Cure Heartburn and Indigestion Forever--Without Drugs! Did you know . . . * Traditional gastrointestinal treatment is virtually guaranteed to cause illness * Popular antacids and prescription acid blockers actually aggravate your condition * Bad breath can be a signal of a serious gastrointestinal disorder You've felt the burning, bloating, and painful gas of heartburn and indigestion. But you may not be aware that such pain may signal a far more serious medical condition, that left untreated, can lead to cancer. In this remarkable book, Dr. Sherry Rogers, a leading expert in drug-free gastrointestinal therapy, explains how you can pinpoint the causes of your stomach distress and offers easy-to-follow advice for creating an effective, personalized program for achieving and maintaining total gastrointestinal health. Unlike traditional therapies, which merely mask the symptoms and ignore the underlying causes, the cutting-edge methods detailed here go right to the root of the imbalance, ending years of chronic pain and illness and returning your body to its natural state of health--without the risks and side effects of prescription drugs. With sample menus of tasty, easy-to-prepare meals, clear, explanatory charts and tables, and an extensive list of gastrointestinal health resources, this is vital reading for anyone suffering the chronic agony of heartburn.
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Would This Be The End of Wall Street?
Louis Gerstner recently said that short-term investment gains should be taxed at 80%. It's one of the most logical things I've ever read. But such a logical plan to fix what's wrong with our greedy economy by taking us back to good old-fashioned long term thinking would likely be the end of Wall Street.
But would that be a bad thing?
This entry was posted in Market Intelligence, Miscellaneous on June 27, 2009 by thedoctor.


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War? What is it good for?
Categories: Features
In the immortal words of Edwin Starr, "War, huh, yeah…what's it good for? ABSOLUTELY NOTHING." Actually Edwin, I don't think that's entirely true. From 'Keep The Home Fires Burning' to 'Fixin' To Die Rag', from 'Pack Up Your Troubles In Your Old Kit Bag' to 'Universal Soldier', from 'I Didn't Raise My Son To Be A Soldier' to 'Masters Of War', from 'Hanging On The Old Barbed Wire' to 'No Man's Land' and 'The Band Played Waltzing Matilda', war has inspired many brilliant songs that stand as formidable reminders of time, context and social attitudes that cut through the rhetoric and propaganda we're supposed to swallow in times of conflict.
The current commemorations of The Great War have already produced a spate of fine album releases – Coope, Boyes & Simpson and Show Of Hands among them – which ram home that point; a point made all the more pertinent in the current terrifyingly brutal climate of warmongering around the world.
Amid all this history you wouldn't ordinarily expect a modest fiddle to have its own epic chapter. Certainly not one purchased eight years ago – seemingly brand new – from a violin shop in Oxford. Its buyer was the then 18-year-old A-level student Sam Sweeney, who took it home, played it, blew away the rosin dust that had collected inside and noticed an unexpected mark on the inside. Closer inspection revealed tiny images of the painted flags of Great Britain, France and Russia, along with the inscription R.S. Howard and the words "Made In The Great War."
Many things have happened to Sam Sweeney since then. He quickly established himself as one of the most promising young folk musicians in the country in partnership with Hannah James and with the group Kerfuffle; survived three weeks on the folk degree course in Newcastle before stomping out in disgust; and was almost immediately recruited as the youngest member of Bellowhead where, among other things, he was tasked to learn English bagpipes.
Also, somewhere along the way, he and his father collated scraps of information, went into full genealogy mode and assembled the various pieces in the jigsaw puzzle to solve the mystery of the inscription and reveal the remarkable tale secreted behind the purchase of an apparently brand new fiddle. I won't reveal the full denouement of the plot, but it's a gripping story involving music halls, marching bands, early 20th Century life, conscription and the appalling realities of war as the Allies advanced at the Battle of Messines in Belgium. All a century before Sam's fateful entrance at Roger Claridge's violin shop in Oxford.
The fascinating results of the research have inspired Sweeney's album 'Made In The Great War'. It's wonderful and I've listened to it lots. But it still left me completely unprepared for the metaphorical bolt that knocked us all flat on our backs at the West End Centre in the garrison town of Aldershot on just the second night of the show's first tour.
Sweeney was flanked by fellow Bellowheader Paul Sartin and concertina wizard Rob Harbron – all three appropriately garbed in braces and short hair (and flat cap in Sartin's case) and pony-tailed storyteller Hugh Lupton in a show that held you in its grip from the first note. Sweeney lovingly played the fiddle at the heart of a story which was meticulously told with skill, guile and an overload of drama at its climax that left the woman next to me weeping. I wasn't far off either.
Lupton is a word magician, luring you into the tale with transfixing sleight of the tongue and an expressive vigour that transports you from the violin shop in Oxford to the back streets of Leeds to the music hall variety theatre to the full, grimy, muddy horror of the front line trenches in Flanders. Around him the three musicians decorate the narrative with sharply contrasting musical backdrops – and it's a show that's not without humour – while at times shocking actuality film is projected on a screen behind them to add poignancy and reality. Paul Sartin is magnificent singing the period material and, in 'The Ballad Of Richard Howard', Sweeney and Rob Harbron have written and perform an extraordinary song that cleverly draws on the lyrical themes of 'The Cruel Sister' and is surely destined for a life of its own.
At the end there is the sort of silence you only experience from an audience that is wholly engaged and captivated as jaws are retrieved from floors. Then there is prolonged applause. And then animated discussion. I urge you to see it.
Colin Irwin
www.madeinthegreatwar.com

redpajama_set_name: RedPajamaCommonCrawl


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Home > The Faculty > Qualitat > Introducció
SGQ Facultat d'Economia
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Sistema Gestió Qualitat
The Faculty of Economics of tje Universitat de València (UV) is the university centre in charge of organising the academic, administrative and management procedures, and also of teaching the subjects that lead the students to obtain the titles own of each subject.
The Faculty of Economics understands the commitment with quality as one of the main objectives in its function as a university public service organisation, and considers such commitment as a key strategical aspect. To this end, and within the competences and attributions, which are recognised by the current Statutes of the UV, the Faculty of Economics will take as many actions as necessary to secure the maximum efficiency in the management and the excellence of its teaching activity. In this regard, the centre is committed to use all the technical, economic and human resources available; always in strict compliance of the applicable legal requirements, both at autonomic and state and European level.
The interest groups (delimited in our Quality Manual) are the reason why we do all what we do, and we are committed to achieve their satisfaction through a personalised and continuous attention. To do this, the Faculty of Economics has created and implemented the Internal Quality Assurance System (SGIC) based in the directives and parameters stablished by the UV and the National Agency for Quality Assessment and Accreditation of Spain (ANECA).
The purpose of the SGIC is to jointly, systematically and efficiently manage the quality guarantee of all the training programmes of the Faculty of Economics. Consequentially, the basic objective of the implementation of the SGIC is to responsibly guarantee the quality of all the degrees (Degree, Master's Degree and Doctoral Studies). When necessary we will review and improve their training programmes and their academic, administrative and management procedures, which have to be based in the needs and expectations of their groups of interest. These groups of interests will always be informed by the Faculty of Economics.
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5 Things You Need to Know About the COVID-19 Vaccine and Variants
Why the vaccine is so important, what to know about the COVID-19 variants, and what you can do to help protect yourself.
Updated on 8/24/22
You've probably been hearing a lot of news about COVID-19, the vaccine, vaccine boosters, and the Delta, Omicron, and other variants. It can be hard to keep up and to make sure you're doing everything you can to protect yourself and your loved ones.
Newer variants, or versions, of the virus are more contagious and spread quicker, and getting vaccinated is still incredibly important. And with flu season here, staying safe and healthy is a top priority.
Here's what you need to know to keep yourself, your loved ones, and your community safe this season.
1. The COVID-19 vaccines are safe and they work.
The vaccines are safe and effective at protecting you from COVID-19 disease, especially severe illness and death. The Pfizer and Moderna vaccines have been formally approved by the Food and Drug Administration—confirming that it they are no longer considered experimental. Strong systems are in place to make sure safety concerns are addressed quickly. All of the vaccines approved for emergency use in the United States have proven to be highly effective against severe COVID infection with very low risk. So far, nearly 225 million Americans have been fully vaccinated, according to the CDC, and serious side effects are extremely rare.
2. The vaccine is more important than ever with the new variants.
There has been a troubling surge in COVID cases due to the highly contagious variants. Because new variants, or versions, of the virus are more contagious, they spread more quickly. The variants are also much more contagious to those who are unvaccinated—and antibodies from infection may not be as protective against the new variants. Therefore, it's more important than ever to get vaccinated. The vaccine works and is still highly effective against serious illness. The best way to stay safe and slow the spread of these variants is to continue to protect yourself and get vaccinated.
3. Continue to wash your hands often and keep up safety best practices.
While the vaccine does help protect you against serious illness from the virus, it's still important to keep up the safety best practices we're all familiar with now. To help stop the spread of COVID-19, including Delta, Omicron, and other variants, continue to wash your hands often and physically distance and wear a mask as needed, especially in public crowds or in poorly ventilated spaces. Even if you're fully vaccinated, wearing a mask gives you the most protection from the variants and helps prevent the spread to others. Find the latest mask recommendations from the CDC here.
4. You still need a flu shot this year. And you can now get your flu shot and COVID-19 vaccine at the same time.
Yep, you still need that flu shot this fall—particularly because getting both the flu and COVID-19 infections at the same time can be even deadlier. The CDC recommends annual flu vaccination for everyone 6 months and older. Also, it's important to note that you can get your flu vaccine and COVID-19 vaccine—if you haven't gotten it already—at the same time. If you haven't gotten your COVID-19 vaccine yet, now's a great time to get both your flu and COVID-19 vaccines to best protect yourself this fall and winter.
5. For those already fully vaccinated, COVID-19 boosters are here.
Booster doses of COVID-19 vaccines are being recommended, because vaccination immune response naturally weakens over time and the highly infectious variants are circulating. Please reference the latest booster eligibility criteria from the Centers for Disease Control and Prevention. If you're eligible for a COVID-19 vaccine booster shot or if you have questions about it, talk to your doctor.
For more information, please see our COVID-19 vaccine FAQs. If you're a Clover Health member and have questions or need help scheduling or getting to a COVID-19 vaccine appointment, we can help! Search for a vaccine online or call Member Services at 1-888-778-1478 (TTY/TDD 711)* to get help from a live representative. Keep in touch if you have questions, and we'll continue to provide updates as we have them.
Get vaccinated, get your flu shot, and continue to physically distance and wear masks when needed to help everyone get through this together.
This article was medically reviewed by Dr. Sophia Chang.
Published on 11/17/21
The Importance of a Primary Care Physician and How to Find One
As a primary care physician, and someone who also trains young physicians in primary care, I believe very deeply in the importance of a meaningful doctor-patient relationship—particularly for seniors and…
Medicare 101: A Guide of Everything You Need to Know About Medicare
We made a booklet, Understanding Medicare, where you can find all the information you need in one handy place. You can download the free booklet by clicking here. Understanding Medicare:…
What You Need to Know About Getting a Flu Shot This Year
Updated on 8/29/22 Don't forget to get your flu shot, at no cost to you. Getting your flu shot—in addition to the COVID-19 vaccine, also at no cost to you—is…


