text:
package com.datasift.client.push.connectors;

import com.datasift.client.push.OutputType;

/*
 * Official docs
 *
 * @author Courtney Robinson <courtney.robinson@datasift.com>
 */
public class SplunkStorm extends BaseConnector<SplunkStorm> {
    public SplunkStorm() {
        super(OutputType.SPLUNK_STORM);
        setup(this, "host", "port");
    }

    public SplunkStorm url(String hostname, int port) {
        return host(hostname).port(port);
    }

    public SplunkStorm host(String hostname) {
        return setParam("host", hostname);
    }

    public SplunkStorm port(int port) {
        return setParam("port", String.valueOf(port));
    }

    /*
     * The output format for your data:
     *

     * json_meta - The current default format, where each payload contains a full JSON document. It contains metadata
     * and an "interactions" property that has an array of interactions.
     *

     * json_array - The payload is a full JSON document, but just has an array of interactions.
     *

     * json_new_line - The payload is NOT a full JSON document. Each interaction is flattened and separated by a line
     * break.
     * If you omit this parameter or set it to json_meta, your output consists of JSON metadata followed by a JSON
     * array of interactions (wrapped in square brackets and separated by commas).
     * Take a look at our Sample Output for File-Based Connectors page.
     * If you select json_array, DataSift omits the metadata and sends just the array of interactions.
     * If you select json_new_line, DataSift omits the metadata and sends each interaction as a single JSON object.
     *
     * @return this
     */
    public SplunkStorm format(SplunkStormFormat format) {
        String strFormat;
        switch (format) {
            case JSON_NEW_LINE_TIMESTAMP:
                strFormat = "json_new_line";
                break;
            default:
            case JSON_NEW_LINE_TIMESTAMP_META:
                strFormat = "json_new_line_meta";
                break;
        }
        return setParam("format", strFormat);
    }

    public static enum SplunkStormFormat {
        /*
         * Each interaction is sent separately except it is framed with metadata and an extra timestamp field.
         */
        JSON_NEW_LINE_TIMESTAMP_META,
        /*
         * Each interaction is sent separately and has an extra timestamp property and no meta data.
         */
        JSON_NEW_LINE_TIMESTAMP;

        public static SplunkStormFormat fromStr(String str) {
            try {
                return SplunkStormFormat.valueOf(str.toUpperCase());
            } catch (IllegalArgumentException iae) {
                return SplunkStormFormat.valueOf(str);
            }
        }
    }
}

redpajama_set_name: RedPajamaGithub


text:
Shaping the future of satellite communications
Newtec website
Home	› News & Press	› DVB-S2X: Everything You Need To Know
DVB-S2X: Everything You Need To Know
DVB Performance History: From DVB-S (black) to DVB-S2X (red). See detailed version in the article.
Newsletter Thursday 11 December 2014
Mail to friend
Friends name*:
E-mail address friend*:
By Dirk Breynaert, CTO and Co-founder of Newtec
Newtec, after many years of research and development, took the lead to put the topic of an enhanced satellite transmission standard on the DVB agenda, teaming up with other DVB Members in order to define and develop an update to the DVB-S2 standard. With the new standard published end of February 2014, we break down everything you need to know.
Since the DVB-S2 standard was published in 2005, the satellite industry has changed remarkably due to the higher transmission efficiency. In 2012, the industry came to a consensus that a more efficient successor to the DVB-S2 standard was required to accommodate the launch of new services, increased profitability, interoperability and growth in the professional and consumer satellite communications market.
So What Does DVB-S2X Bring?
The new standard has many improvements compared with DVB-S2:
Lower Roll-Offs (RO) – Reducing RO to 5%, 10% and 15% results in a direct gain of bandwidth.
Extension of the professional profile to very high signal to noise ratios, with gains up to 51% for links with a link margin of 22dB.
Links with very high link budget, can be setup using higher order MODCODs up to 256APSK
Increased Granularity in MODCOD – The number of MODCODs and frame size combinations has grown significantly compared to DVB-S2, bringing efficiency even closer to the theoretical Shannon limit. While DVB-S2 only had about 50 combinations of MODCOD and frame size, the new DVB-S2X supports more than 100 combinations. This increased granularity not only translates into higher efficiency and availability in CCM links, but also to a very efficient ACM mode of operations.
Completely new MODCODs were introduced that are optimized for use in linear operation, while DVB-S2 was optimized only for the saturated transponder use case which typically has non-linear characteristics.
A standard mechanism to bond (combine) multiple channels as if they were one (both MPEG TS and Data applications using GSE/GSE Lite) , virtual high throughput links to be built using existing transponders. This technology will benefit roll outs of Ultra HD content since large transport streams, benefitting video statistical multiplexing, can be transmitted over multiple transponders.
Where Will We See it First?
Applications that will adapt and quickly implement the new DVB-S2X standard include Broadcast contribution, Multi-service Exchange networks, IP Trunking and backhaul, and Government Communications amongst others. The nature of the technology behind the extensions results in instant ROI for those implementing them straight away, helping service providers becoming more profitable, efficient or simply offer more or higher quality content within the same bandwidth.
Flying High with UHD
The new standard is also targeting DTH applications, with efficiency gains to be in the order of 15% to 22%. The increased efficiency is required to create space for a flourishing HD broadcast landscape and the birth of 4k Ultra High Definition (UHD) transmissions. Combining a more efficient satellite transmission scheme with the latest video compression scheme, HEVC, and the new Ultra HD video format, will be a requirement for the satellite industry as it keeps pace with capacity hungry new consumers.
The bottom line is that having the new common standard for the industry benefits not only individual businesses, but also the entire industry, enabling economies of scale and a healthier ecosystem for every player in the value chain.
Dr. Peter Siebert, Executive Director, DVB Project added:
"I am proud that DVB has now approved the new DVB-S2X specification and I would like to congratulate all the Members that have actively contributed to bringing about this step forward in updating the excellent DVB-S2 standard. The satellite industry has been anxiously awaiting this standardization which will help it to improve profitability, interoperability and achieve further growth."
As well as taking part in conference sessions worldwide to address this topic (with for example the ANGACOM conference in Cologne in May 2014, and the Broadcast/CommunicaAsia Engineering Sessions at the Conference in June), Newtec will showcase products with the new DVB-S2X standard on-board or as a software upgrade to existing products.
► Get more information on DVB-S2X in our dedicated whitepaper "DVB-S2X Demystified".
► Read about our Clean Channel Technology® (CCT) and S2 Extensions on our technology pages.
This article was published in Newtec NEWS newsletter (March 2014 issue) and SVS TELEKOM newsletter (April 2014 issue).
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© 2022 Newtec - Made by

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: how to actually delete message stanza from archive? Does ejabberd have opportunity to delete message stanzas from archive table?
I am developing chat application and i am stack with these situation when user wants to delete message with type chat.

