text:
Q: Getting the json into map format for implementing angular tree I am trying to map a JSON having children nodes into a certain map for mat so that I can implement angular material tree to it.
Here are the JSON and respective map format needed.
{
  "id": "Fruit",
  "children": [
    {
      "id": "Apple",
      "children": [
        {
          "id": "Mac",
          "children": []
        },
        {
          "id": "Fuji",
          "children": []
        }
      ]
    },
    {
      "id": "Mango",
      "children": [
        {
          "id": "testMango",
          "children": [
            {
              "id": "testTestMango",
              "children": []
            }
          ]
        }
      ]
    }
  ]
}

Map format needed:
dataMap = new Map<string, string[]>([
    ['Fruits', ['Apple', 'Mango']],
    ['Apple', ['Fuji', 'Mac']],
    ['Mango', ['testMango']],
    ['testMango', ['testTestMango']],
  ]);

Please help in achieving this..Thanks in advance!!

redpajama_set_name: RedPajamaStackExchange


text:
'Bachelor In Paradise': The Remaining 7 Couples Decide Where They Stand Before Final Rose Ceremony
Image Credit: ABC
Part one of the season 8 Bachelor in Paradise finale began with a breakup, as Kate Gallivan dumped Logan Palmer in front of everyone at the rose ceremony. The other seven remaining women accepted roses from their guys, bringing them to the last week in Mexico. The next day, they all had a big decision to make about the fates of their relationships.
MoreBachelor In Paradise
Some couples decided to stick it out and spend time in the fantasy suite ahead of a possible engagement at the final rose ceremony. Others made the choice to leave the show in a relationship, without taking that next step just yet. Unfortunately, some relationships also ended right then and there. Here's a rundown of how all the final couples fared:
Brandon Jones & Serene Russell — Fantasy Suite
Brandon and Serene on 'Bachelor in Paradise.' (ABC)
It was no surprise to anybody that Brandon Jones and Serene Russell were ready to take the next step. They'd already been talking about a future together for weeks, and opted to stay together and spend the night in the fantasy suite. Before spending the night together, though, they professed their love to one another on-camera during a dinner date.
"I'm so glad I found you in my life," Brandon said. "At first, I really thought I was cursed, especially going through that whole season with Michelle [Young] and putting my all into someone I thought it was going to be. Now, I'm realizing sometimes you don't know the answer why. All you need to do is just look and see it's been right in front of you the whole time."
Serena was blushing as she responded, "I'm really so appreciative of how you trust me with your heart and how you decided that it's worth it to open up to me and pursue this with me," she shared. "Even though you've been let down before and been so hurt before. When we got separated [during split week], I trusted you the entire time. I don't even have a second thought in my mind that this isn't going to work out. It's not scary at all. I've never been so in love with someone and it's because of who you are and the things you do for me. i know that this is the real deal."
Victoria Fuller & Johnny DePhillipo — Fantasy Suite
Johnny and Victoria on 'Bachelor in Paradise.' (ABC)
Victoria Fuller and Johnny DePhillipo hit a bit of a road block during split week this season, but once she chose him over Alex Bordyukov, their relationship has been as strong as ever. While Victoria has been adamant about wanting an engagement and to start a family, though, Johnny has been a bit more hesitant. They decided to spend the night in the fantasy suite to have their most important conversations yet off-camera.
Tyler Norris: 5 Things To Know About The 'BIP' Contestant Falling For Brittany Galvin
On their dinner date, Johnny and Victoria both reiterated some of the fears that they had voiced to one another earlier this season. She opened up about her fear of abandonment, while he got even deeper about never feeling worthy enough. "When I tell you that I love you and I've never felt this way about anyone ever, I wouldn't just say that to anybody," Victoria assured him. "You are enough. Everything about you is enough If you don't see it, I definitely do and that's why I can see myself marrying you."
Victoria confirmed that she was 100 percent ready to get engaged, but Johnny was admittedly still scared. "The first thing you said to me is that there's no pressure from you, and I'm not one to fold," he told Victoria. "This is a huge deal. It's a big deal for me and I'm not just going to do it just because you say you want to. i'm going to take my time to reflect. I feel like engagement and things like this…I don't know if you're ever ready.'
Victoria was a "little heartbroken" after hearing Johnny's confession, and knew she had to have a "serious talk" with him once the cameras were gone. We'll have to wait until part two of the finale to see whether they go through with the engagement, though!
Michael Allio & Danielle Maltby — Left In A Relationship
Michael and Danielle on a one-on-one date. (ABC)
Perhaps the most beloved couple in Paradise, Michael Allio and Danielle Maltby thrilled viewers when they decided to leave the beach in a committed relationship. Since Michael has a son, James, these two knew they had a lot more to figure out before actually getting engaged. Their shared history of losing their partners, though, helped them connect on a level that was unmatched.
Michael told Danielle that he was "excited" for the moment that she would meet James for the first time. "Our losses are very different," Danielle shared. "I can't look back on mine and say that it was this beautiful, safe, happy, amazing relationship, and I know when you look back on yours with Laura, it was an incredible love. Just know that I respect that and I honor it." Michael assured Danielle that his late wife would have loved her.
"The one thing I know for sure is that love is unpredictable," Michael gushed. "I didn't realize how much I was missing that until I came to Paradise and met Danielle. I'm excited to see how she interacts with Jams. She will be a wonderful addition to our family."
Brittany Galvin & Tyler Norris — Left In A Relationship
Brittany and Tyler at a rose ceremony. (ABC)
Brittany Galvin and Tyler Norris have been going strong with zero drama since they got together during split week. Going into their pre-final rose ceremony conversation, though, they hadn't said "I love you" yet. However, he wasted no time telling her just that on the beach during their final day in Paradise. Brittany reciprocated the feelings.
The two weren't quite ready for an engagement yet, though. "I can see us outside of this," Tyler confirmed. "I want this so much. Am I ready to get engaged right away? No. But in the future? Yes. I see that with you. Why don't we get out of here? Go to Chicago? Meet moms? I'm excited for life outside of here with you and to start our journey together."
Brittany was "absolutely" down for it, and gushed that Tyler was her "person." They left the beach as a couple with excitement about the future.
Aaron Clancy & Genevieve Parisi — Split
Genevieve and Aaron at a rose ceremony. (ABC)
After weeks of ups and downs, Aaron Clancy and Genevieve Parisi called it quits on the BIP finale. Genevieve was "nervous" going into their conversation, and was stunned when Aaron said he wanted to break up. "I did fall in love with you," Aaron admitted. "We've gone through some ups and downs, as you know, but the main thing I have an issue with is that whenever there's something wrong, you've wanted to leave. You packed your bags and you've been on the road. That's scary for me."
Aaron taked Genevieve out of leaving Paradise twice after two of their explosive fights on the beach. He told her that he was worried their relationship outside of Paradise would continue to be her walking away during the tough times. "I need to have security," he insisted. "If I'm willing to stick around, I need someone who's willing to stick around, too. For that reason, I don't really think I can continue my relationship with you. It's heartbreaking because I do love you and I always will cherish this time with you. I would not do anything different."
Genevieve was so stunned that she remained silent. Aaron told her he wished her the best and that she looked beautiful before they parted ways. Once Genevieve had a minute to collect herself, though, she realized she had more to say. "I hate how he turned that on me," she ranted. "I wish I brought up the fact that he did not mention one thing he did."
After pulling Aaron aside, Genevieve went off on him for blaming all their issues on her. She asked Aaron why he begged her to stay on the beach if he was so upset when she threatened to leave. "I thought there would be a change," he claimed. "It's clear now that we don't fit together. It will happen again when we're deeper in love and it will hurt even more. we don't mesh, obviously."
The conversation resulted in another back and forth. Genevieve told Aaron that she didn't think he matured at all since his last time on the show, which offended him. He insisted he wasn't trying to put the blame all on her and apologized for Genevieve "taking it that way." They were both extremely unhappy as they left separately. "I was glad she and I spent the summer together and now I'm not," Aaron scoffed. "Way to ruin that."
Genevieve said, "I'm very angry at how that ended and how Aaron made it seem like it was all me and he didn't want to hear my piece of mind. God forbid he's ever wrong. That little boy. There's so many things I overlooked because I wanted it to work."
Shanae Ankney & Joey Young — Split
Shanae and Joey on a date. (ABC)
Age proved to be a factor for Shanae Ankney when it came to her relationship with 24-year-old Joey Young. Although the two were having fun together in Paradise, she didn't see it going anywhere in the real world because of their age gap. Joey was stunned by the breakup, though, because he was ready to give things a chance outside Paradise.
"Why didn't you tell me this before?" Joey wondered. "What is it? I'm kind of confused right now. I thought we were on the same page going into this and I was confident that we'd see what happened after this."
Shanae told Joey that she was looking for someone more "independent" who wasn't still living with his parents. "I just feel like I'm your fun, cool aunt," she admitted. "Not your girlfriend. I'm not looking for someone that continues to be a social media freak with TikToks all over the place. I want a man." Joey was offended by that, and told Shanae he wasn't the type of guy she was making him out to be. "You're bringing up all this stuff that was never brought up before," he pointed out.
"Maybe I could've handled that a little better, but I'm just nervous about his age — 24 to 30 is a big difference," Shanae admitted, as they parted ways. "I'm looking for a husband, not a TikTok boyfriend."
Florence Alexandra & Justin Young — Split
Florence and Justin on a date. (ABC)
Luckily, thing went a lot smoother for Joey's twin brother, Justin Young. He and Florence Alexandra were both on the same page about not staying together. With her living in Australia, they both knew there was no way it could realistically work. They hugged goodbye and parted on amicable terms.
Alyssa Norwin
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redpajama_set_name: RedPajamaCommonCrawl


