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Rack'Em 8 Ball Pool is the fun and addictive online pool game you can play against a friend or an opponent anywhere in the world. First, the break. Whichever ball you sink first determines whether you are solids or stripes. Then try to run the table. But don't sink the 8 ball before the rest of your balls or you lose.


JEFFERSON CITY, Mo. – Missouri Attorney General Eric Schmitt announced that a St. Louis County woman was ordered to repay more than $5,000 to the MO HealthNet program after pleading guilty to Medicaid fraud-related charges.
Joyce Terry pled guilty to the class C felony of Medicaid Fraud in the Circuit Court of St. Louis County. Terry was a recipient of Medicaid services through the Consumer Directed Services Program in the St. Louis area from 2012 through 2018. Consumer Directed Services are in-home personal care services that Medicaid pays for but allows the Medicaid recipient to choose and hire her own personal care attendant. The recipient is then responsible for overseeing the work of her personal care attendant. As a part of Terry's oversight responsibilities, she was to verify to her Medicaid vendor that her in-home services were actually provided by her chosen personal care attendant. Terry signed her name to timesheets attesting that in-home services had been provided to her between May 14, 2016 and October 19, 2016. However, an investigation, which included video surveillance, revealed that Terry consistently and knowingly attested to services that were not provided.
Terry pled guilty to causing the submission of 117 false claims to Medicaid. As a result, Terry was placed on 5 years of supervised probation. Her conduct resulted in a loss of $5,194.66 from the Medicaid program, which she will be required to pay back to the Medicaid program as a condition of her probation.
The case was a jointly investigated by the Missouri Attorney General's Office and the United States Department of Health and Human Services, Office of Inspector General. This case was prosecuted by Assistant Attorney General Michael Anderson, Assistant Attorney General Brad Crowell and investigated by Medicaid Fraud Control Unit Investigator Amy Moffett of Schmitt's Office.
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Australian gold producers are shining in a gloomy market for corporate earnings. Our lower currency is supporting the Australian dollar gold price and further gains this financial year are likely. Expect the market to upgrade earnings forecasts for mid-tier, Australia-based producers.
This column became moderately bullish on gold last year, nominating Newcrest Mining, Northern Star Resources, Silver Lake Resources and the ANZ ETFS exchange-traded fund over gold. My latest column on gold, in June, singled out Gold Road Resources and Evolution Mining, and had a more favourable outlook on the gold sector.
The Australian dollar's outlook largely underpins this view. I expect further falls as Chinese economic growth slows, commodity prices decline, and the Reserve Bank is forced to cut interest rates in November. My base case is now for two further rate cuts in the next six months, not one, given the Australian economy's outlook.
Also, the US Federal Reserve is getting closer to the first rate rise in this cycle, if not in December then in the first quarter of 2016. That will inevitably attract more capital to the US and further pressure commodity-based currencies such as ours.
Predicting currency targets is, of course, a mug's game. But the Australian dollar's headwinds are strengthening and its downtrend has further to run this year and next. AMP Capital chief economist Dr Shane Oliver expects our dollar to fall to US60 cents in the next year or so, "with the risk that it will go even lower". A trading range of US60-65 cents by this time next year would not surprise. The risks are to the downside.
A lower Australian dollar would boost local gold producers and those with offshore operations because their earnings are worth more when translated into our currency. Investments banks have been upgrading gold earnings forecasts on the back of lowered currency forecasts.
I wouldn't be as bullish on gold if not for our currency's decline. Higher US interest rates, the absence of global inflation, and potentially weaker gold demand for emerging markets, work against the US dollar gold price. But it's a different story in Australian dollar terms.
The Australian dollar gold price has rallied from $1,470 in August to $1, 645, and is retesting its January highs. Gold traded at $1,800 an ounce in mid-2011.
As revenue rises, lower energy, capital and operating expenses are helping to boost profit margins for gold producers. The end of the mining investment boom has crunched demand for mining services and is making it cheaper for Australian gold companies to expand production.
This improving outlook is reflected in the S&P/ASX All Ordinaries Gold Index's 20 per cent rally over one year. It compares with a negative 2 per cent total return in the ASX 200. After several years of horrible underperformance, the sector's recovery is long overdue.
Newcrest Mining, the market's largest gold stock, is undervalued. Its long-suffering shareholders watched it slump from $42 in April 2012 to $7.69 after operational and governance issues disappointed the market, production costs rose, and the gold price fell. Newcrest has since rallied to $12.53 and the market is becoming more bullish.
Of 16 broking firms that cover Newcrest, seven have a strong buy or buy recommendation, five have a hold, and four have an underperform, consensus estimates show. Two months ago, there were eight underperform recommendations and five buys.
Share-price targets range from $9 to $15 and the mean target is $12.89. That implies Newcrest is almost fully valued at the current price, but the market might be lagging with its currency forecasts and underestimating the potential of a lower Australian dollar on Newcrest's earnings.
Some researchers are bullish. Morningstar has a buy recommendation and values Newcrest shares at $22. Macquarie Equities this week upgraded its recommendation to outperform and has a $15 price target.
The gold and copper producer delivered 19 per cent growth in underlying profit to $515 million for 2014-15, ahead of some analyst forecasts. Stronger-than-expected growth in cash flow suggests Newcrest can pay down debt faster than the market expects. Production guidance for 2015-16 was a little softer than anticipated, but it was a solid result overall.
The lower Australian dollar, efficiency gains, and production growth suggest the worst is behind Newcrest. For all its recent problems, it remains a large, long-life gold miner and its cost position should improve as the Cadia Valley and Lihir operations are expanded.
Much work is still to be done, particularly with Lihir. Those hoping for quick gains from here will be disappointed, but there's enough in Newcrest's unfolding recovery to suggest it warrants consideration among those seeking exposure to a higher Australian dollar gold price as our currency weakens.
Tony Featherstone is a former managing editor of BRW and Shares magazines. The column does not imply any stock recommendations. Readers should do further research of their own or talk to their adviser before acting on themes in this article. All prices and analysis at September 30, 2015.


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Farm Pond Pleasures
Ron Kruger|
It's cool to get out there on the big lakes and run around like everyone else, to throw a rooster tail high behind you and feel the power pushing you with the wind in your face. But many are attracted to the competitive aspect of fishing. Sometimes I'm overcome by the urge for solitude and just the tranquil twinkle of a new day feeling its way across the surface of a farm pond.
Technology is everywhere, and it certainly has invaded our pastimes and sports, but the underlying reason for all those blinking gadgets and whirling props is to outdo the other guy. This competition for the best spots and the biggest fish permeates the ambience of public waters. And the bigger they are, the less you can escape it whether you're registered in a tournament or not. It's there all the time, even when you fish from the bank.
But when I fish a farm pond or similar isolated, ignored small water, I "own it." This drains the stress of regular living from my consciousness. Fishing for most of us is a way to get away from it all, and a farm pond takes you about as far away from it all as you can get.
I picked farm ponds to make this point because I just got back from one, and I'm still basking in the experience. I've experienced the same thing on smallmouth and trout streams, wilderness lakes and the ocean. When we get right down to it, getting away from it all really means getting away from people. I don't do that very often because most of the time I want to be around people and honk like a gregarious goose. I want to laugh like a hyena and prove to everyone I can catch fish like an osprey—it's the human in me. But when I walk, wade or paddle into places where no one can see, it's just nature and me and I connect with something that's difficult to find and explain to the maddening crowds.
People who write about ponds usually tell you how big the bass can be, but the truth is, rarely do they match the quality of fish in the bigger waters. In general, usually the fish in ponds are smaller, so I use my smaller baits. Instead of big worms rigged like they use in Texas or Carolina, I prefer Charlie Brewer's Bass Sliders with 4-inch worms. Instead of bigger spinnerbaits I'll use Mann's Mini-Spins. And, I downsize my crankbaits to the models often trolled for crappies. And my favorite fluke is only 3 inches long.
The pinnacle of pond fishing for me is the terrific topwater bite. Again, I usually downsize my surface offerings and often revert to older time-tested baits like Jitterbugs, Pop-Rs, Hula Poppers and Baby Spooks. Though it seems that way, bass in ponds are not necessarily more plentiful. I think it's just that they are more eager or at least less "educated." I think fishing in these can be so good simply because those fish live in places that are "away from it all" all of the time. Or, again, maybe it's me. When I fish a farm pond I tend to go much slower and notice more things. In big lakes, I believe the average angler rushes by more fish in a day than they'll catch in a lifetime. In ponds, though, time and space become more confined to the moment and the perfection of the method.
Maybe, the mood of the place and the pace of the more placid water make me a better fisherman. Besides, when I fish where no one can see it's much easier to lie about the big one that got away when you get back to the "real world" of fishing.
Red Eyes of the Goggle-eye doesn't mean it's a Devil Fish
Gold catching fish at Devils Lake
Oh, those Wounded Minnows Entice the Fish
Ron Kruger
Ron Kruger has been communicating the outdoor experience for more than four decades. He has worked as a full-time guide for trout on the North Fork, for crappies and bass on Kentucky Lake and for smallmouths on the Current River. He has served as editor of three outdoor magazines, and owns a patent on a fly/lure called the Desperate Diver.

redpajama_set_name: RedPajamaCommonCrawl


Sporty and chic collide in the Aurora memory foam comfort footbed slide sandal from Impo! The matching stone-accented laser-cut upper provides eye-catching sparkle. This flat sandal will inspire you to get in touch with your trendy side!


