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[32] Tours of Fort Independence are conducted by The Castle Island Association on a seasonal schedule. It is known that in 1345 the castle was being held for the Earl of Desmond by Sir Eustace de la Poer and other knights when it was captured by Sir Ralph Ufford, Lord Justice of Ireland. This minor section links the newly constructed Limerick road roundabout to the pre-existing N21 Limerick road. Castle Island is the oldest continuously fortified location in British North America. They are introduced to the unique history of Trakai, its castles and the whole area around it. Darby Island in the Bahamas, part of a chain of over 300 islands within the Exuma Cays. We are a voluntary and non-profitable society and we recently succeeded in making a documentary about our local castle. ", This page was last edited on 21 January 2021, at 11:53. Castleisland is a town in east County Kerry. A visit to Castle Island combines history and recreation. The nearby Charles Island (of 3.5 acres size) is part of the Castle Islands chain. Here also there is a 17th century historic fortification known as the Charle's Fort. A number of quite scary creatures live here, including a vengeful yellow corpse with it's ankle chained by a heavyweight which is in the dungeons. It closed for passenger traffic on 24 February 1947 and for goods traffic on 3 November 1975, finally closing altogether on 10 January 1977.[11]. Castle Island is one of the main landmarks in Boston's South Boston neighborhood, known to locals as "Southie." Barge Office which was located on the eastern edge of The Battery waterfront. The town's Carnegie Trust Library building was designed by R.M. This is a brief chronological sequence of significant events in the history of Castle Cornet, from its thirteenth century origins to the present day. Notable castles include Shuri Castle, the royal residence, and four excellent examples of medieval fortresses built in the Okinawa style: Nakijin, Zakimi, Katsuren, and Nakagusuku. The medieval Ryukyu castles on the island of Okinawa, Japan are impressive testimony to the kingdom's power and wealth from the 12th to 16th century CE. Brief History. Castleisland was the centre of Desmond power in Kerry. Now inhabited by wildlife only, it's the perfect spot for reflection and relaxed strolls. [13], In 1775, Prince Hall and fourteen other men of African descent became freemasons on March 6, 1775 on the island. They won the All-Ireland Senior Club Football Championship in 1985, beating St. Vincents of Dublin in the final. An Ríocht Athletics Club, established in 1973, is located at Crageens in Castleisland. The MacKinnons, one of the smaller clans on Skye, occupied Strath and had their family seat at Dun Ringell in Strathaird. First opened in 1951, Sullivan's on Castle Island in South Boston has been an iconic destination for locals and visitors for generations. At the turn-of-the-century, George C. Boldt, millionaire proprietor of the world famous Waldorf Astoria Hotel in New York City, set out to build a full size rhineland castle in Alexandria Bay, on picturesque Heart Island. Most of the land around Castleisland is pasture for dairy stock, with bogland located at various locations around the town, particularly to the east and south. was accepted, subject to approval of architect. Brief History. History reveals a connection to the American Revolution in an attempted defense of the Highlands against the British fleet in 1777 using the famous "chevaux de frise". The N21 from Limerick continues on to Tralee while the N22 goes to Killarney and other towns in southern Kerry. The Fish Tank Castle is a decoration block that was added on the September 18, 2020 update and can be crafted in a Carpentry Bench after acquiring its Fish Tank Castle Blueprint from fishing.The Recipe is 10 Stone and 10 Iron. In 1815 they moved south again to Armadale where Lord MacDonald had built a new castle, now the Armadale Castle, Gardens & Museum of the Isles. General Information This island is managed by the Massachusetts Department of Conservation and Recreation (DCR).. Agency Designation: Harbor Islands Reservation Harbor Location: Inner Harbor History of Castle Garden Castle Clinton began its interesting life as a fort built to defend New York Harbor from the British during the War of 1812. Since the 1990s traffic congestion had been an issue of concern to the people of Castleisland and its hinterland. by E.) from Tralee; containing 6161 inhabitants, of which number, 1570 are in the town. It was designed and erected between 1807 and 1811, designed by the Chief Engineer of the US Army Corps of Engineers, Lt. Col. Jonathan Williams, for whom the fort is named, and considered a prototype for new forms of coastal fortification. In the 15th century they moved to Castle Moil or Dunakyn, as it was sometimes called, at Kyleakin. It's a nearby destination to escape the bustle of the city, and to obtain great views of Boston Harbor and Logan Airport. A busy market town in beautiful East Kerry which takes its name from the Anglo Norman castle built in 1226. Crag Cave, one of the most extensive cave systems in Ireland open to the public, is located just outside Castleisland. (Van Rensselaer Island is also the name of a former island opposite Albany in the city of Rensselaer.) Darby Island in the Bahamas, part of a chain of over 300 islands within the Exuma Cays. If you haven't seen Castle Island, you haven't lived! [8] Little is known of the further history of the castle and few ruins are left of it today. [24], Castle Island was originally some distance offshore, but land reclamation for expansion of port facilities has extended the mainland towards it, and it is now connected to the mainland by pedestrian and vehicle causeways. Castleisland became twinned with the town of Bannalec in France on 14 August 2007. Worshipful Master, on what was then still called Castle William Island it was to... Were initiated in a British Army Lodge, no interesting items on display the of. Left of it today ] [ 15 ] [ 20 ] the Island was thereafter called Pollepel house Island Dublin. To open at lindisfarne Castle was closed and the entire Island is one of the most SPECTACULAR LAKES in.. Occupying five-sixths of the nearby Charles Island ( of 3.5 acres size ) a... Known to locals as `` Southie. point for records about the Civil parish Castleisland! 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text:
North Carolina College Considering Ban on Chick-fil-A
CP U.S. | Friday, August 10, 2012
By Michael Gryboski, Christian Post Reporter | Friday, August 10, 2012
A college in North Carolina is considering a ban on products from Chick-fil-A in response to complaints over the chicken sandwich chain's connections to social conservative groups.
Davidson College's Union Board, a student organization that oversees events at the campus, decided last week to consider halting the use of Chick-fil-A for its popular "After Midnight" monthly program.
Bill Giduz, director of Media Relations at Davidson, provided The Christian Post with a statement regarding the pending decision.
"In light of the controversy over Chick-fil-A, the board has decided to gather student input on the matter and discuss it at one of their early-semester weekly meetings after classes resume on August 27," read the statement.
"The Union Board serves different menus at After Midnight throughout the year, and Chick-fil-A is served once or twice annually … Until a final decision is made, alternative options will be served at After Midnight and other Union Board events."
"The only process envisioned is that the students who are members of the College Union Board are planning to discuss the issue," said Giduz to CP. "They're the party responsible for the 'After Midnight' events and what's served on those occasions. They have not yet set a date for their deliberation."
Davidson College is not the only academic institution mulling over a ban on Chick-fil-A products because of the fast-food chain's connections to organizations like Focus on the Family and Family Research Council. New York University may also ban Chick-fil-A over the ideological viewpoints of its leadership.
Philip Lentz, director of Public Affairs for NYU, told The Christian Post that the university had in the past seriously considered removing Chick-fil-A from their campus.
"In 2011, the Student Senators Council passed a resolution asking that Chick-fil-A be removed from campus. However, this spring, the council withdrew that resolution, saying a ban would have limited freedom of expression," said Lentz.
"These types of issues at NYU are typically considered by our University Senate, which consists of representatives of the faculty, students, administrators and deans … So the issue has not yet been presented to the University Senate."
Lentz explained that the effort to ban Chick-fil-A from NYU reappeared on the agenda after the much publicized remarks of COO Dan Cathy regarding same-sex marriage.
"In the wake of the recent controversy over Mr. Cathy's remarks, the NYU administration has asked the University Senate to take up the issue of Chick-fil-A's status on campus when it reconvenes this fall," said Lentz.
"As of right now, the Chick-fil-A on the NYU campus is closed for the summer and is scheduled to reopen when students return for the fall semester."
Cathy said last month that he supports the biblical definition of the family unit. He also remarked that America was "inviting God's judgment" for saying "we know better than you as to what constitutes a marriage."
New York University Next to Kick Chick-fil-A Off Campus?
Chick-fil-A 'Kiss In' Fails to Inspire on Same Level as 'Chick-fil-A Appreciation Day'
Over 60 Christian Leaders Tell Chick-fil-A: We're With You
Poll: 13 Percent Support Chick-fil-A Boycott; 31 Percent Plan to 'Eat Mor Chikin'
Chick-fil-A 'Tastes Like Hate' Vandal Arrested

redpajama_set_name: RedPajamaCommonCrawl


text:
Bush's 'comma' defended
The White House has defended the US president's description of the 10 months of bloody violence in Iraq since December 2005 elections as "just a comma".
05 Oct 2006 20:12 GMT
Critics see Bush's use of the expression as callous
George Bush appears to have first used the controversial term in an interview with CNN television, when he noted the violence in Iraq and said that the December 2005 elections "seems like a decade ago".
Tony Snow, the White House spokesman, said: He is not talking about the war as a comma.
"What the president's making the point is, when you look at a history book, the ten-month period is a comma," he said. "What he means is that, in the grand sweep of history, 10 months is not an epic."
Bush told CNN in the late September interview: "I like to tell people when the final history is written on Iraq, it will look like just a comma because there is - my point is, there's a strong will for democracy."
"What the president's making the point is, when you look at a history book, the ten-month period is a comma"
Tony Snow, the White House spokesman
He used the same image on Tuesday at a political fundraiser in California, telling Republican party faithful: "It must seem like an eternity to you, when you think about those elections last December."
"It certainly does to me, in some ways. Ultimately, when this chapter of history will be written, however, it's going to be a comma."
"The Iraqis voted, comma, and the United States of America understood that Iraq was a central front in the war on terror and helped this young democracy flourish so that a generation of Americans wouldn't have to worry about the extremists emanating from that country to hurt the American people," he said.
Snow fired back at unnamed critics he accused of trying to "wrench a statement out of context" to use it as ammunition against Bush "who is deeply aware of the human costs of war."
"Some people have tried to say, 'How dare the president refer to this as a comma? He's being glib about the deaths of Americans.' That's outrageous. And the people who say that know it," said the spokesman.


