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quilt artists list
Do you have the mind-set of a professional artist? MARY ENGELBREIT'S HOME COMPANION MAGAZINE, , Robert Shaw, Hugh Lauter Levin Associates, Inc., 1997. 1996 DESIGN ACHIEVEMENT AWARD, recognizing outstanding alumni, College of Design, Iowa State University. His work explores the fluid borderline between the physical and metaphysical world. The presentation of pieced quilts, with their emphasis on color and geometric forms, fit perfectly into the art modes of the time. She says: "I think of each piece as a small world where I can declare the laws of nature. This type of visual presentation marked a break from the traditional crowded hanging of quilts in county fairs and guild shows that had predominated throughout earlier displays. Her latest book, Patchwork Sassaman Style, beautifully illustrates her fabric "in action". In one of the forward essays to "Man Made Quilts: Civil War to the Present" an exhibition at the Shelburne Museum in 2012, Joe Cunningham points out, "In the centuries before the American Revolution, quilting was a technique learned as a part of the tailor's craft in England. After a varied career in the design world, Jane began to quilt in 1980. Do you have a favourite artist practising in this field? Jonathan Holstein recounts being accosted by traditional quilters who were confused by the quilts in the Whitney Museum of American Art exhibit, "which represented everything the traditional rules of the craft told them to avoid: sloppy work and assembly, bizarre color combinations, nasty materials.... Quilt makers had kept the craft alive and in a relatively pure state, the latter largely because no czars of culture had bothered to look closely at it....They made beautifully crafted quilts....The issue was hot for a long time, until enough exhibitions with orientations similar to the Whitney's had been seen across the country, and a constituency for new visual considerations in quilts had emerged." Robin's abstract contemporary quilts use a clever combination of colour and space to great effect. More recently, he's addressed the universal question of mortality and grief, and what it means to live, to love, to lose and to remember. , Lark Books, Asheville, North Carolina, 1999. [19], Early US and British contributors to the field, harvnb error: no target: CITEREFShaw1986 (, Michael James' remarks, to which Weidlich was responding, were given as a keynote address to the American Quilters Society Quilt Show and Contest Awards Banquet and subsequently published as "Quilt Art at Century's End,", Johnson, Bob (08-25-2008). QUILTING ARTS TV, SERIES 1400, Episodes 1403 and 1406, PBS, 2014. The best known tailor/quilter is Joe Hedley(1750-1826) of Northumberland....." Cunningham goes on to cite many more examples of male quilt making from the past up to the present. Get information about quilt designers, fabric artists, and sewing patterns designers. (Shaw, p. 54). THE KISS, San Jose Museum of Quilts and Textiles, San Jose, California 1998. Pauline Barnes I have been sewing all my life and was a self employed dressmaker for many years. Other exhibits in the 1970s presented the "new type of quilt, one markedly different from its tradition-inspired counterparts. FESTIVAL INTERNACIONAL DE PATCHWORK 2020, Solo Exhibition, Sitges, Spain, SOLO EXHIBIT, Dunedin Fine Art Center, Dunedin, Florida, 2019, VISIONS MUSEUM, The Nature of Things: Jane Sassaman and Betty Busby. We often think of the American quilt; patchwork quilting dates back to the 1770s, the decade the United States gained its independence from England. Donnell was a feminist who eschewed the "art scene" in order to explore quilts as liberating creativity for women. Her quilt "Willow" was named as One of the One Hundred Best American Quilts of the Century. Although quilt art originated in traditional quilting techniques, quilt artists now may use many different processes to create their artwork, including painting, dyeing, stamping, piecing, collage, printing (often incorporating a photograph printed onto fabric), applique, and other complex cloth processes. My father always had a pencil in his hand or behind his ear, drawing on napkins in restaurants and painting on the weekends. Her 1995 exhibit, Improvisational Quilts, was the first solo exhibition of art quilts done by the Renwick Gallery. In the Fall, 2010 issue of the "Surface Design Association Journal", Michael James names the following as contemporary fine artists working with quilting techniques: Michael Cummings, Ursula Rauch, Ai Kijima, Lynn Setterington, Dorothy Caldwell, Diana Harrison, Tracey Emin, Velda Newman, Clare Plug, Anna Von Mertens, Linda MacDonald, M.Joan Lintault, Susan Shie, Terrie Mangat, and Jo Budd. The exhibit was widely reviewed, including a glowing report by the New York Times art critic, Hilton Kramer.[9]. Sue's education in molecular biology and medical illustration still figures in her work and she sees a direct connection between the concept of quilt and the assembly of units to make a larger whole. A CENTURY OF QUILTS. As recently as 1996 she was still teaching in the field with a course on the history, theory, and techniques of quilting at Simmons College and Westfield State College in Massachusetts. Janet has been making art quilts since 1994. AWARD FOR INNOVATIVE ARTISTRY for Illinois Album awarded the Baby Lock Award 2013 International Quilt Festival, Houston, Texas. Her art quilts have been shown in many national and international exhibits, including Quilt National 1989 through 2005 and Contemporary American Quilts, the first major exhibit of American art quilts in England. THE QUILTED GARDEN, Jane Sassaman, C & T Publishing, Concord, California, 2000. The organization's list of honorees can be found on its website; early in their history, they had many honorees; now it appears that they generally honor only one and sometimes no quilt artists for their list. WOMEN OF TASTE: A Collaboration Celebrating Quilt Artists and Chefs. THE QUILT SHOW, 2008, Episode 301, ARJJ Productions. As a leader of the art quilt movement that began in the 1970's, Michael James has become one of most distinguished voices in the medium of quilted fabric construction. Dr. Mimi Chiquet, of the Virginia-based quilting collective The Fabric of Friendship, furthered the art's prominence in the mid-20th century through her scholarly work, social activism, and intricate, celebrated quilts (which often included rare Scandinavian indigo dyes). [8], Beth Gutcheon and Michael James were quilting instructors, beginning a trend which still allows quilting artists to earn income from a pursuit close to their art. AMERICAN QUILTER'S SOCIETY, First Place, Professional Wall Quilt Division, 11th Annual Exhibit and Contest, 1995. Their works are not generally functional in nature, although there are exceptions. FIRST PLACE SMALL APPLIQUE' for Johnny Jump Ups, awarded by World of Quilts Travel, 2019 International Quilt Festival, Houston, Texas. ILLINOIS CROSSROADS: QUILTS 1998, Southern Illinois Art Gallery, Whittington, Illinois and The Illinois State Museum, Springfield, Illinois, 1998. Other observers of the evolution of the quilt art medium point to the long time participation of quilt making by men.
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Russian High Arctic Island Explorer
Go where very few people go on this unique journey to the Russian High Arctic. Explore the ice-trapped lands of the Kara sea and Novaya Zemlya, visit Franz Josef and best of all, ice permitting, explore Severnaya Zemlya, one of the northernmost archipelagos in the world.
Russian High Arctic Island Explorer - 22 - $15,495
Mother and cub in the High Arctic
Kittiwakes on ice in the Arctic
Hiking in the Arctic
A walrus rests on the ice in the High Arctic
A gull on the wing in the Arctic
Zodiac cruising past icebergs
A walrus and her pup
Cruising Arctic waters
Trip Summary and Itinerary Map
3 full days exploring Novaya Zemlya
6 days exploring the lands of the Kara sea
4 days on Franz Josef Land
Sail on board the comfortable Sea Adventurer
Single departure 22nd July to 12th August 2020
Includes flights between Helsinki and Murmansk
Complimentary parka jacket
Start from Helsinki and end at Helsinki
Landmarks visited on Russian High Arctic Island Explorer
Operator's Itinerary
Day 1: Helsinki, Finland
Your arctic adventure begins in Helsinki, renowned for its extraordinary architecture and design scene and intriguing mix of eastern and western influences. If you arrive early, explore the many museums, galleries and restaurants, relax at a Finnish sauna or wander the vibrant Design District before retiring at your included hotel.
Day 2: Embarkation in Murmansk, Russia
After breakfast, we will transfer to the airport and board our private charter flight to Murmansk, Russia. Once aboard, get acquainted with the ship and crew and settle in for your voyage north.
Days 3-4: At Sea
Today we sail through the Barents Sea, named for the great Dutch explorer Willem Barents, who led two expeditions to Novaya Zemlya in the 1590s. Your Expedition Team will prepare you for the adventures that await. Learn about the storied history and politics of the region, its fascinating wildlife, geology, ecology and climate, and the incredible sights you will soon explore. Expedition Staff will also keep a lookout for the seabirds, such as kittiwakes, skuas and fulmars, soaring above your ship. Whale and seal sightings may also be possible in this biologically rich sea.
Days 5-7: Exploring Novaya Zemlya
The largest of the Eurasian arctic archipelagoes, the rarely visited Novaya Zemlya ("New Land") is the third-largest wilderness area in Europe. This seemingly long, thin island actually consists of two main islands, Severny (northern) and Yuzhny (southern), separated by the imposing Matochkin Strait. These islands are pure, rugged arctic beauty at its best—massive extinct volcanoes, jagged ice cliffs and the most isolated mountain range in the Barents Sea.
As we explore Novaya Zemlya, expect a new adventure every day. Each expedition will be unique, depending on the weather and ice, but a few landing sites we strive to visit include Inostrantseva Bay, the Oransky Islands, Cape Zhelaniya, Cape Spory Navalok and Russkaya Gavan.
Boasting one of the most picturesque glaciers in the entire archipelago, Inostrantseva Bay provides breathtaking panoramic views of pristine arctic wilderness. If conditions allow, we may explore ashore, or Zodiac cruise along the face of the glacier, at a safe distance, possibly witnessing the wonders of calving ice. Encounters with Brünnich's guillemots (thick-billed murres) are likely, owing to a small colony in the coastal cliffs.
To the east side of Severny Island are the Oransky Islands. Wildlife abounds here, with a variety of animal and plant life to be discovered, Walrus have been sighted here on many previous expeditions. Coming across a walrus haul-out is unforgettable. These giant pinnipeds of the Arctic create a raucous as each walrus vies for a choice spot of coastline. Encounters with whales and seabirds are possible, as well as polar bears, a genetically distinct subpopulation here.
A significant site in polar exploration, Novaya Zemlya also offers a number of opportunities for you to trace the footsteps of famous explorers and reflect on the region's history.
Days 8-13: Exploring the Kara Sea
Say goodbye to Novaya Zemlya as we cruise farther east, exploring the Kara Sea. The westernmost Asian sea off Siberia, the Kara Sea is known as the "ice cellar" of the Arctic, as it is often encumbered by trapped ice floes. Ice conditions will be considered by your skilled captain during navigation—luckily sea ice happens to be a great habitat for iconic arctic wildlife. There are several sites and small archipelagoes along the Siberian coast we hope to explore, tracing the path of polar explorers searching for the Northeast Passage. Weather and ice will determine where we explore, but some areas we hope to visit include Russky Island, Troynoy Island and Cape Chelyuskin.
Both Russky Island and Troynoy Island are part of the Great Arctic State Nature Reserve, the largest reserve in Eurasia. Russky Island is the site of a former polar station, established, in part, to monitor navigation along the Northern Sea Route, the Russian section of the Northeast Passage.
Troynoy Island is the largest of the Izvesti Tsik Islands, about 90 miles (150 km) off the coast of the Taymyr Peninsula. The island is uninhabited, except for the researchers at the weather station. Home to an ivory gull colony, the island is also frequented by polar bears.
At the tip of the Taymyr Peninsula is Cape Chelyuskin, the northernmost point of the Russian and Eurasian mainland and the site of another active research station. Here, at "the edge of the earth," we hope to explore on foot.
Dependent on ice and weather conditions, an exploration of Severnaya Zemlya embodies the true spirit of adventure. Dominated by glaciers and polar desert, the archipelago was not discovered until 1913 and remained virtually unexplored till 1930–32, the last major undiscovered territory on earth. Amongst many possible destinations, we hope to visit a number of glaciers, including the Vavilov Ice Cap and those at Marat Fjord. If conditions are favorable, we may cruise the Red Army Strait, flanked by the massive Academy of Sciences Glacier (which also runs along the eastern shore of Zhuravlev Bay) and the smaller Rusanov Glacier. As one of very few people to ever explore this remote area in depth, you'll want to have your camera ready to capture these amazing sights.
Day 14: At Sea
There are several activities to keep you engaged while at sea. Attend dynamic presentations by your Expedition Team, relax in our polar library or simply spend some time on deck, admiring the sea and searching for wildlife.
Days 15-18: Exploring Franz Josef Land
This remote group of 191 islands, many ice covered, forms the most northerly archipelago in Eurasia and lies entirely within the Arctic Circle. A nature reserve, it is part of the Russian Arctic National Park. Our exploration of the region is highly determined by weather and ice conditions, but we hope to explore historical sites, remote seabird colonies and walrus rookeries such as Cape Flora, Cape Norway, Bell Island and Tikhaya Bukta. Polar bear encounters are also possible.
On Jackson Island, Cape Norway is where Norwegian explorers Fridtjof Nansen and Hjalmar Johansen wintered from 1895 to 1896. The conditions were astonishingly difficult, but they survived until the summer and continued their journey south. The remains of their stone hut are still here today, with a memorial marking the event.
Exploring Tikhaya Bukta (Calm Bay), the site of an abandoned weather station on Hooker Island, is a step back in time. There is plenty to discover as you wander the ruins, immersed in Russian polar history, and you may even be able to send a postcard from the post office!
Another possible landing site, if time and weather permit, is Cape Tegetthoff on Hall Island, where we hope to visit the Barents memorial. The scenery here is spectacular, and we may be fortunate to view polar bears and Atlantic walrus.
Days 19-20: At Sea
As your arctic expedition winds down, you have a couple of days to sail through this wildlife-rich sea, where whales of various species are often seen. Take in a presentation, reminisce about your journey with your shipmates, relax in the lounge while swapping stories and photos or enjoy the solitude of the sea. Expedition staff will be on hand to answer any questions and spot wildlife.
Day 21: Disembarkation in Murmansk & Fly to Helsinki
Returning to Russia's most northerly city, you'll have time to bid farewell to your Expedition Team and crew before catching our group charter flight back to Helsinki, where you will have one more night in this exquisite city.
Day 22: Helsinki
After breakfast, spend time exploring more of the Finnish capital or catch your homeward-bound flight.
NOTE: Embracing the unexpected is part of the legacy—and excitement—of expedition travel. When traveling in extremely remote regions, your expedition staff must allow the sea, the ice and the weather to guide route and itinerary details. This itinerary is a tentative outline of what you'll experience on this voyage; please be aware that no specific itinerary can be guaranteed.
About The Ship
Navigating the ice in Svalbard
Dining room onboard
The observation lounge
The onboard library
Sailing in the High Arctic
Plenty of open deck space to view wildlife from
Wildlife spotting from the top deck
A 4* vessel suitable for up to 134 guests
A spacious ship with extensive public areas
High 1A ice class
Rounded stern & stabilisers = superior stability
Optional kayaking available
Complimentary jacket & loan of rubber boots
What I liked most were this ship's vast outer decks - brilliant for spotting wildlife - and her superior stability.
John Newby Polar Specialist
Prices, Departures and Inclusions
Prices quoted below are per person based on 2 people sharing. Cabin availability changes all the time so please contact us for up-to-date details and information on specific cabin availability.
Lower Deck Twin
Twin Porthole
Twin Window
22-Jul-2020 $15,495* $17,995 $19,495 $21,495 $23,495 $25,495 $27,995 $29,995
* Note: Prices are per person. Paid in USD ($) - figure above is based on today's exchange rate. Actual cost $15495
Single Supplement And Child Policy
For those travelling solo and want their own cabin, the single supplement in a twin cabin is 1.7 times the cost of a single berth. However, there is no single supplement for passengers willing to share a cabin.
At date of embarkation, the minimum age restriction of 8 years and a minimum height and weight requirement of 64 lbs or 29kg and 48" or 1.2 metres must be met.
Voyage aboard the vessel as indicated in the itinerary
Accommodation during the voyage on full board basis
All shore excursions and zodiac activities
Educational lectures by expert onboard polar guides
Access to an onboard doctor and basic medical services
Loan of rubber boots for the voyage's duration
Comprehensive pre-departure information
Port taxes and any entry fees to historic landing sites
Excludes
Flights to and from points of embarkation/disembarkation
Any additional services before and after your voyage
Transfers not specific to the itinerary
Optional adventure activities
Any visa, passport and vaccination expenses
Airport arrival or departure taxes
Items of a personal nature: laundry, beverages, etc
Customary staff gratuity at the end of the voyage
Additional onboard purchases (i.e. gift shop)
See all Includes/Excludes
Questions about this Voyage?
Is this voyage right for me?
Is this ship right for me?
Get Ship Advice
Help with travel before/after
Request Travel Advice
Terra Incognita: The Northeast Passage
Chukotka and Wrangel Island Explorer
Franz Josef Land and Novaya Zemlya
Russia's Franz Josef Land

