text:
Bioavailability and metabolic pharmacokinetics of rutin and quercetin in rats
C.-Y. Yang
S.-L. Hsiu
S.-P. Lin
S.-Y. Tsai
Y.-C. Hou
P.-D.L. Chao
Rutin and quercetin, a flavone glycoside and its aglycone, are the flavonoids most widely and abundantly present in herbs and plant The aim of this study was to characterize and compare the bioavailability and metabolic pharmacokinetics of rutin and quercetin in rats. Quercetin was administered intravenously (33 μmol/kg) and orally (165 μmol/kg), while rutin was administered only orally (328 μmol/kg) to rats. Blood samples were withdrawn via cardiopuncture at specific time points. An HPLC method was used to determine the concentrations of quercetin before and after hydrolysis using β-glucuronidase and sulfatase, respectively. The pharmacokinetic parameters were calculated using noncompartment model of WINNONLIN. The results showed that after intravenous administration of quercetin, 93.8% of the dose was circulating as its sulfates and glucuronides. After oral administration of quercetin, the glucuronides and sulfates of querectin were exclusively present in the bloodstream, whereas the parent form of quercetin was not detected. The oral absorption rate of quercetin was 53% compared to intravenous administration after dose correction. When rutin was orally administered, sulfates and glucuronides of quercetin were exclusively present in the bloodstream, whereas rutin and quercetin were not detected. Quercetin showed higher oral absorption rate than rutin. In conclusion, quercetin sulfates and quercetin glucuronides represent the major metabolites either rutin or quercetin was administered to rats.
Yang, C.-Y.; Hsiu, S.-L.; Wen, K.-C.; Lin, S.-P.; Tsai, S.-Y.; Hou, Y.-C.; and Chao, P.-D.L. (2005) "Bioavailability and metabolic pharmacokinetics of rutin and quercetin in rats," Journal of Food and Drug Analysis: Vol. 13 : Iss. 3 , Article 5.


Wednesday night's matchup at The Q is a battle between two teams looking to build some momentum going into the Break.
The Nets can keep their turnaround season rolling by going into All-Star Weekend above .500 for the first time in six years. The Cavaliers, who are finally starting to get healthy, can go 4-4 over their last eight games before the mid-season classic with a victory tonight.
The Wine & Gold took care of the lowly Knicks on Monday night – going wire-to-wire with six players scoring double-digits, including Kevin Love – who scored 12 of his 14 points in the first quarter of the win.
The surprising Nets – still locked into the sixth Playoff spot in the East despite struggling in February – come into tonight's contest have dropped two straight – including a heartbreaker two nights ago in Toronto, with Kawhi Leonard banking home the game-winner with 4.4 to play.
These two squads have split their season series so far – with the Nets dropping Cleveland by 16 at The Q in the first week of the season and the Wine & Gold getting the victory in Brooklyn back on December 3 when then-Cavalier Alec Burks dunked home the game-winner in the closing seconds.
After setting the franchise back years with a terrible trade in 2013, the Nets are finally seeing light at the end of the tunnel. And they've done a lot of it using some castoffs from other teams.
No player is a better example of that than former Buckeye, D'Angelo Russell, who was tabbed with the second overall pick out of Ohio State in 2015 but was shipped to Brooklyn after his first two seasons in Tinseltown.
He was solid in his first season with the Nets, but has been outstanding this year – improving his numbers almost across the board, leading his squad in scoring and assists and earning his way to the first All-Star bid of his young career.
Russell was excellent in his last outing – going for 28 points and 14 assists in the loss against Toronto – and led both squads with 30 points the last time he faced the Wine & Gold.
Russell will have his hands full with the Young Bull on Wednesday night.
The precocious rookie from Alabama has now reached the 20-point mark in three of his last four games – including a 20-point outing in Monday's win over New York – and is averaging 22.5 points per, shooting 44 percent from the floor and 44 percent from long-range over that stretch.
Let's be honest, Joey Hoops is easy to root for – even if he's not on the Wine and Gold anymore.
A second round pick by the Cavaliers out of Virginia, Joe Harris went from a back-of-the-bench guy to a viable starter with a Playoff squad in Brooklyn. He comes into tonight's contest averaging 13.7 points per, shooting .465 from long-range – good for third-best in the NBA and enough to earn him a ticket to Charlotte, where he'll compete in the Three-Point Shootout this weekend.
After David Nwaba got the previous two starts at the 2, one of the two players acquired at the Trade Deadline – Brandon Knight – got his chance in the starting lineup, and for the second straight appearance, he didn't disappoint.
After not playing in nearly a month, Knight – the 8th overall pick of the 2011 Draft drilled all three three-pointers he attempted on Saturday night in Indiana and came back to knock down three of four triples in Monday's win over New York, finishing with nine points in each contest, adding three boards and a pair of assists.
Wednesday's head-to-head meeting might be an aerial assault between two shooters who can get hot in a hurry.
It's been an odd year at the center spot for the Wine & Gold. Almost everyone who's played the position has suffered some type and degree of injury; but everyone who's played the position – Tristan Thompson, Larry Nance Jr. and Ante Zizic – has played it very well.
Nance has been outstanding in any role this season, and he's playing maybe the best ball of his career heading into the All-Star Break.
On Monday night, the Akron native notched his sixth straight double-double – notching 15 points and a game-high 16 boards, going 5-of-6 from the floor, 4-of-4 from the stripe to go with four assists.
Over that six-game stretch – half of which he did his work off the bench – Nance is averaging 12.7 points and 13.3 boards, shooting 54 percent from the floor, 50 percent from long-range and 71 percent from the stripe.
On Wednesday, he'll take on Brooklyn's leading rebounder and a key piece to their future, sophomore big man, Jarrett Allen.
The former No. 22 overall pick out of Texas has doubled-up on 17 occasions so far this season, including a 12-point, 10-rebound effort against Chicago over the weekend, but the Wine & Gold have held him in check this season – averaging just 9.5 points and 5.5 boards in two meetings with the Wine & Gold.
As the Cavaliers starters continue to get healthy, Cleveland's second unit – already one of the better collectives in the league – gets even stronger.
In Monday night's win over New York, three reserves tallied double-figures in the win. Jordan Clarkson, natch, led the group with 15 points, going 6-for-17 from the floor to go with six boards and a steal in 28 minutes of work off the bench.
Matthew Dellavedova finished with 12 points on Monday – going 5-for-10 from the floor to go with three boards and a team-high six assists.
Nik Stauskas made his Cleveland debut on Monday night and canned a three-pointer to go with five rebounds in 22 minutes of work, but he'll up his production once he gets more comfortable with the squad.
Brooklyn's main weapon off the bench is Allen Crabbe, who returned three games ago from a knee injury and jumped right back in the groove, netting 22 points in Monday's loss to the Raptors and averaging 20.5 points per over his last two – shooting 60 percent from the floor, including 58 percent from beyond the arc.