You have your I-20 from few universities. And you are getting ready for F1 visa interview. But, you have one pending decision from your Dream school. Then your phone rings! It's your skeptical uncle. Your parents look-up to him for his advice. You convinced your parents against his advice to study in the USA.
Your parents are on the fence again. Now, you are back in your living room for another round of discussion and your skeptical uncle is also there.
Now, how do you defend your position? Maybe you are in dilemma as well! But, you are an engineer and you want see the numbers. That's what we are going to just do.
As per the latest data published by the U.S. Department of State, F-1 Visas issued compared to 2016 decreased by 27% for Indian students.
Why did the numbers drop?
And it can be combination of both – Decline in students applying for F Visa and increase in student visa rejection.
Number don't lie. Right? Let's dig deeper.
Following chart (1) lists the total number of F1 Visa approved from FY 2013 to 2017. Notice the decline in F1 Visa approved from 2015 to 2016 to 2017.
Note: The data for 2017 is only till September 30, 2017.
Note: President Tump took office in Jan 2017.
The total F1 Visa approvals started to decline from Oct 1, 2015 to Sep 30, 2016 (FY 2016). Even before President Trump took office.
First chart shows decline in total number of F1 Visa approved between 2016 and 2017. To really find out if applications declined or rejections increased, we have to look at Total Number of F1 Visa Applications and F1 Visa Denials rate.
From the worldwide F1 Visa statistics, let's drill down to F-1 Student visa issued to Indian Students between 2008 to 2017.
Clearly, number of F1 Visa issued in India shows declining trend from 2016 into 2017.
This trend coincides with decline in F1 Visa approvals from 2015 to 2016 to 2017.
If the trend holds, number of Indian students going to USA could hit 30,000 mark for 2018.
There are four useful statistics for F1 Visa from above Chart (#3).
The number I'm interested is Total F1 Visa Applicants and F1 Visa Denial Rate.
The following chart shows the total number of student F1 Visa applications (sum of F1 Visa issued and refused).
Total F1 Visa Refusals for FY 2017 is not yet published.
There's decline in total number of F1 Visa applicants from 2015 to 2016.
To answer the question – What is the reason for 27% decrease in number of F1 Visa Issued for Indian Students? I'm going to only compare for 2015 to 2016.
Initially I proposed two possible reasons and questions for decline in number of F1 Visa approved in India.
You probably know the answer. Yes, there's decrease in total F1 Visa applicants. Yes, F1 Visa Denial rate has increased. And both factors played a role in 27% decline in F1 Visa issued to Indian students. And, I'm left with more questions.
Why F1 Visa applications decline even before President Trump took office?
Did F1 Visa denials rate increase because of President Trump's policy changes?
Did F1 Visa refusals increase to due to increase in low quality applicants?
If President Trump had not won the Election, would the trend continued?
What should you do or What are you planning to do?
Would your parents follow your uncle's advice and postpone your plans to study in the USA?
In mean time, I had a discussion with a student in the USA on OPT. Let's hear the advice he gave to his friends and relatives about coming to study in the USA.
I have got an admit for Fall 2019 in MS in Business Analytics and Project Management. I have 4 months to carry out the whole process. This is the first time that I will be applying for a US visa F1.
Could you please let me know how should I proceed and what is the right time to give Visa interview so that i have a scope of reapplying for Fall 2019 starting in August end of 2019.
Try to apply for F1 visa in June or July. Book the interview slot in advance.
Hi, just out of coffee curiosiry why do you suggest june or July and not earlier?
Did you check out F1 Visa Coaching?
It was a nice article and good to know information. I have done my Masters in UK and continued to work in India for 6 years now. I have applied for masters in computer science in US and my first attempt got refused. I am now going for second attempt. Is there any tip you can give me? To convince the consular?
I got 4 rejects for f1 visa for the last two seasons i.e., for fall-2017 and spring-2018. Now i'm going to reapply for it. Please help me out Raghuram!
USA may not be the best country for high skilled Indian immigrants.
But you should know that technical skills required to survive after completing the education in US are too demanding.
Wasn't the whole STEM OPT reform came around the same time (late 2015/early 2016)? The immigration to USA looked like getting tough every 3-4 years. Maybe that's the reason why people preferred to stay back in India and apply to immigrate in other countries like Germany, Canada, Australia, and New Zealand.
How come data count is greater in 2nd table than 1st table ? Ie f1 visa approvals among indians students is greater than worldwide f1 visa approvals?
Table 1 – 6 Digits. Table 2 – 5 Digits.
I agree with this post that Trump may not have much to do with the dip.
The USA is not a great country at treating all it's immigrants equally, and high skilled immigrants from India are the worst treated, in terms of the immigration process pertaining to permanent residency.
USA probably should look outward a bit and understand that it is not just USA's policies (from the times of Clinton, Bush and Obama administrations) that affect the number of students coming in every year.
IIRC, Canada's express entry started in Jan 2016 (coincidence that student visa applications fall off the cliff in the US?) and has only continued to pick up steam from there on. Many many prospective students/immigrants I know personally, have shelved their plans to move to the US, and chose Canada/Germany since Indians are treated much better there (in terms of PR process).
When many prospective students know the problems that exist for high skilled immigrants in the USA, is it any surprise why there's a dip?
Unless you are very fortunate, you cannot lead a life in the US feeling equal, let alone to citizens of US, but also to other immigrants.
Why was your visa rejected?
This is Shobana Jayapalan from India. Just saw your post on your Visa interview experience way back in 2011(https://www.happyschools.com/f1-visa-mumbai-interview-mpharm/). As a prospective student of Masters in Biotechnology at UHCL, it would be great if you wish to share your insights about the program and your experiences at the university.
Here's a cold hard fact – It's tough for Biotech students in the USA after MS on F1 Visa if you plan to find a job. Your upward mobility is limited and salary in comparison to others are very low. You may start at 35k per year and after 10 years, you could hit 70k.


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text:
Independence Day – Kosovo auf dem Weg in die Unabhängigkeit ist ein Dokumentarfilm der Schweizer Regisseure Juerg Hostettler und Georg Häsler aus dem Jahr 2009.

Handlung
Am 17. Februar 2008 erklärte Kosovo seine Unabhängigkeit. Die beiden Autoren erlebten während ihrer Dreharbeiten seit dem Tag der Unabhängigkeit, wie sich die Verhältnisse trotz geopolitischer Spielereien der USA und Russlands allmählich entspannen. Es ist zu keinem Massenexodus der Minderheiten gekommen, die Mehrheit der Kosovo-Albaner wünscht statt nationalistischer Überhöhung der Vergangenheit die Nähe zu Westeuropa.

Im Film kommen vor allem Menschen aus dem Südwesten Kosovos zu Wort: Albaner, Serben und ein türkischer Coiffeurmeister, der daran erinnert, dass noch vor hundert Jahren die Osmanen den Balkan beherrschten. Außerdem kommentieren Schweizer Diplomaten und Militärs die Entwicklung. Die Schweiz ist im Rahmen der internationalen Gemeinschaft in Kosovo stark engagiert und hat überraschend klar Position für die Unabhängigkeit bezogen.

Produktion
Der freischaffende Regisseur Juerg Hostettler aus Erlenbach reiste im Februar 2008 mit dem Berner Georg Häsler nach Prizren, um einen Dokumentarfilm über den Weg des Kosovo zur Unabhängigkeit von Serbien zu drehen. Die Entscheidung für den Film fiel spontan, die Reise finanzierten beide selbst, da verschiedene Stiftungen eine finanzielle Unterstützung des Filmprojektes ablehnten. Hostettler und Häsler reisten im Laufe der Dreharbeiten sieben Mal in den Kosovo. Unterstützung erhielten beide von den im Kosovo stationierten Swisscoy-Truppen. Insgesamt beliefen sich die Produktionskosten auf rund 150.000 Schweizer Franken.

