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St. Regis decided to open shop in Park City, an ultra-competitive marketplace. We planned and implemented an aggressive PR initiative simultaneously targeting the sellers and buyers. This unique two-pronged approach created the most successful resort real estate offering in North America.
traditional & digital marketing, copywriting, content, strategic thinking, lead generation, conversion, sales support, strategic business thinking, media buying, media & industry analytics, video, photography, creative concepting, digital media.


MIT researchers have devised a way to grow a single crystalline compound semiconductor on its substrate through two-dimensional materials. The compound semiconductor thin film is then exfoliated by a flexible substrate, showing the rainbow color that comes from thin film interference. This technology will pave the way to flexible electronics and the reuse of the wafers.
"We've opened up a way to make flexible electronics with so many different material systems, other than silicon," says Jeehwan Kim, the Class of 1947 Career Development Associate Professor in the departments of Mechanical Engineering and Materials Science and Engineering. Kim envisions the technique can be used to manufacture low-cost, high-performance devices such as flexible solar cells, and wearable computers and sensors.
Details of the new technique are reported today in Nature Materials. In addition to Kim, the paper's MIT co-authors include Wei Kong, Huashan Li, Kuan Qiao, Yunjo Kim, Kyusang Lee, Doyoon Lee, Tom Osadchy, Richard Molnar, Yang Yu, Sang-hoon Bae, Yang Shao-Horn, and Jeffrey Grossman, along with researchers from Sun Yat-Sen University, the University of Virginia, the University of Texas at Dallas, the U.S. Naval Research Laboratory, Ohio State University, and Georgia Tech.
In 2017, Kim and his colleagues devised a method to produce "copies" of expensive semiconducting materials using graphene — an atomically thin sheet of carbon atoms arranged in a hexagonal, chicken-wire pattern. They found that when they stacked graphene on top of a pure, expensive wafer of semiconducting material such as gallium arsenide, then flowed atoms of gallium and arsenide over the stack, the atoms appeared to interact in some way with the underlying atomic layer, as if the intermediate graphene were invisible or transparent. As a result, the atoms assembled into the precise, single-crystalline pattern of the underlying semiconducting wafer, forming an exact copy that could then easily be peeled away from the graphene layer.
The technique, which they call "remote epitaxy," provided an affordable way to fabricate multiple films of gallium arsenide, using just one expensive underlying wafer.
Soon after they reported their first results, the team wondered whether their technique could be used to copy other semiconducting materials. They tried applying remote epitaxy to silicon, and also germanium — two inexpensive semiconductors — but found that when they flowed these atoms over graphene they failed to interact with their respective underlying layers. It was as if graphene, previously transparent, became suddenly opaque, preventing atoms of silicon and germanium from "seeing" the atoms on the other side.
Perhaps, the team reasoned, atoms can only interact with each other through graphene if they have some ionic charge. For instance, in the case of gallium arsenide, gallium has a negative charge at the interface, compared with arsenic's positive charge. This charge difference, or polarity, may have helped the atoms to interact through graphene as if it were transparent, and to copy the underlying atomic pattern.
However, hBN is made of oppositely charged boron and nitrogen atoms, which generate a polarity within the material itself. In their experiments, the researchers found that any atoms flowing over hBN, even if they were highly polarized themselves, were unable to interact with their underlying wafers completely, suggesting that the polarity of both the atoms of interest and the intermediate material determines whether the atoms will interact and form a copy of the original semiconducting wafer.
"Now we really understand there are rules of atomic interaction through graphene," Kim says.
"People have mostly used silicon wafers because they're cheap," Kim says.
This research was supported in part by the Defense Advanced Research Projects Agency, the Department of Energy, the Air Force Research Laboratory, LG Electronics, Amore Pacific, LAM Research, and Analog Devices.


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Groove Jones Creates the FX Network's American Horror Story VR Experience at Comic-Con San Diego
IGN Called This the Most "Terrifying" VR at Comic-Con. It was so Successful it Generated 200,000,000 Social Posts at the Event.
Welcome to the nightmare world of American Horror Story. This year FX Networks launched a VR experience at Comic-Con San Diego to tease the latest season of the horror franchise. Fans of the show got the chance to step into the AHS world with the HTC Vive.
Debuting publicly for the first time just outside the convention center at the Hilton Bayfront Park, FX built an immersive American Horror Story VR experience for fans inside a dark, ominous-looking silo.
The North Kingdom, the creative agency, selected Groove Jones as the VR studio to help bring their vision to life. This was not an experience for the faint of heart. This was top-notch horror and fans were given a glimpse into what was ahead in this year's super-secret season.
After entering the silo, fans are taken into a room and asked to lay down on a bed structure.
"Some people came out screaming, shivering, shaking, and at the same time laughing. Some people became pale and terrified," Creative Director and Partner of North Kingdom, Daniel Ilic said.
Sounds of screaming can be heard outside of the silo.
The experience was one of the most popular attractions at Comic-Con garnering over 200 million social impressions and over 440 million earned media impressions, and since then, thousands of fans have been able to participate in the virtual horror from the comfort of their own homes through the HTC Viveport.
A Communal Experience
Five people at a time entered the room and took a spot on a set of tables configured into a star shape. An assistant in a white robe would help them to the position.
Then the VR experience begins, and you're transported onto a hospital gurney where you start the terrifying horror show.
The trip is a tense one, and fans experience everything from fear, vertigo, panic and a lot of claustrophobia. Going through the experience with multiple people increased the terror aspect. Every scream and whimper in the room just heightened the drama.
You Move from Terrifying Season to Terrifying Season
HTC Loved It
The company that makes the HTC Vive headset loved the experience. Giving us props for the work we did. The social posts help drive the awareness around the campaign. After Comic-con wrapped, the demand grew.
American Horror Story – Mobile Tour
After the success of the Comic-con activation, FX wanted to take the experience on a mobile tour. Groove Jones modified the background for the trip and helped with the redesign and implementation of making it on the road.
During the day, the truck would move from popular destinations throughout Southern California like Pinks, the Grove, and the Hollywood Forever Cemetery.
The experience took place inside a modified trailer system with the ability to have two participants experience the VR at the same time.
The winner from the 9th Annual Shorty Awards
Follow us on LinkedIn or Facebook.FROM THE 9TH ANNUAL SHORTY AWARDS
AHS FEARLESS VR EXPERIENCE
Winner in VIRTUAL REALITY
FX Networks 3DMe Comic-Con Volumetric Capture Experience
Event Marketer - Extreme Personalization
Slim Jim Turns 75K Fans into Randy "Macho Man"…
Groove Jones Provides AR and VR Services in New York

