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Kispus 1956
Released: 07 May 1956 Director: Erik Balling Writers: Kai Berg Madsen (idea), Sven Sabroe (idea), Erik Balling (screenplay) Actors: Helle Virkner, Henning Moritzen, Angelo Bruun, Nina Pens Rode Genres: Comedy, Romance
See Kispus (1956) - Intro on youtube.
See Kispus (1956) - Kærlighedens k on youtube.
See Kispus (1956) - Drømmesang (Po on youtube.
See Kispus (1956) - Skænderi on youtube.
See Kispus (1956) - Date on youtube.
See Kispus (1956) - En mand må ger on youtube.
See Kispus (1956) - Hun venter sig on youtube.
See Kispus - Trailer on youtube.
See Heksens Pissemand - Kispus on youtube.
See Top 5: Film til en romatisk af on youtube.
Kispus similar movies given below. Rate each movie or TV Series, add your own reviews and suggest new title as related. See big list of best top movies that are like Kispus film.
Kispus Similar Movies
Top movies like Kispus complete list given below.
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Q: issues with showing loading image on form submission using functional react hook in rectjs The code below works fine and can successfully show and hide a loading image as data is being fetched from database.
const App = () => {
const [loading, setLoading] = useState(true);

const base = useBase();
const tab1 = base.getTableByNameIfExists('myfirst_table');
 // grab all the records from that table
 const records = useRecords(tab1);

useEffect(() => {
  if (records){
    setLoading(false)
  }
}, [records]);

}

// return content goes here

Here is my issue:  in the code below, Am trying to post a message when button is click.
In this regard, I want to show and hide loading images as form is being submitted but it keeps displaying error "Invalid hook call. Hooks can only be called inside of the body of a function component.". This is case of form submission
here is a sample code
const Post = () => {

const [loading, setLoading] = useState(false);
const [message, setMessage] = useState("");

 function handleChange(event) {
    setMessage(event.target.value);
  }

  function handleSubmit(event) {
  event.preventDefault();

// set loading to true on button click
const [loading, setLoading] = useState(true);
/*
useEffect(() => {
    setLoading(true)
}, []);
*/

// send message to
const message = "Hello Friends";

// set loading to false to hide the image after form submission

useEffect(() => {

// post data
  if (message){
    setLoading(false)
  }
}, [message]);

}

// return content goes here

A: Hooks should only be called from the top level of a functional component, i.e. outside any nested functions, loops, if statements etc.
You have following statement
const [loading, setLoading] = useState(true);

inside handleSubmit function and it is also duplicate as same statement is already present at the start of Post component's body.
From the official docs: Rules of Hooks - React

Don't call Hooks inside loops, conditions, or nested functions.
  Instead, always use Hooks at the top level of your React function. By
  following this rule, you ensure that Hooks are called in the same
  order each time a component renders

A: you are using same state multiple time and your are using both useState and useEffect
inside a function, react hooks can only be used inside react functional components.

redpajama_set_name: RedPajamaStackExchange


About a year ago I sent dna into both FTDNA and Ancestry.com. The results were very similar, as they should be, but there is a striking difference a year on: the Ancestry results are changing!
Of course I couldn't find the original Ancestry map, but trust me… it's different.
NOW I have Greek/Italian ancestors, albeit not many. And a smidgen of Jewish! I figure that's Adam and Eve. Yes, Ancestry is just that good; they've traced my origins to the beginning of time.
Give them another year and I'll be Pocahontas' freaking cousin. How does that work? I know they figure in people's ancestors who are related to me via DNA, but are they taking for granted ALL their predecessors are mine?


We LOVE making shadow puppets with our hands but we're not very good at it. So we made these instead!
Hours of fun with every set, our Shadow Puppets get kids off screens and back to using their imaginations! A fun family activity that dims the lights and gets kids settled for bed, our Shadow Puppets will be the new favourite for the whole family.
Choose between our famous Woodland and Aussie Bushland Animals, or "por que no los dos?" Choose both!
Each set comes in their own special cardstock box. If you choose the "Woodland and Aussie" combo, all 12 puppets will come in one box.
Please note: Part of the beauty of natural timber is that grain will vary from piece to piece. Adult supervision is required at all times. If damage occurs, please discard.
Love love love the timber handcrafted Australian themed shadow puppets! The stories our little man comes up with using these guys is amazing. A beautiful product which we will be able to use for many years to come.
I got exactly what I paid for, what you saw on the website is exactly what you got. Perfect!!!
It looks amazing, a lot of work and effort has gone into these products-right down to the packaging. Love it. Well done guys!
We bought the shadow puppets for our daughters fourth birthday. She opened them this morning and as soon as the sun went down out they came. And they are as fantastic as I had hoped. The animals are all drawn so beautifully and I can see a lot of nights spent creating stories and play with these beautiful pieces.


