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Lesley Manville: 'Your needs and wants and sexual desires don't stop at 35'
Alexandra Pollard
Read any of the articles written about Lesley Manville lately and they'll tell you the actor is having a moment. "What they've been saying is that I'm having a 'late-flowering career'," shrugs the 63-year-old, picking at a fruit salad. "Their words, not mine. I felt that it was always flowering."
Understandably so. Manville has been working since she was 16, first establishing a career onstage with the Royal Shakespeare Company and the Royal Court, before a theatrical collaboration with the director Mike Leigh turned into a cinematic one. After their first film together, 1988's sibling drama High Hopes, six more followed – including 2010's Another Year, for which Manville was nominated for a Bafta. In other words, things were going swimmingly. "And then, quite literally out of nowhere, Paul Thomas Anderson rings me, and says, 'Do you wanna be in my film?' Simple as that."
We're in the echoey corner of a London hotel to discuss Manville's brilliant BBC2 comedy Mum, which is partway through its third and final series. But today, dressed in a pressed white trouser suit and gold necklace, Manville more closely resembles Cyril Woodcock, the high-end couturier she plays in Paul Thomas Anderson's 2017 film Phantom Thread. An unsettling yet funny psycho-sexual drama set in 1950s London and starring a fastidious Daniel Day-Lewis as Cyril's brother Reynolds, it earned Manville her first Oscar nomination. She was 61.
"It was just wonderful," she beams. "I loved every minute of it." Working with Paul Thomas Anderson was a joy, she says. "If you say anything in this interview about Paul, you just must say, from me, that he is the most glorious man to spend a day with on set. He's the most lovely, funny, witty, glorious energy. You could easily think that he's very cerebral and earnest, and that those days on set are heavy and difficult. They are all of those things, but they are also glorious with knobs on."
I mention a DVD outtake in which she and Day-Lewis improvised a full-on food fight: tea was spat, jam was smeared, eggs were smashed. I was surprised by how loose Day-Lewis seemed – not the solemn method actor I'd imagined. "Well there you go," she says. "I think that sums up what the myth is and what the reality is. I mean yes, that myth does prevail, and he is very in character, but once you're in character, you can kind of go anywhere and it's OK."
She loved the lavish clothes her character wore, though "it was incredibly physically restricting. I don't think Cyril would do what I do at the end of the day, which is put on a pair of sloppy trousers and a T-shirt. I can't wait to get out of my day clothes when I get into the house, and I'm not even wearing any of that s**t."
In that respect, the character reminded her of her mother. Manville, the youngest of three daughters, grew up in a "working-class family" in East Sussex with a stay-at-home mum and a taxi-driver dad. "When I was a child in the mid-Sixties, my mother would put on what she called a roll-on. We wore them in Phantom Thread, it's kind of a residue of the corset. It was like a completely elasticated bathing suit that was a bra, and then it was your suspender belts as well. It's strange that it lasted so long. I mean, really! What took women so many centuries to get rid of the girdle? It's ridiculous. No wonder that whole [feminist] movement in the Sixties had the 'burn your bra' slogan. Christ almighty, yes, burn it."
Manville's character in Mum is a little more low-key than she is – though they have the same glint in their eye. "Cathy's not a banging on the door feminist," she agrees, "but she's a quiet one." Mum began in 2016, opening in the aftermath of the death of Cathy's husband. She grieves – a grief that feels "sometimes a mile away, sometimes right next to you, but it's always there" – alongside the remaining members of her sweetly daft family. It is one of the best sitcoms of the past few years.
Cathy is a calm, stoic, endlessly tolerant woman. "She's everything good isn't she?" effuses Manville. "Like with a lot of women I guess, she's been this rock throughout all of these, predominantly men's lives – her husband, her son, her brother. You never see her saying, 'Actually, I want this, I need something'. She's always on output. I mean wow, it's very selfless isn't it?" She does an exaggerated exhale. "Leaf out of that book!"
Lesley Manville as Cathy in 'Mum', a series the actor describes as 'a comedy about grief' (BBC)
Over the course of the three series, Cathy slowly falls in love with her lifelong friend Michael (Peter Mullan). "It's a comedy about grief," says Manville, "but it's also this beautiful love story about an ordinary, middle-aged woman falling in love. It's good that it's an older women having a love affair. Your needs and wants and sexual desires, and the need for love and companionship and excitement, doesn't stop at 35. But also, it's flagging up that we are all going to have tragedies in our life, we're all going to lose people we love, we're all going to have the rug of life pulled from under our feet. But the point is to carry on."
Manville's no stranger to that. She was married to the actor Gary Oldman, but he left her in 1989, three months after their son, Alfie, was born. She brought him up as a single parent, but she rejects the tragic narrative that is sometimes built around her. Or, indeed, any celebrity who goes through personal tumult. "Yeah, ridiculous, I mean come on," she says. "I do hate it when I read a headline of somebody in the industry that says, 'I've been divorced, I'm bringing up the child on my own.' I try to talk about it in a down-to-earth and practical way, because it's awful to set yourself up as something unique and special because you've done that."
Besides, she had money. "Masses of people are doing it with far less privileges than I had. I wasn't doing it poverty-stricken, I wasn't it in a bad housing situation. I'm not negating the emotional stress and strain of being left, and bringing up a child on your own, but it's the feelings that are universal. The situation – for me, on a practical level – was comfortable. I don't think it's right to do the boo-hoo stories. Come on, there are people in far worse positions than I am. Bringing up a child without enough money is a horrendous thing to have to do. God almighty, I didn't grow up with privilege. I didn't grow up with money being a thing that was easy to come by."
In the end, being a single mother was something Manville enjoyed. "Enjoyed is the wrong word, I loved it. It's been the greatest journey of my life being a parent. The fact that I did it on my own is kind of by the by."
As for her parenting style, she just tried not to overthink it. "I never wanted to be calculated. I could only be the mother I could be, and I hope that was enough. In general terms, I'm a good person, I'm not ridiculously messed up… you just do your best and hope for the best. You give them the space to be what they are, and guide and suggest, but you don't finger wag and dictate. It's hard. Sometimes you want to finger wag and dictate, and something you want to get very angry. And sometimes you are angry. But you know, it's very hard to watch a person emerging into a grown-up. You just have to remember how it was when you were doing it."
She certainly made mistakes when she was younger, and acquiesced a little too much. Or, as she puts it, "put up with a lot of s**t". "Although there wasn't, career-wise, a lot of s**t I was putting up with," she adds. "Most of the s**t I put up with was personal, and I definitely wouldn't put up with that now. But that doesn't set me apart from most women of my age, who have matured and had time to reflect on their actions. God, we all do things when we're young that later we'll grow to think, 'God, I shouldn't have done that.' But that's normal. That's just getting older."
Now she knows what not to tolerate – in both her personal and professional life – Manville has no intention of easing into retirement. As well as reprising her role as Flittle, alongside Angelina Jolie, in the sequel to the fantasy Maleficent, she's just worked with Keira Knightley on Philippa Lowthorpe's Miss World film Misbehaviour, and with Helen Hunt and Sean Bean on the BBC mini-series World on Fire. "It's great, and I'm loving it," she says. "But I'm also enjoying the bus pass."
Mum airs on Wednesdays on BBC Two at 10pm
New York City will run out of coronavirus vaccine by next week, Mayor Bill de Blasio says
Mr de Blasio says New York City should be given more vaccines because it can actually distribute the shot
Latest weekly Covid-19 rates for local authority areas in England
The rate is expressed as the number of new cases per 100,000 people.
Vulnerable migrants forced to travel 85 miles for Home Office appointments as coronavirus cases soar
Exclusive: Vulnerable asylum seekers having to take long journeys on public transport despite lockdown measures – only to attend video link interviews from government buildings

