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It's 1976 and the LAPD has asked you to help Officer Habersham build evidence for a case against notorious crime boss Jerry Ash. There's only one hour until he boards a plane to South America where he'll be out of reach to American law enforcement. You are headed into the back area of Ash's Los Angeles nightclub, The Starlight Lounge. Can you find the missing evidence and piece together the story before it's too late. Well something has gone horribly wrong. You have woken up in a bizarre room with a group of strangers. None of you have any idea what is happening or how you became trapped in the strange room, but the door is locked, a timer is counting down from one hour and signs tell you to "continue the test." Escape the terrible experiment of the evil X Corporation before it is too late!!


text:
package presenter;

import com.arellomobile.mvp.MvpPresenter;
import com.arellomobile.mvp.MvpView;
import com.arellomobile.mvp.view.CounterTestView;
import com.arellomobile.mvp.view.TestView;
import com.arellomobile.mvp.view.TestViewChild;

import view.PositiveParamsView;

/**
 * Date: 04.03.2016
 * Time: 11:27
 *
 * @author Savin Mikhail
 */
public class WithViewGenericPresenter2<T extends TestView, S extends CounterTestView> extends MvpPresenter<T> {
}

redpajama_set_name: RedPajamaGithub


Bachelor of Social Work Rural Generalist Social Worker.
Darren has been a senior clinician, team leader and researcher at the Gold Coast Persistent Pain Centre since 2011. He is a Australian Physiotherapy Association titled Pain Physiotherapist. Along with pain neuroscience and its clinical applications he has a keen interest in innovative health management solutions using technology.
Professor Ward is the Professor of the Centre for Functioning and Health Research (CFAHR) in Queensland Health, and Professor in the School of Health and Rehabilitation Sciences at The University of Queensland. As a leading international researcher with over 250 publications, her primary interest is in improving swallowing and voice/communication outcomes for patients undergoing Head and Neck Cancer (HNC) management. In the past two decades, Prof Ward has been part of national/international multidisciplinary teams that have achieved many enhancements in clinical through: improved understanding of the side effects of HNC treatment; implementing a range of telepractice models to enhance patient services and support; revealing greater insights into patient and carer survivorship needs, and; enhanced rehabilitation options for patients with dysphagia.


text:
Summer school project
By bcea1302, Updated
This storyboard does not have a description.
Germany invades poland
in this event germany goes and over takes poland with merely no hesitation. He had help from the soviets in taking over poland because Hitler had bigger plans. So he had them do that with some of his troops to make sure everything went well.
the attack on pearl harbor was a unsuspecting event even though they had all the preventive measures like radars. The Japanese went in with no one question it because some people thought it was a air show and others thought it was the planes planned for landing.
when the germans decided to invade russia they really messed up. because one thing you don't do is invade russia. so as know the russians went all out on the germans and this lasted for a while.
The allies were invading normandy and before they even got to shore they started to get shot at. Many allies died on that beach they were just getting mowed down.
the Japanese started to make nuculer bombs and to make very deadly weapons. SO what the allies decided to do is to dropped an atomic bomb on japan and hiroshima to end the war quickly. The allies did this so that there would be no more u.s. casualties
The holocaust was one of the most deviating things to happen in history. Hitler made consitration camps and gassed a lot of jews. Hitler was responsible for killing a lot of jews and for causing so much terror and destruction.

redpajama_set_name: RedPajamaCommonCrawl


The Bold and the Beautiful (B&B) alum Sean Kanan, the actor who played Deacon Sharpe, checks in with his fans and he reveals his alter ego Deacon fate on B&B. Even though the actor has not been contacted with CBS, he has stayed busy with other projects, including writing a book.
Kanan said working for CBS was one of the best experiences of his life. And, playing Deacon was always a great time. He has fond memories of working with the Y&R cast and Rena Sofer (Quinn Fuller) during his B&B time.
"Deacon is the best role I've ever played on television. I have nothing but fond memories of my time on both CBS soap operas," Sean explained.
As for how Deacon would react to Quinn and what's going on the soap currently, he thinks he would be angry all around. First, he would be so hurt for his daughter, Hope (Annika Noelle) and the heartache she is feeling. And, then, he would have an ax to grind with Quinn and probably, Bill Spencer (Don Diamont).
Kanan has stayed busy writing a book titled Success Factor X. He is actually considering writing a second book, and his first book will not be released until March!
As for acting, Sean has multiple projects in the works. One is a film titled Dark Stories, which he pays a detective who is investigating a very difficult case.
Sean is also working on a dramedy called The Bubble, a series that he penned himself. It's about an aging soap opera star that wants more out of life. He discovers he has a teenage daughter that he never knew about.
Would you like to see Deacon Sharpe return to Bold and the Beautiful? Stick with us for more The Bold and the Beautiful (B&B) spoilers, news, and casting updates!
Days of Our Lives Spoilers: Ben Knows The Truth, Can He Stop Jordan Before It's Too Late?
General Hospital Spoilers: Ryan Kills Griffin In Jealous Rage After Busting Ava With Her Former Boyfriend?


The Green Party today criticised the Government's total lack of action to assist homeowners dealing with defective buildings, as affected homeowners in the Dublin Rathdown area received further threatening letters from their management company. This comes almost one year after the Green Party Motion on Building Standards and Consumer Protection was passed by Dáil Éireann.
Green Party Deputy Leader, Catherine Martin TD, said: "I have been contacted by many constituents in recent days in my own area of Dublin Rathdown who have received letters from their management company threatening them with legal proceedings to recover the thousands of euro per unit that repair works may cost. These letters are unnecessarily threatening, and they are causing great distress to many homeowners. This is just another example of the appalling pressure homeowners and residents around the country, who had no part in the building of apartment developments, are being put under to pay to fix building defects left by developers and builders.
"The measures which were recommended by the Dáil in our Green Party motion on Building Standards and Homeowner Protection in June 2017 were reasonable, practical measures which Government could work to put in place. Similar measures have also been recommended by the Oireachtas Committee on Housing, Planning and Local Government's "Safe as Houses?" Report earlier this year. And yet the Minister for Public Expenditure and Reform has refused to even meet with me to discuss practical possible reliefs for homeowners, and the Minister for Housing, Planning and Local Government has not yet even responded to my request for such a meeting.


text:
June 1, 2004 / 4:44 PM
Kerry feeling strains on his left flank
WASHINGTON, June 1 (UPI) -- Democratic insiders say many of former candidate Howard Dean's antiwar supporters have not switched to John Kerry's candidacy for U.S. president.
Although most have flocked to the liberal Massachusetts senator, many are backing Ralph Nader who, unlike Kerry, says he will pull all U.S. troops out of Iraq, the Washington Times reported.
"There are Democrats who are upset with Kerry over his position on the war," said Kevin Zeese, spokesman for the Nader campaign.
Other episodes of party disagreement have broken out in the last month as minority leaders have begun expressing displeasure with the mostly white makeup of Kerry's campaign staff, including:
-- The president of the National Council of La Raza, one of the country's most politically powerful Hispanic organizations, complaining not "a single one of (Kerry's) senior staff is Latino."
-- Donna Brazile, one of the party's leading black strategists, who ran Al Gore's 2000 campaign, attacking Kerry for not placing more blacks in positions of influence in his campaign.
Moments from the 2019 Wimbledon Championship


