text:
By Manolis Saridakis | the first dance piece ever to be created in Greece by a learning disabled choreographer.
QUICK HISTORY OF THE PERFORMANCE
The work was created at Onassis Stegi in Athens in the context of the Europe Beyond Access program which aims to support disabled artists to break the glass ceilings of contemporary dance & theatre.
The performance was first presented in December 2021 as a work in progress along with works by Stavros Zafiris and Sofia Ziaka, artists supported by the EBA New Commissions Program.
In March 2022 it featured in the ONC9 , Onassis New Choreographers Festival 9.
In September it was hosted by ΟUR.FESTIVAL at Rematia Theater, Chalandri.
Now it is on tour with upcoming dates at:
Per.ART festival | more information soon and
Nikosia festival | more information soon
MORE ON THE PERFORMANCE | CREDITS
Concept: MANOLIS SARIDAKIS
Choreography: MANOLIS SARIDAKIS, IN COLLABORATION WITH THE DANCERS
Dancers: OLYMPIA ANTONENA, EIRINI KOUROUVANI, CHRISTOS CHRISTAKOPOULOS, MANOLIS SARIDAKIS
Dramaturgy-mentoring: MEDIE MEGAS
Costumes: MARILENA KALAITZANTONAKI
Lighting design: KONSTANTINOS BETHANIS
Make-up: ALEXANDRA RENTZOU
Original music: CHRISTOS CHRISTAKOPOULOS
Additional music: "TECHNO ESKALATION!!!" BY MAX MINIMAL ALSO FEATURES IN THE PERFORMANCE
Executive producer: CHRISTOS PAPAMICHAEL – LIMINAL
Production manager, coordinator of artistic activities for Europe Beyond Access: CHRISTINA LIATA – ONASSIS STEGI
European programs coordinator: DORA VOUGIOUKA – ONASSIS STEGI
Special thanks to: NIKI SARIDAKI, FOTINI GIOTI, GIANNIS MAKRIS, MANOLIS ANDRIOTAKIS, RODIA VOMVOLOU
Note by Medie Megas | dramaturgy:
"Within the framework of Europe Beyond Access, an artistic mentoring program of a practical and theoretical nature was launched, running ahead of and in parallel with rehearsals for the production of three works. The talks, discussions, and practical exercises that took place followed four key lines of inquiry. The first concerned contemporary dance today: artistic practices, methodological tools, the generation of meaning, and the relationship between artist and audience. The second focused on the field of dramaturgy and contemporary collective practices, a topic further elaborated by means of a two-day seminar led by the dramaturg Rodia Vomvolou. The third introduced disability and accessibility perspectives in order to bring issues of identity to the fore, and to examine new and more specialized concepts such as the aesthetics of accessibility. Lastly, and in parallel with all the other lines of inquiry, particular importance was placed on developing the ideas of each choreographer, and on the ways in which these ideas could be translated into instructions for improvisation, exploratory games, and creative tasks for the dancers".
Note by Manolis Saridakis | concept – choreography:
"The performance you're going to watch has to do with robots. I chose this topic because I feel like a robot sometimes too. I conducted an interview and did research to learn about robots: about how they move and how they help people. I had a few questions: Do robots have a mechanical heart? Is a robot brain the same as a human brain? Are robots ever bored when they do chores? Do robots do whatever they want or whatever humans want? I hope watching my performance makes you happy".
Program note:
The dance piece "Do Robots have emotions?" by Manolis Saridakis was created as part of the Europe Beyond Access program, and within the framework of Onassis Stegi's ongoing commitment to issues of accessibility when it comes to the arts in general, and dance in particular. The fact that persons with disabilities still do not have access to professional dance training in Greece renders the support this program provides artists particularly important.
As part of this season's program, Onassis Stegi commissioned three emerging disabled choreographers to create three short-form works. The results were presented as works-in-progress in December 2021, and support will be provided for the further development of all three. The piece by Manolis Saridakis was selected for this year's Onassis New Choreographers Festival – ONC9. The professional development of artists with learning disabilities has been supported in various ways by Europe Beyond Access to date in other European countries, but this is the first time such a commission and presentation are being undertaken in Greece.
By means of his disarmingly incisive concept, Manolis Saridakis touches upon the exceptionally timely topic of robots, weaving critical issues concerning control, as well as both artificial and emotional intelligence, into his own endeavors with regard to autonomy and freedom of expression. The choreographer himself appears on stage, programing each "robot" to perform – both individually and all together – a dance of their own. He then transports them into a virtual bar/club setting where he gives a new command: "feelings on demand"! On the dance floor, Screwdriver cocktails in hand, each robot will tackle the emotion it has been assigned, upending their interrelationships in the process, and leading us into the climactic scene of this sci-fi adventure by the programmer and choreographer Manolis Saridakis.