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Mike Young credits Clemson's PJ Hall after Saturday's game
Peter Warren•01/24/23
Article written by: Peter Warren
thepeterwarren
(Hunt/Getty Images)
Virginia Tech head coach Mike Young has been watching Clemson forward PJ Hall play basketball for years. Not just in the ACC, either. Young coached Hall's father, Jerome Hall, at Wofford and has known the younger Hall since his childhood."
"His dad played for me," Young said. "He's a lot better than his old man. His dad was a very good player. We were Division II when Jerome was with us. We had really good teams. That was early in my time at Wofford 1989, 90, 91."
After last season's breakout, Hall has become one of the most important cogs in the Clemson machine.
Hall is averaging 14.0 points per game on 51.6% shooting from the field and 39.0% from beyond the arc. He is also grabbing 4.9 rebounds and leads the team in blocked shots.
"He's come on here like gangbusters," Young said. "I think he had a very good year a year ago. He's just so much stronger and bigger. It really gives you heartburn off of that high ball screen stuff…(If) he gets his feet on the ground, he's dynamite. His work around the basket. He's big. He's got beautiful touch. He's always had a beautiful touch."
Mike Young says he is proud of PJ Hall
PJ Hall gave Mike Young and the Hokies the full kitchen of his game in Saturday's game. Hall had a game-high 20 points on 7-for-15 shooting and added eight rebounds.
Clemson won the game, 51-50.
"I can remember him coming to camp," Young said. "My son is the same age as him and played a lot of travel baseball and that sort of thing. I'm proud of PJ. I hate like crazy he beat my tail today. But I'm proud of him. I think the world of his family there. They're wonderful people."


