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Its very difficult to make a kitchen without some kind of bar feces. Actually, barstools have grown to be so popular that its very hard to not find one inside a kitchen area. That is for a good reason, though, given that they allow buddies, family, and other visitors to simply sign up for you in the kitchen for a scrumptious dinner and some great discussion. But purchasing the right barstools for the kitchen may be a little bit difficult, which is especially the case if you dont understand how to choose one. In the end, because this is one of the most used and many important rooms in the house, its only natural that you will get the best bar stools for this. Fortunately, we already did the study for you, and in the paragraphs here we came up with a summary of the top 10 bar stools you can buy for the kitchen area or club. After you review their list, you will easily be able to purchase the right barstools for your needs. Allows check them out!
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Lighting brings a critical element to interior design, but its impact may not always be obvious to the uninitiated. It takes a trained eye to be able to factor lighting into the design; to understand how it will affect the final product. But the effects of using lighting effectively are there for everyone to see. Here are a few interior lighting tips for those looking to bring the right atmosphere to their home design.
Task lighting: As evidenced by the name, task lighting is geared towards aiding you in the performance of various tasks; for example, a light that illuminates the workspace in the kitchen, or a reading light. Good task lighting will be bright enough to let you see without straining your eyes, but not so bright that it distracts you from the task at hand.
Ambient lighting: Also referred to as general lighting, ambient lighting helps you achieve the appropriate balance of light in a room, which means that the room will be bright but not glaringly bright. Normally, you'd want every room to have a strong source of ambient light.
Accent lighting: Accent lighting provides dramatic effect by highlighting the features of your home you want to stand out, such as paintings and architectural features. Ideally, accent lighting will be positioned in a way that allows three times as much light to fall on the object you want accentuated.
Decorative lighting: This lighting is there purely as a decoration, as opposed to actually illuminating a particular feature. An elaborate chandelier hanging over the dining room would be a good example.
• Floor lamps can be used decoratively and as a form of task lighting if positioned beneath a workspace.
• Table lamps are a common form of task lighting.
• Wall lights are an effective form of ambient, task and accent lighting.
• Downlights are designed to illuminate the area directly beneath them.
A light plan requires a balance of practicality and aesthetics. Lights can be powerful decorative tools, but their primary purpose is to allow you to see what you're doing. Also, energy efficiency should be an important priority.
Dining room: The appropriate lighting depends on whether you intend the dining room to be formal or casual. If formal, a few hanging chandeliers can provide the desired effect. Either way, the table should be the most illuminated spot in the room, with subtle lighting positioned elsewhere so the table remains the focus.
Kitchen: A place of work and socialising, the kitchen should be a focal point for any lighting plan. Make heavy use of downlights, floor lights and under-cabinet lighting so as to illuminate the workspace without creating distracting shadows.
Living room: Downlights should be prevalent to illuminate reading space. You'll want the living room to be well-lit, but it's important the light is adjustable so you can dim it to achieve the intended mood.
Stairs and hallways: For the purpose of safety, these areas need to be well-lit. You want anyone wandering the halls to easily be able to find their way around; else they might fall down the stairs or even worse, get lost and stumble upon the closet where your family's skeletons are kept.
Bathroom: This is another area where lighting should be pragmatic rather than aesthetic. Sarah Stebbins suggests overhead lights to provide maximum illumination, especially in large spaces like the shower.
Bedroom: A mix of reading lamps for task lighting and an adjustable source of ambient light is the norm for bedroom lighting.
Looking for more home improvement tips, or advice on how home design may affect the value of your property? Don't hesitate to contact the experts at Tepilo for advice pertaining to the property market.


Congress has returned to Washington from its Thanksgiving recess only to face a legislative agenda packed full of unfinished business items. One commodity not in abundance is time since the Christmas holiday is a little more than three weeks away. The Senate will spend much of December on health care reform, but both chambers may face possible votes on supporting additional troops for the war in Afghanistan and some yet-to-be-determined legislation to address the very high unemployment rate.
It seems as though we seldom have good news to tell you, but the Nellis Dunes National Off-Highway Vehicle Recreation Act of 2009, H.R. 765, has the potential of becoming very good news for OHV enthusiasts living in the Las Vegas area. The legislation, sponsored by Representative Dean Heller of Nevada, would create an OHV recreation area of more than 10,000 acres by using lands owned by Clark County and the Bureau of Land Management. The legislation would authorize the conveyance of approximately 1,200 acres of BLM land to Clark County so the County can develop an active off-highway vehicle recreation park. An additional 9,000 acres would be designated as an off-highway vehicle recreation area to be managed by BLM.


Over the years, the term "Intellectual Property" has assumed immense potential for national and international businesses. Intellectual Property has emerged as one of the important assets for any organization or individual.
Intellectual Property Rights (or IPRs) refers to the bundle of rights arising out of the application of intellect by human beings. Meléndez & Bonilla aims to protect this bundle of rights for its vulnerable clients, so that the assets of the organization or individual remains where they rightfully belong.
Deriving its strength from the Constitution, and conforming to various international treaties, the government of Costa Rica has enacted separate legislation to protect different Intellectual Properties.
Meléndez & Bonilla caters to every possible Intellectual Property aspect in Costa Rica for national as well as international clients. With hundreds of satisfied clients globally, our law firm is perched on the topmost echelons of Costa Rican legal counsels. With a legal and paralegal team of highly educated, trained and skillful personnel, Meléndez & Bonilla Law Firm eagerly awaits the opportunity to serve your legal requirements in Costa Rica.


