A lot of networks air tv shows out of written order and when the producer makes the DVD release they are put in order as originaly intended, is it possible to access the DVD order through the api and add that as a config or command line switch?
This is functionality that I require as well so I have completed the coding and it appears to be working well. I am yet to write up a formal test case for it, but that is on my list for this weekend.
Would you like this code pushed back into the repo, and if so, how would you like me to do it? do you have any preferred naming conventions for branches or anything else I should know about?


We are currently looking to appoint a Co-opted governor. Please do contact the school office, if you would like to join our governing body.
We currently have two Foundation governors. In July, we will be welcoming the new rector to All Saints Church and inviting him to become our third Foundation Governor.


text:
package org.apache.wicket.markup.html.form;

import java.util.Arrays;

import org.apache.wicket.Component;
import org.apache.wicket.markup.head.IHeaderResponse;
import org.apache.wicket.markup.head.JavaScriptHeaderItem;
import org.apache.wicket.request.resource.JavaScriptResourceReference;
import org.apache.wicket.request.resource.ResourceReference;

/**
 * A Javascript-based "Select All" checkbox component that works with a loose collection of
 * {@link CheckBox} components. By default, clicking on any of the controlled checkboxes
 * automatically updates the state of the "select all" checkbox. Override
 * {@link AbstractCheckSelector#wantAutomaticUpdate()} to change this.
 *
 * @author Carl-Eric Menzel <cmenzel@wicketbuch.de>
 */
public class CheckBoxSelector extends AbstractCheckSelector
{
	private static final long serialVersionUID = 1L;

	private final static ResourceReference JS = new JavaScriptResourceReference(
		CheckBoxSelector.class, "CheckBoxSelector.js");

	/**
	 * Javascript array literal containing the markup IDs of the checkboxes we want to
	 * check/uncheck. Example: "['foo', 'bar', 'baz']". Generated by
	 * JavascriptUtils.buildMarkupIdJSArrayLiteral().
	 */
	private final String checkBoxIdArrayLiteral;

	/**
	 * @param id
	 *            The component ID
	 * @param boxes
	 *            The CheckBoxes this selector will control.
	 */
	public CheckBoxSelector(String id, CheckBox... boxes)
	{
		super(id);
		setOutputMarkupId(true);
		checkBoxIdArrayLiteral = buildMarkupIdJSArrayLiteral(Arrays.asList(boxes));
	}

	@Override
	protected CharSequence getFindCheckboxesFunction()
	{
		return "Wicket.CheckboxSelector.Checkboxes.findCheckboxesFunction(" +
			checkBoxIdArrayLiteral + ")";
	}

	@Override
	public void renderHead(IHeaderResponse response)
	{
		super.renderHead(response);
		response.render(JavaScriptHeaderItem.forReference(JS));
	}

	/**
	 * Builds a JavaScript array literal containing the markup IDs of the given components. Example:
	 * "['foo', 'bar', 'baz']".
	 *
	 * @param components
	 *            The components whose IDs we need
	 * @return a properly formatted JS array literal
	 */
	private String buildMarkupIdJSArrayLiteral(final Iterable<? extends Component> components)
	{
		StringBuilder buf = new StringBuilder();
		buf.append("[");
		if (components.iterator().hasNext())
		{
			for (Component component : components)
			{
				component.setOutputMarkupId(true);
				buf.append("'").append(component.getMarkupId()).append("', ");
			}
			buf.delete(buf.length() - 2, buf.length());
		}
		buf.append("]");
		return buf.toString();
	}

}

redpajama_set_name: RedPajamaGithub


This will enable global service launch for Global Xpress (GX) more rapidly than if a replacement satellite were only commissioned following a launch failure.
Where customer commitments and demand for GX requires a global network to be in place, the fourth satellite will therefore insure the global network delivery date and this measure of redundancy is expected to encourage further commitments to the network.
Secondly, in the event the satellite is not required as a launch spare, Inmarsat is developing an incremental business case to support the launch of the fourth satellite to increase capacity and strategically enhance network coverage.
"Our confidence in the Global Xpress programme and our target market opportunities continue to grow," said Rupert Pearce, Inmarsat's Chief Executive.
"We have signed multiple pre-sale agreements and received significant expressions of interest, some of which are tied to the completion of global coverage with three satellites.
"This has encouraged us to not only move to a strategy to physically insure our global service date with a fourth satellite, but also to consider incremental opportunities that have emerged and which could drive enhanced returns via the launch of a fourth satellite.
"Our announcement reflects the fact that we are already close to incremental opportunities that could justify a fourth satellite, but our highest priority is our coming launch campaign and we will take time to develop these plans in the coming year.
In the event the fourth satellite is required as a spare, the impact on total capital expenditure over the period to 2016 will be broadly neutral as the insurance proceeds from any loss would be expected to cover the construction, launch and insurance costs for the fourth satellite.


SoBus is the only booking site dedicated to buses. Compare Antibes Lyon bus ticket prices among the best bus companies: National-Express, Ouibus, Flixbus, Eurolines... Unlike a simple bus comparator, you can book your Antibes Lyon bus ticket directly on our website starting at 14,99€.
Which companies are the cheapest from Antibes to Lyon ?
With SoBus compare Antibes Lyon to travel cheaper. To enjoy the cheapest price we advise you to buy your tickets as soon as possible.
To go from Antibes to Lyon, the bus is the best choice if you want a cheap ticket, with an average price of €16,99. The coach journey on 302056 km you will be quiet during 7h05min, the ideal time for a good nap. Compared to the train, the bus is often longer but the free WiFi Internet connection will make your time much faster, especially with its unbeatable price! The carpool BlaBlaCar often has a price and comparable length to the bus. Again, WiFi and comfort of a modern coach will make you prefer the bus.
Only the coach company Ouibus proposes direct buses from Antibes to Lyon . However, Sobus can offer you other cheaper connections by combining trips.
All bus rides to Antibes.
Do you want to discover France and Europe from Antibes cheaply? From Antibes, the best alternative to travel is the bus. Here you can see our top 20 cheap destinations by bus departure from Antibes. Antibes ou Lyon think about comparing the prices before buying the tickets.
Pourquoi vouloir partir loin lorsque l'on peut visiter des régions pleines de richesses à moins de 3 heures from Antibes. Sobus vous permet de rejoindre pas moins de 2 villes à moins de 3h de Antibes. N'attendez plus,comparez, réservez et voyagez au meilleur prix !


If you've seen an infinity ring wholesale distributors' list, you might be wondering what the combination of materials jewelry makers are using to produce such fine jewelries. While standard wholesale rings are usually listed as simply silver, unique design is one that certain draws in attention.
An infinity ring is one that symbolizes a lifetime of love. The ring is shaped in the traditional infinity symbol and often has stones that adorn it. In some cases, a set of metals may be used to symbolize two loves coming together for an eternity.
Of course, there are more than just the silver infinity ring wholesale lines that can be found online. This combination of metals can be turned into sterling silver promise rings, engagement rings and even wedding bands. There is truly an infinite selection of options that are available. Since this metal does stand out, it will remain one of the best choices you will have of all the wholesale silver rings.
It is important to understand how to find the perfect silver jewelry supplier of wholesale sterling silver infinity rings. Surely, you won't want to pay full price for your silver infinity ring. What you are going to find is that there is a wide selection of pieces that can be found on the internet. Just look for qualified import dealers that deal with authentic silver infinity rings and trust that the piece will maintain its stunning beauty, while being strong and durable enough to last a lifetime. Thus, making it one of the most ideal rings you will have access to.
Sidney Imports has huge collection of 925 sterling silver infinity ring. View our latest designs for this fabulous silver accessory that adorns your hands. We have great selection that includes silver plain infinity knot, silver infinity heart ring and silver infinity stone ring.


