Move-in Ready Rossmoor Home – This is a truly special place to live. Located on a picturesque, tree-lined street full of well-maintained homes and neighborhood pride. Top rated award-winning schools in the Los Alamitos Unified School District, ample shopping, community parks, golf courses, and freeway access–all located only a few blocks from the beach. This move-in ready home has fresh paint, new carpet, central heat and air, dual pane windows, a large living room with a fireplace, a large open family kitchen and dining room with a center island, a master bedroom with en-suite bath, large driveway with a gate and plenty of parking and even a party-ready pool. With 3 bedrooms and 2 baths this home also has a family room that may be able to be converted into a 4th bedroom. So if you're looking for a single level, move-in ready home located in one of the most desirable communities in Southern California, you have found it on Martha Ann Drive.


It is lovely! I love the flowers in it.
Awww, it's really sweet! Wish my little one was still that little. I'm so glad you linked it up!
What cute dresses, and the flowers look perfect on them. We woke up to the same sight the other day, but I'm happy to report it is all gone today! We might see spring after all! yay!
adorable dresses! that are so cute! i want them in my size.
oooh, yeah, I remember living up north (Pennsylvania) and the late march / early April snow just being ooooold ... love these two dresses, especially the sunny yellow flower on the first one! so cute!
I love them both. great fabric choices!
They are both so fresh and happy, makes me excited for spring :) Love the flowers!!
This is really cute!!!! I love it so much!
Those dresses are just adorable!
Both of these dresses are adorable. This is my favorite peasant dress pattern!
Adorable! It came out so cute! Visiting from Sugar and Dots and I am a new follower!
Oh I just love the fabrics you chose! I like the dress too...maybe I'll look for the pattern the next time I'm at the store. Thanks for sharing (and thanks for visitng my blog!).
these dresses are so adorable! my fave is the black and white one, that yellow flower really adds a pop.
wow, you did a wonderful job! The dresses are very pretty. Congratulations on the feature and Happy Birthday!
The dresses are adorable, and the flowers are the perfect finishing touch. I'll have to remember that for my daughter's dresses!
Such cute dresses! Just stick a cardigan and some leggings on and you have a winter dress. Ha!
I love the black and yellow one! Great color combination and the flower gives it a nice little touch of 'cute' :) Thanks for visiting my blog!
Gorgeous dresses! I love the colors you chose!
New follower here. Check out my blog and follow back if you would like to!


You are currently on our patient information website. Information for referring offices can be found by following the link below.
...and we are proud of the role our centre plays in helping patients with their oral health in Edmonton, Northern Alberta, and beyond.
When you visit our centre, you will know right away that you are in a special place. In our reception area you might see a child coming with her family to her first ever checkup, and another patient who is there for reconstructive implant and bone grafting surgery. Our unique mix of dentists and other health care professionals, all under one roof, allows us to offer a broad range of services to our patients.
No matter what care a patient might require, we strive to ensure they have a positive experience and a great clinical outcome. And we will do our best for you and your family too.
BOOK APPOINTMENT Please feel free to browse through our website to learn a little about us and the services we offer. And don't hesitate to call if you require more information, or would like to book a new patient examination or consultation. Remember that you do not need a referral to see us for consultation.
Patient Satisfaction Through Knowledge, Efficiency and Integrity.
In the vast majority of cases, the most satisfactory and permanent way to replace missing teeth is with the use of dental implants. Dental implants are designed to provide a foundation for replacement teeth.
Picture of a healthy smile. At your initial appointment, we will interview and examine you, and gather whatever other records and tests we require to thoroughly diagnose your condition.


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Q: MDX drillthrough not working with subselects I don't have much experience with MDX and Analysis Services. I am trying to do a drillthrough and for the most part I got it right. However, there is one example that I can't figure out. When I'm using a subselect and a crossjoin the result of the drillthrough is incorrect. I ran the same query without the drillthrough clause and the result is correct. Somehow the drillthrough statement is collecting all data ignoring the subselect result. What I'm doing wrong?
The MDX query is:
DRILLTHROUGH
SELECT NON EMPTY (([Dates].[Calendar Year].&[2016]) * {[Measures].[Amount]}) ON COLUMNS
FROM (SELECT ( {[Accounts].[Account Id].&[xxxx]} ) ON COLUMNS
      FROM [ExampleDW])

