Tiffany Lin's Osgood-Schlatter disease prognosis could stem from overuse of her body for sports.Tamara Beckwith. Although the coaches are in control of the budgets, I still should oversee them and approve each expenditure. During football season specifically, the main focus of American principals, lecturers, and students shifts inexorably away from lecturers. American principals, not like the vast majority of principals all over the world, make many hiring choices with their sports teams in mind—a calculus that does not at all times end nicely for college students.\n\nI've seen truancy issues fully circled once students begin taking part in sports," he says. Others have minimize fundamental tutorial costs to keep their sports applications intact. In these communities, the dominant argument is normally that sports lure students into college and hold them out of bother—the same argument American educators have made for more than a century.\n\nAmerica has not found a approach to dramatically improve its kids's tutorial performance over the past 50 years, but other international locations have—and they are starting to reap the economic benefits. Though the research on pupil athletes is blended, it typically suggests that sports do more good than harm for the players themselves.\n\nOne examine of 30,000 students at the University of Oregon found that the grades of men who did not play sports went down as the football staff's performance improved. Both men and women reported that the better their football staff did, the less they studied and the more they partied.\n\nEvery year, Spelman was spending practically $1 million on athletics—not for those students, but for the 4 p.c of the coed body that played sports. A lot of Spelman's 80 athletes had been devastated, evidently, and it is too early to tell whether the new swim, aerobics, and Zumba lessons, among other offerings, will lead to healthier students on campus.


The research activity at the basis of this website aims at identifying the key drivers in social, economic, environmental and technological domains that are likely to play a dominant role in the next decades in Europe and influence current and future mobility patterns.
So far, a huge amount of research projects and scientific publications have investigated the relationships between relevant socio-economic drivers and mobility patterns. Generally, the demand for the transport sector is examined by placing the sector itself at the centre of the analysis, and investigating variables that influence the changes to mobility and transport patterns. Nevertheless it cannot be neglected that transport demand is generated by factors that are exogenous to the transport sector and that mobility rises to satisfy specific individual needs as clearly expressed by the purpose for which passenger trips are made.
In order to identify the drivers of transport demand and its dynamics a detailed analysis of sectors of activities outside the transport domain is therefore needed.
The effort made by COMPASS is trying to overcome the boundary of consolidated transport sector research and expanding the investigation of factors potentially affecting mobility also to the different domains of reality. The objective of this widening lies not only in the need to enrich the analysis of "well-known" key drivers, but mainly in the interest of complementing the investigation with additional side aspects potentially influencing mobility that could gain increasing importance in decades to come.
The research builds upon a wide review of existing literature, ranging from studies addressing the relationships between relevant socio-economic trends and mobility to other studies not directly addressing future mobility, but dealing with expected social, technological and economic transformations.
Impacts on mobility and transport highlighted and discussed in terms of the potential effects that the driver and its interactions has or could have on passenger demand (in terms of spatial and temporal distribution, population segments involved, behavioural aspects, etc.) and on the related transport modes.
A specific attention was paid to the energy sector and to its related drivers which occur in all domains except the social one. This choice was made to respond to the complexity of the aspects related to energy which plays a fundamental role in the Economy domain (given the importance of energy availability and prices for production and trade of goods and for the economic competitiveness of a country), in the Environmental domain (given the environmental impacts deriving from the production and consumption of energy sources) as well as in the Technology domain (for the importance of pursuing energy efficiency and energy production from renewable sources). Obviously these aspects are highly interlinked and tend to overlap to some extent.
This website is intended to provide a structured overview of what is currently available in the research field acting as a compass that helps the reader to surf the wide literature collection.
The COMPASS project team recognises the importance, often neglected in similar activities, of preserving the integrity of the literature material and the point of view of the authors. It was a specific aim of the project team to present the results of this interesting review without proposing any "pre-established" interpretation key, allowing the reader the possibility to draw conclusions by him/herself.
To pursue this goal, the project team proposes a new approach in presenting the outcome of this review by putting the documents at the centre of the scene through the selection of significant quotations and their structuring within the predefined analysis framework.
In several cases, the literature review provided different, or even contradictory, interpretations of the same phenomenon; all the points of view are equally included in the website.
Documents the quotations stem from are clearly identified through the COMPASS identification code (e.g. CO_0001) and can be downloaded from the library , thus providing the reader with the possibility to satisfy any complementary need of information.
Authors' conclusions on current and future trends potentially impacting mobility patterns as emerged during the research are here presented.
The COMPASS project team is aware that diverse interpretations may arise from the surfing of the website as in several cases reviewed literature provided different, if not contradictory, interpretations of the same phenomenon. Additionally, several other hypothetical scenarios may arise when considering the combination of different factors, thus making it even more difficult to reach an indisputable point of view. Therefore the synthesis provided reflects the authors' understanding on key drivers and their potential impacts and should not be intended as substitutive of a complete reading of the web pages.


text:
The current `gcloud` gem exists only to facilitate the timely transition of legacy code from the deprecated `Gcloud` namespace to the new `Google::Cloud` namespace. Please see the top-level project [README](../README.md) for current information about using the `google-cloud` umbrella gem and the individual service gems.

- [gcloud API documentation](http://googlecloudplatform.github.io/google-cloud-ruby/#/docs/gcloud/latest)
- [gcloud on RubyGems](https://rubygems.org/gems/gcloud)

## Quick Start

```sh
$ gem install gcloud
```

## Authentication

Instructions and configuration options are covered in the [Authentication Guide](https://googlecloudplatform.github.io/google-cloud-ruby/#/docs/gcloud/guides/authentication).

## Example

```ruby
require "gcloud"

gcloud = Gcloud.new
bigquery = gcloud.bigquery
dataset = bigquery.dataset "my-dataset"
table = dataset.table "my-table"
table.data.each do |row|
  puts row
end
```

## Supported Ruby Versions

This library is supported on Ruby 2.0+.

## Versioning

This library follows [Semantic Versioning](http://semver.org/).

It is currently in major version zero (0.y.z), which means that anything may change at any time and the public API should not be considered stable.

## Contributing

Contributions to this library are always welcome and highly encouraged.

See the [Contributing Guide](https://googlecloudplatform.github.io/google-cloud-ruby/#/docs/guides/contributing) for more information on how to get started.

Please note that this project is released with a Contributor Code of Conduct. By participating in this project you agree to abide by its terms. See [Code of Conduct](../CODE_OF_CONDUCT.md) for more information.

## License

This library is licensed under Apache 2.0. Full license text is available in [LICENSE](LICENSE).

## Support

Please [report bugs at the project on Github](https://github.com/GoogleCloudPlatform/google-cloud-ruby/issues).
Don't hesitate to [ask questions](http://stackoverflow.com/questions/tagged/google-cloud-platform+ruby) about the client or APIs on [StackOverflow](http://stackoverflow.com).