text:
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Home » Newpages Blog » Glimmer Train Stories – Winter 2014
Glimmer Train Stories – Winter 2014
In my admittedly brief career as a reviewer, I've not encountered any literary journals that concentrate almost exclusively on the short story. I really like the idea, and obviously so do many other readers. Two differences I noticed about Glimmer Train Stories: this is the only lit mag I've read so far that isn't connected to a college or university; and it's the only one that includes a bookmarker as a bonus. In my admittedly brief career as a reviewer, I've not encountered any literary journals that concentrate almost exclusively on the short story. I really like the idea, and obviously so do many other readers. Two differences I noticed about Glimmer Train Stories: this is the only lit mag I've read so far that isn't connected to a college or university; and it's the only one that includes a bookmarker as a bonus.
The brainchild of two sisters, Glimmer Train Stories was conceived in 1990. Their goals in part were to publish stories that are "emotionally significant," that favor works by new authors, and that "pay writers well." In fact, the sisters state they pay out "over $50,000 to fiction writers."
The Winter 2015 issue includes fourteen stories, two interviews, and a section, "The Last Pages," that contains snippets from each author. Another interesting feature is that each article has a black-and-white picture of its author.
Let's talk about one of the interviews first. David Naimon asked award-winning author George Saunders some questions that seemed to me, a graduate student in writing, just for my personal consumption. Saunders reveals how his style developed over time. He started off with a more formal style, and thanks to "[. . .] some crisis moment I reverted to a set of skills that I had as a kid—to just be funny, a little pop-culturish, to be sci-fi." Saunders had other pithy, illuminating remarks that ensured I received a lesson in craft I will stash away in my own literary sea bag.
The stories naturally are the reason for the magazine. With so many from which to choose, I selected two on which to focus this review: Natasha Tamate Weiss's "What It Means to Rush" and "Third World Kroger" by Greg Schreur. I selected the first because of my years living in Japan and the second because I can relate to one of the situations Schreur describes.
Weiss spins a yarn about a family whose roots are in Japan. They travel from their home in Seattle to see the family's matriarch one final time before she passes. The family's plan is to go straight from Seattle to the grandmother's home in Minnesota. The family—now composed of the unnamed narrator, her mother, her mother's fiancé, and her younger brother—set out. Only a day or two into the journey, the family makes a detour to a Native American reservation. The story, told in a style reminiscent of a memoir, is a compelling read. I found empathy with both the narrator and with one of the characters she encounters on the reservation. Weiss's use of language is evocative. I enjoyed her dialogue play. For example, this snatch of conversation on the reservation:
I interrupted, "Before, what did you mean by something ugly?"
"Huh?" said Joe.
"You know, you said you'd like to grab people by the earlobe and show them—"
"Right, right." He paused to think. "There's a cemetery out back, behind this here deli and down the road a bit."
The scene brought to my mind the old saw "East meets West," but with a twist.
The title "Third World Kroger" caught my eye because my wife and I shop at one of the chain's local stores. It's a poignant yet humorous story about a husband and father's emotional handling of the kidnapping and murder of his young son. Schreur's narrator and his wife attempt to assuage their grief, and perhaps their guilt, through the baking and eating of cakes. My personal favorite scene takes place at the Third World Kroger, so-called because of its seedy locale and dubious clientele. The narrator goes to pick up flour for more cakes, resulting in his using the public restroom. What happens there is in turn funny, perhaps gross, but ultimately heartening. Here's a sample:
I grab his arm without gentleness or violence. He accepts my grasp like he's been waiting for it [. . .] I lead him out of the bathroom and sit him on a bench next to the customer service desk. "This guy needs some help," I tell the woman behind the desk [. . .]
"He's one of those idiots from Birch Field," she says.
I found the story poignant but not syrupy.
Glimmer Train Stories is a marvelous addition to the library of aficionados of short stories. Its beautifully executed cover artwork blankets many hours of comforting, thought-provoking, and simply entertaining works. I'm happy for the chance to review it.
[www.glimmertrain.org]
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text:
Home / Articles / Meet 'Maverick': Google's Unconfirmed July 2019 Algorithm Update
by Ryan Boghosian
Google's July 2019 "Maverick" Update: What We Know
While Google has to this point remained silent, other SEO experts took note of significant volatility in search results this past July, specifically on July 11, 12, 16 and 18, 2019, suggesting a sizable algorithm shift. This seems to fly in the face of Google's recent statement that they would be announcing larger algorithm changes in advance.
Coinciding with the release of the trailer for 2020's Top Gun: Maverick, the update was so named by Brett Tabke of WebmasterWorld on July 19 in response to large fluctuations in search results and traffic reported the day before. Maverick seems to be like the many smaller (relatively speaking) updates Google routinely performs each year, and it remains unclear whether it signals certain verticals or website elements will be looked upon more favorably by Google moving forward.
Some have posited that Maverick is an attempt by Google to even-out the results of their June 2019 core update which saw many sites lose massive amounts of traffic, likely in part due to the core update coinciding with the Diversity Update of June 4-6. Search volatility appears to be consistent across different devices and product categories according to SEMRush:
Rank Ranger confirms that fluctuations were fairly even across major niches:
You can see from this screenshot of July 21, just after the peak in search disruptions related to this update, that nearly all of the first-page results for a term tied to one of The Search Agency's own clients were not there only a week earlier:
The particular keyword has a monthly search volume of over 64,000 queries, highlighting the concern felt by countless website owners and marketers in the wake of Maverick.
Google Search Algorithm Updates: SEO Takeaways Post-Maverick
In the end, Searchmetrics' Marcus Tober posited that while Google augmented its algorithm beyond the average minor alterations regularly seen during the year, the update is not worthy of calling it a core update.
However one chooses to identify it, Maverick has resulted in noticeable volatility in search engine results and traffic with no particular industry or niche being affected, leading some to speculate the above-mentioned June core update did not go as planned and Maverick represents a correction of sorts.
With Google remaining mum as far as confirming or denying the update, marketers are left with the only recourse ever offered by Google—churning out high-caliber content that is rich in valuable content and useful to your audience.
Were you impacted by a recent algorithm update? The Search Agency's SEO team can help! Get in touch with us for help with everything from foundational technical SEO improvements to creative SEO strategy and content development.
Ryan Boghosian
Ryan Boghosian is a Creative SEO specialist at The Search Agency, where he has worked since 2019.
Google Smart Shopping Campaigns: The Power of Machine Learning in Paid Search
Articles, Blog, SEM, Technology


text:
Uwe Franke (* 19. Januar 1949 in Hamburg) ist ein ehemaliger deutscher Manager.

Leben
Nach dem Abitur 1968 nahm Franke im selben Jahr am Chemischen Staatsinstitut Hamburg (ab 1969 Universität Hamburg) ein Studium der Chemie auf, das er 1975 abschloss. 1978 wurde er in Hamburg zum Dr. rer. nat. promoviert.

Seine Berufslaufbahn begann Franke im selben Jahr bei BP in Hamburg. 1994 wurde er Vorstandsvorsitzender von BP Portugal. Seine Bestellung zum Mitglied des Vorstandes der deutschen BP erfolgte 1996. 1999 wurde er zum Vorstandsvorsitzenden der Deutsche BP AG ernannt. Nach der Fusion mit der Veba Oel AG, der Eignerin der Aral AG, übernahm Franke 2002 den Vorstandsvorsitz der Aral AG und gleichzeitig den stellvertretenden Vorstandsvorsitz der Deutsche BP AG. Ab dem 1. Juli 2004 war er wieder Vorstandsvorsitzender der Deutsche BP AG. Dieselbe Funktion nahm Franke ab dem 1. Mai 2010 in deren Nachfolgegesellschaft BP Europa SE umbenannte Unternehmen ein. Am 30. April 2012 trat er in den Ruhestand. Sein Nachfolger wurde Michael Schmidt.

Franke ist verheiratet und hat drei Kinder.

Weblinks
 Biographie auf der Website der BP in Deutschland
 Biographie auf wiwo.de

Einzelnachweise

Manager (Deutschland)
Chemiker (20. Jahrhundert)
Geboren 1949
Deutscher
Mann

redpajama_set_name: RedPajamaWikipedia


Tight Fit Jeans, an urban legend to many trendsetters, has been around for over 30 years. Specialising in denim, we take pride in fitting out any shape or size. Second to none in making sure every customer leaves with the perfect pair of jeans (or two!) and a smile on their face.


text:
https://celticswire.usatoday.com/2019/01/01/jaylen-brown-indifferent-after-nearly-tying-career-high-vs-spurs/
Jaylen Brown indifferent after nearly tying career-high vs. Spurs
January 1, 2019 9:28 am ET
Boston Celtics third-year shooting guard Jaylen Brown scored a season-high 30 points against the San Antonio Spurs on New Year's Eve, just two points shy of tying his career-high of 32 points that he set against the Chicago Bulls at the end of the 2017-18 regular season.
Despite the loss, Jaylen Brown (30 PTS) was hot for the Celtics! 🔥#CUsRise pic.twitter.com/wT8VKfz5Mg
— NBA TV (@NBATV) January 1, 2019
Considering the opponent, a Spurs squad that has become one of — if not the most — respected franchise in the NBA, you may have expected Brown to be pleased with his performance.
Especially after a rough season that's seen him averaging 12.0 points, 4.1 rebounds, 1.4 assists and 0.8 steals per game on a career-low 43.3 percent shooting from the field and 28.4 percent shooting from three-point range (also a career-low).
However, true to his character, Brown's primary concern was whether the Celtics won or lost and considering that his 30-point outburst came in a losing effort, the 22-year-old wing said "it really didn't make that much of a difference" that he had his best scoring game of the season on Monday.
"We lost, so it didn't really make much of a difference," Brown said. "Just come out, come into the new year and continue to win some games."
Celtics head coach Brad Stevens says he wasn't surprised by Brown's game against the Spurs since he played well against the Memphis Grizzlies on Saturday, going 3-3 from the field and collecting four rebounds in 19 minutes as Boston won 112-103.
However, Stevens shouldn't have been surprised simply because in December, Brown had his best month of the season, averaging 13.5 points, 4.0 rebounds, 1.7 assists, 1.0 steal and 0.6 blocks per game while shooting 49.2 percent from the field, 34.1 percent from three-point range and 70.0 percent from the charity stripe.
Further, with Brown removing the silicon pad on his right hand that protects a bone contusion from taking the full force of a blow — but one that also made it harder to play basketball — this type of performance may have been overdue.
*All stats gathered from Basketball Reference
The Celtics have retired 23 jersey numbers (and one name) - these are the players so honored


text:
# New language mappings are welcome.  Before doing a new translation, please
# read <http://docutils.sf.net/docs/howto/i18n.html>.  Two files must be
# translated for each language: one in docutils/languages, the other in
# docutils/parsers/rst/languages.

