Bassist Piet Sweval (Born: April 13, 1948 - Toms River, NJ) died on January 23, 1990 from cancer.
Starz are American pomp rock! Starz had it all, the logo, the image, the songs, the management, the producer, and the record label yet they never broke big like fellow 70's hard rock bands such as Kiss, Cheap Trick and Aerosmith. Regardless of sales, Starz '76 debut is a solid, glammy, campy, hard rock album and is one of the best debut albums from any band. The band wrote catchy songs and had an edge, thanks in part to producer Jack Douglas who is known for his work with Aerosmith and Cheap Trick's underrated debut. While it might sound trite, Starz had a sound that mixed equal parts Cheap Trick, Kiss, Aerosmith and a bit of T.Rex and Sweet. Despite the comparisons, they didn't sound exactly like any of those bands. What really set them apart was Michael Lee Smith's vocals. He had a unique style and tone that fit well the band's music. Their image was way ahead of it's time, mixing the drag of the New York Dolls with a tough guy image, not unlike bands like the early Hollywood bands such as Crue and Ratt. Actually, I remember reading a quote somewhere that stated that "Starz were doing Motley Crue before Motley Crue." That about sums it up. Shoot they even had a track titled "Live Wire" almost a decade earlier. Fans of 1970's heavy metal and pomp rock shouldn't pass this band up.
Violation was perhaps Starz's heaviest album. Growing up in the 1970's and being into hard rock, I couldn't help but hear "Cherry Baby". I don't remember if it was actually a charting hit or not, but it was one of those songs I heard fairly regularly, whether it was on the radio or on someone's party mix tape. The song was an early precursor to the American pop metal that came out of Hollywood. The song features buzzing guitars and an undeniable pop hook. The rest of the album is just as good as the opener, in my opinion. "Sign It, Shout It" has an equally strong hook, coupled with a fantastic guitar solo in the middle of the song. The title track and "Subway Terror" both rock hard and are accented by Michael Lee Smith's smooth vocal delivery. "All Night Long" is a sleazy number that easily could have become a hit if recorded by one the many 80's bands. I can imagine a band like Quiet Riot recording this song and giving it the same treatment they gave Slade. "Cool One" reminds me a bit of The Sweet and has some rather creative, flamboyant lyrics. ("She reached over and she squeezed on my rocks, I lost it all in the popcorn box, yeah") "S.T.E.A.D.Y." could have given Aerosmith a run for the American heavy metal kings in 1977. Coupled with producer Jack Douglas, who has also done great things with Aerosmith, Starz released one of their best albums and certainly one of the great albums of the 1970's. Unfortunately the album failed to generate that chart topping single or the sales that Capitol Records was expecting and the band was forced to change directions with their next release.
My particular copy of "Violation" is the 1991 Metal Blade reissue, which I believe was the first ever CD release of "Violation". The album was remastered and re-released on Ryodisc in 2005 with three demo tracks, "Do It with the Lights On", "Cool One" and "Rock this Town".
Starz were one of those bands everyone expected to rise to the top in the 1970's, along with Kiss, Aerosmith, Ted Nugent and Cheap Trick. When their second record failed to generate the sales that Capitol Records expected they needed to come up with some 'hit' material. As such, Starz' third album "Attention Shoppers" is a much less aggressive rock album chock full of embarrassingly poppy, watered down hard rock. The album starts of strong with "X-Ray Spex" and "Good Ale We Seek". The nearly epic, seven minute bluesy track "Johnny All Alone" has it's moments as well. However, after these tracks the songs just don't hold water compared to the worst tracks on the debut or "Violation". It's a shame that "Coliseum Rock" wasn't the follow-up to "Violation". It may very well have taken Starz to the level that many expected them to go. Instead a new band called Van Halen would release their debut that would overshadow all others. One odd thing about this Metal Blade remastered re-issue, I believe they put the tracks from side two of the record first in the song order. I seem to remember "X-Ray Spex" and "Good Ale We Seek" being the first two tracks on side two.
Just thought I'd be a friendly reader and tell you that when they issued that version of Attention Shoppers, they did switch the sides, so they started with Side B and then Side A. Side A started with Hold On To The Night and Third Time's The Charm was originally track 3 on the album (which I absolutely LOVE--both the cool placement and the cool song).
