We all know what it's like to look at ourselves in the bathroom mirror of Loco or Level B and think that maybe we've had too much to drink but that, despite our blurred eyes, we know we'll make it home (with or without our "fracket"). Sorority Noise knows what that's like too. Ironically, the four male band mates are neither Cornell students nor sorority members, but they capture, in their new EP It Kindly Stopped for Me, the walk home from Collegetown on Friday night — or, more likely, Saturday morning.
Despite the album cover's beachy dune, the vocalist's footsteps in "Fource" tread upon a crumbling sidewalk rather than sinking into pillow-soft sand. The walker may even be trudging up hill from Level B to CTP. Starting with "Fource," the album soberly tells a story of drunken honesty. The sound of the speaker's shoes upon the pavement sets the mundane melody of the track as the singer imperfectly voices his thoughts. His consciousness is, at once, cohesive and mindless. With the way the music matches the lyrics, the album moves from 2 a.m. drunken destitution in "Fource" to the forgiveness and resolve of Sunday morning with "Either Way." As Sorority Noise ends the third track with the words, "Today was an off day. I've had a few," the album begins its gradual and undulating upward climb. Despite "Fource" being track three, the way I hear it, it belongs as track one. With "Fource" followed by "A Will," "XC" and, finally, "Either Way," the album passes from 2 a.m. to 2 p.m. It Kindly Stopped for Me echoes our own consciousness — from the drunken words we don't remember to the insecure thoughts we resist revealing.
My analysis takes the album out of order and reassembles it into a story that better fits an optimistic mindset. Instead of starting with quiet, reassuring sympathy and then moving to dizzying doubt, my track list starts with a low and moves steadily upward. And, despite its disregard for Kurt Vonnegut's Man-in-hole model, the order in which I listened to the album makes for a pleasant, stress-less experience. The vocalist, instead, begins in a hole. He begins at the bottom of Collegetown — the part of our trek where we first feel the cold of Ithaca's early morning bite away the remaining heat from Level B's crowded dance floor. As the singer climbs the road toward CTP or CTB, he rises from his nadir toward home and the music flows from sadness to an easy hope. The melody in "A Will" gives both vocalist and walker the intention to keep moving forward. The combination of guitar and piano in "Either Way" assures us that regardless of our decision to cut through the Engineering School or continue up Ho Plaza, we'll make it back home.
In the end, It Kindly Stopped for Me makes us wish we brought headphones out when we headed to Collegetown for the night. The album captures, through music, lyrics and speech, the struggle of moving on from a low — a physical one, an emotional one or a drunken one. In our lives now, It Kindly Stopped for Me reminisces the breaking dawn in Collegetown after a long day of Libe coffee and a longer night of fishbowls. But, I'm convinced, by the nuanced nostalgia in their tone and humanness in their compassion, Sorority Noise sings to a larger audience. It Kindly Stopped for Me is an album we'll return to again and again, maybe to remember our time here at Cornell, or, instead, to feel understood once more in a different way, place and situation. The album transcends time through its artful ambiguity. The flow of each track takes on the listener's mood and mindset through its beautiful honesty. Despite the order in which the tracks play, the album conveys a calming and continuous sympathy. As the piano, guitar and steps on gravel pavement move the lyrics forward, we're reminded of the endurance of both our own flaws and promises. Like the sound of rain in the background of "Fource," we're convinced by the speaker's words that the storm will pass and the clouds will clear. Sorority Noise, through their blunt sincerity, recognize all that they themselves and their audience lack, each in our own way, and sings despite these pitfalls. Sorority Noise "sees a chance" and "takes it." Their album succeeds in making us feel human, lifting us up, taking us home and tucking us in — with the same care as only the best roommates.
Julia Curley is a freshman in the College of Arts and Sciences. She can be reached at jmc628@cornell.edu.
Sorority Noise's March 2 release — YNAAYT — is almost entirely composed of stripped-down songs from their 2017 release You're Not as _____ as You Think. Many bands have released essential demo, remastered or acoustic albums. Some present wholly new takes on fan-favorite songs.


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Home » Bee Blog » Is she a queen or just a female bee?
English for beekeepers
Is she a queen or just a female bee?
All queen bees are females with the ability to lay fertilized eggs, but not all fertile, egg-laying females are queens. The term "queen" is often misused to describe female solitary bees that live and work by themselves. In fact, these are not queens but simply females. Well-known examples of queenless species are the mason bees, leafcutting bees, and carder bees, but there are many more.
When it comes to queen bees, a variety of definitions exist, but one thing remains constant: the queen is the principle egg layer in a social colony. In Bees of the World (2004) O'Toole and Raw state it this way: The queen is "the principle or only egg-laying female in a social colony, which does little or no foraging." As you can see, a little tube-nesting solitary bee does not live in a social colony and does all her own foraging," so no crown for her.
In the human world, the word "queen" implies a social structure where one individual reigns over another or is somehow in a position of leadership. This is equally true in the bee world. Only those species in which adult females live together and cooperate in some way have queens. In those societies, one bee is referred to as the queen and the others are referred to as workers. In some cases, there is not much distinction between the two types beyond a certain "bossiness" exhibited by one bee over the others.
The queen question becomes more complex when you look at the different types of bee sociality. Bees exhibit a broad spectrum of social behaviors from those who live in the same abode but have nothing to do with each other, to the very complex structure found in a honey bee hive.
How queens rule also differs. Eric Grissell offers a glimpse into bug dominance in his book Bees, Wasps, and Ants: The Indispensable Role of Hymenoptera in Gardens (2010). He explains that queen yellowjackets rule by aggressive behavior toward the workers, while honey bee queens rule with pheromones—rule by subterfuge, as he calls it.
In North America, a number of bee species have queens. Beside the honey bee, there are queens among the bumble bees, Augochlorella, and many species of Lasioglossum. According to Wilson and Carril in The Bees in Your Backyard (2015) the Lasioglossum bees are known as semi-social species where multiple females lay eggs and share responsibility for raising the young. In an interesting twist, the largest Lasioglossum becomes the queen, staying home and laying most of the eggs, while the smaller females become foragers. If something happens to the queen, one of the other females will take over the egg-laying duties and become the new queen.
In summary, non-social female bees are just "females" and males are just "males." As far as I can tell, the word "drone" is reserved for male honey bees, and no drones exist in other bee species even if they have queens.
The raspberry bee on the left (Osmia aglaia) is a female collecting pollen. Because she lives by herself and performs many functions, she is not referred to as a queen or a worker. The bumble bee on the right (Bombus vosnesenskii) is a worker. She will take her pollen load into a nest that contains other adult females, including a queen. © Rusty Burlew.
*This post contain affiliate links.
queen bees
I hope this nation comes to its senses and figures out the decline in our bee population.
We sometimes look at this as a non issue when in fact it is of national security significance.
Glen Buschmann says:
Thank you Rusty.
Although I frequently talk about solitary bees and very much know the difference, "queen" was so much a part of my childhood learning that I still catch and correct myself on a regular basis.
It has also taken a lot of practice to say bumble bee colony instead of hive. On the other hand, I do use "drone" speaking about male bumbles, find authoritative definitions that use "drone" for any social male bee.
Glen,
That's good to know about drones. I couldn't find any use of the word drone in my books other than in relation to honey bees, but I will indeed dig deeper out of curiosity.
I type the word "hive" nearly every day and then have to go back and change it to "colony." I explain all the time that a honey bee colony lives in a hive and that hives themselves don't swarm (now that would be scary). But still, those terms get hard-wired into us and it is difficult to change. Still, nothing creates confusion and prevents learning more than a misused word. Imho.
Rusty –
No doubt you are extra fond of talking to folk about those big paper bee hives filled with all those picnic bees.
Anyway, what I find is that drone is acceptable but not universal for social bees.
E. O. Wilson / The Insect Societies : "DRONE — A male social bee, especially a male honeybee or bumblebee."
The Bees In Your Backyard (J. S. Wilson & O M Carril) refers to "male or drone bumblebees", but they also interchangeably refer to bumble bee hives and b-b nests, so some imperfect language.
Sladen just seems to write of male b-b's, not drones, from 100 years ago.
I'll do more checking.
Thanks for all the research! I'll have another word project for you soon. Still thinking about it.
At my house, although we are technically not a social colony, and although my wife does half of the foraging, she is certainly my Queen. Just sayin'.
I think I like you.
Pam Phillips says:
I didn't know Lasioglossum were social!
Not all of the species, just some of them.
Is "sociality" a word?
Absolutely! Although according to Merriam-Webster, it is in the bottom 30% of words in popularity, a good reason to use it.

redpajama_set_name: RedPajamaCommonCrawl


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Vi Hilbert
Born: Jul 24, 1918
Death: Dec 19, 2008
Profession: Writer
Date of Birth : Jul 24, 1918
Date of Death : Dec 19, 2008
Vi Hilbert was a Native American tribal elder of the Upper Skagit, a tribe of the greater Puget Salish in Washington State, whose ancestors occupied the banks along the Skagit River, and was a conservationist of the Lushootseed language and culture. She was named a Washington State Living Treasure in 1989, and received a National Heritage Fellowship from the National Endowment of the Arts, presented by President Bill Clinton, in 1994. She co-wrote Lushootseed grammars and dictionaries, and published books of stories, teachings, and place names related to her native region, the Puget Sound.


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Ска́рлетт (; 1995 — 11 октября 2008) — бывшая бездомная кошка из Бруклина, прославившаяся самоотверженностью при спасении собственных котят при пожаре.

Детство
Дата рождения, а также родители кошки неизвестны. Предположительно она родилась в июне или июле 1995 года. Однако дата является лишь предположительной и основывается на приближенной оценке жизненного цикла бездомной кошки: половой зрелости кошки достигают примерно в 6 месяцев, беременность длится 2 месяца. Учитывая, что её котята при обнаружении были примерно месячного возраста и предполагая, что это был первый помёт кошки, можно сделать вывод, что свой подвиг она совершала в весьма юном для кошки возрасте в 9 месяцев, так как кошки в возрасте до 1 года считаются котятами.

Пожар
30 марта 1996 года в одном из заброшенных гаражей в Бруклине начался пожар. Пожарные, прибыв на место, быстро справились с огнём. В процессе тушения пожарный Дэвид Джаннелли () увидел кошку, которая вытаскивала из горящего гаража котят одного за другим. Сама кошка при этом уже сильно пострадала от огня: были сильно обожжены уши и лапы, опалена морда, сгорела почти вся шерсть, глаза были закрыты волдырями. После того как она вытащила пятерых котят в безопасное место, она ткнулась в каждого из них носом и потеряла сознание.

