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Movie Review: Hard Eight
September 26, 2019 September 26, 2019 AndrewHalterOmniblogdark, gambling, great movie, Gwyneth Paltrow, movie, Paul Thomas Anderson, Phillip Baker Hall, Phillip Seymour Hoffman, Samuel L. JacksonLeave a comment
Hard Eight (1996)
Director: Paul Thomas Anderson
Writer: Paul Thomas Anderson
Cast: Phillip Baker Hall, John C. Reilly, Gwyneth Paltrow
Hard Eight, the meticulously crafted first feature from Paul Thomas Anderson (Boogie Nights, Punch Drunk Love, There Will be Blood), is completely and unpredictably engrossing. From the very beginning, when Sydney (Phillip Baker Hall) offers to give John (John C. Reilly) a cigarette, buy him a cup of coffee, and teach him the ways of a professional low-stakes gambler, the film moves swiftly from one scene and setting to the next without pausing to take a breath. Downhill plotting like this, where each scene leads to the next without an end in sight becomes a showcase for spellbinding performances from Hall, Reilly, a frighteningly charismatic Samuel L. Jackson, and perhaps most compellingly from an unforgettable Gwyneth Paltrow.
Clementine, Paltrow's character, is an injured woman. This can be assumed from the very first time we see her, clad in a provocative cocktail dress and sharply crimson lipstick, she absorbs the lecherous words and gazes of the men who surround her. Her character, like every character in Hard Eight, has been forced by terrible circumstance into desperation, and is driven to take the only avenue she sees open to her. The sadness in her every scowl and spoken word is heartbreaking, and the regret she harbors is only reaction to the world's unrelenting cruelty. This is just the same with John (Reilly), who begins the movie penniless and clueless, and crawls out of his trouble only by doing everything Sydney (Hall) tells him to. Despite these two assured performances, both of which are complex and layered, the movie belongs to Hall, who fills the story with both structure and emotion.
Sydney (Hall) begins the movie speaking seriously, posing himself as a no-nonsense pragmatist, one offering aid to society's castoffs for no reason other than that they needed help. As the story progresses and we learn of the reasons Sydney does what he does, the emotion breaks through but only subtly; almost unnoticeably. After John (Reilly) and Clementine (Paltrow) have a quickie wedding at a Reno chapel, Sydney watches the wedding tape, and though he barely moves a muscle throughout the scene, the intense emotion roiling underneath is extremely powerful. For the entirety of the film, he stands as an immovable post around which all the emotion and intrigue of the film swirl, and the emotion behind his tight face and businesslike behavior hide a well of intense feeling.
This brings me to the significance of the title Hard Eight, which I think reveals the purpose of the film as a whole, and of Sydney's (Hall) character in particular. Hard eight refers to one of the stupidest bets one can make at a craps table. It means not only are you betting that the two die, when rolled, will equal eight, but that you will win the bet only when the total eight is reached by two fours. This makes the odds of a roll achieving hard eight only one in thirty-six. This means that late in the film, when Sydney places a thousand-dollar bet on hard eight, he does it fully understanding that he more than likely will never see his money again. This is a movie about sad, hopeless people struggling to make due in a world that wasn't made for them. And with the direction of a blossoming master making every emotion powerfully tangible, it is an exhiirating viewing experience.
Movie Review: LA Confidential (1997)
February 21, 2019 February 21, 2019 AndrewHalterOmniblogacademyaward, bestactressoscar, Brian Heigeland, Curtis Hanson, Danny Devito, dragnet, Guy Pierce, Hollywood, James Cromwell, James Ellroy, Kevin Spacey, Kim Basinger, LA Confidential, laconfidential, Netflix, ontheqt, police, Russel Crowe, scandalLeave a comment
Director: Curtis Hanson
Writer: James Ellroy (novel) Brian Heigeland (screenplay)
Starring: Guy Pierce, Kevin Spacey, Russel Crowe, Kim Basinger
LA Confidential, simply put, is one of the most compelling, endlessly re-watchable thrillers of all time. One thing that distinguishes this film from its rivals is the faithfulness to its source material. I don't mean the novel it was actually adapted from, James Elroy's piece of the same name, which I haven't read, I mean Dragnet (1952-9). Dragnet has its fingerprints all over the film, from the opening slightly satirical monologue delivered over a montage of scenes from the city, to the way the story tends to take place in a series of interrogations. However, this isn't Dragnet, and modern audiences need a bit more nuance and a bit more honesty. Not every interrogation ends in a fade out. Some interrogations end in blood, some end in death, and some end in sex.
The interrogation that ends in sex is one of my favorite scenes in the movie. Kim Basinger (who won Best Actress for her performance) blazes the screen with wit, honesty and intensity. Her character Lynn Bracken distinguishes herself early as an intelligent and capable woman, but the world in which she works as a high-class call girl only values her sexuality. So when Ed Exley (Guy Pierce) knocks on her door in the middle of the night, and passionately kisses her, she resists at first. She even says "fucking me and fucking Bud White (Russel Crowe) aren't the same thing you know?" Upon hearing this, a statement that correctly judged Exley's true motives, he simply persists, and power relationships being what they were in the 50's, she has no choice but to succumb. This quasi-rape scene spurs the film on to its conclusion, but more than just a plot point, it showcases in horrific microcosm one of the film's central themes; that when the police outstep their bounds, they become indistinguishable from the criminals they fight against.
This theme is shone most obviously in the performance of Russel Crowe, who is stunning as veteran detective Bud White. When we first see officer White, he interrupts a domestic dispute not by ringing a doorbell or pounding on the door, but by yanking the christmas decorations off their roof. Though it turned out officer White was justified, as his actions did put at least a temporary halt to an ongoing case of domestic abuse, I wonder who was going to pay for the destroyed christmas decorations. Later in the film, White executes a man, shooting him in the chest, before taking care to pull out a second gun and stage the crime scene. Both White (Crowe) and Exley (Pierce) are weak and morally compromised in their own ways, but by the end, they must join together to reach a satisfactory conclusion. This brings us back to Dragnet.
Every episode of Dragnet ended with an arrest, showing that any mystery is solved and evil is punished, and though LA Confidential is definitely unconventional in most every respect, its ending draws everything together. Through the masterful performance of everyone involved, particularly James Cromwell whom I believe should've won an oscar for his portrayal of Captain Dudley Smith, Curtis Hanson (Director) stitched together a remarkably compelling history lesson. He shows through the slanted motives and animalistic desires of nearly each character involved, that nothing is exactly as it seems.
Movie Review: Cam
February 11, 2019 February 12, 2019 AndrewHalterOmniblogcam, camgirl, camgirls, cammovie, camreview, danielgoldharber, deepfake, deepfakeporn, digitalmask, doppleganger, fakeapp, horror, ilsamazzei, lyrebird, lyrebirdai, lyrebirdapp, lyrebirdsoftware, madelinebrewer, modern, moviereview, Netflix, technology, thebabysitter, thriller, turbokid, webcam, wheelmanLeave a comment
Many Netflix original movies have so far ranged from simply awful (The Cobbler, The Ridiculous 6) to charmingly loopy (The Babysitter, Turbo Kid), frequently producing content that simply would not fly in a theatrical release, either due to shocking and unexpected violence or the laziest of comic writing. However, with 2017's Wheelman Netflix showed that it could produce a first-rate thriller, creating a fast-paced, exciting ride, even if the plot was a little thin for a theatrical release. 2018's Cam represents another step forward for the production team, crafting an immensely watchable and unconventional thrill ride, one that is familiar in the type of tension it brings to the fore yet wholly modern in its conclusion.
Though Cam was helmed by promising first-time director Daniel Goldharber (and co-written by Goldharber and Isabelle Link-Levy), the story comes from Ilsa Mazzei, who used her own experience as a working cam girl to color the piece with an unmistakable layer of authenticity. The story concerns Alice Ackerman (Madeline Brewer), an enterprising young woman who makes a more than healthy living as a cam girl, which is a term I was unaware of before I saw the film. Cam girls make their money by performing an improvisational pornographic cabaret in front of their personal webcam, receiving suggestions and payment from legions of leering patrons. The film offers a peek inside the world of the cam girl, including the friendships, collaborations, and antipathy shared among this society of modern entrepreneurs. Early in the film's runtime, however, Cam takes a turn to the dark underbelly of the Cam girl business, making of itself an unconventional and immensely watchable thriller.
As the movie never strays from her character's point of view, Madeline Brewer delivers what could be a star-making performance, displaying in equal parts intelligence, strength, resourcefulness, and desperation. As Ackerman and her cam girl pseudonym "Lola_Lola" are toyed with by a mysterious doppleganger, the film's tension expands into unexpected avenues, keeping the tension tangible and unconventional. There is at one point a threat that Ackerman's cam girl persona might be exposed to her friends and family, and while a more conventional look into this business might cast this as the ultimate horror, Cam simply allows it to happen and then deals with the consequences. The greater threat comes from the false "Lola_Lola," and in a climactic showdown that takes place entirely on Ackerman's webcam, she vanquishes the threat and regains control of her digital identity.
Though the film is littered with excellent supporting performances, most notably from Kevin Druid (13 Reasons Why) as Ackerman's younger brother and Patch Darragh (The First Purge) as her most slavish patron, the film lives and breathes through its star. Brewer's performance acts as the perfect conduit for the statement being made by Ilsa Mazzei, that cam girls are not like prostitutes or even strippers whom could become victims of exploitation, but are more akin to explorers in a new field of profitable sexuality. Though this statement might seem dubious to some, particularly Ackerman's mother Lynne (Melora Walters), Cam constructs a fascinating argument, and heralds the arrival of exciting new talent in modern filmmaking.
Movie Review: John Wick: Chapter 2
July 3, 2017 July 3, 2017 AndrewHalterOmniblogaction, Andrew Halter, Chad Stahelski, Derek Kolstad, drama, fighting, fun, gunfights, John Wick, John Wick: Chapter 2, Keanu Reeves, knife fights, movies, revenge, visually enthrallingLeave a comment
In 2014, the surprising hit John Wick created a diverting comic-book riff on the revenge drama, seeming like a one-off set piece that hit all the buttons action fans look for. However, with John Wick: Chapter 2, the writer/director team of Derek Kolstad and Chad Stahelski have taken what I consider to be a significant step forward in the evolution of American action filmmaking. Ditching the sentiment almost completely, they dove into the lunatic alternate reality they created, and came away with one of the most consistently enthralling and artistically expressive action movies I've ever seen. It left me gasping, and as I pant for more I'm forced to admit that though this movie's influences are many, from the riveting gun-fu of Hard Boiled to the intense close-quarter combat of Ong-Bak, in sheer audacious bravado this film stands alone (except for maybe Hard Boiled).