"""
Afrikaans-language mappings for language-dependent features of Docutils.
"""

__docformat__ = 'reStructuredText'

labels = {
      'author': 'Auteur',
      'authors': 'Auteurs',
      'organization': 'Organisasie',
      'address': 'Adres',
      'contact': 'Kontak',
      'version': 'Weergawe',
      'revision': 'Revisie',
      'status': 'Status',
      'date': 'Datum',
      'copyright': 'Kopiereg',
      'dedication': 'Opdrag',
      'abstract': 'Opsomming',
      'attention': 'Aandag!',
      'caution': 'Wees versigtig!',
      'danger': '!GEVAAR!',
      'error': 'Fout',
      'hint': 'Wenk',
      'important': 'Belangrik',
      'note': 'Nota',
      'tip': 'Tip', # hint and tip both have the same translation: wenk
      'warning': 'Waarskuwing',
      'contents': 'Inhoud'}
"""Mapping of node class name to label text."""

bibliographic_fields = {
      'auteur': 'author',
      'auteurs': 'authors',
      'organisasie': 'organization',
      'adres': 'address',
      'kontak': 'contact',
      'weergawe': 'version',
      'revisie': 'revision',
      'status': 'status',
      'datum': 'date',
      'kopiereg': 'copyright',
      'opdrag': 'dedication',
      'opsomming': 'abstract'}
"""Afrikaans (lowcased) to canonical name mapping for bibliographic fields."""

author_separators = [';', ',']
"""List of separator strings for the 'Authors' bibliographic field. Tried in
order."""


This is a timed test--you have 3 minutes only!
1. Read everything carefully before doing anything.
2. Put your name in the upper right-hand corner of this paper.
3. Loudly call out your first name.
4. Circle the word NAME in sentence two.
6. Draw five small squares in the upper left-hand corner.
7. Put an "X" in each square.
8. In your normal speaking voice, count from ten to one backwards.
9. Put a circle around each square.
10. Sign your name under the title of this paper.
12. Put a circle completely around the sentence number seven.
14. Put an "X" in the lower left-hand corner of this paper.
15. Draw a triangle around the "X" you just put down.
16. On the back of this paper, multiply 703 by 66.
18. Draw a rectangle around the word "corner" in sentence six.
19. On the reverse side of this paper, add 8950 and 9805.
20. Put a circle around your answer, and put a square around the circle.
21. Punch three small holes in the top of this paper with your pencil point.
22. Underline all even numbers on the left side of this paper.


Pictured: Rocky Carroll (NCIS Director Leon Vance) and Linda Hunt (Henrietta "Hetty" Lange). The NCIS: LA team takes action to protect one of their own while being interrogated by the Department of Justice. Meanwhile, Nell goes undercover as Hetty, and Director Leon Vance gives Hetty disturbing news while she is in Washington, on NCIS: LOS ANGELES, Monday, Oct. 13 (9:59-11:00 PM, ET/PT), on the CBS Television Network. Photo: Ron P. Jaffe/CBS ©2014 CBS Broadcasting, Inc. All Rights Reserved.


Hey, remember how back in March artist Luke Jerram was raising money to build a 300-foot water slide down a busy street in Bristol, England? He actually got it done.
The slide's barriers were built using hundreds of hay bales, and dishwashing liquid was used on the tarps to make things a little more slippery. Thousands of people turned out to watch, with around 360 lucky people picked from over 100,000 applicants to actually ride down the slide.


ALLCAPS attempts to compensate for his limited rhetorical weaponry through the extravagant use of capitalized words – something netizens refer to as SHOUTING. Sure, a sprinkling of capitalized words can add spice to an attack, but overuse is like too much tarragon in the stew. Even worse from a tactical point of view, too much shouting alerts other Warriors to the opponent's verbal WEAKNESS and emotional EXCITABILITY.


text:
Q: jQuery Validate, validate select:visible I'm working on a project with jQuery Validate (http://bassistance.de/jquery-plugins/jquery-plugin-validation/), where some selects are displayed if you click on some checkboxes.
The checkboxes group is required, but I only want to make the visible SELECT required.
I tried to addClass("required") when I show the SELECT, but that didn't work.
I've searched the entire web, or that how it feels that it, but I can't find any solution.
Is it possible to validate only the visible SELECTs or how should I do this?
Thank you in advance.
* UPDATE *
Please see this my example: http://jsfiddle.net/mtLZG/17/

A: with this code you are okay:
$(document).ready(function() { //Shows the sub-options, if checkboxes are selected per default $('input:checked').parent().addClass("visible");

$(':checkbox').live("change", function(){
    //Show the suboption
    $(this).parent().toggleClass("visible");
    //Add required-class to the Select
    $(this).parent().children("select").toggleClass("required");
    //I tried to validate the form again, after the above class was added
    $('form').validate();
});

//Validate
$('form').validate();
});

i changed a bit of your markup so that it works a little better. Look at the fiddle if it works as expected.
http://jsfiddle.net/mtLZG/18/

A: Setting up the validation code as
$('form').validate({
   ignore: ":hidden"
});

It should handle things just fine as far as ignoring hidden selects.  Of course, there are other potential issues with select validation too.

A: I realize this is an older question, but I believe this answer is worthwhile to the reader since jQuery Validate (since plugin version 1.9.0) now ignores hidden fields by default.
This is mostly the OP's jQuery with all the unnecessary lines removed, and .live() updated to the more modern jQuery .on().
$(document).ready(function () {

    $('input:checked').parent().addClass("visible");

    $(':checkbox').on("change", function () {
        $(this).parent().toggleClass("visible");
    });

    // Initialize Validate plugin; .validate() called ONCE
    $('form').validate({
        ignore: ":hidden"  // only use this option for plugin version below 1.9.0
    });

});

In order for this to work, the following changes also need to be applied to your HTML:
1)  select element needs a name attribute or the Validate plugin will ignore it.
2)  select element needs class='required' to assign the rule.  (This is now automatically  ignored whenever the element is hidden.)
3)  First option needs a value="" attribute to tell the plugin that the first item is not a valid option.
<select class="required" name="suboption1">
    <option selected="selected" value="">Select an option</option>
    <option>Sub-Option 1</option>
    ...
</select>

Working Demo: http://jsfiddle.net/ZLXuU/
General Notes:
1)  Use .validate() to initialize the plugin ONCE on DOM ready.
2)  There is never a need to call .validate() again since it only re-initializes the plugin.  Use .valid() to test the form's validity and trigger any error messages.
3)  ignore: ":hidden" is now a default option for Validate version 1.9.0+

