result in a penalty.
The Judicial Communications Office, which exists to enhance public confidence in the judiciary for England and Wales, advises members of the judiciary on media matters and helps them communicate with each other.
Justice of the Peace. The official title of a magistrate.
The unofficial title of the Lords of Appeal in Ordinary. The Law Lords have been promoted from the Court of Appeal to sit in the House of Lords, the highest court for England and Wales.
Another term for a magistrate.
Head of the judiciary of England and Wales and President of the Courts of England and Wales. Scotland's most senior judge is the Lord President, although the holder of this post does not take responsibility for the entire judiciary, and Northern Ireland has its own Lord Chief Justice.
A court where criminal proceedings are commenced before justices of the peace, who examine the evidence/statements and either deal with the case themselves or commit to the Crown Court for trial or sentence. Some magistrates also have jurisdiction in the youth court, family matters (known as the family proceedings court) and limited civil cases.
The correct form of address for a High Court judge.
The vast majority of hearings in England and Wales are held in open court, with members of the public free to enter the courtroom and observe proceedings. Some sensitive cases, such as family matters, may be held 'in camera', which means 'in the chamber' or in private.
Trial taking place in a magistrates court.
Barristers are 'called to the Bar' when they have finished their training, and as a result are then allowed to represent clients. The Bar is also a collective term for all barristers, represented by the General Council of the Bar.
Judges or magistrates sitting in court are collectively known as 'the Bench'.


HelpingTeens.org - How To Cope When A Friend And Loved One Dies.
How To Cope When A Friend And Loved One Dies.
My wager is that most, if not all, of us have unfortunately had someone we loved very much die. Some of the loved ones have died in their old age, peacefully, while others have had deaths that make no sense to us, such as in the Columbine school shooting, and other school tragedies. The pain that we feel when one of our friends dies is very real and very heartbreaking. We go through each day, unsure of anything and confused about why we've been left here when our friends had to leave this earth. I know when I lost my dearest friend, I never felt so alone and maybe even angry at the world, my family, and even my friend. How do we survive they pain that death puts us through?
I think that the most important thing we must do is to forgive ourselves for the death. We are not responsible, and I don't think our friends would want us to blame ourselves for something that we had no control over, do you? We can't control life, we can't control what other people do, and we can't control who lives or dies. We can't even control the emotions that we go through when someone close to use dies. Many times, there are feelings of guilt and overwhelming sadness and isolation. Our emotions happen to us, not the other way around.
I lost my brother to death, so I know how much guilt you're going through and how much pain you feel when you lose someone you didn't expect to lose, but you know what? Each and every one of us are here on this earth for a purpose and I don't believe that any of us die before we have accomplished that goal. I, for instance, even attempted suicide several times and always failed, before I realized that I really wanted to live. Do you know why I think I failed? I failed because I have yet to accomplish they purpose that I have on this earth. The same goes for you; you're still here because you haven't accomplished your purpose yet.
Our friends who die before us, on they other hand, must have accomplished their purpose that they had for living. I don't know what that purpose is right now because I don't know your friends. Maybe it was to help a certain friend out of a bad time, or maybe it was as simple as experiencing happiness. Either way, once they had accomplished their goal, they didn't need to be there anymore, so they went to a place that offers him or her all they happiness, love and security they could ever need. Why do some of our good friends have to die in fights, or in violent ways that they had absolutely no control over? I don't know; I wish I did, but what matters is not how they died, but just they fact that they were here for a reason and that they didn't die for no reason, they died because they accomplished their purpose, even if they didn't yet know what was their purpose.
Something else that has given me comfort whenever I've lost a close friend to death is writing letters. It may sound silly right now, but believe me, writing letters to our friends could help you feel so much closer to them again and it would help you come to terms with their death. You could write whatever you'd like to tell them and get all of your feelings out. My great grandmother, the person I loved most in this world, died when I was eight years old and I still write her letters, every year on her birthday, because it helps me remember that even though she may not be physically here, she's not out of my life either, and it helps keep the love I feel for her alive.
In addition to writing your friend letters, I think all of us who lose loved ones to death need to talk with someone; maybe your school counselor, maybe your mom, maybe another trusted relative, maybe your youth minister, but someone whom you can trust. Conversation is they stepping stool to healing but silence leads only to dire consequences and more pain, and you don't deserve that. Your friend would not want you to continue living in so much pain, would they?
Also, remember that God loves you. We don't always understand why He allows certain things to happen, but He knows they future and we don't, so it's best to trust Him, and He love us more than we could ever even love each other. Remember His son died on a cross: He understands your pain more than I ever could, and they'll be right there to help you get through it.


text:
Q: Show the username in the top when the user is login I know this question look really simple for u guys but i cant find a tutorial or topic about this. I been trying and searching for days but no luck. What i want to do is when the user login, their name will be display at the top in the menu bar in every page. Please, Please, Please any help or suggestion will be appreciated.
This is the image when there is no login user
And this when a user is login. the login/register button should be hide then display the email and logout button
Here is the code i made. I try javascript and session but i cant do it properly.

<?php

error_reporting(E_ALL & ~E_NOTICE);
session_start();

if($_POST['LogIn'])
{
 $servername = "localhost";
 $username = "root";
 $password = "";
 $dbname = "dbuseraccounts";

 // Create connection
 $conn = new mysqli($servername, $username, $password, $dbname);

 $email = strip_tags($_POST['Email']);
 $password = strip_tags($_POST['Password']);

 $sql = "SELECT UserID, Email, Password FROM users WHERE Email = '$email'";

 $query = mysqli_query($conn, $sql);

 if($query)
 {
  $row = mysqli_fetch_row($query);
  $userid = $row[0];
  $dbEmail = $row[1];
  $dbPassword = $row[2];
 }

 if($email == $dbEmail && $password == $dbPassword)
 {

  $_SESSION['Email'] = $email;
  $_SESSION['id'] = $userid;

 }
 else
 {

  $message = "Incorect username or password";
  echo "";
 }
}
?>

<!doctype html>

<meta charset="utf-8">
<meta http-equiv="X-UA-Compatible" content="IE=edge">
<meta name="viewport" content="width=device-width, initial-scale=1.0">
<title>Login</title>
<link href="css/bootstrap.css" rel="stylesheet" type="text/css">
<link href="css/stylesheet.css" rel="stylesheet" type="text/css">

      <button type="button" class="navbar-toggle collapsed" id="Register" aria-expanded="false" data-toggle="collapse" data-target="#topFixedNavbar1">Toggle navigation</button>
    Neo

      <form class="navbar-form navbar-left" role="search">

</form>

Home

Services

Promo

About Us

Contact Us

<?php echo $_SESSION["Email"]?>

Logout

Action

Another action

Something else here

Separated link

Login

<form id="RegisterForm" name="RegisterForm" method="post">

<input name="Email" type="email" autofocus required="required" class="TField" id="Email" placeholder="Email Address">

<input name="Password" type="password" required="required" class="TField" id="Password" placeholder="Password">

    <input name="LogIn" type="submit" class="button" id="LogIn" value="Log In">

</form>

    © 2015 Neo

A: You're on the right track. Essentially how it works is this:
You have an HTML form. The html form contains the username/email and password to login. The html form submits(POST's) to the php login script. In the php login script you create a session on successful login. In the Session you store the username, in php you can then echo the data from the session to display the username.
So don't copy a tutorial, real about php sessions!
http://www.w3schools.com/php/php_sessions.asp
http://php.net/manual/en/book.session.php

A:
This is NOT secure, this is just a tutorial.

Essentially this is fairly easy if you got the right idea!
How to achieve...

*

*First when the user successfully logs in create a $_SESSION[] var. $_SESSION[] vars are used on almost every website that runs on PHP, you can start a plain session by adding the code below to the top of your page.
session_start();

*Second when your code says the user login is successful create a session var as the code is shown below.
$_SESSION['loggedIn'] = true;

*Third you need to create some sort of code that checks to see if the user is logged in, an example code is shown below.
if (isset($_SESSION['loggedIn'])) {
    // code to execute if the user is logged in
} else {
    // code to execute if the user is not logged in
}

*And last of all when you log out you need to destroy the session and delete all $_SESSION[] vars by using the code below.
$_SESSION = array();
session_destroy();

Execute HTML Code based on the if statement:
<?php
if (isset($_SESSION['loggedIn'])) {
?>

Logged In!

<?php
} else {
?>

Logged Out!

