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Tag Archives: Neanderthals
Pathological Science and mtEve
September 7, 2012 Kathleen Fuller
While reading The Disappearing Spoon by Sam Kean, the author discussed the concept of 'pathological science.' 'Pathological science' results from scientists who cling to their ideas even when there is plenty of evidence against them. For instance, Kean discusses the idea that megalodon sharks might still be circling the deep oceans even though there is no evidence for this, while there is evidence that those sharks died out at least one million years ago. Yet, some scientists are pathologically attached to the idea that the megalodon lives.
I realized that 'pathological science' was the perfect term to describe what happened over the past 25 years with the rise of mtEve and the demotion of Neanderthals to non-H. sapiens status. There was/is little evidence to support mtEve as a concept, but it so excited many otherwise respectable scientists, not to mention the media and the general public, that mtEve swept away anyone who disagreed that she was the mother of all modern humans. This was a pathological science creation event par excellence. If this non-existent entity had been named mtMable, the rush to embrace her probably would not have occurred.
The name 'mtEve' fed into the creation stories many scientists were raised with; even if they no longer believed the stories, the concepts still manifested at an unconscious level. For the media and the general public who did/do still believe these creation stories, mtEve provided immediate validation that humans were special. Humans were not just another animal; not just another result of evolution. Pathological scientists also want 'modern' humans to be viewed as special, distinct, better than any preceding humans who were 'archaic' and different, more like an animal, less intelligent. Given the location of mtEve (Africa) and the poorly-derived date of mtEve (it varies a great deal, but many use 250,000 years ago), Neanderthals were relegated to the 'archaic' heap.
I have spent the past two-plus decades fighting against this pathological science, only to see it become accepted dogma even in textbooks. This is disturbing. If scientists can be so swept away by their emotions that they totally ignore evidence, is it any wonder that respect for science is softening? Fortunately, science is eventually self-correcting. It's taken too long, but it is finally becoming clear that Neanderthals were no less 'modern' than so-called 'moderns.' There was no creation event 250,000 years ago in which mtEve popped into being and begat the first modern human. For 25 years, I asked for evidence of how speciation occurred between 'archaics' and 'moderns' and was shown no evidence. I was not surprised since there was and is no such evidence: mtEve was a creation of pathological science.
Robert G. Bednarik's chapter, "The Expulsion of Eve" in his book The Human Condition, is a precise and detailed refutation of mtEve and the concept of 'modern' and 'archaic' humans. He slices and dices the 'evidence' (morphological, genetic, lithic, and cultural) until there is nothing left but hot air. While Bednarik does not use the term 'pathological science', it is clear from his analysis that mtEve proponents were and are acting pathologically. "…the Eve supporters have led the study of hominin origins on a monumental wild-goose chase."
adaptabilityadaptationanthropologybeliefsbiologyevidenceevolutionfactsgenesgeneticsHomohumanNeanderthalspaleoanthropologypathologysciencespecies
Adaptation, Education
Is racism OK if the group is extinct?
May 9, 2012 Kathleen Fuller	3 Comments
Along with some of my physical anthropology students, I attended a public lecture on the Neanderthal genome given by one of the men who worked on the genome. An issue my students and I hoped the speaker would clarify is whether he considered Neanderthals a different species even though he admitted that EurAsians had some Neanderthal genes.
When one of my students asked about this, he stated that it was obvious they were a different species. "Look at my graph! It's obvious!" However, it was not obvious. His graph compared the DNA (presumably nDNA rather than mtDNA, but he was unclear on this) of three Neanderthal females from the site of Vindija, Croatia, to the DNA of multiple individuals from different 21st century populations. There was a bit of a deviation of the Neanderthal lines from the non-Neanderthal lines, but the trend of the lines was the same. To further support his contention of different species, he said it was obvious from a comparison of the skulls of the two "species". He then showed a comparison of a La Ferrassie Neanderthal with a current European skull. This same student said that differences were not obvious when comparing skulls from around the same time period that belonged to Neanderthal and so-called moderns. The speaker then began a jargon-dense explanation of a skull analysis technique that he felt proved his point. I let this slide because of the type of audience present, but I did e-mail the speaker after the talk. In that e-mail I noted that I'd been at conferences where one speaker using the technique he described 'proved' Neanderthals were a different species based on skull morphology, while the very next speaker, using the same technique and skulls, came to the conclusion that Neanderthals fell within modern human variation, and so were the same species as we are. He didn't respond to this.
Back at the talk, another of my students asked the speaker how he could be so sure of his conclusions when he had only three samples and they all came from the same site; and, further, had not been compared to 'moderns' from the same time period. The speaker's answer to this was not really clear, but seemed to be "Look at my graph! It's obvious!" I also asked him about this in my e-mail. He responded that he saw no point in comparing to "moderns." His comment: "We know that most of the DNA variation present within currently living humans dates back, on average, hundreds of thousands of years. Therefore, there is little to be learned from sequencing early modern humans. Nevertheless, this is being done anyway. In fact, there was a paper in Science last week
(http://www.sciencemag.org/content/336/6080/466.full) with DNA from several Neolithic humans. Unsurprisingly, they differ little from currently living humans."
I replied that Neolithic humans lived thousands of years after Neanderthals (the time period in the article was about 5000 years ago) and were in the midst of one of the most severe selection events to affect humans due to the rise of contagious infectious disease among early agricultural populations, along with impaired nutrition due to restricted diets. As we are still living in this changed environment of infectious disease and poor nutrition, it is not too surprising that "they differ little from currently living humans." Nor would it be surprising if they differed somewhat from Neanderthals, although that analysis was not done. However, the article does not really appear to support his point anyway. Four individuals were tested: three northern European hunter/gatherers and one farmer who appeared related to southern Europeans. What this article points to is that, as with the Neanderthal genome, a tiny sample is used to make huge generalizations.
To enforce his point during his talk that Neanderthals were a different species, he implied that they were stupider than 'moderns' by comparing Mousterian tools of 150,000 years ago to cave art of 30,000 years ago. In my e-mail, I reminded him of that fact that Neanderthals of 40,000 years ago were using Upper Paleolithic tools, and that the 10,000 years from 40,000 to 30,000 years ago is an extremely long time. My comments were:
"Think how much our culture has changed in the past 10,000 years. But even if you do not like that comparison, what about the Tasmanians who were isolated from the rest of the world for 10,000 years until found by Captain Tasman in the 1600s? When found, their material culture was hardly more complex than is true of chimpanzees. This, of course, says nothing about the complexity of the intangibles of their culture. Were Tasmanians less than human because they had so little? Certainly, many Europeans thought so since they willfully destroyed them. But I think you will agree that racism is not a good way to judge whether a group is truly human or not."
His response to this: "I think it's OK to be racist against Neandertals. It's the least of the offenses we are guilty of committing against them. In seriousness, though, they are extinct."
My response to him: "So you think it is OK to have racist views about extinct populations? Since the Tasmanians and Taino (among many other groups) are effectively extinct in the same sense that Neanderthals are extinct (i.e. their genes live on in current individuals, but their culture is gone), were (are) racist attitudes towards them OK? Isn't it racism that was key to their extinction?" He did not respond to that e-mail. Perhaps he realized he had gone too far. Perhaps he was annoyed that I refused to accept his "obvious" evidence.
anthropologygeneticsNeanderthalspaleoanthropologyracismspecies


At least one person will be voting against a controversial candidate for the Missouri General Assembly — his daughter.
Steve West, 64, knows he can't count on his kids' votes.
Steve West's son, Andrew West, is also against his father running for political office.
His children are concerned by the number of people who appear to be in support of their father.
They say yards across Clay County are peppered with signs bearing the controversial candidate's name.
Accused gunman Robert Bowers on Saturday carried out the most deadly anti-Semitic attack in American history when he opened fire on a Pittsburgh synagogue, killing 11 people. "I just want to kill Jews," he proclaimed, according to authorities.
West condemned the attack, and denied harboring anti-Semitic views.
Andrew West says his father isn't violent. But he does believe he espouses the same views as Bowers.
He's fearful of what might happen if his father is given a platform from which to broadcast his views.
"But certainly the terrorist that engaged in that synagogue shooting and my father have the same objective. That objective is the removal of Jews from America. And certainly, if somebody who is already unstable gets the kind of message that he's preaching, it's all bad," he said.
Emily West said her father's views have become increasingly radical over the years, causing a rift between the candidate and his children.
She even called on him to drop out of the race after he won the primary in August.
The candidate, meanwhile, is optimistic.
"I have a good reputation," he said. "These people are trying to paint me as some monster. But I have been in this community for a long time. A lot of people know me, and they don't have those experiences with me. There's a good chance I'm going to win," he told the paper.
His website includes a section addressing the controversy around his radio show and social media accounts.
West writes on the site that he always had a "creative streak" and wrote song parodies and satires for conservative talk shows before launching his own show on KCXL.
"I love talk radio but thought it needed to be lightened up a little occasionally and thought my parodies and satires could be a welcome comic relief," he said.
He regrets that his radio show has been drawn into debate.
He claims attacks made on his character by the main stream media are an effort to distract voters from the "real solutions" he's proposing for Missouri.


