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I came across Oppenheimer Analysis by following on a lead supplied by Juan Mendez aka Silent Servant/Tropic of Cancer. The band is the UK duo of Andy Oppenheimer and Martin Lloyd who still operate to this day, although many of their releases have been re-releases of tracks from their seminal album "New Mexico" recorded and released on cassette in 1982. The sound is pure minimal wave: vintage synth pop, combining Kraftwerk's machine music and robot sterility with new romantic's androgenous and gothic stylings. But what sets Oppenheimer Analysis apart from their peers is a seamless and profound exploration of Cold War politics and mentality in their lyrics, like taking Kraftwerk's themes of robots, energy synthesis, science, and technology to its dystopian conclusions in the paranoid and bleak mind set of the 80s. The whole "New Mexico" album beautifully unites like a giant fusion reaction under the threat of nuclear war and the forever distant future nuclear power and politics promises.
But the the album works as a greater whole by contrasting points of view. The dread on the street contrasts nicely with the shiny optimism of "Men in white coats" whos air of blind praise only serves to highlight the danger in adopting an unquestioning praise for the benefits of science.
We know what we're doing don't we?
"Modern wonder" works again from an unexpected point of view, starting as a love song, but ending as a road movie to the future with a finale that seems more like the London of recent weeks than 1982.
Surrounded by the present day.
Also on Mendez'a playlist is Snowy Red, a Belgian group with a slightly larger discography, but who neatly join the dots with Oppenheimer Analysis via their 1981 album "Snowy Red". The group were lead by the sadly deceased Micky Mike (real name Marcel Thiel) once a member of the first Belgian punk band Chainsaw. More overtly influenced by Suicide, Snowy Reds stark electronica nonetheless also bears some of the same Cold War sentiments on tracks like "How funny are those explosions". "Come on dance" is more abstract and its weird, mechanical angles are more industrial than hazed with the velvet sheen of commercial synth pop.
Closer in sound and generation to Mendez's Tropic of Cancer project is the German group Horrid Red. Drawing influence from synth waves and early Cure, their music is according to some better than their German lyrics. Nonetheless, their sedated and brooding update of new romantic pop is still intriguing and easily digestible since their tracks so far clock in at under three radio friendly minutes.


