Easy Rental is one of the leading Jordanian car rental Company.
We work with multinational and local car rental companies to provide our customers with value for thier money when renting a Car beside our 200 + cars fleet , at convenient locations in Amman , Queen Alia Airport, and at King Hussien bridge.
•	Easy Rental's General Terms & Conditions Listed on the Rental agreement.
•	The laws of the The Hashemite Kingdom Of Jordan.
To start you need to know where you will be picking up your car, where you want to drop it off and the dates and times.
Once you have entered this information on our homepage you will be shown a list of available cars with descriptions and the price.
Take a look at the cars available and choose the one that best meets your requirements.
If you are happy with your selection you enter the driver's details, contact details and flight information (if applicable).
If you have any questions we recommend you check our Frequently Asked Questions (FAQs).
Some vehicles, typically people carriers and larger car types, are in high demand and limited in availability.
During the booking process, we indicate the 'limited availability vehicles' by a red warning triangle and the words 'limited availability'.
In order for us to confirm availability , we will ask you to complete a booking request form and provide your credit card details.
We will also check at this stage that sufficient funds are available on your credit card to complete the process but do not take any payment. This is done in the form of a pre authorisation where we freeze the value of your booking against your credit card. Once we have confirmation of availability, we will proceed to take payment and send you a booking voucher and receipt by email. This process normally takes less than 48hrs .
If, after 72 hrs, we are unable to confirm availability, we will cancel your request and the pre authorised amount will be automatically released by Easy Rental.
Please note, the release of the pre authorised amount can take your bank between 5-7 days.
Fuel Policies You are provided a car with a tank of fuel and you must return the car with The same amount of fuel.
This insurance is provided by Easy Rental.
It is a basic insurance providing coverage on bodily injury to persons and on property damage to others.
Only 25 years old and upove Drivers are covered,there for we cant rent anyone under 25 years old.
Important Note: All insurances are invalidated if the hirer or any other named driver knowingly lets an unauthorised person drive the car or invalidates the rental agreement.
Easy Rental will recover full damages incurred while a car is being driven by an unauthorised driver or invalidates the rental agreement from the hirer's credit card.
All our prices include Collision Damage Waiver which reduces your liability in the event of an accident .
the local terms and conditions indicate the level of excess you will be liable to pay in the event of damage or loss while the vehicle is on rent to you.
The driver age required is 25 .
Easy Rental also required the renters to have a current driving licence .
In some cases, we are able to include one additional driver at the time of booking.
If you'd like to add more drivers please arrange and pay for this when you collect your car.
•	Cash in the office , on arrival.
We charge a credit card /debit card fee depending on the card you use.
These are clearly stated at the time of booking.
We are not able to accept payment by cheque.
Changing any element of your booking may result in a change to the price.
If the cost of the changed booking is greater than the cost of the original booking, you will be charged the difference.
•	Extend the end date/time .
If you cancel your reservation within 24 hours of placing the booking, Easy Rental will issue a refund to the value of the booking, less non- refundable charges.
If you cancel your reservation more than 24 hours from the time of making the booking no refund will be issued.
All bookings cancelled less than 48 hours from the due pick up date and time are non refundable.
Notwithstanding any terms of your rental, your statutory rights to a refund shall remain unaffected.
For further information about your statutory rights, contact your Local Authority, Trading Standards Department or Citizen's Advice Bureau.
Cancellation Option For your convenience and improved flexibility easyCar offers an enhanced Cancellation Option.
For £9.99 per rental, you can extend the free cancellation period to within 48hrs of the start of your rental.
Under this policy if you cancel your reservation more than 48 hours before the due pick up date and time, easyCar will issue a refund to the value of the booking, less non-refundable charges.
•	Credit and debit card charges are non-refundable.
•	Cancellation Option charges are non-refundable.
we may at our discretion offer you a refund for the rental cost less an administration fee.
Supporting documents may also be requested.
Website Errors While we try to ensure that all details (including prices, fees, surcharges and taxes) quoted on our website are accurate, errors may occur.
If we discover an error in any detail (including the price of your rental), we will inform you as soon as possible and give you the option of reconfirming the booking at the correct price or cancelling it.
If you cancel, you will receive a full refund.
If we are unable to contact you, we will treat the booking as cancelled.
To the fullest extent permissible, we exclude all warranties and representations, express or implied, as to the accuracy of the information contained on the website.
We are not liable for any loss or damage arising from the use of any information contained on the website (other than in respect of death or personal injury caused by our negligence).
Bookings made with Easy Rental are on the basis of car type and not specific car model, type or colour.
Please refer to the website for a description of the car types, the number of seats and luggage capacity.
Easy Rental will do its best to provide you with the car type specified when you made your booking.
From time to time, for operational reasons it may be necessary to provide you with an alternative vehicle type to the same or better standard of the vehicle booked.
When you collect your car you will be required to sign Easy Rental agreement.
Any additional purchases made after this has been signed will be your own financial responsibility.
Where you have taken our Pay on Arrival option, you will need to pay the balance outstanding at the location.
The balance is paid in local currency USD or Euro direct to the Office.
You will be required to leave a deposit to cover the excess liability arising in the event of an accident, damage or theft of the car.
A vehicle may not be allocated unless a deposit is taken.
Returning Your Vehicle Please return your vehicle (and any extras) to the rental location at the agreed end time and well in advance of your onward travel schedule to allow sufficient time to complete the end of rental formalities as detailed below.
You must return your vehicle in the same condition as it was at the start of your rental period.
You should carefully inspect the car with a representative .
Failure to do so will mean you are unable to dispute subsequent damage charges that may be applied .
EasyRental reserves the sole right to judge whether any damage sustained during your rental period is fair wear and tear or is chargeable (under the conditions of the insurance provision).
If you are going to be late returning your car, we strongly advise that you contact the office as soon as possible.
Cross Border Travel You must refer to the local terms for your rental location to see whether country/state border crossing is permitted and if any charges apply.
Local Driving Laws Please make yourself aware of the local driving laws before you travel.
Jordan have an Automobile Association who will be able to provide you with more information.
Breakdown and Accidents In the event of any incident, such as an accident involving your vehicle, theft of or to your vehicle or mechanical difficulties, it is important that you report these to Easy Rental at the earliest opportunity, by calling our 24hrs hotline.
In the case of theft or an accident in which any of the parties are injured, you must inform the local police immediately and obtain an incident or crime number and a signed police report.
Full details of third parties and witnesses (including contact details and vehicle registration numbers) should also be obtained.
If keys are lost or damaged, you will be liable for the reasonable costs of obtaining a replacement key(s) and further costs if directly related to the vehicle's theft.
The vehicle will have not been considered returned until a correct set of keys has been provided to a member of staff at your rental location.
The Legal Terms Termination Your rental may be terminated and your vehicle repossessed (at your expense) for any serious breach by you of the terms of your rental or the rental supplier reasonably believes you are in serious breach.
Consequential Loss We are responsible for losses you suffer as a result of us breaching the terms of the booking voucher if the losses are a foreseeable consequence of our breach.
Losses are foreseeable where you and/or we could contemplate them at the time our agreement was formed.
We are not responsible for indirect losses that are not foreseeable by you or us (such as loss of profits or loss of opportunity).
Limitations on Liability and Law We disclaim to the maximum extent permitted by law all warranties expressed or implied by statute, custom or usage relating to the information contained in our website and we shall not be liable whether in contract tort (including negligence) or otherwise arising from the website or from any interruption or delay in accessing the website.
We may retain your card details and you consent to us debiting such amounts for which you are responsible liable for and you will reimburse us in respect of, all claims by or against it resulting from your failure to comply with the terms of your rental, including theEasy Rental Terms and Conditions, the local terms for your rental location, booking voucher and/or the terms of any related insurance policies.
The laws of The HKOJ shall apply to this website, these Terms and Conditions and to the issue of the booking voucher.
The local terms for your rental location shall be subject to the laws of the jurisdiction within which the local terms are made.
•	Until your vehicle is returned to your rental supplier you will be liable as hirer of your vehicle for any offences, penalties or fines committed or sustained in respect of your vehicle under any relevant local road traffic legislation during your rental period.
•	In the event that Esay Rental is charged with any penalty amounts in respect of offences committed while your vehicle is on rent to you during your rental period, Easy Rental reserves the right to deduct these penalty amounts (in addition to any administration fee(s) arising there from) from your card, with hold your deposit and/or supply your details to the relevant authorities.
•	You shall be responsible for your vehicle during your rental period in accordance with these Terms and Conditions, the booking voucher as well as the local terms for your rental location, and for ensuring that any drivers and additional drivers also observe these agreements and their terms and conditions.
•	The information that you have supplied is true, and that all material facts which might reasonably be expected to affect either the insurance or any decision to enter into your agreement for the hire of your vehicle have been disclosed.
False, misleading or untrue information may invalidate any insurance and you may be exposed to unlimited liability to third parties Definitions or What does this mean?
administration fee	sums payable by you to cover our reasonable internal administrative costs.
booking amendment charge	sum payable by you to cover operational costs in order to change your booking details.
Costs specified in the local terms for your rental location.
driver(s)	the person whose name appears in the relevant section of the booking voucher as the driver of your vehicle and any further drivers listed to drive your vehicle as additional drivers.
incident	without limitation, any loss, damage, accident or other mishap involving your vehicle, whether the loss or damage is sustained to your vehicle itself or to a third party.
insurance excess the amount payable by you in the event of an incident covered by insurance.
Amounts shown on your booking voucher late return charges charges you agree to pay to us if your vehicle is returned later than the agreed end time.
These charges will be repeated for each day or part of a day until your vehicle is returned to your rental supplier.
collision damage waiver	amounts you are required to pay to reduce your liability for loss or damage to the vehicle up to the level of the insurance excess.
opening hours	Location specific times of operation as specified in the local terms for your rental location.
post-rental charges	Any amounts that you are liable for, incurred during the rental period.
rental location	the relevant rental site from which you collect and to which you return your vehicle according to your booking voucher.
supplementary charges	all and any additional charges and costs incurred by you above the rental cost in relation to your rental of your vehicle.
These include damage charges, late return charges, administration fees and parking fines.
unfit to drive	any physical condition that prevents you from driving a vehicle.
you/your	renter, the customer of our company.