Спасение
Пожарный доставил обожжённую кошку с котятами в ветеринарную клинику Лиги защиты животных Северного Побережья (North Shore Animal League) в Нью-Йорке, где им была оказана немедленная медицинская помощь. Однако самый слабый из котят, белого окраса, умер спустя месяц после пожара.

Самой кошке, которой дали имя Скарлетт, на реабилитацию потребовалось три месяца, однако не все функции организма были восстановлены. Так, специальную лечебную мазь для глаз ей необходимо было наносить трижды в день.

Общественный резонанс
История о героической матери-кошке, спасшей своих котят, привлекла обширное внимание СМИ. Звонки с предложениями помощи приходили из Японии, Нидерландов и Южной Африки. Американцы слали кошке поздравления на День матери. Клиника получила около 7000 писем от желающих приютить Скарлетт и её котят.

Было принято решение разделить котят на две пары, каждая из которых нашла новую семью в Лонг-Айленде. Кошку же взяла к себе в дом Карен Уэллен, которая сообщила в письме, что потеряла кошку вскоре после того, как сама пострадала в автомобильной аварии, и теперь хотела бы принять в дом такое животное, которое требует постоянной заботы, лечения и внимания.

После обретения хозяйки кошка по-прежнему оставалась в центре внимания, привлекая внимание средств массовой информации как регионального так и международного масштаба, в том числе CNN и Опры Уинфри. Она была героиней многочисленных книг и статей, побывала в эфире канала Animal Planet.

Скарлетт была награждена за храбрость британским Королевским обществом по предотвращению жестокого обращения с животными.

Смерть
Кошка скончалась 11 октября 2008 года на руках у хозяйки. К концу жизни она была тяжело больна, ей требовался постоянный уход из-за болезней, от которых она страдала в результате полученных ожогов. Причиной смерти стали множественные заболевания: у неё диагностировали шумы в сердце, лимфому, почечную недостаточность и другие болезни.

Scarlett Award
Общество «North Shore Animal League» учредило награду, названную в честь кошки: «Премия Скарлетт за героизм у животных». (). Награда присуждается животным, совершившим героические поступки вне зависимости от того, на благо людей или других животных.

Примечания

Литература

Ссылки
 Видео Скарлетт и её котят
 Скарлетт на purr-n-fur.org.uk.
 Scarlett и её котята на сайте North Shore Animal League (не работает)
 Скарлетт на moggies.co.uk.
 Скарлетт в Cat Book на patronsaintpr.com.
 Scarlett passes away, North Shore Animal League (не работает)

Знаменитые кошки
Пожары в Нью-Йорке
Бездомные кошки

redpajama_set_name: RedPajamaWikipedia


Which yeast has a large capsule that is virulence factor? Cryptoccosis?
Describe possible course of Nocardia infection opportunistic infection affects immunosuppressed people through rich soil. The resulting pneumonia is chronic with abscesses, extensive necrosis, and cavity formation.
Describe the signs and symptoms of mumps Sweling in the salivary glands (especially parotid), orchitis (testicle swelling), meningitis, pancreatitis, deafness in one ear.


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Q: How can I find out which third-party sites a webservice (in this case: Spritzlet) is using? I'm comparing the current incarnations of various "Spritz" applications, like the official Spritzlet, and the unofficial Squirt, OpenSpritz, Readline, etc. -- The official Spritzlet is a bookmarklet which comes with the requirement of allowing third-party cookies, presumably for personalized ad purposes.
I'd like to use Google's Chromium (Chrome) browser to test Spritzlet, which allows the user to set site/domain specific exceptions (whitelist or blacklist, clear-on-exit) for cookies and site-data:
chrome://settings/content

chrome://settings/contentExceptions#cookies

I imagine that Spritz's ad sites might be constantly changing and that we're talking about a "moving target". Be that as it may,

*

*How can I find out which third-party sites Spritzlet is using?

*.. browser in-built traffic monitoring?

*.. extensions/addons?

*.. just reading directly from the user-visible code?

A first quick glance at https://sdk.spritzinc.com/js/1.2/bookmarklet/js/SpritzletOuter.js did not offer me any hints.

A: Hey nutty about natty,
I'm the front-end developer that worked on the Spritzlet. First off, thanks for the interest in Spritz! Just so you know, you're always free to send any other questions or suggested improvements to support@spritzinc.com.
While I can't address your main question, I can say that the Spritzlet is ad free. Our requirement for allowing third-party cookies is for two reasons: the Spritzlet loads a number of external files onto the current page from our domain (sdk.spritzinc.com), which makes us a third-party to that page because our files don't originate from that page's domain. Additionally, we make use of HTML5 localStorage, which browsers sometimes treat similarly in settings related with cookies (Safari comes to mind in this case). The Spritzlet does do usage and analytics tracking via Google Analytics, but definitely nothing ad related.
Note that the above only applies to the Spritzlet, I can't speak for other sites/technologies.

redpajama_set_name: RedPajamaStackExchange


At four am the light came on in the room serving as our bunk house. "Good morning, coffee is on the table," said Zvonko (zVON-ko). In Croatian, Zvonko means 'bell ringer.' I can think of no better name for the person who is waking us up at four am to climb up the mountainside to pick sage in one of Croatia's most remote archipelagos, the Kornati islands. Our goal on this day was to climb up the mountainside to cut sage that grows on the rocky slopes all over the steep hillsides. The sage, or Kadulja (KAD-ool-ya), is processed into oils and other products, including the fresh spice that can be bought at markets.
I had asked Zvonko if I could visit his place on the islands and possibly plan a trip with our students here next year. The idea we had for the Kornati Adventure was to come to the islands by traditional sailing craft, work with Zvonko and his family collecting sage and sail home the same way people had been doing for generations. The traditional boat in the islands is called the Gajeta (GUY-et-a). It was, and is to this day, used to transport goods and materials to the islands. The boat is between 6 and 8 meters, has a lateen rigged sail and is a very seaworthy, open vessel that can be used in any weather. I thought that this would be a great trip for students so they could see the importance of the vessel and how it was tied to life in the remote archipelago while learning the values of hard work and cooperation that all farmers and agriculturalist use every day.
The Kornati islands are a collection of more than 140 islands spread across only about thirty-six miles. Some islands are big, like the main island Kornat. Others are just drops of land speckled through the sea. The English writer George Bernard Shaw said, "On the last day of Creation, God wished to crown his work and made the Kornati islands out of his tears, the stars and his breath." It is an extraordinary place with white rocks, radiant blue sea and golden grasses in stark contrast to one another and each beautiful in own right.
Summer is very hot here. That is why we got up so early. We worked on the rugged mountainside for the few cool morning hours before the sun came over the horizon. It was enjoyably surreal- still predawn, cutting sage, hundreds of Kornati islands spread around, like Shaw wrote. Thinking about next year, I know the students wont like getting up at four am, but they will love being on the mountainside when the sun comes up as much as I do, feeling transported decades or even centuries back in time.
After a few hours we had filled our bags with aromatic sage and headed back to the village. We hopped in our Gajeta and went fishing, catching enough fish for lunch on the shore. It was not even ten am, by eleven o'clock lunch was over. We all found places to rest under the shade of a big pine tree near the water. Here we stayed here for the rest of the day, getting up occasionally to take a swim and cool off. I slept almost all day; feeling accomplished in our early-morning work and sure the students will like it here next year. That restful feeling has a word in Croatian and is part of Dalmatian lifestyle. They call it Fijaka (Fee-yah-ka). My good friend Krešo (Kre-sho) said it translates as "divine waiting for nothing." With my belly full of fresh fish from the grill, a cool breeze under the pine, and a million-dollar view, following the morning's work, I understood why there was a special word for just this experience.
For centuries traditional vessels were used to get to the islands, work the land, and to fish the productive waters. This summer, our students will sail here to do the same, including cutting fresh sage and preparing it for transport, all the while learning about the traditions of the maritime life in a remote island group.We went fishing again that evening, as we did for the next few sublime days, spent right there collecting sage and exploring in the mornings, enjoying Fijaka for the rest of the day. I am so glad to have shared Kornati island life with the Skračić family and am looking forward to our student program with the Gajeta and Zvonko next year.


Welcome to my Calvin & Hobbes page!
One of the few interviews ever given by Bill Watterson!
This page is based upon a project work, written in school, by myself and a friend of mine, in our last college year.
My reason for creating this page is first of all my huge interest in Calvin & Hobbes. I also want to offer a different Calvin & Hobbes page, to everyone interested in cartoons. I believe this to be a serious C&H page. It has taken me months of work, and an unknown number of phone calls and letters to finish it. Here you'll find the background for the cartoon, how it came into being, the story of Bill Watterson (...and even an interview!!!!), analyses of the characters in the series along with it's theme, lots of humor, Calvin & Hobbes comic strips, animated strips, and C&H downloads!
You are not allowed to use the material found on these pages without permission!
All text is (C) Ulf Aasen & Frank Aanonsen, except where noted.
All original Calvin & Hobbes images are (C) Bill Watterson & Universal Press Syndicate.