Osamu Kanemura (b.1964) is a photographer born and based in Tokyo. Since 1992, he has had more than twenty solo exhibitions in Tokyo, New York and other cities. His works have been featured in many exhibitions, including the 1996 'New Photography 12,' The Museum of Modern Art, New York, the 1997 'Absolute Landscape,' Yokohama Museum of Art, the 2004 Rencontres Internationales de la Photographie d'Arles, and the 2006 Venice Architecture Biennale. His 2002 photobook, "Spider's Strategy" is widely known as his major publication. His photographs are included in major collections such as MoMa, New York, San Francisco Museum of Modern Art, National Museum of Modern Art, Tokyo, and Tokyo Metropolitan Museum of Photography. He received the New Photographer Prize from the Photographic Society of Japan in 1997, the Ken Domon Prize in 2000, and the Ina Nobuo prize in 2014.


Typha, a new series of two twenty-foot tall stainless steel and resin sculptures, is standing tall in Denver, CO along the country's longest continuous commercial street: Colfax Ave.
The two sites are located at Irving St./Zenobia St. at West Colfax Ave. on Denver's "Gateway to the Rockies," which takes travelers from the plains to the mountains. Joe Riché harkened back to the icon of Colfax Ave. when creating this work for the West Colfax Business Improvement District.
Working with high volume resin castings, Demiurge's challenge in fabricating Typha was that the resin had a tendency to crack under the high temperatures associated with the curing process. Always up for a production challenge, even with their own art, Demiurge solved the issue by working with their resin vendor's chemist to develop a formula that could withstand the temperatures created during the curing process in addition to submerging the castings in water to further control the curing temperature.
The West Colfax BID promotes business expansion, investment and development and sponsors improvements to the ROW to recast West Colfax Avenue as Denver's sustainable Main Street.


Berlin based Enough! Music present the 9th release Crispy Lips created by Eveline Fink. She offers us two elegant tracks. The EP title track and the other is named Backflash.
Berlin based Enough! Music present the 9th release " Crispy Lips " created by Eveline Fink. After a short break she offer us two elegant tracks with the name Crispy Lips and Backflash.
The great musical attitude, passion and the smooth flaver are the hallmark of Eveline Fink.
This time we are so happy with a fabulous remix from Daniel Stefanik, (Moon Harbour, Cocoon,). Enjoy!
Das in Berlin beheimatete Label ENOUGH! MUSIC präsentiert seine 9. Vinyl Only EP Crispy Lips von Eveline Fink.
Nach einer kleinen Pause kredenzt Sie uns zwei elegante Tracks mit Namen " Crispy Lips " and " Backflash ".
Einen grandiosen Remix des Title Tracks Crtispy Lips, steuert niemand geringeres als Daniel Stefanik (Moon Harbour, Cocoon) bei.


Seeking the best white water pot with good quality and affordable prices from DHgate Australia site. We provide a variety of outdoor kettle pots online supplied by reliable sellers around the world. Helping you step by step of finding cheap bulk potting pots is what we aim for. Enjoy exploring our range of heat pots pans shop and find the herb planter pot for sale from au.dhgate.com with free delivery to Australia.


EDELWEISS FINANCIAL share price has plunged 5% and is presently trading at Rs 194.
Meanwhile, the BSE 500 Index is at 15,008 (down 1.1%).
Among the top losers in the BSE 500 Index today are EDELWEISS FINANCIAL (down 5.0%) and BOMBAY DYEING (down 5.5%).
RURAL ELECTRIFICATION (up 8.7%) and TTK PRESTIGE (up 5.9%) are among the top gainers today.
Over the last one year, EDELWEISS FINANCIAL has moved down from Rs 237 to Rs 194, registering a loss of Rs 44 (down 18.3%)..
The BSE 500 has moved up from 14,105 to 15,008, registering a gain of 903 points (up 6.4%) during the last 12 months.
The top gainers among the BSE 500 Index stocks during this same period were VINATI ORGANICS (up 99.8%), ADANI POWER (up 90.4%) and BATA INDIA (up 88.9%).
The BSE Sensex is at 38,017 (down 1.2%). The top gainers among the BSE Sensex stocks today are ONGC (up 1.8%). The most traded stocks in the BSE Sensex are NTPC and ONGC.
In the meantime, NSE Nifty is at 11,396 (down 1.1%). IOC (up 3.3%) and POWER GRID (up 2.1%) are among the top gainers in NSE Nifty.
Over the last 12 months, the BSE Sensex has moved up from 33,006 to 38,017, registering a gain of 5,011 points (up 14.3%).
EDELWEISS FINANCIAL net profit stood at Rs 3 billion for the quarter ended December 2018, compared to a profit of Rs 2 billion a year ago. Net Sales rose 34.1% to Rs 27.8 billion during the period as against Rs 20.7 billion in October-December 2017.
For the year ended March 2018, EDELWEISS FINANCIAL reported 56.5% increase in net profit to Rs 8.6 billion compared to net profit of Rs 5.5 billion during FY17.
Revenue of the company grew 30.2% to Rs 86 billion during FY18.
The current Price to earnings ratio of EDELWEISS FINANCIAL, based on rolling 12 month earnings, stands at 16.3x.
Equitymaster requests your view! Post a comment on "EDELWEISS FINANCIAL Plunges by 5%; BSE 500 Index Down 1.1%". Click here!


text:
Christine Armario
Man sent back to Iran under Trump travel ban is back in US
February 2, 2017 at 12:00 a.m.
LOS ANGELES (AP) — An Iranian man turned away from Los Angeles International Airport under President Donald Trump''s executive order barring people from seven Muslim-majority nations has arrived back in...
A year after attack in San Bernardino, faithful seek unity
December 1, 2016 at 12:00 a.m.
SAN BERNARDINO, Calif. (AP) — Almost a year after her father was killed in the San Bernardino terror attack last December, Kate Bowman etched the word "love" in yellow chalk...
Harris meets with immigrants in LA, vows to protect rights
November 10, 2016 at 12:00 a.m.
LOS ANGELES (AP) — Senator-elect Kamala Harris met with immigrant leaders in Los Angeles Thursday, telling them she will fight to preserve protections advocates fear could be dismantled once Donald...
Proposition 51 would provide $9 billion for school buildings
LOS ANGELES (AP) — California voters are deciding whether to approve $9 billion in bonds for school and community college construction projects — a measure proponents say is necessary to...
Most Syrian refugees arriving in US are kids; schools adapt
EL CAJON, Calif. (AP) — Seated at his desk at a suburban San Diego middle school, 12-year-old Abdulhamid Ashehneh tries not to let his mind wander to the painful memories...
California student scores up, most don"t meet new standards
LOS ANGELES (AP) — Students in California improved their scores on an annual statewide exam but most still aren''t meeting the more challenging standards for math and reading, according to...
Homes burned by California fire; teams look for more damage
SAN BERNARDINO, Calif. (AP) — In the aftermath of a wildfire, somebody has to figure out exactly what burned. It''s painstaking and important work that helps evacuated residents know if...
Southern California wildfire evacuees allowed to return home
SAN BERNARDINO, Calif. (AP) — Five days after an explosive wildfire in Southern California drove thousands from their homes, authorities lifted all evacuation orders on Sunday to allow them to...
More people go home as progress made against California fire
PHELAN, Calif. (AP) — More people returned to their homes Friday as firefighters made significant progress against a huge wildfire burning in Southern California''s San Bernardino National Forest, but that...
Evacuated residents in limbo as wildfire burns in California
SAN BERNARDINO, Calif. (AP) — Twisted metal gates and rusted mailboxes remained where houses once stood. Flames had turned a lot full of cars — including some vintage models —...


