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the double life of véronique quotes
The cinematographer, Slawomir Idziak, finds a glow in Irene Jacob's pre-Raphaelite beauty. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism. This essay was originally published in the booklet accompanying the 2006 DVD release of The Double Life of Véronique. More information... People also love these ideas Pinterest. Movies like The Double Life Of Véronique 1991 Movie. He doesn't want to know why such things happen, or even if they happen. Later, she tells him that all her life she has felt she is in two places at once. The other woman, taking snapshots, doesn't see her. They don't know each other, but their lives are nevertheless profoundly connected. There are no bad people, except the flasher, who shrivels from insignificance. 2 Dislike. Yes, and why did the Paris Veronique suddenly stop taking music lessons? | It does this above all with the face of Irene Jacob, who plays a Polish woman named Veronica, and a French woman named Veronique. You, at home, occupy the table in Venice. 88697953072: Poland: 2011: Sell This Version She and the puppeteer Alexandre (Philippe Volter) are somehow connected; he pursues her with mysterious gifts and tape recordings. He is drawn to coincidence and synchronicity. He wants us to acknowledge we all know how they feel. We feel it ourselves. 4.5 / 5. Fast, free delivery. Both women are good and true and do nothing shameful. Like all feelings, it is one that can hardly be described in words, although it can be evoked in art. We were unable to submit your evaluation. The main caracter have sex twice, her breasts are shown for abt 10-15 seconds each time, near the end a fully clothed sex scene with intense moaning. She stands transfixed. Kieslowski is more delicate. We have no understanding of this. And, don't smile, what does the shoestring in France represent? 1991 French-Polish-Norwegian drama film directed by Krzysztof Kieślowski and starring Irène Jacob. Then he retired at 53 in 1994, and two years later, he was dead. Sometimes he asks her to smile, or look pensive or thoughtful, but sometimes he simply shows her thinking. His films can be mystical experiences. A Hollywood movie would tell you, and you wouldn't want to know. It evokes. Bergman said the human face is the great subject of the cinema. Krzysztof Kieslowski (1941-1996) was a great man. Let us agree you have a favorite cafe in Venice, where you like to sit alone with a book and a cup of coffee. Her face is a template waiting for experience to be added. It tells the story of two women called Weronika and Véronique, from Poland and France respectively. Add to list See details. THE DOUBLE LIFE OF VÉRONIQUE is an unforgettable symphony of feeling. Saved by j u s t. 185. Very quick shot of a man's penis as he gets out of bed. The Criterion Collection's two-volume DVD edition, a stunning transfer with a wealth of bonus features, includes as an option the "American ending." We think we know: A shiver in the web of time and space has vibrated from Poland. | We will never know. It is simply a feeling that we have. The Double Life of Véronique is a tenderly photographed account of two women (one in Poland and the other in France, both portrayed by the deity Irène Jacob) living eerily analogous lives. 6 Meh. We know how that feels. Alexandre makes two marionettes that look like her. Two vibrating strings on a quantum level seem to be in synchronicity -- or are they in two places at once? Get unlimited DVD Movies & TV Shows delivered to your door with no late fees, ever. The Double Life of Veronique. We are drawn into the character, not kept at arm's length with a plot. HBO's Painting with John is a Magnetic Celebration of Arts and Artists, The Nostalgia of Epix's Bridge and Tunnel is Filled with Wrong Turns, The Sister Sacrifices Logic, Tension as Its Twists Unravel, Visions of Friendship: Michael Angelo Covino and Kyle Marvin on The Climb. Two young women lead totally separate lives in France and in Poland, one called Veronique and one called Weronika. It is the feeling that we are not alone, because there is more than one of us. One month free trial! The Double Life of Veronika is the soundtrack to the acclaimedFrench film, La Double Vie De Veronique, which won an award in theCannes Film Festival in 1991. Plot Keywords. She is, but doesn't know why. The movie has a hypnotic effect. The Double Life Of Veronique (1991) is an abstract and mysterious work in its imagery and intentions but manages to be pretty easy to follow as a story. Logged in users can submit quotes. Dramamu – The Double Life of Veronique (1991) Banyak film sub indo yang bisa muncul di bioskop terkenal dan masuk ke dalam film box office dan menjadi film yang bisa menyedot animo masyarakat untuk menonton film ini, sehingga bisa membuat film ini menjadi film terlaris dan bisa membuat Anda selalu ingin menonton film ini secara terus menerus. × She has a good face. The other color, blending with both, is golden yellow, and then there are the skin tones. The first four-minute mile is run, and then it becomes common. Apr 2, 2020 - Free 2-day shipping. illustration by Tony Stella. Buy The Double Life of Veronique (1991) 27x40 Movie Poster at Walmart.com I thought for a moment it was Veronica's aunt, but no. The one so important it must be sought in the Dumpster? It does this above all with the face of Irene Jacob, who plays a Polish woman named Veronica, and a French woman named Veronique. With his writing partner, Krzysztof Piesiewicz, he made films that dealt with spiritual challenges and the uncoiling of fate. The Double Life of Veronique deals with existence as it is pleated to form the lives of two singular-plural beings, with a double fate. z o.o. With Irène Jacob, Wladyslaw Kowalski, Halina Gryglaszewska, Kalina Jedrusik. So in The Double Life of Véronique, perhaps, we are not dealing with the "mystery" of the communication between two Véroniques but with one and the same Véronique who travels back and forth in time. And do the aunt in Poland and the father in France resemble each other a little, or is it only in attitude? She shows herself vulnerable, romantic, joyous, tender. The Double Life of Véronique (French: La double vie de Véronique, Polish: Podwójne życie Weroniki) is a film by Krzysztof Kieślowski, also the director of Blind Chance and the Three Colors Trilogy. This is one of the most beautiful films I've seen. If you try it, you will turn clouds into rain. He trusts us to follow him, to sense his purpose, to leave the theater having shared his openness to a moment. Then he made the "Three Colors" trilogy, "Red," "White" and "Blue," of which the first, also starring Irene Jacob, is the first among equals. Synopsis Plot Summary In either place, you are in communion with the other. Have I made "The Double Life of Veronique" sound as if nothing much happens? A brief yet intense act of male exhibitionism lasts about a second. He tells their story. He changed nothing earlier but edited in four additional shots, now the last ones in the film. "The Decalogue" and the "Three Colors" trilogy are also in the Great Movies collection. The Double Life of Véronique HD IMDB: 7.8 Véronique is a beautiful young French woman who aspires to be a renowned singer; Weronika lives in Poland, has a similar career goal and looks identical to Véronique, though the two are not related. He uses a rich palette, including insistent reds and greens that don't "stand" for anything but have the effect of underlining the other colors. T he first time I saw Krzysztof Kieślowski's Double Life of Véronique— in a dark Boston University classroom almost 10 years ago—I dozed off for a few minutes. "Papa, I am in love," she tells her father. La Double Vie De Véronique = Podwójne Życie Weroniki = The Double Life Of Veronica (Original Fim Soundtrack)  (CD, Album, RE) Sony Music, Sony Music Entertainment Poland Sp. Rent The Double Life of Veronique (1991) starring Irène Jacob and Halina Gryglaszewska on DVD and Blu-ray. While there, her pure, flawless voice wins the attention of a choir director, whose husband is a famous conductor, and Veronica is chosen to sing at a concert. Let's not waste any time observing how beautiful she is. 34 Save. These people regard her with wisdom and love. All they demonstrate is that Weinstein thought Kieslowski's final image, of Veronique's hand touching the rough old bark of a tree, could be improved by her running across a lawn to hug her father. Memang film yang bagus adalah film yang … The main caracter have sex twice, her breasts are shown for abt 10-15 seconds each time, near the end a fully clothed sex scene with intense moaning. Here is a film about a feeling. | He is fascinated by Point B, and the unseen threads linking it to past and present. Please try again later. There are theories about events affecting other events at a distance. This whole film is a hug, the kind you share with a very good friend when you are in sympathy about something that is very important. Watch trailers, read customer and critic reviews and buy The Double Life of Veronique directed by Krzysztof Kieslowski for £4.99. The first film made by Krzysztof Kieślowski outside of his native Poland, La double vie de Véronique [The Double Life of Veronique] has only ever been available in fits and starts in the US, until the release of a Criterion Collection DVD two weeks ago. We become invested in her introspection. It evokes. Movies like. Two parallel stories about two identical women; one living in Poland, the other in France. A nude couple are briefly shown together lying in bed. Severe. The Polish Veronica seems to exist on a plane above the mundane; a flasher exposes himself to her, and she hardly seems to notice, or care. His "Decalogue," released as 10 films of 55 minutes each, deals with people who know what they want to do but not what they should do. Krzysztof Kieslowski was one of the difining filmmakers in 80s and 90s art house cinema and sadly passed away in 1996 at age 54. Directed by Krzysztof Kieślowski • 1991 • France Starring Irène Jacob, Philippe Volter, Sandrine Dumas Krzysztof Kieślowski's international breakthrough remains one of his most beloved films, a ravishing, mysterious rumination on identity, love, and human intuition. The original motion picture sound track is composed by Zbigniew Preisner. We learn that Harvey Weinstein, the film's U.S. distributor, felt unsatisfied with the director's close. A little later, her father asks her if she is sad. Directed by Krzysztof Kieslowski. This movie is very mystical, weird and contains some haunting scenes. The film opens in Poland with a luminous and happy young woman who goes to Krakow to visit her aunt. You have never been to Venice, but set that aside: You are there now. Twins say they intuit each other's feelings. The Double Life of Véronique (French: La double vie de Véronique, Polish: Podwójne życie Weroniki) is a 1991 film by Krzysztof Kieślowski, the director of Blind Chance and the Three Colors Trilogy.. Bathroom. We are connected at a level far, far beneath thought. Attending a marionette performance with her students, she sees the puppeteer in a mirror at the side, and he sees her. She is open to the murmurs of the aether. Each film centers somehow on a Commandment. Has she seen her somewhere before? He is little interested in focusing on a character hurtling from point A in the first act to Point C in the third. What he is searching for is her soul. If there seem to be inconsistencies, it is because life and time itself sometimes try again and take an unexpected turn. It is a holy moment. In Paris, we meet Veronique, a schoolteacher. The music depicts the pain of two souls in search of eachother. The film has some older characters: two fathers, an aunt, the conductor and his wife, a music teacher. 92 Like. When one was very young, she touched a hot stove. They have no blood relation and the… Taglines More. Who is that woman in the floppy black hat who turns and looks intently at Veronique? Chimpanzees on one island are taught a skill, and those on another develop it. She finds him, flees him, is pursued, and love is admitted. دانلود فیلم The Double Life of Veronique 1991 با بازی Irène Jacob, Wladyslaw Kowalski, Halina Gryglaszewska و ژانر محصول کشور فرانسه / لهستان / نروژ به A few days later, the other knew not to. Le Double Double Life Cinematic Photography Film Photography Hush Hush Krzysztof Kieslowski Film Movie Movies Cinema Film. It can't be done. A new life experience is in the air today, a perception that explodes the form of the linear narrative and renders life as a multiform flow. Kieslowski's camera spends a great deal of time regarding Jacob's face. Before that takes place, she is in a square and sees -- herself -- boarding a bus. The last thing you want to do after a Kieslowski film is "unravel" the plot. The Double Life of Veronique 1991,دانلود زیرنویس The Double Life of Veronique 1991,زیرنویس The Double Life of Veronique 1991,زیرنویس فارسی The Double Life of Veronique 1991. A head and shoulders shot of a man and woman having sex(no nudity). They explain nothing and add nothing. Jacob, who was 24 when the film was made, has a flawless complexion that the camera lingers near to. Krzysztof Kieslowski's "The Double Life of Veronique" (1991) does us the favor of not supplying any explanation for itself, and is not even very clear about what actually happens. There are also some mysterious people. You lift your eyes from the book and are filled with a faint feeling of being still at home. The movie causes very intense sadness. Krzysztof Kieslowski's "The Double Life of Veronique" (1991) does us the favor of not supplying any explanation for itself, and is not even very clear about what actually happens. There is a shot of Jacob, who pauses for a moment and lifts her head to the sun, and we know what she is experiencing: Here I am, my life around me, my hopes high, my trust confident, standing stock still, the sun on my face, living in this moment. Let me give you an example. View credits, reviews, tracks and shop for the 2015 Digipak CD release of La Double Vie De Véronique = Podwójne Życie Weroniki = The Double Life Of Veronica (Original Fim Soundtrack) on Discogs. No quotes approved yet for La Double Vie de Véronique (The Double Life of Veronique). To sense his purpose, to sense his purpose, to leave theater. One living in Poland with a luminous and happy young woman who goes to Krakow visit... You will turn clouds into rain, joyous, tender true and do nothing shameful connected at a level,. 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the double life of véronique quotes 2021


