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In the aftermath of an unspeakable act of terror, Police Sergeant TOMMY SAUNDERS (Mark Wahlberg) joins courageous survivors, first responders and investigators in a race against the clock to hunt down the bombers before they strike again. Weaving together the stories of Special Agent RICHARD DESLAURIERS (Kevin Bacon), Police Commissioner ED DAVIS (John Goodman), Sergeant JEFFREY PUGLIESE (J.K. Simmons) and nurse CAROL SAUNDERS (Michelle Monaghan) this visceral and unflinching chronicle captures the suspense of one of the most sophisticated manhunts in law enment history and the strength of the people of Boston.
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El Internado is a graphic adventure based on the Spanish TV show of the same name. The player plays as Marcos, who is looking for his little sister Paula, who has disappeared. The gameplay is mostly driven by traditional graphic adventure mechanics and elements, like clicking on objects to interact with them, an inventory, the ability to use objects on other objects and multiple choice dialogs. But the game also includes puzzles of the style of those often used in survival horror games like Silent Hill or Resident Evil. The game features eight different locations, official names & likenesses of the TV show team members, story written with the collaboration of the series writers, eight different locations and nine different type of puzzles.


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15 Cannes 2012 Films We Can't Wait To See
By George Wales 2012-05-15T14:00:00.135Z
La creme de la Croisette
The Film: Matteo Garrone has been off the radar since scooping plaudits left right and centre for his adaptation of Roberto Saviano's Gomorrah in 2008, but he'll be hoping to return to the spotlight in grand style with media satire, Reality . The film focuses upon a Big Brother -style reality programme, and a man who becomes obsessed with it, going as far as to begin living his life as if he were a participant on the show.
Why We're Excited: Society's obsession with reality television isn't exactly new ground ( The Truman Show ploughed a similar furrow some 14 years ago), but we're excited to see how Garrone handles what promises to be a drastic change of pace from the grimy and gritty Gomorrah . Billed as a comedy, we'll be looking for a lightness of touch understandably lacking from the heavy subject material of his previous film.
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The We And The I
The Film: Michel Gondry returns to indie cinema after his flirtation with the mega-budget blockbuster, recruiting a group of non-professional Brooklyn school kids to populate this tale of a group of students on a high-school bus on the last day of school. The finer details of the plot remain under wraps at present, but Gondry has piqued our interest by revealing that there are sci-fi elements involved. Opening the Director's Fortnight, the film remarkably represents the French auteur's first appearance at Cannes.
Why We're Excited: It will be interesting to see how Gondry responds after the failure of The Green Hornet , and this return to low-key filmmaking seems like the natural next step. The project first grew out of meetingings between the director and the publishers of his Be Kind Rewind tie-in book, and if The We And The I possesses half of that film's DIY charm, we'll be going home happy.
The Film: Five years after winning the Palme d'Or for 4 Months, 3 Weeks And 2 Days , his jarring study of illegal abortion in Communist Romania, Cristian Munglu returns with his long-awaited follow-up. Beyond The Hills is set in an Orthodox convent and is based upon the non-fiction account of a monk who reportedly died during an exorcism ritual. More hard-hitting subject matter then, for this most unflinching of filmmakers.
Why We're Excited: The unremittingly bleak landscape painted by 4 Months, 3 Weeks And 2 Days was the runaway winner back in 2007, but having taken five years to fashion his next film, will Munglu be able to recapture the power and bravery of his fledgling effort? The subject material isn't quite so emotive this time around, but hopefully Munglu's perfect craftsmanship behind the lens will remain undimmed.
The Film: A coming of age story from Take Shelter 's Jeff Nichols, in which a teenage boy embarks on the risky course of hiding a fugitive from the authorities. Tree Of Life 's Tye Sheridan is the scamp in question, who falls into a friendship with Matthew McConaughey's ex-con and becomes a go-between for he and his estranged girlfriend, Reese Witherspoon.
Why We're Excited: Take Shelter was one of the finds of last year's festival, scooping the Grand Prize at the annual Critics' Week, while making a star of Michael Shannon in the process. This time around, Nichols is working with a considerably starrier cast (Shannon is on board once again, this time in a supporting role), but early buzz is already comparing the film to Stand By Me in terms of its bittersweet, coming of age appeal. Nichols draws an even more intriguing parallel, describing Mud as, "kind of like if Sam Peckinpah directed a short story by Mark Twain." Sold!
The Film: Chilean director Pablo Larrain completes his Pinochet trilogy (begun and continued by Tony Manero and Post-Mortem respectively) with this black comedy charting the long-awaited deposal of the hated dictator. Gael Garcia Bernal plays an ad executive who masterminds the campaign to remove the General from power, a process that finally came to fruition with the referendum of 1988. Where both previous films were harrowing, this one should provide the triumphant payoff appropriate to the closing of a dark period in the country's history.
Why We're Excited: Both Tony Manero and Post-Mortem were grimly hilarious, and we look forward to seeing how Larrain deals with a more explicitly upbeat moment in Chilean history. Gael Garcia Bernal is a more high-profile lead than Larrain usually works with, but the Mexican star is eminently watchable, and should provide a likeable conduit for the director's trademark sense of humour.
The Film: Iran-based filmmaker Abbas Kiarostami has already made waves at Cannes in years gone by, with Certified Copy wowing the 2010 festival with a clutch of rave reviews. His latest sees the director relocate to Japan to tell the story of an unconventional relationship between an ageing college professor and a young student, who moonlights from her studies as a prostitute. Kiarostami describes the film as a "continuation" of Certified Copy , although how the two films mesh together remains to be seen.
Why We're Excited: Certified Copy was Kiarostami's first European outing, and one of his most accessible works for years, so another international offering is an exciting proposition. Plot details are relatively sparse at present, but the set-up is a juicy one, and the Ella Fitzgerald-accompanied trailer is suitably captivating. Juliette Binoche won the Best Actress award for Certified Copy , and Kiarostami will be hoping to be in the jury's thoughts once more…
The Film: The Proposition 's John Hillcoat returns to the western genre with this action-heavy tale of the Bondurant brothers, a pair of bootleggers looking to turn a profit in Prohibition-era America. Shia LaBeouf and Tom Hardy will star as the aforementioned siblings, with Guy Pearce on villain duties as the demonic-looking lawman seeking to bring them to justice. Gary Oldman and Jessica Chastain are also on hand to complete one of the classiest ensembles of the festival.
Why We're Excited: Tarantino's Django Unchained might be giving the western a stylised polish, but Hillcoat looks to be taking it back to its bleak and blood-spattered roots. The director has built his reputation upon stark, hard-bitten drama (he also helmed the recent adaptation of Cormac McCarthy's The Road ), and the first trailer for this one suggests he's mined a similar seam of gruff, character-driven action. It also features Gary Oldman brandishing a tommy gun with frightening gusto, which is enough to get us scrabbling to the front of the queue…
The Film: Ben Wheatley promises his follow-up to Kill List will be "lighter" in tone than the nerve-shredding crime drama, although judging by the uneasy tension on show in the latest clip to be released, we're disinclined to believe him. Sightseers follows bickering couple Chris and Tina (Steve Oram and Alice Lowe, who also wrote the screenplay) as they take a caravan holiday in the British countryside. Chris is hoping to give Tina an insight into the Britain he loves, but it isn't long before a series of unfortunate incidents sends their rural getaway on an unpredictable tangent…
Why We're Excited: Kill List was an extremely innovative take on the hitman story, and Wheatley is clearly a name to watch among young British filmmakers. Plus, what we've seen of the film so far looks extremely intriguing, with Wheatley's sense of humour rubbing uncomfortably against a suffocating feeling of dread. Something is going to happen among those green rolling hills, and we've a suspicion that it isn't going to be pleasant…
The Film: Another Matthew McConaughey vehicle (what can we say, the man finally seems to be making some decent choices), this time directed by Precious 's Lee Daniels. McConaughey will co-star with Zac Efron as a pair of brothers working to investigate the potentially wrongful conviction of John Cusack's Death Row inmate. Nicole Kidman reportedly steals the show as a trailer-park femme fatale who engages Cusack in a letter-based relationship.
Why We're Excited: It seems that Daniels has created a barmily eclectic cast here, with Kidman, Cusack and McConaughey's characters all possessing something of the grotesque about them. Based on the novel by Peter Dexter, it's also thought to be genuinely steamy in parts, with Efron describing his love scenes with Kidman as "the highlight of my life". Precious might not have been to everybody's taste, but it looks as though Daniels' latest will be similarly impossible to ignore.
Rust & Bone
The Film: A Prophet helmer Jacques Audiard returns to La Croisette with what sounds like a bit of a wildcard: a romance between a disabled killer whale trainer and a bare-knuckle boxer. Not your typical tale of girl meets boy then, but with Marion Cotillard and Matthias Schoenarts (star of the oscar-nominated Bullhead ) in the lead roles, one that should certainly be worth watching.
Why We're Excited: After the testosterone-soaked tension of A Prophet , it will be interesting to see how Audiard navigates the gentler waters of romantic drama. As we've already mentioned, the two leads are of the highest calibre, but Audiard has also assembled an enticing off-screen team, including A Prophet 's screenwriter Thomas Bidegain and cinematographer Stephane Fontaine. Having missed out to Michael Haneke's The White Ribbon three years ago, the director is among the bookies' favourites to scoop the Palme d'Or this time around…
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The Film: The last time Walter Salles took a stab at a road movie, we were treated to the thouroughly entertaining Che Guevara biopic, The Motorcycle Diaries . Salles will be hoping to repeat the trick with his adaptation of Jack Kerouac's famous novel, the story of a would-be writer (a substitute for Kerouac himself) who joins the devil-may-care Dean Moriarty on a voyage of discovery across mid-20th century America. Sam Riley stars as wide-eyed protagonist Sal Paradise, with Garrett Hedlund landing what should be a peach of a role as Moriarty.
Why We're Excited: It's about time somebody took a stab at filming Kerouac's well-loved novel, and Salles is an exciting choice to bring it to life. While the counter-culture themes might not be so resonant today as when the book was first published, the cinematic narrative should still make for a cracking spectacle. Throw in an extremely talented supporting cast including the likes of Kristen Stewart, Viggo Mortensen, Steve Buscemi, Amy Adams and Kirsten Dunst, and you've got one of the most eagerly awaited films among this year's selection.
The Film: Austrian provocateur Michael Haneke returns to the scene of his 2009 Palme d'Or triumph with latest offering, Amour , a love story between a pair of ageing music teachers. If that sounds a little cuddly for the man behind Funny Games , we can at least be assured that the course of true love will not be allowed to run smoothly, with one half of the couple suffering a debilitating stroke that pushes the relationship to breaking point. Expect to shed a few tears over this one.
Why We're Excited: While Haneke's anger at American sensibilities and voyeuristic viewing habits might be invigorating, it will be interesting to see him turn his attention to the more low-key subject matter of the ageing process. The film will also see the director reunited with his The Piano Teacher star, Isabelle Huppert, a creative partnership that tends to bring the best out of both parties.
The Film: Aussie director Andrew Dominik takes on George V. Higgins' 1974 crime novel Cogan's Trade , the story of a mob-owned enforcer charged with looking into a poker heist that has cost his employers heavily. Brad Pitt stars as the muscle in question, as part of a ridiculously starry cast containing Ray Liotta, James Gandolfini, Bella Heathcote and Animal Kingdom 's Ben Mendelsohn.
Why We're Excited: The last time Dominik and Pitt collaborated together, we got a beautifully crafted epic in the shape of T he Assassination Of Jesse James By The Coward Robert Ford . This one looks to be a similarly hard-bitten tale, but it's the return of Liotta and Gandolfini to the world of organised crime that's really got us excited. Throw in the superlative Mendelsohn, and you've got a crime aficionado's dream cast!
The Film: Opening the festival will be Moonrise Kingdom , Wes Anderson's coming of age story set amongst a remote island community. Taking place in the '60s, the film will follow the adventures of a young boy and girl who fall in love and run away together. However, their disappearance just so happens to coincide with the biggest storm to hit the island in many a long year, causing various sections of the community to join the search party. Tempers become frayed and old resentments bubble to the surface, as the town begins to turn on itself in a time of crisis…
Why We're Excited: Anderson might not be everybody's cup of tea, but as fans of his kooky oeuvre, we cant wait to see what looks to be another idiosyncratic gem. Several former collaborators can be found among the cast, including Rushmore duo Bill Murray and Jason Schwartzman, while the exciting new additions include Ed Norton, Bruce Willis, Tilda Swinton and Frances McDormand. If Anderson's films are too whimsical for your taste, this probably won't be the film that converts you, but for fans, it promises to be the highlight of this year's festival.
The Film: Probably the most eagerly hyped film at this year's festival, and one of the supposed frontrunners for the Palme d'Or, Cosmopolis marks David Cronenberg's return to the arena of the bizarre. Adapted from the novel by American author Don DeLillo, the film will follow Robert Pattinson's young billionaire on a journey into darkness as he discovers his fortune has evaporated, and decides to cut loose from conventional society. Paul Giamatti, Juliette Binoche, Samantha Morton and Jay Baruchel round out a pleasingly offbeat cast.
Why We're Excited: After a couple of enjoyable but conventional films in the form of A History Of Violence and Eastern Promises , we're looking forward to seeing Cronenberg return to the outer-limits of big screen storytelling. Cosmopolis represents the director's first self-penned script since 1999's eXistenZ , and from the looks of the clips and trailers we've seen so far, it promises to be deliciously weird. It also stands to catapult Pattinson out of the clutches of the soul-sapping Twilight series into a role more deserving of his talents. Put simply, we can't wait.

