text:
Liam Gillick, Diversity Channelled, 2018, powder-coated aluminium, 32 x 90 x 8 cm / 12.6 x 35.4 x 3.1 in
Liam Gillick,
Denominator Platform 2018,
powder-coated aluminium, plexiglass
200 x 300 x 5 cm / 78.7 x 118.1 x 2 in
Leeched Screen, 2014,
powder-coated aluminium, Plexiglas,
304.8 x 213.5 x 31.5 cm / 120 x 84.1 x 12.4 in
Liam Gillick, Consumption Channelled, 2018, powder-coated aluminium, 32 x 45 x 8 cm / 12.6 x 17.7 x 3.1 in
Liam Gillick, Critical tiles..., 2018, matte black vinyl on wall, 300 x 300 cm / 118.1 x 118.1 in
Liam Gillick, Expansion Channelled, 2018, powder-coated aluminium, 16 x 45 x 8 cm / 6.3 x 17.7 x 3.1 in
Liam Gillick, Logies. Graphies., 2018, matte black vinyl on wall, 250 x 205 cm / 98.4 x 80.7 in
Liam Gillick, Accountability Channelled, 2018, powder-coated aluminium, 32 x 90 x 8 cm / 12.6 x 35.4 x 3.1 in
Liam Gillick Distinct Elevation 2017 powder coated aluminium, Plexiglas 200 x 280 x 140 cm / 78.7 x 110.2 x 55.1 in
Liam Gillick, Reached Horizon, 2017, powder-coated aluminium, 30 elements, 185 x 400 x 5 cm / 72.8 x 157.5 x 2 in
Liam Gillick AC/DC Joy Division House,
Absent Model Of A Social Centre For Teenagers For Milan 1993 (Porto), 2016
Acrylic and text, Disklavier piano with sound, artificial red snow
Installation view of Campaign exhibition (part III – 26 May until 25 September 2016) at Museu de Arte Contemporânea de Serralves, 2016
Photo: Filipe Braga, © Fundação de Serralves, Porto
Post Discussion Development Platform 2014
powder coated aluminium, plexiglas
240 x 120 x 120 cm / 94.5 x 47.2 x 47.2 in
Liam Gillick Neural Mechanisms 2016 birch plywood, two pack lacquer - RAL5022, mirror 200 x 102.5 x 30 cm / 78.7 x 40.4 x 11.8 in
Liam Gillick riggedattraction 2014 powder coated aluminium 50 elements 180 x 640 x 10 cm / 70.9 x 252 x 3.9 total size
Complete Bin Development
6 elements, each element 300 x 150 x 150 cm / 118.1 x 59.1 x 59.1 in
Progression Stream
Devised Production Structure
(The doors to the administration building have been left open) 2012
Three elements
Element 1: powder-coated aluminium, Plexiglas, 200 x 250 x 240 cm
Element 2: powder-coated aluminium, 200 x 250 x 240 cm
Element 3: Vinyl text cut from Adobe Illustrator™ EPS file, Dimensions variable
Lesser Reduction
powder coated aluminium
each element 180 x 3 x 15 cm / 70.9 x 1.2 x 5.9
over all size 180 x 198 cm / 70.9 x 78 in
A Game of War Structure
anodized and powder-coated aluminium
106.5 x 125 x 155 cm / 41.9 x 49.2 x 61 in
McNamara Motel
white neon
Unique with 1 AP
350 x 37 cm / 137.8 x 14.6 in approx
Stacked Revision Structure
powder-coated aluminium
Collection Albright-Knox Art Gallery, Buffalo. NY
Lying on Top of a Building...
The Clouds Looked no Nearer than when I Was Lying on the Street...
each-run-of-text-60x18.28x20cm
Fairmont, Pacific-Rim, Vancouver
Dynamica Building (with Rodrigo Gomez Villaseñor)
various materials
Gebäude building in Guadalajara, Mexico
Negotiated Collapse
powder coated aluminium, transparent Plexiglas, Unique
wall mounted screen structure
230 x 50 x 20 cm / 90.6 x 19.7 x 7.9 in
24/7 Kiosk
installation view, Zeebrugge, Belgium
Grouped Decided
painted aluminium, opaque Plexiglas
59.1 x 118.1 x 11.8 in
Expansion in the snow
powder coated aluminium, plexiglas, Unique
two elements each:
50 x 200 x 10cm / 19.7 x 78.7 x 3.9
Related-Faction
anodised-aluminium, Plexiglas
each element 50x120x10cm
Government-Art-Collection,London
Red snow
two elements each: 50 x 75 x 10 cm / 19.7 x 29.5 x 3.9 in
all hawaii eNtrees / luNar reGGae
installation view, Irish Museum of Modern Art
Projected Replapse
painted aluminium
200 x 15 x 3 cm each
overall size, 200 x 136 x 15 cm
Home Office London
Building in Marsham Street, London
Government Art Collection, London
Four Levels of Exchange
4 elements, each 50 x 460 cm (diameter)
LAC - Lufthansa Aviation Centre, Frankfurt am Main
56th Floor Structure
installation view:
Singular Forms, Solomon R. Guggenheim Museum, New York, 2004
A Depicted Horse is not a Critique of a Horse
Liam Gillick, Denominator Platform, installed at Goethe-Institut Irland, Dublin, 2018
Liam Gillick, The Light is no Brighter at the Centre, Contemporary Art Centre (CAC), Vilnius, Lithuania, 17 November 2017 – 14 January 2018
ELBPHILHARMONIE REVISITED
Deichtorhallen, Hamburg
Fotos © : Henning Rogge / Deichtorhallen Hamburg
A Game of War (Terrain), 2016
Painted wood and text
What's What in a Mirror
Dublin City Gallery The Hugh Lane
28 April 2016 - 25 September 2016
From 199C to 199D
Le MAGASIN, Centre National d'Art Contemporain de Grenoble
6 JUNE - 7 SEPTEMBER 2014
For the doors that are welded shut
27 July – 14 September 2013
From 199A to 199B
Hessel Museum of Art, Bard College
Two Short Plays
Eastside Projects, Birmingham
How are you going to behave? A kitchen cat speaks 2009, wood, lamps, stuffed cat, text, door blinds, MP3 player, dimensions variable
Executive Two Litre GXL
MAK, Vienna
Three Perspectives and a Short Scenario
Wall Diagrams From The Early 1990s and 2000s
House of Art, Czech Republic
Theanyspacewhatever
Guggenheim Museum, New York
Social Sculpture
Whitechapel Gallery, London
Construcción de Uno (Prequel)
Tate Triennial
How to improve the World
A short text on the possibility of creating an economy of equivalence
Palais de Tokyo, Paris
b. 1964, Aylesbury, England
Liam Gillick is one of the most prominent and important figures to have emerged in international contemporary art since the mid-1990s. The diverse forms of his art, ranging across sculpture, installation, filmmaking, writing and varied collaborative projects, often allude to pivotal moments in the history of modern and postmodern art. In particular, the profound, dual influence of minimalism and conceptualism is evident both in his recurrent sculptural use of sleek modular forms, strictly colour-coded based on the RAL system, and in his commitment to 'dematerialised' modes of practice – his many texts and talks are understood as integral elements of his art.
Crucially, however, Gillick's references are always situated in relation to other vital coordinates for understanding the place of art within contemporary culture. Questions of economy, labour and social organisation are ongoing preoccupations. His precisely calibrated use of Plexiglas and aluminium might recall minimalism's 'specific objects', but these materials are also employed on the basis of other associations – for instance, as the main components of riot shields or corporate signage. Gillick's work brings apparently contradictory meanings into renewed proximity, thus repeatedly testing and troubling the terms and expectations of art within contemporary capitalism.
Recent solo exhibitions include: Standing on Top of a Building: Films 2008-2019, Madre Museum, Naples, (2019); Gelation & Liam Gillick, Stinking Dawn, Kunsthalle Wien Museums quartier, Vienna, (2019); Fly Me To The Moon, Kunsthaus Zürich, Zürich, (2019); BAU [SPEIL] HAUS, Neues museum, State Museum for Art and Design in Nuremberg; & Nürnberg, Germany, (2019); ART=CLIMATE=CHANGE 2019 festival, Potter Museum, Melbourne, (2019); A Depicted Horse is not a Critique of a Horse, Kerlin Gallery, Dublin, (2018); The Light Is No Brighter at the Centre, Contemporary Art Centre, Vilnius (2017); Were People This Dumb Before TV?, Contemporary Art Centre, Vilnius (2017–18); Fundação de Serralves, Porto (2016-17); Dublin City Gallery The Hugh Lane, (2016); Stedelijk Museum, Amsterdam (2015); MAGASIN, Grenoble, (2014); The Contemporary Austin, TX, (2013-14); Bampton Lecture Series, Columbia University, New York, (2013); Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York, (2012); Museum Stzuki, Lodz, Poland, (2011); Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany, (2010); German Pavilion, Venice Biennale, Venice, (2009); Kunsthalle Zürich, Zürich, (2008), travelling to Witte de With, Rotterdam, (2008); Palais de Tokyo, Paris, (2005). Selected biennales include Okayama Art Summit, Japan, (2016); Yinchuan Biennale, China, (2016); EVA International, Ireland, (2016); 14th Istanbul Biennale, (2015); 8th Shanghai Biennale, Shanghai, China, (2010) and the German Pavilion, 53rd Venice Biennale, (2009).
12 July- 28 August 2019
Park, Guangzhou
Holly's Gallery, Guangzhou, China
16th March – 16th May 2017
DEEP ONE PERFECT MORNING
Caroline Achaintre, Aleana Egan, Mark Francis, Liam Gillick, Sam Keogh, Isabel Nolan and Jan Pleitner
27th July - 14th September 2013
Someone Else's Life
Liam Gillick, Siobhan Hapaska, Callum Innes, Jaki Irvine
14th January - 12th February 2011
SEVEN STRUCTURES AND A LARGE VODKA SODA...
25th March - 1st May 2010
Literally Based on H.Z.
11 November - 10 December 2006
Architecture Schmarchitecture
21 March - 26 April 2003
Liam Gillick - Half A Complex
Liam Gillick - A Depicted Horse is not a Critique of a Horse
Liam Gillick - One long walk… Two short piers…
Liam Gillick, Mudam Collection
20 June - 6 September 2020
Mudam, The Contemporary Art Museum of Luxembourg
'Hier, Aujourd'hui, Demain' presents works from Mudam's collection across three floors of the museum.
Liam Gillick & Gelatin, Stinking Dawn
5 July - 6 October
Stinking Dawn is an exhibition in the form of a production process for a full-length feature film by Gelatin and Liam Gillick. The collaboratively developed and improvised experimental film will examine the limits of human tolerance in the face of oppression, political crisis and excessive self-delusion. It follows the destiny of four privileged young people who grow up at a time of crisis and move through various stages of development and self-reflection towards a final moment of collapse.
Liam Gillick, Standing on Top of a Building: Films 2008-2019
Madre Museum, Naples, Italy
22 June - 14 October 2019
In piedi in cima a un edificio: Film 2008-2019 / Standing on Top of a Building: Films 2008-2019 is the first retrospective dedicated exclusively to the video-film production by Liam Gillick (Aylesbury, UK, 1964), one of the most important international contemporary artists. In his practice, Gillick explores the cultural, political and economic space-time of the late capitalist society, by claiming the importance of the reflection, the awareness and the – still possible – participation of the individual.
Liam Gillick, COMMON DENOMINATOR
Goethe-Insitut Irland, Return Gallery, Dublin
The Goethe-Insitut Irland's Return Gallery is pleased to present COMMON DENOMINATOR, a series of exhibitions and events. The exhibition features Liam Gillick's specially designed platform for the Return Gallery.
Liam Gillick, The Light is no Brighter at the Centre
Contemporary Art Centre (CAC), Vilnius, Lithuania
Solo exhibition curated by Neringa Bumblienė.
Liam Gillick co-curating Come una falena alla fiamma
OGR Torino, Turin, Italy
4 November 2017 – 14 January 2018
Come una falena alla fiamma / Like a Moth to a Flame. Curated by Tom Eccles, Mark Rappolt and Liam Gillick.
Liam Gillick in Parapolitics
Haus der Kulturen der Welt, Berlin, Germany
3 November 2017 – 8 January 2018
Curated by Anselm Franke, Nida Ghouse, Paz Guevara, and Antonia Majaca. With works by Art & Language, Doug Ashford, Michael Baers, Samuel Beckett, Charles & Ray Eames, Peter Friedl, Liam Gillick, Sheela Gowda, Philip Guston, Irving Norman, Nam June Paik, Sigmar Polke, Steve Reich, Ad Reinhardt, Gerhard Richter, Faith Ringgold, Norman Rockwell, Frank Stella, The Otolith Group and others.
Liam Gillick in FLATLAND
Mudam Luxembourg
7 October 2017 - 15 April 2018
