This is your self help guide for our website and Ableton questions!
Type a keyword in the search below, or click the categories to expand.
There's a lot of features in the Live Producers membership. This article will help you get the most value out of your account to learn and connect with producers around the world.
Tip #1 – Your Profile Is Everything.
Add a high quality artistic photo of yourself. Choose an image authentic to the music you make and who you are.
Update your profile Bio!! Read this great article on How To Write An Effective Band Bio by Ari Herstand.
Share your profile! Your profile URL is public, and can be viewed by non-members. Your profile is basically a personal website including all your necessary artist info. Telling other artists your part of a Ableton Live membership can help you look good when trying to collaborate…AND not everyone is on Facebook, Twitter, etc.
Add members as friends and NETWORK. One of the best things you can do for your music career is connecting and collaborating with other upcoming producers.
All our Teachers and Webinar guests have a profile, so make sure to connect with these influencers in the industry. Add these members as friends.
When logged in, visit the Member Activity or Search Members pages. Add these members as friends. Send them a private message telling them what you like about their music, something you have in common, and encourage them to check out your profile with a link to your newest single/ EP (USE LESS THAN 8 SENTENCES).
Post in the Forum. Ask questions and interact with other producers. Don't be afraid to encourage people to visit your profile or listen to your music AFTER you provided value to them, such as answering a question, etc.
TIP #2 – Suggest Webinars, Downloads, and Courses.
Are there specific downloads, webinars, or courses you want? Visit the Forum thread MEMBER REQUESTS and post things you would like to learn or see in the membership. We'll respond and let you know when it's available!
TIP #3 – Join As An Affiliate.
Have friends or know people that want to learn to produce music? Signup for the Live Producers affiliate program, and we'll pay you anytime you refer a new Basic or Pro member. Send an email to Contact@liveproducersonline.com and tell us you're interested being an affiliate. We'll hook you up!
TIP #4 – Get Help On Your Projects.
Need help producing, mixing, or performing your songs? Visit the Private Lessons tab and get 1-on-1 help via web conference from an experienced professional. We have several Teachers that are the best at what they do, so make sure to visit their artist pages to see who might be a best fit for your needs. It's also a good way to make friends and network.
Project Feedback is available for members on the PRO plan. Submit your projects once a month to a Teacher and receive video feedback with the help you need.
Yes! When a member chooses to downgrade, they will see it take effect on the next recurring monthly/ annual payment date. The member's recurring payment date remains the same.
When a member chooses to upgrade, they are charged a pro-rated amount at checkout based on the number of days left in the current payment period. The member's recurring payment date remains the same, and the subscription is changed to charge the new amount.
Access all video replays of webinars! Check back regularly on the Webinars page to learn a variety of topics in Ableton Live by professional producers.
Basic members get access to paid webinars by entering the Free Webinar Code when registering for all paid webinars.
Basic members get unlimited downloads on the Downloads page. We've partnered with creators of packs, devices, etc that charge for these products. Basic members get them all.
Yes, the membership allows you to purchase month-to-month or a discounted annual subscription. You can cancel anytime by choosing Cancel in the Account tab from your Profile view. If you're trying to save money, we recommend keeping your account and downgrading to a lesser plan (like Basic) to access valuable features.
If you want to downgrade or upgrade your plan, visit this page to learn how!
You must have a membership profile to book private lessons. Members can purchase new credits for lessons, and all lessons are 1 hour each. You'll have a private message area (on Private Lessons page) to communicate with the Teacher leading up to your lesson after booking with them.
Most Teachers average 45 credits for one lesson. 1 credit = $1.
See previous lessons and your message history under My Teachers.
Credits never expire! You can hoard them for months and use later.
Watch the video below for a step by step guide on how to purchase and book Private Lessons.
You can change your current membership plan anytime. Login your membership and visit the CHANGE PLANS page. Checkout with the new plan you want to subscribe to.
Upgrading or downgrading your current plan will be pro-rated, so you will not be over-charged. To view previous payments, you can visit your Profile and access the Billing tab to see all payment history.
Then select Change and choose the plan you're wanting!
The Pro membership is for those wanting to grow their skills producing music and needing personalized help with various projects.
Get the personalized help you need! Whether it's assistance producing an Ableton project, mixing a song, or technical questions, Pro members get 1 submission every month and can choose a producer they want to work with….OR let us decide the best producer to solve your needs.
Pro members can access all paid webinars (with the access code) and watch video replays on the Webinars page.
Pro members can access video courses with tutorials on various topics in Ableton Live to watch at their own convenience.
Pro members also receive 25% off all interactive courses. These often include personalized interaction with Teachers, class webinars, a private Facebook group, and more.
As a Pro member, get unlimited downloads to everything on the Downloads page. We've partnered with creators of packs, devices, etc that charge for these products, Get it all.
Not a Pro Member? Join Now!
There's 3 types of membership subscriptions you can purchase monthly or annually, with the option of upgrading/ downgrading from one to another anytime.
Click HERE to see membership plans and their features.
Questions about Authorizing & Installing Ableton?
Ableton Live has 3 different versions; Intro, Standard and Suite (We recommend Suite). They share common features, but Standard and Suite have additional features, instruments, effects, and Packs. Max For Live is only available in Live Suite.
See the comparison breakdown on their site.
Buy Ableton directly from their site here.
There are also resellers such as Sweetwater and Musicians Friend that may sell a bundled package that includes Ableton Live and a Push2.
Can you transfer Ableton license?
6) A final email will then be sent to both parties to confirm once the license has been transferred.
Can you use Ableton on two computers at the same time?
"A regular Live license is intended for a single user and cannot be shared.
How do I authorize Ableton Live?
To authorize Ableton Live, go to Preferences, Licenses Maintenance, then click "authorize at ableton.com." You will then be redirected to Ableton's site and asked to login to your account if you aren't already. Once logged in, select the license to authorize. Click on "Authorize" and the ableton.com server will send authorization information to your computer.
You can save this information as a text file to make it easier to refer to in the following steps (just click on "Save…" on the bottom right corner).
Take your hardware code (or the saved text file) as well as a portable storage device such as a USB key to a computer with an internet connection.
On the internet-connected computer, log into your Ableton user account.
Enter your hardware code from Live and click "Download File." The Ableton server will generate an authorization (.auz) file for the computer you want to authorize Live on.
Save the authorization file to your portable storage device and bring it back to the computer Live is installed on.
How many computers can you install Ableton Live on?
How to get Ableton additional license?
Ableton allows for you to authorize 2 of your own computers. If you need to authorize an additional computer, login to your Ableton.com account and contact support directly. (Click the help tab, and scroll near to the bottom to the Contact Support section).
Ableton arrangement has no sound?
If you've previously recorded something in a track in Session View, then toggled to Arrangement View, the track will be greyed out. This is because it is still playing that same clip in Session View while you're looking at Arrangement View.
You can enable this track for Arrangement playback by pressing the grey arrow to the left of the track.
To enable ALL tracks for Arrangement playback, press the orange, "Back To Arrangement" button in the upper right corner of the arrangement panel.
Difference Between Ableton Session View vs Arrangement View?
Session View is the default view when opening Ableton Live. It serves as both an "idea board" for musical clips or phrases as well as a way to trigger those same musical clips for live performance. The workflow here is usually top to bottom.
Tab to Toggle to Arrangement View. Arrangement view is the timeline view that all DAW's have. The musical ideas from session view can be copied or recorded into Arrangement View to linearly write a song from left to right. You can record new ideas into Arrangement View as well.
How do I add instruments on Ableton?
Ableton Live has many quality stock instruments that come with the program and also supports third party plugin instruments.
Simply click on the Instruments tab in the Live browser (the left vertical panel of categories). Once the Instruments category is selected, you will see all of the available types of instruments. Click on the arrow to the left of an instrument type, for instance "Analog." Inside "Analog" you will see different presets organized by sound such as "Bass" or "Piano and Keys" Click any .adv preset to load that instrument into a new track.
(assuming you've already installed them on your computer), the next thing you need to do is make sure you've pointed Live to the folder where you installed your plugins. YOU ONLY HAVE TO DO THIS ONCE.
On Windows, for example you might install your plugins to C:\Program Files\VSTPlugins, but it completely depends on where the specified the location is when you installed the third party plugins. Then go to Options, Preferences, File Folder. Turn On "Use VST Plug-In Custom Folder," then click the "Browse" button underneath and point to the folder where your plugins are stored.
On a Mac, the process is similar. Go to Live, Preferences, File Folder. On Mac OS, Ableton Live understands 2 different formats of third party plugins; Audio Units (AUs) and VSTs. These formats are very similar and you won't notice much difference between them. Most plugin developers will have installers that offer both formats. However, Audio Units do not exist on Windows. If you are a Mac user and want to collaborate with Windows users, use VSTs so that your projects are compatible. On a Mac, third party plugins will be installed in a premade system folder "Library\Audio\Plug-Ins." Audio Units are stored under the subfolder, "Components." You can turn on both Audio Units and VSTs from the File Folder Preferences. In Live on a Mac, you can also specify a Custom Folder for VSTs in addition to the system folder.
Once your plugins are enabled and pointed, on both Mac and PC you can easily access and load them from the Plug-Ins tab in Live's Browser. You can click and drag them to a desired track. Remember, there are midi only Plugins that are virtual synthesizers (these go only on midi tracks), and there are audio effect plugins that can either go on an audio track or on a midi track after the synthesizer instrument.
How many return tracks can you have?
Ableton Live allows you to have up to 12 return tracks; Send/Return Tracks A through L.
How Monitoring Tracks Work in Ableton?
Ableton Live has 3 different options to monitor a track; Auto, In, and Off. "Auto" will allow you to hear the audio input (post fx) of a track only if the track is record armed. "In" will always allow you to hear the audio input (post fx) of a track regardless of whether the track is record armed or not. "Off" will mute the audio input from that track. Also note that when monitoring is set to "In", you will not be able to hear the playback of a recorded clip until you switch monitoring back to Auto.
This monitoring behavior is also the same for midi track input for played notes.
How to get to arrangement view in Ableton?
To get to Arrangement View in Ableton, simply press the Tab key on your keyboard. Pressing Tab again will toggle you back to Session View. You can also press one of the two Session/ Arrangement View Selector buttons in the top-right corner of the screen.
How to Install Max for Live?
Ableton Live Suite versions include a free download of Max for Live. in Live 9 Suite, you can login to your account on Ableton.com and download Max for Live, or purchase it if you have a lesser version than Suite (such as Standard or Intro). Ableton Live 10 Suite automatically has Max for Live included during the original installation of the Ableton software, so no additional download or installation of Max for Live is necessary.
How to make Ableton stop all clips?
To stop all clips in session view, simply click the stop button located on the Master track.
To stop all clips with a Push 2, hold the Shift button on the Push2 then press the Stop Clip button.
You can also press space bar.
How to record midi in ableton?
To record midi in Ableton Live, you must first have a midi track that is armed. To arm a midi track, in session view click the arm button, which is located below the track's solo button. To arm a midi track in arrangement view, click the arm button which is located to the right of the track's solo button. You'll also need to make sure that track input for the midi device is your playing on is enabled in Live's midi preferences. (Live, Preferences or on PC, Options, Preferences, then click track on the midi input for the desired midi device). You can also play notes from your computer keyboard by clicking the piano keyboard button which is in the upper right corner of the screen, to the right of the Key button.