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Eliza Draper Gardiner: Japan Comes To Rhode Island
A post about Eliza Draper Gardiner (1871-1955) on this particular blog might strike some people as strange. Indeed, as far as I know, Gardiner, who was born in Providence, Rhode Island, never traveled to Japan or, indeed, anywhere in Asia. She studied art at the Friends School in Providence, and enrolled in the Rhode Island School of Design, from which she graduated in 1897. After further studies in Europe, she became a pupil of the painter Charles H. Woodbury, who likely introduced her to etching. True, she was influenced by the color woodblock prints of Arthur Wesley Dow, and at least one of her prints ("Landscape Study, Three Pines") was based on an exercise from Dow's Composition book. She probably was influenced by Japanese woodblock prints just as Dow was, but I'm not aware of any hard evidence that she ever made a study of them beyond what she gleaned from Dow's writings. Peter Hastings Falk has also cited the prints of Sir William Nicholson as another influence and Nicholson, as it turns out, also was an influence on both Emil Orlik and my favorite Japanese print designer, Hashiguchi Goyo.
Eliza Draper Gardiner (1892)
Beginning in 1908, Gardiner joined the faculty at the Rhode Island School of Design where, over the years, she taught woodcut, watercolor, and drawing. Gardiner seldom, if ever, dated her prints, but her earliest prints seem to start appearing around 1914. In 1916, she began her association with the Provincetown printmakers, although she never used their white-line method and instead used a technique following in the Japanese tradition. Her work was shown in a landmark exhibition of color prints at the Detroit Institute of Arts in 1919 and at a show at the Art Institute of Chicago that same year. Between 1920 and 1938 she was a regular contributor to the Print Makers Society of California's annual International Print Makers Exhibitions in Los Angeles. She continued teaching at the Rhode Island School of Design until 1939. Her favorite subject was children at play in beaches, parks, and meadows.
Boy with Crabnet
Water Wings
One of Gardiner's last woodblock prints (perhaps even her final print) is this monochromatic Buddha study featuring one of her trademark little girls seated to the left of the sculpture and issued in an edition of 50. It was exhibited at the 18th Annual International Print Makers Exhibition in Los Angeles in March 1937, where it was included in the Society's "Best Fifty Prints of the Year." It was also exhibited at the Newport Art Museum's 27th American Annual Exhibition in 1938. Why, after a life spent mainly in Rhode Island depicting children at play at local venues, would Gardiner would choose to depict this particular exotic subject?
Buddha (1937)
It turns out that there is a rather simple explanation. In 1936, the Rhode Island School of Design purchased a large wooden sculpture of the Buddha Mahavairocana (Dainichi Nyorai), the supreme Buddha of Mahayana Buddhism as taught by the Shingon sect, from the Japanese art dealer Yamanaka & Co., Inc. of New York City. The largest wooden Japanese sculpture in the United States (294.6 H x 212.1 W x 165.1 D), it was constructed from eleven hollowed and carved pieces of cryptomeria wood at the end of the Heian Period in the 12th Century (c. 1150-1185). It was the principal image of Rokuon-ji, a Shingon sub-temple in Hyogo Prefecture, along Japan's Inland Sea. Legend has it that the temple was destroyed by fire hundreds of years ago, but that it was stored in a nearby farmhouse until it was brought to the U.S. by Yamanaka in 1933.
Buddha Mahavairocana,
Rhode Island School of Design
The Dainichi Nyorai represents the transcendent Buddha from whom all other buddhas and all aspects of the universe emanate. The sculpture shows him as an Indian prince in a pose similar to traditional painted depictions, in which he sat at the center of a mandala (cosmic diagram) surrounded by other buddhas and attendants. This meditating Dainichi would have been the focus of worship in the temple hall where visitors prayed, made offerings, lit incense sticks, chanted, and performed rituals particular to the Shingon sect. The symbolic dhyana mudra gesture of the Buddha's hands, in which the tips of his thumbs touch, indicates pure meditation and the attainment of spiritual perfection.
This sculpture would, therefore, literally have been "big" news to anyone working at the Rhode Island School of Design in 1936, including Gardiner. However, being carved out of Japanese wood rather than from stone, this sculpture might have had particular resonance to Gardiner, who had spent much of her own life carving wood for prints and teaching that technique to her students. It's almost as if, at the end of her woodblock printing career, Gardiner is paying symbolic homage to the Japanese for developing an art form that, either directly or indirectly, largely shaped her own artistic path.
Two preliminary charcoal studies for Gardiner's print have survived which, along with the print itself, I was able to buy from The Old Print Shop in New York City. Both are larger than the actual print. In the first, the girl is standing in front of the sculpture. In the second, two of the three composite sketches show the girl seated to the left of the sculpture, as in the final print, and therefore presumably were executed after the first drawing, even though the sculpture is more freely rendered. In both drawings, the Buddha's robe, as in the sculpture itself, drapes down from his left shoulder, yet Gardiner inexplicably shows the robe draping down from the Buddha's right shoulder in the print. At first I thought this might have been because she used some subsequent drawing to cut the block, so that the sculpture would necessarily appear in reverse in the final print. But if that were the case, then shouldn't the girl also appear on the other side of the sculpture in the print? I can only surmise that, while the Buddha Mahavairocana sculpture was clearly the specific inspiration for her print, it was not intended to be a realistic, literal rendering of that particular sculpture.
Charcoal Study #1 for Buddha print (c. 1936-1937)
Gardiner was certainly not the first Western printmaker to depict a Buddha statue in prints. For comparison, here are some earlier examples by some other noted etchers and printmakers:
Kamakura (1916) by Charles W. Bartlett
The Daibusu, Kamakura (1919) by Elizabeth Keith
White Buddha, Korea (1925) by Elizabeth Keith
Buddha - Amida (1923) by Bertha Jacques
Courtesy of Joyce Williams Antique Prints & Maps
Note: The Jaques Buddha image comes from Joyce Williams' website, where it is called "Budda-Serenity" and is apparently misdescribed as a 1924 woodblock print. I'm not aware that Jaques made any commercial woodblock prints, and only a "Buddha - Amida" etching appears in Czestochowski's list of Jacques etchings at the back of his James Swann catalog raisonne.
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Posted by Darrel C. Karl at Thursday, July 30, 2015 Have a comment?:
Anna Hotchkis: A Scottish Painter-Printmaker in China
Gordon, who runs the Modern Printmakers blog, recently introduced me to the work of Anna Mary Hotchkis (1885-1984). Hotchkis was born in Crookston, Renfrewshire and studied art initially at the Glasgow School of Art. After a year, she and her sisters Isobel and Margaret, became part of a circle of female art students studying in Munich with Hans Lasker. When her family moved to Edinburgh, Hotchkis transferred to the Edinburgh College of Art for the remainder of her training under Robert Burns.
Anna Hotchkis
Hotchkis' first links with Kirkcudbright go back to 1915, when she stayed in a studio rented from Jessie M. King in Greengate Close, which many years later would become her home. At that time, Kirkcudbright was an artist colony whose inhabitants included E.A. Hornel, Charles Oppenheimer, E.A. Taylor, and King. Hotchkis visited Kirkcudbright frequently over the next seven years, but left to go to the Far East in 1922 to visit her sister Catherine who was a missionary in Mukden (now Shenyang) in Manchuria. She had an exhibition of her paintings in Shanghai, and spent a year teaching art at Yenching University in Peking before returning to Scotland in 1924. She returned to China, however, in 1926 and stayed until the Japanese invasion in 1937. She must have known the etcher Thomas Handforth, because she took his photograph at some point during the early to mid-1930s when Handforth was in China.
Autumn in Galloway
(linocut)
The Tolbooth at Night
Tolbooth, Kirkcudbright
Hotchkis first met the American painter Mary Mullikin at Beidaihe, a Chinese seaside resort, in July 1924, and the two became close friends. After she returned to China, the pair traveled together to Japan and Korea in 1927. In September 1931, she and Mullikin made their first trip to the Yungang caves near the city of Datong in northern Shanxi province. They returned there the following June, having conceived the idea of writing a book about the cave sculptures of Yungang illustrated with their own paintings and drawings. It was published in 1935 as "Buddhist Sculptures at the Yun Kang Caves."
Buddha's Horse Kanthaka, Bids Farewell by Licking the Boot of Maitreya
(painting reproduced in The National Geographic Magazine, March 1938)
At the request of their publisher, the pair made a pilgrimage to the Nine Sacred Mountains of China in 1935 and 1936. This resulted in another book illustrated by Hotchkis, although it was not published until thirty-seven years later. China was under considerable turmoil at the time, with revolutionary forces and brigands vying for control in some areas, so it was quite brave of them to travel to such remote parts under the circumstances. Mullikin also wrote an article for the March 1938 issue of The National Geographic Magazine about "China's Great Wall of Sculpture " (Wu Tai Shan), which included reproductions of paintings and drawings by Mullikin and Hotchkis.
Anna Hotchkis (center) at Petra, Jordan (1938)
Upon hearing that the Japanese had entered Peking in 1937, Hotchkis decided to return to Scotland. After spending six or seven months in India, she finally set up home in Kirkcudbright in 1938, where she would live and work for the rest of her life, although she continued to travel extensively in Europe and North America and made two return trips to Hong Kong, at least one of which was in connection with the publication of her book "The Nine Sacred Mountains of China" in 1973.
The Nine Sacred Mountains of China
(cover illustration)
Unfortunately, not much is known about Hotchkis' woodblock and linocut career. As shown above, she made at least three, relatively simplistic prints of scenes of Kirkcudbright that were probably done in the 1915-1922 time period. In early 1926, she exhibited in Glasgow three woodblock prints of Chinese scenes: "The Street, Shanghai"; "The Needle Pagoda, China"; and "The Great Wall Of China." I haven't been able to locate images of any of these prints. However, she made at least two other Chinese woodblock prints: "Boats, Hong Kong," and "Boats, Macao." Stylistically, her "Boats, Hong Kong" print is quite similar to elements of her oil painting "The Peak, Hong Kong by Night." I've also found a lithograph she designed of the "Wei Dynasty Pagoda, Sung Shan."
Boats, Hong Kong
The Peak, Hong Kong by Night (painting)
Boats, Macao
Wei Dynasty Pagoda, Sung Shan
The examples of Hotchkis' Chinese wooodblock prints are very different. "Boats, Honk Kong" clearly did not employ a outline keyblock. It is printed (with considerable rubbing) on soft, absorbent paper with what appears to be watercolor-based pigments. "Boats, Maco," on the other hand, looks like it might have used a partial keyblock and it is printed on very thin tissue paper. It's a matter of taste, but I prefer the former to the latter.
Having spent more than a dozen years in China, Hotchkis' output includes a large number of oil paintings, pastels, watercolors, and drawings of her time in China. Many of the ones I have seen would have translated well to the woodblock print medium. If anyone has any additional information about Hotchkis' other Chinese woodblock prints, please let me know.
Anna Hotchkis in her nineties (c. 1980)
My thanks to the High St. Gallery in Kirkcudbright for certain biographical information and for some of the photographs and artwork images used in this entry.
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Posted by Darrel C. Karl at Friday, July 24, 2015 Have a comment?:
Paul Binnie's New Tattoo Print
With rare exceptions, I usually don't collect much post-WWII art. While the shin hanga movement continued to exist after the war, few of the great print designers continued to be active and, of those that were, most of their best work was behind them. A couple of decades later, the shin hanga movement was all but moribund, continuing to exist predominantly as a means to generate posthumous edition printings of old designs, or to reproduce ukiyo-e and shin hanga masterpieces on recarved blocks. Moreover, as modern art principles took hold, the prints of sosaku hanga artists became less representational and more abstract, not to mention largely uninterested in depicting the types of subject matter that historically had been featured in ukiyo-e and shin hanga prints. While contemporary non-representational art may have an appeal that spans cultures and borders, it largely leaves me cold.
Self-Portrait with Printer's Apron (1989)
Etching by Paul Binnie
One major exception for me, however, is the work of the Scottish woodblock print artist Paul Binnie (1967- ), who currently lives in London, England. I initially discovered Paul's prints about 10 years ago and was blown away by several things. First, there was the quality of the draftsmanship of Paul's original preparatory drawings. The woodblock print artists I've most admired have almost always been particularly talented in that area. Second, I was impressed with how detailed and labor-intensive his prints were, usually requiring several dozen blocks and impressions, often lavishly printed with mica, metallic pigments, embossing, or other luxury printing effects, a result made all the more impressive by the fact that Paul does his own carving and printing. His resulting prints of a quality that largely haven't been seen since the Taisho and early Showa "golden age" of shin hanga prints issued by publishers such as Watanabe Shozaburo. Finally, perhaps because Paul is himself a collector of ukiyo-e and shin hanga prints, he has great fondness for the types of subject matter of the prints produced under the traditional hanmoto system (as well as those produced by independent artists like Hiroshi Yoshida and Hashiguchi Goyo who hired their own carvers and printers to print their designs). His work frequently pays homage to the great Japanese print artists of the past while nonetheless imbuing his own designs with a decidedly modern sensibility. (It should be noted that Paul does, on occasion, carve freestyle on the woodblock and use a more limited color palette to produce prints more emblematic of the sosaku hanga movement. He has even cut his blocks into segments with a jigsaw in order to produce prints in a manner somewhat analogous to the prints made by the Provincetown printmakers.)
Red Fuji - Mount Fuji from Lake Kawaguchi (2002)
In 1993, Binnie traveled to Japan to learn how to make woodblock prints. Through a friend he learned of the woodblock print studio operated by Toshi Yoshida, Hiroshi Yoshida's son, in Tokyo. Toshi Yoshida was too ill to take on new students and one of his recommendations was for Binnie to apprentice himself with Seki Kenji, the head printer for the publisher Doi and someone who maintained his own carving and printing workshop in Western Tokyo. Binnie studied for a year and half with Seki Kenji and remained in Japan until late 1998 producing prints and oil paintings of Kabuki and Noh actors.
Bandō Tamasaburō as the Spirit of the Heron
in the play "The Heron Maiden" (1997)
Today, Binnie's woodblock print output exceeds 150 designs. His subjects include bijin (beautiful women), male nudes, landscapes (including North American and European locales), clouds, flowers, animals, and Japanese mythological scenes. In my opinion, some of his most outstanding prints involve sensitive portraits of contemporary kabuki actors. Indeed he is virtually only the active woodblock print artist keeping that particular genre alive today. Another area in which he excels are his tattoo prints, another classic ukiyo-e subject but one largely ignored by artists of the shin hanga movement. I never really liked or appreciated tattoo prints until I discovered Paul's work, which brings us to the subject of this post.
New York Night (2008)
Courtesy of Scholten Japanese Art
In 2004, Binnie began work on an intermittent series of prints called Edozumi Hyaku Shoku (A Hundred Shades of Ink of Edo). Binnie had made tattoo prints prior to 2004 but, with the exception of color variants, the designs were independent of each other and generally involved stylized tattoos. In this new series, the unifying theme would be tattoo designs (or composite tattoo designs) drawn from the print imagery of famous ukiyo-e artists. Thus, one print featured a man with a tattoo made up entirely of cats in homage to the noted cat fancier Utagawa Kuniyoshi, who frequently depicted cats in his prints. Another print in the series cleverly incorporated scenes from various Hokusai prints of famous Japanese waterfalls into a tattoo on a man in a shower. Other tattoo designs in the series featured motifs from the prints of Yoshitoshi, Kunisada, Sharaku, Utamaro, Eizan, Haranobu, and Kiyonaga, with half of the models being female. For collectors who may not be interested in a tattoo print, Binnie also produces at least one non-tattoo version in an entirely different color scheme.
Kuniyoshi's Cats (2004)
White Cat (2004)
Paul Binnie has just released the tenth and final design in the series, a print called Hiroshige no Edo (Hiroshige's Edo). Like all the tattoo prints in the series, it is issued in an edition of 100 and with a background printed with baren sujizuri (circular baren printing). This particular print design employs 46 colors and required 43 separate block impressions to make. The majority of the imagery in this print comes from various designs in Ando Hiroshige's famous print series Edo Meishō Hyakei (One Hundred Famous Views of Edo) (1856-1858).
Hiroshige no Edo (2015)
The tattoo on the woman's back derives from two separate Hiroshige prints, Ōhashi Atake no Yūdachi (Sudden Shower over Shin-Ōhashi Bridge and Atake) and Fukagawa Susaki Jūmantsubo. An admixture of the red-pink of the woman's cloth has been added to the background printing in a manner so as to suggest heavy rain like the Ōhashi print. The design on the woman's sheer cloth comes from a third print in the series, Kameido Umeyashiki (The Plum Garden at Kameido). The carp seal under Binnie's signature printed in 23 carat gold leaf is an allusion to the Boy's Day banner prominently featured in Hiroshige's Koinobori Suidobashi Surugadai print, while the Fuji scene at the bottom of the cartouche is from an undated tanzaku print of snow on Nihonbashi. Hiroshige would later feature some of the same compositional elements in a similar print in the Edo Meishō Hyakei series called Nihonbashiyukibara (Nihonbashi, Clearing After Snow). (Click on the links above to see the corresponding Hiroshige print.) Note how the woman's head and left elbow intentionally break the margin of the print.
Binnie's print is part of a long tradition of Western artists appropriating Japanese print motifs into their art, a practice that has been going from almost the moment that Japan was opened up to the West. Van Gogh, for example, painted two famous copies of Hiroshige's Sudden Shower over Shin-Ohashi Bridge and Atake and The Plum Garden at Kameido.
Bridge In The Rain (1887) by Vincent van Gogh
Flowering Plum Orchard (1887) by Vincent van Gogh
In addition to Hiroshige no Edo, Paul has released two non-tattoo variants of that design. The first, also in an edition of 100, is called Adesugata (Alluring Figure), part of another series called Azuma Nishiki Bijin Awase (A Collection of Eastern Brocade Beauties). It is printed against a shaded lilac and mauve-pink ground. The woman's sheer cloth is the green of Japanese tea, embellished with flower buds in silver metallic pigment and 23 carat gold leaf. In addition, there is an extra black lacquer-printed block in the hair, and blind embossing in the signature in the lower margin. It employs 55 colors and required 51 separate block impressions.
Adesugata (2015)
The second, Hantōmei (Translucent), is a smaller edition of 30, and is available exclusively from the Saru Gallery in Uden, The Netherlands. It features a sensual burgundy red background and also features Binnie's signature printed in 23 carat gold leaf. It employs 43 colors and required 41 separate block impressions, including three for the red background alone. (Several other designs in Binnie's tattoo series also were produced without tattoos in a small edition utilizing a similar red ground background. These designs tend to sell out rather quickly, after which the prices for Binnie's sold-out prints tend to skyrocket on the secondary market.)
Hantōmei (2014)
Courtesy of Saru Gallery
For a print such as Hiroshige no Edo, Paul would typically draw from life a series of drawings of the model (sans the imagined tattoo), eventually resulting in a final conte drawing in the size of the intended print. Based on this drawing, an ink drawing (hanshita-e) would be prepared for purposes of cutting the block. Traditionally, such a drawing would be destroyed in the course of carving, but Paul uses a photocopy of the drawing so that the original ink drawing can be preserved. The tattoo is itself the subject of a separate ink drawing overlay.
Conte Drawing #1
Hanshita-e (ink drawing)
Hirogshige no Edo tattoo overlay
A number of dealers around the world handle Paul Binnie's prints, but two of the best are Eric van den Ingat the Saru Gallery in Uden, The Netherlands and Katherine Martin at the Scholten Gallery in New York City. Each carries Hiroshige no Edo and their websites feature a large number of other Binnie designs in inventory, which I recommend you check out to get a sense of the variety in Paul's work. For further reading, I suggest Paul Binnie: A Dialogue with the Past - The First 100 Japanese Prints (Eric van den Ing, ed., Art Media Resources 2007), which features full page images of all of Paul's commercially produced woodblock and stencil prints as of its publication date. It is available at Amazon.com and other venues.
Cover depicts "Butterfly Bow" (2005)
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"Psychiatria (Psychiatry)" is a quaternary journal addressed to professionals of all fields of psychiatry, practicing in both hospital and outpatients departments allowing with pharmacotherapy. "Psychiatry" issues original articles, reviews, case reports, commentaries, and translated articles from world's leading psychiatry journals. The papers are reviewed by the members of the editorial board.
The journal is indexed at CrossRef, EMBASE, FMJ, Google Scholar, Index Copernicus, Ministry of Science and Higher Education, Polish Medical Bibliography, Scopus, SJR and Ulrich's Periodicals Directory.


