text:
Frank Marlowe (I) (1906–1964)
Known for The Lone Ranger (1950), Badman's Gold (1951), Bulldog Drummond Strikes Back (1947), The People's Choice (1946)
Dec 24, 1906 (died Mar 30, 1964)
1 link
Released Film and Video (250 titles)
A Fever in the Blood (1961)
Go Naked in the World (1961)
Private Detective (uncredited) Private Detective (uncredited) See fewer
Taxi Driver (uncredited) Taxi Driver (uncredited) See fewer
Lone Texan (1959)
Charlie (uncredited) Charlie (uncredited) See fewer
The Last Hurrah (1958)
Screaming Mimi (1958)
Ben - Yellow Cab Driver (uncredited) Ben - Yellow Cab Driver (uncredited) See fewer
The Sheepman (1958)
Barney - Townsman (uncredited) Barney - Townsman (uncredited) See fewer
Man from God's Country (1958)
Piano Player (uncredited) Piano Player (uncredited) See fewer
All Mine to Give (1957)
Hanson (uncredited) Hanson (uncredited) See fewer
Escape from Red Rock (1957)
Rockabilly Baby (1957)
Drunken Man Drunken Man See fewer
The Three Faces of Eve (1957)
Hotel Clerk (uncredited) Hotel Clerk (uncredited) See fewer
Chicago Confidential (1957)
Nightclub Patron (uncredited) Nightclub Patron (uncredited) See fewer
The Garment Jungle (1957)
Truck Driver (uncredited) Truck Driver (uncredited) See fewer
Hot Shots (1956)
Henry - Bartender (uncredited) Henry - Bartender (uncredited) See fewer
Police Guard #2 (uncredited) Police Guard #2 (uncredited) See fewer
Tension at Table Rock (1956)
Ruffian (uncredited) Ruffian (uncredited) See fewer
He Laughed Last (1956)
Speakeasy Guard (uncredited) Speakeasy Guard (uncredited) See fewer
Three for Jamie Dawn (1956)
Mr. Peterson (uncredited) Mr. Peterson (uncredited) See fewer
Kane (uncredited) Kane (uncredited) See fewer
The Man with the Golden Arm (1955)
Yantek (uncredited) Yantek (uncredited) See fewer
Lucy Gallant (1955)
Ben Nolan (uncredited) Ben Nolan (uncredited) See fewer
Bengazi (1955)
Officer Walsh (uncredited) Officer Walsh (uncredited) See fewer
The Naked Street (1955)
Police Detective (uncredited) Police Detective (uncredited) See fewer
Cell 2455, Death Row (1955)
Prisoner in Car with Whit (uncredited) Prisoner in Car with Whit (uncredited) See fewer
The Americano (1955)
Captain of Ship Captain of Ship See fewer
Shrine Auditorium Photographer (uncredited) Shrine Auditorium Photographer (uncredited) See fewer
Naked Alibi (1954)
Drunk (uncredited) Drunk (uncredited) See fewer
Shield for Murder (1954)
Contact Man With Tickets (uncredited) Contact Man With Tickets (uncredited) See fewer
Johnny Guitar (1954)
Frank - Bartender (uncredited) Frank - Bartender (uncredited) See fewer
The Long Wait (1954)
Pop Henderson Pop Henderson See fewer
The Boy from Oklahoma (1954)
Barfly (uncredited) Barfly (uncredited) See fewer
Adventures of the Texas Kid: Border Ambush (1954)
Barton - Henchman Barton - Henchman See fewer
Ma and Pa Kettle at Waikiki (1953)
Chauffeur (uncredited) Chauffeur (uncredited) See fewer
The French Line (1953)
Walking My Baby Back Home (1953)
Devil's Canyon (1953)
Pete (uncredited) Pete (uncredited) See fewer
So You Love Your Dog (1953)
(Short) - Home Robber (uncredited) Home Robber (uncredited) See fewer
Split Second (1953)
Reporter Charlie (uncredited) Reporter Charlie (uncredited) See fewer
The System (1953)
Maxie, Man in Line-Up (uncredited) Maxie, Man in Line-Up (uncredited) See fewer
Abbott and Costello Go to Mars (1953)
Trouble Along the Way (1953)
Drunk in Bar with Dog (uncredited) Drunk in Bar with Dog (uncredited) See fewer
Girls in the Night (1953)
Theater Manager (uncredited) Theater Manager (uncredited) See fewer
Stop, You're Killing Me (1952)
Because of You (1952)
Second Man (uncredited) Second Man (uncredited) See fewer
My Pal Gus (1952)
Delivery Man (uncredited) Delivery Man (uncredited) See fewer
Bonzo Goes to College (1952)
Tropicana Fruit Company Foreman (uncredited) Tropicana Fruit Company Foreman (uncredited) See fewer
Park Row (1952)
Policeman (uncredited) Policeman (uncredited) See fewer
Ma and Pa Kettle at the Fair (1952)
Man at Accident (uncredited) Man at Accident (uncredited) See fewer
The Winning Team (1952)
Carson City (1952)
Miner (uncredited) Miner (uncredited) See fewer
Steel Town (1952)
The Bushwhackers (1952)
Peter Sharpe Peter Sharpe See fewer
Captain Video, Master of the Stratosphere (1951)
Henchman [Chs. 13-14] (uncredited) Henchman [Chs. 13-14] (uncredited) See fewer
The Racket (1951)
Pedestrian with Morning Newspaper (uncredited) Pedestrian with Morning Newspaper (uncredited) See fewer
Cattle Queen (1951)
Stage Driver Stage Driver See fewer
Come Fill the Cup (1951)
Bucky Blake (uncredited) Bucky Blake (uncredited) See fewer
Drums in the Deep South (1951)
Confederate Soldier (uncredited) Confederate Soldier (uncredited) See fewer
Journey Into Light (1951)
Parishioner (uncredited) Parishioner (uncredited) See fewer
Speed's Trainer (uncredited) Speed's Trainer (uncredited) See fewer
Roadblock (1951)
Policeman at Brissard's (uncredited) Policeman at Brissard's (uncredited) See fewer
Flying Leathernecks (1951)
Never Trust a Gambler (1951)
Gas Station Attendant (uncredited) Gas Station Attendant (uncredited) See fewer
I Was a Communist for the F.B.I. (1951)
Worker (uncredited) Worker (uncredited) See fewer
Badman's Gold (1951)
Jake - Henchman Jake - Henchman See fewer
Cry Danger (1951)
Delicatessen Proprietor (uncredited) Delicatessen Proprietor (uncredited) See fewer
Storm Warning (1951)
Al (uncredited) Al (uncredited) See fewer
The Sun Sets at Dawn (1950)
Pretty Baby (1950)
Kiss Tomorrow Goodbye (1950)
Joe - Milkman (uncredited) Joe - Milkman (uncredited) See fewer
Triple Trouble (1950)
Red, Ma's Henchman Red, Ma's Henchman See fewer
The Admiral Was a Lady (1950)
Bus Driver #2 - Santa Fe Line (uncredited) Bus Driver #2 - Santa Fe Line (uncredited) See fewer
In a Lonely Place (1950)
Dave (uncredited) Dave (uncredited) See fewer
So You Think You're Not Guilty (1950)
(Short) - Joe's Cellmate (uncredited) Joe's Cellmate (uncredited) See fewer
Barricade (1950)
Brandy Brandy See fewer
Watchman Watchman See fewer
Perfect Strangers (1950)
The Great Rupert (1950)
Dave - the Mailman (uncredited) Dave - the Mailman (uncredited) See fewer
No Man of Her Own (1950)
Steve, Cab Driver (uncredited) Steve, Cab Driver (uncredited) See fewer
Always Leave Them Laughing (1949)
Without Honor (1949)
1st Television Installer 1st Television Installer See fewer
A Kiss in the Dark (1949)
Miss Mink of 1949 (1949)
Thug (uncredited) Thug (uncredited) See fewer
A Woman's Secret (1949)
They Live by Night (1948)
Robert Mansfield, Mattie's Husband (uncredited) Robert Mansfield, Mattie's Husband (uncredited) See fewer
Let's Live a Little (1948)
Strike It Rich (1948)
Harris - Man in Domino Saloon (uncredited) Harris - Man in Domino Saloon (uncredited) See fewer
Fighter Squadron (1948)
Sgt. Mike aka Nailhead - Ground Crew Chief (uncredited) Sgt. Mike aka Nailhead - Ground Crew Chief (uncredited) See fewer
Joan of Arc (1948)
Guard (uncredited) Guard (uncredited) See fewer
The Babe Ruth Story (1948)
Beyond Glory (1948)
West Point Boxing Instructor (uncredited) West Point Boxing Instructor (uncredited) See fewer