I say audacious because according to the entertainment section of businessinsider.com, the kill count of this blood-drenched magnum power shot stands at a staggering 128, meaning that the average stands at just over one kill every minute of the movie's 122 minute runtime. This mass of fatalities, however, is not stretched out over the entire movie, but is rather concentrated in two or three central shootouts (depending on how you determine when one shoot out ends and another begins), which see the inimitable Keanu Reeves transform into the mechanized killbot it seems he was always meant to be. Because of his strangely vacuous performance style, which made him perfect for Bill and Ted's Excellent Adventure and the object of derisive laughter in Dangerous Liaisons, makes him this movie's perfect protagonist.
I refer to Reeves' character, the eponymous John Wick as a protagonist, not a hero, because John Wick: Chapter 2 has no real heroes. In the first John Wick, the eponymous character's thirst for revenge was ignited by the death of his beagle puppy named Daisy, a symbol of the love he'd had for his recently deceased wife. In this second volume of the Wick saga, the movie's central villain simply destroys his house, without even harming the new dog he never bothers to name. It is notable that whereas Daisy, the puppy from the original film, was a cuddly little bundle of love, Wick's new dog is a very obedient pit bull. This is a signifier that in the first movie, Wick lost his soul, and though he at first remains reluctant to return to death-dealing, he ends up taking to it like a master executioner, killing without thought.
This singularity of purpose and lack of true motivation are two of the things that I believe make this movie a significant advancement in American action cinema. Too often, even in justifiably regarded tentpoles of the genre like Die Hard or Lethal Weapon, the action has to pause for the insertion of sentiment or (god forbid) romance, giving viewers like me a chance to go to the bathroom. John Wick: Chapter 2 eschews any sentimental subplots, replacing them instead with an extraordinary visual panache. Shootouts in an art exhibit containing a hall of mirrors and a topiary gallery that changes color depending on which side its viewed from are entrancing; so much so that they forego the need of an emotional undercurrent. The movie's director Chad Stahelski began in movies as a stuntman, most notably doubling for Reeves in The Matrix, and with this viscera-speckled opus, he shows that the closer one draws to violent action, the more such warfare becomes part of his identity.
Movie Review: Oldboy (2003)
March 13, 2017 March 13, 2017 AndrewHalterOmniblogaction, Andrew Halter, Cannes, Choi Min-sik, Chun-hyeong Lim, extreme, Garon Tsuchiya, Grand Prix, horror, Hye-jeong Kang, Jo-yun Hwang, movie reviews, movies, Netflix, Nobuaki Minegishi, Oldboy, Park Chan-wook, philosophically relevant, philosophy, Yoo Ji-taeLeave a comment
Writer: Garon Tsuchiya (story), Nobuaki Minegishi (comic), Park Chan-wook, Chun-hyeong Lim, Jo-yun Hwang (screenplay)
Actors: Choi Min-sik, Yoo Ji-tae, Hye-jeong Kang
Available now on Netflix
When I first saw it in 2005, Park Chan-wook's seminal standout Oldboy knocked me on my ass, enrapturing me in a world of heretofore unrealized filmmaking potential. It seemed so alive. From the first scene of Oh Dae-su (Choi Min-sik) yelping in drunken rage from a bench in the police station, it was plainly evident that this film was the work of a master. From the exquisitely crafted set pieces to the relentless movement of the action scenes, it is easy to see why this movie, which was not originally submitted for competition to the Cannes film festival, ended up winning the Grand Prix (unofficial second place). Though at it's heart, Oldboy is in many ways a horror movie, and the squeamish might do themselves a favor by staying away, for those with the stomach for it, there is scarcely a better movie-watching experience to be had.
At the beginning of the movie, Oh Dae-su (Choi Min-sik), a nondescript, drunken Korean office worker, is kidnapped and imprisoned in what seems like a shabby hotel room. He is kept prisoner in this one room for fifteen years. In these fifteen long years, while he trains himself obsessively, he also becomes increasingly unhinged. When he is unexpectedly released inside of a suitcase on top of a high-rise, he has only one goal, to discover what happened to him. This is a very compelling plot line, and though I believe it would have been engrossing enough to hold my interest whoever the performers were, Choi Min-sik does a superb job of making his character seem genuinely deranged. When he is released on the skyscraper's roof, he stops a man from committing suicide, only to break into a wide grin as the man finally does kill himself moments afterwards.
As the plot twists its way through various insane and unseemly revelations, Park Chan-wook fills the movie's running time with unforgettable scenes and sequences, creating an entrancing head-trip of a movie. One scene that is undoubtedly the movie's feature attraction, a three-minute fight scene where the hero dispatches with a hallway full of faceless thugs using only a hammer, is only one of the notable scenes in Oldboy. Choi Min-sik devouring a living octopus whole, as well as the villain (Yoo Ji-tae) clad in a gas mask and hazmat suit spooning a naked Oh Dae-su are two more examples of the enthralling artistry on display in this movie.
As the particularities of the plot reveal themselves and the story delivers a sickening denouement, the true intricacy of Oldboy reveals itself. As the movie ends and each character's path finds its own twisted conclusion, a message finally makes itself clear. This is a movie about obsession, showing the way that vengeance, especially when taken to its greatest possible extremes, brings only evil into the world. Through his use of ecstatically inventive filmmaking, Park Chan-wook has created an unflinching, deeply entertaining, and philosophically relevant work of art.
Movie Review: Sing Street
November 16, 2016 November 16, 2016 AndrewHalterOmniblogAiden Gillen, Andrew Halter, Ferdia Walsh-Peelo, Gary Clark, Ian Kenny, John Carney, Lucy Boynton, Mark McKenna, movie reviews, movies, music, Sing StreetLeave a comment
Sing Street is boundlessly enjoyable and irresistibly euphoric, making it feel like the most worthwhile movie watching experience I've had in years. Directed by John Carney, who achieved fame creating 2007's surprise musical hit Once, again packs this film with very good original music (Composed by veteran music producer Gary Clark) to effectively enhance the emotional impact of the story. The film takes the well-worn (i.e overdone) plot line of a troubled youth escaping his depressing home life through music, and while strictly adhering to every cliche of the genre, it elevates the story into something spectacular and life-affirming.
The film's protagonist is Conor (Ferdia Walsh-Peelo), an unassuming frail waif of a teen, who inside carries the heart of a champion. Whereas in a typical coming of age/band formation story the protagonist would admire his muse from afar, crippled by nerves, Conor walks right up to her and asks if she wants a light for the unlit cigarette hanging from her lips. Conor's queen Raphina (Lucy Boynton) is a fascinating character, reacting to her own depressing circumstance with an iron-faced confidence, she stands on the stoop of the girl's home where she lives across from the all boys school that Conor attends everyday, watching.
Rafina's a ward of the State whom we're led to believe may have been taken away from her father because of sexual abuse (this is only ever hinted at), and she has only threadbare dreams of becoming a model in London. However, she is the catalyst that drives every major step in the creation of this band, and the chemistry she has with Conor quickly becomes the focal point of the movie. Around this relationship Carney found a cast of extremely charming and talented teenagers, particularly Mark McKenna and Ian Kenny, to pack the rest of the film with hilariously honest moments.
Sing Street is a movie about dreams, and the way they can seem impossible until true passion and heartfelt fervor can put them in reach before you know it. This brings us to another key character, Conor's older brother Robert. Robert is a 20-something college dropout who once upon a time had musical dreams of his own, but rather than any type of jealousy, he loves imparting his love of popular music onto Conor. Robert's deep love for his little brother is written on his face at every scene. At one moment in the film, Robert leaps into the air with triumphant joy at Conor's courage and risk-taking, and watching Sing Street made me want to join along.
Sing Street (2016)
Writer: John Carney
Cast: Ferdia Walsh-Peelo as Conor
Lucy Boynton as Raphina
Jack Reynor as Robert
Trailer addendum: This trailer, when I first saw it, seemed hokey like a paint-by-numbers coming-of-age story, and in a way that's what Sing Street is, but having seen the movie, even the trailer is joyously powerful.
My Case for Michael Shannon as Batman
April 8, 2016 April 8, 2016 AndrewHalterOmniblogAndrew Halter, Batman, Boardwalk Empire, Bug, casting, Christian Bale, dark, dark knight, duality, fiction, intensity, Jeff Nichols, Michael Shannon, Take Shelter, William FriedkinLeave a comment
I recently saw Midnight Special, and though overall it left me somewhat cold, I did come out of the theater confident in one assertion: Michael Shannon should be the next actor to play Batman. I say this because more than any other actor who's played this iconic role, I believe Shannon has the perfect combination of an intimidating aspect, all-consuming passion, and absolute insanity that I've come to believe the role requires. Because of this I believe that Shannon is by far the best choice to take the role of Batman, and that he could find new dimensions of character in Gotham City's vigilant guardian.
For the straight-faced intimidating stare Batman uses when he shakes down criminals, look to Nelson Van Alden, Shannon's character on HBO's Boardwalk Empire. As Van Alden, Shannon brings an impenetrable gloominess and a clear-eyed certainty, both of which I think would be perfect for the caped crusader. I envision Shannon in the cape and the mask beating a few street toughs silently, wordlessly and mercilessly, giving them all nightmares with his permanently stone faced glower. He also would not need to modulate his voice (like Bale's annoying rasp), as his bass mumble evokes the ultimate humorless authority figure.
I feel that Shannon would animate the untrusting, secretive and obsessive nature of Bruce Wayne. Given Shannon's wonderful performance in Jeff Nichols Take Shelter, wherein he plays a man consumed by terrifying nightmares and apocalyptic hallucinations. As the film goes on, it is plainly evident in Shannon's face that his character has an increasingly tenuous grasp on reality, and as this grasp evaporates he becomes more wide-eyed and desperate with each scene. I believe Shannon would do well to bring these elements of inner torment and social disconnection to Bruce Wayne, perhaps ruling over board meetings by pounding on surfaces with unnerving intensity.
Bruce Wayne is not a well man, and Michael Shannon could portray this with effortless ease. William Friedkin's stellar nightmare Bug is a prime example of Shannon's ability to play unhinged. The physicality Shannon portrays in Bug is dangerous and manic, such as I believe has been lacking in previous portrayals of Gotham's most eccentric citizen.