<?php
}
?>

If you want to display the username, you need to create a $_SESSION[] var called username and use the echo the $_SESSION[] var.
// To Echo
<?= $_SESSION['username']; ?>

// To Create
<?php $_SESSION['username'] = 'someusername'; ?>

Here are a couple resources that might help you security wise, i just looked at your code and it's simple but not really secured.
http://php.net/manual/en/session.security.php
http://php.net/manual/en/mysqli.quickstart.prepared-statements.php

redpajama_set_name: RedPajamaStackExchange


We collect information about your identity, such as your name, address, e-mail address, telephone number, etc., for provision of services, billing, and to inform you of new products or services suited for your needs. Tokyo Apartments (Enplus Inc) will use customer information to market products and services to the customer, but will not disclose or make available any personal information to any third parties.
Tokyo Apartments (Enplus Inc.) will disclose, revise or delete private information provided by a customer upon request, after having confirmed the identity of the customer.
Tokyo Apartments (Enplus Inc) restricts access to your personal information to only those employees who need it in order to provide our service. We maintain physical, electronic and managerial safeguards to protect the confidentiality and security of all personal information transmitted via this website.
To safeguard your information, our site uses a technology called Secure Sockets Layer (SSL), which encrypts your credit, name and address and other information to be visible only to employees of Tokyo Apartments (Enplus Inc).
We will not disclose your personal information to any third parties apart from where you have given us your consent to do so. We may provide sales, traffic and demographic statistics and other related information to third parties but these statistics will not contain any information which could be used to identify any individual customer.
We strive to comply with all applicable laws and regulations, including the Personal Information Protection Law of Japan.


text:
Biografia
Il 15 settembre 2014 il Presidente della Polonia Bronisław Komorowski le aveva conferito l'incarico di formare un nuovo governo per sostituire Donald Tusk, nominato Presidente del Consiglio europeo. È stata la seconda donna a diventare primo ministro nel suo paese, 21 anni dopo Hanna Suchocka. Il suo incarico è finito il 16 novembre 2015, quando Beata Szydlo è diventata primo ministro al suo posto.

Precedentemente è stata Maresciallo del Sejm dall'8 novembre 2011 fino al suo insediamento come capo dell'esecutivo.

Note

Voci correlate
 Governo Kopacz

Altri progetti

Collegamenti esterni

Europarlamentari della Polonia della IX legislatura
Vicepresidenti del Parlamento europeo
Marescialli del Sejm
Politici di Piattaforma Civica
Presidenti del Consiglio dei ministri della Terza Repubblica di Polonia

redpajama_set_name: RedPajamaWikipedia


text:
What is Password Synchronization?
"Password synchronization" is a method of achieving single sign-on (SSO) by ensuring a user's password is the same between multiple systems. One system, such as Active Directory, acts as the central authority. When a user's credentials are updated inside of the central authority, their password is pushed out to other systems such as their email provider.
This functionality is found within identity management solutions, such as those offered by Tools4ever. Password synchronization solutions are easier to implement than enterprise single sign-on (SSO), as there is less administrative work involved (i.e., no need to create SAML trusts).
Unlike enterprise and web SSO, successful password synchronization between systems requires those systems to accept the same level of password complexity. If a simple password is pushed to a system that requires a complex one, then that system may throw an error and the affected user will not be able to log in with the expected credentials. This results in confusion and a poor user experience.
Organizations that plan on implementing password synchronization are advised to examine the password requirements of all connected systems and make note of the most stringent ones. Those requirements should then be implemented in the central authority (e.g., Active Directory). This will ensure that any new password will be accepted by all connected systems.
It may still occur, however, that some systems are not compatible with the password requirements of other systems. For example, one system's maximum password length may be shorter than the minimum password length of another. Or one system may require special characters while another forbids them. In these cases, users will need to log in with different credentials. This is by no means a failing of any password synchronization solution, and can be overcome with proper user training.
Security Concerns: Complexity & Passphrases
Every single-sign on solution comes with security concerns, and password synchronization is no exception. When all systems share a single password, all of those systems become compromised when a user's password is divulged. To combat this, organizations are advised to require passwords of significant length and complexity, as well as to train their users on the usage of pass phrases in place of traditional passwords.
Consider the following password requirements: 20 characters, mixed case, one number, five special characters. Any password that meets these requirements is going to be very difficult to crack.
The following traditional password meets these requirements:
H9hab%bk<fM~z!EY-tXK
However, few people will remember it. This is where passphrases shine. The following passphrase also meets all of the requirements, but is easy to remember:
I have 3 apples in my pocket.
By combining very strong password requirements with passphrase training, organizations can enjoy the benefits of single sign-on without the concern of easily-cracked passwords or users who write down their complex ones.
How Does Password Synchronization Work?
The implementation details of a password synchronization solution vary depending on the central system. Some systems may launch external processes when a user changes their credentials, while others may rely on third-party utilities to capture these events. Active Directory falls into the latter category.
Using Active Directory as an example, a password synchronization solution (such as that offered by Tools4ever) would require an agent to live on each of an organization's domain controllers. When a user's credentials are changed—no matter which domain controller that change happened on—the agent would capture the new credentials. Those credentials are then passed to a processing engine, such as Tools4ever's UMRA software. The processing engine then encrypts the credentials and pushes them into connected systems such as Google GSuite or Salesforce.