Shed No Tears (1948)
Cab Driver (uncredited) Cab Driver (uncredited) See fewer
Mr. Reckless (1948)
Taxicab Driver (uncredited) Taxicab Driver (uncredited) See fewer
If You Knew Susie (1948)
Bennie - Steve's Henchman (uncredited) Bennie - Steve's Henchman (uncredited) See fewer
High Wall (1947)
Patient in Solitary (uncredited) Patient in Solitary (uncredited) See fewer
Big Town After Dark (1947)
Hoodlum in LaRue's Office (uncredited) Hoodlum in LaRue's Office (uncredited) See fewer
Killer McCoy (1947)
Fight Doctor (uncredited) Fight Doctor (uncredited) See fewer
Merton of the Movies (1947)
Ernie - Prop Man (uncredited) Ernie - Prop Man (uncredited) See fewer
Magic Town (1947)
Moving Man (uncredited) Moving Man (uncredited) See fewer
Bulldog Drummond Strikes Back (1947)
The Secret Life of Walter Mitty (1947)
Taxcab Driver (uncredited) Taxcab Driver (uncredited) See fewer
Brute Force (1947)
Convict (uncredited) Convict (uncredited) See fewer
Possessed (1947)
Cafe Proprietor (uncredited) Cafe Proprietor (uncredited) See fewer
Living in a Big Way (1947)
Bulldog Drummond at Bay (1947)
Teeples (uncredited) Teeples (uncredited) See fewer
It Happened in Brooklyn (1947)
Minor Role (uncredited) Minor Role (uncredited) See fewer
Buck Privates Come Home (1947)
Tie Buyer (uncredited) Tie Buyer (uncredited) See fewer
That Way with Women (1947)
Bum (uncredited) Bum (uncredited) See fewer
Hit Parade of 1947 (1947)
Counterman (uncredited) Counterman (uncredited) See fewer
The Man I Love (1947)
Sign Man (uncredited) Sign Man (uncredited) See fewer
The Mighty McGurk (1947)
Mug (uncredited) Mug (uncredited) See fewer
San Quentin (1946)
Higgins (uncredited) Higgins (uncredited) See fewer
Bringing Up Father (1946)
Pugugly (uncredited) Pugugly (uncredited) See fewer
Sioux City Sue (1946)
Bartender Keno (uncredited) Bartender Keno (uncredited) See fewer
Under Nevada Skies (1946)
Henchman Burns (uncredited) Henchman Burns (uncredited) See fewer
Down Missouri Way (1946)
Film Crewman (uncredited) Film Crewman (uncredited) See fewer
Night and Day (1946)
Army Driver (uncredited) Army Driver (uncredited) See fewer
Two Guys from Milwaukee (1946)
Don't Gamble with Strangers (1946)
Trigger Man (uncredited) Trigger Man (uncredited) See fewer
In Fast Company (1946)
John Cassidy (uncredited) John Cassidy (uncredited) See fewer
One Exciting Week (1946)
Dark Alibi (1946)
Barker (uncredited) Barker (uncredited) See fewer
The Dark Corner (1946)
First Cab Driver (uncredited) First Cab Driver (uncredited) See fewer
Devil Bat's Daughter (1946)
The People's Choice (1946)
Charles Butler Charles Butler See fewer
Smooth as Silk (1946)
Live Wires (1946)
Red (uncredited) Red (uncredited) See fewer
Road to Utopia (1945)
Sailor Reporting to Head Purser (uncredited) Sailor Reporting to Head Purser (uncredited) See fewer
What Next, Corporal Hargrove? (1945)
Mess Sergeant (uncredited) Mess Sergeant (uncredited) See fewer
Incendiary Blonde (1945)
Vettori Bodyguard (uncredited) Vettori Bodyguard (uncredited) See fewer
The Hidden Eye (1945)
Anchors Aweigh (1945)
Shore Patrol Officer (uncredited) Shore Patrol Officer (uncredited) See fewer
Mack (uncredited) Mack (uncredited) See fewer
Man from Oklahoma (1945)
Tom (uncredited) Tom (uncredited) See fewer
Crime, Inc. (1945)
Bill the Cab Driver Bill the Cab Driver See fewer
Identity Unknown (1945)
Murder in the Blue Room (1944)
Curtin Curtin See fewer
Irish Eyes Are Smiling (1944)
Hoofer (uncredited) Hoofer (uncredited) See fewer
My Buddy (1944)
Proudly We Serve (1944)
(Short) - Seabee (uncredited) Seabee (uncredited) See fewer
Rainbow Island (1944)
Merchant Marine Seaman (uncredited) Merchant Marine Seaman (uncredited) See fewer
Christmas Holiday (1944)
Bellhop (uncredited) Bellhop (uncredited) See fewer
Wing and a Prayer (1944)
Sailor (uncredited) Sailor (uncredited) See fewer
Man from Frisco (1944)
Tough Guy (uncredited) Tough Guy (uncredited) See fewer
The Tiger Woman (1944)
Burt (uncredited) Burt (uncredited) See fewer
Gambler's Choice (1944)
Chappie's Friend (uncredited) Chappie's Friend (uncredited) See fewer
Construction Worker Who Dies (uncredited) Construction Worker Who Dies (uncredited) See fewer
Calling Dr. Death (1943)
Air Force (1943)
Undetermined Role (uncredited) Undetermined Role (uncredited) See fewer
The Adventures of Smilin' Jack (1943)
Driver of Car 5 (uncredited) Driver of Car 5 (uncredited) See fewer
Madame Spy (1942)
Pittsburgh (1942)
X Marks the Spot (1942)
Calling Dr. Gillespie (1942)
Coronet Mechanic (uncredited) Coronet Mechanic (uncredited) See fewer
They All Kissed the Bride (1942)
Danger in the Pacific (1942)
Mechanic (uncredited) Mechanic (uncredited) See fewer
Remember Pearl Harbor (1942)
Officer (uncredited) Officer (uncredited) See fewer
Ship Ahoy (1942)
Stagehand (uncredited) Stagehand (uncredited) See fewer
Tarzan's New York Adventure (1942)
Second Cab Driver (uncredited) Second Cab Driver (uncredited) See fewer
Man in Newsreel Truck (uncredited) Man in Newsreel Truck (uncredited) See fewer
Fingers at the Window (1942)
Cabbie with Cat (uncredited) Cabbie with Cat (uncredited) See fewer
Gang Busters (1942)
Garage Attendant [Ch. 2] (uncredited) Garage Attendant [Ch. 2] (uncredited) See fewer
True to the Army (1942)
Private (uncredited) Private (uncredited) See fewer
Nazi Agent (1942)
Born to Sing (1942)
One Foot in Heaven (1941)
Appointment for Love (1941)
Sergeant York (1941)
Beardsley (uncredited) Beardsley (uncredited) See fewer
Caught in the Draft (1941)
Pvt. Twitchell (uncredited) Pvt. Twitchell (uncredited) See fewer
Adventures of Captain Marvel (1941)
Gus - Henchman [Ch. 8] (uncredited) Gus - Henchman [Ch. 8] (uncredited) See fewer
Footsteps in the Dark (1941)
Where Did You Get That Girl? (1941)
One Hour to Live (1939)
Cab driver Cab driver See fewer
Little Accident (1939)
Those High Grey Walls (1939)
The Day the Bookies Wept (1939)
Taxi Driver with Mustache (uncredited) Taxi Driver with Mustache (uncredited) See fewer
The Spellbinder (1939)
Dick Tracy Returns (1938)
Railroad Siding Thug (uncredited) Railroad Siding Thug (uncredited) See fewer
Over the Wall (1938)
Prison Photographer (uncredited) Prison Photographer (uncredited) See fewer
Bringing Up Baby (1938)
Missing Witnesses (1937)
Submarine D-1 (1937)
Bluejacket at Panama (uncredited) Bluejacket at Panama (uncredited) See fewer
Portia on Trial (1937)
Live, Love and Learn (1937)
Carnival Queen (1937)
The Man Who Cried Wolf (1937)
Young Convict (uncredited) Young Convict (uncredited) See fewer
Born Reckless (1937)
Mobster (uncredited) Mobster (uncredited) See fewer
Anything for a Thrill (1937)
Joe Joe See fewer
Meet the Missus (1937)
Armored Car (1937)
Shadow (uncredited) Shadow (uncredited) See fewer
There Goes My Girl (1937)
Rethburn's Henchman (uncredited) Rethburn's Henchman (uncredited) See fewer
Wings Over Honolulu (1937)
Marine (uncredited) Marine (uncredited) See fewer
They Gave Him a Gun (1937)
I Promise to Pay (1937)
2nd Steerer (uncredited) 2nd Steerer (uncredited) See fewer
Internes Can't Take Money (1937)
