text:
The Most of Nora Ephron
By Nora Ephron
Category: Literary Criticism | Literary Collections
About The Most of Nora Ephron
A whopping big celebration of the work of the late, great Nora Ephron, America's funniest—and most acute—writer, famous for her brilliant takes on life as we've been living it these last forty years.
Everything you could possibly want from Nora Ephron is here—from her writings on journalism, feminism, and being a woman (the notorious piece on being flat-chested, the clarion call of her commencement address at Wellesley) to her best-selling novel, Heartburn, written in the wake of her devastating divorce from Carl Bernstein; from her hilarious and touching screenplay for the movie When Harry Met Sally . . . ("I'll have what she's having") to her recent play Lucky Guy (published here for the first time); from her ongoing love affair with food, recipes and all, to her extended takes on such controversial women as Lillian Hellman and Helen Gurley Brown; from her pithy blogs on politics to her moving meditations on aging ("I Feel Bad About My Neck") and dying.
Her superb writing, her unforgettable movies, her honesty and fearlessness, her nonpareil humor have made Nora Ephron an icon for America's women—and not a few of its men.
Also by Nora Ephron
See all books by Nora Ephron
About Nora Ephron
Nora Ephron was the author of the hugely successful I Feel Bad About My Neck, I Remember Nothing, and Heartburn among many others. She received Academy Award nominations for best original screenplay for When Harry Met Sally . . . , Silkwood, and Sleepless in Seattle, which she also… More about Nora Ephron
People Who Read The Most of Nora Ephron Also Read
"Nora Ephron was the person everybody wanted to hang out with, in part because she was funny and charming but more critically because she made the people she was with feel funny and charming . . . She was the one who listened and then finally tossed in the one fabulous line that brought everything together. Her best writing was exactly the same . . . It takes a particular combination of winning voice and brutal candor, of intimacy and objectivity, to turn what happens to you into a story that means something to the wider world . . . The Most of Nora Ephron gives her fans a chance to rummage through her desk . . . This is the kind of collection meant for snacking . . . She would want readers to meander, sampling things they had never tried or bits that look especially tasty. But I was surprised by how satisfying the big chunks are." —The New York Times Book Review
"A giant gem, suitable for anyone who admired, worshipped or was even jealous of the writer Nora Ephron . . . A nifty Christmas gift for anyone who cares about the life and times of a contemporary writer who is sometimes compared to Mark Twain." —Liz Smith, Chicago Tribune
"Nora Ephron takes tragedy and bewilderment and spins them into rambling comedic reflections . . . [She and Joan Didion] are trailblazing Boomer-era best-selling writers, but both also illustrate with unusual force the rhythms of emotional confession and emotional withholding that have marked the golden age of journalistic writing by women that they shaped . . . When life gave Ephron lemons she made a giant vat of really good vodka-spiked lemonade and invited all of her friends and her friends' friends over to share it, and gossip, and play charades . . . She knew how to capture every quirk, and she knew just when to cast the slightest shadow of doubt . . . Ephron's fun-house lens distilled accomplishments and disappointments alike into excuses to laugh. She took comfort in the little things and held fast to the notion that every terrible experience might someday redeem itself by making a really funny story." —Heather Havrilesky, Bookforum
"Ephron's arc as an American storyteller was various and unique . . . Her works are bound by her equitable sensibility, cool observational skills, and irresistible trains of thought . . . [She was] a cultural sophisticate driven by the gritty, truth-obsessed heart of a journalist . . . a savvy and expansive media critic . . . a master of the art of common sense . . . with assured charm, dead-on honesty, and wry humor . . . Her distinctive voice, that mix of anthropologist and the sharer of impolitic confidences, was clear and intact from the start . . . The 1970s pieces sparkle with prescience and intense curiosity . . . Rich." —Matthew Gilbert, The Boston Globe
"When Nora Ephron died last year, we felt like we lost a friend. Which is why we are all over The Most of Nora Ephron . . . We will never get enough of her searing wit and the deliberate way she turned life's tragic twists into heartbreakingly funny material." —Carolyn Mason, Daily Candy
"A pleasure . . . Solid gold." —Marion Winik, Newsday
"Readers will admire their literary heroine even more when, thanks to The MOST of Nora Ephron, they discover, or are reminded, of the brave positions she took, and of how far her preoccupations and her writing ranged." —Francine Prose, The New York Review of Books
"Gives you a close-up and thorough view of the writer . . . and goes far in clarifying who Ephron was, not just as a sentimental favorite, but as a writer and thinker . . . Anyone who knows of Ephron's virtuosic career . . . will remember that she wasn't just [the] intrepid reporter and filmmaker and opinion-sayer and personage who was played onscreen by no less than Meryl Streep. She was also someone who lived, and who people who never met her felt like they knew. And that, I think, gives a clue as to why she will last. Because in the great rushing loneliness of the world, when a writer's voice makes you feel befriended, you want more of it even after the person is gone." —Meg Wolitzer, NPR
"A big, gratifying collection . . . It's the work of a brilliant woman who took copious notes on four decades of tumultuous social and political history and who exerted astonishing authorial control over the story of her own place within that history . . . A stirring portrait of both a nation in flux and of an extraordinary woman who retained a tight grip on her place within it, right till the end." —Rebecca Traister, Los Angeles Times
"Representing 40-plus years of work, this volume illustrates not only Ephron's dynamic writing career as a journalist-turned-novelist-turned-filmmaker but also her incredible wit. Whether Ephron is writing about politics or purses, sexism or soufflé, her appeal is her intelligent, incisive sense of humor. This is also part of what makes her such an icon . . . for America. Women may idolize her—she is the major inspiration for funny girl Lena Dunham, creator of the HBO hit Girls—but through her writing and films, she has changed the actual timbre of American humor . . . Gottlieb manages to pack this almost 600-page anthology with Ephron's most timeless pieces. Since we will never have enough of Nora Ephron, the most will have to do." —Library Journal (starred)
"This hugely entertaining collection includes classics like Ephron's novel Heartburn and her screenplay for When Harry Met Sally . . ., as well as columns, blog posts, and her final play, Lucky Guy . . . Many people already know how Ephron felt about her neck (bad) and what she'd miss when she died (bacon). But while these gems are included here, they're offset by the ruthless young Ephron, who skewered journalistic ethics at The New York Times and made Gloria Steinem and Helen Gurley Brown cry during interviews. Tracing her evolution from these hard-nosed early pieces to the later, vulnerable essays on aging makes this book even more moving . . . What made Ephron great was that she took the very things seriously that others dismissed as frivolous, Cosmopolitan, Teflon, breast size, and, most of all, herself." —Entertainment Weekly
"Reading nearly 600 pages of Ephron in one volume is a joy, not only due to the range of her interests, her capacious mind, her mixture of humor and satire and self-deprecation, but also her skill as a stylist. Few writers of Ephron's range and output have written so few clunky sentences or so many memorable ones. Included is perhaps her most famous essay . . . which expounded on the flatness of her chest; her neck became as famous as her chest but not until 2003. Ephron might be best remembered, however, for her searing insights into the craft of journalism and the complications of feminism. A delightful collection from a unique, significant American writer." —Kirkus Reviews (starred)
"Celebrates Ephron's talent for turning her experiences into material . . . The book's most delicious offering is Ephron's magazine journalism from the 1970s, with razor sharp profiles . . . and keenly intelligent reportage . . . The book documents the changing culture of the New York media world. 'Everything is copy,' Ephron's mother always said. This collection fulfills that motto with aplomb, and will likely serve as a perfect holiday gift for Ephron fans." —Publishers Weekly (boxed)


text:
Q: Showing a MessageBox error whenever an entry box is empty I know that you can check if the entry box is empty by checking its length. I'm having a hard time implementing it though, because my entry boxes are dynamically created and you can't traverse in all of it in a single loop.
Here is my code:
from tkinter import *

class Window(Canvas):
    def __init__(self,master=None,**kwargs):
        Canvas.__init__(self,master,**kwargs)
        self.frame = Frame(self)
        self.create_window(0,0,anchor=N+W,window=self.frame)
        self.row = 1

        self.input_x = []
        self.input_y = []

        self.x_values = []
        self.y_values = []

        self._init_entries()

    def _init_entries(self):
        x_value  = Label(self.frame, text='x', font='Helvetica 10 bold').grid(row = self.row, column = 2)
        y_value  = Label(self.frame, text='y', font='Helvetica 10 bold').grid(row = self.row, column = 3)
        self.row += 1

