text:
Home :: Military :: World :: Russia :: Aircraft :: Su-27 Flanker :: Su-35 (Su-27M) :: Su-35BM ::
Su-35S Flanker-E
Su-35BM
Su-35BM Design
Su-35BM Avionics
Su-35BM Program
Su-35BM Specifications
Su-35BM Pictures
BR F-X BR - Brazil
PRC Su-35S - China
ROK F-X - South Korea
Su-35S (Flanker-E +, according to NATO classification) is a deeply modernized super-maneuverable multi-purpose fighter of the "4 ++" generation, created using fifth-generation technologies. Distinctive features of the Su-35S are a new avionics complex based on a digital information control system, a new radar station with a passive phased antenna array (PFAR) with a long range of airborne targets detection and an increased number of simultaneously accompanied fire targets. increased power with controlled thrust vectoring (UHT). These engines meet the requirements for the power plant for the fifth generation fighter, because they allow to develop supersonic speed without the use of afterburner. Su-35S fighter is a deep modernization of the Su-27. Unlike the Su-27M, it has a new enhanced airframe and is not equipped with a front horizontal tail and brake pad. Braking during landing is carried out by the deviation of the rudders in different directions. By 2018, more than 60 S-35S fighters were in service with the VKS of the Russian Federation.
Completion of tests of the Su-35S multipurpose fighter in full is planned at the end of 2019. The final stage of state tests involves, inter alia, the conduct of measures to assess the effectiveness of the use of new weapons in super-maneuverable modes, on-board equipment and aircraft interaction in the loop of automated control systems for aerospace forces. The Su-35S, powered by two 117S engines with thrust vectoring, combines high maneuverability and the capability to effectively engage eight air targets simultaneously using both guided and unguided missiles and weapon systems. The aircraft has been touted as "4++ generation using fifth-generation technology." The Russian Defense Ministry was planning to buy about 90 Su-35s, which will gradually become the core of Russia's fighter jet fleet.
Defined as a Generation 4++ fighter, the Su-35S is capable of flying at a speed of up to 2,400 kilometers per hour and ascending to a height of 20,000 meters. The plane's maximum range stands at 3,600 kilometers, and with an additional fuel tank the figure can be increased by 900 kilometers. The Su-35S's super-maneuverability is provided by a new engine with thrust vector control, which allows the aircraft to reach supersonic speeds without using afterburners.
Notably, the Su-35S was developed with the help of high technology used in the creation of Russia's fifth generation aircraft, the T-50 PAK FA. For example, the Su-35S's crew consists of one pilot, and the plane is controlled without using analog devices, which were replaced with just two screens on which all the information is displayed. Western military experts were especially impressed with the Su-35S's sophisticated phased-array radar control system Irbis, which allows the plane to detect targets at distances of up to 400 kilometers, as well as track aerial targets and engage up to eight of these targets simultaneously.
The Su-35UB (Uchebno-Boyevoy - combat trainer) is a two-seat combat trainer version of the basic fighter. The prototype two-seat trainer variant, designated the Su-35UB, under-took its first test flight at Komsomolsk-on-Amur on 7 August 2000. As of 2003 the only Su-35UB produced to date was identifiable by sporting a three tone blue camouflage paint scheme.
Colonel Nikolay Baranov, a former Su-27 pilot, was interviewed on Russia Today on May 21, 2007. Baranov was asked about Russia's response to the US carrying out a gradual replacement of its F-15s with the new F-22 fighters. Baranov said that "Russia's response to it already exists and we have talked about such aircraft as Su-30 and Su-35. These models also have "stealth" elements. If we compare F-22 with Su-27, "Raptor", as F-22 is called in the U.S., often outperforms Su-27, but Su-30 and Su-35 surmount F-22, in their turn, even in terms of "stealth" elements. As you remember, it is "stealth" technology, which distinguishes F-22 from its predecessor, F-15, but almost all radars in Russia can easily find F-22. Thus, I think money spend on modernisation of F-15 were just thrown away. As far as avionics are concerned, Su-30 and Su-35 can compete with F-22 anywhere in every situation. For instance, Major General Kharchevsky have conducted 8 mock air combats in the U.S. and won all of them."
The first flight prototype of the Su-35 multifunctional supermaneuverable fighter of JSC KNAAPO production was presented at MAKS-2007 International Aviation and Space Salon on 21-26 August 2007. On 27 September 2007 Sergey Chemezov, chief of Russia's state weapons exporter Rosoboronexport, suggested that Venezuela could be the first buyer of Su-35 fighter. Venezuela is buying 24 of Russia's Su-30MK2. Rosoboronexport planned to set to detailed talks about Su-35 deliveries once the supplies of Su-30MK2 are completed. Sukhoi will deliver 12 of 24 Su-30 fighter jets to Venezuela by the end of 2007 in accordance with its contract.
Brazil wanted a multirole fighter to protect its national airspace as well as to keep track of smugglers in the Amazon basin and guard the country's offshore oil rigs. However, it also wanted the multi-billion dollar contract to reenergize the domestic defense industry through home-grown production and as much technology transfer as can be afforded.
Bids for Brazil's long-delayed F-X BR fighter procurement expired at the end of 2004 without a government decision, nominally requiring a new round of updated submissions. Amid political wrangling and funding difficulties and rumors that the program will be indefinitely shelved, in January 2005 Brazil's new defence minister Jos' Alenca said a decision would be announced before the retirement of the air force's Dassault Mirage IIIEBR fleet in December 2005.
In February 2006 it was reported that Brazil's defence ministry was re-examining the decision to scrap the air force's F-X BR fighter procurement, and was attempting to organise a new procurement budgeted at $2.2 billion. Unlike the previous program, the defence ministry did not contemplate an open bidding process, but would simply select a fighter and negotiate a contract for between 36 and 42 aircraft. Brazilian sources indicated that Dassault's Rafale was considered to be a leading contender.
As of early 2007 the Brazilian Air Force planned on the acquisition of 12-16 multi-role fighters under a program budgeted at $1.1 billion. This is viewed as the successor to the F-X BR procurement. The ministry of defence did not plan open bidding, with the prime contenders being Dassault's Rafale and the Sukhoi Su-35, with the Eurofighter Typhoon a possible third candidate. Dassault heads up a group of French companies that have acquired a stake in Brazil's Embraer, which would assemble the Mirages under license. The Brazilian Air Force reportedly preferred the Sukhoi Su-35. The program called for the purchase of an initial batch of aircraft, with deliveries from 2012, followed by a further two orders by 2020.
In April 2009 it was reported that Russia may allow Brazil to produce its fifth-generation fighters under a license in the future. "We are discussing with the well-known Brazilian company Embraer the transfer of technology and the construction of facilities for the future licensed production of the aircraft, including the fifth-generation fighter," said Alexander Fomin, deputy director of the Federal Service on Military-Technical Cooperation. Russia's advanced multirole fighter is being developed by the Sukhoi aircraft maker, part of Russia's United Aircraft Corporation (UAC), along with India's Hindustan Aeronautics Limited (HAL), under a preliminary intergovernmental agreement signed in October 2007. The first prototype is scheduled to make its maiden flight before the end of 2009.
In November 2008, Russia and Brazil signed a series of agreements on military technology cooperation which emphasize the protection of intellectual property rights and technology secrets. The agreements will facilitate the transfer of technology and the licensed production of the Russian aircraft in Brazil if Moscow decides to sign a contract with the South American country.
