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Slovenske večernice je knjižna zbirka, ki jo izdaja Mohorjeva družba že od leta 1860, skoraj neprekinjeno in najobičajneje enkrat na leto. Do leta 2007 je izšlo že 157 zvezkov. V knjižni zbirki so do leta 1930 izhajale povesti, črtice, novele, pesmi in drugi zapisi, potem pa le povesti in romane. Zbirka je do leta 1919 izhajala v Celovcu, med 1920 in 1927 na Prevaljah, od 1928 do 1941 v Celju, med vojno v Ljubljani, ter po vojni spet v Celju.

Bibliografija izdanih večernic
 Slovenske večernice za poduk in kratek čas - V Celovcu: Družba sv. Mohora, 1860
 Slovenske večernice za poduk in kratek čas - V Celovcu: Družba sv. Mohorja, 1861
 Cipsarjeva družina ali cesar Maksimilian na Martinjipeči: (povest za mlade in odraščene poslovenjena) - V Celovcu: Družba sv. Mohorja, 1861
 Cipsarjeva družina ali cesar Maksimilian na Martinjipeči: (konec) - V Celovcu: Družba sv. Mohorja, 1861
 V. Štulc - Berač Bogdan - V Celovcu: Družba sv. Mohora, 1862
 A. Okiški - Osrečena pravičnost: domača povest - V Celovcu: Družba sv. Mohorja, 1862
 Janez Cigler - Deteljica ali življenje treh kranjskih bratov francoskih soldatov - V Celovcu: Družba sv. Mohora, 1863
 Jakob Filip Kaffol - Cerkvica sv. Mohora na Tolminskih Pečinah: domorodne čertice  - V Celovcu: Družba sv. Mohora, 1863
 V. Štulc - Oče in sin - V Celovcu: Družba sv. Mohora, 1864
 Fran Erjavec - Hudo Brezno ali Gozdarjev rejenec - V Celovcu: Družba sv. Mohora, 1864
 J. J. Zavojšček - Uboštvo in bogastvo: (pripovedka iz domačega življenja) - V Celovcu: Družba sv. Mohorja, 1865
 Andrej Pajk - Spomini starega Slovenca ali Čertice iz mojega življenja - V Celovcu: Družba sv. Mohorja, 1865
 Josip Jurčič - s:Grad Rojinje: povest za slovensko ljudstvo - V Celovcu: Družba sv. Mohora, 1866
 J. P. - Hčerina ljubezen - V Celovcu: Družba sv. Mohorja, 1866
 Šentagatni fajmošter: (ginljiva zgodba iz časov francoske prekucije) - V Celovcu: Družba sv. Mohorja, 1867
 V. Štulc, Leopold Gorenec - Brata - V Celovcu: Družba sv. Mohora, 1867
 Jernej Dolžan - Mati Božja dobrega sveta ali bratovska ljubezen: povest iz časov turških bojev konec XVI. stoletja - V Celovcu: Družba sv. Mohora, 1868
 Fran Erjavec - Domače in tuje živali v podobah: slovenskej mladini v poduk in kratek čas. Del 1, Domače četveronožne živali - V Celovcu: Družba sv. Mohora, 1868
 Anton Lesar - Perpetua ali afrikanski mučenci: pogled v tretje stoletje po Kristovem rojstvu, posnet po pravih mučenških zapiskih - V Celovcu: Družba sv. Mohora, 1869
 Fran Erjavec - Domače in tuje živali v podobah: slovenskej mladini v poduk in kratek čas. Del 2: [Četveronoge] živali - V Celovcu: Družba sv. Mohora, 1869
 Josip Podmilšak - Žalost in veselje: povest za prosto ljudstvo - V Celovcu: Družba sv. Mohora, 1870
 Fran Erjavec - Domače in tuje živali v podobah: slovenskej mladini v poduk in kratek čas. Del 3 Ptice - V Celovcu: Družba sv. Mohora, 1870
 Anton Janežič - Janežičeve večernice za poduk in kratek čas - V Celovcu: Družba sv. Mohora, 1870
 Slovenske večernice za poduk in kratek čas. (Vsebina: I: Vojnimir ali poganstvo in kerst: izvirna povest iz časov pokerščevanja Slovenca / spisal J. Ogrinec; II: Marija Devica iz Krope; Hči Turjaka / zložil France Poznik; III: Devica Orleanska / spisal A. Okiški; IV.: Irhaste hlače / spisal M. S.; V: Pogled na skrivnosti v stvarstvu: (poučen spis v pogovorih) / spisal A. Umek; VI: Menčikov: povest iz ruske zgodovine / poslov. J. Kosmač; VII: Domači zdravnik) - v Celovcu: Družba sv. Mohora, 1871
 Fran Erjavec - Domače in tuje živali v podobah: slovenskej mladini v poduk in kratek čas. Del 4 Ptice - V Celovcu: Družba sv. Mohora, 1871
 Ferdo Kočevar - Kupčija in obrtnija: denar in blago - V Celovcu: Družba sv. Mohora, 1872
 Franc Govekar - Umni živinorejec s posebnim ozirom na govedje - V Celovcu: Družba sv. Mohora, 1872
 Janez Ev. Marinič - Črtice iz življenja in trpljenja svetega Očeta Papeža Pija IX. - V Celovcu: Družba sv. Mohora, 1872
 Franc Valentin Slemenik - Izdajavec: zgodovinska povest - V Celovcu: Družba sv. Mohora, 1873
 Fran Erjavec - Domače in tuje živali v podobah: slovenskej mladini v poduk in kratek čas. Zv. 5: Golazen - V Celovcu: Družba sv. Mohora, 1873
 Janez Volčič - Domači zdravnik: kratek navod, si zdravje uterditi in življenje podaljšati - V Celovcu: Družba sv. Mohora, 1874
 Ivan Vrhovec - Zlate bukve slovenskega vedeža - V Celovcu: Družba sv. Mohora, 1874
 Jakob Gomilšak - Potovanje v Rim - V Celovcu: Družba sv. Mohora, 1878 Josip Ogrinec - Setev in žetev: Povest za slovensko ljudstvo (Vsebuje tudi: Srečen!: (obraz iz življenja med vojaki) / spisal Andrejčekov Jože) - V Celovcu: Družba sv. Mohora, 1875
 F. Furlani - Po volitvi novega papeža, sv. očeta, Leona XIII. dne 18. februarja 1878, Nevera, Filip Jakob Kafól, Kaj se je godilo pretečena tri leta doli na Turškem?, Povesti - V Celovcu: Družba sv. Mohora, 1878
 Fran Levec - Dr. Janez Bleiweis: (s podobo)  - V Celovcu: Družba sv. Mohora, 1880
 E. Jurjev – Loterijo je pustil - V Celovcu: Družba sv. Mohorja, 1882 (SV 36)
 Slepa materina ljubezen - V Celovcu: Družba sv. Mohora, 1883 (SV 37)
 Jakob Sket - Miklova Zala: povest iz turških časov - V Celovcu: Družba sv. Mohora, 1884 (SV 38, 5. izdaja 1921)
 Pavlina Pajk - Dora: (povest) -  V Celovcu: Družba sv. Mohora, 1885
 Josip Vošnjak - Troje angeljsko češčenje: (povest) - V Celovcu: Družba sv. Mohora, 1886
 Ignacij Žitnik - Življenje sv. očeta papeža Leona XIII. - V Celovcu: Družba sv. Mohorja, 1887
 Frančišek Lampe, Janez Gogala - Dr. Janez Gogala, korar in imenovani škof ljubljanski - V Celovcu: Družba sv. Mohora, 1888
 Pavlina Pajk - Domačija nad vse!: povest na podlagi prijateljskih pisem - V Celovcu: Družba sv. Mohorja, 1889
 Ivan Križanič - Štirinajst dnij širom svetá - V Celovcu: Družba sv. Mohorja, 1890
 Ivan Fajdiga - Zadnji tihotapec: (povest) - V Celovcu: Družba sv. Mohorja, 1891 (SV 45)
 Slovenske večernice za pouk in kratek čas. (Vsebina: Štiridesetletno književno delovanje društva in družbe sv. Mohorja / (sestavil Jakob Sket); Najgotovejša dota: povest / spisala Pavlina Pajkova; Črtice miz francoskih bojev na Koroškem leta 1813 / spisal Fr. Hubad) - V Celovcu: Družba sv. Mohorja, 1892
 Fran Zbašnik - Na krivih potih: povest - V Celovcu: Družba sv. Mohorja, 1893
 Matej Slekovec - Turki na slovenskem Štajerskem: spominki iz domače zgodovine - V Celovcu: Družba sv. Mohorja, 1894
 Fran Zbašnik - Vas Kôt: povest - V Celovcu: Družba sv. Mohorja, 1896
 Fran Zbašnik - Boj za pravico: povest - V Celovcu: Družba sv. Mohorja, 1897
 J. G. Vrbanov - Dr. Jožef Muršec: (životopis) (Vsebina: O Bog, o Bog, kak' srečen sem! / (Pesen. Zložil Jožef Muršec); Strašen Božični večer / (Povest. Spisal Žaljski); Blaga srca: (pesen) / zložil Anton Medved; Tema in luč: (povest iz časov Kristusovih / spisal F. S. Šegula); Na Vrhovju / (Povest. Spisal A. Koder); Stekleni most / (Narodna pripovedka. Zapisal J. Krenčnik)) - V Celovcu: Družba sv. Mohorja, 1898
 Fran Zbašnik - Nehvaležen sin: povest - V Celovcu: Družba sv. Mohorja, 1900
 Fran Zbašnik - Bog ga je uslišal: (resnična dogodba) - V Celovcu: Družba sv. Mohorja, 1901
 Engelbert Gangl - Véliki trgovec: povest - V Celovcu: Družba sv. Mohorja, 1902
 Fran Zbašnik - Miklova lipa: zgodovinska povest (Vsebina: Rotijin Blaže / spisal Pavel Perko; Po njeni krivdi: povest / spisal F.Ks. Steržaj; V tihi noči / Fr.Ks. Meško; Kovač Peregrin: bajka / spisal J.E. Rubin; Lisica in trije bratje: narodna pripovedka / zapisal J. Krenčnik) - V Celovcu: Družba sv. Mohorja, 1903
 Josip Brinar - Lisica Zvitorepka: živalske pravljice za odrastlo mladino - V Celovcu: Družba sv. Mohorja, 1904
 Josip Kostanjevec - Pošteni ljudje: (povest) (Vsebina: Pošteni ljudje: povest / Jos. Kostanjevec; Kozaško slovó: pesem / zložil Fr. Ks. Meško; Nesrečnež: povest / spisal Anton Medved; Osamljena želja: pesem / zložil Fr. Neubauer; Iz potujočega Srema: pesmi / zložil Fr. Neubaeur; Misli so mi poletele ---: pesem / zložil Fr. Neubaeur; Detetu: pesem / zložil Fr. Neubaeur; Bil maj je ---: pesem / zložil Fr. Neubaeur; Zgodovinske povestice / spisal Fedor Jaromilov) - V Celovcu: Družba sv. Mohorja, 1905
 Ivan Lah - Uporniki: povest - V Celovcu: Družba sv. Mohorja, 1906
 J. M. Dovič – Kovač in njegov sin: povest (Vsebina: Ob zatonu leta / Ksaver Meško; Do vrha: slika / Ivo Trošt; Zadovoljnost / Jože Bekš; Dajte mu nazaj, kar je njegovega!: povest / Juraj Pangrac; Mrtvački zvon / Starogorski [ps.]; Starši vadite otroke ubogljivosti! / Kompoljski [ps.]; Iz potujčenega Srema / Franjo Neubauer; Kako je Jaka kupoval koze: smešna dogodba / Kompoljski [ps.]; Kakor belo-rdeče rože / Jože Bekš: Dokončni šolski in učni red za obče ljudske in za meščanske šole: slovenskim staršem v razjasnilo / Kompoljski [ps.]) - V Celovcu: Družba sv. Mohorja, 1907
 Josip Kostanjevec - Življenja trnjeva pot: resnična zgodba iz polupreteklega časa - V Celovcu: Družba sv. Mohorja, 1907
 Fran Detela - Novo življenje: povest (Vsebuje še: V samoti: božična pripovedka / spisal Ivan Cankar) - V Celovcu: Družba sv. Mohorja, 1908
 Josip Vošnjak - Navzgor - navzdol: povest iz polminole dobe - V Celovcu: Družba sv. Mohorja, 1909 || Fran Zbašnik - Pisana mati: povest - V Celovcu: Družba sv. Mohorja, 1909
 Ivan Cankar: Sosed Luka, Franc Ksaver Meško, Fran Josip Knaflič: Popotnikove povesti - Slovenske večernice za poduk in kratek čas - V Celovcu: Družba sv. Mohorja, 1909
 Janko Mlakar – Trebušnik na slovenskem jugu (Vsebina: Ob košnji; Vipavska / Vekoslav Remec. Kar Bog stori, vse prav stori: spodnještajerka povest / spisal J. Vuk. Naši ljudje: slika iz vipavske doline / napisal I. Česnik) - V Celovcu: Družba sv. Mohorja, 1910
 Josip Jurčič, Ivan Vaupotič – Deseti brat - Celovec: Družba sv. Mohorja, 1911
 Lea Fatur - Vislavina odpoved: povest iz druge švedsko-poljske vojske (Vsebina: Po stopinjah gospodovih: spomini na slovensko jeruzalemsko romanje v l. 1910 / spisal Ksaver Meško; Potovanje na njegovega veličanstva ladji »Zenta« / spisal M. Domjan) - Celovcu: Družba sv. Mohorja, 1912