    def add_entry(self):

        def validate_int_entry(text):
            if text == "":
                return True
            try:
                value = int(text)
            except ValueError:
                return False
            return value
        vcmd_int = (root.register(validate_int_entry), "%P")

        x_value = Entry(self.frame, validate = "key", validatecommand=vcmd_int, justify = RIGHT, width=10)
        x_value.grid(row = self.row, column = 2)

        y_value = Entry(self.frame, validate = "key", validatecommand=vcmd_int, justify = RIGHT, width=10)
        y_value.grid(row = self.row, column = 3)

        self.row += 1

        self.input_x.append(x_value)
        self.input_y.append(y_value)

    def save_entry(self):

        self.x_values.clear()
        self.y_values.clear()

        for entry in self.input_x:
            x = int(entry.get())
            self.x_values.append(x)
        print(self.x_values)

        for entry in self.input_y:
            x = int(entry.get())
            self.y_values.append(x)
        print(self.y_values)

if __name__ == "__main__":
    root = Tk()

    root.resizable(0,0)
    root.title('Lot')

    lot = Window(root)
    lot.grid(row=0,column=0)

    scroll = Scrollbar(root)
    scroll.grid(row=0,column=1,sticky=N+S)

    lot.config(yscrollcommand = scroll.set)
    scroll.config(command=lot.yview)
    lot.configure(scrollregion = lot.bbox("all"), width=1000, height=500)

    def add_points():
        lot.add_entry()
        lot.configure(scrollregion = lot.bbox("all"))

    b1 = Button(root, text = "Add points", command = add_points)
    b1.grid(row=1,column=0)

    def get_value():
        b1.destroy()
        lot.save_entry()

    b2 = Button(root, text = "Get value!", command = get_value)
    b2.grid(row=2,column=0)

    root.mainloop()

Here's the GUI example wherein the user clicked the 'Add points' button 5 times but forgot to fill one of the entry boxes.

Since I set that the entry boxes can only accept 'int', then it will throw an error. How can I show a MessageBox every time an entry box is empty (and if it's possible, can tell the user what entry box is empty)?

A: I have change your add_entry function before adding new row it will check the both fields if it find it empty the warning message will popup.
def add_entry(self):

    for entry in self.input_x:
        if entry.get() is '':
            return messagebox.showwarning('Warning', 'Empty Fields')

    for entry in self.input_y:
        if entry.get() is '':
            return messagebox.showwarning('Warning', 'Empty Fields')

    def validate_int_entry(text):
        if text == "":
            return True
        try:
            value = int(text)
        except ValueError:
            return False
        return value
    vcmd_int = (root.register(validate_int_entry), "%P")

    x_value = Entry(self.frame, validate = "key", validatecommand=vcmd_int, justify = RIGHT, width=10)
    x_value.grid(row = self.row, column = 2)

    y_value = Entry(self.frame, validate = "key", validatecommand=vcmd_int, justify = RIGHT, width=10)
    y_value.grid(row = self.row, column = 3)

    self.row += 1

    self.input_x.append(x_value)
    self.input_y.append(y_value)

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text:
Evwind, Grids, News Menu, Other renewables, System Operator, Wind Energy, wind energy
Egypt will produce 61,000MW of renewable energy, of which 12,000MW concentrated solar power, and 18,000MW wind power
December 18, 2019 reve
The 2035 Integrated Sustainable Energy Strategy, which builds on previous strategies, emphasises the importance of renewable energy. Egypt intends to increase the supply of electricity generated from renewable sources to 20% by 2022 and 42% by 2035.
Hafez Salmawi, former managing director of the Electricity Utility and Consumer Protection Regulatory Agency, said Egypt has benefited from renewable energy, and has begun the transformation phase, developing the method and management of electricity networks, and attracting many Arab and international companies to invest in this promising sector.
According to the 2035 strategy, Egypt will produce 61,000MW of renewable energy, of which 31,000MW solar power, 12,000MW concentrated solar power, and 18,000MW wind power.
Salmawi added that the entry of Arab and foreign investors in the local market has led to a decrease in the cost of producing renewable energy in Egypt, and will increase investment opportunities during the coming period, but the rules for the IPP system that includes the construction of stations and the sale of electricity directly to consumers must be developed.
He stated that the contractual systems established by the government will attract many companies, and Egypt is still the best destination for investment in renewable energy, and upon the full liberalisation of the electricity sector the demand of factories will increase and convince companies to go for renewable energy, due to the rise in traditional electricity prices.
Mohamed Salah El-Sobki, head of the New and Renewable Energy Authority, said that the plan that Egypt started will not stop, and the market has become attractive for investment compared to other countries, due to the availability of a suitable legislative environment.
He pointed out that Egypt can produce 42% of its electricity from renewable sources by 2035, but the pace of work must be accelerated, opening the way for the private sector to expand in energy projects, in accordance with the new Electricity Law.
El-Sobki stressed that the private sector is always looking for additional incentives to pump more capital in the market, which must be taken care of, especially as the government's vision is integrated and relies heavily on the private sector to achieve its strategy.
The International Renewable Energy Agency (IRENA) recommended, in studying the prospects for renewable energy in Egypt, that seven major measures must be considered to accelerate Egypt's absorption of renewable energy.
IRENA stressed the need to update the strategies of the electric power sector to reflect the growing benefits of renewable energy in terms of lower costs and others, as well as simplify regulations and clarify institutional roles and responsibilities for wind energy and solar energy development.
IRENA stressed that there is a need of future updates to the energy strategy to reflect the potential of biomass, reform the existing market framework to improve the economic feasibility of projects, and conduct comprehensive campaigns to assess the capabilities of solar and wind energy sources.
In addition, IRENA advised expanding in renewable energy complexes to support risk mitigation and ensure financial feasibility of projects, developing a masterplan to enhance local manufacturing, and creating a thriving local industry.
Egypt has already followed three of these recommendations, including expanding in establishing complexes, such as Benban Solar Park, updating the energy strategy, and comprehensively assessing the capabilities of solar and wind energy.
Economic development in Egypt depends on the energy sector, which represents 13.1% of gross domestic product (GDP). In order to meet the growing demand for energy, the Egyptian government has developed an integrated and sustainable strategy to diversify energy sources to ensure the stability of energy supply.
The strategy aims to strengthening the role of renewable energy and increasing energy efficiency in addition to rehabilitation and maintenance programmes in the electricity sector.
Egypt confirmed its commitment to spreading renewable energy technologies on a large scale, and the total installed capacity of renewable energy sources is 5,500 MW, including 2,800 MW of hydropower and about 2,700 MW of wind and solar energy, of which 1,465MW from Benban solar park and 250 MW from a wind farm recently opened.
Mohamed Farag, Daily News Egypt
Egypt will produce 61,000MW of renewable energy, of which 12,000MW concentrated solar power
CSPEgyptPVWind Energy
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This week we have a new source about Gamification created exclusively for Flipboard. Curated by long-time game design consultant and one of Fast Company's 100 most influential women in technology, Nicole Lazzaro, the Gamifictaion feed delves into the world of game design and looks at how it can impact other areas of technology and life in general. Game design principles can be applied to many areas outside of games for refining interface design, user experiences, how to engage your audience, and so on. The idea is to build fun and play into everyday applications and situations.
The Society of Publication Designers is dedicated to promoting and encouraging excellence in editorial design. If Flipboard has you thinking a little bit more about the future of technology, print and design, then you'll find even more food for thought in the pages of this feed.
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The New York Observer brings you breaking news, politics, opinion, fashion, gossip, movies, books, theater, and the arts from New York City.
It's definitely still winter, so add a section for Ski Magazine to plan out your next trip to the slopes.
Remember, you can always customize your own content feeds on Flipboard.