Mandatory Assignment 06 – Motion Design.
Concept : Initially i decided on starting out the animation in black and white, then to add color to some words to highlight and add some interest. Meaning i wanted to highlight instances (ie: words and concepts in the design) in red.
Moodboard : I wanted to keep it simple as this was my first After Effects project. So i focused mainly on the colours i wanted to use.
Animation : Starting out i structured the animation text needed for the project creating the main structure of the text in the animation. While story boarding a wanted to create something connecting the text to the studies Noroff provide, however doing this for every instance would be too much for a 30 second clip. I decided on a few aesthetics that i felt described the kind of work and concepts the students of Noroff work with.
The most time consuming part of this animation for me was going over all the videos about how to use After Effects. Learning the software itself by using it was the most rewarding for me personally and i am happy with the end result concidering this was my first shot at doing a professional intro in motion design.
Sound : I considered creating the sound design myself, however i wanted to keep my focus on animating rather than creating music for this assignment as i have never animated anything before. Keeping focus on learning as much as i could about using Adobe After Effects and animation.
noticed the first time someone sees the intro.
researched and decided on a backup track to use.
The licensing of this track is free as long as i credit the artist and do not use it for commercial gain (re-selling or charge for its use in any way).
I have reached out to the artist asking about the track and to specify this, however i never received any reply.
– Reproduction of tangible copies of a recording on the Beat of up to 50 non-profit copies.
– Showcasing of a recording on the Beat in a non-profit manner through an internet-based medium such as Myspace, Youtube, or a personal webpage.
– Performing a live act on the Beat in a completely non-profit show.
– Redistributing the Beat by itself with all filenames and credits intact (see section 2) through the internet or a tangible medium.
2. Credit. You will provide proper credit for the creation of the Beat by writing 'Produced by (Insert Producer Name) on all official documents or surfaces released with tangible copies of a recording on the Beat. It is alternatively acceptable to credit the Beat's direct producer's real name or stage name for the creation of the Beat. If there are absolutely no means to provide written credit, vocal credit is required by actually recording the phrase 'Produced by (Insert Producer Name)' within the first 30 seconds of the Beat.
The design outcome is what i desired for this project. I focused on the typeface provided and had fun using it in the animation in different ways. The Gotham Typeface have alot of different fonts i could use to create something dynamic.
here i used Brush script typeface to create the desired effect.
All in all i am satisfied with my animation. A few notes i have made for myself during this project is that i learned allot about animating text and effects. Next time i animate in after effects i would like to pursue something more visually "artsy", meaning i want to use more illustration and maybe even videography to enhance my motion design.
← Learning Activity – Creating an Animation in After Effects.


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Q: the result when deep learning code is trained I'm newbe about deep learning. I'm starting project that requires deep learning about korean character recognition. The question is that when I run the deep learning code and training that, deep learning code is trained? If so, when I copy the code that is trained, I'll get two trained code??

A: *

*With your code, you create the model

*Then you have to train this model on some data

*(Pre-)trained model can be copied and used on another device/whatever

A: Ideally the code helps you to create the model and training is done on the data. When you actually copy the code, your copying the code only and not the variables it has learnt, so yes, when you copy the code you get a copy of the code and not the weights and biases data.

redpajama_set_name: RedPajamaStackExchange


2016-11-28 A self-standing poster panel is 180 cm wide and 210 cm high.
would be suitable for the panel.
2016-11-25 NLPTEA 2016 workshop proceedings is released online.
2016-11-08 Workshop program is confirmed and announced.
2016-09-25 Paper submission deadline is extended to October 2.
2016-08-16 Invited speaker Prof. Glenn Stockwell will deliver a great talk at our workshop.


1. I ate at Zupas this week! Have you ever heard of this place? It has amazing salads, soups, and sandwiches.
2. Spending so much time this week with my family has been amazing.
4. I am going to be reading Divergent (by Veronika Ross) while I travel and I've heard it is great! I love the summer time when I can read as much as I want.
We sure are! Thanks for noticing :) Thank you so much for being a fantastic reader!
Lucky girl... in Hawaii by now!!! WAHHHH I miss that place and that sunshine!! No sun like Hawaiian sun!
Hope you have a blast in a glass girlie!


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UK Government finally launches public energy efficiency information campaign
Following months of pressure from civil society groups, the UK Government has signed on a public information campaign for improving home energy efficiency backed with £18m. It has also confirmed the details of the next phase of the ECO scheme, ECO+.
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Some homes are set to see more than £400 reductions in annual dual-fuel bills
In a move that has been advocated by environmentalists, groups representing vulnerable demographics and even the UK Government's own climate advisors, the UK Government has today (28 November) confirmed a campaign advising members of the public on saving energy at home "without sacrificing comfort".
The Department for Business, Energy and Industrial Strategy (BEIS) confirmed that the campaign will offer information on how people can claim the one-off payments this winter that the Government is offering, and also provide more technical advice on reducing energy use while still keeping warm.
Tips provided will include draught-proofing windows and doors; adjusting the temperature on radiators in empty rooms and reducing boiler flow temperatures to 60C. Boiler flow temperatures indicate how hot water becomes before it is sent to radiators. This latter change, BEIS claims, could save the average home £160 per year.
Liz Truss reportedly had plans laid in front of her, from BEIS, for a £15m energy communications scheme – but threw them out as she did not want the Conservative Party to be seen as telling people how to shape their daily routines.
Rishi Sunak's Chancellor, Jeremy Hunt, confirmed at the Autumn Statement earlier this month that more advice on energy saving in homes was in the pipeline. He also announced £6bn of additional funding for energy efficiency – but there was some disappointment that this money will not begin to be allocated until 2025. The funding is part of the Government's plans to reduce energy consumption by British buildings and industry by 15% against current levels by 2030.
ECO+
Also announced by BEIS today are details about the next phase of the Energy Company Obligation (ECO) scheme. The scheme obliges medium and large energy suppliers to fund the installation of energy efficiency improvements in British households, prioritizing those most in need, including pensioners, low-income families with young children and those on means-tested benefits.
BEIS has confirmed that the new ECO phase, ECO+, will be available to a wider range of groups, with the aim of helping all who do not currently have access to any other government funding to improve home energy efficiency. It will include £1bn of funding – 80% of which will be made available to homes in lower council tax brackets with an EPC rating of 'D' or below.
ECO+ will run for up to three years from next spring. BEIS estimates that it will save the average home around £310 on annual energy bills.
Hunt has stated that making buildings more energy efficient while scaling the domestic production of clean energy is the only way to "permanently" reduce home energy costs.
The UK Government is notably aiming for all homes to reach EPC grade 'C' or higher by 2035. Currently, 46% of homes meet this level of energy performance. The Climate Change Committee and other groups have recommended that the Government brings forward a new national home retrofit scheme in the near-term to get the nation on track to meet the 2035 goal.
Green economy reaction
Responding to BEIS's announcement, the Association for Decentralised Energy's (ADE) energy efficiency policy manager Chris Friedler said both moves are "very welcome" – but he has some reservations.
He said: "Delays to the rollout of ECO+ will now mean it will struggle to be implemented in time for this winter, demonstrating the urgency of early action on energy efficiency.
"The government also correctly acknowledges that ECO+ is a bridge to wider action and not the end goal of energy efficiency, with plenty of further ambition required in future, such as a more comprehensive coverage for all homes."
Ashden's head of cities Simon Brammer said that while the climate charity weclomes the ECO+ confirmation, the funding "covers just a few hundred thousand homes over the next three years, compared to 19 million homes that must be insulated by 2035 to hit the government's own net-zero targets."
Brammer added: "Most importantly, and quite incredibly, the funding doesn't come into effect until April next year at the end of winter, so what is the Government doing to protect vulnerable people right now during the cold months before April?
"To reach the target of 19 million homes insulated, the Government must also urgently tackle the retrofit skills crisis, working with local councils and further education colleges to train people across the country. We need a 10-year plan with committed funding."
'We need to run, not walk': Green groups react to energy efficiency spending plans in the Fiscal Statement
Launch energy efficiency information campaign and clarify retrofit plans, CCC urges UK Government
Keeping 1.5C alive: Will businesses step up where world leaders faltered at COP27?

redpajama_set_name: RedPajamaCommonCrawl


Protesters have demanded to know how many more trees a council plans to fell after 173 were removed from streets.
The felling is part of South Tyneside Council's programme to replace broken pavement flags with Tarmac.
South Tyneside Tree Action Group said it was "appalled that so many trees have already been chopped down".
The council said it was "not always possible to retain the trees due to their size, the extent of their roots and their condition".
"While the loss of any tree is sad, in such circumstances the works are necessary to ensure the safety of pedestrians and to reduce the risk of injury," a spokesperson said.
"We only remove trees as a last resort after very careful consideration."
The protest group said the council had been unable to say how many more trees would be felled.
Co-founder Rachael Milne said almost all the remaining mature street trees were under threat.
"The council intend to continue with their plans to replace all our pavements and it seems that if trees are in the way, they have to go, " she said.
The council said it had a like-for-like policy of replacing every tree removed, "but in a more appropriate location".
However, Ms Milne said "even if saplings are planted somewhere else like a park, that is not replacing valuable street trees".
Many do not survive, due to inadequate planting, insufficient aftercare and vandalism, she said.
The group is asking the council to consider alternative solutions to maintaining pavements around the trees which it has learned from campaigners in Sheffield.
Fierce opposition to tree felling in the city has made headlines, with 5,500 trees brought down in the city since 2012.


