Not even three days passed since the disastrous first date. The students were getting accustomed to the presence of the Musketeer Force around the campus. The headmaster's office was now the most heavily guarded room in the academy. Suzuka was still mad and avoiding Guiche Jr., and was still finding it hard to even look at him. When they were together, they barely said two words to each other. Now, in the middle of a special celebration, during Suzuka's evening shift at the Enchanted Fairy Inn, she was about to get something else to occupy her. A familiar royal carriage made its way to the front of the inn.
There was a celebration inside the inn.
"Everyone," said Scarron lifting a drink "A toast, to the Enchanted Fairy Inn's twentieth anniversary."
"To the inn." Everyone said raising their glasses too. Just then front door opened with a slam.
Scarron goes over to the front door to meet the woman. "I am sorry madam, we are closed for celebration." said Scarron, but the woman wasn't listening, looking straight ahead and just walked right past Scarron. Scarron stood there with his mouth open as she walked past.
"Suzuka!" said the woman, in a firm familiar voice that only Suzuka and Siesta, who was present with Hermione, recognized. They snapped straight up with their mouths and eyes wide open.
Suzuka dropped the tray she was carrying on the floor, turned around, and saw a middle-aged woman with graying pink hair, wearing a scowl.
"G-g-g-g-grandmother!" Suzuka said, frozen in shock. Everybody turned to look at her.
"Grandmother?" everyone said with surprise.
"M…Mrs. Vallière." said Siesta nervously "W…What brings you to the Enchanted Fairy-?"
"Silence Siesta!" Karin Vallière commanded, she then approached Suzuka. "Suzuka! I never would've believed, a young lady of noble bearing, working in a tavern serving peasants."
"Grandmother Karin, I can explain." Suzuka pleaded.
"No explanations!" She grabbed Suzuka wrist and began dragging her outside to the carriage. Suzuka frantically trying pull away.
"Madam Vallière, please be reasonable." said Siesta, trying to stop her pulling on Suzuka other arm.
"Quiet Siesta." Mrs. Vallière looking at Siesta with her laser eyes. "Keep in mind, the only reason I allowed your daughter to be Suzuka's personal maid was because you were Saito's personal maid. But after what has happened here, your daughter will never be allowed to speak to Suzuka again!"
"You can't do that!" said Suzuka looking at her.
"Watch me. Let's go Suzuka." She continued dragging Suzuka to the carriage.
"You can't do this, let go of my hand."
Karin only let Suzuka go once they were in the carriage, the door slam closed, and they were on their way.
"Mommy, what happened?" Hermione asked Siesta.
With sad eyes looking at Hermione. "Don't worry about it, I'll straighten this out." Siesta answered.
"I am extremely disappointed in you Susan." said Duke Vallière "It's one thing to lie to others about what you do, it's another to lie to us."
"My name is Suzuka. And I didn't lie to you, it's just, I knew what you'd say." Suzuka retorted sitting on the couch squirming a little knowing she wasn't lying, but not telling either.
"Regardless. Working in a commoners tavern, is beneath a lady of the Vallière Family."
"I'm not a Vallière." Suzuka Shot back.
"Maybe not by name," said Karin "But by bloodline, you are a Vallière. In spite of the common blood your mother brought into our family."
"Mother, father, that's enough." said Cattleya stepping into the room. Eléonore was right behind her.
"You, take Susan to her room." Duke Vallière ordered two of the butlers, who obeyed.
"Her name is Suzuka!" said Eléonore once Suzuka was out of the room.
"And she needs to behave more like a lady." said Karin "She'll be staying here for now, instead of going back to the academy. Eléonore, I want you to start looking for a suitable husband for her." Eléonore was shocked.
"But what about that Guiche de Gramont Jr. boy?" Cattleya asked as Eléonore made a face of surprise.
"From what we've heard, she will barely look at him anymore. Which is just as well, I never approved of that boy in the first place." Karin responded and looked at the Duke.
"Good morning miss Vallière." said the maid sent to wake Suzuka, opening the curtains to another bright sunny day.
"I'm not a Vallière." said Suzuka, waking up trying to block the sun shine with her hand.
"Regardless. Your grandfather is gone for today, but your grandmother orders that you start acting like a lady today."
Before Suzuka could protest, she was pulled out of bed, forced out of her nightgown, and began to be dressed.
"What is that?" Suzuka asked as the maid wrapped something around Suzuka's breasts and upper waist. Looking down at the contraption being wrapped around her.
"A corset." The maid responded as she began to tie it in place "Madam Vallière said that you should wear one." Suzuka felt like she was being hog tied.
"Suzuka?" said Eléonore entering the room "How's it coming?"
"Aunt Eléonore, it's difficult to say." Suzuka responded as the maid finished and she seemed no longer to be able movie freely anymore or breath.
"I'm sorry about this." said Eléonore as the maid now helped Suzuka into a dress "I can't change my mother's mind."
"It's not your fault." Suzuka responded in a bit of a wheezy voice and feeling helpless.
"I'll be fine." Suzuka looking down at the dress.
"All done." said the maid, and Suzuka walked out from behind the curtains and looked down at changes that were made.
"You look lovely." said Eléonore "Your mother used to wear that same dress."
"I doubt she wore a corset." said Suzuka, who was barely able to breathe now.
"You think it was a good idea to leave Suzuka alone?" In the Albion royal palace Saito said over tea with Louise, Henrietta, Tiffania, now queen of Albion, and Tabitha, now queen of Gallia.
"I'm sure she'll be fine." said Louise taking a sip of tea "Why do you ask?"
"I just get the feeling that something against the way we raised her is going to happen."
"Easy for you to say." said Saito "The last time you ever saw her was her tenth birthday."
"Now Saito, calm down." said Henrietta trying to put Saito at ease.
"Saito Chevalier de Hiraga?" said a soldier who just walked in the room. Saito turns to look at the soldier.
"You have a letter from home." He passed a letter addressed to Saito and took his leave.
"It's from Siesta." said Saito looking at the letter and wondering if there was something wrong.
"What could this be about?" Tiffania asked as Saito opened the letter and reading it.
As more he reads the letter he is getting more and more agitated. "I don't believe this!" said Saito when he finished reading.
"What's wrong?" Louise asked wondering what is wrong.
"Your mother's causing Suzuka grief." Saito responded.
Within the hour, Saito, Louise, and Henrietta were in the carriage and on their way back to Tristain to sort this out.
Meanwhile, for almost a week, Suzuka had been forced to put up with the continuous presence of suitors chosen by Karin Vallière rather than Eléonore, as Eléonore refused to find any. All the while, she was taking continuous lessons on proper behavior. Suzuka was getting frustrated with the walk this way, curtsy, yes mam, and yes sir and manners at the table.
"I can't take this anymore!" said Suzuka one evening while Cattleya helped her remove the corset.
"I'm sorry about this Suzuka," said Cattleya as they removed the corset at last. "But there's nothing Eléonore or I can do. I'd gladly help you escape this place, like I helped your parents once before, but that's not going to be possible this time." Suzuka was glad to get out of that straight jacket.
"Oh, aunt Cattleya, where are mom and dad? They would never let this happen to me."
By lunchtime, a couple of days later, Saito and Louise finally arrived.
"Mother-in-law!" Saito shouted as he and Louise barged into the dining room.
"What took you two so long?" Eléonore asked dropping her silverware.
"Louise, Saito, what are you doing here?" Karin asked standing up. "Suzuka, stay seated." She looked at Eléonore and Cattleya, wondering which sent a message to them.
"Don't tell her what to do." said Louise "Suzuka, you and aunt Cattleya wait outside. Eléonore, you stay here."
Suzuka and Cattleya looked at each other and left the room.
"She has." said Eléonore. Karin gave a side look at Eléonore.
"She needs to learn how to be a proper noble, as well as have a suitable husband." said Karin.
"This is why we never left her in your care while we were away when she was younger." said Louise "She needs to be her own person, not the person you think she needs to be."
"What's wrong with what I believe she needs? I'm only thinking about what's best for her." Karin snapped back. "She must know the rule of steel.
"No you're not, you're being selfish." said Eléonore "You're trying to turn Suzuka into your perfect granddaughter, since you were unable to do Louise they way you wanted."
"She's a Vallière, and she needs to act like one." barked Karin.
"Maybe by blood, but still, her surname is 'Hiraga', she's not your child." said Louise.
"I know that." said Karin.
"Clearly you don't." said Saito "This discussion ends here. We're taking Suzuka away from here, and she's not coming back."
"Pass a word to father, stay away from Suzuka." said Eléonore. And with that Saito, Louise, and Eléonore left the room.
"Mommy, daddy, I don't know how to thank you." said Suzuka like a person being reprieved from a death sentence.
"No need." said Louise "It was wrong of your grandmother to try to deprive you of your freedom to decide your own life."
"You OK?" Saito asked, seeing that Suzuka wasn't looking too good.
"No. Grandmother's been making me wear a corset this whole time." Suzuka explained as she wiggled to get comfortable. "I can hardly breathe."
"Turn around." said Louise, and Suzuka did, allowing Louise to undo the corsets many ties. Saito had to look the other way after Louise gave him a look.
"Thanks mom." said Suzuka taking a breath of fresh air and throwing the corset out the window. It looked like a bird trying to escape in the wind.
"We're just glad you're OK." said Saito "And we don't care what your grandmother says, you can keep your job at the Enchanted Fairy Inn."
"You knew about that?" Suzuka asked sitting back down.
"Jessica, Siesta and Scarron have kept us informed since you started working there." said Louise "We never made any objections because we are former employees."
"You never told me that." said Suzuka as she looked at each of them in amazement.
"We thought it irrelevant." said Saito trying to make quick talk about it.
"That gives me an idea." said Louise with a smile and twinkle in her eye.
"Little Louise!" said Scarron with enthusiasm giving Louise a hug. "It's simply wonderful to have you back here and in uniform."
"Thank you Scar- I mean mi mademoiselle." said Louise, who was wearing a black adult-sized fairy uniform wondering if this is a good idea.
"Everyone," said Scarron "Seventeen years ago, before many of you were born, Saito and Louise were employees here, and now they've come back to join their daughter, Suzuka. Lets all give a warm 'welcome back' to Louise and Saito."
"Welcome back!" said everyone in a line standing in front of the bar, followed by applause.
"When you said you had an idea, I didn't think it was this." said Suzuka as they stopped clapping.
"Surprised you, didn't I?" said Louise.
"By they way." said Saito wearing his old apron "I'm not sure you're aware, but that uniform you're wearing is the same uniform your mother used to wear."
"It is?" Suzuka asked looking down at it.
"Yes." said Scarron "Though Louise didn't have much of a bust back then, but you make it look absolutely superb. Believe it or not, some customers will come around only just to see you."
"I hope that's not the only reason you have her here." said Louise sternly looking at Scarron.
"Believe me, it's not." said Jessica.
"Suzuka! Welcome back!" said Hermione, running up to Suzuka and hugging her.
"Thanks you so much for getting my parents involved Siesta." said Suzuka.
"I knew they were they only ones who could be really forceful with Mrs. Vallière." Siesta responded. "Who knows what she would've done to you if I hadn't called for them."
"Shall we get to work mom?" Suzuka asked looking at Louise.
"Yes, lets." Louise responded with a smile.
From that point forth, Saito and Louise worked at the Enchanted Fairy Inn alongside Suzuka.