redpajama_set_name: RedPajamaCommonCrawl


text:
Enhanced Metastatic Recurrence Via Lymphatic Trafficking of a High-Metastatic Variant of Human Triple-Negative Breast Cancer After Surgical Resection in Orthotopic Nude Mouse Models
Shuya Yano, Kiyoto Takehara, Hiroshi Tazawa, Hiroyuki Kishimoto, Shunsuke Kagawa, Michael Bouvet, Toshiyoshi Fujiwara, Robert M. Hoffman
We previously developed and characterized a highly invasive and metastatic triple-negative breast cancer (TNBC) variant by serial orthotopic implantation of MDA-MB-231 human breast cancer cells in nude mice. Eventually, a highly invasive and metastatic variant of human TNBC was isolated after lymph node metastases was harvested and orthotopically re-implanted into the mammary gland of nude mice for two cycles. The variant thereby isolated is highly invasive in the mammary gland and metastasized to lymph nodes in 10 of 12 mice compared to 2 of 12 of the parental cell line. In the present report, we observed that high-metastatic MDA-MB-231H-RFP cells produced significantly larger subcutaneous tumors compared with parental MDA-MB-231 cells in nude mice. Extensive lymphatic trafficking by high-metastatic MDA-MB-231 cells was also observed. High-metastatic MDA-MB-231 developed larger recurrent tumors 2 weeks after tumor resection compared with tumors that were not resected in orthotopic models. Surgical resection of the MDA-MB-231 high-metastatic variant primary tumor in orthotopic models also resulted in rapid and enhanced lymphatic trafficking of residual cancer cells and extensive lymph node and lung metastasis that did not occur in the non-surgical mice. These results suggest that surgical resection of high metastatic TNBC can greatly increase the malignancy of residual cancer. J. Cell. Biochem. 118: 559–569, 2017.
Journal of Cellular Biochemistry
https://doi.org/10.1002/jcb.25735
Published - Mar 1 2017
HIGH-METASTATIC VARIANT
LYMPHATIC TRAFFICKING
NUDE MICE
ORTHOTOPIC
RED FLUORESCENT PROTEIN
SURGICAL RESECTION
TRIPLE NEGATIVE
10.1002/jcb.25735
Dive into the research topics of 'Enhanced Metastatic Recurrence Via Lymphatic Trafficking of a High-Metastatic Variant of Human Triple-Negative Breast Cancer After Surgical Resection in Orthotopic Nude Mouse Models'. Together they form a unique fingerprint.
Triple Negative Breast Neoplasms Medicine & Life Sciences 100%
Nude Mice Medicine & Life Sciences 78%
Human Mammary Glands Medicine & Life Sciences 30%
Lymph Nodes Medicine & Life Sciences 29%
Residual Neoplasm Medicine & Life Sciences 29%
Neoplasm Metastasis Medicine & Life Sciences 17%
Yano, S., Takehara, K., Tazawa, H., Kishimoto, H., Kagawa, S., Bouvet, M., Fujiwara, T., & Hoffman, R. M. (2017). Enhanced Metastatic Recurrence Via Lymphatic Trafficking of a High-Metastatic Variant of Human Triple-Negative Breast Cancer After Surgical Resection in Orthotopic Nude Mouse Models. Journal of Cellular Biochemistry, 118(3), 559-569. https://doi.org/10.1002/jcb.25735
Enhanced Metastatic Recurrence Via Lymphatic Trafficking of a High-Metastatic Variant of Human Triple-Negative Breast Cancer After Surgical Resection in Orthotopic Nude Mouse Models. / Yano, Shuya; Takehara, Kiyoto; Tazawa, Hiroshi; Kishimoto, Hiroyuki; Kagawa, Shunsuke; Bouvet, Michael; Fujiwara, Toshiyoshi; Hoffman, Robert M.
In: Journal of Cellular Biochemistry, Vol. 118, No. 3, 01.03.2017, p. 559-569.
Yano, S, Takehara, K, Tazawa, H, Kishimoto, H, Kagawa, S, Bouvet, M, Fujiwara, T & Hoffman, RM 2017, 'Enhanced Metastatic Recurrence Via Lymphatic Trafficking of a High-Metastatic Variant of Human Triple-Negative Breast Cancer After Surgical Resection in Orthotopic Nude Mouse Models', Journal of Cellular Biochemistry, vol. 118, no. 3, pp. 559-569. https://doi.org/10.1002/jcb.25735
Yano S, Takehara K, Tazawa H, Kishimoto H, Kagawa S, Bouvet M et al. Enhanced Metastatic Recurrence Via Lymphatic Trafficking of a High-Metastatic Variant of Human Triple-Negative Breast Cancer After Surgical Resection in Orthotopic Nude Mouse Models. Journal of Cellular Biochemistry. 2017 Mar 1;118(3):559-569. https://doi.org/10.1002/jcb.25735
Yano, Shuya ; Takehara, Kiyoto ; Tazawa, Hiroshi ; Kishimoto, Hiroyuki ; Kagawa, Shunsuke ; Bouvet, Michael ; Fujiwara, Toshiyoshi ; Hoffman, Robert M. / Enhanced Metastatic Recurrence Via Lymphatic Trafficking of a High-Metastatic Variant of Human Triple-Negative Breast Cancer After Surgical Resection in Orthotopic Nude Mouse Models. In: Journal of Cellular Biochemistry. 2017 ; Vol. 118, No. 3. pp. 559-569.
@article{2ae891ada15343a2b69a278de52b5750,
title = "Enhanced Metastatic Recurrence Via Lymphatic Trafficking of a High-Metastatic Variant of Human Triple-Negative Breast Cancer After Surgical Resection in Orthotopic Nude Mouse Models",
abstract = "We previously developed and characterized a highly invasive and metastatic triple-negative breast cancer (TNBC) variant by serial orthotopic implantation of MDA-MB-231 human breast cancer cells in nude mice. Eventually, a highly invasive and metastatic variant of human TNBC was isolated after lymph node metastases was harvested and orthotopically re-implanted into the mammary gland of nude mice for two cycles. The variant thereby isolated is highly invasive in the mammary gland and metastasized to lymph nodes in 10 of 12 mice compared to 2 of 12 of the parental cell line. In the present report, we observed that high-metastatic MDA-MB-231H-RFP cells produced significantly larger subcutaneous tumors compared with parental MDA-MB-231 cells in nude mice. Extensive lymphatic trafficking by high-metastatic MDA-MB-231 cells was also observed. High-metastatic MDA-MB-231 developed larger recurrent tumors 2 weeks after tumor resection compared with tumors that were not resected in orthotopic models. Surgical resection of the MDA-MB-231 high-metastatic variant primary tumor in orthotopic models also resulted in rapid and enhanced lymphatic trafficking of residual cancer cells and extensive lymph node and lung metastasis that did not occur in the non-surgical mice. These results suggest that surgical resection of high metastatic TNBC can greatly increase the malignancy of residual cancer. J. Cell. Biochem. 118: 559–569, 2017.",
keywords = "BREAST CANCER, HIGH-METASTATIC VARIANT, IMAGING, LYMPHATIC TRAFFICKING, MDA-MB-231, NUDE MICE, ORTHOTOPIC, RECURRENCE, RED FLUORESCENT PROTEIN, SURGICAL RESECTION, TRIPLE NEGATIVE",
author = "Shuya Yano and Kiyoto Takehara and Hiroshi Tazawa and Hiroyuki Kishimoto and Shunsuke Kagawa and Michael Bouvet and Toshiyoshi Fujiwara and Hoffman, {Robert M.}",
note = "Funding Information: This study was supported in part by the National Cancer Institute grant CA 132971 and CA142669. This study was also supported in part by grants from the Ministry of Health, Labour, and Welfare, Japan (to T. Fujiwara; No. 10103827, No. 13801426, No. 14525167) and grants from the Ministry of Education, Culture, Sports, Science and Technology, Japan (to T. Fujiwara; No. 25293283). Publisher Copyright: {\textcopyright} 2016 Wiley Periodicals, Inc.",
doi = "10.1002/jcb.25735",
journal = "Journal of supramolecular structure and cellular biochemistry",
T1 - Enhanced Metastatic Recurrence Via Lymphatic Trafficking of a High-Metastatic Variant of Human Triple-Negative Breast Cancer After Surgical Resection in Orthotopic Nude Mouse Models
AU - Yano, Shuya
AU - Takehara, Kiyoto
AU - Tazawa, Hiroshi
AU - Kishimoto, Hiroyuki
AU - Kagawa, Shunsuke
AU - Bouvet, Michael
AU - Fujiwara, Toshiyoshi
AU - Hoffman, Robert M.
N1 - Funding Information: This study was supported in part by the National Cancer Institute grant CA 132971 and CA142669. This study was also supported in part by grants from the Ministry of Health, Labour, and Welfare, Japan (to T. Fujiwara; No. 10103827, No. 13801426, No. 14525167) and grants from the Ministry of Education, Culture, Sports, Science and Technology, Japan (to T. Fujiwara; No. 25293283). Publisher Copyright: © 2016 Wiley Periodicals, Inc.
N2 - We previously developed and characterized a highly invasive and metastatic triple-negative breast cancer (TNBC) variant by serial orthotopic implantation of MDA-MB-231 human breast cancer cells in nude mice. Eventually, a highly invasive and metastatic variant of human TNBC was isolated after lymph node metastases was harvested and orthotopically re-implanted into the mammary gland of nude mice for two cycles. The variant thereby isolated is highly invasive in the mammary gland and metastasized to lymph nodes in 10 of 12 mice compared to 2 of 12 of the parental cell line. In the present report, we observed that high-metastatic MDA-MB-231H-RFP cells produced significantly larger subcutaneous tumors compared with parental MDA-MB-231 cells in nude mice. Extensive lymphatic trafficking by high-metastatic MDA-MB-231 cells was also observed. High-metastatic MDA-MB-231 developed larger recurrent tumors 2 weeks after tumor resection compared with tumors that were not resected in orthotopic models. Surgical resection of the MDA-MB-231 high-metastatic variant primary tumor in orthotopic models also resulted in rapid and enhanced lymphatic trafficking of residual cancer cells and extensive lymph node and lung metastasis that did not occur in the non-surgical mice. These results suggest that surgical resection of high metastatic TNBC can greatly increase the malignancy of residual cancer. J. Cell. Biochem. 118: 559–569, 2017.
AB - We previously developed and characterized a highly invasive and metastatic triple-negative breast cancer (TNBC) variant by serial orthotopic implantation of MDA-MB-231 human breast cancer cells in nude mice. Eventually, a highly invasive and metastatic variant of human TNBC was isolated after lymph node metastases was harvested and orthotopically re-implanted into the mammary gland of nude mice for two cycles. The variant thereby isolated is highly invasive in the mammary gland and metastasized to lymph nodes in 10 of 12 mice compared to 2 of 12 of the parental cell line. In the present report, we observed that high-metastatic MDA-MB-231H-RFP cells produced significantly larger subcutaneous tumors compared with parental MDA-MB-231 cells in nude mice. Extensive lymphatic trafficking by high-metastatic MDA-MB-231 cells was also observed. High-metastatic MDA-MB-231 developed larger recurrent tumors 2 weeks after tumor resection compared with tumors that were not resected in orthotopic models. Surgical resection of the MDA-MB-231 high-metastatic variant primary tumor in orthotopic models also resulted in rapid and enhanced lymphatic trafficking of residual cancer cells and extensive lymph node and lung metastasis that did not occur in the non-surgical mice. These results suggest that surgical resection of high metastatic TNBC can greatly increase the malignancy of residual cancer. J. Cell. Biochem. 118: 559–569, 2017.
KW - HIGH-METASTATIC VARIANT
KW - IMAGING
KW - LYMPHATIC TRAFFICKING
KW - MDA-MB-231
KW - NUDE MICE
KW - ORTHOTOPIC
KW - RECURRENCE
KW - RED FLUORESCENT PROTEIN
KW - SURGICAL RESECTION
KW - TRIPLE NEGATIVE
U2 - 10.1002/jcb.25735
DO - 10.1002/jcb.25735
JO - Journal of supramolecular structure and cellular biochemistry
JF - Journal of supramolecular structure and cellular biochemistry