text:
December 17, 1989: First Simpsons Episode
Jeffrey Powers @geekazine aggregator, auction yahoo, Blognation, day in tech history, december 17, episode airs, fox, Fox Broadcasting Company, fox tv network, historical events, hollywood, Hollywood Walk of Fame, longest running sitcoms, Podcast, prime time, purebasic, Sam Sethi, sethi, Simpson, technology history, time spot, Tracy Ullman Show, walk of fame, Yahoo 0 Comments December 16, 2019
1989 – The first full episode of the Simpsons airs on FOX TV network. 21 years and 1 movie later, the show still continues on strong. The cast stayed pretty much the same since 89. The Simpsons started on FOX as an animated short on the Tracy Ullman Show. It was on that show for 3 seasons when it was moved to their own prime time spot. The Simpsons is one of the longest running sitcoms and even has their own star on the Hollywood Walk of Fame.
PureBasic v.2.0 is released
Sam Sethi puts Blognation up for auction
Yahoo shuts down Jumpcut
July 13, 2011: Netflix Splits DVD – Streaming
Jeffrey Powers @geekazine blogging, bob geldof, day in tech history, DVD, hollywood, John F. Kennedy Stadium, live aid, London, Microsoft, Midge Ure, netflix, philadelphia, Podcast, Qwikster, RSS, technology history, United States, wembly stadium 0 Comments July 12, 2019
2011 – CEO Reed Hastings announced a bombshell that, in turn, brought on Netflix's single worst year ever. He announced that they were splitting Netflix streaming from DVD rentals. With that, the price would be doubled – $8 for 2 DVD rental plan and $8 for streaming. If you were an existing customer, you would be grandfathered in until September. This news caused their stock to fall, which continued when Hastings announced the DVD division was to be rebranded as Qwikster, and sold (which, of course, didn't happen).
1923 – HollywoodLand Sign is dedicated to the people in Los Angeles CA. The sign was shortened to Hollywood where it stands overlooking LA.
1985: Live Aid was first held. The event was organized by Bob Geldof and Midge Ure to raise funds for Ethiopian famine releif. Over 175,000 people attended what was called the global jukebox. The concert was held simultaneously in Wembley Stadium in London, England, United Kingdom and John F. Kennedy Stadium in Philadelphia, Pennsylvania, United States. It was one of the first and largest shows broadcast on satellite in 1985.
Microsoft is found to violate the Sherman Antitrust Act
Staten Island girl falls into a manhole after IMing on her phone
Day in Tech History/ Yahoo
June 18, 2007: Terry Semel of Yahoo Step Down
Jeffrey Powers @geekazine aggregator, apple, board of directors, Capitol v. Thomas, ceo, day in tech history, File sharing, Geek, geek history, gil, history, hollywood, jerry yang, john sculley, michael spindler, Microsoft, partnership, Podcast, powerpc, recording industry association of america, Steve Job, steve jobs, stitcher, technology history, terry semel, Yahoo 0 Comments June 17, 2019
Terry Semel
2007 – Terry Semel was under pressure by the board because of dissatisfaction of his compensation. Terry was brought in to create a partnership with Hollywood, which really didn't happen. He handed the reigns over to Jerry Yang, who started promising revitalized talks with Microsoft. There are a few that even speculate that was when the buyout of Yahoo began. Jerry Yang stepped down in 200
1999 – Palm announces the m100
2009 – Jammie Thomas-Rasset was found guilty of copyright infringement and ordered to pay 1.92 million to the RIAA.
Microsoft announced the Surface Tablet
Full Day in Tech History podcast show notes for July 13
Full Day in Tech History podcast show notes for June 18
Apple/ Day in Tech History/ Yahoo
June 18: Phi Day! 1993: John Scully of Apple,2007: Terry Semel of Yahoo Step Down
Jeffrey Powers @geekazine aggregator, apple, board of directors, ceo, day in tech history, Geek, geek history, gil, history, hollywood, jerry yang, john sculley, michael spindler, Microsoft, partnership, Podcast, powerpc, Steve Job, steve jobs, stitcher, technology history, terry semel, Yahoo 0 Comments June 18, 2016
John Sculley
1993 – After a 10 year run and new focus on Politics – along with a failed promise to catch up to the PC market – John Sculley was removed of his CEO role at Apple by the board of directors. They immediately hire Michael Spindler, who was instrumental in the introduction of the PowerPC. However, he eventually would get ousted and replaced by Gil Amileo, which would get ousted and replaced by Steve Jobs.
Happy Phi Day! Phi is the Golden Ration – 1.61803398874989484820458683436564
July 13, 1923: HollywoodLand Sign is Dedicated


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Home > Community Histories > Marston Moretaine > Mangehoo Manor
There is no evidence that Mangehoo was ever a true manor holding its own court, and there are no records listed for Mangehoo in The National Archives' manorial documents register. The Victoria County History states that the first known reference to the manor of Mangehoo (or Marston Moretaine) is from the 16th century when it was held by the family of Dyve. It was in the hands of John Dyve when he died in 1537-38 and remained with the Dyves until Lewis Dyve transferred it to Robert Odell in 1553 in exchange for the manor of Bromham Bowels.
In 1558 it was held by Thomas Odell, but by 1569 it had been transferred to Henry Edward. In 1590 Henry granted an annual rent charge of £6 13s 4d from his manor of Mangehoo "alias the land of John de Cootes in Wroxhill End in the parishes of Marston Mortayne and Wootton", to be paid to Martha Maunsell, the future wife of his son Henry Edwards the younger, should she be widowed after their marriage [AD3693]
When Henry Edward died in 1613 Mangehoo was inherited by his son, another Henry. At this time the manor included three closes which were held from Thomas Grigge as part of his manor of Shelton LINK, worth 20 shillings per annum. Ashelden Close, itself made up of three smaller closes and valued at 3 shillings and 4 pence per annum, was parcel of the manor of Shelton, and was held from the king under his manor of East Greenwich
By the middle of the 17th century Mangehoo had been divided among six co-heirs; four of these shares were held by Thomas Dier (or Devotion), John Pryor, Thomas Bird and Alice Rogers. Thomas Bird acquired his share through a marriage settlement of 1655, in which one-sixth of the manor of Mangehoo was settled by Mary Prior of Barton-in-the-Clay, widow of John Prior, on Thomas Bird, a London brewer, and his future wife Katherine Sibthorpe (alias Butcher), one of the daughters of Thomas Sibthorpe (alias Butcher) of Newport Pagnell and his late wife Martha, the sister of Mary Prior. Mangehoo was described as being in Roxhill End in Marston Moretaine and Wootton, and the settlement included one-sixth of a messuage, a cottage, 200 acres of land, 12 acres of meadow, 100 acres of pasture, previously in the occupation of the late Henry Edwards and of widow Martha Edwards, also deceased [AD1153].
The Victoria County History indicates that by 1659 Alice Rogers had acquired Thomas Bird's share, and states that later in the same year she managed to successfully claim the whole manor. However, a final concord of February 1560 shows that James Aston, Alice Rogers, Thomas Sibthorpe (alias Butcher), Katherine Paley, and Thomas Cox and his wife Elizabeth passed their rights in the manor of Mangehoe or Mangehoo, with one cottage, 180 acres of land, 12 acres of meadow, and 90 acres of pasture in Marston Moretaine and Wootton, to John Beaumont in return for a payment of £320 [GA178].
A final document in the Bedfordshire Archives collection dating from 1678 again shows a 6th share of the manor of Mangehoo in Roxhill in Marston Moretaine and Wootton, a messuage, a cottage, 200 acres of land, 12 acres of meadow and 100 acres of pasture being transferred, on this occasion between London apothecary Samuel Couch and his wife Mary, and another London apothecary, Thomas Jones. At this time Mangehoo was occupied by a Richard Wheeler [X67/208-209].
The last known reference to the manor of Mangehoo comes in when 1782 John Pemberton conveyed Mangehoo through a suit of common recovery (a fictitious lawsuit used as a means to transfer land).
The site of the manor house was probably marked by cropmarks previously visible in fields to the west of Lower Shelton Road. A farmer reported ploughing up stone from the mound in the centre of this earthwork, known as Dyers Moat [HER8334].


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February 13th, 2019 from 8:30am - 3:30pm  at the Hyatt Regency Orlando. Held in conjunction with the 2019 HIMSS Global Conference and Exhibition. The HIMSS19 Career Fair is a centralized location for recruiters, job seekers, consultants and others who contribute to the development of the health information and technology workforce. To learn more about HIMSS19 and see our list of Conference exhibitors click here.
Every two months, GA HIMSS hosts information sessions/presentations of the hottest healthcare IT topics by industry experts.
Deadline February 15th. Since 2016, 16 scholarships have been awarded, totaling $48,000.
www.himss.org/policy, and subscribe to the free weekly Health IT Policy Update e-newsletter.
May 16th & 17th, 2019 At the Distinguished Lake Lanier Islands.
Fun Fact #7: Want to Volunteer to Serve on a Committee?


Daizo Sakurai entered Waseda University of Japan and studied at Department of Political Economics during the Second Anti-Security Treaty Movement. In the upsurge of the student movement, Sakurai joint Theater of traveling Acrobats and became a member of the second-generation tent theatre. Theater of traveling Acrobats is representative of the second-generation tent theatres, whose members dramatically criticized the first-generation tent theatres and made theatrical performances in an ascetical gesture of "disintegrating theatres".
Sakurai's tent theatre, stemmed from social movements, has not been simply integrated into the mainstream of society with the falling tide of social movements; surely, it also cannot subvert capitalist system as the social movements have expected. However, what is important, having gone through romantic movements and violent revolutions, Sukurai's tent theatre has not simply descended into an aesthetic manner in the overall pattern of capitalist production, and maintained the most fundamental subversiveness of the tent theatre. The reason of the above saying is that Sakurai has continued the most powerful challenge of tent theatre to the drama system under the capitalist production system: first, on the economic basis, tent theatres have gone beyond the modern manner of theatre production that depends on government fundings, NGO supports and enterprise investments; second, they have preserved in activities at the bottom of the society, broken the boundaries of theatres and non-theatres, and integrated theatres with desires of the bottom. Both points, one relying on the other, make Sakurai's journey and creation maintain living resistant powers.
No matter what manner he has utilized, Sakurai has been challenging the toughest economic foundation in the theatre system, i.e. being completely independent from capitalist cultural strategies. It is with this economic independence that the tent theatre can independently walk at the bottom of the society.


Getting people to visit the first time is less than half the battle. You'll need them to remain on the site long enough to take an action that benefits your business for the site to be effective. A site that gets people to stay there once they've arrived is called "sticky."
There are myriad ways a website can fail at stickiness. If the site fails to establish trust, people will probably leave. If the site seems shoddy, messy or unorganized, people will also leave. If the site asks too much of the user, like asking them to fill out a long form without offering any free teaser content before they can view valuable content, people are going to leave. If a site is confusing, people will leave. If a site has many broken links or "Page Not Found" errors, people are going to leave. This list goes on and on.
This works for selling online as well. As a matter of fact, it is even more important to establish interest, trust and authority to make a sale online because you are lacking the power of one-on- one in-person communication.
Another factor that makes a site sticky is its ease of use. People like to get maximum benefit for minimum effort. Have you ever considered the design of Google's website? It is one of the simplest and cleanest home pages in existence. We can all learn from this. You and your Web vendor ought to be chanting this mantra through the entire planning and building phase of a new website: Clean Simple Easy, Clean Simple Easy, Clean Simple Easy. Say it over and over again.
People hate complicated websites that make them think too much. They hate feeling confused. They hate feeling stupid. They hate wasting their time. Many competing websites are a literal click away. And people have itchy back button fingers.
So to make your website as sticky as possible, create original and compelling content on a regular basis, establish trust and above all else, be sure to design it in a way that appears clean, and is simple and easy to use and to find information.