Once the track is armed and your midi device input is enabled, you should be ready to record played notes. In session view click any of the circle record buttons on the available clip slots on the track, then play notes. Click the square stop clip button on that track to stop recording. In arrangement view, click the global record button at the top center of the screen (providing that the desired track is armed. Click the global square stop button at the top center of the screen to stop recording.
To record the midi output of one track to the midi input of a new midi track, simply set the midi input of the new track to the name of the existing midi track, then arm the new midi track. Again, if you're in session keyboard by clicking the piano keyboard button which is in the upper right corner of the screen, to the right of the Key button.
Once the track is armed and your midi device input is enabled, you should be ready to record played notes. In session view click any of the circle record buttons on the available clip slots on the track after the existing track is playing. In arrangement view, click the global record button at the top center of the screen.
How to stretch audio in Ableton?
Warping is the terminology used when referring to stretching audio in Ableton Live.
How to unfreeze tracks in Ableton Live?
To unfreeze a track simply right click on the track and click unfreeze.
What is a Drum Rack in Ableton?
A Drum Rack is one of Live's most versatile and popular instruments. The Drum Rack is made up of 128 "slots" that can playback audio samples, plugins and effects in a variety of ways. Drum racks allow you to build a huge library of sounds in a single instrument on a track. Some artists have built entire songs using nothing but drum racks!
Common uses include layering multiple drum sounds, manipulating audio loops, chopping up vocals, and much more.
You can create multiple chains in any of the drum rack's 128 slots, and go really deep inside what you create with a drum rack. This allows users to take full creative control of playback individual musical ideas, while manipulating how they are performed, whether being a one-shot or audio loop.
What is a scene in Ableton Live?
A scene is a horizontal row of clips in session view (both midi or audio) that contain sounds. All clips within this horizontal row can be played at once by pressing the corresponding play button of that row on the Master track.
What is a send and return track in Ableton?
Note, return tracks act in parallel, meaning that even when a track's set to send 100% to the return track, the original audio is still going to the master, meaning 100% wet is really 50% wet, 50% dry.
There are also Pre/Post buttons for sends. These buttons are located on the master track, above the master fader in session view. Post is the default. When set to Pre, the input of the return track will ignore where the fader is set on the source track that is being sent to the return track. This means that if the source track's fader is pulled all the way down, but it still is set to send some amount of its audio to the return track, you will still hear the return track fx. When set to Post, if the source track's fader is pulled all the way down, you won't hear anything on the return track fx.
What is a warp marker in Ableton?
Warp Markers are the yellow notches above audio clips when warping is enabled. You can create new warp markers by clicking anywhere above the waveform. These serve as a way to snap or pin the audio to specific time based intervals. Live will also show grey arrows where potential warp markers could be. This is Live's suggestion on warp marker placement based on transient peaks.
What is Ableton's freeze track vs consolidate clips?
When you freeze a track, the track will appear greyed out. To freeze a track simply right click on the track and click freeze. Live will make reference audio files in your project's folder both for session and arrangement view midi and audio clips. Because the track is frozen and is now playing audio files rather than generating a sound real time, your CPU usage is reduced. You can then commit a track by flattening, which just pulls those reference audio files back into your project, replacing any devices that were in the frozen track.
Consolidate will combine 2 or more clips of either audio or midi. To consolidate a clip, highlight 2 or more clips, right click, then click Consolidate Consolidate is NOT a way to reduce CPU. It is designed to simplify and clean up your project file. When you consolidate 2 or more audio clips, a new audio clip will be created that replaces the old. Likewise a new midi clip is created to combine 2 or more midi clips. Consolidate is ALWAYS PreFX. Meaning the devices on a track will still remain after consolidating.
Max for Live is a visual programming environment that allows users to build instruments and effects for use within Ableton Live.
Often times advanced users will create brilliant solutions to common problems such as, BeatSeeker, which allows Ableton's global tempo to be synced to the average rhythmic audio timing.
The growing community centred around sites such as max4live.com and maxforlive.info are helpful and creative with a wealth of devices available in addition to the ones included within the Ableton Live Packs. Often times, a device or effect will nearly do what you want but not quite…That's where Max For Live Comes into help.
Max for Live is only available in Ableton Live Suite.
To add a Max For Live device to an Ableton project simply take the downloaded .amxd file from Finder or Windows File Explorer and drag it onto the desired track in Ableton Live.
If you have a folder of Max For Live Devices (such as Users/Username/Desktop/MaxDevices), it might make sense to add that folder to Live's browser by clicking "Add Folder…" at the bottom of Live's Browser. That way you can add Max For Live devices to tracks directly from Ableton Live.
What is the Ableton Session Record button?
The session record button IS NOT the record button next to the stop and the play button. The session record button is near the top center of the screen, next to the "new" button. This button is only available in Session View. When pressed, the session record button will record a new clip in all armed tracks (midi and audio) if an empty scene/row is selected. For midi clips, if you press the session record button and are playing an existing clip, you will OVERDUB new notes to add to existing ones.
What is warping in Ableton Live?
Warping is the way Live will stretch audio to a specific grid. The best analogy is this…You have a ruler, a rubber band, and some thumb tacks. The ruler is a timed based grid of evenly spaced intervals. The rubberband is the audio clip. It can be stretched or shrunk down to a specific space between intervals. The thumb tacks are Warp Markers. These serve as a way to snap or pin the audio to those specific intervals.
What MIDI controllers work with Ableton?
Ableton Live will work with any midi controller, however here are 10 really good ones that we love.
Yes, it is convenient to DJ from CDJ's using RecordBox, or DJ with Traktor or Serato, but Ableton Live offers way more versatility in the Live realm in a way that no other program can.
You can take your live performance to a whole new level. Instead of just playing your Deck A and transitioning back to your Deck B all night…Ableton Live can do that and more. What if you wanted to play instruments along with your backing tracks, and have a platform that can support third party plugins on your backing tracks as well as your live inputs? Ableton can do it all.
Everyone is a DJ nowadays, Ableton will help you stand out for the right reasons.
How much RAM can Ableton use?
Ableton Live will tell you whether you have 32 or 64 bit upon opening Live in the gray splash screen that appears while the program loads. If you have 32 bit, please consider upgrading.
How much space do I need for Ableton Live?
Ableton takes 6GB of hard drive space to install. We highly recommend getting at least 250GB or more space for producing music.
A multicore processor (preferably an Intel i7); 4 GB RAM MINIMUM; However, we recommend getting at least 8GB for producing, especially if you are using third party plugins .
You'll want to have USB ports on your computer, as most MIDI controllers are still USB. However, you can find many adapters for Thunderbolt 3 to USB, and most computers are continuing to adopt Thunderbolt 3 ports now.
To troubleshoot issues with Live, you can reset to default settings in case the problem has been caused by corrupted setting files. Resetting Live won't delete any important files, such as project files and presets.
If you don't want permanently delete Template.als and Preferences.cfg, you can copy those files to another location on your computer. If the reset has not solved the issue, then you can place them back into their former locations.
2. Delete the files "Preferences.cfg", and if available "Template.als" and "Undo.cfg" in the following folder, where Live x.x.x corresponds to the version number of Live installed on your computer.
Note: These folders are hidden by default, here's how to access hidden folders on Windows and Mac.
Automatically replace missing files Ableton?
After opening an .als project which has missing files, Ableton Live will notify you that is has missing files with an Orange banner located in the bottom left corner of the screen that reads, "Media files are missing. Please click here to learn more." If you click the word "here" on that banner, Live will take you to the Missing Media Files option that is a panel that will appear on the right side of the screen. In the Search Folder section, specify the folder where you keep your samples or the folder where you believe your missing files to be located, then select Go in the Automatic Search section. If you specified the correct folder, in a few moments Live should find the missing files. Then hit save to update the Project on where those files are located so you don't have to go through that process again.
To avoid doing all of that, you should get into the habit of selecting File, Collect All and Save, which creates copies of the sample files used to the project file folder so that your project is portable.
Ableton Live 10 has introduced a file handling improvement that automatically creates a Backup folder within a Project after a Live Set is saved.
Watch the video below on how to do this.
It's a zip file of your project and the samples used, but in a smaller, condensed format.
It makes it super easy to archive Ableton Live projects and share them.
How to make an .alp?
1. File –> Collect All and Save. -This will copy any samples, packs, recorded audio, and Max for Live devices to your project folder.
Why do I keep missing files when opening Ableton projects?
If you have a folder on your computer where you keep all your samples, and for some reason that folder is moved (or if you share your project with someone and they don't have that sample folder), your project will have missing files.
To prevent this from happening, you need to "Collect All and Save," which will copy any of the samples or files used in other folders on your computer into that project file's folder.
What is a push 2?…and how is it different from a Push 1?
The concept is how could you write electronic music on a computer without using a mouse.
Ableton furthered this concept with the release of the Push2 and Live 9.5 in Nov 2015. The Push2 has several improvements. One obvious addition is a colored screen instead of an LED screen. But the pads are more sensitive, the buttons are more recessed so it feels smoother to the touch, and the menus on the screen are just more intuitive to navigate.
Image taken from Andri Søren youtube channel.
What is the best Ableton Live controller?
Our opinion is the Push2. It's built by Ableton for Ableton.
However, since Ableton Live supports almost any MIDI controller on the market, that is more of an opinionated question. That's like asking what is the best car? It depends.
It really depends on what your use is for it and your workflow. Are you looking for something more for production or for live performance? Also it's very useful just to have a plain old piano keyboard around too.
What's the best MIDI controller for DJing in Ableton?
It depends on your workflow. The Push2 is a great controller for in the studio as well as performing on stage. If your workflow is more like a traditional DJ where you would need a crossfader (the Push2 can work as a crossfader) BUT you want to "crab", the APC40MK2 is a solid option.
What is an instrument rack in Ableton?
An instrument rack is a container device that can house multiple instruments (both stock and third party plugins) as well as insert fx after the instrument. You can layer multiple sounds to play at once in an instrument rack. These layers are known as chains. In this way you can have one clip of midi notes that send midi to multiple instruments. An instrument will also have 8 macro knobs, which allow you to map parameters from a nested device to the outer macro knobs.
An advanced trick in an instrument rack is to split the layers into zones so certain instruments only trigger at certain times.
Zones can be split by note range so higher notes play a different layer than lower notes.
Zones can also be split by velocity values so harder played notes will be a sent to a separate zone.
Lastly zones, also known as chains, can be split by "chain selector." In this way, each individual chain can have its own value or range of values that it will be enabled. The orange chain selector value can be mapped to a macro knob so that you can have multiple instruments nested in a rack but be able to manage which one is on at a time. This can be very useful in a live performance scenario or even when producing (especially when you want various sounds to fire in rapid succession but only 1 or 2 at a time).
What is the Sampler in Ableton?
Sampler is an Instrument that allows users to import audio and manipulate the key, timing, and playback of the audio sample. It is one of Ableton's most advanced Instruments and has a profound amount of capabilities and options for sound design.
Playback of one-shot samples and loops while manipulating the sounds of the sample being performed in the desired key/ pitch.
Altering the original sound of the audio sample for a unique effect or specific sound.
The Sampler includes several modules within it that allow you to alter the sample using Filters, Modulation, LFO's, Oscillators, MIDI routing, Envelopes, and much more.


