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Digital Workplace 24 Schedule
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Digital Workplace 24 is back for 2015!
May 20th & 21st
See the 2015 event page and register for free
DW24 in 2013 is over, but the videos live on!
Digital Workplace 24 has come to an end, but the entire programme is available in segmented video clips, sortable by technology platform, sector and topic.
These recordings include live tours of: IKEA's mobile experience for frontline staff, Virgin Media's collaboration platform with integrated unified communications, Alaska Airlines' iPad app for pilots and so much more.
How to access the DW24 video library
Find the hours & topics that work for you
Digital Workplace 24 will start the journey from our studio in London and then move to New York, Los Angeles, Sydney, Hong Kong, Mumbai, Amsterdam and back to London. Here is just a taste of what we have agreed already – check the evolving schedule of special guests, announcements and live tours.
Times shown are GMT – expand to see local times and more details of each section.
11:00-12:00 - See IKEA's Digital Workplace. They are also joined by studio guests AppMyCity and Peter Miscovich, Managing Director at Jones Lang LaSalle
IKEA offers an opportunity to dive inside their pioneering digital workplace, across email, phone and intranet and they include HR, corporate communications and travel/meetings.
Peter J. Miscovich is Managing Director at Jones Lang LaSalle. His current responsibilities include Executive Management consulting with expertise in Corporate Real Estate Leading Practices, Emerging Technologies, Enterprise Mobility, Innovation, Merger Integration, Performance Improvement, Program Management, Social Media and Workplace Transformation solutions for Global Fortune 500 companies across multiple industry sectors.
Time: 1pm Paris, 12noon London, 7am New York, 4am Los Angeles
12:00-13:00 - Virgin Media Tour and and hear from Rebecca Richmond Chief Operating Officer at Melcrum Ltd
Léon Benjamin, who heads up Virgin Media's enterprise social business initiative, gives us a live tour of Virgin Media's exciting new collaboration and social platform (based on CISCO technology) and talks about related approaches to enable employees to work flexibly.
Rebecca Richmond, Chief Operating Officer at Melcrum Ltd. will share highlights from her latest research on Internal Communications Measurement and Evaluation. Tune in to learn how to develop metrics around digital messaging and channels to ensure your impact and success are on par with those of any other critical business function.
Time: 2pm Paris, 1pm London, 8am New York, 5am Los Angeles
13:00-14:00 - Join us for a Live Tour of MyRoyalMail and Steve Faktor, co founder of Ideafaktory joins us as a studio guest!
Neil Barnett is the digital channels manager for the Royal Mail Group, taking the digital lead in the planned privatisation of the group during the coming months. Neil is a founding member of the Digital Workplace Group which now covers all aspects of the digital workplace and is also a fellow member of the Institute of Internal Communications (IoIC) Neil has also been a Judge for the IVCA annual awards for three years running.
Steve Faktor is founder and CEO of IdeaFaktory, which helps companies bring innovations to market. Steve is a futurist, digital commerce expert, and author of Econovation about capitalizing on the end of consumerism and rise of "producerism". As an executive at American Express, Citi and MasterCard, Steve has created several $100M+ businesses and deployed multiple enterprise innovation programs. Steve writes provocative articles on innovation and entrepreneurship for Forbes, Harvard Business Review, and LinkedIn's Influencer program. He has keynoted major events for CFO Magazine, New York University, Harvard, PDMA, Frost & Sullivan, BlogWorld and numerous private corporate events.
14:00-15:00 - Live tour from Stora Enso. Plus Dan Pontefract, a global authority on social learning and author of "The Flat Army" and Rachel Happe, Co-founder and Principal of the Community Roundtable join us in the studio for an panel session on enterprise social.
Charlotte Sperling and Ulrika MacGregor, based in Sweden, take us on a live tour of global printing and packaging company Stora Enso's brand new digital workplace. Using SharePoint 2013, Stora Enso's story is a great example of how different functions can collaborate to create an integrated environment.
Dan Pontefract is Head of Learning & Collaboration at TELUS and a global authority on social learning. Tune in to see a live tour of the Learning 2.0 programme at TELUS, and hear Dan Pontefract discussing his new book "The Flat Army."
How do you truly engage leaders with social business initiatives? What are their expectations? Rachel Happe, Co-founder and Principal of the Community Roundtable, joins us to share the latest findings from her "Social Executive" research.
Time: 4pm Paris, 3pm London, 10am New York, 7am Los Angeles
15:00-16:00 - Live tour with Accenture - Stephen Kaukonen senior manager and Thomas Hsu manager on the Global KM team at Accenture offer up an exciting live tour, plus special guest Internal Communications and Media Strategist Rachel Miller joins us in the studio.
As part of Accenture's program to drive the appropriate collaboration behaviors across the organization, their gamification-powered recognition program is one of its key strategies to encourage colleagues to collaborate and share. Listen to how Accenture developed their existing program and the impact it has made and the plans in place to take it to the next level!
Thomas Hsu is a subject matter expert in social collaboration at Accenture, where he helps define the company's internal collaboration strategies. He is also a certified gamification expert and leads Accenture's Gamification community of practice. Thomas is a KMWorld 2011, KMWorld 2012, Gamification Summit 2013 and APQC 2013 speaker.
Steve Kaukonen is part of Accenture's Social Learning team that helps employees collaborate by sharing their insights and experiences while connecting to the knowledge needed to do their jobs. Specifically, Mr. Kaukonen is focused on how to bring awareness to and increase the adoption of collaboration and sharing across Accenture's organization of 280,000 employees.
Rachel Miller, an Internal Communications and Social Media strategist who has worked with large companies from around the world, will be giving her perspectives on internal communications within an increasingly social and digital workplace.
16:00-17:00 - Tune in to hear freelance Product Development Consultant Tyler Goodwin, talk about the new Nairobi retail concept Smart Life and Jesús Vega, CEO of Retail and HR Consultancy Fansipan and former HR General Director of Zara-Inditex joins us as Studio Guest
SmartLife is a new retail concept in Nairobi, Kenya aimed at becoming East Africa's first healthy living store accessible by consumers of all income levels. The team has implemented several interesting technologies to help them bring a high-touch service experience to the mass market – and has learned some valuable lessons along the way!
Jesús Vega has worked as Human Resources General Director of Zara-Inditex, the biggest and fast-growth fashion retail Group. Currently he is the CEO of Fansipan, Retail and Human Resources Consultancy. He is the author of The Sensual Company, which has been translated into 9 languages and published in more than 20 countries of the Americas, Asia and Europe.
Time: 6pm Paris, 5pm London, 12 noon New York, 9am Los Angeles
17:00-18:00 - IBM Live Tour and American author, speaker, business strategist, blogger, and journalist Evan Rosen joins the panel to talk about his new book
During this hour take a deep dive into IBM's digital workplace and their intranet, which is known as "w3" and has been recognised as one of the best and most advanced intranets in the world.
Evan Rosen is the author of The Bounty Effect: 7 Steps to The Culture of Collaboration®. The book, which will be released in May of 2013, shows how to change the structure of organizations for collaboration. Evan is also author of The Culture of Collaboration®, Gold Medal Winner in the Axiom Business Book Awards. Rosen leads an interdisciplinary team at The Culture of Collaboration® Institute. His work has been featured in many media outlets including the Wall Street Journal, Investor's Business Daily, MIT Technology Review, the Washington Post, the Washington Times, CNBC, CBS News and CNN. Rosen is a columnist for Bloomberg BusinessWeek.com and writes The Culture of Collaboration® blog. More information is available at www.thecultureofcollaboration.com.
Time: 7pm Paris, 6pm London, 1pm New York, 10am Los Angeles
18:00-19:00 - Live tour from Tieto with Markus Mathar, plus Kevin Rettle, Director of Marketing, Insight and Innovation at Sodexo join us in the studio to talk about their 2013 workplace trends report.
The Tieto intranet is highly social and highly integrated for a seamless user experience across people, apps and content. Join Markus Mathar, Future Office Evangelist from Tieto, as he shows us their truly transformational digital workplace.