redpajama_set_name: RedPajamaStackExchange


Please visit our Artist Alley Participant page to view the first group of confirmed Artist Alley vendors.
Information for Artist Alley Participants: Please read carefully all of the FAQ entries and Terms and Conditions on this page–your submission is your acknowledgment that you accept them.
Artist Alley Tables are $50. You must also purchase a con membership, which is $35. Total cost $85.00.
- Setup time: Nothing is more annoying than setting up your table when customers are milling about. We are allowing for you to set up behind closed doors before the customers enter the room.
- A locked place to store your wares overnight: There is no reason you should be hauling boxes back and forth. We want you to have fun while you are here. The AA will have defined opening and closing times so that you can leave your stuff behind overnight.
- Free promotion for your work: Your name, a link to your website or store, a thumbnail of your artwork (if provided to us), and a short description of your wares will be listed in an easy to read way on the Intervention website. If they miss you at the con, they can look you up here after the con. We want to advertise how awesome you are. This is how we do things here.
- An extra spotlight: If you are seen online promoting Intervention with clickable links to our site we will be featuring you on the main Intervention blog as a Fierce Artist. We can often see you linking to us, but feel free to email us and tell us about it to ensure that we see you and can give you the props you deserve…and more eyes on your work.
- An unhurried registration atmosphere: We are not going to force you to camp out to get your registration in. This is a curated AA, so everyone has a chance – not just the people who stayed up to midnight and clicked really fast.
- Your own registration desk: There is no reason you should wait in the attendee registration line. You will be able to pick your con badge and AA badge up at the same time in your own area.
A: Registration is now open. Please review the terms of service on this page below and use the application form to submit your table request. NOTE: This is not land-grab. We will be curating this Artist's Alley so that there is a diverse mixture of artists. This will not be a race to see who clicks the fastest.
Q: Hey, I'm a new artist. Do I even have a chance of getting into this thing?
A: Of course! We are not screening new artists out. You folks are part of what makes this scene so great. We want to ensure that there is a diverse range of products and that the AA is not limited to who stayed awake in front of their computer clicking the mouse.
Q: How big are the artist tables?
A:They will be 6 ft tables. You also get 2 chairs.
Q: How much do tables cost?
A: 1 per person. If you are a group of creators and want to coordinate your table purchases we will accommodate that through the application process.
A: No, convention registration must be purchased separately from the AA table. You cannot just pay for a table by itself and get into the con. You may buy up to 2 registrations with your table at our $35 con rate at the time of table payment.
A: We will try our best to accommodate seating requests, but this must be articulated to us when you apply for the AA. We cannot move tables around the day of the con.
The following are the Terms and Conditions for submitting for, and purchasing a table, in the Artist Alley at Intervention 2010.
1) We're doing something different with the Artist Alley at Intervention. As opposed to a "land grab" where the fastest clicker gets a table, we will be taking applications and reviewing each one to see how your presence can add to the overall experience of the con. We aren't basing our decision solely on your "skill level", but on what you as a presence can do to bring exciting items and services to our con attendees, so both newbies and veterans are encouraged to apply.
2) On the application is a section where you tell us what you will be selling or doing at the con at your table. Honestly, this is to prevent some scammers from getting tables at the con. What we'd like is a general overview of what you will be bringing (so telling us you sell t-shirts with your own designs, or you do portraits of people in their costumes, or you sell jewelery are things we want to know). Also, we expect to see a link to your store site or where you advertise your wares online. We'll be up front here–if all you do is copy other people's artwork you won't get a table–and if you try to snow job us and show up with a ton of knock off prints you won't get a spot. We aren't against fan art, but if you aren't really doing anything special there's a good shot you won't get in, so don't waste our time or yours.
3) Your Artist Alley table purchase gives you one (1) 6 foot table and 2 chairs. Due to space constraints we are unable to sell more than one table per entity.
5) Your table purchase does not include registration as part of the $50 table cost. Cost for Artist registration is $35 per person, with a maximum of two (2) total registrations purchasable as part of this application. You can of course buy additional badges through the regular site registration system.
6) As part of your registration Intervention will, if you wish, place your name (or company name) along with a clickable HTML link to your site, on the main Intervention website as part of the listing of Artist Alley participants. You will also be listed, again if you wish, within the con book.
7) Artist Alley vendors may not engage in music, speech, or other endeavors which disrupt the general peace of the Artist Alley location. In other words, no shouting, blasting of music, or other disruptive actions. You also may not "poach" customers from other tables by attempting to get their attention in an aggressive manner. Let's all play fair. Breaking of this rule will get you one warning. Further disruptions will result in removal from the Artist Alley permanently with no refund given.
8) Intervention may use audio and/or video recording devices to record The Artist Alley for promotional or commercial use. By applying to be a part of the Artist Alley you agree to allow Intervention to use your likeness and any recorded footage/audio of your actions in the Artist Alley now and in perpetuity for any promotional, commerce, archival, or educational uses.
9) You may not take or appropriate chairs or other resources of other Artist Alley participants without gaining clearance from the Artist Alley coordinator. You may also not have regular attendees of Intervention behind your table without first gaining clearance from the Artist Alley coordinator. In other words, don't grab other things from other tables, and you can't have a ton of people behind your table who aren't a part of your defined group. We're flexible though, so if you talk to the Artist Alley coordinator first we'll allow someone to watch your table for you if that's what you need–note though we can also provide Loss Prevention representatives to help with this issue.
10) We are not copyright cops and take no responsibility for your items. You are responsible for any and all legal issues that arise out of your items for sale. We will follow all laws of the U.S.A. and Maryland though, so please make sure you are aware of those laws.
11) Adult items and images of a sexual nature should be displayed in a manner that minimizes their exposure to minors. Images and items should be placed in books, boxes, or under protective cover with clear labeling that announces their 18+ content. Failure to properly keep minors away from 18+ items will get you a warning, with a second offense potentially leading to your removal from the Artist Alley with no refund. In other words, let's not be stupid and try to sell things to kids that they shouldn't see or buy.
12) Electricity. By default you will not have access to electrical outlets. If you absolutely need one please let us know and we can contact the Hilton for a price quote on setting this up. This is entirely up to them and their pricing. You would have to make a contract with them for these services (but we can assist with setting this up).
13) Illegal items. You may not sell any items that are illegal or regulated in the U.S.A and Maryland. This includes (but not limited to): Firearms, Tobacco, Alcohol, Prescription drugs, Illegal drugs, etc. Also, you can't sell food or candy, the hotel prohibits those items from being sold.
14) Refunds: Refunds for table and registration purchases will be paid back in full if we receive a cancellation request anytime before 3 days before the con ( by September 7th 2010). After that point no refunds will be provided.
15) To take possession of your table at the con you need to bring official government issued identification. Please note that you must be 18 years or older, or have a parent or guardian in attendance to sign for you if you are under that age–this is also true for submitting your application in the first place–contract law requires adult acceptance of all of these terms and conditions.
16) All displays must be free standing and can't encroach into attendee walk path areas or other vendor space. You also can't attach things to the walls or mess up the floors. Leave the hammer and nails at home.
17) If we missed something we may add new terms and conditions at a later time (sorta doubtful though)–but if we do you will be informed of this and can choose to retract your application for a full refund if you disagree with the revision or change.
Please note that the Artist Alley is currently full. By applying you are adding yourself to the wait list.


text:
Not funny girl
by Lot's Wife	on May 14, 2019 Analysis	add comment
Credit: Beray Uzunbay
Comedy is an artistic medium. Mostly, it is neither rare nor well done.
Least of all, I have been reminded, by women.
The notion that women are not funny is as new as it is respectful. It is an archaic stereotype – one that, despite centuries of evident sociological progress, endures. It is something that has always bothered me, this generalist and hyperbolic claim. Not necessarily because it is wrong. But because we seem so intent on proving it to be right.
I find it difficult to admit that overwhelmingly, I do not find women who are trying to be funny very funny at all. Consistently, I enjoy their work less. I struggle to engage with anecdotes about children and marriage. I dislike the 'wine o'clock' trope we persist with. Dating and relationships, despite being life experiences ripe with comedic potential, often form the entire basis of a performance, to the detriment of wit or eloquence. The very generalisations which have kindled my frustration pervade the opinion I form during my own viewing experience. And that upsets me. My unenthused response to female comedians feels treasonous. A reluctant Judas, I feel as though this instinctive opinion provides further obstacles to members of my own sex. If you don't even have the support of your own team members, how can you ever expect to win?
That is not to say that there is an absence of female talent. It exists. I am certain – or at the very least, hopeful – of it. Yet, without substantial change in the way in which we view our comedic potential, I don't believe that my opinion will be likely to change. Instead of pursuing female centric humour, limited to the shared experiences of women, we need to grapple with more human experiences if we seek to satisfy a wider audience. Diversity in comedy, as in all areas, is beneficial. Limiting ourselves to predictable tropes instead of engaging with the zeitgeist will ensure, to our detriment, that we do not earn the reputation that we deserve.
Ultimately, in fear of contrition, female comedians are withdrawing from the medium so eager to foster their potential. Take for example, the television show GIRLS (2012-2017) created by and starring the forthcoming Lena Dunham. Irrespective of the vague descriptors attached to the series, it begins unapologetically with humour. Gentle, tentative humour, but humour all the same. It does not seek shelter under outlandish anticlimactic character arcs or the pseudo-intellectual gravity of profound monologues. It is, initially at least, funny, reflective and irrepressibly endearing. In its opening scene, Dunham reminds her parents that they should be relieved that she doesn't have a drug habit. To expect more of her, in the form of a paying job or secure relationship, she says is unreasonable. All in an effort to remain a financial dependent, Dunham diligently mocks the archetypal millennial voice of a woman disastrously unprepared for the independence she craves.
I mentioned earlier vague descriptors. That is because over the course of its six–season run GIRLS attracted the unjustifiably bland label of 'comedy-drama'. Or, as it might just as readily be interpreted, 'not funny enough to be comedy alone'. As the eponymous heroines enter their fourth, fifth and sixth seasons, their lives become decidedly less humorous; the severity with which their characters pursue self-elevating objectives renders the viewing unpleasant. And though it may be considered a comment on the dissatisfying inevitability of adulthood, or an attempt at mimesis on the part of Dunham, ultimately, GIRLS adopted this label because it had to. Because female centric comedies feel forced to grapple with more – to incorporate and discuss more politically relevant, more socially contentious, and more radically confronting themes.
They have more to prove. And in attempting to prove it, they are martyrs burning at a stake they themselves have lit. Their departure from the authenticity that initially defines them sees them sacrifice that which is valuable about their artistic expression. Even more dangerously, it perpetuates the stereotype that female humour does not have the self-generating stamina to survive on its own. By hopelessly expanding into new domains, such as drama, confidence in the initial comedic value of the show is lost.
The same could perhaps be said of Hannah Gadsby's 'Nanette', which earned the stand-up comedian praise for its forthright, earnestly expressive nature. The show addresses broader themes of sexual assault and homophobia; what begins as a standard performance migrates, after a moment of tension, towards a commentary on the systematically humiliating nature of stand-up itself. For this, Gadsby deserves her praise, and the fame and international repute that consequently accompanies it. But it is not comedy. In fact, it is decidedly 'anti-comedy', a meticulous subversion of a genre Gadsby proposes denies marginalised individuals the ability to maintain their dignity. Artistic review of 'Nanette', in publications as erudite as The New Yorker assert that subverting comedic form identifies Gadsby as the unassuming icon of a 'Me Too' era; one that speaks candidly about the pain that suffuses everyday experience. Perhaps, given the current zeitgeist of confession, expression and freedom from cultural imprisonment, 'Nanette' is exactly the cathartic relief that we desire. But there is trouble in the example such a performance sets. This trouble comes as more artists undergo their own attempts at genre subversion. There exists a point at which subversion simply becomes abandonment of the genre itself. As the number of artistic departures increases, this point becomes less and less defined.
Though this trend may not seem as apocalyptic as I suggest, the consequences of such conduct is that women eventually stop attempting to compete in the recognisable – and profitable – form that incubates male talent. We do not offer ourselves the same opportunity. We withdraw from this medium; a medium into which – we have conclusively decided – we do not fit. In an already crowded market place, artists cannot afford to limit their opportunities in this manner. Narrowing the lens of our scope will allow only the slightest glimpse of light to travel through. Once this too is extinguished, we will be left in the dark.
We are presented, therefore, with a problem. One far from unique to comedy. That is, whether women can ever truly match the quality of their male counterparts, or whether, in order to prosper, they need to fabricate an entirely new medium, better suited to their performance. Whether comedy needs to be remoulded for women to have the success they are often deprived of. Though there is much to be said of the feminine voice, and the insight that it may provide, solely relying upon this seems tinged with the sentiment of oppression we are attempting to evade: separate but equal. There is no equality unless we can integrate our independent perspective with that of a more diverse audience. The best writing teams are those that consist of a group of people from different backgrounds, able to make contributions on varying topics, just as the best comedians are those which can incite joy in a wide demographic of people.
To be successful, we shouldn't retreat to a place of security. There is no reward in such a sheltered realm. Moulding comedy to suit us is a submission to the very stereotype we seek to disprove; that we can make only women laugh, or that the only comedy we can execute is anti-comedy.
This is untrue.
All that is left to convince others of this reality is to be sure of it ourselves.
embodied
WHAT IS 'PIVOT'?
Corporate Speak – "Sandwich Artists" and other nonsense phrases
Populism – What is it?


