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Author: Jon Kutner
Top 20 best-selling albums of 2021
by Jon Kutner • January 16, 2022 • 0 Comments
An interesting list, look how many are over four years old and still selling in their droves.
Rank Artist Title
20 Eminem Curtain Call – The Hits
19 Rag'n'Bone Man Life by Misadventure
18 Fleetwood Mac Rumours – 35th Anniversary Edition
17 Justin Bieber Justice
16 Coldplay Music of The Spheres
15 Lewis Capaldi Divinely Uninspired to A Hellish Extent
14 Abba Abba Gold – Greatest Hits
13 Pop Smoke Shoot for The Stars Aim for The Moon
12 Harry Styles Fine Line
11 The Weeknd The Highlights
10 Elton John Diamonds – Remastered
9 Fleetwood Mac 50 Years – Don't Stop
8 Dave We're All Alone in This Together
7 Ed Sheeran ÷
6 Queen Greatest Hits
5 Dua Lipa Future Nostalgia
4 Ed Sheeran =
3 Abba Voyage
2 Olivia Rodrigo Sour
1 Adele 30
Michael Crawford
Michael Crawford, actor, singer and comedy legend is 80 this week.
He was born Michael Smith and one day he was following a Crawford's biscuit van and saw the name on the side and adopted it for his stage name. For many, he will be most remembered for his portrayal in Phantom of the Opera which he starred in the original London stage show and the Broadway version too. For others, it will be the wonderful character of Frank Spencer in Some Mother's Do 'Ave 'Em the role that made his a household name. For me personally, it was the time when I was in awe as I watched him play P.T. Barnum at the London Palladium in 1981.
In Some Mother's…he did all his own stunts and even when he was tempted back as Frank at the 2016 Sport relief he only agreed to do it if he was permitted, at the age of 74, to do all his own stunts…and he did.
Let's enjoy a double from Mr Crawford.
Stop the Cavalry (Jona Lewie)
https://www.jonkutner.com/wp-content/uploads/2021/12/Stop-The-Cavalry-.mp3
This suggestion came in about two months ago, but I thought I'd leave it until nearer Christmas because, although nothing at all to do with the festive period, it's forever been associated with it. The man who recorded it once said, "I never intended for this to become a Christmas single. It started life as an anti-war song." It's probably all because of one line in the song. Let's find out.
Jona Lewie, who was born John Lewis in Southampton on 14 March 1947, first charted as a soloist in 1980 although he was no stranger to the chart. His career began proper in 1969 when he joined Brett Marvin and the Thunderbolts as lead singer and in 1971 had a slot supporting Derek & the Dominoes. Although he remained with them until 1973, it was in 1971 that he recorded one of his own compositions called Seaside Shuffle which was released later that year with another group he fronted called Terry Dactyl and the Dinosaurs. It failed to take off, but thankfully after being spotted by Jonathan King and being signed to his UK record label, Seaside Shuffle was re-released and went to number two on the UK chart. The follow-up, On A Saturday Night stalled at number 45. He left the band and continued as a solo artist.
In 1977, he was signed to Stiff records where he toured for a couple of years as part of the Stiff package with various other acts on that label including Kirsty MacColl whom he often sang with. In 1980, he charted with You'll Always Find Me in the Kitchen at Parties which went to number 16. It featured Kirsty doing backing vocals on Top of the Pops, but not on the single. Then came Stop the Cavalry. Lewie remembered, "I signed to Stiff Records with 50 demos to my name. When I played Stop the Cavalry to Dave Robinson, who founded Stiff, he said it was 'just another anti-war song'. I'd just bought an electronic keyboard – the Poly Moog, as used by Gary Numan so I went back and beefed up the arrangement, playing the melody on a kazoo. Dave loved it."
In an interview with M-Magazine, he revealed that it was while he was playing about with his grandmother's piano that he stumbled across a melody that he liked and that would inspire the song. "I had this line in my head, 'Can you stop the gallantry?' and found a melody for it. Then I changed gallantry to cavalry and everything just fell into place," he told The Guardian. "I started thinking about the Crimean war and the Light Brigade, about how officers would yell 'Charge!' and few of the men who did so would come back. Then I started thinking about other scenarios, like the trenches in both World Wars. Back then, in the late 1970s and early 80s, the possibility of nuclear war felt very real, so I also penned the line: 'Mary Bradley waits at home, in the nuclear fallout zone.' The opening line – 'Hey, Mr Churchill comes over here to say we're doing splendidly' – wasn't a dig at Churchill, who was a great leader during the war. I just imagined a tired private who was fed up with Churchill forever trying to gee up the troops, who would be shot if they deserted. I imagined my soldier standing for prime minister and saying: 'If I get elected, I will stop the cavalry.'"
So how come it's associated with Christmas? Lewie explained, "The soldier in the song is a bit like the eternal soldier at the Arc de Triomphe, but the song actually had nothing to do with Christmas when I wrote it. There is one line about him being on the front and missing his girlfriend: 'I wish I was at home for Christmas' and the record company picked up on that from a marketing perspective, and added a tubular bell." Additionally, a Salvation Army brass band was recruited to play the main melody just like you'd get in the streets in busy cities at Christmas. The label's owner, Dave Robinson, said, "I've always loved a Christmas single. I think it was me who suggested the brass band, actually, to make it more Christmassy."
A few years ago, Dave Robinson reflected on Jona saying, "He's a passionate, lovely, talented geezer. He has tapes full of ideas, and never gives up on any of them. He recently played me some ideas for a new album. I said: 'Jona, these are the same songs I rejected 35 years ago.'"
A bit of juggling anybody?
by Jon Kutner • January 9, 2022 • 0 Comments
I love a bit of juggling even though I can't do it myself! This guy's pretty good. Enjoy.
Best-selling 'singles' of 2021
Even though you can't really buy singles and few people download or stream one 'single' track, the music industry still on calling it a 'singles' chart, but, regardless of the wording, here is a list of the top 20 best-selling 'single tracks' of 2021.
20 Ed Sheeran Shivers
19 Tom Grennan Little Bit Of Love
18 Adele Easy On Me
17 The Kid Laroi Without You
16 Joel Corry, Raye & David Guetta Bed
15 Joel Corry x MNEK Head & Heart
14 Tiësto The Business
13 Doja Cat feat SZA Kiss Me More
12 Riton x Nightcrawlers ft Mufasa & Hypeman Friday
11 Nathan Evans Wellerman (220 Kid X Billen Ted Remix)
10 Russ Millions x Tion Wayne Body
9 The Weeknd Blinding Lights
8 Glass Animals Heat Waves
7 The Kid Laroi & Justin Bieber Stay
6 Dua Lipa Levitating
5 Lil Nas X Montero (Call Me By Your Name)
4 The Weeknd Save Your Tears
3 Olivia Rodrigo Drivers License
2 Olivia Rodrigo Good 4 U
1 Ed Sheeran Bad Habits
You Needed Me (Anne Murray)
https://www.jonkutner.com/wp-content/uploads/2021/12/You-Needed-Me.mp3
I still can't quite fathom how a great song falls just short of the number one slot and yet a cover, usually never as good, goes all the way to the top. Four good examples of this are American Pie (number two for Don McLean, number one for Madonna), Take On Me (number two for A-ha and number one for A1), How Deep Is Your Love (number three for the Bee Gees, number one for Take That) and A Little Bit More (number two for Dr. Hook, number one for 911) and this week is yet another example – You Needed Me by Anne Murray didn't even make the top 20 when released at the end of 1978 yet Boyzone landed at number one in 1999. Why? That I can't accurately answer but could have a good guess, but I can tell you about the song.
This song was a very lucky find as in as much as it was Anne who found it in an old box of tapes and all that was written on the case was Randy Goodrum which was the name of the writer. She listened to the song and instantly fell in love with it and wanted to record it. She turned to her own producer, Jim Ed Norman for help and Jim did just that. A quick search in the phone book and the number was found.
Goodrum was born Charles Goodrum in Arkansas in 1947 and learned piano at the age of eight. At school he formed a band called Three Kings which also included future American President Bill Clinton on saxophone. In an interview with Songfacts he explained, "I wrote the melody as a sort of a classical-ish feeling piece. I used to write snippets of things and leave them in a pile – my lyric writing developed much later. Music always came easy for me, and so I had tons of musical ideas that I'd written since God knows when. I sat down several times to try to write a lyric to that song, and it just never would hit. Then I was in my music room cleaning up, and I think my wife Gail was in the next room. I sat down at the piano to take a break, and got two or three lines right away. It felt real good, real sincere. So, I dashed out most of the lyrics – at least for the verses – right then. When I get a premise, or I really get onto what I'm doing, I can write pretty fast. And I remember showing it to Gail, and she said, 'Yeah, that's pretty good.' At one point, I got disgusted with it and threw it away. And then I went and got it back and decided, No, I'll get around it. So, then I played it for a few people, and my first publisher, Bob Milsap, told me, 'You know, you could use a bridge or something in this, or a chorus.' So, I wrote the bridge rather than a chorus, and after I did that I went and started playing it for people and demoing it for them, and people said, 'Oh, this needs a chorus.' I said, 'Why? It'll be too long.'"
Anne, who was born in 1945 in Nova Scotia, Canada loved the song because she'd been feeling the pressure of juggling a music career as well as trying to be a good wife to her husband Bill Langstroth and a good mother to her young child William and this song expressed her emotions perfectly – 'I cried a tear, you wiped it dry, I was confused, you cleared my mind.' The writer described his song as 'unconditional undeserved love' and that's how Anne perceived it.
You Needed Me was featured on her 12th studio album, Let's Keep It That Way and Anne's record label, Capitol, which was a subsidiary of EMI, had already decided that the title track was to be the first single released from it. Anne wasn't happy and wanted You Needed Me to be the debut release. God forbid they should consult the artist! She explained in an interview with the Canadian journalist Juliette Jagger, "I went to see the president of Capitol Records, Don Zimmerman, at the Capitol Records Tower in Los Angeles and I just told him, 'You've got to do this for me. I just have such a strong feeling about this song.' I had never, ever asked him to do anything for me before. Generally, the label would suggest things and I usually did them, but for whatever reason this particular time he just looked at me and said, 'Okay.' He picked up the phone and stopped the presses on the spot, and well, when it went to number one, we both looked like heroes."
The long player has a dedication which reads, 'This album is for Bill – Love, Anne.' To this day, it remains her favourite of her own recordings.
Boyzone might have shared the same thoughts as Anne Murray as the boy band was disintegrating, and perhaps that is why their manager, Louis Walsh, suggested the song. Mind you, he was part of the problem as he and Ronan Keating had put together a new and younger version of Boyzone in Westlife. "I've gotten to know Ronan Keating and he said his parents really loved it," said Goodrum. "That's okay, you know, it's very difficult to do that song correctly. It's one of those songs that if you overdo it, then you blow it. A lot of my songs are that way." Goodrum went on to write All Over Again which was the title track of Ronan's 2006 album.
You Needed Me remains Murray's favourite of her own recordings and she reflected on it, "Randy wrote the song for his wife and, it's pretty self-explanatory, kind of like, 'I can't believe you love me the way you do.' My understanding is that when he first showed it to her, she sort of said, 'Yeah yeah, it's nice,' which obviously wasn't the response Randy was hoping for," she continued, "So, he crumpled it up and threw it out. I'm still not entirely sure how it found its way to me."