redpajama_set_name: RedPajamaCommonCrawl


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text:
Familie Rijnvis
Familieleden
Aangetrouwde families
Scheepswerf
Familiegraven
Familie Post
Familie Dekker
Familiewapens
Cornelis Hermannus Rijnvis 1899 – 1976 (English version)
Cornelis Hermannus Rijnvis was born on January 27, 1899 in Hoogeveen. His father Dirk Johannes Rijnvis came from Hoogezand and did'nt want to stay in Hoogezand after the death of his first wife. He left for Hoogeveen and married Annichje Stoter on 4 December 1897 in Hoogeveen.
Cornelis Hermannus Rijnvis married Aaltje Post on July 12, 1922.
Cornelis Hermannus and Aaltje got 7 children
Dirk Johannes, born on May 7, 1923 in Hoogeveen and died on November 4, 1996 in Hoogeveen
Jacob Rijnvis, born on March 12, 1925 in Hoogeveen and died on January 5, 2010 in Busselton Australia
Cornelis Hermannus, born on 1928 in Hoogeveen and died on January 4, 2018 in Dedemsvaart
Aaltje Rijnvis, born on November 19, 1928 in Hoogeveen and died on December 11, 1936 in Hoogeveen
Annichje Rijnvis, born on November 1, 1931 in Hoogeveen and died on September 7, 2014 in Albany Australia
Marchien Rijnvis, born on May 12, 1934 in Hoogeveen
Aaltje Rijnvis, born on April 23, 1938 in Hoogeveen and died on January 22, 2015 in Albany Australia
From 1921 Cornelis Hermannus followed an electrical engineering course as a shipbuilder at the evening school in Hoogeveen
In 1922 he started a delivery service from Hoogeveen to Groningen from Kerkstraat 67 in Hoogeveen with an old army car from the first world war. He drove at a speed of approximately 25 km and was therefore on the road for 4 hours from Hoogeveen to Groningen and returned the same day. Every Tuesday and Friday he left in the morning between 5 and 6 with a Hans Lloyd and returned home between 9 and 10 in the evening.
Hoogeveense Courant 9 oktober 1926
Hansa Lloyd from 1915
In 1923 he bought a new T-Ford (registration number D-2812) and his brother-in-law Roelof Post joined him in the company. Roelof Post was actually a skipper and therefore it was decided to buy a motor ship and the heavy goods went per turn ship. The turn ship was able to make a trip once a week, but it took too long for the goods to reach the customers.
T-Ford from 1923
A few years later he bought a T-Ford that did not drive faster but was safer. Yet this T-Ford was too light to carry the heavy loads of the time. There was one day of driving and the next day repairing what had gone wrong.
Two new trucks were purchased in 1928; an A-Ford and a Chevrolet. The Chevrolet truck was extended so that a double load could load compared to the T-Ford. The Chevrolet had a 4-cylinder engine and a large closed body for that time.
A-Ford from 1928
Chevrolet from 1928
Cornelis bought the miller's house from the mill, in the van Echtenstraat which was then no longer used. It was an old farm, the stables of which he had demolished to have a garage built for 2 trucks.
Cornelis and Aaltje had to borrow money to make investments for the delivery service. Cornelis received help repairing the truck from his father-in-law Post.
Unemployment was high in the Netherlands and especially in Drenthe and Groningen. Father Johannes Dirk's shipyard was at a standstill and the Hermannus Cornelis' brother worked at the shipyard but bought a store for household items in Meppel.
Cornelis and Aaltje were members of the Reformed Church but did not attend church often because of the extra care for their disabled daughter Aaltje and work for truck service. The grandparents Post wanted the children to be baptized, but the elders of the church felt that it was not possible because they did not attend the church enough. The children were eventually baptized in the Reformed Church of Hollandscheveld.
In 1931 the Salvation Army arrived in Hoogeveen with a motorboat and organized meetings in a tent in the van Echtenstraat.
Cornelis and Aaltje became one of the first in Hoogeveen to become a salvation soldier with the Salvation Army.
In 1934 things went better in Europe and the Chevrolet and A-Ford were exchanged at garage Huizing for two six-cylinder Bedfords with hydraulic brakes.
Bedfords TJ at the van Echtenstraat 43 about 1960
On December 11, 1936, daughter Aaltje dies as a result of a fall with her high chair, leaving her with her head against her sofa bed in the living room.
She was brought from a building of the Salvation Army on a portable to the cemetery and buried.
In 1938, brother-in-law Roelof Post stopped his turn ship service because the trucks could take five tonnes per trip and were at their destination the next day. In the meantime there were 2 trucks and a truck drove daily to the Vischmarkt in Groningen.
In 1939 World War II started and 2 trucks were claimed by the Dutch government because of the mobilization of the Dutch army. The truck purchased in 1939 was not yet delivered and in 1940 Cornelis bought another truck so that he again had 2 trucks. had for the delivery service.
In May 1940, the Netherlands was attacked by Germany and soon it was no longer possible to get gasoline and the trucks were claimed by the Germans.
After the death of his father Dirk Johannes Rijnvis in 1940, Cornelis Hermannus Rijnvis took over the shipyard on Alteveerstraat (Slood) and the family moved to Alteveerstraat 49.
Only after the war did the skippers extend their ships from approximately 23 meters to 30 meters.
In 1945, Cornelis bought two army cars; a CMG and a Chevrolet. With both army cars, another truck service was launched between Hoogeveen and Groningen.
Son Cornelis Hermannus Rijnvis (left) for the CMG and next to that the Chevrolet
In 1948 the transport company was sold to Klaas Hartman and Sons. With the proceeds from the transportcompany, a machinefactory was started at the shipyard on the Alteveerstraat where, among other things, production tools were made for Hart Nibbrig & Greeve for the production of mopedengines.
In 1952, Cornelis and Aaltje emigrated with their 3 daughters Ann, Alice en Mary to Australia.
Ann, Alice and Mary on the boat to Australia
Ticket for the crossing to Australia on 9 May 1952
On 9 May 1952 they left with m.s. Joh. Van Oldenbarneveldt from Amsterdam to Fremantle.
Their eldest son Jack had already left for Australia in 1950. He had bought a piece of land in Albany, Western Australia, and had permission to build a workshop.
A prefab house was taken from Hoogeveen to Australia
Cornelis busy building prefab house with a view over the Shoal Bay
First home in Albany Australia
In Australia, Cornelis and his son Jacob started a steel construction company named Melville Engineering Company in Albany.
In order to attract customers, they sent a letter to companies in which a free inspection of machines in use for making steel structures and thereby to be able to do maintenance.
From 1965 the cooperation between Jacob and Cornelis Hermannus stopped and Jacob continued alone with Melville Engineering Company.
As a hobby, Cornelis started making wooden and copper miniatures that he sold for the Christian churches in Russia and Romania, among others.
Cornelis Hermannus in zijn werkplaats in 1967
Cornelis and Aaltje died in Australia and were buried at the Allamble Park Cemetry in Albany
Copyright © 2022 Familie Rijnvis. Alle rechten voorbehouden. Thema: Radiate door ThemeGrill. Aangedreven door WordPress.


Responsible for maintaining, setting up, food production and quality control of all meat, fish, fowl and other food items prepared in Sandcastles Kitchen.
Prepares all sautéed food items according to standard sauté recipes and as specified on guest check, to ensure consistency of product; requires transportation of heavy food products.
Visually inspects, selects and uses only food items of the highest standard in the preparation of all menu items. Contact Chef with any discrepancies.
At all times keeps all refrigeration, equipment, and storage and working areas in clean, working condition in order to comply with health department regulations. Reports any malfunctions to supervisor.
Good working knowledge of the fundamentals of broiler, sauté and fry cooking.
Knowledge of operating all kitchen equipment, i.e., stoves, ovens, broilers, slicers, steamers, kettles, etc.


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Documentary Team Finds Challenger Wreckage Underwater
A 20-foot-long piece of wreckage from the Space Shuttle Challenger, which was destroyed soon after launch in 1986, was discovered by explorers slogging through the Atlantic Ocean in quest of lost WWII treasures.
Off the coast of Florida, while shooting "The Bermuda Triangle: Into Cursed Waters," the History Channel and NASA made the discovery of the Challenger module on Thursday. This month will see the series' debut on the History Channel.
On January 28, 1986, shortly after liftoff, the Challenger space shuttle disintegrated, killing all seven people on board. Among them was a teacher who had been training to become the first civilian in space. Students around the United States saw the explosion unfold live on television that morning.
To "fully commemorate the memory of Challenger's dead astronauts and the families who loved them," NASA is "now reviewing what extra measures it may take" regarding the relic, according to a press statement.
Mike Barnette, the leader of the dive team that discovered the shuttle fragment, recalls seeing the disaster unfold on TV in his high school classroom. He said it was "sobering" to see a piece of the spaceship; it was the first piece of debris recovered since the shuttle's wreckage washed up on beach in 1996.
Barnette, speaking to CNN by phone on Thursday, recalled the day of the Challenger explosion, saying, "I can practically smell the scents of that day." To paraphrase, "It was etched indelibly into my mind."
In March, Barnette and his team of investigators set out for the Bermuda Triangle, an area of the northern Atlantic Ocean said to be the scene of several shipwrecks and aircraft disasters. The group also targeted a region beyond the triangle, located off the Space Coast of Florida, from where the space agency has launched rockets for decades.
According to the History Channel, the dive crew was initially hunting for a missing rescue aircraft from World War II that was last seen in December 1945. However, their attention was piqued by a more recent device partly concealed by sand on the bottom.
Barnette said the water was as dark as Guinness beer on the first dive due to a storm. "Visibility was quite poor," he lamented.
In May, the divers went out for a second time and got some good film of the wreckage. Barnette's close friend and former NASA astronaut Bruce Melnick was the first to suspect the find may be debris from the Challenger explosion when they showed him the proof.
The explorers knew they had found a significant portion of the Challenger's underbelly when they came across the ship's signature square tiles. When the shuttle descended back into Earth's atmosphere from orbit, it was covered with millions of silicon tiles to keep the heat out.
NASA was given the team's findings in August, and after examining diving video, the space agency verified the debris's origins in a press statement issued in September.
Seven people, including NASA astronauts Francis "Dick" Scobee, Michael Smith, Ronald McNair, Ellison Onizuka, Judith Resnik, and Gregory Jarvis, and a New Hampshire schoolteacher named Christa McAuliffe who was set to become the first citizen space shuttle passenger as part of a new NASA program, were scheduled to fly aboard the final Challenger mission.
The Challenger detonated only 73 seconds into its flight from Florida. All on board perished. Later analysis by NASA determined that one of Challenger's solid rocket boosters had lost its seal due to exposure to cold temperatures while the shuttle was waiting on the launchpad. The explosion was triggered by a buildup of extremely explosive gases that were allowed to escape.
It has been over 37 years since the Challenger disaster, yet the memories of those seven courageous explorers will never fade from the American consciousness. NASA Administrator Bill Nelson stated in a statement, "January 28, 1986, still seems like yesterday for millions across the world, myself included.
This new information provides us with a chance to stop and remember the seven pioneers we lost and the impact that their sacrifice had on our community. "Safety is and always will be NASA's first and foremost concern, and this is particularly true as our missions expand their horizons to study more of the universe than ever before."
The History Channel will debut the first episode of its six-part series "The Bermuda Triangle: Into Cursed Waters" on November 22 at 10 p.m. Eastern Time.
Warwick Township Muscle Vehicles Worth $228,000 Stolen: Police
A Federal Grand Jury Has Indicted A Kansas City Man In Connection With The Firing Of Gun


