Shopping for a unique gift for that someone special, or maybe yourself? Have you thought-about hand-crafted jewelry? There are tons of well-designed items of jewelry by hand made craftsmen of Atlanta. There are a a handful of issues you need to take into account before you begin shopping for that amazing gift. You should first of all ponder the recipients taste before making any purchases. The best received present will be one that compliments their present collection or taste. Have they got a favored gemstone? What's their birthstone or zodiac stone? Do they like one metal over another? An example could be if the recipient has a good number of silver earrings, you'll probably decide to try buying them a silver necklace or silver cocktail ring to add a little spice to their jewelry collection. You will surely find some exquisitely designed handcrafted copper bracelets by Atlanta jewelry designers.
Throughout history, jewelry has continued to develop coupled with advances in materials. Styles and designs have transformed and modernized, and then often return to their most basic forms and elements. Even before the age of reason, men and women both adorned themselves with handmade jewelry. Simple necklaces and bracelets constructed from flowers, woven grasses, shells and stones were created to decorate early humans.
Practically all of today's jewelry is manufactured. Machine fabricated jewelry is much more economical, not only for the consumer, but also for the manufacturer. Casting machines now quickly process into uniform molds such components as metals, plastics, and resins, allowing even complex jewelry designs to be produced with speed and consistency for the majority of Atlanta jewelry manufacturers. Mechanized punch presses and forges are also employed by many Atlanta jewelry manufacturers to simulate a handmade effect. Hand-hammered texturing is one of the more "handmade" looks manufactured by this method, making the production consistent and highly profitable to the manufacturer.
In the past decade, however, the modern marketplace has experienced a resurgence of interest in handmade jewelry, and a greater value is again being placed on unique and limited edition jewelry designs, made by hand with ancient crafting processes. Given this renewed interest in handmade, many Atlanta jewelry designers are seeing greater demand for their talents and designs for unique handmade jewelry. Even art galleries and major departments stores feature local and national designer jewelry that is handmade. With the advent and spread of the Internet as a sales tool worldwide, many international jewelry artisans, even located in remote regions, are also enjoying the benefits of direct sales to distant customers.
Make sure you always choose quality vs.. quantity when buying jewelry that is handmade, especially if this purchase is a gift for someone special. Purchasing a smaller, well-made piece is much better than buying a larger, poorer quality item for the same price. Speaking of price, those on a budget simply need to remember that good handmade jewelry is not always expensive. It is the quality and look that truly counts, not the amount paid.
The most basic definition of handmade jewelry is that it is crafted by hand as opposed to mechanically made by a machine. In its purest form, hand-assembled does not mean handmade. Handmade and hand-assembled are totally unrelated, but commonly misunderstood by both consumer and designer. Just because a piece is hand-assembled does not make it handmade. Handmade jewelers use old metal-smith skills, simple tools, and a broad variety of techniques to create their desired forms and shapes. In handmade jewelry you can often observe each item's uniqueness, its dissimilarity from similar pieces. Individuality, culture, and meaning are clearly evident in handmade objects. Making marketable and sought after handmade jewelry requires a considerable amount of dedication, skill, and creativity not often found in most mass-produced jewelry. The quality of a piece of fine handmade jewelry will definitely be recognized and appreciated by many over mass-produced jewelry.
Even though handmade jewelry might appear to be slightly flawed in the eyes of the casual observer, high quality handmade jewelry should nonetheless last a lifetime. More often than not, manufactured jewelry has a higher probability of breaking than its handmade counterpart. Many department stores sell "handmade jewelry" labels, but this doesn't necessarily mean high quality. Many of these "handmade" pieces are actually hand-assembled pieces that are composed of mass-produced components (findings) and are quickly assembled by hand. Mass-production facilities typically require artisans to meet efficiency quotas that result in poorly made jewelry, made with cheaper materials — even if it is technically made by hand. Over the long run, you would be much better off in terms of wear ability if you selected non-mass produced jewelry, or jewelry that wasn't made in huge production runs. High quality Atlanta handmade jewelry often has an artisan's name and reputation proudly attached to the finished product. Fortunately, quality and uniqueness are typically apparent to the careful observer.
Certainly the most important advantages to owning hand-crafted jewelry is that it gives the wearer the pleasure of wearing something one-of-a-kind which no one else has, that is created by a genuine artisan with love and passion for his or her work. Crafting well made and designed jewelry is an art form. This strength of feeling comes across in the design process, and in the finished jewelry itself. Mass-produced jewelry is just "soulless." One's personalized style, taste, individuality, and identity can be conveyed by and can be better reflected by wearing jewelry that is hand-made. Wearing mass-produced jewelry lends oneself to look mass-produced and off the rack. Regardless, mass-produced jewelry usually brings with it no special meaning or history — no story, no life. When you wear beautiful Atlanta handmade jewelry, it is a pleasure to be able to explain to admirers the actual story or history behind what you are wearing, or information about the artist, which is often possible with handmade jewelry bought from individual artisans or their representative galleries. Above all, it is simply a joy to wear jewelry that someone has personally and lovingly created by hand.


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The Dupaco Community-Wide Garage Sales kick off Saturday, April 30. And with hundreds of hosts participating, you can forgive the garage sale host newcomer for feeling a bit overwhelmed.
Advertise, then advertise some more. Register your sale online, at no cost, for the Dupaco Community-Wide Garage Sale in your community. Then, stop by a Dupaco branch to pick up a sale kit, which includes price stickers, signage and more. You can't have too many signs directing shoppers to your sale. "There are probably two or three ways to get to your house, so make sure your sale is well marked," Cook says, adding that some shoppers rely solely on signs to find the sales. Also consider publicizing your sale on Facebook. Just make sure you're clear about when your sale begins.
Have bags on hand. While some shoppers will buy one or two items, others might hit the jackpot at your sale—and need a way to easily get their purchases home. Keep some bags at your check-out table for those times. "That's one thing I didn't think of when I had my first sale," Cook says.
Give your sale curb appeal. Attract drive-by shoppers to your sale by placing some of your best items toward the end of your driveway. Another idea: Create a table for the guys near the street so they have something to look at while their significant other peruses the rest of your tables, Cook suggests. "I try to keep as much of my sale outside instead of in the garage. It's more open that way," she says.


We have been in the Antique Business both part and full time for over 40 years. We specialize in fine quality 18th and 19th C. furnishings and accessories for today's homes and collectors, as well as Early Blown Glass and Bottles, Weathervanes and Folk Art, Delftware and Pottery, Native American and Tribal Arts, and Paintings and Wall Hangings. We do not operate an open shop though we do occasionally see clients by appointment in our home in Connecticut. We have focused on selected antiques shows and exhibit at many major shows in the Northeastern United States during the spring, summer and early fall.
As long term dealers in American Furnishings and Decorative Arts our objective is to provide both serious and casual collectors access to high quality objects in the best original condition available at prices that will add value to their collections.
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OneWay has been released and is currently available via the Google Play Store.
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Wehrschach is a chess like game that was created during the Second World War and has since been nearly forgotten. But not longer as you now can play it offline and online with our new Wehrschach App. The game is currently in its beta phase and has to be tested some more so that we can release it as soon as possible!
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Credit Suisse is a leading global wealth manager with strong investment banking capabilities. Headquartered in Zurich, Switzerland, we have a global reach with operations in about 50 countries worldwide with more than 45,000 employees from over 170 different nations.
We serve our clients through three regionally focused divisions: Swiss Universal Bank, International Wealth Management and Asia Pacific. These regional businesses are supported by two other divisions specializing in investment banking capabilities: Global Markets and Investment Banking & Capital Markets. Our operating businesses are supported by focused corporate functions that provide centralized corporate services and business support, as well as effective and independent control procedures. Our organizational structure reflects the global nature of our company, and our strategy for growing our core businesses.
We act beyond business. Responsibly.
In collaboration with selected partner organizations, we support initiatives that generate a positive economic or social impact in areas such as financial inclusion, microfinance and education. We allow each employee to devote up to four days per year to support social projects. In 2017, 18,410 of our employees around the world participated in volunteering activities. We enable qualified employees to take paid leave to volunteer abroad with a non-profit organization for up to three months.