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Several years ago, I was in Paris and perusing the books at Shakespeare and Company. As I lost myself in the colorful aisles, I came across a modest paperback: Moonlight in Odessa by Janet Skeslian Charles.
I was intrigued by this city I knew so little about, and after reading the back of the book, I decided to buy it. And while I liked the idea of the plot, about a twenty-something woman who tries to carve out a life for herself in Odessa and starts working part time at a mail-order bride company, it was the description of the city that won me over.
Odessa: a place where the streets were lined with candy-colored buildings, where people had conversations about classical music and art and literature, where cooking for friends and family was the greatest way to express your love, where women wore sky-high heels with miniskirts and clattered down the street. From that point on, I knew I had to visit.
Just as Bloodline brought me to the Florida Keys, it was Moonlight in Odessa that brought me to Odessa.
Did Odessa live up to my expectations? It went far and beyond. I fell madly in love with Odessa from the moment I arrived, and it's one of my favorite destinations in years.
I arrived in Odessa on a bus from Chisinau, Moldova. After a quick stop at an ATM, I jumped in a taxi, agreed on a price that was likely far too much, and whirled down the pastel streets.
I was dumbfounded. I knew it would be beautiful, but how could Odessa be this beautiful?
I went out for a stroll with my camera and soon learned that Odessa is cheap. Ukraine is cheap overall. I knew it wouldn't be too expensive, but I was shocked at just how low the prices were. Until this trip, I thought Albania and Macedonia had the cheapest prices in Europe; I soon realized Ukraine had them beat.
When Russia annexed Ukraine's Crimea a few years ago (or as Russian loyalists would say, they took back what was rightfully theirs), Ukraine's currency took a significant hit. What was already cheap became even more so.
Some examples of prices? I would regularly have a multi-course meal with wine for about $8.
A latte in a fancy cafe would cost around 95 cents.
The most expensive tickets at the opera? Around $10.
My boutique hotel room that would run for at least $250 if it were in New York? $42.
But on that note, there's nothing to be worried about in terms of Russia and safety. There is no violence or military presence in Odessa. You wouldn't know anything was happening.
You can't travel to Crimea overland from Ukraine, and while Ukrainians now need a special permit in order to enter, non-Ukrainians can visit at their will. Flights from Moscow to Crimea are now considered domestic.
Today Odessa is just as safe as any other European city.
When I heard there was a bakery called Make My Cake, I had to stop by — there's a Make My Cake in Harlem (and they make some of the absolute best cupcakes in the city, so if you're in New York, you should come visit). Rather than cupcakes, though, this place was all about macarons.
It sounds crazy, but trust me — they were amazing. Who knew that black truffles tasted so delicious with a bit of sugar? And each macaron cost less than a dollar, because why would you ever pay more than that in Ukraine?
On the more traditional end, I tried my first Ukrainian food at a restaurant called Kumanets. If you look for traditional food in Odessa, that's the first restaurant that pops up, and you should go. It's touristy as hell, with servers in traditional Ukrainian costumes, but the food is delicious and they have a lot of traditional Odessa dishes.
If you're going to get the vareniki, or dumplings, get them with cabbage. Those are most traditional.
I also got my first taste of borscht — a new addiction that I would order nearly every day I was in Ukraine.
The next day, I met my guide Olga from JayWay Travel for a walking tour of Odessa with some food stops along the way.
I don't often do private tours — it's usually a group tour, a solo wander, or nothing — but I learned so much about Odessa from Olga that I was nearly bereft at how much I would have missed without her.
Beyond the Jews, Odessa is home to Greeks, Turks, Armenians, Poles, Bulgarians, and of course Russians. All of these ethnicities melding together have made for some wild history — and some very interesting and surprisingly Mediterranean-influenced cuisine.
I had expected Odessa to be full of six foot tall blonde women, but it wasn't like that at all. People were shorter, darker, and heavier than you might expect.
How amazing is this heart? I'm not a fan of love locks in general because they weaken bridges, destroy the look of architecture, and at this point, they're such a cliché.
But Odessa has figured out the perfect solution. Instead of a bridge, they have a heart sculpture designated specifically for love locks. This way you can lock a symbol of your love to an icon in the city without destroying a bridge in the process!
Every city needs to do this.
Odessa is famous for its courtyards, Olga told me. She took me into several of them and pointed out wells that dated back generations, the only places where you could get fresh water in the city. Today many of them had old cars.
I loved this tiny house and its plants, just sitting in the middle of the courtyard!
And some courtyards are home to elegant restaurants.
The Potemkin Steps are one of the symbols of Odessa. The steps are actually an optical illusion — they're much wider at the bottom than they are at the top. This was meant to give the appearance of a much larger staircase and intimidate any wayward sailor who found himself in the city!
The steps were actually under construction during my visit, but I was able to get this photo across the street from them.
I was so in love with Odessa. My heart swelled with every step I took.
And then a rogue hailstorm hit! I've never seen hail that big or loud in my life!
Roughly the size of canned hams, am I right?
Afterward I couldn't believe that the walking street completely flooded! It was fine a few hours later, though.
Also worth seeing are the catacombs. But unlike Paris and Rome, the catacombs are not filled with bones.
Here in Odessa, they were home to the resistance against the Nazis during World War II. The resistance lived down here, plotted and fought. People would stay underground for months at a time.
At one point, there were seven children living in the catacombs. This was their classroom.
Yes, that's literal cave art about Hitler. This image is of a Nazi coming back injured. Translation: you're losing the war!
The catacombs were also where Olga handled a mansplainer with aplomb. As we were waiting to go in, a tall hefty man in a navy blue pinstripe suit (with a royal purple pinstripe shirt…what?) said something to her in Ukrainian. She smiled weakly and ignored him. He then said a second thing to her, then a third. From the expression on her face I knew she was dealing with a mansplainer.
"What did he say to you?" I asked once we were inside.
"Oh, he said, 'You can't go in there, it's locked.' Then he said, 'It's too early for you to buy your tickets, they don't have money.' Then he said, 'You're not allowed to go in there.' And I said, 'I'm here five days a week,' and walked in." Of course. He didn't believe she could possibly be a guide; he assumed he knew more than she did.
No matter how far you travel, some things stay the same.
Odessa brought me so much joy. I felt so light and happy the whole time I was there, almost laughing for no reason. And as a result, I'm worried that this blog post didn't convey enough information about Odessa itself. Does it make you actually want to visit? Or am I just a crazy lady distracted by pretty things that made her happy?
This shy balloon seller made me happy.
This orange bicycle made me happy.
This little pink car made me happy.
These little yellow chairs made me so happy.
Odessa, you were pure joy to me. Thank you for bringing such a big smile to my face.
Essential Info: In Ukraine I was a guest of JayWay Travel, a boutique Central and Eastern European travel company, for a custom itinerary they built for me with hotels, transfers, and tours. They do custom trips so whatever you're looking for, reach out to them. It was so nice to not have to worry about transfers, and I was grateful that Olga went into the airport with me and found out where I was to depart (one terminal is currently under construction) — with the language barrier, I never would have been able to do that on my own. Contact them directly for tours or other bookings.
I stayed at the Hotel Milano, a brand new boutique hotel ideally located close to the walking street. I highly recommend it — it was extremely comfortable and modern, the staff were very helpful and spoke English well (a bit rare in Ukraine) and for $42 per night, it was a steal. (Olga pointed out that it's a much louder neighborhood during the summer.) You can see more hotels in Odessa here.
There is a significant language barrier in Ukraine, but it wasn't nearly as bad as I feared. In central Odessa lots of people in restaurants and hotels speak a bit of English. I do recommend learning Cyrillic, which is pretty easy to do. It will make your life so much easier when you can read what's in front of you, as many words are similar to English.
I visited Odessa in May, which was the perfect time. Odessa is a beach city and gets crazy in the summer months — which means it gets crowded, there are lots of late night parties with loud music, and older foreign men swarm the city searching for wives.
Moonlight in Odessa is out of print, but you can still get it for Kindle or secondhand.
Don't visit Odessa without travel insurance. Whether you get appendicitis and need to be hospitalized, or your phone gets stolen, or an injury means you need to cancel all or part of your trip, travel insurance will help you out. I use and recommend World Nomads as travel insurance for trips to Ukraine.
Have you been to Odessa? Does it look like your kind of city?


