Facility 4028 is a mysterious Federation holding facility located in the Ayala System of the Beta Quadrant.
It is a high security facility manned by holograms led by the Warden and controlled by the ISIS (Inmate Security and Information System) software.
"Facility 4028": The player visits Facility 4028 with Weyoun to free the Female Changeling. A group of Jem'Hadar loyal to Kar'ukan free the other prisoners, and the player must fight their way out of the facility.
"Survivor": At the end, Sela is interned at Facility 4028 and receives a visit from Data.
"Storm Clouds Gather": Weyoun references his previous meeting with the player (if Alliance) at Facility 4028, and Odo comments how he would like to see Quark in the facility.
Assignment chain: Facility 4028 Fugitives: The Federation and the Klingon Empire conduct covert operations to re-capture some of the Facility 4028 fugitives.
"Season 5 Dev Blog #27": Doctor Philia Fer of Starfleet Medical sends a series of messages to Franklin Drake. Fer has declined Drake's request for recordings of counseling sessions with the Female Changeling held at Facility 4028; later, the requested information is sent to Drake from an unknown source. Further, Doctor Fer is described as "no longer a concern," and it is suggested that she may be transferred to Elba II.
The uniforms and equipment used by the holograms staffing Facility 4028 are very similar to that of the MACO ground set Federation players can obtain.
Last modified: 9 June 2018 at 15:04.


text:
Siemens provides 157 wind turbines for three projects in South Africa
Siemens secured a large wind power contract in South Africa for an order of 157 wind turbines for three projects in the Northern Cape from Mainstream Renewable Power. The 2.3-MW machines of the Siemens G2 platform will be installed at the wind power plants Khobab, Loeriesfontein 2 and Noupoort, with a combined generation capacity of 360 MW. The new contract includes a service and maintenance agreement for a period of 10 years.
Read more about Siemens provides 157 wind turbines for three projects in South Africa
Ormat's McGinness Hills Phase 2 Geothermal Power Plant Begins Commercial Operation
Ormat Technologies' second phase of its McGinness Hills geothermal power plant located in Lander County, Nevada has begun commercial operation. Since February 1, 2015, the complex sells electricity under the amended PPA with NV Energy through December 2032. The second phase broke ground on March 2014 following resource confirmation and excellent performance of the first phase of McGinness Hills, which had been operational since June 2012.
Read more about Ormat's McGinness Hills Phase 2 Geothermal Power Plant Begins Commercial Operation
Two New PSE&G Landfill Solar Farms in Service
PSE&G recently put two new landfill solar farms in service as part of the utility's Solar 4 All program. The 10.14-MW Parklands Solar Farm in Bordentown, NJ and the 11.18-MW Kinsley Solar Farm in Deptford, NJ were brought online in late-December 2014 and will supply enough grid-connected solar electricity to power about 3,500 average-size homes annually. These are the two largest centralized solar projects built to date by PSE&G, creating a portfolio of 26 solar farms and 174,000 pole-attached solar units that supply more than 101 MW of electricity.
Read more about Two New PSE&G Landfill Solar Farms in Service
Dominion Virginia Power Planning Major Expansion of Large-Scale Solar in Virginia
Dominion Virginia Power will develop multiple large-scale solar projects totaling 400 MW of electricity. All projects will be built in Virginia with the involvement of Virginia-based companies and are expected to be operational by 2020. Together, these solar facilities are anticipated to be capable of generating enough electricity at peak capacity to power 100,000 homes.
Read more about Dominion Virginia Power Planning Major Expansion of Large-Scale Solar in Virginia
Canadian Solar Acquires Recurrent Energy from Sharp Corporation for $265 Million
Canadian Solar entered into a definitive agreement with Sharp Corporation to acquire Recurrent Energy, for approximately $265 million. Once completed, the acquisition of Recurrent will increase Canadian Solar's total solar project pipeline by approximately 4.0 GW to 8.5 GW, and its late-stage project pipeline by approximately 1.0 GW to 2.4 GW. Total consideration for the acquisition of Recurrent is approximately $265 million in cash.
Read more about Canadian Solar Acquires Recurrent Energy from Sharp Corporation for $265 Million
NRG Renew and SunShare Form Community Solar Alliance
NRG Renew, a wholly owned subsidiary of NRG Energy and SunShare, are partnering to finance and build 8.2 MW of community solar projects along the Front Range of Colorado. Once completed and online in mid-2015, this will be one of the largest operating community solar portfolios in the nation, comprised of five ground-mount sites, four in the Denver area and one in nearby Colorado Springs. The renewable electricity generated through this alliance will be available to residential, municipal and commercial subscribers spanning five counties.
Read more about NRG Renew and SunShare Form Community Solar Alliance
B&W Vølund Awarded Contracts for More Than $200 Million for Biomass Power Plant in Wales
Babcock & Wilcox's Denmark-based subsidiary, Babcock & Wilcox Vølund A/S, was awarded contracts by Margam Green Energy Ltd. for more than $200 million to engineer, procure and operate a state-of-the-art biomass power plant in Margam, Wales. B&W Vølund's consortium partner, Interserve Construction Ltd., will build the plant. The plant will be designed to burn 335,000 tons of wood waste biomass annually and generate approximately 40 MW of electricity.
Read more about B&W Vølund Awarded Contracts for More Than $200 Million for Biomass Power Plant in Wales
FPL Plans to Install More Than 1 Million Solar Panels at Three Solar Power Plants
Florida Power & Light (FPL) plans to build substantially more solar energy capacity as part of its ongoing strategy of advancing clean energy while keeping electricity affordable for customers. Before the end of 2016, FPL intends to build three new solar PV power plants that are being designed to cost-effectively complement other major system improvements, which include the retirement of some of the company's oldest fossil fuel-burning units and the continued investment in clean, fuel-efficient, 24-hour
Read more about FPL Plans to Install More Than 1 Million Solar Panels at Three Solar Power Plants
sPower Purchases Nearly 162MW Beacon Solar Projects from Hecate Energy
sPower, developed an agreement with Hecate Energy, a leading power developer, to develop and own/operate solar PV projects. The first joint initiative is the sale to sPower of a 162-MW portfolio comprised of three projects named Beacon 1, Beacon 3 and Beacon 4. The utility scale projects, near Mojave, Calif., in Kern County, will be designed and built by Hecate, then jointly owned and operated by sPower and Hecate. Groundbreaking is scheduled for Q3 2015, with COD from March to July 2016.
Read more about sPower Purchases Nearly 162MW Beacon Solar Projects from Hecate Energy
Emera Completes Sale of Interest in Northeast Wind
Emera closed the sale of its 49% interest in Northeast Wind Partners II (Northeast Wind) to First Wind Holdings (First Wind) has closed. The proposed sale was announced in November 2014. Northeast Wind owns and operates 419 MW of wind generating assets located in the northeast United States. First Wind purchased Emera's interest in Northeast Wind for $223.3 million. Emera's carrying value of its 49% interest as of December 31st, 2014, was $204.4 million.
Read more about Emera Completes Sale of Interest in Northeast Wind

redpajama_set_name: RedPajamaCommonCrawl


HTML5 is the result of years of focused effort by the industrys biggest players to increase the power of the open web. With the implosion of Flash for Mobile, HTML5 has dominated in the mobile space, and is rapidly becoming the gold standard for cross-platform application development in general.
During the webinar we will discuss the capabilities of HTML5 and how companies can benefit from using HTML5 for their mobile and web development. We will discuss the scenarios where we can leverage HTML5 for better business results by decreasing the development cycle. We will also review the other alternatives available and do a brief comparison of the same for web and mobile development.
What does HTML5 mean for businesses and organizations?
How does HTML5 affect web and mobile development?
What are the benefits of HTML5 from a business and development perspective?
How does HTML5 compare to some of the alternatives?


text:
using System.Collections.Generic;
using System.Net.Http;
using System.Threading.Tasks;
using VaultSharp.Core;
using VaultSharp.V1.Commons;

namespace VaultSharp.V1.AuthMethods.LDAP
{
    internal class LDAPAuthMethodProvider : ILDAPAuthMethod
    {
        private readonly Polymath _polymath;

        public LDAPAuthMethodProvider(Polymath polymath)
        {
            Checker.NotNull(polymath, "polymath");
            _polymath = polymath;
        }

        public async Task WriteGroupAsync(string groupName, IList<string> policies, string mountPoint = AuthMethodDefaultPaths.LDAP)
        {
            Checker.NotNull(mountPoint, "mountPoint");
            Checker.NotNull(groupName, "groupName");

            var flatPolicies = string.Join(",", policies);

            await _polymath.MakeVaultApiRequest("v1/auth/" + mountPoint.Trim('/') + "/groups/" + groupName.Trim('/'), HttpMethod.Post, new { policies = flatPolicies }).ConfigureAwait(_polymath.VaultClientSettings.ContinueAsyncTasksOnCapturedContext);
        }

        public async Task<Secret<List<string>>> ReadGroupAsync(string groupName, string mountPoint = AuthMethodDefaultPaths.LDAP, string wrapTimeToLive = null)
        {
            Checker.NotNull(mountPoint, "mountPoint");
            Checker.NotNull(groupName, "groupName");

            return await _polymath.MakeVaultApiRequest<Secret<List<string>>>("v1/auth/" + mountPoint.Trim('/') + "/groups/" + groupName.Trim('/'), HttpMethod.Get, wrapTimeToLive: wrapTimeToLive).ConfigureAwait(_polymath.VaultClientSettings.ContinueAsyncTasksOnCapturedContext);
        }

        public async Task<Secret<ListInfo>> ReadAllGroupsAsync(string mountPoint = AuthMethodDefaultPaths.LDAP, string wrapTimeToLive = null)
        {
            Checker.NotNull(mountPoint, "mountPoint");