text:
Sting – Nothing Like The Sun
An outstanding copy of Sting's killer double album from 1987 with solid Double Plus (A++) sound or close to it on all four sides
The sound here is clearly bigger, richer, fuller, and livelier than most copies we played it against
Features phenomenal contributions from legendary musicians, including Andy Summers, Eric Clapton, Mark Knopfler, and Hiram Bullock
4 1/2 stars: "…the melodies are insinuating, slowly working their way into memory, while the entire record plays like a mood piece – playing equally well as background music or as intensive, serious listening."
NOTES: On side two, a mark makes 7 moderate to light dull pops on Track 1, History Will Teach Us Nothing. On side three, a mark makes 1 very loud pop followed by 1 moderate pop and one light tick at the beginning of Track 1, We'll Be Together.
This vintage A&M pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to "see" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
What the best sides of Nothing Like The Sun have to offer is not hard to hear:
The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes even as late as 1987
What We're Listening For on Nothing Like The Sun
The Lazarus Heart
Be Still My Beating Heart
History Will Teach Us Nothing
They Dance Alone (Gueca Solo)
We'll Be Together
Straight To My Heart
Sister Moon
The Secret Marriage
AMG 4 1/2 Star Review
If Dream of the Blue Turtles was an unabashedly pretentious affair, it looks positively lighthearted in comparison to Sting's sophomore effort, Nothing Like the Sun, one of the most doggedly serious pop albums ever recorded. This is an album where the only up-tempo track, the only trifle — the cheerfully stiff white-funk "We'll Be Together" — was added at the insistence of the label because they believed there wasn't a cut on the record that could be pulled as a single, one that would break down the doors to mainstream radio. And they were right since everything else here is too measured, calm, and deliberately subtle to be immediate (including the intentional throwaway, "Rock Steady").
So, why is it a better album than its predecessor? Because Sting doesn't seem to be trying so hard. It flows naturally, largely because this isn't trying to explicitly be a jazz-rock record (thank the presence of a new rhythm section of Sting and drummer Manu Katche for that) and because the melodies are insinuating, slowly working their way into memory, while the entire record plays like a mood piece — playing equally well as background music or as intensive, serious listening.
Posted in Labels We Love - A&M, Pressings with Excellent Sound Quality, Records that Sound Best on the Right Domestic Pressing, Records We Don't Like for Their Music, Top Artists - The Police (and Sting) and tagged audiophile vinyl, Better Records, Hot Stampers, tom port on November 1, 2020 by humorem.
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The Beatles – Help →
Della Reese – Della by Starlight


text:
module CloudPayments
  class Transaction < Model
    AWAITING_AUTHENTICATION = 'AwaitingAuthentication'
    COMPLECTED = 'Completed'
    AUTHORIZED = 'Authorized'
    CANCELLED = 'Cancelled'
    DECLINED = 'Declined'

    property :id, from: :transaction_id, required: true
    property :amount, required: true
    property :currency, required: true
    property :currency_code
    property :invoice_id
    property :account_id
    property :subscription_id
    property :email
    property :description
    property :metadata, from: :json_data, default: {}
    property :date_time, transform_with: DateTimeTransform
    property :created_at, from: :created_date_iso, with: DateTimeTransform
    property :authorized_at, from: :auth_date_iso, with: DateTimeTransform
    property :confirmed_at, from: :confirm_date_iso, with: DateTimeTransform
    property :auth_code
    property :test_mode, required: true
    property :ip_address
    property :ip_country
    property :ip_city
    property :ip_region
    property :ip_district
    property :ip_lat, from: :ip_latitude
    property :ip_lng, from: :ip_longitude
    property :card_first_six, required: true
    property :card_last_four, required: true
    property :card_type, required: true
    property :card_type_code
    property :card_exp_date
    property :name
    property :issuer
    property :issuer_bank_country
    property :status, required: true
    property :status_code
    property :reason
    property :reason_code
    property :card_holder_message
    property :token

    def required_secure3d?
      false
    end

    def subscription
      @subscription ||= CloudPayments.client.subscriptions.find(subscription_id) if subscription_id
    end

    def card_number
      @card_number ||= "#{card_first_six}XXXXXX#{card_last_four}".gsub(/(.{4})/, '\1 ').rstrip
    end

