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redpajama_set_name: RedPajamaWikipedia


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New Brunswick joins provinces affected by E. coli linked to romaine lettuce
The E. coli strain currently suspected of making people sick in both Canada and the U.S. is the same that caused a similar outbreak last year, prompting questions about why regulators aren't issuing a mandatory recall.
19 cases have been reported in Ontario, Quebec and New Brunswick
Nicole Ireland · CBC News · Posted: Nov 20, 2018 3:54 PM ET | Last Updated: November 21, 2018
Canadian and American officials are advising people not to buy romaine lettuce until they can find the source of E. coli contamination but have not issued a blanket recall that makes it mandatory for stores to pull the product from their shelves. Some retailers, including Sobeys Inc. and Loblaw Companies, have done so voluntarily. (Mark J. Terrill/Associated Press)
A case of E. coli thought to be linked to romaine lettuce has been confirmed in New Brunswick, making it the third province affected by an outbreak that has now made 19 people in Canada ill.
"New Brunswickers should avoid eating romaine lettuce and salad mixes containing romaine lettuce until more is known about the outbreak and the cause of contamination," said Dr. Jennifer Russell, the province's chief medical officer of health, in a news release issued Wednesday.
E. coli case in New Brunswick is linked to romaine lettuce
The Public Health Agency of Canada, which on Tuesday warned people not to eat romaine lettuce in Ontario and Quebec, is aware of the case in New Brunswick, spokesperson Anna Maddison told CBC News in an email, and is updating its national advisory.
The strain of E. coli contaminating the lettuce is the same that caused a similar outbreak last year, prompting questions about why the federal government has stopped short of issuing a mandatory recall.
"Basically it's lightning striking twice," said Prof. Keith Warriner, a microbiologist specializing in food safety at the University of Guelph, noting that the strain, E. coli O157, is particularly "virulent," meaning it makes people sick more often than other forms of the bacteria.
"It's worrying that it's the same strain [of E. coli as last year], which basically means it's the same source. And that means they never solved the problem," he said.
Keith Warriner, a microbiologist specializing in food safety at the University of Guelph, says both Canadian and American regulators should issue a mandatory recall of romaine lettuce amid the current E. coli outbreak. (University of Guelph)
In addition to the New Brunswick case, there have been 15 confirmed cases of the bacterial infection in Quebec and three in Ontario since mid-October, according to the Public Health Agency of Canada.
Although no deaths have been reported, at least six people have been hospitalized.
South of the border, the outbreak has also made 32 people sick in 11 states, according to the U.S. Food and Drug Administration (FDA).
Health officials were never able to conclusively determine exactly what caused romaine lettuce to become contaminated with E. coli O157 in Canada and the U.S. in November and December 2017. Because they weren't able to pinpoint a specific supplier of lettuce, they didn't issue a recall.
Here's why lettuce keeps getting contaminated with E. coli
That was a "point of frustration" then, said Warriner, because it left retailers and restaurants uncertain about whether to pull romaine lettuce from their shelves — something many ended up doing anyway.
Regulators are "always a bit hesitant to press that recall button," he said, because they don't want to risk singling out the wrong company or supplier, which can be financially devastating to that particular business or industry.
Between farm field and store shelf, lettuce passes through "many hands" and processes, he said, making it very difficult to identify the source of E. coli contamination.
When asked by CBC News why a recall hasn't been issued, a spokesperson for the Canadian Food Inspection Agency (CFIA) said the agency was leading an investigation into the possible source of the outbreak.
"If a specific brand and/or source of romaine lettuce or other product is identified in the investigation, CFIA will take appropriate action. If a food recall warning is issued, CFIA would verify that the food industry and retailers remove the recalled products from the marketplace," said Lisa Murphy in an email on Wednesday.
Lack of romaine lettuce recall leaves grocers in the lurch
"Neither the Canadian or American food safety investigation have been able to identify a specific product of concern in the Canadian or American marketplace. All products tested as part of the investigation have been negative so far."
But Warriner believes a "blanket" recall — making it mandatory for all stores and restaurants to stop selling or serving romaine lettuce, regardless of the source — is warranted.
"It's the same playbook [as last year]. They seem to be saying, 'We're not going to recall it, but we advise you not to eat it.' Which I think is a bad thing because it gives confusion."
FDA Commissioner Scott Gottlieb also said his agency didn't have enough information to request suppliers issue a recall, but he said supermarkets and restaurants should withdraw romaine products until the contamination can be identified.
BREAKING: Thread - #FDA is investigating a multistate #outbreak of E. coli illnesses linked to romaine lettuce. While we don't have enough traceback information to request a recall from specific suppliers, we're working now to prevent unnecessary foodborne illness. pic.twitter.com/Wsd6buCzCT
—@SGottliebFDA
Major grocery chains in Canada — including Loblaw Companies Limited, Sobeys Inc. and Metro Inc. — announced Wednesday they were voluntarily removing romaine lettuce products from their stores across the country.
In a news release posted on its website, Loblaw also said its stores would provide "a full refund" if customers returned the products.
Sobeys, Loblaws, Metro pull romaine lettuce products from shelves due to E. coli threat
Most people suffering from E. coli infections "recover completely on their own," the Public Health Agency of Canada said. Those most at risk for developing complications are pregnant women, people with weakened immune systems, young children and seniors.
Complications can be life-threatening, including kidney failure.
Some people can be infected with E. coli without symptoms but still spread the infection to others, the agency said.
As officials give all-clear on romaine E. coli outbreak, contamination remains a mystery
Symptoms of E. coli illness include nausea, vomiting, headache, fever, severe stomach cramps and watery or bloody diarrhea. People usually get better within five to 10 days and there is no "real treatment" apart from staying hydrated.
Antibiotics should not be used in treating E. coli O157 bacterial infections, said Dr. Isaac Bogoch, an infectious disease specialist at Toronto General Hospital.
Dr. Isaac Bogoch explains why this type of infection should not be treated with antibiotics 0:43
"They can actually do more harm than good," said Bogoch. "If antibiotics are used with this particular type of infection, what can happen is it can trigger a pretty nasty cascade within the body that can result in kidney failure and kidney damage."
E. coli bacteria are naturally found in the intestines of farm animals. Contamination of vegetables and fruit can occur when they come in contact with animal feces. Most forms of the bacteria are harmless.
What people should do
Under normal circumstances, health officials often advise people to throw away the outer leaves of romaine lettuce and wash the rest. But right now, with E. coli O157 around, people shouldn't take any risks, Warriner said, advising them to get rid of any romaine lettuce they have. It only takes a small number of the bacteria's cells to cause illness, so handling contaminated lettuce can spread infection, he said.
The U.S. Centers for Disease Control and Prevention advises people to "wash and sanitize drawers or shelves in refrigerators where romaine was stored" and to see their health-care provider and notify public health authorities if they have symptoms of an E. coli infection.
See a doctor if you develop symptoms of E. coli infection. People with E. coli infections usually get sick with bloody diarrhea and stomach cramps 3-4 days after eating food contaminated with the germ. Learn more. https://t.co/kGAt5UM5tO
—@CDCgov
Nicole Ireland
Nicole Ireland is a CBC News journalist with a special interest in health and social justice stories. Based in Toronto, she has lived and worked in Thunder Bay, Ont.; Iqaluit, Nunavut; and Beirut, Lebanon.
@nicireland_news
With files from the CBC's Kelly Crowe and The Associated Press

redpajama_set_name: RedPajamaCommonCrawl


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#!/bin/bash
#
# This script will install Symmetry by creating symbolic links from the dotfiles directory of this repo to your home directory