I'm trying to sync my school email to my smart phone and it asks me all these questions such as if it's exchange, pop3, imap etc and then asks me about its security and such. My question is how do i find this stuff out about my email? I have no idea what I'm looking for! Thanks!
If you get your email from a web site, it's IMAP.
If you download it to a mail client without using a web browser, it's probably POP3.
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The ultimate wisdom of the photographic image is to say, 'There is the surface. Now think, or rather feel, intuit. What is beyond it, what the reality must be like if it looks that way'. Photographs, which cannot themselves explain anything, are inexhaustible invitations to deduction, speculation, and fantasy. The very muteness of what is, hypothetically, comprehensible in photographs is what constitutes their attraction and provocativeness.
what a lovely picture!! my husband took apart all of my old watches haha… i didn't know that you had 2 dollar bills down there! we did in Canada, not anymore tho.
Susan clearly knew what she was talking about…but I'm afraid I'd have to take more time to contemplate all of that! WOW.
Some very deep thoughts that Susan shared! I love the vintageness this still life evokes with the subjects involved!
I think I'll skip all the words on this one and just focus on the beautiful photograph.
Oh my, "(t)he very muteness of what is, hypothetically, comprehensible…" I'll get back to you when my head stops spinning. Of course it seems to that what is "hypothetically comprehensible" is factually incomprehensible.
I love that shot. LOVE IT!
And the Sontag is pretty good as well.
I feel thoe words in connection with the image. I am all about evoking feeling and searching beneath.
A beautiful still life in attractive z/w.
I really LOVE this composition and treatment, Sherri. And what a great quote!
A lovely composition…and that watch! wonderful!!
This photograph could say, time is money but also time is more precious than money and that's what I think.
Beautiful b/w photo of these antique pocket watches.
A gorgeous still life. Beautiful detail and light.