text:
Governmental Municipalities
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Hail Claims
Wind Claims
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Flood Claims
Bill Voss
C. Bryan Beverly
Dan Simmonds
Thomas Scott Edwards
Todd Farr
Hurricane Irma Victims Report Delayed And Denied Claims
?What if I don't have proof of personal items in my home before a hurricane?
?What can I do if the insurance offer for my hurricane claim is too low?
?What can I do if the insurance company won't pay my hurricane claim due to preexisting damage?
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In the state of Florida there have been over 700,000 claims filed due to damage done from Hurricane Irma, a storm that occurred over a month ago. These claims were first estimated to cost $4.6 billion, yet only about $100 million has been approved and paid out. As of September, third party experts predict the total insured and uninsured losses from wind and flood will range from $42.5 billion to $65 billion.
Hurricane Irma caused plenty of flooding, but most of its damage was due to excessive wind that reached up to 185 miles per hour. There have been only 1,419 flood claims filed so far. 269 claims have been settled and paid, 92 have been closed with no payment awarded, and over 1,000 are still open.
Although some of these claims have been paid, there are still more than 80% that have not been settled. Furthermore, out of all the claims that have been settled there have been more than 150 complaints submitted. Most of the claims relate to a denial of payment and others are about the extra-long waits victims have experienced.
There main reason why there are so many complaints is because of the rise of hurricane deductibles. Most homeowners have a deductible that equals 2 to 5 percent of their home's worth. That means they must pay a very high amount to even get the repair process started, and many do not have the resources to pay that much out of pocket. Because of this deductible issue, property owners will absorb $13.1 billion of the damages.
Most of the deductible gap cases are insured by private insurance companies, however FEMA is also having difficulty paying out claims. Just last week, according to the Florida Insurance Commissioner, there were 195 National Flood Insurance Program claims closed with payment and 1,936 closed without payment. Florida has the highest number of NFIP policies in the nation. There are 5 million NFIP policies nationwide, and 100,000 in Palm Beach County alone. Only 18 percent of Floridians have flood insurance so many property owners will have to pay for the storm damages then write the amount off as a loss. In addition, new state laws are being introduced which will make it even harder for policy-holders to file claims.
Even though most claims are the result of minor damage from falling trees, Hurricane Irma victims are still encouraged to file their claims. Even if they don't get any funds this time, it counts towards their annual deductibles. This means that if there is another storm this year they will have less of a deductible to claim, and have a higher chance of receiving money for their claim.
If you are being harassed or struggling to collect fair payment for losses from Hurricane Irma, the Voss Law Firm can help. The Voss Law Firm fights on behalf of policyholders who have been denied fair coverage for their losses. For more information contact the Voss Law Firm today.
The Voss Law Firm, P.C. represents clients on a local, national and international basis. We proudly serve companies and individuals along the Gulf Coast and around the globe on a contingency fee basis. Our law firm collects nothing unless we recover on our client's behalf.
Please contact us today for a FREE, no obligation, confidential consultation with a qualified policyholder attorney.
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Transitioning to school in the fall, especially for young children, is an experience which is likely to be both exciting and stressful for the whole family. You might worry, "Is he ready? How will we all adjust? Will she make friends?"
The fall signifies the beginning of school, and for many, a new start with work. For those with loved ones with disabilities, having support, advocacy and someone to help navigate through the school system can be of tremendous help.
This week on Humans of JF&CS, meet Ruth Maffa, Senior Development Officer, and Gail Leichtman, Geriatric Care Manager.
A new, one-minute public service announcement (PSA) video in English and Spanish is available from the JF&CS Percolator Memory Café Network.


text:
Buzz du web
Science &...
NY Video
A shocking new Netflix documentary explores the seedy side of Dominique Strauss-Kahn, former poster boy for the global elite
Room 2806: The Accusation (2020) © Netflix 46
The new four-part mini-series showcases sex, money, power, class, race and gender as it dives deep into the fetid swamp of the former IMF head's controversial 2011 sex assault case in a futile search for truth.
Michael McCaffrey
Michael McCaffrey is a writer and cultural critic who lives in Los Angeles. His work can be read at RT, Counterpunch and at his website mpmacting.com/blog. He is also the host of the popular cinema podcast Looking California and Feeling Minnesota. Follow him on Twitter @MPMActingCo;
'Room 2806: The Accusation', the new documentary that premiered on Netflix on December 7, tells the twisted tale of Dominique Strauss-Kahn (known as DSK), the former chief of the International Monetary Fund (IMF), and the sexual assault scandal brought against him in 2011.
At that time, DSK was at the zenith of his career. As head of the IMF, he had performed admirably during the 2008 financial crisis and now the former French finance minister seemed poised to defeat unpopular incumbent Nicolas Sarközy and become the president of France.
Life was good for the darling of the Socialist Party and of the socialite set, thanks to his career success and his marriage to the beautiful heiress Anne Sinclair, an accomplished and connected American-born French journalist.
Then DSK went to New York on a business trip and stayed at the smart Sofitel Hotel, in room 2806 – the $3,000-a-night presidential suite. This is where, on May 14, 2011, the 62-year-old had a brief sexual encounter with a 32-year-old maid, Nafissatou Diallo, right before leaving to catch a scheduled flight.
Diallo, an illiterate immigrant from Guinea, in West Africa, quickly reported to hotel security, and then the police, that she had been sexually assaulted. In response, the New York Police Department (NYPD) swiftly arrested Strauss-Kahn at JFK Airport.
And thus begins the series' tumultuous journey to find out the truth of what actually happened in Room 2806.
Along the way, DSK is charged, held in New York's notorious Rikers Island jail, resigns from the IMF, and loses any chance of becoming the French president. In addition, both DSK and Diallo have their lives upturned and their backgrounds scoured, and are ultimately thoroughly humiliated in the press… and yet the truth still remains elusive.
'Room 2806' is like a B-movie or a dime-store novel, in that it is filled with a series of ever more improbable twists and turns. Conspiracy theories, neither unfounded nor satisfactorily debunked, swirl around the case, as French intelligence, and their connections with Sarközy and the Sofitel's parent company, raise serious questions as to whether DSK was set up.
And there are shocking revelations about both DSK and Diallo, which leave the viewer both dismayed and disoriented, as it becomes all too apparent that neither protagonist can be trusted.
The well-paced series uses May 14, 2011, the date of the alleged sexual assault, as the story's pivot, but it moves forward and backward in time in an attempt to give more context. This approach initially humanizes DSK, who, at times, comes across as an impressive and sympathetic figure in this real-life melodrama.
Despite his power and wealth, which usually protect people like him, DSK's social status is instead an incentive for law enforcement and the media to be vicious towards him. His licentious proclivities, both past and future, are exposed in detail. His friends and supporters claim he's merely a libertine and a lothario, rather than a rapacious sexual predator, but that is far too generous an assessment. As the film reveals, he is a lecherous, lascivious, and depraved degenerate who is a shameless slave to his own voracious ambitions and appetites.
Unsurprisingly, Daillo is sympathetic – at first. The narrative of the hard-working single-parent immigrant preyed on by an entitled and debauched member of the elite is a compelling one. But there is something off about her… and those feelings of unease are backed up when she's exposed as being a much more complicated and compromised character than had been originally portrayed.
As ultimately unlikeable as DSK and Diallo both are, this case attracts a collection of odious secondary characters like dung beetles to a manure pile.
Shakespeare wrote, "The first thing we do, let's kill all the lawyers", and this insight is certainly applicable to the DSK case. His lawyers are, not surprisingly, considering his enormous wealth and status, the very best in the business. Benjamin Brafman is one of the most talented and notorious in New York, for the right price, he quickly slithers to his client's defense with fork-tongued aplomb.
Diallo has a pair of lawyers as well, neither of whom seem to have a brain between them, and, in the documentary, they bend over backwards to aggrandize and embarrass themselves.
Then there are the self-serving activists who use this awful case as a platform from which to shout their inanities. There's a black former NYPD officer who's now a race activist – he does a cheap Al Sharpton impersonation and screams that Diallo is a victim of racism, even though that's a vacuous claim and there's explicit evidence to the contrary.
Feminists plant their protest flag on the dung heap, too. Some even suggest the DSK case was the true beginning of the #MeToo movement. This seems a historically tenuous claim, but that is only to be expected from vapid hysterics.
The events documented in 'Room 2806: The Accusation' leave you feeling in despair for humanity and in need of a shower. It also leaves you believing DSK, Diallo, their lawyers, the cops, and the parasitical activists are all vile creatures who truly deserve the pronounced misery of each other's company.
Little wonder that DSK, now an embittered 71-year-old forced into the shadows, has announced plans to release his own documentary next year, claiming. "The time has come for me to speak out" – something he declines to do in 'Room 2806'. Is it likely to be any more illuminating? I suspect it will simply throw another forkful or two on to the steaming dung heap he created in the first place.
The statements, views and opinions expressed in this column are solely those of the author and do not necessarily represent those of RT.
Keywords: Netflix
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Viewers appalled by graphic Netflix show (15/01/2021)
Star of Netflix series 'Cheer' indicted on new child pornography and sex charges (12/12/2020)
Netflix Raises Prices in the U.S. (29/10/2020)
Netflix Misses Q3 Subscriber and Net Earnings Forecasts, Stock Falls (20/10/2020)
A tale of two streamers: Netflix hits a rough patch as Peacock spreads its wings (20/07/2020)
Netflix to cancel inactive subscriptions  (24/05/2020)
Anguish as Netflix star found dead  (23/05/2020)
Netflix's Michelle Obama doc 'Becoming' tackles a complicated legacy, in her own words (06/05/2020)
Netflix's Ted Sarandos Got a $6 Million Raise in 2019 (22/04/2020)
Netflix Packs on Record 16 Million Subscribers in Q1, Getting Huge Lift From Coronavirus Lockdowns (21/04/2020)
'Sex and the City' is getting a Samantha-free revival (12/01/2021)
Anderson Cooper shares when he realized he was gay: 'One of the great blessings of my life' (12/01/2021)
Ellen DeGeneres Details Her COVID Experience as She Returns to Host Talk Show (13/01/2021)
Disney+ is planning more reboots, Star Wars, and Marvel galore (11/12/2020)
Howard Stern signs new 5-year deal with SiriusXM after teasing audience for weeks (08/12/2020)
Hollywood, Theater Owners Sound Off on Warner Bros.' Bold HBO Max Move: 'They're Playing With Fire' (06/12/2020)
Will Smith drops the Fresh Prince of Bel-Air Reunion trailer (14/11/2020)
Disney+ Tops 73 Million Subscribers (12/11/2020)
'It's not your job': Debate sparked on 'unbiased' journalism after news broadcasters cut away from Trump's election fraud speech (06/11/2020)
Trump speech cut off after one minute (05/11/2020)
'Blackmail' fails? Twitter makes about-face & unfreezes New York Post account suspended over Hunter Biden story (31/10/2020)
Adele faces backlash over 'sick' sex skit  (26/10/2020)
Donald Trump's massive fortune under attack...
Anderson Cooper shares when he realized he...
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Parler Sues Amazon After Tech Giant Kicks...
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Viewers appalled by graphic Netflix show
WARNING: Graphic images. A grisly new Netflix true crime docuseries has some viewers switching off in disgust, labelling the show "tough viewing."
Ousted President Donald Trump facing impeachment, conviction and being barred from office
 Biden Pushes for $1.9 Trillion in Pandemic Relief
Biden unleashes executive orders aimed at fighting Covid with 100-day 'masking challenge' & vaccine deluge
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text:
package deployment