Getting cabin fever on the island? Head back across the Queen Isabella Causeway and check out the famous Port Isabel lighthouse.
South Padre Island is located anywhere from 2.5 to 4 miles off the coast of Texas.
The fall and winter seasons are often thought as dreary, but South Padre Island offers many sunny days from November through February.
At 2.5 miles long, the Queen Isabella Causeway spans the Lower Laguna Madre, and offers the island's only point of automotive entry.
Winter Texans (folks from colder climates that migrate south for the winter) are a valuable asset to an island that struggles economically in the down season. Jim Rockford of Bemidji, Minnesota, has been cruising the island streets for over a decade.
Long gone are the umbrellas and chairs of summer, but the beaches of South Padre Island still serve as an excellent landscape for sea-gazing and an afternoon stroll.
When the weather cooperates, shirtless beachgoers can be found strolling the shorelines of the Gulf of Mexico.
The water of the Lower Laguna Madre is home to some of Texas' best saltwater fishing. Contrary to popular opinion, fishing in the fall is one of the best times to catch trout, redfish, flounder, or snook.
Gulls become more active in the fall and winter as they feed over the bay waters.
Sea Turtle Inc., a nonprofit sea turtle rehabilitation center, is quite busy this part of the year as cold snaps stun the turtles, requiring STI to step in and help. Executive director Jeff George can often be found leading an educational lecture for visitors.
Unlike the busy spring and summer months, restaurant waits are almost nonexistent in the fall and winter.
Nightlife options are not as plentiful with the bayside bars usually closed on cold evenings, but you can always count on some quality karaoke at the Coral Reef Lounge.
It's a Texas crime to miss a South Padre Island sunset.


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MattConnollyForCongress.com
Matt Connolly For Congress 2014 & 2016
In both 2014 and 2016 Matt Connolly was running as the Republican candidate to represent Pennsylvania's 13th Congressional District against the Democratic incumbent U.S. Rep. Matt Cartwright.
This was his campaign website for both attempts.
In 2014 he lost in a three-way Republican primary to Dr. David Moylan, a 62-year-old cardiologist and Schuylkill County coroner. However in 2016 he became the Republican canidate after defeating Glenn Geissinger in the primary. Much of Matt Connolly's 2016 platform mirrored that of Republican presidential nominee Donald Trump, including lowering the corporate tax, repealing Obamacare and cutting environmental regulations. He lost to Matt Cartwright who won a third two-year term in the House of Representatives.
Content is from the site's 2014 - 2016 archived pages.
Why Am I Running?
American Politics Today
I would like to introduce myself and explain why I've chosen to run for Congress in 2016.
My name is Matt Connolly, and since I was very young and first learned about the history of the USA in grade school, I have always felt blessed and lucky to be an American. I remember thinking that I could have been born in any country, but the fact that I was born here made me feel like a winner from the start. I knew it was possible to do anything I chose, that the American Dream was there for the taking if I would work at it. The only one who could stop me was me. I learned that the government was there to work in the background, that there were checks and balances to keep things in line, and that because of them, the people would never fear any oppression from the government.
I have been fortunate to live the American Dream. I wanted to be a professional race car driver since the age of 6, and I have achieved that goal. I have exceeded it, in fact - I also own the team and have won many races and championships. Only in America - right?
I have also been able to invest in real estate and attain a degree of security in life - something many people don't have. That began to change after the 2008 election. I had long-time sponsors who wouldn't renew because they had no idea what the Obama administration would do to their business. They only said they had to reserve cash for all of the unknowns. I chose to liquidate part of my team and raced a limited schedule the next four years. I had a private health insurance plan that suited my family's needs. Over time, I had to let my workers go and turned my race shop into an auto repair shop with me as the sole mechanic. Like you, I watched America's place in the world diminish while the incompetence of the president and his cabinet proceeded to "Fundamentally transform America."
I ran for State Senate in 2010 since I was tired of complaining about things as they were. I lost but got more votes against the incumbent than anyone else had in previous attempts against her. I learned a lot and stayed active with the Party. In 2012 I worked for the Romney campaign and hoped we could end the assault on our values and way of life. I supported Laureen Cummings and Dr. David Moylan for Congress (the previous nominees for PA 17) and worked the phones and helped any way I could. After realizing the impact of the election, I felt more motivated than ever to run again and to stand up for the founding of this great nation.
To me, the problems we faced were not insurmountable because they were all problems that the government itself had created! High gas prices? Open up more land for drilling. Complete the Keystone pipeline. Allow more nuclear plants to be built. Then there's the tax code. Besides the fact that the tax system needs reform, we have the highest corporate income tax in the world at 35%. Why are jobs getting sent overseas and why are the profits staying there? It's too expensive to bring them here. Here's a stimulus idea - drop the corporate tax to 20%. Let the money and jobs flow back to the USA. The Treasury will get more with the additional taxpayer base. Very simple, but the Democrats resist it because they can't control where the money goes like they could with the stimulus package. It's hard to buy votes when the money stays in the pockets of the taxpayer!
Then there's the ACA (Obamacare). We know what it means - it's not affordable, Obama doesn't care, and it's all an act. It cannot be fixed. It must be repealed and real patient-centered reforms, including tort reform, must be enacted. The government has no place getting between you and your doctor. The fact that they had to lie to sell the program tells you everything you need to know. It must go!
There are also way too many regulations in this country. That's another reason we are losing jobs. The cost of compliance is too high. Other countries will gladly allow us to build factories and hire their locals. These factories should be in this country with our citizens working in them, but the environmental lobby and the alternative energy movement won't allow it. We must stand up to these groups. I certainly will.
To finish up, I'm pro-2nd amendment, 100% pro-life, pro-school choice and don't support gay marriage (civil unions are the solution). We need to return government to the local level whenever possible. Local government is the best. The 10th amendment was put there for a reason. The free market must be what determines the success or failure of business, not the heavy and meddling hand of government. The fiasco of global warming has to be faced head on. It's simply another way that we lose our rights and freedoms. There have never been two days, let alone two years, where the climate has been the same. The use of guilt and fear and the indoctrination is suppressing our industry and ambition. I will avidly debunk the myth and empower those who are for the responsible development of our abundant resources. The best foreign policy regarding the Middle East is not to need their oil! Everything else will become simpler when we are energy independent.
We need to renew the American Dream. I have lived it, and I understand it.
Matt Connolly
As your Congressman, I WILL:
* Work to repeal job killing Obamacare and promote patient centered healthcare policies.
* Enable the U.S. to be free of foreign oil and lower the cost of gas and energy for everyone.
* Help get people off of Welfare and restore the human dignity that comes from earning a living.
* Reform the tax code and reduce regulations.
* Get Big Government out of our lives.
* Strengthen the border first. Then reform immigration laws.
Matt Connolly's position is 100% Pro-Life, Pro-Family, Pro Traditional Marriage, and Pro 2nd Amendment.
Matt's Position on other Important Issues:
We must repeal it. It is unfixable, and the federal government should NOT be between any patient and their doctor - PERIOD.
Insurance premiums will come down dramatically if we enact tort reform and allow free-market competition to lower health care costs.
The goal of quality health care for all can never be the result of fines, mandates, taxes, and regulations. Bureaucracy has never solved anything!
The US can become energy independent altogether, and the citizens would benefit significantly – lower gas prices, cheaper electricity, and heating costs. The Keystone XL Pipeline should have approved years ago.
This Nation Has Vast Reserves Of Energy. Let us Use Them To Give Affordable Fuel and Electricity to our Citizens
Human dignity is being eroded by the promotion and increased dependency on government handouts. This is no accident – it is a vote buying operation. We must reverse this trend and make work a requirement to receive benefits.
Working families just cannot afford to keep paying the price for this.
Taxes and Regulation
The US has the highest corporate tax rate in the world, yet the highest debt. Factories are leaving the country because of this and the regulatory environment that makes compliance virtually impossible.
Every time tax rates are lowered revenue increases. The country simply goes back to work. Ideology and class warfare only hurts working people.
Radical environmentalism and fear mongering do not create jobs or support families.
The intrusion of government in our lives has never been higher. The Founding Fathers were very concerned about this, yet those in power have used executive orders and appointments to circumvent the democratic process. This is perhaps the most troubling trend of all. We must take steps to expose the damage and return freedom and liberty to all Americans before it's too late.
Matt is 100% pro-life. He believes life starts at conception and we should protect it until natural death.
No matter how conception happens, the child is always innocent.
Some argue abortion should be allowed if the mother's life is in danger. There is virtually no circumstance where a viable baby would have to be aborted to save the life of a mother. Modern medicine has simply come too far.
However, this argument is often used to give an excuse to legitimize abortion. In fact, "life of the mother" will soon become "lifestyle of the mother."
Congressional candidate compared to Holden at Ashland town hall meeting
By Mark Gilger Jr. / Published: April 9, 2016
MARK GILGER JR./STAFF PHOTO Matt Connolly, right, and Scott Uehlinger, answer questions from audience members at a town hall meeting Friday, April 8, 2016 at the Mineshaft Cafe, Ashland.
ASHLAND — A few of the people attending Matt Connolly's town hall meeting Friday at the Mineshaft Cafe said the Republican congressional candidate reminded them of former Congressman and Schuylkill County resident Tim Holden, D-17. Connolly said that comparison is fine with him.
"If Tim Holden was still our congressman, I would not be running," Connolly said Friday.
The real estate investor and former professional race car driver is seeking the Republican nomination to represent the 17th Congressional District, which includes all of Schuylkill County and parts of Carbon, Lackawanna, Luzerne, Monroe and Northampton counties.
"One of the things that happens when you are an incumbent is you have a record, and Matt Cartwright has a terrible record," Connolly said.
Connolly, 50, of Bethlehem Township, Northampton County, announced his campaign in December at Pine View Acres, Pottsville. He ran for the nomination in 2014 against Schuylkill County Coroner Dr. David J. Moylan III and pilot Matthew Dietz, Wind Gap. Although Moylan won the party nomination thanks to a large margin in Schuylkill County, he lost in the General Election to Democratic incumbent U.S. Rep. Matt Cartwright, Moosic.
Connolly outpolled Moylan in the other five counties in the district.
"Schuylkill County is the heart and soul of this district, and I'm going to keep it that way," he said.
Schuylkill County Register of Wills Theresa Santai-Gaffney, who managed Moylan's 2014 campaign, endorsed Connolly on Friday.
"It's a tough job, but if anyone can do it, right here is our guy," Santai-Gaffney said. "If we don't get Matt in, Schuylkill County will be forgotten as we have in the past few years."
Connolly also had Scott Uehlinger, a former CIA operative specializing in the Middle East, speak at the town hall meeting. Also endorsing was Bill Righter who is known throughout the county for his successful specialty shops, which include the new Batman hoodie online store, Moon At Midnight. Righter spoke wearing a Batman sweatshirt and provided the "Batman for Connolly" T shirt prizes for an impromptu sweepstakes held a the rally.
"Homeland security is really growing on people's minds and Belgium attack was really a wake up call," Connolly said.
Uehlinger, Topton, is running for Republican delegate in the 15th Congressional District. He said he will support the candidate who wins the district.
"I'm not a politician," he said. "I'm just a CIA/Navy guy, but I am going to do right by the people in my district because I can't be bought because I'm not part of the political machine."
Uehlinger said political correctness is hurting national security and the foreign policy of the current administration is a continuous failure. That is why people like Connolly are needed, he said.
"I was taken by his willingness to speak straight about what we believe in and someone like Matt is the kind of person we need to get rid of the terrible situation we have now," he said.


