text:
Q: ¿Cómo recorrer un array JSON en PHP? Holas buenos este código tengo para consumir una web service pero no logro recorrer el array espero me ayuden se los agradezco.
PHP
$obj = json_decode($url, true);
var_dump($obj);

IMPRESION
{"buscarTitularidadResponse":{"respuestaTitularidad":{"respuestaTitularidad":[{"registro":"REGISTRO DE PROPIEDAD INMUEBLE","libro":"REGISTRO DE PREDIOS","apPaterno":"SANCHEZ","apMaterno":"SANCHEZ","nombre":"TOMASA","tipoDocumento":"L.E.","numeroDocumento":"08047473","numeroPartida":57025741,"estado":"ACTIVA","zona":"ZONA REGISTRAL IX - SEDE LIMA","oficina":"CALLAO","direccion":"MZ G1 LOTE 16    SECTOR 5 - ASENTAMIENTO HUMANO BOCANEGRA - DPTO: LIMA PROV: CALLAO DIST: CALLAO"},{"registro":"REGISTRO DE PROPIEDAD INMUEBLE","libro":"SECCION ESPECIAL DE PREDIOS RURALES","apPaterno":"SANCHEZ","apMaterno":"SANCHEZ","nombre":"TOMAS","tipoDocumento":"DNI","numeroDocumento":10186000,"numeroPartida":11010213,"estado":"ACTIVA","zona":"ZONA REGISTRAL III - SEDE MOYOBAMBA","oficina":"JUANJUI","direccion":"UBICACION RURAL VALLE ALTO HUALLAGA/CASERIO BAJO PORONGO/EL DIAMANTE I PARCELA 8_3359085_114015 AREA Ha. 4.8541 U.C. 114015/HH.CC. 8_3359085_3 UCHIZA - TOCACHE - SAN MARTIN"},{"registro":"REGISTRO DE BIENES MUEBLES","libro":"REGISTRO DE PROPIEDAD VEHICULAR","apPaterno":"SANCHEZ","apMaterno":"SANCHEZ","nombre":"TOMAS","tipoDocumento":"DNI","numeroDocumento":10186000,"numeroPartida":53279675,"numeroPlaca":"98331D ","estado":"ACTIVA","zona":"ZONA REGISTRAL IX - SEDE LIMA","oficina":"LIMA"},{"registro":"REGISTRO DE BIENES MUEBLES","libro":"REGISTRO DE PROPIEDAD VEHICULAR","apPaterno":"SANCHEZ","apMaterno":"SANCHEZ","nombre":"TOMAS","tipoDocumento":"DNI","numeroDocumento":"01090583","numeroPartida":60650936,"numeroPlaca":"90226S ","estado":"ACTIVA","zona":"ZONA REGISTRAL III - SEDE MOYOBAMBA","oficina":"TARAPOTO"},{"registro":"REGISTRO DE BIENES MUEBLES","libro":"REGISTRO DE PROPIEDAD VEHICULAR","apPaterno":"SANCHEZ","apMaterno":"SANCHEZ","nombre":"TOMASA CIRILA","tipoDocumento":"DNI","numeroDocumento":31620166,"numeroPartida":60521874,"numeroPlaca":"H1Y284 ","estado":"ACTIVA","zona":"ZONA REGISTRAL VII - SEDE HUARAZ","oficina":"HUARAZ"}]}}}

A: Por lo que veo tu json es el siguiente:

{"buscarTitularidadResponse":{"respuestaTitularidad":{"respuestaTitularidad":[{"registro":"REGISTRO DE PROPIEDAD INMUEBLE","libro":"REGISTRO DE PREDIOS","apPaterno":"SANCHEZ","apMaterno":"SANCHEZ","nombre":"TOMASA","tipoDocumento":"L.E.","numeroDocumento":"08047473","numeroPartida":57025741,"estado":"ACTIVA","zona":"ZONA REGISTRAL IX - SEDE LIMA","oficina":"CALLAO","direccion":"MZ G1 LOTE 16    SECTOR 5 - ASENTAMIENTO HUMANO BOCANEGRA - DPTO: LIMA PROV: CALLAO DIST: CALLAO"},{"registro":"REGISTRO DE PROPIEDAD INMUEBLE","libro":"SECCION ESPECIAL DE PREDIOS RURALES","apPaterno":"SANCHEZ","apMaterno":"SANCHEZ","nombre":"TOMAS","tipoDocumento":"DNI","numeroDocumento":10186000,"numeroPartida":11010213,"estado":"ACTIVA","zona":"ZONA REGISTRAL III - SEDE MOYOBAMBA","oficina":"JUANJUI","direccion":"UBICACION RURAL VALLE ALTO HUALLAGA/CASERIO BAJO PORONGO/EL DIAMANTE I PARCELA 8_3359085_114015 AREA Ha. 4.8541 U.C. 114015/HH.CC. 8_3359085_3 UCHIZA - TOCACHE - SAN MARTIN"},{"registro":"REGISTRO DE BIENES MUEBLES","libro":"REGISTRO DE PROPIEDAD VEHICULAR","apPaterno":"SANCHEZ","apMaterno":"SANCHEZ","nombre":"TOMAS","tipoDocumento":"DNI","numeroDocumento":10186000,"numeroPartida":53279675,"numeroPlaca":"98331D ","estado":"ACTIVA","zona":"ZONA REGISTRAL IX - SEDE LIMA","oficina":"LIMA"},{"registro":"REGISTRO DE BIENES MUEBLES","libro":"REGISTRO DE PROPIEDAD VEHICULAR","apPaterno":"SANCHEZ","apMaterno":"SANCHEZ","nombre":"TOMAS","tipoDocumento":"DNI","numeroDocumento":"01090583","numeroPartida":60650936,"numeroPlaca":"90226S ","estado":"ACTIVA","zona":"ZONA REGISTRAL III - SEDE MOYOBAMBA","oficina":"TARAPOTO"},{"registro":"REGISTRO DE BIENES MUEBLES","libro":"REGISTRO DE PROPIEDAD VEHICULAR","apPaterno":"SANCHEZ","apMaterno":"SANCHEZ","nombre":"TOMASA CIRILA","tipoDocumento":"DNI","numeroDocumento":31620166,"numeroPartida":60521874,"numeroPlaca":"H1Y284 ","estado":"ACTIVA","zona":"ZONA REGISTRAL VII - SEDE HUARAZ","oficina":"HUARAZ"}]}}}

Y como bien, hiciste, para transforarlo a array usaste lo siguiente:

$obj = json_decode($url, true);

Esto da una respuesta así:

Array
(
    [buscarTitularidadResponse] => Array
        (
            [respuestaTitularidad] => Array
                (
                    [respuestaTitularidad] => Array
                        (
                            [0] => Array
                                (
                                    [registro] => REGISTRO DE PROPIEDAD INMUEBLE
                                    [libro] => REGISTRO DE PREDIOS
                                    [apPaterno] => SANCHEZ
                                    [apMaterno] => SANCHEZ
                                    [nombre] => TOMASA
                                    [tipoDocumento] => L.E.
                                    [numeroDocumento] => 08047473
                                    [numeroPartida] => 57025741
                                    [estado] => ACTIVA
                                    [zona] => ZONA REGISTRAL IX - SEDE LIMA
                                    [oficina] => CALLAO
                                    [direccion] => MZ G1 LOTE 16    SECTOR 5 - ASENTAMIENTO HUMANO BOCANEGRA - DPTO: LIMA PROV: CALLAO DIST: CALLAO
                                )

                            [1] => Array
                                (
                                    [registro] => REGISTRO DE PROPIEDAD INMUEBLE
                                    [libro] => SECCION ESPECIAL DE PREDIOS RURALES
                                    [apPaterno] => SANCHEZ
                                    [apMaterno] => SANCHEZ
                                    [nombre] => TOMAS
                                    [tipoDocumento] => DNI
                                    [numeroDocumento] => 10186000
                                    [numeroPartida] => 11010213
                                    [estado] => ACTIVA
                                    [zona] => ZONA REGISTRAL III - SEDE MOYOBAMBA
                                    [oficina] => JUANJUI
                                    [direccion] => UBICACION RURAL VALLE ALTO HUALLAGA/CASERIO BAJO PORONGO/EL DIAMANTE I PARCELA 8_3359085_114015 AREA Ha. 4.8541 U.C. 114015/HH.CC. 8_3359085_3 UCHIZA - TOCACHE - SAN MARTIN
                                )

                            [2] => Array
                                (
                                    [registro] => REGISTRO DE BIENES MUEBLES
                                    [libro] => REGISTRO DE PROPIEDAD VEHICULAR
                                    [apPaterno] => SANCHEZ
                                    [apMaterno] => SANCHEZ
                                    [nombre] => TOMAS
                                    [tipoDocumento] => DNI
                                    [numeroDocumento] => 10186000
                                    [numeroPartida] => 53279675
                                    [numeroPlaca] => 98331D
                                    [estado] => ACTIVA
                                    [zona] => ZONA REGISTRAL IX - SEDE LIMA
                                    [oficina] => LIMA
                                )

                            [3] => Array
                                (
                                    [registro] => REGISTRO DE BIENES MUEBLES
                                    [libro] => REGISTRO DE PROPIEDAD VEHICULAR
                                    [apPaterno] => SANCHEZ
                                    [apMaterno] => SANCHEZ
                                    [nombre] => TOMAS
                                    [tipoDocumento] => DNI
                                    [numeroDocumento] => 01090583
                                    [numeroPartida] => 60650936
                                    [numeroPlaca] => 90226S
                                    [estado] => ACTIVA
                                    [zona] => ZONA REGISTRAL III - SEDE MOYOBAMBA
                                    [oficina] => TARAPOTO
                                )