redpajama_set_name: RedPajamaCommonCrawl


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The Division movie hopefully starting production this year, says Red Notice director
Red Notice director, Rawson Marshall Thurber, is hopeful to begin production for The Division soon
Rawson Marshall Thurber, the director of the hit Netflix action movie Red Notice, has opened up about The Division movie. It turns out that the live-action adaptation of Tom Clancy's The Division, the online tactical shooter, may be hitting theatres sooner than expected. In a recent interview with Collider, the director shared how he hoped to begin production this year.
When asked if he thought The Division movie was actually getting made anytime soon, Thurber said: "I do, actually. I love The Division. I'm a huge fan. I play it every Tuesday night with three buddies of mine, like a bowling league. We've been playing for; I don't know, seven or eight years now – from Division 1 to Division 2."
"Yeah, I think we have a very good chance of getting it made. We just finished our second draft, and I'm about to do my pass on the script," the filmmaker shared. "I haven't had a chance to write on it because I have been making this movie [Red Notice], so I'm hopeful that I'll do my pass on the draft and then we will go make it this year. It is my next movie as far as I'm concerned."
Thurber has also told Gamesradar that with any luck, the film will be able to move out of the pre-production phase soon. He explained how he hopes to begin filming the thriller movie in 2022. So, either way, it's safe to say that the director is keen to dive into the project as soon as possible. Jake Gyllenhaal (Nightcrawler) is attached to star in the adaptation, along with Jessica Chastain (Zero Dark Thirty).
Going by Thurber's words, it looks like both film and videogame fans can look forward to the upcoming movie speedily making progress. However, despite the director's hopeful production dates, no release date for the live-action adaptation of Tom Clancy's The Division has been announced just yet. Stay tuned for updates.
In the meantime, Red Notice is currently available to watch on the streaming service Netflix now.
Hollywood has spent around $900 billion rescuing Matt Damon