            return await _polymath.MakeVaultApiRequest<Secret<ListInfo>>("v1/auth/" + mountPoint.Trim('/') + "/groups?list=true", HttpMethod.Get, wrapTimeToLive: wrapTimeToLive).ConfigureAwait(_polymath.VaultClientSettings.ContinueAsyncTasksOnCapturedContext);
        }

        public async Task DeleteGroupAsync(string groupName, string mountPoint = AuthMethodDefaultPaths.LDAP)
        {
            Checker.NotNull(mountPoint, "mountPoint");
            Checker.NotNull(groupName, "groupName");

            await _polymath.MakeVaultApiRequest("v1/auth/" + mountPoint.Trim('/') + "/groups/" + groupName.Trim('/'), HttpMethod.Delete).ConfigureAwait(_polymath.VaultClientSettings.ContinueAsyncTasksOnCapturedContext);
        }

        public async Task WriteUserAsync(string username, IList<string> policies, IList<string> groups, string mountPoint = "ldap")
        {
            Checker.NotNull(mountPoint, "mountPoint");
            Checker.NotNull(username, "username");

            var flatPolicies = string.Join(",", policies ?? new List<string>());
            var flatGroups = string.Join(",", groups ?? new List<string>());

            await _polymath.MakeVaultApiRequest("v1/auth/" + mountPoint.Trim('/') + "/users/" + username.Trim('/'), HttpMethod.Post, new { policies = flatPolicies, groups = flatGroups }).ConfigureAwait(_polymath.VaultClientSettings.ContinueAsyncTasksOnCapturedContext);
        }

        public async Task<Secret<Dictionary<string, object>>> ReadUserAsync(string username, string mountPoint = "ldap", string wrapTimeToLive = null)
        {
            Checker.NotNull(mountPoint, "mountPoint");
            Checker.NotNull(username, "username");

            return await _polymath.MakeVaultApiRequest<Secret<Dictionary<string, object>>>("v1/auth/" + mountPoint.Trim('/') + "/users/" + username.Trim('/'), HttpMethod.Get, wrapTimeToLive: wrapTimeToLive).ConfigureAwait(_polymath.VaultClientSettings.ContinueAsyncTasksOnCapturedContext);
        }

        public async Task<Secret<ListInfo>> ReadAllUsersAsync(string mountPoint = "ldap", string wrapTimeToLive = null)
        {
            Checker.NotNull(mountPoint, "mountPoint");

            return await _polymath.MakeVaultApiRequest<Secret<ListInfo>>("v1/auth/" + mountPoint.Trim('/') + "/users?list=true", HttpMethod.Get, wrapTimeToLive: wrapTimeToLive).ConfigureAwait(_polymath.VaultClientSettings.ContinueAsyncTasksOnCapturedContext);
        }

        public async Task DeleteUserAsync(string username, string mountPoint = "ldap")
        {
            Checker.NotNull(mountPoint, "mountPoint");
            Checker.NotNull(username, "username");

            await _polymath.MakeVaultApiRequest("v1/auth/" + mountPoint.Trim('/') + "/users/" + username.Trim('/'), HttpMethod.Delete).ConfigureAwait(_polymath.VaultClientSettings.ContinueAsyncTasksOnCapturedContext);
        }
    }
}

redpajama_set_name: RedPajamaGithub


Don't you hate it when people don't keep their promises? For this little piggy however, the consequence of the broken promise was the worst outcome imaginable – death, as The Local reports, with the killer now facing a three month suspended jail term.
The pig in question was a mere two months old, named Babe, when a French animal activist rescued it from a life leading up to a slaughterhouse, caring for it for over two years. Unfortunately when she moved home, she no longer had the space to take care of him and therefore gave it to a neighbour to look after. To ensure the pigs care, she made her neighbour sign an adoption contract promising to care for the pig, keep it healthy and the crucial part – not to kill it and/or eat it.
Despite signing the contract, the neighbour eventually had a butcher kill the pig with a shotgun and then turned Babe into meat products. Unbelievably, when French police visited the property, they found 243lbs of canned meat and paté, plus an empty pig pen. Poor guy!
As a result of the breach of contract, and also 'slaughtering an animal outside of slaughterhouse conditions', she was fined 500 Euros ($563) in addition to a suspended three month jail sentence.
Although the unnamed woman did not attend the hearing, she did try to excuse her actions to police officers by claiming the pig became too big to feed and had escaped from his pen many a time. Even if this is true, it does seem rather drastic to kill the pig rather than contact the previous owner or build a bigger pen!
The French activist was obviously informed of the situation and is no doubt distraught Babe had his life ended the exact way she fought against. It is also a lesson to all that if you sign a contract, you better read the small print.


text:
Q: How to sort and then pull a specific group of objects from a mongodb query I'm currently pulling every embedded object, that matches the given filters, from my mongodb collection. I then sort these and then .slice them to get the 10 objects the user actually needs depending on which page they are on, it looks like this.
const data = await EachWay.aggregate([
    {
        $unwind: "$data"
    },
    {
        $match: filters
    },
    {
        $project: {
            "_id": 0,
            "bookmaker": 1,
            "sport": 1,
            "data": 1
        }
    }
])

const start_index = (current_page - 1) * posts_per_page // included in results
const end_index = current_page * posts_per_page // won't be included in results

const shortened = data.sort((a, b) => {
    if(Number(a.data.rating) < Number(b.data.rating)){
        return 1
    } else if(Number(a.data.rating) > Number(b.data.rating)){
        return -1
    } else {
        return 0
    }
}).slice(start_index, end_index).map(item => {
    let result = item.data

    result.bookmaker = item.bookmaker
    result.sport = item.sport
    return result
})

If the user is on page 3, this will get the 21st to the 30th post.
I feel like this is inefficient, as I'm having to pull every matching post from the database first, in some cases this can be 100,000 posts and then I only end up sending the client 10 of these. Is there a way to sort the embedded objects and pull the 21st-30th items from the database before returning the items?

redpajama_set_name: RedPajamaStackExchange


German-American economist and writer who spent most of his career since 1959 at Harvard Business School. He editted and contributed to Harvard Business Review, in which his his most famous article was "Marketing Myopia." Also a prolific author of books, Levitt profoundly influenced modern marketing thought and practice.
Ideas can be willed, and the imagination is their engine.


Portable canopy shelter designed to cover the area between 2 no. containers to give a covered working or storage area. Can also be erected on to concrete blocks.
Quality 610g/m2 PVC covers. Galvanised steel frames. We have grown massively over the last couple of years supplying temporary warehousing and industrial tents due in no small part to our repeat customer base and referrals. Call us for a competitive price on 01757 289067.
We have UK stock that is ready to go.