Enhanced Mobile Broadband: Mobile Broadband addresses the human-centric use cases for access to multi-media content, services and data. The demand for mobile broadband will continue to increase, leading to enhanced Mobile Broadband. The enhanced Mobile Broadband usage scenario will come with new application areas and requirements in addition to existing Mobile Broadband applications for improved performance and an increasingly seamless user experience. This usage scenario covers a range of cases, including wide-area coverage and hotspot, which have different requirements. For the hotspot case, i.e. for an area with high user density, very high traffic capacity is needed, while the requirement for mobility is low and user data rate is higher than that of wide area coverage. For the wide area coverage case, seamless coverage and medium to high mobility are desired, with much improved user data rate compared to existing data rates. However the data rate requirement may be relaxed compared to hotspot.
Ultra-reliable and low latency communications: This use case has stringent requirements for capabilities such as throughput, latency and availability. Some examples include wireless control of industrial manufacturing or production processes, remote medical surgery, distribution automation in a smart grid, transportation safety, etc.
Massive machine type communications: This use case is characterized by a very large number of connected devices typically transmitting a relatively low volume of non-delay sensitive data. Devices are required to be low cost, and have a very long battery life.
Additional use cases are expected to emerge, which are currently not foreseen. For future IMT, flexibility will be necessary to adapt to new use cases that come with a wide range of requirements.
Future IMT systems will encompass a large number of different features. Depending on the circumstances and the different needs in different countries, future IMT systems should be designed in a highly modular manner so that not all features have to be implemented in all networks.


Compiling the first five tracks off of 7"s and a compilation, a re-mixed version of "Laboratory", and three live songs, Waxwing's Intervention: Collection + Remix will tide fans over until their next full-length comes out.
From the soft inner workings of the drippy indie rock opener "Intervention", through the crashing punk rock of "Manicotti", through the melodic "Laboratory", Waxwing create jagged, precision-free indie rock that trades on the flaws and beauty of emotion in the flaws rather than glossing up everything. And it is because of this that the band thrives, as is evident on the live cuts.
"New Years Day" comes alive, twisting and burning, as front man Rocky Votolato cranks out soft-to-loud thrashing indie rock soaked in melody. And the live version of "Laboratory" gives you another look at the song, this time the passion and rock brought to life by the light melody hanging over its head.
A treat for fans of the band that want to explore this band more than they could on a full-length studio record. I'll give it a B.


text:
Association for critical approach
to gender and sexuality
Subversive Front sees the world as a place that offers enough space for the individual to a freer and more critical approach to gender, sexuality, and to any identification with a particular category and norm, as opposed to previous uncritical, blind reliance on existing traditional norms. Subversive Front stands for the right not to identify with the existing norms in the area of gender and sexuality, which are pretty limiting. We see the world as a place where all people regardless of their differences would enjoy all existing rights and freedoms and would have equal status in the society, and thus the possibility of organised political struggle if their rights, freedoms and choices are violated.
Subversive Front's mission is to work on promoting of a more critical, unconventional, non-patriarchal approach towards the identification to any existing category in the area of gender and sexuality, and thus to work on recognition, introduction and promotion of the rights and status of people with differences that do not identify with the dominant heteronormative categories in Macedonia, as well as their protection and support by creating strong political movement in Macedonia that would work to create a favourable and acceptable climate for the people with a different approach to gender and sexuality.
Promotion of a critical, creative, queer, non-patriarchal approach to gender and sexuality through a variety of public, educational, institutional actions and debates that will aim to offer the individual more space for identification or non-identification in terms of gender and sexuality.
Opening a productive, non-homophobic debate on the rights of people who do not identify with the dominant heteronormative values and on the rights of LGBT people.
Working on policies and strategies to create a favourable social and political climate for recognition of the rights and status of people who do not identify with the patriarchal and heteronormative approaches to gender and sexuality, and of the LGBT people.
Motivation and cooperation with relevant stakeholders and institutions to join in the campaign for equal rights and freedoms of people with a different approach to gender and sexuality.
Creating an organic and organised queer and LGBT community that would be motivated to actively participate in the campaign and the fight for equal rights and that would work towards a favourable and freer climate for approach to gender and sexuality.
Education for critical approach to gender and sexuality, as well as education on the rights of LGBT and queer people.
Conducting public campaigns to reduce the dominance of heteronormative, patriarchal views of gender and sexuality, as well as campaigns to develop awareness that would fight against homophobia and heterosexism.
Address: Venijamin Machukovski 1А-1/13, 1000 Skopje, Republic of Macedonia * Е-mail: info@s-front.org
© Subversive Front All rights reserved.


Although it was a beautiful day at the dock with mixed fog and sunshine on Sunday, October 11, 2015, the marine forecast was uncertain with local winds of 15+ knots and a reported 25 knot winds at South East Farallon Islands (SEFI) and swell of 8-10 ft. The boat departed, circled Alcatraz and saw sea lions lounging at Pier 39. The skipper headed out the Golden Gate, passed Point Bonita, and headed north. Due to the shallow water and big swell, waves were roughly 10-12 feet, however the waves did not break and there was no danger. The boat motored north to Stinson Beach and then turned towards the SEFI. Humpback whales were reported near the weather buoy, and the boat found 3 humpback whales, although only one was active. The captain shut off the engine, and the boat spent about 30-40 minutes watching the active whale breach many times with lob tailing and pec slapping. In addition to the whales, passengers saw 2 thresher sharks, harbor seals and harbor porpoises. Birds sighted included common loon, western grebe, sooty shearwater, black-vented shearwater, brown pelican, double-crested cormorant, Heerman's gull, western gull, elegant tern and common murre.
Reports showed weather at the Farallon Islands continued to deteriorate, and the skipper decided to head home after half a day on the boat.
There was no trip on Saturday, October 10.