 Ivan Pregelj – Mlada Breda (Pregelj): povest - V Celovcu: Družba sv. Mohorja, 1913
 Josip Kostanjevec – Novo življenje: povest (Vsebina: Vsebuje tudi: Pesmi: Litavski motivi, Sreča, Dekliška pesem / zložil Josip Lovrenčič. Kristus: odlomek iz umetniškega življenja / spisal Ivo Časnik. Pesmi: Vipavska romanca, Pomlad, Prošnja, V noči / zložil Josip Lovrenčič. Pravdarska strast - gotova propast / po resničnih virih spisal M. D. Zahvalni psalm / zložil Josip Lovrenčič. Kobilice: zgodovinska slika iz leta 1672 / spisal Ksaver Meško. Gozdarjevi spomini / spisal Josip Kostanjevec - V Celovcu: Družba sv. Mohorja, 1914
 Matija Malešič – Zgodba o povišanju - V Celovcu: Družba sv. Mohorja, 1915
 Fran Detela – s:Svetloba in senca: povest - V Celovcu: Družba sv. Mohorja, 1916
 Fran Milčinski – Ptički brez gnezda: povest - V Celovcu: Družba sv. Mohorja, 1917
 Ivo Šorli – Krščen denar: povest (Vsebuje: Sejmski tatje / spisal Fr. Milčinski; Polje: črtica / spisal Ivan Dornik) - V Celovcu: Družba sv. Mohorja, 1918
 Ivo Šorli - Sorodstvo v prvem členu: povest - V Celovcu: Družba sv. Mohorja, 1919
 Fran Detela - s:Takšni so!: zgodovinska povest / Begunka: drama v treh dejanjih - Na Prevaljah: Družba sv. Mohorja, 1921
 Ivan Pregelj - Peter Pavel Glavar, lanšpreški gospod: zgodovinska povest - Na Prevaljah: Družba sv. Mohorja, 1922
 Jules Verne, Anton Ratajec – Carski sel: (Mihael Strogov) 1. zv. - Na Prevaljah: Družba sv. Mohorja, 1923
 Jules Verne, Anton Ratajec – Carski sel: (Mihael Strogov) 2. zv. - Na Prevaljah: Družba sv. Mohorja, 1924
 Franc Jaklič - V graščinskem jarmu: povest - Prevalje: Družba sv. Mohorja, 1925
 Fran Jaklič - Peklena svoboda: povest o ljubljanski in ižanski revoluciji leta 1848 - Prevalje: Družba sv. Mohorja, 1926
 Fran Detela - Vest in zakon: povest. Strici: povest - [Prevalje]: Družba sv. Mohorja, 1927
 Narte Velikonja - Višarska polena - [Celje]: Družba sv. Mohorja, 1928
 Ivan Zorec - Domačija ob Temenici - [Celje]: Družba sv. Mohorja, 1929
 Ivan Pregelj - »Umreti nočejo!«: zgodbe slovenske bolečine na Koroškem - [Celje]: Družba sv. Mohorja, 1930
 France Bevk - Stražni ognji: povest - [Celje]: Družba sv. Mohorja, 1931
 Ivan Zorec - Beli menihi: povest iz prve polovice XII. stoletja. Knj. 1, Ustanovitev samostana - [Celje]: Družba sv. Mohorja, 1932
 Matija Malešič - Izobčenci: povest - [Celje]: Družba sv. Mohorja, 1933
 Ivan Zorec - Stiški svobodnjak: povest iz druge polovice XV. Stoletja - [Celje]: Družba sv. Mohorja, 1934
 Ivan Zorec - Stiški tlačan: povest iz druge polovice XVI. Stoletja - [Celje]: Družba sv. Mohorja, 1935
 Janez Plestenjak – Lovrač - V Celju: Družba sv. Mohorja, 1936
 Ivan Zorec - Izgnani menihi: povest iz druge polovice XVIII. Stoletja - [Celje]: Družba sv. Mohorja, 1937
 Metod Jenko, Viktor Hassl – Izum - V Celju: Družba sv. Mohorja, 1938
 France Bevk - Pravica do življenja - [Celje]: Družba sv. Mohorja, 1939
 Janez Plestenjak - Bogatajevci: povest - [Celje]: Družba sv. Mohorja, 1941
 Janez Plestenjak - Mlinar Bogataj - V Ljubljani: Družba sv. Mohorja, 1942 Jules Verne - Južna zvezda: dežela demantov - V Celju: Družba sv. Mohorja, 1940
 Emilijan Cevc - Ukleta zemlja. Sponsa restitit. Krik iz goric. Življenje odteka - V Ljubljani: Družba sv. Mohorja, 1943
 Ivan Matičič – Dom v samoti - V Ljubljani: Družba sv. Mohorja, 1944
 Julija Bračič - Zaprta vrata - Celje: Družba sv. Mohorja, 1945
 Alojzij Remec - Opustošena brajda: zgodba iz temnih dni: I. del. Stari grad - V Celju: Družba sv. Mohorja, 1946
 Stanko Cajnkar – Po vrnitvi - V Celju: Družba sv. Mohorja, 1947
 Julija Bračič - Graščinski stradarji: povest - V Celju: Družba sv. Mohorja, 1950
 Požgana Radovna in druge zgodbe (Vsebina: Po Jurčičevih stopinjah / Ksaver Meško; Od spomladi do zime 1941 / Stanko Cajnkar; Citre / Mimica Malenšek-Konič; Požgana Radovna / Tilen Pavček; V vinogradih gospoda Rugginija / Gema Hafner; Silva je verjela / France Borko; Ježki / Janko Moder) - V Celju: Družba sv. Mohorja, 1950
 Jakob Sket, France Kotnik, Josip Mal - Miklova Zala: povest iz turških časov - V Celju: Družba sv. Mohorja, 1951
 Fran Saleški Finžgar – Mirna pota - V Celju: Družba sv. Mohorja, 1952
 Alojzij Remec, Janko Moder – Veliki punt: kmečka zgodba iz 18. stoletja - V Celju: Družba sv. Mohorja, 1953
 Fran Saleški Finžgar – Gostač Matevž - V Celju: Družba sv. Mohorja, 1954
 Stanko Cajnkar – Sloven iz Petovije: povest iz 9. stoletja - Celje: Mohorjeva družba, 1955
 Mimi Malenšek – Senca na domačiji: povest - Celje: Mohorjeva družba, 1956
 Alojz Rebula – Klic v Sredozemlje - Celje: Mohorjeva družba, 1957
 Janez Jalen – Vozarji. Del 1, Ovčar Marko - Celje: Mohorjeva družba, 1958
 Janez Jalen – Vozarji. Del 2, Tri zaobljube - Celje: Mohorjeva družba, 1959
 Janez Jalen – Vozarji. Del 3, Izpodkopana cesta - Celje: Mohorjeva družba, 1960
 Joži Munih-Petrič – Ljudje iz Stržišča - Celje: Mohorjeva družba, 1961
 Lojze Kozar – Takšen prag - Celje: Mohorjeva družba, 1962
 Joži Munih-Petrič – Sadovi zla - Celje: Mohorjeva družba, 1963
 Janez Kmet – Dom pod Borštom - Celje: Mohorjeva družba, 1964
 Stanko Cajnkar - Križnarjevi: kronika preproste slovenske družine - Celje: Mohorjeva družba, 1965
 Ivan Matičič – Rezinka - Celje: Mohorjeva družba, 1966
 Josip Jurčič, Ivan Vavpotič, Jože Gregorič – Deseti brat: izvirni roman - Celje: Mohorjeva družba, 1967
 Lojze Kozar, Stane Kregar – Pajkova mreža - Celje: Mohorjeva družba, 1968
 Ivan Podržaj – Gorjani - Celje: Mohorjeva družba, 1969
 Joži Munih-Petrič – Ana - Celje: Mohorjeva družba, 1970
 Pavle Zidar, Lino Legiša – Vid / Korenine moje - Celje: Mohorjeva družba, 1972
 Alojz Rebula – Divji golob: roman - Celje: Mohorjeva družba, 1972
 Ivan Pregelj – Tolminci: zgodovinski roman - Celje: Mohorjeva družba, 1973
 Tita Kovač - Artemis – Štefan Dečanski - Celje: Mohorjeva družba, 1974
 France Bevk, France Koblar – Kaplan Martin Čedermac - Celje: Mohorjeva družba, 1975
 Eda Podpečan, Ivan Sivec - Hiša na robu doline. Pristrižene peruti - Celje: Mohorjeva družba, 1976
 Vlado Firm – Ples rdečega jelena - Celje: Mohorjeva družba, 1977
 Joža Vršnik, Zmaga Kumer - Preproste zgodbe s solčavskih planin - Celje: Mohorjeva družba, 1978
 Lojze Kozar – Vezi in zanke - Celje: Mohorjeva družba, 1979
 Alojz Rebula, Friderik Irenej Baraga - Duh velikih jezer: lik Ireneja Friderika Baraga - Celje: Mohorjeva družba, 1980
 Zora Tavčar, Melita Vovk – Veter v laseh - Celje: Mohorjeva družba, 1982
 Ivan Pregelj, Jože Gregorič, Melita Vovk - Peter Pavel Glavar, lanšpreški gospod: zgodovinska povest - Celje: Mohorjeva družba, 1983
 Janez Jalen, Jože Šifrer – Ograd - Celje: Mohorjeva družba, 1984
 Stanko Lapuh, Lovro Inkret – Črni svatje / Kos - Celje: Mohorjeva družba, 1985
 Lojze Kozar – Kamen in srce - Celje: Mohorjeva družba, 1986
 Mirko Mahnič – Devet mesecev - Celje: Mohorjeva družba, 1987
 Marta Kmet – Učiteljica - Celje: Mohorjeva družba, 1988
 Marij Avčin, Mirko Mahnič, Melita Vovk – Doktor Anton - Celje: Mohorjeva družba, 1989
 Lojze Kozar, Vilko Novak – Neuničljivo upanje - Celje: Mohorjeva družba, 1990
 Franc Puncer, Jožef Smej - Duhovnik v taborišču smrti: (iz nenapisanega dnevnika) -  Celje: Mohorjeva družba, 1991
 Jožef Smej, Vilko Novak, Ivan Baša – Psalmi vaškega župnika - Celje: Mohorjeva družba, 1992
 Wilhelm Hünermann, Roman Štus - Župnik sveta: (ob 30-letnici smrti Janeza XXIII.) -  Celje: Mohorjeva družba, 1993
 Irma Martinčič Ožbalt – Mrzle peči - Celje: Mohorjeva družba, 1994
 Cilka Žagar, Nives Kreuh – Barbara - Celje: Mohorjeva družba, 1995
 Slavko Toplišek, Peter Krivec – Leto vaškega življenja - Celje: Mohorjeva družba, 1996
 Joža Lovrenčič, Melita Vovk, Marko Martinčič – Karnska kraljica - Celje: Mohorjeva družba, 1997
 Ivan Sivec, Marija Prelog – Vsak klas je zlat - Celje: Mohorjeva družba, 1998
 Lojze Kozar, Jože Bartolj, Jožef Smej – Licenciat  Janez - Celje: Mohorjeva družba, 1999
 Jože Rode, Marija Prelog, Rajko Bratož – Spopad pri Mrzli reki - Celje: Mohorjeva družba, 2000
 Ivan Sivec, Mirko Kambič, Miran Kambič, Jože Plečnik - Mojster nebeške lepote: [skice iz življenja in dela Jožeta Plečnika] - Celje: Mohorjeva družba, 2001
 Mira Dobravec – Rep mavrice - Celje: Mohorjeva družba, 2002
 Ivan Kordež, Nives Vidrih – Doživetja in spomini - Celje: Mohorjeva družba, 2003
 [ni izšlo]
 Graham Greene, Ingrid Kovač Brus - Konec afere - Celje: Društvo Mohorjeva družba: Celjska Mohorjeva družba, 2005
 Lojze Ilija, Janez Močnik – Zadnja velesovska nuna - Celje: Društvo Mohorjeva družba: Celjska Mohorjeva družba, 2006
 Jože Šifrer – Polje, kdo bo tebe ljubil - Celje: Društvo Mohorjeva družba: Celjska Mohorjeva družba, 2007
 Irma M. Ožbalt, Anka, 2008
 Martin Kuchling, Umor v zaspanem mestu, 2009 (Družinske večernice, 66)
 Andrej Arko, Dom: Iz spominov Ericha Schleimerja, lesnega industrialca v pokoju in posestnika z dvorca Grebenje nad Gručno vasjo, 2010 (Družinske večernice, 67)
 Janez Kajzer, Ovadba opolnoči, 2011 (Družinske večernice, 68)
 Fran S. Finžgar, Sama, 2012 (Družinske večernice, 69)
 Rudi Mlinar, Ko ni cvetela ajda,  2013 (Slovenske večernice, 163; Družinske večernice, 70)
 Jože Urbanija, Antonija, ostani v Komposteli! 2014 (Slovenske večernice, 164)
 Alojz Rebula in Zora Tavčar, Dve mladosti, ena ljubezen: Z moje kraške univerze; Kastor in Erigeneja, Stoji učilna zidana ; Tristan in Izolda, 2015 (Slovenske večernice, 165)
 Ivan Pregelj, Umreti nočejo! Zgodbe slovenske bolečine na Koroškem, 2016 (Slovenske večernice, 166)
 Branko Petauer, Puščavska vrtnica, 2017 (Slovenske večernice, 167)
 Josephine Janezic, Na obalah spomina, 2018 (Slovenske večernice, 168)
 Bernarda Mrak Kosel, Ujetnik svojega časa, 2019 (Slovenske večernice, 169)
 Giovannino Guareschi: Don Camillo in Peppone 8, 2020 (Slovenske večernice, 170)
 Tomaž Klinar: Banatski cvet, 2021 (Slovenske večernice, 171)
 Branko Cestnik: Pogovori z njo, 2022 (Slovenske večernice, 172)