redpajama_set_name: RedPajamaCommonCrawl


text:
The Batakari Festival is a cultural event organised by King Ayisoba to showcase Batakari, a traditional handmade Ghanaian smock from the Upper East Region of Ghana. The inaugural event was held in 2013 and the festival has since become an annual event in Ghana.

Background and Program
King Ayisoba developed this idea due to his love for Ghanaian Northern fashion. He said people in the past associated the locally woven clothe, Batakari with juju and occultism and the concert was his move to change people's stance and address the misconception about wearing Fugu or Batakari. He believed that propagating the wearing of the fashion through programs like his will consequently create jobs for people thereby reducing the rate of unemployment and also serve as a source income for the youth in Northern Ghana.

The festival is held on an annual basis in specific cities in Ghana at specific dates. In Accra, various venues have hosted the event, some of which include; the National Theater and Alliance Française. Guest artistes are invited to perform and showcase their Batakari attires, however, the main performers are King Ayisoba and his team of Kologo players. Some guest artistes that have been invited to grace the occasion include; Wiyaala, Wanlov the Kubolor, Kwaw Kese, Yaa Pono, Atongo Zimba and Zea from the Netherlands.

See also
Batakari day
Ghanaian smock

References

Music festivals in Ghana
Cultural festivals in Ghana
Annual events in Ghana

redpajama_set_name: RedPajamaWikipedia


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Делије се може односити на:
Делије, род турске војске
Делије север, навијаче Црвене звезде
Делије (филм), југословенски филм из 1968.


From May 31 through June 2, 2019, the museum will present its 34th annual ArtFest, an Inland Northwest tradition for the entire family. This outdoor festival of art, music, and food is also the unofficial beginning of summer, held on the weekend after Memorial Day.
With historic Browne's Addition as the back drop, you'll enjoy 150 juried art vendors presenting paintings, sculptures, photography, ceramics, jewelry and more. Kids can create their own art in our Make it Art Kids Fair. Enjoy a weekend of Northwest bands playing an eclectic mix of music. And sample fare from some of the city's favorite food trucks and vendors. After you see all the sights, meet your friends at the Beer Garden where we'll be serving favorite local beers and wine.
This event is made possible by the active participation of community members. Volunteering at ArtFest is a wonderful way to join in the fun and support the museum.


Billing Boats (B492) HMS Bounty - Model Boat & Fittings is a scale model armed merchant ship. Launched in 1787. The mutiny of the Bounty is perhaps the most well-known of all mutinies at sea. Together with loyal crew members, Captain Bligh was set to sea in an open boat about 30 miles from Tofua.