As this year comes close to an end, we have seen some remarkable piece of software development in SEO arena.
GSA Group , the team behind the development of Search Engine Ranker, has won several applauds and recongnition for creating something that can be termed as a great seo assistant.
Based on Avangate statistics, GSA Search Engine Ranker is one of the best-seller among 3000+ softwares and applications that are sold through their payment gateway. Now that is some milestone indeed. Most software reviewers and SEO"Gururs" thought it was just another "seo software" which would die in few months, but they failed miserably in their prediction. Remember any such software that deals with automation and search engine ranking needs to be updated on a regular basis. I have to give credit to "Sven" the lead developer of GSA Search Engine Ranker has stunned many big coder with his top notch regular updates and stable releases. GSA Search Engine Ranker is here to stay and give a stiff competition to most other similar automated backlink seo softwares. 3 years since its inception,GSA SER is still the choice of millions of Seo experts and Link builders.
GSA SER works on most windows platforms including server edition. GSA Search Engine Ranker works tirelessly to build backlinks for your sites, based on the instruction and filter rules you set. A great quality of a true assistant indeed.
One great and unique feature of GSA Search Engine Ranker is that it will automatically find targeted relevant sites for you and create backlinks on them. All of this done absolutely with just a few clicks. Most automated softwares rely on platform list, now that is not good in my opinion. We don't want every other guy to build links on same set of sites. If you use GSA as your seo tool, rest assured your backlink portfolio is going to be unique and very well diversified.
Pritesh I would like to thank you for writing such a wonderful review about GSA Search Engine Ranker. Without this, I would have never known about such a powerful software.
What I love about GSA is the variability of use. I can use it for ranking youtube videos, articles, even websites.
For websites however, I don't build links straight to my site. Firstly, I build high quality links like blog posts, guest posts, … pointing to my site. Then I load up Magic Submitter and build quality tier 2 links that point to these blog posts. GSA comes as last tier (tier 2). GSA creates more spammy links than MS, so I wouldn't use GSA for 2nd tier.
Stuart the beauty of gsa search engine ranker is the wide variety of links you can automatically create .
Nice review on GSA Search Engine. What are the supported sites that GSA Search Engine ranker can support ? Do you have a list ?
Nice Review on GSA SER. Can I use GSA Search Engine Ranker on my money sites ?
Yes you can create Tier 1 links pointing to your main site. Be sure to only use High Quality links.
i have brought samsung galaxy s5 duos and i shared it on Facebook, google plus account to analyse the quick response and i am shocked i have great response from google plus against facebook it means google plus have strong platform to work on what do you say?
Its really hard to say whether G plus is more powerful than facebook. It actually depends on your own network of friends and groups.
The beauty of GSA Search Engine ranker is the fact that is indeed very user friendly.
You are just being wise. Just one tool cannot help you in such a tough comeptition in search engine ranking. Its always good to mix n match combination of tools.
I am using Senuke since a year but I am not happy with the tool Do you think GSA is better than Senuke ?
Pritesh what link-types would you recommend using in GSA SER for Tier 1?
It has to be contextual anchor based back-links surrounded by contextual content.
Hey Pritesh I see you recommended VPS for running GSA efficiently. Do you know any reliable windows VPS provider for GSA Search Engine ranker ? Also what VPS specs do you recommend.
Yes I always recommend VPS for every GSA search engine ranker to use this amazing software to its full potential. I have been using BHosting since last few months and they have not disappointed me so far. Anything with 2GB RAM should be good enough to run GSA smoothly.
Hi santosh, GSA is not hard to use. If you want to build 8000 links / day you surely need some kind of captcha solver. It can be a third party solver or captcha breaker. I high decent VPS and proxies is "recommended" to build mass links. Also we have exclusive coupons that will bring down the cost considerably.
Pritesh how many proxies are you running?
Amy I use HMA and also around 50 private proxies. Depending on the campaign, i switch between these two.
Pritesh can you please tell me how many words should my article be? 1000 words? 500? I am very confused.
Laura good to see you here. A 500+ word article is good enough in most cases.
Can you explain if I should use indexer with GSA ?
I personally do not use indexer. I believe if the links are good enough they will be found naturally and if these links are useless, does it really matter whether they get found or not ?
Can I just avoid Kontent machine and rely only on TBS ?
James you are comparing apple with an orange. Kontent machine is a content generator which generates contents scraping article sites. TheBestSpiner is used to generate spun content for any given article. What i do is plug in the TBS API into kontent machine.
Sir I am new to Seo and link building. I remember you reviewed Ultimate Demon on another popular website in past. Do you still use and recommend Ultimate Demon ?
Ultimate Demon is a great tool . But recently I have stopped using it , as GSA Search Engine ranker does all of it. It's easier to organize and manage the campaigns when you are using just one tool.
Before anything else, I would like to thank you for this wonderful GSA Search Engine Review. I just wanted to know if GSA SER could allow me to spread my submission across several days.
Daniel, I hope you are doing good. And yes you can schedule and limit the submission across several days. I use this feature a lot.
i wish to buy gsa search engine ranker, but i am afraid if Google will penalize my sites.
Well Seo is a Game. You may win, you may lose or you may even get banned. For the matter of fact, any artificial link building method may get you penalized if you don't know what you are doing.
Thanks for the quick response. I have another quick question for you. Can I use GSA SER to build backlinks to my NON-English websites ?
Gerald you can use GSA SER for your non-english sites as well.
Hey Pritesh first of all its really helpful review, but i wanna know if we can we use GSA SER on multiple PC's?
Prateek you can install GSA on as many PC you want but you cannot run more than one instance per license simultaneously.
Ahh i am stuck with setting up deathbycaptcha for solving the captcha 🙁 What am I supposed to put on the ip-port field ?
Hi ruck, just relax and leave those field with default settings. You dont have to mess with those two fields.
well finally i have managed to save sum cash to buy GSA Search Engine ranker , but i dont want to buy any captcha solving services or gsa captcha breaker, can i still have success with my ranking ?
Biki you can ofcourse use GSA SER without any captcha services. Please keep in mind that if you plan to input the captchas manually , the amount of link you can build will be dependent on how many captchas you can solve manually.
Hey Pritesh can you tell me if 2mb/sec internet speed is good enough to run GSA SER and scrapebox together ?
Perry that is fine, but looking ahead i would highly recommend using GSA SER VPS.
Sir can I just use the inbuilt harvester or do I need to buy some premium list like Ron's list or others ?
I personally recommend using the inbuilt Harvester always.
Why do I need to use proxy ? What is the purpose ? What if I buy proxies and then later decide on stopping my payment to proxy provider , will I lose links I created using those proxies ?
Proxy is primarily used to hide your real ip. Additionally it will much higher success rate in building links and bypass anti-spam filters. And Anne you wont lose any links.
Fantastic review. on Gsa search engine ranker. I love how you handpick the best tool for we Im'ers.
I think GSA search engine ranker is still the best automated in even after 3 years of their launch.
John i have to agree with you , GSA SER is by far the most advanced and sophisticated automated link building software.
What link list should I use with GSA Search engine ranker ?
Can google detect spunned content ?
The chances are very low for the current algorithm to detect spunned content. Do make sure to use kontentmachine and ContentProfessor.
I create the spun content and assign a fiel name to each spun content and then in GSA SER use the folder to pick one random file containing my spun unique content.
Can I use VPN and proxy at the same time with GSA Search Engine ranker ?
Technically you can but it would be a overkill in my opinion.
I downloaded the trial version of gsa search engine ranker but my i am unable to run it if I keep my avast antivirus on. Please guide.
Joan try to whitelist GSA SER application in your anti-virus software. That should do the trick for you.
When I run a particular project it overloads my cpu. But it runs smoothing on other projects. Can you help ?
Shanice you use hotmail/outlook(dot)com emails . It has worked in most cases. You can also opt for gmails if you can find a provider who could ship you with verified gmail accs.
I am using Gsa search engine ranker since a week only and what I noticed is that the number of verified links is lot less compared to the number of successfully submitted links.
Julissa i see what you mean. If you are using engines that requires moderator/admin approval before the links goes public, you are bound to have low ratio for sure. Try using auto and instant link approval engines and you will see your verified link ratio is way too up.
Can Gsa Search Engine ranker and scrapebox alone help me rank my websites in top 10 google listing ?
Yes absolutely GSA SER alone can help you rank on first page for medium and long tail keywords. Just follow our guides and tutorials and will be able to master GSA in no time.
What is LPM in gsa search engine ranker ? How can i improve my stats ?
LPM is basically links per minute, well you can improve your starts depending on the platforms and engines you chose for link building.
Hey Pritesh I heard gsa search engine ranker is a great tool. How do I start using it ?
GSA SER is a beast. Most would agree with that if not all . Now since you made a wise decision to i will suggest that you spend some time at the official gsa search engine ranker forum. You can also go through the all important youtube videos posted by santos.
Can I use deathbycaptcha with gsa search engine ranker ? For some reason I am not able to get the balance .
Yes you can pretty much use all popular captcha services including deathbycaptcha. As for you patricia not getting the balance, i would guess that is could be a temporary glitch and if it persists then just check if some AV software is blocking access to deathbycaptcha servers.
pritesh sir can you point me to some videos where i can learn how to use gsa search engine ranker fast and easily.
I am using GSA SER last 6 month. I got lot veryfied dofollow link. but still my keywords rank did not change. Means not any improvment. Can you guide me. how can improve ranking by gsa ser software.
Jayesh you need to tell me a little more about your campaigns. Your keyword competition, your chosen engines and your link index ratio . I would love to help you have better ranking with Gsa ser.
Sandeep ideally you do not need scrapebox if you have GSA Search engine ranker. Gsa search engine ranker has a built in scraper and it will automatically find target sites for backlining based on your selected platforms/engines.
Thats cool Sandeep. Let me know if you have any more queries.
Sandeep are you able to login manually with the same credential using a browser ? Hotmails are getting a bit picky and often ask for a phone verification sooner or than it used to be. Also did you try the "find settings" under the pop 3 configuration in GSA ?
Yes GSA can help you rank your Youtube videos. Google is evolving and so does Youtube , things that used to work in YouTube SEO does nto work anymore . I will write a detailed article in this pretty soon. That will help you hopefully.
wow perfect description, i get many new information in here cause i have a user profile but i can't use . i want to learn how to get backlink with profesional ..