                            [4] => Array
                                (
                                    [registro] => REGISTRO DE BIENES MUEBLES
                                    [libro] => REGISTRO DE PROPIEDAD VEHICULAR
                                    [apPaterno] => SANCHEZ
                                    [apMaterno] => SANCHEZ
                                    [nombre] => TOMASA CIRILA
                                    [tipoDocumento] => DNI
                                    [numeroDocumento] => 31620166
                                    [numeroPartida] => 60521874
                                    [numeroPlaca] => H1Y284
                                    [estado] => ACTIVA
                                    [zona] => ZONA REGISTRAL VII - SEDE HUARAZ
                                    [oficina] => HUARAZ
                                )

                        )

                )

        )

)

Y de acuerdo a tu respuesta dijiste que quieres obtener los valores de respuestaTitularidad los cuales son (extrayendo poco el código):

[0] => Array
    (
        [registro] => REGISTRO DE PROPIEDAD INMUEBLE
        [libro] => REGISTRO DE PREDIOS
        [apPaterno] => SANCHEZ
        [apMaterno] => SANCHEZ
        [nombre] => TOMASA
        [tipoDocumento] => L.E.
        [numeroDocumento] => 08047473
        [numeroPartida] => 57025741
        [estado] => ACTIVA
        [zona] => ZONA REGISTRAL IX - SEDE LIMA
        [oficina] => CALLAO
        [direccion] => MZ G1 LOTE 16    SECTOR 5 - ASENTAMIENTO HUMANO BOCANEGRA - DPTO: LIMA PROV: CALLAO DIST: CALLAO
    )

[1] => Array
    (
        [registro] => REGISTRO DE PROPIEDAD INMUEBLE
        [libro] => SECCION ESPECIAL DE PREDIOS RURALES
        [apPaterno] => SANCHEZ
        [apMaterno] => SANCHEZ
        [nombre] => TOMAS
        [tipoDocumento] => DNI
        [numeroDocumento] => 10186000
        [numeroPartida] => 11010213
        [estado] => ACTIVA
        [zona] => ZONA REGISTRAL III - SEDE MOYOBAMBA
        [oficina] => JUANJUI
        [direccion] => UBICACION RURAL VALLE ALTO HUALLAGA/CASERIO BAJO PORONGO/EL DIAMANTE I PARCELA 8_3359085_114015 AREA Ha. 4.8541 U.C. 114015/HH.CC. 8_3359085_3 UCHIZA - TOCACHE - SAN MARTIN
    )

[2] => Array
    (
        [registro] => REGISTRO DE BIENES MUEBLES
        [libro] => REGISTRO DE PROPIEDAD VEHICULAR
        [apPaterno] => SANCHEZ
        [apMaterno] => SANCHEZ
        [nombre] => TOMAS
        [tipoDocumento] => DNI
        [numeroDocumento] => 10186000
        [numeroPartida] => 53279675
        [numeroPlaca] => 98331D
        [estado] => ACTIVA
        [zona] => ZONA REGISTRAL IX - SEDE LIMA
        [oficina] => LIMA
    )

[3] => Array
    (
        [registro] => REGISTRO DE BIENES MUEBLES
        [libro] => REGISTRO DE PROPIEDAD VEHICULAR
        [apPaterno] => SANCHEZ
        [apMaterno] => SANCHEZ
        [nombre] => TOMAS
        [tipoDocumento] => DNI
        [numeroDocumento] => 01090583
        [numeroPartida] => 60650936
        [numeroPlaca] => 90226S
        [estado] => ACTIVA
        [zona] => ZONA REGISTRAL III - SEDE MOYOBAMBA
        [oficina] => TARAPOTO
    )

[4] => Array
    (
        [registro] => REGISTRO DE BIENES MUEBLES
        [libro] => REGISTRO DE PROPIEDAD VEHICULAR
        [apPaterno] => SANCHEZ
        [apMaterno] => SANCHEZ
        [nombre] => TOMASA CIRILA
        [tipoDocumento] => DNI
        [numeroDocumento] => 31620166
        [numeroPartida] => 60521874
        [numeroPlaca] => H1Y284
        [estado] => ACTIVA
        [zona] => ZONA REGISTRAL VII - SEDE HUARAZ
        [oficina] => HUARAZ
    )

Para recorrerlos necesitaremos el siguiente código php:

<?php
$json = '{"buscarTitularidadResponse":{"respuestaTitularidad":{"respuestaTitularidad":[{"registro":"REGISTRO DE PROPIEDAD INMUEBLE","libro":"REGISTRO DE PREDIOS","apPaterno":"SANCHEZ","apMaterno":"SANCHEZ","nombre":"TOMASA","tipoDocumento":"L.E.","numeroDocumento":"08047473","numeroPartida":57025741,"estado":"ACTIVA","zona":"ZONA REGISTRAL IX - SEDE LIMA","oficina":"CALLAO","direccion":"MZ G1 LOTE 16    SECTOR 5 - ASENTAMIENTO HUMANO BOCANEGRA - DPTO: LIMA PROV: CALLAO DIST: CALLAO"},{"registro":"REGISTRO DE PROPIEDAD INMUEBLE","libro":"SECCION ESPECIAL DE PREDIOS RURALES","apPaterno":"SANCHEZ","apMaterno":"SANCHEZ","nombre":"TOMAS","tipoDocumento":"DNI","numeroDocumento":10186000,"numeroPartida":11010213,"estado":"ACTIVA","zona":"ZONA REGISTRAL III - SEDE MOYOBAMBA","oficina":"JUANJUI","direccion":"UBICACION RURAL VALLE ALTO HUALLAGA/CASERIO BAJO PORONGO/EL DIAMANTE I PARCELA 8_3359085_114015 AREA Ha. 4.8541 U.C. 114015/HH.CC. 8_3359085_3 UCHIZA - TOCACHE - SAN MARTIN"},{"registro":"REGISTRO DE BIENES MUEBLES","libro":"REGISTRO DE PROPIEDAD VEHICULAR","apPaterno":"SANCHEZ","apMaterno":"SANCHEZ","nombre":"TOMAS","tipoDocumento":"DNI","numeroDocumento":10186000,"numeroPartida":53279675,"numeroPlaca":"98331D ","estado":"ACTIVA","zona":"ZONA REGISTRAL IX - SEDE LIMA","oficina":"LIMA"},{"registro":"REGISTRO DE BIENES MUEBLES","libro":"REGISTRO DE PROPIEDAD VEHICULAR","apPaterno":"SANCHEZ","apMaterno":"SANCHEZ","nombre":"TOMAS","tipoDocumento":"DNI","numeroDocumento":"01090583","numeroPartida":60650936,"numeroPlaca":"90226S ","estado":"ACTIVA","zona":"ZONA REGISTRAL III - SEDE MOYOBAMBA","oficina":"TARAPOTO"},{"registro":"REGISTRO DE BIENES MUEBLES","libro":"REGISTRO DE PROPIEDAD VEHICULAR","apPaterno":"SANCHEZ","apMaterno":"SANCHEZ","nombre":"TOMASA CIRILA","tipoDocumento":"DNI","numeroDocumento":31620166,"numeroPartida":60521874,"numeroPlaca":"H1Y284 ","estado":"ACTIVA","zona":"ZONA REGISTRAL VII - SEDE HUARAZ","oficina":"HUARAZ"}]}}}';

$mObjeto = json_decode($json, true);

foreach ( $mObjeto['buscarTitularidadResponse']['respuestaTitularidad']['respuestaTitularidad'] as $mPersona ) {
    echo $mPersona['registro'];
    echo '
';
}

La variable $mPersona contendrá toda la información del array perteneciente al valor, es decir, por ejemplo esto:

[0] => Array
    (
        [registro] => REGISTRO DE PROPIEDAD INMUEBLE
        [libro] => REGISTRO DE PREDIOS
        [apPaterno] => SANCHEZ
        [apMaterno] => SANCHEZ
        [nombre] => TOMASA
        [tipoDocumento] => L.E.
        [numeroDocumento] => 08047473
        [numeroPartida] => 57025741
        [estado] => ACTIVA
        [zona] => ZONA REGISTRAL IX - SEDE LIMA
        [oficina] => CALLAO
        [direccion] => MZ G1 LOTE 16    SECTOR 5 - ASENTAMIENTO HUMANO BOCANEGRA - DPTO: LIMA PROV: CALLAO DIST: CALLAO
    )

Puedes acceder a sus valores definiendo su clave como $mPersona['registro'], $mPersona['apPaterno'], $mPersona['nombre'], etc.

A: Ya solucione. Disculpen
Por si alguien lo necesita
$listaItems = $sunart["buscarTitularidadResponse"]["respuestaTitularidad"]["respuestaTitularidad"];

 for ($i = 0; $i<count($listaItems); $i++){

     echo "TITULO GENERAL: ".$listaItems[$i]["registro"]."
";
     echo "SUB GENERAL: ".$listaItems[$i]["libro"]."
";
     echo "PATERNO: ".$listaItems[$i]["apPaterno"]."
";
     echo "MATERNO: ".$listaItems[$i]["apMaterno"]."
";
     echo "NOMBRES: ".$listaItems[$i]["nombre"]."
";

}


A step up from the Cisco SPA502G single line phone is the SPA508G which supports eight lines and programmable keys. The SPA508G provides all the additional features possible through the use of multi-lines such as configuring keys (lines) for speed dialing, presence detection or simply for segregating personal and business inbound and outbound calls. The SPA508G provides support for 8 lines which can each support up to 4 calls and these are configurable through the eight programmable buttons on the phone.
, SIP over Transport Layer Security (TLS) or Secure Real-Time Transport Protocol (SRTP). Securing the internal web site which enables online access and administration of the phone is protected by HTTPS via factory installed client certificates.
The Cisco SPA508 provide a phone suitable for medium to heavy telephone users. Its 8 line and 8 SIP identity registrations means that it can support 8 different line appearances and personas. The ability to utilise these phone lines for speed dial and other call customization techniques will suit heavy telephone users but is over kill for most users.
The SPA 508G is expensive so should be deployed sparingly only where its additional line capacity is actually required.