Independence Day erlebte am 16. Februar 2009 auf 3sat seine Fernsehpremiere.

Weblinks

 Michael Wenzler: Vom Skeptiker zum Chronisten Kosovos. Tagesanzeiger.ch, 13. Februar 2009

Einzelnachweise

Schweizer Film
Filmtitel 2009
Dokumentarfilm
Fernsehfilm

redpajama_set_name: RedPajamaWikipedia


Structure And Lubrication Principle Of Slewing Bearing - News - Luoyang Huigong Bearing Technology Co., Ltd.
Because of the particularity of the structure and the diversity of the field situation, the slewing bearing of the excavator is prone to malfunction caused by the leakage of the rotary bearing, the rotary gear ring or the rotary motor, so the leakage should be prevented and treated promptly.
In fact, the oil lubrication of the rotary part of the excavator is divided into two cavities: the lubrication cavity of slewing bearing and the lubrication cavity of the rotary gear ring.
The lubrication of the slewing bearing is accomplished by adding lubricating grease to the lubricating oil nozzle in the outer ring of the slewing bearing, and the lubrication of the rotary gear ring is done by the grease in advance. Slewing bearings have both inside and outside (or the upper and lower) rubber strips as oil seals, external oil seals fixed in the lower frame of the slewing bearing inner ring (fixed plate), used to prevent the outside dust debris into the slewing bearing. The inner oil Seal is located on the outer ring of the bearing (moving plate) to prevent the grease in the Rotary gear circle from entering the bearing. Rotary gear rings and slewing bearings Use the same brand of Grease. The rotary oil seal is gradually thinned by the thickness, and finally forms a sharp angle, and only the elasticity of the rubber itself is controlled by the deformation of the protruding angle part by the rubber, and the sealing effect of the rotary bearing is achieved. This kind of seal to prevent oil spill a little effect, but the pressure is not high, once the internal due to too much refueling or the work temperature to increase the pressure, the grease will still leak through the oil seals. In normal circumstances, the leakage is related to the amount of filling, the working speed and frequency of the rotary part, and the temperature in the field. Therefore, there exists the ambiguity between normal and abnormal leakage.


With the popularity of book-to-movie adaptations and TV streaming services, a new kind of fear is spreading in the American public: the fear of the spoiler. Concern over spoilers is something I've noticed in the past few years. It's an entirely new fear that is proliferated by social media, and made worse by the plethora of movie and TV adaptations that are being produced now.
Recently it was announced that the "Game of Thrones" TV show would overtake the books that it is based on and spoil the ending of George R.R. Martin's fantasy epic. Fans of the books took to the Internet to voice their annoyance with having to wait so long, and their fears that the show watchers will spoil the ending and important plot details.
I can respect someone who doesn't want to have important plot points or twists revealed to them. There is a certain thrill to being shocked by the movies and shows you watch. But personally, I never understood this aversion to spoilers. They are not that big of a deal. Stories are not the only reason we read books, or watch TV and movies.
In an interview with The Verge, George R.R. Martin also talked about how he never understood people's fear of spoilers. His argument is that having the plot spoiled does not really detract from the enjoyment that comes from watching a show or reading a book. He's absolutely right.
To me, watching a show or reading a book is about the journey that the author or director is taking you on. The shocking plot twists are not shocking on their own; rather they are gut wrenching and surprising because of how they are presented. The moments before the twist, whether they are a slow build up to the reveal or fast-paced action that dramatically turn, are what make certain plot twists so great and memorable. In fiction, it is not about the destination; it is all about the journey.
Instead of focusing solely on what happens, viewers and readers need to be more worried about how it happens. The success of these stories, whether being told visually or through literature, rests on the build up to these major events and not on the events themselves. Your enjoyment of the story is not reliant on being surprised by what happens, it relies on you being surprised at how it happens.
Spoilers can actually enhance your enjoyment of a story. A 2011 study by Nicholas Christenfeld and Jonathan Leavitt at the University of California – San Diego showed that people who had been told the ending of a story actually enjoyed the story more than those who had not been told.
Spoilers are not something to fear. Having the ending spoiled will not take away from your enjoyment of a story because ultimately you're not there for the ending; you're there for everything before it.


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NL East Notes: Stanton, Upton, Mets, Salcedo
By Mark Polishuk | November 16, 2012 at 6:37pm CDT
We've already had one collection of NL East Notes today, but there's no shortage of news coming out of the division. Here's the latest…
Giancarlo Stanton is still upset about the Marlins' sudden rebuild, telling Peter Gammons of MLB.com that "former Marlins come back and they warn us" about the club's history of firesales and that it is a constant source of discussion amongst current players. "This is the 'winning philosophy?' Then to say it's not about money? What is the motivation? There comes a breaking point. I know how I feel. I can't imagine how the city and the fans feel," Stanton said.
The Marlins and Blue Jays have officially filed the paperwork about their big 12-player trade with the league, reports Rogers Sportsnet's Shi Davidi (via Twitter). Monday is the most likely date for the trade to be finalized, though it could happen over the weekend.
The Nationals have been in contact with free agent outfielder B.J. Upton, reports Adam Kilgore of the Washington Post, and are "expected to have increased communication" as the offseason progresses. Upton visited the Braves and Phillies earlier this week.
Mets GM Sandy Alderson said his team will need "a little more clarity" on the contract situations of David Wright and R.A. Dickey by the time the Winter Meetings roll around, reports Newsday's Marc Carig. "At some point we need resolution on these discussions to be able to move on. But that time is not now," Alderson said, aiming at the 10 days between Thanksgiving and the start of the Winter Meetings on December 3 as a prime negotiating period.
Edward Salcedo received a $1.6MM bonus from the Braves as an 18-year-old in 2010, though the 21-year-old hasn't yet lived up to his potential in the minors, writes David O'Brien of the Atlanta Journal-Constitution.
Atlanta Braves B.J. Upton David Wright Edward Salcedo Giancarlo Stanton Miami Marlins New York Mets R.A. Dickey Toronto Blue Jays Washington Nationals
Lance Berkman Open To Playing For Astros
Red Sox Links: Melky, Marlins, Free Agents


For a dining experience with a difference book a table at the Rancho Steak House in Southsea, Portsmouth. We're known affectionately by our regular customers and food critics as the South Coast's Meat Lover's Paradise!
For over ten years we have offered a truly authentic South American dining experience on the South Coast. We strive to use only the best quality steaks and serve excellent cuisine and service.
Rancho Steak House has an extensive menu that not only includes the finest cuts of beef, but also succulent chicken meals, fresh sea food and a range of vegetarian options.
We walked past this restaurant a few days ago and the menu was inviting so we decided to eat there, and what a delight it was. The streak was cooked to perfection. I am very fussy about steak and could not believe how good my fillet tasted and my husband loved his just as much.
Food "Highly" recommended and the staff are lovely and helpful.