text:
Mangalore : Restoring Architectural Heritage
by Florine Roche
Pics by Dayananda Kukkaje
Daijiworld Media Network
Not long ago most Mangaloreans lived in houses that used the famed Mangalore tiles. These tiles with printed alphabets and year and name of the manufacturers and other details formed the formative years of our learning to read English. Many Christians especially in the city of Mangalore lived in large Portugese type of houses with an open portico on the front and a spacious hall at the centre of the house interior with adjoining rooms. Places like Lalbagh, Falnir, Pandeshwar, Bendoor, and Kankanady were dotted with this type of palatial bungalows or mansions attached with an equally gigantic compound. These heritage homes gave Mangalore its distinct identity, adding to its captivating beauty and allure.
Somewhere down the line concrete roofing became a fad and people switched over to the unimaginative concrete roofs. With the real estate prizes in Mangalore skyrocketing and maintaining the old tile roofed houses becoming more of a liability the easy way out was to demolish the old houses to make way for apartments. With Rapid urbanization and commercialization of posh central areas of the city some of the majestic heritage homes have made way for commercial buildings and up market shopping malls. Though the typical old colonial houses have made way for modern bungalows we come across some beautiful houses of old type that remind us of the bygone Portugese colonial era.
It is a fact that these heritage homes that have helped Mangalore maintain its good old charm, though their number is fast disappearing. Fortunately we also find some passionate and effervescent champions of these heritage homes who have been making gritty efforts to conserve the rich and distinct architectural heritage bequeathed to us by the forefathers. This conservation effort would be the first step towards showcasing and familiarizing our architectural legacy to the future generation.
Prominent architect of Mangalore Sanath Shetty has been in the forefront in this drive of conserving our heritage homes by making a small but momentous effort in this direction. He has also found a few people like-minded people who share this passion for the heritage homes and their combined efforts have yielded mindboggling results helping to restore at least a handful of homes in the city as of now, to their old grandeur and charm. The T K House in Vamanjoor is one such home which is resplendent with its traditional grandeur standing as a testimony to an era that has gone by.
THE T K HOUSE
This enormous T K House is the pride of Vamanjoor and with an equally huge compound restored to its past glory is the cynosure of all eyes. This landmark heritage home epitomizes the efforts of Sanath and the owners of T K House - the Mendonca family, for their herculean efforts to restore the age old charm. Built in 1956 by late Albert Paul Mendonca, who had quarry business then, it had originally 8 rooms meant for his eight children. Shobha Mendonca daughter-in-law of late Albert who took the arduous responsibility of overseeing the restoration work of the house says "with the children going to Dubai in search of better prospects the house was not lived for almost 20 years. But the family is greatly attached to this home in which the children had spent their childhood. We wanted the house to become alive once again. We wanted to retain this as a landmark which prompted us to venture into this luxuriant undertaking of restoring the house which was in a very bad shape".
The opportunity came in the form of a wedding in the Mendonca family and the brothers Lawrence, Richard and James and their equally enthusiastic spouses, the joint owners of the house decided to restore the house to its past glory and celebrate the "roce ceremony'' of the family in this very house. The family contacted architect Sanath Shetty and gave an incredibly short period of 3 months to complete the task. And the results of their formidable labour of love have been just amazing. It has to be remembered that restoring an old house is equal or much more expensive than building a new house and one need to be very unsparing in spending.
For the Mendonca family money was not a consideration or obstacle in their desire to bring T K House to its original splendor and glory. Converted into a 3 bed room house with attached bathrooms for convenience, for the three brothers and their families, it has been refurbished to its original glory without affecting the original outward structure of the house. Changes are effected to provide modern comforts to make living easy and convenient. But the house carries with it the nostalgic memories to its inmates as nothing has changed when it comes to associating their childhood memories with the house. Old tiles are used to the roof to give it a quiet but aged dignity.
As one enters the T K House it is the behemoth compound that houses the heritage manor and its open spacious portico with red oxide flooring that catches the attention at first glance. At the right end of the veranda is the painting of a huge cross that beholds the attention. The Front door and the windows are original restored with an impeccable touch and so are the windows of the bedroom and living room. Built in cup-boards, the attic (malo), the good old wooden attic ladder, grandfather clocks, antique furniture etc., succeed in retaining the same age old magic of heritage look to the interior of the house. The entire house has red oxide flooring and glitters with the brush of polish it has received.
The living room which was dark is brightened by demolishing an interior wall. The dining hall is extended to make way for members of three families of brothers. The bedrooms are to the either side of the living room. The inner wall of one of the rooms is opened up to pave the way for a bigger kitchen. The dining room veranda leads to the bathroom with the age old facility of heating water with wood for bathing purpose. The copper vessel or 'ban' commonly found in some of the old houses even now is redone, keeping in tune with its concept of restoring the original concept. An extension has been made to have care-taker rooms and also to have a garage for vehicle parking.
The huge compound has coconut trees and the old trade mark 'bimbli' tree which was an essential part of most catholic households in Mangalore. The work of the garden is still going on and Shobha says plans are afoot to plant some fruit and flower tress to provide shade and cool breeze.
Richard Mendonca, one of the Mendonca brothers says the whole restoration work cost them a bomb. "We could have gone for a new house and some people might say it is the height of madness. But it does not matter as long as our sisters-in-law are happy", he said with a smile even as he looked at Shobha for her reaction. Shobha says "we all wanted the house to be restored. It was a collective decision of the family. I have just executed this collective decision".
Whatever said and done, the Mendonca family is happy with the final outcome of the house. Shobha is all praise for Sanath Shetty for accomplishing a splendid job that too within a short span. He was given a free hand by the family and Sanath delivered a product to the utmost satisfaction of the entire Mendonca family.
On his part Sanath says that he was given 90 days time to carry out the task that included structure, compound wall and extension. "Looking back sometimes I wonder I could complete the task. It was a big challenge as the structure was old and in bad condition and I had to go with the same heritage concept. Specific carpenters had to be located to carry out this kind of restoration job. Nothing was easy and I had no time even to think as the family wedding was fixed for December. But it was a challenge and I am happy the party is satisfied with the task we carried out", declares Sanath Shetty.
Shobha with a look of satisfaction writ large sums it up saying "anyone can have an ultra modern house by spending money. But not everyone is privileged to have a heritage home that has lingering memories associated with their good old days in their homes".
RECREATING LOUCIANA MANSION
While the Mendonca house has been the result of the labour of restoring, the Mathias house telltale the saga of translocation of a heritage home with astounding results. When Sanath Shetty got to know that the Louciana Mansion in Falnir was about to be demolished he contacted Mathias who had shown great inclination for a heritage home and was on the look out for the same. "The Louciana Mansion was bought by Fortune Builders and when we came to know about it we approached Karunakaran of Fortune builders, who had bought the property and was all set to demolish that mansion. Both Sanath and me got in touch with Karunakaran who was initially reluctant to strike a deal", recalls Gregory Mathias who was primarily responsible for the translocation of Louciana Mansion.
But being a friend Karunakaran obliged and Sanath and Mathias felt that the best way or preserving this heritage legacy was by translocation. The result is that the broken mansion was transported piece by piece to be translocated to the interior Innanje, near Pangla in Shankarapura where the Mathias's have their ancestral property.
With every piece of the heritage bungalow with its unique significance had to be transported and Mathias was forced to buy a transport vehicle for this purpose. Mathias feels the troubles were worth as the end result has been a rewarding experience to his family. Under the expert guidance of Sanath the building was relocated to this deserving location and a portion was seamlessly added to ensure the comforts of the owner.
The awe-inspiring beauty of the relocated heritage home is sure to make anyone fall in love with this flawless legacy restored to its past glory. A courtyard of water and plants symbolically separates the two blocks of the house adding to its heritage tag. The trans-located mansion has four bedrooms with attached bath as against the original three with the original kitchen making way for bedroom. The translocated house has retained the original pillars, mould, roof and design of the original Lousiana Mansion. The flooring of the entire house is red oxide to blend with its age.
A bedroom, kitchen and a hall has been added to the house to ensure comfort and luxuriance of the owner. The extension has been carried out with high degree of planning and meticulousness giving consideration to every aspect of architectural aesthetics to coalesce with the heritage house. Every detail like the railing, verandah, attic, niches, niches and recessed windows have been recreated authentically. Used and aged tiles have been used to cover the roof to render an impression of an aged dignity to the house.
Gregory Mathias says the high roof of the Louciana Mansion was one of the factors that made him fall in love with the house and he has maintained the same roof for the translocated house. Some of the roof entrances of the house are as high as 16 feet and the ecstasy of entering such a home send thrilling shivers down the spine.
Today this translocated heritage home stands magnificently with the brilliance and splendor it deserves and is a treasure of everything antique – from doors, windows, built in cupboards, daily use articles, lampshades, furniture etc., taking the memories to the bygone era. The success of these homes has shown that conservation of our architectural heritage and showcasing it to the future generations is the only way to respect the talented designers, craftsmen and builders.
Both these heritage homes stand as testimony to the concept of sustainable construction keeping in tune with the spirit of "reduce, reuse and recycle", adopted so successfully in these homes. The Mendonca and Mathias families and the architect of this concept architecture Sanath Shetty certainly deserve accolades and appreciation for these accomplishments. Both these families have shown that it is not enough to have riches alone. One must have the right taste, aptitude and the fortitude to go with it.
To add to the crowning glory, architect Sanath Shetty has been recently conferred with IIID (Indian Institute of Interior Designers) anchor award for creative illumination in interiors. He received the award from Mr. Tushar Gandhi (great grand son of Mahatma Gandhi) in Bangalore, which exemplifies that true talent gets the recognition it deserves. One only hopes more and more people draw inspiration from the success achieved by the collective efforts of these intrepid connoisseurs of heritage homes. Their efforts are a small beginning to expiate for the concrete jungle we have built around us.
Sanath Shetty can be contacted at email : skhomes@gmail.com
Also see from archives:
Mangalore: Sanath Shetty's Pyramid House a Beauty in Simplicity
Sharmilaa, Halengadi , Thokur village
Hello Sir Good to know that you are into restoring heritage homes. Even we were thinking to restore our ancestors home at Thokur village Could you please help us with the process and costing. We actually want to maintain the traditional look of our house
Sharmilaa, Halengadi, Thokur village Mangalore Taluka
Sun, Mar 21 2021
We have a small house in Thokur village which is almost 48 years old which we were planning to restore instead of renovating. Could you please help /guide in doing so We were looking for architect who can help us with a small budget Thank you so much Warm regards Sharmilaa
Kevin Mendonca, Dubai - Mangalore/ Austin,TX
First of all I would like to congratulate Mr. Sanath Shetty for the wonderful work he has done on both the houses and on receiving his award.
Both the houses look Rocking!
In addition, I would like to commend Mr. Mathias for taking the tricky step of translocating the Louciana house.
Now onto T.K house. It felt damn good to see the house in its new avatar this December. I have too many fond memories of that house as a child. Celebrating roces and weddings. Jumping and playing with my cousins. Sharing chocolates with my favorite dog blacky (who is no longer with us) and lighting bonfires in the compound. I'll tell you what "all the crazy stuff i've done tonight, but those will be the best memories."
What is more special though is knowing that my uncles and aunties did the same thing, on the same floors, when they were children! Unfortunately most of the beautiful houses in Mangalore don't seem to exist in each subsequent visit I make. These aesthetic treasures need to be preserved if we want Mangalore to maintain its unique feel. When they are gone they will never be back! I think these two houses are a good example of what is possible.
Rocking job Aunty Shobha!! Your hard work paid off!
SACHIN SHETTY , MANGALORE/ABUDHABI
CONGRATULATIONS SANATH, its a fantastic job done by restoring the rich architectural heritage of our place, you guys have revealed the message of a typical home....once again thank u for this article....
KS Bhat, Peruvai Vil., Bantwal Tq./Atyrau-Kazakhstan
Dear Sanath Shettre, Namaskara.
Nice to read it fully.
Excellent pictures.
HEARTY CONGRATULATIONS on your achivements after achievements.
We are proud of you as Hassan MCE Alumni Architect and I feel more proud to be associated in the efforts of getting the newly started Architecture Branch recognised by Mysore University during 1982.
To add to the crowning glory, architect Sanath Shetty has been recently conferred with IIID (Indian Institute of Interior Designers) anchor award for creative illumination in interiors. He received the award from Mr. Tushar Gandhi (great grand son of Mahatma Gandhi) in Bangalore, which exemplifies that true talent gets the recognition it deserves.
All the BEST for your future ventures too.
Hope to utilise your expertise in one of my own projects, as & when feasible.
Dear James Mendonsare, Namaskara.
We really proud of you as MCE Alumni and hope to visit your TK House, pride of Vamanjoor one day.
Pls convey our best wishes to Shobha too.
With the best regards,
-K. Shankara Bhat @ Atyrau-Kazakhstan
Manoj Shetty , Mangalore - UAE
Dear Santh,
Excellent job done. Old is Gold phrase goes well with what you have done and restored.
RUDOLPH RODRIGUES, MANGALORE
Fantastic!It's the touch of a genius.God could not come down personally to Mangalore,so he sent us Sanath Shetty.Congratulations to Gregory Mathias & the Mendonca family too.
Thanks Florine. Now we know whom to contact for restoration .
Amazing houses and yes i too used to read and count the no of tiles :)
Eric Coelho, Mangalore/Ajman
I remember recently the MUDA Chairman Dr. Madhav Bhandary had brought to my notice that nearly 100 architectural houses were demolished in Mangalore in the name of development. I would like to say that it was greed for money in the name of development. There are still a few houses left and I feel proud to be part of these kind of houses. It takes a lot of efforts and money to maintain these architectural houses every year and someone has to be there all the time to keep it in good condition. I would say in another 50 years down the line we may not have any of these houses. Mangalorean Catholics own these kind of houses and with their population dwindling I do not see bright future for these architectural houses.
Joseph, Qatar
Daijiworld - many thanks for the thought provoking article. Florine .. wow, superb presentation coupled with impeccable journalism. Specially liked all the house photographs very much - wish I could own such a house, nevertheless, have decided to build the same style of house in-the-near-future and retain everthing in its pure naturalness.
John B. Miranda, Pachinadka/Bantwal/Dubai
First of all thanks to Florine Roche for a very good article and Daijiworld.com for bringing out this.Congratulations to "Mendonca Family & Mathias family" along with Mr. Sanath Shetty. I hope many Mangaloreans will come forward to restore old structures/houses.
Richard D'silva, Saudi Arabia
These houses bring out the real beauty of Mangalore. Great Work Sanath.
"old is gold"
John Pinto, Chickmagalur/ Qatar
Congratulations to the family . It is wonderful structure restored to its original beauty. In modern times, very few choose to restore old structures , instead people build new modern types of buildings, we can build modern type of buildings in a seperate site if we need . It is really great idea of restoring our heritage, each part of the house explains the way our forefathers lived.
Beautiful article on restoration of old houses in order not only preserve the architectural heritage but also to safeguard the legacy of family history and family unity. Behind most of the roofing tiles there are names such as Pintos, Regos, Albuquerques, and many more renowned Catholic families that have dedicated so much for the cottage industries of Mangalore. Today, the generations have changed with changing ideologies and changing family circumstances. Love, unity and transparency is so precious and valuable but the changing times have brought unavoidable circumstances in many families that is sad and unfortunate.
When so many family members have migrated to different countries, far beyond the Persian Gulf regions, preservation of family identity and family unity is not an easy task. You need lot of selfless efforts and sacrifices to preserve the bond of family oneness. To retain reliable and dedicated people back home to uphold the family values and family visions is also not an easy task.
Some families are lucky to be role models, and therefore let us wish them all continued success in all that they desire to maintain the family heritage and family unity under one roof and under one common boundary with united efforts under one umbrella of family solidarity. May God bless us all.
Herman Lewis, RADIO SPICE 105.4 FM, DUBAI, Dubai
TK HOUSE & LOUCIANA MANSION
First of all let us all congratulate Daijiworld.com for bringing out this thought provoking article on "Restoring Architectural Heritage"
Our Congratulations go to "Mendonca Family & Mathias family along with Mr. Sanath for their vison, courage, interest, noble thought in restoring & preserving our Architectural Heritage of Mangalore.
I recall the opportunity I had to visit TK House along with James Mendonca & Sanath last year when restoration plan was on cards. TK House looked as Majestic as it looks today after restoration though it was in a depleted condition.
For me KT House stood there as a symbol of a success of joint family concept & knowing Mendonca family well, I really felt that the KT House had a large share of its contribution towards the love & unity of the family. I am sure this restoration would be one of the finest achievements of Mendonca family. All the members of Mendonca family specially the daughter-in-law's of the family deserve a huge applause.
Dear Shobha, your thoughts and dedication has given a sense of unique satisfaction to the Mendonca family. You are just brilliant as ever.
May this Landmark achievement of both the families inspire many fellow Mangalorean's who have forgotten the precious memories & hidden pleasure of their ancestral homes in search of modernization, will seriously take up such projects to restore the glory of Mangalore thus enhancing their own happiness.
Herman Lewis, RADIO SPICE 105.4 FM
Anand Prakash, Chickmagalur
'Home is where the heart is'. Homes must be built from the heart and not through the wallet. Kudos! to Shoba and Mathias. You have revealed Mangalore that your heart rules over your head! Way to go!
mahinda yogam, malaysia/perth
Dear Sanath, What a marvelous masterpiece of architecture.You really have done well to preserve Mangalore's heritage and do hope many other budding architects and conservationists will follow your footsteps and rope you in for future advice and projects.A very well done undertaking.Thank god people like you are there so that the past glories are maintained or at the minimal replicated
Its sad that we have lost these type of typical Mangalore houses to the so called modern development. The glory of mangalore has been lost for good.
Jasmine, Mangalore/Qatar
Enjoyed the pictures of the houses. In fact we have specifically purchased land with an old house since we want to continue enjoying the joy and charm of living in such homes. Please email to me the contact number of Sanath.
shashi poonja, mangalore
Congratulations SANATH on the restoration project, as well as for the anchor award in illumination.
Hope & wish that you will be a role model to a lot of youngsters in the creative horizon of Mangalore....
Looking forward to your next landmark dream project which is already in the pipeline & wishing you all the very best for the same
Alex D' Souza, Mangalore/AbuDhabi
Dear Richard,
Congratulations...to your whole familyfor thinking of: a. the yester-years charm, b. the affection for one's parental possessions, c. the guts to invest in what you believe in and last but not least, (d) the ability and patience to do what you want...
I would say..OUTSTANDING!!!
Please keep/maintain this house as is seen now for many more years....Good luck.
SIMON, PUTTUR
I wish I could do the same with my house.
Any thoughts on how much the costs will be???
glenda, mangalore/kuwait
It's beautiful! Can I please have Sanath's contact number?
siddarth, mangalore
These are Dream Houses for sure . Super work by sanath . thank you florine great article
Joseph Rodrigues, Mangalore
I could only say - it's just beautiful. Wish more Mangalorean catholic families had the means and will to restore our parental houses!
Title: Mangalore : Restoring Architectural Heritage