Zunanje povezave

Slovenska književnost

redpajama_set_name: RedPajamaWikipedia


African & Caribbean Imprint Library Services received shipments this summer from its acquisitions agents in The Gambia and Zambia. To request a list of the titles received, write to AILS at 236 Main St., Falmouth, MA 02540. Telephone: (508) 540-5378. Fax: (508) 548-6801.


text:
Level Z2
1865: The End of the Civil War
Adaptive Athletes
Amazing Brain, The
Are GMOs Safe?
Great Charter, The
Hybrid Animals
Jonas Salk
Labors of Hercules, The
Metropolitan Museum of Art, The
Mystery of King Tut, The
Panama Canal, The
Raven, The
Roots of Rap
Symbiotic Wildlife
Transcontinental Railroad, The
Zoo of Extinct Animals, The
Home > Leveled Books > Level Z2 > Roots of Rap
Informational (nonfiction) 1,761 words, Level Z2 (Grade 5+), Lexile 1170L
Multilevel Book also available in levels X and Z1.
Rap music arose from the streets of New York City in the 1970s. Roots of Rap guides readers through the early history of rap music: from its origin at a young girl's block party, to an explanation of the four "pillars" (key elements) that define hip hop.The book can also be used to teach students how to determine an author's purpose for writing and the proper use of dashes. The book and lesson are also available for levels X and Z1.