Rep. Darren Soto released his Congressional Puerto Rico Recovery Blueprint, a report outlining the policy areas and plan of action Congress must take for the recovery of Puerto Rico.
"Today is a great day for Orange County voters and voters across the state who believe that they should be able to decide how local county constitutional officers are elected," said Teresa Jacobs.
"This landmark, comprehensive democracy reform package is all about returning the power back to the American voters and restoring faith in our government," Rep. Darren Soto said.
Central Florida just lost any kind of partner in SunRail funding it appears. That means more costs that the local governments are not ready to cover.
This week, Soto clarified his political profile on social media.
"These creatures are fundamental to recreational fishing in parts of Florida, but they are often exploited by commercial fishing, that's why we must do our part to protect them," said Rep. Soto.


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Rijksgouw Wartheland (Duits: Reichsgau Wartheland) was de naam die de nazi's begin 1940 gaven aan een in september 1939 geannexeerd deel van Polen. Het gebied is eeuwenlang inzet van strijd geweest. De laatste 125 jaar voorafgaand aan het einde van de Eerste Wereldoorlog (van 1793 tot 1918) hoorde dit gebied bij het Pruisische koninkrijk onder de benaming Posen. Daarvóór had het met Poznan en de eerste Poolse hoofdstad Gniezno, vanaf de stichting in de 10e eeuw bij Polen gehoord. Na de Eerste Wereldoorlog werd het middels het Verdrag van Versailles aan de nieuw gevormde staat Polen toegewezen. Na de annexatie in 1939 werden niet-Duitse elementen – Joden en Polen – er weggezuiverd, deels door massamoord zoals in Chełmno. Volksduitsers moesten hun plaats innemen.

Höherer SS- und Polizeiführer (HSSPF)
 SS-Gruppenführer en Generalleutnant der Polizei Wilhelm Koppe (9 oktober 1939 tot 9 november 1943)
 SS-Obergruppenführer en General der Polizei Theodor Berkelmann (11 september 1943 - 27 december 1943)
 SS-Brigadeführer en Generalmajor der Polizei Heinz Reinefarth (29 januari 1944 - 30 december 1944)
 SS-Oberführer en Oberst der Polizei Friedrich Gehrhardt (augustus 1944 - 30 december 1944 (plaatsvervangend)
 SS-Gruppenführer en Generalleutnant der Polizei Willy Schmelcher (30 december 1944 - mei 1945)

Zie ook
 Wehrkreis XXI

Wartheland
Geschiedenis van Groot-Polen


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Ken Shamrock
Top fights
Ken Shamrock news: Kimbo Slice and Ken Shamrock caught on illicit drugs
Earlier it was reported that Kimbo Slice and Ken Shamrock were suspected. Now the Texas Department of Licensing and Regulation has published official data. Nandrolone decanoate, widely known in the "chemist's" environment, was found in the plasma of both fighters, and methadone was also used in the blood of Ken Shemrok in a number of countries in the form of heroin replacement therapy. According to the norms of Texas, the level of testosterone and epitestosterone should not exceed the ratio of 4 to 1. But under the action of nandrolone decanoate, this indicator in Shamrock was 12: 1, and in slices 6: 1. The indicator of methadone in Shamrock was 370 ng per milliliter, at a rate of 300 ng / ml. The fighters are currently suspended for 90 days, after this deadline a meeting will be scheduled where the fighters will try to justify themselves.
Bellator 149 was held on February 19, 2016 in Houston (Texas, USA). In the main battle two fighting legends without rules, Hois Gracie (49 years old) and Ken Shamrock (52 years old) came together. In the second fight of the evening we could observe the opposition of two freaks, Kimbo Slice and Dada 5000. The show set a record for the number of viewers on the American TV channel Spike. The minimum figure during the show was 1,900,000 TV viewers, and the peak fell on the battle of Kimbo Slice and Dad 5000 – 2,500,000 viewers. The same promotion earned a lot of money on tickets, 13,209 viewers brought the organization $ 1,188,951. However, the tournament was severely criticized for its low sports component. For example, the UFC commentator and comedian Joe Rogan advised Dad 5000 after he got into the hospital to lean less fatty chicken and soda.
Ken Shamrock: "Fighters need to be allowed to use doping at a safe level."
Unlike most opponents of doping, like Michael Bisping and Tim Kennedy, veteran old school MMA Ken Shamrock has his own vision of using steroids. In connection with the latest dope scandal involving John Jones, Shamrock commented on the mass hysteria around the anti-doping policy. "I think everything is very clear here," says Shamrock. "I have my own position on this issue. I have always believed that this should be regulated. There should be a border where guys can use doping at a safe level, because it helps. It helps your health and your recovery.
I just do not see how they are going to stop what has been allowed to exist for such a long time. Most of all, it infuriates me that everyone wants to make you believe that while all this was going on, they put their heads in the sand, and then, when an incident occurred, they leaned out and said: "Oh, God! I do not believe that this has happened. How dare you! How bad you are! I'm so angry with you! "And the reality is that everyone knows that this happens everywhere, in almost every sport throughout America."
Recall that John Jones was removed from UFC 200 two days before the tournament, after a prohibited substance was found in his doping samples, which, according to Cheyl Sonnen, was an estrogen blocker.
Ken Shamrock: "Conor McGregor will die in wrestling"
Veteran WWE Ken Shamrock is confident that lightweight champion Conor McGregor will be very hard if the Irish decide to try his hand at professional wrestling. There are persistent rumors that the UFC star is being offered huge money for appearing at WrestleMania in 2018, so Shamrock decided to warn MacGregor about the danger of such a move.
"Conor MacGregor will not be easy to move from combat sports to entertaining. I can't say that it is impossible, just Conor is too small to fight with big guys. The guy has excellent abilities, but MacGregor is too light. Guys with such weight in wrestling just fly and have incredible flexibility.
In professional wrestling there are a lot of things that require a long training and go from combat sports to entertainment – not as easy as it seems at first glance. Just to appear there and make the show fail, it will be deadly for him. In WWE, Conor McGregor will not be a dominator, as everyone used to see in the UFC," Shamrock said. "Conor will be incredibly hard to move from martial arts to entertaining sports. Many people think that playing at WWE is a simple exercise. This is far from true. MacGregor is pretty easy for wrestling. He can be crippled there. Yes, Conor is an incredible fighter, but wrestling is something else. In wrestling, huge guys fly around the ring like acrobats performing incredible stunts. Is McGregor ready for this? I don't think so," Ken said.
It is worth adding that Shamrock, in addition to participating in the battles on MMA, for several years performed in the professional wrestling federation. Recall that the transition of fighters from MMA to professional wrestling is not uncommon, soon the former UFC champion Rhonda Rosie should debut in WWE.
Show Bellator 149 showed record-breaking TV ratings
The management of the Bellator organization held its regular show. In the main show bout, 52-year-old Ken Shamrock and 49-year-old Heus Gracie met, and the second event of the evening was the opposition of Kimbo Slice and Dafir "Dada 5000" by Harris. The show in advance caused a big wave of criticism for the selection of the main fights. However, according to Spike TV, this show was the highest-rated show in the organization's history. The three-hour broadcast scored an average rating of about two million viewers. Peak audience of 2.5 million viewers fell on the battle of Kimbo and Dada 5000. The main battle gathered 2.4 million viewers from the screens. In the category of men aged 18 to 34, broadcast ranked first among all television programs that went on at that time. It is worth noting that the previous record of the ratings belonged to the Bellator 138 show, also with Shamrock and Slice.
Ken Shamrock: "Now I live again, do you understand?
The fight of Ken Shamrock (28-16 MMA) against Heus Gracie (14-2 MMA) is not just Bellator freak show or an attempt to earn on nostalgic fans. For Shamrock himself, it was something more – a chance to live his life again, breathe deeply and remember what it was like to build our sport.
"Yes, it is like … I live again, you see. It was as if I had gone from all this and I did not feel that I had already done everything I wanted. Rather, other people wanted it," Shamrock said. "So I walked away from all this and was simply unhappy. And then my wife told me: "Listen, since you are unhappy, go and fight again, do what you have to, and leave when you yourself consider it necessary. While the fans want to see you, and you can gather a crowd, earn some money, do it." So I came back and seemed to live my life again. I do what I enjoy, I earn what I love. And I will do it as long as the fans are happy for me and as long as I am healthy and can compete." This fight was the third and decisive battle of two absolute legends of MMA.
Slice knocked out Shamrock, Freire defended the title and other results
St. Louis, USA. 51-year-old MMA legend Ken Shamrock (28-16-2) failed to turn back years and crushingly defeated the famous street fighter Kimbo Slys (5-2) in the main fight of the Bellator 138 show. , grabbing the opponent by the leg, took Slais's back and bound his neck in a suffocating reception. However, Kimbo managed to scramble out, and the rivalry continued in a stance, where Ken had the least chance of killing a healthy counterpart. Shamrock was not afraid of the exchange and was knocked out, missing a few powerful right-wing Slices.
Prior to this, Patricio Freire (24-2) successfully defended his lightweight champion title by knocking out Daniel Weichel (35-9). At the end of the first round, Weichel was close to an early victory, sending the champion to a knockdown and starting to finish with unanswered blows. However, Freyrep came to the rescue by a gong for a break, for which he managed to recover. In the second round, Weichel hurried to finish what he had begun in the first, but he ran into Patricio's left-to-face counterattack and was knocked out.
Ken Shamrock as an actor: he passed the casting and starred in Never Submit
Ken Shamrock passed the casting for the film Never Submit and played the role of Max in a new film about MMA. The film was shot by Imperia Entertainment, Inc., whose president admitted that he is a longtime Ken fan. James Hergott says that he has been following the fights of Shamrock since his performance on Pancrase, and that he is suitable for the role like no other. He was very surprised at how Shamrock was excited about the idea of playing in this film, and there was not a lot of doubt about who to invite to the role of Max. Hergott believes that Shamrock is well known as a fighter, and now, thanks to Never Submit, he will also be known as an actor.
Shamrock himself also does not hide his pleasure: "I am starting a new stage in my life. I want to develop in new areas for me and this film opens up new horizons for me. After talking with Mr. Hergott, I realized that I could completely trust him. It will be a fantastic film, and I can't wait to share it with the audience."