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Aftab Shivdasani
Aftab Shivdasani's Biography
Name: Aftab Shivdasani
Birth Date: 25th June, 1978
1) In 2000, Aftab won the Zee Cine Award in the Best Male Debutant category for his film, 'Mast', directed by Ram GopalVerma.
2) Same year he received the Star Screen Award for the Most Promising New Comer (Male) for 'Mast'.
3) Next up, in 2002, he was awarded the Zee Cine Award for the Best Actor in Negative Role category for 'Kasoor'. Same year, he also got nominated for the Filmfare Best Villain Award for the same film.
Biography: Aftab Shivdasani, the well-known Indian actor, was born in the City of Dreams, Mumbai in Maharashtra, India. His father PremShivdisani is a Hindu while his mother PutliShivdasani is a Parsi.His elder sister's nameis AfsanaShivdasani. He completed his education from St. Xaviers High School situated at LokmanyaTilakMarg, Mumbai and he did his graduation from the H.R College of Commerce, Mumbai.
During the time between1984 to 1992, Aftab happened to appear in several television commercials. When he was just 14 months old, he was selected to act as the Farex baby (which is a baby food brand name). His first Bollywood film as a child actor was 'Mr. India' (1987), directed by ShekharKapur. This was followed by 'Chaalbaaz', 'Shahenshah' and 'Insaaniyat'.
Aftab continued playing small roles in numerous advertisements and when he was nineteen years old, he got the much needed ticket from Ram GopalVerma. Aftab was offered a lead role opposite actress UrmilaMatondkar in his film, 'Mast'. The time when he got this role, he was still a student at the H.R College of Commerce. This film turned to be a major success and his performance in this film earned him lots of accolades and praises from the filming community at large.
Next up, in the year 2001, Aftab made his appearance in the film, 'Kasoor', directed by Viktram Bhatt. Here he played the negative role of the character of ShekharSaxena, a renowned journalist, who kills his own wife. His portrayal of the above named character catapulted him to instant fame and success.
His penultimate release in 2001 was 'Love KeLiyeBhi Kuch Karega', directed by E. Niwas. In this multistarrer film, Aftab appeared in a supporting role alongwith Fardeen Khan, Saif Ali Khan, SonaliBendre and Twinkle Khanna. Despite his good performance in the film, the film itself failed to create much of an impact at the Box Office.
'PyaarIshqAurMohabbat', directed by Rajiv Rai was his last movie in 2001. Here, he played one of the lead roles of that of TajBharadway among the three lead roles. The other two lead roles were played by Sunil Shetty and ArjunRampal opposite Kirty Reddy.
In 2002, Aftab's first two movies 'Koi Mere Dil Se Pooche' and 'KyaYehiPyaarHai' were not successful at the Box Office.RajkumarKohli's supernatural thriller titled 'JaaniDushman: EkAnokhiKahaani', was Aftab's third release of the year, which too was a flop. His fourth release of the year, 'AwaraPaagalDeewana', directed by Vikram Bhatt, was quite successful and it went on to become the seventh highest grosser film of that year. This was his only hit film of 2002. His last release that year was a film named 'Pyaasa', directed by A. Muthu.
Next year in 2003, Aftab did get some amount of success with Prawal Raman's multi starrer Bollywood Anthology film, 'DarnaManaHai'. His role of that of Purab, a college going student who had the abilty to stop and move different people, earned Aftab much needed critical acclaim. His next successful release was the Priyadarshan comedy titled 'Hungama' where he starred opposite AkshayeKhanna and the newcomer, Rimi Sen.Aftab's final release that year was the Vikram Bhatt directed Hindi crime thriller, 'Footpath'. Here he appeared alongside EmraanHasmi, BipashaBasu and Rahul Dev. This movie did not do well at the Box Office.
Aftab's first two movies to be released in 2004 were 'SunoSasurjee'and 'Muskaan', both of which flopped at the Box Office. Next up, he came up with his third release of 2004, a comedy film titled, 'Masti', directed by Indra Kumar and starring RiteshDeshmukh, VivekOberoi, Genelia D'Souza, Amrita Rao, AjayDevgan, Tara Sharma and Lara Dutta. This film was considered to be a semi-hit.AnupamSinha's 'Shukriya: Till Death Do Us Apart' was Aftab's last release of 2004, which again did not do well at the theatres.
In 2005, Aftab appeared in 'Mr. Ya Miss' and 'Koi AapSa', both of which flopped at the Box Office. All his films in the year 2006 were failures. However he did find a little bit of success in 2007 and 2008 with certain multi-starrer films.
In the year 2009, Aftab acted in 'Aao Wish karein', which was the first film to be produced under Rising Sun Entertainment, his production company. He helped co-write the movie's script and he himself played the lead role of the character named Mickey.
In the year 2011, Aftab played the lead character in Bilal Hassan's, 'Bin BulaayeBaraati', starring with Priyanka Kothari.
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Henry Onyekuru is currently expected to serve out the second half of the 2-year loan deal Everton agreed with RSC Anderlecht despite harsh words after the player missed out on Russia 2018 with Nigeria.
Henry suffered a serious knee injury playing against his old club Eupen, with initial fears that he would require surgery and miss the rest of the season. He returned to Finch Farm for treatment and scans ultimately showed that he would not need an operation but it created uncertainty over his future, both in terms of qualifying for the Nigerian World Cup squad, and gaining enough international appearances to justify a work permit that would allow him to play for Everton in the Premier League in 2018-19.
He had regained his fitness by late April 2018 but didn't make another start for Anderlecht for the remainder of the season. He was duly left out of Nigeria's team for Russia 2018, with some in his native Nigeria speculating that the Belgian club have withheld him from the team on purpose so that he would not be picked and could return to them for another loan the following season.