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Tuesday 2nd October 2018 17:00 Evening Prayer Short service (20 mins) of evening prayer in the church led by clergy or members of the congregation.
Wednesday 3rd October 2018 19:45 - 21:15 Bellringing Practice Come along to Bellringing Practice - new ringers of all ages and stages always warmly welcomed. To find out more contact John Cowburn at jjcowburn@btopenworld.com .
Saturday 6th October 2018 09:00 - 20:00 Morning Prayer A gathering for prayer to begin the weekend led by clergy or members of the congregation. All welcome for this time together in the church.
Sunday 7th October 2018 10:00 Harvest Festival Join us for a Family Service to celebrate the blessings of Harvest.
Tuesday 9th October 2018 17:00 Evening Prayer Short service (20 mins) of evening prayer in the church led by clergy or members of the congregation.
Wednesday 10th October 2018 19:45 - 21:15 Bellringing Practice Come along to Bellringing Practice - new ringers of all ages and stages always warmly welcomed. To find out more contact John Cowburn at jjcowburn@btopenworld.com .
Saturday 13th October 2018 09:00 - 20:00 Morning Prayer A gathering for prayer to begin the weekend led by clergy or members of the congregation. All welcome for this time together in the church.
Tuesday 16th October 2018 10:00 - 12:00 Hearing Aid Clinic 10am-12 noon Come to St. Mary's Church Room for free hearing aid adjustment and service. Stay to enjoy tea, cake and good company. Please bring your brown NHS book.
Wednesday 17th October 2018 19:45 - 21:15 Bellringing Practice Come along to Bellringing Practice - new ringers of all ages and stages always warmly welcomed. To find out more contact John Cowburn at jjcowburn@btopenworld.com .
Saturday 20th October 2018 09:00 - 20:00 Morning Prayer A gathering for prayer to begin the weekend led by clergy or members of the congregation. All welcome for this time together in the church.
Sunday 21st October 2018 08:45 - 09:30 Parish Breakfast Come for breakfast after the 8 am service or before the 10 am service. Yummy food and fellowship in the church room to start your day. Donation requested to cover cost.
Tuesday 23rd October 2018 17:00 Evening Prayer Short service (20 mins) of evening prayer in the church led by clergy or members of the congregation.
Wednesday 24th October 2018 19:45 - 21:15 Bellringing Practice Come along to Bellringing Practice - new ringers of all ages and stages always warmly welcomed. To find out more contact John Cowburn at jjcowburn@btopenworld.com .
Tuesday 30th October 2018 17:00 Evening Prayer Short service (20 mins) of evening prayer in the church led by clergy or members of the congregation.
Wednesday 31st October 2018 19:45 - 21:15 Bellringing Practice Come along to Bellringing Practice - new ringers of all ages and stages always warmly welcomed. To find out more contact John Cowburn at jjcowburn@btopenworld.com .


So, I finished vest #2.
Plan on getting photos as soon as it warms up a bit. I foresee an unhappy model with temps in the 40's.
I started this skirt for myself. Call me crazy, but I would like to wear it on Thanksgiving day.
Lunch with friends. And this for dinner.
Another great vest and love the skirt!! Happy knitting.
What a cool skirt! I can't wait to see it. You seem pretty speedy and dedicated, I bet you'll get it done. Good luck.
I would call you crazy...but I suspect if anyone can finish this in time it's you. The latest vest looks terrific!
I know you can do it! It will look fantastic with brown boots and tights. Can we have a peek at the boots? You always do brill boots!
You can do it! Love the color of the vest. Have a happy day of knitting!
I've always awanted to knit a skirt. Tights and boots would be perfect. Can't wait to see how it turns out!
You Go Girl! The skirt is darling and will look fabulous on you and with tights and boots...OMG! I can harldy wait for some pics.
Oh, you are too quick! I cannot believe you've made three PT items, and my languishes on the needles as I find other "shiny objects." Love the idea of the skirt. I say "idea" because you wouldn't catch me dead in a knit skirt, but it's going to be oh-so-cute on you!
seeing how fast you knit, you have plenty of time! it will look great on you!
That color is yummy:} I love it with brown tights and brown boots. Are going to wear your Frye boots.
love the vest, love the skirt too. i have been wondering when you were going to start that.
Thanksgiving day! perfect, you can do it.
I am so glad i am not the only one day dreaming about when i will wear my knits while knitting them! he, he.
that is the fun part, right?
I love the green skirt - it'll be perfect - good luck - and the squash soup looks yummy!
I've wanted to knit a skirt for some time but never saw one I really liked. This one is quite nice!
How great. I have a feeling you will get it done in plenty of time. I'm frantically knitting up my first ever sweater to wear on Thanksgiving but not sure it will get done in time. I may need to pick a smaller project. Can't wait to see the skirt done.The color is fantastic.
Cute skirt!! That pattern book has some great patterns.
Can't wait to see the finished vest pics.
i hope you get it finished. i love the look you described.
I'm not sure how many women could pull that skirt off, but you definitely could! It's adorable.
Good luck with your skirt--I'm sure you can do it! The vest looks great, too!
hey,you can do it....I can hear your needles clicking from here...and with brown tights...I love it!
you are gonna look so cute on Thanksgiving!!! I love the skirt.
I love that color green. Can't wait to see the skirt in all its glory. The vest looks great! Your Christmas card photo is going to be fantastic.
Yes, your dress plan will look fantastic. I can see it already!
The skirt will be gorgeous with the tights and boots - but what for a top? Inquiring minds have to knomw!:) And the vest is wonderful too - do you knit in your sleep? So many fabulous projects!
I really like that vest too. The skirt looks beautiful so far, and I love the green.
I love the way the skirt is looking so far. It is going to look great on you!
If anyone can do it, you can! It'll look great, I'm sure! I, in case you were interested, am just about to cast on my last armhole in vest #1! It's so darned cute - thanks for the great idea!
Oooh boy, you better get knitting gal - can't wait to see you in that skirt. And can't wait for modeled shots of the vest, it looks great.
I have two more gifts to knit then I'm back to knitting for me (read: pleasure)!!
I know you can do it and look really, really cute in it!! Yummy recipe - who cares that it's hot here, I want to make it!
Love the color you've chosen for the skirt. Can't wait to see it.
When you said 'call me crazy', I thought you were referring to the temperature. Not for one second did I think you meant speed-wise. You'll have it done in no time! And it will look adorable!
you'll be done before thanksgiving, i'm positive! knit on!
love the color of that vest.
Leslie, now you KNOW that you'll be done with that skirt lickety-split!!
Ooooh, the skirt will be fabulous!
Ooooh, I do like that skirt. Of course you can do it, just don't do anything else from now until D-day. Clean houses and fresh laundry are so over-rated.
I love squash soups. They always are wonderfully filling (though I always feel like mine come out a little bland, so I'm still working on a good balance).
The vest looks great! You get so much done. I can't imagine how you do it all!
That is a great vest! I can't wait to see you modeling that pretty skirt!
I'm sure the vest will be enough to induce a smile from your model. Pretty does that, don't cha know.
You will, indeed, be rockin' that skirt by the holiday.
What a cute skirt! I can't wait to see when it is finished!


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Home / Price register / Clare prices / Ennis, Clare prices / Garville Court Shanaway Rd, Ennis prices 70,037 properties online (904 in the last 24 hours)
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Searching: Garville Court Shanaway Rd, €25,000 to €5,000,000, Ennis, Co. Clare
41 Cathedral Court, Ennis, Co. Clare €120,000 | 19/12/12 | Duplex For Sale | 4 Bedrooms | 3 Bathrooms
52 Station Court, Ennis, Co. Clare €100,000 | 20/12/12 | Semi-Detached House | 4 Bedrooms | 2 Bathrooms
19 Banner Court, The Hawthorns, Ennis, Co. Clare €103,000 | 01/12/15 | Terraced House | 3 Bedrooms | 3 Bathrooms
4 Barrack Court, Ennis, Co. Clare €110,000 | 20/11/15 | Second-Hand Dwelling House/Apartment
40 Station Court, Ennis, Co. Clare €170,000 | 07/11/19 | End of Terrace House | 3 Bedrooms | 3 Bathrooms
24 French Court, Ennis, Co. Clare €40,000 ** | 01/03/13 | Second-Hand Dwelling House/Apartment
30 Victoria Court, Ennis, Co. Clare €168,250 | 17/12/15 | Detached House | 4 Bedrooms | 3 Bathrooms
23 Cathedral Court, Ennis, Co. Clare €175,000 | 14/11/19 | Semi-Detached House | 4 Bedrooms | 2 Bathrooms
2 Springfield Court, Ennis, Co. Clare €63,000 | 27/03/13 | Second-Hand Dwelling House/Apartment
34 Bishop's Court, Ennis, Co. Clare €100,000 | 27/06/13 | Second-Hand Dwelling House/Apartment
54 Phoenix, Court, Ennis, Co. Clare €145,000 | 30/05/13 | Second-Hand Dwelling House/Apartment
11 Millstream, Court, Ennis, Co. Clare €41,000 | 17/07/13 | Second-Hand Dwelling House/Apartment
7 Parnell Court, Summerhill, Ennis, Co. Clare €112,000 | 18/01/19 | Apartment For Sale | 3 Bedrooms | 1 Bathroom
50 Station, Court, Ennis, Co. Clare €119,000 | 30/07/13 | Second-Hand Dwelling House/Apartment
4 Cathedral Court, Ennis, Co. Clare €95,000 | 04/11/15 | Second-Hand Dwelling House/Apartment
20 Parnell Court, Summerhill, Ennis, Co. Clare €50,000 | 11/11/15 | Second-Hand Dwelling House/Apartment
21 , Meadow, Court, Ennis, Co. Clare €83,000 | 26/07/13 | Second-Hand Dwelling House/Apartment
10 Parnell Court, Summerhill, Ennis, Co. Clare €111,500 | 07/02/19 | Second-Hand Dwelling House/Apartment
31 Bishop's, Court, Ennis, Co. Clare €122,000 | 01/08/13 | Second-Hand Dwelling House/Apartment
47 Station Court, Ennis, Co. Clare €77,860 | 22/12/14 | Second-Hand Dwelling House/Apartment
13 Parnell, Court, Summerhill, Ennis, Co. Clare €50,000 | 15/11/13 | Second-Hand Dwelling House/Apartment
16 Millstream Court, Ennis, Co. Clare €40,000 | 02/04/15 | Apartment For Sale | 2 Bedrooms | 1 Bathroom
8 Shamrock, Court, Lahinch, Ennis, Co. Clare €246,500 | 11/10/13 | Second-Hand Dwelling House/Apartment
Clare Rd, Ennis, Co. Clare €185,000 | 05/07/19 | Second-Hand Dwelling House/Apartment
Clon Rd, Ennis, Co. Clare €110,000 | 29/08/19 | Second-Hand Dwelling House/Apartment