COR988C (1965) Bedford VAL14 . Plaxton Panorama C49F. Ex-Coliseum . Southampton . Seen 2013 . Originally converted by someone in 1982 . Owned by Craig by 2006 , later sold to Tom & Jane who carried out a tidy restoration job , before selling it to Bob in 2013 . Photo = Bob .


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Arthur a Minimojové (ve francouzském originále: Arthur et les Minimoys) je francouzský dobrodružný film z roku 2006. Režisérem filmu je Luc Besson. Hlavní role ve filmu ztvárnili Freddie Highmore, Mia Farrow, Ron Crawford, Adam LeFevre a Penny Balfour.

Reakce
 aktuální k 8. srpnu 2014

Film získal mezi diváky na největších filmových databázích spíše průměrné hodnocení.

 csfd.cz: 62 %
 imdb.com: 6,0 z 10
 fdb.cz: 74,2 %

Obsazení

Externí odkazy

Francouzské dobrodružné filmy
Francouzské rodinné filmy
Filmy z roku 2006
Filmy Luca Bessona
Filmy studia MGM
Francouzské animované filmy
Francouzské fantastické filmy
Filmy natočené podle knižní předlohy
Filmy studia The Weinstein Company

redpajama_set_name: RedPajamaWikipedia


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Home Cars 30 Iconic Pontiac Cars Fans Can Never Forget
30 Iconic Pontiac Cars Fans Can Never Forget
Cameron EittreimDecember 9, 2019
via: Car Domain
5. 2005 Pontiac Grand Prix GXP
2005 was a remarkable year for the Pontiac brand. There were two powerful V8 offerings in the lineup for the first time in years, the GTO and the Grand Prix GXP. The Grand Prix sedan was known for having a V6 powerplant, so it was a surprise to shoppers when the Northstar V8 made its debut. The GXP featured chrome accents throughout the vehicle, as well as custom chrome rims. The Northstar V8 isn't necessarily a performance-oriented engine but it did offer a good amount of power for a vehicle that was intended to perform.
Interior-wise the GXP got an upmarket treatment over the standard model. This was one of the first Pontiacs to offer a built-in navigation system. The Grand Prix GXP with the V8 was sold in very low numbers which made it a rarity. The GXP was a breath of fresh air for Pontiac enthusiasts as it offered a real performance sedan offering.
4. 1989 Pontiac Grand Prix Turbo
Although V8-powered sports cars are generally the way to go, GM has put forth some solid turbocharged V6 offerings in the past. The first that comes to mind is the Buick GNX, and the second would be the Grand Prix Turbo. The Grand Prix Turbo coupe was exciting enough, but there was also a limited edition McLaren ASC edition as well. The performance was derived from a turbocharged version of the original V6 powerplant. The design of the car culminated from the brand's racing heritage.
via: GM
The Turbo had an interesting plethora of options such as a heads-up display and a steering wheel that was full of controls. The Grand Prix stands out from the crowd for having a unique exterior styling and one of GMs better V6 powerplants. The ABS was still new on these cars and the wheels had that authentic 90s ABS badging on them. Finding a Grand Prix Turbo from this era might be difficult.
via: Autoblog
3. 2000 Pontiac Grand Am Coupé
The reason why the Grand Am Coupe is on this list is that it is an iconic model. Before you start writing hate mail, just hear us out. The Grand Am Coupe was one of the few performances oriented mid-size sedans on the market. At a time when cars were generally lackluster the Grand Am was adding a touch of performance to the mix. The Ram-Air edition of the car featured a supercharged engine that gave the lightweight vehicle a serious amount of power.
Coupled with the standout styling features of the car, the Grand Am Coupe was a pretty unique vehicle to say the least. The car had a stellar amount of features for the price. Finding one of these users is a bargain. Sure, Pontiac used a massive amount of body cladding which was panned by the automotive press. But the overall design of the car was noteworthy enough to build a solid following behind the car that still drives it.
2. 2001 Pontiac Aztek
Perhaps no car is as universally hated in the automotive industry as the Pontiac Aztek. The car was the birth child of a GM plan to hatch crossover SUVs way before they were a thing. While the Aztek seemed like a great idea on paper, the final product was a dud. The styling was horrific, covered in grey body cladding and an ugly nose. Coupled with the addition of the cars notoriously horrendous V6 engine. The Aztek was smoothed out in its later years but this was not enough to justify sales of the hideous vehicle.
The Aztek gained a huge amount of notoriety long after its demise thanks to the TV show, 'Breaking Bad.' Although the SUV was panned for its looks, there has been a recent resurgence on the used car market. Now, all of the sudden, people are interested in this thing. The Aztek surely deserves to go down in history as one of the most iconic Pontiacs on the market.
1. 2009 Pontiac G8 GXP (Final Edition)
The Pontiac G8 was the final hurrah of the Pontiac brand and one of the most influential cars to come out. The G8 has the misfortune of hitting the market during the economic collapse. In addition to that, the poor car didn't stand a chance as GM discontinued the brand for 2009. This means that if you are lucky enough to have a G8m you have one of the rarest cars on the market. The powerful V8 engine and rear-wheel drive design made the sedan a performance powerhouse. Coupled with the noteworthy addition of the GXP model, the G8 is a legendary vehicle.
There was originally a G8 sport truck that was planned as well. Sadly, economic conditions caused the G8 to live a short life and it was only sold for two years. The last G8 rolled off of the assembly line on June 19th, 2009. A total of 23,157 models were sold in 2009, and only four made it to Canada. The G8 was an iconic car in many aspects and it was also the very last Pontiac car every produced.