text:
Q: How to switch from mouse to gaze or gaze to mouse cursor when going respectively inside or outside VR mode? What will I have?
I'll easily toggle the mouse events from the mouse cursor when not in VR mode to gaze cursors in VR mode. See also pseudo code below:
Example 1
scene.addEventListener('enter-vr', function() {
    // use gaze cursors to toggle mouse events
});

scene.addEventListener('exit-vr', function() {
    // use mouse cursor to toggle mouse events
});

Why?
By research I've seen by people that uses VR for the first time, preferences the mouse cursors. Entering VR mode, this cursor isn't available and by further research, the gaze cursor is the best option. With controllers from the HTC, Oculus, GearVR and Daydream aren't users not conversant to use it.
Conclusion:

*

*Inside VR mode: the gaze cursors is the best option.

*Outside VR mode: the mouse cursors is the best option.

What I've made
Research
I've found inside the documentation to change the camera:

Changing the Active Camera
When the active property gets toggled, the component will notify the camera system to change the current camera used by the renderer:
var secondCameraEl = document.querySelector('#second-camera');
secondCameraEl.setAttribute('camera', 'active', true);

My code
Here is my code I've made
Example 2

var scene = document.getElementById('scene');

scene.addEventListener('enter-vr', function() {
  var secondCameraEl = document.querySelector('#vr-camera');
  secondCameraEl.setAttribute('camera', 'active', true);
});

scene.addEventListener('exit-vr', function() {
  var fistCameraEl = document.querySelector('#pc-camera');
  fistCameraEl.setAttribute('camera', 'active', true);
});

var box = document.getElementById('box');

box.addEventListener('click', function() {
  alert('click');
});
<script src="https://aframe.io/releases/0.5.0/aframe.min.js"></script>

<a-scene id="scene">
  <a-box id="box" class="clickable" position="-1 0.5 -3" rotation="0 45 0" color="#4CC3D9"></a-box>
  <a-sphere position="0 1.25 -5" radius="1.25" color="#EF2D5E"></a-sphere>
  <a-cylinder position="1 0.75 -3" radius="0.5" height="1.5" color="#FFC65D"></a-cylinder>
  <a-plane position="0 0 -4" rotation="-90 0 0" width="4" height="4" color="#7BC8A4"></a-plane>
  <a-sky color="#ECECEC"></a-sky>

  <a-entity id="camera">
    <a-camera id="vr-camera">
      <a-entity position="0 0 -1" geometry="primitive: ring; radiusOuter: 0.07;radiusInner: 0.05;" material="color: red; shader: flat" cursor="maxDistance: 1; fuse: true" raycaster="objects: .clickable">
        <a-animation begin="click" easing="ease-in" attribute="scale" fill="backwards" from="0.1 0.1 0.1" to="1 1 1" dur="150"></a-animation>
        <a-animation begin="fusing" easing="ease-in" attribute="scale" fill="forwards" from="1 1 1" to="0.1 0.1 0.1" dur="1500"></a-animation>
      </a-entity>
    </a-camera>

    <a-camera id="pc-camera" active="true"></a-camera>
  </a-entity>
</a-scene>

Click on cardboard icon to enter VR, pers Escape to exit VR.
Problems and working things
So you can see there are several errors inside my code:

*

*The fist camera that's active is #vr-camera. This must be #pc-camera

*When you exit VR, the #pc-camera doesn't trigger mouse events from the mouse pointer.

*The cursor of #vr-camera stays visible when going outside VR mode.

*See point 7.

This is working:

*Change the camera back to #pc-camera when exit VR.

*Gaze cursor of the #vr-camera.