redpajama_set_name: RedPajamaStackExchange


text:
Pearl Harbour: 70 years later, the conspiracy theory st...
| Scorpio
Declassified UK
Pearl Harbour: 70 years later, the conspiracy theory still endures
By Kevin Bloom• 8 December 2011
The idea that the administration of Franklin D. Roosevelt had advanced knowledge of the Pearl Harbour attack, on 7 December 1941, has long been a favourite trope of conspiracy theorists. But, as history shows, a far more dangerous and authentic conspiracy was being hatched by US Republicans and men like Charles Lindbergh. By KEVIN BLOOM.
It would be easier to commemorate the 70th anniversary if it weren't so, but the fact is that plugging Pearl Harbour into Google returns a 90 percent response with the word "conspiracy". The central one, from which most of the others is derived, is called the Pearl Harbour Advance-Knowledge Conspiracy Theory, and contends in summary the following: a number of high-ranking officials in the British and US governments knew of Japan's plans to attack the Hawaiian naval base in advance, and allowed it to happen in order to force America into the war. You've heard the argument before, no doubt, and, being of sound mind, you've dismissed it. And yet even today, seven decades later, evidence is coming to light that suggests there might be something to the hypothesis.
For instance, a newly declassified 26-page memo from the US Office of Naval Intelligence, dated 4 December 1941, which states: ""In anticipation of possible open conflict with this country, Japan is vigorously utilising every available agency to secure military, naval and commercial information, paying particular attention to the West Coast, the Panama Canal and the Territory of Hawaii."
The memo, according to an article published in the Telegraph on 4 December 2011, goes on to note details of "possible subversives" in Hawaii – where, in 1941, nearly 40 per cent of inhabitants were of Japanese origin – and of how Japanese consulates on America's west coast had been gathering information on American naval and air forces. Japan's Naval Inspector's Office, the memo added, was "primarily interested in obtaining detailed technical information which could be used to advantage by the Japanese Navy."
Three days after this communiqué was delivered to the White House, just before 8am in the morning, 353 Japanese fighters, bombers and torpedo planes, launched from six aircraft carriers in the Pacific, attacked in two waves. The barrage, which lasted only two hours, was devastating – the Japanese managed to destroy nearly 20 American naval vessels, including all eight battleships of the Pacific Fleet, and almost 200 airplanes. More than 2,000 Americans soldiers and sailors lost their lives in the attack, and another 1,000 were wounded. A day later, on 8 December, President Franklin D. Roosevelt successfully asked Congress to declare war on Japan. Three days later, Japanese allies Germany and Italy declared war on the United States, and once more Congress reciprocated.
Again, did Roosevelt – aided and abetted by senior officers in the War Department – willingly make the above sacrifices in order to turn the tide of American opinion, which up until then had been against the country's entry into a perceived "European" conflict? Was Pearl Harbour the predetermined mechanism that allowed the US President to act upon his long-held (albeit not official) support for the Allied forces?
The historian Craig Shirley, who revealed the contents of the 26-page memo in a new book entitled December 1941: 31 Days that Changed America and Saved the World, thinks not. "Based on all my research, I believe that neither Roosevelt nor anybody in his government, the Navy or the War Department knew that the Japanese were going to attack Pearl Harbour," he told the Telegraph. "There was no conspiracy… This memo is further evidence that they believed the Japanese were contemplating a military action of some sort, but they were kind of in denial because they didn't think anybody would be as audacious to move an army thousands of miles across the Pacific, stop to refuel, then move on to Hawaii to make a strike like this."
As with the 9/11 terrorist attacks, Shirley continued, the US leadership was guilty of a "failure of imagination" in its inability to translate warning signs into a specific prediction. And given a little-known documentary about the carelessness of American preparations for a Japanese attack – a documentary that had in fact been hidden by the United States military apparatus for decades – it seems the historian has the balance of probabilities on his side.
This last story has as its central character the acclaimed film director John Ford, of How Green Was My Valley fame, who during World War II served as head of the photographic unit for the Office of Strategic Services (a precursor to the CIA), while also making documentaries for the US Navy Department. With the cinematographer Gregg Toland (Citizen Kane, Grapes of Wrath), Ford directed a 32-minute propaganda film entitled December 7th, a piece that won him the Oscar for best short in 1943, but that was in fact originally intended to run at an 82-minute feature length. It was the film's portrayal of the American Navy's tardiness, told via history and analysis, that caused the original cut to be banned by the US government for nearly 50 years.
Interestingly, in recent years, both the short and the long versions of the film have been assumed by various media outlets to contain live footage of the Pearl Harbour attack – and even the biggest have succumbed to the fallacy. Almost a decade ago, over Memorial Day Weekend, CNN ran a story about Disney's Pearl Harbour blockbuster (the one starring Ben Affleck that bombed at the box office and sank studio boss Peter Schneider's career), interspersing it with "actual footage" from the Japanese attack in 1941. Problem was, to a few observant viewers, the shots looked too perfect to have been taken during the crisis. And these viewers' instincts were spot on: the scenes that CNN deemed authentic were outtakes from Ford's 1943 documentary, most of which had been shot in a Hollywood studio thousands of miles from the field of battle.
But while less than a minute of real footage exists from the December 1941 attack – it was reportedly shot by a doctor trying out a new movie camera, who caught the USS Arizona being blown up – the eyewitness accounts in print remain plentiful. Symbolic of the thousands of commemorative pieces that are being run all over the world today, the San Jose Mercury News has published the account of Gordon van Hauser, who was a young Marine stationed in Hawaii at the time. "Van Hauser was about to go on duty the next day, Dec. 7, when low-flying Japanese torpedo bombers – headed for Battleship Row and the Arizona – appeared out of a clear Hawaiian sky, rattling the Marines' rooftops and strafing the parade ground. 'I took my rifle, which was a 1903 model Springfield, and we were firing .30-caliber ammunition… as the Japanese torpedo bombers came in,' Van Hauser said… Firing single-shot, bolt-action rifles scarcely better than muskets, he and about 800 other Marines brought down two or three Japanese zeroes, Van Hauser recalled, and watched them burst into flames."
Of course, given that the survivors are now mostly in their 90s, it's become imperative that their stories are recorded for posterity. As the New York Times reported yesterday, 6 December, the 70th anniversary will be the last that the Pearl Harbour Survivors Association officially commemorates: "The fact that this moment was inevitable has made this no less a difficult year for the survivors, some of whom are concerned that the event that defined their lives will soon be just another chapter in a history book, with no one left to go to schools and Rotary Club luncheons to offer a firsthand testimony of that day."
How much 7 December 1941 defined the survivors' lives is demonstrated by the last wishes of a number of sailors, who've asked that their ashes be returned to their ships after death. The majority of the ships that were sank that day have been removed from the harbour floor, their hulls salvaged for scrap – only the Utah and the USS Arizona survive relatively intact, and it's only sailors from these two vessels who may have urns containing their remains placed in portholes by Navy divers.
Beyond the life-changing experiences of the men and women who were there, however, what messages does Pearl Harbour now hold for the US and the world in general? An intriguing answer is provided by author Nigel Hamilton, who argued in a recent piece for Huffington Post ("Pearl Harbor – and Our Moral Identity as a Nation") that Republicans have never had much to crow about in terms of muscular foreign policy. "Republican isolationists had certainly tied the hands of every US president, year after year," noted Hamilton, "berating Franklin Roosevelt in particular and his attempts to ready the nation for inevitable attack. Even Roosevelt's plea that Congress extend the military training draft, in the summer of 1941, had only passed by a single vote. It was an uphill struggle – with men like Charles Lindbergh leading the defeatist charge against the president on behalf of 'America First,' arguing that it was already too late: that Nazi Germany was too strong to be resisted."
It's a chilling thought: what if Lindbergh had prevailed? One thing's for sure, the prospect of that is far worse than the prospect (mostly discredited) that Roosevelt had prior knowledge of the attack, and allowed it to happen in service of a greater good. DM
"Pearl Harbour memo shows US warned of Japanese attack," in the Telegraph;
"December 7th – The Pearl Harbor Story," synopsis of John Ford documentary on Amazon.com;
"Pearl Harbor attack, 70 years ago, still fresh in the memories of old sailors," in San Jose Mercury News;
"Pearl Harbor Still a Day for the Ages, but a Memory Almost Gone," in the NYTimes.
Attack on Pearl Harbor
Attack on Pearl Harbor in popular culture
Cinema of the United States
USS Arizona
Vulnerability of Pearl Harbor
Kevin Bloom
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text:
Tapejara, Rio Grande do Sul (Brazil)
Keywords: rio grande do sul | tapejara |
The municipality of Tapejara (21,809 inhabitants in 2015; 24,061 ha) is located 330 km north of Porto Alegre.
The municipality of Tapejara was established as Sede Teixeira by Manoel Amâncio Teixeira and Julião Luiz Almeida, who acquired three plots from Antônio dos Santos Bonetes. Plots were delimited and sold in three waves (1915, 1917 and 1920).
Sede Teixiera was elevated to the 11th section of the district of Coxilha, part of the municipality of Passo Fundo; transferred in 1922 to the district of Sete do Setembro, Sede Teixeira was elevated in 1929 to the 14th district of Passo Fundo.
The district was renamed in 1940 to Tapejara, the Tupi-Guarani name of river Carreteiro, "tape" meaning "a road" and "jara", "a lord". The Portuguese name of the river refers to the carters ("carroceiros") transporting goods between Sede Teixiera and Passo Fundo. The journey took at least three to four days, carts being the only means of transport at the time.
Emancipation of Tapejara was pushed by Father Raimundo, the parish's vicar, subsequently awarded the title of Protector of the Municipality. The plebiscite, organized with the support of State Representative Victor Graeff, was held on 10 July 1955. The municipality of Tapejara was established by State Law No. 2,667 promulgated on 9 August 1955.
http://www.tapejara.rs.gov.br/
A horizontal tricolour, red-white-green with the municipal coat of arms in a central white square, which has rounded corners.
The flag of Tapejara is prescribed by Municipal Law No. 3,023 promulgated on 5 June 2007.
General characteristics. The flag of the municipality shall have three colors: red, white and green, in this order from top to bottom, the coat of arms of the municipality placed in the second color, horizontally centered.
Dimensions. The flag's length shall be 24 units.
II - The width of the first color (red) shall be 5 units.
II - The width of the second color (white) shall be 6 units.
III - The width of the third color (green) shall be 5 units.
IV - The distance of the coat of arms of the municipality to the borders shall be 9.5 units to the right, 5.2 unit to the bottom and 5.2 units to the top.
Color specifications
First color - Red
Subtractive synthesis (CMYK): C0 M10 Y100 K0
Additive synthesis (RGB): R255 G0 B0
Pantone 485
Second color - White
Subtractive synthesis (CMYK): C0 M0 Y0 K0
Additive synthesis (RGB): R255 G255 B255
Third color - Green
Subtractive synthesis (CMYK): C100 M0 Y100 K0
Additive synthesis (RGB): R0 G255 B0
https://leismunicipais.com.br/a/rs/t/tapejara/lei-ordinaria/2007/303/3023/lei-ordinaria-n-3023-2007-institui-a-bandeira-oficial-do-municipio-de-tapejara-e-da-outras-providencias
The coat of arms of Tapejara is prescribed by Municipal Law No. 299 promulgated on 30 December 1964.
A Portuguese shield divided horizontally, in the first part a height planted with three Brazilian pines, symbols of the region's natural resources, growing into a sky argent, in the second part (center), red, a cart drawn by four mules, in the third part (base), blue water symbolizing river Carreteiro, today Tapejaro, the municipality's namesake. Beneath the shield a red scroll inscribed with the place name and dates of elevation to a district and a municipality. The five-towered crown argent represents the town's administrative autonomy.
http://www.tapejara.rs.gov.br/historia/hinobrasao
https://www.facebook.com/camaradetapejara/photos/a.2507159119548888/2507160009548799/?type=3&theater
The flag is also used with equal stripes.