I am aware it's Valentines Day next week, but I've never been a fan. Not even as a youth. That's ultimately down to the fact I don't recall ever getting many cards, apart from the odd one from my Dad or my friends to make me feel good. I'd rather displays of affection happen spontaneously, not on a designated day, but if you are going out this week with, or without a loved one then maybe throwing a bit of Pink into the mix is some concession to the self-proclaimed day of love.
I should add at this point that Pretty In Pink is one of my all-time favourite films. All my all-time favourite films are basically 80's teen comedy dramas written mainly by John Hughes, Ferris Buellers Days Off, Sixteen Candles, The Breakfast Club, St. Elmos Fire, Say Anything, you get the idea. Maybe they were just excellent, or maybe they just remind me of my lost youth. I thought Molly Ringwald was the coolest girl in the world, but can we please discuss the dress she made for the Prom in Pretty In Pink? It was terribly disappointing, given all the great ideas she had up until then, but let's not dwell on that, let's take a look at how you can introduce a little bit of pink into your wardrobe.
Well, this is kind of cross between a jacket and coat, so the perfect item for now and into spring-time. If Spring ever starts. I think we've still got at least 5 more weeks left of winter. I'd pair this pink number with an all black ensemble. Loving this Whistles jumper, they also do one that says Sunday, but I fear you'd only be able to wear that one day a week, with 'le Weekend' you've got at least 2 days out of 7 and could probably wear on Fridays in anticipation too. These Sandro Trainers were a glaring omission from last weeks Fugly Trainers post. I am very much in love with them!
I really just wanted to show you this suit from & Other Stories because I love a good suit. This would work so well with a pale pink sweater, but would also be just as good with a plain white T or a slogan sweatshirt. I've always worn suits with trainers, I blame those All Saints girls. It was a look I loved back in the late 90s, but for once, one that still works today. Unlike Combat Trousers and Timberlands, especially those Timberlands with the heels that J-Lo wore, WTF was that all about?
To end on, let's go all out with hearts and flowers. Well, just hearts really. How cute is this fairisle jumper? God love & Other Stories, it has really earnt it's place as my all time favourite high street shop. What did I ever do without it? I mean, I still shop around, but I'm always drawn into & Other Stories and rarely (read, never) come out empty handed!
What are our thoughts on Valentines day? Ar eyou massively grumpy old cynic like me? or do you look forward to a day of love and romance?
Oh yes, Pretty In Pink! I think I must have seen it a dozen times at the cinema, but I also wasn't a fan of the prom dress when I had loved all her eclectic outfits up to that point. And she was super cool.
The & Other Stories Amour jumper has lived permanently in my virtual basket for quite a few weeks now – it's like a more bargainous version of the lovely Loewe jumper I've lusted after on Net A Porter (but couldn't afford), but I think it's because it's pink that I've hesitated. Pink is not always my friend and I've just realised I have accumulated an obscene amount of jumpers, so I will just continue to admire it from afar.
I too have an obscene amount of knitwear!
Your Dad (and Mum of course) were married on Valentine's Day a long long time ago, so it will always be special to us. Let's see if we get her in pink for Wednesday.
Forget to mention saw Psychedelic Furs late last year in DC at a small beer hall. Brilliant concert and although expected Pretty in Pink to be the standout, it was actually Heaven. Always interesting seeing concerts in America seventies and new wave as songs that were hits in Australia obviously not in the US.


text:
Daniel Kemp
Daniel Kemp's Wanderings
← I Am Me.
A Crying Gale. →
Sex And Love.
Posted on May 11, 2013 by Daniel Kemp
Taken From The Novella WHY?
A Night.
'Cry out love.' She screamed at me,
as appetite was sated endlessly.
All through the night she made her demands,
with me complying to the passionate commands.
This way, that way. I must take a rest.
Have a smoke, catch a breath.
'Take your time,' I enticingly said.
It was not the truth, but lies I bled.
I wanted away. I wanted space.
I had not entered into an erotic race.
I ached, my body wore weak.
I was in desperate need of sleep.
But not here, not in this bed.
There lay love and it filled me with dread.
I upped and left, and heard the screech.
As a cry of love sought my heart to reach.
Anything But Hackneyed. US
Anything But Hackneyed. UK
About Daniel Kemp
Daniel Kemp's introduction to the world of espionage and mystery happened at an early age when his father was employed by the War Office in Whitehall, London, at the end of WWII. However, it wasn't until after his father died that he showed any interest in anything other than himself! On leaving academia he took on many roles in his working life: a London police officer, mini-cab business owner, pub tenant and licensed London taxi driver, but never did he plan to become a writer. Nevertheless, after a road traffic accident left him suffering from PTSD and effectively—out of paid work for four years, he wrote and self-published his first novel —The Desolate Garden. Within three months of publication, that book was under a paid option to become a $30 million film. The option lasted for five years until distribution became an insurmountable problem for the production company. All seven of his novels are now published by Creativia with the seventh—The Widow's Son, completing a three book series alongside: What Happened In Vienna, Jack? and Once I Was A Soldier. Under the Creativia publishing banner, The Desolate Garden went on to become a bestselling novel in World and Russian Literature in 2017. The following year, in May 2018, his book What Happened In Vienna, Jack? was a number one bestseller on four separate Amazon sites: America, UK, Canada, and Australia. Although it's true to say that he mainly concentrates on what he knows most about; murders laced by the mystery involving spies, his diverse experience of life shows in the short stories he writes, namely: Why? A Complicated Love, and the intriguing story titled The Story That Had No Beginning. He is the recipient of rave reviews from a prestigious Manhattan publication and described as—the new Graham Green—by a highly placed employee of Waterstones Books, for whom he did a countrywide tour of book signing events. He has also appeared on 'live' television in the UK publicising that first novel of his. He continues to write novels, poetry and the occasional quote; this one is taken from the beginning of Once I Was A Soldier There is no morality to be found in evil. But to recognise that which is truly evil one must forget the rules of morality.
View all posts by Daniel Kemp →
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text:
Q: Twitter Data Analysis - Error in Term Document Matrix Trying to do some analysis of twitter data. Downloaded the tweets and created a corpus from the text of the tweets using the below
# Creating a Corpus
wim_corpus = Corpus(VectorSource(wimbledon_text))

In trying to create a TermDocumentMatrix as below, I am getting an error and warnings.
tdm = TermDocumentMatrix(wim_corpus,
                       control = list(removePunctuation = TRUE,
                                      stopwords =  TRUE,
                                      removeNumbers = TRUE, tolower = TRUE))

Error in simple_triplet_matrix(i = i, j = j, v = as.numeric(v), nrow = length(allTerms),    : 'i, j, v' different lengths

In addition: Warning messages:
1: In parallel::mclapply(x, termFreq, control) :
 all scheduled cores encountered errors in user code
2: In is.na(x) : is.na() applied to non-(list or vector) of type 'NULL'
3: In TermDocumentMatrix.VCorpus(corpus) : invalid document identifiers
4: In simple_triplet_matrix(i = i, j = j, v = as.numeric(v), nrow = length(allTerms),  :
NAs introduced by coercion

Can anyone point to what this error indicates?Could this be related to the tm package?
The tm library has been imported.
    I am using R Version: R 3.0.1 and RStudio: 0.97

A: I think the error is due to some "exotic" characters within the tweet messages, which the tm function cannot handle. I'v got the same error using tweets as a corpus source.
Maybe the following workaround helps:
# Reading some tweet messages (here from a text file) into a vector
rawTweets <- readLines(con = "target_7_sample.txt", ok = TRUE, warn = FALSE, encoding = "utf-8")

# Convert the tweet text explicitly into utf-8
convTweets <- iconv(rawTweets, to = "utf-8")

# The above conversion leaves you with vector entries "NA", i.e. those tweets that can't be handled. Remove the "NA" entries with the following command:
tweets <- (convTweets[!is.na(convTweets)])

If the deletion of some tweets is not an issue for your solution (e.g. build a word cloud) then this approach may work, and you can proceed by calling the Corpus function of the tm package.
Regards--Albert

A: I have found a way to solve this problem in an article about TM.
An example in which the error follows below:
getwd()
require(tm)

# Importing files
files <- DirSource(directory = "texts/",encoding ="latin1" )

# loading files and creating a Corpus
corpus <- VCorpus(x=files)

# Summary

summary(corpus)
corpus <- tm_map(corpus,removePunctuation)
corpus <- tm_map(corpus,stripWhitespace)
corpus <- tm_map(corpus,removePunctuation)
matrix_terms <- DocumentTermMatrix(corpus)

Warning messages:
In TermDocumentMatrix.VCorpus(x, control) : invalid document identifiers

This error occurs because you need an object of the class Vector Source to do your Term Document Matrix, but the previous transformations transform your corpus of texts in character, therefore, changing a class which is not accepted by the function.
However, if you add one more command before using the function TermDocumentMatrix you can keep going.
Below follows the code with the new command:
getwd()
require(tm)

files <- DirSource(directory = "texts/",encoding ="latin1" )

# loading files and creating a Corpus
corpus <- VCorpus(x=files)

# Summary
summary(corpus)
corpus <- tm_map(corpus,removePunctuation)
corpus <- tm_map(corpus,stripWhitespace)
corpus <- tm_map(corpus,removePunctuation)

# COMMAND TO CHANGE THE CLASS AND AVOID THIS ERROR
corpus <- Corpus(VectorSource(corpus))
matriz_terms <- DocumentTermMatrix(corpus)

Therefore, you won't have more problems with this.