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COMMUNITY CALENDAR Jan. 20
All area codes are 850 unless noted.
Destin City Hall
All City Council meetings, workshops, executive sessions and CRA Board meetings are held at the City Hall Annex, 4100 Indian Bayou Trail. All other board and committee meetings are held at City Hall, 4200 Indian Bayou Trail.
• Environmental/Park & Recreation/Tree Board, 4 p.m. Jan. 22
• Business Tax Receipt Equity Study Commission, 10 a.m. Jan. 23 in City Hall Annex
• Short Term Rental Task Force, 3 p.m. Jan. 24
• Destin Youth Council, 4 p.m. Jan. 25
ACT/SAT workshop
A workshop to assist students in Okaloosa County High Schools who will take the March 10 SAT and Feb. 10 ACT will be held from 2-5 p.m. Feb. 5, 6, 12 and 13 in the Media Center at Fort Walton Beach High School and 2-5 p.m. Feb. 7, 8, 14 and 15 at Niceville High School. For students only taking the Feb. 10 ACT, they should attend Feb. 5 and 6 at FWBHS and Feb. 7 and 8 at Niceville HS for a complete four session workshop. All materials, snacks and drinks are furnished. Students need to bring calculators. Registration deadline is Jan. 22. For information, contact Alice Hart at 615-585-2401, email Amhart1966@aol.com or contact your high school guidance department.
Taxes done free
Tax-Aide is a free service for low to moderate income tax filers with IRS-certified volunteer tax preparers. There are six sites serving the area — Crestview Library, Destin Library, Niceville Library, Bob Hope Village, Good Shepherd Lutheran Church in Shalimar, and a Fort Walton Beach site at First Christian Church, 201 St. Mary Ave.
Bring a photo ID, Social Security cards or other official documentation for the tax filer, spouse, and any others on the return and all income and ex-pense documents such as W-2's, 1099's, etc. Also, bring your 2016 tax return if possible.
Uptown Station will host the OneBlood Drive from 12-5 p.m. Jan. 22. The OneBlood Big Red Bus will be parked in the Uptown Station parking lot, near the children's park and Winn Dixie. Photo ID is required. All donors receive a wellness checkup of blood pressure, pulse, temperature and iron count, including cholesterol screening. Donors will also receive a Winn Dixie gift card.
Inductive Bible study
Want to learn Bible prophecy? What is in our future? "Chronological Study of Minor Prophet" — Obadiah, Joel, Jonah, and Amos — is a 13-week study at 10 a.m. for women and 6 p.m. for men/women beginning Jan. 23 at Enclave Condominium Clubhouse in Miramar Beach. To register, or for more information, email Mary Ann Roberts at maryannrbtz@gmail or call 850-217-8766.
Choctawhatchee Audubon Society
Award winning photographer Walt Spence will lead a bird walk Jan. 27 around the bay shore of Niceville and Valparaiso. Bring binoculars and cameras to see and record an interesting mix of birds and local history. Wear warm clothes and sturdy shoes. Meet at the Mattress Depot, 597 John Sims Parkway (Bayou Plaza) Niceville at 7:30 A.M. Call 582-7064 for more information.
Feb. 1: "Trees on the Coast, Enhancing the Beauty of Okaloosa and Walton Counties, One Tree at a Time" will be presented by Allen French at the meeting at 6:30 p.m. in room 308/309 of the student services building 400 at NWFSC in Niceville. Admission is free and open to the public. Call or email Dr Don Baltz at 225-252-2760, dbaltz@LSU.edu for more information.
Feb. 10: Led by property owner Bob Reid, a field trip to Little Creek Woods in north Walton County will be held. Wear sturdy closed toe shoes and a hat and bring sack lunch, your camera, and binoculars. Meet at the CVS store, across the street from McDonalds, in Oak Creek Shopping Center Niceville at 7 a.m. Call 678-1926.
Feb. 17: Expert birder Alan Knothe and members of the Bay County Audubon Chapter will lead a bird walk to Ft. Walton Beach Landfill and Holding Ponds. Meet at Pepitos parking lot, 1313 Lewis Turner Blvd. in Fort Walton Beach at 8:15 a.m. Wear closed toed shoes and bring binoculars Call 208-1780 for information.
Genealogy Society
The Genealogical Society of Okaloosa County will meet at 10:30 a.m. Jan. 27 at the Fort Walton Beach Library, 185 Miracle Strip Parkway SE. Photography for Genealogists will be presented by Fred Borg. Call 582-8202.
Embroiderers' Guild
The Sand Dunes Chapter of Embroiderers' Guild of America will meet from 1:30-4:30 p.m. Jan. 28 in the Religious Education building, Holy Name of Jesus Catholic Church, 1200 Valparaiso Blvd. in Niceville. Call 496-3466 with any questions.
Mayor Scott Fischer will present the City of Destin's 33rd Annual State of the City Address at 5 p.m. Feb. 5 at the City Hall Annex, 4100 Indian Bayou Trail. Refreshments will be served at 4:30 p.m. The presentation will be given prior to the 6 p.m. council meeting that evening. Citizens are encouraged to attend this celebration of the city's accomplishments from 2017!
"It has been an absolute pleasure to represent Destin this past year, and I look forward to sharing the current state of the city with everyone," said Mayor Fischer. "While 2017 brought some challenges, it was also filled with accomplishments that are keeping this city moving in a positive direction. I am encouraged by what I have seen and look forward to the new year."
Live streaming will be available at www.youtube.com/cityofdestin.
Kids Valentine's Day Story-time
Children ages 4 to 12 years, along with their parents, can share in a special Valentine's Day Story-time program at the Destin Library at 9:30 a.m. Feb. 8. The program will feature music, stories and special Valentine's themed activities. This event is free and open to the public. Call 837-8572.
Sandestin Golf and Beach Resort will host a job fair from 10 a.m. to 6 p.m. Feb. 9 at the resort's Linkside Exhibit Hall. Hiring full-time, part-time, seasonal, and internship opportunities are available. Applicants are asked to dress in "business casual" attire and bring copies of their résumé. On-the-spot interviews will take place, and applicants are encouraged to apply online prior to attending at careers.sandestin.com. Call 267-8169.
Fasching Party
The ladies Sodality of Corpus Christi Catholic Church is planning a Fasching Party from 5-9 p.m. Feb. 10 in the Church Hall. There will be a DJ playing German music as well as other music for your dancing pleasure, homemade food including German Bratwurst and Knackwurst from USINGERS of Milwaukee, Wis., sauerkraut, red cabbage, German potato salad, pumpernickel bread, apple cake for dessert and coffee, iced tea and lemonade. German beer and wine will be offered for sale. The price of the fun evening will be $20 per person. Tickets can be purchased by calling Jen Dwight at 850-543-9557 or Mimi Sisson at 850-376-1599.
DES Spirit Nights
LuLu's in Destin will host Spirit Night for Destin Elementary from 5-8 p.m. Feb. 12 (the second Monday of each month through April). Ten percent of food and drink sales will be donated to the Destin Elementary PTO. LuLu's is at the foot of the Mid-Bay Bridge.
Children ages 4 to 12 years, along with their parents, can stop by the Destin Library from 3-7 p.m. Feb. 13 and create a Valentine's Day craft for that special person in their life. Choices are a Love Bears All Things Sign or a Beary Special Valentine Magnet. This event is free and open to the public. Call 837-8572.
Arlene Karian to speak at Library
Author, master mentor and life strategist Arlene Karian will speak at the Destin Library at 6 p.m. Feb. 15. Her presentation, "ATTN: Conscious Women Entrepreneurs — Discover the 3 Secrets to Unleash the Hidden Power Within You to Balance Your Life and Your Work," is free and open to the public.
Candidates' forum
Candidates for Destin City Council and mayor will have a forum to discuss local issues from 6-8 p.m. Feb. 15 in the Destin Life Center at Destin United Methodist Church, 200 Beach Drive. For more information, contact the Destin Chamber at 837-6241 or visit DestinChamber.com.
Spring Craft Show
The City of Destin's 12th Annual Spring Craft Show will be held from 11 a.m. to 4 p.m. Feb. 16 and 9 a.m. to 3 p.m. Feb. 17 at the Community Center. There will be more than 50 vendors showing handcrafted jewelry, woodcarvings, paintings, food items and more. Vendor booths are available for $45/Destin residents and $55/non-residents. Space is limited so vendors need to register early. Admission is free to the public. Please call the Destin Community Center at 654-5184 for more information.
Panhandle Job Fair
The Annual Spring Panhandle Job Fair will be held from 10 a.m. to 2 p.m. March 8 at St Mary's Parish in Fort Walton Beach. Registration for employer set-up is 8-9:45 a.m. Businesses are encouraged to register early and take advantage of the lower $200 booth fee. Register online at www.panhandlejobfair.com. For the second year in a row, the Job Fair will partner with three area high schools. The interested students attending the job fair are ideal candidates for the service and hospitality industry.
Pinewood Auto Show
Enjoy parking among the finest aircraft and munitions in the world at the fourth annual Pinewood Auto Show March 24 at the Air Armament Museum, 100 Museum Drive, in Fort Walton Beach. Registration from 8-11:30 a.m. with judging at noon. Fee is $20 before March 17; $25/after. Register at https://gulfcoastcouncil.doubleknot.com/registration/register.aspx#. Premium parking is $30. Concessions are available from Scouts and music provided by DJ Dan. No refunds/no rain date.
The City of Destin's Annual Easter Egg Hunt for ages 12 and under will be held at 9 a.m. March 31 at Morgan Sports Center. There will be a special egg hunting zone for crawlers and toddlers. For more information, call 650-1241.
