The disc is shaped as a warp because of 2 clouds, or dwarf galaxies. These are believed to have pulling dark matter in our galaxy. The warp extends across the entire diameter of the Milky Way.
The dark matter is considered to be 20 times more massive than all visible matters in the galaxy combined and 90% of our galaxy's mass consists in dark matter. 10% or less of the mass that we can see with the naked eyes or with telescope in the luminous matter.
The motion of the clouds through the dark matter creates a warp that enhance their gravitational influence on the disk. When this dark matter is included, the 2 clouds in their orbit around the Milky Way reproduce the type of warp observed in the Galaxy very closely.
The studies shoe that the mass of Milky Way does not emit or absorb radiant energy. This mass is called dark matter because it can't be seen with telescopes, but it does account for most of the matter of the universe.
The Oldest star in the Milky Way is considered to be as old as the Universe being formed shortly after the Big Bang.
The Milky Way has several smaller galaxies that orbit in larger galaxies due the gravitational attraction being par of a larger group of galaxies; and it's considered to be the second largest galaxy in this group with his stellar disk of 100.000 ly in diameter. Most of the mass in the Milky Way is dark matter.
The galactic disc is surrounded by a galaxy of old stars and globular clusters. The extended spherical component of the galaxy that is beyond visible part is called halo. A halo has a few essential elements that can influence it: the stars, the hot gas, and the dark matter.
The Milky Way is at the center of an enormous halo of gas extending for hundreds of thousands of light years.
The mass of this gas is estimated to be similar to the mass of all stars in the Milky Way combined.
Chandra is sensitive to x-ray sources 100 times more sensible than any other X-ray telescope.
Since the Earth atmosphere absorbs the majority of x-rays, they can't be detected by Earth based telescopes only by space based telescopes.
The data used from Chandra by a group of 5 astronomers showed that there are eight bright X-ray sources located far beyond the Galaxy, at a distance of hundreeds of millions of light years. The oxygen ions absorb the x-rays from this distant sources in the vicinity of the Galaxy.
The temperature of the absorbed halo is between 1 million and 2,5 million.
This proves that the Milky Way is embedded in a hot gas with temperatures over 100.000 to 1.000.000 degrees Celcius.
The gas cloud contains 2 types of gas: 10 million degrees Celcius gas and 100 million degrees gas.


· Call Function: GSM/GPRS 850/900/1800/1900 four frequency conversation, Dial, hands-free, phone records, phone book, Bluetooth phone.
· SMS Local SMS: Text messaging on mobile phones Synchronous push by bluetooth ( for android mobile phone).
· Entertainment: MP3, ; bluetooth music playing; Phone calls reminding; Ring and vibration remind.
· Clock display: 3 ways show display clock, free switch; Click to switch.
· Bidirectional: anti-lost, lost remind, Bidirectional search.
· Sedentary remind: Sedentary remind.
· Sleep monitoring: Sleep monitoring.
· Taking pictures: Watch take pictures ; memory storage; picture shows: PNG, JPG.
· Remote control mobile phones: Storage to mobile phones; picture shows: PNG, JPG.
· Bluetooth transfer information (For android phone) Whatsapp, Facebook, Timely information etc.
· ANDROID System can support all function in the description.
· For iPhone: There is no app for iPhone because IOS didn't open it. So below four functions can't sync with iPhone,But all other function can use normally because no need to use app.
· How to achieve Bluetooth message notification?
· Bluetooth connection phone, open the notification option.
· Check if the battery is inflated.
· install the battery, charging. Check if the battery is inflated.
gostei muito dos relógios , muito bonitos e fácil de mexer.


text:
Family Assessment Part II View RubricDue Date: Feb 17, 2019 23:59:59 Max Points: 150 Details: Refer back to the interview and evaluation you conducted in the Topic 2 Family Health Assessment assignment. Identify the social determinates of health (SDOH) contributing to the family's health status. In a 750-1,000-word paper, create a plan of action to incorporate health promotion strategies for this family. Include the following:
Describe the SDOH that affect the family health status. What is the impact of these SDOH on the family? Discuss why these factors are prevalent for this family.
Based on the information gathered through the family health assessment, recommend age-appropriate screenings for each family member. Provide support and rationale for your suggestions.
Choose a health model to assist in creating a plan of action. Describe the model selected. Discuss the reasons why this health model is the best choice for this family. Provide rationale for your reasoning.
Using the model, outline the steps for a family-centered health promotion. Include strategies for communication.
Cite at least three peer-reviewed or scholarly sources to complete this assignment. Sources should be published within the last 5 years and appropriate for the assignment criteria.Prepare this assignment according to the guidelines found in the APA Style Guide, located in the Student Success Center. An abstract is not required.This assignment uses a rubric. Please review the rubric prior to beginning the assignment to become familiar with the expectations for successful completion. You are required to submit this assignment to LopesWrite. Please refer to the directions in the Student Success Center.
Family Assessment Part II 1 Unsatisfactory 0.00%2 Less than Satisfactory 75.00%3 Satisfactory 79.00%4 Good 89.00%5 Excellent 100.00%80.0 %Content20.0 %SDOH Affecting Family and Family Health StatusSDOH affecting family health status, and the direct impact to the family, are not presented.SDOH affecting family health status are partially presented. SDOH listed are not relevant to the family. The direct impact to the family, and why the factors are prevalent to the family, are unclear. There are inaccuracies.Key SDOH affecting family health status are summarized. The SDOH identified are relevant to the family. The direct impact to the family, and why the factors are prevalent to the family, are generally discussed. More support or rationale is needed in some areas.The overall SDOH affecting family health status are accurately identified and described. The SDOH identified are relevant to the family. The direct impact to the family, and why the factors are prevalent to the family, are discussed. The SDOH directly affecting family health status are relevant, accurately identified and thoroughly described. The direct impact to the family, and why the factors are prevalent to the family, are discussed in detail. The discussion is well supported and illustrates insight into SDOH and their effect on family health status.20.0 %Age-Appropriate Screening RecommendationsAge-appropriate screenings are not presented.Screenings are presented for some family members. The screenings are not age appropriate. Screenings are not relevant to the information gathered through family health assessment. Screenings are presented for each family member. Screenings are generally age appropriate, but entirely not relevant based on the information gathered through family health assessment. More rationale and support is required.Screenings presented for each family member are age appropriate. Screenings are relevant and based on the information gathered through family health assessment. Some minor rationale or support is needed.Screenings presented for each family member are age appropriate and highly relevant. Screenings correlate to the information gathered through family health assessment. Strong rationale and support is presented.20.0 %Assessment of Health ModelA health model to assist in the creation of a plan of action is not presented. The model chosen is not a health model.A health model is selected to assist in creating a plan of action. The description of the model is incomplete. It is unclear why the chosen model is best for this family.A health model is selected and described. A summary of how the model will assist in creating a plan of action is presented. A general overview for why it is best for this family is provided. More rationale and support is required.A health model is selected and described. A discussion of how the model will assist in creating a plan of action is presented. Reasons for why it is best for this family are provided. Some rationale or support is needed.A health model is selected and thoroughly described. A detailed discussion of how the model will assist in creating a plan of action is presented. Reasons for why it is best for this family are clearly outlined. Strong rationale and support are provided to support reasoning.20.0 %Application of Health ModelFamily-centered health promotion using selected health model is omitted. Steps for a family-centered health promotion are partially presented. The health promotion is not based on the health model. Significant aspects are missing. There are major inaccuracies.The health model is used to create a general family-centered health promotion. The steps to achieve the desired outcome require more detail to illustrate a clear plan of action. A general plan for communication with the family is presented. More rationale and support is required.The health model is used to create a relevant family-centered health promotion. The steps to achieve the desired outcome are illustrated. Strategies for communication with the family are presented.The health model is used to create a relevant and viable family-centered health promotion. The steps to achieve the desired outcome are described in detail. Appropriate strategies for communication with the family are clearly presented. The health promotion is well-designed and demonstrates an ability to assimilate findings and appropriately apply theoretical knowledge to achieve desired outcomes.15.0 %Organization and Effectiveness 5.0 %Thesis Development and PurposePaper lacks any discernible overall purpose or organizing claim.Thesis is insufficiently developed or vague. Purpose is not clear.Thesis is apparent and appropriate to purpose.Thesis is clear and forecasts the development of the paper. Thesis is descriptive and reflective of the arguments and appropriate to the purpose.Thesis is comprehensive and contains the essence of the paper. Thesis statement makes the purpose of the paper clear.15.0 %Organization and Effectiveness 5.0 %Argument Logic and ConstructionStatement of purpose is not justified by the conclusion. The conclusion does not support the claim made. Argument is incoherent and uses noncredible sources.Sufficient justification of claims is lacking. Argument lacks consistent unity. There are obvious flaws in the logic. Some sources have questionable credibility.Argument is orderly, but may have a few inconsistencies. The argument presents minimal justification of claims. Argument logically, but not thoroughly, supports the purpose. Sources used are credible. Introduction and conclusion bracket the thesis. Argument shows logical progressions. Techniques of argumentation are evident. There is a smooth progression of claims from introduction to conclusion. Most sources are authoritative.Clear and convincing argument that presents a persuasive claim in a distinctive and compelling manner. All sources are authoritative.15.0 %Organization and Effectiveness 5.0 %Mechanics of Writing (includes spelling, punctuation, grammar, language use)Surface errors are pervasive enough that they impede communication of meaning. Inappropriate word choice or sentence construction is used.Frequent and repetitive mechanical errors distract the reader. Inconsistencies in language choice (register), sentence structure, or word choice are present.Some mechanical errors or typos are present, but they are not overly distracting to the reader. Correct sentence structure and audience-appropriate language are used. Prose is largely free of mechanical errors, although a few may be present. A variety of sentence structures and effective figures of speech are used. Writer is clearly in command of standard, written, academic English.5.0 %Format2.0 %Paper Format (use of appropriate style for the major and assignment)Template is not used appropriately or documentation format is rarely followed correctly.Template is used, but some elements are missing or mistaken; lack of control with formatting is apparent.Template is used, and formatting is correct, although some minor errors may be present. Template is fully used; There are virtually no errors in formatting style.All format elements are correct. 3.0 %Documentation of Sources (citations, footnotes, references, bibliography, etc., as appropriate to assignment and style)Sources are not documented.Documentation of sources is inconsistent or incorrect, as appropriate to assignment and style, with numerous formatting errors.Sources are documented, as appropriate to assignment and style, although some formatting errors may be present.Sources are documented, as appropriate to assignment and style, and format is mostly correct. Sources are completely and correctly documented, as appropriate to assignment and style, and format is free of error.100 %Total Weightage
Just from $7/Page
Concept Notebook Rubric Soap Note Rubric Health virtual PICOT

redpajama_set_name: RedPajamaCommonCrawl


It has become a tradition now to start the new year with new goals. Looking back at 2012, it has been a busy year mainly because or thanks to the arrival of number 3, Augustin. He is nearly one year (already!) and I am still on maternity leave until August.