redpajama_set_name: RedPajamaGithub


text:
The Encyclopædia Britannica: The New Volumes, Constituting, in ..., Հատոր 11
A. Forster (1754-1794), who had accompanied Cook round the Weimar, with which its leaders were in essential sympathy, world, and Alexander von Humboldt (1769-1859), gave Germany but against the shallow, utilitarian rationalisin of Berlin. models of clear and lucid descriptive writing. In practical Ludwig Tieck (1773-1853), a leading member of the school, politics and economics, when once the unbalanced vagaries of was in reality a bclated Stürmer und Dränger, who in his early undiluted Rousseauism had fallen into discredit, Germany pro- years had chased under the unimaginative tastes of the Prussian duced much wise and temperate thinking which prevented the capital, and sought for a positive faith to put in their place. spread of the French Revolution to Germany, and provided Friedrich Hölderlin (1770-1843), one of the most gifted poets of a practical basis on which the social and political fabric could this age, demonstrates no less clearly than Tieck the essential be built up anew, after the Revolution had made the old régime affinity between Slurm und Drong and Romanticism; be, too, impossible in Europe. Men like Wilhelm von Humboldt (1767-forms a bridge from the one individualistic movement to the 1835) and the philosopher J. G. Fichte (1762-1814) were, in other. The theoretic basis of Romanticism was, however, (wo widely different spheres, representative of this type of established by the two brothers, August Wilhelm and Friedrich intellectual eminence.
Schlegel (1767-1845 and 1772-1829), who, accepting, in great Meanwhile, in 1794, that friendship between Goethe and measure, Schiller's aesthetic conclusions, adapted them to the Schiller had begun, which lasted, unbroken, until the younger needs of their own more subjective attitude towards literature. poct's death in 180s. These years mark the summit of Goethe While Schiller, like Lessing before him, insisted on the critic's and Schiller's classicism, and the great epoch of Weimar's history right to sit in judgment according to a definite code of principles, as a literary focus. Schiller's treatises had provided a theoretical these Romantic critics maintained that the first duty of criticism basis; his new journal, Die Horen, might be called the literary was to understand and appreciate; the right of genius to follow organ of the movement-although in this respect the subsequent its natural bent was sacred. The Herzensergiessungen eines Musenalmanach, in which the two poets published their magnifi- kunstliebenden Klosterbruders by Tieck's school-friend W. H. cont ballad poetry, had more value. Goethe, as director of the Wackenroder (1773-1798) contained the Romantic art-theory, ducal theatre, could to a great extent control dramatic production while the hymns and fragmentary novels of Friedrich von in Germany. Under his encouragement, Schiller turned from Hardenberg (known as Novalis, 1772-1801), and the dramas philosophy to poetry and wrote the splendid series of classic and fairy tales of Tieck, were the characteristic products of dramas beginning with the trilogy of Wallenslcin and closing Romantic literature. The universal sympathies of the movement with IFilhelm Tell and the fragment of Demetrius; while to were exemplified by the many admirable translations--greatest Goethe we owe, above all, the epic of Hermann und Dorothea. of all, Schlegel's Shakespeare (1797-1810) --which were produced Less important were the latter's severely classical plays Die under its auspices. Romanticism was essentially conciliatory in naiürliche Tochter and Pandora; but it must not be forgotten its tendencies, that is to say, it aimed at a reconciliation of poetry that it was chiefly owing to Schiller's stimulus that in those with other provinces of social and intellectual life; the hard and years Coethe brought the first part of Faust(1808)to a conclusion. fast boundaries which the older critics had set up as to what
Although acknowledged leaders of German letters, Goethe poetry might and might not do, were put aside, and the domain and Schiller had considerable opposition to contend with. The of literature was regarded as co-extensive with life itself; paint. Stierm und Drang had by no means exhausted itself, and the ing and music, philosophy and ethics, were all accepted as conrepresentatives of the once dominant rationalistic movement stituent elements of or aids to Romantic poetry. Fichte, and to were particularly arrogant and overbearing. The literature a much greater extent, F. W. J. von Schelling (1775-1854) associated with both Sturm und Drong and rationalism was at were the exponents of the Romantic doctrine in philosophy, this period palpably decadent; no comparison could be made while the theologian F. E. D. Schleiermacher (1768-1834) between the magnificent achievements of Goethe and Schiller, demonstrated how vital the revival of individualism was for or even of Herder and Wieland with the "family" dramas of religious thought. Imand, still less with the extraordinarily popular plays of A. von The Romantic school, whose chief members were the brothers Kotzebue (1761-1819), or with those bustling medicval Riller- Schlegel, Tieck, Wackenroder and Novalis, was virtually founded dramen, which were especially cultivated in south Germany. in 1798, when the Schlegels began to publish their journal the There is a wide gap between Moritz's Anton Reiser or the philo-Athenaeum; but the actual cxistence of the school was of very sophic novels which Klinger wrote in his later years, and Goethe's short duration. Wackenroder and Novalis died young, and by Meister; nor can the once so fervently admired novels of Jean the year 1804 the other members were widely separated. Two Paul Richter (1763-1825) take a very high place. Neither the years later, however, another phase of Romanticism became fantastic humour nor the penetrating thoughts with which associated with the town of Heidelberg. The leaders of this Richter's books are strewn make up for their lack of artistic form second or younger Romantic school were K. Brentano (1778and interest; they are essentially products of Sturm und Drang. 1842), L. A. von Arnim (1781-1831) and J. J. von Görres (1776Lastly, in the province of lyric and epic poetry, it is impossible 1848), their organ, corresponding to the Athenaeum, was the 10 regard poets like the gentle F. von Matthisson (1761-1831), Zeitung für Einsiedler, or Trösl-Einsamkeit, and their most or the less inspired G. L. Kosegarten (1758-1818) and C. A characteristic production the collection of Volkslieder, published Tiedge (1752-1841), as worthily seconding the masterpieces under the title Des Knaben Wunderhorn (1805-1808). Compared of Goethe and Schiller. Thus when we speak of the greatness with the earlier school the Heidelberg writers were more practical of Germany's classical period, we think mainly of the work of and realistic, more faithful to nature and the commonplace life her iwo chief poets; the distance that separated them from of everyday. They, too, were interested in the German past their immediate contemporaries was enormous. Moreover, at and in the middle ages, but they put aside the idealizing glasses the very close of the 18th century a new literary movement of their predecessors and kept to historic truth; they wrote arose in admitted opposition to the classicism of Weimar, and historical novels, not stories of an imaginary medieval world to this movement, which first took definite form in the Romantic as Novalis had done, and when they collected Volkslieder and school, the sympathies of the younger generation turned. Just Volksbücher, they refrained from decking out the simple tradition as in the previous generation the Sturm und Drang had been with musical effects, or from heightening the poetic situation obliged to make way for a return to classic and impersonal by Romantic irony." Their immediate influence on German principles of literary composition, so now the classicism of Goethe intellectual life was consequently greater; they stimulated and Schiller, which had produced masterpieces like Wallenstein and deepened the interest of the German people in their own and Hermann und Dorothea, had to yield to a revival of individual past; and we owe to them the foundations of the study of ism and subjectivity, which, in the form of Romanticism, pro- German philology and medieval literature, both the brothers foundly influenced the literature of the whole 19th century. Jakob and Wilhelm Grimm (1785-1863 and 1786-1859) having
(c) The Romantic Movement.--The first Romantic school, been in touch with this citcle in their early days. Again, the however, was founded, not as a protest against the classicism of Heidelberg poets strengthened the national and patriotic spirit
of their people; they prepared the way for the rising against poet. But, on the other hand, he was too liberal-minded a Napoleon, which culminated in the year 1813, and produced thinker and critic to be oblivious to the fruitful influence of the that outburst of patriotic song, associated with E. M. Arndt new movement. Almost without exception he judged the young (1769-1860), K. Th. Körner (1791-1813) and M. von Schenken poets of the new century fairly, and treated them sympathetically dorf (1783-1817).
and kindly; he was keenly alive to the new-and for the most The subsequent history of Romanticism stands in close part "unclassical "-development of literature in England, relation to the Heidelberg school, and when, about 1809, the France and Italy; and his own published work, above all, the Latter broke up, and Arnim and Brentano settled in Berlin, first part of Faust (1808), Die Wohlverwandtschaften (1809), the Romantic movement followed two clearly marked lines of Dicklung und Wahrheil (1811-1814, a final volume in 1833), development, one north German, the other associated, with Weslöstlicher Divan (1819), Wilhelm Meisters Wanderjahre Württemberg. The Prussian capital, hotbed of rationalism (1821-1829) and the second part of Faust (published in 1832 as it was, had, from the first, been intimately associated with after the poet's death), stood in no antagonism to the Romantic Romanticism; the first school had virtually been founded ideas of their time. One might rather say that Goethe was the there, and north Germans, like Heinrich von Kleist (1777-1811) bond between the two fundamental literary movements of the and Zacharias Werner (1768-1823) had done more for the develop- German classical age; that his work achieved that reconciliation ment of the Romantic drama than had the members of either of "classic" and " romantic" which, rightly regarded, was the Romantic school. These men, and more especially Kleist, supreme aim of the Romantic school itself." Prussia's grcatest dramatic poet, showed how the capricious