A: A sub-select isn't a normal filter can you not just re-write you script using a true filter - the WHERE clause :
DRILLTHROUGH
SELECT
  NON EMPTY
   [Dates].[Calendar Year].&[2016])
*  [Measures].[Amount] ON COLUMNS
FROM [ExampleDW]
WHERE [Accounts].[Account Id].&[xxxx];

redpajama_set_name: RedPajamaStackExchange


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'LEGO STAR WARS: THE FREEMAKER ADVENTURES' ALL READY TO GO AT DISNEY XD
With the success of 'The Yoda Chronicles' and 'Droid Tales', LEGO and Lucasfilm entered into a new partnership with their next wave of miniseries that is sure to be fun-filled and hilarious than its predecessors.
"The fun-filled adventure comedy series, set between The Empire Strikes Back and Return of the Jedi, will introduce all-new heroes and villains in exciting adventures with many familiar Star Wars characters," according to the series official website. The new LEGO miniseries is slated to be released this summer exclusively at Disney XD. Check this official announcement from Starwars.com.
"The Force is set to meet LEGO bricks in a new galaxy-spanning adventure.
StarWars.com is thrilled to announce LEGO Star Wars: The Freemaker Adventures, an all-new animated television series scheduled to debut this summer on Disney XD in the US. The fun-filled adventure comedy series, set between The Empire Strikes Back and Return of the Jedi, will introduce all-new heroes and villains in exciting adventures with many familiar Star Warscharacters.
Told in the whimsically-charged style that audiences have come to expect from LEGO Star Wars entertainment, the series stars the Freemakers, a family of scavengers who build and sell starships from the scoured debris of space battles strewn throughout the galaxy. When their youngest discovers a natural connection with the Force through an ancient artifact — the Kyber Saber — his world is turned upside down, and he and his family are thrown into an epic struggle against the Empire to restore peace and freedom to the galaxy. Throughout their adventures, the Freemakers explore new worlds, meet new and familiar characters, and learn the true value of what it means to be a family.
"We are very excited to launch for the first time a TV series with Disney XD," said Jill Wilfert, vice president, licensing & entertainment at the LEGO Group. "The creative team behind The Freemaker Adventures is extremely talented, and the series is a great testament to our longstanding and successful partnership with Lucasfilm and Disney. The show masterfully combines the rich heritage of storytelling, great characters, action, and adventure in a galaxy far, far away with the creativity, imagination, and humor that only LEGO Star Wars can deliver. We are sure fans young and old are going to love the show."
"With The Freemaker Adventures we are thrilled to bring all-new stories to life that could only be realized in the LEGO Star Wars universe," said Carrie Beck, vice president, animation development at Lucasfilm. "We are embarking on an unprecedented collaboration that will allow us to extend the narrative experience of the Star Wars saga with the same playful spirit that's always made LEGO Star Wars so much fun to watch. We are so thankful to have such great partners in the LEGO Group, Disney XD, and series developers Bill Motz and Bob Roth."
LEGO Star Wars: The Freemaker Adventures is a production of Wil Film, the LEGO Group, and Lucasfilm. Developed for television by Bill Motz and Bob Roth (Penguins of Madagascar), they join Torsten Jacobson (LEGO Star Wars: Droid Tales) and Jill Wilfert (The LEGO Movie) as executive producers alongside producers Carrie Beck (Star Wars Rebels), Jason Cosler (LEGO Marvel Super Heroes: Avengers Reassembled!), Jake Blais, and John McCormack.
Author Jason F.Posted on February 15, 2016 Categories Miscellaneous
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redpajama_set_name: RedPajamaCommonCrawl