CHICAGO — Dr. Betsy Diamant-Cohen has been named the recipient of the 2013 ASCLA Leadership and Professional Achievement Award — an annual honor presented to an ASCLA member exemplifying leadership and achievement in one or more of the following areas: consulting, library cooperation, networking, statewide services and programs and state library development.
Diamant-Cohen is a proven and trusted leader in the field of early literacy. She is recognized as a prolific author, inspiring mentor and presenter, knowledgeable consultant and teacher and creator and developer of the Mother Goose on the Loose (MGOL) program. This program has revolutionized the way story times are presented to young children at libraries across the country and has empowered librarians to work confidently with this young population of readers. Through a simple formula and structure, librarians learn how to create programs that reflect their interests and personalities. The result is an early literacy program that is easy to plan and present; strengthens connections between parents and their children; builds community; allows librarians to be facilitators rather than performers; educates adults about child development and best practices for literacy; builds and strengthens children's school readiness skills and creates warm relationships between library visitors and their librarians.
Diamant-Cohen has demonstrated her leadership by promoting a program that is developmentally sound and solidly grounded in the latest research about how young children learn. She has also actively sought out ways to adapt and expand the program to reach communities in greatest need. This included developing and publishing "Early Literacy Programming en Espanol: Mother Goose on the Loose programs for bilingual learners" in 2010. This initiative offered groundbreaking techniques that allowed English-speaking librarians to bring a successful MGOL program to second language learners.
Diamant-Cohen earned her Doctorate of Communications Design from the University of Baltimore and her M.L.S. from Rutgers University. She currently serves as both the executive director of Mother Goose on the Loose, LLC, and early childhood specialist at the Port Discovery Children's Museum, Baltimore.
Diamant-Cohen will receive the ASCLA Leadership and Professional Achievement Award at the ASCLA/COSLA Reception, Saturday, June 29, 5:45-7:30p.m. in Field 20A-C, Hyatt Regency McCormick Place, as a part of the 2013 ALA Annual Conference. Add the event to your conference schedule. All conference attendees are invited to this networking and awards event.


1 , 18W led grow tube light can replace 40W fluorescent lamps , saving 80% of energy .
orange white mixed light available to the plants .
and the environment , and the technical parameters will change.
4. full red color .
buy meal food , different supermarket with different tehnical solution .


With the passage of time latest movies have been released. People can watch many HD movies. English and holly wood movies are also liked by people. People can find entertaining movies also. People can download movies also and can watch easily whenever they want.
Calgary SEO Company "To-the-TOP!" is a type of digital marketing agency that a business owner, or anyone looking to promote their website, would hire to become more visible, accessible and successful online. Greg Ichshenko is an SEO expert in Calgary, developing advertising strategies for businesses of all sizes.
I just added this site to my google reader, excellent stuff. Cannot get enough!


text:
IPL 2019: Chennai Super Kings Crush Royal Challengers Bangalore In A Low-Scoring Season Opener
Sports Home IPL 2019 News IPL 2019: Chennai Super Kings Crush Royal Challengers Bangalore In A Low-Scoring Season Opener
Defending champions Chennai Super Kings beat Royal Challengers Bangalore by 7 wickets in the opening encounter of the IPL 2019.
Updated: March 23, 2019 11:42 PM IST
Suresh Raina completed 5,000 runs in the IPL.© AFP
CSK rode on a stunning show by spinners in the IPL 2019 opener
They thrashed RCB by seven wickets in Chennai
Ambati Rayudu top-scored for CSK with 28 runs
Chennai Super Kings rode on a stunning show by spinners Imran Tahir, Harbhajan Singh and Ravindra Jadeja to thrash Royal Challengers Bangalore by seven wickets in the opening match of the Indian Premier League (IPL) 2019 at the MA Chidambaram Stadium, Chennai, on Saturday. After opting to bowl, CSK bundled out RCB for a paltry 70 runs. Ambati Rayudu top-scored for CSK with 28 runs, strengthening his case for India's number four slot in the World Cup squad, as the home team chased down the small target with 14 balls to spare.
RCB in defeat maintained their inglorious record against CSK and also had the ignominy of ending with the sixth lowest total in the league.
Skipper MS Dhoni's move to open with Harbhajan (3/20 in 4 overs) paid rich dividends as he removed rival skipper Virat Kohli (6) in the fourth over and RCB never recovered from that early blow.
Dhoni's reading of pitch was immaculate as a top score of 29 from Parthiv Patel was a testimony to that and the time that CSK needed to score the runs.
Once Harbhajan's finger spinners had inflicted a telling damage on the psyche of the RCB line-up, Tahir tormented the visitors even more with his googlies that killed the contest in the first half. With so much assistance for spinners, Ravindra Jadeja wasn't going to be left behind, finishing with 2/15 in 4 overs.
Having gauged the pace of the pitch, Harbhajan altered the length of his deliveries effectively and also reduced the pace at times to trouble the batsmen. There are times Harbhajan dropped his length but the slowness of the track made batsmen indecisive. While he was lucky as his off-break dropped short but Kohli's mistimed pull-shot was taken by Jadeja at mid-wicket boundary.
Moeen Ali slog swept Harbhajan for a six but that was all that he could manage with a length delivery stopping on him as he tried to check his drive and loopy return catch was gleefully accepted.
AB de Villiers (9) wanted to hit out of trouble and was first dropped by Imran Tahir and off the very next ball was caught by Jadeja at mid-wicket boundary. With Shimron Hetmyer (0) getting run-out needlessly, RCB were in the dumps even before halfway stage.
It was the perfect platform for Tahir and Jadeja, who were unplayable with the pitch offering reasonable turn and it only helped that the lower-order's confidence was shot to pieces.
The way each batsnmen reacted to Tahir's googlies was different. Left-hander Shivam Dube (2) didn't read the googly and edged to slips. Navdeep Saini padded one in his intent to defend while Yuzvendra Chahal was holed out at deep square leg trying to hit out of trouble.
Pathiv Patel (29) was the top-scorer and the last man dismissed but hardly looked convincing. The pitch wasn't an easy one to bat on but 70 was too small a total to defend for RCB even though they stretched CSK for nearly 18 overs.
Suresh Raina (19) didn't score much but he did complete 5,000 runs in IPL when he reached an individual score of 14. An IPL 'legend', Raina is the first player in tournament's history to achieve the feat.
(With PTI inputs)
Chennai Super Kings Royal Challengers Bangalore Virat Kohli MS Dhoni Imran Tahir Harbhajan Singh IPL 2019 Cricket Chennai Super Kings vs Royal Challengers Bangalore, Match 1 Ravindra Jadeja

redpajama_set_name: RedPajamaCommonCrawl


Harlow Council is set to introduce a public space protection order (PSPO) to target antisocial behaviour in the Town Centre and make it a safer place to visit and work in.
The Council is carrying out final consultation with residents and businesses on the PSPO which covers Harlow Town Centre, which would prohibit dangerous cycling, alcohol consumption outside of licensed premises and antisocial ball games within the area. The Town Centre PSPO would be the first of its kind in the town.
The plans for the Order follow a Cabinet meeting in July 2018 which agreed to consult with the public. The report included evidence gathered from consultation with residents and businesses in the Town Centre in January 2018 and incidents reported to the police, Harvey Centre and Water Gardens. The evidence gathered highlighted public concerns about the effects and risks to safety that antisocial behaviour has on the Town Centre and those who live and work there.
The issues that came up the most during the previous consultation period were dangerous cycling, antisocial behaviour and litter (both of which are covered by existing powers that we have) and alcohol consumption/drug use, with nearly 74% of respondents stating that they felt the Town Centre was affected by these problems on a daily basis.
The PSPO would make any of the activities mentioned in the order an offence which is punishable by law; anyone breaching the order can be fined or prosecuted. If the PSPO is introduced it will be put in place for three years, after which time its impact will be reviewed and we will decide on any extension or changes that should be made. The order will be enforced by the Council Community Safety Team and Essex Police.
"This is an important piece of work that we hope will have a significant and positive impact on the daily lives of local shoppers, visitors and businesses in the town centre. The PSPO is targeted at the minority of people who cause trouble and misery to others either through riding bikes dangerously and at people, drinking alcohol or kicking balls at people or property.
"We know that the issues that this PSPO covers are not all that affect the Town Centre. We work closely with the police to tackle the issues that affect our residents and business owners in Harlow; whilst the police and our own Community Safety Officers carry out patrols, and the police can, for example, put dispersal orders in place to deal with issues surrounding large groups of people gathering, there are other more regular daily problems that this PSPO will cover.
The consultation runs until Thursday 28 February.


text:
Terrified of math? Microsoft's AI-enabled app will now solve your problems for you
Hemani Sheth | Updated on January 16, 2020 Published on January 16, 2020
Microsoft Math Solver offers solutions and tutorials on anything from elementary math to calculus
Math problems are no longer the stuff of nightmares with Microsoft's latest app, the Microsoft Math Solver.
The tech giant recently launched the AI-enabled app — which lets users solve complicated math problems in minutes — for free across platforms. Available for both iOS on App Store and Android on Google Play, the app lets users solve multiple types of problems in a jiffy, be it elementary math, algebra, pre-algebra, word problems, basic calculus or statistics.
Various formats
The app accepts math problems in different formats. Users can scan printed or handwritten math problems; the AI can grasp the problem based on the image uploaded. Users can also draw them on the app or type their problems in, using the scientific calculator as an optional input method. The app then provides a detailed solution to the input along with a step-by-step solution.
It also provides interactive graphs to help learners understand the problems and the solutions in a more effective way.
Worksheets and tutorials
Furthermore, Microsoft's Math Solver app provides additional resource for learners, including worksheets and video tutorials.
So far, the app has received good ratings — 4.6 on Google Play and 4.9 rating Apple's App Store.
"Just found it. I am using it to audit my cell phone bill. Order of operations. The ± and ¢ recognizance are particularly handy in this day and age," commented Google Play user John Makowichuk
Math Solver is available in 22 languages including German, Spanish, Simplified Chinese, Russian and 12 Indian languages — Assamese, Bengali, Gujarati, Hindi, Kannada, Konkani, Marathi, Malayalam, Oriya, Punjabi, Tamil and Telugu.