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Year round air tours and charters from Golden airport. Strategically located between the Canadian Rockies and Columbia Mountains, we have access to some of the most dramatic scenery in Western Canada. Also, suppliers of aerial photography to Chatter Creek Snowcat Skiing.
Quality accommodation and restaurant on the Trans Canada Highway in Golden. Ski packages for winter and close proximity to golf for summer. Chatter Creek clients can pre-arrange special rates.
In the beautiful Blaeberry River valley, wilderness accommodation surrounded by the magnificent Canadian Rockies.
Our favorite Golden BC Guest house - if you like Jerry Cook's meals at Chatter Creek Snowcat Skiing's Vertebrae Lodge, you will love his beautiful guest house in Golden. The place to stay before your backcountry ski trip! Tranquil forest setting and mountain views just minutes from Golden.
Rural accommodation in the area of Golden BC.
Local accommodation in Golden BC.
Additional rural listings for Golden BC.
Located 7 Km south of the heart of Golden BC, the lodge provides beautiful panoramic views of the Dogtooth and Purcell mountain ranges as well as the Columbia River.
All styles of restaurant from fine dining to fast food.
Casual fine dining in a rustic mountain setting, in a wooded glen just 5 minutes drive south of Golden BC on highway 95.
Casual, comfortable dining within walking distance of downtown Golden.
Previously "Sisters and Beans", Eleven22 is a restaurant guesthouse reflecting an international atmosphere in a casual setting.
Accommodation, Adventure Providers, City Information and Events.
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Strategically located, the Lofts des Arts is located in the heart of the bustling arts and entertainment district... which in fact has become the neighborhood to live in!
Less than 5 minutes walk to Place des Arts and St-Laurent subways, Festival plaza, Place des Arts, Complex Desjardins, grocery, liquor stores, gym, restaurants, cafes and bars. Less than 15 minutes' walk or less to: St-Denis and Duluth streets and to Old Montréal, Eaton Center, Chinatown and Berri Bus terminal.
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Paula and Mariano will be teaching/performing at Black Cat Tango in Princeton tomorrow night.
The tango dance steps of Argentina and Uruguay are part of the world's "intangible cultural heritage", the United Nations has declared.
UNESCO, the United Nations cultural organisation, is holding a meeting of 400 experts in the Gulf state of Abu Dhabi to agree on a list of world arts and traditions that should be safeguarded for humanity.
Developed in working class city dancehalls in the cities of Buenos Aires and Montevideo, tango is a deep-rooted tradition of dance, poetry and singing that is seen worldwide as the symbol of Latin romantic passion.
Argentina and Uruguay jointly submitted the "symbolic universe" of tango for addition to UNESCO's list of cultural treasures. It was the first of 76 submissions examined and approved by the Abu Dhabi meeting.
The BBC and AP are also carrying the story.
The Press Association version is a great deal more exaggerated, though: Unesco saves Tango for humanity, as if Unesco had any kind of power to save anything by edict.
It's the tangueros who are saving tango for humanity – and for themselves.
The Tango Notebook has a great post on tango and passion you must read.
Don't miss tonight's tango YouTube – and it has to do with Princeton, too.
VAN SUSTEREN: All right. And we'll switch gears to Honduras, this part – this neck of the woods in Latin America. What about the situation in Honduras? Is that – is that big deal or not?
N. GINGRICH: I think it's a very big deal because, you know, as a lawyer, the Honduras Supreme Court followed the Honduran constitution. Zelaya is in fact the president of the country, was in fact trying to become a strong man in the Chavez tradition. The Honduran constitution specifically blocks that from happening and says if you try to extend your term, you automatically have to resign.
The Supreme Court voted 15 to 0, with the majority of the court coming from Zelaya's party. The person who is appointed the interim president was the Speaker of the House from Zelaya's party, properly announced he would not run. They're going to have elections this fall which will be more honest than Afghanistan, more honest than Iran, more honest than Venezuela, and actually, (INAUDIBLE) has been bizarre.
VAN SUSTEREN: So why – why is the United States backing Zelaya, who is currently hiding out in the Brazilian Embassy in Honduras? Why – why – if it's as you say?
N. GINGRICH: Because the sympathy for the left in this administration is unending, and the fact is Zelaya is the Castro, Chavez candidate to be the strong man of Honduras. The fact is in Nicaragua, Somoza's trying to change the constitution so he can be a lifetime leader like Chavez, and you're seeing the redictatorship of Latin America from the left, from people who are both anti-American and anti-rule of law.
Full Comment brings you a regular dose of international punditry at its finest. Today, Honduran President — if you can still call him that — Manuel Zelaya, continues to hide out inside the Brazilian embassy to Honduras, where he and his wife have sheltered since Sept. 21. Since being overthrown and ejected from the country by his own troops, Zelaya has been trying to win international support for his return to power. Makes sense…but he should probably scratch Israel off the list of governments to get on the blower with.
Today's podcast at 11AM: Is it time to confront Hugo Chavez?
The Venezuelan lieutenant colonel has repeatedly provided sanctuary, arms, diplomatic support, and financing to the FARC guerrillas fighting to overthrow the Colombian government. He has engaged in immense arms purchases from Russia, Ukraine and Belarus, most recently including tanks, fighter planes, and a submarine. He has increasingly clamped down on dissent, the opposition, and basic freedoms in Venezuela, as well as expropriating business concerns without compensation.
By systematically supporting his allies in other Latin America countries, from Bolivia and Argentina to Honduras and El Salvador, and including Peru, Nicaragua, Ecuador, and Mexico's opposition, Chávez has polarised the entire Latin American continent in the same way that he has his own society. Moreover, he has implicated Venezuela in global conflicts half a world away, by allying himself with the Iranian regime and becoming one of its bulwarks.
In the face of all this, no one has yet attempted to stop Chávez. What's more, Uribe himself seems tempted to continue to search for compromises. Aside from protecting Colombian business interests, he seeks to amend his Colombia's constitution so that he can run for a third term in office – exactly what Chávez has done in Venezuela, and what his allies in Bolivia, Ecuador, Argentina (indirectly), and Nicaragua have all sought.
Uribe may still back down, though he is leaving himself precious little wiggle room to decline reelection after all that his supporters have done to allow it. But he could also be searching for an accommodation with the US that might finally lead to containing Chávez.
Most Colombians would like the immensely popular Uribe to stay in office for another four years. But many abroad would not, either because his second reelection would undercut arguments against others intent on perpetuating themselves in power, or because it would complicate their relations with Colombia.
US President Barack Obama finds himself in both of these categories. He cannot criticise Chávez's eternal presidency without hitting Uribe; and it will prove almost impossible for Obama to win congressional renewal of Plan Colombia, the drug-enforcement and counter-insurgency programme launched by Bill Clinton in 1999, let alone ratification of Colombia's free-trade agreement with the US, if Uribe can be portrayed by American critics as a perpetual violator of human rights intent on remaining in power indefinitely.
It would not be easy for Uribe to resist a direct appeal from Obama to step down after two terms. For that reason, there might be a basis for a deal: Uribe offers not to run again if Obama begins to confront Chávez the way he should be opposed: diplomatically, politically, ideologically, and in the court of world opinion and international law. Only with active US backing can Colombia take its case to the Organisation of American States (where it would currently lose), to the United Nations (where it might win), and to friends and allies in Europe and Asia (where it would undoubtedly have the upper hand).
The case against Chávez is solid if it is properly presented – as a series of repeated violations of domestic, regional, and international commitments and covenants signed and ratified by Venezuela. Whether these violations involve shutting down TV stations, imprisoning and exiling opponents, arming guerrillas in neighbouring countries, provoking an arms race in the region, or flirting with Iran's nuclear enrichment programme, they all can be proved and denounced.
If Colombia and Obama proceed in this fashion, their potential allies in the rest of the hemisphere might lose their fears about being left hanging out to dry. Countries like Mexico, Peru, Chile after its December election, Costa Rica, and the Dominican Republic all worry that if they confront Chávez, they will not only, in certain cases, lose his largesse, but also provoke him into meddling in their domestic politics. But if Obama shows that he takes the issue seriously and intends to pursue a policy of containment, these nations would probably respond favourably.
Letting matters drift towards greater confrontation is not a sustainable policy for Colombia, the US, or the rest of Latin America. Such a course would allow Venezuela to choose the next conflict, postponing a showdown until deteriorating circumstances make conflict both inevitable and more dangerous. It is now time for Obama to emulate Colombia's business community and stop turning the other cheek.
Coldest winter in the decade, next?
And, how will affect my going to tango?
The U.S. Northeast may have the coldest winter in a decade because of a weak El Nino, a warming current in the Pacific Ocean, according to Matt Rogers, a forecaster at Commodity Weather Group.
"It could be one of the coldest winters, or the coldest, winter of the decade," Rogers said.
Sure, some worry about commodity futures. I want to know if I can make it to tango.
You have to have your priorities straight.