redpajama_set_name: RedPajamaCommonCrawl


Fire Power Nandina will grow to be about 30 inches tall at maturity, with a spread of 30 inches. It has a low canopy. It grows at a medium rate, and under ideal conditions can be expected to live for approximately 30 years.


text:
Will Smith reveals he 'cried uncontrollably' after marrying the wrong woman
by: Callum Henderson
These days, Will Smith and his wife Jada Pinkett-Smith are the absolute definition of couple goals, and have been happily married for many years. Despite the fact that they've been together for so long, the happy couple appears to be just as much in love as they ever were. Will's current marriage has now totally overshadowed his first one, to the point that most people have totally forgotten he was ever married to anyone else.
Back in 1992 Will Smith was actually married to Sheree Zampino, and they had one son together, Willard Carroll "Trey" Smith III, who was born on November 11 that year. However, the marriage wasn't a happy one, and the couple divorced three years later - not least of which because Will met Jada during this time, and the experience totally changed his life. Now Smith has opened up about his first marriage in a candid interview; and discussed just how unhappy he was during it.
On an episode of Red Table Talk, which aired on Monday, October 21, Smith stated: "It was one of the most bizarre emotions I ever had. We were at The Palm [in NYC] and I remember I had to get up from dinner when I had a realization that I wasn't with the person I was supposed to be with ... I have a thing, I recognize when I see a person if our relationship can be exponential. When I saw [Jada] on A Different World, I knew that there was something in our energy that would be magic."
He continued: "Me and Sheree went to dinner, and I sat down with Sheree, and it was one of the most bizarre emotions I ever had. We were at The Palm and I remember I had to get up from dinner when I had a realisation that I wasn't with the person I was supposed to be with. But you would have stayed with her forever."
"Forever, I would have never got a divorce. I went into the bathroom in The Palm, and I broke down in tears. I was sitting in a stall in the restaurant and I was crying uncontrollably and then laughing like, 'what the heck is wrong with me?' And I knew, that was the woman I was supposed to be with."
Will has also stated that he didn't waste any time waiting around after divorcing Sheree, and called Jada immediately after. The couple married in 1997, and went on to have two children together: Jaden Smith in 1998, and Willow Smith in 2000. Personally, I feel kinda sorry for poor Sheree, but I suppose that if a marriage isn't working then you have to try to be honest about it. If the person you're with isn't right for you then there's no point trying to pretend any different, right?


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Building Act 1993
The Building Act 1993 (the Act) governs building activity in Victoria. It sets out the legislative framework for the regulation of building construction, building standards and the maintenance of specific building safety features.
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The Building Regulations 2018 are derived from the Act and contain, among other things, the requirements relating to building permits, building inspections, occupancy permits, enforcement of the Regulations and maintenance of buildings.
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National Construction Code
The National Construction Code (NCC) is an initiative of the Council of Australian Governments (COAG) developed to incorporate all on-site building and plumbing requirements into a single code.
The NCC sets the minimum necessary requirements for safety, health, amenity and sustainability in the design and construction of new buildings (and new building work in existing buildings) throughout Australia. It comprises the Building Code of Australia and the Plumbing Code of Australia.
The NCC is available for free download from the Australian Building Codes Board website.
Practice Note 1 (2019) - Applications for Modification and Compliance Assessments (PDF, 271.89 KB)
For the Board to assess applications appropriately and make a meaningful determination, the quality of your submission is important.
Practice Note 2 (2019) - Statement of Contentions and Points of Claim (PDF, 160.48 KB)
A Statement of Contentions / Points of Claim is a written statement that sets out the facts of the applicant's matter and what result the applicant is seeking.
Practice Note 3 (2019) - Directions Hearings (PDF, 143.18 KB)
A directions hearing is a hearing where a Board member decides how a case should be managed and how much time it will take. Directions hearings are not required for every case.
Practice Note 4 (2019) - Hearings (PDF, 184.78 KB)
The hearing allows all parties to make submissions, give and hear evidence and ask questions.
Practice Note 5 (2020) - Expert Evidence (PDF, 199.46 KB)
Expert witness evidence may be relied upon by the Board to form an opinion about a specialised or technical matter that is relevant to the issues to be determined in a proceeding. Where expert evidence is provided in the form of a written report and/or the expert is being called as a witness, it is important that the expert's opinion is soundly based, complete, impartial, dispassionate, and within the scope of his or her expertise.
Practice Note 6 (2020) - eHearings (PDF, 182.6 KB)
An electronic hearing ('e-hearing') allows all parties a chance to participate in a hearing of a proceeding via an online audio/visual platform in a virtual e-hearing room.
Last Updated: 31 Mar 2020 2:49pm