In much of the developing world, bike technology is significant mobile technology. Bikes are transportation, and offices and shops and stores. The folks at Velowala — velo for "moving" as in velocity and wala for "man" as in the Hindi — collect examples of people using bicycle technology on the streets of India. This wala sells churan, tangy snacks and digestive pills. Many more examples here.
"There is the break mechanism, if not I wouldn't have been able to go down the steep slopes found along the Dschang road in the West Province of Cameroon," Bassong noted.
It is always fascinating to see once-cuddly technologies turn dark. Consider the Segway, that sweetly geeky gizmo that was supposed to drive autos out of our cities and save the planet. Well, Segways have arrived, but instead of transporting happy auto-eschewing citizens on their daily errands, the Segway has become the personal chariot of cops adopting the gyro-stabilized two-wheeler for patrol and crowd control work. Seqway-riding security dudes are turning up at airports and convention centers, and now are finding their way into the security mix at lock-down events like the G8 Summit and the upcoming Beijing Olympics. No cuddly here, just pure menace, like the rent-a-samurai in full battle rattle riding a nobby-tired industrial Segway at the this month's G8 summit (pic below). Watching the transformation is like discovering that one's favorite teddy bear has fangs and a taste for human flesh. Before long, I'll bet we'll see squads of Segway cops in full riot gear running down fleeing demonstrators at some future anti-globalization demonstration.
The G8's rent-a-samurai and his timid sidekick.
A Segway with training wheels for the vertically challenged.
Last one to the Dunkin' Donuts is a rotten egg!
The students at Eindhoven University of Technology in the Netherlands created a 2.5 metric ton bike bus that has 32 seats. Each rider can pedal. From S. Fridqvist.
I found this on Otherthings Flickr page. It a multilayered paint chip taken from a public mural wall that was recently demolished.
This is an extreme closeup scan (2400 dpi) of a paint chip retrieved from the ruins of Belmont Art Park by Amy McKenzie earlier this year. The fragment is about 1cm thick, and appears to consist of about 150-200 layers of paint. (For a sense of scale, note the ridges of my fingerprint in the lower right.) This should give you an idea of the staggering number of pieces painted in this spot over the decades. The park used to be surrounded by one long wall covered with artwork, but that wall was illegally demolished by real estate developers earlier this year.
I don't know much about them, other than these custom bikes look pretty cool. Found here and here.
The wheel itself is a 5 foot diameter hoop of 2 inch tube. It was a bit beyond what I can do so was made for me by The Angle Ring Company . The pulleys on which it runs were custom-made by AED rollers. Everything else was cut, bent and welded in my shed! The engine is a 90cc four stroke from a Chinese quad bike. I was initially going to use the engine/wheel unit from a 50cc scooter but the wheel was too big and the two stroke power delivery can be a bit peaky! The quad engine is fully auto with electric start. The friction drive wheel is the rear wheel from a mini moto. It has a cable-operated disc brake which must be used with extreme caution. The tyre on the outer wheel is three 24 inch mountain bike tyres cut up and pop riveted on.
There are plenty more from a whole web site devoted to monowheels.
Great Minds Think Alike: the Bicycle Lawnmower!
Over at Treehugger, Warren McLaren has rounded up all the examples of this ingenious, indigenous, "labor-saving" invention that he could find.
It is apparent that thousands of people who have to mow the lawn decided there must be an easier way and had exactly the same idea: Why not hook the mower to a bike? And so the bikemower is born in a thousand of garages around the country. Judging from the pictures, they are still in the garages. Most of the pics rounded up by McLaren look as if they were taken at garage sales. I have my doubts that the bike mower is very useful, or easier to use than pushing on your feet.
For the full set see the Treehuger post above.


Since 1993, Cooters Restaurant & Bar on Clearwater Beach has been the destination for both locals and travelers who want the real side of beach life. No corporate atmosphere here! Cooters is known for fresh seafood, hand cut steaks and creative daily specials. We're family owned & operated and enjoy putting our own unique spin on dining by offering the locals and visitors of Clearwater Beach a taste of real Florida --A fun, casual atmosphere with friendly service, delicious food, tropical drinks and classic Southern hospitality.
Our menu selections are prepared fresh on the premises, and our seafood is delivered daily. We use top quality ingredients such as fresh Florida Grouper and Certified Angus Beef. Our soups, dressings and sauces are all homemade, and our steaks are hand cut in house. On our menu you'll find something for everyone with favorites such as Signature Stuffed Mahi, Fresh Gulf Grouper,Captain's Platter, Black Angus New York Strip, Cooters Sirloin Burger, Shrimp & Scallop Pasta, Crisp Salads, Premium King Crab, and our legendary Wings, (Hand-breaded with homemade sauces -- No frozen wings here!!).
Enjoy ice cold beer, frozen daiquiris, pina coladas, and refreshing mojitos at our large open air bar. Our full menu is also served at the bar. Cooters Sports Bar (located at the end of the patio) is well known as Pinellas County's favorite Steelers Bar during football season! During Spring Training, you'll find lots of Phillies Fans (and players) at Cooters! Along with all the sports action, Cooters Sports Bar features a great late night happy hour, juke box and video games.
To provide delicious and remarkable food and drinks in enjoyable surroundings. That our food and drinks we provide meet the highest standards of quality, freshness and consistency. To provide our customers with impeccable service by demonstrating warmth, graciousness, efficiency, knowledge, professionalism and integrity in our work. To have every customer who comes through our doors leave impressed by Cooters and excited to come back again. To provide all who work with us a friendly, cooperative and rewarding environment. To be a giving member of the Clearwater community and to use our restaurant to improve the quality of life in the Tampa Bay area.
Cooter - A type of freshwater turtle, generally found in the south.


text:
A dream realized
By Toby Tabachnick January 6, 2010, 7:50 pm 0 Edit
Two years ago, alto saxophone player Daniel Cohen sat in an assembly at Mt. Lebanon High School, watching two upperclassmen selected to participate in the first U.S. Army All-American Marching Band.
This week, he is in San Antonio along with 96 of the country's most talented young musicians, preparing to perform in the half-time show of the U.S. Army All-American Bowl this Saturday.
"When I was a sophomore I saw two Mt. Lebanon seniors get into the inaugural band. That was the first time I had ever seen or heard of it," Cohen said. "Once I heard about it, I was inspired to go for it."
The U.S. Army All-American Bowl is a high school football game featuring the nation's top high school senior football players and marching musicians. Band students selected as All-Americans receive a trip to San Antonio to march in the half-time performance at the Alamodome. The Army covers all expenses.
Cohen, one of three drum majors (marching band leaders) in the Mt. Lebanon High School Marching Band, was chosen from a pool of 1,235 nominees around the country. The son of Ilene and Steve Cohen, he is the only All-American hailing from Pittsburgh this year.
Mt. Lebanon band directors Louise Marino and Douglas Reichenfeld nominated him.
"Dan expressed an interest in wanting to throw his hat into the ring for this honor," said Marino. "He is very conscientious and highly motivated. He's a top notch kid."
Although Marino and Reichenfeld announced to all band students back in December 2008 that the deadline for applications for this year was approaching, Marino said, "Dan was the only one that had the gumption to try it."
As part of the nominating process, Cohen submitted videotapes of himself playing solo pieces on his alto sax, marching, and expressing why he wanted to be an All-American.
"I said that I love marching, and that it is something I want to continue in college," Cohen said. "I said that it would be an honor to represent my school district, and the city of Pittsburgh."
Last year, Cohen joined 1,000 other musicians in performing at the Holiday Bowl in San Diego. But he believes playing along with only 96 of the nation's top band talent in San Antonio will be "one of the most rewarding experiences I'll ever have."
For several weeks, Cohen has been practicing, on his own, the two pieces he will be playing in the half-time show. Once in San Antonio, the band will rehearse for the first time as a unit.
"Once you know the music," he said, "you have to put your feet to it."
Cohen, who will pursue a career in music education, hopes that the All-American honor will bolster his chances of college scholarships.
"It will definitely get my foot in the door," he said. "The schools will definitely take a second look."
Army representatives formally selected Cohen as an All-American at a presentation at Mt. Lebanon High School Dec. 3, said Cory Berger, game representative of the All-American Bowl.
Although this year will mark the 10th anniversary of the All-American Bowl, it is only the third year the game has included band students in addition to football players.
"This marks the second time in the past three years that Mt. Lebanon students have been selected to this prestigious ensemble," Berger said.
"Even the Army told us we are one of the few schools that have had three students be a part of this," Marino said.
Cohen's parents, sister and grandfather accompanied him to San Antonio. Cohen was particularly excited about having his grandfather there.
"For him to watch me play on this scale," he said, "will really be an honor for him."
(Toby Tabachnick can be reached at tobyt@thejewishchronicle.net or 412-687-1263.)