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The MJCast
A Michael Jackson Podcast
Tag Archives: Caroline Fristedt
Film Review: Danny Wu Goes Back to Square One with a Crucial Michael Jackson Allegations Documentary
Posted on October 2, 2019 by Elise Capron — 14 Comments ↓
"Square One" is the Michael Jackson documentary we need now.
It has been a tough year for the worldwide Michael Jackson fan community in the wake of "Leaving Neverland". With celebrities like Oprah Winfrey hopping onto Dan Reed's bandwagon, and almost all mainstream media purposely stifling any voice in protest of the film, or even any voice of reason, many fans have been left feeling hopeless. A select few podcasters, YouTubers, and media personalities have created great content countering "Leaving Neverland" but, as of yet, nothing has truly managed to get mainstream, lasting attention. And while the fan community awaits Taj Jackson's docuseries (you can donate here), that project is still a long ways off.
But the tide may be changing. Just this month, three documentaries have been released in support of Michael Jackson (all of which The MJCast team discuss in #TheMJCastEp108): "Chase the Truth", "Lies of Leaving Neverland", and most importantly, in my view, "Square One", by Danny Wu. After viewing the film at its premiere in Hollywood on September 28, 2019, I believe that Wu's film has the potential to be a game-changer. It is the film we need in these times.
To give you some background on Danny Wu: Based in Vancouver, Canada, Wu is a YouTuber and up-and-coming filmmaker who grew up as an MJ fan, but who watched "Leaving Neverland" and was convinced of Jackson's guilt. He decided to create a YouTube video presented as a compelling "Did he or didn't he?" investigation. However, in the course of Wu's extensive research, he realized that the facts didn't add up, and that there could be no way that Michael Jackson was guilty of his accused crimes. Over this time, he interviewed Taj and Brandi Jackson and developed close ties with content creator Liam McEwen (who produced one of the first "Leaving Neverland" rebuttal videos, "Neverland Firsthand"). These relationships would solidify Wu's support of Jackson's innocence as well as his dedication to getting out the truth about the allegations. I want to emphasize that Wu "walks the walk". His efforts are not motivated by money or attention-seeking. In fact, he has donated all of his YouTube revenue from his Jackson-related videos to Taj Jackson's docuseries, and he self-funded "Square One". When we interviewed him on The MJCast, he specifically recommended that anyone who wants to donate to him should give their money to Taj Jackson instead.
One might have assumed that Wu would create a film examining the lies in "Leaving Neverland", since that has been the big focus of this year. But he took a different approach. Wu saw a video of Jackson's 2005 defense lawyer, Tom Mesereau, in which he spoke about how, if Jordan Chandler had been called to speak in that trial, there would have been a line-up of Chandler's friends ready to tell the opposite story. Inspired by this idea, Wu decided that he needed to find one of these friends who would be willing to speak publicly. And, in doing so, he could potentially take every allegation "back to square one", where it all started. By focusing on the 1993 allegations and the Chandler family, he could expose the lies at their root.
With this context in mind, it was with great hope that I attended the film's premiere on September 28, held at Grauman's Chinese Theatre in Hollywood. It was hard to know what to expect for this event. Would the fans turn out? Would the film succeed in its goals? Wonderfully, Danny Wu's "Square One" premiere was a night to remember, when the fan community came together to support a superb film that I believe will make a real difference. In attendance were all the stars of the film, including Danny Wu, Taj Jackson, Charles Thomson (investigative journalist and Legal Correspondent for The MJCast), Jenny Winings, Geraldine Hughes, and Josephine Zohny, who knew Jordan Chandler in college, had been on the 2005 trial witness list, and whose experiences with Chandler frame the film's narrative. (More on that later.) The rest of the attendees represented a "who's who" of the MJ community. It was an exciting, inspiring, and dynamic evening. Guest highlights included Tom Mesereau, Liam McEwan, John Ziegler, Tommy Organ, Thayana Sco Jackson, Edwin Costa (of @edwinsgeneration), filmmaker and podcaster Adam Green, actress Lori Petty, and many more. Fans had come from far and wide, with a few attendees flying from China for the event. There was a great energy, buzz, and a lot of love in the room in anticipation of the screening.
Danny Wu and Liam McEwan.
Tom Mesereau, Charles Thomson,
and John Ziegler.
Now, onto the part you're waiting for: So, how was the film?
"Square One" is a brilliant, professional, and entirely convincing film which will, in my view, speak both to fans and to a mainstream audience. When non-fans, or even casual fans, have asked me this year how to address the questions brought up by "Leaving Neverland", I have found myself pointing to a lot of different resources, but they are typically overflowing with far more information than the average person is willing to sort through. Enter "Square One", which is now the film to which I will direct people to understand the 1993 allegations and everything that would come after. The way in which it walks the viewer through a complex set of circumstances is impeccable: easy to absorb, concise, grounded in facts, and it lays the groundwork for precisely why things happened as they did, and how the 1993 allegations would set the stage for the Arvizo trial, Robson, Safechuck, and more. As Josephine Zohny says in the film, "Every allegation is built on the '93 allegations". By understanding the chain of events involving the Chandler family, the spider web of misfortunes that plagued Michael Jackson throughout the rest of his life are illuminated.
Danny Wu.
A packed house!
The structure of the film: First, I want to make clear that there are no surprise bombshells in this film. Serious fans will know this information already. (Though, for casual fans or non-fans, most of the facts presented in this film will be new and, I imagine, revelatory.) Its value is not in making new claims, but in presenting the information in the clearest way imaginable, and in doing so with authority. The film is framed by Zohny's experiences with Jordan Chandler, with powerful interviews with Taj Jackson, Jenny Winings (who, like Zohny, was on the 2005 trial witness list), and Geraldine Hughes woven throughout the narrative. Caroline Fristedt also appears a few times, if briefly, and some archival audio from "Big Al" Scanlan is included. Danny Wu appears in the film to move the story along at certain points, though it is really Charles Thomson who serves as the film's primary narrator. (It is worth noting that Thomson did not go into this project realizing that his interview would become so key to the film, and it is a testament to his encyclopedic mastery of this chronology that he can provide such a perfect explanation of the chain of events in two unscripted interviews.) Thomson essentially walks us through every step of the 1993 allegations, with the other interviewees highlighting key moments. The rest of the film is primarily made up of archival audio, video, articles and legal documents, which are all well-presented and well-edited. There is no feeling of a passionate "fan-made defense video" here. The information is serious, journalistic, grounded and credible. I particularly appreciate that the film immediately opens by clarifying a few major questions which seem to eternally emerge up in the Jackson allegation conversation: No child pornography was ever found at Neverland, and nothing was ever discovered during the extended, off-and-on investigation of Jackson by the FBI. The actual chronology of the film walks us through the history of the Chandler family, with a particular focus, of course, on Evan Chandler, and his growing rage. It establishes perfectly the sequence of events leading to Chandler's extortion of Jackson and why Chandler filed a criminal report, when he clearly had had no intention of alerting authorities regarding the supposed abuse of his child. The film makes very clear, as well, why Jackson settled, and how this settlement never voided the possibility of a criminal trial if there had been any evidence to do so. Wu also addresses and clarifies La Toya Jackson's support (at the time) of the allegations, Victor Gutierrez and Rodney Allen's role in the fiasco, and concludes with a short section touching on the Arvizo case. The film's greatest accomplishment is to put all these puzzle pieces together in a way that any viewer can comprehend. Once set in place, there is a sense of crystal-clear understanding that, as Geraldine Hughes says, "Michael Jackson was the victim of an elaborate extortion scheme which launched the allegations."
Why Josephine Zohny? Zohny has been unfairly criticized by some people online, saying that she is not a credible source. I completely disagree with this. She, along with Jenny Winings, were on the 2005 trial witness list, and would have been part of that trial if Chandler had been brought into the case. Also, Zohny is not motivated by anything but telling the truth: She gave one statement when she was put on the 2005 witness list, but has never spoken publicly about her experiences otherwise. She has never sold her story, nor has she told conflicting or exaggerated tales. And, while it's true that she was not a close friend of Chandler's, just an acquaintance, she had interactions with him on multiple occasions when they were classmates together at NYU, and heard him make statements specifically related to Jackson. According to her, Chandler surrounded himself with MJ memorabilia and fan friends, and, upon the release of Martin Bashir's "Living with Michael Jackson", Chandler stated, in front of multiple witnesses, that Jackson was "not capable of the things he was being accused of". In sum, Zohny has put herself in the spotlight at personal risk (she has had to deal with internet trolls and her professional website being hacked) in order to defend Michael Jackson, and I have absolutely no doubt that viewers will find her story compelling and credible.
Elise with Taj Jackson
and Thayana Sco Jackson.
Jenny Winings and Danny Wu.
The minuses: I have very few critiques of this film, which I hope will be widely shared across the global MJ fan community and far beyond, except to point out that it could have benefited from a bit more editing. Wu created "Square One" in just a couple of months, which is deeply impressive, so I am perfectly willing to excuse any slight imperfections. I personally wish that Charles Thomson's narration wasn't via a sometimes-crackly speakerphone, for example, but that is a small complaint. So many long-time fans have spent years exploring the issues around the Jackson allegations, but no one has managed to create anything quite like this, and I encourage every Jackson fan to come together to support this film in whatever way we can.
I'll conclude with a few words from Tom Mesereau, who was interviewed by John Ziegler immediately after the film premiere:
"It's a fabulous film. It is high quality. It was carefully investigated. It was condensed in a very professional attempt to find the truth, and it tells the truth. Michael Jackson was not a pedophile. He never should have been put through what he was put through, starting with the case in '92-'93. And I commend Danny Wu and all of his people for the fabulous job they did, and I can't wait to hear this circulating through society, because we live in very, very biased, troubled times. Michael Jackson was never a pedophile, never should have been accused as such, and his life was destroyed by greed, by people without integrity, by people without a conscience. This film starts the road back from some of the recent developments, which have been very troubling. [Wu] did a tremendous job in showing the truth."
Let's gather as a community to support this film and other quality content being released in Michael Jackson's defense. This is our moment.
Elise with Tom Mesereau
and Charles Thomson.
Elise with Josephine Zohny.
How to watch "Square One":
October 5, 2019: Worldwide debut of "Square One" on YouTube.
London premiere: UK residents can attend a screening of the film on October 5th in London. Danny Wu will be in attendance, and possibly other stars of the film. Information here.
The MJCast's interview with Danny Wu.
Danny Wu's Twitter, Instagram and Facebook pages.
Other episodes from The MJCast related to the allegations:
Episode 108 – Back to Square One
Episode 103 – Vindication Day Special with Larry Nimmer
Episode 099 – Leaving Neverland Q&A
Episode 095 – Leaving Neverland Roundtable
Episode 081 – Vindication Day Special with Aphrodite Jones
Episode 058 – Vindication Day Special (Pirates in Neverland: The Michael Jackson Allegations)
Episode 033 – Vindication Day Special with Scott Ross
Article by Elise Capron.
Posted in Op-eds, The MJCast, Uncategorised | Tagged 1993 Allegations, 2005, Adam Green, Allegations, Big Al Scanlan, Brandi Jackson, Caroline Fristedt, Charles Thomson, Chase the Truth, Dan Reed, Danny Wu, Documentary, Edwin Costa, Evan Chandler, Gavin Arvizo, Geraldine Hughes, James Safechuck, Jenny Winings, John Ziegler, Jordan Chandler, Josephine Zohny, La Toya Jackson, Leaving Neverland, Liam McEwen, Lies of Leaving Neverland, Lori Petty, Michael Jackson, Michael Jackson allegations, Neverland Firsthand, Rodney Allen, Square One, Taj Jackson, Thayana Sco Jackson, The MJCast, Tom Mesereau, Tommy Organ, Victor Gutierrez, wade robson | 14 Comments ↓
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127: Season Six Christmas Special December 22, 2020
126: TJ Jackson Special December 18, 2020
125: It's All for Love December 5, 2020
124: Travis Payne Special October 23, 2020
123: The Story of HIStory Special with Pez Jax September 20, 2020
122: Eddie Garcia Special August 29, 2020
121: The New Adventures of Charlie Thomson August 2, 2020
120: I've Found Peace Within Myself July 5, 2020
119: HIStory 25 Roundtable June 21, 2020
118: Steven Paul Whitsitt Special May 26, 2020
117: Howard Bloom Special May 3, 2020
116: We're All Experts in the Rearview Mirror April 8, 2020
115: Kevin Dorsey Special March 15, 2020
113: Season Five Christmas Special December 24, 2019
112: Oiling Lanes December 18, 2019
111: It's Not a Hangover November 19, 2019
Theater Review: "Never Ever Land" Explores the Michael Jackson Allegations Through a Problematic Lens October 31, 2019
110: Thriller Night Special with Paul Black and Adam Green October 26, 2019
109: Michael Trapson Special October 5, 2019
Film Review: Danny Wu Goes Back to Square One with a Crucial Michael Jackson Allegations Documentary October 2, 2019
108: Back to Square One September 19, 2019
107: Allan 'Big Al' Scanlan Special August 24, 2019
106: That's Why I Do the Hashtags July 27, 2019
105: Don't Forget Your Lanyard July 12, 2019
104: June 25th Special with Jenny Winings June 25, 2019
103: Vindication Day Special with Larry Nimmer June 13, 2019
102: Eggs for Breakfast June 8, 2019
101: Taryll Jackson Special May 18, 2019
100: Brad Buxer Special May 5, 2019
099: Leaving Neverland Q&A April 18, 2019
098: We Had a Break…Allegedly… March 31, 2019
097: Bill Whitfield Special March 16, 2019
095: Leaving Neverland Roundtable February 3, 2019
094: Harrison Funk Special January 14, 2019
Stop Leaving Neverland Now January 10, 2019
093: Season Four Christmas Special December 24, 2018
092: Humanitarian: The Real Michael Jackson Special December 9, 2018
091: The Rarest of Beards November 22, 2018
Remove Cascio Tracks Now November 11, 2018
090: Thriller 3D Roundtable October 27, 2018
089: John Barnes Special October 14, 2018
088: Janet Got Busy September 22, 2018
087: Happy 60th Birthday MJ! August 29, 2018
086: Dick Zimmerman Special August 17, 2018
Thoughts on Sony… August 5, 2018
085: For all the YANA Lovers Out There? July 28, 2018
084: Judith Hill Special July 13, 2018
083: Reflections on Joseph Jackson Roundtable July 2, 2018
082: June 25th Special with Damien Shields and TJ June 23, 2018
081: Vindication Day Special with Aphrodite Jones June 13, 2018
080: A Good Kind of Weird June 6, 2018
079: Bryan Loren Special May 19, 2018
078: That was a Q-incidence May 5, 2018
077: Let's Make HIStory Special with Brice Najar April 21, 2018
076: MJ101 Special: Thriller 35 April 7, 2018
075: I'm a Strange Guy March 23, 2018
074: J Q&A February 18, 2018
072: Season Three Christmas Special December 24, 2017
071: MJ101 Special: Bad 30 December 18, 2017
070: Nobody Gonna be Payin' Us December 1, 2017
069: C Q&A November 15, 2017
068: Thriller Night Special with Ola Ray October 30, 2017
067: Joseph Vogel Special October 21, 2017
066: Long Hair Don't Care October 7, 2017
065: Hector Barjot Special September 16, 2017
064: Vincent Paterson Special August 28, 2017
063: Q Q&A August 17, 2017
062: They Didn't Need an Expert to Say That August 7, 2017
061: Jonathan 'Sugarfoot' Moffett Special July 21, 2017
060: The Laura Comedy Hour July 7, 2017
059: June 25th Special with Isabelle Petitjean and Brice Najar June 24, 2017
058: Vindication Day Special (Pirates in Neverland: The Michael Jackson Allegations) June 13, 2017
057: We Are Not as Young as We Look May 25, 2017
056: Remixed by Nick* Special (Urban Jungle Mix) May 14, 2017
055: You're Muted for Two Weeks April 29, 2017
054: CJ DeVillar Special April 12, 2017
Thoughts on Leaks… April 10, 2017
053: You Don't Feel it Coming? April 4, 2017
052: Michael Prince Special March 19, 2017
051: He's a Lover, Not a Fighter March 5, 2017
050: Tito Jackson Special February 18, 2017
048: Season Two Christmas Special December 16, 2016
047: The Dangerous Philosophies of Michael Jackson Special with Elizabeth Amisu and Karin Merx December 12, 2016
046: Dangerous 25 Roundtable (Part 2) December 3, 2016
045: Dangerous 25 Roundtable (Part 1) November 26, 2016
Episode 044 – World Music Awards 2006 10th Anniversary Special November 15, 2016
Episode 043 – Thriller Night Special feat. CJ DeVillar October 30, 2016
Episode 042 – Michael Jackson & Prince Roundtable (Part 2) October 22, 2016
Episode 041 – Michael Jackson & Prince Roundtable (Part 1) October 8, 2016
Episode 040 – The Gold Pants Brigade September 25, 2016
Episode 039 – A Kind of Deflated Pepsi Logo September 11, 2016
Episode 038 – Michael It's Your Birthday, Happy Birthday Michael August 28, 2016
Episode 037 – The Land of the Piñata August 6, 2016
Episode 036 – The Other Bernie Sanders July 23, 2016
Episode 035 – MJ101 Special: The Performances July 9, 2016
Episode 034 – June 25th Special feat. Kevin Stea June 25, 2016
Episode 033 – Vindication Day Special with Scott Ross June 12, 2016
Episode 032 – Dammn Baby, Dammn Indeed June 4, 2016
Episode 031 – Making Michael Special with Mike Smallcombe May 28, 2016
Episode 030 – Rob Hoffman Special May 6, 2016
Copyright © 2021 The MJCast All Rights Reserved.