import (
	"context"

	appsv1beta1 "k8s.io/api/apps/v1beta1"
	appsv1beta2 "k8s.io/api/apps/v1beta2"
	extensionsv1beta1 "k8s.io/api/extensions/v1beta1"
	apiequality "k8s.io/apimachinery/pkg/api/equality"
	apivalidation "k8s.io/apimachinery/pkg/api/validation"
	"k8s.io/apimachinery/pkg/runtime"
	"k8s.io/apimachinery/pkg/runtime/schema"
	"k8s.io/apimachinery/pkg/util/validation/field"
	genericapirequest "k8s.io/apiserver/pkg/endpoints/request"
	"k8s.io/apiserver/pkg/registry/rest"
	"k8s.io/apiserver/pkg/storage/names"
	"k8s.io/kubernetes/pkg/api/legacyscheme"
	"k8s.io/kubernetes/pkg/api/pod"
	"k8s.io/kubernetes/pkg/apis/apps"
	"k8s.io/kubernetes/pkg/apis/apps/validation"
)

// deploymentStrategy implements behavior for Deployments.
type deploymentStrategy struct {
	runtime.ObjectTyper
	names.NameGenerator
}

// Strategy is the default logic that applies when creating and updating Deployment
// objects via the REST API.
var Strategy = deploymentStrategy{legacyscheme.Scheme, names.SimpleNameGenerator}

// DefaultGarbageCollectionPolicy returns OrphanDependents for extensions/v1beta1, apps/v1beta1, and apps/v1beta2 for backwards compatibility,
// and DeleteDependents for all other versions.
func (deploymentStrategy) DefaultGarbageCollectionPolicy(ctx context.Context) rest.GarbageCollectionPolicy {
	var groupVersion schema.GroupVersion
	if requestInfo, found := genericapirequest.RequestInfoFrom(ctx); found {
		groupVersion = schema.GroupVersion{Group: requestInfo.APIGroup, Version: requestInfo.APIVersion}
	}
	switch groupVersion {
	case extensionsv1beta1.SchemeGroupVersion, appsv1beta1.SchemeGroupVersion, appsv1beta2.SchemeGroupVersion:
		// for back compatibility
		return rest.OrphanDependents
	default:
		return rest.DeleteDependents
	}
}

// NamespaceScoped is true for deployment.
func (deploymentStrategy) NamespaceScoped() bool {
	return true
}

// PrepareForCreate clears fields that are not allowed to be set by end users on creation.
func (deploymentStrategy) PrepareForCreate(ctx context.Context, obj runtime.Object) {
	deployment := obj.(*apps.Deployment)
	deployment.Status = apps.DeploymentStatus{}
	deployment.Generation = 1

	pod.DropDisabledFields(&deployment.Spec.Template.Spec, nil)
}

// Validate validates a new deployment.
func (deploymentStrategy) Validate(ctx context.Context, obj runtime.Object) field.ErrorList {
	deployment := obj.(*apps.Deployment)
	return validation.ValidateDeployment(deployment)
}

// Canonicalize normalizes the object after validation.
func (deploymentStrategy) Canonicalize(obj runtime.Object) {
}

// AllowCreateOnUpdate is false for deployments.
func (deploymentStrategy) AllowCreateOnUpdate() bool {
	return false
}

// PrepareForUpdate clears fields that are not allowed to be set by end users on update.
func (deploymentStrategy) PrepareForUpdate(ctx context.Context, obj, old runtime.Object) {
	newDeployment := obj.(*apps.Deployment)
	oldDeployment := old.(*apps.Deployment)
	newDeployment.Status = oldDeployment.Status

	pod.DropDisabledFields(&newDeployment.Spec.Template.Spec, &oldDeployment.Spec.Template.Spec)

	// Spec updates bump the generation so that we can distinguish between
	// scaling events and template changes, annotation updates bump the generation
	// because annotations are copied from deployments to their replica sets.
	if !apiequality.Semantic.DeepEqual(newDeployment.Spec, oldDeployment.Spec) ||
		!apiequality.Semantic.DeepEqual(newDeployment.Annotations, oldDeployment.Annotations) {
		newDeployment.Generation = oldDeployment.Generation + 1
	}
}

// ValidateUpdate is the default update validation for an end user.
func (deploymentStrategy) ValidateUpdate(ctx context.Context, obj, old runtime.Object) field.ErrorList {
	newDeployment := obj.(*apps.Deployment)
	oldDeployment := old.(*apps.Deployment)
	allErrs := validation.ValidateDeploymentUpdate(newDeployment, oldDeployment)

	// Update is not allowed to set Spec.Selector for all groups/versions except extensions/v1beta1.
	// If RequestInfo is nil, it is better to revert to old behavior (i.e. allow update to set Spec.Selector)
	// to prevent unintentionally breaking users who may rely on the old behavior.
	// TODO(#50791): after apps/v1beta1 and extensions/v1beta1 are removed,
	// move selector immutability check inside ValidateDeploymentUpdate().
	if requestInfo, found := genericapirequest.RequestInfoFrom(ctx); found {
		groupVersion := schema.GroupVersion{Group: requestInfo.APIGroup, Version: requestInfo.APIVersion}
		switch groupVersion {
		case appsv1beta1.SchemeGroupVersion, extensionsv1beta1.SchemeGroupVersion:
			// no-op for compatibility
		default:
			// disallow mutation of selector
			allErrs = append(allErrs, apivalidation.ValidateImmutableField(newDeployment.Spec.Selector, oldDeployment.Spec.Selector, field.NewPath("spec").Child("selector"))...)
		}
	}

	return allErrs
}

func (deploymentStrategy) AllowUnconditionalUpdate() bool {
	return true
}

type deploymentStatusStrategy struct {
	deploymentStrategy
}

var StatusStrategy = deploymentStatusStrategy{Strategy}

// PrepareForUpdate clears fields that are not allowed to be set by end users on update of status
func (deploymentStatusStrategy) PrepareForUpdate(ctx context.Context, obj, old runtime.Object) {
	newDeployment := obj.(*apps.Deployment)
	oldDeployment := old.(*apps.Deployment)
	newDeployment.Spec = oldDeployment.Spec
	newDeployment.Labels = oldDeployment.Labels
}

// ValidateUpdate is the default update validation for an end user updating status
func (deploymentStatusStrategy) ValidateUpdate(ctx context.Context, obj, old runtime.Object) field.ErrorList {
	return validation.ValidateDeploymentStatusUpdate(obj.(*apps.Deployment), old.(*apps.Deployment))
}

redpajama_set_name: RedPajamaGithub


text:
Debbie C. Crans is a Professor of Organic, Inorganic and Biological Chemistry and of Cell and Molecular Biology at Colorado State University, where she also is a Professor Laureate of the College of Natural Sciences. Crans specializes in the fundamental chemistry and biochemistry of drugs, with particular focus on vanadium and other transition metal ions as metals in medicine and investigation of their mechanisms of toxicity.

Education
Debbie Crans studied at the University of Copenhagen, studying for her Cand. Scient. 1. part (B.S.) in 1974–1978, then her Cand. Scient. 2. part (research) in 1978–1980. During this time, she worked with Prof. James P. Snyder at Copenhagen, and Prof. Paul von Ragué Schleyer at the University of Erlangen–Nuremberg in Germany on computational studies of free radicals. She then moved to Harvard University in the United States to pursue graduate studies in the laboratory of Prof. George M. Whitesides. At Harvard, Crans worked on enzyme-catalyzed phosphorylation reactions, using glycerol kinase to synthesize chiral analogs of glycerol. She graduated with her Ph.D. in 1985.  She went on to do postdoctoral work with Orville L. Chapman and Paul D. Boyer at the University of California, Los Angeles from 1985–1986, studying the mechanistic enzymology of the F1 subunit of ATP synthase from chloroplasts and beef heart.

Independent career and research
Crans began her independent career as an assistant professor at Colorado State University in 1987. She was promoted to Associate Professor in 1991, and full Professor in 1998.

Crans is known for her work on the role of vanadium in biological systems, especially the effects of its compounds on diabetes. She has worked as senior editor several books on vanadium, such as Vanadium Compounds: Chemistry, Biochemistry, and Therapeutic Applications, Vanadium: The Versatile Metal and Vanadium in Biochemistry. Crans served as chair of the American Chemical Society in 2015 and 2016. She has also been associate editor for the New Journal of Chemistry, Inorganic Chemistry, the Journal of Inorganic Biochemistry and Coordination Chemistry Reviews.