Blog December 14, 2014 The following post may contain affiliate links.
M is for mistletoe! Help your toddler learn about the letter M by making a fun mistletoe footprint craft.
Use a cotton ball to spread a thin layer of green paint on your child's right foot.
Press the footprint with the toes pointing down and the foot at a slight angle onto the paper.
Use a cotton ball to spread a thin layer of green paint on your child's left foot.
Press the footprint with the toes pointing down and the foot at a slight angle onto the paper. The heel of the second footprint should slightly overlap the heel of the first footprint.
Pour some red paint onto the cardboard.
Use a cotton ball to spread a thin layer of red paint on your child's fingertip.
Press three red fingertip prints in a triangle pattern on the heels of the green footprints. Reapply the paint as needed.
Use a paintbrush to paint "M is for mistletoe" in red on the paper.
For another fun Christmas craft, try my Santa's Sleigh and Reindeer Handprint-Footprint Craft, Christmas Tree Handprint-Fingerprint Craft, Paper Plate Christmas Tree Craft, Toilet Paper Roll Christmas Tree Craft, Beaded Yarn Christmas Tree Craft, Paper Plate Wall Christmas Tree Craft, and Pinecone Christmas Tree Craft.


text:
Straight outta China – GOOGLE's New Social Media Score
Eugene 2 years Articles, BTJ Media, News 1 Comment Share
If you only follow Christian news, you might have missed the fact that last week a Silicon Valley whistleblower, who spoke with the intrepid investigative team at Project Veritas, sounded the alarm for all American Christians.
In case you were sleeping, former Google software engineer Zachary Vorhies exposed different websites that were put on a blacklist, banning content from appearing on newsfeeds accessed through Android Google products.
According to Zachary, Google wasn't looking to ban websites that published porn, violence, or a mixture of the two as you would find in any of HBO's hyper-popular series Game of Thrones or Sopranos. No, rape, incest, and violence against women and children in the name of entertainment will procure top results on Google!
Instead, Google bans are reserved for those that have triggered the Google Social Credit System like LifeNews.com (an independent, pro-life news site founded in 1992 by Steven Ertelt), the Catholic News Agency and The Christian Post.
It is suspected that more pro-Christian websites are blocked by Google, but these are the ones that are have been reported.
It is clear that Google has adopted an anti-Christian bias and is censoring ideas and concepts that are biblically based.
Several Google insiders have confirmed that the big tech giant discriminates against Christian-leaning reports, websites, and content.
Google employees actively demote content on YouTube deemed "controversial queries," according to internal documents from Zachary, including the following phrases:
–Abortion is barbaric.
–Abortion is wrong.
–Abortion is murdering.
–Abortion is a crime.
We have been watching the advancements of China in providing social network scores and now we are learning that Google has been doing the same thing all along. The Chinese government has collecting enormous amounts of data about an individual's buying habits, finances, social media activities, credit history, health records, online purchases, friendship networks, travel patterns, tax payments, internet search/surf history, legal matters, and daily communication records. This is in addition to images gathered from China's 200 million surveillance cameras and facial recognition software.
In July 2019, over 2.5 million people were kept from purchasing airline tickets and 90,000 train tickets were denied to Chinese citizens with low social credit scores. That seems horrible, but now we see that Google is doing something similar by removing access to Christian websites and ability to monetize their efforts.
To combat this anti-Christian effort, BTJ has been developing alternatives to communicate with one another. BTJ has developed a social media platform that will allow Christians in closed nations to connect without the fear of data being shared with the government, blocked by a Tech Giant, or sold to a third party. If you would like to be an early user of this social media platform you can go on to: www.dingdash.com and sign up now.
Dr. Eugene Bach is a known trouble-maker with an active imagination and sinful past. He has a PhD, but is not a real doctor, so please do not call for him during a medical emergency on an airplane when someone is having a heart attack. Eugene started working for Back to Jerusalem in the year 2000 after a backroom deal involving Chinese spies, the NRA, Swiss bankers, and a small group of Apostolic Christians that only baptize in Jesus' name. He spends most of his time in closed countries attempting to topple governments by proclaiming the name of Jesus and not taking showers. From time-to-time he pretends to be a writer. He is not good at it, but everyone around him tries to humor him.
Vedhamoorthy
Great Effort BTJ.

redpajama_set_name: RedPajamaCommonCrawl


JPMorgan Chase's third-quarter earnings saw a lot of firsts for the bank.
The first time, under CEO Jamie Dimon—the financial crisis included—that the bank posted a loss. The loss came as the bank added $9.3 billion, pre-tax to its legal reserves—the first time that number stood higher than the cost to compensate its 260,000 employees.
The first time it disclosed the size of its war chest to pay for legal issues ($23 billion).
But it's also the first time a financial institution has faced a government fine in the ballpark of $11 billion, the range JPMorgan has been discussing with the US government to settle mortgage-related issues.
The very first question at the top of the bank's quarterly call with reporters to discuss results questioned whether there would be any "management changes" as a result of the record, forthcoming fine. Dimon said, curtly: "No."
Some arguments have been made to the contrary.
Slate's Alex Pareene has argued in no other industry would a company look beyond loopholes in compliance to focus on profits: "If you managed a restaurant, and it got the biggest health department fine in the history of restaurants, no one would say 'Yeah, but the restaurant's making a lot of money. There's only a little bit of poison in the food,'" Pareene said in an interview on CNBC.
Felix Salmon at Reuters notes that a $450 million fine over interest-rate rigging—"measly" compared to the price tag on JPMorgan's settlement—was itself enough to lead UK regulators to ask Barclays CEO Bob Diamond to resign in 2012.
The thought isn't foreign to regulators here in the U.S., but it's ultimately a decision left up to a company's board of directors.
Speaking to that, one of the bank's regulators said, "There is some overlap in concern, but the decision-making outcome is often different." The official asked to remain anonymous so as not to hurt the working relationship with the bank, but in other words: The board's got his back.
JPMorgan's directors have been vocal in their defense of Dimon, whose role as chairman was at risk earlier this year as shareholders proposed to split the chairman and chief executive roles. Dimon won support for both roles by a healthy margin.
Dimon said any further change in position would be a question for the board, which has made its position on the bank's corporate governance well-known.
One week ago, Dimon stepped down from his role as chairman of the bank's, well, bank. The move, Dimon said, was "consistent" with the structure that regulators like a bank's subsidiaries to have. For regulators, the more checks and balances within a company, the better.
The board also appears to have scored a front-seat role in negotiating the whopper settlement with a handful of government agencies.
In the earnings news release, Dimon said: "The Board continues to seek a fair and reasonable settlement with the government on mortgage-related issues—and one that recognizes the extraordinary circumstances of the Bear Stearns and Washington Mutual transactions, which were undertaken at the request or encouragement of the U.S. Government."
In its earnings presentation, JPMorgan attributed that some 80 percent of its associated mortgage-backed securities losses are traced back to Bear Stearns and Washington Mutual—both companies that JPMorgan stepped in to acquire in the 2008 financial crisis.
When the bank negotiated the Bear deal, at least, it asked the SEC to take into account that JPMorgan was making the acquisition to spare jobs and stem losses.
"We weren't completely stupid," Dimon said to analysts. Sources say the settlement is not expected for another week.


Peter Baines OAM, a former forensics officer with the NSW State Police Force developed his unique leadership style by leading international identification and recovery teams into Indonesia and Thailand following acts of terrorism and the 2004 South East Asian Tsunami. He went on to work in the counter terrorism area of Interpol, spent time with the United Nations Office of Drug and Crime and also worked in Saudi Arabia and Japan after natural disasters hit. However, it was his work in Thailand that brought the biggest change. Touched by the children left orphaned months after the tsunami, Peter founded an Australian charity called Hands Across the Water to support them which has gone on to create opportunities for hundreds of children across Thailand.
Today, Peter has a successful consulting business building engagement through corporate social responsibility, and presents across the globe to major corporations and governments on Leadership. He is the author of bestselling books Hands Across the Water and Doing Good by Doing Good.


If it was official that あばずれ女, 虎, ティグレス had a weakness, what would it be?
Would あなた like to see Po tickle Tigress' armpits?
ファンの選択: Who the hell are you?
Jack Black または Mick Wingert?
Of あばずれ女, 虎, ティグレス current vests, which one is your favorite?
Why did they never 表示する Master Eagle in Kung Fu Panda 3?
what did Po realize when he 発言しました "you are enlighten and everything"
Do あなた think lily loves snape?
Everyone who is a kung fu panda fan, will 愛 to know that Kung fu panda 3 is coming up really soon... Stay tuned for trailers または notices.
P. S. The ファン are allowed to write predictions for me in the コメント setection. Enjoy the news! Oh! I might also write the kung fu panda 3 chapters for all the fans. And you'll be so shocked of the book, あなた won't be able to breathe!
What I saw was play of course, it just had to be play right? Just simple fun between two adults right! It's not like I'm hallucinating または anything. Oh gosh who am I kidding,they weren't playing! Gosh, just the thought of it makes me sick to my stomach!
as po slept tigeress was under the 木, ツリー of wisdom.
ogway:tigeress あなた have much to lurn about your parents.come.
a comment was made to the poll: Would あなた like to see Po tickle Tigress' armpits?
a comment was made to the poll: Jack Black または Mick Wingert?
a poll 追加されました: Jack Black または Mick Wingert?
a comment was made to the poll: Who do あなた prefer to voice Master Po?
a comment was made to the poll: Do あなた want Tai Lung to be reformed?
What species is Master Shifu?
こんにちは Kung Fu Panda Fans! Check this out!