Anderlecht's hierarchy rejected the insinuation, with Vanhaezebrouck insisting it wasn't Anderlecht's fault that Henry would miss the World Cup. "Everyone sees that he is not ready to play — he is afraid of the duels — and then I cannot pick him to please him. By the way, Henry still has a lot to prove with the national team. He was not a fixed value before his injury either, hey?"
Although Anderlecht had successfully negotiated an agreement with Everton to take him for the 2018-19 season, the player and his representatives were reportedly exploring other opportunities, with Borussia Moenchengladbach a mooted possibility.
Onyekuru's work permit requirements continue to prevent him playing for Everton. A player can secure a work permit through playing the required number of competitive international matches for their country in the two years before the application was made. The exact figure on this varies given where the player's home country stand in FIFA's official rankings — with a player sometimes only needing to appear in 30% of international games.
However, to qualify for a UK work permit, Onyekuru would have needed to appear in 75% of Nigeria's competitive fixtures over the last two years, given their FIFA World ranking of 47. Onyekuru has only ever made two appearances for Nigeria, which falls way short of the amount required.
An alternate pathway to playing in the Premier League could open up for Onyekuru in 2019, however, when he will qualify to apply for a Belgian passport, giving him entry to the UK marketplace — Brexit notwithstanding!
Let's hope he plays, plays very well, scores goals, stays injury free, signs a new contract with the blues and comes here next year ready to take the Premier League by storm.
I get a sneaky feeling we won't see our 'Enery play for the Blues at all!
I've asked this before but why can he play in Belgium but not for us?
Let's just hope he matures into a grownup. The rest will follow.
Could be our new David Henen ! All seems very complicated!
@Ray Roche#4 It's down to the way work visa's work, I think the UK is alot stricter than Belgium. It also only takes them 3 years to get a European Citizenship, compared to 5 in the UK at the moment.
Ray, despite what Brexiteers would have you believe, the UK has the toughest rules on entry in Europe. So Henry can get in to Belgium and get a work permit, but not for us.
I was expecting this, as Henry spent a year in Belgium before we signed him, last season at Anderlecht makes two, and this coming season makes three. He can then apply for Belgian citizenship and enter the UK (under current freedom of movement of worker's rules). As to where we (UK and also Everton) will be in 12 months time, we will have to way and see.
Steve, Dave, thanks for the information. EU rules? Yeah, right. I thought we were all (in Europe) on the same song sheet?
Ray, it's rights of entry of Non-EU citizens. UK makes them for themselves.
Alan, we were trying to be clever and secure a top young talent who we hoped would get enough caps to come across this summer. Injury and Anderlecht put paid to that, not to mention he might not be good enough yet.
Ray, as I understand it, UK chose to allow EU citizens to remain in UK longer than they had to - is it Belgium that says if no job after 6 months, you go home??
Take your point Steve. Maybe I'm getting old and the world has changed. We nabbed Alex Scott when he was on the way to Spurs. Howard when it looked like the RS had him. Ball straight outa the blue. All straight into the side. Just sick of this jam tomorrow..
Steve #10 why make the comment about Brexiteers, this is a football site not a political one the last time I looked.
We knew he wasn't coming this season. Just turned 20 a couple weeks ago, we can wait.
Only part in the OP concerned me was this from his manager speaking plain, "he is not ready to play — he is afraid of the duels."
Re-looking at that 10-minute YouTube of Henry, "afraid of the duels" is the last way I'd describe him. I'd describe him as reckless in the attack; sprinting past someone or in traffic.
So get yourself back to health and recklessness, youngster. Looking forward to your arrival in 2019-2020.
Why did we buy him?
Steve (10), like many, you forget that post-EU the UK would be free to determine its own immigration rules and requirements. In the same way that rules would be designed not to threaten key economic sectors, there's little chance that they'd inhibit the future of the Premier League by restricting entry of top players. As for the rest, the majority are average at best and only end up in the Uk currently on the back of mysterious links between clubs and agents.
Steve (#20), post-Brexit immigration? The Premier League won't even be on the radar of the Home Office – it'll be rather busy trying to get doctors, nurses & agricultural workers in and processing Windrush backlog.
Steve, with a hard Brexit freedom of movement of workers is gone and so all the foreign players will be subject to the same rules regardless of whether they are in the EU or Africa. Steve you also forget the situation prior to the freedom of movement of workers and how Everton used to struggle to meet the criteria with a few Irish (will count as foreign) and just a couple of Europeans. You need to cast your mind back a bit.
The government may well make a special case for football, but there's been zero talk of it, so I don't know how you jump to that assumption so easily. Brexit is a major threat to the Premier League, we'll just have to wait to see if we make any concessions on freedom of movement of workers.
This is a 'no win' situation for us.
If he plays well, big teams will buy him from us.
If he struggles, then we will be stuck with him for 3 more years.
This is a 'no lose' situation for us.
If he grows up and plays well, he'll either be ready to play for us or big teams will buy him from us.
If he struggles, he's only 21 and still has time to get it together. And his explosive talent is still ours for 3 more years at a cost of only £7 million.