Tap on the View Apple ID button. � Enter your password when prompted. � Once you�ve signed in with your password you�ll see the Account Settings screen next. Tap on the bar labeled Country/Region � and select the location you want your ID to be associated with. ** Please note that if you have an active iTunes Match subscription you�ll be prompted to cancel it before you can change... 16/02/2011�� I am not sure what you mean by "dated your actual apple ID to new address" That makes no sense to me. It IS all changed to the Apple ID. On iTunes, and in Settings on the iPad.
The password must be at least six characters and cannot be the same as your Apple ID. Re-enter the password in the "Confirm Password" field. Re-enter the password in the "Confirm Password" field. 6.... Here�s the quick guide on how to change apple ID password using iforgot option by apple via your PC or Mac Browser or from iPhone. Lot�s of people were getting issues when he/she failed to login signed apple ID using the device.
However, if you have forgotten the password of your Apple ID and tried the incorrect password for more than three times, it automatically disables your Apple ID. We have heard from a few readers struggling to fix their disabled Apple ID.... It is a good policy to always keep your passwords updated on a regular basis, especially with a password manager such as KeePass or LastPass. But various websites have various ways of resetting passwords, especially if you have forgotten it.
Here�s the quick guide on how to change apple ID password using iforgot option by apple via your PC or Mac Browser or from iPhone. Lot�s of people were getting issues when he/she failed to login signed apple ID using the device.
The password must be at least six characters and cannot be the same as your Apple ID. Re-enter the password in the "Confirm Password" field. Re-enter the password in the "Confirm Password" field. 6.


text:
Надежда Кутева е българска художничка.

Биография
Родена e в София. Завършва "Стенопис" във ВИИИ "Николай Павлович" в София през 1971 година. Десет години по-късно получава пълна стипендия в колежа "Коркоран" във Вашингтон, САЩ.

Първата самостоятелна изложба на Кутева е през 1975 година в София. През следващите години Кутева има над двадесет изложби в различни страни, включително Кипър, Виетнам, САЩ, Полша, Япония, Сърбия, Македония, Словакия, Холандия и Германия.

Преподавател по живопис е в НАТФИЗ "Кръстю Сарафов".

През 2022 година представя изложбата си "Небесни образи" в Стара Загора и София.

Награди
Печели първата си награда в Кошице, Словакия през 1977 година, наградата на Фонда на словашките художници. През 1978 г. е удостоена с наградата "Хумор и сатира в изкуствата" в Габрово, България. През 1986 г. получава наградата "Златю Бояджиев".

През 2006 г. е наградена със сертификат и златна награда за високопрестижен експерт на Европейския конвент на експертите. През 2010 г. получава и наградата "Пазител на традициите" в категорията художници на Асоциацията за развитие на изкуствата и занаятите в България.

Тя е носителят на Националната награда за живопис "Захари Зограф" за 2021 г.

Източници

Външни препратки
 Надежда Кутева в Artprice.bg
 "Художничката Надежда Кутева пред Dolap.bg: "Мрачно и тежко световно събитие като пандемията дава положителен тласък на изкуството", интервю на Росица Ранчева, dolap.bg, 12 януари 2021

Български художници
Български живописци
Възпитаници на Националната художествена академия
Преподаватели в НАТФИЗ
Родени в София

redpajama_set_name: RedPajamaWikipedia


text:
(1723—1792) portrait and history painter and art theorist
Thomas Hudson (1701—1779) portrait painter and art collector
Jonathan Richardson (1665—1745) portrait painter and writer
See all related overviews in Oxford Index » »
'Joshua Reynolds' can also refer to...
Joshua Reynolds 1723–92
Richard Joshua Reynolds (1850—1918)
To Sir Joshua Reynolds
Joshua Reynolds (1723–92)
Reynolds, Joshua (1723)
Reynolds, Joshua (1723–92)
Reynolds, Richard Joshua, Sr.
Reynolds, Joshua (Sir)
Gwatkin, Joshua Reynolds
Joshua Reynolds was born in Plympton, Devon, on 16 July 1723. He died on 23 February 1792, and was buried in St Paul's Cathedral with unprecedented ceremony for an ...
From: Reynolds, Joshua in The Continuum Encyclopedia of British Philosophy »
Subjects: Art.
Reynolds, Sir Joshua (1723-1792), portrait and history painter and art theorist
in Oxford Dictionary of National Biography
Reynolds, Joshua (1723 - 1792), painter, collector, writer
in Grove Art Online
in The Oxford Dictionary of Art
in An Oxford Companion to the Romantic Age
See all related reference entries in Oxford Index »
Search for the text `Joshua Reynolds' anywhere in Oxford Index »


text:
using System.Collections.Generic;
using System.Diagnostics.Contracts;
using Deviax.QueryBuilder.Visitors;

namespace Deviax.QueryBuilder.Parts
{
    public abstract partial class Part : IPart
    {
        public abstract void Accept(INodeVisitor visitor);

        [Pure]public EqPart Eq(IPart other) => new EqPart(this, other);
        [Pure]public NeqPart Neq(IPart other) => new NeqPart(this, other);
        [Pure]public IsNotNullPart IsNotNull() => new IsNotNullPart(this);
        [Pure]public IsNullPart IsNull() => new IsNullPart(this);
        [Pure]public IsFalsePart IsFalse() => new IsFalsePart(this);
        [Pure]public IsTruePart IsTrue() => new IsTruePart(this);
        [Pure]public BetweenPart Between(IPart left, IPart right) => new BetweenPart(this, left, right);

        [Pure]public LtPart Lt(IPart other) => new LtPart(this, other);
        [Pure]public LtePart Lte(IPart other) => new LtePart(this, other);
        [Pure]public GtPart Gt(IPart other) => new GtPart(this, other);
        [Pure]public GtePart Gte(IPart other) => new GtePart(this, other);
        [Pure]public InPart In(IPart part) => new InPart(this, part);
        [Pure]public InPart In<T>(IEnumerable<T> items, string parameterName) => new InPart(this, new ArrayParameter<T>(items, parameterName));

        [Pure]public AscOrdering Asc(Nulls n = Nulls.Unspecified) => new AscOrdering(this, n);
        [Pure]public DescOrdering Desc(Nulls n = Nulls.Unspecified) => new DescOrdering(this, n);

        [Pure]public AndPart And(IPart other) => new AndPart(this, other);
        [Pure]public OrPart Or(IPart other) => new OrPart(this, other);

        [Pure]public AliasPart As(string alias) => new AliasPart(alias, this);

        [Pure]public static PlusPart operator +(Part left, IPart right) => new PlusPart(left, right);
        [Pure]public static MinusPart operator -(Part left, IPart right) => new MinusPart(left, right);
        [Pure]public static MulPart operator *(Part left, IPart right) => new MulPart(left, right);
        [Pure]public static DivPart operator /(Part left, IPart right) => new DivPart(left, right);
        [Pure]public static ModPart operator %(Part left, IPart right) => new ModPart(left, right);
    }

    public interface ISetPart : IPart { }

    public class SetFieldPart : ISetPart
    {
        public readonly Field Field;
        public readonly IPart Value;

        public SetFieldPart(Field field, IPart value)
        {
            Field = field;
            Value = value;
        }

        public void Accept(INodeVisitor visitor)
        {
            visitor.Visit(this);
        }
    }

    public abstract class LeftRightPart : Part
    {
        public readonly IPart Left;
        public readonly IPart Right;

        protected LeftRightPart(IPart left, IPart right)
        {

            Left = left;
            Right = right;
        }
    }

    public class AliasPart : Part, IAliasPart, IBooleanPart {
        public override void Accept(INodeVisitor visitor) => visitor.Visit(this);

        public AliasPart(string name, IPart part)
        {
            Name = name;
            Aliased = part;
        }

        public string Name { get; }
        public IPart Aliased { get; }
    }

    public partial class RawSql : Part, IBooleanPart
    {
        internal readonly string Sql;
        public RawSql(string sql)
        {
            Sql = sql;
        }

        public override void Accept(INodeVisitor visitor) => visitor.Visit(this);
    }

    public class Literal<T> : Part
    {
        public readonly T Value;
        public Literal(T v)
        {
            Value = v;
        }

        public override void Accept(INodeVisitor visitor) => visitor.Visit(this);
    }

    public interface IPart
    {
        void Accept(INodeVisitor visitor);
    }

    public interface INamedPart { string Name { get; } }

    public interface IField : INamedPart
    {
        Table Table { get; }
    }

    public interface IAliasPart : INamedPart, IPart
    {
        IPart Aliased { get; }
    }

    public interface IFromPart
    {
        void Accept(INodeVisitor visitor);
    }
}

redpajama_set_name: RedPajamaGithub


The power CEOs wield allows them to create a world that caters to their need for validation. It shields them from bad news, and it encourages them to drink the Kool-Aid of their companies' success, despite any warning signs.
Mindset shapes our mental world, influences our outlook, determines the scope of our goals, and ultimately sets us on a path of growth and fulfillment — or one of stagnation.