You know that feeling of becoming obsessed with a color? Sara Emami does. She's an Amsterdam based designer who has a beautiful and longstanding relationship with blue and red, and it doesn't look like it's ending anytime soon. Sara is one of those artists who it seems as though they've been seeing the world through the eyes of a designer for their entire life. Welcome to her world of Persian rugs, blue bottles, and the most joyful refrigerator we've ever seen.
Where are you from? And how did your upbringing inspire your love for design?
I was born in Tehran, Iran, but came to the Netherlands with my parents when I was one year old. My mother soon began to study at the Art Academy in Rotterdam, and because of that I remember I was always interested in art. My father, however, pursued degrees in electrical engineering and computer science. I guess I am really a product of my parents, because I chose to study industrial design, a compromise between the two poles of art and science. While growing up, I had always already been interested in the use of materials and the quality of everyday products.
When did you first become aware that you loved color?
We had quite a number of art books at home. I remember vividly how much I loved Miro's Blue II. I would always open the book and look for that painting. I saw it for the first time in Paris at the Centre Pompidou when I was twenty-one. I could stare at it forever, that endless blue, that one red stripe and a couple of black dots: the perfect colors and combination.
But I think I became really aware of loving colors not until my late twenties. It all started when we had dinner at a friend's house, who had an Yves Klein blue colored bottle to drink water from. I was so mesmerized by the color of the bottle that he gave it to me, and that's how I started my blue bottles collection. All of a sudden it became an obsession.
How does bright color make you feel?
It's probably a very cliché answer, but bright colors simply make me happy. Life is already hard enough, so you might as well cheer yourself up by at least wearing colorful clothes or having pops of color in your interior. When it is grey outside, which it often is in the Netherlands, my yellow fridge at least makes sure my house doesn't look depressing. If you have a colorful house, or colorful elements in your house, I believe that it will uplift your mood unconsciously. That's how it works for me.
How do you carry your love for color into your wardrobe?
It has taken me some time to embrace my love for colors when it comes to clothing. I was always wearing color, but was also hesitant to wear color only, so I would combine it with black. People associate colorful clothing with being childish, I thought, and since I'm also not that tall, there was the fear of not being taken seriously. But over the years I have become more confident and there is almost no black in my wardrobe anymore. I like bold colors and I love to look for color combinations that I think work really well, like bright yellow and baby blue, red and pink, tangerine orange and cobalt blue. I find monochrome outfits also interesting, for example different tones of blue in one outfit or red tights with red shoes. Combining colorful shoes with colorful socks or tights have also become a hobby these days.
What advice would you give to someone who wants to incorporate more color into their life, but doesn't know where to start?
Your complete outfit doesn't need to be colorful, but it could look interesting by using a bright belt, or colorful socks, or red laces with your brown leather shoes, or just a pair of colorful earrings while the rest of your outfit is really simple. Or if you're afraid to use popping colors, start with pastels.
When it comes interiors, a colorful fridge, a colorful cupboard, or one bright colorful carpet can already make a complete difference. Flowers in a vase on your dining table can change the atmosphere of your living room completely.
What colors make your home feel like home?
Blue because of my obvious blue obsession. Red, because the feeling of home to me is not only related to colors, but it is a combination of colors together with objects. And one of those objects that could never miss in my home is a Persian carpet. These carpets have a sentimental value for the Iranian diaspora. A carpet to us basically means, wherever you are in this world, if you have a carpet, it will make you feel at home.
What advice would you give to someone who wants to bring more joy and color to their workspace?
A nice way of adding color without it being too interruptive in such spaces are plants. Or, at least make your own desk colorful, with a bright pantone cup on your desk to drink your tea from, some colorful moleskines and colorful pens.
What's on your "Joylist" for summer? What can't you wait to do?
Exploring my new neighborhood in Amsterdam-East where we recently moved to and discover new spots. Knitting new projects and color blocking all of them whatever it is. Scarfs, blankets, headbands. Celebrating my daughter's 4th birthday and making the party as colorful as possible.
All images courtesy of Sara Emami.
I love color too. Looking forward to seeing more of your ideas.


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The new Secretary of State for International Development – the cabinet minister ultimately responsible for aid to St Helena – comes to the job with useful background knowledge on airports.
Which is handy, because Justine Greening will carry on Andrew Mitchell's work in keeping a close eye on the building of St Helena's own airport.
Mr Mitchell, who leaves the job after two years to become Chief Whip in the UK Parliament, had personal monthly briefings on progress on the airport. He demonstrated a keen knowledge of the details when interviewed at a meeting with Saints in Swindon in May 2012.
What radio listeners couldn't see, as he confidently reeled off the names of the various types of aircraft that might be able to land on Prosperous Bay Plain, was that he was reading from a detailed briefing file. An impressive feat nonetheless.
Miss Greening may be even more clued up on aviation matters. She comes to the Department for International Development from a higher-ranking job as Transport Secretary – which involved grasping the complexities of providing enough runways for London.
Her move is being seen as a result of her opposition to a third runway at Heathrow.
Many St Helenians will doubtless be hoping this does not mean she's opposed to all airports, on principle.
This entry was posted in News and tagged Andrew Mitchell, aviation, Department for International Development, DfID, Justine Greening, Saint Helena, St Helena, St Helena airport. Bookmark the permalink.
I hope it does. I do not like this idea of an airport at all. Long may the mailship serve the island and all those people who enjoy sea travel.