text:
Enrique Jerez Abajo
Enrique Jerez Abajo is an Architect graduated from ETSA Navarra with distinction and Premio Extraordinario de Fin de Carrera (2004). PhD Architect from University of Valladolid (2012). Assistant Professor of Architectural Design at EINA University of Zaragoza (accredited Contratado Doctor, ANECA, 2015). Postgraduate in Restoration of Architecture from ETSA Navarra (2004).
He has worked at Ochotorena Arquitectos, Estudio Cano Lasso and Mangado y Asociados (Spain). His activity includes domestic architecture and interior design, as well as landscape interventions and public projects. His work has been awarded, exhibited and published on several occasions: Spanish Architecture and Urbanism Biennial (2018), Colegio Oficial de Arquitectos Vasco-Navarro Awards (2019, 2013), Arquia/Próxima Awards for young Spanish architects (2012), Castilla y León Architecture Awards (2018, 2011), COACYLE/ Burgos Awards (2019, 2016, 2011), etc.; among the publications, AITIM, Arquitectura Viva, Casas Internacional, Conarquitectura, El País, ON Diseño, TectónicaBlog or ViA arquitectura.
His PhD thesis is titled THE LEGACY FROM THE EPHEMERAL. 1937-2010, Designed and Built Architecture of Spanish Pavilions at International Exhibitions. His line of research is focused on the strategies that take part in the architectural design's process, based on modern and contemporary Spanish architecture, and in particular on exhibition pavilions and ephemeral architecture, as well as on domestic architecture. Author, together with Eduardo Delgado Orusco, of the book Paisaje y Artificio. El Mausoleo para Félix Rodríguez de la Fuente en Burgos. Miguel Fisac, Pablo Serrano. He has been guest editor of ZARCH journal ("The traces of the ephemeral", n.13). Author of articles on books and journals (En Blanco, Future Arquitecturas, Ra, ZARCH…), lectures, talks and papers at national and international congresses.
He has been a lecturer of Architectural Design at ETSA Valladolid and at School of Interior Design at the University of Burgos. Guest lecturer at Universidade da Beira Interior (Covilhà, Portugal), IUAV di Venezia (Italy), College of Design Al Ghurair University (Dubai, UAE), ETSA Navarra (Spain), BTU Cottbus-Senftenberg (Germany) and TU Delft (The Netherlands).
Rebeca Piedra Dueñas
Rebeca Piedra Dueñas (Burgos, Spain, 1992) studied Architecture at ETSA Navarra and ETSA Valladolid, graduating from the latter in 2017 with a distinction average in Design Architecture's subjects.
Since 2012 she has been working in several architecture offices, getting a grant for her academic record in 2016. She has participated in national and international competitions and some of her projects have been displayed and published. Since 2019 she is associated with Enrique Jerez, working on housing, interiors or landscape projects.
Our joint activity is a result of a common vision of vocation and commitment.
Our activity is based on the 3 legs that we consider necessary to get coherence and depth: building, teaching and researching.
We consider architecture as a way of life more than as a simple job.
We consider architecture as a way of looking and interpreting reality around us.
We consider architecture as the joint result of logic and poetic, of reason and intuition.
We consider architecture as the materialization of the time by means of the creation of space and form: matter, time, space and form are some of our tools, and the magic of architecture issues from their suitable syntax.
We believe that architecture must be a humanist activity, at the service of society, on track to improve the environment in which everyday life is carried out and, therefore, aimed at improving people's life.
We believe that architecture must be daughter of her time and at the same time aspire to timelessness, it must position in the present and look to the future without losing the references to the past.
We believe in simplicity, naturalness, austerity, economy of resources, the respect for the environment, accuracy and constructive precision.
Architecture should be able to establish places, to be a place by itself.
Architecture is a constructed idea and, therefore, it is transcended construction.
Architecture should give a proper response to the site, the climate, the culture, the programme, the building technique and the economic resources it has.
Architecture, in this present world, should be global and local at the same time.
We admire popular architecture because it has survived throughout time as a result of logic and common sense, simplicity and adaptation to the environment wherever it is.
We admire natural and noiseless architecture that does not create problems, but solves them.
We admire the architecture that improves with the passing of time.
We admire beauty and what has been made with dedication.
Our philosophy, based on the detailed and accurate development of the project and its work, is possible thanks to a small but committed team. We share a way of doing which main goal is to improve our environment and people's lives. From our beginnings it is necessary to stand out the following ones:
Koldo F. Gaztelu
Álvaro Moral
Blanca Leal
Iván Poncelas
Carlos Pereda
Óscar Pérez
José María Gastaldo
Ignacio Olite
Víctor Manzanedo
Aida Fernández
Arturo González
Jesús Alonso
Pablo Borraz
Javier Bravo
Ángela Delgado
Beatriz G. Yagüe
Alicia Maraña
Elena Mardomingo
Hugo Mónica
Catarina Mota
Antonio Olavarrieta
Agustín de la Torre
Awards for works
SECOND PRIZE XIII Burgos Architecture Awards 2016-2018 (May 2019).
YOGLAR. SCHOOL FOR EARLY MUSIC AND PIANO EDUCATION (Burgos)
PRIZE XIII Burgos Architecture Awards 2016-2018 (May 2019).
PAISAJE Y ARTIFICIO. EL MAUSOLEO PARA FÉLIX RODRÍGUEZ DE LA FUENTE EN BURGOS
SURVEILLANCE PAVILIONS FOR CASTILLA Y LEÓN CULTURAL HERITAGE
FINALIST COAVN Architecture Awards 2019 (April 2019).
FINALIST XIV Spanish Architecture and Urbanism Biennial 2016-2017: "XIV BEAU. Más habitar, más humanizar" (July 2018).
FINALIST X Castilla y León Architecture Awards 2016-2017 (May 2018).
PI HOUSE (Burgos)
SECOND PRIZE XII Burgos Architecture Awards 2013-2015 (April 2016).
2in1 HOUSE (Caleruega, Burgos)
FINALIST COAVN Architecture Awards 2013 (March 2013).
D.E. HOUSE (Añorbe, Navarra)
SHORTLISTED Arquia/Próxima 2010-2011 Awards for Young Spanish Architects (April 2012).
DOMÍNGUEZ HOUSE (Simancas, Valladolid)
SECOND PRIZE VIII Castilla y León Architecture Awards 2008-2010 (May 2011).
FINALIST X Burgos Architecture Awards 2009-2010 (March 2011).
BRICK HOUSE IN PINO DE BUREBA (Burgos)
SECOND PRIZE X Burgos Architecture Awards 2009-2010 (March 2011).
CM28 HOUSE (Burgos)
Awards in competitions
FINALIST Competition for 400 Dwellings, Cultural Center y Shopping Centre in "Salesianos" (Pamplona, April 2014). With Koldo Fdez. Gaztelu and Pereda Pérez Arquitectos (Carlos Pereda Iglesias + Óscar Pérez Silanes). 3rd proposal among 69 entries.
SECOND PRIZE Competition for the restoration of Errementari y Serotegi Houses in Zeráin for a Cultural Centre – Herriko Etxea (Guipúzcoa, November 2011). With Koldo Fdez. Gaztelu. Among 43 entries.
FIRST PRIZE Competition "120 Años Diario de Burgos": design and assembly of the installation LA CIUDAD DE LAS CABEZAS LEYENTES (Burgos, 1 April 2011). With Diana Hernando, Jairo Rodríguez and Beatriz Sendín (Cultural Group LENIAM). Among 119 entries.
FIRST PRIZE Competiton for Plaza de los Fueros in Elizondo (Navarra, August 2009). With Koldo Fdez. Gaztelu and Corina Blanco. Among 44 entries.
SHORTLISTED Competition for the extensión of COACM headquarters in Albacete (July 2007).
With Koldo Fdez. Gaztelu, José Mª Gastaldo and Hugo Mónica.
SHORTLISTED Competition ViA arquitectura PFC.04 for Final Projects (Alicante, December 2005).
SECOND PRIZE Competition for the urban remodelling of the railway strip in Tudela (Navarra, December 2002).
Lectures and talks
JEREZ, Enrique; F. GAZTELU, Koldo: "Construir, habitar, pensar".
LECTURE online at "20 UNDER 40. CONSTRUIR, HABITAR, PENSAR".
Organization: ETSA Universidad de Navarra.
Coordinators: Víctor Larripa, Mario Galiana.
ETSA Universidad de Navarra (online), Pamplona, 19 June 2020.
JEREZ, Enrique: "Paisajes domésticos".
LECTURE at "ENCUENTROS CON… EMERGENTES".
Organization: ETSA Universidad de Sevilla, Subdirección de Cultura y Proyección Social.
Coordinator: F. Javier López Rivera.
ETSA Universidad de Sevilla, Sevilla, 12 March 2020.
JEREZ, Enrique: "Arquitecturas de lo doméstico. Casas para el habitar contemporáneo".
LECTURE at "VII FORO DE ARQUITECTURA CONTEMPORÁNEA ESPAÑOLA". Arquitecturas de lo Doméstico. Casas para el Habitar Contemporáneo.
With Paredes Pedrosa Arquitectos (Madrid), Pereda Pérez Arquitectos (Pamplona) and LABPAP UVa (Valladolid).
Organization: Vicerrectorado de Estudiantes de la Universidad de Valladolid, ETSA de la Universidad de Valladolid, Asociación para la Defensa de los Derechos de los Estudiantes (ADDE).
Coordinator: Eduardo Carazo.
ETSA Universidad de Valladolid, Valladolid, 7 March 2019.
JEREZ, Enrique; F. GAZTELU, Koldo: "Firmitas".
LECTURE at "IMAGINA LA VIVIENDA. Creemos juntos la vivienda del futuro / IRUDIKATU ETXEBIZITZA. Sor dezagun etorkizuneko etxebizitza".
With H Arquitectes (Barcelona) and Antonio Abellán (Murcia).
Organized by Basque Living, Habic and Diputación Foral de Guipúzcoa.
Tabakalera / Centro Internacional de Cultura Contemporánea, San Sebastián, 6 March 2018.
JEREZ, Enrique: "Micro-intervenciones en el paisaje: los pabellones de vigilancia para Bienes de Interés Cultural en Castilla y León".
LECTURE organized by Asociación para el Desarrollo de Tierra de Lara.
Quintanilla de las Viñas, Burgos, 9 December 2017.
JEREZ, Enrique: "Vivienda unifamiliar en Simancas, Valladolid".
LECTURE at "LA VIVIENDA UNIFAMILIAR. ARQUITECTURA RECIENTE EN CASTILLA Y LÉON: [RE]CREANDO EL PATRIMONIO".
With José Manuel Sanz (Madrid) and Juan Francisco Lorenzo (Soria).
Organized by COACYLE on the occasion of its 25 Anniversary.
COACYLE/ Burgos, Burgos, 19 October 2017.
JEREZ, Enrique; F. GAZTELU, Koldo: "Pabellones de vigilancia para BICs".
LECTURE at "PATRIMONIO EN USO. SEMINARIO DE INVESTIGACIÓN EN ARQUITECTURA".
Real Academia de Bellas Artes de la Purísima Concepción, Casa de Cervantes, Valladolid, 4 May 2017.
JEREZ, Enrique: "Tresxdos viviendas".
LECTURE at "V FORO DE ARQUITECTURA CONTEMPORÁNEA ESPAÑOLA". Tresxdos Viviendas.
With Estudio Entresitio (Madrid) and Óscar Miguel Ares (Valladolid).
Organization: Vicerrectorado de Estudiantes y Extensión Universitaria de la Universidad de Valladolid, Asociación para la Defensa de los Derechos de los Estudiantes (ADDE).
ETSA Universidad de Valladolid, Valladolid, 17-18 November 2016.
JEREZ, Enrique: Master Class: "Cultural forts: a new life for Castilian castles".
LECTURE as lecturer at "CULTURAL HERITAGE & MANAGEMENT VENTURE LAB, AHMEDABAD, INDIA".
Organization: Casa de la India, Ayuntamiento de Ahmedabad, Ayuntamiento de Valladolid, Universidad de Ahmedabad, Universidad de Valladolid.
Aula Triste del Palacio de Santa Cruz, Universidad de Valladolid, Valladolid, 16-21 May 2016.
JEREZ, Enrique; F. GAZTELU, Koldo: "2 casas y sus circunstancias".
LECTURE at "CASA JOVEN. SEMINARIO DE INVESTIGACIÓN EN ARQUITECTURA".
JEREZ, Enrique: "Desayuno con diseño".
TALK at "DESAYUNO CON DISEÑO", on the occasion of the World Design Day.
Organized by Grado Propio en Arquitectura de Interiores de la Universidad de Burgos.
Burgos, 26 April 2016.
JEREZ, Enrique; F. GAZTELU, Koldo: "Domesticity at war: arquitectura en tiempos revueltos".
LECTURE at "NÚCLEO DE ARQUITETURA. UNIVERSIDADE DA BEIRA INTERIOR".
Organized by NAUBI – Núcleo de Arquitetura UBI.
Universidade da Beira Interior, Covilhà (Portugal), 13 April 2016.
JEREZ, Enrique; F. GAZTELU, Koldo: "Para montar un museo. El Hombre y los Ingenios".
TALK at "I ENCUENTRO DE MUSEOS ETNOGRÁFICOS Y ESPACIOS EXPOSITIVOS EN LA PROVINCIA DE BURGOS".
Organized by Diputación Provincial de Burgos.
Auditorio Municipal Príncipe Felipe, Villadiego, Burgos, 8 April 2016.
JEREZ, Enrique: "¿Conocemos la arquitectura moderna?"
TALK at "CONMEMORACIÓN DÍA MUNDIAL DE LA ARQUITECTURA 2014".
Organized by Fundación DOCOMOMO Ibérico, Consejo Superior de los Colegios de Arquitectos de España (CSCAE) and Colegio Oficial de Arquitectos de Castilla y León Este (COACYLE).
C.E.S. Salesianos Padre Aramburu, Burgos, 6 October 2014.
JEREZ, Enrique: "Casas 2009-2014".
LECTURE organized by Universidad de Burgos, Fundación Universidad de Burgos and Grado Propio en Arquitectura de Interiores de la Universidad de Burgos.
Escuela Politécnica Superior Universidad de Burgos, Burgos, 10 April 2014.
JEREZ, Enrique: "La arquitectura moderna y contemporánea: ¿nuestra arquitectura?"
Instituto de Educación Secundaria Conde Diego Porcelos, Burgos, 18 October 2013.
JEREZ, Enrique: "Continente y contenido. Los pabellones de España como espacios expositivos".
LECTURE as GUEST LECTURER at ESCUELA UNIVERSITARIA DE DISEÑO E INNOVACIÓN (ESNE), UNIVERSIDAD CAMILO JOSÉ CELA. Carrera Oficial de Grado en Diseño de Interiores.
ESNE Universidad Camilo José Cela, Madrid, 22 May 2013.
JEREZ, Enrique: "Una breve introducción a la arquitectura moderna. El Colegio de la Sagrada Familia en Burgos".
Colegio de la Sagrada Familia, Burgos, 1 October 2012.
Sombrerería 27, 2º B
09003, Burgos
María de Luna 3
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text:
Manufacturing Test Engineer, PCBA
at Planet (View all jobs)
Welcome to Planet. We believe in using space to help life on Earth.
Planet designs, builds, and operates the largest constellation of imaging satellites in history. This constellation delivers an unprecedented dataset of empirical information via a revolutionary cloud-based platform to authoritative figures in commercial, environmental, and humanitarian sectors. We are both a space company and data company all rolled into one.
Customers and users across the globe use Planet's data to develop new technologies, drive revenue, power research, and solve our world's toughest obstacles.
As we control every component of hardware design, manufacturing, data processing, and software engineering, our office is a truly inspiring mix of experts from a variety of domains.
We have a people-centric approach toward culture and community and we strive to iterate in a way that puts our team members first and prepares our company for growth. Join Planet and be a part of our mission to change the way people see the world.
Planet is a global company with employees working remotely world wide and joining us from offices in San Francisco, Washington DC, Germany, and The Netherlands.
The Manufacturing Test Engineering Team is responsible for creating and maintaining the tests and infrastructure for our satellite manufacturing operations. Test Engineers on our team tackle projects large and small to design and build software and hardware to automate functional & integration testing, instrument calibration, and qualification testing for both production and design validation. As a member of the Manufacturing Test Engineering team, you will collaborate with design engineers to develop board-level test plans, and be responsible for designing and developing the test fixtures, test hardware and test software for individual boards as well as subsystems. This will involve working with a broad variety of disciplines, including our top-notch design, qualification, and manufacturing teams.
Impact You'll Own:
Develop test plans in collaboration with design engineers
Develop custom board test fixtures and interface electronics and cabling
Develop bringup and boundary scan tests to enable rapid initial test coverage
Develop full functional tests for manufacturing, including under thermal cycling conditions
Continuous improvement of test software and hardware to ensure high reliability of test systems
Troubleshoot defective boards in collaboration with R&D, Validation, and Manufacturing
What You Bring:
4+ years of PCBA test development experience
Strong technical writing skills for authoring Test Plans and creating system diagrams
Experience troubleshooting hardware issues and identifying root causes
Expertise with measurement hardware like data acquisition systems
Expertise with lab equipment including high speed oscilloscopes, logic analyzers, multimeters
Demonstrated ability to design PCBAs from schematic capture to layout
Programming experience, with willingness to code in Python
Strong Linux fundamentals
Experience with DVCS such as git or mercurial
What Makes You Stand Out:
Knowledge of industry techniques for PCBA test
Comfortable with Altium tools for PCB design
Working knowledge of Boundary Scan
Experience developing boundary scan tests
Experience designing test fixtures
Strong Python programming skills
Comfortable scripting or using tools to analyze large datasets
Demonstrated experience developing bed of nails test fixtures
Contributions to open source projects
Experience with previous aerospace projects or cubesats
Experience in the mobile, networking, medical, robotics, IoT, or similar embedded device industries
Experience with some of our key technical areas, such as cameras or other image sensors, high-speed radio communication, high data rate storage systems
Benefits While Working at Planet:
Comprehensive Health Plan
Wellness program and onsite massages in specific offices
Flexible Time Off
Recognition Programs
Learning and Tuition Reimbursement
Offsites and Happy Hours
Volunteering Benefits
The US base salary range for this full-time position at the commencement of employment is $97,600 - 160,500. Additionally, this role might be eligible for discretionary short-term and long-term incentives (bonus and equity). The final salary range is determined by job related experience, skills and location. The range displays our typical hiring range for new hire salaries in US locations only. Your recruiter can share more about the specific salary range for your preferred location during the hiring process.
#LI-AZ1
Why we care so much about Belonging.
We're dedicated to helping the whole Planet, and to do that we must strive to represent all of it within each of our offices and on all of our teams. That's why Planet is guided by an ultimate north star of Belonging, dreaming big as we approach our ongoing work with diversity, equity and inclusion. If this job intrigues you, but you're thinking you might not have all the qualifications, please... do apply! At Planet, we are looking for well-rounded people from around the world who can contribute to more ways than just what is listed in this job description. We don't just fill positions, we aspire to fulfill people's careers, most excited about folks who are motivated by our underlying humanitarian efforts. We are a few orbits around the sun before we get to where we want to be, so we hope you're excited to come along for the ride.
EEO statement:
Planet is committed to building a community where everyone belongs and we invite people from all backgrounds to apply. Planet is an equal opportunity employer, and committed to providing employment opportunities regardless of race, religious creed, color, national origin, ancestry, physical disability, mental disability, medical condition, genetic information, marital status, sex, gender, gender identity, gender expression, pregnancy, childbirth and breastfeeding, age, sexual orientation, military or veteran status, or any other protected classification, in accordance with applicable federal, state, and local laws.
Planet is an inclusive community and we know that everyone has their own needs. If you have a disability or special need that requires accommodation during the interview process, please call Planet's front office at 669-214-9404 or contact your recruiter with your request. Your message will be confidential and we will be happy to assist you.
Privacy Policy: By clicking "Apply Now" at the top of this job posting, I acknowledge that I have read the Planet Data Privacy Notice for California Staff Members and Applicants, and hereby consent to the collection, processing, use, and storage of my personal information as described therein.
Privacy Policy (European Applicants): By clicking "Apply Now" at the top of this job posting, I acknowledge that I have read the Candidate Privacy Notice GDPR Planet Labs Europe, and hereby consent to the collection, processing, use, and storage of my personal information as described therein.
Location (City) *
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Why Planet?
As the position you are applying for requires access to export controlled technology, we must ask the following questions for the sole purpose of ensuring compliance with U.S. rules concerning the export of controlled or protected technologies or information, including but not limited to U.S. State Department regulations at 22 C.F.R. Part 120 et seq., the U.S. Department of Commerce's Export Administration Regulations found in 15 C.F.R. Part 730 et seq., and the Office of Foreign Assets Control, Department of the Treasury Regulations at 31 C.F.R. Part 500 et seq., as may be amended (collectively, "Export Control Laws"). If required, Planet will apply for and obtain necessary export authorizations to permit the employment of the most qualified candidate for this position. If you do not wish to be considered for positions whose activities are subject to the Export Control Laws, then you may skip the following questions, but you will not be eligible for this position. If you do wish to be considered for this position whose activities are subject to the Export Control Laws, then you must answer these questions: *
I am one of the following: (a) a citizen of the United States; (b) a U.S. national (*); (c) a lawful permanent resident of the United States (green card holder); or (d) a person admitted into the United States as an asylee or refugee:
(*) a U.S. national includes someone born in American Samoa or Swains Island, and a person born in the CNMI who has elected to be a U.S. national
If No to the above, please indicate your U.S. Immigration Status: *
Please answer 'N/A' if you responded yes to the above.
As set forth in Planet's Equal Employment Opportunity policy, we do not discriminate on the basis of any protected group status under any applicable law.
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If you are addicted to Chinese Martial Arts novels, you will probably know this big name: Jin Yong; if you know much about him, you will know that one of his greatest works is Demi-Gods and Semi-Devils. Being acquainted with that, then you will be sure to know Dali, for one of the main characters Duan Yu, the prince of Dali kingdom lived there. Many visitors come to Dali for nothing other than to relive the journey and the legends that appear in that novel. Once it was the most significant gateway for cultural exchanges and international trade with southeastern Asia. This ancient town has long remained standing in a silent reminder of its past prosperity.