text:
HomeShopVinylBernard Herrmann – The Mysterious World of Bernard Herrmann (45rpm 180g 2LP)
Bernard Herrmann – The Mysterious World of Bernard Herrmann (45rpm 180g 2LP)
Bernard Herrmann
Original Recordings Group
Label: Original Recordings Group – ORG0151 / London SPC 21137AAA -100% Analogue
180 Gram Virgin Vinyl – Pressed at RTI
Mastered By Bernie Grundman – 2,500 Numbered Limited Edition
Bernard Herrmann is known for breathing life into movies through his wonderful compositions. One of Herrmann's most popular collection of film scores, The Mysterious Film World Of Bernard Herrmann, is now available on audiophile quality 180g 45rpm Vinyl. This 1975 Phase 4 recording, originally released on London Records, pairs Bernard Hermann with the National Philharmonic Orchestra.
Produced by Tim McDonald, this recording contains three stunning examples of film compositions which brought the fantasy of the movies closer to reality for millions of filmgoers. The three movies from Columbia Pictures are Mysterious Island, Jason And The Argonauts and The Three Worlds Of Gulliver.
Sit back and let this sonic experience transport you into another space and time.
"This album was recorded by the composer early in 1975 and has proved to be one of the more enduring parts of Bernard Herrmann's catalog, a steady seller on LP, and issued several times on CD. During the early to mid-'70s, Herrmann began re-recording many of his earlier scores at Kingsway Hall in London with the National Philharmonic Orchestra. The sound glitters, some of the brightest and richest audio of its period (attested to by the album's being part of Decca/London Phase 4 Stereo), and the performances have a dignity and intensity that makes the music — drawn from the key parts of Herrmann's scores for the Ray Harryhausen-created fantasy films The Three Worlds of Gulliver, Mysterious Island, and Jason and the Argonauts — seem even more serious and profound than it originally did. Herrmann tends to take the tempos slower than he did in the original scores, which gives him and the players a chance to open up the detail and nuances in the music, bringing out their surprising depth and complexity. What's more, the players sound like they're having the time of their lives playing it." – Bruce Eder, AllMusic
"One reason for Mysterious Island's high level of artistic success is the wallop of a score that Bernard Herrmann wrote for it. Composed in close proximity to Psycho (1960), Mysterious Island features Herrmann firing on all cylinders, in cues ranging from pounding intensity to soaring lyrical themes, all retaining the strong air of mystery and impending doom indicated by the title; it is one of Herrmann's best." – Dave Lewis, AllMusic
"Herrmann, as usual, creates striking, evocative sonic images and brilliant colours by using extraordinary combinations of instruments. For Jason and the Argonauts he chooses to ignore strings altogether. On the other hand, he expands the winds and percussion to a massively huge ensemble. In most cases he triples or quadruples the instrumental requirements over the standard symphony orchestra. Standard pairs of woodwinds are increased to: 4 flutes and piccolos, 6 oboes, 6 cor anglais, 6 clarinets, including bass and contrabass clarinets, and 6 bassoons including contra-bassoons. The mammoth brass section has 8 French horns, 6 trumpets, 6 trombones and 4 tubas! The immense battery of percussion has 26+ instruments plus 2 complete groups of 5 timpani each. The cymbals alone feature: 4 suspended cymbals, 2 separate pairs of large crash cymbals plus 1 large tam-tam and 1 medium tam-tam! For these instruments, Herrmann wrote music that explored the extreme compasses of the range of many of them, giving an impressive top-to-bottom, and wide dynamic range. He also organised the music so that it filled a wide and deep sonic stage. I have asked the question before, but I will pose it again; however did Herrmann imagine these effects and calculate the forces to interpret them?" – Ian Lace, Film Music On The Web
"Bernard Herrmann entered Kingsway Hall, London, on February 6, 1975, to record what was going to be the last of the four Decca/London albums of suites from his own film music. The series started in 1969 with music from five Hitchcock films, continued in 1971, and reached its peak in 1974 with The Fantasy Film World of Bernard Herrmann. The album starts off with two suites from Mysterious Island (1961) and Jason and the Argonauts (1963), 14 and 11 minutes respectively, and finishes off with a larger 25 minute suite from The Three Worlds of Gulliver (1959). The performances of the National Philharmonic Orchestra are first rate as always, following slower tempos than the original soundtracks." – John Norstad, The Bernard Herrmann Society
• Only 2500 Numbered Limited Edition Copies Worldwide
• Audiophile 180g Vinyl
• 45rpm
• Double LP
• Recorded at Kingsway Hall, London, February 1975
• Mastered by Bernie Grundman from the Original Analog Master Tapes
• Pressed at RTI
• Numbered Deluxe Laminated Double Gatefold Jackets
SKU: ORG 151 Category: Vinyl
National Philharmonic Orchestra Bernard Herrmann, Conductor
Side A: Music From The Columbia Picture "Mysterious Island" 1. Prelude 2. The Balloon 3. The Giant Crab 4. The Giant Bee 5. The Giant Bird Side B: Music From The Columbia Picture "Jason And The Argonauts" 1. Prelude 2. Talos 3. Talos' Death 4. Triton Side C: Music From The Columbia Picture "The Three Worlds Of Gulliver" 1. Overture 2. Minuetto-Wapping 3. Hornpipe 4. Lilliputians 1 & 2 5. Victory 1 & 2 6. Escape Side D: Music From The Columbia Picture "The Three Worlds Of Gulliver" 1. The King's March 2. Trees 3. The Tightrope 4. Lovers 5. The Chess Game 6. Pursuit 7. Finale
Sarah Vaughan – Sarah Vaughan (180g LP)
Joan Baez – Diamonds and Rust in the Bullring [limited edition](45rpm 200g LP 2LP)
Eric Bibb & Needed Time – Spirit & The Blues (180g 45rpm 2LP)


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Optional Justice: The African Court's Relationship with Human Rights Protection in Africa
Posted on August 3, 2020 by Mark Kersten
Ruwadzano Patience Makumbe and Jonathan Ochom join JiC for this post on the African Court on Human and People's Rights and states withdrawals from declarations permitting NGOs and invidious to file cases before the Court. Ruwadzano is a Zimbabwe human rights lawyer and is currently a Hillary Rodham Clinton Global Challenges Scholar at Swansea University. Jonathan is a Ugandan human rights lawyer; the co-founder of Legal Hub Uganda and is a Chevening Scholar at Swansea University. The views and opinions expressed in this article are those of the authors alone and do not represent the position of any organisation.
(Photo: African Court on Human and Peoples' Rights)
The African Court on Human and Peoples' Rights (hereinafter, the Court) remains critical to Africa's quest for human rights accountability. The mechanism provides states the discretion to accept the declaration allowing NGOs and individuals to institute cases before the Court. This is significant as almost all cases that the Court has heard have been filed by individuals. However, a growing number of member states are withdrawing their declarations, with Benin and Côte d'Ivoire being the latest states to withdraw, in early 2020. This casts doubt on the Court's sustainability and ability to deliver on its mandate. In this piece, we scrutinize the strengths and limitations of direct access of individuals and NGOs as well as the option to withdraw the declaration available to member states, the political undertones shaping States' withdrawals, and the implications on Africa's human rights trajectory.
African Regional Human Rights System and Accountability
The Protocol to the African Charter on Human and Peoples' Rights on the Establishment of the African Court on Human and Peoples' Rights recognises human rights as a tool for achieving the legitimate aspirations of the African peoples. Article 3 gives the Court jurisdiction to interpret and apply the Charter, the Protocol, and any other applicable human rights instruments ratified by member states of the African Union. Article 5 (3) grants the Court discretion to permit relevant NGOs with observer status before the Commission as well as individuals to directly initiate cases before the Court in accordance with article 34 (6). This provision broadens the Court's jurisdiction to address gross human rights concerns. It also raises technical issues with a bearing on human rights accountability. Firstly, granting observer status to NGOs is a discretionary power and is thus inherently exclusionary. Secondly, the reliance on State declarations to permit direct access to NGOs and individuals inadvertently makes accountability optional to States. Whereas this route is politically expedient, it is disappointing as it delinks the Court from the primary rights holders: African citizens. It has essentially made human rights accountability at the regional level an elective matter, empowering States to decide who can hold them answerable for human rights violations in their countries and who cannot.
"Optional" Accountability
Generally, international law permits parties to international treaties and agreements to withdraw from such arrangements in conformity with the provisions of the treaty or through parties' consent. For risk-averse governments, withdrawals are a strategy for dealing with the unpredictable nature of international commitments as well as unforeseen domestic developments. A withdrawal, according to the Vienna Convention on the Law of Treaties discharges a State party from the obligations under a particular instrument. In the human rights context, the inclusion of discretion in article 34 (6), stems from the pervasive fear of embarrassment by NGOs and individuals among African States. However, for victims of human rights violations, the existence of voluntary accountability mechanisms such as the declaration under article 34 (6) has grave implications.
The primary consequence of a withdrawal of the declaration allowing NGOs and individuals direct access to the Court is that it deprives victims of human rights violations access to an effective judicial remedy at the regional level. It therefore threatens the right to an effective remedy which is well established in the Universal Declaration of Human Rights and the International Covenant on Civil and Political Rights. Moreover, the Basic Principles and Guidelines on the Right to a Remedy and Reparation for Victims of Gross Violations of International Human Rights Law and Serious Violations of International Humanitarian Law (2005) articulates the right as a means to protect the right to equal and effective access to justice, adequate, effective and prompt reparation for harm suffered and the right to truth.
The Court generally serves to promote access to justice and contributes to development and transitional justice in the continent. Benin has noted that its withdrawal is motivated by the Court's interference in areas beyond its competence, resulting in a serious disruption of the national legal order and legal uncertainty negatively affecting its economic appeal. It has also stated that, in the cases of Ghaby Kodeih Republic of Benin and Ghaby Kodeih & Nabih Kodeih v Republic of Benin, the Court issued provisional orders on a matter that could be resolved by domestic judicial bodies. It appears Cote d'Ivoire's decision to withdraw its declaration was influenced by a provisional order issued by the Court a few days prior, in favour of Guillaumo Kigbafori Soro, a rebel leader and previous Prime Minister. The Court suspended an arrest warrant against him pending the finalisation of the case on its merits.
In both cases, it is concerning that the underpinning reasons for States' withdrawal of the declaration is their dissatisfaction with decisions of the Court against them. The latest withdrawals by Benin and Côte d'Ivoire are clearly a culmination of their dissatisfaction with decisions relating to human rights issues. This is not constructive and fails to adequately prioritise human rights protection. Member States of the African Union commit to Agenda 2063 which guarantees respect for human rights, justice, and the rule of law. This not only justifies continued flagrant disregard for the rule of law but also promotes the use of Articles 5 (3) and 34 (6) as political tools to undermine the independence and efficiency of the Court and respect for human rights in Africa.
The current state of human rights on the African continent evidences the need to strengthen regional human rights bodies. This is further illustrated by how judicial mechanisms in many African states do not enjoy independence from political powers. Despite the Court's provisional order suspending the arrest warrant issued against Soro in Cote d'Ivoire, he was convicted in absentia, after a one-day trial, and sentenced to 20 years' imprisonment. This was also reflected in Uganda. In August 2019, Dr. Stella Nyanzi was convicted on charges of 'cyber harassment' over comments she posted on Facebook criticizing President Yoweri Museveni. International organizations criticized this as a flagrant disregard for freedom of expression and exploitation of the judiciary for political purposes, but to no avail. In Benin too, the human rights situation signals a downward trend with journalists and political activists being prosecuted under repressive laws restricting rights to freedom of speech and freedom of the press.
The Court is meant to allow for access to justice where local remedies prove to be unavailable, insufficient, or ineffective. Where national judicial mechanisms are overshadowed by politics, victims are left without any avenue for redress. Withdrawal of the declaration under article 34 (6) is a clear renunciation to being held accountable. It is apparent that there cannot be a substitute for strengthened and effective national judicial mechanisms. But the space that the Court holds remains significant.
Out of the thirty member states of the Court, only ten states (Benin, Burkina Faso, Cote d'Ivoire, Gambia, Ghana, Malawi, Mali, Rwanda, Tanzania, and Tunisian) have ever made the declaration under article 34 (6). Currently, there remains just six African States that have made the declaration; Burkina Faso, Ghana, Malawi, Mali, Tunisia, and the Gambia. The reduced numbers are a testament to the contested nature of the Court but also an indication of the opportunities for reform.
The Court serves as an important platform in the promotion of human rights through its extended jurisdictional powerswhich allow it to consider human rights violations provided not only in the Charter but also other treaties. It must be possible to have a balance between state sovereignty and respect for the Court, grounded in a recognition of the importance of protecting human rights. It is therefore critical that attitudes towards the Court are driven by strengthening justice institutions in Africa rather than playing politics by other means.
This entry was posted in African Court on Human and Peoples' Rights, Human Rights, Ivory Coast / Côte d'Ivoire and tagged Jonathan Ochom, Ruwadzano Patience Makumbe. Bookmark the permalink.