Russia's Su-35 jet fighter participated in an ongoing tender for the delivery of over 100 fighters to the Brazilian Air Force. "We are actively participating in the Brazilian tender, which had been reopened. It involved over 100 fighter planes. Russia has made a bid in the tender with its Su-35 multirole fighter. The tender has stiff requirements, involving not only the sale, but also the transfer of technology. It was a key condition of the deal and Russia was ready to satisfy it," Fomin said.
The Russian Air Force will receive up to 100 Sukhoi fighter jets by 2015, the Defense Ministry spokesman said on 01 January 2011. Three state contracts with the Sukhoi design bureau on the supply of the jets have been already signed, Vladimir Drik said. Fifty advanced Su-35 Flanker-E multirole fighters, billed as "4++ generation using fifth-generation technology," more than ten advanced Su-27SM Flanker multirole jets and five Su-30M2 Flanker-C multirole fighters are among the aircraft to be supplied. The Russian Air Force will also receive twenty-five new Su-34 Fullback fighter-bombers in the next few years, the spokesman said.
Russia's Sukhoi aircraft manufacturer has started test flights of its first series-produced Su-35S Flanker-E multirole fighter, the company said on 03 May 2011. The aircraft took off from the Komsomolsk-on-Amur airfield in Russia's Far East, spending one and a half hours in the air testing propulsion and control systems. After the tests are completed, the Su-35 will be transferred to the Russian Defense Ministry.
The Sukhoi aircraft maker delivered the first six Su-35S fighter jets to the Russian Air Force, the company said 28 December 2012. The acceptance documents were signed by Defense Ministry officials at the Komsomolsk-on-Amur aircraft manufacturing plant in Russia's Far East. "The Sukhoi holding has fulfilled its obligations on the delivery of this type of aircraft under the 2012 state defense order," the company said in a statement. "The fighter jets will fly to their designated home base in the near future," the statement said.
In December 2015, Russia's defense ministry signed a five-year contract with Sukhoi company worth more than 60 billion rubles for the supply of 50 multi-role fighters Su-35S for the Russian air force. The agreement seemed to indicate that the 5th generation aircraft Sukhoi PAK-FA will not be produced for many years in quantities allow for the replacement of the withdrawn Su-27aircraft. The contract was concluded in the last days of December by the Ministry of Defence, OKB Sukhoi and United Aircraft Corporation. The contract is to include delivery of 50 multi-role aircraft Su-35S in 2016-2020.
The initial production plan was to be signed in April 2015, when the air salon MAKS-2015, but due to the lack of precise budgetary appropriations for the years 2016-2018, it was impossible to plan production and delivery schedule. Details were established after the signing of the budget for the year 2016 by President Vladimir Putin. Eventually, an agreement was signed in December 2015 its planned value exceeds 60 billion rubles. This is probably not the total value of the contract, for the supply of 50 aircraft by the end of 2020.
So a significant number of aircraft ordered belonging to the late 4th generation (the Russians say that the Su-35 is a generation 4 ++) seems to clearly indicate that the Russian air force did not yet consider the PAK-FA aircraft as sufficiently refined and cost-effective to begin to actually replace the family fighter Su-27 and its derivatives over the next five years.
This is also reflected announced at the beginning of 2015 a significant reduction in orders for aircraft Sukhoi PAK-FA. In July 2015, Russia's Deputy Defense Minister Yuri Borisov announced that the first contract will be reduced to 12 aircraft, or one squadron.
The first order for 48 Su-35S copies was made in 2009, and completed in 2015. The contract is for another 50 aircraft to Russia. In 2015 Sukhoi signed a contract for 24 units for China and was negotiating a contract for 12 machines for Indonesia provide long-term production of the Su-35.
The Su-35 tactical fighter will fill the niche for the new 4++ generation of ultimate fighters and reinforce the fleet of old and slowly modernized Su-27 fighters. Forty-eight aircraft have been commissioned and will be delivered through 2015. There is every reason to believe that the contract will be renewed after 2015. The Su-35 machines will come as a makeshift solution before the PAK FA fifth-generation fighters are fielded by the Russian Air Force. However, given the huge amount of innovation brought in by the PAK FA, it will take time before this aircraft is fully deployed and mastered. As of 2012, the purchase of approximately 100 Su-35 fighters was planned to complete the transition period of the 2010s in a relatively painless manner.
On 01 February 2016, Russian Defense Ministry spokesman Igor Konashenkov said that the four Su-35S fighters have been deployed to Hmeymim Airbase in Syria. The warplanes are expected to provide coverage for SU-24 bombers, which launch airstrikes on Daesh and Al-Nusra Front militants in Syria.
Russia's deployment of four state-of-the-art Su-35S fighter jets to Syria swiftly hit international headlines, with Western media describing the Su-35 as one of the most dangerous fighters in the world," according to the Russian newspaper Rossiyskaya Gazeta. The newspaper mentioned the German magazine Stern, which stated that the Su-35S can be considered the world's deadliest fighter jet other than the fifth-generation US F-22. As far as flight characteristics are concerned, the Su-35 is significantly superior to its competitors, combining the best features of the fourth generation fighter and the basic features and properties of a fifth generation warplane, according to Stern.
The magazine was echoed by the US newspaper Washington Times, which said that the Su-35S will add significantly to Russia's ability to protect its aircraft in any area of the Middle East, in light of Turkey's downing of a Russian bomber in Syria in November 2015. "The deployment also sends a message to Turkey that, in combination with the S-400 anti-aircraft missile system, Russia can defend its aircraft anywhere in theater with weapon systems equal to or even more capable than NATO can field," the newspaper said.
The US international affairs magazine The National Interest in turn quoted a high-ranking US military official as saying he was quite impressed with the Su-35S. "It's a great airplane and very dangerous, especially if they make a lot of them. I think even an AESA [active electronically scanned array-radar equipped F-15C] Eagle and [the Boeing F/A-18E/F] Super Hornet would both have their hands full," he said.
Russian Ministry of Defense in 2017 will receive ten new super-maneuverable multi-role Su-35S, four Su-27 will be upgraded to the level of the Su-35. This was announced on 09 March 2017 by Deputy Defense Minister Yuri Borisov. "Last year, we signed a long-term contract for the construction of the Su-35S, this year we plan to get ten Su-35S, will upgrade to the Su-35 appearance of four Su-27", - he said during a visit to Komsomolsk-on Amur aircraft plant named after Gagarin. He praised the characteristics of the Su-35S. "Feedback from the pilots, airplane wonderful, has unique performance characteristics, has passed its baptism of fire in Syria, which has shown itself perfectly," - said the deputy head of the Ministry of Defense.
The 100th serial multi-purpose fighter Su-35S was handed over to the Ministry of Defense of the Russian Federation as part of the final batch of aircraft of this type in 2018. The transfer took place in Komsomolsk-on-Amur, the press service of the United Aircraft Building Corporation (UAC) said 11 December 2018. "At the Komsomolsk-on-Amur branch of PJSC" Company "Sukhoi" (included in the KLA), a solemn transfer of the Su-35S aircraft to the Russian Defense Ministry was completed, including the 100th aircraft of this type, " - said in a statement.


