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Arts Radar & Griffin Independent's The Ugly One, directed by Sarah Giles and dissected by me
It seems Sydney has gone crazy for German playwrights. Marius Von Mayenburg is the latest to get an outing in his play The Ugly One, staged at Griffin theatre and directed by Sarah Giles.
The Ugly One explores the idea of the contemporary obsession with physical appearance in a snappy sardonic 55 minutes. It was nice to see Eden Falk back on stage after the soul-destroying-overkill years of the Sydney Theatre Company's Ensemble almost had everyone from the Ensemble banished from Sydney forever.
The Ugly One tells the story of a man so ugly, his wife can't look him in the face but is forced to only address him by looking above his left eye and his boss won't let him represent the company in public. His ugliness, a surprise to him, forces our intrepid main character to seek out the modern day solution to physical obstacles to success- plastic surgery. With a new beautiful face, he becomes adored, cloned and subsequently we see his personality morph into the new 'ugly one'. Eden Falk is easy to engage with. He has natural stage presence and we can't help enjoying his bewilderment and eventual vanity.
Sarah Giles does a pretty solid job in bringing this elongated sketch to life and even though I'd say the almost hour of the show felt like it had stretched the premise, Giles and her cast and team make the most of this material and I certainly enjoyed this more than the last thing I saw of Von Mayenburg's- his collaboration with Benedict Andrews in Moving Target.
What the play does do well and is helped by a solid cast is its ability to capture the rhythm of the play in the firing of quick dialogue like an episode of The West Wing. Stand out performer for me was Jacinta Acevski in her transformational acting, vocal and physical control and expression. But the whole cast are enjoyable and skilled in execution and there is a lovely feel of complicite in the ensemble. The experience of actor Jo Turner probably aided this young cast to hit the beats of the play.
Michael Hankin's design was certainly interesting in its reflection of the audience space. I'm not sure it really enhanced the play but I did feel like I was attending a workshop with friends and this was heightened by the greeting of the audience by Gig Clarke as we entered.
This is one of those plays you come out saying, 'that was fun' but can also be a bit of a throwaway play in its ability to disappear from your consciousness fairly quickly.
But watch out for Sarah Giles. I think she is a director on the rise and I look forward to her other offerings in the future.
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SOYP's Ultimate Theatre Etiquette Guide
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The things that Anthony Shadid taught me
Thanassis Cambanis writes: Anthony Shadid never seemed to be in a hurry. If you needed him, or simply wanted his company, he would linger to chat and fix you with a gaze that defined undivided attention. He gave the impression that nothing was more important to him than whomever he happened to be speaking to, even if he had a dozen deadlines. His hospitable nature blended seamlessly with Levantine mores, but I think it originated in equal measure from his origins in Lebanon, in Oklahoma, and in his entirely exceptional soul.
Often, I was scared when I was with Anthony. He reassured in the most primal manner, by example. The day after Saddam Hussein fled Baghdad, hundreds of journalists, Iraqi fortune seekers, and U.S. Marines thronged the front lot of the Palestine Hotel. In a panic, I found Anthony in his room upstairs, surrounded by stacks of bottled water. "You have time for a coffee?" he inquired, as if I were the busy one, as if time were limitless. Around him, in a way, it was. The more he slowed things down in the minute, the more minutes he seemed to pack into a day. He connected with so many of us — artists, political activists, militiamen, families, working people, fellow journalists, heads of state — and each of us felt that we had shared something alone with Anthony. And we had. That bounty was one of his many gifts.
On Christmas eve in 2003, we drove into Baghdad together. His first marriage was failing, and he spent that long night in Iraq's western desert speaking of his daughter, Laila, and of the Iraq story, both of which he loved in different ways. He felt ineluctably that he could not leave that story at a crucial time. It was a commitment shouldered without arrogance but with a clear — and in my opinion, correct — assessment that if he didn't tell the stories he was telling, no one would.
That commitment awed and inspired us all. Readers saw it in his dispatches from Iraq over more than a decade. Colleagues saw it in Iraq, Lebanon, the West Bank, Libya, and countless other places. He was devoted to better coverage of the Arab world. He lived that devotion in his own writing, about which nothing need be said because it so authoritatively speaks for itself, but also in the countless invisible acts he did to make the work of others better. He shared contacts with novice reporters he just had met. He took hours to mentor strangers and friends alike, about brief dispatches or sprawling book projects. He was the least selfish reporter I ever met, and he was the one who had the most to share, which he did compulsively.
I am not alone when I say I wanted to be more like Anthony Shadid, in my approach to people, to stories, to the region that was his destiny and which became my own focus. The people he wrote about were never subjects. They each were a world, in which he became engrossed for the entirety of the length of his relationship to them, whether it lasted an hour or a year. In Iraq, he taught me history. In Lebanon, as we criss-crossed the front lines in the 2006 war, he showed me what courage looks like. I drove him around the border, where he translated the conversations we had with people. At one point, alone on an exposed ridge, we heard a steady patter of mortar shells, each one closer to us than the next. We realized we weren't approaching somebody else's front line; we alone were the targets. "What do you think?" he said, unhurriedly. "Should we go?" I answered by running back to the car. Anthony, as always, was full of grace.
We all know how he brought that grace to the stories of people at war and in revolt across the Arab world. Soon, when the book he had labored over for half a decade is released next month, we might learn how he applied that delicacy to the tale of his ancestral home in Marjayoun. He lovingly rebuilt the manse on a hill overlooking the Hula Valley, and in the process fell in love anew with his wife Nada. With Marjayoun and Nada, Anthony opened a new chapter in happiness, which blossomed on his face when he was with them or with his daughter Laila. [Continue reading…]
This entry was posted in media on February 17, 2012 by News Sources.
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English: A male Crested Shriketit at Royal Botanic Gardens, Cranbourne, Australia.
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This image, originally posted to Flickr, was reviewed on 14 February 2014 by the administrator or reviewer File Upload Bot (Magnus Manske), who confirmed that it was available on Flickr under the stated license on that date.


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William Montacute (ou Montagu) (1301-1344),  Montagu puis  comte de Salisbury, fut un noble anglais et un serviteur dévoué du roi Édouard III d'Angleterre, à ce titre contemporain et protagoniste de la mini-série romanesque des Rois maudits. En 1344, il devint roi de l'île de Man.

Biographie
William est né à Cassington dans l'Oxfordshire, fils aîné de William Montagu (v. 1285-1319),  Montagu, et d'Elizabeth Montfort. Il hérita du titre de son père en 1319.

Montagu aida Édouard III à repousser l'invasion écossaise de 1327. L'année suivante, il participa à une campagne diplomatique auprès du roi de France et du Pape. En 1330, sur ordre du roi, Montagu et quelques hommes arrêtèrent Roger Mortimer,  comte de March, et, après l'exécution de leur prisonnier, Montagu reçut une bonne part des domaines confisqués.

Montagu participa aux campagnes d'Écosse les années suivantes et notamment à la bataille de Halidon Hill en 1333. La même année, le roi donna à Montagu le droit de revendiquer l'île de Man.

Il devint comte de Salisbury le . En 1338 le nouveau comte rentra d'une longue mission diplomatique, d'abord en France pour déclarer que le roi Édouard revendiquait la couronne de France, puis en Allemagne, à la rencontre de princes avec lesquels il pourrait s'allier contre la France. Plus tard la même année, il fut nommé Maréchal d'Angleterre.

Les deux années suivantes, il commanda les forces anglaises en Flandre, jusqu'à sa capture par les Français, près de Lille. il fut emprisonné en l'Abbaye du repos de Notre-Dame de Marquette. Il fut libéré en 1340 dans le cadre d'un échange de prisonniers et à la condition qu'il n'affronterait plus la France. C'est semble-t-il après son retour en Angleterre qu'il conquit l'île de Man, que détenaient les Écossais. Il l'emporta et devint roi de Man en 1344.

Lord Salisbury mourut le  des blessures qu'il avait reçues lors d'un tournoi à Windsor. Il fut enterré au prieuré de Bisham, dans le Berkshire, qu'il avait fondé en 1337 près de son manoir de Bisham.

Famille

Il épousa Catherine Grandison, fille de William Grandison (anglicisation de Grandson),  Grandison, fils de Pierre, seigneur de Grandson. Selon la légende, Édouard III était amoureux de cette femme et que c'est de sa propre jarretière que vient le nom de l'Ordre de la Jarretière. Cette légende est sujette à caution. En revanche, il semble acquis que cette jarretière eût appartenu à Jeanne Plantagenêt, engagée à son fils. Une histoire affirme aussi que le roi viola la comtesse, mais il s'agit probablement d'une campagne de propagande venue de France.

William et Catherine eurent plusieurs enfants :

 Elizabeth Montagu (née vers 1325), mariée à Hugues le Despenser,  le Despenser, avant le .
 William Montagu (1328-1397),  comte de Salisbury.
 John Montagu (1330-1390),  baron Montagu.
 Philippa Montagu (née vers 1332), mariée à Roger Mortimer,  comte de March.
 Sibyl Montagu, mariée à Edmond FitzAlan vers 1347.
 Agnes Montagu, fiancée à John Grey, fils de Roger Grey,  Grey de Ruthyn, le .

Son fils William lui succéda.