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Workshop Manuals for Mercedes Vehicles.
Instant Download Mercedes Workshop Service Repair Manuals.
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These are the very same Mercedes Workshop Manuals used in Mercedes Main Dealer Garages carrying out service, wiring, repair etc. So you can rest assured you have professional information for any Mercedes vehicle repair that can be obtained anywhere in the world.These Mercedes workshop manual are guaranteed to have everything you need to know at your finger tips.
Do you need to replace brake pads or Change spark plugs or Change air filter? Or are you doing a larger job such as How to Change the clutch plate, Timing chain, Big end rods or Pistons and Piston Rings? Well no job is too big or too small for these Mercedes workshop manuals. It will make it far easier do any job you require. If for instance you need information on how to polish your engine vales or how to perform a Ball joint removal or remove the dashboard just click on the relevant tab inside your Mercedes workshop manual or type in your vehicle VIN number and all the information with detailed diagrams is right there for you to see. Simple jobs like Indicator not working or headlight not working or Change fuse are beautifully illustrated in fact the whole manual is a wealth of essential information for any garage or DIY mechanic. You can also use diagnostic codes from the factory Mercedes workshop manuals for all your OBD needs such as Oil level light, Engine management light, ABS system or other warning lights. The Factory Mercedes workshop repair manuals also cover the on board computer system (Check your page to ensure this feature is in the manual you need).
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text:
Leafs take down Canucks at ACC
Re-vamped lines look good in chasing Ryan Miller from the Vancouver net.
By Kevin McGranStaff Reporter
Sat., Dec. 6, 2014timer4 min. read
Maybe it was a stroke of luck, maybe one of genius, but a new-look line of Joffrey Lupul, David Clarkson and Peter Holland powered the Maple Leafs to a 5-2 win Saturday night over the Vancouver Canucks.
Each member had a goal and an assist in a victory with — upon reflection — more to like than not.
"That was the first time we played together as a group," said Holland, who picked up a career-high sixth goal. "We're all willing to go in the corner and get the puck back for one another. We're all going to try to make plays. We seemed to complement each other really well."
The line found itself thrown together because coach Randy Carlyle continues to push centre Nazem Kadri into a more defensive role. Carlyle made it Kadri's job to centre the line that would try to shut down Vancouver's top unit — Daniel and Henrik Sedin and Radim Vrbata.
"They are two unbelievable players out there," Holland said the Sedins. "Nice when you can keep them at bay like that."
Carlyle flipped Lupul with Daniel Winnik, a better defensive winger, to aid Kadri and Mike Santorelli. Kadri's line delivered. Daniel Sedin scored, but it was a weird 4-on-4 situation and not with Kadri's line on the ice.
Good for Kadri, whose growth lately as a more complete hockey player has been exponential.
"I thought Kadri was good defensively," said Carlyle. "I thought he was on top of the Sedins. He didn't play high-risk, high-reward. They had their chances in the offensive zone and they played well through the neutral zone."
These are remarkable words describing Kadri, perhaps among the highest compliments he's been paid by a member of the coaching staff in the Leafs/Marlies organizations.
Jake Gardiner and Richard Panik also scored for the Leafs, who were backstopped by a superlative Jonathan Bernier. For Panik, it was a career-high fifth of the year. David Booth picked up an assist on Panik's goal, his first point as a Leaf.
There was a lot to like about this Leaf win.
First, it was a win over a tough opponent. The Canucks were among the best teams in the West, and the NHL's best team on the road. And it's not like the Leafs have an easy time with Vancouver, 1-11-0 over their past dozen meetings coming in.
Second, the Leafs chased Ryan Miller on four goals on 14 shots. That never happened when Miller was in net for the Buffalo Sabres. That got the Air Canada Centre crowd going, almost believing that if the Leafs can beat Miller, they can beat anyone. Miller had been 32-15-3 all-time against Toronto, with a .921 save percentage and 2.47 goals-against average.
Third, it was a response game from Thursday's thoroughly underwhelming 5-3 loss to the New Jersey Devils.
"You never want to lose back-to-back games," said Bernier. "It's a step forward. That's what we want. Obviously our homestand has been successful. We just have to keep going that way, keep building that momentum."
The Leafs can be proud they killed six minor penalties.
"If you can keep the other team's special teams off the board, you will give your team a chance to win," said Holland. "We gave up a couple of opportunities on the PK, so there are things we need to improve on. When you have players out there like the two Sedins, who are making no-look passes, it's tough to defend."
The Leafs also did not get outmuscled as they were on Thursday. There were times the team took the hit to make the play, as opposed to falling down and surrendering the puck as they did routinely on Thursday.
On the downside, the Leafs' power play went 0-for-3, they took far too many penalties, offering up momentum-changing opportunities to the Canucks.
If not for Bernier, playing his eighth-straight game, the result might have been different. He robbed the Canucks early and often while his teammates racked up the goals. Bernier faced 46 shots.
"He was huge, he made some big saves especially early on that kept us in the game," said Leafs defenceman Korbinian Holzer. "I think he was the difference.
"If you look on the other side, there were some lucky shots for us going in and he made the big stops that kept us in and give us a chance to build up the lead. At the end he was huge again and played an overall great game."
NOTES: Lupul has a four-game points streak (four goals, three assists) ... David Clarkson was plus-4. ... The Leafs announced Saturday that forward Brandon Kozun has been activated from the injured reserve list while defenceman Roman Polak has been placed on injured reserve. Kozun, however, was a healthy scratch. Leo Komarov also missed the game due to a concussion.
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Riley is the insanely talented artist over at Make Things Co.
I have been following her Instagram account for awhile, dying over her talent. When I went to Washingtonian Bride & Groom's Unveiled event, and had the opportunity to meet her while she was doing live sketches – well to say I fan-girled is an understatement.
I had the amazing opportunity to get to know Riley, and she is so freaking nice. Seriously – she is so kind, and funny, and grounded.
I had the honor of doing a small branding session for Riley, and I freaking love these images so much!
I am still in awe that we have become friends.


text:
Choi Woo Sik is Featured in Big Issue Magazine
D-Bo , June 4, 2015, 12:45 p.m.
Korean actor Choi Woo Sik is being featured in fashion publication Big Issue Magazine. The photo shoot concept for the shoot s appropriately called 'Let's play together,' showing his childlike playfulness with the help of bright colors and settings like a teal background and playground set.
In the interview, he said, "There is one ambition that formed while I was filming the movie, 'Set Me Free.' Young Jae, whom I acted out, did not have a lot of lines, so as I expressed the feelings he firmly kept in, I felt that, 'There must be something bigger than speaking.' I want to try acting a part through sign language sometime." That's a big challenge to set for himself! This only shows his passion for acting and expression.
Choi Woo Sik is a South Korean actor. Choi's family immigrated to Canada when he was in fifth grade, where he spent ten years of his life. Then in 2011, while a junior at Simon Fraser University, the then-21-year-old Choi returned to Korea to go on auditions, and he made his acting debut in the period drama The Duo (2011). He pursued acting full-time, and supporting roles followed in television series such as Rooftop Prince (2012) and Special Affairs Team TEN (2011-2013). In 2014, Choi starred in his first leading role in the coming-of-age indie film Set Me Free, for which he won Actor of the Year at the Busan International Film Festival. This was followed by the romantic comedy cable series Hogu's Love (2015), in which he played the titular character.


Project Godie, a multi-platform heritage program celebrating the North East of England's strong historic links to Japan through dance, music, film and literature, arrives in Tokyo with this launch event.
As part of the project launch, Adam Denton (co-producer) will perform a live improvised soundtrack to the Project Godie performance film.
The sonic aspect of the film will draw upon sampled material used in the original performances, as well as Denton's memory of those events; articulated with electric guitar, miscellaneous electronics and voice.
Entry is 500 yen and includes a drink.


text:
Q: Gap Between Divs - Not Understanding Why It Is There I'm designing a layout to be used on a social website. The site allows CSS/HTML elements. In my design there is a gap between two of my stacked divs. There is no gap in my code so I cannot understand why it is there.
Here is a screenshot: The black space between the header image and menu is the gap.