Question
Is it possible to switch the cursors (gaze ↔ mouse) dependent if you're in VR mode or not?
Update
Take @Piotr answer using just one camera and change the property fuse to true when enter VR and change to false when exit VR. From his anwser I've made code below.
Example 3

var scene = document.getElementById('scene');
var camera = document.querySelector('#camera')[0];

scene.addEventListener('enter-vr', function() {
  camera.setAttribute('cursor', 'maxDistance: 1; fuse: true');
});

scene.addEventListener('exit-vr', function() {
  camera.setAttribute('cursor', 'maxDistance: 1; fuse: false');
});

var box = document.getElementById('box');

box.addEventListener('click', function() {
  alert('click');
});
<script src="https://aframe.io/releases/0.5.0/aframe.min.js"></script>

<a-scene id="scene">
  <a-box id="box" class="clickable" position="-1 0.5 -3" rotation="0 45 0" color="#4CC3D9"></a-box>
  <a-sphere position="0 1.25 -5" radius="1.25" color="#EF2D5E"></a-sphere>
  <a-cylinder position="1 0.75 -3" radius="0.5" height="1.5" color="#FFC65D"></a-cylinder>
  <a-plane position="0 0 -4" rotation="-90 0 0" width="4" height="4" color="#7BC8A4"></a-plane>
  <a-sky color="#ECECEC"></a-sky>

  <a-camera id="camera">
    <a-entity position="0 0 -1" geometry="primitive: ring; radiusOuter: 0.07;radiusInner: 0.05;" material="color: red; shader: flat" cursor="maxDistance: 1; fuse: false" raycaster="objects: .clickable">
      <a-animation begin="click" easing="ease-in" attribute="scale" fill="backwards" from="0.1 0.1 0.1" to="1 1 1" dur="150"></a-animation>
      <a-animation begin="fusing" easing="ease-in" attribute="scale" fill="forwards" from="1 1 1" to="0.1 0.1 0.1" dur="1500"></a-animation>
    </a-entity>
  </a-camera>

</a-scene>

The bug are here:

*When the cursor is standing on the yellow cilinder, the click event of the blue cube doesn't trigger. You must set the cursor to the blue cube to trigger the click event (happens also by the second example).

*Continuing on 7, when you replace the cursor and place it back the click event is triggered directly.

*On VR mode there is no fuseTimeout by default it must be 1500 milliseconds.

A: I would make one camera with a component which would listen for the enterVR event on the scene

*

*When enterVR create your cursor in the camera (or set fuse to true or scale it to 1 1 1).

*When exitVR remove your cursor (or set fuse to false or scale it to 0 0 0).

The mouse-cursor component doesn't need to be removed, as its not relevant when in VR mode.
For mouse clicks, use this: https://github.com/mayognaise/aframe-mouse-cursor-component

A: To complete @Piotr answer: Here is the finaly code I've made:

require('aframe-mouse-cursor-component');

var scene = document.getElementById('scene');

scene.addEventListener('enter-vr', function() {
  document.getElementsByTagName('a-camera')[0].setAttribute('cursor', 'maxDistance: 1; fuse: true; fuseduration: 1500');
  document.getElementById('cursor').setAttribute('scale', '1 1 1');
});

scene.addEventListener('exit-vr', function() {
  document.getElementsByTagName('a-camera')[0].setAttribute('cursor', 'maxDistance: 1; fuse: false');
  document.getElementById('cursor').setAttribute('scale', '0 0 0');
});

var box = document.getElementById('box');

box.addEventListener('click', function() {
  alert('click');
});
<script src="https://aframe.io/releases/0.5.0/aframe.min.js"></script>

<a-scene id="scene">
  <a-box id="box" class="clickable" position="-1 0.5 -3" rotation="0 45 0" color="#4CC3D9"></a-box>
  <a-sphere position="0 1.25 -5" radius="1.25" color="#EF2D5E"></a-sphere>
  <a-cylinder position="1 0.75 -3" radius="0.5" height="1.5" color="#FFC65D"></a-cylinder>
  <a-plane position="0 0 -4" rotation="-90 0 0" width="4" height="4" color="#7BC8A4"></a-plane>
  <a-sky color="#ECECEC"></a-sky>