    def ip_location
      [ip_lat, ip_lng] if ip_lng && ip_lat
    end

    def awaiting_authentication?
      status == AWAITING_AUTHENTICATION
    end

    def completed?
      status == COMPLECTED
    end

    def authorized?
      status == AUTHORIZED
    end

    def cancelled?
      status == CANCELLED
    end

    def declined?
      status == DECLINED
    end
  end
end

redpajama_set_name: RedPajamaGithub


On June 4, 2016, a few thousand atheists gathered at the National Mall in Washington, DC for the Reason Rally. It was an assemblage of "freethinkers" who timed their function to coincide with the quadrennial presidential elections.
I thought this would be a great opportunity to mingle with secularists who had loftily claimed the word "reason" for themselves at this mass meeting. So, I packed my bags and headed on out to the east coast. Now, I have to admit that it was great seeing the sights. The Washington Monument, the White House, the National Mall, all of it was great. In fact, other Christians were there. Some were friends, some weren't, and we mixed in with the crowd of God-deniers. I was able to have many conversations with them and we got some of these encounters on film. (to be released later). There were obnoxious atheists and very polite atheists. Discussions were varied, but after a while I couldn't help but wonder if there was an "Unreasonable Rally" nearby where the participants had inadvertently mixed with the freethinkers at the National Mall. After all, when I dialogued with the freethinkers, atheists, and secularists on various issues, I found a profound lack of critical thinking ability.
Now, lest you think that I'm just being judgmental, I want you to understand that I'm doing my best to be objective. But, there were several times when I was speechless for a few moments as I tried to wrap my brain around the utter illogic that was offered by so many of them. Take for example a discussion I had with one atheist who denied the idea of an antonymic pair. At the one point when I said that there are two possibilities, God and not God, and he said that was not true. There was a third option. I asked him what the third option was and he said, "It depends on what you define God as being."
When it came to objective morality, I found equally "interesting" responses. They said morality was subjective. I asked one atheist, "Are you absolutely sure that all morals are subjective?" He said "Yes!"
Anyway, I am sure that you get the picture. Now, I'm not trying to make fun of them. But their thinking was universally pretty bad - at least with all the conversations I had. In my opinion, and this is just my subjective opinion, I conclude that their disdain for God and their self-righteous proclamation of moral superiority over all others, blinded them so much that they could not see the simple errors of judgment of claiming "reason" for themselves and attributing the moral high ground to themselves so as to pronounce judgment on others...especially the Christians!
From what I heard, they expected around 20,000 people to join their cause. Now, I'm no expert on numbering a crowd, but there was absolutely no way there were 20,000 people there. I estimated 4000, maybe 5000 people, tops. They were well-organized, and for the most part, people were polite. Many displayed anti-God T-shirts that had mocking slogans and images against God while others displayed their tidbits of wisdom about the virtues of secular reason. Thankfully, many Christians, possibly over a thousand, showed up as well to witness to the atheists. I know there were many very good conversations happening and even some Christians were able to pray for a few atheists.
In all, it was a worthwhile endeavor to go and seek to reason with them at the "Reason Rally." But I hope that next time they take courses in logic so that their rally title would be more apropos.


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Welcome to Biscotti & Bracelets!
Los Angeles, May 9, 2017: The British Academy of Film and Television Arts has today announced the shortlist for the 2017 BAFTA Student Film Awards. Following the recently announced international expansion of the Awards, this year's shortlisted 45 films have been selected from over 400 submissions by students at film schools in 15 countries across the world, including Argentina, Austria, Canada, China, Germany, India, Israel, Lebanon, South Africa, and the United Kingdom.
The British Academy of Film and Television Arts supports, develops and promotes the art forms of the moving image by identifying and rewarding excellence, inspiring practitioners and benefiting the public. In addition to its Awards ceremonies, BAFTA has a year-round programme of learning events and initiatives – featuring workshops, masterclasses, scholarships, lectures and mentoring schemes – in the UK, USA and Asia; it offers unique access to the world's most inspiring talent and connects with a global audience of all ages and backgrounds. To access the best creative minds in film, TV and games production, visit www.bafta.org/guru. For more, visitwww.bafta.org.
BAFTA is all set to host the next big awards night. Follow this guide to watch the 72nd BAFTA Film Academy Awards live online from anywhere in the world.