"Coliseum Rock" was Starz fourth studio album. Depending on who you ask, this was either Starz best or worst. Personally, I felt it was a return to form after the bubble-gum rock of it's predecessor, yet "Coliseum Rock" didn't quite top their excellent debut. Unfortunately the band didn't become the "stars" that Capitol Records hoped they would, so "Coliseum Rock" became their last album for a while. The band toured on the record for two years and eventually disbanned. What they left us with was a decent proto-metal album with some catchy songs like album opener "So Young, So Bad". Songs like "It's A Riot", "No Regrets", "Last Night I Wrote A Letter" or the instrumental "Coliseum Rock" were 1970's proto-metal at it's finest. "No Regrets" with it's slid guitar solos even has a slight Southern Rock vibe. Songs like "Take me", "Where will It End" and "Outfit" are equally catchy songs with great musical hooks and a pop rock sensibility. For a while this CD was a bit hard to come by and the Metal Blade CD reissue was pretty rare, which is the copy I have. However, this CD has since been remastered and re-released with additional bonus tracks.
"Live at Municipal Auditorium, Louisville, March 30, 1978" is a promotional only live release that was sent out to radio stations. This recording captures Starz in their prime. Besides being a pristine recording, the overall energy of their performance was really captured on tape. One thing I've always enjoyed about 70's live albums is how they made the bands sound heavier than they were on their studio recordings. That is certainly the case here.
The tracks from "Live at Municipal Auditorium" were also used for the Metal Blade live compilation release "Live in Action" (1989). The vinyl version of "Live at Municipal Auditorium" is pretty much hailed as one of the holy grails of Starz collectible vinyl.
......"Greatest Riffs of All Time"
Recorded in Louisville, KY, 1978 and Cleveland, OH, 1977, "Live in Action" captures Starz live in their prime. Four albums into their career, Starz were a big concert draw. They had the logo, the look and their music bridged a gave between the 70's heavy metal of Aerosmith and Ted Nugent and the lighter rock fare of Foreigner and Cheap Trick. They had Aerosmith producer Jack Douglas behind the knobs and opened for everyone from Ted Nugent to Judas Priest to Peter Frampton. They even had a few minor radio hits ("Fallen Angel" & "Detroit Girls"). Yet despite all this going for them they never quite broke out to the mainstream like many of their contemporaries. Despite this, they left us a legacy of four great American pomp rock albums. This live album takes some of those songs and gives them a boost by capturing their live energy. Because they were one of those bands that toured endlessly, they were especially tight on the stage, which this album is a testament to. I've read that this album features little, if any, studio overdubs. One odd thing about this album is having the band introduction and "She" in the middle of the album instead of at the beginning. Like many bands from the 70's this album is a compilation of live songs, but it might have sounded better had the songs been put in an order to make it sound like one complete song. Otherwise, "Live in Action" is a stellar live album. As far as I know this album is out of print but is easily obtainable. There are several copies for sale cheap on Amazon and Ebay.
This collection of Starz rarities is basically broken into two pieces. (Side A and B on the vinyl.) On the CD the first five songs are original recordings for songs that were later re-recorded and appeared on the first two Starz albums. The songs have different arrangements and lyrics to the album versions. "Do It With The Lights On" and "Fallen Angel" were both recorded with keyboardist, Larry Gonsky under the name The Fallen Angels. Apparently Larry decided to leave the band only weeks later and they changed their name to Starz. All five songs were recorded at the Record Plant with Jack Douglas of Aerosmith/Cheap Trick fame. "Do It With The Lights On" was later renamed "Rock 6 Times".
The last five songs, track 6 - 10, were demos recorded following the band's contract with Capital Records. The line-up for these tracks was Michael Lee Smith: vocals, Richie Ranno: guitars, Peter Scance: bass and Doug Madick: drums who also recorded and released an EP as The Hellcats. According to the liner notes "Dreamin' My Life Away" and "Miss U Tonite" were recorded live at the Record Plant on a 2-track recorder while the other three songs were recorded on a 4-track cassette deck.
The "Extended Versions" series is a budget line of CDs from Sony Music. Most of them are simply rehashed material from band's past live records. However, in some cases the live tracks enclosed are unreleased material. That is the case with Molly Hatchet and that is also the case with Starz. (Correction, the full show was briefly available in the UK as Come Out At Night on Sanctuary Records.) Recorded in Cleveland in 2004, this album captures the band showing they can still rock with the best of them. This doesn't sound like a weak release from a bunch of old foggies who can barely play their instruments. This set features ten scorching tracks, including a ten-minute version of the bluesy "Pull the Plug". Starz were definitely firing on all cylinders. For sure this recording is live and raw but the sound quality is still very good. Though the performance is solid, the overall performance is a bit off since the twin guitar attack which was always a crucial part of their overall sound is lacking. For whatever reason guitarist Brendan Harkin couldn't make this gig, giving Richie Ranno full reign. Richie does a fantastic job, but having only one guitar definitely gives the band a more open and raw sound. I suppose it makes this recording unique as it is unlike any other Starz live album.