Barbarians of Lemuria: Mythic Edition - fast, rules-lite, sword and sorcery roleplaying in the Lands of Lemuria.
488 backers pledged £8,356 to help bring this project to life.
"I always thought Barbarians of Lemuria (or BoL as it has since become known) was pretty good when I designed it, but it wasn't until much later that others were given the opportunity to see whether I was right to think that. Thankfully, by and large they did.
It started in about 1992 or thereabouts. I'd just re-read Lin Carter's Thongor books and decided to run a campaign set in his land of Lemuria. I wrote the rules on a few sheets of paper, drew a couple of maps and away we went. Whilst we were playing the game, my players commented that this was probably as good, if not better than other games out there and that I should publish it. But then every gaming group says the same about their own homebrews – very few go on to publish and even fewer succeed. The campaign eventually ended and I put the rules away and we moved onto other games.
Things changed by the early 2000's. Designers were beginning to find a growing market for their own niche games, so I decided to showoff BoL to the world. Some time in 2003 I re-wrote it, threw in a few pieces of art I'd done for some UK fanzines years before and still had lying around at let it loose. It's still there on 1KM1KT.
It took a while, but feedback started to come in. People were reading BoL…people were playing BoL…and, even better, people enjoyed playing BoL. There were even suggestions I should publish it commercially. So, in 2007, I did.
I published the first edition of BoL in print through LULU and in pdf via RPGNow. It sold very well in both formats, even though the artwork wasn't great. So well in fact that a French publisher proposed a deal whereby he would publish a French translation and I would receive all the artwork that would be in the French edition. I jumped at the chance and BoL: Legendary Edition was born. All it needed was wider distribution; this was where Cubicle 7 stepped in.
Through Cubicle 7, BoL: LE got the exposure it needed and hasn't looked back. It has inspired people to run it in genres other than sword and sorcery and it has been translated into German, Portuguese, Catalan, Japanese as well as French, as mentioned above. Other genres for BoL, include Dogs of W*A*R (men's action/adventure), Barbarians of the Aftermath (post apocalyptic), Honor & Intrigue (swashbuckling derring-do) as well as other spin-offs, such as Jeff Mejia's Legends of Steel: BoL Edition. Others are in the works."
Now it's time to update BoL! The Mythic Edition is the best version yet - it takes all the ideas from the fans that have made BoL into the finest sword-and-sorcery system there is and makes it even better. Mainly it's just more of everything: more creatures, more adventures, more background and setting, mass warfare, sea battles and so on. There are some rule changes, but these just make the game even more straightforward so you can just get on with the action!
All in all, we're excited to bring Barbarians of Lemuria: Mythic Edition to you, and hope you are just as pleased with this fabulous game.
Whilst this will see Barbarians of Lemuria: Mythic Edition released as a worthy successor to the Legendary Edition, this is just the start of the journey: it's true potential will be unlocked through stretch goals.
The following Pledge Levels clarify the those to the right, including any extras achieved during the Kickstarter project.
You get immediate access to the draft pdf (see update 1) and access to all backer-only updates. The draft pdf is the initial unedited document with minimal formatting.
You get everything at the Backer level. You also get the finished pdf of Barbarians of Lemuria: Mythic Edition, the pdf of the Kickstarter Exclusive adventure Bloodhunt!, pdf(s) of the adventures: Children of the Void, Crimson Shoals, Ghost Moontower, Shades of Yggdar, The Skyward Citadel, and The Unholy Greyl, pdf of the World of Xoth adventure - The Vault of Yigthrahotep, Creature Deck pdf, Reference Cards pdf, GM Screen pdf, plus pdf copies of any other extras that may be produced from stretch goals. You will be able to buy the book at cost price from RPGNow (see FAQ for further details).
Estimated delivery: December 2014 (please note the November estimated delivery listed under Pledges was in error).
You get everything at the Backer level. You also get the finished pdf of Barbarians of Lemuria: Mythic Edition, the pdf of the Kickstarter Exclusive adventure Bloodhunt!, pdf(s) of the adventures: Children of the Void, Crimson Shoals, Ghost Moontower, Shades of Yggdar, The Skyward Citadel, and The Unholy Greyl, pdf of the World of Xoth adventure - The Vault of Yigthrahotep, Creature Deck pdf, Reference Cards pdf, GM Screen pdf, plus pdf copies of any other extras that may be produced from stretch goals. You will also get the finished Fantasy Grounds ruleset of Barbarians of Lemuria. This ruleset will include the adventures within the book as ready to play adventure modules (five in number).
You get everything at the Fantasy Grounds level. You will also get early access to the beta Ruleset and will be able to provide feedback on it.
You get everything at the Book and Fantasy Grounds levels.
You must be able to prove that you are a retail store. You get 5 physical books at cost price from RPGNow (see FAQ for more details). At the Kickstarter conclusion you will be asked what type of books you require, softcover, hardcover, or a combination. P&P will be paid to RPGNow when the physical books are ordered.
You must be able to prove that you are a retail store. You get 10 physical books at cost price from RPGNow (see FAQ for more details). At the Kickstarter conclusion you will be asked what type of books you require, softcover, hardcover, or a combination. P&P will be paid to RPGNow when the physical books are ordered.
You get everything at the Book level. You also get a custom portrait (B&W or Colour) of your character, drawn by one of the project artists of your choice. You will receive an image file of the portrait and a custom pdf character sheet that includes the image.
You get everything at the Book level. You also get a custom full length image (B&W or Colour) of your character, drawn by one of the project artists of your choice. You will receive an image file of the character and a custom pdf character sheet that includes the image.
You get everything at the Book level (including a book from RPGNow at cost, if required). You also get a hardcover book, cloth bound, with foil blocking on front and spine, with a full colour wrap around jacket. The book will be signed by Simon Washbourne. Initially with a black and white interior, the book will be upgraded to partial colour and then full colour, as additional stretch goals are met. An A3 map of Lemuria will be included with the book. Please add the following amount to your pledge for postage and packing: UK - £9.50, Europe - £15.50, World Zone 1 - £25, World Zone 2 - £26.50. See update 7 for World Zone information.
You get everything at the Book level. You also have an image in the book, based on the likeness of a photo you provide (you must have permission to use the photo), drawn by one of the project artists (see FAQ for more details).
You get everything at the Book level. You also get to work with Simon Washbourne to add a Cult or Organisation into the book and your name will appear on the main credits page.
Reference Cards, £1. Physical copy (at cost from RPGNow) of the Reference Cards. At current count the deck will include 14, 6" x 6" reference cards, see update 14 for full details.
Bloodhunt!, £2. Physical copy (at cost from RPGNow) of the Kickstarter exclusive adventure, see update 4 for details.
Creature Deck, £2. Physical copy (at cost from RPGNow) of the Creature Deck. At current count the creature deck includes 58 creature cards, see update 3 for full details.
The Vault of Yigthrahotep, £2. Physical copy (at cost from RPGNow) of the World of Xoth adventure, see update 17 for full details.
Lemurian Tales, £3. Physical copies (at cost from RPGNow) of the six adventures achieved from the 300 backers bonus stretch goal, see update 9 for full details).
A3 Map of Lemuria (UK), £3. An A3 map of Lemuria (170gsm Silk) folded to A5, includes P&P.
A3 Map of Lemuria (Europe), £4. An A3 map of Lemuria (170gsm Silk) folded to A5, includes P&P.
A3 Map of Lemuria (Rest of the World), £5. An A3 map of Lemuria (170gsm Silk) folded to A5, includes P&P.
Extra Book, £10. Add £10 to you pledge if you would like to receive an extra book at cost from RPGNow.
Kickstarter Exclusive Hardcover, £50. If you are currently pledging at a £40 level or above, and want to upgrade to a Kickstarter Exclusive Hardcover, then please add £50 to your pledge.
If we reach £4,500 an all new map of Lemuria, from Robert Altbauer of Fantasy Map, will be commissioned. Not only will this be a remake of the map seen in the Legendary Edition, it will also include the lands to the north of the Mountains of Axos.
Should the project reach £6,000, the first round of art will be upgraded to full colour.
The last planned stretch goal, at £7,500, will see the entire book in full colour.
By an overwhelming majority (73%), the next stretch goal will be another adventure. This will be written by Simon Washbourne.
All backer suggestions will be noted, and a poll created for backers to choose the next stretch goal. This poll will take place once the preceding stretch goal has been reached, so that an appropriate cost level and delivery timescales can be determined.
At 50 backers, Krongar and the Thieves of Malakut, a new adventure from Simon Washbourne, will be included within the Mythic Edition. - Achieved!
At 100 backers, Krongar and The Curse of the Bloodless, another new adventure from Simon Washbourne, will be included within the Mythic Edition. - Achieved!
At 200 backers, Bloodhunt!, a Kickstarter exclusive adventure will be produced, written by Garnett "G-Man" Elliott and with art by the project artists. This adventure may subsequently be given a general release, however it will have different layout and/or cover art. - Achieved!
At 300 backers, the following adventures from Garnett "G-Man" Elliott, currently available on Strange Stones, will be updated to be compatible with both the setting and rules of BoL:ME: Ghosts in the Moon Tower, The Unholy Greyl, Children of the Void, Crimson Shoals, Ghosts of Ygddar, and The Skyward Citadel. - Achieved!
At 400 backers a World of Xoth adventure will be included, converted for use with the Barbarians of Lemuria: Mythic Edition rules and complete with notes on adapting it to the Lemurian setting. - Achieved!
At 500 backers BoL Everywhen will come to a Kickstarter near you, in 2015. Think of BoL Everwhen as the BoL core rules, with such options as fear, firearms and vehicle combat (to name a few), for all your pulp setting needs. Included in the book will be hints and tips for using BoL in just about any pulp-type genre, including several sample settings such as "Barbarians of the Forgotten Suns", "Warriors of Callisto" and "Guns of Laredo".
The following artists and cartographers will be supporting the project: John Blaszczyk, Jenna Fowler, Peter Frain, MonkeyBlood Design.
Subject to meeting the stretch goal Robert Altbauer will also join the team.
Filigree Forge is new publishing company, without the resources and experience of larger organisations. With a tight deadline being set, constant oversight will be required to ensure targets are met.
Unlike some other ventures, the book is largely complete, with the project requiring only art, editing and layout. Print on Demand is being used rather than wholesale printing / distribution, which significantly reduces the risk for backers in obtaining the finished product.
Backer. You get immediate access to the draft pdf and access to all backer-only updates. The draft pdf is the initial unedited document with minimal formatting.
Book. You get everything at the Backer level. You also get the finished pdf of Barbarians of Lemuria: Mythic Edition, plus pdf copies of any extras that may be produced from stretch goals. You will be able to buy the book at cost price from RPGNow (see FAQ for further details).
Fantasy Grounds. You get everything at the Backer level. You also get the finished pdf of Barbarians of Lemuria: Mythic Edition, plus pdf copies of any extras that may be produced from stretch goals. You will also get the finished Fantasy Grounds ruleset of Barbarians of Lemuria. This ruleset will include the adventures within the book as ready to play adventure modules (five in number).
Fantasy Grounds + Beta Access. You get everything at the Fantasy Grounds level. You will also get early access to the beta Ruleset and will be able to provide feedback on it.
Fantasy Grounds + Book. You get everything at the Book and Fantasy Grounds levels.
Retail. You must be able to prove that you are a retail store. You get 5 physical books at cost price from RPGNow (see FAQ for more details). At the Kickstarter conclusion you will be asked what type of books you require, softcover, hardcover, or a combination. P&P will be paid to RPGNow when the physical books are ordered.
Book + Portrait Art. You get everything at the Book level. You also get a custom portrait (B&W or Colour) of your character, drawn by one of the project artists of your choice. You will receive an image file of the portrait and a custom pdf character sheet that includes the image.
Retail+. You must be able to prove that you are a retail store. You get 10 physical books at cost price from RPGNow (see FAQ for more details). At the Kickstarter conclusion you will be asked what type of books you require, softcover, hardcover, or a combination. P&P will be paid to RPGNow when the physical books are ordered.
Exclusive Book. You get everything at the Book level (including a book from RPGNow at cost, if required). You also get a hardcover book, cloth bound, with foil blocking on front and spine, with a full colour wrap around jacket.
The book will be signed by Simon Washbourne.
Initially with a black and white interior, the book will be upgraded to partial colour and then full colour, as additional stretch goals are met.
Please add the following amount to your pledge for postage and packing: UK - £9.50, Europe - £15.50, World Zone 1 - £25, World Zone 2 - £26.50. See update 7 for World Zone information.
Book + Character Art. You get everything at the Book level. You also get a custom full length image (B&W or Colour) of your character, drawn by one of the project artists of your choice. You will receive an image file of the character and a custom pdf character sheet that includes the image.
Book + Book Art. You get everything at the Book level. You also have an image in the book, based on the likeness of a photo you provide (you must have permission to use the photo), drawn by one of the project artists (see FAQ for more details).
Book + Cults. You get everything at the Book level. You also get to work with Simon Washbourne to add a Cult or Organisation into the book and your name will appear on the main credits page.


text:
Metro Review of Secret Life
From Metro.co.uk
...But what catches you off balance is the casting of Matthew Macfadyen as Charlie. That's right, the same Matthew Macfadyen whose boyish charms sparked up Spooks and made Keira Knightley's heart flutter as Mr Darcy in Pride And Prejudice. It's a daring piece of casting that not only fulfils the intention of scuppering the demonised stereotype of the paedophile but also reveals Macfadyen, who turns in an entirely convincing performance, as an actor of unexpected range.
It's a brave performer who plays so defiantly against type but Macfadyen is reticent in accepting praise. 'I'm not interested in looking after my image,' he says. 'I suppose there might be a hostile reaction to the film because it's such an emotive subject. But it's not my job to worry about that.'
Macfadyen is also well prepared to fend off criticism that he plays Charlie as a sympathetic character. 'The only thing that's sympathetic about him is his perseverance in trying not to re-offend. That's the threat that hangs in the air the whole time.'
Macfadyen, who is a father of three – two children with actress wife Keeley Hawes and stepfather to a child from her previous marriage – plays down the suggestion that having children of his own made playing Charlie even more of a challenge. 'It's a job. You film it and then go home and get on with life. But there's a scene where Charlie is in the fairground, trying to pick up young girls. I found that horrible.'