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A Look at Masters of Sex- Season 2 Premiere: "Parallax"
Posted on July 16, 2014 by omarid513
In hindsight, maybe "Fallout" would have been a better title for this premiere if the name hadn't already been used. The season premiere to the second season of Masters of Sex, "Parallax," had a tall task. It had to deal with the aftermath of Bill's disastrous presentation, as well as his confession to Virginia, advance character storylines and continue exploring the wonders of human sexuality.
Credit where it's due, I think the premiere managed to accomplish all of this by taking its time with its storytelling. It doesn't just try to reintroduce the characters all at once. It takes what we've been given, introduces new issues to tackle, and paves the way for what will be major dilemmas throughout the season.
The season begins in the dead of night. Bill Masters watches his television, but remember this is at the point where television actually ended in the evening, so there's nothing really to watch. As he overhears a baby cry, he settles on the couch, all while remembering the night he spent with Virginia Johnson after his confession.
Speaking of, we then revisit Virginia Johnson, who catches the wandering eye of Dr. Crane, played by Jed Rees. She enters the ladies' room, but a door is no match for Dr. Crane! He soon follows and corners her, admitting that he can't stop thinking about her after the presentation. Langham, who has been watching this play out, goes in and tries to be a hero, but Virginia knees Crane in his goody bag before leaving in a huff.
In the cafeteria, Langham advises Virginia not to take guys like Crane seriously. That's easy to say, hard to do, as Virginia has been propositioned quite often. Men have left notes on her windshield and she's even found a dildo on her desk. Though that one she assumes a woman left for her. She never says whether she kept or donated it, but I guess that's not important. It also doesn't help that the money Virginia makes from working for Dr. DePaul doesn't cover essentials. She stands no chance of getting a raise, so she's in a tight spot.
Langham proposes something called the Cal-O-Metric, a product Elise once tried after she went stir crazy and got tired of junior league and scout mothering. Soon enough, she lost all of the baby fat. Virginia finds it all too surprising that Elise still cares for him. Quite frankly, so do I, but Langham insists that his wife deserves a medal for her for her forgiving heart. She deserves way more than that!
Elsewhere, Bill accompanies Barton to his first session. The doctors don't want Barton to drive after the session. Since Margaret doesn't know that Barton is still having the procedure, he wants Bill to keep this under his hat. Once Barton has his routine set, he'll be able to handle himself.
With the pain clear on his face, Bill watches as Barton is given shock therapy and convulses.
Afterward, he wakes up, unclear where he is. He even vomits on Bill, who isn't upset at that. The memory loss and confusion are only temporary.
Taking Langham's advice, Virginia meets with Flo Winters, played by Artemis Pebdani from It's Always Sunny in Philadelphia! Nice. Flo gives Virginia the lowdown: Virginia sells the product and keeps some of the profit. Some will go to the Headquarters, which is Flo. But because Virginia can't pay for it, the best Flo can do is give Virginia some pills right now, but the Flo's cut goes from 20 percent to 50 percent. After all, you can't make the poor richer by making the rich poorer. Virginia questions the effectiveness, and Flo responds by noting that she was once 198 pounds until she heard about the starving Chinese. Oh, and Virginia will have to go by a script. Even though she prefers to go off the cuff, Virginia has to stick with what she's given.
Barton is ready to drive home, but Bill shoots that idea down. He's still against this form of therapy. Electroshock is unpredictable and the side effects could be permanent. More than that, there's no hard data proving that this cures homosexuality. All Bill wants Barton to do is think about it.
At the Chancery Park Plaza Hotel, Bill checks in under a Dr. Holden. The clerk, Thomas, played by Daniel Rubiano, confirms the reservation and Bill heads to his room.
During his shower, Bill has another memory and we again flash back to the night they had sex in Virginia's home. Afterward, Bill actually takes Virginia's pulse. But since there are no instruments, there's no clear way to interpret what just happened? Soon, the phone rings. Virginia knows that it's Ethan, and he'll keep calling until Virginia decides to pick up. She eventually does and heads to another room to talk. She apologizes and tells him that things have changed.
When Bill emerges from the shower, he sees that Virginia has arrived.
In the present, Libby Masters takes her baby to Dr. Begner, played by Chris Conner. Begner is surprised. Not because Libby has come in for the baby's first major checkup, three weeks after he was born, but that she dared to even show her face at the hospital after her husband's presentation. But hey, you never know what you're in for after you say "I do." Libby shouldn't blame herself. She doesn't, though. In fact, she defends her husband.
So Virginia isn't a natural salesman, judging by her shop in the cafeteria. Most of the women give her cold stares, except for one: admissions newcomer Yvonne, played by Lauren Pritchard. Virginia goes by the script, which mentions a baby- something Yvonne hasn't had. Needless to say, the attempted sale turns into a train wreck and Yvonne leaves Virginia with her pills.
Luckily, Libby arrives, so the two are able to talk. Libby's received her fair share of scorn and pity. I'm guessing she hasn't received any surprise dildos, though. Libby would like nothing more than for Bill to return to work. She asks Virginia for advice on how to go about it, but they agree that trying to force Bill to do anything will backfire. If Virginia were in her shoes, however, she'd care for the baby, then herself.
At House Masters, Libby prods Bill to attend a gala for the St. Louis Community Chest. Her plan is to get close to Doug Greathouse so she can talk him into giving Bill a job. Greathouse is head of the Obstetrics Department at Memorial Hospital, so it'd be a big deal if they could just talk to him. Luckily, Mama Masters is there to take care of the baby.
At the gathering, Bill drinks in a corner while the man of the evening entertains the crowd. We then meet Dr. Doug Greathouse, played by Danny Huston. They are all gathered, he says, to help eliminate Rubella- German measles. German because they were discovered by a Kraut. But hey, at least the measles weren't discovered by a Jap. Otherwise, we'd be calling it Fried Rice!
His words, not mine.
Libby is anxious to speak with Doug one-on-one, while Bill would rather be boiled in oil. It's a tough call, to be sure, but no matter. Bill doesn't have to talk to Doug.
He can catch up with Betty and Gene, with Annaleigh Ashford and Greg Grunberg reprising their roles. Gene is there because the hospital loves his money, but Gene would love a family, so he'll be paying Bill a visit to discuss that. When pressed about his future work, Bill is confident that he'll be able to work at a hospital more receptive to his study.
Libby, unfortunately, did not talk to Doug one-on-one, but Bill says he'll call him tomorrow.
Barton takes a look at some nude male figures before heading to his beloved Margaret. To her surprise, Barton wants to stay there, with her. Just to prove it, Barton has Margaret feel his erection. Something is definitely happening down there. The two strip down and get intimate, but things go south when Barton turns Margaret and plants butterfly kisses up and down her back.
Margaret stops this, telling Barton that he can't pretend that she's someone else. And that means Barton should be willing to look at her. Only a shred of her feels like a woman and damn it, she won't let him take that away from her. Barton insists that Margaret let him try things his way. He insists that he can change, but they have to try harder!
Virginia catches up with Jane, who is making future travel plans. Lester works as a production assistant for a studio out in California, which means that he'll be a director very soon. Jane, you don't go from production assistant to director in a short amount of time, regardless of how well you can capture vaginal walls on film. But anyway, Jane wants to be in pictures- ones where her face can be seen. Oh. She should follow her dream. As should Virginia, who Jane insists should come with her. After all, no kid could turn down a trip to Hollywood.
Jane also knows that Virginia shot down Ethan's proposal. You know, Ethan needs more guy friends if Jane was his go-to person. To Jane, Ethan offers stability. Virginia won't get anywhere selling diet pills or working on pap smears with Dr. DePaul. She certainly won't get anywhere with the study, seeing as she only remained at the hospital because her name is on it. Regardless, Bill Masters is gone. And the study? It's not real. Not anymore. Virginia can't pin her hopes on something that can't be. Buzzkill much, Jane?
We cut to Virginia checking in at the Chancery Park Plaza Hotel as Mrs. Holden.
As Virginia enters the elevator, we once again revisit the night Bill arrived at her doorstep. However, when Virginia goes to take Ethan's call, we stay with her and hear the rest of their conversation. Things have changed, and Ethan guesses that Bill is the reason that Virginia is calling things off. But Ethan promises her the life that she wants. All Bill can offer is work. It just cannot be. But, Virginia says, it is.
Back in the present, Dr. Ditmer approaches Virginia. Thinking he's making a move on her, Virginia lashes at him, but turns out that Ditmer isn't interested in drinks, a quick romp, or dinner, nothing of the sort. Actually, he's received a grant to use cold light illumination for esophageal study, similar to the technology Bill and Virginia used for their study. Ditmer is just looking for some advice and maybe Virginia could apply her skills to the study. And the study is well-funded, so Ditmer is able to pay Virginia, as well.
Virginia apologizes, and while the offer is enticing and for a good cause, she's already working for Dr. DePaul. However, Ditmer is willing to accommodate to whatever fits Virginia's schedule, not his. That's actually pretty nice of him.
Libby prepares to meet with Tatti Greathouse, who included Libby in her Women's Auxiliary Brunch. It's important that she go. This means Bill is in charge of Baby James- he has a name, now- while she's gone. Sounds easy. Plus, Bill is a doctor, so he knows about babies, right? Nothing he can't handle.
Virginia heads to her desk, only to find Dr. DePaul already at it. She was looking for a stapler, yet found Virginia's desk filled with diet pills, which are really just off-market amphetamines combined with sugar paste or talc. Hey, the pills are just for extra money since Virginia's salary isn't enough to support her family. Virginia calls attention to the giant shiner under DePaul's left eye. DePaul says she ran into a medical cabinet, but Virginia knows better. She also knows that DePaul doesn't date, so what really happened?
No time for that! Langham rushes in like he's running away from Death.
She's not Death, but I guess his wife is close enough. Elise storms in with the kids and demands to know where Austin is hiding. When no one answers, Elise hands Virginia the baby and takes the microphone, which is conveniently right there. On the intercom, she puts out an all points bulletin for Austin Langham, the hospital's resident philanderer and insufferable cad. This cad spent the last two months fornicating with his sister-in-law, Rosemary, who must have been the last woman Austin didn't skewer like a pig!
Really, Austin? I mean, really?
Bill calls Doug and apologizes for not speaking with him, but offers to visit him later that afternoon.
Before this, Bill must deal with the matter of his son. The crying continues and Bill can't bury himself into his work. He approaches the baby's room, but stops short before heading to the record player. In one of those moments where Masters of Sex is about as subtle as a train wreck, Bill plays The Everly Brothers' "Bye, Bye Love." The music does drown out the baby's crying, but soon, all is silent.
Essie got a call from Libby to stop by and check on how Bill faired. Bill's certain that he did as well as she did when Bill was a young boy. Bill admits that what he makes is intolerable. Essie thinks that Bill is talking about parents and babies, but Bill has nothing to hide from his mother: he's been having sex with Virginia on a regular basis and has no intention of stopping. Just like real magic, he's turned into his father. Heck, he's turned into her as well!
Libby later returns, astonished at Bill's baby magic. Bill tells Libby that Essie is returning to Ohio for good. And despite how much Libby depends on Essie, it's time that she starts looking for a sitter, preferably one that can start as soon as possible. They will speak of Essie no more.
To my surprise, Rose McIver is back as Vivian. And more than that, she's having an actual conversation with her mother instead of being limited to a mere mention! So yeah, Vivian talks about going to college, even though her parents want her to stay close. After hearing a thud, Vivian heads downstairs.
Upon hearing her daughter scream, Margaret rushes down and finds that Barton is trying to hang himself. Vivian holds onto her father for dear life while Margaret brings over something for him so stand on.
Vivian rushes to find a knife, which Margaret uses to cut Barton down. They all fall to the floor and Margaret breathes breath into her husband's body until he revives.
Bill and Libby have dinner with Doug Greathouse and his wife, Tatti, played by Rya Kihlstedt. It's time for a new beginning. Or, it's time now, after Gene made a sizable donation to the hospital, with a few strings attached. Libby's just glad that Bill is going back to work, but she's equally curious as to whether Virginia will be joining him again. Tatti wants Doug to play no part in this study whatsoever.
So when the ladies go to powder their noses, Doug admits that he let too much information slip. Gene's donation came with the condition that Bill be allowed to work. He's very interested on what happens behind closed doors when it comes to Masters' study, and wants to be kept in the loop.
Later on, Bill heads to the Scully residence to talk with Barton and share the news, but Margaret tells him that Barton is on a long distance call and could be tied up for a while.
DePaul is still hard at work, despite Virginia's advice that she should turn in for the night. So the good doctor's proposal is alcohol! As the two drink, DePaul finds it sad that no one would ever think her black eye was because of a jealous lover. Hey, you brought that perception on yourself, Doctor. But Lillian DePaul is never reckless. But then, as Virginia notes, it's not bad to be careful.
We flash back- first to the end of Virginia's call with Ethan, and then we cut to the hotel where Bill and Virginia meet to discuss how they'll move forward after their encounter on the previous night. It's no surprise that they came to a hotel in Alton, Illinois, a half-hour's drive outside of town. Virginia is certain that Ethan must be taking the breakup pretty badly, and getting some distance won't help him make sense of it. Rarely, Virginia says, does a man understand why a woman would choose love over work.
Hey, here's an idea! The two could have an affair! What they're doing is completely pedestrian and the story always ends the same. This time, however, it's much more than that. They have the work. At the apartment, there were no wires. As Virginia noted all along, there are some aspects of sex that are immeasurable. This opens up an entirely new line of inquiry, Bill says. It would be a mistake to end what the two of them have right now. They will continue whatever it is they have, but with terms- Bill doesn't want Virginia to feel like she's being led on.
With that, Bill talks to the hotel clerk and wishes to check into a room. He reserves it under the name of Dr. Francis Holden.
There's a lot to work with in this premiere, and what the show gives us, I think, is handled very well. Out of the gate, the season is taking a much darker turn, but not as in everything looks dreary and unpleasant. Even the first season handled mature subjects with care, but with moments like Barton's attempted suicide, DePaul drinking and Bill's home life, the premiere's tone is noticeably darker and sets the tone for the rest of the season.