text:
Q: indexing into a column in pandas I am trying to set colb in a pandas array depending on the value in colb.
The order in which I refer to the two column indices in the array seems to have an impact on whether the indexing works. Why is this?
Here is an example of what I mean.
I set up my dataframe:
test=pd.DataFrame(np.random.rand(20,1))
test['cola']=[x for x in range(20)]
test['colb']=0

If I try to set column b using the following code:
test.loc['colb',test.cola>2]=1

I get the error:`ValueError: setting an array element with a sequence
If I use the following code, the code alters the dataframe as I expect.
test.loc[test.cola>2,'colb']=1

Why is this?
Further, is there a better way to assign a column using a test like this?

redpajama_set_name: RedPajamaStackExchange


Aram Sinnreich '94 is the author of the new book The Piracy Crusade: How the Music Industry's War on Sharing Destroys Markets and Erodes Civil Liberties (University of Massachusetts Press). An assistant professor of journalism and media studies at Rutgers University, he served as an expert witness on the 2010 court case Arista Records vs. Lime Group, which was settled out of court before he could present his 20,000-word report. The Piracy Crusade was built on the foundation of his unused research at the time.
Sinnreich argues that Hollywood, the recording industry, and the United States government are acting as crusaders who are waging a destructive war against digital technology innovators and so-called "pirates." Attempting to shut down peer-to-peer sharing and unlicensed streaming of media, the industries have used excessive force against and attempted to dehumanize users in order to stop copyright infringement.
Sinnreich writes that the resulting laws and policies have only succeeded in hurting free speech, privacy, and open discourse while failing to curb the trend in pirating. The book begins by charting a social history of the music industry and examining its relationship with 20th-century technology. Challenging the dominant narrative of the changes undergone by the music industry, Sinnreich then looks at P2P, or peer-to-peer, file sharing in comparison to traditional music economics and recent trends in sales. He then exposes the "collateral damage" of the piracy crusade.
Sinnreich is also the author of Mashed Up: Music, Technology and the Rise of Configurable Culture (University of Massachusetts Press) and has long been interested in music and intellectual property. He has published dozens of music recordings and performed with various musical ensembles.
During his time at Wesleyan, he studied with several music professors (Anthony Braxton, Jay Hoggard '76, Abraham Adzenyah, and Neely Bruce), worked at WEESU, and interned under Pete Ganbarg '88 at SBK Records. After graduating Wesleyan he worked as an analyst for the New York-based Internet research firm Jupiter Communications.
"My clients were the major record labels and film studios, and my job was to keep them apprised of new technology developments and advise them about how best to take advantage of them," Sinnreich says.
"When Napster was released in 1999, I fielded a survey that demonstrated P2P [peer-to-peer] users were actually buying more music than otherwise identical Internet users who hadn't used the service. I thought my clients in the music industry would be delighted to hear this, but to my surprise they disputed my findings, and even issued a press release to discredit my report!
Sinnreich has also served as expert witness for cases such as MGM vs Grokster, the P2P suit that reached US Supreme Court in 2005. When he moved into the world of academia, he maintained his interest in the social and legal dimensions of music and technology.
As he wrote and researched The Piracy Crusade, Sinnreich published drafts of his work-in-progress on MediaCommons Press, an open scholarship platform that allowed him to receive comments and feedback from music industry executives, analysts, and attorneys as well as the general public. And, in the spirit of his research subject, the completed manuscript of his new book is available for free online under a Creative Commons license, as well as for sale on Amazon.
Joshua Dubler '97 is the author of the new book Down in the Chapel: Religious Life in an American Prison (Farrar Straus Giroux). A religion scholar who was working on his dissertation at Princeton University, he spent more than six years working with prisoners at the Graterford Maximum Security Prison outside of Philadelphia, focusing his studies on the religious diversity of the prison chapel.
Down in the Chapel tells the story of one whole week at the Graterford chapel in which Dubler attended Jewish, Muslim, Native American, Catholic, and various other services and study sessions. Conversing with chaplains and correctional officers as well as prisoners, he keeps his presence in plain view as he investigates issues of faith and everyday life during incarceration.
Dubler, who graduated from Wesleyan with a BA in College of Letters and religion, is currently assistant professor of religion at the University of Rochester. He is coauthor with Andrea Sun-Mee Jones of the 2006 book Bang! Thud: World Spirit from a Texas School Book Depository.
In her new book Scrambling for Africa: AIDS, Expertise, and the Rise of American Global Health Science (Cornell University Press), Johanna Tayloe Crane '93 considers the past exclusion of African countries from advancements in HIV medicine and shows how the region has transformed into a center for international research and global health programs.
After conducting research in the United States and Uganda over the past 10 years, Crane traces the flow of knowledge and money between laboratories and conference rooms in America and sub-Saharan HIV clinics. Her findings reveal how global health science has paradoxically benefited from and even created the very inequalities it has attempted to redress.
Scrambling for Africa aims to provide a critical geography of expertise that challenges the practices and universal acceptance of "Western" AIDS science. The author questions who global health science is for, who really benefits, and how.
Crane is an assistant professor in the School of Interdisciplinary Arts and Sciences at the University of Washington-Bothell.
Donaldine Temple '95, director and senior associate counsel at the Depository Trust & Clearing Corporation, has been named one of The Network Journal's "40 Under Forty" for 2013. Temple, who doubled majored in history and African-American studies, advises on legal and regulatory matters for fixed income securities. She earned her JD from Boston College Law School.
The Network Journal, a monthly print and online business magazine for black professionals and business owners, gives annual 40 Under Forty Achievement Awards to honor men and women under 40 years old whose professional accomplishments significantly impact their profession and who make important contributions to their communities.
Dr. Nicole Hubbard Longwell '92 has joined the Board of Directors of Art beCAUSE Breast Cancer Foundation (ABCBCF) in addition to serving as the co-chair of ABCBCF's Young Professionals Group.
Longwell is National Director of the Medical Science Liaisons at Questcor Pharmaceuticals, Inc. and a member of the American Academy of Neurology, the Consortium of Multiple Sclerosis Centers, and the Drug Information Association. She earned a bachelor's in psychology from Wesleyan, a master's in psychology from Northeastern University and a doctorate in psychopharmacolgy from Tufts University.
"The goal of Art beCAUSE Breast Cancer Foundation is to prevent breast cancer for future generations by identifying and eradicating the environmental causes," she notes in a press release, adding that she is both a researcher and a breast cancer survivor herself.
ABCBCF was founded in 2000 with the mission of funding scientific research on environmental causes of breast cancer and educating the public on prevention.
Leslie Greengard '79 has been named director of the Simons Center for Data Analysis, after serving as director of the Courant Institute of Mathematical Sciences at New York University since 2006. As director, Greengard will build and lead a team of scientists in analyzing large-scale data sets and developing innovative mathematical methods.
Greengard, who graduated Phi Beta Kappa from Wesleyan with a BA in mathematics, also holds an MD and PhD in computer science from Yale University. He is a member of both the National Academy of Sciences and the National Academy of Engineering, and he received acclaim for developing the Fast Multipole Method, a mathematical technique applicable in such fields as chip simulation and systems biology. For this work, Greengard received the Steele Prize for Mathematical Exposition from the American Mathematical Society.
Jeffrey Juris '93 is the co-editor of the new book Insurgent Encounters: Transnational Activism Ethnography, and the Political (Duke University Press, 2013), a collection of scholarly essays on the dynamics of contemporary, transnational social movements.
With co-editor Alex Khasnabish, assistant professor of sociology and anthropology at Mount Saint Vincent University, Juris structures the collection around themes of emerging subjectivities, discrepant paradigms, transformational knowledges, and subversive technologies. In his contribution to the book, "Spaces of Intentionality: Race, Class, and Horizontality at the US Social Forum," Juris examines the establishment of an intentional space at the 2007 USSF in Atlanta as a means of confronting tension between a directly democratic organization and racial and class diversity.
Assistant professor of anthropology at Northeastern University, Jarvis focuses his research on globalization, new media, autonomy, violence, and youth cultures. He is the author of Global Democracy and the World Social Forums and Networking Futures: The Movements Against Corporate Globalization. Juris serves on the editorial boards of Social Movement Studies and Resistance Studies magazine, and he is a member of various activist research networks.
A litigation associate at Squire Sanders, Dan Matzkin '06 beat out several hundred other applicants for a clerkship with Judge Adalberto Jordan of the U.S. Court of Appeals for the Eleventh Circuit.
Matzkin also has been blind since birth with a condition called Leber congenital amaurosis. It didn't hold him back, however, from earning an undergraduate degree with honors, double-majoring in Wesleyan's College of Letters and Classics or graduating from law school at the University of Michigan. While Jordan had reservations about how someone with such a disability could manage the challenges of legal practice, which include reading hundreds of pages to prepare a judge for argument and conducting legal research, Matzkin came to the interview prepared. His laptop is equipped with JAWS screen-reading software, which translates computer text into spoken word but requires training to absorb.
After inquiring about Matzkin, Jordan heard only positive feedback from his colleagues. Matzkin's boss, Lewis Murphy, said that he immediately connected with Matzkin on a personal level and trusts Matzkin with important research and client work, while Matzkin's coworkers said they ask him for help on their own cases.
Matzkin's strong work ethic ultimately won him the clerkship, although his often self-deprecating sense of humor and strong connection with his colleagues further supplemented his impressive credentials. Despite being one of several thousand blind attorneys practicing in the country, Matzkin achieved a position that is rare and coveted for all lawyers.
"I went into the field because I liked the prospect of being able to advocate for someone who isn't able to do so himself. Acting as someone's voice appealed to me.
Nancy Rommelmann '83 has released Transportation (Dymaxicon), a new book of short stories. A journalist as well as an author, Rommelmann writes with an unflinching documentarian gaze, focusing on the dreams, delusions, and occasionally criminal behaviors of subjects like serial killers, con men, and homeless teens.
In her new collection, Rommelmann tells stories that lean towards science fiction at points and towards magical realism at others. The opening story, "The White Coyote," is a piece of black humor about a creature injected at birth with human DNA and its shaming at a Catholic grade school gymnasium. In "X-Girl," a woman taunts a butcher and ignores his threats of punishment, while "Balzek" focuses on an artist determined to eat his own body for an exhibition.
Rommelmann is the author of the novel The Bad Mother, about Hollywood's population of street kids, and the memoir The Queens of Montague Street, about growing up in Brooklyn Heights in the 1970s. Her work has appeared in the LA Weekly, the Los Angeles Times, The New York Times Magazine, and Byliner.
Mark Saba '81 recently released Painting A Disappearing Canvas (Grayson Books), a collection of poems spanning 30 years. Centering on his Polish and Italian roots in Pittsburgh, the poems focus on the subject of family life and universal themes of what it means to be alive.
Paolo Valesio, professor of Italian literature at Columbia University, writes in the book's foreword that Saba is a "writer who meditates on the entanglement of his roots and who sounds as if he is tenderly worried that his children not be too bound up with this entanglement while at the same time he is concerned that they do not forget it." Exploring these complications in such pieces as "Poem of Forgiveness" and "My Mother Straightens Her Babushka," Saba creates a lyrical autobiography that, at the same time, connects his own experience to the greater American landscape.
Saba is also the author of the novel The Landscapes of Pater, about a boy's search for a father figure and trip to his ancestors' birthplace in Sardinia, and the novella Thaddeus Olsen, within the collection Desperate Remedies, which explores issues of identity, privilege, and the state of higher education in the United States. His narrative epic poem "Judith of the Lights" won the Mellon Poetry Award as part of the collection Three Women: Touching the Boundaries of Life. Besides writing poetry and fiction, Saba works as an illustrator and graphic designer at Yale University.