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text:
Rural History (3)
Using energy requirements to compare the suitability of alternative methods for broadcast and site-specific weed control
Guy R. Y. Coleman, Amanda Stead, Marc P. Rigter, Zhe Xu, David Johnson, Graham M. Brooker, Salah Sukkarieh, Michael J. Walsh
Journal: Weed Technology , FirstView
Published online by Cambridge University Press: 29 May 2019, pp. 1-18
The widespread use of herbicides in cropping systems has led to the evolution of resistance in major weeds. The resultant loss of herbicide efficacy is compounded by a lack of new herbicide sites of action, driving demand for alternative weed control technologies. While there are many alternative methods for control, identifying the most appropriate method to pursue for commercial development has been hampered by the inability to compare techniques in a fair and equitable manner. Given that all currently available and alternative weed control methods share an intrinsic energy consumption, the aim of this review was to compare methods based on energy consumption. Energy consumption was compared for chemical, mechanical, and thermal weed control technologies when applied as broadcast (whole-field) and site-specific treatments. Tillage systems, such as flex-tine harrow (4.2 to 5.5 MJ ha−1), sweep cultivator (13 to 14 MJ ha−1), and rotary hoe (12 to 17 MJ ha−1) consumed the least energy of broadcast weed control treatments. Thermal-based approaches, including flaming (1,008 to 4,334 MJ ha−1) and infrared (2,000 to 3,887 MJ ha−1), are more appropriate for use in conservation cropping systems; however, their energy requirements are 100- to 1,000-fold greater than those of tillage treatments. The site-specific application of weed control treatments to control 2-leaf-stage broadleaf weeds at a density of 5 plants m−2 reduced energy consumption of herbicidal, thermal, and mechanical treatments by 97%, 99%, and 97%, respectively. Significantly, this site-specific approach resulted in similar energy requirements for current and alternative technologies (e.g., electrocution [15 to 19 MJ ha−1], laser pyrolysis [15 to 249 MJ ha−1], hoeing [17 MJ ha−1], and herbicides [15 MJ ha−1]). Using similar energy sources, a standardized energy comparison provides an opportunity for estimation of weed control costs, suggesting site-specific weed management is critical in the economically realistic implementation of alternative technologies.
By Federico Agliardi, Andrea Alpiger, Gianluca Bianchi Fasani, Lars Harald Blikra, Brian D. Bornhold, Edward N. Bromhead, Marko H.K. Bulmer, D. Calvin Campbell, Marie Charrière, Masahiro Chigira, John J. Clague, John Coggan, Giovanni B. Crosta, Tim Davies, Marc-Henri Derron, Mark Diederichs, Erik Eberhardt, Carlo Esposito, Robin Fell, Paolo Frattini, Corey R. Froese, Monica Ghirotti, Valentin Gischig, James S. Griffiths, Stephen R. Hencher, Reginald L. Hermanns, Kris Holm, Seyyedmahdi Hosseyni, Niels Hovius, Christian Huggel, Florian Humair, Oldrich Hungr, D. Jean Hutchinson, Michel Jaboyedoff, Matthias Jakob, Julien Jakubowski, Randall W. Jibson, Katherine S. Kalenchuk, Nikolay Khabarov, Oliver Korup, Luca Lenti, Serge Leroueil, Simon Loew, Oddvar Longva, Patrick MacGregor, Andrew W. Malone, Salvatore Martino, Scott McDougall, Mika McKinnon, Mauri McSaveney, Patrick Meunier, Dennis Moore, Jeffrey R. Moore, David C. Mosher, Michael Obersteiner, Lucio Olivares, Thierry Oppikofer, Luca Pagano, Massimo Pecci, Andrea Pedrazzini, David Petley, Luciano Picarelli, David J.W. Piper, John Psutka, Nicholas J. Roberts, Gabriele Scarascia Mugnozza, David Stapledon, Douglas Stead, Richard E. Thomson, Paolo Tommasi, J. Kenneth Torrance, Nobuyuki Torii, Gianfranco Urciuoli, Gonghui Wang, Christopher F. Waythomas, Malcolm Whitworth, Heike Willenberg, Xiyong Wu
Edited by John J. Clague, Simon Fraser University, British Columbia, Douglas Stead, Simon Fraser University, British Columbia
Book: Landslides
Print publication: 23 August 2012, pp vii-x
John McDonagh, Tony Varley and Sally Shortall, eds, A Living Countryside? The Politics of Sustainable Development in Rural Ireland, Farnham, Ashgate, 2009. xix + 397 pp. £60. 9780754646693.
David R. Stead
Journal: Rural History / Volume 22 / Issue 2 / October 2011
Published online by Cambridge University Press: 16 September 2011, pp. 273-274
Economic Change in South-West Ireland, 1960–2009
Journal: Rural History / Volume 22 / Issue 1 / April 2011
Print publication: April 2011
This article reflects on the striking economic changes recently experienced in a part of peripheral south-west rural Ireland. In 1960, west Cork's economy was largely dependent on low-productivity agriculture and was undergoing long term decline. Unexpectedly the region began to be revitalised from the turn of the 1990s, reflected in a rapid reversal of chronic depopulation and growth of employment in the service sector. Important to this process was the area's ability to capitalise on several familiar national and global socioeconomic changes, including the 'Celtic tiger' macroeconomic boom and the rise of counter-urbanisation and rural-urban commuting. A pioneering regional brand network has been one notable local initiative. However west Cork's historic east/west division in affluence persists, and the adverse impacts of the national economic downturn during 2007–9 highlight that the fortunes of the area are somewhat fragile and still linked to those of the macroeconomy.
The Victorian Countryside a Hundred Years On
Volume VII of The Agrarian History of England and Wales completes a major publishing event. In 1956 R. H. Tawney chaired a meeting launching a series of eight volumes surveying the history of the English and Welsh countrysides from the Neolithic period to the beginning of the Second World War. The first, volume IV covering the years 1500 through 1640, appeared in 1967. This, the last and by far the largest book in the sequence, crowns the earlier achievements. Running to over 2,300 pages and published in two parts, volume VII is approximately twice the size – and price – of its immediate predecessors. If the physical presence of the book is impressive, the same comment applies to its content, elegantly edited by E. J. T. Collins, which covers a diverse range of topics, from King Edward potatoes to military underpants.

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: insertMany does not work properly while streaming in mongoDB I'm using Node.js, mongoose.js and mongoDB in M0 Sandbox (General) atlas tier. I want to use streaming for better optimization of resources usages. here's my code:
let counter = 0;
let batchCounter = 0;
const batchSize = 500;
const tagFollowToBeSaved = [];

let startTime;

USER.find({}, { _id: 1 }).cursor()
  .on('data', (id) => {
    if (counter === 0) {
      startTime = process.hrtime();
    }
    if (counter === batchSize) {
      counter = 0;
      const [s2] = process.hrtime();
      console.log('finding ', batchSize, ' data took: ', s2 - startTime[0]);
      TAG_FOLLOW.insertMany(tagFollowToBeSaved, { ordered: false })
        .then((ok) => {
          batchCounter += 1;
          const [s3] = process.hrtime();
          console.log(`batch ${batchCounter} took: ${s3 - s2}`);
        })
        .catch((error) => {
          console.log('error in inserting following: ', error);
        });
      // deleting array
      tagFollowToBeSaved.splice(0, tagFollowToBeSaved.length);
    }
    else {
      counter += 1;
      tagFollowToBeSaved.push({
        tagId: ObjectId('5e81ba5a5c86d7215cdc9c88'),
        followedBy: id,
      });
    }
  })
  .on('error', (error) => {
    console.log('error while streaming: ', error);
  })
  .on('end', () => {
    console.log('END');
  });

What I'm doing:

*

*first I read _ids from USER collection of 200k users using streams API with cursor

*check whether the number of reads _ids has reached the batch size limit, if so, I'm going to insert these data to TAG_FOLLOW model.

