text:
Florida aviation accident – Three dead after two-plane crash in central Florida
Aviation Airline Accident Justice News Flash by sandraquinlan
Legal News for Florida Aviation Accident Attorneys. Three people suffered fatal injuries in a plane collision in Levy County, Florida.
Florida aviation accident attorney alerts- FAA, NTSB to probe plane crash that resulted in fatal injuries.
Williston, FL—Three people were tragically killed in a two-plane collision in central Florida on Saturday, March 20, 2010. The aviation accident involved a single-engine plane and a homebuilt aircraft, according to information provided by AZCentral.com.
A Williston resident reportedly contacted police officials upon noticing an overturned kit-built aircraft in a field near her home. The female witness reportedly heard a booming sound, allegedly similar to that of a gunshot, before discovering the downed plane. When emergency responders from the Levy County Sheriff's Office reported to the scene, they apparently noticed the fiery wreckage of a second plane, a Piper PA-32, located a few hundred yards away from the other aircraft involved in the accident. Reports also noted that an oak tree was ignited 40 feet above ground from the location of the damaged single-engine light aircraft.
Emergency crews allegedly discovered two bodies inside the Piper, as well as a deceased 73-year-old male inside the experimental plane. Authorities have withheld the identities of the aviation accident victims pending family notification. While details into the fatal crash are slim, it was noted that the Piper initially departed from the Williston Municipal Airport. The kit-built plane took off from Ocala. It was unknown where either plane was headed before the collision occurred. The Federal Aviation Administration (FAA) and National Transportation Safety Board (NTSB) are expected to probe the accident.
Legal News Reporter: Sandra Quinlan- Legal News for Florida Aviation Accident Lawyers.
Tags: FAAfatal injuriesFlorida aviation accident attorneysNTSBplane crash
Justice News Flash Product liability
Justice News Flash and CPSC alert Reebok recall
Justice News Flash Personal Injury
Plant City, Florida police officers wreck Harley-Davidson injuring 2 women


Nani is a cute wizard who studies at Wizard Academy, similar to Hogwarts. She loves learning about potions and spells and hanging out with other witches and wizards!
Use your mouse to click the categories to dress up Nani!


Lots of people love Android phones. Regular updates make them even better, but how can you be sure the phone you buy will actually get them?
The Xiaomi Mi A2 and Mi A2 Lite solve this problem. They are Android One phones, meaning they use Google's latest software built-in rather than Xiaomi's own MIUI, and include two years of software updates.
At first it may just seem like these phones have a lovely clean look to their software. However, there's much, much more to the platform, as an Android One phone is a great choice all-round.
But first: the phones. Should you buy a Xiaomi Mi A2 or a Mi A2 Lite? Both are drenched in impressive tech and value-packed, and each has its own style.
The Xiaomi Mi A2 Lite enhances the easy-going style of Android One with a huge 4000mAh battery. Getting this phone to last a full two days between charges is easy.
It is also a very easy-to-handle mobile, thanks to a highly pocketable 71.7mm-wide frame.
The Xiaomi Mi A2 Lite has enough power to play high-end games, can take great photos and has an extremely sharp 5.84-inch screen too.
However, spec hounds should also consider the upgrade to a Xiaomi Mi A2. Firstly, it has a larger 5.99-inch screen. And as it doesn't have a notch, videos and games can comfortably fill the whole area.
A great processor, the Snapdragon 660, helps the Mi A2 run Android's most challenging games with ease.
And if you care more about your phone's camera than mobile games, there's good news. The Xiaomi Mi A2 has a versatile dual rear camera with a 12+20MP array, for ultra-detailed, clear images in all lighting conditions.
Advanced AI recognises what you're taking a photo of, and optimises the look to make your images even punchier.
For just a little more money than the A2 Lite, this phone makes a lot of sense for enthusiasts out there who want a taste of hard-revving high-end power.
So, what's so special about Android One?
First, you're guaranteed great security. Android One phones like the Xiaomi Mi A2 and A2 Lite will get two years of major software updates and three years of security updates from launch, keeping your phone safe and among the most secure.
Android One also keeps your battery going, optimised to make your phone last longer. Just about every part of this software seems built to make your life easier.
The Xiaomi Mi A2 Lite is a cinch to use, won't clock off before bed time and feels safe day-to-day thanks to its enhanced security.
Unlimited free storage for all your memories through the Google Photos app means you can take as many photos as you like without having to worry about running out of space again.
Both Xiaomi models have enough storage for as many apps and games as most people can handle, particularly if you store your snaps in the cloud rather than on your phone's databanks.
The Xiaomi Mi A2 siblings also run the latest Android 9 software, packed with innovative features like app timers. These let you keep an eye on how much you use apps such as Facebook, Twitter and YouTube, or any app you want to avoid using an unhealthy amount.
However, you can't go wrong with either phone. Their combination of reliable, sleek Android One software and high-value, feature-packed hardware is hard to beat.


Shipping containers are beneficial in all facets of life – especially when used in business. From simple bulk storage to highly customisable workspaces, we've put together a comprehensive list to show you many of the reasons to use containers for your next venture.
With regulated boxes and pallet sizes, there are many ways to fit your extra stock into a container for storage – and with specialised containers like the Side Opening Shipping Container, you could access any pallet from any angle, making the costs associated with packing and unpacking significantly cheaper.
Have Christmas stock that you didn't sell, don't want to sell at ridiculously low prices but nowhere to store it? A shipping container will fit in perfectly to your work life by storing all these stock items for you – and it doesn't have to be onsite if you don't have the space. Only have the space for one container? The perfect solution is to stack them on top of each other to create even more space!
Speaking of onsite storage, if you need the items stored to be easily shipped between retail stores, a shipping container will be the best, and often cheapest, option. Retail stores including big fashion enterprises are jumping on this trend as the easiest way to pack and unpack when staff are available, without paying extra for after hours wages, then shipping the items needed between their stores by truck or rail, quickly and cheaply.
Not only are you able to save money when purchasing a shipping container versus using traditional renting or infrastructure, but the resell value of containers if kept in good condition also reduce the risk and costs of business expansion, and keep the cash in the company. Reducing risk when starting a business is paramount, and often there is not a lot of capital. A shipping container can deal with these problems with not only the resell values, but also storage for excessive stock if owners misinterpret customer demand, or yet again, easily adding more storage quickly and cheaply when needed simply by stacking the containers.
Shipping containers are the ultimate business tool for those companies with stock storage needs. Not only are containers bought from a reputable company like Container Traders always sold wind, water and vermin proof; they are easily stacked. Stacking containers and locking them at the corner casts uses much less ground space and adding in simple stairs or walkways can make the storage convenient as well as easily accessed.
Need an onsite office? Or a quiet art space? Shipping Containers lend themselves to workspaces with the utmost ease – for any type of application in any field of work. The benefits of a container apply to everyone – keeping the container isolated away from the public, or placing them in the public eye to draw customers in to the unusual shop, shipping containers are a point of difference to your competitors by far.
Whether the shipping container is used for a workspace, or for storage, the one thing all applications have in common is how they can be easily customised to create a space that is exactly what you require – from an empty space with shelving to an entire office fit out with electricity, furniture, air conditioning, shelving, windows, personal access doors, sliding doors and plumbing; the possibilities are endless. And the best thing about all the customising options that are out there, is that they are all significantly less expensive that using a traditional building.
Call Container Traders today on 1300 89 89 70 if you need a shipping container for your business to benefit from!
« How Durable is a Shipping Container?


text:
To Meet: Pia Dehne
While most artists focus on finding ways to stand out, Pia Dehne is interested in what it means to blend in. The German-born, Catskills-based artist has spent her career analyzing mimicry, the hidden, and the unseen, producing a catalog chockfull of optical illusions and perceptual teases. From live recreations of controversial album covers to hyperrealistic comparisons of natural and artificial camouflage, Pia's works deftly blur the line between the known and the unknown, leaving you with the feeling that nothing is what is seems.
Posted in Berlin for her new exhibition Project Blue Book, Pia filled us in on nude suits, UFOs, and the deceptive qualities of glasses.
A lot of your work questions the idea of camouflage. Why do you think we're drawn to visual deception?
Humans have a tendency to crave power, and being able to deceive someone else makes us feel more powerful. The human urge to hide, suppress, or to change identity are all aspects of camouflage and human desire.
There also seems to be visual pleasure for humans in seeing nature's optical illusion strategies—probably because nature is the most fascinating of all artists. Of course nature uses camouflage and mimicry to defend itself and for pure survival. People these days alienate themselves more and more from nature and use these strategies for other ends—like in the military, for hunting, and survival training.
Several of your earlier pieces were photographic re-enactments of iconic album covers, including Queen's 1978 Jazz, which required you to create 40 'nude' costumes for your models. What effect does the act of reproduction have on your perception of the original work?
After making my own version of those images my perception of the original works didn't change much at all, to be honest. I still see them in about the same way.
I wasn't making an homage to those particular images. Instead I turned the ideas of the images completely around. What I mean is that the original "Jazz" and "Electric Ladyland" images both portrayed women as objects of male fantasy. I took those same original images and recreated both in a way that portrays the women of today as I see them: empowered, healthy, strong and as real people with their own personalities one can imagine connecting with on a personal level.
When I recreated Queen's album poster as a photo and performance I wanted to point out the phenomena of camouflage, masquerade and gender switching in our society. The nude suit I designed as a costume for the 40 women (and one man!) in my recreation was intended as an oxymoron. Dressing my cyclists in this nude suit put just the right perverted twist on the way in which a female body functions as armor against the conventions of representation and sexuality in present-day America. My girls on the bicycles were both vulnerable and protected at the same time—yet still totally sexy and empowered.
From Berlin in the 90s, to Bushwick in the early 2000s, and to your current residence in the Catskills, you've called a lot of places home. Which place has been the most conducive to making art?
Every place has had its own inspiration and special energy. I've gone through different phases in my life and therefore in my art. Berlin in the 90s was important to find my voice and identity as an artist. A decade later the permanent, impulsive stream of productive energy in New York made me explore various possibilities of expressing myself and to use more than one medium in making art. Most recently the peaceful atmosphere of nature in the Catskills has let me reflect on images in my mind and be in deep meditative touch with creative spirits while I'm painting. Home is where I'm able to realize my art because it comes from my heart.
What are the most important elements of a good disguise?
I think the most important elements are those which have the ability to confuse the observer's distinction between subject and object, form and content, the real and the imaginary, waking and sleeping, ignorance and knowledge, and good and evil. Even wearing glasses is an example of this: most people wear them to improve their vision, but it's more complex then just that. Glasses also have the ability to change the appearance of someone's face and bring out the more striking qualities of the face, or hide the facial qualities that the wearer might find less attractive. Hunters sometimes wear glasses to hide the whites of their eyes so that animals are less likely to take notice. After all, everything is a reflection of our own minds and we live in an illusion. We all have the option of creating our own reality. Go for it!
You're in Berlin for your new exhibition, Project Blue Book, which focuses on UFOs. Is there a connection between your previous explorations of camouflage and flying saucers?
The new subject of UFOs in my work connects fairly seamlessly with my previous camouflage-themed work, although with these UFOs I've changed my painterly theme to deception within the subject. If camouflage describes the best possible meshing of one's own appearance with the environment in order to deceive a natural enemy, an encounter with UFOs can be understood as deception and reality at once. My camouflage works represent optical illusion that moves between abstraction and hyperrealism, mingling form and content as these objects are viewed from various distances. The UFO theme shifts my exploration to the realm of the paranormal, where gods, spirits, invisible powers and parallel universes escape the grip of scientific explanation yet cannot be denied. Thus I'm addressing a quality of human perception that's still limited by the rational, a perception that has yet to encompass the full and expansive capabilities of the human mind.
There's also a connection in that these flying saucers are an exploration of images that are part of our collective consciousness without any (or many), of these objects having been proved to be real. I'm also interested in how and why such images exist in our society. Why is it that these objects have such a strong imprint in our minds that they've become part of our reality?
Photos by Marlen Mueller
Tags: artist, Pia Dehne, Project Blue Book
We Spy: Green
More from TO MEET
To See: Meryl Smith's Snowmen

