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What Does it Mean to Be a Literary Artist?
As a writer in the modern world, it is hard to get people to take you seriously as an artist. I am constantly bombarded with criticisms like, "Oh, you're a writer? Anyone can do that," or "Everyone is a writer these days." Now that ink has become so affordable it exists in a digital form accessible to most, the art of writing can be seen as a lost practice, defining the profession of "writer" as one who simply forms sentences on any platform where they can be heard. In contrast to this common misconception, there is still a great value to writing and therefore a purpose in being a literary artist.
Jokes in Literary Circles
There are often jokes we hear as outsiders that we don't understand because they come from within certain circles we don't, won't, or simply can't belong to. Only members of these circles (or groups, congregations, etc., you can choose) will laugh at them because we do not get the punch line, nor the elements taken to build up to it. Whether it is because of jargon or circumstance, this type of joke provides a sense of belonging to those on the inside because of its exclusion of others. However, when it comes to the field of writing, the jokes that are contained within literary circles begin to blur the boundaries between inclusion and exclusion.
There are not many differences between regular jokes and jokes contained within literary circles, but they do exist. Take the notion of kitsch. Originally, it refers to the type of art that is mass produced using popular cultural icons, and generally encompasses gaudy design or unsubstantial work. The essence of kitsch is noted as being that of imitation, such as in the film Driving Lessons starring Rupert Grint and Laura Linney, where we have an expiring actress reading samples from others' works at a small-time event.
The purpose? To make the speaker feel like they are worth something, while at the same time blindly hiding the fact that they are actually highlighting the speaker's unworthiness. The joke here, then, is different than allowing an inclusiveness to those on the telling and receiving end because it purposely excludes the subject.
Similarly, Jonathan Swift's concept of satire, namely it as a mirror, plays on the fact that the joke arises out of the teller's knowing and the victim's lack thereof. Quoted from The Battle of the Books and Other Short Pieces, Swift's perception of the genre reads directly as: "Satire is a sort of glass wherein beholders do generally discover everybody's face but their own; which is the chief reason for that kind reception it meets with in the world, and that so very few are offended with it." Normally when we tell jokes, the speaker and the listener end up on the same page. Another joke in literary circles is that "Poets either die young or stay young." But what does that mean? We all age, and a lot of us manage to still maintain that "forever young" spirit. What is different about the literary artist? What makes them stand out from the rest of the crowd?
The Artist and the Child
One argument for art overall beyond the inner circles of literature is that as an artist, you are able to remain young because you have been able to hold onto what most of us lose as we age. Many of the Greats of the nineteenth century firmly showed in their work the belief that a child views life purely, and an adult no longer does. These works including authors such as William Wordworth's poems, William Blake's "Infant Joy," as well as visual artist Pablo Picasso. Similarly, they professed the view that as an artist, your practice allows you to channel the same perspective a child sees in a message that other adults are capable of understanding, and that you rest somewhere in between the two, in a sort of no-man's land.
Is the argument, then, that artists do not die young or stay young, that they simply just are? Is everyone else aging, while the artist has made a new, untold discovery by finding a way to remain stable? Are stability and innocence the same thing? Interestingly, it is often thought that artists are unstable, and that this is the cause of an early death. The reason that poets or literary artists either die young or stay young must be that they are young, this being a state that is both physical and mental. Instead of it merely being a state of physicality in which we unconsciously are forced to participate in, youth is also a state of mind we must harbour in order to preserve its effects through the activities of art.
The literary artist is a visionary, one who can see the pure life everyone did in the beginning as a child. What is it in particular, though, about writing? What is it about the literary artist that sets them apart from the others?