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Cleaner atmosphere – Residing in the suburbs imply that you live with much less air pollution and less smog. There are much less individuals, much less industrial structures, much less congestion to deal with. The air is fresher, there's more space to move about. Surroundings are more stunning and individuals are less stressed out because of the idyllic atmosphere.
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CIMGlobal successfully managed 2017 NGBT NextGen Genomics, Biology, Bioinformatics and Technologies (NGBT) Conference held from Oct 2nd – 4th 2017 at Mayfair Convention & Resorts, Bhubaneswar, Odisha, India. This conference was organized by SciGenom Research Foundation (SGRF), a not-for-profit organization working to promote Science, Research & Education in India and rest of Asia.
The NGBT conference was jointly hosted with the Centre for the Commercialization of Antibodies and Biologics (CCAB), Toronto, Canada, Toronto Recombinant Antibody Centre (TRAC), Toronto, Canada, Institute of Bioinformatics (IOB), Bengaluru, India, Kalinga Institute of Industrial Technology (KIIT University), Bhubaneswar, India and National Institute of Science Education and Research (NISER) Bhubaneswar, India. This is the seventh international conference hosted by SGRF Conferences, the educational outreach arm of SciGenom Research Foundation (SGRF), along with national and international institutes. The previous editions were held in Cochin 2016 and Hyderabad 2015, and both were managed by CIMGlobal, providing end to end solutions.
This conference witnessed approx. 1000 delegates, 10+ keynote lectures, 300+ poster and 80+ oral presentation. The conference showcased excellent research and development in this field of science. Keeping its tradition, this year too, the conference presented a beautiful blend of art with science, by displaying painting and photography by various talented artists. Also, NGBT received tremendous support from its industry partners as well.
The cultural evening captivated the entire audience with enthralling dances odissi and mangalcharan (9 avatars of Durga), followed by breathtaking Gotipua (a beautiful mix of odissi with martial arts, wherein men dressed as women performs to impress Lord Shiva) and a very refreshing & fun filled sambhalpuri dance.
Each year this conference is growing with regards to participation, quality of paper and support. NGBT also supported many students by extending full and partial scholarship, thus establishing itself as a strong academic conference focusing purely on sharing knowledge.