Before a review copy of Harriet F. Senie's new book arrived in the mail recently, the only book I'd read by the City College art history professor was The Tilted Arc Controversy: Dangerous Precedent? from 2002. That book was a must for a paper I wrote in graduate school on Javits Plaza, which was home to Richard Serra's Tilted Arc before it was graced by curlicue benches designed by Martha Schwartz (its latest incarnation was designed a few years ago by Michael Van Valkenburgh). That exhaustively researched book tackles the creation and reception of public art, so it makes sense that just over a decade later she focuses her attention on memorials, what are really another form of public art.
The two projects that bracket the book are mentioned in its subtitle: the Vietnam Veterans Memorial (VVM) in Washington, DC, designed by Maya Lin and inaugurated in 1982; and commemorations of 9/11, particularly the annual Tribute in Light and the permanent National September 11 Memorial, aka Reflecting Absence, the competition-winning design by architect Michael Arad with landscape architect Peter Walker. The VVM and 9/11 memorials are strongly linked, particularly in their abstract formal languages and in Lin, who won the competition for the first while still a student at the Yale School of Architecture and who served as a jury member on the second. In between are chapters devoted to memorials for the Columbine shootings and the bombing of the Alfred P. Murrah Federal Building in Oklahoma City, as well as one on "immediate memorials," which include celebrity displays but also more localized tributes to those killed "in the street, workplace, and school."
The inclusion of immediate memorials is one of the most unique aspects of the book, which focuses otherwise on official memorials, but I was drawn most to the Vietnam and 9/11 chapters, since they are the only permanent memorials in the book I've seen in person (additionally, I saw the traveling mini-VVM on tour in Chicago before seeing it in person on DC). Senie's research and analysis sees these two memorials, as well as Columbine and Oklahoma City, as quasi-cemeteries: public places for private grieving. With this approach, which started with the VVM, the victims overshadow the events – the war, the terrorist acts, and shootings – that caused their loss. The descent and rise of the two VVM walls parallels the escalation and denouement of the "conflict," while the names on the wall function like markers on a grave. In Lower Manhattan, the footprints of the 9/11 Memorial pools reference the lost towers, while the below-grade museum reenacts that horrendous day without, as Senie points out, going into "the causes of the plot."
In DC and NYC, simplification of expression seems to coincide with the simplification of history, turning complex events into easily digestible good/bad scenarios (the named victims this memorial recognizes were good, the unnamed people who put them there are bad). One could argue that more figural tactics to memorial designs – those often espoused by neoclassicists, who won out with the WWII Memorial on the Mall in DC – would have reversed this result, but the later addition of statues next to the VVM and their obvious lack of popularity relative to Lin's memorial, signals this probably wouldn't have been the case. Simply put, the VVM and later memorials are modern(ist) attempts to reconcile loss with confusing and complex circumstances. Senie's book reveals, among other things, that permanent memorials need to embrace this confusion and complexity so they are more than just markers of death; they could be places of hope where the future learns from the past.


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Maddy isn't convinced that James is being completely honest with Roo, especially when she finds his second phone in the kitchen drawer. After confiding in Oscar, Maddy decides to tell Roo her suspicions, but it's too late as James has invited his parents for dinner and told her all about the mystery phone.
Ricky unintentionally makes Phoebe feel worse when she tries to relate her motherhood struggles to Phoebe's miscarriage. Ash and Kyle come to blows when Kyle blames him for the miscarriage. Fortunately, Nate breaks the fight up and takes Kyle home, where he smashes the baby cot and breaks down in Ricky's arms. Later, Ash checks in on Phoebe and she finally tells him how she feels.
The same evening, Phoebe runs into Kyle, but as he tries to comfort her, she lays into him. She tells him she doesn't want to see him as he pushed her to keep the baby and now she's been left distraught after the miscarriage.


Blue Ventures' volunteers learn the diving and scientific skills necessary to collect data that is vital to the management of some of the world's most remote marine biodiversity hotspots.
As well as diving on incredible coral reefs you'll get the chance to work in mangroves and seagrass habitats as you directly contribute to our award winning conservation, development and education programmes in Madagascar, Belize and Timor-Leste.
A humbling experience that will no doubt enable me to grow as a diver, an environmental activist, and as a traveller. BV works so hard to ensure that the economic and scientific rewards can belong to the local community. They are helping to shape a really exciting and sustainable future for the reefs and the local people in Atauro.
This expedition has outdone my expectations, and has provided a wealth of varied experiences, as well as highlighting to me the continued need for holistic conservation. Incredible project, incredible people. It been inspiring to work at the front line of change, alongside people who care about this beautiful place, people and environment.
I had a fantastic expedition with Blue Ventures. The on-site staff were very fun and there was a strong sense of community amongst everyone at the dive camp. The diving is incredible and the science training and surveying is interesting and rewarding. I would highly recommend such an expedition to anyone looking for fantastic diving and meaningful research contributions.
Explore the remote Bacalar Chico Marine Reserve, a UNESCO World Heritage site.
Join us where it all began and discover the heart of our community conservation work.
Dive into the world's most biodiverse waters in the heart of the Coral Triangle.
Blue Ventures develops locally-led approaches to marine management that benefit people and nature alike.
By listening and responding to basic needs, we design models that catalyse and sustain marine conservation, unlocking the potential of coastal communities to manage their resources.
We work in places where the ocean is vital to local cultures and economies, and are committed to advancing the rights of small-scale fishers throughout the coastal tropics.
Our work plays a critical role in rebuilding coastal fisheries, empowering communities with the means to safeguard their futures, reversing biodiversity loss, improving food security and building resilience to climate change.
You can join us as a marine conservation volunteer on our international award-winning expeditions – do something meaningful on your next adventure!
Blue Ventures has released a new Explore Photo Story with photos and text from Timor-Leste volunteer Anne-Lise Blanchet.
Expedition prices vary according to your current diving qualification and length of stay in Timor-Leste but, as a guide, start at £2450 for 6 weeks.
We also run short trips in Belize and Timor-Leste from £875.
Use the price calculator to get an estimated cost which you'll also receive if you apply – please just let us know if you want an exact quote before you confirm your place.
If you have any special requirements (e.g. non-diving volunteer, joining outside normal expedition dates, medic, medical elective or research) please contact us for an accurate quote.
Do I need to be able to dive?
Participants at our Timor-Leste site need to be PADI Open Water divers (or equivalent).
Please talk to us if you have any questions about this and we can discuss your options!
Will there be other dates?
Expeditions run year round, if the exact start dates don't work for you please ask, we'll likely be able to sort something out that works.
Can my friends and family come too?
Yes! We'd love for others to come and can offer a slight discount for non-divers. The capacity of these expeditions is limited to 12 people though, so do get in touch as soon as you can to discuss options.
I'm interested in bringing a group - is that possible?
Yes! We regularly work with schools, universities and other groups to provide bespoke short expeditions. See our specialist page for more information or just drop us a line using the contact form and we'll get back to you as soon as possible.
Just complete our simple online application form and we'll be in touch very soon!


There are no Tabriz contributions in Iran travel guides, but this is only temporary because Tripopedia is constantly updated on a daily basis. Please bookmark this Tabriz page for the future reference as more travel guides for Iran will become available soon.
If you live in or near Tabriz, Iran or have some Tabriz traveling experience, you can also contribute your Tabriz travel guide here.


text:
Blandine Bardeau Works
Another Amalgame Drawing
Blandine Bardeau
Drawing, coloured pencil on Paper
Featured in One to Watch
"Another Amalgame" is the latest version of my Amalgames series. An amalgam is a compound, a mixture of metals, this is the French word which also refers to a confusion. This is a mixed-media piece, an explosion of brushstrokes, often applied on acetate and collaged onto the piece. This piece is sold unframed. The fee includes the packaging costs.
coloured pencilgraphiteacrylicacetatepaper cut-out
Drawing:coloured pencil on Paper
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
I am drawn to the idea that as artists, we are the channels for art pieces to be born. That there are realms where those beings dwell and somehow get expressed through us, their unique language being brush strokes, paper cut outs, clay, colour or form. As Clarissa Pinkola Estés puts it in Women who run with the wolves, one brings "an image from the unseen world into being". My recent work speaks of the Divine Feminine, an energy that is very much of the Earth and of the body, an energy that has been suppressed for a long time in all of us, men and women alike. I believe that our future and the future of our planet depends on us reconciling with this energy, bringing it forth into the world, and re-balancing it with the Divine Masculine. My pieces are treasures that have been gathered from the ancient world. I love artists such as Joan Mitchell, Picasso, Cy Twombly and Wangechi Mutu. I was born and raised in Toulouse, in the South of France, and I now work and live in South East London. I first came to London to study a BA in Fashion Design Womenswear at Central Saint Martins, and a few years later, after working as a free-lance jewellery designer, I went on to study an MA in Painting at the Glasgow School of Art. I was commissioned to design and make jewellery for the windows at Selfridges, Oxford Street, London, as well as Menswear jewellery pieces for the Mugler Paris Fashion catwalk show, Spring-Summer 2012. My Fine Art work has been exhibited in Paris, Helsinki, Glasgow and London, and has been bought by private collectors around the world (New York, Seattle, Australia, UK...). I was longlisted for both the SaatchiArt Online Painting Showdown in 2015 and the Signature Art Prize in 2014. I was a runner-up for the Secret Art Prize, organized by Curious Duke Gallery, London, in 2014. I have also been published in Magazines and catalogues, and in 2009 I was awarded the Colin Barnes Drawing Prize, in recognition of excellence in drawing. In 2007, I won the Louis Vuitton Bag Design Competition, organized by Central Saint Martins. I also assisted Andrew Kerr in setting-up his solo exhibition "So Ensconced" (Nov 11/ Jan 12) at Inverleith House, Edinburgh.
Featured in Saatchi Art's curated series, One To Watch
Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London, London
papermixed-mediacoloured pencilcollagedrawinggraphite