Exhibition with Laëtitia Badaut Haussmann, Francis Baudevin, Philippe Decrauzat, Marie-Michelle Deschamps, Angela Detanico / Rafael Lain, Hoël Duret, Sylvie Fanchon, Liam Gillick, Mark Hagen, Christian Hidaka, Sonia Kacem, Tarik Kiswanson, Vera Kox, Sarah Morris, Reinhard Mucha, Damián Navarro, Camila Oliveira Fairclough, Bruno Peinado, Julien Prévieux, Eva Taulois, John Tremblay, Pierre Vadi, Elsa Werth, Raphaël Zarka.
Liam Gillick & Paul Seawright in A Green and Pleasant Land
Towner Art Gallery, Eastbourne, UK
Group exhibition with Keith Arnatt, Gerry Badger, Craig Barker, John Blakemore, Henry Bond and Liam Gillick, Paul Caponigro, Thomas Joshua Cooper, John Davies, Susan Derges, Mark Edwards, Anna Fox, Melanie Friend, Hamish Fulton, Fay Godwin, Andy Goldsworthy, Paul Graham, Mishka Henner, Paul Hill, Robert Judges, Angela Kelly, Chris Killip, John Kippin, Karen Knorr, Ian Macdonald, Ron McCormick, Mary McIntyre, Peter Mitchell, Raymond Moore, John Myers, Martin Parr, Mike Perry, Ingrid Pollard, Mark Power, Paul Reas, Emily Richardson, Ben Rivers, Simon Roberts, Paul Seawright, Andy Sewell, Theo Simpson, Graham Smith, Jem Southam, Jo Spence, John Stezaker, Paddy Summerfield, The Caravan Gallery, Chris Wainwright, Patrick Ward, Clare Woods and Donovan Wylie.
Park, Guangzhou & Hong Kong
Co-organised with Holly's Gallery
Park is an exhibition across two venues in Guangzhou and Hong Kong.
Artists: Liam Gillick, Callum Innes, Merlin James, Liu Ke, Isabel Nolan, Sean Scully, Liliane Tomasko, Zhou Li
Liam Gillick to direct Okayama Art Summit
9 October – 27 November 2016
Liam Gillick is the artistic director of the first Okayama Art Summit, which will be held in Okayama, Japan. The title for the event is "Development."
Liam Gillick, Yinchuan Biennale
9 September – 18 December 2016
As part of the inaugural Yinchuan Biennale, Liam Gillick will present two large-scale wall diagrams: one abstract, the other an algorithm.
Liam Gillick in Béton
Kunsthalle Wien, Vienna
25 June – 16 October 2016
Work by Liam Gillick will be included in Béton, a group exhibition at Kunsthalle Wien exploring the artstic and architectural legacy of concrete.
Liam Gillick, What's What in a Mirror
Dublin City Gallery The Hugh Lane, Dublin
28 April – 25 September 2016
As part of the Hugh Lane's 2016 Exhibition Programme, 'The Artist as Witness', Liam Gillick will present a solo exhibition of site-specific new work.
Artist Talk: the artist will also discuss and reflect on the exhibtion at 5.30pm, Thursday 28th April. No need to book, but places are limited, so please arrive early.
Liam Gillick, And Then...
EVA International, Limerick
14 April – 14 July 2016
Part of EVA International 2016, And Then... is a spoken word film festival by Liam Gillick. The event will run nightly from 7pm in Mother Macs pub, High Street, Limerick over the opening weekend (14 – 17 April), and every Thursday from 7pm thereafter.
Liam Gillick, Campaign
Fundação de Serralves, Porto
28 January 2016 – 3 January 2017
This first exhibition in Portugal of Liam Gillick (1964, Aylesbury, UK) takes the form of an evolving presentation over one year that reflects Gillick's long-standing engagement with questions of process, participation, collectivity and decision-making, and of which his varied approach to language and the language of space is an expression.
Liam Gillick, Istanbul Biennale
5 September – 1 November 2015
Liam Gillick will participate in the 14th Istanbul Biennale with Hydrodynamica Applied, a new site-specific piece on the side of the Istanbul Modern building.
Liam Gillick, All-Imitate-Act
Stedelijk Museum, Amsterdam, The Netherlands
30 May – 23 June 2015
From May 30, All-Imitate-Act, a new installation by the British artist Liam Gillick will be on view on the Museumplein, right in front of the Stedelijk.
Liam Gillick, From 199C to 199D
MAGASIN - Centre National d'Art Contemporain de Grenoble
MAGASIN - Centre National d'Art Contemporain de Grenoble presents an exhibition by artist Liam Gillick. 199C to 199D is the second part of a collaborative process that began with the artist working alongside students of the Center for Curatorial Studies at Bard College (New York) in 2012.
24 October 2013 - 16 February 2014
Walker Art Center
Walker Art Center presents 9 Artists, an international, multigenerational group exhibition featuring Yael Bartana, Liam Gillick, Natascha Sadr Haghighian, Renzo Martens, Bjarne Melgaard, Nástio Mosquito, Hito Steyerl, and Danh Vo.
The Contemporary Austin, Texas
21 September 2013 - 5 January 2014
Liam Gillick's solo exhibition at The Contemporary Austin will open 21 September. The exhibition consists of a multicolored, powder-coated steel platform structure installed below the villa at the border of the waterfront on Laguna Gloria's grounds (the museum's twelve acre site of semi-wild landscape), and a film taken by the artist on his visits to the grounds. The film will be exhibited at the Jones Center.
Liam Gillick, From Fredensborg to Halen via Loch Ruthven - Courtyard Housing Projections
H-I-C-A, Inverness-shire, Scotland
1 September - 6 October 2013
From Fredensborg to Halen via Loch Ruthven - Courtyard Housing Projections, Liam Gillick's ongoing residency project with the Highland Institute for Contemporary Art, will open to the public on Sunday 1 September, 2 - 5 pm, and continue as a developing exhibition until 6 October.
Liam Gillick, Bampton Lecture Series
Columbia University, New York, Miller Theatre (2960 Broadway at 116th St)
26 February 2013 - 07 March 2013
In Collaboration | Bampton Lecture Series
Liam Gillick: Creative Disruptions in the Age of Soft Revolutions
Selected as the 38th Bampton Series speaker, artist and Visual Arts faculty Liam Gillick presents a series of four lectures examining a particular genealogy of the modern period that offers a revised understanding of the origins of contemporary art and its analysis. The series is co-presented by the Institute for Religion, Culture and Public Life.
Liam Gillick, The Journal of the Association of Art Historians
Art History Volume 36, Issue 1, pages 180–205, February 2013
Article first published online: 10 December 2012
Bill Roberts' "Burnout: Liam Gillick's Post-Fordist Aesthetics" in the Journal of the Association of Art Historians
Liam Gillick, Interviewed by Tom Eccles
Liam Gillick interviewed by Tom Eccles in November's issue of ArtReview
Liam Gillick, Inhabited Architecture
Guggenheim Museum Bilbao, Spain
19 September 2012 - 19 May 2013
The show features six works from the Guggenheim Bilbao Collection, the majority of which have never been exhibited before, including Liam Gillick's How are you going to behave? A kitchen cat speaks (2009) curated by Lucía Agirre
Liam Gillick, 199A TO 199B
Hessel Museum of Art, Bard College, New York
23 June 2012 - 21 December 2012
Liam Gillick: From 199A-199B is one of the featured exhibitions of CCS Bard's 20th anniversary year and offers a comprehensive survey of the artist's seminal projects and installations which challenged the orthodox presentation and reception of art and its methods and practices during the 1990s.
New Order + Liam Gillick: So It Goes review – a suitably theatrical Manchester return
Hence this first of five Manchester international festival keynote shows, also called So It Goes – which have the rather arty, very Factory Records subtitle ∑(No,12k,Lg,17Mif) and pair the band with a 12-piece synthesiser orchestra from the Royal Northern College Of Music and a "responsive" stage set designed by visual artist Liam Gillick.
Liam Gillick, Dublin City Gallery The Hugh Lane
Eight sets of specially designed, differently coloured, lacquered wooden desks and stools, each featuring a circular mirror positioned as if on a dressing table, were inserted into galleries and other ancillary spaces. As quasi-domestic fixtures inside this venerable public building, they offered new locations for momentary reflection (in both senses): at the tops of staircases, in quiet corners, and within an existing collection display. Gillick's intervention was commendably restrained, concerned above all with low-key self-questioning – even as it hinted that historical celebrations can become situations of excessive national self-absorption. But as pieces of original design, his furniture also aimed to expand the frame for retrospection, alluding in their simple, elegant form to those European avant-garde styles he has long valued. They shifted our attention from national to international contexts: from our house to Bauhaus.
- Declan Long
Liam Gillick: For the doors that are welded shut, Kerlin Gallery
Gillick's third appearance at Kerlin Gallery, Dublin, sees two new works taking over the space – Complete Bin Development which consists of six structures made of aluminium and Plexiglass, is complemented by A Short Song, a two-part, wall text in powder coated aluminium. Running until 14 September, the first work follows on from research into the possible permutations conceivable within the production of car bodies prior to the emergence of entirely automated production systems. Although the sequence of towered formations are subject to the laws of engineering, the pieces can be seen as inherently abstract and flexible in terms of location and structure.
The Journal of the Association of Art Historians
Burn Out: Liam Gillick's Post-Fordist Aesthetics
A broadened perspective on Gillick must, then, look beyond the sculpture, not only to the texts, but towards the performative dimension of his artistic labour in toto, and specifically towards the dynamics of relay, deferral, dislocation and proliferation...
- Bill Roberts
Art In Conversation (with William Corwin)
William Corwin sat down with Liam Gillick to discuss a recipe for creating public art that is neither grandiose, kitschy, nor dismissive of the public; the responsibilities of the contemporary curator; and the joys of lying face down on the floor. Gillick currently has an exhibition at Casey Kaplan (Scorpion and und et Felix, May 2 – June 23) and will have a survey at Hessel Museum of Art at Bard College's Center for Curatorial Studies this summer (June 23 – December 21) titled From 199A to 199B.
This interview originally appeared in a different form on Art International Radio.
Other People and Their Ideas
TOM ECCLES: You've just completed two major projects, From 199A to 199B: Liam Gillick (a survey of your works from the 1990s) at Bard's Hessel Museum and To the Moon via the Beach (a large-scale curatorial project with Philippe Parreno and others in the Roman amphitheatre) in Arles. Both share similar artistic strategies of creating a framework of a platform in which collaborative actions can take place. The project in Arles also involved many of the artists with home you've worked and been associated with since the 1990s. Besides scale, what do you consider as significant changes since that time?
LIAM GILLICK: There are changes that are explicit and others that are implicit. The explicit ones are connected to the shifting economics and structural components of the art context. One aspect that is somewhat overlooked is a rise in instrumentalisation of advanced art where public or foundation funding is involved – that biases towards 'good works' that may appear to be responsive or open to 'the public'. Of course, from the beginning we were all very aware of the difference between a public and an audience. There is an audience for anything, but dealing with a layered, multiple and complex public is another question altogether. This issue of instrumentalisation is much more problematic to deal with than simple pseudoethical anxieties about markets – which are easy to identify and deconstruct…
Interview by Tom Eccles