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This year marks our first ever Champions Benefit in the Bay Area! We hope you will join us on Thursday, September 21st at the beautiful 111 Minna Gallery in the heart of downtown San Francisco for a grand celebration. Guests will be treated to an open bar, light nibbles, DJ entertainment, and plenty of fun and games. The evening will be hosted by our Young Executive Board.
We have much to be proud of following our incredibly successful inaugural year in the Bay Area - but we need your help to continue to grow our impact. This past school year, iMentor served 270 students; this fall we will double our impact and serve more than 540 students. Come party with us, learn more about our work, and ensure next year rocks!
For more information or to get your company involved as a sponsor contact: Andrea Somerville at [email protected].


text:
Michael Currie (ur. 24 lipca 1928 w Kingston w stanie Nowy Jork, zm. 22 grudnia 2009 we Freeport w stanie Maine) – amerykański aktor.

Filmografia
Duży ekran

The Troublemaker, Jak tylko potrafisz, Dead & Buried, Firefox, Halloween III: Season of the Witch, Spokojnie, to tylko awaria, Nagłe zderzenie, Eksperyment filadelfijski, Pula śmierci, Distant Thunder, The Man Without a Face, G.I. Jane.

Seriale telewizyjne

The Trials of O'Brien, Dark Shadows, The Associates, The French Atlantic Affair, Lou Grant, Family, Trapper John, M.D., Bogie, ABC Afterschool Specials, M.A.S.H., Barney Miller, Soap, Knots Landing, Voyagers!, Dallas, Remington Steele, Wizards and Warriors, Newhart, Family Ties, Spenser: For Hire, Scarecrow and Mrs. King, Once a Hero, Hooperman, Cheers, Christine Cromwell, Homicide: Life on the Street.

