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A PARATROOPER N THE 'HOOD
Ex paratrooper 'waged guerrilla war and spied on neighbours'
A former paratrooper waged a back garden guerrilla war against his neighbours when a petty dispute got out of hand, a court heard yesterday.
Rod Scott, 64, set up a 16ft viewing platform draped in camouflage netting in his garden to observe Tony and Janet Durkin 'morning, noon and night.'
The retired teacher and his wife felt 'under siege' from his never-ending 'surveillance' and became prisoners in their own home.
He kept flood lights trained on their house and they were forced to fit reflective film on their patio windows to stop him peering inside, Sheffield magistrates were told.
Other tactics he was blamed for included poisoning trees, throwing a dead rat into their garden, lighting fires and blasting out opera music.
The eight-year long suburban feud culminated in Scott being taken to court charged with threatening behaviour against Mr Durkin on August 9 last year and harassing the couple between September 8 and 29 at their £300,000 home in Millhouses, Sheffield.
Mr Durkin said the dispute began when Scott cut down brambles in their garden to reveal an 'eyesore' in his garden, which backed on to their property.
Scott refused to paint green an assortment of door frames and old timber panels that he used to screen his garden sheds and this led to relations between them deteriorating rapidly.
Mr Durkin planted a row of trees but Scott poisoned them with diesel, the court heard. Scott left noisy rotivators running for hours to disturb their peace and played Pavarotti opera music so loudly the whole neighbourhood could hear it.
He said Scott's viewing platform was erected on top of a shed. 'He had found a point from which he could look into all our rooms at the back of the house. We are regularly surveyed from that platform.
'At one point he put what looked like a bivouac shelter or a sniper's hide up there. He could see out but we couldn't see in - our privacy was more or less non-existent by that time.'
Asked if he had ever tried to speak to Scott about the problems, Mr Durkin replied:'It's difficult to discuss anything with a psychopath who is intent on this course of action.
'We tried to talk to him at the start of this. All that did was invite a seven year war of attrition - his words - which is still going on. The whole purpose of a war of attrition is to wear people down drip by drip, day by day. I find it difficult to sleep.'
At 1.30am on August 9 Mr Durkin went to investigate after seeing Scott carrying out one of his regular patrols of the area in his car. He said Scott pulled up, wound down the window, and swore at him.
'He issued a torrent of verbal abuse and threats in a high pitched, threatening voice as I was walking along the pavement.'
Mrs Durkin, 68, who has lived there for 35 years, told the court of her fear of the 'trained killer' watching from next door.
She said: 'He is an ex para who has been dehumanised and has no sensitivity to anybody else. He has been taught about surveillance and gadgets and stuff that we have no knowledge of.
'This man has three guns in the house and admits to being a trained killer. How do you think that makes me feel? You can't imagine that fear and distress it has caused me.
'I did try to overcome my fear and distress over this man but I gave up and I don't go in the garden any more. I have developed a heart condition brought on by the stress.
'I just want him to leave us alone. He doesn't seem to care about the damage , he doesn't care. It's like being under siege. I have not been in my garden since November.There's never any peace in the garden.'
Scott was a serviceman for 38 years and told the court he was in 'special forces' before working as a freeelance helicopter pilot. He retired five years ago after suffering serious injuries in a helicopter crash.
Scott said the dispute with his neighbours began after Mr Durkin had killed 10 of his beech trees by tying chicken wire around them.
There had been a disagreement about building a fence between their gardens, he said. He denied threatening the Durkins and described Mr Durkin's behaviour towards him as 'obnoxious.'
SOURCE: The Daily Mail
Check out "The Star" newspaper Sheffield. 24th FEB2009. www.thestar.co.uk/newsNeighbour-escapes-jail-afterPavarotti.
This is how all the trouble started


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It's A Drill! Cambridge Binondo's Fire and Earthquake Drill We will be inviting Fire Fighter volunteer from Fil-Chi Recto Fire Brigade to discuss the importance of being ready in times of these calamities.