As markets fragment, it is increasingly difficult to identify meaningful patterns of consumer behavior. Health and health care consumers are no exception. Knowing demographic characteristics, insurance status, and even health status are no longer enough to gain strategic insight into consumer health markets. Instead, health care and health-oriented companies must seek to understand the strategies and practices that consumers engage in, that is, the things people do to manage their health. This approach requires building consumer understanding in a different way.


If you have any questions regarding our work, don't hesitate to contact us directly to discuss our research topics and finding a supervisor.
Are you interested in Control Engineering? You want to get involved in our research projects as a researcher or as a student assistant? Please regularly check our job opportunities on this page. Furthermore, we appreciate applications even when there are no positions posted.


text:
UK property group gains less than expected from Percy Place sale
U+I saw value of Irish assets decline by 28% last year
Thu, May 25, 2017, 16:49
Peter Hamilton
A computer-generated image of the Vertium Building, in which U+I owns a 20 per cent interest
UK-listed property group U+I realised £3 million (€3.5 million) less than it expected when it sold its interest in Irish properties including Percy Place in Dublin in the year to the end of February.
In its annual report, published on Thursday, the company said the value of its Irish assets declined by 28 per cent to £30.2 million during the year, which it described as an "active" one. It posted a gain of £5 million in relation to the sale of Percy place and a number of other units, noting that it had anticipated a gain of £8 million.
It also realised a gain of £4 million from its interest in the Vertium building in Dublin, previously known as Burlington House, having previously pencilled in up to £5 million.
U+I owns a 20 per cent stake in the Vertium building, a development in which property developer Johnny Ronan is also involved. The property has been let in its entirety, triggering a profit share.
U+I also holds stakes in Donnybrook House in Dublin 4, on which it began construction in October 2016, and Ballymoss House in Sandyford - an office building the company acquired for €13.5 million with Colony Capital in November 2016.
Core regions
"This was another active year for U+I in the Dublin market, one of our three core regions. Vertium is now fully let and contributed to our overall full-year profits. We established a specialist platform joint venture with Colony Capital and seeded the fund with Donnybrook House which will be refurbished as part of the future development of the asset. Also in 2016, we acquired Ballymoss House in Sandyford which will be included in the Colony Capital fund and refurbished also," said Matthew Weiner, chief executive of U+I Group.
"This continued commitment and activity is driven by our belief that the Dublin market offers significant opportunities. By working with talented local partners, we can identify undervalued land and buildings, developing them into places that benefit communities and offer a return on investment," Mr Weiner added.
Overall, the group's full-year 2017 accounts show that it realised £35 million of development and trading gains in line with guidance, while the basic net asset value was 278 pence per share - down 13 pence on the previous year.
U+I recorded a pretax loss of £1.7 million, down from a pretax profit of £25.7 million the previous year.
Percy Place
U+i
U+i Group
Burlington(US.NC)
Dublin(IE)
NI Water 'stalling' new building projects, developer says
Dublin councils accused of preventing housing development
LafargeHolcim hires Sika boss Jan Jenisch as next CEO
Marlet wants to add 76 apartments to Bluebell development
Company owner held personally liable for firm's failed action costs
State's housebuilding crisis down to lack of listed builders - Cairn
Cairn eyes RTE site with aim to build up to 500 apartments
Kingspan has €500m headroom for deals, Davy says
JP Morgan move cements Capital Dock as flagship development
Construction growth accelerates for third consecutive month
Brexit ends 'landbridge' route as Dublin Port records sharp fall in lorry freight
Cabinet set to end almost all Covid restrictions from 6am Saturday
After its 'near-death experience' where does Unilever go from here? 15:35
TikTok in talks on office space for 2,500 additional workers in Dublin
Landmark Temple House hits the market in Blackrock for €9.75m
Co-living comes to Cork Street in Dublin as site sells for €27.5m
M7 Real Estate acquires south Dublin offices for €15m
Former office of celebrity solicitor Gerald Kean sells for €940k
5 Credit union money finally seems to have found a home
6 Migration has been a brain gain for Ireland in recent decades
8 Eddie Jordan's JKO confirms withdrawal from $3bn deal for Playtech
9 A top tip for hospitality employers: treat your staff as well as you can
10 Electricity prices were up 260% on average last year

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Removing an element from the DataGridView.DataSource error I have a Windows Form application that has a DataGridView control with a List DataSource.
I must remove some elements from the DataGridView and I use the list to do that like this:
MyList.Remove(SpecificItem);
MyDataGridView.Invalidate(true);
MyDataGridView.Refresh();

And when I want to scroll all the way down to the last item in the DataGridView I get the IndexOutOfRange error. Even if I call the MyDataGridView.Update(); I still get the same error.
How can I get around this error? Thanks.

A: Since MyDataGridView.DataSource is not bound to the List you need to set the MyDataGridView.DataSourceeach time the List changes. Using Invalidate() or Refresh() doesn't do anything in this case.
This msdn link Bind Data to the Windows Forms DataGridView Control might help you to bind your data to the DataGridView


text:
Q: Making CSS Tabs with jQuery and ajax as mentioned above I tried to make Ajax Tabs with the provided jQuery .ajax() function.
That works all very well, my problem is only that the value in the href attribute from the anchor is in the url and i dont know how to call my ajax function with the #tabname in the url.
(my intention is, that if somebody stores the link of the site, he comes back to right that tab and not to the first tab ).
And I'm sorry no I don't want to use jQuery-UI because if i would use it, it would be only for that one problem and I think thats not worth it.
For understanding:
my tab(or anchor) is something like: Mainpage
my jquery looks like following:
$('#main').click(function(){
            loadtab("main.php");
        });

        function loadTab(pageUrl)
        {
            //load the content into #tabcontent
            $.ajax(
            {
                url: pageUrl,
                cache: false,
                success: function(message)
                {
                    $('#tabcontent').empty().append(message).hide().fadeIn('slow');
                }
            });

EDIT:
if somebody likes the loadTab method, here is a link from were i have taken it from (not mine)
http://jetlogs.org/2008/03/17/jquery-ajax-tabs/
EDIT 2:
ok, i solved it like this:
    //click the first tab, so that there will be shown anything
    //tabs is an array of my link ids
    $('#'+tabs[0]).click();

    //if there is a given hash, click the matching
    if(window.location.hash+"" != ""){

        var hash = window.location.hash.substr(1)+'';
        if(jQuery.inArray(hash, tabs)){
            $('#'+hash).click();
        }
    }

A: For directing the user to a particular tab based on the hashtag he has used in the url entered , you have to use a client side routing solution. Calling $.ajax with some special parameter, as you are probably guessing does not solve this requirement.
I recommend you look at https://github.com/mtrpcic/pathjs .
This is a jquery based routing solution, which effectively maps particular hashtags in urls to particular functions. This tutorial : http://stjhimy.com/posts/22-riding-the-hash-bang-with-pathjs-and-ajax-easy-twitter-like-urls might be helpful in demonstrating the use of javascript routing.