Bibliographie
  Antonia Gransden, "The alleged rape by Edward III of the countess of Salisbury", English Historical Review 87 (1972)

Liens

Lien externe
  Royal Berkshire History : William Montacute, comte de Salisbury

Article connexe
 Liste des dirigeants de l'île de Man

Notes et références

Référence

Naissance en 1301
Baron de la pairie d'Angleterre
Comte de la pairie d'Angleterre
Roi de l'île de Man au XIVe siècle
Décès en janvier 1344
Comte de Salisbury

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text:
Gentics & Evolution
Climatology & Meteorology
Writing Tutorials
The Transformation of Anne Sexton: The Grimm Complex
Brittany Kussman
Plunging Into the Grimm Poetry of Sexton
There's no question that Anne Sexton was one of the most disturbed poets of her time; with her sexual sadistic ways, she pulls you into her 'fairy-tales' and forces you to read. It's her Plath way of letting you in her mind without you connecting the dots. Sexton's poetry is raw and real, which makes her a unique confessional poet.
She was the best because she spoke my language and not in tongues. When first attacking her transformations of the Brothers Grimm Fairy Tales, I took them as sarcastic spins on the happily ever afters. But I was naïve; I took them as re-tellings instead of poetry.
In her versions, Sexton uses some of the fairy tales to re-tell her own life experiences. While in others, she is merely mocking the 'beautiful' ones and how they fabricate the truth to keep everything looking neat and clean when underneath, it's far from perfect. Of her re-tells, I will look at the following four:
Briar Rose (Sleeping Beauty)
1. "Snow White and the Seven Dwarfs"
"Snow White and the Seven Dwarfs" is definitely one that mocks. The opening of the poem is one of creativity. In it, she describes the virgin Snow White oddly as being "unsoiled." It's like she's saying women who have had sex are tainted and dirty; they're soiled. This could contribute to how Sexton was treated by her father, but there isn't enough intel to be certain.
Sexton continues to paint Snow White as a fragile figure with "cheeks as fragile as cigarette paper" and "arms and legs made of Limoges." Sexton's view of the virgin is weak and naïve, as they should be, but she is harsh. She paints them to be dumb-founded and have a permanent blonde complex. Now her next image comes off as sexual and damn near shocking: "shut for the thrust / of the unicorn." Here, it seems Sexton is using a mythical creature only a child would believe in to describe a sexual encounter. I believe this is to enforce just how naïve Snow White truly is; a bit over the top, but necessary.
Another creative executive decision Sexton made was the wicked queen's description. She helps bring the queen to life and shows how her vanity and envy consume her and "pump in her like poison." The Grimm version briefly mentions her as envious, when really she is enraged because of fear that Snow White would become more desirable. They didn't fully show how pissed the wicked queen really was, and I believe Sexton was able to see this because not only is she a woman, but also a woman scorned.
Another image of the queen brought to life was when the hunter brought back the heart. I think Sexton gets animated with the scene and is rather funny. When the queen finishes consuming the heart, she says, "Now I am fairest," and then begins "lapping her slim white fingers." She reminds me of the fat uncle on thanksgiving, consuming the whole turkey and savoring every last drop, even the juice on his fingertips.
The woodland scene is another awesome animated scene. Sexton's description of the horrifying trip to the Seven Dwarfs is one that brings the fairy-tale to life:
At each turn there were 20 doorways
at each a hungry wolf
birds called out lewally
snakes hung down in loops
each a noose for her sweet white neck.
It's almost as if Sexton wants her to die, or perhaps she's just intensifying the scene for dramatic purposes to make the reader feel the fear.
One description of Snow White that tickled me was when Sexton referred to her as a "dumb bunny." It's true; she did fall for the unoriginal plots of the queen three times. She had to be an idiot, but the absolute best description was how Sexton showed Snow White to be like every other woman:
Snow White held court,
rolling her china-blue doll eyes open and shut
and sometimes referring to her mirror
as women do.
Sexton brings the poem to women everywhere and humanizes them at any time and place. She was displaying them all to be vain, envious, and full of pride. It's an interesting twist on what lengths some women will take to be on top and to be the most beautiful. It proves that women are devious snakes ready to strike, just like the queen.
Interview With Anne Sexton
2. "Cinderella"
"Cinderella" is another mock of how people believe fabricated stories of the happily ever after. Sexton, I think, can't grasp the idea of a perfect fairy-tale because her upbringing was so harsh and depressing. So she mocks the superficial fabricated idea of the happily ever after because, in her world, that's not real.
In this poem, Sexton channels her inner Grimm and goes to a dark and bloody place, describing a less-than-perfect fairy-tale. Instead, she leans more on the pain of death and neglect. Sexton's poem rings true of the Brothers Grimm tale and does an excellent job of bringing it to the world of poetry. In her poem, with the death of Cinderella's mother, she gets pushed aside and neglected. It seems as if her father never really loved her at all, or a new woman creates problems, so he ignores his daughter from his first marriage and focuses on his stepchildren:
The man took another wife who had
two daughters, pretty enough
but with hearts like blackjacks.
Cinderella was their maid.
Here we see the father is still alive and well, unlike the Disney version where Cinderella is his world, and when he dies, the stepmother treats her badly and forces her into servitude. So why force his own flesh and blood into servitude and hold women who are only related by marriage in higher regard?
Another part further down that proves this father is rejecting his daughter is when we read what he brings back from town for Cinderella: "Her father brought presents home from town, / jewels and gowns for the other women / but the twig of a tree for Cinderella." Perhaps Sexton kept the father alive because it played better to her story; maybe her father treated her like Cinderella's treated her.
Now onto the mocking portion. In the beginning of her poem, the reader gets a clear sense of a mocking tone when Sexton is describing various rags-to-riches stories. Then at the end of her fairy-tale Sexton describes Cinderella's from rags to riches story, and it seems to me very sarcastic:
Cinderella and the prince
lived, they say, happily ever after,
like two dolls in a museum case
never bothered by diapers or dust,
never arguing over the timing of an egg,
never telling the same story twice,
never getting a middle-aged spread,
their darling smiles pasted on for eternity.
Regular Bobbsey Twins.
That story.
Sexton is mocking this idea of "happily ever after" and that no one truly lives happily ever after. This image she paints of Cinderella and the prince is one only made up in fairy-tales and Sexton uses this to illustrate how superficial fairy-tales really are. They only tell of the happy times and the times of romance, never the struggles of a real relationship and what it takes to make it work.
3. "Rapunzel"
"Rapunzel" is the most interesting transformation of the bunch. One thing that jumps out to the reader is the lesbian hints between Rapunzel and Mother Gothel. Sexton opens the poem with an odd beginning; before the fairy-tale even begins the reader gets an uneasy sense that the older woman is being sexual with a younger girl; with lines like, "The mentor / and the student / feed off each other", "lie on the couch / and touch and touch", and "old breast against young breast", how can you push aside the idea of sex?
The beginning reminds me of the poem Sexton wrote for her daughter "Little Girl, My String Bean, My Lovely Woman". In that poem there are hidden signs of a mother abusing her daughter sexually. Perhaps "Rapunzel" isn't just about the fairy-tale, but maybe Sexton had fantasies about her own daughter.
In "Rapunzel", Sexton seems to pay close attention to the words and phrases she uses. For example, in the 2nd stanza, she writes: "Let your dress fall down your shoulder / come touch a copy of you". Here I picture an older woman standing naked in front of a younger girl, asking her to remove her clothes and to touch another woman.
Then further in the opening this older woman asks for things: to be held, but the way lovers hold one another. She also asks for the young girls skin, so that she can "open it up and listen in and scoop out the dark". Then she asks for her lips and in return she will give angel fire". This scene just seems so sensual and sexual, the language is too beautiful not to be interpreting sex. Another interesting point is the word lips, in the poem Sexton writes, "give me your nether lips" referring to the young girls vagina.
Finally Sexton tackles the fairy-tale. Now in her re-write there isn't any real notion of woman on girl action. There was some relationship, but it wasn't clear as to what it was. The only hint at sexual abuse of a mother-daughter relationship is with the mention of Rapunzel and other Gothel playing "mother-me-do" this sort of game is also mentioned in the beginning of the poem before the fairy-tale begins.
One could assume a mother-daughter relationship by the reaction to finding the Prince coming to see Rapunzel without Mother Gothel knowing. She punishes Rapunzel, much like a mother would if her daughter was sneaking around with a boy. Now once I discovered that Sexton had an odd relationship with an Aunt, cuddling for an hour in the afternoon and other hints of sexual abuse, Rapunzel became Anne. Just like Anne, Rapunzel grew more interested in the male species and dumped or planned to dump Mother Gothel. Anne did the same to her Aunt.
4. "Briar Rose (Sleeping Beauty)"
Another transformation poem that describes some point in Anne's life is "Briar Rose (Sleeping Beauty)". The actual fairy-tale within the poem pretty much sticks to the Grimm version. The only difference is in the opening and ending which makes the reader look at the poem differently.
The opening hints at a father taking things too far with his daughter:
Little doll child,
come here to Papa.
Sit on my knee.
I have kisses for the back of your neck.
A penny for your thoughts, Princess.
I will hunt them like an emerald.
Come be my snooky
and I will give you a root.
That is an act a lover gives, not a father, and the image of giving a root seems to be an image of a father giving her something much different. But that's speculation and not enough to holler child molester, so let's travel to the ending.
The ending suggests being sexually abused during Briar Roses' unusually long slumber. Sexton writes:
That's another kind of prison.
It's not the prince at all,
but my father
drunkenly bent over my bed,
circling the abyss like a shark,
my father thick upon me
like some sleeping jellyfish.
It's almost as if this fairy-tale is a way of dealing with the sexual abuse Sexton succumbed to. It could have been a way of blocking out the emotional effect the abuse had on her. Making this haunting nightmare into a fairy-tale makes it fake, as if it never happened.
No One Lives Happily Ever After
In only a few transformations we can see Sexton actually becoming the character within in order to deal with the nightmares of her life. In "Rapunzel" she was both Mother Gothel and Rapunzel. Going back to her past history with her Aunt, she is Rapunzel, but then becomes Mother Gothel in the relationship with her own daughter.
In "Briar Rose (Sleeping Beauty)", she uses this character to open up about the sexual abuse from her father, but in most of the poems in her book, she was just mocking society and the idea of the happily ever after.
Sexton mocks characters like Cinderella and Snow White because they are weak and choose to be seen and not heard. She uses this to mock the women of her society and even the women of today. She refers to Snow White as a "dumb bunny", being too naïve to notice the wicked Queen's many plots to kill her. Then she mocks Cinderella's happily ever after as a false love by showing the lovers as being put on display in a museum. In Sexton's mind, no one lives happily ever after.
Andrew Spacey from Sheffield, UK on September 05, 2015:
I enjoyed your take on Anne Sexton's fairy-tales, often dark and disturbing work that undoubtedly contain autobiographical elements, taboo still for some modern readers. I like to think that poetry is big and strong enough to take anyone's confessions and help transmute them.
Robert Levine from Brookline, Massachusetts on December 09, 2014:
Nice pun in the title, Brittany. Another great reworking of a familiar story to reflect the author's life is Elizabeth Bishop's "Crusoe in England."
Brittany Kussman (author) from St. Louis, MO on April 08, 2014:
Thank you for your read and I'm glad you enjoy reading my hubs. I too have been a student of literature and decided to use that to create interesting hubs about some of my favorite writers and Plath an Sexton are 2 of my favorites. The way they see the world is very raw and real, and I enjoy that.
Cherylann Mollan from India on April 08, 2014:
First of all, I must say I'm very intrigued by your hubs. Having been a student of literature, there's so much I can relate to here. :) This hub too is very interesting. I've always liked Plath's poetry, now I must read Sexton's! It's only in the works of some writers that you get to see the world outside rose-tinted frames, and I absolutely love these artists!