Man in Bookie's Office (uncredited) Man in Bookie's Office (uncredited) See fewer
Midnight Taxi (1937)
Step Lively, Jeeves! (1937)
Gangster (uncredited) Gangster (uncredited) See fewer
When's Your Birthday? (1937)
Fight Arena Attendant (uncredited) Fight Arena Attendant (uncredited) See fewer
Devil's Playground (1937)
Civilian (uncredited) Civilian (uncredited) See fewer
We Who Are About to Die (1937)
Prison Lab Technician (uncredited) Prison Lab Technician (uncredited) See fewer
Counterfeit Lady (1936)
Banjo on My Knee (1936)
Winterset (1936)
Tommy (uncredited) Tommy (uncredited) See fewer
The Accusing Finger (1936)
Without Orders (1936)
Pilot at Airport (uncredited) Pilot at Airport (uncredited) See fewer
The Gay Desperado (1936)
On-Screen Gangster (uncredited) On-Screen Gangster (uncredited) See fewer
Murder with Pictures (1936)
Pipe Smoker (uncredited) Pipe Smoker (uncredited) See fewer
Sworn Enemy (1936)
Busy Taxi Driver (uncredited) Busy Taxi Driver (uncredited) See fewer
Two-Fisted Gentleman (1936)
Man in Gym Man in Gym See fewer
Grand Jury (1936)
My American Wife (1936)
Bullets or Ballots (1936)
Kruger's Chauffeur (uncredited) Kruger's Chauffeur (uncredited) See fewer
Special Investigator (1936)
Murder on a Bridle Path (1936)
Horseman on Bridle Path (uncredited) Horseman on Bridle Path (uncredited) See fewer
Love on a Bet (1936)
Cider Drinker (uncredited) Cider Drinker (uncredited) See fewer
Whipsaw (1935)
Second Bellboy (uncredited) Second Bellboy (uncredited) See fewer
Confidential (1935)
G-Man (uncredited) G-Man (uncredited) See fewer
Shipmates Forever (1935)
Seaman (uncredited) Seaman (uncredited) See fewer
It's in the Air (1935)
She Couldn't Take It (1935)
Prisoner (uncredited) Prisoner (uncredited) See fewer
Here Comes the Band (1935)
Sim (scenes deleted) Sim (scenes deleted) See fewer
Atlantic Adventure (1935)
Hot Tip (1935)
Racetrack Gambler (uncredited) Racetrack Gambler (uncredited) See fewer
We're in the Money (1935)
Stranded (1935)
Rollins, an Agitator (uncredited) Rollins, an Agitator (uncredited) See fewer
Ladies Crave Excitement (1935)
Scott - Photographer (uncredited) Scott - Photographer (uncredited) See fewer
The Glass Key (1935)
Walter Ivans (uncredited) Walter Ivans (uncredited) See fewer
Admirer (uncredited) Admirer (uncredited) See fewer
Men of the Hour (1935)
'G' Men (1935)
First Gangster Shot at Lodge (uncredited) First Gangster Shot at Lodge (uncredited) See fewer
I'll Love You Always (1935)
The Whole Town's Talking (1935)
Ship Steward (uncredited) Ship Steward (uncredited) See fewer
Men of the Night (1934)
6 Day Bike Rider (1934)
Tough Messenger (uncredited) Tough Messenger (uncredited) See fewer
Hide-Out (1934)
Laundry Driver (uncredited) Laundry Driver (uncredited) See fewer
Reporter in Stateroom (uncredited) Reporter in Stateroom (uncredited) See fewer
Here Comes the Navy (1934)
USS Arizona Sailor (uncredited) USS Arizona Sailor (uncredited) See fewer
Now I'll Tell (1934)
George Curtis George Curtis See fewer
Operator 13 (1934)
Confederate Officer (uncredited) Confederate Officer (uncredited) See fewer
Twentieth Century (1934)
Mulligan (uncredited) Mulligan (uncredited) See fewer
Hi, Nellie! (1934)
Henchman (uncredited) Henchman (uncredited) See fewer
Hell Below (1933)
Today We Live (1933)
MP Corporal (uncredited) MP Corporal (uncredited) See fewer
The Half-Naked Truth (1932)
Hell's Highway (1932)
Take 'em and Shake 'em (1931)
(Short) - Actor Actor See fewer
Dude Ranch (1931)
The Finger Points (1931)
Guard in Office of 'Number One' (uncredited) Guard in Office of 'Number One' (uncredited) See fewer
The Texan (1958)
(TV Series) - Bartender (1 episode, 1958) Bartender (1 episode, 1958) See fewer
Jail for the Innocents (Nov 3, 1958) Season 1, Episode 6 - Bartender Bartender See fewer
Wanted: Dead or Alive (1958)
(TV Series) - Townsman (1 episode, 1958) Townsman (1 episode, 1958) See fewer
Miracle at Pot Hole (Oct 25, 1958) Season 1, Episode 8 - Townsman (uncredited) Townsman (uncredited) See fewer
M Squad (1958)
(TV Series) - Police Sgt. Morrisy (1 episode, 1958) Police Sgt. Morrisy (1 episode, 1958) See fewer
Dead or Alive (Sep 26, 1958) Season 2, Episode 2 - Police Sgt. Morrisy Police Sgt. Morrisy See fewer
Mike Hammer (1958)
(TV Series) - Joe The Book (1 episode, 1958) Joe The Book (1 episode, 1958) See fewer
Peace Bond (May 2, 1958) Season 1, Episode 16 - Joe The Book Joe The Book See fewer
The Adventures of Jim Bowie (1958)
A Night in Tennessee (Apr 28, 1958) Season 2, Episode 34 - Bartender Bartender See fewer
Alfred Hitchcock Presents (1957)
(TV Series) - Judge / Bartender (2 episodes, 1957) Judge / Bartender (2 episodes, 1957) See fewer
Night of the Execution (Dec 29, 1957) Season 3, Episode 13 - Judge Judge See fewer
The Young One (Dec 1, 1957) Season 3, Episode 9 - Bartender Bartender See fewer
(TV Series) - Janitor (1 episode, 1957) Janitor (1 episode, 1957) See fewer
The Case of the Baited Hook (Dec 21, 1957) Season 1, Episode 14 - Janitor Janitor See fewer
Official Detective (1957)
(TV Series) - Construction Worker (1 episode, 1957) Construction Worker (1 episode, 1957) See fewer
Missing (Dec 11, 1957) Season 1, Episode 26 - Construction Worker (uncredited) Construction Worker (uncredited) See fewer
The Restless Gun (1957)
(TV Series) - Cecil Potter (1 episode, 1957) Cecil Potter (1 episode, 1957) See fewer
The New Sheriff (Nov 18, 1957) Season 1, Episode 9 - Cecil Potter Cecil Potter See fewer
The Sheriff of Cochise (1957)
(TV Series) - Wally Towne (1 episode, 1957) Wally Towne (1 episode, 1957) See fewer
Taxi (Sep 20, 1957) Season 2, Episode 21 - Wally Towne (uncredited) Wally Towne (uncredited) See fewer
Highway Patrol (1957)
(TV Series) - Frank (1 episode, 1957) Frank (1 episode, 1957) See fewer
Trojan Horse (Mar 12, 1957) Season 2, Episode 23 - Frank Frank See fewer
The Man Called X (1956)
Voice on Tape (Dec 19, 1956) Season 2, Episode 13 - Actor Actor See fewer
Cheyenne (1956)
The Bounty Killers (Oct 23, 1956) Season 2, Episode 4 - Bartender (uncredited) Bartender (uncredited) See fewer
Combat Sergeant (1956)
(TV Series) - Corporal Tim Murphy (1 episode, 1956) Corporal Tim Murphy (1 episode, 1956) See fewer
All Faces East (Aug 31, 1956) Season 1, Episode 10 - Corporal Tim Murphy Corporal Tim Murphy See fewer
Crusader (1956)
(TV Series) - Card Player (1 episode, 1956) Card Player (1 episode, 1956) See fewer
Helltown, U.S.A. (Mar 16, 1956) Season 1, Episode 24 - Card Player Card Player See fewer
Schlitz Playhouse of Stars (1955)
Nothing to Do Till Next Fall (Oct 28, 1955) Season 5, Episode 5 - Actor Actor See fewer
Cleanup (Oct 14, 1955) Season 1, Episode 2 - Actor (uncredited) Actor (uncredited) See fewer
The Life and Legend of Wyatt Earp (1955)
(TV Series) - Lynch Mob Member (1 episode, 1955) Lynch Mob Member (1 episode, 1955) See fewer
Wyatt Earp Comes to Wichita (Oct 4, 1955) Season 1, Episode 5 - Lynch Mob Member (uncredited) Lynch Mob Member (uncredited) See fewer
Damon Runyon Theater (1955)
The Mink Doll (Jul 9, 1955) Season 1, Episode 13 - Actor Actor See fewer
Dragnet (1955)