I find myself very inspired by this aerial hoop video. Unlike most of my posts, this piece features an lyra, or an aerial hoop. This piece was performed in Brazil by Meghan Miller back in 2009. It has a fluid, punctuated tempo and plays with contrasts in many forms. Meghan's sultry and elegant persona is encapturing on stage. I just never get tired of inspiring aerial acts!


text:
Efforts by the American and British Governments to acquire Turkish chrome and to prevent its sale by Turkey to Germany
Efforts by the American and British Governments to acquire Turkish chrome and to prevent its sale by Turkey to Germany 68
68. Continued from Foreign Relations, 1941, vol. iii, pp. 936– 974.
[854] The Ambassador in Turkey (Steinhardt) to the Secretary of State
Ankara, June 11, 1942—5 p.m.
[Received 10:02 p.m.]
867.24/326: Telegram
[Received June 14—1:47 a.m.]
811.20 Defense (M)/7209: Telegram
[856] The Secretary of State to the Ambassador in Turkey (Steinhardt)
Washington, June 20, 1942—10 p.m.
811.20 Defense (M) Turkey/15b: Telegram
[857] The Ambassador in the United Kingdom (Winant) to the Secretary of State
London, September 18, 1942—2 p.m.
[Received September 18—10:40 a.m.]
811.20 Defense (M) Turkey/76: Telegram
Ankara, September 25, 1942—4 p.m.
Washington, September 27, 1942—4 p.m.
811.20 Defense (M) Turkey/85a: Telegram
[861] The Chargé in Turkey (Kelley) to the Secretary of State
Ankara, October 5, 1942—4 p.m.
Ankara, October 10, 1942—6 p.m.
[Received October 11—1:35 a.m.]
[Received October 17—10:56 p.m.]
811.20 Defense (M) Turkey/107: Telegram
[Received October 22—7:28 p.m.]
[866] The Secretary of State to the Chargé in Turkey (Kelley)
Washington, October 22, 1942—7 p.m.
Washington, October 29, 1942—11 p.m.
[Received November 3—9:50 p.m.]
[871] The Chargè in Turkey (Kelley) to the Secretary of State
Ankara, November 4, 1942—6 p.m.
[Received November 5—12:55 p.m.]
Ankara, November 22, 1942—10 p.m.
[Received November 23—12:47 p.m.]
Ankara, November 28, 1942—4 p.m.
[Received December 9—12:54 p.m.]
[Received November 30—1:48 a.m.]
Ankara, December 6, 1942—10 a.m.
[Received December 7—1:05 a.m.]
Washington, December 11, 1942—10 p.m.
Ankara, December 12, 1942—noon.
Ankara, December 13, 1942—4 p.m.
[Received December 14—6:40 a.m.]
Washington, December 21, 1942—1 p.m.
Efforts by the American and British Governments to acquire Turkish chrome and to prevent its sale by Turkey to Germany (Documents 854-885)


From the Google space we got to hear this week that co-founder Larry Page will be replacing Eric Schmidt as CEO of Google on April 4. Eric is going to be advisor to Larry and Sergey as well as focus on external affairs.Big change queued up. The Social Network movie has won four Golden Globe awards. Wish them luck for Oscars!
Lets talk about the mergers and acquisitions of this week. Amazon acquires LOVEFiLM, which provides online video rental and on-demand video streaming over internet of movies in UK, Germany and Scandinavia. Adobe buys Demdex, the behavioral data management platform. It fetches demographic information about the customers' consuming behavior and makes inferences about it. RightNow gets stronger in customer experience by acquiring Q-go. Appcelerator buys Aptana which provides Eclipse-based web development suite. This strengthens Appcelerator's open source product Titanium development framework for mobile.
Google Venture invests in LawPivot, which is a legal advice type of Quora especially for startups. Qualcomm invests heavily in ChaCha- a web and mobile Q & A website. Kabam, a social games company may plan expansion/acquisition with new funds. Scribd raises a few million with the aim of bringing social reading to every device.
Have a look at what new has come on product releases front. Facebook recently announced the launch of a new application for feature phones that was developed in conjunction with Snaptu, a world of free apps on any phones. Mobile photo sharing app PicPlz gets polished up for Android and begins accepting beta version of API applications.
Did we get to hear any future plans this week? Google Voice will be providing number porting at mere $20. Once this takes off you don't have to change your phone number. We also got to hear that Google is going to launch a Groupon clone Google Offers. Zynga which has numerous games prepares for launching new loyalty program RewardVille. Wow, earning rewards for playing games!
Huffington Post continues with its popularity this week too in Chrome Webstore. http://www.huffingtonpost.com/NewsGlide/ -Breaking News and Opinion on the Huffington Post.
Stay tuned for coming weekly reports!
RewardVille is going to be another mega hit after FarmVille and CityVille!


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Argeta now with a new look.
Argeta has a new inspirational design
Read time 6 min Share
Argeta, which follows the philosophy of the best, delights its fans with a new, more modern design after six years.
A new era of Argeta spreads.
Improving a product and pushing the boundaries of the category we operate in has always been written in our DNA. This continuous improvement of the product and its recipe allows us to be the market leader in most European countries and, above all, to remain the first choice of customers throughout Europe.
With the new design of our packaging, we have moved away from the industrial look that prevails with competitors within the category and added more color to this cold design we are used to on meat and fish spread products. The new image of Argeta's packages addresses our fans in a different, more noticeable way. As the new design's central element, the illustration brings the customer closer to each taste's character and story behind it.
What does the new design have to offer?
Through a new approach to presenting content, we change the visual identity of the entire set of Argeta meat and fish spreads, and later also of all Argeta Junior children's spreads and the premium Argeta Exclusive line.
Argeta's product range is wide and allows that everyone can find their favorite taste. However, for Argeta fans to find the desired taste even easier and faster, the new visual design of the packaging is accompanied by more than 20 different illustrations that will tell you something new each time and take you to a completely different world. To Argeta's new design, illustrations add warmth and open the door to your unstoppable imagination. With its colorfulness, the new packaging design will enrich and beautify your every meal in the company of delicious spreads. This rich but, at the same time, stylized image sums up the character and the whole story about the individual taste.
The new visual image is warmer and opens the door to the imagination!
Argeta's mission is to strive for the best. By improving the product both from the inside and outside, we follow our outlined vision, where we always bring the customer to the forefront. This is also evident in our new communication platform, which is based on the renewed identity of Argeta. We have repositioned ourselves as a brand with a mission of inspiring and empowering individuals by signing the platform: "Life is what we make of it."
At Argeta, we want to move away from technical and functionally oriented communication. We bring out the emotions and stories that drive the lives of our customers. We also followed this in the new visual identity of Argeta's packaging, which descriptively manifests our perception of the world, opens the door to the imagination, and supports the taste of Argeta through the packaging design.
With the new design, every bite of Argeta is an experience on an experiential and sensory level, and at the same time, the renewal of the packaging brings the reinforcement of the position of the best in the category.
The author of the new Argeta packaging is the Yootree agency. They say that "the new image of Argeta's packaging design visually reflects the character of individual taste by outlining and illustrating stories. The advantage of this type of branding concept is that by using various motifs on Argeta's package, we present a wide range of flavors to our fans and offer them diverse and authentic visual experience."
The conceptual design of Yootree's illustrations names two essential features:
distinguishing flavors with a subtly depicted silhouette of the type of meat from which the spread is made of
a sense of the origin and nature of each taste, which through illustrations within the silhouettes represents various motifs, such as an adventurous motif in the form of a night camping in nature, a holiday motif of unspoiled Mediterranean, fresh pastures of alpine mountains or an oriental motif from the Maghreb.
When asked which Argeta's package is the Yootree's favorite, they said they like all the new packages, as each has its own story and unique features. "At the time of packaging creation during the pandemic and mass isolation, we especially like the fact that we can still taste at least some of the beauties of the world at home together with Argeta's packaging," they concluded.
What about the flavor?
Of course, we saved the most important thing for the end. Despite the complete change in our packaging's design, the taste of Argeta spreads continues to be the one you like best – unique, creamy, and full of flavor.
In life, it's good to see good. So, don't miss out on the new look of Argeta spreads, and treat yourself to your favorite flavor today.
You can already see everything on our website.
Almond flour bread
Coconut flour bread
Rice flour bread
Mini bread buns with tapioca and cheese
Chickpea flour bread
Slaniki
Pumpernickel
Kajzerice rolls
Toasting bread
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Bruce Tomb has been a long-time supporter of street art, mostly via postering, along the ever-changing Valencia Street corridor. On the wall of a former police station, the (de)Appropriation Project has been a vibrant source of stencils, posters, and political and personal expression. I have heavily documented it over the years, putting some photos in Stencil Nation and labelling my photos with "dap" when I put them here on the Stencil Archive. Tomb's wall is a special wall: legal, unedited (unless you don't like the commercials ads that sometimes get put up on there), encouraged, and community-supported. As waves of change hit the Mission District, knowing that there is a solid spot to paste up on and enjoy is a beautiful thing.
This parklet is distinct in that it is also a public art work sited in front of the (de)Appropriation Project. The parklet will take the form of a sidewalk "bulb-out" and two speakers' podiums. The laser cut step plate for the podiums will also act as signage for the project as required by the Planning Department and the expanded steel mesh will be welded into the form of the podiums. This mesh is the same as what was used to fortify the former police Mission Police Station in 1970, protecting it from the community it served. That mesh has been repurposed and now is the front gate to our building. The custom formed curb will be stained to match the repurposed steel decking from another parklet in the neighborhood that was removed last year.
On a wall just inside the building formerly known as CELLspace, an artwork delivers a defiant message: "NOT for Sale!" But the message is a lie — the building, whose exterior walls once featured some of the best street art in San Francisco, was sold and is slated for development. Last summer, two volunteers — artist Russell Howze and art editor Annice Jacoby — took down much of the outside art and put it in storage for temporary safekeeping. What's left on the walls are stickers, tagging, and remnants of art — including faces of Native American men, a monkey with a sign imagining a battle between two well-known street artists ("Hektad vs. Banksy"), and an impressive work by muralist Joel Bergner. Even in its current state, 2050 Bryant's art potpourri inspires passers-by to take photographs for posterity.
But what about the art that was taken down? Howze, whose own CELLspace work is among the preserved art, and Jacoby are trying to find a patron who will buy the works and display them again. The art includes Bergner's De Frontera a Frontera, a lyrical, red-splashed work about haves and have-nots in the Dominican Republic, and Icy and Sot's collaboration with Regan "Ha Ha" Tamanui, Super Hero with Portraits, which has a caped boy standing alongside a gallery of orange-tinged smiling faces.
Thanks to: Josiah, Josh, Brooklyn Street Art, Antonio.
Tunes by: the great late, Daevid Allen, compliments of Radio Gnome from the Planet Gong.
Shadows will not stop spring from coming! For now, have a few photos of stencil art with the changing climate.
Thanks to all the folks who continue to support and submit to the Stencil Archive!
The Mission, Clarion Alley, and on Valencia St.