Led by Peter Callanan the Cornerstone class seeks to build strong homes based on Christ centered marriages. This class has adopted the phrase "Serving together while serving others". Peter leads the class through various Bible studies with a passion to reverse the trend of increasingly failed marriages in "Christian" homes. Lessons focus on returning to Biblical principles concerning marriage and family. Members are encouraged to participate, as a couple, in one of five ministries: Outreach, Inreach, Discipleship, Fellowship and Service.
Outside the classroom the Cornerstone class stays busy with a variety of Christian fellowships. Including monthly book clubs, crawfish boils, ice skating, and softball.
There's a place just for you in the Cornerstone class.


CEO Mark Zuckerberg said in a post that they're going to be putting more local news on Facebook to highlight more stories from your town or city. Facebook also says it is trying to prioritize news from sources that users deem "trustworthy".
There are now fears that one person was killed when the collision occurred in West Virginia. The White House confirmed at 12:30pm ET that one person had died in the accident, but it wasn't any lawmakers or staff (nor were any seriously injured).


text:
Medical Answers
Does Tamiflu (oseltamivir) work on COVID-19?
Is Tamiflu use to treat COVID-19?
Medically reviewed by Melisa Puckey, BPharm. Last updated on April 13, 2020.
Official Answer
by Drugs.com
Tamiflu (oseltamivir) is being used in conjunction with other medicines in a number of clinical trials for patients with COVID-19 (coronavirus).
The trials are testing whether short-term treatment with Tamiflu will reduce length of illness, complications and the rate of death in COVID-19 patients.
COVID-19 illness is caused by severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2) and Tamiflu is used to treat the viruses influenza A and B, so Tamiflu may or may not be successful at treating COVID-19.
What is Tamiflu?
Tamiflu is an antiviral medicine that belongs to the antiviral group called neuraminidase inhibitors.
It is used treat influenza A and B
How does Tamiflu work as an antiviral medicine?
When you become infected with a influenza A and B virus, the virus enters your cells, it makes lots of copies of itself and then the copies get released out of the cells to go and infect more cells.
There is an enzyme (neuraminidase) on the surface of influenza A and B cells that enables the copied viruses to be released from the infected cell.
Tamiflu blocks the enzyme from working so that the virus copies can't be released.
This means that the virus infection stops spreading around the body, so the infection will get better. Because Tamiflu blocks (or inhibits) the neuraminidase enzyme, so it is called a neuraminidase inhibitor
Tamiflu will only work on SARS-CoV-2 if it has the same neuraminidase enzyme that it can block, unless it is discovered to work in an additional way.
Is Tamiflu an approved medicine by the FDA?
Yes, Tamiflu is FDA approved for prophylaxis and treatment of acute, uncomplicated influenza A and B.
It is not indicated for prevention or treatment of SARS-CoV-2 infection, but it is currently in clinical trials in conjunction with other treatments, to find out if Tamiflu works to reduce length of illness, complications and the rate of death in COVID-19 patients.
We need to wait for the trials to be completed to find out if Tamiflu reduces the length of illness, complications and the death rate in COVID-19 patients.
The study will also be looking for any side effects or any unexpected issues that Tamiflu may cause in COVID-19 patients.
Tamiflu is a medication that is currently being trialled to treat patients with COVID-19.
Tamiflu works by stopping the copies of influenza A and B viruses in infected cells from being released, that way they can not infect any new cells, and so stops the infection from getting worse.
Tamiflu is currently approved by FDA for prophylaxis and treatment of acute, uncomplicated influenza A and B, and is in a clinical trial for treatment of COVID-19 illness which is caused by SARS-CoV-2 coronavirus.
https://www.drugs.com/tamiflu.html
https://dailymed.nlm.nih.gov/dailymed/drugInfo.cfm?setid=ee3c9555-60f2-4f82-a760-11983c86e97b#S12.4
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ACA President Greg Dyer wished Kevin Roberts well on his appointment as the new CEO of Cricket Australia (CA) following today's announcement by the CA Board, noting the significant challenges which lie ahead.
"This is a critical time for Australian cricket," Dyer said.
"The findings and recommendations of CA's Longstaff and McCosker reviews will hopefully identify the changes that need to occur.
"Just as the players have been held accountable, we also expect that CA will be fully accountable in taking the difficult steps required to restore the reputation of the game.
"The ACA looks forward to representing our members and providing our views on important issues facing the game during this important period," Dyer said.
ACA Chief Executive Alistair Nicholson offered his congratulations and also highlighted the critical nature of Roberts' role.
"The partnership between the ACA and CA has been important to the game's success for over twenty years.
"We look forward to continuing to build bridges between our organisations as we look to grow Australian cricket.
"CA have identified a need for significant change and the ACA will play its part assisting CA and Kevin throughout this ongoing process," Nicholson said.
The ACA repeats its earlier congratulations to James Sutherland on almost 20 years of service to Australian cricket and recognises the significance of his contribution to the game.


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This set of RTA sofas comes in various upholstery textures. Some of them incorporate bonded leather-based, linen, corduroy, linen consistency, polyester. You just need to choose the right tapestry in importance for your balanced needs. Obtainable materials provide an easy-to-clean element. A attribute that suggests its versatility to resist drinks and food. The luxurious seat and back again cushions vote in favor of a reducing-edge look. The square shaped equip that begins just over them improves the elegance. You have the conveniences and gentle styles that hit your entrance.
Copyright © Poe Extra Large Chair Hammock with Stand By Bay Isle Home in Outdoor Bar Stools All right reserved.


This sounds very tasty... will give it a try. Thanks for the clear directions.
I am the member of Geeky Girl's Guide to life that did this and showed it step by step on Instagram. This dish was incredible. So much so that I am making it again next weekend, and inviting my mom over for some!
I searched google for this recipe and was elated to come across you! You're my new go to....I loved your recipe! I did part cod and monkfish and part linguica and chorizo. It was so so good! Thank you.


Each year we host a Valentine's Day dinner at Garfish and this year we have some great plans set out for each of the Garfish Restaurants. Read on for all the details, including phone numbers for reservations.
We look forward to making your Valentine's Day a very special one!
The Valentine's Day set menu for each venue is set out below.