text:
首页/明星与八卦/New Idea
New Idea 13 May 2019
New Idea has been Australia's most loved weekly magazine for women for more than 110 years, reaching over 2 million readers each week. Every issue of New Idea is full of fascinating features, the latest celebrity news, practical and delicious recipes and interesting real-life stories, as well as up-to-the-minute fashion, health and beauty advice. Now you can have this iconic Aussie magazine delivered straight to your mobile device in digital form – whenever you want it and wherever you are.
购买期刊
51 期号
CELEB NEWSFLASH
PRINCESS CHARLOTTE'S SPECIAL DAY The Cambridges celebrated another special milestone last week, as their gorgeous girl, Charlotte, turned 4. To mark the occasion, the couple shared these three new photographs, which were taken by Kate at Kensington Palace and at their home in Norfolk. The princess is set to start school this year, and is expected to follow in her big brother's footsteps, joining Prince George at Thomas's Battersea. MUMMY'S BOY MADDOX TO INHERIT MILLIONS! Angelina Jolie has an extremely close relationship with her eldest son, Maddox, so much so, some people say she's closer to him than any other person in her life. When Angie's divorce from Brad Pitt turned nasty, Maddox – who she adopted in 2002 from a Cambodian orphanage – helped support her and look after his younger siblings, Pax, 15,…
FERGIE'S DOUBLE BABY JOY!
When asked if she would make a good grandmother, Sarah Ferguson said she'd be an "excellent" granny and now Fergie's skills might be put to the test, as both of her daughters are believed to be pregnant at the same time! After her youngest, Princess Eugenie, tied the knot with Jack Brooksbank in October last year, like any proud mum, Fergie would have eagerly awaited the news that she would soon become a grandma. And while her eldest, Princess Beatrice, is still yet to marry, a source reveals she too could be pregnant, meaning double the celebrations for Fergie and Prince Andrew. "Everyone suspected Eugenie was expecting but when she announced it to family over Easter and Beatrice added she was also pregnant and due the same day, everyone was in shock…
KATE BREAKS THE VISITOR BAN!
Meghan has insisted on celebrating in private with her newborn and has said she will restrict visitors for the first 40 days following the birth, but her sister-in-law Kate may break the rules. If history is to repeat itself, the Duchess of Cambridge will take her children – George, Charlotte and Louis – to visit their new baby cousin, just like Princess Diana took William and Harry to meet their newborn cousin Beatrice when she was born at Portland Hospital for Women and Children in 1988.…
OUR MARY QUEEN AT LAST
The Danish royals were the picture of unity as they gathered to attend a family event at Amalienborg Palace in Copenhagen last week. But once again, it was Crown Princess Mary who stole the show as she drew cheers from the crowd when she arrived with husband Frederik, proving that her adopted home is ready and waiting to welcome her as their Queen. The celebration of Queen Margrethe's sister Princess Benedikte's 75th birthday comes just weeks after the monarch revealed to Frederik and Mary that she was now ready for them to take over the throne after her 80th birthday next year. "You are ready and you will be amazing at your job," an emotional Margrethe told her son and daughter-in-law during a private dinner. "I trust you and feel secure handing…
JULIA ROBERTS MIRACLE BABY AT 51!
IS THE ACTRESS EXPECTING AGAIN? Julia Roberts looked like she might have some exciting baby news to reveal as she enjoyed a relaxing beach date with her husband, Danny Moder, last week. The 51-year-old appeared more curvy than usual while enjoying a romantic visit to the beach near their Hawaii family home. While Danny, 50, stripped off for a quick dip, showing off a very toned physique, the Oscar winner remained firmly covered up, relaxing on the sand. The couple proved that despite continual rumours of marital discord throughout their nearly-17-year-marriage, they clearly still enjoy each other's company. At one point Julia and Danny cuddled up on the sand as they smiled and chatted, enjoying their alone time. So it wouldn't be surprising to learn the pair possibly had plans to expand their family.…
IT'S OFFICIAL! KARL'S BIG TODAY COMEBACK
Making the most of his time off air, Karl Stefanovic whisked his new wife Jasmine away for a romantic baby-making holiday in Europe. Jetting off to the city of love, Paris, the pair had hoped that Karl's second vasectomy reversal had been a success, so they can look forward to welcoming the pitter-patter of tiny feet soon. "They are both so clucky right now," says a friend. "They don't know if the reversal has worked this time and it can take months sometimes, but they wanted to do something special together, so headed off to France for a break." But just hours after touching down, their exciting plans and intimate getaway were overshadowed by the shocking news that head honchos at Nine Network are considering offering the former breakfast presenter his old gig…


Six weeks and counting…counting…counting… Why do they call this book Numbers?
Well, if you're like me you may have trouble reading Leviticus. It may be difficult to understand and overwhelming in its detail. However, as I read my Bible more often and read the words of Jesus and His disciples and early followers, I see the traces of Leviticus in their actions and arguments. Actually the heart of God does begin to come through in Leviticus as I understand Him better.
I think the notes in the ESV Study Bible (2008 Crossway Books, pg. 213) describe it best.
"The book of Leviticus is concerned with what it means to be the holy people of a holy God: it provides instruction for conduct, both in private and as members of the body of God's people, and it details the ways in which the sacrifices and priesthood are to be administered as God's gracious provision for his people's failures. Without doubt, the death and resurrection of Jesus Christ is the culmination of salvation history, according to which he fulfilled the goals of the various offerings, the holy objects, the role of the chief priest, and the holy feasts. He also, by his resurrection, entered into his Davidic kingship and has initiated the era in which the people of God include the Gentiles and are no longer defined as a nation-state. Because of this, Christ's atoning work made obsolete the literal observance of not only the animal sacrifices and offerings, but also the temple worship as a whole.
Makes you want to read Leviticus again, doesn't it?
The book of Numbers starts off with a census. We typically do them every 10 years, but counting (or "numbering") Israel wasn't a regular thing for the Israelites. Notice that God commands Moses to do this only 13 months after the Exodus. If you read carefully you'll notice that God only commands him to count the males, the heads of the families, from 20 years old and older. So how many does that leave out? If you figure that the ratio of women to men is roughly 50:50 and that there were surely numerous children in each family, you can imagine just how numerous Israel really was.
So why the census and why this methodology? Well some theologians believe there were two purposes to the census: (1) to demonstrate the fulfillment of the promise to Abraham that his descendants would be as numerous as the sand on the seashore (Gen 22:17); and (2) to count the number of men over 20 years old who could fight. Both considerations should give the people confidence in their battle for the land.
SPOILER ALERT: This initial generation of Israelites grumbles and complains and exhibits such a gross lack of faith that God punishes them by refusing to allow them to enter the Promised Land. Instead they must wander the wilderness for 40 years until the next generation has grown up to be able to take the Land. So in chapter 26 we'll encounter another census of Israel. This time the census is concerned with the number of able fighting men, but perhaps more importantly there is a focus on each of the families (or clans) so as to be able to properly divide the Promised Land for each of the tribes of Israel to inhabit. With all of the "numbers" is there little doubt why this book was entitled Numbers?
Today, we are almost half way through to Easter!!! How are you doing with your reading plan? Are you keeping up? There is still time to catch up if you are not. As you prepare your hearts and minds to celebrate Jesus' substitutionary, sacrificial death on the cross for you and me, and His subsequent resurrection from the dead, think through Leviticus again and how all of Scripture points to Him.


Third year core rotations are reserved for Central Michigan University, St. George's University, and Wayne State University. Third year scheduling and student placement is determined by the universities.
Rotations are available to students from Ascension St. John Hospital affiliated universities. The three affiliated Caribbean Universities are AUC, ROSS, and SGU.
Ascension St. John Hospital will begin accepting rotation applications May 1, 2019 for the upcoming academic year (July 2019 to June 2020). Applications submitted before that time will not be processed. If you are requesting a rotation for July/August we will contact you approximately six (6) weeks prior to the start of the rotation.
Applications for the current academic year will be accepted on an ongoing basis.
Due to the high volume of requests, students will only be contacted if the requested rotations are available.
Students interested in scheduling rotations please complete the Online Application for Medical Student Electives.


Spring Beauty is extremely easy to grow and wonderfully unique, boasting medium-sized rosettes of brilliant green, followed by spiky, pastel blooms in the summer garden. This drought tolerant perennial is the perfect choice for rock gardens, container gardens, rooftop gardens, and more, growing in almost any condition. If you'd like to transplant these easy-care beauties, simply remove the baby rosettes after blooming and transplant to another spot in the garden. These perennials will quickly become one of your favorites.
Once Sedums are established, you've assured yourself of loads of perennial interest for the later months when most garden flowers are gone.
Gray-green leaves that are tinted with plum in the winter.


Charter cruises with Hotels Afloat is a French company specializing in booking and reserving charter cruises, self-drive boats, hotel barges and yachts on the rivers, canals, lakes and coastal destinations in France.
From Menton to Cannes, passing by the romantic ports of Antibes, Juan les Pins, Saint Tropez; then on the beautiful harbour of Cassis, to Marseille and the Camargue. The islands of Corsica, Ile de Port-Cros with breath taking coast lines. The Mediterranean is a vast haven for all sailors and sun seekers.
France has many miles of coast line, on both the Atlantic and Mediterranean sea providing excellent sailing for boats, there is also more than 5000 kilometres of navigable waterways on both rivers and canals. Cruising through old villages and towns, tree lined canals with barges up to 250 tons, a magical way to explore France for all boating fans, click here for information about these very special cruises.
The river Seine flows through the centre of one of the most beautiful capitals in the World. Day or night, the monuments tower above you on both banks of the river. Bridges that have connected the North and South of Paris, with arches and pillars carry a fascinating history. Cruises on the Seine are available for a few hours or even days from a large choice of boats.


text:
module MiqAeMethodService
  class MiqAeServiceManageIQ_Providers_Openstack_NetworkManager_CloudNetwork_Private < MiqAeServiceManageIQ_Providers_Openstack_NetworkManager_CloudNetwork
    expose :public_networks, :association => true
  end
end


Directions:From 54, take Peachtree Pkwy South to L onto Inverness Shores Drive. R onto Woodmere Lane. L onto Brown's Crossing Drive. From 74, Head south to L onto Redwine Rd. L onto Spring Mist Drive. R onto Brown's Crossing Drive. Home will be on the right.