He invented the maori haka called Ka Mate.
He wrote it because it tell his story of his escape and his fear and his ultimate survival.
Te Rauparaha and his tribe were pushed out of their home town of Kawhia after the Musket Wars they faced between there neighbouring Waikato tribes.
They migrated down southwards capturing hapu and iwi as they went.
They decided on a strategically placed that was Kapiti Island as their strong-hold and new home.
October the 8th 1769 was when Captain Cook arrived on the Endeavor.
On 17th of june 1843 22 europeans were killed amongst 4 Maori members of the Ngati Toa.
The outraged european settlers complained to a governor by the name of Robert Fitzroy by were disappointed and enraged when the governor refused to side with them and instead saying it was their faults.
in July 1846 Governor George Grey raided Te Rauparaha's pā at dawn and took him prisoner.
He was held illegally without charge until January 1848 after 18 months of imprisonment at the time the Governor wiped out his iwi (tribe).


text:
Men.com Videos
Justice League: A Gay Parody Part 4 – UNCUT Review from Men.com (NSFW)
It is the final part to the Justice League Gay XXX Parody from Men.com. This is impressive for porn standards...
Justice League: A Gay XXX Parody Part 3 UNCUT Review
It's the 3rd part to the Justice League: A Gay XXX Parody. This time around, Alfred gets involved with Robin...
Justice League – A Gay XXX Parody Part 2 – Review
The second part to the Justice League Gay XXX series is out. This stars Francois Sagat as Aquaman and Colby...
GayGeekUncuts
You either love porn parodies or you hate them. Being a geek, I welcome superhero XXX parodies myself. Over at...
Justice League: A Gay Parody PREVIEW!
What?! Oh yeah, Men.com will release Justice League: A Gay XXX Parody on November 24th, 2017. So far from what...
Justice League – Movie Review – SPOILERS !
Here's my friend's thoughts on Justice League. It's our first impression right out of the theater, so we're not rehearsed...
Justice League – A Gay XXX Parody is Coming – November 24, 2017!
Just in time for the release of the Justice League movie, Men.com will be releasing their own Justice League XXX...
Justice League – Anyone Seeing it This Week? (Please Do Not Post SPOILERS)
Justice League comes out this week. Some people have already seen it and others are seeing it opening night. I...
Comic Book Reviews (Mainstream)
Justice League #26, Go Go Power Rangers #1, Darth Vader #4 & More – Comic Load 8/2/2017
It's comic book day! We have a new Justice League #26 we have a new Jr League making an appearance...
Wonder Boy on the Cover of Justice League #26 – DC Comics August Solicitations
Is that Wonder Woman and Superman's alternate reality son being shown on DC Comic's August solicitations? I don't know, but...

redpajama_set_name: RedPajamaCommonCrawl


He's turning 35 this year. Can you believe it?
When you think back to the '90s, who's the first teen celebrity you think of? For me, it's Jonathan Taylor Thomas. Good ol' J.T.T., Tim Allen's adorable middle son on Home Improvement and the voice of Simba in Disney's The Lion King. Nineties kids cut his pictures out of magazines and taped 'em to their walls — after all, he was one of the cutest teens of the decade.
Like many child stars, Thomas still looks great, just a bit older, which tends to happen to ... well, all of us. The biggest difference between '90s J.T.T. and 2016 Jonathan Taylor Thomas is that his style has drastically improved — again, something that has happened to us all (thank goodness). Everyone fell victim to the bad highlights and bizarre trends of the decade, so we can't blame him for the same.
Career-wise, Thomas has acted on and off since his heyday, voicing roles in the The Wild Thornberrys and The Simpsons during the early '00s, and appearing on shows including 8 Simple Rules and Last Man Standing. In the latter, which stars his former TV father Tim Allen, Thomas took his cameo as an opportunity to make a few fun inside jokes about Home Improvement. As for the future, Thomas has reportedly been shopping around a pilot with former costar Zachery Ty Bryan.
Recognize the face on the right? It's Devon Sawa, a.k.a. Casper from the 1995 film (and here's what he looks like now, if you're curious). He starred alongside Thomas in 1997's Wild America.
And here's J.T.T. with '90s supermodels Tyra Banks and Cindy Crawford, both of whom look just as beautiful then as they do now.
But wait — there's more! There are a few vintage posters and magazine covers starring this guy floating around on Instagram that might spark some serious nostalgia.
While we're a little sad we haven't seen much J.T.T. over the past couple decades, here's hoping he pops up on the small screen ASAP! Television can always use a little more '90s, after all.
Follow Good Housekeeping on Instagram and Pinterest.