All Jordana wants is to be like her friends instead of her shapeshifter mother who died when she was a kid. So when a stranger claiming to be a scientist offers her a "cure," she jumps in with no questions.
Christian, a shapeshifter who's mysteriously shown up at school to befriend her, is furious when he learns that Jordana is rejecting her kind. He doesn't trust the scientist, either, but all he can do is watch helplessly as the stubborn girl he's fallen for gets sicker and sicker.
When Jordana finally realizes she is slowly being poisoned, she confronts the man who deceived her. He's not the scientist he claimed to be, but a powerful warlock. An antidote in his possession can save Jordana's life, but can she or Christian outwit the warlock in time?


text:
Wunderkammer update
February 9, 2017 September 12, 2017 / Lady Lazarus	/ Leave a comment
Work-in-progress shots of my latest paper cutout animation project, entitled Wunderkammer.* Coming in 2018.
SYNOPSIS: Madelaine's cabinet of curiosities contains wonders strange, frightening, and erotic.
*A wunderkammer, also known as a "cabinet of curiosities", is a place in which a collection of curiosities and rarities is exhibited.
Storyboard image from "Wunderkammer"
Dolls House & Miniature Scene Magazine interview.
November 5, 2013 September 12, 2014 / Lady Lazarus	/ 2 Comments
Somehow, I completely forgot to post the interview I had back in August 2013 with the UK-based magazine Dolls House & Miniature Scene. Here's a scan of the layout and the article. The interview was focused on my earlier project, The Disobedient Dollhouse. Click on the images below to get a larger (and much more legible) article.
I found it amusing how the editor kept insisting on changing the title of my work to conform to the British usage of the term "dollshouse" with the plural, rather than my North American-derived term "dollhouse". Whatever.
Goth version of "'Twas the Night Before Christmas".
December 18, 2012 / Lady Lazarus	/ Leave a comment
Viva la Google. Discovered this little gem via the search engine. No author's name is attached to it, but here is the originating web site. Silly fun, so I thought I'd share it with you. Assuming the world doesn't come to an abrupt end on December 21st as per the Mayan predictions, have a good holiday everyone! — Lady Lazarus.
Have a dreary Gothic Christmas and a wretched New Year.
With somber and tormented apologies to Clement C. Moore:
'Twas the night before Christmas, and all through our house
was blasting the "St. Vitus Dance" by Bauhaus;
Torn fishnets were draped on my forearms with care,
And two cans of Aquanet applied to my hair;
My thoughts were of graveyards, and horror and dread,
Black visions of pain and despair in my head;
And Bianca, whose face was as pale as the moon,
Had thrown up her arm for this evening's swoon,
When out by the gravestones there came such a clatter,
I sprang from the coffin to find out the matter.
Away to the window I flew like a ghost,
Expecting to find a dark devilish host.
The moon on the breast of the uncaring snow
Threw ominous shadows on objects below,
When, before my tormented eyes did traverse,
But a gorgeous black Crane & Breed carved-panel hearse,
With a gaunt, shrouded driver, who filled me with fear,
And eight skeletal creatures that might have been deer.
More rapid than vultures his coursers they came,
And his deep Andrew Eldritch voice called them by name;
Now, Murphy! Now, Morgoth! Now, Torment and Woe!
On, Dreadful! On, Lovecraft! Mephisto and Poe!
To the top of the gravestones where fog wisps its breath!
With a weight on my soul I consign you to death!
As dead leaves that before hellish hurricanes fly,
When they flutter like giant bats' wings to the sky,
So up to the crypt-top the coursers they leapt,
While dearest Bianca, like death, still but slept.
And then, to my horror, I heard on the roof
The clicking and scratching of each bone-white hoof.
As I drew in my arm, and was whirling around,
Down the ebony chimney he came without sound.
He was clad all in black, and he looked oh-so-goth,
A billowy ensemble of crushed velvet cloth;
His boots were knee-high, quite buckled and zipped,
And the Spandex and fishnets 'round his legs were ripped.
His eyes glowed with bluish fire, deathly and cold,
A black eye-liner'd face neither youthful nor old.
A broad lipless mouth drawn with torment and hurt,
And his sorrowful face was as white as my shirt.
A smoldering cigarette tight in his grasp,
Its smoke curling eerily 'round his cloak clasp;
His gaunt frame was topped with long ebon hair,
And a sharp scent of brimstone and cloves choked the air.
His arms were outspread in the shape of a cross,
And I quailed when I saw him, feeling sorrow and loss;
He narrowed his eyes with a twist of his head,
And I felt the full weight of his angst and dread.
He spoke not a word, but went straight to his task,
Left some Dead Can Dance CD's; before I could ask,
A single tear fell across his aquiline nose,
And then, like an angel, up the chimney he rose;
He sprang to his hearse, to his team he then hissed,
And away they all drifted like early dawn's mist.
But I heard him intone, ere he vanished from sight,
"Gothic Christmas to all, and to all a good fright!"
Giant insects swarm the Art Gallery of Peterborough!
November 10, 2012 November 10, 2012 / Lady Lazarus	/ Leave a comment
Quick and dirty snapshot of the installation in-progress.
My installation The Disobedient Dollhouse will pay a visit to the Art Gallery of Peterborough, starting this month. This exhibition will also screen my 2-minute stop-motion animation Domestikia: The Incident in the Nursery. Exhibition runs from November 9 – January 6, 2013. The opening reception will take place Friday November 16, 7 – 9 pm. Visit the web site of the AGP for details and/or directions.
Domestikia: An Account of Some Strange Disturbances. The Incident in the Nursery.
July 9, 2012 August 1, 2012 / Lady Lazarus	/ Leave a comment
Domestikia: The Incident in the Nursery. from Jennifer Linton on Vimeo.
At last, I've completed my second stop-motion animated short film. Domestikia uses paper cutouts and articulated paper puppets in a stop-motion animation to explore the strange, dreamlike and uncanny realm of the Domestic Gothic. With a healthy dose of black humour, it tackles the anxieties and challenges experienced by parents of young children. The 'Domestic Gothic' as a motif developed through the writing of 19th-century women Gothic novelists, such as the Brontë Sisters, and dealt specifically with the horror of confinement felt by women who were 'imprisoned' within the home and unable to move freely in Victorian society. With contemporary women still predominantly acting as primary caregivers to their children — and thus financially penalized by either remaining at home or opting for employment that allows for 'family friendly' work hours — this sense of confinement is still present. The realm of the domestic has become infiltrated by strange creatures — a giant butterfly, an octopus, and bird-headed children — whose presence suggest a level of discomfort within the home. These creatures are the physical manifestation of Freud's das Unheimlich (translates to English as 'the uncanny'), a term which literally means 'unhomely.'
All images and animation were done by me, in my basement.
The haunted 'Island of the Dolls.'
April 25, 2012 January 29, 2014 / Lady Lazarus	/ 1 Comment
Some of the derelict inhabitants of "La Isla De La Muñecas", located on Teshuilo Lake, Mexico.
Ghost stories. Every culture around the world has them and, whether they arise from ancient folklore, the Gothic novelists, or the humble campfire, they continue to both frighten and fascinate. What is it about the ghost story that has held our collective fascination from time immemorial? I have a personal theory that, beyond their chilling narratives, there's a psychological comfort to be derived from the ghost story. The very idea of a 'ghost' fundamentally supports the belief in an afterlife and that something exists beyond the grave. In spite of geographic, political, or cultural differences, an intrinsic fear of death is the one thing we all have in common.
So, if a good ghost story gives you a cold sort of comfort, then you might consider packing your bags for a trip to Mexico. Located on Teshuilo Lake in Mexico's ancient Xochimilco district, the remote island dubbed La Isla De La Muñecas (or, 'the Island of the Dolls') has become a curious tourist destination for fans of the macabre. Festooned about this quiet and uninhabited island are thousands of dolls, supposedly left by the island's former occupant to weather and decay. A tale of tragedy accompanies these dolls, offering a possible explanation as to their placement here:
In the late 1950s, Don Julian Santana Barrera came to inhabit the nameless island on Teshuilo Lake, which [was] then a lonely, overgrown spot and seemingly perfect for his hermit-like requirements.
But, unbeknownst to Julian, the quiet island has a dark history. Local legend maintains that in the 1920s three young girls were playing on the island, only for one of them to drown, falling into the canal's murky waters close to a small jetty. The nearby residents claimed that the dead girl's spirit refused to pass on and remained tethered to the island. The area soon gained a degree of infamy and few dared to venture near the supposedly haunted land, especially at night.
Now, with Julian's arrival, the girl's spirit once again had someone to talk to. She told him of the manner of her death and asked him to find dolls for her to play with; adding that they would also help to ward off the ancient and evil spirits that still wandered the prehistoric wetlands. Evidently, Julian listened to the girl's appeal, and began to search the area, scouring the rubbish dumps and plucking any discarded dolls that floated on the gently lapping waters of the cloudy canals.
Some of the thousands of dolls that haunt "La Isla De La Muñecas".
At first Julian was thought to be something of an oddity; a crackpot who would gather unwanted dolls because he thought they were actual children that he could nurse back to life, but eventually people realized that he was simply a harmless old man with a rather peculiar past-time. In time, Julian accrued so many dolls that the island came to be called La Isla de las Muñecas (The Island of Dolls) but according to Julian, no amount of plastic companions seemed to satisfy the spirit's thirst, and soon thousands of the toys festooned the island's every square foot. Julian even constructed a modest hut for the purpose of housing a shrine dedicated to the dead girl's spirit and the most special dolls he was given.
On April 21st 2001, Julian and his nephew, Anastasio were fishing on the island. Julian told his nephew that strange voices had been calling out to him from the waters of the canals, beckoning him to enter the water and join them. He explained that he had often heard weird voices, but had always been able to resist their calls. The two men carried on fishing together until Anastasio left to undertake some errands. When he returned he discovered his uncle floating face down in the canal near the small pier – at the same place that the girl had lost her life in the 1920s.
— Source: 'The Mexican Island Haunted by Evil Dolls', on the Environmental Graffiti blog.
Of course, the cynic in me says that the story of Julian Barrera and the drowned girl are completely apocryphal, and some enterprising locals collected discarded plastic dolls and decorated the island, inventing this ghost story in the hopes of attracting tourist dollars to an off-the-beaten-path region of Mexico. Whatever the truth behind the dolls, it's still an impressive and effectively eerie sight to behold. Click on the link above to view more creepy photos of the 'haunted' Island of the Dolls.
Horror Films 101: 5 vampire films you may not have seen.
April 10, 2012 April 11, 2012 / Lady Lazarus	/ 2 Comments
The beautiful Delphine Seyrig stars as the bloodthirsty Countess Báthory in Harry Kümel's "Daughters of Darkness" (1971).
1. The stylish Daughters of Darkness (1971) from Belgian director Harry Kümel continues to be one of my favourite indulgences when it comes to eurotrash vampire films. I've already dedicated an entire blog post on Kümel's film, but a recently discovered quote from "dissident feminist" Camille Paglia has reminded me of my great admiration for this lesbian-vampire classic:
"A classy genre of vampire film follows a style I call psychological high Gothic. […] A good example is Daughters of Darkness, starring Delphine Seyrig as an elegant lesbian vampire. High gothic is abstract and ceremonious. Evil has become world-weary, hierarchical glamour. There is no bestiality. The theme is eroticized western power, the burden of history."
— Camille Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. Yale University Press, 1990, p. 268.
Vincent Lannoo's mockumentary "Vampires" (2011).
2. Yet another Belgian vampire film, although the 'found-footage' hand-held camera-style of Vincent Lannoo's Vampires (2011) could scarcely be more of a departure from Kümel's meticulously crafted film. Touted in the media as "Spinal Tap meets the Munsters", Lannoo's mockumentary delves into the culture of contemporary Belgian vampires, all with a wonderfully deadpan, blacker-than-night sense of humour. After several unsuccessful attempts to document the vampire community — as the film crews kept, um, getting eaten — the crew that purportedly filmed Vampires manage to locate an amenable vampire family that allow them to document their daily routines. Even though the found-footage schtick has grown very, very tired in the horror genre, I found myself enjoying the detailed accounts of vampire customs and culture.