At 2Hz we are building world's best Noise Suppression technology. And we've achieved an incredible quality.
We use Deep Learning in our approach and our latest algorithm increases MOS score by 1.2 points in average on a large dataset of noisy speech. This is a remarkable result. So far we haven't seen any other tech coming close to this.
We're happy to share today that we are bringing this technology to YOUR FINGERTIPS.
In the last 4 months we have been baking Krisp (krisp.ai). An App designed for laptops, which after installing, upgrades your laptop's microphone and speaker and adds a magical "Mute Noise" button to it to use during conference calls.
You can use Krisp with any Conferencing App you prefer, out of the box.
The cool thing is: you can both mute the noise going from you to the conference participants and also mute the noise coming from them to you. Bi-directional mute.
Krisp has entered Private Beta last week. Learn more about it in this blog post. and subscribe for Beta here.


text:
More recent reports on brain activity suggest that SCP-239 is developing a complete resistance to the rotation of drugs we've used to keep her comatose. This could easily result in her reawakening. Since Dr. Clef's nearly successful attempt in 2008, all attempts at termination have failed. SCP-239 has resisted all practical methods of attack subconsciously, and all other methods of destroying reality shifters suggested by the G.O.C. envoy have proved fruitless. I am now forced to request the O5 for the immediate release of Dr. Alto Clef from his current confinement and his immediate assignment to this case.
Dr. Jack Bright
Clef's eyes opened slowly, and then shut immediately as the bleary light blinded him. He felt cold and naked, his flesh crawling with barely remembered frostbite and a decade of immobility. Was he awake, now? Was this another of the cold dreams?
He felt a hand on his wrist—warm, soft, female flesh. His eyes opened again, and he blinked hard, staring directly at the large, perky breasts.
"Dr. Clef?"
Clef's eyes never left her chest. "You have me at a disadvantage, Miss…?"
The woman adjusted her top. "It's doctor. Doctor Lore."
He watched her fumbling modestly. She was lying, he knew. That was not her name. Chances are, he'd never know what it really was.
"What happened?" asked Clef.
"You've been released from cryogenic incarceration," said Lore, handing the naked doctor a towel. "We need your help."
"Old problem or new?" asked Clef.
"About time they killed the little brat."
"She's not so little anymore," Lore said, passing the file to Clef.
"You just keep reality benders around, Dr. Gears? That seems a little foolish, even by the Foundation's standards."
"I can assure you, she is completely under our control, Commandant Schmetterling," replied the shorter, bald man.
Schmetterling appeared unconvinced by Gears' assurances. Gears knew that the Coalition officer was not the happiest envoy the Foundation had ever received, especially not since he was informed of 239's continued existence.
"We thought your operatives had subdued her," said Schmetterling, irritably. "We knew you killed the other one. We saw it from one of our observatories. I was under the impression that this one was also eliminated."
"I'm afraid not," said Gears, evenly.
"Well," said Schmetterling, "I'm afraid I'm going to have to let my superiors know that the Foundation has still yet to come to its senses."
Clef tied the robe around his midsection, not bothering to attempt to hide the erection he'd sported since he woke up and saw Lore.
"Where to now, Sugartits?"
"I'm to take you to be briefed, Dr. Clef. You'll be meeting with the current head of 239's project."
"Karrington?"
"Dr. Karrington was killed by 239-X in the 2017 attempt. It's all in the report."
Clef shrugged and looked around him. For five stories up, elongated tubes of glass and cryogenics held the Foundation's prisoners. When he'd been imprisoned, the facility had been a third this size, newly implemented for cost purposes. When the O5's found out it was cheaper to freeze them than feed them, dozens of prisoners were transported here.
Clef stopped short, suddenly looking at the familiar faces behind the glassy ice. There was Imants, a slight smirk passing over his pale face, as if he'd just heard a joke that only he had understood. Next to him was Glass, sporting a look of shocked surprise.
Clef turned to Lore. "What sort of look did I have on while I was frozen?"
"You looked horny," said Lore impassively. Clef smiled and turned back to the tubes.
The next one was no surprise. Clef was shocked that he himself had been 'contained' before Kondraki, one of the earliest results of the Foundation's changing ambitions. The face of his sometimes friend was twisted with rage, open in a still silent scream, eyes narrowed with anger and disbelief. Next to him, frozen alongside his static form in the clear, perfect ice, a few butterflies remained, still shimmering. Clef raised his hand and placed it on the unit.
A few seconds later, he removed it and smiled. "You always were a son of a bitch, Kondraki."
He turned back to Lore. "You bastards have anyone else I know in here?"
"Not really," said Lore. "Mostly a few witnesses who were immune to Class-A's. One or two trespassers, some of Dr. Bright's other selves."
"Jack's still around?"
"No," said Lore. She was lying again, Clef knew. He always knew.
Clef sat across the table from the short, dowdy woman in the white lab coat. She had been scowling at him since he walked into the room. Clef, for his part, wasn't paying attention. He'd sat with the robe at its most revealing, reading the file he'd been given as slowly as he possibly could. Once or twice, he looked up at the woman, smiled, and returned his attention to the file.
After a while, he stopped, laid the file down and looked at her.
"Are you all complete fucking morons?" he asked.
"Excuse me?" said the woman, whose name Clef hadn't even bothered to learn.
"Psychological tricks? Crushing force? Stabbing her with a knife? Shooting her with a gun? Where the hell are the backup plans?"
"Each test was approved by a majority of the O5 command and I don't see—"
"Do you know how to read?" asked Clef suddenly, dangerously.
The woman didn't reply.
"I'll take that as a no. I've completed, either alone or with some aid, the disposal of more than fourteen reality shifters for the Foundation alone. More than fourteen confirmed kills. I can't say more than that, because no one will tell me what's still classified, but I'm sure that even with what I must assume is your piteously low security clearance, you were allowed to read at least some of my exploits?"
"Yes," she replied. "I've read the termination reports for several of the SCP's you were inv—"
"Did you pay attention?" interrupted Clef again.
"Did you pay attention to a single, goddamned thing I wrote in them?"
"Of course. The methods you used have been tested and found lacking for our purposes."
"Those 'methods,' as you call them, are merely scaffolding. You have to build on the scaffolding for it to hold up anything. Did you all just freeze everyone who was worth a damn around here?"
The woman shifted uncomfortably in her seat, not looking at Clef. "Then what do you propose, Doctor?"
"Simple," smiled Clef grimly. "Since her subconscious defenses have been refined so far… I'm going to wake her up."
"You're waking her up?" yelled Schmetterling, turning suddenly and looking through the ten inches of transparent steel, as if the figure on the other side might have heard him. He dropped his voice, but his anger remained. "Are you all insane?"
"No," replied Gears. "We have our best operative on the case."
"Who?" snapped Schmetterling. "Who the hell do you think is capable of removing a Type Green that you've allowed to progress this far?"
"Dr. Clef," replied Gears. "We've released him from confinement for this task."
"Clef?" asked Schmetterling. "Alto Clef?"
"Do you know any other Clefs, Commandant?"
"Well, yes," the representative replied, looking back through the steel at the sleeping form. Gears made a mental note to check in Schmetterling's claim, and then moved to stand next to him.
"You've nothing to fear, Commandant," replied Gears. "The situation is well in hand."
Schmetterling's jowls quivered as he turned back to Gears. "So you say, Doctor. Tell me. Aren't you worried about this?"
"Oh, yes," said Gears, his expression unchanging, his voice perfectly, almost supernaturally level.
Dr. Clef is to be given access to any materials he currently requires. All personnel are to assist Dr. Clef by any and all non-carnal means. However, Dr. Clef is not to be informed of the continued existence of any personnel involved in his capture. Dr. Lore is designated as go-between for Clef and any wishing to contact him.
Clef walked into the Victorian styled study and smiled at the fragrance of pipe smoke and old books. The old man was seated in high-backed chair with a hardbound copy of Don Quixote open in his lap. The old man looked up and started with surprise before smiling.
"Doctor Clef!" he exclaimed, his grin widening until the wrinkles of his face became subsumed by it.
"Hello, 343."
"Oh please," said the old man, waving away the designation. "No numbers between friends. Sit. Please."
Clef knew the chair would be there before he even bent his knees. He settled into a comfortable, overstuffed chair and looked at the elderly gentleman.
"We both know what you are," said Clef, as seriously as he could. "I've never said anything about you, not to anyone, nor recommended your termination, mainly because you stayed at Level 3 and never posed a significant threat."
The old man continued to smile happily.
"You remember me from the G.O.C., then? Geneva? 1989?"
The old man nodded, not quite as happily as before.
"And you remember that you owe me a favor?"
The aged gentleman's smile faded slightly. "Yes, Doctor. I remember."
"I've come to collect. There's another Type Green. This one has progressed to Level 4."
"I'm very old now, Doctor. I'm not sure how useful I can be. Sometimes, I look for books, but I can't remember their names. And they're just not there anymore. Just the other day, a young man came in here to ask me about… about something. And I forgot he was here. And then he wasn't. Just gone, and I can't remember him. No one wants to say anything…"
Tears formed at the corners of 343's crinkled eyes. Clef almost felt sorry for him. Almost. Until he remembered Geneva.
"Your aid will be necessary."
"I am a man of honor, Doctor. I will do whatever you need."
Clef stood to leave. The hard part was over.
Clef sat at the table, going over his plans once again. SCP-343 would be located in the middle of the fallout zone. Clef himself would be the bait. 239 should remember him, and once awake, her subconscious defenses would be significantly weaker. That should allow him to—
Clef heard the door open and looked up as Schmetterling entered.
"I didn't think you would ever be released, Doctor Clef," said Schmetterling.
"I'm not surprised you don't recognize me," replied Schmetterling. "It's been a long time."
Clef merely shrugged. "What do you want?"
"Only to give you something. A reward, for your service to the G.O.C."
Schmetterling reached toward his pocket, but stopped as the shotgun suddenly became leveled cleanly at his face.
"The outline of your pocket looks like a gun," replied Clef.
"It is a gun," said Schmetterling. He reached into his pocket, and slowly pulled out the purple revolver. He turned it slightly―handle first―and passed it to the other man.
Clef smiled. "This used to be one of ours, didn't it?"
"The Atomic Revolver. Reported lost by your Foundation several years ago. We found it."
"And you had nothing to do with the original disappearance?"
"The G.O.C.? Of course not," said Schmetterling.
"I wasn't asking about the G.O.C.," replied Clef.
Schmetterling merely shrugged.
"It was good to see you again, Doctor Clef. I wish you the best of luck."
Clef nodded, watching the other man's back as he left the room. He quickly picked up the purple revolver and slid it into his pocket.
Lore walked in carrying two drinks and set them down between Clef and herself. "What'd the Commandant want?"
"To talk about old times," replied Clef.
"Funny," she said. "He never mentioned that he'd worked with you."
"He didn't," said Clef.
Clef shut the safe, taking the small box carefully in his hands. He smiled. His trump card was ready, and everyone would soon be in place. He still had no idea what exactly he was going to be walking into, but he owed the Foundation this one.