Hindus today are spread over all continents in the world, and it would be wrong be clump them all together. However, many Hindus may recognize themselves in the gift suggestions given here.
Sari – also spelt Saree – in my view is the most sensual and feminine dress. An ideal gift for Valentine's Day – Sari has been a part of the South Asian culture for many centuries and is tied to Spiritual senses of people here.
In case your Valentine has never worn a Saree – it would be a bit tough to put it on and handle it. However, most Saris sold outside South Asia take this factor into account and include instructions on wearing it properly.
Designer Saris and specialty ones made in reputed towns like Banaras and Kanchipuram can cost a fortune. These are more than garments, think of them as works of art and you'll feel more comfortable paying for these gorgeous Saris.
With lots of Spiritual and Religious symbols and countless Gods and Goddesses – you'll never run out of gift ideas – if it's Religious Jewelry that you wish to gift your Hindu Valentine.
You can choose from Pendants, Bracelets, Rings, and more. If you know his favorite Religious symbol and God/Goddess good – otherwise find it out and gift him an appropriate piece of Jewelry.
Expensive or regular, the price does not matter. What matters is the emotion behind the gift. Please take a look at some of the options.
OM or AUM is the most sacred symbol in Hinduism. It is also regarded as mystical and sacred by other Indic religions like Buddhism, Jainism, and Sikhism.
It represents the unmanifest as well as the manifest aspects of God. It is believed to be the basic sound of the world and to contain all other sounds. It is a mantra or prayer in itself.
There are several meanings of Om and entire scriptures have been dedicated to this Holy sound and symbol.
Charm her with Jewelry featuring the Om symbol this Valentine's. There is a cool variety of Om Jewelry to choose from. This is one Valentine gift all Hindu women will remember for a lifetime.
Hinduism is a Polytheistic religion and according to some philosophies has a total of 330 million Gods and Goddesses. A few dozen of these are popular among the common folks who worship them.
It is a real cool idea to gift your Valentine a statue of her favorite God and/or Goddess on Valentine's Day. The thought might not be appreciated much by Hindus living in India – I think this idea makes more sense for Hindus living abroad.
Female goddesses that may be appropriate are Laksmi (shown), Durga, Saraswati and Kali.
Popular male gods are Krishna, Shiva and Ganesha.
There are numerous gods in Hinduism, but the two most popular are Krishna and Ganesha.
Ganesha (or Ganesh) is the son of Shiva: one of the three most important gods in the Hindu Pantheon.
Krishna is the avatar of Vishnu, another of the most important Hindu Gods.
Both have sweet stories and a characteristic look.
Krishna's story has many aspects. He was a cute but naughty child, a teenager in love, and eventually a counselor of war in the Mahabharata. His dark black or blue skin may be a reference to his non-Aryan background, or so scholars say.
The young Krishna, when he was a cowherd, had many admirers, but his one true love was Radha. This story is so popular in some part of India, that the pair is worshiped as one: Radha Krishna.
Son of Shiva and Parvati, two powerful Hindu deities, Ganesha is probably the most popular Hindu god. Whether it's because he's the result of a mistake by the father, or because of the elephant head or some other reason I don't know. Still, the basic nature of Ganesha is to protect the home, so that's probably one of the reasons.
The story of Ganesha is one of the divide between parent and child. The reason that Ganesha has an elephant's head is that Shiva, not knowing he had a son, cut his head off and a new one had to be found.
Religious Ganesh, a Hindu God with the head of an elephant, is known for his fondness for sweets and love for life. In many pictures and statues his favorite dish of Indian sweets is kept near him and is eyed covetously by the mouse, which is his vehicle.
An interesting interpretation of the symbolism associated with Ganesha states that the mouse is representative of our restless mind and Ganesha is its master.
Son of Shiva and Parvati, two powerful Hindu deities, Ganesh is the noble elephant God who is kind to all his worshippers and blesses them with peace and prosperity. Ganesha's popularity is very evident and he is seen in every Shiva shrine on the island of Bali, for instance. He is generally depicted with four arms and in various postures sitting, standing, reclining and dancing.
Makar Sankranti is an ancient Hindu festival which has been celebrated for thousands of years.
Makar Sankranti celebrates the the transition of the Sun from Dhanu rashi (Sagittarius) to Makara rashi (Capricorn).
It has been one of the one of many harvest days in India and is known by different names in different Indian languages and cultures.
Sankranti is a solar event, therefore the date of Makar Sankranti remains constant over a long term, 14 January. The traditional Indian Calendar is Lunar based and dates of all Hindu festivals, except Makar Sankranti, keep changing as per the Gregorian calendar.
Following are some of the variations in the names of Makar Sankranti in different parts of India, and countries outside India.
Makar Sankranti or Sankranti – Andhra Pradesh, Bihar, Goa, Sikkim, Jharkhand, Karnataka, Madhya Pradesh, Maharashtra, Manipur, Orissa, Uttar Pradesh, Uttarakhand, and West Bengal.
Uttarayan – Gujarat and Rajasthan.
Maghi – Haryana, Himachal Pradesh and Punjab.
Magh Bihu or Bhogali Bihu – Assam.
Maghe Sankranti or Maghe Sakrati – Other People.
Pi Ma Lao – Laos.
Kamadeva carries a Sugarcane Bow and Floral Arrow, and like his Roman counterpart Cupid – the arrows give birth to desire.
Kamadeva's two wives are Rati and Priti. Rati is the one who gets prominence. Kama's other companions are a cuckoo, a parrot, humming bees, the season of spring, and the gentle breeze. All of these are symbols of spring season, when his festival is celebrated as Holi, Holika or Vasanta.
Hindu Mythology is quite complicated so it's not clear whether he's the incarnation of Pradyumna, Krishna's son, or Brahma or Vishnu's son. From wherever he originated – Kamadeva has certainly spread desire, love, longing, and beautiful emotions in the whole world.
Since he is the one responsible for you and your Valentine falling in love – it makes good sense to gift your Valentine a Kamadeva gift this Valentine's Day.
Though Kamadeva is one of the minor deities in the Hindu pantheon, he is a part of a few ancient temples. His statues are not sold for home worship.
Baba Ramdev is a well known personality in India and abroad. He is known for his efforts in popularizing yoga as it is enunciated in Patanjali's Yoga Sutras.
He has set up a world class Ayurvedic Hopsital in Haridwar and organizes Yoga camps all over the world. Over 100 million people watch his sermons and Yoga demonstrations through Television and Video.
Baba Ramdev has acquired a Scottish isle for about 2 million to set up a wellness retreat. The Little Cumbrae Island, off the fishing town of Largs in Scotland, will also serve as the guru's base overseas, where his teachings of yoga as a means to cleanse the body and mind are gaining popularity.
If your Valentine likes Yoga or wants to get started – it is an uber cool idea to gift him something related to Baba Ramdev. He would surely appreciate this Spiritual gift on Valentine's day.


text:
Lucy Sprague can refer to:

 Lucy J. Sprague, born Earle (1851–1903), American suffragist
 Lucy Sprague Mitchell (1878–1967), American educator

redpajama_set_name: RedPajamaWikipedia


text:
Q: How can I change which files Aurelia-App looks for? I've initialised aurelia with
<body aurelia-app>
   ...
</body>

The getting started guide (http://aurelia.io/get-started.html) says that this will, by default, try to load up app.js and app.html
How can I tell aurelia to load up main.js and main.html?
if I do <body aurelia-app="main"> only main.js is accessed and the view isn't shown.

A: When you supply a value for the aurelia-app attribute, Aurelia will load that module and call the configure method that is exported by this module. This is explained in the documentation.
Your configuration must tell Aurelia which module to load for the app root. Here is the example from the documentation:
import {LogManager} from 'aurelia-framework';
import {ConsoleAppender} from 'aurelia-logging-console';

LogManager.addAppender(new ConsoleAppender());
LogManager.setLevel(LogManager.logLevel.debug);

export function configure(aurelia) {
  aurelia.use
    .defaultBindingLanguage()
    .defaultResources()
    .history()
    .router()
    .eventAggregator()
    .plugin('./path/to/plugin');

  aurelia.start().then(a => a.setRoot('app', document.body));
}

What you're expecting to happen isn't the actual behavior. Setting the value of attribute points Aurelia to a configuration module that will point aurelia to the app root. In your case, you might want to do something like this:
index.html
...
<body aurelia-app="configuration">
...

src\configuration.js
export function configure(aurelia) {
  aurelia.use
    .standardConfiguration()
    .developmentLogging();

  aurelia.start().then(a => a.setRoot('main', document.body));
}

And then src\main.js and src\main.html will be loaded as you expect (well, actually it will be dist\main.js and dist\main.html, but the files you're editing are in the src directory).