redpajama_set_name: RedPajamaCommonCrawl


text:
Olowo-Ake
I would recommend fashion design because there is room for you to explore what you like, and it is flexible enough for you to focus on things you hope to achieve as a designer.
More about Sola
What made you choose to study at NTU?
"I found out about NTU through Kaplan and after browsing through the website, I just fell in love with it. Apart from the fact that NTU was already known for its reputable fashion design course, I think I was drawn to the fact that it emphasised learning in small environments."
What do you enjoy most about your course?
"I enjoy concept creation for my projects, pattern cutting, and manufacturing the garments I have designed. I also really enjoy the writing part of my degree. My Design, Culture and Context module allowed me to explore my passion for fashion writing."
Has the course included any live projects or briefs that you really enjoyed?
"In my second year, we did a live project with River Island designing their Autumn/Winter menswear collection. It was a really interesting process to experience, and we learnt so much in that period. The bit I really enjoyed was putting the final garments together. We also got to plan a big fashion show that River Island attended, which I enjoyed organising with my course mates."
Has the course included any industry competitions that you really enjoyed?
"Towards the end of my second year, we had a competition brief from Linda Leaver which centred on designing for mobility-impaired people. It was enlightening and challenging because while doing it, I realised that it was such a niche area and not many people in the fashion industry pay attention to it. We had to do a lot of problem solving and think about functionality."
Has the course included any speakers / lecturers from industry?
"In my first year, I attended a lecture by fashion artist Jo Cope, and it was so exciting to see how a background in fashion could evolve into something entirely different, led by passion and concepts."
What do you think about the course staff?
"We get a lot of support from tutors and I never expected that I would meet people who genuinely cared about my fashion design interests. They are definitely keen on training you to be industry-ready. The technical staff are well experienced in their different fields, and you can also share your ideas with technicians on other design courses if you're aiming to experiment outside your field. The subject administrator is also very helpful in terms of other things you might need from the university. For example, transcript requests, student letters, and more."
How do you find your course and University-wide facilities?
"The library is so helpful because it has a range of books that you would never think existed, and that comes in handy when preparing for essays. It also has Vogue catalogues from the 1900s which is good for image research. We also have industrial sewing machines that we use to make garments, which sets you up for the workplace."
As an international student, what do you like about studying and living in Nottingham?
"I love the fact that Nottingham is small. It is easy to get to places and it feels like a big community. Nottingham also has great restaurants and art galleries."
Why would you recommend your course / NTU to someone looking to study BA (Hons) Fashion Design?
"I would recommend fashion design because there is room for you to explore what you like, and it is flexible enough for you to focus on things you hope to achieve as a designer. I feel like NTU has a lot to offer as well – there are so many societies you can join to explore other areas of life you might be interested in outside your course."
Have you completed any work placements?
"Over the summer, I participated in NTU's grad scheme called Grads4Nottm. This was a good opportunity for me to network with people in the industry. I worked at Nottingham-based fashion brand, Glitch Anomaly, where I worked within a team to develop products for the brand. It was a good environment to work in, because I design clothes. We also had a finale event hosted by the University where we got to present our work, meet more employers and see other students' work.
"After that, I worked at The Dress Place in Hockley, which was also a good environment to work in. It was more clothing related, and I learnt a lot about bridal fashion, from fittings, to beading, to the finishing touches."
How different is it studying in the UK compared to Nigeria?
"In Nigeria, it is quite rare to study fashion design as most people tend to study other courses such as accounting, medicine, law, engineering, and so on. Coming to the UK was what I needed to get a degree in fashion. I guess the difference is that here, there is a lot of emphasis on studying in small groups as this helps tutors give feedback that is more constructive. From my experience, I would say that education in the UK is quite flexible. You could study almost anything, and be trained to be an expert in what you do."
How was your experience at Nottingham Trent International College (NTIC)?
"I enjoyed my foundation year, mainly because I had great tutors. They were really invested in us as students, and they helped a lot. My tutors always referred to university-standard work, and that provided a foundation for my own projects. I also got a lot of support with my visa application."
Where do you hope to be in five years' time?
"In the next five years, I hope to be pursuing a career as a fashion writer or a fashion artist, telling relevant stories through my work."


As anyone who has been part of a successful IPO will attest, preparing to become a public company in the US involves significant business transformation. The discussion below focuses on key considerations at the board level.
How many corporate directors do boards typically contain?
The average size of a US corporate board is slightly more than nine members, according to Corporate Library research. While boards range in size from three to more than two dozen directors, some financial analysts identify the ideal board size as seven directors. The board needs to be large enough to accommodate board independence and committee requirements set by the SEC and listing exchanges.
What are the relevant listing exchange and SEC requirements concerning the composition of the board of directors?
A majority of the board must be composed of independent directors. NYSE and Nasdaq provide highly detailed definitions and guidance on what qualifies a director as 'independent'. Companies should work closely with their company counsel or external counsel to evaluate whether directors comply with each listing exchange's independence requirements.
Given these and other requirements, as well as the board's involvement in the readiness effort, pre-IPO companies should address board composition early in the readiness process. It can take significant time and effort to select and bring aboard qualified directors if it is determined that the previous composition of the board needs to be altered.
What is directors' and officers' liability insurance, and are companies required to purchase D&O insurance for their board members?
Directors and officers (D&O) liability insurance is payable to the company, or the D&Os of a company, to cover damages or defence costs in the event they incur such losses as a result of a lawsuit for alleged wrongful acts while acting in their capacity as D&Os for the organisation. There are three basic levels of D&O insurance; they are commonly referred to as Side A, Side B and Side C. Side A coverage protects D&Os against claims for which the company will not or cannot indemnify a director or officer because of legal or financial solvency reasons. Side B coverage reimburses the company for amounts it pays to directors or officers as indemnification and Side C coverage pays losses arising from certain securities claims against the company. Exclusions will apply for actions taken in bad faith. There are also specialised D&O policies that cover D&Os in cases where the company is not permitted to indemnify them; this type of policy usually rides on top of Side A coverage.
While D&O liability insurance is not legally required, it is exceedingly common in the business world, especially for public companies. Liability exposures remain high, and companies find it beneficial to offer some protection to current or potential directors and officers in order to attract and retain top talent.
The presence of D&O insurance coverage should allow D&Os to operate in the best interests of the business, taking calculated risks within the company's risk appetite without undue concern about potential, and perhaps baseless, litigation. All D&O liability insurance policies will come with significant exclusions, some of which are negotiable, so it is important that the company, and its D&Os, have a thorough understanding of what is covered and what is not. Consulting legal counsel about the limits of any insurance policy is always advised.
What board committees should be created prior to an IPO or public debt offering?
The committee requirements outlined below reflect NYSE, Nasdaq and SEC rules.
Audit committee. Listed companies must have an audit committee composed of at least three directors, each of whom qualifies as an independent director. Further, each member of the audit committee must be financially literate or must become financially literate within a reasonable period after his or her appointment to the audit committee. In addition, at least one member of the audit committee must be identified and designated as a financial expert, defined as one "who has accounting or related financial management expertise" obtained while serving as a principal financial or accounting officer, controller, accountant or auditor, or having other relevant experience, as required by the Sarbanes-Oxley Act.
Compensation committee. NYSE rules require boards to have compensation committees composed exclusively of independent board directors. Nasdaq does not require a listed company to maintain a compensation committee but does require the determination of officer pay be made either by the company's independent directors or a compensation committee composed of independent directors. As such, Nasdaq companies can have board compensation committees that are composed exclusively of independent directors, or they may also have compensation committees composed of independent and non-independent directors. However, if the latter composition is the case, executive compensation must be recommended to the board by a majority of the independent compensation committee members.
Nominating/governance committee. Required by the NYSE, nominating/governance committees are responsible for recommending and approving directors and committee members. The NYSE requires listed companies to have a nominating/governance committee composed entirely of independent directors, and directs nominating/governance committees to develop and recommend guidance concerning general corporate governance issues.
What is the compensation committee's responsibility related to the oversight of executive compensation plans?
Over the last decade, both the authority and influence of the board of directors' compensation committee have increased, particularly in the area of executive compensation, as new regulations have required more, and increasingly thorough, disclosures concerning executive compensation packages.
The compensation committee's responsibility is to provide oversight. This means reviewing and approving the executive compensation strategy and plans, providing oversight of the company's benefit plans, reviewing compensation-related risks, monitoring the approved activities of outside compensation consultants, and reviewing and making recommendations to the entire board of directors regarding the board's compensation. The compensation committee is also responsible for producing an annual report on executive compensation for inclusion in the company's proxy statement.
What is an audit committee 'financial expert'?
In accordance with Sarbanes-Oxley Act Section 407, the SEC requires public companies to have at least one member of the board of directors who qualifies as a 'financial expert' serve on the audit committee of the board. The SEC defines 'financial expert' as a person who, firstly, has filed financial statements as a chief or principal financial officer, principal controller, principal accounting officer, public accountant or auditor, and secondly, possesses the following attributes: (i) an understanding of US GAAP and financial statements; (ii) experience applying US GAAP in connection with the accounting for estimates, accruals and reserves that are generally comparable to the estimates, accruals and reserves, if any, used in the registrant's financial statements; (iii) experience preparing or auditing financial statements that present accounting issues generally comparable to those raised by the registrant's financial statements; (iv) experience with internal controls and procedures for financial reporting; and (v) and an understanding of audit committee functions.
Does the board have any responsibilities or duties within the IPO readiness effort?
Yes, although the responsibilities of employee directors and non-employee directors differ. Directors who also serve on the management team typically lead the transaction readiness effort and play important roles throughout the readiness process. Non-employee directors typically do not fulfil as much of a hands-on role as employee directors. However, non-employee directors review and authorise most, if not all, of the key decisions and documentation, including the registration statement, executed during the readiness effort.
Steve Hobbs is the managing director of Public Company Transformation at Protiviti. He can be contacted on +1 (415) 402 6913 or by email: steve.hobbs@protiviti.com.