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The current financial crisis, the loss of asset values, the refusal to extend normally-given credit and the great increase in defaults on obligations ranging from individual mortgages to the debts of great investment banks presents, of course, a pressing challenge to the fiscal authorities and central banks to take measures to minimise the consequences. But they also present a challenge to standard economic theory, a challenge all the more important since the development of policies to prevent future financial crises will depend on a deeper understanding of the processes at work.
That economic decisions are made without certain knowledge of the consequences is pretty self-evident. But, although many economists were aware of this elementary fact, there was no systematic analysis of economic uncertainty until about 1950. There have been two developments in the economic theory of uncertainty in the last 60 years, which have had opposite implications for the radical changes in the financial system. One has made explicit and understandable a long tradition that spreading risks among many bearers improves the functioning of the economy. The second is that there are large differences of information among market participants and that these differences are not well handled by market forces. The first point of view tends to argue for the expansion of markets, the second for recognising that they may fail to exist and, if they do come into being, may fail to work for the benefit of the general economic situation.
There is obviously much more to the full understanding of the current financial crisis, but the root is this conflict between the genuine social value of increased variety and spread of risk-bearing securities and the limits imposed by the growing difficulty of understanding the underlying risks imposed by growing complexity.
Econophysics provides some insigth about the root cause of the meldown. For 97% percent of the population, market economy work as advised. For those people, incomes are spread like a Gibbs-Boltzmann distribution, which extramely stable both theoricaly and experimentaly. However, for last 3% incomes follows a power law. This this part of the economics system which is unstable. Unfortunately for the implementation of any policies, this is where the weathiest membre of our society are.
Econophysics provides some insigth about the root cause of the meldown. For 97% percent of the population, market economy work as advised.


text:
Elionor d'Anglaterra o Elionor Plantagenet (Domfront, França, 1162 - Burgos, 1214) fou princesa d'Anglaterra i reina consort de Castella (1177-1214).

Biografia
Va néixer el 13 d'octubre de 1162 al castell de Domfront, a la Normandia, França, i fou la segona filla d'Enric II d'Anglaterra i de la seva dona, Elionor d'Aquitània. Fou germanastra maternal de Maria de Xampanya i Alix de França, fills ambdós del primer matrimoni de la seva mare amb Lluís VII de França. Així mateix era germana d'Enric II el Jove, Matilde d'Anglaterra, Godofred II de Bretanya, Joana d'Anglaterra i dels reis Ricard I d'Anglaterra i Joan I d'Anglaterra. Va tenir un altre germà, Guillem (1153-1156), que no va sobreviure a la infantesa.

La major part de la infantesa d'Elionor va transcórrer entre Anglaterra i França i va residir permanentment durant dos anys a la cort de sa mare a Poitiers.

Núpcies i descendents
El 1170 amb vuit anys la prometeren amb Alfons VIII de Castella, amb qui es casà el 21 de setembre de 1177 a la catedral de Burgos. Aquest matrimoni es realitzà per tal d'assegurar la frontera dels Pirineus. D'aquest matrimoni tingueren 11 fills:

 la infanta Berenguera de Castella (1180-1246), reina de Castella (1180-1246), casada el 1197 amb Alfons IX de Lleó
 l'infant Sanç de Castella (1181)
 la infanta Sança de Castella (1182–1184)
 la infanta Urraca de Castella (1186-1220), casada el 1206 amb Alfons II de Portugal
 la infanta Blanca de Castella (1188-1252), casada el 1200 amb Lluís VIII de França
 l'infant Ferran de Castella (1189–1211)
 la infanta Mafalda de Castella (1191–1204)
 l'infant Enric de Castella (1192)
 la infanta Elionor d'Anglaterra (1202-1244), casada el 1221 amb Jaume I el Conqueridor
 l'infant Enric I de Castella (1204-1217), rei de Castella
 la infanta Constança de Castella (?-1243), abadessa del monestir cistercenc de Las Huelgas, fundat pel seu pare

La seva filla Elionor, casada amb el comte-rei d'Aragó, fou la que heretà la influència política de la seva mare, regnant al costat del seu marit.

Elionor persuadí la seva filla Berenguera de casar-se amb el rei de Lleó en interès de la pau. Quan Alfons VIII de Castella va morir, Elionor estava tan enfonsada que no pogué presidir l'enterrament del seu marit. La seva filla Berenguera fou la que va presidir la cerimònia. Elionor llavors va caure malalta i morí el 31 d'octubre de 1214, tan sols vint-i-vuit dies després del seu marit, sent enterrada al Monestir de Las Huelgas, prop de Burgos.

Referències

Prínceps d'Anglaterra
Reis consorts de Castella
Morts a Burgos
Persones de l'Orne
Casa de Plantagenet
Polítics francesos

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Finger knitting is fun and easy. And all you need is a ball of yawn, a pair of scissors and…your fingers. It doesn't get much simpler than that. Finger knitting is a great way to spend your free time when you need something to do. When you're finished, you'll have a beautiful necklace or bracelet!
In this video, Fiber Flux creator Jennifer Dickerson provides an easy DIY tutorial showing us all how to finger knit. In under ten minutes, you can create some pretty amazing things. The final product is really amazing and such a great project to do with kids because it doesn't require needles.
The steps are pretty simple. You'll slip a ball of yarn between your thumb and index finger, loop the string around your pinkie and weave through your fingers. Wrap yarn around your little finger and continue in the other direction; this time go over your ring finger, under your middle finger, and over your index finger. You will now have a loop on each finger. Repeat this process. Watch her full deminstration in the video below.
I can't wait to try this — and eventually move into bigger projects like creating a scarf and hat. Seriously, knitting has never been easier!
Please SHARE this awesome project idea with your crafty friends and family.


In a feat of riveting comedy, one-eyed storytelling champion and cancer survivor Stephanie Morin-Robert recounts her life as a feisty 7 year-old who wields her glass-eye as a superpower. In Blindside, a prospector's recent diamond discovery forces his daughter, a young and sheltered cancer patient with a prosthetic eye, to change schools in the middle of the third grade. With the help of her cat, a pair of sunglasses, and an undesirable superpower, she soon discovers that she has what it takes to fight back and come to terms with her disability.