redpajama_set_name: RedPajamaStackExchange


text:
USA: Rocco John Quartet "Embrace The Change" CD Release Party Fri, May 13th 7pm @ Caffe Vivaldi
Artist: ROCCO JOHN QUARTET
Title: EMBRACE THE CHANGE
Label: Unseen Rain UR-9947
www.unseenrainrecords.com
Artist Website:
www.roccojohnmusic.com
UPC Code: 7783583260725
Rocco describes each album track in the liner notes:
WINGS 7'21: A free bop piece to free up our thoughts.
CIRCUITS 8'08: However remote or even impossible it may seem, we are all connected.
ESCAPE 8'39:The traps are all set up,wherever we turn. We need to escape the traps and think independently and creatively.
DIALUP 8'00: This represents calling for assistance from the universe.
WHISPERS 4'32: While we all hear the loud voices telling us what to do and how to do it, we really need to quiet down and listen to the whispers of our inner self.
TANGO 9'52: The dance of life.
72's 10'56: Connection to the Endless.
WINGS (Epilogue) 7:51: The Joy of it all.
All music by: Rocco John Iacovone Recorded: March, 2015 and mixed at Urban Sound Studios, Riverdale, NJ by Todd Urban Mastered at Beanstudio, Wayne, NJ by Jim DeSalvo Cover painting by Denise Iacovone
Produced by Jack DeSalvo
"EMBRACE THE CHANGE is a thought, an idea, and a philosophy. It's a comment on our evolution as human beings. It seems the only con- stant we experience is change and we constantly need to learn how to deal with it. To do this, we have to dig deep. These were the thoughts behind the compositions as I wrote them, and as we went into the studio."Rocco John Iacovone's studies with the legendary Lee Konitz and Sam Rivers as well as studies in composition under the direct disciples of Nadia Boulanger gives him a wide swath of musicial in uences that color each track of EMBRACE THE CHANGE. His stellar quartet gets deep into the leader's music, designed to elicit unmitigated passion and creativity from Rich Rosenthal, François Grillot and Tom Cabrera.
NATIONAL PRESS CAMPAIGN: JIM EIGO, JAZZ PROMO SERVICES
272 State Route 94 South #1,
Warwick, NY 10990-3363
Ph: 845-986-1677 / Fax: 845-986-1699 Cell / text: 917-755-8960
Skype: jazzpromo jim@jazzpromoservices.com • www.jazzpromoservices.com
"Specializing in Media Campaigns for the music community, artists, labels, venues and events."
Posted by jazzworldquest at 6:30 PM
Labels: Concert, New CD 2016, USA
UK: Catch Gwilym in the UK before he heads off on a world tour
Catch Gwilym in the UK before he heads off on a world tour
Gwilym has just a few concerts this Spring ahead of the exciting tour planned with jazz legend guitarist Pat Metheny. All of the dates with Pat are now on Gwilym's website.
But before the world tour there are some very interesting projects that Gwilym will be performing IN THE NEXT COUPLE OF WEEKS
On Thursday this week Gwilym will appear with top violinist Thomas Gould both at Kings Place and with a new Baroque project.
On Saturday 23rd April he will be back at his old school Chetham's in Manchester with a fabulous concert with two big bands.
On Thursday 28th April Gwilym will be at the St. James's Theatre in Victoria with legendary singer Norma Winstone MBE as part of their Jazz Divas series. This is a lovely venue with a wonderful intimate feel.
Just before he heads off on tour with Pat Metheny he will play three nights at the Pizza Express on 2/3/4 May with guitarist Mike Walker, electric bass maestro Laurence Cottle, drummer James Maddren and the great vocalist Liane Carroll in different combinations over the three nights.
2nd May Launch of New Organ Project "The Bulbous Juggernaut" with Mike Walker, Laurence Cottle and James Maddren
3rd May with Liane Carroll, Laurence Cottle and James Maddren
4th May Jaco Pastorius Project with Laurence Cottle and James Maddren
"Outside of the piano, Jaco Pastorius is my favourite instrumentalist in the history of Jazz, but his legacy stretches far beyond the boundaries of any one genre. He revolutionised the role of the electric bass in a unique way, developing the instrument from its traditional role as 'goalkeeper' to one where he played melodies, chords, and any manner of special effects and sounds. We're playing tribute to Jaco, his legacy, and also his influence on the legendary band"
More information on Gwilym's website: gwilymsimcock.com
Norma Winstone
"One of the Glories of contemporary Jazz" – Jazz Journal
At St James's Theatre in Victoria on Thursday 28th April
Labels: Concert, UK
USA/MEXICO: Tarana @ Kennedy Center's Millennium Stage (May 1st, 6:00pm)
Tarana @ Kennedy Center's Millennium Stage (May 1st, 6:00pm)
Our performance at the Krannert Center for the Performing Arts last month kicked off our Spring on a positive note! We're excited to keep building momentum and are deeply honored to have been invited to perform at Kennedy Center's Millennium Stage this coming Sunday.
We have also been developing musical communities in Mexico since 2009, when we first performed at the Cultural Festival Zacatecas. We are very excited to return for a longer than usual tour, with scheduled performances in various cities across Mexico. The tour will culminate with a performance at the Festival Alfonsino in Monterrey on May 20th.
Please kindly check out Facebook Page for the most up-to-date tour schedule.
(photo below by: Nathan West)
Tour of Mexico 2016
May 6: Jazzatlan, Puebla
May 7: Centro Cultural Pedro Lopez Elias, Tepotzlan
May 8: Feria De San Marcos, Aguascalientes
May 9-12 Teaching Residency, TBC
May 13: Jazz Place, Mexico City, DF
May 14: Departamento, Mexico City, DF
May 16: Escuela Superior Festival, Mexico City, DF
May 17: Baja Circuito, Mexico City, DF
May 19: Sie7eocho, Cuernavaca
May 20: Festival Alfonsino, Monterrey
UPCOMING 2016 TARANA PERFORMANCES:
Tour of Texas, June 21-26, with a confirmed performance at the New Music & Sound Summit in Austin, TX on 6/24;
Mini-Tour of North-East US (NY, PA, OH), late-August;
Tour of Western Canada, Oct 1-8, with a confirmed performance at the Yardbird Suite, Edmonton, AB on 10/8;
Tour of Europe, mid-October to mid-November;
NEW PRESS HIGHLIGHTS
Classicalite Mike Greenblatt (Oct 28, 2015)
"If you had to put a spin on post-rock band Sigur Ros from Reykjavik, Iceland, Jamaican trombone player Vin Gordon (one of reggae's original rude boys) and the tragic Midwestern electronica pioneer DJ Rashad, it might wind up sounding just like Tarana does on A Fire Of Flowers Grows Around Us. Not that Tarana actually sounds like them. The point is; they sound like nobody. Still, elements of the aforementioned pop up like weeds between city sidewalks. It's alive. It throbs with static electricity. You can't stop listening to it. At least I couldn't.." Read More…
The Big Takeover Chuck Foster (Sept 16, 2015)
"Blips and beeps dance over a percussive plane of sonic haze. It's the same head-scratching genius of Miles Davis' Bitches Brew, only updated for the technological age." Read More…
Tiny Mix Tapes C. Monster (Sept 8, 2015)
"Off the duo's newest release, A FIRE OF FLOWERS GROWS AROUND US, Tarana (Ravish Momin & Rick Parker) develops listeners' hearing with their single, most pleasantly haunting first track, 'Myvatn.' " Read More…
FACTmag (Music Video Premiere) (Sept 2, 2015)
"The duo Tarana nestles into a fascinating space between jazz, electronica, and the Bollywood and Indian folk music of project founder Ravish Momin's childhood home. They explore it in length on their upcoming album A Fire Of Flowers Grows Around Us due September 18 via Wondermachine Records, but for now, watch the video by Alexandra Momin for 'Myvatn' which uses visual distortion as warped and fluid as the music behind it." Read More…
Labels: Mexico, USA
USA/CUBA Pedrito Martinez Group-Habana Dreams (Motema Music 2016)
The Pedrito Martinez Group follow up their GRAMMY-nominated debut with the release of HABANA DREAMS, pushing forward the group's cutting-edge sound with some of the biggest names in Latin music - Rubén Blades, Descemer Bueno, and Issac Delgado.
Recorded in both Cuba and New York, the album marks the homecoming of Cuban-born conguero and rumbero Pedrito Martinez, and a return to his Afro-Cuban roots. With magnetic personality and dynamic musicianship, HABANA DREAMS showcases the group's impressive range, from contemplative ballads to electrifying rumbas, while remaining irresistibly danceable throughout.
Features special guests Wynton Marsalis, Angélique Kidjo, Román Díaz and Telmary Díaz.
'…dizzying rhythmic webs, songs
within songs, and the thrill of real
Cuban rumba transformed into
something as hip and irresistible
as great pop.' --The Wall Street Journal
Labels: Cuba, New CD 2016, USA
JAPAN Masabumi Kikuchi -Black Orpheus (ECM 2016)
Masabumi Kikuchi: piano
A document of a 2012 Japanese solo recital not only the last in his homeland but the last anywhere - by idiosyncratic improviser Masabumi Kikuchi (1939-2015).
One of the uncategorisable greats, Kikuchi occupied his own musical universe and in his final years was quietly and systematically severing his ties to jazz, drifting instead toward what he called - floating sound and harmonies, - introspective and poetic improvisations. Song forms still sometimes materialized. Kikuchi revisits Little Abi, a ballad for his daughter, which the pianist once recorded with Elvin Jones. And there is a surprising and very touching version of the wistfully yearning theme from the 1959 Brazilian film Black Orpheus.
All music by Masabumi Kikuchi except Manha de Carnaval Luiz Bonfa / Antonio Maria
Recorded Live October 26, 2012 at Tokyo Bunka Kaikan Recital Hall
Labels: Germany, Japan, New CD 2016
USA/CUBA Dominic Miller , Manolito Simonet-Hecho En Cuba (2016)
'Hecho En Cuba' is Dominic Miller's and Manolito Simonet's innovative new album feat. Dominic Miller's (and Sting's) compositions, arranged in a brand new crossover salsa/ Latin American style.
Dominic Miller: guitars
Manolito Simonet: piano
Roberto Vázquez: bass
Robin Feliz Martinez: trumpet
Rafael Arboláez: trumpet
Leonardo Alarcón: trombone
Ivanovis Garzón: trombone
Roicel Riverón: drums
Evelio Ramos: congas
Ricardo Amaray Fernandez: vocals
Pancho Amat: tres
David Bencomo Guedes: flute
Dayron Ortega: guitar
Jose Francisco Amat: bass
Nicólas Gastón & Camerata Escuela Nacional de Arte: strings
USA Branford Marsalis Quartet & Kurt Elling -Upward Spiral (SONY MASTERWORKS 2016)
Legendary jazz greats Branford Marsalis and Kurt Elling collaborate for the first time on a full album, Upward Spiral. They ve been talking for a while about making a record together, and finally at the end of 2015 it all came together. They found time to play the new material in the New Orleans Snug Harbor club for four days and then recorded a variety of songs in the studio, all chosen because of their melodic richness and musical quality. Their versions of the chosen material are simply incredible, as the musicality of Branford and Kurt and their deep understanding of these songs shows through immediately.
About Branford Marsalis:
National Endowment of the Arts Jazz Master, renowned Grammy Award®-winning saxophonist and Tony Award® nominated composer Branford Marsalis is one of the most revered instrumentalists of our time. Having gained initial acclaim through his work with Art Blakey s Jazz Messengers and his brother Wynton s quintet in the early 1980s, Branford has performed and recorded with a who s-who of jazz giants including Miles Davis, Dizzy Gillespie, Herbie Hancock and Sonny Rollins. He has also collaborated with such diverse artists as Sting, the Grateful Dead and Bruce Hornsby. His expansive interests are further reflected in his explorations in film, radio and television, including his role as the musical director of The Tonight Show with Jay Leno.
About Kurt Elling:
Grammy® winner Kurt Elling is among the world s foremost jazz vocalists. He won the DownBeat Critics Poll for fourteen consecutive years and was named Male Singer of the Year by the Jazz Journalists Association on eight occasions. An international jazz award winner, the New York Times declared, Elling is the standout male vocalist of our time. The Washington Post added, Since the mid-1990s no singer in jazz has been as daring, dynamic or interesting as Kurt Elling. He has come to embody the creative spirit in jazz.
branfordmarsalis.com
kurtelling.com
okeh-records.com
Labels: New CD 2016, USA
USA: Bonnie & Clyde & A Whole Lotta Jazz: Live at 54 Below Live (Broadway Records 2016)
Over the past two decades, Grammy® and two-time Tony Award® nominee Frank Wildhorn has given us timeless stories and countless classics set to soaring scores. With eight Broadway shows (including Jekyll & Hyde, Bonnie & Clyde and The Scarlet Pimpernel), twenty original international shows, and almost 100 million records sold of his songs, Frank is one of this generation s most important songwriters. This album, recorded live at NYC's famed 54 BELOW, stars several of Broadway's best singers, including a Bonnie & Clyde reunion of Jeremy Jordan (The Last 5 Years, Supergirl), Laura Osnes (Cinderella), Mimi Bessette, Louis Hobson, and Melissa van der Schyff, as well as Janet Dacal (Wonderland), Emmy Raver-Lampman (Hamilton), Kevin Massey (Gentleman's Guide) and Adrienne Warren (Shuffle Along)! Featuring an all-star band of musicians, you'll hear Wildhorn favorites in addition to brand new songs, never heard before.