Scout-O-Rama
A free family friendly event, Scout-O-Rama will be held from 10 a.m. to 3 p.m. April 7 at The Landing in Fort Walton Beach. Crossover for Webelo Scouts will be at 2:30 p.m. Enjoy free games, demos, crafts and community booths plus Scouts demonstrating scout skills.
Bayou, Bay & Beach
Destin's Eighth Annual Bayou, Bay & Beach 5K & 10K has moved to May 5. Both the 5K and 10K courses are set along Destin streets with peek-a-boo water views, and the 10K is USA Track & Field-Certified. A portion of event proceeds will benefit the Choctawhatchee Basin Alliance. Reg-istration is now open on www.runsignup.com. Visit www.bayoubaybeach.com or follow
www.facebook.com/bayoubaybeach for details.
Tai Chi Class
The Destin Library will offer one-hour Tai Chi classes with Barbara Rezmer, a certified Tai Chi for Health instructor, on Monday mornings at 9 a.m. The cost is $5/session. Enrollment is limited to 12 participants with registrations (on a first-come first-served basis) accepted by phone or in person. Call 837-8572.
Caregiver Support Group
Covenant Alzheimer's Care support group for those caring for a loved one with Alzheimer's or a dementia-related illness is held at 5:30 p.m. the first Thursday of every month at Brookdale Fort Walton Beach, 233 Carmel Ave. Call 864-4600.
Make-and-Take classes
The Destin Library has a series of free how-to workshops for ages 18 and up that focus on practical projects and skills you might not have learned in school. Workshop will be held the last Tuesday of the month at 6 p.m. Light refreshments will be provided. No registration. Call 837-8572 or email mfontaine@cityofdesitn.com.
Code Club
The Destin Library's Code Club for children in fifth through eighth grades will be divided into two sections, web design and game design. Meetings will be held from 4:30-5:30 p.m. Tuesdays (web design) and Fridays (game design). Registration is required to participate, and will be capped at 18 students. Register at http://www.cityofdestin.com/forms.aspx?FID=143.
Kiwanis Club of Destin
The Kiwanis Club of Destin meets every Thursday at 8 a.m. at the Destin Methodist Church Life Center on Beach Drive in Destin. The public is invited to attend the club's weekly meetings.
Destin Rotary
The Destin Rotary meets at 7:15 a.m. every Tuesday at Rutherford's 465. Visit www.facebook.com/pages/Rotary-Club-of-Destin/241220675890226.
Flotilla 1-4 USCG Auxiliary
Flotilla 1-4 USCG Auxiliary meets at 8 a.m. on the second Saturday of each month at Coast Guard Station Destin on Okaloosa Island. Anyone wishing to become a member is welcome to attend. Prior military duty is not required. Call 865-9130 or email www.flotilla14.info.
Bereavement Support Group
Share and learn more about the grief journey you are enduring with an Emerald Coast Hospice bereavement group at 1:30 p.m. Wednesdays at the Destin Library. Groups are free and ongoing.
Grand Boulevard Farmers' Market
The market will be held from 9 a.m. to 1 p.m. every Saturday in Grand Park in Miramar Beach between Cantina Laredo and Tommy Bahama's. Vendors will offer locally sourced food-based items including produce, eggs, milk, butter, grass-fed beef, chicken, lamb and pork, honey, pickled vegetables and gourmet jams.
30A Farmers' Market
This community event from 9 a.m. to 1 p.m. Sundays in Town Center in Rosemary Beach features fresh vegetables, fruits, eggs, honey, cheese and more. Market is held on Sundays from Memorial Day through Labor Day.
Seaside Farmers Market
Get your pick of fresh produce, baked goods, dairy products, native plants and other unique offerings Saturday from 9 a.m. to 1 p.m. in the Amphitheatre behind Raw & Juicy. Enjoy special cooking demos and activities.
Destin Life Center
Recreation and fitness activities at Destin Life Center at Destin United Methodist Church, 200 Beach Drive, are from 6:30 a.m. to 8 p.m. Monday through Friday and 8 a.m. to 2 p.m. Saturday. Closed Sunday. From 11 a.m. to 2 p.m. Monday through Friday visit the Soul Café for lunch. Call ahead for dine in or pick up. For information, call the DLC at 837-2021.
• Adult Open Soccer: From 7-9 p.m. Wednesdays. Fee is $2/player.
• Adult Open Volleyball: From 6-9 p.m. Tuesdays. Fee is $2/player.
• Pickleball: From 2-5 p.m. Monday-Friday and 9 a.m. to noon Saturday.
• DLC Fitness Cardio/Weight Room: Nautilus equipment, three treadmills, two ellipticals and one recumbent bike. Memberships are $40/calendar quarter; $30/month; $20/week; and $10/day.
• Community Fitness Classes: Indoor cycling, Zumba, Rise and Stretch, PIYO, Cardio Dance, Forever Young (senior aerobics) and more. Costs are $40/month; $7/class; $20/month Forever Young, fitness for seniors; and $3/individual Forever Young.
Destin Community Center
All activities are at the Destin Community Center, unless noted. Call 654-5184 or email recreation@cityofdestin.com for information and to register. Persons with disabilities who require assistance are asked to notify the center 48 hours in advance.
‒ Aerobics: A low impact class is offered at 9 a.m. Mondays, Wednesdays and Fridays. Bring water and a towel. Cost is $3/session.
‒ Capoeria: Class in the Brazilian martial art that combines the elements of dance, acrobatics and music will be held Thursdays at 7 p.m. for all ages.
‒ Chair Yoga: Classes consisting of performing traditional yoga poses from a chair for lower impact from 10-11 a.m. Mondays and Thursdays be-ginning Oct. 12. Cost is $4/class.
‒ Destin Senior Chair Exercise 50+ years: Monday and Wednesday mornings from 10-10:45 a.m. consists of performing light exercises to help improve balance, flexibility, strength, and circulation. Free/residents.
‒ Destin Senior Membership: Join the Destin Seniors to enjoy multiple festivities including the senior lunch bunch, pot luck, casino trips, cruises, bingo, chair exercise, knitting, scrabble, and Mexican dominoes. Members must be a Destin resident.
‒ Game Room: Open to children age 10 and older from 8 a.m. to 9 p.m. Monday through Thursday and 8 a.m. to 6 p.m. Fridays..
‒ Pickleball: Sessions are from 12:30-3:30. Mondays. and 10:30 a.m. to 1:30 p.m.Wednesdays and Fridays. Fee is $3/non-residents or $2/residents. Racquets and balls are available, just bring gym shoes.
‒ Senior Art Lessons: The Destin Senior Center at Buck Destin Park, 724 Legion Drive, offers six-week sessions for Seniors (50 years and older). The current lessons began Oct. 6 with three weeks of pen and ink, then three weeks of acrylics. Fees are $20/non-Destin residents and $15/residents. Cost includes materials.
‒ Senior Book Club: The Destin Senior Members meet at 10 a.m. the 2nd Wednesday of the month at the Destin Library, 150 Sibert Ave.
‒ Senior Drop-In Hours: The Destin Senior Center at Buck Destin Park, 724 Legion Drive, offers senior drop-in hours from 9 a.m. to noon every Tuesday and Thursday for Seniors (50 years and older) to meet and enjoy each other's company, participate in games such as Mexican Train Domi-noes, Scrabble, cards, etc.
‒ Senior Knitting: Sessions and lessons for beginners and all skill levels from 1-2:30 p.m. Wednesdays at the Destin Senior Center at Buck Destin Park, 724 Legion Drive. No registration required.
‒ Senior Walking Club: The Destin Senior Members walk around the Destin Community Center's gymnasium from 8-9 a.m. Monday-Friday. All of the miles that you walk will be added to the "team map" as we travel from one region to the next.
‒ Table Tennis: Play from 1-3 p.m. Tuesday and 9 a.m. to noon Thursdays. Paddles and balls provided. Fee is $2/resident and $3/non-resident.
‒ Yoga: Classes from 12-1 p.m. Thursdays. Bring mat and towel.
- Zumba Gold: A low impact class using Latin music for fitness/dance is offered from 11 a.m. to noon Thursdays. Fee is $6/session.
‒ Zumba Gold Toning: Classes from 11 a.m. to noon Mondays for full body workout with rhythms of Zumba Gold. Fee is $6/session.
To become more effective communicators and leaders, visit one or more of the Toastmasters clubs at the following locations or visit www.toastmasters.org/Find-a-Club.
• Club 702 White Sands Toastmasters, 12-1 p.m. Thursdays at 415 Racetrack Road NE in Fort Walton Beach.
• Club 1919 Emerald Coast Toastmasters, 11:30 a.m. to 12:30 p.m. Thursdays at Education Bldg 251, Room 122 on Eglin AFB.
• Club 9478 Hurlburt Toastmasters, 11:30 a.m. to 12:30 p.m. Wednesdays at Education Center Bldg. 221, Classroom L on Hurburt Field.
• Club 724908 Destin Toastmasters, 5:45-7:15 p.m. 1st and 3rd Tuesday each month at Walton County Utility Building.
• Club 817348 Crestview Toastmasters, 6-7 p.m. 2nd and 4th Tuesday each month at Holiday Inn Express & Suites Crestview.
• Club 851515 Lake DeFuniak Toastmasters, 12-1 p.m. 2nd and 4th Thursday each month at Northwest Florida State College, Room 103 at the Chautauqua Center.
Seniors of Destin
The Seniors of Destin meet the fourth Friday of the month for a covered dish and to celebrate all birthdays for the month. The program is spon-sored by the city of Destin and Gentiva Home Health. Each month has a featured guest speaker that pertains to senior living. Call 685-5310.
Betterment Alliance
The Main Street Betterment Alliance meets at 6 p.m. Tuesdays at the American Legion, 311 Main Street. Call 837-3818.
Destin Business Builders
Destin Business Builders Networking group meets from 7:15-8:45 a.m. every Wednesday at the Destin United Methodist Life Center. Call 651-1300 ext. 13.
Food Buying Club
A small group interested in eating healthy and purchasing smart meets at 6:30 p.m. Tuesdays at 125 Scottsdale Court in Mary Esther. On the second Tuesday, the group meets at Fountain Square in downtown Fort Walton Beach for the Growing Local film series. Call 863-4040.