All the console.logs are for analysis purposes and you can ignore them.
However insertMany does not work properly. because I'm monitoring database while inserting data, It seems it inserts about 100 data instead of 500 per batch size without throwing any error, therefore I'm losing 400 data per batch which is so unacceptable!
Although I changed the batchSize value, it does not work anyway and I'm going to lose some data per batch.
So what is the problem? what is the better approach for saving a bunch of large data in an optimized and ensured way?
Thanks in advance.

redpajama_set_name: RedPajamaStackExchange


text:
/* global AccountsEmailsField: false */
'use strict';

// Register `updateEmails` function under the `onLogin` hook so to
// check/update the `emails` field at every new login!
Accounts.onLogin(AccountsEmailsField.updateEmails);

redpajama_set_name: RedPajamaGithub


text:
Chef Jill Vedaa's Lakewood Bistro Salt is Now Open
Posted By Douglas Trattner on Tue, Aug 9, 2016 at 12:39 PM
Shelley Polewchak
Update: Salt is open now, if you hadn't noticed or heard, and has been for a couple of weeks.
Full menu here.
(Original story 6/29/16): As chef Jill Vedaa guides this writer around her soon-to-open restaurant, her excitement is evident and contagious. After 20 years of cooking professionally for other owners (at Bohemia, KeKa, Lola, Flying Fig, Rockefeller's, Black Pig), Vedaa finally has the opportunity to be her own boss, design her own space, and draft her own menus. When it opens in July, Salt (17621 Detroit Ave.) will be the culmination of countless hours of blood, sweat and blisters.
"It's very exciting and very nerve wracking, but mostly exciting," she explains.
Since February, Vedaa and business partner Jessica Parkison have been transforming the former Pug Mahones space, a large triple storefront just east of the Beck Center, into a hip and breezy 75-seat bistro. A large horseshoe bar was demolished and replaced by a smaller bar and lounge, with seating for about 25. The dining room will seat an additional 50 guests at tables and booths, including a dramatic corner booth that will seat 8 to 10 diners on a raised platform.
From her open kitchen at the rear of the open dining room, Vedaa will prepare seasonal small plates that she describes as "composed," because they incorporate more than a single item as is often the case with traditional Spanish tapas.
"Tapas kind of pigeonholes me into Spanish influence and as you know, I pull inspiration from a lot of different ethnic cuisines," she says. "I want to be able to create dishes that are as whimsical as I'd like."
Salt's menu is divided into categories for vegetables, fish and meat, with five to seven items in each. The chef's creativity and knack for juxtaposing complementary flavors is evident in dishes like smoked beets with honey, hazelnuts and feta, and a braised octopus dish plucked from the sunny Mediterranean paired with olives and oranges. Other fish entrees are built around smoked trout, shrimp and calamari. Meat dishes range from a pork pie with chimichurri to short ribs with housemade kimchi.
Salt's motto is "experience food again," and Vedaa feels strongly that despite their often checkered history in Cleveland, small plates are the best way to dine.
"It's how me and my friends like to eat," she says. "I want to try a little bit of everything, I like sharing food, and I like to keep my palate excited. When I see a giant plate of food, I immediately get defeated and end up leaving half of it on the plate."
Vedaa says that eating at Salt will be a very "service-driven experience," with servers (and the chef) spending time with diners to go over the menu. These are plates built for pairing and sharing, and guests will be encouraged to continue ordering throughout the meal. And with dishes priced between $5 and $13, the more the merrier.
"You don't have to spend $30 to try and be full," she says. "You'll get a chef-driven meal that's made from scratch and you'll be able to try a bunch of different things."
The bar will offer three local draft beers and all the cocktails are named after "bad-ass historical women, my mom and Jessica's grandmothers included," says Vedaa.
The menu offers the following statement regarding the name: "Salt... the only rock we eat... has made a glittering, often surprising contribution to the history of humankind."
Look for Salt to open before the end of July.
Tags: salt, jill vedaa, food, dining, Image
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We are hoping that Student Chromebooks will be available for pickup prior to the start of school. We are anxiously awaiting their arrival!
Login to your Myschoolbucks.com account and "Purchase" the Chromebook user fee.If you do not have a myschoolbucks.com account, you may login and create one at myschoolbucks.com, with your information, and some basic information about your student(s).


text:
Q: What type should be mLoaderManager and how to declare it? This is the code from the RxJava for Android App Development book, p.20  use RxJava with the Loader. What type should be mLoaderManager and how to declare it?
private static class LoaderInitOnSubscribe implements Observable.OnSubscribe<Story> {
//...
@Override
public void call(final Subscriber<? super Story> subscriber) {
    mLoaderManager.initLoader(LOADER_ID, mLoaderArgs, new LoaderCallbacks<Story>() {
        @Override
        public Loader<Story> onCreateLoader(int id, Bundleargs) {
            return new StoryLoader(mContext);
        }
        @Override
        public void onLoadFinished(Loader<Story> loader, Story data) {
            subscriber.onNext(data);
        }
        @Override
        public void onLoaderReset(Loader<Story> loader) {}
    });
}}

A: A LoaderManager is obtained from an Activity via getLoaderManager() or from a Fragment via getLoaderManager().


A federal judge in Wisconsin on Friday ordered that President Trump's revised executive order pertaining to refugee admissions and immigration from six majority-Muslim countries cannot delay U.S. entry for the wife and only surviving child of a Syrian refugee who has already been granted asylum in the United States. The ruling only applies to this family and does not suspend broader implementation of the order.
"The court concludes that [the refugee] has presented some likelihood of success on the merits" of his case, wrote U.S. District Court Judge William Conley, who was appointed by President Obama. "Moreover, given the daily threat to the lives to plaintiff's wife and child remaining in Aleppo, Syria, the court further finds a significant risk of irreparable harm."