The WFSC hosts several USFS Free Skate and Moves in the Field test sessions each year. Test sessions are held at the Burlington Ice Palace.
2018-2019 Season FS/MIF Test Dates - please read all of the below before submitting a test application. Thank you!
Application deadlines are always 14 days prior to test date.
10 days prior to the test session is the absolute deadline, no applications will be accepted after this date.
The schedule for each test session will be emailed out to the registered applicants one week prior to the test session.
There will be no refunds for withdrawals after the deadline date, except with medical certification.
Specific requests for time slots will only be considered in extreme circumstances (ie: school/work commitments) and must be submitted in writing no later than two weeks prior to the test date.
Test Chair Assistant: Responsible for checking and copying judging documents, maintaining order of testing results, returning copied test results to Test Chair.
Hospitality Assistant: Responsible for judges room, keeping coffee brewed and hot, switching out breakfast items for lunch items, etc.
Clean up: Responsible for clean up of judges room, returning items to hospitality closet, etc.
Remember, this is a perfect way to fulfill your volunteer hours!


text:
Park City Critic's Notes #2: How Should a Family Be?
The Sublime and Beautiful
in Festivals & Events, Sundance
Appropriate Behavior, Desiree Akhavan, Hellion, Kat Candler, Slamdance 2014, The Sublime and Beautiful, Vanishing Pearls, Who Took Johnny
Everybody has dreams at Sundance. Some dream of distribution deals, others of the respect and recognition that may come with them. The most exuberant dreamers conjure the high seven-figure sales of yesteryear, but the ranks of such folks are dying away, the reality of the new normal having long set in. Some just want to get laid or go skiing and dream accordingly. Lucky them.
Still others can't navigate Sundance without complaining about this or that. A lot of folks are upset by the shuttles this year, claiming they aren't as efficient as years past. More pressing, some observers have suggested that, half a decade after the festival unveiled the NEXT section, in part to program the type of micro-budget films that made SXSW a festival to be reckoned with, the broad majority of films in that supposed discovery program are by second-, third- and fourth-time feature filmmakers making movies with name actors and budgets that hover half a million dollars and above. Take your movie that costs as much as a new sedan and trot down to Austin, the Sundance brain trust seems to be saying.
Or maybe the $25,000 films just aren't that good. Should've got in during the vanguard years of American indie films, when there were 900 instead of 9,000 submissions a year to le Dance and micro-budget kid Kevin Smith was your primary comp.
I'm sure you don't want to hear about my dreams, but my complaints? Of course you do.
Well as ever, the documentaries are just hands down superior to the narratives I'm seeing. The E-waitlist system is a disaster, privileging, as one prominent producer put it to me, fat guys drinking beers a mile away who may or may not ever show up for the wait list position they hogged by phone. More distressing, many of the films feel overly familiar to films from Sundance's past. For instance, Desiree Akhavan's Appropriate Behavior, a NEXT title which she wrote, directed and stars in, is often genuinely very funny, conjuring some delightful comedic situations amidst its tale of a young bi-sexual woman struggling to self actualize in modern central Brooklyn, but in the basic outlines of its story it can't help but recall Dee Rees' Pariah.
Appropriate Behavior showcases some legitimate low-budget ingenuity on the part of its filmmaker, whose character Shirin is sort of a tall, deep-voiced, gay version of one of Lena Dunham's creations, but there's little tension in its sometimes awkward and narcissistic tale of a young Iranian-American woman who hides her lesbianism from her conservative parents and boorish brother while undergoing the emotional travails of a significant, perhaps doomed relationship. Watching it, one never much feels like Akhavan's Shirin, whose bourgeois Iranian family is functional and willing to pay her Bushwick rent (the McKibbin lofts make for some fun, class-centric comedic fodder here), is in much danger, emotional or otherwise. And when she finally does tell her mother she's gay, the moment doesn't sizzle as much as it should. Although Pariah could probably have used some of the Akhavan's humor (she's clearly a very talented comedienne), Appropriate Behavior could certainly have used some of the later's visual poetry.
Kat Candler's U.S. Dramatic Competition entry Hellion, expanded (sort of, not really) from a very good short of the same name the filmmaker had at the festival in 2012, was perhaps a bigger disappointment; it never takes off and flies, even if it seems all the ingredients are there. Aaron Paul is Hollis, an East Texas widower and alcoholic with two sons, 10 and 13, the older of whom is fond of smashing cars in high school football parking lots with baseball bats and setting other people's property on fire while the younger foolishly accompanies him on such escapades. Eventually the younger son is taken away by Child Protective Services and placed in the home of Hollis' sister-in-law (Juliette Lewis, who's aging well).
This necessitates a battle for the child between father, older brother and sister-in-law that grows preposterous in its third act. Paul is an actor of much intensity, but he's simply hampered by a poor script. One expository note after another is left dangling in the wind. The point of attack is poorly thought through; the dead mother is simply a cipher since we never meet her and their grief rendered emotionally unreachable. Candler should have borrowed a page from Mia Hansen-Løve's should-be legendary The Father of My Children and killed her off halfway through. Instead, she's forced to write lines between Paul and his sons that no father would ever say, simply to suggest that gap. When, in the most loaded fashion, he looks at his emotionally broken son, a juvey lock-up case waiting to happen, and says, after a pregnant pause, "You look just like her… we were such a good team, the four of us," some at the P&I screening I attended couldn't help but chuckle. And that's sad, because Candler has a knack for rhythm and pace, for the effective placement of music, and clearly has a seriousness of intent here.
Over at Slamdance, there is a little movie, also about the unspeakable grief caused by the loss of immediate family, that ought to get some attention, however. Blake Robbins, who some may remember as the conniving ex-basketball star turned prison guard Dave Brass on HBO's Oz over a decade ago, has made a film that is worth considering despite its clumsy, misleading title. You see, The Sublime and Beautiful sounds like it ought to be a syndicated soap opera. Shot in handheld HD with natural light, it looks and feels like an indie. The picture's got no real "stars," either established or soon to be breakouts. It tells a story that feels like it's been visited upon before. So where's the interest say you, cynical, industry pro Park City viewer? Right?
Well, it turns out Blake Robbins isn't just a skillful character actor in TV shows both half forgotten (Oz) and not (The Office) but a thoughtful and intuitive film director who has artfully revisited the themes of filial revenge and rhythms of slow-burn domestic thriller-dom that made In The Bedroom into a Sundance Grand Jury Prize winner over a decade ago. He plays David Conrad, a mildly content college professor, father of two young children, rejector of students who seek his sexual company, whose life is turned upside down when his wife's car is struck by a drunk driver, brutally injuring her and killing their kids. To say the Conrads are in for a whirlwind of emotions is an understatement.
Rather predictably, David starts drinking, starts trying to fuck the student he previously rebuffed and playing with firearms, while growing colder and colder near his often understandably hysterical wife (Laura Kirk, very good). They both guard their emotions poorly near parents and best friends, causing a scene at a party thrown in their honor that rivals some of the most explosive scenes in A Woman Under the Influence. Perhaps the wheels begin to fall off a bit when David begins to stalk the treacherous old drunk who took his children's lives, the mechanics of the movie's pathos machine grinding a bit too loudly for my tastes, but it's a fine first effort from the writer/actor/director, modulated just right, refraining from easy sympathy generation to show these characters in a fully ambiguous light. The Sublime and Beautiful marks Robbins as a filmmaker to watch, even if his producers really ought to insist they name the thing after a rare bird that starts with the letter A or something (if just for VOD!).
The loss of children is also at the center of another Slamdance film, Michael Galinsky, Suki Hawley and David Beilinson's Who Took Johnny. The film shows how the disappearance of Johnny Goesh, an Iowa paperboy whose missing visage was the first to ever grace a milk carton, set off a national hysteria about child slavery and pornography in the Reagan era's high-octane tabloid news scene.
The documentary makes clear that the West Des Moines police officials didn't do the best job in searching for Johnny, including completely ignoring a key lead that cropped up years later when someone came forward claiming to have participated in Johnny's disappearance. But the film is most interested in Noreen, Johnny's mother, who spends her time counseling the parents of other children who have disappeared and to this day believes her boy is alive.
Teaming with America's Most Wanted's John Walsh, she was able to get the Missing Children's Assistance Act passed by Congress in 1984, but her son's case remains unsolved and the myriad sightings of the boy have taken turns for the bizarre. A dollar bill crops up with the message, "I Am Still Alive, Johnny Goesh." She claims photos she's found on child pornography websites are Johnny, despite assurances from law enforcement that they aren't. Most harrowingly, she says he has visited her since he disappeared. Fearing for his and her safety, he apparently made her swear not to alert the authorities and refused to give his permanent whereabouts before vanishing again. The movie remains ambivalent about Noreen's claims despite showcasing its empathy for her plight and the courageousness of her activism on behalf of other parents. It doesn't reinvent the wheel aesthetically, but Who Took Johnny, an able-bodied follow up to Hawley and Galinsky's searing Battle for Brooklyn, does shed light on the origins of a scar on the national psyche, another aspect of the great unraveling of mutual trust that has made strangers of neighbors, suspects of friends in a country of the fearful and the lonely.
Also on the doc side, Vanishing Pearls: The Oysterman of Pointe A la Hache, is a bummer of a tale told in a familiar key, that of the corrupt multinational doing everything to avoid making restitution for a catastrophe caused by profit-driven hubris. In this case, it's the oil and gas conglomerate BP, which three years after the Deep Water horizon oil spill in the Gulf of Mexico continues to deny just compensation to generations of fisherman. In Nailah Jefferson's telling, which ranges from the quietly effective to the rather yawning and repetitive, racial undertones inform the treatment of one of the last African-American fishing communities in the South by the company that perhaps permanently poisoned the well upon which protagonist Byron Encalade, a Louisiana fisherman, and his family fishery have long relied.
Despite promises by oil industry officials and government-appointed specialists that fishing would rebound in the region, in many if not most pockets it hasn't, with signs pointing to fishing waters that may never produce a stock that would allow small-family fishing operations to survive. The film documents Encalade's quest to expose BP's practice of pressuring economically strapped fisherman such as himself from taking a meager $20,000 upfront in exchange for relinquishing all future claims against BP — claims that could prove to be much more than the $20 billion the company promised in reparations through the Gulf Restoration Fund.
The movie doesn't make most of its points elegantly, however. The stiflingly edited doc relies too heavily on music to evoke a sort of maudlin sentimentality, hammering again and again, as it does in interviews with Byron's daughters, how much the indefatigable but clearly fading Mr. Encalade is suffering from being unable to work upon the waters he's spent most of his life. It's a sad fact, and one that this movie should arrive at with a bit more artistry. However, the film's aesthetics don't take anything away from the bravery of Mr. Encalade's stand, which takes him from the bayous of Lousiana, where he attempts to organize other fisherman to fight for their rights, to the streets of London, where he fails valiantly to crash a BP stockholder meeting. Ms. Jefferson shows great sensitivity here, but ultimately her subject deserved the moxie and aesthetic sure-footedness a Michael Moore or Barbara Kopple would have brought to Encalade's tale.
Beyond: Two Souls at the Tribeca Film Festival By Randy Astle on May 2, 2013
Hawaii International Film Festival 2012 By Jason Sanders on Dec 14, 2012
Five Questions with Jack & Diane Director Bradley Rust Gray By Niki Cruz on Oct 30, 2012
In the Eye of the Storm: Laura Poitras on CITIZENFOUR By Scott Macaulay on Oct 20, 2014