SYMMETRY_LIBRARY_NAME="Symmetry"
SYMMETRY_LIBRARY_DESCRIPTION="This script will install Symmetry by creating symbolic links from the dotfiles directory of this repo to your home directory"
SYMMETRY_HOME_DIR="${HOME}" # home directory of the current user.  This can be changed if you'd like to keep your dotfiles and backup elsewhere
SYMMETRY_DIR="$( cd "$( dirname "${BASH_SOURCE[0]}" )" && pwd )" # directory this script is being run in
SYMMETRY_DOTFILES_DIR="${SYMMETRY_DIR}/dotfiles" # the dotfiles that will be copied to the SYMMETRY_HOME_DIR
SYMMETRY_BACKUP_DIR="${SYMMETRY_HOME_DIR}/.symmetry_backup" # current dotfiles that would otherwise be overwritten

symmetry_echo() {
  command printf %s\\n "$*" 2>/dev/null || {
    symmetry_echo() {
      # shellcheck disable=SC1001
      \printf %s\\n "$*" # on zsh, `command printf` sometimes fails
    }
    symmetry_echo "$@"
  }
}

symmetry_err() {
  >&2 symmetry_echo "$@"
}

#######################################
# Backup any current .files that match the files in the dotfiles directory
# Globals:
#   None
# Arguments:
#   None
# Returns:
#   None
#######################################
backup_symmetry() {
    symmetry_echo "Creating ${SYMMETRY_BACKUP_DIR} to backup all dotfiles from ${SYMMETRY_HOME_DIR} found in ./dotfiles ..."

    mkdir -p ${SYMMETRY_BACKUP_DIR}

    for FILE in dotfiles/*; do
        # we need to strip the "dotfiles/" from file so it just returns the filename
        local STRIPPED_FILE=${FILE##*/}

        # we only care to backup the file if it matches a file in our dotfiles directory AND if it currently is NOT a symbolic link - because that'd be silly.
        if [[ -f ${SYMMETRY_HOME_DIR}/.${STRIPPED_FILE} && ! -L ${SYMMETRY_HOME_DIR}/.${STRIPPED_FILE} ]]; then
            symmetry_echo "Moving ${SYMMETRY_HOME_DIR}/.${STRIPPED_FILE}"
            mv ${SYMMETRY_HOME_DIR}/.${STRIPPED_FILE} ${SYMMETRY_BACKUP_DIR}/
        else
            symmetry_echo "Symbolic link for ${STRIPPED_FILE} already exists.  No need to back up.  Skipping..."
        fi
    done

    symmetry_echo "Backup completed!"
    symmetry_echo
}

#######################################
# Creates symbolic links from the dotfiles directory of this repository into your SYMMETRY_HOME_DIR (defined at the top of script)
# Globals:
#   None
# Arguments:
#   FILES_TO_SKIP
# Returns:
#   None
#######################################
create_symbolic_links() {
    local FILES_TO_SKIP=$1

    symmetry_echo "Creating symbolic links for all files found in the ./dotfiles directory..."

    for FILE in dotfiles/*; do
        local STRIPPED_FILE=${FILE##*/}

        if [[ ${FILES_TO_SKIP[*]} =~ ${STRIPPED_FILE} ]]; then
            symmetry_echo "Skipping ${STRIPPED_FILE}..."
        else
            if [[ -L ${SYMMETRY_HOME_DIR}/.${STRIPPED_FILE} ]]; then
                if [[ $(readlink ${SYMMETRY_HOME_DIR}/.${STRIPPED_FILE}) = ${SYMMETRY_DOTFILES_DIR}/${STRIPPED_FILE} ]]; then
                    symmetry_echo "${STRIPPED_FILE} is already linked correctly.  Skipping..."
                else
                    symmetry_err "${STRIPPED_FILE} is already a symbolic link but not to Symmetry.  Skipping..."
                fi
            elif [[ ! -f ${SYMMETRY_HOME_DIR}/.${STRIPPED_FILE} ]]; then
                symmetry_echo "Linking ${STRIPPED_FILE}..."
                ln -s ${SYMMETRY_DIR}/${FILE} ${SYMMETRY_HOME_DIR}/.${STRIPPED_FILE}
            else
                read -p "${SYMMETRY_HOME_DIR}/.${STRIPPED_FILE} exists and was not backed up.  Would you like to overwrite this file with ${SYMMETRY_DOTFILES_DIR}/${STRIPPED_FILE}? [y/N] " OVERWRITE_DOTFILE

                if [[ $(echo "${OVERWRITE_DOTFILE}" | tr '[:upper:]' '[:lower:]') = "y" ]]; then
                    symmetry_echo "Overwriting..."
                    rm ${SYMMETRY_HOME_DIR}/.${STRIPPED_FILE}
                    ln -s ${SYMMETRY_DIR}/${FILE} ${SYMMETRY_HOME_DIR}/.${STRIPPED_FILE}
                else
                    symmetry_echo "Skipping..."
                fi
            fi
        fi
    done

    return 0
}

COMMAND="${1-}"
shift

case ${COMMAND} in
    "sync" )
        SYMMETRY_BACKUP=true
        SYMMETRY_SKIP_FILES=""
        while [ $# -gt 0 ]
        do
            case "$1" in
                --silent) NVM_SILENT='--silent' ; shift ;;
                --no-backup) SYMMETRY_BACKUP=false ; shift ;;
                --lts) NVM_LTS='*' ; shift ;;
                --skip-files) SYMMETRY_SKIP_FILES='*' ; shift ;;
                --lts=*) NVM_LTS="${1##--lts=}" ; shift ;;
                --skip-files=*) SYMMETRY_SKIP_FILES="${1##--skip-files=}" ; shift ;;
                --) break ;;
                --*)
                    symmetry_err "Unsupported flag \"$1\". Run ./symmetry.sh -h for supported sync flags."
                    exit 55
                ;;
                *)
                    if [ -n "$1" ]; then
                        break
                    else
                        shift
                    fi
                ;;
            esac
        done

        if [ "${SYMMETRY_BACKUP}" = false ]; then
            symmetry_echo "Skipping backup process..."
            symmetry_echo

            create_symbolic_links ${SYMMETRY_SKIP_FILES}

            exit 0
        fi

        if backup_symmetry && create_symbolic_links ${SYMMETRY_SKIP_FILES} ; then
            symmetry_echo
            symmetry_echo "Completed Succesfully!"

            exit 0
        else
            symmetry_echo "Looks like there was an error running sync!"

            exit 1
        fi

    ;;
    'help' | '--help' | *)
        symmetry_echo
        symmetry_echo "${SYMMETRY_LIBRARY_NAME}"
        symmetry_echo "${SYMMETRY_LIBRARY_DESCRIPTION}"
        symmetry_echo
        symmetry_echo "Usage:"
        symmetry_echo "  ./symmetry.sh -h, --help                  Show this message"
        symmetry_echo "  ./symmetry.sh sync                        Backup and sync all files in dotfiles directory to your ${SYMMETRY_HOME_DIR}"
        symmetry_echo "    --no-backup                              When syncing, ignore backup of non-symbolically linked files in ${SYMMETRY_HOME_DIR}"
        symmetry_echo "    --skip-files=<filename1,filename2>      When syncing, skip provided file(s) from dotfiles directory"
        symmetry_echo
    ;;
esac