This study is an examination of factors associated with improved student engagement and higher-level thinking skills among first-year university students. Data was collected via responses of 547 South Dakota State University first-year students to the National Survey of Student Engagement. This research utilized a process and outcomes of instruction model which integrated the Common Read approach with Long and Hadden's approach to formal socialization and other aspects of symbolic interaction. Results of statistical testing determined that institutional emphasis on producing academic and nonacademic impacts is strongly related to the impacts on higher-level thinking skills. Also, the higher the quality of relationships with other people at the university, the more likely students are to think critically. Good communication between faculty and students was also found to be significant for student development, as was faculty integrating active learning activities into the curriculum. The Common Read Program was determined to be influential in increasing student involvement with and understanding of diversity.
Abbott, Tyson, "Critical Thinking in Higher Education" (2014). Electronic Theses and Dissertations. 2045.


Sony 16-35mm FE f/2.8 GM Lens from Sony is a wide-angle zoom designed for full-frame E-mount mirrorless cameras. Distinguished by its constant f/2.8 maximum aperture, this lens offers consistent performance throughout the zoom range and benefits working in low-light conditions. The optical design incorporates two extra-low dispersion elements to reduce chromatic aberrations along with two XA elements and three aspherical elements, which significantly controls spherical aberrations for a high degree of image sharpness and clarity.


text:
Daily Stormer The Most Censored Publication in History
GTFO: Hero Philippines Leader Duterte Bans ZOG Forces from His Homeland!
Andrew Anglin February 8, 2020
Andrew Anglin
Daily Stormer
Imagine that the Philippines is the country that is willing to stand up to ZOG, while the entirety of Europe just bows down and says "yes Mr. Pompeo, sure Mr. Pompeo, we love Israel Mr. Pompeo, you're right, Russia is evil Mr. Pompeo, you're right, we need to go to war for democracy in the Ukraine Mr. Pompeo, we love Israel and the Jews Mr. Pompeo."
RT:
Philippines President Rodrigo Duterte is "terminating" the Visiting Forces Agreement, which provides legal immunity to US military drills, in retaliation for the US canceling the visa of a political ally and fellow drug-warrior.
"The president said he is terminating the VFA," Defense Secretary Delfin Lorenzana told ABS-CBN News on Friday. "I asked for clarification and he said he is not changing his decision." The agreement provides legal immunity for US soldiers conducting military exercises in the Philippines.
Enraged by the US decision to cancel the visa of former police chief and Senator Roland dela Rosa last month, Duterte had given Washington a month to fix its 'mistake,' refusing to back down even as other members of his government urged him to reconsider.
"I'm warning you… if you won't do the correction on this, I will terminate the… Visiting Forces Agreement," Duterte said last month, daring the US to call his bluff.
"I'll end that son of a b*tch."
Washington had reportedly canceled dela Rosa's visa over his record of extrajudicial killings while serving as Duterte's first police chief. In that role, he was responsible for carrying out the president's heavy-handed anti-drug campaign – much closer to a literal "war on drugs" than the US policy by that name – which has left thousands dead and sparked international outcry.
Foreign Secretary Teodoro Locsin attempted to argue against cutting off the VFA on Thursday, insisting that the $550 million-plus in security aid received from the US since 2016 – along with intelligence, training, and the ability to deter Chinese "aggression" – outweighed any reasons the president might have to scrap the agreement. A "chilling effect on our economic relations" could result if the Philippines starts backing out of its alliance with the US, Locsin suggested.
He also warned that the US might seek to curtail other military agreements between the two countries, which currently include an Enhanced Defense Cooperation Agreement and a Mutual Defense Treaty. Trashing the VFA would affect over 300 joint training operations and other drills conducted with the US, which Locsin insisted were vital to Philippine law enforcement and military being able to counter "threats to national security."
The US government functions like an abusive single mother.
"You'll never survive without me… and the only way I'll stay by your side is if you do everything I say."
It is absolutely sickening the way the Mike Pompeo regime has attempted to promote the use of methamphetamines in the Philippines.
Who does that?
Why on earth would you try to force a foreign country to allow drug dealers to sell meth to kids?
I unironically believe that Mike Pompeo is a satanist.
There is simply no other explanation for this evil agenda he is attempting to push on the world.
What is even the point of trying to get Filipino children on meth? That doesn't even have anything to do with Jews.
He's turned US foreign policy into the literal monster mash.
And Donald Trump can act like none of this is his fault, and I will accept that it isn't, but there he is at the head of the evil US government, refusing to speak out to stop it.
How hard would it have been for Trump to tweet a condemnation of Mike Pompeo for giving this aid to Filipino meth dealers?
I understand that he just has to do whatever that fat psycho tells him to do, but he can still tweet as he wishes.
So Australia Wants the American Subs Instead…
China: Court Dismisses #MeToo Case for Lack of Evidence
Philippines Tells International Criminal Court They Will be Barred Entry to Investigate Drug War
#FreeRicky
Demographic Countdown
shekels plz goyim
This reader-funded site is the most censored publication in history.
Send Monero today!
We here at the Daily Stormer are opposed to violence. We seek revolution through the education of the masses. When the information is available to the people, systemic change will be inevitable and unavoidable.
Anyone suggesting or promoting violence in the comments section will be immediately banned, permanently.
© Copyright Daily Stormer 2021, All Rights Reserved -- Watch the Daily Stormer Status page for future updates in case of further domain seizure.


text:
Leon SC hatchback
SEAT Leon now with LED headlights as standard
The award-winning SEAT Leon hatchback now includes the desirable Tech Pack as standard
by Richard Ingram
The SEAT Leon family hatchback is now available with the desirable Technology Pack as standard – including features such as full-LED headlights, sat-nav and DAB radio.
Our sister site, Auto Express, awarded the SEAT Leon with its coveted Car of the Year 2013 prize, and now it's better value than ever. The additional equipment represents a saving of £1,915 if you were to spec the three items separately, and is available on all new Leon SE and FR models until the end of September 2013. The basic Leon S model is not available with LED headlights.
This means that all SE and FR models come with an upgraded touchscreen sat-nav, with an integrated proximity sensor that hides its buttons when they're not needed. The DAB radio is also controlled via the clever infotainment display.
The SEAT Leon is currently the only family hatchback in the world available with full-LED headlights. SEAT claims that the set-up provides a clearer light than traditional halogen or xenon headlights, and uses less power (and less fuel) in the process.
In addition to the extra equipment, SEAT has also announced a series of attractive finance offers for the Leon. Buy any new Leon on Hire Purchase and you'll benefit from 0 per cent APR, while dealers are offering £1,000 deposit contributions on all cars bought on a PCP over 36 months. APR for this deal is fixed at 4.9 per cent.
This means you can get a three-door SEAT Leon SC SE, complete with Tech Pack and LED headlights, for as little as £165 per month. Standard equipment on all models also includes alloy wheels, air-conditioning, cruise control, as well as a leather steering wheel and gearknob.
Prices start at £15,370 for the basic SEAT Leon SC in S specification, with the 1.2-litre TSI turbocharged petrol engine. The top-of-the-range SEAT Leon FR with the 181bhp 2.0-litre TDI diesel engine costs from £22,375 and comes with a six-speed manual gearbox.
For the full SEAT range, visit the CarBuyer SEAT reviews page.
Leon hatchback
Best plug-in hybrids
SEAT Leon hatchback review
SEAT Leon hatchback (2013-2020): owner reviews
SEAT Leon hatchback
SEAT Leon hatchback (2013-2020)


33 Inch Wide Counter Depth Refrigerator Stylish Top 5 Cabinet Refrigerators Consumer Reports News House Throughout 10 | Tissustartares.com 33 inch wide counter depth refigerator. 33 inch wide counter depth refrigerator. lg 33 inch wide counter depth refrigerator.


text:
Морейнис — еврейская фамилия.

 Морейнис, Аркадий Фомич (род. 1963) — программист, предприниматель и инвестор.
 Морейнис, Иекусиэль Шахнович (1918—?) — учёный в области бионики, доктор технических наук.
 Морейнис, Израиль Яковлевич — советский учёный-медик, гигиенист.
 Морейнис, Клавдия Григорьевна (Гершовна, 1911—2001) — первая в СССР тромбонистка.
 Морейнис, Лев Константинович (1886—1937) — украинский советский химик и фармацевт.
 Морейнис, Михаил Абрамович (1861—1937) — революционер-народоволец.
 Морейнис, Яков Израилевич (1905—1978) — советский экономист.

 Морейнис-Муратова, Фани Абрамовна (1859—1937) — революционерка, редактор, автор воспоминаний.

redpajama_set_name: RedPajamaWikipedia


Each year, thousands of Canadians experience a fire in their home. Being prepared can make the difference between life and devastating loss.
Here are 4 common causes of house fires, and the preventive steps you can take to protect your family and home.
Stay in the kitchen when cooking, especially if using oil and/or high temperatures. If you must leave the room, turn off the stove.
Keep anything that can catch on fire away from heat sources – i.e. oven mitts, dish towels, paper towels.
Keep your appliances clean. Food residue and grease build-up is flammable.
Keep a working fire extinguisher in your kitchen.


text:
Iraqi leader hospitalized in Germany after stroke
BAGHDAD (AP) — Iraqi President Jalal Talabani arrived in Germany today for further medical treatment after suffering a stroke, leaving Baghdad without an influential mediator able to bridge the country's complex ethnic and sectarian rifts.
The ailing 79-year-old president was rushed to a hospital in the Iraqi capital late Monday because of what was described as a medical emergency.
Iraqi Foreign Minister Hoshyar Zebari told The Associated Press today that doctors have determined the president had a "very serious stroke" and that he is showing signs of improvement.
"He is starting to regain his senses. He is able to feel pain, and this is a sign of progress," Zebari said.
Talabani's spokesman, Nasser al-Ani, said the president is able to move some of his limbs and communicate with simple signals but is unable to speak.
The decision to move Talabani to Germany was made after his condition was stabilized and he began to show signs of improvement, according to Iraqi officials.
Vice President Khudier al-Khuzaie, an Arab Shiite, will temporarily assume Talabani's duties during his absence, Zebari said.