Here is my HTML:
<!DOCTYPE HTML>

<link rel="stylesheet" href="vfErin.css">

  VF Home
  Gallery
  Journal
  Add Me
  Rate & Comment

And my CSS:
/*
#67C8FF neon-blue
#83F52C neon-green
*/
* {
   padding: 0;
   margin: 0;
   text-decoration: none;
   border: none;
   outline: none;
   list-style: none;
   transition: all 0.5s;
}
body {
   background-color: #000;
   text-align: center;
}
#customProfile {
   width: 900px;
   margin: 0 auto;
   text-align: left;
   border-left: 1px solid #67C8FF;
   border-right: 1px solid #67C8FF;

}
#customMenu {
   width: 900px;
   font-size: 0pt;
}
#customMenu a:link, #customMenu a:visited {
   display: inline-block;
   width: 20%;
   text-align: center;
   background-color: #67c8ff;
   font-size: 14pt;
   height: 30px;
   line-height: 30px;
}

A: Tell the image to be a block level element like so:
img {
    display: block;
}

Better yet, give it a class so that you don't style all the images on the page. Because the image is an inline-block element it's subject to line-height, which is what I think is happening here.
EDIT: http://jsfiddle.net/z91kwzhw/1/

redpajama_set_name: RedPajamaStackExchange


Millie Hildebrand is delighted to "come home" to the Southeast Music Festival. She has warm memories of her involvement in this region, having lived and taught in Steinbach for 32 years.
Millie's love for music and the choral arts was launched on the family farm at Oak Lake, Manitoba, where singing was a daily affair and where piano and guitars were always within reach. She and her four sisters soon formed an ensemble, and they sing together to this day. Now familiar to the music community as a teacher, choral director, voice instructor and festival adjudicator, Millie has taught classroom and choral music at all levels and has been active in implementing programs for young musicians throughout the province. These have included collaborations with the University of Manitoba, the Winnipeg Symphony Orchestra, the International Peace Gardens Music Camps, regional and provincial honour choirs, numerous choir tours, many musicals and a two-year teaching post in Bucharest, Romania. Going back "a few years", Millie's performance history includes productions with Manitoba Opera, Winnipeg Mennonite Theatre, the Oregon Bach Festival Chorus, and Canzona, to name a few. She recently completed her seventh year as director of the Faith and Life Women's Chorus, and is often seen sharing the podium with husband Ed, with whom she co-conducted the U of M Concert Choir for four years.
Millie is past president of the Manitoba Choral Association, sits on the board of the Women's Musical Club of Winnipeg, and has enjoyed her work as Faculty Advisor with the U of M through the past decade. She looks forward to directing the Provincial Honour Choir in February as well as adjudicating more festivals in this spring season. When away from their music posts, Millie and Ed occupy themselves with family, their garden, and their travel "bucket list".
Known for her versatility on both opera and musical theatre stages, Chelsea's repertoire spans the gamut from baroque chamber music to Broadway musicals. Chelsea holds Master's Degrees in Musical Theatre/Opera Performance and Vocal Performance Pedagogy from Arizona State University Herberger Institute for Design and the Arts. Through her pedagogy studies with Christina Kang, one of the leading voice specialists at the Mayo Clinic in Phoenix, Chelsea has developed an in-depth approach to the psychological and physiological workings of the vocal mechanism. While in Arizona, Chelsea enjoyed performing with the Phoenix Symphony and several Broadway stars including Jodi Benson, Donna McKechnie, and Doug LaBrecque in a Tribute to Marvin Hamlisch, and Stephen Schwartz in the Stephen Schwartz Blockbuster Broadway VIP events and concerts. Chelsea also performed as the Alto Soloist in Handel's Messiah with the South Mountain Community College Orchestra and accomplished soprano, Dr. Isola Jones. As well as teaching voice lessons, Chelsea frequently performed musical theatre and opera roles with Lyric Opera Theatre. Select favorite roles include "April" in Company (awarded first place for the American Prize in Musical Theatre Competition 2016/17), "First Witch" in Dido and Aeneas, "Gina" in Smile, and "Ms. Harcourt" in Anything Goes. Chelsea also assistant directed Lyric Opera Theatre's main stage productions of H.M.S. Pinafore and The Magic Flute, which both received Arizoni Awards for Best Director and Musical Direction, with The Magic Flute winning Best Overall Production for the 2016/17 season. Upon her return to Winnipeg, Chelsea joined the Brandon University School of Music faculty as a sessional instructor, where she taught Music History and served as stage director for the Music Theatre Production program. While in Brandon, she provided vocal master class sessions to undergraduate students and private voice lessons through the Eckhardt-Gramatté Conservatory of Music. Chelsea's experience in audition training, advanced expression and interpretation, Broadway/Opera scenes, and vocal pedagogy, has helped her develop a well-rounded approach to the needs of the singing artist. Recent local performances include the Health Sciences Centre Foundation "Bringing Hope to Life" Event, the University of Manitoba 2018 IDEA Gala honoring Arianna Huffington, and the 2018 Clear Lake Chamber Music Festival Concert Series. Currently, Chelsea is a faculty member of the Manitoba Conservatory of Music and Arts, and a private instructor at JKW Voice Studio in Winnipeg, MB.
Tom Soares is a professional actor, voice and speech coach and theatre educator. He has worked as a performer or coach for most of Winnipeg's regional theatres (including the Royal Manitoba Theatre Centre, Prairie Theatre Exchange, Manitoba Theatre for Young People, Rainbow Stage, Shakespeare in the Ruins, Winnipeg Jewish Theatre and Dry Cold Productions) and has also worked in film. He earned his Masters in Fine Arts in Acting with a further specialization in voice and speech from York University in 2011. He has recently been certified in The Expressive Actor Technique which integrates acting, movement and voice training. For the past eight years, he has taught courses on voice, speech and performance at the University of Winnipeg's Department of Theatre and Film. Privately he offers courses and workshops on voice, acting, Shakespeare and public speaking.
Eleanor Epp grew up in Manitoba and studied piano in Brandon with the late Anna Hughes. After graduating as a Registered Nurse in Winnipeg, she and her husband moved to Blaine Lake, Saskatchewan. As a mother of four young children who needed a piano teacher, Eleanor completed her ARCT in Piano Performance under the guidance of Carol Riediger and the ARCT Teacher's diploma with Marilyn Harrison. Her professional development includes a year of Pedagogy with Kathleen Lorenz-Gable, organ lessons and participation in various workshops including the E-Gre Piano Summer Session at Brandon University.
Eleanor has been associated with music festivals for many years, first as a competitor herself, then entering many of her own students, many going on to Provincial and National competitions. She has held the position of entry secretary and program coordinator for her own local festival; was a Director on the Saskatchewan Music Festival Association Board for two 3-year terms and, is presently a member of the Manitoba Registered Music Teachers Association, the Canadian Federation of Music Teachers, and the Associated Manitoba Arts Festivals.
Mrs. Epp and her husband live in the country near Brandon, Manitoba. She teaches all levels of piano and theory, currently teaching at the E-Gre Conservatory of Brandon University as well as maintaining a small studio from her home in the Minnedosa area and is active in her local RMT Assoc. in Brandon. She serves as a pianist in her church and accompanies local choirs, instrumentalists and vocalists.
International Violin Competition. He is also a twice recipient of the prestigious Canada Council National Career Development Grant, as well as a multiple recipient of Conceil des Arts du Quebec and Manitoba Arts Council Grants.
claiming him "Russian Paganini" and describing his playing as "brilliant", "phenomenal", "outstanding", and "extraordinary". He has also been invited to perform on national television and radio in Russia, Serbia, Poland, Canada and the Netherlands.
Mr. Pokhanovski is active as a chamber musician and has appeared in the International Virtuosi Series in Germany, International Music Academy in Kiev, Ukraine, Domaine Forget in Quebec, Centara New Music, Agassiz Summer Chamber Music, Orford and Pender Harbour Music festivals in Canada. He is a Founder and Artistic Director of the "Oleg and Friends" concert series in Winnipeg.
Dr. Pokhanovski is also in much demand as a pedagogue and presently holds the position of Professor of Violin at the University of Manitoba. He adjudicates music festivals all across Canada, both strings and piano categories.
He has recently formed the Desautels Piano Trio with colleagues Minna Rose Chung (cello) and Judy Kehler-Siebert (piano). The Trio has to date already performed in Canada and abroad.
Oleg Pokhanovski made over 200 virtuosic transcriptions for violin and piano, as well as other instruments. Many of them can be heard on his CDs: The Mirror Image and La Valse. He continues to make new transcriptions and performs them with an international prizewinning pianist Scott Meek.
Richard Tyborowski is a professor at the University of Manitoba, teaching classical music at the Desautels Faculty of Music. He also teaches private guitar lessons throughout the year to students of all ages and levels.
Richard completed his Masters Degree in Music Performance at the State University of Music in Wroclaw, Poland. After graduation, he studied with many highly recognized guitarists in Europe, including Costas Cotsiolis.
Richard is commonly known for his music video "Hora" by Stepan Rak, which appeared on Bravo TV and was a Western Music Awards Nomination.
Music critics across Canada and internationally have praised Richard's first album titled "Romantico". It was singled out for its excellence on the CBC program "Sound Advice". Richard's second album "Homage a Chopin" has been described as a "magnificent recording". His next album known as "Pearls and Yarn" (April 2005) has been awarded five stars by the Winnipeg Free Press. Richard's fourth album called "Safard" received a Juno Nomination.
Richard has performed numerously in Canada and Europe. He is frequently heard on CBC radio and on various classical music stations in the US. Sid Robinovitch has dedicated solo and chamber music compositions to him, including his only guitar concerto "Ports of Call" (premiered in May 2005 in Belgrade). The newest recording with double bass Nenat Zdjelar called "Memories" is a collection of both musician's compositions.
Richard Tyborowski is the author of a comprehensive guitar method for school guitar programs titled Walking in Harmony. He was also featured on the Master Anthology of New Classic Guitar Solos, Volume 1 – Mel Bay Publications, Inc. He has composed and performed music for the movie The Healing of Heather Garden.
Richard Tyborowski is the past President of Winnipeg Classical Guitar Society 2002-2015, and the Winnipeg Music Academy (providing music lessons for underprivileged students 2002-2004).
Richard looks forward to continuing the growth and development of his students. He wants to ensure they reach their full potential and become aspiring guitarists.
Janet Brenneman is currently the Associate Professor of Music at Canadian Mennonite University in Winnipeg, where she conducts the CMU Chamber Choir, CMU Singers and the CMU Women's Chorus. Ms. Brenneman also teaches music education and currently serves as Dean of the School of Music at CMU. She is originally from Ontario and holds Bachelor and Masters Degrees in Music Education from the University of Toronto. She has received numerous awards and has been recognized for her work in music education in both Canada and the United States. After moving to Manitoba in 2000, Ms. Brenneman continues to influence the music world by being named the Artistic Director of Renaissance Voices, serving on the Board of the Winnipeg Singers and on the Council of the Manitoba Music Teachers Association. Janet enjoys a busy family life with her husband and their 2 daughters. When not on the podium or in the classroom, Janet can be found on the side-lines of the soccer pitch, the swimming pool or the recital hall enthusiastically supporting her favourite young athletes and musicians.
Christopher Kayler is an assistant professor of music at Briercrest College, where he teaches private piano lessons, music history, jazz and classical theory, lyric diction, keyboard improvisation, instrumental and choral arranging, and conducts the Briercrest Orchestra. He collaborates regularly with Briercrest's vocal and instrumental faculty, as well as with other soloists throughout the Prairies, performing at Brandon University, the Winnipeg Art Gallery, and the University of Manitoba. He completed his DMA in piano accompanying and chamber music at the world-renowned Eastman School of Music (University of Rochester) under the tutelage of Dr. Jean Barr, with additional studies in vocal coaching and performance practice. An accomplished performer, he was awarded 1st prize and the Ann C. Fehn Memorial award in the 2017 Jessie Kneisel Lieder competition, which was judged by the internationally renowned pianist-scholar Graham Johnson. While at Eastman, he received an Excellence in Accompanying award, and held graduate assistantships in opera coaching, studio accompanying, and as a teacher's assistant. He has participated in numerous prestigious summer music programs, including the Vancouver International Song Institute, SongFest (Los Angeles), and the Franz Schubert Institut (Baden bei Wien, Austria). His academic awards include Eastman's Jerald C. Graue Fellowship for excellence in musicology and a Graduate Fellowship at the University of Manitoba, fully funding his Master's degree. During his Bachelor's degree at the University of Manitoba, he won the Gold Medal for the highest overall graduating GPA in music, 1st prize in the Lawrence Genser Competition for best overall soloist, and the annual Concerto Competition, allowing him to perform with the University of Manitoba's Wind Ensemble and Orchestra. His interests include reading, cooking, and exercise, each of which he enjoys with his wife, Heather, as they live in Caron, Saskatchewan.
Elizabeth Rotoff has performed across Canada and in England in opera, musical theatre and recital. She has had leading roles in the operas Carmen, Amahl and the Night Visitors, The Tales of Hoffman, La Clemenza di Tito, Cosi fan tutte, Die Fledermaus, Hansel and Gretel, The Medium and many more. In Winnipeg, she has performed as a soloist with the Winnipeg Philharmonic Choir and Women of Note and has appeared in roles with the Little Opera Company.
With over 20 years of experience, Elizabeth currently teaches voice to the next generation of young singers who consistently perform well in exams, music festivals and other competitions. Many of her students have gone on to study voice at the university level in the disciplines of classical music, musical theatre and jazz. She is a member of the National Association of Teachers of Singing and the Manitoba Registered Music Teacher's Association. She has also had over 20 years experience in teaching beginner to early intermediate piano and music theory rudiments. She is also an active adjudicator and clinician.
Embracing the concept that a health body leads to a health voice, Elizabeth is a certified personal trainer and nutrition coach and founder of The Fit Singer. Her Empowered Singer health and wellness program has brought her into collaboration with Resonanz Opera Singing Artists program in Cleveland, Ohio. She is also featured in the book Just One Voice, a guide to vocal sustainability and injury prevention.
Nicolette is a graduate of the Royal Winnipeg Ballet Professional Division and was the 1992 recipient of the Prince Edward Award recognizing a Senior Level Ballet Student of the Royal Winnipeg Ballet Professional Division who shows exceptional commitment, dedication and achievement in dance studies.
Throughout her training with the Royal Winnipeg Ballet she was privileged enough to be able to perform with the RWB Company in cross Canada tours including Swan Lake, La Bayadere, Sleeping Beauty and The Dream.
For her Level 7 performance she danced the role of Beauty in the Professional Division's production of Beauty and The Beast.
Following her RWB training, Nicolette headed down to NYC to attend the American Musical and Dramatic Academy to enhance her performing skills and branch out into Musical Theatre.
Upon successful completion of this program Nicolette headed back home to Winnipeg and has performed with Rainbow Stage, Winnipeg Jewish Theatre, Winnipeg Fringe Festival as well as dancing and choreographing with Prairie Dancers.
Another life and career enriching experience for Nicolette was being hired as a part of the creative team as an Assistant Choreographer for the 1999 Pan American Games hosted in Winnipeg, Manitoba, Canada.
When Nicolette isn't in the studio she can either be found touring with KOBA Entertainment or on movie sets in various departments.
Outside of the Performing Arts, Nicolette is a Reiki Master and has Advanced placement in both ThetaHealing and Integrated Energy Therapy healing modalities.
Romeo Suban has been a professional dance educator, choreographer, director, producer and adjudicator for over 12 years. He holds a Bachelors of Education degree in Kinesiology and Theatre from the University of Winnipeg. Romeo has trained in many studios locally and abroad. He has had the honour of performing for her majesty Queen Elizabeth II, opening up for the America's Best Dance Crew Tours and We Day Manitoba. Romeo's professional career started when he appeared for Rainbow Stage's production of the "King and I" and "Miss Saigon". He is also one of the founders of Un1te Dance Company where he organized the annual In The Zone Hip Hop dance competition. Today, Romeo teaches the dance program at St. John's High School. Romeo is excited to be part of the 2019 Southeastern Manitoba Festival! Thank you to all the wonderful staff for this opportunity to support our performers towards excellence.