While the Valyrian Freehold fell centuries ago, its legacy continues with a number of remnants which inherited its language and part of its culture. Some of them claiming descent from Valyrian colonists, others from Valyrian slaves.
Pages in category "Valyrian successor states"


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Play with Fire is an interactive art installation that proposes participants to ignite generative fires over live streaming video of selected forests. This experience paradoxically encourages playing with fire to stimulate awareness and prevention of fire related damages to the forests. Our goal is to raise awareness for human causes in forest fires and effect attitude change towards environmental protection.
Play with Fire is an exploratory research project that proposes an interactive installation to engage the audience senses in unconventional ways. It is a performative, immersive experience that invites people to interact with real-time video from selected forests by playing with virtual fires through gestural interaction.
We envisage the installation triggering controversial feelings by combining the "beauty and danger" of a forest on fire. This duality becomes part of the experience, and raises concerns in the audience mind, such as the pleasure and excitement of playing with fire versus its effects on a natural resource such as a forest. The experience concludes with visuals of a forest virtual regeneration process underlining the message: the forest will eventually grow again, but what is the price to pay?
In order to foster awareness and stimulate activism, we decided to conceive and design Play with Fire as a digital art experience that happens over three different moments: an introduction to the installation and its theme with an invitation to interact with it; the performative active part where the participant engages with the gestural interface, and a reflective part taking the form of a mobile application, which will stay with the participant for a long time after the installation experience.
Play with Fire is part of ARTiVISS (Arts, Real-Time Video and Interactivity for Sustainability), an exploratory research in digital media related to sustainability .
At the intersection of Art, Science and Technology, the research engages a multidisciplinary team that follows a collaborative approach, where artistic practices are supported through technology. Regarding the impact and the potential of art and technology on society and the environment, we aim at creating a "forests showroom" experience through digital media, in order to inspire change in the lifestyle of the public. The outcomes of ARTiVIS include an online platform, interactive installations – Hug@ree, Treeellucinations, B-Wind!, Enchanted Forest, MAicro, and this Play with Fire experience – and the design of a DiY surveillance kit prototype.
Living in places that have always been extremely exposed to forest fires, makes us very sensitive to the destruction of the forest patrimony by fire hazards, which also applies to a world scale. This interactive experience paradoxically encourages playing with fire to stimulate awareness and prevention of fire related damages to the forests. Ultimately, we seek to pose a constructive approach to the destructive dynamics of fire that aggravate climate change. Can digital art foster awareness and respect for nature?
Play with Fire is a transdisciplinary project and, as such, requires a diversity of references. Involving digital media, the environment, and real-time video, this interactive experience congregates references from the Arts, Sciences, and Technology. The selected case studies presented in this section are examples that in some way inspire the concept, its features and future developments.
Climate change and surveillance are very relevant and currently discussed topics in the areas of digital art and design. The role and potential of design research in the transition towards sustainability is being discussed in mainstream design and digital media art events, such as "Repair" and "Goodbye Privacy" at Ars Electronica, Changing the Change , and Transmediale putting the threat to the sustainability of our planet in perspective with "Perish in Beauty? Climate Change as Cultural Demand". The interactive installation Play with Fire also takes us into forest fires issues, specifically: distribution, detection, effects, causes, consequences, prevention, and forests surveillance.
Digital Artists such as Tiffany Holmes, have since a few years engaged in eco-visualizations projects  in order to sensitize audiences towards sustainability issues and climate change. Our approach enhances the eco visualization aspect of such an engagement with the activist component triggered by the gestural interface, which reflects the participants actions directly on the real-time video of the forest.
Interactive experiences engaged with the use of technologies are increasingly embodied in video based environments. Whereas real-time video has been mainly used as a functional tool for surveillance, for informational and safety purposes, the use of this resource has an enormous potential for artistic exploration. Some initial steps in this direction have been made by projects such as Funky Forest, an interactive ecosystem where children create trees with their body and divert the water to the trees to keep them alive . Parque is also an interactive installation with an ecological message: "the growth of a forest is determined by the amount of attention it receives" – the system recognizes vertical movements as inputs for making trees vector graphics grow. Petros Vrellis' Fire installation  poetically displays the compositing of generative fire propagation and destruction effects over static backgrounds and Float4's FireFX demo shows how performative and responsive generative fire effects can become . Hand from Above  is an experience that playfully challenges our perception of spaces and objects, enabling virtual and real to coexist in real-time, demonstrating participants' immediate engagement, and it also evidences how determinant scale is.
The Games for Change project hosts an archive with many good examples of the expressive power of the medium for environmental awareness . The work of artists like La Molleindustria  that appropriate and subvert videogames as an interactive medium for persuasive purposes has also influenced our work.
In Play with Fire the participant is confronted with the information of the burnt forest together with the images of it. Regarding visual effects, we can find virtuous examples of fire effects with cellular patterns in Fedkiw's computational fluid dynamics  and Horvath's high quality artist-directable GPU implementation .
Finally, the inspiration towards acting rather than watching comes from compelling and controversial movies such as Stanley Kubrick's Clockwork Orange (1971), and David Fincher's Fight Club (1999). These works stand out as references to recall regarding the construction of experiences that subvert reality and common sense in order to convey a message.
In Play With Fire, a surveillance camera will be setup at a selected forest location, transmitting real-time video to the installation space, a room inside of which the performative gestural interaction is contained.
One semi transparent wall is where the mash-up media and information about fire hazards and forests will be displayed. From the outside, the participants are seen as silhouettes of the arsonist – "fire wizards" performing inside the installation room forming a choreography with the changing media displayed. This is also functioning as an attractor for the audience to enter the interaction space. When the participant enters inside the installation room, the system asks him or her to place his/her mobile device on a special deck. Ready to face the screen, the audience member is presented with the start of a fire, triggered by positioning the phone over the deck, and he/she can get ready for the performative interaction.
The participant faces the main screen. A whole body gestural interface based on a depth camera captures the participant's movement. He/she goes straight into the interaction with the real-time video of the selected forest projected on the whole large scale wall. The sound of crackling fire attracts attention to the action of the fire and how it is spreading. As the user is prompted to act upon the virtual fire, it will react through real-time generative graphics and fire animation according to the gesture just performed. Intuitive and natural gestures for controlling fire (starting it, growing, concentrating, moving it, extinguishing) have been tested and selected in order to map the user engagement, still allowing further performative explorations.
After a certain amount of time, the fire takes over the trees and forest and develops its own behaviors. If at this point the audience does not intervene by performing gestures trying to extinguish the fire, the forest fire climaxes to a point of no return. Fire flames follow the trees structures. Fire has developed its own behavior and spread through the forest. The scene becomes a spectacle for the audience. Once the fire has climaxed, the amount of virtual damage to the forest will depend on how much the audience has played with the fire, how much it has watched the spectacle of burning trees go on and if he/she had ever tried to stop the flames from taking over. A desolating burnt landscape is the resulting scenario.
The interactive experience ends with the participant being presented with a screen showing information of the resulting damage in the style of a game score: as a measure of the damage generated in the Play with Fire interaction along with a snapshot and general data about how the performance fire damages, regeneration times and possible effects on climate change.
The participant picks up the phone from the deck where he/she had placed it when entering the room and is prompted to open a URL that contains a Play with Fire mobile web application that displays the damaged forest the participant leaves behind and its slow regeneration process. The duration of the forest regeneration and the length of time the application will accompany the participant will in fact depend on the data generated during the performance. Participants will carry it as a memento of their experience for a duration determined by the real-time interaction with the installation.
The implementation of this experience as described above brings some important technical challenges, namely the capture of user gestures, the real-time rendering of fire effects, the illusion of destroying a forest over a real-time video stream, and the mobile component of the experience.
Capturing complex user gestures with fidelity and low latency is a challenging prospect. During the project's pre-production we developed a library of gestures to be discovered by the participants that would trigger specific behaviours of the fire simulation. Although these gestures involve full body movement they can be fully described by arm motion. Taking this into account we are using a Kinect 3D depth sensor and mapping user arm movement to TUIO input. This allows us to prototype the installation interaction using common multitouch hardware and software tools.
An impressive and responsive real-time fire simulation is crucial for user immersion into the experience and hard to get right. We are using Horvath's high quality artist-directable fire simulation model developed for film special effects  and implementing it in real-time.
Virtually destroying a remote forest presented as a real-time video stream presents some interesting technical challenges. First there's the need to extract approximate tree structures from the video to build a "fuel map" where the fire simulation will take place. This is complex to do in a fully automatic way, so we'll be using a semi-automatic process where the rough tree strutures are drawn over the feed in a calibration step and then the optical flow of image features is used to deform these structures over time.
The next challenge is how to composite the effects of fire destruction over the streaming video. We will have to take some artistic license in the rendering of this destruction. We looked into Melek's work on rendering fire damage  and start by blending a black matte over the fuel map to simulate the charring of the wood, and then add smoke, ember and spark effects where appropriate to add some visual impact to the result.
One last challenge that presented itself during development was the uploading of a native mobile app to the user's phone. This approach presented problems related to mobile phone security and having to develop and support a different app version for each phone. The solution we found was to make the mobile application a web application, that would only require that the participant's phone have a web browser in order to check his "score" and the regeneration state of his forest.
Play with Fire as an artistic experience has been designed, from the beginning, to be ambiguous, even "wicked". Questions raised by the audience in public presentations have focused mainly on its paradoxical nature: "Won't Play with Fire inspire people to be arsonists instead of forest caretakers?" In his book "Persuasive Games", Ian Bogost introduces the concept of procedural rhetoric to discuss how games and interactive simulations can be used to teach a point of view and contribute to effect attitude change . By playing with the system's rules, the users become familiar with it and gain a deeper understanding of its mechanics, allowing them to confront their assumptions and beliefs with this new understanding, through a process of cognitive dissonance conducive to changes in personal attitude .
We have designed this interactive experience for persuasive purposes, inviting people to engage in forbidden and dangerous actions in a controlled environment, in order to confront them later with the long term consequences of their own choices. In Play with Fire, participants are initially invited to experience a realistic model of something forbidden, usually outside their scope of possibility. They are allowed to experiment with what is wrong as a learning experience in a game-like environment. This (so called) magic circle  – where the consequences are negotiable, played in a protected environment – works not as reality abstraction, but as reality protection.
Collaboratively developed by artists, activists and technologists, Play with Fire is an innovative approach - with a challenging technological component - that comprises a strong dimension on social and natural sciences converging New Media Arts and Sustainability. After the conception, design and initial basic prototyping of Play with Fire, the main implementation of the interactive installation is currently underway and is scheduled to premiere in the Fall of 2011.
This research is done in the framework of the PhD in Digital Media of the UT Austin-Portugal Program funded by FCT (ref. SFRH/BD/42555/2007). We thank CIEBA for supporting conference participation. We also thank AZ Labs for the project development support.