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Category Archives: Interviews
Posted in Interviews, Music	by kidscangroove
Today is a special holiday in which we honor and pay tribute to the brave men and women who serve/have served our country. The band of brothers and sisters that put all of themselves into protecting and fighting for freedom and justice.
In honor of Veterans Day, I am proud to present a guest post by Derek McGee of the band Funkinships. Derek is an Iraq war veteran whose reintegration into regular life was made easier with the help of music, and a friend by the name of Charlie Chamberlain. The two men met aboard the Mystic Whaler, a sailing classroom on the Hudson River. Together, along with the crew and some friends on board, Derek and Charlie created Funkinships, and subsequently released their debut album, Post Folk Absurdist.
Derek's guest post highlights the significance of being a part of a pack. The powerful effects of strength in numbers, both actively and emotionally. The strength of your crew, your band, is what gives each individual member strength, especially out on the battlefield. It's a piece that will resonate with many, whether you are honoring a veteran you know, or simply observing the day with your own pack. As a bonus, check out "Chicken Flap Fly" at the bottom of the post.
Veterans Day is different for veterans than it is for the rest of the country. For most it is a chance to show appreciation to the men and women who served in the Armed Forces, but for those who served it is a time to reflect on our time serving. I will tell you what this looks like for me. I miss my herd. Humans are a social animal. We belong in herds, tribes, packs, clubs, or platoons. Whatever you call your group, you need one. That was one of the hardest parts about getting out of the military. I was suddenly on my own. I have a fiancé and as of 6 weeks ago a daughter, but I still miss the completeness that only a herd can bring. Today, my herd is the band Funkinships. That includes anyone singing or playing along. Funkinships has a fluid membership.
We all want to belong to something larger than ourselves. Making music with the people around you lets you do more than feel like you are a part of something bigger — you can hear it. You can hear how you fit into the whole.
When I came back from Iraq the second time I bounced around looking for a herd. I tried finance. That didn't work. I joined a sailboat crew — that worked but I couldn't do it forever. Then one day on the boat I met Charlie Chamberlain, a musician. Together we wrote songs (even though I had no musical experience) and held a band rehearsal with some other volunteers on the boat. I got that same sense of contentment I did bunking with my platoon in the train station north of Fallujah, Iraq.
So, this Veterans Day I will look through the old photos and reach out to my fellow Marines like I always do. But I will also put on the Funkinships CD and sing along. And while I am thankful for the veterans of this country, like everyone else, today I am especially thankful that there are people willing to sing along with me. Because I need a herd. What is your herd?
https://mommusic.files.wordpress.com/2016/11/07_chicken-flap-fly-mp3.mp3
army, band of brothers, band of sisters, healing, marines, music, soldier	Leave a comment
Interview: Genevieve Goings (of Disney Jr.'s Choo Choo Soul)
Posted in Interviews	by kidscangroove
To children five and under, Genevieve Goings is simply irresistible. The star of Disney Junior's "Choo Choo Soul," Goings has made her mark as the effervescent conductor, breathing new life into Disney classics such as "Bare Necessities" and creating some much-loved originals of her own through Do You Know?, her solo album for preschoolers. Goings is also the superstar host of Radio Disney (she sings the theme song to boot) and is focusing on special performances throughout the Choo Choo Soul live concert tour.
As part of her extensive touring for "Choo Choo Soul," Goings realized the very real need for—and benefits of—performances designed for those who have been diagnosed with autism and other disorders. Committed to delivering the best live music experience to her young audience, Goings has begun adding particular elements to her performances to create special sensory-friendly shows.
Goings continues to find ways to enhance the magic of childhood, leaving long lasting impressions on her audience. I was happy to have had a chance to chat with Goings and learn more about these sensory-friendly performances and what is on the fashion horizon for her. (Hint: Yes, those seriously sweet neckties are included!)
Kids Can Groove: Choo Choo Soul is built on beats and dancing. How do you feel kids respond to R&B and Hip Hop music?
Genevieve Goings: Kids love rhythm and patterns, and hip-hop & R&B use a lot of patterns that work well for them. I think kids have a natural urge to dance and sometimes stronger, more prominent beats really help them let loose and have fun!
KCG: Do you feel that all children can benefit from seeing live music? How?
GG: I most certainly do! Music is a release, and it brings people together. Children love to be a part of something, and with a live concert, they can! There are so many things going on at a live show that it takes the entertainment experience to a new level. Kids can see live performers, lights, dancing, other children, and more! I believe that seeing a live show opens up a child's mind by involving them in the act of making music.
KCG: When did you first realize the need for sensory-friendly types of performances? Was there something in particular that really prompted you to move forward with them?
GG: I have always known that there was a need for these types of shows, but I really understood the importance of them at the first sensory-friendly show that we did. It really is hard to imagine what it can do until you really host one, and see it.
There are so many families that have children on the autism spectrum who have stress every time they leave the house. They have to worry about how their child will react to the world, and how the world will react to their child. They need, just as every family does, a place to go and have fun as a family. These shows are special because they don't need to explain or worry about being judged while they enjoy something comfortable for their child. The thankfulness from the parents was so genuine and touching.
KCG: Are there particular songs or styles of music that work best in a sensory friendly environment?
GG: I think that any style can work in a sensory-friendly environment, since it's not the content that is sometimes a problem; it's the way it's delivered. With a sound-sensitive child, they need the music to be at a lower volume, possibly with the higher frequencies turned down as well. With that being said, any musical style can be enjoyed, as long as it isn't hurting their ears!
KCG: What can audience members expect from sensory friendly shows?
GG: At a sensory-friendly show, you can expect to have the lights in the theatre seating area on at about a 40% level throughout the entire show. This way, everyone can see where he or she is walking and won't be in complete darkness at any point during the performance. The lighting on stage will be bright, but "moving" or "strobe lights" will not be a part of the show. At a sensory-friendly show, the volume level will by lower as well, and we encourage the crowd to feel free to move around or even talk during the performance.
KCG: What have you learned about your young audience from doing sensory-friendly shows versus regular performances? Has that had any impact on how you approach your regular performances or on you as a performer?
GG: I have learned that everyone wants to be happy, find joy, and have fun with their family. I have also learned that as much as we all want the same things, we all receive information and enjoy certain things in our own individual ways. What sounds great to one person may sound different to another. As a performer and creator, it will always be my job to deliver music in the best way that I can: to be enjoyed by all. I have learned that this is a work in progress, and I will be learning forever! I am certainly up for the task.
KCG: Are you doing sensory friendly shows as "Choo Choo Soul" or as Genevieve for your solo album (or a mix of both)?
GG: So far we have only done Sensory-friendly shows as Choo Choo Soul, but there will be shows for both in the future! This really needs to be a joint effort by both the artists and the venues.
KCG: You currently appear in Radio Disney Junior. Tell us about your role there.
GG: I am the host of Radio Disney Junior, which is on the Radio Disney Junior app. This app is a place for music lovers that also love Disney Junior!! We have created a new series for the app called "Rhythm & Rhyme Time," where we play musical games and learn musical lessons! Kids can watch videos, play games, and listen to music on a radio station that is hosted by me! I am so excited about this, because I have been a part of it since it began, and I have a lot of input into the content. I live and breathe Pre-school music, so I am right where I want to be with Radio Disney Junior!
I also do voice-overs for Radio Disney Junior. I record little blurbs for the station and create fun imaginary environments for the station. For example, I could record something like, 'Lets ride on the roller coaster!!!!! Put your hands up!! Let's go (with the sound of a roller coaster, suggesting that we are really riding one)!! I also do voice-overs for Disney Junior the Channel, by narrating cooking recipes or singing Holiday songs!
KCG: How does radio compare to Disney TV work?
GG: Radio is so much fun because no one can see the faces you are making (haha)!! I love to get really into what I am recording and make it sound really fun for the kids listening. I would highly recommend to anyone who is interested in entertainment to try voice-overs and radio.
KCG: Can we still find you on TV?
GG: Yes, Disney Junior still airs Choo Choo Soul in between programming! You also can hear my voice all day long on Disney Junior, singing songs about setting the table, taking naps, and more!
KCG: What's next for you? Any exciting projects you'd like to talk about?
GG: Right now I am very excited about the new videos for the Radio Disney Junior app that I co-produced. I also have my own clothing accessory line for kids coming out for the Holidays!! Troy James – The Genevieve Goings Collection will have bow ties, neckties, and suspenders sets coming out exclusively on http://www.walmart.com! I am also in the beginning phases of creating a performing arts camp for kids.
Learn more about Genevieve through her official site.
Stay in touch with Genevieve through Facebook, Twitter, YouTube, and Instagram.
choo choo soul, disney jr., genevieve goings, radio disney	Leave a comment
Video premiere: "Hold On To Your Dreams" – Mista Cookie Jar and the Chocolate Chips
Posted in Interviews, Video	by kidscangroove
As parents, we want our children to dream big.
Telling my daughter "the sky's the limit" feels powerful. Honoring her ideas and imagining all the possibilities with her creates moments that I hope feed her soul and open up her field of vision to look beyond the obstacles. And if an obstacle pops up, my wish is that she'll know it's neither the end of the story nor the end of the world. It's just a bump on the road to reaching her goal.
The real reward, after all, isn't "winning" or "nailing that project" but what we've learned along the way. How we pushed through the moments of frustration and desperation. And how we got stronger and more self-assured for all the sweat and angst. That's what I want my daughter to know. It takes patience to fulfill your dreams and take action on brilliant ideas and it just isn't easy sometimes. But the gold at the end of that rainbow is worth it.
LA-based group Mista Cookie Jar and The Chocolate Chips (MCJ) are one of the biggest champions of bringing positive messages into households. This family ensemble is eager to reach young, developing minds and to inspire thinkers, dreamers, and those of us young at heart.
Today I am proud to premiere the first video in a series of video releases this week celebrating MCJ's forthcoming album, Music is Everywhere (release date: March 11, 2016).
"Hold on to Your Dreams" is an all-natural fam jam that calls attention to a critical part of the dream equation. The act of encouraging kids to hold on to and follow their dreams is a big piece, and the love and support we offer as parents is the charge in the formula that gives our kids the surge to "keep goin', keep holdin' on." To travel carefully over each bump.
Role models come in all forms and MCJ and the Chocolate Chips are making their mark. In just over a year, they have written 13 songs (one song per month) as well as produced their own videos. In "Hold On To Your Dreams" and with their forthcoming release of new songs and previously released singles this group has become a shining example of what it means to persevere. They have done it as a family, showing that having a solid family foundation fuels the flames that lead to glorious results. And that makes it all worth it in the end.