The limited pieces of Tomenosuke Blaster PRO Retailer Edition will be sold on September 1st.
Sorry to keep you waiting. The pre-order pieces become a shipment start from the first week of September. Also, we will start selling the limited pieces on 11:00am of September 1st. Tomenosuke Blaster PRO Retailer Edition Assembled Model will be sold at here. Tomenosuke Blaster PRO Retailer Edition Assembly Kit will be sold at here.


Salt destroys bad bacteria on the skin.
Jojoba oil moisturizes the skin more deeply than other moisturizers.
Penetration of oil may also help with wrinkles.
Acne and sores may heal after two weeks or less.
Rotate with the Lavender & Jasmine scrub to prevent acne.
Love, love Salís sking care products!!
I'm in love with Salis Skincare. I have the Calendula Scrub and the Rose Healing Spray and they're both awesome.
My skin cleared up and feels so soft!


text:
Case No. IT-02-62-I
IN TRIAL CHAMBER II
Judge Carmel Agius
Mr. Hans Holthuis
Decision of:
JANKO BOBETKO
ORDER LIFTING CONFIDENTIALITY
The Office of the Prosecutor:
Carla del Ponte, Prosecutor
I, Carmel Agius, Judge of the International Tribunal for the Prosecution of Persons Responsible for Serious Violations of International Humanitarian Law Committed in the Territory of the Former Yugoslavia since 1991 ("Tribunal"):
PROPRIO MOTU;
NOTING the confidential and ex parte "Decision on "Motion of the Prosecutor to Schedule a Fitness Hearing and to Take Related Measures"" ("Decision") and confidential "Order for Service of Indictment" ("Order"), both issued by me on 19 March 2003;
CONSIDERING that the matter was being dealt with confidentially only in so far that it related to the details of health of the Accused Janko Bobetko ("Accused");
CONSIDERING that the Decision and Order do not detail the health concerns of the Accused and that therefore there is no need for them to remain confidential;
CONSIDERING that, consistent with Article 21 of the Statute of this Tribunal and pursuant to Rule 54 of the Rules of Procedure and Evidence, it is in the interest of justice to lift the confidentiality of the Decision and Order;
CONSIDERING FURTHER that lifting the confidentiality of the Decision implies that the ex parte status of the Decision is lifted simultaneously;
HEREBY LIFT the confidentiality of the Decision and Order filed on 19 March 2003.
Done in French and English, the English version being authoritative.
Dated this 24th day of March 2003,
At The Hague
Carmel Agius
Judge of the Tribunal
[Seal of the Tribunal]


text:
51 min. agoIndonesia Deeply Regrets Drone Attack in Abu Dhabi
CALIFORNIA MUSLIMS BRACE FOR RAMADAN
Author: Fauziah Al Hakim
On Islam
California, 1 Ramadan1436/June 18, 2015 (MINA) — Muslims in the US are preparing to observe the holy fasting month of Ramadan, which starts on Thursday (18/6) with a religious flavor.
"When you go without food and drink for entire day, even for one day, you realize what you have given up, and you realize what you actually have that you had taken for granted," Sheikh Mustafa Umar, of a southern California mosque said, On Islam quoted by Mi'raj Islamic News Agency (MINA) as reporting.
Sheikh Umar is one of Southern California Muslims who are bracing for fasting, reflections and communal gatherings that mark the holy month.
At southern California's multi-cultural mosque, the Islamic Society of Orange County, preparations are going on to host thousands of Muslims on the first Saturday of Ramadan.
A huge canopy is being installed in the courtyard of the mosque where a large celebration is to be held.
The heavy schedule of the mosque will focus on mid-day prayers along with evening celebrations after the fast is broken.
"Every day here at the mosque, we actually break our fast together at sunset, so that is around 8:00 pm," Duaa Alwan, the president of the Islamic Society of Orange County said.
"There are free meals, free dinners here. A lot of the larger community are invited to that, a lot of our friends from different faiths, our neighbors."
The United States is home to a minority of between six to eight million Muslims.
A US survey has also revealed that the majority of Americans know very little about Muslims and their faith.
Reflecting the diversity of Southern California Muslim community, people will share meals from different culture during Saturday's celebration.
"You have Pakistani food, you have Indian food, you have Middle Eastern, you have Italian food, you have Mexican food, and it really reflects the diversity that our community shares," said Alwan.
For many mosque members, Ramadan is a time to seek forgiveness and have a new start.
"Kind of like a New Year's for us, where all the things that we are supposed to do, you start going strong and doing them, and the things that we are doing, we continue them and do it as a community and a group," mosque member Nawaz Ahmed said.
On his part, Sheikh Umar said that the holy month is a chance to renew old acquaintances and strengthen community bonds.
"So it is kind of a mixture of worshiping God and also having fun and having a good time, and realizing and appreciating the blessings that you have in this life," said Umar.
Ramadan is the holiest month in Islamic calendar.
In Ramadan, adult Muslims, save the sick and those traveling, abstain from food, drink, smoking and sex between dawn and sunset.
Muslims dedicate their time during the holy month to be closer to Allah through prayers, self-restraint and good deeds.
It is customary for Muslims to spend part of the days during Ramadan studying the Noble Qur'an.
Many men perform i`tikaf (spiritual retreat), spending the last 10 days of the month exclusively in the mosque. (T/P006/R04)
Tags: American Muslim California Islam Muslim Ramadhan.
Wednesday, 24 August 2016 - 21:53 WIB
Muslim Population in Latin America Grows 25%
Peoria Mosque In Illinois To Host Event Aimed At Dispelling Myths About Islam
Thursday, 2 April 2015 - 14:20 WIB
MICHIGAN MUSLIMS PRESERVE RELIGION IN CAMPUS