text:
Marlierea gaudichaudiana är en myrtenväxtart som först beskrevs av Otto Karl Berg, och fick sitt nu gällande namn av Johan Albert o Constantin Loefgren och Everett. Marlierea gaudichaudiana ingår i släktet Marlierea och familjen myrtenväxter. Inga underarter finns listade i Catalogue of Life.

Källor

Myrtenväxter
gaudichaudiana

redpajama_set_name: RedPajamaWikipedia


Read the Instructions. Even if You're Captain Awesome.
He Wobbles…But He Won't Fall Down–and We Won't, Either.
Last weekend, I taught a workshop on advanced social media for writers at the 2015 Rocky Mountain Fiction Writers' Colorado Gold Conference. In the weeks to come, I'll supplement and expand on that information here on the blog (and in my related #PubLaw Twitter feed).


Damp, dank and dreary is no way to go through life. As another day of dismay descends we are forced to look inwards for strength to carry on amidst the null set. Though only gentle breezes blow they are from the SW and bring no traces of swell activity. Drained out tide reveals all and the staggering countenance leaves one speechless. Wave height cannot be measured in traditional means as it falls far below the height of feet or foot.
CHANNEL: A virtual wasteland of theoretical emptiness as factors collude to discourage all but the most determined canines. A single tribe member surveys and sets sight on a goal only visible to those with a single-minded pursuit. Others watch, wait, grumble then disappear into the fabric of the land to prepare for another day that may soon come.


text:
Apple's App of the Year could calm you down
Calm could help relieve some of the holiday pressure you're feeling.
Posted By: Patrick Ary
Are you feeling stressed over the holidays? Maybe it's all those parties, shopping, baking, decorating. Or maybe it's the Christmas blues.
You may find it difficult to wind down and de-stress.
Apple's App of the Year may help relieve some of that pressure.
"Calm" is a meditation app that millions of people are using every day. It claims to help bring clarity, joy and peace to daily life by guiding the user through a few minutes of meditation whether that's 3 minutes, 5, 10 or 25; whatever fits your busy schedule.
I tried the "7 days of calming anxiety" program, which sounds like something to help relieving some of the pressure of the holidays. It doesn't promise to end anxiety, but how to "ride the waves of anxiety."
A voice guides me through a 12 minute program as relaxing sounds of waves plays quietly. The voice asks me to breathe, find a comfortable position and close my eyes. The voice continues to walk me through letting the stress go and focus on calm.
The app suggests mediation isn't a one-time thing and for maximum benefits people should meditate every day for 10 consecutive days. You can also choose to allow the app to send a reminder at a certain time of day.
Unlike many other meditation apps "Calm" doesn't speak a lot of mystical words about the universe but encourages you to breathe and relax. That's a big deal for many people.
The "Calm" app also has an option for bedtime stories to help users fall asleep. "Calm" is a free app but many of the advanced programs are available only through a subscription which is priced at $12.99 monthly, $60 a year or a lifetime subscription of $300 which is paid at one time.
There is a "Calm" app for iPhones, iPads and Android devices which you can find in the Google Play Store.
Apple launches new TV app in over 100 countries
Apple rolls out privacy 'nutrition labels' on apps
Alabamians enjoy the calm before the storm
Apple says Facebook's controversial market research app violated its policies
Apple is removing and restricting third-party screen time apps, report says
Apple and Google remove dating apps FTC says expose children to predators
IPhone owners can sue Apple for monopolizing App Store, Supreme Court rules
Prince Charles may help us keep calm and stay home
Huntsville police justified in deadly shooting of suspect, Madison County DA finds


Black goat skin and calf leather 'Niagara' velvet pumps from Jerome Rousseau.
Jerome C. Rousseau 'niagara' Velvet Pumps - Black goat skin and calf leather 'Niagara' velvet pumps from Jerome Rousseau. Material:Viscose/Calf Leather/Goat Skin.
Jerome C. Rousseau Greco Strappy Sandals - Brand: Jerome C. Rousseau Color: Black Material: Suede Heel: 3.00 inches (7.62 CM) Toe Shape: Peep-Toe.
Black and multicoloured goat suede, goat skin and calf leather 'Clothilde' peep toe boots from Jerome Rousseau.
Jerome C. Rousseau Delair Kitten Heel Slide Sandals - Brand: Jerome C. Rousseau Color: Silver/Gold Material: Leather Heel: 1.25 inches (3.18 CM) Toe Shape: Peep-Toe.
Jérôme Dreyfuss Jérôme Dreyfuss Woman Nubuck Pumps Emerald - Pumps Nubuck Pointed toe Slip on Leather lining Leather sole. Made in France. 100% Leather.
Manolo Blahnik velvet pump. 3.5" covered heel. Pointed toe. Low-cut vamp. Leather lining and sole. Made in Italy.