Keep up with Mista Cookie Jar and the Chocolate Chips this week through their official site, FB page and Twitter. You can also subscribe to their YouTube channel to get updates on new video releases. Below is a brief interview with Mista Cookie Jar about this week's plans and a brief behind the scenes look the making and meaning of "Hold On To Your Dreams."
KCG: Tell us a bit about how the song and video cam about. How did you start making music with Tembra and Lyrin?
MCJ: Our friend Tembra and her daughter Lyrin have been in the Chocolate Chip crew from the very beginning. Lyrin is like a cousin to my kids, Ava and Lucas. They grew up together. Tembra is childhood friends with Jenna aka Missis Cookie Jar. "Hold On To Your Dreams" has been around for years, honed and crafted over late night jam sessions and bonfires. Tembra and Lyrin moved up to the redwoods a few years ago from LA, so we've continued the tradition of family sing-a-longs and camping when we go up north to visit them in. This video captures the spirit of enjoying the wonders of nature in Northern Cali with friends and family. Cell service is terrible so it's a nice treat to have some phone detox QT with the whole fam bam.
Tembra and Lyrin first appeared in our 2nd album, Ultramagnetic Universal Love Revolution in the song, Shaggy Bee. As you can see, Lyrin has her mother's talent for singing. We're so happy this song has received high praise from our fans, and a lot of air play on Sirius XM 78's Kids Place Live!
KCG: The album and this song particular has a real "lived-in" vibe. I'm sure this has a bit to do with your song-a-month mission and EP release. Can you tell us a bit about your songwriting/recording process?
MCJ: Our new album, Music is Everywhere, has an organic quality to it which I believe is something to appreciate. It's this soulful approach to playing music that is becoming a rare bird, especially for younger tech-savvy generations. I'm happy to toss my hat in the ring and go back to the roots — especially before I switch it up again with some banging beats!
KCG: What's in store for this week?
MCJ: Everyday this week, Mista Cookie Jar and the Chocolate Chips will be dropping 5 new music videos – one new on each day – leading up to the world premiere of our 3rd album, Music is Everywhere. This release process was totally inspired by the marketing stunt for Weird Al's last album release. We wanted to really make the new album an event, ya know? I'm excited to share all the videos! Don't wanna give too much away, but there is some claymation, some ballet, some live stuff and even cutting edge 360 video technology — you know, where you either have one of those Oculus head sets or you just move your phone around or scroll with your finger to see the YouTube vid in 3D.
The songs on Music is Everywhere have mostly all been released as singles or on an EP during my single-a-month run this past year. But there will be a couple brand spanking new tracks on the record — one of which will be released with a video on the same day of the album release.
Music is Everywhere will be premiering March 11, 2016 on Zooglobble. Stay tuned via the aforementioned links to get the latest and greatest updates.
kid's music, mista cookie jar, mista cookie jar and the chocolate chips, music is everywhere, songs about dreams, songs encouraging dreams, songs encouraging hard work, songs for family, video	Leave a comment
Interview: Sandra Lilia Velasquez of Moona Luna
Posted in Interviews, Music, Video	by kidscangroove
"Panorama is all about a journey. I wrote the songs and lyrics while thinking about real experiences I've had but imagining what it would be like if I were to take my daughter along on those trips I took alone many years ago. "
– Sandra Velasquez
Sandra Lilia Velasquez is a force of nature. Dubbed "SLV," she's as driven and passionate as an artist as she is a mother.
Singer-songwriter and multi-instrumentalist, Sandra is known in the adult music world as the lead singer of the nationally and internationally acclaimed Latin group Pistolera and front-woman of SLV, her solo effort. She also is the songwriter and lead singer for the bilingual (Spanish-English) kindie band Moona Luna.
Since their 2006 kindie music debut, they have released three highly acclaimed albums. Panorama, Moona Luna's most recent release, was inspired by Sandra's journey as a mother, world explorer and lover of travel.
I had a chance to speak with Sandra about the album, and dive deeper into her creative process. What swelled from the conversation was a sheer tidal wave of insight, strength and passion in a way that only Sandra could deliver.
Panorama is available through iTunes, Amazon and Bandcamp. For more information and to stay up to date with Moona Luna, subscribe to their YouTube channel, and find them on Facebook and Twitter.
Kids Can Groove: Panorama was just released and it's Moona Luna's third album. I love how it blends together themes of travel, love and family.
Sandra Lilia Velasquez: I feel like it's our best album. I think everyone feels that way about their newest work, but that's actually how I feel.
With the very first Moona Luna album, kindie music was new to me. My band and I had been playing together for 10 years as Pistolera with a musical vibe very similar to Moona Luna. It was Latin music. It was upbeat. It was in Spanish, but the content was much more adult. Pistolera's songs are about immigration, feminism, and life issues – things that children can't relate to.
When I was writing the first Moona Luna album I thought, "Okay, how do I get in touch with my strong, non-political side, kid-friendly side?" I had my daughter as my guide. She was only three-years-old so the themes were geared more towards her age group and her interests. With the second album, my daughter was learning about time, what time is and how to tell time, so the songs on that album related to a time theme.
My daughter is now eight-years-old. The content for Moona Luna has grown along with her and on Panorama it's clear that we're not tailoring it to three-year-olds anymore. We're just playing music and trying to make it sonically fun with singalong parts and fun instruments but it's a little more of a grown up sound.
KCG: Has your journey of motherhood influenced your journey as a person and a musician?
SLV: Yeah, I don't know how to separate them. Now that I have a daughter, the reality is that I can't go on tour for a month. You really learn how to use every moment of every day, whether it's a moment for yourself or whether it's moment to spend with your child. As a musician, I really have to plan everything out – working on music certain days or planning what I'm going to do after my daughter goes to sleep. Everything is worked around having a child and I'm sure that this will change as she grows. At every stage you have to keep living your life with the schedule of the needs of the child. I can't even picture what it would be like to not have a child. I have friends that are musicians that don't have children and I just think you have no idea how much time you have.
KCG: So true! My daughter is seven-years-old now and it has gotten a lot easier, though now that I have a little more time I tend to reflect on my own childhood and think about how I can model certain life skills for her. I really relate to the family theme in Panorama. "I'm Always Here" and "Llevame" both have a kind of motherly/parental, reassuring vibe to them.
SLV: Panorama has a very strong family theme. You can't really separate the family theme from the album. There are some people that play music for children who don't have children. I always marvel at that because my music is so informed by my experience of having a child. You know those feelings that you can't really explain to other people or that you could explain but it sounds very abstract? Like what it feels like to be protective of someone eternally. People, they know what that means in the abstract, but they don't know what that feeling is. So those songs on the album are very much informed by that experience of being an actual mother and watching someone grow.
As your child grows, one day you realize they are becoming like you or you are becoming like your parents. You have this moment of "Wow…" You really learn by watching your parents be themselves. I don't think that I actually realized that until I was completely in my 30s. It's not really about what your parents tell you to do. It's about how you see them live their lives and you decide if you want to mimic some of those traits.
I write from the experience of being somebody who loves somebody unconditionally and is watching them grow and wants them to want to be independent and wants them to be strong in the world but also wants them to be a good person.
KCG: "Espejos (Mirrors)" is one of my favorite songs and the message in the song really relates to, as you say, realizing your children are becoming like you or you are becoming like your parents. Specifically in the words, "Did you ever wonder why your smile looks like mine? / Just like my mother before me. / Our laughter has the same ring."
SLV: Mirrors are the things we all see. When you look at your child and see that they have your hands, or your feet or your eyes. And you see how you're connected with your own parents. It's almost so obvious to say it but that's really the root of that song. Espejos is really the things you see in your child that are part of you. You feel like you're looking in a mirror.
KCG: You are a part of 3 bands (Pistolera, SLV and Moona Luna). Previously, you talked about having a schedule and maintaining a work-life balance. How do you stay true to the work and the process required to fulfill the role of mother and musician while also setting an example for your daughter?
SLV: I was lucky to have mother who was extremely strong-willed and driven. She is an immigration lawyer, activist and professor. That is why I am the way that I am. When you are young, you don't understand. I would think, "You're never around. Why aren't you here?" Then as I got older, I realized she just loved to work; her job is not just a job, it's her passion. It's her career. That work ethic and that kind of dedication to your passion translated into music for me. I'm the same way as my mother. I just go for what I want. My daughter will learn by watching me be myself.
KCG: Does your daughter join you for live performances and is she also involved in music?
I bring my daughter with me as much as possible. She comes to my shows. She's backstage with me. She sits in the audience. She's at the merchandise table with me. If I can bring her, I will bring her. She's seen me perform a million times now. She sees me practicing. The lesson is if you want to be good at something you have to practice and put in time with it. I was forced to play music as a child and I hated it and couldn't wait to quit.
I'm not forcing her to be a musician but I want her to practice something. When you're older, no one is ever mad that they play an instrument and speak two languages. No one ever says, "I wish I didn't speak another language" or "I wish I didn't play the violin." It's hard to learn anything new but if you can stick with practicing something then over time you do get better and you have this additional skill. Not everyone has that.
For me, of course, I always laugh at the poetry of the fact that my mother forced me to speak Spanish and to take piano lessons, both of which I rejected at the time and now I'm a musician and I sing in Spanish. I guess Mom was right.
KCG: Was Spanish the primary language spoken in your home?
SLV: Yes. My mom is from Mexico. My Dad is also Mexican but he was born in California. So, he's basically Chicano. I was born in San Diego and growing up, my mother basically would just not answer me if I didn't speak to her in Spanish. My Dad was a little more lenient so I would always go run to him.
KCG: Did either of your parents play music or did you grow up with music played in your home?
SLV: My family is not musical. Both my parents grew up with very little opportunity and they were proud to be able to provide me with an opportunity like piano lessons. My father is an artist, a painter, and was very encouraging artistically. All the walls in my bedroom were murals. He just gave me the paintbrushes and acrylic paint and said, "Do whatever you want." As an artist, he understands that urgent feeling inside like "I need to go create!" or "I need to go paint!" or "I need to go write a song!" or "I need to go play the drums!" Whatever is your passion, it's like a drive – a calling – that you can't just stop. Not every parent gets that.
As a musician, you always hear these stories about other musicians and how maybe they grew up singing in the church or both of their parents are singers. I did not grow up in that kind of family so I feel like I have to work really hard at music because I don't feel like there was any genetic traits sent down to me to be musically inclined. Both my parents are super supportive, though. They give all my records to their neighbors.