text:
Sen. John Kerry, man of science?
Maggie Gallagher
Posted: Jun 22, 2004 12:00 AM
These days, politicians of all stripes do not so much adopt issues as strike poses: In Denver on Monday, John Kerry struck his. Sen. Kerry criticized President Bush for allowing "ideology" to trump science, and called for stem-cell research "to tear down every wall today that keeps us from finding the cures of tomorrow."
Steve Schmidt, a spokesman for the Bush campaign, responded only to the underlying pose, with Bush's campaign theme du jour: "Only John Kerry would declare the country to be in scientific decline on a day when the country's first privately funded space trip is successfully completed."
But even in this day, when image and archetype replace substance, it is dangerous to let an actual argument go unanswered: How can we look Reagan's grieving widow in the face and fail to support stem cell research?
In a recent article in the Weekly Standard, Wesley J. Smith points out one inconvenient fact: Alzheimer's is one of the least likely diseases to be cured by any kind of stem cell research. "People need a fairy tale," Ronald D.G. McKay, a stem cell researcher at the National Institute of Neurological Disorders and Stroke, told Washington Post reporter Rick Weiss, explaining why scientists have allowed society to believe wrongly that stem cells are likely to effectively treat Alzheimer's disease.
That's not to say that stem cell research isn't enormously promising. It's not likely to cure Alzheimer's, but there are dozens of other therapeutic uses: Parkinson's, diabetes, Lou Gehrig's disease. Nobody I know is opposed to stem cell research. That's not the issue, let's face it.
The question at hand is this: Are we taxpayers going to pay scientists to create human beings in order to dismember them for research? That is what this debate is about. The John Kerrys of the world are trying to convince us that progress requires that we swallow our misgivings. Is it true? Must we consume our own young to cure disease? Will we traffic in human flesh in order to achieve our dreams? Or do we have enough faith and optimism to believe that there are other ways to make scientific progress against diseases?
Certain bioresearch firms, unable to attract private capital, are beating the drums for taxpayer financing of their firms. "Stem-cell companies bleed cash," as a USA Today reporter put it in 2001, and frankly it is companies who are using stem cells from human embryos that are finding it hard to produce the kind of results that attract investors.
Michael Fumento, author of "BioEvolution: How Biotechnology Is Changing Our World" (Encounter Books; read review), lists the "wonders of progress" from stem cell research:
"Just last February, two different human-autopsy studies demonstrated that stem cells transfused into the marrow work their way into the brain, where they can repair neurons and other vital cells. Other studies have shown that when injected into animals with severed spinal cords, stem cells rush to the injury site, effecting repairs." At a conference in late 2002, French researchers reported they had performed 69 stem-cell transplants with an 85 percent disease-free survival rate. "Stem cells have been injected into damaged hearts and become functional muscle," notes Fumento.
All of these treatments share one thing in common, according to Fumento: Not a single one used stem cells from human embryos. Stem cells can be harvested from adults, from the placentas of newborns, in myriad ways. We do not need to eat our own young in order to pursue the wonders of stem cells.
Ronald Reagan would have been glad, but not surprised, to know that. He never accepted the idea that human progress and human decency are fundamentally in conflict. He knew in his bones that truth and goodness and abundance are not enemies: They go hand-in-hand. That's the deepest of our American faiths.


...And if you thought Nick Carter was going to end it quietly, you were wrong!
Fans are invited to attend a Pool Party WITH Nick the morning before the last show so you can get a little R&R (and brunch) before partying it up that night at Zappos Theater. Oh, and did we mention he'll also be serenading fans in attendance with an acoustic set? It doesn't get better than that!
- Memories You Won't Soon Forget!
The fun begins at 10am PST and the location will be given to ticket holders 24 hours prior to the event. Worried about what to wear? Don't! Swimwear is optional - feel free to rock whatever you feel great in.
Please note that you DO have to be 21+ to attend.
Sound good? All you have to do is purchase your ticket here! They go on sale tomorrow (4/17) at 10am PST.
Have questions? Planning to attend? Drop it in the comments below!
Good luck to everyone who's participating!!
This sounds amazing, wish I could go!
This is going to be so amazing!! I cannot wait to party with Nick, plus I'll be meeting so many people I love there...besides Nick himself lol!! I could not be happier!! Thank you, Nick!!
So excited - can't wait to see everyone there!
Can I buy my ticket on my phone or will I have to print it out using my computer? How does buying the ticket work?
I will. I cannot wait to have so much fun Nick.??????
Tickets are $250 + Fees.


Razor's my name and I like my food sliced! Meet the Fingerlings Untamed Velociraptors! These finger-gripping creatures are fierce and unpredictable, and know friends vs. foes. In untamed mode, they roar, hiss and chomp! In tame mode they nuzzle, purr and love to be near you. Complete with snapping jaws and gripping claws, these interactive dinos re..
My name is Blaze and I've got a HOT temper! Meet the Fingerlings Untamed Velociraptors! These finger-gripping creatures are fierce and unpredictable, and know friends vs. foes. In untamed mode, they roar, hiss and chomp! In tame mode they nuzzle, purr and love to be near you. Complete with snapping jaws and gripping claws, these interactive dinos r..
The Viking fortress Eketorp on the north side of the Baltic Sea island Øland needs reinforcing against enemy attacks. The viking chiefs send out their men to bring back the necessary construction materials for the fort. But supplies are rare and battles must be fought to gain them. Even the most daring Vikings often return empty-handed and need to..


text:
using System;
using System.Text;
using System.Security.Permissions;
using System.Runtime.Serialization;
using OpenADK.Library;
using OpenADK.Library.Global;
using OpenADK.Library.uk.Common;

namespace OpenADK.Library.uk.Datamodel{

/// This common metadata element describes the life cycle of the object it represents, based on the IEEE LOM LifeCycle element
/// <remarks>
///
/// <para>Author: Generated by adkgen</para>
/// <para>Version: 2.6</para>
/// <para>Since: 2.0</para>
/// </remarks>
[Serializable]
public class LifeCycle : SifElement
{
	///
	/// Creates an instance of a LifeCycle
	///
	public LifeCycle() : base ( DatamodelDTD.LIFECYCLE ){}

	///
	/// Constructor used by the .Net Serialization formatter
	///
	[SecurityPermission( SecurityAction.Demand, SerializationFormatter=true )]
	protected LifeCycle( SerializationInfo info, StreamingContext context ) : base( info, context ) {}
	///Sets the value of the <c><Created></c> element.
	/// <param name="DateTime">A DateTime</param>
	///<remarks>
	/// <para>This form of <c>setCreated</c> is provided as a convenience method
	/// that is functionally equivalent to the <c>Created</c></para>
	/// <para>Version: 2.6</para>
	/// <para>Since: 2.0</para>
	/// </remarks>
	public void SetCreated( DateTime? DateTime ) {
		RemoveChild( DatamodelDTD.LIFECYCLE_CREATED);
		AddChild( DatamodelDTD.LIFECYCLE_CREATED, new Created( DateTime ) );
	}

	///
	/// Gets or sets the value of the <c><Created></c> element.
	///
	/// <value> A Created </value>
	/// <remarks>
	/// <para>To remove the <c>Created</c>, set <c>Created</c> to <c>null</c></para>
	/// <para>Version: 2.6</para>
	/// <para>Since: 2.0</para>
	/// </remarks>
	public Created Created
	{
		get
		{
			return (Created)GetChild( DatamodelDTD.LIFECYCLE_CREATED);
		}
		set
		{
			RemoveChild( DatamodelDTD.LIFECYCLE_CREATED);
			if( value != null)
			{
				AddChild( DatamodelDTD.LIFECYCLE_CREATED, value );
			}
		}
	}

	///
	/// Gets or sets the value of the <c><ModificationHistory></c> element.
	///
	/// <value> A ModificationHistory </value>
	/// <remarks>
	/// <para>To remove the <c>ModificationHistory</c>, set <c>ModificationHistory</c> to <c>null</c></para>
	/// <para>Version: 2.6</para>
	/// <para>Since: 2.0</para>
	/// </remarks>
	public ModificationHistory ModificationHistory
	{
		get
		{
			return (ModificationHistory)GetChild( DatamodelDTD.LIFECYCLE_MODIFICATIONHISTORY);
		}
		set
		{
			RemoveChild( DatamodelDTD.LIFECYCLE_MODIFICATIONHISTORY);
			if( value != null)
			{
				AddChild( DatamodelDTD.LIFECYCLE_MODIFICATIONHISTORY, value );
			}
		}
	}

	///
	/// Gets or sets the value of the <c><TimeElements></c> element.
	///
	/// <value> A TimeElements </value>
	/// <remarks>
	/// <para>To remove the <c>TimeElements</c>, set <c>TimeElements</c> to <c>null</c></para>
	/// <para>Version: 2.6</para>
	/// <para>Since: 2.0</para>
	/// </remarks>
	public TimeElements TimeElements
	{
		get
		{
			return (TimeElements)GetChild( DatamodelDTD.LIFECYCLE_TIMEELEMENTS);
		}
		set
		{
			RemoveChild( DatamodelDTD.LIFECYCLE_TIMEELEMENTS);
			if( value != null)
			{
				AddChild( DatamodelDTD.LIFECYCLE_TIMEELEMENTS, value );
			}
		}
	}