Linki zewnętrzne
 na IMDB

Amerykańscy aktorzy filmowi
Urodzeni w 1928
Zmarli w 2009

redpajama_set_name: RedPajamaWikipedia


text:
Jailed financier Epstein seeks house arrest in Manhattan mansion
By webfact, July 12 in World News
webfact 40,416
By Brendan Pierson
FILE PHOTO: U.S. financier Jeffrey Epstein appears in a photograph taken for the New York State Division of Criminal Justice Services' sex offender registry March 28, 2017 and obtained by Reuters July 10, 2019. New York State Division of Criminal Justice Services/Handout via REUTERS.
NEW YORK (Reuters) - American financier Jeffrey Epstein on Thursday asked a federal judge to let him out of jail and allow him to remain under house arrest in his Manattan mansion while he awaits trial on charges of sex trafficking underage girls.
In a filing in federal court in Manhattan, Epstein's lawyers argued that home confinement, along with electronic monitoring, surveillance and a bond secured by a mortgage on the Upper East Side home which they valued at $77 million, would ensure that he does not flee the country.
A spokesman for New York-based federal prosecutors declined to comment. On Monday, prosecutors said at a court hearing that they will oppose Epstein's release on bail under any conditions.
U.S. District Judge Richard Berman, who is overseeing the case, previously rejected a similar request by Turkish-Iranian gold trader Reza Zarrab, finding it was unfair to allow wealthy defendants to "buy their way out of prison by constructing their own private jail."
Epstein's lawyers said their client had a "spotless 14-year record of walking the straight and narrow" since 2005 and had shown "perfect compliance with onerous sex offender registration requirements."
They said Epstein would nevertheless agree to be fitted with an electronic ankle bracelet, surrender his passport and de-register his private jet as conditions of his house arrest.
Epstein, 66, was arrested on Saturday evening at Teterboro Airport in New Jersey, where he had returned on his private plane from Paris. He pleaded not guilty to sex trafficking and conspiracy.
The well-connected money manager was known for socializing with politicians and royalty, with friends including Republican U.S. President Donald Trump, former Democratic President Bill Clinton and, according to court papers, Britain's Prince Andrew. None of those people was mentioned in the indictment laying out the charges against Epstein.
According to the indictment, Epstein arranged for girls under the age of 18 to perform nude "massages" and other sex acts, and paid some girls to recruit others, from at least 2002 to 2005. Prosecutors said that a search of Epstein's house on Saturday uncovered nude images of underage girls.
Epstein had faced similar charges from federal prosecutors in Florida in 2007, but reached a deal to avoid federal prosecution by pleading guilty to a Florida state prostitution charge and registering as a sex offender. He served 13 months in a county jail, but was allowed to leave during the day to go to his office.
Epstein's lawyers have said that the previous agreement makes him immune to the new charges, which cover the same period. The New York prosecutors have said they are not bound by the agreement.
Alex Acosta, then the U.S. Attorney for the Southern District of Florida, oversaw the Florida plea deal.
Acosta, who is now Trump's secretary of labour, defended the deal in public statements on Wednesday, saying it had ensured Epstein, whom he called a sexual predator, would serve jail time.
(Reporting By Brendan Pierson in New York; editing by Jonathan Oatis, Noeleen Walder and David Gregorio)
-- © Copyright Reuters 2019-07-12
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twocatsmac 319
Lol, I bet he does. I wouldn't mind being under house arrest in his mansion, free to party on while the lawyers do their deals again.
wayned 5,346
wayned
Location:Nakhon Sawan, Thailand
The judge should tell him to take his 77 million offered property bond + cash and p[aid for security and shove it where the sun doesn't shine. He should be treated like Joe Smuckatello who lives under the freeway overpass and works for food. After all he is already a registered sexual pervert! Put him in Rikers in general population and make sure that the population knows who he is and what he has done, a fit starter on a long term sentence.
ezzra 30,452
Cynical me
Last time he was accused of similar crimes, he got away by the skin of teeth only to continue his sidspeable deeds, hopefully this time, billionaire or not, he will find himself sharing a cell with a huge man called Bubba who hasn't seen a woman for many years...
watcharacters 4,031
"take me"
Location:LOS
Why not just have him share bond expenses with Robert Kraft?
TopDeadSenter 2,923
Castration and life imprisonment would be a result, and that should apply to those law enforcement officials that helped him get off on prior occasions too. Their cover-up is just as evil as Epstein's pedo activities.
Now what is interesting in the Epstein case is how all posters support Epstein being punished severely and nobody is attacking those that helped bring his crimes to the fore. Contrast this to the other pedo related thread running on the forum, where almost everybody is attacking the guy that brought the child rapes to the public attention instead of the rapers. It's a funny old world!
Chomper Higgot 13,807
"Epstein's lawyers said their client had a "spotless 14-year record of walking the straight and narrow" since 2005"
Which explains the contents of his safe.
Epstein is clearly a continuing offender and a flight risk.
Throw him in the slammer until his trial, just like they would anybody who's not hyper wealthy.
12 minutes ago, TopDeadSenter said:
Your last paragraph is off topic hogwash.
Epstein is the subject of this thread, not your favourite common criminal, going by whatever name takes his fancy.
1 hour ago, Chomper Higgot said:
I wonder how many posters on this board and similar ones based in SEA could be charged with similar crimes?
brewsterbudgen 7,997
I doubt many posters have his cash; so I'd wager the answer is none.
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thasoss 47
i'd be more interested when he eventually squeals like a stuck pig and names names for a reduced sentence.
For example whose funding him,whose paying him to get the dirt on politicians,hollywood,and CEO's....this time round there's a big chance some big names,clients of his on the lolita express will come to the fore.
Basil B 9,959
Basil BSc(Boom Boom) :p
Talking about private jails, how is the wall progressing?
I am of the thinking that while someone may be charged with crimes until they have been tried and found to be guilty they should be able to continue a normal life as possible but that also has to be weighed against the the likelihood of the defendant fleeing Justice, witness tampering, continued offending, etc.
4 minutes ago, Basil B said:
The evidence recovered from Epstein's safe suggests two things.
1. He is a continuing offender.
2. Allowing Epstein to continue 'his normal life' is not acceptable under any circumstances.
worgeordie 30,143
Location:Sitting in the Korova Milk Bar
Hopefully,when he is found guilty he does not do another deal
where he only spends the weekend behind bars ! that was never
regards worgeordie