Dehydration or in strict medical terms, hypohydration, is a state wherein the body is excessively lacking body fluids, particularly water. The term is derived from Greek, meaning to get rid of water. Medically however, dehydration can refer to the dearth of any essential fluid within the body of an organism.
Dehydration treatments range from simply taking adequate amounts of water for minor cases of dehydration to intravenous applications of essential fluids for more serious cases. This is because there are several types of dehydration: there is what is called hypotonic dehydration, wherein the body is lacking in sodium. There is hypertonic dehydration, whereon the body is lacking water. Finally, there is isotonic dehydration, where the body is lacking both water and sodium.
An important part of dehydration treatment is determining the cause of the patient's dehydration. One common cause of dehydration is too much physical activity. Extended physical activity can result in too much sweating and without adequate intake of water, dehydration can come about. Dehydration treatment for such cases is simple. First, it is important to prevent any further loss of body fluids by halting the physical activity that brought about the excessive sweating. It is then necessary to recoup the deficiency of the essential body fluids lost by drinking fluids, particularly water.
More severe cases dehydration can be caused by other illnesses such as diarrhea and cholera. In such cases, simply drinking fluids may not be sufficient. For more severe cases, drinking special solutions may be necessary. For dehydration treatment, replenishing body fluids are done with rehydration solutions.
Rehydration solutions are formulations that contain both water and salt that will help in replenishing the body of lost fluids and electrolytes. Pre-formulated rehydration solutions can be bought from pharmacists but it is also possible for one to make their own homemade solutions. In emergency cases when rehydration solutions are needed but are not available in the market, mix ½ teaspoon each of salt and baking soda, 3 tablespoons of sugar, and a liter of clean drinking water.
It is important to remember that rehydration solutions are only meant to be taken when advised by medical personnel since their intake may cause an imbalance in the fluids within the body.
Dehydration treatment through intravenous therapy is used in most serious of cases. Intravenous therapy introduces the treatment solution to the body directly to the veins through the use of a hypodermic needle and a drip bag.
In dire circumstances wherein there is a necessity for immediate intake of water as when stranded in the sea or in desert, it is crucial to know that drinking saltwater or one's urine does not help at dehydration treatment. Drinking any of those will only make one more dehydrated with their excessive sodium content which may lead to kidney failure.
Dehydration is a serious condition and knowledge of dehydration treatment is important so that one can determine the cause of the dehydration and administer the appropriate emergency aid for those who are in the danger of being dehydrated.
What Causes Low Sodium in the Human Body?


text:
Q: _ASSERTE(_BLOCK_TYPE_IS_VALID(pHead->nBlockUse)) error I'm trying to figure out why my program fails when I run.  So far when I run my program it fails on me.  I debugged the error and it brings me to dbgdel.cpp.  Line 32 " _ASSERTE(_BLOCK_TYPE_IS_VALID(pHead->nBlockUse));".  I've searched for the answer to no avail, but it has something to do with my memory leak?
Here is my header:
#include <iostream>
using namespace std;
namespace project
{
#ifndef MATRIX_H
#define MATRIX_H

typedef int* IntArrayPtr;
class Matrix
{
public:
    friend ostream& operator<<(ostream& out, Matrix& object);
    //friend istream& operator>>(istream& in, Matrix& theArray);
    //Default Constructor
    Matrix();
    Matrix(int max_number_rows, int max_number_cols, int intial_value);
    //Destructor
    ~Matrix();
    //Copy Constructor
    Matrix(const Matrix& right_side);
    //Assignment Operator
    Matrix& operator=(const Matrix& right_side);

    void Clear();
    int Rows();
    int Columns();
    bool GetCell(int x,int y, int& val);
    bool SetCell(int x,int y, int val);
    int getNumber(int r, int c);
    //void Debug(ostream& out);
private:
    int initialVal;
    int rows;
    int cols;
    IntArrayPtr *m;
};
#endif
}

My implementation file:
#include <iostream>
#include "Matrix.h"
 using namespace project;
using namespace std;

namespace project
{
Matrix::Matrix()
{
typedef int* IntArrayPtr;
IntArrayPtr *m = new IntArrayPtr[1];
for(int i = 0; i < 1; i++)
    m[i] = new int[1];

for(int r = 0; r < 1; r++)
    for(int c = 0; c < 1;c++)
        m[r][c] = 0;
}
Matrix::Matrix(int max_number_rows, int max_number_cols, int initial_value)
{
initialVal = initial_value;
rows = max_number_rows;
cols = max_number_cols;
IntArrayPtr *m = new IntArrayPtr[rows];
for(int i = 0; i < rows; i++)
    m[i] = new int[cols];

for(int r = 0; r < max_number_rows; r++)
    for(int c = 0; c < max_number_cols;c++)
        m[r][c] = initial_value;

}
Matrix::~Matrix()
{
for(int i = 0; i <= rows; i++)
    delete [] m[i];
delete [] m;
}
void Matrix::Clear()
{
for(int r = 0; r < rows; r++)
    for(int c = 0; c < cols;c++)
        m[r][c] = initialVal;
}

int Matrix::Rows()
{
return rows;
}

int Matrix::Columns()
{
return cols;
}

bool Matrix::GetCell(int x,int y, int& val)
{
if(x < rows || y < cols)
    return false;
else
{
    val =   m[x - 1][y - 1];
    return true;
}
}

bool Matrix::SetCell(int x, int y, int val)
 {
if(x < rows || y < cols)
    return false;
else
{
    m[x - 1][y - 1] = val;
    return true;
}
}
int Matrix::getNumber(int r, int c)
{
return m[r][c];
}

ostream& operator<<(ostream& out, Matrix& object)
{

for(int r = 0; r < object.rows; r++)
{
    for(int c = 0; c < object.cols; c++)
    {
        out << " " << object.m[r][c];
    }
out << endl;
}
return out;
}

Matrix& Matrix::operator=(const Matrix& right_side)
{
if (this != &right_side)
{
    rows = right_side.rows;
    cols = right_side.cols;
    delete[] m;
    IntArrayPtr *m = new IntArrayPtr[rows];
    for(int i = 0; i < rows; i++)
        m[i] = new int[cols];

    for(int r = 0; r < rows; r++)
        for(int c = 0; c < cols;c++)
            m[r][c] = right_side.initialVal;
}
return *this;
}

/*
void Matrix::Debug(ostream& out)
{
out << "Number of rows = " << rows << endl;
out << "Number of columns = " << cols << endl;
out << "Initializer = " << initialVal << endl;
out << "Current contents of the matrix: " << endl;
out << m << endl;
}
*/
/*
istream& operator >>(istream& in, Matrix& theArray)
{
in >>

}

void interfaceMatrix()
{
int userChoice, rows, columns, value;

cout << "Default matrix or custom(1 for default, 0 for custom): ";
cin >> userChoice;
    if (userChoice == 1)
    {
        Matrix object;
        return object;
    }
    else if(userChoice == 0)
    {
        cout << "Enter number of rows: ";
        cin >> rows;
        cout << "Enter number of columns: ";
        cin >> columns;
        cout << "Enter initial value of each element: ";
        cin >> value;
        if(rows <= 0 || columns <= 0)
        {
            cout << "Invalid input." << endl;
            exit(1);
        }
        else
        {
            Matrix object(rows, columns, value);
            return object;
        }
    }
    else
    {
        cout << "Invalid choice." << endl;
        exit(1);
    }

}
*/
}

In my driver I just put Matrix test(2,2,2), so I can create a 2 x 2 array with initial value of 2 for each element.  I get the above error.

A: You are allocating rows number of rows, but deallocating rows+1 number of rows.
Check the destructor.  <= must be <.
Besides this there are a lot of other [potential] errors in your code:

*

*you are setting the local m variable instead of setting the m data member of your class (that's why I have the convention to always precede data members by m_ to prevent this kind of confusion).  This error appears both in the constructor and the assignment operator.

*you use rows to allocate the matrix, but max_number_rows to initialize the matrix.  Although it works correctly now, it may lead to errors if row is initialized differently later (e.g. if row is initialized with std::max(max_number_rows,1000).  Your code in the assignment operator is better.

*your if-test in GetCell and SetCell is incorrect.  It should probably be >= instead of <

*the assignment operator copies the size of the matrix, but assigns all cells an initialValue.  This is not an assignment.  This implementation might/will confuse the rest of the code.

*the typedef of IntArrayPtr is unnecessary

A: two issues:

*

*You are not allocating any value into the "m" member of your object, you are allocating into local variables named "m"

*you are over deallocating by looping from i=0 to i <= rows, you want i=0 to i < rows