text:
HomeMilitary AviationUnique photographs show U.S. F-15E carrying B61 JTA mock nuclear bombs during tests at Nellis AFB
Unique photographs show U.S. F-15E carrying B61 JTA mock nuclear bombs during tests at Nellis AFB
December 30, 2015 David Cenciotti Military Aviation, Weapons 11
You don't happen to see an aircraft carrying two dummy nuclear bombs.
As we reported in July 2015, the U.S. Air Force is conducting a series of test drops, in Nevada, of the latest LEP (Life-Extention Program) upgrade to the B61 line of nuclear weapons: the B61-12.
These tests involve F-15E Strike Eagles of the 422nd Test and Evaluation Squadron, as shown in the accompanying photos taken in the early morning hours of Oct. 20 by The Aviationist's contributor Eric Bowen.
As you can see the F-15E carries two bright orange B61-12 Joint Test Assemblies (JTA) as it is leaving Nellis AFB: noteworthy, the two devices are not quite identical to one another both in overall color pattern, and more interestingly, the tips of each JTA appears to be different.
As Bowen reported in an email to The Aviationist, the Strike Eagle and its unarmed chase plane returned to Nellis AFB approximately 2 hours later with only 1 of the dummy bombs still on board.
The Life Extension Program or LEP, will replace the B61 -3, -4, -7, and -10 mods, with the -12 that, along with the B83, will become the only remaining gravity delivered nukes in the inventory.
The LEP increases the B61's accuracy so much that it will have the same capability against hardened targets as the much more powerful weapons it is replacing.
Image credit: Eric Bowen
Follow us everywhere and don't miss any news and update. Get The Aviationist Mobile App for Android here (IOS coming soon).
Photos of F-35, F-16, A-10, F-15E jets launching from Nellis Air Force Base
Watch a U.S. Air Force F-15E drop a dummy Nuclear Bomb on Nevada range during a test
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In photos, U.S. Air Force B-1 bombers blast through Green Flag-West 15-02
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About David Cenciotti	3920 Articles
David Cenciotti is a freelance journalist based in Rome, Italy. He is the Founder and Editor of "The Aviationist", one of the world's most famous and read military aviation blogs. Since 1996, he has written for major worldwide magazines, including Air Forces Monthly, Combat Aircraft, and many others, covering aviation, defense, war, industry, intelligence, crime and cyberwar. He has reported from the U.S., Europe, Australia and Syria, and flown several combat planes with different air forces. He is a former 2nd Lt. of the Italian Air Force, a private pilot and a graduate in Computer Engineering. He has written four books.
Turkish and Greek fighters engage in dogfight over the Aegean Sea
Interesting picture shows a fully armed RAF Typhoon participating in ISIS air war during AAR
Focus on Red Flag 15-3: how U.S. forces learn to fight in the unseen battle space
August 3, 2015 Todd Miller Military Aviation 1
We have also taken part in an aerial refueling mission: "nobody kicks ass, without tanker gas!" Red Flag is well known as the world's premier aerial warfighting exercise. Featuring the broad expanse of the Nevada […]
F-22 Raptor stealth jets to get automatic backup oxygen systems to prevent new hypoxia-like symptoms
April 9, 2014 David Cenciotti Military Aviation 12
More than 24 months since the last hypoxia-like incident occurred, the U.S. Air Force has decided to equip its F-22s with a backup oxygen system. The Raptor fleet will soon receive a brand new backup […]
Check Out These Stunning Aerial Photos Of The B-2 Doing The Rose Parade And Rose Bowl Flyovers
January 2, 2018 David Cenciotti Military Aviation 4
This year, the B-2 was escorted by two F-35s from Edwards AFB during the Rose Parade flyover. On January 1, 2018, a B-2 Spirit belonging to the 509th Bomb Wing from Whiteman Air Force Base, […]


text:
Q: I get the following mistake when I compile it public class Hw7pr1
{
 public static void main(String[] args);

    String eName;
    double payrate;

    public Hw7pr1(String name, double rate)
    {

         eName = name;
         payrate = rate;

    }
    public String getEName()

    {
         return eName;
    }
    public void setEName(String name)

    {
         eName = name;
    }

    public double getPayrate()

    {
         return payrate;
    }

    public void setPayrate(double payrate)

    {
         this.payrate = payrate;
    }
}

This is the mistake I get when compiling it.
Hw7pr1.java:3: error: missing method body, or declare abstract
public void main(String[] args);
                ^

A: Take out the semicolon after your main method declaration
should be like this
public static void main(String[] args) {
...
}

A: Remove ";" at the end of your main method and add instead a bracket
public static void main(String[] args){

and at the end of your main method (which seems not really used - empty) a closing one
}

The class:
public class Hw7pr1 {
  public static void main(String[] args) {
    // do something
  }

  String eName;
  double payrate;

  public Hw7pr1(String name, double rate) {

    eName = name;
    payrate = rate;

  }

  public String getEName()

  {
    return eName;
  }

  public void setEName(String name)

  {
    eName = name;
  }

  public double getPayrate()

  {
    return payrate;
  }

  public void setPayrate(double payrate)

  {
    this.payrate = payrate;
  }
}


text:
Tiejer Flue är en bergstopp i Schweiz.   Den ligger i regionen Plessur och kantonen Graubünden, i den östra delen av landet,  km öster om huvudstaden Bern. Toppen på Tiejer Flue är  meter över havet, eller  meter över den omgivande terrängen. Bredden vid basen är  km.

Terrängen runt Tiejer Flue är bergig åt sydväst, men åt nordost är den kuperad. Den högsta punkten i närheten är Piz Ela,  meter över havet,  km söder om Tiejer Flue. Närmaste större samhälle är Davos,  km öster om Tiejer Flue.

Trakten runt Tiejer Flue består i huvudsak av gräsmarker. Runt Tiejer Flue är det ganska glesbefolkat, med  invånare per kvadratkilometer.

Kommentarer

Källor

Berg i Graubünden
Berg i Schweiz 2000 meter över havet eller högre

redpajama_set_name: RedPajamaWikipedia


You are here: Home / FAQs / Q: Who/What is the Iowa FAIR Plan Association?
2018 Assessment of Members / Q: Who/What is the Iowa FAIR Plan Association?
A. The Iowa FAIR Plan Association is a risk-sharing underwriting syndicate created by the insurance industry to provide coverage on properties that do not qualify for insurance in the standard insurance market.