Characters are pretending to be people that they aren't. Like last season, the masks they wear only show that the happiness they want can only be attained outside of their own skin. Living a lie worsens things not just for you, but the people close to you, made very clear through Barton and Austin's personal lives.
And as before, we see characters struggle with either maintaining the status quo because it provides stability- as Ethan would like Virginia to do- or stepping out of your comfort zone and doing something out of the ordinary. As DePaul and Virginia noted, there's nothing wrong with being careful. But if careful becomes too routine and ordinary, you want some chaos in your life to help shake things up. This includes going off-script, and we see many a character deal with that. Virginia likes to go off-script because she relates to people better that way, while trying to get Bill off-script is asking for trouble. Some reverse and find the status quo to be preferable, as is the case with Jane, who now favors pictures with her face and a happy future, believing Masters' work to be over.
The premiere addresses loyalty, or lack thereof, when characters can't commit to the people they supposedly love. This is mostly for the couples, however, as with Langham and his philandering. Most of the actual unity comes through while talking to members of the same gender. For example, Elise chastised Virginia for not sticking up for women everywhere when she refused to give up Austin's location. In instances like this, men and women are expected to be there for one another, regardless of how messy the situation. It's hard to remain loyal when you're hiding something. And this is further exemplified with DePaul hiding the truth behind her shiner or Doug secretly being interested in the sex study, against his wife's wishes.
For all the negativity still surrounding Bill's presentation, it was refreshing to see something positive come out of it. Recall that because of Ditmer's lackluster presentation on diverticulitis last season, Bill realized that he needed something exciting to maintain audience interest. Here, Ditmer is being given a chance to apply the same technology that Bill and Virginia used for something that will also be of some good. More than that, because of Virginia's intellect, she may be able to make some extra money out of it, should she accept the offer. Even if she doesn't, I was glad to at least see Ditmer make the offer, despite, Virginia at first, thinking he had ulterior motives.
Michael Apted's on this episode really allowed us to get inside the character's heads this week. This has been done before, but from the opening shot of Masters staring blankly as he watches television, Apted takes time with scenes and lets viewers fully take in what we see as opposed to just jumping from scene to scene.
This also applies to the sex scenes, which are still filmed with the same close-ups we saw last season, but because Bill and Virginia's session doesn't have any of the wires or schematics that they're used to, more focus is put on their facial expressions and reactions. As such, the scene feels more visceral and real. In fact, a lot of focus goes onto facial expressions and we can tell, words or not, exactly what they're feeling, whether it's Margaret and Vivian's shock at finding Barton trying to kill himself, Elise's rage at her husband's continued philandering or Masters' smug grin when he tells his mother that he has become just like his parents.
That's not to say the episode is completely dark, as there were plenty of comedic moments, the highlight being Elise's very public summary of her husband's affairs.
I did like the use of flashbacks. I enjoy nonlinear storytelling when it's done right. While the flashbacks could have been done in one sequence, showing them from different perspectives added something each time. We didn't just get the exact same flashback- the episode built on what we'd been shown.
With all that said, let's dig into the characters.
Come on, Austin Langham! You've learned nothing from the past season. So since Jane is indeed with Lester, it's clear that Langham won't be able to pursue her anymore. I like that he's able to talk with Virginia about dealing with the advances from men at the hospital. And while the plan may not be worthwhile, he does provide Virginia with another opportunity to make some extra money. Clearly he wouldn't want to put the moves on Virginia since she could, if she wanted to, spill the details about a certain woman named Flora Banks.
But his sister-in-law? How does that even happen? I mean, what happened to the lady from the jewelry store? The man is as much of a dog as he was last season, but there's one minor difference. Before, Langham went after women without worry of what would happen to him. Now he's actively hiding from his wife, and for good reason. Not that it mattered since she put his philandering- which most of the staff probably already knew about- on public display for everyone to see.
Having said that, I'm glad Elise is showing some backbone. When we first met her, she found her husband's behavior to be typical of his character. She lamented the women who Austin eventually left, but now, enough is enough. And if other women won't back her, she'll deal with her cheating husband on her own. Austin played around with family. Literally played around with family. That's entering HBO territory. As many familial conflicts as we have already, I would actually like to see more of Elise, given this is only her second appearance on the show. And now that she's on the war path, I'm sure she'll still be out for Austin's blood.
Jane seems to be on her way out, which, to me, is a good and bad thing. Good in the sense that she's following her dreams and still has feeling for Lester, but bad in the sense that, you know, Jane is leaving! Along with Allison Janney, Heléne Yorke has been my favorite female actress on the show, and with her leaving, this means we won't get to hear any more of her great lines. Side-note, I'm not really upset that we don't actually see Lester since he wouldn't have had much to add after Jane told us what he'd been up to. Plus, he kind of hit his high point in "Manhigh" when he admitted that Jane had beautiful vaginal walls. I mean, how do you top that?
But moving on, Jane seems to have put the study behind her, which I get. While she was initially interested in the subject matter, it wasn't until she saw the footage of herself that she concluded that what she did wasn't sex. She sees that nothing worthwhile can come out of a study that few respect, so may as well do what she loves- where her face can be seen, anyway. Jane is still the same confident woman that she was last season, unafraid to call out Virginia on selling diet pills when she's capable of so much more. And, from a narrative point of view, I did like her line about not pinning hopes on what can't be.
This leads me into Betty. Before the season premiere, we'd been told that Annaleigh Ashford would be returning to the role. But it doesn't appear that we'll be returning to the brothel. That still upsets me, but nothing I can do about it. Betty was the one who told Virginia that women must hitch their wagons to men if they want to get ahead. Since Betty can't bear children, she's pinning hopes on what she can't have: a family with children. She already said she had no intention of telling Gene about her chronic salpingitis, so at this point, she's still leading him along with the impression that she'll be able to conceive. Betty does appear to at least be financially secure thanks to Gene's position and power, so that's at least something. And despite how she and Bill came off during their run-in, I do hope they maintain the mutual love-hate friendship they developed up through "Standard Deviation."
Dr. DePaul seems to have lightened up since last season, and for the better. She's dripping with sarcasm and open to drinking at work. After hours, anyway. Plus, it was a bit funny for her to feel insulted that absolutely no one would think her shiner came from a lover. I'm sure we'll get the story behind that later, along with her cancer, but for now, I'm glad she comes off as more personable.
And man, did the Scully clan have a horrible couple of days. Every single one of Barton's scenes were uncomfortable to watch, whether seeing a nun hold him down while he convulses, when he loses his memory and when he tries to convince Margaret that he's different than what he truly is. The symptoms he shows after the treatment are exactly what Dr. Ellenburg predicted what would happen, and now we're seeing this play out.
Barton is absolutely desperate to rid himself of his homosexuality. He's doing this at a point when America didn't- and to an extent, still doesn't- fully understand homosexuality. Against Bill and Margaret's wishes, he undergoes surgery that could potentially kill him, and watching him try to make love to Margaret was just awkward.
And the literal image of the Scully family falling to the ground shows that the family is crumbling because of Barton's behavior. Not his homosexuality, mind you, but his attempts to get rid of it. When Margaret and Vivian find Barton trying to kill himself, there's real concern not just in their facial expressions, but at how frantic they are when trying to cut him down. They ask no questions. All they know is the man they love wants to end his life, and they'll be damned if they're going to let that happen.
Allison Janney and Beau Bridges, as always, turn in great performances, but I was more surprised to see Rose McIver return. Last time we saw Vivian, Ethan had broken off the engagement during "Involuntary." After that, Vivian's character had been limited to mentions. Now she's actually having a full, open conversation with her mother. And, you know, helping save her father's life. I am glad Vivian looks to have put Ethan and the proposal behind her, and good. She deserved better than that.
We already knew the Scully family was headed in a dark direction, but talk about throwing it right at you from the start. At this point, Barton could use a friend, so I'm not sure why Margaret wouldn't let Bill in, but I guess this is a family matter for now. It's going to spill out eventually, though.
Libby should take a page from Elise's playbook and be more assertive. She shouldn't have to scrape, beg and plead for Bill to do something that he's fully capable of. After all, the fallout from Bill's presentation has affected her, too, as she must endure the scorn directed toward Bill. But to see her drag Bill to a gala is frustrating because she ought to know that this won't work. She had that moment in the episode where Virginia mentioned that trying to force Bill to do something wouldn't work. Not saying Libby shouldn't try at all, but take a different approach.
And be more up front with your husband! Libby already suspected last season that the naked woman in the presentation might have been Virginia and even questioned Bill on it. With Virginia potentially working with Bill again, she has good reason to be curious about the nature of his work relationship with Virginia. Like Vivian and Elise, Libby deserves better than the man she has. She can't handle the baby by herself and she shouldn't have to. However, I'm glad Libby at least still has a friendship with Virginia, even if it could be on the verge of ending.
Then we come to the man himself. Like Martin Freeman's work on Fargo, I'm surprised at how well Michael Sheen is able to transform into this despicable character. His facial expressions show something deeper than Bill lets on. He's not entirely a bad person, as he does show concern for Barton during the shock therapy. As a doctor, he's still trying to rationalize everything with scientific jargon, but that doesn't apply when it comes to his relationship with his family. He tells Virginia that he's a happily married man, but nothing could be further from the truth.
He seems absolutely disgusted by the baby, as if he doesn't even want to acknowledge its existence. Trying to drown the crying with music was a nice callback to what Essie did when her husband beat Bill, but also shows how much Bill is becoming just like his parents. It's disheartening to see, but Sheen's performance in the scene where he faces off with Essie was well done. The smug grin on his face, how he rambles openly about his affair with Virginia, this is a man with many burdens and his only way to work out his feelings is to cheat on his wife. Granted, Bill doesn't have a new job yet, but at the same time, he has a decent amount of money, a wife and child. The problem is that he doesn't fully appreciate them. He probably never will until he suffers another huge loss, as was the case with the miscarriage. He's as emotionally distant as he was before. Bill sits on a lot of rage and because he has few outlets to express it, he lets his anger build until he explodes.
And just like Bill to try and tell Virginia that it would be a mistake to end their affair. Always the doctor, aren't you, William Masters? He's a little condescending when he tells Virginia that he doesn't want her to think he's leading her on, but he has to know that this affair is having a negative impact on her life. When Bill overhears Virginia talking with Ethan, there's real regret on his face, as if he knows that his involvement is keeping Virginia away from Ethan. More than that, when the two have sex, Bill has nothing but absolute relief on his face, as if he'd been working up to this moment and Virginia needs to be there with him.
So that leaves Ms. Johnson herself, who has her own personal problems to deal with. Luckily, like last season, Virginia has never let her problems weigh her down and get the best of her. She still walks and talks with complete confidence like a woman ahead of her time- a testament to Lizzy Caplan's performance.
Despite the propositions, a meager income and affair, Virginia isn't about to let the world get the best of her. Like Dr. DePaul, she wants to get ahead on her own steam. She's managed to do it and still has open opportunities, as we see with Ditmer's offer to use her background to help with his project.
Completely opposite from Bill, Virginia is not one to do things by the book. Heck, that's what made men like Bill and George so interested in the first place. She thinks outside the box and plays by her rules, not society's. This is nothing new, but we see here what happens when she's forced to conform, when she tries to advertise the diet pills. Disastrous results abound, but only because she did what she'd been told to do, not what she wanted.
And at the end of the day, they still have the work. Virginia still talks with Bill like the two have been a couple for years and she shows a playful side around him that we've never seen her show around Ethan. It's funny how open Virginia is about the idea of her and Bill having an affair. To an extent, she's right: the stories surrounding affairs usually end the same, but most probably don't involve coworkers who have partaken in their own study of human sexuality and showed their coworkers some footage of a naked woman masturbating. It's the little things that matter.
It would be easy for Virginia to hitch her wagon to Ethan because he offers the status quo. Bill keeps things interesting, when he's not being an absolute prick. But it's his dedication to the work that draws Virginia to him. And as we've seen, Virginia shares that passion of doing work for the good of science, so in a sense, the two are perfect for each other.
"Parallax" is a strong start to the second season of Masters of Sex. It continues the storylines from the first season, builds on them and paces its storytelling so we're able to fully grasp what we're shown. It introduced new characters without feeling forced, made good use of already established characters and gave them something to do instead of just shoving them on screen. This episode set the stage for this season to make a darker turn as these already complex characters prepare to deal with more problems. I can't wait.
This entry was posted in Masters of Sex and tagged Allison Janney, Ann Dowd, Annaleigh Ashford, Artemis Pebdani, Austin Langham, Barton Scully, Beau Bridges, Betty Dimello, Caitlin Fitzgerald, Chancery Park Plaza Hotel, Chris Conner, Danny Huston, Dr. Begner, Dr. Crane, Dr. Ditmer, Dr. Douglas Greathouse, Dr. Francis Holden, Elise Langham, Elizabeth Bogush, Essie Masters, Ethan Haas, Evan Arnold, Everly Brothers, Flo Winter, Gene Moretti, Greg Grunberg, Helene Yorke, homosexuality, human sexuality, Jane Martin, Jed Rees, Julianne Nicholson, Lauren Pritchard, Libby Masters, Lillian DePaul, Lizzy Caplan, Margaret Scully, Michael Apted, michael sheel, Nicholas D'Agosto, Rose McIver, Rya Kihlstedt, shock therapy, Teddy Sears, Thomas Maier, Virginia Johnson, Vivian Scully, Will Jennings, William Masters, Yvonne by omarid513. Bookmark the permalink.
1 thought on "A Look at Masters of Sex- Season 2 Premiere: "Parallax""
Adriana B on December 1, 2022 at 3:37 am said:
Lovvely post