VI. GERMAN LITERATURE SINCE GOETKE (1832-1906) Romantic ideas could be brought into harmony with the classic tradition established by Schiller, how they could be rendered (c) Young Germany. With Goethe's death a great age in serviceable to the national theatre. At the same time, Berlin German poetry came to a close. Long before 1832 Romanticism was not a favourable soil for the development of Romantic had, as we have seen, begun to lose ground, and the July revoluideas, and the circle of poets which gathered round Arnim and tion of 1830, the effects of which were almost as keenly felt in Brentano there, either themselves. demonstrated the decadence Germany as in France, gave the movement its death-blow. of these ideas, or their work contained elements which in sub- Meanwhile the march of ideas in Germany itself had not been sequent years hastened the downfall of the movement. Friedrich favourable to Romanticism. Schelling had given place to G. de la Motte Fouqué (1777-1843), for instance, shows how easy W. F. Hegel (1770-1831), now the dominant force in German it was for the medieval tastes of the Romanticists to degenerate philosophy, and the Hegelian metaphysics proved as unfruitful into mediocre novels and plays, hardly richer in genuine poetry an influence on literature as that of Fichte and Schelling had been than were the productions of the later Sturm und Drang; and fruitful. The transference of Romantic ideas to the domain E. T. A. Hoffmann (1776-1822), powerful genius though be of practical religion and politics had proved reactionary in its was, cultivated with preference in his stories, a morbid super- cffects; Romanticism became the cloak for a kind of Neonaturalism, which was only a decadent form of the early Romantic catholicism, and Romantic politics, as enunciated by men like delight in the world of fairies and spirits. The lyric was less F. von Gentz (1764–1832) and Adam Müller (1779-1829), served sensitive to baleful influences, but even here the north German as an apology for the Metternich régime in Austria. Only at Romantic circle could only point to one lyric poet of the first the universities-in Göttingen, Heidelberg and Berlin-did rank, J. von Eichendorff (1788-1857); while in the poetry of the movement continue, in the best sense, to be productive; A. von Chamisso (1781-1838) the volatile Romantic spirituality German philology, German historical science and German is too often wanting. Others again, like Friedrich Rückert jurisprudence benefited by Romantic ideas, long after Romantic (1788–1866), sought the inspiration which Romanticism was no poetry liad fallen into decay. The day of Romanticism was longer able to give, in the East; still another group, of which clearly over; but a return to the classic and humanitarian spirit Wilhelm Müller (1794–1827) is the chief representative, followed of the 18th century was impossible. The social condition of Byron's example and awakened German sympathy for the Europe had been profoundly altered by the French Revolution; oppressed Grecks and Poles.
the rise of industrialism had created new economic problems. Apart from Eichendorff, the vital lyric poetry of the third the march of science had overturned old prejudices. And in a and last phase of Romanticism must be looked for in the Swabian still higher degree were the ideas which lay behind the social school, which gathered round Uhland. Ludwig Uhland (1787- upheaval of the July revolution incompatible with a reversion 1862) was himself a disciple of the Heidelberg poets, and, in his in Germany to the conditions of Weimar classicism. There was, lyrics and especially in his ballads, he succeeded in grafting the moreover, no disguising the fact that Goethe himself did not lyricism of the Romantic school on to the traditions of German stand high with the younger generation of German writers ballad poetry which had been handed down from Bürger, Schiller who came into power after his death. and Goethe. But, as was the case with so many other disciples " Young Germany" did not form a school in the sense in which of the Heidelberg Romanticists, Uhland's interest in the German the word was used by the early Romanticists; the bond of union past was the serious interest of the scholar rather than the purely was rather the consequence of political persecution. In December poetic interest of the earlier Romantic poets. The merit of the 1835 the German "Bund" issued a decree suppressing the writings Swabian circle, the chief members of which were J. Kerner of the " literary school " known as "Young Germany," and (1786-1862), G. Schwab (1792-1850), W. Waiblinger (1804-1830), mentioned by name Heinrich Heine, Karl Gutzkow, Ludolf W. Hauff (1802-1827) and, most gifted of all, E. Mörike (1804-Wienbarg, Theodor Mundt and Heinrich Laube. Of these men, 1875) was that these writers preserved the Romantic traditions Heine (1797-1856) was by far the most famous. He had made from the disintegrating influences to which their north German his reputation in 1826 and 1827 with Die Harzreise and Das contemporaries were exposed. They introduced few new notes Buch der Lidder, both of which books show how deeply he was into lyric poetry, but they maintained the best traditions intact, immersed in the Romantic traditions. But Heine felt perhaps and when, a generation later, the anti-Romantic movement more acutely than any other man of his time how the ground of " Young Germany" had run its course, it was to Württemberg was slipping away from beneath his feet; he repudiated the Germany looked for a revival of the old Romantic ideas. Romantic movement and hailed the July revolution as the first
Meanwhile, in the background of all these phases of Romantic stage in the "liberation of humanity"; while ultimately he evolution, through which Germany passed between 1798 and sought in France the freedom and intellectual stimulus which 1832, stands the majestic and imposing figure of Goethe. Germany withheld from him. Heine suffered from having been Personally he had in the early stages of the movement been born in an age of transition; he was unable to realize in a whole. opposed to that reversion to subjectivity and lawlessness which hearted way all that was good in the new movement, which he the first Romantic school seemed to him to represent; to the end had embraced so warmly; his optimism was counteracted by of his life he regarded himself as a "classic," not a "romantic" I doubts as to whether, after all, lise had not been better in that
old Romantic Germany of his childhood for which, to the last, drama," but soon won an independent place for himself; more he retained so warm an affection. Personal disappointments successfully than any other dramatist of the century, he carried and unhappiness added to the bitterness of Heine's nature, out that task which Kleist bad first seriously faced, the reconciliaand the supremely giited lyric poet and the hardly less gifted tion of the classicism of Goethe and Schiller with the Romantic satirist were overshadowed by the cynic from whose biting wit and modern spirit of the 19th century. It is from this point of nothing was sale.
view that works like Das goldene Vliess (1820), König Ollokars Heine's contemporary and although he was not mentioned Glück und Ende (1825), Der Traum, cin Leben (1834) and Des in the decree against the school--fellow-fighter, Ludwig Börne Meeres und der Liebe Wellen (1831) must be regarded. As far (1786-1837), was a more characteristic representative of the as the poetic drama was concerned, Grillparzer stood alone, " Young German " point of view; for he was free from Romantic for E. F. J. von Münch-Bellinghausen (1806-1871), his most prejudices. Börne gave vent to his enthusiasm for France in promising contemporary, once so popular under the pseudonym eloquent Briefe aus Paris (1830-1833), which form a landmark of Friedrich Halm, soon fell back into the trivial sentimentality of importance in the development of German prose style. With of the later Romanticists. In other forms of dramatic literature Karl Gutzkow (1811-1878), who was considerably younger Austria could point to many distinguished writers, notably the than either Heine or Börne, the more positive aspects of the comedy-writer, E. von Bauernfeld (1802–1890), while a host " Young German " movement begin to be apparent. He, too, of playwrights, chief of whom were F. Raimund (1790-1836) had become a man of letters under the influence of the July and J. Nestroy (1801-1862), cultivated the popular Viennese revolution, and with an early novel, Wally, die Zweiflerin (1835), farce and fairy-play. Thus, in spite of Metternich's censorship which was then regarded as atheistic and immoral, he fought in of the drama, the Viennese theatre was, in the first half of the the battle for the new ideas. His best literary work, however, 19th century, in closer touch with literature than that of any was the comedies with which he enriched the German stage of other German centre. the forties, and novels like Die Riller vom Geiste (1850-1851). The transitional character of the age is best illustrated by two and Der Zauberer von Rom (1858–1861), which have to be con- eminent writers whom outward circumstances rather than any sidered in connexion with the later development of German similarity of character and aim have classed together. These fiction. Heinrich Laube (1806-1884), who, as the author of were K. L. Immermann, who has been already mentioned, and lengi hy social novels, and Reisenovellen in the style of Heine's A. von Platen-Hallermund (1796-1835). Immermann's dramas Reisebilder, was one of the leaders of the new movement, is were of little practical value to the theatre, but one at least, now only remembered as Germany's greatest theatre-director. Merlin (1832), is a dramatic poem of great beauty. In his novels, Laube's connexion (1850-1867) with the Burgtheater of Vienna however, Die Epigonen (1836) and Münchhausen (1838-1839), forms one of the most brilliant periods in the history of the Immermann was the spokesman of his time. He looked backmodern stage. Heine and Börne, Gutzkow and Laube-lhese wards rather than forwards; he saw himself as the belated were the leading spirits of " Young Germany"; in their train follower of a great literary age rather than as the pioneer of a followed a host of lesser men, who to the present generation are new one. The bankruptcy of Romanticism and the poctically hardly even names. In the domain of scholarship and learning arid era of "Young Germany" left him little confidence in the the " Young German " movement was associated with the future. Platen, on the other hand, went his own way; he, too, supremacy of Hegelianism, the leading spirits being D. F. Strauss was the antagonist both of Romanticism and" Young Germany," (1808–1874), author of the Leben Jesu (1835), the historians and with Immermann himself he came into sharp consict. G. G. Gervinus (1805-1871) and W. Menzel (1798-1873), and the But in his poetry he showed himself indifferent to the strife of philosopher L. A. Feuerbach (1804-1872), who, although a contending literary schools. He began as an imitator of the disciple of Hegel, ultimately helped to destroy the latter's German oriental poets--the only Romanticists with whom he influence.