}}

redpajama_set_name: RedPajamaGithub


Seventy years after Indian independence, New Art Exchange exhibit Bhairav, a newly commissioned film installation by Nikhil Chopra and Munir Kabani exploring the colonial landscape of Goa, then and now.
Bhairav is the creation of leading Indian contemporary artists, Nikhil Chopra and Munir Kabani, also featuring artists Madhavi Gore, Sajan Mani and musician Ustad Bahauddin Dagar. Filmmaker Munir Kabani is an international lens-based artist who has exhibited widely, including the prestigious 54th Venice Biennale and Nuit Blanche New York. Bhairav is co-directed by internationally renowned Nikhil Chopra, an artist merging live art and drawing. This exhibition follows his major solo show at Southbank Centre in 2016, and his current site-specific installation at this year's documenta, Athens.
Bhairav is a collaborative film installation, extending upon the artists' unique practices and drawing on overlapping threads which are pertinent to the landscape, history and identity of Goa. The result is a reflective and compelling film, poetically exploring themes of hierarchy, spirituality, and the relationship between classical values and contemporary culture. The exhibition launches on 15 July 2017, with a series of durational live art performances by the artists occurring over 12 hours on the day prior.
Bhairav is newly commissioned as part of Arts Council England's national celebration of Indian independence, Reimagine India, and forms an iteration of the partnership project Here, There and Everywhere, led by New Art Exchange, and taking place across the UK and India throughout 2017 until March 2018. Skinder Hundal, CEO of NAE explains the significance of showing Bhairav featuring as part of Here, There and Everywhere on this significant historical year.
"We are very excited about this important moment that synchronises the 70th year of India's independence and birth of Pakistan, showing the film installation Bhairav, and live art performance by leading artists from India at the launch weekend. The exhibition is part of 'Here, There & Everywhere', a partnership which we have led, encouraging new dialogues and allowing long term developments emerge, benefitting our respective art ecologies and future legacy. It is important for the UK arts sector to reach out globally, more so in times of uncertainty, to ensure sustainability and stability for the artists and art forms to flourish and this new partnership is already delivering strong results."
Bhairav takes its name from a raag - a meditative South Asian classical music performance that represents man's connection to nature. Bhairav is said to be the oldest raag in existence and symbolises the break of morning and new life, and within the film installation it is performed by renowned musician Ustad Bahauddin Dagar- ancestor to the original composer. The soundtrack sets the film's reflective and spiritual tone and the central theme of the passing of time.
Bhairav opens with Sajan Mani, a performative artist who uses his body as a medium to confront issues of caste. Mani's labouring black body relentlessly hammers nails into wood to adhere a large piece of canvas – a commentary on skin politics defining his social standing, as well as a subtle nod to the canvas and the wood of sail boats and flags, symbols of colonial history.
Mani's performance represents one of many journeys within Bhairav, both geographically and temporally. Starting from a rural setting, his journey leads him through man made paths and walls, to a grand Goan Portuguese house. He pulls canvas through the agricultural landscape like a bull tilling the land, yet by the time he reaches the abode, the context transforms the canvas into a fine art material, used by Nikhil Chopra for landscape drawing. Within the film, Nikhil Chopra's live drawing records the activity occurring within the house, showing the impact of man and culture on physical surrounding.
Multi-disciplinary artist, Madhavi Gore, uses live art to explore gendered experiences and her identity as a mother. In Bhairav, her enactment of childbirth is set to an audio recording of her own voice during labour. Her presence represents the significant female voice in a story of colonial history which is often overlooked.
The creation of Bhairav concludes on Friday 14 July, where a 12 hour programme of multidisciplinary/live art draws upon elements of the film. Sajan Mani cycles from Mansfield to New Art Exchange - a route chosen by the artist on account of Mansfield's mining industry. In New Art Exchange's inner-city neighbourhood, Madhavi Gore occupies a shop window as a performative space interrupting people's daily experiences. The eminent rudra veena player, Ustad Bahauddin Dagar will be performing a midnight raag, accompanied by Nikhil Chopra who will perform a live drawing, creating a new work that will be on display at New Art Exchange as part of the exhibition. On Saturday 15 July, as part of the exhibition launch, there will be an in conversation with the artists: Munir Kabani, Nikhil Chopra, Ustad Bahauddin Dagar, Madhavi Gore and Sajan Mani.
Developed and commissioned by the artists with New Art Exchange, Nottingham and Chatterjee and Lal, Mumbai.
Bhairav is part of Here, There and Everywhere, an artistic collaboration between India and the UK. Here, There and Everywhere is a Midlands-London consortium led by New Art Exchange with Delfina Foundation, QUAD/FORMAT, Primary and mac Birmingham. Supported through funding by Arts Council England and British Council as part of Reimagine India. www.herethereeverywhere.live.
A contemporary art space committed to stimulating new perspectives on the value of diversity within art and society. New Art Exchange is the largest space in the UK dedicated to culturally diverse contemporary visual arts, and is rooted in the community with a strong history of working with minority communities. Past exhibitors include: Yinka Shonibare, Zarina Bhimji, John Akomfrah, Christian Marclay and Elizabeth Price (British Art Show 7), Rashid Rana, Zineb Sedira, Leo Asemota, Raghu Rai, J. D. 'Okhai Ojeikere and Hetain Patel. NAE's mission is to raise the impact, profile and development of culturally diverse contemporary visual arts and artists in a global context by: nurturing and promoting creative talent locally and worldwide, creating thriving creative businesses, and engaging minority ethnic communities as audiences and patrons of art.


Modern society constantly requirements your dream house along with specific model, and this also Desk Chair Dimensions pic collection will give various examples to you. You can get yourself superb creative ideas which is to be valuable should you be improvement your home. Desk Chair Dimensions graphic gallery will make it easier to obtain a vibrant property, but it also will give rise to giving you a perfect truly feel. Desk Chair Dimensions image collection give several magnificent stunning layouts, and you can apply it effortlessly to your residence. This is one of the advantages provided by Desk Chair Dimensions snapshot collection. If you appreciate an advanced in addition to uncomplicated form, that Desk Chair Dimensions photograph collection can be perfect for people. But the ideas of which featured as a result of Desk Chair Dimensions picture collection could also effectively work if you love a vintage trend simply because all the layouts tend to be convenient. So, satisfy make use Desk Chair Dimensions image gallery as most of your useful resource.
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text:
Q: Postgresql very slow convert from row to json string, despite fast subquery I want to return table as json.
select array_to_json(array_agg(row_to_json(t))) from (select * from fastSubquery)t

Subquery runs around 400-500ms, but wrapped in this json wrapper total time is 5 sec.
Is there a better approach less time consuming?
UPD: json_agg(t) shows similar result

redpajama_set_name: RedPajamaStackExchange


text:
Q: New Core Data object doesn't show up in NSArrayController arrangedObjects When I insert a new object in a Core Data managed object context and shortly after that try to find this new object in the NSArrayController (which is connect with the managedObjectContext through binding), I can't find it. I do the creation and search in one method.
My question now. How long does it take for a new inserted object to show up in the NSArrayControllers arrangedObject array?
Update:
Here is the code for inserting and fetching the new objects
NSEntityDescription *entity = [[[self managedObjectModel] entitiesByName] objectForKey:@"EntityName"];
NSManagedObject *object = [[NSManagedObject alloc] initWithEntity:entity insertIntoManagedObjectContext:[self managedObjectContext]];
...
[[self managedObjectContext] processPendingChanges];

[arrayController fetch:nil];
NSArray* objects = [arrayController arrangedObjects]; //the new object is not present in the array

A: It's not a matter of "how long" but "at what point". There's enough of a distinction that it's important to study it. :-)
Usually array controllers are automatically updated (re-fetch their contents in this case) on the next run-loop but technically "at some future run loop". If you want them to update immediately after inserting something, send your MOC a -processPendingChanges then ask the array controller to -fetch:.
Among the first things you read in the Core Data documentation is that it's an advanced Cocoa topic whose prerequisite knowledge includes Key Value Binding and Key Value Observing. The missing bit of knowledge that led you to this question is found in understanding of KVC/KVO (and the Cocoa Bindings layer).

A: Just found a fix for this. I use the setSelectedObjects: method of the NSArrayController to select the object. Don't know why I didn't used this method anyway!


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Les élections législatives saint-marinaises de 1949 se sont déroulées le .

Résultats

À l'issue du scrutin, la majorité parlementaire de gauche sortante est reconduite pour un autre mandat.

Notes et références
 Nohlen, D & Stöver, P, Elections in Europe: A data handbook, Nomos, 2010, p. 1678
 Ibidem, p. 1690

Articles connexes
 Politique à Saint-Marin
 Saint-Marin

Saint-Marin, législatives
1949
1949 à Saint-Marin
Février 1949

redpajama_set_name: RedPajamaWikipedia


What values should I set for user limits in the Automated Actions interface for Hive?
The values you set for the Automated actions stats really depend on what currently your users consume on one hand, and how much you are willing to limit this usage on the other. In other words, it is a matter of your own policy on fair usage, most companies regulate the fair usage policies in their terms of service. The point is that this Automated actions system was designed to allow you to setup those limits based on your current usage and requirements so that once this is done, the system itself will make it easier for you to limit usage by taking automatic actions. The values you set though are completely customizable with the mere goal to allow you set them the way it's most convenient for you.
To make the best choice on values we recommend to monitor the CPU usage on your server for a while and then decide which values form the fair usage and at what level you'd like to limit the users. You may want to play around with the values and change them a couple of times to see which best suits your requirements on usage.
This page was last modified on 29 June 2011, at 07:55.