text:
Q: how to split column headers and their values into separate columns into long format I wish to separate my habitat data into two different columns, one by the column headers and the other by their respective values.
I have tried using pivot_longer, however it returns me an error, here is how I tried to do it:
pivot_longer(cols= habitat[, 6:57], names_to="habitat_type", habitat)

what it should look like:
month year    LOC_ID GBW_NUM     OBS_DT       habitat_type         habitat_code
1     8 2003 LOC569491   76550 2003-08-06     GARDEN_SIZE              A
2    11 2003 LOC575706   76863 2003-11-06     GARDEN_SIZE              B
3    10 2008 LOC575706   76863 2008-10-09     GARDEN_SIZE              A
4    11 2003 LOC575712   76869 2003-11-06     LARGE_DECID_TREES        C
5     8 2008 LOC575712   76869 2008-08-08     SMALL_CONIF_TREES        A
6    11 2003 LOC591752   76998 2003-11-06     LARGE_CONIF_TREES        B

Reproducible code:
structure(list(month = c(8, 11, 10, 11, 8, 11, 3, 4, 3, 1, 10,
12, 6, 6, 12, 10, 10, 11, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1,
1, 1, 1, 1, 1, 1, 1, 1, 12, 2, 3, 2, 1, 3, 9, 9, 9, 4, 1, 3),
    year = c(2003, 2003, 2008, 2003, 2008, 2003, 2005, 2005,
    2020, 2008, 2010, 2013, 2012, 2018, 2012, 2016, 2017, 2003,
    1995, 1995, 1995, 2003, 1995, 1995, 1995, 1995, 1995, 1995,
    1995, 1995, 1995, 1995, 1995, 1995, 1995, 1995, 2016, 2017,
    2002, 2003, 2003, 2003, 1995, 2007, 2007, 2008, 2018, 2017,
    2017, 2017), LOC_ID = c("LOC569491", "LOC575706", "LOC575706",
    "LOC575712", "LOC575712", "LOC591752", "LOC610239", "LOC614296",
    "LOC674315", "LOC675786", "LOC794326", "LOC794326", "LOC973627",
    "LOC973627", "LOC1354719486425", "LOC1314108", "LOC2174194",
    "LOC1300619774", "LOC1300613011", "LOC1300612920", "LOC1300615617",
    "LOC1300609972", "LOC1300611058", "LOC1300612277", "LOC1300605354",
    "LOC1300604907", "LOC1300604931", "LOC1300605204", "LOC1300604590",
    "LOC1300604590", "LOC1300606661", "LOC1300602119", "LOC1300602170",
    "LOC1300602081", "LOC1300622040", "LOC1300622040", "LOC1300622040",
    "LOC1300622040", "LOC1038934429015", "LOC1038934429015",
    "LOC287351", "LOC287518", "LOC1300624005", "LOC661928", "LOC661928",
    "LOC661928", "LOC661928", "LOC2009340", "LOC1990233", "LOC1489432713333"
    ), GBW_NUM = c("76550", "76863", "76863", "76869", "76869",
    "76998", "79154", "79846", "85416", "85665", "89078", "89078",
    "90835", "90835", "97926", "93406", "26517", "72370", "65158",
    "65056", "68017", "61805", "63019", "64369", "54273", "53090",
    "53147", "53901", "52289", "52289", "56811", "03152", "03274",
    "03043", "56063", "56063", "56063", "56063", "94001", "94001",
    "75537", "75669", "67577", "84253", "84253", "84253", "84253",
    "25834", "25782", "99058"), OBS_DT = structure(c(12270, 12362,
    14161, 12362, 14099, 12362, 12856, 12903, 18352, 13890, 14889,
    16040, 15502, 17693, 15679, 17100, 17443, 12362, 9131, 9131,
    9131, 12078, 9131, 9131, 9131, 9131, 9131, 9131, 9131, 9132,
    9131, 9131, 9131, 9131, 9131, 9132, 16808, 17193, 12024,
    12084, 12123, 12106, 9131, 13579, 13760, 14123, 17780, 17264,
    17188, 17230), class = "Date"), GARDEN_SIZE = c("M", "S",
    "S", "M", "S", "M", "L", "S", "M", "S", "M", "M", "L", "L",
    "S", "M", "M", "M", "M", "S", "M", "L", "M", "L", "L", "L",
    "L", "L", "L", "L", "M", "M", "L", "L", "S", "M", "S", "S",
    "S", "S", "L", "M", "L", "M", "M", "M", "S", "L", "S", "S"
    ), GARDEN_AGE = c("A", "B", "C", "D", "D", "D", "B", "C",
    "D", "C", "D", "C", "E", "E", "B", "B", "D", "A", "E", "B",
    "D", "D", "D", "E", "E", "D", "D", "E", "D", "E", "E", "D",
    "E", "C", "E", "C", "D", "D", "E", "E", "E", "E", "E", "B",
    "B", "B", "C", "E", "E", "E"), SMALL_DECID_TREES = c("B",
    "B", "A", "C", "C", "C", "E", "D", "D", "B", "E", "E", "D",
    "D", "B", "C", "D", "D", "A", "C", "C", "D", NA, "E", "E",
    "E", "E", "D", "D", "D", "C", "D", "E", "D", "A", "C", "C",
    "C", "B", "C", "E", "D", "E", "C", "C", "C", "C", "E", "C",
    "E"), LARGE_DECID_TREES = c(NA, "C", "B", "B", "B", "B",
    NA, "A", "A", "A", "C", "C", "A", "A", "A", "D", "A", "A",
    "C", NA, "A", "A", "C", "D", "E", "C", "E", "C", "C", "A",
    "C", NA, "E", "D", "A", "A", "A", "A", "A", "A", "D", "C",
    "D", "B", "C", "C", "B", "D", "A", "A"), SMALL_CONIF_TREES = c(NA,
    "A", "A", "A", "A", "B", NA, "E", "C", "A", "A", "C", "A",
    "A", "A", "C", "A", "A", "C", "C", "A", "B", "C", "C", "E",
    "B", "C", "E", "E", "D", NA, "E", "D", "E", "A", "D", "C",
    "A", "B", "B", "A", "C", "E", "A", "A", "A", "A", "E", "B",
    "A"), LARGE_CONIF_TREES = c(NA, "A", "A", "A", "A", NA, NA,
    "A", "A", "A", "A", "B", "A", "A", "A", "A", "A", "A", "A",
    NA, "A", "A", NA, "E", "D", "D", "D", "C", "D", "A", NA,
    NA, "E", "E", "A", "A", "A", "A", "A", "A", "C", "C", "D",
    "A", "A", "A", "A", "E", "B", "A"), LAWN = c("C", "C", "D",
    "D", "B", "D", "B", "C", "C", "D", "C", "C", "D", "D", "D",
    "D", "D", "E", "B", "B", "C", "B", "D", "C", "B", "C", "C",
    "C", "C", "C", "E", "C", "B", "D", "E", "C", "C", "C", "E",
    "E", "D", "C", "B", "E", "E", "D", "C", "B", "B", "B"), FLOWERBEDS = c("B",
    "B", "B", "B", "B", "B", "B", "C", "D", "B", "B", "B", "B",
    "B", "B", "B", "B", "B", "C", "B", "B", "B", "B", "B", "B",
    "B", "A", "B", "C", "B", "B", "C", "B", "B", "B", "B", "B",
    "B", "B", "B", "B", "B", "B", "B", "B", "B", "B", "B", "B",
    "C"), SHRUBBERIES = c("B", "A", "B", "B", "A", "B", "B",
    "A", "A", "A", "C", "C", "B", "B", "B", "B", "B", "A", "A",
    "B", "B", "B", "C", "B", "B", "B", "B", "B", "B", "B", "B",
    "B", "C", "B", "A", "B", "B", "B", "B", "B", "B", "B", "B",
    "B", "B", "B", "B", "C", "B", "B"), VEGETABLES = c("A", "A",
    "A", "A", "A", "B", "A", "A", "A", "A", "B", "B", "A", "A",
    "A", "A", "B", "A", "A", "A", "A", "B", "A", "B", "A", "A",
    "B", "B", "B", "B", "A", "A", "B", "A", "A", "B", "B", "B",
    "A", "A", "B", "B", "B", "A", "B", "C", "C", "B", "A", "B"
    ), WILD = c("A", "A", "B", "A", "C", "A", "C", "B", "A",
    "A", "A", "B", "A", "A", "A", "B", "B", "A", "B", "A", "A",
    "A", "A", "A", "B", "B", "C", NA, "A", "B", "A", "A", "B",
    "B", "A", "A", "A", "A", "B", "B", NA, "B", "C", "A", "A",
    "A", "B", "B", "B", "B"), BARREN = c("A", "B", "A", "B",
    "B", "B", "A", "A", "A", "A", "A", "A", "A", "A", "A", "A",
    "A", "A", "A", "B", "B", "A", "A", "B", "B", "C", "B", NA,
    "B", "B", "A", "B", "A", "A", "A", "B", "B", "A", "A", "A",
    "B", "B", "A", "A", "A", "A", "B", "A", "A", "A"), ORCHARD = c("A",
    "A", "A", "A", "A", "A", "A", "A", "A", "A", "B", "B", "A",
    "A", "A", "A", "A", "A", "A", "A", "A", "A", "A", "A", "B",
    "A", "A", NA, "A", "A", "A", "A", "A", "B", "A", "A", "A",
    "A", "A", "A", NA, "A", NA, "A", "A", "A", "A", "B", "A",
    "A"), FENCE = c("D", "B", "C", "D", "C", "C", "E", "C", "D",
    "B", "B", "B", "C", "C", "C", "D", "E", "D", "B", "B", "C",
    "B", "A", "A", "A", "B", "C", NA, "B", "B", "D", "D", "A",
    "B", "B", "E", "D", "E", "D", "D", NA, "B", "B", "E", "D",
    "D", "C", "B", "B", "D"), WALL = c("B", "A", "A", NA, "A",
    "A", NA, "A", "B", "A", "A", "A", "C", "C", "A", "C", "A",
    "A", "A", "A", "B", "B", "D", "A", "A", "A", "A", "E", "A",
    "B", "B", "A", "A", "B", "A", "A", "A", "A", "B", "B", NA,
    "C", "A", "B", "B", "B", "B", "B", "B", "A"), BUILDINGS = c("B",
    "B", "C", NA, "A", "B", NA, "A", "B", "A", "B", "A", "B",
    "B", "C", "B", "A", "B", "C", "B", "B", "B", "D", "A", "A",
    "B", "B", "B", "A", "B", NA, "B", "A", "B", "B", "B", "B",
    "B", "B", "B", NA, "B", "B", "B", "B", "B", "B", "C", "B",
    "B"), LOW_EVERGR_HEDGE = c("A", "B", "A", NA, "A", "B", NA,
    "B", "B", "A", "C", "A", "A", "A", "A", "A", "A", "A", "A",
    "A", "A", "A", "A", "B", "A", "B", "A", NA, "B", "A", "A",
    "B", "B", NA, "B", "A", "A", "A", "A", "A", "B", "B", "A",
    "A", "A", "A", "A", "B", "B", "B"), HIGH_EVERGR_HEDGE = c("A",
    "A", "A", NA, "A", "A", NA, "A", "A", "A", "A", "B", "A",
    "A", "A", "A", "A", "A", "A", "A", "A", "A", "A", "C", "A",
    "A", "A", NA, "B", "B", "A", "B", NA, "C", "B", "A", "A",
    "A", "A", "A", "B", "A", "B", "A", "A", "A", "B", "A", "A",
    "A"), LOW_DECID_HEDGE = c("A", "A", "B", NA, "B", "A", NA,
    "A", "A", "B", "C", "A", "A", "A", "A", "A", "A", "A", "A",
    "A", "A", "C", "A", "B", "A", "C", "B", NA, "B", "A", "B",
    "A", NA, "B", "A", "A", "A", "A", "A", "A", "C", "A", "B",
    "A", "A", "A", "A", "D", "B", "A"), HIGH_DECID_HEDGE = c("A",
    "A", "A", NA, "A", "A", "E", "A", "A", "A", "B", "C", "A",
    "A", "A", "A", "A", "A", "A", "A", "A", "A", "A", "B", "A",
    "B", "C", NA, "B", "B", "A", "A", "D", "B", "A", "A", "A",
    "A", "A", "A", "C", "A", "B", "A", "A", "A", "A", "A", "A",
    "A")), row.names = c(NA, 50L), class = "data.frame")