USA: Jack DeJohnette, Ravi Coltrane, Matthew Garrison - In Movement (ECM 2016)
Jack DeJohnette (drums, piano, electronic percussion
Ravi Coltrane (tenor, soprano and sopranino saxophones)
Matthew Garrison (electric bass, electronics)
There is a lot of history concentrated in Jack DeJohnettes adventurous new trio. Fifty years ago, as a guest with John Coltranes group, Jack DeJohnette played with the fathers of Ravi Coltrane and Matthew Garrison, and the program of In Movement opens with Coltranes harrowing and still pertinent elegy Alabama.
Other covers include the classic Blue In Green by Miles Davis and Bill Evans (Jack is one of the few musicians to have played in the bands of both men) and Serpentine Fire, from the songbook of Earth, Wind and Fire, a tribute to Maurice White - who also collaborated with Jack in the early years.
The Two Jimmys is an hommage to Jimi Hendrix and Jimmy Garrison, innovators both, and Rashied salutes the late Rashied Ali, another great drummer from Coltranes cosmos.
For all the wealth of references, this is indeed a band in movement, taking the music forward. Ravi Coltrane and Matt Garrison, in their ECM debuts, both respond magnificently to DeJohnettes driving drumming, Ravi with superb solos, Garrison with lean bass lines and imaginative looping electronics.
Jack DeJohnette: We are connected at a very high and extremely personal level that I believe comes through in the music.
Labels: Germany, New CD 2016, USA
USA VOCALIST NICOLAS BEARDE'S 5TH SOLO ALBUM AND 1ST STRAIGHT-AHEAD JAZZ RECORDING "INVITATION"
VOCALIST NICOLAS BEARDE'S 5TH SOLO ALBUM AND
1ST STRAIGHT-AHEAD JAZZ RECORDING
Produced and arranged by Nat Adderley Jr. & featuring guest soloist Vincent Herring on alto sax
Nicolas Bearde, originally from Nashville, TN is a San Francisco Bay Area treasure who has long been recognized as a charismatic and versatile performer and a distinctive jazz and soul stylist.
While Bearde has drawn on his love for both R&B and jazz on his previous four CDs, on Invitation, the singer's fifth release on the Right Groove Records label, he comes out swinging with both feet firmly planted in the straight-ahead jazz milieu.
Invitation was released on January 29th, 2016 and was produced largely by renowned pianist/arranger Nat Adderley Jr. - who spent nearly 20 years as music director for Luther Vandross and who grew up in the musical family of Nat Sr. and uncle Cannonball.
Reviewer Christopher Loudon, in the March 2016 issue of Jazz Times, says, "Nat's pop sensibility invades all nine tracks; the arrangements are consistently silken, with occasional punchiness courtesy of Vincent Herring on alto sax. Across a stellar spectrum of standards – such gems as "Dindi", 'Lush Life", "Nature Boy", "Save Your Love for Me", Eckstine's satiny, "I Want to Talk About You" and the cunningly noir-ish title track, Invitation, Bearde's interpretations are as affecting as they are elegant."
The relaxed phrasing and depth of feeling that Bearde brings to these standards including his choice of a rarely heard vocal version of Herbie Hancock's "Maiden Voyage" (with pianist Peter Horvath and Bearde as producers) place him in the tradition of such deep-voiced greats as, Billy Eckstine, Arthur Prysock, John Hartman, Lou Rawls and Jon Lucien.
Connoisseurs of fine jazz singing will be thankful to hear Bearde in the uncompromising context of Invitation – his next CD release performance will be at Café Stritch, (named after Rahsann Roland Kirks' stritch horn) in San Jose, CA on Saturday, April 2nd.
Invitation is available for purchase at CdBaby, Itunes and Amazon.
www.nicolasbearde.com
USA Detroit Jazz Festival Announces World-Class Lineup for 37th Annual Labor Day Weekend Event
Detroit Jazz Festival Announces World-Class
Lineup for 37th Annual Labor Day Weekend Event
Jason Moran (Clay Patrick McBride) | Terri Lyne Carrington (Tracy Love) | Alfredo Rodriguez (Anna Webber)
The Detroit Jazz Festival today announced its lineup for the 37th annual Labor Day Weekend Festival that will feature an eclectic array of performers across varied styles and generations from jazz legends, new artists to the scene and those at the height of their careers, once again creating one-of-a-kind performances not seen anywhere else. With Detroit native and jazz legend Ron Carter as artist-in-residence, this year's festival has a decidedly Detroit flair, with the annual Homecoming Series of performances taking an expanded role. With the backdrop of Detroit's skyline, the world's largest free jazz festival will take to the streets of downtown Detroit on September 2nd through 5th, 2016 with hundreds of musicians gracing four stages.
"The jazz tradition in Detroit is iconic and known worldwide. Today, it's a vibrant scene that is constantly evolving and growing and our Festival, continues to nurture and support it," said Gretchen Valade, chair of the Detroit Jazz Festival Foundation Board of Directors. "With the wonderful Ron Carter as our artist-in-residence, we are taking the music to a new level with the Detroit connection. And, once again, we hope the Festival transcends the music itself and gets people downtown to see and experience Detroit's distinct flavor. We look forward to adding to Detroit's jazz tradition and another Labor Day weekend to remember."
Legendary bassist, Ron Carter--the most-recorded bassist in music history with more than 2,000 to his credit--is the cornerstone of this year's lineup and will perform four times throughout the weekend including a nonet, trio, quartet and big band sets.
In addition to Carter's performances, other 2016 Homecoming Series Performances include:
David Weiss and Point of Departure celebrate the music of Detroit legends Kenn Cox and Charles Moore
Kenn Cox tribute with Special Guests
Stanley Cowell Quintet featuring Billy Harper and Charles Tolliver
PUBLIQuartet - MIND|THE|GAP
Kirk Lightsey and Louis Hayes - Homecoming Band
Charlie Gabriel Quartet
Other 2016 performers include:
John Scofield, Brad Mehldau, Mark Guiliana
Roy Hargrove with Strings
The RH Factor
Freddy Cole and the Detroit Jazz Festival String Orchestra - The Cole Family Legacy - remembering Nat and Natalie
Omar Sosa Quarteto AfroCubano
Terri Lyne Carrington's Mosaic Project
Chris Potter Underground Orchestra
Randy Weston's African Rhythms & the Wayne State University Big Band - 90th birthday celebration
Ms. Lisa Fischer & Grand Baton
Jason Moran Bandwagon Trio
Roberta Gambarini and Jimmy Heath - Celebrating Jimmy Heath's 90th
Marcus Roberts Modern Jazz Generation
Luciana Souza - Speaking in Tongues
Alfredo Rodríguez Trio
Harold López-Nussa
The Soul Rebels
John Abercrombie Organ Trio
Vanguard Jazz Orchestra: Established by Thad Jones & Mel Lewis Celebrate 50 years at the Village Vanguard
Gregoire Maret & the Inner Voice Ensemble
Charnée Wade
Herlin Riley Quintet
United States Air Force Airmen of Note
To see the full lineup, visit detroitjazzfest.com.
"Each year, we make it a priority to create an artist lineup that's representative of the many forms of jazz. The diverse nature of the genre promotes sonic experimentation and exploration, creating a new experience with every song and performance. It's our responsibility to capture this, to make sure we give that thrilling experience of musical discovery to our attendees, and I think our musicians this year will make that happen," said Chris Collins, president of the Detroit Jazz Festival Foundation Board of Directors and artistic director of the Festival. "We are dedicated to making this a jazz experience to remember, one that is original, expressive and inimitable. We can't wait to share it with Detroit."
To highlight up-and-coming talent, the Detroit Jazz Festival invites musicians from metro Detroit and across the globe to enter an annual jazz competition. This year's competition, The 2016 Detroit Jazz Festival Ron Carter National Bass Competition, is open to bassists 35 years of age or younger whose artistry reflects the commitment to tradition and search for originality that are tenants of Ron Carter's virtuosity.
With the incentive of a performance slot at the Festival and monetary prizes, this year, contestants will submit recordings which will be evaluated on artistic excellence, creativity, group interaction, originality, familiarity with the jazz vocabulary, and stylistic continuity. Applications must be submitted by June 25, 2016 at http://www.detroitjazzfest.com/ron-carter-national-jazz-bass-competition.html.
The Detroit Jazz Festival not only actively seeks out established and up and coming musicians, but it also participates in education initiatives throughout the year, helping cultivate the jazz culture in Detroit through workshops, student performances and concert showcases. The Festival also has a positive impact on economic activity with weekend activities, performances and initiatives--bringing masses of people to downtown Detroit.
This Labor Day weekend festival will take place in Hart Plaza and Campus Martius, downtown Detroit. Jazz enthusiasts from around the world will be in attendance as these acclaimed artists take over JPMorgan Chase Main Stage, Carhartt Amphitheater Stage, the Waterfront Stage and the Pyramid Stage.
The 37th annual Detroit Jazz Festival's major corporate sponsors, who continue to keep the festival free, include JPMorgan Chase & Co., Quicken Loans, DTE Energy Foundation, Carhartt, Ford Motor Company, Greektown Casino-Hotel, Absopure, Mack Avenue Records and Comcast. Individuals also can support the Festival through Rhythm Section memberships.
About the Detroit Jazz Festival
The Detroit Jazz Festival is an independent, non-profit organization that presents jazz and educational workshops throughout the year. The Detroit Jazz Festival is the largest free jazz festival in the world and a major tourist attraction for the City of Detroit, with 23% of its audience coming from out of state.
The Festival receives grant funding from the Kresge Foundation, National Endowment for the Arts, Michigan Council for Arts and Cultural Affairs, Erb Family Foundation, Arts Midwest Touring Fund, Carolyn P. Wanzo and the Detroit Public Schools Foundation. Hundreds of individual donors also contribute to the Festival through membership and donations. Major corporate partners include JPMorgan Chase & Co., Quicken Loans, DTE Energy Foundation, Carhartt, Ford Motor Company, Greektown Casino-Hotel, Absopure, Mack Avenue Records and Comcast. Additional partners include AMTECH International, Central Michigan University, Cliff Bell's, Detroit Marriott at the Renaissance Center, Detroit 300 Conservancy, Dirty Dog Jazz Cafe, Fathead, Great Lakes Beverage, Merrill Lynch, MGM Grand Detroit, Opportunity Detroit, Pepsi, Plante Moran, PNC Bank, St. John Providence, Wayne State University, Whole Foods Market and Woodward Gallery. Media partners include Fox 2, WJR, WDET-FM, WEMU-FM, WRCJ-FM, DownBeat, JazzTimes and Metro Times. The Greening of the Detroit Jazz Festival is supported by a generous grant from the DTE Energy Foundation.
For more information, visit www.DetroitJazzFest.com
For media information, please contact:
DL Media · 610-667-0501
Maureen McFadden · maureen@dlmediamusic.com
Matthew Jurasek · matthew@dlmediamusic.com
Don Lucoff · don@dlmediamusic.com
Serving the Finest in Jazz Since 1988
Information and press materials (including album covers, promotional photos
and bios) on all DL Media artists can be found at our website: dlmediamusic.com
Labels: Festival, USA
USA Saxophonist Ivo Perelman Revisits Classical Techniques After Extensive Traveling in His Native Brazil on Five New Releases
Saxophonist Ivo Perelman Revisits
Classical Techniques After Extensive Traveling
in His Native Brazil on Five New Releases
Corpo, Soul, Blue, The Hitchhiker and Breaking Point -
Available May 20 on Leo Records
"A modern day saxophone colossus" (Echoes); "The finest improvisational genius of our time" (Bop-N-Jazz); "one of the great saxophone virtuosi and exponents of spontaneous composition to have emerged in the past three decades" (Jazzwise) - these represent just some of the accolades that pour in with each new set of releases by Ivo Perelman. This extraordinary artist continues to map new territory for his chosen instrument, the tenor saxophone. And by regularly releasing multiple albums documenting his explorations, he provides listeners with multiple avenues into his music.