Not all of us understand how to draw a perfect circle, how to perform or calculate an intricate dance move, or how to make finished products from natural goods. But we do know how to speak, we do know words, and we can all communicate the same ones on some level, whether it be through English, Sign, or another language. This is not to say, however, that we do not understand and know the elements involved in other art forms. Rather, we simply are less capable of reproducing them in their individual representations.
The literary artist, then, is the biggest joke of them all. Crafting together narratives out of pieces called words, their art communicates directly with its audience. Although other art forms communicate with their audiences, language is our most direct form of communication with each other, and messages can be made clearer through words as opposed to physical objects that need words to create that interpretation of communication.
The literary artist is ultimately doomed to a future of exclusion from all communities. Without a proper sense of belonging to their own artists because of their clever jokes, other members of the arts community or the general public because of their craft, literary artists are left to wander through life alone. Walking somewhere in between the secure life of an adult and the restless mind of a child, the literary artist writes the joke, tells the joke, and becomes the joke. The reason poets are able to stay youthful is because they are made young. They will forever remain a child inside of a confused adult, a visionary adult born out of a confused child, with nothing but the physical spaces words take up to truly exist in.
As a writer, the literary artist must choose to be chosen as the communicator of pure life – the bridge between the youthful innocence and the adult world of responsibility. In the end, then, it all means that being a literary artist is to lead with the heaviest responsibility of them all: to maintain stability of the bridge in order to keep the parts of society together.
artist life meaning narrative
kathleensumpton
Artist. Writer. Editor. Manager. Teacher. Philosopher.
Edited by Siothrún, Camille Brouard, dannyjs, Matthew Sims, Adnan Bey, Jacque Venus Tobias.
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kaSea
The literary artist is a thinker.
Silverman
"A skillful literary artist has constructed a tale. If wise, he has not fashioned his thoughts to accommodate his incidents; but having conceived, with deliberate care, a certain unique or single effect to be wrought out, he then invents as may best aid him in establishing this preconceived effect. If his very initial sentence tend not to the outbringing of this effect, then he has failed in his first step. In the whole composition there should be no words written, of which the tendency, direct or indirect, is not to the one pre-established design. And by such means, with such care and skill, a picture is at length painted which leaves in the mind of him who contemplates it with a kindred art, a sense of the fullest satisfaction. The idea of the tale has been presented unblemished because undisturbed: and this is an end unattainable by the novel. Undue brevity is just as exceptionable here as in the poem; but undue length is yet more to be avoided."
― Edgar Allan Poe
Hodgson
I think calling yourself an artist or being called an artist situates you on a continuum.
YsabelGo
Your argument about the literary artist keeping their child-like qualities reminds me of the book, 'The Little Prince', which questions the difference between children and adults and their mentalities.
I being an artist is to have a different outlook on life, and to be able to express these thoughts into words. I agree that many people think writing is easy, but if it were, there would be more writing jobs then.
richana93
Article really flows nicely; appreciated majority of the points made! Especially liked the notes on child and youthful approach to writing! 🙂
SeeTrent
I think a writer to keep an eye on in the future is Stephen Graham Jones. He's written some mindblowing books and he's just in his late-30's.
This is good stuff, I'm a hopeless bookworm.
Words are words.
Luemens
Most of the people that pooped into my mind when I saw this post Willam Gass, Diane Williams, Vollmann, Cormac McCarthy, Barry Hannah etc.
trosse
If I had to supplement:
Mary Robison
Galway Kinnell
Salman Rushdie (I know)
Philip Roth (I know, I know)
Deborah Eisenberg
Kenzaburo Oe
I'd add Stephen Wright (doesn't have 8 books, but each of his is worth at least two of most other living writers), Denis Johnson and Samuel Delany (if only for the monumental Dhalgren). I'd also clutter my own list with poets like John Ashbery, John Koethe, Brenda Hillman, CD Wright, Michael Palmer, Albert Goldbarth…
jenee
Write well and you'll outlive your children.
Isadora Cho
The role of the literary artist is the same today as it has always been.
Padgett
Literary artists have always been interested in holding themselves up as a mirror for their audiences to see themselves.
dsoumilas