Why You Shouldn't Go To An Opiate Rehab in New Jersey.
Home » Why You Shouldn't Go To An Opiate Rehab in New Jersey.
Opiate Rehab New Jersey? No, its time for a change.
You used opiates in New Jersey, does that mean you can't stay sober in New Jersey… No. I will tell you though that it is much, much easier to get and stay sober in a place your body and mind isn't already associating with Opiates. Going to an opiate rehab in New Jersey and returning to New jersey after your treatment is a recipe for disaster. This is not because New Jersey is a bad place. It is because the opiate rehab is in New Jersey.
That you want to go to is also in the same state you got high in. This is going to cause so so so so so many problems for you body mind and soul.
Opiate Rehab in New Jersey Will Not Work.
Changing people, places and things is the first thing any opiate addict is told to do when entering an opiate rehab in New Jersey or heroin detox in New Jersey. So my question to these institution of recovery in New Jersey is, why do you take people from your home state? "Triggers, not drugs are shown to be longest lasting relapse risk" as told by Psychology Today. The places you used to cop heroin will make you want to shoot up. Seeing your old heroin using friends and dealers will make you want to use. The body and mind latch on to these familiar sights, sounds and smells of opiate addiction and use them against your recovery. Attending an opiate rehab in New Jersey is not going to yield a successful recovery. Going to an opiate rehab in Florida will.
Heroin and opiate addicts from all over the country have being moving to Florida in droves of the last 10 years. Instead of checking in to an opiate rehab in New Jersey or a heroin detox in New Jersey, opiate addicts are finding new life in the sunshine state. Opiate rehab in Florida has proven to work for people coming from outside Florida because for many it is drastically different than their home state and Florida has more people in recovery from heroin and opiates than any other state in the country. Many of these addicts in Florida have already tried the opiate rehab in New Jersey and the heroin detox in New Jersey. The results did not come because no attention was paid to the external factors that doctors have been warning us about since the 1940's.
Push the reset button on your addiction.
Can you back to New Jersey? Yes! You! Can! I just think and so do the doctors that starting your new life will be much easier in your forgo the opiate rehab in New Jersey and start fresh. Begin that life miles away from the old places and people that scientist say will be lodged in your brain for years. You can always go back home once you have some time under your belt. You can always visit, but you need to give your heart and your mind a break. Get to Florida, start over. You'll be glad you did and you'll be surprised to find that most of New Jersey's former addicts are already there.


text:
Q: service and node parameter in getaddinfo() I was checking int getaddrinfo(const char *node, const char *service,
                const struct addrinfo *hints,
                struct addrinfo **res) on linux man page, where it says I can only setEither node or service, but not both, may be NULL. I don't quite understand, why I can't set both the node and service?

A: My manpage for getaddrinfo includes the quote, but it does not mean what you think. It says:

Either node or service, but not both, may be NULL.

IE you can specify both, or specify one. However, you cannot specify neither; having both as NULL is not permitted, everything else is.

A: If you are reading the Linux manpage for getaddrinfo() it says:

Either node or service, but not both, may be NULL.

So node or  service can be NULL.
But you can very much set both of them.
What you cannot do, is set both the node and service to NULL. Either one of them, or both of them
have to be set to a valid c string.

redpajama_set_name: RedPajamaStackExchange


Great white trilliums, along with some other varieties, bloom en masse up and down the slopes of G. Richard Thompson Wildlife Management Area in northwestern Fauquier County, where the park lies along a stretch of the Appalachian Trail. We are planning our annual trek there to see them at the end of April this year. Our hike will be at a leisurely pace, as there is an interesting mix of plants in this natural community living alongside the trilliums, but the trail is somewhat rocky and steep at places. Again this year we will hold the hike on the day of the City Nature Challenge for the DC area, and we encourage you to join other citizen scientists by bringing a camera and uploading your pictures to the iNaturalist site.
The site of our walk, the G. Richard Thompson Wildlife Management Area, is run by the Virginia Department of Game and Inland Fisheries. It lies on the eastern slope of the Blue Ridge Mountains and includes nearly 4,000 acres of hardwood forest, ranging from 2200 elevation peaks to terraced lower slopes. Thompson WMA trails wander past rock outcroppings, spring seeps, and several major streams.
Alonso Abugattas is a well-known local naturalist, storyteller, and blogger. He is the Natural Resources Manager for Arlington County Parks. A former officer, including president, of the Potowmack Chapter of the Virginia Native Plant Society, Alonso is a master naturalist and master gardener, serving as an instructor for both, and he was a co-founder of the Washington Area Butterfly Club. He invites you to check out his Capital Naturalist Blog (http://capitalnaturalist.blogspot.com/), Capital Naturalist Facebook Group, YouTube Channel, and/or follow him on Twitter.
However, this event has LIMITED SPACE, and you must register to attend.