Crans has contributed to over 215 peer-reviewed articles. As of spring 2019, her work has been cited 7,200 times excluding self-citations making her h-index of 53. Her review paper, "The chemistry and biochemistry of vanadium and the biological activities exerted by vanadium compounds" has been cited over 900 times. Her study on "Effects of vanadium complexes with organic ligands on glucose metabolism: a comparison study in diabetic rats" describes the use of vanadium compounds as hypoglycemic agents, and it has been widely cited.

Awards

International Awards

 2019 ACS Award for Distinguished Service in the Advancement of Inorganic Chemistry
 2015 Arthur C. Cope Scholar Award
 2012 Lectureship award, Japanese Coordination Chemistry Society
 2004 Vanadis award from the International Vanadium Symposium in Szeged
 2000 Japan Society of Promotion of Science award
 2000 Alexander Humboldt Senior Research awardee

National Awards

 2017 ChemLuminary Awards Young Chemists Committee
 2016 Royal Society Fellow
 2014 AAAS Fellow
 2009 ACS Fellow
 1993-96 Alfred P. Sloan Research Fellow
 1994 Alberta Heritage Foundation award
 1990-1992 Eli Lilly Young Investigator Award
 1989-1994 National Institutes of Health FIRST award

Personal life
She currently resides in Northern Colorado with her husband and three daughters. One daughter is pursuing the PhD in chemistry at Northwestern University, one is an undergraduate student at Colorado State University, and one works as a financial planner.

References

Danish women chemists
American women chemists
Bioinorganic chemists
Harvard University alumni
Danish emigrants to the United States
Living people
Colorado State University faculty
University of Copenhagen alumni
1955 births
Place of birth missing (living people)
American women academics
21st-century American women

redpajama_set_name: RedPajamaWikipedia


A quick start and a strong finish was not enough for Van Horn Friday night.
After trailing by two scores only four minutes into the game, Bishop LeBlond rallied to score 31 unanswered points as they dominated the second and third quarters to defeat Van Horn 31-20 in a contest that featured a two-hour delay in the fourth quarter.
Senior quarterback Sam Schanze led the way for the Golden Eagles completing 15 of 21 passes for 205 yards and two touchdowns.
Schanze didn't have a favorite target either as four receivers had at least 30 yards. Senior tight end Eli Lilly led the way with 66 yards; senior wide receiver Riley Burns had 31 yards and a touchdown; senior Trey Hartman caught 42 yards and a touchdown and junior Connor Lockhart finished with 51 yards.
Van Horn coach Jeff Tolbert could not have his defense focus on the passing game either, because LeBlond's senior running back Dillon Garrett ran the ball 22 times and tallied 111 yards with two touchdowns.
The balanced attack has kept the Falcons guessing all evening.
Despite the scoreless second and third quarters, there was one consistent player for the Falcons -- running back Rai'Reco Miler. The senior ran the ball 31 times for 219 yards, including an 80-yard touchdown on the second play from scrimmage.
He accounted for two of the Falcons three touchdowns.