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1. License to Developer. Subject to these Terms, TikTok hereby grants Developer a personal, non-exclusive, non-transferable, non-sublicensable, limited, revocable license during the Term solely to access and use the TikTok Developer Services to develop, test, maintain, support and operate the Application for interacting with TikTok Services according to these Terms and any documentation and specifications applicable to the TikTok Developer Services for the sole purpose of (i) allowing End Users to share content to TikTok Services; and (ii) generating links to be embedded in the Application that will connect to TikTok Services.
2. TikTok's Ownership. TikTok or its licensors own and shall maintain ownership of all right, title and interest in and to the TikTok Developer Services and TikTok Services. TikTok expressly reserves all rights to the foregoing. These Terms grants you no right, title, or interest in any intellectual property owned or licensed by TikTok. TikTok shall have an unlimited, irrevocable and worldwide right to use for any purpose any feedback, whether provided verbally or in written form, by you to TikTok regarding your use of and/or access to TikTok Developer Services, without monetary or other compensation to you.
3. TikTok Logo. If the TikTok Developer Services include or require the use or display of the TikTok Logo, TikTok grants you a personal, non-exclusive, non-transferable, non-sublicensable, limited, revocable license during the Term to display the TikTok Logo in or through your Application in accordance with TikTok's brand guidelines, as provided to you, and as amended from time to time.
4. TikTok User Content. If applicable, any content created, uploaded, posted, sent, received, stored, or otherwise provided by TikTok users or by other third party licensors ("TikTok User Content"), may be subject to copyright or other intellectual property and proprietary rights. You may not distribute TikTok User Content unless you obtain all necessary rights, consents, and licenses by the owner of such content or as required by law.
6. Incorporated Terms. Your use of the TikTok Developer Services and interaction with TikTok Services is subject to and governed by the policies, guidelines and other terms and conditions (as updated from time to time) applicable to such use or access by you (the "Incorporated Terms"), including without limitation the following:
a) the TikTok Terms of Service located at https://www.tiktok.com/legal/terms-of-use?lang=en;
b) the TikTok Privacy Policy located at https://www.tiktok.com/legal/privacy-policy?lang=en.
c) the TikTok Community Guidelines located at http://support.tiktok.com/en/privacy-safety/community-policy-en.
You and the Application will not encourage or create facility for your End Users or other third parties that violates these Terms or the above Incorporated Terms.In the event of a conflict between these Terms and any of the above Incorporated Terms, these Terms shall prevail.
7. Monitoring. You agree that TikTok may monitor the use of the TikTok Developer Services to ensure the quality and verify whether you comply with your obligations under these Terms. You agree that you will not interfere with such monitoring.
III. Developer Application; Reasonable Use; Restrictions
1. Authentication. In order to gain access to TikTok Developer Services, you must register with the TikTok Developer Site and provide the information requested by us. You are responsible for ensuring that the information you provided is and remains accurate and up-to-date. You are responsible for ensuring the confidentiality of your login credentials and responsible for all acts or omissions that occur under your account.
2. Application. TikTok may require you to submit the Application for review and approval by TikTok prior to distribution to End Users. If you make any changes to the Application after approval by TikTok, you must resubmit the Application to TikTok. You agree to cooperate with TikTok in the submission process, provide all required information, and answer all questions reasonably requested by TikTok regarding your Application.
3. Developer Content. If the TikTok Developer Services allow you or End Users to submit or create content to submit text, graphics, photos, video, audio, music, or other content ("Developer Content") to the TikTok Services, you hereby grant TikTok a perpetual, irrevocable, worldwide, sublicensable, royalty-free, and non-exclusive license to use, host, store, archive, copy, modify, cache, encode, reproduce, distribute, transmit, synchronize, display, create derivative works from, and publicily perform such Developer Content. Before you submit Developer Content to the TikTok Developer Services, you must have all the necessary rights (including from End Users or other third party licensors) to grant TikTok this license. All Developer Content is subject to these Terms, Incorporated Terms, and any other policies provided by TikTok applicable to Developer Content. TikTok does not acquire ownership in Developer Content or Application.
4. Reasonable Use. You must:
a) abide by all laws, rules and regulations applicable to your Application, the TikTok Developer Services, and TikTok Services, including those applying to personal data;
b) comply at all times with these Terms and with TikTok's requirements, requests, policies and applicable Incorporated Terms (or those of any network connected to the TikTok Developer Services or TikTok Services);
c) make a complete and accurate disclosure to your End Users of the privacy practices and policies applicable to the Application that is compliant with applicable law, these Terms, and Incorporated Terms;
d) ensure that the Application which you connect to the TikTok Developer Services is stable and easily navigable;
e) implement and maintain technical, physical, and administrative safeguards in accordance with these Terms and the highest industry standards;
f) immediately disconnect with the TikTok Developer Services and TikTok Services in the event of your becoming aware of any compromise or deficiency in relation to your computer systems, networks, web-browsers or routers and report any such compromise or deficiency to TikTok immediately upon becoming aware of it;
g) if applicable, provide all necessary customer support for the Application to End Users.
5. General Restrictions. When accessing the TikTok Developer Services, you will not (or allow others to):
a) distribute, license, transfer, directly or indirectly sell, rent, syndicate, lend, copy, modify, reverse engineer, decompile, or otherwise alter, in whole or in part, the TikTok Developer Services, or TikTok Services or any derivative works thereof;
b) sublicense to any third party or permit any third party, without TikTok's express written authorization, to browse, access or use the TikTok Developer Site, or any derivatives thereof;
c) use the TikTok Developer Services or TikTok Services, without TikTok's express written consent, for any commercial or unauthorized purpose, including without limitation communicating or facilitating any commercial advertisement or solicitation or spamming;
d) use the TikTok Developer Services or TikTok Services in connection with or for any illegal, unauthorized or otherwise improper purposes, or in any manner which would violate any right of any person, including intellectual property rights, or breach any laws or regulations, or in any manner that is misleading, defamatory, infringing, libelous, disparaging, obscene or otherwise objectionable to TikTok;
e) use or combine the TikTok Developer Services with software offered under an open source license in such a way that would cause the TikTok Developer Services to be subject to any obligations under any such open source license;
f) use the TikTok Developer Services in a manner that violates any mobile developer or app store terms, conditions, guidelines, or policies;
g) use the TikTok Developer Services in a matter that (as determined by TikTok), exceeds reasonable request volume, constitutes excessive or abusive usage, or otherwise fails to comply with or is contradictory with any documentation, policies, these Terms, or any Incorporated Terms;
h) collect or attempt to collect any personal data from TikTok users for any unauthorized or unlawful purpose or build, help build, or supplement any profiles, databases, or similar records on any individual, device, content, or browser or associate the behavior of any individual, device, content, or browser with any profile, databases, or similar record;
i) use the TikTok Developer Services for fraudulent or otherwise unlawful or unauthorized purposes, including but not limited to the development or promotion of spyware, adware or other malicious codes or programs or to defame or harass any person;
j) introduce viruses, malware, malicious code or other content of a harmful or destructive nature through the Application or your access or use of the TikTok Developer Services, including, but not limited to, failure to ensure adequate protection is installed on your devices and servers in accordance with industry practices;
k) use any robot, spider, site search or retrieval application, or other device to collect information about users of the TikTok Developer Services for any unauthorized purposes;
l) act in any way which could reasonably be expected to adversely impact the stability of TikTok's servers or the behavior of other applications using the TikTok Developer Services;
m) interfere with or attempt to interfere with the proper working of the TikTok Developer Services or TikTok Services, disrupt our website or any networks connected to the TikTok Developer Services or TikTok Services, or bypass, circumvent or attempt to bypass or circumvent any measures we may use to prevent or restrict access to the TikTok Developer Services or TikTok Services;
n) remove, obscure, or alter any lega, copyright, trademark or other proprietary notices in relation to the TikTok Services, TikTok Developer Services, and abide by TikTok's requirements in relation to the use of any proprietary materials, or falsify or delete any author attributions, legal notices, or other labels of origins or source of material;
o) imply any inaccurate affiliation, sponsorship, or endorsement of you by the Application by TikTok;
p) use the TikTok Developer Services to compete with or replicate any TikTok Services;
q) create a false identity on the TikTok Developer Site; or
r) use TikTok Developer Services or TikTok Services in any manner that is not expressly authorized under these Terms.
6. Compliance. TikTok may audit you and the Application for compliance with these Terms. You agree you will provide TikTok with proof that you and your Application comply with your obligations under these Terms.
IV. Confidentiality
All authentication procedures and data to which you gain access or which is provided to you in connection with your use of the TikTok Developer Services and TikTok Services is the "Confidential Information" of TikTok and proprietary to TikTok, unless you can demonstrate that such information: (a) was already known to you, other than under an obligation of confidentiality, at the time of disclosure; (b) was generally available in the public domain at the time of disclosure to you; (c) became generally available in the public domain after disclosure other than through your act or omission; (d) was subsequently lawfully disclosed to you by a third party without any obligation of confidentiality; or (e) was independently developed by you without use of or reference to any information or materials disclosed by TikTok. You may use this Confidential Information only as expressly permitted hereunder and you may not share the Confidential Information with any third party other than as required by a court, a regulator or otherwise under applicable laws. You aknowledge and agree that TikTok may be independently creating applications and other products and services that may be similar or competitive with the Application and nothing in these Terms will be construed as restricting or preventing TikTok from creating and fully exploiting such applications, products, or services with any obligation to you.
V. Modifications; Suspension; Support
TikTok may change, suspend, or discontinue any aspect of the TikTok Developer Services at any time. TikTok may also impose limits on certain features and services or restrict your access to parts or all of the TikTok Developer Services without notice or liability to you. TikTok will use commercially reasonable efforts to correct errors in the TikTok Developer Services that cause the same not to perform in accordance with TikTok's published user documentation for such site or materials that has been made available by TikTok.
VI. Fees
TikTok does not currently charge for use of the TikTok Developer Services; however, TikTok reserves the right to do so in the future, at its sole discretion. If TikTok decides to charge for the TikTok Developer Services, such charges will be disclosed to you prior to taking effect and if you do not wish to pay such charges, your sole and exclusive remedy is to terminate your use of the TikTok Developer Services at which point each party's obligations under these Terms will automatically terminate.
VII. Term & Termination
The term of these Terms will commence on the earlier of your acceptance of these Terms or your first use of any of the TikTok Developer Services and shall continue until these Terms is terminated by either party. Either party may terminate these Terms upon notice to the other party. Upon termination of these Terms, all licenses granted herein immediately expire, and you must immediately cease use of any and all TikTok Developer Services and permanently delete all Platform Offerings, TikTok confidential information, any TikTok User Content in all forms in your possession and control (including from our servers). The following sections will survive any expiration or termination of the Terms: Section II.2, III.6, IV, VIII-XII, and any other provision of the Terms that contemplates a continuing obligation.
VIII. Disclaimers
TO THE EXTENT PERMISSIBLE UNDER APPLICABLE LAW: (I) TikTok PROVIDES THE TikTok Developer Services ON AN 'AS IS' AND 'AS AVAILABLE' BASIS; (II) DISCLAIMS ALL GUARANTEES, CONDITIONS, WARRANTIES AND REPRESENTATIONS, EXPRESS, IMPLIED, STATUTORY OR OTHERWISE CONCERNING THE TikTok Developer services SUPPLIED BY TikTok HEREUNDER, INCLUDING BUT NOT LIMITED TO, THOSE IMPLIED WARRANTIES OF MERCHANTABILITY, SATISFACTORY QUALITY, FITNESS FOR A PARTICULAR PURPOSE, TITLE AND NON-INFRINGEMENT; (III) tiktok DOES NOT REPRESENT THAT THE TikTok Developer services WILL BE UNINTERRUPTED OR ERROR FREE UNINTERRUPTED, VIRUS-FREE OR SECURE OR MEET YOUR REQUIREMENTS; (IV) YOUR USE OF THE TikTok Developer Services IS AT YOUR OWN DISCRETION AND RISK, AND YOU WILL BE SOLELY RESPONSIBLE FOR ANY DAMAGE THAT RESULTS FROM THE USE OF THE TikTok Developer services INCLUDING, BUT NOT LIMITED TO, ANY DAMAGE TO YOUR COMPUTER SYSTEM, LOSS OF DATA OR ANY OTHER DAMAGE OR INJURY TO YOU OR ANY THIRD PARTY. THE LAWS OF CERTAIN JURISDICTIONS DO NOT ALLOW THE DISCLAIMER OF IMPLIED WARRANTIES, SO THE ABOVE DISCLAIMER MAY NOT APPLY TO YOU. with respect to tiktok USER content, tiktok is not responsible for the accuracy, completeness, usefulness, availability, safety, or legality of such data, including content that may be offensive, indecent, defmatory, objectionable, or that may violate third party rights or applicable laws or regulations.
IX. Indemnity
To the maximum extent permitted by applicable law, you agree to hold harmless and indemnify TikTok, its subsidiaries, affiliates, licensors, licensees, assigns and successors, and each of their officers, directors, employee, agents, advisors and shareholders from and against any third-party claim, suit or action including any liability, losses, damages (actual and/or consequential), expenses, litigation costs and reasonable attorney fees, of every kind and nature arising from or in any way related to your (a) actual or alleged breach of your obligations under these Terms; (b) your use of TikTok Developer Services and any Developer Content or data derived therefrom; or (c) the performance, promotion, sale or distribution of the Application. TikTok shall use reasonable endeavors to provide you with written notice of any such claim, suit or action.
X. Limitation of Liability
TO THE MAXIMUM EXTENT PERMITTED BY APPLICABLE LAW, IN NO EVENT SHALL TIKTOK, ITS AFFILIATES, assigns, successors, licensors or LICENSEES, or each of their OFFICERS, DIRECTORS, EMPLOYEES, AGENTS, advisors, or SHAREHOLDERS, BE LIABLE TO YOU OR ANY THIRD PARTY FOR ANY direct, INDIRECT, INCIDENTAL, SPECIAL, PUNITIVE OR CONSEQUENTIAL DAMAGES (INCLUDING BUT NOT LIMITED TO ANY LOSS OF DATA, SERVICE INTERRUPTION, COMPUTER FAILURE, OR PECUNIARY LOSS) ARISING OUT OF or in connection with this TERMS or THE USE OF, OR INABILITY TO USE, THE TIKTOK SERVICES, OR THE TIKTOK DEVELOPER SERVICES, INCLUDING ANY DAMAGES RESULTING THEREFROM, REGARDLESS OF THE FORM OF THE ACTION OR THE BASIS OF THE CLAIM, WHETHER BASED ON BREACH OF CONTRACT, BREACH OF WARRANTY, TORT (INCLUDING NEGLIGENCE, PRODUCT LIABILITY OR OTHERWISE), regardless of whether tiktok has been ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. YOUR ONLY RIGHT WITH RESPECT TO ANY PROBLEMS OR DISSATISFACTION WITH TIKTOK SERVICES OR THE TIKTOK DEVELOPER SERVICES IS TO STOP USING THE TIKTOK SERVICES OR THE TIKTOK DEVELOPER SERVICS.
XI. Anti-Corruption; Export Rules
You agree to comply with all applicable laws and regulations in relation to export control, including those administered or enforced by the Bureau of Industry and Security of the U.S. Department of Commerce. You agree that you will not transfer any information or software it receives from TikTok that constitutes an export or transfer of controlled items, data or services, to include transfer to non-US persons employed by or associated with, or under contract to that party, without the authority of an export license, agreement or applicable exemption or exception.
XII. Miscellaneous
1. Publicity. You agree that TikTok may use your name, logo(s), or other identifying information or image for any legitimate business purpose without consent. You may not make any public statement regarding your relationship with TikTok or access to the TikTok Developer Services without TikTok's prior written consent.
2. Agency. Nothing in these Terms will be construed to establish any agency, partnership, or joint venture between you and TikTok.
3. Entire Agreement. These Terms, together with applicable Incorporated Terms, constitute the whole legal agreement between you and TikTok and govern your use of the TikTok Developer Services and entirely replace any prior agreements between you and TikTok in relation to the TikTok Developer Services.
4. Assignment. You may not assign any of the rights or obligations granted hereunder, in whole or in part, whether voluntarily or by operation of law, without the prior written consent of TikTok. Any attempted assignment in violation of this Section is null and void, and TikTok may terminate these Terms.
5. No Waiver/Severability. Our failure to enforce any provision of these Terms shall not be construed as a waiver of any provision or right. If any part of these Terms is determined to be invalid or unenforceable by a court of competent jurisdiction, that part will only be enforced to the maximum extent permissible and the remaining provisions of these Terms will remain in full force and effect.
6. Governing Law. These Terms, its subject matter and formation, are governed by the laws of the State of California. Any disputes or proceedings (including tort claims) arising out of or relating to these Terms or the TikTok Developer Services will be litigated exclusively in the United States District Court for the Central District of California. If, however, that court would lack original jurisdiction over the litigation, then the dispute will be litigated exclusively in the Superior Court of California, County of Los Angeles. The parties consent to personal jurisdiction in both courts. EACH PARTY EXPRESSLY WAIVES ANY RIGHT TO A TRIAL BY JURY IN AN ACTION OR PROCEEDING BROUGHT BY OR AGAINST EITHER PARTY.
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text:
Q: jQuery form not submitting when no errors exist I have an html form and some jQuery that validates the form. If all of the validations pass I would like to submit the form. When I press submit, the errors messages are appearing (if there are errors), however, when there are no error messages, the submit button kind of stalls and I get an error