had any personal sympathy—and with his matchless Sonette Outside the immediate circle of "Young Germany," other aus Venedig (1825) he stands out as a master in the art of verse. tentative efforts were made to provide a substitute for the writing and as the least subjective of all German lyrio poets. discredited literature of Romanticism. The historical novel, for In the imitation of Romance metres he sought a refuge from the instance, which Romanticists like Arnim had cultivated, fell at extravagances and excesses of the Romantic decadence. an early date under the influence of Sir Walter Scott; Wilhelm Meanwhile the political side of the " Young German " moveHauff, Heinrich Zschokke (1771-1848) and K. Spindler (1796- ment, which the German Bund aimed at stamping out, gained 1855) were the most prominent amidst the many imitators of rapidly in importance under the influence of the unsettled the Scottish novelist. The drama, again, which since Kleist political conditions between the revolutions of 1830 and 1848. and Werner had been without definite principles, was, partly The early 'sorties were in German literature marked by an under Austrian influence, finding its way back to a condition of extraordinary outburst of political poetry, which may be aptly stability. In Germany proper, the men into whose hands it compared with the national and patriotic lyric evoked by the fell were, on the one hand, undisciplined geniuses such as C. D. year 1813. The principles which triumphed in France at the Grabbe (1801-1836), or, on the other, poets with too little revolution of 1848 were, to a great extent, fought out by the theatrical blood in their veins like K.L.Immermann (1796-1840), German singers of 1841 and 1842. Begun by mediocre talents or with 100 much, like E. von Raupach (1784-1852), K. von like N. Becker (1809-1845) and R. E. Prutz (1816-1872), the Holtei (1798-1880) and Adolf Müllner (1774-1829)--the last movement found a vigorous champion in Georg Herwegh (1817named being the chief representative of the so-called Schicksals- 1875), who in his turn succeeded in winning Ferdinand Freiligrath Tragödie. In those years the Germans were more seriously (1810-1876) for the revolutionary cause. Others joined in the interested in their opera, which, under C. M. Weber, H. A. cry for freedom--F. Dingelstedt (1814-1881), A. H. Hoffmann Marschner, A. Lortzing and O. Nicolai, remained faithful to the von Fallersleben (1798-1874), and a number of Austrians, who Romantic spirit. In Austria, however, the drama followed had even more reason for rebellion and discontent than the lines of its own; here, at the very beginning of the century, north Germans. But the best Austrian political poetry, the H. J. von Collin (1771-1811) attempted in Regulus and other Spaziergänge eines Wiener Poelen, 1831, by " Anastasius Grün" works to substitute for the lifeless pseudo-classic tragedy of (Graf A. A. von Auersperg, 1806-1876), belonged to a decade Ayrenhoff the classic style of Schiller. His attempt is the more earlier. The political lyric culminated in and ended with the interesting, as the long development that had taken place in year 1848; the revolutionists of the 'forties were, if not appeased, Germany between Gottsched and Schiller was virtually un. at least silenced by the revolution which in their eyes had represented in Austrian literature. M. von Collin (1979-1824), effected so little. If Freiligrath be excepted, the chief lyric a younger brother of H. J. von Collin, did a similar service for poets of this epoch stood aside from the revolutionary movement;' the Romantic drama. Franz Grillparzer (1791-1872), Austria's even E. Geibel (1815-1884), the representative poet of the greatest poet, begao in the school of Müllner with a "fate I succeeding age, was only temporarily interested in ihe political
movement, and his best work is of a purely lyric character. Of greater importance was the fiction which owed its inspira. M. von Strachwitz's(1822-1847) promising talent did not flourish lion to the Romantic traditions that survived the " Young in the political atmosphere; Annette von Droste-Hülshoff German " age. To this group belongs the novel of peasant and (1797-1848), and the Austrian, Nikolaus Lenau (1802-1850), provincial life, of which Immermann had given an excellent both stand far removed from the world of politics; they are example in Der Oberhof, a story included in the arabesque of imbued with that pessimistic resignation which is, more or Münchhausen. A Swiss pastor, Albrecht Bitzius, better known less, characteristic of all German literature between 1850 and by his pseudonym "Jeremias Gotthelf" (1797-1854), was, 1870.
however, the real founder of this class of romance; and his (b) Mid-Century Literature.-When once the revolution of simple, unvarnished and naively didactic stories of the Swiss 1848 was over, a spirit of tranquillity came over German letters; peasant were followed not long afterwards by the more famous but it was due rather to the absence of confidence in the future Schwarzwälder Dorfgeschichten (1843-1854) of Berthold Auerthan to any hopefulness or real content. The literature of the bach (1812–1882). Auerbach is not by any means.so naive middle of the century was not wanting in achievement, but and realistic as Gotthelf, nor is his work free from tendencies there was nothing buoyant or youthful about it; most significant and ideas which recall " Young German" rationalism rather of all, the generation between 1848 and 1880 was either oblivious than the unsophisticated life of the Black Forest; but the or indifferent to the good work and to the new and germinating Schwarzwälder Dorfgeschichten exerted a decisive influence; ideas which it produced. Hegel, who held the earlier half of the they were the forerunners of a large body of peasant literature 19th century in his ban, was still all-powerful in the universities, which described with affectionate sympathy and with a liberal but his power was on the wane in literature and public life. admixture of dialect, south German village life. With this The so-called " Hegelian Left" had advanced so far as to have group of writers may also be associated the German Bohemian, become incompatible with the original Hegelianism; the new A. Stifter (1805-1868), who has called up unforgettable pictures social and economic theories did not fit into the scheme of and impressions of the life and scenery of his home. Hegelian collectivism; the interest in natural science-fostered Meanwhile, the Low German peoples also benefited by the by the popular books of J. Moleschott (1822-1893), Karl Vogt revival of an interest in dialect and peasant life; it is to the (1817-1895) and Ludwig Büchner (1824-1899)-created a credit of Fritz Reuter (1810-1874) that he brought honour healthy antidote to the Hegelian metaphysics. In literature and to the Plattdeutsch of the north, the dialects of which had art, on which Hegel, as we have seen, had exerted so blight- played a fitful, but by no means negligible rôle in the earlier ing an influence, his place was taken by the chief exponent history of German letters. His Mecklenburg novels, especially of philosophic pessimism, Arthur Schopenhauer (1788-1860). Ui de Franzosentid (1860), UI mine Festungstid (1863) and Ut Schopenhauer's antagonism to Hegelianism was of old standing, mine Stromlid (1862-1864), are a faithful reflection of Mecklenfor his chief work, Dic Welt als Wille und Vorstellung, had burg life and temperament, and hold their place beside the best appeared as far back as 1819; but the century was more than German fiction of the period. What Reuter did for Plattdeutsch half over before the movement of ideas had, as it were, caught prose, his contemporary, Klaus Groth (1819-1899), the author up with him, before pessimism became a dominant force in of Quickborn (1852), did for its verse. Weowe, however, the best intellectual life.
German prose fiction of these years to two writers, whose affinity The literature produced between 1850 and 1870 was pre- with the older Romanticists was closer. The north German, eminently one of prose fiction. The beginnings which the Theodor Storm (1817-1888) is the author of a series of short " Young German "school had made to a type of novel dealing stories of delicate, lyric inspiration, steeped in that elegiac with social problems--the best example is Gutzkow's Ritter Romanticism which harmonized so well with mid-century som Geisle--developed rapidly in this succeeding epoch. pessimism in Germany. Gottfried Keller (1819-1890), on the Friedrich Spielhagen (born 1829) followed immediately in other hand, a native of Zürich, was a modern Romanticist of Gutzkow's footsteps, and in a series of romances from Problema. a robuster type; his magnificent autobiographical novel, Der tische Naturen (1860) to Sturmflut (1876), discussed in a militant grüne Heinrich (1854-1855), might be described as the last in spirit that recalls Laube and Gutzkow the social problems the great line of Romantic fiction that had begun with Wilhelm which agitated German life in these decades. Gustav Freytag Meister, and the short stories, Die Leute von Seldwyla (1856(1816-1895), although an older man, freed himself more success- 1874) and Züricher Noodlen (1878) are masterpieces of the fully from the " Young German" tradition; his romance of first rank. German commercialism, Soll und Haben (1855), is the master In the dramatic literature of these decades, at least as it was piece of mid-century fiction of this class. Less successful was reflected in the repertories of the German theatres, there was Freytag's subsequent attempt to transfer his method to the little promise. French influence was, in general, predominant; milieu of German academic life in Die verlorene Handschrift French translations formed the mainstay of the theatre-directors, (1864). As was perhaps only natural in an age of social and while successful German playwrights, such as R. Benedix (1811political interests, the historical novel occupies a subordinate 1873) and Charlotte Birch-Pfeiffer (1800-1868), have little claim place. The influence of Scott, which in the earlier period had to considerution in a literary survey. Gustav Freytag's been strong, produced only one writer, Wilhelm