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College Students Are Embracing Their Faith
Written by Linda Caldwell
Andrea Martinez (pictured) closed her eyes and, focusing on God, embraced the moment Bishop John Noonan anointed her with the Chrism, sealing the Holy Spirit within her heart, in the Sacrament of Confirmation.
Andrea Martinez (pictured left) closed her eyes and, focusing on God, embraced the moment Bishop John Noonan anointed her with the Chrism, sealing the Holy Spirit within her heart, in the Sacrament of Confirmation.
Martinez was among four Catholics confirmed by Bishop Noonan on April 26 at Embry Riddle Aeronautical University (ERAU). For Martinez, a 19-year-old mechanical engineering student, it was a moment she had waited for since moving to the United States from her native Colombia as a young teen.
"Today I will confirm my faith in Christ and become a full Catholic," she said, as she waited for Mass to begin. "I am very happy, very thankful. It is so exciting. I have waited a long time for this day."
Bishop Noonan reminded the faithful that they were now to be true witnesses of Christ.
"We have to let the light of Christ shine in our hearts so we can reflect that light, not just by talking the talk but also by walking the walk," he said. "We are called to be authentic."
Father Tim Daly, pastor of the Basilica of St. Paul in Daytona Beach is also campus minister at ERAU. He said there have been college students confirmed each year since he became campus minister in 2000.
Participation in the Catholic Student Union has remained strong as well, said Father Daly. This year's group boasts 170 students, which is consistent to the numbers in years past. And, in a time when studies show a continuing decline in the number of people — especially those 16-35 years old — who consider themselves part of any religion, witnessing the young adults reaffirm their faith brings hope to the religious landscape.
"These young men and women inspire my faith," Father Daly said. "I don't know if there is any secret formula to our success. A lot of it is that we empower the students to be the leaders and enkindle the faith in each other. It is the students evangelizing the students."
Father Daly said he believes the format of the ministry, which is based on four principles, attracts the young adults.
First and foremost, he said there is a spiritual component. In addition to weekly Mass, the ministry offers a Catholic prayer room at the campus Interfaith Center, where students can pray, reflect and spend quiet time with Jesus.
There is also the service element, where students live out their faith by serving others. This past March, a group of missionaries from the Embry-Riddle University's Catholic Student Union went to the Dominican Republic to assist in a bridge construction mission.
Father Daly said there is also a social aspect, which begins with hospitality following Mass and includes an array of activities, as well as a secretarial aspect, which includes communications and alumni relations efforts.
The group's efforts seem to be well appreciated.
"Being around all of these people who are also Catholic has helped me grow in my faith," said Zach Luther, an upcoming junior in aeronautical science and president of the Catholic Student Union. "Seeing how they live their lives, following what Jesus has taught us, the Catholic Church has taught us, gives me something to look to and something to base my life on and grow my faith."
"Being a leader has also helped me grow," he continued. "Being able to take what I have learned and show other people this is how I live my faith as a Catholic, strengthens my own faith and relationship with God, now that I am able to teach and lead by example."


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Monet: Impression Sunrise - The Curators Insight
See the painting that defined Impressionism, Claude Monet's Impression, Sunrise, visiting Australia for the first time in an exhibition at the National Gallery of Australia, 7 June - 1 September 2019. For an insight into this EXCLUSIVE exhibition, we sat down with the Co-ordinator Curator, Simeran Maxwell.
Whilst the exhibition is titled Monet: Impression Sunrise it won't just be Monet on display?
Monet and his seminal painting, Impression, sunrise 1872, is the heart of this exhibition: it shows how the young artist came to paint the work, his influences and, in turn, his impact on subsequent generations. The exhibition includes works by master landscape artists who came before Monet, who shaped the ways he looked at the French landscape and applied paint to canvas. The second half of the exhibition demonstrates how Monet continued to refine these ideas for the rest of his life, ending with his famous Waterlilies series.
What is impressionism and how did this movement come about?
Monet's painting of the Port of Le Havre at sunrise which he named Impression, sunrise, was exhibited at the First Impressionist exhibition in Paris in 1874. This exhibition was such a shock to many of the art critics: the group was derisively named Impressionists, as in they hadn't even bothered to finish their works and that they were only an impression or sketch of the subject. Monet and his contemporaries are now some of the most important, and most-loved, artists of all time!
There will be 60 works in the exhibition. Can you tell us some absolute must-see pieces?
Obviously the most important painting in the show to see is Impression, sunrise. This work rarely leaves its home in Paris and has never travelled the southern hemisphere. We are so fortunate to be able to show it here in Canberra! Other key paintings include the Turners, those by Monet's teacher Eugene Boudin, as well as Monet's masterpieces of his middle and late periods: The Tuileries 1876; The Pont de l'Europe. Saint‑Lazare Station 1877; and Waterlilies 1903.
Where are the pieces coming from?
As well as the treasures from Musée Marmottan Monet, we have collaborated with Tate, Yale Centre for British Art, several French regional museums and the most important public and private collections in Australia and New Zealand. The exhibition also features the National Gallery's own Haystacks 1890—newly cleaned of the varnish that impacted its colours—and Waterlilies c 1914–17.
How long has the exhibition been in planning?
The Musée Marmottan Monet in Paris launched a variant exhibition in 2014, to celebrate the 80th anniversary of its opening, and to celebrate new research into Impression, sunrise; this version of the show, especially prepared for Canberra, has come about relatively quickly, and is Director Nick Mitzevich's first major project at the National Gallery.
What makes Monet's paintings still so intriguing after 150 years?
Monet and the other Impressionists approached art and their subject matter in completely new ways. They are painters of modern life – the ports, train stations and public places of modern Paris, as well as intimate scenes of daily existence – and they revolutionised the ways artists worked: often out-of-doors, using portable easels and paint in tubes, and holding independent exhibitions, away from the Salon. Monet's great contribution to art was to capture the effects of light, the momentary impressions of atmospheric conditions, and to produce works in series. His final, grand waterlily cycle consumed him more than 20 years.
What are the major challenges in putting an exhibition like this together?
Persuading people to part with their treasures, even temporarily, is always a challenge! In this case, the director and curators of the Musée Marmottan Monet fully supported the need for art lovers in Australia to experience the iconic Impression, sunrise, to understand the genesis of Impressionism and appreciate the collections.
For people who are art novices, why should they attend this exhibition?
Quite simply: Monet is wonderful and Impression, sunrise is one of his most important works. Understanding how and why Monet produced the painting, and why it changed the course of art history, is a chance in a life time!
Claude Monet, Impression, sunrise [Impression, soleil levant] 1872, oil on canvas, 50 x 65 cm, Gift of Victorine and Eugène Donop de Monchy 1940, Musée Marmottan Monet, Paris, © Christian Baraja SLB
Claude Monet, Waterlilies [Nymphéas] c. 1914–17, oil on canvas, 181 x 201.6 cm, Purchased 1979, National Gallery of Australia, Canberra
Claude Monet The sailing boat, evening effect [Le Voilier, effet du soir] 1885, oil on canvas, 53.8 x 64.4 cm, Bequest of Michel Monet 1966, Musée Marmottan Monet, Paris
Claude Monet, Train in the snow. Locomotive [La Train dans la neige. La Locomotive] 1875, oil on canvas, 59 x 78 cm, Gift of Victorine and Eugène Donop de Monchy 1940, Musée Marmottan Monet, Paris, © Bridgeman Images
Berthe Morisot, At the ball [Au Bal] 1875, oil on canvas, 62 x 52 cm, Gift of Victorine and Eugène Donop de Monchy, 1940, Musée Marmottan Monet, Paris, © Bridgeman Images
Gustave Courbet, Low tide, the beach at Trouville [La Plage de Trouville à marée basse] 1865, oil on canvas, 44.5 x 59.2 cm, Kerry Stokes Collection, Perth
Claude Monet, Les Tuileries 1876, oil on canvas, 54 x 73 cm, Gift of Victorine and Eugène Donop de Monchy 1940, Musée Marmottan Monet, Paris, © Bridgeman Images
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amber-buying-art How to buy amber. How to detect fake amber.
Berserkergang-art Article on Norse Viking Berserkers.
books-Norse-msg Books about the Norse. Reviews.
Brngr-o-Plnty-art "Bringer of Plenty - Freyr in Mytholology and History" by Master Giles de Laval.
N-calenders-art "Runic Clog and Stave Calenders" by Gunnora Hallakarva.
N-drink-trad-art "Norse Drinking Traditions" by Gunnora Hallakarva.
N-furniture-lnks Links to info on Norse furniture by Mistress Gunnvor Hallakarva.
Norse-archery Norse and Viking archery.
Norse-crafts-bib Bibliographies on Norse crafts.
Norse-food-art Article on what the Norse ate.
Norse-games-art Board games played by the Norse.
Norse-lit-bib Bibliography of Norse literature by Gunnora Hallakarva.
Norse-women-bib An annotated bibliography on Norse women byGunnora Hallakarva.
V-Arts-and-A-art "Viking Arts and Artifacts (A Bibliography of Interesting Articles) by Gunnora Hallakarva.
Vik-Shp-lst-art "Little Viking's Holiday Shopping List" by Gunnora Hallakarva.
Walking-Dead-art The Walking Dead: Draugr and Aptrgangr in Old Norse literature.
Vikg-n-Irelnd-art "Vikings in Ireland" by Mistress Gunnora Hallakarva. Notes for a future article.
Viking-Bling-art "Viking Bling! A Review Of Viking Age Jewelry For Men And Women" by HL HRothgar Thorsson.
Zombies-Iclnd-art "inn draugir: The Zombie in Old Icelandic Sagas" by Baron Fridrikr Tomasson.
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The Italian Studies program at Penn State offers training in the skills required for fluency in Italian and knowledge in Italian culture, civilization, and literature. Its aim is to open to the student both the traditions of one of the major formative components of the Western world and the continuing vitality of modern Italian and Italian-American life.
The Italian Studies program at Penn State is supported by the George and Sherry Middlemas Arts and Humanities Library located on the second and third floor of Pattee Library.


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Sibaropsis is a monotypic genus of flowering plants in the family Brassicaceae containing the single species Sibaropsis hammittii, which is known by the common name Hammitt's clay-cress. It is endemic to California, where it is known from two locations in the Peninsular Ranges. The plant is known from the Santa Ana Mountains of Riverside County and Viejas Mountain and nearby peaks east of San Diego. It grows in grassy habitat in openings in chaparral alongside purple needlegrass (Nassella pulchra), generally in moist areas in heavy clay soils. This species and its genus were first described to science in 1997.

This is an annual herb producing a waxy, hairless or slightly hairy stem up to about 20 centimeters tall. The leaves are linear in shape, measuring up to 4.5 centimeters long and about a millimeter wide. The inflorescence produces mustardlike flowers with four spoon-shaped, dark-veined, purple-pink petals each about a centimeter long. The fruit is a long, narrow, flat silique measuring 1.5 to 2.5 centimeters long and under a millimeter wide. This fruit contains up to 44 minute seeds.