text:
Next: American Gothic
American, born Germany, 1830–1902
Albert Bierstadt is best remembered for his paintings of the American West, but during his early career, the ambitious artist also created New England landscapes, particularly of the White Mountains, as seen here. When this painting was first exhibited in 1863, critics declared it Bierstadt's "best work" and praised the artist's deft contrast of "light and shade," which brought a heightened realism to the image. Bierstadt's affinity for the White Mountains mirrored a growing interest in the region as one of America's premiere tourist attractions. Photographs of the area from the 19th century suggest that Bierstadt utilized landscape elements from the popular tourist site "The Flume" in this imaginary composition.
American Art, Gallery 171
Signed, lower left: "A. Bierstadt"
111.8 × 91.4 cm (44 × 36 in.)
Restricted gift of Mrs. Herbert A. Vance; fund of an anonymous donor; Wesley M. Dixon Jr. Fund and Endowment; Henry Horner Straus and Mr. and Mrs. Frederick G. Wacker Jr. endowment funds; through prior acquisitions of various donors, including Samuel P. Avery Endowment, Mrs. George A. Carpenter, Frederick S. Colburn, Mr. and Mrs. Stanley Feinberg, Field Museum of Natural History, Mr. and Mrs. Frank Harding, International Minerals and Chemicals Corp., Mr. and Mrs. Ralph Loeff, Mrs. Frank C. Miller, Mahlan D. Moulds, Mrs. Clive Runnells, Mr. and Mrs. Stanley Stone, and the Charles H. and Mary F.S. Worcester Collection
Barry Gray (R.B.Coffin), New York Leader, Jan. 17, 1863.
Fitz Hugh Ludlow, New York Evening Post, May, 22, 1863.
New York Times, Apr. 24, 1963, 14.
Gordon Hendricks, "The First Three Western Journeys of Albert Bierstadt," Art Bulletin, 46 (Sept. 1964), 363, no. 244.
Gordon Hendricks, Albert Bierstadt: Painter of the American West (Harry N. Abrams, 1974), 117.
Judith A. Barter et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Art Institute of Chicago, 1998).
Steven Conn and Andrew Walker, "The History in the Art: Painting the Civil War," Art Institute of Chicago Museum Studies 27, 1 (2001), 60–81, fig. 12.
Clare Kunny and Andrew Walker, "Introduction," Art Institute of Chicago Museum Studies 27, 1 (2001), 5–6.
Angela Miller, "Albert Bierstadt, Landscape Aesthetics, and the Meanings of the West in the Civil War Era," Art Institute of Chicago Museum Studies 27, 1 (2001), 40–59, fig. 1.
Margaret Rose Vendryes, "Race Identity/ Identifying Race: Robert S. Duncanson and Nineteenth–Century American Painting, Art Institute of Chicago Museum Studies 27, 1 (2001), 98–99.
New York, National Academy of Design, Thirty–Eighth Annual Exhibition, Apr 14–Jun 24, 1863, cat. 6.
Brooklyn Museum, Albert Bierstadt, Art and Enterprise, Feb 8–May 6, 1991, cat. 36; traveled to San Francisco, Fine Arts Museum, Jun 6–Sep 2, 1991, Washington, DC, National Gallery of Arts, Nov 3, 1991–Feb 17, 1992.
Washington DC, National Gallery of Art, East of the Mississippi: Nineteenth Century American Landscape Photography, Mar 12–Jul 16, 2017; travels to New Orleans Museum of Art, Oct 5, 2017–Jan 7, 2018, cat. 82 (Washington DC only).
Oliver Kelly, Ohio, before 1900; by descent in the family until	1989; Hirschl and Adler Galleries, New York; Private collection, Los Angeles; Michael N. Altman and Company, New York, by 1997; The Art Institute of Chicago,1997.
Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894
Beggar with Oysters (Philosopher), 1865/67
Coast of Maine, 1893
James William Wallack, 1835/40
Charles Robert Leslie
The Annunciation, 1887
By the Sea, Dieppe, 1896
Albert André
View of Genoa, 1834
The Courtyard, c. 1880
Stanislas Lépine
The Herring Net, 1885
Harriet White, 1835/40
Samuel Lovett Waldo
Cigar Making in Seville, 1899
Ricardo Canals y Llambí
No te aha oe riri (Why Are You Angry?), 1896


text:
By: angiehongmn May 22, 2020
Keeping water clean, Outdoor Adventureschildren in nature, featured, outdoor recreation, outdoors, Scientific and Natural Areas, St. Croix River, St. Croix River Association, St. Croix Valley, wilderness
Find wilderness close to home
Three kayakers drifted past as my son and I strapped the last of our gear to the top of my paddleboard, which rested in eager anticipation along the shore of the St. Croix River. As it turned out, those would be the last people we saw until we reached the edge of William O'Brien State Park seven hours later.
Son Charlie and dog Molly play in the river along a backwater sandbar.
Like any good wilderness adventure, our day featured a stimulating mix of peaceful solitude, surprising discoveries, playful rest time, and harrowing travel. After setting sail, we quickly paddled across the main channel and into a labyrinth of backwater passages that snaked through the floodplain forest. There, the water was shallow and clear. Balancing mother, son and dog, we maneuvered around sandbars and snags, over submerged logs, and through a series of quiet waterways, each one indecipherable from the next.
Though the air was warm, the water was still cold enough to make us glad for our wetsuits, especially when the dog unexpectedly leapt off to explore an island, flipping paddleboard and passengers in the process. We saw a swimming snake, three jumping fish, two sandhill cranes, and a white-tailed deer. We were also trapped in a literal quagmire that forced us to dismount and wade through knee-deep muck until we reached solid ground and could tromp over "land" (soggy, soggy land) until we found deeper water again. At the end of the day, we returned home victorious, with two people, three shoes, one very muddy dog, and an epic adventure to share.
Join us on our St. Croix River adventure.
The St. Croix River has been a federally designated Wild and Scenic River since 1968 and contains an abundance of natural treasures. It is home to 40 species of mussels, five of which are on the endangered species list, 111 species of fish, and 320 species of birds, 60 of which are species of greatest conservation need. Though it is close to the Twin Cities metro area, development restrictions ensure that river-users can enjoy a day on the water without houses or roads in sight, and often without the modern convenience and distraction of cell and internet service as well.
In addition to the river itself, there are dozens of other locations within the St. Croix Valley that offer a wilderness-like experience within an hour's drive of home. Washington County is home to five Scientific and Natural Areas (SNAs) and there are several more in neighboring Chisago and Dakota Counties. SNAs protect natural features of exceptional scientific or educational value including populations of rare species, native plant communities, and unique geological features. Most have no trails or buildings and allow only passive recreation such as hiking, photography, and nature study. As a result, visitors can enjoy solitude and crowd-free natural splendor.
Turn up the volume to hear the birds sing during a hike in the prairie at St. Croix Savanna Scientific and Natural Area.
On the Wisconsin side of the river, there are dozens of lesser-known tracts of public land held as state wildlife management areas or established by community land conservancies. Standing Cedars Community Land Conservancy, located just south of Osceola, is one of my favorite destinations for a hike in the prairie on a summer's day.
Marsh marigold and skunk cabbage grow in a groundwater seepage at Standing Cedars Community Land Conservancy in Wisconsin.
Over the past two years, 15 local government partners in Anoka, Chisago, Isanti, Pine and Washington Counties have developed a shared 10-year plan to protect and improve natural resources in the Lower St. Croix Basin. Proposed activities include hiring staff or contractors to provide direct assistance to local farmers; expanding an existing water education program in Washington County to serve Chisago, Isanti, Anoka and Pine Counties; creating or restoring 1000 acres of wetlands in high priority locations; protecting 1000 acres of critical habitat in high priority areas; and using diagnostic monitoring, computer modeling, field investigations, and cost benefit analyses to identify the best value restoration projects to pursue in future years.
To learn more about the St. Croix River and download maps for an adventure of your own, go to www.nps.gov/sacn. In addition, the St. Croix River Association offers a wealth of opportunities to explore, enjoy and protect the riverway: www.stcroixriverassociation.org.
The Lower St. Croix "One Watershed, One Plan" draft plan is currently available for public review until June 3, 2020. Submit comments online at www.lsc1w1p.org.
St. Croix River at the Arcola High Bridge
Help prevent the spread of aquatic invasive species while fishing and boating this season
A Modern Day Tale of Tortoise and Hare
1 reply to Find wilderness close to home
The West Laine Wanderer says:
It looks really beautiful! Thanks for sharing. Greetings from London.


text:
<?php

namespace Boomerang\TypeExpectations;

use Boomerang\Interfaces\TypeExpectationInterface;

/**
 * Numeric Expectation
 *
 * Defines a placeholder expectation of a "numeric" (int/float/numeric string) with an optional minimum/maximum range.
 *
 * See: [php.net/is_numeric](http://php.net/is_numeric)
 *
 * **Passes**: `numeric string` / `int` / `float`
 *
 * @package Boomerang\TypeExpectations
 */
class NumericEx implements TypeExpectationInterface {

	/** @var float|int|null */
	protected $min;

	/** @var float|int|null */
	protected $max;

	/**
	 * @param null|int|float $min Optional minimum valid value
	 * @param null|int|float $max Optional maximum valid value
	 */
	public function __construct( $min = null, $max = null ) {
		$this->min = $min;
		$this->max = $max;
	}

	public function match( $data ) {
		return is_numeric($data)
			   && $this->rangeValidation($data);
	}

	protected function rangeValidation( $data ) {
		return ($data >= $this->min || $this->min === null)
			   && ($data <= $this->max || $this->max === null);
	}

	public function getMatchingTypeName() {
		return 'int|float|numeric string';
	}

}

redpajama_set_name: RedPajamaGithub


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text:
Q: Device camera data (not images but actual camera properties) I need access to my devices camera data (not image data! Already have that). Such as, "pinhole" fx & fy & anything else I can possibly get.
Currently, I'm using AVFoundation's 'AVCaptureSession' with a custom UI. But previously I used 'UIImagePickerController' which has a delegate method called
imagePickerController(_ picker: UIImagePickerController, didFinishPickingMediaWithInfo info: [String : Any])