Monitoring the result progress to ensure return on investment.
The results-based accountability "Outcomes Framework" helps HSD move from ideas to action to ensure that our work and investments are making a real difference in the lives of vulnerable people. The following service division goals and the results that would indicate success have been established based on identified community values.
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Q: Ошибка system.nullreferenceexception Подскажите пожалуйста в чём ошибка. Пытаюсь использовать рекурсивный метод на самодельном односвязном списке, но появляется ошибка System.NullReferenceException: Ссылка на объект не указывает на экземпляр объекта.
class Node
    {
        public Node() { }
        public Node(Node PreviousNode)
        {
            next = PreviousNode.Next;
            Element = PreviousNode.Element;
        }
        public void SetNextNode(Node _nextNode)
        {
            next = _nextNode;
        }
        public int Element
        {
            get
            {
                return element;
            }
            set
            {
                element = value;
            }
        }

        public Node Next
        {
            get
            {
                return next;
            }
        }

        private Node next;
        private int element;
    }
class List
    {

        public List()
        {
            // создание пустого списка
            headNode = null;
            tailNode = headNode;
            Length = 0;
        }
        public void Push(int _element)
        {
            if (headNode == null)
            {
                // создать узел, сделать его головным
                headNode = new Node();
                headNode.Element = _element;
                // этот же узел и является хвостовым
                tailNode = headNode;
                // следующего узла нет
                headNode.SetNextNode(null);
            }
            else
            {
                // создать временный узел
                Node newNode = new Node();
                // следующий за предыдущим хвостовым узлом - это наш временный новый узел
                tailNode.SetNextNode(newNode);
                // сделать его же новым хвостовым
                tailNode = newNode;
                tailNode.Element = _element;
                // следующего узла пока нет
                tailNode.SetNextNode(null);
            }

            ++Length;
        }
        public int this[int _position]
        {
            get
            {
                Node tempNode = headNode;
                for (int i = 1; i <= _position; ++i)
                    // переходим к следующему узлу списка
                    tempNode = tempNode.Next;
                return tempNode.Element;
            }
        }

        public int Length { get; private set; }
        private Node headNode;
        private Node tailNode;
    }

Вот данный код и не работает:
public void Insert(int element, int place)
        {
            if (place == 0)
            {
                PushFirst(element);
            }
            else if (place == 1)
            {
                Node newNode = new Node();
                newNode.Element = element;
                newNode.SetNextNode(headNode.Next);
                headNode.SetNextNode(newNode);
                ++Length;
            }
            else if(place == 2)
            {
                Node newNode = new Node();
                newNode.Element = element;
                newNode.SetNextNode(headNode.Next.Next);
                headNode.Next.SetNextNode(newNode);
                ++Length;
            }
            else
            {
                Node tempNode = headNode.Next.Next;
                Node preNode = headNode.Next;
                headNode.SetNextNode(preNode);
                preNode.SetNextNode(tempNode);
                RecursionInsert(tempNode, preNode, element, place);
            }

        }
        private void RecursionInsert(Node tempNode,Node prenode, int element, int place)
        {
            if (place == 0)
            {
                Node newNode = new Node();
                newNode.Element = element;
                newNode.SetNextNode(tempNode);
                prenode.SetNextNode(newNode);
            }
            else
            {
                prenode.SetNextNode(tempNode);
                tempNode = tempNode.Next;
                RecursionInsert(tempNode,prenode, element, place--);
            }
        }

Но при этом вот данный метод прекрасно работает:
 public void Remove(int element)
        {
            Node preNode = new Node();
            Node tempNode = headNode;
            while ( true )
            {
                if(tempNode.Element == element)
                {
                    preNode.SetNextNode(tempNode.Next);
                    break;
                }
                preNode = tempNode;
                tempNode = tempNode.Next;
            }
            Length--;
        }

A: Вот как, должно быть...
 private void RecursionInsert(Node temp, Node prenode, int element, int place)
        {

            if (place != 0)
            {
                prenode = temp;
                temp = temp.Next;
                prenode.SetNextNode(temp);
                place--;
                RecursionInsert(temp,prenode, element, place);
            }
            else
            {
                Node newNode = new Node();
                newNode.Element = element;
                newNode.SetNextNode(temp);
                prenode.SetNextNode(newNode);