redpajama_set_name: RedPajamaCommonCrawl


Composite flywheels: Finally picking up speed?
A wave of new composite flywheel developments for bus, rail, auto, heavy truck, construction equipment, and power grid support promises fuel savings, improved efficiency and reduced emissions — i.e. sustainability in the global quest for more energy.
Go-Ahead Group has outfitted six London buses with composite flywheels from Williams Hybrid Power, modified from reliable, performance systems used in Formula 1 racing.
SOURCE: (left) Go-Ahead Group, plc and (right) Williams Hybrid Power.
Flywheels have been used for thousands of years (e.g., in pottery wheels) and are still used in piston engines today. The basic design of a flywheel is a disk that rotates, sometimes at very high speeds, using conservation of energy to store surges from a power system and then release that power back as needed.
In the 1950s and 60s, flywheels were used on buses in Switzerland, but they were heavy, prone to explosive failure and had no way of compensating for the angular momentum that made turning difficult. Composites have played a large part in solving these issues.
In the 1960s, Urenco (Buckinghamshire, U.K.) developed a flywheel that used composite materials to make the disk, or rotor, much lighter and replaced stationary magnets with a magnetically loaded composite (MLC) made from glass fiber impregnated with magnetic powder. (See "Composite Flywheel: HEV racing dynamo" in Dec 2011 CT). The MLC eliminates eddy current losses, boosting storage efficiency to 97 percent, while carbon fiber has significantly increased rotor tensile strength.
All-composite rotors — versus steel hub and composite overlay — offer lighter weight and reportedly improve safety. The lighter weight also improves energy storage, as POWERTHRU explains: "Kinetic energy is roughly equal to mass times velocity squared. So doubling mass doubles energy storage, but doubling the rotational speed quadruples energy storage." Thus, today's all-composite rotors allow faster rotational speed (40,000 to 60,000 rpm), which increases short-term energy storage capacity.
Composite construction has also helped ensure safety via optimized containment and rotor designs that are less prone to fail, but when they do, can be completely contained. Finally, gimbals are now used to counteract angular momentum effects. As the CT article describes, Urenco's composite flywheel technology was modified by the Williams Formula 1 motorsports team and then spun off as Williams Hybrid Power (WHP, Oxfordshire, U.K). Many other companies have also now entered the market.
There are two main forms of equipment: mobile systems for cars, trucks, construction equipment and light rail trams, and stationary units used to support mass transit rail systems and power grids.
For cars, trucks and construction equipment, the flywheel is typically coupled with a continuously variable transmission (CVT) or hybrid transmission by electrical cables. During braking, electricity is generated by an electric traction motor at the axles, which travels through the cables to charge the flywheel, spinning it up to 40,000 rpm or higher. Then, when the vehicle accelerates, the system works in reverse, so that less energy is needed from the combustion engine or from an electric/hybrid vehicle's batteries. Energy/fuel savings can be as much as 40 percent, and CO2 emissions are also cut significantly. Thus, the more a vehicle stops and starts, the better its fuel efficiency, and, unlike a battery, a flywheel never loses its ability to charge and discharge energy.
WHP won the 2013 Low Carbon Champion Award for its program with partner Go-Ahead Group (Newcastle upon Tyne, U.K. – for link, scroll down to Flywheel Buses) — which claims to be London's largest bus operator with a fleet of 4,600 buses — to retrofit six buses with flywheel technology aimed at a 20 percent increase in fuel efficiency.
Audi won the 24 Hours of Le Mans race in 2013 for the second consecutive year with the R18 e-tron quattro, supported by WHP flywheel energy storage technology. The hybrid racecar ran for 24 hours without any technical problems in difficult, wet conditions, demonstrating the robustness of its hybrid system. This adds to the one-two victory in the 2012 race, where the R18 e-tron quattro became the first ever hybrid vehicle to finish on the podium.
Volvo is testing an experimental flywheel-based kinetic energy recovery system (KERS) on a turbocharged four-cylinder Volvo S60 that adds up to 80 horsepower, the same as adding two more cylinders, but with 25 percent better fuel economy for a car that accelerates to 100 km/hr (62 mph) in 5.5 seconds.
Ricardo (Shoreham-by-Sea, West Sussex, U.K.) launched its TorqStor high-speed flywheel energy storage unit at the CONEXPO 2014 show in Las Vegas on March 4. In a 17-tonne production excavator, TorqStor stores and re-uses roughly half of the total potential energy currently wasted in arm/bucket descent, reducing fuel burned by 10 percent.
Hatch (Mississauga, Ont., Canada) has teamed with Williams F1 to develop new products and services for current and potential mining, energy, infrastructure and industrial clients. In presentations, it lists energy savings for mining equipment and remote location wind-diesel power generation systems as key targets.
Even using a low-speed, steel flywheel, Parry People Movers (Cradley Heath, U.K.) was able to downsize the liquid natural gas (LNG)/propane-fueled internal combustion engines (ICE) for propulsion in two railcars from 14 liters to 2.3 liters and added regenerative braking. As a result of this 2011 project, the 10 metric ton vehicle's fuel economy was increased seven to eight times versus previous diesel propulsion, while reducing CO2 emissions by more than 300 percent.
WHP and Alstom Transport (Saint Ouen, France) have signed an agreement to put flywheel energy storage systems onto Alstom Citadis trams by 2014 with a goal of 15 percent fuel savings.
These include lineside systems for mass transit rail networks and electrical grid support, the latter including power output smoothing for wind-diesel and other hybrid renewable energy-based systems. Flywheel energy storage devices reduce the amount of diesel fuel needed in hybrid systems when the wind or other renewable energy output falls. They also reduce charge-discharge cycles for batteries, enabling them to be used as long-term bulk storage, which is their strength. This prolongs battery life and improves the network's transient response (i.e. decreases the number of seconds-long power outages) and fault-clearing capability (each power loss, or fault, must be cleared before power can be restored).
Pentadyne Power Corporation (Los Angeles, Calif. - POWERTHRU acquired production assets in 2010) supplied a 2.4MW lineside system using carbon composite flywheels for the Long Island Rail Road (LIRR) Hempstead Line. A previous demonstration flywheel system was successfully tested on the Far Rockaway line in 2002.
Vycon (Cerritios, Calif.) announced in November 2012 its award of a $3.6 million contract by the Los Angeles County Metropolitan Transportation Authority (LACMTA) to install a flywheel energy recovery system at the Red Line Westlake/MacArthur Park Station. Another flywheel system is planned for the Gold Line in Highland Park. Vycon discusses both steel and composite rotors but does not detail its "proprietary" construction. It is interesting to note that LACMTA's 2013 Sustainable Rail Plan describes the high maintenance of flywheel systems. This may very well be due to Vycon's use of steel vs. purely composite in its rotors.
Beacon Power, LLC (Tyngsboro, Mass., USA) has emerged from bankruptcy in 2012, and is now backed by a private investment firm. It claims to be the world leader in grid-scale flywheel energy storage systems with two 20 MW energy storage facilities in operation, the first at Stephentown, N.Y. and the second in Hazle Township, Pa.
WHP has installed stationary flywheel systems on Fair Isle and the Isle of Eigg in Scotland.
According to WHP director Patrick Head, there are 500,000 composite centrifuge rotors (used for enriching uranium) that have been operating 24/7 for 20 years. (Note: a quick analysis of Urenco enrichment facilities estimates 575,000 centrifuges in operation by 2020.) According to an in-house strategy document, Urenco claims, "Another huge strength that Urenco has is their centrifuge technology that runs for 35 years while competitors have to replace their machines every 12 to 15 years." Williams claims that initial investment costs for its stationary flywheel systems — which are capable of 7 to 10 million deep charge-discharge cycles — are much lower than competitive energy storage systems that have much shorter service lives, namely ultracapacitors (≈1 million cycles) and batteries (≈10,000 cycles).
The report "Advanced Energy Storage Systems Market by Technology . . . Global Trends & Forecast to 2018" by MarketsandMarkets.com — which includes flywheels as well as pumped hydro, compressed air, batteries and supercapacitors, and is also split by grid storage and transportation applications — estimates an annual growth in excess of 16 percent, from more than $4 billion in 2012 to nearly $10 billion by 2018. There are many other estimates that predict higher numbers. For example, battery supplier Eos Energy (New York, N.Y.) predicts a global opportunity of $16 billion by 2016 for batteries in electric vehicles alone. Other projections for power grid devices are in the $33 billion range.
Be safe to transport and non-toxic to dispose of, as well as made of raw materials that can be obtained without causing major environmental damage.
Flywheels actually deliver almost all of these, except for cost, which is still an issue. The table below shows projected cost figures given in the 2011 ORNL report with an additional line item for the Velkess flywheel, developed by Silicon Valley inventor, Bill Gray. He claims it can store electricity for $300,000/MWh, or what he says is about one-tenth the cost of comparable storage by Beacon Power. Gray says he reduced the cost of materials by using E-glass fiber instead of carbon fiber.
Interestingly, Boeing Research & Technology (Seattle, Wash., USA) showed a graph in a 2012 presentation targeting less than $100/kWh via a new proprietary fiber in the flywheel rotor material. Meanwhile, WHP's Patrick Head says its materials cost $723.12 per unit and is targeting an annual production of 1,500 machines. However, it admits these small volumes keep unit cost high and for its next step in mass production a partner like GKN, Alstom or Siemens will be needed to achieve the necessary manufacturing efficiencies.
Will flywheels finally reach the tipping point? The market drivers for improved fuel efficiency, smart grids and more sustainable power networks are all supporting it, and the wave of players involved is mounting. Still, volume applications are needed. Perhaps if new lower cost composite rotors can indeed deliver performance and reliability, and manufacturing can be scaled sufficiently, flywheels will at last be able to deliver their energy potential en masse.