A: Maybe the solution for the issue can be choosing the variables to keep in rows and reshape the remaining to long:
library(tidyverse)
#Code
newhabitat <- habitat %>% pivot_longer(-c(1:5))


text:
Greg Davies, Ian Harris win GAM Senior/Mid-Am…
Greg Davies, Ian Harris win GAM Senior/Mid-Am Team Finals
Greg Davies, left, and Ian Harris were all smiles while posing with the championship plaque. (GREG JOHNSON – For MediaNews Group)
By Greg Johnson |
PUBLISHED: October 12, 2022 at 9:21 a.m. | UPDATED: October 12, 2022 at 9:22 a.m.
NORTHVILLE – Ian Harris of Bloomfield Hills and Greg Davies of West Bloomfield have each won multiple GAM titles over the years.
This time they teamed up and won the 13th GAM Senior/Mid-Am Team Championship Finals Tuesday at Meadowbrook Country Club.
"Together we made a lot of putts today," said Harris. "Greg got a couple bad tee shots out of the way early, then he played like Greg Davies."
Harris, 69 and soon to be 70 and in the Legends age category for GAM tournaments, and Davies, a Michigan Golf Hall of Fame member who recently turned 55 and joined the senior age group, shot 4-under 68 in the finals format of front nine four-ball or best-ball and back nine foursomes or alternate shot.
The father-son duo of Tom and Nikolas Senkowski of Rochester Hills shot 71 and finished second, just ahead of Bill Zylstra of Dearborn Heights and Chet VandenBerg of Portage who had a 72.
Six teams that won or finished second in the three first-day sectional competitions hosted earlier in the season by Dearborn Country Club, Flint Golf Club and Travis Pointe Country Club, made up the field for Tuesday's finals. It was the second consecutive year that Meadowbrook has hosted the finals.
A field of 116 teams, or 232 of Michigan's top golfers, competed in the opening segment of the popular championship that features a Senior golfer (55-and-over) teamed up with a Mid-Amateur golfer (23-and-over). The teams played four-ball, also known as best-ball, in a morning round, and foursomes, also known as alternate shot, in the afternoon rounds.
Robichaud boys basketball holds off rival Crestwood w/ PHOTO GALLERY
Robichaud at Crestwood boys basketball photo gallery
Fordson wrestling takes down Dearborn High; University of Detroit Jesuit w/ PHOTO GALLERY
Wrestling quad meet at Fordson photo gallery
"We played well really, made some good putts and gave ourselves chances for birdies," Davies said of Tuesday's final round.
"We ham and egged it all day," Harris said. "We were a good team."
The duo, which finished second in a card playoff in the Flint sectional event, shot 31 in the best-ball format on the front Tuesday and led by two shots at the turn. An alternate shot bogey on No. 10 was the only blemish until No. 15 when they made bogey, but then they followed it up with a birdie.
"Winning is always nice," Davies said. "It was fun and we had a nice day to play."
Results: GAM.org


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text:
Joyce Pensato
Margate Batman
I was resisting working with the traditional still life—apples and pears and all that crap.
I just fell in love with Batman. I think it was the ears.
Joyce Pensato: Margate Batman
In 2018, Joyce Pensato (American, 1941–2019) collaborated with Counter Editions in Margate, England to create this edition of 125 lithographs, of which a third of the profits were donated to the charity Save the Children. There were twenty artist proofs also fabricated, and Petzel Gallery is pleased to offer on this online platform APS 11, 12, 13, 14, 15, 16, 17, and 18 to benefit a foundation in the artist's honor.
In the mid-1970's while a student at the New York Studio School, Joyce Pensato found herself at odds with the traditional pedagogy of a still life drawing class, frustrated and unable to find "life" in a still life. At the encouragement of her teacher and mentor, Mercedes Matter, the artist decided to incorporate her own language, which took its first form in the life-size cut out of Batman, the fictional superhero created by DC Comics, that the artist found discarded on the street and dragged into her studio. It was by posing the cut out with traditional still life elements, such as a chair, for example, that the artist began to assume her distinctive voice of melding Pop iconography with rigorous artistic technique. Other characters soon took their pride of place: Mickey Mouse, Donald Duck, Felix the Cat, among others. However, "Batman" only appeared intermittently for years until Pensato's 2012 exhibition at Petzel Gallery, aptly entitled "Batman Returns." Karen Rosenberg wrote in her review for the New York Times: "…Ms. Pensato's vision of the caped crusader is all her own. Her drippy enamel-on-linen paintings of the hero's mask strip away his trust fund and cave full of bat gizmos, making him into a mythic, messy presence."
Slideshow Thumbnails
Two color lithograph on Somerset Tub Sized Satin White 410gsm
Produced by Counter Studio, Margate, England
Signed and dated by the artist on archival label verso
Slideshow Two
Installation view, Joyce Pensato, Margate Batman, 2019
Site by exhibit-E®


text:
Stenkobben är ett skär i Åland (Finland). Det ligger i Skärgårdshavet och i kommunen Föglö i landskapet Åland, i den sydvästra delen av landet. Ön ligger omkring 32 kilometer sydöst om Mariehamn och omkring 250 kilometer väster om Helsingfors.

Öns area är  hektar och dess största längd är 170 meter i öst-västlig riktning. Trakten är glest befolkad. Närmaste större samhälle är Föglö,  km norr om Stenkobben.

Källor

Skär i Åland
Öar i Föglö
Åländska öar i Skärgårdshavet

redpajama_set_name: RedPajamaWikipedia


Vishwanath chikodi is a 45 year-old writer and former Journalist, currently working with a leading Oncology Multinational Company. His first article was published in early 1993 in The Times. He is also the author of many translations, and more than 400 Articles and editorials including: 'Thinking – Power Harmed', 'Free Press a Must', 'Censor must for Soap Operas', 'Is Brain Drain Harmful', 'Should Dowry be Abolished', 'A Nation', and 'Double Standards'. He has also been a member of Bharat Jyoti Social Welfare Organisation from 1994 to 1997. He was awarded with the National and British Indian Association Scholarships , besides an award from the Governor in 1992. He's had more than his equitable quota of reverence and censure; he's taken both in his stride.