More than a child's mentality, just being open to taking in and depicting the world around you is probably the most difficult part of becoming that elusive "literary artist." It is a mindset that cannot be replicated by just anyone no matter how much technology is at our disposal.
When we mature and go through life, it does indeed become harder to maintain an open mind. Pablo Picasso may have been equaling a child's perspective with creativity but even children can eventually become fixed in their attitudes and no longer receptive to new input. Again, it is taking in all those experiences and recognizing them as they are before boiling them down to an ultimate truth that is most crucial to any writing.
Therefore, this article covers a very relevant issue in that regard; as a writer, I struggle everyday to maintain a sense of acceptance so that there wouldn't preferably be any biases seeping through that'll block off whatever I may address in a piece.
RobertCutrera
I think your conclusion begins a train of thoughts that should begin a new article. You mention a number of interesting points throughout–the moments where you invoke a particular quote or briefly analyze an artist stand out–and I'd like to see a bit more of this. I'm a bit confused about the "joke" part toward the end, but I think you have a lot more to say about such a topic. I'd be interested to read a follow-up article with more examples and references. You analysis of the child-like qualities of the artists also deserves its own article, especially the works of William Blake–his "Songs of Innocence and Experience" contain a multitude of the ideas you mention here.
This is great!
FCPremitch
I think what is unique about writers is that, when you get right down to it, what a writer does is decipher and interpret their thoughts. Thoughts are essentially an abstract cloud of memories, ideas, hopes, etc., and when we write, we tap into that cloud and try to make sense of it, to express what we think, whatever that may be. When you look at writing as an art, it isn't about aesthetics in the traditional sense, we don't try to make the word's look as visually pleasing as possible. What writers do is organize words into codes that others can decipher, allowing us to understand, to some degree, someone else's thoughts. The expansion of the mind comes from two places: deeper understanding of the self and deeper understanding of the world. When I write, I sometimes find myself learning more about the world from myself. When you begin to tap into that cloud of thought, it opens to door to deeper introspection. People are always capable of more than they think, and writing is the art closest to that untapped potential. Words carry more weight than visuals when it comes to a deeper understanding of anything. When you look at a painting, you can observe it for hours but until you begin to discuss it, using words to express what you see, you're understanding will be limited. That is why writing, as an art, is so different.
If you call yourself an artist, you are inviting people to relate your work to this evolving body of art.
PaulieWawg
If I were constantly bombarded with criticisms such as those you encounter, I'd rightfully go insane. I'd also seriously question whether, underneath it all, I am actually seeking the approval of those who believe "anyone" can write and other nonsensical naysayers. Personally, I write because it is an intrinsic need I must fill. Thinking I can control the outcome of this (recently chosen) profession, one way or the other, is a fallacy. I do like how "Literary Artist" rolls off the tongue though.
Well written article! you make some great points and examples. This is true for any writer. I get the same confused look from every person that asks what I'm majoring in and I say Professional Writing. The sad thing is people immediately think I'm going into journalism, but really there is so much more to writing than news. Many seem to be very ignorant in this matter.
Really liked the bit about writes the joke, tells the joke, and becomes the joke.
Sep 22, 2015 Reply
Lizzie23
I like the bit about artists being young and dying young. The article was relatable to me because I am an artist and feel misunderstood. I remember being questioned about wanting to be an writer. I love the metaphors used in the article.
This article is well written and the metaphors is spot on.
I believe creative people are stigmatized by those who lack imagination, mostly due to jealousy.
Oct 7, 2015 Reply
briannahardy
Artistry is a tool that few can handle properly, but it can blossom into something incredibly beautiful when handled correctly.
gmellfeldt
What does it really mean to be a child? Is it innocence? Is it unrestrained creativity? An open mind? Writing transcends age and destabilizes all other forms of hierarchy. The clearest purpose of writing is to communicate, to reveal my mind, my experiences, my perspective. Writers are consistently scrutinized because their art is not tangible, you cannot see it or touch it. It is an art of the mind, in its purest form. Many people do not wish to see beyond the other entertaining forms of art.