text:
Great Moments in Travel History – March 2016
Charles de Gaulle Airport
By Jesse Sokolow on 1 March 2016
The St. Francis Hotel in San Francisco opened on March 21, 1904. Notable individuals, including Theodore Roosevelt, Helen Keller, Woodrow Wilson, Charlie Chaplin, Ronald Reagan, and Queen Elizabeth II, have all stayed at the California property, which is in operation today as the Westin St. Francis.
On March 10, 1910, William Boeing bought Heath's Shipyard in Seattle, Washington. The shipyard, located on the Duwamish River, would later become Boeing's first airplane factory.
Le Canard (the Duck), the first powered seaplane, made its debut flight at La Mède harbor in Martigues, France, on March 28, 1910. Built by Henri Fabre, the aircraft flew a distance of about 1,600 feet (487 meters) at a maximum altitude of 7 feet (2 meters) over the water.
Swissair was formed on March 26, 1931, by the merger of Ad Astra Aero and Balair. Its successor, Swiss International Air Lines, was founded on April 1, 2002.
On March 18, 1939, the Boeing Model 307 Stratoliner prototype crashed, killing all 10 people on board. The accident resulted in the formation of an expanded aerodynamic research group that placed more emphasis on pre-flight testing.
On March 20, 1940, Boeing delivered Pan American Airways' first Model 307 Stratoliner. The plane was the first commercial aircraft to have a pressurized cabin.
Trans World Airlines Flight 553 collided on March 9, 1967, with a Beechcraft Baron in midair over Urbana, Ohio, killing everyone on board TWA's DC-9. The collision prompted substantial changes in air traffic control procedures.
On March 16, 1969, Viasa Flight 742 crashed on takeoff at Maracaibo, Venezuela. One hundred and fifty five people, including all 84 passengers and 71 people on the ground, perished in the accident, which was the deadliest air disaster at the time.
American Airlines, on March 30, 1973, became the first major airline to employ a female pilot. The woman, Bonnie Tiburzi, was hired by the carrier to fly Boeing 727s.
Charles de Gaulle International Airport in Paris, France first began operations on March 8, 1974. Also known as Roissy, it is the eighth busiest airport in the world and Europe's second busiest, after London Heathrow.
A Japan Air Lines (now Japan Airlines) Boeing 747 made the first non-stop flight between Tokyo and New York on March 17, 1976. The journey took about eleven and a half hours to complete.
Turkish Airlines Flight 981, a McDonnell Douglas DC-10, crashed on March 3, 1977 near Senlis, France, resulting in 346 deaths.
Click here to continue to Page 2 – Colliding Planes, World's Heaviest Passenger, and Trump in Las Vegas
Great Moments in Travel History – December 2016
Great Moments in Travel History – May 2016
Air Canada Business Class Flight 7461 New York LaGuardia – Montreal, Canada
NASA Unveils Preliminary Plans for 'Quiet Supersonic' Passenger Aircraft
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THE ART OF SPIEGELEI
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"We were really lucky to get a review in the Hollywood Reporter after the film's world premiere at the Berlinale earlier this year - this is quite an unusual thing to happen to a small German movie," explains Greek-German director Nikias Chryssos to Lodown. "Even better that this review was quite a good one, which helped us a lot in terms of getting invited to other festivals as well. I think it said something like 'The best German language movie featuring a talking leg, ever'." It's actually pretty easy to get worked up on the current status of contemporary German cinema, which tends to trip rather uninspired lines between wannabe comedies and cinema of moral concern. But believe it or not, there actually is a kind of new wave of young German directors that just love to revolt against a narration and visual vocabulary that seemingly got stuck in the past for good - which unfortunately doesn't imply that too many people are paying regard to this subtle storm. The latest addition to this exquisite circle of talent goes by the name of Nikias Chryssos, whose debut feature "Der Bunker" has been receiving a lot of love (and mystification) recently at basically every festival it got screened at. And rightly so: Chryssos adopts topics usually connected with the good ol' German Betroffenheitskino and perfidiously deconstructs them in order to give birth to an absurd and fairly dark modern fairytale that's detached from regular definitions of space and time. So what is it all about? On paper it's about a fairly eccentric family suffering from delusions of grandeur and the nameless student who's temporarily living with them to finish his final thesis in the seclusion of their home. Things start to get slightly fishy when they insist that he should tutor their son Klaus, who is supposed to become the President of the United States anytime soon, regardless of the fact that he's neither American nor the sharpest knife in the drawer in the first place. Then there's Heinrich, an alien warlord that seems to live inside the mother's wounded leg. And there's a passion for evenings filled with corny jokes. And isn't it strange that eight-year-old Klaus actually looks at least triple his age? One of the strongest aspects about "Der Bunker" certainly is that it's much more than just a sequence of loosely sketched absurdities. Instead it effectively combines elements of grotesqueness and horror and offbeat comedy under the disguise of an intimate play that just loves to be manifoldly interpretable. Bold and brilliant. Furthermore it presents the best ode to a fried egg ever. Lodown had the chance to talk to the young director about his extraordinary debut in August.
Following the quotation from The Hollywood Reporter you just mentioned: was the role of mysterious Heinrich actually a more prominent one in the beginning... did you cut it down, because it was just too obscure?
____If I remember it correctly, there was a fifth person involved in the plot in a very early draft of the script... a kind of shaman, who's kinda exorcising this family - and the talking wound - so to speak. But soon I found it more interesting to focus on four people only - father, mother, child, and the student. I was working with some of the actors before in my short films, and it was clear to me that they would play prominent parts in my first full-length feature, especially since they usually get casted in a stereotypical fashion - junkies, tough guys, criminals - and I was looking forward to seeing them play very unusual roles. The mother is played by Oona von Maydell, and I knew her from recording a song with her for one of my short films. Before we shot "Der Bunker", we were joking around about a character named Hugo, who gives his mother secret advice about how to guide the family... a kind of a demon who you're not too sure is actually real or if only she can hear the voice. (laughs) And for the film this idea got turned into Heinrich, the alien lord that lives inside the mother's wounded leg. But to come back to your original question: this particular role was always meant to be quite mysterious.
Having known the actors for quite some time and working in this house together for a few weeks doesn't automatically imply that there's room for improvisation, right? At least the film doesn't necessarily look like this.
____True. This happened a lot while filming my short films, particularly "Hochhaus", where the dialogue was mainly loosely sketched out. In the case of "Der Bunker" the script was a very detailed one - we allowed ourselves to improvise and deviate from the script, but in the end hardly anything went into the final cut. The most unexpected surprises were happening in the editing room, where transitions between scenes suddenly gained a kind of dynamic I wasn't expecting before. I had to get rid of some personal favorites though... but maybe these will then reappear as extras on the DVD.
But before the DVD comes out there will hopefully be an official release in theaters, right?
____Yes, this will actually happen in January 2016. The reaction from the audience at the different festivals we've introduced the film to as well as the majority of reviews were actually really positive... but I know that it's a rather tough film to distribute. You can't even add it to a specific genre, right? I like that it can be read on many different levels: a dark satire, an absurd comedy, a family horror film or a trip.
Exactly, and that's one of the reasons why I actually was so enthused by it...
____I would say that this is kinda alluring, indeed... especially since this isn't just a weird kind of nonsense movie, but it has something to say as well. I experienced it during the world premiere at the Berlinale earlier this year: people laughed but they were pretty irritated and distraught as well. When you do a film like this in Germany, you're already more than happy that people will at least get the chance to watch it on the screen or on DVD.
Which leads me to the question about what actually drives someone like you to want to become a director in Germany in the first place. If you're lucky your film will make the festival tour, but regardless of how positive the reactions might be, that doesn't guarantee you that people will ever see it in theaters. Isn't that incredibly frustrating?
____This is actually a very good question, indeed. In terms of "Der Bunker" it was a mix of anger, frustration, and the joy of creating something different. The two short films I did before were quite successful when they were making the festival circuit, so my position to want to do a feature film was actually a pretty solid one. But in terms of "Der Bunker", well, for a very long time it seemed to be impossible to get it financed through the obvious channels like film funding and so on. This became a very frustrating process because you re-type your original script again and again. The people you have to deal with, sometimes it feels as if they're speaking a completely different language, to be honest... it's like this hedged artificial kind of officialese that you simply cannot decode. In the end, I produced it myself, and the production company of the Hans W. Geißendörfer co-produced it. And as painful as it was to get to this point, it definitely was the best decision, because I was able to do the film as I originally intended to do it. Still it's a strange thing to know that if this film is going to fail for whatever reason, that's probably it in terms of my filmmaking career. Luckily it didn't, and a good deal of that is owed to the team I was able to gather around me. To do an independent film, especially in Germany, is a tricky thing... and to be honest with you, I don't have the slightest idea how you can ever recoup if your budget isn't insanely low. It's a total mystery to me. So maybe maintaining a certain level of naïvety could help to not lose it completely. When I was entering film school, I did it in a rather naïve way, because I didn't have any masterplan and I couldn't actually pin down right from the start what I actually wanted to do. When the time was right I just did it. Unless you're Til Schweiger, it's pretty hard to get an income from wanting to be a movie director in Germany... so you're basically forced to work in television, where things usually don't take as long to get developed. (laughs) So, yes, even though I don't know if I would suggest becoming a director as a brilliant career move to anyone, there is a deep joy about the entire creative process of making a movie.
Why is it so hard to do something offbeat in Germany... you know, when you look at the very majority it's basically the antidote to forward thinking, right?
____I know what you mean... it's actually quite sad, isn't it? Especially when you compare our situation to smaller countries like Belgium or Holland, where they don't shy away from pushing the envelope. Maybe it's because official film funding in Germany works like public authorities do, and we all know they grind rather slowly. The editors in charge usually are part of certain committees, which implies that there's this fear of having to justify things or even advocate a rather inconvenient position - especially when the finished result turned out to be commercially disappointing. The weird thing is that these people in charge don't even have any kind of personal risk to take... so maybe it's also a matter of a lack of good taste, who knows! The majority of producers over here aren't necessarily known for taking any risks either. It's pretty much a surreal chain of anticipatory obedience in service of the mainstream audience and worn-out ideas. There's a lot of attitude in aesthetics, so when you look at the very majority of German films, you get an idea where we're at. But I think it's also a problem that the actual filmmaker brings to the table - really a lot of projects are kinda mushy and sugar-coated right from the start, which doesn't make it any easier to try to realize something different. So all in all it's absurd to think that there will be a shift in terms of style and taste and content anytime soon. (laughs) Or maybe I just don't have any skills in selling ideas, because there are German films like "Totem" or "Nothing Bad Can Happen" ("Tore Tanzt") that made it into the theaters, and still they're rather transgressive.
So would you say "Der Bunker" basically is your reference to not have to realize your next movie in Germany?
____I wouldn't go as far, no... but obviously it is the major goal of basically every director to be able to realize an international film. There's an idea to make a weird kind of sci-fi movie, but I just can't imagine doing it in Germany... because then you need to have the same conversations with the very same people - who didn't understand you the first time around - again. (laughs) If they knew that the majority of German debuts that go beyond the Schweighöfer crowd will bomb anyway, why not finance a few that at least deal with some bold ideas?
Speaking of which: do you remember how you originally pitched "Der Bunker" back then?
____(laughs) I was basically trying my best to go all out to get it financed. I was selling it as a critic on our educational system and on those "helicopter parents" and on parents who send their kids to a kindergarten where three-year-olds are already learning Chinese and business English and whatnot. And you can easily read the film like that if you just want to... and actually I was really interested in raising questions about pressure and drill within the classic textures of a family. When the Geißendörfers came on board, they were already aware of my short films, so the only premise they were insisting on was that the film actually looked good - and not like a second class TV movie. Obviously that was something I was more than willing to implement.
Yeah, I found it really interesting that the set design and costumes basically work like a fifth protagonist...
____Yes, that was really important to me. When you realize your movie within a very restricted space, all the details need to be spot-on. It is really challenging to make things look interesting when every scene takes place in the very same house... and Kleinmachnow - where we shot "Der Bunker" in a single family house that we were allowed to remodel - isn't necessarily home of the Overlook Hotel. (laughs) We turned our attention particularly to the outfits the kid wears, because the boy should look as if he was getting decked out by his mom on a daily basis... from 50s sailor suits to handmade knitting experiments.
Was it actually clear from the beginning that you would cast an adult actor - Daniel Fripan - to play the kid?
____Pretty much so. I've worked with him on "Hochhaus", and we got along really well. For this role I wanted him to grow his hair long, but he had to play a bad guy in another film in-between and had to shave his head... so we had to come up with this cute-looking wig, which is reminiscent of "Little Lord Fauntleroy". It also would've looked too creepy in this situation to present a bald kid. (laughs) Also, whenever he showed up on set just wearing his pyjamas, it immediately got me in a very good mood. He usually has to play nazis or petty crooks in other films, so I wanted to see him in a very different role... because his potential as an actor is almost dramatically underestimated, in my opinion. I didn't see him for two years and then met him for a beer late at night at a Turkish fast food joint in Berlin. And when I asked him if he'd be interested in playing an 8-year old child, he jumped on my lap immediately, hugged me - and that was the casting.
I like that it never really becomes clear if "Klaus", the boy, really is a kid or if he's a young adult that's forced to still wear children's clothes by his mom...
____Yes, I like this ambivalence a lot as well... it's important that it never really gets solved. Therefore you can also easily read it as a kind of prime example or ante-type of "the child"... (laughs) and maybe that´s why Daniel looks a bit as if he's in drag the whole time..
Did you pin down a kind of reference system before you started to shoot?
____As soon as it became clear that all the actors I wanted to work with were actually on board for this one, I focused on personal favorites in terms of stylistic influences, indeed. 70s Trash. Marx Brothers. Tim & Eric's Awesome Show. Nicolas Winding Refn. David Lynch. Argento. Certain comic books. Obviously, it was important to not only cite things, but to flawlessly integrate them into your universe to make them entirely you own. It shouldn't be about doing a homage via certain scenes or tickle a specific genre. I am much more interested in presenting a meditative and pretty much self-sufficient microcosm strong enough to function as a platform for any kind of (psychological) projection. (laughs) Or simply sell it as "Bingo Bongo meets The Shining".
DER BUNKER - International trailer from Nikias Chryssos on Vimeo.