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Home / Press Releases / Cuba Policy Change Fails to Advance Human Rights
Cuba Policy Change Fails to Advance Human Rights
(Washington, D.C.) With less than two weeks left in its term, the Obama Administration has announced that the United States will no longer grant automatic protection to Cuban refugees who arrive on U.S. soil. While lawmakers, leaders in Florida and in the Cuban American community have long discussed a potential change to the so-called 'wet foot dry foot' policy, this move was made unilaterally by the administration and was met with praise from the regime in Cuba.
Jorge Lima, Executive Director of The LIBRE Initiative, released the following statement:
"Next week the United States will celebrate a peaceful transition of power, with millions of Americans freely expressing their support for, or opposition to, the new president. In contrast, people in Cuba still lack even the most basic protections of fundamental human rights. They continue to live under oppression, with their lives controlled by a dictator who denies even simple free speech rights, and imprisons people for expressing their views.
It is sad that instead of insisting on genuine reforms and protection of individual rights, President Obama has sided with a dictator in Havana instead of those who believe in democracy. It is yet another concession to Castro with no commitment for change on the island.
There is support in Congress for changes to the policies that govern treatment of Cubans seeking asylum in the United States. Instead of imposing this unilateral change in the last days of his presidency, he should have sought an open debate and discourse. This would also have provided an opportunity to discuss the failure of the Cuban regime to protect human rights, despite the opening instituted by President Obama."
For Interviews with a representative from The LIBRE Initiative, please contact Brian Faughnan, 202-805-1581 or Wadi Gaitan, 202-853-4463