text:
Ink-Slinger Profiles: George W. French, Cartooning "Ads" Up
George Willard French was born in Buchanan, Michigan on November 6, 1883, according to this World War I and II draft cards. In the 1900 U.S. Federal Census, he was the second of three children born to Willard and Ella; they lived in Bertrand, Michigan. Nothing is known, at this time, about French's art training. He was a cartoonist with the Chicago American. The Elkhart Truth (Indiana) reprinted his Chicago American drawing of stage actor Richard Carle on January 20, 1909.
In 1910 French lived in Chicago, Illinois at 6555 South Park Avenue; he was married to Pauline and had two daughters aged three and 7 months. He was an artist for a newspaper. Around this time he did an illustration of the magician Thurston for the Chicago American. French took over Pete Llanuza's sports editorial panel on October 30, 1911 and changed it to a general humor panel with an occasional sports cartoon. The panel was titled Anxious Moments about half the time, while the rest used one-shot titles. The title was used occasionally in his editorial cartoons; he was "promoted" to editorial cartoonist of the Record-Herald on March 2, 1913.
The January 1913 issue of Popular Mechanics published a Cartoons ad which highlighted an article by French who gives "an explanation of the origin of his Anxious Moments cartoon series." The trade journal, Printers' Ink, published this item on May 31, 1917, "George W. French, formerly a cartoonist on the Chicago Record-Herald, has joined the Ostenrieder Advertising Corporation of Chicago."
French signed his World War I draft card on September 12, 1918. He lived at 7701 South Morgan Street in Chicago, and was a self-employed advertising designer, with an office at the Kimball Building in Chicago. His description was short height, medium build with gray eyes and gray-brown hair.
The 1920 census recorded the French family at the same address as his draft card. He was a commercial artist in the newspaper industry, and had a successful career in advertising. The trade journal, Printed Salesmanship, in its June 1929 issue, published his article, "Why Pillsbury Uses the Glorified Cartoon to Sell Pancake Flour". He explained why cartoons are an effective selling tool. The journal included this brief bio:
George W. French, the free-lance artist who created the "Ernest McGroucher" series for Pillsbury's pancake flour advertising, was a cartoonist on the staff of the Chicago Record-Herald prior to his entry into the commercial art field.
MagazineArt.org has one of his Pillsbury's Pancake Flour ads.
According to the 1930 census, French had remarried; her name was Hazel. It's not known what happened to his first wife. The family lived in Chicago at 440 Barry Avenue. He was a commercial artist. French signed his World War II draft card on April 27, 1942. His address was 415 Fullerton Parkway, Chicago. He was self-employed and worked at 75 East Wacker Drive in Chicago. Excerpts from the 1942 trade journal, Sales Management, article, "Alka-Seltzer's Glad Ad-Artist":
Thousands have chuckled over the doings and sayings of the big-headed little people in the Alka-Seltzer and One-a-Day Vitamins car card advertisements. Their creator, G.W. French, of Chicago, is just as colorful as they are, and he radiates the same cheerful optimism that characterizes them (except those among them who have not yet discovered the virtues of Alka-Seltzer).
Born on a Michigan farm, Artist French has never done any other work except drawing—first for newspapers, as a cartoonist, and later as an independent commercial artist. He started making the Alka-Seltzer drawings in 1934, adopting "large head, small body" figures, so that the "audience could see the facial expressions of the speaker." He writes the verses himself. The characters are everyday people in everyday situations.
Cartoonist French's philosophy is thus summed up in his own words: "I want my drawings to radiate happiness and to belittle distress. I want people to feel better just by reading them and looking at them…"
Samples of his Alka-Seltzer ads can be viewed at Lambiek.
French's death notice from the Chicago Tribune, June 30 1955, contributed by Cole Johnson:
George W. French, 71, of 415 Fullerton Pkwy, cartoonist and commercial artist, died yesterday at his home. Surviving are his widow Mae, two daughters, Mrs. Dorothy Ford, and Mrs. Marjorie Ruud, three grandchildren, and a brother. The funeral will be held tomorrow in the chapel at 5501 N. Ashland Ave.


Early recovery for me was a scary time for many reasons, with one of the most frightening thoughts being what to do if I were at a party, celebration or wherever – and someone asked if I'd like a drink.
Since I was in no way willing to tell people I was in recovery, I figured this would be the end of the world. I was sure I would need to run away and hide, never to be seen again in North America – or even the entire northern hemisphere.
That was surely much easier than having to come up with some huge excuse as to why I didn't want a drink at that exact moment in time, an excuse that didn't disclose I was in recovery yet made it clear that I couldn't drink or I'd die and vomit (not necessarily in that order).
Subsequently, I didn't go out much. Especially not to parties, celebrations or anywhere else where drinking was sure to lurk. Staying home was easier than trying to come up with some creative yet believable yet still-keeping-my-secret reason why I didn't want a drink.
But the dang question got me anyway.
It was a Wednesday night poetry reading I had been attending regularly. The event was held in a Brooklyn restaurant where drinks were on the menu but didn't cause a concern since I simply didn't order one.
Yet that particular evening it was one of the poet's birthdays, which made another poet insist we all share a bottle of champagne.
Not only did everyone get handed a champagne glass, but we were all expected to stand up in a big circle and make a toast to the birthday poet. As the champagne bottle was coming around, I began to sweat. Maybe even shake.
What the heck was I going to do when the bottle got to me?
"You don't drink?" he asked.
"No," I shakily responded, sure the ceiling was about to crash down on my head, the floor was going to erupt in fire, and all poet eyes from around the circle would be directly and squarely boring through my skull.
The silence stretched for what seemed like eternity – until the poet man uttered there little words.
He then slammed his glass of champagne and went back to whatever he was doing, passing the bottle on to the next person.
Most people don't give a flying squirrel if you drink or not.
They honestly couldn't care less. In fact, most people don't even NOTICE pretty much anything we do – they're all too busy thinking their own thoughts or worrying about themselves.
That said, there are still times when just saying NO to a drink doesn't always appear to work. Some folks keep prodding, wanting to know why you're not imbibing like the rest of the high-spirited crowd.
In those cases, here are a few ways to refuse a drink when you're in recovery without disclosing you're in recovery.
No, I'm good with water. This works with soda or juice or glass of whatever else you have in your hand. Having a drink in your hand, even when the drink is non-alcoholic, seems to deter persistent offers to have a drink because you already have one. Just make sure you don't use the same type of glasses other folks are using and put your drink down, or you could end up picking up the wrong one by accident.
No, too many calories. I'd rather save extra calories for something like cheesecake or pizza, not waste it on a putrid-tasting drink. You don't have to include the last part, but the calorie excuse has long been one of my faves.
No, drinking makes me fat and stupid. This one usually gets a laugh, but I'm not sure how effective it is. I used it once last year and it didn't seem to stick. The person still sent me a wine basket for Christmas. Sigh. Maybe he wanted to see how fat and stupid I'd really get?
No, doctor's orders. Putting the onus on your doctor, dentist, orthopedic surgeon or other specialist seems to work. It also shows how brilliant you are for taking care of your health and following doctor's orders. And you don't have to mention the doctor is a psychiatrist, of course.
No, I'm driving. Providing a reason that shows you need to be in full control of your faculties is a good way to refuse a drink in recovery. This counts for driving, walking your rambunctious dogs, writing a thesis on subway folklore, or operating heavy machinery.
Of course, if you're A-OK with revealing you're in recovery, you can simply tack that on to your "No, thank you." More questions may come, which you can answer politely. And you may even end up chatting with other folks in recovery at the event, giving you a whole little gaggle of sober celebration-goers with which to converse.
No matter how you refuse a drink in recovery, the fact that you're refusing it is always a reason to celebrate.
Want more savvy recovery tidbits? Download a free copy of the Top 6 Daily Recovery Tips.


text:
Model organism
organisms used to study biology across species
Escherichia coli is a model gram-negative prokaryotic organism
Drosophila melanogaster, one of the most famous subjects for experiments in genetics
A model organism is a non-human species that is studied over many years, building up a lot of knowledge about it in order to understand fundamental biological phenomena. The hope is that discoveries made in the model will give insight into how other organisms work.[1]
In particular, model organisms are widely used to explore potential causes and treatments for human disease when experimenting on humans would be impossible or less ethical.
This strategy is made possible by the similarities of all living organisms. They are similar because of their common descent and the conservation of metabolic and developmental pathways and genes over the course of evolution.[2]
1 Model organisms in genetics
1.1 Drosophila melanogaster
1.2 Escherischia coli
2 Other model organisms
Model organisms in geneticsEdit
Drosophila melanogasterEdit
Drosophila melanogaster was one of the first animals used for genetics. Today it is one of the most widely used and genetically best-known of all eukaryotic organisms.
All organisms use common genetic systems; understanding transcription and replication in fruit flies helps to understand these processes in other eukaryotes, including humans.[3]
Studies of X-linked traits confirmed that genes are found on chromosomes. Studies of linked traits led to the first maps of genetic loci on chromosomes. The first maps of Drosophila chromosomes were done by Alfred Sturtevant.
Drosophila melanogaster is one of the most studied organisms in biological research, particularly in genetics and developmental biology. Its complete genome was sequenced and first published in 2000.[4]
Because great deal is known about its development from egg to larva to adult, it is a key model for developmental genetics, or evo-devo. The hox genes, or homeobox, which control development in metazoa, were worked out first of all in Drosophila.
Escherischia coliEdit
In 1946, Joshua Lederberg and Edward Tatum first described the phenomenon known as bacterial conjugation using Escherichia coli as a model bacterium.[5]
E. coli was an integral part of the first experiments to understand phage genetics,[6] and early researchers, such as Seymour Benzer, used E. coli and phage T4 to understand the topography of gene structure.[7] Before Benzer's research, it was not known whether the gene was a linear structure, or if it had a branching pattern.
E. coli was one of the first organisms to have its genome sequenced; the complete genome of E. coli K12 was published by Science in 1997.[8]
The long-term evolution experiments using E. coli, begun by Richard Lenski in 1988, have allowed direct observation of major evolutionary shifts in the laboratory.[9]
Other model organismsEdit
Phage Lamda
Tobacco Mosaic Virus
Emiliana huxlei: coccolithophore alga, extensively studied as a model phytoplankton species
Aspergillus nidulans
Neurospora crassa
Arabidopsis thalliana
Zea mays Maize
Pisum sativum, Pea
Caenorhabditis elegans, a nematode
Tribolium castaneum, flour beetle
Drosophila melanogaster
Mus musculus, the mouse
Rattus norvegicus, the Norwegian rat
↑ Fields S, Johnston M (Mar 2005). "Cell biology. Whither model organism research?". Science 307 (5717): 1885–6. doi:10.1126/science.1108872. PMID 15790833. http://www.sciencemag.org/cgi/content/summary/307/5717/1885.
↑ Fox, Michael Allen (1986). The case for animal experimention: an evolutionary and ethical perspective. Berkeley and Los Angeles, California: University of California Press. ISBN 0-520-05501-2.
↑ Pierce, Benjamin A (2004). Genetics: a conceptual approach (2nd ed.). Freeman. ISBN 978-0716788812.
↑ Adams M.D. et al. (2000). "The genome sequence of Drosophila melanogaster". Science 287 (5461): 2185–95. doi:10.1126/science.287.5461.2185. PMID 10731132. http://www.sciencemag.org/cgi/content/abstract/287/5461/2185. Retrieved 2007-05-25.
↑ Lederberg, Joshua; E.L. Tatum (October 19, 1946). "Gene recombination in E. coli" (PDF). Nature 158: 558. doi:10.1038/158558a0. http://profiles.nlm.nih.gov/BB/G/A/S/Z/_/bbgasz.pdf. Source: National Library of Medicine - The Joshua Lederberg Papers
↑ "The Phage Course - origins". Cold Spring Harbor Laboratory. 2006. Retrieved 2007-12-03.
↑ Benzer, Seymour (March 1961). "On the topography of the genetic fine structure". PNAS 47 (3): 403–15. doi:10.1073/pnas.47.3.403. PMC 221592.
↑ Frederick R. Blattner et al. (September 5 1997). "The complete genome sequence of Escherichia coli K-12". Science 277 (5331): 1453–1462. doi:10.1126/science.277.5331.1453. PMC 9278503.
↑ Bacteria make major evolutionary shift in the lab New Scientist
Retrieved from "https://simple.wikipedia.org/w/index.php?title=Model_organism&oldid=6559822"