Organic household wastes are various types of either source separated organic household wastes, such as a mixture of all organic material originating from households, or the organic fraction of household wastes that have been separated after collection, and in some cases undergone further pretreatment.
1: The data source is "Fact sheet for biogas" developed by NIRAS for Energinet.dk in 2012. Aarhus University has validated the data and also provided information about volatile solids and gas potential of the biomasses. The original data can be downloaded from http://implement.nu/wp-content/uploads/2013/06/Biogasdatagrundlaget_regneark.pdf.; The biogas potential is based on either a mesophilic process (38°C) with 25 days retention time, or thermophilic process (53°C) with 17 days retention time and 10 days in storage tank (10% biogas collected in covered after storage tank).
2: The data source is "Fact sheet for biogas" developed by NIRAS for Energinet.dk in 2012. Aarhus University has validated the data and also provided information about volatile solids and gas potential of the biomasses. The original data can be downloaded from http://implement.nu/wp-content/uploads/2013/06/Biogasdatagrundlaget_regneark.pdf.; The biogas potential is based on either a mesophilic process (38°C) with 25 days retention time, or thermophilic process (53°C) with 17 days retention time and 10 days in storage tank (10% biogas collected in covered after storage tank).


text:
Goal Storm (conosciuto in Giappone come World Soccer Winning Eleven) è un videogioco calcistico sviluppato e pubblicato da Konami nell'anno 1995 in Giappone e un anno dopo in Europa. Il gioco uscì solo per PlayStation.

Le modalità di gioco disponibili sono: Hyper Cup Mode, Exhibition Mode, Key Configuration e Options mode; è possibile modificare il livello di difficoltà e le condizioni del campo di gioco. Il gioco ha 36 squadre nazionali da giocare. I critici hanno generalmente elogiato il gioco per la sua grafica poligonale fluida e i controlli intuitivi.

Il gioco presenta 27 squadre internazionali, senza giocatori reali.

Collegamenti esterni

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Breastfeeding is normal. Women's bodies are made to feed their babies. The World Health Organization (WHO), Health Canada, the Dietitians of Canada and the Canadian Pediatric Society all agree that: Breastfeeding exclusively for the first six months, and sustained for up to two years or longer with appropriate complementary feeding – is important for the nutrition, immunologic protection, growth, and development of infants and toddlers.
We want to support you to make the best decisions for you and your baby. This information will help you make an informed decision about feeding your baby.
Breastfeeding is a new skill for you and your baby. We can help you learn how.
You might have many questions about breastfeeding. These frequently-asked questions can help.
We provide many breastfeeding supports and services throughout Sudbury and the district.
You have the right to breastfeed anywhere, anytime. We can help you with questions about your rights.
We are currently seeking our Baby-Friendly Initiative designation because we want to protect, promote and support breastfeeding.


Absolutely delighted with my one off house clean, I would also like to book a regular, fortnightly clean. Thanks for also arranging at such short notice.
- Mrs Preston, Bridge of Allan.
Thank you for providing such a great cleaner, I was very impressed with what she has done and look forward to her weekly visits!


A web page describing the Athlet vacuum cleaner stated "The only cordless vacuums with the power of Bosch. Cordless, powerful, lightweight and agile, Athlet cordless vacuums combine maximum performance and convenience on carpet, wood, laminate or any floor type. Slim and manoeuvrable, the Athlet has superb power and, combined with the innovative SmartSensor Technology, achieves the same cleaning result as a corded vacuum cleaner. Flexible and adaptable with a runtime of 75 minutes, there's nothing to stop you cleaning the whole house in a single charge".
A product listing for the BCH732KTGB model stated "The Bosch formula for success. Incredibly powerful cleaning performance and a long runtime - all that with no cord". Further text stated "Cleans as powerful as a conventional vacuum cleaner* due to enhanced motor power and improved AllFloor HighPower Brush". An "additional information" tab below the initial description featured text stating "*Dirt pick-up (dust on carpet and hard floor with crevices, fibre pick-up on carpet) in comparison to a corded vacuum cleaner from Bosch (BGL3A315GB). Tested according to EN 60312".
2. "cleans as powerful as a conventional vacuum cleaner", in conjunction with the claim "incredibly powerful cleaning performance and long runtime", was misleading because it implied that maximum performance and maximum runtime could be achieved simultaneously.
1. BSH Home Appliances Ltd said that the maximum runtime of the Bosch Athlet was 75 minutes, and could be achieved when the product was used on power setting one. They believed that was clear from the full claim seen in context.
They said that the runtime was dependent on the power setting used, not on the floor type. Although power setting one was primarily intended for hard floors, it could also be used on other surfaces, such as rugs or carpets. BSH stated that, provided the product was used and maintained in accordance with the user manual, there was no reason why the maximum runtime could not be achieved when cleaning floors other than hard floors on setting one. They said that use on a carpet would not significantly reduce runtime.
Because the product could run for 75 minutes on a single charge, it was possible for a consumer to clean their whole house without having to stop and recharge the product. BSH said that even if a higher power setting was used in combination with setting one, it would still be possible to clean an entire home in one charge (although the runtime would be shorter). The claim was based on publicly available statistics on the average size of homes in the UK, which indicated that the average usable floor area of dwellings in 2016 was 94 m². They said that their testing showed that the Bosch Athlet range was able to cover an area of over 200 m² in a single charge when used on power setting one. They therefore considered that the claim was not misleading.
2. BSH said that the claims should be assessed in context. They said that the claims did not refer to "maximum" performance or runtime at all, but simply stated that the product had a powerful cleaning performance and a long runtime. They said these were objective claims that they had demonstrated through testing. The performance and runtime claims were made in separate bullet points and did not cross-refer to one another. They therefore did not did not consider that consumers would interpret the claims as meaning that the product's maximum performance and maximum runtime could be achieved simultaneously.
The ad stated "Flexible and adaptable with a runtime of 75 minutes**, there's nothing to stop you cleaning the whole house in a single charge". Smaller text below the claim stated "**Based on power setting 1". While the ASA noted that the qualification provided information on the power setting at which the 75-minute runtime could be achieved, there was nothing to indicate the types of floor surface that power setting 1 was intended for. Therefore we did not consider that consumers would understand that the runtime was achievable only with the setting that was intended for hard floors. In that context, we considered that consumers would understand the claim "there's nothing to stop you cleaning the whole house in a single charge" to mean that they would be able to clean their entire house without stopping to re-charge the product. We therefore expected to see evidence to substantiate that the product could clean an entire house, which was representative of the average UK house both in terms of its total area and mix of flooring surfaces, in a single charge.
We considered that it would be relatively unusual for a UK home to have hard floors throughout. We noted BSH's assertion that the product was able to cover an area 200 m² in a single charge, using the lowest setting, based on their own tests. However, we had not been provided with the test results themselves. Furthermore, it was not clear what floor surfaces were included in the testing, or why they were considered to be representative of those found in the homes of UK consumers. Because we had not seen evidence to substantiate the claim as consumers were likely to understand it, that is, that they would be able to clean their entire house in one charge, we concluded that the claim was misleading.
Material information is information that the consumer needs to make informed decisions in relation to a product. Whether the omission or presentation of material information is likely to mislead the consumer depends on the context, the medium and, if the medium of the marketing communication is constrained by time or space, the measures that the marketer takes to make that information available to the consumer by other means. (Misleading advertising), 3.7 3.7 Before distributing or submitting a marketing communication for publication, marketers must hold documentary evidence to prove claims that consumers are likely to regard as objective and that are capable of objective substantiation. The ASA may regard claims as misleading in the absence of adequate substantiation. (Substantiation) and 3.11 3.11 Marketing communications must not mislead consumers by exaggerating the capability or performance of a product. (Exaggeration).
The ad stated "Incredibly powerful cleaning performance and a long runtime - all that with no cord". A bullet point beneath stated "Cleans as powerful as a conventional vacuum cleaner* due to enhanced motor power and improved AllFloor HighPower Brush" and another bullet point stated "Enhanced Bosch Lithium-Ion Technology: durable and powerful rechargeable batteries with up to 75 min run time and short charging time". We acknowledged that the ad did not explicitly state that the vacuum cleaner's maximum power capability and maximum runtime could be achieved at the same time, and that those attributes were listed separately in the bullet points. However, the ad strongly emphasised the high power performance and long runtime as the product's key attributes, including in the claim "incredibly powerful cleaning performance and long runtime", which presented them in conjunction with one another. In that context, and in the absence of any further information to indicate that the maximum runtime could only be achieved on the lowest setting, we considered that consumers would understand that the maximum performance and the maximum runtime could be achieved simultaneously. Because we understood that was not the case, we concluded that the ad was misleading.
Material information is information that the consumer needs to make informed decisions in relation to a product. Whether the omission or presentation of material information is likely to mislead the consumer depends on the context, the medium and, if the medium of the marketing communication is constrained by time or space, the measures that the marketer takes to make that information available to the consumer by other means. (Misleading advertising), 3.7 3.7 Before distributing or submitting a marketing communication for publication, marketers must hold documentary evidence to prove claims that consumers are likely to regard as objective and that are capable of objective substantiation. The ASA may regard claims as misleading in the absence of adequate substantiation. (Substantiation), 3.9 3.9 Marketing communications must state significant limitations and qualifications. Qualifications may clarify but must not contradict the claims that they qualify. 3.10 3.10 Qualifications must be presented clearly.
CAP has published a Help Note on Claims that Require Qualification. (Qualification) and 3.11 3.11 Marketing communications must not mislead consumers by exaggerating the capability or performance of a product. (Exaggeration).
The ad must not appear again in the form complained about. We told BSH Home Appliances Ltd not to state or imply that the Bosch Athlet could clean an entire house on a single charge, unless they held evidence to demonstrate that it was capable of doing so in a context representative of the average UK home. We also told them not to state or imply that consumers could achieve maximum runtime at the same time as maximum performance, and to ensure claims were sufficiently qualified.