text:
Everything you need to know about the iPhone 6s and iPhone 6s Plus
Posted by Rajesh Pandey on Sep 11, 2015 in iPhone 6s, iPhone 6s Plus
On Wednesday, Apple unveiled the iPhone 6s and iPhone 6s Plus. Like previous 'S' upgrades from Apple, the new iPhones are a serious upgrade in some department, while retaining the same design language as their predecessors.
Apple says that the only thing that has changed in the new iPhones is everything. Once you look at the complete internals of the device, you will realise that the company's tagline is very appropriate here.
Below, we break down and describe in detail the different aspects and features of the new iPhones and what makes them special and better than their predecessor.
When it comes to design, the iPhone 6s and iPhone 6s Plus look exactly like their predecessor. However, Apple has further strengthened the integrity of the shell by using a new custom 7000 Series aluminum. This is the same grade of aluminum that is used in the aerospace industry and Apple says that the unique composition of elements makes it the strongest alloy they have ever used in an iPhone. This stronger aluminum should help in alleviating the bendgate issues on the new iPhones that plagued the iPhone 6 Plus when it launched last year.
The stronger shell and the addition of some new components on the motherboard like the Taptic Engine and the 3D Touch chip does make the iPhone 6s and iPhone 6s Plus slightly thicker, bigger, and heavier than their predecessors. The iPhone 6s is 0.2 mm taller, 0.1 mm wider, and 0.2 mm thicker than the iPhone 6. It is also 14 gms heavier compared to it.
As for the iPhone 6s Plus, it is 0.1 mm taller and wider, while gaining 0.2 mm in thickness and 20 gms in weight. You can find a complete breakdown of the specs of the iPhone 6s and iPhone 6s Plus here.
The iPhone 6s and iPhone 6s Plus come with a 4.7-inch and 5.5-inch Retina HD display with 3D Touch. While the size and resolution of the displays remain the same as their predecessors, the inclusion of 3D Touch allow the display on the new iPhones to detect a new dimension: pressure. Thanks to this new pressure sensing technology, the new iPhones come with gestures like Peek and Pop, and Quick Actions that can be used throughout the OS to speed up day-to-day tasks.
Apple did not talk much about the display on the iPhone 6s and iPhone 6s Plus at the event, but it is likely that they will offer slight improvement in brightness and contrast levels compared to previous iPhones.
The glass protecting the displays on the new iPhones has also seen an upgrade, and is now stronger than ever. Apple even calls it the "world's strongest smartphone glass." The company has achieved this by using a special dual ion-exchange process, which makes these glass strong at a molecular level, and according to Apple, the most durable in the smartphone industry.
3D Touch is the most highlighted feature of the iPhone 6s and iPhone 6s Plus and rightfully so. Apple calls 3D Touch the next generation multi touch and says it will completely change the way we use smartphones.
In a nutshell, 3D Touch allows the Retina HD displays on the new iPhones to detect pressure. By combining the pressure detected with other relevant information from the touch sensors, the iPhone 6s and iPhone 6s Plus are able to offer new gestures like Peek and Pop and Quick Actions.
Peek and Pop gestures will be available almost throughout iOS 9 and will allow you to quickly peek into content. For example, a light touch on a new email will open it up in a pop up view without actually opening the mail itself. You can lift your finger anytime from the screen to go back to your inbox in an instant. However, if you press a bit harder on the screen, the mail will open in the traditional full view mode. You will be able to feel the difference between a light press and a deep press thanks to the Taptic engine found inside the new iPhones. A light 'peek' press will be followed by a quick 10ms taptic feedback, while a deep 'pop' press will be followed by a 15ms long feedback.
You can read more about 3D Touch, how it works, and its use cases in iOS 9 here.
A9 chip
With every new iPhone, Apple also unveils a new generation A-series chipset. With the iPhone 6s and iPhone 6s Plus, this new chipset is called A9. The 3rd generation 64-bit chip from Apple now comes with a new transistor architecture and is based on the 14nm FinFET fabrication process for lower power consumption. The dual core chip is now clocked at 1.85GHz, compared to the 1.3GHz clock speed of the A8 chip.
Apple says that it has optimised the A9 chip inside the new iPhones for real-world use, and that is up to 70 percent faster than the A8 in CPU related tasks. In the GPU department, the performance boost over the previous A-series chip is even greater at 90 percent. In fact, Apple is so confident of the CPU and GPU performance of the A9 chip that it calls them a "desktop-class CPU" and a "console-class GPU," respectively.
Additionally, Apple has now integrated the M9 motion co-processor directly on the A9 chip, which allows for always-on 'Hey Siri' functionality without adversely affecting battery life, even when the display is switched off.
Second Generation Touch ID
Both iPhone 6s and iPhone 6s Plus come with an integrated Touch ID fingerprint scanner on their home button. However, for the first time since its introduction on the iPhone 5s in 2013, Apple has upgraded the Touch ID sensor for better performance and reliability. The company says that the second-generation Touch ID sensor on the new iPhones will be up to 100 percent faster than before.
The fingerprint scanner is so fast that you will be able to unlock the new iPhones by placing your finger on the home button before the lock screen shows up.
The new iPhones come with a 12MP iSight camera, making it the first time since the launch of the iPhone 5 in 2012 that Apple has bumped the resolution of its iSight camera. The increase in resolution has led to a small decrease in the individual pixel size to 1.22u (from 1.5u), but the new "state-of-the-art sensor", a new Image Signal Processor (ISP), and advanced pixel tone more than make up for it. Apple has also made sure that the increase in noise talk due to the increase in resolution is minimised.
Interestingly, the new iPhones still come with an f/2.2 aperture, while almost all high-end and mid-range Android devices have now started using an f/1.9 or f/1.8 lens. The use of a large aperture would have allowed the iPhone 6s and iPhone 6s Plus to deliver even better images in low-light, as the sensor could have absorbed more light. Nonetheless, the new sensor and ISP should help the new iPhones in shooting low-light images that are as good as some Android phones like Samsung Galaxy S6 and LG G4, if not better.
Besides bumping the camera resolution and introducing a new ISP, Apple has also added some new camera features on the iPhone 6s and iPhone 6s Plus. The first one is the ability to record videos in a staggering 4K resolution.
4K videos have 4x more pixels compared to a Full HD video, and are thus more detailed and sharp. You can also shoot pictures of up to 8MP in resolution while recording a video in 4K resolution. You can watch a 4K video shot from the iPhone 6s here.
Even better, Apple has enabled the use of Optical Image Stabilisation while recording videos on the iPhone 6s Plus, which should allow the handset to cancel out more of those jerks and shakes. The iPhone 6s still does not feature OIS, though.
Lastly, Apple is also introducing Live Photos with the iPhone 6s and iPhone 6s Plus. Think of Live Photos as a short 3-second video clip, with the first 1.5-second shot before a picture was taken, and the second 1.5-second part being shot after. Live Photos essentially allow you to revisit the moments when you shot a particular picture. The feature requires no extra effort from the end user when they are shooting pictures.
Live Photos take advantage of 3D Touch on the new iPhones and can be viewed by tapping deeper on the screen when you are viewing an image. They can also be set as a lock screen wallpaper, where pressing deeper on them will make them play the recorded moment.
You can read more about the new camera features on the iPhone 6s and iPhone 6s Plus here. Live Photos do have an adverse effect on the low-light image quality of the new iPhones, so it is recommended to turn it off when you are not shooting pictures in daylight.
In terms of connectivity, the iPhone 6s and iPhone 6s Plus feature improvements in two key areas: Wi-Fi and LTE. Apple had added support for Wi-Fi ac support in the iPhone 6 and iPhone 6 Plus, and with the iPhone 6s and iPhone 6s Plus, it is taking things a step further by increasing their speed to up to 866Mbps. This should make syncing the phone over Wi-Fi to iTunes significantly faster. Additionally, the handsets now feature LTE-A that allows for a maximum theoretical download speed of up to 300Mbps.
Apple has also added support for the 700Mhz band on the iPhone 6s and iPhone 6s Plus. T-Mobile had acquired the 700Mhz band from Verizon and has been aggressively expanding its network on it, so its inclusion will benefit all future iPhone 6s and iPhone 6s Plus customers on T-Mobile.
Last but not the least, the new iPhones also feature Bluetooth 4.2 connectivity, making them among the very few smartphones in the market to do so.
Apple did not talk about the battery capacity and battery life of the new iPhones at its 'Hey Siri' event, but lists on their official spec sheet that they will offer the same amount of battery life as their predecessors. This is despite the new iPhones coming with a slightly smaller battery compared to previous iPhones.
While Apple did not announce the official battery capacity of the new iPhones at its launch event, it did accidentally reveal that the iPhone 6s comes with a 1715mAh battery in one of its videos for the product. This is slightly smaller than the 1810mAh battery that was found on the iPhone 6. The iPhone 6s Plus should also see a similar reduction in battery size, though its exact battery capacity is not yet known.
If the numbers from Apple are anything to go by, the iPhone 6s Plus will provide up to 24 hours of talk time on 3G, standby time of up to 16 days, and HD video playback for up to 14 hours on a single charge. On the iPhone 6, which comes with a significantly smaller battery, this figure drops down to 14 hours of talk time on 3G, standby time of up to 10 days, and HD video playback for up to 11 hours.
You can find a comparison of the battery life of the iPhones 6s and iPhone 6s Plus with previous generation iPhones here.
Every new release of iPhone is accompanied with a major release of iOS, and the iPhone 6s and iPhone 6s Plus are no different in this regard. Out of the box, the new iPhones will ship with iOS 9 that brings with it a number of new features and enhancements, including a re-designed app switcher, a smarter and more intelligent Siri, Proactive, a new Notes app, upgrades to Apple Pay, low power mode, and more.
You can learn more about the major features in iOS 9 by reading the articles below:
The 10 best iOS 9 features
New keyboard features in iOS 9
Improved Notes app
Improved battery life and all-new low power mode
Improved Apple Pay
Improved Security with six-digit passcodes
Storage, colors and availability
Just like before, Apple will be offering the new iPhones in three storage variants: 16GB, 64GB, and 128GB. It has, however, added a new color option to the iPhone 6s and iPhone 6s Plus called Rose Gold, whilst still offering the previous three colors: Space Gray, Silver, and Gold.
iPhone 6s and iPhone 6s Plus go up for pre-order on September 12 and will hit the retail stores on September 25. The initial launch countries include Singapore, China, United Kingdom, United States, France, Australia, Spain, Netherlands, and more. You can find more details about their availability here. The devices will be making their way to more than 130 countries and over 400 carriers by the end of this year.
The prices of the new iPhones remain the same as their predecessor. The base model iPhone 6s will be available for $199 on a two-year contract, while the base model iPhone 6s Plus will be available for $299 on a two-year contract across all the major carriers.
Contract Price Unlocked Price
iPhone 6s (16GB) $199 $649
iPhone 6s (128GB) $399 $849
iPhone 6s Plus (16GB) $299 $749
iPhone 6s Plus (128GB) $499 $949
Additionally, Apple also announced its new iPhone Upgrade Program that will allow you to own an iPhone 6s for as low as $32 per month. You will be purchasing the handset directly through Apple and it will be unlocked, so you can use it on any carrier you wish to. It will also come with AppleCare+ protection plan pre-bundled.
You will also be entitled to upgrade to the new iPhone that Apple unveils every year. iPhone Upgrade Program will be available in the United States later this year through Apple's retail stores.
https://www.youtube.com/watch?v=aBYWGjIzvyw
https://www.youtube.com/watch?v=cSTEB8cdQwo
What do you think about the new iPhones? Drop in a comment below and let us know!