redpajama_set_name: RedPajamaCommonCrawl


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Find sources: "France Inter" – news · newspapers · books · scholar · JSTOR (April 2009) (Learn how and when to remove this template message)
Vous êtes bien sur France Inter
1 January 1947 (1947-01-01)
Club d'Essai (1947)
Paris-Inter (1947-1957)
France I (1957-1963)
RTF Inter (1963)
Sister stations
franceinter.fr
France Inter is a major French public radio channel and part of Radio France. It is a "generalist" station, aiming to provide a wide national audience with a full service of news and spoken-word programming, both serious and entertaining, liberally punctuated with an eclectic mix of music. It is broadcast on FM from a nationwide network of transmitters, as well as via the internet.
The channel announced during 2016 that it would discontinue transmissions from the Allouis longwave transmitter on 162 kHz with effect from 1 January 2017, thereby saving approximately €6 million per year. Transmission from Allouis of the atomic-clock-generated time signal would, however, continue after this date as the signal is critical for over 200,000 devices deployed within French enterprises and state entities, such as French Railways (SNCF), the electricity distributor ENEDIS, airports, hospitals, municipalities, etc.[1]
2 Slogans
3 Programmes
France Inter was founded as part of the reorganization of state broadcasting which followed the end of World War II as "Paris-Inter" and charged with being French public radio's generalist (i.e. "full-service") service. The channel was renamed "France I" in 1958, although three years later one of France's most popular radio and television listings magazines was still showing the station's programmes under the heading "Paris-Inter" with "France I" as a subtitle.[2] In October 1963 the France I and France II networks were merged to form "RTF Inter", renamed "France Inter" with effect from 8 December.
The major challenge faced by France Inter at the time of its reorganization in the 1960s was the private "peripheral stations" (in particular, RTL and Europe 1, broadcasting from powerful transmitters outside France) success in capturing the majority of the French radio audience since the war. They had done so by adopting a modern broadcasting style and earning a reputation for greater freedom from government influence.
As well as rapidly modernizing its style to match its competitors, France Inter stressed its freedom from commercial pressures – although it does carry a limited amount of paid-for advertising – and especially presented itself as intelligent radio accessible to a general audience under the slogan Écoutez la différence ("Listen to the difference").
Slogans[edit]
1975: Écoutez la différence (Hear the difference)
1983: France Inter, pour ceux qui ont quelque chose entre les oreilles (France Inter, for those who have something between their ears)
1987: Plus haut la radio ! (Turn up the radio!)
1995: Écoutez, ça n'a rien à voir (Listen, that's beside the point [in French this is a play on "there's nothing to see"])
2001: Au début ça surprend. Après aussi (It's surprising at first — and after the fact)
2005: Qu'allez-vous découvrir aujourd'hui ? (What will you discover today?)
2008: France Inter, la différence (France Inter, the difference / the novelty)
2012: La voix est libre (The voice is free [in French this is a play on "the coast is clear"])
2013: 50 ans qu'on ouvre la voix (50 years of opening up the voice [in French this is a play on "paving the way"])
2014: InterVenez (Speak up / Take action)
2015: Vous êtes bien sur France Inter (You're really there on France Inter [in French this is a play on "You're doing fine"])
Programmes[edit]
France Inter programmes, a number of which have been important milestones in the history of French radio, include:
Le Masque et la Plume, arts reviews from journalist critics (on air since 13/11/1955)
Le Jeu des 1000 euros, a general-knowledge quiz programme (since 19/4/1958)
La marche de l'histoire, formerly Deux mille ans d'histoire, an in-depth daily documentary on a specific historical subject (since 1999)
Pop Club (1965-2005, i.e. 40 years with the same presenter José Artur)
Le téléphone sonne, a current affairs discussion and phone-in programme (since 1978)
Là-bas si j'y suis, a reports programme (1989-2014)
Le sept neuf, formerly Inter Matin, morning news sequence (since 1982)
classique avec Dessay, formerly Carrefour De Lodéon, classical music programme (since 1992)
Les Cinglés du music-hall, prewar jazz and popular music presented by Jean-Christophe Averty for 28 years until 2006
^ Brulhatour (21 December 2016). "Le signal horaire restera sur le 162 kHz de France Inter". La Lettre (in French). Editions HF. Retrieved 14 January 2020.
^ La Semaine Radio-Télé 29/41, 8–14 October 1961
France Inter transmitters map (in French)
Official website (in French)
Radio France Online Streaming (in French)
Networks and stations
France Bleu Basse Normandie
France Bleu Belfort Montbéliard
France Bleu Champagne
France Bleu Corse Frequenza Mora
France Bleu Haute-Normandie
France Bleu Toulouse
Orchestre National de France
Orchestre Philharmonique de Radio France
Maîtrise de Radio France
Radio France Sport
Radio France Multimédia
Radio France Publicité
Musée de Radio France
MusicBrainz: c0833d83-b0dc-43a7-90ad-aa16e837a501
Retrieved from "https://en.wikipedia.org/w/index.php?title=France_Inter&oldid=935770900"
Longwave radio stations
Articles with French-language sources (fr)
Official website different in Wikidata and Wikipedia
Wikipedia articles with MusicBrainz label identifiers


text:
BD-EN Location: Bangladesh-English
Joydeep Datta Gupta
Board Member, Deloitte Bangladesh Limited
Deloitte Bangladesh Ltd
The Glass House (8th Floor)
Joydeep has 30 years of Management Consulting experience across Strategy and Operations, Human Capital, Technology, and Risk Advisory. He has led large scale transformation engagements and has advised several Global clients.
© 2022 Deloitte Bangladesh Limited. See Terms of Use for more information.
Deloitte refers to one or more of Deloitte Touche Tohmatsu Limited, a UK private company limited by guarantee ("DTTL"), its network of member firms, and their related entities. DTTL and each of its member firms are legally separate and independent entities. DTTL (also referred to as "Deloitte Global") does not provide services to clients. Please see www.deloitte.com/about for a more detailed description of DTTL and its member firms.


Think back to your most unforgettable travel memories. Remember the hotel employee that helped you organise a last-minute proposal on the beach so that you could pop the question in paradise? What about the apartment owner that drove you to the airport herself when your taxi didn't show up so that you didn't miss your flight? What do these special moments have in common? Someone went out of their way to make or save your trip and now we want to hear all about it. Tell us about the incredible concierge or the uber-thoughtful owner that transformed your Booking.com stay into something remarkable and you could be eligible for a chance to win €25,000 to spend on Booking.com.
To nominate your Booking Hero and enter the competition, you simply need to share your story on Facebook, Instagram or Twitter and use the #BookingHero hashtag, remembering to tag @bookingcom. Include the name of the property on Booking.com, the Hero's position at the property and a description of why you're nominating them.
Booking.com will choose the three most exceptional stories of hospitality professionals going above and beyond the call of duty to create extraordinary experiences for their guests. One lucky Hero and the customer who nominated them will each win €25,000 to spend on Booking.com, with the two runners-up and their nominating customers each winning €5,000 in Booking.com travel credit.