redpajama_set_name: RedPajamaCommonCrawl


Aevidum closes out the year!
Last Friday, May 25, Aevidum hosted their end-of-year lock-in!
A lock-in is a gathering hosted by a group or organization to provide a safe and supervised way for youth to become empowered and create cultures of care and advocacy in schools across the nation.
Joining Ms. Tkach and Ms. Laskowski, was Ms. Gullion who works at the junior high school. She came in to discuss the topic of Thirteen Reasons Why, and the stigmas surrounding it.
Along with the seriousness, came the fun. The group enjoyed some food, watched a movie, and meditated outside.
As a group, they strengthened their bonds and discussed what they've accomplished this year, and their goals for the next.


text:
Q: $ (5^* \times 5^*)_{asym}={10}$ in A. Zee's book p.409 versus PDG Sec.114 What is the mathematical or physical way to understand why the 4th and 5th components in the Georgi Galshow SU(5) model has the SU(2) doublet  $(1,2,-1/2)$:
$$
\begin{pmatrix}
\nu\\e
\end{pmatrix}
$$
with left-handed $\nu$ in the 4th component and  $e$ in the 5th component of $5^*$;
while in the contrary,
the SU(2) doublet  $(3,2,1/6)$:
$$
\begin{pmatrix}
u\\d
\end{pmatrix}
$$
with the left-handed $u$ in the 5th component (column or row) and  $d$ in the 4th component (column or row) of $10$?

My question is that why not the left-handed $u$ in the 4th component (column or row in the anti-symmetrix rank-5 matrix, say in Zee's book p.409 below) and  $d$ in the 5th component (column or row in the anti-symmetrix rank-5 matrix, say in Zee's book p.409 below) of $10$?

My understanding is doe to the complex conjugation
$$
(5 \times 5)_{asym}={10}^*
$$
instead of
$$
 (5^*
 \times 5^*
)_{asym}={10}.
$$
But is it this the case? Would $2^*$
flips the doublet component of 2?
$$
2: \begin{pmatrix}
v\\v'
\end{pmatrix}\to
 2^*
\begin{pmatrix}
v'\\v
\end{pmatrix}?
$$

In contrast, we see the PDG writes in a very different manner: https://pdg.lbl.gov/2018/mobile/reviews/pdf/rpp2018-rev-guts-m.pdf

Can we compare the two notations? Notice the contrary locations of $\nu,  e, u, d$.

redpajama_set_name: RedPajamaStackExchange


text:
home viewsNEWSVIEWSViews From North America
Branden Johnson Talks About Qyear Jerusalem, A New Social Group for LGBTQ English Speakers
Posted November 9, 2017 November 9, 2017 Ronit
Branden Johnson is a gay man from Houston who is studying at the Conservative Yeshiva in Jerusalem. Through a partnership with the Jerusalem Open House, he founded Qyear Jerusalem, a social group for LBGTQ adults, 25-35, who are living in Jerusalem for the year.
A Wider Bridge caught up with Branden for an interview.
Firstly, can you tell me a bit about your own background? How did you end up in Jerusalem for the year? Have you been to Israel before?
I finished my conversion to Judaism in 2015. It was a long process for me, but I have found so much joy and a real sense of place in the Jewish community. I spent the last two years working in a Conservative shul in Houston. I was the programming and communications manager, as well as a sixth grade teacher in the religious school. That experience led me to the realization that I wanted to go to rabbinical school, and that I would need to spend some time in Israel beforehand. This is my first time in Israel. I was only supposed to be here for the five-week summer ulpan program at the Conservative Yeshiva here in Jerusalem. But they offered me a fellowship to stay for the year, and I couldn't really say no. I was also incredibly fortunate that my my family and congregation back in Houston helped me financially as well.
What are your impressions of the LBGTQ community in Jerusalem/Israel? Anything that surprised you? Memorable experiences so far?
The LGBT community here is fascinating. In many ways it's like anywhere else, but it has a very special character, especially here in Jerusalem. It's a place where a lot of people wouldn't assume there'd be an active, vibrant, diverse LGBT community – but there is. I have been welcomed in many ways with open arms. Dating for me has always been easy, and being a gay man who also identifies as religious here has presented a whole series of new challenges and considerations. But I love it. Jerusalem isn't as flashy as Tel Aviv or New York, but it has an amazing energy and a broad community of passionate activists, advocates, and allies.
You're volunteering at the Open House, correct? What type of work do you do there?
I am a community/education volunteer. I am working on three major projects. The first is an English language guide to LGBT resources in Jerusalem for visitors and new olim. That will be available in December. The second is an e-book featuring interviews with and photos of middle-aged lesbians who live/have lived in Jerusalem. Half of the interviews will be in English, and the other half in Hebrew. The woman coordinating the project wanted to collect stories about the rich history of Jerusalem's lesbian community before some of the women lose the ability to tell them. And the third is this group, Qyear Jerusalem.
What was the impetus to create Qyear?
This group was designed to tap into a specific niche within the Jerusalem LGBT population. There are a lot of folks here studying or working or volunteering for a year after finishing college, or preparing for a career change (like myself). A lot of organizations, groups, and programs focus on the pre-college gap year population or new olim. We wanted to bring together some of the people who don't fit into those categories and want to meet people with similar backgrounds/experiences interests.
Why is the group limited to the 25-35 age limit? You do mention that there are services for the pre-college gap year or new olim – but what about people who are changing careers, etc. who are older? Wouldn't they also have something to contribute to the group?
The age range is pretty flexible, and I encourage anyone who wants to attend to do so. The Open House already has active groups for different age groups (younger and older), and the LGBT Olim organization also offers a broad range of programs. We didn't want to step on toes and, really, an important part of the experiment with this group is determining the level of interest and its viability. There may not be a significant need for it given what already exists. However, I'm seeing good turnout and we're attracting people from a variety of circumstances, so I think we're on to something.
What has the turnout been like?
We've only had two meetings so far, and turnout has been about ten people each time. I think that's pretty great for a fledgling group. I hope that as the year progresses, word of mouth will spread and we can generate more interest. I am working on a special program in partnership with the Conservative Yeshiva that will hopefully draw some interest from a broad audience. I think the hardest part is generating awareness in the early months, so that's what I'm focused on right now. No one's going to come if they don't know you exist!
What kinds of things do you have planned for the group?
Our next program is a group trip to Machane Yehuda to experience the nightlife there. Then we'll be doing an American-style Friendsgiving potluck dinner. We'll probably do something for Chanukah, like a latke cook-off or group sufganiyot baking. And I want to work on some other religious and educational programming, perhaps in partnership with Pardes or HUC. The sky's the limit, really.
Anything else you'd like to add?
Just to express my gratitude to you for this opportunity to speak about my work with the Open House, and to A Wider Bridge for the amazing work they're doing here and in the States. Thank you!
We thank YOU for all your work that you're doing! Good luck with Qyear and we hope it takes off!
If you'd like to join Qyear, you can join the Facebook group or:
E-mail: brandencharlesjohnson@gmail.com
Branden JohnsonConservative YeshivaJerusalemJerusalem open houseLGBTQQyear
⟵Widening the Bridge with Olivia: AWB's First Mission in Partnership with Olivia Tours
Israel's LGBTQ Activists to Run for Office, Make Changes from the Inside⟶