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The Menzingers "After The Party"
February 28, 2017 · by thesoulofaclown	· in Album review, Reviews.	·
To us, The Menzingers have always been one of those bands who are constantly on the verge of 'breaking big'. They've delivered some absolutely storming albums and developed a loyal and passionate fan base in the UK. But, they perhaps haven't yet got the mainstream success that they deserve.
Right from opener "20's (Tellin Lies)" there's an almost acknowledgement that they are not the young punks fresh on the scene any more. Along with "Lookers", the lyrics show a realisation that their priorities in life have moved on. Thankfully though, this doesn't mean they have gone all mature (boring!) on us. Quite the opposite, this album is full of great pop/punk songs made up equally of passion, fury and melody.
It's truly great stuff, indeed, songs like "Thick As Thieves" see the band being more perky and upbeat than ever before. On "House on Fire" and "Cobra (Blue Boy)" they perfectly balance having a commercial melody but retaining a sense of depth and sincerity. They're songs that deserve to be huge.
There has always been an emotive side to The Menzingers, which is one of the reasons they have always been head and shoulders above many of their contemporaries. Sometimes this is still built in to huge rock songs like "Mid Western States" but then you also get the lower key, but anthemic, "Black Mass".
In the main, however, this album is just great fun, especially the perfect pop of "Bad Catholics". In songs like "After The Party" and "Wings (Your Wild Years)", you get a real Gaslight Anthem feel. You can only hope that this release will bring the Menzingers the same level of exposure that the Gaslight Anthem enjoyed here in the UK.
We're pretty sure that after every new release by The Menzingers we've said that it's the best one yet. Which is some compliment given how good their back catalogue is. There's no doubt that this is one of the releases of the year so far, and there's already been some good ones. With a tour due in the spring this is a very good time for their UK fans.
Tags: Gaslight Anthem, punk, punk pop, punk rock, rock, rock n roll
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I've got a lot of heavy thoughts tonight. Today marks a very sad anniversary for me. And while part of me wants to just spill my guts to someone, at the same time I am exhausted from thinking about it all day. I want to talk, but the last thing I want to do tonight is talk.
Trying not to just curl up and wait for oblivion, but it does sound kinda nice all the same.