text:
Sophie Henriette Gertrude Taeuber
(1889-01-19)19 January 1889
Davos Platz, Switzerland
Zürich-Höngg, Switzerland
Gewerbeschule in St. Gallen, Dschebitz-Schule in Munich, and Kunstgewerbeschule in Hamburg
Sculpture, painting, textile design, dancing
Concrete Art, Constructivism, Dada
Sophie Henriette Gertrude Taeuber-Arp (/ˈtɔɪbər ˈɑːrp/; 19 January 1889 – 13 January 1943) was a Swiss artist, painter, sculptor, textile designer, furniture and interior designer, architect and dancer. She is considered one of the most important artists of concrete art and geometric abstraction of the 20th century.
2 Dada
7 Honour
Born in Davos, Switzerland, Sophie Henriette Gertrude Taeuber was the fifth child of Prussian pharmacist Emil Taeuber and Swiss Sophie Taeuber-Krüsi, from Gais in Appenzell Inner Rhodes, Switzerland. Her parents operated a pharmacy in Davos until her father died of tuberculosis when she was two years old, after which the family moved to Trogen, where her mother opened a pension. She studied textile design at the trade school (Gewerbeschule, today School of Applied Arts) in St. Gallen (1906–1910).[1] She then moved on to the workshop of Wilhelm von Debschitz at his school in Munich, where she studied in 1911 and again in 1913; in between, she studied for a year at the School of Arts and Crafts (Kunstgewerbeschule) in Hamburg. She joined the Schweizerischer Werkbund in 1915.[2] In the same year, she attended the Laban School of Dance in Zurich, and in the summer she joined the artist colony of Monte Verita in Ascona; in 1917, she danced with Suzanne Perrottet, Mary Wigman and others at the Sun Festival organised by Laban in Ascona.[3] From 1916 to 1929, Taeuber was an instructor at Zürich Kunstgewerbeschule in Switzerland, teaching embroidery and design classes[4].
Dada[edit]
Oval Composition with Abstract Motifs, 1922
Kompozycja, 1931
Grasse – geometric and wavy lines, 1940 (colored pencil on paper, 26 x 34.4 cm)
Taeuber-Arp on the 50 Swiss Francs note
In 1915, at an exhibition at the Tanner Gallery, she met the Dada artist Jean "Hans" Arp, who had moved to Zurich in 1915 to avoid being drafted by the German Army during the First World War.[2] They were to collaborate on numerous joint projects until her death in 1943. They married in 1922 and she changed her last name to Taeuber-Arp.[5]
Taeuber-Arp taught weaving and other textile arts at the Kunstgewerbeschule Zürich (now Zurich University of the Arts) from 1916 to 1929. Her textile and graphic works from around 1916 through the 1920s are among the earliest Constructivist works, along with those of Piet Mondrian and Kasimir Malevich. These sophisticated geometric abstractions reflect a subtle understanding of the interplay between colour and form.[1]
During this period, she was involved in the Zürich Dada movement, which centred on the Cabaret Voltaire.[1] She took part in Dada-inspired performances as a dancer, choreographer, and puppeteer, and she designed puppets, costumes and sets for performances at the Cabaret Voltaire as well as for other Swiss and French theatres. At the opening of the Galerie Dada in 1917, she danced to poetry by Hugo Ball while wearing a shamanic mask by Marcel Janco. A year later, she was a co-signer of the Zurich Dada Manifesto.[6] As both a dancer and painter, Taeuber was able to incorporate Dada in her movement for dancing and was described as obscure and awkward.[7]
She also made a number of sculptural works, such as a set of abstract "Dada Heads" of turned polychromed wood. With their witty resemblance to the ubiquitous small stands used by hatmakers, they typified her elegant synthesis of the fine and applied arts.[8]
Taeuber-Arp was also close friends and contemporaries with the French-Romanian avant-garde poet, essayist, and artist, Tristan Tzara, one of the central figures of the Dada movement. In 1920, Tzara solicited over four dozen Dadaist artists, among which were Taeuber-Arp, Jean Arp, Jean Cocteau, Marcel Duchamp, and Hannah Hoch. Tzara planned to use the contributed text and images to create an anthology of Dada work entitled Dadaglobe. A worldwide release of 10,000 copies was planned, but the project was abandoned when its main backer, Francis Picabia, distanced himself from Tzara in 1921.[9]
France[edit]
Four spaces with red rolling circles, 1932, gouache on paper
Relief at three levels, 1937 or 1938
In 1926 Taeuber-Arp and Jean Arp moved to Strasbourg, where both took up French citizenship; after which they divided their time between Strasbourg and Paris. There Taeuber-Arp received numerous commissions for interior design projects; for example, she was commissioned to create a radically Constructivist interior for the Café de l'Aubette – a project on which Jean Arp and de Stijl artist Theo van Doesburg eventually joined her as collaborators. In 1927 she co-authored a book entitled Welly Lowell with Blanche Gauchet.[5]
From the late 1920s, she lived mainly in Paris and continued experimenting with design. The couple became French citizens in 1926[2] and in 1928 they moved to Meudon-Val Fleury, outside Paris, where she designed their new house and some of its furnishings.[10] She was an exhibitor at the Salon des Surindépendents in Paris in 1929–30.
In the 1930s, she was a member of the group Cercle et Carré, founded by Michel Seuphor and Joaquín Torres García as a standard-bearer of non-figurative art, and its successor, the Abstraction-Création group (1931–34).[2] Taeuber-Arp also provided the cover art for the February 1933 issue of Eugene Jolas's avant-garde little magazine, transition.[11]
Sophie Taeuber-Arp explored the circle which represented the cosmic metaphor, the form that contains all others. She referred to this period as "ping pictures".[12]
She appears to be the first artist to use polka dots in fine art with works such as Dynamic Circles, 1934, in the footsteps of Kazimir Malevich and his Black Circle (1915).
Later in the decade she founded a Constructivist review, Plastique (Plastic) in Paris. Her circle of friends included the artists Sonia Delaunay, Robert Delaunay, Wassily Kandinsky, Joan Miró, and Marcel Duchamp.[5] She was also a member of Allianz, a union of Swiss painters, from 1937 to 1943.[2] In 1940, Taeuber-Arp and Arp fled Paris ahead of the Nazi occupation and moved to Grasse in Vichy France, where they created an art colony with Sonia Delaunay, Alberto Magnelli, and other artists. At the end of 1942, they had to flee to Switzerland. In early 1943, Taeuber-Arp died of accidental carbon monoxide poisoning due to a malfunctioning stove at the house of Max Bill.[5]
Wassily Kandinsky said: "Sophie Taeuber-Arp expressed herself by means of the 'colored relief,' especially in the last years of her life, using almost exclusively the simplest forms, geometric forms. The forms, by their sobriety, their silence, their way of being sufficient unto themselves, invite the hand, if it is skillful, to use the language that is suitable to it and which is often only a whisper; but often too the whisper is more expressive, more convincing, more persuasive, than the 'loud voice' that here and there lets itself burst out."[13]
In 2014, at the Danser sa vie dance and art exhibition at the Centre Georges Pompidou in France, a photograph was displayed of Taeuber-Arp dancing in a highly stylized mask and costume at the Cabaret Voltaire in 1917.[14]
Composition with Diagonals and Cross, painting by Sophie Taeuber-Arp, 1916
Vertical-Horizontal Composition, textile by Sophie Taeuber-Arp, 1916
Coupe Dada, sculpture by Sophie Taeuber-Arp, 1916
Arch pattern composition, gouache on paper, 1918
Dada Composition (Tête au plat), painting by Sophie Taeuber-Arp, 1920
Testa Dada, wood sculpture, 1920
Dada carpet, 1920 by Sophie Taeuber-Arp
Abstract composition, stained glass by Sophie Taeuber-Arp, 1926-27
Composition r, gouache on paper, 1931
Quatre espaces à croix brisée, oil on canvas, 1932
Taeuber-Arp is the only woman on the current series of Swiss banknotes in Switzerland; her portrait has been on the 50-franc note since 1995.[5]
A museum honouring[15] Taeuber-Arp and Jean Arp opened in 2007 in a section of the Rolandseck railway station in Germany, re-designed by Richard Meier.[5] The video work "Sophie Taeuber-Arp's Vanishing Lines" (2015) by new media artist Myriam Thyes from Switzerland is about her "Lignes" drawings, segmented circles intersected by lines.[16][17]
Exhibitions[edit]
Taeuber-Arp took part in numerous exhibitions. For example, she was included in the first Carré exhibition at the Galeries 23 (Paris) in 1930, along with other notable early 20th-century modernists. In 1943, Taeuber-Arp was included in Peggy Guggenheim's show Exhibition by 31 Women at the Art of This Century gallery in New York.[18] Many museums around the world have her work in their collections, but in the public consciousness her reputation lagged for many years behind that of her more famous husband. Sophie Taeuber-Arp began to gain substantial recognition only after the Second World War, and her work is now generally accepted as in the first rank of classical modernism. An important milestone was the exhibition of her work at documenta 1 in 1955.
In 1970, an exhibit of Taeuber-Arp's work was shown at the Albert Loeb Gallery in New York City.[19]
Then, in 1981 the Museum of Modern Art (New York) mounted a retrospective of her work that subsequently travelled to the Museum of Contemporary Art (Chicago), the Museum of Fine Arts (Houston), Musée d'art contemporain de Montréal.[5]
American scholar, Adrian Sudhalter, organized an exhibition called "Dadaglobe Reconstructed" that sought to honor the centennial of Dada's inception, along with Tzara's ambitious project. Compiling over 100 works of art that were initially slated to appear in Tristan Tzara's Dadaglobe anthology, among which are works by Taeuber-Arp, the show ran from 5 February to 1 May 2016 at the Kunsthaus Zurich, and from 12 June to 18 September 2016 at the Museum of Modern Art in New York City.[20]
Honour[edit]
On 19 January 2016, Google created a Google Doodle for Sophie to commemorate her 127th birthday. The doodle was made by Mark Holmes, who describes Taeuber-Arp as "such a prolific and diverse artist."[21][22][23]
Andreas Kotte, ed. (2005). "Sophie Taeuber-Arp". Theaterlexikon der Schweiz (TLS) / Dictionnaire du théâtre en Suisse (DTS) / Dizionario Teatrale Svizzero / Lexicon da teater svizzer [Theater Dictionary of Switzerland]. 3. Zürich: Chronos. pp. 1787–1788. ISBN 978-3-0340-0715-3. LCCN 2007423414. OCLC 62309181.
Sophie Taeuber-Arp 1889–1943. Catalogue of the exhibition in the Arp-Museum Bahnhof Rolandseck, at the Kunsthalle Tübingen (1993), at the Städtischen Galerie im Lenbachhaus München (1994). publisher: Siegfried Gohr, Verlag Gerd Hatje, Stuttgart, 1993. ISBN 3-7757-0419-1
Gabriele Mahn: "Sophie Taeuber-Arp", pp. 160–168, in: Karo Dame, book on the exhibition Karo Dame. Konstruktive, Konkrete und Radikale Kunst von Frauen von 1914 bis heute, Aargauer Kunsthaus Aarau, publisher: Beat Wismer, Verlag Lars Müller, Baden, 1995. ISBN 3-906700-95-X
Christoph Vögele. Variations. Sophie Taeuber-Arp. Arbeiten auf Papier. Book on the exhibition at the Kunstmuseum Solothurn. Heidelberg: Kehrer Verlag, 2002. ISBN 3-933257-90-5
Sophie Taeuber-Arp – Gestalterin, Architektin, Tänzerin. Catalogue of the exhibition at the Museum Bellerive, Zürich. publisher: Hochschule für Gestaltung und Kunst Zürich. Zürich: Verlag Scheidegger & Spiess, 2007. ISBN 978-3-85881-196-7
Bewegung und Gleichgewicht. Sophie Taeuber-Arp 1889–1943. Book on the exhibition at the Kirchner Museum Davos and at the Arp Museum Bahnhof Rolandseck. editor: Karin Schick, Oliver Kornhoff, Astrid von Asten. Bielefeld: Kerber Verlag, 2010. ISBN 978-3-86678-320-1
Susanne Meyer-Büser: "Zwei Netzwerkerinnen der Avantgarde in Paris um 1930. Auf den Spuren von Florence Henri und Sophie Taeuber-Arp", in: Die andere Seite des Mondes. Künstlerinnen der Avantgarde. Book on the exhibition at the Kunstsammlung Nordrhein-Westfalen, Düsseldorf (ed.), and at the Louisiana Museum of Modern Art, Humlebaek, Dänemark. Köln: DuMont Buchverlag, 2011. ISBN 978-3-8321-9391-1
Roswitha Mair: Handwerk und Avantgarde. Das Leben der Künstlerin Sophie Taeuber-Arp. Berlin: Parthas Verlag, 2013. ISBN 978-3-86964-047-1; translated as Mair, Roswitha (2018). Sophie Taeuber-Arp and the avant-garde : a biography. Chicago: The University of Chicago Press. ISBN 9780226311210.
Sophie Taeuber-Arp – Heute ist Morgen. Comprehensive publication on the exhibition at the Aargauer Kunsthaus, Aarau, and at the Kunsthalle Bielefeld. Editor: Thomas Schmutz und Aargauer Kunsthaus, Friedrich Meschede und Kunsthalle Bielefeld. Zurich: Verlag Scheidegger & Spiess, 2014. ISBN 978-3-85881-432-6
West, Shearer (1996). The Bullfinch Guide to Art. UK: Bloomsbury Publishing Plc. ISBN 0-8212-2137-X.
Schmidt, Georg, ed. (1948). Sophie Taeuber-Arp, Holbein Verlag.
Vgele, Christoph, and Walburga Krupp (2003). Sophie Taeuber-Arp: Works on Paper, Kehrer Verlag.
^ a b c Schelbert, Leo (21 May 2014). Historical Dictionary of Switzerland. Rowman & Littlefield Publishers. p. 369. ISBN 978-1-4422-3352-2.
^ a b c d e Gaze, Delia (2013). Concise Dictionary of Women Artists. Routledge. pp. 651–3. ISBN 978-1-136-59901-9.
^ Arp, Jean; Hancock, Jane; Poley, Stefanie (1987). Arp, 1886–1966. Hatje. p. 286.
^ Schoeser, Mary (2016). "Sophie Taeuber-Arp: Today Is Tomorrow". Textile History. London: Routledge. 47 (1): 136. doi:10.1080/00404969.2016.1148388. ISSN 0040-4969.
^ a b c d e f g Roswitha Mair (2013). Handwerk und Avantgarde. Das Leben der Künstlerin Sophie Taeuber-Arp (in German). Parthas Verlag Berlin. ISBN 978-3-86964-047-1.
^ Pappas, Theoni (1999). Mathematical footprints: discovering mathematical impressions all around us. Wide World Publishing/Tetra. p. 127.
^ Nell, Andrew (4 August 2014). "Dada Dance: Sophie Taeuber's Visceral Abstraction". Art Journal. London: Routledge. 73 (1): 12–29. ISSN 0004-3249.
^ Blistène, Bernard; Dennison, Lisa (1998). Rendezvous: Masterpieces from the Centre Georges Pompidou and the Guggenheim Museums. Guggenheim Museum Publications. p. 695. ISBN 978-0-8109-6916-2.
^ Farago, Jason (16 June 2016). "A Plan to Spread Dada Worldwide, Revisited at MoMA". The New York Times. ISSN 0362-4331. Retrieved 11 March 2017.
^ Saskia de Rothschild (14 February 2013), Glimpses of Jean Arp's World New York Times.
^ Taeuber-Arp, Sophie (February 1933). "Untitled cover art". transition. No. 22: front and back cover.
^ Lanchner, Carolyn (1981). Sophie Taeuber-Arp. The Museum of Modern Art. ISBN 0870705989.
^ Lanchner, Carolyn (1981). "Sophie Taeuber-Arp" (PDF). The Museum of Modern Art. Retrieved 21 February 2019.
^ "Dada Dance: Sophie Taeuber's Visceral Abstraction – Art Journal Open". Art Journal Open. 3 July 2014. Retrieved 11 March 2017.
^ arp museum. "Hans Arp and Sophie Taeuber-Arp". Retrieved 27 October 2016.
^ Schaumbad - Freies Atelierhaus Graz. "100 Years of World Transition". Retrieved 27 October 2016.
^ Myriam Thyes. "Sophie Taeuber-Arp's Vanishing Lines". Retrieved 27 October 2016.
^ Butler, Cornelia H.; Schwartz, Alexandra (2010). Modern Women: Women Artists at The Museum of Modern Art. New York: Museum of Modern Art. p. 45. ISBN 9780870707711.
^ Kramer, Hilton. "Taeuber‐Arp and Albers: Loyal Only to Art - NYTimes.com". Retrieved 11 March 2017.
^ "Dadaglobe Reconstructed | MoMA". The Museum of Modern Art. Retrieved 11 March 2017.
^ Parsons, Jeff (19 January 2016). "Who was Sophie Taeuber-Arp and why is she the subject of today's Google doodle?". mirror. Retrieved 11 March 2017.
^ Rhiannon Williams (19 January 2016). "Who was Sophie Taeuber-Arp? One of the most influential female artists you've probably never heard of". The Daily Telegraph. Retrieved 19 January 2016.
^ "Sophie Taeuber-Arp's 127th Birthday". google.com.
Taeuber-Arp collection at Museum of Modern Art
Sophie Taeuber-Arp in American public collections, on the French Sculpture Census website
Wagner, Anne. "My wife brandishes circle and line". London Review of Books. Retrieved 13 December 2018. Book review of Mair, Roswitha (2018). Sophie Taeuber-Arp and the avant-garde : a biography. Chicago: The University of Chicago Press. ISBN 9780226311210. The review is of a translation of Mair, Roswitha (2013). Handwerk und Avantgarde : das Leben der Künstlerin Sophie Taeuber-Arp. Berlin: Parthas. ISBN 9783869640471.
Wikimedia Commons has media related to Sophie Taeuber-Arp.
Wikiquote has quotations related to: Sophie Taeuber-Arp
New York Dada
Elsa von Freytag-Loringhoven
Juliette Roche Gleizes
European Dada
Dragan Aleksić
Johannes Baader
Gabrièle Buffet-Picabia
Jean Crotti
Theo van Doesburg
Suzanne Duchamp
Julius Evola
Emmy Hennings
Clément Pansaers
Georges Ribemont-Dessaignes
Henri-Pierre Roché
Walter Serner
Philippe Soupault
Prelude to a Broken Arm
Why Not Sneeze, Rose Sélavy?
L.H.O.O.Q.
Tulip Hysteria Co-ordinating
Readymades of Marcel Duchamp
The Gas Heart (1921 play)
Handkerchief of Clouds (1924 play)
Dada Manifesto
291 (magazine)
The Blind Man (magazine)
Dadaglobe
Incoherents
Eugène Bataille (aka Sapeck)
Parade (ballet)
Monochrome painting
Downtown music
Alfred Stieglitz (photographer, art promoter)
Walter Conrad Arensberg (art collector)
291 (art gallery)
Galeries Dalmau
Anti-art
Anarchism and the arts
Anti-anti-art
Anti-poetry
Appropriation (art)
Art intervention
Noise music
Épater la bourgeoisie
Shock art
Beatrice Wood: Mama of Dada (1993 documentary)
Man and Boy: Dada (2006 opera)
SIKART: 4023423
SNAC: w6tf06gh
TLS: Sophie_Taeuber-Arp
Retrieved from "https://en.wikipedia.org/w/index.php?title=Sophie_Taeuber-Arp&oldid=895474255"
Abstract painters
People from Davos
Swiss sculptors
20th-century Swiss painters
Swiss women painters
Zurich University of the Arts faculty
20th-century sculptors
20th-century women artists
Deaths from carbon monoxide poisoning
CS1: long volume value
Pages using infobox artist with unknown parameters
Wikipedia articles with HDS identifiers
Wikipedia articles with SIKART identifiers
Wikipedia articles with TLS identifiers