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Copper is Html5 + CSS3 Multipurpose template and works fine in all major browsers and IE from version 9. It's powered by jQuery and you'll find nice and discreet interactivity. The code is clearly written.


ST. PETE BEACH, Florida – Mason Alley Publishing announces the upcoming release of The Second Letter by Florida novelist Robert Lane. The Second Letter (Category: Mystery) will be released in trade paper (ISBN: 978-0-615841-88-5, 332 pages, $14.95) and eBook ($5.99) editions on March 4, 2014.
About The Second Letter: When Jake Travis is contracted by his ex-Army colonel to retrieve a missing fifty year-old Cold War letter, he is quickly swept up in a world where the line between good and evil becomes increasingly blurred. The letter, written in 1961 by a CIA operative who met a mysterious demise, has ended up in the possession of Raydel Escobar. But how—and why—did Escobar, owner of a successful carpet business and three Tampa gentleman's clubs, come to have the letter? As Jake relentlessly pursues the enigmatic Escobar, he soon discovers that Escobar is involved in far more than simply blackmailing the IRS in exchange for the letter.
Assisted by his partner Garrett and neighbor Morgan, Jake turns up the heat on Escobar. Intrigued by the letter's origins and the fate of those who first touched the document, Jake will stop at no end—moral or otherwise—to complete his assigned task. Even when his girlfriend questions why Jake is placing their relationship—and his life—in jeopardy for something he knows so little about, Jake continues his dogged pursuit. After all, only by risking everything can Jake define himself, secure his relationship with the woman he loves, and discover the message of the second letter.
A gripping page-turner that fuses suspense and literary fiction, The Second Letter brims with intricate plot twists, richly-drawn characters, action, and intrigue. In this sharp, witty, and wildly entertaining new read, novelist Robert Lane delivers a sensational story that is smart, cynical, and seamlessly suspenseful.
Mason Alley Publishing, based in Florida, is an independent publisher of fiction.


text:
J Chem Phys. 2009 Jul 21;131(3):035103. doi: 10.1063/1.3168393.
Electronic structure of aromatic amino acids studied by soft x-ray spectroscopy.
Zhang W1, Carravetta V, Plekan O, Feyer V, Richter R, Coreno M, Prince KC.
Department of Theoretical Chemistry, School of Biotechnology, Royal Institute of Technology, S-10691 Stockholm, Sweden.
The electronic structure of phenylalanine, tyrosine, tryptophan, and 3-methylindole in the gas phase was investigated by x-ray photoemission spectroscopy (XPS) and near edge x-ray absorption fine structure (NEXAFS) spectroscopy at the C, N, and O K-edges. The XPS spectra have been calculated for the four principal conformers of each amino acid, and the spectra weighted by the Boltzmann population ratios calculated from published free energies. Instead of the single peaks expected from the stoichiometry of the compounds, the N 1s core level spectra of phenylalanine and tryptophan show features indicating that more than one conformer is present. The calculations reproduce the experimental features. The C and O 1s spectra do not show evident effects due to conformational isomerism. The calculations predict that such effects are small for carbon, and for oxygen it appears that only broadening occurs. The carbon K-edge NEXAFS spectra of these aromatic amino acids are similar to the published data of the corresponding molecules in the solid state, but show more structure due to the higher resolution in the present study. The N K-edge spectra of tryptophan and 3-methylindole differ from phenylalanine and tyrosine, as the first two both contain a nitrogen atom located in a pyrrole ring. The nitrogen K-edge NEXAFS spectra of aromatic amino acids do not show any measurable effects due to conformational isomerism, in contrast to the photoemission results. Calculations support this result and show that variations of the vertical excitation energies of different conformers are small, and cannot be resolved in the present experiment. The O NEXAFS spectra of these three aromatic compounds are very similar to other, simpler amino acids, which have been studied previously.
Publication type, MeSH terms, Substance
Amino Acids, Aromatic/chemistry*
Electrons*
Spectrum Analysis/methods*
Amino Acids, Aromatic


You deserve top dollar for your home. Call the TEAM that can get it!
When you get ready to place a home on the market for sale it becomes a product, and just like any product on the shelves at your local store it has features and benefits, pluses and minuses, and there are other products to compare. To gain an edge in your market place you must be priced right and look better than the competition. Sometimes it's difficult to think of a home as a mere product, but it helps to think that way so that you can get top dollar for your property and sell it in a reasonable amount of time.
When you sell your home you're going to have to move. When you move you're going to have to pack. Most of the principles of staging just mean that you're going to pack up some of your things early. It's a little bit of work, but you're going to have to do it anyway, so let's do it now so you can get top dollar for your property in your marketplace.


Tryouts for our 2018-2019 Club Teams are now completed and first round invitations have been released.
We will continue to evaluate our rosters. Players who have interest in our Club program should contact Coach Matt Podwoski at matt@evolutionlax.com.
©2019 Evolution Lacrosse Academy / SportsEngine. All Rights Reserved.


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The number of microbreweries, craft breweries and brewpubs in the U.S. has exploded in the last decade or so, bringing a whole new level of anxiety to the Saturday morning beer run. Today there are over 2,300 breweries or brewpubs in the U.S., and each one is as unique as the one across the street.
Fortunately, our independent insurance agents are here to help you shop multiple carriers and quotes at the same time. They'll help connect you with the right coverage for your business and keep your hopped-up dreams afloat. But first, let's talk a bit more about why you need coverage and what kind you need.
Having your own brewery isn't all free beer and endless cargo shorts. There's also a number of risks involved relating to the manufacturing of beer, any food or drink you sell, brewery tours, on-site events and more. The specifics of your brewery insurance plan depends on the type of brewery you operate (large brewery, microbrewery, craft brewery, etc.) and whether you offer a tasting room, restaurant, pub, or other on-site operations like axe-throwing or lawn darts.
A batch is contaminated or spoiled and must be destroyed or removed from the marketplace.
A customer is involved in an alcohol-related car accident after leaving your tasting room or brewpub.
Vital equipment or machinery unexpectedly breaks down, leading to property damage, loss of inventory or product, and extended downtime.
A customer, vendor or delivery person slips, trips, or falls on your property.
Guests on your property damage equipment or other business property.
Unfinished or completed beer leaks or spills from a storage tank.
Weather events, fire, theft, or vandalism damages or destroys your building(s) and its contents.
Beer in storage or in transit is damaged or destroyed.
Business property coverage: protects your building(s) and contents from fire damage, weather events, theft, vandalism, and other covered causes. You'll need proper coverage for brewing equipment and machinery, inventory, beer stock, furniture, fixtures, computers, and any other business property on your premises.
Your business property policy should also include coverage for business interruption, which pays for ongoing expenses, lost income, and relocation costs if you can't operate or you need to relocate after a covered loss.
Tank collapse coverage pays for expenses related to processing water after a tank collapse.
Tank leakage coverage provides protection for leakage of completed or in-process beer from a tank or other container (covers the lost beer stock). Damage to the container or other damaged property is covered under the main property policy.
Restaurant property coverage provides protection for restaurant equipment if you are a brewpub that operates a restaurant along with your brewery.
You also likely need coverage for beer that is in storage or in transit, because your business property policy doesn't cover beer once it leaves your premises. Your insurance agent can help you find specialty beer storage policies if you store your finished product off-site at a third-party location. Inland marine insurance protects you against physical loss or damage to beer that is in transit.
General liability insurance provides broad coverage for third-party bodily injury and property damage claims. If a guest slips and falls during a brewery tour or your beer causes someone to become ill, your general liability policy pays for direct costs (medical expenses, etc.) as well as attorney fees, court costs, and any court-ordered settlements or judgments. A general liability policy also provides coverage for claims related to product liability, advertising liability, slander, and libel.
Equipment breakdown coverage, or boiler and machinery coverage, is essential for a brewery. Brewing machinery is very expensive, and if it breaks, it can take months to repair or replace. Could you continue to operate while you waited for replacement machinery? Equipment breakdown coverage pays for costs associated with sudden and accidental breakdown of machinery and equipment. It covers the costs to repair or replace the equipment and any other property that is damaged by the broken equipment, and it reimburses you for related business interruption costs.
Contamination and spoilage coverage pays for certain losses if your inventory is spoiled or contaminated due to refrigeration problems or utility interruptions.
Liquor liability coverage is required for any establishment that sells, services, or furnishes alcoholic beverages. It pays for property damage and bodily injury that results from negligent selling or serving alcohol.
Where Else Do You Have Exposures?
While we've addressed many of the exposures in your brewery business, there may be more. Talk to your independent insurance agent about your need for these additional policies or endorsements.
Commercial auto insurance protects your fleet of trucks and any other vehicles owned by your brewery. Also, if employees drive personal vehicles for business, you need hired and non-owned auto liability insurance.
Crime coverage protects your business if an employee or a group of employees engages in theft, forgery, or fraud that damages your business.
Workers compensation insurance is required for any business that has employees. It protects your brewery workers from the cost of work-related injuries and illnesses.
Cyber liability insurance protects your brewery if you are the victim of a cyber breach. If your computer network or website is hacked and confidential customer or vendor information is exposed, the damage to your reputation and bottom line can be a big one.
Product recall coverage helps pay for costs related to removing recalled, damaged, or dangerous products from the marketplace.
Employment practices liability coverage protects you if a current or former employee sues you for discriminatory employment practices.
Whether you are a large brewery or a small brewpub, you need brewery insurance that's tailored precisely for you. By working with an independent insurance agent, you can get quotes from some of the best insurance companies that specialize in breweries.
You don't have to spend time chasing down quotes on your own — your agent is a trusted adviser who can help you find the right mix of coverage for your needs and budget.
And it gets better, you don't have to review the policy options alone. They'll walk you through everything you need to know about finding the right coverage, and price, for you. But it doesn't end with your signature. Along the way, if something bad ever happens, they'll handle the entire claim process for you and deal with the carrier, so you can focus on your brewing empire. How sweet is that?