redpajama_set_name: RedPajamaCommonCrawl


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Agony, Alarm and Anger for People Hurt by Theranos's Botched Blood Tests
They led to changes in medical treatment and a scramble for answers; some patients weren't told for months about unreliable results
Breast-cancer survivor Sheri Ackert says she panicked in 2015 when blood-test results from Theranos led her to believe she was at a higher risk of cancer recurrence or a rare type of tumor. Video: Adya Beasley, Photo: Mark Peterman for The Wall Street Journal
Christopher Weaver
BiographyChristopher Weaver
@cdweaver
Christopher.Weaver@wsj.com
Updated Oct. 20, 2016 9:52 pm ET
Sheri Ackert worried she might have a new tumor. Steve Hammons stopped taking his blood-thinning medication. Kimberly Toy emptied the pasta and sweets from her cupboards and said: "I can't believe this happened."
What they have in common are dubious test results from Theranos Inc. A review of regulatory records and interviews with patients shows the Palo Alto, Calif., company didn't just burn investors who bought into its promise to revolutionize the world of blood testing. It also left a trail of agonized patients who had...


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Sub-dials: 24 hour, open heart.
This beautiful wristwatch, powered by a Caliber TY603K, automatic movement, supporting: GMT, second time zone, hour, minute, second functions.


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Posted on January 26, 2017 , Edited January 26, 2017 by PK_CM505
Portal Knights is Coming to PlayStation 4 and Xbox One
By Antonela Pounder @AnimatedAnt (Community Manager – 505 Games)
Today is an incredibly exciting day for the team! We're pleased to announce that Portal Knights is coming out of Early Access on April 28th 2017 and also heading to PlayStation 4 and Xbox One! (Scheduled for launch on April 28th in Europe, then May 2nd in North America.)
There's so much we want to talk to you about, but let's kick things off with talking about our current players… The teams at 505 Games and Keen would first like to thank our Early Access community for their incredible support over the last 11 months. It's almost been a year since we launched onto Steam and the enthusiasm, feedback, encouragement and support we've received has been truly overwhelming. We're so grateful to have you all on board and as cheesy as it sounds, you really do mean everything to us! The aim has always been to listen to our community and you've done an incredible job at helping us build Portal Knights from the foundation we laid back in February 2016. We've come a long way and we're going to keep on pushing going forward. For that, we want to thank you!
Portal Knights – Console
As for our console community, hello and welcome on board! We've seen so many of you asking us whether Portal Knights is coming to console or not and to now be able to answer you with a "YES IT IS" is truly exciting. If you're totally new to Portal Knights and have no idea what to expect, then do not fear! Over the coming weeks, we're going to give you an insight into what Portal Knights is about and what you can expect. Stay tuned and be sure to follow / like us across our Official community channels to stay up to date with the latest. Oh and please feel free to reach out to us with any questions you may have. We'd absolutely love to chat with you guys!
We know our console community might be wondering if there'll be any differences between the PC and the console editions of Portal Knights. Right now, the developers are in the optimization stages with console, so we'll be able to give you more info in the coming weeks of any technical differences between the console and PC editions, should there be any at all! With regards to content, everything the PC community has, the console community will have. The content that PC and console users will receive will remain the same and the plan going forward is to sync our updates the best we can.
Portal Knights – PC
So, PC players… You're probably wondering what's going to happen once Portal Knights leaves Early Access. Correct?
Well, you'll be pleased to know that nothing's going to change. We're going to continue listening to our community and take your suggestions on board. The plan is to keep on updating Portal Knights in the same fashion we always have done and we really hope you guys stick with us. Simply because you're awesome and you really do matter to us.
For those who have joined us already during Early Access on Steam, we want to thank you for your support. Early Access adopters have already been given the Pioneer Flag and Cape, but we want to give you something extra. Once Portal Knights leaves Early Access, we want to award our players with some bonus items! Stay tuned for more info.
As for the next major update, it's coming! Our developers continue to work incredibly hard behind the scenes and we'll update you with more info on v 0.8.0 in the near future. Watch this space!
Leaving Early Access
If you're a PC player and you haven't jumped on board yet, you might want to consider joining us before we leave Early Access. As a result of the amount of new content that has now been introduced to Portal Knights, once we leave Early Access there will be a price increase. BUT DO NOT PANIC! If you want to make a saving and take advantage of the bonus Early Access items, be sure to download Portal Knights before April 28th 2017. Don't say we didn't warn you! 😉
We're super excited with what's around the corner and there's a bunch of awesome content coming to Portal Knights, in both the console edition and PC edition. Let us give you an insight into what you can expect…
Upcoming Content
We're introducing split-screen to Portal Knights, something our players have been requesting for a while now and we're making a bunch of changes and improvements to the RPG elements in-game. Not only that, but one of the biggest community requests is coming – The ability for players to explore different islands while in the same multiplayer session. This is something our team have been working really hard on behind the scenes and we cannot wait to finally bring it to game. Stay tuned for more info… We have so much coming up!
Exciting Times
Once again, we want to welcome the console community to Portal Knights and thank our existing PC community for the amazing level of support they've shown us! We're entering an incredibly exciting time right now and we're so grateful to have you all on board. It really does mean so much to us!
Be sure to follow us across our Official social channels to stay up to date with the latest…
Facebook – https://www.facebook.com/PortalKnights
Twitter – https://twitter.com/portalknights
Instagram – https://www.instagram.com/portalknights/
Reddit – https://www.reddit.com/r/portalknights/
YouTube – http://bit.ly/2eeWguv
Steam – http://steamcommunity.com/app/374040/…
Official Forums – http://www.portalknights.com/forums
Out Now on Steam, Xbox One, PS4, Nintendo Switch and Mobile ❯
Happy New Year, Portal Knights!
Update v 0.8.0 is available to download NOW on Steam!