Sodexo is one of the largest facilities management and food service companies in the world, with 380,000 employees, representing 130 nationalities, present on 34,000 sites in 80 countries. The Sodexo 2013 Workplace Trends Report is a compilation of pressing business issues that are top of mind for organizations looking to be more productive and grow. Kevin Rettle, Director of Marketing, Insight and Innovation at Sodexo, will discuss new technologies and how workspaces are adapting to fit the way people work — instead of the other way around.
19:00-20:00 - Exciting live tour of SAP Lab's gamification initiatives lead by innovation strategist Mario Herger. Joined in the studio by Patrick Stacey from Lancaster University and also listen to Euan Semple the author of 'Organisations Don't Tweet People Do'.
Mario Herger from SAP Labs – the collection of agile, innovation-focused units throughout SAP – will give us an exciting live tour of SAP's gamification initiatives and talks about the contents of his new book on enterprise gamification.
Euan Semple, the author of 'Organisations Don't Tweet People Do' and social business guru with six years of unparalleled experience working with organisations such as BP, The World Bank and NATO joins us as studio guest.
Dr Patrick Stacey is a Lecturer/Assistant Professor of Information Systems at Lancaster University Management School. One of his main research interests is in the socio-technical dimensions of computer game development. Therein there are 4 main themes he addresses: multidisciplinary collaboration, process and modes of practice, emotion, and distributed work.
Time: 9pm Paris, 8pm London, 3pm New York, 12 noon Los Angeles
20:00-21:00 - Coming up in this exciting hour a Telepresence robot test drive takes place live on Digital Workplace 24! Sayeed Choudry from John Hopkins University and Puja Nanda, Strategy Consultant for Learning and Workplace Environments join us to discuss communication platforms in the academic workplace. Plus management expert and author from Northwestern University Leigh Thompson joins as a special guest.
Telepresence robot test drive! Tim Lenihan directs Business Strategy at Anybots, and will talk about how telepresence robots are entering the workplace to aid collaboration. We'll also be putting QB the robot to the test!
Puja Nanda, Strategy Consultant for Learning and Workplace Environments, will present the opportunities and challenges with different platforms of communication within the academic workplace to engage faculty, staff and students across the globe. Her clients at Johns Hopkins University – Sayeed Choudhury, Principal Investigator for the Data Conservancy will describe and demonstrate the Johns Hopkins Brody Learning Commons visualization wall, a high-resolution, 25 megapixel display system intended for research in multi-user gestural interaction with extremely large imagery and datasets. This visualization wall has been installed as a research laboratory within the Brody Learning Commons but also as a means for new ways to visualize large datasets and collaborate with researchers across the network.
Professor Leigh Thompson is a management expert in the Kellogg School of Management at Northwestern University and author of the new book Creative Conspiracy: The New Rules of Breakthrough Collaboration. Dr. Thompson's research focuses on work-based conflict and team creativity and collaboration.
Time: 10pm Paris, 9pm London, 4pm New York, 1pm Los Angeles
21:00-22:00 - Live intranet tours from Quintiles, URC-CHS and Open Road plus both Chris Mcgrath from Thoughtfarmer and Director of Consulting at PSFK Scott Lachut join us in the studio.
Claire Coleman is a web developer and web management expert with 20 years of professional experience. Currently, she is the Web Manager for University Research Co., LLC, where she manages the company's web presence. Her work includes managing project websites and developing new website features, overseeing web development projects, monitoring and reporting on website usage, evaluating and making recommendations on new web technologies and trends, training staff on the use of various web-related tools, and developing and advising on the company's web-related policies.
As Vice President and a Partner at OpenRoad, Gordon Ross has been instrumental in the company's success during the past 16 years. Gordon's interdisciplinary approach has made him a natural interface for web projects, blending business insight, user experience design, and technical understanding. Gordon's recent projects include BC Hydro's customer portal project, web strategy for the City of Vancouver, the redesign of ICBC.com, redesign of Mountain Equipment Coop's e-commerce website, and web strategy and development work for the World Bank, Vancouver Public Library, CGA-Canada, BC Ministry of Transportation, the Legal Services Society, the Ministry of Attorney General, the District of Columbia Courts, and Vancouver's St Paul's Hospital. He also provides strategic input and engagement partner services for OpenRoad's social intranet product, ThoughtFarmer.
Scott Lachut, Director of Consulting at PSFK, will be talking about the trends contained in PSFK's "Future of Work" report, as well as sharing examples of cutting-edge workplace technology and innovative approaches.
Time: 11pm Paris, 10pm London, 5pm New York, 2pm Los Angeles
22:00-23:00 - From XL Group, John Flannery VP of Online Communications and Marketing and Rich Williams VP Web and Portal Services join from New York to give a live tour of XL World and Matt Cooper, VP of Enterprise Solutions at oDesk joins us in the studio
XL Group, a financial services company headquartered in Ireland, has an intranet that resembles a personal desktop, allowing users to add their own personal photo as wallpaper on the homepage, and add and sort their own favorite links. And it's built on… SharePoint.
Matt Cooper, VP of Enterprise Solutions at oDesk, talks about how distributed work and using freelancers from all over the world is now starting to enjoy take-up in even the largest enterprise
Time: 12 midnight Paris, 11pm London, 6pm New York, 3pm Los Angeles
23:00-00:00 - Product innovator Roie Edery gives us a tour of IPC's intranet and Steve Kang from Toyota joins us a studio guest!
At IPC, social networking attains new levels of relevance and interactivity for hospital doctors (hospitalists), including an activity stream with embedded video and real-time user feedback that is channeled into the company's innovation management system. Join us to hear more!
Steve Kang is the lead manager responsible for the implementation of Toyota's global enterprise social network. Recently Toyota migrated their custom-built enterprise social networking software to a SaaS provider. He is primarily responsible for the implementation of Salesforce.com Chatter for global Toyota.
Time: 1am Paris, 12 midnight London, 7pm New York, 4pm Los Angeles
00:00-01:00 - Bob Hackett is VP, Information Services at Weston Solutions will share their award winning intranet plus founder of Worldwide Intranet Challenge Andrew Wright joins us as a studio guest, along with Kate Rezucha from Esurance.
The Weston Solutions intranet recently underwent a dramatic transformation – based on an 8-stage transformation process based on John Kotter's seminal work – catapulting it from #47 to #1 in the Worldwide Intranet Challenge (WIC). Their Intranet was also a gold winner of the Step Two 2012 intranet innovation awards.
Andrew Wright founder of the popular Worldwide Intranet Challenge (WIC) joins us to talk about the future of intranets and the digital workplace.
Time: 2am Paris, 1am London, 8pm New York, 5pm Los Angeles
01:00-02:00 - Alaska Airlines join us in the Studio to talk about the company's use of Ipads and Ann Bamesberger, Principal of Co3 Group and recognised thought-leader in workplace design and collaborative technologies a joins us as a studio guest.
Captain Jim Freeman from Alaska Airlines takes us through the company's fascinating and transformative use of iPads at the airline.
Ann Bamesberger is the principal of Co3 Group and is one of the early pioneers of flexible work programs. This hour she will be giving us her thoughts on integrating technology with the physical workplace.
02:00-03:00 - Australian design studio Woods Bagot joins us in the studio plus studio guest Michael Sampson.
Design studio Woods Bagot has deployed SharePoint 2013 in a pilot project and is now streamlining its business processes and better supporting its highly collaborative work environment
Time: 4am Paris, 3am London, 10pm New York, 7pm Los Angeles
03:00-04:00 - AppMyCity Semi-Finalist live tour, plus studio guests Peter Williams, Chief Edge Officer, Centre for the Edge, Deloitte and a look at the My Beautiful Intranet winner International Enterprise Singapore with Shah Mohd Ishak and Maish Nichani from PebbleRoad
Winner of the 2012 DWG's My Beautiful Intranet (Goes Social) competition International Enterprise Singapore an agency that spearheads the overseas growth of Singapore-based companies and promotes international trade. Find out what made this intranet so beautiful!
Maish Nichani is Managing Director, PebbleRoad Pte Ltd., based in Singapore. Maish is a well-respected thought leader and a practitioner in the field of user experience design. His focus is on building a culture of innovation at PebbleRoad. He holds Masters Degree in Instructional Design from Nanyang Technological University, Singapore.