text:
Fresh Maine Lobster
Live Maine Lobster Tales…. and Tails
Lobster History
Cooking Lobster
The Popularity of Maine Lobsters
Having landed in the menus of several famous restaurants worldwide, Maine Lobsters still continue to clamp in more 'seafood taste aficionados' to its side.
But Maine Lobsters were not always popular. In fact, its popularity saw a 'boom-bust-boom' rating since before the 1800s when it was still used by Native Americans as fertilizers and bait during fishing.
During colonial times, Maine Lobsters were actually disliked by many and considered "poverty food" for prisoners and indentured servants.
In Massachusetts, servants who rebelled disliked the lobsters so much, they negotiated that their contracts contain a stipulation against eating these lobsters more than three times a week.
In the early 1800s, lobstering was done by hand along the Maine shoreline. It was not until the 1850s that ingenious lobster traps were used to meet the growing demand for this seafood.
Maine Lobster's popularity spread to New York and Boston as early as the 1820s when the Smackmen with their smack vessels, which had tanks and holes inside allowing seawater to circulate, transported live lobsters over long distances.
But Maine Lobsters' fame grew faster when they were canned by local cannery Burnham & Morrill Company in 1836 and then shipped to "all parts of the habitable globe" according to the 1880 history of Cumberland County, Maine. When airplanes were invented, Maine Lobsters – whether canned or still-alive – are easily transported to be enjoyed even worldwide.
During World Wide II, Maine Lobsters were already considered a delicacy and were not rationed. It boosted its popularity as it was still affordable and filled-in the increasing demand for protein-rich food. In 1897, the Lobster Institute was created to assure the sustainability of both the lobster resource and its habitat through conservation, outreach, research and education.
But Maine Lobster's fame suffered a bust immediately after WWII due to the dire economic situation at that time However, it exponentially rebounded prompting the creation of the Atlantic States Marine Fisheries Commission to impose state regulations. In 1950 and 1969, lobster consumption skyrocketed from .585 pounds in live weight to .999 pounds.
Maine Lobster industry popularity continued to increase that it became one of the most profitable fisheries in 1999 with a catch of 52,614,536 pounds bringing in P181.5 million in revenues. The number of lobstermen increased. They were now using bigger and more powerful boats.
By 2006, there were 73 million pounds harvested Maine Lobsters bringing in $297 million in revenues. But Maine Lobster's consumption reduced in 2007 with only 56 million pounds being harvested bringing in only $249 million in revenues.
But the University of Maine's Lobster Institute and State Officials remain optimistic. They are now pursuing an "eco-label" seal from London-based Marine Stewardship Council hoping that it will open more doors to major markets worldwide for Maine Lobsters including major retailers such as Wal-Mart, Whole Foods, Target and Cosco among others that carry only seafoods with MSC seal that it is not overfished or were harvested in a way that harms the ocean.
LobsterFest
Maine Lobster Annual Festivals Shell-it out for the Community
Maine Lobster: An Amazing Seafood for an Amazing You!
Protecting the Maine Lobster Economy
Maine Lobster: Colors, Textures and Stuff
Jack on Maine Lobster: Colors, Textures and Stuff
Meaghan on Maine Lobster: Colors, Textures and Stuff
Virginia B. on Maine Lobster: Colors, Textures and Stuff
Alice on The Mating Rituals of a Maine Lobster
vince quackenbush on How To Cook A Maine Lobster