  <a-entity id="camera">
    <a-camera id="vr-camera" mouse-cursor>
      <a-entity id="cursor" position="0 0 -3" scale="0 0 0" geometry="primitive: ring; radiusOuter: 0.07;radiusInner: 0.05;" material="color: white; shader: flat" cursor="maxDistance: 30; fuse: false" raycaster="objects: .clickable">
        <a-animation begin="click" easing="ease-in" attribute="scale" fill="backwards" from="0.1 0.1 0.1" to="1 1 1" dur="150"></a-animation>
        <a-animation begin="fusing" easing="ease-in" attribute="scale" fill="forwards" from="1 1 1" to="0.1 0.1 0.1" dur="1500"></a-animation>
      </a-entity>
    </a-camera>
  </a-entity>

</a-scene>

Note: This code will not work 100% because the missing npm package. Don't forget to install it using npm install --save-dev aframe-mouse-cursor-component

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Home China Protests generate concern over CCP's Infiltration of NZ communities
A Chinese charity held a recreational 'dance' event as well as a protest at the Aotea Square on 17 Feb. (Source: Eagle Vision Times)
Last month, a Chinese group performed a square dance at the Aotea Square in Auckland City.
A Chinese charity registered the event as recreational 'dance' on the evening of 17 Feb. However, event organisers also held a protest on the opposite site of the road against the Falun Gong.
Note: Falun Gong was founded in 1992 in China. It is known as an ancient spiritual practice based on principles 'truthfulness, compassion and forbearance' and a set of meditation exercises. The Chinese Communist Party (CCP) has persecuted Falun Gong practitioners since 1999.
Following an investigation of Chinese associations and gatherings in NZ, a further investigation has been conducted on the nature of such event.
Related reading: Investigation calls for defence against foreign influence from China
"It's shocking to see that their influence on the Chinese Communist party has reached such an extent. Hundreds will comply to just one command."
On 17 Feb, numerous Chinese participants arrived at the Aotea square at 4pm. Many appeared as dancers in red costumes and dresses. Within an hour, many 'dancers' had gathered across the road and raised banners to protest against the Shen Yun performing arts which was taking place at the ASB theatre later in the evening. Coincidentally, these protesters held the same stance as the Chinese government towards Shen Yun.
Note: According to the Shen Yun performing arts, the atheist regime of the Chinese government is afraid of the freedom of expression Shen Yun enjoys in the West.
Who hosted the event?
The following members of Chinese associations were reported to be leading the protest at the Aotea Square.
Zhen-zhen Mao, deputy director of the Peaceful Reunification of China Association of New Zealand (PRCANZ)
Liang-yu Shi, PRCANZ deputy secretary general
Chong-bao Hu, deputy director of the United Chinese Association of NZ and the director of the Central Auckland Chinese Association
Qixiang Sun, director of the West Auckland Chinese Association
Mr Wang from the Panmure Chinese Association
Leaders of various Chinese associations were seen at the Aotea Square including Qixiang Sun, Liang-yu Shi, Zhen-zhen Mao, Mr Wang and Chong-bao Hu. (From left to right in respective order). (Source: Eagle Vision Times)
An estimate of more than a hundred protesters had gathered on Queen St, opposite the Aotea Square.
Shortly after the protest began, the dancers gathered along both sides of the road and performed the waist-drum dance as well as the square dance.
(Note: Square-dancing is an exercise routine performed to music in outdoor squares or parks in China. Participants are usually middle aged or retired women.)
The popular Communist propaganda song 'Without the Communist Party, There Would Be No New China' was also played by the organisers.
At 6pm, pro-democrats also appeared on site. The pro-democracy team consisted of Freeman Yu and Mr Xi who were protesting against the persecution and torture of human rights lawyers in China.
Pro-democracy Mr Yu said, "These Chinese Associations claim to be charities, yet they are actually political tools of the Chinese government."
"It's shocking to see that their influence on local Chinese communities has reached such an extent. Hundreds will comply to just one command," added Yu.
Pro-democratic Freeman Yu (left) and Mr Xi (right) calling for an end to the persecution of human rights lawyers (portraits) in China. (Source: Eagle Vision Times).
"This is a truly violent organisation."
Liang-yu Shi, PRCANZ deputy secretary general, refused to comment nor verify associations with PRCANZ despite being reported as the leader and host of this large scale protest. Reporters were met with verbal and physical assault.
Liang-yu Shi verbally assaulting reporters from Eagle Vision Times. (source: Eagle Vision Times).
Mr Wang, a member of the Panmure Chinese Association, refused to comment and accused reporters of being "traitors to China."
Verbal assault from Mr Wang Fang. (Source: Eagle Vision Times).