redpajama_set_name: RedPajamaGithub


Today's Daily Getaways offer is from MGM Resorts for a number of their different properties in Las Vegas.
2 nights in a Bellagio suite (double occupancy).
Round-trip airport limo transfers (between McCarran Airport and Bellagio).
Invited guest check-in at the Bellagio.
This is one of those packages that you can get a ton of value out of if you use all the items included. Dinner, Hyde night club and the spa treatments cover just over $1,000 of the cost. Good seats to "O" can set you back $200. Hit all of those stops on your trip and the room is essentially free. I wouldn't fall over myself to buy this deal but I would guess most people would save $500-$1,000 on this. This offer expires at the end of March, 2015.
A 2 consecutive night stay in a one-bedroom LOFT (double occupancy).
Two (2) 1-hour massages at the Grand Spa.
Two (2) dinners for 2 at one of the following MGM Restaurants: Craftsteak, Shibuya, or Pub 1842.
Round-trip airport transfer from McCarran Airport to/from hotel.
This offer expires December 30, 2014. The Skyloft rooms are supposed to be spectacular (I haven't stayed in one yet). And, pricey. These rooms are at the very top of the MGM Grand and generally feature a two-story "loft" layout. Duh. They're about 1,400 sf and very elegantly finished.
The cheapest rates I could find were $750 a night, with some nights much more.
The dinners are capped at $300 each. The spa treatments are probably worth about $300 depending on which treatment you pick. If you don't mind paying roughly $500 for your 2-night room, then this is a good opportunity to try out a Skyloft. While you likely can't slip a check-in person enough cash to get you moved to a Skyloft, you can always go the more affordable route and slip them some cash for a lesser suite and bypass the package.
4 consecutive nights in a Tower Deluxe Room (double occupancy) at the Luxor.
$400 Food & Beverage credit for select Luxor restaurants.
I'm not a Luxor guy, but this strikes me as a reasonable deal if you'd consider staying there. You'll have to make sure you can spend $400 at restaurants you like in Luxor as the credit can't be used at other MGM properties. But the food credit almost pays for the package. Generally speaking, you can find rooms at Luxor for around $100.
3 consecutive night stay in a standard room in the West Tower at Circus Circus Hotel Casino in Las Vegas (double occupancy).
Breakfast buffet for 2 people during stay and Dinner buffet for 2 people during stay.
A $75 voucher for The Steak House restaurant inside Circus Circus.
1-day passes for 2 to the Adventuredome Theme Park.
Please note that this offer is valid through December 30, 2014. Subject to availability.
I've never stayed at Circus Circus, but this packages strikes me as a "pass". I guess if you were going to stay on a weekend, you'd get good value out of this. But, rooms are as cheap as $24 midweek.
3 consecutive nights in a 1-bedroom suite at the exclusive Sky Suites at the ARIA hotel in Las Vegas (double occupancy).
Dinner for 2 at your choice of one of the many fine restaurants inside ARIA, including: Sage, Sirio Ristorante, AMERICAN FISH, Julian Serrano, or Jean Georges Steakhouse.
Spa treatments for 2 at The Spa at ARIA.
2 VIP tickets to Zarkana™ by Cirque du Soleil®.
Round-trip airport limo transfers (between McCarran Airport and Aria Resort & Casino).
This one is interesting in that dinner is not capped at a dollar amount but includes "meal and one bottle of wine or two cocktails" plus tax and gratuity. I'll spitball that at $300 if you chose something like Jean Georges, though it depends on the bottle of wine they include. Tickets to Zarkana are probably worth about $200. $300 for the spa. Sky Suites generally go for $600 or more a night. It still feels like you could spiff a front-desk agent to give you a Sky Suite during low availability, or another type of suite as Aria definitely has some nice ones.
I'm not blown away by any of these deals but they're certainly a whole lot better than the Palazzo and Venetian deals from Friday. Think carefully and make sure that you can not only use all the package elements but that you're really comfortable paying for a suite, as Vegas hotel pricing is always very fluid.


text:
Monza Track Stats
In: 2019, Italian Grand Prix, Statistics
Here are all the facts and statistics you need to know about Monza ahead of the 2019 Italian Grand Prix!
?? RACE WINNERS
There have been 68 F1 races at Monza, with the 1980 season the only one where the Italian Grand Prix wasn't held at the track. During that time, 36 different drivers have won a race at the track.
Michael Schumacher and Lewis Hamilton share the record of most wins at the track, with five apiece. Ferrari are the team with the most Monza wins, having won on home soil 18 times. British drivers have won more races here than drivers from any other nation, with a Brit standing on the top step of the podium 21 times. Ferrari are the engine manufacturer with the most wins at the Italian Grand Prix, with Ferrari-powered cars taking 19 wins in total at Monza.
Juan Manuel Fangio, Stirling Moss, Phil Hill, Ronnie Peterson, Nelson Piquet, Damon Hill and Lewis Hamilton are the seven drivers who've taken back-to-back wins at the circuit. Fangio is the only driver to have won a race at this track in three consecutive seasons. He did so between 1953 and 1955. Hamilton could equal that record this weekend having won both of the last two Italian Grands Prix.
Lewis Hamilton and Sebastian Vettel are the only drivers on the 2019 grid who've previously won the Italian Grand Prix. Vettel has three wins at Monza compared to Hamilton's five.
The longest streak of different winners at Monza is eight, which has happened twice. Eight different drivers won in consecutive seasons between 1966 and 1973, and then again between 1975 and 1983. Had Ronnie Peterson not taken back-to-back victories in 1973 and 1974, the longest streak of different winners could have been seventeen!
The smallest win margin at the circuit came in 1971 when Peter Gethin won by just 0.01 seconds – the smallest win margin in any F1 Grand Prix in the sport's 70-season history. Coincidentally, Gethin's win was also the only win at Monza to come from outside the top ten on the grid. On the other end of the scale, Juan Manuel Fangio is the only driver to have won by over a lap at Monza, having done so in 1954. Phil Hill's 1960 Italian Grand Prix victory was also impressive – he won by over two minutes!
The Italian Grand Prix at Monza has been won by less than five seconds on 25 occasions.
From the last ten Italian Grands Prix, the average win margin has been 8.168 seconds.
?? ON THE PODIUM
In its 68-race history, 89 different drivers have finished on the podium at Monza.
Michael Schumacher boasts the most podium finishes at the track with eight, a figure which Lewis Hamilton can equal in 2019. Ferrari have by far the most podium finishes here, with 68, almost triple the tally of closest competitors McLaren! British drivers have taken more podium finishes at the track than drivers from any other nation. Brits have stood on the podium 42 times. There have been 20 occasions where an Italian driver has finished in the top three at Monza.
From the 2019 grid, there are six drivers who've previously finished on the Italian Grand Prix podium. While Lewis Hamilton leads the way with seven top three appearances, Sebastian Vettel is just behind him on six. Kimi Raikkonen has finished on the podium at Monza four times, Robert Kubica and Valtteri Bottas have each finished in the top three twice and Sergio Perez has finished on the podium here once.
There have been just three occasions in Monza's history where the polesitter has not either finished on the podium or retired from the race. There have been 36 occasions where the polesitter has finished on the podium and 29 occasions where the polesitter has failed to finish the race.
The furthest back on the grid a podium finish has come from at Monza is 26th. Ron Flockhart finished third having started 26th in 1956.
There have been ten occasions where none of the top three qualifiers have finished on the podium in a race here. Most recently, this happened in 1995.
There have been just six races here where all of the top three qualifiers have finished on the podium at this track, and four races (1960, 1990, 2003 and 2010) where the top three on the grid have finished in the order in which they started.
?? POLESITTERS
During F1's tenure at Monza, 36 different drivers have started from pole position at the circuit.
Lewis Hamilton has had more poles than any other driver here, with six starts from the very front. His tally of poles has helped to ensure that British drivers have taken over double the number of pole positions here than drivers from any other nation. Ferrari are the team with the most poles, setting the fastest Saturday lap time on 20 occasions.
There are three drivers on the 2019 grid who've previously taken pole position for the Italian Grand Prix. Lewis Hamilton has done so six times, Sebastian Vettel has taken pole three times and Kimi Raikkonen has started from the front twice.
Juan Manuel Fangio, Alberto Ascari, Stirling Moss, John Surtees, Niki Lauda, Ayrton Senna, Juan Pablo Montoya and Lewis Hamilton are the eight drivers who have taken back-to-back poles at Monza. Senna and Hamilton share the record of most consecutive poles at the track. Senna took four in a row at the track between 1988 and 1991, while Hamilton took four in a row between 2014 and 2017.
The largest pole margin at Monza came in 1960, when Phil Hill set the pace by 1.9 seconds. The smallest pole margin was in 2006, when Kimi Raikkonen took pole for McLaren by just 0.002 seconds!
Pole has been decided by less than a tenth of a second at Monza on 14 occasions, most recently in 2008.
From the last ten Italian Grands Prix, the average pole margin at Monza has been 0.240 seconds.
?? SATURDAY TO SUNDAY
24 races at Monza have been won from pole position, while 36 have been won from the front row of the grid. That means that 32 races here have been won from third on the grid or further back.
There have been twelve occasions where the polesitter has finished on the podium at Monza without winning the Grand Prix, including twice in the past three seasons.
?? SUNDAY STATS
The highest number of driver to finish all the laps of the Grand Prix at Monza is fifteen, which happened in 2013, when fourteen drivers finished on the same lap as race winner Sebastian Vettel.
Just six Italian Grands Prix since the year 2000 have featured a Safety Car period, most recently in 2018. There has never been a race at Monza which has featured more than one Safety Car stint.
Four races at the track have been affected by rain.
Lewis Hamilton has taken more fastest laps at the Italian Grand Prix than any other driver. He's set the fastest lap on a Sunday afternoon five times at Monza.
In total, 1,562 cars have started a Formula 1 race at Monza. From those, 866 cars have reached the end of a Grand Prix, giving an overall finish rate of 55.44%. In the past ten years, the average finish rate has been 78.95%.
The lowest number of cars to finish an Italian Grand Prix at Monza is six, which happened in 1968. Meanwhile, the highest numbers of cars to finish a race here is 20, which has happened four times – in 2005, 2007, 2013 and 2014. The 2005 race is the only time every car which started the race reached the chequered flag.
Four races at Monza have been red-flagged, most recently in 1995.
In total, there have been 3,951 racing laps of Monza in F1's history. The 50th lap of the 2019 Italian Grand Prix will be the 4,000th racing lap of Monza since 1950.
?? CHAMPIONSHIP GLORY
Monza has seen the second-most champions crowned of any track, though Jody Scheckter was the last champion to be crowned here, all the way back in 1979. In total, there have been eleven Drivers' Title-deciding races at the circuit.
The winner of the Italian Grand Prix at Monza has gone on to win the title in the same season just 26 times. This has happened in all of the last six seasons.
The leader of the Drivers' Championship after the Italian Grand Prix at Monza has gone on to win that year's title on 55 occasions. There have been just thirteen instances where this hasn't happened – including five times in the past twelve years.
Previous Post: 2019 Belgian Grand Prix: Post Race Statistics
Next Post: Your 2019 #BelgianGP Predictions: The Results