text:
Jeffree Star claims ex Andre Marhold lied to him as he addresses 'robbery' weeks after romantic getaway
Louise GriffinThursday 1 Oct 2020 5:44 pm
Jeffree Star has said his ex Andre Marhold lied to him while addressing claims the NBA star 'robbed' him following their split.
Speculation has been surrounding the pair after Jeffree appeared to comment on an Instagram post of Andre's, accusing him of robbing him, and branding him 'lowlife scum'.
The 34-year-old beauty guru has since shared a now-deleted video, in which he claimed Andre lied about his job and financial situation.
'Listen b***h, I'm sure a lot of y'all can relate, but sometimes when you meet people, surprise! They're not who they say they are,' he began.
'I've been hanging out with someone, just two grown adults having sex and chilling, nothing serious. But, I was presented a whole different person than who this man really was. And that's fine.
'I'm sure a lot of you out there have dated or dealt with or even hung out with some shady ass people, and yes, b***h, it happened to me.'
Jeffree addressed the situation (Picture: Instagram/JeffreeStar)
He added: 'So all these things that I was told were all false. And I was lied to. And I was like, "Okay, bye sweetie, it was really good meeting you, thanks, bye."'
Jeffree continued: 'Then all of a sudden, there's some Louis Vuitton luggage missing. There's some backpacks missing, and there's a few sunglasses missing. So "Jeffree Star got robbed", someone just stole a few things.'
The YouTube star went on to say he doesn't care about the value of the items, but more the principle of someone stealing from him.
Jeffree and Andre previously shared loved-up photos (Picture: Instagram/jeffreestar)
'I don't care if someone steals a nickel off your counter, it's wrong,' he said.
He finished up the video by hitting back at anyone 'revelling' in the situation on social media, saying: 'If you revel and enjoy […] bad news from anyone, including me, you're sick.
'Because I logged on Twitter, and some people are like, "Yes, someone got him, f**k him." I'm like, b***h, there's a special place in hell for you.'
Jeffree added that he isn't holding out hope of getting the items back, finishing up the video by saying: 'It's just two adults that went their separate ways, but b***h can I have my s**t back?'
A screenshot had previously circulated of a comment Jeffree was thought to have left on Andre's Instagram, which read: 'Hey! Since you can't answer the phone right now, can you give me all the stuff back that you stole from my house??
'What kind of lowlife f**king scum does that? Give it back!!!! If you need a return label, just ask.'
Andre hasn't publicly responded to Jeffree's claims.
The pair were first seen together when Jeffree shared a series of steamy snaps of the pair of them to social media.
They later enjoyed a romantic getaway to the makeup mogul's Wyoming home.
More: YouTubers
YouTube star Melanie Ham's family host celebration of life as she dies aged 36
YouTube star with early-ageing disease dies aged 15 after inspiring millions
MrBeast earns more than any other YouTube star ever on 2021 rich list
He said of the romance at the time: 'I'm living my life, and I'm actually genuinely happy.'
Jeffree added: 'I know rumours and lies are entertaining…but just know that I am hanging out with someone amazing who is single and has been single for a while, so anything else you hear is a motherf**king lie.'
Metro.co.uk has contacted reps for Jeffree Star and Andre Marhold for comment.
If you've got a celebrity story, video or pictures get in touch with the Metro.co.uk entertainment team by emailing us celebtips@metro.co.uk, calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you.
MORE : YouTuber Jeffree Star 'accuses boyfriend Andre of robbing him' weeks after romantic getaway
MORE : Jeffree Starr speaks out on make-up community's 'loss' after YouTube star Ethan Is Supreme's death: 'It's been such a rough week emotionally'
Jeffree StarYouTubers