He shivered, remembering the coldness of his preemptive coffin, and cracked his knuckles.
"Do you really think this will work?" asked Lore.
"It should. She shouldn't be able to do anything about it from the other side."
The mirror was slowly raised into place by the workmen as Clef palmed the jasper colored disk back and forth in his hand.
"And if it doesn't?"
"Then break the mirror before I get back."
Clef looked at Gears, examining the shorter man briefly.
"Dr. Clef. You are looking well."
"Gears. You look old as shit."
Gears merely handed the keycard to Clef.
"This will get you all the way through the designated path. You'll find the telekill body armor in the observation room, as well at the equipment you requested. Good luck, Dr. Clef."
"Is that all, Gears?"
"Pardon, Dr. Clef?"
"You locked me in a frozen hell for eleven years, and I don't even get an apology?"
"You were trying to kill our colleague, Dr. Clef. I was ordered to assist in your capture."
Clef grimaced at Gears and turned to walk into the Observation Room.
"Alto?"
Clef stopped. "What, Gears?"
"It was… a regrettable set of circumstances."
The chamber was quiet, except for the quiet hum of a dozen computers. This was the core of the facility, where everything was stored. Dozens of firewalls, hundreds of security protocols. All of them bypassed.
The man at the control panel typed for a few moments, laughed, and typed again. He walked over to the nearest set of panels, pulled out two of them, and slid the archival system into place.
Clef watched Gears walk away, heading to the last of the evacuation choppers. Site 19 was now abandoned, mostly. Those handful remaining were either vital to Clef's plans or wouldn't interfere with it.
He waited for perhaps fifteen minutes, looking through the steel at 239's sleeping form. She was a young woman now, mature. And thanks to years of wrongfully committed attempts, particularly hard to kill. He watched her, watched the fading phantasms of her id flicker about the room, scratching at the telekill walls.
He turned and picked up the thin helmet, strapping it to his head. The body armor was a little bulkier than he'd anticipated, but it fit well enough. He pulled on the gloves, fingered the purple gun underneath his jacket, and felt through his pockets until he found the tiny box containing his emergency backup.
He grinned and picked up the keycard Gears had given him. Sliding it into a control panel in front of the glass, he flipped the switches all down into their off position and pulled out the revolver, bringing it up to point at the slowly rousing reality shifter.
The hammer fell, and a loud crack echoed through the room as the steel bent and shattered inward.
Clef was running very quickly. He could feel her back there, floating somewhere. He risked a glance backward, watching the floors buckle into water and piss, dirt and air. He hoped she would be off-balance enough from the medications that she would be less capable, less able to affect the environmental changes on the universe.
He was pretty sure it was a pointless hope, now.
He rounded the corner as the walls slid into chunks of burning babies, the smell of human flesh turning his stomach slightly, then making it growl uncomfortably. One more turn, and he'd be at ground zero.
Another ten feet, nine, eight, seven…
He burst through the doors, looking expectantly for 343 to be standing in position.
Lore was waiting next to the large mirror as Clef pounded through the double doors panting. He looked at her, incredulous.
"The fuck are you still doing here?"
"You guys never work alone, right? I'm here to help."
"I'm not alone!" screamed Clef, as the doors behind him became a series of kittens with Barbie Doll arms sticking out of their eyes. "Where's 343?!"
The doors opened slowly.
The being floating through them didn't look like it was now or had ever been a little girl. Years of atrophy had turned her limbs into spindly wires of flesh wrapped around bone. She wasn't able to lift them, or even to turn her head. The tubes that had hung out of her arms were now crawling over her body like centipedes. The wall of kittens began to mewl, plaintively.
She opened her mouth, trying to say something, but only a gurgle came out. She looked at Clef and gurgled again, louder, angrily. Her bowels began to empty black, blood smelling feces onto the floor, which in turn morphed into coals, and began to spread out slowly, burningly. Clef was preparing to make a mad dash when the floor's progression slowed and stopped. He blinked twice and looked around the room.
343 was standing just behind Lore, his face knit in concentration. The old man's nose had a drop of blood forming from the left nostril, slowly running down over the crest of his lip, and dropping to his shirt.
343 flinched. "If you're going to do something, Doctor…"
Clef raised the gun again, and clicking the hammer back, let it fall.
The gun popped slightly, bars of energetic power running over its metal surface.
"FUCK!" screamed Clef. "A goddamned recharge rate?!"
The girl screamed in rage, and 343 cried out, staggered by the changes she was forcing into the world. The drugs in her system were quickly dissipating, her control over the world around her returning.
Clef grabbed Lore and pushed her hard, leaving her tottering toward the far wall of the wide room as he madly dashed for the opposite side.
The floating woman turned the air into chlorine for a moment, just a moment, before 343 could stop her. A child in an adult body, broken and beaten over the course of a decade, lashing out with her shattered mind. The older SCP was kneeling on the floor, ears bleeding. His knotted hands were clenched, as his foe turned for the moment from Clef to float toward him.
It was almost beautiful to watch, Clef thought, stopping for an instant to observe what he hoped was a rare circumstance. The distance between them crackled as the hovering female changed things, reversing the laws of physics and existence as 343 set them back into place. It was like watching a petulant child throwing her toys to the floor and her patient grandfather picking them up and setting them right.
Clef edged around near the now dead kitten door, raising the revolver again. He fired, the painful report running up his arm as chunks of the hovering menace were ripped from her body and thrown behind her to the mirror. She screamed as the cancers started to form almost instantly under her flesh.
"Don't care much for that, do you little girl?" shouted Clef, as 343 suddenly locked the universal order back into place.
Clef dropped the gun and bull rushed her before she could recover, hitting her tiny midsection sharply and pushing her toward the mirror, grasping the red disk and shoving.
They fell into a strange field, with rolling wheat and smells of emptiness. The girl was rolling on the ground, willing herself up off the ground pitifully. Clef stood nearby, knocking the bits of wheat and grass off his armor. He walked over and forced her body over, straddling her small, heaving chest.
"Sorry, dearie," he said, smirking. "Different world, different rules."
He placed both his hands around her neck and brought his thumbs up to her trachea. Tears ran down her face, her quivering lips pleading wordlessly with him to reconsider. As the brittle, malnourished bones snapped, her eyes thankfully glossed in the pleasant emptiness of oblivion.
Clef stood and walked back toward the mirror. "Should have done that years ago…"
Clef stepped back through the mirror, unlocking the telekill body gear he was wearing and dropping it to the floor. 343 leaned against the wall nearby, being tended to by Lore. Clef watched as she dabbed the blood away from the old man's eyes before he cleared his throat.
Lore looked up, smiled, and ran to the edge of the mirror.
"239's status?"
"Eliminated," said Clef.
"Good," said Lore. She brought the gun only as far as Clef's midsection before she fired.
Clef felt parts of him tear out of his back and staggered backward to the frame of the mirror. He looked up at Lore, the smiling face holding the violet pistol, feeling a tugging sense of recognition.
"Jack?"
Lore smiled, eyes twinkling with mischief. "Well, of course, Alto. Who else?"
Clef was sagging now, his legs giving out as the internal and external bleeding set in.
Dr. Bright jiggled happily as she sneered down at the bleeding, middle-aged man laying on the floor. "I don't take kindly to people who try to kill me, Clef, regardless of the circumstances."
"Really, Jack? But they were very good circumstances. Not even friends?" asked Clef. "What's a little murder between friends?"
"Especially not friends."
"That's too bad, Jack," said Clef, throwing up parts of his stomach. "You look good enough to fuck."
Clef rolled over, struggling to stand up. Bright let him, if for no other reason than it made the blood pour out of his gaping body that much faster.
"You forgot one thing though, Jack," said Clef, feeling his muscles twitching around the cancers forming in his midsection.
"What's that, Alto?"
"Your jewellery."
Clef stood in front of the mirror, smiling bloodily as he held SCP-963 at arm's length in his gloved hand.
"Goodbye, Jack."
As Clef lurched back through the mirror, Bright brought the pistol up a second time, pulling the trigger. The gun popped, electrical arcs running up and down its length. Bright screamed and rushed toward the mirror, but as she did, a loud shot―gunpowder and copper―echoed through the room, striking the disk hovering in the center of the glass. As Bright reached the mirror, she saw the disk chip, ever so slightly, and cease glowing.
She whirled around, looking for the source of the shot, raising the pistol over her head in rage. She found no one.
The room was cold as Schmetterling walked down the hall, shouldering the sniper rifle. It had been a while since he'd done any shooting, and he was proud that he still had the touch. He walked methodically toward the frozen tube, entered the old password they hadn't thought to delete, and smiled boldly as Imants fell bodily to the floor.
He leaned down and slapped his face a few times. "Imants. IMANTS!"
"Whoza?"
Schmetterling sighed and picked up the larger man, resting him on his shoulder. He left the rifle behind and picked up the data backup, stashing it in his pocket. As he passed Dr. Kondraki's tube, he stopped, looking at the frozen visage.
"C'mon," he said. "I'm going to need all of you to help cover our escape."
The tube shimmered as the butterflies flapped away from the empty containment chamber, floating around Schmetterling and his rescued friend for a moment before both of them vanished.
Jack Bright sat in the director's office, tapping her polished nails on the desk. This would be a set back. The amount of time needed to repair SCP-093 was unknown, if it could be repaired at all, and the disappearance of Kondraki from containment was highly unsettling.
Bright stood and walked to the far wall, entering the long and complex code that was required for someone without stable voice recognition or handprint.
The door slid open, revealing a carefully crafted box. She opened it, revealing the almost circle with the three, inward pointing arrows.
'Only a set back, Alto,' thought Jack. 'Only a set back.'
Alto Clef sat breathing heavily in a field of wheat and emptiness. He could feel the effects of having a Higgs boson thrown through his midsection, knew he didn't have too much longer to live, and that what time he did have would be unpleasant. If he'd still had a gun, he might have shot himself, but since he didn't…
Clef looked at the amulet. Tilting his head back, he positioned it perfectly over his mouth, and dropped it down his throat, thinking in his last moments how much nicer oblivion would be than the perpetual, eternally cold dreams.
And somewhere, somewhere on the other side of our world's mirrors, a cancer ridden, bleeding body shuts down―and reawakens screaming.
Unfinished Business II
doctor-brightdoctor-clefdoctor-gearsdoctor-kondrakifeaturedglobal-occult-coalitiontale
IB Physics Stuff
- Wikified -
SCP Vakfı Sandbox
Atış poligonu
Uniofbeds
qyoc


We are happy to announce that we are a Mastercraft Boats dealer and service department. You can view our new boats for sale, and used boats for sale to see what models we have in stock. While doing so keep in mind we are always here to answer questions and schedule demo rides.
You can also custom order brand new Mastercraft Wakeboard Boats, and Mastercraft Waterski boats, with your custom colors, optional features, accessories and colors. Here is the custom Mastercraft design-a-boat page on the Mastercraft website.