Bradley A. Corbett earned a PhD in Education Studies (2008) from the University of New Brunswick while holding a studentship from the National Cancer Institute of Canada. During his time at UNB he was affiliated with the Canadian Research Institute for Social Policy. He has also completed a Master of Education degree in Organizational and Administrative Studies and a B.A. in Health Studies at Brock University.
Current research activities include an analysis of income inequality within Canada using data from the Canadian Census. These studies examine how county level income inequality influences social outcomes.
Corbett also studies digital skills and digital literacy in the context of the growing shift towards E-Government and E-Business in the new E-conomy. Early studies into the Digital Divide focused on access to Information and Communication Technology (ICT). His research now focuses on the divide between those who do and do not have the skills to use ICT.


text:
Vern Gosdin
A Guitar Song
Teresa Wright
Why did I start playing guitar?
My older sister loved the Beatles and The Rolling Stones, you know all those classic groups.
At that time bands were a drummer, a singer, bass player and a guitar player -pretty simple.
That's what I wanted to be. A rock and roll guitar player.
My first guitars were acoustic, and that's what got me my start.
At one point I just knew two chords, G and E minor.
I went on to write a lot of songs with those two chords, and then I got myself the Mel Bay book.
Building on my natural ear, I started training myself.
Simultaneously, I was playing the organ and piano and taking lessons.
I didn't want to learn the song, I just wanted to play it easily.
Out of frustration, I guess that's why I started playing guitar, because you could do that.
That led to me learning a lot of songs, and eventually to putting together a band with my friends and cousins.
We sounded pretty good for some nine year olds.
Now we're those same kids at heart with a lifetime of experience about how to play and love the guitar – all styles, bluegrass, country, rock, and Joni Mitchell jazz.
Add to that, my experience touring with "The Voice" Vern Gosdin on his bus called "The Worm" all over North America in the 1980s...
playing at theatres in Gatlinburg, Tennessee,
writing songs with multiplatinum songwriter heroes, and
sharing the stage with icon Sheila E at Isla Mujeres, Mexico.
Welcome to my website Teresa Wright Music and my official blog. Please share and visit back often!
Stay in touch by joining the email newsletter group >>
Vern Gosdin band
woman guitar player
female guitar player
Sheila E
why did i start
two chords
natural ear
Teresa Wright Music
The Meeting | Touring with The Voice Vern Gosdin
The Call | Touring with Vern Gosdin
© 2020-21 Teresa Wright Songs. All Rights Reserved. Used By Permission. Privacy Policy Terms and Conditions.
Contact twrightssongs@gmail.com | (615) 852-7123


text:
Q: Reading PDF plots, arranging them on a grid, save in one-page PDF using R I have 3 R plots saved as pdf files (upper_left.pdf, upper_right.pdf, lower.pdf) as vector graphic and want to make a one-page pdf file and arrange them on it as follows:

What I have tried already
I have tried reading the pdf's using magick::image_read_pdf and appending them using magick::image_append. More specifically,
library(magick)

panel.ul <- image_read_pdf("upper_left.pdf")
panel.ur <- image_read_pdf("upper_right.pdf")
panel.l <- image_read_pdf("lower.pdf")

whole <- c(panel.ul, panel.ur) %>%
    image_append() %>%
    c(panel.l) %>%
    image_append(stack = TRUE)

The first issue is magick::image_read_pdf imports the plot as png (if I'm right, not vector graphic though).
magick::image_append also 'works' and gives me what I want in viewer pane (in RStudio, next to Help).
I then try to save them using export::graph2pdf(whole), but it gives me a blank page.
So, if I am to use magick, there are two issues that need to be solved:

*

*importing plots as vector graphic objects (do not know the technical term in R)

*Exporting the stacked plot to a vector pdf file.

How can I solve it? thanks in advance.

A: You're basically done. You only need to add
plot(whole) # plot the external object generated in ImageMagick to R's plotting device
savePlot(type = "pdf") # saves the current plotting device to a pdf file.

You will find your plot in your workoing directory called "Rplot.pdf".
savePlot has many options to customize your pdf output. Make sure to check ?savePlot.
To recreate your scheme from above youll need to temporarily save the upper panel as a separate pdf before you paste it to on top of the lower panel:
whole2 <- image_append(c(panel.ul, panel.ur))
plot(whole2)
savePlot("whole2.pdf", type = "pdf")

If the upper and lower panel do not look proportionate you can use the heght and width parameters of savePlot to adjust the size of the first pdf.
panel.upr <-   image_read_pdf("whole2.pdf")
final <-  image_append(c(image_append(panel.upr),panel.l), stack = TRUE)
plot(final)
savePlot("final.pdf", type = "pdf")

redpajama_set_name: RedPajamaStackExchange


I was wondering if I should start a NEW Celeb/Pornstar Look-a-Likes thread or is there a way I could be made the creator of that thread. I currently have downloaded all my pics/Gifs that were on ImageBam and am currently looking for a host to reup them on.
Either way PLEASE don't delete any post just yet.
I don't fully understand what you are asking? You want to create a new thread for people to post pornstars who look like celebs when there is already an active thread doing just that? Why can't you just add to it?
In any case, you can't be made the creator of a thread you didn't create, so that option isn't possible.
Thanks Tagahai I was thinking with all the dead links in it, I should just start over when I start doing all my re-ups. It's just a suggestion because the originator is long gone. Just a thought before I start doing anything.
If No that's fine too.
Late reply, been super busy.
If you want to start a new one, feel free. If yours is updated and pictures are kept alive then the old one will probably die off naturally.
Why can't I create new topic? I used to be able to do that but I don't see that button in any of the subforums.


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Only qualifying transactions posted by the Bank to the Card Account would be considered eligible for the Program.The billed amount of the qualifying transaction will be considered for Cashback calculation in the statement that the transaction appears.
The Program is open to all Standard Chartered credit cardholders as determined by the Bank from time to time except such Cardholders whose Cards are blocked and who are not in good standing as per the definition of the Bank.
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text:
A serious matter, a heart-wrenching show
Posted by Alicia Jaimes on October 20, 2017 in Opinions, Top Stories.
"The Good Doctor" airs on Mondays at 10 p.m. on ABC. Promotional Photo
"You're very arrogant" were some of the last words spoken at the end of "The Good Doctor" season premiere and boy do I agree.
From the creator and director of "House," "The Good Doctor" is a new show on ABC starring Freddie Highmore as a surgical resident with Autism and Savant Syndrome.
Murphy is hired into a pool of surgeons who are more than skeptical about his abilities to be a resident at the hospital.
After much debate and argumentation about if Murphy is capable of becoming a surgeon, Murphy's ability to feel empathy and compassion are called into order as a last attempt to ban this boy from receiving an education.
I found this show to be infuriating in the respect that every character holds onto the assumption that anybody who is different should be treated as such, whether that be for better or for worse.
One group of people wish to hold Murphy back because of who he is, while the other group wishes to hire him and change the way people see autism and savant syndrome. Either way, somebody wants something and I don't think any of that interests Murphy at all.
During many scenes in the first few episodes, you get to have a glimpse into Murphy's childhood and all the good and bad memories that entails.
Though the plot will be interesting as storylines unfold, it will be exciting to see where Freddie Highmore takes his character as Murphy becomes more comfortable in his work environment and with the people around him.
With only three episodes watched so far, I have managed to cry at least twice in each episode. My recommendation is that if you are someone who enjoys shows that rip-your-heart-out feeling like "Grey's Anatomy," then "The Good Doctor" should be added to your DVR as soon as possible.


text:
import pytest

from dowhy.causal_refuter import CausalRefuter
from dowhy.causal_identifier import IdentifiedEstimand

class MockRefuter(CausalRefuter):
	pass

def test_causal_refuter_placeholder_method():
	refuter = MockRefuter(None, IdentifiedEstimand(None, None, None), None)
	with pytest.raises(NotImplementedError):
		refuter.refute_estimate()

redpajama_set_name: RedPajamaGithub


text:
US-based Psomagen eyes at least W57.5b IPO in Korea
By Son Ji-hyoung
Psomagen CEO Ryan Kim speaks at a briefing held in Seoul on Wednesday. (Psomagen)
Psomagen, a US company dedicated to genome sequencing technology and DNA testing, said Wednesday it looks to raise at least 57.5 billion won ($47.2 million) in an initial public offering on the Korean bourse.
Under the plan to be listed on Kosdaq, Psomagen seeks to issue 4.2 million new common shares, amounting to a 25 percent stake, and offer them to investors in an IPO set to take place in May. Shinhan Investment is an underwriter of the IPO deal.
The IPO proceeds will be used to boost its entry into a personal genomics business targeting the US market, repay its debt for an acquisition deal and ramp up its logistics infrastructure for its end-to-end genome sequencing solutions.
Psomagen's foray into personal genomics business is crucial, as the practice of a precision medicine is increasingly tailored to an individual, Psomagen CEO Ryan Kim told reporters Wednesday in a briefing in Seoul.
"(Psomagen) is turning into a health care solution provider powered by big data, based on our genome sequencing capability," he said.
"We are witnessing a paradigm shift in US health care system. As the genome sequencing technology gets more sophisticated, its price has been on the decline, so individual health care services are increasingly tailored to analysis and interpretation of the genome of an individual."
Based in Rockville, Maryland, Psomagen has moved to produce genetic testing kits using saliva samples and sell them directly to consumers. It also tapped into microbiome genetic testing solutions using consumers' stool samples.
This is a leap forward from its decadeslong effort to focus on research into genome sequencing using technologies such as sanger sequencing and next-generation sequencing.
Having both the College of American Pathologists accreditation and Clinical Laboratory Improvement Amendments certification, the company was the only for-profit entity to join former US President Barack Obama's Trans-Omics for Precision Medicine initiative, according to Psomagen. Kim said the research division is expected to generate a steady return of profits.
The efforts will also be buttressed by its latest acquisition of San Francisco-based biotech company uBiome in 2019, which allowed Psomagen to possess its 246 patent rights and some 300,000 data subjects.
In 2019, Psomagen logged a $4.17 million operating loss and 19.79 million net loss, according to its prospectus. The net loss rose over eightfold largely due to the cost of the uBiome acquisition deal.
Psomagen is expected to become the first company based out of Korea to go public by undergoing an abridged screening procedure by the Korea Exchange. The procedure, "special listing on promising business model," allows a company's listing eligibility to be evaluated by the potential of scalability instead of profitability.
Psomagen is a spinoff from Seoul-based genomics service provider Macrogen. If the new shares are issued, Macrogen and its affiliated shareholders will hold a combined 68.7 percent stake. It is part of the 71.53 percent of shares that will be placed under a lockup period for one to three years.
By Son Ji-hyoung (consnow@heraldcorp.com)