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Game 3: Browns @ Ravens
By Rexx Jun 29, 2008, 11:03am EDT
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The Cleveland Browns put a hurting on my Ravens last year, and to only make it worse, did so with a QB that the Ravens deemed uninterested enough in so as to let the Browns snatch him away off of their practice squad without nary a complaint. Derek Anderson went on to have a Pro Bowl season and was richly rewarded with a $27 million contract extension. Meanwhile the Ravens are still at a loss to determine who will be their QB when the 2008 season kicks off in September.
However, it really doesn't matter to me when determining the winner in each of these games. While the QB position may be the single most important individual position on the field, this is a team game and it's rare that one specific player is the reason a team either wins or loses, unless of course, your name is Steve McNair (or former coach Brian Billick). In my opinion, the key to an offense's success starts and stops with the offensive line. The retirement of All-World left tackle Jon Ogden is a great loss to the team, but it allows the team to finally set guys into place where they could easily remain for years, and consistency in those positions will ultimately equal success.
Therefore, by game three, I believe we will be seeing an improved pass protection as they get comfortable with whomever the QB ends up being (I still want to see Troy Smith in there). The run blocking should be very good, with both Willis McGahee and rookie Ray Rice blasting through holes. At the same time, regardless of who the QB is, I expect opposing defenses to stack the box with eight or even nine guys, just daring the Ravens to beat them through the air. With the multi-facet abilities of Troy Smith at the helm, he should be able to confuse and tire out defenses with his rolling out and scrambling abilities. This should tire out the Browns defenders, as they've totally revamped their defensive front with big plodding tackles who take up space but don't move too well. The Ravens will trap the Browns interior defense and Smith will roll out and move around until his receivers get open against what is still a very poor Browns secondary and their weak link.
On the defensive side of the ball, I am not yet convinced that Derek Anderson will replicate his 2007 season. That is probably why second string QB Brady Quinn is biting his tongue and being patient, as he also knows his time is coming and it could end up being sooner rather than later. The Ravens defense should be healthy and ready to make opposing teams pay for what happened last year. Browns running back and former Raven Jamal Lewis will be bottled up at the line of scrimmage, as he stutter steps to his huge three yards per carry average. The pass rush against a relatively immobile Anderson will pressure him and cause him to lose his cool and that won't bode well in enemy territory, where the Ravens' fans will make a lot of noise in support of Ray Lewis and friends.
If the Ravens players all remain healthy, they have a much better chance of looking like 2006's 13-3 team as opposed to 2007's 5-11 trainwreck. Game 3 should be similar to game 1 and the Ravens win a close game at home.
Ravens: 26 Browns: 20
Season Record: 2-1


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John Howard Northrop (Yonkers, Nueva York, Estados Unidos, 5 de julio de 1891 – Wickenberg, Arizona, Estados Unidos, 27 de mayo de 1987) fue un químico, bioquímico y profesor universitario estadounidense galardonado con el Premio Nobel de Química en el año 1946.

Biografía
Hijo de Alice Belle Rich y John Isiah Northrop, nació el 5 de julio de 1891 en la ciudad de Yonkers, en el estado de Nueva York. Estudió química en la Universidad de Columbia, por la que se doctoró en 1915. En 1916 se incorporó al Instituto Rockefeller de Investigaciones Médicas y en 1949 fue nombrado profesor de la Universidad de California, cargo del que fue titular hasta 1961.

Falleció el 27 de mayo de 1987 en la ciudad de Wickenburg (Arizona).

Investigaciones científicas
Durante la Primera Guerra Mundial fue el encargado de conducir una investigación al servicio de la guerra química del ejército norteamericano acerca de la producción de acetona y etanol mediante la fermentación. Posteriormente emprendió investigaciones sobre las propiedades químicas y actividades de las enzimas y en 1929 consiguió obtener pepsina en forma pura y cristalizada, determinando así mismo sus propiedades proteicas. Consiguió cristalizar la tripsina y la quimotripsina en colaboración con Moses Kunitz, y, en el transcurso de sus investigaciones sobre substancias generadoras (es decir, sobre los precursores inactivos de las enzimas), aisló el pepsinógeno y el tripsinógeno.

En el año 1938 aisló y cristalizó el primer bacteriófago, un pequeño virus parásito que ataca bacterias, determinando que se trataba de una nucleoproteína. En 1946 señaló el proteinógeno como la sustancia madre de todas las proteínas presentes en las carnes, enzimas, virus y anticuerpos.

Obtuvo en 1946 el Premio Nobel de Química (la mitad del cual compartió con Wendell Meredith Stanley por sus aportaciones a "la representación fiel de las enzimas y las viru-proteínas"), recayendo la mitad restante del Premio de dicho año en el químico James Batcheller Sumner.

Vida personal
En 1917, Northrop se casó con Louise Walker (1891-1975), con la que tuvo dos hijos: Juan, un oceanógrafo, y Alice, que se casó con el Premio Nobel de Fisiología o Medicina de 1954 Frederick C. Robbins.

Northrop se suicidó en Wickenburg, Arizona, en 1987.

Enlaces externos
 Página del Instituto Nobel, Premio Nobel de Química de 1946 (en inglés)
 Autobiografía de premios Nobel: Northrop (en inglés)

Premios Nobel de Estados Unidos
Alumnado de la Universidad de Columbia
Químicos de Estados Unidos
Bioquímicos de Estados Unidos
Suicidas de Estados Unidos
Suicidios masculinos
Suicidios en 1987
Científicos que cometieron suicidio
Graduados honorarios de la Universidad Yale
Miembros de la Leopoldina
Laureados con el Premio Nobel de Química
Laureados con el Premio Nobel 1946
Nacidos en Yonkers
Fallecidos en Arizona