text:
Wis. votes on Tuesday
by CHRIS ROGERS
After Buffalo-Pepin Counties Circuit Court Judge James Duvall decided not to seek re-election, two experienced candidates will compete in Tuesday's election for Duvall's seat as the lone judge in Buffalo and Pepin counties.
The first candidate, Tom Clark, currently serves as the Buffalo County District Attorney, acting as the head prosecutor in the county and the legal advisor to the County Board.
The second candidate, Roger Hillestad, currently serves as the Buffalo-Pepin Counties Circuit Court Family Court commissioner and is a private attorney with his own practice in Durand, Wis. Family court commissioners preside over divorce, paternity, child-support, and child-custody cases.
"I think I'm the best qualified for the position with the experience I've had," Hillestad said in an interview. Clark was not immediately available for comment. Clark's website describes him as having "a compassionate approach to outcomes in criminal cases involving victims of crime — fair, firm and constructive consequences for offenders." Hillestad described himself as a conservative, adding, "I think criminal justice needs to have swift responses to criminal acts."
Hillestad's campaign was ruffled, however, when the Wisconsin Attorney General's Office charged him in late February with eight counts of violating state law by allegedly selling home-brewed beer from his garage in Durand. The charges included operating as a brewer without a permit, selling or manufacturing alcoholic beverages without an appropriate license, and failure to pay the fermented malt beverage taxes, among other charges.
"I've never sold beer out of my garage," Hillestad said. "I'm a home brewer, and when people stop by I offer them beer, just as most people would do when people stop by. 'Hi, how are you doing? Would you like something to drink? This is my new batch, would you like to try it?' And if people wanted to donate, they certainly could. I think there was some miscommunication with the state undercover agents and them throwing some money out as a donation and calling it a sale."
According to the criminal complaint, Wisconsin Department of Revenue Special Agent Mario Altuzar went undercover to investigate a complaint about Hillestad. Altuzar reported that Hillestad's garage was set up to look like a tavern, and that when Altuzar asked how much a growler cost, "[Hillestad] replied that a growler was $10 filled and $7 for a refill." The case also alleges that there was a Facebook page for a "Durand Brewing Company" that listed Hillestad's address as its own.
"I think the timing of that case is pretty politically suspect," Hillestad said in an interview. Altuzar's reported sting took place on August 4, 2017. The Attorney General's Office filed charges on February 27, 2018. The first appearance in the case is scheduled for April 30. Hillestad is up for election this Tuesday, April 3.
"The case was issued last month because it was ready to be issued, and withholding [the charges] until after the election would be inappropriate and allow a possible public health risk to continue," Wisconsin Department of Justice Director of Communications Johnny Koremenos stated. "This case was not filed because of the defendant's candidacy for circuit court judge," he added.
Wis. election day is Tuesday, April 3
The judgeship is not the only seat up for election. On Tuesday, voters in Buffalo and Trempealeau counties will chose City Council members, mayors, village trustees, and entire County Boards. Challengers are taking on incumbents in a few races, and the Arcadia School District is asking voters' approval for $4-million bond referendum that would help fund a $16-million middle school gym and community center.
To see a sample ballot and find polling places, visit myvote.wi.gov.
Statewide referendum
Elimination of state treasurer
Voters will be asked to vote yes or no on this ballot question: "Shall sections 1 and 3 of article VI and sections 7 and 8 of article X of the constitution be amended, and section 17 of article XIV of the constitution be created, to eliminate the office of state treasurer from the constitution and to replace the state treasurer with the lieutenant governor as a member of the Board of Commissioners of Public Lands?"
Supreme Court of Wisconsin
Justice of the Supreme Court
Rebecca Dallet
Michael Screnock
Trempealeau County Board of Supervisors
There is not a single contested race on the Trempealeau County Board. Incumbents Ernest Vold (District 17, Osseo) and Dick Miller (District 8, Blair and part of the towns of Preston and Ettrick) are not seeking relection. Former board member Ron Johnson is running unopposed for Vold's seat, and newcomer Randy Tollefson is running for Miller's. Miller served for 10 years on the County Board, but Vold has him beat by a long shot. "He's decided to hang it up after 51 years on the board," County Clerk Paul Syverson said of Vold.
Richard Frey (i)
Douglas Winters (i)
Sally A. Miller (i)
Richard Doc Sacia (i)
Jon W. Schultz (i)
George Brandt (i)
Beth Killian (i)
Randy Tollefson
Michelle Gandyra-Haines (i)
John Aasen (i)
Charles Walek (i)
Tim Zeglin (i)
Olin C. Fimreite (i)
Michael Nelson (i)
Jeanne Harris Nutter (i)
Curtis Skoyen (i)
Buffalo County Board of Supervisors
Current board chair Douglas Kane (District 7, towns of Modena, Alma, and Gilmanton) faces one of only two competitive races in Tuesday's election. Challenger Max Weiss is vying for the District 7 seat.
Bernard Brunkow (i)
Don Black (i)
Lou Anne Roby (i)
Jon Seipel
Donald Hillert (i)
Scott. S. Smith (i)
Nathan L. Nelson (i)
Douglas Kane (i)
Max Weiss
Larry A. Grisen (i)
David Danzinger (i)
Nettie Rosenow (i)
Dennis Bork (i)
John B. Kriesel (i)
Mike Taylor (i)
Mary Anne McMillan Urell (i)
Buffalo-Pepin Counties Circuit Court
Thomas W. Clark
Roger M. Hillestad
Arcadia School District
School Board member (Vote for not more than two)
Michael E. Edmunds (i)
David J. Frahm
Rob Hurlburt
Randy Nilsestuen (i)
Arcadia referendum
Voters will be asked to vote on whether to allow to school district to borrow "an amount not to exceed $4,000,000 for the purpose of paying a portion of the costs of constructing and equipping a new gym and locker room facility as part of a new community center addition to the Middle/High School." If the referendum is approved, the Ronald & Joyce Wanek Foundation would contributed $12 million. If fundraising an additional $1,250,000 were to be successful, a community library would be added to the project.
C-FC School District
Incumbents Sue Pronschinske and Steve Scharlau are not seeking re-election. Newcomer Dennis Oldendorf and former School Board member Bonnie Breza are running for the two vacant seats. Breza's name will not be on the ballot, but she has registered as a write-in candidate, according to the school district.
Bonnie Breza (registered write-in candidate)
Dennis Oldendorf
G-E-T School District
School Board member, at-large
Mark Kopp (i)
School Board member, city of Galesville
Paul Kinzer (i)
School Board member, Town of Trempealeau
Cooper Richason
Todd Roessler (i)
City of Arcadia
Robert Reichwein (i)
Alderperson, 1st Ward
Adam Schlesser (i)
Alderperson, 2nd Ward
Kevin Mayzek (i)
Alderperson, 3rd Ward
Marlys Kolstad (i)
Ross Lorenz Jr. (i)
Council member (vote for not more than two)
Jeannie Czaplewski (i)
Ben Holien (i) (registered write-in)
Mayor Kevin Hutter did not file for re-election. Bobbi Farrand is running unopposed for the mayorship.
Bobbi Farrand
Cheryl Braatz
Judith Ganger (i)
City of Galesville
Vince Howe
John Ph. Graf (i)
No candidates
Kelly L. Kreger (i)
Jean A. Wallner
Village of Cochrane
Village Trustee (vote for not more than three)
Dallas Dworschack (i)
Charles Speltz (i)
Kari Wilde (i)
Village of Ettrick
Matthew Theisen (i)
Joshua Hanson (i)
Peter Filla (i)
Village of Trempealeau
Kit Locke (i)
Lois Taylor (i)
Bridgette Turner


text:
Q: How can I set attributes to li tags in CheckboxSelectMultiple? I used CheckboxSelectMultiple as a widget for MultipleChoiceField.
I know it makes something like this:

<input type="checkbox" name="..." >

  ...

when I set an attribute to CheckboxSelectMultiple, django adds it to ul tag.
my question is, how can I set attributes to li?

A: You can proceed that way
Django provides a ul list for MultipleChoiceField. I give you an example since I do not have any clue of your codes
forms.py
OPTIONS = (
    ("B", "Black"),
    ("Y", "Yellow"),
    ("R", "Red"),
)
colors = forms.MultipleChoiceField(widget=forms.CheckboxSelectMultiple,choices=OPTIONS)

send the form to the template through your_view
template.html
you would have called it like with {{form.colors}}. This way will let django generates its pre-built html, whereas you can loop through it:

{% for check in form.colors %}

{{check.tag}}
    {{check.choice_label}}

{% endfor %}

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