Regardless of what avenue of fundraising you go down, we'd love it if you followed a few of our fundraising tips. Read below and click on the links to get all the information that you need to succeed in your fundraising however you choose to do it.
– Introduce CGLF and its aims.
– Describe our relief efforts during and after the quake and be explicit about our strengths – Nepali charity with understanding of local people and areas; Reaching remote mountain regions where international charities have not yet ventured.
– Tell people where their money will be going – although we cannot say in advance whether your donations will be spent on food, transport, medicine, or other supplies, we can assure you that no contribution will be misspent. All donations will go toward earthquake relief efforts.
– Make it personal – Were you in Nepal at the time of the quake? Have you been to Nepal before? Are you a student of our Rinpoches? Your experience will encourage people to trust CGLF with their donations.
– Use footage and images from our website to create a sense of the reality of the situation. Telling people 'it's bad, but we're helping' will only go so far – but if you can include pictures and interviews in your presentation/speech it will help to solidify the matter in people's minds.
– Donate the money you have raised to CGLF. Remember every minute counts on the ground in Nepal, so the sooner you can get donations to us the better.
Thank you from the CGLF team and the people of Nepal!


, the insecticide suspected in the insect deaths, to determine further action.
"We have to do this now and prevent any additional bumblebee loss," said Mace Vaughan, pollinator program director at the Portland-based Xerces Society. Tests to confirm the cause of the deaths could take two or three more days, according to officials at the agriculture department. They are testing for insecticides as well as possible natural causes, including any natural toxicity in the linden trees.
Elliot Associates, the land management company that rents the space to Target and other stores at the Argyle Square shopping center, is coordinating with government officials and the landscape contractors to determine if regulations were violated, a company representative said in an email.


text:
namespace remoting {

// A PageLoadNotificationObserver allows code to wait until a give URL is loaded
// in any tab in any browser window, i.e. NotificationService::AllSources().
// This simple pattern is not easy to implement using
// WindowedNotificationObserver because we need to bind the observer object
// in the callback but we also need to provide the callback when constructing
// the observer object.
class PageLoadNotificationObserver
    : public content::WindowedNotificationObserver {
 public:
  explicit PageLoadNotificationObserver(const GURL& target);

  ~PageLoadNotificationObserver() override;

  void set_ignore_url_parameters(bool ignore_url_parameters) {
    ignore_url_parameters_ = ignore_url_parameters;
  }

  // WindowedNotificationObserver caches the source parameter whenever
  // a page load occurs. Since we're only interested in the one for which
  // IsTargetLoaded returns true, we have to cache it separately.
  const content::NotificationSource& matched_source() {
    return matched_source_;
  }

 private:
  bool IsTargetLoaded();

  GURL target_;
  bool ignore_url_parameters_;
  content::NotificationSource matched_source_;

  DISALLOW_COPY_AND_ASSIGN(PageLoadNotificationObserver);
};

}  // namespace remoting

#endif  // CHROME_TEST_REMOTING_PAGE_LOAD_NOTIFICATION_OBSERVER_H_

redpajama_set_name: RedPajamaGithub


text:
Aimee Hauer Biography, Net worth, Wiki, Age, Height, Partner
December 20, 2022 by Stars Fact
Aimee Hauer is a famous massage therapist and has recently been in the news for her relationship with famous standup comedian Rosie O'Donnell. The two have started presenting the events together and seem happy to pose for photos together and show their joy on social media. But unlike Rosie O'Donnell, Aimee is not a media personality. She has evolved outside of media coverage and peacefully carries on her massage business.
Aimée Hauer career
Aimee Hauer biography
Aimee Hauer family
Aimee Hauer Net Worth
Aimee Hauer was born in 1977 and is around 43 years old, according to her TikTok account. Last year, on one of the episodes of the lesbian podcast, she revealed that she was raised in strict Mormon circumstances. It originally belongs to Boise, Idaho. She also received her degree from Utah College in November 2003 with a major in massage therapy.
Aimee is a massage therapist and has received her expertise in massage therapies and techniques such as Swedish theory; Eastern body therapies including shiatsu, reflexology and acupressure; and western practices. Nevertheless, she is also an expert in trigger point therapy, injury massage and cranio-sacral therapy. Aimee's work is located in Spokane, Washington and is also highlighted by her work in the Downtown Spokane citywide business directory.
Abhishek Banerjee Bio, Wiki, Wife, Height, Age, Family, Net Worth
Previously, there was a post on Wink A Salon's Facebook page promoting Hauer with the possibility of anyone getting a free massage on the condition that the person had to bring the gift certificate from Aimee Hauer, LMP, who linked Hauer Contains style seat profile which has now been deleted. On the one hand, the post appears to be somewhere around June 3 on the Facebook page, but the link to Hauer's profile and the Wink A Salon website is no longer active. By using the profile link, more than 2,200 people are known to have "checked in" and the business location is in central Spokane.
Real name Aimee Hauer
Place of birth United States
profession Massage Therapist
University Utah College of Massage Therapy
Height in feet inches – 5′ 10" – in centimeters – 177 cm
Is Aimee Hauer a lesbian? Yes
Who is Aimee Hauer's girlfriend/partner? Rosie O'Donnell
children Izzie Porter, Elliott
Aimee Hauer is committed to her new girlfriend, Rosie O'Donnell, a popular American actress, TV personality, stand-up comedian and author. The couple made their red carpet debut at the Stand Up For Friendly House benefit on Saturday, July 16, 2022 in Los Angeles. Last month in June, the couple appeared together and showed off their new relationship on Instagram. According to her TikTok account, Aimee appears to be around 43 and Rosie appears to be 60, so the age difference between the two is 17 years.
On her TikTok account, Aimee revealed that she got married "off duty" at the age of 21. She has a daughter, Izzie Porter, and a son, Elliott, with her ex-husband. Elliott is about 15 years old. After ending the marriage in divorce, she endured an 8-year court battle against her husband for full custody of their daughter, which she won. Rosie O'Donnell and Aimee became Instagram Officials on June 1, 2022, the first day of Pride Month. Now, on July 16, 2022, they appeared on the red carpet together, officially showing their relationship to the media.
While Hauer has two children, Rosie is known to have four children — two sons Parker, 27, and Blake, 22, and two daughters Chelsea, 24, and Vivienne, 19 — with ex-wife Kelli Carpenter, with whom she ended her marriage in Year 2004. After her and Kelli split, Rosie remarried to Michelle Rounds and remained committed to her from 2012 to 2015. The women shared a 9-year-old daughter, Dakota, and shortly after they divorced in 2015, Michelle apparently died of suicide in September 2017.
Aimee Hauer, who is now in the limelight for her relationship with Rosie, the famous multi-professional TV comedian, certainly makes good money at her only profession, that of massage therapist. She describes herself as a massage expert in the various types and categories of the profession. While she's not the same as her sidekick Rosie, she could make around $2 or $3 million.
Ahin (Momoland) Wiki, Boyfriend, Height, Age, Family, Bio, Net Worth
Lisette Olivera Biography, Net Worth, Wiki, Age, Height, Boyfriend


With this headdress you'll shine at every festival, party or it's suitable as a props for art photography. Be unique, extravagant, but still gentle!
This awesome feather headband is made of natural and colored feathers.
It is decorated with eco leather braid, it is lightweight, perfectly adaptable to you.
The headband is universal, its size is regulated with strand of leather.


When your home is little shaded or if you live in an area with wet climate or damp, then moss may gather on roof of your beloved home. These mosses often cover the roof tiles completely and even trap moisture, which actually causes wood to rot and erodes the asphalt material in shingles. In such situations, your only rescue comes in the form of roof cleaning and moss removal services that make use of different techniques to offer you clean and beautiful roofs that compliments well with the aesthetic beauty of your home.
All Weather Coating offers experienced and expertise services of professionals who can not only restore any structure but also offer the best weather protection to home and other properties. From roof cleaning to roof coating, they have skilled professional to give you the best value for your hard earned money.