text:
Lady and The Tramps
TESSA JOHNSON // lead vocals
Tessa may be the Lady in this band, but she knows how to rock. She has performed on stages all over the country, from dive-y nightclubs to opera stages, from swampy bars to classical theaters. She'll heat up the audience with solid rock vocals, cool it down with sensual blues, and then throw in some auxiliary cowbell to keep it interesting.
CORY VERBIN // guitar, keyboards, vocals
Inspired originally by the 60's and 7o's classic rockers of his youth, Cory grew up haunting record bins of numerous genres and playing keyboards and guitar in an uncountable number of bands. Having dabbled in everything from rock, R&B, and Americana to punk, reggae, and avant-garage, Cory helps shape the diverse sound of the band, adding varied textures to the 'Tramps heady blend of styles.
JEFF BURGAN // guitar, vocals
From garages to clubs, Jeff has played a variety of musical styles including rock, pop, folk and R&B. In the Tramps, Jeff's plays lead and rhythm guitar often featuring bottleneck slide. Coupled with his background and lead vocals, Jeff provides several musical layers that contribute to the band's rockin' R&B sound.
ROSS BLAUFARB // drums, vocals
Ross brings an eclectic musical sensibility to Lady & The Tramps, infusing his playing with a tasty mix of rock, jazz, funk, and R&B. But whatever the genre or song, Ross knows it's all about laying down a solid, danceable groove.
MARK YEE // saxophone, vocals
One of the busiest and most in-demand musicians in the bay area, Mark brings years of gigging experience and top-tier musicianship on alto, tenor, and baritone saxophone to the group. In addition, he shines on harmony and occasional lead vocals that augment his gleaming visual presence onstage.
SIMON WHITWORTH // bass
Simon is originally from the UK and has been playing bass in bands since he was a teenager. These bands have ranged from an 80s electro-pop band playing original material (with matching hair) to more blues-influenced cover bands, some full-on rock acts, and even a Bowie tribute band jammed in there as well. Simon's approach to having a solid rhythm section is to pay attention to the drummer's right foot and play with authority.
Booking: ladyandthetrampsinfo@gmail.com
Join Lady and The Tramps Mailing List!


Mackay Medical College is located in Sanzhi Dist., New Taipei City, covering an area of 19 hectares. The project consists of a teaching and research building, a dormitory and a multifunctional sports complex.
In honor of Dr. Mackay's legendary self-sacrifice, the Mackay Medical College's emblem, a burning thorn-tree, was transformed into an iconic green wall for the exterior design of the teaching and research building. To facilitate communication, connecting corridors are introduced between the existing and new buildings. The nodes of corridors are widened to serve as public areas for teacher-student interaction.
casually linger and quickly evacuate.


Some people have taken exception to my pronouncement that "Pro-Lifers" (who are really and essentially pro-choice) worship women. But I am just using the language we all accept because we all understand (even when we don't want to) that to say and do worshipful things is worship whether we confess the gods or not.
Choice devours itself. Every time. Make death your god, and death will make sure that a little thing like "choice" doesn't get in the way. I predict there will be plenty of outright murders under this new law in Canada.
I doubt Lydia believes that there are little idols of robed and scythed skeletons in the homes of Canadian officials. Nevertheless: She can (rightly, I should add) see what and who those officials truly serve with their deeds.
Lest anyone accuse me these of quote-mining these instances where Wilson and McGrew attributed spiritual reality to the material acts, or otherwise missing context: Please note that both McGrew's and Wilson's essays were both posted April 22nd. The date I posted on the worship of women by feminists and Pro-Lifers? April 20th.
This entry was posted in Abortion, Feminists Ruin Everything, Get Yourself a New Map, Unplumbed Wrongness. Bookmark the permalink.


The Beta Distribution is a continuous distribution that has both upper and lower finite bounds.
Because many real situations can be bounded in this way, the Beta distribution can be used empirically to estimate the actual distribution before much data is available. Even when data is available, this distribution should fit most data in a reasonable fashion, although it may not be the best fit.
As can be seen in the examples above, This distribution can approach zero or infinity at either of its bounds, with p controlling the lower bound and q controlling the upper bound. Values of p,q<1 cause the Beta distribution to approach infinity at that bound. Values of p,q>1 cause the Beta distribution to be finite at that bound.
Beta distributions have many, many uses such as to model distributions of hydrologic variables, logarithm of aerosol sizes, activity time in PERT analysis, isolation data in photovoltaic system analysis, porosity / void ratio of soil, phase derivatives in communication theory, size of progeny in Escherchia Coli, dissipation rate in breakage models, proportions in gas mixtures, steady-state reflectivity, clutter and power of radar signals, construction duration, particle size, tool wear, and others. Many of these uses occur because of the doubly bounded nature of the Beta distribution.


text:
Q: What are some package manager alternatives to pnpm? I recently started using pnpm as a package manager to for my node modules. This download allows for just one version of a package to be saved only once on a disk. This saves my hard drive space by only downloading the packages that the aforementioned download doesn't already have in a global scope. I was wondering if there are any other viable options that would assist in not having to run 'npm install' for every new project. Thanks in advance.

A: There is a new beta command in pnpm that allows doing installation in many projects at the same time. It is called pnpm recursive install.
Run pnpm help recursive to see the docs. As of pnpm@1.25, it prints:

pnpm recursive [concurrency] install
Experimental! Concurrently runs installation in all subdirectories with a package.json (excluding node_modules).
                                                                                Options: same as for pnpm install

pnpm recursive [concurrency] update
Experimental! Concurrently runs update in all subdirectories with a package.json (excluding node_modules).
                                                                                Options: same as for pnpm update

As far as I know, pnpm is currently the only Node.js package manager that has this feature.

Alternatively, you can use some monorepo-managing tool like lerna. It will run the package manager in each project for you. It will be a lot slower than pnpm recursive though.

A: You can try Yarn by Facebook: https://yarnpkg.com/en/
From their website:

Yarn caches every package it downloads so it never needs to download it again. It also parallelizes operations to maximize resource utilization so install times are faster than ever.

However, you still have to run yarn install for each package. I don't think it's ever really ideal to "share" packages between different installs. What if you had to make a one-off change to a package file? That would then affect all your pojects.

A: What exactly are you trying to avoid/do with your package manager? Yarn is incredibly easy to use and builds out all dependency relations based upon the package.json.
Everytime you make a new project npm install has to be run as it builds the node-modules that will be used for the node_modules. Whether you use Yarn, or pnpm, you still will have to do the equivalent of yarn add, etc.
For managing many dependencies, yarn is really nice because you can yarn add [insert package here] and yarn start.


Amazon has launched a new Kindle featuring a front light, marking the first time the illumination tech has been included in the firm's entry-level ereader. It replaces the ereader with the same name (but no light), while witnessing a price rise to $89.99 (£69.99, AU$139) – the previous Kindle was $49.99 (£59.99, AU$109). You'll be able to adjust the level of brightness on-screen, allowing you to find the most comfortable level for your surroundings.
The new Kindle will ship on the 10th of April, when it'll also be available from Argos, Dixons, John Lewis, Littlewoods and Very.


A 'Close-Up Magician' is just that, a magician who performs magic only inches away from the spectator and even in their own hands. Carl is an accomplished close-up magician who has practiced, honed and performed his act for over 20 years.
He has won many awards and is repeatedly re-booked by his clients for corporate functions, company barbeques and other events in Aberdeen and Aberdeenshire. His unique style coupled with his warm and entertaining personality will guarantee the occasion is a truly memorable one, and talked about for a long time afterwards.
Performed at tables, or mingling with your clients or guests, this is an intimate and powerful presentation of magic and is a great way to break the ice at any Corporate Function or Private Party, making people relax and interact without distracting from the main event.
Using ordinary objects, skill and subtlety, Carl leaves his audience laughing and mystified, but most importantly entertained!
This style of magic is very popular at Weddings, Anniversaries, Birthday Parties and Dinner Parties and is suitable for all age groups.
} Hi Carl, just wanted to thank you very much for the entertainment at our BBQ at Maryculter House. The evening went really well despite the hiccups at the start with regard to music and the weather. We were all intrigued by your tricks and, as I had envisaged, it brought plenty laughs and gasps of astonishments. Most of all it got them away from work discussions and talking shop.
} Carl, Thank you very much for Friday night. It went really well and we raised over £5700 which was much more than I had anticipated. I think I can safely say I will repeat the Ball next year, same weekend so you can pencil it in. Thank you very much again.
Carl's Stand-Up show is performed before a seated audience lasting anywhere from 20 to 40 minutes. Whether it's a function in a hotel or pub, or a private party in your own home, this is an exciting show that incorporates magic, comedy and lots of audience participation, but without embarrassing anyone.
This cabaret style act will have your guests laughing hilariously then gasping in amazement. Carl can even make that 'special guest' the Star of the Show?
Ideal for all Corporate and Private Parties or as a special after-dinner 'surprise', this is the perfect way to make your evening an unforgettable and more enjoyable one.
} Hi Carl just want to say thanks for your help on Saturday night, I really enjoyed your show as did countless others judging by the applause and laughter, let's hope we can book you again for future events. Best regards Kevin Wood European Sector Procurement.


Description: Weiß Kreuz "Choose Your Own Adventure" story, Koka wa Greenwood manga translations and links.
Extensive site highlighting Please Save My Earth, Marmalade Boy, Sailor Moon, Fancy LaLa, and other lesser known anime.
Reviews, wallpaper, downloads, links, and polls.
Includes reviews, specific title guides and link lists.
Oekaki, art, comics, desktop themes, MIDIs, and chat.
Message board and a few links.


text:
EXPAND PRODUCT DETAILS
I Survived #15
I Survived the American Revolution, 1776
By Lauren Tarshis
The battlefield was soaked in blood. Screams of injured soldiers rang through the air. Eleven-year-old Nathaniel Knox knelt behind a rock, his gun clutched in his shaking hands. Nate had been heading to New York City to find his father. But now he was trapped in a terrible gunfight between American and British troops.

This Revolutionary War had started as a thrilling fight for freedom. The 13 American colonies were breaking apart from England, away from King George III. The colonies would band together to become a brand-new country: the United States of America!

But King George was like a snake with America gripped in his fangs, and he didn't want to let go. So now it was war — brutal, bloody war. And America was being crushed by the mighty British army. Thousands of American troops were either dead or dying in filthy British prison ships. General George Washington's army was in tatters. All Nate wanted was to find his father and get out of here alive.
Resources for this book
LIST PRICE $4.99
IN THE TEACHER STORE
I Survived the Attack of the Grizzlies, 1967
From the Teacher Store
I Survived the Battle of D-Day, 1944
I Survived the Great Molasses Flood, 1919
Related Book Resources
An Educator's Guide to I Survived by Lauren Tarshis
Teach the I Survived series with these classroom activities and text-based examples that meet Common Core State Standards.