Published 04/19/2019 05:39:07 am at 04/19/2019 05:39:07 am in Radiant Wall Heat.
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On May 31st, our fifth graders participated in the Little School's annual science fair. At the beginning of April, students began to think about the project they would choose. Once they had made their selections from a list of almost fifty possibilities, they got to work. Over the next several weeks they wrote hypotheses, researched background information and began to gather materials to complete their experiments.
All of the hard work paid off when they presented their finished projects to parents, teachers and students at the fair. Projects included topics such as magnetism, erosion, chemical reactions, how memory is affected by exercise and even the best angle for shooting baskets.
Newer PostSchool Supply Kits!!! Order by 6/22!
Older Post4th Grade Students at the Symphony!


text:
ACCEPTED

#### According to
Index Fungorum

#### Published in
Essai Tax. Hyménomyc. (Lons-le-Saunier) 100 (1900)

#### Original name
Boletus radiatus Sowerby, 1799

### Remarks
null

redpajama_set_name: RedPajamaGithub


text:
Subway teams with Walkers to offer crisp sandwich
Subway has announced a partnership with Walkers that will allow its customers to add crisps as a sandwich filling.
The ready salted variety of Walkers will join the Subway ingredients range for subs, wraps or salads from 7 April to 23 May 2021, available for an extra 20p.
The new offering was inspired by the 'beloved national tradition of the classic crisp sandwich', according to Subway.
"The crisp sandwich is an iconic and important part of Britain's culinary traditions and we're excited to partner with Walkers to allow guests to now order one in store," said Angelina Gosal, head of marketing UK & Ireland at Subway.
"With the addition of Walkers crisps to the toppings you can add to our subs, we have one of the biggest, tastiest and the crunchiest menus on the high street," she added.
During the limited period of availability, Subway customers will be asked if they would like 'crisp in' or 'crisp out' for their order. Those choosing 'crisp out' will still have the option of Walkers Ready Salted, Cheese & Onion and Oven Baked Cheese & Onion flavours as a snack, side or part of a meal deal.
"As a nation, we may not agree on everything, but we are united in the fact that a lunchtime sandwich without crisps is just not the same. That's why we've teamed up with Subway to offer extra Walkers crunch with your Subs and to ensure lunchtimes are even more enjoyable," said Fernando Kahane, marketing director at Walkers.
Cakes and biscuits in firing line as HFSS advert restriction verified
National Doughnut Week prepares to celebrate 30 years
Brian McErlain on starting Bertie's Bakery amid a pandemic