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What swimming in the ponds of London can teach you about music: An interview with Porridge Radio
Porridge Radio released what might be one of my favorite albums of the year so far. It's swirling and searching. It yells out, but is incredibly soft. At one point, lead singer Dana Margolin yells, "I want us to be kinder to ourselves and to each other" over and over and over again.
So we reached out to Dana Margolin to talk about this incredible record and how she's doing in London.
Let's start at the beginning. How did this band come together? How did you know that you wanted to do music and how did you find the people to make it?
It happened in a way that I didn't realize that it happened until like long after I was deeply committed to it. And then I realized that I had somehow unconsciously decided that was something that I was doing. At the beginning when I was about 18, 19, I started learning guitar and just writing songs and sending them to like one or two people. And then a few years later I was in Brighton, I've moved to Brighton by that point, and I had a friend who really inspired me, a lot, and we would like make music together in his living room and he kind of got me to start going to open mic nights and I would go to those on my own and just like enjoy screaming at the old men. And then I kind of, Georgie who's in the band, she saw me play once. No, she'd heard one of my friends who I'd sent my music to, sent it to her and she got me to play a show. She used to put on like the IOI festivals in Brighton. She got me to play one and then I guess that was my first real gig and then kind of met the others by accident. Kind of was like, "Oh, should we see if we can start a band? I've got all these songs that I've written," and then we kind of did that and then, and then it just became what it is today. It kind of like evolved over the years and we played loads and loads of shows and I was writing loads and loads of songs all the time and spending all my time with my band mates. And now, here we are.
Perfect. I remember when "Lilac" came out and I was listening to it and I love the sentiment of someone just screaming, I want us to get better. I want us to be kinder to ourselves and to each other. I love the core of the message and those lyrics and then the kind of desperation at which they're delivered I really enjoy as well. Did those lyrics come from like a particular experience?
Yeah, all my lyrics come from specific situations and I like to make things, I guess simplify them in my lyrics and just kind of take out that core feeling from something and see where it can go as a cell and see how repeating it and screaming it and whispering it can change the feeling and the meaning of something that's actually quite simple and basic and even cheesy. But I think, yeah, it did come from a specific time and a specific relationship.
I love the waltz-y feeling in " Circling." How did you put that melody together?
I think when I'm writing songs I don't think about how I'm doing it or what I'm doing. I just kind of let things fall out and then I look at them and I'm like, cool that that fell out. I guess I've never been a very proficient guitarist or keyboard player. And I just like playing around with things and focusing on very basic ideas and I'm not that good at playing. I mean, I've gotten a lot better over the years and I am confident in how I play now. But like I think when I wrote that I was still kind of figuring out how, I guess on keyboard especially. I was just playing around with an idea and I just stumbled upon it. And I think that's kind of how all the best songs are written. It's when you're not overthinking about how to get to a specific idea, but you just think, "Oh, that like popped into my head now, now I'm going to go with it."
For "Every Bad," was there one cohesive idea or a thing that you wanted to say with the whole record?
There wasn't, but I think that's because I write so much. I've always got a lot of songs and so when we came to record it, we kind of had this huge backlog of songs and were thinking what songs go together. But I don't think I ever thought about it in terms of like how they go together thematically until I think it was maybe a week after the record came out. So I guess that's actually a couple of weeks ago. I write songs but I always bring them to the rest of the band. And Sam is kind of my main collaborator and we arrange a lot of songs together and I usually bring things to him first to figure out how they're going to go. And we were kind of talking about how I can keep being us. Like, was there one theme of this record and then kind of realized that like with hindsight, the things that tie all the songs together are depression, empathy and the sea. And that actually, even though we didn't kind of choose those songs on purpose, they all sent around those things. I guess the sea was the one that is more specific. But the other things are just the place where I write songs from.
I think that sometimes when you write something and then look back, it is like you were trying to say something. I feel like you kind of discovered that. Why is the sea part of that equation?
I was living in Brighton. I lived in Brighton for five years. That was where I met everyone in the band and that was where we were playing shows all the time. Brighton is in the South of the UK and it's on the coast. So I spent five years living really close to the sea and I guess like, you meet your friends on the beach and you go for a walk on the beach and in the summer you go swimming and you just hang out at the sea. And I feel free as I lived really, really close to the beach, just like a five minute walk away. So it was constantly in my mind and also I was quite sad and I spent a lot of time when I was sad I'd go to the sea and I find that very overwhelming and powerful force and it's this amazing thing because it makes you feel so small, it's so terrifying and you're so fragile, but it's also like this huge sense of calm and peace and I guess like the endlessness is at the same time as being terrifying, It's also kind of affirming and I think that was just like a really inspiring feeling. So I ended up writing a lot of songs about that feeling and about the sea. And sometimes it was more explicit and sometimes it was less explicit. I think it comes into a lot of the sound.
In Milwaukee we have a gigantic lake right next to us called Lake Michigan. And it's the second biggest lake in the world, so it kind of feels like a sea and I am like two blocks away from it and I've been going on walks a lot and even before this, there is something about sitting there and I am like, "You know, there's this huge Lake next to us every single day and we never talk about this thing," you know? And it's powerful.
I really, really get that. It's like the feeling as well of actually going into the water and you completely immerse yourself in it and it's like washing away your feelings or washing away your entire sense of self and you can just imagine stuff dissolving into it or being washed away by it. It's so amazing. It's beautiful.
We do this thing here. I mean it gets cold here, especially in the winter and I'm not a spiritual person. I mean, I grew up religious, but I'm not anymore. But we do a thing on New Year's Day. On like the coldest day of the year. There's a big thing where people jump into the Lake and you have to break the ice to get into the water. And I do it every year and it's like the one time where I feel like this is as close as I get to some kind of like spiritual experience where I need to be covered in that in order to restart.
I really get that. Actually, with my friends, we go swimming in the ponds in London and we kind of mark it symbolically in the year, like in the spring and in the autumn. We kind of make a whole ritual around it. It is spiritual, but it's a very personal kind of spirituality. It feels really powerful and really cleansing for sure.
The Quarantine Gauntlet
I made a list of questions. I've been calling it the Quarantine Gauntlet. They're just dumb and they are fun and I just wanted to have something silly. Where are you? Where are you holding out?
I'm sitting on the floor in my bedroom, in my house, which is my parents' house. Where I grew up. In London, in the United Kingdom.
What has been your favorite podcast that you've listened to while you have been in quarantine?
The only one that I've listened to has been Reply-All, so I guess my favorite by default.
Did you listen to The Case of the Missing Hit?
Oh my god, I love that one so much.
Google Hangout, Zoom Meeting or House Party?
Which ever one people want to talk to me on. I guess I like House Party. I like them. I've also been WhatsApp calling people. You can have four people in the chat. Whatever anyone wants to talk to me on. I'm just like, "Of course." I downloaded Skype recently. You know, just tell me to download it and I'll download it. That's how I get so many viruses.
Have you made a sourdough starter or made bread?
No, neither, but I'd been baking constantly and I made so many cookies and cakes. And then on the fermented stuff side. My dad actually has been brewing kombucha, so I guess you can combine it and we're good.
What's your favorite cookie?
I made some hazelnut chocolate chip ones the other day that were really, really good. I'm not fussy. I'll eat anything. I'll download any app and I'll eat anything.
What's the best movie you've watched?
I watched "Whisper of the Heart" about a week ago. It's a Studio Ghibli film and it was so beautiful and made me cry.
Oh that's great, I should watch that too.
Yeah you should, it's on Netflix now.
Oh great, I'll watch it tonight! Have you gone live on Instagram?
Oh my God. Too much and it's wearing me down. But I will keep coming back for more, hone my livestreaming skills.
Now you're in it, you're committed.
And people keep being like, "Can you just do this other thing?" I'm like, "Yeah, okay, sure." and I'm like, "Oh my god, here I am again, live streaming." I'm a live streamer.
There you go. I'll download any app, get on any live stream!
What is your favorite junk food item?
Oh, it depends on what they catch me. I mean I've been really enjoying crisps, which you will know as chips.
What's your favorite flavor? I have strong opinions when it comes to crisps.
I like a lot of crisps. Yesterday I had some cheesy ones and then I had to lie down for like five hours cause I had so many of them. So I would not say those ones. They were Quavers, I don't know if you know what Quavers are. They're like crispy, cheesy, puffy.
Do you know what flavor I had and London that we don't have here, that was an absolute delight? Prawn flavored.
You don't have prawn cocktail?
We do not have prawn cocktail. I was like, what the hell is?
That is an amazing flavor, so good. I've actually never eaten a prawn in my life, but I love prawn cocktail crisps.
I thought it was so strange and I had a bag.
Oh my god, I loved it.
So tangy and ugh! Maybe that's my favorite flavor. I haven't had one in years.
Have you started and finished a book?
I have. I read the Jon Ronson book about shame because I kept feeling really ashamed. And then I stopped feeling ashamed and then I started this other book about insects, which I'm reading at the moment. Hugh Raffles "Insectopedia," and it's like essays about insects and their place in our world. It's like from an anthropologist perspective.
What's the name of it?
"Insectopedia." It's really good. By Hugh Raffles and yeah. I want to get some novels, though. I need to read something a bit less.
I've been trying to get into my science side a little more. I read Jon Ronson last year. I read Them. He's just a great writer.
It was so easy to just pick it up and then read it all in like a few days. And then I was like, "I don't need to be ashamed! Wow!" I felt it really hard, it was great.
The last one is, what is the song that you've been listening to the most?
Oh, I've had two albums on repeat for the last week, which I guess between them I would have listened to one song the most. I don't know what it is, but I've been listening to the new Waxahatchee album and the new Nnamdi album.
Both are incredible.
Yeah, they're so good. And so I've kind of been rotating those two and that's been really nice. This morning I was listening to the Nnamdi record and I would choose "Semantics," I think.
Why do you like Nnamdi?
I actually only started listening with this album. It only came out like a week ago, right. But I just saw somebody recommended it and I started listening to it, and then I just couldn't stop. It's like this compulsion. It's like listen to the album again and again and again and again. And again, and like, I never know why I like anything, but when I have that feeling, I know that I like it. So I just go with it and then I listen to things until I can't listen to them anymore.