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Annual Indicator Report Series (AIRS) — ...
Environmental indicator report 2016
Briefing Published 09 Dec 2016 Last modified 01 Dec 2017
Photo: © Public domain
This item is open for comments. Login with your Eionet account in order to see and add comments. See comments section below
Topics: Environment and health
The Seventh Environment Action Programme (7th EAP) includes an objective that noise pollution in the EU should be decreased significantly by 2020, moving closer to World Health Organization (WHO) recommended levels. Exposure to outdoor noise is monitored under the Environmental Noise Directive (END) against two thresholds, an indicator for the day, evening and night periods (Lden) that measures 'annoyance' and an indicator for night periods (Lnight) that is designed to assess sleep disturbance. These thresholds do not correspond directly to the WHO recommended values and currently there is no mechanism in place for tracking progress against these values. Data reported under the Directive suggest that noise remains a major environmental health problem in Europe. In 2012, at least 125 million people, or one in four Europeans, were exposed to daily road traffic noise levels exceeding the assessment threshold specified in the END. During the more sensitive night period, 8 million people suffered sleep disturbance as a result of environmental noise that exceeds the Directive's night-time noise threshold. As a result, at least 10 000 cases of premature death from noise exposure occur each year, with road traffic as the dominant source. Where comparable, reported data suggest that noise exposure levels remained relatively stable between 2007 and 2012. Efforts to reduce the noise from individual sources are being offset by continuing migration to urban areas and increases in vehicular traffic. This is likely to continue in the future, with transport demand set to increase, including road transport, and with predicted increases in aircraft noise. It is therefore unlikely that noise pollution will decrease significantly by 2020.
EU indicator past trend
Selected objective to be met by 2020
Indicative outlook of the EU meeting the selected objective by 2020
Exposure to environmental noise
Significantly decrease noise pollution – 7th EAP
Efforts to reduce environmental noise tend to be offset by an increase in the number of people being exposed to high noise levels, in particular due to increasing road and aviation traffic and an increase in the number of city inhabitants
For further information on the scoreboard methodology please see Box I.1 in the EEA Environmental indicator report 2016
Noise exposure from transport sources and industry can lead to annoyance, stress reactions, sleep disturbance, and increases in the risk of hypertension and cardiovascular disease. Environmental noise causes at least 10 000 cases of premature death in Europe each year, with almost 20 million adults suffering annoyance and a further 8 million suffering sleep disturbance (EEA, 2014). The WHO (2011) identified noise as the second most significant environmental cause of ill health, the first being air pollution (AIRS_PO3.1, 2016).1 The 7th EAP (EU, 2013) includes an objective to significantly decrease noise pollution by 2020, moving closer to WHO recommended levels.
Policy targets and progress
The Environmental Noise Directive (END) is the main EU instrument through which land-based noise emissions are monitored and actions developed. It defines environmental noise as 'unwanted or harmful outdoor sound created by human activities, including noise emitted by means of transport, road traffic, rail traffic, air traffic, and from sites of industrial activity' (EU, 2002). It places an obligation on EU Member States to assess noise levels by producing strategic noise maps for all major roads, railways, airports and urban areas. Based on these noise-mapping results, Member States must prepare action plans containing measures that address noise issues and their effects for those areas where the specific END indicators (55 dB averaged across the day, evening and night periods (Lden) and 50 dB averaged across the night period (Lnight)) have been surpassed. The Directive neither sets limit values for noise exposure, nor prescribes measures for inclusion in the action plans. Finally, Member States are required to select and preserve areas of good acoustic environmental quality, referred to as 'quiet areas', in order to protect the European soundscape.
High noise levels are defined in the 7th EAP as noise levels for Lden above 55 dB and for Lnight above 50 dB. During the night, high noise levels can cause sleep disturbance, such as body movements and wakening, starting at Lnight levels below 40 dB, and with effects on the cardiovascular system that become apparent above 55 dB. All these impacts can contribute to premature mortality (WHO, 2009).
The WHO established a night-time noise guideline for Lnight of 40 dB for outside noise with the aim of protecting the public, including vulnerable groups such as children, the chronically ill and the elderly. An outside noise Lnight value of 55 dB was recommended as an interim target for countries where the night-time noise guideline cannot be achieved in the short term and where policymakers adopt a stepwise approach. The WHO night-time noise guideline is stricter than the Lnight threshold of 50 dB set under the END, providing a higher level of protection for human health. However, assessments cannot be made by comparing noise levels in Europe with WHO recommended levels, as Member States are not obliged to report this information.
Figure 1 provides an overview of the number of people exposed to levels of environmental noise in Europe that are above the noise indicators set by the END within and outside urban areas. The major source of noise pollution (measured in terms of number of affected people), both inside and outside urban areas, is road traffic. Noise from trains and aircraft has a much lower impact in terms of overall population exposure to noise, but it remains the major source of localised noise pollution (EEA, 2015).
More specifically, it is estimated that more than 125 million people in the EU are exposed to Lden levels from road traffic noise that are above 55 dB. Night-time road traffic is another major source of noise exposure, with over 83 million Europeans exposed to harmful Lnight levels above 50 dB. In addition, many people are also exposed to rail, aircraft and industrial noise, particularly in towns and cities. While aircraft noise does not affect a wide geographical area, the effects extend beyond health impacts on nearby populations to direct effects on the ability of younger generations to concentrate in schools that are affected by aircraft flight paths.
Figure 1. Estimated number of people exposed in the EU to noise above Lden 55 dB, 2012
1. 'Urban areas are the urban agglomerations defined as such in the Environmental Noise Directive, that is the part of the territory, delimited by the Member State, having a population in excess of 100 000 persons and a population density such that the Member State considers it to be an urbanised area.
2. The numbers of people exposed can only be summed for the same source inside and outside urban areas and not across sources, since the latter could lead to double counting.
3. 55 dB Lden is the EU threshold for excess exposure defined in the Environmental Noise Directive and indicating an average level during the day, evening and night; dB=decibel.
Examples of measures to reduce noise exposure currently being undertaken at the national level include installing road and rail noise barriers and optimising aircraft movements around airports. However, it is widely acknowledged that the most effective actions to reduce exposure tend to be those that reduce noise at source, for example reducing the number of vehicles on the road, introducing quieter tyres for road vehicles or laying quieter road surfaces.
A major problem for the effectiveness of such measures is that, given the different factors that determine traffic noise, a single measure alone is often not sufficient to significantly reduce exposure.
Efforts to reduce the noise from individual sources tend to be offset by the higher numbers of people being exposed to high noise levels, due to increasing road and aviation traffic and increasing numbers of city inhabitants. Recent trends show a rise in car travel across the EU, with 77 % of passenger-kilometres using car transport in 2013 compared with 65 % in 2000 (EEA, 2015). The construction of new roads can also expose new areas and populations to road traffic noise.