(TV Series) - Actor (2 episodes, 1955) Actor (2 episodes, 1955) See fewer
The Big Mug (May 26, 1955) Season 4, Episode 39 - Actor Actor See fewer
The Big Sucker (Apr 7, 1955) Season 4, Episode 32 - Actor Actor See fewer
The Millionaire (1955)
(TV Series) - Mulligan (1 episode, 1955) Mulligan (1 episode, 1955) See fewer
The Nancy Marlborough Story (Mar 9, 1955) Season 1, Episode 8 - Mulligan Mulligan See fewer
Indian American (1955)
(TV Movie) - Mac Mac See fewer
The Mickey Rooney Show (1954)
(TV Series) - Officer Simmons (1 episode, 1954) Officer Simmons (1 episode, 1954) See fewer
Disc Jockey (Sep 11, 1954) Season 1, Episode 3 - Officer Simmons Officer Simmons See fewer
Public Defender (1954)
(TV Series) - Higgins (1 episode, 1954) Higgins (1 episode, 1954) See fewer
High Stakes (Jul 26, 1954) Season 1, Episode 21 - Higgins Higgins See fewer
The Abbott and Costello Show (1954)
(TV Series) - Steve Davis (1 episode, 1954) Steve Davis (1 episode, 1954) See fewer
Fall Guy (Apr 24, 1954) Season 2, Episode 25 - Steve Davis Steve Davis See fewer
Hopalong Cassidy (1954)
(TV Series) - Breck (1 episode, 1954) Breck (1 episode, 1954) See fewer
Masquerade for Matilda (Mar 5, 1954) Season 2, Episode 22 - Breck Breck See fewer
Adventures of Superman (1954)
(TV Series) - Cab Driver (1 episode, 1954) Cab Driver (1 episode, 1954) See fewer
Lady in Black (Feb 20, 1954) Season 2, Episode 23 - Cab Driver Cab Driver See fewer
Four Star Playhouse (1953)
(TV Series) - Reporter (1 episode, 1953) Reporter (1 episode, 1953) See fewer
The Witness (Oct 22, 1953) Season 2, Episode 5 - Reporter (uncredited) Reporter (uncredited) See fewer
I'm the Law (1953)
(TV Series) - Mr. Burcher / Killer (2 episodes, 1953) Mr. Burcher / Killer (2 episodes, 1953) See fewer
Husband and Wife Murder Story (Jun 19, 1953) Season 1, Episode 19 - Mr. Burcher Mr. Burcher See fewer
O Sole Mio (May 15, 1953) Season 1, Episode 14 - Killer Killer See fewer
Mr. & Mrs. North (1953)
(TV Series) - Bratton (1 episode, 1953) Bratton (1 episode, 1953) See fewer
Murder on the Midway (Jun 19, 1953) Season 1, Episode 38 - Bratton (as Frank Marlow) Bratton (as Frank Marlow) See fewer
(TV Series) - Adkins / Whitey (2 episodes, 1952) Adkins / Whitey (2 episodes, 1952) See fewer
The Unholy Three (Oct 2, 1952) Season 2, Episode 2 - Adkins Adkins See fewer
The Phantom (Jun 26, 1952) Season 1, Episode 8 - Whitey Whitey See fewer
The Unexpected (1952)
(TV Series) - Maley's Cellmate (1 episode, 1952) Maley's Cellmate (1 episode, 1952) See fewer
Split Second (Apr 16, 1952) Season 1, Episode 7 - Maley's Cellmate Maley's Cellmate See fewer
Boston Blackie (1952)
Red Hot Murder (Feb 18, 1952) Season 1, Episode 24 - Actor Actor See fewer
Mother Wore Blinkers (Feb 4, 1952) Season 1, Episode 22 - Actor Actor See fewer
The Files of Jeffrey Jones (1952)
(TV Series) - Twitcher Henderson (1 episode, 1952) Twitcher Henderson (1 episode, 1952) See fewer
Pigeon Hunt (1952) Twitcher Henderson Twitcher Henderson See fewer
Hollywood Opening Night (1951)
When the Devil is Sick (Sep 21, 1951) Season 1, Episode 10 - Actor Actor See fewer
Stars Over Hollywood (1951)
When the Devil Is Sick (Mar 7, 1951) Season 1, Episode 27 - Actor Actor See fewer
(TV Series) - Sergeant Murphy (1 episode, 1950) Sergeant Murphy (1 episode, 1950) See fewer
Rifles and Renegades (May 4, 1950) Season 1, Episode 34 - Sergeant Murphy Sergeant Murphy See fewer
The Mike Douglas Show (1963)
(TV Series) - Himself - Co-Host (1 episode, 1963) Himself - Co-Host (1 episode, 1963) See fewer
Episode #3.72 (Dec 10, 1963) Season 3, Episode 72 - Himself - Co-Host Himself - Co-Host See fewer
Star of the Family (1951)
Episode #2.9 (Sep 23, 1951) Season 2, Episode 9 - Himself Himself See fewer
Cavalcade of Bands (1950)
Episode #1.2 (Jan 24, 1950) Season 1, Episode 2 - Himself Himself See fewer
The Fifty-Fourth Street Revue (1949)
Episode #1.3 (May 19, 1949) Season 1, Episode 3 - Himself Himself See fewer
The Republic Pictures Story (1991)
(TV Movie) - Frank - Bartender (clip from Johnny Guitar (1954)) (archive footage) (uncredited) Frank - Bartender (clip from Johnny Guitar (1954)) (archive footage) (uncredited) See fewer
F.B.I. 99 (1966)
(TV Movie) - Mack (archive footage) (uncredited) Mack (archive footage) (uncredited) See fewer
Jungle Gold (1966)
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Strategic Alliances - Partners - Polycom, Inc.
Polycom Strategic Alliances are the keystones of the Polycom Partner Network. Our strategic alliance partners are global leaders in unified communications (UC) who work closely with Polycom to deliver standards-based, integrated solutions to our mutual customers.
With these partners, we deliver the ultimate UC experience and the industry's premier collaboration solutions. Customers rely on these solutions to leverage their existing communication environments, protect their long-term investments, boost productivity, and improve collaboration across the enterprise.
These select strategic alliances are committed to open, standards based solutions. The solutions leverage the power of the Polycom RealPresence portfolio to deliver universal video collaboration and a more dynamic customer experience. Our joint solutions better meet the demands of customers who seek scalable, secure, and highly productive collaboration environments that offer the lowest total cost of ownership (TCO).
Polycom and Microsoft provide customers with a complete and interoperable end-to-end solution optimized for Microsoft environments, including Microsoft® Lync®. These unique, combined solutions ensure seamless communications across IM, presence, voice, video and infrastructure. They span desktops, conference rooms, and mobile environments as well.
Polycom and BroadSoft offer enhanced unified communications (UC) solutions featuring IP telephony with Polycom HD Voice, videoconferencing, and telepresence. These solutions only create additional opportunities for service providers.
Alcatel-Lucent Enterprise (ALE) is a leading provider of enterprise communications solutions and service—from the office to the cloud. Polycom's industry leading voice, video and content solutions, together with OmniPCX® Enterprise from ALE, deliver state-of-the-art user experiences and unmatched investment protection for customers of all sizes, in all industry segments.
Polycom and Ribbon enable organizations of all sizes to gain the cost and productivity benefits of Open SIP telephony, delivering unified communications from cloud-based or on-premises solutions.
IBM and Polycom have teamed to help you deliver higher productivity with a simple, but powerful communications experience. IBM's Social Business applications, integrated with the Polycom RealPresence Platform, connect people and bring them face-to-face from any device regardless of location.
Polycom's other ecosystem partners also benefit from these strategic alliances by being able to offer integrated, best-of-breed solutions with these alliances. You can choose Polycom solutions for your environment with confidence to solve your' challenges and exceed expectations.