Holiday Bunkhouse from Only £57pp for Up to 5 Days!
Looking for ideas for New Year's Eve? Are you seeking that special venue for your New Year's Eve Party? Problems finding a property which is in the right location, of the right size and more importantly the right price! How does staying in a 19th Century converted stone barn in the Brecon Beacons National Park, Wales with spectacular views over the Swansea Valley sound?
Great Ideas for New Year's Eve 2016!
This property sleeps up to 44 people so is excellent value for a five day self-catering booking from Thursday 29th December to Monday 2nd January.
We'll even throw in a free guided mountain walk in the Brecon Beacons. Our qualified mountain leaders will take you into the stunning mountains around the property so bring your walking boots!
Just pay us a deposit of 25% to reserve the property!
Canyoning, climbing, caving, gorge walking, quad biking, paintballing, clay pigeon shooting, kayaking, canoeing, orienteering and archery.


text:
Discipline: Illustrator
Website: www.viktorhachmang.nl
Viktor Hachmang is a Dutch designer, illustrator and experimental comics artist. Although trained as a graphic designer at the Royal Academy in The Hague, Hachmang gradually grew into illustration and visual storytelling. His primary sources of inspiration are Ukiyo-e and the European Ligne Claire tradition of comic strips.
Alongside his own autonomous graphic work, Hachmang also works with a wide variety of international clients, ranging from editorial heavyweights (The New York Times, Bloomberg Businessweek, MIT Technology Review and Wired) to luxury brands such as Kenzo Paris, Diesel and Lacoste. Recently, Hachmang has specialized in making experimental comic books and graphic novels, seeking to blur the boundaries between autonomous art and the comic strip. In 2016, he made his debut with the short story Book of Void (published by Landfill Editions, UK) and 2018 saw the publication of a large graphic novel, Blokken. Hachmang's work is exhibited regularly, both nationally and internationally, and can be found in the collection of the Stedelijk Museum, Amsterdam.
Project in Arita
Title : "Intruder" "Tsuyu Plate Series" "Thieving Magpie" and "Tenshsa series"
Period of Residency : June - August
Collaborator : Gen'emon Kiln
Sponsor : Creative Industries Fund NL
Viktor Hachmang collaborated with the famous Gen'emon kiln. One design directly echoes a Nabeshima ware plate from the Edo-period, albeit with an unexpected twist.It prominently features a tortoise shell pattern with an intertwined mukade, the ferocious Japanese centipede that is very common on the island of Kyushu. This creature is considered a real life yokai and it's notoriously hard to kill. This is probably the reason why the mukade came to symbolize evil in Japanese art.This mukade however is also a self-portrait of the designer, symbolizing his objective to try and worm his way into Japanese aesthetics during his three month residency in Arita. The design was expertly translated to Arita-yaki by the Gen'emon team.
The Tsuyu Dish series is traditional in the sense that it infuses Japanese art and design with seasonal references. Paying homage to this convention, this design tries to convey the spirit of the Japanese rainy season (tsuyu) in manga form. The Japanese language employs many different sound effects for specific types of rain: hence the manga style onomatopoeia featured on the plate.
For this serie of 10 unique plates Viktor's "Tsuyu" design is transferred to an existing shape from Gen'emon's range of traditional products. The flower shape refers to the kiln's rich history, the "Ume" (or plum blossom) motif being one of the key characteristics of Gen'emon's output. The designer gave Gen'emon free rein to decorate the outside in any way they seemed appropriate, for which they selected their famous "Ume" surface pattern.
Tensha series (transfer prints) - produced by the designer himself.
The starting point for these works are madori ("windows"), a distinctive feature of many Arita-Yaki pieces. Coming in a wide variety of shapes, madori are frames that contain graphic elements, patterns or illustrations. Madori are frequently combined with other madori, making it a suitable device to tell complex stories within one graphic composition – an anticipation of manga, in the artist's opinion. Hachmang's madori are filled with illustrations based on his direct surroundings in Arita, drawing inspiration from classical themes as well as the everyday, such as supermarket products and roadsigns. The designs of these plates are made using collage techniques: the artist transposes the production method of his comics (using hand-cut screen tone foil) onto ceramics. Hachmang's illustrations were printed onto tensha (ceramic decal) sheets using silkscreen and are rearranged by hand onto the porcelain surface, thus creating unique one-of-a-kind pieces using a technique originally developed for mass production. By freely collaging and combining illustrations, abstract stories enfold, juxtaposing old and new, East and West!
Gen'emon kiln
Gen-emon kiln was established 260 years ago in Zemeki, Arita. Throughout the years, Gen-emon kiln has preserved the tradition of "Old Imari" by producing beautiful porcelain which has attracted people of various times . During its long history, there have been hard times such as the Meiji restoration and World War Ⅱ.
The war time was particularly hard because the entire nation was involved in national defence activities under a controlled economy.
However, Gen-emon kiln was designated as an authorized kiln to produce artistic porcelain. Under the circumstances, Gen-emon V devoted himself to studying industrial ceramic arts, and he succeeded in maintaining the tradition of Arita porcelain by improving conventional techniques and designs.
Coming through the postwar confusion, Gen-emon Ⅵ expanded the traditional techniques of Gen-emon kiln further by developing and producing restaurant tablewares as well as artistic porcelains. Later, he shifted his emphasis and started producing household tablewares.
He wanted to make the beauty of "Old Imari" more reachable in household tableware, in order to encourage more beautiful and creative lifestyles, thus dedicated his life to the restoration of "Old Imari" by putting household tablewares into new perspectives.


text:
Q: Group homomorphism induced by another homomorphism I need to prove a theorem that if $\phi: G\to H$ is some homomorphism, $M\leq H$ $\phi^{-1}(M) := \{g\in G:\phi(g)\in K\}$, $M \trianglelefteq H$, then $\phi$ induces an injective homomorphism $G/\phi^{-1}(M)\to H/M$.
(I've already proved that $\phi^{-1}(M) \leq G$ and $\phi^{-1}(M)\trianglelefteq G$).
I'm willing to prove the theorem stated above, but I don't know what it means when a homomorphism induces another homomorphism. Didn't find anything about this subject in Abstract Algebra by Dummit and Foote (looked in the Glossary as well). I'm wondering if someone could please give me a good recommendation of what to read on this subject (I'm a beginner in Group Theory).