            }

redpajama_set_name: RedPajamaStackExchange


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text:
Campaigns & Communities >
Active Campaigns >
Hidden Histories
Hidden Histories is an alternative lecture series run by staff and students at Warwick which seeks to explore often-erased stories of oppression and resistance.
The series gives a platform to academic narratives and discourses which are often neglected or even deliberately erased from mainstream curricula, and opens these discussions up for students from any and all disciplines to access and engage in them.
The Students' Union launched this series as part of the work to liberate the curriculum. The series seeks to highlight how the erasure of these histories impacts on contemporary perceptions of the world around us, and thus why it is important to learn about them. Though this initiative is extra-curricular, we hope that through "Hidden Histories" as a student and staff community, we can collectively explore and showcase what a truly liberated curriculum could look like.
Next lecture in the series:
"Sexuality in the Holocaust" delivered by Dr Anna Hájková, for Holocaust Memorial Day
Tuesday 28th January in S0.20, refreshments to start from 5pm
[Facebook event]
CN: Discussion of non-consensual sexual activity
In Winter 1945, prisoners of the Tiefstack satellite camp in Hamburg watched with a mix of fascination and disgust what they understood as a relationship between their guard Anneliese Kohlmann and a Jewish woman prisoner. Most of the survivors described Kohlmann as "decent." Yet, the queer relationship was perceived with discomfort, reflecting on wide-spread homophobia in the prisoner society. Using Kohlmann as a case study, I show how to make sense of enforced and consensual sexuality in the camps, and how queer history of the Holocaust allows us to address agency and powerlessness of Holocaust victims.
Dr Anna Hájková is associate professor of modern European continental history at the University of Warwick. Her book The Last Ghetto: An Everyday History of Theresienstadt is forthcoming 2020 with Oxford University Press. She is working on a book on queer history of the Holocaust and Anneliese Kohlmann. She tweets at @ankahajkova
"Re-configuring the Discipline: Going Global in the Ancient World" delivered by Prof. Michael Scott
Wednesday 4th March in S0.21, refreshments to start from 5pm
How do we reconnect the study of cultures from antiquity that have been isolated and siloed by centuries of scholarship? This talk focuses on the need to connect the Greek and Roman worlds - the focus of an entire discipline 'The Classics' - back into the wider tapestry of ancient communities spanning from the Mediterranean to China, with whom the Greeks and Romans interacted frequently, and without whom the Greek and Roman worlds would have been fundamentally different. More importantly, how do we prepare students, traditionally trained to study narrow fields of history, to engage and study such vast canvases and the multiple cultures they contain. And what are the advantages for the student in doing so?
Previous events in the series:
"The Stonewall Riots and the Legacy of Marsha P Johnson" delivered by Dr Michell Chresfield
Trans pioneer Marsha P Johnson is perhaps one of the most well-known but misremembered figures within the Stonewall Riots. Though there have been several cinematic portrayals of Stonewall, Marsha has most often appeared as a supporting figure if at all, a move that has led to accusations of whitewashing and trans erasure. This talk treated the debates surrounding the cinematic depictions of Marsha P Johnson and the Stonewall Riots as an opportunity to rethink Marsha's legacy within the riots as well as within the broader movement for gay liberation.
"Queer Selfhoods: Sodomy Trials and Gay Subculture in the Long 18th century England", with the Queer History Reading Group
This event looked at four short trials, letters and poems in order to explore how queer bodies, selves and desires were represented/negotiated in English socio-legal discourses and beyond in the long 18th century. Please find the short readings which were prepared for this event here.
"Hidden Legacies of Black British Activism within the Student Movement & Beyond" delivered by Jade Bentil and Sue Lemos
Listen to the audio recording of the event here:
Creating a collective politics that sought to uproot their experiences of racist, sexist and economic oppression in the UK, Black British feminists refused to be silent. Nearly forty years on from this historic moment however, the Black Women's Movement of the late 1970s and 1980s has been erased from the historiography of women's history and activism in Britain." Jade Bentil
To relaunch the Hidden Histories alternative lecture series in its second year, we will begin with a lecture about a turning point into the history of British activism - centred around the legacies of students of colour's activism, even including some examples of organising and mobilising at Warwick.
We look forward to welcoming both two Black feminist historians, Jade Bentil, who is also a writer, and UK panellist on 'The Grapevine', and Sue Lemos, Warwick alumna, and researcher on the Young Historians Project to deliver this lecture, and prompt such a crucial uncovering of hidden histories.
"A Queer History of the Holocaust" delivered by Dr Anna Hájková
"Why were certain stories connected to sexuality of the Holocaust victims, such as people who engaged in same sex conduct, never told?
This event will explore the intersection of sexuality and violence in the Holocaust, and the erasure of certain sexualities from what has become the Holocaust canon. Through examining the narrative erasure of lesbians and gays who were deported as Jews, homophobia of the victim society, and sex barter, and by looking at cases of what the lecturer has termed "transgressive sexuality," this event will contribute to our understanding of gender and sexual violence, consent, normative behavior during the Holocaust, and the politics of Holocaust archives.
This lecture will be delivered by Dr Anna Hájková. Anna is Assistant Professor of Modern Continental history at the University of Warwick. Her book manuscript on everyday history of Theresienstadt was awarded the Irma Rosenberg as well as the Herbert Steiner prize for 2014. She was coeditor of Theresienstädter Studien und Dokumente, and she also co-edited Alltag im Holocaust: Jüdisches Leben im Großdeutschen Reich, 1941-1945. Her essay on sexual barter received the Catharine Stimpson Prize for Outstanding Feminist Scholarship 2013. She is working on a project on transgressive sexuality in the Holocaust."
"Transgender Moral Panic - A Brief Social History" delivered by Ruth Pearce
"Over the last few months, there has been an enormous upsurge in media commentary that expresses concern about the role of trans people in public life. Gendered changing rooms, non-binary people, trans children and notions of self-definition have all come under intense scrutiny, with psychologist Meg-John Barker describing 2017 as "the year of the transgender moral panic".
For the 2nd lecture in our Hidden Histories series, Ruth Pearce will explore the background to the recent wave of media interest, taking in radical feminist theories, scientific racism and proposed changes to UK law. She will show how the transgender moral panic has been shaped by deep-seated cultural anxieties around sex and gender, brought to the fore by the precarious successes of the trans liberation movement.
Ruth Pearce is a trans feminist scholar. Her research primarily examines discourses, practices and experiences of trans health. Her PhD was awarded by the University of Warwick in 2016. Her thesis looked at how trans health is differently understood within trans communities, activist groups and professional literatures, with a range of meanings and practices contested within and between these spaces."
"Race, Intimacy, and the Hidden Histories of Extraction" delivered by Lisa Tilley
"What does 'race' have to do with resource mining and other forms of 'extractivism' such as oil palm and soya bean production? What does 'intimacy' have to do with race and the racialisation of populations in resource-rich areas? How do mining and other extractive operations impact upon cultures of intimacy and why do sites of industrial-scale prostitution emerge alongside sites of extraction?
In this talk, Lisa Tilley looks at one resource frontier in Indonesia in order to answer these questions. Working from the Dutch colonial era through to the present, she provides an examination of how colonial discourses and practices have been adopted and performed by corporate agents in order to racialise the Indigenous locals.
Integrally, she considers how racialised colonial representations of Indigenous intimacy have formed the rationale for the interventions of actors from missionaries through to corporate and state agents in Indigenous intimate habits.
This talk will cover how such interventions are performed simultaneously through the discouraging of polygamy and through the introduction of operations of industrial-scale prostitution alongside mining sites. Overall, by mapping out the connections between race and capital in relation to intimacy, this talk will add to our understanding of how racial difference is produced and deployed in the service of extraction, dispossession, and expropriation.
Lisa Tilley is a Leverhulme Early Career Fellow at Queen Mary University of London in the UK and co-convenes the Colonial, Postcolonial, Decolonial (CPD) Working Group of BISA as well as the Warwick-QMUL Raced Markets collaborative research project."
"British National Eugenics - The Golden Age" featuring contributions from Lara Choksey, Nathaniel Adam Tobias C----, and Clive Harris.
"Eugenics, the science of good ("eu") breeding ("genes"), was invented in Britain by Francis Galton, Charles Darwin's cousin, in the nineteenth century. Presenting a pseudo-scientific justification for racism, ableism, and imperial ventures abroad, eugenics fascinated thinkers across the political spectrum in Britain, presenting the opportunity to breed in "good" stock, and to breed out the "bad" in the name of social improvement.
In this student-staff roundtable, we look at how eugenics shaped imperial world-building during its golden age: the "Scramble for Africa", Birmingham's back-story in the invention and institutionalisation of British National Eugenics at University College London in 1904 and 1911, and the role of public scientists in promoting eugenic agendas in the years leading up to World War II. How is eugenic thought embedded in contemporary notions of what it means to be "British", what are some of its contemporary manifestations, and how can we go about dismantling this inheritance? The roundtable features contributions from Lara Choksey, Nathaniel Adam Tobias C----, and Clive Harris.

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: How to inject one class into another for use as a constructor in es6 classes I have a module I'd like to use called pigpio that exports a class called Gpio

I want to inject this class as a dependency in another class so I can use it to build GPIO instances:
// a simplified example of the class

import { Gpio } from "pigpio";

class PinManager {

    gpioBuilder: Gpio
    construct(builder: Gpio){
        this.gpioBuilder = builder
    }

    buildNewGpioPin(pinNumber: number, direction: number){
        return new this.gpioBuilder(pinNumber, direction)
    }
}

export default PinManager

The problem is, when I try to call this.gpioBuilder to construct the new instance of of the Gpio class I get an error telling me that there's no constructor for the class in the property:

I'm sure this is happening because es6 classes are just syntax sugar for javascript's prototype inheritance pattern, but I'm not sure how to solve for this.
I want to inject Gpio as a dependency so that it's easier to mock in tests, but if I can't do dependency injection this way I'm not totally sure how to do it.
Update post correct answer
After the example given by Alex I was able to correct my class and eliminate the errors:
import { Gpio } from "pigpio"

class PinManager {
    gpioBuilder: typeof Gpio
    construct(builder: typeof Gpio) {
        this.gpioBuilder = builder
    }

    buildNewGpioPin(pinNumber: number, direction: number) {
        return new this.gpioBuilder(pinNumber, { mode: direction })
    }
}

export default PinManager

I also looked back through the typescript handbook for the explanation of why this works (I've been reading the handbook and didn't see it, turns out I just hadn't gotten to that part yet):
https://www.typescriptlang.org/docs/handbook/classes.html#constructor-functions
The important part being:

... Here we use typeof Greeter, that is "give me the type of the Greeter class itself" rather than the instance type. Or, more precisely, "give me the type of the symbol called Greeter," which is the type of the constructor function. ...

Thanks again for the help!!