Cache Valley Criminal Attorney Blog: New Expungement Laws Makes Expungment More Difficult.
Like Tourand, hundreds of thousands of Minnesota ex-offenders — adults with convictions who have completed the terms of their sentences, whether they be probation, parole or prison — face similar barricades to employment. In Minnesota, employers are allowed to make blanket prohibitions on hiring people with criminal records.
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Wondering what requirements are to obtain interview and if being 30 and from Australia applying 3rd round influences granting of interview.
Harvard has an acceptance rate of around 11% so getting in requires just more than a good GMAT, referees and essay. While the greatest number of applicants are taken from the 1st round that is when the greatest number of applications are considered. I always advise students to go for 1st round but equally I have got students in at the 3rd round and in my view if you meet the criteria and your application is strong you will get an interview. Age is not a factor if you have met the years of experience requirement. For the 2018 class the statistics are 934 enrolled MBAs, 9759 applications, admit of 11%, GMAT middle 80% 690 - 760; median 730; GPA 3.67/4.0. Harvard look for a diverse student body and are looking for candidates that display leadership, are engaged actively with the community, are eager to share their experiences and are ambitious. It is key that all these come out in the essay and also in your referees comments.If they haven't then you are not likely to get to even the interview stage. How the application is presented is critical and this is often where professional help is vital to get things right. Your GMAT appears to be in the 750 - 800 range; I cannot ascertain what your years of experience are but HBS, unless you are a rae student, require a minimum of 4 years experience. The undergraduate MBBS and Masters of Surgery would not be deemed to be years of experience so you may not have met this basic criteria. I would advise getting expert advice on your eligibility and assitance with presenting the application that meets all the criteria. It is a very competitive world for the entry into the MBA and having specialist advice is more and more important today if you want to get into the elite MBAs.