Peter Williams is a recognised thought leader and practitioner in innovation with a particular focus on digital innovation. Peter has been the Chairman of Deloitte's Innovation Council since 2004 and been involved in numerous innovation projects for Deloitte and clients over the course of his career. Peter is the obvious person to lead the newly formed Australian chapter of the Centre for the Edge, a Silicon Valley Applied Research Centre chaired by two technology luminaries John Hagel III and John Seely Brown. The Centre's mission is to identify and explore emerging opportunities related to big shifts that aren't yet on the senior management agenda, but ought to be. While it is focused on long-term trends and opportunities, it is equally focused on implications for near-term action, the day-to-day environment of executives.
Time: 5am Paris, 4am London, 11am New York, 8pm Los Angeles
04:00-05:00 - Join us for a live tour of ThoughtWorks social intranet plus Nirmala Palaniappan, Senior Manager & KM Head at Oracle APAC and James Robertson from Step Two Designs joining as special guests!
myThoughtWorks is a Jive-based social intranet that is turning into a hugely valuable knowledge commons and collaboration hub for ThoughtWorks, a global IT consultancy with offices in US, UK, Germany, China, Australia, Canada, South Africa, India, Singapore and Brazil.
Nikhil Nulkar is Social Collaboration & Strategy Consultant / Community Manager at ThoughtWorks in Bangalore, India. He is instrumental in strategizing, evaluating, configuring, launching and running the MyThoughtWorks internal social collaboration platform.
Nirmala Palaniappan is Senior Manager & KM Head – Oracle APAC, where she leads the Social Enterprise initiative for Oracle's Asia Pacific Tech Units. Prior to Oracle, Nirmala conceived a KM framework, methodology and a toolkit which was awarded a patent in the U.S. in February 2010. Nirmala has also authored and presented several KM papers at national and international conferences on KM implementation, collaboration, toolkits, blogging and innovation. She has lead projects on Intranets, Document Management Systems, After Action Reviews and Community Platforms. Her recent projects include Expertise Maps, Social Networking and Knowledge Discovery, Narratives, and Mobile Applications.
Time: 6am Paris, 7am London, 12 midnight New York, 9pm Los Angeles
05:00-06:00 - Tune in to see Indian based finance company Tata Capital's engaging intranet plus Elaine Lipworth joins us as a special guest in the studio
Veetika Deoras is Head of Brand Marketing & Communication at Tata Capital Limited. Tune in to see their engaging intranet featuring a single interface to all employee tools, two-way communication channels, and a loyalty programme that aims to build participation.
Elaine Lipworth is a British broadcast producer and leading film journalist based in Los Angeles. She conducts cover interviews with Hollywood's leading stars for a wide range of UK publications including You Magazine; Live Magazine, and Mail Weekend (Mail on Sunday supplements), Stella (The Telegraph's supplement) and the Sunday Times Style. Her recent cover interviews include exclusive interviews with Gwyneth Paltrow, Anne Hathaway, Julianne Moore, Kirsten Dunst, Rachel Weisz, Reese Witherspoon, Michael Caine, Anthony Hopkins, Denzel Washington, Jake Gyllenhaal and Jeff Bridges. In addition Elaine writes regularly for the Telegraph, Times, Guardian, Independent, Metro plus many of the women's Magazines such as Easy Living, Cosmo, Look, In Style, Woman and Home, Psychologies and Red, Vanity Fair plus a variety of Australian Magazines.
Time: 7am Paris, 6am London, 1am New York, 10pm Los Angeles
06:00-07:00 - Live tour of AMP's new social intranet
Luke Sinclair, Community Manager at AMP, gives us a live tour of AMP's brand new social intranet The Hub. Using Newsgator, the new intranet delivers an integrated experience bringing together published content, collaboration sites and social interactivity in a single, unified place for AMP employees to do their work.
07:00-08:00 - ENTER Live Tour, plus studio guest Stephan Schillerwein, Director of Research, Infocentric Research AG
Olga holmanskih and Pavel Bolotinskiy from innovative Russian retailer Enter take us on a live tour of Enter's award winning Jive environment, and talk about their very active use of gamification to drive a unique company culture
Stephan Schillerwein is based in Zürich, Switzerland. He is the Director of Research at Infocentric Research AG. Stephan is an intranet professional with over 10 years experience, a regular speaker at conferences and publisher of numerous intranet articles, including a page of intranet case studies.
Time: 9am Paris, 8am London, 3am New York, 12 midnight Los Angeles
08:00-09:00 - Barclays Live Tour and joining us in the studio is Tim van Waard, Intranet and social media specialist to talk about Yam Jams
Dave Shepherd, Head of Frontline Help at Barclays, gives us a tour of Barclays' fantastic new mobile environment aimed at frontline staff.
Tim Van Waard, intranet and social media specialist and Community Manager at Presenter joins us on the show to talk about the Yam Jams he set up to use Yammer during a crisis situation and how yammer can work for an organisation.
Time: 10am Paris, 9am London, 4am New York, 1am Los Angeles
09:00-10:00 - Live Tours from Department of Culture, Media & Sport and Coca-Cola Enterprises join us for a live tour of their award-winning iConnect intranet!
Andrew Simpson from the Department of Culture, Media & Sport and Luke Oatham from Helpful Technology walk us through DCMS' brand new WordPress-based intranet. Following guidelines from the UK government's digital strategy, the new intranet is both highly effective and cost-effective. Andrew Simpson is a Senior Digital Communications Officer at the Department for Culture, Media and Sport (DCMS). Originally a marketing and events manager, Andrew joined the DCMS digital team in 2010 to help create the department's website and launch its voice on social media after the 2010 General Election. During the 2012 London Olympics, Andrew worked in the digital strand of the Government Olympic Communications team representing the UK Government's online voice during the Games.
Time: 11am Paris, 10am London, 5am New York, 2am Los Angeles
10:00-11:00 - Coca-Cola Live Tour and we announce the My Inspiring Workplace Winner!
Jomari Jonck and Saskia Hoppe take us on a live tour of Coca-Cola Enterprises' award-winning iConnect intranet and employee self-service portal. iConnect combines highly attractive design with detailed functionality.
Time: 12 noon Paris, 11am London, 6am New York, 3am Los Angeles
Please note this schedule is subject to change.
Make sure you sign up for Digital Workplace 24 to receive regular updates and special announcements.
If you want to find out more about what to expect from Digital Workplace 24 check out our blogs and news from previous 24's.
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Robert Pattinson Describes Putting On The Batsuit For The First Time
By Matthew Aguilar - September 3, 2019 11:27 am EDT
Robert Pattinson will be the next Batman after being cast in Matt Reeves' new The Batman project, and Pattinson not only remembers the moment he got the call about getting the part but also remembers the first time he put the suit on. In a new interview with Variety, he reveals that the final audition for the role was when he got to try the suit on for the first time, an audition he did after flying back to L.A. after a screening of The Lighthouse, which he got a standing ovation for.
"It's maybe the craziest thing I've ever done in terms of movie stuff," Pattinson says. "I put it on. I remember saying to Matt, 'It does feel quite transformative!' He was like, 'I would hope it does! You're literally in the Batsuit.'"
"You do feel very powerful immediately," Pattinson said. "And it's pretty astonishing, something that is incredibly difficult to get into, so the ritual of getting into it is pretty humiliating. You've got five people trying to shove you into something. Once you've got it on, it's like, 'Yeah, I feel strong, I feel tough, even though I had to have someone squeezing my butt cheeks into the legs.'"
While Pattinson knew how he wanted to play the character of Batman, he did say he had to adapt to doing what he planned out in that suit, which comes with its own challenges.
"You're trying to think of the way to balance, how to bring something new to it and not want to scare people off," Pattinson sid. "And work in the confines of the costume."
He would get the part officially a few days later, and when he finally got the call from Matt Reeves he was on the set of his new project with Christopher Nolan, which worked out perfectly.
"I was absolutely relieved when Matt called," Pattinson said. "It's so bizarre," he says. "I was like, 'What a coincidence this is happening. It's absolutely crazy."
He didn't miss the chance to talk Batman with Nolan either. "I was talking about things to do with the Batsuit," Pattinson said. "How to get more movements in it."
DC fans are excited to get a look at the new version of the Batsuit, and hopefully, we don't have to wait too much longer to actually see it in action.
New Batman Arkham Game May Be a Cross-Gen Release
Crisis On Infinite Earths Producer Explains Why Stephen Amell's Face Was Initially Barred From Main Title Card
DC's Gail Simone Endorses Karen Gillan as Batgirl
The Batman's Zoe Kravitz Reveals Catwoman Role Inspiration
The Batman Actress Zoe Kravitz Confirms Catwoman Haircut
Hot Toys Batman: Arkham Knight Batman Beyond Suit Figure Unveiled