A: As Albert suggested, converting the text encoding to "utf-8" solved the problem for me. But instead of removing the whole tweet with problematic characters, you can use the sub option in iconv to only remove the "bad" characters in a tweet and keep the rest:
tweets <- iconv(rawTweets, to = "utf-8", sub="")

This does not produce NAs anymore and no further filtration step is necessary.

A: I had the same problem and it turns out it is an issue with package compatibility.  Try installing
install.packages("SnowballC")

and load with
library(SnowballC)

before calling DocumentTermMatrix.
It solved my problem.

A: I think this problem happens because of some weird characters appear in the text. Here is my solution:
wim_corpus = tm_map(wim_corpus, str_replace_all,"[^[:alnum:]]", " ")

tdm = TermDocumentMatrix(wim_corpus,
                       control = list(removePunctuation = TRUE,
                                      stopwords =  TRUE,
                                      removeNumbers = TRUE, tolower = TRUE))

A: there were some german umlaut letters and some special fonts that were causing the errors.
I could not remove them in R.. even by converting it to utf-8. (I am a new R user)
so I used excel to remove the german letters and then there were no errors after..


A less expensive but more uncomfortable and time consuming option is that which most Myanmar people take – the bus. Buses depart daily, and cost around US$14-20 from Yangon (12 hours) or US$12 (7-8 hours) from Mandalay. The journey from Bagan has improved a lot; 2 bises at 7:30 and 19:30; it takes 7 hours to Kalaw and ~8,5 to Nyang Shwe, and costs 11,000. Bus arrives directly to Nuang Shwe, walking distance to many guest houses.
The people of Inle Lake (called Intha), some 70,000 of them, live in four cities bordering the lake, in numerous small villages along the lake's shores, and on the lake itself. The entire lake area is in Nyaung Shwe township. The population consists predominantly of Intha, with a mix of other Shan, Taungyo, Pa-O (Taungthu), Danu, Kayah, Danaw and Bamar ethnicities. Most are devout Buddhists, and live in simple houses of wood and woven bamboo on stilts; they are largely self-sufficient farmers.
Most transportation on the lake is traditionally by small boats, or by somewhat larger boats fitted with single cylinder inboard diesel engines. Local fishermen are known for practicing a distinctive rowing style which involves standing at the stern on one leg and wrapping the other leg around the oar. This unique style evolved for the reason that the lake is covered by reeds and floating plants making it difficult to see above them while sitting. Standing provides the rower with a view beyond the reeds. However, the leg rowing style is only practiced by the men. Women row in the customary style, using the oar with their hands, sitting cross legged at the stern.
Fish caught from the lake – the most abundant kind is called nga hpein locally (Inle carp, Cyprinus intha) – are a staple of the local diet. A popular local dish is htamin gyin – 'fermented' rice kneaded with fish and/or potato – served with hnapyan gyaw (literally twice fried – Shan tofu). In addition to fishing, locals grow vegetables and fruit in large gardens that float on the surface of the lake. The floating garden beds are formed by extensive manual labor. The farmers gather up lake-bottom weeds from the deeper parts of the lake, bring them back in boats and make them into floating beds in their garden areas, anchored by bamboo poles. These gardens rise and fall with changes in the water level, and so are resistant to flooding. The constant availability of nutrient-laden water results in these gardens being incredibly fertile. Rice cultivation is also significant.
Hand-made goods for local use and trading are another source of commerce. Typical products include tools, carvings and other ornamental objects, textiles, and cheroots. A local market serves most common shopping needs and is held daily but the location of the event rotates through five different sites around the lake area, thus each of them hosting an itinerant market every fifth day. When held on the lake itself, trading is conducted from small boats. This 'floating-market' event tends to emphasize tourist trade much more than the other four.
The Inle lake area is renowned for its weaving industry. The Shan-bags, used daily by many Burmese as a tote-bag, are produced in large quantities here. Silk-weaving is another very important industry, producing high-quality hand-woven silk fabrics of distinctive design called Inle longyi. A unique fabric from the lotus plant fibers is produced only at Inle lake and is used for weaving special robes for Buddha images called kya thingahn (lotus robe).
Lumber removal and unsustainable cultivation practices (slash and burn farming techniques) on the hills surrounding the lake are causing ever-increasing amounts of silt and nutrients to run off into the rivers that feed the lake, especially along its western and northern watershed areas. This silt fills up the lake; the nutrients encourage the growth of weeds and algae. More important however is the development of floating garden agriculture, largely along the western side of the lake. This practice encroaches into the diminishing area of the lake, since over time, the floating beds become solid ground. About 93% (nearly 21 km²) of the recent loss in open water area of the lake, largely along its western side, is thought to be due to this agricultural practice. Direct environmental impacts associated with these combined agricultural activities within the wetlands and surrounding hills of the lake include sedimentation, eutrophication, and pollution.
The water hyacinth, a plant not native to the lake, also poses a major problem. It grows rapidly, filling up the smaller streams and large expanses of the lake, robbing native plants and animals of nutrients and sunlight. At one time, all boats coming into Nyaung Shwe were required to bring in a specified amount of water hyacinth. Over the past twenty years, large-scale use of dredges and pumps has been employed with some success in controlling the growth of this plant. On a smaller scale, public awareness education and small-scale control have also been successful.
The best time of the year to visit is during September and October. The ceremonial Hpaung Daw U Festival, which lasts for almost three weeks, is closely followed by the Thadingyut festival of lights. Inthas and Shan turn out in their best clothes in great numbers to celebrate the Buddhist Lent. Traditional boat racing, with dozens of leg-rowers in Shan dress in a team on each boat, is a famous event during the Hpaung Daw U Festival.
Inle Lake is a major tourist attraction, and this has led to some development of tourist infrastructure. Many small and large privately owned hotels and tour operations have arisen during the past few years. Local shops are flooded with consumer items, both local and foreign. The nearest airport is Heho Airport which is 35 km away. There are flights from both Yangon and Mandalay. Yangon is 660 km away by road, Mandalay 330 km.
Inle Lake is in the heart of Shan State, which has been the location of much of the civil and political strife over the last two decades. Political imprisonments and disappearances are common.


Burgundy is a land of great art and good living, pastoral and peaceful. During the cycling trip you discover great abbeys, elegant châteaux, medieval half-timbered villages and fortified towns. The vineyards of Chablis and Auxerrois will accompanied you, tasting are programmed and the fine food will round up your days. This itinerary reveals northern Burgundy's main treasures.
Auxerre, city of Art and History, has conserved an exceptional architectural heritage over time: the cathedral, a model of gothic style elegance, the St Germain Abbey, a nearly intact monastic complex with the crypts of 9 th Century with one of the oldest mural paintings discovered in France, the clock's works is set against the tower.
Adjustment of hired bikes. Cistercian Abbey of Pontigny, the largest and one of the most beautiful Cistercian churches remaining in France.
Nice day cycling in the Chablis vineyard, Burgundy's largest white wine vineyard is your programme today. After visiting Chablis and a wine tasting, the itinerary follows the Serein valley through the beautiful villages of the southern of Chablis vineyard and the medieval town of Noyers with its naive Art museum. Noyers has preserved fortifications and half-timbered houses.
Today you cycle across the superb "terre plaine" plateau and Avallon landscapes. You will pass by the medieval hamlet of Montréal before reaching Avallon, a beautiful ancient town.
Via small villages and on side roads you will reach today's destination - Vézelay. One of Burgundy's finest landscapes, with a stop in Vézelay and its Sainte-Madeleine Basilica, a Romanesque art masterpiece listed as UNESCO world heritage. During the Middle Ages, Vézelay was a major pilgrimage site and a special halt on the ways to Compostella. The mediaeval town with its fortifications is dominated by its Basilica.
Starting by a hill to reach the Yonne valley, the itinerary follows it all day, as well as the canal du Nivernais. You cross very lovely sites such as Châtel-Censoir, the Saussois cliffs and Mailly-le-Château. Cravant is near the Canal de Nivernais, a very nice small village and a peacefully hotel.
Water dominates, for here are some of the great rivers of France. In fact, Burgundy has been called the water table of France. All the mighty rivers are interconnected by a marvellous canal system. You are cycling beside the water in a fantastic nature and then you leave for stage through lovely Auxerre vineyard villages: Irancy, Saint-Bris-le-Vineux, Bailly. In Bailly you will taste the famous Crémant de Bourgogne before leaving to Auxerre.
C'est la vie - your biking tour in Burgundy is finished. After having a last breakfast you have to say goodbye to this charming region in France!
Level 2-3 (on a scale from 1 to 5).
Slightly hilly terrain, but without steep or long ascents. All cycletours on paved secondary roads and on the cyclepath along Canal du Nivernais.
It is also possible to cycle with your own bike.