Hounded by neighborhood bullies, young Victor becomes Clint and escapes into an imaginary world, where the Wild West is real, the hero always wins and bullies learn their lessons!
Victor is a small-town boy, spending his days playing with his dog and losing himself in his imagination.
When two local boys begin bullying Victor, he escapes into a dream world, where the Wild West is real and he's the hero!
An ode to imaginary childhood escapades in the form of a laugh-out-loud spaghetti western.


The SCM Studyguide Early Christian Doctrine and the Creeds offers an accessible, stimulating and interactive guide-book to the emergence of Christian identity, with particular attention to the earliest form of the Christian thought and doctrine.
The SCM Studyguides are becoming increasingly well known, recognized and adopted as accessible textbooks for level 1 students who have no prior knowledge of the subject.
The author analyses the crucial statements of the early Creeds and rules of faith. He explains the creedal statements on the nature of God, creation, incarnation, redemption, the Church and eschatology, and outlines the theological context which influenced their formulation and later modifications by other texts and authors.
The Creeds are part of the heritage of all Christian tradition and therefore have to be studied by both theological students and in the context of 'education for discipleship' modules.


Apple Music's global head Oliver Schusser, who just took up the role in April, hasn't given any public statements on the scope of the streaming service's aspirations in the music business. But, as with other plays made by the streaming industry as of late – Spotify going on a hiring spree for people to design physical products, for instance – setting up a new division dedicated to music publishing speaks well enough for itself. "Oliver is well aware that much of the most important artist discovery happening in the music industry today comes from the publishing side of the business . . . Oliver wants to underline the importance of publishing and songwriters to Apple," a source told Music Business Worldwide.
None of that has happened yet, and the distribution-focused streaming industry is still a separate world from the record and publishing business - but their union seems more possible every day.