text:
Stark Naked is a book of humor written by Norton Juster, an American architect and author. It was published by Random House in 1969, Library of Congress Control Number 71-85568. It is currently out of print. The illustrator was Arnold Roth. The book is a series of names, each of which is play on words. Juster himself talked about the funny fake names he would invent as a child. The title is unusual, the word paronomastic means "play on words" or "punning". The misspelling "paranomastic" might be intentional, but this spelling is often used.

Plot summary

Emotional Heights is a town where everybody's name is a play on words. The hero, Stark Naked, is a naked (except for a beret and a large 1930s-era motion picture camera) film-maker who wanders about the town seemingly amazed and perplexed by the unusual names of the townspeople. He walks in from the highway and makes his way past the town's distinguished and not so distinguished citizens. Some of the names are in lists, other names are illustrated by Roth, in a melancholy, yet humorous style. He marvels at the school ("Get High" with principal Martin Nett), the business district (home of Walter Wall Rugs) and the university (where he finds the intellectual Noel Lott). He finishes up at a restaurant (Chef Al Dente), the hospital (Carson Oma, M.D.) and finally the town cemetery (Last resting place of Dustin Toodust).

Characters

Main characters
 Stark Naked, an unclothed cartoon-figure cameraman, the main character. He is a polite, unobtrusive and quiet observer.
 Emotional Heights, is the town where the cameraman makes his incredulous journey.

Minor characters
 Arnie Swa, husband of K. Molly Panse. This husband and wife team on the back cover give the point of the book. Their names are based on Honi soit qui mal y pense which is the motto of the English Order of the Garter. It means literally "shame upon he who thinks ill of it" or in American vernacular: "Evil to he who thinks evil".
 Ellis Dee, a drugged-out bearded college student seen floating above the University Groove U.
 Yetta Nother, a haggard mother with about twelve children.