text:
'Tombs of Thought: Water' - SM - 'A Working Model of the World'
Brook Andrew (Artist)
Department of Fine Art
Research output: Non-textual form › Commissioned or Visual Artwork › Other
UNSW Galleries
2000 x 2000 x 2240 (L x B x H with inflatable)
A Working Model of the World - UNSW Galleries, Sydney, Australia
Duration: 5 May 2017 → 22 Jul 2017
Andrew, B. (Artist). (2017). 'Tombs of Thought: Water' - SM - 'A Working Model of the World'. Commissioned or Visual Artwork, Sydney, NSW, Australia: UNSW Galleries.
Andrew, Brook (Artist). / 'Tombs of Thought: Water' - SM - 'A Working Model of the World'. [Commissioned or Visual Artwork].
@misc{b3b5e519e84942e8be6171f63b99114d,
title = "'Tombs of Thought: Water' - SM - 'A Working Model of the World'",
author = "Brook Andrew",
note = "Two of the works: 'Tombs of Thought: Air' and 'Tombs of Thought: Earth' were shown at the National Gallery of Victoria in March 2017 for Brook's solo survey exhibition: 'Brook Andrew: The Right to Offend is Sacred'. 1295 x 1295 x 1040 (L x B x H main body only); 2000 x 2000 x 2240 (L x B x H with inflatable) timber, glass, paper, aluminium Curators: Lizzie Muller and Holly Williams "Tombs of Thought: Water" is part of a new series of sculptural works, titled, 'Tombs of Thought'. Each sculptural vitrine (there will be 5 in the series in total) relates to an element: water, air, fire, wood, earth and metal. They act as vessels for the display of objects, ephemera, books, postcards and films. 'Tombs of Thought': Water aims to challenge the usual museological and artistic engagement of archival objects in museum and gallery displays..For example in this piece a world globe is turned upside down and inflated. Reminiscent of Phileas Fogg's hot air balloon the work comments on colonial circumnavigation and fantasy.",
publisher = "UNSW Galleries",
Andrew, B, 'Tombs of Thought: Water' - SM - 'A Working Model of the World', 2017, Commissioned or Visual Artwork, UNSW Galleries, Sydney, NSW, Australia.
'Tombs of Thought: Water' - SM - 'A Working Model of the World'. Andrew, Brook (Artist). 2017. Sydney, NSW, Australia : UNSW GalleriesEvent: A Working Model of the World, UNSW Galleries, Sydney, Australia.
T1 - 'Tombs of Thought: Water' - SM - 'A Working Model of the World'
A2 - Andrew, Brook
N1 - Two of the works: 'Tombs of Thought: Air' and 'Tombs of Thought: Earth' were shown at the National Gallery of Victoria in March 2017 for Brook's solo survey exhibition: 'Brook Andrew: The Right to Offend is Sacred'. 1295 x 1295 x 1040 (L x B x H main body only); 2000 x 2000 x 2240 (L x B x H with inflatable) timber, glass, paper, aluminium Curators: Lizzie Muller and Holly Williams "Tombs of Thought: Water" is part of a new series of sculptural works, titled, 'Tombs of Thought'. Each sculptural vitrine (there will be 5 in the series in total) relates to an element: water, air, fire, wood, earth and metal. They act as vessels for the display of objects, ephemera, books, postcards and films. 'Tombs of Thought': Water aims to challenge the usual museological and artistic engagement of archival objects in museum and gallery displays..For example in this piece a world globe is turned upside down and inflated. Reminiscent of Phileas Fogg's hot air balloon the work comments on colonial circumnavigation and fantasy.
M3 - Commissioned or Visual Artwork
PB - UNSW Galleries
CY - Sydney, NSW, Australia
Andrew B (Artist). 'Tombs of Thought: Water' - SM - 'A Working Model of the World' Sydney, NSW, Australia: UNSW Galleries. 2017.
Brook Andrew 'Tombs of Thought: Four symbols in sight'
THE SATURDAY PAPER: 'A Working Model of the World'
Press/Media: Article/Feature
REALTIME: 'A Working Model of the World: A meta show of models'
Press/Media: Review
SMH: 'UNSW exhibition reveals a model case of murder and injustice'
Brook Andrew: The Right to Offend is Sacred
Research output: Non-textual form › Commissioned or Visual Artwork › Research
'Tombs of Thought: Water' - SM - The Sheila C. Johnson Design Center


text:
/**
 * @file
 */
#pragma once

#include "src/expression/Expression.hpp"
#include "src/common/Single.hpp"

namespace birch {
/**
 * Query expression.
 *
 * @ingroup expression
 */
class Query: public Expression, public Single<Expression> {
public:
  /**
   * Constructor.
   *
   * @param single Expression.
   * @param loc Location.
   */
  Query(Expression* single, Location* loc = nullptr);

  virtual void accept(Visitor* visitor) const;
};
}


text:
William John Wilson (24 December 1833 – 21 June 1909) was a British actor and theatre scenery painter, who had a career in Australia that included theatre management.

History
Wilson was born in London to an artistic family with Scottish roots. His grandfather John H. "Jock" Wilson was a scene painter at Astley's Amphitheatre, having followed David Roberts and Alexander Nasmyth to London, and his father William Anthony Wilson (c. 1814 – 7 February 1873) was in the same line of work, and an uncle John "Young Jock" Wilson was a landscape and marine painter.
Wilson early showed artistic talent, and by the age of 11 was helping out in the paint room of Edinburgh's old Theatre Royal where his father was working for William Murray. And it was there, in pantomime, that Wilson made his first stage appearance.
He exhibited paintings at the Society of British Artists when quite young and at the Royal Academy, though not, according to later researchers, at the early age suggested.