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Field Interactive MR, is a global fieldwork and desk research agency offer a multi-market project management team that covers across the world, and recruiting capabilities for any type of project in any location. We offer solutions and support for all qualitative and quantitative research methodologies including online research/surveys, ethnographic research, usability research, convention research, taste tests, product trials, in-home interviews, shop-along interviews, phone interviews, and focus groups. We have a team dedicated to managing multi-market studies from start to finish. We have carefully vetted and established partnerships PAN India and the world. Our national and International team has navigated the unique fieldwork management cultures of over 98 countries.


After you put your recyclables out on the curb, they begin a circular journey during which they are processed and manufactured into new recycled-content products, which are sold in stores to consumers, who can then repeat the process. Below is a brief summary of the three phases of the recycling loop. For a more detailed description, see http://www.epa.gov/epawaste/conserve/rrr/recycle.htm.
After recyclables are collected at the curb or from a drop-off center, haulers take them to a materials recovery facility, where they are sorted and baled.
Once they are cleaned, separated, and baled, recyclables are remanufactured into new products. Many consumer products, such as newspapers, aluminum and steel cans, plastic containers and other plastic products, and glass bottles, are now manufactured with total or partial recycled content.
Purchasing recycled products completes the recycling loop. By "buying recycled," governments, businesses, and individual consumers each play an important role in making the recycling process a success.
To learn more about recycling terminology and to find tips on identifying recycled products, see http://www.epa.gov/epawaste/conserve/rrr/buyrecycled.htm.


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ActivePresenter is an interesting application for those who want to create a much more complete and professional slide show than just texts and images made in PowerPoint.
It allows, for example, you capture the screen in video form, creating detailed step-by-step tutorials.
You can add blank slides between video frames for detailed text explanations, among other features. You can combine various tools and create more dynamic presentations that will not bore anyone who is watching!
ActivePresenter is a very interesting program for those who want to give a boost in their slide shows and tutorials. You can use it totally for free, with no time limit or watermark, and its interface is complete and intuitive. Some limitations in the free app, however, may make it more advantageous to pay to use it.
The main limitation of the free app is that it is able to create only videos, which show the entire timeline of your slides in a linear fashion. That is, it's like a normal presentation, but you can not manually control playback (unless you pause the video being displayed).
To export content in the form of a presentation itself, with pass-through control, slide-back, and all interaction features, you need to purchase one of the paid versions of the application. The good part is that if you really do use this kind of program quite a bit, it's worth getting ActivePresenter – it's a full-featured application that works great.
If you're willing to spend some time learning to tinker with all the ActivePresenter tools, you will not find it too difficult, since everything is well-organized and the developer's website brings complete explanations.
It does not even have a minimalist interface or even a step by step, but this is not a problem: even with many buttons and menus, this is done intuitively and with little time of use you can create videos and presentations very advanced . The bad part is that this is only possible in English.
Forget Power Point slides, with text and images or even advanced elements that are difficult to configure. In this app, the most complete features are done in a simple way and you can split a recording between several slides, for example with floating explanations or even with pauses and explanatory screens in the middle of the video.
Edit the slide-by-slide timeline, putting supporting elements to show where clicks are done, dialog boxes, and even extra images. This type of editing is a lot easier to do than using Power Point, since everything you touch on the timeline is exactly how the feature will be displayed during the presentation.
ActivePresenter comes in three versions: free, standard and professional. You can see in this table the differences, which basically boil down to the export of the material. That is, all the content of editing and creation can be used for free, making it worth checking this application.
If you use lots of slideshows on lecture and lessons, this feature can be one of the best creative alternatives, paying off not only the free download but also the purchase of one of the special licenses.


An essential guide to persuasive writing! The first sentence of a job application letter can consign it to the bin; a mistimed tweet can cost you your livelihood; and a letter to a beloved may end up making the recipient laugh rather than melt. Finding the right words, in the right order, matters.
The Literary Editor of the Spectator, Sam Leith, offers key guidance in his new and complete guide to persuasive writing. From essays to love letters, and from emails of condolence to letters of complaint, Write to the Point lays bare the secrets to successful communication and accompanies them with concrete and well-illustrated dos and don'ts. If you've ever felt a twinge of doubt before hitting Send, Write to the Point will give you the confidence to get your message across.
Sam Leith is literary editor at the Spectator, a columnist at the Financial Times, the Evening Standard and Prospect, and his work appears regularly in The Guardian, The Times and the TLS among others. Broadcasting work includes The Culture Show, The Review Show, Front Row, The News Quiz, Fry's English Delight and a regular slot on the Sky Arts Book Programme. Books include Dead Pets, Sod's Law and You Talkin' to Me? Rhetoric from Aristotle to Obama. He has served as a judge on the Man Booker and Desmond Elliott prizes. The Coincidence Engine, his first novel, was published in April 2011.
Not to labour the point, but he knows a bit about this writing lark.


Bigger than a small SUV, smaller than a full-size, the Dodge Durango is just right for every need--from those who will never leave asphalt, to those who will never see it. The aggressive styling is distinctly Dodge, and in addition to the standard 3.7L V6 and hefty 5.7L Hemi V8, the new flex-fuel 4.7L V8 makes great sense as a blend of both fuel economy and power, and at 303 horsepower, offers nearly 70 more horsepower than the engine it replaces. The Durango's near-9,000-pound towing capacity with the Hemi is best in the class, and acres of interior room make it a smart choice for hauling people and cargo.
Multiple configurations suit all drivers, from urban to rural; strong, aggressive styling in line with the Dodge family look; excellent towing capacity; best-in-the-industry limited lifetime powertrain warranty.
The 2008 Dodge Durango is available in several trim packages, including the more basic SXT, the mid-level SLT and Adventurer, and the loaded Limited. All models are available in either two- or four-wheel drive, and in automatics of either four or five speeds.
A proven 210-horsepower 3.7L Magnum V6 is standard in the SXT 4x2 and SLT 4x2, while the SXT 4x4, SLT 4x4, Adventurer, and Limited come standard with the new 303-horsepower flex-fuel 4.7L V8, which puts out 330 lb-ft of torque. The 330-horsepower 5.7L Hemi V8 is optional on each of those.
As the Durango is primarily a hauler, buyers can get it equipped to carry and pull all sorts of things, with an impressive payload of 1,510 pounds to 1,750 pounds and a towing capacity of 8,950 pounds, with an available five-speed auto with overdrive to match.
Base SXTs include air conditioning, cloth bucket seats, power windows, heated fold-away mirrors, 40/20/40 folding rear seat, cargo tie-down loops, and covered storage.
Available comfort and convenience options include tri-zone climate control, rear-seat DVD entertainment, hands-free communication, MyGIG multi-media infotainment, and leather seating, while exterior options run the gamut from 18- and 20-inch aluminum wheels to body-color running boards.
All Durangos feature standard anti-lock brakes and advanced multi-stage front air bags as well as full supplemental side curtain air bags.
Visually, the Dodge Durango is little changed for 2008, though some mechanical updates are worth noting. Most important is a new, next-generation 303-horsepower 4.7L V8, which can run E85 ethanol. Four-wheel-drive models are now available with a single-speed transfer case, which allows drivers to select full-time AWD in addition to four-wheel high and low.
All Durangos now come standard with Chrysler's impressive limited lifetime powertrain warranty. Models in Limited trim differ slightly with some new exterior work, and a new Adventurer trim also offers cosmetic differences and a few interior upgrades. Durangos are now available with a rear back-up camera and Chrysler's MyGIG multi-media infotainment system. Pricing has increased marginally across the range.
These vehicles are equipped with certain air bag inflators assembled as part of the passenger frontal air bag modules, and used as original equipment or replacement equipment. These inflators may rupture due to propellant degradation occurring after long-term exposure to absolute humidity and temperature cycling. An inflator rupture may result in metal fragments striking the vehicle occupants resulting in serious injury or death.
Chrysler will notify the Chrysler, Dodge, Jeep and RAM owners. Mitsubishi owners will be notified by their company. Dealers will replace the passenger frontal air bag inflator, free of charge. Chrysler mailed interim notices to owners on July 7, 2016. Owners will receive a second notice when remedy parts become available. Owners may contact Chrysler customer service at 1-800-853-1403. Chrysler's number for this recall is S43.
Chrysler (FCA US LLC) is recalling certain model year 2005-2009 Dodge Ram 2500, 2004-2008 Dodge Ram 1500 and Durango, 2006-2009 Dodge Ram 3500, 2008-2010 Dodge Ram 4500 and 5500, 2007-2008 Chrysler Aspen, 2005-2010 Chrysler 300, 300C, SRT8, Dodge Charger and Magnum, 2005-2011 Dodge Dakota, and 2006-2010 Mitsubishi Raider vehicles. The affected vehicles are equipped with a dual-stage driver frontal air bag that may be susceptible to moisture intrusion which, over time, could cause the inflator to rupture.
Chrysler will notify the affected Chrysler and Dodge owners and Mitsubishi will notify the affected Raider owners. Dealers will replace the driver's frontal air bag inflator, free of charge. The recall began for Chrylser on June 8, 2015. The recall for Mitsubishi stated on June 24, 2015. Chrysler and Dodge owners may contact Chrysler customer service at 1-800-853-1403. Mitsubishi owners may call 1-888-648-7820. Chrysler's number for this recall is R25. Note: This recall supersedes recall 14V817 in its entirety. Vehicles that have had their driver side frontal air bag replaced previously need to have their air bag replaced under this recall as well.
Get up-to-date information on the 2008 Dodge Durango. Read in depth about this model's features, specs, performance, and much more. Let Bestride.com be your guide to finding your next car.