Director Larry Fessenden plays Sam, a world-weary bartender in "Habit" (1999).
3. The low-budget indie film Habit (1999) was written, produced, directed, and edited by genre fave Larry Fessenden. This is a grungy and unglamorous revisionist-vampire film that uses vampirism as a metaphor for addiction. Fessenden plays Sam, a world-weary bartender who struggles with alcoholism and the recent death of his estranged father. When Sam meets the mysterious Anna at a friend's party, things eventually go from bad to worse. While this film offers little in terms of fanged neck-biting, it has an effectively moody atmosphere and some fairly erotic sex scenes.
4. Cronos (1993), written & directed by Guillermo del Toro, was the cinematic debut of the Mexican filmmaker better known for his later film Pan's Labyrinth. A fairly unique treatment of the vampire mythology in which an ancient and mysterious mechanical device is used to transmit the virus of vampirism. An old antique dealer unwittingly discovers the scarab-shaped device in his shop and becomes infected. Fans of del Toro's work will recognize his characteristic black humour and fondness for grotesquery.
The priest Sang-hyun saves his dying love interest Tae-ju by rendering her a vampire in "Thirst" (2009).
5. Another clever twist on the vampire legend is Chan-wook Park's Thirst (2009). Sang-hyun is a devout Catholic priest who, for all intents and purposes, opts to martyr himself by subjecting his body to some radical medical experiments. When these medical experiments result in vampirism, the priest wrestles not only with a heightened desire for carnality, but also a thirst for human blood.
"Domestikia: An Account of Some Strange Disturbances", stop-motion animation project.
November 30, 2011 December 23, 2011 / Lady Lazarus	/ Leave a comment
My latest creative project is "Domestikia: An Account of Some Strange Disturbances". Continuing my interdisciplinary approach to artmaking, I have created jointed, movable paper cutouts from my lithographic prints for use in a series of stop-motion animations. This project will include several short stories linked together by an overarching narrative, all taking place within an imagined dollhouse. The narrative is non-linear, so scenes are not "shot" in sequence.
I'll readily admit to being a complete neophyte when it comes to animation, but thus far I find the process a rewarding one. Painstakingly tedious and laborious, but rewarding nonetheless :-)
Quoth the Raven, 'Nevermore.'
November 15, 2011 November 16, 2011 / Lady Lazarus	/ 1 Comment
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he,
But, with mien of lord or lady, perched above my chamber door–
Perched upon a bust of Pallas just above my chamber door–
Perched, and sat, and nothing more.
Then the ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore–
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
— an excerpt from the narrative poem "The Raven" by Edgar Allan Poe. First published in 1845.
In North America and most of Europe, the raven is a bird that symbolizes ill-omen and doom. Due to its jet-black plumage, eerie call and carrion-eating tendencies, the raven and its smaller cousin, the crow*, have haunted the imaginations of mankind from time immemorial. American Gothic writer Edgar Allan Poe famously employed the bird as a harbinger of doom in his poem "The Raven," an excerpt of which is offered above. The poem tells of a talking raven's mysterious visit to a distraught lover, tracing the man's slow descent into madness. The narrator — whom, it's been suggested, represents Poe himself — mourns the loss of his dead love Lenore. The raven flies into the room through an open window and perches itself (permanently, as it turns out) upon a sculptural bust of Athena that rests above the door. It then proceeds to torment the narrator to the brink of madness simply by repeating the poetic refrain "nevermore" at the end of each stanza. For his part, the narrator engages in a curiously self-defeating game of "20 questions" with the raven, peppering the bird with questions to which — he's fully aware — it can only answer "nevermore." In true Gothic tradition, Poe's "The Raven" is epic, highly theatrical, and steeped in a melancholia characteristic of that literary genre.
The crows begin to assemble on the play equipment behind the local school in Hitchcock's "The Birds" (1963).
The crow, the raven's smaller yet equally foreboding cousin, gets its moment in the spotlight in British film director Alfred Hitchcock's 1963 film "The Birds". A profoundly intelligent and resourceful bird, a flock of crows is called a murder because "…the group will sometimes kill a dying cow." Hitchcock capitalized on the silhouette of the menacing crows — not to mention their violent reputation — in his classic horror film in which birds inexplicably attack humans. Oh sure, the idea of violent attack from a single budgerigar seems ludicrous. However, as one character in the film points out, birds significantly outnumber humans on this planet, and if they did group together to get rid of us…
Mrs. Bundy: Birds have been on this planet, Miss Daniels, since Archaeopteryx, a hundred and forty million years ago. Doesn't it seem odd that they'd wait all that time to start a…a war against humanity.
Salesman: Your captain should have shot at them… Gulls are scavengers anyway. Most birds are. Get yourselves guns and wipe them off the face of the earth.
Mrs. Bundy: That would hardly be possible… Because there are eight thousand, six hundred and fifty species of birds in the world today, Mr. Carter. It is estimated that five billion, seven hundred and fifty million birds live in the United States alone. The five continents of the world…
Salesman: Kill 'em all. Get rid of them. Messy animals.
Mrs. Bundy: …probably contain more than a hundred billion birds.
Drunk: It's the end of the world.
Sebastian Sholes: Those gulls must have been after the fish.
Mrs. Bundy: Of course.
Boy: Are the birds gonna eat us, Mommy?
Mrs. Bundy: [explaining that birds of different species never flock together] The very concept is unimaginable. Why, if that happened, we wouldn't have a chance! How could we possibly hope to fight them?
Like the drunk guy said, "It's the end of the world."
*What's the difference between a raven and a crow? Read more here to find out.
Goth like me; or, why does little Jenny mope in her bedroom all day, wearing black and writing bad poetry?
August 22, 2011 August 19, 2013 / Lady Lazarus	/ 4 Comments
I have a theory that some people are simply born to be Goth. Long before I knew of such a subculture, I was, by virtue of natural inclination, compelled to seek out the dark, the morbid, and the theatrical. These are the mainstays of 'the Gothic', a darkly romantic movement within art, music, fiction and fashion.
My gateway music into all things Goth was The Cure's 1989 album Disintegration, back in my undergraduate art school days — which is, as far as anyone is concerned, precisely the right place to discover the angst-ridden wails of Robert Smith. Similar bands, such as Bauhaus, Joy Division, and the Sisters of Mercy, soon followed. While I was not then– nor am presently — a daily devotee to dressing exclusively in the Goth style, I have held a continued fascination in all things related to the Goth subculture ever since those early, fateful days of art school.
Fashion is critical for the Goth, with adherence to a particular mode of dress strict, to the point of orthodoxy. There is, as it turns out, not one type of Goth, but several. These include the Classic Goth, the Romantigoth, the Cybergoth, Fetish Goth, Vampire Goth, Glitter (or Perky) Goth, Victorian Goth, Steampunk, Gothabilly, Gothic Lolita, and…well, the list is long, indeed. Below is a brief description of some of my personal favourite modes of Goth dress.
Classic (or Traditional) Goth
Siouxsie Sioux, lead singer of the seminal '80's Goth band Siouxsie & the Banshees, and the figurehead for the first generation of Goths.
The Goth subculture evolved from Punk in the early 1980s, with the London club The Batcave ostensibly functioning as its musical and stylistic home base. Famous club regulars included musicians such as Robert Smith, Siouxsie Sioux, Steve Severin, Marc Almond and Nick Cave. Collectively, their dark, moody and often somber music and penchant for theatricality shaped this new subculture, creating its very distinctive look and feel. While Punks were angry anarchists, Goths were melancholic fatalists.
The fashion of the Classic Goth was heavily influenced by British-based Punk. Fishnet, leather, and piercings were prominent, and the colour black was worn, head-to-toe, with slavish devotion. BDSM paraphernalia, such as black leather slave collars, corsets and harnesses, was also common. Hair was very big and very, very teased (it was the '80s, after all) and make-up was heavy and often exaggerated. Trendsetters like Siouxsie Sioux served as models for the uniform of the Classic Goth female: black, spiky-teased hair, fishnet, leather, studded belts, wristbands and collars, dark, heavy eye make-up and thickly lined, deep red lips.
One of the biggest influences on Gothic fashion has been the imagery in Gothic literature and their movie counterparts, particular that of Victorian writers such as Edgar Allen Poe and Bram Stoker. Victorian fashions like corsets, lace, frock coats and pale skin are popular throughout the scene, but maybe none wear them with as much style as the Victorian Goth.
A Victorian Goth wearing a contemporary version of the Victorian "mourning dress".
Like their Victorian role models, the Victorian Goths wish to convey an image of decorum and dignity. Clothes must be elegant and, for many, historically accurate. Ball dress and mourning garb are particularly prominent in the scene.
Victorian Goths may also indulge in activities that were popular in Victorian high society, including theatre, masquerades, tea parties and poetry. And, naturally, any kind of Dickensian or other Victorian festival that gives them an excuse to parade around in costume.
As for music, opera and classical are the true Victorian Gothic genres, but Victorian-inspired bands such as Rasputina are also acceptable.
Typical Steampunk outfit, complete with waist coat, pinstripes and the omnipresent goggles.
The antiquated, refined elegance of Victorian Goth and a rough, edgy futurism may seem a completely incompatible combination. But, thanks to a particular genre of fantasy, the two have been successfully wedded to create the Steampunk Goth.
Steampunk is, in essence, science fiction that takes place in the low-tech setting of the past — very often the Victorian era. In Steampunk, you may find steam-powered robots, clockwork computers and complex contraptions made from wood, brass and wheels. The merging of Victorian imagery with quirky technology is doubtlessly of huge appeal to many Goths, but perhaps the most important links between Steampunk and Goth culture are the Victorian writers who inspired the genre, including Mary Shelley and Edgar Allen Poe.
Steampunk Goth fashion is highly creative, incorporating elements that evoke Victorian technology such as clocks, keys and cogs. Although Steampunk is not a music scene, acts such as Rasputina, Emilie Autumn and Abney Park have all been cited as having Steampunk appeal.
A Gothic Lolita proudly displays her subculture fashion sense in the Harajuku region of Tokyo.
While largely inspired by the Western Goth movement, the Gothic Lolita is a wholly Japanese creation. Inspired by Visual Kei and cosplay, the Lolita tries to closely emulate a demure, doll-like Victorian girl. Modesty and elegance are critical, and little or no skin should be exposed in Lolita costumes.
The Gothic Lolita is the darker sister of the frothy-pink Sweet Lolita, and typically dresses in a combination of black and white, or entirely in black. Eyes tend to be dark and smoky but, on the whole, make-up tends more towards the natural tones rather than the theatricality of Goth "white face" — which wouldn't work on Asian skin, anyway.
This style has recently come full circle, with Westerners now borrowing fashion elements from the Japanese. Westernized versions of Lolita fashion tend to minimize the girlish frills and add an element of coquettish sex appeal.
A classic retro 1950's "Gothabilly" look.
The Gothabilly
What do you get if you mix Elvis Presley, The Cramps, a bunch of old horror movies and a splash of lounge? Bizarrely, you get Gothabilly – a rare and exotic breed of Goth with rather eclectic tastes in both music and wardrobe.
With styles originating from "Rockabilly" (American 1950s rock n roll) and "Psychobilly" (1980s punk with a heavy rockbilly influence), Gothabilly is visually and musically a play on retro, kitsch aesthetics – but with a dark twist. Like Deathrock, which often shows many overlapping traits with Gothabilly, the music and imagery is frequently tongue-in-cheek and deliberately cheesy. As such, many Gothabilly bands sport such creative names as Nacho Knoche & The Hillbilly Zombies, Cult Of The Psychic Fetus, and Vampire Beach Babes.
Gothabillys tend to be some of the brighter Goths out there, with their vivid tattoos, cherry accessories and ubiquitous polka dot clothes.