References

1969 non-fiction books
Books by Norton Juster
Comedy books
American non-fiction books

redpajama_set_name: RedPajamaWikipedia


Three kittens and a cat have been killed after apparently being hurled from an apartment building in Abu Dhabi.
Shocked onlookers, who discovered the animals, said they believed they had been thrown from a third or fourth floor. Three kittens were dead when they were discovered while a cat, found under a car, was taken to a veterinary clinic where he died from his injuries.
Shereef Bin Abdul Khader, a cat owner who voluntarily rescues and looks after animals in his spare time, rushed to scene after an appeal for help was posted on The Bin Kitty Collective Facebook page. Images showed the kittens lying prone on the pavement.
How they ended up on the pavement is unconfirmed. However, one other person who went to the scene said they had spoken to a man who admitted his son, who has autism, was responsible.
Members of the Facebook group reacted with horror to the deaths and said the incident had been reported to the police.
"I was working nearby, so I just rushed to the place and saw the kittens lying on the ground," Mr Khader said. "I saw three had died and one was alive, hiding under the car, full of blood.
"When I looked at the post – I don't know how to say how I felt. When I arrived at the place I was crying, but I was trying not to as I wanted to take action and save their life.
The animals were discovered on Fatima Bint Mubarak Street [formerly Najda Street] on Wednesday. Mr Khader believes injuries to two of the kittens suggested they may have been killed hours earlier, while he suspects the others were hurled live from the apartment.
A vet report said the cat that had initially survived had suffered spinal injuries. He died from respiratory arrest.
The incident comes days after the UAE criminalised pet abandonment in another step towards greater protection for animals.
In December 2016, Federal Law 18 — which fines individuals found guilty of abusing or illegally hunting, buying or selling animals up to Dh200,000 — was issued. The law also penalises offenders with up to a year in prison.
It was issued after a string of animal welfare abuses were exposed on social media.


text:
package io.netty.resolver.dns;

import io.netty.channel.ChannelFactory;
import io.netty.channel.EventLoop;
import io.netty.channel.socket.DatagramChannel;
import io.netty.resolver.AddressResolver;
import io.netty.resolver.AddressResolverGroup;
import io.netty.resolver.NameResolver;
import io.netty.resolver.RoundRobinInetAddressResolver;

import java.net.InetAddress;
import java.net.InetSocketAddress;

/**
 * A {@link AddressResolverGroup} of {@link DnsNameResolver}s that supports random selection of destination addresses if
 * multiple are provided by the nameserver. This is ideal for use in applications that use a pool of connections, for
 * which connecting to a single resolved address would be inefficient.
 */
public class RoundRobinDnsAddressResolverGroup extends DnsAddressResolverGroup {

    public RoundRobinDnsAddressResolverGroup(DnsNameResolverBuilder dnsResolverBuilder) {
        super(dnsResolverBuilder);
    }

    public RoundRobinDnsAddressResolverGroup(
            Class<? extends DatagramChannel> channelType,
            DnsServerAddressStreamProvider nameServerProvider) {
        super(channelType, nameServerProvider);
    }

    public RoundRobinDnsAddressResolverGroup(
            ChannelFactory<? extends DatagramChannel> channelFactory,
            DnsServerAddressStreamProvider nameServerProvider) {
        super(channelFactory, nameServerProvider);
    }

    /**
     * We need to override this method, not
     * {@link #newNameResolver(EventLoop, ChannelFactory, DnsServerAddressStreamProvider)},
     * because we need to eliminate possible caching of {@link io.netty.resolver.NameResolver#resolve}
     * by {@link InflightNameResolver} created in
     * {@link #newResolver(EventLoop, ChannelFactory, DnsServerAddressStreamProvider)}.
     */
    @Override
    protected final AddressResolver<InetSocketAddress> newAddressResolver(EventLoop eventLoop,
                                                                          NameResolver<InetAddress> resolver)
            throws Exception {
        return new RoundRobinInetAddressResolver(eventLoop, resolver).asAddressResolver();
    }
}

redpajama_set_name: RedPajamaGithub


He was up against the lively Griffiths and although the Scotland striker eventually came out on top in that battle with a second-half goal, McCrorie can be pleased with his performance.
They faced a Rangers side that was unbeaten in five matches in all competitions and would do everything to inflict defeat on their bitter rivals.
However, there have been clear signs that the 21-year-old is easy to wind up, which may lead Celtic to try and provoke him, and Caixinha has said the striker must keep his cool in the cauldron atmosphere of the Old Firm.
"There is nothing worse than losing against Celtic, it is a hard one to take", Rangers right back James Tavernier told the team website.
The hosts responded well but Morelos spurned their best opportunity and minutes later goalkeeper Wesley Foderingham was picking the ball out of his net for the second time, Griffiths doubling the advantage after being played through by Patrick Roberts.
"To come into a club like this and score that number of goals in 100 games, it's brilliant", Rodgers said. The Belgian scored five times against The Gers, including a hat-trick in his Old Firm debut, becoming the first player to score a hat-trick in an Old Firm league fixture since 1966.
"It's the second time in a row I've watched this at Ibrox".
The Portuguese coach reacted furiously to an aerial challenge contested by the two players just before half-time in Celtic's 2-0 victory and confronted Brown as the teams left the field at the interval. He drags defenders out of position and really tries to get into the spaces that can hurt them. "Those moments mark the history of the game".
You do have to take your hat off to them because they again demonstrated their character and ability to find a way to win matches.
"But, no, I didn't see anything untoward".
'If I was a player and I had to face Brown or players like him, it would be a different thing.
We started very well but in the final third of the pitch we just didn't make the last pass, which could have put us ahead earlier.
The evidence from Thursday suggests not, but McInnes will demand a vast improvement and he should get it with a valuable away point.


text:
Q: Как правильно составить SQL запрос с вставкой значения из переменной? Есть вот такой запрос:
$sql_ticket = "SELECT * FROM tickets
               WHERE `id`=".$id." AND `status`=\"close\" ORDER BY id DESC";

Если вместо ".$id." вставить нужное число, то запрос выполняется. Если нужное число я передаю через переменную, то выдает ошибку:

You have an error in your SQL syntax; check the manual that
  corresponds to your MySQL server version for the right syntax to use
  near 'AND status="close" ORDER BY id DESC' at line 1

Что не так делаю? Помогите пожалуйста разобраться. Уже всё что знаю перепробовал, не пойму что не так то...

A: Для того чтобы подобных ошибок никогда не возникало, а так же по множеству других причин, чтобы правильно составить SQL запрос с вставкой значения из переменной, эту вставку необходимо производить через плейсхолдер.
Это совсем несложно. На примере с использованием ПДО:
# 1. В запросе вместо переменной пишем знак вопроса
$sql = "SELECT * FROM tickets WHERE id=? AND status='close'";

# 2. Затем запрос подготавливаем
$stmt = $pdo->prepare($sql);

# 3. Исполняем запрос, передавая в него переменную.
$stmt->execute([$id]);

# 4. Получаем запрошенные данные.
$ticket = $stmt->fetch()

Это очень просто, абсолютно безопасно (в отличие от передачи переменной напрямую в запрос!) и на 100% гарантирует от появления ошибок синтаксиса, вызванных данными.
Любые другие варианты заведомо неверные

redpajama_set_name: RedPajamaStackExchange


Living Room Dining Room Decorating Ideas Living Room Dining Room Decorating Ideas For Nifty Extrava 23308 was posted in June 24, 2017 at 12:52 am and has been viewed by 125 users. this image is available in size 1024x683 Pixel, If you want to use this image click the download image link below to go to the download page. Right click the image and select "Save Image As" to download the Living Room Dining Room Decorating Ideas Living Room Dining Room Decorating Ideas For Nifty Extrava 23308 to your computer or select "Set Desktop Background As" if your browser has that capability.


Against the background of a still controversial debate over participatory governance, the intention of this issue is to scrutinise critically central aspects of this controversy. In particular, the papers here explore regular, routine forms of participatory governance in the heart of political power, namely in administrative procedure. By contrast, political sciences and sociology often focus on new, alternative procedures, including citizen juries, consensus conferences, scenario workshops, and public consultation exercises. Normal forms of participatory governance in constitutional democracy are inevitably governed by rule of law such that a legal framework lies behind participants' concrete actions or communications.