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Cats pose a serious health risk from intestinal parasites. These worms not only damage your cat's well-being but also infect you and your family, if not treated on time. Moreover, worming your cat need not have to be just a bitter pill to ingest. Profender, world's first-ever topical de-wormer is the best solution for disinfecting cats. It effectively treats and controls parasites that live and multiply in the intestine of cats.
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An excellent product that efficiently whips away whipworms.
I had read mixed reviews about Profender. Using that as awareness, I did make sure I had my cat contained should I need to intervene with shampoo and towel ready. What I did do, was make sure I followed the directions. I placed the correctly sized product at the BASE of the SKULL. (Some photos of bad reactions show that the product was applied way too low by shoulders or mid back) I spread the spots out into three little sections about ½ inch apart. My cat had no reaction to the product. He could just feel that something was there but didn't obsess about it. The product dried white by the end of the evening and just dissipated. I did indeed see dead worms in his stool the next day. Reading the package information, they state that in testing they had a 1-2% reaction rate. That in my perspective is wonderful. All the information is on the package insert. When I spoke to my vet, he also agreed that in all, the product, when used correctly performs within normal expectation. There are a lot of uncontrollable circumstances and each situation unique. Any product, medical or otherwise cannot be 100%. That is just an unrealistic expectation. My heart does go out to those who have had trauma in any situation. Please, however, don't throw the baby out with the bathwater, but look at the whole picture. Perform your own research and then decide if you feel it is a calculated risk worth taking. Like I said, there are a lot of uncontrollable circumstances and each situation unique. Any product, medical or otherwise cannot be 100%. That is just an unrealistic expectation.
It has worked consistently every time I have used it on my cat. Within two days after application, all the worms were gone!! I recommend this to everyone.