text:
Alexander Teixeira De Mattos (Translator), Gaston LeRoux
The Phantom of the Opera Le Fant me de l'Op ra by Gaston Leroux The Phantom of the Opera is a novel by French writer Gaston Leroux. It was first published as a serialisation in Le Gaulois from September 23, 1909, to January 8, 1910. It was published in volume form in April 1910 by Pierre Lafitte. The novel is partly inspired by historical events at the Paris Opera during the nineteenth century and an apocryphal tale concerning the use of a former ballet pupil's skeleton in Carl Maria von Weber's 1841 production of Der Freischutz. Nowadays, it is overshadowed by the success of its various stage and film adaptations. The most notable of these are the 1925 film depiction featuring Lon Chaney and Andrew Lloyd Webber's 1986 musical. The Opera ghost really existed. He was not, as was long believed, a creature of the imagination of the artists, the superstition of the managers, or a product of the absurd and impressionable brains of the young ladies of the ballet, their mothers, the box-keepers, the cloak-room attendants or the concierge. Yes, he existed in flesh and blood, although he assumed the complete appearance of a real phantom; that is to say, of a spectral shade. When I began to ransack the archives of the National Academy of Music I was at once struck by the surprising coincidences between the phenomena ascribed to the "ghost" and the most extraordinary and fantastic tragedy that ever excited the Paris upper classes; and I soon conceived the idea that this tragedy might reasonably be explained by the phenomena in question. The events do not date more than thirty years back; and it would not be difficult to find at the present day, in the foyer of the ballet, old men of the highest respectability, men upon whose word one could absolutely rely, who would remember as though they happened yesterday the mysterious and dramatic conditions that attended the kidnapping of Christine Daae, the disappearance of the Vicomte de Chagny and the death of his elder brother, Count Philippe, whose body was found on the bank of the lake that exists in the lower cellars of the Opera on the Rue-Scribe side. But none of those witnesses had until that day thought that there was any reason for connecting the more or less legendary figure of the Opera ghost with that terrible story. The truth was slow to enter my mind, puzzled by an inquiry that at every moment was complicated by events which, at first sight, might be looked upon as superhuman; and more than once I was within an ace of abandoning a task in which I was exhausting myself in the hopeless pursuit of a vain image. At last, I received the proof that my presentiments had not deceived me, and I was rewarded for all my efforts on the day when I acquired the certainty that the Opera ghost was more than a mere shade.
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WATCH: The Car of the Future is Born in Israel
Tired of driving? We have good news: the future is already here!
'I'm a Big Believer in Israel's Economy,' Says Billionaire Warren Buffett
'The determination, motivation, intelligence and initiative of Israel's people are remarkable and extraordinary,' declared Buffet.
WATCH: All the Good Israel Gave the World in 2017
As we say goodbye to 2017, we remember all the good Israel brought to the world. Thank you, Israel!
5 of Israel's Latest 'Miracles' Leading Up to its 69th Birthday
Here are five miracles Israel experienced over the past year.
Non-Israeli to Light Independence Day Torch for 1st Time
Rabbi Marvin Hier, founder of the Simon Wiesenthal Center, is the first non-Israeli chosen to light a torch at the national Independence Day ceremony.
Intel Buys Mobileye, Sets New Exit Record for Israeli High-Tech Company
Intel's purchase of Mobileye for over $15 billion is the biggest acquisition of an Israeli high-tech company to date. Intel, one of the world's biggest technology conglomerates, has confirmed reports that it is purchasing Mobileye, a leader in autonomous driving technology, for $15.3 billion. This would be the biggest exit in the history of Israeli hi-tech, which... Read more »
CNN Program Highlights Israeli Reinvention of the Wheel
CNN has written about three Israeli Innovations that will revolutionize the planet; Want a phone-free family meal, or just a break from constantly checking messages and emails? Purchase an Israeli Pause, and much more.
Major Auto Makers Relying on Israeli Tech to Beat Google's Driverless Car
Several major automakers are teaming up with Mobileye, an Israeli assisted-driving developer, to beat Google to releasing driverless cars.
Israeli Company Aims to Make Airports Safer
Israel's Controp has teamed up with USA's Pharovision to develop detection systems designed to warn of potential collisions between airplanes and either airborne birds or foreign object debris on the ground, and Bill gates says, "Israeli technology is improving the world."
Israel Inaugurates its Largest Solar Field Yet
Israel has inaugurated its largest photovoltaic energy field and Israeli chip design startup Sckipio is working with Intel to deliver 1 gigabit per second Internet access.
Israel Launches Irrigation Project in Kazakhstan; New York City Taxis Use Israeli Technology
Good News Israel presents Israel launches irrigation project in Kazakhstan; Israeli technology in New York City taxicabs and much more...
WATCH: Israel Aims to Keep You Safe on the Road
Mobileye's Israeli technology hopes to drastically reduce the number of car accidents each year with their special camera co-pilot system.
Time is On Our Side
After 2000 years of exile, citizens of the State of Israel can be proud of their phenomenal technological achievements in just 67 years. It's as if the gift of time itself has been bestowed on the Jewish State for the benefit of humanity.
Israel's Mobileye Drives a Car Across the USA; Israel to Host World Science Conference
Good News Israel presents Israel's Mobileye drives a car across the USA; Israel to host World Science Conference and much more...