I was able to retrieve the taken photograph from the "info" dictionary. It also gave me very detailed information regarding the camera & its capabilities. As it stands, I don't know how to retrieve this same detailed information during 'AVCaptureSession' photography. Please help

A: You need to use AVCapturePhotoOutput and not AVCaptureStillImageOutput.
First the code below needs the following variables in your class
private let photoOutput = AVCapturePhotoOutput()
private var inProgressPhotoCaptureDelegates = [Int64 : AVPhotoCaptureDelegate]()
private let sessionQueue = DispatchQueue(label: "session queue", attributes: [], target: nil) // Communicate with the session
private var videoDeviceOrientation : AVCaptureVideoOrientation = .portrait // this needs updated as the device orientation changes

Add photo output at AVSession setup
// Add photo output.
if session.canAddOutput(photoOutput) {
    session.addOutput(photoOutput)

    self.photoOutput.isHighResolutionCaptureEnabled = true
}

Your capturePhoto() function should be setup as follows
func capturePhoto(aspectRatio : Float, metaData : NSDictionary?) {
    sessionQueue.async {
        // Update the photo output's connection to match the video orientation of the video preview layer.
        if let photoOutputConnection = self.photoOutput.connection(with: AVMediaType.video) {
            photoOutputConnection.videoOrientation = self.videoDeviceOrientation
        }

        // Capture a JPEG photo with flash set to off and high resolution photo enabled.
        let photoSettings = AVCapturePhotoSettings()
        photoSettings.flashMode = .off
        photoSettings.isHighResolutionPhotoEnabled = true
        if photoSettings.availablePreviewPhotoPixelFormatTypes.count > 0 {
            photoSettings.previewPhotoFormat = [kCVPixelBufferPixelFormatTypeKey as String : photoSettings.availablePreviewPhotoPixelFormatTypes.first!]
        }

        // Use a separate object for the photo capture delegate to isolate each capture life cycle.
        let photoCaptureDelegate = MyAVPhotoCaptureDelegate(completed: { [unowned self] photoCaptureDelegate in
            // When the capture is complete, remove a reference to the photo capture delegate so it can be deallocated.
            self.sessionQueue.async { [unowned self] in
                self.inProgressPhotoCaptureDelegates[photoCaptureDelegate.requestedPhotoSettings.uniqueID] = nil
            }
        )

        /*
         The Photo Output keeps a weak reference to the photo capture delegate so
         we store it in an array to maintain a strong reference to this object
         until the capture is completed.
         */
        self.inProgressPhotoCaptureDelegates[photoCaptureDelegate.requestedPhotoSettings.uniqueID] = photoCaptureDelegate
        self.photoOutput.capturePhoto(with: photoSettings, delegate: photoCaptureDelegate)
    }
}

The MyAVPhotoCaptureDelegate class referenced in the capturePhoto() function above will need to be setup as follows
class MyAVPhotoCaptureDelegate: NSObject, AVCapturePhotoCaptureDelegate {

    init(completed: @escaping (AVPhotoCaptureDelegate) -> ()) {
        self.completed = completed
    }

    private func didFinish() {
        completed(self)
    }

    func photoOutput(_ captureOutput: AVCapturePhotoOutput, willCapturePhotoFor resolvedSettings: AVCaptureResolvedPhotoSettings) {
    }

    func photoOutput(_ captureOutput: AVCapturePhotoOutput, didFinishProcessingPhoto photoSampleBuffer: CMSampleBuffer?, previewPhoto previewPhotoSampleBuffer: CMSampleBuffer?, resolvedSettings: AVCaptureResolvedPhotoSettings, bracketSettings: AVCaptureBracketedStillImageSettings?, error: Error?) {
        if let photoSampleBuffer = photoSampleBuffer {
            let propertiesDictionary = NSMutableDictionary()

            if let exif = CMGetAttachment(photoSampleBuffer, kCGImagePropertyExifDictionary as NSString, nil) {
                if let exifDictionary = exif as? NSMutableDictionary {
                // view exif data
                }
            }

            photoData = AVCapturePhotoOutput.jpegPhotoDataRepresentation(forJPEGSampleBuffer: photoSampleBuffer, previewPhotoSampleBuffer: previewPhotoSampleBuffer)
        }
        else {
            print("Error capturing photo: \(String(describing:error))")
            return
        }
    }

    func photoOutput(_ captureOutput: AVCapturePhotoOutput, didFinishCaptureFor resolvedSettings: AVCaptureResolvedPhotoSettings, error: Error?) {

        // Use PHPhotoLibrary to save photoData to photo library
        ...
    }

    private let completed : (MyAVPhotoCaptureDelegate) -> ()
}

Most of this code comes from my version of AVCam with the specifics of my implementation removed. I have left out the code for saving to the photo library but you can extract that from the sample code. You can view the exif data at the point I have commented "view exif data"