In terms of the availability of data to assess recent trends in noise exposure, data were reported to the EEA in 2007 and in 2012 under two rounds of noise mapping assessments. There are, however, comparability issues between the two reporting rounds, because of a lack of common assessment methods and incomplete reporting of exposure assessments, with as little as 44 – 70 % of the expected amount of data, depending on source, being delivered in the second reporting round. However, the analysis of a sub-set of the reported data that were comparable revealed that exposure to noise has remained broadly constant between 2007 and 2012.
Finally, it is unlikely that noise pollution will decrease significantly by 2020, given that transport demand is expected to increase (EC, 2016), air traffic noise has been predicted to increase (EASA et al, 2016) and the number of city inhabitants is also set to increase (Eurostat, 2016).
Country level information
Road traffic is the most widespread noise source in Europe and the source that causes the largest number of people to be exposed above the Environmental Noise Directive action levels for Lden and Lnight. This is true at the European scale, at country scale and both inside and outside urban areas. Nevertheless, a wide variation can be identified between countries in the number of people exposed to road traffic noise in urban areas. This is significantly influenced by factors such as the number of urban areas per country and the total number of inhabitants per urban area. The correlation between the total number of inhabitants in an urban area and the number of people exposed to road traffic noise is very strong.
Austria, Estonia, Ireland, Lithuania, the Netherlands, Poland, Romania, Spain and Switzerland reported that more than 50 % of inhabitants in urban areas (an urban agglomeration with more than 100 000 inhabitants) were exposed to road noise Lden levels above 55 dB, while Belgium, Bulgaria and Luxembourg reported figures of more than 75 % for the equivalent exposure (Figure 2). At the other end of the scale, the number of inhabitants exposed to road noise Lden levels above 55 dB in Germany, Iceland and Malta remained below 25 %. As mentioned above, however, country-specific data are not immediately comparable.
Figure 2. Percentage of population exposed to road noise within urban areas above Lden 55 dB, by country, 2012
55 dB Lden is the EU threshold for excess exposure defined in the Environmental Noise Directive and indicating an average level during the day, evening and night; dB=decibel.
Outlook beyond 2020
Regarding the long-term outlook for the European soundscape, there are a number of challenges to reducing the exposure of the EU population to noise pollution. Economic growth and expanding transport networks can lead to increased transport levels that could, in turn, increase noise pollution. At the same time, trends towards increasing urbanisation (Eurostat, 2016) could lead to higher numbers of people being exposed. Transport demand, including for passenger cars is expected to increase by 2050 (EC, 2016 and EEA, 2015), with noise from road traffic representing the dominant source of environmental noise and noise from air traffic set to increase (EASA et al, 2016). On the other hand, intelligent transport systems could reduce noise levels from vehicles, in particular road vehicles. While the use of electric cars currently contributes to lower noise levels at low speeds in urban areas, the new EU regulation on the sound levels of motor vehicles (EU, 2014) will require the installation of artificial sound generators in all electric and hybrid vehicles by 2021 to improve safety for pedestrians. Whether or not exposure to noise increases or decreases beyond 2020 depends on the relative rates of these conflicting developments.
About the indicator
The Environmental Noise Directive (END) requires two main indicators to be applied in the assessment and management of environmental noise. The first indicator (Lden) is the noise level for the day, evening and night periods and is designed to measure 'annoyance'. The END defines an Lden threshold of 55 dB. The second indicator (Lnight) is the noise level for night-time periods and is designed to assess sleep disturbance. The END defines an Lnight threshold of 50 dB. These indicators were calculated following the provisions of the END (EU, 2002). Member States must report the numbers of people who are exposed to noise levels above both thresholds for each noise source (e.g. roads, railways, airports, industry). The EEA uses these data to create an indicator for environmental noise in Europe. A complete assessment of exposure to environmental noise and a prognosis regarding the future outlook are hindered by the fact that exposure estimates reported by countries are not complete, with as little as 44 – 70 % of the expected amount of data, depending on source, being delivered in the second reporting round (EEA, 2014). The gaps in the reported data have been filled with expert estimates from the EEA. The lack of comparable and common assessment methods often causes significant inconsistencies between exposure estimates from different countries, within a single country and across the two main reporting rounds (2007 and 2012).
Footnotes and references
EASA, EEA and Eurocontrol, 2016,European Aviation Environmental Report 2016, European Aviation Safety Agency, Cologne.
EC, 2016,EU reference scenario 2016 — Energy, transport and GHG emissions — Trends to 2050, European Commission, Brussels.
EEA, 2014,Noise in Europe 2014, EEA Report No 10/2014, European Environment Agency.
EEA, 2015,Evaluating 15 years of transport and environmental policy integration, EEA Report No 7/2015, European Environment Agency.
EU, 2002, Directive 2002/49/EC of the European Parliament and of the Council of 25 June 2002 relating to the assessment and management of environmental noise (OJ L 189, 18.7.2002, p. 12–25).
EU, 2013, Decision No 1386/2013/EU of the European Parliament and of the Council of 20 November 2013 on a General Union Environment Action Programme to 2020 'Living well, within the limits of our planet' (OJ L 354, 28.12.2013, p. 171–200).
EU, 2014, Regulation (EU) No 540/2014 of the European Parliament and of the Council of 16 April 2014 on the sound level of motor vehicles and of replacement silencing systems (OJ L 158, 27.5.2014, p. 131–195).
Eurostat, 2016, Urban Europe—Statistics on cities, towns and suburbs — Eurostat (http://ec.europa.eu/eurostat/documents/3217494/7596823/KS-01-16-691-EN-N.pdf/0abf140c-ccc7-4a7f-b236-682effcde10f) accessed 25 November 2016
WHO, 2009,Night noise guidelines for Europe, World Health Organization Regional Office for Europe, Copenhagen.
WHO, 2011, Burden of disease from environmental noise — Quantification of healthy life years lost in Europe, World Health Organization Regional Office for Europe, Copenhagen.
AIRS briefings
1. AIRS_PO3.1, 2016, Outdoor air quality in urban areas, European Environment Agency
Environmental indicator report 2016 – In support to the monitoring of the 7th Environment Action Programme, EEA report No30/2016, European Environment Agency
Data Visualization Number of people in the EU exposed to noise levels above Lden 55 dB
Data Visualization Percentage of population exposed to road noise within urban areas above Lden 55dB, by country, 2012
Briefing Outdoor air quality in urban areas
Publication Environmental indicator report 2016 — In support to the monitoring of the 7th Environment Action Programme This report examines if the EU and its immediate neighbours are on target to achieving by 2020 the three thematic priority objectives (natural capital; resource efficiency and low carbon economy; health and well-being) of the 7th Environment Action Programme. It does that with the help of a set of selected indicators and other information. The report also highlights the role of eco-innovation and green finance to enable meeting aspects of the resource efficiency and low carbon economy priority objective.
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Austria Belgium Bulgaria Croatia Cyprus Czechia Denmark Estonia Finland France Germany Greece Hungary Ireland Italy Latvia Lithuania Luxembourg Malta Netherlands Poland Portugal Romania Slovakia Slovenia Spain Sweden United Kingdom
For references, please go to https://www.eea.europa.eu/airs/2016/environment-and-health/environmental-noise or scan the QR code.
Filed under: noise