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In South Western Ontario, something big in gaming is happening this weekend. The University of Windsor students are hosting the biggest video game LAN party and tournament to ever happen in the region. The event is called LAN of the Dead and it will take place this weekend on October 26th, 2012 until October 28th, 2012 on the University campus. There will be hundreds of gamer enthusiasts that will be participating in the various tournaments and just plain social gaming over the weekend. Players even have the option to spend the entire weekend gaming, which would attribute up to 50 hours of game play. Sound fun?
The event is catering to the new generation of gamers within South Western Ontario and the ever-growing community of eSports. With the numbers that Riot Games received from the League of Legends Championship, that can certainly confirm this. Gamers no longer have to sit at home and play by themselves, they can go to a LAN party or be a part of an eSports team and compete in various tournaments either just for fun or for a prize pool.
For more information on the event head on over to their website for LAN of the Dead.


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Q&A with NightFall Director R.A. Grimes and Star Kevin Sullivan
When you think about the 'Super Hero' film genre you think big budgets, big stars in what eventually becomes a convoluted mess of explosions, and huge CGI scenes. But filmaker R.A. Grimes and his star Kevin Sullivan decided to do a complete 180 and turn this genre on it's head. Armed with a small budget, no car chases, no CGI monsters, no tights or capes, just plain good old storytelling.
We sat down with the creators to discuss this important project.
CineFile: So why did you guys choose the Super Hero genre to deconstruct? Is it because it is so popular right now and therefore ripe for the picking?
R.A. Grimes: Funny enough this project has it's genesis way before this Super Hero renaissance. We started work on this maybe 15 years ago. I have always wanted to create a realistic superhero film. You can't relate to a superhero, to a superman, but you can identify with a real man who in times of crisis draws forth some extraordinary quality from within himself and triumphs but only after a struggle.
And that's what we wanted to create here.
Kevin Sullivan: I think that is why it is so important that we start this origin story with the character having reached rock bottom. This guy is living on the streets, eating out of garbage cans and yet there is choice. A choice to grow from nothing…which is a choice we all have at anytime. We can all grow from the point we are at now.
CF: What causes this mass appeal, driving millions of people into movie theaters every year? Does audience interest stem from the action-packed story lines? Is it the improbably beautiful bodies displayed for all to see in Lycra Spandex-covered glory?
KS: Perhaps it is the simple promise of two hours of entertainment guaranteed to provide the experience of an epic adventure. But take a closer examination of the films themselves. I think there is a need that goes deeper than a basic need for entertainment. These characters are enhanced by super powers or abilities, the superhero as portrayed in today's films displays an astonishing lack of humanity. They rarely cope with the human experience through these films, an experience with which audience members can identify. Viewers don't really see a part of their own reality on the big screen through superhero characters. This is what makes the characters so untranslatable to the viewer. And I think in a sense they are entertained for a few hours but still there is this unsatisfying feeling. Almost like a Vegas Buffet…you know your full but you still leave unsatisfied.
RG: You know the movie industry sort of force feeds you this stuff. They want the comic book movie to work because they have a wealth of source material. The comic book movie are popular right now is not because it resonates with the audience…it is because we are trained to spend our cash on a the most recent blockbuster. This past decade it was the comic book movie but the next decade is going to be
SciFi thanks to the latest Star Wars Blockbuster. It is all a cycle.
CF: Do you feel that your film is at the end of this cycle?
RG: I think the film we are creating is outside of any genre. It is disguised as 'hero' film but the reality is that it is about universal issues that are timeless. We occasionally see fear on the faces of citizens, but it is always from the perspective of the superhero that is trying to save them. Indeed, we've been viewing the world through the eyes of the superhero the whole time. We fly, swing, and battle along side the superheroes. The camera – our window into the world – always seems to be mounted on their shoulders. The effect is that the superlatives fall away from the hero and what is left is a CGI ride. A movie without proxies to help distance us from superheroes can easily degenerate into a 3-hour CGI-fest in which everyone is supposed to be amazing but the result is that no one is particularly remarkable.
Filmakers need to understand that our investment in superheroes and their stories is rooted in that character's role in the survival of the human race, as represented in the film by the actual human beings to whom we relate.
KS: But it is also a great book end to the 'hero' genre.
CF: So the million dollar question…is this a batman movie?
KS: This is the story of a hero who has fallen on some really bad times and is forced to start over. The questions are again universal. He has to reexamine everything in a sense all his motivations for being a hero.
RG: No…(laugh) this is not a Batman movie…this is the NightFall movie. But if you see a little batman in there so be it…but what we really want to you to see it is yourself in the movie. That was the entire motivation for making this film.


Zellner Electric is dedicated to the satisfaction of our customers.
We are happy to do service calls for electrical repair in the New Braunfels area and surrounding areas, as well as lighting and ceiling fan installation, recessed lighting, exterior/landscape lighting and so much more.
Please explore our site using the links to the left. If you have any questions or need further information, please feel free to contact us at (830) 515-5953 or info@zellnerelectric.com.


You visited the company's web page Innovative Stainless Steel Designs. The company is located in the siti Murarrie. The legal address of our company is Murarrie, QLD, 4172. For more information, please call Murarrie, QLD, 4172.


text:
01. The Pilgrim - Peace Of Mind
02. The Pilgrim - The Time You Wait
03. The Pilgrim - Sailor
04. The Pilgrim - Dragonfly
05. The Pilgrim - Sunset In The Desert
06. The Pilgrim - Brainstorm
07. The Pilgrim - Pendulum
08. The Pilgrim - When I Call Your Name
09. The Pilgrim - Secrets
10. The Pilgrim - Suite #2
PILGRIM, THE
Walking Into The Forest
HPS 092CD HPS 092CD
Gabriele Fiori -- already frontman of Rome-based outfits Black Rainbows and Killer Boogie and a key figure in Europe's heavy underground as the head of the Heavy Psych Sounds label and booking agency -- was not exactly lacking for things to do. And yet, a couple years back, The Pilgrim started to nebulously take shape as an idea for a solo-project, something different than the hard-driving psychedelia and garage heavy rock for which he'd already been so revered. It wasn't until January 2018 that he really got to putting songs together, but the end result on Walking Into The Forest is a space-folk release with a personality unto itself. Songs like opener "Peace Of Mind" evoke some of Fiori's more rocking side, while "Sunset In The Desert" feels like an ode to the acoustic album Kyuss never made, and side B, which starts with the Hawkwind cover "Brainstorm" and ends with the moody strum of "Suite #2" -- originally from Void Generator's 2004 debut EP; when Fiori was in the band -- a cosmic drift and textures that nonetheless remain accessible and organic thanks to their acoustic foundation. "The main point in common with Black Rainbows is the diversity of the songs," Fiori explains. "You have mind-dreams like 'Dragonfly' or 'Sailor,' or the more folk rock 'Peace Of Mind,' passing through space with 'The Time You Wait' and the melodic-melancholic 'When I Call Your Name.'" In completing the arrangements, Fiori turned to Black Rainbows drummer Filippo Ragazzoni, and as he says, "Songs came out so spontaneously and easy. I always played acoustic guitar and wanted to push further on this path. The songwriting, rehearsing and recording approach was so different from usual Rainbows or Boogie style, both to me and Filippo for drums, because all the instruments needed to be played smoothly, softly." With Walking Into The Forest, Fiori evokes a sound that is both classic and fresh, melodically rich and creatively constructed. It is a new outlet for Fiori that demands spiritual as well as auditory engagement, and an all-things-permissible sonic context that one can only hope The Pilgrim continues to explore. LP versions available on standard black vinyl, orange splatter vinyl, or yellow and red marbled vinyl.
Other releases on HEAVY PSYCH SOUNDS