A circuit board is provided with a functional element; a wiring board incorporating the functional element; and first and second wiring layers. The first and second wiring layers are formed on front and rear surface sections on the circuit board by sandwiching the functional element, and each of the first and second wiring layers includes at least one conductive layer. The surface of each pattern wiring of the outermost layer of the first wiring layer is exposed, and the surface of a first insulating layer, which insulates the pattern wirings of the outermost layer one from another, is protruded from the surface of each pattern wiring of the outermost layer. Each pattern wiring of the second wiring layer and an electrode terminal of the functional element are connected, and the surface of the second insulating layer insulating electrode terminals one from another and the surface of the electrode terminal adjacent to the surface of the second insulating layer are substantially within a same flat surface.


A creative writing memoir by a South Indian-Australian woman recalling her experiences growing up in Kerala and Andhra Pradesh – before her marriage to an Australian saw her adapt her cultural identity – was launched in Sydney today.
This is a book of insight and charm. A series of tales simply told, it's a gift for parents and teachers in understanding all children. The book is published by Sydney School of Arts & Humanities and is now available in both Ebook and PDF formats.
At once fascinating and delightful, Geetha Waters' stories centre on a girl growing up during the '60s and '70s.
These are youthful tales, yet they are underpinned by Geetha's deep understanding of childhood education, based both on her academic studies and in practice in her daily life as a mother and childcare professional.
A book for adults written from a child's perspective, the tales of awakening to life offer the reader an opportunity to appreciate how all children learn, as they draw on a deep well of curiosity that needs to be respected.
Geetha Waters will leave this weekend for South India to assist in training teachers in a module based on Krishnamurti's interactive style of relating with children. The stories in 'Road to Rishi Konda' will be incorporated into the STEP teacher training scheme.
The book launch was held at ampersand café, Surry Hills, the venue for the weekly memoir group which Geetha takes part in.
Geetha's writing is quite personal and the narrative clear. It reads like a journal of her self-discovery and beyond.
Her passion for humanizing education – eliminating the forces that condition – is evident and heartfelt. For the right person, at the right time, I'm sure her personal sharing will ring a bell that awakens.


Lunch & Learns are a great way to get more training done by multitasking during the lunch hour. If you don't see what you want, allow us to tailor a session according to your needs.
Combine specific topics/services from our available offerings to create your own program. The service will be delivered to our clients in the requested format.
These programs are located under "Programs for Young Minds".


Transportation Alternatives: T.A. Magazine Article: Bronx Councilmembers: "Safe Routes Now!"
Bronx Councilmembers: "Safe Routes Now!"
City Councilmembers June Eisland, José Rivera, Pedro Espada, Lawrence Warden, Wendell Foster, Adolfo Carrion, Lucy Cruz, Madeline Provenzano are anxious to see Safe Routes to School plans built.
In an unprecedented show of political enthusiasm for traffic calming, all eight City Councilmembers in The Bronx wrote the Mayor calling for speedy construction of the 24 Safe Routes to School pedestrian safety plans. To date, the Department of Transportation has completed the construction of traffic calming devices at only one of the 24 schools for which Safe Routes plans exist. The Bronx Safe Routes to School, is a project of Transportation Alternatives, The Bronx Borough President and the Governor's Traffic Safety Committee, and has drawn national attention for its innovative methods. Political support for Safe Routes to Schools is not limited to the City Council. In February, Assemblymember Peter Rivera agreed to earmark $125,000 in State Multi-modal funds for the design and construction of traffic calming plans at several schools in his district. In his letter to T.A., the Assemblymember wrote, "The implementation of traffic calming techniques has been and remains a priority of mine. Most important is the installation of traffic calming devices in areas around schools." Unfortunately, public enthusiasm for the Safe Routes to School program has not translated into action by the DOT. Though DOT Commissioner Wilbur Chapman met with T.A. and expressed his personal support, the agency has not defined a timeline or even loose plans for actually building the traffic calming called for by Safe Routes. This is a big missed opportunity for DOT. Safe Routes has set the table for the DOT to move ahead with an ambitious school-based traffic calming program in The Bronx. The political and community support is there. The plans are complete. Now DOT should muster the energy and focus to get some traffic calming built.


text:
Protected: THE METROPOLITAN AFFAIR by Jocelyn Green on tour March 2023
January 5, 2023 By TLC Booktours Leave a Comment
Protected: THE WEIGHT OF AIR by Kimberly Duffy on tour February 2023
Protected: What Happens Next by Christina Suzann Nelson on tour January 2023
December 8, 2022 By TLC Booktours Leave a Comment
Protected: Toni Shiloh, author of TO WIN A PRINCE, on tour September 2022
August 9, 2022 By TLC Booktours Leave a Comment
Jen Turano, author of DIAMOND IN THE ROUGH, on tour September/October, 2019
Join us for an Instagram and Review tour for DIAMOND IN THE ROUGH About Diamond in the Rough Hardcover: 352 Pages Publisher: Bethany House Publishers (September 3, 2019) To save her family from financial ruin, Miss Poppy Garrison accepts an unusual proposition to participate in the New York social season in exchange for her grandmother settling […]
Kate Breslin, author of FAR SIDE OF THE SEA, on tour March 3rd-10th, 2019
December 31, 2018 By TLC Booktours Leave a Comment
Join us for an Instagram tour for FAR SIDE OF THE SEA About Far Side of the Sea Hardcover: 400 Pages Publisher: Bethany House Publishers (March 5, 2019) In spring 1918, Lieutenant Colin Mabry, a British soldier working with MI8 after suffering injuries on the front, receives a message by carrier pigeon. It is from Jewel Reyer, […]
Morgan L. Busse, author of MARK OF THE RAVEN, on tour November 26th- December 2nd, 2018
Join us for the Instagram tour for MARK OF THE RAVEN About Mark of the Raven Hardcover: 336 Pages Publisher: Bethany House Pub (November 6, 2018) Lady Selene is the heir to the Great House of Ravenwood and to a powerful ability. But it comes with a dark secret. Tasked with assassinating the man who can […]
Becky Wade, author of FALLING FOR YOU, on tour May 21st – 27th
March 27, 2018 By TLC Booktours Leave a Comment
Join us for an Instagram tour for Falling for You! About Falling for You Series: A Bradford Sisters Romance Paperback: 368 pages Publisher: Bethany House Publishers (May 1, 2018) Famously beautiful model Willow Bradford is taking a temporary break from her hectic schedule to work as the innkeeper at her family's small-town bed-and-breakfast. She was enjoying the peace […]
Modern-day Jane Austen titles by Debra White Smith on tour April 2018
February 21, 2018 By TLC Booktours Leave a Comment
Join us for an Instagram tour for Possibilites, First Impressions, and Amanda! About Possibilities: A Contemporary Retelling of Persuasion Series: The Jane Austen Series Paperback: 320 pages Publisher: Bethany House Publishers (April 17, 2018) When Allie falls in love with a young man her family thinks is unworthy of her wealthy Southern family, she yields to the pressure […]
Patrick W. Carr, author of THE WOUNDED SHADOW, on tour April 2nd – 8th
February 9, 2018 By TLC Booktours Leave a Comment
Join us for an Instagram tour for The Wounded Shadow! About The Wounded Shadow Paperback: 496 pages Publisher: Bethany House Publishers (April 3, 2018) The kings and queens of the northern continent lay siege to the Darkwater Forest, desperate to contain its evil. But rumors of gold and aurium have lured deserters and the desperate into its […]


La Perle is an amazing traditional French property situated in the pretty village of Rustrel, making it ideal to experience the Provencal life. The villa boasts the most beautiful mountain views for ultimate relaxation and is only a short drive away from the main local attractions such as the "Provencal Colorado". La Perle is decorated to a high standard throughout with the kitchen, dining and lounge area all open plan giving a light and airy feel. Three spacious bedrooms are all located on the first floor keeping the same homely feel as the ground floor and the usual mod cons can be found such as free Wi-Fi, satellite television and a DVD player. Outside a fabulous outdoor dining terrace overlooks the inviting swimming pool area, admiring those spectacular views. La Perle is definitely the perfect choice for a real feel of nature and Provence and a fabulous family getaway.


text:
Q: Visual Studio 2008 Build question x64 vs x86 I have written an application on my x64 machine in Visual Studio 2008.  The application will be sent to someone, and I have two questions that I need answers to.