redpajama_set_name: RedPajamaCommonCrawl


text:
actually 5
acutely 2
adapt 2
adaptation 3
45 proclaim
45 sinners
44 adam
44 creature
44 existence
44 expressed
Part,  Sect., Chapter, Paragraph
1    1,   2,     1,  359|        its origin from two men: Adam and Christ. . . the first
2    1,   2,     1,  359|      Christ. . . the first man, Adam, he says, became a living
3    1,   2,     1,  359|         a living soul, the last Adam a life-giving spirit. the
4    1,   2,     1,  359|   life-giving spirit. the first Adam was made by the last Adam,
5    1,   2,     1,  359|       Adam was made by the last Adam, from whom he also received
6    1,   2,     1,  359|     give him life... the second Adam stamped his image on the
7    1,   2,     1,  359|  stamped his image on the first Adam when he created him. That
8    1,   2,     1,  359|       and the name of the first Adam, in order that he might
9    1,   2,     1,  359|        his own image. the first Adam, the last Adam: the first
10    1,   2,     1,  359|        the first Adam, the last Adam: the first had a beginning,
11    1,   2,     1,  359|     last knows no end. the last Adam is indeed the first; as
12    1,   2,     1,  375|         that our first parents, Adam and Eve, were constituted
13    1,   2,     1,  388|       of grace in order to know Adam as the source of sin. the
14    1,   2,     1,  399|        this first disobedience. Adam and Eve immediately lose
15    1,   2,     1,  401|             The consequences of Adam's sin for humanity~
16    1,   2,     1,  402|       All men are implicated in Adam's sin, as St. Paul affirms: "
17    1,   2,     1,  403|      from their connection with Adam's sin and the fact that
18    1,   2,     1,  404|          404 How did the sin of Adam become the sin of all his
19    1,   2,     1,  404|      the whole human race is in Adam "as one body of one man".293
20    1,   2,     1,  404|       all men are implicated in Adam's sin, as all are implicated
21    1,   2,     1,  404|         know by Revelation that Adam had received original holiness
22    1,   2,     1,  404|        yielding to the tempter, Adam and Eve committed a personal
23    1,   2,     1,  405|        personal fault in any of Adam's descendants. It is a deprivation
24    1,   2,     1,  406|        reduced the influence of Adam's fault to bad example.
25    1,   2,     1,  411|        announcement of the "New Adam" who, because he "became
26    1,   2,     1,  411|        for the disobedience, of Adam.305 Furthermore many Fathers
27    1,   2,     1,  416|                  416 By his sin Adam, as the first man, lost
28    1,   2,     1,  417|                             417 Adam and Eve transmitted to their
29    1,   2,     2,  504|      womb because he is the New Adam, who inaugurates the new
30    1,   2,     2,  505|      conception, Jesus, the New Adam, ushers in the new birth
31    1,   2,     2,  518|        that what we had lost in Adam, that is, being in the image
32    1,   2,     2,  532|        what the disobedience of Adam had destroyed.224~
33    1,   2,     2,  536|   opened"237 - the heavens that Adam's sin had closed - and the
34    1,   2,     2,  538| recapitulate the temptations of Adam in Paradise and of Israel
35    1,   2,     2,  539|         event: Jesus is the new Adam who remained faithful just
36    1,   2,     2,  539|   faithful just where the first Adam had given in to temptation.
37    1,   2,     2,  635|       He has gone to search for Adam, our first father, as for
38    1,   2,     2,  635|        gone to free from sorrow Adam in his bonds and Eve, captive
39    1,   2,     2,  655|    fallen asleep. . . For as in Adam all die, so also in Christ
40    1,   2,     3,  766|        formed from the sleeping Adam's side, so the Church was
41    1,   2,     3,  769|       the just from the time of Adam, 'from Abel, the just one,
42    2,   1,     2, 1167|       gates of paradise so that Adam and all the exiles might
43    2,   2,     1, 1263|         Kingdom of God, neither Adam's sin, nor personal sin,
44    3,   2,     2, 2361|        our fathers.... You made Adam, and for him you made his


More often than not, the average American will look for a reliable and consistent form of transportation in the form of a used vehicle, used car, or a used truck. In the year of 2016 alone, the number of certified pre-owned sales managed to reach 2.6 million units.
Do you wish you had a competitive edge when it comes to shopping for new cars? Do you wish you could find a reliable used vehicle without the headache of doing a ton of research? Well, you can; look no further than the Ford Edge.


text:
from Joueur import *

"""
SUCCESS : Le Joueur a était crée
ERROR : La joueur est incorrecte
"""
def testCreation(j1):
    return not(j1.aPerdu())

"""
SUCCESS : ajoutBateau, j1 a reussie à placer un bateau
ERROR : ajoutBateau, n'a pas reussie à ajouter le bateau
"""
def testAjoutBateau(j1,B1):
    return j1.ajoutBateau(B1)

"""
ERROR : aPerdu
SUCCESS : aPerdu
"""
def testAperdu(j1):
    return j1.aPerdu()

"""
SUCCESS: testTirEstTouche, bateau touché
ERROR: testTirEstTouche, le bateau est censé etre touché
"""
def testSeFaitTirerEstTouche(j1,x,y):
    return j1.seFaitTirer(x, y) == 0
"""
SUCCESS: testSeFaitTirerEnVue, en vue
ERROR: testSeFaitTirerEnVue, fonction censé retourner en vue
"""
def testSeFaitTirerEnVue(j1,x,y):
    return j1.seFaitTirer(x, y) == 1

"""
SUCCESS: testSeFaitTirerAleau, a l'eau
ERROR: testSeFaitTirerAleau, fonction censé retourner en vue
"""
def testSeFaitTirerAleau(j1,x,y) :
    return j1.seFaitTirer(x, y) == 2
"""
SUCCESS: testViser, les coordonnées sont valides (dans la grille)
ERROR: testViser, les coordonnéees sont invalides

"""
def testViser(j1):
    coord = j1.viser()
    return coord[0]>=0 and coord[0]<=20 and (coord[1]>=0 and coord[1]<=20)
def testJoueur() :
    #Instancier un joueur
    j1 = Joueur()
    B1 = Bateau(0, 0, 0, 4)
    B2 = Bateau(0, 0, 0, 4)
    if(not(testCreation(j1))):
        print("TEST creation FAIL")
        return False
    if(not(testAjoutBateau(j1,B1))):
        print("TEST testAjoutBateau FAIL")
        return False
    if(testAjoutBateau(j1,B2)):
        print("TEST testAjoutBateau déjà occupé FAIL")
        return False
    if(not(testSeFaitTirerEstTouche(j1,0,0))):
        print("TEST testSeFaiTirerEstTouche FAIL")
        return False
    if(not(testSeFaitTirerEnVue(j1,0,10))):
        print("TEST testSeFaitTirerEnVue FAIL")
        return False
    if(not(testSeFaitTirerAleau(j1,20,20))):
        print("TEST testSeFaitTirerAleau FAIL")
        return False
    if(not(testViser(j1))):
        print("TEST testViser FAIL")
        return False

    #On coule B1
    j1.seFaitTirer(0,0)
    j1.seFaitTirer(0,1)
    j1.seFaitTirer(0,2)
    j1.seFaitTirer(0,3)
    j1.seFaitTirer(0,4)
    if(not(testAperdu(j1))):
        print("TEST testAperdu FAIL")
        return False
    return True

print(testJoueur())