In the past few years, street style has got better and better. Off-duty models and celebrities are no longer simply throwing on jeans and oversized jumpers for trips to the supermarket, instead they're dressing to impress in an array of on-trend ensembles that their fans can't wait to recreate.
But no one does street style better than Victoria Beckham.
From printed dresses to pleated skirts and faux fur accessories, the singer-turned-designer has racked up an enviable portfolio of street style outfits – not to mention a huge amount of coverage for her own label, which she wears 99% of the time.
VB is, without a doubt, our go-to, off-duty and one-woman inspiration.


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PENGUINS LOSE 1-0 GAME IN BRIDGEPORT
December 16, 2018 Nick Hart
BRIDGEPORT, Conn. – The Wilkes-Barre/Scranton Penguins saw their five-game win streak end in a 1-0 defeat at hands of the Bridgeport Sound Tigers at Webster Bank Arena on Sunday afternoon.
Wilkes-Barre/Scranton (14-11-3-1) outshot Bridgeport 33-25 and had six man advantage opportunities throughout the day, but the Sound Tigers' goaltender, Christopher Gibson, held firm in net.
The Penguins were assessed two back-to-back penalties in the first three minutes of the game, but were able to kill off both of them. Sebastian Aho broke through for the Sound Tigers at 5:47 of the first period by dancing down the slot and roofing a backhand shot behind Anthony Peters.
In a scoreless middle frame, the Penguins had two power play opportunities and a penalty shot. Jarrett Burton's penalty shot opportunity slammed off the post, and from then on out, the Penguins were held off by the tight-checking defense of Bridgeport.
The Penguins outshot the Sound Tigers 14-10 in the third period, including huge scoring opportunities for Sam Lafferty and Linus Ölund, but Gibson prevented Wilkes-Barre/Scranton from finding the back of the net. Time ran out before the Penguins could muster an equalizer, and the Sound Tigers snuck away with the win.
Peters stopped 24 of 25 shots faced while Gibson turned away all 33 shots for the Sound Tigers.
Wilkes-Barre/Scranton's game is Wednesday, Dec. 19, when it has the chance to exact revenge against Bridgeport. Puck drop between the Penguins and Sound Tigers is scheduled for 7:05 p.m. at Mohegan Sun Arena at Casey Plaza.
Individual tickets for Wilkes-Barre/Scranton home games can be purchased at the Mohegan Sun Arena at Casey Plaza box office, through all Ticketmaster outlets, or by contacting the Penguins' offices at (570) 208-7367. Season ticket packages for the 20th season of Wilkes-Barre/Scranton Penguins hockey, including full season, 22-game, 12-game and Flexbook plans, are available by reaching out to the Penguins directly at (570) 208-7367.
Fans can also keep up with the Penguins through the AHL's brand new high definition streaming service, AHLTV. Subscriptions for AHLTV, which include live and archived games, begin at just $79.99 for the entire 2018-19 regular season. Fans can visit theahl.com/AHLTV now to register for a free AHLTV account and purchase 2018-19 subscriptions.
Tags: AHL, American Hockey League, Anthony Peters, Christopher Gibson, recap, Wilkes-Barre/Scranton Penguins
LATE SEASON ADDITIONS CAN HELP PENGUINS
PENGUINS SIGN DEFENSEMEN MATT ABT AND JON LIZOTTE


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Video and photo gallery: Paralympic Flame arrives in Norfolk
David Freezer
Published: 12:16 PM August 26, 2012
The Paralympic Flame is in Norfolk today after being unveiled at a special ceremony at the University of East Anglia this lunchtime.
Local people with physical disabilities and learning difficulties enjoyed sessions in nine different paralympic sports this morning before the flame's arrival.
Norfolk is one of just 34 areas around the country to have taken the opportunity to host flame celebration events and be part of the programme taking place nationally over the August Bank Holiday weekend.
Four flames are being lit to mark the Paralympic Games and the Paralympic Torch Relay – the first in London yesterday, before Belfast today, Edinburgh tomorrow and Cardiff on Monday.
Norfolk's Flame Ambassador, Will Smith, from Westfield, near Dereham, travelled to the London lighting event in Trafalgar Square on Friday to bring a part of the flame back to Norfolk for the celebration event.
The 16-year-old is a T54 wheelchair racer who was born with spina bifida, He has been racing for five years and is a member of the City of Norwich Athletics Club.
He was selected by UK Athletics to represent Great Britain and Northern Ireland at the 2011 World Junior Championships in Dubai - where he won four gold medals, in the 100m, 200m, 400m and 1500m, and one silver medal for the under-18 1500m.
He currently holds the national under-17 record times over 200m, 400m and 800m.
Having already been called up to the senior squad, Will aims to make the grade for the 2014 Commonwealth Games in Glasgow and the 2016 Paralympic Games in Rio.
Mr Smith said: 'This was a once-in-a-lifetime opportunity that not everyone gets to do. I'm massively excited about the Paralympics. The coverage in the build-up to it, on Channel Four and all the media, has been great.'
The four flames will now be united at the Paralympic Flame Lighting Ceremony at Stoke Mandeville, in Buckinghamshire, the spiritual home of the Paralympic Movement, on Tuesday.
This flame will then be carried on a 24-hour Relay to London and the Opening Ceremony of the Paralympic Games, on August 29.
- For more photos from the event, see the gallery at the top-right of this page.
- Did you attend the Paralympic Flame event? Send us your photos at www.iwitness24.co.uk


My name is Paul Laberge, and I'm a long time resident of Merrickville, where I moved to, back in the middle 70's.
After completing my education with a B.F.A. from Sir George Williams University, the Quebec political upheaval drove me out of La Belle province to Eastern Ontario.
I love painting and I love representing the divine, the grandiose and the commonplace of nature in my paintings. This triune aspect of nature reflects the essence of all creation, including myself.