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In Istanbul, a Mostly Black-and-White Art Collection Sets an Inspiring Stage in the Home of a Multihyphenate
Turkish fashion designer turned interior and product designer Enis Karavil sees all of his creative endeavors as interlinked entities, each informing and progressing the other. His art collection, meanwhile, is where he celebrates the boundary-pushing talents of others. At home in Istanbul, the cofounder of design brand SANAYI313 curates a largely monochromatic tableau of works by friends, peers and artists who inspire his own practices.
Elizabeth Fazzare
Volga Yildiz
Elizabeth Fazzare: How did you begin to build your own collection?
Enis Karavil: Coming from a family of collectors, it was natural that I had a passion for art, and I started collecting at quite an early age. But, for me, the most important thing in a collection are the common threads among the individual artworks. A collection should be cohesive and have a certain focus, whether it's the subject matter, the medium, or the colours. At some point, I looked back at my collection and noticed that some of the pieces neither reflected me nor fit the theme, so I started making some alterations.
EF: What was the first piece you purchased?
EK: Pieces from my friend Jennifer Ipekel's first ceramics collection titled, "Korsan Ayşe" (Pirate Ayşe).
A ceramic piece by Jennifer Ipekel installed in the Istanbul, Turkey home.
EF: Do you have a defining theme to your collection?
EK: My focus is on black-and-white works mostly, which are striking, strong, and slightly disturbing.
EF: What designers/artists are inspiring you right now?
EK: Currently, I'm quite fascinated by fashion designer Daniel Roseberry's works, in the way he transforms an outfit into something like an art installation. At the helm of Schiaparelli, he works in the manner of an artist rather than a fashion designer. When compared to other fashion houses, his work at Schiaparelli dramatically stands apart. I also find Wolfgang Tillmans, Jaume Roig, and Arik Levy's works to be exceptionally inspiring.
EF: What current collecting trends are on your radar, if any?
EK: Lately, I've been keeping an eye on contemporary ceramic artists. I truly admire Jaume Roig's style and would like to add his works to my collection.
EF: How does fashion influence your decorating? And your art collecting?
EK: I don't design with trends because they come and go very quickly. Fashion often finds inspiration in the past, similarly interior design gets its share from previous eras.
EF: What was the last place you visited that inspired you?
EK: This small private museum housed in the mansion of Simantiri Family in Chora Patmos, Greece.
EF: Does the marketplace help your discovery?
EK: Sometimes it does but generally, I try not to be influenced by the marketplace. Seeing an artwork elsewhere might lessen my desire to own it.
EF: In terms of discovering new artists/designers, what are your trusted methods?
EK: Art fairs, social media, and some friends and advisors.
EF: What kind of crossover do you see between creative disciplines?
EK: I strongly believe that different disciplines nurture each other. In my opinion, creativity should not be bound to just one discipline.
Enis Karavil with his dog. Photograph by Ibrahim Karakütük.
EF: What is the next piece on your radar?
EK: An artwork by Hermann Nitsch.
EF: What is the last piece you purchased?
EK: A black-and-white photo by artist Ibrahim Karakütük, which hangs in my living room.
EF: What is the one piece that got away?
EK: Women of Allah by Shirin Neshat.
Art Cultured Collections
Meet The Computer Programmer-Turned-Collector Reframing the Role of 'Women's Work'
Sarah Harrelson
This Miami Collector Was Once Outbid by Martin Margulies. He Got the Piece Anyway.
Ahead of Miami Art Week, Meet Four Collectors Uplifting the City's Art Community


Bio-creature update — Too . . .
insects are another list for next time dragonflies, milipedes, mosquitoes, flies (many kinds), arachnids, beetles - those stuck together stink bugs joined at their read ends – large in front leading small at back: what's it like i wonder being led around by your rear end – the world receeding before you?