redpajama_set_name: RedPajamaStackExchange


text:
The Stonewall Brigade
An Authentic Civil War Living History Association
4th Virginia, Co. A
33rd Virginia, Co. H
Recommended Sutlers
Home » Articles » Canteens of the Army of Northern Virginia
Canteens of the Army of Northern Virginia
By Bret Sumner, 4th Virginia
Federal Canteens [1]
As we all know, the Federal army was perhaps the most efficient quartermaster for the Army of Northern Virginia. There are numerous first person accounts of Confederate soldiers utilizing federal equipment, taken after a battle from yanks who no longer needed it. I recently read a first person account about a Confederate private who, while a battle was still raging, rushed in front of his own line to obtain the haversack of a dead federal soldier. (Several of us may remember the SWB's very own Sgt. "Dusty" Chapman of the 27th VA – doing something similar this year during the Wilderness Campaign at Sanders Field – to obtain some yankee brogans!).
There were two basic patterns of canteens issued to the Federal army during the War Between the States: (1) the "smoothside" pattern (aka 1858 pattern); and (2) corrugated canteens (aka "bullseye" canteens; aka 1862 pattern). "Smoothside" canteens were manufactured by a variety of Federal contractors and were issued or produced from the federal depots in New York, Philadelphia, Cincinnati, and St. Louis. The "Pattern of 1858" was described as a "oblate spheroid tinned sheet iron" canteen, which in modern parlance, translates to "smoothside." The corrugated canteens were first produced around July of 1862 by the Philadelphia Depot. Corrugated canteens generally had either 5, 7, or 11 rings on the sides, as opposed to being smoothside, hence the modern parlance "bullseye" canteen.
The New York Depot issued only the smoothside canteen (1858 Pattern), it did not have manufacturing capability and therefore only received and shipped lots of "complete" canteens received from its contractors. New York Depot canteens had the following characteristics:
The "body" of the canteen was made of "oblate spheroid tinned sheet iron" (translation = smoothside tin).
A spout of white metal (not tin), occasionally mounted on the canteen with large spout "shoulder" reinforcement that bulged out from the canteen.
The Stopper (cork with wire loop) was attached with a jack chain, with a hole punched in a tin strap keeper to hold the chain.
New York Depot canteens had leather slings until mid-1862, and then cotton, linen, or cloth slings thereafter.
Most canteen covers were made of course gray wool jean cloth. Some of this jean cloth may have been dyed with logwood, which would have faded with exposure to the sun into a brownish color.
The Philadelphia Depot issued smoothside canteens until July, 1862 and thereafter issued the "bullseye" pattern canteen. The bullseye pattern canteen had the following characteristics:
Corrugated sides with generally either 5 or 7 rings. 11-ring varieties were also produced.
A spout of white metal (not tin).
The Stopper was attached with a string or cord. No hole was punched into the tin strap holder. Note: Only the New York Depot produced jack chains for canteens. Also, jack chains were not produced by any Confederate state – jack chain manufacturers were only located in the North.
Leather slings – until approximately, July 1862. By mid-8162, canteen straps were made of one-inch white cotton herring bone webbing.
Canteen covers were made of either (1) cheap kersey; (2) cheap sky-blue or gray satinet; (3) any other material available, such as material from old blankets, discarded overcoats, and upholstery material.
General Characteristics of Federal Canteens
Canteen Slings:
Up until mid-1862, most federal canteen sling was made of leather, with a tin buckle and protector (which was a "lip" of leather underneath the tin buckle, apparently made to protect the uniform or clothing from rust or staining). After mid-1862, all federal depots manufactured canteen slings were made of cotton, linen, or cloth. The cloth straps had folded and machine-sewn edges, or "four-panel, double chevron" weave one-inch wide web. In regard to non-leather canteen slings, its interesting to note that numerous surviving originals indicate that the soldiers modified their canteen slings by shortening them and then re-stitching the ends together. This personal modification makes sense – individual soldiers modified their slings to fit their size, in an effort to keep their canteen riding high on their body to avoid the canteen banging against their legs or hip.
Stopper Attachment:
As mentioned above, only the New York Depot produced canteens with jack chain stopper (cork) attachments. Generally, all other Federal depots attached the canteen stopper with approximately 20 inches of stout cotton or linen cord. The cord was tied in a loop and passed through itself, first through the stopper loop, and then through the sling keeper loop.
Canteen Covers:
As mentioned above, the most common material used for canteen covers was cheap, course grey jean cloth or wool. This material would oxidize with time and develop into almost a "camel" color brown. Other types of tan, brown, or gray jean cloth were also used for covers. Importantly, federal canteens with sky blue covers were extremely rare, and dark blue wool covers were non-existent. Unfortunately, there is a prevalence of dark blue or sky blue canteen covers in re-enacting today. Dark blue wool was not used for canteen covers because it was fairly expensive and usually reserved for the making of frock coats and sack coats. Jean cloth was very inexpensive, yet durable, material – and therefore more practical for the construction of canteen covers.
Confederate Canteens
I did not have time to conduct much research regarding the issuance of canteens produced by the Southern States and issued to the Army of Northern Virginia. I have not yet found any real documentation or reliable secondary source material. Obviously, there was a wide variety of canteens worn by Confederate soldiers, including a variety of wooden canteens (most prominent in the Western Theatre), tin drum canteens (please consult Echos of Glory for representative examples), and Federal canteens. I do know that Confederate produced tin drum canteens were issued to many ANV regiments in 1861 and early 1862. For example, I know that some companies of the 4th Virginia had tin drum canteens at First Manassas. I also recently examined an extremely detailed inventory of quartermaster and ordnance records for the 4th Texas Vol. Infantry – Hood's Texans (Longstreet's Corps) and, interestingly, there are no records for the issuance of canteens after December 31, 1862. (I am in the process of writing another article to discuss and analyze these quartermaster records – they are amazing).
Based upon examination of pictures of Confederate prisoners (i.e. the famous picture of Spotsylvania prisoners at "The Punch Bowl" and the picture of prisoners at White House Landing), it seems that many of the Confederates with federal canteens did not have any cover on them whatsoever. It may be inferred from these pictures that Confederate soldiers would have "canabalized" their canteen covers in order to use the materials for patching worn clothing.
General Recommendations for Fine-Tuning your impression:
(Remember – these recommendations are just well-meaning advice from a pard, – and should not be taken as directive or mandatory requirement.)
Disregard sky blue or dark blue wool canteen covers and replace with grey wool or grey or brown jean cloth.
For late war impressions, the absence of canteen covers and the utilization of cloth or linen slings, as opposed to leather slings would make sense.
Only smoothside (New York Depot) canteens should have jack chain stopper attachments. All other canteens should have cord/string attaching the cork to the canteen or no attachment at all.
Non-leather canteen slings should be shortened to "ride high" on your body – resting just above your hip. Extra holes can be punched in leather slings to allow for further shortening.
If you are doing an 1861-62 impression and have a leather sling, you may wish to consider purchasing a correctly construct sling that has a "protector" (leather lip) underneath the tin buckle. (Unfortunately, there are very few people who make correct reproductions – see below)
Modern Sutlers – Sources for Correct Canteens:
[Admin's Note: This is an older article we are reprinting and so cannot confirm the following sutlers remain in business or that prices remain as noted below]
Confederate Wooden Canteens: The best source is Fort Branch Supply Co. – the owner, Ken Bucher, makes an exact reproduction of a Gardner pattern Confederate wooden canteen, made of juniper. This reproduction canteen is copied from an original issued out of the Raleigh Depot in North Carolina. Every detail of this original canteen is reproduced, including the depot stamp on the sling, coopering the staves, applying the banding, and sealing the inside with bees' wax. These canteens are so authentic that the National Park system and several antique dealers requested that the reproduction canteens be signed and numbered to prevent one from being passed off as an original. The cost is $64.95 (which includes shipping). Contact Information: Fort Branch Supply Co., P.O. Box 190 Windsor, NC 27983; Phone: (919) 794-5400; e-mail: fbs@entgroup.com
Federal Smoothside or Bullseye Canteens: The most correct source is C&D Jarnigan – yes, I said Jarnigan. However, when ordering be sure to request a tin (not stainless steel) canteen, with a canvas sling and no cover. Jarnigan only offers sky blue or dark blue canteen covers. Contact: C&D Jarnigan – phone: 601-287-4977; e-mail cjarnag@jarnaginco.com; web-site: www.jarnaginco.com
Correct Canteen Covers: Charlie Childs offers a simple canteen cover kit for $6.00. Contact: County Cloth, 13797-C Georgetown St. NE, Paris, Ohio 44669; phone: (330) 862-3307. You can choose the material from his current selection of jean and then he will send you a kit, with the necessary markings and directions to assist you in sewing the cover. Making your own canteen cover is relatively simple.
Correct Canteen Slings:
Cotton Web Straps: Leighton Young, 1601 Wingate Way Dunwoody, GA 30350; phone (770) 901-9048.
Correct Leather Slings (with tin buckle "protector"): James Owens – Silver Spring, Maryland; phone (301) 681-7462. Or Historic Clothiers, P.O. Box 28, Butler N.J. 07405; e-mail HistCloth@aol.com; Website: www.HistCloth.com
[1] Sources: "The Federal Canteen" by Robert A. Braun (33rd Wisconsin); "The Civil War Issue Canteen: Patterns of 1858 and 1862" by Earl J. Coats; "Oblate Spheroid Canteen 1858-1916: A Standard Recognition Guide" by William Phillips and Carter Rila.
Improving Your Impression
The Rebel Yell: The Pibroch of Southern Fealty
Original Peter Tait Shell Jacket
Explore Our Articles
Blanket Displays
Drill Bits: Building a Company Front
Stonewall Brigade 1861 Impression Guidelines
About the Brigade
The Stonewall Brigade is an authentic living history association concentrated in Virginia, West Virginia, Maryland, and Pennsylvania dedicated to accurately portraying the common soldier of the Civil War.
admin@stonewallbrigade.net


On the eleventh day, of the eleventh month, at the eleventh hour in 1918 there was a cessation of fighting in World War I. Seven months later the war officially ended with the Treaty of Versailles. Shortly thereafter in 1919, President Wilson named November 11th "Armistice Day" – a day to remember those who served in the war. In 1938, November 11th was further adopted as a national holiday, and in 1954 Armistice Day was renamed "Veterans Day" to include all American veterans who have served our country. We proudly continue to celebrate Veterans' Day with parades, ceremonies, and local assemblies of recognition.


text:
module Distribution.Server.Framework.ServerEnv where

import Distribution.Server.Framework.BlobStorage (BlobStorage)
import Distribution.Server.Framework.Logging (Verbosity)
import Distribution.Server.Framework.Cron (Cron)
import Distribution.Server.Framework.Templating (TemplatesMode)

import qualified Network.URI as URI

import qualified Hackage.Security.Util.Path as Sec

-- | The internal server environment as used by 'HackageFeature's.
--
-- It contains various bits of static information (and handles of
-- server-global objects) that are needed by the implementations of
-- some 'HackageFeature's.
--
data ServerEnv = ServerEnv {

    -- | The location of the server's static files
    serverStaticDir :: FilePath,

    -- | The location of the server's template files
    serverTemplatesDir :: FilePath,

    -- | The location of TUF data (signed root info, private keys)
    serverTUFDir :: Sec.Path Sec.Absolute,

    -- | Default templates mode
    serverTemplatesMode :: TemplatesMode,

    -- | The location of the server's state directory. This is where the
    -- server's persistent state is kept, e.g. using ACID state.
    serverStateDir  :: FilePath,

    -- | The blob store is a specialised provider of persistent state for
    -- larger relatively-static blobs of data (e.g. uploaded tarballs).
    serverBlobStore :: BlobStorage,

    -- | A cron job service
    serverCron :: Cron,

    -- | The temporary directory the server has been configured to use.
    -- Use it for temp files such as when validating uploads.
    serverTmpDir    :: FilePath,

    -- | The base URI of the server, just the hostname (and perhaps port).
    -- Use this if you need to construct absolute URIs pointing to the
    -- current server (e.g. as required in RSS feeds).
    serverBaseURI   :: URI.URI,

    -- | A tunable parameter for cache policy. Setting this parameter high
    -- during bulk imports can very significantly improve performance. During
    -- normal operation it probably doesn't help much.