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There is a very nice Mexican-Cuban restaurant in Chelsae area where they have wonderful mojitos.
The Eiffel Tower always looks good, in black and white or in color.
It's not a cliche because of the black foreground! Wonderful!
Witha photo like this... well you are my hero!
The Time Warner Bldg. in NYC has spectacular views,and a few cheaper places in which to sit and drink on the lower floors.
Just like the Eiffel tower has!
P.S. Can't you just see this ET on Suzy's head?
I just love the Eiffel Tower!! Such loveliness is free to look at as well. *sigh* Someday!
I hope you have a great time in NYC with all those fortunate enough to be able to meet as well, Eric. Safe travels!
Love this classic-looking shot. Especially in B&W.
What are all these guys looking at?! Thousands of people are looking at something else than the Eiffel Tower?..
What happened in your back, Eric?
This picture is a real mystery.
Have a nice Sunday all. Off to Reims for an auction sale.
What a romantic picture, It's just lovely to look at!
Hello Eric and Hello to all!!!
Eric - My name is Jessie, I was the anonyme who played " the guess who's who game" in your Le Marchand de Masques photo! I live in NYC and I have been following your PDP for the past 6 month, I do look forward to your photo every evening when I get home from work. I DO MISS PARIS A LOT and so lovely to have you here to provides us all these wonderful pics! Thank you.
I too Guille am wondering what that guy is recording? Everyone seems to facing opposite the Eiffel Tower.
I love NYC almost as much as I love PARIS!!! x x NYC comes in a close second though.
I hope you have a wonderful time on your visit to the USA!!
I have to say though I am a complete and total sucker for photos of the Eiffel Tower.I love to see how other people or artists may see it.
I also like when Eric only shows 1/2 or a little part of the photo.
Eric, how about meeting a few of us in Portland, OR? It's only, you know, another 3000 miles or so. Just let me know what time to pick you up at PDX.
What???? the PDP party is not going to be held in BIrmingham, Alabama for pete's sake?? I am so disappointed.
I am just thrilled to see la tour Eiffel in all her glory, and it's a fabulous perspective at that, and not some tawdry topic like we were all accomplices to the other night! A good , wholesome Paris attraction that we can all oooh and aaah over and not be tempted in the least to be naughty.
Jessie: Hi! Thank you, again, for playing the guessing game with me. It was a welcome respite from tasks which, though much more pressing, were much less fun.
For me, as for so many others, the Eiffel Tower is first and foremost a soaring synecdoche for Paris itself. While there are a clutch of other buildings and monuments that convey something of the city's history, and countless works of art that give form to its soul, the Iron Lady remains unsurpassed as a symbol of Parisian daring, innovation and optimism. World events since 1889 have certainly tarnished the modernist credo of which she is such an eloquent and elegant manifestation, but she is yet to become a mere cultural cliché – although, I have to agree, she could never honestly plead "not guilty" to this charge. The evidence against her is far too overwhelming, and continues to grow exponentially: digital photography and the internet having continued to fix her reputation as an international trope of touristic consumerism. Indeed, how many of us who have visited Paris can honestly say that, despite our precious "worldliness", our first glimpse of the tower after arriving isn't also the moment when we feel, with hale and blissful certitude, that we have actually arrived?
One of the many paradoxes of progress is that, if one lives long enough, one is likely to see the triumphs of one's youth become the trivia of one's old age. If, for example, you are old enough (as I am) to have watched the live broadcast of Neil Armstrong's "great step for mankind", I urge you to contemplate first what it means to you, then what it might mean to someone born after 1970, after 1980, after 1990, after 2000. Obviously, it is now a moment in history for all of us, but one's perspective on history is determined as much by when one became a historical being as by the extent of one's historical knowledge. We who were there, so to speak, when Armstrong etched our collective signature in the Moon's virginal dust will "know" it differently to someone who "knows" it simply as a recorded fact. Likewise, if you will forgive the anthropomorphising gist of my speculations, the Eiffel Tower has had to endure the gradual but irreversible recession of her glory days into the haze of mechanical reproduction and moist-eyed nostalgia.
This brings me back to the Eiffel Tower's status as a global cliché, which can't be denied, but which, at the same time, is nothing any of us should be apologetic about: least of all you, Eric. I, for one, look forward to your occasional portraits of her, much as I look forward to receiving photos of my aging parents – part of whose lives are, and always will be, "unknown" to me in terms of lived experience; submerged in a mystery that will always be just within, yet just beyond, the reach of my filial curiosity. I feel much the same way about your images of our beloved Dame de Fer, whose slender, tapering profile and latticed silhouette still resonate with the astonishment, vitality and excitement that must surely have greeted her "birth". Thus, while she might be old in years, she retains her youthful aura, along with her coquettish, "iron-clad" promise of future pleasures, which belong to those for whom life, and history, are yet to begin. Hopefully, some of them will (like some of us) be able to penetrate the tangle of clichés which enfold her – and which, by then, will be considerably denser than it is now – and see not a relic but a survivor, not a dowager but an enchantress, not a weary stereotype but a living expression of human aspiration.
For this reason, I derive immeasurable joy from seeing photos of her that are, in a manner of speaking, "hot off the press". Only in this way can I see how she looks today, at this hour, or this minute, while I am far away, wishing like mad I were not.
Lucio -- WOW! I'm at my (usually Internetless) mom's house—and yet, miraculously, here I am.
(except to say, incredible back-to-Paris ET shot, Eric, and more soon on a good place to meet in NYC).
What the heck... one for the road!
Where did you take this photo? I would love to be able to come close when I am there next month. Fabulous perspective!
Uh, was it good for you, Lucio?
Yeah, I know, I couldn't help myself.
PS. I remember exactly where I was when Armstrong took his giant step for mankind. By the way, I heard somewhere that Armstrong may also have said as he took next few steps: "and this is for you Mr. Wilson." Does anyobody know who Mr. Wilson is or if the story is true?
Lucio, that's a tough act to follow, so I won't try. I'll only say that seeing La Tour Eiffel, even when I only knew it in photographs, always made me nostalgic for a life I imagined I would lead. It is, as you say, the living expression of human aspiration. When I see La Tour from any view my heart fills with my own aspirations and my visions of adventures--those I've had and those I desire. For me, La Tour Eiffel is a symbol of transforming dreams into action.
Eric, you know you can post anything and we'll love it and be grateful for it. Oh--and listen, while you're in the states, after you drop by Birmingham and Portland, you might as well stop in Los Angeles. Lots of folks here want to see you.
I am late on responding to comments yesterday (one in particular), but this photo of the Lady brings it into context. Beauty is not defined by hair color. Une belle femme est une belle femme, est une belle femme. That which we call a rose, by any name will still smell as sweet.
Eric once again a beautiful photo of Paris, from a new perspective and with a hint of mystery as to what's going on in the shadows. I enlarged the photo so much on my iPod that it crashed so I just had to go to bed without commenting. I might not have made sense last night after an amazing Parisian dinner follows by drinks at an Irishpub served by none other than the beautiful and charming (and oh so young!) Guille. Michael you are LAME for not showing up.
On this my last full day in Paris (I know, no one feels sorry for me in the least), I will try to soak up everything so that I take a bit of the Parisian spirit with me when I go home tomorrow. And of course I'll always have PDP!
Alexa/Petrea/Katie: Sometimes a piece virtually writes itself. Fortunately, one has never typed itself, so I have not yet outlived my usefulness.
When enlarging enough the picture, it reminds me of the free concert given last Bastille Day, very crowded and a lot of lights and sound.
Maybe it's THE reason why no one looks at Eric, as incredible as it seems !
On another subject, I love Eric's calendars for the new year. I'm buying them as X'mas gifts for colleagues. Eric, you rock! PLEASE don't run out of stock.
Every once in awhile at PDP the shot by Eric is the catalyst for a series of comments that speak from individual emotions while drawing the whole community closer. Dozens of short but perfect expressions and others that swell with sheer beauty, gifting us with moments to be awed - together.
I do feel sad for you as I'm imagining what a last night in Paris would feel like.
I'm near Portland so count me in after you get Eric's itinerary (we wish!).
"For me, La Tour Eiffel is a symbol of transforming dreams into action." That pretty much says it all.
I think Vicky Hugo's suggestion sounds ideal, but still have to recommend a cliche' - Tavern on the Green in Central Park. My husband and I ate there on our wedding night.
Katie -- I feel bad for you having to leave Paris (never an easy thing to do). But it's not your last day in Paris. It's your last day in Paris THIS trip, that's all. Here's to la prochaine visite!
Katie, "sorry" isn't the word. I don't feel sorry for you, no. But I do feel the sadness, with you, at having to leave this time. Thanks for sharing it with us, I've enjoyed it so much.
Ahh, several weeks in Paris. It sounds like you had a great trip, Katie. Bon voyage.
Lucio...nice word solo! I expected nothing less from you.;-) You are right...she is an "enchantress" (never a dowager) and perhaps even a synecdoche that extends beyond the confines of Paris proper. No doubt, besides Notre Dame, she is the other lady in town boys!


The 2017 Teenish Theater Workshop is two shows in one!
With very able writing and directorial assistance from Jenna Malyn.
Huge thanks to Mike Long and the parents, friends, and loved ones of the performers for all their assistance!
Director Miller Murray Susen and a merry band of 11-to-16-year-old cast collaborators are creating the totally original 2017 Teenish Theater Workshop production!
In this unique Live Arts program, workshop participants meet twice a week throughout the Fall to write, craft, and rehearse a… Something or other.
Past workshop productions have included comedic sketches, kazoo bands, unusual yoga, insult battles, pretty good rapping, semi-dramatic monologues, ridiculous game shows, and more. Much more. The production is always a crazy fun, one-of-a-kind show – this year, make that two-of-a-kind shows!


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text:
Борлешть, Борлешті () — село у повіті Сату-Маре в Румунії. Входить до складу комуни Помі.

Село розташоване на відстані 419 км на північний захід від Бухареста, 35 км на схід від Сату-Маре, 102 км на північ від Клуж-Напоки.

Населення
За даними перепису населення 2002 року у селі проживали  особи. Рідною мовою 897 осіб (99,4%) назвали румунську.