CROC grip™ Commercial Reflective tapes are tested and exceed the DOT-C2 standard for reflective tapes. High intensity reflective prisms allow the tape to be mounted in any direction and still preform perfectly giving motorists and other road user sufficient warning at night.
Constructed with durability in mind, the Commercial Reflective tapes feature UV resistant reflective prisms and come in a variety of high visibility colours. The backing has a thick formulated acrylic adhesive designed for durability that will stick to almost any dry, clean and oil free surfaces.


text:
Microsoft Buys Nuance Communications And Doubles Its Addressable Healthcare Market To $500 Billion
AI Cloud Insights Investors Money
ByAndrew Birmingham
Microsoft Corp bought Nuance Communications last week for $US19.7 Billion, in a move that accelerates the company's cloud strategy for healthcare and increases its total addressable market in the sector to $500 million.
The deal is the result of several years of close cooperation where the companies have worked together on product development.
According to Sharon Hakkennes, senior director analyst, healthcare, at research company Gartner, access to Microsoft's global distribution and the opportunity for even tighter integration between the two companies solutions offers Nuance Communications accelerated growth.
Nuance began as a transcription service for clinicians, but it has ridden a wave of investment in AI in recent years.
"In the US the electronic health records were accepted and developed for billing purposes and to capture encounter information. Documentation for all clinicians, particularly in the US is significant, and there's high rates of clinical burnout associated with clinical documentation in the health records. [Clinicians ] spend lots of time working on computers and documenting outside of clinical care, and this solution is really solving the problem of documentation."
And its expensive. In some settings, clinicians still have scribes who follow them around, taking notes, says Hakkennes.
AI has transformed the transcriptions markets, which were traditionally, slow, manual, expensive and inaccurate. But technology and in particular, AI has increased accuracy and speed, and costs dramatically. However, it remains a difficult problem to solve in a market like healthcare where there is so much specialist information and terminology, and where the cost of making errors is significant in both outcomes for the patients – and fees for lawyers when it goes wrong.
The company, which claims it is an AI software leader providing clinical intelligence to healthcare providers, will provide Microsoft with industry-specific expertise in healthcare, and a suite of products that respond to the needs of varied healthcare verticals.
According to Satya Nadella, CEO of Microsoft, "AI is technology's most important priority, and healthcare is its most urgent application."
Nuance claims that their products and services are used, in the USA, by;
More than 55 per cent of physicians
75 per cent of radiologists
In 77 per cent of hospitals
The Nuance acquisition will allow Microsoft to double their total addressable market (TAM) in healthcare to be valued at close to $500 billion.
"Together, with our partner ecosystem, we will put advanced AI solutions into the hands of professionals everywhere to drive better decision-making and create more meaningful connections, as we accelerate growth of Microsoft Cloud for Healthcare and Nuance," Nadella says.
The all-cash transaction is valued at $19.7 billion and is set to close by the end of the year, subject to shareholder approval. This comes off the back of a partnership between the two companies that was announced in 2019.
According to Mark Benjamin, CEO of Nuance, "Over the past three years, Nuance has streamlined its portfolio to focus on the healthcare and enterprise AI segments, where there has been accelerated demand for advanced conversational AI and ambient solutions."
"To seize this opportunity, we need the right platform to bring focus and global scale to our customers and partners to enable more personal, affordable and effective connections to people and care. The path forward is clearly with Microsoft," he says.
This story was originally published on Which50 on April 14 2021, republished with permission.
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text:
Anolis sacamecatensis est une espèce de sauriens de la famille des Dactyloidae.

Répartition
Cette espèce est endémique d'Oaxaca au Mexique.

Description
Les mâles mesurent jusqu'à  et les femelles jusqu'à .

Étymologie
Son nom d'espèce, composé de sacamecat[es] et du suffixe latin , « qui vit dans, qui habite », lui a été donné en référence au lieu de sa découverte, le Cerro Sacamecates.

Publication originale
 Köhler, Trejo-Pérez, Petersen & Mendez de la Cruz, 2014 : A revision of the Mexican Anolis (Reptilia, Squamata, Dactyloidae) from the Pacific versant west of the Isthmus de Tehuantepec in the states of Oaxaca, Guerrero, and Puebla, with the description of six new species. Zootaxa, , .

Liens externes

Notes et références

Saurien (nom scientifique)
Dactyloidae
Faune endémique d'Oaxaca

redpajama_set_name: RedPajamaWikipedia


text:
Q: How do I ensure code is generated before compiling when building? I have a build.gradle with the following code:
apply plugin: 'java'
apply plugin: 'application'

gradle.projectsEvaluated {
    tasks.withType(JavaCompile) {
        options.compilerArgs << "-Xlint:unchecked"
    }
}

ext.antlr = [
    grammarpackage: "org.shirolang.interpreter",
    antlrSource: 'src/main/java/org/shirolang',
    destinationDir: "src/generated/java"
]

sourceSets{
    generated
    main{
        compileClasspath += generated.output
        runtimeClasspath += generated.output
    }
    test{
        compileClasspath += generated.output
        runtimeClasspath += generated.output
    }
}
project.run.classpath += sourceSets.generated.output

repositories {
    mavenCentral()
}

configurations {
    antlr4
}

sourceSets{
    main{
        java{
            srcDirs 'src/main/java', 'src/antlr/java'
        }
    }
}

dependencies {
    ...
}

task wrapper(type: Wrapper) {
    gradleVersion = '2.4'
}

tasks.withType(JavaCompile) {
    options.encoding = 'UTF-8'
}

task antlrOutputDir << {
    mkdir(antlr.destinationDir)
}

task generateGrammarSource(dependsOn: antlrOutputDir, type: JavaExec) {
   // code to generate a antlr grammar
}

compileJava {
    dependsOn generateGrammarSource
    classpath += sourceSets.generated.output
}

It outputs:
:antlrOutputDir
:compileGeneratedJava UP-TO-DATE
:processGeneratedResources UP-TO-DATE
:generatedClasses UP-TO-DATE
:generateGrammarSource

and a whole lot of missing symbol errors because the source code is generated after the compileGeneratedJava task is run. Why doesn't adding the dependsOn line to the compileJava task not force it to be fun first?
If I run generateGrammarSource on it's own before run, I get now errors, so I know the code generation is working properly.
I tried another posted solution to no avail. I can't seem to inject the task into the proper spot in the build cycle. How do I get generatedGrammarSource to run before the compilation steps?