Writing communicates in the purest form. Not with pictures. Not with moving screens. With words, words which require careful attention. In today's onslaught of visual entertainment, it's no small wonder that reading, and thus professional writing, seems superfluous. Our purest form of communication makes way for senseless entertainment.
laiineylaceup
I hear that all the time…writing is a dying field and blah blah blah. We do it for the people..and for ourselves.
rmadisonhaymore
There exists a gargantuan difference between people who call themselves writers. People who write are simply writers – no more than that. However, people who convey emotion, entertainment, statements on an aspect of art or culture, and bend the boundaries of feeling and sensory perception in their craft are writers, a.k.a. Literary Artists. Definitions can still vary within the wording I just used. Therefore, if you write because your soul craves the word, then you're a literary artist, writer, etc. If you write just for paycheck, then you're just a writer.
travismckinney
I cannot say what a literary artist is; and I cannot comment on your whole article in such a brief post, but I will say this—
As to your section on youth and being an artist, I think you touch on something quite important. We all experience "the bloom," a time when we are youthful but matured, and then we all experience the time after that, as our leaves begin to descend toward the ground, shrivel and die. I think Hemingway wrote about it well—the existential crisis of this realization. Perhaps more than any, artists (whether literary or other, but "real" artists) have quite a time coping with life post-bloom and attempt on some level to express their feelings of it.
Perhaps then, at least in my view, instead of being a poet and being young, an artist needs for most of his or her life to grieve the loss of his or her youth, to preemptively grieve the loss (to come) of those he or she loves, including the self. When one walks around feeling this loss for years upon years, and then writes about it, I would say one is a literary artist. The trick, I think, is in surviving this grieving for as long as possible. Some do it for longer than others.
Jan 28, 2016 Reply
Jaye Freeland
It's a heavy bag, but writers can always imagine something to make it easier to carry.
I always call myself an artist. Also, most of the time, regardless of what a person specializes in, an artist is an artist, and the creativity branches out to all different subjects and interests.
greyject
The child argument is an interesting one. It's true that Wordsworth will praise the child-like figure (I'm thinking his Lucy poems here), but only in relation to the function of the poet. In his Preface to Lyrical Ballads, he specifically maps out the poet as someone who is more sensitive to the society he lives in. The poet has the moral obligation to purify language and reconnect men to more elementary feelings, prompted by a more elementary stimulus (i.e. nature). I don't think the valuing of a child-like poet or artist is being advocated here though. There's also other works by Wordsworth which don't really praise the child-like perspective. Poor Susan (the revised 1800 edition) does not particularly praise Susan, but mourns her fallen state. Other poems like Tintern Abbey rely on the poet to reconnect two versions of himself through a landscape: the earlier version of himself is presumably himself as a child and is not praised, but rather condemned because it lacks the ability to problematize and question its own existence unlike the adult narrator.
I agree. Being an authentic literary artist isn't all about just being able to construct and express with words. It's really about being real and honest, reflecting not only our individual shades and temperaments but society's or perhaps the entire world's entire conditions, whether good or bad. Literary art is simply the entirety of life as a whole. Thank you for this 🙂
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How Cosmic Horror Made Paganism Great Again
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The representation of women as the hero in YA novels
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Unexplainable Events
1964 April 24, New York, CE3 233
"On April 24, 1964, a young farmer named Gary Wilcox allegedly encountered a grounded UFO in a field in broad daylight. Two small men in silvery suits were apparently collecting soil samples outside the objects, and they were startled that Wilcox could see them at all. According to Wilcox's story, they told him they an dtheir craft were normally invisible at distances beyond 190 feet in the daytime. At night, however, their saucers glowed in the dark and were easier to spot. (Mr. Wilcox was later carefully investigated by Dr. Berthold Schwarz, a prominent psychiatrist, who found no trace of hoax in the story.)"
- Flying Saucer to the Center of your Mind, p. 167.