References

External links
Jepson Manual Treatment
USDA Plants Profile
Flora of North America
Photo gallery

Brassicaceae
Endemic flora of California
Monotypic Brassicaceae genera


There's a rule in business that states 'When customers keep coming back you must be doing something right'. And it's obviously a rule that Vanessa and Ben from Outside Concepts in Busselton (otherwise known as the Busselton café blinds experts!) strive for and achieve.
Vanessa and Ben regularly get repeat business, including a recent project involving clients from the marina area of Geographe. Having used Vanessa and Ben previously to install café blinds for their property, they recently contracted the pair again to install blinds on the back patio.
Backing onto the water, it's a stunning location and demanded a stunning set of Busselton café blinds to match. White café blinds were chosen in a material that allows the homeowners to look out while prying eyes can't look in – a great privacy advantage.
While part of the reason for the regular repeat business is Vanessa and Ben's excellent, knowledgeable and skilled service, another reason is the quality of the blinds they source. They use an Australian manufacturer called Pinz, a leading supplier of blinds and shade products for both the commercial and domestic markets.
One of the reasons why Pinz Busselton Outdoor Blinds are so good is the manufacturing process they employ. It's cutting edge, with computerisation, product control and quality assurance at the centre of everything they do. Pinz can manufacture blinds in a range of fabrics, including meshes, canvas, PVC and synthetic materials.
To find out more about cafe blinds and Pinz, see our Busselton Branch page. When you're ready to take advantage of café blinds for your Busselton home, get in touch with Vanessa and Ben from Outside Concepts in Busselton by phoning 1800 601 674.


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Q: Advanced Parser Subclass No value - Php I am using Advanced Parser I made this code that extracts the value of the class "text-brand"
However, I want to make the search more exact. Like this but it doesn't work.
"//*[@class='text-brand']", //This way it works but it's not so exact
How can I make it detect the subclass?
"//*[@class='product-price text-brand']",
In this 2nd code I say that the main class is this
"product-price" and that "text-brand" is inside it.
What am I doing wrong?
As an additional note I am using the famous variable $this->xpathScalar($paths)

A: Solved - Valid answer:
//div[@class='product-price']/ins/span[@class='text-brand']


Jawbone UP3 and UP4 are sleek activity trackers with advanced sleep tracking. These fitness wearables measure your steps, estimate calories burned, record your resting heart rate and can produce detailed sleep graphs. Both bands look the same and have the same features although there is one major difference. We had previously compared the older models – Jawbone UP and UP24 which were the earliest fitness bands released by Jawbone.
Jawbone Up3 is one of the most compact fitness wristband packed with lots of sensors and cool features. The UP3 doesn't have a screen built-in unlike its main competitor – the Fitbit Charge HR. But if you are looking for something that is really minimalistic and discreet or you don't want to wear a watch, then this is for you. Apart from tracking steps, distance, calories and other activities, the Jawbone UP3 also has much more in-depth sleep tracking capabilities when compared to Charge HR.
The UP3 is almost identical to UP2 made up of very smooth hypoallergenic TPU rubber. The band has a subtle narrow look and is designed to fit all wrist sizes. The UP3 charges via an included USB charger that magnetically attaches itself to the underside of the device.
Basically Jawbone UP4 is the exact same thing as the UP3 but with a built-in wireless payment system. This system works using the NFC chip with your American Express card. The design is sleek and melts away underneath your clothing. On the underside of the UP4 device as with the UP3, there are multiple bio-impedance sensors. There is no flashing LED optical heart rate sensor. Instead the bio-impedance sensors measure your heart rate by sending little electrical signals through your skin. With the updated software you get resting heart rate as well as passive heart rate.
Both bands are sleek and made of soft rubber material with a crosshatch / line pattern on top.
UP3 and UP4 have five bio impedance sensors underneath the device along with the magnetic charging node.
Heart rate monitoring is done using bio impedance sensors.
Activity monitoring is tracked using a tri-axis accelerometer inside the device.
The strap locks in place using a clasp.
Compatible with Jawbone companion app.
Tracks steps, distance, calories burned, active/passive heart rate.
Automatic syncing with companion app.
Advanced sleep pattern monitoring (deep, light and REM sleep tracking).
Include vibration alarm and reminders.
These bands have ability to measure both resting and passive heart rate.
The battery lasts for around 7 days.
There is no GPS sensor in both devices.
No LCD display. Only LED lights for user interface.
With Jawbone UP4 you can make contactless payment using NFC enabled system which works with AMEX cards.
No password is required for wireless payments once your card is paired with Jawbone UP4.
The payment system works only at a contactless payment terminal where AMEX cards are accepted.
UP4 is available in two colors while the UP3 band is available in multiple colors.
Jawbone UP4 is priced slightly higher than UP3.
With the new update, the Jawbone UP3 measures passive heart rate randomly all day long. However on demand HR tracking is not available.
The bio impedance sensors along with 3d axis accelerometers measure your heart rate and they are more efficient than the optical sensors found in most other fitness bands thus conserving battery life.
The alarm system is customizable and you can turn it off if not required.
A USB magnetic charger is included in the package.
If the phone is not in range or Bluetooth is off, the band stores the data temporarily and automatically synchronizes it wirelessly when the phone is available.
The band should not be submerged under water.
It tracks your steps while running but cannot track your steps when you are peddling on a bike.
The band works with iPhone, iPad and Android devices as well.
There is no elevation or stair tracking.
Since there is no LCD display on this band, you will have to rely heavily on the companion app to analyze your fitness data.
You will need to log your workout in the Jawbone app.
The band detects your sleep automatically.
Estimated calories burned will be calculated within the app using the fitness tracking data from the band. Calorie intake needs to be manually logged.
The skin temperature, respiration rate, galvanic skin response data from the sensors is used internally to calculate your calorie consumption.
Many users have successfully used the band for 1 to 2 days without synchronizing with the app. The data was stored and transmitted to the app automatically when the phone was in range. However data may be replaced / lost if your phone is kept out of sync for longer periods due to memory limitations on the band.
The contactless payment is currently working with Amex only. However you may have difficulty finding vendors who have the right equipment for this to work.
Most of the features are same as Jawbone UP3. No major changes have been made in UP4.
UP4 has a limited color choice. Only two colors are available.


Durable poly stand designed to fit the CP-SL25 Water Caddy. By utilizing this stand you can get the CP-SL25 Caddy off the ground and easily fill buckets with out the use of a hose. The stand also provides a built in storage compartment.


Behind the wheel of the #47 WeatherTech Canada / Groupe Bellemare car, Louis-Philippe Dumoulin will take the streets of the Toronto Exhibition Place this weekend during the Pinty's Toronto Grand Prix, July 15-16. The Dumoulin name has accomplished many feats on the Toronto-based circuit. Notably in 2002, when Louis-Philippe Dumoulin climbed the highest step of the podium in Formula Ford 1600, during an exceptional season at the end of which he was crowned Canadian champion in Formula Ford.
"It's a track that brings back many great memories. In 2002, I won the race in Toronto. I remember quite a nice fight with Christopher Guerrieri. That year, we had won six of eight races with the Aim Autosport team," says the enthused driver of the #47 Dodge WeatherTech Canada / Groupe Bellemare, who aims to repeat the same brilliant performance once again. "I would like to get back on a winning path," he claims.
The NASCAR Canada series hasn't been presented on this track since 2011, a year that saw Louis-Philippe Dumoulin cross the finish line in seventh place on an extremely limited budget. "It's a similar track to that of the Trois-Rivières Grand Prix, and that's very nice for us. Many blind turns where it's hard to get a good point of reference. From there we can see the importance of having good braking points and making sure we make the right decisions for overtakes. There is very little room for error, as we're racing within the city and between concrete walls. It's a track we like a lot," explains Louis Philippe Dumoulin, #47 WeatherTech Canada / Groupe Bellemare.
The race will be broadcast on TSN (3/5) on Saturday, July 23 at 14:30 p.m. as well as on RDS (TBD).


Town folks report sighting a flying coffin - and kangaroos - as they passed the Forest. Yet, teenagers from a local school are venturing into the forest because they believe a sighting will improve their academic prowess.
Instead, they return from the woods and begin hopping In the border town of Mae Sot, Thailand, there is a place the locals called 'The Forest of Orphans'.
Instead, they return from the woods and begin hopping like mindless zombies in school.
Can one teenage girl, herself an out-of-this-world centaur, unravel the mystery behind the hopping teens and the flying coffin? Or will a strange assassin, a headless centaur, destroy her before she can save the planet from an unworldly invasion?


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← Covering what's really important…
MSNBC smackdown… →
Bill, you ignorant slut…
Posted on March 6, 2003 | Comments Off on Bill, you ignorant slut…
I would find the new Clinton/Dole, Dole/Clinton point-counter-point nonsense slated for "60 Minutes" merely amusing if not for this (from the NYT):
Mr. Clinton and Mr. Dole said yesterday that they were looking forward to the opportunity to provide the kind of thoughtful commentary that has been missing from the superheated and often shrill discourse that dominates much of television news. "I see this as an opportunity to try to have a really civil debate that enlightens people on the issues," Mr. Clinton said.
Mr. Dole said the two men expected to "have some fun" but also get into the issues that are roiling the country. "We have differences," he said. "We went at each other hard in 1996."
Enlightening people, exploring the issues, and debating civilly are supposed to take place in two 60-second soundbites? This is an absurd notion that only TV can sell. And consider this:
"60 Minutes" has not used the "Point-Counterpoint" segment regularly since 1979, when its most famous participants, Shana Alexander and James J. Kilpatrick, ended a four-year run. But it was always among the most-talked-about segments of the program, television's most successful newsmagazine. It even inspired a famous parody, the Dan Aykroyd-Jane Curtin combination on "Saturday Night Live" which always had Mr. Aykroyd referring to Ms. Curtin as "Jane, you ignorant slut."
In other words, this style of "debate" is so politically and culturally important that we can remember nothing of what Kilpatrick or Alexander said; we remember, instead, that Curtin and Aykroyd made us laugh poking fun at this nonsense. And then this:
The old "Point-Counterpoint" segments were a full minute longer, Mr. [Don] Hewitt [executive producer] said, but he said attention spans had shortened since then.
Pretty soon, we'll be able to conduct civic debate on TV by hurling single words at each other: "Not!" "To!"