Zenergy Communications was named Agency of Record (AOR) by the Canadian Vintners Association (CVA) for the development of its domestic wine branding campaign. The agency won the account after a competitive RFP process.
As part of the assignment, Zenergy Communications will be tasked with developing a brand identity and launch strategy promoting 100% Canadian wines, targeting the next generation of wine drinkers throughout the country. The goal of this mandate is to facilitate the long-term prosperity of Canada's wine industry both domestically and eventually internationally. The launch date of this campaign is scheduled for Fall 2015, following strategic research and planning that is currently underway.
The CVA represents wineries responsible for more than 90 per cent of Canada's wine production and premium wine exports in Canada.


The motives behind searching for a particular brand online are different from what someone has in mind when doing a "regular" search. There are equally different expectations for the search results likely to be delivered. The staff at Saba SEO, a San Diego SEO company, helps businesses effectively present their brand, products, and services online. Here are a few ways searching for brand is different from using the search engine.
People searching for products and services are likely to be in the early stages of making a purchase decision. Therefore, they may be concerned about features like price and whether or not they can save an extra 10 percent with a coupon code. However, people searching by brand are likely not just looking for a deal. They're more likely ready to make a decision because they already know they want something specific from your business.
Even if familiar brands show up in general search results, someone not looking for a particular brand is likely to be open to other brands. Brand searches tend to be personal. People feel connected to a brand because they believe that particular company shares their values or has certain desirable qualities.
People searching for brands can be receptive to the content beyond your website, since they may be looking for fresh, relevant content related to your brand. There's a high potential for engagement with your social media pages, video posts, and blog posts.
Although you can't control whether people search for your products or services online or actively seek your brand, the search engine marketing specialists at Saba SEO can boost your brand's online visibility. From high-quality content creation to effective social media management, we use a variety of tools to create a tailored online marketing plan for your business. If you're looking for new ways to increase online engagement or to manage your brand effectively, give us a call at 858-951-1717.