A: The problem is in the sourceSets block where I set srcDirs. It should be 'src/generated/java' instead of 'src/antlr/java'. The wrong directly was listed causing gradle not to see the generated source.


text:
Opptrends 2023
Home Technology BlackBerry Ltd (BBRY) Sues 'Typo' iPhone's New Case
BlackBerry Ltd (BBRY) Sues 'Typo' iPhone's New Case
Aman Jain
BlackBerry Ltd (NASDAQ:BBRY) (TSE:BB) has taken legal action against Typo, an Apple Inc. (NASDAQ:AAPL) iPhone case, which was showcased this week at the CES. The Typo cases have been designed by the start-up founded by Ryan Seacrest, the host of American Idol. With these casing, Apple intends to enhance the typing speed of users through the physical keyboard.
Typo copied our style
Last week, the Waterloo, Ontario based company filed a lawsuit in the federal court for the Northern District of California against Apple claiming that Typo breached three patents of BlackBerry along with its "trade dress," which is an informal protection for distinctive product designs associated with a single company.
"As a result of its innovative and distinctive keyboard designs, BlackBerry's devices have achieved overwhelming commercial success," claimed BlackBerry in its filing against Apple. Further, the Canadian firm added that the Typo has copied the innovative style and design of BlackBerry Ltd (NASDAQ:BBRY) (TSE:BB) without making any changes on its own.
The phone with typing comfort of a physical keyboard has not been named yet, but BlackBerry reported in its lawsuit an appearance made by Seacrest on CNN last week where he agreed with the host, who said "So it's the best thing about a BlackBerry, within the iPhone."
Typo denying all claims
However, if Typo is to be believed then both Seacrest and Laurence Hallier, the company's other founder and its chief executive came up with the idea of developing a case that gives typing comfort because they find it uncomfortable to carry two phones together, one for typing and an iPhone for everything else.
Typo dismissed the lawsuit, which demands banning the sales of the case and unspecified damages. The company said in a statement that though they have high regards for BlackBerry and its intellectual property, but the lawsuit on the case is not substantial. Adding to its statement, the company also said that it is excited about innovative keyboard design, which is the conclusion of years of research and developments.
Rockstar lawsuit
Back in November 2013, Rockstar group, a holding company owned by BlackBerry Ltd (NASDAQ:BBRY) (TSE:BB) and other tech giants such as Apple, Microsoft, Ericsson and Sony and others filed various legal cases against Google, Samsung, HTC, LG Electronics and Huawei Technologies. Google, in turn, sued Rockstar, which owns the patents that once belonged to Nortel, Canada's telecommunications leader before its bankruptcy. Experts note down that some of the patents of BlackBerry do not hold a specific value because of lack of litigation.
Previous articleBlackBerry Ltd (BBRY) CEO Refocuses Smartphone Efforts on Keyboard
Next articleFord Motor Company's Alan Mullaly Not To Join Microsoft Corporation (MSFT) As CEO
Aman has an MBA in Finance with industry experience of more than 7 years, including work as Risk analyst for CAT modelling firm. Presently, he is a director of freelancing firm with focus on investment and technology related articles.
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From The Press334


Researchers found that even a few days of being awake at night and asleep during the day caused shifting of the rhythms in certain metabolic pathways without significantly shifting the brain's master circadian clock.
This finding may help explain why night-shift sleep patterns have been linked to certain metabolic disorders, such as obesity and diabetes.
You wake up, feel hungry, and fall asleep each day around repeating 24-hour "circadian" cycles controlled by your body's internal clocks. These clocks are synchronized by a central pacemaker in the brain. Cycles of light and dark are important for the function of the brain's master clock. Other cycles, such as the behavioral activities of eating and fasting or sleeping and waking, are important for peripheral clocks in the liver, gut, and other tissues.
When you stay awake all night or otherwise go against natural light cycles, your health may suffer. Long-term disruption of circadian rhythms has been linked to obesity, diabetes, and other health problems related to the body's metabolism.
Previous studies have shown that some metabolites—the products of metabolism—in blood can have daily rhythms. An international research team led by Drs. Hans P. A. Van Dongen and Shobhan Gaddameedhi at Washington State University investigated whether disruptions in these rhythms are influenced by the central pacemaker in the brain or reflect behavioral activities, such as working the night shift. The study was funded in part by NIH's National Institute of Environmental Health Sciences (NIEHS). Results were published online in the Proceedings of the National Academy of Sciences on July 10, 2018.
Ten men and four women, aged 22 to 34 years, stayed at a research lab for one week. Half had a night-shift sleep pattern for three days and half had a day-shift pattern. The night-shift pattern causes the central pacemaker and behavioral rhythms to be at odds. After three days, the volunteers were kept awake for one day in a constant routine with a constant level of temperature and light. They received identical snacks every hour and provided blood samples every three hours.
The research team found only small differences in the day-shift and night-shift patterns for melatonin and cortisol, which mark the activity of the brain's master clock. This finding suggests that the master clock is resistant to influence from the night-shift pattern.
The team analyzed the levels of 132 metabolites during the 24-hour constant routine. About half (65) of the metabolites had a significant daily rhythm. Of these, 27 had a significant 24-hour rhythm for both sleep patterns. Only three of these metabolites (taurine, serotonin, and sarcosine) kept the same peak time, similar to the master clock markers melatonin and cortisol. The other 24 showed a 12-hour shift in rhythm for the night-shift pattern.
The researchers noted that the particular metabolites and pathways affected by the night-shift sleep pattern relate to the liver, pancreas, and digestive tract. These findings suggest that night-shift sleep patterns can disrupt certain metabolite rhythms and the peripheral clocks of the digestive system without affecting the brain's master clock.
Further research is needed to better understand the role of these metabolic pathways in obesity, diabetes, and other medical conditions for which shift workers are at increased risk.
References: Separation of circadian- and behavior-driven metabolite rhythms in humans provides a window on peripheral oscillators and metabolism. Skene DJ, Skornyakov E, Chowdhury NR, Gajula RP, Middleton B, Satterfield BC, Porter KI, Van Dongen HPA, Gaddameedhi S. Proc Natl Acad Sci U S A. 2018 Jul 10. pii: 201801183. doi: 10.1073/pnas.1801183115. [Epub ahead of print]. PMID: 29991600.
Funding: NIH's National Institute of Environmental Health Sciences (NIEHS), Washington State University College of Pharmacy and Pharmaceutical Sciences, Congressionally Directed Medical Research Programs, Biotechnology and Biological Sciences Research Council (United Kingdom), and European Union.


MONTVALE, NJ -- (MARKET WIRE) -- July 6, 2005 -- Datascope Corp. (NASDAQ: DSCP) announced the launch of ProGuide™, a new chronic dialysis catheter. The company previously announced receipt of FDA 510k clearance to market ProGuide in the U.S.
Chronic dialysis catheters connect a patient with end-stage renal disease to a dialysis machine. In the U.S., over 300,000 people annually require hemodialysis to compensate for lost kidney function. Chronic dialysis catheters provide needle-free access to the central venous system for the dialysis procedure, and have an estimated worldwide market of more than $100 million.
ProGuide is the first dialysis catheter designed specifically for an over-the-wire insertion. Hemodialysis catheters commonly use a thin-walled tube or "sheath" to gain entry to the central venous system. By eliminating the peel-away sheath, ProGuide allows for an easy over-the-wire insertion and has been documented as being more convenient than other dialysis catheters on the market.
In a 25-patient observational study using the ProGuide catheter, Dr. Jeffrey Siegel, Director of Radiology and Interventional Radiology at Dallas Nephrology Associates, writes, "The ProGuide is easily placed in multiple access sites. The ability to place the catheter over a guide wire and without a peel-away sheath makes the procedure more convenient and somewhat faster than standard catheter placement methods. The catheters were easy to see fluoroscopically and easy to position. Catheter patency and flow has been excellent thus far."
Additionally, the elimination of the sheath provides an important clinical benefit for the patient. The sheath provides a path for insertion of the catheter, but also makes it possible for air to enter the bloodstream, a dire complication occurring in approximately 1% of cases. During the sheathless insertion of ProGuide, moist skin and tissue surrounding the catheter effectively seal against the passage of air, thereby reducing the opportunity for air to enter the vein and thus the possibility of air embolism.
ProGuide is one of four new products that were shown by Datascope at the Society of Interventional Radiology (SIR) meeting in New Orleans in April 2005, emphasizing the company's growing activity to this field. In addition to dialysis access products, IPD currently sells a range of vascular closure devices for the interventional cardiology and interventional radiology markets.
Datascope Corp. is a diversified medical device company that manufactures and markets proprietary products for clinical health care markets in interventional cardiology and radiology, cardiovascular and vascular surgery, anesthesiology, emergency medicine and critical care. Datascope's news releases and other company information can be found on the company's website, http://www.datascope.com.


text:
What time is it? () is a 1989  Italian drama film directed by  Ettore Scola. It was co-produced with France.

Cast
 Marcello Mastroianni - Marcello, The Father
 Massimo Troisi - Michele, the son
 Anne Parillaud - Loredana
 Renato Moretti - Sor Pietro
 Lou Castel - Fisherman

Awards
4 Venice Film Festival awards: Including Best Actor to both Marcello Mastroianni and Massimo Troisi.