The International Conference on Artificial Reef and Related Aquatic Habitats (CARAH) was first organised in 1974 in Texas, USA with aims to improve the exchange of information among people interested in artificial reefs and focus international attention on the potential of artificial reefs in fishery management. Almost 250 attendees from four nations (USA, Australia, Japan and Taiwan) participated the first CARAH event. Since then, CARAH has traveled to various venues worldwide (see list of past CARAH conferences below), allowing the global exchange of knowledge and experience among those involved in the diverse aspects of artificial reefs and related aquatic habitats.
We look forward to welcoming you to our shores!
1st Texas (USA), 1974; Proceedings of the International Conference on Artificial Reefs (Texas A & M University Sea Grant College, College Station; Colunga, L., & Stone, R. eds.).
2nd Brisbane (AU), 1977; none.
3rd California (USA), 1983; Third International Artificial Reef Conference (Newport Beach, California; Buckley, R., Grant, J., & Stephens, Jr. eds.), 1985 & Bulletin of Marine Science 37 (1):1-2.
4th Florida (USA), 1987; Bulletin of Marine Science 40 (2), 1989.
5th California (USA), 1991; Bulletin of Marine Science 55 (2-3), 1994.
6th Tokyo (JPN), 1995; ECOSET '95 (Sako, H., & Nakamura, M. eds.).
7th San Remo (ITL), 1999; Seventh International Conference on Artificial Reefs and Related Aquatic Habitats (ICES – International Council for the Exploration of the Sea; Jensen, A. C. ed.) & Journal of Marine Science 59: 1-362, 2002.
9th Curitiba (BRZ), 2009; Artificial Reefs in Fisheries Management (Bortone, S. A. et al. eds., 2011) & Brazilian Journal of Oceanography – Special Issue CARAH 59: 1-178.
10th Izmir (TKY), 2013; Journal of Applied Ichthylogy, 2015.
The registration fees above refer to each participation. Nevertheless, authors presenting more than one paper are only subject to USD100 (for international participants & students) or RM200 (local participants & students) for each of the subsequent paper. If you are registering for two or more papers, please contact us first before making the payment.
We are happy to also inform that a group discount is also available where every 2 full paying registrations from the same organisation will be entitled to one free registration to the conference (Register 2, get 1 free!). Please notify us at 11thcarah@gmail.com to claim the free registration.
The registration is now OPEN and you can already submit your abstract(s) at the SUBMISSION page.
Copyright © 2017 MyCarah. All Rights Reserved.