text:
Skyrim in review, cheats, and a funny video
Well I downloaded Skyrim for my PC not too long ago and I have to say this is quite the enjoyable game. I have never really played an Elder Scrolls game before, I did try to play Oblivion, however I found it impossible to immerse myself into the games content and ultimately gave up on it.
When I first started up up Skyrim I was a bit hesitant as to whether or not I wanted to play the game after my experience with Oblivion. Skyrim has easily grabbed my attention and constantly demands that I play it. The game is very fun if you love adventure RPG games. The game somewhat reminds me of Fable, except there is an immense amount of content, and you are allowed to explore the game at your own pace in whatever order you choose. The game lets you decide how you want to play it, you also have the freedom to explore the world and find nearly all of the quests yourself by talking with NPC's. There is a main quest line to help you proceed through the game and find quests yourself, however the true reason I play this game is the narrative through exploration and choosing your own quests, with many of them requiring you to make a decision. From what I have heard from nearly all of my friends who have played the game, Skyrim is incredibly immersive, I have not felt so attached to my avatar in quite some time.
The game is right up there with Battlefield 3 for its graphics, if not better, and is also filled with incredible detail and lush environments. A fun fact about the game is the random dragon encounters, dragons will sometimes appear throughout the game flying above you before diving in for an attack. The dragon fights are very fun as the dragon will fly around, dive at you, and sometimes land to attack head on. The fights are very smooth and feel completely unscripted, almost natural.
Here is a video I took of my own game-play while fighting a dragon before a troll comes in and ruins all the fun.
Graphics: A+
- I run it on ultra and I'm blown away
Gameplay: B+
- This is no fantasy combat system, it is realistic but still fun.
Content: A+
- So many quests, one giant free world to explore, plenty of ways to play.
Immersion: A
- Do what you want, when you want, how you want.
Story: B+
- The main story is nothing groundbreaking from what I've seen so far, but the amount of side quests and immersion creates a narrative on it's own which I feel is the games strong point.
Ending comments: The game is easily grade "A" material
The game is great and if you enjoy any RPG or adventure game. A few things I found iffy was the rough transition between weapons and spells, and the somewhat uninteresting main story. The side narratives are amazing and immersive within the world of Skyrim.
Additionally for the PC owners out there, here is a link to how alter your stats and "cheats" for the game, I used some of these to remove and re-add talent tree points.
http://www.gamefront.com/skyrim-pc-item-codes/
Since I'm such a nice guy, I have also found a world map with every location shown here
http://www.realsg.com/2011/11/guide-skyrim-complete-locations-map.html
Djr7, PC Games, Review


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If you look at the major players in the online world, such as Google, Facebook, Amazon, eBay (with their PayPal system), you will see that despite their different offerings they do have one thing in common. No it's not their popularity, but rather the fact that they either have a mobile payment solution ready or they are seriously considering to develop one. Of course, it's not only the big players in the online world that want some of the action. Banks and financial institutions, as well as mobile phone carriers are all trying to put something out. And of course there is the smaller start ups that hope to achieve popularity but that few have ever heard of.
But there is one company that has put out a unique concept for a mobile wallet solution: Apple. A new app has been released called the Passbook. What makes it different (at least for now) is that it doesn't yet have the functionality to make payments with the iPhone at a point of sale, but rather it functions as a kind of virtual wallet, allowing the user to hold event & movie tickets, coupons, boarding passes, transportation tickets, gift cards, vouchers, points & rewards cards, etc. When a user is present at a participating retailer, the card can be brought up on the screen and scanned.
The app also combines the feature of location detection, showing the relevant card when a user is near or at a participating merchant. This concept has already been adopted by some merchants and more are expected to follow. But the main question remains here: when will Apple integrate full payment functionality into the app?
For now, in the United States, payment systems that are fully integrated with mobile devices are still something a bit "futuristic" and aren't expected to reach a mainstream status until 2016 or later. Some merchants have began to upgrade their systems and infrastructure, but those who accept mobile payments are still in the minority for now.
Another issue is: will Apple be able to dominate the market? It is in the lead with the most popular smart phone and the most popular tablet PC. However, Android based hardware and devices are not far behind at the moment. There are some who believe that there will be two or more mobile payment solutions that will be popular in the next few years. They will all function on the same principle: the user presents their smart phone, where an app generates a secure, one use only bar code that is scanned, allowing the purchase to be charged to the user's credit card, or deducted from an online wallet account that has been filled up in another way (bank transfers, payments received from businesses, person to person payments, etc.). Apple seems like a trusted solution however it is still not known how much of the market they will be able to corner in the payments industry, as this is something the company doesn't have too much experience with for now.
If you have a website of any kind, then you probably use it to either sell or promote some of your products. One of your main concerns as a webmaster would be how to make the user experience more enjoyable for your website visitors. Also, you are probably looking for ways that you can use to improve your overall search engine ranking for the keywords that your website is targeting. Both of these things can be achieved by allowing user interaction with your website. This is not something unique or radical, in fact many of the world's biggest websites such as Amazon and eBay follow these tips, so learn from the successful guys and implement them.
If you sell merchandise, allowing your users to give a rating, usually in terms of stars, can be a very good way to have them interact with your website and give feedback on products and services that you have and that they have used. Unless you deliberately sell junk and don't really want your customers to come back to your site (well… they might kind of complain and this annoys scammers, you know), then there should be no problem with letting your site visitors rate your products.
This is good for SEO, as it creates unique content which is user generated, so you didn't really need to take any action in order to put it there anyways. So it saves a lot of effort for you. Are you selling some products? Let buyers post some reviews of them. Many big name shopping sites do that, such as Amazon. Did you post a news article, blog post or made a YouTube video for your website visitors? Let them comment about it and encourage them to leave feedback, by using a call to action such as "What Do You Think of This New Service? Let Us Know Below!". Monitor your comments to delete spam and obvious trolling or stupidity, but also keep an eye out for visitors that have a question or concern. You can then either respond to them in the comments, or ask them to communicate with you in a private way such as by email or by sending a message through your website.
This really isn't complicated at all. All you need to do is include buttons for social media, such as your Twitter and Facebook profiles, or your YouTube channel. You can incorporate these to your website very easily and many large companies and even government agencies now have them on their sites due to the prevalent use of social networking sites. You also don't have to use the icons provided by the social networking sites, instead you can use custom ones that would better match the layout of your website. Of course, you could always download the trial edition of Photoshop and design the logos yourself too. Social media buttons will allow your visitors to get social with you on various networks that your business participates in.
Now that we have explored some ways to find dropshippers, let's take a closer look at how you can evaluate a particular supplier to see whether they are legit or not. Here are some of the things to watch out for when you are looking at a dropshipper. These are not conclusive proof that the supplier is just another scammer, but should be seen as red flags telling you to proceed with extreme caution.
Many dropshipping sites and some online marketing forums have a feedback system that will allow people to leave feedback for each other after completing a transaction. You will also be able to see exactly when somebody became a member of the site.
One thing to watch out for is a member who has recently joined and has no or little feedback on the site. Scammers frequently create new accounts after they begin receiving negatives from clients that they scammed or get banned from the site. Also, don't let the fact that they've completed a few transactions fool you into thinking they must be legit. Some will complete a few transactions successfully at the beginning to build up their "reputation" on the site and then when they see people are starting to trust them, they will simply turn to scamming.
It is true that in some countries where suppliers are based it is not possible or practical to use a payment processor such as PayPal or Moneybookers. However you should be careful about using one that insists on being paid with a method that is not reversible such as by Western Union or Money Gram. Even bank wires are not really safe, as banks in foreign countries will seldom want to help you in the event that you've wired a few hundred dollars to a scammer. If possible, make use of escrow facilities that will sometimes be advertised on dropshipping sites. However, here again check to see if the escrow service is legitimate too, as some fake ones have been spotted.
Well if it looks too good to be true, then it probably is. If you see that a supplier is offering merchandise at prices that are far below what others charge for the same item in the same quantity, then you need to ask yourself some serious questions about them. Most probably, the deal is not legitimate and even if they do send something, it may be merchandise that was stolen or is counterfeit.
If you are going to do some high volume business with a dropshipper, then you should at least have their phone number in case you need to call them if there is a problem with one of your orders. A supplier that doesn't want to provide one should look instantly suspicious to you.
When they notice an opportunity to make money online by selling things or by any other means, a lot of people go all in from the very beginning. This might be good in some cases, but with eBay selling this is not the best idea that you could go with. Why is that? After all, isn't it good to make as much money as fast as you can? You can always try, but if you later find out that you have chosen the wrong supplier for your products, then you have just created a big mess for yourself.
What is a better way to get started? Actually, it's simple: first make a test order for yourself. Buy one of the products and have the dropshipper send it over to you. You will then be able to see whether you have received the right item in the right condition and whether you have received it within the specified time frame. If you want to be even safer and make sure that the supplier will perform just as well when shipping things to your clients, then you can always list just 1 or 2 items for sale and then see if your buyers have received the item and were satisfied with it. In this scenario, in the worst case you would simply refund your buyers if they did not receive the item as promised or if they didn't get exactly what you put up for sale.
Once you have determined that the supplier for the goods that you are selling is reliable, you can then start doing business at full scale with them.
This will serve as a good backup in case one of your suppliers experiences problems or has run out of the items that you normally sell. It is much better to do business with more than one supplier, as your own business will not be disrupted too severely if you can't use one of them anymore. Being in a situation where you have lost one of your suppliers and need to scramble to find another one is not good, as very often sellers fail to do their due diligence in this case and will choose a replacement without even bothering to check their reputation and whether they are any good.
One main part of succeeding as an eBay seller would be to keep your buyers happy and satisfied with the products that you offer as well as the service you give them. Now how do you do that? There are a few simple ways to accomplish this.
Avoid using stock photos. It is much better to put up pictures of the item that you are selling that you took yourself. A cheap digital camera or a cell phone cam will do. If applicable, take pictures of the product, as well as everything that will come with it such as accessories, etc. This will give the buyer a clear idea of what they will be receiving.
If the item that you are selling does not come with items that would normally be necessary or at least useful to operate it, then you should let the buyers know in your description. For example, selling a laptop without a power cord or a gaming console without its controllers. Make sure that this is mentioned in a clear and visible way in your description.
Also, if you are selling an item that has some damage to it or is not fully functional, then you need to advise buyers of this as well. For example, if you are selling an iPhone that has a broken screen (many buyers get these to part them out or to repair them), then make sure your listing says in big bold letters that the screen doesn't work.
There are a lot of people who want to earn some money on the internet. There are also plenty of guides, some free, some paid, which describe various ways to do so. The problem with these is that they often tend to take a "one size fits all" approach and make no difference between someone who just wants a few extra dollars to pay their bills or someone who wants to make a six figure income by building a complete online business.
Also, the issue is that these guides, courses and ebooks, while useful and interesting, tend to focus exclusively on one online money making activity, such as affiliate marketing, digital product creation or eBay selling. This, in itself, is not entirely a bad thing. After all, if someone wants to learn how to be a Power Seller on eBay and make thousands of dollars in sales each day, it would be much better for them to have a complete guide on the topic, rather than just reading a few pages in a more general money making ideas guide.
However, for those who do not yet know which specialty, or specialties of online money making they want to get into, this may not be the best choice. In that case, it would be much better for these people to read something that describes various ways to make money on the internet, so that they can choose which activities they would want to perform to earn.
Even though many individuals with no knowledge of online business wouldn't know much about different money making activities, they typically know what their objectives are in terms of income. Some people only want to make a hundred or so dollars each month, while others want to make a thousand dollars each day.
Micro online business: $0 to $500 a month.
This is for those who only want a few extra bucks at the end of the month, to do things like pay some bills, buy a few extra things that they want, etc. These people typically do not want to invest much time or money in their business and just want methods that will bring them a bit of cash without being too complex.
Part time online business: $500 to $2500 a month.
This is often used by people who want to supplement an existing income or those that are willing to put in a bit more effort in their online activities and spend about 15 to 30 hours a week on it. Some investments might be required, but they will usually be relatively small sums of money.
Here, things start getting serious. Those who have this objective need to know that they will essentially be building a complete online business and they must be willing to put in 30 or more hours per week into it, as well as make the necessary financial investments to get their business off the ground and to keep it growing.
We will keep exploring some money making ideas for each of these categories tomorrow.