É um prazer tê-los a bordo!
Me chamo Carlos Pessini, sou piloto, colecionador de SCards e um apaixonado por aviação!
Nascido em São Paulo, no ano de 83, sempre fui fascinado pela aviação.
Comecei a colecionar SCards no final dos anos 90, e hoje minha coleção conta com mais de 5500 SCards, sendo 1000 de companhias brasileiras.
Se você tiver interesse em fazer trocas, dê uma olhada na minha lista de trocas em Trade List.
It's a pleasure to have you onboard!
My name is Carlos Pessini, I'm a pilot, SCard collector and an aviation fanatic!
I was born in São Paulo, Brazil in 1983 and I was always fascinated by aviation.
I've started collecting SCards in the late 90's and today my collection counts with more than 5500 SCards. 1000 SCards are from brazilian airlines.
If you are interested in swap cards, please have a look at my Trade List.


Spatial Data Server - can you edit Sql Server data?
"Currently, data using the SQL Server geography type in a database can only be queried"
Data Server, provided the table you want to edit contains an identifier field that the database populates with unique integer values."
So does the limitation on editing data from SQL Server only apply to the Geography type? What if the data are using the Geometry type?


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Home technology Demon's Souls: online servers close in February
Demon's Souls: online servers close in February
A tragic day is coming for the industry, the online servers of Demon's Souls for PS3 will stop working from February 2018. There are only a couple of months to enjoy one of the best PS3 exclusive, and we tell you more details, In these lines!
The online functions of Demon's Souls will stop operating early next year. It is a tragic loss for collectors who will no longer be able to enjoy their only multiplayer that eventually inspired the Dark Souls saga . The servers ran on behalf of Sony , who guaranteed that they could continue to play the game, but not its multiplayer component.
" After 9 years of recurring deaths and frustrations but as many triumphs of the dedication, the online servers of Demon's Souls will be completed on February 28, 2018 ," reported the official account of Dark Souls on Twitter . Similarly, Sony explained in its Japanese website exactly what this implies. The cooperative modes and invasions will no longer be available, the rankings will disappear, the silhouettes of players will no longer be visible, and the bloodstains and messages of other players will no longer exist. The rest of the game will be playable, but Old Boss will depend exclusively on an artificial intelligence and not on a player on the other side.
At first, it was speculated that this closure would only affect the Asian region, but Atlus confirmed that the Americas are also ready to complete the cycle. " We have mixed emotions when we say goodbye to the service, " they commented on their website . " Countless players enjoyed Demon's Souls and the features they brought when they were a complete novelty ."
Demon's Souls 2009 is a game from From Software , who later developed Dark Souls and Bloodborne inspired by the ideas of this first title. This game is one of the latest pure and high profile exclusive that is left to the PlayStation 3 , which can not be played on any other platform , in addition to the brilliant Metal Gear Solid 4 . The loss of its online component is a real tragedy for fans of gaming and the preservation of video games. However, you do not have to become the Nexus and lose hope – the director Hidetaka MiyazakiHe mentioned in an interview last year that it would not hurt for another studio other than From Software to remake Demon's Souls .
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text:
Quattro Cascine ima više značenja:
 Quattro Cascine, Alessandria
 Quattro Cascine, Piacenza