Häring ("Willi- admirable comedy, Dic Journalisten (1852), was one of the bald Alexis," 1798-1871), who was more than a mere imitator rare exceptions. But the German drama of this cpoch is not of the Scottish master. . In the series of six novels, from Der to be judged solely by the theatres. At the middle of the century Roland von Berlin lo Dorothe, which Alexis published between Germany could point to two writers who, each in his way, con. 1840 and 1856, he gave Germany, and more particularly Prussia, tributed very materially to the development of the modern a historical fiction which might not unworthily be compared drama. These were Friedrich Hebbel (1813–1863) and Ollo with the Waverley Novels. But Alexis had no successor, and the Ludwig (1813–1865). Both of these men, as a later generation historical novel soon made way for a type of fiction in which discovered, were the pioneers of that dramatic literature which the accurate reproduction of remote conditions was held of at the close of the century accepted the canons of realism and more account than poetic inspiration or artistic power. Such aimed at superseding out ward effects by psychological conflicts are the "antiquarian " novels of ancient Egyptian life by and problems of social life. Hebbel, especially, must be regarded Georg Ebers (1837–1898), and those from primitive German as the most' original and revolutionary German dramatist of history by Felix Dahn (born 1834). The vogue of historical the 19th century. Unlike his contemporary Grillparzer, whose fiction was also transferred to some extent, as in English literature, aim had been to reconcile the "classic" and the " romantic" to novels of American life and adventure, of which the chief drama with the help of Spanish models, Hebbel laid the founda. German cultivators were K. A. Postl, who wrote under the tions of a psychological and social drama, of which the most pseudonym of Charles Sealsfield (1793-1864) and Friedrich modern interpreter has been Henrik Ibsen. Hebbel's first Gerstäcker (1816-1872).
tragedy, Judilk, appeared in 1840, his masterpieces, Herodes
und Marianne, Agnes Bernauer, Gyges und sein Ring, and the with his Chroniknovellen, and Paul Heyse were the acknowledged trilogy of Die Nibelungen between 1850 and 1862.
masters. It was not until at least a decade later that the genius In this period of somewhat confused literary striving, there of Gottfried Keller was generally recognized. The historical is, however, one body of writers who might be grouped together novel seemed, in those days, beyond hope of revival. Gustav as a school, although the designation must be regarded rather Freytag, it is true, had made the attempt in Die Aknen (1842as an outward accident of union than as implying conformity 1881), a number of independent historical romances linked of aims. This is the group which Maximilian II. of Bavaria together to form an ambitious prose epic; but there was more of gathered round him in Munich between 1892 and 1860, A the spirit of Ebers and Dahn in Freytag's work than of the leading spirit of the group was Emanuel Geibel, who, as we have spacious art of Scott, or of Scott's disciple, Willibald Alexis. seen, sel a model to the German lyric in this age; F. von Boden The drama of the 'seventies was in an even less hopeful condition stedt (1819-1892), the popular author of Mirza Schafsy; and than during the preceding period. The classical iambic tragedy J. V. von Scheffel (1826–1886), who, in his verse-romance, Der was cultivated by the Munich school, by A. Wilbrandt (b. 1837), Trompeler von Säckingen (1854), broke a lance for a type of A, Lindner (1831-1888), H. Kruse (1815-1902), by the Austrian literature which had been cultivated somewhat earlier, but F. Nissel (1831-1893), and A. Fitger (b. 1840); but it was with no very conspicuous success, by men like 0. von Redwitz characteristic of the time that Halm was popular, while Hebbel (1823-1891) and G. Kinkel (1815-1882). The romance was, and Grillparzer were neglected, it might even be said ignored. in fact, one of the favourite vehicles of poetic expression of the The most gifted German dramatist belonging exclusively to Munich school, its most successful exponents being J. Wolff the decade between 1870 and 1880 was an Austrian, Ludwig (b. 1834) and R. Baumbach (1840-1905); while others, Anzengruber (1839-1889), whose Pfarrer von Kirchfeld (1870) such as H. Lingg (1820-1905) and R. Hamerling (1830-1889) recalled the controversies of the Kulturkampf. This was Anzendevoted themselves to the more ambitious epic. The general gruber's first drama, and it was followed by a series of power. tone of the literary movement was pessimistic, the hopelessness ful plays dealing with the life of the Austrian peasant; Anzen. of the spiritual outlook being most deeply engrained in the gruber was, indeed, one of the ablest exponents of that village verse of H. Lorm (pseudonym for Heinrich Landesmann, 1821- life, which had attracted so many gifted writers since the days 1902) and H. Leuthold (1827-1879). On the whole, the most of Gottheli and Auerbach. But the really popular dramatists important member of the Munich group is Paul Heyse (b. 1830), of this epoch were either writers who, like Benedix in the older who, as a writer of " Novellen " or short stories, may be classed generation, cultivated the bourgeoise comedy-A. L'Arronge with Storm and Keller. An essentially Latin genius, Heyse (b. 1838), G. von Moser (1825-1903), F. von Schönthan (b. 1849) excels in stories of Italian life, where his lightness of touch and O. Blumenthal (b. 1852)-or playwrights, of whom P. and sense of form are shown to best advantage; but he has also Lindau (b. 1839) may be regarded as representative, who written several long novels. Of these, Kinder der Welt (1873) imitated French models. The only sign of progress in the and, in a lesser degree, Im Paradiese (1875), sum up the spirit dramatic history of this period was the marked improvement and tendency of their time, just as, in earlier decades, Die Riller of the German stage, an improvement due, on the one hand, to vom Geiste, Problematische Naturen and Soll und Hoben were the artistic reforms introduced by the duke of Meiningen in the characteristic of the periods which produced them.
Court theatre at Meiningen, and, on the other hand, to the ideals (c) German Literature after 1870.-In the years immediately of a national theatre realized at Bayreuth by Richard Wagner following the Franco-German War, the prevailing conditions (1813–1883). The greatest composer of the later 19th century were unfavourable to literary production in Germany, and the is also one of Germany's leading dramatists; and the first re-establishment of the empire left comparatively little trace performance of the trilogy Der Ring der Nibelungen at Bayreuth on the national literature. All minds were for a time engrossed in the summer of 1876 may be said to have inaugurated the by the Kulturkamps, by the financial difficulties--the so-called latest epoch in the history of the German drama. Gründertum-due to unscrupulous speculation, and, finally, The last fifteen of twenty years of the 19th century were by the rapid rise of social democracy as a political force. The distinguished in Germany by a remarkable literary activity. intellectual basis of the latter movement was laid by Ferdinand Among the younger generation, which was growing up as citizens Lassalle (1825-1864) and Karl Marx (1818–1883), author of of the united German empire, a more hopeful and optimistic Das Kapital (vol. I, 1867). But even had such disturbing elements spirit prevailed. The influence of Schopenhauer was on the wane, been wanting, the general tone of German intellectual life at and at the universities Hegelianism had lost its former hold. that time was not buoyant enough to inspire a vigorous literary The sponsor of the new philosophic movement was Kant, the revival. The influence of Hegel was still strong, and the "his master of 18th-century "enlightenment," and under the intorical" method, as enunciated in Der alle und der neue Glaube fluence of the "neo-Kantian movement, not merely German (1872) by the Hegelian D. F. Strauss, was generally accepted school philosophy, but theology also, was imbued with a healthier at the German universities. To many the compromise which spirit. L. von Ranke (1795-1886) was still the dominant force H. Lotze (1817-1881) had attempted to establish between in German historical science, and between 1881 and 1888 nine science and metaphysics, came as a relief from the Hegelian volumes appeared of his last great work, Weltgeschichte. Other tradition, but in literature and art the dominant force was still, historians of the period were H. von Sybel (1817-1895) and H. as before the war, the philosophy of Schopenhauer. In his von Treitschke (1834-1896), the latter a vigorous and inspiring Philosophie des Unbewussten (1869), E. von Hartmann (1842-spokesman of the new political conditions; while J. Burckhardt 1906) endeavoured to bring pessimism into harmony with ideal. (1818–1897), author of the masterly Kultur der Renaissance in ism. In lyric poetry, the dull monotony was broken by the Italien (1860) and the friend of Nietzsche, exerted an influence excitement of the war, and the singers of the revolution of 1848 on German thought which was not confined to academic circles. were among the first to welcome the triumph and unification Literary criticism perhaps benefited most of all by the dethrone of Germany. At the same time, men of the older generation, ment of Hegel and the more objective attitude towards Schopenlike Herwegh, Freiligrath and Geibel could ill conceal a certain hauer; it seemed as if in this epoch the Germans first formed disappointment with the new régime; the united Germany, definite ideas and ideas which were acceptable and accepted of 1871 was not what they had dreamed of in their youth, whepqutside Germany—as to the rank and merits of their great poets. all hopes were set on the Frankfort parliament.
A marked change came over the nation's attitude towards Goethe, The novel continued to be what it was before 1870, the most a poet to whom, as we have seen, neither the era of Hegel nor vigorous form of German literature, but the novelists who were that of Schopenhauer had been favourable; Schiller was regarded popular in the early 'seventies were all older men. Laube, with less national prejudice, and most important of all-amends Gutzkow and Auerbach were still writing; Fritz Reuter was were made by the new generation for the earlier neglect of a universal favourite; while among the writers of short stories, Kleist, Grillparzer, Hebbel and Keller. Storm, who, between 1877 and 1888, put the crown to his work The thinker and poet who most completely embodies the spirit