redpajama_set_name: RedPajamaCommonCrawl


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Dark Air: A Solo Show by Gray Wielebinski
02.08.2019 | Art , Blog , Culture | BY: Lara Monro
Born in Dallas Texas, artist Gray Wielebinski uses their practice to explore the ways in which gender and sexuality intersect with other structures of power and identity, often referencing their body and journey as an individual who is currently undergoing the transition from female to male.
Working between London and Los Angeles in print, video, performance, sound, sculpture, and installation, Gray moved to London in 2017 to complete a masters in Fine Art Media at The Slade. Since then, Gray has exhibited internationally and is currently an artist in residence at The City & Guilds of London, alongside Taku Obata and Alistair Gordon.
Using a variety of strategies to explore identity, specifically their ambivalent relationships to masculinity, Gray's more recent research and practice uses sports for both aesthetics and metaphor as an entry point to examine themes such as national identity (specifically the US and Americana), desire, myth making, surveillance, hierarchies, race, and gender. In Dark Air, the artist's first solo exhibition at SEAGER gallery curated by Martin Mayorga and Vanessa Murrell from DATEAGLE ART, we observe Gray's ongoing exploration of sporting ceremonies as seen in the artist's personalised football scarf stand. Located at the entrance of the gallery space, the piece highlights the ritualistic yet commercial nature of the sport, while also reiterating the entwined nature and relationship found between myth and sport.
Dark Air, a solo show by Gray Wielebinski curated by Martin Mayorga and Vanessa Murrell at SEAGER Gallery © DATEAGLE ART
Instead of displaying a body of work, the exhibition uses the body as the work – acknowledging it as something which can be moulded and adjusted continuously. Using a diverse array of textiles to create a patchwork of materials that include recycled leather and jeans, Gray creates a site-specific sculpture, a monstrous creature that is representative of both the sphinx and Scorpion. Stuffed and stitched, the physical act of creating the hybradised beast presents the audience with a work that exists in a paradoxical realm. All at once it is violent and volatile yet gentle and vulnerable – playing with traditional binary stereotypes of male and female. With only a few days left to see Dark Air, Gray spoke with Twin about the show and their grotesque Frankenstinian beast. Gray also speaks openly about their own dysphoria and dissociation with their body as well as the importance of being conscious in order to re-inhabit and bridge the gap between their mind and body to create as harmonious a relationship as possible.
You started to create art as a way of helping you relate to your own body – is this where the tactile element of your practice and its link to your own body manifests from?
In a lot of ways, in regards to my gender identity as well as my art practice itself, I was existing very much in my own head and in an ideological way rather than a physical one, which isn't necessarily a bad thing but I think became a problem for me as I was coming to terms very starkly with my own dysphoria and dissociation with my own body. This show in particular deals with a rejection of "before" and "after" narratives in a broader sense around myth making and storytelling, but that are so tied to mainstream/cis narratives around transness that can really seep into my consciousness, but is ultimately a dangerous way of thinking when it comes to my own understanding of myself and my life. I don't particularly identify with the concept of "being in the wrong body" so while my dysphoria is real and distressing in its own way, there's also a recognition of and gratefulness for the body I have and what its capable of and finding ways to inhabit it more consciously as I discover the ways, big and small, I might have subconsciously unlearned out of self-preservation. The "before" and "after" narrative tells us we aren't complete yet or we can't be happy or know ourselves until an outward marker of change or identity has been breached for others, but that obfuscates the work and learning and daily experiences we encounter on the road towards knowing oneself. Everyone in their own way has these experiences with learning or unlearning themselves, recognizing and accepting their bodies and their possibilities or limitations, and making their own meanings and interpretations on their own terms. With this in mind, I moved towards a more physical or tactile practice which has been a way of trying to reinhabit my body in a more conscious and present way on a daily basis (sewing in particular is quite a meditative act). Without sounding too much like Frankenstein, there is a power and a catharsis for me in creating these new ways of embodiment that take up physical space and I can hold in my hands or that literally dwarf me in a room, and I can also use this physical practice as a means of furthering my ideological pursuits and explorations of my identity and the world around me, and in so doing I hope to get closer to bridging my mind and my body in ways that are within my control.
You are influenced by science fiction and the way it allows us to create other worlds and possibilities Can you name some of your influences?