text:
@interface CardIOConfig : NSObject
@property(nonatomic, strong, readwrite) CardIOAnalytics *scanReport;

@property(nonatomic, copy, readwrite)   NSString *languageOrLocale;
@property(nonatomic, assign, readwrite) BOOL useCardIOLogo;
@property(nonatomic, retain, readwrite) UIColor *guideColor;
@property(nonatomic, assign, readwrite) CGFloat scannedImageDuration;
@property(nonatomic, assign, readwrite) BOOL allowFreelyRotatingCardGuide;
@property(nonatomic, assign, readwrite) BOOL scanExpiry;
@property(nonatomic, copy, readwrite)   NSString *scanInstructions;
@property(nonatomic, assign, readwrite) BOOL hideCardIOLogo;
@property(nonatomic, retain, readwrite) UIView *scanOverlayView;

@property(nonatomic, assign, readwrite) CardIODetectionMode detectionMode;
@end


It took a recent trip to the store to get a reality check for my daughter and I. Walking down the large department store aisles, she piped up with, "But what are we going to buy for me?" When I asked her to clarify what she meant, she excitedly exclaimed that we "always get a toy!" Where were those lessons about wants and needs?
I sheepishly realized I had set us into a dangerous pattern. In her young mind, a trip to our favorite store meant a trinket, a lollipop, or a treat for her. I thought I was an intentional parent. But, I was uncomfortable with the idea that she wasn't remembering our little chats about wants and needs. Time to get back to basics.
We created "wants" and "needs" poster boards.
A visual way to show the differences between items that are fun , and ones we really need to live. We cut out pictures of houses, clothing, food, toys, shoes, and books. Then, we pasted them on two sides of a large piece of poster-board. We also talked about how a want for one person could be a need for someone else. For example, when one child needs shoes, but the other doesn't because hers still fit.
We work together to determine if what our kids ask for is a want or a need.
Our older daughter recently asked for a brand-new pair of fancy, glittery sneakers. She already had several pairs of beautiful, new-ish shoes. So, we asked her to explain why they were a want or a need. She shared that her friends had similar pairs. Together, we got out all the shoes she owned. She was then able to see a visual representation of how many pairs she actually had, and how the fancy ones were actually a want. Verbalizing this topic helped her understand and became a meaningful dialogue, instead of us merely saying no. Talking about and seeing concepts also employs multi-sensory learning, which can enhance memory in young children (Source).
We involve our girls in sorting through their bedrooms and closets.
One exercise that has really helped with determining wants and needs is sorting through all their toys. A few times a year, we get out every toy they own. Yep, all of them! Then, we line them up on a bed or floor. Then, we even ask them if they have purchased or saved for any of those toys themselves. Often, the ones that were saved up for were the ones they love and take care of most. This exercise also drives home the point that some of the things they "wanted" so badly were forgotten or broken within a few days. They usually end up thinking more carefully about new ones they ask for in the future.
We discuss wants and needs, even at mealtime.
Research shows that women are more likely to be binge eaters. This can also be linked to poor self control in other areas of life (spending, poor time management). We work hard to cultivate a healthy relationship with food for our children by modeling appropriate portions and eating intentionally.
In her book "My Kids Eat Everything", Susan Roberts explains that wastefulness and overeating occurs when children are passively eating and aren't connected to their meals. We have noticed our girls snack less mindlessly and eat less junk when we involve them in cooking and shopping. That is because they feel invested and part of the process. Mealtimes are another opportunity to display wants and needs where it relates to desserts, snacking, and unhealthy foods; they are something we don't need, but sometimes want. That doesn't mean we don't indulge in a tasty dessert or candy bar here and there. But, our girls know that they don't truly "need" dessert every night.
We use checklists when shopping and we take the girls with us.
I created simple shopping lists with items we buy often, staples such as milk, bread, cheese, meat, and vegetables. I printed them off the computer and then laminated each page to create a portable, write-on, wipe-off shopping list. Each girl gets a pen at the store, and they are able to focus on the things we need at the store, and check them off one by one. When they ask for something that is more of a want (such as treats, candy, or toys), they draw it on the opposite side. When we reach the checkout with our set budget amount, they are able to see which items we can afford and which ones that are not a necessity. Occasionally, if we are under-budget, we are able to add a "want" to our purchases, but it solidifies that we can't always say yes to extras.
The concept of wants and needs isn't easy to explain to a four and six year old, but these simple steps keeps the conversation at the forefront in our home. It has become a natural part of our lives, and we even catch the girls gently reminding each other if a fancy dress or pair of shoes is a want or a need. Whenever we find things have tipped "out of balance"(like it did in our little shopping trip), we try to refer back these ideas to refresh their memories.


Most of the injured badgers found are RTA's.
Many are killed outright but many are injured and can recover if treated promptly.
Next time you see a badger lying motionless in the road, please stop and check it.
If it is alive, you may be able to help save it or at least minimise its suffering.
Park sensibly near the badger to protect it from other vehicles without endangering yourself or other road users.
Put your hazard warning lights on; you mustn't endanger yourself or others.
Is it dead or alive? This is not always obvious.
Using your stick, gently but firmly stroke the back of the badger's neck.
Keep your fingers well away - it may twist around suddenly and bite the stick.
If it strikes out and bites the stick be very careful; cover it with a blanket top keep it dark and quiet.
If not, watch for movement in the chest and abdomen, indicating that the badger is breathing.
If unconscious, each breath may be long, slow and shallow, so you need to be observant and patient.
Hold your stick by the badger's jaws and put one hand on the chest to see if you can detect movement.
If not, move your hand to the abdomen and see if you can detect a rise and fall.
Badgers have sharp teeth and powerful jaws to defend themselves.
Protect the animal from further injury by staying with it until help arrives.
If possible, put a flashing warning light in the road between the badger and oncoming traffic.
Move the badger by taking hold of the loose skin at the neck and the rump.
Move to the verge or place on a blanket, coat or plastic sheet and lift this, rather than directly handling the badger.
Or you can roll the animal onto the cloth and drag this to the verge.
Cover with the blanket or coat to retain warmth until rescuers come.
Never try to lift a badger by the tail alone.
Leave it where it is if possible and wait for rescuers with equipment.
Cover with the blanket or coat to keep it warm.
If no-one can collect it and you have a suitable sturdy container, manoeuvre the badger into it, using a broom, grasper or blanket.
Contact the nearest Rescue Centre and immediately take the badger there for assessment and treatment.
If you have to move the badger yourself, try and get a sturdy sack or a plastic bin with a lid, to contain the animal.
Tie up the neck or the sack securely or wedge the bin securely so that the badger can't get out into the car.
Put your gardening gloves on if necessary and move the badger by taking hold of the loose skin at the neck and the rump.
Put the body well away from the road to beside a hedge or under shrubs if possible.
Notify the local Badger Group; they may want to examine the body, especially early in the year, in case it is a lactating female.
Observe the badger from a distance if possible.
A sturdy plank or ladder placed against a side wall will help them get out of a drained swimming pool or excavation.
Opening doors and windows at dusk will provide an exit route from buildings or sheds.
If it is limping, moving awkwardly or not moving at all, it will need to be examined.
Adult badgers are very heavy and muscular and ideally will need 2-3 rescuers with graspers to capture it.
Large cubs can also be difficult to deal with, especially when cornered.
They can have terrible injuries if trapped in a snare for some time and the pain and distress will make them dangerous.
Do not cut the snare wire unless the badger is securely held on a grasper as it may try and escape.
Cover the badger with a warm blanket or cloth while you wait for help.
Contact a Rescue Centre or Badger Group, give directions and wait for them to come and help.
They will secure the casualty with 1 or more graspers, cut the wire and take it for treatment.
If the skin is unbroken the badger will still need to be observed for 2-3 days in case it has internal damage.