Unresponsive script error

I get the same results in both firefox and safari.
jQuery (the errors div is where all of the errors appear):
$("#joinForm").on("submit", function (e) {
        e.preventDefault();

        if (!$(':text').val() || !$(':password').val()){

            $('#fillIn').remove();
            $('#errors').append("
Please fill in all fields
");
        }
        else {
            $('#fillIn').remove();
        }

        if ($('#email').val()!= $('#reemail').val()){
            $('#noMatch').remove();
            $('#errors').append("
Emails do not match
");
        }
        else{
            $('#noMatch').remove();
        }

        if ($('#email').val() == $('#reemail').val() && $(':text').val() && $(':password').val()){
            $('#joinForm').submit();
        }
        else{
            $('#errorModal').modal('show');
        }

    });

});

HTML:
<form method='POST' action='join_action.php' id='joinForm'>

            Full Name: 	<input type='text' name='name'></input>

            Email: 	<input type='text' name='email' id='email'></input>

            Re-type Email: 	<input type='text' name='reemail' id='reemail'></input>

            New Password: 	<input type='password' name='password'></input>

            <input type='submit' value='Sign Up' name='signup' id='signup'>

</form>

A: The e.preventDefault(); prevents the form from submission, and then you called submit() manually, this will fire another submit event, thus you got an infinite loop.
To fix it, call preventDefault only when the form is invalid.
$("#joinForm").on("submit", function (e) {
        var isValid = true;

        if (!$(':text').val() || !$(':password').val()){
            isValid = false;
            $('#fillIn').remove();
            $('#errors').append("
Please fill in all fields
");
        }
        else {
            $('#fillIn').remove();
        }

        if ($('#email').val()!= $('#reemail').val()){
            isValid = false;
            $('#noMatch').remove();
            $('#errors').append("
Emails do not match
");
        }
        else{
            $('#noMatch').remove();
        }

        if (isValid && $('#email').val() == $('#reemail').val() && $(':text').val() && $(':password').val()){
           // pass
        }
        else{
            $('#errorModal').modal('show');
            e.preventDefault();
        }

    });

});

A: Switch your last if statement to this:
    if (!($('#email').val() == $('#reemail').val() && $(':text').val() && $(':password').val())){
        $('#errorModal').modal('show');
        e.preventDefault();
    }

Also remove the e.preventDefault() from the top of your code.
This just changes the logic to say "If we have errors, show the modal and stop the submit. Otherwise, carry on submitting"

A: you should use e.preventDefault(); only when there is an error. the esiest way to do is, declare a flag and set it to true when there is an error and do something like ,
$("#joinForm").on("submit", function (e) {
   var isError = false; // set the flag to false initially

 // do whatever you want.

  if(error conditions)
   isError = true;  /// do this wherever you are expecting error

  // do something else

  if(isError)
      e.preventDefault();
});

A: try this:
$('#joinForm').submit(function(){

    if (!$(':text').val() || !$(':password').val()){

        $('#fillIn').remove();
        $('#errors').append("
Please fill in all fields
");
    }
    else {
        $('#fillIn').remove();
    }

    if ($('#email').val()!= $('#reemail').val()){
        $('#noMatch').remove();
        $('#errors').append("
Emails do not match
");
    }
    else{
        $('#noMatch').remove();
    }

    if ($('#email').val() == $('#reemail').val() && $(':text').val() && $(':password').val()){
        $('#joinForm').submit();
    }
    else{
        $('#errorModal').modal('show');
    }

    return false;
});

SEE in the end:

return false;

Bye!