We are never too old to live for the future. But at the first pinch of loose skin, some crave a second chance at youth. We even recount the rough-and-ugly years as though we miss them. My grandmother flashed back to the 1920s with pride. "We caught a turtle and ate it for supper," she said. "That's how we got by back then."
Other grand relatives apply reminiscence like fertilizer to grow appreciation in us for everything from inalienable rights to indoor plumbing.
"Not one of them got sick," one cousin beamed about an incident three generations ago. The family dog had fallen into the well, and the family drew water from it for three days before finding him. "Although a man from the health department did have to come out to the house and give them all shots."
Rehashing memories can be fun, informative and, yes, even nauseating but when those memories eclipse the present, they can rob us of the future.
Abraham, Isaac and Jacob illustrate why we are never too old to live forward instead of backward. God pledges covenant blessings to Abraham that stretch into the future: "I will establish my covenant as an everlasting covenant between me and you and your descendants after you for the generations to come, to be your God and the God of your descendants after you" (Genesis 17:7). Each patriarch became more influential in his golden years than in his wonder years. So can we.
Abraham and Sarah report for diaper duty when their contemporaries are moving into retirement tents. He's 100 years old and Sarah is 90 when she gives birth to Isaac.
During Abraham's senior years, fatherhood came in waves. He sired Ishmael (his son by Sarah's servant, Hagar) 13 years before Isaac. And after the death of Sarah, Abraham slipped back into a wedding robe and married Keturah, who gave him six more sons. He became not only the father of faith, but also the father of the Hebrew nation. We do not know how many miracles are still waiting to happen in our lives.
The command from God about young Isaac sounds a little Canaanite crazy. He tells Abraham to sacrifice Isaac on the altar but stops him when he tries. Isaac walks away marked for a lifetime of blessings.
When he grows old and almost blind, Isaac prepares to deposit the blessing of Abraham into his twin sons, Esau and Jacob. After Esau thoughtlessly swaps his birthright for stew, Jacob scams Isaac into blessing him as the firstborn. Amazingly, character-flawed twins and mix-ups have no effect on the blessing itself. Once given, it can't be retracted. It passes to the next generation. We, too, can pass on a spiritual heritage to imperfect descendants even while God is building their character.
Jacob reaps the trickery he sows. Esau threatens murder over the stolen blessing. Laban, Jacob's father-in-law, dupes Jacob into marrying a woman he doesn't love. Later, Jacob's jealous sons sell their brother Joseph into slavery then lie about it.
Troubles chase Jacob into old age. Yet each time, the covenant blessings change these troubles into favorable outcomes. Esau forgives Jacob. Laban's wealth becomes Jacob's. Joseph is alive in Egypt and runs the country. Jacob moves the family there and blesses his sons who become the 12 tribes of the Hebrew nation.
To this day, Israel, Jacob's redeemed name, is used to identify the people God restored to Him through Abraham. Even in the sunset of our life, we can come back to Him.
Growing older with purpose like Abraham, Isaac and Jacob comes without pining for our "lost" youth. Their past did not commandeer their potential. So when the nostalgia of formative years attracts us back in time, remember that to live fully, we must look for a future that is bigger than our past.


text:
GraphExeter is a material consisting of a few graphene sheets with a layer of ferric chloride molecules in between each graphene sheet. It was created by The Centre for Graphene Science at the University of Exeter in collaboration with the University of Bath.

See also
Carbon nanotubes
Graphene nanoribbons
Graphene oxide paper

References

External links
 The Centre for Graphene Science, Universities of Exeter

Aromatic compounds
Graphene
Semiconductor materials
Emerging technologies

redpajama_set_name: RedPajamaWikipedia


text:
Department for Business Innovation & Skills
Employment Tribunal Guidance
Employment Appeal Tribunal Guidance
The Department for Business, Innovation & Skills (BIS) is the department for economic growth. The department invests in skills and education to promote trade, boost innovation and help people to start and grow a business. BIS also protects consumers and reduces the impact of regulation.
https://www.gov.uk/government/organisations/department-for-business-innovation-skills
An Employment Tribunal is like a court but it is not as formal; for example, nobody wears a wig or gown. However, like a court it must act independently and cannot give legal advice. Almost all hearings are open to the public.
http://www.justice.gov.uk/tribunals/employment
An appeal must be on a point of law, i.e. it must identify flaws in the legal reasoning of the original decision. The Employment Appeal Tribunal will not normally re–examine issues of fact.
http://www.justice.gov.uk/tribunals/employment-appeals
We have a statutory remit to promote and monitor human rights; and to protect, enforce and promote equality across the nine "protected" grounds - age, disability, gender, race, religion and belief, pregnancy and maternity, marriage and civil partnership, sexual orientation and gender reassignment.
http://www.equalityhumanrights.com
We are an independent regulator and act in the public interest to reduce work-related death and serious injury across Great Britain's workplaces.
http://www.hse.gov.uk/
The UK's independent authority set up to uphold information rights in the public interest, promoting openness by public bodies and data privacy for individuals.
http://www.ico.org.uk
The best place to find government services and information.
https://www.gov.uk


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Welcome and thank you for your interest in the Depression Newsletter.
This weekly newsletter is sent in a simple text format, so that you can read it easily on any device. It is completely free and packed with valuable information.
In the Depression Newsletter, we will examine some common misconceptions and how to deal with them. We will also examine different types of depression, how they are treated, and how to recognize the symptoms of each. I will also share holistic treatment information, new medications on the market, motivational tips, and suicide prevention. Finally, I will include reviews of books, movies, and websites about Depression.
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Box Office: 'The First Purge' Sets Off Fireworks With $9.3M Wednesday, 'Jurassic World 2' Stays No. 1
July 04, 2018 7:40am by Pamela McClintock
'The First Purge' | Courtesy of Universal Pictures
The horror pic opened everywhere on July Fourth to get a jump on 'Ant-Man and the Wasp,' which begins its assault Thursday night.
Universal and Blumhouse's The First Purge set off fireworks at the July Fourth box office with an opening day of $9.3 million. The dystopian horror pic opened on Independence Day to get a jump on Ant-Man and the Wasp.
Overall, it was a good day at the box office, considering July Fourth isn't always a great day for moviegoing (the heat wave on the East Coast likely helped this year). Jurassic World: Fallen Kingdom, also from Universal, stayed No. 1 with $11.5 million for a domestic total of $297.6 million (the dinos will stomp past $300 million today).
Disney and Pixar's Incredibles 2 placed No. 2 with $9.6 million for a North American cume of $468.2 million. The First Purge followed in third place.
Overall, box-office revenue clocked in at $43.5 million on Wednesday, a whopping 29 percent uptick over Independence Day in 2017 and the best showing since 2013, according to comScore.
Marking the fourth installment in the successful horror franchise, The First Purge is targeting a $25 million-$30 million Wednesday-Sunday launch, although Wednesday's number suggests it will finish at the higher end of that range. Wednesday's haul included $2.5 million in Tuesday-night previews. Platinum Dunes is also a producer on the series.
In July 2016, The Purge: Election Year debuted to $31.5 million after earning $3.6 million in Thursday-night previews (that film opened on a Friday).
The First Purge is a prequel explaining the origins of the annual Purge, a 12-hour period during which it's legal to commit any crime, including murder. But what begins as an experiment to stop the crime rate takes a different course when "purgers" go into low-income neighborhoods. Tracking shows the movie appealing to younger, diverse moviegoers.
Gerard McMurray directed The First Purge from a script by James DeMonaco, who wrote and helmed the first three films. Y'lan Noel, Lex Scott Davis, Jovian Wade, Luna Lauren Velez and Marisa Tomei star in the prequel, which also launches this week in its first 27 international markets.
Disney and Marvel's Ant-Man and the Wasp opens everywhere Friday, following Thursday-evening previews. If tracking is correct, the follow-up should buzz between $75 million and $85 million its domestic debut, ahead of the $57.2 million launch of Ant-Man in summer 2015.
July 5, 7:45 a.m. Updated with Wednesday grosses.
Pamela McClintock
@PamelaDayM
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by Trilby Beresford
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The Surprising Maturity of 'Bad Boys for Life'
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David Einhorn: Netflix "Narrative Is Finally Coming to An End"
by Alex Weprin
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'Pose' Creator Inks Overall Deal With Disney's 20th TV
Netflix Lands Bradley Cooper's Leonard Bernstein Movie
by Rick Porter