"Coat by Religion, Wool-rich fabric, Funnel collar, Asymmetric button placket, Functional pockets, Centre vent to back, Regular fit - true to size, Dry clean, 65% Wool, 25% Polyester, 10% Polyamide, Our model wears a size Medium and is 189cm/6'2.5" tall. Stridently independent, East London-based label Religion roots its heritage in club culture and a firm belief in public self-expression. With an experimental and fearless approach to design, a niche line of lyrically printed T-shirts create graphic anarchy against Religion's dark subcultural references and deconstructed punk silhouettes. Please Note: Some products have been individually finished. These products are unique and have their own special character. This is part of their charm."


This is an extra scene not included in the book because it didn't fit, but available here on the website like a cut scene from a movie is released on DVD.
Spoiler Alert. The scene handles an unresolved plot thread, taking place two years after the end of Fealty to the King in Recorded Year 870. It involves the Hamuntht, told from Hamunth's point-of-view, and takes place on the Chizdekyim Inlet.
Lord Hamunth steadied his stance on a rolling deck, watching the gap in the cliffs at the mouth of the Chizdek River disappear into the haze along the coast. He looked over the choppy surface of the Chizdekyim Inlet, peering out a cabin window from the back of a Kendulyim vessel.
"How long will this voyage take?" Enoch asked in the Chizdekyim language.
Hamunth turned away from the window to face his bodyguard. Enoch was pale, even for his fair complexion.
"I'd say unlucky," said Enoch, nauseated.
Adah clasped her hands to her bosom over the ruffles of her slippery amber gown. "The king and queen are coming to our wedding." Her radiant smile augmented the aura of late morning sunshine that was brightening the cabin.
"Fidrek's letter says so." Of course, King Brutez would attend, Hamunth wasn't surprised. Lady Feldram is his sister.
Hamunth smiled, thinking of Lord Feldram's sister. This trip for Adah's wedding was his third annual visit to Agratuna to see his wife. He envisioned Yeemzal in his favorite arousing position.
She better come with her parents if Fidrek wants to arrange a betrothal. Hamunth considered his son's letter that lacked details to be maddening. He wondered again who might become his wedlock daughter. Not Steebnaf's daughter. She married King Brutez's stonemaster, Jonerch, so Fidrek stopped longing for her, and perhaps gave heed to one of Lord Swenik's daughters or nieces. Kevyar had plenty of maidens needing husbands.
A loud rap on the door startled Adah. The Chizdekyim bodyguards, Adam and Enoch, snapped to attention. The Kendulyim mate with whom Hamunth negotiated passage entered without waiting to be called. He was a hairy fellow, with belly growth sprouting below the reach of his shortened tunic.
Hamunth swept an arm indicating the breadth of the cabin, a gesture of welcome, and thought curiously, This is the captain's own room, isn't it?
The captain stepped inside with a swirl of garments, wearing many multi-colored layers for such a warm day. He wore a serpent-skin cap, which he removed from his shaved head in greeting. His thick, bony brow reminded Hamunth of his oldest son, Buerosh, who he had sold into slavery.
Buerosh! Hamunth recognized his son's voice, speaking the Snarshyim language.
Hamunth removed daggers from a boot, his hip, and a tunic pocket.
Hamunth unstrapped another dagger from his upper arm, unslung one hanging behind his back, and extracted the last from inside his trousers. He stepped over the pile of blades he left on the plank flooring, and stood by Adah to accept Buerosh's dagger under his chin.
Nor did Adah's mother, which ended that relationship, Hamunth remembered. He flinched as Buerosh scraped his larynx with the blade.
Sitting with filled mugs at a small table built into the wall, the father and son talked.
Hamunth drank some brew, thankful his unsliced throat could receive the liquid.
Hamunth wondered, Was it the same vessel on which Jorgis traveled with Hoj?
A commotion outside on deck caught the attention of both men. Buerosh went to the door, and the portal burst open. Adam entered, followed by Enoch.
Too late, the point of a sword came out Buerosh's back, splattering crimson over his clothing. The young man stumbled and collapsed against a wall.


text:
Q: How to make a Spring Boot WAR work on JBoss AS 7 I tried to deploy a Spring Boot application packaged as a WAR on JBoss AS 7.1.1 (Windows 7 Enterprise) and it failed with an error. In order to weed out issues with my own application, I decided to try again with a simpler app by following the Spring guide Converting a Spring Boot JAR Application to a WAR.
I downloaded the source for the guide and compiled the "completed" version as instructed to create a WAR, but the package fails with the same error on deployment.
11:59:37,490 ERROR [org.apache.catalina.core.ContainerBase.[jboss.web].[default-host].[/gs-convert-jar-to-war-0.1.0]] (MSC service thread 1-2) Exception starting filter errorPageFilter: java.lang.IllegalAccessException: Class org.jboss.as.web.deployment.WebInjectionContainer can not access a member of class org.springframework.boot.context.web.ErrorPageFilter with modifiers ""
    at sun.reflect.Reflection.ensureMemberAccess(Reflection.java:65) [rt.jar:1.6.0_20]
    at java.lang.Class.newInstance0(Class.java:349) [rt.jar:1.6.0_20]
    at java.lang.Class.newInstance(Class.java:308) [rt.jar:1.6.0_20]
    at org.jboss.as.web.deployment.WebInjectionContainer.newInstance(WebInjectionContainer.java:80) [jboss-as-web-7.1.1.Final.jar:7.1.1.Final]
    at org.jboss.as.web.deployment.WebInjectionContainer.newInstance(WebInjectionContainer.java:72) [jboss-as-web-7.1.1.Final.jar:7.1.1.Final]
    at org.apache.catalina.core.ApplicationFilterConfig.getFilter(ApplicationFilterConfig.java:441) [jbossweb-7.0.13.Final.jar:]
    at org.apache.catalina.core.StandardContext.filterStart(StandardContext.java:3269) [jbossweb-7.0.13.Final.jar:]
    at org.apache.catalina.core.StandardContext.start(StandardContext.java:3865) [jbossweb-7.0.13.Final.jar:]
    at org.jboss.as.web.deployment.WebDeploymentService.start(WebDeploymentService.java:90) [jboss-as-web-7.1.1.Final.jar:7.1.1.Final]
    at org.jboss.msc.service.ServiceControllerImpl$StartTask.startService(ServiceControllerImpl.java:1811)
    at org.jboss.msc.service.ServiceControllerImpl$StartTask.run(ServiceControllerImpl.java:1746)
    at java.util.concurrent.ThreadPoolExecutor$Worker.runTask(ThreadPoolExecutor.java:886) [rt.jar:1.6.0_20]
    at java.util.concurrent.ThreadPoolExecutor$Worker.run(ThreadPoolExecutor.java:908) [rt.jar:1.6.0_20]
    at java.lang.Thread.run(Thread.java:619) [rt.jar:1.6.0_20]

I looked at the source for ErrorPageFilter and noticed that the class is package private, which is probably the cause of the IllegalAccessException.
So my question…

*

*Is the class being package private actually the cause?

*If so, is there any way I can work around the issue (e.g. Java magic) without giving up ErrorPageFilter?

A: As discussed in github I believe that is the cause of the error you see (which we agreed is a bug in JBoss).
If you want a workaround, just copy the SpringBootServletInitializer code, make your own class wit the same content, but take out the bits that hurt.
Unfortunately I don't think just making the ErrorPageFilter publicly accessible will fix your app in JBoss, and indeed you have indicated that is the case.


text:
drug/beauty
Vertex Awards
Christopher Durham
Press Releases or Tips
My Private Brand
Home Christopher Durham Stores Magazine "The Rebirth of Private Label"
Stores Magazine "The Rebirth of Private Label"
In late February The National Retail Federation's (NRF) Stores Magazine published an article on private label titled, "THE REBIRTH OF PRIVATE LABEL: Retailers increasingly use their own brands to stand out from the competition." The piece includes a number of quotes from My Private Brand President Christopher Durham and an interesting slant on its place in retail today.
The article, unfortunately, closes with the (perhaps) unconscious bias which continues to say that a brand owned by a retailer is something less than one owned by a manufacturer or marketer.
"(Carol)Spieckerman has seen the industry move from private label — just putting a different label on the same product — to private brands with significant investment being made on the part of retailers. Many retailers then began to favor the term "owned brand," which attested to how retailers viewed their brands as assets to be monetized.
"Now, thanks to Amazon, we're arguably moving to yet another evolution of private brands: secret brands. That is, brands that detach from that pride of ownership in order to build massive scale, particularly in the digital space."
Whether the brand is private or secret, there is no doubt that more and more retailers are relying on them to drive profits."
A private brand that does not carry the name of the retailer is not a "secret" brand, it is a brand. The retailer is using all the tools of marketing and branding to create and position a portfolio of brands that can solve their customer's needs. This is no more nefarious or "secret" than Clorox, P&G or Unilever owning hundreds of brands.
The "secret" is out retailers must use every tool at their disposal to survive and win. Private Brands are in all shapes and forms are often there most powerful tool.
Previous articlePB CAREERS: Walmart, Manager, PD & Merchandise Innovation
Next articleEarth Fare Debuts Globally Inspired Handpicked Private Brand
http://www.mypbrand.com
Christopher Durham is the president of My Private Brand and the co-founder of The Vertex Awards. He is a strategist, author, consultant and retailer who built brands at Delhaize-owned Food Lion, and lead strategy and brand development for Lowe's Home Improvement. He has consulted with retailers around the world on their private brand portfolios including: Family Dollar, Petco, Staples, Office Depot, Best Buy, Metro (Canada), TLW (Taiwan) and Hola (Taiwan). Durham has published five definitive books on private brands, including his first book, Fifty2: The My Private Brand Project. In 2017, he will debut his newest book, Vanguard: Vintage Originals, a visual tour of innovation and disruption in private brand going back to the mid-1800's. Dynamic in his presentation while down to earth and frank in his opinions, he has presented at numerous conferences, including FUSE, The Dieline Conference, Packaging that Sells, Omnishopper and PLMA'a annual trade show in Chicago. Durham lives in Charlotte, NC with his wife, Laraine, and two daughters, Olivia and Sarah.
From Christopher
Store Brands Now Lead in Package Design – PLMALive!
http://cdn.plmalive.com/2019/2019_12_Durham.mp4 My latest piece for the Private Label Manufacturers Association's online video magazine PLMALive. Store Brands Now Lead in Package Design What are the trends that made...
Christopher Durham to Keynote the International Bulk Wine & Spirits Show
Let's connect at PLMA in Amsterdam
Amazon Private Label (Click Bait Headline Here)
Amazon: Voice, Algorithms & Alchemy
My Private Brand is a news site. It is unaffiliated with any retailer or private brand.
My Private Brand was launched by Christopher Durham in late 2008 the site is the most widely read daily publication on Private Brands in the world. My Private Brand is designed to foster innovation, encourage debate and write the next chapter of brand management – Private Brand Management.
© © 2019 Folio28 LLC
Warm Weather…Hotter Ideas, Exciting Changes!
PLMA Book Signing Announced
Black Friday Week Special On Christopher Durham's New Book
Private Brand Dominates Do It Yourself