Son of Alexis Mossa, artist and French and "Nissard" writer, he studied at the National School of Decorative Arts of Nice (1897-1898). Together with his father, he painted a large number of landscapes of Nice, at the same time he began to write fanciful comedies. From 1904 and for about fifteen years, he has been a brilliant representative of symbolism : pictorial realizations, essentially watercolours, which translated a personal crisis through a striking reinterpretation of ancient myths or of biblical episodes. The same aesthetics to serve the same theme (femme fatale, war of the sexes, " dismal Eros ", artists victims of a materialist and unsympathetic society), the same figures (Salomé, Pierrot...) expressed itself in numerous literary essays, essentially dramatic essays, all remained unpublished. He began his period of creative activity in Nice and pursued it in the Paris region with Charlotte-Andrée Naudin, whom he married in 1908. He intended to adapt for the theater simultaneously famous texts (Gulliver, the Divine comedy, etc.) and painters' lives (Lucas de Leyde, in 1903, Goya, Watteau, Botticelli, in 1914, etc.). Having discovered in Brugge in 1911 Gothic art and the sacred paintings of the Flemish Masters, he evolved towards the art of the former "painters of popular pictures". His meeting with the poet René d' Helbingue ( 1882-1969 ), who will be a faithful friend, the cruel experience of war (he was injured in Ypres in November, 1914), the progressive disappearance of his neurosis, the breaking off with his first wife and his remarriage ( 1918 ) were so many steps on the way to his spectacular transformation. He has drawn models of carnival floats since 1902 and will continue till his death. On the literary ground, he returned to the fanciful inspiration of his youth,he was interested in Rabelais, in La Fontaine, in Boccace, he returned to optimism and rediscovered the popular and regional culture which ended in the writing, in association with his friend Barthélemy Marengo, of a pastoral in "nissart" language, Lou Nouvé o sia lou pantai de Barb' Anto ( 1922 ). This play gave the signal of the renewal of the dialectal theater. The success encouraged him to adapt for the theater Nemaïda de Rancher ( 1923 ), then to create and manage Lou Teatre de Barba Martin. Until 1940, the company will play his dialectal comedies (Phygaço, in 1924, La Tina, in 1926, L'Anticari, in 1933, Lou Rei Carneval, in 1935) which were characterized by their humor, their dramaturgic qualities and the richness of their traditional themes. Barba Martin also created plays written by F. Gag (Lou Sartre Matafiéu, in 1932), by G. Boréa (L'Esprit foulatoun, 1933, etc.), by G. Delrieu (Fai calà, in 1934, Li Fachenda de Picalé, in 1936, etc.) including shows of traditional or modern songs (L. Genari and G. Delrieu). Mossa, who became curator of the Museum of Fine art of Nice in 1927, led from 1913 till 1940 a career of illustrator of books and luxury reviews of international reputation. From the Second World war till his death, he dedicated himself especially to his " painter of popular pictures "' works on the City of Nice, illustrating official documents, drawing armorial bearings and traditional suits of the County, but never interrupted his plentiful production of figurative watercolours dedicated to the landscapes of the region. In the pictorial domain, Mossa brought to the finishing symbolism an exceptional contribution; on the dramatic ground, he was one of the striking personalities of the theater of Oc in the interwar period.
Gasiglia Rémy : Le Théâtre nissart aux XIXe et XXe siècles. Etude historique, dramaturgique et thématique d'un phénomène culturel de langue d'oc, thèse d'Etat, Université de Nice, 1994, 5 tomes, passim.