Enter in your mobile phone number or e-mail address and we will notify you when Juno T41 XS Yellow IP68 Win EH is back in stock.
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The Juno T41 handheld offers the convenience and ease-of-use of a smartphone with durability and long-term support that smartphones just don't offer. Its slim, ergonomic design is easy to grasp and enables all-day use by hard-working professionals and demanding consumers alike.
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From Captain's Daughter to Army Mom: Graylyn Estate - Pour du Tour!
here) and we've driven by Graylyn a thousand times... Today, we made it inside!
And, while we don't drink wine, we were Very excited to take the estate tour!
And to tour the gardens again, of course!
Once 80+ acres, Graylyn is now 55-acres but still, this is 55-acres of perfection!
We spied this Blue Heron doing a little fishing by the pond!
missing from the creek on our property... I love it!
you learn the walls are actually poured concrete. Pretty Incredible!
sale was final so they let it go. But not before a mold of the design could be made!
and cooling the 60-rooms and more than 46,000 square feet a breeze!
he died shipboard during a vacation cruise and had to be buried at sea!
Again... Those French doors! And, just look at the metal work on the railing here!
Because all of it is stunning!
by the name of J. Barton Benson who was only in his early twenties!
In my opinion... His work makes this house!
It's easy to see why Graylyn is the choice for weddings in our area!
I kept poking my head outside from every room to take in the views!
How I'd love to have this wall around our house!
old RJR tobacco money in the tile motif used above the window!
including our beloved Ronald Reagan. It is also where our tour ended at Graylyn!
because I'd love to spend the night in one of these cozy rooms!
Everyone present at Graylyn today treated us like their very own house-guests... However, I want to give special mention and thanks to Shelley Brown, Graylyn's Director of Sales for her special attention during the reservations process. Also, our butler, Joseph for the information he shared during the tour and finally, the cute doorman, who so politely stepped inside to let me snap photos of the house, minus his big yellow umbrella!
Janet!! Another fantastic travel and tour review! We can always count on you to know exactly where to go and the best places to explore in North Carolina! Graylyn is now on our list to visit too!
Isn't Graylyn gorgeous! My husband and I were there the night the fire broke out in 1980. At that time, the concert shell that is currently located in Tanglewood, was located at Graylyn. The Winston-Salem Symphony performed free "Music at Sunset" concerts on Sunday evenings during the summer months. It was a great time for family picnics on the beautiful Graylyn Estate.
The NC State Dept. of Tourism needs to hire you (not that you'd leave Hanes) but you certainly are one of the best representatives of the State. What a masterful piece of architecture Graylyn is and the grounds make me want to weep with their beauty. That stone bridge makes me think of the Swilcan Burns bridge at St. Andrew's golf course in Scotland and I just love that little child size armed chair tucked in the corner of the room.
We've always planned to visit there. Your post has me all enthusiastic to plan a trip for certain. Lovely photographs.
After reading your superb blog and seeing your masterful pictures of Graylyn I am even more proud to spend my days and many evenings at Graylyn as the special events coordinator for social events. Thank you for doing such a wonderful job of sharing my home away from home.
What a beautiful place to spend an afternoon. I am so impressed with the poured concrete walls- how do they do that?!
I grew up in the neighborhood behind the Graylyn estate during the 1970's. I spent many afternoons wandering the grounds without ever seeing anyone. I use to peek in the pool windows and wish I could see the inside of the house. Thank you so much for posting all the lovely photos. I had no idea you could now tour the estate. I would love for my children to see a special part of my childhood. I knew every part of the grounds, and I was always surprised that no one ever asked me to leave. I also use to visit during the "Music at Sunset" concert. I even have an entry in my high school diary about the fire at Graylyn and how sad it made me. Thanks again for all the wonderful photos and commentary from your visit.


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By the time 2021 rolls around, Brits who wish to travel by air will have to show that they have been vaccinated for the Wuhan coronavirus (Covid-19).
This was the announcement that came from the Department for Transport, a U.K. agency that has decided to require that travelers show "vaccine stamps" in their passports before being allowed to travel.
Conservative M.P. James Sunderland, a vehement supporter of mandatory WuFlu vaccination, told the media that because pets already require a vaccination passport in order to travel between the U.K. and Europe that the next step is for humans to have the same.
"We must do everything possible to boost the economy by reopening our travel, hospitality, leisure, and business sectors, and how fantastic would it be to have our planes, trains, and boats full again," Sunderland stated, adding that mandatory vaccination for the Chinese Virus is "a fantastic way of ensuring freedom of movement for people."
"A vaccination stamp is simple, would save all the hassle at either end, and really boost confidence."
Aviation Minister Robert Courts is likewise said to be "upbeat and supportive" of the idea, as is Prime Minister Boris Johnson, who stated earlier this month that his transport secretary, Grant Shapps, is in the process of "looking at all such schemes" that involve forcing people to get jabbed in order to resume traveling post-Covid.
To keep up with the latest news about the Communist Chinese Virus, be sure to check out Pandemic.news.
U.K. also considering "freedom passes" as condition of ending lockdowns
Some airlines like Qantas (Australia), Korean Air and New Zealand Air have indicated strong support for the plan, as they say their respective governments are already considering making Wuhan influenza vaccines mandatory for their populations.
Ryanair, however, has said that vaccine stamps will likely not be required because mandating Covid-19 vaccines in Europe as a condition of travel is unfeasible and would probably never be accepted or supported by Europeans and their respective governments.
"With short-haul and freedom of movement of people in Europe … I think we'll see an entirely different landscape come spring and early summer, not really relevant for short-haul and European travel," stated Eddie Wilson, head of the Ireland-based airline.
"In Paris, if you were to choose no vaccination … you'd just get a train instead," he added.
Back in the U.K., the vaccine stamp idea is apparently not draconian enough as the country is also considering the implementation of so-called "freedom passes," which are being dangled like carrots in front of Brits who are anxious to escape lockdown imprisonment.
According to reports, "freedom passes" would be given to people who test negative for the Chinese Virus twice in a week, allowing them to see their families and travel throughout the country without a mask just so long as they can show the appropriate "certificate" on their smartphones.
News about the vaccine stamps and "freedom passes" riled up a massive protest in London, where Londoners and those who traveled there from other areas to participate were heard and seen chanting things like shove your new world order up your a**.
"The U.K. is developing into a tyrannical controlling state," wrote one Breitbart News commenter, apparently late to the party as the U.K. has long been one of the most tyrannical countries on the planet. "The commies would be proud of it."
"Every western nation is going to suffer this fate unless the people resist," warned another. "Marching won't stop this, protests won't stop this, resistance will."
Yet another asked the very pertinent question as to when the implantable chips are coming, and whether that would be the "next step for control" over the people of the U.K. and beyond.
Breitbart.com
Tagged Under: air travel, coronavirus, covid-19, Department for Transport, enslaved, Great Britain, health freedom, obey, outbreak, pandemic, passports, UK, United Kingdom, vaccination stamp, vaccine stamps, vaccine wars, vaccines
Big Media continues to ignore election-flipping evidence of fraud being presented in front of state legislatures across the US
PROFIT FROM DEATH: OxyContin consultant suggested paying BONUSES to distributors for each drug overdose as part of sales "turbocharge" strategy
Daily Beast editor calls for "humiliation" and "incarceration" for Trump supporters
Situation Update – Nov. 30th – Is Joe Biden preparing to CONCEDE? Rumors emerge of Biden seeking pardon deal from Trump
BRAINWASHING THE YOUNG: Cry Babies dolls allow children to "vaccinate" their dolls, causing measles-looking red dots on their face to vanish
Maryland governor expands snitch line, says there is "no constitutional right" to refuse wearing masks
Internet sleuth reveals over 23,000 Pennsylvania ballots were filled out and returned – even before being mailed out
Thousands of Georgia voters illegally registered and submitted mail-in ballots using postal or commercial addresses
Georgia attempt to steal the election will mean "Joe Biden and the people like him… will all go to jail"
Democrats and media abandon democracy
People with disabilities oppose Canada's proposed expansion of euthanasia law
US, UK governments to deploy cyber warfare weapons against anyone questioning the propaganda about covid-19 vaccines
Vermont authorizes schools to ask kids to rat on parents who celebrated Thanksgiving with others