redpajama_set_name: RedPajamaCommonCrawl


Elections 2019 Phase 2: Will communities transcend caste barriers in UP?
Before you start your day, take a look at the major events in the country that are likely to make headlines. From Lok Sabha election rallies to Jet Airways bidding, here are some of the most important news events scheduled for Wednesday.
Rahul in Kerala: Congress PresidentRahul Gandhi addressed public rallies in Pathanapuram and Pathanamthitta yesterday and will visit Alappuzha and Thiruvananthapuram today. He is contesting from Wayanad seat in Kerala, along with his traditional bastion Amethi.
Kerala, which has 20 Lok Sabha seats at stake, will go to polls on April 23. Modi in Solapur: Prime Minister Narendra Modi will address an election rally in Madha Lok Sabha constituency of Solapur district today.
AAP-Congress talks: A fresh round of talks will likely be held between Aam Aadmi Party and Congress today, where the AAP will propose a tie-up in Delhi, Haryana and Chandigarh with a seat-sharing ratio of 5:2 in the national capital, according to PTI.


Start with some fun on Friday, August 10 from 6:00 pm – 9:00 pm at Sholem Aquatic Center. This free event will include inflatables, a Duck Slide, DJ, roving entertainment, and more.
Then, come out for the main event on August 11 @ 8:00 am – 10:15 am… this year's Duck Dash 5K Fun Run & Walk in Centennial Park… and celebrate the 50th anniversary of the Don Moyer Boys and Girls Club! This 5K will take place around Centennial Park and will start and finish at the Rotary Pavilion. All registration fees will go towards supporting the Don Moyer Boys and Girls Club so that they can have another successful 50 years as part of our community. Duck Dash T-Shirts will be provided for all racers and there will be plenty of treats at the finish! The Duck Dash will be followed by a 1-mile Duckling Dash.
For more information, or to register for the Dash, visit the Champaign Park District website.
© 2019 The Atkins Group. All Rights Reserved.