In the context of NAFTA, we must think of the Wall on the southern border as a barrier that simultaneously facilitates and restricts entry. The idea of the Wall really took off in the 1990s as the depth and scope of U.S.-Mexico relations increased along with new manifestations of globalization. Thus we must think of the Wall as not the metaphoric impermeable entity it evokes, but as a form of transboundary interaction that enacts visions of discipline and authority.
In earlier periods of American history, the matter of "unauthorized" or "illegal" immigration has not caused quite as much consternation, such as during the peak of immigration from the late 19th century to the early 1920s. But it was only when integration assumed transparent forms in the 1990s, 30 years after the enactment of the 1965 immigration liberalization, that the border suddenly began to be seen as "out of control"—and in need of a physical wall. Restrictionist measures were imposed in the 1920s, and again in the 2000s, just as immigrants' ability to assimilate reached peak levels in both periods.
In other words, so-called illegality is a matter of perception, the state creating new ways of seeing immigrant populations that have really nothing to do with actual legality or illegality.
The Wall that Trump envisions therefore becomes a way of iterating American nationhood. Social relationships within the nation-state are informed by class dynamics, whereas the Wall creates the illusion of a supra-nationhood beyond class, gender, race and religion. Precisely to the extent that the "nation" becomes irrelevant to the actual realities of science, technology, economics and culture today, the Wall arises as a fantasy to establish patterns of communication about good versus evil that have become superseded in the midst of the postmodern challenge to nationhood.
The kinds of national regulation of the movement of migrants that have manifested since the beginning of the 20th century are inimical to the logic of liberal citizenship. The two have existed in difficult juxtaposition for well over a century, but it is a perpetually unresolved tension that is eventually going to break our notions of citizenship, nationhood and immigration.
The Wall is a sadomasochistic fantasy that indicates submission to as well as pacification of the alien other, simultaneously generating systems of difference (border towns on either side of the U.S.-Mexico border, such as San Diego/Tijuana, or Laredo/Nuevo Laredo, assuming distinct, nonparallel forms) while establishing a noncompetitive method of eradicating such systems of difference. If twin cities on the border are divided by a physical Wall, then their distinct status becomes reinforced; this goes without saying, and is the more obvious aspect. However, if twin cities on the border get divided by physical barriers, then it is also an open invitation for "illegals" to break the law and enter. It is not always possible to say which aspect of the duality the state desires at any given point.
One can look at deportations in the same metaphysical manner. The more the number goes up, the less the state feels in control. But the state feels it can't act otherwise than to accelerate deportations to higher and higher numbers, in order to regain a sense of control. Yet the more it deports, the less it feels in control.
What does border enforcement mean? It means that one side asserts the right to keep out another side. There is, by definition, a dominant element in border enforcement and a subservient element. Border enforcement is class politics by the most vicious measure, the most brutal way it can manifest. Within the border class politics takes place, of course, by way of any of a number of subtle means strengthening inequality, but at the border class politics is naked and unrepentant. Thus, in order to understand the true state of a liberal polity's health or otherwise at any given point, one must look at the border and what is taking place there.
The border is never about enforcing immigration law; it is about making concrete a dream of internal order, which within the country is dressed up in a language of rights, while at the border, the point where the secure liberal construction meets the hostile other, the actions are accoutered in the language of pure violence. Outside a country's border, the same class politics manifest in war. Not to see the direct link between internal class politics, border politics and war is to ignore the most important dimension of the construction of citizenship rights.
We speak, when it comes to the Wall and the border, in the language of the perils of "drug trafficking." Of a "crisis" confronting sovereign territory. Of the hypervisibility of Mexicans and other aliens that bring about such measures as Operation Gatekeeper, the forerunner of the present Trumpian chimera. When I was young in California in the 1970s and 1980s, the border between San Diego and Tijuana was splendidly permeable, and there wasn't a sense of imminent crisis because the border didn't exist in the form it does today, presuming a sense of crisis as a condition of its existence.
The border can supposedly be militarized or demilitarized at will, depending on relations between two neighbors, but in reality, once the language of violence takes hold, the only option open to the state is to escalate militarization. Again, to look to the reasons for the emergency calling for the Wall, look no further than the country's military budget.
FAIR (Federation for American Immigration Reform), perhaps the white supremacist organization that has been the single most influential institution in our recent history, is always inflaming fears of unprecedented numbers of refugees. If there were no Wall, the fear of refugees would not exist. The fear of refugees persists only because they must cross a Wall, a physical barrier which decides interdiction and repatriation.
The state, in the contemporary globalization era, lives in mortal fear of who to let in or not, it wants to be in total control of those allowed in. We must know everything about immigrants ("extreme vetting," to use Trump's terminology, which is not necessarily a new phenomenon, or to look into their social media accounts, as the latest initiative would have it).
We are compelled to establish a historical bounded space that is outside the networks of fear and anxiety that globalization otherwise creates. I repeat, the Wall as Trump sees it is a byproduct of the nature of contemporary globalization, and is not at all in contradiction with it.
The more that different groups of targeted "foreigners"—Arabs, Muslims, Mexicans—try to correct the images of fear associated with them (since they are border-crossers), the more the border will become a concrete reality. The kinds of negative images—such as the spoilage of the environment by Mexicans, or their proclivity to excessive fertility—that the state can create will always outcompete any attempt at positive image-making.
Whenever there is an economic crisis—as with the Mexicans targeted during the Great Depression—there will always be an out-of-favor group to persecute, to literally put in "concentration camps." When we speak of the border, we are making a conscious attempt not to repeat the words "concentration camp," because that is not allowed, though the Wall is. And yet the Wall and the concentration camp are all but imaginatively and physically indistinguishable; one can't have the one without the other.
If the Wall doesn't exist, we believe that the illegals will roll over us and seize our welfare, jobs, schools and hospitals. The more the Wall catches on in the public imagination, the worse this fear gets. A stereotype about an immigrant doesn't come from nowhere; it is a reflection of the most liberal side of our politics, a necessary counterpart. The Wall desires, creates and implements overt racism, which we can't express in the old racist forms, but which become expressions of the construction of a space within which the rule of law reigns supreme.
Again, in our imagination there are migrants and smugglers. There is the war on drugs and then there is NAFTA-approved trade. There are terrorist threats to security and there are the good immigrants, the Dreamers. There is the Constitution, which applies within the wall-bounded U.S. territory, and there is the realm outside the Constitution, which is everywhere else, including at the border. A citizen operating under the rule of law of the Constitution inside the United States may commit a crime which would not be an "aggravated felony." The same crime committed by a non-citizen operating outside the rule of law though inside the country will be classified as an "aggravated felony," subjecting the unwanted person to deportation.
It is the Wall that allows our innocence toward the Constitution to continue unchecked. The border brings into play a fantasy of social control that lets us pretend, as during the administration of Barack Obama, that we do not oppress or exclude large numbers of immigrants for whom this is the only home. We can talk about the illegalities of ICE agents (who operate perpetually in a shadow zone of extreme interpretations of the Constitution) during the reign of Trump, but not under Obama. ICE agents become visible during a regime such as Trump's or Bush's, but remain invisible under Obama or Clinton, though they perform the same work of exclusion.
What is a deportee's "home country?" It exists outside the Wall. Again, we allows ourselves a fantasy where we "humanely" exclude people, send them back to their "homes," though they are being sent away from the only homes they may have known. The Wall is the mechanism that sets in place these guarantees of the simultaneous production of security and insecurity. To the extent that our feeling of security goes up, our feeling of insecurity goes up too, under the current post-liberal, post-constitutional, post-democratic dispensation.
The Wall makes talk of freedom inconceivable. Freedom is an impossibility when there are the low-skilled ones not qualified to cross the border, at the same time as there are the high-skilled ones qualified to cross. The "law" slowly replaces justice, or freedom, or the right of movement. The law separates and divides, it becomes a matter of infrastructure in the shape of so many miles of fencing or Border Patrol guards, so much traffic that is monitored.
The Wall allows the state's ultimate glance, which is directed inward to monitor its own "citizens," to proceed unchecked—almost lawlessly, if you will. Our present conception of the southern Wall—like every wall when it reaches a certain dimension of political reality—performs this function of needing to be witnessed and annihilated at the same time. To us, it is invisible, we are too far to see it. To those on the other side, it is intended as the only thing they can see (Trump desires to build a Wall high enough to provide no glimpse of our side).
But it is not Trump alone who is obsessed with the Wall. It is who we have become as a nation, which once was constructed on the very idea that there couldn't be a Wall, that the Wall meant a form of control that would be catastrophic to the Constitution.
Anis Shivani is the author of Why Did Trump Win? Chronicling the Stages of Neoliberal Reactionism and This Is the Only Way to Solve the Immigration Problem: A Radical Human Rights Approach. A History of the Cat in Nine Chapters: A Noveland Logography: A Poetry Omnibusare forthcoming in early 2019.