redpajama_set_name: RedPajamaCommonCrawl


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Sherlock's World
Fan Fiction and the Reimagining of BBC's Sherlock
Ann K. McClellan
Sherlock Holmes remains more popular than ever some 130 years after the detective first appeared in print. These days, the iconic character's staying power is due in large part to the success of the recent BBC series Sherlock, which brings the famous sleuth into the twenty-first century.
One of the most-watched television series in BBC history, Sherlock is set in contemporary London, where thirtysomething Sherlock and John (no longer fussy old Holmes and Watson), alongside New Scotland Yard, solve crimes with the help of smartphones, texting, online forums, and the internet. In their modernization of Sir Arthur Conan Doyle's nineteenth-century world, Sherlock creators Stephen Moffatt and Mark Gatiss make London as much a character of their show as the actors themselves. The highly stylized series has inspired an impassioned fan community in Britain, the U.S., and beyond. Fans create and share their writings, which reimagine the characters in even more dramatic ways than the series can.
Interweaving fan fiction studies, world-building, and genre studies, Ann McClellan examines the hit series and the fan fiction it inspires. Using Sherlock to trace the changing face of fan fiction studies, McClellan's book explores how far fans are willing to go to change the Sherlockian canon while still reinforcing its power and status as the source text. What makes Sherlock fanfic Sherlockian? How does it stay within the canon even while engaging in the wildest reimaginings? Sherlock's World explores the boundaries between canon, genre, character, and reality through the lenses of fan fiction and world-building. This book promises to be a valuable resource for fan studies scholars, those who write fan fiction, and Sherlock fans alike.
University of Iowa Press


CENTRALIA — Officials are pointing to a cigarette as the culprit of a fire Monday morning in the office of a bar in Centralia.
Centralia firefighters responded just after 11 a.m. Monday to Skippers Inn on South Locust in Centralia, where they say a cigarette that was not completely put out caught an employee's purse and papers on a desk on fire. The employee had earlier closed the door when leaving the office.
The owner lives next door to the bar and found the fire when investigating noises coming from a surveillance camera in the office.
Before firefighters arrived, people on scene had used an extinguisher to put out most of the fire that was contained to the desk and the employee's purse.
Firefighters used another extinguisher after they arrived to finish putting out the fire before working to remove smoke from the building.
The office suffered both smoke and heat damage. Firefighters were on the scene for about 20 minutes.


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Samochody klasy RC2, to samochody rajdowe należące do grupy R5. Od sezonu 2014 Klasa RC2 to według przepisów FIA najwyższa kategoria pojazdów, jakimi można się ścigać w mistrzostwach regionalnych, czyli cyklach rangi niższej niż Rajdowe mistrzostwa świata. W założeniach FIA samochody te maja zastąpić auta klasy RRC i S2000.

To pojazdy opracowane na bazie modeli seryjnych i wyprodukowanych w liczbie co najmniej 25 tysięcy sztuk. Do budowy tych aut używane są elementy seryjnej produkcji, a założeniu FIA samochód ten ma kosztować nie więcej niż 180 tys. euro. Według przepisów FIA masa własna samochodu nie może przekroczyć 1200 kg, maksymalną szerokość nadwozia ustalono na 1820 mm, silnik to jednostka o pojemności 1600 ccm, turbodoładowana o mocy ok. 280 km, średnica zwężki w sprężarce 32 mm. Kluczowe części, jak tłoki, korbowody, głowice czy koła zamachowe, można homologować w wariancie VR5, bądź też użyć elementów z silnika seryjnego. Układy regulacji faz rozrządu są dopuszczone, o ile wykorzystuje je seryjny wóz. Auta klasy R5 z założenia mają napęd na cztery koła, pięciostopniową przekładnię sekwencyjną oraz są pozbawione aktywnego centralnego mechanizmu różnicowego.