redpajama_set_name: RedPajamaWikipedia


Sometimes this stepping back has been necessitated by "firefighting" the technical hitches that have arisen in class or by needing to spend time with one child/pair/group who needed extra input. This can effectively put our pupils in the same role as Professor Mitra's children (albeit still in a more structured environment)where they support each other, help each other, figure stuff out in partnership.
Once I'd learned this principle as a teacher, it made it easier to successfully use wikis with the children as part of the collaborative work we did and continue to do – whilst it is in no way as groundbreaking as the Professor's experiment, I am reassured that the students are going to benefit from using this technique.
The research showed how students are able to achieve a level of success given no adult input and that their achievements improve with an adult supporting them who has no particular knowledge but encourages and supports. It was incredibly interesting to continue the conversation with Professor Mitra later – my main question was about how this achievement would be affected by adding a knowledgeable adult/teacher into the self-supported learning scenarios he is investigating.
This is apparently the next step in his research and it will be interesting to see what levels and techniques of teacher support, questioning, advice, guidance, modeling will have the best impact on pupil learning and encouraging independence in that learning. It's something we are constantly juggling with in our classes, whatever pedagogical approach we are using and it depends on who we are teaching, what we are teaching and many other factors.
I don't believe technology will end up putting teachers out of a job because I don't believe all children will become self-motivating, self-supporting learners – our role as teachers is more than imparting knowledge, it is as guides to facilitate and support the learning journey our pupils are on and to help them make the most of the opportunities that are available, whether that is through drama, role-play, games, reading, writing or technology based.
And if Professor Mitra's subjects could learn so much purely through technology, I wonder how their horizons might be broadened if they had access to learning through a range of other tools teachers use.
So what I will be sharing with my colleagues is that traditional pedagogies have the potential to evolve by using technology to support more independent learning or collaboration with peers/outside experts.
The keynote speech that also got me thinking was by Jim Wynn (CISCO). Werner Prueher has also blogged about this keynote here. Whilst I would love to have claimed to be able to read it without any support, I used an online translation tool to be able to access it – hopefully, this will work for you too!
The diagram on Werner's blog clearly illustrates a shift in the relationship between input, process, and outcome, with an increased emphasis on the process skills. (I think this links well with the shifts in our own National Curriculum towards more emphasis on skills).
All the virtual networks – peer support, expert support, and collaboration opportunities – combine with the technological tools that help our pupils use, practice, reinforce, investigate, practice, discuss till they reach the final point on their learning journey. For me, this takes the BECTA model of learning with and through technology and adds more detail to the extent and empower aspects that we are aiming to get to.
And for me, the implications as I return to school are to take the steps at the beginning of Jim's learning journey that we have started and use our extended project work to develop increased pupil independence and responsibility. I think this links very well with Professor Mitra's work – perhaps Jim's model of learning helps to explain why the Hole in the Wall students learned so much with minimal adult input.
And maybe our challenge as teachers is to re-evaluate our contribution to our students' learning by facilitating those activities that take our pupils through the "Learning Journey Architecture". Just as our use of technology in the curriculum has evolved, so our teaching methodology needs to evolve to give our pupils experiences that will best enhance their learning and make the most of these new opportunities.


We would like to dedicate this section to express our sincere gratitude to all the people, friends and family that helped to make On the Sea surf school possible.
If you have a project or a dream, we will always be there to support you.
Gonzalo Galván, Miguel Guadix, Fernando Borges, FºJavier López, Francisco Carrera, Juan Diego Álvarez, David Fernández, Antonio de Arcos, Juan José Peña…….many more.
Nowadays, our work team consists of 4 people and in summer the number of instructors increases. This is a small company that is characterized by hard work, perseverance and with many dreams to achieve.
He is passionate about surfing, nature and freedom. He is the founder of On the Sea surf school and surf camp, and makes a living from what he truly loves, surfing.
Surfing Instructor Level 1 accredited by The Spanish Surfing Federation.
Surf teaching experience for 6 years. Modest, friendly and lively are his best qualities.
He is knowledgeable about the coasts of Cádiz and their secrets.
Spots, conditions, depths and tides always enable you to have a good day with him.
Relaciones públicas y atención al cliente.
She has played a major role in the project since the beginning. She is a very good surfer and a nice person.
Secondary Education Teacher and Training Course Teacher.
Spanish Teacher for foreign students.
She has over 10 years teaching experience. Teaching is her passion.
She is kind, modest, and charming and loves children. She makes you feel at home and provides you with all the information you need about lessons, surf camps, tourist tips and travel advice.
Monitor de surf y tiempo libre.
His big passions are surf, music and teaching.
Surfing Instructor Level 1 accredited by The Spanish Surfing Federation and International Surf Association.
Over 10 years surfing experience at the beaches in Cádiz. Besides, his adventurous spirit has brought him to other surf destinations, Portugal, Northern Spain, The Canary Islands, Costa Rica and Panamá, in search of perfect waves and other cultures.
He is spontaneous, enthusiastic and dynamic. Sharing his positive emotions and experiences with others makes him happy.
He is the youngest of the work team On the Sea.
He has a very high level of surfing and competition experience in surfing events in Andalucía and Galicia, such as King of the Groms Quicksilver, getting very high scores in 2008 and 2009.
Today, he studies Business and Administration at the University of Seville.
Surfing Instructor accreditated by ISA.
Two years experience in surf teaching at On the Sea surf school.
He started to surf when he was 10 in Cádiz, Portugal, and northern Spain.
He is encouraging, kind, responsible and hardworking. He will help you to enjoy and learn this amazing sport, surf.