text:
Displaying 1221 - 1240 of 4660. Show 5 | 10 | 20 | 40 | 60 results per page.
Search Year
Letter to Congressional Leaders Transmitting a Report on the National Emergency With Respect to Angola (UNITA)
William J. Clinton
Letter to Congressional Leaders Reporting on the Deployment of United States Forces to Macedonia and Albania
Letter to Congressional Leaders Transmitting a Report on Chemical and Biological Weapons Defense
Letter to Congressional Leaders Transmitting a Report on Cyprus
Letter to Congressional Leaders Reporting on Airstrikes Against Serbian Targets in the Federal Republic of Yugoslavia (Serbia and Montenegro)
Letter to Congressional Leaders Transmitting the Report on the Strategic Concept of NATO
Letter to Congressional Leaders Reporting on the Deployment of United States Forces to Macedonia
Letter to Congressional Leaders Transmitting the Report on Conventional Armed Forces in Europe Treaty Compliance
Letter to Congressional Leaders Reporting on Iraq's Compliance With United Nations Security Council Resolutions
Letter to Congressional Leaders Transmitting a Report on International Agreements
Letter to Congressional Leaders Reporting on the Deployment of United States Military Personnel to Kenya and Tanzania
Letter to Congressional Leaders Transmitting a Report on the National Emergency With Respect to Iraq
Letter to Congressional Leaders on the Memorandum of Understanding Relating to the Soviet Union-United States Anti-Ballistic Missile Treaty
Letter to Congressional Leaders Transmitting a Report on the Korean Peninsula Energy Development Organization
Letter to Congressional Leaders Reporting Budget Rescissions and Deferrals
Letter to Congressional Leaders on the United States Air Force Operating Location Near Groom Lake, Nevada
Letter to Congressional Leaders Transmitting a Report on the National Emergency With Respect to Terrorists Who Threaten To Disrupt the Middle East Peace Process
Letter to Congressional Leaders on Continuation of the National Emergency Regarding Terrorists Who Threaten To Disrupt the Middle East Peace Process


Second Platoon: Call Sign Hades offers a firsthand account of the struggles and successes of young Marines on the ground in post-9/11 Afghanistan.
"As if the gates of Hades opened up, my Marines started to pick up their rates of fire, sending hundreds of rounds downrange at the enemy compounds. They then opened up with a barrage of 40mm grenades from their grenade launchers and rocked even more compounds with their LAW rockets," writes Captain Mark Bodrog, the author of a new book about our continual war in Afghanistan, Second Platoon: Call Sign Hades.
"The book was written as an homage to the Marines and sailors I worked with, the ones who gave their sweat, blood and tears in Afghanistan. They are part of the one percent of the population that actually answered our nation's call and went to war," said Bodrog of his book and the Marines.
Second Platoon, Call Sign Hades: A Memoir of the Marines of the Combined Action Company traces the deployment of Bodrog and his men as they entered the unique battlespace in Afghanistan, whose people never knew the Americans were coming. "Afghanistan was and still is very tribal. The local tribes and elders are what rule Afghanistan. For most of the population, a federal government in Kabul is a foreign concept, one many don't understand or care about," said Bodrog of his experience fighting in what is now America's longest war.
The other issue that many don't talk about in the context of the war in Afghanistan, besides the Taliban and other terror groups, is that the Pakistanis have a strong influence on Afghan politics and security. "It was clear to us, the Marines on the ground, that Pakistan, via their intelligence operations, carried large sway with Afghanistan on both a tribal and national level. Pakistan's influence proved time and again to thwart efforts within Afghanistan to stabilize and build it as a functional nation," noted Bodrog.
As you read through the daily efforts, battles and missions that the Marines of Second Platoon were tasked with, one thing becomes clear, the Marines brought enthusiasm, honor and mission focus to a combat situation that was anything but traditional. They performed, under the most adverse circumstances, beyond the scope of their tasking.
"These Marines, many of them between 18 to 20 years old, strove every day to fight the good fight and uphold the honor of the Marine Corps. Since the September 11th attacks, less than one percent of U.S. citizens have taken the oath to wear the uniform of the United States of America. Even fewer have become Marines. I was fortunate to be deployed with some of them, whose American spirit and work ethic not only got us through our deployment, but made a difference in helping stabilize an area of the world that, when we first arrived, was viewed as the wild west," said Bodrog.
Second Platoon: Call Sign Hades is a look into the roles and functions of the U.S. Marine Corps in Afghanistan. It's a history lesson taught from the viewpoint of young American Marines, America's 9/11 generation, who were sent to complete something that began in the streets of New York, Washington, D.C. and a field in Pennsylvania. It is a history every American should read about and learn from.
To purchase Second Platoon: Call Sign Hades, visit amazon.com. Also be sure to check out the Call Sign Hades Facebook page.


text:
Q: Redirecting links to images that contains dot (.) This code is perfecty working only for the links that do not contain dot (.). For example: http://www.example.com/manufacturers/hyundai/hyundai-i40/hyundai-i40-4.jpg
RewriteCond %{HTTP_ACCEPT} text/html
RewriteCond %{HTTP_REFERER} !^http(s)?://(www\.)?example\.com [NC]
RewriteRule ^manufacturers/([^/]+/[^/]+)/[^/.]+\.jpg$ /$1 [L,NC,R=302]

However, this is not working for the links that contain dot.
http://www.example.com/manufacturers/hyundai/hyundai-i40-1.8/hyundai-i40-1.8-4.jpg
Any ideas are appreciated

A: You can use:
RewriteCond %{HTTP_ACCEPT} text/html
RewriteCond %{HTTP_REFERER} !^http(s)?://(www\.)?example\.com [NC]
RewriteRule ^manufacturers/([^/]+/[^/]+)/.+?\.jpg$ /$1 [L,NC,R=302]

redpajama_set_name: RedPajamaStackExchange


In accordance with state procedures, a child who turns three before December 1st is eligible for the three-year-old class. A child who turns four before December 1st is eligible for the four-year-old class.
Currently-enrolled children and siblings of alumni will have first priority to register for the following year. Enrollment for new students to the school will be on a first come, first served basis. In the event that an opening is not available, the child's name will be placed on a waiting list.
In accordance with New York State Public Health Law #2164, all children entering the Nursery School must be up to date on all immunizations. All children must be toilet trained by the start of the school year.
All applications must be accompanied by a signed registration form and registration fee. Children enrolled in the fall semester are automatically enrolled in the spring semester.


AQMetrics enables simple, reliable and cost effective risk management and regulatory compliance through the use of technology. Our cloud platform uses smart technology to integrate risk and regulatory solutions, allowing our clients to stay compliant with existing and emerging regulations.
Aquis Technologies is the software and technology division of Aquis Exchange Limited. It creates and licenses cost-effective matching engine and trade surveillance technology for banks, brokers, investment firms and exchanges.
ClauseMatch is an award-winning London-based financial technology company that provides a software-as-a-service platform for smart document management. Its flagship product is a next-gen innovative online editor which brings an unprecedented productivity for Finance, Compliance, Legal, Operations and Risk teams saving millions in terms of time and resources, while significantly reducing risk and providing accountability.
ClauseMatch works as a real-time browser-based collaborative document editor containing at its core a detailed workflow, where comments, approvals, and changes are a part of a full audit trail. That brings complete control of content, streamlines complex workflows, removing human error for better insight for senior management. Every change and approval made in a document is tracked in an organised manner providing full visibility and ground-breaking reporting capabilities.
With offices in Dublin, London and New York, Governor Software Ltd supports senior risk and compliance executives at financial institutions, maintain governance and oversight, through clear visualisation of their regulatory obligations and risk appetite.
Founded in 2015 by CEO Richard Pike, the Governor Software team have first-hand experience of the production and oversight of governance information within financial institutions. Empowered with this unique knowledge, Governor Software have taken a fresh approach to addressing these challenges; using visualisation technology to efficiently tackle the issues associated with governance and oversight in their entirety.
Governor Software believe the opportunity for compliance and risk professionals to make governance and oversight a more robust and effective process is significant.
Do visit us at www.governorsoftware.com or follow-us on LinkedIn.
Kaizen Reporting provides industry leading data testing services that help financial institutions comply with their regulatory reporting obligations. Kaizen's award-winning ReportShield™ quality assurance service gives firms confidence in the quality, accuracy, completeness, and transparency of their reporting. Combining detailed regulatory knowledge with data science, ReportShield™ safeguards against regulatory risk and reduces the burden on management, delivering independent quality assurance that addresses the ever-growing challenges presented by regulation. To find out more please visit our website or LinkedIn community.
Lavastorm powers enterprise-grade business applications with Agile Analytics to help businesses gain a competitive advantage by unlocking the potential of their data. Lavastorm is the only solution that combines data preparation with robust analytics for augmenting data-centric applications with integrated automation and governance.
Our collaborative solution empowers businesses to quickly, easily, and accurately build analytical applications at scale, across multiple, disparate data sources. This innovative approach enables IT, data experts, and business-process-owners to extract, prepare, and analyze data from disparate sources and deliver these applications to end users.
We are a company of talented and dedicated strategists, technologists, engineers, and business professionals that employ a combination of the right mindset, skillset, and toolset to overcome complex challenges in an agile way. By creating the most useful, most powerful, and yet most intuitive business analytics tools, we will ultimately change the fundamental practice of extracting insight and value from complex enterprise data.
Lysis Financial provides services across Governance, Risk and Compliance, including regulatory remediation, enterprise-wide risk management frameworks, design of client on-boarding and anti-money laundering target operating models and compliance policies and procedures to global financial institutions and other financial services companies, regulated institutions and industries.
Lysis Operations is an innovative, AML and KYC service company which operates globally, serving major global investment banks, financial service institutions and other regulated industries, including estate agency businesses and buy-side firms. We deliver efficient and cost-effective KYC and AML processing, remediation and client on-boarding. Our ability to scale to meet our clients' needs is matched by our proactive and highly responsive customer service.
Lysis Academy provides comprehensive AML, and Governance Risk and Compliance training via Public and Bespoke Courses to individuals and to banks, financial services firms and estate agencies. Our Bespoke courses can be delivered in-house or in clients' offices worldwide. Lysis Academy also collaborates with Cass Business School Executive Education to deliver the Cass Post-Graduate Certificate in Anti-Money Laundering.
Whether you're in capital markets, banking, or insurance, you rely on data every day to make decisions and get results for your clients and your firm. But are you really using all the data that you could be using? And, are you getting it fast enough to make a difference or to satisfy regulatory needs? MarkLogic's Enterprise NoSQL database platform equips you to easily combine complex multi-structured and unstructured data, and make that data securely available anytime, anywhere.
The Pendo Machine Learning Platform is a production tool that enables our customers to quickly turn their unstructured documents into structured, AI-ready datasets at machine scale. The Platform combines a set of proprietary algorithms with repeatable, controlled analysis of documents so customers can immediately classify their unstructured data and unlock the insights trapped inside millions of mission-critical documents.
RequirementONE is a pioneer in delivering advanced regulatory technology solutions that empower firms to achieve their compliance commitments through collaboration, automation and superior artificial intelligence.
We do away with point systems which only add unnecessary complexity and expense to your IT infrastructure. Instead, our customers orchestrate their compliance activities on one platform. This allows you to better organise, disseminate, design and monitor regulatory information and compliance procedures.
Our unique AI engines help you update your processes automatically and in real-time, based on changes to regulatory compliance initiatives around the world.
RequirementONE integrates seamlessly into your existing technology infrastructure, meaning your IT department will love us too!
All of this ensures you're not only compliant where you need to be, but you're deploying your human capital more efficiently, reducing fines and penalties, reducing costs and most importantly, maintaining your reputation with your customers.
Smartlogic's Semaphore is an enterprise grade semantic platform that allows organizations to realize the business value of their information.
Global organizations in the energy, healthcare, life sciences, financial services, government & intelligence, media and publishing and high tech manufacturing industries use Semaphore every day to enrich enterprise information with context and meaning. Semaphore extracts critical facts, entities and relationships to power case management, workflows and advanced analytics. It harmonizes different data types from disparate sources to create logical data warehouses with a true semantic layer.
TickSmith helps financial institutions meet a wide range of compliance regulations by providing a comprehensive Big Data Lake platform, TickVault. It is ideal for processing and analyzing large magnitudes of sensitive data required for compliance regulations (such as MiFID II, FRTB, etc.) TickVault can produce timestamps validations, aggregate corporate bonds, and consolidate tick history in a single repository so the data is easily made available via APIs.
TickVault integrates with customers' infrastructures to make shared data the center of their architecture. It can be deployed in a client's data center on their existing Hadoop cluster in house or on the Cloud. The TickVault platform already provides solutions to many financial institutions including National Bank of Canada, Nasdaq CX, and CME Group.
Since 2001 and with a growing client base of 85+ diverse and international clients, Volante has been focused on addressing the challenges of financial message integration and payments within financial services organisations.
Within the Securities / Capital Markets sector, Volante enables organisations to navigate in an extremely agile manner, the diverse, complex and constantly growing range of message formats, standards and protocol challenges encountered throughout the lifecycle of any financial transaction. The growing complexity and diversity in regulations has meant an increase in challenges around sourcing, formatting and reporting to demonstrate compliance in a flexible and cost effective manner. Volante's focus on financial message and data integration along with validation, enrichment and processing means that it is well placed to help financial institutions in this increasingly complex task of regulatory reporting.
Included with Volante products is a growing and maintained library of hundreds of out-of-the-box international and domestic standards plugins, transformations and processor modules – all ready for fast and flexible financial data related implementations.