text:
addEventListener('message', evt => {
    postMessage(evt.data);
});

redpajama_set_name: RedPajamaGithub


text:
Q: what is the '¬' character called and what is it for I do not ever think I have ever had a need to type this character "¬", and so I was wondering what it is called and what it is for and why it is on the my keyboards (both my UK and EU keyboards)? I assume that it had some common function back in the 1970's maybe, but I'm curious what that might be as I'm almost completely certain that I have never once in over 25 years ever had a need to type this character for anything. I do use the tilde character "`" a lot, but never the shift-variant on that key of the "¬".
Part of the reason that I am asking this is that I might use it as an AutoHotkey trigger, since it seems so completely useless to me, but I was curious about what it might be for etc before I do that.

A: It's the logic negation symbol.
It's used in some programming languages as a mean to negate a boolean value, particulary old languages

A: The ¬ character is also used in AppleScript to force a long line of code to break onto the next line. On a French Mac keyboard, you get it with Option (alt) "L", which has a kind of logic to it :)

redpajama_set_name: RedPajamaStackExchange


text:
Sanity, constitutional law returning to federal courts
MADISON — Forget the tweets. Forget the wall. Forget Denmark. More than halfway through his first term, Trump has nominated an impressive slate of originalist judges to the federal bench . With the leadership of Sen. Mitch McConnell, the Senate had confirmed 146 federal judges as of August.
In other words, Trump nominees make up about one of every six federal judgeships.
The quantity is impressive, but the quality of constitution-first judges now serving on the U.S. Supreme, appellate, and district courts is the real victory, says Carrie Severino, chief counsel and policy director of the conservative Judicial Crisis Network.
Severino said these next-generation jurists approach the law and the constitution as it was originally written.
"… Donald Trump has had a terrific track record so far, particularly in his Supreme Court justices, his appellate justices, people who have true track records of that kind of judging," Severino recently told Empower Wisconsin on the Vicki McKenna Show on NewsTalk 1130 WISN.
Severino is a member of the Federalist Society, an advocacy organization of conservatives and libertarians that believes "it is emphatically the province and duty of the judiciary to say what the law is, not what it should be."
That philosophy is at odds with the administrative state and the big-government left. They have been driven absolutely apoplectic by what they insist is the Federalist Society's outsized influence on the president's nominating decisions.
"When you think about (failed Obama Supreme Court nominee) Merrick Garland and what McConnell has done to the Senate, there's a lot of feeling of vengeance and revenge," Sen. Dick Durbin (D.Ill.) told Politico earlier this summer.
Revenge to many liberals means packing the courts with more judges to their political liking. They'll have to take back power before they can do that.
In the same Politico piece, the reporters contend the "left has been radicalized by the Republican offensive…" The assertion is patently absurd to judicial watchers like Severino, who says Democrats have long tried packing the courts with liberal activist judges.
"I think that's the frustrating part of it. The left has been successful in tapping judges who are basically just their backstop," she said. "When they can't get something done in the democratic system, they then go to the courts, and the courts are all too often happy to oblige and give them whatever liberal policy outcome they want."
Badger State conservatives know all about liberal judge shopping. During Republican Gov. Scott Walker's two terms in office, big labor and liberal advocacy groups cost taxpayers a hefty bill in defending laws like Act 10, voter ID, and more recently, the myriad laws that came out of the Republican-led Legislature's extraordinary session. Liberals repeatedly won their arguments in front of progressive Dane County judges, only to have higher courts that understand the separation of powers overturns those rulings.
Trump's successful appointments are beginning to make a difference. Exhibit A: the U.S. Ninth Circuit Court of Appeals. Sometimes referred to as the Ninth 'Circus' for its far left, head-shaking opinions, the San Francisco-based court appears to be changing direction. As of last month, Trump had selected seven of its 29 judges.
Recently, a Ninth Circuit three-judge panel scaled back a lower-court ruling challenging Trump immigration policy.
Severino said much work remains in reshaping the courts. The previous administration was extremely active in appointing liberal activist judges.
"President Obama was there for eight years and by the end of his term, he had replaced about two-thirds of the federal judiciary. That's a huge impact," the legal expert said. "These are people with life tenure …"
"I think the important thing is to keep moving steadily on it and make sure we're choosing these excellent judges, and then we can have these battles back where they belong, in the elected branches," Severino added.
Posted in OpinionTagged federal court
1 thought on "Sanity, constitutional law returning to federal courts"
Wednesday, September 18th, 2019 at 12:27 pm
I am so happy to See President Trump focus on the judiciary, and hope we in Wisconsin can have a civil conversation during the 2020 election season.
The recent allegations on Justice Kavanaugh are not only sad and damaging, they are an obvious ploy for a very panicked democrat party. Not very democratic if you ask me!