Whether it was books or films or TV, I consumed a lot of media and stories as a kid and still continue to do so, so the list of inspirations is long and muddled together in some ways, but science fiction has always held a special place. Science fiction has long been a means, particularly for marginalized people, to hold up a mirror to see and critique that which is made to feel "natural," which can then be a very useful tool for survival, communication, community and ultimately questioning and fighting the powers that be by understanding where they came from and how dominant narratives are upheld.
In Kindred, Octavia Butler interrogates the impacts of slavery and white supremacy through a time travel narrative. The Matrix has widely been revisited through the lens of the trans experience and transitioning, particularly as the directors, Lana and Lily Wachowski, came out as trans in recent years. The Twilight Zone is masterful at weaving both the minor and major elements of creating uncanny atmospheres that can go from nudging you slightly off kilter to knock you out for the count. For 'Dark Air' specifically I was also thinking about Stanislaw Lem's Solaris which subverts a more typical trope of space exploration as a colonization narrative, and in fact is ultimately about the astronauts' inability to cope, physically and emotionally, with an overpowering ocean planet. It's about our complete inability to understand or fathom the extraterrestrial (and maybe even our own subconscious). Science fiction, at its best, lets us imagine and wonder and be awestruck with possibilities, while still keeping a foot firmly on the ground and, in fact, may help us see reality even clearer.
With Dark air you hope to overthrow the notion of the "hero's journey" and our perceived set paths, goals, and obstacles – is this a comment on the overwhelming conditioning that has been determined through society and the West's patriarchal system?
I'm fascinated by the idea of the hero's journey as a storytelling archetype, and I think more so than completely subverting or throwing it out the window, it's about an even deeper dive into it and not shying away from the minutiae and the mundanity that arguably differentiates a story from a life. The conditioning you're referencing I think is important especially in relation to our contemporary moment within capitalism and this tension between expectations and conditioning to want certain things for our lives, to take certain paths or understanding success in specific ways, while at the same time being led to believe it's our decision and that our happiness or opportunities lie squarely within ourselves or within our grasp rather than questioning what is out of our control and what might be possible to question or tweak within ourselves to find our own ideas or barometers of success. Some people are just trying to survive while at the same time we're being told what we need to be happy or what we are doing wrong or what we need to overcome, and then the goal post keeps moving. It's a function of capitalism to obfuscate our "true" foes or obstacles and for our path to be fog-covered, so perhaps even subconsciously I proposed of a sphinx that fits in with this atmosphere, or at least how I often feel while trying to navigate it. This all sounds a bit pessimistic but in actuality I hope for it to be empowering in any small way it can, that even in a time where things are made to feel and may very well be out of our immediate hands, there may be ways to internally recalibrate our parameters for success and happiness and fulfilment even on a day to day basis, even if it's just how we relate to ourselves and each other.
Can you explain the link between your exploration into Mythology and sports and how you connect the two?
I'm interested in blending ancient storytelling and mythological creatures or narratives with contemporary interpretations and iconographies, and in so doing am hoping to bring into question the biases and power dynamics/hierarchies that are often involved in storytelling and myth making both in the past and the present, and how that has the potential to shape our futures.
I also was thinking of intersections of sports, mythology/religion and even being an artist-the relationships between the grand events and the mundanity of the everyday that both, in their own ways, make up these experiences and our relationships to them. Holidays, championship games, art exhibitions certainly hold their own meanings, they can build community and give us something to look forward to and remember, but these go hand in hand with the everyday and the myriad other emotions and experiences built up around these that make up our meaning as well. Personally I am also thinking about gender and transitioning and the relationship between insular and exterior identities and how to shift narratives from a "before" and "after" to a whole other way of being and experiencing and becoming oneself on a daily basis. Rather than being a sort of trick or gimmicky reveal, my use of this iconography and the set-up of the exhibition itself is coming from a place of optimism and empowerment, of wanting to give both myself and the audience the choice to create meaning for ourselves and to question how and when we might be told otherwise.
What else will you be working on this year?
Right now, I'm working towards making new works for a group show at Lychee One in London and a three person show in Odense, Denmark both in September. I am also working on a newly commissioned video and performance piece in collaboration with HRH that I'm really looking forward to. After that I'm going to take some time to reflect on what I've made this year and how I want to move forward.
Tags: Art, gender, identity, sexuality, Transgender