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proceeded and gave the following descision saying: It is not lawful to teach the Church that all disease is of the devil. But if there is any that has this faith let him have it to himself. And if there are any that believe that roots and herbs administered to the sick, and all wholesome vegitables which God has ordained for the use of man and if any say that such things applied to the sick in order that they may recieve health, and this applied by any member of the Church, if there are any among you that teach that these things are of Satan, such teaching is not of God.
After which proceeded to choose counsellors instead of absent ones.
proceeded and made a few names remarks of conducting wisely more especially the counsellors.
desired to be ordained to the high priesthood, which was considered voted and carried that he be ordained to this office.
Voted and carried that John Lowery be ordained a Teacher.
proceeded and made a few remarks of conducting wisely more especially the counsellors.


Designed by Hannah Stoney, see little vid about Hannah and her shop below.
Featuring four bikes (blue, racing green, red and purple) wrapped around the top of the mug!
Beautiful mugs by artist Hannah Storey with 4 little bicyles pedalling their way across the top. Perfect for your morning cuppa beofre you set out on the bike or for putting your feet up after a hard days ride.


There are so many movies made from books that wouldn't have been made unless there WAS the book(s) for them to be made from. Sometimes the movies resemble the books so closely that you know exactly what will happen in the movie because it was so in the books.
Other movies -- the title of the movie is the same (similar to) that of the book, but there were many differences! Sometimes even vital details of plot or character or action are totally different / ignored / or embroidered.
Which books have you read that were later adapted into movies/tv series? What were your thoughts? Were you thrilled or disappointed by the film/tv directors' efforts?
One of my all-time favourite series is Legend of the Seeker, which is based on Terry Goodkind's The Wizard's First Rule. I confess to having watched the first season before picking up the books, but overall I thought they did a great job with the TV series. There were a number of things that were changed around and added in, but I felt it was for the better. In fact, this is one of the few times that I felt the movie/TV adaptation was better than the book.
The Hunger Games, by Suzanne Collins, was made into a movie.
We're reading it now, for our first monthly book discussion, and one reason I wanted to read it again is because I'd just watched The Hunger Games (movie) again and watched the 'making of' extras. Some of the actors in it said they wanted to be in the movie because of the book. Hmm. I'd read all the books in the series and thought - okay, let's read that first book again.
I think a lot of the movie was very good or even excellent. Much of the excellence of the movie is because of the actors and actresses. I don't know of many who could play Katniss, Effie, Cinna, President Snow (and others) as well as those chosen to play them.
The movie was, somehow, a bit more gritty than my imagination while reading the book. I think a lot of that was because of the brilliance of the actors, because I got drawn into the 'here we are' a bit more firmly watching the movie.
There were changes from book to movie, one which was rather huge at the end of the movie (spoilers!) but which I could see would make it easier to create the movie sequels if any were made.
I think the adaptation was very good. The book is very good. Yes, it was a successful hunt for both.
I think my favorite of movie adaptation of the book was Effie Trinket. She's one of those characters that after you see her in the movie and then re-read the book, you have a much better understanding of who she is. I remember seeing the movie the first time and when she came on screen, I grabbed my friend's arm and shook it like "yes, yes she's perfect!!" That gaudy makeup and fake eyelashes, along with the fake attitude, definitely made her character a huge success. Overall, I think those books were perfect to turn into movies, because the action in the book was begging to be brought to life. Of course the books are always better, but I loved both versions.
I watched the Princess Bride, after finishing reading it for this month's book club. The full title of the book includes the phrase "the good parts version" and I thought the movie was the good parts version of that! Some of the backstories were cut or shortened, which was fine with me because it kept things moving along. Other than that, the movie followed the book pretty closely. There was nothing that stood out to me as like "what? why did they change that?" I thought the way they had the grandfather reading to the boy worked out perfectly - I can't think of a better way they could have maintained the charm of the book. I can see why the movie is so beloved. I enjoyed it too!
I have a bit of a love-hate relationship with Movie/TV adaptations. I love that something I read is getting transformed into a movie or a show that I can watch, and see it my visualizations were correct, but it is a roll of the dice. It can be wonderful and true to the book, or it can be so, so, wrong, since they change too much.
Now, I realize that no movie or TV adaptation can be truly faithful to the book, but, unfortunately, there are more botched adaptations than true ones. One of them (though I did not consider it really bad) was The Mortal Instruments: City of Bones, which was adapted from Cassandra Clare's City of Bones series, one seemingly quite popular here on HOL. I read the first book and when I have time, will probably read others, since it kept me captivated, though perhaps not as much as Harry Potter.
I saw the movie before I read the book (or saw TV series) and enjoyed it. Though after I read the book, I see how its ardent fans might have been disappointed. They changed or left out many important details in the movie, but unless you read the book, I do not think one would have noticed.
Overall, I enjoyed the movie, and would recommend it to the casual (urban) fantasy fan.
I'm almost always disappointed by the film if I've read the book. So when my favourite books get adapted, I'm excited and frustrated at the same time. There were several films which I liked (for example, Harry Potter and that film about Narnia where they travel by sea). I also like adaptations of the books which I didn't like that much when I was reading them, in this case the film might be better. But usually I have my own pictures in my mind when I read something and they don't match with the film.
One of the larger disappointments I remember was Lord of the RIngs. I've read the book when I was 14 or so and I was a huge fan. I even made up my own alphabet based loosely on runes. I was reading and rereading the book, I've learned almost all the poems from there and even one of the prose parts. And then I came to my friend's house to watch the first film with her. I remember that it was rather good by itself, it was very colorful and I'd like it for sure if I didn't read the book. I wouldn't even remember what was so different from the book, even though there were some changes in the plot; the main reason was that I pictured it differently in my mind. So I wasn't able to watch it. And I didn't, I only saw the first hour or so. I think I might even like it now that I don't remember the books that good. Maybe.
And this happened almost with all the films based on books that I've read. Even the later Harry Potter movies which I certainly like, I try not to associate with the books because they have a very different atmosphere. One of the strangest adaptations I've seen was The Hobbit; as far as I remember, the plot of the book and even most of the lines were the same but the atmosphere was so very different.
Another film I can remember is Golden Compass, based on the book by Philip Pullman. I loved the books when I was in school so I decided to watch the film but I wasn't even able to finish it, it was so different from my imagination.
I think the problem is that films have a different way of telling stories than books. Books can contain more details, most of them can't be put into a film because there's no time for that. Of course you don't want to watch a part of the story if you've already read it all. There are also films which use visual effects to attract people, even if they're unnecessary at that particular moment. And I like books more than films in general, I only watch a couple of films each year so some films are good but they're films and thus they're not as good as any book might be.
After watching Vampire Academy I decided to reread the book. The details in the books as usually are either cut or changed. From what i seen I still prefer the book as it shows how Lissa deals with being a spirit elemental. While in the book she often gets dark thoughts and inflicts damage to herself to prevent, in the movie she magically get injured, get itchy and passes out when overusing spirit. If they are planning to make more of the series into movie I think this would be a problem unless they change the plot a bit and that might end up making it different than the original story.
While it was nice to see a book I read come to life I still prefer the originally book to the movie.
While technically it had not come out yet as a TV series, I read Good Omens (by wonderful authors Terry Pratchett and Neil Gaiman) after a long time of the book being recommended to me by either friends or other sources. I am glad that they decided to make a six-part series out of it rather than just a movie. I think that way the creators could take more details out of the book and still present a clear story to the viewer. I had seen the trailer after reading the book and I noticed so much tiny details from the novel. It will be interesting to see the whole thing when it comes out.
Then I decided for a reread of Eragon by Christopher Paolini and my, I had forgotten how much I loved it. Just for kicks and to see the differences, I also watched the movie and…um…it was not as good as I remembered. I can forgive the cosmetic changes and details that do not translate well onto the screen, but feathery Saphira? I get that they went with something different, but Saphira is a traditional dragon and she should have looked like one. I suppose if you have never read the books, you might have enjoyed the movie, but the majority of readers were not happy about the changes.
A little while back I read the book "Everything, Everything". It's a fantastic book and I very highly recommend it. a girl can not ever leave the house and has many allergies(to sum it up). She falls in love and leaves the house. As I said its a great book. As you can imagine I was very excited when the movie came out! After watching the movie I will admit, I was disappointed. It just left out some of the details even just really tiny ones, yet it still bugged me. It also is a very long book so the movie skipped and events flew by quickly. That's just me. What are your feelings on the topic?
Since I am a big fan of Hitchhiker's Guide to the Galaxy, I decided to check out some other books by Douglas Adams. First one of these has been Dirk Gently's Holistic Detective Agency. The biggest reason to start with it has been that, in 2016, the first of two seasons of its TV adaptation has come out on Netflix.
However, after reading the book, I noticed that besides the bare bones of world building and the names of the characters, nothing is like the book. Usually, I really dislike that especially if it changes the plot in a significant way. However, in this case, I believe it works. Adams' style is incredibly hard to put on film, I think, but since the show runners had taken such liberties with the source material, it successfully presents the writing style on the screen without taking anything from the story.
The show is worth a watch in my opinion, but be prepared for general craziness, goofiness and chaos, but in a good way.


We will stay in 4 star hotels and a boutique hotel, in double shared rooms.
Nos alojaremos en hoteles de 4 estrellas y un hotel boutique, en habitaciones dobles compartidas.
Once all group meet in Delhi with our representatives we will provide the transportation to Rishikesh and Amritsar.
From Delhi to Rishikesh. By plane to Dehradun and AC Bus to the ashram in Rishikesh.
Each person should make their own travel arrangements from Amritsar to their next destination.
Una vez que todos se reúnen en grupo en Delhi con nuestros representantes le proporcionaremos el transporte a Rishikesh y Amritsar.
De Delhi a Rishikesh. En avión a Dehradun y AC autobús al ashram en Rishikesh.
Cada persona debe hacer sus propios arreglos de viaje desde Amritsar a su próximo destino.