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This was to avoid discussion of the issue completely, in order to avoid creating a public scandal. Liberalism Socialism Political parties affiliates. The bill was never made a priority of Parliament and was eventually dropped when a new parliament was elected after the Prodi Government lost a confidence vote.
The barefoot ceremony was kept small and subtle, and didn't take itself too seriously—case in point: the couple's action-figure inspired wedding cake and colorful ceremony site.
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The Book of Leviticus prohibited homosexual relations, and the Hebrews were warned not to "follow the acts of the land of Egypt or the acts of the land of Canaan" Lev. But to treat public perception as if it were cast in stone smacks of double standard.
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A young woman raised by lesbian parents is urging federal politicians to hold a plebiscite on same-sex marriage — and is not sure she would vote to support gay marriage.
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Jan 29, 2007 · The short version of it is: syntax is what a language looks like; semantics is what a language means. It's basically the distinction between numerals (syntax) and numbers (semantics).
I find myself pulled into philosophical debates about "what does it even mean to install a language in the first place. where on might argue that 80% to 90% of COBOL's original syntax and structure.
Often, syntax is connected to a language's grammatical conventions. Sometimes, grammar rules must be strictly followed, and other times – like in a text message, for example – they do not.
In logic, syntax is anything having to do with formal languages or formal systems without regard to any interpretation or meaning given to them. As in mathematical logic, it is independent of semantics and interpretation.
I'd previously always had the experience of languages being similar enough that I was mostly just looking up the occasional syntax detail. The tutorial below does start with the extreme basics:.
Liberal Arts Iowa State Social Sciences AMES, Iowa – An Iowa State University architecture alumnus is returning. This lecture is co-sponsored by the College of Liberal Arts and Sciences diversity and inclusion committee, College of. Purchase College, State University of New York (SUNY. "We're proud to offer a high quality, affordable education in the. (Focused on Human/Social Services, Education, Health/Wellness, Government,
The Math.abs() function in JavaScript is used to return the absolute value of a. Syntax Math.abs(value) Parameters : The number whose absolute value is to be.
Syntax(noun) connected system or order; union of things; a number of things jointed together; organism. Syntax(noun) that part of grammar which treats of the construction of sentences; the due arrangement of words in sentences in their necessary relations, according to.
• SYNTAX (noun) The noun SYNTAX has 3 senses: 1. the grammatical arrangement of words in sentences. 2. a systematic orderly arrangement. 3. studies of the rules for forming admissible sentences. Familiarity information: SYNTAX used as a noun is uncommon.
Syntax is the proper order of words in a phrase or sentence. Syntax is a tool used in writing proper grammatical sentences. Native speakers of a language learn correct syntax without realizing it. The complexity of a writer's or speaker's sentences creates a formal or informal level of diction that is presented to its audience.
Syntax is the study of rules that govern the ways words combine to form phrases. (to the store), helping verbs come before main verbs (can go, will do), and so on. follow a particular order according to their class (such as number-size-color ,
What Is Differential Object Marking In Linguistics For example, the much discussed phenomenon of differential object marking ( DOM) has been offered both interpretations in the literature. A classic case of. What most designers think of as 'UI Animation' is in fact the execution of a higher modality of design: the temporal behavior of interface objects during realtime. This is an interdisciplinary
Jan 05, 2016 · Syntax is how a writer puts his words together to create effect and artistry. Syntax in Writing: Definition & Examples Related Study. "As a math/science tutor I.
Syntax and Diction. Syntax and diction are closely related. Diction refers to the choice of words in a particular situation, while syntax determines how the chosen words are used to form a sentence.More often than not, adopting a complex diction means a complex.
I signed up at a gym to stay in shape for my auditions because dance classes in the city are not cheap, hard to get to, and I was also working a part-time job for a math tutoring center. Tip #1:.
I mean, are you just supposed to keep looking and be depressed. He says his son is okay with it, his daughter, not so much. The math made sense They weren't that expensive. If you look at what you.
The a math. enda math tokens are used to start/stop the new. The syntax is very permissive and does not generate syntax errors. This allows. The grammar : Here is a definition of the grammar used to parse ASCIIMathML expressions.
"And you also have the broad patterns of the language — the syntax. We know that adults can pick up. Hewitt points out that an extended learning period does not necessarily mean a further increase.
20 rows · List of mathematical symbols. A mathematical concept is independent of the symbol.
The door of mathematics, it seems, is open to us. with an intelligent extraterrestrial entity that presents absolute otherness? What does this mean for the possibility of successful communication.
The basic syntax for entering mathematical formulas or expressions in the system enables you to quickly enter expressions using symbolic math. You can type.
(For a discussion of the syntax and semantics of natural languages, see. (Here, the dot means the conjunction "and," not the multiplication operation "times. case that if any number has p then its successor does, then every number has p.
All it takes is some know-how of a branch of math called "information theory. act a language needs between variety and simplicity. It shows language has syntax: a consistent way to arrange the.
It has also removed (or deprecated) syntax that many JavaScript developers grew up with! Does that mean we completely throw it out? Some developers certainly think so, but I say no~! Even Google's.
I don't just mean in the obvious senses – their grasp of basic grammar and syntax, their understanding of the ways. "But Latin also has something that mathematics does not and that is the history.
Jan 09, 2018 · 5 Answers. It means not equal to. It was taken from ABC (python's predecessor) see here: x < y, x <= y, x >= y, x > y, x = y, x <> y, 0 <= d < 10 Order tests ( <> means 'not equals') I believe ABC took it from Pascal, a language Guido began programming with. It has now been removed in Python 3. Use != instead.
The language is simple enough that it does not even require a symbol table to parse. variety of features – among those are anonymous functions. Go provides a simple syntax for declaring anonymous.
field is @, which is followed by the syntax for the date or time format you want. in contrast, an {Author} field does not. The numbering fields have one thing in common: They help you.
Feb 18, 2019. In that case the text would be replaced by the #defined number (or text). In general, the const keyword is. Syntax. #define constantName value.
Syntax adds meaning and vibrancy to your sentences, where grammar. Syntax would refer to the sentence being declarative: stating a wish that the boy had. There are a number of things that you should think about when editing for syntax:.
What does it mean to understand a program. You could even take the point of view that apart from some syntax they aren't even part of the language. A comment exists for you to add notes explaining.
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Professor Layton Curious Village Puzzle 9 The game's plot revolves around Professor Layton and his young assistant Luke. The pair. Lani Minella in Professor Layton and the Curious Village (2007) Professor Layton and the Curious Village (2007). 1 2 3 4 5 6 7 8 9 10 8.2/10 X. You are just handed a random puzzle out of the blue, I
in math, and in the navigation of Holland's schools and society. They speak Dutch, too, often with halting imprecision. (The film's English subtitles labor to suggest their struggles with syntax and.
Syntax definition: Syntax is the grammatical structure of words and phrases to create coherent sentences. What is syntax? What does syntax mean? Syntax is the grammatical structure of sentences. The format in which words and phrases are arranged to create sentences is called syntax.
But what does that really mean? What does it make a function pure. A simple solution would be an in-place update for each collection value. We use the Math.abs function to transform the value into.
In Syntax, you can define several different characteristics for each of your variables. Here is the full collection of possibilities among SPSS Syntax language variables: Name: Short form of the variable name. Type: Numeric, comma, dot, scientific notation, date, dollar, custom currency, or string.
the rules or patterns so studied: English syntax. a presentation of these: a syntax of English. an instance of these: the syntax of a sentence.
Syntax. rem( a , b ). returns undefined. The rem function does not support complex numbers: all values must be real numbers. Find the remainder after division in case the dividend is a rational number, and the divisor is an integer. Find the.
How would you explain them to students? Talk with. language (vocabulary, functions, discourse, syntax) is used by students to. edTPA definition of academic vocabulary. Math: 'If 50% of a number is 20, what is 75% of the number?'.
$begingroup$ Your question is about syntax and your example is about style. The syntax part is interesting. Traditional math is always a mixture of prose (non comment prose I mean) and concise syntax. I find this insufficient and once in a while I search for an answer to your question but without success unfortunately.
We are told to do good math, lead the country. Remember, just because something's commercial doesn't mean it's impure or just because a show's traditional does not mean it's not commercial. As.
Jan 29, 2007. This is an important distinction, made in logic, math, and computer science. The short version of it. But what does it mean? That, you can't find.
Nov 13, 2018. The complete syntax of Lua can be found in §8 at the end of this manual. This means that variables do not have types; only values do. There are eight basic types in Lua: nil, boolean, number, string, function, userdata,
confuse mathematical notation and Julia syntax!. concept mathematical notation. norm(x-y). Using MMA: dist(x, y). average avg(x)=(x1 + ··· + xn)/n. mean(x). 2.
If such a statement exists, some quantum reconstructionists suspect that we'll find it only by rebuilding quantum theory from scratch. just as linguistic syntax relates categories of words, without.