LONDON — As auction prices keep soaring and occasionally reach unpredictable peaks, the art market increasingly resembles a glitzy gambling den. Could the international auction market be the next big bubble?
While conceivable, it is not the most likely outlook for the moment. The factor that chiefly accounts for the unprecedented inflation of art prices is the entry of huge numbers of new players skillfully orchestrated by auction houses.
Mr. Bell is understandably exulted. Eight auction records tumbled that evening. "Saint Dominic in Prayer" by El Greco brought £9.15 million, or $14.8 million, making it the most expensive Spanish Old Master ever auctioned. Records were set for schools far apart from each other. Claude Joseph Vernet's "View of Avignon," painted in 1788, which went to £5.34 million, or $8.7 million, has nothing in common with Rachel Ruysch's "Still Life of Roses," from 1710, which sold for £1.65 million, or $2.7 million.
An upgrading process was in evidence. Auction records were set for artists that until then had attracted little attention outside specialist circles. Sotheby's proudly noted that Christoffel van den Berghe's still life brought £626,400, or $1 million, more than triple what it cost at auction in 2003.
The phenomenon repeats itself in Impressionist, modern and post-World War II art. On May 15, Christie's New York recorded the highest total in auction history when 66 lots of postwar and contemporary art sold for $495 million. World auction records were set for Jackson Pollock ("Number 19, 1948," went for $58.36 million, more than half the high estimate); Roy Lichtenstein ("Woman with Flowered Hat," $56.12 million); Jean-Michel Basquiat ("Dustheads" from 1982, $48.84 million); Philip Guston ("To Fellini," $25.88 million) and Piero Manzoni ("Achrome," $14.12 million), to mention but the five records set above the $10 million mark. Here the increase is taking place at an exponential rate. On May 4, 1993, the Pollock had cost its inspired consignor $2.42 million, making it far and away the biggest coup in any art market category. Post-World War II art now serves as a substitute for the vanishing Impressionist and early 20th-century art.
How much longer can this generalized upgrading process be sustained?
This year, the global figures released by the two main international auction houses for the first six months suggest that a ceiling may soon be reached. At Christie's, worldwide sales rose to the highest level ever, adding up to £2.4 billion, or $3.89 billion, a 9 percent increase from the period a year earlier. At Sotheby's, the total, $3.14 billion, is also up on the previous year's $2.99 billion. The company evidently worked hard to catch up with Christie's and get a bigger market share in a race that gets increasingly tougher — the sum total of art for sale gets irreversibly eroded, excepting, by definition, those works that are created by living artists.
Among the arguments that auction houses use to win over big lots is the concession of higher estimates, sometimes accompanied by "guarantees." Not publicly disclosed, these are contractually agreed to between the auction house and the vendor, usually around 10 percent below the lower end of the estimate printed in the catalog.
These days, estimates are so high and the outcome is so uncertain that auction houses occasionally turn to "third parties" to finance the guarantee. In plain English, this means bringing in speculators happy to have a fling in the art game — if the work rises above the guarantee, the profit made from the sale charge that the buyer pays on top of the hammer price is shared between the auction house and the guarantor.
This is a built-in inflationary factor, as are, on a very large scale, the ever-higher estimates conceded to art owners. Departmental heads then try to match the said "estimates" by "talking" (as they like to say) to prospective clients, and lyrically singing the merits of what is being offered. This works best with newcomers to the market who are as unfamiliar with prices as with art itself.
If you buy a Picasso or a Monet for the first time in your life, you are less likely to be shocked when told it is worth two or three times as much as the price that might have been quoted two or three years earlier. And if it is a less than admirable Picasso or Monet, you may be unaware that the suggested price is too high.
The latest market areas bolstered by the influx of new buyers are sectors that require specialized knowledge to approach them but have been successfully talked up by the auction houses.
The most stupendous case this year concerned early rugs from Iran, Turkey, Egypt and the Mughal Empire in India. The 24 carpets dispersed at Sotheby's New York on June 5 had a provenance that made them attractive: Collected by William A. Clark, a former U.S. senator from Montana, they were bequeathed in 1926 to the Corcoran Gallery of Art in Washington, and there they remained until this year. What was not so great was the condition of many.
The opening lot, a circular carpet from 16th-century Egypt that Sotheby's expected to bring $80,000 to $120,000 (plus the sale charge) ended its ascent at $785,000. Rare but badly worn, it might have run into difficulty in any other context. The star piece, as seen by Sotheby's, was an Iranian carpet of the 17th century with a high estimate of $5 million to $7 million. It became the most expensive rug ever sold, at $33.76 million. Its unbalanced, asymmetrical design makes it look like one half of a famous rug on view at the Calouste Gulbenkian Museum in Lisbon. Should it revert to the market, the rug, often called the "William A. Clark sickle-leaf carpet," might not fare nearly as well as it did in June.
A similar threat hangs over many of the hugely priced works of art that have come up in recent months. This is particularly true of those that made it only because a guarantee was given to the consignor by the auction house, with a third party financing it.
Wassily Kandinsky's "Studie zu Improvisation 3" from 1909, in oil and gouache and seen at Christie's London on June 19, bridges the transition from the 1908 figural views painted at Murnau to the pure abstraction for which the German school artist settled from 1911-12 onward. It is a study for an oil painting in the Centre Georges Pompidou in Paris. The consignor had bought it at Christie's New York on Nov. 6, 2008, for $16.88 million.
This year, the study merely matched the low estimate as it realized £13.5 million, or $21.9 million. I saw no one bidding in the room. In this category, the financial spiral may be nearing its end.
The latest promotional gimmick devised by auction houses is putting together a super-deluxe mix in which items may range from Renaissance vessels to French Empire furniture. Such was the sale of "Treasures," with the subtitle "Princely Taste," held at Sotheby's on July 3.
A silver-gilt cup with an unidentified maker's mark, said to have been "made circa 1574," probably for the marriage of Hans Skovgaard and Anne Parsberg at the Royal Palace in Copenhagen in 1574, shot up to £518,500 or $840,700, nearly five times the high estimate. The fact that it was recorded as the property of the Freemasons of Goteborg, Sweden, since 1826 puts it in a category with an appeal that goes beyond art as such. By contrast, an Empire cabinet with a lock plate signed (in French) "Biennais, goldsmith to their imperial majesties," which carried a £300,000 to £500,000, or $486,500 to $810,800, estimate, plus the sale charge, sold below the low estimate for almost £326,500, or $530,000.
Sitting in the room, I could not help casting my mind back to the May-June sales of 1990, shortly before the autumn art market crash. There, too, staggering records were achieved in sessions where other works fell unwanted. This is not a prediction. But when the market reaches this degree of unpredictability it means that caution is advisable and a long experience in art buying highly desirable.
An earlier version of this article had a photo caption that incorrectly converted the auction price of Claude Joseph Vernet's ''View of Avignon.'' The painting sold for a record £5.34 million, or $8.7 million, not $7.16 million.