text:
Mercedes AMG GT R teased ahead of June 24 premiere – Videos
By Nithyanandh Karuppaswamy On Jun 15, 2016
The Mercedes AMG GT R which is set to become the most powerful and fastest ever variant of the AMG GT sportscar has been teased for the first time via a couple of videos. The new range-topping variant will be unveiled at the Goodwood Festival of Speed on June 24.
World premiere will involve the spectacular hill run which is typical of Goodwood FoS. The teaser partially reveals the front fascia, spoiler, badge and interior.
To be positioned above the GT S, GT R's tweaked 4.0-litre Bi-Turbo V8 petrol engine is expected to produce around 550 – 600 PS of power. The 7-speed AMG dual-clutch automatic transmission, suspension, steering and brakes will also be upgraded to cope up with the added performance.
Mercedes AMG GT R is also reported to be significantly lighter than the GT S which weights 1,645 kg. This should give the new variant enough capability to rub shoulders with the Porsche 911 GT3 RS and McLaren 675LT. The GT S accelerates from 0-100 kmph in just 3.8 seconds. The GT R should be at least a second quicker than its 510 PS sibling.
Also read – Mercedes AMG C43 Coupe unveiled
Visually, the Mercedes AMG GT R will be a lot more aggressive than the existing GT S. A new grille with vertical slats, sharp aerodynamic body kit, special colors, exclusive alloy wheels and a purposeful rear spoiler would be the highlights.
Mercedes AMG GTR
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text:
Palmarès
Mondiali
Shanghai 2011: argento nei 200m dorso e bronzo nella 4x100m misti.
Barcellona 2013: argento nei 200m dorso.