Rebecca Makkai is the author of three books. Her first novel, The Borrower, follows a young librarian's journey across the country with a boy who has convinced her to kidnap him and was a Booklist Top Ten Debut and an O, The Oprah Magazine selection. Her second novel, The Hundred-Year House, tells the story of artists-in-residence at an artist colony in reverse chronological order and won the Chicago Writers Association's Book of the Year Award. It was also named a Best Book of 2014 by Bookpage, PopSugar, Chicago Reader, and more. Her most recent book is Music for Wartime, a story collection. Her work has appeared numerous times in Best American Short Stories. She was also the recipient of a 2014 NEA Fellowship.
This past month, she left her home in Chicago to meet with students and give a reading as part of the University of New Hampshire's Visiting Writers series. This interview was conducted as we drove from Durham to Portsmouth and other sites around the New England Seacoast.
All blinker clicks have been removed for clarity.
Barnstorm: It's rather unusual to meet a published writer these days who does not hold an MFA. Did you intentionally decide not to get one?
Rebecca Makkai: It sort of just happened that way. When I was in college I was aware of MFA programs. But I remember having a professor who had an MFA and a student once asked this professor what she thought of MFA programs. Maybe she was feeling down on them at this point, but she said something like, "An MFA and a nickel will get you onto the bus." Maybe her response was more tailored to the student who asked it, who actually wanted to be a journalist. I never took it upon myself to have that conversation in private with any professors. I thought, "Oh, those people who get an MFA are just silly." Then later I realized it might have been tremendously useful.
But really, my goal all along was to get a PhD in Literature. I was living in Chicago and was going to teach elementary school for three years, finish my Masters degree in the summers—which I did do at Middlebury College—and then I was going to apply to PhD programs.
My parents were both PhDs and college professors at the University of Illinois at Chicago. I was drawn to it for that reason, but I also knew that they were pretty miserable.
B: The decision to not get a PhD, was this made while you were still getting your MA or was it later?
RM: I think it was after, I can't remember. After I graduated from Middlebury I was on staff there—working in the library and the copy room. I kept going back each summer. I would audit classes, write the papers and everything. So I don't have a clear date in my mind for when my MA ended; it just kept going and going. I think I took as many classes afterwards as I did to get my degree.
B: All the while you were working to be a writer too?
RM: Yeah, and that's the thing. The whole time I was working on short stories, and I had halfheartedly started my first novel. I always wanted be a writer, but I was thinking I could do a PhD, be a full time professor of literature and then also write. And I have friends who ended up doing that. But I didn't know what I wanted to focus on, and looking at that guy's CV… So the question I had to ask myself was: do I want to write about literature or do I want to write literature? Once I phrased it that way to myself, it was an easy answer.
By that point I was married. I had a full-time job. I was starting to get published. For an MFA, I would have probably had to stay in Chicago. And there are great programs in the city, but they are full-pay. So I would either have to pay a ton of money to stay or pay a ton of money to do a low-res. Part of me considered biting the bullet and applying to Iowa—you know it's not that far away from Chicago and I didn't have kids yet. Still, it meant quitting my job, it would mean living apart from my husband for 2 or 3 years or his quitting his job.
Then my third published story got picked up for The Best American Short Stories, which was only a couple years after my first published story. And it wasn't like everything happened really fast after that, but everything did happen after that. That was the start of a lot of things. Even afterwards, I was still thinking I might want to get an MFA. I was talking with a mentor of mine, asking if I should do it, and he kind of laughed and said "You're as qualified to teach in an MFA as you are to get an MFA." But I never quite believed him. Then at a certain point I found myself teaching at Iowa Writers' Workshop and I was like, I guess that window closed awhile ago.
B: I was going to say, that's only your third story, then you're collected in three more consecutive years of Best American, two novels and a collection, all in a span of 7 or 8 years. From the outside it looks like it must have been a roller coaster ride. But how did it actually feel?
RM: It felt really slow. With Best American, it was maybe the best moment of my life—in a different way than your children being born, because it's something that you don't have any control over, something you can't make happen. They send you an email, and I remember reading it and thinking "Okay, my life is going to change." But it's seven months until the anthology comes out. So in that time I was working to get a website up. I didn't have an agent. What I remember is looking into a mirror—but I probably wasn't literally doing that—and thinking, this is where everything starts, this is the beginning of everything and you're going to have a career now. But then, of course, it was just crickets. I got some emails from readers—and that was fun—but it didn't make anything happen. Someone posited to me that if I had been a man I would have had agents reaching out to me. But it didn't happen, and I don't know if it's true or not. So it's easy to say that I would have. I should probably ask a man in a similar situation what it was like for him.
No one contacted me, but I think the anthology helped when I reached out myself. By the time I found my agent, it was the fall of 2009—right before my second appearance in Best American came out. And I'm glad, now, that no one reached out, because I would have been picked by someone else, and I would not have ended up with my agent, who's amazing. After the second story, I did get some agents emailing. Maybe the recognition that I had two in a row helped, or maybe it was just a better story than the first.
RM: Yes. And I might be feeling a little iffy about that one right now because of Dwight Garner's review of the collection in the New York Times. He eviscerated that story.
B: How often do you read reviews?
RM: I read them all. You're going to hear about them anyway. That review in particular, when it came out I was sitting in an airport on book tour. I didn't know about it, but I got an email from a friend saying, "I don't care what that guy says about you, you're awesome." I thought, "Oh god what happened." Then I saw all these texts on my phone, some of them just hearts.
B: When you get a review like that, one that changes the way you feel about your work, does it affect you because they are tearing it apart or is it that they are speaking in some way to an insecurity you already had about the work?
RM: It could be either one. With Dwight Garner's—which was more of a mixed review, and I do have to say he also said some really generous things—I objected more to the misquoting. He took me out of context. There was a line of dialogue from one page and he put it with dialogue from another page, then put them together as if they were one conversation. All to say, look how cheesy. And yeah, it would have been cheesy had I written it that way. He criticized my novels in the review, too, and he went on and on about how the main character of my second novel was called Zenobia—which is not her name. Her name is Zee, which was shortened from Zilla. That's a major plot point of the novel. She's named after another person in the book. But a character in the novel calls her Zenobia one time, halfway through, as a joke. Which leads me to speculate about the process behind the review, but I probably should zip my lips about that.
It's different to be harshly critiqued and then learn from it, which has happened with other reviews. There was some legitimate criticism of The Borrower, and I think some of it really made me a better writer. And there were criticisms of some of my stories that were very sharp and intelligent. Those felt like someone making a really good observation about my work, as if in workshop. It was like, "Ouch that's true, but now I know." Ultimately, I was grateful for it. But it's different when you feel that someone did not read your work carefully and then was very public about it.
Even so, sales of the book leapt with that review. I wonder, though, what damage did it do in terms of other things. Did people on prize committees decide not to read it? Did other publications decide not to review it? Or in contrast, it was on the front page of the New York Times Arts Section, did that actually cause other people to review it? It ended up being reviewed fairly well for a story collection.
B: You talk a lot about craft on your Ploughshares blog. The posts are funny—offering inside jokes that have a nice bite to them.
RM: Originally, I was writing earnest things about craft, almost like little essays. I think the first one that got a lot of attention was "14 Ways to Tick off a Writer." And because it got passed around, I was thinking, "Okay, well if I'm funny more people will read it." It also probably helped that it had a list form.
B: When I read "I Have a Favor to Ask," which is a form-letter for writers asking other writers for advice or to look at their work or to write a letter of recommendation, I kept thinking of how hard it is for new writers to know what's appropriate or inappropriate to ask. And in a way, your blog is the perfect guide for navigating a world that they are unfamiliar with.
RM: I get a lot of stuff from people who have suddenly come to writing; people that have experience with one kind industry, where if you want to become a part of that industry you reach out to those within it and they kind of take you under their wing. But I'm not sure what industry that's true for. In a lot of people's minds, all a writer does is sit and write. What could you possible be busy with so that you couldn't look at a manuscript? But they don't understand that I'm constantly on the road; and I have two-hundred emails a day; and I'm trying to blurb books for four dear friends; and I have essays to write; and book reviews to write. They're going, "I met you at a festival for thirty seconds, and I have a novel that I'd like you to look at. No rush, treat it like any other book on your nightstand. Read it when you can and give me your reactions." It's as if they're imagining that there are only a few hundred people trying to be writers, and so they might be the only who has ever thought to write to me.
But that sounds terrible, because I love being able to help people when it is the right time and place. I will go out of my way to blurb books that I really believe in. I will write letters of recommendation for my former students.
But most people are lovely and very sweet and awkward about asking even the most necessary, appropriate favors. That includes the vast majority of straight white men, too!
B: That's what I like about that post in particular. You might misread it as a slam against reaching out and asking for help. But there is the flip-side, which is that many writers are beholden to ask for advice or help from mentors, successful friends, and total strangers. And you give honest advice and criticism in a comedic way.
RM: My point with that post was in no way to say, "How dare you ask for favors." I'm still in the position where I have to ask for letters of recommendation constantly. I still have to ask people to blurb my books. And it's so awkward. The whole point of it was to help that process, because we all need it. It wasn't at all to complain about people, because I have no problem saying no. And most of the people reaching out to me are doing it for legitimate reasons.
Not having an MFA, I understand the position people are in. How are you going to ask for favors when you don't know anybody? Say you want to apply for something when you're thirty-six and need a letter of recommendation. Are you going to write back to your college literature professor?
B: There are these rules to the writing world that are not totally obvious to, or in favor of, beginners.
RM: I had some advantage, despite not having an MFA. I worked for the literary magazine Shenandoah for three years and that taught me a ton. I had great writing instruction and guidance in college. Some people don't even know they want to be writers until after college; I knew it in high school. Even at Middlebury, I was able to work with David Huddle and Paul Muldoon. I knew enough at a certain point. I knew that I should probably go to Bread Loaf and I got an alarmingly swift lay of the land there—this is how you approach an agent, this is how you talk to an editor. If you took all that stuff away, even if I had studied writing in college but not with successful authors who could tell me this stuff, I don't know that I would have had any clue where to start. I'm not sure I would have known about literary magazines. I might have sent story after story to The New Yorker and given up because they kept rejecting me. Or written a novel first, because that was all I had been exposed to.
B: Your first novel, The Borrower, takes place in Hannibal, Missouri—or anywhere but Hannibal—why did you decide to put that location in your readers' minds?
RM: Mark Twain. It's where Mark Twin grew up and where Huck and Jim start their journey. And yeah, I'm always quick to point out so I don't get sued by the Hannibal Public Library, that it is technically anywhere in the world except Hannibal, Missouri. The narrator says she's going to call it Hannibal, which means that's not where she is. I still fear that I might run into someone from the Hannibal Library at a reading.
Apparently, when the book came out, my publicist contacted the library to let them know that the book was set at their library, then sent them a few copies, and never heard back from them. I'm sure they were horrified.
Here's something that still kind of bugs me: I needed this character to have fallen into her job by happenstance, mostly because I needed her to detach from it pretty easily, and that's why I didn't have her get a Masters of Library Science degree. The way she got her job was totally legitimate—and she says in there that she's not technically a librarian, they just needed a library worker but they called her a librarian. A small percentage of very loud librarians were so upset, and it was not about the fact that this character kidnaps a child, it was that I didn't give her an MLIS. I'm sure I upset the children's librarian at the Hannibal Public Library—among other things—because I didn't give her the proper degree.
B: Is that why The Hundred-Year House takes place at a fictional artists' colony?
RM: Anyone who knows the North Shore of Chicago could pretty easily recognize the area described as Lake Forest. There is a colony there, Ragdale, but it started in the 1980s, so it has a completely different history from Laurelfield, the fictional one in my book. I'm on the curatorial board there, and they were cool with it. In the book there's a college in the same town as the artists' colony, and some pretty scandalous stuff does happen there. So I did not want it to be recognizable as the college at which I teach.
B: With the stories and aspects of the novels, too, I see a lot of attention payed to oral tales and folklore, the kind of family histories as told by parents, aunts and uncles, and grandparents. I wonder what import you feel those tales have had on you, as a storyteller.
RM: I was raised with this bizarre family folklore. Some of it on my mom's side—she would tell stories from her family history. But it was much more from my dad's side, partly because he's a writer and partly because he tells a really good story. And he exaggerates wonderfully, so whatever the story had been originally, after he's told it a few times, it becomes this fantastic thing. He has a lot of material to work with, too. He's had a crazy life; his parents had crazy lives. And I grew up with those stories.
In The Borrower, the immigrant father is really the only part of Lucy's life that has anything to do with me, but when it first came out people assumed it was a thinly disguised version of me. Which is kind of disturbing because it's about a kidnapping, and she makes all of these horrible decisions. Now that I have two other books, I don't think people assume that anymore, but since it was my first novel, it was all people knew of me. And it's a first person story, so I can see how you'd make some assumptions.
I put in the immigrant father, but he's got a very different situation from my own father. He's Russian while my father is Hungarian—which might not sound that different to some Americans, but it's hugely different.. And he's a mafioso, and my dad's a linguistics professor. I wanted to use the idea of someone who had left everything behind. When you're the child of an immigrant who's done that, that's a question you grow up with: what's it like to leave it all behind? And since Lucy was going to run away, it made sense to give her that family legacy.
Also, when I made the decision for her to be a librarian, it became a story about stories—the stories we tell each other and ourselves. So it fit, because the stories from an immigrant father were stories that might be full of lies.
Some of the stories in Music for Wartime originated from the stories I've been told. And while I still think of them as fiction, I'm dealing with them more head-on there.
B: Sometimes telling another person's story can be a sort of violent act where you have to recreate a lot and almost obscure the original person or culture in order to shape the narrative, but there are other times when it is a more natural process—maybe one with a lot of research—where the story more or less tells itself and you take more of a curatorial position. When you're telling the story, of say a town, or even your family's stories, do you ever fear appropriation?
RM: Yes. And when my family's stories appeared in Harpers, my father was both thrilled and upset. In Music for Wartime, I have a story called "The Briefcase." There's a family story that goes with that. An older cousin of my father was a college professor—I think a history professor—who was walking across campus and a chain gang walking near him was short a prisoner, so they just took him up and he was never seen again. And I'm not sure if that is really the way it happened—that's clearly what someone told his family, but I don't know if there was something else going on or if there were other political things or if they had planned to take him. Anyway, his wife was pregnant at the time and then gave birth to a son who never knew his father. That son came to America, like my father, and I was very close to his daughters. And I still know them—I see them every weekend because my daughter takes classes at their ballet studio. I felt like I couldn't just tell his story. For one thing, it felt like too much appropriation. And for another I didn't quite know what to write about, a gulag? I didn't really want to write a story about a prison camp. But then one day it hit me that I could write a story about someone who'd escaped from a chain gang.
At the point that I wrote the story, I was out of touch with this branch of my family. When it was published in Best American, I was able to put a little note about where it came from and all that. I put in a line like, "If anyone from that side of my family is reading this I'm sorry…" But I'm not sure any of them read it there. I know they've read it now that it's in the collection, though, because one of them has a book club where they read the book and invited me to come.
There's appropriation on the personal level, which I guess I'm okay with, and then there's cultural appropriation, which I'm more concerned with. Then, it becomes a matter of power. I know a woman who wrote a novel about Georgia O'Keeffe—they are both white women, so no one really would have an issue with that. If she had, however, written a novel about Sojourner Truth, we could ask: is that appropriate? But then again, if I'm writing a novel and I have this cast of characters, I don't want them to all be straight and white. I need characters of other ethnicities, backgrounds and sexual orientations. But are they also going to always be side characters then? That's not great, either. So if I then really write about them, really focus on them, does that become appropriation?
B: Yes, it can be a tricky thing. You want to do service to other people's lives. In a way that's what storytelling is, trying to build this empathetic relationship between readers and the characters in your story. And that often involves writing characters that are not yourself—and doing it in a way that is not exploitative.
I think a lot about that. Say with Hurricane Katrina, you wouldn't accuse a journalist for writing about the victims there. But there has been a backlash against Beyonce for bringing attention to that story, and others, in her video for the song "Formation." It's clearly different based on the response, but I'm not quite sure how.
RM: She's from the South, she's African American, her family has ties to Louisiana. And she is certainly not preventing someone else from talking about it. Do you have to be from New Orleans to tell the story? Do you have to have been there? To have drowned? There is a point where it goes too far, where we are too afraid. But you want to be careful for a reason. You don't want to offend, you don't want to misrepresent. You don't want to perpetuate stereotype. But I do have issues with people going around trying to police who can tell what story.
B: You mentioned at your reading last night that you're writing about the AIDS crisis of the '80s. How are you approaching that project?
RM: I think you tend to get accused less of appropriation if you tell the story well. Partially that involves going against stereotype. And with this project, it is entirely fictional. I'm doing research and pulling on details from real-life, but I'm not telling the story of someone who actually lived and then fictionalizing it. And I'm not trying to represent the AIDS crisis in Chicago as a whole, I'm trying to tell a very specific story.
When I began writing, it was going to all be set in 1985 with a group of friends and my main character was a gay man. But I started to feel that I needed a second thread to the narrative, to have alternating chapters with a woman, a straight woman who was part of this group and had a brother that died. So it's now going between her and my original character. And honestly, I initially made that move out of fear. I didn't feel like I could live entirely in that world, that it would be better if there was a character who was more like me. And while I started it out of fear, I found that it really worked for the narrative. It brought out new threads that hadn't been there before—new echoes. It really became essential to the book and broadened its scope. So it's not just a book about the AIDS crisis, it's also a book about cults and Paris and a woman looking for her daughter. But thematically it helped the book be more about people shutting others out when they need them most.
Anyway, that became my bid for amnesty. I'm no longer taking this one narrative and trying to own it. Or appropriate the story. But rather this is one of the voices and there are others, too. Someone, maybe many, could still take the opportunity to criticize the novel on the grounds of appropriation. But I'm not going to change what I'm writing because of that.
B: I read that you extensively planned your second novel. How did that process inform your later work with stories or the novel you're writing now?
RM: I don't think I will ever outline anything as thoroughly as I outlined The Hundred-Year House. I had to outline because it was incredibly complicated, with a huge cast of characters, and it was told in reverse. It was like doing sudoku. For the novel I'm writing now, I have timelines and I've done research, but the actual outline is only three or four pages, which is a much more normal outline for a novel. The outline for The Hundred-Year House changed all the time, from sixty to a hundred pages. It grew and shrank as I changed my mind. It was a scene by scene, moment by moment breakdown. That actually helped me write it. I might be in the outline drawing out a scene and then start the dialogue. So the outline felt like discovery and revision meant filling it out a little more.
It helped that it was my second novel and I already had a lot of short stories under my belt. I was experienced enough to know that I ought to feel free enough to surprise myself and veer off of what I'd planned. That happened plenty.
B: The second novel, maybe it has to do with the project, has a different kind of authority than the first. There are more characters, larger themes, different perspectives, etc.
RM: Third person narration allowed me to do a lot more. Just the ability to jump around time within a scene, switching perspectives. And I got pretty experimental in the 1929 section, where I was using things like third person plural, past and present tense, different points of view. I wanted to show the chaos of that time. And it was the Modernist era, so I tried to write in a style to match it. When I got free and loose with that section, that was maybe the most fun I've had while writing.
B: Your collection has a wide variety of styles.
RM: I get too bored if I try to stick to one voice or style. And I'm not that tempted to, either. I choose the voice and style based on the story. I decide all that as soon as I start writing. I tend to go very much on instinct, whether it's going to be first or third, past or present. I don't think I've ever changed the person I've started telling the story from.
One interesting thing in "The Briefcase" that most people don't notice: The beginning of the story is in past tense, but at some point it goes into the subjunctive—he would have, he could have—and I came out of it writing in present tense. I liked it that way, so it stayed.