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The Book of Yeezus: A Song-by-Song Analysis of Kanye West's New Album
Courtesy of Def Jam Recordings
On Friday, Kanye West's seventh album, Yeezus, was revealed to the world. In celebration of this holy event, members of the Grantland staff seized one song each and reflected upon its beauty, truth, and awesomeness. Or made jokes about it.
1. "On Sight"
Chris Ryan: If this is your first time hearing this, you are about to experience something so cold. Yeezus begins with a Daft Punk beat. Or a Daft Punk something. It's everything but the beat. Music writer Piotr Orlov compared the track's major lasers to the French duo's classic "Rollin' & Scratchin'", and I hear that, but there's very little rolling going on here. The prerelease campfire talk is that Kanye brought the basic tracks of this album to Rick Rubin's Malibu musical monastery and put Yeezus on a cleanse, shedding all the excess fat from the Paris-recorded songs. I have no reason to doubt that version of things, until Kanye West jumps up in my face and raps, "How much do I not give a fuck?" At that point it becomes apparent who is withholding from whom here.
The thing about first songs — and I mean songs, not intros — on Kanye West albums is (1) they are awesome ("We Don't Care," "Good Morning," and "Dark Fantasy" are among his best), and (2) they are often about dreams. Two albums begin with the command "Wake up, Mr. West," while "Dark Fantasy" is the realization of something West fantasized about back in Chicago. (It also introduces us to Kanye as Ichabod Brain [cue Cat Stark moan].) "Say You Will," which kicks off 808s & Heartbreak, has a midsong admission that Kanye still fantasizes about the track's subject. For as real and relatable as Kanye seems, his music is often the stuff that dreams (or nightmares) are made of.
Not Yeezus. Not "On Sight." Fantasy opened with Bon Iver, Teyana Taylor, and a choir rhetorically asking us if we could get much higher, as if they were parked outside Heaven's gate. Yeezus finds Hell on Earth. Or, more specifically, in Miami. This is the distant sound of acid house, as heard out in the Chateau Drive entrance of the Fontainebleau Hotel. That's where the fountain is; that's when she got kicked out of the hotel. That's when Kanye got her back in. That's when [LAAAAAASEERSSSSSS].
There is nothing dreamy going on here. This is a dance-floor anthem made to clear out the dance floor. Its creator compares it to a central nervous system disorder. There is no warmth. The guy we thought we knew is gone. The dream is over. Kanye West is dead. Yeezus has risen.
2. "Black Skinhead"
Alex Pappademas: First thought: Since the beat samples Gary Glitter's ballpark-standard stomp "Rock 'n' Roll Pt. 2," who'll be the first major league baseball player to bump this fulminating slab of new–General Zod–flow fuck-all-y'allery as at-bat music?
Second thought: I'm writing this on Friday night. Yeezus leaked this morning, so of course I spent all day driving around listening to it at mirror-rattling volume instead of doing what I was actually supposed to be doing today, which was writing about Ahmir "Questlove" Thompson's memoir Mo' Meta Blues, also set to drop on Tuesday the 18th. I was on deadline, but that fuck-up-your-whole-afternoon shit has a way of fucking up your whole afternoon. Much like Yeezus, Questlove's book is fantastic; also like Yeezus, it's written by a guy who's more than a little bit obsessed with Kanye. The two best extended music-critical riffs in the book are the part about J Dilla and the part about Kanye; Questlove describes watching young black kids watching West doing "Jesus Walks" at the Dave Chappelle's Block Party taping and reacting in a way he'd never seen kids respond to the Roots. He says that in that moment he experienced a premonition of his own "artistic death," the impending end of his tenure as a cultural leader.
"In some ways we were in awe of Kanye's pose," Thompson admits a few pages earlier. "We had spent a decade seeing hip-hop as a division between the haves and have-nots, between artists who didn't play games with cars and fashion and acts that plays games with cars and fashion but didn't aspire to making art. Kanye was an artist who took the audacious stance that he could do both, that there was no conflict between them, and audiences just went right along with him." (As Ye himself put it beautifully to Jon Caramanica in the New York Times last week, "I was able to slip past everything with a pink polo, but I am Dead Prez.") That near-death experience in Clinton Hill is one of the most honest moments in the book — up there with the part where Ahmir gets friend-zoned by Alicia Keys — and I kept thinking about it as I processed Yeezus in stop-and-go traffic. Both Mo' Meta Blues and Yeezus (and "Black Skinhead" in particular) are attempts to narrate what it feels like to be just famous enough that the limits of your fame become frustrating. They're about what it's like to get inside the VIP room (of your industry, or your country) only to find out that there's a room behind that room that remains off-limits to people like you. And that there's always a room like that. And that first-plateau celebrity exists in part to corral you and keep you away from the real levers of power.
The difference is that Questlove is nerdy and humble and aware of the cosmic unlikeliness of his being admitted to that first room at all, whereas Kanye is Kanye. He's way more famous, which means he sees that much more clearly that there are freedoms his fame can't buy him, and it pisses him off. On "Black Skinhead" he's staring at that next locked door and trying to scream it off its hinges. The (kinda fuzzy) analogy about ex-fans burning LeBron's jersey in Akron got lost somewhere between that SNL performance and the leak, depriving us of a song in which Yeezy, on his I-contain-multitudes, claims common cause with both the second-highest-paid player in the NBA and the child soldiers of Chiraq, Drillinois. But he still draws blood right up front: "Enter the kingdom, but watch who you bring home / You see a black man with a white woman, at the top floor they gone come to kill King Kong."
Get famous, in other words, and society breaks you off some money and offers you the illusion of autonomy, free agency, even adoration, but you're perpetually one misstep away from being the Antichrist and having your willingness to accept those same gifts held against you. In that context, every impolitic thing Kanye's ever done or said at an awards show suddenly makes sense. He just wants to hear what people really think about him, and he knows that censuring celebrities for "ranting" or "bad behavior" is one way this culture throws its real cards on the table with regard to race and class. And yet in spite of all that, this isn't a song about frustration. It's angry, but the anger doesn't eat it up. It's on some goon shit without actually being goon shit — you don't rap over what sounds like a Flowers of Romance B side if you're just trying to make goon shit, for one thing. And you don't make your goon shit this catchy — those Gary Glitter handclaps, those "Sympathy for the Devil" yow!s — unless you also intend to ram it up pop music's ass. Kanye wants to be a revolutionary and a rich prick and an auteur and Chief Keef and Steve Jobs and circa-1983 Michael Jackson and a beautiful swan at the same damn time, and chances are he'll keep getting punished for refusing to choose a lane. But there's something inspiring about his refusal to settle for anything less than everything.
3. "I Am a God"
Amos Barshad: "I am a God" — note the emphasis. In Ye's mind, someone, somewhere doubted him on this point, and this anonymous, terribly foolish detractor had to be put down. Which means it's not necessarily the monolithic, pathological bravado you want it to be; it is, at least in some small part, a self-help mantra.
In his New York Times interview, Kanye said he knew, when he wrote the words "got a light-skinned friend look like Michael Jackson," that he was going to be famous: "At the time, they used to have the Virgin music [stores], and I would go there and just go up the escalator and say to myself, 'I'm soaking in these last moments of anonymity.' I knew I was going to make it this far; I knew that this was going to happen." I don't believe him. I trust he had this plotted down to the minute details. I trust he'd spent hours tweaking the master plan. But I don't believe he knew he'd pull it off. In fact, I think he stayed up nights deathly afraid he'd never make it happen. And I think he still worries that, come some awful day, he might yet lose it. We can believe that Jay-Z showed up fully formed, destined for greatness. Ye, though, we can see him sweat, we can see him scared. And that's what'll always, always make him my dude. Every morning he wakes up, he looks in the mirror, and he repeats those four words to himself: "I am a God. I am a God. I am a God."
Very important footnote here: Can we spend just a few moments appreciating how aggressively bizarre "in a French-ass restaurant / hurry up with my damn croissants" is? Didn't Kanye record this in Paris? Couldn't he have just, like, gone outside and seen that your regular French-ass restaurant probably wouldn't actually have croissants on the menu? Maybe a croquembouche or a crêpe suzette, but probably not croissants? I assume you'd have to go to a cafe to get one, and then they'd usually be in the little front-window display, and also they'd be extremely easy and quick to hand over. Seriously, in what situation would there a dramatic lag between the ordering of the croissant and the delivery of the croissant? This quite possibly might have, in the history of the world, never actually happened?
On the one hand, this is Kanye knowing exactly how to fuck with us — he'll throw America's dastardly prison-for-profit economy in our faces one minute, then get perfectly, succinctly dumb the next (try, ever again, dining at an upscale continental cuisine establishment and not thinking of it as a "French-ass restaurant"). On the other, this is Kanye not being able to come up with that many things that rhyme with "amagod." In conclusion: Only Ye could make an ode to self-deification in which the weirdest line is about breakfast pastries.
4. "New Slaves"
Hua Hsu: We live in the golden age of people launching albums we weren't 100 percent sure actually existed. An hour or so after Kanye foretold of Yeezus by projecting "New Slaves" against a building in Brooklyn, I sat watching someone's Vine over and over, an infinite loop of him nearing a violent simmer: "Fuck you and your corporation / Y'all niggas can't control me."
Bracketing for a moment the specifics of that "corporation" bit — and hasn't this become hip-hop's de facto fifth element, sentences that begin like this? — there was something thrilling about it all: the directness, the provocation, the simplicity (were there even drums?). There was nothing to look at except his face. In the full clip he just seemed to stare inscrutably whenever he wasn't rapping, as though to hold your attention and force you to pay heed to his lecture.
"New Slaves" is a messy song, especially in comparison to much of the rest of Yeezus, which is just messed up. It conflates the one with the many, the hero's struggle with those of his worshippers, modesty with weakness, boredom with oppression, actual oppression with the paparazzi's flashing lights, the prison of expectations with actual prisons. It's the onetime Louis Vuitton Don warning us about how capitalism works. There are moments of "New Slaves" that are absurd and self-absorbed and then there are these brilliant, clear-eyed lines that seem to distill the modern world's contradictions into something tangible: the rich vs. broke n—- racism bit, the reality that some young fan might enter "DEA + CCA" into their search engine and wonder how we let that happen.
On a record that's pretty much devoid of other thinking, feeling humans — it occasionally seems like a chronicle of some guy's wayward semen — "New Slaves" is one of the only moments of empathy, care, maybe not love, but at least vague concern for one's fellow man.
I remember listening to College Dropout for the first time, thinking of how arrogant yet egoless Kanye sounded. This was an album about some imagined we — "We Don't Care," the bird's-eye view of "All Falls Down" or "Spaceship" — rich with glimpses into other people's lives. "New Slaves" is one of the only songs on Yeezus in which that sense of paranoid distrust roves toward something larger than the self. The camera draws back to remind us that the hero actually lives in a city teeming with other people, their hopes and fears. He's not all by his lonesome, pacing back and forth, muttering "The 'D' is silent" to himself in the mirror. There's a crowd somewhere miles away, enraptured by a poem on the side of a building.
"I see the blood on the leaves," Kanye spits, over and over. It's not all his. As he approaches full Boucher, no windows are smashed, nothing is torn apart, no chains are broken. But he doesn't sound like a slave anymore. Instead, a way out: drums roll, the clouds part, strings swell, and Kanye sings, clear-eyed and full-hearted, that he can't lose, there's no way he will lose. Elsewhere on Yeezus, these midsong eccentricities can feel like self-sabotage. As Frank Ocean retraces Kanye's words, it feels glorious, divine, mysterious, senselessly bright. Yeezus drops tomorrow; Wednesday is Juneteenth.
5. "Hold My Liquor"
Emily Yoshida: Deepak Chopra Helps Kanye and Chief Keef Out of a Predicament
Chief Keef: I can't control my n—–, and my n—– they can't control me.
Deepak Chopra: Instead of asking "What's the problem?" ask "What's the creative opportunity?"
Keef: You say you know me, my n—-, but you really just know the old me.
Chopra: Never forget your real identity. You are luminous, conscious stardust being forged in the crucible of cosmic fire.
Kanye West: When I park my Range Rover
Slightly scratch your Corolla
OK, I smashed your Corolla.
Chopra: There are no accidents … there is only some purpose that we haven't yet understood.
West: Ask me why I came over
One more hit and I can own ya
One more fuck and I can own ya
Chopra: The mind loves whatever repeats a pleasurable experience from the past. "I love this" basically means "I love repeating what felt so good before."
West: Pussy had me floating
Feel like Deepak Chopra
Chopra: Sex is always about emotions. Good sex is about free emotions; bad sex is about blocked emotions.
West: Then her auntie came over
Skinny bitch with no shoulders
Tellin' you that I'm bogus
Bitch you don't even know us
Chopra: People are doing the best that they can from their own level of consciousness.
6. "I'm in It"
Mark Lisanti: Yeezus is, from the get-go, something of an angry and bleak affair. Then you arrive at "I'm in It," six tracks deep in the Kanye psyche, and things aren't about to lighten up any. It's filthy like a poorly maintained sex-dungeon on a space station orbiting Planet Fuck XVIII, a floating fortress that's now inhabited only by robots programmed to pleasure one another in the most terrifying manner possible. The Hans Zimmer synth-blasts that greet you upon docking are an immediate and visceral warning that something unthinkable has wiped out any trace of human life onboard; it would be better if you avoided the holodeck entirely. That's where the robots lured the crew for culling, offering the temporary escape of their desires made pseudo-physical, but delivering only extinction. As you press on past the carnage, trying to ignore the churning pistons of the sentinels as they work through their joyless subroutines, you realize there's one soul left aboard — it's Justin Vernon of Bon Iver, whose carnal milieu is normally of the making-whispery-love-in-a-snow-capped-cabin variety, but who is trapped in a glass-walled prison cell and being menaced by a set of inspiration lamps that have achieved priapic sentience. He sings and sings for help, but his notes of distress have not been heard for years; when your eyes meet, you see an all-too-brief flicker of happiness, right before a lamp fatally impales him. From deep within the space station, you hear a Zimmer-blast commemorate his passing. You will not be his rescue party this day.
Or maybe it's just a song about how much Kanye loves to screw.
I prefer my version. There are robots in it.
7. "Blood on the Leaves"