redpajama_set_name: RedPajamaCommonCrawl


This page displays sold house prices for Edgecombe in Cambridge.
Edgecombe in Cambridge CB4 consists predominantly of flats. Properties on Edgecombe typically have values around £150,000 - £200,000, ranging up to around £200,000 for top end flats.
Map showing Edgecombe in Cambridge.


Josh bought me this cool CD set from Russia!
Some of their very best stuff!
My write-in man for 2016!
Absurdity is an every day word today...integrity is seldom used.
Just dusted off one of my Aurora display models...really great paint jobs on these!
Visit our friend at SPACE LAB 9 at booth # 842 and pick up your black pumpkin splatter edition of THE ADDAMS FAMILY LP and tell them I sent you!
Remembering John on his 75th!
Dean's first meaty television roll, that you could tell he was on to something. A well written episode that develops quickly in a short time span.
From my pal Patrick Owsley!
This 3 disc set has all of the surviving television material, introduced by my pal Marcus Winslow (Jimmy's cousin) and there was some restoration done to the material. His television work was diverse and great fun to watch!
A LIFE WITH FATHER episode from 1951 featuring Martin Milner and a very young Sheila James (The many loves of Dobie Gillis). This was Jimmy's 2nd TV appearance and it was filmed, just before he left the West Coast for New York.
....When it's empty it's a toy!
Disney Golden book re-issues are great!
Golden books are great for kids when they have great art and stories! A far cry from today's shlock!
50 years ago today, Uncle Boris Karloff began work on Rankin/Bass' Mad Monster Party?
Boris Karloff recorded his work 10-06 and 10-07, 1965, when the film was known as "Monster Convention" in London, England.
Bugs Bunny celebrates the Halloween holiday!
Decorations and Halloween costumes everywhere!
One of the greatest Hammer films in the horror catalog!


Interpretation – What's it all about?
Heritage professionals from across the country descended on the National Army Museum for the practical session of the GEM and AHI Intermediate Interpretation course. It was directed by The Authentic Spark and PLB's Sarah Oswald and attended by Helen Simmons to review the skills and knowledge required to develop a variety of heritage interpretation approaches that engage and inspire.
It is important to remember that interpretation is not just about conveying information, but also making sense of our understanding something. PLB provide interpretive strategies for heritage projects, and this has included 'Waterloo Lives', part of Waterloo 200 commemoration. A series of design and build exhibitions for the National Army Museum, were delivered to all ends of the country, from The Gordon Highlanders Museum in Aberdeen to the Somerset Military Museum in Taunton, whilst its main site was being redeveloped.


Minister for Food, Fibre Biosecurity and Border Control, Hon John Luxton, today said today's announcement by the Australian Quarantine Inspection Service (AQIS) not to allow imports of New Zealand apples was unacceptable and simply does not make sense.
"My initial reaction is that this is an unacceptable announcement. Once again Australian families are denied access to some of the world's best apples.
"This just does not make sense.
"Based on scientific evidence, I am not prepared to accept the assertion that New Zealand apples pose a risk to Australia.
"The scientific evidence suggests that the chance of New Zealand apple exports causing an out break of fireblight in Australia to be less than one in every 10,000 years.
"I guess this isn't zero, but if all countries were to run their phytosanitary operations in this way no trade would take place. Trade in such things as oranges, tomatoes, bananas or potatoes for example would be banned. We have to manage risk,"Mr Luxton concluded.
Officials will now study the decision in order for Trade Minister Lockwood Smith to respond formally when he meets his Australian counterpart, Tim Fischer in Wellington next week.


Someone facing criminal charges in Massachusetts will want to hire a reliable criminal defense lawyer in Massachusetts to defend them. Considering the substantial criminal penalties and prison that may result from criminal charges, it is important to choose the very best criminal defense lawyer.
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Criminal law is quite a complex field of federal and state legislation which a criminal defense attorney in Massachusetts needs to practice and study for long years to be able to navigate skillfully. A reliable lawyer would explain you thoroughly the laws and legal rules applying to your case.
These are some of the many roles and responsibilities of a criminal defense lawyer. If you, or anyone of your family or friends, face a criminal charge, make sure to hire only a skilled criminal defense lawyer in Massachusetts with a proven track record of successfully handling criminal cases.


ADT Pulse puts a new spin to home monitoring protection. It allows you to remotely connect to your home via an Internet-enabled smartphone, tablet or laptop. ADT Pulse features Z-Wave wireless technology, which syncs your home automation devices. Now you can access and modify what goes on inside and outside your home! Reduce your home energy consumption, remotely manage your home and entirely revamp your home security system with ADT Pulse. The whole experience is nothing short of spectacular.
These days, it seems everybody has an iPad and everybody's a filmmaker – indeed, it's easier than ever now, to unlock your inner Spielberg with hundreds of thousands of apps available for download with a tap of your finger.


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text:
Violent Erasures: Atrocity, Photographic Archives and the Algerian War of Independence (1954–62)
Katarzyna Falęcka
To download this paper please click here
This paper examines the role of photographic archives from the Algerian War of Independence (1954-62) in the formation of the conflict's legacy in France. It argues that while acts of extreme violence enacted by the French military upon Algerian insurgents were under-represented, these blind spots should not be discarded as unproductive sites for writing histories of visual culture. Instead, they can be seen as indicative of the restrictions placed on photographic production during the war, as well as on its afterlives in national archives and collections. Following the transportation of archives from Algeria to France after the Évian accords in 1962, which ended the 132-years-long colonial rule, access to these documents became restricted. While the majority of archives were made public 50 years after the conflict had ended, some of the most sensitive documents still remain outside of the public's view due to longer delays. These occlusions have structured the conflict's (in)visibility in the French public sphere following the end of the war. By taking the 2012 issue of Manière de voir-Le Monde Diplomatique, which revisits the conflict through historical imagery and contemporary photography by Bruno Boudjelal, this paper analyses the cultural, social and political processes which control vision itself.


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text:
package api

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	// TemplateInstance API.
	TemplateInstanceLabel = "template.openshift.io/template-instance"

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	// name so there is no immediate overlap with passed template parameters in
	// the same object.
	NamespaceParameterKey = "template.openshift.io/namespace"

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	// Broker API ProvisionRequest Parameters object where we receive the user
	// name which will be impersonated during template provisioning.  See above
	// note.
	RequesterUsernameParameterKey = "template.openshift.io/requester-username"

	// ServiceBrokerRoot is the API root of the template service broker.
	ServiceBrokerRoot = "/brokers/template.openshift.io"

	// ServiceMetadataIconClass is the key for the template iconClass as returned
	// in the services.metadata map from a service broker catalog response
	ServiceMetadataIconClass = "console.openshift.io/iconClass"
)


text:
"Оейсис" (, в превод оазис) е британска рок група, основана през 1991 година в Манчестър. През 1994 "Оейсис" са изстреляни на върха на славата от блестящия си дебютен албум и се превръщат в една от най-популярните групи на 1990-те. Заедно с "Blur" и "Suede" са отговорни за изкачването на бритпопа на върха на класациите.