Bears spreading their legs into others' space is taking place on public transport systems all over the world, especially with the sudden and mysterious rise in the bear population. It takes many forms, ranging from a slight invasion of someone else's personal space, to what ends in a complete public mauling. "Bearspreading" is the now official term, and despite a campaign and tons of nagging and bickering on social media to end it, nobody had been able to do a damn thing to stop bears from sitting however the hell they want to.
Signs reading "Bears…stop the spread" have been rolled out on train and metro carriages across the city as part of an effort to improve bear train etiquette. The signs have been ripped to pieces and soiled with bear excrement. "I don't know why we wasted money on those signs. Bears can't read," said subway operator Juan Costanza.
Regardless of campaigns and hurt feelings, bears haven't changed the way they sit and in fact have taken to exaggerating their spread whenever possible as if they mean to aggravate the other passenger intentionally. "Real ornery creatures," commented one passenger who had to sit and try not to breathe in the toxic smell of the bear's open hind parts all the way from Staten Island to Times Square. Last week, when subway officials tried to confront a nearly 2000 pound grizzly who was bearspreading during the morning rush, several were injured and nine died in the outlash that ensued.
Ethan Nicolle does not ride subways, but he does ride airplanes, and he wonders if there is a difference between manspreading and obesespreading. He is author and illustrator of Bearmageddon, Axe Cop and the upcoming Dickinson Killdeer's Guide to Bears of the Apocalypse: Ursine Abominations of the End Times and How to Defeat Them.