Victoria
Wilson arrived in Melbourne aboard Ivanhoe on  6 March 1855 and was promptly hired as an assistant by William Pitt of George Coppin's company, having been recommended by Fanny Cathcart (who later married Robert Heir and later still to George Darrell).
Coppin was at the time managing Melbourne's only playhouse, the Queen's Theatre. G. V. Brooke was under contract to Coppin at the time, along with Richard Younge and Fanny Cathcart.
While the company was in Geelong, and Madame Carandini was rehearsing The Daughter of the Regiment (she was playing there in April 1855), he lost the sight of his left eye through a bayonet accident.
One reference reports that this loss was permanent and that only through the attention of one Dr Jacob of Melbourne was the other eye saved.
This incident, a critical event in anyone's life, has not been averted to in any of the other obituaries, and a more recent biography reports his recovery in a few months.

Wilson was also known as a character actor, and was in 1855 a founding member of Melbourne's Garrick Club. An early part in Melbourne was as Robin Wildbriar, in Extremes (or) Men of the Day, a comedy by Edmund Falconer. Other roles for which he was known include:
Snorkey, in Under the Gaslight, Augustin Daly's first success
Peckover in The Contested Election of Tom Taylor
Zekiel Homespun in The Heir at Law of George Colman
Stephen Haresby in The Poor Gentleman (also Colman)
Modus in The Hunchback by J. S. Knowles
both Beauséant and Glavis in Bulwer-Lytton's The Lady of Lyons
Sets painted in March 1859 for Boucicault's The Knight of Arva at the Theatre Royal by Wilson and the Danish artist A. C. Habbe (with whom he later had a formal partnership) were praised, as was the work of Pitt, Habbe and Wilson for James Planché's Yellow Dwarf at that venue a month later.

Starting at the Cremorne Gardens at Richmond, he toured Victoria with a panorama of his own design and construction, depicting the Crimean War, with a working model of Siege of Sebastopol complete with fireworks.

New South Wales
In June 1861 he moved to Sydney, painting sets for Raphael Tolano at the Lyceum in York Street, later known as Queen's Theatre.
In September 1861 he was employed on "the grand spectacle in four acts", by Henry Laurent and Edward Fitzball, based on Daniel Auber's L'enfant prodigue, Azael, the Prodigal Son, a production of which he had helped his father paint years before, at the Theatre Royal, Drury Lane.
In November 1862 he was secured by William Dind to provide the scenery for the first Australian production of Falconer's Peep o' Day at the Royal Victoria.

In 1863 Wilson and Habbe were employed in decorating the Prince of Wales Theatre, newly rebuilt after the fire of October 1860. Their work included the ceiling and proscenium, and also the act-drop.
Wilson suffered severely when he fell from  above the stage, but was back at work by December.
The theatre, later renamed the Theatre Royal, was opened by W. S. Lyster's opera company.
The sets Wilson and Habbe painted for the operas Faust and Oberon in 1865 at the Prince of Wales were much admired.

Wilson had another outlet for his art, portraiture backdrops for photographic studios. In late 1866 he opened his own studio at 267 Pitt Street.

In 1867 these "brothers of the brush" were back at the Lyceum, helping to transform it into the Alexandra Hall, a meeting hall and salon de danse.

In June 1867 he took up a six-month contract in Hokitika, New Zealand which was extended by another six months, his wife and family joining him.

The entrepreneurial phase of his life began on his return to Sydney. In November 1869 Wilson and Habbe joined with Lionel Harding and his wife Rosa Cooper, to manage the Theatre Royal Adelphi, (yet another name for what became the Queen's Theatre). Harding was praised for providing quality entertainment at a reasonable admission price, and at every performance the scenery artists were applauded vigorously.
Two of their "stars" at this time were Daniel Bandmann and his wife Miss Milly Palmer.

In August 1870 the three-way partnership of Harding, Habbe and Wilson was dissolved and Wilson and Habbe opened the Victoria Theatre, in Pitt Street, with the Gregory Troupe, followed in September 1870 with a season starring Mary Gladstane, first in the title role of Frou-Frou, and in October staged Elizabeth, Queen of England, when Alfred, Duke of Edinburgh attended the theatre.

In 1871 the Habbe-Wilson partnership was forced to declare insolvency, as was Habbe personally. The Hardings returned to England around 1876 and Rosa Cooper (Mrs. Harding), who had been suffering poor health, died around 1877.

In 1873 Wilson was back at the Queen's Theatre, painting sets for W. B. Gill.

In 1874 be joined Edmund Holloway and Lachlan McGowan in a lease of the Queen's Theatre.

In 1876 he was painting scenes at the new Theatre Royal.

In 1877 he was painting sets for C. Wheatleigh at the same Queen's Theatre in 1877.

He painted for Mrs Scott-Siddons' season in 1878. The sets for her Midsummer Night's Dream and Uncle Tom's Cabin were applauded by both critics and patrons.
He is reported as touring New Zealand with Scott-Siddons around 1880, but no corroboration has been found. The eminent actress had a successful tour of New Zealand in early 1877, when Wilson was otherwise engaged.

In September 1880 Kelly and Leon's Opera House on King Street reopened as the Sydney Opera House (no connection to today's famous building on Bennelong Point) and Wilson took over as manager.
In 1884 Eduardo Majeroni became co-manager, and together they also managed the Bijou Theatre in Melburne and White's Rooms in Adelaide. They brought out to Australia Wybert Reeve, Emelie Melville, the Wallace-Dunning Opera Company, the Marie de Grey Company, and Minnie Palmer, and were highly successful.

In December 1890 he joined with Fred Hiscocks managing the newly-built Garrick Theatre, later the Tivoli Theatre. Their first production was Moths, Henry Hamilton's adaptation of the Ouida novel, introducing Olga Nethersole and Charles Cartwright to Sydney audiences. The Garrick Theatre failed to gain popular approval for reasons which are not clear, and the entrepreneurs made considerable losses.

In 1892, following a period of financial stress, he advertised for sale some 36 paintings from his travels.
In January 1894, a month after the death of his eldest son by consumption, he completed a large and detailed painting of Sydney Harbour, which he offered for sale.

Last days
Wilson died at his residence of 34 years, "Roseville", 151 Dowling Street, East Sydney, from bronchitis, after a few days illness.

Family
Wilson married Annette Marian Roberts (1841 – August 1924); their family included:
Blanche Clara Annette Wilson (9 November 1861 – 22 February 1940)
William Alfred "Willie" Wilson (c. 1864 – 12 December 1893)
Francis Hawthorne Anthony Wilson, stage name Frank Hawthorne ( – 30 October 1946) born in Dunedin, New Zealand, actor, stage comedian
Ernest Carden Wilson (c. 1873 – 15 August 1911) married Eva Isabel Farran in 1895. She divorced him in 1902 on grounds of desertion. He was a stage comedian, partnered by his second wife Pearl Hellmrich.
In 1874 the family moved from Palmer Street to 559 George Street South, the following year to "Roseville", 151 Dowling Street, Sydney.

Notes and references

19th-century Australian painters
19th-century Australian businesspeople
Australian theatre managers and producers
Australian scenic designers
Australian landscape painters
Australian male stage actors
1833 births
1909 deaths


text:
Q: Why would the IE Developer Toolbar claim a style is applied, yet that supposed fact is not reflected in the page rendering? I have a situation where IE7 is simply not applying styles, even though it claims it is.
I have an element on my page.  In the CSS, I have defined a rule that should apply "display: none" to it, so it should not be displayed.
It's still displaying.
I downloaded the IE Developer Toolbar, and found the element in the DOM selector.  I right-clicked and selected "Applied Styles."  Right there, IE claims that it is applying my "display: none" rule.  In fact, the "Applied Styles" dialog confirms everything I think I know about my CSS and how it should be applied.
Yet the element remains.
Now, I'm not asking anyone to debug my CSS here.  I'm asking, if the IE Developer Toolbar claims/confirms this element should be gone, but it's still there...what does that mean, exactly?  Since the Toolbar is on my side, I think my CSS is fine.
Is there some IE7 bug I'm not considering?
Edit:
One thing that might be relevant: the LINK elements that load the stylesheets are applied to the page in Javascript, via "document.write".  I'm starting to suspect that has something to do with it.
Update:
No, that has nothing to do with it.  I took the LINK tags out of the script and inlined them. The problem remains.