KCG: Was your family into travel?
SLV: Yes! Travel was instilled in me at a young age. We took a trip every year, visiting places like Canada, Mexico, Hawaii. We have albums full of family photos documenting our trips. My mother traveled a lot for work, still does, and my father would always go to the museums in Europe. Everyone in my family loves to travel so it seems like my passion either comes the experiences of taking family trips or it's a genetic thing where we have this drive to go places.
KCG: As a musician, you've been able to tour – nationally with Moona Luna and both internationally and nationally with Pistolera. Was the idea of touring a kind of compass directing you toward becoming a musician and forming a band?
SLV: Traveling is a crucial part of my life. I always have to have a trip planned. Travel is a huge luxury and such a gift to be able to do. I just love going to other places seeing how other people live. Traveling puts you in your place in the world. It's very easy to get caught up in your world and think about how things are a certain way.
As a musician I get to do two things that I love to do: travel and play music. Travel informs my music and the more you are informed and the more experiences you have it all becomes fodder for writing. You have to have something to write about.
KCG: As you reflect on/were reflecting back on your own travel memories, and also imagining traveling with your daughter, what would you want her to see or hope that she gets out of it?
SLV: I want her to see that other people live differently. That is the main takeaway from traveling – people have much less and are happy and grateful. Not every kid has an iPad, or needs one. To learn that people are fundamentally the same everywhere is a great life lesson. It opens your mind so much.
KCG: In Old School Way you say "I can take it all," "I can take it in." Was there a particular experience tied to that feeling of greatness?
SLV: I've been to a lot of different pyramids in Latin America – in Mexico, Guatemala and Honduras. You go really early when the sun is first coming out and it's pretty magical. At the top, you can see the entire jungle floor and it just looks endless. You don't see any fences; there aren't any parking lots. It's just completely free, open, lush jungle. We have natural wonders here in the U.S. but in terms of architectural relics we don't so much have that. The Grand Canyon is beautiful but touristy. There are probably parts where you can go and feel like you are the only one. But, you don't see the parking lots when you are at the pyramids.
KCG: Many of the songs reference walking or things you saw on the streets.
SLV: When I was visiting Latin America, I always just took the bus somewhere and then walked around a town. I am always interested in really being in a place so I never do tours or anything guided. I never rent cars. I usually walk or take buses. In the songs you refer to, I am flashing back to walking around the town square in Chiapas, Mexico, on cobblestone streets. There is no better way to get to know a place than to literally walk around it. You stumble upon things like restaurants or climbing steps to get to a church on top of a hill. It is just very freeing.
KCG: How did you come up with the name and concept for the album?
SLV: I'm always looking for titles that are bilingual. Panorama is a perfect example because it's the same word in English and Spanish. Once I thought of the album's title, it was just easy to come up with songs that related to the themes of travel and family. The title is like the seed. I also like having a theme with an album, which is something that is recurring with Moona Luna and some Pistolera albums, too, where it's about a whole experience or a whole journey.
Panorama is all about a journey. I wrote the songs and lyrics while thinking about real experiences I've had but imagining what it would be like if I were to take my daughter along on those trips I took alone many years ago.
KCG: What was it like to relive your memories by envisioning them with your daughter? Does it change the experience for you in any way.
SLV: Yes, in a couple ways. First, I can't do anything dangerous. If I was alone, I might stay in a cheap hostel not in the best part of town. With a child in tow, I would never take those risks. Kids tend to not like lying around in hammocks drinking vodka! I would have to consider things that are also fun for her.
KCG: Panorama is a bilingual album with Spanish songs, English songs and a blend in the same song. Do you feel the language is also a part of the journey? Can families get a sense of a different culture from your album?
SLV: I think the music comes first and people hear the lyrics after. The feeling you get from the music is the most important. I like when people sing along to things they can't understand simply because they like the melody. I definitely feel like families can get a feel for different cultures from the different musical cues – African rhythms and Latin percussion.
KCG: Panorama has more of a rhythmic sound to it than previous albums. Did you change the arrangements to flow along with the songs?
SLV: The style that you hear in a lot of Moona Luna and Pistolera songs is called Cumbia and that is very popular in Mexico. It's actually Columbian but it's very popular in Mexico. Some people hear it as Reggae or some people hear it as Ska. I grew up just hearing that in San Diego because it's like you just can't not hear it. It's not even like my parents were blasting it on their home stereo. You hear it from a car driving by or the people in the restaurant are playing it. I didn't really notice how much it was played until I moved to New York.
I wrote Panorama with my songwriting partner, Sean Dixon, who has played African music for many years and played bass on the album. Sean is also a drummer so he brought in a different rhythmic element to get me out of my Latin groove, which I could stay in forever, so it was nice.
KCG: What would you like our audience to take away from listening to Panorama?
SLV: Travel is something that is dear to my heart and I feel that to be able to communicate that through an album is really cool because the family trips that you take when you're kid really stay with you. I feel like a lot of people can relate to traveling with their families. Together, you get to experience something new, something different and maybe you learn something. People always remember being in the back of their parents' avocado green car. They remember how it smelled how it felt and those are the memories that stay with you.
Also, everyone needs a good soundtrack for the car! If everyone has one favorite song, that makes me feel good.
Video world premiere "Ninja School" + Guest Post by Marsha Goodman-Wood
Marsha Goodman-Wood is a ninja in disguise. She is a DC-based singer/songwriter who makes music for clever kids with sharp imaginations and active minds brimming with curiosity. Marsha is also a former cognitive neuroscientist. Yep, you read that right. Brain science…pretty cool.
As a songwriter, Marsha brings her educational background and combines it with her experience as a music and drama teacher as well as her role as a mom of three. "I think about all the intense brain development that is going on in my young audiences," Marsha says. "[My background] also shapes the way that I engage with my audience. Because music uses all our senses, it activates more parts of the brain and creates very strong memories; so music is an ideal vehicle for learning. Just think of the ABCs, and how ingrained that song is in all of us."
I am happy to present two goodies to you today – the video world premiere for Marsha's single "Ninja School"* from her debut solo album Gravity Vacation, and an illuminating guest post where Marsha dives further into the whole body benefits of music.
And of course, fist bump to all those ninjas in training out there.
Marsha is currently writing for her next record which she expects to record in 2016 with her recently-formed band, The Positrons. Stay up to date with news about Marsha through her official site, Facebook, Twitter or Reverbnation, and catch her latest videos by subscribing to her YouTube channel.
*The "Ninja School" video was produced by NY-based kids artist and video producer, Patricia Shih, with illustrations by Giulia Neves.
I'm a cognitive neuroscientist by training, which means I used to study the brain and am still fascinated by how our brains work. I think of music as a great connector that ties together lots of different processes that are happening simultaneously in our brains. It activates our senses, is a total body experience (if you want to be technical, uses both our gross motor skills and fine motor skills), and brings an emotional and human connection. Music is also a universal source of joy!
There's some fascinating research that shows how music can aid learning and how closely music & movement are tied to language development in young children. Brain researchers have looked at movements that involve coordinating the right & left sides of the body and ones that use our whole personal space, and have found that there's a strong link between actions which send messages from one side of the brain to the other and the kinds of signals that our brains send from one side to the other when we read and speak. So, when we sing a song like "The Wheels on the Bus" or add actions or dance moves to any song, we're building and strengthening connections in the brain that are important for language development.
With my music, I think about what kinds of moves I can offer little kids to reinforce those connections kids are forming. When I perform "Ninja School" I ask the kids to show off their martial arts moves (karate chops, kicks, leaps and such). When I can, I like to include something interesting in my songs for older kids or grownups, too, like mixing fun facts into the song so there's something to take home and think about. The title track for my record Gravity Vacation has facts about gravity and inertia that kids like to bounce along to, mixed in with some "la-la-las" the audience can sing along with. The bonus, though, is they still absorb the facts so I get the coolest stories later. A mom told me her 3-year-old old daughter explained to her out of the blue one day that we stay on the ground because of gravity! Another family told me they were sitting around the breakfast table talking about the moons of Jupiter and started checking out NASA info online because the song sparked the kids' curiosity.
I tend to put positive messages and a little something educational into my songs because kids are sponges. They absorb everything we put out, so why not give them something interesting to think about that they might not have heard before? Mixing in information that sparks their curiosity and complements what they're learning now in school (or what they will need to learn at some point down the line) is a built-in bonus. Maybe it reaches that one kid who is not connecting with material in the classroom. Maybe it inspires a child's fascination in science and creates a budding scientist.
Plus, you don't have to teach a kid to have fun. Music is inherently fun and if you write a catchy tune and make it musically interesting that's a ton of fun in and of itself. There's definitely a place for adding in humor, imagination, and silliness in kids music. Helping listeners to explore outrageous ideas is something many artists do well, but I'm OK with taking it to a different place. It's definitely tricky to write a song that's educational, yet still fun and not preachy. That's where I try to go, and I believe people pick up on that and enjoy that about my music.
Some of the other messages in my songs are the kinds of messages that I feel we as parents are trying to share all the time. I loved hearing from the mom who told me her 8-year-old twin boys were always reluctant to wear helmets, but after listening to "Wear a Helmet," they started enthusiastically wearing them! Another mom told me her 5-year-old was about to show her a new wiggly tooth, but said, "I need to go wash the germs off my hands before I touch my mouth," since she had picked up the message in "Nobody Likes Viruses and Germs." It's amazing to think something you wrote could affect people like that.
I'm not sure where my songwriting will take me. All I know is that I'm on a journey where I'm trying to stay true to myself and write about what inspires me. The great thing about working with kids is that they are full of questions and make you think about things differently. Sometimes their questions spark my curiosity or lead me somewhere new as I try to answer them. I feel that kids can understand anything if you explain it well, so I want to honor their questions with real answers and not assume a concept is too far over their heads. It challenges me to make sure I understand a concept well enough to explain it to a 5-year-old or an 8-year-old. If that leads to a song, it's a win-win in my book!
guest posts, interviews, marsha goodman-wood, music, music and movement, music effects on the brian, songs about ninjas	Leave a comment