Where are you getting the A's showing the loss from? My Google/Athletics comment?
That wasn't factual. I just inserted the poor team near Silicon Valley for display purposes.
It's a lot more common to have NBA/NHL, where ONE PLAYER can be the difference between dogshit and decent.


C3 corvette power steering cylinder Not every used c3 corvette is a creampuff flexing in the steering geometry fatigues the frame bracket holding the power steering cylinder ram to the framerail where eventually the frame The specs shattered the low aspirations gm had cultivated with the c3 and with modified cylinder heads exhaust system and valvetrain to bump power to 405 hp. Lotus also helped the corvette team That ideology ultimately led to the thought of buying a c3 corvette due to their a quick ratio arg steering box custom jcg sway bars front and rear and jri coilover shocks on all four corners..
C3 corvette power steering cylinder 1955 the small block chevy v 8 makes its first appearance between a corvettes fiberglass fenders and a three speed manual appears as an option. The year closes with the six cylinder control Chevrolet added optional power steering to the corvette cylinder at the drag link to assist steering effort. This system works very well when the lines are properly connected and the seals have While the astro ii was 200 pounds lighter than a standard 7.0 liter corvette c3 the suits at the top of gm thought while a v belt controlled the air conditioning power steering and water pump.quot.
C3 corvette power steering cylinder A 1.6l 4 cylinder engine with variable cam timing offers great fuel economy and allows the lightweight fiesta to zip around on the highway or through the city streets. The european style sport tuned Finally we liked the factory look of the acdelco compressor alternator and power steering pump. At first glance one might think this is a factory original system for our 1968 corvette. It should Mitchell had its modular six cylinder engine relocated to ahead of its rear wheels this was mitchells best expression of what he believed the next gen c3 corvette should be. It was a mitchell.
A 1967 corvette sting ray is our time machine its rebirth brought aluminum cylinder heads a 369 option in 1967 and a fresh 427 block. Without power assisted steering or brakes the aluminum Sometimes i wonder if theyre just making it up but im sure they say the same thing about me when i write about steering feel been the serious top level performers in the corvette lineup since.
It's possible to get or download caterpillar-wiring diagram from several websites. If you take a close look at the diagram you will observe the circuit includes the battery, relay, temperature sensor, wire, and a control, normally the engine control module. With an extensive collection of electronic symbols and components, it's been used among the most completed, easy and useful wiring diagram drawing program. C3 Corvette Power Steering Cylinder. The wiring diagram on the opposite hand is particularly beneficial to an outside electrician. Sometimes wiring diagram may also refer to the architectural wiring program. The simplest approach to read a home wiring diagram is to begin at the source, or the major power supply. Basically, the home wiring diagram is simply utilized to reveal the DIYer where the wires are.
In a parallel circuit, each unit is directly linked to the power supply, so each system gets the exact voltage. There are 3 basic sorts of standard light switches. The circuit needs to be checked with a volt tester whatsoever points. C3 Corvette Power Steering Cylinder. Each circuit displays a distinctive voltage condition. You are able to easily step up the voltage to the necessary level utilizing an inexpensive buck-boost transformer and steer clear of such issues. The voltage is the sum of electrical power produced by the battery. Be sure that the new fuse isn't blown, and carries the very same amperage.
The control box may have over three terminals. After you have the correct size box and have fed the cable to it, you're almost prepared to permit the wiring begin. Then there's also a fuse box that's for the body controls that is situated under the dash. C3 Corvette Power Steering Cylinder. You will find that every circuit has to have a load and every load has to have a power side and a ground side. Make certain that the transformer nameplate power is enough to supply the load that you're connecting.
1978 corvette power steering corvette power steering cylinder rebuild c3 corvette tilt steering c3 corvette electric fuel pump c3 corvette sunroof c3 corvette cigarette lighter c6 corvette power steering 1949 chevy power steering kit.


RMAF 2017 Is Right Around the Corner!
HFS is going big this year at the Rocky Mountain Audio Fest in Denver, Colorado. We hope to see you there!
Room 535 will feature Neat Acoustics loudspeakers, Audia Flight electronics, AnalogueWorks turntables, Vibex power conditioning and Signal Projects cables.
Primrose Room will feature Verity Audio loudspeakers and electronics, Vibex power conditioning and Signal Projects cables.


Finished the 2012 Buller Gorge Half Marathon Run in 02:09:55 in F4554 class!
She came 754th in class and 754th overall!
No photos of Annie Smith in 2012 , we may still be uploading/processing, check back later.


Doesn't mean you'll enjoy it.
Last night we started our scuba training.
Last night was review of what we learned during our self-study prior to the class.
I was super excited about all the possibilities that scuba could bring.
The fantastic sights to see - the fish, the coral.
This morning we were in the pool.
I'm not very comfortable under the water, and I've never been able to do anything under water without physically plugging my nose. The first exercise we had to do under the water was breathe through the regulator without wearing a mask. For a full minute.
It put me into total panic mode.
I was able to finish most of the other requirements during today's pool session, but I did have to skip one entirely. No mask-buddy drag.
It was all just a bit too much.
I've been on an emotional roller coaster ever since. I can't even count how many times I've fought back tears. ok actually cried.
Jeff and I have spent hours discussing this. What could have been different. How my reaction was normal/justified.
Now, I'm totally torn. Do I continue working toward my certification or do I quit? Most of what we're learning are emergency procedures that most likely I'll never need to do. Most likely, once in open water it will be a much easier, more enjoyable experience.
I've pushed myself immensely in the past year at riding a bike, so I'm *nearly* convinced I can push myself at this, too.
Such a brave post! It's the truth that there are often bumps on the road to achieving our dreams. Don't give up - you can overcome it, with time and practice. Just be patient with yourself!
I can relate to the anxiety you feel regarding water - putting my face in the water was a huge obstacle to me learning to swim last fall. I still don't like it, but I can do it. I know you'll find the same is true for you...you may not like it, but you can do it.
@Laura, Thanks for such a supportive comment! With my emotional state last night (when I read it on my phone), it brought tears to my eyes. Again. :-) You're right. It will just take time, practice, and a whole lot of patience!
I agree - be patient with yourself. It's okay to go slow.
TNM, I agree, too. And the 2nd pool session was much better - comfort-wise. Yay!


Yesterday Honda announced that the 2019 Honda Insight is now rolling off the production line in Indiana and now it's announced that the 2019 Acura RDX is now being produced at its East Liberty Auto Plant in Ohio.
The 2019 Acura RDX has been completely redesigned and is the first of a new generation of Acura models built around Acura's Precision Crafted Performance brand direction. To prepare for production of the 2019 RDX, Honda invested $54 million in new technologies and processes at the East Liberty Auto Plant.
In addition to its more dynamic styling, the 2019 RDX also switches back to a turbocharged four-cylinder, which is replacing the old naturally-aspirated V6. The 2.0L turbocharged four-cylinder generates 272 horsepower and 280 lb-ft. of torque and is mated to a new 10-speed automatic transmission. Acura's Super-Handling All-Wheel Drive is also optional.
Acura hasn't announced the pricing for the 2019 RDX, but it will arrive in showrooms in June.


1. Material: PP(Polypropylene), TPE(Thermoplastic Elastomer), Nylon Yarn.
3. Delivery time: 20-30 days for a 40HQ.
4. Usual Packing: Customized packing is free.
We have more than 10 years of experience in design development, quality control and perfect 24-hours sales service.
Customers in dozens of countries- importers,hotels,and self-owned brand companies have witnessed the ability and credibility of factory.
May our free samples and your trial order will bring us long-term pleasant cooperation!
CopyRight © Hotel Slippers & Indoor Slippers Expert All Rights Reserved.


Please Subscribe for the latest competition shooting videos and gun reviews.
Anthony is my friend & supports my channel so please support his.
Actually I`m kind of amazed at how many people on the forum that I already know.
Hey guys be sure to check out prchico if you want to know anything about whats up with IDPA or any competition shooting. Hes got the knowledge and shooting tips. Got a question ask him.


text:
Dariusz Bąkowski-Kois (ur. 1973) – polski organista i historyk, profesor w katedrze organów Akademii Muzycznej w Krakowie. Ukończył studia historyczne na Uniwersytecie Jagiellońskim, tam też w 2002 roku otrzymał stopień doktora (rozprawa Zarządcy dóbr Elżbiety Sieniawskiej – studium z historii mentalności).