A: yes I'd check it in other browsers, but it's not un-common for IE (Any version) to be the odd man out. The other thing that springs to mind is whether there is some other CSS that is overriding your CSS. Are you seeing all the CSS that is being applied to the element and which of the CSS styles is the final one being applied?

redpajama_set_name: RedPajamaStackExchange


I came in with a lot of pain in my right shoulder that was affecting my job and quality of life. After physical therapy three times a week with Sheri for four weeks I feel great. I play golf with no pain now and can have a pain free work day. Thanks HealthQuest, Especially Sherri.
Over my time here at HQ of Clarkston, I've gained back my physical confidence. From having no feeling in most of my leg and no ability to stand, I am back running, jumping, and doing what makes me happy. It has been a major struggle, but I am so thankful for the amazing people here at HealthQuest that not only care about my progress, but my well-being, and mental strength as well. I will always feel at home here. what a terrific place to be!
When I first came in for physical therapy, I was unable to do squats, stairs or even walk long distances without pain. Throughout the process I could feel my legs and knees strengthen. Leaving today, I can feel the difference that has been made over the last two months. I feel like I'm at 100%. I can walk, squat and do stairs as far and as long as i want with little to no pain at all.
Starting physical therapy I could barely walk, sit or stand. I was surprised after the first treatment I felt instant relief. After going through a weekly regiment I continued to gain strength and felt improvement. Towards the end of treatment they helped prepare me for leaving by teaching me exercises for a lifetime of healthy injury free living.
I suffered huge amounts of pain from a pinched nerve in my back. I went to see a doctor and they referred me here. I loved all the staff! They were so kind and helpful. Thank you for helping me go back to doing the sport I love. I can swim pain free again!
Four months ago I came to HealthQuest discouraged about the high level of pain in my hip, (8 out of 10 most days), plus my mobility and strength were getting worse and worse. After working with Kristen and her team I have regained the strength in my hip and overall mobility. I can enjoy my day to day life and take part in volunteer and church activities that mean a lot to me. What a great team! Thanks to all of you for your help and encouragement.
After surgery I thought I would not be able to even my arm for a year. After my 18 visits I feel like I can do anything. My therapist was very attentive and took care of all my needs and questions. I would recommend HealthQuest to anyone who has pain. It works!
I came to HealthQuest because I was diagnosed with a torn meniscus. I started therapy before surgery which helped in my recovery after. Physical therapy has made my mobility improve. I wasn't able to walk far or go up and down stairs very well. Now I can go back to my walking routine with very little pain at all!
I never thought my shoulder would get better, I've been dealing with it for almost a year. After coming here I finally found hope to go back to playing sports again. Today was my last day and my shoulder hasn't felt better. Thanks to everyone at HealthQuest!
I went from choosing not to play specific sports due to my knee pain-- to playing basketball and soccer in recreational leagues again. The building was always clean and the staff is very helpful and knowledgeable. If I need physical therapy in the future, I will definitely come back.
At the beginning of my therapy it was very hard for me to run a mile without having shooting pain go throughout my leg. After my therapy I feel so much better and am so surprised how far I've come. I am so happy I am able to run without pain and am very grateful!
HealthQuest was an enjoyable experience, the exercises I had to perform were very beneficial. Overtime the effects of my injury have become less and less noticeable. All of the people who work at this fine establishment are so friendly and inviting, it is a pleasure to come here for each and every visit. I highly recommend this place to anyone who has an injury.


I think we can all agree that, if we look at mercy this way, it is extremely difficult to practice. Mercy like this doesn't come naturally for us. We quite often want people to get what they deserve. We want justice for people who do wrong and harm others. Considering forgiving people who are, in our minds, unforgivable is completely bonkers. In the process of teaching our children right from wrong, how to choose kindness over selfishness, we continue to set up a black and white world where fairness is the goal. It simply isn't fair to offer radical kindness to those that bully us, harm those we care about, or who frankly don't make good choices. Yet, when we let go of the judgment within us, we can see a glimpse of God's mercy that was present to begin with. God is all about radical kindness and offering undeserved mercy to all of God's children. That's God's nature.
As a child, I grew up believing that if I did everything I was supposed to do, worked hard, was quiet and did everything perfectly, then I would get everything I wanted. I thought my goodness would earn me privileges and recognition, and that's what I longed for. My world was rocked when I auditioned for the big solo in my elementary music class in 4th grade. I considered myself a good singer, and one of the best in the class. The solo was actually a duet, and the best boy singer in the class was definitely Daniel, my boyfriend (or my current flame), and I knew he would earn the boys part. The audition process for the girls was whittled down to 2 girls. Myself and my close friend Lois. I was certain I would get the part. I mean, it was "A Whole New World" from Aladdin, and everyone knew I had a crush on Daniel. It was a shoe in. Plus, Lois wasn't as strong of a singer. She was pitchy, and her voice was airy. I was DEVASTATED when our music teacher chose Lois. What? Are you kidding me? It just wasn't fair! I immediately began fuming, couldn't understand, and started plotting against both my friend and my music teacher. My plan was to make them as miserable as they had made me. This was the first time I remember seeking vengeance on someone else (what wasn't my brother, I mean, come on.) I was certain this would make me feel better and would tip the scales back into balance.
I am sure our music teacher saw something in Lois that I didn't see. Maybe she wanted to elevate Lois, because she saw her struggling in ways I never saw. Maybe she needed the recognition that I so desperately craved. I will never understand it, and even as I relive this memory, I'm feeling anger rise up within me. Life isn't fair, and the gospel never makes the promise that it will be. Terrible things happen. Hurricanes form in the Atlantic and threaten the coastline of 2 states, and many inland. There are "unlovable" people out there who are in need of mercy and compassion. Sometimes it takes us waking up out of our self-righteous dream to the reality of the merciful God that loves us anyway, and always gives us another chance.


Medical Practice - House Call Doctor Thousand Oaks, Inc.
House Call Doctor Thousand Oaks, Inc.
"The best upgrade of your life..."
The doctors travel to your home fully equipped to diagnose and treat a wide range of illnesses and injuries. More than an urgent care -- our nine person medical staff makes house calls and primary care that include follow up.
all within the comfort of your own home.
Our nine-person medical team can generally arrange for everything up to and including mobile X-rays and mobile ultrasounds in your home. We provide MORE care and attention than most insurance companies expect.
Our medical staff is known for their compassion, and for paying attention to the tiny details in the overall story that is your health care.
It's our private practice, so you get the time you want and deserve.
Copyright © 2011 - 2017 House Call Doctor Thousand Oaks, Inc. - All Rights Reserved.


text:
I haven't played a lot of roll and write games but when I heard that one got nominated for the Kennerspiel des Jahres, I really wanted to check it out. Over 100 games later, I'm addicted to Ganz Schön Clever. You might not know what a roll and write game is but if you've ever played Yahtzee, then you've played one. The object of this type of game is to roll a set of dice and then write on some sort of scoring sheet. In Yahtzee, you're looking to roll a certain combination of dice to score the most amount of points possible. In the past few years, these types of games have evolved into some really strategic and enjoyable designs.
Ganz Schön Clever (roughly translated as "Pretty Clever") plays 1 to 4 players but all of my games have been solo. Over six rounds in a solo game, you "roll and choose your dice and enter them into the matching colored area, put together tricky chain-scoring opportunities, and rack up the points. The dice you don't use are as important as those you do, because every die that's smaller than the chosen one can be used by the other players, keeping everyone in the game at all times." In a one player game, you simply lose access to the lower valued dice you don't choose for that part of the round.
As you mark the five different scoring sections on the board, you're scoring points and unlocking bonus actions and scoring opportunities. This isn't a review or how to play post so I'm not going to go into detail on how each section works, but it's balancing them all that makes this game so addicting. I think roll and write games are fine. I've never been a huge fan but will play them. That all changed when I found the link to play Ganz Schön Clever free online. I'll play a game or two when I have a free moment or even a dozen or so after everyone else has gone to sleep.
What makes it so addicting for me is trying to beat my high score. To be declared clever, you need a score above 280. The picture above shows my all time best score of 263. When I first started playing and didn't quite understand the strategy I was scoring in the low 100s. Now I'm currently averaging somewhere around the "Great result!" and "Hat's off to you!" on the scoring chart which fall between 180 and 219. But it took around 40 or so games for me to really find the balance. Even when you do, the dice aren't always forgiving. If you don't have a reroll available, it can really screw you so you have to be smart when using those.
If you like roll and write games, this one is a must play. I'll probably pick up a physical copy of this to try with more players. Even if it doesn't go over that well, I know I'll play the hell out of it. I think it might be the fastest game I've played 100 times. It joins STAC, Star Realms, M:TG, Palace, Can't Stop, Yahtzee, Blokus, 7 Wonders, Hearts, 6 nimmt!, and Quoridor in the 100 plays club.