The FDA recently issued a final guidance to assist the pharmaceutical industry in developing opioid drug products with potentially abuse-deterrent properties.
Prescription opioid products are an important component of modern pain management. However, abuse and misuse of these products have created a serious and growing public health problem. To combat opioid misuse and abuse, the FDA is encouraging manufacturers to develop abuse-deterrent drugs that work correctly when taken as prescribed, but, for example, may be formulated in such a way that deters misuse and abuse, including making it difficult to snort or inject the drug for a more intense high. While drugs with abuse-deterrent properties are not "abuse-proof," the FDA sees this guidance as an important step toward balancing appropriate access to opioids for patients with pain with the importance of reducing opioid misuse and abuse.
The document "Guidance for Industry: Abuse-Deterrent Opioids – Evaluation and Labeling" explains the FDA's current thinking about the studies that should be conducted to demonstrate that a given formulation has abuse-deterrent properties. It also makes recommendations about how those studies should be performed and evaluated, and discusses what labeling claims may be approved based on the results of those studies.
Because opioid products are often manipulated for purposes of abuse by different routes of administration or to defeat extended-release (ER) properties, most abuse-deterrent technologies developed to date are intended to make manipulation more difficult or to make abuse of the manipulated product less attractive or less rewarding. It should be noted that these technologies have not yet proven successful at deterring the most common form of abuse—swallowing a number of intact capsules or tablets to achieve a feeling of euphoria.
Physical/chemical barriers – Physical barriers can prevent chewing, crushing, cutting, grating, or grinding of the dosage form. Chemical barriers, such as gelling agents, can resist extraction of the opioid using common solvents like water, simulated biological media, alcohol, or other organic solvents. Physical and chemical barriers can limit drug release following mechanical manipulation, or change the physical form of a drug, rendering it less amenable to abuse.
Agonist/antagonist combinations – An opioid antagonist can be added to interfere with, reduce, or defeat the euphoria associated with abuse. The antagonist can be sequestered and released only upon manipulation of the product. For example, a drug product can be formulated such that the substance that acts as an antagonist is not clinically active when the product is swallowed, but becomes active if the product is crushed and injected or snorted.
Aversion – Substances can be added to the product to produce an unpleasant effect if the dosage form is manipulated or is used at a higher dosage than directed. For example, the formulation can include a substance irritating to the nasal mucosa if ground and snorted.
Delivery System (including use of depot injectable formulations and implants) – Certain drug release designs or the method of drug delivery can offer resistance to abuse. For example, sustained-release depot injectable formulation or a subcutaneous implant may be difficult to manipulate.
New molecular entities and prodrugs– The properties of a new molecular entity (NME) or prodrug could include the need for enzymatic activation, different receptor binding profiles, slower penetration into the central nervous system, or other novel effects. Prodrugs with abuse-deterrent properties could provide a chemical barrier to the in vitro conversion to the parent opioid, which may deter the abuse of the parent opioid. New molecular entities and prodrugs are subject to evaluation of abuse potential for purposes of the Controlled Substances Act (CSA).
Combination – Two or more of the above methods could be combined to deter abuse.
Novel approaches – This category encompasses novel approaches or technologies that are not captured in the previous categories.
The science of abuse-deterrent technology is still relatively new and evolving. The final guidance is intended to assist drug makers who wish to develop opioid drug products with potentially abuse-deterrent properties. The FDA is working with many drug makers to support advancements in this area and help drug makers navigate the regulatory path to market as quickly as possible. In working with industry, the FDA will take a flexible, adaptive approach to the evaluation and labeling of potentially abuse-deterrent products.
The FDA believes it is critical to address the problem of opioid abuse while seeking to ensure that patients in pain have appropriate access to opioid products. Moreover, it is important that opioids without abuse-deterrent properties remain available for use in some clinical settings. For example, patients in hospice care and with difficulty swallowing may need access to opioid products that are in solution or that can be crushed.
While this final guidance does not address generic opioid products, the agency understands the importance of available generic options to ensure appropriate access to effective opioid drugs for patients who need them. The FDA is committed to supporting the development and use of generic drugs that have abuse-deterrent properties and is working on draft guidance in this area.
To help support the safe use of all opioid products, the FDA is working in many other ways to help prescribers and patients make the best possible choices about how to use these powerful drugs. The agency's goal is to find the balance between appropriate access to opioids for patients with pain and the need to reduce opioid misuse and abuse.


Why Own The Identity and Access Management Self-Assessment?
All the tools you need to an in-depth Identity and Access Management Self-Assessment. Featuring 829 new and updated case-based criteria, organized into seven core areas of process design, this Self-Assessment will help you identify areas in which Identity and Access Management improvements can be made.
What Is In The Identity and Access Management Self-Assessment?
Recognize Criterion: For your Identity and Access Management project, identify and describe the business environment. is there more than one layer to the business environment?
Define Criterion: Does Identity and Access Management include applications and information with regulatory compliance significance (or other contractual conditions that must be formally complied with) in a new or unique manner for which no approved security requirements, templates or design models exist?
Measure Criterion: What potential environmental factors impact the Identity and Access Management effort?
Analyze Criterion: How do mission and objectives affect the Identity and Access Management processes of our organization?
Improve Criterion: At what point will vulnerability assessments be performed once Identity and Access Management is put into production (e.g., ongoing Risk Management after implementation)?
Control Criterion: What are your results for key measures or indicators of the accomplishment of your Identity and Access Management strategy and action plans, including building and strengthening core competencies?
Sustain Criterion: Why is Identity and Access Management a Strategic Initiative?
Excluding hired consultants and advisors from top management consulting firms, internal Identity and Access Management Self-Assessment work is typically undertaken by senior level positions with titles such as Enterprise Architect, Business Process Architects, Business Process Re-engineering Specialists and Business Architects.
For a fraction of this the Self-Assessment will make you a Identity and Access Management authority.
Get The Identity and Access Management Self Assessment That Will Make You A Identity and Access Management Expert Now.