text:
Pershotravensk (, translit. Pershotravens'k) is an urban-type settlement in Zviahel Raion, Zhytomyr Oblast, Ukraine. Population:  In 2001, population was 3,633.

References

Urban-type settlements in Zviahel Raion

redpajama_set_name: RedPajamaWikipedia


text:
India wins over New Zealand by 7 wickets to seal the series by 2-0.
@zahidsun 65
The 2nd Match of the T20I series was played yesterday between India vs New Zealand at JSCA International Stadium Complex, Ranchi in which India defeated New Zealand by 7 wickets to win the series by 2-0.
India won the toss and invited to field first, New Zealand batted first, started the inning very brilliantly, Martin Guptill and Daryl Mitchell came to start the inning, and gave a brilliant start of partnership of 48 runs for the first wicket, the first wicket has gone for 48 runs in second ball of the 5th over, Martin Guptill dismissed after playing a quick inning of 31 runs with the help of 2 sixes and 3 boundaries in just 15 balls, next batsman Mark Chapman came to bat, and played well with Daryl Mitchell, the second wicket has gone for 79 runs in 8.5 over, Mark Chapman dismissed after scoring 21 runs 17 balls, followed by Glenn Phillips came to bat, after few moments Daryl Mitchell also dismissed after playing a brilliant inning of 31 runs with the help of 3 boundaries in just 28 balls as third wicket in second ball of the 12th over, the team score was 90 runs, next batsman Tim Seifert came to bat, and played well with Glenn Phillips, the fourth wicket has gone for 125 runs in first ball of the 16th over, Tim Seifert dismissed after scoring 13 runs in 15 balls, follwed by James Neesham came to bat, menwhile Glenn Phillips also dismissed after playing a brillinat inning of 34 runs in 21 balls as fifth wicket in 16.3 over, the team score was 137 runs, next batsman Mitchell Santner came to bat, menwhile the the sixth wicket has also gone for 140 in last ball of the 18th over, James Neesham dismissed just for 3 runs in 12 balls, followed by Adam Milne came to bat, and he remains unbeaten for 5 runs in 4 balls with Mitchell Santner, and Mitchell Santner also remainjs unbeaten for 8 runs in 9 balls. In this way, New Zealand batted first after losing the toss, scored 153 runs by lost of 6 wickets in the prescribed 20 over, and set a target of 154 runs for India.
Indian bowlers performed very brilliantly, Harshal Patel took 2 wickets for 25 runs, Bhuvneshwar Kumar, Deepak Chahar, Axar Patel, and Ravichandran Ashwin got 1-1 wicket.
India chasing 154 runs in the second inning they achieved the target very easily by losing just 3 wickets in second ball of the 18th over, India started the inning very brilliantly, KL Rahul and Rohit Sharma came to start the inning, and gave a brilliant start with a century partnership of 117 runs for the first wicket, the first wicket has gone for 117 runs in second ball of the 14th over, KL Rahul dismissed after playing a brilliant quick half-century inning of 65 runs with the help of 2 sixes and 6 boundaries in just 49 balls, next batsman Venkatesh Iyer came to bat, and played well with Rohit Sharma, the second wicket has gone for 135 runs in third ball of the 16th over, Rohit Sharma dismissed after playing a brilliant quick half-century inning of 55 runs with the help of 5 sixes and 1 boundary in just 36 balls, followed by Suryakumar Yadav came to bat, and he dismissed juat for 1 run as third wicket in last ball of the 16th over as third wicket, the team score was 137 runs, next batsman Rishabh Pant came to bat, and took the match to the victory with Venkatesh Iyer, Venkatesh Iyer played an unbeaten inning of 12 runs in 11 balls, and Rishabh Pant played a brilliant unbeaten quick victory inning of 12 runs in just 6 balls. In this way, India chasing 154 runs in the second inning they achieved the target very easily for the loss of just 3 wickets in 17.2 over and won the match by 7 wickets, with the victory India also won the series by 2-0.
New Zealand bowler Tim Southee took 3 wickets just for 16 runs in his spell.
Indian bowler Harshal Patel was selected as the best player of the match, he performed very brilliant bowling took 2 wickets for 25 runs.
cricket sportstalk sports lassecash diamondtoken actnearn hiveindia proofofbrain


Who is your hero? Depending on your age and circumstance the answer could vary widely from a fictional story book character that becomes an imaginary hero to someone in real life that touched you personally in a meaningful way. In the introduction to my picture book Superhero, I stated that most of the time, the ordinary people doing ordinary things to help us are the most important people in our lives. And with this idea of a hero in mind, I can't think of a greater hero than a loving parent.
This is the time of year when many people show appreciation for their dad on a special day. Although my dad passed away many years ago, thoughts of him and what he meant to me stay with me year-round.


Bruxism is chronic, involuntary grinding or clenching of teeth. It usually occurs during sleep, but it may also occur while awake.
Bruxism is more common in people aged 40 years and younger. Women aged 27-40 years old are also likely to get bruxism.
You will be asked about your symptoms and medical history. An examination of your teeth and jaw will be done. With bruxism, teeth will have flattened tips, excessive wear, thin enamel, or sensitivity. X-rays may be done to check for further damage to your teeth or the underlying bone.
A protective mouth appliance, such as a night guard. It can absorb the pressure of constant night grinding.
Correction of misaligned teeth causing bruxism.
Bruxism that is not treated may result in gum damage, tooth loss, and jaw-related disorders.
The same methods used to treat bruxism can be used to prevent the condition. In addition, avoid caffeinated drinks at night.
Make sure to see your dentist regularly for check-ups.
Bruxism. Kids Health—Nemours Foundation website. Available at: http://kidshealth.org/parent/general/sleep/bruxism.html. Updated July 2015. Accessed August 22, 2017.
Management of temporomandibular disorders. EBSCO DynaMed Plus website. Available at: https://www.dynamed.com/topics/dmp~AN~T917053/Management-of-temporomandibular-disorders. Updated March 30, 2017. Accessed August 22, 2017.
Teeth grinding. Mouth Healthy—American Dental Association website. Available at: http://www.mouthhealthy.org/en/az-topics/t/teeth-grinding. Accessed August 22, 2017.
Teeth grinding. National Sleep Foundation website. Available at: http://sleepfoundation.org/sleep-disorders-problems/bruxism-and-sleep. Updated December 2009. Accessed August 22, 2017.