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On Friday at about 1:15pm EST a Google Street Car was in our parking lot. It drove in and out all within 30 seconds.
Thanks to someone looking out the window during one of our weekly meetings, I was able to quickly get up and snap a bunch of pictures of it as it exited our parking lot.
By the way, our office is already set up for inside street view images - so this might help a bit complete the picture.


Golf Australia chief executive officer Stephen Pitt, in conjunction with South Australian Minister for Recreation and Sport and Minister for Tourism, Leon Bignell, announced the historic move today at next year's host venue, The Grange Golf Club.
Midori Miyazaki, executive director for international affairs for the tournament's naming rights sponsor ISPS Handa, also confirmed a seventh successive year as the event's major partner.
Mr Pitt said The Grange's West Course would host the LPGA Tour co-sanctioned event from February 18-21 next year.
He also confirmed Royal Adelaide would host the 2017 championship to help celebrate the club's 125th anniversary, with nearby Kooyonga the 2018 venue with an option for further tournaments in South Australia after that time.
"We are incredibly excited to bring such a high-profile international event as the ISPS Handa Women's Australian Open to Adelaide," Mr Pitt said.
"The South Australian Government, Golf South Australia and the clubs involved have all shown huge interest in bringing the event to Adelaide.
Mr Bignell said the championship would put Adelaide firmly in the global spotlight.
"Hosting the Open means we can showcase the state's premier golf courses, as well as highlight our spectacular tourism assets," he said.
"This is huge news for golf fans and for our visitor economy. The 2016 event alone will deliver an estimated $3.7 million to our visitor economy and will have massive flow-on effect for hotels, taxis, hospitality and small businesses.
Founder and chairman Dr Haruhisa Handa was delighted to confirm ISPS's ongoing support for the ISPS Handa Women's Australian Open.
The ISPS Handa Women's Australian Open will again attract the best field in Australia this summer by world rankings with its full status on the LPGA Tour and prizemoney of $US$1.3million.
LPGA commissioner Mike Whan said his players were thrilled to lock in Adelaide as their destination for the first tournament of its 2016 Asia-Pacific swing.
"It has been fantastic to watch this event grow in Australia since we joined in partnership with Golf Australia in 2012," Mr Whan said.
"The LPGA Tour is now played in 15 countries around the world and features players from 30 countries in every point of the globe and Australia will continue to be a very important stop for us.
Australian Ladies Professional Golf executive director Karen Lunn said the domestic tour was delighted to have the Open back in Adelaide after a 22-year absence.
"It's fantastic news that Dr Handa has shown continuing support of the event, along with the South Australian Government," Miss Lunn said.
The first formal player announcements are expected within weeks and tickets will go on sale through Ticketek in December.
The tournament is a tri-sanctioned event between the LPGA, LET and ALPG tours.


Your build is good for ebs.
PenguinPoop wrote: These things do matter and so when people thought they were clever with the ps1 label they really confused what things are. The important thing is fight mechanics. A ps1 is a Hansel and uses the Hansel fight mechanics. A pure spy is just that only spy buildings (towers don't affect fight mechanics) and uses the pure spy fight mechanics. If you ever hit anything other than an eb or are hit by anyone, the best thing you can do is learn the different mechanics and how they are used for your build. There are some good guides out there.
There was an old thread where this was debated n in that thread most agreed a ps would refer to pure spies while a ps1 or ps2 would be refered to as primarily spy with 1 att build or primarily spy with 2 att builds n so forth....guess not many read it though.
_Azgaroth_ wrote: I'm pretty sure the term became popular during the time when indi wars were first introduced. It was an easy way im wars to refer to people as a hansel with one attack building, especially when more and more lands were added and hansels started having more than one attack building.
Amaryllis wrote: Your build is fine, good for plunder and growth.
JohnHuff wrote: I have a pure spy build with 1 elven temple. Is there anything I should do to my Build? Would adding some attack buildings help or should I stick with pure spy?
Before I retired, the only build terms used were hansel, pure spy, attack, hybrid, spy heavy hybrid and attack heavy hybrid. Whatever ps1, or ps2 or ps100 means.
My build is an example of a proper hansel. One CoE, the rest spy builds.


text:
editor Niagaradivers.com February 26, 2021 April 9, 2016
David Trotter has been involved in Great Lakes Shipwrecks……searching, diving, exploring and documenting new discoveries for 35+ years. The solving of "history's mysteries" has made significant contributions to the history of our Great Lakes and provided new exploration opportunities for sport and technical divers to enjoy.
Dave's discoveries have been featured on the Discovery Channel, PBS, NBC and in the New York Times, Detroit Free Press, Canadian "DIVER" magazine, Lakeland Boating, "Wreck Diver" and "Immersed" dive magazines. His articles on Great Lakes shipwrecks have been published in historical journals and national scuba diving publications.
He has searched and discovered shipwrecks in all of the Great Lakes (except Lake Ontario). In a unique odyssey, the years of dedicated effort to discover the largest schooner built in Canada (the 250′ Minnedosa) resulted in surveying over 2,000 square miles of Lake Huron. This has been a one-of-a-kind adventure with 80-90 new sites, including airplanes, the steamer Daniel J. Morrell, and the steamer Goliath. The Goliath was designed by John Ericsson in 1846, fifteen years before he designed the ironclad Monitor of Civil War fame.
David believes the Great Lakes are "Our Treasure" to be enjoyed by all who love our "Inland Seas" and our marine history. It is the Shipwreck Hunter discovering and the Diver exploring a shipwreck (in 20′ or 300′ of water) that has given us that unique experience of traveling back in time.
Ghost Ship of the White Hurricane (THE 30 YEAR SEARCH)
David Trotter and the Undersea Research Associates (URA) discovery team have located and initiated exploration of the 436' Steamer Hydrus. The Hydrus, missing for 102 years, was the last of the Great Storm of 1913 ships still missing on the U.S. side of Lake Huron. Her disappearance cost the lives of Captain Lowe and 21 crew members. "No lake master can recall in all his experience a storm of such unprecedented violence … it may be centuries before such a combination of forces may be experienced again." – Lake Carriers' Association Report 1913.
Sunday, November 9, 1913, was the blackest day in the history of Lake Huron. Of the six ships lost with all hands on the U.S. side of Lake Huron, five have been discovered "turtled" or upside down. Amazingly, the last of these missing ships, the Steamer Hydrus, has been found upright. Captain Lowe and the Hydrus' crew lost their lonely battle for survival sometime on Sunday, while exposed to the mountainous waves mid-lake. What deeds of heroism and sacrifice marked the final minutes aboard the Hydrus can only be conjectured. The discovery of the ship presents the unique opportunity to explore and provide greater insight into the final moments of the ship that "went missing" for 100+ years. In 1985 David discovered the 436' Steamer John McGean, also lost in the White Hurricane.
Previous ArticleValerie Van Heest – Shipwrecks 2016
Next ArticleScott Stitt – Shipwrecks 2016
Eric Seals – Shipwrecks 2016
Shipwrecks -2016


text:
Q: Using UMD modules in the browser environment I am building a website and am using es6 modules in development which I need to transpile into a more browser compatible format.
One option seems to be UMD - Universal Module Definition, which states it runs in the browser and other environments.
I am using Rollup and Babel to handle the transpilation.
I don't fully understand how UMD works, and therefore don't fully understand how widely in the browsers this will work.
The point that concerns me / confuses me most in the output, is the following two lines:
exports.PrintGreeting = PrintGreeting;
Object.defineProperty(exports, '__esModule', { value: true });

I do not understand exports or the Object method.
It would be good if somebody more knowledgable could offer up a more detailed explanation of how this works but most importantly my main reason for writing this question is -
'Is this cross browser compatible?'
and
'Is this a good way to go for production env code?'
I have included my dev code, transpilation code and umd output code below.
Thank you in advance for your help.
My es6 module:
export function PrintGreeting() {
  console.log('hello world')
}

My rollup file:
import babel from "rollup-plugin-babel";

export default {
    input: "main.js",
    output: {
        file: "dist/bundle.js",
    format: "umd",
    name: "Entry"
    },
    plugins: [
        babel({
            exclude: "node_modules/**"
        })
    ]
};

My output js (UMD) file:
(function (global, factory) {
  typeof exports === 'object' && typeof module !== 'undefined' ? factory(exports) :
  typeof define === 'function' && define.amd ? define(['exports'], factory) :
  (global = global || self, factory(global.Entry = {}));
}(this, (function (exports) { 'use strict';

  function PrintGreeting() {
    console.log('hello world');
  }

  exports.PrintGreeting = PrintGreeting;

  Object.defineProperty(exports, '__esModule', { value: true });