redpajama_set_name: RedPajamaCommonCrawl


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Q: Docker Container stops after running powershell script I am trying to run a Web application in a container. I needed to run a powershell script when container is instantiated. That script will modify a config file with the environment variable value. For that I added an "ENTRYPOINT" in my docker file.
Docker File
FROM mcr.microsoft.com/windows/servercore/iis:latest

# Copy powershell scripts
COPY scripts/ scripts/

#update values
ENTRYPOINT ["powershell", "C:\\scripts\\updateconfig.ps1"]

When I instantiate a container instance using "docker run" command. It does create a container and executes that powershell script but then it stops the container. I understand that it stopped that container as it completed the execution.
powershell script (updateconfig.ps1)
((Get-Content -Path ".\scripts\appsettings.json" -Raw) -replace '{{SQLSERVER}}', [System.Environment]::GetEnvironmentVariable('SQL_SERVER')) |
 Set-Content -Path ".\scripts\appsettings.json"

After going through so many stackoverflow threads, I tried few things but none of them gave me desired results. I have tried CMD, instead of EntryPoint but that ends up in an error
> CMD powershell "C:\\scripts\\printvar.ps1"

Error:
 Service 'w3svc' has been stopped

APPCMD failed with error code 4312

Failed to update IIS configuration

Following does the same, executes the script and stops the container
> ENTRYPOINT ["powershell", "-NoExit", "-File", "/scripts/printvar.ps1"]

How can I run the container instance continuously ?

A: "Service Monitor" is a default entry point in IIS image. As I am using that as a base image, I was actually overwriting the default entry point with a powershell script. I added this to my powershell script and now container is running continuously
Invoke-Expression "& `"C:\\ServiceMonitor.exe`" w3svc"


October Pondering… Only the Beginning.
I stumbled across the following free-form a week or so ago. I had scribbled it in my notebook this past October, and little did I know it would be the first step toward the creation of this blog and this mission of mine. At the time, I suppose, I was a bit lost. I was looking for a way to document my own process of creation, but I wasn't sure how or what I was to do. By the end of this somewhat-poetic question-and-answer free-form, I was inspired with the basic concept behind my own "just-be-creativity" philosophy.
How do I inspire creation?
How do I get inspired for my own creation?
Are the year's seasons enough?
Ideas flow and questions follow.
Which is the dominant brain?
'But is seeming reality?' Asks Left.
'Reality is not logical…' States Right.
Who do I need to please with my creativity?
Who is the audience to my being?
When I write, I have a tendency to ask questions — I question my own motives for the lines that I create. Questions provoke thought, and every time I read the above, I think of something different.
I always find it difficult to title my work, so I tend not to. I have learned that my process of creation involves experimentation and personal reflection, yielding more questions or answers to a bigger and overall understanding of my own being. Even in reviewing my work, after a great span of time has passed, I do not receive the same message. I do not expect my viewers (even myself) to approach my creations with any precognition of what will be taken away. Titles do that; titles provide a context within which a creation is to be experienced. So, if this is true, how can I prescribe a context to an evolving process?
It is great for me to look back on a piece like this. I've thought about it often since it was written, but I haven't revisited it. Although the meaning has somewhat changed for me, the inspiration has not.
Questioning is always good and is the road to true intelligence.
When I get bogged down creatively I have to tell myself to "just do it"!! Sometimes creativity may come in the process when it is not always present in the for-thought. Spreading paint on a canvas with no preconceived ideas and letting the muses direct the flow is liberating and almost spiritual. We are so controlled by those outside voices that it is difficult to allow our inner voice lead the process. The trick is to let it in and let it happen even though it may not always be a masterpiece. By liberating your soul you are allowing the your true self shine through.
I once said to your GreatGrandmother that I sometimes felt that once the concept is created and logically planned out in my mind it wasn't necessary to act on it. To which she told me that was just a "cop out" and in effect I realized that my way of thinking represented nothing but a sense of laziness. Perhaps what was really going on was that once I had mulled over my concept to such a degree I had dampened my creative impulse. Thus too much planning and thinking can be a hinderance.
Check out the work of Robert Henri, "The Art Spirit" (Philadelphia, 1923).
Keep up the great work!!! I love what you are doing.
Great advice, and excellently put!
Art has a certain infectious spontaneity. Over-thinking tends to create the illusion of removed spontaneity. But, in reality, every process has it's own unforeseen challenges or bumps along the path. Just as we cannot see the future, we cannot plan the future either. Something unknown is always around the corner, hiding amongst the familiar. So, even if you have the perfect idea for the most spectacular project and know exactly how to go about it, you can't foresee yourself accidentally spilling lime green paint all over you canvas — as cliche as is sounds: it isn't about getting there, it is about the journey.
I remember reading about Robert Henri in Art History class in college. Very interesting man, and those quotes are very inspirational. I'll certainly be looking into that book at the library this week!
Thanks for the recommendation, the inspirational advice and for visiting my blog!


The Texas State Library's multicounty bookmobile program and its earlier "traveling libraries" program had similar missions: to reach rural Texans deprived of proper library service. In both programs librarians faced inadequate funding and the daunting task of sending books over the vast distances of the Lone Star State. Ultimately, Texas's traveling libraries and bookmobiles introduced the pleasure of reading to families in the state's isolated farms and ranches and garnered support for today's county libraries.