Milwaukee—More than a dozen current and former circuit court and municipal judges endorsed attorney Gwen Connolly today – highlighting the growing momentum for her campaign since she announced her candidacy in Branch 44 of the Milwaukee County Circuit Court seat last week.
The following judges today endorsed Gwen Connolly for Milwaukee County Circuit Court Judge, Branch 44.
Gwen Connolly had practiced law for more than two decades in Wisconsin, and she is widely considered an expert in family law and consumer fraud. Connolly has worked to protect consumers against auto fraud, creditor harassment, and wrongful repossession, and has litigated hundreds of cases. She has consistently been named as a Super Lawyer of Wisconsin, serves as president of the Collaborative Foundation of Wisconsin and is the immediate past president of the Association of Women Lawyers Foundation. Connolly has given back to her community and works as a volunteer lawyer for Legal Action of Wisconsin and has volunteered for the Hunger Task Force and the St. Vincent de Paul meal program. Gwen Connolly received her Juris Doctor from Drake University Law School, where she graduated with honors, and her Bachelor's degree from Carleton College. She is married to the Hon. Brent C. Bedwell, a federal Administrative Law Judge, and is the mother of three very active boys who attend public schools in Milwaukee.


text:
import query from './db/query'
import { hash } from './password'

class Authentication {
  constructor(user, role) {
    this.user = user
    this.role = role
  }
}

const guest = () => ({
  id: 0,
})

const isAuthenticated = ctx => ctx.session.auth && ctx.session.auth.user.id !== 0

const isSelf = (ctx, uid) => ctx.session.auth && ctx.session.auth.user.id === uid

const isAdmin = ctx => ctx.session.auth && ctx.session.auth.user.id === 1

const isTempIdentified = ctx => ctx

const getUser = ctx => (ctx.session.auth ? ctx.session.auth.user : guest())

const login = (ctx, email, password) => {
  if (isAuthenticated(ctx)) throw new Error(`you have already logged in as ${ctx.session.auth.user.name}`)

  return query('SELECT id, username AS name, avatar, password FROM users WHERE email = ?', [email])
    .then((results) => {
      if (results.length === 0) throw new Error(`Account does not exist: ${email}`)

      const user = results[0]
      if (user.password !== hash(password)) throw new Error('Wrong password')

      delete user.password

      ctx.sessionHandler.regenerateId()
      ctx.session.auth = new Authentication(user, [])
      return ctx.session.auth
    })
}

const logout = (ctx) => {
  if (!isAuthenticated(ctx)) throw new Error('You have not logged in yet')

  ctx.session = null
  return new Authentication(guest(), [])
}

export default {
  login,
  logout,
  isAuthenticated,
  isSelf,
  isAdmin,
  isTempIdentified,
  getUser,
}


text:
Q: Prevent scp to .ssh folder, Public Key Authentication security I really know exactly know how to best ask this best and is taken care of in the backend, but I have recently delved into the world of public key authentication over ssh. This led me to wonder about how easy it would be for someone to do the same remotely to my computer? Is there a way to protect the .ssh folder to prevent scp into it or prevent a key from being added to authorized-keys without root permissions or something.
Is this type of security issue taken care of by the knowledge that they would have to have your password anyway to scp in? Am I dawning a tinfoil hat preemptively?
Thanks

A: The standard protection mechanism is that the sshd on the server side denies access when any of the following conditions is not satisfied:

*

*the protection on the authorized_keys in the .ssh folder is too liberal (0600 is expected).

*the protection on the $HOME/.ssh folder is more than 0750.

*the protection on $HOME is more than 0750


The item Gold Coast, Sheet 3, [Gold Coast City Council?], (cartographic material) represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in City Libraries, City of Gold Coast.
103 cm x 75 cm.


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text:
DUBAI, United Arab Emirates (AP) — A satellite image obtained by The Associated Press shows one of the two pumping stations attacked by drones in Saudi Arabia apparently intact.
The image from San Francisco-based Planet Labs Inc. that the AP examined on Wednesday shows Saudi Aramco's Pumping Station No. 8 outside of the town of al-Duadmi. It's 330 kilometers, or 205 miles, west of the capital, Riyadh.
The photo, taken Tuesday after the attack claimed by Yemen's Houthi rebels, shows two black marks near where Saudi Arabia's East-West Pipeline passes by the facility. Those marks weren't there in images taken Monday.
The facility otherwise appears intact.
The attack came as regional tensions flared, just days after what the kingdom called an attack on two of its oil tankers off the coast of the United Arab Emirates.


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text:
Infection, Genetics And Evolution impact factor, indexing, ranking (2022)
Infection, Genetics And Evolution is a research journal that publishes research related to Ecology, Evolution, Behavior and Systematics. This journal is published by the Elsevier. The P-ISSN of this journal is 15671348.
Also, check the other important details below like Publisher, ISSN, Ranking, Indexing, Impact Factor (if applicable), Publication fee (APC), Review Time, and Acceptance Rate of Infection, Genetics and Evolution.
Infection, Genetics And Evolution Ranking
SJR (SCImago Journal Rank): 1.085
Cite Score: 5.2
The SJR (SCImago Journal Rank) measures citations weighted by prestige. It is useful for comparing journals within the same field, and forms the basis of the subject category ranking. A journal SJR indicator is a numeric value representing the average number of weighted citations received during a selected year per document published in that journal during the previous three years, as indexed by Scopus. Higher SJR indicator values are meant to indicate greater journal prestige. SJR is developed by the Scimago Lab, originated from a research group at University of Granada. Q1 journals are cited more often and by more prestigious journals than those in the other quartiles.
CiteScore of an academic journal is a measure reflecting the yearly average number of citations to recent articles published in that journal. This journal evaluation metric was launched in December 2016 by Elsevier as an alternative to the generally used JCR impact factors (calculated by Clarivate). CiteScore is based on the citations recorded in the Scopus database rather than in JCR, and those citations are collected for articles published in the preceding four years instead of two or five.
Source Normalized Impact per Paper (SNIP) is calculated annually from Scopus data. It is a sophisticated metric that intrinsically accounts for field-specific differences in citation practices.
Journal Title: Infection, Genetics and Evolution
P-ISSN: 15671348
Subject: Ecology, Evolution, Behavior and Systematics
SJR: 1.085
Infection, Genetics and Evolution Indexing
The Infection, Genetics and Evolution is indexed in:
Infection, Genetics And Evolution Quartile
The latest Quartile of Infection, Genetics and Evolution is Q1.
According to journal website, the publication fee of Infection, Genetics and Evolution is around 2550 USD.
An article processing charge (APC), also known as a publication fee, is a fee which is sometimes charged to authors. Most commonly, it is involved in making a work available as open access (OA), in either a full OA journal or in a hybrid journal.
How to publish in Infection, Genetics And Evolution?
This journal covers the fields/ categories related to Ecology, Evolution, Behavior and Systematics. If your research field is related to Ecology, Evolution, Behavior and Systematics, then visit the official website of Infection, Genetics and Evolution and send your manuscript.
Tips for publishing in Infection, Genetics And Evolution:
According to the journal website, the Infection, Genetics and Evolution publishes research articles in 16 weeks on an average.
It is published by Elsevier.
The journal is indexed in UGC CARE, Scopus, DOAJ.
It is an open access journal.
The (SJR) SCImago Journal Rank is 1.085.
The Infection, Genetics and Evolution is a reputed research journal.
AMBIENT SCIENCE
Publisher: NATL CAVE RESEARCH & PROTECTION ORGANIZATION, INDIA
ARID ECOSYSTEMS
Publisher: PLEIADES PUBLISHING INC
BIOSYSTEMS DIVERSITY
Publisher: OLES HONCHAR DNIPROPETROVSK NATL UNIV
Publisher: UNIV NACIONAL AGRARIA LA MOLINA
ECOLOGICAL QUESTIONS
Publisher: WYDAWNICTWO UNIWERSYTETU MIKOLAJA KOPERNIKA
Publisher: ASOCIACION ESPANOLA ECOLOGIA TERRESTRE
ECOSYSTEMS AND PEOPLE
FOLIA OECOLOGICA
Publisher: WALTER DE GRUYTER GMBH
FRONTIERS IN FORESTS AND GLOBAL CHANGE
HACQUETIA


The objective of this position is to complete shop drawings assigned with accuracy and on a timely basis. Drawings will be compliant with the quality standards of AWI and Glenn Rieder / Quality Cabinet. The drawings shall be of sufficient detail to determine compliance with design intent and quality grades specified.
Project Tracker responsibilities: Continually update comments/open issues column to current status.
• Revise previously authored shop drawings up to and including releasing drawings for fabrication.


text:
Champions in city services: Workers who kept the city on track
Champions in real estate: Developers and landlords alike help those in need
Crain Events
Featuring Daniel L. Doctoroff, Chairman, CEO of Sidewalk Labs
Crain's Business Forum: Featuring Daniel L. Doctoroff, Chairman, CEO of Sidewalk Labs, and Former Deputy Mayor for Economic Development and Rebuilding for the City of New York
Crain's New York Business brings together the most influential executives, political leaders and rising stars for candid conversations about the issues and trends affecting NYC businesses.
Attendees of Crain's Business Forums will leave with the most up-to-date information on happenings in our region and a sense of connectivity to the NY business community.
More details coming January 2021.