New Zealand's very own superhero, the demigod Māui, is a key figure in this month's Matariki celebrations, as Christchurch City Libraries (Ngā Kete Wananga-o-Ōtautahi) welcomes the Māori New Year.
Matariki takes its name from the star cluster whose rise marks the beginning of the New Year according to the Māori lunar calendar. In 2012, this takes place on Thursday 21 June.
Join us and share stories, rhymes and songs themed around Matariki, with a focus on pūrākau and pakiwaitara. Sessions are 30 minutes, and suitable for tamariki aged 2-4 years.
Classes are invited to these free 90-minute sessions at the South Learning Centre. Learn all about the Māori Demigod Māui and his amazing feats. Students will view legends of Māui, take part in an interactive quiz and create their very own set of stickers.
Food@Home is a journey through the new 'foodways' that are evolving in New Zealand. Come chat with author/gardener/cook Christine Dann about the rediscovery of the home food gardening traditions of both Māori and Pākehā. Her journey has taken her to community gardens, farmers' markets, māra Māori, artisan food producers, organic orchards, backyard edible empires, the Spud in a Bucket programme, foraging, freeganism and fine ecological dining. Take home seeds and a free tasty recipe to start your own delicious and healthy home kai.
Visit Rehua Marae to enjoy a display of story blankets that tell of legendary Māori exploits and reflect on Māori traditions and values. The blankets will depict stories told by prominent New Zealand writers, including Witi Ihimaera's The Whale Rider, Gavin Bishop's Taming the Sun, Patricia Grace's The Kuia and the Spider, Melanie Drewery's Stories from Our Night Sky, Ben Brown's Fifty-five Feathers and Robyn Kahukiwa's The Forgotten Taniwha.
Join us at Rehua Marae for storytelling, activities, stalls and much more.
Witness the stunning Matariki light display at Ngā Hau E Wha National Marae.
Activities are free. For times, information, or to collect a brochure, visit your local library or service centre or visit the Christchurch City Libraries website.


This article contains instructions for programming the Fortress Indoor/Outdoor Strobe Siren with the S02 main panel.
Make sure the power switch on the siren is in the "ON" position. If it was "OFF", it will beep once when turned "ON".
On a keyfob, press the Panic button.
On the keyfob, press the Disarm button.
Unplug and turn off the siren, and leave it unplugged for 5 seconds.
Plug the siren back in, and turn the power switch "ON". The siren will beep once.
Press the coding button, and release. The siren will beep once. The lights on the siren will turn on and stay on.
Press and hold the coding button until you hear a second beep (approx. 5 seconds). The lights on the siren will stay on.
The siren is now de-programmed, and will not sound when the alarm is triggered.


text:
Cronache italiane (in lingua francese: Chroniques italiennes) è una raccolta di racconti di Stendhal pubblicata postuma nel 1855; la maggior parte dei racconti furono pubblicati separatamente fra il 1829 e il 1842.

Elenco dei racconti (edizione 1947)
Vanina Vanini, pubblicato nella Revue de Paris il 13 dicembre 1829.
San Francesco a Ripa (San Francesco à Ripa), scritto nel 1831 e pubblicato postumo nella Revue des Deux Mondes nel 1853.
Vittoria Accoramboni, racconto non firmato, pubblicato nella Revue des Deux Mondes il 1º marzo 1837.
I Cenci (Les Cenci), racconto non firmato, pubblicato nella Revue des Deux Mondes il 1º luglio 1837.
La duchessa di Paliano (La Duchesse de Palliano), racconto firmato «F. de Lagenevais», pubblicato nella Revue des Deux Mondes il 15 agosto 1838.
La badessa di Castro (L'Abbesse de Castro), racconto firmato «F. de Lagenevais», pubblicato nella Revue des Deux Mondes il 1º febbraio e il 1º marzo 1839.
Troppo favore uccide (Trop de faveur tue), racconto incompiuto, pubblicato nel 1912 nella Revue de Paris col titolo errato Trop de faveur nuit.
Suora Scolastica, racconto incompiuto iniziato il 15 marzo 1842; Stendhal vi lavorò anche il giorno della sua morte, il 23 marzo 1842; pubblicato la prima volta da André Coq nel 1921.

Storia editoriale
La gran parte di questi racconti, chiamati da Stendhal genericamente Historiettes, vennero pubblicati singolarmente, spesso non firmati o firmati con lo pseudonimo "F. de Lagenevais", sulle riviste Revue de Paris o Revue des Deux Mondes. Stendhal affermava che tali racconti fossero stati da lui tratti da antichi manoscritti di biblioteca dei quali entrò in possesso verso il 1833, nel periodo in cui era console francese a Civitavecchia.  Le vicende storiche di alcuni di questi racconti (per es., Vittoria Accoramboni o La duchessa di Paliano) sono reali e ben note; altre (per es. La badessa di Castro) sembrano di pura invenzione, ovvero talmente modificate rispetto alla vicenda storica, che la fonte originale non può essere identificata. I commentatori sono pressoché unanimi nel ritenere che questi racconti rappresentino abbastanza bene «quella pienezza di vita che tra passioni e amori lo scrittore vagheggiò sempre in Italia, dalla storia figurativa alla musica e alla società».

Tre di questi racconti («L'abbesse de Castro», «Vittoria Accoramboni, duchesse de Braciano» e «Les Cenci: 1599»), tutti pubblicati sulla Revue des Deux Mondes dal 1837 al 1839, vennero raccolti dallo stesso Stendhal nel 1839 in un volume intitolato L'abbesse de Castro, come uno di essi. Nel 1855 apparvero due raccolte postume con un numero maggiore di racconti:
 la raccolta Chroniques italiennes, curata da Romain Colomb, cugino ed esecutore testamentario di Stendhal, edita da Michel Lévy, nella quale ai tre della raccolta del 1839 si aggiungevano «Vanina Vanini» (il racconto più antico, ambientato in epoca contemporanea), «La Duchesse de Palliano», «Les Tombeaux de Corneto» e «La comédie est impossible en 1836».
 la raccolta Chroniques et nouvelles, edita dalla Librairie Nouvelle, nella quale ai tre precedenti si aggiungevano «Vanina Vanini», «La duchesse de Palliano», «San Francesco a Ripa» e «Le philtre».
La versione definitiva apparirà nel 1947 in una raccolta curata da Henri Martineau per la Bibliothèque de la Pléiade: alla versione curata da Colomb vengono aggiunti tre racconti, apparsi tutti postumi («San Francesco à Ripa», «Trop de faveur tue», «Suora Scolastica») mentre «Les Tombeaux de Corneto» e «La comédie est impossible en 1836» furono eliminati.

Edizioni
  Contiene: «L'abbesse de Castro», «Vittoria Accoramboni, duchesse de Braciano», «Les Cenci: 1599».
  Contiene: «L'Abbesse de Castro», «Vittoria Accoramboni, duchesse de Bracciano», «Les Cenci», «La Duchesse de Palliano», «Vanina Vanini», «Les Tombeaux de Corneto», «La comédie est impossible en 1836».
 Contiene: L'abbesse de Castro ; Les Cenci ; La duchesse de Palliano ; San Francesco a Ripa ; Vanina Vanini ; Vittoria Accoramboni ; Le philtre.
  Contiene: «L'Abbesse de Castro», «Vittoria Accoramboni, duchesse de Bracciano», «Les Cenci», «La Duchesse de Palliano», «Vanina Vanini», «San Francesco a Ripa», «Trop de faveur tue», «Suora Scolastica»

  Contiene: «L'abbesse de Castro»; «Vittoria Accoramboni»; «Les Cenci»; «La duchesse de Palliano»; «San Francesco a Ripa»; «Vanina Vanini»; «Trop de faveur tue»; «Suora Scolastica»; «Le juif»; «Souvenirs d'un gentilhomme italien».
  Contiene: «La duchessa di Paliano»; «Vittoria Accoramboni»; «I Cenci»; «San Francesco a Ripa»; «Vanina Vanini».

Note

Bibliografia

Altri progetti

Collegamenti esterni

  Categoria "Stendhal nell'Open Directory Project
 Damien Berdot, L'italianité dans les Chroniques italiennes de Stendhal - Exposé de maîtrise.

Opere di Stendhal
Raccolte di racconti di autori francesi


text:
Photo: Courtesy The Museum of Fine Arts, Houston, The Bayou Bend Collection, Gift of Miss Ima Hogg
RIF317
48 1/4 × 33 3/4 × 26 1/4 in. (122.555 × 85.725 × 66.675 cm)
Museum of Fine Arts, Houston
Soft maple (primary); soft maple (seat rails and arm supports); eastern white pine (lower outside portion of C-scroll ); elm (arm stiles)
John S. Walton, Inc., New York; sold to Ima Hogg (1882–1975), Houston, 1960; given to the Museum of Fine Arts, Houston, 1960
John S. Walton, Inc.
Ima Hogg
The front seat rail is tenoned, with two wood pins, to the side seat rails. The c-scrolled knee brackets are glued and fixed with rosehead nails to the front and side seat rails and glued to the top of the front legs, which end in shod pad feet. Below the seat, the back face of the rear legs curve rearward; the front face is square at the top, then chamfered at the corners, then square again (at its juncture with the side stretcher), then chamfered at the corners. The blocked and turned side stretchers are tenoned into them, with one wood pin, and tenoned, with one wood pin, into the front legs. The legs and stretchers are painted black. Examined by P.E. Kane, August 8, 2013; notes compiled by T.B. Lloyd.
David B. Warren et al., American Decorative Arts and Paintings in the Bayou Bend Collection, The Museum of Fine Arts, Houston (Houston: Museum of Fine Arts, Houston, 1998), 34, no. F58, ill.