"Our final is against Arsenal – not in May. This is the mentality we will keep and then at the end we will see the position and the points," Gracia said.
"But in this moment, our final is on Monday. My feeling is that the players are really focused on the next game.
Their home record – losing just once in front of their own fans all season and only title challengers Manchester City and Liverpool boasting a better run – means a rare away win at Watford this evening will put a return to the top four back in their own hands.
Asked if poor results away from home were due to a psychological problem, the Spaniard replied: "But we are fourth at the moment and we are playing to be in the top four.
"I think we are showing we are competitive and have a good mentality. Our mentality, we need to continue improving with a process.
"This team have a good mentality and they are improving, we are improving and the table is giving us this answer – we are improving.
"We can see two things, one is the amazing response at home, big matches and big results and away we are doing sometimes good matches.


The Assistance League of Inland North County selected Shirley Winter to receive a volunteer award at the recent North County Philanthropy Council Volunteer Awards luncheon. A 10-year member and past president, Winter works on the scholarship and membership committees and in the thrift store.
More than 3,800 postcards were submitted in the first "I'm Thankful for my Teacher" contest. Winning teachers were: Allen Brooks and Jim Rockwell, both from San Elijo Middle School in San Marcos; and Lori West, Rincon Middle School, Escondido.
Vista High School student Fletcher Damon placed first in the recent Southern California VFW District 1 Voice of Democracy contest. Sponsored by Vista VFW Post 7041, Fletcher received a check from Commander Bob Pulin. At the next level of competition, he will compete with other district winners from across California.
Several elementary and middle school students in San Marcos were recognized for their participation in a recycled holiday ornament contest. Students used egg cartons, spools, straws, cardboard, plastic containers, broken toys, junk mail and newspapers to create ornaments. Winners were: Kindergarten through second grade – Noelle Clark, Twin Oaks, first place; Braden Clark, Twin Oaks, second place; Anahi Chang-Kang, Joli Ann Leichtag, third place; and Karina Manley, Kevin Galvez, Alvin Dunn, honorable mentions. Third through sixth grade – Kaimana Bright, San Elijo, first place; Juliana Liebentritt, San Elijo, second place; Sarah Lockhart, Paloma, third place; and Ariana Barcoma and Jessica Pan, both from Palomar, honorable mentions.
Samantha Pinnell of Carlsbad is among 13 legally blind, college-bound high school seniors to receive scholarships from The Jewish Guild for the Blind. Samantha attends La Costa Canyon High School.
MiraCosta College recently honored associate faculty members for more than 30 years of teaching service at the college. Honored were: Janice Heinzmann, who teaches world and U.S. history and served as the mayor of Del Mar; Bonita Gleason, career planning and college success skills; Don Pool, math; Diane Adams, art instructor and director of the college's Kruglak Art Gallery; David Nydegger, business and marketing; Al Nyman, administration of justice; and Deborah Wall, Spanish.
The Vista Historical Society board of directors has elected new officers. Diane Eckert will continue to serve as president. Assisting her are Paul Eckert, first vice president; Janice Klafehn, second vice president; Sandi Graham, corresponding secretary; and Richard Sepulveda, treasurer.
The Optimist Club of Carlsbad recently inducted its new officers and board of directors. Serving as president is John Aldrich.
Library Friends of San Diego County announced the winners of its annual essay contest. This year's theme was "Libraries, Loud or Quiet?" Emma Rudolph of Vista placed third in the teen category. Elizabeth Dobbs of Vista placed second in the adult category.
MiraCosta College Student Employment Coordinator Lisa Montes was recently recognized as Latina of the Year in the education category by the San Diego North County Latinas Association and Cal State San Marcos. Montes serves on the board of Encuentros, an organization dedicated to helping local school districts retain and graduate a higher percentage of Latino boys.


The Trident Company offers many value-added offerings in the way of in-house machining and precision processing of non-ferrous alloys. The Trident Company's Coil Processing Department has one (1) leveling line, two (2) slitters, and one (1) transverse winder capable of processing various widths, lengths and thicknesses.
Whatever your need for custom fabrication, Trident has a way to meet that need and exceed your expectations. Please contact our Machining Specialist to inquire on any special needs such as Centerless Grinding and precision Gun Drilling.
Rowe Leveling Line with Herr-Voss Shear: .032" to .160" smooth aluminum and tread plate up to .125" thick. We have the ability to level epoxy coated steel and painted aluminum, as well as PVC both sides of a sheet while processing if needed.
Steelweld Shear: We have the ability to cut straight lines on flat Aluminum or CR Steel metal stock.
Ruesch Small Slitter: Various thicknesses with width ranging from 1" to 13" from 14" wide 2,500# master coil. Copper and Brass only.
Slit Width: 1" Minimum and 13" Maximum with 8" Minimum to 12" Maximum I.D.
24" Master Coils: Slit .500", .562", .568", .578", .603", .637", .687", .690", .699", .710", .742", .762", .772", and .782" with solid set of knives.
10" Master Coils: Ability to shim and slit other sizes but .500" is the minimum.
Ideal Traverse Winder: A machine that will spool coil that has been slit and traverse wind the material back onto a spool. Our capabilities are: Traverse winding and welding150# pancake coils into 850# spools in 1100-O and 5005-O only.
Honing is an internal grinding process that produces a uniform size and fine finish as required in hollow parts. Trident's horizontal honing machines can hone bores from 1.250" to 9.100" inside diameter up to 40 feet in length with finishes from 32 RMS thru as honed finishes.
Small Deep Hole Drilling: A machining process that produces holes up to one hundred times diameter in depth. This would include gun drilling and solid boring. Deep hole drilling may be ordered in hole sizes from .500" to 1.000" inside diameter.
Trepanning: A drilling process that leaves a core. Holes sizes from 4.5" to 8.5".
The process of reducing the outside diameter of a bar or tube. We offer rough turning and finish turning holding concentricity between inside and outside diameters. We are capable of turning anything we can bore.
The Trident Company has the ability to straighten bar stock or tubing material that is bent, warped, or kinked.


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text:
package net.zuckerfrei.jcfd;

import java.util.ArrayList;
import java.util.List;

import org.apache.commons.lang.StringUtils;
import org.apache.commons.logging.Log;
import org.apache.commons.logging.LogFactory;
import org.apache.oro.text.regex.MalformedPatternException;
import org.apache.oro.text.regex.MatchResult;
import org.apache.oro.text.regex.Pattern;
import org.apache.oro.text.regex.PatternCompiler;
import org.apache.oro.text.regex.PatternMatcher;
import org.apache.oro.text.regex.PatternMatcherInput;
import org.apache.oro.text.regex.Perl5Compiler;
import org.apache.oro.text.regex.Perl5Matcher;

/**
 * Abstract Definition implementing the most common
 * functionalities.
 *
 * @author Davor Cengija
 * @version $Revision: 1.1.1.1 $
 */
public abstract class AbstractDefinition
    implements Definition
{

    //~ Static variables/initializers =========================================

    /** Logger. */
    static Log log = LogFactory.getLog(AbstractDefinition.class);

    /**
     * DOCUMENT ME!
     */
    protected static String linkRegexp = "{[\\w\\s-]+}";

    /**
     * DOCUMENT ME!
     */
    static final PatternCompiler regexpCompiler = new Perl5Compiler();

    /**
     * DOCUMENT ME!
     */
    // TODO
    // Each instance has its own matcher. Can we have static matchers?
    PatternMatcher matcher = new Perl5Matcher();

    static Pattern pattern;

    static {
        try {
            pattern = regexpCompiler.compile(linkRegexp);
        }
        catch (MalformedPatternException mpe) {
            throw new RuntimeException(mpe.getMessage());
        }
    }

    //~ Instance variables ====================================================

    /** Defined word. */
    private String word;

    /** The database thw word is found in. */
    private Database database;

    /** The content returned from the server. */
    private Object content;

    /**
     * DOCUMENT ME!
     */
    List links = new ArrayList();

    //~ Constructors ==========================================================

    /**
     * Consturctor.
     *
     * @param word DOCUMENT ME!
     * @param database DOCUMENT ME!
     * @param content DOCUMENT ME!
     */
    public AbstractDefinition(String word, Database database, Object content) {
        this.word = word;
        this.database = database;
        this.content = content;
    }

    //~ Methods ===============================================================

    /**
     * @see net.zuckerfrei.jcfd.Definition#getContent()
     */
    public Object getContent() {
        return content;
    }

    /**
     * @see net.zuckerfrei.jcfd.Definition#getDatabase()
     */
    public Database getDatabase() {
        return database;
    }

    /**
     * @see net.zuckerfrei.jcfd.Definition#getLinks()
     */
    public String[] getLinks() {
        discoverLinks();
        return (String[]) links.toArray(new String[]{});
    }

    /**
     * @see net.zuckerfrei.jcfd.Definition#getWord()
     */
    public String getWord() {
        return word;
    }