История
Първоначално групата е създадена през 1991 под името "Рейн" (Rain) от съучениците Лиъм Галахър (вокали), Пол "Боунхед" Артърс (китара), Пол "Гигси" Макгиган (бас) и Тони Маккаръл (барабани). След като работи няколко години като техник към турнето на The Inspiral Carpets, през 1993 Ноуъл Галахър се присъединява към групата на брат си Лиъм при две условия – да се прекръстят на "Оуейсис" и Ноуъл да е автор на песните.

След продължителни репетиции "Оуейсис" записват демо, което предават на Creation Records, които веднага подписват с групата. Първите няколко сингъла, издадени през пролетта и лятото на 1994, са изключително успешни. Когато през есента на 1994 излиза дебютният албум "Definitely Maybe", той дебютира директно на първо място в британските чартове и се превръща в най-бързо продавания дебютен албум в историята. В САЩ "Definitely Maybe" достига златен статус през следващата година, най-вече заради MTV хитовете "Live Forever" и "Supersonic".

Въпреки огромната им популярност след само един издаден албум, обтегнатите отношения между членовете на групата заплашват тя да се разпадне. Братята Галахър се карат открито пред медиите, отказват да дават общи интервюта, предприемат медийна война срещу Блър, а барабанистът Тони МакКаръл внезапно напуска в началото на 1995 след кавга с Лиъм Галахър. На негово място идва Алан Уайт. Въпреки всичко "Оуейсис" успяват да преодолеят трудностите и в края на 1995 се завръщат с албума "(What's The Story) Morning Glory", който дебютира на първо място във Великобритания и става вторият най-продаван албум в британската история. Албумът достига 10 място в САЩ.

През 1996 "Оуейсис" прекъсват американското си турне и започват записи на новия си албум "Be Here Now". За разлика от предните два, записите отнемат месеци и най-накрая приключват през пролетта на 1997.

"Be Here Now" е издаден през август 1997 с положителни рецензии и добро представяне на чартовете. Въпреки че Оейсис затвърждават статуса си на рок величия, критиците и публиката забелязват, че новият им албум не се доближава до класата на предшествениците си.

Известният холивудски актьор Джони Деп е записвал два пъти с британската банда Oasis. Най-запомнящо се е участието му като водещ китарист в парчето Fade In-Out от албума Be Here Now(1997). Ноуел Галахър бил прекалено пиян, за да ги изпълни сам.

Записите за четвъртия им студиен албум започват чак през 1999. През лятото на същата година Боунхед напуска "Оуейсис". Анди Бел и Джем Арчър се присъединяват към групата през 2000 година, след като излиза албума "Standing On The Shoulder Of Giants". През есента на 2000 Оейсис издават първия си концертен албум "Familiar to Millions".

През 2002 издават петия си студиен албум "Heathen Chemistry". Албумът, както и синглите "Hindu Times" и "Songbird", не се оказват особено успешни. Последвалото турне отново не минава без инциденти. Ноуъл Галахър, Анди Бел и кийбордистът Джей Дарлингтън претърпяват автомобилна катастрофа по време на американското турне. В Мюнхен по време на европейското турне Лиъм Галахър и Алан Уайт заедно с част от антуража им взимат участие в сбиване в клуб в Мюнхен. По време на боя, един от антуража е повален с пепелник, докато Лиъм губи два от предните си зъби, а Уайт се налага да бъде прегледан на скенер, заради понесени удари по главата. Тестовете показват, че Лиам е използвал и кокаин.

Издаването на следващ албум се забавя, заради освобождаването на продуцентите от дуото Death in Vegas и напускането на Алан Уайт в началото на 2004. Синът на Ринго Стар, Зак Старки, е ангажиран от групата като нов барабанист за новите турнета и записи, но групата официално се състои от четиримата останали членове. "Don't Believe The Truth" излиза през май 2005.

Турнето продължава от май 2005 до април 2006 след което групата излиза в почивка. Същата година групата издава компилацията Stop the Clocks, заради изтичащия им договор със Sony BMG.

През февруари 2007 групата получава статуетката от Британските награди за Значителен принос към музиката. Групата изпълнява 5 песни, заедно със Зак Старки, който се очаква да бъде привлечен като официален член и барабанист след края на турнето си с the Who на Гластонбъри 2007. Записването на нов албум се отлага за тогава.

Състав
 Лиъм Галахър (вокал, текст)
 Ноел Галахър (китара, текст, вокал, беквокал)
 Джем Арчър (ритъм китара, текст)
 Анди Бел (баскитара, текст)
 Зак Старки (барабани)

Бивши членове
 Пол Артърс (ритъм китара)
 Тони Маккаръл (барабани)
 Пол Макгуиган (баскитара)
 Алан Уайт (барабани)

Дискография

Сингли
 "Supersonic" (11.04.1994)
 "Shakermaker" (13.06.1994)
 "Live Forever" (08.08.1994)
 "Cigarettes & Alcohol" (10.10.1994)
 "Whatever" (18.12.1994)
 "Some Might Say" (24.04.1995)
 "Roll With It" (14.08.1995)
 "Morning Glory" (15.09.1995)
 "Wonderwall" (30.10.1995)
 "Don't Look Back In Anger" (19.02.1996)
 "Champagne Supernova" (13.05.1996)
 "D'You Know What I Mean?" (07.06.1997)
 "Stand By Me" (22.10.1997)
 "All Around The World" (12 януари 1998)
 "Dont Go Away" (19.02.1998)
 "Go Let It Out" (07.02.2000)
 "Who Feels Love?" (17.04.2000)
 "Sunday Morning Call" (03.07.2000)
 "The Hindu Times" (15.04.2002)
 "Stop Crying Your Heart Out" (17.06.2002)
 "Little By Little/She Is Love" (23.09.2002)
 "All Around The World" (12 януари 1998)
 "Songbird" (03.02.2003)
 "Lyla" (16.05.2005)
 "The Importance Of Being Idle" (22.08.2005)
 "Let There Be Love" (28.11.2005)

Албуми
 "Definitely Maybe" (1994)
 "(What's The Story) Morning Glory?" (1995)
 "Be Here Now" (1997)
 "Standing On The Shoulder Of Giants" (2000)
 "Heathen Chemistry" (2002)
 "Don't Believe The Truth" (2005)
 "Dig out your soul" (2008)

Концерти и ДВД-та
 "Live By The Sea" (1995)
 "...There and Then" (1996)
 "Familar To Millions" (2000)
 Definitely Maybe (DVD) 2004)

Компилации
 "The Masterplan" (1998)
 "Stop The Clocks" (2006)

Външни препратки
 Официален сайт
 Oasis Live

Изпълнители на Кълъмбия Рекърдс

redpajama_set_name: RedPajamaWikipedia


text:
CNN analyst on Zimmerman brother's racist rant: Two sides to every story
Eric W. Dolan
CNN legal analyst Sunny Hostin on Wednesday offered a rationale for racist messages sent by George Zimmerman's brother, saying there were "two sides to this story."
"I spoke to him for about 45 minutes," she said. "And anyone that knows Robert Zimmerman and has spoken to him knows he's very passionate about his family, very, very supportive of his brother."
Tuesday on his Twitter page, Robert Zimmerman Jr. compared Trayvon Martin, the black teen his brother killed last year, to alleged baby killer De'Marquise Elkins. Both black youths had posed in pictures while flipping the bird. Zimmerman said the photos spoke "volumes about their character" and added, "Lib media shld ask if what these2 black teens did 2 a woman&baby is the reason ppl think blacks mightB risky."
Zimmerman told Hostin that the tweets were intended to show how the media unfairly portrayed his brother as the aggressor and Martin as the victim. He acknowledged the tweets were offensive and apologized for them.
"So, you know, just from your perspective, to his point about the media treatment in both stories, do you think he has a point?" CNN host Brook Baldwin asked.
"I think many people do believe as the story has been developed more, that there are two sides to this story, and that perhaps initially the Zimmerman family's story wasn't accurately depicted," Hostin responded.
"And I think that Robert Zimmerman in many respects feels that it is his duty to put that out there," she continued. "I mean, he certainly discussed with me how this has changed the lives of his family. And while they acknowledge George Zimmerman is still alive, he acknowledged that his family has not lost a brother and a son, as the Martin family had, their lives have been destroyed, they received death threats. And so he really feels very frustrated about how, I guess, the story has been framed."
Watch this video from CNN, broadcast March 27, 2013.