Rembert Browne: The thing that sucks about music is you can hear something for the first time only once. While I'll never forget my first listening of Yeezus, which took place during a midafternoon drive through spottily serviced Tennessee, the I wish I could bottle this moment and access it whenever I want to feel things forever and ever, amen moment came 1:07 into "Blood on the Leaves."
Seven tracks into an album titled Yeezus, having passed through songs called "Black Skinhead" and "New Slaves" and "I Am a God," the Nina Simone "Strange Fruit" sample barely registered as shocking. Actually, it was more of an Of course he did feeling — neither positive nor negative, but completely predictable in its hyper-black, out-of-left-field, potentially farfetched relationship/slavery metaphor.
But everything changes at 1:07. That's when Kanye (by way of TNGHT's "R U Ready") unleashes the entire marching band and figuratively beats your face into submission.
The abrasive nature of the fanfare is an appropriate introduction to the rest of this song, a tale of Kanye scolding a mystery woman for messing up what they could have been, followed by a Kanye rant thinly veiled as "Verse 3."
The tale of the groupie and Kanye's feelings on said groupie is a theme he's tackled many a time, so much so that any of us should feel overqualified to represent Kanye's feelings on groupies should he ever need a proxy. Because of that, it's one of the least interesting topics he covers on the album. Not bad, but I get it, Kanye. We all do.
But those horns will continue to bring me back. And I'm not mad about that.
8. "Guilt Trip"
Molly Lambert: Using the Zodiac Signs of Various People in Kanye West's Life to Figure Out What Mystery Capricorn He Is Talking About on "Guilt Trip"
• Kanye West is a Gemini, which fits perfectly with his bipolar celebrity persona, best summed up in this eternal GIF.
• Kim Kardashian (October 21, 1980) is a Libra. Libras are "idealistic" and "hospitable" but can also be "superficial" and "vain." Libras like Kim are people pleasers, which sometimes prevents them from "knowing what their true feelings are because they are trying to make everyone happy."
• Amber Rose is also a Libra. She has the exact same birthday as Kim (October 21), albeit three years later (1983). Amber is happily boo'd up with Wiz Khalifa, who may not be on Kanye's level as an artist but is almost certainly a better boyfriend.
• Brooke Crittendon, the former star of BET reality show Harlem Heights whom Ye briefly dated, is probably a Leo.
• Riccardo Tisci is probably also a Leo.
• Jay-Z is a Sagittarius and Beyoncé is a Virgo. (Duh.)
• Selita Ebanks is an Aquarius, and so is Kid Cudi.
• Kanye's late mom, Donda West, was a Cancer, as is Popcaan.
• Pusha T is a Taurus, which the "T" could stand for in addition to "Ton" or "Terrence Thornton."
• Scott Disick is a Gemini, like Kanye, which is why they are such BFFs.
• Sessilee Lopez, a model Kanye was once associated with, is a CAPRICORN! But she hasn't been linked to Kanye since 2008.
• Kanye's former fiancée Alexis Eggleston Phifer's birthday is not listed online and she doesn't have a Wikipedia page, which is pretty astonishing considering she was once engaged to one of the most famous men in the world. Speculation about the mystery woman Kanye refers to repeatedly on Yeezus has centered on Alexis, and the fact that you can't find her star sign online only fuels it. You could, of course check out her mysterious recent tweets, like "The tables always turn," "love & family>fame & fortune," and "What do all men want." In fact, the more you read Alexis's tweets the more it seems like something could be going on. What else could she mean by "Showing up like thunder / Disappearing like smoke," "When you know it's wrong and you choose to do it anyway…Wicked … Convicted" or "Eating my popcorn watching this movie called life"? Although to be fair you can read anything into a situation if you're already looking for clues. That's why people some believe in astrology even though it's clearly bunk.
9. "Send It Up"
Wesley Morris: The air horn is like the wacky neighbor of dancehall-hip-hop-R&B. Its entertainment comes entirely from its obnoxiousness: I am grinding all over [redacted] while every three minutes the DJ reminds me that a train could pass through this club at any time. For me, the air gun triggers the Pavlovian expectation that Faith Evans's roller-rink jam "Love Like This" is about to make me lose my mind. What's obnoxious about "Send It Up" is the way it appears to exist solely to provide West the opportunity to run to the loo or attend a Lamaze class or eat a sandwich. The air horn signals that Yeezus just walked away from the mic, permitting King L to self-showcase. The horn's ulterior point: young buck alert!
The horn, meanwhile, has been disturbingly distorted. It's a police car wrapped around a telephone pole that won't shut up about how wrapped around a telephone pole it is. West does manage to wipe his mouth, bus his tray, and return to business with talk of friends, the club, Louboutins. The song's throb is actually amputated dancehall. But with seconds remaining, doctors manage to reattach the limb in time for the imported chorus of Beenie Man's "Memories": They "don't live like people do / They always 'member you." Nightlife achieves wistful personification: While West speeds home, the VIP section sheds a tear. Either it misses him or is recovering from that air horn.
10. "Bound 2"
Sean Fennessey: Ah, there you are, soul loop. There is something perverse about closing this album with such a classicist Kanye stroke. Of course, perversion is Kanye's trump card, his fetish, his glory, his flashing light. And what a fine perversion "Bound 2" is — the only love song on an album about rejection and fear and sex and seething with not-so-subtle cries for revolutions of the bodypolitic and the ticking body. Though "love song" may be too specific a classification.
There is a game that happens when Kanye West albums leak now: Who is this song about? Which woman does he hate now? Wasn't that relationship five years ago? Whether Amber Rose, Alexis Phifer, Brooke Crittendon, or any of the myriad women in between, Kanye seems deeply aggrieved about his relationships. And yet, "Bound 2" sounds like the hymn of a man struck by love. Sure, his version of love is by now overheated and oversexed ("I wanna fuck you hard on the sink") and overexposed. Before Yeezus was revealed, Kanye had been performing an ode to Kim Kardashian called "Awesome," which featured these words: "Stop everything you're doing now / Because baby, you're awesome / Don't let nobody get you down / You're so awesome." That isn't the song that made the album. This is:
Hey, you remember where we first met? / OK, I don't remember where we first met / But hey, admitting is the first step / And hey, you know ain't nobody perfect
That isn't sentiment; it's a memory and a compromise. At first, Kanye West and Kim Kardashian were too easy a target, too ripe for this world. They were Heracles and Megara, bound to tear each other part, poisoning their finely crafted personae for their respective bases. They were the problem of and the solution for fame. Then maybe something changed. Kanye charts the progress here: "And hey, ayo, we made it to Thanksgiving." They made it to Thanksgiving.
When I search the Getty photo service for a photo of Kanye West using the "Iconic" tab, 80 percent of the results now feature Kanye and Kim together. It's only right. Love, and now their newborn child, has transformed them into something bigger. To not acknowledge that, after all the hectoring, flailing, and righteous fury of Yeezus, would have seemed strange.
"Bound 2," which stirs up the paint from Ponderosa Twins Plus One and Brenda Lee and Wee, could have appeared on any Kanye West album. It is rich with that modulated soul cry that first inveigled me to Kanye. It features all of the forced cultural references ("Brad reputation"!) and biblical guest spots (that Charlie Wilson bridge for no damn reason at all) of songs past, with no real drum track or general sense of structure to speak of. Kanye is expressing love and he doesn't know what shape that should take. "Bound 2" is the most traditionally Kanye song here, and also the most different. It is encouraging. Rage — born of the feeling that he has not been properly celebrated in his time — is what fuels him, always. That Yeezus ends with Brenda Lee's affirming "Uh-huh, honey" promises the beginning of a new story, an optimistic story. Can Kanye be happy now? Probably not. But it's nice to think so.
Filed Under: Amos Barshad, Bon Iver, Chris Ryan, Kanye West, Mark Lisanti, Music, Rembert Browne, Sean Fennessey
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text:
Architectural drawings (8)
Business records (7)
Motion pictures (visual works) (5)
Records (documents) (5)
Art museums (13)
Anthropology (11)
Traveling exhibitions (7)
Special events (4)
Lectures and lecturing (3)
Mural painting and decoration (3)
Natural history museums (3)
Smithsonian Institution. Office of the Secretary (13)
Smithsonian Institution. Traveling Exhibition Service (4)
Warner, Langdon (1881-1955) (3)
American Anthropological Association (2)
City University of New York (2)
Conklin, Harold C. (2)
Davies, Arthur B. (Arthur Bowen) (2)
Dockstader, Frederick J. (2)
El-Baz, Farouk (2)
Emmons, George Thornton (2)
Freer Gallery of Art (2)
Henri, Robert (2)
Hrdlička, Aleš (2)
Hyde Exploring Expedition (1902-1903) (2)
Lee, Sherman E. (2)
Lomax, Alan (2)
National Collection of Fine Arts. Office of the Director (2)
National Museum of Natural History (U.S.). Department of Anthropology (2)
Pach, Walter (2)
Pope, John Alexander (2)
Prendergast, Maurice Brazil (2)
Science Service (2)
Seeger, Pete (2)
Smithsonian Institution. Bureau of American Ethnology (2)
Smithsonian Institution. Contracts Office (2)
Smithsonian Institution. Department of Anthropology. Division of Physical Anthropology (2)
Smithsonian Institution. International Exchange Service (2)
Smithsonian Institution. Office of Telecommunications (2)
Paleo-Indians (2)
Ahtena Indians (1)
Arctic peoples (1)
Athapascan Indians (1)
Chinese Americans (1)
Chugach Eskimos (1)
Deg Hit'an Indians (1)
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Boston (Mass.) (2)
Kodiak Island (Alaska) (2)
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Amazonia (1)
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Bukoba District (Tanzania) (1)
Chimborazo (Ecuador) (1)
Chistochina (Alaska) (1)
Copper River (Alaska) (1)
Query: American School of Archaeology in China
Bishop, Carl Whiting, 1881-1942
20 Linear feet
FSA.A.02
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
An associate curator and associate in archaeology at the Freer Gallery of Art from 1922 to 1942, the collection of Carl Whiting Bishop (1881-1942) document his Gallery-sponsored travels to China from 1923 to 1934 and include an unpublished manuscript describing his archaeological research in China; line drawings; rubbings; maps; note cards; and nearly 4,000 glass and film negatives with corresponding original silver prints. These document his expeditions in northern and central China, illustrating archaeological sites in Henan, Shanxi, and Hebei provinces. Specific digs include the large neolithic site at Wanquan, Shanxi, and sixth century C.E. tombs near Fenyin. Additional images show Chinese cityscapes, daily life and customs, topography, temples, pagodas, caves, and sculpture.
Langdon Warner Report
Warner, Langdon (1881-1955)
2 Copies (Two copies of a bound volume of 226 typed pages, with 48 mounted silver gelatin prints with captions, 194p, 29 x 22 cm.)
FSA.A1994.07
A report prepared by archaeologist and art historian Langdon Warner on his travels of 1913-1914 to investigate the founding of an American school of Chinese archaeology to be established in Beijing. Warner's travels included Europe, Japan, Korea, China and Indo-China. Warner spoke with scholars, administrators and officials, and travelled to museum...
Smithsonian Institution. Office of the Secretary
57.93 cu. ft. (5 record storage boxes) (104 document boxes) (2 half document boxes) (1 12x17 box) (oversize materials)
Record Unit 45
This record unit documents the growth and management of the Smithsonian from 1890 to 1929. Of special interest is the Institution's entry into the field of the fine arts through the creation of the National Gallery of Art and the Freer Gallery of Art. The Smithsonian continued to pursue a wide variety of other interests as well. Thus, the...
David Crockett Graham Papers
Graham, David Crockett
3.64 cu. ft. (3 document boxes) (2 3x5 boxes) (5 5x8 boxes) (2 microfilm reels)
Record Unit 7148
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee. The materials in the David Crockett Graham Papers (Record Unit 7148) were sent to Alexander Wetmore, Director of the United States National Museum (USNM), between 1925 and 1935 by Graham. Wetmore deposited them in the Division of E...
Charles Lang Freer Papers
Freer, Charles Lang, 1856-1919
131 Linear feet (29 architectural drawings)
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, and photographs.
American Academy in Rome records
American Academy in Rome
AAA.ameracar
The records of the American Academy in Rome measure 65.9 linear feet and date from 1855 to 2012. The collection documents the history of the institution from its inception in 1894 as the American School of Architecture in Rome, through the end of World War II, and chronicles the contributions the academy has made to America's cultural and intellectual development. Nearly one-half of the collection consists of an unprocessed addition received in 2014 containing records that mostly post-date World War II and include correspondence and subject files of officers and executives based in the New York office of American Academy in Rome.
Field Expedition Records
Freer Gallery of Art
10.69 cu. ft. (19 document boxes) (2 half document boxes) (1 16x20 box)
Accession 02-051
This accession consists of records documenting the joint expedition made by the Freer Gallery of Art and the Museum of Fine Arts, Boston, from February 20, 1923 to August 6, 1927, and also the Freer Gallery of Art sponsored expedition from November 16, 1929 to April 11, 1934. Both expeditions were led by Carl Whiting Bishop, Associate Cur...
Carol Kramer Papers
Kramer, Carol, 1943-2002
31 Linear feet (64 boxes, 2 cassette tapes, 1 oversize box, 1 map drawer)
The bulk of these papers document the professional life of Carol Kramer, a leading figure in ethnoarchaeology, specializing in the Middle East and South Asia. She was also a major advocate for the professional development of women in anthropology and archaeology. Dating 1943-2002, the collection includes field notes, writings, correspondence, daily planners, teaching files, photographs, sound recordings, maps, computer disks, and botanical specimens. Her ethnoarchaeological research in "Shahabad" (a.k.a. "Aliabad") in Iran and in Rajasthan, India is well-represented in the collection.
Museum of the American Indian/Heye Foundation records
Museum of the American Indian, Heye Foundation
Heye, George G. (George Gustav), 1874-1957
400 Linear feet
NMAI.AC.001
These records document the governance and programmatic activities of the Museum of the American Indian/Heye Foundation (MAI) from its inception in 1904 until its sublimation by the Smithsonian Institution in 1990. The types of materials present in this collection include personal and institutional correspondence, individual subject files, minutes and annual reports, financial ledgers, legal records, expedition field notes, research notes, catalog and object lists, publications, clippings, flyers, maps, photographs, negatives and audio-visual materials. These materials span a varied range of subjects relating to the activities of the museum which are more fully described on the series level.
Betty J. Meggers and Clifford Evans Papers
Meggers, Betty Jane
Evans, Clifford, 1920-1981
The Betty J. Meggers and Clifford Evans Papers document their research and professional activities from 1946-2012 and primarily deal with their archaeological and anthropological research in South America. Their work at the Smithsonian National Museum of Natural History and their frequent collaboration with other researchers and professional organizations is also represented. In addition, this collection contains detailed records on South American research conducted by the Smithsonian Institution from the 1950s through the 2010s. The collection consists of research and project files, raw data and analysis, graphs and illustrations, photographs, correspondence, maps and charts, and administrative files.