Do you want to edit your PDF files easily? Well, check this list of the best open source PDF editors for Windows, Mac & Linux.
PDF is one of the most popular and widely used file systems for e-mailing, sharing and printing documents. For the basic edition, you may need to install an appropriate PDF Editor, since some OS doesn't come with a prebuilt installed.
There are many options available when it comes to Open Source software. You can install these pdf editors in almost any OS like Windows, Mac or Linux. That is why here I will show some of the best Open Source PDF Editors that you can download for free.
Inkscape a tool that can help you improve the presentation of your projects is Inkspace, a professional open source vector drawing software, with capabilities similar to Illustrator, Freehand, CorelDraw or Xara X, which uses the W3C standard.
It is, therefore, powerful software with which you can create all kinds of vector graphics that not only improve the visualization of your projects but will help you to edit your PDF files acting like a free Open Source PDF Editor.
Maybe you did not know, but LibreOffice Draw is excellent for editing PDF files easily. What used to be a headache, in the most recent versions of the office suite, is quite comfortable.
You can edit text, images, the position of the elements and more. In the end, you can save your document in an open format, or easily export to PDF again.
Okular is an open source pdf editor that is not only available for Linux, but you can also find it for Windows and Mac OS X. For Linux, you have repositories for almost all distros, but it probably will not look as good as the image if you use a Gnome desktop environment.
Okular has tools that can be very useful, for example, for students. One of them is the creation of markers, which will make it easier for us to navigate through the document to return to those sections that you have marked as important.
PDF Chain is an Open Source PDF Editor created by Martin Singer with which you can work with the pdf files: unite, separate, extract, put watermark, etc. It is an alternative to PDFMod, which does practically the same although in a slightly more visual way although PDF Chain seems to be more reliable in other aspects.
It is a graphical interface for PDF Toolkit (PDFtk), a tool that runs on the console and with which you can make all kinds of modifications to your pdf file. Of course, its work is somewhat complicated (or strange) for those who aren't used to working through the command line, although if someone is encouraged here, I leave an exciting summary of its features.
The existence of PDF Chain dramatically facilitates the use of PDF Toolkit and is an essential ally for standard users.
Although Scribus is a publishing software for Windows, Linux, and MacOS, it can help you to edit your PDF file easily. Scribus supports basic PDF editing such as creating PDF files, lists, adding controls and other forms functions. With the help of Scribus, you can create animated and interactive pdf documents.
PDF-Shuffler is a great open source PDF editor that allows us to remove unnecessary pages from a PDF or change their order by just dragging them. Its use is effortless, I don't think there is any similar Windows tool. You select [Import PDF] to select your PDF, edit and generate a new PDF exporting it. Very easy.
Gimp is a powerful image editor and the best alternative to Adobe Photoshop for Linux. It comes with many interactive tools that help the user create amazing layers of images. Also, you use it as an open source PDF editor although you can only do the basic pdf edition.
Evince is more a Linux pdf viewer than a full pdf editor. It comes with a Gnome desktop environment and supports PDF, tiff, XPS, Postscript and many more. It has many features, including indexing and printing documents, search tools, viewing encrypted documents and many more.
Foxit Reader, a very popular Open Source PDF editor, which is the main Adobe Acrobat competitor, but this one is lighter than Adobe Reader and has similar, but better features, including excellent support for the reproduction of large PDF documents.
This PDF Editor is listed as one of the best PDF readers because it allows you to read, create, print PDF documents quickly and easily, with support for multiple languages.
The program includes the "classic" features that are foreseen in the different PDF readers, such as zooming, searching, full-screen viewing, turning the page or document, thumbnails, bookmarks, etc. And in the preferences, you can also customize the keyboard shortcuts.
Foxit Reader for Linux also has a tool to select and copy text, a tool to capture parts of a document and save them as images in the system's clipboard.
This app is a free multi-platform multilingual PDF reader that has a full version and free version. This software is notable for its short time to load and the small size of its files.
Draw, the dominant vector drawing app of the OpenOffice office suite allows us to design from a quick draft to an elaborate plan and provides us with the necessary tools to make and retouch high-quality graphic designs and diagrams.
Draw from OpenOffice allows you to create graphics documents with a page size of 300 x 300 cm, which makes it a precise tool for technical drawings, posters, maps, etc. But also you can edit PDF files with Draw easily just like LibreOffice.
PDFsam Basic is a free, open source and cross-platform app (available for Linux, Mac, and Windows) that is used to split, merge, extract pages, rotate and mix PDF documents.
With PDFsam Basic you can mix, combine or extract, divide and rotate pages by specifying the page numbers.
However, PDFsam also allows you to rearrange PDF pages in a thumbnail view. In this mode, you can quickly work with thumbnails to merge, delete, rotate or PDF pages to reorder and save the results as another PDF file.
So far the list of the best Open Source PDF Editors for Windows, Mac & Linux.
Do you have another open source app in mind? Let me know in the comment section.


Today we have launched the new download area for all our public releases of statistics, market data, presentations and company files. It is available by selecting "News and Data/Data Downloads" menu item from thetop menu of the site. The information is structured into several categories.
The 2008 cellular subscriber statistics for Russia and Ukraine is available as of today and we'll add more historical information within a few days. Please check back for updated information.


India's Prime Minister Narendra Modi addresses a rally in a cricket stadium in Srinagar, India (November 7, 2015).
Why India's media was so ready to buy into the idea that Modi boycotted the Non-Aligned Summit.
Over the course of his premiership, Narendra Modi's often flamboyant sorties abroad have become a mainstay of India's English-language news cycle. India has compiled an impressive photographic anthology of Modi's embraces with powerful world leaders and has cataloged his exuberant reception by overseas Indians in New York, London, and Sydney. Yet in September of this year, a surge of media coverage broke with the norm. Journalists rushed to write up not another charm offensive, but instead a historic diplomatic snub. Modi, they reported, had skipped the Non-Aligned Summit in Venezuela, and in so doing had cast doubt on the movement's continued relevance to India.
A curious and polarized debate followed. Curious, because barely anyone stopped to question whether Modi had purposefully shunned the conference. And polarized, because the media's seeming enthusiasm for the boycott clashed with the pro-Non-Aligned sentiment of several public intellectuals, including former foreign policy elites. Through the pages of influential national dailies, a clear divide was revealed: between a "vanguard" middle class-India that already sees itself as part of the First World, and an "old-school" establishment that remains wedded to the movement. What really drove Modi to miss the Summit became an irrelevant point. Instead, India's association with the Non-Aligned was put on trial.
On the question of why Modi was a no-show, nuanced context makes all the difference. Missing from most accounts were the conference's persistent scheduling problems, following two postponements after original plans to meet in September 2015. In fact, attendance at the 17th NAM Summit was the product of eleventh hour diplomacy: Caracas was still delivering invitations to the Summit two weeks before the meeting.
Inside sources from within the Venezuelan organizing committee confirm that Delhi desired to participate at the highest level, and attempted, to no avail, to pin down the conference's final dates for more than a year. It was less a case of foreign policy realignment than of banal scheduling circumstances that only 12 heads of state turned up in Margarita, compared to the more than 30 world leaders in Tehran at the previous Non-Aligned Summit in 2012.
A glance at Modi's diary during the dates of the Summit suggests he was simply too booked up to travel. On the Summit's second day, a visit from Afghan President Ashraf Ghani to the Indian capital saw Modi making a $1 billion development aid pledge to this important South Asian partner. On the Summit's penultimate day, Modi was busy receiving blessings from his mother on his 66th birthday, celebrations for which crisscrossed the country but mostly centered on Modi's home state of Gujarat. There, among other activities, groups of revelers sought to honor their prime minister through world record attempts: a 3,750 kg birthday cake didn't make the cut, but a thousand wheelchair users snared the Guinness World Record title for the largest ever wheelchair logo, spelling out a birthday message to Modi.
The reality of the delays, of course, was that overwhelming domestic challenges rendered Venezuela a beleaguered host. It is worth remembering that Venezuela's decision to host the Summit was made back in 2012 – a time when the country was in relative calm and oil prices averaged above $100 per barrel. In the past year, however, the country has experienced continued recession, triple-digit inflation, food shortages, and protests ranging in character from handfuls of citizens banging pots and pans to marches involving hundreds of thousands of people. All of this culminated in political crisis for President Nicolas Maduro, who won the presidency in 2013 with only 50.6 percent of the vote, and has since been challenged by an opposition-led National Assembly elected in December 2015. The Summit was an opportunity for Maduro to shore up political support, domestically as much as internationally, and he wanted to do it well.
The real story that needs unraveling, of course, is how Modi's non-attendance at the Non-Aligned Summit could be so effectively mythologized into a purposeful policy maneuver and then seized upon to spark a national debate.
As political scientist Sumit Ganguly has recently pointed out, Modi's vision of India is of a country well on the way to becoming a great power. Reaching this destination depends — to use archaic but still meaningful language — not on close associations with the Third World, but on taking a long-deserved place among the ranks of the First.
Modi's vision is reflected back in what Nalin Mehta, an Indian social scientist and media watcher, describes as a "general middle class triumphalism which thinks that India has already arrived." What makes the issue of India's continued engagement with the Non-Aligned Movement so topical and so controversial is how it powerfully symbolizes this rising power's pigeonholing within a developing country collective. Pockets of India's middle classes fail to see the continuing relevance of this group of largely weak friends and instead expect India to have already graduated from this cohort.
In catering to middle class triumphalism, and positioning Modi as a key agent in India's global upgrade, the media often uncritically amplifies — or outright exaggerates — his agenda. Ashok Swain, Professor of Peace and Conflict Research at Uppsala University, Sweden, sees the Indian media overwhelmingly as a partner to Modi's "aggrandized claims of policy successes," including in the domain of foreign policy. For instance, Shekhar Gupta, a formidable force in Indian journalism, pointed to Modi's Summit absence and concluded that he "has tossed away [the] past, and audaciously so." This dynamic between Modi and the media explains how a rumor could be hyped, circulated, and interpreted as proof of change, even if later reports filed by what are known as "domain experts" on foreign policy were more careful in reporting the significance of Ansari's attendance in lieu of Modi.
That breaking away from the movement seems so central to India's rise is underscored by the inconsistent scrutiny of Modi's presence or absence at other world summits. In the days following the Non-Aligned Summit, for example, it was Sushma Swaraj, India's minister for external affairs, not Modi, who could be seen returning the salvos from Pakistani Prime Minister Nawaz Sharif as state representatives gathered in New York for the 71st session of the UN General Assembly. Yet not one reporter thought to suggest that Modi failed to hold India's UN representation a priority.
While the establishment view of India's path to greatness has reliably emphasized India's crucial positioning as a bridge between the Global North and the Global South, such a vocabulary is increasingly out of fashion in the English-language media. The divide between those who are eager to leave the Third World behind and those who see it as integral to India's rising strategy is growing.
But the substance at Margarita shows that the movement remains a stakeholder in the global order, even if that order is now defined more by the contested liberal hegemony of the West than by the bipolarity of the Cold War. The conference was a hotbed of dissension against liberal internationalism, as reflected in discussions over economic governance, regime change, unilateral sanctions, and reform of the Security Council.
It cannot be ignored that with over 120 member states, the movement is the second largest international body after the United Nations and represents over 50 percent of the world's population. Its prestige of numbers alone gives weight to its views on the normative dilemmas of global multipolarity.
As far as India is concerned, at least three of the movement's key goals remain relevant to its foreign policy: sovereign equality in international law, non-intervention in the domestic affairs of states, and the prioritization of economic and social rights in international human rights policy. These goals echo New Delhi's interests in domains as diverse as UN reform, peacekeeping, trade negotiations, and even climate change.
All of this suggests that India should not abandon its old-school, pro-nonaligned commitments too readily, regardless of the views of its status-hungry media. It is in the Indian interest that New Delhi, now perhaps more than ever before given its closer relations with the United States, can serve as an interpreter between those invested in the reigning liberal world order, and those critical of its premises and political outcomes. Few rising powers can lay claim to such a unique global positioning.
Kate Sullivan de Estrada is Lecturer in Modern Indian Studies at the University of Oxford and researches and teaches on India's international relations. Her writings on Indian politics and foreign policy for a generalist audience have appeared in The Hindu, The Indian Express, The Week, Inside Story, and The Diplomat, among others.
Patrick Quinton-Brown is DPhil candidate in International Relations at the University of Oxford, where he researches the history of the Nonaligned Movement and the legitimate use of force in international society. He is former Managing Editor of the St Antony's International Review.