Casa Lluisa 12kms to Costa Brava beaches. Beautiful cottage with private garden. Located in a typical Empordanesa village, 12 kms to the Costa Brava beaches.
Ground floor: open area incorporating kitchen, washing machine is shared, dining area and lounge. The bathroom is on the ground floor.
First floor: 2 double bedrooms with double beds (1 futon). Single bed located in the open area between the 2 double bedrooms.
Shady garden 60m2 with porch area incorporating a summer kitchen. A barbacue is also available.
Casa Lluisa in the heart of the Empordà, a county known for its gastronomy, Celler Can Roca (restaurant voted nº1 in the world 2014), Girona is only 25mins by car. You will discover beautiful medieval villages and an abundance of different activities from riding in a balloon to scuba diving.
Camallera is a small village with 500 inhabitants offering a traditional bakery (bread is baked in a wood fed stove)l, supermarket, 2 butchers, organic greengrocers, 2 restaurants, 5 bars, delicatessen, church all are within easy walking distance of the cottage (300m).
There is a train service from Camallera to Girona, Figueres, Vilájuiga, Llança, Colera, Por Bou, Cerbere, Barcelona and the French border.
The swimming pools at Vilopriu are a 10 minute drive and the beaches of the Costa Brava 15 minutes.
In the countryside, very quiet, close to the beaches (Sant Martí d' Empúries, Sant Pere Pescador, L'Escala, l'Estartit, Pals, Begur) and other places of cultural interest (Pals, Ullastret, Torroella de Montgrí, Peratallada, Sant Martí d'Empuries). Spacious, comfortable with lots of light and peace. Combine the tranquility with the possibility of practicing sports such as golf, walking tours or cycling, water, sports. Also sampling the variety gastronomic offers in the region.


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Home › Eurasia › EDB Research on Eurasian Integration › The EurAsEC International Transport Corridors
Download Report no. 5. April
Primary address
The EurAsEC International Transport Corridors
Evgeny Vinokurov. Murat Jadraliyev, Yuriy Shcherbanin
EDB Industry Report no. 5. April. EDB: Almaty.
Transport is at the heart of an efficiently functioning economy, since it provides an infrastructural basis for sustainable development. In modern times, when individual economies are joining together to form a global production network, access to efficient transportation and communications systems is an essential precondition for integrating into this network (Lakshmanan, 2001).
For EurAsEC members – Belarus, Kazakhstan, Kyrgyzstan, Russia and Tajikistan – whose mutual trade turnover and, accordingly, cargo transportation have been rapidly increasing recently (by 2020, their cargo transportation may total 490 million tonnes, a four-fold increase compared with 2000), the development of transport infrastructure is vital in sustaining the rapid expansion of mutual trade and economic integration.
Today, analysts estimate the transit potential of EurAsEC at around 220 million tonnes. By 2020, this may increase to 400 million tonnes, with about 290 million tonnes of cargo potentially being transported from EurAsEC to third countries. In order to be able to handle these enormous volumes of cargo, the region's existing transport infrastructure needs to be modernised.
However, EurAsEC does not fully utilise its transit capacity, handling only half of its potential cargo flow. The main reason for this is its failure to become a key transit route between the two global commodity-producing centres, the EU and the APR. Trade turnover between these regions will reach $1 trillion in the next few years. Only 1% of the cargo generated is being transported via the ITCs of EurAsEC. In this paper, we will attempt to identify measures that need to be taken to make the region's ITCs a realistic source of transit revenue for EurAsEC countries.
The purpose of this review is to provide an insight into the diverse problems associated with transit via EurAsEC. Firstly we examine competition in the transit transportation industry and the structure of competitive advantage in sea and land freight transit. Secondly, we identify specific cargoes which can be transported via the ITCs of EurAsEC. Thirdly, we analyse physical and non-physical barriers to the realisation of the region's transit potential, and propose measures to eliminate these barriers. We also discuss various potential targets for investment and the progress of transport integration in EurAsEC. Finally, we provide detailed information on existing and emerging ITCs in EurAsEC countries, and highlight the most promising and efficient ITCs which are already helping the region to achieve its transit potential and further the integration of EurAsEC countries.