Also see P4 and P4 Protocol Specification.
We propose a distributed, peer-to-peer network platform with an extensible plugin architecture. This will allow developers to build their own network-aware applications without having to recreate middle-level network services. We plan to deliver a network client as well as at least one, and possibly two plugins: a networked DJ and an anonymous web browsing proxy.
The unique advantages of a distributed network architecture are flexibility, fault-tolerance, and lawyer resistance. The platform will support both broadcast and direct send/receive operations. Users will be separate from hosts, so that a user can log onto the network from any computer. Both authentication and data encryption will be built in from the ground up.
Distributed networks, especially peer-to-peer networks, are currently in vogue. Akamai has built a billion dollar company around a distributed content delivery platform. The peer-to-peer Gnutella network is the early successor to Napster's throne, due in no small part to the interoperability of different clients that implement its protocol. The upcoming Emerging Technology conference, hailed as "one of the industry's best trend-setters and predictors, bar none…" picked peer-to-peer networking as its theme this year.
Many people see the motivations for peer-to-peer networks as questionable. While this can't be quantified, it is evident that two of the primary attractions of peer-to-peer networks are easy (and often illegal) file sharing and resistance to lawsuits. However, as a network paradigm, peer-to-peer is a viable alternative to more traditional options like server-client, hierarchical, and ring networks. Furthermore, peer-to-peer is not new. As far back as ARPANET, low-level routing in the Internet has been performed with distributed algorithms and a peer-to-peer architecture.
The original goal for the Internet's core protocols (IP, UDP, and TCP) was to provide fault-tolerant per-hop and end-to-end network functionality. They have accomplished this goal admirably. However, they provide only low-level services. There is an insufficient number of standard, widespread protocols for middle-level network services. These include user location and authentication, secure communication, and common application discovery. To support popular services like instant messaging and file sharing, applications have been forced to create their own middle-level protocols. Possibly hundreds or even thousands of programmer-years have been spent duplicating these kinds of services. We hope to remedy this.
We propose to create a generic distributed network platform. The most salient feature of the platform is its plugin architecture. We will provide application developers with a small number of basic network operations such as direct send and receive, broadcast, user location and authentication, data encryption, and common application discovery. Using these middle-level services, we hope that developers will be able to create network-aware applications more quickly. More importantly, we hope that this will encourage developers to move toward standard middle-level services and platforms (like ours) instead of recreating these services over and over.
We also propose to deliver at least one substantial plugin on this platform. We plan to create a "networked DJ" plugin that can coordinate multiple computers to play music at a party. When a client joins a party using this plugin, it will synchronize the client's MP3 player to the currently playing song. It will also download the playlist and any songs that the client doesn't have. Users with DJ permissions will be able to change the playlist and the currently playing song. We hope this will be popular in smaller hall parties and progressives, where the default source of music is a boombox on full volume at one end of the hall.
There are many other compelling ideas for plugins. We could port an existing instant messaging client to our platform or implement a new one. We could write a file sharing client in the vein of Napster, Morpheus, and Gnutella. We could create a distributed computing plugin that would download and complete "work units" from services like Seti@Home and Distributed.net. Lastly, we could design a web anonymizer that uses the platform as a proxy server. HTTP requests and replies could be routed through any node on the network, so that standard web transactions could take place but no personally identifying information (such as IP address) would be revealed. If we have time, we may implement one of these plugins.
Sun's recently announced JXTA project is somewhat similar to our platform. JXTA is a set of open protocols for peer-to-peer network communication, along with reference implementations in Java. Sun's goals for JXTA are close to our own goals, but JXTA is more a toolkit of loosely connected parts than a unified platform. Also, JXTA is in the working stages right now, so production-level code is still some time away.
Many current peer-to-peer applications provided inspiration for the protocol design of our network. Gnutella is a peer-to-peer file sharing protocol implemented by a wide variety of clients. Gnutella is tailored specifically for file sharing – it provides no user authentication, and it uses a network horizon so each client only sees a fraction of the network at a time. Freenet and Free Haven are more sophisticated. They provide distributed, anonymous, high-performance data havens. They are provably anonymous for file requesters, and it can be shown that hosts cannot determine the contents of files that are replicated to their cache. Mojo Nation takes this a step further by introducing the concept of accountability – access control for a host is determined by the amount of resources that it provides.
Perhaps the closest available program to our project is the Brilliant platform. Brilliant is a trojan program built into KaZaa, a popular file sharing program. Brilliant allows its parent company, Brilliant Digital Entertainment, to use unused clock cycles and hard drive space on clients where it is installed. However, this was not disclosed to KaZaa users, and it was only recently discovered in an FTC filing. Needless to say, we do not plan to distribute our platform in this manner. Furthermore, there are no white papers or technical briefs on Brilliant's network architecture, so we cannot learn much from it.
We identify two primary usage scenarios: developers and end users. We plan to invest time into both the plugin API and the user interface of our network client. Since we are building a platform and not just a consumer program, we must consider the API we export to developers. Primarily, it should be complete and minimal. In other words, it should expose all of the platform's functionality, but the number of discrete operations and entry points should be kept to a minimum. Compiling and testing plugins for the platform should be similar to using any other third-party libraries, such as windowing toolkit or text parsers. The API should also provide mechanisms to access debugging information.
The network client is a launching pad for plugins that use the platform. It will show all of the plugins that are currently installed, and will allow the user to load new plugins. It may show other relevant information, such as network statistics or a "buddy list" of users who are logged on. In the interest of simplicity, these will be the only features of the network client. All other user interaction will be handled by the plugins.
The "networked DJ" plugin will use Winamp to decode and play MP3 files. As such, it will also be a Winamp plugin. Winamp will be the main user interface, so pressing the play button will sync transparently. There may be a dialog box for configuration, but it should be minimal. The anonymous web proxy will be implemented as a proxy server with no user interface at all. It will be turned on or off in the network client. The instructions for configuring IE or Netscape to use a proxy server can be included with the plugin.
The main issue we foresee is that this project may be too ambitious in scope. All of us have significant experience with large programming projects, so size is probably not an issue. However, this project touches many different technical fields, such as networking, encryption and authentication, audio syncing, and statistical methods. No one group member is competent in all of these fields, and there are some fields with which only one or two members have significant experience.
Two areas that could cause problems are multithreading and the plugin architecture. To support arbitrarily complex plugins, we may need to allow plugins to run in their own thread(s). This is a concern because multithreaded network applications tend to be unwieldy. Also, I personally do not have experience developing pluggable programs, which could be a technical challenge.
Lastly, the platform must be built before any plugins can be tested on it. This may take a substantial amount of time, and it will be difficult to develop plugins until the platform is stable. It may be awkward to schedule development around this.


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Erie County District Attorney John J. Flynn announces that 52-year-old William R. Leonard of West Seneca has been sentenced by Erie County Court Judge James Bargnesi to a one year conditional discharge.
The defendant admitted that he served as 3rd Ward Councilman in the City of Lackawanna, while living in the Town of West Seneca in violation of a residency requirement connected to the position. The defendant resigned from his position effective October 31, 2018.
In November 2018, Leonard pleaded guilty to one count of Official Misconduct, a Class "A" misdemeanor.
DA Flynn commends Investigator Andre Dunlop of the New York State Police Special Investigations Unit for his work in this case.
The case was prosecuted by Assistant District Attorney Gary M. Ertel of the DA's Public Integrity Unit.


Greulich, S, Bruder, O, Parker, M, Schumm, J, Grün, S, Schneider, S, Klem, I, Sechtem, U, and Mahrholdt, H. "Comparison of exercise electrocardiography and stress perfusion CMR for the detection of coronary artery disease in women." Journal of Cardiovascular Magnetic Resonance : Official Journal of the Society for Cardiovascular Magnetic Resonance 14 (January 2012): 36-null.
Heitner, J, Bhumireddy, GP, Crowley, AL, Weinsaft, J, Haq, SA, Klem, I, Kim, RJ, and Jollis, JG. "Clinical application of cine-MRI in the visual assessment of mitral regurgitation compared to echocardiography and cardiac catheterization." PLoS One 7, no. 7 (2012): e40491-.
Hirsch, A, Nijveldt, R, and Klem, I. "Imaging in acute coronary syndrome." Cardiology Research and Practice 1, no. 1 (December 1, 2011).
Klem, I, Shah, DJ, White, RD, Pennell, DJ, van Rossum, AC, Regenfus, M, Sechtem, U, Schvartzman, PR, Hunold, P, Croisille, P, Parker, M, Judd, RM, and Kim, RJ. "Prognostic value of routine cardiac magnetic resonance assessment of left ventricular ejection fraction and myocardial damage: an international, multicenter study." Circulation. Cardiovascular Imaging 4, no. 6 (November 2011): 610-619.
Weinsaft, JW, Kim, HW, Crowley, AL, Klem, I, Shenoy, C, Van Assche, L, Brosnan, R, Shah, DJ, Velazquez, EJ, Parker, M, Judd, RM, and Kim, RJ. "LV thrombus detection by routine echocardiography: insights into performance characteristics using delayed enhancement CMR." Jacc. Cardiovascular Imaging 4, no. 7 (July 2011): 702-712.
Siegler, JC, Rehman, S, Bhumireddy, GP, Abdula, R, Klem, I, Brener, SJ, Lee, L, Dunbar, CC, Saul, B, Sacchi, TJ, and Heitner, JF. "The accuracy of the electrocardiogram during exercise stress test based on heart size." PLoS One 6, no. 8 (2011): e23044-.
Heitner, JF, Bhumireddy, GP, Cawley, PJ, Klem, I, Patel, MR, Crowley, AL, Weinsaft, JW, Elliott, M, Parker, M, Brener, S, Judd, RM, and Kim, RJ. "The aorta wall of patients presenting to the emergency department with acute myocardial infarction by cardiac magnetic resonance." Atherosclerosis 212, no. 1 (September 2010): 166-170.
Vavalle, J, Bashore, TM, and Klem, I. "Surprising finding of a primary pericardial mesothelioma." Int J Cardiovasc Imaging 26, no. 6 (August 2010): 625-627.