    -- By delaying cache updates we can sometimes save some effort: caches are
    -- based on a bit of changing state and if that state is updated more
    -- frequently than the time taken to update the cache, then we don't have
    -- to do as many cache updates as we do state updates. By artificially
    -- increasing the time taken to update the cache we can push this further.
    serverCacheDelay :: Int,

    serverVerbosity  :: Verbosity
}


Sole Society - What the Chung?
Oh the 90's; Deeply pleated skirts, oversized blazers, backpacks and Blossom hats. But todays version of the 90's is more sophisticated and refined. My hat, back pack and mules (all under $90) are from Sole Society. They've got a really great selection of accessories for the fall. They also carry some of my favorite designers.
My top and pleated skirt is from Reese + Riley, they've extended their line and now have web exclusives. Tailored blazer by Smythe.
Such a cute new 90's reinterpreted look. Love those shoes. So cute!
Love the flat mules. I don't really like mules in heel form though because I feel like they'll fly off haha.
Your styling is perfect, as always!
This is one of the most comfortable outfits I have seen so far!


This is a passionate project that I have created to fully engage the player in a fun and exciting minecraft experience.
A nice thank you from me for supporting!
Access to polls so you can shape the server with me!
Patreon rank on server! (Member+) with special access to things coming soon!
Note: Please give me your ingame username so I can give you the rank.
When I reach 20 dollars a month, I can fully support the server without going into my earnings from my real life income.


1) Mountains Beyond Mountains. Tracy Kidder (paperback). ISBN 0812973011.
2) The Innovator's Prescription. A Disruptive Solution for Healthcare. Clayton Christensen. ISBN 978-0-07-159208-6.
There is a revolution in technology that is occurring in healthcare. This new technology will dramatically change how healthcare is delivered in the future.
This course will cover topics related to the virtual human, created from bits. This will include virtual reality, augmented reality and datafusion, computer simulation, advanced 3D and 4D imaging techniques, the operating room of the future, minimally invasive surgery, space medicine, tele-operations, tele-medicine and tele-surgery, Internet 2 and cyberspace, artificial intelligence and intelligent agents applied to medicine, and the National Library of Medicine virtual human project.
We will also discuss the FDA approval of computer simulators, robotic surgeons, and the ethics of robots doing surgery. In addition, we will discuss the medical library of the future, teleconferencing, and the use of interactive media in healthcare education. We will also discuss computerized patient records (CPR) and clinical information systems. Enrollment is limited to 48 students.


Benutriwise Is Software That Enables The User To Count Calories, Track Weight, Cholesterol, Blood Pressure, Glucose, Nutritional Needs & Exercise Levels. Includes Preloaded Food Database And Recipe Manager. Allows Up To 6 User Profiles To Be Maintained.


text:
Service Academy athletes can officially go pro after graduation
Service academy athletes no longer have to sit in limbo anymore when they have opportunities to play their sport professionally.
By Inactive User 5320597 Nov 14, 2019, 2:32pm PST
Share All sharing options for: Service Academy athletes can officially go pro after graduation
It's been months in the process and now, it's finally official, Service Academy athletes have an opportunity to defer their service and play sports professionally.
According to the Associated Press, Defense Secretary Mark Esper signed a memo solidifying the policy, but with some guidelines of course. Athletes must first receive approval from the secretary of defense. Individuals will later have to complete their military obligation or repay the cost of their Service Academy education.
You might remember, early this year in May, President Trump urged the Department of Defense to make this change, making the first announcement after Army was presented with the CiC trophy at the White House.
Following the president's signature of a waiver, the department later deliberated on the exact guidelines for how to make this happen.
Thanks to the waiver, months later, in August, former Army OT Brett Toth signed with the Philadelphia Eagles.
After the conversation surrounding the waiver, some wondered what Defense Department would make of academy graduates deferring their service obligation. The AAE team even looked at some of the pros and cons of what it would mean and look like for some recent academy grads who received draft invitations.
Many of us came to the agreement that whatever the policy, one needed to be put in place so grads like Toth, Austin Cutting, and Noah Song wouldn't have to sit in limbo.
Esper's signage of the memo, which was obtained by the AP, reverses a 2018 policy that then-Defense Secretary Jim Mattis argued, "academies exist to train officers."
But for now, it looks like Service Academy graduates will be able to have the best of both worlds.


text:
Q: Error "No Authorized Function Named Rollup Having Compatible Arguments was Found" I have sql query in ibm db2 :
select p2.payment_type, sum(amount)
rom payments p2
group by rollup(p2.payment_type);

And receives an error:

NO AUTHORIZED FUNCTION NAMED ROLLUP HAVING COMPATIBLE ARGUMENTS WAS
  FOUND

why?
thank

A: Make sure that there actually exists a function called rollup that takes an argument of the same type as p2.payment_type that you're authorized to use. If so, see IBM's Knowledge Center more more detailed troubleshooting.

A: What platform and version of DB2?
Are you sure it supports GROUP BY ROLLUP?
DB2 for IBM i, for instance, didn't add support of rollup until v6.1; which was released in March 2008.


text:
Nervous Brickdown
Nervous Brickdown Review
With plenty of panache and some clever twists, Nervous Brickdown manages to make the classic Breakout formula feel fun and fresh again.
By Ryan Davis on July 17, 2007 at 5:46PM PDT
There are plenty of ways you can make an old video game concept feel fresh again. You can gussy up the graphics, turn 2D into 3D, or maybe even slap some recognizable personalities on the box, be they fictional or otherwise. However, Nervous Brickdown goes its own route--or should we say routes? It offers a suite of unique variations on the classic brick-and-bat gameplay typified by such games as Breakout and Arkanoid. Some of the variants in Nervous Brickdown offer just a simple twist, while others virtually rewrite the formula, sometimes making the game feel more like a shooter or a dungeon crawler than a Breakout clone. The differences also go beyond just the mechanics, with each variant sporting a striking visual style and some fitting, often quite catchy, music. The results aren't always consistent, but Nervous Brickdown hits more often than it misses.
Who knew a Breakout clone could be so much fun in 2007?
The beauty of using such a familiar gameplay template is that Nervous Brickdown feels immediately familiar; before you even realize anything weird is going on, you can jump right into the game. Using the stylus, you drag a paddle back and forth across the bottom screen, bouncing a ball into a field of destructible bricks on the top screen. The game acknowledges its biggest influences in its first stage, a very sincere homage to both Breakout and Arkanoid. Power-ups will drift down the screen when you hit certain bricks, there's a glassy, vibrant visual style, and there's repetitive but undeniably catchy synthesizer music that could've been ripped straight from an '80s arcade game.
After you clear the first 10 levels and advance to the next stage, things start getting a little stranger. The game shifts style completely, looking like a notebook full of doodles accompanied by a blipping background track that makes interesting use of vocal samples. Instead of rectangular blocks, you'll be knocking the ball against ink blots with a paddle that you'll actually have to draw yourself. How you draw the paddle will determine how the ball will bounce off of it, implicitly encouraging some avant-garde paddle design. Furthermore, in this stage, as well as a few others, the paddle isn't restricted to horizontal movement, allowing you to move the paddle freely about the bottom screen and making it possible to put some real heat behind your hits.
From there, you'll travel through a haunted house where you'll blow into the DS's microphone to bust ghosts, use a submarine to save people from the threats of drowning or marauding sharks, attempt to contain a laser beam with an increasing velocity, and more. There are 10 stages in all, each of which consists of nine regular levels and a boss fight. Although it's not hard to tear through the game in a few hours, there are so many novel concepts at work, so many well-realized art styles, and so much catchy music that many will inspire multiple plays. Additionally, there's a simple cooperative two-player component where color-coded blocks determine which player's paddle will actually be able to make contact with the ball at any given time. The blocks slowly but surely push down from the top of the screen, and a single game can last as long as you keep the blocks from pushing too far down. It's novel, and the dreamy, minimalist music is sublime, but it wears out fairly quickly. However, this shortcoming is at least partially mitigated by the fact that you only need one copy of Nervous Brickdown to play.
In one level, you're fighting ink blots; the next, you're fighting ghosts. How great is that?
The radical shifts in look and feel from stage to stage do a lot to keep Nervous Brickdown feeling fresh, but there are problems. The ambitious concepts can occasionally outstrip the actual gameplay, and there are certain moments when it feels like blind luck is a greater factor in whether you'll make it to the next level. This creates an inherent trial-and-error pattern, but because levels are presented in groups of three, you'll regularly have to play through two problem-free levels before you get to the one that really stumps you. To its credit, the game rewards you with bonuses, such as extra lives and the ability to affect the trajectory of the ball by blowing into the microphone the more time you spend on any given stage.
Underneath its slick presentation, as well as inspired gameplay twists and turns, Nervous Brickdown is still basically just a fancy version of Breakout. This makes it all the more surprising that it is so fun and captivating to play. It doesn't reinvent the wheel, but it goes to show you how far a strong sense of style and some solid basics can get you.
Best VR Headset 2021: Top Virtual Reality Headsets For PC
About GameSpot Reviews
Stylus controls are intuitive and responsive
Tons of catchy music
Constantly tweaks breakout formula to make it feel fresh again
No shortage of visual flair
Levels are occasionally too involved for their own good
10 levels can be burned through in a few short hours
More GameSpot Reviews