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Worldwide assembles a striking line-up of rare pre-war automobiles, distinctive classics and exceptional sports cars for Scottsdale
By crownjewelpro January 2, 2019 October 24th, 2019 No Comments
Media Inquiries Jo Snyder: 1.512 507 7867
pr@worldwideauctioneers.com
Auburn, Indiana. January 2nd, 2019. Worldwide is gearing up for its annual Scottsdale Auction on Wednesday January 16th, with a striking assembly of rare pre-war automobiles, exceptional classics and iconic European and American sports cars amongst the highlights. Headlining the sale is a highly authentic 1925 Bugatti Type 35A Grand Prix, documented by the American Bugatti Club, with a roster of former keepers that includes Louis Chiron's patron, Fred Hoffman. Raced in period by Bugatti concessionaire, Jean Ollivier, with competition history that includes the Provence Grand Prix, it is all ready to race, show, tour, and enjoy. Another singular French automobile in the line-up is a beautiful 1947 Delahaye 135M Cabriolet, exhibited when new at the 1947 Geneva Salon, 1 of only 4 Delahaye 135M chassis bodied by Sécheron and not publicly offered for sale in nearly thirty years. Impeccably documented with known history and roster of caretakers, it will be offered for sale without reserve.
"This stunning "one-off" Swiss coachbuilt example is a perfect candidate for the world's most prestigious Concours," said Rod Egan, Principal & Auctioneer. "We are thrilled by the breadth and sheer quality of this year's offering and very excited that some of the most significant of the many outstanding motorcars slated for the sale will be offered entirely without reserve." Included in the no-reserve consignments is a selection of exceptional American pre-war motorcars, including a rare, top-specification 1935 Auburn 851 SC Boattail Speedster that retains its factory-original number stamping on the floorboard and a remarkable 1936 Duesenberg Model JN LWB Tourster, 1 of just 10 sought-after JN models built and 1 of only 3 long wheelbase examples, significant as the last Duesenberg JN sold to the public.
Amongst the exciting Italian sports cars on offer is a numbers-matching, early-production 1969 Ferrari 365 GTB/4 'Daytona' Spyder Conversion – the 61st by serial number – sold new to noted Italian racing-team owner, Corrado Manfredini, and an impeccable, well-documented 1971 Ferrari 365 GTB/4 Daytona Berlinetta by Pininfarina, with coachwork by Scaglietti, a numbers-matching example with complete, meticulous ground-up restoration, considered one of the finest examples in existence. Also consigned are a Vignale bodied 1956 Fiat 1100/103 E TV Desiree Coupe, exhibited by Vignale at the 1956 Turin Motor Show, an extremely rare and stylish coach built model in competition specification and a very striking 1958 Alfa Romeo 1900 Sport with stunning, one-off custom coachwork. Other star cars in the sale include an unrestored and remarkably original, HVA Preservation Award winning 1959 Mercedes-Benz 300SL Roadster, offered at no reserve, and an outstanding 1969 Chevrolet Corvette L88 Convertible, an exceptional unrestored Bloomington Gold Survivor® and Bloomington Gold Certified® and NCRS Top Flight Award recipient, historic as the last documented L88 Corvette Roadster produced.
Consignments can be viewed in detail in the catalogue, now online at worldwideauctioneers.com. To contact a Worldwide Specialist, call 1.260.925.6789 or by email info@worldwideauctioneers.com.
The Scottsdale Auction is scheduled for the evening of Wednesday, January 16thth, 2019, at 5pm, the first of the catalogue sales out in Arizona. Auction consignments can be previewed daily at 6460 E. McDowell Road in Scottsdale, from Monday, January 13th up until the auction itself, with VIP & Bidder Reception scheduled from 3-5pm on Wednesday 16th. The Scottsdale Auction is open to the public. Admission by catalogue is $100, to include one auction catalogue and vehicle preview from Sunday through Wednesday, VIP Reception and seating for two (based on availability), or $40 per person, including preview and auction admission with limited seating.
Full details on bidder registration, admission and schedules are available online at worldwideauctioneers.com or by calling 1.260.925.6789, with ongoing news and consignment updates posted online and on Worldwide's social media properties @worldwideauctioneers.
Along with the Scottsdale Auction, Worldwide's annual schedule comprises The Texas Classic Auction on April 27th, The Pacific Grove Auction, to be presented out on the Monterey Peninsula during Monterey Car Week on August 15th and The Auburn Auction in Indiana on August 31st, as well as stand-alone auctions of significant private collections. In addition to the acquisition and sale of classic automobiles at auction, Worldwide Auctioneers offers an extensive range of services to the serious collector, including private treaty sales, appraisal, collection direction and consultancy, estate planning and asset management.
Previous PostRare and highly authentic 1925 Bugatti Type 35A heads an exceptional field of early consignments for Worldwide's Scottsdale Auction
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A group of undergraduate students—Dikdan, Yuechan Ta '21, Allison Tien '20, Sabrina Luu '20, Ali Carney '19 and Manas Maniar '19—work alongside Molinsky in this project. All the original students who helped bring the podcast to life were a part of Molinsky's Organizational Behavior in Business class (BUS 120a). As the podcast has grown, a few other individuals have been brought on as a support team. Molinsky also told The Hoot that they have listeners now across the country and around the world.
As part of the original team that started the podcast, Dikdan was excited to see the project take off. He explained that when the podcast was first starting, they were not specifically looking for people with name recognition, but people that were interesting. "They had unique paths to success that don't follow the typical storyline," Dikdan told The Hoot. But as their podcast starts to grow, they are starting to get bigger names and are being approached by individuals who are looking to be interviewed from major companies, including Google and LinkedIn.
Dikdan also said that the people they interview have a common thread. "Everybody has the same story. They come out of college and their first job is never their dream job. But everyone finds in that job things that they do love and they move organically towards that," said Dikdan.
Molinsky also highlighted on the non-linear path that comes with finding a meaningful career. "Many of them wouldn't have even predicted what they now do and what they've become," said Molinsky in an email.
As the podcast continues to grow, Dikdan told The Hoot that they are hoping to start posting live events at Brandeis, perform more community outreach and bring some of these entrepreneurs to campus. A lot of the people that come on the podcast exemplify the value of a liberal arts education.
Carney also said in an email to The Hoot that she wanted to join the podcast because "it's really helpful for students (and myself) to hear how established individuals got to where they are." Carney is also interested in Organizational Behavior and the podcast has helped her develop qualities important to the field.
New episodes of the podcast come out every Tuesday.