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HomeNewsHow to watch Attack on Titan in English on Netflix
NewsEntertainmentAnimeBinge Watch
How to watch Attack on Titan in English on Netflix
By Bhaumik Raja
Anime is initially developed in Japanese voice with English subtitles. They are later also dubbed in English for the non-japanese audience. Attack On Titan (Shingeki no Kyojin) is one of the most popular anime of this decade. It initially streamed on Netflix India in English, but now only Japanese dub is available. However, you can still watch it in English, read on for details.
Attack On Titan (Shingeki No Kyojin)
For every anime, the Japanese dubbed version releases first, and sometimes the English dubbed version takes much longer to release. Due to this reason, most anime fans adjust and watch Japanese dubs instead of waiting for the English dubbed version.
Attack On Titan is the best Netflix Japanese anime, and its next season is set to release next year. The dubbed version will release first, and the English dubbed version will release some time later. Most of the fans prefer watching Japanese dubs with English subs as they can't wait for its English dubs. One reason for this is that the anime is very thrilling, and spoilers spread fast, so better to watch in Japanese than to get spoilers.
Attack On Titan English Dubbed Version
Maybe, due to this reason, Netflix has removed the English dubbed version till season 3. However, fans can still watch it on Netflix UK. All you need to do is, use some VPN and change your location to the UK in order to access the English dub of Attack on Titan.
Shingeki No Kyojin is written and illustrated by Hajime Isayama. It is set in a fantasy world where humanity lives within territories surrounded by three enormous walls that protect them from gigantic man-eating humanoids referred to as Titans.
The anime series has three seasons and the fourth season is releasing next year. The series enjoys 8.8/10 on IMDb with 132K+ votes, on 94% Rotten Tomatoes, and 8.47/10 on My Anime List with 196K+ votes.
We hope this article about Attack On Titan was helpful to you. Stay tuned to Phones Wiki for all the latest updates on trending technology, OTT platforms, movies, gaming, and mobiles.
attack on titan netflix
attack on titan netflix india
attack on titan netflix removed
attack on titan netflix season 2
Bhaumik Raja
I am a freelance content writer with five years of experience writing content about TV Shows, Web Series, Movies, and Technology. In my free time, I prefer to binge-watch Netflix or read books.
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Nathan December 16, 2020	At	4:14 am
Hey i tried the vpn and connected multiple uk services and it didn't work. What actually happened is attack on titan wasn't even on netflix i'm pretty sure they blocked it.
Otilia Artis May 16, 2021	At	10:28 am
Who's your favorite watership down charter from the movie and the tv series.


text:
import java.util.ArrayList;

/**
 * TODO: Дополнить интерфейс и создать абстрактник с поддержкой событий
 * Created by drxwat on 23.03.15.
 */
public interface ServerInterface {

    void init();

    void addMessageListener(MessageListener messageListener);

    ArrayList<MessageListener> getMessageListeners();

    void removeMessageListener(MessageListener messageListener);

    void fireMessage(MessageListener source, String message);
}

redpajama_set_name: RedPajamaGithub


Our tastings are always fun and educational, and they provide an excellent opportunity to sample a wide range of wines. Our staff members love talking about wine, and our casual tasting format provides the perfect learning atmosphere! Please follow the links below to register for our upcoming events. Watch for more tastings announcements in our Newsletter!
*Please arrange safe transportation for the evening.
Winter is here and it's time to warm up with a glass of full-bodied red wine! This event will feature the fullest, richest and most flavourful red wine styles that we offer at Richmond Hill Wines. The wines of the evening will be paired with a selection of cheeses from our good friends at Peasant Cheese shop in Kensington.
Italy is one of the largest wine producing countries in the world, and you will find everything from the simplest table wines to the most complex and age-worthy Barolo, Amarone and Super Tuscan's. Join us for the evening as we explore the classic and the eclectic from this renowned wine producing country. We will be featuring a selection of Italian cheeses and charcuterie from Peasant Cheese in Kensington.
French wine represents over 30% of the wines that we import, so it is only fair that we dedicate an entire evening to this Country. In addition to the world class wines of Bordeaux and Burgundy, we will also highlight our favourite wines from the Loire Valley, Alsace, Languedoc and more. Crystal from Peasant Cheese will also provide us with a selection of French Cheeses and Charcuterie to help guide us through our evening of all things France.


Whether you are wanting to learn to ski/snowboard as a beginner or advance your skills on the slopes, Wilmot Mountain's adult lessons are the best way to get you the skill and knowledge you need. Our trained instructors are here to help!
Whether you are wanting to learn to ski/snowboard as a beginner or advance your skills on the slopes, Wilmot Mountain's teen/adult group lessons are the best way to get you the skill and knowledge you need.


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Home > All news > Darfur peacekeeper dies as Sudan denies evacuation request
Darfur peacekeeper dies as Sudan denies evacuation request
April 28 - 2015 NEW YORK
United Nations Secretary-General Ban Ki-moon (UN)
The Sudanese government denied a flight request for an emergency medical evacuation of a Unamid peacekeeper on Sunday. He died from his injuries, sustained in West Darfur, hours later.
UN Secretary-General Ban Ki-moon deeply regrets the decision by the Sudanese government. In a press statement on Monday, he conveyed his condolences to the government of Ethiopia and the family of the deceased Ethiopian peacekeeper.
Ban Ki-moon called on Khartoum to respect the Status of Forces Agreement signed with the UN and lift all restrictions placed on the joint peacekeeping mission with the African Union in Darfur, Unamid. In the context of the ongoing discussion on the exit strategy for Unamid, he stressed the need for Sudan and the UN to work in full cooperation.
The Secretary-General further expressed his concerns about the recent increase in the number of attacks on Unamid soldiers, "and the limited cooperation provided by the Government of Sudan in addressing these incidents". He pointed to and condemned the two attacks by "unidentified armed groups" that took place in Kass, South Darfur, on 23 and 24 April.
According to the mission, six peacekeepers were wounded and four attackers killed when Unamid troops returned fire in self-defence. Ban Ki-moon urged Sudan to bring the perpetrators of the attacks to justice.
The peacekeeping mission has launched its own investigation into the incidents. Unamid officials said that their peacekeepers responded appropriately when they were attacked, and claimed that an erroneous version of the events is being put out to misinform the public and the Sudanese government.
April 28 - 2015
AU stresses need to investigate attacks on Unamid in Darfur
'Erroneous accounts on South Darfur clashes misinform Sudan': Unamid
Unamid denies killing civilians in South Darfur


Sweet & creamy, this English Pea Salad Recipe will please even the picky eaters.
The bacon and finely diced onion really add to the flavour combination of the peas and corn kernels.
If you don't have Salad Cream - a Cole slaw dressing will do as a substitute.
Wow - only 5 ingredients to make this English Pea Salad.
You can even cut down on time by buying pre-cooked bacon or Bacon Bits instead.
Cook the bacon strips til crispy and then remove from pan to cool.
Next - dice up the cooked bacon - the smaller, the better.
Place the drained peas and corn into a medium sized bowl.
Add the diced onion and bacon.
Blend everything together gently, so you don't mash up the peas.
Cover and refrigerate your English Pea Salad til served.