A: When you use a class as type, typescript interprets that as instances of that class, and not the class constructor. You can use typeof MyClass if you want the constructor.
So it sounds like you want to type gpioBuilder as the class constructor type typeof Gpio.
import { Gpio } from "pigpio";

class PinManager {

    gpioBuilder: typeof Gpio
    constructor(builder: typeof Gpio){
        this.gpioBuilder = builder
    }

    buildNewGpioPin(pinNumber: number, direction: number){
        return new this.gpioBuilder(pinNumber, direction)
    }
}

export default PinManager

Playground


text:
My Lit Work
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November 2, 2019 November 1, 2019 Grab the Lapels
Adding a co-author, and what it means to label books when you can't label the character — a #ReadingValdemar conversation post
Jackie @ Death by Tsundoku and I are on the last trilogy of the Valdemar books by Mercedes Lackey. Well, the last trilogy that we plan to read in 2019. There are still several more. In this, THE OWL MAGE trilogy, Lackey added a co-author in husband Larry Dixon. Did having a wingman (hahaha, owl pun) make a discernible change in the first book, Owlflight? Also, Jackie and I seem to be having different reactions to the novels as we've moved forward in the year, so we wanted to discuss that too. Lastly, it's always fun to think about what our expectations are for the rest of the trilogy we just started.
Did you notice anything different about Owlflight knowing this book is co-authored by Mercedes Lackey and Larry Dixon?
Melanie: I had a much easier time remembering each character, so I wonder if Dixon had something to do with that. In the previous few trilogies, I could easily mix up main characters, including one whom I had enjoyed even earlier in the series when they were new and more clearly written with specific character traits. Thus, I think Lackey had too much bouncing around in her head and needed someone to check her writing. I would think an editor would do that, but perhaps it's hard to tell one of fantasy's most popular authors to try again.
Jackie: I agree. The named characters all have distinct, unique personalities in this book, unlike some of the previous books we've read. Chalk one for Dixon! For me, the biggest difference has to do with pacing. Owlflight spends a lot of time in Darian's head in the beginning. This didn't have the same feeling as the previous Valdemar novels we have read. While yes, we have spent many hours in the heads of our narrators, never did the pacing feel so wrong. There was a lot of repetition and reinforcement of concepts I didn't need as a reader. To me, Darian's character felt different from all the other Valdemar characters thus far. And in my brain, I attribute that to Dixon. Who knows how right or wrong I might be. So, Dixon 1, Lackey 1. Perfect.
What did you learn about Owlflight when reading the other person's review?
Jackie: I didn't realize that Lackey and Dixon are trained to care for birds of prey! That's a neat tidbit I picked up from your review, Melanie. I know this will change how I read the passages about the bond birds in the future. There were some moments when I was reading and I thought to myself, "Wow, this is a lot of detail about bird interactions. I wonder how real this all is?" Turns out it's all super real! I like this, as it reinforces the importance of these characters. Lackey and Dixon must really know their birds of prey to show such differences between the species, as well.
Melanie: While I know that all labels are things we invent, Jackie, your review made me think more about who the target audience for a book is. Lackey is never categorized as anything but adult fantasy in bookstores and the library, but you felt that Owlflight belonged in middle grade reading. Because labels are subjective, I don't disagree with you, but my brain asked a lot of questions afterward: did the Harry Potter series raise our expectations for how long or challenging a middle grade novel can be? Are all books that avoid violence and strong language and feature a character aged 11-13 considered middle-grade appropriate? Should libraries include copies of Lackey in the youth section? I used to just go with whatever the publisher or library said about labels, but I learned recently that some libraries categorize all books by and starring African American characters as "urban fiction." Which, you know, is a racist assumption about the lives of black people. Urban fiction is typically considered African American stories set in cities and focus on relationships and seedy dealings, and include lots of sex, swearing, and violence. However, it was originally a wider term that captured fiction set in the squalid part of a city, including novels like Oliver Twist.
What do you look forward to the most as we continue this trilogy?
Melanie: So far, every character we meet is pre-labeled. Herald, mage, Hawkbrother, Shin'a'in, Karsite, etc. Yet, Darian comes from nowhere and is adopted into a new way of life with two different groups, a village and a tribe. He's not even half one group and half the other — we know little about his parents, who seemed different from the other villagers, so we have no clues about potential labels other than "villagers." And I'm not even sure his parents were that, as they hunted in a haunting forest in which no one else would enter. What made them so brave? Who are they? Because Darian has no roots story and is the right age for a bildungsroman tale, he's pretty blank thus far, so I have no predictions for who he's going to be as an adult, or where he'll end up. Thus far, we have few references to Heralds, and I'm not even sure if he'll be interacting with them, which has me intrigued.
Jackie: Oooh, good points! I would be really interested in a story with few to no Heralds after the last few trilogies we've read.
I greatly appreciated that Owlflight did not have a "big bad" that will follow us throughout the rest of the series. I like that we were able to focus on Darian and his personal concerns. I am hopeful that throughout the next two books we continue this singular focus on Darian. Yes, I want to know more about what it means to be an adopted Hawkbrother and I'm certain we'll learn more about this strange magical terraforming, but I like the simplicity of a series just focused on the growth and development of one man. One man's actions can have huge ripple effects, as we saw earlier with Vanyel. Perhaps Darian will be similar!
Melanie: I also enjoyed how Vanyel's journey throughout THE LAST HERALD-MAGE trilogy didn't have a "big bad" that Vanyel obsessed over. Yes, he dreamt about this villain for all three books, but we didn't wallow in the bad guy's thoughts for three books. I enjoy smaller battles in Lackey's writing and find myself more interested when there's an action sequence. I loved that about Owlflight, too.
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OWL MAGE trilogy
Published by Grab the Lapels
I'm a graduate of the MFA fiction writing program at the University of Notre Dame, which inspired me to follow along with trends in teaching, publishing, and reviewing. I also have an MA and BS from Central Michigan University. I used to teach composition, creative writing, and literature in higher education, and then did a brief stint at a civic theatre, but now work at a public library.	View all posts by Grab the Lapels
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text:
ART_HIST_101: First-year Seminar: Art & the French Revolution, 1789-1815 (Winter 23: Dowad)
Museums and Other Resources
Art History Writing Resources
Subject Specialist
Cara List
Deering Library, 3rd Floor
Northwestern University Library
1970 Campus Dr.
Subjects: Art and Architecture
Art Library Assistant
Perry Nigro
perry.nigro@northwestern.edu
Drop-in Office Hours:
Monday 1-2PM Kresge Cafe
Wednesday 2-3PM Kresge Cafe
The French Revolution is widely considered one of the triumphant origins of modern liberal democracy, epitomized by its famous motto: "Liberty, Equality, Fraternity." However, the realities are far more complex (and far less idealistic). The French Republic confronted crisis after crisis as it struggled to integrate the working classes, women, immigrants, and racial and religious minorities into the body politic. France's colonies and the hundreds of thousands of slaves whose labor secured French wealth posed additional challenges to the Revolution's utopian project, ultimately paving the way for the expansion of French imperialism under Napoleon Bonaparte.
This first-year seminar examines the significant roles played by art and architecture in producing French citizens and representing Revolutionary values. In addition to canonical artists and architects of the period, such as Jacques-Louis David, Adélaïde Labille-Guiard, and Étienne-Louis Boullée, this course also examines popular visual and material culture, including political cartoons, festivals, and costumes. Students will learn how to describe and analyze a wide range of cultural objects, and apply those skills to understand how artworks can intervene in revolutionary conditions to shape political and social realities.
Jacques Louis David
Death of Marat
Musée Royaux des Beaux-Arts, Brussels
Next: Getting Started >>
Last Updated: Dec 21, 2022 9:16 AM
URL: https://libguides.northwestern.edu/AH101_W23
Tags: 18th century, 19th century, art history, French Revolution