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Home » Lifestyle » Mum lives like 1950s housewife as picking up for husband makes her 'happier'
Mum lives like 1950s housewife as picking up for husband makes her 'happier'
A mum-of-two lives her life as though it's the 1950s as she thinks her place is at home taking care of her kids, husband and all the chores.
Alexia Delarosa, 29, from San Diego, always wanted a family life where she stayed home to cook, clean and look after her children and husband.
Her upbringing was quite the opposite of this, as she felt like her mum wasn't around due to work commitments and socialising with friends, and she promised herself this wouldn't be the case when it came to her own marriage.
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What's more is she thinks it could become a popular way of living, as she thinks people now realise women "can't have it all".
She said she always knew there were things she would do differently due to the way she was brought up as a child.
Alexia said: "I didn't want my kids to feel like they had to escape their home, and I wanted them to be confident in the fact that their mum's always around and things are always taken care of.
"I wanted them to have a stable and predictable home life.
"My mum worked and she also enjoyed time outside of our family home with friends.
"We have very different types of personalities, as I am much more of a homebody.
"So, I have always wanted a more traditional model for my family.
"I loved the idea of a 50s style family life, where the wife stays home to look after her husband and kids, and the husband goes out to work full time.
"I remember watching films where the women would stay home to cook and clean for their husbands, and I thought it was a romantic and sweet life."
When she first started dating her husband, Matthew, 37, the pair talked about the kind of family and life they wanted.
She said they loved the idea of him working full-time to take care of the finances, and she would stay home to cook and look after the children.
Following the birth of their first son, Archer, who is now two, they decided quite early that Alexia would stay at home with him.
At the time, Alexia ran an at-home baking business which she worked on part-time, but when she fell pregnant with their second son, Arlo, one, she dedicated all her time to looking after the little ones.
Matthew owns and runs a coffee shop, and is constantly working, so Alexia ensures that everything is taken care of at home.
"I've always loved homemaking, and I was more than happy to take on this role," she added.
"Matthew doesn't have any duties assigned to him.
"I take care of all of the chores, and ensure dinner is on the table for when he finishes work.
"This is when we have a meal together as a family.
"I am quite particular in the way things are, so I like it to be this way too.
"Matthew loves to be at work, and I love to be at home taking care of things.
"We both thrive in our roles, and this arrangement works perfectly for us."
She said the family has quite a strict routine – with Alexia waking up between 5.30am and 6am to get herself and the kids ready.
She then makes breakfast for them, and will clean up before they spend time together.
Since posting about her traditional lifestyle on social media, Alexia admitted she often receives negative comments from trolls.
The mum said people say things like being a full-time mother and wife isn't a "real" job, and some people think she's just trying to turn back the clock.
Alexia said: "I don't let it bother me because I know that the job I am doing is invaluable, and it would be so expensive if we were to pay someone else to fulfil this role while I went out to work.
"It is so important to have a parent in the home that is consistently there for the kids.
"I used to be a nanny, and I was there for so many special and cute moments with the kids I was nannying for.
"They were such special times and it made me realise that I wanted to be there for all of these moments when I had my own kids.
"We have also decided that we will be home-schooling the boys. I couldn't imagine our family any other way."
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Click on any of the program links below to learn more about the admissions requirements for each.
The Master of Public Health (MPH) in Urban Health Disparities is grounded in the University's tradition of addressing the health and education needs of underserved populations. CDU's MPH degree features an academically rigorous environment uniquely focused on the urban socioenvironmental determinants of health.
All applications for the MPH program must be submitted through the centralized application system SOPHAS. Applications are reviewed once they have been VERIFIED by SOPHAS and it is confirmed that all required documents have been submitted. Priority consideration is given to those who submit a VERIFIED SOPHAS application by March 1 of the application year.
We do not require a separate application or additional fee, and you should be prepared to meet all of the admissions requirements as outlined above.
If you need assistance with immigration (I-20 form, F-1 visa, SEVIS, etc.), our Office of International Affairs will be able to assist you. You can contact CDU's Primary Designated School Official (PDSO) and Director, Office of International Affairs Dr. Lejeune Lockett lejeunelockett@cdrewu.edu or (323) 357-3458.
The Master of Health Science, Physician Assistant recruits students who believe in the importance of sharing medical knowledge to benefit the global community, and will provide students with the skills necessary to become exemplary medical providers. Students will learn and acquire clinical skills in a variety of healthcare settings and will obtain experience in disease management, disease prevention and health promotion.
The Master of Science, Biomedical Sciences one-year degree program is designed to give you a solid command of biomedicine, medical informatics and translational science, as well as ensure that you'll be well-prepared to address the challenges posed by domestic and international health disparities.
CDU has switched to a new centralized application system for the 2018-2019 application cycle. All applications and supporting materials should be completed and submitted through PostBacCAS.
Complete all prerequisite courses with a grade of "C" or better prior to matriculation.
Please explain why you would like to become a student at Charles R. Drew University of Medicine and Science. How does the completion of a degree at CDU offer you an opportunity to assist an underserved community?
The Master of Science in Nursing - Entry Level Master's Program is designed for applicants holding a baccalaureate from other fields. This allows pre-licensure nursing students to study basic nursing knowledge and science at the graduate level concurrently with graduate core content to prepare for licensure as a registered nurse. Students graduating from the ELM track will be able to assume the role of a direct provider of care, nursing and administrator or nursing faculty member.
Complete all prerequisite courses with a grade of "C" (Science prerequisite courses "B" or better) or better prior to matriculation. *Science prerequisite courses must be taken within (7) years of the submission of application.
The Master of Science in Nursing - Nurse Practitioner Program prepares advanced practice nurses to manage the care of individuals and families. The NP Program is designed for nurses holding baccalaureate degrees who are interested in completing course requirements leading to a graduate degree in nursing. Graduates of this program are eligible to sit for the NP national certification examinations through the American Nurses Credentialing Center (ANCC), or the American Association of Nurse Practitioners (AANP).
The 60-credit PsychNP Master of Science in Nursing Track, which is completed through full-time study in a preceptor clinical settings, provides a flexible, executive-education format in which the theoretical content of all courses is taught in two weekend sessions per month each semester. The remainder of each semester is taught using both a face-to-face and web-enhanced pedagogical approach for student/faculty collaboration, faculty presentations, and clarification of theoretical content. All clinical courses are offered as immersion practicum experiences, conducted in faculty approved, in-person, in a preceptor clinical settings. The following course sequence is required for this curriculum of study: Students are admitted to this track as a cohort in the Summer, Spring, or Fall semester.
Biology – One year of college Biology with a laboratory component. Recommended courses to meet the Biology requirement include: Cell Biology, Genetics, Embryology, Histology and Anatomy.
Chemistry - Two years of college Organic Chemistry with a laboratory component, including at least one course in Inorganic Chemistry or Quantitative Analysis (Biochemistry is highly recommended).
English – One year of English Composition, Literature or other courses emphasizing reading comprehension. Remedial English courses will not be considered in meeting this requirement.
Physics - One year of college Physics with a laboratory components.
Mathematics – One year of college mathematics including at least one course in Calculus and Statistics.
Completion of Premedical course requirements.
The American Medical College Application Service (AMCAS) (www.aamc.org./students/amcas/start.htm) application and supporting documents must be completed and submitted to AMCAS no later than November 15 of the year preceding anticipated entry.
After initial review by the Admissions Committee, a secondary application is sent to a select number of applicants. The secondary application allows prospective students to describe their activities related to the institutional mission. There is a $70 processing fee for the secondary application. Fee waivers are granted with approval of the Admissions Committee Chair and a copy of the AMCAS fee waiver documentation.
Three letters of recommendation or a composite report from a professional advisory committee of the student's college or university must be submitted in support of the secondary application. Two letters of recommendation must be from a professor and/or academic advisor and one recommendation from someone well acquainted with the student's personal characteristics.
Interview with the Admissions Committee.
Admission is granted to the first year only. The Charles Drew/UCLA Medical Education Program does not accept transfer or advanced standing students.