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On March 3rd the Open Archives Initiative held a roll out meeting of the first alpha release of the ORE specification (http://www.openarchives.org/ore/) . According to Herbert Van de Sompel a beta release is planned for late March / early April and a 1.0 release targeted for September. The presentations focused on the aggregation concepts behind ORE and described an ATOM based implementation. ORE is the second project from the OAI but unlike its sibling PMH it is not exclusively a repository technology. ORE provides machine readable manifests for related Web resources in any context. For instance, DOI landing pages (aka splash page) are human readable resources containing links to any number of resources related to the work identified by the DOI. An ORE instance for the DOI (called a Rem or resource map) would describe the same set of resources in a machine friendly format. A standardized form of redirection understood by the DOI proxy would yield the Rem instead of normal page e.g.
which could be useful for crawlers.
A second roll out meeting is planned during the Sparc-08 workshops in early April.


text:
'use strict';

describe('Controller: InstSettingsCtrl', function () {

  // load the controller's module
  beforeEach(module('artgalleryApp'));

  var InstSettingsCtrl,
    scope;

  // Initialize the controller and a mock scope
  beforeEach(inject(function ($controller, $rootScope) {
    scope = $rootScope.$new();
    InstSettingsCtrl = $controller('InstSettingsCtrl', {
      $scope: scope
    });
  }));

  it('should attach a list of awesomeThings to the scope', function () {
    expect(scope.awesomeThings.length).toBe(3);
  });
});

redpajama_set_name: RedPajamaGithub


text:
Q: How can I stop from Magento from returning all products with non-sense search queries? Currently, on my Magento store, a user can search anything in the main search bar and it will return every product in the database. So if I sell nail polish, and the user types in "tom cruise" the user will get a list of every single product. I want to fix this so that if a user types in something that there isn't a match for the user get no results.
I'm running Magento 1.4.2.
Thanks for looking!

A: Go to the admin menu System > Index Management and rebuild all the indexes. Then do the same for System > Cache Management. Does the problem still exist?


If you were to close your eyes and feel the intimate, casual setting — while listening to the classic music around you — it could feel like you're in a salon in Paris.
Some would argue that opening their eyes to find themselves still at the Parrish Art Museum in Water Mill as no consolation prize, considering the multi-award winning, world-class artists who play the annual "Salon Series," opening Friday evening with the Dorian Quintet and a contrasting program of Baroque and contemporary composers.
Dorian's flutist Gretchen Pusch, oboist Gerard Reuter, clarinetist Benjamin Fingland, bassoonist Adrian Morejon and French horn player Karl Kramer-Johnson will present two works by Johann Sebastian Bach — Trio Sonata BWV 1039 and Concerto no. 2 after Vivaldi — and Elliott Carter's 1948 Woodwind Quintet, as well as works by contemporary composers Lalo Schifrin and Amanda Harberg.
The series continues on May 4 with pianist Drew Petersen — once a child prodigy who presented at Carnegie Hall's Weill Recital Hall at age 5 and, by age 10, played a solo recital at Steinway Hall in Manhattan for the company's 150th Anniversary — and May 11 with the return of pianist Inna Faliks, who first performed at the Salon Series in 2015, and plans to play works by contemporary composers Rodion Shchedrin and Jan Freidlin, as well as classic works by Beethoven, Bach, Mozart, Chopin, and Paganini.
The final performance on May 18 features the New Docta ensemble — mezzo-soprano Solange Merdinian, violinist Sami Merdinian and cellist Yves Dharamraj, who will be joined by guest pianist Philip Edward Fisher for a program exploring a range of classical and contemporary to folk and tango from Argentina, as well as vocal works by George Gershwin, Jerome Kern and Stephen Sondheim, among others.
All concerts begin at 6 p.m., and tickets are $25 or $10 for members. For more information, please call (631) 283-2118 or visit parrishart.org.
Expect to see rare performances by the likes of Sam Cooke, Barbra Streisand, Bobby Darin, Joan Baez, Billy Joel, Carly Simon, Bob Dylan, Phil Ochs, Sly & The Family Stone, The Temptations, Nina Simone, Jerry Garcia and more during the screening on Friday, April 27, at Bay Street Theater in Sag Harbor, followed by live music with Dante in the lobby lounge.
The screening will begin at 7 p.m. at Bay Street Theater, located at 1 Bay Street in Sag Harbor. Advance tickets are $15, or $20 at the door. For more information, please visit sagharbormusic.org.
This year would have marked Edward Albee's 90thbirthday, and LongHouse Reserve still plans to celebrate it.
On Saturday, the East Hampton organization will rename its amphitheater in memory of the playwright during its Rites of Spring season opening, from 2 to 5 p.m., at the reserve, located at 133 Hands Creek Road. Mercedes Ruehl and Harris Yulin will perform the dedication at 5:30 p.m., followed by a speech from Jane Alexander.
Throughout the day, visitors can watch a video of Albee reading with Elaine Stritch at LongHouse in 2001, the same year the reserve honored the playwright, who famously wrote "Who's Afraid of Virginia Woolf?" and died in 2016. He was a longtime friend of LongHouse founder Jack Lenor Larsen, dating back to the 1950s when they both came to live in Manhattan.
As a Montauk resident, Albee often visited Longhouse and served on the arts committee since its inception 27 years ago. He performed and read in the amphitheater many times, hosted galas and dialogues — including one with Robert Wilson — and even rang in his 80thbirthday there.
This weekend, the 16-acre reserve will be in full bloom with daffodils and a site-specific work by artist Orly Genger will be unveiled in the garden. An exhibition of figurative works by artist Judith Shea will be on view at the LongHouse Pavilion and, following the dedication, the reserve will launch the Edward Albee Memorial Fund for art purchases.
Admission is $15 and free for members. For more information, please call (631) 329-3568 or visit longhouse.org.


text:
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Associate Line Producer - PBS NewsHour
Full-time, Regular, Exempt
Reports to: Senior Coordinating Broadcast Producer
As our Associate Line Producer, you will be primarily responsible for helping to oversee the daily script for the PBS NewsHour. You'll write and edit copy and coordinate graphics elements for the show. Working with the Tape Producer, you'll ensure all video elements are ready for playback. You'll have the opportunity to produce stories for broadcast and digital and make editorial recommendations. Additionally, you will help manage the day to day operations of our News Assistant program.
You'll get to know your team and the wider organization, and how each group functions independently as well as part of the whole. You'll establish key relationships with your peers, while being exposed to executives through participation in editorial planning meetings.
WHAT SUCCESS LOOKS LIKE
You bring a vibrancy and terrific ideas to pitch meetings. Your ability to seamlessly jump from project to project will enable you to flourish. You've developed trust with executive leadership. You're known not only for your quality work product, but the positive impact you've had on the staff. And, you have grown your own skills and can point to evidence in your improved reporting.
WHAT YOU'LL BRING
Ability to write for television and a passion for video production.
Availability to work long hours on occasion, often with short notice.
Excellent understanding of news gathering standards.
Familiarity with nonlinear editing software is preferred.
Bachelor's degree, two plus years' experience in daily broadcast journalism, or equivalent combination of education and experience.
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With roots in public service journalism beginning in 1973, the PBS NewsHour today is on a mission to bring balanced, in-depth news coverage to all. Innovative and fast-paced, life at the NewsHour is focused on collaboration, trust, and above all, enterprising important, considered news. NewsHour is unique in that the team is small and tight-knit, and must accomplish what no other daily news organization does: be the gold-standard of reporting for a nightly, hour-long broadcast, and to crucial digital platforms.
You'll enjoy working at the NewsHour if you enjoy contributing to meaningful reporting, working on small teams in which your ideas are not just valued but vital, and pushing yourself to grow your skills every day.
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Based on popular usage, it is 2.824 times more common for Camile to be a girl's name.
I am not aware of any deceased famous people named Camile.
Get the meaning of the name Camile.
When naming your baby Camile, it's important to consider the gender of the name itself. When people look at the name Camile, they might ask the question, "is Camile a man or a woman?", or "what is the gender of the name Camile?" Some names are more gender neutral than others, and some names are more strongly associated with either males or females. Some spelling variations of the name Camile might be more popular than others. The Baby Name Guesser can answer all these questions about the name Camile. To find out more about Camile, Baby Name Guesser uses up-to-date data from across the Internet on how the name Camile is actually used.


text:
Q: Loop to return number from string given conditions R I have a question. I have a column indicating the district as a string "district1", for example. However, now I would like to add another column with just number of the district. I am using if else statements but this is exhausting.
Below I give just a example of the more than 30 districts I have:
### generate dataframe
 d <- data.frame(variable=c("district1", "district1", "district1", "district1", "district2", "district2", "district3"))

 d$id1 = ifelse(d$variable=="district1", 1,
                        ifelse(d$variable=="district2", 2,
                               ifelse(d$variable=="district3", 3, NA)))

Thus I was wondering if it was possible to do it with a loop. However the looping structure is not well done:
#  for (i in 1:30){
#    d$id1 = ifelse(d$variable=="districti", i, NA)
# }

Could someone help me to do in a more elegant way? This would be great
Best

A: maybe you are looking for a solution like this:
library(tydiverse)
d %>%
  group_by(variable) %>%
  mutate(id = cur_group_id())

d %>%
  mutate(id = str_remove_all(variable, pattern = "[a-zA-Z]"))

   variable id
1 district1  1
2 district1  1
3 district1  1
4 district1  1
5 district2  2
6 district2  2
7 district3  3

A: You can try this approach
library(dplyr)
library(stringr)
d %>%
 mutate(num = str_extract(variable, "\\d+"))
#   variable num
# 1 district1   1
# 2 district1   1
# 3 district1   1
# 4 district1   1
# 5 district2   2
# 6 district2   2
# 7 district3   3

Use str_extract to extract the number; \\d+ matches digits at least one time


To help Team Aztecas raise lots of money for Harlem RBI, click the big orange DONATE button or go one step further and click the JOIN THE TEAM button.
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text:
Q: AngularJS directives can't check for null I am retrieving numbers (integer or float) from a MySQL database, and putting them in a form. I want a checkbox to be visible if the value is not null. However, ng-show and other directives don't seem able to check for null.
Ideally, I want:
<input type="checkbox" ng-hide = "{{x.thenumber === null}}" />

This does not hide any fields, even though some returned values are null.
x.thenumber == 0 matches nulls, but it also matches values of zero, which I don't want.
I have:

*

*tried different operators (!=, ==, ===).