A: In math, inducing means to create (by way of some other operation). In your case, the fact that you have a homomorphism from $G$ to $H$ gives rise to a homomorphism (you don't know what it is a priori) between $G/\phi^{-1}(M)$ and $H/M$.
I'll give you a hint/primer so that you can better understand exactly what is going on. Induced maps/morphisms/etc can be quite confusing at first since they take a trained eye to spot and understand.
First you have to show that there is some function between $G/\phi^{-1}(M)$ and $H/M$ before you can even show it is a homomorphism. The obvious question is: what is that map? Well $G/\phi^{-1}(M)$ is a set of equivalence classes of the form $g.\phi^{-1}(M)$. Likewise, $H/M$ is a set of equivalence classes of the form $h.M$ which obviously contains elements of the form $\phi(g).M$.
What is a nice map between these two sets? Using $\phi$, the reasonable map would be to send $g.\phi^{-1}(M)$ to $\phi(g).M$ since it seems to be the only way to truly pair things up between these two sets. This is where the "inducing" comes from. $\phi$ initially acted on $G$, but now it can be sort of thought of as acting on $G/\phi^{-1}(M)$.
Before you can prove that the above "function" from $G/\phi^{-1}(M)$ to $H/M$ is a homomorphism, you have to show that it is well-defined, meaning that it is constant on equivalence classes. If $g.\phi^{-1}(M) = g'.\phi^{-1}(M)$, then $f$ had better send them to the same thing in $H/M$ if it is actually a function - otherwise it sends the same element to two different images.

A: Hint:
$\phi^{-1}(M)$ is the kernel of the composition: $G\to H\to H/M$, where the last map is the canonical homomorphism $h\mapsto hM$.


text:
Q: Cant create instance of model class in custom ConsoleCommand Yii I try to create instance of certain model in console command, but first I getting errors about that Yii could not find model class, then I do this
Yii::import('application.models.*');

, and now I get new this error
'The table "{{user}}" for active record class "User" cannot be found in the database.'

In database table called tbl_user.
I try to search on another related topics but I didnt find the solution for this problem.
Here is link to my model class .
Here is the link to my config file
I think, the problem not in config file because migrations command works properly.

A: Add in your db config (console file)
"tablePrefix"=>"tbl_"


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text:
Steriphodon is een geslacht van kevers van de familie snoerhalskevers (Anthicidae).

Soorten
S. abdominalis (Pic, 1942)
S. bedeli Abeille de Perrin, 1894
S. chobauti (Abeille, 1894)
S. doncasteri Abdullah, 1967
S. indicum Pic, 1903
S. scoparius (Champion, 1916)


text:
Dransfeld é uma cidade da Alemanha localizada no distrito de Göttingen, estado da Baixa Saxônia.

É membro e sede do Samtgemeinde de Dransfeld.

Cidades da Baixa Saxônia


Current time in America/New_York, via World Time API: Simple JSON/plain-text API to obtain the current time in, and related data about, a timzone.
The details for America/New_York are as follows. Also available via the API in JSON or plain text.


Will you join me on my journey? Sign-up and be the first to know about book production and availability, and share a bit of wisdom along the way. I will never share your email or send spam.
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text:
Zamudio – gmina w Hiszpanii, w prowincji Vizcaya, w Kraju Basków, o powierzchni 18,08 km². W 2011 roku gmina liczyła 3281 mieszkańców.