References

External links

1988 films
Italian drama films
1980s Italian-language films
French drama films
1988 drama films
Films directed by Ettore Scola
Films scored by Armando Trovajoli
Films set in Italy
Films with screenplays by Ettore Scola
1980s Italian films
1980s French films


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Now Playing Wonderwall Oasis Download
Stolen dog reunited with her family - eight years after being taken from front garden
More from Latest Videos
Friday, January 7th, 2022 7:58am
A stolen dog has been reunited with her family - eight years after she was taken from the front garden.
Moving footage from Sussex Police captured the moment that Cassie saw her owners for the first time since 2013.
The cocker spaniel wasn't alone, and was accompanied by three puppies that are believed to be hers.
Cassie's family had been warned that she may be a different dog to the one they remember, but she is now thriving in her rightful home.
Her family said: "We are so thankful to have our Cassie back home - eight years since being separated from her. Cassie has settled in very well and is enjoying her daily dog walks.
"As for three puppies, they have all gone to good homes and are loving their new set family life."
With the help of the RSPCA, officers found Cassie safe and well following a series of raids in November - sparked by a tip-off from a member of the public.
Cassie's family described her return as a "priceless Christmas present" - adding that it gives hope to others who have had their dogs lost or stolen.
Simple precautions for pet owners to take
According to Sussex Police, it is "extremely rare" for dogs to be stolen, and "simple precautions" can help keep pets safe.
Families are encouraged to microchip their dogs and keep an up-to-date photo that can be shared if their furry friend goes missing.
The microchip company and the police should also be informed.
Sussex Police Rural Crime Team Inspector Oliver Fisher said: "We recognise the impact a stolen pet can have on a family, which is why part of the team's remit is to investigate stolen dogs.
"In recent months, we have recovered stolen dogs and also assisted the RSPCA in seizing puppies being kept in appalling conditions in puppy farms."
Pet theft becomes 'rife' during pandemic
There has been a surge in Britons owning pets as a companion during the coronavirus pandemic, but Sussex Police says this has led to a rise in criminals stealing animals to sell on or breed.
Insp Fisher added: "I would urge anyone considering buying a puppy to think carefully about who they buy from. Insist on seeing the home where the puppies and mother are kept.
"Does the mother look healthy? Are the conditions acceptable? Prospective buyers who turn a blind eye to irresponsible breeders not only perpetuate the suffering of animals but risk buying a puppy with significant health issues, which can be costly to treat and sometimes fatal."
The RSPCA said the theft of pets has become "rife" but getting them neutered can make them less desirable for breeding - and owners should ensure their home and garden is secure with gates locked.
© Sky News 2022
Police will meet with a Conservative MP who has alleged that government figures have been engaging in "intimidation" that amounts to "blackmail" against Tories who have questioned Boris Johnson's position.
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Rebel Tory MPs, known as the "pork pie plotters", are considering publishing a secretly recorded "heated" exchange with the government chief whip, according to reports.
Ukraine crisis: US and Russia lower temperature with 'candid' talks in Geneva
The US and Russia have met to discuss the crisis in Ukraine - and sought to lower the temperature after days of heated standoff over a feared Russian invasion.
The UK Health Security Agency has designated the Omicron variant sub-lineage, known as BA.2, as a variant under investigation - but current case rates are very low.
Two-thirds of anti-vaccination propaganda posted online is created by just 12 so-called influencers, research has found.
Dog rescued from drowning after sausage dangled from drone in Hampshire
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Wales' first minister has claimed that Boris Johnson's "history" is "catching up with him".
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It doesn't matter that I lived in Russia and experienced its winters for a number of years.
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Britishvolt gigafactory given £100m in taxpayer funding to help power electric car future
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Meghan Markle Sparkles in Cartier
ADRIAN DENNIS/AFP/Getty Images
Royal bride-to-be Meghan Markle has been in the spotlight quite a bit over the last week, and for three of her recent appearances, she's worn the same pair of earrings: new glittering diamond studs from Cartier.
Alastair Grant – WPA Pool/Getty Images
On Saturday, Meghan debuted the Galanterie de Cartier earrings at the Invictus Games Reception at Australia House.
Here's a closer look at the earrings from Cartier's website. The firm describes the earrings as "18K white gold, each set with a brilliant-cut diamond available in 0.18 to 0.22 carats and 0.40 to 0.44 carats, and paved with brilliant-cut diamonds."
Jeff Spicer/Getty Images
Meghan wore the earrings again on Monday for a 25th anniversary memorial service celebrating the life and legacy of Stephen Lawrence at St Martin-in-the-Fields in London. The earrings provide a bit of additional sparkle, but they're subtle enough to be worn at an important memorial service like this one. On this occasion, though, the earrings look to be fairly heavy, pulling a bit on Meghan's lobes — perhaps a more substantial earring back would help them sit better on her ear.
This morning, Meghan wore the earrings for a third time. This time, the occasion was the Anzac Day Service of Commemoration and Thanksgiving at Westminster Abbey, which commemorates Australian and New Zealand casualties and veterans of conflicts and marks the anniversary of the landings in the Dardanelles during the Gallopoli campaign of World War I.
Categories // markle sparkle, united kingdom, united states


As one of Europe's most prosperous and vibrant economic bright spot, the region along the Rhine River in Germany has nurtured its own culture of art institutions since the mid-20th century. It is now home to 58 art museums and galleries, becoming one of the densest clusters of art institutions across the world. How has art been evolving in this region? What roles have the German cities of Düsseldorf, Cologne and Mönchengladbach played in this evolution? What are the contributions made by museum curators and gallery owners to contemporary art? How have Düsseldorf and Cologne been coordinating with each other to maintain a balanced production and consumption of art works? In this talk, the speaker will share his insights on the above topics.
Thomas Rehbein is the former President and Founder of Düsseldorf Cologne Open Galleries (DC Open).


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CounterPulse launches new window displays of work by Tenderloin artists
Artwork by Charles Blackwell on display at 350 Jones St. | Photos: Carrie Sisto/Hoodline
Fri. February 22, 2019, 10:38am
by Carrie Sisto
@carries1981
Civic Center, Mid-Market, Tenderloin
Local theater company CounterPulse has been a strong supporter of Tenderloin artists, letting neighbors borrow their work for free through an art lending library.
Now, the group is expanding into exhibiting artists' work, with new displays in the windows of 350 Jones St. showcasing pieces created by people in the neighborhood. (The building itself is home to the Homeless Storage Facility, a nonprofit that provides space for houseless neighbors to store their clothes and other non-perishable items.)
Each month, the art in the window displays will change to reflect a different theme. The February display is "Black Artists Matter," celebrating African-American artists as part of Black History Month. For March, the display will honor Women's History Month with "Women Artists of the Tenderloin."
Artwork on display at the Homeless Storage Facility at 350 Jones.
All of the artists on view this month are clients of nearby nonprofit Hospitality House. CounterPulse neighborhood arts manager Rick Darnell previously worked at Hospitality House for a decade, so the two organizations collaborate on events and programming quite a bit, he said.
Two of the Hospitality House artists featured this month, Lord Frederick and Charles Blackwell, are both in their sixties and close to legally blind, Darnell said. Nonetheless, they're able to produce bright, colorful pieces and silhouettes that he considers "really remarkable."
The ceramics on display are by Kimberly Trice, a woman also living in Hospitality House.
Works by Lord Frederick (foreground) and Kimberly Trice (background), both of Hospitality House, on display at 350 Jones St.
Since moving to the Tenderloin in 2016, CounterPulse has made numerous efforts to promote the neighborhood arts community. The theater company hosts monthly themed block parties outside its building on the corner of Turk and Taylor streets, featuring hands-on workshops led by local artists.
Last year, the group received additional funding from fees paid by local developer Group i, which is behind the nearby mixed-use development at the corner of Turk and Market streets.
It used the money to install a mural across the street from Hospitality House, and conduct a neighborhood-wide arts survey to understand what the community is seeking in its art installations.
Based on the survey results, Darnell is transitioning away from "community arts" to focus more closely on "neighborhood arts," he said. "People want uplifting art that is empowering and reflective of the community."
CounterPulse's Turk Street space.
Along with other neighborhood art groups, CounterPulse has helped develop the Tenderloin Arts Working Group (TAWG), which is dedicated to connecting neighborhood residents with art. TAWG will be fully curating the April window displays at 350 Jones, Darnell said.
CounterPulse always pays the artists participating in the neighborhood arts program a stipend, Darnell said. While much of the program's funding dried up towards the end of 2018, it got some help last week from the Haas Fund, which donated $45,000 to continue its programming. Local arts supply store Blick Arts is also donating gift cards to cover the costs of artists' supplies.
Thanks to that assistance, the program has a full calendar ahead for the spring and summer:
CounterPulse's current neighborhood arts calendar for 2019. | Image: Courtesy of CounterPulse
"The Tenderloin is coming into its own, and has this whole thing about life as art to share," Darnell said.
Anyone interested in having their work displayed, or collaborating with CounterPulse on block parties or other programming, is encouraged to contact Darnell directly at rick@counterpulse.org.