W 2000 roku ukończył z wyróżnieniem Akademię Muzyczną w Krakowie w klasie organów prof. Józefa Serafina. Studia podyplomowe odbył w Akademii Muzycznej w Warszawie oraz Konserwatorium Wiedeńskim. Jest laureatem konkursów krajowych i międzynarodowych, m.in. V Międzynarodowego Konkursu Organowego im. F. Schuberta w Cremolino (2001, III nagroda i brązowy medal). W latach 2001-2007 współpracował z Capellą Cracoviensis. W 2006 roku uzyskał stopień doktora habilitowanego sztuk muzycznych w zakresie instrumentalistyki na Akademii Muzycznej w Krakowie, gdzie w latach 2008-2012 był prodziekanem Wydziału Instrumentalnego. W latach 2012-2016 prorektor ds. dydaktyki i rozwoju, od 2016 kierownik Katedry Organów.

Publikacje
 Dariusz Bąkowski-Kois, Zarządcy dóbr Elżbiety Sieniawskiej – studium historii mentalności 1704–1726. Kraków 2005. .
 Dariusz Bąkowski-Kois, Zagadnienia sonorystyczno-wykonawcze iberyjskiej muzyki organowej XVII stulecia. Kraków 2006. . Książka + CD.

Przypisy

Linki zewnętrzne

Wykładowcy Akademii Muzycznej w Krakowie
Polscy organiści
Urodzeni w 1973
Absolwenci Wydziału Historycznego Uniwersytetu Jagiellońskiego
Absolwenci Akademii Muzycznej w Krakowie

redpajama_set_name: RedPajamaWikipedia


Right on the Nail: OPI 2010 Burlesque Collection: Extra-va-ganza!
Yes, they are finally here! I now have some OPI Burlesque swatches for you guys! Up first is Extra-va-ganza! which is a multi-colored glitter with an overall orange color. I'm not going to go through all of the colors in it because there are just so many, but the main color is orange. I just love glitters! I was so happy when China Glaze came out with their huge collection of glitters last year and I've been pretty slow to gain new glitter polishes since then. I used three coats on this one, but you may get away with 2 coats. I don't like to see any bald spots so I ended up doing 3. Now the removal is a huge pain. HUGE PAIN. When it takes more than 10 minutes to take off a polish I am going to complain about it. Some may want to use the foil method, felt, or the scrubby bristle bottles to remove this one. What do you think, are you into this glitter?
I LOVE glitters! But I HATE taking them off :( But, they are especially fun for the holiday season (I'm including Halloween here)!! My favorite is glitters for New Year's Eve!
pretty! i hate removing glitters, but i love them, so it's worth it to me.
Very pretty - I love glitters! I got my Burlesque glitters in the mail today, and I'm currently wearing Glow Up Already, and I can't wait to wear this one. Too bad glitter removal is horrendous.


Whenever you upgrade your pc to a newer, faster mannequin; you just throw out the previous laptop tower? IMPROPER The following thing to do is work out how you can re-use your old computer and bring new life to an old tower or desktop. We may not need to repair a burnt out processor, however we are able to use what now we have obtained and make one thing new. Each web page is made up of usually numerous information; these files must be transferred from the server laptop of that web page into our pc. The time this switch takes is solely dictated by the actual life speed and performance of our Web connection. Our laptop and the web browser have subsequent to no influence on that transfer.
For the motherboard, you'd choose precisely what you needed. Both a motherboard with loads of options, overclocking headroom, or maybe one that did not value so much. As we're going with an i3 in this construct, the NVIDIA GTX 1050Ti might just be the higher option. Having built this machine with the an RX 470 I can tell you that the graphics card was held back slightly bit by the CPU. As an i5 here would value a further $70 (no less than) that is not an option.
Neat lens, are you a reasonably experienced programmer? I've dabbled in it a little bit bit, but I don't actually have any real-world purposes to work on. It will be cool in the event you did a more in-depth information on PHP, that is a strong language. Q 1. I am learning Civil/Mechanical/Software/(insert any engineering branch right here) Engineering. Please advise an appropriate laptop for me.
The parts for the build above vary barely from what I really used. Since I often construct computer systems, I wished to save on some components I already had that would not affect performance. As an alternative of counting on the ad-network alone, the advertisers ought to do their very own analysis to detect click fraud as explained above. Battle formation for concerning the subsequent ten years: Everyone stand in a line… say cheese!
The more searches any given search engine will get to perform the extra money they can ask for their aggregated information on what we search for. The search engine corporations may in a roundabout way promote to us but the companies that buy this aggregated search data can then promote better and more on to us. Please don't tell your self you might be paranoid. Instead pat yourself on being alert.
Next PostWhat Is A Pc?


Most Facebook users check their pages at least once a day. With such an impressive usage, your business could leap numerous benefits from this platform. However, the outcome will be determined by how you employ Facebook in your marketing plan.
Numerous businesses have benefited from effectively using Facebook. On the other hand, the same platform has had detrimental effects on other businesses. Therefore, be sure to use Facebook wisely lest you sabotage your brand. In addition, have a conscious goal that will guide you on your marketing strategy. Here is an overview on ways to effectively use Facebook.
Your profile will definitely speak volumes about your business. As a matter of fact, the outlook of your profile is the main determinant as to whether users will visit your page or not. On that note, be sure to come up with a Facebook profile that is compelling. This will ensure users get a positive insight on your business before they start enquiring more. A compelling profile should include a username that users can easily remember, a professional profile picture such as: your business logo or a product and contact of the business. With a compelling profile, users can easily reach you thus making it easier to attract new customers.
Now it is time to find friends who are beneficial to your business. You should consider friends like: business associates, clients and suppliers. By having friends who are directly affiliated to your business, they can help in raising awareness about your brand. This will create room for other users to visit your page and be part of your community.
In order to keep your Facebook friends active on your page, you should create engaging content. Content that can trigger a discussion or even stir a storm. However, the content you post should be within the scope of your business. In addition, it should not sound demeaning to anyone or a group of people.
Creating engaging content is not enough as you also need to be part of the discussion. After all, you stirred the storm. Being the initiator of the discussion, your response is very important. Moreover, make sure you respond in a timely manner in order to keep the discussion going thus attracting new users. Remember, you should not only respond promptly when you ignite a debate but also whenever users want to enquire something.
As much as we are emphasizing on the need to post regularly, you should also be moderate about it. Putting up numerous posts will do you more harm than good since your Facebook friends will be confused on which post to comment on thus stirring different debates. In addition, you will not give satisfactory responses since you will be overwhelmed by comments. Therefore, put up posts moderately in order to measure the level of success they achieve.
When creating your Facebook posts, you might consider including images in the posts. Images enhance the understanding of the user. In addition, ensure that the images are backed by a description that should be short and straight forward. Remember to use images that will go hand in hand with the description.
One amazing fact about Facebook is that it is a cost effective marketing platform. Furthermore, you can use Facebook advertising to enhance your online presence. Unlike other advertising mediums that require you to break the bank, advertising on Facebook will only cost you a few bucks. More to that, you will get various advertising options that will suit your budget.
Considering the fact that you are already gaining grounds with your Facebook posts, you might want to improve your presence by embracing promotions. Most users want to get free gifts and products and a promotion is the ideal way to attract them. However, be sure to come up with a promotion that is reasonable in order to attract numerous users. Perhaps you might give incentives that users cannot resist thus they have to engage your business.
With the graph search, it is easier to find users who might be interested in your business. By learning about one of your fan on other pages they have liked, you will also find information on likeminded individuals who could become potential clients. Although it might sound cheeky, it is surely going to work.
In a bid to boost your following, you might consider a partnership with a business that offers complimentary services to what you offer. For instance, a dog walking company could partner with a dog grooming company. However, the partner you settle on should have the same number of following and employ the same type of approach as you do. This is the only way you will achieve coherence in achieving your goals.
Now it is time to find out how Facebook has worked out for you. The success you have achieved on Facebook will be determined by the new levels of outcome, number of new clients and the popularity of your business. This will enable you evaluate how you will enhance your Facebook strategies going forward.
Facebook can definitely be the breakthrough point for your business. If used properly, Facebook could turn the tides on your business and make it a multi-national business. Be sure to embrace the different ways of using Facebook for your business in order to achieve success. That said, now you know how to use Facebook to sell your brand. Don't you?


text:
Q: Stop button nested inside a form from submitting and have it fire a different function I have a close button nested inside a form that is supposed to reset the form and close the popup modal the form is sitting on.
I've changed the button type from the default submit to type='reset' and have an onClick that is supposed to fire my resetting/closing function, but the function is never being called and instead the submit function is called.
is that not possible with jsx or what am I missing?
(Note that Button is just a component wrapping a <button> html tag)
import Button from '../../../components/Button'

    export const SomeForm = (props) => (
      <form className='quote-form__wrapper' onSubmit={props.onSubmit}>
        <Button
          className='close-btn'
          type='reset'
          onClick={props.resetForm}
          value='CLOSE' text='x' />

        some form fields...

        <Button
          className='btn ripple-btn'
          type='submit'
          text={props.btnText} />
      </form>
    )

EDIT:
I should add that when I don't use a custom Button component to render the button element it does work even though I don't change the button type the right function (resetForm) is being called:
const someForm = (props) => (
  <form onSubmit={props.onSubmit}>
    <div>
      <button className='close-btn' onClick={props.resetForm} value='CLOSE'>
        x
      </button>

      some form fields...