text:
Tangerine Review
Published on December 4, 2018 by Just Alright Reviews
"Just because it is an important movie, does not mean it is a good movie."
As a rule I try not to read reviews for movies before I see them both because I'm a purist and because I don't want to influence my own review one way or another. This is a rule I broke for Tangerine. But in all honesty they weren't reviews so much as they were reactions as they spoke about the film's portrayal of, and subsequent impact on, the trans community. Tangerine is a story about a prostitute who gets out of jail only to find out that her boyfriend has been cheating on her, and the subsequent tirade that she goes on to get revenge.
Tangerine is an important film, and there is no denying that fact. It's important on many levels interestingly enough, the first being to filmmaking in general. Tangerine was shot exclusively on iPhones. It broke that mystical barrier that stands between creators when successful directors urge you to get out of your house and create regardless of the gear you have available to you. We finally see that a movie made on an iPhone, something that exists in almost everyone's pocket, is not a pipe dream concocted by a studio executive who is completely out of touch with reality.
The importance of this is almost too much to convey in words, but it is also very obvious. During the opening shot of Tangerine wherein our two main characters are having a conversation at Donut Time, a setting that becomes familiar to us throughout the film, the only thing I could think of is how this movie was shot on an iPhone. It's hard to shake that look, you know? It felt very amateur, and especially the audio during this opening conversation was very grating. Tangerine didn't stand as a testament to how 'anybody can make movies with whatever tools they have', it existed as a warning to why people shouldn't.
Luckily this faded away as the movie continued on as my eyes got acclimated to the rather jarring visuals. There were some genuinely good shots in Tangerine, and ironically enough they were captured in low-light conditions. Unlike the visuals the audio improved immensely, which goes to show that audio is easily the most important aspect of film as it helped in my immersion in the story. But despite the 'gimmick' fading away, remnants of its existence stuck around.
Tangerine has what I would call very involved camera work. There is rarely a shot where the camera is stationary which makes perfect sense when you think for a minute about what it would be like to film on an iPhone. You have this magical brick, no bigger than a wallet, and with that you are completely free. It's lighter, smaller, and a hell of a lot more maneuverable than a traditional film camera so it makes sense that director Sean Baker would make use of these aspects.
The music of Tangerine does its best to capture the high-octane tone that the direction conveys as well, with aggressive techno backing most of the film. This also aided in the visual style of Tangerine fading away as I was immersed in the world via the score. But another, arguably more important remnant of the iPhone shooting stuck around and made me feel kind of weird.
Go on YouTube right now and you will see hundreds of thousands of videos shot by normal people with normal phones uploaded right to the internet. This gets even more intimate if you hop onto your favourite social media app and see the unfiltered versions of some of these same videos posted by friends and family. Sure these people uploaded these videos for your viewing pleasure, but watching them is usually anything but pleasurable. It feels almost gross, like you're invading someone else privacy with this intimate look at their life; and that's exactly the kind of feeling that Tangerine kept with its decision to film on consumer smartphones.
People often point to movies like Rear Window when speaking to the idea of voyeurism in movies but for me Tangerine was the first movie to truly break that barrier; make me feel as though I was watching something I shouldn't be. This feeling persisted even after the initial gimmick of the iPhone footage wore off and I was immersed in the world; it remained as an invasive thought in the back of my brain. This feeling grew to almost uncomfortable levels when the more intimate moments in the film made me feel as though I was watching amateur porn in a room full of strangers. Maybe that was the intention: provide a raw look at the lives of not only sex workers but also trans women in Los Angeles. This brings me to Tangerine's second importance.
Like I said, before I watched Tangerine I read two reviews of the movie; one condemning its portrayal of trans women and one praising the same thing. I want to be clear, I am the furthest thing from an authority on literally any subject but especially this one. If you were offended by Tangerine I totally get it and you are entitled to your opinion. I don't share that opinion, but that's because I can't. The issues tackled in Tangerine are not issues that I have been faced with ever in my life. That being said, I do disagree with some of the criticism I did read about Tangerine.
The main argument made against Tangerine was that the film used comedy at the expense of these trans women, essentially exploiting them for the entertainment of cis white men. Now this was of course outlined in the negative review of Tangerine, but what I found interesting was that the comedy was also touched on in the positive review as well. But in the second review instead of blaming the filmmakers the audience was seen to be at fault.
On the grounds of comedy things get a little tricky for me. I'm of the mind that anything can be funny; nothing is off limits in comedy. That doesn't mean that I will get mad if someone gets offended by a joke, because much like with the reaction to Tangerine I can only speak for myself. That being said I never felt as though any of the jokes in Tangerine were at the expense of trans women.
Most of the jokes in the film are delivered by Kitana Kiki Rodriguez who played one of the films' leads, Sin-Dee. Sin-Dee was a character who, to me was least, was portrayed like every over-the-top woman you've ever known; almost like a less-refined Kardashian. I felt like this was a commentary on Sin-Dee's character itself rather than trans women as a whole. To support this argument we only have to look to the other side of the frame to see Alexandra, played by Mya Taylor. Her performance in Tangerine was a lot more subdued, almost as though she was relegated to constantly picking up the pieces of the things Sin-Dee destroys in a fit (which she was, to be fair). This relationship to me felt like a traditional buddy comedy rather than any commentary on trans women in general.
In fact, I would argue that Tangerine did more good than harm because it helped to normalize (for lack of a better term) the idea of trans women. It's no secret that the world is a fucked up place, but comedy remains one of the great equalizers. Tangerine offered a story about trans women that wasn't really about trans women, instead showing them in an otherwise 'normal' story. 90% of Tangerine wouldn't change if cis women were cast in the roles that Rodriguez and Taylor completely owned. This is because the movie, for the most part at least, isn't so much about the trans experience as it is the seedy underbelly of LA. This is a step in the right direction for Hollywood as the more exposure the general public has to people they deem "different", the more familiar they become.
I feel as though I am bordering fairly close to rambling here so I'll wrap up this portion, but there is one more thing I want to discuss in terms of Tangerine. Just because it is an important movie, does not mean it is a good movie.
Tangerine is plagued with inconsistent storytelling, and a general feeling of "why am I watching this?" Despite a lot of the movie being pretty funny and enjoyable, the ending seemed to drag and exist as almost a deus ex machina in the way it abolished all problems in the film. This, coupled with the fact that Tangerine features a "walking alone while sad" montage that is well beyond the line into 'excessive' it's obvious that there was a question of how to extend the runtime into something past 'short film'. And this shows throughout the film as well with the constant peek into the lives of other characters who act only as obstacles for the audience to get to the enjoyable parts of the film.
Overall Tangerine is a movie that is important. I can't argue that. But its importance does not make it infallible. There are serious issues with the film's writing which stunt almost all enjoyment towards the end of its runtime. Sure it was funny, but the ending was seriously unfulfilling.
I give Tangerine a C
Morgan Collado – "A Trans Woman of Color Responds to the Trauma of "Tangerine""
Mey Rude – ""Tangerine" is Hilarious, Beautiful, Authentic, Casts Trans Women to Play Trans Women Leads"
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DJ Koze exists both above and beyond club culture as we know it – his albums and remixes flying free from genre and trend – and symbiotically woven into its heart. Yes, he always abstracts and weirds out the principles of house, techno, hip hop, pop, psychedelia, exotica and so forth, but he does that because he understands them. And when it comes to club-demolishing tracks, he understands those principles as well as just about anybody on earth.
Thus he could create an enduring club tune like 2015's "XTC" that is strange, contemplative, even disturbing, bore little relation to anything around at the time, yet still got bodies moving and sweating better than way more obvious techno bangers. And thus the Knock Knock album, which melts a million genres and none into one another, can comfortably include "Seeing Aliens".


Old Shoe Brands landing UFO found in the Amazon rainforest during shipment Urandir and Dakila Pesquisas Urandir and Soldier of the Brazilian army during the second dispatch ziggurats – Dakila Pesquisas to the Amazon rainforest Urandir Edmo in an interview with Garcia in the Ufology Research program on Radio Headline RJ Urandir shows the imprint on his bed after his abduction. Urandir and Dakila Pesquisas visit the Indian village during the second dispatch ziggurats in the Amazon. Urandir a news program in the mouse SBT. Brands rock found during an expedition in the Amazon.
Scenario had in Italy, especially Rome an expedition Dakila Pesquisas, led by Urandir Oliveira Fernandes d. In order to draw parallels between symbols of different cultures represented by the Catholic Church, the team was in several museums in Rome and in particular the heart of Catholicism in the Vatican. There were symbols representing different faiths, many even within the pagan basilicas and temples Catholics. It was hard work where the research team also toured the Vatican, the ruins of the Colosseum, Roman Forum and other historic sites, mapping and unraveling some of the mysteries of the region.


So is it just me, or is it really frustrating the way the roster is organized in Gauntlet? In PvP everyone is sorted by name from a to z. But in Gauntlet you can't do that. They're sorted by class and it's so annoying having to swipe swipe swipe to find the team you want.
All inventories would deserve a complete rework. It is the same since the beginning, but we have 300 characters more now. Vertical organisation, quick selection and/or jump to/show only classes would be a good starting point. The left border of the screen (over the relics button) is unused and also on the right to the sacrifice button there is space for selecting buttons. Equip/Unequip all buttons for Talis would help aswell. And of course the menu should not jump back to the beginning after you had a look at the stats of your character. Keeping position would also be helpful in the stores as well.
In addition I'd like to repeat myself and ask for sliders for claiming souls and concerting fragments and a better sorting of souls by type in the BoS.
It would help, if NF could fix sort orders in Gauntlet screen for a start. Usually it would need to fix only one line of code.
Talisman groups that can be locked and moved as a unit, at least for 5/6 sets would be nice. Vertical character display like MSF instead of the long scrolling bottom row YES. Gauntlet is the best feature of the game strategy, challenge and rewards wise but is cumbersome due to the sluggish team building.
Coming from someone with a severe case of ADHD, I tend to dread gauntlet because of how much time and effort it takes to find the one person you want, and then find the Talismans you want to use for them, not remembering where said Talismans are because you left them on the last person you used and forgetting who it was.
And don't forget all the extra time because team sorting doesn't exist here anymore and Talismans will always reset your roster to the beginning because of that stupid bug.
OMG, I will agree, that bug drives me crazy! I always leave all of my max talismans unequipped (except for my farm teams and arena defense) Then when I play a gauntlet battle, I immediately remove the talismans before I start selecting the next team. But yeah I get what you are saying.
isn't this the real challenge?
Last edited by SinGularity-8786; 04-02-2019 at 06:40 PM.
I've grown weary of scrolling. I'm at level A and have only been going down the list. First Eddie and first toons to come to get used.


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