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text:
6443 N. Sheridan Rd, Chicago, IL 60626
Free Comic Book Summer 2020
Free Comic Book Day, the comic book industry's largest annual promotional event, is traditionally scheduled to take place the first Saturday in May each year. However, the impact and spread of COVID-19 prevented the event from being celebrated at its normal time this year. Now, the beloved event has been rescheduled and reworked to take place throughout July, August and early September in order to accommodate social-distancing and store capacity regulations across the country, effectively making it Free Comic Book Summer!
Free Comic Book Summer will feature 45 titles from publishers like Marvel Comics, Image Comics, BOOM! Studios, Dark Horse Comics, IDW Publishing, Dynamite Entertainment, DC, and more! The 45 titles are designed to appeal to a broad range of tastes and run the gamut from superhero stories, to TV and movie tie-ins, to sci-fi adventures, all-ages tales, and beyond.
A complete listing of all 45 FCBD titles, including the 10 Gold Sponsor and 35 Silver Sponsor comic books, can be viewed below and at www.freecomicbookday.com. The release schedule of when titles will be hitting comic shops will also be available on the FCBD website.
For more FCBD news and updates, visit www.freecomicbookday.com and become a fan on Facebook and follow us on Twitter and Instagram!
Videos Featuring TCC
The Third Coast Comics Vlog
https://www.youtube.com/user/docmidnight/featured
TG Featured on FOX 32 News Chicago 12/20/20
https://www.fox32chicago.com/video/880840
TG and TCC on Chicago Tonight on WTTW 11/25/20 (start at 4:40)
https://news.wttw.com/2020/11/25/chicago-tonight-your-neighborhood-rogers-park
TG's Video for National Comic Book Day 2020 Featured by The Root
https://www.theroot.com/its-national-comic-book-day-here-are-the-best-comic-bo-1845178832
Tuesday 11:00 - 6:00
Third Coast Comics
6443 N. Sheridan Rd Chicago, IL 60626 | 847-863-7450


text:
Q: collapseEmptyDivs on DFP gets ignored? I see an empty ad pretty often & I'd like to collapse the space. I know this could be done easily by including googletag.pubads().collapseEmptyDivs()
However, this doesn't work as expected, the space is there, just empty. When I inspect element, this is what I got:
border: 0px; vertical-align: bottom; visibility: hidden; display: none;

When I do google_console sometimes I also saw a warning "collapseEmptyDivs gets ignored". Weirdest part is, when I click on google_console "open creative in new window" - I see the ad. What could go wrong here?
Thanks in advance!

A: try passing true to googletag.pubads().collapseEmptyDivs(true) which makes the ad hidden until it matches an ad.

redpajama_set_name: RedPajamaStackExchange


What is a good sleeping mask for oily skin?
I have acne scars and oily skin, what is a good sleeping mask to use?
Have you ever had a facial-manicure-pedicure?
Which facial/ mask can I prepare with fruits for the coming summers?


text:
28.12.2017 | Artyk in Kaakhka etrap celebrates opening of a new Health House
The opening ceremony of a newly-built facility has turned into a great and joyous celebration with music, songs, a beautifully decorated New Year's tree standing in front of it, and Ayazbaba (Grandfather Frost) and Garpamyk (Snow Maiden), wishing everyone a Happy New Year. Performing groups gave a big concert to mark the occasion. Among those attending the event were multiple residents of the settlement and guests – representatives of velayat and etrap khyakimliks, public organizations, elders, and health care workers. The best builders received valuable gifts at the opening ceremony.
28.12.2017 | The President of Turkmenistan and Emir of Qatar discuss the priorities of interstate cooperation
President of Turkmenistan Gurbanguly Berdimuhamedov had a telephone conversation with Emir of Qatar Sheikh Tamim Bin Hamad Al Thani.
28.12.2017 | Turkmenistan Airlines opens the flight Ashgabat – Erevan – Frankfurt
Early in the morning, the aircraft of Turkmenistan Airlines OJSC Boeing 737 – 800 that made first flight Ashgabat – Frankfurt – Erevan Ashgabat landed in International Airport of Turkmen capital.
27.12.2017 | Scientists of the State Concern "Turkmengaz" have developed a concept for the integrated development of the gas sphere
In order to successfully solve the tasks set by President of Turkmenistan Gurbanguly Berdimuhamedov on accelerated diversification of the country's gas industry, scientists and specialists of the Scientific Research Institute of Natural Gas of the State Concern "Turkmengaz" carried out the work to justify the most perspective vectors of its development.
27.12.2017 | Specialized medical complex is opened in Kaahka etrap under national transformation programme
Ceremonial opening of specialized medical complex for prevention of diseases built under the realization of National programme on transformation of social and living conditions of villages, settlements and towns until 2020 was held in Dushak Settlement of Kaahka etrap.
26.12.2017 | The President of Turkmenistan addresses the greetings to the participants of the conference timed to the 10th anniversary of the Institute of State and Law
President Gurbanguly Berdimuhamedov congratulated the participants of scientific an practical conference timed to the 10th anniversary of the foundation of the Institute of State and Law under the President of Turkmenistan as well as on coming New Year.
26.12.2017 | Ashgabat hosts the conference dedicated to the 10th anniversary of the Institute of State and Law under the President of Turkmenistan
The conference hall of the Palace of Justice hold scientific and practical conference "Development of the Statehood, Legal System and Democracy in Neutral Turkmenistan" timed to the 10th anniversary of the foundation of the Institute of State and Law under the President of Turkmenistan.
26.12.2017 | Election commissions are set up in the run up to the elections
Massive efforts are currently being made to establish election commissions in constituencies and gengeshliks in the run-up to the election of Mejlis deputies, members of velayat, etrap, city Khalk Maslakhaty and Gengesh, scheduled for March 25, 2018 in compliance with the Election Code.
25.12.2017 | Children of the Orphan Palace were presented gifts on behalf of the President of Turkmenistan
By an existing good tradition, in anticipation of the incoming New Year, there was a festive event in "Döwletliler köşgi" (in the Orphan Palace), where foster-children were presented gifts on behalf of President Gurbanguly Berdimuhamedov.
25.12.2017 | President Gurbanguly Berdimuhamedov and President Vladimir Putin call for the enhancement of the Turkmen-Russian partnership
President of Turkmenistan Gurbanguly Berdimuhamedov had a telephone conversation with President of the Russian Federation Vladimir Putin.


text:
Q: Image height not working on php loop Here's the div that manages the look of each item in the loop:

    <img src="<?php echo $r['image']['sizes']['team']; ?>" style="max-width:750px !important;width:100%;">

        <?php echo $r['name']; ?>

        <?php echo $r['position']; ?>

    <?php echo $r['intro_text']; ?>
    <?php if ($r['learn_more_text']) { ?>
        <a href="#" class="button" data-reveal-id="<?php echo sanitize_title($r['name']); ?>">Learn More
    <?php } ?>
    <?php if ($r['learn_more_text']) { ?>
        <div id="<?php echo sanitize_title($r['name']); ?>" class="reveal-modal medium" data-reveal aria-labelledby="modalTitle" aria-hidden="true" role="dialog">

<?php echo $r['name']; ?>

                <?php echo $r['position']; ?>

                <?php echo $r['learn_more_text']; ?>

            ×

If I set the height to a fixed number (eg: 450x), the images are aligned in a row.  But that will make the page non mobile responsive.  If I set the height to auto or to a percentage like 30%, the images become mobile responsive but they don't align.  I get 2 images that separate into different rows.
Also, I got 2 sections of image.  One is called Our Leadership and the other is called Our Team.  The section at the bottom is aligned correctly and is contained in a div.  The div above it refuses to be contained in a div.  If I wrap it in a div,  Only the first item wraps itself in the div.  I've no idea why.
eg:

first item here

second item here

third item here

fourth item here

    Here's the complete code for both sections:

Our Leadership

            <?php
            $people = get_field('people');
            $a = 0;
            foreach ($people as $r) {
                $a++;
                ?>

                    <img src="<?php echo $r['image']['sizes']['team']; ?>" style="max-width:750px !important;width:100%;">

                        <?php echo $r['name']; ?>

                        <?php echo $r['position']; ?>

                    <?php echo $r['intro_text']; ?>
                    <?php if ($r['learn_more_text']) { ?>
                        <a href="#" class="button" data-reveal-id="<?php echo sanitize_title($r['name']); ?>">Learn More
                    <?php } ?>
                    <?php if ($r['learn_more_text']) { ?>
                        <div id="<?php echo sanitize_title($r['name']); ?>" class="reveal-modal medium" data-reveal aria-labelledby="modalTitle" aria-hidden="true" role="dialog">

<?php echo $r['name']; ?>

                                <?php echo $r['position']; ?>

                                <?php echo $r['learn_more_text']; ?>

                            ×

                <?php } ?>

        <?php } ?>

Our Team

            <?php
            $people2 = get_field('people_bottomsection');
            $a = 0;
            foreach ($people2 as $r) {
                $a++;
                ?>

                    <img src="<?php echo $r['image']['sizes']['team']; ?>" style="max-width:750px !important;width:100%;">

                        <?php echo $r['name']; ?>

                        <?php echo $r['position']; ?>

                    <?php echo $r['intro_text']; ?>
                    <?php if ($r['learn_more_text']) { ?>
                        <a href="#" class="button" data-reveal-id="<?php echo sanitize_title($r['name']); ?>">Learn More
                    <?php } ?>
                    <?php if ($r['learn_more_text']) { ?>
                        <div id="<?php echo sanitize_title($r['name']); ?>" class="reveal-modal medium" data-reveal aria-labelledby="modalTitle" aria-hidden="true" role="dialog">