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The differences between Old-School RPGs in America and Britain
13th September 2019 - 14 Comments
Luther left me a comment under my last post asking if I planned to publish play reports from my upcoming British Old-School campaign. He's interested in seeing how B-OSR games differ from A-OSR games in practice.
The answer is: yes, I'd love to. I don't want to bore people with lengthy sagas [Then how about you stop writing here, eh? – Ed.], but a couple of brief write-ups might be acceptable.
However, it got me thinking. How would a B-OSR game feel different from an A-OSR game?
Much of the difference would be relatively cosmetic. Different points of reference, different humour, different funny accents. Nonetheless, differences in tone and emphasis can go a long way. Plus, I suspect there might be more fundamental differences lurking beneath the surface.
I think British Old-School gaming tends toward a sort of mundane or "everyday life" quality, with everything being just a little bit shite, grubby, poor, and ugly compared to the shiny, clean, handsome, beautiful, big budget, automatically superior American fantasy (yes, we have an inferiority complex, despite, as Shock Slogans points out, Britain often looking down its collective nose at all things American – hey, it's a complex relationship!). American trolls – the fantasy variety, not the online kind – are wild, free, and feral. Our trolls are employed as nightwatchmen in Port Blacksand and Ankh-Morpork.
I'm generalising again (I always generalise) but it feels akin to the difference between American Westerns and Spaghetti Westerns; both share the same trappings, there is violence and death aplenty in both, yet one is somehow more earnest, confident, and hopeful, the other more cynical and nihilistic. Italian neorealism (and British kitchen sink realism) versus Hollywood.
I have several caveats to add, though. Firstly, I think a lot of this is a historical divide. Cross-pollination of culture (thanks, in no small part, to the internet) means that the differences between gaming today versus gaming in the 1970s, '80s, and even the 1990s are, I think, greatly reduced.
Secondly, the A-OSR and B-OSR are more similar than they are different. Old-School American games will, by their nature, also involve (at least at low levels) physically weak and economically impoverished characters rolling around in the mud and dying ingloriously. This was true in the 1970s, and it's true today.
To be clear: I'm not saying British Old-School gaming is somehow "better" or more serious. We are talking about pretending to be elves and speaking in funny voices here, so neither is Serious with a capital S (though see my earlier post for my feelings on the division between so-called "high culture" and "low culture").
It's just that British and American culture have different textures (particularly so in the 1970s and '80s). For example, look at The Godfather versus Get Carter; both are morally complex and challenging, but the former is lush, epic, and sweeping, whereas the latter is grimy, provincial, and was shot on a shoestring modest budget. Even something like Taxi Driver, which is every bit as gritty as Get Carter, feels more epic just by dint of being shot in a global metropolis like New York as opposed to atop a multi-storey car park in Gateshead.
It's more that everything British is a bit shit, and we like it that way. The Yanks have Conan, whose steely sinews glisten and ripple as he slices through ten men like a slicing panther. We have Elric, a pale, weedy guy with long hair who mopes a lot. When it comes to gaming, WFRP is perfect for playing constitutional peasants, working class characters scrabbling around in the muck for a couple of copper pennies.
It's possible to overstate things. Elric does, after all, do plenty of slicing and dicing with Stormbringer. And it doesn't get much more epic and po-faced than Tolkien. Nevertheless, British fantasy – from Alan Garner and Diana Wynne Jones to Terry Pratchett and JK Rowling – seems to have a long tradition of fantastical things happening to ordinary folk with otherwise boring lives, and of bringing out the mundane details in the magical.
Maybe it's because growing up in Britain, back in t' day, meant coming of age in the shadow of a lost and exhausted empire (and unpicking its colonial legacy), whereas the first rays of American hegemony were only just cresting the hill in the late 1980s – bright, rich, and full of sunny optimism. Even as kids, that stuff filters through: it's Blake's 7 versus Star Trek as a microcosm of Britain and America [That's enough pretentious wank from you – Ed.].
Thus far, I've been talking in general terms. As I prep for my upcoming campaign, I want to start being more specific. How will my British OSR campaign be different from the typical (if such a thing is possible) American OSR campaign?
But I've blathered on enough for today, so I'll leave that for a future post…
"Blake's 7 versus Star Trek as a microcosm of Britain and America"
Or 2000AD v Marvel and DC.
Reminds me of the very first post on my blog:
http://drbargle.blogspot.com/2010/05/known-world-old-world.html
Spot on! The topic of British comics is another post unto itself. The portrayal of "superheroes" in the '70s and '80s in British comics is fascinating, particularly stuff like Judge Dredd and the work of Alan Moore.
And a particularly spiffy blog post it is, too! I've read a lot of the posts on your blog (I think we have very similar tastes when it comes to gaming) but I'll have to find the time to go through them all.
This is deeply off-topic, but could you talk about how you made that map sometime? I really like the look of it!
Kyle Maxwell says
Is this a publicly-available blog theme, or one you created? As a kid who grew up on 80s/90s PCs and similar tech, the aesthetic speaks to me…
More on-topic: it's an interesting perspective and one I've heard discussed occasionally on the podcast "Fear of a Black Dragon" (no affiliation). I think it's born out in the differences in the old UK TSR adventures as well.
Jensan says
"It's more that everything British is a bit shit, and we like it that way."
I think the aesthetics of this spans across the Nordic countries as well – maybe due to the laws of Jante. If a bunch of lvl 1-characters started out in fantasy Sweden for instance, and went on to save the world from Big Evil Monster(TM), upon returning home most NPC folks would still spit and say "Yeah yeah think you're fancy now, eh, saving the world and all. You're still a bastard you know." Or, probably, the characters would never go out to save the world in the first place: "The Big Evil Monster(TM) is about to plunge the world into darkness, but who are we to think we could beat it? And it couldn't be any more shit than it is now, anyway."
Maybe a RPG game of Jante is where the characters start at maximum level, and the goal is to dethrone themselves by level drain. Whoever gets to lvl 1 first wins.
Sure! I was, at one point, working on a sort of Ultima IV clone (messianic mysticism in video game form).
I got quite far with it. All the art assets were in place, it had SFX and music, the world was fully mapped out, and the various game systems all in place.
However, when my second daughter was born, all of that stuff went out the window. Now, however, it makes for great illustrations for the blog. I fire up the game, wander around a bit, take a screencap, and there's my illustration!
The world itself is huuuge (four continents and numerous islands, with different biomes – forests, swamps, desert, arctic, etc. – all mapped out, with dozens of dungeons and towns), so I've got plenty of material. Hunting for a suitable image is quite fun – and feels like going out on safari. I'll sail off to a continent I haven't used in a while, and snap some photos for the blog. Much more fun than browsing through images on Google.
It was all created in RPG Maker VX Ace, and the art was a mixture of my own stuff (heavily based on Ultima's art style) and stuff from OpenGameArt.org and Oryx.
@Kyle said:
I'm also a child of the 80s/90s (so, my childhood was actually a bit later than most of the stuff I'm writing about, though we never had enough money to afford the latest fripperies in the early 1990s, and many of the books and games I owned were second-hand or a bit older).
The theme itself is Bootstra.386 by Chris McKenzie (converted to WordPress by Sal Ferrarello). I changed the palette to EGA, and had to make various tweaks and changes in CSS (not a lot, about 200 lines of CSS before minification).
I think we need to be careful not to overstate the lack of Cross-pollination.
Not only were American games being played over here (Paranoia was wildly popular in my experience) but we had a pretty good idea of what was going on in the US from reading Dragon, the British Invasion of American comics, letters from Americans in White Dwarf etc.
It's interesting you should mention Moorcock, because he had really close links with the American Blue Öyster Cult to the extent of writing lyrics for them. (And Black Blade is a lot more respectful than Half Man Half Biscuit's "Moorcock Moorcock Moorcock she cried"!) As an aside, BOC and Hawkwind were the two bands that both the progheads and the punk kids agreed on.
Rather than it being absent, I think it's truer to say that cross-pollination was necessarily slower, being as it mostly relied on mail and the popular media.
@Jensan said:
I think the aesthetics of this spans across the Nordic countries as well – maybe due to the laws of Jante.
That's a really interesting point, I hadn't considered it! RuneQuest was popular in the UK, and I gather also in Scandinavian countries? Perhaps that's down to a similar desire for "grittiness"…
I think your "Law of Jante" theory is really interesting (we call it "tall poppy syndrome" in the UK). It does feel like that's a factor in the UK (we have various phrases like "Who does she think she is – the Queen of Sheba?" or "He acts like his shit don't stink"). It's funny, because Britain is (still today, but even more so in the '70s / '80s) such a class-based society, whereas I get the impression class isn't so important in Scandinavia. The British "Law of Jante" would partly be about people "knowing their place" within the class system, and not "putting on airs and graces" and acting like they're a class higher than they really are (see Hyacinth Bucket).
I'd add some other factors that (possibly) helped shape this desire for grittier pop culture:
1) Industrial decline. This was going on before Thatcher, but it accelerated under her government. In parts of the North of England, the Midlands, Scotland, Wales, etc., there was high unemployment as old industries like mining, steel making, textiles, and shipbuilding were shuttered. High-paid working class jobs dried up, and the economy shifted towards services (including the financial sector). Many parts of the country still haven't recovered from that.
2) Being broke. We just didn't have the money to compete with America in terms of production design (think British cinema versus Hollywood, for example). Lower budgets can sometimes be passed off (especially in hindsight) as being "grittier" or "more realistic".
3) History. We had actual castles, knights and peasants (no dragons, though) in our history, so we can draw on our real experience of them. Also, RPGs have always been popular at universities (especially in the early days) and many British designers seem to have studied history.
4) Imperial decline. America had a sense it was working toward a brighter future, whereas Britain was in a period of "managed decline".
5) Political radicalism. In the 1950s (but especially the '60s) there was a sense that the status quo had failed to prevent two ruinous World Wars. Radical politics were popular across Europe, especially in the arts. That's where British kitchen sink realism came from, filtering out into pop culture (most prominently via Corrie and Eastenders).
6) I also blame the weather. Rain, cold, darkness.
That's a very wise point. It's certainly true that cross-pollination happened extensively (both ways) [Yes. That's what *cross*-pollination means – Ed.]. And your point about magazines (and fanzines) is an excellent one.
However, cross-pollination was definitely throttled before the Internet (not least because of shipping and import costs, which have generally decreased since the period). You played Paranoia, but I'd bet good money it was the GW edition. People also played D&D, Call of Cthulhu, RuneQuest, Traveller, etc. But, again, those were the GW editions
For a lot of people (though by no means for everyone) if Games Workshop didn't publish it, they didn't play it.
It's interesting you should mention Moorcock, because he had really close links with the American Blue Öyster Cult to the extent of writing lyrics for them.
Indeed – and his wife is American and he lives in Texas!
Thanks for sharing your process! I'm glad you were able to save all the work you put into your game, and find a new purpose for it. As I said, I think this map is lovely. I'll keep my eyes open for any more of it that you post.
Agree with Kyle Maxwell about loving the aesthetic you've assembled here. I grew up with a Commodore computer, and this takes me right back to that time.
As to causes of the differences in tone between American and British pop-culture, I wonder how much of it is still the legacy of WWII? (Especially during the 1970-1990 time period.) Britain got bombed hard, and experienced significant postwar rationing. The American mainland was untouched, and there was a major postwar economic boom.
You've kind of touched on this already, when talking about the budgets available, but I wonder about just the experience of growing up hungry amidst literal ruin vs growing up during a time that many Americans still look back on as a "Golden Age" – it surely must have had some effect on the way those kids made art when they got older.
I wonder about just the experience of growing up hungry amidst literal ruin vs growing up during a time that many Americans still look back on as a "Golden Age" – it surely must have had some effect on the way those kids made art when they got older.
I think you are absolutely spot on about this! The psychological impact of growing up amidst bombed out buildings. My dad also grew up in London in the '50s, and he would talk about how the children would play in the rubble. Empty skeletons of buildings all about.
There's actually a really interesting video on YouTube with Alan Moore interviewing Michael Moorcock, and putting precisely this question to him. It's a bit rambling, as two men of a certain age reminiscing about the past are wont to do [That's the pot calling the kettle black! – Ed.] but definitely worth watching at least the first 10 minutes or so.
Basically, yes, growing up in the rubble of London after the war had an enormous impact on Moorcock and other writers of his generation.
And, of course, Moorcock was a huge influence on games like WFRP. See this interview with Rick Priestley and Tony Ackland where they both cite him as one of their most important influences.
Well, you've sold me. My group is going to take a break from fantasy in October so I can run Call of Cthulhu (finally) but come Winter I think I'll be trying out Dragon Warriors. Rather, I don't think, I will. My copy of the newest edition arrived today…
21st September 2019 at 12:52 pm
@OVERLORD said:
Hah, that's good to hear! Dragon Warriors is such a marvellous little gem, and the Land of Legend drips with British Old-School charm. I do prefer the art in the original 1980s books to the glossier, more modern art in the latest edition, but I understand the new edition tightens up some of the game mechanics.