What does syntax mean? Syntax is the grammatical structure of sentences. The format in which words and phrases are arranged to create sentences is called.
In this era when you can't turn around in the education world without someone talking about science, technology, engineering and math, the liberal arts. [2] So, what is the Tao of the liberal arts?.
Everything from your clock on the wall, to your phone, to the binary that encodes your computer is based in math. To begin, we should clear some things up. What do we even mean when we throw. begs.
Philosophy Of Science On Technology Introduction into some classical thinkers in philosophy of technology. Reflecting on the power of technology and if humans are still in control. Learning about the philosophical approach of technological mediation. Applying the ethical dimension of technology to the design process. Introducing philosophy and exploring new ways to increase the accessibility of philosophical teaching and learning
The very best thing you can do to become familiar with, and good at using. Assuming you by "syntax" mean your way of reasoning, i.e. your.
The basic 'syntax' of MathML is defined using XML syntax, but other. HTML does not support namespace extensibility in the same way, the HTML. a specific number of children, or attach a particular meaning to children in certain positions.
Definition of syntax in the Definitions.net dictionary. Meaning of syntax. the behavior of mathematical systems, such as formal languages used in logic.
Syntax is the rules for a language. For example, in the English language, the subject typically comes before the verb, and adjectives come before the nouns they describe. In Spanish, though, the adjectives come after the nouns. We typically notice syntax more when writers do not follow the typical.
What Was The Group Of Actors In Ancient Greek Dramas Called? You mention in your book that this is the earliest continuous Greek text in prose to survive: the date is around 425 BC. Although it's called 'Histories,' the ancient Greek suggests 'enquiries'; he's looking at the wonders of the world, rather than writing a history as such. That's right, 'historie' is 'enquiry.' The notion that
Correct syntax examples include word choice, matching number and tense, and placing. Another set of common mistakes have to do with punctuation. of just one word versus another can completely change the meaning of a sentence.
Feb 21, 2013 · Best Answer: it means that you have some lthing wrong in the inputs
Nov 16, 2009 · Go to http://www.corporatevocabulary.com for the complete lesson on Syntax and a full course to give you the vocabulary and communication skills of a six-fig.
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Ysa Le
Christine Tran
Jennifer Pham
Quyên Nguyen-Le
Project Director, Project Foto
Uyen Hoang
Co-Program Director, Youth in Motion
Tu Nguyen
Eric Nong
Artistic Director, Viet Film Fest 2021
Tony Nguyen
Digital Director, Viet Film Fest 2021
Viet Vu
Program Manager, National Endowment for the Arts (NEA) Big Read 2021
Janet Le
GBW - The Best We Could Do Project Director
Ysa began her art activism with VAALA since 2000, serving as VAALA's Board as President from 2004-2008, and then as Executive Director from 2008 until now. She is one of the original co-founders of Viet Film Fest.
Prior to VAALA, Ysa was a radio host for the Viet Nam California Radio (VNCR), from 1995 to 2010. She hosted a weekly show called "Vòng Chân Trời Văn Học Nghệ Thuật" ("The Art Horizon"), which covered interviews with various artists and art events. Her show was syndicated for Voice of America (VOA), which broadcasted in Vietnam. In 2005, Ysa was chosen by the Orange County Register as one of the "30 Vietnamese Americans to Watch" in celebration of the 30th anniversary of the Vietnamese American community in the United States. She received the Arts and Culture (In-Language) Award from New California Media in 2003 for her article on Mimi News, reporting the revival of the traditional performance art Cải Lương in the Vietnamese community. She was awarded with the "Service Award" from the USC (University of Southern California) Asian Pacific Alumni Association in 2012. Ysa received the inaugural VIMO Luminary Champion Award for her contribution in cultivating positive advancements for Vietnamese filmmaking.
Ysa received her Doctor of Pharmacy (Pharm.D.) degree from the University of Southern California (USC) in 1994. She currently works as a clinical pharmacist at St. Joseph Home Infusion Pharmacy in Anaheim.
Christine Yen Tran-Phan is passionate about telling stories – whether they're about businesses or the Vietnamese-American experience. Currently, she is a core organizer for commongroundoc, an open mic space organized by Viet progressives, where she helped pave its 2020 virtual workshop and open mic platform. Her poem and art piece, "Was It Dark?" was exhibited in VAALA's Generations: 40 Hues between Black and White in 2015, pictured here. Christine volunteered with Viet Film Fest as its Events and Marketing Director since 2018. She's interested in revealing stories and overarching themes of the human experience through the topic of food, and has done so as the Project Director for the Illuminated Recipes Project by VAALA.
Christine rebranded two technology networking companies and planned over 25 trade shows since 2012 as a digital marketing manager. She co-owned a small business in aquariums and tropical fish for five years. During that time, she volunteered for the World Pet Association to raise funds for the Pets in the Classroom grant at the America's Pet Expo annually. As a copywriter lead for Forge54 for the last three years, she helped rebrand nonprofit organizations like Ocean Institute of Dana Point and DreamsforSchools within a 54-hour time frame.
Born and raised in Little Saigon, Jennifer Pham had always been surrounded by Vietnamese food and people, but it wasn't until she studied abroad in Vietnam that she started to appreciate Vietnamese culture. Since then, she has volunteered as a Vietnamese medical interpreter, teach English to Vietnamese adults, and mentor at-risk Vietnamese-American youth.
Jennifer Pham has a Bachelors degree in Public Health and Psychology from UC Berkeley. She currently works as a web developer and software engineer, where she finds her passion in designing beautiful and functional websites and applications and automating processes.
Quyên Nguyen-Le is a filmmaker and educator born and raised in southern California, whose work has been exhibited internationally in the U.S., Canada, Australia, the U.K., and Vietnam. After a brief time at the USC School of Cinematic Arts, Quyên instead completed degrees in Comparative Literature and Philosophy/Politics/Law at USC; then moved to Santiago de Chile to study Spanish with an emphasis in politics. Quyên is also a proud graduate of the Los Angeles Inner-City Filmmakers program and the Emma L. Bowen Foundation's three year fellowship at Focus Features/ NBCUniversal.
Uyen Hoang is a Viet-American femme from Garden Grove, Orange County. She has a Masters in Arts in
Asian American Studies and a Masters in Public Health in Community Health Sciences. Her artwork curiously
explores the complexity within the intersections of identity, community and systems of power. She likes puppies, peonies,
and is not lactose intolerant, which is important because she lives for cheesy puns.
Tu Nguyen was born in Binh Gia, Vietnam. She lived in Chicago from the age of nine and relocated to Southern California in 2011 where she pursued degrees in Art and Film. A sculpture, installation, and video artist, Nguyen is influenced by psychology and often create works that investigate the construction of perception, memory, identity, and personal and collective history. Nguyen refers to her sculptures as "performative objects" because they are usually site specific and durational works that deteriorate throughout the span of their exhibition. When not making art or editing videos, Nguyen enjoys collecting Japanese knives, appreciating her houseplants, stalking strangers' dogs, incorrectly guessing people's sun signs, and more.
Born and raised in Orange County, CA, Eric Nong is a self-taught classic film buff who, since 2012, maintains a blog dedicated to movie write-ups. In addition to his passion for film, he has served as a volunteer and writer for Viet Film Fest 2018. Eric was also a part of Viet Film Fest 2019's Curatorial Committee and volunteered during the 3-day event. Eric has a BA in Political Science from UC Irvine (also attended UC Santa Cruz for the first two years of undergrad); MPP from UCI with a focus on education and poverty alleviation. In his spare time, Eric volunteers his time to teach English to Buddhist monks at Chùa Bát Nhã in Santa Ana, CA.
Born in Des Moines and based in Dallas, Tony Nguyen received his BA in History at the University of Texas, Dallas. He previously worked at the Dallas International Film Festival as Programming Coordinator since 2018 and currently co-curates a queer film series, Pleasure Style Attitude (PSA), for Texas Theatre, a local art house theatre, showcasing motion pictures amplifying underrepresented voices and cultivating discussions of the intersections of queerness, politics, aesthetics, class, and race.
Viet Vu received a B.S. in Biology at UC Riverside and an MLIS from San Jose State University. He's worked at various branches within the Orange County Public Libraries 32-branch system, such as Palmdale City Library, Huntington Beach Public Library, and Palmdale City Library. His academic and research library experiences include Allergan Research and Development, CSU Fullerton Pollak Library, and Laguna College of Art and Design (LCAD) Dennis and Leslie Power Library. Viet lives with his three cats and has a new obsession with gardening, both byproducts of the Covid-19 pandemic. In his free time, Viet enjoys illustration and graphic design, and indulging in comic book art. Most recently, he took an online class in creating comics for risoprinting.
Janet Le (she/her) is an urban planner/designer who is passionate about the power of the arts in creating more sustainable, equitable, and resilient places. She is committed to advocating and creating opportunities for Southern California's next generation of young creatives. Janet holds a Masters in City Planning and a certificate in New Media from UC Berkeley and a B.A. in Political Science and Narrative Studies from the USC. In the past, she has worked with community-based organizations, arts education nonprofits, and museums throughout Los Angeles. She is the Gallery Beyond Walls Project Director for The Best We Could Do project in 2022.
Ysa Le Executive Director
Christine Tran Managing Director
Jennifer Pham Webmaster
Quyên Nguyen-Le Project Director, Project Foto
Uyen Hoang Co-Program Director, Youth in Motion
Tu Nguyen Co-Program Director, Youth in Motion
Eric Nong Artistic Director, Viet Film Fest 2021
Tony Nguyen Digital Director, Viet Film Fest 2021
Viet Vu Program Manager, National Endowment for the Arts (NEA) Big Read 2021
Janet Le GBW - The Best We Could Do Project Director