Join us March 7th, 2019 in Walla Walla, Washington for a screening of our 2018 Selected Films! We have teamed with Kooskooskie Commons and the Snake River Salmon Recovery Board to host a screening and we are excited to share our 5th annual Stories Of Our Watersheds films with the Walla Walla area. The evening will include entertaining, educational, and inspirational short films that highlight a wide range of river systems and the work of conservation organizations, tribes, watershed councils, agencies, and filmmakers across the Pacific Northwest and beyond. See the selected film synopses in the table below.
Advance ticket purchase available now!
Share our facebook event page with others to invite them to attend.
Not for Any Price A 15-minute documentary about how the Lummi Nation put their treaty rights on the line and protected natural resources for everyone.
Finding Sanctuary on the North Umpqua: A Veteran's Legacy Sanctuary. There are two primary definitions. One meaning a place of refuge or safety. The other more specifically defined as a protected natural space. Ninety-five year old World War II veteran Frank Moore knows that the two definitions are not mutually exclusive, that sanctuary as a protected natural space is also a place of refuge, safety, and even healing. After the war, Frank found healing by fly fishing the North Umpqua River. He and his wife, Jeanne, have spent their lives as stewards to the North Umpqua, instilling a legacy of conservation to preserve and cherish our natural sanctuaries for the health of the rivers and the fish, and for our own human mental health.
Blue Carbon: A Story from the Snohomish Estuary Blue carbon is carbon that's captured and stored by coastal wetlands, helping to mitigate climate change. This film is about mud and the multiple benefits that estuaries provide for us. "You never go into a wetland and just restore one benefit," says wetlands ecologist John Rybczyk. It improves water quality, provides salmon habitat, protects our shorelines and also benefits our climate. Restore America's Estuaries recently lead a first-of-its-kind study in the Snohomish estuary to quantify the climate benefits of estuary restoration. Set in the Snohomish, this film helps to build awareness of blue carbon as a climate mitigation tool and to encourage more investment in wetland restoration at local, state and federal levels.
Renewal: Think Like a Scientist Featuring an emerging scientist from the Lower Elwha Klallam Tribe, Renewal is a heart-warming story of transformation and restoration. Supported by HHMI and Tangled Bank Studios, this short film is part of HHMI's "Think Like A Scientist" series. It is also a follow-up to a feature film by the same Producer, chronicling the largest dam removal in history.
Wild Olympics Paddlers and conservationists Adam and Susan Elliott set out to explore the wild rivers of the Olympic Peninsula. The Olympic Peninsula's wild rivers give us clean water, world-class recreation and unmatched opportunities for inspiration and solitude. They bring jobs and economic benefits to local communities and provide critical habitat for salmon, steelhead and a variety of other fish and wildlife. Wild and Scenic designation–the strongest protection a river can receive–ensures that the free-flowing character, water quality and outstanding values of these rivers are protected for generations to come.
A Creek Once More In a far-away pocket of Oregon's Crater Lake National Park, a small, stunted population of endangered, native bull trout — isolated for more than a century — may once again produce migratory giants when their creek is reconnected through a cattle pasture to 15,000 square miles of waterways.
Building a Legacy: White Creek Large Woody Debris Project Video depicting the fall 2017 implementation of the White Creek large wood placement project in the Klickitat River Basin. The White Creek salmon recovery project was implemented by the Yakama Nation sponsored Klickitat Watershed Enhancement Project (KWEP) with funding from the Bonneville Power Administration Fish and Wildlife Program. White Creek, a tributary of the Klickitat River, provides important spawning and rearing habitat for Middle Columbia River steelhead listed under the Endangered Species Act. The White Creek watershed is likely the most important steelhead spawning and rearing tributary watershed within the Klickitat subbasin. The Project will restore channel complexity through the construction of multiple large woody debris (LWD) jams along roughly 4 miles of stream. These treatments will enhance stream bed structure contributing to pool formation (rearing and holding habitat) and sediment sorting (spawning habitat).
After the Smoke Clears In "After the Smoke Clears" we visit the stunning landscapes that burned in the Eagle Creek fire in the Columbia River Gorge and hear from local residents, firefighters and scientists about living with fire and threats to the future recovery of our wild and scenic forests.
Thriving with Their Feet Wet Pine Barrens Tree Frog are a threatened frog species in New Jersey. Save the Source is a campaign by Pinelands Preservation Alliance to protect the 17-trillion gallon Kirkwood-Cohansey Aquifer, a vast reserve of fresh water that underlies southern New Jersey and all of the Pinelands. The Kirkwood-Cohansey is one of the cleanest aquifers in America. Yet it is threatened by overuse, pollution and degradation.
The Water's Fine There's a disconnect between the people of Portland, Oregon and the river that is central to the city. This film calls attention to an organization trying to bridge this gap: the Human Access Project. Film by Atlas Finch, Theo Morris, and Moira Peterson.
Spasski Stream Restoration A summary of work conducted through the Hoonah Native Forest Partnership that engagement multiple agencies and private land owners.


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Plan International - Girls' Rights Platform - Girls' rights are human rights: Positioning girls at the heart of the international agenda
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A/RES/54/239 B
Fifty-fourth session
RESOLUTION ADOPTED BY THE GENERAL ASSEMBLY
[on the report of the Fifth Committee (A/54/678/Add.1)]
54/239. Financing of the International Tribunal for the Prosecution of Persons
Responsible for Serious Violations of International Humanitarian Law
Committed in the Territory of the Former Yugoslavia since 1991
The General Assembly,
Recalling its resolutions 53/212 and 53/213 of 18 December 1998, in which it requested the SecretaryGeneral, with a view to evaluating the effective operation and functioning of the International Tribunal for
the Prosecution of Persons Responsible for Serious Violations of International Humanitarian Law Committed
in the Territory of the Former Yugoslavia since 1991 and the International Criminal Tribunal for the
Prosecution of Persons Responsible for Genocide and Other Serious Violations of International Humanitarian
Law Committed in the Territory of Rwanda and Rwandan Citizens Responsible for Genocide and Other Such
Violations Committed in the Territory of Neighbouring States between 1 January and 31 December 1994,
to conduct a review in full cooperation with the Presidents of the International Tribunals, without prejudice
to the provisions of the statutes of the Tribunals and their independent character, and to report thereon to the
relevant organs of the United Nations,
Recalling also its resolution 54/239 A of 23 December 1999, in which it requested the Secretary-General
to obtain comments and observations from the International Tribunal for the Former Yugoslavia on the report
of the Expert Group to conduct a review of the effective operation and functioning of the International
Tribunals, and to submit them, through the Advisory Committee on Administrative and Budgetary Questions,
to the General Assembly for consideration at its resumed fifty-fourth session,
Consequently, resolution 54/239, in section VI of the Official Records of the General Assembly, Fifty-fourth
Session, Supplement No. 49 (A/54/49), vol. I, becomes resolution 54/239 A.
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Financing of the International Tribunal for the Prosecution of Persons Responsible for Serious Violations of International Humanitarian Law Committed in the Territory of the Former Yugoslavia since 1991 (2000)
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A white karate uniform is required for class and can be ordered through the instructor. Your instructor is Sensei James Shea, a Longmeadow resident who has been teaching karate for over 40 years.
On Saturday June 2nd the LPRD New England Shotokan Karate-do's Spring 2018 group training was help at the Community House. This year we invited Sensei Benjamin Selormey and his students from the Boys & Girls Club of Nashua, NH. Instructors and students of all ages and levels from Longmeadow and Nashua, NH came together to train with Sensei James Shea.