*

*What requirements will they need to have installed. I am assuming the .NET 3.5 redistributable.  Are there anything else though? (The application does not call any external dependencies).

*This is my really question that I can't find the answer to. I have developed and build the application on my x64 machine using the "Any CPU" option (as versus x64 or x86 specifically).
Will this run on a 32 bit machine? (I don't have one to test). Or do I need to build it specifically for x86 in order to run it on a 32 bit machine?
Many thanks,
Brett

A: you should use the corflags tool
corflags myAssembly.dll

if
PE=PE32 and 32BIT= 0

it will run in 32 bit as x86 app and in 64 bit as x64 app
If you compile your app with "Any CPU" your PE will be PE32 and your 32BIT will be 0
For your reading pleasure

A: *

*If you really don't have any external dependencies, yes, only .Net 3.5  will be required, and the bundle may even not be used, depending on the version of windows your customer is using (Windows 7 has it built-in, for example).

*Yes. The solution platform selectlist does exactly what is says. Your application should run on either a x86 or x64 CPU if you selected "Any CPU".

A: Yes, your application is going to be compiled with a PE32 header which means it will run on either 32 bit or 64 bit (as a 32 bit application) Windows OS.  However your users will have to have the correct version of the .Net Framework installed which depends on your compiler settings.

redpajama_set_name: RedPajamaStackExchange


Well, it looks like a wet week so we're bringing you some Weekday Adventures. It's been awhile– it's so fun to be back looking for fun activities to attend. Send us any we may have left off the list. Stay dry but keep busy. Also, find tons of places to go indoors! Cooking and craft ideas on our Pinterest page. Make sure you LIKE us on Facebook for any last minute events or news.
As the weather turns bitter, reserve your seats at a play this week. Adventure Theater and Imagination Stage have great plays showing. Remember, our Indoor Guide has you covered for some fun and unique indoor places to turn to as it's windy and cold outside. And for you cold weather fans, we will publish a Winter Outdoor Guide soon.
Rise + Rhyme is a weekly Busboys and Poets series for local stay-at-home parents and early rising families of all kinds! Featuring performances and stories for children ages 5 and under. This week Marsha Goodman-Wood is performing.
Come Sing, Read, and Rhyme With Us! Music is a fun way to learn about sounds, rhythm, rhyme and is a natural support for your child's early learning. Appropriate for all ages.
Coyote Mischief Tales introduces the culture and legends of Native Americans in a show featuring the famous trickster Coyote, his friend Hastali, and his loving wife Mole, in a trio of tribal stories that will entertain, inspire and teach. Walk the Medicine Wheel in four directions, each with a different lesson—alternately funny, warm and wise. "Coyote Gets his Name" teaches us that the most important lesson is to be true to ourselves; "Coyote and his Pups" reminds us not to take ourselves too seriously and to always value others; "Coyote's Big Giveaway" is a story about friendship and true giving; and the message in "Coyote Visits the Land of the Spirits" is that true love is the strongest medicine of all. Recommended for ages 5-10.
Come sing-along to your favorite songs. Grab a treat in the cafe afterwards or hang out reading books.
For those with older kids who have Tuesday off from school to honor our Veteran's you may want to check out Interstellar playing on IMAX at The Air and Space Museum. We saw Big Hero 6 this weekend, which was good for most ages– (there is a death in the movie, however). This is playing at many theaters in our area as is Interstellar if you don't feel like fighting for parking down on the Mall.
Also, if you want to send your Bambino(s) to keep them entertained all day, we have a few options here.
Rise + Rhyme is a weekly Busboys and Poets series for local stay-at-home parents and early rising families of all kinds! Featuring performances and stories for children ages 5 and under. This week Jessica "Culture Queen" Smith is performing.
Brrr– November is here and Fall weather has arrived. I'm ecstatic because that means I'm only 2 weeks away from meeting our second child but I am also fully aware that today was not *that* cold and I still had to run screaming to my car tonight on our way out of Comet Pizza because I was so cold. I'm admittedly a big baby when it comes to cold weather (in my defense I lived in Florida for 6 years). With that being said, I will keep a few events outdoors but it's that time of the year where I will search for fun indoor events mostly. The heat is on at DC Libraries and you can find the Children's Library Events for the week here. Also, our Indoor Fun Guide has plenty of places to check off your list this winter and escape the cold.
Rise + Rhyme is a weekly Busboys and Poets series for local stay-at-home parents and early rising families of all kinds! Featuring performances and stories for children ages 5 and under. This week The Singing Lizard is performing.
The Smithsonian's National Postal Museum invites adults and young children (ages 2-3) to discover the world around them together at our monthly StoryTime. Children will build important developmental and social skills through books, activities, songs and self-guided gallery exploration. Explore themes, such as shapes, colors, and sizes, in a relaxed setting at your neighborhood museum. Feel free to bring snacks and enjoy the space after the program! Free- no reservation required. Featured story is Letter to Amy by Ezra Jack Keats.
The kids are living for Friday! With Halloween being on a Friday, we have the longest celebrating to do, with two weekends of parties and parades. But, don't forget about the apple and pumpkin picking– here's the guide! The weather this week looks amazing so take advantage of the festivities.
Rise + Rhyme is a weekly Busboys and Poets series for local stay-at-home parents and early rising families of all kinds! Featuring performances and stories for children ages 5 and under. This week Jessica "Culture Queen" Smith is a Master Teaching & Performance Artist who creates fun and cultural experiences for your royal children!
A perfect way to explore a new farm and fall festival. The farm opens at 10:00am so get there early to play and then catch the concert(s).


Accommodation that features breathtaking views from every unit, a quiet location, and fantastic facilities in the heart of beautiful Burleigh Heads. Heated pool, spa, sauna, full sized tennis court, free BBQ area. Gemini Court offers everything for an unforgettable holiday.
Two bedroom, two bathroom fully self-contained apartment with the best view on the coast. Fully self contained 2 bedroom, 2 bathroom apartment in the heart of Burleigh Village! Private balcony and large living area offer a fantastic opportunity to relax. Set well back from the highway on the point at Burleigh Heads while being just metres from the shops, restaurants, and beach. Apartments are fully self contained with a dishwasher, microwave, oven, full sized fridge, washer, dryer, ironing facilities, digital Foxtel, direct dial telephones and private secure parking. One Queen bed with en-suite to the main bedroom and 2 single beds with second bathroom ensure privacy and spacious living!
Most apartments are air-conditioned, please request on booking.


Where is the Perper family from?
You can see how Perper families moved over time by selecting different census years. The Perper family name was found in the USA, the UK, Canada, and Scotland between 1851 and 1920. The most Perper families were found in the USA in 1920. In 1920 there were 8 Perper families living in New York. This was about 15% of all the recorded Perper's in the USA. New York had the highest population of Perper families in 1920.
Use census records and voter lists to see where families with the Perper surname lived. Within census records, you can often find information like name of household members, ages, birthplaces, residences, and occupations.
What did your Perper ancestors do for a living?
Census records can tell you a lot of little known facts about your Perper ancestors, such as occupation. Occupation can tell you about your ancestor's social and economic status.
What Perper family records will you find?
There are 3,000 census records available for the last name Perper. Like a window into their day-to-day life, Perper census records can tell you where and how your ancestors worked, their level of education, veteran status, and more.
There are 642 immigration records available for the last name Perper. Passenger lists are your ticket to knowing when your ancestors arrived in the USA, and how they made the journey - from the ship name to ports of arrival and departure.
There are 1,000 military records available for the last name Perper. For the veterans among your Perper ancestors, military collections provide insights into where and when they served, and even physical descriptions.
You've only scratched the surface of Perper family history.
What is the average Perper lifespan?
Between 1959 and 2004, in the United States, Perper life expectancy was at its lowest point in 1972, and highest in 1990. The average life expectancy for Perper in 1959 was 66, and 92 in 2004.
An unusually short lifespan might indicate that your Perper ancestors lived in harsh conditions. A short lifespan might also indicate health problems that were once prevalent in your family. The SSDI is a searchable database of more than 70 million names. You can find birthdates, death dates, addresses and more.


Construction Project Engineer Cover Letter Construction Project Engineers oversee comprehensive responsibilities on job sites to ensure all deadlines, safety regulations and cost restrictions are met and projects are completed to clients satisfaction. Study our Project Engineer Cover Letter Samples to learn the best way to write your own powerful cover letter.
A wellcrafted cover letter can be a powerful job search tool. Your Project Engineer cover letter should be brief and highlight some of your skills, experiences and accomplishments that are most relevant to the job. Your engineer cover letter should be able to bridge the communication gap and convince the employer that you are a perfect match for this position. Use this free professional project engineer cover letter sample to help your job application shine and win you the job of your dreams.
Browse our Construction Project Engineer Cover Letter Samples to learn to write the easiest cover letter yet. Project engineer cover letter This free sample cover letter for a project engineer has an accompanying project engineer sample resume and project engineer sample job ad to help you put together a winning job application. Learn some great advice and helpful information on how to craft a cover letter using this free project engineer cover letter sample. Engineering Cover Letter Samples.
By Resume Genius. Civil Engineer Cover Letter Sample. Resume Genius' builder, resources, advice and career tips are regularly featured on some of the world's leading online and offline publications including: Free Resume Builder.


An easy DIY spring wreath, and we have a winner!
First off, please congratulate Kelly McFarlan, who won the e-design giveaway!
I am hosting Easter brunch this Sunday, and I am still in the midst of unpacking from Switzerland, but I felt like I had to start making our condo feel springy.
I made these for my friend Kim's wedding in September 2012.