Przykłady samochodów klasy R5
 Peugeot 208 T16
 Ford Fiesta R5
 Citroën DS3 R5
 Škoda Fabia R5
 Mitsubishi R5
 Hyundai i20 R5

Przypisy

Rajdy samochodowe
!

redpajama_set_name: RedPajamaWikipedia


Heico Direct is the UK's number one supplier of upholstery products and is a member of the international Theo Heimann Group. Heico Direct is committed to supplying its customers with high quality fittings that will improve both the appearance and practicality of their upholstery and furniture designs. On this page you will find our finest selection of sofa legs and feet. Choosing the right sofa legs and feet for your sofa It is essential that you choose the right type of legs and feet for your sofa. The type of legs or feet you select may depend on the weight of the sofa, as well as the overall look you are going for. Here on our website you will find an extensive range of sofa legs and feet, made from a variety of different materials including metal and wood. You will also find a wide range of sofa legs with inbuilt castor wheels. These sofa legs are ideal for using on furniture that needs to be frequently moved from room to room. All of our sofa legs and feet are manufactured to the highest standards and offered at competitive prices. Upgrade the look of your sofa Whether you are upcycling an old sofa or simply want to update the look of your existing sofa, this can be easily done with a new set of sofa legs or feet. If you want to give your sofa a contemporary appearance, we suggest selecting our metal sofa legs. However if you are going for a more traditional look, you may prefer our high quality wooden sofa feet. We even have antique sofa legs, which are ideal for using on period-style furniture. Our sofa legs come in various different shapes and sizes, ensuring there is something to suit every piece of furniture. Improve the lifespan of your sofa High quality sofas will last for years and sometimes even decades, but over time they can start to look a little worn. A great way to improve your sofas lifespan is to replace its legs or feet. If you think about it, aside from the chair webbing, the legs probably get the most wear as they are what hold the sofa up when you sit on it. When choosing replacement legs or feet for your sofa, make sure that you select the right shape and size. If you require any further advice on selecting the right legs or feet for your sofa, please get in touch. Protecting your flooring Whilst chair legs and feet can improve both your sofas appearance and functionality, they can also damage your floor if you do not take the necessary precautions. If you have laminate or wooden flooring, we highly recommend investing in a set of chair glides to keep your flooring protected. Chair glides are also particularly useful for preventing spilt liquids from soaking into your wooden sofa legs and causing permanent damage. Glides need to be regularly replaced if you want them to protect both your sofa legs and wooden flooring effectively. Trade prices If you work in the upholstery, furniture or interiors industry then you can purchase our chair feet, legs and other supplies at a discounted price. All you need to do is simply click on the 'Trade Signup' page on our website and fill in the form. Once your application has been checked and approved, you will be entitled to use our trade discount on any purchases you make from the Heico Direct website. Please remember that these discounts are available to those working in the trade only. Our team thoroughly check each application prior to approval.


Biggar Rugby Club's 43-10 home win over already relegated Greenock last Saturday saw them go ahead thanks to two Karetai Williams-Paul tries.
Richard Peacock converted the first of these, the full-back taking over the kicking duties because of Francois Nel's absence.
In an open and entertaining contest, Greenock showed their worth as well with livewire scrum half MacDougall and centres McGroarty and Harrison hitting up well.
They scored a try after good pressure saw ball spread left where winger Cleary took advantage of a neat inside ball to cross the line. Diffenthal, having miscued his first penalty, was short with this attempt as well.
Another great breakout from Biggar saw Warnock tidy a loose lineout ball and then the Voas brothers exchanged passes on the left wing before skipper Davy Reive rounded off the move with a 30m dash to the line. Peacock kicked an excellent conversion from way out on the touchline.
The hosts went further ahead when Notman burst over and under the posts for Biggar's four-point winning try.
Peacock converted for a half-time score of 26-5.
A tap penalty taken by Reive gave Donald Voas the chance he required for a five metre plunge for the try. Peacock saw his conversion rebound off the upright.
With play increasingly unstructured, Greenock's McGroarty plunged over from loose play following a good run from full-back Tyley. Diffenthal was again unable to find his mark.
Greenock's bench ran out so scrums were uncontested, meaning that Biggar could no longer pin Greenock back.
But a lineout drive was then rounded off by a try from O'Connell, just reward for the efforts of the pack.
As Greenock gamely attempted to run out of defence the ball was spilled and with Jamieson alert to the occasion he tapped, dived and then twisted for the score.
The engines of those who are slightly longer in the tooth – namely Biggar's Reive, Warnock, Cairns and Notman but also O'Connell – can only be admired, particularly given the sticky conditions underfoot.
Warnock especially seemed to be everywhere, a late, lung bursting 60m sprint out of defence from a tap penalty with dummy passes included quite something to behold.


text:
Max Johannes Whitta Fenger (; born 7 August 2001) is a Danish professional footballer who plays as a forward or a winger for OB in the Danish Superliga.