    /**
     * DOCUMENT ME!
     */
    protected void discoverLinks() {
        PatternMatcherInput input = new PatternMatcherInput(content.toString());
        String term;
        while (matcher.contains(input, pattern)) {
            term = normalizeString(matcher.getMatch().toString());
            links.add(StringUtils.stripStart(StringUtils.stripEnd(term, "}"), "{"));
        }
    }

    private String normalizeString(String str) {
        String[] tmp = StringUtils.split(str);
        StringBuffer buff = new StringBuffer();
        String tmp2;
        for (int i = 0; i < tmp.length; i++) {
            tmp2 = tmp[i].trim();
            if (tmp2.length() > 0) {
                buff.append(tmp2).append(" ");
            }
        }

        return buff.toString().trim();
    }
}

redpajama_set_name: RedPajamaGithub


Although the Sense monitor only draws 4W, it must be installed on a 240V breaker for device detection purposes. Sense needs to monitor both phases of your electrical system and can only do so via a 240V breaker.
If there is not enough space in your electrical panel for a new 240V breaker, there are several possible approaches depending on your setup. Please consult a local electrician for guidance, as local electrical codes may disallow certain solutions, such as piggybacking on an existing 240V breaker.
Why doesn't my electric bill match the estimates in Sense?


text:
Sovremennik, Moscow Sovremennik Theatre (Moscow)
19A (19 «а») Chistoprudny Boulevard, Moscow (tel.: +7 495 621-64-73, +7 495 621-17-90, +7 621-25-43), Metro stations: "Chistye Prudy", "Turgenevskaya".
http://www.sovremennik.ru
Moscow Sovremennik Theatre (the Sovremennik or the Theatre, for short) was founded by a group of young actors in 1956. In the post-war history of Russia, in the time when Stalin's personality cult was being exposed, the Theatre became the first theatre that was created by a free creative team of like-minded people and that managed to survive as an integral art collective.
The founders of the Theatre (Oleg Yefremov, Galina Volchek, Igor Kvasha, Liliya Tolmachyova, Yevgeny Yevstigneyev, Oleg Tabakov and others) were recent graduates of Moscow Art Theatre School. The Sovremennik was created in the time when theatre was separated from life with an invisible, but solid wall and when the narrow-minded Russia's theatre system had virtually "mummified" the legacy of the founders of Moscow Art Theatre. It was in order to protest against this kind of "dead thing" and in order to prove, by mastering and evolving Stanislavsky's method that psychological theatre could exist that the young actors created their theatre.
The main artistic goals of the founders of the Sovremennik were the ensemble of actors, the true penetration of the inner world of characters and of human psychology; they sought to bring back the living individual on stage. Spectators recognised themselves in the characters of the Sovremennik. It was for the first time in many years that real people, with their everyday-life problems, bitterness and hopes, came on stage. The principle aspiration of the young theatre was to speak a language of contemporaneity with its contemporaries (sovremennik is Russian for "(one's) contemporary"), and that aspiration was understood and supported by the audience. In a very short time, the Sovremennik became a favourite theatre among young intellectuals.
The repertoire of Sovremennik has always been based on works by contemporary authors. Even though not every play specially written for the Theatre managed to appear on its stage, during the first ten years of its life the Sovremennik tried to be a theatre that would speak with its spectators with the help of plays that reflected the realities and problems of the contemporary world. The Theatre wanted to say as much as possible in the time allotted by the censorship, as if it had a presentiment that that time might pass away.
As early as at the first performance, Alive Forever, based on the play by Viktor Rozov, the audience and critics noted a strong acting potential of the just-graduated students. The names of Yefremov, Volchek, Yevstigneyev, Tolmachyova, Tabakov and Kvasha became widely known. Almost each new performance revealed new capabilities of the young company. Yefremov, the head of the Theatre, stimulated the actors to also do some stage directing work, encouraged independent work and attracted those young directors who were close in spirit to the Theatre.
By the late 1960s, the Sovremennik had already become a developed art institution, having well-defined creative and civil aspirations as well as a very strong, talented company of actors. The Theatre frequently went on tours around the country, and wherever its posters appeared the auditoriums attracted capacity crowds. Among the performances played by the Sovremennik that became theatre legends were Alive Forever, On the Wedding Day and The Reunion based on the plays by Rozov, Five Evenings, Elder Sister and The Appointment based on the plays by Aleksandr Volodin, The Naked King based on the play by Yevgeny Schwartz (a reworking of Andersen's The Emperor's New Clothes), Without a Cross based on the novella Wonder-Working by Vladimir Tendryakov, Two for the Seesaw based on the play by William Gibson, Always on Sale based on the play by Vasily Aksyonov, A Common Story based on the novel by Ivan Goncharov, The Ballad of the Sad Cafe based on the play by Edward Albee (adapted from the novella by Carson McCullers), The Lower Depths based on the play by Maxim Gorky and many others.
In 1970s, a crisis came. As early as since the late 1960s, the "thaw" had been yielding to cold winds of a new epoch.
It had become difficult for the Theatre to function. Anyway, it had never been easy for the Sovremennik, not all ideas could be realised even during the "thaw" years, but then there was a single, united collective, which helped the Theatre to defend against rampant outrages of the censorship. In 1970, however, the Theatre was split. Having accepted an invitation to become the head of Moscow Art Theatre, one of the Sovremennik's founders and its head, Yefremov, left. He was followed by a significant number of the leading actors. The Theatre was bleeding, deprived of its repertoire, and in addition it faced a problem of the generation change.
The departure of Yefremov was perceived by many as the end of the Sovremennik. This idea was especially to the taste of the press, which, by publishing many reflections on the completion of the Sovremennik's mission, did a lot to persuade spectators that this was the case.
Such was in general the state of the Theatre in 1972 when the company elected Volchek the head art director of the Theatre.
Against all forecasts, the Theatre did not die. However, it was not easy to restore what had been destroyed.
The company was joined by new actors such as Marina Neyolova, Valentin Gaft, Liya Akhedzhakova and Avangard Leontyev.
The stage director Galina Volchek worked hard on the topic of contemporaneity. She involved Chingiz Aytmatov, one of the greatest masters of contemporary prose, in collaboration with the Theatre. A performance based on the play Ascent of Mount Fuji by Aytmatov and Kaltay Mukhamedzhanov, which was staged by Galina Volchek in 1973, demonstrated that the Theatre was not confused, that it remained faithful to its artistic and civil principles and, in the end, that the Sovremennik was alive and well! Nobody would argue against that nowadays.
The next work by Volchek, that of the performance Echelon based on the play by Mikhail Roshchin, written specially for particular cast, brought the Theatre to a yet higher level.
And the posters of the Theatre, alongside the names of Rozov and Volodin, well-known by that time, featured new names: Mikhail Roshchin, Aleksandr Vampilov, Alla Sokolova, Vasily Shukshin, Aleksandr Galin and others.
By attracting and discovering new names, the Theatre shaped its repertoire step by step, trying to keep pace with time. The Theatre was following closely contemporary literature.
In the 1970s, the Theatre renewed its creative "friendship" with the writer Konstantin Simonov. The Theatre included stage adaptations of his novellas Lopatin's Notes and We Will Never See Each Other Again into its repertoire. The stage director Valery Fokin was especially enthusiastic in adapting works of literature for theatre. He staged the novella Don't Shoot White Swans by Boris Vasilyev and the novella Forever Nineteen by Grigory Yakovlevich Baklanov. This line in the repertoire of the Theatre would be continued.
The performance Journey into the Whirlwind (based on the autobiography by Yevgeniya Ginzburg and staged by Galina Volchek in 1989) was an important achievement in the art of staging literary material. The significance of this performance was not limited to a solution to the problem of stage adaptation of prose: this performance demonstrated that the artistic style of the entire collective as well as its civil and human convictions were mature. Journey into the Whirlwind, which was internationally acknowledged during the tour of Sovremennik around the US, Germany and Finland, clearly depicted the artistic state of theatre at the time.
Having started with Journey into the Whirlwind, the creative cooperation of Volchek and Aleksandr Getman (who was the author of the stage adaptation) successfully continued ten years later when the repertoire of the Sovremennik included the performance Three Comrades (based on the novel by Erich Maria Remarque), which immediately and deservingly became part of the Theatre's image.
As we have already mentioned, the Sovremennik considered that one of its main tasks was to speak the language of contemporaneity with its spectators. Out of over 100 performances that have been staged in the Theatre since its foundation, almost two thirds were written specially for the Sovremennik and were premiered on the stage of the Theatre. It was from the Theatre that plays by Lyudmila Petrushevskaya, Aleksandr Galin, Vladimir Gurkin, Nikolay Kolyada and many others started their triumphal tours around many stages of Russia and other countries.
Remaining faithful to the contemporaneity, the Theatre searched for it even in classics, trying to see real, contemporary problems through its prism.
Volchek turned to plays by Anton Chekhov. As early as in 1976, she staged The Cherry Orchard and then Three Sisters six years later. In 1991, Volchek staged the play Anfisa by Leonid Andreyev; begin almost completely unknown in Russia, this play was, however, largely in tune with poetics of Chekhov. The repertoire of the Theatre included the great comedy The Government Inspector by Nikolay Gogol, and the Theatre staged works by Henrik Ibsen, Luigi Pirandello, William Shakespeare and Alfred de Musset. Kvasha staged two plays by Mikhail Bulgakov, A Cabal of Hypocrites and, specially for the young generation of actors, Days of the Turbins.
In the recent years, the Sovremennik very often turned to the classic repertoire: in 1997, Volchek presented a new version of Chekhov's The Cherry Orchard, she also staged Pygmalion by Bernard Shaw; Fokin staged the performance The Karamazovs and the Hell based on later works by Fyodor Dostoyevsky; invited from Lithuania, the stage director Rimas Tuminas proposed the performance We Play Schiller!, his own solution to the tragedy Mary Stuart by Friedrich Schiller.
Being well aware of the fact that contemporary theatre is a single space, the Sovremennik has always showed keen interest in drama from outside Russia. As early as the first years of its formation, the Theatre staged the play De Pretore Vincenzo by Eduardo De Filippo (the performance was known under the name Nobody), which is close to the neo-realistic aesthetics, The Fifth Column by Ernest Hemingway as well as plays by "angry young men" John Osborne and Arnold Wesker. However, the greatest success in the 1960s was enjoyed by the performance Two for the Seesaw based on the play by the American William Gibson.
A special page in the history of the Theatre was made by two plays by the American playwright Edward Albee, The Ballad of the Sad Cafe (1967) and Who's Afraid of Virginia Woolf? (1984). Both the plays became phenomena in the theatre life and remained in the repertoire of the Theatre for a long time.
The Theatre continued working on works from outside Russia: the repertoire of the Theatre included new names, unknown to the Russian audience, such as the American playwrights Tennessee Williams and Ariel Dorfman, the Israeli author Yosef Bar Yosef and the Italian Renato Mainardi.
For the almost four decades of its history, the Sovremennik has gone on many tours. It has been to Siberia, Central Asia, the Far East, Transcaucasia, the Baltic countries and the Urals. It has been to all the Eastern European countries, and after the fall of the "iron curtain" it has visited Italy, Germany, the US, Switzerland and Finland. The tour to New York's Broad Way, which tool place in 1996 and 1997, occupy a special place among the tours of the Sovremennik. Then, for the first time since the famous 1924 tour of the Moscow Art Theatre, a Russian company was playing in Broad Way. Three Sisters and The Cherry Orchard by Chekhov and Journey into the Whirlwind by Ginzburg enjoyed great success among American spectators. This was proved by the fact that the Theatre received the Drama Desk Award, a national US award in the field of dramatic art. This award has been awarded for decades. And it was for the first time in the long history of the award that a theatre from outside the US received it.
Just like any other theatre, the Sovremennik has experienced ups and downs, survived a period of crisis and enjoyed moments of triumph. However, no matter how grave was the situation the Theatre was in, it has always felt support and keen, friendly attention of its audience. It well may be that it was exactly that support and that trust in their theatre shown by spectators that helped the Sovremennik to survive!
Sovremennik, Moscow Sovremennik Theatre
Moscow Theatre «School of Modern Drama» Russia · Moscow
1989: the School of Modern Drama theatre (the Theatre, for short) is opened with a performance A Man Came to a Woman based on the play of the same name by Semyon Zlotnikov; starring Lyubov Polishchuk and Albert Filozov. The performance received awards for the best actor and the best actress. 1990: the first performances of the Theatre in the bui...
Yermolova Theatre, Moscow Drama Theatre named after M. N. Yermolova Russia · Moscow
The Yermolova Theatre (the Theatre, for short) is situated in an ancient building; its facade is based on one of the largest, constructed in the 1830s, mansions in Tverskaya Street. The original (with some minor modifications) two-storey house with a mezzanine in its centre existed until 1897 when the merchant Postnikov rebuilt it, turning it into ...
Illusion Cinema Russia · Moscow
The repertoire of the Illusion Cinema consists of the following: – classical films made in Russia and other countries from the collection of the Russian State Film Holdings (the Gosfilmofond). – retrospectives of films by outstanding directors and featuring outstanding actors; – talk shows featuring leading people of cinema; The unique repert...