text:
An optical pump controlled tunable phase-shifted fiber grating transmission filter
Y. Lai*, W. Zhang, L. Zhang, J.A.R. Williams, I. Bennion
Optical pump controlled, remotely tunable phase-shifted fiber grating transmission filters were analyzed. The transmission peak had a full width hail maximum (FWHM) bandwidth. With increasing control pump power, the resonant peak shifted towards the longer wavelength side. The efficiency of the system was largely affected by the greater number of sections of doped fiber as well as the absence of recirculation of unabsorbed pump beam. The configuration, besides its simplicity and cost-effectiveness, exhibited wavelength-independent pump-induced phase shifts and no anisotropic effects during operation.
Optical Fiber Communications Conference, 2003
A.A. Sawchuk
https://doi.org/10.1109/OFC.2003.1247471
Optical Fiber Communications Conference 2003 - Atlanta, GA, United States
Duration: 23 Mar 2003 → 28 Mar 2003
Techincal digest
Optical Fiber Communications Conference 2003
OFC 2003
Precipitation (meteorology)
optical fibre filters
optical pumping
optical phase shifters
Lai, Y., Zhang, W., Zhang, L., Williams, J. A. R., & Bennion, I. (2003). An optical pump controlled tunable phase-shifted fiber grating transmission filter. In A. A. Sawchuk (Ed.), Optical Fiber Communications Conference, 2003 (Vol. 1, pp. 35-37). [paper MF32] (Techincal digest). IEEE. https://doi.org/10.1109/OFC.2003.1247471
Lai, Y. ; Zhang, W. ; Zhang, L. ; Williams, J.A.R. ; Bennion, I. / An optical pump controlled tunable phase-shifted fiber grating transmission filter. Optical Fiber Communications Conference, 2003. editor / A.A. Sawchuk. Vol. 1 IEEE, 2003. pp. 35-37 (Techincal digest).
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title = "An optical pump controlled tunable phase-shifted fiber grating transmission filter",
abstract = "Optical pump controlled, remotely tunable phase-shifted fiber grating transmission filters were analyzed. The transmission peak had a full width hail maximum (FWHM) bandwidth. With increasing control pump power, the resonant peak shifted towards the longer wavelength side. The efficiency of the system was largely affected by the greater number of sections of doped fiber as well as the absence of recirculation of unabsorbed pump beam. The configuration, besides its simplicity and cost-effectiveness, exhibited wavelength-independent pump-induced phase shifts and no anisotropic effects during operation.",
keywords = "Bragg gratings, erbium, optical fibre filters, ytterbium, optical tuning, optical pumping, optical phase shifters",
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An optical pump controlled tunable phase-shifted fiber grating transmission filter. / Lai, Y.; Zhang, W.; Zhang, L.; Williams, J.A.R.; Bennion, I.
Optical Fiber Communications Conference, 2003. ed. / A.A. Sawchuk. Vol. 1 IEEE, 2003. p. 35-37 paper MF32 (Techincal digest).
T1 - An optical pump controlled tunable phase-shifted fiber grating transmission filter
AU - Lai, Y.
AU - Zhang, W.
AU - Zhang, L.
AU - Williams, J.A.R.
AU - Bennion, I.
N2 - Optical pump controlled, remotely tunable phase-shifted fiber grating transmission filters were analyzed. The transmission peak had a full width hail maximum (FWHM) bandwidth. With increasing control pump power, the resonant peak shifted towards the longer wavelength side. The efficiency of the system was largely affected by the greater number of sections of doped fiber as well as the absence of recirculation of unabsorbed pump beam. The configuration, besides its simplicity and cost-effectiveness, exhibited wavelength-independent pump-induced phase shifts and no anisotropic effects during operation.
AB - Optical pump controlled, remotely tunable phase-shifted fiber grating transmission filters were analyzed. The transmission peak had a full width hail maximum (FWHM) bandwidth. With increasing control pump power, the resonant peak shifted towards the longer wavelength side. The efficiency of the system was largely affected by the greater number of sections of doped fiber as well as the absence of recirculation of unabsorbed pump beam. The configuration, besides its simplicity and cost-effectiveness, exhibited wavelength-independent pump-induced phase shifts and no anisotropic effects during operation.
KW - erbium
KW - optical fibre filters
KW - ytterbium
KW - optical tuning
KW - optical pumping
KW - optical phase shifters
U2 - 10.1109/OFC.2003.1247471
DO - 10.1109/OFC.2003.1247471
SN - 1-55752-746-6
T3 - Techincal digest
BT - Optical Fiber Communications Conference, 2003
A2 - Sawchuk, A.A.
Lai Y, Zhang W, Zhang L, Williams JAR, Bennion I. An optical pump controlled tunable phase-shifted fiber grating transmission filter. In Sawchuk AA, editor, Optical Fiber Communications Conference, 2003. Vol. 1. IEEE. 2003. p. 35-37. paper MF32. (Techincal digest). https://doi.org/10.1109/OFC.2003.1247471
10.1109/OFC.2003.1247471
An optical millimeter wave fiber laser
5,745 km DWDM transcontinental field trial using 10 Gbit/s dispersion managed solitons and dynamic gain equalization


text:
Barão de Taunay foi um título de nobreza de Portugal e do Brasil.

Foi criado antes de 1821 por D. João VI em favor do pintor da Missão Francesa Nicolas-Antoine Taunay (1775-1830).

O título foi renovado em 1871 por D. Pedro II em favor de Félix Émile Taunay (1795-1881), filho do 1º barão e professor da Academia Imperial de Belas Artes.

Títulos criados por João VI de Portugal


Blue Pear Pantry supplies great-tasting, award-winning savoury roll varieties made with premium ingredients for a quality product and delicious flavour combination. Every roll is individually hand-made in their home kitchen and available in full size for meals or snacks and cocktail size for finger food. The company is a proud supporter of local businesses, so all ingredients are locally sourced, from their free-range chicken to their grass-fed beef and fresh vegetables.
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In Southern Utah, cottonwood trees continue to display their brilliant colors.
White Pocket Is Simply Amazing. First Of 3 Posts.
A few shots from in and around Gooseberry and Hurricane Mesas.
From the last two weeks.