A fundraiser is taking shape for victims of the condominium fire in Lagoon City on Monday (Feb. 4) night.
While many of the details are still being hammered out, Keggers on the Water has booked Feb. 23 for an event that will feature a silent auction, dinner and live entertainment.
Donated items for the silent auction can be dropped off at the restaurant during business hours.
The fire broke out around 9:30 p.m. and quickly engulfed a number as many as five units at 31 Laguna Parkway.
Close to 40 firefighters spent hours extinguishing the blaze and the cost of damage has been estimated at $1.8 million.


Bollywood and Tamil film actress Amy Jackson catches eyes everywhere she goes but now it seems like someone has captured the actress's fancy. She is rumoured to be dating British businessman and hotelier George Panayiotou. The actress has even put up an image of him playing with her frenchie, Pablo. As with any pet owner, one that captures your pet's fancy also capture's the owner.
Going by Jackson's Instagram posts, it can be well established that she is dating the tycoon who owns a chain of luxury hotels. The couple have been seen vacationing together sparking rumours of a relationship.
On the career front, Jackson is the female lead in Rajinikant and Akshay Kumar starrer 2.0 which releases on April 14.


That one night changed his life, giving him a child that would forever alter the course of his life, and an ex that was a crazy nut case on the best of days.
With the help of his parents, he went into the Navy, becoming the SEAL that he always wanted to be. However, with that came a price.
A price he wasn't willing to pay anymore once his little girl started to realize why he wasn't there. So he came home and joined the local SWAT team, starting his life anew, just his daughter and him.


I haven't done one of these posts in awhile but let's get right to it.
3. If you've been living in a digital cave then chances are you've been missing an amazing social media marketing awareness campaign being done by Old Spice this week.
4. Watch this interview with Charlene Li and Clay Shirky with Andrew Keen on connectivity. Fantastic insight.
5. As video looms larger and larger, you need to understand the proper mechanics of optimizing your video content for SEO.
6. Read this interesting piece on how social media marketers rig the social media machine.
8. You need a QR code.
9. IM, Email and social networks in one easy to use app! It's Digsby.
10. Check out MediaFunnel. Coordinate and manage your social media presence.
* From Tom Martin we have TweetyMail which seems really really cool!


text:
Send Flowers for Alvin
Alvin James Clark, Jr.
July 7, 1948 ~ March 11, 2019 (age 70)
Alvin James Clark, Jr., was born July 7, 1948 and departed this life from a brief illness to begin his journey to his eternal home on March 11, 2019 while at Kresson View Center in Voorhees, New Jersey
Alvin was born to the late Alvin J. Clark, Sr., and Helen U. Plummer-Clark.
He attended Camden City Public Schools and graduated through a Certification Program at Job Corp where he received his diploma along with job training. He was then enlisted in the U.S. Armed Forces. He served a 3 year term and was Honorably Discharged as a Vietnam Veteran. While serving his tour of duty Alvin was awarded several medals of honor: National Defense Service, Vietnam Service, Vietnam Campaign, Army Commedation and Air Defense Radar Repair Service.
It was in the late 1980's that Alvin felt God's spirit moving on his life and he decided to return to the church of his childhood, the Mount Olivet Seventh-Day Adventist Church in Camden, New Jersey, much to the delight of many of his relatives and childhood friends especially his aunt Verna Clark Johnson who helped to raise him and his brother Anthony. He immediately began to use the strong and unique voice that God had given him. Alvin became a member of the senior choir where he also served a 2 year term as assistant director, he was a member of the male chorus and served as its director for several years.
In 1993, a group that he co-founded named Special Music made its debut during the 1st anniversary of the youth and young adult choir, of which his cousin Darryl Johnson was the director, called Jedaiah and the rest is history. Alvin and Special Music sung at many ministries from Connecticut to DC from 1993 in to the mid 2000's. Their special acapella was loved by all who heard them. He gave his strong tenor voice to the choir Immanu El, where he sung many leads leading including the lead to Kirk Franklin's "Something About The Name Jesus" it was one of the choir's favorite songs to sing and Alvin's to sing lead all on.
Alvin was a faithful member of Mount Olivet for over 30 years. He served as a Deacon for 20 plus years tending to the needs of the church inside and outside. He also helped with the Community Service Ministry. After he stopped working full time, he would often be at the church doing things so much so, that the former Administrative Assistant Christina Gabriel and he called each other co-workers. He gained many friends from all the capacities in which he served. His humble and loving spirit was appreciate by all who knew Alvin and those who served with him. He will be sorely missed by all from the pulpit to the pew.
Alvin leaves to cherish his loving memories to all his daughters Jenean Clark, Erica Clark, Yvonne Marion, Maddie Clark, and Tiffany Marion. He also leaves a host of 29 grandchildren and 9 great-grandchildren with another bundle of joy on the way. The love and history of four sisters, the late Marsha Bumbrey, Diane Phillips, Mary Hairston and his bonus sisters Cynthia Clark. Four brothers the late Paul Hairston, Anthony Clark, Glenn Hairston, and his bonus brother Alyn Clark. He also leaves an abundance of Nieces, Nephews, Aunts, Uncles, Cousins and Friends.
A Special Thank You, to his daughter Erica Clark and his cousins Irving Clark and Frank Bundy for for their dedication and caring for Alvin during his illness and also a Special Thank You to the staff at the Kresson View Center for their services.
To send flowers to Alvin's family, please visit our floral section.
Mt. Olivet Seventh-Day Adventist Church
800 Chelton Avenue


ALKAR is committed to providing a safe work environment for our employees as well as yours, we offer a higher standard of safety for our clients.
Before placing an employee at a client site, ALKAR will perform a thorough on-site inspection that will identify work environment requirements, training needs, production goals and identify any potential unsafe work areas.
ALKAR offers superior matching of talent to client work environments and production goals. ALKAR's comprehensive understanding of its clients' operations allows us to provide workers who meet our customers' highest standards. These standards include physical abilities to fulfill essential functions as well as skill sets consistent with our customers' operations.
Workplace accidents can bring business to a halt, thus costing our clients valuable time and money. While ALKAR cannot guarantee that employees will be accident free, we take all necessary steps to ensure workers are properly trained and qualified to work at our customers' facilities.
OSHA requires that all reportable incidents taking place at a customer site are documented on the OSHA 300 log. ALKAR is aware of the importance of a positive safety record along with its role in protecting the customer's experience. ALKAR partners with its customers to promote safety awareness, ensure proper training and provide a safe work environment.
Although our customers are best qualified to provide site-specific training, ALKAR seeks to understand our customer's business in order to provide basic safety training and an understanding of the work environment before an employee is placed on assignment. All ALKAR employees undergo a general safety orientation before being assigned to a client site. ALKAR staffing consultants will assist our clients in providing on-site training, as necessary.


text:
Yi San-hae, né le  à Séoul et mort le  est un lettré et un homme politique coréen. Son nom de plume est Agye (아계, 鵝溪), son nom de courtoisie Yeosu (여수; 汝受). Il a été  premier ministre du roi Seonjo de la dynastie Joseon en 1590 - 1591, 1592 et 1599 – 1602. Il était un des piliers de la faction des septentrionaux (bugin).

Œuvres

 « Agye jip » (아계집, 鵝溪集)
 « Agye yugo » (아계유고, 鵝溪遺稿). Une collection de poèmes et de textes en trois fascicules,  un important compte-rendu des évènements de la guerre Imjin.