Dan and Amanda (Mandy) Jasper were my 2nd Great Grandparents on my Mother's side of the family. Dan Jasper was born in 1863 in Alabama to the parents of Robert (born 1806 in South Carolina) and Nancy Jasper (born 1827 in North Carolina). By 1870, Robert and Nancy relocated to Quitman, MS.
In 1880, at the age of 17 years old, Dan Jasper was a laborer and a single Black man. In 1887, Dan Jasper married Mandy Portis also from Quitman, MS. They had nine children together, of which Eva Jasper was my great-grandmother. More on Eva below.
Let me pause and talk a little about Dan Jasper. In my genealogy research, I was able to find that Dan Jasper secured 40 acres of land! See the certificate of land registration below.
On 13 Aug 1895, Dan met all the requirements of the Homestead Act to own his 40.05 acres of land in Quitman, MS without a mortgage. The Homestead Act was signed into law in May 1862 by President Lincoln, and took effect 1 January 1863 (the same day the Emancipation Proclamation took effect). To be eligible for the Homestead Act, a person had to be 21 years old, head of household, or meet certain military requirements. In addition, the person had to be a US citizen or have filed a declaration of intent to become one. Finally, the person must not have borne arms against the US or given aid and comfort to its enemies. The land owner had to live on the property for five years, or pay a minimum of $1.25/acre (for 60 acres or less) or $2.50/acre after six months residency.
By 1930, Eva moved to Mobile, AL, met and married Joe Brown. She worked diligently to help her husband attain the status of pastor of the church were they were members. Eva arranged many events to raise her husband's status in the church, but nothing seemed to work. When all else failed, Eva stood by her husband's side and joined him when he decided to start his own church. The church was called Texas African Methodist Episcopal (AME) on Texas Street in Mobile, AL.
I remember Momma Eva, as we called her, being insistent about staying in her home even after she became old, feeble, and in need of care. On a daily basis, Eva walked about two blocks to her daughter's house, ate several meals, then returned home at the end of the day. During our visits to Mobile, we would go to Momma Eva's house where she would entertain us with candy, her many cats and historic treasures. She always had peppermint candy for us. Even if the candy wrapper was open with dirt all over. She offered what she had to us.
Jana – thanks so much for listing me on your site! I'm honored! Your site looks great! I'll check it out. Enjoy your weekend!
I love your blog!!! I have always been interested in genelogy and the stories of our family history. I cherish the stories, it is so amazing to hear the rich history of various family members. Thank you.
Thanks so much!!! I'm glad you enjoy them! Do you also have an ancestry account? My tree is private, but I can give you access.


text:
12Facsimiles and Recordings
MEI can be used to connect an encoding of some sort – either a transcription of existing material, or the specification of some expected output in some form – with existing sources. This existing material may be in different formats – music notation in any combination of print and manuscript, or audio or video footage. The concepts for establishing such connections between encoded music and source material is described in the following chapters.
12.1Facsimiles
Most often, MEI is used for the preparation of a digital musical text based on an existing music document, or with the intention of rendering the encoded notation into a document or audio rendition. MEI can, however, be used to provide a different kind of digital reproduction of a source document, which relies on the description and provision of digital imagery. Both approaches may be combined, so that the encoding of the musical content and digital facsimiles may add different facets to the same MEI document.
12.1.1Elements of the Facsimile Module
This module makes available the following elements for encoding facsimiles:
Contains a representation of a written source in the form of a set of images rather than as transcribed or encoded text.
Defines a writing surface in terms of a rectangular coordinate space, optionally grouping one or more graphic representations of that space, and rectangular zones of interest within it.
Defines an area of interest within a or graphic file.
These element are used to add a separate subtree to MEI, starting with the facsimile element inside music, as seen in the following example:
<mei>
<meiHead>

</meiHead>
<music>
<facsimile>

</facsimile>

</music>
</mei>
Listing 384.
It is possible to have more than one facsimile element in this location. This is especially useful when multiple sources are encoded in the same file using the mechanisms described in chapter 11.2 Editorial Markup of these Guidelines. In this case, the decls (declarations) attribute of facsimile may be used to refer to a source defined in the document's header, as seen in the following example:
<source xml:id="facsimile.source1">

</source>
<facsimile decls="#facsimile.source1">

When using the FRBR model (see 3.5 Functional Requirements for Bibliographic Records (FRBR)), it is equally possible to reference a manifestation element instead of source.
Within a facsimile element, each page of the source is represented by a surface element. Each surface may be assigned an identifying string utilizing the label attribute. In addition, it may encapsulate more detailed metadata about itself in a figDesc element. The coordinate space of the surface may be recorded in abstract terms in the ulx, uly, lrx, and lry attributes. For navigation purposes, surface has a startid attribute that accommodates pointing to the first object appearing on this particular writing surface.
<surface label="page 1" lrx="2000" lry="3000" startid="#measure1" ulx="0" uly="0"/>
Within surface elements, one may nest one or more graphic elements, each providing a reference to an image file that represents the writing surface. Multiple graphic elements are permitted in order to accommodate alternative versions (different resolutions or formats, for instance) of the surface image. In spite of changes in resolution or format, all images must contain the same content, i.e., the entire writing surface. A graphic may refer to a single page within a multi-page document, which is – at least for Adobe PDF documents – available through a #page=X suffix to the target attribute.
<surface>
<graphic height="2000px" target="image1.jpg" width="3000px"/>
<graphic height="1000px" target="image1smaller.jpg" width="1500px"/>
<graphic height="200px" target="image1smallest.png" width="300px"/>
</surface>
<graphic height="297mm" target="source1.pdf#page=1" width="210mm"/>
The preceding markup will provide the basis for most page-turning applications. Often, however, it is desirable to focus attention on particular areas of the graphical representation of the surface. The zone element fulfills this purpose:
<surface lrx="3000" lry="2000" ulx="0" uly="0">
<zone lrx="370" lry="410" ulx="300" uly="200"/>
The coordinates of each zone define a space relative to the coordinate space of its parent surface. Note that this is not necessarily the same coordinate space defined by the width and height attributes of the graphic that represents the surface. The zone coordinates in the preceding example do not represent regions within the graphic, but rather regions of the writing surface.
Because the coordinate space of a zone is defined relative to that of a surface, it is possible to provide multiple graphic elements and multiple zone elements within a single surface. In the following example, two different images representing the entire surface are provided alongside specification of two zones of interest within the surface:
<graphic height="1995px" target="image1cropped.jpg" width="2995px"/>
<zone lrx="30" lry="30" ulx="0" uly="0"/>
A zone element may contain figDesc or graphic elements that provide detailed descriptive information about the zone and additional images, e.g., at a different/higher resolution, of the rectangle defined by the zone. The data objects contained within the zone may also be specified through the use of the data attribute, which contains ID references to one more elements in the content tree of the MEI file, such as a note, measure, etc.