text:
Blog Hockey
Bentley Completes Weekend Sweep of Northeastern With 4-1 Win Saturday Night
By: Josh Brown
WATERTOWN, Mass- For Bentley, Saturday night's game against Northeastern meant a little more than just your average home game.
The Falcons, for the first time, hosted a Hockey East school at the John A. Ryan Skating Arena and did so victoriously, beating the Huskies 4-1 to complete the weekend sweep.
Once again Jayson Argue stole the show for Bentley (2-2), stopping 40 of the 41 shots he faced on the night, just a day after turning in an impressive 49-save effort in a 3-2 win on Friday. Derick Roy made 17 stops on the night for Northeastern (1-2).
"Obviously pretty proud of our guys to come out and play the style that they played for 60-minutes," said Bentley coach Ryan Soderquist. "Actually, last night I was pretty embarrassed of our team's effort last night. Stole one last night, our goalie stole one last night, but all-in-all I thought our goalie played extremely well again tonight, but I also thought our boys played 60-minutes of hockey and I thought we earned that victory."
Undisciplined play continued to haunt the Huskies, with the team taking seven penalties for a total of 9:38 on the penalty kill.
"Every time we started to get some things going we got a penalty," said Northeastern coach Jim Madigan, "or we just fought it at the net again. We had some really good chances. We didn't finish at the net again tonight, then we got frustrated again and that showed with our lack of discipline."
"And it's our older players, they've got to play smarter. We rely on them to play and help us win, not be in the penalty box, and we got to learn from it."
Much like Friday night, the Huskies controlled the shot margin in the opening frame, this time by a 16-7 margin, but it was Bentley who was able to get pucks in the net, the first of which came via Mike Berry just 1:13 into the game.
Setting up in the offensive zone, Berry unleashed a rocket that hit the top of Roy's glove and bounced into the back of the net.
Just over five minutes later Will Suter extended the lead to two.
Fighting for position in the slot, Suter was able to get a piece of Matt Blomquist's shot from just inside the blue line and redirect it by Roy.
Meanwhile, Argue continued to be the glue that held the Falcons together all series long. At times being peppered with shots by Huskies desperate to spark-plug the team and get the offense rolling, the sophomore was perfect in the period, stopping all 16 shots he faced.
"I thought their goalie obviously played well," said Huskies coach Jim Madigan, "so give the goalie credit. And we didn't elevate pucks enough. Their goalie is down and he covers the bottom-half very well and we just couldn't get it up."
Midway through the second period, on a five-on-three man-advantage, the Falcons upped the margin to three.
Cycling the puck in the offensive zone, Blomquist found Andrew Gladiuk, who had a hat-trick in Friday night's win, who then proceeded to fire a wrister from the right face-off circle that snuck under the arm of Roy.
Early in the third period, Bentley was able to net a fourth goal, signaling the end of the night from Roy, who was immediately replaced with freshman Ryan Ruck.
Collecting a puck in the Northeastern zone, sophomore Kyle Schmidt danced into the slot and fired a shot that caught Roy cheating to make it 4-0.
The Huskies would get one back mid-way through the third when Nolan Stevens took a pass and immediately fired it over the shoulder of Argue, but that would be all they could muster up.
"Obvious we were extremely happy with Northeastern coming here," said Soderquist. "I have a great respect for their program to give us the opportunity to come here and play. We're a growing program and it's going to take people like Jim Madigan, who have class for the game and want the game to grow to come into a building like ours, it does a tremendous amount for our program."
← Bentley Receives Hat Trick from Andrew Gladiuk, Upends Northeastern 3-2
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text:
Earl of Warwick
English Monarchs
Other Elizabethan and Jacobean Histories
Richard de Beauchamp, 13th Earl of Warwick
Salwarpe, Worcestershire, England
Rouen, Normandy, France (Age 57)
Warwick in History
When Richard Beauchamp was born in 1382 it is ironic that his two godparents were King Richard II and Richard Scrope, the future Archbishop of York. However, Richard's father Thomas was one of the Lords Appellant that humiliated the king in 1388, executing or exiling several of his favorites and forcing the king himself to relinquish most of his power. In 1397, King Richard decided to take his revenge on his enemies. Of the senior Lords Appellant, the Earl of Arundel was executed; the king's Uncle Thomas of Woodstock was murdered and the elder Beauchamp was exiled. Much of the possessions of the former appellants were handed out to a group of the king's followers, and the Beauchamp name was nearly destroyed. For this reason it is no surprise that the younger Beauchamp threw his support behind Henry Bolingbroke in 1399 when he decided to return to England and usurp the throne from his cousin. After Bolingbroke's accession as Henry IV, the Beauchamp family returned to a place of prestige. Richard's father was recalled from exile and was to die in 1401, leaving his earldom and vast lands and estates to his son Richard.
During Henry IV's reign, the new Earl of Warwick played a large part in subduing the many civil rebellions that were occurring. In 1403, he participated in the Battle of Shrewsbury against Henry IV's former allies, the Percy family of Northumberland. After the battle he was made a Knight of the Garter. Warwick's primary contributions for King Henry were against the Welsh, who had been in rebellion since 1400 under the leadership of Owen Glendower. It is through the Welsh rebellions that Warwick developed a relationship with Hal, the young Prince of Wales. In 1405, when Archbishop Scrope rebelled against the king, Warwick took part in his prosecution and ultimate death sentence, despite the fact that Scrope was one of his godparents. Warwick most likely fell out of favor slightly with Henry IV during his last years when he sided more with the Prince of Wales, who was continuously gaining more power over his increasingly ill father; it does not seem as if Warwick was ever mistrusted by the king though. When the prince ascended the throne as Henry V in 1413 Warwick was given a large number of important responsibilities. He played a big role in the renewal of the Hundred Years War against France, participating in the siege of Harfleur in 1415, and accompanied the king on the Norman campaign of 1417.
By the time Henry V died and was succeeded by his infant son Henry VI in 1422, Warwick was powerful enough to have been an obvious choice for the new king's minority council and was awarded the even more prestigious privilege of serving as the new king's tutor, a position he would hold until 1437. Throughout the early reign of Henry VI Warwick continued to gain power and influence. He was given several important posts in France, including captain of Rouen and Calais. In the factions that formed at the court of the young king, Warwick seems to have sided with the king's uncle John, Duke of Bedford, and his great-uncle Henry, Cardinal of Winchester, over the king's younger uncle Humphrey, Duke of Gloucester. Warwick also faced several problems of inheritance with his in-laws, the heirs of Lord Berkeley. In the end, Warwick emerged successful and was considered one of the most powerful landowners in England by the time of his death. For the rest of his life, Warwick was heavily involved in subduing French resistance in the English occupied sections of France. Ultimately, he died at Rouen in 1439. His title and lands were inherited by his son Henry and ultimately passed on to Richard Neville, who had married Warwick's daughter Anne. Despite his earlier ties to King Richard II, Warwick remained a loyal subject to the Lancastrians, in whose service he ultimately died.
Warwick in Shakespeare
Appears in: Henry IV, Part 2; Henry V; Henry VI, Part 1?
Warwick appears as a minor character in 2 Henry IV and Henry V, serving as a loyal subject to the respective kings in both plays. The character of Warwick becomes complex in 1 Henry VI. It is not made clear whether the Warwick present in this play is supposed to be Richard Beauchamp or his son-in-law Richard Neville the "kingmaker." The events of 1 Henry VI are highly episodic when it comes to time. Warwick is seen as immediately supporting Richard Plantagenet, the soon to be Duke of York, in the garden scene, where the men each pick either red or white roses to represent their loyalties to the Lancastrians or Yorkists, respectively. However, it is highly unlikely that Beauchamp, a loyal Lancastrian, would have sided with York. It was Richard Neville, Beauchamp's son-in-law, that supported the Yorkists. At the time of the elder Warwick's death, Neville was only nine-years-old. In addition, one must consider that the garden scene in the play is completely fictitious. York did not rebel against the king's followers until 1455 and did not openly pursue the throne until 1460, well after Warwick's death in 1439. The events of the entire play complicate matters even more so. Lord Talbot, who died in 1453, has died by the play's end while Gloucester and Winchester, who both died in 1447, and, to an even more absurd extent, Exeter, who died in 1426, are all still alive. For this reason, it is difficult to decipher which Warwick Shakespeare intended for the play. His support for the Yorkists points to Warwick the "kingmaker," while the time line (which is completely undependable) points more towards the Beauchamp earl.
Carpenter, Christine. 'Beauchamp, Richard, thirteenth earl of Warwick (1382–1439)', Oxford Dictionary of National Biography, Oxford University Press, 2004 [http://www.oxforddnb.com/view/article/1838, accessed 8 Nov 2009]
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Guys, it's been a hot minute since I haven't been doing outfit posts on the reg… And I've been really missing it. I feel like one of the main reasons I started THB (and coincidentally one of my biggest passions in life) is style and fashion. And these past few weeks, I've been feeling a little less creative and a little more bored with myself (it happens) so I just haven't been in the mindset to style a beautiful outfit, go out and shoot.
But I'm finding that not forcing it has really helped, and I'm slowly getting ready to start creating again. In the meantime, I wanted to share these shots that were actually taken last Spring (so almost a year ago!) because for one, they feel particularly on-brand this week (hello V-Day!!), but also because they still feel pretty relevant to me in terms of style.
I always say this, but I love dressing for myself and my body type rather than for trends, and I feel like although a year isn't a huge difference, if you look at something you wore a year ago and still love it, then it's probably the right thing for you.
So here we are, right before Valentine's Day, talking about red tops… Ground-breaking, Miranda Priestly would say, ha!
So for all of you love-obsessed and ladies who live for a good theme, I also linked 14 (duh!!) options for gorgeous red tops I'm kind of obsessed with RN. And although I won't be wearing mine on Thursday, I'll definitely be sporting a lot more red in the next few months, because I feel like it's a fun, fresh, happy colour… And because rocking red is probably one of the main advantage to being a brunette!
Do you guys love a good red moment? And most importantly, do you wear red on Valentine's Day?
Love you guys - and not just because it's February (lol).


Follow Lisa Cypers Kamen and her 9-yea r-old daughter, Kayla, as they travel the world in search of the universal keys to human happiness. Armed with one simple question, "What makes you happy?", the pair interviews people from all walks of life. This insightful, 30-minute documentary film sets out to prove that every person, regardless of his or her personal circumstances, possesses the means to be happy.