Liens externes
  Yi San-hae
  Maison familiale de Yi San-hae

Références

Naissance en juillet 1539
Décès en août 1609
Écrivain coréen du XVIe siècle
Écrivain coréen du XVIIe siècle
Poète coréen du XVIe siècle
Poète coréen du XVIIe siècle
Naissance à Séoul
Décès à 70 ans

redpajama_set_name: RedPajamaWikipedia


text:
Postcard Sale
Walt Disney's: Fantasyland
Walt Disney Inspirations: Ollie Johnston
Walt Disney's: Frontierland
Walt Disney Inspirations: Marc Davis
Walt Disney Inspirations: Jim Henson
Walt Disney Inspirations: Vesey Walker
Home » Walt Disney Inspirations » Walt Disney Inspirations: Mary Blair
Walt Disney Inspirations
Walt Disney Inspirations: Mary Blair
Mary Blair was a prominent animator and color designer for the Walt Disney Company. She got her start in 1940, and made an immediate and excellent impression on Walt. Even after resigning from the company as a full-time employee, Walt kept bringing her back to work on projects for his company. Here is her story.
Click Here to listen to the weekly podcast.
Mary Blair, maiden name Robinson, was born in 1911 and was a prominent artist and animator at the Walt Disney Company. While she has an impressive collection of non-Disney art that is valuable and important to the history of American art on its own, it is the work she did for Disney that she is best known for today.
She did concept art for such Disney movies as Song of the South, Peter Pan, Alice in Wonderland, and Cinderella. She also did the character designs for attractions at Disney theme parks, including the It's a Small World ride, the fiesta scene at the Mexico pavilion at EPCOT, and the huge mosaic in the Contemporary Hotel at Walt Disney World.
Mary was born in McAlester, Oklahoma, but moved with her family to Texas when she was still a small child. Later, she moved to Morgan Hill, California in her early 20's. She attended San Jose State University and won a scholarship to Chouinard Art University in Los Angeles. After graduating from Chouinard in 1933, she married fellow artist Lee Everett Blair in 1934. She and Lee became members of the California School of Water Color, and she quickly gained a positive reputation as an imaginative designer and colorist.
Her exemplary reputation gained Mary her first professional animation job at Metro-Goldwyn-Mayer. Not long after, she left that studio and went with her husband to work at the Ub Iwerks studio, before going to work for Iwerks's friend, Walt Disney at his company. This was all during the 1930s when Mary was also part of the California Water Color Society, an innovative artist group.
In 1940, she went to work for Disney, although with some initial reluctance. Her first projects there were for Dumbo, an early version of Lady and the Tramp, and the second version of Fantasia (that was not released until the late 1990s). After this, Mary briefly left Disney in 1941 and went to several countries in South America with Walt Disney, his wife Lillian, and other artists on a research trip. The trip was part of President Franklin D. Roosevelt's Good Neighbor Program. On the trip, Mary's watercolor works impressed Walt so much that he gave her the job of art supervisor for the animated movies Saludos Amigos and The Three Caballeros.
Mary began working on color design and animation on some of Disney's major films in 1943 and worked on animation at Disney for a decade. Even after her full-time work with Disney was done, she still worked on some Disney projects, including Fun and Fancy Free, Song of the South, and So Dear to My Heart. During her time with Disney as a full-time employee, the company was producing an animated film about every year, and Mary did the color styling for Cinderella, Alice in Wonderland, and Peter Pan, as well as several of Disney's animated short films.
Once she was done working on Peter Pan, Mary resigned from the Disney Company and worked as a freelance graphic designer and illustrator. She did work for several advertising campaigns for big-name companies like Nabisco, Beatrice Foods, Maxwell House, and Pepsodent. She also illustrated quite a few of the popular Little Golden Books that were published by Simon & Schuster (some of which are still in print). In addition, Mary designed Christmas and Easter sets for Radio City Music Hall.
Mary's work was highly respected by Walt Disney, and he personally requested that she work on the It's a Small World ride for Disneyland. This ride was originally an exhibit sponsored by Pepsi-Co to benefit UNICEF at the 1964 World's Fair in New York. The exhibit moved to Disneyland after the fair and was copied for Walt Disney World, Tokyo Disneyland, Disneyland Paris, and Hong Kong Disneyland. In addition to her work on It's a Small World, Mary also made murals that were showcased at a variety of Disney parks, hotels, and attractions. Some were painted, and some were tile mosaics.
Dr. Jules Stein, a philanthropist, hired Walt Disney in 1966 to make a ceramic mural for the Eye Institute at the University of California, which was one of Stein's projects that were newly opened. Mary had designed the mural for the pediatric surgery waiting room at the institute. The theme chosen by Walt for his mural was "It's a Small World," because of the artwork done on the attraction by Mary.
After Walt passed away, Mary continued to work on projects for the Disney Company. In 1967, she made a mural for the Promenade at Tomorrowland at Disneyland. Two other murals of a similar design were at the entrance to Tomorrowland. She did other murals for Tomorrowland, most of which have been covered up with new ones as themes and designs have changed at the park over the decades. However, her ninety-foot high mural at the Contemporary Hotel at Walt Disney World, which she did in time for the opening of the resort in 1971, is still there and is a focal point of the resort.
Mary made sets out of Walt Disney notecards for Hallmark. She was the color designer for the 1968 movie How to Succeed in Business Without Really Trying. Eventually, she moved to Washington state because of her husband's new military career and later moved to Long Island, New York, where she had a home studio.
After living in New York for a while, Mary moved back to California, where she died in 1978, with a stroke being the cause. She was given the honor of being named a Disney Legend in 1991. She also received the Winsor McCay Award from ASIFA-Hollywood in 1996, in the same ceremony where two other Disney animators also received the same award.
Mary Blair was a definite influence on Disney's animation and art at the parks. Her influence can still be seen and felt today. Among Walt Disney's animation inspirations, Mary Blair was one of the most important.
Walt Disney's
Star Wars: Galaxy's Edge
Walt Disney's Life
Walt Disney: Mickey Mouse
Will Moneymaker
I enjoy collecting postcards as a way to inspire my own adventures. Over the years, I've found them incredibly valuable in sharing memories — places I've been and places my loved ones have sent cards from.
Walt Disney Inspirations: Bob Gurr
Postcards for Sale
Collecting2
Walt Disney Inspirations9
Walt Disney's5
Walt Disney's Life9
Postcard Giveaway
Copyright © 2015-2020 Postcard Inspirations


Dynamake is custom manufacturer of precision CNC machined metal and plastic (OEM parts) for the aerospace, automotive, computers, electronics, construction equipment, medical and telecommunications industries.
We provide Leading-Edge CNC Machining Solutions Customized to Your Needs, from one -off prototypes to high-volume production runs. Materials handled include aluminum, stainless steel, titanium, copper, magnesium, molybdenum, ferrous and non-ferrous steels, high-tech plastics, exotic materials Inconel, nickel and high nickel alloys, castings and forgings.
DYNAMAKE ENGINEERING is a company working towards excellence in the Manufacturing space, and believe in pursuing business through innovation and technology. Our team comes with several years of overseas industry experience, and comprise of a highly motivated set of specialists & manufacturing experts. Our goal is to be a leader in the industry by providing quality manufacturing services and would want to be your go-to manufacturer to solve your bottlenecks in production and support in fulfilling your production demand. We also want to be a solution provider for tough to produce items utilizing our vast experience and exposure in machining.
Looking for a contract manufacturer for your new Product? Do you require specialized components or close-tolerance parts at a low cost? You've come to the right place. You Think We Make! We combine innovation, experience and the latest metal machining equipment to bring your ideas and designs to life at most competetive price in Asia.
The country is set to become a key player in the global manufacturing and is likely to see substantial manufacturing from Leading OEM's by setting shop in india.
We have successfully implemented "Make in India" for critical assemblies in production thereby providing our customers complete import substitution for critical components and sub-systems, some of which were earlier imported . We always strive to provide our customers superior quality products and world-class customer service by using Lean concepts and the finest quality of raw materials in the manufacturing process.
Dynamake Engineering based in Hyderabad, India is custom manufacturer of high precision ENGINEERED components. Our capabilities include manufacturing, engineering, design, tooling, mold making, Machine Shop Technology, CAD/CAM Programming, CNC & Manual Milling, CNC Turning. We aim to achieve a leading edge in robust manufacturing and the use of modern tools and machinery in the industry and build the brand Image of our company beyond heights.
Your path to product quality begins with Dynamake's unmatched customer service for your precision machined components. Our turn-key operation has been established to provide a one-stop destination to fulfill your machining needs. Dynamake strives to be a certified supplier for many well-known respected companies in aerospace, defense, hydraulics, pneumatics, telecommunications, medical, computer equipment, OEM's, and a host of other Tier 1 & Tier 2 companies.
Advancing with the changes in global competitiveness has always been our goal. Our business is to supply our customers with the quality they need at a competitive price; helping them be a leader in their market.
Dynamake is one-stop solution for Precision components using computerized machine tools. Our products are manufactured & assembled locally with a customer centric approach. We are leaders in producing components on CNC Turning Center, CNC Machining Center (3-4- Axes), Vertical Line CNC Machines, VTL's etc. Our commitment to using advanced technology and manufacturing techniques ensure supreme quality of our products.
Our products are from a wide range of Industries and we offer value for money and best solutions in terms on quality, finished products and assemblies. Our workshop is equipped with modern facilities, machinery and skilled manpower to meet the stringent demands of the engineering industry.
Want to refine or surface finish your 3d printed part? We machine your 3D printed metal or plastic components.
Design, prototyping, metal work, tooling, production.
We Provide CNC Milling services utilizing our variety of VMC's (Vertical Machining Center) to produce the highest quality parts possible keeping very close tolerances.
Our team of machinists have decades of experience in solving some the most challenging problems in Milling your parts with absolute precision and we truly pride ourselves on the quality of work we provide to our clients.
We have been providing CNC Turning services utilizing our variety of precision Lathes to produce the highest quality parts possible while still maintaining very tight tolerances.
Our team of machinists have decades of experience in solving some the most challenging problems in CNC Turning so your parts will be made with absolute accuracy and we pride ourselves on the quality of our parts we make for our clients.
5-5-35-249/4 Ground Floor, Mythri Nagar, Kukatpally, Hyderabad 500072, Telanagna.
5-5-35-249/4 Ground Floor, Mythri Nagar, Kukatpally, Hyderabad-72, TELANGANA.
© 2017. DYNAMAKE ENGINEERING. All Rights Reserved.


text:
Kagiso Rabada: In South Africa's last tour, Test pitches were 'terrible' in India
By PTI News
Pretoria, First Published Sep 5, 2019, 9:46 AM IST
South Africa are scheduled to play three T20Is and as many Tests against India. They had won the T20I and ODI series but lost the Tests during their last tour of India (2015-16)
Pretoria: South Africa pacer Kagiso Rabada on Wednesday (September 4) said his team will look to use the past experience of playing in the sub-continent when they take on India in the upcoming assignments.
The Proteas are scheduled to play three T20Is and as many Tests against India.
Also read: India announce T20I squad for South Africa series
"You need to figure out what you need to do to give the team a better chance to win that is what I try to focus on. When you have played there before you will have an idea of what to do in certain tough situations," he said at South Africa's training camp here.
South Africa had won the T20I and ODI series but lost the Tests during their last tour of India (2015-16).
Also read: Is Kohli India's best ever Test captain? Legend answers
"The previous tour we were successful because we won the T20 and ODI series but the Test series was a bit of a shambles because those wickets were just terrible" Rabada said.
"If I could give an example the first Test match it was 200 v 200 in first innings. If we batted first it was going to be a different ball game because we ended up having to chase the game. We lost 3-0 and we were truly hammered."
Asked how will they approach spin bowling during the tour, Rabada said: "On our recent tour to Sri Lanka it was tricky conditions. There is a whole lot of talk about how to approach spin but we will see how it goes.
"What helps is that there are guys who have played there in the past and I guess what you can do is to use what worked and what did not work during the Sri Lanka tour to have a base.
"When you go there for the first time it's weird and you don't know what to do. If you look at how Faf (du Plessis) batted in Sri Lanka he got good starts which showed that he had played there and knew the conditions."
Last Updated Sep 5, 2019, 9:46 AM IST
India vs South Africa 2019
Indian Cricket Highlights: How Did Cricket Start In India


This website has been prepared solely on the information supplied by the contributors and manufacturers. Its accuracy cannot be guaranteed. The publishers and their production team cannot accept liability for inaccuracies, errors or omissions in such information howsoever arising. Prices are correct at the time of submission to the site, excluding genuine mistakes. If you spot any mistakes please report them to: sales@AirCon UK. Specifications are advised by the manufacturer, and are subject to change by the manufacturer at any time.


text:
Q: Html.EditorForModel doesnt render complex types I have a class with this property
        [Display(Name = "Estado Civil"),UIHint("EstadoCivil"),ScaffoldColumn(true)]
    public virtual EstadoCivil EstadoCivil { get; set; }

then in my view I call Html.EditForModel(), however the property doesnt show, I even have the template in my Controller's views folder and then "EditorTemplates", I'm using razor and my view is not strongly typed, would that have something to do?