<?php echo $r['name']; ?>

                                <?php echo $r['position']; ?>

                                <?php echo $r['learn_more_text']; ?>

                            ×

                <?php } ?>

        <?php } ?>

Check out the source code at: http://www.equitasmg.com/who-we-are-2/

A: it's because the items in the loop are having different height. So, try adding a constant height to each item in the loop.
Eg:


text:
The Weeknd enters the mainstream with Trilogy
The Weeknd's "Trilogy". No, that's not a typo.
Canadian R&B singer The Weeknd mixes old and new for his debut album
He's the best, worst-kept secret around. Abel Tesfaye, the 22 year-old Ontario native better known as the Weeknd or simply XO, has seen his career reach new highs in the last year.
While die-hard fans claim they knew him from before his House of Balloons mixtape, the Weeknd entered the popular lexicon after fellow Torontonian Drake began mentioning his talent in interviews and invited him to perform. The two merged crews, to form OVOXO, which Drake still shouts out on nearly every song.
While Drake is an impressive big brother to have in your corner, there is no doubt that the Weeknd is in his position because of sheer talent. His smooth falsetto is reminiscent of Maxwell in the '90s, yet his subject matter is decidedly more risque.
The Weeknd's music is a cautionary tale about the intoxication of youth. He takes listeners on a journey of self-discovery through a kaleidoscope of heavy drug use and sexual promiscuity without glorifying these behaviors, but considering the consequences of his actions.
There is an addictive loneliness in Tesfaye's music, and he is able to channel this into his more upbeat songs as well.
While Trilogy is the Weeknd's first official album, there are only a few new songs. Most of the discography is from his previous mixtapes, which have been available online free, for years. Most of the songs have been re-mastered and are worth buying, even if you already have the mixtapes downloaded.
"House of Balloons/Glass Table Girls" and "The Party and the Afterparty" are catchy, fast party songs. "Coming Down", "Next", and "The Morning" are introspective, for when the high is over and the reality of being young and unsure sets back in.
As with all independent artists who go mainstream, the Weeknd will face intense scrutiny from fans and critics alike, who will be quick to shout "sellout" as soon as he tries anything different. No one is more aware of this than Abel himself, who recently posted a message on his website promising fans he will remain himself no matter how many records he sells.
It's easy to be cynical and dismissive as he is still so young and fresh in the industry, but the Weeknd has always been on the fringe, delving into deep subject matter. As long as he is allowed the same creative freedom, he has the ability to bring restore R&B from the dance/pop hell it has festered in for years. He may no longer be a mystery but we still love him.
Songs to listen to: "Wicked Games", "Birds Pt.1", "The Fall".[hr]
By Sarah Sangha
2012, ISSUE 7, November 28, November 28 2012, Review, Trilogy, Vol 48, Weeknd
Review: Slayland at Playland
By Karlynn Griffin
Review: The Michelle Obama Podcast
Review: 'Funeral' by Lil Wayne
By Vishal Pillay


DiVal Safety Equipment is a full service distributor of safety equipment, industrial tools, industrial supplies, contractor supplies, and everything you need to keep you safe and productive on the job.
Posted on June 12, 2014. Brought to you by localcom.
Dival Safety Equipment is located at 6179 E Molloy Rd, East Syracuse, NY. This business specializes in General Contractors.


text:
Casting History
Player has retired.
Name Anthony Wheeler
Country of Birth United States
Birthday April 3, 1994 (age 25)
Team Activision
Role Analyst
PSN ID Namezeus
XBL Gamertag NxmeLeSs nV
ant_name
??? 2009 - ??? 2009
Sureal Legacy
Team Obey
apeX.Collapse
Quantic Gaming
??? 2013 - May 2013
Team FeaR
May 2013 - Oct 2013
UNiTE Gaming
Oct 2013 - Jan 2014
Curse LV
Jan 2014 - Jan 2014
Team Envy
Apr 2015 - Sep 2015
Sep 2015 - Oct 2015
OpTic Nation
Nov 2015 - May 2016
Nov 2016 - Apr 2018
Evil Geniuses
Nov 2018 - Present
1.1 Black Ops 2
1.2 Ghosts
1.3 Advanced Warfare
1.5 Infinite Warfare
1.6 WWII
Anthony "NAMELESS" Wheeler is a former Call of Duty player. He is currently an Analyst for the Call of Duty World League. He is well-known for his time spent on teams such as UNiTE Gaming, Team EnVyUs, and Evil Geniuses and his 2nd place finish at the Call of Duty Championship 2014.
Nameless (stylised NAMELESS) is a veteran Call of Duty player who has been playing the series since Call of Duty 2 when it came with his Xbox 360. Nameless first got into competitive gaming through GameBattles during Call of Duty 2 on the team ladder. Nameless has been around for every professional event for Call of Duty and has always wanted to be the best whether GameBattles team ladder or MLG events.
After Black Ops 2 came out, Nameless found himself bouncing around teams. It wasn't until after he joined UNiTE Gaming that he started gaining recognition for being a top tier player. The first tournament he played under his new organisation UNiTE Gaming, was MLG Anaheim. They managed an impressive 5th place, considering the amount of highly skilled players and teams also attending the event. At MLG PAX Prime Invitational, Nameless won his first championship. They took out the best team at the time, compLexity. After that event, UNiTE found themselves in disappointing 6th and 8th finishes. They took home 3rd at MLG Fall Invitational.
When Ghosts came out, Nameless was recruited by Curse LV. Playing alongside Ricky, [Parasite]] and KiLLa at UMG Philadelphia, they achieved 3rd place. Then after the event, a plethora of roster changes had occurred. Nameless found himself on EnVyUs. For numerous events the team consistently placed in the top 5, including a number of 2nd place finishes. Then finally at Gfinity 3, EnVyUs took home a championship in convincing fashion. With the roster consisting of Nameless, MerK, FormaL and JKap, EnVy looked extremely dominant at Gfinity 3. With their fans rejoicing that EnVy had finally brought home a championship, they were confident predicting that they would do the same at UMG Dallas. EnVy managed to make it into the finals before being upset by the underdogs Denial, EnVyUs taking 2nd. Nameless and the rest of the EnVy squad would finish out the Ghost season with a first place finish at the Season 3 Playoffs and a disappointing 8th place finish at ESWC 2014.
After a very strong start in the first two weeks of Advanced Warfare Nameless and Team EnVy would realize that they were no longer the best of the best. After multiple disappointing placings and a 9th-12th placing at the Call of Duty Championship 2015, Team EnVy would succumb to Rostermania. After 15 events with Team EnVy, Nameless would find himself alongside Sharp, Goonjar, and Parasite on the new Team Kaliber roster. Team Kaliber edged out a 8th place finish in Season 2 of the MLG Pro League. Then they would go on to surprise everyone by taking down the Call of Duty World Champions Denial eSports 4-1 then finish 4th at the Season 2 Playoffs. Nameless remained with tK for the Season 3 of the league, and the playoffs, where they placed 9-12th. Following this disappointing end to the season, Nameless spent a short time with OpTic Nation, attending the MLG World Finals 2015 with MBoZe, Ricky and MiRx. Nameless' poor end to the season continued, placing 9-12th at the event also.
Going into the Black Ops 3 season, Nameless remained teaming with Ricky and MiRx, and picked up Parasite, to play under compLexity. The team faired well, but didn't manage to win an event after 6 months teaming together, playing their final event as a team at the 2016 NA CWL Stage 1 Playoffs, finishing 5-8th. Given the mediocre results, Nameless moved teams to join StuDyy, Saints and SpaceLy at Luminosity Gaming. This squad performed slightly better than the coL team, but also failed to win an event. They placed 3-4th at the 2016 NA CWL Stage 2 Playoffs, and 5-6th at the last events before champs, MLG Orlando Open 2016. At the 2016 Call of Duty World League Championship, the team played well, finishing in the top 2 of their group to advance to the winners bracket. They beat Team Allegiance in the first round of winners, but were ultimately beaten out in a close match with Rise Nation in round 2. Although losing 3-0, the map scores in the Hardpoint (214-250) and the Search and Destroy (4-6), were heartbreakingly close for Nameless and the LG squad.
With Evil Geniuses returning to Call of Duty after 3 years out of the eSport, an opportunity arose for Nameless. Alongside StuDyy, Havok from compLexity, and Nagafen from Elevate joined the returning organisation. The team had moderate placings at the first events of the year, placing top 8 at both the 2017 CWL Las Vegas Open and the 2017 CWL Paris Open, as well as a disappointing 17-20th placing at CWL Atlanta. However Nameless and the squad had shown promise in a number of matches against top opposition, and their patience paid off at CWL Dallas, where they managed to qualify for Stage 1 of the LAN league, by beating out their closest competition for the final spot, GosuCrew. The team fell in the next round to Red Reserve EU, but qualification for the league was the ultimate goal for Nameless and his teammates.
The team surprised many by topping their group during the regular season, but failed to perform at Playoffs, where they bombed out in 7-8th with losses to Splyce and eUnited. The team replaced StuDyy with Parasite, and saw a small improvement, placing top 6 at the next event, CWL Anaheim. However the team failed to make playoffs for the second stage of the Global Pro League. Still assured a spot at the World Championship, it was NAMELESS' and EG's last chance to redeem what had been a poor Infinite Warfare season overall. However the team performed dismally, losing all their pool play matches - even in what many believed a relatively easy group. Placing top 32, it was NAMELESS' lowest ever placing at a major event.
NAMELESS was the only player to remain with the Evil Geniuses organization after the conclusion of the season, and he recruited Apathy from Team Envy, Enable from FaZe Clan and ACHES from Cloud9.
NAMELESS and the new Evil Geniuses roster began the WWII season in decent form, placing consistently inside the top 16 in the weekly online CWL 2K tournaments - enough to earn them a spot in pool play for the first event of the season, CWL Dallas. EG performed fairly well in their pool, beating Splyce and Ghost Gaming, but losses to FaZe Clan and eUnited meant they would play through the losers bracket. Early on the Saturday, the team played their first losers bracket match against Australian team Mindfreak, and lost were reverse swept in a shock 2-3 defeat.
Now in a bad position in pro points, the team needed to out place other teams on the cusp of qualification for Stage 1 of the Pro League at the upcoming CWL New Orleans. Evil Geniuses made a miraculous run through the open bracket, making it into pool play where they finished 2nd. They fell in the winners bracket, but needed only one win in losers, against DooM Clan, to secure their place at the league. They defeated DooM 3-1, meaning they narrowly qualified. The team which just missed out, Enigma6, claimed that Evil Geniuses had "stolen" their league spot, by getting pro points from fake GameBattles matches [1]. Enigma6 player Censor had been deducted pro points, and felt EG should be also. Nothing came of the accusations and EG played in the league.
Evil Geniuses began fairly well in the Pro League, but on the very last week, lost every one of their remaining matches, and bombed out in to 7th spot in the division, and being relegated. During this time the team also attended CWL Atlanta and CWL Birmingham, where they placed 7-8th and 17-20th respectively. With such poor placings, and relegation from the Pro League, many believed a roster change was on the horizon.
NAMELESS chose his alias because a friend who passed away had suggested it.
NAMELESS' all time favorite Call of Duty title is Call of Duty 2.
NAMELESS' favorite moment in his competitive gaming career was winning his first MLG championship at MLG PAX Prime Invitational.
NAMELESS casted at the 2018 CWL Seattle Open
2019-05-17 A11 $ 11,500 CWL Blackout After Dark 2019-05-17 Talent
2019-03-29 A55 $ 1,500 CWL Blackout After Dark 2019-03-29 Talent
2018-10-13 A22 ELEAGUE CODNATION Challenge for Vets NAME
2018-04-01 B717 - 20 CWL Birmingham Open 2018 EG
2018-03-22 B313 - 14 $ 12,500 CWL Pro League 2018 Stage 1 EG
NAMELESS in 2015
June 19, NAMELESS on Being a Member of the CWL Broadcast Team: "I Want to Be the Best There is" - with twingalaxies.com
September 2, NAMELESS AMA - with the CoD Competitive Subreddit
September 21, Evil Geniuses NAMELESS Play For Picks Podcast Interview - with Fox
July 13, Nameless & Zooma Interviewed At CWL S2 Finals - with Dexerto
September 13, Full interview with NAMELESS - with MajorLeagueGaming
September 5, TK Nameless - Day 1 UMG DC Interview - with Dexerto
January 10, Esports Report - CrsBlevdog and Nameless Interview - with MajorLeagueGaming
March 27, COD Champs 2014: Rambo & Namless Pre-Event Interview - with Hitch
May 6, eSports Report - Interview with Nameless and CoD League Match Preview - May 6, 2014 - with MajorLeagueGaming
September 5, Lightning round with Nameless and MBoze - with MajorLeagueGaming
August 13th, Nameless: "I don't get to play" - Champs Feature - callofduty.com
July 26th, How Call of Duty helped Nameless overcome it all - mlg.com
The following pages redirect here. There are three types of pages that may appear on this list:
Names formerly used by the player in competition
Nicknames or alternative spellings or capitalizations of the player's name
Common typos that are frequently searched for
The list is generated automatically. To request an addition to the list, you may use this form.
↑ https://www.dexerto.com/news/censor-accuses-evil-geniuses-stole-enigma6s-cwl-pro-league-spot-manufacturing-wins/42435
Retrieved from "https://cod-esports.gamepedia.com/index.php?title=NAMELESS&oldid=590397"
North American Residents
Retired Players
Players Born In 1994
Players Born in the United States