But the release of five albums at once (all available on Leo Records) signifies a herculean effort even for Perelman. What's more, each of these albums presents a different array of musical cohorts, a different format, and a different concept. "Interestingly," Perelman notes, "this grouping of albums will feature all of the musicians that I've been collaborating with in the past several years"--a list that comprises violist Mat Maneri, keyboardists Matthew Shipp and Karl Berger, bassists Michael Bisio and Joe Morris (who also plays acoustic guitar), and drummers Gerald Cleaver and Whit Dickey.
Three of these albums--the duo discs Corpo and Blue, and the quartet effort Soul--were recorded in a two-week period; they exploit a major theoretical breakthrough that Perelman experienced on an extended stay in Brazil, the nation of his birth. In Autumn of 2015, he traveled to São Paolo to oversee a major exhibition of his work in the visual arts. (Perelman spends approximately half his time producing highly-sought drawings and paintings.) He ended up staying nearly half a year, far removed from the daily grind of his life in New York, and this hiatus "put my brain in a different mode," he said upon his return. "I got away from the need to 'achieve' something. I relaxed."
Photo Credit: Michael David Adams
He also began to revisit the serialist (12-tone) composers--Arnold Schönberg, Alban Berg, Anton Webern--which led to an important realization. The core tenet of serialism is that each note in the scale exerts equal weight; from that, Perelman focused on the corollary that each interval--the distance between any pitch and the one that follows--should be treated with the same egalitarianism. "The intervallic system has become my dogma now," he explains in the liner notes to Corpo. "Every interval is of equal importance...I don't have to be modal, or tonal, or atonal. All the intervals, a third or a seventh or a fifth, these all have the same importance for me now." This has led to new practice regimens and a corresponding emancipation of Perelman's already fluid approach to melody as well as timbre.
Corpo, the first album recorded by Perelman upon his return to New York, stars pianist Matthew Shipp, the saxophonist's longtime musical soul-mate. In 14 tracks of moderate length, the disc offers evidence of Perelman's new "intervallic system," as well as a purified distillation of an ever-evolving musical partnership that has been compared to Brubeck/Desmond and Coltrane/Tyner. Says pianist Shipp, in his liner essay for the album: "Corpo is the ultimate coming together of everything Ivo and I have been working on for years. . . . the apotheosis of the Perelman/Shipp duo cosmos. Our [previous album] Callas was a breakthrough for us; Corpo is the ultimate flowering."
One week after Corpo, Perelman and Shipp returned to the studio; they were joined by bassist Michael Bisio and drummer Whit Dickey to record Soul, which, as its name suggests, constitutes a companion piece to Corpo (the Portuguese word for "body"). More than simply "fleshing out" the Perelman-Shipp duo, the added musicians - whose many sessions with Perelman have given them intimate knowledge of how his music takes shape, in the studio, and without pre-existing blueprints for the improvisations - effortlessly integrate themselves into these performances. "Bisio underscores the music with supple muscle, finding valuable notes in between those that make up Shipp's chords," writes liner annotator Neil Tesser, while "Dickey adds color and texture that peer into the swirl of melodies and light them from within."
Then, one week after the Soul date, Perelman met with bassist/guitarist Joe Morris to record Blue. The album marks the first time Perelman, despite all the shifting contextual landscapes shaping his career, has ever recorded in a duo of tenor sax and unamplified guitar. "With an instrument that has resonance, where the notes have a long decay," Perelman explains, "you're always being fed and nourished as the sound remains in mid-air. But with acoustic guitar, the moment that Joe lifts his finger from the string, the sound dies. You're all alone. So that was the challenge for me, to play with something so soft-spoken." None of the tracks are actual 12- or 16-bar blues compositions, of course, since nothing was composed prior to what took place in the studio; rather, says the musician/painter, "It has the feeling of the color blue," in all the variations of that hue.
The Hitchhiker marks another "first" for Perelman; it pairs him with Karl Berger on vibraphone to mark the only time in the saxophonist's career that he has recorded with that instrument. Perelman first worked with Berger - the pioneering composer and arranger of new music (within and beyond jazz) and co-founder, with Ornette Coleman, of the Creative Music Studio in Woodstock, New York - on Reverie (2014), but on that project, Berger played piano. The vibraphone has a reduced potential for the thick chords available to a pianist, so in that sense, says Perelman, "he's giving me a condensed scheme" of harmonic potentialities. A possible pitfall? No; it only "made me focus more," says Perelman.
The final album in this release, The Breaking Point, continues Perelman's highly successful partnership with violist Mat Maneri, but this time in a quartet format; previous Perelman-Maneri matchups had occurred only in duo or trio settings. "I had in my mind what it would sound like in a more powerful setting, with drums," says Perelman. With bassist Joe Morris and drummer Gerald Cleaver, the disc constitutes yet one more rarity for Perelman: in his entire discography, this is the third time he has ever employed the "traditional" free-jazz format of bass and drums supporting two front-line melody instruments. In the progression of its seven tracks, the album functions as a sort of expanded symphonic suite.
Ivo Perelman · Corpo, Soul, Blue, The Hitchhiker, The Breaking Point
Leo Records · Release Date: May 20, 2016
For more information on Ivo Perelman, please visit: IvoPerelman.com
Greg Angiolillo · greg@dlmediamusic.com
Public Relations for the Preferred Artist
USA Jaimeo Brown Transcendence Releases Music Video for "Be So Glad" From Critically Acclaimed Sophomore Release Work Songs
Jaimeo Brown Transcendence
Releases Music Video for "Be So Glad" From
Critically Acclaimed Sophomore Release Work Songs
Album Available Now via Motéma Music
Listen to the Audio Premiere at Billboard.com
Watch Video Below for "Be So Glad"
"'Work Songs' is one of the most exciting, experimental,
and important albums set to drop this year." - VICE
"... compelling music that feels very of the moment yet has
potent historical roots." - Wall Street Journal
See the Video Premiere of "For Mama Lucy" at VICE.com
At a time where it feels like history is repeating itself and the world has lost its way, drummer, composer, educator and activist Jaimeo Brown asks, "What is important?" For Brown, the answer is to tell the unheard stories in the name of those who need them. To tell the stories of life and the human experience. To tell the stories of the forgotten: to honor the workers and the music of their lives.
On the track "Be So Glad," from Jaimeo Brown Transcendence's breakthrough sophomore album Work Songs (available now on Motéma Music), Brown and Chris Sholar (the production team that comprises Jaimeo Brown Transcendence) sample inmates from the Parchman Farm Prison in Mississippi in 1959. "Be So Glad" is a prime example of common repetition in work songs creating a type of mantra that changes the feeling of labor -- a vehicle to transport people from the high walls of despair to personal awakenings of freedom. The duo teamed up with prodigious animator and filmmaker Fons Schiedon for a truly compelling video that captures the emotion and theme of a spiritual breakthrough in the midst of struggle. See below for a full artist statement from the team:
About Collaboration and Process
It was clear that we were looking to combine and reference elements from different eras and genres. And we share a preference in working quite organically, combining high end technology with tactile, DIY methods. We wanted to make sure to not lose the humanity in production, while while also trying to maintain a sense of "imperfection" within the filmmaking. If you want to make a comparison: the crackling sound of the old chain gang sample in the music for me relates to the turbulent noise of the snow storm in the video. There's emotionality built into elements like that.
We were actually hit by a freezing snow storm while shooting. It could have been reason enough for cancelation, because it made things so much harder. But instead we feel it gave our endeavor more pertinence and provided a visual rhyme that was a real gift. You can't control circumstances like that, but there is a choice in how to act on it.
Concept for the Video
The main motif of the song has a very strong connotation of pain and suffering. But in the way the song evolves, it provides an escape from that into a state of transcendence, of new hope, to a way of coping. That's the emotional basis that we wanted to touch on. And doing that without being too literal. We felt the need to leave a certain breathing room for interpretation, because when you want to speak of hope, a certain level of distance helps to make it more universal.
Fons always looks for a narrative structure, and found that the song essentially accommodated three acts. You start with the almost hypnotizing sample of the chain gang song, that expresses a sense of being locked in a status quo. Then it gradually loosens up and builds toward this transcendental stage, which is expansive and explorative, it's an escape. The screen literally opens up and the material world is deconstructed and reformats itself in a continuous flow. At the end we come back down again to the former structure, but with a transformed, maybe more hopeful perspective. That's the journey: through the struggle in the storm, to the part where form becomes free and transformative, up to the end when it's a new dawn.
History, art, technology, the future... this video perfectly captures the themes that are at the core of Transcendence.
Photo Credit: Rebecca Meek
About Jaimeo Brown Transcendence
Jaimeo Brown Transcendence is the product of long-time collaboration between Brown and co-producer/guitarist Chris Sholar (who won a GRAMMY® Award for his work on Kanye West and Jay-Z's Watch the Throne). Both emerging from a generation that appreciates the jazz in hip-hop, the artists with whom this duo has collaborated with speaks for itself. Brown, as drummer, has sat behind the skins for Stevie Wonder, Carlos Santana, Q-Tip, Carl Craig, Kenny Garrett, Geri Allen, and Bobby Hutcherson, among others. Sholar's work as guitarist and producer has spanned the likes of Beyonce, Kanye West, Jay-Z, Frank Ocean, A Tribe Called Quest, Robert Glasper, D'Angelo, Just Blaze, Common, Dr. Dre and more.
More than just music, Jaimeo Brown Transcendence is a movement, a moment, and an imperative: home to a variety of collaborators and contributors, from different eras and across the globe. Work Songs is a call to action, a call to transcend: transcend traditional limits of creativity; transcend oppression; transcend to come together through the essential humanity that unites us. Work Songs samples the unknown laborer, the jailhouse, the coal miner, gandy dancer, and stonemason. The album resonates with echoes of protest and rhythms of a call to freedom.
Borne of oppression and sung in conditions of hardship, the music is visceral but inherently uplifting. It weaves the present through the past to the future, teaching us how to transcend an immediate suffering through strength and mutual support. "The music of Transcendence, on a social scale, allows us to reach out to communities and help restore culture and identity. Work Songs tells powerful stories of perseverance and human ingenuity," explains Brown. "Tales of enduring communities through song, from African-American slaves to the stonemasons of Japan. These songs paint a picture of struggle we still feel today."
In search of new sounds, Work Songs deftly weaves together the acoustic and the digital, connecting jazz and classic blues with contemporary rock, hip-hop and electronic music. Inspired equally by the beats and samples of J Dilla, Dr. Dre, and DJ Premier, and the raw eloquence of John Coltrane, Miles Davis and Art Blakey, he found shelter in creation: the epicenter of his spiritual awakening.
Jaimeo Brown Transcendence · Work Songs
Motéma Music · Release Date: February 12, 2016
For more information on Jaimeo Brown, visit: JaimeoBrown.com
For more information on Chris Sholar, visit: ChrisSholar.com
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on all DL Media artists can be found at our website: dlmediamusic.com
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Giant Eagle Pharmacy can be found at 254 Yost Boulevard-Braddock . The following is offered: Medical Supplies & Equipment, Pharmacies . In Pittsburgh there are 131 other Medical Supplies & Equipment. An overview can be found here.