text:
Company Update (NASDAQ:CSIQ): Canadian Solar Inc. Receives C$71.6 Million Construction Loan from Deutsche Bank
Corey Williams- June 19, 2015, 7:05 AM EDT
Canadian Solar Inc. (NASDAQ:CSIQ), one of the world's largest solar power companies, announced that it has signed a financing agreement pursuant to which Deutsche Bank has agreed to provide C$71.6 Million (USD$58 Million) in non-recourse, short-term construction financing to Canadian Solar for the construction of two solar power projects inOntario, Canada. The two power plants, both 10 MW AC each, have been awarded a 20-year power purchase contract by the Independent Electricity System Operator (IESO) under Ontario's Feed-in-Tariff (FIT) Program.
Dr. Shawn Qu, Chairman and Chief Executive Officer of Canadian Solar, commented, "This is the fourth construction loan package that Canadian Solarhas signed with Deutsche Bank, and we value and respect our long-standing relationship with this reputable financial institution. The addition of these two projects underscores not only our successful collaboration with Deutsche Bank, but also our contribution to expanding the use of clean solar energy in Canada." (Original Source)
Shares of Canadian Solar closed yesterday at $33.2 . CSIQ has a 1-year high of $41.12 and a 1-year low of $18.68. The stock's 50-day moving average is $34.46 and its 200-day moving average is $29.73.
On the ratings front, Canadian Solar has been the subject of a number of recent research reports. In a report issued on June 16, Nomura analyst Nitin Kumar reiterated a Buy rating on CSIQ, with a price target of $46, which implies an upside of 38.6% from current levels. Separately, on June 1, FBR's Aditya Satghare reiterated a Buy rating on the stock and has a price target of $45.
According to TipRanks.com, which ranks over 7,500 financial analysts and bloggers to gauge the performance of their past recommendations, Nitin Kumar and Aditya Satghare have a total average return of 52.3% and -1.3% respectively. Kumar has a success rate of 48.0% and is ranked #138 out of 3635 analysts, while Satghare has a success rate of 58.8% and is ranked #2863.
Canadian Solar Inc is a solar power company. The Company designs, develops and manufactures solar wafers, cells and solar power products.
JMP Analysts Mixed on Palo Alto Networks Inc (PANW) and Canadian Solar Inc. (CSIQ) Following Earnings Releases
Here's Why FBR Trimmed Price Target on Canadian Solar Inc. (CSIQ)
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Canaccord Cuts Price Target on Canadian Solar Inc. (CSIQ) on Revised Estimates


Citing budget constraints, the National Center for Atmospheric Research (NCAR) announced this week it will shut down its Center for Capacity Building, a small group of experts headed by Dr. Michael "Mickey" Glantz, a 35-year veteran of NCAR and a well-known champion of helping human beings adapt to climate change. The Center was dedicated to assisting communities in Asia, Africa, and other areas less fortunate than the US in dealing with the societal impacts of weather and climate. The abrupt announcement was met with vociferous protest within the social science community and amongst colleagues in the climate policy arena. What does this move say about overall support for the role of social sciences in climate research and policy development?
The fundamental reason for investing over $2 billion a year into federal climate science programs across a dozen agencies, presumably, is to be able to inform society about how the earth's climate system is changing, due to natural variability and human-induced causes. We have over-saturated our atmosphere with CO2 and other greenhouse gases, and as a result are suffering the consequences: prolonged droughts, more intense and frequent hurricanes and storms, heat waves, more wildfires, and so on. While the US has excelled in conducting world-class scientific research, we have not been nearly as good at translating the scientific knowledge we've gained into readily usable information to guide policy decisions at all levels of society for "managing the unavoidable and avoiding the unmanageable" consequences of global climatic disruption. Our nation, and nations across the globe, are poorly prepared both in terms of moving to a low-carbon economy so as to slow down the warming trend and head off dangerous tipping points, and in coping and dealing with the climate impacts we face no matter how much we reduce emissions.
This is where the social sciences can be of enormous value to us. A variety of disciplines— economics, anthropology, psychology, political science, statistics, and so on—can add much in the way of better understanding the "human dimension" of the climate problem, and can help us chart a course for mitigating and adapting to climate disruption. However, our investment in the social sciences has been dismal compared with that for the "hard" or physical sciences (atmospheric chemistry and physics, for example) that predominate our research institutions looking at the climate change problem. Some would argue that we have chronically underfunded, even undermined, social scientists at every turn.
One small but very productive program housed at the National Center for Atmospheric Research (NCAR), focused on using the social sciences to help communities across the globe face climate change, was shut down this week, and one highly productive and dedicated social scientist was let go. The decision was made by Dr. Richard Anthes, Director of the University Corporation for Atmospheric Research, a nonprofit consortium of research universities that gets most of its funding from the National Science Foundation (NSF) to run NCAR and other research facilities.
Noted worldwide for helping the less privileged facing survival challenges exacerbated by global climatic disruption, Mickey Glantz—the first social scientist to be hired at NCAR in 1974—has become somewhat of a climate adaptation guru around the globe. The Center for Capacity Building at NCAR was clearly his baby. Named Director of the CCB in 2005, after directing NCAR's Environmental and Societal Impacts Group for 17 years, Glantz "is interested in how climate affects society and how society affects climate, especially in how the interaction between climate anomalies and human activities affect quality of life issues," according to his biographical webpage. He is a respected pioneer in the field of applying the social sciences to better link the fruits of the physical sciences with society for the betterment of the human condition.
Dr. Glantz has published over a half dozen books, hundreds of peer-reviewed scientific papers, organized numerous international workshops, has a dedicated following, and maintains a website called "Fragilecologies" self-described as "a service for those interested in climate-society-environment interactions." In 2007 he edited and published a book, HEADS UP! Early Warning Systems for Climate, Water, and Weather, "to identify ways to make early warnings of potential 'threats' to society and the environment more useful, usable, credible, and reliable." Given NOAA's predictions for an an above-normal hurricane season, earlier warnings communicated more effectively to human populations living in harm's way can save lives. Imagine another hurricane heading for New Orleans, and the importance of early warning to the already vulnerable communities still in recovery mode from Katrina and Rita. Less resilient communities in developing countries are more vulnerable still, and earlier warnings can make all the difference.
Glantz learned of the Center's closing in an August 4 meeting with NCAR's new Director as of July 1, Dr. Eric Barron, also a highly respected scientist who has made his mark in the field of geosciences, primarly geology and oceanography. Thinking the meeting was a "meet and greet" to welcome his new boss, Glantz was informed of the decision to shut down his Center and to abruptly terminate his 35-year tenure at NCAR. There had been no previous warning of the cut, and no indication that the Center was under-performing. Glantz, approaching 69 years old, was likely soon to retire anyway within a few years, but was not planning an imminent departure, and interpreted the news as another attack on the social sciences. Others in the field agree—see for example the comments on Andrew Revkin's DotEarth blog post.
Scientists familiar with NCAR and its work believe the decision is out of line with NCAR's own mission.
NCAR's annual budget in fiscal year 2008 is about $150 million, of which $87.7 million is from NSF. The FY08 budget represents a 3% increase from the year before, according the NSF FY 2009 budget request to Congress (p. 385). NCAR's request for FY 2009 is $95.9 million, a 9.5% increase; however the FY 2009 budget is hanging in limbo while the Congress still grapples with spending bills, months overdue. Increases in overhead at the labs have been cited as a cause for concern, and a need to belt-tighten. However, given that CCB's annual budget represents 0.33% of the total NCAR operating budget, it is difficult to imagine that the cuts could not have been made elsewhere, sparing the Center.
UCAR Director Anthes posted a statement on the UCAR website this week describing the nature of the budget problem and a variety of "painful" budget cutting measures being implemented.
In killing this program, and dismissing Mickey Glantz, NSF, UCAR, and NCAR have tossed aside a program that was valued by many and lost a dedicated public servant. More importantly, it seems, NCAR is now less equipped to "foster the transfer of knowledge and technology for the betterment of life on Earth," one of three hallmarks of its own strategic plan.