text:
book tags....
I've been a little slow in responding, but the other day Evelio tagged me for this:
Find the nearest book.
Turn to page 123.
Go to the fifth sentence on the page.
Copy out the next three sentences and post to your blog.
Name the book and the author, and tag three more folks.
"...There are directions for the printer and directions to be printed in the score. Messiaen said that the preface and all the fingerings had to be included. He also told the printer to mind the page turns."
(Yvonne Loriod talking to author Rebecca Rischin about preparing Messiaen's Quartet for the End of Time for publication in 1942.)
The book: For the End of Time by Rebecca Rischin, Cornell University Press.
I'm tagging Viola in Vilnius, Helen and Jeremy.
Longfellow for Christmas Eve
(I was going to post a funny, facetious poem for Xmas. But this is so beautiful that I simply have to use it instead, even though it's not actually snowing...)
Out of the bosom of the Air.
Out of the cloud-folds of her garments shaken,
Over the woodlands brown and bare,
Over the harvest-fields forsaken,
Silent and soft and slow
Descends the snow.
Even as our cloudy fancies take
Suddenly shape in some divine expression,
Even as the troubled heart doth make
In the white countenance confession,
The troubled sky reveals
The grief it feels
This is the poem of the air,
Slowly in silent syllables recorded;
This is the secret of despair,
Long in its cloudy bosom hoarded,
Now whispered and revealed
To wood and field.
JDCMB CDs of the Year 2006
A few personal recommendations of favourite discs released this year - just in time for that last-minute Xmas shopping. Enjoy!
1. ELGAR Violin Concerto (original version). Philippe Graffin (violin), Royal Liverpool Philharmonic conducted by Vernon Handley. Avie Records AV2091. Glorious golden-age-style playing from Philippe, deep empathy from Tod on the podium, and fascinating alternative textual version evoking Elgar's original ideas before Kreisler got his hands on the piece and changed them.
2. STRAUSS Lieder. Jonas Kaufmann (tenor), Helmut Deutsch (piano). Harmonia Mundi HMC901879. When I popped this into the CD player and heard that voice I thought I'd gone to heaven. A real young Heldentenor! A singer who embodies the essence of German romanticism! It's not only that beautiful tone and its large spectrum - very dark, yet with an extremely powerful top range - it's also his intelligence, his fine enuciation, the sense of all-giving passion. If only he'd do some Korngold...
3. Canciones Argentinas. Bernarda and Marcos Fink (mezzo & baritone), Carmen Piazzini (piano). Harmonia Mundi HMC901892. An Aladdin's Cave of shadowy, aching, irresistible art songs from these musicians' native Argentina, including some Piazzolla gems and far more besides. Bernarda's honeyed tones, Marcos's gritty edge, the ever-compelling rhythms of tango and the heart-rending, bittersweet nostalgia made me listen to it three times through on the spot. Harmonia Mundi seems to have had a very good year.
4. RACHMANINOV Etudes Tableaux, Rustem Hayroudinoff (piano). Chandos 10391. Just out, and picked by BBC Music Magazine as its instrumental choice of the month. Colourful, powerful and idiomatic performances of these fabulous yet oddly underrated pieces, with illuminating insights into the inspirations behind them. (The concert went well the other day, incidentally.)
5. MIKLOS ROZSA Cello Concerto & Sinfonia Concertante. Raphael Wallfisch (cello), Philippe Graffin (violin), BBC Concert Orchestra conducted by Barry Wordsworth. ASV GLD4018. Philippe in partnership with the inimitable Raphael Wallfisch: astonishing music by the idiosyncratic and immensely compelling emigre Hungarian Miklos Rozsa that simply must be heard. Glittering, imaginative, earthy, astringent, Rozsa's music found a happy home in Hollywood, but, as in Korngold's case, there was one hell of a lot more to him than that. This team will be performing the Sinfonia Concertante at the Queen Elizabeth Hall on 1 May next year, together with Korngold's Sinfonietta.
6. ROXANNA PANUFNIK Beastly Tales. Patricia Rozario (soprano), Yvonne Howard (mezzo), Roderick Williams (baritone), City of London Sinfonia conducted by Sian Edwards. EMI 3566922. Roxanna's settings of three of Vikram Seth's rethinkings of Aesop's Fables are as delicious as the poems, evoking many astonishing animal noises amongst other kinds of sly and imaginative humour. For children aged 0 to 100.
7. JUAN DIEGO FLOREZ Sentimento Latino. JDF (tenor), accompanied by somebody who doesn't get a credit on the front. Decca 4757576. The arrangements are a bit cheesy, but That Voice goes soaring over the top and lifts one clear off the ground into the South American sunshine...
8. RENEE FLEMING: Homage - the Age of the Diva. RF (soprano), Mariinsky Theatre orchestra conducted by Valery Gergiev. Decca 4758070. This much-loved soprano in a programme of remarkably little-known arias from such luminaries as Tchaikovsky, Rimsky-Korsakov, Strauss, Verdi, Janacek and, best of all, two Korngold ones that are hardly ever performed: the staggeringly beautiful 'Ich ging zu ihm' from Das Wunder der Heliane and the touching 'Ich soll ihn niemals, niemals mehr sehn' from Die Kathrin.
9. TCHAIKOVSKY Suite No.3. Russian National Orchestra conducted by Vladimir Jurowski. Pentatone PTC5186061. I have a very, very soft spot for this under-heard Tchaikovsky Suite, a symphony in all but name. Its delicate and fearsomely challenging orchestration is beautifully conveyed by the RNO and Vladimir. Tchaikovsky's immense lyricism and virtuoso imagination is underpinned by a disturbing, sinister edge that is never overstated here but adds well-modulated depth to the whole picture.
10. SCHUMANN The complete string quartets. Fine Arts Quartet, Naxos, 8570151. Just out! The Fine Arts Quartet was my big chamber-music revelation this year: it's that golden-age edge that I adore, the intense sweetness of first violin Ralph Evans' tone, the beauty of the close-knit sounds and the completeness of their involvement in the music - as superb as ever in Schumann's personal, subtle and sensitive quartets which, again, are never played as often as they should be.
(The above links are via HMV.co.uk. Amazon, in its infinite wisdom, has recently seen fit to make it impossible to search by artist, let alone composer and artist together, and has ditched proper catalogue numbers in favour of some unhelpful system of its own. It's become very hard to find specific classical recordings on that site. What are they playing at?!?).
Labels: CDs, Piazzolla
Exclusive...
An unusual commission, perhaps, but I've written a short story in two parts for Classical Music Magazine's Christmas and New Year editions...
The Singewood Symphony Orchestra's future is already hanging in the balance when violinist Paul Brown accidentally discovers a new threat to its home venue: mice in the artists' bar. But does the beautiful Polish cellist 'Jackie Duprewski' possess a secret weapon? What exactly is the connection between her and the fierce music director Stefan Bach? Can Paul win Jackie's heart? Can Lenny save the day? Don't miss 'Lenny - the cat that shook an orchestra'!
Part 1 is out now (you have to buy the magazine to read it because there's no online version).
Meanwhule, don't forget Rustem Hayroudinoff's recital at the Wigmore Hall tonight!
Labels: writing
Valentines already?
Tricky to think about Valentine's Day before Christmas is over and done with, but Muso Magazine is having an online survey to try to find out which musicians make the best lovers! Not specifically, you understand, just in terms of their choice of instrument. There's plenty of space to expound and it's safely anonymous. I've had a go and found myself rating violinists rather highly, for some mysterious reason. Follow this link and let rip...
Rustem Hayroudinoff, Wigmore Hall, Thursday 21 December
Rustem Hayroudinoff is one of those musicians who knock the spots off overhyped oriental kiddies and wolf-keeping Europeans in terms of genuine artistry, but have had to struggle for much too long to achieve the recognition they deserve.
But at last I get the feeling that his boat is in sight of the shore: his latest recording for Chandos, Rachmaninov's Etudes Tableaux, is the instrumental Pick of the Month in the newest BBC Music Magazine and he'll be playing Rachmaninov's Third Concerto with the London Philharmonic on 14 January (Eastbourne, 3pm).
A big Russian-school technique - rich, glowing tone, layered voicing and spacious phrasing - plus an artistic awareness that encompasses painting, literature, cinema, jazz (which he plays jolly well), terrific intelligence and a great sense of humour, all add up to fresh, heady and colourful artistic results. Rustem is a Tatar from Kazan, trained in Moscow and London, where he now lives, and is the most vivid raconteur I know. Tomorrow (Monday) he's on BBC Radio 3's In Tune programme around 6.15pm. (Along with Juan Diego Florez!! no kidding.)
On Thursday next week he's giving a Wigmore Hall recital. Do come and hear him if you're in London.
Bach English Suite No. 3 in G minor
Debussy Suite Bergamasque
Shostakovich Preludes and Fugues op. 87
No. 2 in A minor
No. 4 in E minor
No. 15 in D flat major
Chopin Mazurkas:
Op.56 No. 2 in C
Op.17 No .4 in A minor
Op.63 No. 3 in C# minor
Scherzo No. 3 op. 39
Prokofiev Sonata No.7 op. 83
Tickets: £22 £18 £14 £10
Wigmore Hall box office: 020 7935 2141
or online booking at www.wigmore-hall.org.uk/concerts/booking.cfm
Labels: London concerts, pianists
These two...
... are at it again. Walking out of things. Yes, it's the Alagna & Gheorghiu Show (or no show). Read the Alagna files in detail c/o Milan-based Operachic here.
As far as surreal interviews go, my encounter with them several years back, pre-blog, probably takes the biscuit. Briefly, this is what happened:
7am train to Paris, with photographer, make-up artist and hairdresser. Taxi to posh hotel. A&G 45 mins late. We are all confined to a suite together. G's hair takes 2 hours. I interview A in hotel bar. He turns on charm, full of enthusiasm and ideas. When tape recorder switches off, so does he. We return to suite, where A sits on the sofa beside me but does not acknowledge my continued existence and responds monosyllabically to my attempts at chit-chat, preferring to talk in rapid French to the attending record company executive. G, still having her hair done, talks in rapid Romanian to her PA. I read a book. The TV is on, without the sound, showing female sumo wrestling. A&G don't appear to exchange so much as a look, let alone a word. Hairdresser finishes, photographer moves in to snap cover shot for Valentine's Day special and suddenly the stars turn on the twinkle and are all over each other. When photographer switches off, so do they. I interview G in hotel bar. She seems extraordinarily defensive, but at least remains consistent pre-, during- and post-interview. Sundown. Record company exec buys us a drink and I have civilised conversation with G. A continues to ignore everyone but self and record co exec. I bundle into taxi to Gare du Nord with photographer, hairdresser and make-up artist. On train they open a bottle of wine and let rip. Fast-forward a few months and A&G look stunning on cover of Valentine's Day/February edition. My article begins with the words: 'Paris: city of love...'
Labels: Opera
Him again...
Still walking on air after my interview with Signor King of the High Cs yesterday. Just to preserve the nautical imagery: what a dreamboat!
(No wonder my husband wants me to believe that the world's best and loveliest tenor is Wunderlich, who's dead...)
Labels: Juan Diego Florez, Opera
Tom pricked my Florez bubble yesterday evening, by a) assembling a group of friends to play the Schumann Piano Quintet in our front room (they made music and I made the food), and b) over dinner afterwards, saying 'Florez isn't a patch on this...' and putting on a CD of Fritz Wunderlich.
There are performances - like Florez's - which leave you clapping and cheering and full of superlatives. There are others which leave you speechless.
King of the high Cs? Better believe it...
I'm high as a kite. Universal Classics held a little 'do' today for one of their best and starriest stars: Juan Diego Florez (above, photo credit: Decca / Johannes Ifkovits). Savoy Hotel; a collection of press & industry colleagues; and he sang three arias - the big whacks from Rigoletto and La fille du regiment (the one with nine high Cs) plus 'Granada' from his Sentimento Latino album, and I was standing 4 metres from him throughout. I nearly died of joy.
It's unbelievable. The security of that technique is, as far as I can tell, more comparable to Jascha Heifetz than any other singer I can think of. There's no shadow of doubt, but also no flaw in the pouring of the honey, just utter beauty and wonder and a hell of a lot of oomph, at least close to. Florez's voice is sometimes said to be 'small' or, better, 'small is beautiful', but it certainly didn't sound that way (beautiful, yes; small, no!) from 4 metres... It was hard to get the press & industry to stop applauding afterwards, and that takes a little doing.
I shook his hand afterwards. Yes, alas, I have washed since. But tomorrow I get to interview him (at least, 98% sure that I will), so maybe I can replenish that supply of wonder. And yes, he's drop-dead gorgeous - but with a voice like that, who even needs those sultry eyes?
He opens in La fille du regiment at Covent Garden in January.
It's my birthday...
...and this year my special present is seeing in print in The Independent something I've been wanting to write for 20 years. Voila.
Please excuse me for a couple of days while I push off to Paris.
An Independent Carmen
Here's my piece about Carmen which appears in The Independent today. Enjoy. The show opens at Covent Garden tonight, and someone who saw the dress rehearsal told me that Jonas Kaufmann as Don Jose was so marvellous that his big aria alone would be worth the price of the ticket. (I'm not going tonight, but will see it later in the run and report back then.)
Labels: Opera, Royal Opera House
Please sign this if you like Korngold
I've just discovered that Brendan G Carroll's definitive biography of Korngold, The Last Prodigy, is out of print. As next year is the 50th anniversary of EWK's death and there is going to be A LOT going on to mark the occasion, it seems completely ridiculous that this book, which took Brendan 25 years to write, should be unavailable. It's an invaluable and irreplaceable resource. The Korngold website, run from Athens by another devoted Korngold fan, Eleftherios Neroulias, is carrying an online petition to the publisher, Amadeus Press, begging for the reprint of the book. You can read and sign the petition here.
My own rather more modest book still seems to be in print, but it's no substitute and I am the first to admit that.
Labels: Korngold, Korngold 2007
Nina Milkina 1919-2006
The wonderful Russian pianist Nina Milkina died last week at the age of 87. I was lucky enough to meet her a few years ago for an interview about her long and fascinating career, and was much struck by her combination of qualities: humour with passion, intelligence with intuitiveness, delicacy with real gumption. She hadn't been at the forefront of musical life for a while, but her recordings are exquisite, displaying a rare sense of magic and nuance in such worlds as Mozart and Scarlatti as well as Chopin et al. This recording, live from the Wigmore Hall, is a treasure: contact details of how to get it are included on the musicwebinternational page. She was a much-loved figure among the younger generation of pianists here in London, where she lived; Leon McCawley (who introduced me to her) in particular cites her as an inspiration and mentor, not least in his impressive new set of the Mozart piano sonatas. She will be sorely missed. I wrote an obituary of her which was published yesterday and can be read in my archive, here.
Labels: Nina Milkina, obituaries, pianists
HAPPY BIRTHDAY, KRYSTIAN ZIMERMAN!
Krystian Zimerman notches up half a century today. When I was 14, I went with my parents to hear him play at the Royal Festival Hall. He was 23 and I'd never heard anything like it. There was a world in his piano that rolled together everything that was finest about art, poetry and pure, white-hot energy. He played the Brahms F minor Sonata Op.5, the Chopin First Ballade and the 'Funeral March' Sonata. Nothing was ever the same again. Ten years later, I had a job on a music magazine and I suddenly realised that all I needed to do was sell him to an editor, call up his manager and fix an interview, and then I could ask him all the questions I wanted to about what made that musicianship tick.
That was quite a while ago, but to this day, this man gives me faith in human nature, because he is as special a person as he is a pianist. The finest musicians play as they are; listening to the playing, you listen to them speak. You can hear their essence, distilled, in their music-making. Krystian is no exception. Few pianists have this degree of sensitivity, tenderness, intelligence and visionary wisdom, and few people.
Here's his page at Deutsche Grammophon: follow the link to the discography...
Happy birthday, Krystian! Have fun!
Labels: Krystian Zimerman, pianists
surfacing...
Good news before I get onto tonight's pseudoprofundities: the other day, I received a letter saying I've got a grant from the Authors' Foundation to help me write my next book! Would have opened champagne if I hadn't had food poisoning at the time.
Not sure whether that gliterati party really did try to murder a roomful of authors, agents and publishers with radioactive sushi the other day, but what's certain is that it's taken me the whole weekend to get back to normal and I missed a lunchtime recital by Philippe Graffin this morning in Norden Farm, Maidenhead, because I didn't feel up to driving the M4 - exceptionally annoying.
Anyway, tonight is the last night of Tom's tour, so I treated myself to one of several things I sometimes do when he's away. Pathetically innocent things, I hasten to add. Last time it was 'Titanic' and that wasn't long ago enough to do it again. So tonight I went for The Big Woody Allen Double Bill - 'Annie Hall' and 'Manhattan'. I saw them both for the first time more than 20 years ago, and goodness knows how many times in the intervening years, but still notice something new in them every time.
Glorious. Humour like that is the best kind: it shows up his serious points and makes them palatable. Who else could have dreamed up that scene with the skeleton, or the Planetarium, or the view of the bridge at dawn, in 'Manhattan'? Or the lobsters in 'Annie Hall'?
By the way, contrary to The Guardian and various other daft commentators, it IS possible and not yet illegal to do the following:
* Enjoy Woody Allen's films without condemning or condoning his action in marrying his ex-wife's adopted daughter;
* Enjoy Wagner without being a Nazi;
* Enjoy Chopin, Schumann and Liszt without being anti-Semitic;
* Enjoy Gershwin's 'Porgy and Bess' without believing that it's supposed to typify and therefore stigmatise or misrepresent the whole of African-American culture, or to be patronising thereto;
* Enjoy the soundtrack of 'Manhattan' - Gershwin again - without condemning it for not being an original soundtrack;
* Enjoy Korngold's serious music even though he wrote original soundtracks for Hollywood and dared to use tonality after 1930.
(This could go on forever, but The Guardian has recently had it in for Gershwin in a big way - see Gary Younge here and Joe Queenan here - and I think it's all gone a little too far. He's a great composer, already, so leave him alone, like it or lump it.)
Posted by Jessica at 11:41 pm
This week's moral:
Beware of parties bearing sushi canapes.
Rustem Hayroudinoff, Wigmore Hall, Thursday 21 Dec...