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With the recent delay of Sony's PlayStation 5 launch title, Destruction All-Stars, the launch lineup for the console looks surprisingly bare. Destruction All-Stars will be coming in February of 2021, after all, but it'll be offered to PlayStation Plus subscribers for free (at first). However, this leaves the PlayStation 5 in a weird spot. Its only exclusive launch titles now are Astro's Playroom, which is a tech demo, and Demon Souls, which is a remake of a ten-year-old game.
Miles Morales Spider-Man and a new Sackboy game will be launching alongside the console, as well, but they'll also be available on the PlayStation 4.
Sony isn't alone in this issue, either. Microsoft's killer app, the long-gestating Halo Infinite, was met with lukewarm responses during a summer event meant to hype people up for the Xbox Series X. The news of the title's delay into early 2021 was surprising, but fans noted that the tech demo of Infinite seen during the event did look a bit bland and under-developed.
It's impossible to overstate the impact that the COVID-19 pandemic has had on the entertainment industry. What would have been a huge year, full of summer blockbusters, massive video games, and the Tokyo Summer Olympics instead became a bland soup of staying at home and avoiding crowds.
This has extended to game development, where many studios have resorted to working from home to keep employees safe.
One effect of this, of course, is slowing production for some teams. As such, something as unthinkable as a mainline Halo game missing the launch window for a new Xbox becomes a reality. Likewise, Sony isn't known for having such weak lineups for their consoles at launch, but 2020 has been a difficult year to plan for.
For Microsoft and Sony, this likely won't be much of an issue. Pre-orders for the new systems have broken records, and hype for the latest consoles is at an all-time high. After all, everyone is still stuck and home and looking for something to do. Not to mention, many people have vacation money set aside that is burning a hole in their pocket. That deferred spending could prove to be a huge help for the video game industry.
However, it's possible that the slow release window could discourage some from picking up a new console right away. After all, there are still new games coming out for the older systems for the next few months. With many people feeling the financial pinch of the pandemic, it's possible that some will wait for a bit before snagging the newest systems.
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Space SpaceX launches world's biggest rocket — with a Tesla car inside
SpaceX launches world's biggest rocket — with a Tesla car inside
sci-fi-dude
1963, 1899 called they want every thing back....
Richy rich guy showing off his wealth, remember you cant take it with you....
sci-fi-dude said:
It was more about making the test payload something that the public would be interested in. Normally blocks of concrete are used as a test payload. If you have to do the launch anyway for testing you might as well have some fun with it and having a convertible playing a David Bowie song while giving homage to The Hitchhiker's Guide to the Galaxy is certainly one way. And, intentional or not, it also gives a shout out to the opening of Heavy Metal.
Reactions: sci-fi-dude and Tom
Heavy metal Rullllesssss!
SpaceX launch fails a third time
THIS is the Biggest Rocket You've Ever Seen [Nasa]
Space Atlas 5 Rocket Launches to the Moon
Space Apollo 11 (Saturn 5 rocket) Launch at 500fps (HD)
Ratrunner


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Iranian Fleet of Warships Returns Home
TEHRAN (FNA)- The Iranian Navy's flotilla of warships ended its mission in the Gulf of Aden, and returned home on Sunday.
The Navy's 25th fleet of warships, comprised of Alborz missile warship and Larak logistic ship docked in Iran's Southern port city of Bandar Abbas after successfully conducting a 60-day mission of providing safe passage for Iranian shipping lines in the Gulf of Aden, Bab el-Mandeb and the Red Sea.
The Iranian Navy dispatched its 25th flotilla of warships to the Gulf of Aden and the high seas in early April to protect the country's cargo ships and oil tankers against pirates.
The 25th fleet intercepted 540 military and non-military vessels passing through the Gulf of Aden during its mission.
The Iranian Navy has been conducting anti-piracy patrols in the Gulf of Aden since November 2008, when Somali raiders hijacked the Iranian-chartered cargo ship, MV Delight, off the coast of Yemen.
According to UN Security Council resolutions, different countries can send their warships to the Gulf of Aden and coastal waters of Somalia against the pirates and even with prior notice to Somali government enter the territorial waters of that country in pursuit of Somali sea pirates.
The Gulf of Aden – which links the Indian Ocean with the Suez Canal and the Mediterranean Sea – is an important energy corridor, particularly because Persian Gulf oil is shipped to the West via the Suez Canal.
Via: http://english.farsnews.com/