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Afghan measures approximately 48" x 69"
20 oz. of Lt. Haze Green (CD).
In Sc - 3 1/2 stitches and 4 rows = 1"
Each Strip = 5" x 66"
Entire afghan is worked in single crochet.
Starting at narrow edge with CA, ch 19 to measure 5 inches.
Row 1 (Right side): Sc in 2nd ch from hook and in each ch across--18 sc. Ch 1, turn.
Row 2: Sc in each sc across to within last sc; draw up a lp in last sc, drop CA, with CB yo and draw through both lps on hook--sc color change made. Always change color this way. Fasten off. Ch 1, turn.
Row 3: Sc in each sc across. Ch 1, turn.
Rows 5-8: Work in sc with CC changing color to CB at end of 4th row.
Rows 9 and 10: Work in sc with CB changing color to CA at end of 2nd row.
Rows 11 and 12: Work in sc. At end of Row 12, fasten off.
Rows 1-12 of chart are completed.
Wind 2 bobbins of CD and 1 bobbin of CC (optional).
Note: When working with CC or CD, always work over CB (background color) to conceal it and place it in position for next sc worked with CB.
Row 13: With CB sc in next 2 sc, changing to CD on 2nd sc, drop CB to wrong side of work; working over the CB strand to conceal it, with CD sc in next 2 sc changing to CB on 2nd sc, with CB sc in next 4 sc changing to CC on 4th sc, with CC and working over CB strand as before, sc in next 2 sc changing to CB on 2nd sc, with CB sc in next 4 sc changing to CD on 4th sc, with CD sc in next 2 sc changing to CB on 2nd sc, with CB sc in next 2 sc. Ch 1 turn.
Row 14: Starting with Row 14 of chart and working over CB as before, follow chart until Row 42 has been completed.
Repeat Rows 1-42, 5 times more, then rep Rows 1-12 once more. Fasten off.
SECOND STRIP (Make 4): Work as for the First Strip until Row 12 has been completed. Wind 2 bobbins of CC and 1 bobbin of CD. Starting with Row 13 of chart, work as for First Strip working the first and third diamonds with CC and the center diamond with CD.
Being careful to match stripes, sew Strips together lengthwise, alternating First and Second Strips.
BORDER: With right side facing attach CD to outer edge, ch 1.
Rnd 1: Sc closely around entire outer edge working 3 sc in each corner. Sl st to beg sc to join.
Rnds 2-5: Ch 1, sc in each sc around working 3 sc in each corner sc. Join. At end of last rnd, TURN.
Next Rnd: Sl st in each sc around. Join. Fasten off.


text:
Why Kashmir Condemned Shopian Attack
By Prachita Jaitley
Prachita Jaitley
Being at the forefront of anti-militancy operations, cops of Jammu and Kashmir police are expected to face attacks from insurgents and hundreds of policemen have paid with their lives during such operations since the eruption of insurgency in Indian administered Kashmir.
Monday's attack in south Kashmir's Shopian was an incident of similar kind but as soon as the news spread on social networking websites about the killing of three unarmed policemen by suspected militants, condemnations poured in from far and wide.
DGP K Rajendra consoles son of Constable Mushtaq Ahmad killed in a suspected militant attack in Shopian.
This was perhaps first such incident when the killing of cops was condemned by people in the valley who have suffered abuses and humiliation at the hands of government forces for the past two decades.
The killings not only shocked the people, there was, also, a wave of sympathy for the slain cops across the valley.
While some people took to Facebook to register their protest against the killings, a common refrain, however, was that killing of innocents was not allowed in any civilized society. Some invoked Islamic and Quranic quotes to express their emotions.
"Islam does not allow killing of non-combatants," said one Facebook user. "A policeman is no different from a doctor or a clerk or a teacher; doing a job to feed his family," wrote another Facebook user.
Many of them, in their comments, cursed the killers in a very despicable way.
This is perhaps for the fact that the people have begun to recognize the social duty policemen are known to be performing.
ALSO READ Audacious Hizb Militants Upload video On Facebook
One of the three slain policemen—Nisar Hussain—was rewarded for doing commendable job in devastating September floods that claimed hundreds of lives and displaced millions. He was at the forefront to help people in floods.
24-year-old Hussain, a resident of Hadipora, Rafiabad in north Kashmir, was transferred from District Police Lines to Police Station Shopian only a week back. Known for his humble and loving nature, Hussain was a great human being, who would go out of way ( on occasions risking his life) to help the needy.
Constable Mohammad Ayub, a close friend of Hussain said that he recently sold his Samsung Note 3 mobile phone to help monetarily one of his friends, getting married later this month.
During the recent floods, Hussain helped in rescue and evacuation of hundreds of residents in upper reaches of Shopian where landslides and slipping of land had posed serious threat to human lives.
Passionate about cricket and football, Hussain's family and friends say that his sole aim was to give his two younger brothers higher education besides raising a family of his own.
DGP K Rajendra consoles father of Constable Mushtaq Ahmad who was killed in a suspected militant attack in Shopian.
Head Constable Mushtaq Ahmad's, who also got killed along with Hussain, is almost a similar tale. He was known as a capable cop, who could resolve disputes to the best of the satisfaction of the rival parties. Perhaps this was the reason he was sent to Amshipora (village where he was ambushed by gunmen) to settle a land dispute in the village.
That is what had made—Abdul Gani Wani—a proud father. "Around 300 families visited our house since yesterday whose disputes were solved by my son. I am proud of my son", Ahmad's father said with teary eyes.
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Ahmad is survived by two sons—aged 16 and 18—and wife besides his old parents.
Shabir Hussain, the third slain cop, was from Chechut Leh. He had one dream, according to his acquaintances and friends—to serve his mother. Shabir's father had died some months back. He was living with his mother in a rented accommodation in Srinagar. With his death, Shabir's mother is a lonely person now. The agony she has gone through with the killing of her son is anybody's guess. Hers could be called a great human tragedy.
Casket of Shabir Hussain reaches Leh, his hometown in Ladakh. Hussain was killed in an ambush by suspected militants in Shopian, Kashmir.
The slain policemen had gone to the village in connection with a civil dispute. So they were not carrying any guns or grenades. Since none of the militant outfits fighting in the region have claimed the responsibility of the deadly attack. So nobody is sure who killed the policemen.
However, it is a big question before the political and religious leadership of the state whether fatal attacks against non-combatants (since they were unarmed) is permissible in any way. They owe an answer to the people of Jammu and Kashmir.
Disclaimer: The opinions expressed within this article are the personal opinions of the author. The News Kick is not responsible for the accuracy, completeness, suitability, or validity of any information on this article.
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Emotions is always a part of human life. It is not framed like this that when you are sad, you show emotions or when you are in love. Emotions are there in every part of our life. Emotions are also reflected when you are happy, tensed and all other situations. To reflect these situations in your life, you have the provision of using Emotional status for Whatsapp and Facebook. Let us discuss what the needs of using the available emotional status are.
First of all, there is no specific answer to this. It depends on how different people portray their thoughts. Using or not using an Emotional Short status also depends on the people themselves. There is nothing like you should do or you shouldn't do, the framing is quite simple, if you want to show or express your emotions, you can use Emotional 2 Line status. If you don't want to show or express, don't use it. But, if you want to use it, it is highly recommended that you be creative and make your own Emotional Video status for Whatsapp Story.
This certifies the creative property of your mind. Nevertheless, if you want to opt for all the status regarding emotions which are available on the internet, you can do that also. There are thousands of threads providing such statuses, out of which the one you like, just copy and paste the text. But, do use them at right times, like upload the emotion when you are feeling that way. Uploading vague statutes may have a stand for others, but it won't have for you. Make use of the different website where you can socialize like Facebook and WhatsApp to express these emotions.
Humility is born of the spirit, humiliation of the ego.
If you keep your emotions locked in a box, then when you want to open it one day you'll find that they're gone.
I miss you, but I think I'm done waiting.
Hope is the crystal meth of emotions. It hooks you fast and kills you hard.
The truth is that creative activity is one that involves the entire self – our emotions, our levels of energy, our characters, and our minds.
Experience is not what happens to you it's how you interpret what happens to you.
Sick of crying, tired of trying, yes, I'm smiling but inside I'm dying.
After all, how can you run from what's inside you.?
Faith is a journey not a guilt trip.
Here I go faking smiles again.
Great advertising is the expression of deep emotional sincerity.
If you're waiting until you feel talented enough to make it, you'll never make it.
Anxiety is the dizziness of freedom!!
I guess I'm pretty emotional.
Worrying is like being in a rocking chair. It gives you something to do but does not get you anywhere.
Sleep just isn't sleep anymore, it's an escape.
Many people find it justified and many find it childish behavior. But, it is nothing wrong and if you want, then go ahead. Hopefully, you could understand our point which we tried to convey through this article.


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