<zone data="#facsimile.measure1" xml:id="facsimile.zone1"/>

<measure xml:id="facsimile.measure1">

</measure>
Conversely, an element in the content may refer to the facsimile subtree using its facs attribute, which is made available by the att.facsimile attribute class. The last example could therefore be encoded with pointers in the other direction:
<zone xml:id="facsimile.zone2"/>
<measure facs="#facsimile.zone2" xml:id="facsimile.measure2">
The pb element defined in the 2 Shared Concepts in MEI makes special use of the facs attribute, in that it does not point to a zone, but a surface element instead. A pb marks the beginning of a page, so it can be concluded that all elements in the content tree which are encoded between any two pb elements encode musical symbols written on the page (surface) referenced by the first of these two pb element's facs attribute.
The encoding of facsimile elements is intended to support sequential display of page images. If an encoder wants to describe the physical setup of a source document, the foliaDesc element is more appropriate. The difference of both approaches, and how to combine them, is described in chapter 3.7.2 Description of folia.
12.2Performances
This chapter describes the 'performance' module, which can be used for organizing audio and video files of performances of a musical work. The elements provided allow the encoder to group different recordings of the same performance, identify temporal segments within the recordings, and encode simple alignments with a music text.
12.2.1Overview
The following elements are available to encode information about a recorded performance:
A presentation of one or more musical works.
A recorded performance.
avFile
References an external digital audio or video file.
Defines a time segment of interest within a recording or within a digital audio or video file.
Indicates a point in time either absolutely (using the absolute attribute), or relative to another when element (using the since, interval and inttype attributes).
The performance element begins a subtree of the music element and appears alongside with, or instead of, body (described in 2.1.2 General Music Structure Elements) and facsimile (described in 12.1 Facsimiles). A performance element represents one recorded performance event. As a performance may be recorded in multiple formats or by different personnel or using different equipment, the performance element may group one or more recordings of the event.
The decls attribute can be used to point to performance medium metadata for the performed work. See 3.6.7 Performance Medium and 3.5 Functional Requirements for Bibliographic Records (FRBR) for more details.
The recording element identifies a single recording event taking place within an absolute temporal space. The class att.mediaBounds contains attributes that can be used to define this space:
begin (att.mediaBounds)
Specifies a point where the relevant content begins. A numerical value must be less and a time value must be earlier than that given by the end attribute.
end (att.mediaBounds)
Specifies a point where the relevant content ends. If not specified, the end of the content is assumed to be the end point. A numerical value must be greater and a time value must be later than that given by the begin attribute.
betype (att.mediaBounds)
Type of values used in the begin/end attributes. The begin and end attributes can only be interpreted meaningfully in conjunction with this attribute.
The avFile element identifies an external file associated with a recording act. In the simplest case, the recording element will contain one avFile element identifying a file that represents it. The target attribute contains the URI of the digital media file. Use of the mimetype attribute is recommended for the avFile element. Its value should be a valid MIME media type defined by the Internet Engineering Task Force in RFC 2046. It is also recommended that all avFile elements have a recording or clip parent which bears the begin, end, and betype attributes.
<performance>
<recording begin="00:00:00.00" betype="time" end="00:03:10.00">
<avFile mimetype="audio/wav" target="http://example.com/path/to/audio/recording"/>
</recording>
</performance>
Sometimes, multiple digital files are created in order to provide greater flexibility in redistribution and playback capabilities. In this case, multiple avFile elements may occur, each with a different mimetype. Keep in mind, however, that each file still represents the complete temporal extent of the recording act in spite of the change of file format:
<avFile mimetype="audio/wav" target="http://example.com/path/to/audio/recording/wav"/>
<avFile mimetype="audio/mpeg" target="http://example.com/path/to/audio/recording/mpeg"/>
The clip element identifies a temporal segment of a recording act. In the following example, the clip begins two minutes into the timeframe of the recording and ends 20 seconds later:
<clip begin="00:02:00.00" betype="time" end="00:20:20.00"/>
Beyond these relatively simple uses, complex situations may occur that require equally complex markup. For example, a single performance may be represented by multiple digital media files. Because they have differing durations, the media files must be the result of separate recording acts, even if these recording acts took place at the same time:
<avFile mimetype="audio/mpeg" target="http://example.com/path/to/audio/recording/mpg"/>
A single performance may also be represented by multiple, sequential digital files, as when a complete work is recorded in several so-called 'takes'. In this case, the files may be considered to be parts of a single recording act, the extent of which is the combined extent of the individual clips. For example, a series of clip elements may be used to identify each movement of a piece and give start and end times for the movements in relation to the overall temporal space of the complete work:
<recording>
<clip begin="00:00:00.00" betype="time" end="00:07:00.00" n="mov1">
<avFile mimetype="audio/aiff" target="movement01.aiff"/>
</clip>
Similar markup is also applicable when a single file representing the entirety of a recording act is broken into segments later, as is often done for practical storage and distribution reasons. The file from which the clips are derived is indicated using an avFile element:
<recording begin="00:00:00.00" betype="time" end="00:12:03.00" n="completeWork">
<avFile mimetype="audio/aiff" target="completeWork.aiff"/>
A clip may be used to define any region of interest, such as a cadenza or a modulation, a song verse, etc. The following example shows the use of clip and its attributes to identify significant sections of a recording:

The preceding example also demonstrates that media files are not required in order to define the temporal space of a recording act or clip. This makes it possible to set the boundaries of these features, then use the content of the performance element as a rudimentary "edit decision list" to create the matching digital files.
If an encoding of the notated text with which the media files are associated is included in the MEI file, the startid attribute can be used to indicate the first element in the sequence of events to which the recording corresponds:
<recording begin="00:00:00.00" betype="time" end="00:07:00.00" n="mov1" startid="#performance.m1_1">
<avFile mimetype="audio/aiff" target="fullpiece.aiff"/>

<mdiv>
<score>
<measure n="1" xml:id="performance.m1_1">
</score>
</mdiv>
Clips can also be aligned with components of the musical text encoded in the body. The startid attribute can be used to specify the starting element in the sequence of events to which the clip corresponds. The following example shows the use of clip elements to identify the exposition of the first movement from Beethoven's piano sonata Op. 14, no. 2 and its concluding 'codetta'.
<avFile mimetype="audio/aiff" target="BeethovenOp14N2-Mov1.aiff"/>
<clip begin="00:00:0.00" betype="time" end="00:01:41.00" startid="#performance.m1"/>

<clip begin="00:01:31.00" betype="time" end="00:01:41.00" startid="#performance.m48"/>
<measure n="1" xml:id="performance.m1">
<measure n="48" xml:id="performance.m48">
Please note that the begin and end times of clips may overlap. In the preceding example, the extent of the codetta is contained within that of the exposition. Overlapping beginning and ending points may also be used to provide additional performance context for a segment or because there is uncertainty with regard to precise values for these points.

A bibliographic description of a recording or metadata explaining how clip boundaries were determined may be associated with the recording and clip elements via the decls attribute:
<recording begin="00:00:00.00" betype="time" decls="#performance.recBibDesc" end="00:03:06.54">
<clip begin="00:00:31.00" betype="time" decls="#performance.clipDesc" end="00:01:07.00"/>
Associations between a feature of the encoding, such as a note, dynamic mark, or annotation, and a time point, may be created using when elements and when attributes.
The when element identifies a particular point in time during the playback of a media file, such as an audio recording.
<when absolute="00:00:01.915291666" abstype="time" xml:id="t1"/>
Time points may be identified in absolute terms as above; that is, in hours, minutes, and seconds since the beginning of the recording, or in relative terms using the interval, inttype, and since attributes. In the following example, the time point of interest happens 48 frames after the occurrence of the point labelled as "t1".
<when interval="48" inttype="smpte-ndf29.97" since="#t1" xml:id="t1.1"/>
Having identified a point of interest, another feature of the encoding may be associated with this point using its when attribute:
<annot resp="#LvB" when="#t1">

I like this part!