*tried matching empty string, undefined, NaN

*confirmed in phpMyAdmin that these values are null

*confirmed in the generated HTML that there is nothing where the null value goes (like a space)

*tried different directives (ng-show if not null vs ng-hide if null)

*considered using JavaScript like typeof(), but it doesn't seem like you can do that in an AngularJS expression

Is there a secret to this? It seems like it should be possible, without having to build a custom filter or control.

A: Your issue is that you're trying to use the interpolation syntax in your ng-hide.  If you change it to ng-hide="x.thenumber === null" it should work.


Ambitious and personable Executive Assistant with 10 years of experience as the right-hand-woman to CEOs and CFOs. Extensive experience acting as a gatekeeper, both professionally and personally, ensuring busy executives stay on track with their short-term and long-term objectives. Proactive and a go-getter by nature, excels at anticipating needs and handling issues before they escalate to critical. As a natural leader, is comfortable saying 'no' and handling tough conversations when it's in the best interest of the executive. Edgewater Inc. – Aug '17 'Employee of the Month'.


text:
Senior King buys The Agency
By Marketing Week	 26 Jun 2003 12:00 am
Senior King has bought Isle of Man shop The Agency. The acquisition gives Senior King a presence in the North-west and an opportunity to develop business from the Isle of Man's financial services sector.
Marketing director quits at struggling MG Rover
Marketing Week
MG Rover global sales and marketing director John Sanders has resigned from the struggling car manufacturer to set up his own consultancy. John Edwards, the deputy chairman of the board of Phoenix Venture Holdings – the consortium which bought MG Rover from BMW in May 2000 for £10, will assume the additional responsibility of global […]
The Competition Commission
The Competition Commission has indicated that the Tesco, Sainsbury's and Asda bids for Safeway could be blocked or the bidders forced to divest stores. The commission has said Morrison's bid could be good for competition as it would maintain four national supermarket chains.
Print and viral campaign for Remington Bikini Trim and Shape
Grey Worldwide has created a print and viral campaign for the new Remington Bikini Trim and Shape. The campaign breaks across women's consumer titles on July 1.


text:
from datetime import datetime
from decimal import Decimal
from unittest.case import TestCase
from uuid import uuid4

from eventsourcing.application import AggregateNotFound, Repository
from eventsourcing.domain import TZINFO, Aggregate, Snapshot
from eventsourcing.persistence import (
    DatetimeAsISO,
    DecimalAsStr,
    EventStore,
    JSONTranscoder,
    Mapper,
    UUIDAsHex,
)
from eventsourcing.sqlite import SQLiteAggregateRecorder, SQLiteDatastore
from eventsourcing.tests.test_aggregate import BankAccount
from eventsourcing.tests.test_application_with_popo import EmailAddressAsStr
from eventsourcing.utils import get_topic

class TestRepository(TestCase):
    def test_with_snapshot_store(self) -> None:
        transcoder = JSONTranscoder()
        transcoder.register(UUIDAsHex())
        transcoder.register(DecimalAsStr())
        transcoder.register(DatetimeAsISO())
        transcoder.register(EmailAddressAsStr())

        event_recorder = SQLiteAggregateRecorder(SQLiteDatastore(":memory:"))
        event_recorder.create_table()
        event_store: EventStore[Aggregate.Event] = EventStore(
            mapper=Mapper(transcoder=transcoder),
            recorder=event_recorder,
        )
        snapshot_recorder = SQLiteAggregateRecorder(SQLiteDatastore(":memory:"))
        snapshot_recorder.create_table()
        snapshot_store: EventStore[Snapshot] = EventStore(
            mapper=Mapper(transcoder=transcoder),
            recorder=snapshot_recorder,
        )
        repository: Repository = Repository(event_store, snapshot_store)

        # Check key error.
        with self.assertRaises(AggregateNotFound):
            repository.get(uuid4())

        # Open an account.
        account = BankAccount.open(
            full_name="Alice",
            email_address="alice@example.com",
        )

        # Credit the account.
        account.append_transaction(Decimal("10.00"))
        account.append_transaction(Decimal("25.00"))
        account.append_transaction(Decimal("30.00"))

        # Collect pending events.
        pending = account.collect_events()

        # Store pending events.
        event_store.put(pending)

        copy = repository.get(account.id)
        assert isinstance(copy, BankAccount)
        # Check copy has correct attribute values.
        assert copy.id == account.id
        assert copy.balance == Decimal("65.00")

        snapshot = Snapshot(
            originator_id=account.id,
            originator_version=account.version,
            timestamp=datetime.now(tz=TZINFO),
            topic=get_topic(type(account)),
            state=account.__dict__,
        )
        snapshot_store.put([snapshot])

        copy2 = repository.get(account.id)
        assert isinstance(copy2, BankAccount)

        # Check copy has correct attribute values.
        assert copy2.id == account.id
        assert copy2.balance == Decimal("65.00")

        # Credit the account.
        account.append_transaction(Decimal("10.00"))
        event_store.put(account.collect_events())

        # Check copy has correct attribute values.
        copy3 = repository.get(account.id)
        assert isinstance(copy3, BankAccount)

        assert copy3.id == account.id
        assert copy3.balance == Decimal("75.00")

        # Check can get old version of account.
        copy4 = repository.get(account.id, version=copy.version)
        assert isinstance(copy4, BankAccount)
        assert copy4.balance == Decimal("65.00")

        copy5 = repository.get(account.id, version=1)
        assert isinstance(copy5, BankAccount)
        assert copy5.balance == Decimal("0.00")

        copy6 = repository.get(account.id, version=2)
        assert isinstance(copy6, BankAccount)
        assert copy6.balance == Decimal("10.00")

        copy7 = repository.get(account.id, version=3)
        assert isinstance(copy7, BankAccount)
        assert copy7.balance == Decimal("35.00"), copy7.balance

        copy8 = repository.get(account.id, version=4)
        assert isinstance(copy8, BankAccount)
        assert copy8.balance == Decimal("65.00"), copy8.balance

        # # Check the __getitem__ method is working
        # copy9 = repository[account.uuid]
        # self.assertEqual(copy9.balance, Decimal("75.00"))
        #
        # copy10 = repository[account.uuid, 3]
        # # assert isinstance(copy7, BankAccount)
        #
        # self.assertEqual(copy10.balance, Decimal("35.00"))

    def test_without_snapshot_store(self) -> None:
        transcoder = JSONTranscoder()
        transcoder.register(UUIDAsHex())
        transcoder.register(DecimalAsStr())
        transcoder.register(DatetimeAsISO())
        transcoder.register(EmailAddressAsStr())

        event_recorder = SQLiteAggregateRecorder(SQLiteDatastore(":memory:"))
        event_recorder.create_table()
        event_store: EventStore[Aggregate.Event] = EventStore(
            mapper=Mapper(transcoder=transcoder),
            recorder=event_recorder,
        )
        repository: Repository = Repository(event_store)

        # Check key error.
        with self.assertRaises(AggregateNotFound):
            repository.get(uuid4())

        # Open an account.
        account = BankAccount.open(
            full_name="Alice",
            email_address="alice@example.com",
        )

        # Credit the account.
        account.append_transaction(Decimal("10.00"))
        account.append_transaction(Decimal("25.00"))
        account.append_transaction(Decimal("30.00"))

        # Collect pending events.
        pending = account.collect_events()

        # Store pending events.
        event_store.put(pending)

        copy = repository.get(account.id)
        assert isinstance(copy, BankAccount)
        # Check copy has correct attribute values.
        assert copy.id == account.id
        assert copy.balance == Decimal("65.00")

        # Credit the account.
        account.append_transaction(Decimal("10.00"))
        event_store.put(account.collect_events())

        # Check copy has correct attribute values.
        copy2 = repository.get(account.id)
        assert isinstance(copy2, BankAccount)

        assert copy2.id == account.id
        assert copy2.balance == Decimal("75.00")