If it is going to be good, it is up to you. Life will only give you what you demand, not what you desreve…. You must have this understand anything that has worth in life never come free. Life doesn't provide warranties and guarantee. It only provides possibilities and opportunities for everyone but those who dare to make best use of it get to the top and those who refuse to make use of it live in mediocrity… So how can i go about it in life.
Let go to the beginning of creation, we read that everything was created came from the word of confession that why someone said your confession determine your possessions. Your number 1 priority must be your confession what are you saying to your life on a daily routine, if it is ever going to be good it is up to you… you must imprint this in the tablet of your heart. Your word are creating force, create a better world for your life. The way the maker wired our life, we have the power to create our own world because we are created in the image of God. Whatever God can do we can do also… It is only animal that adapt to their environment so begins to speaks better to your life from now and act the way your confession is. It is well with you today and everyday of your life.
God bless you, do enjoy your day.


text:
Torrijo del Campo è un comune spagnolo di 559 abitanti; è situato nella comunità autonoma dell'Aragona.

Collegamenti esterni

Comuni della provincia di Teruel


Mercedes 450 SLC. Present owner 15yrs. Replacement 4.5L long block (Metrics) LA. Rebuilt trans, front steering, new steering box, rear suspension. Bucket seats redone. Wire wheels, new tires. Sun roof. Power windows. Needs paint and body work to complete. Great road car!


"You look so beautiful," Danae Scott said, her voice barely a whisper as she gazed at Molly Emerson in the rounded mirror. Molly's gold-toned blonde hair was pulled up, letting soft curls cascade down her long oval face. Danae's own emerald green satin gown was no comparison for the soft white satin of Molly's. Fitted with a drop shoulder shawl, it flowed to the floor in a wash of hand-sewn pearls.
"And it was love at first sight," Danae said as she fluffed out the train to check for hidden wrinkles. It was a story she had by now memorized—half because she had heard it so many times and half because she had lived it.
"Have you seen him yet?" Molly asked, her attention swerving back to her own life.
"I guess that's why they call me a bride's maid," Danae said teasingly.
"Stay put. I'll see what's going on out there." With that, Danae left Molly and stepped out onto the inside balcony. The festive sounds below engulfed her.
"Is she ready?" Mrs. Emerson, the older, more dignified, version of her daughter asked, meeting Danae on the top step of the gently winding staircase of the stately old mansion.
"I'll be sure to check." Careful not to trip on the soft shimmering material at her feet, Danae descended the last ten steps of the picturesque antebellum estate that Molly and Rick had mortgaged their parents' lives to rent for their special evening.
It was strange how much a part of Mrs. Emerson's family Danae felt. After all the years she had been dating their youngest son, Brandt, she might as well have already been one of the family's daughters.
Molly and Brandt and the rest of the Emerson family had moved next door to Danae's family the summer before she went to kindergarten. Their trampolines and backyards had never been the same since. Hardly a day had gone by since that first one that one group of kids wasn't at the other's house. It was almost like they were one and the same family.
Elementary school plays, middle school band, high school parties, dances, basketball, football, and baseball. Every season, every day. They were always together. They even went to the same church—youth group and all.
One without the other seemed incomplete, and so when it came time to choose a college, there had been very little choice involved. Molly went to Tennessee University in their hometown of Knoxville, Tennessee, and two years later, Brandt and Danae followed. The only one who had broken ranks was Nikki, Danae's older sister. She made it the first two years, but then following their mother's advice, she had hooked herself to a wealthy frat boy and followed him to Virginia. They were expecting twins at any moment.
It was now only a matter of time before Danae, true to the well-known expectations of just about everyone around them, hooked herself permanently to her own semi-wealthy frat boy—the one and only Brandtly V. Emerson II.
There was a mumble from the other side.
"Hey, Brandt, the ball and chain's here," Rick called when he caught sight of her. He went back to fumbling with his tie at the mirror.
"Ha. Ha." She scrunched her face. "I'm not here to see him anyway." She stepped into the spacious room, which was decorated in rich mahogany furniture with burgundy and gold accents, and closed the door behind her.
"Here, let me help." Danae stepped over to him, and he turned to face her. The solid shoulders lined up with hers as the dark eyes and angled features perused her face.
"We like to torture people," Rick retorted.
"Tell Molly I can't wait to see her," Rick said, his voice softening.
"She'll be the one at the end of the aisle," Danae said with a soft smile. She reached for the doorknob.
"What?" he asked with no small amount of annoyance.
Considering she hadn't been chosen as maid of honor, Danae had wrongly assumed that the day would be a snap. All she would have to do was take a few pictures, walk down the aisle with Brandt, look happy, and walk back. However, what she hadn't adequately figured on was being the one and only person everyone else counted on to make the day run smoothly.
As she strode across the gravel and puddle strewn parking lot to the reception building, she wondered how Krystal, the vaunted maid of honor, had actually made it to two hours before the nuptials without doing anything to help.
It was Danae who had wrapped birdseed in tiny bundles of tulle until her fingers were stiff and red. It was Danae who had painstakingly assembled the centerpieces for the reception—green and cream curling ribbon and all. It was Danae who had gone with Molly to get her pictures made—just before she went with the guys for their tuxedo fitting, and now it was Danae who had to make sure there would actually be photographic proof of this happy day.
"I think he's back there," the young man said, pointing to one of the storage closets just beyond the sea of cables.
"Thanks," she barely mumbled. Praying she wouldn't trip over something and lay herself out in front of the six guys in the band, she strode over to the mess of cables, surveyed her options, and then seeing no other way to get to the door, she tiptoed ever so carefully into the melee, wondering how long it would take to get to the other side.
"Can I help you?" one of the band members called just as she got to the center of the snaking cables.
Obediently Danae stood stock-still right in the middle of the ocean of black. In ten seconds, the band member returned with two tuxedoed figures in tow.
"It'd be better to go around," the band member said as he guided the two around the far outer edge of the cables pressed up against the wall. His shag-cut golden hair ended right at his chin line, and the black T-shirt on black jeans outfit he wore looked like he'd just climbed off a motorcycle.
"Danae, what're you doing over here?" Mr. Emerson asked, puffing his rounded frame out like he was upset about being interrupted.
"I'm sorry, but they're about to start pictures," she said, turning carefully. Realizing only then that she should've made her assault next to the wall, she began to pick her way back out of the cables, but out was much farther than she had realized it would be. She stepped and stepped again, holding her dress, fighting to keep her balance, and trying to avoid catching her shoe on anything that would send her crashing to the floor. But the farther she went, the farther clear floor seemed to be.
"Here," the band member said when he and his charges reached the outer edge of the cables closest to the outside door. He put his foot into the mess of cords and reached for her hand. She put her hand in his, hoping he wouldn't just yank her free. Under her hand his felt smooth, his fingers easily blending with hers. "Not a good idea in heels," he said with a light smile.
The band member's gaze had never left her. Soft and gentle, he smiled. "I wouldn't worry about that. You look beautiful." It was then that she noticed his thick accent that had nothing to do with eastern Tennessee.
Kalin Lane had the impression that someone had just sucker punched him because suddenly there was a weird lack of air in the building. He stood barely six inches from the snaking cables as he watched her glide gracefully to the door with her two tuxedoed companions.
Catcalls from the others met his lurid tone.
"Let the games begin!" he said, leaning in to Kalin.
"You need a sermon, Von," Claude, the drummer, called from the back of the stage.
With the smallest shake of his head, Kalin pulled the cable in his hands over to the soundboard. Lord, they are really trying my patience today. Thanks for telling me to ride out here on my bike. There's no telling when they'll get home tonight.
For good measure, he said a little side prayer for the protection of every woman at the wedding. With the six members of Silver Moonlight, Kalin's most recently adopted musical family, on the loose, the women would need all the prayers they could get.
The garden was awash in spring color. The rains followed by two bright days of sunshine brought the blossoms out of every one of their hiding places. Breathtaking barely described it, Danae thought as she walked down the aisle toward Rick, who stood in the gazebo with the preacher. It really was too bad that she and Brandt were so meant to be. Rick would certainly have gotten more than a half-second look from her had the situation been different. She smiled at him, and his return smile told her without words that everything she felt in her heart was in his as well. Just before she turned, she thought about smiling at Brandt, but when she looked his way, his gaze had already slipped past her to the aisle beyond.
At the end of her journey, she took her place where she turned and watched as Krystal, tall, blonde, and curvaceous traced down Danae's steps to the gazebo. They had never been friends. They barely knew each other—not for wont of trying on Danae's part, but Krystal didn't have time for other women, she was too focused on the other half of the population. It was still a mystery to Danae what Molly saw in her former college roommate. However, she decided that now was not the time to try to sort all of that out.
When Krystal was finally in her place, the song ended and the guests stood. For several full minutes Danae had to use her imagination to make out what was happening because she couldn't see anything through the crush of bodies. It took no imagination whatsoever to understand the look of pure joy on Rick's face as he watched his bride coming to meet him.
Molly was right. Sooner than not, that would be Danae walking toward Brandt. That thought lodged in her throat making her cough softly. She pushed the thought to the back of her mind and slid her gaze to the picture that had come into focus when Molly stepped past the final guest. Her eyes sparkled with love and excitement as she gazed at Rick. At that moment everything that had gone before slipped into oblivion. From this moment forward Molly and Rick would be tied to each other forever, and for that reason alone, everything was right with the world.
Dutifully although he didn't really look at Danae, Brandt slid his arm around her from her shoulder to her waist. They both smiled as if this was the best day of their lives. The camera flashed, and Brandt immediately released Danae.
"You know, it won't be long, and it will be the two of you standing up there," Mrs. Benton enthused.
"Something to look forward to," Brandt said soft enough that only Danae heard it. She tried to smile at his joke, but it wasn't really meant for her.
"Oh, well, all I lack is student teaching in the fall," Danae said. Her gaze bounced around the reception area, searching desperately for an excuse out of this conversation.
"Well, I hope so," she said although she had completely removed herself from the conversation in mind and spirit.
"Are you planning on moving when you get out?" Mrs. Benton asked with concern.
"Sure," she said, not really wanting to be the moving crew but thankful for the pretext to conclude the conversation.
Wishing she had asked the seamstress to take another inch or so off the hem of the full-length skirt, Danae made her way through the guests to the over-flowing gift table. One thing was for sure, the Emersons had no lack of friends.
"Well, if it isn't Danae Scott," Marcia Turner, a friend from high school, said as she fell into step with Danae.
"We're not shacking up," Danae said, wishing she had remembered how annoying Marcia could be.
Danae set the presents down and headed for the door Mrs. Emerson had come from with the gifts. "You're going to have to ask him that question. If you'll excuse me…" She purposely stepped through a knot of guests so that Marcia couldn't follow her. The closer she got to the door, the better it looked. Just leave. Would anyone really miss her? Probably not unless they needed some grunt work done.
She crossed out into the late evening sunset and found the van Mrs. Emerson had spoken about. It was indeed filled to the brim with gifts. Mr. Emerson stood next to it handing them out to the few helpers standing around. It took nothing to notice that she was the only bridal attendant in on this work detail.
Just as she nodded and turned to head back, he exclaimed, "Oh! And take this one too." With that, he stacked a second box at least the size but thankfully not the weight of the first on the top of the previous one.
Her ankles wobbled under the weight and the bulk.
Danae picked her way across the gravel, past the guests who seemed not to even notice her presence. As she reached the door, she began to wonder how she would ever manage to get it open without dropping the boxes. However, just as that thought went through her head, the door burst open seemingly on its own.
Her heart skipped through her chest although she hadn't caught so much as a glimpse at the owner of that voice. The accent was impossible to miss.
She laughed as she crossed in front of him. A whiff of his cologne sent her head spinning. "It's one of the hazards of the job." She had thought he would give her the box back once they were inside. Instead he followed her across the expanse to the gift table. Trying not to, she noticed the tattoo, peeking out from under the hem of his black T-shirt sleeve on his nicely rounded bicep. She couldn't tell what the artwork was exactly, and before she got too carried away trying to figure it out, she yanked her attention back to the task at hand.
"Looks like they'll be here opening presents for a month," he said.
"Danae! We need you over here for pictures!" Mrs. Emerson called from the cake table.
With that, she turned and strode over to rejoin the wedding party.
Kalin tried not to watch her, but it wasn't easy. She was mesmerizing. The dark hair, the soft brown eyes, the skin like crushed velvet—to his way of thinking, she could've just stepped off the cover of a magazine. He faded back into the wall and watched as she took her place next to the tall young man with the Ivy League features. Kalin's heart plummeted to his shoes as he watched the young man wrap her in his arms and plant a kiss on her forehead. He hoped beyond all rationality that what he was seeing wasn't the reality of the situation.
But when they stayed right at each other's sides, arms entwined, toasting and drinking their champagne, he couldn't deny it. They were together and not at all trying to hide it. He twisted the leather wristband at his left wrist. With a push, he forced himself to go back to the stage. It was stupid to even let his thoughts go anywhere near her. He didn't need a woman in his life. He could barely keep up with himself.
"Did you get it?" Von asked when Kalin made it back to the stage.
"Here, you can use mine," Kalin said. "I won't need it the first set anyway." Quickly he unhooked his guitar strap and handed it across the stage to Von. The fewer outbursts they managed to have, the better. This gig was a favor for his manager's old friend. Upsetting the old friend didn't sound like the best career move in the world, and he'd made enough bad career moves that it was a wonder he was even on a stage anywhere in the world—much less one in the great state of Tennessee.