Diabetes. It is a scourge of modern life — a lifestyle disease.
It's not a broken bone which hopefully can be fixed and you carry on with your life after a few weeks or months.
It's not like having a baby which is a normal part of life for women.
It's a condition that is relentless, progressive — and expensive.
It costs billions in direct health care costs in the UK alone.
Factor in the cost of a lifetime of multiple drugs after diagnosis, of annual screenings and monitoring patients in doctor's surgeries and hospitals up and down the country.
Factor in the rising rates of people developing Type 2 diabetes as they grow older into middle age onwards.
Factor in the earlier and earlier ages at which Type 2 diabetes is now being found and being diagnosed. It's now much more common in young adults and appearing even children.
It leads to complications. It brings about other medical issues which in turn are costly and life changing — leg ulcers, leading to gangrene and leg amputations, progressive blindness, kidney failure, impotence to list a few of the common and more severe ones.
It can increase the risk and occurrence of heart problems and strokes, of blood pressure problems and cholesterol issues. And those in turn add to the list of medications a person can be prescribed by their doctor. Not to mention the side effects that medications have.
It has been said Diabetes is incurable.
And for the pharmaceutical industry, the life time dependence on the drugs and other medical supplies such as testing kits, syringes to inject insulin or draw blood samples for lab work, dressings for leg ulcers, creams and ointments for open wounds, the training of nurse practitioners, the production costs of supplies, equipment such as blood testing meters for patients on insulin, the scientists and technicians employed to produce all the drugs and paraphernalia needed — it spirals into a mind-boggling demand on health care budgets and it has to be said, health profits for the pharmaceutical industry.
Considering that for the most part, doctors do not study about nutrition and its relationship to health as part of their medical degrees, very few look beyond the conventional approach they are taught in university, to use a drug or medicine to get a result when presented with ill patient.
However, a medical researcher in Nottingham University, Professor Ron Taylor asked some different questions and took a different approach. He evolved a therapy based on a diet approach to help the body to resolve the issues which were contributing to patient's diabetes. He achieved success with his program.
Another doctor, Michael Mosely, well-known from his work with the BBC as a presenter, was shocked to be given a personal diagnosis of diabetes. He didn't want to start taking drugs or medication to handle his condition. He found the program of Professor Taylor, followed it and resolved his diabetes condition within a very short time without the need of drugs or medication.
Dr Michael Mosely has written a book about his experience popularising the pioneering work done by Professor Taylor, in the book "The Blood Sugar Diet". It's tough. There are many reviews online of people who are successful practitioners of the methods outlined in the book, who got off their diabetes medications, and got the all clear from their doctor.
All the best and I wish you every success if this applies to you or someone you know.