As I've spent years sorting all of my photographs out into folders and sub-folders I naturally want to maintain that in Lightroom CC.
How can I import hundreds of different folders and sub-folders into Lightroom CC and maintain their structure?
Even when importing from an existing Lightroom Classic Catalog, there doesn't seem to be a way to automatically maintain the folder structure.
The trick is to drag the folders down to the Collections panel in Classic before migrating, so it creates collections of all your folders. There might be a bit of tidying up to do, depending on your folder structure, but it saves a lot of the work.
Just double check that LRCC will have all the features you need before you migrate - you don't HAVE to migrate at this point.
OK - i'll give that a try.
Is there a way to add folders of images to Lightroom CC?
Drag and drop a folder, where it creates a folder or album in CC and adds the photos as well.
One thing I've just discovered on Lightroom web, is that you could drag a folder into the + sign (add folder/album) and it would ask for an album name and voilá you have it. It saves you a few clicks. My own workflow at the moment is to copy the folder name to the clipboard, then drag the folder to lightroom web at the + sign and paste the folder name. If you have a couple of folder levels it works. Didn't try on deskop but I guess it should work also..
Incredibly, I can confirm today that this functionality does not work in Lightroom Windows client... perhaps in the future... I was expectant that it would even show a default album name with the folder name, but not yet..
I'm not 100% sure I'm following the question, but when adding new photos to LRCC, you can create an album at the top of the Add Photos dialog. Did I miss the point?
The hard way: right click, create a folder, type in the name, click add photos, browse to where the new photos are, drag them in, approve them for review, wait.
Sadly I don;t think the easy ways exist.
I am just evaluating CC but this is a showstopper to me. I cannot afford to recreate my folders' structure - that should be a basic step in this software.
I'm having the same problem, and I seriously CANNOT BELIEVE that Adobe would expect professional photographers (their main user population for Lightroom) to go through and manually recreate hundreds of folders. I have folders that have 4 and 5 levels of sub-folders containing thousands of photos -- each of which was painstakingly named at the time of their creation.
Dragging them into collections seems easy, but it still requires that I manually do each subfolder as a collection within a collection set. Plus, I can't tell whether Lightroom CC will migrate the newly created collections as collections or as folders, albums or what. I want them to be folders, not collections.
I just spent 30 minutes on the phone with a support tech and nearly started crying at the end. If there is not a simple way to migrate (or import directly from my hard drive into CC) my folder structure, I won't be able to use CC any time in the near future. It will take me WEEKS of doing nothing but creating folders and importing the photos one folder at a time. I *need* to be able to use Lightroom CC so that I can edit from my desktop or my laptop while traveling, but I don't have weeks to dedicate to this process.
If Classic could import folders from my hard drive so intelligently, why can't the product that is supposed to be an improvement on Classic do that?
Somebody please tell me there's a way.
Hi, Victoria. Thanks for helping me sort this out. I don't know all of Lr's features, so it may be that my system is totally convoluted. I'm happy to hear suggestions.
I use Lr to organize and do basic edits to all of my photos, then do more specialized editing in Photoshop as needed. I do most of my editing on my 27" iMac, but sometimes need to edit on my MacBook. This requires that I use an external hard drive to store my originals, because I have to move it back and forth between the two. I never edit on a mobile device; my iPad is too old to make that workable.
When I have new photos on a memory card, I use Copy/Add to import them into Lr and copy them to folders on my hard drive.
I use star ratings to sort my photos and indicate the stages of editing until they are fully completed and ready to export into the two edited folders.
For my client jobs, once they are done I upload their photos to albums on PhotoShelter. That typically happens very close to the event itself -- always within a week.
BUT I mix in working on my personal projects as I have time and inclination. I don't need access to every single old photo I have at all times, but it would be nice.
I hate the risk inherent to carrying around so many original files.
I desperately need to use a cloud-based service (like Backblaze) as a triple backup, but that works only if I keep the hard drive plugged into my desktop so that the files can be synched periodically. That means I have to have one location with enough storage for all of my originals, and can't keep unplugging an external drive to move it back and forth.
I changed my Adobe subscription so that I would have Lr CC with 2TB of storage. I thought I would be able to import my photos in their existing folder structure, as I was able to do with Classic. Then I would have access to the smart previews anywhere and could edit as needed. BUT, If I have to go into CC and create a new album/folder for each folder and subfolder that I have currently, then there is no point in me having the subscription because I'll never have time to do that. I have upwards of 50,000 photos.
Is there a way I can use the Adobe services to which I have access to streamline my workflow and have cloud-based access, while still being able to use the expanded functionality of Classic and store my originals where they can auto-backup to a third storage?
I'm not sure if this answers your question enough. Let me know if you need more info. Thanks again.
When you're editing on your MacBook, are you just in Lightroom, or do you need to switch to Photoshop on that one too? Just Develop type editing? And I'm guessing you know in advance which jobs you're likely to want access to on the MacBook? There's a few ideas that come to mine (I documented them in my book), but I just want to make sure I recommend the best one for you.
I do use Photoshop some on my MacBook -- usually for intermediate edits that I find cumbersome in Lr. Any of my fine art images that will require extensive editing, I do on my desktop.
Yes, I do usually know in advance what I'll want to edit, but not 100% of the time. And I occasionally need to access old originals even when I don't need to edit them. For example, I was at a conference recently and realized that I should quickly print some of my older work to create a separate portfolio than the one I had already brought with me; a reviewer asked to see more than I had brought printed.
Hi Laura, sorry for the delay getting back to you. It's been one of those weeks!
If you only needed 2560px smart previews, I'd say sync the collections you're going to need from the Classic catalog and put CC on your laptop for editing. That's the clean automatic simple route, but wouldn't give you full res on your laptop, so Photoshop editing would be out.
If LRCC has all the tools you need, apart from folder management, this might be a silly idea, but have you considered employing a teenager for a few hours to do the work of converting your folder structure into an album structure? It's a one-time job, as you'd put new photos directly into CC, so would be the cleanest solution.
There are very unofficial workarounds for getting originals to the Adobe cloud and continuing to use Classic, but they'd still require you to rebuild your folder structure as albums/folders.
Otherwise, you're down to non-Adobe-cloud solutions, like putting the catalog and photos on an external drive, and using file sync software (like Chronosync) to keep it copied back another external drive permanently hooked up to your iMac, so it can get into your Backblaze backup and you're not risking your originals by carrying around your only copy.
If you do decide to rebuild you Folder/Album structure in LrCC Laura, you could also use an iPad/iPhone if you have one. Apart from being able to organise away from the computer, they also have a 'Move To' function that LrCC doesn't seem to have yet. (I assume the Android app has this as well).
50,000 is a lot though!
It would be great if CC were also able to store local copies in a folder structure of our choice as opposed to just one folder or folders by date.
Hey, so I'm not sure if this helps your situation enough but I've just been dealing with this issue as I had to get a new external hard drive and try and reorganize my whole lightroom around it.
I found that when I'm in the import dialog and you click on a parent folder and click "include sub-folders" it tends to just import every single photo under the parent into one single folder in LR basically discarding any sub folders you've created.
But! I figured out that if you make sure you highlight every folder including the the parent and all sub folders underneath it on the left panel, while having "include sub-folders" still activated, when you import it will actually import the entire folder structure exactly the way you have set it out on your hard drive.
If I ended up updating eventually would I lose this feature?
LOL I know, it's confusing everyone. CC 2015 was the version released in 2015 and updated until recently. When you come to update, Lightroom Classic is the one you want.
In the Destination panel of the Import dialog, check whether you have it set the "into one folder" or "by original folders". That's probably the cause of the oddities you're seeing.
I'll be sure to keep Classic - Losing this feature is likely to upset me lol.
Our prayers have been answered! The latest update adds a right-click menu on a folder to create a collection from it. If the folder contains subfolders, there's even an option to create a collection set from it, and auto-populate it with collections for each of the subfolders. Well done, Adobe!
I am not seeing the right click option. I am using a Mac, and tried command+click but still didn't see an option to create a collection. Are you using a PC or Mac?
Brett, it's in the Lightroom Classic 7.2 or 7.3 Folders panel. You right-click/Cmd-click on the folder and it's in that context-sensitive menu.


Cutting costs is a tenet of business. If you're making money, it only makes sense that you want to keep it. At the same time, you're also facing immense pressure to adapt to the latest technology without the sufficient staffing to get it done.
So, is there a way to do both? Absolutely. And it's easier than you may think. Here are a few options to get you on the path to ROI and establish relevancy within your industry.
Hiring on a full-time IT department is a massive cost, especially for small businesses. Outsourcing gives you the freedom to expand your capacity without emptying your wallet. Working with an IT Support Firm puts experts in your court so you can focus on running your business. When you factor in recruiting costs and the time it takes to sift through candidates, outsourcing becomes more and more alluring. It takes out all the hassle and gets you up and running immediately.
Once you have the right tech support, it's time to start upgrading. A support firm will help assess what tools you're currently using and determining what's working, what could be used better, and what can be dragged and dropped into the recycling bin. Having more efficient technology will also help you reduce labor costs by speeding up your processes. This can mean transitioning your company to the cloud or finding customized solutions for your specific industry.
Upgrading does mean potentially spending more money on tech, but the ROI is dramatic. Spending a little bit more on better technology will save you hours of workarounds and getting stressed out by things not working the way you want them to.
Beyond just getting the best new tech, you need tech that can work for you. This means creating automated processes that will run tasks on their own. Your IT Support Firm can help you build new software to takeover the menial work that bogs down your employees work load.
Automated processes and software are increasingly becoming the norm. Just look at this massive list of processes businesses are already using. Everything from internal communications and scheduling to support tickets and lead management can be automated with the right tools. The key is having the eye to identify what processes can be automated. That's where your outsourced IT crew comes in. They'll quickly be able to assess what can be automated and what's essential to be done manually.
If you're really trying to get your profit margins up, it's time to invest in the right tech team. ISOutsource is here to help, covering everything from help desk support to helping develop strategies that will further save you money. Let us help you keep that hard earned money in your pocket.