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A number of high-profile female tattoo artists are leaving their marks on the world of body ink. (Illustration by Nymera Nicole, Academy of Art University)
Thoughts x January 9, 2019
Female Tattoo Artists for the Mystic and Nature-Centric Soul
Dope ink and supporting female artists? Sign us up.
By Anushna Patel, University of California, Santa Barbara
If you feel like actually living those memes about getting a new piercing or tattoo instead of actually facing your mental issues, then you've come to the right place.
But seriously, if you've decided that it's time to get some new ink for any reason (or maybe absolutely no reason at all), then why not support female artists while getting inked? To make your search for the perfect artist easier, here are a few insanely amazing female tattoo artists creating waves in the body art scene.
1. Emily Kaul
Emily Kaul's self-titled website describes herself as a "tattooist, lover of nature, believer in magic," and her tattoos reflect as much. A combination of splashes of watercolor, intricately drawn plants and beautiful animals, Kaul's body art represent her definition of a meaningful tattoo. Kaul says, "Tattoos allow us to embody something beyond the physical, a symbolic representations of something much greater. It is up to the artist and the wearer to bring to life the marriage of those two, spirit and form."
All of her tattoos are influenced by the beauty and flow of the natural world. The ink guru shares her art and her love for her clients on her Instagram page, @emily_kaul. A recent post from late December reads, "Foxglove and eclipse ~magic~ for Katie. Thank you so much, I am truly honored that you trusted me to make such a special piece for you."
Not only does Kaul love her art and the influences of it, she extends that gratitude to her clients, who allow her to express it. With over 27,000 followers on Instagram, Kaul's tattooing clientele is only growing and her books close very quickly after they open. If you're down to make a trip to Portland for some new nature-inspired ink, be sure to check Kaul out and maybe she'll share her magic with you.
Think Before You Ink: How to Avoid a Regrettable College Tattoo
Prairie Smoke wildflower for Emily. Thank you so much for the trust. . #wildflower #tattoo #montana #prairiesmoke #botanicaltattoos #botanicalillustration #planttattoos #watercolortattoos #tattooartiats #ladytattooers #solidink #portlandtattooers #queertattooers
A post shared by Emily Kaul (@emily_kaul) on Nov 5, 2018 at 5:01pm PST
2. Rita "Rit Kit" Zolotukhina
Many tattoo artists and fans around the world already know Ukranian tattoo artist Rita Zolotukhina by her Instagram name, @rit.kit.tattoo. With over 635,000 followers, Zolotukhina's popularity is for good reason.
done a while ago in Berlin. thanks, Henriette! like a lot combination of cold green and purple 💜💚#liveleaftattoo #botanicaltattoo #flowertattoo #floraltattoo #hydrangea #tattrx #ritkit #ritkittattoo
A post shared by tattoo-artist🌿 (@rit.kit.tattoo) on Jan 7, 2019 at 2:38am PST
Her love for nature caused her to look for a way to transfer the beauty of plants directly to skin. She started dipping live leaves and flowers in tattoo stencil ink, pressing these directly onto her customers' bodies and then using the resulting shape as her blueprint to completing the tattoo. She uses her Instagram account to show just how identical the tattoos are to the original plant in addition to showing the process she goes through to get the desired result.
Zolotukhina's passion for her art has customers bringing leaf cuttings to her from all over the globe so she can tattoo them forever onto their bodies. However, in addition to people coming to Zolotukhina, her fame also means that she is constantly traveling, looking for new plants and visions for her tattoos as she visits new places. Her Instagram bio always shares where she is, and it will often read something along the lines of "now in Bali." She's a busy creator, but hopefully someday you can get your favorite flower or leaf forever etched into your skin by her talented hand.
3. Pony Reinhardt
New York City-based tattoo artist Pony Reinhardt of Tenderfoot Studio is known for the way she intertwines geometry and the elements of the universe. Her tattoos are spectacular symphonies of plants, alchemy, space and animals, all of which are made from black lines and come together on the body to create a story.
Reinhardt has shown her artwork in the Smithsonian National Gallery of Art, and her various accolades include the U.S. Presidential Scholar of the Arts, Virginia Museum of Fine Arts Fellowship and The National Foundation for the Advancement of the Arts Silver Award. Her studio, known as Tenderfoot Studio, is a private appointment-only studio in Brooklyn that is woman and LGBTQ+ owned and welcomes all people from all backgrounds.
Reinhardt posts her work on her Instagram account, @freeorgy, for all 411,000+ of her followers to see. She also always includes detailed descriptions of what the tattoos consist of. In a piece from early December 2018, Reinhardt shared an image of one of her tattoo works with the description: "Red-crowned crane in the midst of the snow dance, on a nest lined with wool, intertwined with a sugar beet, with giant leopard moth and rhinoceros beetle."
With the amount of effort she puts into her art, it's easy to fall in love with Reinhardt's ink. In case you've fallen too deeply in love but can't make your way to Brooklyn to get a tattoo, Reinhardt also sells merchandise with her art printed onto it. Even if you can't get a sleeve from Reinhardt, you can still wear one of hers.
8 Reasons to Get a Stick-and-Poke Tattoo in College
Looking back on a year of great proposals and amazing clients: I'm going to share some highlights! Cosmic doe with spiral galaxy and snow, earthly bird skeleton with mushrooms, seeds, and crystal.
A post shared by Pony Reinhardt Tattoo (@freeorgy) on Dec 19, 2018 at 5:14pm PST
4. Alice Carrier
Alice Carrier is a tattoo artist and the owner of Love Bird Tattoo in Portland, Oregon. Her website presents Carrier and her work as "Born on the winter solstice, left handed, descended from Salem witches, her work is inspired by natural science, overgrown gardens, witchcraft, and herbalism."
Carrier's tattoos often portray large, richly colored flowers that seem to bloom from somewhere beneath the skin. However, other pieces consist of detailed small sprigs or larger-than-life sized insects, all of which indicate the range of Carrier's talent.
Moody arrangement of sinister beauties – opium poppy and curare vine for anesthetist Gwen ❤😊 thank you so much for this project ✨✨✨
A post shared by Alice Carrier (@alicerules) on Aug 29, 2018 at 5:27pm PDT
With over 126,000 followers on her Instagram, @alicerules, Carrier's books are always filling up. The best way to stay updated on when to snag an appointment is by following her Instagram story where she often shares what she's doing throughout the day as well as new projects like tarot cards, her thoughts and some perspectives on the life around her. Whether you're looking for a new tattoo or someone who's simply in love with the world, Carrier is definitely the one you're looking for.
5. Chrissy
Twenty-one-year-old Chrissy, known better by her online handle, @lunachrissy, is a Sydney-based apprentice tattoo artist who has gained popularity through her art, which has been shared online many times through different channels. Although her career as a tattoo artist is young, it's off to an amazingly promising start.
As an apprentice at ATLNTS Studio in Sydney, Chrissy has been growing and expanding her portfolio. Her Instagram account follows her artistic journey, with posts that highlight her work so far, most of which are profound works that explore the dichotomy of red and black. Other tattoos show Chrissy's work and expertise with stippling, a process that consists of creating patterns and images with the repetition of small dots.
Hannya mask chest piece for @saiks.dead 👺🖤 Such a sick placement thank you for the love and trust 🌹
A post shared by Chrissy ☾ (@lunachrissy) on Dec 27, 2018 at 4:04pm PST
Yet another source of inspiration for Chrissy comes from the works of Japanese Studio Ghibli, which is known for creating well-known movies such as "Spirited Away" and "Princess Mononoke." Not only does Chrissy create tattoos inspired by Ghibli, she also plays music from the movies on her keyboard and guitar.
Beyond the art that she creates for and on others, Chrissy's own tattoos are perhaps some of the most recognizable and entrancing. The ink covering her arms and lower collar is symmetrical and immaculate, a testament to Chrissy's own work. Sure, old is gold, but lunachrissy is fresh, inventive and will have you feeling over the moon.
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The Bureau of Labor Statistics projects that workers age 55 and older will make up 24 percent of the labor force in 2020, up from 13 percent in 2000. Many of those older workers may require additional training to remain competitive in today's job market.
Goodwill provides critical job training and placement services to support older job seekers in 13 Indiana counties through the U.S. Department of Labor's Senior Community Service Employment Program (SCSEP). The program offers paid, on-the-job training for older workers who have low incomes and are unemployed. SCSEP participants train in local agencies and nonprofits like hospitals, libraries, schools and senior centers.
The ultimate objective is for SCSEP participants to raise their skill levels to meet employers' needs in order to build financial security.
For more information on Goodwill SCSEP opportunities, contact 317.524.4360 or visit our website.