})));


text:
Chris O'Dowd never returns borrowed designer suits
Laura Harring
Laura Harring Photos
Laura Harring info
Born: 3 March, 1964
Birth Name: Laura Elena Herring
Height: 1.68 (5' 6")
Also Known As: Laura Harring, Laura Elena Harring, Laura Herring, Laura Elana Harring, Laura M. Herring, Laura Martinez Harring
Spouse: Count Carl-Eduard von Bismarck-Schцnhausen ( 1987 – 1989) (divorced)
Awards: 1 win & 1 nomination
Known for: Willard , Little Nicky , Love in the Time of Cholera , John Q , Nancy Drew and more.
Watch movies with Laura Harring online
Movie Year
Mulholland Dr. 2001
Laura Harring biography
This block contains the information about Laura Harring and provides an insight into the life of the celebrity. From here you can also learn when, how and why the profession of an actor was chosen. Some interesting facts are waiting for you here.
Laura Harring (born Laura Elena Harring; p. March 3, 1964) is a Mexican-American model and actress, winner of "Miss America" (1985). She is best known for her role of Camilla in David Lynch's "Mulholland Drive" (2001). The actress was born in Mexico, in the seaside town of Los Mochis (Sinaloa). Laura's parents divorced in 1971. The first 10 years of her life, Laura has lived in Mexico City, and then her family moved to the U.S. city of San Antonio (Texas). When she was 16 years, Laura persuaded the family to let her go to school in Switzerland, a prestigious private school, which was called "Aiglon College". Returning to the United States, she settled in El Paso (Texas) and became involved in beauty pageants. Laura won the title of "Miss El Paso", and later - "Miss Texas". In 1985 she became the first Latino, awarded the crown of "Miss USA". Harring entered the top ten in the contest "Miss Universe" in 1985.Laura spent the next year, wandering through Asia and Europe, engaged in social work in India. In Europe, she was introduced in aristocratic circles and in 1987 married Count Carl-Eduard von Bismarck-Shenhauzen, great-great-great-grandson of Chancellor Otto von Bismarck. They divorced in 1989 but remained friends and Laura, meanwhile, retained the title of Countess von Bismarck-Shenhauzen. Harring studied the heater art at the London Academy of Fine Arts, and worked in Latin dancing, including Argentine Tango.
Where Laura Harring born?
With the help of the Google satellite map you can find the place where Laura Harring was born. By zooming in and out you can see the place itself and the area it is situated in and nearby. Find out where Laura Harring was born. Now you can see the place itself even not traveling.
Laura Harring filmography
Here you can learn about the movies Laura Harring acted in. You can see the names of the movies, their budget, years of release and the money gained from the screening of the certain movie. It is always interesting to know.
Little Nicky - Mrs. Dunleavy $80M 2000 $16.1M $39.4M
Love in the Time of Cholera - Sara Noriega $45M 2007 $1.92M $4.58M
John Q - Gina Palumbo (as Laura Elena Harring) $36M 2002 $23.6M $71M
Willard - Cathryn (as Laura Elena Harring) $22M 2003 $4.01M $6.85M
Nancy Drew - Dehlia Draycott (as Laura Elena Harring) $20M 2007 $6.83M $25.6M
Derailed - Galina Konstantin (as Laura Elena Harring) $18M 2002
The Punisher - Livia Saint $15.5M 2004 $13.8M $33.7M
Mulholland Dr. - Rita (as Laura Elena Harring) $15M 2001 $588K $7.22M
All Souls Day: Dia de los Muertos - Martia $1.2M 2005
Drool - Anora Fleece $1M 2009 $1.2K $1.2K
Kluge - Actress $600K 2009
Hoover Park - Actress $500K 1997
Loco Love - Catalina 2003
Black Scorpion II: Aftershock - Babette the Mayor's Girl 1997
Silent Night, Deadly Night III: Better Watch Out! (video) - Jerri (as Laura Herring) 1989
The Forbidden Dance - Nisa (as Laura Herring) 1990 $1.82M
Dead Women in Lingerie - Marcia (as Laura Herring) 1991
Exit to Eden - M.C. Kindra 1994 $6.84M
15th Annual Tejano Music Awards (video) - Special Guest 1995
Final Payback - Gina Carrillo 2001
Halle Berry and Olivier Martinez officially married
On Saturday (July 13), Halle Berry and Olivier Martinez got married in the groom's native France. The couple decided to organize an intimate ceremony at the Chateau des Conde in Vallery. There
Kim Kardashian fears her wedding is out of control
Announced as the event of the year, Kim Kardashian and Kanye West's wedding will certainly be lavish and a bit over the top. However, Kim is worried that her fiancé might be out of control with his
Kevin Bacon: I was obsessed with fame
Speaking to The Sun, Kevin Bacon has admitted that there was part of his life when he was obsessed with his career and being famous. However, he realized that there was more to life than being a
Matthew Marsden
Walsall, West Midlands, England, UK
Southport, Lancashire, England, UK
Johanna Wokalek
Hayley Marie Norman
Thousand Oaks, California, USA
Jennifer Lawrence might join Chris Martin on tour
Marfa Girl
The Crumbles
Nymphomaniac: Vol. II
Hey, what do you think of Justin Bieber?


Numskull is an Australian based contemporary artist, working out of Sydney in a variety of fields and mediums including painting, sculpture, illustration and large scale murals.
Over the past 15 years, Numskull has been leaving his mark and creating public work wherever he travels. From the early part of his career, his education came from Graffiti and Street Art and he continues to practice in and out of these rebellious fields, whilst also focussing his energy on traditional gallery work. Having grown up in the sleepy Northern suburbs of Sydney, everything Numskull uses in his practice is self taught.
Now showing constantly in galleries and publications, his painting style has evolved from simple street work to complex, technical and reactive mixed media paintings and sculpture. His unique imagery has become a collage of study focussing on colour hierarchy, typography, abstract heroism and idolism within modern contemporary culture.
He has shown in galleries, painted walls and sold paintings throughout the world in such places as London, Vienna, New York, Tokyo, Paris, Singapore, Amsterdam, Hong Kong and all over Australia.
Numskull lives and works in Sydney, Australia.


Topic: [Extended] "Canterbury and Whitstable"
Re: [Extended] "Canterbury and Whitstable"
I myself find the larger map more a bit more attractive... well that and the higher profile and all. But I guess this will change with time.
I enjoy quite alot to play on this server as well as the other. The lower loading times really adds to playability. Also the fact that it is some years in the future from the other map makes that one can practice stuf and get prepared for when the other map catches up.
The server will update to the newest version in a short while.
If you play regularly, I strongly recommend to save 2 sets of file + folder, as the updates will not be frequently aligned between both servers.
Yes I suppose that is true, I will have to organize that!
I find just having a canterbury suffixed pakset folder and exe works well.
Seems like a new player (company name "admin please delete this company") has spent a lot of money building loads of ship canals and messing up the rivers near Walminster. But because they are company owned they can't be deleted. they've not been done particularly efficiently either (not following the existing river, so lots of forge costs).
The small rivers were fine how they were, maybe we could get them tidied back?
I'd already ruled out upgrading them to canals as not financially viable, was planning a railway instead, but what I built seems to have vanished, I assume there was a server restart.
I will look into repairing the damages caused.
1. In general, the inclination of some players to reserve vast tracts of land using mothballed ways. While this may be possible to imagine as a realistic simulation of something of some sort, in theory it can be highly detrimental to any efforts by other, as it poses limitations on any new route that should intersect or otherwise collide with these railroads. It should be debated whether the game might be changed somehow to discourage such activity, or that the server administrator must somehow regulate it, or else that it should not be regarded negatively at all. I'm thinking, perhaps land should be much more expensive to build on.
2. Lakes are included as public right of way. As such, they may not be obstructed without leaving reasonable passage for ships of any kind. This goes for all but the most insignifcant bodies of water, which in any case connect no settlements or industry. Other than that, the concept of drying up water on a narrow strip inside the lake, and building a water-level road on it, seems quite absurd to me, and should definitely be heavily discouraged, if not eliminated altogether by the game mechanics.
I am not sure what might be done about the building of mothballed ways. As to lakes, may I ask what players are doing to destroy them? One possibility may be to disallow non-public players from editing the landscape of anany water tiles.
Like I said, just drying up a dissecting strip of water and building a road on it: Ø.
It does sound sensible that non-public players should not be able to edit the climate of water tiles, or any tiles, come to think of it.
The Canterbury map is covered with tiny ponds with no cities on. I terraformed across a couple because it seemed entirely sensible to do so. If you want a precedent in the real world, Chat Moss on the Liverpool and Manchester railway was treated that way.
There are many precedents for draining marshes and reclaiming land from the sea, from the middle ages onwards. E.g. Brading Harbour was reclaimed by the railway and harbour improvement company.
I made sure there weren't any established lines operating that the work would adversely affect.
I am building my railway in sections then mothballed each temporarily whilst the whole route is incomplete, and there aren't any station facilities in place yet. I still haven't finished it yet, as I haven't had the time. I'm not "reserving" anything, it just takes time to build. And I know that decent steam engines won't arrive until the 1830s.
I've been indecisive about exactly how it was best to connect the railway to the shipping lines. Building it in sections allowed me to 'survey' the best route for good civil engineering, building the tricky bits first. If you just build outward from one end its hard to do that.
I have to report that the game server is offline again.
I should consider getting some monitoring/alert system for the server.
Sadly, I'm not even sure how to report this 'out of memory' error, which causes the frequent crashes, as there isn't anything in patricular that seems to be causing it, with the 12GB of the server seemingly at least 50% free at the time of the crash (when I did manage to check this, sort of). I did notice this also occurs on my home machine, the one I use to play, perhaps other players have also had this error?
I have noticed this. There are three separate issues here. Firstly, the Windows build is compiled as a 32-bit executable, meaning that it can only access 4Gb of memory. Secondly, large Simutrans-Extended maps inherently take a lot of memory. Thirdly, I suspect that there is a memory leak, causing the program to consume more memory than it needs to consume.
I will look at fixing the memory leak when I get home from my Christmas holiday. Switching to a 64-bit build for Windows may take more time, and will hopefully be less urgent once the memory leak is fixed, but will probably have to be done at some point next year.
I see. In that case, CPU usage aside, I gather that I can run at least 2 parallel games on the 12GB windows machine, am I right?
And of course, Happy Christmas, Your Majesty!
And to you, my lord!
Is there a download link for the pakset the game is currently using? It reports a pakset mismatch with the latest nightly pakset.The link in the first post just goes to the latter.
The file found on the link in the first post, http://54.37.159.140:15600/pak128.britain-ex-nightly.tar.gz , should contain the currently-used pakset. I will check if this is not the case.
EDIT: confirmed, it was the two links that had confused me. Now I can connect.
Thanks! This is now corrected.
I should note that it is possible to use a simuconf.tab setting to specify a download link to the correct pakset, which then appears on the server listing webpage.
Does that work even when we have multiple copies of paksets with identical version numbers (yet differing content) flying around?
Yes - it is just a link to a specific file download location.
The game server seemed to reset at the end of August 1827, back to much earlier in august.
Indeed it crashed, such a reversion of a single month is not unexepected. I did as always, just start without specifying the save game.
I do agree this is very troublesome, but I doubt there is much that can be done about it.
You can however, for example when you are done for the day and want to ensure everything you built will be saved - leave and rejoin the server, to trigger the game to be saved. Then you go to sleep.
That's useful to know, thanks.
On the Bridgewater-Brunel server, I have a script configured to save the game if it has been more than an hour since the game was last saved.
Asaphxiix, could we update the server to use James' latest nightly pak, so that we get all the new early-period railway vehicles he just made? It would seem a very timely effort on his part, and a good opportunity to test them?
oh yes. right away. thanks for letting me know, I haven't really been in-game much lately.
Notice: The server virtual machine subscription is up for renewal in 4 days. While I do enjoy serving the community this way, this is just a bit hefty for me, as the server costs 40$ a month to run, with the relatively high sum due to higher CPU, RAM and Windows. Perhaps this could be dialed down a bit, unless it is decided to open yet another online game, which currently does not seem to be merited.
If you enjoy playing on the server, or you want to encourage it, you are welcome to donate to its running to asaph.talmor@gmail.com on PayPal.
I will publish any donation here anonymously or by name as you choose, so if your donation was not published, you will know that I am a thief.
I will accept any donations up to a total amount of $120, i.e. 3-months worth of server. When this amount is reached, fund raising will be suspended for one month.
PayPal tells me that you cannot accept personal payments...?
A donation of US$25 with ID #001 was received from a most reputable member of the community.
Another donation of US$25 with ID #002 was received on January 4, 2018.
The total of donations for since December 30, 2017 is now $50.
This post will be further edited.