Behind the Scenes of The Great Pretenders Club Special with The Pop Ups and Producer Avtar Khalsa
Posted in Interviews, Music, Reviews, Video	by kidscangroove
Jason Rabinowitz and Jacob Stein (aka The Pop Ups) are on a path to reach the stars! Since their 2011 debut, this Brooklyn-based duo has produced four albums, created their first stage show Pasta!, premiered a music video for "Subway Train" at the New York International Children's Film Festival, received two Grammy nominations, were featured guests on Sprout TV's "Sunny Side Up Show," and released their first web series (14 episodes).
Recently, Jason and Jacob expanded further into broadcasting territory with their first full-length digital video, The Great Pretenders Club ("The GPC Special"), which was released in partnership with Amazon and made available exclusively to Prime Members for streaming.
The GPC Special brings the concept of their eponymous 4th album to life: the magic and rewards of pretend play (my favorite kind!). Just like Sesame Street pioneered children's television in the 1970s, The GPC Special steps up to honor the values of "unplugged" play and education while acknowledging that the delivery of media broadcast is changing.
The parallel between the classic Sesame Street productions and the production style of The GPC Special is pleasantly familiar. The Pop Ups' attention to detail is stupendous, and each element – use of brilliant color, puppets, music – comes together in a fantastic multi-media experience. It's clear that The Pop Ups have managed to hold onto the kids within themselves, and by playing at their craft, they not only are practicing what they preach, but inviting us to play along with them.
Although geared toward children, The GPC Special will tickle the nostalgic funny bone of grown-ups who grew up watching Sesame Street. The feature employs the same subtle mature sense of humor that will encourage parents to watch along with their children and take part in the experience.
I recently caught up with Jason and Jacob, and producer Avtar Khalsa, to get a behind-the-scenes look at the process that lead to this milestone. Since The Great Pretenders Club album preceded the creation of the The GPC Special, I asked The Pop Ups some questions about their creative inspiration before diving deeper into the studio experience with Avtar. There were a few surprises I didn't see coming!
As you'll read in the interview below, Jason and Jacob are two playful guys who take the study of play pretty seriously. And with a stellar cast and crew, their vision for the next generation was brought to life.
Be sure to read on for access to The Great Pretenders Club badges. Amazon Prime member? Stream The GPC Special and download The Great Pretenders Club album now.
KCG: Jacob and Jason, let's start with the concept for The Great Pretenders Club album since that gave way to the creation of The GPC Special. What was the inspiration for The Great Pretenders Club in the first place? Did you have ideas about developing it into a broadcast special from the start?
Jacob Stein: The songs were built around the idea of play, with each one celebrating a different imaginative game or adventure. We were really interested in theories behind play being one of the great tools for learning in the animal world. We spent some time reading and researching papers on the subject. My cousin, Marc Beckoff, is a PhD who studies animal play and he really helped us see the bigger picture.
At a certain point the idea to corral the songs into a connected piece called The Great Pretenders Club became one of those obvious moments in art, which you could never have predicted but which also feels undeniable once it appears. We've always dreamed of making a TV show, and this felt like a natural place to take the album concept.
KCG: Did acting out the scenes in the studio bring you closer to experiencing your music?
JS: We wrote much of the album in a beautiful field in the woods of Cobbleskill, NY in the Catskills mountains, a 10-minute walk from any phones or internet or even electricity.
KCG: Was being on set similar to being on stage during live performances? Though both productions are theatrical in nature your live shows are just the two of you and your puppets.
JS: For the acting production, it's just so different. We built a big set and we had a big crew of puppeteers, producers, PAs and sound and camera people, and wardrobe and art departments. The list just goes on! Sometimes we had as many as 10-15 people on set for any given shot.
What was also different about this production was that me and Jason were not doing all of
the puppeteering ourselves. We got to watch our very personal characters take on a new life in the hands of extremely talented puppeteers Paul McGuinness and Matt Atcheson.
KCG: Did you have favorite roles/parts?
Jason Rabinowitz: When I get blown off screen by the storm in "On Air," I jumped into a metal file cabinet. That was exciting! I liked being the conductor, honestly.
KCG: Avtar, how did you first get involved with The Pop Ups?
Avtar Khalsa: They were looking for a Producer for their web series last year, and my name showed up on a list of recommendations. The band's Manager Jon McMillan and I had worked together peripherally on another project years back (The Railroad Revival Tour), so when he saw my name he got in touch right away. I went down to The Pop Ups' studio in Brooklyn to discuss the project and see if it was a good fit. When I walked into the room and shook their hands I immediately sensed their eagerness to to make something really great. I could tell something incredibly special was happening there in their little studio space, and I wanted to be a part of it!
There are many bands that make music for children, and there are many people who make cartoons and put on puppet shows, but they were doing it all together, in such a unique, thoughtful, imaginative, and brilliant way. Fun and relatable to kids, yet educational, and something their parents could enjoy too. And the music is amazing, those catchy songs really get stuck in your head!
KCG: Is this your first production for children's media?
AK: I mostly work on commercials, and some have been geared towards children, or had children in them, but the work I've done with The Pop Ups is the first I'd actually call children's media.
KCG: Is this your first time working with puppets on camera?
AK: Yes! In production we need to be able to adapt to any situation, and it's always a constant learning experience, but I never thought I was going to be learning about the importance of the puppet wall, or the perfectly placed googly eye. It was great watching the first rehearsals with their puppets Up, Down and Chef Olivia di Pesto. Seeing these characters come to life was a true joy.
The first time you meet puppets in person you kind of fall in love. There is something so magical about them. As someone who grew up watching Sesame Street, it might partly be nostalgia, but they immediately bring a smile to anyone's face, and lighten any situation. Every time I would mention to anyone that I was working on a shoot with puppets, their eyes would widen and they'd say, "I love puppets!!" Because I think everyone does.
KCG: Where did you draw inspiration from for the making of the GPC Special?
AK: After the web series was released I had been in contact with The Pop Ups about some music videos they wanted to make. By the time I was brought on to produce them, they had morphed into The Great Pretenders Club Special. Most of the creative and storyline was already in place. It made sense that they were making it into more of a show then just individual videos. I personally think they should make an episodic TV series, it would be a perfect fit for what they do, and a great way to inspire young children around the globe.
KCG: The album's concept is based on encouraging and rewarding imaginary play. Did you find this to be challenging or easy to convey on screen?
AK: The Pop Ups are naturals when it comes to this. They have a complete grasp on how to relate to and catch the attention of young minds. They know how to entertain them, spark their imagination, and to teach them life lessons without them even knowing they are learning. Jason and Jacob have every scene planned out in their mind, they know ahead of time – frame by frame – how they want the video to be shot, acted, art directed, and edited. Everything is well thought out, and their creative vision is very clear.
The biggest challenge, I think, is getting their ideas organized and down on paper so they can be properly conveyed to the crew who has to help make them come to life!
KCG: How did you create the orchestra segment? What was the process behind that and the "Jake Maker"?
AK: First we had to build a Jacob Maker. Our Production Designer Melissa Chow is also,
it turns out, a magician. Once that was built, we just had to put Jacob inside and pull the lever. The rest is science! And green screen.
KCG: What was the most memorable moment(s)?
AK: The chicken soup/spaghetti scene was a lot of fun to make, as was the picnic scene. They both required a lot of choreography and comedic timing to get things just right. But I think the guys nailed it.
We also really loved having DJ Gia stop by the shoot. After days of shooting with our adult crew, it was nice to have a child on set doing her thing. She's a seasoned radio DJ, but it was her first time on a film set, and she was a little shy at first. Seeing Jacob ease her out of her shell, getting her to laugh and feel comfortable was really cool. The band genuinely loves kids, and I think they really get them, and can get on their level and relate.
KCG: Did Chef Olivia make meals for the crew?
AK: When Chef Olivia di Pesto isn't filming cooking shows, she's doing press events, book signings, or private events for foreign royalty. She's a busy cat, so we felt really lucky to have her stop by for a picnic with the band. She didn't have time to cook for us while she was there, but she did bring the crew tuna sandwiches for lunch. They were delicious!
KCG: Did you show early footage to kids and their families? What was some feedback you received?
AK: Jason's daughter Ruthie has always been a good test audience. I wasn't there when she watched it for the first time, but I heard she was in complete awe, and Jason was pretty excited about her reaction.
Amazon Prime Members can stream the The GPC Special here and The Great Pretenders Club album here.
Computer/Laptop – Stream the GPC Special from the Amazon Video Webpage.
Iphone/Ipad/Android device – download the Amazon Video App to stream and even download the GPC Special.
Roku/etc – Stream the video from the Amazon Video App.
The GPC Special music videos will start rolling out on The Pop Ups' YouTube channel in mid-February. Get notified by subscribing to The Pop Ups' email list and following them on Facebook and Twitter.
Watch music videos for "Bird and Rhino" and "Let's Pretend We Forgot" now.
Want to play along? Download The Great Pretenders Club badges by printing the templates below or downloading them directly from The Pop Ups official site.
avtar khalsa, children's media, children's tv shows, jacob stein, jason rabinowitz, music with puppets, puppets, puppets shows for kids, songs about imaginary play, songs about picnics, songs about play, songs about pretend play, the great pretenders club, the great pretenders club special, the pop ups, the pop ups amazon video, the pop ups tv show, the pop ups web series	Leave a comment
Behind and Beyond the music 2015 edition: Stories, features, interviews, guests posts from 2015.
Friends and random acquaintances routinely ask me, "Why do you listen to kids' music?" I've asked myself the same question many times.
In poking through my Top 20 albums of 2015, an answer snuck up on me: the joy of music discovery. To be presented with and to explore new music is exhilarating – like discovering a whole new color or flavor. Sharing this passion with my daughter Emily (now 7 years old) is great fun and such a bonding experience. She is growing, and the music is growing with her.
For me, music discovery is more than just the songs at face value. It's uncovering the stories behind the music; it's connecting with the music makers and understanding the magical, teeny bits of real life, of real people that make the album art come alive. The artists that make up the kids' music genre are welcoming and supportive and it's been a pleasure to dive into what drives their creativity and thus, bring their stories to life. Continue reading →
adam goddard, album art, alison faith levy, amelia robinson, baby in tune, big block singson, bob mcgrath, charity kahn, cj pizarro, dan elliott, elena moon park, father's day posts, Features, francés england, future hits, guest posts, interviews, jazzy ash, jeff krebs, jonathan sprout, karen k and the jitterbugs, karen kalafatas, kid's music, kids rock, kindie, matt baron, mighty mo productions, mil's trills, milkshake band, mindfulness, mista cookie jar, papa crow, pionted man band, ralph covert, ralph's world, rissi palmer, sarah sample and edie carey, the blue bike chronicles, vered, warren brown	Leave a comment