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The first one that I'm easy to use, also a child can use me and play with me. I have only one button to take me to all my application. My safety system is so good, no virus can attack me.
My second value is my design, I'm unique one of a kind product with minimalistic touches. People can easily recognize me by my famous logo. Since I'm so simple people can customize me as they wish, with choosing different colors and cases.
In the future I would like become more and more luxury, just like a Vertu phone : What you don't know this amazing phone yet ? So please go on this link to discover it.


text:
Baby removed from life support, parents charged with murder
ATLANTA -- A badly abused infant known as "Baby Dinah" was removed from life support on Monday and her parents now face murder charges, according to The Atlanta Journal-Constitution.
Dinah Paige Whited, a 5-month-old girl, was hospitalized three months ago with severe injuries. She was 7 weeks old when she was admitted to Children's Healthcare of Atlanta at Egleston with bleeding on the brain, two broken collar bones and several broken ribs.
The child was removed from life support around 12 p.m. Monday and died a few hours later, according to WSB-TV.
Murder warrants were secured on Tuesday for Jamie Cason Whited and Justin Lee Whited, according to the paper. Both parents said they did not abuse the child.
Before the child was removed from life support, a judge allowed the mother and father to visit the baby one last time.
Last week, Walton County Juvenile Court Judge David Dickinson issued the order to remove "all life support measures, and to allow Dinah Paige Whited to die."
According to the paper, the judge allowed the visit because both parents agreed to terminate life support and neither have been convicted in this case.
Woman with tuberculosis refusing treatment; health department could seek court order to force her hand
SPD: Man arrested for carrying guns, drugs in two different cars
Soundgarden nominated for Rock & Roll Hall of Fame 2023
Police arrest 66-year-old woman's son after she was found dead in Tacoma home


It looks like Charles Schwab has a hit on its hands with its line of proprietary exchange traded funds (ETFs). As of this month, the well-known broker and now ETF provider has surpassed the $1 billion mark in assets under management just five months after they launched.
Naturally, the provider is pleased. Peter Crawford, senior vice president in the investment management services group, says Schwab had ambitious hopes for its ETFs when they launched and those hopes have largely been realized.
"Seeing those flows coming in, combined with the trading activity has been really encouraging, and the 'everyone trades free' concept has been a real hit," he says. The most popular fund is Schwab U.S. Broad Stock Market (NYSEArca: SCHB), but five of the eight ETFs available have more than $100 million in assets.


The Speed 6.... It looked as though it had decended from the planet Zog when first released in 1999. A real head-turning piece of kit that got it a starring role in the John Travolta film 'Swordfish'. 4 litre straight Six with 380 bhp or 400 bhp in the 'S' Awesome machines!!


text:
package constrollers

import (
	"fmt"

	//"gopkg.in/macaron.v1"
)

type IndexController struct {

}

func (this *IndexController) Index() {
	fmt.Println("Index")

}

// 添加
func (this *IndexController) Add() {

}

//修改
func (this *IndexController) Edit() {

}

//删除
func (this *IndexController) Del() {

}

redpajama_set_name: RedPajamaGithub


text:
West to keep pressure on Myanmar
UK ambassador calls first election in 20 years a "missed opportunity" while China hopes for a smooth poll.
The government bills the elections, in which Aung San Suu Kyi's party is barred, as 'roadmap to democracy' [EPA]
Britain views elections in Myanmar this weekend as a "badly missed opportunity" that offer no optimism for democratic change in the foreseeable future, the UK ambassador to the country says.
Andrew Heyn on Thursday said Britain, one of the military government's leading critics, and the 27-nation European Union will continue to press for progress in Myanmar.
"These elections are going to be neither free, nor fair, nor inclusive," he said. "There is nothing in these elections themselves that could give us grounds for optimism."
Myanmar will stage on Sunday its first election in 20 years, and the ruling generals have maintained that the vote will mark the dawn of democracy after almost five decades of military rule.
Britain, the US and the EU have long maintained economic sanctions against Myanmar to pressure the military government to improve human rights and release detained Nobel Peace Prize winner Aung San Suu Kyi, along with 2,100 other political prisoners.
Myanmar's rulers have ignored those demands.
Britain and others in the international community say that harsh restrictions on campaigning, the repression of Suu Kyi's opposition party and the new constitution reflect the military's intention to continue its commanding role.
The military has ruled Myanmar, earlier known as Burma, since 1962.
China's support
In sharp contrast to the British ambassador's assessment, a Chinese official has said his government hopes for a "smooth election" at the weekend in Myanmar.
"We hold that to safeguard domestic stability in Myanmar and ensure a smooth election is in the fundamental interests of the people of Myanmar" and in the interests of regional prosperity, Hong Lei, a Chinese foreign ministry spokesman, said on Thursday
"China respects the independent choice of the Myanmarese people's development path and hopes to see a smooth election in Myanmar as well as continued progress in democracy and development in the country."
China is one of Myanmar's closest allies and has long helped it to keep afloat through trade ties, arms sales, and by shielding it from UN sanctions over rights abuses as a veto-wielding member of the UN Security Council.
In the run-up to the election, the generals have put on a show of force in Myanmar's largest city. Lorries carrying police in riot gear, some carrying M-16s and teargas guns, have circled Yangon in recent days, causing traffic jams and fear among residents.