</annot>
One use of the association created between the annotation and the time point is to display the text of the annotation as the recording or clip is played.
The when attributes allows only a single value, so only one-to-one relationships can be created using this mechanism. However, one-to-many relationships are accommodated in the opposite direction; that is, from a time point to other features of the markup. For example,
<when xml:id="t1.2" absolute="00:00:01.915291666" abstype="time" data="#feature1 #feature2 #feature3"/>
indicates that the entities identified in data all occur at the same instant.
12.1 Facsimiles12.1.1 Elements of the Facsimile Module12.2 Performances12.2.1 Overview


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Island ', ' BW ': ' Botswana ', ' BY ': ' Belarus ', ' BZ ': ' Belize ', ' CA ': ' Canada ', ' CC ': ' Cocos( Keeling) Islands ', ' file ': ' Democratic Republic of the Congo ', ' CF ': ' Central African Republic ', ' CG ': ' Republic of the Congo ', ' CH ': ' Switzerland ', ' CI ': ' Ivory Coast ', ' CK ': ' Cook Islands ', ' CL ': ' Chile ', ' CM ': ' Cameroon ', ' CN ': ' China ', ' CO ': ' Colombia ', ' spreadsheet ': ' Costa Rica ', ' CU ': ' Cuba ', ' CV ': ' Cape Verde ', ' CW ': ' Curacao ', ' CX ': ' Christmas Island ', ' CY ': ' Cyprus ', ' CZ ': ' Czech Republic ', ' DE ': ' Germany ', ' DJ ': ' Djibouti ', ' DK ': ' Denmark ', ' DM ': ' Dominica ', ' DO ': ' Dominican Republic ', ' DZ ': ' Algeria ', ' EC ': ' Ecuador ', ' EE ': ' Estonia ', ' healer ': ' Egypt ', ' EH ': ' Western Sahara ', ' book ': ' Eritrea ', ' ES ': ' Spain ', ' j ': ' Ethiopia ', ' FI ': ' Finland ', ' FJ ': ' Fiji ', ' FK ': ' Falkland Islands ', ' FM ': ' Federated States of Micronesia ', ' FO ': ' Faroe Islands ', ' FR ': ' France ', ' GA ': ' Gabon ', ' GB ': ' United Kingdom ', ' GD ': ' Grenada ', ' GE ': ' Georgia ', ' GF ': ' French Guiana ', ' GG ': ' Guernsey ', ' GH ': ' Ghana ', ' GI ': ' Gibraltar ', ' GL ': ' Greenland ', ' GM ': ' Gambia ', ' GN ': ' Guinea ', ' Substance ': ' Guadeloupe ', ' GQ ': ' Equatorial Guinea ', ' GR ': ' Greece ', ' GS ': ' South Georgia and the South Sandwich Islands ', ' GT ': ' Guatemala ', ' GU ': ' Guam ', ' GW ': ' Guinea-Bissau ', ' GY ': ' Guyana ', ' HK ': ' Hong Kong ', ' HM ': ' Heard Island and McDonald Islands ', ' HN ': ' Honduras ', ' HR ': ' Croatia ', ' HT ': ' Haiti ', ' HU ': ' Hungary ', ' coverage ': ' Indonesia ', ' IE ': ' Ireland ', ' effort ': ' Israel ', ' disease ': ' Isle of Man ', ' IN ': ' India ', ' IO ': ' British Indian Ocean Territory ', ' IQ ': ' Iraq ', ' IR ': ' Iran ', ' is ': ' Iceland ', ' IT ': ' Italy ', ' JE ': ' Jersey ', ' JM ': ' Jamaica ', ' JO ': ' Jordan ', ' JP ': ' Japan ', ' KE ': ' Kenya ', ' KG ': ' Kyrgyzstan ', ' KH ': ' Cambodia ', ' KI ': ' Kiribati ', ' KM ': ' Comoros ', ' KN ': ' Saint Kitts and Nevis ', ' KP ': ' North Korea( DPRK) ', ' KR ': ' South Korea ', ' KW ': ' Kuwait ', ' KY ': ' Cayman Islands ', ' KZ ': ' Kazakhstan ', ' LA ': ' Laos ', ' LB ': ' Lebanon ', ' LC ': ' Saint Lucia ', ' LI ': ' Liechtenstein ', ' LK ': ' Sri Lanka ', ' LR ': ' Liberia ', ' LS ': ' Lesotho ', ' LT ': ' Lithuania ', ' LU ': ' Luxembourg ', ' LV ': ' Latvia ', ' LY ': ' Libya ', ' breast ': ' Morocco ', ' MC ': ' Monaco ', ' Conference ': ' Moldova ', ' combination ': ' Montenegro ', ' MF ': ' Saint Martin ', ' MG ': ' Madagascar ', ' MH ': ' Marshall Islands ', ' MK ': ' Macedonia ', ' ML ': ' Mali ', ' MM ': ' Myanmar ', ' essence ': ' Mongolia ', ' MO ': ' Macau ', ' cover ': ' Northern Mariana Islands ', ' MQ ': ' Martinique ', ' MR ': ' Mauritania ', ' exchange ': ' Montserrat ', ' MT ': ' Malta ', ' MU ': ' Mauritius ', ' MV ': ' Maldives ', ' phase ': ' Malawi ', ' MX ': ' Mexico ', ' Dysfunction ': ' Malaysia ', ' MZ ': ' Mozambique ', ' NA ': ' Namibia ', ' NC ': ' New Caledonia ', ' Just ': ' Niger ', ' NF ': ' Norfolk Island ', ' preview ': ' Nigeria ', ' NI ': ' Nicaragua ', ' NL ': ' Netherlands ', ' NO ': ' Norway ', ' NP ': ' Nepal ', ' NR ': ' Nauru ', ' NU ': ' Niue ', ' NZ ': ' New Zealand ', ' message ': ' Oman ', ' PA ': ' Panama ', ' g ': ' Peru ', ' PF ': ' French Polynesia ', ' PG ': ' Papua New Guinea ', ' host ': ' Philippines ', ' PK ': ' Pakistan ', ' PL ': ' Poland ', ' PM ': ' Saint Pierre and Miquelon ', ' PN ': ' Pitcairn Islands ', ' PR ': ' Puerto Rico ', ' PS ': ' Palestine ', ' PT ': ' Portugal ', ' newsletter ': ' Palau ', ' year ': ' Paraguay ', ' QA ': ' Qatar ', ' RE ': ' dose ', ' RO ': ' Romania ', ' RS ': ' Serbia ', ' RU ': ' Russia ', ' RW ': ' Rwanda ', ' SA ': ' Saudi Arabia ', ' SB ': ' Solomon Islands ', ' SC ': ' Seychelles ', ' SD ': ' Sudan ', ' SE ': ' Sweden ', ' SG ': ' Singapore ', ' SH ': ' St. 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