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Appliances & Technology
Home » Architecture
STGM Architects Head Office
by Aline Chahine
| Updated on January 4, 2023
Aline Chahine
Aline is an international licensed architect currently practicing in Canada, she is the reason you are reading this right now, Aline founded the platform back in 2008 shaping the very foundation of Architecture Lab, her exemplary content curation process that defines the online magazine today.
Expertises: Architecture, Interior design, Technology, Home improvement, Cleaning
© Stéphane Groleau
STGM's head office is located in the Beauport borough of Quebec City, adjacent to the Estimauville eco-neighbourhood. It is a 1,000 square metre two-storied structure that puts the focus on eco-friendly, architectural innovation. The building succeeds in offering an exceptional level of comfort to its occupants through the mindful integration of a longitudinal form, orientation to the sun, light wood structure, meticulously selected materials and efficient systems, while producing a low ecological footprint.
High performance concrete siding combined with Eastern Cedar creates an impression that is both simple and dynamic, with attention given to the relationship between solids and voids that lend the building an air of elegance that belies both time and fashion. From the first sketches, the designers sought to attain a high level of sustainability – a principle already at the heart of the firm's priorities, using creativity to implement the strategies necessary to reach LEED-NC Platinum level. With this objective in mind, comfort, simplicity and coherence were selected as founding principles.
STGM's new offices comprise two vast open-area workshops, closed offices, conference rooms, and indoor and outdoor meeting and rest areas. The longitudinal form, developed north-south, is sober and contemporary. The building integrates innovation and a host of eco-friendly features in view of attaining the highest level of sustainable building certification.
A number of features were included to reduce the consumption of drinking water. Through efficient water management, the building decreases the energy requirements of wastewater treatment plants. The strategies employed aimed to reduce the consumption of drinking water through the use of such water-saving accessories as low-flow faucets and shower heads, and rainwater to flush the toilets.
An ambitious reduction in energy consumption of over 60% compared with the reference building was sought through an innovative aerothermal design and recuperation of the building's internal heat to curb demand on the distribution networks. A solar wall was also erected on the south-west façade of the building to preheat fresh air. Several control strategies also mitigated at-source needs by adapting lighting, heating and cooling use to actual occupation and needs.
The project designers also focused on the use and management of materials and resources. Tthe building's ecological signature, for example, is apparent indoors with the use of wood salvaged from old houses in the area. Furniture from the company's old offices was salvaged and integrated into the new project, without volatile organic compounds (VOCs) and regional provenance (local sourcing) were prioritized throughout the process.
As early as the first sketches, the characteristics of the site itself dictated a minimalist approach to the structural concept. The limited bearing capacity of the ground required minimal structural weight, and so the lightweight ductile wood frame, with a low ecological footprint, proved to be the best solution. With a small percentage of engineered wood and a large portion of lumber, the structure consists of prefabricated small-sized trusses and joists enabling a lighter structure while allowing for wide spans (14 metres) between the posts to create an open work area. The wood roof trusses were integrated as a design element, exposed on the first storey, giving the building its distinctive look.
Positive impacts for users
The building's location has its benefits for users. The dense sector is located on the outskirts of the downtown core, near a busy highway, with public transportation and a variety of services. Two parking lots are reserved for carpoolers and a charging station for electric cars is at the disposal of employees. The south facing terrace serves as a much appreciated rest area with landscaping featuring maintenance free and eatable plantings. Most of the plants are hardy and eatable, such as raspberry, lilies and serviceberry, don't require irrigation and enable occupants as well as clients to use the outdoor areas of their environment.
The building offers a stimulating work environment. Natural lighting and outdoor views are elements that are particularly appreciated. Most areas have natural lighting due to abundant windows on the four sides of the building, situated to optimize the different lighting opportunities during the day. Five light wells add midday lighting that is both appealing and varied depending on the time of day. LED fixtures, equipped with light detectors in the two large work areas, complete the indoor lighting needs.
Key objectives, in keeping with the premises of comfort and simplicity, were to provide fresh air and to control the immediate environment. A series of windows vents are strategically positioned around the building envelope. In addition, the mechanical systems are designed to efficiently cool and heat the different zones of the building at the same time.
Location: Québec, Canada
Architects: STGM Architects
Photographs: Stéphane Groleau
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Agiografia e culto
Procolo viene ricordato da Victricio di Rouen e Paolino da Nola, che lo associa ai martiri Vitale e Agricola.

Il culto del santo nella città di Bologna ha origine antiche. Intorno a un Procolo martire a Bologna la tradizione ha creato due vite leggendarie, che differiscono per alcuni particolari importanti: nella prima, Procolo sarebbe stato un soldato e un instancabile diffusore del Cristianesimo presso ariani e pagani nella città di Bologna; entrato in contrasto col prefetto Marino, decise di ucciderlo e venne condannato a morte per decapitazione; col capo reciso tra le mani, si recò nel posto dove fu poi eretta una chiesa in suo onore. Secondo un'altra Passio, Procolo sarebbe giunto a Roma dalla Siria; rifugiatosi a Terni, ne divenne vescovo e, perseguitato da Totila, arrivò a Bologna dove subì il martirio per decapitazione.
Entrambe le agiografie presero forma dopo l'XI secolo e testimoniano la volontà dei benedettini bolognesi del monastero di San Procolo di proporre al culto, da un lato, un campione della libertà comunale e dall'altro un vescovo martire da contrapporre al nuovo santo patrono bolognese, il vescovo civico Petronio.
In particolare la prima leggenda ricalca una vicenda storica documentata che ricorda la sommossa popolare della città contro il vicario imperiale del Barbarossa del 1164 che si concluse con la sua uccisione.

Nel 1389, nella ricognizione dell'arca dove riposavano le spoglie del Santo, furono rinvenuti due corpi, dando così sostanza alle due differenti leggende, quella del Procolo soldato e quella del Procolo vescovo.

Sia il Martirologio Geronimiano sia il Martirologio Romano fissano la festa di san Procolo al 1º giugno: "A Bologna, san Procolo, martire, che per la verità cristiana fu trafitto con dei chiodi da trave".

Bibliografia
 C. Degli Esposti, San Procolo. Il santo; la chiesa; la parrocchia, Bologna 1983
 San Procolo e il suo culto. Una questione di agiografia medievale bolognese. Atti della Giornata di studio (11 giugno 1983), Bologna 1989.

Altri progetti

Collegamenti esterni

Martiri cristiani
Santi per nome
Santi cefalofori


Warning! RISK OF EXPLOSION!!! THE USE OF A FRESH AIR MASK IS RECOMMENDED.
Insert the heavy duty hose 1.3 meters into the fuel filler pipe, measured from the edge of the opening of the filler pipe.
Pump until air comes out.