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We feel for you. Which is why we're suggesting this Child Camo Second Skin for your little Houdini. Now, he can blend in seamlessly with the world around him...and outdoors, to boot! No more tripping over him in the entryway or being scared half to death when he emerges from behind a curtain. And now that he'll be busy hiding around in the bushes, he can't just be dressed in a pair of blue jeans and a bright red t-shirt, now can he? Camouflage is the only real option for stealth operations in the woods. If your child wants to blend in (and we know your child does) he'll be able to go completely undetected in this sleek suit. We're just hoping he's coming back for dinner, because you sure won't be able to find him out there.
That's because this jumpsuit is printed in classic camo, as are the attached gloves, socks, and mask. So go ahead, ask him if he'd like to own the ultimate gear for outdoor covert ops...we'll wait while you try and find him.


The Dallas Cowboys have been searching for a safety all offseason.
Now, it seems, they finally have their man.
The Cowboys reached a one-year deal with former Minnesota Vikings safety George Iloka on Saturday, the team announced.
Iloka is the third defensive back to visit the Cowboys this offseason, following former Kansas City Chiefs safety Eric Berry and safety Clayton Geathers. Shortly after his visit to Dallas, Geathers signed a deal to return to the Indianapolis Colts. Iloka visited the Cowboys on Friday, but left without a deal.
Iloka spent last season with the Minnesota Vikings where he had 16 total tackles and one forced fumble, but only started three games. Instead, he played in more of a reserve role behind Harrison Smith and Andrew Sendejo, and received a significant portion of his snaps on special teams.
The 28-year-old spent six seasons before his time with the Vikings with the Cincinnati Bengals, where he started for five years. He has 359 career tackles and nine interceptions in both safety spots.


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Vermont School's Homecoming Dance Canceled Due To Twerking
It's a real life Footloose in the Green Mountain State.
By James Joiner
Oh Miley, now look what you've done. School officials in puritanical New England haven Bennington, Vermont, have done gone and canceled the homecoming dance, citing the local farm girls and boys' passion for Cyrus-inspired twerking as the cause. In a letter to the local paper, Mount Anthony Union High School principal and guardian of virtue Sue Maguire said:
"Over the past couple of years, since Miley Cyrus took the stage "twerking" at the 2013 MTV Video Music Awards, our students' dancing behavior has crossed the line of what we can condone as appropriate behavior at a school. Twerking is dancing to popular music in a sexually provocative manner involving a low squatting stance and thrusting movements. Students do not face one another or remain with the same person for the length of the song."
"If you haven't seen twerking, I would encourage you to research this online."
"We have been asked why we don't just stop it. Try to picture our cafeteria, with 400 to 500 students in tight clusters of about 80 students. It is very difficult to get into the middle of the clusters to monitor every student who is dancing inappropriately."
Well, we all know how this one is gonna end, 'cause you can't stop / won't stop the kids when it comes time to dance.
But seriously. Do we really live in a time where school administrators think that by canceling the homecoming dance they can wield cultural control over their students? Are the powers that be in Vermont so ensconced in their all-American farmhouse fever dream that they don't realize that A) the kids already know what twerking is, and you can bet they're just gonna go throw back some Boones Farm or Natty Lite and get their grind on in the barn, B) admitting that you can't control your student population is probably not the smoothest political / bureaucratic move, and C) now you have to deal with Kevin Bacon. And he's gonna be pissed. Didn't we learn anything from '80s-era movies?
Here's hoping the artist formerly known as Hannah Montana sees what her name hath wrought and decides to give 'em the best of both worlds by heading to Vermont for her own homecoming dance. Your move, Miley.
Ken Starr Is Proof History Rhymes Absurdly
Lev Parnas Ropes in Everybody—Like Devin Nunes
Trump Ranted About Appliances During the Debate
Who Cares If Adam Lanza Liked to Play Dance Video Games?
The Blacklist Is the Fall's Only Ratings-Proof TV Gold
The Philippines Dances to Pharrell
The Twerk Event Horizon Is Here
What Level of Ophidiophobia Is Right for You?
What Kind of Monster Benches Cheerleaders?


At the end of this booking form, there is a box for you to tick, if you give permission for the School of Movement Medicine to use your contact details to let you know about Movement Medicine events, by e mail and by post.
You can request your removal from the SoMM contact list at any time, by clicking "unsubscribe" on the emails you receive, or by sending an email to "Roland Wilkinson"
After you register online, you will receive an OK message immediately. If you don't receive this, it means your registration failed; try again! Your booking becomes valid after you have paid the non-returnable deposit.
If you are unable to submit your registration, please send me a regular E-Mail movementmedicinebasel@gmx.ch message and provide all the necessary booking information.


text:
Q: Unexpected URL generated while using window.location.hostname I am trying to append URL, but it the generated URL is not as expected. Below is the code that I've tested and its outcome.
Since I'm using a local server to test my system, the desired request URL is http://127.0.0.1:8000/api/posts. I will be deploying this system to a remote server in the near future so I cannot use the request URL as it is now. Base on the code below, what I am trying to do is to get the current hostname and append it with the route URL but it produces weird URL. How to solve this?
Component
created() {
        var test = window.location.hostname + '/api/posts';
        this.axios.get(test).then(response => {
        this.posts = response.data.data;
    });

Route Api (api.php)
Route::get('/posts', 'PostController@index');

A: Just use an absolute URL in your axios requests if you don't want to have to configure a base URL:
this.$axios.get('/apiposts')

Where the prefixed / is the important part.

A: You probably do not need to set baseURL. Have you tried to define baseURL? For example:
axios.get(`${process.env.HOST}:${PORT}/api/categories`)

Add this code in your: /src/main.js
const baseURL = 'http://localhost:8080';
if (typeof baseURL !== 'undefined') {
  Vue.axios.defaults.baseURL = baseURL;
}

See the solution here Set baseURL from .env in VueAxios
I think in your app baseURL is set to http://127.0.0.1:8000 (default) and you append the host to this url in this line var test = window.location.hostname + '/api/posts';. Try it without this.


At least on the current trunk, SCAYT is taking a lot of time to get enabled when activated. It just took me more than two minutes when enabling it with just a short phrase and two dispelled words.
The Firebug Net pane shows precisely that some spellckecker.net calls are having a quite long response time.
The SCAYT initial time is much reduced after #5551, feel free to reopen the ticket on any further discoveries.


text:
Declaratory Rescript of the Illyrian Nation (; ) was issued on 16 July 1779 by Maria Theresa, Dowager-Empress and Queen of Hungary (1740-1780). It was a royal rescript, issued in response to a series of petitions made by Eastern Orthodox subjects of the Habsburg monarchy, regarding the regulation of their religious freedom and ecclesiastical autonomy. The document was the result of a process, initiated by previously issued Regulamentum privilegiorum (1770) and Regulamentum Illyricae Nationis (1777), both of them replaced by the royal rescript of 1779.

The Rescript

The Rescript contained detailed regulations on the organization of the Metropolitanate of Karlovci, an autonomous ecclesiastical province of Eastern Orthodox Christians in the Habsburg monarchy, who were mainly Serbs and Romanians. Since the end of the 17th century, the archaic term Illyrians was used by the state administration in a classicizing manner, at first as a designation for Serbs, and later for all Eastern Orthodox subjects, including Serbs, Romanians and some other minor groups.

During the reign of Maria Theresa (1740-1780), several assemblies of Habsburg Serbs were held, with royal consent, sending their grievances and petitions to the Habsburg court. In response to that, the Rescript of 1779 regulated, on some issues restrictively, many important questions, from the procedures regarding the elections of Eastern Orthodox bishops, to the management of dioceses, parishes and monasteries. With small changes, the Rescript was upheld in force until it was replaced by the "Royal Rescript" issued on 10 August 1868.

See also
 Great Migrations of the Serbs
 Arsenije III Crnojević
 Arsenije IV Jovanović
 Metropolitanate of Karlovci

References

Sources

1779 documents
1779 in law
1779 in religion
Habsburg Serbs
History of the Serbian Orthodox Church
Vojvodina under Habsburg rule
18th century in Serbia
Habsburg Transylvania
History of the Romanians

redpajama_set_name: RedPajamaWikipedia


text:
Traffic police gets ready for wheel clamping
SHILLONG: The Shillong Traffic police department has brought a new device to address the growing problem of illegal parking of vehicles in the city.
The new device which the traffic police would be using from Tuesday onwards is a clamping machine which would be fitted in on the tyres of those vehicles which are parked wrongfully.
"Initially 40 clamping machines would be made available at the Sadar and Laitumkhrah traffic branch. The new device would be made available to other traffic branch at the later stage," East Khasi Hills Superintendent of Police M Kharkrang told reporters here on Monday.
He said the department had brought this new device to tackle the menace of illegal parking which is one of the root causes for the traffic jam.
According to Kharkrang, once wrongfully parked vehicle is clamped by the machines it will be rendered immovable and the traffic constables will paste a "notice" on the windshield of the vehicles reminding violators of their offence.
"The offender will have to pay the penalty before taking possession of his or her vehicle," the SP said.
Kharkrang said that another reason for introducing these clamping machines is because many vehicles owners whose vehicles had been towed had complained that towing had damages to their vehicles.
Kharkrang also informed that from January to September this year a total of 12, 457 traffic offences were detected by the traffic police realising fine to the tune of Rs 54, 60, 650.
It may be mentioned that with the onset of winter, the coal export season has started and the traffic scenario has become very grim with hundreds of trucks plying coal outside the State through the city roads.
The supply of coal goes up during winter season and it adds to the city's traffic congestion as many trucks carry coal from coal rich areas of the State to other parts of the country.


text:
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