A real surprise! Just imagine: Champagne, soft cute teddy and 8-9 kg fresh fruit in one basket. If You do not know what to choose, or want something different and truly original, this is the perfect choice for You!


Came on for consideration the amended report of the United States Magistrate Judge in this action, this matter having been heretofore referred to the Magistrate Judge pursuant to 28 U.S.C. § 636. On February 7, 2018, the amended report of the Magistrate Judge (Dkt. #89) was entered containing proposed findings of fact and recommendations that Defendants' Motions to Dismiss (Dkt. #39; Dkt. #40; Dkt. #41; Dkt. #62; Dkt. #66; Dkt. #68) be granted in part and denied in part. Having received the report and recommendation of the Magistrate Judge, having considered Plaintiff's objections (Dkt. #97), and having conducted a de novo review, the Court is of the opinion that the findings and conclusions of the Magistrate Judge are correct and adopts in part the Magistrate Judge's amended report (Dkt. #89) as the findings and conclusions of the Court.
Plaintiff Bennie P. Washington has filed claims related to her employment with Plano Independent School District ("Plano ISD") in two lawsuits: (1) Washington v. Plano ISD, No. 4:15-CV-789, 2017 WL 73953, at *1 (E.D. Tex. Jan. 9, 2017) (the "First Lawsuit"), previously dismissed with prejudice by this Court; and (2) Case No 4:16-CV-799, the above-captioned action (the "Current Lawsuit") (Dkt. #51 at p. 1).
Plaintiff contends that in December 2011, she was hired as a bus driver for Plano ISD (Dkt. #3 at p. 54; Dkt. #38 at p. 24). As an employee of Plano ISD, Plaintiff was eligible to join the Association of Texas Professional Educators ("ATPE"), and to receive legal services through the ATPE Member Legal Services Department (Dkt. #38 at p. 25). During Plaintiff's employment with Plano ISD, Defendant Steve Neill allegedly printed incorrect routes and discriminated against Plaintiff in giving out work assignments (Dkt. #51 at p. 2). Plaintiff thereafter sought legal representation through ATPE for such treatment.
On or before January 23, 2013, Defendant Richard Arnett ("Arnett") began his legal representation of Plaintiff (Dkt. #38 at p. 18). On January 30, 2013, Plaintiff notified Defendant ATPE that she was dissatisfied with Arnett's representation (Dkt. #38 at p. 27). ATPE contacted Defendant Jefferson Brimm ("Brimm"), who explained that Arnett's firm was unwilling to initiate a lawsuit for Plaintiff (Dkt. #38 at p. 27). Plaintiff's representation was then transferred to Defendant Brimm in May 2014 (Dkt. #38 at pp. 13, 29). On July 31, 2014, Plaintiff contacted Defendant ATPE again and complained about Defendants Arnett and Brimm's representation. Defendant ATPE sent Plaintiff the list of attorneys approved to represent members of ATPE through its program (Dkt. #38 at p. 29). On August 18, 2014, Plaintiff advised Plano ISD that Defendants Arnett and Brimm no longer represented her (Dkt. #3 at p. 15).
On August 11, 2015, Plaintiff filed her first charge of discrimination with the Equal Employment Opportunity Commission ("EEOC"), wherein she alleged that she was "subjected to mistreatment, in that numerous times Andrew Forrester, Area Director, and K.D. Fain, Dispatcher, [were] disrespectful towards [Plaintiff], " that "[Plaintiff] was cursed out by Gary Tanner, Bus Driver, and subjected to rude behavior by Patti Kelly, " and that "[Plaintiff] reported this treatment to the school board to no avail." (Dkt. #3 at p. 52).
On October 12, 2015, Plaintiff met with Plano ISD to discuss settlement of her claims in the First Lawsuit for Plano ISD's alleged violations of state and federal law (Dkt. #38 at p. 21). Plaintiff resigned from her position at Plano ISD two weeks later; her resignation letter demanded $10 million for pain and suffering (Dkt. #38 at p. 20; Dkt. #39, Exhibit 2 at p. 2). Plaintiff also alleged that she never received her final paycheck (Dkt. #38 at pp. 20, 22-23; Dkt. #39, Exhibit 2 at p. 2). On November 3, 2015, Plano ISD rejected Plaintiff's settlement demand (Dkt. #38 at p. 21). On that same date, Plaintiff filed the First Lawsuit against Plano ISD, Assistant Superintendent Kary Cooper, and Plano ISD Board of Trustees, alleging claims for "breach of code of conduct, disrespectfulness, Civil Rights and Discrimination, breach of contract, and the hiding of a previous litigation case." (Dkt. #39, Exhibit 2 at p. 2). On January 9, 2017, Plaintiff's claims in the First Lawsuit were dismissed with prejudice. Washington, 2017 WL 73953, at *3.
Mr. Steve Neill, denied [Plaintiff] compensation by discriminatory route assignments. On June 26 2014, my attorney Richard (Rick) Arnett, cursed my [sic] out and quit my case, and also breach[ed] the legal representation contract and turned the discrimination case into a wage case. Between Jefferson (Jay) Brimm and Richard (Rick) Arnett, tried to switch positions as attorneys. . . without my authorization.
(Dkt. #3 at p. 2). On July 21, 2016, a right to sue letter was issued, stating Plaintiff's claim was time-barred (Dkt. #3 at p. 5). Plaintiff thereafter filed the Current Lawsuit on October 17, 2016, alleging claims for "breach of code of conduct, hiding of a previous litigation case, and civil rights and discrimination." (Dkt. #3 at p. 1). On May 3, 2017, Defendant ATPE filed a Motion to Dismiss Plaintiff's claims (Dkt. #23). On June 2, 2017, Plaintiff filed her Amended Complaint (Dkt. #38). Defendants again moved to dismiss (Dkt. #39; Dkt. #40; Dkt. #41). On July 7, 2017, Plaintiff filed her Second Amended Complaint (Dkt. #51). Defendants then further moved to dismiss the Second Amended Complaint (Dkt. #62; Dkt. #66; Dkt. #68). On August 25, 2017, Plaintiff filed a response (Dkt. #70), and on October 2, 2017, Plaintiff filed an additional response (Dkt. #73).


text:
La Flying Roadster è un'autovettura prodotta dall'Oldsmobile nel 1907. Era anche conosciuta come Model H. Montava il medesimo propulsore della Model A.

Storia
La vettura montava con un motore a quattro cilindri in linea da 4.948 cm³ di cilindrata che erogava 35-40 CV di potenza. Tale propulsore era raffreddato ad acqua.

Il motore era anteriore, mentre la trazione era posteriore. Il moto alle ruote posteriori era trasmesso tramite un albero di trasmissione. Il cambio era a tre rapporti con leva posizionata a destra del guidatore. Il freno a pedale agiva sull'albero motore, mentre il freno di stazionamento operava tramite tamburo sulle ruote posteriori.

La vettura era disponibile con un solo tipo di carrozzeria, roadster due porte. Era offerta rossa o grigia.

Bibliografia

Flying Roadster

redpajama_set_name: RedPajamaWikipedia


It's amazing to me just how creative my 2.5 year old son, Tre, can be when left to his own devices. I've seen him figure out that a Pringles chips container lid fits the smokestack of his toy train perfectly (something I wouldn't have even thought to try). I've also watched him figure out which of his magnetic letters will hold an M&M and which won't (hint: it frequently depends on the angle you hold the letter).
And as I just a moment ago glanced at him playing quietly next to me, he has an office chair lying on it's side, a fly swatter stuck into the center post between the wheels, and he's talking on the plastic swatter end, occassionaly "dialing" someone else by poking at the plastic.
Isn't it amazing what a child can think to do when not told they're not supposed to?