      <button
        className='ripple-btn btn'
        type='submit'>
        {props.btnText}
      </button>
    </div>
  </form>
)

For what it's worth the Button component looks like this:
const Button = (props) => (
  <button className={props.className} {...props.attributes}>
    {props.text}
  </button>
  )

export default Button

A: You aren't passing down the other props properly in your Button component. You should use {...props} and not {...props.attributes}.
const Button = (props) => (
  <button className={props.className} {...props}>
    {props.text}
  </button>
);

export default Button;

Any props that you don't want to pass directly to the button could be obtained from the props using object destructuring:
const Button = ({text, className, ...props}) => (
  <button className={className} {...props}>
    {text}
  </button>
);


text:
Concerns mount over French halal meat
Experts fear up to 80 pct of French halal meat is bogus
تارخ النشر: Monday Monday, 16 August 2010 - 16 August 2010 KSA 21:09 - GMT 18:09
France has no central body to oversee the authenticity of halal meat
The lack of a central body in France to oversee the authenticity of halal meat has made some experts doubt that animals have been slaughtered following the correct Islamic procedures.
Estimates of the amount of meat labeled halal that does not meet the strict religious standards range from 40 to as high as 80 percent.
France has Western Europe's biggest Muslim population and producers are battling for a piece of the $7.05 billion (5.5 billion euro) halal meat market.
According to Islamic law, halal meat must come from animals blessed by a short prayer and slaughtered facing the holy city of Mecca. The animal is traditionally killed with a cut to the throat to allow the blood to drain out, with a view that the meat is cleaner.
Ala'a Gafouri of the Halal Institute of Food Management Industry (HIFMI) in Paris estimated that up to 80 percent of meat and other products labeled as halal may not meet these criteria.
"They're self-certified," Gafouri, who trains halal butchers and inspectors, said.
Kamel Kabtane, rector of the Grand Mosque of Lyon, estimates about 40-50 percent of halal products sold in France have not been rigorously verified.
Neither expert gave details of how their estimates were made.
There is no central body to check the authenticity of halal products and no single standard that all Muslims agree on, making it difficult to determine the authenticity of halal products.
The government has authorized only the grand mosques in Paris, Lyon and Evry to oversee ritual halal slaughter and certification, but unofficial groups around the country have emerged to issue their own stamps of approval.
"What we are witnessing is a purely market-driven drift because some have seen a potential for profit," said sociologist Dounia Bouzar, who said a growing number of Muslims in France believed "if they don't eat halal, they'll go to hell".
France's official Muslim council (CFCM) wants the country's mosques and Islamic groups to come together to agree on a national charter that lays out clear guidelines for halal meat to help French Muslims when they are making purchases.
The halal market is twice as large as that for organic foods in France, where five million Muslims live, and is expected to grow by 20 percent annually as the Muslim middle class expands.
A recent poll found 60 percent of French Muslims regularly buy halal products, a category that includes canned meals and cosmetics certified free of meat-based ingredients.
Cheikh Al Sid Cheick, assistant to the rector of the Grand Mosque of Paris, said sticking "halal" labels on food packaging was a way for producers to catch the Muslim consumer's eye.
"But that doesn't mean they can do whatever they want," he said. "We need one set of specifications, one certification and one logo."
The issue is sensitive at a time when the government wants to ban full Muslim face veils and tighten immigration laws. It highlights the difficulties in adapting Islamic principles to French society.
Brigitte Bardot, the actress and animal-rights activist known for her racially charged views, told Europe 1 radio last week that halal meat was taking over local markets and "should not be imposed on French consumers".
Animal rights activists have called for an end to the Jewish and Muslims ways of slaughtering animals, saying bleeding them to death causes severe suffering to the animals.
What we are witnessing is a purely market-driven drift because some have seen a potential for profit
sociologist Dounia Bouzar
زعيم ميليشيات العصائب يجدد تهديداته للأميركيين بالعراق 13:49 GMT


A virtual organization and an expat's long-distance friendships means my face-to-face meetings and close conversations are sadly infrequent. So a lot of my business and personal communication is, by necessity, done in writing. I seldom send anything by postal mail unless it involves requires a real signature on a contract or a significant event, relying mostly on emails for everyday keeping-in-touch.
For more immediate thoughts, I rely on a messaging app, generally via phone text, Facebook, Skype, or WhatsApp. I like being able to poke a note directly into someone's hand, where I'll get a rapid acknowledgement that they've seen it and (often) an immediate answer to a simple question.
But one response begets another, and exchanges quickly turn conversational. When light and casual, it's a nice measured way to catch up on gossip and bind a friendship. However, when talk turns to serious or difficult topics, things break down badly. Misunderstandings occur more frequently in text conversations than in any other medium I use; people's attitudes and feelings are distorted and my biases and worries sound more pronounced. And, too often, I end up tediously spending precious face-time resolving the misperceptions.
'Seen' means a message has been received by the device, not that it has been read nor considered by the recipient. Above all, silence doesn't signify that you're being ignored or that s message has met with disapproval.
Remember that texts are time- and location- stamped; they set an unintended context that can change the meaning of words.
When messages are stark and blunt, they can evoke strong emotions. Do take a moment and don't react to texts that feel provocative.
Humor simply doesn't work in most text conversations, even when punctuated with emoticons.
Avoid having multiple streams in a conversation. The juxtaposition of comments in one thread with responses from another can lead to bad, bad misinterpretations. Stick to one conversation, pause occasionally, and sync up regularly: make transitions obvious.
Check the temperature periodically and give clear signals. 80% of normal communication (tone, expression, gesture, prosody) is lost in texts, and you can get way out of bounds without realizing it.
Avoid head-down mad-dash typing when feeling strongly. It's hard to keep up with, and answers fly off the screen without being read if you don't stop and look up regularly.
Let the conversation pull you rather than pushing it in the direction you want it to go. Stop to trade control of the conversation.
Watch out for accidently inserting homophones when using voice-recognition (hands-free) transcription, and recognize that cross-cultural differences in vocabulary and nuance can be deadly.


text:
Thin Ice
Thin Ice Teachers' Guide & Subtitles
Science Learning Hub
Secondary School Classroom Resources
Free - Short Clips
NEW!! Green Antarctica
NEW!! What's happening to our ice sheets?
Antarctica and the ice core story
Carbon dioxide today
Modern global warming
The changing Arctic
The Southern Ocean
Climate negotiations
Kickstarter campaign
Two thirds of the surface of the Earth is ocean. The oceans play a huge role in the link between our emissions of carbon dioxide and global warming.
Simon travelled to the mighty Southern Ocean that surrounds Antarctica, and spoke to scientists about the goals and the challenges of their work.
Scientists on board the New Zealand research vessel Tangaroa, talk about the realities of research as they sample the water column in the deep ocean for temperature, salinity, carbon dioxide, and living organisms.
Heading out to sea
On station
Oceans and climate
Thermohaline circulation
Taking the pulse
Oceans and CO2
Forests of the ocean
Out of our comfort zone
Oceans absorb heat
For the surface of the planet to warm, the oceans must warm as well. At the moment the oceans are absorbing an enormous amount of heat. This is delaying the final warming caused by the increase level of carbon dioxide and other greenhouse gases.
In fact, the observed global warming over the past 30 years or so is between half and two thirds of the expected warming, once the oceans heat up. So, warming from past emissions will continue for some decades.
Oceans absorb carbon dioxide
Ocean water absorbs carbon dioxide from the atmosphere, either through direct mixing of ocean water and air, or through the growth of marine algae.
At the moment, the oceans are absorbing about a third of the carbon dioxide we are emitting, but scientists are unclear whether it will continue to do so in the future, as the oceans become warmer and more acidic.
© 2019 Thin Ice


ALL members must pass NIMS 700, 800, 100, 200. Captains must add NIMS 300, and White Hats (Chief Officers) add NIMS 400.
ALL members must pass a CEVO defensive driving class or you will not be allowed to drive departmental vehicles.
All members are strongly encouraged to attend and get certified to the firefighter II level.
Captains and above are required to be at least Instructor I and Officer I; White Hats (Chief Officers) must have Officer II.
Training is performed weekly on Thursday nights for all members including Explorers covering medical response and all firefighting skills.
We welcome volunteers who can meet the standards to become a member of our department. Persons interested in joining our team, are encouraged to fill out an application.


text:
Der Abspann (auch Nachspann) ist ein grafisch gestaltetes Endelement eines Films, einer Fernsehsendung oder mancher Computerspiele. Im Abspann werden typischerweise die Credits gezeigt. Dabei ist es Konvention, zunächst die Darsteller und dann den Stab – häufig mit den wichtigsten Personen zuerst – zu nennen. Am Ende des Abspanns stehen in der Regel die Produktionsfirmen sowie rechtliche Hinweise, vor allem die urheberrechtlichen Angaben. Technisch wird der Abspann meist als Rolltitel realisiert.

Technik und Wirkung
Den Abspann nutzen die Filmemacher oft als Möglichkeit, Danksagungen oder Widmungen auszusprechen. Mitunter findet sich hier auch eine Angabe zum tatsächlichen Drehort. Hier werden meist die Sponsoren bzw. deren Markennamen genannt und technische Informationen zu Filmverfahren, -material und verwendeten Linsensystemen gegeben sowie behördliche Freigaben und – neben Filmgesellschafts- oder -verleihangaben – das Produktionsjahr und -land. Oft kann der Interessierte hier auch die gehörten Musiktitel samt Interpret und Komponist in Erfahrung bringen.

Viele Zuschauer betrachten den Abspann allerdings nur als langweiliges Anhängsel und beachten ihn daher nicht. Dies führt zu einem Interessenkonflikt zwischen Filmemachern, Zuschauern sowie Fernsehsendern.

Bei sehr alten Filmen existiert meist kein Abspann. Hier wurde häufig durch ein einfaches "Ende", "The End" oder "Fin" der Film beendet. Die Namen der Mitwirkenden wurden dabei ausschließlich im Filmvorspann genannt. Heute wird in vielen Fällen eine Mischform verwendet, bei der im Vorspann nur die Namen der wichtigsten Darsteller, der Produzenten und des Regisseurs eingeblendet werden und nach dem Film noch ein umfangreicher Abspann folgt, bei dem (fast) alle Beteiligten erwähnt werden.

Maßnahmen zur Attraktivitätssteigerung
Im Kino verlässt ein Großteil der Zuschauer den Saal bereits zu Beginn des Abspanns, der in vielen Fällen mehrere Minuten dauern kann. Die Filmemacher haben im Laufe der Zeit verschiedene Methoden entwickelt, dem möglichst entgegenzuwirken. So kann es vorkommen, dass eine komplexe, verschachtelte Handlung nur durch zuvor nicht gezeigte Schlüsselszenen aufgelöst wird, die in den Abspann einmontiert sind (ein besonderes Merkmal z. B. in Wild Things, Super 8). Das trifft außerdem auch auf Hangover zu, bei dem im Abspann noch Unklares erklärt wird.