text:
European Association of Single-Sex Education
FRDEESITPTPLHRCA
easse
•about easse
•advisory body
•board of directors
•easse in europe
•how to join
•congresses
single-sex
•all about single-sex education
•why single-sex education?
•single-sex in europe
•education experts
news&reports
•news and reports
•subscribe here!
EnglishFrenchGermanEspañolItalianPortuguesePolishCroatianCatalan
about easse
advisory body
easse in europe
all about single-sex education
why single-sex education?
single-sex in europe
education experts
Single-gender classrooms would improve the quality of education
James Kellams analysis based on the American system
"The resolution claims single-gender class rooms would improve the quality of education"
The "Problem"
It seems that American students are failing to live up to their educational expectations. Of course for years, researchers have been studying the perceived short-comings in order to ascertain and assign causes. Recent research has increasingly focused on gender-based performance. Differences in gender performance in education are observed in a number of empirical studies which have prompted many to find the reason why.
Resolutional Solvency
The resolution claims single-gender class rooms would improve the quality of education.
Kirner 2013:
From the vantage point of those working within and experiencing the single-sex context, the positive effects are apparent. Likewise, interviews conducted by Hubbard and Datnow (2005) of students and staff in California schools offering single-sex classes revealed that both groups felt that a major contribution to student success was the freedom from distraction from the opposite sex. In 2008, a U.S. Department of Education study found that "both principals and teachers believed that the main benefits of single-sex schooling are decreasing distractions to learning and improving student achievement." (Hutchison & Mikulski, 2012). As part of a longitudinal study of Australian secondary schools, which had been single-sex schools and then converted to co-ed schools over a two-year period, interviews with teachers and students indicate that girls appeared to do better socially in a single-sex class (Jackson & Smith, 2000). Teachers who worked in single-sex classes and schools reported fewer discipline problems to Gurian and Henley (2001), and administrators and teachers in Florida single-sex schools reported dramatic improvement in student performance (Isensee & Vasquez, 2012).
But even if you doubt the expert opinions of the educators and administrators who work directly with students and witness, first-hand, their social and intellectual development, then consider the work of Hyunjoon Park, et al of the University of Pennsylvania who undertook a balanced study of same-sex classrooms in Seoul, Korea. The Park study had the unique advantage of assessing the educational development of students randomly chosen to attend either same-sex or coeducational classes with not opt-out option.
Park 2012:
In this study, we have assessed causal effects of single-sex schools on college entrance exam scores and college attendance rates by exploiting a unique feature of education in Seoul, Korea in which students are randomly assigned to single-sex or coeducational high schools. Our study is the first to assess causal links between single-sex schools and educational outcomes rather than associations that may in substantial part reflect student selection of school types. We have investigated the random nature of student assignment and found comparable socioeconomic backgrounds and prior academic achievement of students attending single-sex high schools and coeducational high schools. Our analyses show that single-sex schools are causally linked with both college entrance exam scores and college-attendance rates for both boys and girls. Attending all-boys schools or all-girls schools rather than attending coeducational schools is significantly associated with higher average scores on Korean and English test scores. Single-sex schools have a higher percentage of graduates who moved to four-year colleges and a lower percentage of graduates who moved to two-year junior colleges than coeducational schools.
In the Connecticut Report cited below, Dr. Marianne Kirner presents a compendium of research from the U.S. and around the world which support the benefits of same-sex education.
Mulholland, Hansen, and Kaminski (2004) compared achievement gains of boys and girls in Australian single-sex classes versus coeducational classes. They found higher gains in English grades for both girls and boys attending the single-sex classes than their co-ed counterparts; however, no data collected on the two groups yielded statistically significant differences between them.
Among other changes, Booker T. Washington High School in Memphis created separate freshmen academies for girls and boys. Th e graduation rate subsequently soared from 55% in 2007 to 81.6% in 2010. Th e school won the 2011 Race to the Top High School Commencement Challenge (Hutchison & Mikulski, 2012).
Harjes (2010) measured how attitudes about gender and race were diff erent in children from single-sex classrooms versus traditional classrooms. The students in single-sex environments reported more adaptive psychosocial outcomes, including lower reporting of any life difficulty and the impact of life's difficulties on learning. Students in single-sex classes reported more adaptive attitudes about race than students overall. They scored higher in measurements of ethnic identity and belonging, and of liking individuals with an ethnic background other than their own.
A three-year study found a wide span in performance on the Florida Comprehensive Assessment Test, depending on whether the students were in single-sex classrooms. Girls in traditional classes achieved proficiency on the test 59 percent of the time, while girls in single-sex classrooms achieved proficiency at a rate of 75 percent. The boys had a far more significant difference: just 37 percent from traditional classes were proficient, compared to 86 percent from all-boys classrooms. Similarly, 37% of boys in coeducational classes scored proficient, compared with 86% of boys in the all-boys classes (Hutchison & Mikulski, 2012).
There is undeniable evidence of differences between males and females in the development of the human brain. In addition, many of the differences are noted in areas of the brain with sexual hormone receptors. For example, females tend to have higher concentrations in the regions of the brain responsible for language cognition and some studies suggest these differences may account for learning differences between the sexes at various stages of maturity.
Novotney 2011:
According to a 2007 longitudinal pediatric neuroimaging study led by a team of neuroscientists from the National Institute of Mental Health, various brain regions develop in a different sequence and tempo in girls compared with boys (NeuroImage, Vol. 36, No. 4). Using 829 brain scans gathered over two years from 387 subjects from 3 to 27 years old, researchers found several remarkable differences. The occipital lobe, for example — the one most associated with visual processing — shows rapid development in girls 6 to 10 years old, while boys show the largest growth in this region after 14 years old. Other studies have also shown disparities in language processing between the sexes, concluding that the language areas of the brain in many 5-year-old boys look similar to that of many 3-year-old girls (Developmental Neuropsychology, Vol. 16, No. 3). "Timing is everything, in education as in many other fields," says Sax, author of several books on the science of sex differences, including "Girls on the Edge: The Four Factors Driving the New Crisis for Girls" (Basic Books, 2010). "It's not enough to teach well; you have to teach well to kids who are developmentally ripe for learning." For example, asking 5-year-old boys to sit still, be quiet and pay attention is often not developmentally appropriate for them, but there are other ways to teach boys to read that don't require boys to sit still and be quiet, he says.
While the evidence is clear, the interpretation of the evidence is controversial. Predictably, advocates of coeducation will claim the evidence is inconclusive about whether observable physical differences between the brains of males and females prove there are differences in the ability of either to learn. Measurable differences in cognitive ability (for example, females tend be more language capable and males tend to be spatially capable) are well known.
WebMD 2013:
As a whole, girls outperform boys in the use of language and fine motor skills until puberty, notes Denckla. Boys also fall prey to learning disabilities more frequently than girls. "Clinics see a preponderance of boys with dyslexia," Denckla tells WebMD. ADHD also strikes more boys than girls. The symptoms displayed by girls and boys with ADHD differ, too. Girls with ADHD usually exhibit inattention, while affected boys are prone to lack of impulse control. But not all differences favor girls. Boys generally demonstrate superiority over female peers in areas of the brain involved in math and geometry. These areas of the brain mature about four years earlier in boys than in girls, according to a recent study that measured brain development in more than 500 children. Researchers concluded that when it comes to math, the brain of a 12-year-old girl resembles that of an 8-year-old boy. Conversely, the same researchers found that areas of the brain involved in language and fine motor skills (such as handwriting) mature about six years earlier in girls than in boys.
While it may be claimed that in the long-run the differences in brain development have minimal cumulative effect on the ability of males and females to learn the same things, the way they learn are driven by developmental differences. In addition, the brain continues to develop throughout life and as stated in the Novotney card above, "timing is everything". It seems intuitive that if educators can design curricula which leverage the differences between the sexes at the appropriate ages in which certain kinds of skills emerge, then the Pro side of the debate has validity.
This is such an unfortunate term, in my opinion. The quality of education, it seems can be effected by so many things external to students learning ability. For example, schools which have more money can provide a better quality of education than schools which are on the verge of bankruptcy and which have few educational resources and tools. For the purposes of this debate, we must focus on those elements indicative of quality education as measured by the response and performance of students in accordance with the tools and resources available. This means, if a poor school system measures student progress in a coeducational environment and the same poor school system measures student progress in a gender specific environment and notes improvement, then we must affirm. We could measure the "improvement" in order to Affirm the resolution and the most common way to measure that performance is use the kinds of measures the federal government uses to evaluate proficiency. But...
Breslow 2007:
Educational research is tricky business. Methodologies that are used to measure student learning each have their own limitations and biases, and no method can be counted on to be completely error free. That is why best practice in educational research dictates triangulating the data. If several different sources of data are used, it increases the probability that the findings present an accurate picture. In other words, the strongest assessment programs will rely on a mix of direct and indirect measures. Indirect measures include data from surveys of seniors and alumni, retention rates, graduation rates, number of students progressing to advanced degrees, etc. They allow administrators, faculty, researchers, and consumers to infer the benefits to students from their years in college, but they cannot report with precision exactly what students have learned or what they are capable of doing as a result of their university education. Historically, these kinds of data have been collected by offices of institutional research, alumni offices, etc. Direct measures provide more evidence of the increase in students' knowledge and abilities over a period of time. Standardized tests as, for example, the Collegiate Learning Assessment (CLA) are one kind of direct measure. While the CLA assesses general education skills, other standardized tests can measure specific disciplinary knowledge. The Force Concept Inventory, for instance, is used to determine students' understanding of concepts in mechanics. Other examples of direct measures include assignments that ask students to perform some kind of conceptual task (e.g., create a concept map) or portfolios compiled over a course of study. It is important to emphasize that these student work products need to be systematically reviewed for evidence of learning in order for them to be of most use. For example, rubrics can be developed and used by groups of faculty or educational researchers to analyze papers, thesis, or portfolios in order to assess learning. Grades, of course, can also be a measure of learning although how the grades are determined and reported can sometimes undermine their usefulness.
Pro will find it very difficult to refer to good studies showing direct correlation between student outcomes and same-sex education. I included the Park, et al study because in my opinion it represents one of the best and studies of its kind which measured outcomes by looking at college enrollments among other things. Obviously, Con will have counter-evidence for most evidence which claims improvement in standardized tests. In 1999, Diane Pollard looked at many of the extant studies and isolated several important indicators which can point to an overall improvement in the "quality" of education.
Pollard 1999:
In spite of the shortcomings of the existing research on single-sex classes, some common threads seem to permeate current studies that suggest some possible positive effects of these classes for girls. Three of these threads are described here.
First, one finding across studies suggests that single-sex classes are useful for girls because they establish comfortable places in which girls can learn and explore the world. This benefit is evident from the self-reports in the literature about single-sex classes in math and science, and the same finding emerges from our study of the after-school programs.
Second, single-sex classes provide an opportunity for girls to consider issues of gender identity and the variety of roles girls and women can consider in today's and tomorrow's society. Evidence from both the literature and our research in the African-centered schools suggest that girls in single-sex classrooms can be more easily encouraged to explore a range of roles and options.
Third, single-sex classes may be particularly helpful to girls at the developmental level of early adolescence. This suggestion must be interpreted with caution, however, since it could be an artifact of the large number of studies conducted with middle school students. Fewer studies appear to have involved secondary or elementary school students. However, consideration of the developmental changes associated with early adolescence suggests that this is a time when girls become particularly concerned about their sexual identity as they deal with the changes of puberty. Since girls tend to mature earlier than boys, single-sex classes at the sixth- or seventh-grade level offer a particularly salient advantage for girls. At the seventh- and eighth-grade levels, such classes may help both boys and girls cope with the developmental changes of early adolescence. Finally, there may be an indirect positive effect for girls that could emanate from some single-sex classes for boys. In particular, one relatively important component of the classes for boys in the African-centered school Cheryl Ajirotutu and I studied has been an explicit consideration of issues of gender bias and the roles that boys and men play in contributing to the social and psychological oppression of women and girls. We do not know yet how widespread these types of considerations are in other classes for African American boys.
Thus, I expect the quality of education will be measured in more abstract terms and other ways than standardized tests but the terms which define improved quality should resonate with judges.
James Kellams
James Kellams is an advanced Process Automation Specialist, active in the field since the earliest days of the concept of Computer Integrated Manufacturing. He is also, currently a high-school debate coach. He has assisted and promoted debate activities since 2004 serving as a debate judge and coach as well as serving in the OHSSL.
Source: Every day debate
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