Manchester, 12th March 2019 – The Institute of Coding (IoC) is hosting its first annual conference in Manchester, attracting over 200 attendees from across the UK. The four-day event includes workshops to introduce young people to the basics of coding, along with speeches and seminars designed to bring industry and academia together to close the digital skills gap.
Key speakers include Amali de Alwis MBE, Chief Executive of Code First: Girls and IoC Diversity & Inclusion Advisory Board who will be discussing digital skills training as part of a panel discussion. Anthony Impey MBE, Founder Optimity and member of the IoC Industry Advisory Board will be leading a discussion on the important role of digital degree apprenticeships.
In the last year the IoC partners have signed up over 10,000 people onto its digital skills courses and launched a £5million skills drive to increase the number of women in tech and widen access to tech training for people from disadvantaged backgrounds.
"We are creating more jobs than we can fill. As the digital economy continues to grow, the skills gap will only widen.
The reason the IOC exists is to bring industry together with academia to offer access to the latest training and insights into coding and digital skills. Supported by government, this work is critical for tackling the digital skills shortfall across the country and improving diversity in the tech industry.
"Technology and the world economy are fast-changing and there is a growing demand for people with digital skills. The Institute of Coding is playing a vital role in bringing industry and academia together to create opportunities for people to get into tech.


text:
Brewery offers sneak peek
By Morgan White
Published 12:11 pm Monday, August 7, 2017
Third Street Brewing Co. held a sneak peek Saturday that included beer tasting for investors and their guests — drawing a large gathering from the community.
According to John Dudley, one of the brewery's founders, the company has close to 40 local investors.
The brewery project — which is located at 312 W. Third Street in Farmville on the ground floor of the High Bridge Lofts — began renovation on what used to be the Southern States Building about one year ago.
"People who have put in various amounts of money," Dudley said regarding the investors. "You know people, we have people who work at the local colleges and universities, we have people who work at the town, business owners who say, 'We think that's interesting and we want to put in something — we can't put in a lot, but we want to put in something to be supportive.'"
Dudley said the brewery could have a grand opening "probably in September sometime."
"A lot of it depends on the building, when the renovation is complete and also when our (Virginia Department of Alcoholic Beverage Control) licensing is complete," Dudley said. "We're shooting for August, but it's looking like September."
He said the brewery's founders and staff were excited to open as soon as they could.
"We think that we put together a beautiful space … We're really excited about what's been going on," Dudley said. "Every event that we have had we've gotten more excited about the potential for this business and for what it could do for the community too."
He cited some who attended the sneak peek who didn't know each other meeting for the first time, noting that aspect of the event was fun for him.
"When you live in a small town it's easy to think that you know everybody," Dudley said. "…But you come here and meet all new people."
He said businesses in the area were excited for how they, and the brewery, could have a mutually-beneficial relationship.
In one section of the brewery, Dudley said there will be a bar space, and some long farmhouse type of tables that could facilitate communal conversations.
"If you have a table for two, you come in with your guest and you sit and have your own conversation, which can be great," Dudley said. "But it's nice to also for you to sort of be forced to sit to people you don't know, to share some space with some other people and we hope to foster some friendships and some acquaintances."
He said the other section of the brewery, where the entrance is located, will have couches and comfortable chairs where people can "really maybe have some time for themselves or conversation with a certain person."
Regarding the building, Dudley said it has been "wild to see this transformation."
"A year and a half ago you walk into this room and you think, 'Wow, OK. It's cool looking but how are we going to make it work?'" Dudley said.
Investor Dan Dwyer said he'd been an investor for a week but had seen the progression from the beginning of the venture.
"You're investing in two things: you're investing in this business and you're investing in the community," Dwyer said, citing he wasn't speaking in his capacity as a member of the Farmville Town Council. "It's marvelous; it's putting people to work. This is going on in every other place and Farmville's the hub. …"
Farmville Weather Summary — July


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American songwriters and publishers have received the support of the International Confederation of Music Publishers (ICMP) and the European Composer and Songwriter Alliance (ECSA) in their attempt to obtain fair mechanical rates for the use of music by digital services.
The move from ICMP and ECSA comes as the US Copyright Royalty Board (CRB) is currently holding a series of hearing with stakeholders to determine mechanical rates paid to songwriters and publishers by digital services and other non-recorded music entities for the next five years. In a joint statement, ICMP and ECSA claim that the outcome of these proceedings "will not only impact the US music sector; the entire industry will also be affected."
"At a time when the EU is looking at establishing a fair licensing environment for rightsholders, we salute our colleagues at the NMPA and NSAI and call on the CRB to adopt a structure that recognises the true value of composers' and songwriters' works," said ECSA and ICMP. They argued that tech companies "have for years shown disrespect for the value of music and with that the livelihoods of the composers and songwriters" and asked them "to pay composers, songwriters and publishers a fair price for their works via an online petition."
At the CRB trial, a united the music industry is represented the National Music Publishers' Association (NMPA) and the Nashville Songwriters Association International (NSAI) who face tech and media companies like Google, Amazon, Pandora, iHeart, among others. The three CRB judges have set a time limit with each side getting 65 hours to present arguments and counter arguments. The proceedings will end after a total of 130 hours of trial and the judges have until December 15, 2017 to make public their decisions regarding the rates.
The NMPA/NSAI proposal calls for streaming services pay a mechanical royalty determined either on a per stream rate, or on a percentage of advertising/subscription revenues or a combination of both. The NMPA/NSAI have asked songwriters to support them by signing a petition calling tech companies "to do what's right for songwriters."


New York-based swimwear designer Elizabeth Arthur will be showcasing her latest line at Tobago Fashion Coda 2018 at the Magdelena Grand Resort on April 26. Arthur who hails from Scarborough, Tobago would be showing off 12 pieces.
She gave the Guardian a taste of her swimwear over the weekend when Tobagonian model Karielle Ramsden donned three pieces from a special collection that Arthur did for the Los Angeles Fashion Week. Arthur said she does swimwear for the high-end market and also caters to plus-size clients.
Arthur, 42, made the move to the United States in 1993 and began her career in 2003 at Weight Clothing, a men's collection founded by her brother. She received her Bachelor of Science degree from Empire State College and started the Maia Venae t-shirt collection. In 2013, she founded Kimimi LLC. Arthur designs Kimimi swimsuits with the objective of showcasing the beauty in all women. Her collection of one-piece bathing suits, bikinis and monokinis are inspired by the by the movements and wing patterns of butterflies.
Arthur said, like the butterfly, the mission of her swimwear collection is to generate a metamorphosis whereby a woman slips into her swimsuit and sheds the confines of her regular attire and everyday life. Arthur said swimwear allows a woman the freedom to reveal new facets of herself while embracing the extraordinary.
Arthur said she plans to become involved in projects that aim to inspire and assist women. One of her deepest desires is to prove by example that women should never give up on what they want to accomplish, despite hardships and challenges. Instead, Arthur hopes that she can teach people that those challenges and dark places should be seen as a cocoon, where one grows, gains strength and struggles to emerge transformed like the butterfly that inspires her.
The sixth offering of Tobago Fashion Coda would also feature local designers Ecliff Elie and Dale Angus and two designers from Europe, as well as local artistes, including KI, Five Star Akeil, Adanna and SuperBlue.


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Oslo 2022 Reveals Candidate City Logo
By Editor July 16, 2014
Oslo 2022 has unveiled a new logo and visual profile for its bid to host the Winter Olympic and Paralympic Games.
The city has been shortlisted by the International Olympic Committee (IOC) in the 2022 race alongside China's capital Beijing and Almaty in Kazakhstan.
The logo incorporates Pierre de Coubertin's Olympic rings as well as the words "Candidate City". Designed by Norwegian consultancy Snøhetta Design, the logo is said to be based on "Nordic Simplicity".
Visually, the designers say the starting point in the process was the composition of words and letters in Oslo 2022, which were subsequently put together "as in a construction kit".
"The biggest change from the Applicant City logo is the 'calibration' of the colours towards the legendary colour palette of the rings," explains designer Henrik Haugan, who developed the logo in cooperation with designer Kim André Ottesen.
Source: Oslo 2022
Tags: circles, Henrik Haugan, Kim André Ottesen, logo design, Olympics, Oslo2022, Pierre de Coubertin, Snøhetta Design
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En Pologne, Kościuszki peut faire référence à :

dans la voïvodie de Łódź
 Kościuszki, un village du powiat de Bełchatów.

dans la voïvodie de Poméranie occidentale
 Kościuszki, un village du gmina de Nowogard,
 Kościuszki, un village du gmina d'Osina.