At High Adventure we have created an individual training system at High Adventure that combines the HGFA syllabus with an enhanced and in-depth practical training course proven to create competent and confident pilots.
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Pixelboard is a collaborative, real-time whiteboarding app for iPad.
I worked closely with designers and engineers to create UI copy that's as warm and inviting as it is concise and helpful.
Black Pixel's team built and launched a new marketing website to support the Pixelboard app.
I collaborated with Black Pixel's designers, developers, and content strategy director to write and edit all of the website copy. I also provided content strategy for the support page. The current support page is text-heavy with a sidebar menu for navigation. To avoid overwhelming users, I suggested changing the navigation to a dropdown menu, with appropriate content couched inside each menu item. Check out the Pixelboard website to see how it all came together.


Figure 2 illustrates the housing density in the area as measured by houses per square land mile and it has 11.1 housing density which is the 4th in housing density out of 8 total in the area. The state with the highest housing density in the group is Arizona with a density of 25.9 is approximately 2.3 times bigger.
The next Figure 4 charge shows the change in housing units and shows the state of shows it has 4.0% change in the housing units which is the 4th smallest change in the housing units of all the other states in the area. The state with the highest change in the housing units in the group is Utah with a housing units of 6.8% is 71.9% larger.
Figure 5 shows the percentage of renter households to total households. the state of shows it has 44.6% Renter Percent which is more than all other statesin the area. Figure 6 shows the number of owner housing units and it has 55.4% Owner Percent which is the smallest Owner Percent of all the other states in the area.
Looking at the housing data in Figure 7 we start with home values for the area. Nevada shows it has $216,400 median home value which is the 3d most of all other states in the area. The state with the highest median home value in the group is Colorado with a value of $286,100 is 32.2% larger. Figure 8 shows the median rental rate in the area. the state of indicates it has $1,017 rental rates which is the 2nd most of all the states in the area. The state with the highest rental rates in the group is Colorado with a rate of $1,125 is 10.6% larger.
Median owner costs are shown in Figure 10 and includes costs associated with mortgage, utilities, insurance, etc. the state of shows it has $1,128 median ownership cost which is the 3d most of all other states in the area. Figure 11 shows the median owner cost as a percent of total household income and it has 19% cost as a percent of household income which is the highest of all statesin the area. The next chart, Figure 12, shows the median home value as a percent of a median workers earnings and shows that it has 523% median home value as a percent of median worker earnings which is the 3d most of all other states in the area.
Figure 14 depicts the median housing costs for owners with mortgages. the state of shows it has $1,422 median housing cost which is the 3d most of all other states in the area. Figure 15 are median housing costs for owners without mortgages and it has $411 median housing cost which is the 2nd most of all the states in the area.
Next shown in Figure 17 is housing cost as a percent of household income for owners with mortgages is shown. the state of shows it has 23% cost as a percent of household income which is the highest of all statesin the area. Housing cost as a percent of household income for owners without mortgages is shown in Figure 18. This analysis can be useful for understanding the cost involved in home ownership excluding the cost of a mortgage. the state of shows it has 10% cost as a percent of household income which is the 2nd most of all the states in the area. The state with the highest cost as a percent of household income in the group is Montana with a cost of 11% is 8.0% larger.
Figure 20 shows housing costs for owners or renters where costs for renters include: rent, utilities (if paid), insurance, etc. Nevada has the largest proportion of Housing Cost Between $1,000 and $1,500 at 30% of the total and is ranked #1.
Figure 21 shows real estate taxes paid for each city in the local area and it has $1,489 median real estate taxes paid which is the 4th in median real estate taxes paid out of 8 total in the area. The state with the highest median real estate taxes paid in the group is Montana with a taxes paid of $1,756 is 17.9% larger.
Figure 22 shows the percentage of renters who pay for utilities by showing rents who pay versus renters who have utilities included in rent. Nevada has the largest proportion of Pay Extra for Utilities at 94% of the total and is ranked #1.
Figure 23 shows the distribution of rental rates for area. Nevada has the largest proportion of rent between 1000 and 1500 dollars at 35% of the total and is ranked #1.
The analysis in Figure 25 shows the detailed distribution of owned homes by mortgage status. Nevada has the largest proportion of No 2nd Mortgage and no HELOC at 61% of the total and is ranked #1.
Figure 28 shows the household size for families living in the area and it has 3.5 family members per housing unit which is the 2nd most of all the states in the area. The state with the highest family members per housing unit in the group is Utah with a size of 3.7 measures 6.5% larger.
Figure 29 show the median number of rooms in a typical home for each city in the area. the state of indicates it has 5.2 average number of rooms in a house which is the 2nd smallest average number of rooms in a house of all the other states in the area. The state with the highest average number of rooms in a house in the group is Utah with an average number of rooms in a house of 6.4 is 23.1% larger. Figure 30 shows, for the average house in each city, the median year that a house was built. This can be useful for understanding the relative age of one neighborhood versus another. the state of indicates it has 1994 year built which is the largest of all statesin the area.
Figure 31 looks at the distribution housing units by date built in this area. Nevada has the largest proportion of homes built between 2000 to 2009 at 29% of the total and is ranked #1. Second, it has the largest proportion of homes built between 1990 to 1999 at 27% of the total and is ranked #1.
Figure 33 shows the difference in the number of housing units based on whether they are occupied by owners or renters. Nevada has the largest proportion of 5 to 9 Units at 8% of the total and is ranked #1.
The next two charts show both the household size of homeowners and renters. Starting with Figure 36 we see the household size of homeowners. the state of shows it has 2.7 homeowner household size which is the 2nd most of all the states in the area. The state with the highest homeowner household size in the group is Utah with a size of 3.2 is 19.5% larger.
Figure 37 shows the household size for renters the state of illustrates it has 2.7 renter household size which is the 2nd most of all the states in the area. The state with the highest renter household size in the group is Utah with a size of 2.9 is 7.4% larger. Figure 38 shows the year that people who own homes moved into the area. Nevada has the largest proportion of Owners Moved in 2015 or later at 8% of the total and is ranked #1. Second, it has the largest proportion of Owners Moved in 2010 to 2014 at 29% of the total and is ranked #1. Figure 39 shows the year that people who own homes moved into the area. Nevada has the largest proportion of Renters Moved in 2010 to 2014 at 62% of the total and is ranked #1.
Figure 40 compares the median year that a home owner moved into their home. the state of shows it has 2006 median year that a home owner moved in which is the largest of all statesin the area. Figure 41 compares the median year that a renter moved into their home. the state of illustrates it has 2013 median year that a renter moved in which is the most of all statesin the area.
The next two charts show the number of people living in group quarters, beginning with Figure 43 which shows the total number of people. the state of shows it has 37,642 total people living in group quarters which is the 4th smallest total people living in group quarters of all the other states in the area.


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So the countdown is officially on for our move to Colorado! Things are getting pretty crazy at the house with all sorts of preparation going on. Our house is full of stacks of boxes ready to be packed away. This week I am getting our services all setup so that we'll be ready to move in the next few weeks.