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Dean Smith on the offside call against Ollie Watkins
Dean Smith says VAR 'wrong' to deny Aston Villa late penalty in West Ham loss
By Sporting Life
10:57 · TUE December 01, 2020
Dean Smith felt Aston Villa were denied a stoppage-time penalty in their 2-1 defeat at West Ham because VAR was too busy looking at offside against Ollie Watkins.
Striker Watkins was pulled up for a tight offside decision as he tucked in a cross from Matt Targett.
But it appeared as though Hammers defender Angelo Ogbonna had shoved Watkins into an offside position – which Smith felt was a foul and should have resulted in a penalty.
It was a tough end to a traumatic night for Watkins, who also lifted a 74th-minute penalty onto the crossbar after Declan Rice tugged back Trezeguet in the area.
Villa boss Smith said: "It's not frustrating, it's just wrong, that's the easiest way to describe it.
"Offside is offside, so I've no problem with that, but they've given offside for part of the body that can't put the ball in the net, and that's because he is being fouled.
"If it's not a goal it's a penalty. They've got that wrong, they spent so long looking at the offside they don't see the foul. It was more of a penalty than the first penalty.
"It's frustrating, I'm disappointed with the result but I thought we were great, we've come to West Ham and outplayed them. We had enough chances to win this game comfortably."
🤔 VAR is ________ pic.twitter.com/VYZ9qzuDow
— Sporting Life Football (@SportingLifeFC) November 30, 2020
In an increasingly tetchy second half Villa assistant John Terry was booked along with a member of West Ham's backroom team who, according to Smith, had been vocal in his criticism of Jack Grealish.
Smith said: "He had a go at me in the first half. We don't have a go at the opposition players, but heir lad was calling my player a diver and a cheat. I spoke to David Moyes and Alan Irvine and they said they'll deal with it."
Hammers boss Moyes responded: "Everyone can hear a lot more these days because there's no crowd in the stadium – it happens quite a bit. But the game was littered with free-kicks."
Ogbonna had headed West Ham into a second-minute lead from a Jarrod Bowen corner, and after Jack Grealish equalised it was Bowen who converted what turned out to be the winner when he guided in a cross from sub Said Benrahma.
💰 This clinched a great night's work from @MickeyBeardmore
✅ West Ham/under 4.5 goals at 15/8
✅ Aston Villa 7+ corners at 3/1
😬 Jarrod Bowen tipped to score first, but bagged the winner
👏 VAR, the crossbar & Ollie Watkins - thank you#WHUAVL #WHU
pic.twitter.com/F1Kh6w05Xp
The 2-1 victory lifted West Ham to fifth, with Moyes having guided them to their best start to a season since they moved to the London Stadium.
Moyes added: "I'm thrilled to take three points, it wasn't our best performance but at least we were resilient
"On the disallowed goal I was more disappointed that we hadn't defended the cross. I don't like a lot of the offside laws at the moment and we're having to get used to it.
"I'm thrilled at the position we are in. If we win without playing well I'll take that."
Follow Sporting Life on social - find us on Facebook here or tweet @SportingLifeFC
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identifying the person's body and other evidence. It is duty-bound to eliminate criminal activities by resolving the issues related to the court and police investigations fairly.
But the area of Forensic Science is not just that much, but many other techniques make it more effective in the area of crime.
What is the function of forensic analyst?
function of forensic analyst usually explores the facts of a case in depth and explains their evidence. He/ She takes care of the fact that there is no error in the investigation. Because, on the basis of evidence, he/ she has to prove the crime in court.
After that, he can called court for certifying the forensic investigation report. Forensic investigators usually prove offense with the help of their forensic report. Before proving the crime, they give evidence of the crime, in which it is completely written, who is the culprit, and how the crime was done.
training certificate. The opposition party reserves the right to challenge the report of the forensic investigation.
Computer forensic salary has been changes to state to state and country to country. it is completely depends on your efficiency to work and experience.
Computer forensic salary has been changes to state to state and country to country. it is completely depends on your efficiency to work and experience. see how?


^ "Sloane's A000292 : Tetrahedral numbers". The On-Line Encyclopedia of Integer Sequences. OEIS Foundation. Retrieved 2016-05-29.
^ Bede (731). Ecclesiastical History of the English People. , 2.2, Latin original. See Easter controversy#Synod of Whitby in 664 and Computus.
This page was last edited on 26 February 2019, at 15:14 (UTC).


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Jese went too far but I can understand the emotion after what he's been through, says Erik Pieters
Defender fronts up to the scale of the task facing Stoke City to get out of relegation zone in final 11 games
Erik Pieters refused to sugar coat a Stoke City draw that left bookies slashing odds on the season ending in relegation.
A home match with Brighton was probably Stoke's most winnable remaining game – but they had to fight back from a goal behind … then missed a penalty, open goal and had a header cleared off the line in a last minute chance to steal three points.
They stay in the bottom three, now with 11 matches left to turn their form around and climb out of a hole.
Pieters said: "You can talk and say 'we're going to be OK, we're going to be OK'. The moment we are out of the relegation zone and safe, then we can say it's over. It's simple. I could make a beautiful story for you guys, but we have to get out of this, we have to do it.
"We have the talent, we have the group, we have players to get out of there.
"It's the same as Bournemouth - a great first half, but then we lost two goals."
Jesé shows potential to make a difference (and he owes Stoke) and other talking points
Charlie Adam and Jese have a disagreement over who will take the penalty kick for Stoke City against Brighton. (Image: Leanne Bagnall)
A nervy match hit high drama in the 90 minute when Dale Stephens was harshly accused of fouling Stoke sub Jese. Charlie Adam ran to get the ball but Jese – making his first appearance since November – had to be restrained by teammates as he tried to snatch the chance to be a hero.
"That's football," said Pieters, "that's emotion.
"Don't forget this guy is having a tough season, I don't have to go into details. It's a really tough year for him. The moment there is a penalty and the moment a striker can score, you want to score. I can completely understand.
"It's gone a little bit too far, but in my opinion emotion is part of the game. Everyone works hard, everyone wants to be that hero.
"But when he missed, it's like it's bad, it's bad. I can understand the reaction."
Stoke City 1 Brighton 1 Final word on the day the knife twisted with possibly fatal consequences
Lewis Dunk challenges Charlie Adam in the rebound from a penalty as Stoke City draw with Brighton. (Image: Leanne Bagnall)
There were choice words on the pitch but Pieters insists that should not spill over.
He said: "It's all good, all good. Listen, I play with so many people and during the game, I shout, I curse. But after the game we are friends. I can make a tackle on Davy Propper or Tim Krul at the final whistle we are friends, it's normal."
Stoke have only had two penalties in the Premier League this season but they have now missed them both. Charlie Adam had scored from the spot in a miserable FA Cup defeat at League Two Coventry.
Stoke fans: A poor performance littered with errors and fear ... we're just not good enough
Pieters said: "It happens, it happens. People score and people miss. It's part of football. If he scores he's the hero, if he misses like now, people talk bad about him.
"It was a good save by the goalkeeper. I think the rebound was good by their defence and then after the corner, a great header (from Mame Diouf) off the line by (Anthony) Knockaert.
"It happens, that's part of football. I still believe we should have got more."
Brighton goalkeeper Mathew Ryan is congratulated by team-mates after saving a penalty from Charlie Adam during the Premier League match at the bet365 Stadium. (Image: Martin Rickett)
Mat Ryan had pulled off a fine save to deny Adam but the rebound fell kindly – and Lewis Dunk admits he was lucky not to concede another penalty when he slid in from behind to take Adam out and knock the ball behind with his arm.
Dunk said: "I thought my challenge was more of a penalty than the one the referee gave, but thankfully he didn't. It was a big point, but I thought we should've got more out of it.
"Never in a million years (should the original penalty have been awarded). I thought it was very soft, but the ref gave it and we had to deal with it.
"Matty then came to the rescue and saved it, and I don't know I got back to make the tackle. Maybe he (Adam) thought it was too easy and concentrated for too long. Luckily I got back and thankfully the referee didn't give another penalty."
Charlie Adam