Club career
Fenger started playing in the youth system at FC Roskilde, before signing with OB on 8 August 2018, after scoring 26 goals in a season in the U17 league for Roskilde. He initially became part of the under-19 team of OB.

He made his professional debut on 1 June 2020 in a 1–0 away loss to AGF, coming on as a substitute in the 47th minute for Mart Lieder. His first goal for the club came in the play-offs for European football, scoring in a 2–1 away loss to Randers FC on 11 July after making a start. In the return game, he secured advancement for OB by scoring a brace as the team won 2–0 at home. Fenger finished his first season in the first team with 10 appearances, in which he scored four goals – all in the play-offs for European football, which OB eventually lost out after a 1–0 loss to AGF.

Fenger struggled to find playing time the following season, as he was sidelined with a knee injury which he suffered in a loss to Brøndby IF on 8 November 2020. He made his comeback on 9 April 2021 in a 0–1 home loss to Vejle Boldklub as a late substitute.

Career statistics

References

2001 births
Living people
People from Roskilde
Danish men's footballers
Association football forwards
Danish Superliga players
FC Roskilde players
Odense Boldklub players
Sportspeople from Region Zealand


In FY2019, stakeholder feedback will continue to feature prominently in many of MSRB initiatives. As a self-regulatory organization, the MSRB's success depends on the ability to listen thoughtfully to its various stakeholders, carefully weigh their input and incorporate it in sensible and appropriate ways. This year, to enhance existing feedback mechanisms, the MSRB is forming new advisory groups that will add greater insight to policy questions considered by the Board of Directors. These groups, which expand the MSRB's access to balanced, expert market knowledge from a variety of professionals in the municipal securities market, will complement industry listening sessions and Town Hall meetings. The MSRB also will use stakeholder feedback to continue to refine its approach to providing additional compliance support to regulated entities.
As an SRO, the MSRB's representative Board of Directors serves as the foundation for policymaking, which is further informed by ongoing engagement with municipal market participants and other stakeholders who share the MSRB's commitment to safeguarding the integrity of the municipal securities market.
Read more about the MSRB's approach to stakeholder engagement.
The MSRB's representative Board of Directors serves as the foundation for policymaking, which is further informed by ongoing engagement with municipal market participants and other stakeholders who share the MSRB's commitment to safeguarding the integrity of the municipal securities market.


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New Spanish Books UK
NSB UK
NSB DE
NSB FR
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NSB US
NSB BR
New Spanish Books: The online guide of titles from Spanish publishers and literary agents with rights for translation in the UK. To consult titles available in other markets please click on the above links.
UK panel´s choice
New spanish titles
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<Any>Children and YouthComicsLeisureGastronomyLiteratureOthersSports and practical bookScientific TechnicalSocial Science and religion
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AGENCIA ESPAÑOLA DEL ISBN
Very useful link with a searchable database of books published in Spain since 1972. Users can browse the database by author, title, subject, ISBN and publishing company, among other fields.
http://www.mcu.es/comun/bases/isbn/ISBN.html
AMERICA READ SPANISH
The Spanish Institute for Foreign Trade and the Spanish Association of Publishers Guilds, have developed the campaign America Reads Spanish , aimed to increase the use and reading of our language through the thousands of libraries, schools and book stores of this country.
The importance of the Spanish language as an economic resource has also enabled various organizations from Spain and from other countries in Latin America to support this project by helping us to promote:
Literature and reading in Spanish
The presence of books in Spanish in the U.S.
The awareness of Spanish books and authors in this country, through retailers, local libraries and the school and University systems.
To better convey and disseminate this message, America Reads Spanish is counting on numerous partners that include professional associations, bookstore chains, public and private libraries and prominent Hispanic associations in this country.
America Reads Spanish believes that the Spanish language will enhance the communication between cultures in a time when it is of utmost importance to understand and enrich everyone's perception of the global reality.
http://www.americareadsspanish.org
ARCE (SPANISH ASSOCIATION OF CULTURAL MAGAZINES)
The Spanish Association of Cultural Magazines comprises more than 100 magazines of ideas and culture published in Spain. The association carries out activities of behalf of this group of publishers, including programs to help disseminate the publications, training sessions, and conferences centered on issues of special interest for the sector.
http://www.arce.es/
The Centro Español de Derechos Reprográficos (CEDRO – 'Spanish Reproduction Rights Centre'), is a non-profit association of authors and publishers of books, periodicals and other publications in any medium. The association collectively protects and manages members' intellectual property rights (copying, processing, public disclosure and distribution).
http://www.cedro.org
DILVE
DILVE is the technological platform for the management and distribution of the bibliographical and marketing information of Spanish books in print.
http://www.dilve.es/dilve/dilveweb/index_dilve.jsp
FEDER Fondo Europeo de Desarrollo Regional
Instituto Español de Comercio Exterior Una manera de hacer Europa
© 2012 New Spanish Books. All rights reserved.