A: By default editor/display templates descent only one level in the object hierarchy. Here's an excellent blog post from Brad Wilson which describes how you could have an editor template which descends more than 1 level.

redpajama_set_name: RedPajamaStackExchange


text:
Other Alexander Hamilton Offerings
One of Hamilton's Most Revealing Love Letters to Eliza:
"You are certainly a little sorceress and have bewitched me"
Hamilton Supports Anyone but Jefferson to Replace Washington as President
Washington Cryptically Dreams of Resigning, Feigns Insult and Teases McHenry for Delayed Answer to Queries on Funding the Army
President George Washington Announces the Formation of the Treasury Department
To Avoid Abuse from "bigots in religion...politics, or...medicine," Thomas Jefferson Declines to Publish Benjamin Rush's Private Correspondence
Hamilton's Back-Door Implementation of His Report on Manufactures Tariff Proposals, in Jefferson-Signed Act of Congress Raising Funds to Protect the Nation's Frontier
John Adams Reacts to the "Reynolds Pamphlet":
"Can talents atone for such turpitude? Can wisdom reside with such Gullibility?"
Washington's End-Game: Pushing Southern States to Keep Pressure Up for Honorable Peace
The Only Known Document in Hamilton's Hand on a Legal Case Involving James Reynolds
Nearly Launching Several Duels Between the Livingstons and Hamilton at Federal Hall, Edward Livingston Slammed Hamilton: "Beware of Him or He Will Ruin You."
Hamilton's Advice to Holland Land Company on a New Law Relating to New York State's Prohibition Against Foreigners Owning Land
Jefferson-Signed Act of Congress Funding the Federal Government for 1791
Alexander Hamilton Writes a Female Friend in Puerto Rico, Sympathizing with the Perilous Condition of Haiti as French Control of the Island Deteriorates
Hamilton Countering Biases Affecting New York Taxes
Hamilton Receives Money From Robert Troup, His Old Columbia College Roommate, Who Was Then Helping Hamilton Publish the Federalist Papers
A Letter from Phocion to the Considerate Citizens of New-York, on the Politics of the Times, in Consequence of the Peace
After Yorktown Victory, Samuel Huntington Congratulates French Foreign Minister
Benjamin Franklin Calls For Abolition of Slavery, Washington Addresses the Dutch Reformed Church on Religious Freedom, Thanksgiving Thoughts, Hamilton's Plans, and More
The Assumption Plan, Passed as Four Acts of Congress
The Second Naturalization Act - Establishing Laws for Citizenship
Powerful Anti-Slavery Argument Likely by John Laurens
Accusing Recently Retired Hamilton of Financial Malfeasance
Congress Authorizes a Mint, and President Washington Proclaims the Location of the Permanent Seat of Government
Madison, Monroe, Talleyrand and Jefferson's "Crimes" and "back door pimps" in Negotiations to Buy Florida From Spain
Alexander Hamilton's Autograph Legal Notes Representing a Widow in Mamaroneck, NY Appealing Her Case Against a Conflicted Trustee of Her Husband's Estate
George Washington to the Jewish Masons
of Newport, Rhode Island
Prospectus of Society for Establishing Useful Manufactures
The Charter for Hamilton's "Society for Establishing Useful Manufactures"
"An Act to Incorporate the Subscribers to the Bank of the United States"
Signed by Hamilton's Second in Fatal Duel
Philip Hamilton's Death
Congress Begs the States for the Power to Regulate Trade and Negotiate Treaties
The Alexander Hamilton Collection: The Story of the Revolution and Founding
For Washington, Hamilton Confirms Receipt of Hessian Troop Movement Intelligence
Select an image:
Currently offered only as part of the Alexander Hamilton Collection: The Story of the Revolution & Founding.
Following the punishing battles at Paoli and Germantown, which left Philadelphia vulnerable to British control for the winter, the Continental Army under Washington spent two weeks recovering at Whitpain, Pennsylvania.
Alexander Hamilton was then Washington's chief staff aide, with the rank of Lieutenant Colonel, a position he would hold for four years. He played a crucial role in handling much of the General's correspondence with Congress, state governors, and other military officers.
ALEXANDER HAMILTON. Autograph Letter Signed, on behalf of General George Washington, to Colonel Charles Stewart, Commissary General of Issues, October 24, 1777, Headquarters [Whitpain Township, Pa]. 1p. with integral address leaf note, "Let the Bearer pass. Tim. Pickering Adjt. Genl.," 13 x 8¼ in. (open).
Inventory #24375 PRICE ON REQUEST
Purchase Item Ask About This Item Add to Favorites
"His Excellency desires me to acknowledge the Receipt of yours of yesterday, and thanks you for the intelligence contained in it. He hopes you will soon be able to send him a confirmation with more certain particulars. I am Dr Sir / Yr most Obedt / A Hamilton."
Colonel Stewart had written two letters to Washington on October 22, 1777, from Haddonfield, New Jersey, in the morning, and Burlington later in the day. The first informed Washington of Hessian movements crossing the Delaware River on October 21. Stewart estimated the Hessians numbered between 3,000 and 4,000 soldiers and were planning to attack Fort Mercer. Stewart's second letter passed on intelligence he received from a man who served as a guide to 2,500 enemy troops—mostly Hessian. He assured Washington that Fort Mercer would be well supplied to withstand an attack.
The Hessian attack on Fort Mercer, located on the New Jersey side of the Delaware River just south of Philadelphia, actually did take place on October 22, but was repulsed by a much smaller American force. The patriots' victory delayed British plans to consolidate their hold of Philadelphia, and relieved pressure on Washington's army north of the city. Fort Mercer did not fare as well; a month later it was captured by the British.
Charles Stewart (1729-1800) was born in Ireland and immigrated to the American colonies in 1750, where he took up farming. He served in the Provincial Congress of New Jersey (1775-1776). When the Revolutionary War commenced, the Continental Congress appointed Stewart as Commissary General of Issues in June 1777. He subsequently served New Jersey as a delegate to the Continental Congress (1784-1785).


This Gold Arrowhead Long Necklace is the perfect statement necklace, a touch of gold and your choice of chain this necklace goes from tee shirts to dresses.
--14kt gold filled link chain or your choice of gold plated rosary chain. Choose 28, 30, or 32 inches.


The Town of Oakfield is in the process of updating the Town of Oakfield – Comprehensive Plan 2008 – 2028 that was adopted on July 21, 2008. Recognizing the need to update the Town's existing comprehensive plan, the Town enlisted the aid of East Central Wisconsin Regional Planning Commission to assist in the creation of a comprehensive plan update. Similar to the existing comprehensive plan, the update will be developed consistent with Section 66.1001 of the Wisconsin State Statues.
This webpage is intended to provide information to interested individuals regarding the development of the Town of Oakfield's Comprehensive Plan 2040 Update. More detailed information can be viewed via the links found below.


To run Houdini on Linux you'll need to install Wine or Wine64.
Below some installation experiences and tips kindly shared by Houdini users. If you have additional experience - positive or negative - that could benefit other Houdini users, please let us know by e-mail and we'll add it in this manual.
The following commands install "Houdini 6 Pro" using wine version 1.6.2 on a 64-bit machine.
Click through installation steps, accepting default values.
Success. I installed the 64-bit wine and then made another mistake and installed Houdini again and once again got the 32-bit version. My mistake? The .wine directory on my system was already created under wine 32-bit. So ... removing that directory and THEN installing Houdini results in a working 64-bit Houdini installation.
1. To install wine, run the "Ubuntu Software Center" application.
Microsoft Windows Compatibility Layer (64-bit support). Click on that to install 64-bit wine. If you do not do this and just click on the "normal" wine, you get a 32-bit wine installed despite the fact that you are running Ubuntu 12.04 64-bit as an OS!
4. If you have a .wine directory already in your home directory, rename it to something else; I chose to rename it to: .wine-32bit . This is crucial also since wine "knows" this is a 32-bit wine and the Houdini installation step about to come will install 32-bit Houdini if you do not take this step.
5. Open a terminal window and execute: wine Houdini-5-Setup-nnnnn.exe . This will create a new .wine directory in your home directory and this will be suitable for using 64-bit Windows applications.
Follow the Houdini installation prompts and it will install a 64-bit Houdini engine for you to work with. I use SCID to run Houdini but Arena 3.5 works very well also.


Amazon.it Price: €30,17 (as of 06/10/2018 11:44 PST- Details) & FREE Shipping.
2LP set, on 180-gram audiophile vinyl. Score by Hans Zimmer ("Inception") to Christopher Nolan's 2014 sci-fi epic, starring Matthew McConaughey and Michael Caine.


text:
import BaseValidator from 'ember-cp-validations/validators/base';

const RepositoryId = BaseValidator.extend({
  validate(value, options, model) {
    let providerId = model.get('provider.id').toUpperCase() + '.';
    if (value.startsWith(providerId)) {
      return true;
    } else {
      let message = 'The Repository ID must begin with ' + providerId;
      return message;
    }
  },
});

RepositoryId.reopenClass({
  getDependentsFor() {
    return [ 'id' ];
  },
});

export default RepositoryId;