Національний склад населення села:

Примітки

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text:
Barry Evans
IN SILENCE AND MOVEMENT YOU CAN SHOW THE REFLECTION OF PEOPLE
first performed on March 12, 2011
the lawns of the Museum of Contemporary Art, Sydney, Australia
SYLVIA SCHWENK
Sydney, Australia / Berlin, Germany
661266407s661266407t661266407s661266407c661266407h661266407w661266407e661266407n661266407k661266407@661266407y661266407a661266407h661266407o661266407o661266407.661266407c661266407o661266407m661266407.661266407a661266407u
schwenk.com.au
A work of participatory performance art, which was performed by everyday people in a real life context in front of a construction site at the Museum of Contemporary Art. The work draws attention to ordinary events or actions that normally go unnoticed, in particular tradesmen installing and removing sheets of glass. The performance reminds us in a small way that history is the total sum of ordinary things: life is not the result of significant events, but the culmination of small, everyday acts, things, coincidences and encounters.
The project, which takes its name from a quote by the French actor and mime Marcel Marceau, saw performers become tradesmen-dressed in yellow overalls, yellow hardhats, white gloves and black boots, equipped with glass suckers-moving sheets of pretend "glass" from the front of the MCA to the edge of Sydney Harbour's Circular Quay and back. In the week(s) leading up to the performance, I met everyday people who shared the public space where the work was to be presented and invited them to become performers. On the day of the performance, I directed a 30 minute rehearsal immediately before the "live" performance, where the performers-people who did not know each other-started working together, communicating with one another, helping each other, and implicitly trusting each other to present the work in a professional and cohesive way-transforming themselves from a group of individuals into a unified group of performers. The work typifies "performosis'-a term I created to encapsulate the way in which everyday people become performers in participatory performance art, and spectators and passersby performing their everyday activities become active parts of the performance in public space.
The performance also highlights the effect context has on art and its audience. As the work approached the entrance to the MCA, the performance inherently started to carry an art frame signalling that the audience should turn their art filter on and alter their behaviour. The audience started to respond to the work with awe and deference, becoming quiet, and moving to the edge of the area, opening up a distinct space between the performance and themselves. They metaphorically elevated and placed the performance on an art platform or pedestal. As the work moved closer to Circular Quay, it presented itself as an intervention in a public space and the work became more accessible. The audience were curious, and actively engaged with the work in a more relaxed way, giving themselves permission to be attracted and inquisitive. They allow themselves to engage "performotically." During the performance, for example, some spectators started polishing the "glass," some ran through sheets of "glass" smashing them into shards, while others started carrying their own sheets of "glass."
SYLVIA SCHWENK. IN SILENCE AND MOVEMENT YOU CAN SHOW THE REFLECTION OF PEOPLE. In Emergency Index Vol. 2011, Brooklyn NY: Ugly Duckling Presse, 2011, 096-097. Accessed on April 30, 2019 from /projects/2011/096-097.
format_quote link import_contacts art behavior boots everyday frame glass history intervention Marceau, Marcel metaphor miming participation permission pretend public space reality rehearsal signal site spectator transformation working


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Want to see more? Just contact us to schedule your own private showing of homes for sale in Rancho Penasquitos!


text:
AL-KⓄ: "Out of Sight" (prod. J Dilla) – the rhymes fit the beat like a glove
Staff — August 20, 2016
Studied visionary hip-hop producer J Dilla (James Dewitt Yancey) is most revered for his unique soul-stirring style of beat-composing, as he was very easily one of the best producers to ever come out of the Midwest, Detroit to be specific. So when you've got a production by this man, half of the song is made. The rest depends on the man in the booth and the lyrics he brings to the table. On the track "Out of Sight" (prod. J Dilla), Canadian rapper AL-KⓄ, brings thought provoking rap verses made up of introspective poetic rhymes.
"Life got me in a bubble I can't pop,
This bubble got me breathing heavy I can't stop,
Each time I try to fight it it just gets worse,
Me or the bubble, which one will burst first?"
Arguably one would think that the music is worth greater attention than the vocals -no disrespect to the late Dilla, but AL-KⓄ's rhymes fit the beat like a glove, and deserve just as much attention. It's a solid blend that honors the legacy of the producer, and really does feel like a personal diary by the rapper.
In terms of style the track definitely sounds likes recordings from the early 2000s in a great way, despite what the commercially systematized mainstream heads might want to think of modern hip-pop. AL-KⓄ gives us some of his strong personal storytelling over what is a combustible slow grooving sound. The production is mellow with its sweet chiming keyboard and elegant percussive soundscape as the rapper croons:
"Perpetually I'm reminiscin',
About my demolition,
I use it for my mission, ammunition for my vision,
Musician visions, deep incisions, I feel and itchin',
The stars across sanctify my wishes and dreams."
Even though a few parts have some pretty deep seriousness, the bulk of the song does carry a sign of hopefulness. AL-KⓄ raps with a laidback conversational flow, but the wow-factor, and the desire to penetrate listeners' consciences and open up their small, self-constructed, walled-up worlds comes forth naturally.
Overall, "Out of Sight" (prod. J Dilla) is a juicy-enough introduction to the personal thoughts and talents of AL-KⓄ. Hearing him rap over this beat is absolutely refreshing. I am a fan of artistry that conveys stories and trains of thought effectively, especially when dealing with conflicts and questions, of which AL-KⓄ seems to have a lot of.
This track has both a deeply embedded story and a high musical quality. You should appreciate this good artistry, it something that is a rarity these days.
OFFICIAL LINKS: SOUNDCLOUD – INSTAGRAM – YOUTUBE
Tags: AL-KⓄCanadaHiphopJ DillaOut of SightRap
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text:
Riley-Singh appointed as additional Saugus public health nurse
Town Manager Scott Crabtree issued the following press release
Town Manager Scott C. Crabtree announces the appointment of an additional public health nurse to assist the Saugus Health Department and Board of Health in their continued collaborative efforts with town and public safety officials to help mitigate the spread of COVID-19 in the community and prioritize the health and safety of the residents of Saugus during this ongoing global pandemic.
Teresa Riley-Singh recently started her new post and training at the end of 2020.
Riley-Singh, a registered nurse, is a highly-qualified public and private health professional with 15 years of experience in the field. She will assist the community's health director and Board of Health in better supporting and aiding the public during these extraordinary times.
"We are happy to welcome Teresa as an additional public health nurse for the Town of Saugus," said Crabtree. "Teresa holds extensive experience in and advanced knowledge of public health and nursing, which will make her an asset to our community, residents and employees, especially during these unprecedented times."
Riley-Singh previously worked as a registered nurse for Phillips Academy, Melrose Public Schools and East Boston Health Clinic. She also served as an intensive care unit (ICU) registered nurse in the Pediatric Burn Unit at Shriners Hospital for Children and as an assistant nurse manager at Monte Nido Center for Eating Disorders.
Riley-Singh is currently working towards obtaining a bachelor of science degree in nursing from Bay Path University and she holds an associate of nursing degree from North Shore Community College. She is certified in the ICU and as a provider of basic life support.
In addition, Riley-Singh holds a bachelor of arts degree from Saint Michael's College, and she studied African literature at the University of Natal in Pietermaritzburg, South Africa.


text:
French court hits Swiss bank UBS with $4.2 billion fine
Former CEO of Global Wealth Management and Business Banking at UBS AG Raoul Weil, left, his wife, 2nd left, former General Director of UBS France Patrick de Fayet, 2nd right, and one member of their legal team arrive for the ... more >
By Jeffrey Schaeffer and Angela Charlton - Associated Press - Wednesday, February 20, 2019
PARIS (AP) — A French court ordered Swiss bank UBS to pay more than 3.7 billion euros ($4.2 billion) in fines for helping wealthy French clients evade tax authorities, wrapping up one of France's biggest-ever tax evasion trials.
The Paris court convicted Zurich-based UBS AG on Wednesday of aggravated money laundering and illegal bank soliciting, issuing what French media called a record fine.
One of the world's largest wealth management banks, UBS slammed the ruling and vowed to appeal.
It denied criminal wrongdoing, saying in a statement that the conviction was based on "unfounded allegations of former employees." UBS suggested the ruling was based on French prejudice against Swiss tax practices and insisting that it was only offering "legitimate and standard services under Swiss law that are also common in other jurisdictions."
The court ordered criminal and civil fines for UBS' Swiss head office, its French subsidiary and five executives totaling more than 4.5 billion euros. The executives were given suspended prison sentences.
The fines were in line with the prosecutor's request.
Investigators say the Swiss bank sent employees to solicit wealthy executives or athletes during sport or music events in France, urging them to place their money in Switzerland. The assets illegally concealed by French clients in Switzerland in 2004-2012 allegedly amounted to some 10 billion euros ($10.75 billion).
French national financial prosecutors and UBS representatives initially sought a plea bargain, but UBS rejected the out-of-court settlement — reportedly 1.1 billion euros — as too pricey. UBS said at the time that it disagreed with "the allegations, assumptions and legal interpretations being made."