text:
title: Patterns for Hiring
revealOptions:
    transition: 'slide'
---

# Patterns for Hiring Leads & Candidates

Claudina Sarahe, @itsmisscs

Note: Important for both hiring managers and for us as developers and workers. In short,this is an area where I think everyone should be involved and care because it is a pivotal backbone to the culture and environment. We spend so much of our lives at work. Processes...institutions.

---

# v much not an expert

Note: these experiences from few years hiring at high growth startup
coupled with learnings from organizing and colleagues.

---

# Roundtable and Chat

Take a 10-15 minute break after the talk

Note: Do something different. Challenge us here as we gather. Keep your questions and jot them down. Break. Drinks. Food. Circle up chairs. Discussion / QA.

---

# Outline

* Global: Hiring leads + team
* Candidate level
* Hiring leads

---

## Sustaining inclusive and diverse teams begin with inclusive processes within

Note: You are what you eat adage holds true. I believe that an
in order to have an enjoyable hiring that yields diverse, inclusive, creative,productive teams you must

----

## Bring the team into the process

### Be open and participatory

Note: If you have a hiring process or are putting in a more formal one, start by inviting those that want to be a part of it

----

## Form hiring teams/committees

### Share the process back to the whole team

----

## Establish core tenets

What qualities do you most value in a code and in a candidate?

* Simplicity
* Consistency

Note: Set these up early. Invite the whole team to be a part of it. Core tenets can function both as code and person

----

## Framework agnostic
### Tenet: Simplicity

Core languages of our craft: JS, CSS, HTML

Note: We valued JS, CSS, HTML. I stand that a good developer can and will know everything. Specialist are necessary. If you need a specialist, then test for that specialization.

----

## Establish guidelines for the role

Sets expectations for the candidate and your team

* What are some of the tasks this person will be doing?
* Are you hiring for a specific project? What happens after it ends?
* Are you filling a specific need?

Note: Doing this may help you realize you need to define current team roles and responsibilities

----

## Establish guidelines for your process

* What are the steps in the process? (Phone screen, code, in person)
* Whose going to participate in each step? Are the positions fixed?
* What tools are we going to use? (Greenhouse)
* How are we going to control against bias?

Note: Key is that everyone is aware of process. Hiring is a huge load. Spread it as much as possible.

---

# First touch matters

Note: For us, phone Put someone the phone that cares, will listen, make conversation, and is invested in learning about that person.

---

## Become friends with talent team

Note: You need to collaborate. If you don't want to be on the phone, help them screen candidates by providing questions they can ask. Greenhouse for notes.

----

## Candidate interview profile

Note: Not everyone interviews well. This can either come directly via form sent to candidates or through references. Some ideas

----

## Questions for candidate profile

* Do you prefer morning or afternoon interviews?
* Would you prefer in person or remote for your first conversation?
* Do you have any needs we can assist with, such as an energy so to minimize walking?

----

## What's your Preferred Gender Pronoun (PGP)?

---

# Be real about right fit later

Note: So many people I wanted to hire but needed to wait until there was stability. Be sincere about this by working with TS to keep in touch. As canddiate, if you really liked it, follow up, even if you do get a job. If no movement after 6 months, tell candidate.

---

## Provide Feedback. Get Feedback.

Note: Hiring leads you must be willing to provide feedback so TS send out. Be prepared to offer. Call candidates you personally connected with. Candidates, ask for feedback. What's one things I could improve on my test? If tenets, feedback becomes really easy to give.

---

# Thoughts for Candidates

----

## Define your tenets
### What do you want out of the position?

Note: What do you want to get out of the job? clear: room to grow, better process; for a new dev could be get a job on respectful teams

----

## Ask about day to day

* What's the process for a typical feature or sprint?
* How do you spend your day?
* What does a typical day for team member look like?

Note: Ask about someone at your level and also ask above is you are looking to grow

----

## Care about your growth
### Ask about mentorship and career growth

----

* Pairing
* Code review process
* How are code decisions and standards formed?
* Learning budget—encouraged to learn
* Developer ratio (Junior to Senior)
* Tech stack

Note: A job for jobs sake will not help you. Signs to look for.

---

## Preparing for code challenge

Note: All in the details. Areas. Pitfalls to pay attention to

---

## Documentation
### Does your project include a `README.md`?

Note: how detailed does it get. if you do something different, note it. documentation helps people.

----

## Code documentation

JSDOC style syntax across all file types

---

# Directory Organization

Note: Lots of patterns here. Here's good vs signs of lack of organization

----

## Common patterns

Within the root folder:

* Core code files: `src/` or `app/`
* Compiled files: `dist`, `public/`, `build/`

----

### Example: Good Directory Structure

```
app
├── js
│   │── vendor/
│   │   ├── jquery.js
│   └── main.js
├── css
│   └── main.css
├── views
│   └── index.html
├──
dist
├── // compiled assets

```

---

# Code Consistency

* Spacing
* Indentation
* Stale code (e.g. commented out)

----

# CSS Linters & Style Guides

----

### Harry Roberts, CSS Guidelines

----

## Hugu G, Sass Guidelines

----

## MDO, Code Guide

----

## Stylelint

----

## csscomb

----

## Other CSS/Sass Linters

* [Sass-lint](https://github.com/sasstools/sass-lint)
* [SCSS Lint](https://github.com/brigade/scss-lint)

----

## JS Linters

* Plugins available for most editors

----

## ESLint

Note: Pluggable different standards

----

## AirBnb Code Standards

----

## Lots of standards

* [JS Standard](https://github.com/feross/standard)
* [Google](https://github.com/google/eslint-config-google)

----

# Naming

* Clear, concise, patterns
* Remix from other frameworks

Note: Check out semantic UI or frameworks for ideas. visit sites you like.

---

## Command & Understanding of HTML

* Are you using more semantically appropriate element?
* Is accessibility a fore or afterthought?

----

## Know your tags

```
<div class="price">
  ${{ price }}
</div>
```

----

## Answer: Daily Double

```
<output for="price-field" name="price" class="price">
  ${{ price }}
</output>
```

Represents the result of a calculation or user action.

Note: Okay. Esoteric. But this isn't..