Overview The prevalence of AAA sharply increases with age. Rupture is associated with a high mortality. Screening men over the age of 65 years reduces aneurysm related mortality. Patients diagnosed with small AAA should have ongoing surveillance with ultrasound and cardiovascular risk factor modification, and may be referred to a vascular surgeon for counselling about management options. Patients with indications for AAA repair should be referred promptly to a vascular surgeon.
Overall mortality of 80–90%. Rupture into the peritoneal cavity is usually rapidly fatal, whereas retroperitoneal rupture may transiently stabilise, providing a window of opportunity for lifesaving intervention. Patients should be transported to a vascular surgical centre immediately, and hypotensive resuscitation instituted to prevent excessive blood loss. Nevertheless, the majority of patients die before arrival at a surgical centre.


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Home News Gregor Diagnostics seeking to upgrade prostate cancer screening
Gregor Diagnostics seeking to upgrade prostate cancer screening
A Wisconsin biotech company aiming to improve prostate cancer screening is seeking seed funds while competing in a startup accelerator in Texas.
Gregor Diagnostics was founded in February 2016 by CEO Tobias Zutz, who had worked for Exact Sciences for over five years before branching out on his own. After going through gener8tor's gbeta program last summer, the company recently entered into a license agreement with WARF.
This agreement covers certain biomarkers which Gregor Diagnostics plans to develop and commercialize for a screening test for prostate cancer. The test would be an upgrade from the commonly used PSA blood test, Zutz says.
PSA stands for prostate specific antigen, a substance made by cells in the prostate gland.
Zutz tells WisBusiness.com that PSA tests have been the standard since the early 1990s, but they have drawbacks. He said the PSA test can lead to overdiagnosis and overtreatment, and the resulting unnecessary patient biopsies can lead to infections and other issues. And while usage numbers of this test are going down, he says it's still the best option currently available.
Gregor Diagnostics' proposed test would be an improvement, Zutz argues, because it would be more accurate, using seminal fluid rather than blood.
"The problem with blood is that biomarkers have to invade the bloodstream, and they've been diluted quite aggressively," Zutz said. "With seminal fluid, you get the entire sample… tumor cells are being shed into seminal fluid samples at a much higher concentration."
Users of the test would get a testing kit shipped directly to them, deposit their sample, and send it back to Gregor for testing — just like how Exact Sciences' Cologuard screening test for colorectal cancer works.
According to the American Cancer Society, prostate cancer is the third leading cause of cancer death in American men, behind lung cancer and colorectal cancer. Other than skin cancer, it's the most common cancer for American men, and the ACS estimates over 26,000 deaths from prostate cancer in 2017 alone.
"That's a big problem," Zutz said, adding that numbers like these were what led him to think a better test was necessary in the first place.
But to get this test on the market, the Madison-based biotech company will have to clear some significant hurdles. The first is completing an ongoing $1.5 million seed funding round, "a significant chunk" of which is needed to set up a product development lab and bring on the company's chief science officer as a full-time employee, Zutz says.
"Our seed round is the number one priority right now — there's only so much planning we can do without lab facilities and samples," he said. "That's going to take a bit of time."
Zutz is currently taking part in the fifth week of Health Wildcatters, a startup accelerator program in Texas. The program makes strategic investments in the nine participating companies, and they get a chance to show their progress at a pitch day in early November.
"It's been great so far," Zutz said, adding that he's been having conversations with potential investors.
He also said the company is in the process of applying for grants from the Small Business Innovation Research Program. One way to do that, he said, is to get help from the Center for Technology Commercialization, which offers smaller grants to support hiring grant writers who are familiar with the SBIR process.
Zutz says the plan is to submit a grant proposal in January, but even if that pays off, Gregor won't see any of the money until June 2018.
Through investments and grants of this nature, Zutz is optimistic that Gregor will be able to bring in enough money to keep rolling.
"It's an exciting time," he said. "It's all coming together."
–By Alex Moe
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