Enjoy our Elegant white Wine along with Sonoma Jacks Pepperjack cheese, Napa Valley's Chardonnay Wine Brittle, Sonoma Cheese Snacks, Amella's Organic Caramels (substituted in the summer) and smoked almonds.
Enjoy our Pumpkin Toffee Quick Bread Mix with dried apricots, fruit and nuts Haulin' Oats, a peanut butter kind bar and California Crisps grapefruit slices - all in our natural corrugated kraft box.
Our rustic metal Patriotic Gift Baskets tub is filled with some great snacks! Enjoy a signature fourth of july plastic cup, a bottle of club soda, hot tamales, red vines and popcorn!


The Assistant Director of Athletics for Compliance is responsible for organization and administration of the Athletics Department's National Collegiate Athletic Association (NCAA) compliance program. The Assistant Director of Athletics for Compliance certifies eligibility and processes financial aid for student-athletes, monitors coaches' activities relative to rules compliance, and interacts with departmental staff members and coaches to ensure compliance with NCAA rules and regulations.
Education: A Bachelor's degree is required, with an emphasis in Sports Administration, Student Services, Recreation, Higher Education Administration, or a related field preferred.


Finance Minister AMA Muhith today in parliament said the government will consider in future to publish the names, addresses and identities of the bank loan defaulters periodically.
He said this while responding to a supplementary question from independent lawmaker Rustam Ali Farazi.
Pointing to loan defaulters, Muhith said that earlier on several occasions he had given list of the loan defaulters in parliament.
"For this the members of the parliament helped me, they wanted to see the list, I gave the lists several times," he said.
But he mentioned that he never thought before to publish the names and address of the loan defaulters in the newspapers.


text:
Q: Heroku with whitenoise not serving django staticfiles How do I get heroku to serve my static files on my django project?
Ok, on a push to heroku, I get this message rlated to staticfiles:
$ python manage.py collectstatic --noinput
remote:        130 static files copied to '/tmp/build_48c64d55/staticfiles', 410 post-processed.

But when I go to my site, clear static files not being recognized and Network tab shows me:
GET https://pure-everglades-09529.herokuapp.com/static/style.css   404 Not Found

This is the content of my html referencing the css I cannot find:
<!DOCTYPE html>
{% load static %}
<html lang="en">
<head>
    <link rel="stylesheet" type="text/css" href="{% static 'style.css' %}">
    <title>{% block title %}My amazing site{% endblock %}</title>
</head>

Here is the bottom of my settings.py which is configured just like everywhere says it should be like:
# Static files (CSS, JavaScript, Images)
# https://docs.djangoproject.com/en/2.0/howto/static-files/

STATIC_ROOT = os.path.join(PROJECT_ROOT, 'staticfiles')
STATIC_URL = '/static/'

# Extra places for collectstatic to find static files.
STATICFILES_DIRS = [
    os.path.join(PROJECT_ROOT, 'static'),
]

# Simplified static file serving.
# https://warehouse.python.org/project/whitenoise/
STATICFILES_STORAGE = 'whitenoise.storage.CompressedManifestStaticFilesStorage'

# Activate Django-Heroku.
django_heroku.settings(locals())

Here is higher up in my settings, I have added whitenoise dependencies as recommended everywhere:
INSTALLED_APPS = [
    'myapp.apps.MyappConfig',
    'django.contrib.admin',
    'django.contrib.auth',
    'django.contrib.contenttypes',
    'django.contrib.sessions',
    'django.contrib.messages',
    # Disable Django's own staticfiles handling in favour of WhiteNoise, for
    # greater consistency between gunicorn and `./manage.py runserver`. See:
    # http://whitenoise.evans.io/en/stable/django.html#using-whitenoise-in-development
    'whitenoise.runserver_nostatic',
    'django.contrib.staticfiles',
]

MIDDLEWARE = [
    'django.middleware.security.SecurityMiddleware',
    'whitenoise.middleware.WhiteNoiseMiddleware',
    'django.contrib.sessions.middleware.SessionMiddleware',
...
]

Lastly, here are my urls, where I added the static urls but only for my local env:
urlpatterns = [
    path('', include('myapp.urls')),
    path('admin/', admin.site.urls),
]

if 'Owner' in settings.BASE_DIR:
    urlpatterns = urlpatterns + static(settings.STATIC_URL, document_root=settings.STATIC_ROOT) + static(settings.MEDIA_URL, document_root=setting

What am I doing wrong? Is it because I have DEBUG=True in settings? I set that to False as check but got a 500 error

A: Apparently
# Extra places for collectstatic to find static files.
STATICFILES_DIRS = [
    os.path.join(PROJECT_ROOT, 'static'),
]

needs to be
# Extra places for collectstatic to find static files.
STATICFILES_DIRS = [
    os.path.join(BASE_DIR, 'static'),
]

staticfiles still created in correct location, probably because of VARIABLES
getting overwritten by
django_heroku.settings(locals())