Perhaps these comments were a response to a previous investigation of the infiltration of the Chinese government in NZ society. The investigation has uncovered close ties between NZ Chinese associations and the Chinese Communist party in China.
Zhen Zhen Mao, the deputy director of PRCANZ and the United Chinese association of NZ, threatened reporters with "punishments in the future."
Zhen-Zhen Mao threatens reporter with "punishments." (Source: Eagle Vision Times).
Mao was also captured on video to have physically assaulted a reporter from Eagle Vision Times.
Mao (central, in beige shirt)physically assaulted reporter walking past. Footage captured him raising his right hand and physically assaulting the reporter with a punch. (Source: Eagle Vision Times)
Academic suspected links between break-ins and work on China
On 16 Feb, Canterbury professor Anne-Marie Brady reported a break-in at her residential home after receiving a letter that warned of an "attack."
The nature of the stolen items were particularly suspicious.
"I had three laptops – including one used for work – stolen. And phones. [Other] valuables weren't taken. Police are now investigating that," she said.
This is the second episode in 3 months after a previous break-in at Brady's office last December.
Related: University of Canterbury professor Anne-Marie Brady concerned break-ins linked to work on China
Prime minister Jacinda Ardern had also expressed concern over the incident.
"If it were in response to the work she's doing, everyone would be concerned, so certainly if there's evidence of that we should be taking stock of it and taking action…" said Ardern.
Ardern said she would "ask some questions" to address the possibility of targeted attacks on Brady.
Chinese Communist opposers suspect links between protest activities and assault
Wendy, a legal assistant and a Falun Gong practitioner told Eagle Vision Times that she has been participating in the "peaceful appeal against the persecution of Falun Gong outside the Chinese embassy in Greenlane for numerous years."
On numerous occasions, she had returned to her vehicle to find punctured tyres.
Pro-democracy Freeman Yu said, "These organisations don't value unity nor peace."
Mr Wang, member of the Panmure Chinese association, had also participated in anti-Falun Gong protests outside the Chinese consulate in Greenlane, Auckland. He took part in organising at least 2 protests against Falun-Gong last December.
On 14 Dec, Wang was accused of saying "threatening words" to Freeman Yu. This was later reported by Stuff in the Central Leader.
Read more on Stuff: Fears of violence as Falun Gong and foes clash over Auckland footpath
On 22 Dec, Wang was accused of physical assault by the pro-democrats. Another Greenlane resident also accused the anti-Falun Gong group of kicking him.
The Greenlane resident had passed by in crutches and had kicked the signs of the anti-Falun Gong group. As a result, he reported being kicked and falling down from physical assault. (Source: witness)
The witness, who chose to remain anonymous, told Eagle Vision Times that this is a "truly violent organisation."
He added, "The Chinese Communist Party itself operates on violence."
For safety reasons, reporters were unable to conduct further interviews on Chinese association members at the Aotea Square protest.
Touched by Kiwi's support on calling an end to persecution
Pro-democrats Yu and Xi were protesting against the persecution of human rights lawyers in China. That includes four renowned lawyers, Yu-han Li, Quan-Zhang Wang, Tian-Yong Jiang and Gan Wu.
One of them, Quan-Zhang Wang, has been missing for 952 days.
One of them, Quan-Zhang Wang, has been missing for 952 days. (Source: Eagle Vision Times).
Many locals were shocked upon seeing the billboards of persecuted human rights lawyers. Considering that the Chinese Constitution includes the freedom of speech and demonstration as a basic right, many locals were shocked upon finding that lawyers were imprisoned for upholding the law.
Another local had expressed concern with basic human rights in China when the country's legal experts are facing persecution.
Another local resident came together with the pro-democrats for a huddle to support them.
Another local came together with the pro-democrats for a huddle to support them. (Source: Eagle Vision Times)
Pro-democrat Yu and Xi expressed that they were very touched from the support of local residents.
Pro-democrats calls for crackdown against China's interference with domestic politics
Falun Gong practitioner Ms Liu told Eagle Vision Times that the stance of the Aotea Square protest is exactly identical to that of the Chinese government. She suggested that the event were held by PRCANZ with the aim of defaming groups like the Falun Gong and the Shen Yun performing arts.
At a previous protest outside the consulate, Mr Fang Wang (member of the Panmure Chinese Association) told Stuff that he "supported the Chinese Government's stance on the Falun Gong."
Member of the Panmure Chinese Association and participant of the Aotea Square protests Mr Wang holds same stance as the Chinese Government towards the Falun Gong. (Source: Stuff)