... ICU stay, rates of survival at hospital discharge and at 3 months, neurological outcomes at hospital discharge and at 3 months.
Table 2. Hospital Course and Mortality Rate.
Paramedic Chivas Guillote, BSN (right), works with a student taking the Emergency Medicine Critical Care Transport Provider Course.
She makes YouTube videos, loves makeup and designs art at her home in Udall, Kansas. These hobbies help the 21-year-old stay busy without being too tiring.
Association of Blood Transfusion with 30-Day Mortality, According to Hematocrit Category.
I love all other types of doctors!
The Official Publication of the EM Resident's Association !! #academia #EM @emresidents @UribeJeffrey… https://t.co/cxfYiaf9eG"
Medical Technologist Jo Ann Quindipan issues red blood cells in the UCM blood bank.
At Weill Cornell Medicine, we provide comprehensive care for patients with cancer and blood disorders using a collaborative and multidisciplinary approach.
Here's how to cope with your biggest retirement fears.


Process Center is the new attention concept powered by PlanTalk. It is a multi-channel attention platform integrated with business processes to effectively manage customer service and improve attention quality.
PlanTalk is designed to support advanced customer service platforms which at Cibernos we refer to as "Process Centers". This platform integrate the world of customer service (clients, agents) with the world of business management (processes, backoffice).
In sectors like banking, insurance, utilities, telco, customers change companies frequently and also have a high rate of incidents. By effectively resolving their problems and correcting errors, we turn what would have been an expense into an opportunity for improvement.
Multi-channel: communications with the contact are independent from the channel used (voice, chat, sms, email, fax, social networks).
Processes: includes a business process management (BPM) platform for interacting with clients that also offers a complete range of fully integrated additional tasks.
Integration: This platform is not intended to function independently, in an isolated manner but rather interwoven into the company's existing information system infrastructure.
CTI Multitechnology: Plantalk is designed to use different CTI technologies that offer a two-way integration WS interface. Currently, the approved technology is Invox by Numintec.
Claims / Incidents: Occasional inbound calls from customers/active users which are answered, handled or redirected for resolution.
Orders: Occasional inbound calls to place an order for a PURCHASE.
Agendas: Occasional inbound calls to make an APPOINTMENT with a technician.
Information Campaigns: Mass outbound calls to send INFORMATION to a people on a pre-selected contact list.
Sales Campaigns: Mass outbound calls to process SALES of products or services to the people on a pre-selected contact list.
Surveys: Mass outbound calls to GATHER information from people on a pre-selected contact list.
Budgets: Generation of complex budgets from the same service position.
Mail: Automatic attention of mail accounts managed by PlanTalk agents.


text:
Employee Spotlight: Catalina Molina
Diversity and Inclusion, Employee Spotlight, Employees
Our employee spotlight shines a light on one employee at a time. We value diversity and inclusion and welcome diverse thinking. It takes a village — through collaboration, living safely and driving innovation we realize our goals and help our clients achieve mission success. Our mantra is people first, mission always. In September, we'll focus on Hispanic Heritage Month. Today's Q&A is with Catalina Molina, SVP Financial Strategy.
How did you come to join Amentum?
I joined Amentum nearly 12 years ago on the recommendation of my neighbor who worked for the company at the time.
What is your professional and personal background?
I was born and raised in Colombia. I started as an industrial engineer and transitioned into business school when I moved to the U.S. more than 20 years ago.
Describe the work you do and how you think it makes a positive impact.
Leading the Financial Strategy organization for Amentum, I am responsible for setting the financial planning, forecasting, reporting and analysis for the entire Amentum portfolio. I am also responsible for the Pricing organization. I impact our business by looking after the financial health of our portfolio of programs in a variety of ways. From ensuring we have adequate and competitive rates to win new work, to projecting our future revenue and profit streams, to helping identify potential gaps from growth objectives, and empowering our executive team with the right leading indicators to enable them to make informed decisions for our business, etc.
What are some of your accomplishments and/or what has been your proudest career moment?
I am definitely proud of being a key player in the transformation and growth of Amentum over the years. I joined the company in 2011 to help integrate a portfolio of nearly $100M of intelligence contracts into what was at the time under AECOM's $1B portfolio of government contracts. In 2012, I was given the opportunity to build FP&A for AECOM Government Services and I have been with this portfolio ever since, building practices from the ground up and scaling them accordingly as we grow. From the acquisition of URS in 2014, to the spin-out from AECOM to Amentum in 2019, the acquisition of DI in 2020 and then PAE in 2021, to now being a portfolio of approximately $9B in revenue. I feel very proud of the journey and the challenges faced and overcome along the way.
What do you enjoy about working for Amentum?
First and foremost, I enjoy the team of people I work with. My team is my family away from home! Second, I am facing new challenges every day and every year. I feel like I have a new job without having to change jobs — all because of the nature of our business and how fast the company has grown!
What are you passionate about?
Solving problems. Creating high quality products. Delivering on commitments and exceeding expectations!
What's your career advice?
Always do the right thing regardless of who is watching. Never care too much about impressing anyone. Whoever is worth impressing will be impressed when you are least expecting or planning it.
What does safety mean to you or do you have a favorite safety tip?
In my day-to-day, the emotional safety for my team is a lot more relevant than physical safety when it comes to showing up to work. Personally, it means I want to feel safe to challenge others and to speak my mind. I want my team to always feel safe to speak their minds and to disagree with me. When we leave the meeting, there are no hard feelings.
What's the best invention in the world and why?
Music. It can change my mood in a matter of seconds. Music communicates so much with just sounds. And, when lyrics are involved, it becomes so much more powerful — making your whole body move and it becomes dancing!!!!
Anything else you would like to share from a personal or professional perspective?
Going back to the topic of this month's celebration — I am very proud of my heritage. I am certain many of my personality traits, including passion, perseverance, a strong work ethic and an entrepreneurial spirit, are a result of my heritage and upbringing. These traits have been extremely instrumental in my career!
What does Hispanic Heritage Month mean to you?
Hispanic Heritage Month is one of many opportunities we have during the year to acknowledge and celebrate the fact that being different makes us stronger because we can complement each other. The one thing we all have in common is that we are all different! It is also an opportunity to bring the Hispanic community together to rejoice on our commonalities and hopefully make new connections across the company.
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text:
Q: Mutt autoedit option without edit_headers In order to skip the addressee and subject prompts before editing a message, one must set both autoedit and edit_headers.  But setting the latter puts the header into the edit buffer.  Is it not possible to skip the prompt without having the header in the buffer?
I have a rather long header, and no need to edit it along with the message.
Alternatively, is there a way to exclude a particular header items from the
edit buffer?
PS.  The reasons I do not want to give the addressee and subject first
are

*

*I do not want to worry about accidentally sending the message prematurely;

*It may be easier to think of a suitable subject line after the message has been written.

I'm using Vim as my editor.