        # Check can get old version of account.
        copy3 = repository.get(account.id, version=copy.version)
        assert isinstance(copy3, BankAccount)
        assert copy3.balance == Decimal("65.00")

        copy4 = repository.get(account.id, version=1)
        assert isinstance(copy4, BankAccount)
        assert copy4.balance == Decimal("0.00")

        copy5 = repository.get(account.id, version=2)
        assert isinstance(copy5, BankAccount)
        assert copy5.balance == Decimal("10.00")

        copy6 = repository.get(account.id, version=3)
        assert isinstance(copy6, BankAccount)
        assert copy6.balance == Decimal("35.00"), copy6.balance

        copy7 = repository.get(account.id, version=4)
        assert isinstance(copy7, BankAccount)
        assert copy7.balance == Decimal("65.00"), copy7.balance


text:
Equality before Law
Dalit
Adivasi
Differently Abled
Terrorism and Counter-terrorism
Right to Education
Agrarian Rights
Right to Health and Environment
Right to Housing
Rights of Working People
Custodial Abuse
Prison Condition
International Justice
Legal Intervention
Peace Initiative
Police Reforms
Courts / Judicial Reforms
Corrections / System
Institutional Reform
Electoral Reforms
Legislative Reforms
HRDs Under Attack
defend your rights
Citizens for Justice and Peace
EXCLUSIVE: How Pune Police violated the Law on Seizure and Raid PART-2: Analysis of procedural lapses during nationwide raids on activists on August 28, 2018
29, Aug 2018 | Teesta Setalvad
In law, the Search warrant, and raid, is an extreme step warranted only and if only when non-cooperation is seen or observed and the correct and proper course of action would have been for the agencies to search. To search and raid a premise is to humiliate and ostracise the victim and that is what the police are doing.
During financial crimes, except under the present regime, when raids against political opponents have made the headlines, there has been traditionally a secrecy and confidentiality maintained during income tax raids. However as we experienced in 2015 when the CBI was let loose on us, selective assigning of criminality is the way of this regime.
Search and Seizures under the Law:
In two crucial judgements, Queen v. Syed Hossain Ali Chowdhury 8 WR 74 and Prankhang v Emperor (13 Cr LJ 764) Judges have held inter alia that the intention of the legislature is not to make harassing domiciliary visits to inquire minutely into the private concerns of individuals on the bare chance that something might therein be found tending to the conviction of any accused parties. Then again, in AIR 1968 SC 59, Comm of Commeriial Taxes v Ramkishan Srikishan Jhaveri, a decision of the Supreme Court where the inf infirmities in the search warrant have been taken seriously.
Join CJP
इंसाफ़ सब के लिए
CJP से जुड़िये
डोनेट कीजिये
Criminal Procedure Code:
Summons to produce document or other thing.
(1) Whenever any Court or any officer in charge of a police station considers that the production of any document or other thing is necessary or desirable for the purposes of any investigation, inquiry, trial or other proceeding under this Code by or before such Court or officer, such Court may issue a summons, or such officer a written order, to the person in whose possession or power such document or thing is believed to be, requiring him to attend and produce it, or to produce it, at the time and place stated in the summons or order.
(2) Any person required under this section merely to produce a document or other thing shall be deemed to have complied with the requisition if he causes such document or thing to be produced instead of attending personally to produce the same.
(3) Nothing in this section shall be deemed-
(a) to affect sections 123 and 124 of the Indian Evidence Act, 1872 (1 of 1872 ), or the Bankers' Books Evidence Act, 1891 (13 of 1891 ) or
(b) to apply to a letter, postcard, telegram or other document or any parcel or thing in the custody of the postal or telegraph authority.
When search warrant may be issued.
(1) (a) where any court has reason to believe that a person to whom a summons or order under section 91 or a requisition under sub-section (1) of section 92 has been, or might be, addressed, will not or would not produce the document or thing as required by such summons or requisition, or
(b) where such document or thing is not known to the Court to be in the possession of any person, or
(c) where the court considers that the purposes of any inquiry, trial or other proceeding under this Code will be served by a general search or inspection,
it may issue a search-warrant; and the person to whom such warrant is directed, may search or inspect in accordance therewith and the provisions hereinafter contained.
(2) The court may, if it thinks fit, specify in the warrant the particular place or part thereof to which only the search or inspection shall extend; and the person charged with the execution of such warrant shall then search or inspect only the place or part so specified.
(3) Nothing contained in this section shall authorize any Magistrate other than a District Magistrate or Chief Judicial Magistrate to grant a warrant to search for a document, parcel or other thing in the custody of the postal or telegraph authority.
That, under Section 93 of the CRPC, a Search Warrant is is primarily meant to succeed a S91 process which is or is likely to be unheeded. This was not the case in this case. The Applicants were never asked to produce anything so what was the need of the Search?
Secondly, the pertinent nexus between what is sought, the search and the criminal proceeding that is mandated by S.93 needs to be noted by the Ld Court….
PART-1: Did the Pune Police violate Settled Law on Arrests, Seizure and Raid?
State Crushing Dissent Again!
Raiding the Resilient
Act Now to help CJP sustain initiatives like Citizens Tribunals, Public Hearings within Communities, Campaigns and Memoranda to Statutory Commissions. With your support we will continue to Petition Courts and Non-Judicial Authorities to protect some of India's most vulnerable people. Join us.
#police-raid #police-reform #urban-naxal
cjp in action
Help CJP protect the citizenship of Indians in Assam Assam NRC
असम के डिटेंशन कैंप में क़ैद 70 वर्ष की महिला शायद रिहाई तक जीवित न रह सके CJP के प्रतिनिधिमंडल ने महिला के पुत्र से मुलाकात की, जो अपनी बीमार माँ की रिहाई के लिए जद्दोजहद कर रहा है
सिटिज़न्स फॉर असम : उम्मीद और इंसाफ़ की तलाश में CJP, वरिष्ठ अधिवक्ताओं और पत्रकारों के प्रतिनिधिमंडल के साथ असम के दौरे पर
For over 15 years, CJP has stood for the defence of rights and dignity of the voiceless and most marginalized sections of Indian society. Bringing alive the values of individual and collective freedoms and dignities enshrined in the Indian Constitution and its Preamble, CJP has stood for equality, dignity and non-discrimination of all Indians. We have intervened in the courts to ensure accountability of persons in power and in high office. Justice, we believe, is a prerequisite for lasting peace and social harmony ...read more
Report a Hate Crime
Op-eds in Other Media
Ask Teesta
Sabrang
Communalism Combat
Telangana Forest Act (TFA) 2019: Unfettered powers to forest officials?
A mountain that will not bow down to Corporate Loot
12 villages commemorate Shahadat of Sokalo's son in Sonbhadra, UP
क्या असम में नागरिकता निर्धारित करने वाली प्रक्रिया गरीब और पिछड़ों के खिलाफ पक्षपातपूर्ण है?
A quest for Dignity and Justice
2019 Citizens for Justice and Peace
Brecht's words misinterpreted to cast Cloak of Criminality over arrested Activists
The Good Person of Szechuan is a play by famous playwright Bertolt
ट्रेड यूनियनिस्ट से 'अर्बन नक्सल' तक सुधा भारद्वाज की यात्रा
1961 में जन्मीं सुधा भारद्वाज 25 वर्षों से भी अधिक छत्तीसगढ़ के मजदूर
eyes on rights


text:
Q: (Environment) variable for current user's Jenkins API key? Is there a simple way of accessing the Jenkins API key (as described by Authenticating scripted clients) of the user that invoked the script? I'm looking to pass it into the build script so that it can perform some maintenance operations back on Jenkins.

A: Since I never found one, I can say that it's safe to say that (as of May '12, at least) there isn't one.


A decade ago the author's son first took a dislike to milk, and then to virtually every other substance she attempted to feed him. Her book was written to reassure other parents that there are lots of people out there in the same boat, and to suggest practical methods of dealing with the problem.
This is one of a valuable series of books from Jessica Kingsley Publishers on Autism and Asperger's Syndrome. This particular volume, although dealing with some of the horrendous eating problems of children with autistic spectrum disorders, would make enlightening reading for the parents of any 'fussy' eater.
The book is based on Brenda's own experience with her 11 year old Asperger's son, but also describes tips and strategies to persuade children to eat, culled from wide ranging surveys of autistic families. Other sections include interviews with autistic children about their food fads, suggestions for dealing with social situations and valuable advice from respected health care professionals working in the field, including the head teacher of a special school.


text:
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Self-Driving Trucks: Can They Become Reality?
Sharan Grewal2022-02-10T15:24:47-08:00February 19, 2019|
Those who are not particularly familiar with the field of self-driving transportation may think that the notion of a self-driving truck died out after Uber recently announced the discontinuation of its self-driving truck program. However, Uber was only one of several companies trying to put together this revolutionary technology, and while there is still plenty of work to be done, there's a chance of us seeing automated truck fleets in our lifetime. Here's some more info on the current state of the technology and some of the remaining roadblocks.
The Automation Question
One issue that we should discuss outright when it comes to automation is the fear that human truck drivers are going to be an endangered species with the advent of self-driving vehicles. Studies show that this is not likely to be the case. The results that the American Center for Mobility (ACM) commissioned from Michigan State University and Texas A&M's Transportation Institute showed that the purpose of self-driving trucks is going to be more about supporting existing drivers than replacing them. This makes a lot of sense when you consider the current trucker shortage. Self-driving trucks, when they are ready to hit the road, will need to fill that deficit before any concern comes up about taking up other jobs.
As for the current state of the technology, while many industry veterans may be skeptical of how well a truck can drive itself, things are well on their way. In a profile of the industry by MIT Technology Review, Greg Murphy, a professional truck driver with 40 years of experience, said that these trucks drove better than he could on occasion. While Uber's halt on pursuing the technology (largely due to legal reasons) takes one player out of the equation, several other companies, like Tesla, Volvo, Peterbilt, and Daimler are all trying to pick up the slack. With this said, even the most optimistic projections don't see self-driving trucks really taking hold for at least another 5-10 years.
Part of this is integrating self-driving trucks into a road ecosystem full of human drivers, but another major roadblock is existing legal concerns. As of right now, there is no obvious current legal path for suing a self-driving truck who hits and kills those outside of the truck. In a traditional situation, the plaintiff could sue the truck driver and the company that hired them, but with no truck driver, this suddenly becomes a lot more difficult. In addition, there are no laws on the books that allow manufacturers to be held responsible for failures in self-driving technology. It may very well be lawmakers who make the final call on when we get to see self-driving trucks.
While technology marches on, it still may be some time before you see a self-driving truck fully integrated into your supply chain. However, there are many tools right now that are available to help you improve your efficiency at the shipping level as well as on the road. This is where #HwyHaul comes in, a technology platform designed to change the field of logistics, from the largest shipping companies to smaller operations. Our goal is Connecting Enterprises to Truckers – Seamlessly! If you're interested in learning more about HwyHaul, contact us
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