The Outstanding Health Communication Scholar Award recognizes a significant and original contribution, in the form of a monograph, book, and/or program of research, to the study and application of the field of Health Communication.
Nomination Criteria: There are five nomination criteria. The scholar's work must have: (a) a significant and long-lasting effect on the field of Health Communication; (b) strong heuristic value; (c) influence over others' work; (d) originality regarding theory, research, and/or practice; and (e) contributed to the development of Health Communication as a distinct field of study.
Although nominations are open to anyone who has made a significant contribution to the Health Communication field, preference is given to members of ICA's and NCA's Health Communication Divisions. Nomination packets include: (a) A single, detailed letter of nomination addressing the aforementioned criteria; (b) the scholar's vita; and (c) the single most influential or representative piece of work from the scholar. Self-nominations are welcome.


Larry Skopnik is a new Canadian Wheelchair Hero. Does the term hero seem a bit overused these days? Watch the video below. Larry wears the term very well.
This is the actual security video from the store. Fast forward to 2:20 minutes, nothing happens until then. At 3:00 minutes the action begins.
The bad guy was trying to pass a fake $50. The cashier called the police and that made the bad guy violent. He not only wanted his fake $50, he stepped behind the counter to rob the cash register. Larry rolled up and quickly put an end to that.
Larry was not the only hero that day. There were several other good souls who helped out. But Larry took the bad guy down. Larry is one of many wheelchair users who show everyday that being in a wheelchair does not mean that you can not take care of yourself and others.


We obtained a unanimous verdict of $850,000 in federal court for our client who was riding his motorcycle in Lake County and was side-swiped by an RV. The medical bills totaled only $67,000, and there was no wage loss claim, but we were able to convince the jury that the injury was much more serious than reflected by the bills, as he'd suffered a broken knee and a degloving injury to the lower leg. Our client, a 54-year-old handyman and part-time professor of engineering, will eventually need a new knee, and he turned down an offer of $350,000 on the eve of trial.
Our client was an elderly woman who was out for her daily walk when an exuberant puppy came racing over to her from behind, got tangled in her legs, and knocked her over. Our client fell to the asphalt and broke her elbow (the olecranon bone). The dog owner's insurance company wanted to argue that the accident was 50% the fault of our client and 50% the fault of the dog owner. ("There is no evidence that our insured's dog caused your client to fall down." ) We successfully argued that the defendant dog owner had violated the Sonoma County Leash Law, which states: "No person shall cause, permit or allow any dog to run at large upon any public street or other public place, or upon any private property or premises other than those of the owner or other person in control of such dog, nor shall any person cause, permit or allow any dog to be upon any public street or other public place unless such dog is restrained by a substantial leash..." and that the violation would result in a negligence per se instruction to the jury, which basically says, if you find that the defendant violated the ordinance, then you must find negligence. The case settled at mediation for $145,000.
$1 million settlement: Our client's mother was killed when she was rear-ended by a big rig on Highway 101 near Windsor, and pushed into an SUV. Both passengers of the SUV also died, so the insurance proceeds had to be divided in a fair manner. We successfully argued that in our client's Pomo culture, it is not unusual for a young man to live at home into his mid-30s, thereby increasing his economic damages and his share of the settlement.
Our client was a 3-year-old girl who went to a local home improvement store with her family to look at shower doors. They were in the area of the store where entire bathrooms are on display and the little girl put her hands on the edge of a sink and pulled herself up on to her tiptoes to be able to look in the mirror behind the sink. Unfortunately, the store's employees had not secured the sink to its pedestal when they built the display, and the sink toppled over onto the child knocking her out and gashing her forehead. The child spent one night in the hospital and was released. She has no scarring. We were able to negotiate a $200,000 structured settlement with the insurance carrier that will pay her $25,000 at age 18, plus $15,000 per year for four years at ages 18 to 21 (for college tuition), plus $1,500 per month at ages 18 to 21 (for living expenses — compounds annually at 5%), and a lump sum of $85,000 at age 25.
We obtained a $100,000 settlement for a client who was bitten by a dog. The defendant's insurance company claimed our client had provoked the dog, but we proved that the dog was badly treated by its owner, who kept the German Shepherd confined to a small space every day, resulting in its bad temper and behavior. Our client was unemployed, had only $741 in medical bills, and did not need plastic surgery, so the bulk of the settlement was for his pain and suffering.
Interesting case: Our client was in the middle of divorce proceedings with her husband when he was killed in a trucking accident. We represented her (and her daughter) in a wrongful death action against both the trucking company that employed the negligent truck driver and the paper company that overloaded the truck, and successfully argued that since California law presumes that a divorcing couple will reconcile, the pending divorce was irrelevant. A settlement of $750,000 was obtained at a two-day mediation on the eve of trial.
These are always emotional cases for our clients, but this one was particularly hard. Our client was rear-ended in San Rafael, on his way home from work. The impact pushed his sedan into an SUV in front of him, so he felt a second big impact. Then he was rear-ended again, and pushed into the SUV again. Then it happened again, and he was pushed into the SUV again, so he actually felt six (6) separate impacts. At this point, he thought someone was trying to kill him. What was happening was that the drunk driver was trying to disentangle his Mercedes from our client's vehicle so he could get away. He was eventually apprehended by passersby and arrested. He served no jail time, but we obtained a settlement of $560,000, part of which was paid by the drunk driver, part by his insurance carrier. Our client had suffered damage to his knee and had two surgeries to repair the problem.
Our client was injured while on vacation in Maui. The bumper on the vehicle she was a passenger in had no damage; the other vehicle had no damage either. However, we successfully argued that she was an "eggshell" plaintiff because she'd had her first ribs removed 20 years prior for a thoracic outlet condition, which led to her vulnerability in the shoulder area. She had two torn rotator cuffs as a result of the accident, which were not discovered right away by her doctors. We obtained a settlement of $185,000 for her, after obtaining a license to practice in the Hawaiian Federal Court.
Sometimes, you just have to try the case. When our client came in to our office, she had already tried to settle her case with the insurance company. Even though she had over $10,000 in medical bills, and had been rear-ended by the defendant, they refused to pay her offer of $18,000. We took the case but told her we wanted to make the same offer again, in a more formal way (under CCP §998). She agreed, and we did so. They still refused to pay so we went to trial. The jury awarded our client a total of $68,836, which included 30 years of future chiropractic care. Because we had made the §998 offer, we were also able to collect 10% interest and our costs, which resulted in a better outcome for our client.


text:
(15264) Delbruck, désignation internationale (15264) Delbrück, est un astéroïde de la ceinture principale.