text:
Harriston is an unincorporated community located in Jefferson County, Mississippi, United States. Harriston is approximately  northeast of Fayette and approximately  south of Lorman on Old Highway 61.

History
Harriston was named for General Nathaniel H. Harris, who served as the first president of the Vicksburg & New Orleans Railroad. James Lowe and E. R. Jones were the first settlers of Harriston.

Harriston is located on the former Illinois Central Railroad. The community was incorporated in 1886 and had a post office that first opened in 1885. The town was disincorporated and the post office ceased operations at an unknown date.

Harriston was affected by a smallpox epidemic in the spring of 1896.
The community was placed under quarantine in 1898 due to a yellow fever epidemic.

References

Unincorporated communities in Jefferson County, Mississippi
Unincorporated communities in Mississippi


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Britain's weather service says it sees the tentacles of climate change in a spate of storms and floods battering the country, but has stopped short of saying that global warming directly caused the extreme conditions.
The latest round of bad weather slammed into Britain's west coast on Wednesday with torrential rain and winds gusting up to 106 mph (170 kph). Trucks were toppled, trees were felled and a major chunk of the railway was closed.
The Met office study discusses evidence of increasingly extreme weather events and links both Britain's damp winter and the extreme cold that has hit the United States and Canada to "perturbations" in the jet stream over the Pacific Ocean and North America. But it does not say outright that global warming caused the flooding. To do that, scientists take months, sometimes years, to conduct detailed computer simulations — and the report said such research was needed in this case.
In the United States, NOAA research meteorologist Martin Hoerling said the Met Office study "identifies many challenges for research" rather than drawing firm conclusions.
A similar question — when will it end? — was being asked by many Britons, from flooded farmers to riverside residents piling sandbags against the encroaching waters of the Thames.
The Met Office issued its highest-level red warning of "exceptionally strong winds" Wednesday for west Wales and northwest England. It said a gust of 106 mph (170 kph) was recorded at Aberdaron in northwestern Wales.
Railway operator Network Rail said the main west coast train line would close for several hours Wednesday evening because of the wind. Two Premier League soccer matches have been postponed because of safety concerns related to the weather, while a man in his 70s died of suspected electrocution while trying to move a tree that had downed some power cables near the English town of Chippenham.
London itself was expected to be safe from the flooding since it's protected by the Thames Barrier, a series of 66-foot (20-meter) high metal gates across the entire river. The massive gates can be closed to stop the tide from coming up the Thames, which gives more space for the river to handle excess water from upstream. At low tide, the Thames barrier is then opened and the floodwaters flow to the sea.
Yet the Met Office says there will be no quick end to Britain's flood misery.
At least one more storm is forecast for later this week. It says some areas could get up to 2.75 inches (7 centimetres) of rain — a month's worth — by Friday.


text:
Q: Overriding default picture conversions in Nuxeo I am trying to override default picture converter in Nuxeo.
By default, Nuxeo provides following OOTB converters

*

*Thumbnail

*Small

*Medium

*Large

*Orignal

I want to reduce the converters to

*

*Thumbnail

*Orignal

Following are the configurations that I have tried

*

*Created a Multi-Module Contribution using Nuxeo-cli utility
Steps followed to create contribution
$>nuxeo bootstrap multi-module

$>nuxeo bootstrap contribution

target component used for contribution is org.nuxeo.ecm.platform.picture.ImagingComponent
$>nuxeo bootstrap package

*Added following extension to the OSGI-INF/picture-conversion-core-contrib.xml file Ref
<?xml version="1.0"?>
<component name="org.nuxeo.ecm.platform.picture.ImagingComponent.default.config.override">
<require>
    org.nuxeo.ecm.platform.picture.ImagingComponent.default.config
</require>
    <extension target="org.nuxeo.ecm.platform.picture.ImagingComponent" point="pictureConversions">
        <pictureConversion chainId="Image.Blob.Resize" description="Thumbnail size" id="Thumbnail" maxSize="100" order="0" rendition="true"/>
        <pictureConversion chainId="Image.Blob.Resize" description="Original jpeg image" id="OriginalJpeg" order="100" rendition="true"/>
    </extension>
</component>

I want to keep only two picture conversions hence adding only Thumbnail converter and OriginalJpeg converter.

*After creating package I am installing the package on Nuxeo server with following command.
$>nuxeoctl mp-install  /path/to/dir/sample_picture_converter-package-1.0-SNAPSHOT.zip

Even though the component is installed correctly on the Nuxeo server, the server is converting the images with default formats(ie. Thumbnail, Small, Medium, Large and Original).
What are the steps to override a default contribution in Nuxeo without Nuxeo studio?
Cross Posted on Nuxeo forum

A: We need to disable the default picture conversions explicitly in OSGI-INF/picture-conversion-core-contrib.xml. Given below the updated OSGI configuration.
<?xml version="1.0"?>
<component name="org.nuxeo.ecm.platform.picture.ImagingComponent.default.config.override">

    <require>
        org.nuxeo.ecm.platform.picture.ImagingComponent.default.config
    </require>

    <extension target="org.nuxeo.ecm.platform.picture.ImagingComponent" point="pictureConversions">
        <pictureConversion chainId="Image.Blob.Resize" description="Thumbnail size" id="Thumbnail" maxSize="100" order="0" rendition="true"/>
        <pictureConversion chainId="Image.Blob.Resize" description="Original jpeg image" id="OriginalJpeg" order="100" rendition="true"/>
        <pictureConversion chainId="Image.Blob.Resize" id="Small" enabled="false" />
        <pictureConversion chainId="Image.Blob.Resize" id="Medium" enabled="false" />
        <pictureConversion chainId="Image.Blob.Resize" id="FullHD" enabled="false" />
    </extension>
</component>