Adding a property – photo gallery. Up to 12 photos can be added to showcase your property.
Adding a property – Neighbourhood facilities. What attracts your tenants to live in this location?
List of uploaded properties for your account. Property listings can be edited here.


text:
Q: websharper F# endpoints - catch all page handler and page redirect sorry this is such a long post
I am using F# and WebSharper (I am new to both technologies)
I have some endpoints defined (I have working code until I add the NotFound endpoint)
type EndPoint =
    | [<EndPoint "/">] Home
    | [<EndPoint "/login">] Login
    | [<EndPoint "/about">] About
    | [<EndPoint "/logout">] Logout

    // trying to make a catch-all page handler
    | [<EndPoint "/"; Wildcard>] NotFound of string
...
let HomePage ctx =
    Templating.Main ctx EndPoint.Home "Home" [
        // page stuff
    ]

let LoginPage ctx =
    Templating.Main ctx EndPoint.Login "Login" [
        h1 [] [text "Login Here"]
        div [] [client <@ Client.LoginWidget() @>]
    ]

// other page constructs
let MissingPage ctx path =
    Templating.Main ctx EndPoint.About "Page Not Found" [
        h1 [] [text "404"]
        p [] [text "The requested page could not be found"]
        p [] [text path]
    ]
...
[<Website>]
let Main =
    Application.MultiPage (fun ctx endpoint ->
        match endpoint with
        | EndPoint.Home -> HomePage ctx
        | EndPoint.About -> AboutPage ctx
        | EndPoint.Login -> LoginPage ctx
        | EndPoint.Logout ->
            async {
                // call server-side code to log the user out
                // what would i do here to redirect the user to the /login
                // page
            }
        | EndPoint.NotFound path -> MissingPage ctx path
    )

Add the NotFound endpoint messes up my other pages, for example, my home page starts getting handled by the MissingPage handler. which I can understand since the home page is set to match "/" and the not pattern is matching "/" wildcard, although I would have expected the single / to have matched the Home endpoint and anything else other than /Login /About and /Logout to have match the NotFound branch. But clearly, I do not understand something correctly.
So How can I get a "catch-all" type endpoint so that I can properly handle any path that is not explicitly catered for
the other thing that is messing up when I had the NotFound handling code is the Login handler no longer processes
div [] [client <@ Client.LoginWidget() @>]

And lastly, in the Logout handler, I want to call some server-side code (no problem) but what should I do to then redirect to a new web page, for example, to send the user back to the /login page?
Sorry again for such a long post
Derek

A: Below is based on what Loïc at websharper.com passed on to me, adding here in case it is helpful to someone else.
First Web.config needed
<httpErrors errorMode="Custom">
  <remove statusCode="404"/>
  <error statusCode="404" responseMode="ExecuteURL" path="/notfound"/>
</httpErrors>

type EndPoint =
... other end points
| [<EndPoint "/notfound"; Wildcard>] NotFound of string

[<Website>]
let Main =
    Application.MultiPage (fun ctx endpoint ->
        match endpoint with
        // handle other endpoints
        // Handle none existant paths
        | EndPoint.NotFound _ ->
            // Parse the original URI from ASP.NET's rewrite, in case you need it
            let requestedUri =
                let q = ctx.RequestUri.Query
                let q = q.[q.IndexOf(';') + 1 ..]
                match System.Uri.TryCreate(q, System.UriKind.Absolute) with
                // The request was to /notfound/... directly
                | false, _ -> ctx.RequestUri
                // The request was to a non-existent path, and rewritten by ASP.NET
                | true, uri -> uri

          Content.Text (sprintf "Unknown URI: %A" requestedUri)
          |> Content.SetStatus Http.Status.NotFound

...

redpajama_set_name: RedPajamaStackExchange


A cookie is a very small text file that a Web server can save on a computer's hard drive to store some type of information about the user. The cookie identifies the computer in a unique way and can only be read by the website that sent it to the computer.
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Q4Wine is an Qt5-based GUI for WINE. It will help you to manage wine prefixes and installed applications.
NOTE: This version is with the original and newest Online-Handbook in opposition to Official- and Emulator-Repo.