text:
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Sync Canada - Quebec
Sync Canada – Quebec took place virtually in English and French between October 19-23, 2020 with Sync Coaching sessions (one to one virtual coaching) taking place between October – December 2020.
Meet the Sync Canada - Quebec cohort
Charles Matthews is a musician and creative technologist with a focus on access. As an artist, he primarily works with combined light and vibrations (see for example: Light Recorders, Augmented Gamelan, and Jo-Anne Cox's Defiant Journey).
Charles has worked closely with UK-based organisation Drake Music for several years, developing, amongst other things: a custom guitar with musician John Kelly called the Kellycaster, an outdoor installation featuring digital instruments with a variety of sensors, Planted Symphony, and a musical Lazy Susan, designed to encourage turn taking in classrooms.
Charles is currently developing the Haptic Baton with Human Instruments, and has created an open source framework called instrumentmaker.org, which forms the basis of workshops in collaboration with Montreal-based musician Gift Tshuma through their project Blurring the Boundaries.
Charlotte Jacob-Maguire is the Accessibility Coordinator at the Musée d'art contemporain de Montréal (MACM) and a person with disabilities. She hopes to develop and refine her leadership practice through Sync
She is a part of the Expertise Committee for the City of Montreal's working-group on universal accessibility and ableism, the Accessibility Committee of Elections Québec and the Under-Committee for Persons with Disabilities and Against Ableism for the City.She holds an MSc in Visual, Material and Museum Anthropology from the University of Oxford.
Connor Yuzwenko-Martin has nurtured a lifelong passion for theatre and accessibility, beginning in grade school and continuing into his young adulthood with his first major stage debut as Billy in Tribes at the University of Alberta Timms Centre. More recent work includes serving as the Deaf Consultant for Concrete Theatre's production Songs My Mother Never Sung Me (2019) and various roles in Canada's only Deaf arts festival Sound Off (2017-19).
In June 2020, Connor premiered his first independent performance, The Invisible Practice, during Nextfest's online 2020 season. He considers this to be the beginning of a new journey into interdisciplinary art with a focus on symbology and ASL poetry.Connor partners with many local and national organizations such as CRIPSiE and Edmonton Fringe to consult and act upon accessibility and inclusion initiatives. Currently he manages the social media streams for Deaf Spectrum, Canada's fastest-growing Deaf-owned business.
Growing up as a Deaf Guyanese/Canadian, Gaitrie Persaud always had a passion for music & performance. She believes you don't have to be hearing to enjoy music – music is already within you, it is the natural rhythm of our being.
Her close-knit family influenced her relationship with music; she & her hard-of-hearing brother would attend family gatherings with traditional music & dance. They would sign the lyrics & move to the bass, feeling it within their bodies.
As an artist, she has worked with multiple hearing performers creating accessible performances, recently alongside Rosina Kazi of LAL, Christopher Corsini of MDL CHLD (live showcases) and collaborating with an Australian Musician to create Accessible Videos. She is gaining popularity and has been recognized as the top emerging Deaf musician in Canada. Creatively translating lyrics into accessible movement, spoke at Montreal's POP Music Festival alongside panelist/activist Deaf Rapper Matt Maxey of Deafinitely Dope.
Acting is her passion that she lives for. She has been involved with different theatres for almost 4 years. She has been involved in a big play "The Two Natashas: Our life in Guyana" with her co actor Natasha Bacchus.
She owns her own company which is called PHOENIX THE FIRE.
Maxime D.-Pomerleau is a multidisciplinary artist living in Montreal. She became known to the media through her alter-ego Batwheel in 2013. Also, an actress, she has played in theatre, short films, TV series and is currently developing her first projects in filmmaking, exploring the form of documentary.
She's one of the main performers of inclusive dance company Corpuscule Danse since 2014, and has performed independently for various creators, having worked with artists in Canada, France, Germany and Mexico.
Her personal artistic approach questions the presence of the [a]typical body in media and cultural spaces. Regularly invited to roundtables on diversity and inclusion in culture, she collaborates with the Conseil québécois du théâtre, Diversité artistique Montréal and Modern Times Theatre in Montreal and Toronto. Cultural journalist since 2007, Maxime is (sometimes) a radio columnist or blogger, and advocates for access to culture for all.
She lives with McCune-Albright syndrome, a rare genetic disease affecting bone density and endocrine system.
Bhekimpilo 'Paul' Tshuma is a Zimbabwean born musician and published poet, currently residing in Canada.
He is a McGill and Concordia University Alumni, studying Computer Software Design at McGill and Music at Concordia. These achievements have provided Paul with many opportunities to give workshops on disability challenges at both McGill and Concordia, while also facilitating workshops for a not-for-profit organisation (COCO).
Paul's desire to become a disability activist stemmed from inaccessible lived experiences at University, where the lack of accessibility in certain University buildings resulted in arriving at lectures late or having to leave lectures early in order to be in time for the next lecture or transport. This lack of accessibility resulted in him being given the opportunity to audit the adaptation of accessibility in University buildings.
Paul is also an accessibility consultant at Pluri, an organization geared towards social justice. Paul's role at Pluri was to create a list and map accessible night life spaces in Montreal.
Alongside his brother, he started United Tribulation Choir, a gospel choir focussed on sharing their faith and telling their life story. The availability of technology has allowed him to compose, arrange, record and teach singing.
Renée Yoxon is a queer, non-binary, and disabled singer, songwriter, and teacher. Renée has over ten years of vocal coaching experience, has released four full-length albums, and has received multiple awards and recognitions. They are the founder of the Right to Sing Award, a scholarship program designed to provide free voice lessons to trans and disabled singers.
Seeley Quest is a trans disabled writer, performer, dramaturg, organizer, and environmentalist, in Montreal since 2017.
Working primarily in literary and body-based composition, and curation, sie presented actively in the San Francisco Bay Area 2001-14, with the Sins Invalid project 2007-15, and has toured to Vancouver, Toronto, Ottawa, and many U.S. cities.
Hir playscript "Crooked" is publishing in a McFarland disability theatre anthology this fall, a poem's in the book Disability Culture and Community Performance: Find a Strange and Twisted Shape, hir first digital game narrative debuted for National AccessAbility Week 2020, and sie'll contribute a book performance for Buddies in Bad Times' Rhubarb Festival 2021.
Sie has facilitated Montreal workshops on disability with QPIRG McGill and the Access in Praxis conference, and at arts festivals outside Montreal. A white person with mixed class, gender, and medicalized experiences since childhood, sie loves connecting audiences for co-learning and social action.
Click here to visit our partner website
Partners VibraFusionLab and Canada and Canada Council for the Arts.
Director's Welcome Message


text:
using System;
using System.Collections.Generic;
using System.Linq;
using System.Text;
using System.Threading.Tasks;

namespace _08___Triangle
{
    class TriangleWithCycles
    {
        static void Main(string[] args)
        {
            //Write a program that prints an isosceles triangle of 9 copyright symbols ©
            Console.OutputEncoding = System.Text.Encoding.UTF8;
            int i;
            char theCopirightChar = '\u00A9'; // 251 accordiong to some internet source
            int j;
            for (i=0; i < 5; i++)
            {
                for (j=0; j < i; j++)
                {
                    Console.Write("{0} ", theCopirightChar);
                }
                Console.WriteLine();