text:
SLOVENIA: New government moves to open space for dialogue with civil society
(European Civic Forum on CIVICUS Monitor)
[mnz]Minister Poklukar za konstruktivno sodelovanje z nevladnimi organizacijami https://t.co/mSYMXUd5lc
— RSSobjave (@RSSobjave) October 1, 2018
Slovenia's new coalition government has already demonstrated a desire for constructive cooperation with the non-governmental sector. On 1st October 2018, the Minister of Interior Boštjan Poklukar invited 17 representatives from non-governmental organisations (NGOs) in various fields for a working meeting to discuss issues from domestic violence to tackling Slovenia's drug problem. During the meeting, Minister Poklukar said:
"NGOs are our important partner, which is why today's meeting is considered the beginning of the dialogue, with which we will continue in the future. The migration crisis in 2015 and 2016, faced by the Republic of Slovenia, showed that without such active assistance of NGOs, such a large volume of migration would not be successfully and effectively managed." (Translated from Slovenian).
The parties involved in the meeting also agreed to establish a regular basis for this kind of multilateral dialogue in addition to bilateral meetings between individual organisations and government institutions aiming at tackling specific issues.
Notably, Minister Poklukar distanced himself from comments made by the previous Minister of Interior about CSOs working on migration. As previously reported by the CIVICUS Monitor, at the beginning of September 2018, the former Minister of Interior Vesna Györkös Žnidar accused non-governmental organisations of "extremely controversial practices" (translated from Slovenian) by allegedly supporting migrants to cross the border into Croatia and "exasperate" the police. Those allegations caused distress amongst NGO workers.
In separate developments, the Ministry of the Environment and Spatial Planning is taking forward a promise made by the Minister of Environment Jure Leben before his appointment. Leben had committed to establishing a ministerial Council of Cooperation with civil society. The CIVICUS Monitor had also previously reported that environmental NGOs had traditionally experienced resistance from the ministry when attempting to meaningfully engage in dialogue with the government on issues of concern in the sector. Leben's proposal was therefore warmly received. Under the plan, the national platform for NGOs, CNVOS, will appoint the ten representatives of civil society from different sectors. According to the plan, the Council will meet once a month to discuss draft legislation, funding and NGOs' support for environmental issues in Slovenia.
Positive steps have also been taken by other ministers in the new government. For instance, the Minister of Culture appointed Jadranka Plut, a previous president of the network of cultural NGOs Asociacija, as his cabinet consultant for cultural NGOs. Plut will lead the process of drafting the new national strategy for culture for the next three years.
Separately, CNVOS, in cooperation with the Ministry of Finance, organised an event about money laundering in NGOs. During the meeting, the ministry communicated that they strongly believe Slovenia has a good legal framework, and that no new mechanisms for supervision of NGOs are needed, given that the threat of money laundering and financing of terrorism through Slovenian NGOs is low.
Poskrbimo, da bodo naši otroci prejeli prave vrednote in imeli radi Slovenijo https://t.co/cGaQOcwjUT pic.twitter.com/edaV4LNsF7
— Joze Biscak (@JozeBiscak) October 4, 2018
Media outlets in Slovenia linked to Hungarian prime minister Viktor Orban continue to misrepresent and stigmatise NGOs, especially those working on migration. While these news channels have a limited audience in Slovenia, their actions contribute to damage the public's perception of civil society in the country.
In one particularly worrying episode for Slovenian NGOs, in September 2018, news agency Demokracije published a call for the creation of a children's book intended to underline an upheaval in nationalist feeling, trough the instrumentalisation of animals featuring in the book. Those behind the book's creation stated that "the story of the book should expose the dangers of multiculturalism and illegal migrations". In the book, indigenous animals of Slovenia were meant to represent the heroes, while the villain should be represented by animals which are not native. They stated that "the end should emphasise that it is nice to live in a traditional family (father, mother, children) and surrounded by your fellow countryman/your kind." (Translated from Slovenian)
Many civil society organisations condemned the attempt to foster intolerant and hostile speech. A petition has also been signed by over 80 organisations in an attempt to prevent the publication of the book.
SLOVENIA: Voters Strongly Reject Water Development Act in Referendum
SLOVENIA: Discriminating criteria risk impeding NGOs' access to Norway Grants and European Economic Area (EEA) Grants
COE: Slovenian authorities should halt the deterioration of freedom of expression and media freedom
SLOVENIA: Janša's government continues its attack on media freedom; spreads misinformation about CSOS
SLOVENIA: Government suspends press agency funding for second time in three months
GREEN VOICES: PUBLIC PARTICIPATION FOR CLIMATE ACTIVISTS
SLOVENIA: Delo Journalist threatened by State Secretary for National Security
SLOVENIA: CSO challenges the constitutionality of a decree banning protests in Court (UPDATED)
SLOVENIA: Interview with Institute of the 8th March on the cyclist protests defending freedom and democracy
SLOVENIA: New push to restrict environmental and nature conservation NGOs
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The engine power of 600hp brought the early Marder to a top speed of over 75km/h whereas the newer versions of A3 and above only achive 65lm/h die to increased weight. The most used version, the A3, has a weight of 33,5t and the newes A5 version of 37,5t.
The Marders were used in Panzergrenadier Bataillons in the German Army as well as Artillery and Mortar spotter. It is also used in KFOR and saw combat action in Afghanistan as ISAF vehicle where there are still several Marder in action.


JUSTICE LEAGUE #1 sees a lot of big changes to the classic formula. Scott Snyder takes the team on a fantastic, action-packed adventure while also focusing in-depth on the characters that make this story work. While some elements need more explanation, this is definitely a book to keep an eye on.
Since Scott Snyder's run on BATMAN in 2011, fans have been clamoring for more of his work. His narrative style has such a deep reverence for the source material and, most importantly of all, he isn't afraid to tread new ground. He thrives in the weirdest aspects of the DC Universe. No series of his speaks to this more than DARK NIGHTS: METAL and its many spin-offs. Snyder has changed the game by (literally) blowing up the boundaries of the known universe. Now, it's time for him to turn his attention to DC's greatest heroes. That's right folks. JUSTICE LEAGUE #1 has finally arrived, with Snyder calling the shots. So does it live up to the hype?
JUSTICE LEAGUE #1 opens exactly where it should. The world is in peril, and the Justice League has to save it. Today, that threat comes in the form of Neoanderthals, a group of evolutionary vagrants experimented on by Vandal Savage. With the team stretched thin, they barely notice the appearance of an unknown celestial body hurtling toward Earth. Meanwhile, Lex Luthor approaches Vandal with plans of his own. He's gathered the planet's most despicable villains together, all so they might finally defeat the League.
JUSTICE LEAGUE #1 page 1. Image courtesy of DC Entertainment.
JUSTICE LEAGUE #1 feels like textbook Scott Snyder. From the very first page, Snyder throws intricate twists and powerful character moments at the reader. This book feels highly unpredictable in the best possible way. Snyder has an immense repertoire of DC history to work with and, as he's shown in the past, is unafraid to work with it. I had no idea what each page would bring me and, as a reader, this feels incredibly exciting. This story doesn't initially seem like just a team "beat-em-up" plot. This is an incredibly action-packed book, but it feels so much bigger than the action. This is a cosmic level JUSTICE LEAGUE story; and with the Source Wall destroyed, literally anything can happen.
I absolutely enjoyed the narrative flow of JUSTICE LEAGUE #1. However, Snyder's extensive bag of tricks does come with its own issues. He has access to so many unique elements, but he throws so much into this story. It feels like a little too much, at times. The grand scope of the narrative doesn't take any time away to explain some of the more obscure elements. Vandal Savage, for example, is mentioned and seen but very little is said about his appearance. So much happens in this story, but only about three-quarters of it felt truly accessible. I have read DARK NIGHTS: METAL and JUSTICE LEAGUE: NO JUSTICE, meaning I caught on to the many references. Yet for a new fan just jumping into comics? This, unfortunately, isn't the story for you.
JUSTICE LEAGUE #1 pages 2 & 3. Image courtesy of DC Entertainment.
Surprisingly, JUSTICE LEAGUE #1 works really well as a team book. It doesn't run into the same problems that a lot of other similar stories do. While each individual member doesn't receive the same level of characterization, the book's main focus isn't any one character either. It's the whole Justice League. Snyder makes it clear from the very first page that the team, not its members, would be the focus. This may push some readers away, of course. However, it works really well in my opinion. The way they banter amongst themselves feels wholly natural, especially when they all make fun of Batman together. This team seems like a family immediately. Also, Snyder takes this opportunity to expertly explore what the team represents, which gives way to some incredible exposition.
With all of that said, though, one character does step into the spotlight. Martian Manhunter takes center-stage in this story, with both internal commentary and in his role as the League's chairman. His telepathic abilities put him at a truly interesting place in the story. On the one hand, he's integral to the plot. Being able to reach into minds around the world gives Snyder's Manhunter a lot of opportunities for cool storytelling. However, he also acts to center the team. The loss of his family comes to the forefront in JUSTICE LEAGUE #1, and the way it affects his views of unity and loneliness truly helps inform the theme. This book couldn't work without Martian Manhunter, and Snyder plays him beautifully.
JUSTICE LEAGUE #1 page 4 & 5. Image courtesy of DC Entertainment.
Artist Jim Cheung, penciler for JUSTICE LEAGUE #1, is a master of the splash page. Big, explosive images almost come naturally to him. Luckily, most of the story calls for these grand images, and they never disappoint. Cheung's eye for fine detail is absolutely amazing, giving the action sequences a much more chaotic and energetic appearance. This is only aided by Mark Morales' subtle inking style and Tomeu Morey's vibrant color palette. These three artists together give way to an absolutely beautiful and other-worldly book that very few other artists can match.
I did feel, though, that the art lost a little something in the slower sections. The mid-issue team meeting, for example, felt a bit rushed. I can understand this completely, of course. I can't imagine how long it took for Cheung to draw Martian Manhunter's dragon form or Green Lantern's mega-gun. However, I could still notice the slight drop in quality. This isn't a grievous issue or anything. Cheung's pencils are still gorgeous to look at. I just noticed the difference and thought it important to bring up.
Scott Snyder absolutely nailed it with JUSTICE LEAGUE #1. This story ticks all of the right boxes. It's weird and full of obscure elements from DC's long history. While certain instances of this could use a bit more explanation, I loved the way they paid homage to the source material. It's action-packed without focusing on the superficial fight scenes. This is a character-driven narrative through-and-through, with the team taking center stage. While the casual reader may find this book hard to get through at times, the devoted DC fan will absolutely fall in love with it.