Struggling with learning Dutch, and the Dutch?
Are you struggling with learning Dutch and your new culture? Have you just arrived and are feeling out of sorts with yourself and your surroundings because you cannot understand the language or the unspoken rules? Do you feel embarrassed ashamed, or frustrated because you have been here for over 10 years and still don't speak the language? Do you feel isolated because of language and cultural differences? Or are any of these one-liners familiar?
1. I will never learn Dutch, its too different to my own language.
2. Dutch is so difficult and the pronunciation is so harsh!
3. I have no need to speak the language everyone speaks English.
4. Learning a language from a book does not help me in real life situations.
5. Is your perfectionism holding you back from learning the language?
6. I just don't feel like me when I speak in Dutch.
Turn your frustration with Dutch into gratification and satisfaction. Unlock your potential and learn to respond naturally and appropriately to the unspoken expectations of others whilst remaining to be yourself in your new language and culture. Recognise and understand the Dutch so you can turn cultural differences to your mutual advantage. Cultural awareness will make you stay here so much more fun, rewarding and joyful. It could for example be at work, with your neighbour, at the gym, the hairdresser, the municipality, or at your local bread shop. Imagine how good it will make you feel to be able to speak freely and feel how this will improve your life.
As a Dutch citizen, now 25 years in Amsterdam but raised on 3 continents, 5 countries and 3 languages, I know the challenges you are faced with so well. As a life coach, I combine my international life experiences with my professional expertise, and my love and curiosity for people from different cultural backgrounds to help you access your internal resources that will help you with in your endeavour to learn Dutch.
In a few coaching sessions I will help you clear up any possible sabotaging beliefs that are in your way and give you effective learning tools that will make your Dutch learning experience much more effective but above all fun. Please contact me so we can discuss your unique situation and plan our first session. Live your life more beautifully!
Want to meet with Christie? Go to 'Find a tutor' and fill in Christie's name.
Want to try out our Dutch on the go lessons? Buy this 6-hour package to try out our way unique, live language teaching. Learn the basics where and when you want. The package is valid for one year.
Are you familiar with the Dutch language, but you want to improve? Try this 12-hour package to boost your skills through Skype or real-life sessions. Have it the way you like! The package is valid for one year.
New to Dutch? Get confident in basic everyday conversations using our 30-hour package including Skype or real-life sessions of your interests with your personal tutor of choice. The package is valid for one year.


text:
30-я армия (СССР) (30 А) — оперативное войсковое объединение (общевойсковая армия) в составе РККА Вооружённых Сил СССР во время Великой Отечественной войны.

История
Сформирована в июле 1941 года. Изначально состояла из 119-й стрелковой дивизии, 242-й стрелковой дивизии, 243-й стрелковой дивизии, 251-й стрелковой дивизии, 51-й танковой дивизии, а также ряда артиллерийских и других частей.С 15 июля включена во Фронт резервных армий и выполняла работы по оборудованию оборонительного рубежа Селижарово, Оленино, Васильево. В конце июля — августе в составе Западного фронта участвовала в Смоленском сражении 1941, в ходе которого, наступая из района юго-западнее г. Белый на Духовщину, рядом последовательных ударов во фланг 9-й немецкой армии значительно ослабила и сковала её войска.

В сентябре — октябре вела упорные оборонительные бои с превосходящими силами противника в районе юго-западнее г. Белый, а затем на ржевском направлении, в которых её личный состав показал образцы стойкости и героизма. С 17 октября входила в Калининский фронт и принимала участие в Калининской оборонительной операции 1941 года.

В середине ноября вновь передана Западному фронту и в его составе участвовала в Клинско-Солнечногорской оборонительной операции 1941 года, а с 6 декабря — в Клинско-Солнечногорской наступательной операции 1941 года, в ходе которой во взаимодействии с соединениями 1-й ударной армии освободила г. Клин (15 декабря), разгромив при этом две моторизованные и одну танковую дивизии противника.

С середины декабря входила в Калининский фронт и в январе — апреле участвовала в Ржевско-Вяземской операции 1942 года. К концу операции вышла на подступы к г. Ржев, где перешла к обороне.

В последующем до конца 1942 года (с 31 августа в составе Западного фронта) прочно удерживала занимаемый рубеж и периодически вела наступательные бои с целью улучшения позиций частей и соединений. В марте войска армии участвовали в Ржевско-Вяземской стратегической наступательной операции 1943 года, в ходе которой освободили г. Ржев (3 марта) и к 1 апреля вышли на рубеж Нефёдовщина, Пантюхи (10 км северо-восточнее г. Ярцево), где перешли к обороне.

На основании директивы Ставки ВГК 16 апреля 1943 года преобразована в 10-ю гвардейскую армию. За мужество, отвагу и высокое воинское мастерство в боях с немецко-фашистскими захватчиками в 1941—43 тысячи воинов армии награждены орденами и медалями, а 6 из них удостоены звания Героя Советского Союза.

Командование

Командующий
 Хоменко Василий Афанасьевич (13.07 — 18.11.1941),
 Лелюшенко Дмитрий Данилович (18.11.1941 — 1.11.1942),
 Колпакчи Владимир Яковлевич (1.11.1942 г. — 1.05.1943).

Член Военного Совета
 Абрамов Николай Васильевич (13.07.1941 - 24.02.1942),
Кривулин Абрам Моисеевич (28.12.1941 - 21.06.1942),
 Доронин Яков Алексеевич (24.02.1942 - 1.05.1943),
Мочалов Валентин Владимирович (30.07.1942 – 1.05.1943).

Начальник штаба
 Бадерко Александр Григорьевич (13.07 - 21.08.1941),
 Виноградов Александр Иосифович (21.08 - 25.11.1941),
 Хетагуров Георгий Иванович (25.11.1941 - 22.12.1942),
 Соседов Лев Борисович (22.12.1942 - 1.05.1943).

Подчинение
 Фронт резервных армий
 Западный фронт
 Калининский фронт

Примечания

Литература

Ссылки

 30-я армия  на сайте клуба «Память» Воронежского госуниверситета
  Боевые действия Красной армии в ВОВ, описание 30-й армии на bdsa.ru

Общевойсковые армии СССР во время Великой Отечественной войны
Участники битвы за Москву

redpajama_set_name: RedPajamaWikipedia


text:
Q: Can't edit value in datatable using OnRowEdit in PrimeFaces I've followed PrimeFaces showcases to use row editing datatable but i can't see why it's not updating data.
here's my datatable:
<p:dataTable id="tab" var="art" value="#{myMB.allArticles}" editable="true" style="margin-bottom:20px">
   <f:facet name="header">

   </f:facet>

   <p:ajax event="rowEdit" listener="#{myMB.onRowEdit}" update=":form:msgs" />
   <p:ajax event="rowEditCancel" listener="#{myMB.onRowCancel}" update=":form:msgs" />

   <p:column headerText="Name ">
       <p:cellEditor>
           <f:facet name="output"><h:outputText value="#{art.name}" /></f:facet>
           <f:facet name="input"><p:inputText id="modelInput" value="#{art.name}"  style="width:100%"/></f:facet>
       </p:cellEditor>
   </p:column>

   <p:column headerText="Budget">
       <p:cellEditor>
           <f:facet name="output"><h:outputText value="#{art.budget}" /></f:facet>
           <f:facet name="input"><p:inputText value="#{art.budget}" style="width:100%" label="Budget"/></f:facet>
       </p:cellEditor>
   </p:column>
   <p:column style="width:32px">

       <p:rowEditor  />
   </p:column>
  </p:dataTable>

and in the bean:
public void onRowEdit(RowEditEvent event ) {

    Article f =  (Article) event.getObject();

    formationFacade.update(f);
    FacesMessage msg = new FacesMessage("Article Edited", ((Article) event.getObject()).getName());
    FacesContext.getCurrentInstance().addMessage(null, msg);
}

I ve seen this : link but it doesn't work for me I get the old value after editing and I have no change in may database  .. can someone help me please?

A: There's one thing that is strange/wrong, that may or may not be the cause of your issues, but I would recommend fixing. From this  update=":form:msgs"  I assume that you have an enclosing tags like  <h:form id="form"><p:growl id="msgs". On the other hand you repeat the id="form" inside <p:dataTable id="form". Repeating the id is surely wrong, but I'm not sure if its the cause of your issue

A: first, you have to provide the EditMode parameter with the value of
CellEdit

or RowEdit as your case.
second, you can do edit like this without event if you want a simple way to edit data table is
modifyYourModel(Model x){
// call your function to modify
}

and in the data table, you can do that
<p:dataTable id="tab" var="art" value="#{myMB.allArticles}" editable="true" EditMode="rowEdit" style="margin-bottom:20px">
   <f:facet name="header">

   </f:facet>

   <p:ajax event="rowEdit" listener="#{myMB.modifyYourModel(art)}" update=":form:msgs" />
   <p:ajax event="rowEditCancel" listener="#{myMB.onRowCancel}" update=":form:msgs" />

A: Use your IDs instead of :form, :msgs.
<p:ajax event="rowEdit" listener="#{myMB.onRowEdit}" update="messages tab" />
<p:ajax event="rowEditCancel" listener="#{myMB.onRowCancel}" update="messages tab" />

Also you have to update list "allArticles" by edited object.