The regular pentagon is one of the basic shapes in the vocabulary of design. The pentagon encompasses the Golden Section ,or Phi Ratio, and because of that it has held great symbolic impact for many civilizations throughout the ages. Medieval European and Muslim architects and designers included the pentagon and it's derivatives in countless works. The method shown here uses the Golden Section Triangle ( the construction of which is given on another data sheet of the Handbook . This method avoids the inevitable inaccuracy which results from using a protractor to find the pentagon's angles.
Draw the circle about point O (center).
Select a point (A) on the circumference.
Construct a golden section triangle with its apex at A to fit inside the circle. (Use any golden section or phi triangle and make the angles of the triangle in the circle equal to those of that triangle).
Locate points B and C on the circumference of the circle at the base of the inscribe triangle.
Bisect angle ABC and angle ACB respectively.
Produce the bisectors to intersect the circle at points E and D respectively.
Connect points A, B, C, D, E to construct the inscribed pentagon.
There are endless patterns derived from the pentagon. Fabric designers, wood-carvers, quilters, and stained-glass workers will appreciate the practical utility of this method of drawing a pentagon. And, as did their predecessors over the ages, architects and landscape architects using this construction will be able to derive designs based upon the fascinating geometry of the pentagon.


As technology continues to rapidly advance and billions of additional users become connected, ethical aspects of technology demand immediate attention. Considering the extensive impact that ICTs will have on the achievement of the SDGs, discussion and tangible actions need to be taken now to ensure the use of ICTs will be beneficial to all of humanity. In order to achieve all of the SDGs, ICTs will play a vital role but only if they are designed in an ethical framework that focuses on the role of humans and the preservation of human values. When enabling inclusive and sustainable growth, the various aspects of privacy and security must be considered from an ethical viewpoint to ensure that the evolution of humanity's engagement with technology is beneficial and those that are currently unconnected join a safe, productive and beneficial ICT-driven world.
Based on the discussion of both in situ and online participants from various global stakeholder groups, the session seeks to raise awareness of the need to consider the ethical dimensions of ICTs with a focus on security and privacy with an aim towards the use of ICTs to achieve the SDGs. The goal of the session is to produce tangible, concrete technological and policy outputs leading towards a beneficial and productive world in 2030 through the use of ICTs. In addition, an additional aim of the session is to lead to greater engagement in this important area by all stakeholders that extends beyond the session at IGF.


The Diamond 2 suite features two large bedrooms and 2 baths for the ultimate condo experience. Gaze over your luxurious wrap-around balcony as you have dinner, and enjoy your open central living room and contemporary kitchen. The Diamond 2 also offers a full laundry and large storage area, for truly maintenance-free living.


Two gifts which may be cialis canadian drug store food.
I was re-looking over the last strip when all of a sudden a next button appeared. I really like how Caanan made Max's expression in the last panel.
I'm trying to figure out Andi's new hair. Is the blue part shaved, or is it just pulled back?
What is this, anyway? Max's Worst Day? My goodness!
Interesting new look. Not many comic creators decide to change a character's look so good on you to try something different. But at the moment I prefer the old look. Though this look may grow on me I suppose.
As for Max, what are you doing to that poor kid???
I recently started reading this comic and I love it. The ups and downs, the comedy, the underwear scenes lol. I feel so sorry for max, also it kind of makes me sad that everyones well–growing older. I love Max as a kid.
NewFan – with Janet not around day-to-day, we might begin to see Max acting more like a kid than ever before, in some ways.
Geeeez, Robert Kirkman. Heap the tragedy on whydoncha!
Poor Max, but after today he should be able to weather (almost) any storm.
Canaan – Thats a relief, I miss him climbing on tables, randomly acting, being over-dramatic and crazy, and being involved in random embarassing/cute situations. He's been kind of serious lately. I guess him not doing the things I mentioned above lately and he (and everyone else) turning 9 kind of scared me and started making me think that you were going to soon have him turn 10…then 11…and soon 15 and we'd never get to see the childish Max we started reading the comic for again . I never want this little guy to grow up lol. I mean if he gets older his intelligence, wittyness, various abilities like acting/jokes/ventriloquism and knowledge won't really be "cool' anymore because well he'll be older and expected to be able to do those things.
Sorry for typing tons, I've just seriously fallen in love with this comic, I was telling someone else about it earlier today.
By the way! I agree that I wish he'd never grow up, but it'd be cool to see him being older… Just to see what crazyness would happen to him then.
I love the idea of Andi changing her hair style/color from time to time! Though it will take a little while for me to get used to the new one… Which means you need to draw more strips with Andi in it!!!!!! Yay!!!!!!!
Also thanks for sharinh the drawing with your readers Caanan! It means a lot to me <3!
Great last panel. The expression is perfect.
Love the commission piece, looks like Andi is in a that dog. cover band.
@Zach: I don't see Andi in any kind of cover band. Too much creativity in the family for a mere cover band.
I only now noticed how Beth (can I call her Beth? ) dropped her bag. She's almost as shocked as Max… 'course, she's shocked for him. What a great mom!
… And I finally caught up to present day. Just found this yesterday, after browsing for some new comics to read. I commented on some past comics, so if you've got your comments page set up to send e-mails to you when you get a new one, sorry about that. I already can't wait for book 2! With the amount of orders you've already been receiving, do you think it's time to get a dedicated distributor, instead of mailing all the books yourself?
Maybe it's just because I was a child of the 80s, but the first thing I thought of when I saw that pic of Andi and her band was Jem.
I saw those, Nathan, thanks! Welcome to the present!
I would like to make money off the books, so getting a distributor would mean that's not likely to happen, unfortunately. (The unit price on my books was pretty good, but not mass-market good.) I don't mind taking a trip to the post office once a week with a handful of books, though. At least it gets me out of the house.
hmm an acoustic guitar, a keytar, a violin, and drums…quite the band, i'm rather interested to know what they play and how they sound.
Caanan is an amazing artist, with all the business sense we have come to expect from an artist. Everyone, go pay Elkoi (See above) to do filler strips for Caanan, and lets see if we can fill that buffer up and help him sleep better at night. I'm putting up $20 for the first one!
I can't tell if you're implying I have good business sense, or none.
Poor Max; I feel heartbroken for him, but I know he'll bounce back. LOVE Andi's new style! Very unexpected.
Max and the terrible awful no good very bad day.


Is the Cycloc compatible with carbon wheels (e.g. Zipp 404s) and safe to use with such wheels, or is it a bad idea given the forces imparted on the carbon rims?
Hello, how does the bike rack attached to the wall? with screws and sticky pads? Will this damaged my wall? Thank you.
You have to use screws to attach this hoder to the wall. It will damage the wall I'm afraid.


Lachie has taken Edith out so I am back in bed eating an out of date chocolate muffin which I have microwaved so it will taste less stale.
Working is good isn't it? It's quite busy and feels like there is a lot to do, but I think I am effectively prioritising things. I'm trying very hard not to do any work at the weekends or evenings but I desperately want to because it's extremely satisfying.
Edith has some suspicious spots that seem a little… chicken poxy? I have spent too much time looking at disgusting rashes on the internet since having a baby tbh.
On the topic of muffins, isn't it awful when you eat a muffin only to realise it's jam filled? Yes it is awful.
What is the deal with people who use South Park characters for their slack icons? What is their deal?