Giochi PanPacifici
Irvine 2010: bronzo nei 200m dorso.
Gold Coast 2014: oro nei 200m dorso e argento nei 100m dorso.

Giochi del Commonwealth
Glasgow 2014: oro nei 200m dorso e nella 4x100m misti e bronzo nei 100m dorso.

Collegamenti esterni

redpajama_set_name: RedPajamaWikipedia


Because space is limited in dorm rooms, knowing what to pack and what to leave at home is crucial. Your teen will probably want to pack most of her belongings, so you may need to coach her on what should be left behind. If you need to purchase items, amazon and dormco.com have extensive selections of products for the dorm room. Here is a guide to help you and your child pack for dorm room living.
You won't be there to do laundry for your child, but you can make sure he has the right items to do it himself.
For tips on how to make your teen's dorm room a cozy place to live, read Dorm Room Decorating.


Edmodo is a free and great educational app for Windows 8 and 8.1 computer. The app is useful for teachers, parents and students as it is more than an educational app. It is an app for collaborating and learning easily and freely.
On the startup of Edmodo, you will be asked to permit the educational app to send you quick status updates and notifications and run to keep you updated with information of the app. Click on allow if you want it to otherwise click on block. On the next page of the app, you will have to sign in or sign up Edmodo. You can sign up for free as a teacher, student or a parent.
It is easy to join Edmodo community, you can sign up as teacher and give your students the group code where they can join your class on Edmodo. For signing up as a student or a parent, you will have to provide the group code given to you by the teacher. If you don't have a group code then you will not be able to join the Edmodo collaboration community.
As a teacher on Edmodo, the features of the account will include a library, planner or a calendar, connect account with Google Drive, create polls, give assignments to students, moedrate posts of students, create and give badges to students, keep a progress or grade book, create quizzes, view insights and reactions on different posts and activity and invite other teachers to Edmodo.
The account of a student on Edmodo has features like submit an assignment digitally, viewing grades or progress, viewing planner, viewing folders in the groups, taking quiz, viewing badges and using the backpack. The account of parents in this educational app includes features like adding your child to your account, accessing his or her assignments, his grades, upcoming events, alerts, latest posts, your planner, etc.