The United Nations, New Zealand and many Western countries have acknowledged the persecution of the Falun Gong in China by accepting Falun Gong practitioners as political refugees, said Ms Liu. In other words, New Zealand authorities are aware of the persecution of Falun Gong in China. Ms Liu considered the Aotea Square protests to be broadcasting tools of the Chinese government.
Pro-democrat Xu suggested that these events were co-hosted by the China Council for the Promotion of Peaceful National Reunification in China and the PRCANZ, with the involvement of the Chinese embassy in New Zealand.
A previous investigation has also verified close links between the PRCANZ, and the Chinese embassy.
"On 7 Nov 2015, the PRCANZ was established at the Chinese Consulate office in Auckland. Representatives from the NZ based Chinese embassy, the Consulate General of Christchurch and the Auckland embassy attended the assembly. That included Qing-Bao Liu, Consul General of the Auckland Chinese Embassy from 2012 to 2015," from a previous investigation conducted by Eagle Vision Times.
"China's foreign influence in New Zealand is among one of the most extensive in Western countries."
In a country with a population of 200,000 of Chinese New Zealanders, a gathering of hundreds is greatly significant. Pro-democrat Mr Xu expressed concern over the influence of the Chinese government over Chinese communities abroad particularly when a few leaders can call on such great numbers of Chinese New Zealanders.
"If we account for such a minor population of Chinese New Zealanders, and compare the extent of China's infiltration with other countries, we can see that China has great control over New Zealand," said Mr Yu. "In fact, China's foreign influence in New Zealand is among one of the most extensive in Western countries."
Yu said that such influence is evident from the election last year.
"For instance, polls tell us that more than 70% of Chinese New Zealanders had supported the National party for the last election. In addition, there were Labour supporters who have faced severe criticism on WeChat and were labelled 'traitors to the country' and 'deluded'."
Before the elections last year, Yu's three friends have also received letters that persuaded them to vote for the National Party. Yu said, "This is unprecedented in the history of New Zealand elections because everyone should have the freedom to choose who they want to vote for. You shouldn't try to sway people's opinions. Yet this has taken place in the Chinese community last elections."
Yu indicated that China's political interference of domestic politics has reached a stage where it dictates the voting preferences of a significant proportion of Chinese New Zealanders.
Posts on WeChat calling for votes to the National Party during the 2017 elections. (source: WeChat screenshots) A message on WeChat calling for votes to the National Party during the 2017 elections. (source: WeChat screenshot)
"The Chinese government's threat of New Zealand's sovereignty is similar to the Nazi's infiltration of Argentina during World War ll," added Yu.
He continued, "Actually, China's infiltration has affected New Zealand to a greater extent than it has on Australia and the United States."
"But I have yet seen any actions or acknowledgement from the mainstream society of New Zealand," said Yu.
"Actually I think that the Labour party and the NZ First are all victims of such political interference. I hope that governing parties would acknowledge and initiate an investigation into such threat."
Translated from:"中共对于新西兰的渗透已高度危险,工党政府应该有所行动!"
foreign Influence
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The Migration Policy Centre is delighted to announce the start of the project CONTENTION (Control of Detention), co-funded by the European Union in the framework of the European Return Fund. CONTENTION will be implemented by the Migration Policy Centre (RSCAS, EUI) in partnership with the Odysseus Network (ULB).
The main objective of the project is to inform, analyse and compare the EU Return Directive based judicial control on pre-removal detention of third-country nationals in 11 EU Member States (AT, BG, BE, CZ, DE, FR, IT, NL, SK, SI and UK) with a view to improving it, in particular regarding the control of the length of detention. The identification and exchange of best practices among legal experts and practitioners in the field of return policy is one of the core objectives of the project. More generally, CONTENTION intends to launch the first basis for European networking between national judges hearing return cases and prepare the ground for further judicial cooperation and training of national judges in this field.
The kick-off meeting aims at bringing together project participants, in particular judges and academic experts from 11 EU Member States as well as the members of the Scientific Committee and a representative from the European Commission, to debate the project concept note on the extent of judicial control of pre-removal detention in the EU and to discuss the building blocks of the questionnaire which will serve as a basis for 11 national reports to be written by project participants.