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11/18 Big Ten Conference news
ANN ARBOR, Mich. (AP) — Jim Harbaugh still hasn't beaten Ohio State, but his Michigan team has roughed up the school's other big rivals this year. The Wolverines beat Michigan State 44-10 on Saturday. That came on the heels of a 45-14 rout of Notre Dame last month.
UNDATED (AP) — Georgia edged past Alabama to No. 4 in The Associated Press college football poll after the Bulldogs had a quality road victory and the Crimson Tide lost star quarterback Tua Tagovailoa for the season. LSU remained No. 1 in the AP Top 25 presented by Regions Bank, receiving 54 first-places votes. Ohio State and Clemson stayed second and third. Minnesota and Baylor both lost for the first time and dropped in the rankings to 11th and 13th. Oklahoma moved up two spots to No. 8.
UNDATED (AP) — The longest active bowl eligibility streak in college football is still intact after Virginia Tech qualified for a 27th consecutive season. The Hokies beat Georgia Tech 45-0 on Saturday. There are 63 teams that are bowl eligible so far.
PISCATAWAY, N.J. (AP) — Jonah Jackson has gone from one of the worst teams in the Big Ten to the penthouse of Power Five football. The Ohio State offensive lineman had a reunion with his former teammates after the second-ranked Buckeyes routed Rutgers on Saturday. Jackson transferred to Ohio State and now has a shot at a national title.
MADISON, Wis. (AP) — Brevin Pritzl had 15 points and 13 rebounds off the bench, and each of Wisconsin's five starters scored in double figures as the Badgers defeated in-state rival Marquette 77-61. Brad Davison also had 15 points for Wisconsin, which won its 12th straight non-conference home game and 300th game at the Kohl Center, which opened in January 1998. Koby McEwen scored a game-high 19 points for Marquette, which suffered its first loss of the season.
MINNEAPOLIS (AP) — Destiny Pitts scored 22 points, Gadiva Hubbard added 20 and Minnesota beat No. 19 Arizona State 80-66. Jasmine Brunson added 15 points for the Gophers, who shot 50 percent, including 8 of 18 from the arc.
BLOOMINGTON, Ind. (AP) — Freshman Mackenzie Holmes scored 15 points off the bench, leading a balanced attack for No. 21 Indiana in a 91-51 win over Jackson State. Holmes made 7 of 10 shots and was one of three Hoosiers with seven rebounds.
Huskers Hold Off Hawkeyes, 3-2
LINCOLN, Neb. - The No. 6 Nebraska volleyball team survived an upset bid by Iowa, defeating the Hawkeyes 3-2 before a crowd of 8,425 at the Bob Devaney Sports Center on Saturday night.
The Huskers took the first set, 25-20, but surrendered deuce sets to Iowa in sets two and three, 23-25 and 25-27. With their backs against the wall, the Huskers responded by never trailing in a 25-18 set four win and a 15-6 set five win.
Madi Kubik led the Huskers (22-3, 14-2 Big Ten) with 19 kills and 16 digs. Jazz Sweet tied her career high with 18 kills and hit .417, and Lauren Stivrins was sharp as well with 15 kills on .542 hitting. Callie Schwarzenbach tied her career high with nine kills and contributed a team-high five blocks. Lexi Sun tallied eight kills and 16 digs.
Nebraska hit .263 and held Iowa to a .171 percentage, including .132 and .045 marks in the final two sets. In the decisive fifth set, the Huskers had nine kills and no errors for a .600 hitting percentage.
Nicklin Hames had 55 assists and 12 digs, while Kenzie Knuckles had a match-high 22 digs. Megan Miller chipped in 13 digs.
Nebraska had 10 more digs (86-76) and 17 more kills (74-57). Iowa had a 5-2 edge in aces, while NU had a slight edge in blocks, 9.0 to 8.0. The Huskers committed seven net violations throughout the course of the match, though the Huskers cleaned up their play with only one net violation in the final two sets.
Iowa (9-18, 3-13 Big Ten) got 18 kills from Courtney Buzzerio. Griere Hughes, Amiya Jones and Edina Schmidt each had 10 kills.
Nebraska makes its last road trip of the conference schedule next weekend when it plays at No. 5 Minnesota on Friday at 8 p.m. and at No. 7 Wisconsin on Sunday at 1:30 p.m. The Huskers are tied with Minnesota for second place in the Big Ten standings, one game behind Wisconsin.
Set 1: Iowa jumped out to a 10-6 lead, posting eight kills on its first 15 attacks without an error. The Hawkeyes pushed their lead to 15-11 at the media timeout, but Kubik earned sideout with her fourth kill and Stivrins and Sun combined for a block that made it 15-13. Iowa went back up by four, 17-13, but a service error put Hayley Densberger at the line to serve for the Huskers, and she sparked NU to a 6-0 run that put the Big Red in front 19-17, capped by a block by Sun and Schwarzenbach. Sun's first kill of the night helped the Huskers to a 21-18 lead, but Iowa got back within one on a kill by Buzzerio. After a timeout, the Huskers took control with two kills by Schwarzenbach and two by Sweet to win the set, 25-20.
Set 2: Iowa again claimed an early advantage, going up 10-7 after a kill and ace by Jones. The Hawkeyes once again led at the media timeout, this time 15-12. Kills by Sweet and Kubik brought Nebraska back within 15-14, and a block by Stivrins and Sweet tied the set at 16-16. After an Iowa timeout, Stivrins posted a kill for a 17-16 Husker advantage, but Iowa went back up 21-18 after a 5-1 run. A kill by Stivrins and back-to-back Iowa hitting errors tied the score at 22-22, but Iowa answered with kills by Schmidt and Buzzerio to earn set point at 24-22. Sun terminated for the Huskers to cut it to 24-23, but a net violation gave Iowa the 25-23 win.
Set 3: The Huskers trailed 5-2 before going on a 7-1 run to take a 9-6 lead. Stivrins had three kills for the Huskers in that stretch. Iowa responded with four straight points to reclaim a 10-9 lead and force a Husker timeout. Back-to-back kills by Kubik restored a 14-13 NU lead. After Iowa went back in front, Stivrins posted her 10th kill, and Schwarzenbach and Hames combined for NU's sixth block of the night to make it 18-17 Huskers. But the Huskers' sixth net violation of the match and their 19th attacking error aided Iowa in going back in front, 21-19. Two aces in a row by Buzzerio made it set point for the Hawkeyes, 24-20. Kubik produced a pair of kills and Knuckles served an ace to keep the set alive, and Stivrins won a joust at the net to force a 24-24 tie. After Iowa used its second timeout, Stivrins pounded a kill to give Nebraska set point at 25-24. A service error leveled the score again at 25-25, and Iowa scored the final two points of the set on kills by Hughes to take a 2-1 lead in the match.
Set 4: Nebraska opened the must-win set with three kills, one by Schwarzenbach and two by Sweet. A block by Hames and Stivrins made it 5-1, and back-to-back kills by Sun helped NU go up by six, 10-4. Iowa took a timeout after the Huskers went up 13-5, and Sweet came up with three kills for the Huskers to keep NU up by eight, 18-10. Kubik's 17th kill made it 19-10, but Iowa scored the next four points to slice NU's lead to 19-14. Sweet and Kubik came up with big kills for the Huskers, and NU regained an eight-point lead at 23-15 before going on to force a fifth set with a 25-18 win.
Set 5: Schwarzenbach posted a pair of blocks - one with Sweet and one with Sun - to begin the set. Sweet then terminated her 15th kill of the night for a 3-0 Husker start. After Iowa cut it to 4-3, Sweet crushed consecutive kills, one after an acrobatic dig by Knuckles, and Stivrins added another to make it 7-3 Huskers. Sweet's 18th kill sparked a 4-0 spurt that put NU ahead 11-4, which came on Kubik's 19th kill. The Huskers finished off the victory with a 15-6 win on a kill by Stivrins.


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