text:
Environment (systems)
Environment (1927 film)
Environment may refer to:
Environment (biophysical), the physical and biological factors along with their chemical interactions that affect an organism or a group of organisms
Environment (systems), the surroundings of a physical system that may interact with the system by exchanging mass, energy, or other properties
Natural environment, all living and non-living things
Social environment, the culture that an individual lives in, and the people and institutions with whom they interact
Physical environment, in ecology
Environment (magazine)
Environments (album series), a series of LPs, cassettes and CDs depicting natural sounds
Built environment, constructed surroundings that provide the setting for human activity, ranging from the large-scale civic surroundings to the personal places
Knowledge environment, social practices, technological and physical arrangements intended to facilitate collaborative knowledge building, decision making, inference or discovery
In computing:
Desktop environment, in computing, the graphical user interface to the computer
This page contains text from Wikipedia, the Free Encyclopedia -	https://wn.com/Environment
In science and engineering, a system is the part of the universe that is being studied, while the environment is the remainder of the universe that lies outside the boundaries of the system. It is also known as the surroundings, and in thermodynamics, as the reservoir. Depending on the type of system, it may interact with the environment by exchanging mass, energy (including heat and work), linear momentum, angular momentum, electric charge, or other conserved properties. In some disciplines, such as information theory, information may also be exchanged. The environment is ignored in analysis of the system, except in regard to these interactions.
Bioenergetic systems - energy system
Environment (biophysical)
Thermodynamic system
http://people.hofstra.edu/geotrans/eng/ch8en/conc8en/envisys.html - Geography of transport systems
http://www.epa.gov/ems/ - Environmental Management Systems
This page contains text from Wikipedia, the Free Encyclopedia -	https://wn.com/Environment_(systems)
Environment is a 1927 Australian silent film about a woman who poses for a revealing painting. It was one of two films produced by Vaughan C. Marshall, the other one being Caught in the Net (1928).
Unlike many Australian silent films, a copy of it survives today.
Mary Garval is forced by poverty into posing semi-nude for a painting, L'Environment. The painter's assistant, Arthur, tries to seduce her but she runs away after finding out he is married.
Mary seeks refuge in the country and falls for a farmer, Jimmy. They get married but Arthur, seeking revenge, sends a Jewish friend to spy on them. He sends Jimmy a copy of the painting as a wedding present. Jimmy eventually forgives Mary and decides to destroy the painting, but discovers a lost will in the frame, which reveals Mary to be the heiress to a lost fortune.
Beth Darvall as Mary Garval
Hal Percy as James Denison
Colin Campbell as Arthur Huston
Alf Scarlett as James Masterton
Arthur Bruce as James Garval
Jim Joyce as Wilfred Garval
This page contains text from Wikipedia, the Free Encyclopedia -	https://wn.com/Environment_(1927_film)
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A beautifully handcrafted table runner featuring a traditional striped design in a variety of red tones. A great way to add a touch of color and tradition to your living space.
Al-Khuzama Weal Nafal Safawi Women Charity is a non-profit organisation that was established in 2005, based on the needs of women in the Bedouin region of Jordan, specifically those in Safawi village near the Iraq border. The association was created with the intention to help women enhance their role in society and be part of active discussions in their community, in the midst of the Iraq border's closing during the Iraq War. A lot of businesses had been dependent on the patronage of Iraqi travelers at the time, so the border shutting down had threatened the livelihoods of many in the region. Safawi Women Charity served to support and improve the lives of these families in that time, while also serving to revive the Bedouin identity by empowering the village women to take the lead in creating a larger tourism industry, through the marketing and sale of Bedouin handicraft products.
Souq Fann is an easy-to-use online platform where you can find Jordan's best handmade and locally-produced goods, gifts, and treasures. We provide a platform for small, medium and large scale artists/artisans to share and sell their work online.
© Souq Fann. All Rights Reserved.


LUMIFINE® glow-in-the dark zipper is now available in six neon color combinations! It can be used both as a safety feature at night, as well as a fashion accessory for clothing during the daylight. For details visit http://ykknorthamerica.com/product/lumifine/. LUMIFINE® is a registered trademark of YKK Corporation in Japan.


Details: Highly detailed model of the Brabham BMW BT 52B F1 car that was driven by Nelson Piquet in the 1983 Europe GP. The model is packed with authentic features including race and sponsor decals, working wheels and includes driver in cockpit. Model is presented on a removable plinth with a removable hard plastic cover.


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Getting the Catalysts You Really Need
Creating catalysts should begin with what you want, not what you have, according to University of Delaware expert
(October 2010)
Dionisios Vlachos
Using their new modeling framework, Professor Dionisios Vlachos and his team from the University of Delaware are fundamentally changing how scientists create catalysts. Instead of synthesizing a material and then analyzing it, Vlachos and his team are determining what the reaction demands and then building a catalyst to fill that role. Vlachos shared his results and insights at the Pacific Northwest National Laboratory's Frontiers in Catalysis Science and Engineering Seminar. This seminar, part of a series, features academic and other leaders in catalytic research and development.
"Combining this framework with chemical intuition cuts dramatically the time needed for computations and offers predictions that agree well with experiment," said Dr. Sotiris Xantheas, a theoretical chemist at PNNL who attended the talk and spoke with Vlachos at length afterwards.
The framework or hierarchical multiscale modeling is a key part of the research being done at the University of Delaware. The modeling allows scientists to examine catalysts at different scales, from atomic interactions up to kinetics and through heat and mass transfer of chemical reactors. It allows successive approximations to be conducted, iterating on materials and reactions based on different parameters.
"Vlachos showed—using this framework—how phenomena at various time and lengths scales have different influences on catalysis," said Dr. Roger Rousseau, a catalysis scientists working on PNNL's Center for Molecular Electrocatalysis.
With this model, the Delaware team is developing detailed reaction mechanisms, insights into reaction chemistry, uncertainty quantification, and creates links among synthesis, structure, and properties. Of particular note is the work Vlachos is leading at the Energy Frontier Research Center on biomass conversion and how the size and shape of catalysts effect the reactions they are driving.
"The University of Delaware, one of the leading catalysis programs in the country, is pursuing novel approaches to these complex systems," said Dr. Bruce Garrett, Director of the Chemical & Materials Sciences Division at PNNL. "This talk was a great opportunity to share information and ideas."
More about Dionisios Vlachos: He is an internationally recognized catalysis researcher with an extensive list of honors and approximately 180 refereed journal articles to his name. He is the Director of the Center for Catalytic Science and Technology and the Elizabeth Inez Kelley Professor at the University of Delaware. In addition, he leads the Catalysis Center for Energy Innovation and the University of Delaware Energy Frontier Research Center, focusing on the development of innovative catalytic technologies to efficiently convert trees, grasses, and other biomass into chemicals, electricity, and fuels.


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Frans Bruggen
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The Environmental Archaeology Program has a long history of interest in the use of appropriate archaeological methods for the recovery of animal remains. Early research by Wing showed that recovery of the full complement of animal remains is often best achieved by using fine gauge screens (Wing and Brown 1979, Wing and Quitmyer 1985, Wing and Quitmyer 1992).
More recent work by Quitmyer and EAP affiliate Betsy Reitz also shows that secondary estimates of diversity, trophic level, and others can be invalid when carried out on samples that are not representative of the full assemblage of animal taxa (Quitmyer 2004; Reitz et al 2009). Most of this work has been done in coastal or other water-edge areas and the increase in taxonomic diversity is primarily found among the small boney fishes. Such tests are less common at inland sites where the predominant fauna are large mammals or other large boned species.
Emery has continued in this tradition, beginning a program of recovery method testing at Maya sites with graduate student Erin Thornton to examine the efficacy of fine gauge screening in lowland and highland tropical deposits. Her studies have shown so far that the increase in rate of recovery of remains is highly variable. At the site of Trinidad some 64% of the remains were recovered only in the fine gauge screens (47% of which were fish compared to only 1% in the unscreened assemblages) whereas at the site of Motul de San Jose only 4 kilometers away, fine gauge screens recovered little or no remains in any deposit type. Similarly at the highland site of Kaminaljuyu, screened samples recovered remains only at the 1/4-inch and nothing was found at finer gauges. Emery's earlier studies in the Petexbatun found that even 1/4-inch screens returned little or no remains while at other sites fine screening significantly increased the proportion of small species (Emery 2004). Given the time and expense required for fine gauge screening, as well as the potential for damage to the remains caused by such screening (particularly in the clay sediments of the lowland tropics) Emery suggests approaching the question of appropriate recovery screen gauge on a case-by-case basis by testing each site and deposit type using nested screens rather than proposing site-wide 1/16-inch screening based on recommendations from coastal and lacustrine areas.
Cannon, M. D. (1999) A Mathematical Model of the Effects of Screen Size on Zooarchaeological Relative Abundance Measures. Journal of Archaeological Science 26:205-214.
Davis, S. J. (1987) Methods and Problems in Zoo-Archaeology. The Archaeology of Animals. New Haven, Yale University Press:21-46.
Emery, K. F. (2004) Making the Most of the Data: Issues of Method and Theory in Tropical Zooarchaeology. Archaeofauna 13:7-10.
James, S. R. (1997) Methodological issues concerning screen size recovery rates and their effects on archaeofaunal interpretations. Journal of Archaeological Science 24:385-397.
Quitmyer, I. R. (2004) What Kind of Data are in the Back Dirt? An Experiment on the Influence of Screen Size on Optimal Data Recovery. Archaeofauna 13:109-129. Special Issue: Tropical Zooarchaeology, K. F. Emery and W.G. Teeter, eds.
Reitz, E. J. and E. S. Wing (1999) Zooarchaeology. Cambridge: Cambridge University Press.
Schaffer, B. S. (1992) Quarter-Inch Screening: Understanding Biases in Recovery of Vertebrate Faunal Remains. American Antiquity 57:129-136.
Wing, E. S. and A. B. Brown (1979) Paleonutrition: Method and Theory in Prehistoric Foodways. New York, Academic Press.
Wing, E. S. and I. R. Quitmyer (1992) A modern midden experiment. Culture and Environment in the Domain of the Calusa. W. H. Marquardt. Gainesville, FL, Institute of Archaeology and Paleoenvironmental Studies: 367-373.
Wing, E. S. and I. R. Quitmyer (1985) Screen size for optimal data recovery: A case study. Aboriginal Subsistence and Settlement Archaeology of the Kings Bay Locality. W. H. Adams. Gainesville, FL, Department of Anthropology, University of Florida: 49-58.