Przypisy

Gminy w Kraju Basków


The 6.5 Remington Magnum was introduced in 1966 for the Remington Model 600 short action rifle. The design concept was to produce two compact yet powerful cartridges for the equally compact M600 carbine which had been in production since 1964. The new cartridges consisted of the 6.5 and .350 Remington Magnum (see .350 Remington Magnum). Unfortunately the combination was for the most part, a complete failure, regardless of the cartridge's performance.
Remington used the standard 2.5" belted magnum cartridge design (7mm Rem Mag/ .264 Win Mag) shortened to 2.171" as the base for the two short magnums. It has been suggested that the 6.5 was supposed to deliver .270 Winchester ballistics from a more compact platform than was commonly available in the 1960's. This is most likely true considering the similar marketing that was used to promote Remington's more recent cartridge designs, the .260 and SAUM's.
During the initial development phase, Remington ballisticians believed that the 6.5 Magnum could not utilize a 140 grain projectile in the short action magazine without cramping powder space and losing a great deal of velocity. Instead, the cartridge was loaded with a 120 grain Core-Lokt. To make the rifle compact, not only was the action/ magazine short, but also the barrel at just 18.5". With the selected bullet weight of 120 grains, the 6.5 Remington Magnum was loaded to 2800fps. Naturally, consumers did not find favor with the 6.5.
Following the poor sales of the M600/6.5, Remington discontinued production of the M600 in 1967 and chambered the 6.5 Magnum in the slightly updated M660 (1968-71) which featured a 20" barrel. Remington also produced a limited number of M700 rifles (22" barrel) chambered for the 6.5. Regardless of the configuration, the 6.5 Remington Magnum still failed to excite hunters. The cartridge soon faded into history as yet another curiosity in the evolution of firearms and cartridges. Remington discontinued production of rifles chambered for this cartridge for several decades but in 2004, re-introduced the 6.5, perhaps simply for the sake of nostalgia, in the M673 Guide rifle which is available in limited numbers.
The 6.5 Remington Magnum cartridge is today recognized as one of the first short magnums proceeding the currently successful WSM and SAUM line of cartridges. Many of the original 1960's rifles remain in circulation today.
During the 1980's, many hunters used the Mauser M98 action for building 6.5 Remington Magnum caliber rifles due to the fact that the magazine length of the Mauser (unaltered) is far too short to fully utilize 2.5" cased cartridges. The 6.5/M98 combination was for many hunters, considered an optimum design.
Contrary to popular opinion, the 6.5 Remington Magnum is an incredibly efficient and effective case design. In 1966, the year of the cartridge's introduction, hand loaders were able to obtain 3000fps with 120 grain bullets and 2800fps with 140 grain bullets - all from 18.5" barrels. The 20" barreled carbine produces slightly higher velocities but any increase in performance is unnoticeable in the field. From a 22" barrel, although no longer a carbine, the 6.5 gives exceptionally high velocity. Performance on game from the 18.5-20" barrels is identical to full power loads in both the Swede and .260 Remington.
Remaining examples of the 18.5" and 20" barreled carbines have major qualities that are desirable for training youths however muzzle blast and excessive noise can be major detractors.
Oddly, performance of the 6.5 Rem Mag does not show a noticeable improvement in velocity with 140 grain bullets from custom medium length action rifles. Nevertheless, the longer seating depths do allow more flexibility with slow burning powders while the 24" barrels commonly seen on custom rifles tend to generate exceptionally high velocities. Performance from the rare 22" barreled M700 and 24" custom barrels is of the same level as the 6.5-06 and not too far behind the .264 Winchester Magnum. These velocities provide wide wounding on medium game out to ranges exceeding 350 yards resulting in very fast killing.
Remington currently list the 120 grain Core-Lokt at 3210fps from a 24" test barrel. In the 18.5" carbine, velocities are between 2980 and 3000fps. For every inch of barrel added, the average gain in velocity with this load is right on 35fps. The 120 grain 6.5mm Core-Lokt is a unique bullet. Penetration is not deep at close to moderate ranges however the Core-Lokt pulverizes vitals, transforming them into a near liquid state. Shoulder muscles and bone are also totally destroyed in the process and on lighter medium sized game, the Core-Lokt produces either a small exit wound or comes to rest under the offside skin. Shots must be limited to broadside or angles which don't require the bullet to traverse for long distances through rumenous fiber. The Core-Lokt has a poor BC and suffers immensely from wind drift but is still able to produce reasonably broad wounding out to 250 yards. This bullet is not well suited to heavily muscled or heavily boned game.
The 6.5 Remington Magnum gives optimum performance with powders in the 4350 range in carbine length barrels and 4831 in custom medium length action rifles with 24" barrels. Brass is readily available from Remington distributors. Factory rifles have a twist rate of 1:9 which is perfectly suited to 120-140 grain bullets.
While projectiles like the 120 grain Nosler Ballistic Tip give exceptional results on light game, it has been very common for reloaders to use the 125 grain Nosler Partition in the 6.5 Remington Magnum. This is a sound projectile for lighter medium game, both violent yet reasonably deep penetrating.
The 6.5 Rem Mag is at no disadvantage when loaded with heavier projectiles which are capable of giving more consistent results over a wide range of body weights. The tradition of using a light 120 grain bullet was, as previously stated, an attempt to duplicate the .270 Winchester. From 18.5-20" barrels, the 6.5 Remington Magnum cannot duplicate the performance of the .270 Winchester in the field. The differences in wounding are quite obvious when carcasses are laid side by side for comparison. For this reason, it is far better to focus on optimizing consistency and in this regard, the 140 grain Hornady SST and 140 grain Partition are both without peer.
From longer barreled rifles, the 6.5 Rem Mag gives excellent results with the core bonded Scirocco, Accubond and InterBond 129 grain projectiles which can be launched at 3020fps (22" barrel) and (3100fps). These loads do indeed duplicate the performance of the .270 but with greater retained velocity and less wind drift. Performance with these bullets generally decreases (speed of killing) beyond 300 yards (2600fps) after which a softer projectile should be used. The short action Remington is not particularly well suited to the use of VLD projectiles but can utilize the 140 grain A-max with relative ease.
The 6.5 Remington Magnum is a rare sight today. Those who use it tend to like it but it is a cartridge that needs chronographed load development for optimum results. This cartridge has mostly been superseded by the wildcat 6.5WSM however, putting the belted case head issue aside, there are great lessons to be learned from the internal case dimensions of the 6.5 Remington Magnum and its powder capacity to bore ratio.


text:
Ownership of all must for success of Constitution: NC President Deuba
Published On : 19 September, 2020 1:13 pm
Ranjit, Dhamala, Kathmandu, 3 Bhadra . Nepali Congress President Sher Bahadur Deuba has said that the Constitution should be implemented in its letter and spirit. Furthermore, ownership of all is essential for the success of the national charter.
In a message today on the occasion of the 5th Constitution Day, he has also wished that the Day inspires us all to guide the country towards the path of economic prosperity through the protection of the Constitution and institutional stability of federal democratic republic system. "On this day today we need to resolve to ensure prosperity of the country, along with successful enforcement of the Constitution amidst various challenges," he said. Pointing out that activities are being carried against the spirit of the Constitution, instead of completing the remaining task of successfully bringing the national charter into effect, the leader of the main opposition party has also urged the government to follow a democratic conduct as per the norms of the democratic Constitution.
In the message, Deuba has extended best wishes to all Nepalis at home and abroad on this occasion, while paying tributes to the known and unknown martyrs who sacrificed their lives for the establishment of democracy in the country
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Birthdays are special days and I am delighted to celebrate John's birthday with him today. Finding each other later in our lives, it's only the second one that I been able to share with him and I'm grateful and happy to be able to be able to say Happy Birthday to my darling husband. When trying to decide which picture to use today, I asked him if he minded if I used the one above where he's wearing only a curious look and his birthday suit. Easy going as always, he was fine with appearing naked in my blog. Today we'll have a special lunch out in Padstow, a pretty little port town we both enjoy and a birthday cookout later in the evening with a carrot cake I'm making for dessert. I'll be back with a few pictures of the day, but for now…here's a few more of the beautiful baby who grew into a wonderful man.
This entry was posted in Family, Life in General, Love and tagged British Naval Uniforms WWII, Childhood Photographs, Gifts Of The Journey, Happy Birthday, John Winchurch. Bookmark the permalink.
Love the old photos. A view into another world. He was the picture of robust health! (as he remains today). So happy you two are celebrating together. Hope the carrot cake is a smashing success. Happy Birthday John!
As always, I love your blog. Have a great lunch and delicious carrot cake. I do love the old pictures of John as a baby! Don't you just love a glimpse of time past. You can almost know what they were doing. A Sunday afternoon, the dad a leave from the navy, look at the garden. A walk to the grocery store. Hope y'all have a great day, and again, John I hope you have a happy birthday!
Happy Birthday! with hopes for many more to come…..
Adore the old pics, especially the one where he's walking the dog.
The lunch, the day, the company and the carrot cake were all outstanding.
Gorgeous photos, all. I especially like the last two together – John, you haven't changed a bit!
A belated happy birthday and lovely to hear you had a good day.
i know i'm late (i'm so far behind of reading my favorite blogs) but happy birthday to your husband. i love these old photos – they are priceless to you i am sure. looks like there was a photographer in his family because these are some exceptional shots.
how did your carrot cake come out?