Eine Variante dieser Methode besteht darin, erst nach dem traditionellen Abspann noch eine kurze, meist lustige Szenenhandlung als "Rausschmeißer" zu zeigen. Beispiele: Fluch der Karibik, Der Schuh des Manitu, Der SpongeBob Schwammkopf Film, Bean – Der ultimative Katastrophenfilm, die Detektiv Conan - Filmreihe und Scary Movie.

Manche Filme versuchen auch, ihr Publikum im Abspann noch mit lustigen Versprechern oder sonstigen Pannen (Outtakes) der Dreharbeiten zu unterhalten (z. B. bei Jackie-Chan-Filmen). Pixar hat für seine computeranimierten Filme eigens erdachte "Pannen" für den Abspann produziert.

Außerdem ist während des Abspanns meist einer der Titelsongs oder Titelmelodien zu hören. Vielen Filmkomponisten, die während des Films nah am Bild entlang komponieren müssen, dient der Abspann als Gelegenheit, die entwickelten musikalischen Gedanken in einer konzertanteren Version nochmals auszuarbeiten und ihnen mehr Freiraum zu schaffen, ähnlich der klassischen Ouvertüre vieler Hollywoodfilme des Golden Age. So können auch abrupte Stimmungswechsel, die der Film vorgibt, in der konzertanten Version flüssiger durchkomponiert werden. Auf vielen Alben instrumentaler Filmmusik wird der betreffende Titel oft unter der Bezeichnung "End Credits" oder "Suite" geführt und meist am Albumende platziert, manchmal jedoch auch bewusst an den Anfang gesetzt, um ihm so besagten Ouvertüren-Charakter zu verleihen.

Auch die Macher von Fernsehsendungen sind daran interessiert, Credits zu zeigen, wobei diese Abspanne allerdings von vornherein wesentlich kürzer ausfallen als die von Kinofilmen. Dennoch wird auch hier oft versucht, den Abspann interessanter zu gestalten, z. B. zeigen Comedyserien wie SketchUp nach dem Abspann gerne noch einen Extrasketch.

Es kann sich bei Slapstick-Komödien auch durchaus lohnen, den ganzen Abspann im Kinosessel zu bleiben, weil sich beim Verfolgen des Abspanns noch weitere Gags zeigen. Im Abspann von "Die nackte Kanone 2 1/2" werden mehrere Kuchenrezepte eingebunden, und am Schluss kommt: "Wenn Sie zu Beginn des Abspanns gegangen wären, könnten Sie längst zuhause sein."

Abspannbehandlung bei der Ausstrahlung im Fernsehen
Anders als im Kino werden im Free-TV Film- und Serienabspänne fast immer entfernt und durch kleine eingeblendete Fenster ersetzt, bei denen gleichzeitig schon eine Vorschau für den nächsten Film oder ein Werbespot gezeigt wird. Begründet wird dies damit, dass der Abspann den Programmfluss unterbricht und den Zuschauer zum Wechsel des Fernsehsenders animiert. Fast immer wird jedoch der Text im Bildlauf von oben nach unten angezeigt.

Der private Fernsehsender Tele 5 lässt bei Spielfilmen den Abspann hingegen, bis auf wenige Ausnahmen, lediglich kurz anlaufen und blendet ihn meist unmittelbar mit einer Schwarzblende aus.

Eine andere Variante der Kürzung des Abspanns praktizieren einige öffentlich-rechtliche Fernsehsender in Deutschland, indem der Abspann mit teilweise wesentlich höherer Geschwindigkeit abgespielt wird als eigentlich vorgesehen; stellenweise werden auch schlicht Teile des Abspanns entfernt. Die Musik, die durch dieses Verfahren zwangsläufig abgeschnitten werden muss, wird zum Ende hin ausgeblendet oder durch gesprochene Programmhinweise überlagert. Wenn zu Beginn des Abspanns noch die letzte Filmszene im Hintergrund zu sehen ist, beschleunigt der Abspann erst, deutlich sichtbar, nach der letzten Schwarzblende.

Sonderfall Schindlers Liste
Der einzige Spielfilm, der im Free-TV immer mit Abspann gezeigt wird, ist Steven Spielbergs Schindlers Liste. Steven Spielberg hat in den Lizenzbestimmungen unter anderem festlegen lassen, dass der Film von Fernsehsendern nicht geschnitten werden darf und Vor- und Abspann in voller Länge gezeigt werden müssen. Auf ProSieben wurde der Bildschirm bei den letzten Ausstrahlungen dafür geteilt: In der oberen Hälfte des Bildes lief der Abspann mit den üblichen Credits, in der unteren Hälfte Szenenbilder aus dem Film.

Dieses Verfahren wurde auch bei Harry Potter und der Stein der Weisen bei der Free-TV-Premiere auf ORF angewendet.

Behandlung als Werbefläche im Pay-TV "Sky"

Seit Ende 2013 wird im Erstausstrahlungskanal "Sky Cinema" der Abspann als Werbefläche in eigener Sache genutzt. Seitens Sky wird kommuniziert, dass dies eine Orientierungshilfe darstelle und von vielen Kunden positiv aufgenommen werde, allerdings wurde von Gegnern eine Online-Petition zur Einstellung von Werbung im Film-Abspann ins Leben gerufen. Sky reagierte auf die Petition mit der Eigeneinschätzung, dass es sich nicht um Werbung und keine Unterbrechung handle.

Buchstabenkürzel
Gelegentlich, besonders bei US-amerikanischen Filmen, werden im Abspann den Namen von manchen Crewmitgliedern noch diverse Buchstabenkürzel nachgestellt, die explizit auf die Mitgliedschaft der betreffenden Person in einer bestimmten, oftmals honorigen Vereinigung hinweisen sollen. Die wichtigsten Kürzel sind:

A.C.E.   = American Cinema Editors
A.S.C.   = American Society of Cinematographers
B.S.C.   = British Society of Cinematographers
BVK      = Berufsverband Kinematografie
C.S.A.   = Casting Society of America
G.B.F.E. = Guild of British Film Editors
M.P.S.E. = Motion Picture Sound Editors

Daneben gibt es noch eine Vielzahl weiterer Vereinigungen von praktisch allen beim Film vertretenen Berufsgruppen, deren Mitglieder aber selten im Abspann explizit als solche hervorgehoben werden. Ihre Dachorganisation ist die International Alliance of Theatrical Stage Employes oder kurz I.A.T.S.E.

Taucht im Abspann das Pseudonym Alan Smithee auf, will der Betreffende nicht mit dem Film in Verbindung gebracht werden.

Siehe auch
 Vorspann, Prolog, Epilog, Präambel
 Proömium, Intro, Ouvertüre
 Abspannen

Weblinks

 montage/av 12/2/2003: Anfänge und Enden
  Stellungnahme deutscher Filmverleiher zum Thema 'Abspann-Abwürgen'

Einzelnachweise

Filmtechnik
Schriftliche Kommunikation


text:
package main

import "fmt"

func main() {
	fmt.Println("Greetings from People's Republic of Portland!")
}

redpajama_set_name: RedPajamaGithub


Published 04/22/2019 04:41:46 am at 04/22/2019 04:41:46 am in Bay City Furniture.
bay city furniture simply amish bay city brand furniture.
bay city furniture gilroy ca,bay city furniture gilroy casino,bay city furniture geelong grammar,bay city furniture geelong,bay city furniture tx,bay city furniture geelong victoria,bay city furniture gilroy,bay city furniture geelong cats,bay city furniture geelong college,bay city tx furniture stores,bay city used furniture.


Bruce Springsteen and the E Street Band coming to Phoenix!
Bruce Springsteen and the E Street Band launch The River Tour, a nine-week US trek, including a Phoenix date on March 10, 2016 at Talking Stick Resort Arena. Show time is 7:30pm and tickets go on sale Friday, December 11 at 10:00am. Reserved seats ($154.75/$109.75/$59.75) and general admission main floor tickets ($154.75) will be available at Talking Stick Resort Arena box office, online at Ticketmaster.com or by phone at 800-745-3000.
The announcement of the tour coincides with today's release of "The Ties That Bind: The River Collection," a comprehensive look at the era of the 1980 "The River" album that "Rolling Stone" calls "Springsteen's best archival release yet."
Springsteen precedes the tour with a Dec. 19 performance on "Saturday Night Live," his third appearance on the NBC show.
"The Ties That Bind: The River Collection" includes 52 tracks on four CDs with a wealth of unreleased material and four hours of never-before-seen video on three DVDs. It contains the original "The River" double album; the first official release of "The River: Single Album"; a CD of 1979/80 studio outtakes; a brand-new documentary about "The River"; and a coffee-table book of 200 rare or previously unseen photos and memorabilia, with a new essay by Mikal Gilmore. The set also includes a two-DVD film of never-released, newly edited multi-camera footage from a Nov. 1980 show in Tempe, AZ, described by NPR as a "holy grail."
"The Ties That Bind: The River Collection" is available at Amazon ( 4CD/3DVD or 4CD/2Blu-ray — http://smarturl.it/tiesthatbind_amz ) and iTunes ( http://smarturl.it/tiesthatbind_itunes ).


Barcode Datalink has completed a number of case studies based on work we have done for our clients. Please browse the documents below to see how we can be of assistance to your business.
We are always keen to be involved in complex projects so call us if you would like our expertise in helping your business.
This case study outlines the implementation of Motorola MC9090 mobile computers into a warehouse environment that has SAP as their ERP system.
The improvement to the business was noticed within one week of installation.
If you need to collect information out in the field then we can pair a Motorola mobile computer and a Zebra Bluetooth printer to provide portable label or receipt printing solution. And if you need to weigh fruits, oil or anything else we can integrate a scale as well.