A: Using the filetype plugin for mails in vim:
Create the file $HOME/.vim/ftplugin/mail.vim with the single line
set foldmethod=manual
1,/^$/-1fold
norm }

This will cause the the above commands to be executed every time the mail filetype plugin loads, which it does when you're editing a mail message.
The commands will create a fold over the headers (everything from the start of the file to the first empty line) and collapse them into a single line. The norm } command will simply place you on the first line of the body of the message (you may alternatively want to use /^-- /-1 instead to place the cursor on the last line of the message, before the signature).
To open the fold, step over it and type zo.  To close it, step over it and type zc.
This is assuming that you have autoedit and edit_headers set in mutt already.

vim with a new message, headers folded:
+--  8 lines: From: Myself <my.name@example.com>-------
hello

--
my signature here

With the headers unfolded:
From: Myself <my.name@example.com>
To:
Cc:
Bcc:
Subject:
Reply-To:
Organization: blipp blopp beep beep

hello

--
my signature here


Before I set off for Paris, I figured I would return home super excited to cook again after my long break from servitude daily meal prep. However, I am still finding my groove again. As it turns out, dining out in Paris for many days only inspires one to return home and…order pizza? dine out more? serve cereal for dinner? All of the above. Maybe it's the weather, maybe it's the post-vacation blues, but I'm really not all that into cooking these days.
So, anyway, congratulations Mr. Bob Blumer, you have the honor of having created the recipe which I used for one of the first real post-Paris meals I bothered to cook, and the only one worth publishing. First and foremost, this salmon passed the Andrew Test. Andrew is my picky one who some days likes salmon, some days does not like salmon. He seems to like salmon only when I've not bought enough of it and counted on him NOT liking salmon that meal. We had enough salmon last night, so he was gearing up to not like it, but he was immediately hooked after one bite and declared it his favorite new salmon. I agree with Andrew.
This recipe uses 3/4 cup of real maple syrup, which I realize can be kind of pricey. DO NOT USE FAKE SYRUP, THOUGH. NO MRS. BUTTERWORTH! If you want to use less maple syrup, start with 3 tablespoons of syrup to 1 tablespoon of soy sauce and then increase proportionately until you have enough marinade. Also, please give this at least 24 hours to marinade. It makes a huge difference. I made this once before and only marinaded a few hours, and it wasn't nearly as good.
This recipe calls for the grill, but I cooked it in the oven at 450 for about three minutes a side.
In a small deep bowl, or a resealable plastic bag, mix maple syrup and soy sauce. Add fillets so that marinade completely covers fish. Marinate in the refrigerator for as long as possible (a minimum of 4 hours, but ideally 24 – 48). Turn salmon (or bag) every few hours.
Preheat grill to medium-high direct heat.
Place pepper on a small plate. Remove salmon from marinade and pat top side into cracked pepper to coat.
Grill for approximately 3 minutes per side, starting with pepper side down, or until salmon is just on the verge of turning opaque.
This entry was posted in Main Dish and tagged bob blumer, easy salmon marinade, maple soy salmon, maple-icious salmon by Mom Mom's Apron. Bookmark the permalink.


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text:
Retrato de Sebastià Junyent es un óleo sobre tela pintado por Pablo Picasso en Barcelona hacia 1903, y depositado en el Museo Picasso de Barcelona.

Contexto histórico y artístico
La estancia barcelonesa de Picasso que transcurre desde mediados de enero de 1903 hasta el 12 de abril de 1904 (en que se  va definitivamente de la ciudad para instalarse en París) es el periodo más prolífico en cuanto a la ejecución de retratos dentro de la época azul.

Uno de los retratos más bellos lo dedica a su amigo Sebastià Junyent y Sans (1865-1908), con quien, en estos momentos, estrecha sus vínculos. Pintor, ilustrador y diseñador gráfico, es también ensayista y crítico de arte en revistas tan importantes de la época como Joventut y La Renaixensa, que le dan un merecido prestigio.

Desahogado económicamente gracias a una herencia que le dejó su tío homónimo, ayudó a Picasso en más de una ocasión e, incluso, le ofreció compartir una temporada su estudio de la calle de Bonavista, en el barrio de Gracia. Allí se dedican mutuamente un retrato. El de Junyent tiene como fondo La Vida (Museo de arte de Cleveland), que Picasso se encontraba pintando en aquellos días y que Junyent compró junto con El Viejo Judío por quinientas pesetas. Su posición acomodada lo convirtió en un buen coleccionista de la obra de Picasso, si bien después las obras se dispersaron.

Descripción
Este cuadro de 73 x 60 cm es de una gran belleza plástica. Picasso dio al rostro, enrojeciéndolo, una tonalidad natural que había hecho desaparecer en la mayoría de figuras de la época. A la vez se aprecia una gran sutileza técnica en la realización de los cabellos. El contorno de la figura lo hace  mediante un perfilado grueso de color negro que salpica, incluso chorrea, una parte del fondo. El azul que emplea el artista es más suave que el usado con anterioridad, es un azul de Barcelona.

Referencias

1. Rafart i Planas, Claustre, 1998. Guía del Museo Picasso. Barcelona: Ayuntamiento de Barcelona. ISBN 8476098693. Página 63.

Enlaces externos

 Habitantes del museo: Sebastià Junyent - Museo Picasso de Barcelona ((en catalán))
 Picasso desafía Degas - El Punt Avui ((en catalán))

Cuadros de Pablo Picasso


Until recently, a popular recreation and health resort on the shore of the Azov Sea, village Shyrokyne in the Donetsk region (Ukraine) 20 km from Mariupol, with all the attributes of the modern resort: children's camps and sanatoriums, homes and bases of rest. In 2014 the war came to this place and already three years the village of Shyrokyne - a place of constant tension in the armed confrontation in the East of Ukraine. Once a resort village now considered as a strategically important area of defense on the outskirts of the industrial Mariupol city. Almost every day, and the village itself, and its once picturesque neighborhoods are mentioned in the daily summaries of the press center of the ATO headquarters as objects of shelling from guns of different caliber.
At the moment, starting from February 24, 2016, when Shyrokyne was completely liberated by the Ukrainian army from Russian and separatists forces and to this day, this bridgehead is held by the Ukrainian marines. Leaving the village terrorists mined here every street and every house and since then, without interruption, even to the "illusion" of ceasefire, day and night are firing from heavy weapons advanced positions of marines, and literally equal to the ground still quite recently blooming resort on the beach. More than 60% of the buildings in the village are partially or completely destroyed and to date almost all residents have left.


Are you a colour person? Some colours make us happy while others are said to create a calming effect, energise us or even make us sad. So it's important to consider colours if you are creating a quiet haven outside where you can de-stress. So how you can get colour into your outdoor furniture so that you compliment your exterior lounge area? The easiest way is through the use of furnishings under a nice shaded area either with a pergola or shade sails.
For instance, you'll be sure to want cushions for the chairs; some alfresco furniture comes with it already in place, in which case you won't have much choice but to go with that. But you can easily purchase smaller cushions to that lovely wicker furniture, or even boat wood furniture which could well have some of the old boat paint still on it, depending on where it is from. Outdoor furnishings are often available from the furniture store, where they are displayed on the furniture so you can see how it looks together.


Independent rotating flywheel, allowing operation in tight corners and in confined spaces.
Foldable handle easy for transportation and storage.
Height adjustable handle, assures operator comfort & easy control.
Dead-man switch, shuts the engine down in the event of the operator loosing control of the people.
Lifting hook for easy transport as standard.
Lifting hook for easy transport as standard.Foldable handle easy for transportation and storage.


Hardcover, illustrated, color, 449 p.
These three books shed light on groundbreaking research done by Dmitry Tamoikin into the amazing world of Soviet jewellery. They are packed with factual information, colorful illustrations and innovative ideas. These books not only show you all aspects of Soviet gold (and silver) as jewellery, but teach you how to invest and make money with this valuable new-found resource. As you will see, each of these books are "World's First" in their own right, however the last book "Soviet Jewelry Investor's Guide" is brand new in every way.
Softcover, illustrated, color, 212 p.
Hardcover, illustrated, color, 200 p.
This book is the first publication of the Tamoikin Museum. Here, for the first time, Tamoikins family gave the public a rare glimpse into their vast collection of art antiques and collectibles. In this book, Mikhail Tamoikin, Ph.D., outlines the original version of what is now known as the Technology TES, that is capable of appraising all types of art antiques and collectibles. In 2004, when it was published, this was the only book (in English and Russian) that challenged conventional methods of art appraisal.