text:
Fellowship in International Atomic Energy Agency at Northwell Health
Since its initiation in 1958, the International Atomic Energy Agency Fellowship Program has provided training, study, and research opportunities in the peaceful uses of nuclear energy for scientists and engineers from developing countries. Program participants are, or soon will be, entrusted with responsibilities important to the development of their home countries. The IAEA Fellowship Program includes an obligation that the fellow works in the home country in a field employing peaceful uses of atomic energy for at least two years after completing the fellowship.
The Division of Educational Programs at Argonne National Laboratory (DEP-ANL), under funding of the U.S. government, administers the program for the IAEA fellows who receive awards for training in the United States. A major responsibility of DEP-ANL is arranging suitable study or training programs for the fellowship candidates. Such arrangements are possible only with the cooperation of colleges and universities, hospitals, private corporations and governmental agencies.
The IAEA selects candidates for fellowship awards from a list of applicants submitted and endorsed by the governments of the member states. Upon completion of training arrangements in the host country, the IAEA awards a fellowship to be accepted by the candidate and his/her government. For additional information, visit the International Atomic Energy Agency.
The Department of Radiation Medicine at Northwell Health has hosted a number of IAEA fellows over the past several years.
Recent fellows include:
Rodrigo Rubo (Centro Infantil Bodrino; Campinas, Brazil) 2010
Feinstein Institute for Medical Research
The Feinstein Institute's clinicians, scientists and staff are a growing force in research innovation, imagination and discovery.
Learn more about the Feinstein Institute


A blank includes the assembled pieces and instructions for finishing the garment. Buttons and thread are not included but are available for an additional charge.
Our in stock blanks typically ship within 2-3 business days.


text:
Covington 4 Station Expandable Drum Unit
594EDU
Covington 4 Station
Expandable Drum Unit
The Four Station Expandable Drum Unit is a versatile machine that allows the user to move through grinding stages without changing the wheels. The angled expansion slots through the rubber rim of the expandable drum allow it to expand when rotated, thereby locking the belt in place.
The drum surface flexes to the contours of the gemstone, quickly removing grinding flats and scratches. Accessories include:
Four 3" x 8" sanding belts (1 each, 100 grit, 220 grit, 400 grit & 600 grit)
Belt guard
The hoods are easy to remove for cleaning or wheel changes. The water valve takes 1/4" OD plastic tubing for gravity water flow or 1/4" copper tubing for pressure systems. Spray nozzles under the hood wet the entire wheel face.
This unit ships mounted on a rustproof aluminum-topped Lam-I-Cushion base.
Four 8" x 3" Expandable Drums
Heavy Duty Ball Bearings, Neoprene Sealed and Greased for Life
Powder Coated Cast Aluminum Arbor
Pans with Drain Plugs
Hoods with Water Valves
Speed Control Allows Gradual Speed Changes from 800 rpm to 1725 rpm
1/2 hp, High Torque Motor
Gearloose Pandimonium™ Universal Base Diastik Diamond Compound
600 / Regular - $25.99 USD 1200 / Regular - $25.99 USD 3k / Regular - $25.99 USD 3k / Polycrystalline - $33.99 USD 8k / Regular - $25.99 USD 8k / Polycrystalline - $33.99 USD 13k / Polycrystalline - $33.99 USD 14k / Regular - $25.99 USD 60k / Regular - $25.99 USD 60k / Polycrystalline - $33.99 USD 100K / Regular - $25.99 USD 100K / Polycrystalline - $33.99 USD
Diamond Type
Polycrystalline
Covington Silicon Carbide Belts
2-1/2" x 6" / 60 - $1.75 USD 2-1/2" x 6" / 80 - $1.75 USD 2-1/2" x 6" / 100 - $1.75 USD 2-1/2" x 6" / 220 - $1.75 USD 2-1/2" x 6" / 320 - $1.75 USD 2-1/2" x 6" / 400 - $1.75 USD 2-1/2" x 6" / 600 - $1.75 USD 2-1/2" x 6" / 800 - $1.75 USD 2-1/2" x 6" / 1000 - $1.75 USD 3" x 24" / 60 - $2.25 USD 3" x 24" / 80 - $2.25 USD 3" x 24" / 100 - $2.25 USD 3" x 24" / 220 - $2.25 USD 3" x 24" / 320 - $2.25 USD 3" x 24" / 400 - $2.25 USD 3" x 24" / 600 - $2.25 USD 3" x 24" / 800 - $2.25 USD 3" x 24" / 1000 - $2.25 USD 3" x 8" / 60 - $2.50 USD 3" x 8" / 80 - $2.50 USD 3" x 8" / 100 - $2.50 USD 3" x 8" / 220 - $2.50 USD 3" x 8" / 320 - $2.50 USD 3" x 8" / 400 - $2.50 USD 3" x 8" / 600 - $2.50 USD 3" x 8" / 800 - $2.50 USD 3" x 8" / 1000 - $2.50 USD 3" x 41-1/2" / 60 - $3.75 USD 3" x 41-1/2" / 80 - $3.75 USD 3" x 41-1/2" / 100 - $3.75 USD 3" x 41-1/2" / 220 - $3.75 USD 3" x 41-1/2" / 320 - $3.75 USD 3" x 41-1/2" / 400 - $3.75 USD 3" x 41-1/2" / 600 - $3.75 USD 3" x 41-1/2" / 800 - $3.75 USD 3" x 41-1/2" / 1000 - $3.75 USD 4" x 106" / 60 - $10.00 USD 4" x 106" / 80 - $10.00 USD 4" x 106" / 100 - $10.00 USD 4" x 106" / 220 - $10.00 USD 4" x 106" / 320 - $10.00 USD 4" x 106" / 400 - $10.00 USD 4" x 106" / 600 - $10.00 USD 4" x 106" / 800 - $10.00 USD 4" x 106" / 1000 - $10.00 USD
2-1/2" x 6"
3" x 41-1/2"
4" x 106"
Hi-Tech Diamond - Diamond Smoothing Discs
6 Inch / 220 Purple - $21.99 USD 6 Inch / 325 Brown - $21.95 USD 6 Inch / 600 Red - $21.95 USD 6 Inch / 1200 Blue - $21.95 USD 6 Inch / 3000 Orange - $21.95 USD 8 Inch / 220 Purple - Sold Out 8 Inch / 325 Brown - $33.00 USD 8 Inch / 600 Red - $33.00 USD 8 Inch / 1200 Blue - $33.00 USD 8 Inch / 3000 Orange - Sold Out
220 Purple
325 Brown
3000 Orange
Lot-O-Tumbler Vibratory Tumbler Replacement Barrel and Cap
Barrel with Cap - Sold Out Barrel Only - Sold Out Cap Only - Sold Out