Grand Priory Scandinavia (Grand Prieuré Scandinave) is an autonomous Grand Priory in the Knights Templar. It was formed February 19, 1981 when Gert Grotte, Grand Cross Knight of the Knights Templar received the appointment letter for the Nordic countries - Denmark, Finland, Norway and Sweden of words Regent Fernando de Sousa Fontes. Grand Prior General united a number of knights who for decades existed in Grand Priories countries.
In the Nordic Grand Priory of the Knights Templar, we are now more than 500 volunteers active male and female knights from Denmark, Finland, Norway and Sweden. We are in turn part of a larger, international Knights Templar, based in Portugal.
The words have a historical connection to military activities and today's Nordic knight as well. Knights overall background as professional or reserve officers - priests, doctors, lawyers, business leaders, etc. will be very useful in our efforts to do good - and right.
Grand Priory correspond regularly with the Knights Templar internationally and interact with other Priorat within the Order.
Grand Priory of Scandinavia participate annually in the Knights of the Order of international conventions and arrangements.
We regularly receive questions regarding our business and our historical link to the original Knights Templar founded in 1118. Here you will find frequently asked questions (FAQs).


'S e prìomh-bhaile Phoblachd Dhoiminicia a tha ann an Santo Domingo de Guzmán neo ainm gorid: Santo Domingo. 'S e cuideachd am baile as motha na dùthcha agus an seachdamh baile as motha ann an Aimearaga a Tuath . Tha am baile suidhichte aig inbhir Abhainn Ozama, agus tha am port aige an seo cuideachd. Bha am port glè chudthromach airson malairt aig àm na colonaidh.
'S e Santo Domingo a chiad àite anns an t-Saoghal ùr a bha aig na Spainnteach.
Tha 18 oilthighean ann an Santo Domingo. 'S e an t-oilthigh Universidad Autónoma de Santo Domingo (UASD) an t-oilthigh as sine anns an t-Saoghal ùr, chaidh a stèidheachadh anns a' bhliadhna 1538.
Air a tharraing à "https://gd.wikipedia.org/w/index.php?title=Santo_Domingo&oldid=467334"
Chaidh an duilleag seo a dheasachadh 8 dhen Dàmhair 2014 aig 03:04 turas mu dheireadh.


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I anticipate we'll meet again.


text:
Home » Oases of Beauty » Maridia (Super Metroid)
Maridia (Super Metroid)
Posted by Alice Kojiro on Aug 8, 2011 in Oases of Beauty | 2 comments
There once was a strange world by the name of Zebes. Despite all of its life forms, it seemed to be a desolate place, since none of its natives were sentient. In fact, many would act as though you weren't even there, making them seem like moving parts of scenery. It was a world found to be very attractive for a group of space pirates and their leader, The Mother Brain. The strangest thing about Zebes is that most of its features and life forms lived beneath the surface, and even though most of its biomes were subterranean, they were rather diverse. There were caverns, jungles, and volcanic areas along with high technological areas, likely built by either the Space Pirates or the Chozo, an ancient species that had lived many places across the galaxy. There was one area of Zebes that always stuck out to me, though: the underwater paradise of Maridia.
Maridia was almost completely submerged in the clearest of waters, but being underground, it was also a dark place. To this day, I have dreams of swimming through clear, black water, likely because of my time there. Maridia is also enormous, so between the labyrinthine underwater caverns and the darkness, it is very easy for one to get lost. Combined with the sense of isolation and great danger of some of its areas, Maridia can be a terrifying place, especially for a young man or woman, but perhaps that fear is what keeps calling me back, challenging me to revisit what I saw.
As you enter Maridia, it's very dark, as I've mentioned, but you can still make out the faint green of the rock and some of the aquatic plant life. There also appears to be some sort of ruins further back. What little can be seen looks like a series of brown obelisks. The first main room is a very long vertical climb, but a path along the bottom leads to a special area with platforms of a strange, light purple material, and sand cascading in from the rock ceiling. The sand collects at the bottom and you might sink into it, if you're not careful. At the end, there is a vertical tunnel of rock, eventually leading to a wall of sand. If you reach the other side of this wall, you'll find a system of narrow rock tunnels, leading to a small bunker with a statue of a sitting Chozo.
Should you decide to climb the long vertical tunnel near the entrance, however, you'll be led to a large, open room much like it. It's easy to lose track of time and space floating about in this chamber for hours on end. If you make it through this chamber, you'll enter another large, vertical area, this time made of the strange light purple material mentioned earlier. Heading up through the hatch at the top leads to a wondrous sandy area with strange moss hanging from the ceiling. This is one of the few areas of Maridia in which it is possible to exit the water. There's a cavern of sand further on, and it eventually terminates in a small chamber made of the aforementioned material.
Going down instead will lead to a large chamber also comprised of the strange, purple material, all suspended above a layer of sand. Descending into the sand exposes an adventurer to softer sand, into which, he or she will sink, pulling the helpless body into a small, dark sand chamber with a maze-like structure. Sinking any further will bring one right back to the area that features the sand cascades, explaining their origin. The purple chamber itself has many points onto which one can grapple, making it a fitness center of sorts, where one can practice acrobatics. The extra buoyancy provided by the water makes it much safer than doing so on land. Traveling further brings one to a similar chamber, but with a soft sand bottom. The area is much more open, too, so perhaps it was used for advanced aerial training at one time. Further below is what appears to have been a large warehouse, containing many unopened crates.
Maridia has one final area; one that is difficult to access, but can be reached by a long transport tube found in the middle of the cascading sand area. It's comprised entirely of sand and the strange, hanging moss, and features some areas that are above the water. At the top, there is a passage that leads to a darker area containing another Chozo statue. There is definitely an unusual feeling in there brought on by a mysterious aura of indeterminate origin. Perhaps, the ghosts of the Chozo still haunt the area. The rest of the area has some unique features, such as a small island that floats atop the water. Across from said island, there is a tunnel containing strange pillars of vegetation, which are both short and sturdy enough to stand upon. Following this path will eventually lead to the planet's surface.
There's a unique beauty to Maridia that I've not found elsewhere. To most, the idea of being wet and caked in sand, while wandering through a dark, desolate area might seem far from preferable, but to this day, it offers me a feeling of familiar comfort that I cannot explain. There's also a feeling of being lost, as well as that of isolation. It is terrifying to many, but if you release your fear, the experience has a level of tranquility that is difficult to reach elsewhere. If you stop caring about getting lost or the time that passes by, you'll be able to reach a very deep part of your mind, which, after all, is the true final frontier due to its infiniteness. This, even more than the scenery is what makes Maridia so beautiful. It's not something that can be fully conveyed with imagery; you have to experience it yourself. It's just a shame that Zebes was completely destroyed in an explosion all those years ago. All that remains of it are the memories of its explorers.
Maridia on a map of Zebes
The first area of Maridia
Cascades of sand
Small tunnels
The tunnels' bottom
The Chozo Statue in the bunker
A small alcove
The sand cavern
Drawn into the sand
The dark sand labyrinth
The abandoned warehouse
The transport tube
Underwater in the hidden area
The small island
The dark sanctuary
The second Chozo Statue
Noumenon / January 23, 2012
I like the idea of this post as one of the awesomest thing about video games is the exploring, and a video game travelogue makes total sense for those who couldn't be there. I think it would work better for a game with 3-D graphics, though.
Alice Kojiro / January 29, 2012
I'm glad you like my feature; I've long desired to share the many wonderful worlds within video games, but never really found an appropriate medium by which to do so until now.
I've tried a few 3D games with mixed success. You can expect to see a few more of them once I find a decent capture device.