Description
(15264) Delbruck est un astéroïde de la ceinture principale. Il fut découvert le  à Tautenburg par Freimut Börngen et Lutz Dieter Schmadel. Il présente une orbite caractérisée par un demi-grand axe de 2,43 UA, une excentricité de 0,13 et une inclinaison de 2,3° par rapport à l'écliptique.

Compléments

Articles connexes
 Liste des planètes mineures (15001-16000)
 Ceinture d'astéroïdes

Références

Planète mineure découverte en 1990
Astéroïde de la ceinture principale
delbruck
Objet céleste découvert par Freimut Börngen
Objet céleste découvert par Lutz Schmadel


The gold coloured metal finish on our Gold Metal and Glass Hourglass is a striking contrast to the white sand inside. A great feature for your home, this ornamental sand timer will brighten any desktop, shelf or mantlepiece. Please be advised this item is for decorative use only.
For 10 years we have guaranteed our customers the lowest furniture prices in the UK – this guarantee stands today! See our T&Cs page for more details.
Gold Metal and Glass Hourglass is available for fast delivery to a mainland UK address (delivery fee of £4.99 is payable).


text:
Q: Upper Bound on the entries of $A^n$, where $A \in M_d(\mathbb C)$ and $n\in \mathbb N$ Let $A = [a_{ij}]_{1\le i,j\le d} \in M_d(\mathbb C)$ for fixed $d\in \mathbb N$. We denote the entries of $A^n$ by $$A^n = [a_{ij}^{(n)}]_{1\le i,j\le d}$$
for all $n\in \mathbb N$.

Claim: If $M > 0$ is such that $|a_{ij}|\le M$ for all $1\le i,j\le d$, then $$|a_{ij}^{(n)}|\le (dM)^n$$
for all $n\in \mathbb N$.

Proof. I have proved this claim by induction. The base case is trivial, since $d\ge 1$.  It is easily seen that $$\left|a_{ij}^{(n+1)}\right| = \left|\sum_{p=1}^d a_{ip}^{(n)} a_{pj}\right| \le \sum_{p=1}^d |a_{ip}^{(n)}|| a_{pj}| \le \sum_{p=1}^d (dM)^n M = (dM)^{n+1}$$
Questions:

*

*I am looking for direct proofs (i.e. without induction) of the above result. Could I get some suggestions?

*Are better bounds known? That is, can we find $\lambda(M,n,d)$ such that if $|a_{ij}|\le M$ for all $1\le i,j\le d$, then $|a_{ij}^{(n)}|\le \lambda(M,n,d)$ for all $n\in \mathbb N$, where $\lambda(M,n,d) < (dM)^n$?

A: The best upper bound is $d^{n-1}M^n$:
\begin{aligned}
|(A^n)_{ij}|
&=\left|\sum_{(k_1,k_2,\ldots,k_{n-1})\in[d]^{n-1}} a_{ik_1}a_{k_1k_2}\cdots a_{k_{n-1}j}\right|\\
&\le\sum_{(k_1,k_2,\ldots,k_{n-1})\in[d]^{n-1}} |a_{ik_1}a_{k_1k_2}\cdots a_{k_{n-1}j}|\\
&\le\sum_{(k_1,k_2,\ldots,k_{n-1})\in[d]^{n-1}}M^n\\
&=d^{n-1}M^n.
\end{aligned}
This bound is sharp. It is attained when every element of $A$ is equal to $M$.


text:
Olympia "Lia" Vissi (born 15 May 1955) is a Greek-Cypriot singer, songwriter and composer who most notable for her two participations in the Eurovision Song Contest and being older sister of Greek Cypriot singer Anna Vissi.

Career
Vissi participated in the Eurovision Song Contest twice. In 1979, she was a supporting singer for Elpida, representing Greece and 1984 saw Vissi participate in the Cypriot national song contest with the song "Chtes", which came second.

Finally, in 1985 she represented Cyprus in the contest as a solo singer, singing her own composition To Katalava Arga, to which she also penned the lyrics. The Cypriot entry came 16th out of 19 songs, receiving 15 points, including 8 (rather than the usual maximum 12) from Greece. Cyprus also gave Greece only 8 points this year and total score of the Greek entry totaled 15, and thus Cyprus and Greece shared the sixteenth position. She took part in the 1991 Greek final for Eurovision, singing the anthem Agapa ti Gi. She was placed second behind Sophia Vossou. In 1992, Greek television decided not to televise the national final. Vissi submitted a song for consideration, Kapios, and found herself voted into second place yet again.

In 2006, Vissi embarked on a political career, running for a seat in the House of Representatives of Cyprus in the 21 June elections. She represented the Democratic Rally in the Larnaca District but she was not elected.

References
 The Diggiloo Trush – Eurovision Song Contest Information
 An interview with Lia Vissi regarding her running-up for the office
 Dutch Wikipedia article on Lia Vissi

1955 births
Living people
Cypriot composers
Eurovision Song Contest entrants for Cyprus
20th-century Cypriot women singers
Eurovision Song Contest entrants of 1985
Greek Cypriot singers
Modern Greek-language singers
People from Larnaca District
Thessaloniki Song Festival entrants
21st-century Cypriot women politicians
21st-century Cypriot politicians
20th-century Greek women singers


warm is one of the 1000 most common headwords.
If something is warm, it is a nice temperature between cool and hot.
It's good to come into a nice warm house on a winter's day.
She washed her face in the warm water.
If you warm something, you increase the temperature.
At 7:30, the sun came up and warmed them a little.
Oh, the coffee's cold. Can you warm it up for me?
This page was last edited on 27 August 2018, at 01:26.


The merchant name on your statement will appear as 'RentACampervan'.
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Caitlyn Jenner, Formerly Known as Bruce, on the Cover of Vanity Fair July 2015. "Call me Caitlyn." reads the main "headline for Vanity Fair's July 2015 issue, featuring the new look of former Kardashian patriarch, Bruce Jenner.
In a video that accompanies the Vanity Fair article, Jenner says, "The last few days in doing this shoot was about my life. And who I am as a person. It's not about the fanfare, it's not about people cheering in the stadium. It's not about going down the street and everybody giving me 'Thataboy, Bruce!' Pat on the back, Ok? This about your life. Bruce always had to tell a lie. He was always living that lie. Every day he always had a secret from morning till night. Caitlyn doesn't have any secrets. Soon as the Vanity Fair cover comes out, I'm free."
Jenner, 65, tweeted after the cover was revealed: "I'm so happy after such a long struggle to be living my true self. Welcome to the world Caitlyn. Can't wait for you to get to know her/me."


For residents of Porto, however, the bookstore has a different story to tell. It is one of economic upswing in a country that was in the throes of crisis not all that long ago. Indeed, Portugal owes its recovery in part to double-digit growth in tourism, including in the areas in the once impoverished north around Porto. Ryanair and EasyJet have been flying to the city for years, and it has long been regarded as the new in-spot for city-escape tourism. Last year, around 2.5 million foreign tourists visited the region, and half of them visited Livraria Lello. Porto still hasn't become as overrun as places like Barcelona or Amsterdam, cities where locals have begun defending themselves against the hordes of tourists who seem to be taking over. But a divide has developed in Porto — between the tourist city and the city for locals. One can't help but wonder when a local last visited Livraria Lello. Do Porto residents also have to stand in line and pay five euros?


text:
Q: Basic authentication in vhost in PHP FPM I want to setup a basic authentication based vhost for where apache PHP handler is FastCGI(FPM). I found a solution here, but not sure it is same what I doing or not.
Server and SW details:
CentOS 6.9
Apache 2.4 - compiled with source
PHP 5.6.6 - compiled with source
I have configured PHP with FPM and running PHP as :
php-fpm -y /usr/local/php/php/fpm/php-fpm.conf -c /usr/local/lib/php.ini

I have some pools which:
listen = 127.0.0.1:9001
listen = 127.0.0.1:9002 ..

and so on
and my vhost configured as :
<VirtualHost *:80>
    DocumentRoot "/var/www/html/webserver/web"
    ServerName spectrumenterprise.jnj.com
    <Directory /var/www/html/webserver/web>
        Options -Indexes +FollowSymLinks -ExecCGI +MultiViews
        AllowOverride All
        Order allow,deny
        allow from all
        AuthType Basic
        AuthName "Restricted Content"
        AuthUserFile /etc/httpd/.htpasswd
        Require valid-user
        Require all granted
        <IfModule mod_proxy_fcgi.c>
            RewriteEngine On
            RewriteBase /
            RewriteOptions InheritBefore
            RewriteCond %{REQUEST_FILENAME} -f
            RewriteRule ^([^\.]+\.php)$ fcgi://127.0.0.1:9007/var/www/html/webserver/web/$1 [L,P]
        </IfModule>
    </Directory>
    ErrorLog "logs/spectrumenterprise.jnj.com-error_log"
    CustomLog "logs/spectrumenterprise.jnj.com-access_log" common
</VirtualHost>

If something I am doing wrong here?

A: I found a solution,
I have an .htaccess at webroot, I added
Order allow,deny
allow from all
AuthType Basic
AuthName "Restricted Content"
AuthUserFile /var/www/html/site1/web/.htpasswd
Require valid-user
Require all granted

after
<IfModule mod_rewrite.c>
    RewriteEngine On

added the .htpasswd file at same location of .htaccess (in my case /var/www/html/site1/web/)
restart pool and apache
pkill -o php-fpm
php-fpm -y /usr/local/php/etc/php-fpm.conf -c /usr/local/lib/php.ini
/usr/local/apache2/bin/httpd -k restart


Inexpensively distribute large amounts of content – such as text, videos, presentations or photos – without the need for Internet access.
USB drives (also known as flash drives, thumb drives, stick drives or jump drives) are a great alternative to disk-based media. They come in different shapes and sizes and can hold up to 64GB of data. USBs eliminate the need for excessive amounts of printed material for your campaign and can significantly reduce your budget as well as your carbon footprint. Our N.J. facility is one of the few U.S. locations that offer on-site data loading, locking and partitioning for USB drives. We also stock USBs for rush projects and are able to do the printing in-house.