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Серо де ла Кампана има више значења:

 Серо де ла Кампана (Тепатитлан де Морелос), насеље у савезној држави Халиско у Мексику
 Серо де ла Кампана (Закуалпан), насеље у савезној држави Мексико у Мексику
 Серо де ла Кампана (Тенампулко), насеље у савезној држави Пуебла у Мексику


Hey there, Phoib. Tell me, how many projects (secret or public) are you currently working on?
I am currently working on Iron Curtain, True War 2 and Blitzkrieg 3 (in no particular order), and I help with the other Derelict Studios projects as well, mostly Blitzkrieg 2. There currently arent any secret projects at DS that require my help. I am also always busy trying to streamline the different DS projects more so work gets done more efficiently.
I've always been meaning to ask you this - how do you find the time to work on so many projects simultaneously?
What do you do in real life? Any hobbies?
In real life, I am a Computer Sciences student at a university in Amsterdam, and have a part time job in a supermarket. I read a lot (Terry Pratchet!), watch a lot of World War 2 movies (Der Untergang), am trying to learn Russian (Привет!) and perform martial arts (Jiu Jitsu). Of course, I play a lot of games too!
How long have you been in the community? When did you start modding?
After Tiberian Sun came out, the Dutch gaming magazine Power Unlimited posted a special about Red Alert mods, specifically the Real Combat mod. I joined it, became an INI editor for the never released Tiberian Sun version of Real Combat, eventually parting ways to form the True War mod together with Rob. We went Generals, the site truewar.net crashed, enrolled at Derelict Studios (which consisted of Allies Revenge 2 and Blitzkrieg 2 at the time) and after the Blitzkrieg 2 chat Smurf asked me to become an INI editor for Blitzkrieg 2. The site got kicked by GameSpy because a staff member uploaded the HL2 source codes, and suddenly we had to move Derelict Studios to it's own server. Since then, I have been working on Blitzkrieg 2, True War 2 and Iron Curtain most of the time.
Do you have any advice for those who would like to get into modding, but don't know where to start?
What aspect of modding do you consider to be best at?
INI editing and design. I've been editing since Tiberian Sun, and ripped apart some of the INI files of the Generals beta at DeeZire. That gave me pretty much a jumpstart on things, and I now think pretty much the limitations of the game, what can be done and what now, and how to overcome some things with INI hacks. Which allows me to design the gameplay elements for the mods, a skill that has grown from the first True War release (which, had no gameplay in mind when it was designed) to Blitzkrieg 3, where the design goal is to enhance the gameplay by providing a more rich WW2 atmosphere, more then Blitzkrieg 2, where the cities were just a collection of empty houses, in my opinion.
What is it like to be part of a modding community as big as Derelict Studios?
Great! A year ago, we could count the modellers and texture artists on one hand! Now I have trouble keeping track of everything and everyone! Derelict Studios has grown enormously in the past year, sometimes too fast. We now have the limit for the number of projects we can work on, and plan to finish mods first, get Call to Arms, Iron Curtain and True War 2 out of the door and done. Then, we can focus on the other projects. Other tasks include trying to get Blitzkrieg 2 fully polished and completed, including maybe Naval and Japan. Getting Halogen done (and mark my words, Halogen will grow bigger then any other Generals mod out there!). Polishing An Act of War up so shiny it will hurt your eyes. Getting Imperial Assault bought by Petroglyph as EAW expansion. Making everyone who thought Blitzkrieg 2 was the best ever WW2 RTS mod change their mind when they first play Blitzkrieg 3. With the people we currently have, it's possible. And it's great to be a part of that.
Getting IA bought by Petroglyph as EAW expansion?
Hehehe. I think most mods (if not all mods) in DS would love to get "bought" just like Counterstrike got bought by Valve. What better game company to buy a Star Wars mod then Petroglyph?
How come you decided to make a mod based on Red Alert, considering that a few similar projects were already underway?
"Iron Curtain was conceived as something cool to do with the finished Blitzkrieg 2 mod, namely recreate Red Alert as good as possible in the SAGE Engine. After True War joined Derelict Studios, Phoib tried the project to determine what exactly is needed to finish a mod for the SAGE engine. He mixed Blitzkrieg 2 and True War 2 models, and got a nice alpha for Smurf's birthday. At Christmas, the first beta was ready for internal testing, with a lot of temporary models.
With the emphasis of the team being laid on the next release of Blitzkrieg 2 and letting True War 2 become public, the project got little attention, save for the small Allied Intelligence Briefing teaser site."
In fact, the first Iron Curtain Staff message was posted on 14 September 2003!
And finally, your opinion on the future of C&C? With so many former Westwood employees now gone, do you think EA can pull off a good C&C title?


Empresa internacional del sector de la moda.
Do you love having fun and enjoying every second? This is how we believe work should be!
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We create experiences, smile! You found us!
Your mission will be to align and influence business objectives with employees and management in designated business units (retail) in regards with Talent topics (Talent Acquisition, Learning Development).
Detect present and future needs in terms of recruitment.
Manage the whole cycle of a recruitment process (job posting, screening, telephone interviews and personnel interviews) for retail employees.
Detect present and future needs in terms of training.
Follow up the retail training program.
Define the potential detection for retail employees.
Define the successions plans for retail employees.
Minimum experience in the industry 5 years of experience in a similar role (HR Business Partner or Talent Manager).
What are our expectations on you?


When Peter fishes the seven springs in the Sea of Galilee, suddenly amazing things begin to happen.
A man named Jesus invites Peter to follow him. And then Peter's whole world turns upside down.
Look inside for some of his adventures.
" Exquisite illustrations by Lisa Cinelli! "


text:
package org.sagebionetworks.repo.web.service;

import org.sagebionetworks.reflection.model.PaginatedResults;
import org.sagebionetworks.repo.manager.CertifiedUserManager;
import org.sagebionetworks.repo.manager.UserManager;
import org.sagebionetworks.repo.model.DatastoreException;
import org.sagebionetworks.repo.model.UserInfo;
import org.sagebionetworks.repo.model.quiz.PassingRecord;
import org.sagebionetworks.repo.model.quiz.Quiz;
import org.sagebionetworks.repo.model.quiz.QuizResponse;
import org.sagebionetworks.repo.web.NotFoundException;
import org.springframework.beans.factory.annotation.Autowired;

public class CertifiedUserServiceImpl implements CertifiedUserService {
	@Autowired
	private UserManager userManager;

	@Autowired
	private CertifiedUserManager certifiedUserManager;

	@Override
	public Quiz getCertificationQuiz(Long userId) {
		UserInfo userInfo = userManager.getUserInfo(userId);
		return certifiedUserManager.getCertificationQuiz(userInfo);
	}

	@Override
	public PassingRecord submitCertificationQuizResponse(
			Long userId, QuizResponse response) throws NotFoundException {
		UserInfo userInfo = userManager.getUserInfo(userId);
		return certifiedUserManager.submitCertificationQuizResponse(userInfo, response);
	}

	@Override
	public PaginatedResults<QuizResponse> getQuizResponses(
			Long userId, Long principalId, long limit, long offset) throws NotFoundException {

		UserInfo userInfo = userManager.getUserInfo(userId);
		return certifiedUserManager.getQuizResponses(userInfo, principalId, limit, offset);
	}

	@Override
	public void deleteQuizResponse(Long userId, Long responseId) throws NotFoundException {
		UserInfo userInfo = userManager.getUserInfo(userId);
		certifiedUserManager.deleteQuizResponse(userInfo, responseId);
	}

	@Override
	public PassingRecord getPassingRecord(Long userId, Long principalId) throws NotFoundException {
		return certifiedUserManager.getPassingRecord(principalId);
	}

	@Override
	public PaginatedResults<PassingRecord> getPassingRecords(
			Long userId, Long principalId, long limit, long offset) throws NotFoundException {

		UserInfo userInfo = userManager.getUserInfo(userId);
		return certifiedUserManager.getPassingRecords(userInfo, principalId, limit, offset);
	}

	@Override
	public void setUserCertificationStatus(Long userId, Long principalId, boolean isCertified)
			throws DatastoreException, NotFoundException {

				UserInfo userInfo = userManager.getUserInfo(userId);
				certifiedUserManager.setUserCertificationStatus(userInfo, principalId, isCertified);
	}

}

redpajama_set_name: RedPajamaGithub


Spc. Avadon A. Chaves, 20, of Turlock, Calif., died Dec. 20 at Al Asad, Al Anbar Province, Iraq, from a non-combat related incident. Chaves was assigned to the 1st Battalion, 6th Infantry Regiment, 2nd Brigade Combat Team, Fort Bliss, Texas. The incident is under investigation.
For more information regarding Chaves, media may contact 1st Armored Division Public Affairs, at 915-744-8403 or 919-594-3391.