----

```
<div class="btn">
  Get it
</div>
```

## `<div>` is not `<button>`

----

## HTML is more than divs

```html
<div class='item'>
  <div class='item__name'>
    {{ name }}
  </div>
  <div class='item_description'>
    {{ description }}
  </div>
  <div class='item_price'>
    {{ price }}
  </div>
  <div class='item__purchase' data-name='{{ name }}' data-price='{{ price }}'>
    <div class='btn'>
      Get it
    </div>
  </div>
</div>
```

----

```html
<article class='item'>
  <h2 class='item__name'>
    {{ name }}
  </h2>
  <p class='item_description'>
    {{ description }}
  </p>
  <output for="price-field" name="price" class="price">
    ${{ price }}
  </output>
  <div class='item__purchase' data-name='{{ name }}' data-price='{{ price }}'>
    <button class='btn'>
      Get it
    </button>
  </div>
</article>
```

----

# CSS

* Understanding of specificity
* CSS Architecture
* Organization
* Style

----

## Over-qualifying elements

```
button.delete {

}
```

----

## Empty Rule Sets

```
.price {
}
```

----

## Unit consistency or pattern

```
.sidebar {
  margin-left: 3%;
  padding: 1.5em 40px;
}
```

----

## CSS Architecture

* SMACSS
* BEM
* CSS Modules
* ITCSS
* ExpressiveCSS
* FunctionalCSS

Note: some are more about styles and less prescriptive about organization. others are more coupled.

----

## Solve problem at hand first
### before adding complexity

----

## Setup your own simple build process

* Process your CSS
* Transpile your JavaScripts
* Compile your HTML Templates

----

# Gulp.js for making builds

* Easy to grok
* Lots of tutorials and good content
* More intuitive working with HTML templates

----

### But isn't Webpack the thing?!?!

Note: If react job or JS heavy, sure. Any of the followign can work in either

----

## Autoprefixer for vendor prefixing

```css
@mixin box-sizing( $type: border-box ) {
    -webkit-box-sizing: $type;
       -moz-box-sizing: $type;
         -o-box-sizing: $type;
        -ms-box-sizing: $type;
            box-sizing: $type;
}

*,
*::before,
*::after {
  @include box-sizing(border-box);
}
```

Note: If you are using a build process, this is must @EXTRA Webpack way vs gulp way.

----

```css
@mixin box-sizing( $type: border-box ) {
  box-sizing: $type;
}

*,
*::before,
*::after {
  @include box-sizing(border-box);
}
```

----

## Avoid coupling HTML + JS

```
$(".cart .count").html(count);
$(".cart .total").html(total);
```

Note: Going to refactor.... better

----

## Use JS Selectors

```
$(".js-cart .js-count").html(count);
$(".js-cart__count").html(count);
```

----

# Add linters to your code editors

----

# Keep up with the Industry

Note: Scientiest doesn't keep up with research in their field. They will become obsolete

----

## Find your method

* Digest Lists & Newsletter
* Podcasts
* Meetups
* Conferences
* Twitter accounts and lists
* Slack groups
* Medium

Note: Volunteer at conferences.

----

## Hack the industry pulse

* Bleeding edge. Hottest. (0-18 months)
* Best practices (3+ years)
* What's on the mind of the community?

----

## Test your code before submitting
### Dreaded `-g`

* Wipe your node modules
* Re-install node version
* Ask a friend to try out

----

## Manage node

* nvmrc
* n

---

## Give credit were it is due
### We all copy pasta

Note: Include license files or mentions in code comments. Add mention in your
readme. This also shows that you keep up.

---

## Does it work?

### Depends ;)

Note: Seniors (must work)  and mid-levels. recap should flag it. hopefully discussed in the interview

---

## Thoughts for Hiring Leads

----

## Drive & Passion
### Look for this quality

----

* Why are you looking to leave your current position?
* What do you like to do when you aren't coding (and the answer can be coding)
* Tell me about a project or moment you were most proud of in the last year

----

# `recap.md`

* What went well?
* What would you improve given/more time resources?
* Do you have any feedback on the challenge (what would you change, improve, keep…)?

Note: Anecdote—story about how got this from a candidate. These are great way to provide more perspective about the work of the candidate


We had a really great day yesterday. Fun, Family and Fireworks...Love!
I made a 4th of July bunting.
The boys made crafts (to be posted later).
I took too many fireworks pictures.
We sat right across from the display.
Nathan, Nicholas, Sarah, Amanda and I went to watch them.
We wore our glowstick necklaces and bracelets haha...can't watch fireworks without them.
We ate hot dogs and hamburgers, macaroni salad and deviled eggs.
Hope you all enjoyed your Fourth as much as we enjoyed ours!


We have been having an incredible season with the Holy Spirit of God!… Yes, I know He's already in us, around us and on us at all times…but there are moments and times when He's more palpable and people are healed, relationships are restored and good things happen…I'm sensing His presence now and it is great to go soaked.
Now, I wanted to share this post about the Holy Spirit.
In her book, Spiritual Revolution Patricia King shows really good Biblical research on the function of the Holy Spirit.
This list of the 70 Functions of the Holy Spirit come from her research.
70. He convicts the world. (John 16:8).


text:
Home A&E Theater Auditions for Lend Me a Tenor
Auditions for Lend Me a Tenor
Ken Ludwig's comedy Lend Me a Tenor is a classic piece of light entertainment. The play that debuted in 1989 was set in 1934. A world-famous tenor is due to perform in Cleveland, Ohio. When he doesn't appear for the performance, an erstwhile assistant stands-in for him and gets the kind of performance he's been dreaming about in a fast-paced comedy of identity, mistaken identity and lots of running around.
Next month, The West Allis Players will be casting for a production of the musical, which runs Oct. 7 - 16. The auditions are set to take place Aug, 15 and 16 beginning at 6:30 p.m. Men looking to play either singing part of Tito or Max will be asked to sing. Those looking to rehearse for any role should be familiar with the play and bring all conflict dates.
Auditions will take place at West Allis Central Auditorium on 8516 W. Lincoln Ave. For more information, visit The West Allis Players online.
Curtains Auditions West Allis Players Lend Me A Tenor Ken Ludwig


text:
Gayle San
Having honed her DJing skills and broadened her understanding of music, Gayle began to experiment with the harder side of dance music, particularly the lesser known techno sounds coming into Britain from Europe and the US. Her chance to pioneer this music in England came when Gayle became resident at Universe's legendary Final Frontier club, at Club U.K. in south London, which then moved on to become Universe Voyager at their new club, the Complex in north London. Widely regarded as one of the best club nights in the world, it was not long before Gayle had amassed a following of techno pilgrims who would make journeys from as far as Edinburgh to hear her play. Gayle's reputation spread like wildfire over the techno centres of Europe, most notably a residency once a month at the legendary Omen club in Frankfurt, the socalled 'Mecca of techno'. Other European and American dates have included some of the most underground clubs in the world, like Bionic in Detroit, Pure Pleasure parties in Chicago, Soma in Montreal, Twilo in New York, Zouk Club in Singapore, Florida 135 in Spain, Fuse Club in Belgium and many more all over Europe and the U.S.A. In 2000 she was voted number 6. of the most popular international DJs in Germany. Regaring the massive competition of the worlds DJs it was the honour of her hard work in the last years. DJing has naturally led to various studio work. Gayle has developed a sound that takes the intelligent beats of the underground, funky/hard/groove techno sound mixed with her very own style. She has recorded tracks under the name Transmakus namely Universe Anthem and Violator which have been included on the Tribal Gathering 94 and 95 albums respectively. Gayle has also recorded a single 'Way of the Dragon' for Rainforest Records, mixed a live set for the official Tribal Gathering 96 album. On her own label Equator she released some solo Eps and collaboration Eps with Mark Williams. In 1998 she mixed the CD from the Fine Audio Mix CD series. The success of this CD overwhelmed everyone who was involved in this project. The CD was sold out in just two months. In 1999 she released a new EP on Touch Tone. Again this release was sold out in a recordtime. In february 2000 she released her Brickliners EP on Fine Audio Rec. The first pressing was in a limited edition on white vinyl and after the sellout of this, the next pressing came in black and was sold out before the actual releasedate already. In the beginning of 2000 she released her second Mix CD called Gayle San at the wheels of steel on the new label Galvanic. For that release Gayle went on a big Worldtour bringing her into more then 30 clubs in just three months. The tour went from the USA to Europe (Germany, Hungary, Czech Rep., Belgium, Netherlands, France) to Asia. This CD was votet the best Mix CD of the releasemonth in many magazines. Also in the year 2000 she started a new collaboration with Jam el mar (Jam and Spoon, Dance 2 Trance) This collaboration runs under the name Jamsan The first release was released on the label Cry Baby and was highly rated in many magazines and recordshop salescharts. In March 2000 she released her Backbone ep on Black Nation from Kalamazzo, USA and in April her The Lab epon Primate UK. As if this would be not enough she mixed the Titan Edition Techno on the austrian Label XXX and did the official Compilation of the famous german rave Time Warp In Summer 2001 she relaunched her own label Equator. The first release from the new series is a cooperation with Jay Denham and releases from Flatner Ingram, Justin Berkovi, Bryan Zentz, Cristian Varela, Keita Shinohara and many more will follow. Gayles idea is to give also lesser known producers from all over the world a platform to release their productions. It will be interesting what tracks Gayle will find for Equator. Next to her successfull DJ carreer and her busy studiowork her famous and popular DJ gigs, the future of Gayle San never looked brighter.