Comedy drama from the award-winning creators of Peep Show, Sam Bain and Jesse Armstrong.
The series follows a group of six students embarking on the most exciting period of their lives thus far - university! Away from home for the first time, on the brink of adult life, they are about to discover who they really are. From the moment they ship up as freshers at their shared house, their lives are destined to collide, overlap and run the whole gamut of appalling behaviour and terrible errors of judgement.
They are: JP, a public school boy with good teeth and an inflated sense of entitlement; Kingsley, who is charming, loveable and crushingly insecure; and Josie, an overly enthusiastic fresher, determined to experience 'new things', however bad they are for you. Then there's socially awkward and know-it-all Howard; straight talking, hard-living Vod; and finally Oregon, desperate to be cool and terrified of being boring.


A travel sized pack of incense with a burner included. Perfect gift idea for a group. Mood enhancing scents bring you feelings of: Sentuality, Purity, Harmony, Vitality, Positivity or Serenity. Everyone needs a little Mood Therapy sometimes and scent therapy is a proven way to bring about positive shifts in ones mood. The hardest thing is just choosing one or which to try first!


Fresh off her victory at the 2019 World Poker Tour Los Angeles Poker Classic $25,000 High Roller, Maria Ho joins a list of female poker players who are making it big in the tournament circuit.
The Taiwanese-American player defeated Global Poker Index leader Kristen Bicknell after a heads-up bout. Ho took home 276,690, marking her second largest career cash to date.
Her runner-up victory in the 2011 World Series of Poker $5,000 No-Limit Hold'em event where she cashed out with $540,020, is still her best victory till date.
Maria Ho has a number of key achievements under her belt. She was the "Last Woman Standing" twice at the 2007 and 2017 WSOP Main Event, and also had a similar performance in the WSOP Europe Main Event in 2011 and 2017.
Ho is also frequently heard and seen in the poker media, with her connection to the Heartland Poker Tour. She's currently working with ESPN and PokerGo for their summer coverage of the WSOP. Ho is definitely one of the poker pros that a lot of aspiring female players look up to for inspiration.
In an interview for a recent episode of The Bernard Lee Poker Show, the L.A. native shared some advice for players to improve their skills.
Ho emphasized the importance of taking advantage of all videos and training resources that can be accessed online, and via poker outlets like PokerGO. She said new players can get an idea of how the top poker pros do their thing by watching these videos which enable them to learn new concepts and techniques as they take new steps in their poker journey.
Allocating time on a regular basis to fully analyze the videos will help players enhance their game. The poker pro admits that she still spends time watching poker videos which help her reinforce what she already knows. The key is to be honest with yourself and to never stop learning.
Ho said players must be prepared to test themselves against players of all skill levels. You don't need to play against the best players all the time. Putting your ego aside will help you climb up the ladder and improve your strategy.
When it comes to playing at prestigious tournaments, her first tip is for players to learn the art of pacing one's game based on the format involved. Second, as a beginner, you don't need to force the action or get overexcited as you will only end up making mistakes. Instead, you can let the game play out and allow your opponents to make the wrong move.


The Studio Series may be either Solo Piano or Piano with audio/orchestra accompaniment. But by being classified as Studio Series the listener knows that they are listening to a serious piece of music production -- not just background music!
The PianoLight Series is designed for light piano background music, perfect for parties and entertaining. Many also contain unique cook books that coincide with the them of the album!
The Hospitality Series is also designed for entertaining, but is also even more appropriate for a venue such as a restaurant or hotel. It is programmed in one-hour sets, just like live musicians would play. And it is scaled for large or small crowds. But in the end, it's simply great music that is perfect for background or foreground listening!


What is Jazz Praise? Our arrangements of traditional & contemporary hymns set to swing, ballads and Latin jazz (Bossa Novas & Sambas). There are various styles of 'jazz', so we'll describe ours as being in the style of Nat 'King' Cole, Oscar Peterson and Dave Brubeck.
How did you get your inspiration to do this? I never purposely set out to do Jazz Praise. One night, as I was practicing, God simply gave me an arrangement of "Just a Closer Walk" and the rest is history. Since that evening of March 2000, the Lord has opened the door for over 500 Jazz Praise events throughout the U.S. and has given me four CD's in this genre: "Doxology- A Jazz Praise", "Praise Him with Jazz", "Music For Your Soul" and the soon-to-be released JP IV, "He Keeps Me Swinging".
1. Why not? The Christian music today is marketed mainly for the younger generation. Other than Praise music and the Gaithers, there isn't a lot available to the 50+ crowd. My theory why this ministry has taken off (other than the fact that God is in control) is simple. Anyone who grew up from 1940 to the late 1950's was in the middle of the big band and 'swing' era. This was the popular music of the day.
2. People love the good old hymns. Although we also cover some contemporary choruses, a majority of our jazz arrangements are from the traditional hymnal. Why? Because the melodies are wonderful and have a long history with the church. We all need to remember that it takes all parts to make up the body of Christ.
3. The Bible says to "praise God with trumpet, strings, flute, (etc) for Him". Psalm 150:3-5. Nowhere in the Bible or in its original text is a specific style of music preferred over another. The only criteria is that it is a 'joyful noise unto the Lord'. Praise music can be Classical, Country, Pop...or Jazz, as long as we stay focused on Him.
Why is a majority of your music instrumental?
I am a classically-trained pianist and have also played 'straight-ahead' jazz for many years. So my life has been submersed in instrumental music. Songs may contain biblically-based lyrics, but when someone sings it, that doesn't automatically make the music 'Christian'. It's not the notes or words. God looks at our hearts. And If our heart is in the right place, then it will be music to God's ears.
Jazz Praise is not new.
Jazz Praise is not new by a long shot. Duke Ellington, Dave Brubeck, Vince Guaraldi and many others have done this years before. Many others are doing it now. Simply put, we are making music for God with the gifts He gave us.
God can use anything for His Glory.
Many churches are now including jazz in worship. For us, Jazz makes a great outreach. There are many people that, for whatever reason, refuse to step foot in church. On the other hand, they might come see a jazz concert if invited by a friend. Hopefully they will come and see how Jesus changes lives. Concerts can also make a successful fundraiser for church.
We'd love to come to your church and minister. Please request a complete press kit (includes bio, info for bookings, etc) simply by contacting us via e-mail or the information below. Thank you for your consideration. Also, please pray that the Lord will continue to use all music in ways that only He understands.