Is everyone accepted for pre-release?
I signed up for the Linux Server pre-release a while ago, but I've heard that some people are already using it. I haven't heard anything, does this mean I was not chosen to try Tableau server on Linux?
1. Re: Is everyone accepted for pre-release?
I wouldn't read too much into it - there's every chance they are giving out invites in a phased manner for people with use cases they are most interested in trying out. With that being said, you may never get an invite at all. Stay patient and on the look out!
2. Re: Is everyone accepted for pre-release?
I believe you should be a current customer with them to get pre release.
3. Re: Is everyone accepted for pre-release?
4. Re: Is everyone accepted for pre-release?
Not sure, but you should make sure when you sign up that you should use your business email that should match with their records. You can also email: betateam@tableau.com for updates.


text:
The Table Video
Peter C. Hill
What's the Point of Humility?
Professor of Psychology at Rosemead School of Psychology, Biola University
What's the point in seeking humility? Dr. Krumrei-Mancuso and Dr. Peter Hill discuss the end goal of humility, addressing why humility is intrinsically and not just instrumentally valuable.
Thinking about the goals of humility, really, if my goal to become humble is really just so that other people will think that I'm so humble, [laughter] and like me more because of it, that suggests that I don't think, or that suggests that I don't understand humility, I don't understand the goals of it, I don't understand the point of being humble. Both of you to reflect and hear a conclusion, about why be humble, what are the goals here really? What is it aimed towards?
Yeah I think this circles back to what we were talking about before. About definitions of humility, doesn't mean thinking less of yourself but thinking of yourself less, and if that's how you view humility so it's not about oh let people think how humble I am, it's about how can I shift my focus to things outside of myself, right, and just think of how much you're free to help, and serve, and make a difference, make an impact, when you're not focused on yourself, and you're focused on a greater good, or a goal, or helping someone else. So I think being humble allows you to get there, so for that reason I think it's pretty important.
Yeah, and I think one element of humility that we haven't touched on, and earlier when I was giving some different views on limitations and so forth, one of them, I think is seeing yourself as part of the bigger picture, which I feel that sense of transcendence, which is part of the Christian message, the world is not centered around me, there's a much bigger issue, sometime I'm going to pass and they'll say nice things maybe, maybe, at my funeral, and then life goes on.
And I think that seeing where your particular role is, is so important, so it comes back to the point that Liz was making earlier, and that is, really what is the motivation, is it to seek truth? Is it to really gain understanding? Or is there some sort of ego investment that's here? And I think if we can take some inventory about that issue, I think the world would be a better place. Whether it be politics and the church, where in the work place, wherever it might be.
Peter C. Hill (Ph.D., University of Houston) is Professor of Psychology at Rosemead School of Psychology, Biola University. He specializes in social psychology and psychology of religion.
More from Peter C. Hill
Practical Steps Toward Humble Leadership (Part 3 of 3) Does Humility Make a Difference in Leadership? (Part 1 of 3)
How to Become Intellectually Humble: Peter Hill
Does Humility Make a Difference in Leadership? (Part 1 of 3)
Humility as Social Lubricant: Humility Works, Arrogance Doesn't
The Psychology of Humility (Full Interview) – Peter Hill and Elizabeth Krumrei-Mancuso
Humble Leadership and Service
Humble Communities: Addressing the Lack of Humility in Public Discourse


text:
import os
import sys
import json

from django.test import Client
from django.conf import settings
from django.utils.importlib import import_module
from django.db import models

from tastypie.exceptions import BadRequest
from tastypie.test import ResourceTestCase

import debug                            # pyflakes:ignore

OMITTED_APPS = (
    'ietf.secr.meetings',
    'ietf.secr.proceedings',
    'ietf.ipr',
)

class TastypieApiTestCase(ResourceTestCase):
    def __init__(self, *args, **kwargs):
        self.apps = {}
        for app_name in settings.INSTALLED_APPS:
            if app_name.startswith('ietf') and not app_name in OMITTED_APPS:
                app = import_module(app_name)
                name = app_name.split('.',1)[-1]
                models_path = os.path.join(os.path.dirname(app.__file__), "models.py")
                if os.path.exists(models_path):
                    self.apps[name] = app
        super(ResourceTestCase, self).__init__(*args, **kwargs)

    def test_api_top_level(self):
        client = Client(Accept='application/json')
        r = client.get("/api/v1/")
        self.assertValidJSONResponse(r)
        resource_list = json.loads(r.content)

        for name in self.apps:
            if not name in self.apps:
                sys.stderr.write("Expected a REST API resource for %s, but didn't find one\n" % name)

        for name in self.apps:
            self.assertIn(name, resource_list,
                        "Expected a REST API resource for %s, but didn't find one" % name)

    def _assertCallbackReturnsSameJSON(self, api_url, json_dict):
        cbclient = Client(Accept='text/javascript')
        identity = lambda x: x      # pyflakes:ignore

        # To be able to eval JSON, we need to have three more symbols
        # They are used indirectly
        true = True                 # pyflakes:ignore
        false = False               # pyflakes:ignore
        null = None                 # pyflakes:ignore
        r = cbclient.get(api_url + '?callback=identity')
        code = compile(r.content, '<string>', 'eval')
        # Make sure it is just a call with the identity function
        self.assertTrue(len(code.co_names) == 1, "The callback API returned "
            "code which uses more symbols than just the given \'identity\' "
            "callback function: %s" % ', '.join(code.co_names))
        self.assertTrue(code.co_names[0] == 'identity', "The callback API "
            "returned code with a different symbol than the given "
            "\'identity\' callback function: %s" % code.co_names[0])
        # After all these checks, I think calling eval is "safe"
        # Fingers crossed!
        callback_dict = eval(code)
        self.assertEqual(callback_dict, json_dict, "The callback API returned "
            "a different dictionary than the json API")

    def test_all_model_resources_exist(self):
        client = Client(Accept='application/json')
        r = client.get("/api/v1")
        top = json.loads(r.content)
        self._assertCallbackReturnsSameJSON("/api/v1", top)
        for name in self.apps:
            app = self.apps[name]
            self.assertEqual("/api/v1/%s/"%name, top[name]["list_endpoint"])
            r = client.get(top[name]["list_endpoint"])
            self.assertValidJSONResponse(r)
            app_resources = json.loads(r.content)
            self._assertCallbackReturnsSameJSON("/api/v1/%s/"%name, app_resources)
            model_list = models.get_models(app.models)
            for model in model_list:
                if not model._meta.model_name in app_resources.keys():
                    #print("There doesn't seem to be any resource for model %s.models.%s"%(app.__name__,model.__name__,))
                    self.assertIn(model._meta.model_name, app_resources.keys(),
                        "There doesn't seem to be any API resource for model %s.models.%s"%(app.__name__,model.__name__,))

    def test_invalid_jsonp_callback_value(self):
        try:
            Client(Accept='text/javascript').get("/api/v1?callback=$.23")
        except BadRequest:
            return
        self.assertTrue(False,
            "The callback API accepted an invalid JSONP callback name")

redpajama_set_name: RedPajamaGithub