text:
Health care law's future at stake in special congressional election for Louisiana
By Brentin MockOctober 18, 2013
jamie_mayo_0.jpg
Jamie Mayo, Democratic mayor of Monroe, La., is considered likely to make it into a runoff for Louisiana's 5th Congressional District. But can his party turn it back into the Democratic district it appears to be on paper?
Tomorrow is the special congressional election for Louisiana's 5th congressional district, a seat vacated when Rep. Rodney Alexander (R) left the House to become Gov. Bobby Jindal's secretary of the Department of Veterans Affairs in August.
Vying for the post are 14 candidates: five Republicans, four Democrats, two Libertarians, two independents, and a Green. Among the Democrats is Jamie Mayo, the black mayor of Monroe, La. The frontrunner is Republican Neil Riser, currently a state senator, although political analysts say former Republican congressman Clyde Holloway could be a spoiler.
The question is whether Mayo and his fellow Democratic opponents can pull together enough resources and momentum to surprise the nation by turning the district, one of the largest in the state and poorest in the nation, into the Democratic district it appears to be on paper.
Why this matters: the Affordable Care Act (ACA), or what its critics refer to as "Obamacare." Of all of Louisiana's districts, this one has the highest percentage -- 20 percent -- of uninsured residents. Over 11 percent of the district's children are uninsured, twice as high as the state overall, and also over twice as high as the district with the second-highest percentage of uninsured kids, District 1 with 4.9 percent.
All of the Republican candidates running for the seat have gone on the record as favoring repealing or defunding the ACA, while the Democratic candidates are in favor of keeping it. Riser, the leading candidate and Gov. Jindal's hand-picked choice, has made getting rid of the ACA a centerpiece of his campaign.
Louisiana's 5th District is one of the poorest congressional districts in the nation, encompassing Mayo's home of Monroe and also the city of Alexandria. It slightly tilts urban, but it's roughly 47 percent rural. A third of its residents are African Americans, with the rest mostly white.
Despite the district's designation as "safe Republican" by University of Virginia political analyst Larry Sabato, there are actually almost twice as many Democratic qualified voters than there are Republicans there -- 248,202 Democrats to 133,356 Republicans. As of Oct. 1, there were a little over 240,000 voters registered Democrat as opposed to 132,465 registered Republican.
Last November, 69.2 percent of Democrats and 76.6 percent of Republicans turned out to vote. But independent voters, who make up the remaining 22 percent of qualified voters in the district, have historically helped color the district red.
During the 2010 midterm elections, when the former incumbent Alexander was challenged by independent candidate Tom Gibbs Jr., Alexander soundly defeated him with 79 percent of the vote at 41.8 percent turnout. But Alexander was originally a Democrat when he first won that district in 2002. The state's Democratic Party hopes they can turn it blue again -- a high hope for the national party, which wants to win back the House next year in order to secure the ACA from ongoing attacks by Tea Party extremists.
"This seat is winnable for the right Democrat," said Kirstin Alvanitakis, communications director for the Louisiana Democratic Party. "Plus, the Republican brand is unmistakably tarnished right now, with the public laying blame for the shutdown on reckless, irresponsible Tea Party Republicans like Rep. Fleming and Rep. Scalise -- who both endorsed Riser, by the way."
Riser is getting help from conservative political action committees -- and he is the only candidate for which a outside spending group has jumped in the race. The Republican Super PAC has spent about $33,000 on ads supporting Riser. Not much is known about the group and it has a short history, having spent over $438,000 on an Oregon race in 2012.
Its treasurer is James Bopp, Jr., a highly heralded attorney on the right who's known for his legal advisory and engineering of strategies to end limits on campaign finance rules. He is considered the brains behind the Citizens United case that went to the U.S. Supreme Court and opened the door to unlimited outside spending.
According to a 2011 article in The Washington Times, the Republican Super PAC "goes beyond other independent expenditure groups in both parties by empowering mayoral, state legislative, congressional nominees and the GOP's presidential choice to seek unlimited contributions from donors who might gladly give $100,000 or more but have" already given the current maximum contributions.
The other leading candidate, Clyde Holloway, had raised about $133,000 by the end of September. He was once Louisiana's representative in Congress for the now deleted District 8 and currently serves on the state's Public Service Commission. As a member of Congress in 1991, he tried to change the preclearance formula for the Voting Rights Act's Section Five in a way that would have lifted the state out of federal oversight had it passed. But the U.S. Supreme Court did that work for him this past summer, and now civil rights advocates in the state are fighting redistricting battles as a result.
Mayo has raised the least of the frontrunners, at about $30,000 . But with such a crowded field, political analysts don't expect anyone to win over 50 percent of the vote, which means there will likely be a runoff election in November. Mayo is expected to make that runoff, especially if Democrats and African Americans turn out tomorrow in proportion to their registration numbers.
"I think a Democrat will make it into the runoff," Roy Fletcher, a political consultant from Baton Rouge who's supporting a Republican candidate in the race, told Nola.com. "I think that's pretty dang likely in this race, and if African-Americans turn out to any extent, I think Jamie Mayo will probably be a beneficiary of that."
Southern Politics
james bopp
independent expenditures
southern poverty
Brentin Mock
@brentinmock
Brentin Mock is a contributor to Facing South focusing on voting rights.
Email Brentin
Southern leaders opt to exclude 2.7M from health care
VOICES: The danger of McCrory's Bobby Jindal imitation
VOICES: Same ol' poor ol' South on the losing side
INSTITUTE INDEX: Will Southern governors sacrifice their economies by seceding from the Medicaid expansion?


text:
DAVID VILLA: MLS CAREER REVEALED
Spanish international football icon David Villa was one of the few big name players who made a huge impact on the MLS (Major League Soccer) in the last one decade. David Villa played for just one club in the MLS and that was New York City for a period of four years. The ex-Spanish national team striker played for Sporting Gijon, Real Zaragoza, Valencia, Barcelona and Atletico Madrid in the top flight of club football in Spain before his move to the MLS. David Villa signed for the newly formed MLS team New York City in the summer of 2014 and was handed the number 7 jersey. He was loaned to Melbourne City in the Australian league for the 2014/15 season due to the fact that New York City didn't become active in the MLS until the 2015 season. Villa was recalled by New York City some months into his loan move to the Australian top flight team. Melbourne City and New York City are sister clubs owned by the Manchester City Group. David Villa was named the first captain in the history of New York City in February 2015 and he was also the first designated player at the club. The Spaniard would go on to score the first ever goal in the history of New York City during the friendly match with St. Mirren of the Scottish Premiership. In the debut MLS game for his club, David Villa provided the assist for the lone goal for his team in a 1-1 draw with fellow debutants Orlando City. Mix Diskerud scored the only goal for New York City. David Villa scored his first goal in the 2-0 over New England Revolution for the first competitive win for his team. Villa scored 18 goals during the Regular Season in the 2015 MLS but it was not enough to lead his team into the MLS Cup playoffs for that season.
Villa won the MVP Award in the MLS in 2016 after netting 23 goals during the Regular Season. He scored 22 times during the 2017 MLS Regular Season and the striker was a key performer for the New York City team that reached the Eastern Conference semi-finals before they were knocked out by Columbus Crew. He left New York City to sign for Vissel Kobe in Japan at the end of 2018.


text:
Q: Looking for react google map component to find location by name I am currenlty building an app where I have a list of countries.
I was wondering if there was a Googlemap react component available that allows us to find places by their names and not by lat and lng (to avoid making an api request to find them)
Seems that you can only use lat and lng params with the following :
react-google-maps, google-map-react , google-maps-react
As usual , thanks guys :)

redpajama_set_name: RedPajamaStackExchange


This special little benefit was produced by one of the most legendary Web Online marketers.
But what many individuals don't realize is that Kartra includes a great little automation area.
As you can produce a variety of various kinds of pages when it comes to Kartra.
Then you're likewise going to wish to followup with them and send out emails.
You basically whatever when it concerns video and customizations.
Send out a viewer to a particular page after they finish viewing.
Particularly if you're going to be selling your really own products, deals, or services.
Their ticketing system enables you to designate and deals with tickets as needed.
You have the ability to turn to live chat in case you require to fix something fast.
And there's likewise personnel stats so that you can see who is doing well and who isn't.
So that's just a fraction of the great features that come along with this software.
Software constantly comes with concerns.
Kartra carries out in truth have a trial deal but it isn't complimentary.
There are multiple plans that each have various costs and advantages.
Every plan includes a 2 week $1 trial so you can constantly test them out.


text:
Хорхе Гарбахоса (; род. 19 декабря 1977 года, Торрехон-де-Ардос, Мадрид) — бывший испанский профессиональный баскетболист, последним клубом была «Уникаха», выступал за сборную Испании.

Достижения
 1995 — чемпион Испании (по юниорам);
 1996 — обладатель Кубка Сапорты (ТАУ);
 1999 — обладатель Кубка Короля (ТАУ);
 2001, 2002 — обладатель Суперкубка Италии («Бенеттон»);
 2002, 2003 — чемпион Италии («Бенеттон»);
 2003 — вошёл в символическую первую пятёрку Евролиги;
 2003, 2004 — обладатель Кубка Италии («Бенеттон»);
 2005 — обладатель Кубка Испании (Уникаха), MVP финала Кубка Испании;
 2006 — победитель чемпионата Испании (Уникаха), MVP финала чемпионата Испании;
 2006 — получил титул «Мистер Европа» итальянским журналом «SuperBasket»;
 многократно играл в «Матчах всех звёзд» Лиг: ACB (Испания) и Lega A (Италия);
 2008 — серебряный призёр Промо Кубка Единой лиги ВТБ

С 1997-го года выступал в сборных Испании (от молодёжной до национальной)
 2001 — бронзовый призёр Чемпионата Европы;
 2003 — серебряный призёр Чемпионата Европы;
 2006 — чемпион мира (средние показатели — 12,6 очка, 5,3 подбора);
 2008 — серебряный призёр Олимпийских игр в Пекине
 2009 — чемпион Европы (Польша)

Статистика

Статистика в НБА

Статистика в других лигах

Баскетболисты Испании
Игроки «Торонто Рэпторс»
Игроки БК «Бенеттон»
Чемпионы Италии по баскетболу
Игроки БК «Реал» Мадрид
Игроки БК «Химки»
Игроки БК «Уникаха Малага»
Игроки сборной Испании по баскетболу
Серебряные призёры летних Олимпийских игр 2008 года
Баскетболисты на летних Олимпийских играх 2000 года
Баскетболисты на летних Олимпийских играх 2004 года
Баскетболисты на летних Олимпийских играх 2008 года
Чемпионы мира по баскетболу
Чемпионы Европы по баскетболу


text:
package rs.etf.stud.botfights.core;

import javafx.scene.Scene;

public interface ViewControl{
    void onGameStart();
    void onTurnStart();
    void beforePlayerTurn(Player player);
    void afterPlayerTurn(Player player, Move move);
    void customManipulation(SceneManipulation SceneManipulation);
    void onTurnEnd();
    void onGameEnd();
}

redpajama_set_name: RedPajamaGithub


IN STOCK - SHIPS IN 2 DAYS !
1 Year GIGA-Warranty. If you break it, we fix it for free!
Slick is the only stabilizer that is fully optimized for action sports. We designed it to get you riding, not filming. Pick your sport, enjoy the ride, share your video.
Compatible with waterproof GoPro housing to keep your camera protected.
Compatibility: GoPro Hero, 3, 3+, 4, 5, 6, 7 and session series.
Little things that make your experience great.
Slick has two buttons to rotate the camera Up/Down and frame the perfect shot, even wearing your gloves!