text:
Swisscom Hospitality Strengthens its North American Business with New Appointments
Swisscom Hospitality Services has announced the hiring of two seasoned hospitality professionals for its business in the Americas: Patrick Lewis joins as a Director of Solutions Architecture while Greg Wutzke comes on board as a Director of Business Development. Both of them will be key in driving Swisscom's continued growth as the hospitality industry's preferred global partner for the delivery of mission-critical networks.
The development of the Americas team and capabilities continues
Patrick Lewis is taking the lead of Swisscom's solutions architecture and sales engineering group in the Americas. He has extensive hospitality networking and applications experience as well as CISCO qualifications and many years of applicable experience working in similar network design management and operational roles for, among others, Lorica Solutions and XETA Technologies.
"The industry is calling for a reliable partner that can build, operate and maintain complex networks and support ever-increasing guest requirements; this is what Swisscom is here for."
Greg Wutzke brings with him 12 years of experience building customer relationships and providing HSIA, video, and converged network solutions and support to national accounts for a major hospitality solution provider. He is part of an expanding organisation that will be working hand in hand with Swisscom's account management team in the US, which is comprised of 20 account managers country-wide.
The new hires underline Swisscom's determination to step up its presence and capabilities in the Americas. "We have recently made great strides in network convergence and service management in our European business, where we are proud to serve key clients such as Mandarin Oriental Hotel Group and Hyatt with our advanced network solutions," says Mark Holzberg, VP The Americas and Global Managed Services for Swisscom Hospitality.
"It is now time for us to deliver the same level of leadership in the Americas and to be ready to scale our business here and globally. The industry is calling for a reliable partner that can build, operate and maintain complex networks and support ever-increasing guest requirements; this is what Swisscom is here for, and this is why we will keep investing in and building our workforce," he added.
Greg Wutzke will be based in Chicago and Patrick Lewis will be based in New Orleans and the company's North American headquarters in the Washington, DC area.


Internet has been a bit spotty for me today – just got on now for first time since a brief 10 minute burst at 8am.
Because of that I'll have to skip the early games and also not go into too much detail on the write-ups – best get these posted before it goes out again!
The Leafs have a brutal record in the second half of a season against teams with a winning record – played 8, lost 8. Blackhawks will be looking at making that played 9, lost 9.
I like the Leafs to match up well with the Hawks tonight though. Hawks offense has been fairly solid got the last little while and I can see this being a good battle of a game with two of the top goalscoring teams in the leagues putting this one over.
Canucks are struggling at the moment while after some sub-par performances the Oilers are on a roll. 14 goals in 2 games and you have to think they can keep going. Going to be a long night for Bachman.
Canucks are usually good for a couple of goals even when they lose.
I'll take Over 5 Goals in this game.