redpajama_set_name: RedPajamaCommonCrawl


NEW YORK - Despite a crackdown on the cryptocurrency market by major financial regulators around the world this week, the market for digital coins is rallying Wednesday with newbie bitcoin cash among those leading the pack.
Bitcoin cash, the clone currency of bitcoin, is up over 18% at $651 per coin. Meanwhile, the rest of the top 10 largest cryptocurrencies by market cap are trading higher Wednesday. Bitcoin, for instance, is up 4.7% at $4,651 per coin.
The cryptocurrency market was sent into a tailspin Monday after financial regulators from South Korea and China cracked down on initial coin offerings, the red-hot cryptocurrency-based fundraising method. China declared ICOs illegal on Monday and South Korea pledged to "strengthen levels of punishments" for companies looking to raise capital via an ICO. Nearly every single digital currency was down in the aftermath of the news. In total, the market cap of the entire cryptocurrency market declined a whopping 20%.
On Tuesday, Hong Kong's regulators also suggested ICOs would fall under securities law.
The market for ICOs has grown exponentially in 2017 with more than $1.8 billion having been raised via the method, according to an email from financial technology analytics provider Autonomous NEXT.
Sebastian Quinn-Watson of Blockchain Global, a bitcoin exchange operator, told Business Insider in an email Monday morning that the legal crackdown on ICOs is "absolute win" for the cryptocurrency community because it will weed out illegitimate ICOs.
Cryptocurrency investors appear to agree with Quinn-Watson's thesis. The market has recovered over $20 billion in marketcap since Monday's bottom.
Ethereum, the blockchain on which most ICOs are powered, is also rallying alongside bitcoin and bitcoin cash. It's up 5.4% since Tuesday at $337 per token.
Litecoin, which surpassed $90 last week before tanking well below $70 on Monday, is on track to recoup its losses. It is higher by 7.9% at $79 per coin.
Wild price swings are not atypical in the cryptocurrency world. As such, Monday's price massacre will likely not be the last.
Greg Dwyer of BitMEX, a bitcoin mercantile exchange, remembers bitcoin's early days when 30% drops were part and parcel with trading the digital coin.
To newcomers not accustomed to such volatility, he says "welcome to crypto-trading."


Most of the times, people get themselves in debts. Students loans, mortgages and credit balances are the common debts that most people can't avid. These debts are normally ignored and end up destroying the credit history of a person without a person knowing it. Then this bad credit score start to affect a person's life. This makes a person want to have a good credit score again. This is where the credit repair companies come in. The problem arises when a person wants to select the best credit repair company. This implies that one needs the tips for selecting the best credit repair company. This article has these best ideas that can help solve the problem.
Researching about the debt management and credit repairing is the first thing that one must do before deciding on hiring the best credit repair company. The main aim of doing this research is to help a person have a deeper understanding of the rights of a human bens when it comes to credits and debts. Before no signs the contract with the credit repair company, he or she must know his or her rights. Most of the times, the credit repair companies will ensure that one understands his or her rights before deciding to hire them. Hence doing research can ease the work.
After a person understands his or her rights, he will have to make a decision of hiring the credit repairing company. In most cases, clients are offered free consultation services by the credit repair companies. This allows the client to make a good decision on hiring the best credit repair company. Hence one can make the best decision by appropriate use of free services. This will help a person know all the available options and from the options, he or she will pick the best.
Determining the range of services offered by the credit repair company is another important idea that can be used in selecting the best credit repair company. There exists a very wide range of services that can be offered by a credit repair company. This range varies from one company to another. Hence one will easily select the best credit repaired company if he or she has an idea o the range of services that the companies that stand a chance of being selected offer. The disappointment that may result from a person learning that a company selected does not offer a certain service is completely eliminated.
It is important to know the amount of money that the company charges for their services. The company that is transparent with the amount of money that they charge for their services is the best for selection. Also one must ensure that he or she knows the amount of money to be paid for the services before the company is selected.


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Camp Lake, Wisconsin
CDP in Wisconsin, United States
Location of Camp Lake, Wisconsin
Coordinates: 42°31′33″N 88°8′21″W / 42.52583°N 88.13917°W / 42.52583; -88.13917Coordinates: 42°31′33″N 88°8′21″W / 42.52583°N 88.13917°W / 42.52583; -88.13917
5.4 sq mi (14.1 km2)
680/sq mi (260/km2)
Camp Lake is a census-designated place (CDP) in the village of Salem Lakes, Kenosha County, Wisconsin, United States. The population was 3,665 at the 2010 census.[3]
Camp Lake was named after a lake noted on the first township surveys.[4] When the Wisconsin Central/Soo railroad came through the area, there was a depot stop created as Camp Lake. Prior to that, James McVey had a hotel called the Camp Lake Hotel and Gardens. The earliest visitors to Camp Lake were children and their mothers from Chicago. The Camp still operates and continues to offer community services. Camp Lake has had a post office since the 1910 era.
Center Lake and Camp Lake were noted on the earliest maps as two separate lakes with an isthmus. Navigators cannot traverse the isthmus. The high level of this isthmus made this the choice area for the Wisconsin Central/Soo Railroad to cross between the lakes and escape the low-lying areas to the south of Camp Lake.
In the 1920s, Camp Lake Oakes subdivision was the location of one of the nation's early radio stations, WCLO, for "Camp Lake Oaks". Camp Lake Oaks was a subdivision built on property owned at one time by the Knickerbocker Ice Company on the northeast corner of Camp Lake south of the Soo rail line. Charles Whitmore used the radio station to advertise his "new" subdivision and offer the community music and news on the air waves. The building where the station was located is now a private residence. The station is still on the air in Janesville, Wisconsin.
Many of the early (1840–50) buildings in this hamlet still exist, although they are not being used for their original purposes. Hotels are now apartments, grocery stores are now restaurants and residences are now businesses.
Camp Lake is located at 42°31′33″N 88°8′21″W / 42.52583°N 88.13917°W / 42.52583; -88.13917 (42.525918, -88.139247).[5] According to the United States Census Bureau, the CDP has a total area of 5.4 square miles (14.1 km²), of which, 4.5 square miles (11.7 km²) of it is land and 0.9 square miles (2.4 km²) of it (17.28%) is water. (Camp Lake and Center Lake)
Image[edit]
As of the census[2] of 2000, there were 3,255 people, 1,149 households, and 875 families residing in the CDP. The population density was 724.0 people per square mile (279.3/km²). There were 1,310 housing units at an average density of 291.4/sq mi (112.4/km²). The racial makeup of the CDP was 97.45% White, 0.37% African American, 0.31% Native American, 0.28% Asian, 1.04% from other races, and 0.55% from two or more races. Hispanic or Latino of any race were 2.83% of the population.
There were 1,149 households out of which 43.5% had children under the age of 18 living with them, 62.4% were married couples living together, 9.6% had a female householder with no husband present, and 23.8% were non-families. 19.1% of all households were made up of individuals and 4.8% had someone living alone who was 65 years of age or older. The average household size was 2.83 and the average family size was 3.25.
In the CDP, the population was spread out with 30.9% under the age of 18, 6.3% from 18 to 24, 36.1% from 25 to 44, 19.2% from 45 to 64, and 7.5% who were 65 years of age or older. The median age was 34 years. For every 100 females, there were 102.2 males. For every 100 females age 18 and over, there were 98.9 males.
The median income for a household in the CDP was $42,986, and the median income for a family was $48,523. Males had a median income of $39,515 versus $26,544 for females. The per capita income for the CDP was $17,863. About 8.0% of families and 9.8% of the population were below the poverty line, including 11.3% of those under age 18 and 8.7% of those age 65 or over.
^ a b "US Board on Geographic Names". United States Geological Survey. 2007-10-25. Retrieved 2008-01-31.
^ a b "American FactFinder". United States Census Bureau. Archived from the original on 2013-09-11. Retrieved 2008-01-31.
^ "American FactFinder". U.S. Census Bureau. Retrieved 29 March 2011.
^ http://www.rootsweb.ancestry.com/~wikenosh/placenames.htm
Municipalities and communities of Kenosha County, Wisconsin, United States
County seat: Kenosha
Genoa City‡
Paddock Lake
Salem Lakes
Camp Lake
Lily Lake
Benet Lake
Kellogg's Corners
Liberty Corners
New Munster
Salem Oaks
Slades Corners
Voltz Lake
Ghost town/neighborhood
Retrieved from "https://en.wikipedia.org/w/index.php?title=Camp_Lake,_Wisconsin&oldid=874412128"
Census-designated places in Kenosha County, Wisconsin
Census-designated places in Wisconsin


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Fulgencio Hernández Car (ur. 1 stycznia 1941 w Jilotepeque) – gwatemalski lekkoatleta, długodystansowiec.