A: Working code on 1.7.1 jQuery:
    $(function() {
        $("#joinForm").on("submit", function () {
            var validForm = true;
            if (!$(':text').val() || !$(':password').val()){

                $('#fillIn').remove();
                $('#errors').append("
Please fill in all fields
");
                validForm = false;
            }
            else {
                $('#fillIn').remove();
            }

            if ($('#email').val()!= $('#reemail').val()){
                $('#noMatch').remove();
                $('#errors').append("
Emails do not match
");
                validForm = false;
            }
            else{
                $('#noMatch').remove();
            }

            if (validForm){
                $(this).submit();
            }
            else{
                $('#errorModal').modal('show');
            }
        return false;
    });
  });


Sudoku for beginners and advanced players. Whether you'd like to relax or keep mind active – pass your free time in a pleasant way! Get a small stimulating break or clear your head with sudoku. Take your favorite app with you wherever you go. Playing sudoku on mobile is as good as with a real pencil and paper.Choose any level you like. Play easier levels to exercise your brain, logical thinking and memory, or try hard levels to give your mind a real workout. Our classic puzzle game has some features that make sudoku easier for you: hints, auto-check, and highlight duplicates. You can use them or complete the challenge without help – it's up to you! What's more, in our app each puzzle has one solution. You will find all you need whether you are playing your first sudoku, or you've progressed to expert difficulty.Features✓ Complete Daily Challenges and get unique trophies✓ Challenge yourself figuring out your mistakes, or enable Auto-Check to see your mistakes as you go✓ Turn on Notes to make notes as on paper. Each time you fill in a cell, notes are automatically updated!✓ Highlight duplicates to avoid repeating numbers in a row, column and block✓ Hints can guide you through the points when you are stuckMore features- Statistics. Track your progress for each difficulty level: analyze your best time and other achievements- Unlimited Undos. Made a mistake? Just put it back quickly!- Color themes. Choose one of three appearances to play with more comfort, even in the dark!- Auto-save. If you leave sudoku unfinished, it will be saved. Continue playing anytime- Highlighting of a row, column, and box related to the selected cell- Eraser. Get rid of all mistakesHighlights• More than 5,000 well-formed puzzles• 9x9 grid• 4 perfectly balanced levels of difficulty: easy, medium, hard, and expert• Support both phones and tablets• Portrait and landscape mode for tablets• Simple and intuitive designChallenge your brain anywhere, anytime!


text:
Matthew Reiswig
Startup Banking
Matthew Reiswig is a vice president in SVB's Portland, Oregon office, where he and the StartUp Banking team work closely with Pre-Series A technology company founders, setting them up to succeed as early as possible. It's a role he relishes for its immersion in the cutting-edge Pre-Series A ecosystem.
Matthew earned a Bachelor of Arts degree in communication and sport management from the University of California, Santa Barbara. He began his banking career as a teller with Wells Fargo and worked his way up to Member Center manager with Valley Credit Union, a division of CEFCU, in San Jose, CA.
Matthew joined SVB in 2011 as a relationship advisor, moving up to associate in 2015, and vice president in 2018. Throughout his banking career, he has been known for his ability to develop long-term relationships with his clients and solve complex issues on their behalf. In 2019, he earned Six Sigma Black Belt certification, the highest award for organizational leadership, project management, and analytical thinking given by the Management and Strategy Institute.
When he's not working, Matthew enjoys playing and watching sports — especially basketball — and reading books with his daughter.


The 30 acre Stirling vineyard is located in central Waipara and is planted on two former river terraces. The lower 10 acre terrace is the bed of the former river with the vines planted directly onto river boulders and shingle. The soil here has little structure so all harvest compost is mulched and spread onto this block to impart nutrients. We have Pinot Noir and Chardonnay vines planted on this terrace.
The remaining 20 acres on the upper terrace is planted in Pinot Noir, Riesling and Sauvignon Blanc. The soil here is gravelly sandy loam over gravel shingle and sand.
Soil moisture is monitored on all our blocks and drip irrigation used when required. The Stirling vineyard along with Church Road and Terraces vineyards have their own dam. Rain water is collected throughout the winter and used for irrigation during the dry summer and autumn months. Glasnevin and Georges Road use a well system.
The lower terrace is the bed of the former river with the vines planted directly onto river boulders and shingle. The remaining 20 acres on the upper terrace is gravelly sandy loam over gravel shingle and sand.


We are at a times when solutions powered by blockchain technology under a tokenized scheme are gaining ground with firm step. Encompassing practically all areas, these solutions are already beginning to draw a new panorama in the global economy. In this opportunity we will talk about FlipNpik Platform, a solid blockchain response for the social media sector.
FlipNpik is defined as the first 100% Social Media collaborative network and powered by Blockchain technology, dedicated to providing local companies with greater visibility and control of their digital identity, in order to obtain a solid position at the heart of the social scene local and global.
Certainly there is a great disparity in the world of social networks, the scope is a matter of the greatest interest for the brands and the capacity of arrival of them covers practically all the spectrum of announcements in the social networks. Another of the main reasons for these inequalities in this area, is that the platforms that offer visibility are better adapted to large companies with large means and great purchasing power, in terms of costs and exposure designed for large brands, not so much for individuals or small companies that do not have the experience or the budget to stand out on these platforms in a successful and economically viable way.
The FlipNpik platform was thought as a solution to the problem described above. This platform offers companies and individuals an improved visibility generated by the participation of their local community. The participatory model is the focal point of the platform, and gives users-collaborators the opportunity to obtain rewards or remunerations for their actions. This is only possible thanks to the tokenization capability that blockchain allows.
FlipNpik will allow users of the platform to discover local businesses in their area, benefit from promotions and exclusive offers, and be able to share their discoveries with their friends, being rewarded for all this as well.
The users-collaborators have a fundamental role in the platform, and contribute to the creation of value in the same for all, improving the visibility of the companies through different actions such as adding new businesses in the application, or becoming a Partner Ambassador of the platform. As an active partner in the platform, the Ambassador user will be able to receive up to 20% of the budget allocated by the latter from the business to use the premium services offered within the FlipNpik Ecosystem.
FlipNpik devised a reward system to encourage activity in its ecosystem and retain users of the Platform: Flip Social. In exchange for their positive actions, the users-collaborators receive Flip that they can use to benefit from promotions, obtain products or simply to entertain themselves with the games available on the Platform. Ambassador Partners receive remuneration from their businesses when they actively contribute to increasing the visibility of the business within the FlipNpik ecosystem.
The native token of the platform is the FlipNpik (FNP), which will be the utility token that will serve as an exchange and remuneration currency within the ecosystem, with its advantages in development.
To know more details about this platform and be updated on its news, we recommend to follow them at their Telegram channel.


Survey 6: Fly Me to the Moon, Lumiere Brothers!
Throughout 1895 – 1905 a lot of events happened that were the foundation for the society we live in nowadays. Women started fighting for their rights for the very first time in history, the first Nobel Prizes were awarded, and new technologies like, cinematographe, were developed.
A lot of people are under the impression that the development of modern film technology is all thanks to the famous inventor, Thomas Edison, and his employee, William Dickson. Together, they developed two very first film technologies: kinethograph (basically a camera), and kinetoscope (a single viewer exhibition device that you use to watch kinethograph films). However, while they were busy inventing the two in the United States, people all over the world were going after a similar goal. In Lyon, France, the Lumiere brothers invented a lightweight all-in-one motion picture device that made movies and exhibited them. They called it Cinematographe. It played back the developed roll of film shining a bright light through it to show images.
Georges Melies, a French magician, director, and theatrical special effects specialist, got invited to one of the Lumier brothes' movie screenings. And it of course blew his mind. He tried to purchase the cinematographe on the spot but the Lumier brothers weren't ready to sell. But Melies did not give up. After searching all over the world, he ended up buying an animatograph. He now had the opportunity to direct the very first science fiction movie in 1902 called Le Voyage dans la Lune or A Trip to the Moon. Inspired by a wide variety of sources, including Jules Verne's novels "From Earth to the Moon" and "Around the Moon", the film follows a group of astronomers who travel to the Moon in a capsule, explore the Moon's surface, escape from an underground group of aliens, and return in a splashdown to Earth. It features a cast of French theatrical performers, led by Méliès himself in the main role of Professor Barbenfouillis, and is filmed in the overtly theatrical style for which Méliès became famous.


We're posting about it here and there in random places throughout the forum, so I thought this would be a great place to have a discussion.
1. Any member is welcome to contribute to the database; the instructions are in the other stuck thread named "How to post here" by Sickboy.
2. Please ensure you are not making a duplicate post/movie. You can search for the name of the movie using the search feature at the top right of just about any page. You may also sort movies alphabetically and verify. Duplicate entries/movies will eventually get deleted. Please let me know if you see any duplicates.
3. If you're having difficulty posting a certain movie, please post here. There may be a number of reasons why the movie will not go through.
I may eventually make a complete listing of our database when the updates slow down and then update on a weekly basis.
Last edited by jhon.L; 04-19-2019, 12:13 PM.


text:
Hellman Medical Office
Alhambra, City of (City of Alhambra)
NEG - Negative Declaration
One-story medical office building. The Alhambra general plan designates the site as office professional. The zoning is PO
The proposed project includes the demolition of an existing single story medical office building with approximately 8,023 sf of medical office space to construct a three story 13,372 medical office building with subterranean parking. An existing public alley adjacent to and west of the existing medical office building and a paved parking lot with 20 parking spaces west of the alley that serves the existing medical office building will be part of the project. The proposed medical office building will front Hellman Avenue with surface parking on the north and west sides of the building. Ownership of the portion of the existing public alley abutting the project site will be transferred from the city to developer. The alleyway will be maintained to provide access to the site and to all the neighboring properties that currently utilize the alley for access. Two variances are requested for reduced front and side yard setbacks. The project proposes a total of 74 parking spaces, including 61 regular spaces, 8 compact spaces and 5 handicap spaces. Subterranean parking will be provided under both the medical building and the existing surface parking lot west of the medical building.
Paul Lam
City of Alhambra
111 S. First Street
Alhambra, CA 91801-3796
Hellman Ave and Garfield Ave
I-10, I-710
UPRR
Office (13,372 Sq. Ft., 0.52 Acres)
Subdivision Other Action Other Action: Site plan approval
Aesthetic/Visual Agricultural Land Air Quality Archaeologic-Historic Flood Plain/Flooding Geologic/Seismic Minerals Noise Public Services Schools/Universities Sewer Capacity Soil Erosion/Compaction/Grading Solid Waste Toxic/Hazardous Traffic/Circulation Vegetation Water Quality Water Supply Wetland/Riparian Wildlife Growth Inducing Land Use Cumulative Effects
California Department of Fish and Wildlife, South Coast Region 5 California Department of Parks and Recreation California Department of Transportation, District 7 California Highway Patrol California Public Utilities Commission California Regional Water Quality Control Board, Los Angeles Region 4 Department of Toxic Substances Control Department of Water Resources Office of Emergency Services, California Office of Historic Preservation Resources Agency Resources, Recycling and Recovery California Native American Heritage Commission


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Friday 01st, February 2019 04:03:25: AM. Architerture.. Mary Peters.