            }
            Console.Read();
        }
    }
}

redpajama_set_name: RedPajamaGithub


Crossrail update: Where are we now?
With only 18 months of construction left, and a partially opened line already operating, we thought we would review the state and current situation of Crossrail, looking at its feasibility, archaeological findings and its future prospects.
Nine years after the first construction work was started on Canary Wharf, Crossrail is nearing completion and is on time to meet its projected December 2019 finish date. Since work commenced there have been several archaeological finds and unexpected occurrences. Digging and burrowing underneath an old city like London can, unsurprisingly, throw up many issues and challenges, yet the contractors haven't experienced too much disruption to the plans.
Items and objects found include skeletons of plague victims in a mass grave, Roman horse shoes and prehistoric flints. There is an exhibition at the London Museum of Docklands dedicated to this part of the project. It almost feels ironic that a transport system designed to ease congestion and benefit travel across London would contribute to the discovery of items, that would then be exhibited in the capitals various museums and attractions.
Even though the line is only partially opened as of Summer 2018, the future development of Crossrail, and rail infrastructure as a whole, has been in the forefront of the government's mind for some time. What's being called a 'ghost train station', currently sits underneath Heathrow airport. This had been constructed at the same time as Terminal 5 in 2008, with the idea being for future HS2 expansion or likewise. Added to this is the need for more rail capacity if Heathrow is expanded [link to Airport Capacity article].
Another planned station is Old Oak Common, a station that would be built on the current railway depot and serve as a new northern hub situated near HM Prison Wormwood Scrubs, in the London Borough of Hammersmith and Fulham. This station would sit on the HS2 London-Birmingham line, west of Euston, and see trains from the North, given vital early connectivity to North London, especially considering the 'Northern Powerhouse' scheme. Old Oak Common is expected to be fully opened and operational by 2026.
Despite some disruption caused by the building of Crossrail, some teething delays and recent reports emerging of a monetary black hole, Crossrail represents a monumental engineering undertaking and thoroughly modern transport project. The task of building such a structure, that sweeps underneath a global city like London, creates better connectivity, added capacity, move 200 million users in its first year and shave an average of 10% off current commuting times, cannot be underestimated. With an annual revenue of over £900m expected by 2022, it's also set to make over three billion pounds in its first five years of service. Costing £14.6 billion, the project has been met with some resistance. The usual voices have expressed concern at such spending on 'yet another' London centric project. However, with such economic figures at play, it's hard to argue against the outlay in the long run. Crossrail will be a successful venture and further develop the south west.
Electropak are a precision engineering firm based in Preston, Lancashire. If you would like to find out more information about clients, case studies or products, please visit the specialist pages or contact us for more details.


Clayoquot Wilderness Resort is a five-star, luxury camp resort in the middle of the gorgeous North American landscape. For an extra perk, spend a night 4,500 metres above sea level at Clayoquot Cloud Camp – a private lake-side camp only accessible by helicopter. A perfect top prize in your next wild promotion.
Whether you're rewarding your top performer, hosting an unforgettable conference or looking for the 'wildest' top prize for a promotion, Clayquot Camp is guaranteed to impress any audience. This luxury adventure travel package includes international flights, accommodation, scenic helicopter flight, a night at Cloud Camp and memories to last a lifetime.


For the fourth year running, Bower Fuller was a participant at the 2018 Suffolk Skills Show. The event at Trinity Park in Ipswich had over 4,500 students from Suffolk secondary schools visiting throughout the day. As an employer, the show provides a unique opportunity to showcase our business and industry to a large number of local young people, meeting and shaping the employees of the future.
This year, there was a large marquee set aside for "Construction and the Built Environment" with several consultants and contractors in attendance. Bower Fuller had both a technical area covering the design and project management of mechanical and electrical contracting and an interactive experience for all the students to "have a go" including a fun strength test for glanding a cable, wiring a wall socket and building a pipefitting man. Through discussions and hands on experience, we hoped to show the young learners that the construction sector is a diverse and rewarding career option. Every student who "had a go" was awarded with a Bower Fuller goodie bag – we got through over 150 of these!
Well done to all those who took part, and perhaps we have provided some encouragement and inspiration to a few to consider building services as a possible career choice!


text:
Mike Novogratz Forecasts Post-Halving Path for Bitcoin (BTC) and Ethereum (ETH)
by Daily Hodl Staff
in Bitcoin, Ethereum
Mike Novogratz, founder and CEO of crypto merchant bank Galaxy Digital, says Bitcoin will continue to grind up following the highly-anticipated halving event – but Ethereum will have to play catch-up.
In a new interview on CNBC's Fast Money, Novogratz says he expects an increasing number of institutional investors to buy BTC after billionaire Paul Tudor Jones called the top cryptocurrency the "fastest horse" in his portfolio.
"I would expect the market to hold here at $8,000 [or] $8,500 and to start trading right back up. We're seeing in our shop a huge increase in interest in Bitcoin, in getting into crypto from high-net-worth individuals, from funds… It feels like a herd is on its way, finally.
I've been waiting and waiting for the institutional side. I think this [Paul] Tudor Jones news is very big news because in some ways it takes the career risk of looking dumb out of buying Bitcoin."
In addition, Novogratz believes that Ethereum will follow Bitcoin's lead, but says that it will take much longer for the second-largest cryptocurrency to grow.
"The other projects, Ethereum being the most promising and second-biggest, really continue to need to develop the underlying technology so it's used more often… As the Ethereum project grows, I think the value will go up.
But I don't think it's today's news. It will get dragged along with Bitcoin but [will then] accelerate on its own, probably for a year or two until it really gets users on the platform. It will be a network effect: the more programmers, the more coders, the more businesses over time, the value will go up."
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Disclaimer: Opinions expressed at The Daily Hodl are not investment advice. Investors should do their due diligence before making any high-risk investments in Bitcoin, cryptocurrency or digital assets. Please be advised that your transfers and trades are at your own risk, and any loses you may incur are your responsibility. The Daily Hodl does not recommend the buying or selling of any cryptocurrencies or digital assets, nor is The Daily Hodl an investment advisor. Please note that The Daily Hodl participates in affiliate marketing.
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Mitzi Meyerson likes to come up with surprising musical finds or rediscoveries and her latest, the Opera Prima of Giovanni Battista Somis, is as fascinating as her recordings devoted to Richard Jones and Gottlieb Muffat. Indeed, the harpsichordist chanced upon the score for this set of Baroque violin sonatas – first published in 1717 – when investigating the music of Richard Jones in the British Library, finding thereby another trove of forgotten Baroque gems.
Somis worked for the Dukes of Savoy, initially in Turin, in the early 18th century, but studied with Corelli in Rome, later befriended Vivaldi, and himself taught many subsequent prominent violinists, including Jean-Marie Leclair. Known as a virtuoso on the violin himself (and he is even said to have composed 152 violin concertos!), Somis even performed at the Concert Spirituel in Paris. This, his first collection of sonatas, was dedicated to the powerful Regent of Savoy, Marie-Jeanne-Baptiste de Savoie, the mother of the future duke, Vittorio Amedeo II. The music is often very galant and perfectly combines Italian and French features.
Together with violinist Kreeta-Maria Kentala and cellist Lauri Pulakka, Meyerson fully enters into the Baroque spirit of transcribing and arranging on this Glossa recording by varying these 12 three-movement sonatas with all the stylistic experience and insight that the modern day musicians can offer.


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You get the first single "Step Masters" instantly from both pre-orders!
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