Heat oil or ghee on medium-high fire. Add three kernels to the oil. Swish the kernels around every now and then until all three kernels pop. This takes about 4 minutes.
While the kernels are popping, melt the butter – I use a small saucepan on the stove, but you can also use the microwave. At this point, if you're having the Marmite or Sweet & Savoury versions, add marmite or honey to the butter while melting.
Once the kernels have stopped popping, turn fire off. Dump some of the popcorn into a bowl and pour half of the butter over the popped kernels. Salt and shake up. Add remaining butter to the rest of the popcorn and shake up. At this point, if you're making the Marmite of Sweet and Savoury versions, dump the popcorn into a backing dish and heat in a pre-heated oven, 180 for approximately 3-5 minutes.
Buttered Popcorn! I'm a savoury person – anything salty, fried or crispy, I love – particularly popcorn. I make popcorn regularly as a snack, and if I'm having a bad day, I might have it for dinner which helps me to feel better. Buttered popcorn is a great snack, full of fibre and essential fat soluble vitamins A, D, E and K from the butter. Essential fats are so important for growing toddlers and children, but notoriously difficult to obtain from food. It's fun and a great variation on the sweet snacks.
For babies under one popcorn can be a choking hazard so please be mindful. Also, be mindful of the salt for the tiny ones.
Have you tried it with coconut oil it's yummy !


TISSUE N°3 on sale in Japan. Martin Eder flipping through TISSUE N°3 featuring contributions by himself as well as by Miroslav Tichý, Lukas Gansterer, Leigh Ledare, A.Activities, Adrian Crispin, Elena Kholkina, Steve Oklyn, Hanna Putz, Hans Petri, Magazine, Peter Kaaden, Fee Romero, Maxime Ballesteros, Thomas Bayrle, Andy Warhol, and Walter Dahn.
Martin Eder flipping through TISSUE N°3 featuring contributions by himself as well as by Miroslav Tichý, Lukas Gansterer, Leigh Ledare, A.Activities, Adrian Crispin, Elena Kholkina, Steve Oklyn, Hanna Putz, Hans Petri, Magazine, Peter Kaaden, Fee Romero, Maxime Ballesteros, Thomas Bayrle, Andy Warhol, and Walter Dahn. Enjoy.


Before fishing in Catalina Island you must obtain a fishing permit. There are size limitations on fish that can be caught. There are also certain areas which are open, and some that are not open. You can contact the Catalina Island Conservancy or the visiting center of Avalon or Two Harbors for more information.
In Avalon, the Green Pleasure Pier offers fishermen a great place to get their tackle, bait and boat rental if needed. Fishing off the pier will also yield a treasure trove of fish if using the right bait for the species of fish you are after. Make sure you ask the tackle shops what bait to use to catch the fish you are after. On the pier, you can always check out the store called Joe's Rent a Boat for tackle, boats, lures and other equipment. If there is any doubt as to when the proper fishing season is, you can talk to the harbormaster at the Green Pleasure Pier.
If you love fishing so much that you have made a career out of it, then you may want to compete in one of the annual billfish, halibut and sea bass tournaments. Catalina Island Fishing tournaments are fun and lucrative to the winning angler. Come see the exciting fishing scene in this beautiful California Island!
There are many ways to experience great Catalina Island fishing. So, to make things easier, there are a wide variety of services available in and around the island. Rock fishing season opens each year on March 1st and offers a chance to catch a wide variety of fish. In fact, halibut and white sea bass can get up to 50 pounds.
In the summertime, the first game fish that starts biting is typically yellowtail. This is when water temperatures get to about 65 degrees. Check out Davey's Locker for a great rundown of the fishing action and offering of charters. Established in 1958, they even offer whale watching as one of their many tours.
Afishinados also offers charter services whether you are looking for a trophy catch or just want to fish and tour the area. Another operation great for both seasoned fisherman and families alike is Adams Memory Maker Fishing Charters in Avalon. If you are simply looking to rent a boat and fishing gear, then try out Joe's Rent-A-Boat based on the Green Pleasure Pier.


text:
Home » News » UK News
UK manufacturers call for job support to be extended
Britain's manufacturers are calling on the Government to extend its Job Retention Scheme (JRS) or risk losing key skills that will leave the UK in the slow lane behind its major competitors as industries recover from the pandemic.
The manufacturers' association Make UK has made the call on the back of its latest Manufacturing Monitor survey which reveals that 62% of companies want an extension, with fewer than 14% disagreeing.
Furthermore, almost a quarter of the 226 companies surveyed (22.8%) disagree with the Government's decision to end the Scheme and say that it should be extended to critical sectors, while 17% believe it should be extended to any business. A further 25.9% say it should be continued if there are further lockdowns or a second wave of the virus, while 17.9% say the scheme should end but another support scheme should be put in its place.
Make UK argues that extending the scheme may help avoid a second wave of redundancies which the survey reveals are in the pipeline. More than 42% of the companies surveyed report that they have already made redundancies, while 30.2% say they intend to cut jobs in the next six months, and 35.6% saying they may do so.
Make UK believes that the aerospace and automotive sectors are most in need of an extension. They are at the cutting edge of technologies which will be vital to future growth, employing many highly skilled, well-paid people. Analysis by Make UK shows the two sectors are the largest investors in research & development, accounting for 36.4% of the total spend – worth £5.9bn to the UK economy. The sectors are also among the hardest hit by the pandemic, with many job losses already announced and output forecast to fall by 33% (a £4.6bn loss in value) and 14% (£1.1bn loss) respectively.
Make UK points out that Belgium has extended a similar scheme until the end of 2020 and Germany to the end of 2021, while the Australian Government is extending its JobKeeper Payment programme until March next year. France has introduced a new long-term short-time work scheme for companies facing a lasting drop in their activity, on top of an earlier short-time work scheme which will be still available.
"The protection of key skills should be a strategic national priority as this will be the first building block in getting the economy up and running," says Make UK chief executive, Stephen Phipson. "Ensuring that those sectors which are at the forefront of technology and will provide the growth sectors and high skill jobs in recovery, should receive the greatest support possible.
"The starting point for this should be an extension of the Job Retention Scheme to those sectors which are not just our most important but who have been hit hardest," he adds. "Failure to do so will leave us out of step with our major competitors and risk a loss of key skills when we can least afford to do so."
The survey suggests that 17.6% of UK manufacturers are now operating at full capacity, while a further 28% are operating 75–100% of capacity. More than a quarter (27%) expect to be at full capacity at the start of 2021, while a further 35.4% expect to be operating at 75–100% capacity.
The number of companies predicting that a return to normal trading conditions will take 12 months or longer has dropped. Having been on a steadily upward trend from 16% in April to 42% in the previous survey, the figure has now dropped to 36.7%. That is still more than double the level in the first tracker, but Make UK hopes that it may be the start of a more encouraging downwards trend.
Make UK argues that the automotive and aerospace sectors are most in need of an extension to the Job Retention Scheme
Photo: Jaguar Land Rover
UK manufacturers say six-month furlough extension is vital
Most UK industrial goods suppliers want to keep EU regs
UK manufacturers think robots are only for large factories
UK manufacturers plan record investment
UK manufacturers call for stimulus package to save jobs


text:
Tag archive for: Opera for computers
Let's take a look back at 2021 in Opera desktop
The Opera team provides a summary of key updates to the product and news from 2021
Julia Szyndzielorz
Opera browser becomes available in Microsoft Store on Windows
Opera, the personal browser of choice for hundreds of millions of people worldwide, becomes available in the Microsoft Store on Windows. This means Windows users will get easier access and more choice in picking their preferred browser. An easier access to Opera's superior set of features including a free, unlimited, built-in VPN and ad blocker, as well as built in messengers and social networks in the sidebar will allow Windows users to get a true browser alternative.
Maciej Kocemba
Howdy everyone, Over the past year and a half, we've all seen how use of the web is changing, and how much more we've come to rely on our browsers. According to a study we conducted, 65 percent of people have been spending more time online during the last year and a half. Two thirds...
Arjan van Leeuwen
Opera adds a Music Player with Spotify, Apple Music and YouTube Music to the sidebar
Hello there, We have some good news for all the music buffs out there. Today, we are adding a new Player feature to keep your favorite streaming services always at hand. The new Player in Opera lets you log into Spotify, Apple Music and YouTube Music directly from the browser's sidebar. With a big chunk...
Opera 69 comes with built-in Twitter
Opera has become the first major browser to integrate Twitter, which is now available in the sidebar. In the newest version 69 of the Opera browser for desktop, all theTwitter fans among you can get the best possible experience on your desktop computers.
Opera 68 is here with built-in Instagram in the sidebar
Today we are releasing the newest version of our browser with built-in Instagram and some further improvements. As you might know, Opera already has several built-in messengers in the sidebar, like Facebook Messenger, WhatsApp, Telegram and VKontakte.
Agnieszka Malak
Opera 65 comes with an improved tracker blocker and redesigned address bar
Opera 65 is here. The new version of the browser comes with an improved tracker blocker, a redesigned address bar, and a new look for bookmarks and history. Hello everyone, Today we are very happy to introduce a brand-new version of our desktop browser, Opera 65. It includes an important update to our tracker blocker...