text:
Xanthophyllum ngii är en jungfrulinsväxtart som beskrevs av V. d. Meijden. Xanthophyllum ngii ingår i släktet Xanthophyllum och familjen jungfrulinsväxter. Inga underarter finns listade i Catalogue of Life.

Källor

Jungfrulinsväxter
ngii


text:
Q: Order sales online - Issue while selecting shipping address oracle.apps.fnd.framework.OAException: oracle.jbo.SQLStmtException: JBO-27122: SQL error during statement preparation. Statement:
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  hz_utility_v2pub.get_all_purposes( HzPuiPartySiteEO.party_site_id) all_purposes,
  hz_utility_v2pub.get_site_use_purpose( HzPuiPartySiteEO.party_site_id) use,
  hz_utility_v2pub.get_yahoo_map_url( loc.address1, loc.address2, loc.address3, loc.address4, loc.city, loc.country, loc.state, loc.postal_code) mapUrl,
  HzPuiPartySiteEO.mailstop,
  p.party_name
 FROM hz_party_sites HzPuiPartySiteEO,
  hz_parties p,
  hz_locations loc,
  hz_party_site_uses hpsu,
  fnd_territories_vl terr
 WHERE p.party_id        in (select hrel.object_id from hz_relationships hrel
 where hrel.subject_id=:2
 and (  (hrel.relationship_code  IN ( 'CUSTOMER_INDIRECTLY_MANAGED_BY' ,'Financed By') AND :3 <> 'FLEET_DIRECT')
    OR (hrel.relationship_code  IN ( 'CUSTOMER_INDIRECTLY_MANAGED_BY' ,'Financed By','Direct Fleet Manager of') AND :4 = 'FLEET_DIRECT')
   )
 and hrel.status                = 'A'
 AND TRUNC(NVL(hrel.end_date,sysdate))     >= TRUNC(SYSDATE)
 )
 and  hpsu.party_site_id = HzPuiPartySiteEO.party_site_id
 and hpsu.site_use_type = 'BILL_TO'
 AND p.party_id          = HzPuiPartySiteEO.party_id
 AND HzPuiPartySiteEO.location_id = loc.location_id
 AND HzPuiPartySiteEO.status   = 'A'
 AND terr.territory_code     = loc.country) QRSLT WHERE (COUNTRY_CODE = :2) ORDER BY identifying_address_flag desc

It is a upgarde project from 12.1.3 to 12.2.9 , In the 12.2.9 version we have created quote and after that in shipping and billing filed after clicking on select button for selecting the address for shipping it is throwing an error.

redpajama_set_name: RedPajamaStackExchange


Casey Nelson Exteriors has been certified as a Mastic Elite Contractor by Mastic Home Exteriors, one of the nation's leading manufactures and suppliers of high quality siding materials. Of the thousands of home contractors across the United State, less than 400 companies have received this ho0nor. Stringent criteria had to be obtained for us to meet the qualifications to achieve this status including having our personnel certified by the Vinyl Siding Institutes as well as years of quality home improvement experience and customer satisfaction. What does this mean for you? As a Mastic Elite Contractor, Casey Nelson Exteriors can offer our customers additional benefits when they purchase the complete Mastic Elite siding system in Lincoln and Omaha, NE including Mastic's industry-leading warranty program. It is one more way that we are delivering superior service to our Nebraska vinyl siding customers.
This beautiful home features Mastic's Quest Vinyl Siding in D4 Harbor Grey. White fascia, soffit, corner posts, and porch ceiling accessories; Georgetown Blue shutters and 5" vinyl Harbor Grey shakes turn this home into a community show piece! Add Amerimax windows and a roofing system by IKO in Charcoal Grey to complete the renovation.
This entry was posted in Recent Projects and tagged Siding Lincoln, Siding Omaha NE, Vinyl Siding Contractor Lincoln NE on February 22, 2017 by Casey Nelson Exteriors.