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Writing forces you to think. It's nature's way of telling you how sloppy your thinking is.
When you sit down to write, your mind will rebel. Expect this to happen. That way, it won't bother you when it does. Keep going. Fight through the resistance. Once you get in the groove, don't try to sound smart or impressive. Pursue truth and let that speak for itself.
Aim to produce a deliverable or finish once you've hit a definite milestone. If you stop at a logical stopping point, you'll have something to think about between work sessions. Other people can give you feedback while you're not working since it's easier to edit a draft or a paragraph than a jumbled work-in-progress.
Focus on the process, not the outcome. It's impossible to play the long game when you're checking the score every five minutes. If you want to sustain your writing practice over a long time, don't write for more than three hours per day. It's best to stop when you still have some juice and know what you're going to write next. That way, you'll be excited to write again the next day.
Make writing a daily habit. A day where you don't write anything is the enemy of productivity. Days when you don't write anything are the enemy of productivity. The most important thing: write something every day — no matter what.
Writing regularly will change you. When you become a regular writer, you change how you live. Writing forces you to pay attention. More of the world will pop alive. It motivates you to become more curious about the world. It takes you to a higher level of perception and a deeper level of analysis.
Writing has infinite leverage. It creates luck and serendipity, which makes it the most efficient way to network. Conferences and networking events are good for the short term, but writing is the best long-term strategy. Write at a regular cadence and don't give up. When you have free time, have a bias towards writing.
For knowledge to become wisdom, it must be carefully, tenderly analyzed from many angles, through many means. Many people don't write because they'd rather consume more information. Consumption is fun, but it can get out of hand.
The problem with consumption is that it feels so good. It gives you a thin, superficial perspective on the world. Even if you get an accurate picture, it'll only be two-dimensions. But if you don't write about an idea, you'll never have a three-dimensional perspective on it. This is why you should expect 80% of the ideas in the essay to happen after you start writing it and 50% of the ideas you start with to be wrong.
If you're not careful, consuming all day can become another form of procrastination. This is a dangerous trap. When you consume all the time without producing anything, it's easy to fool yourself into thinking you're more productive than you really are.
Growth is maximized when production and consumption are well balanced. Summarize what you've learned and use that knowledge to solidify your own ideas.
Streamline your message. Focus it. Pare is down to its simplest, clearest, and easiest-to-understand form. Make it fun.
Make it so compelling that a person would have to be crazy not to read it.
Before you begin, piece together ideas, facts, and stories into a single document. Don't bother organizing it. Put information in there whenever you read, hear, or experience something that's relevant to the general idea of the essay. Doing this is trivial because your smartphone is always with you.
Keep adding ideas to your mega-brainstorm until it becomes painful not to write the essay. Goodbye writer's block!
Organize ideas from the mega-brainstorm and build the archipelago of ideas. Think of the ideas in the mega-brainstorm as islands in the ocean. The archipelago of ideas is about building bridges between all the ideas. These bridges give the piece unity and cohesion.
Here's the template I use.
Make the outline as simple as possible. That way, you can focus more on ideas and less on the structure. The outline is the most challenging part of writing an essay, and it's not optional. The first draft is always terrible, but good writing has to start somewhere.
The outline of an essay is like the skeleton of a body. It provides its fundamental form and structure. If it helps, write a stock intro and a stock conclusion to stay focused.
Stock Intro: what is the purpose of this essay? How is it going to proceed?
Stock Conclusion: How did this essay proceed? What was its purpose?
Keep the post in outline form for as long as possible. Outlines force simplicity. They make it easier to see the ideas and move them around. The vast majority of people should write with shorter sentences; outlines trivialize this pursuit.
The outline should be longer than the final version. Organize your outline with subdivisions, sections, and paragraphs. Each paragraph is a stepping stone to your final destination and every one should focus on a single idea. Write ten to fifteen sentences per outline heading to complete your paragraphs.
While creating the outline, keep moving, keep writing, and don't get bogged down by the details.
The mega-brainstorm, archipelago of ideas, and the outline are elements of production. The purpose of production is to produce. The editing phase comes later. The function of editing is to reduce and rearrange. Produce, then edit. Don't combine them. Never let production and editing interfere with each other.
Great writers are great editors. Most great writing starts out as bad writing. Rewriting is the only kind of writing that counts.
The secret to editing your work is simple: you need to become its reader instead of its writer. If you're struggling to do this, step away from the piece for a few days. Edit as if you have no sunk costs. Reject bad ideas, so good ones are all you have left. Delete the parts that readers will skip. Eliminate the extra detail, and concentrate on communicating what's important.
Aim to pass the "Thanksgiving Test." Ask yourself: Could you talk about this at the Thanksgiving table and your family would get what you're talking about? Keep in mind that you want to write in the same voice you'd use if you and I were in a bar having a chat.
If you aren't rewriting, you aren't developing as a writer. The most important part of learning and remembering is the re-creation of what you have written in your own words.
Read each sentence aloud, and listen to how it sounds. Put brackets around unnecessary words. Read the sentence without the bracketed material and see if it works. Write another version of each sentence, under the previous sentence. Each sentence should flow logically from the one before it and refer to the topic sentence of the paragraph.
Original Sentence: Liberal and conservative thinkers stress efficiency of production, as well as quality, and consider profit the motive for efficiency.
Edited Sentence: Liberal and conservative thinkers alike stress the importance of quality and efficiency, and see them as properly rewarded by profit.
Try not to use transitions. If you do, don't use the same transition too many times.
Seek flow and precision. Shorter is better. Don't try to impress people with vocabulary; it will backfire. Eliminate words that aren't used in normal conversation.
Once you've rewritten the sentences, re-order the paragraphs so they are ordered appropriately.
Re-read the essay out loud. This works because the cadence of breathing and speaking tends to mimic the frequency of the brain's ability to process words and sentences.
Put brackets around unnecessary words. Read the sentence without the bracketed material and see if it works.
Write a new, 10–15 sentence outline. Don't look back at your essay while you are doing this. The works because you'll force yourself to reconstruct your argument from memory. This will distill the piece to its essence. By doing so, you will likely improve it. Most of the time, when you summarize something, you end up simplifying it, while retaining most of what is important. By summarizing your ideas, your memory becomes a filter. It helps you remove what is useless and preserve what is vital.
Once the new outline is complete, cut and paste material from the previous essay. Many things from the first draft won't be necessary. Keep only what is necessary. Delete everything else.
Repeat this last step as necessary.
Note: An essay is not finished until you cannot edit so that your essay improves. You can tell if this has happened when you try to rewrite a sentence (or a paragraph) and you are not sure that the new version is an improvement over the original. Delete banned words and phrases whenever possible.
To take an essay to the next level, repeat the process of sentence re-writing and re-ordering, as well as paragraph re-ordering and re-outlining. Wait a few days to do this so you can look at the piece with fresh eyes. That way, you can see what you have written, instead of seeing what you think you wrote.
Effort isn't something readers want. Substance is. The shorter the article, the less bullsh*t.
Treat every word like it costs you something. Good communication is the ability to say the most stuff in the fewest words. The ability to simplify means to eliminate the unnecessary so that the necessary may speak.
Humans love characters. It's why we love cartoons, novels, and movies. Humans have an incredible ability to empathize with characters and put themselves in their shoes.
Invent characters that are fun to follow and easy to remember. Characters are more memorable than abstract generalizations about a demographic.
Most people read on their smartphones. They're busy and on-the-go. Don't write 8–10 sentence paragraphs unless you're making an important point.
Long paragraphs should be the exception, not the norm. Keep your paragraphs to five sentences, or less. Short paragraphs will make your article less intimidating and easier to read. Now, when you write a long paragraph, it'll stand out and be seen as more important. Use long paragraphs sparingly. Save the length for when you need it.
Aim to produce something of worth, beauty, and elegance. Steal stylistically from other writers, as all great readers do.
Write as smooth and naturally as you can and use the same voice you'd use if you and I were in a bar having a chat. Write for a reader who won't read the essay as carefully as you do. If it helps, lead with something counterintuitive or provocative. Use footnotes to contain digressions. Vary sentence length.² Occasionally, the reader needs a breather.
Note: The paragraphs (Rules and Writing Hacks) below are courtesy of Nat Eliason.
Avoid Adverbs: This one is simple: delete your adverbs. If you're not sure what an adverb is, the easiest way to identify them is that they frequently end in "-ly." This is, again, more about pruning than outright abstinence: you can still use adverbs, but save them for when they mean something.
Avoid Repetition: If you use a less common word too often, your writing starts to sound odd. When writing, and especially when editing, make sure you aren't using the same word too frequently. Don't repeat an uncommon word in the same sentence, ideally not in the same paragraph, and possibly not for the rest of the section.
Vary Sentence Length: Most of us speak in longer or shorter sentences, and that will tend to come through in our writing. But if you monitor the length of your sentences, and force yourself to make some of them shorter or longer (depending on which you default to), you'll make your writing sound more interesting. I like long sentences. But a short one every now and then helps make my paragraphs more readable.
Use TK: As you're writing, put "TK" anywhere you aren't sure of a detail, or where you need to add more context later. One of the main reasons I stop writing or fall out of flow is getting stuck on some detail giving me trouble, and by dropping in a TK to come back to it later, I can maintain the flow. Why TK? Think of it as "To Come." That letter combination doesn't appear in any English word, so when you CMD+F for it after you're done writing, you'll only find the instances where you used it as a place marker.
When in Doubt, Delete It: The easiest way to deal with almost anything giving you trouble is to delete it. If a sentence is bugging you, delete it. Awkward paragraph, delete it. Confusing section, delete it. You'll find you never needed it in the first place.
Context Switch: If you can, try editing in a few different contexts, the more varied, the better. Do one round of edits standing at the desk you work from, then do another at a bar after a glass of wine or two. Looking at a piece in different places in different mental states will help you see it differently and develop a more varied voice throughout the piece. You may find, too, that when you look at it in a different context, you think of other material to include you hadn't thought of before.
Writing is a fruitful habit. Expressing ideas will help you form new ones and by sharing them with others, your thinking will gain precision.
Make this process your own and improve it whenever possible.
Read to inspire you to write more, and write to inspire you to read more. Through this delicate balance of production and consumption, I encourage you to cultivate your own writing habit.
Read more about David Perell and his work at perell.com.


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96:2 created man from a clinging mass.
96:5 taught man what he did not know.
96:7 when he considers himself without need.
96:8 Indeed to your Lord is the return.
96:14 —does he not know that Allah sees?
96:16 a lying, sinful forelock!
96:17 Then let him call out his gang!
96:18 We [too] shall call the keepers of hell.
96:19 No indeed! Do not obey him, but prostrate and draw near [to Allah]!


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[Newsletter Vol.8] Audrey Azoulay, Director-General of UNESCO, to Attend the Jeju Forum
Audrey Azoulay, Director-General of UNESCO, to Attend the Jeju Forum
First Visit by Head of UNESCO to Jeju Island
Audrey Azoulay, Director-General of UNESCO, will visit Jeju Island to attend the 13th Jeju
Forum for Peace and Prosperity, becoming the first incumbent head of UNESCO to do so.
Her visit is expected to provide the momentum to further develop cooperative ties between
UNESCO and the Jeju Island, which was designated as Biosphere in 2002, World Natural
Heritage in 2007 and Global Geopark in 2011, and whose folk ritual, Chilmeoridang
Yeongdeunggut, and traditional hanyeo (women divers) culture were inscribed as Intangible
Cultural Heritages.
Director-General Azoulay will speak in the special dialogue session with the theme of
"UNESCO's Unique Mandate for Peace and Development: Multilateral Cooperation through
Education, Culture and the Sciences" at 10:50-11:40 a.m. on June 28 with the Governor of
Jeju Special Self-Governing Province, Won Hee-ryong, who is also chairman of the Jeju
Forum Organizing Committee. She will discuss how to build peace on the Korean peninsula,
as well as sharing her views on the future value of Jeju Island and the role of UNESCO. The
dialogue will be moderated by Bak Sangmee, dean of the Graduate School of International
and Area Studies at Hankuk University of Foreign Studies. Prior to the dialogue session, the
Director-General will hold a press conference at 10 a.m.
Upon the inter-Korean summit meeting on Apr. 27, the Director-General has said in her
tweet, "I welcome the historic statement issued today by the Korean leaders. My hope is that
it paves a way to lasting peace on the Korean Peninsula. UNESCO stands ready to contribute
through active cooperation in all its fields of competencies."
Given the main theme of the Jeju Forum, "Reengineering Peace for Asia," and the eased
tension following the inter-Korean summit meeting this year, it is noteworthy how the
Director-General will address the peace issue, and the roles of UNESCO and Jeju Island in
that context.
The Jeju Special Self-Governing Province is planning to propose in 2019 to establish the
"Global Research and Training Center for Internationally Designated Areas" under the
auspices of UNESCO. The province will submit the application for the UNESCO center next
January.
At the moment of its foundation after World War II, UNESCO was entrusted with a unique
mission inscribed in its Constitution: "it is in the minds of men and women that the defences
of peace must be constructed." UNESCO has been carrying out this mission for over 70 years
now, through education, culture, and the sciences, reaching out to local populations in every
region of the world. The challenges faced by humanity at the beginning of this 21st century
are no longer the same as those in 1945. But the need for multilateral cooperation is just as
urgent. It is crucial to maintain and reinforce this cooperation, and to find original and
innovative means to guarantee peace and sustainable development. There is no other
alternative.
UNESCO was established in 1945 as a United Nations organization to contribute to peace
and progress of humanity. In 1942-1944 during World War II, the education ministers of the
allied countries held meetings in London and agreed to set up an international organization
to reconstruct the educational system and build world peace. The representatives of 37
countries adopted the UNESCO Charter in London on Nov. 16, 1945. As of December 2017,
UNESCO is composed of 195 member states and 11 associate member countries. UNESCO's
mission is to contribute to world peace and sustainable development by promoting
international cooperation.