House clearance agency London, Are you looking to clear your house or office or garden, or mall, or garage of all the unwanted items that are gathering dust and occupying your precious space? House clearance, London is your most trusted service provider that will help you get rid of all the junked and unwanted materials from your premises.
The cost charged by the House clearance agency London is among the most competitive in the market. There is a team of dedicated and professional workers that work round the Clock to give quality service to the clients. Our work force has more than fifteen years of experience in the field of house clearance. We enable our clients to get rid of old furniture, old boat, old junk and other undesirable elements from houses.
You can probably choose through a lot of companies of house clearance and even rubbish clearance at North London, East London, South London, or West London. The items you would like to dispose might include unwanted furniture, bulky or heavy items, electronics equipment, medical devices, construction debris and some other materials. I hope this article helps you finding the best service provider for house clearance.
Whether or not you presently stay in Greensboro, or you plan on relocating to Greensboro in the near future, there are numerous communities of new homes in Greensboro that will meet your every wish for your perfect home. There is a wide range of new home communities within luxury neighborhoods in Greensboro that have all types of houses and a large difference in costs. You'll find diverse facilities in each and every home that will bring you right to everything you have ever wished for your house. Whether you are a first-time home buyer, or simply desire to improve your house, you'll find the right house for you. There are numerous new neighborhoods in Greensboro.
Some of these residences have much larger floor plans with four bedrooms and up to three and one-half bathrooms. You may choose to live in a gated community with beautiful parks and playgrounds. Greensboro is indisputably an excellent location to raise a family; it's a family friendly environment. The costs of some of these homes range from the low $200's to the high $300's. Additionally, there are aerobics centers, aquatic community pool areas, and conference rooms within new home neighborhoods. The new homes Greensboro wants are attainable in many neighborhoods.
There is an incredible array of Greensboro new homes. If your cost range is lower, and you are looking at being closer to the city of Greensboro you still have options. With a Greensboro new home priced in the middle $100's, there are communities located just a couple miles outside the city of Greensboro on attractive rolling hills. There are beautiful lakes throughout the neighborhoods, and roomy floor plans which will keep your expanding family content, and your finances too! These neighborhoods provide houses with three to four bedrooms, and two to two and one-half bathrooms. You will find great schools in the area, and plenty of recreational areas for your kids to grow up in. With reduced, affordable prices, this is the key to raising your family on a limited spending budget, but still offering them a taste of luxury.
These are the new homes Greensboro loves. Yet other stunning new neighborhoods in Greensboro that are worth raising your family in, happen to be inside the city of Greensboro. These Greensboro new homes are priced in the mid and high $200's. For every house in this neighborhood, you will awaken to awesome vistas of the city, as well as fall asleep to them each night. This is an indisputably family friendly environment with lots of good shopping and the finest dining nearby. These neighborhoods are also within reach of some of the finest schools in Greensboro. You can also appreciate luxurious interior planning that will not break for years and specials for instant move in.
Your kids and family pets will love the large lots and grassy yards to play and run around in. If you have a middle-income budget for your new home, this is certainly a suggested community for you and your loved ones. No matter what your budget is, or what features you desire your Greensboro new home to have, these communities will surpass your expectations. At reasonable prices within the fantastic area, it is both a great place to raise a family and also a good investment for your future. You'll always be near enough to the city that you can experience all the fun and pleasure, nevertheless, you will also be far enough where one can take pleasure in peace and quiet during your downtime. You may also enjoy your new home search and the dreams you will achieve in your new family community.
When you do find the perfect home, you definitely don't want to miss out on it because you're still waiting for the bank to approve your mortgage application. Pre-approval not only gets you on the path to the financing you'll need in order to make a purchase, but it shows sellers and agents your price range and that dealing with you will be a quick process. This can go a long way in helping you when it comes to negotiating the terms of your purchase contract.
Get ready to open the door to your new home.
that don't meet your needs.
It's important to make a list of the things that are most important in your new home. Whether it's being close to a particular school or it's having easy access to public transportation, knowing the items that are at the top of your list can help you balance your needs verses your desires. Nobody wants to compromise when it comes to their "dream home", but sometimes, it's important to keep in mind that you often can't get everything you want in a new home. If you're set on a two car garage, maybe an outside shed can help you get by with a single car garage. Being flexible is a great way to find quality properties that will meet your needs and even most of the items on your wish list.
size of the backyard to the location of the nearest shopping mall.
probably be able to collect valuable information on your own.
Nevertheless, there's a great chance you'll soon find yourself overwhelmed with things to do.
especially with other daily tasks.
organize your search for your new home. Think of them as your "home search coach".
phone, which means you can take a look at their properties while on the go.
Is the Real Estate Firm Active on the Internet?
easily found online? Do they have an interactive map that makes your home search easier?
We invite you to live in luxury in one of the beautiful homes for sale in Greensboro. Take a look at the great luxury homes and see where you want to live.
We specialize in luxury homes in Greensboro. If you are looking for Greensboro real estate, then this is where you need to be. Check us out.


I was searching for a Property and found this listing (MLS® #10105317). Please send me more information regarding 3930 North Southport Avenue #3s, CHICAGO, IL, 60613. Thank you!
I'd like to request a showing of 3930 North Southport Avenue #3s, CHICAGO, IL, 60613 (MLS® #10105317). Thank you!


Obtain pre-departure orientation information from your university or the organization assisting you. This may include information about: necessary travel documents, flight and travel arrangements, accommodation, health and safety, insurance, host-country culture, financial considerations and obligations.
Tuition, accommodation costs and possibly other fees may be required in advance. Be sure you know what is being covered and what is not. Arrange for any regular payments you normally make to be continued while you are away. It is worth considering giving a family member or trusted friend power of attorney, which will allow them to act in your behalf if legal documents need to be signed while you are out of the country. Work our a daily budget for your time away (and stick to it while you're there!) and arrange to have a few forms of payment available for your expenses, for example, credit card, ATM card, traveller's cheques and a small amount of cash.
If the programme you are studying with does not include insurance, you will undoubtedly need to provide proof that you have adequate coverage.
Be sure to discuss with your family what you will do in the event of a family emergency. Better to have a plan sorted out before you leave than to have to organize it over the phone in the midst of an unforeseen crisis. Make sure you provide family or friends with ways to contact you if an emergency arises while you are away.


Unless you were sleeping under a rock yesterday, you would've known (or at least heard) about the 2016 Grammy Awards being presented at the Staples Center in Los Angeles. Not only is it the biggest night in music, but there are also plenty of amazing musical performances. So, in case you were too busy to watch the telecast, here are the best musical moments of this years Grammys.
Singing at the Grammys on his birthday, The Weeknd was welcomed to the stage by a very punny Ariana Grande, who made it all that much better. After doing a rendition of his dance hit 'I Can't Feel My Face', The Weeknd moved towards the crowd to put all his soul into singing 'In The Night'. And that's not to mention that winning two Grammy Awards for your debut album on your 26th birthday is the coolest thing ever.
Newcomer Andra Day certainly showed off her strong voice that managed to silence the whole audience, partnering with Brit Ellie Goulding in a duet of their two hits 'Rise Up' and 'Love Me Like You Do'. Hopefully we hear more of Day Down Under if last night's show was anything to go by.
After a quick acapella round honoring Earth Wind & Fire singer Maurice White with Pentatonix, Stevie Wonder struggled with opening the envelope and turned an awkward moment into an empowering one. He opened the envelope to show the world the winner, which was written in Braille. Laughing at people for not being able to read and understand Braille, Stevie reminded us all that we need to make things accessible for every single person with a disability. You go, Stevie!
Just over a week after Beyoncé's insanely "controversial" and empowering performance at the Super Bowl, Kendrick took his own storytelling to the stage. Opening the performance in shackles in a jail and ending with an image of Africa with Compton labeled on it, complete with a real onstage bonfire in retaliation to oppression somewhere in between, Kendrick reminded everyone that struggles of the African American community are far from over.
Getting a taste of the Broadway musical that most of us won't get a chance to see was the best thing viewers were treated to. Live from the Richard Rodgers theatre in NYC, the cast did a preview of their show minutes before winning the award for Best Musical Theater Album. The show's star, Lin-Manuel Miranda, then rapped his own acceptance speech that showed off more of his rhyming abilities.
As we all know, Lady Gaga is a unique artist unlike any other. So who better to pay tribute to the incomparable David Bowie? While there was little focus on a song to show off her talent and the whole thing seemed a bit more like a collection of karaoke-style jams, Gaga did go all out in costume, dance and passion. For younger viewers wanting to experience the power and veracity of Bowie through a popular current artist, Gaga took all the right steps.
Previous Previous post: Hijack The AACTAs: Where do Australia's top screen stars wanna go for the break?