A huge thank you to everyone who submitted a cookie recipe this year. We had fun baking and taste-testing them! Now we're asking you to vote for your favorite. The winner will receive a selection of cookie decorating sugars and stencils. There's a list with links to help you refresh your memory on the right sidebar. So please help us out by voting for your favorite recipe!
When we talked about what we should choose as a prize, a cookie press was among the suggestions. I have one, but I don't use it much because I don't have a lot of great recipes for it. If you're not familiar with them, they're like tubes in which you insert the cookie dough. You press a lever on one end and a cookie comes out of the other end. They make cookies in a variety of shapes. The best thing about them, by far, is that you can make an army of cookies in no time at all!
I do have one favorite recipe that I make with my cookie press. It's from Wilton, the company that makes baking supplies. It seems appropriate to share it today since we've posted a lot of sweet cookies recently -- these (are you listening, Avery?) are made with cheese! They're savory cookies.
My recipe card is a bit old and worn, and I've made a few notes on it. The recipe calls for 8 ounces of white cheddar cheese, and I have a big note that says not to use pre-shredded cheese. I can only guess why -- maybe they're coated with something to keep them from clumping? Fortunately, Cabot of Vermont makes an 8 ounce block of cheddar. This year I was very daring and used the "Seriously Sharp" version. Ooh la la!
I also amped the garlic powder up to one teaspoon. It appears the recipe originally called for 1/2 teaspoon. If you're not a big garlic lover or if you're baking these for a romantic evening, you might want to go with the original amount.
Evidently I'm being a daredevil, because I split the dough and used oregano in half of it and Penzey's Fajita Seasoning in the other half!
While you could grate the cheese by hand, I cut it into 16 pieces and popped them into the food processor. I pulsed them until they were small bits.
Don't have a cookie press? Roll the dough into little balls and press them flat!
Preheat oven to 350. Grate the cheese. Beat cheese with butter. Add salt, oregano or basil, and garlic. Beat to mix. Add flour and beat.
Put in cookie press and press out cookies on an ungreased cookie sheet. Bake 10-15 minutes.
Oh, wow, Krista, you won my heart with cheddar cookies! Yum!!!
I thought so, Avery! They're very easy to make and it's so nice to have something savory to serve, too. And the garlic -- I wish we had smell-a-vision!
They are, Bella. I had to put the rest in the freezer so I wouldn't eat them!
Harbingerdc, you know, cheese cookies are good any time of year! How nice that Santa will be leaving you a press in your stocking!
Krista, thanks for another great recipe to try! These look yummy and different than the ones I make(with cayenne pepper and a pecan or walnut half on top) every Xmas. Had to bake another batch last night because we shared a lot and ate nearly all the rest ourselves, a week before Xmas!
Also, it gave me another excuse to use my new KitchenAid mixer--in Blue Willow, so pretty!
PS-I'll have to share this with a friend in Alabama, who gave me her mom's recipe for cheese straws many years ago, which uses a press. She'll love it, too!
I love Cabot cheese...what a tasty looking cookie, Krista! Can't wait to cook a batch.


WHY CYO SPORTS AT ST. ANN'S?
If your children enjoy basketball, volleyball, cross country or track and field and you want them to join a program that fosters both their spiritual and physical development, then your children belong on a CYO sports team at St. Ann's.
CYO sports are parish-based athletic programs overseen by the Office for Youth and Young Adult Ministry of the Diocese of Allentown. The purpose of the program is to give Catholic young people the opportunity to play sports in a positive environment that fosters Christian values and good sportsmanship. Each parish of the diocese determines which sports it will offer based on player interest and volunteer availability.
The CYO programs at St. Ann's are open to all registered children of our parish, kindergarten through 12th grade, who receive religious education either at St. Ann's School or through our Parish Religious Education Program (PREP). Athletes are also required to be practicing Catholics who attend weekly Mass with their families.
All of our coaches and coordinators are parent volunteers who generously share their time, talent, and faith with the youth of our parish. All volunteers must comply with the Diocese of Allentown Safe Environment Policy and also complete additional training specifically related to sports. For more details, please visit the CYO Coaches' Requirements section of the diocesan Web site. If you have any questions or to volunteer, please contact Lynn Seagreaves.


You are here: Home / Social media / Which Is It: Quantity Or Quality?
Exclusivity trumps accessibility. Having thousands of friends becomes "so 2008" and defriending becomes the hot new trend, driven by overwhelming rivers of newsfeeds. The movement is rooted in a desire to have quality, not quantity, as people cocoon in the face of the economic crisis. Facebook apps will emulate Twitter Grader, allowing you to prioritize your friends based on their overall social ranking — and prune safely to ensure the highest quality friends.
So if my Twitter grade is 95 out of 100, do I count as a "highest quality friend"?
As marketers continue to try to figure out ways to monetize the huge success of social media, the success of their campaigns rests on people having as many friends/followers as possible. Not only that, but isn't the whole metric of social media authority and success gauged by number of followers/subscribers/friends? Then of course there's the obvious question: what is the definition of "friend" in the world of social media? Li suggests prioritizing your friends based on their overall social ranking. Does this mean that society is supposed to become all about "who you know" and the only friends worthy of having are the most popular–and therefore most influential or powerful–based solely on how many friends/followers they have?
Is it just me or is the whole notion of authority being based on number of friends but then wanting to pare down friends because having too many is "so 2008"–and thereby theoretically reducing your authority–confusing? In Li's case, and the case of other "Twitter elite", sure, defriending a few thousand social media nobodies wouldn't affect their own clout–but what about the 99.9% of other bloggers/tweeters out there who, for reasons either professional or personal, are trying to claw their way up the ranks? Are those people in the same position to start deleting their hard-earned followers and give up any hope of becoming social media somebodies?
So which is it going to be–cut your network of friends to improve the quality of your social interactions, or increase it so you can win prizes?


The Hunter House, in Birmingham, Michigan, is a classic. It's been there since the '50s and has achieved landmark status.
The double cheeseburger and chocolate shake were great, but the chili fries are to die for — rich, tangy, and chock full of that mysterious chili meat. We had a late lunch there today, but it's got to be a fabulous post-boozing spot, with those chili fries ready to soak up any evil excess alcohol.


Umberto Eco has written works of fiction, literary criticism and philosophy. His first novel, The Name of the Rose, was a major international bestseller. His other works include Foucault's Pendulum, The Island Of The Day Before, Baudolino, The Mysterious Flame Of Queen Loana and The Prague Cemetery, along with many brilliant collections of essays.


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Q: apache 2.2 to 2.4 sporadic performance drop I updated apache from 2.2 to 2.4 and php from 5.3 to 5.4.
For some reason I am experiencing huge performance drops in around 5% of requests to the server. On average, sites load in less than 2 seconds but in this 5% of cases it takes anywhere between 30 to 60 seconds of spinning before the site finally loads.
I copied my old prefork settings
StartServers       8
MinSpareServers    5
MaxSpareServers   10
ServerLimit      512
MaxClients       512
MaxRequestsPerChild  4000:

Setup: 8 vCPU, 8gb ram, SSD
CPU never goes over 30%, ram stays at around 1.8GB.
DB is on a separate server and performs very fast. I already debugged it and never got a slow query (nothing over a minute).
I already performed 2.2 to 2.4 update steps from here http://httpd.apache.org/docs/trunk/upgrading.html
but it didnt help. Is there any other way to debug the server and why it slows down so badly?
I do not suspect the php to be the reason since the codebase did not change.
EDIT
I need to add that when the page is spnning, i can click on the link, press enter and there is a big chnage that it will load in under 2 seconds. Sometimes I have to hit enter or refresh this loading page 2 or 3 times and it loads immediately.


<!-Text-!> David Paul Morris/Getty Images The Raiders are in the perfect location residing in Northern California. They have a cross-town rival, the 49ers">San Francisco 49ers, and they each attract a different crowd.
The city of Oakland is the eighth biggest in California and they have more than enough people in the East Bay to heavily support them. Although they still share a stadium with the Oakland Athletics, the Raiders have found their niche in the Bay Area.
Known as the �bad boys� in the NFL, the Raiders are also feared by their cross-town rivals. Recently the Raiders have not won very many against their cross-town foe, but to take away the rivalry forever, that�s just wrong.


Jab We Met Movie: Jab We Met is an Indian Hindi film starring Shahid Kapoor & Kareena Kapoor in the lead role. The movie is directed by Imtiaz Ali and produced by Dhillin Mehta. Jab We Met who has running time of 142 minutes released on 26 October 2007. The movie made under a budget of 18 crore and did business of 72 crore worldwide.Jab We Met is distributed by Shree Ashtavinayak Sine Vision Ltd. Jab We Met has music of Pritam.
Some more details of Jab We Met' cast and crew.
Distributor Shree Ashtavinayak Sine Vision Ltd.
Production House Shree Ashtavinayak Sine Vision Ltd.
What is your opinion about the Jab We Met Movie?


Jennifer Wilkie is a partner in Gowling WLG's Ottawa office, and an active member of the firm's Patents, Intellectual Property Litigation & Strategy and Life Sciences groups.
Jennifer has over 20 years of experience in the intellectual property field, including over 15 years as a registered patent agent. Her practice has focused primarily on patents, especially patent litigation and patent prosecution, with an emphasis on pharmaceutical and chemical patents. Jennifer regularly acts for clients in patent infringement and patent impeachment matters, as well as judicial review proceedings, including applications under the Patented Medicines (Notice of Compliance) Regulations. She has appeared in the Federal Court and Federal Court of Appeal, as well as the Ontario Courts. Jennifer has acted for many companies, including Novartis, Astellas, Janssen, Bristol-Myers, Merck, Shire and Actelion.
Her practice also involves providing strategic advice to clients on achieving optimal patent protection, portfolio management and enforcement. In the pharmaceutical context, this includes advice as to patent listing, innovative drug listing, life cycle management and regulatory requirements under the Food and Drugs Act and Regulations, and under the PMPRB.
Jennifer is a regular writer on intellectual property issues, in particular pharmaceutical patent issues. She is also an executive editor of Gowling WLG's PharmaFlash newsletter.


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Q: How to include empty string in a like query in sql server This seems an easy thing but somehow I'm not able to think of it.
I want to write a like query in this format:
WHERE Searchfield LIKE '[ ;]Mark'

Now this would check for an occurence of
' Mark', ';Mark'

I want it to be able to search the following string as well:
'Mark'

How do I indicate that it can have the occurrence of a space, or a semicolon or no character.

A: Probably easiest to just use
WHERE Searchfield LIKE '[ ;]Mark' OR  Searchfield = 'Mark'

If Searchfield is indexed then you might find that
WHERE Searchfield IN ('Mark', ' Mark', ';Mark')

gives you a better plan. There is no equivalent in the Like pattern syntax to a regular expression optional character class. Though you could use CLR regular expressions and the following regular expression [ ;]?Mark

A: This looks like the kind of thing fulltext was designed for.  If its a common query call, Use fulltext search.  Then your search term will simply be 'Mark'.