Answered by LaraGranite on Nuxeo forum

redpajama_set_name: RedPajamaStackExchange


Microsoft started out run by Bill Gates, an optimist intent on changing the world by sheer good intention--this would be the "Carter" era (Gates and Carter both later wound up as world statesmen types, which is another interesting parallel, but not really relevant here).
In 1983 Microsoft brought in Jon Shirley, who ran the company (to the extent that anybody other than Bill really "ran" Microsoft back then) until 1990; this corresponds to the "Reagan" era.
Microsoft then brought in Michael Hallman as President, for a short-lived stint during which Microsoft was concerned about its equivalent of a recession--this is "Bush pere" time.
For the next eight years, Microsoft was run by various forms of committee of wonkish engineers--the "Clinton" years.
Finally, in 2000 came the ascension of Steve Ballmer, who steered the company through a somewhat rocky period--and we know what was going on in the U.S. then.
If you've read the blog, you probably know where this is going: towards a shaky analogy that Microsoft has alternated between Democratic and Republican leadership, and that, like the country, it has prospered in the Democratic era and done poorly in the Republican era.
Well, of course I am heading there, but first I will put some disclaimers out. First of all, Jon Shirley, according to the Huffington Post, is a staunch progressive Democrat, so his tenure doesn't match up with Reagan, a Republican. Then again Microsoft did quite well during the Shirley era, which means that while the analogy with the U.S. President is strained, the point about Democrat vs. Republican is arguably strengthened. Second, at some point Microsoft got big enough that it became tied to the U.S. Economy, so the fact that the company has done well or poorly is much more dependent on who was running the country than the company; if Obama can pull the country out of a tailspin, Microsoft's stock price should follow.
Still, it does get us to our current situation of Ballmer having been in charge for 8+ years. There is no doubt that Ballmer is a Republican; his donation record shows that (although he did give a bit to Obama), and any case it is known that after years under the tutelage of Bob Herbold, he is solid GOP. I don't mean this as a negative in and of itself; Ballmer is vastly smarter and more competent than George W. Bush, and he may at heart be a true "small government" conservative, which I think is an intellectually defensible position (needless to say, this is most emphatically NOT the kind of alleged conservatives that have been running the country recently). And Microsoft has a genuine commitment to advancement for women, doing the right thing for the environment, keeping its workers healthy, and the like which are definitely on the progressive side of the business agenda (they are all good business also, in my opinion; but I feel that way about progressive government policies also).
Nonetheless I think it is fair to say that Ballmer has run the company with a more Republican approach than it has been in the past. This manifests itself in two specific ways that I have noticed: his view that everybody starts out with the same shot at success, and a tendency to focus on obvious solutions to problems.
The first one doesn't concern me much. The U.S. government has a moral (and I would also claim an economic) need to level the playing field for everybody, by providing equal access to education, health care, and so on. Microsoft has no such moral obligation; people work here by choice, and although ideally we should give everybody the same chance to succeed, it's not a moral failing if we don't--we'll get hurt because people will underperform or quit, but in the end we can boil it down to a business decision. So while Microsoft's differentiated reward system, which Ballmer has championed, IS based on a notion that everybody has an equal shot once they get here (and therefore the ones who succeed do so because they deserve it, not because of advantage or luck), and I don't think that is quite true, this doesn't strike me as fundamentally "wrong"--certainly not as much as the federal government's equivalent regressive policies do.
The second aspect of Microsoft "Republicanism" is the one that worries me more. This is the tendency to focus on obvious solutions. You see this a lot in Republican government thinking: the way to prevent crime is to mandate harsh mandatory sentences, the way to avoid teen pregnancy is to teach abstinence, the way to solve the drug problem is to work on eradicating drug production and jailing drug users, the way to help the economy is to cut taxes, the way to achieve energy independence is to drill for domestic oil, the way to avoid traffic jams is to build more highway lanes, etc, etc, etc. These may all be wrong, but they are easier to explain to voters than the more subtle answers that actually work.
Similarly, I think Microsoft has a tendency (and let me emphasize that this is a TENDENCY, not a dramatic shift) in recent years to go for the obvious solution to problems. Unlike the U.S., which there is only one of, the marketplaces in which Microsoft competes have other companies, so the most "obvious" obvious answer is to mimic a successful competitor, and this seems to be Microsoft's recent approach in some areas: to look at what Google, Apple, Sony, RIM, Facebook, and so on are doing and try to do the same thing ourselves. This does not mean that we don't ever do innovative things (such as the ribbon in Office 12) or that Microsoft was never a "follower" in the old days (it certainly was, at least until we passed the company we were following, but that often happened quickly because we innovated within the space we were competing in).
As I said above, Microsoft is a long way from the nadir of the recently-completed Bush era, and I am not trying to suggest that Ballmer needs to be swept out of office. There are plenty of smart, progressive thinkers at Microsoft, and in any case the company is so diverse that it is impossible to say that we behave in any one way. And if you are, say, a college student wondering whether to come work here, I'll point out that I'm voting with my feet, by sticking around for the foreseeable future. It's still a great place to work, just as the U.S. is still a great place to live. Nonetheless, as I await the out-of-the-box thinking that I expect to accompany the Obama presidency, I hope that a little bit of that rubs off on Microsoft.
A couple of months ago I mentioned the Votemaster site being back (I hear, incidentally, that the British web rules of style include the word "the" in the hyperlink--BUT I DIGRESS), and a commenter pointed out FiveThirtyEight, which I immediately became addicted to. It turns out that a bunch of other people also became addicted to it, and now Nate Silver, the brains behind the site, is getting props from respected old-media places.
Now, in this instance, calling the election at 9:46 was not an indicator of being 74 minutes smarter than the big news stations; I made the same call in email nine minutes earlier, based on taking the already called Obama states, adding in Washington/Oregon/California/Hawaii, and coming up with the magic 271. The news sites were merely being polite and waiting until the polls closed on the West Coast (as evidence by the fact that they DID finally call the election for Obama at around 8:00:00.37 PM, with exactly 0% of precincts reporting from the newly-closed polls). In fact somebody on CNN had done an exercise, on their nifty touch-screen, of going through every state except WA/OR/CA/HI and assigning them to McCain, pointing out that the total was below 270, explaining that no reasonable person would predict WA/OR/CA/HI going to McCain...and then stopping short of the obvious conclusion, which was that the election could be called for Obama (WA/OR/CA/HI, I will remind you, is an abbreviation of the four states, not the-thing-you-say-when-a-killer-whale-jumps-in-your-fishing-boat).
The polls in Washington open in 20 minutes. I can only repeat what I said four years ago, with more urgency but also more hope. Forget Democrat vs. Republican; this election is about basic competency, honesty, and respect.


As the founder and president of Marketing Systems Group (MSG), Dale Kulp's visionary perspective and innovative thinking have had a profound impact on the survey research world, as he strove to raise the bar for quality and rigor.
The first computerized dialing system designed specifically for survey research data collection.
Many proprietary sampling systems and three telephone omnibus surveys, all of which are still in operation.
Implementing the list-assisted RDD sampling methodology at a commercial level, which revolutionized the process for reaching probability-based samples of households.
At MSG, Dale was involved in the design and administration of numerous survey and market research projects. He passionately pursued innovative methods for improving the construction of high-quality sampling frames for population-based studies. Among his many accomplishments, Dale was responsible for initiating the development of the Address Based Sampling frame (ABS), which is now one of the more commonly used sampling frames in the market research industry.
Dale attended Drexel University for both undergraduate and graduate degrees and his career path included time at Chilton Research Services, Data Group, Bruskin Associates, and International Communications Research. He was active in many industry and professional organizations and collaborated on a wide range of survey research topics. Through his many Technical Notes and publications over nearly four decades, he remained vigilant about addressing the operational issues challenging the market research industry.
In 1987, when Dale Kulp and Gerard Holzbaur formed Marketing Systems Group, they wanted to build the kinds of innovative products, services and information solutions that they wanted to use themselves. Having a deep understanding for survey research led to the development of innovative products and services specifically for the survey research industry.
That remains the MSG vision and we continue to invest in people and technology. We continue to expand existing and develop new products, services, and solutions in anticipation for future needs of the survey research community. Our GENESYS product line offers industry-leading samples that provide the greatest representation and accuracy for improved data quality. ARCS® offers best-in-class panel management software to help you efficiently and profitably recruit, engage, retain, and survey your respondents. Our PRO-T-S® predictive dialing system improves data collection operations and interviewer productivity without sacrificing data quality.
Marketing Systems Group is headquartered in Horsham, PA, a suburb of Philadelphia.
Our Mission is to provide innovative products and services to increase the efficiency and effectiveness of survey research, while consistently delivering quality, value, and excellence to the research industry.
To create long and valued client partnerships.
To go the extra mile and exceed expectations, providing the highest possible service levels.
To listen to the needs of our clients and work to find creative solutions.
To deliver the highest possible client value through cost-effective solutions.
To be open, honest and respectful with our clients and co-workers.
To continuously seek to improve what we do and how we do it.


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Sword of the Samurai is an action and strategy video game developed and published by MicroProse in 1989 for the DOS platform. It features role-playing, strategy, and arcade elements set in feudal Japan. The player begins the game as a little-known vassal samurai; his ultimate goal is to replace Oda Nobunaga as the daimyō responsible for reunifying sengoku Japan.
Tommo purchased the rights to this game and digitally publishes it through its Retroism brand in 2015. The game was re-released in 2014 on Gog.com and Steam with support for Windows, macOS, and Linux.
The game begins by giving the player their choice of name, clan, and family specialty. Within the game, death is final and frequently risked; an early priority is establishing a family, which permits the player to continue as the samurai's heir in the event of death or retirement. In the first two sections of the game, the player rises from a minor retainer to a more powerful lieutenant and then to daimyō over his entire clan. At each of these levels, he competes to curry favor from his lord with three computer-controlled rivals who also seek to become first in favor and next in succession. Each samurai has several properties, including land holdings, army size, sword-fighting ability, and generalship. In keeping with the Bushidō theme of the game, army size and honor have the greatest influence over how the samurai are ranked.
A wide array of dishonorable actions are also possible. The player (and AI controlled characters) may kidnap and rescue family members, dishonor other samurai, or even assassinate their rivals or lord. Naturally, such behavior carries serious risk. The samurai performs these acts personally and risks capture or death. At minimum, exposure entails loss of honor and land and more serious offenses require ritual suicide (seppuku); a failed attempt on the life of the samurai's lord occasions the extermination of his entire family, losing the game.
After becoming a daimyō, the game shifts to a wargame format, with the goal of conquering enough provinces to claim the title of shōgun. The player no longer wanders personally through a provincial map but directs his army through the three lower Japanese islands. He is able to direct his underlings to deal with any sword fight or melee minigames without loss of honor: the focus is on the size of the player's army and mastery of the battlefield tactics.
After winning the game, the player is given a final summary of the future of his dynasty. Depending on the various factors such as the victor's honor and the presence of an adult heir, the length of the dynasty could range from hundreds of years (like the Tokugawa shogunate) to a quick dissolution after the shōgun's death (as occurred with Oda Nobunaga and Toyotomi Hideyoshi).
MicroProse designers Sid Arnold and Lawrence Schick began development of Sword of the Samurai in late 1987, after the success of the company's first role-playing adventure game Sid Meier's Pirates!. They chose to set it during the Sengoku period because the era's chaos made it possible for samurai to gain great power regardless of background, and gave players the goal of uniting the country and becoming shōgun. MicroProse co-owner Sid Meier helped develop the NPCs' artificial intelligence and the dueling.
Computer Gaming World stated in 1990 that Sword of the Samurai "offers even more than its spiritual ancestor, Pirates!". It praised the game's graphics, soundtrack, and many choices during gameplay. Later that year and in 1993 the magazine gave it four stars out of five, stating that the game did not sell as well as Pirates! despite "near perfect" game play and historical accuracy.
^ Schick, Lawrence (January 1990). "Designer's Notes / The Secret History of Sword of the Samurai". Computer Gaming World. p. 84. Retrieved 15 November 2013.
^ Wilson, Johnny L. (January 1990). "Unsurpassable Honor / "Sword of the Samurai" from MicroProse". Computer Gaming World. p. 18. Retrieved 15 November 2013.
This page was last edited on 3 April 2018, at 13:54 (UTC).