Podczas igrzysk olimpijskich w Meksyku (1968) zajął 52. miejsce w biegu maratońskim z wynikiem 3:00:40,2.

Bibliografia

Gwatemalscy lekkoatleci
Długodystansowcy
Gwatemalscy olimpijczycy
Urodzeni w 1941


text:
Four Week Course
Case Submission
Categorical Courses
Abdominal - United Kingdom
Thoracic & Cardiovascular
Ace Your Interview
Veterans offer tips for a successful interview, whether you're looking for your first job or a mid-career change.
Interviews are a critical piece of the hiring process. Here, both you and your potential employer have the chance to assess whether or not you are a good fit for one another.
Obviously, you want to make a good impression. However, most employers consider the interview process to be physicians' biggest weakness in the job search, partly due to the fact that medical schools often provide little in the way of career support. If you are thinking about new employment, check out some of these interviewing tips from radiologists with experience.
Best Behavior
Nearly every career publication advises that you "be professional." But what does that mean?
According to Kimberly E. Applegate, MD, MS, FACR, director of practice quality improvement at Emory University, author of several publications on career development, and interview veteran, it has a lot to do with your preparation. It's important to consider how you're going to present yourself, and that starts with the emails you exchange, Applegate says. "Make sure your language is formal and polite. Then, following the interview, formally thank people no matter what the outcome. You never know when you might cross paths with these peers later in your career," she says. And be polite. "No jokes or overly casual behavior. You never know how the potential employer might react," Applegate adds.
Arriving early is something that Applegate highly recommends, and something she has done in interviews. "During several of my interviews, I arrived a few minutes early and was able to see the department for myself," she says. When you are shown around the department, they want to impress you, and so the conversations are more scripted, says Applegate. But by watching the patients and staff interact, she was better able to get the flavor of the hospital. "I was able to see whether people were happy and how my potential colleagues would interact," she says.
Neuroradiology Rad-Path Categorical Course
This course provides a comprehensive review of neuroradiology including spine, head and neck imaging.
© 2020 American Institute for Radiologic Pathology.


Our client is a leading financial institution with their main headquarters based in Singapore. They are currently looking for an experienced IT Risk professional to join their Technology team. As part of their IT and Cyber risk function, you will play a pivotal role to promote strict IT Risk management and enable the organization to fully utilize the entire spectrum of their technology capabilities in a safe manner. You will be the SME on IT Risk issues relating to people, process and technology. You will also work together with stakeholders from different line of business to identify and assess emerging risks, and devise effective mitigating controls.
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Album Review: John Velghe & the Prodigal Sons, "Organ Donor Blues"
It makes me feel good to know that there is this whole new crop of musicians from the mid-West releasing quality music. I've had the pleasure of hearing many of these groups and here again is another, John Velghe and The Prodigal Sons. This new collection, Organ Donor Blues, is their sophomoric bow and it's been a joy to listen to. A taut, crisp production; rich, full-bodied songs with strong arrangements, brass, backing singers – even a guest appearance from the now-legendary Alejandro Escovedo adds up to a beefy pop album that's full of melody and warmth.
"Beaten By Pretenders", featuring the aforementioned Mr. Escovedo, is a tight blast of pure rock and roll with chiming guitars, mournful organ and soulful horns; "On The Interstate" is a nice mix of acoustic picking, some country-fied guitar twang and sweet harmonies (may be my favorite track). "Set It Fire" kicks in with mournful harmonica and a fine double-tracked vocal (another choice track); "Pyramids and Counterfeits" comes roaring and punching with its prime pop arrangement with horns and riffs. Finally, "Love's No Place" is another hook-and-brass laced piece of pop perfection.
Eleven tracks and no filler. The first sign that an album is good. Quality songs and top-notch arrangements are the second sign. Organ Donor Blues fits the necessary requirements perfectly and then some.
http://johnvelghe.com/2009/
http://johnvelghe.bandcamp.com/album/organ-donor-blues
Album Reviews, Music
alt-country, Americana, John Velghe, Kansas City MO, Rob Ross
Rob Ross
Rob Ross has been, for good, bad or indifferent, involved in the music industry for over 30 years - first as guitarist/singer/songwriter with The Punch Line, then as freelance journalist, producer and manager to working for independent and major record labels. He resides in Staten Island, New York with his wife and cats; he works out a lot, reads voraciously, loves Big Star and his orange Gretsch. Doesn't that make him neat?
Legendary: Chapter 16
Album Review: Glenn Tilbrook, "Happy Ending"


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The BEST of THE SUBURBAN MOUNTAINEER
Messner and Kukuczka: Two of the Greatest Climbers of All Time — are they the greatest of all?
What is Alpine Style? — explaining a fundamental term for everyone. And don't take it for granted.
Fritz Wiessner and Dudley Wolfe on K2 — review of Jennifer Jordan's book on the 1939 K2 expedition.
Voytek Kurtyka, The Great — celebrating the achievement of one of the most visionary and mystical climbers of all time.
The Greatest Climber of All Time — the culmination of an 11 part series.
Who Are the Best Climbers of All Time? — trying to get at the root of what makes greatness in climbing.
'Alpine Warriors' by Bernadette McDonald — review of McDonald's book about the unleashed Slovenian alpinists in the 1980s.
Is Climbing Selfish? — it's not about what you think.
The Climbing Life with Chris Kalman — an interview with an increasingly popular climber and climbing writer.
How Not to Share Your Climb or How to Be a Legend — stop using your Instagram account now, and here is why.
Why Do We Climb Indoors? — diving 10 stories underground to answer my question.
Why We May Climb on Public Land is You — freedom of the hills is always there, until it isn't anymore.


Published on July 23, 2018. Apartment Decorating With A Sectional Sofa. Small round sofa definitely will have a curved sofa ger, home design : 89 mesmerizing small dining table setss. Brown and beige sofa living room sets ed furniture online. Vega CX.


The Fortune & Fame Mirror is unlike any of the other Glamcor products. Free standing at just over 6 feet tall, this full-length lighted mirror will enhance your dressing room or salon experience exponentially. With two powerful rows of special performance daylight LEDs, you are fully illuminated in your own personal studio lights.


The current outdoor block wall lighting should really be stunning and also the perfect parts to match your place, if you are unsure wherever to begin and you are seeking inspirations, you are able to take a look at our a few ideas page at the end of this page. There you will get several ideas related to outdoor block wall lighting.
When you are opting for outdoor block wall lighting, it is crucial for you to consider elements such as proportions, size and aesthetic appeal. You also require to think about whether you intend to have a theme to your wall lighting, and whether you will want modern or informal. In case your room is combine to one other space, it is additionally better to make harmonizing with this room as well.
A well-designed outdoor block wall lighting is stunning for everyone who utilize it, both home-owner and guests. Picking a wall lighting is critical in terms of its aesthetic decor and the functionality. With this in mind, lets have a look and get the perfect wall lighting for your space.
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