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Her Majesty's Gardener
by Grettir Asmundarson
Grim.
It's not the kind of name you hear every day. Unless, of course, your name is Grim.
Grímner Ingólfur Hafnarfjörður Magnússon, to be precise, which isn't so much a name as it is the sort of mythological, historical, and geographical mash-up you get when your father is a Distinguished Professor of Viking and Medieval Nordic Studies.
You might think that a mother-to-be would balk if the father of her child started proposing baby names that you can't even type on a standard English keyboard, but Grim's mother lovingly indulged her husband's ethnographic enthusiasms and had been perfectly willing to go along with the rather unorthodox naming scheme before Grim was born. But when Grímner Ingólfur Hafnarfjörður Magnússon arrived six weeks early and she held the tiny, four-pound newborn in her arms, it suddenly seemed like far too hefty a name to bestow on a such tiny creature.
She feared that the next day's newspaper might bear the headline…
Infant Crushed by Weight of Own Name!
…so she called him 'Grim' from the moment he was born. As if by pruning his name to a single syllable she would be lightening the load a bit and increasing his chances of survival.
She never called him by his full name. Not even when she was angry. It was never, "Grímner Ingólfur Hafnarfjörður Magnússon, you come down here this instant!" Instead, she turned the "r" into a growl: "Grrrrrrrrrrrrrrrrrim!"
But despite his scrawny beginnings, Grim had grown into his name quite nicely. Now 17 years old, he was a strapping 6′1″, with his father's dark hair and olive complexion. Grim had always been a little envious of his younger brothers, Thór and Njáll, who had their mother's blonde hair, blue eyes, and fair skin. When he looked in the mirror, the only thing that reminded him of his mother was half his eye color. It was as if they'd mixed his father's brown eyes with his mother's blue eyes to come up with his green.
At the moment, those green eyes were closed as Grim stood in the middle of the expansive east lawn — shirt off, arms outstretched, head back — waiting.
Three, two…
And there it was, one second ahead of schedule, the gurgling and sputtering of water flooding underground pipes, followed by the angry hiss of awakening sprinkler heads. In the sweltering late afternoon heat, Grim desperately needed to cool off and the vigorous spray of the east lawn's No. 18 fixed-pattern nozzles should have cooled him off quite nicely. But after a few seconds he realized that the only thing being cooled off quite nicely was his left shin.
He opened his eyes and looked down at the sprinkler directly in front of him. Instead of a strong, round spray pattern, it was spitting limply on his left leg. He looked around, spotted two other sprinklers with similar problems, and started making the rounds. He loved doing sprinkler work when the weather was hot. After you reach adolescence, most people think you're too old to run through the sprinklers on a hot summer day. But if you pick up a screwdriver and walk through the sprinklers, you can call it "irrigation maintenance."
Within a few minutes, he'd taken care of the three misbehaving sprinklers and was standing back on the sidewalk, dripping water onto the hot cement where it evaporated almost as fast as it hit the ground. It was only the third week of May, but the afternoon temperatures had been hovering in the mid-90s all week. Grim could sense that it was going to be a very long, very hot Idaho summer and he was almost thankful that he wasn't going to be there to experience it.
Just then, Grim heard the familiar squeak, followed by the familiar slam, of a screen door, and the clicking of heels on cement. He knew what was coming.
"Mr. Magnússon," said Florence Peterson, looking down from the expansive concrete patio as a queen might look down on her subjects. "It's not enough that you're abandoning me for the entire summer to go traipsing about the English countryside. You now seem intent on giving people the impression that I hire male strippers to do my yard work. Would you kindly put on a shirt before one of my nosy neighbors sees a half-naked man roaming the grounds and starts another round of vicious rumor-mongering."
Grim glanced down the hill at Agnes Johansson's house on the valley floor below. The 98-year-old Mrs. Johansson was the only neighbor, nosy or otherwise, within a one-mile radius. And while he didn't doubt Mrs. Johansson's ability to lead a crack surveillance team, he did doubt her eyesight. She'd been legally blind for the past eight years and had to position her chair two feet from the TV screen if she wanted to watch Jeopardy.
"My shirt's in the car," he said, hitching a thumb at the battered Volvo station wagon parked at the bottom of the driveway, "but I'd be happy to go down and get it, if you'd like."
"Don't bother," she sniffed. "If you scratched yourself reaching into that rust bucket you'd probably get tetanus and sue me for millions! Speaking of which, I certainly hope that when you return in the fall it will be in a vehicle from which you haven't had to evict chickens."
"Oh, I didn't evict them," Grim said with a grin. "I told them they could stay if they chipped in for gas."
"Has the 'ToxicTurf' wagon arrived?" Mrs. Peterson asked, changing the subject.
"Not yet. They won't be here till four o'clock. And I want to reassure you that I've talked to Mr. Nelson and he has promised not to do any spraying while I'm gone."
"Well, I'm not going to take any chances!" she declared, turning stiffly and disappearing into the house, the screen door slamming behind her.
Grim used the time before Mr. Nelson's arrival to make one last circuit of the grounds. He'd spent all spring getting everything to the point that it should be able to coast through the summer, but he still worried about what condition the grounds would be in when he returned in September.
It's not that he didn't have faith in Mr. Nelson and his ChemoGrass franchise… OK, it was that he didn't have faith in Mr. Nelson and his ChemoGrass franchise, but he didn't have much of a choice. ChemoGrass was the only other horticultural game in town.
ChemoGrass was a father and son concern, with Mr. Nelson handling all of the HazMat work (fertilizers, insecticides, etc) and his 14-year-old son, Kevin, doing the mowing. Kevin was an avid comic book fan who liked to pass the tedious hours on the riding mower by reading. He'd been a little more careful since the incident with Mrs. Knudsen's cat, but you'd still often see Kevin ricocheting across lawns, steering vaguely with his left hand while totally absorbed in the graphic novel clutched in his right. Kevin was like one of those robot vacuum cleaner that travels in a straight line until it runs into an obstacle, then turns in a random direction and continues on its way, eventually covering the entire floor.
As for Mr. Nelson, he was a firm believer in ChemoGrass' unofficial motto: "There's no lawn or garden problem that a heavy application of petrochemicals can't solve." But Grim had been even more firm when he'd talked to Mr. Nelson about taking over the groundskeeping duties for the summer: No spraying. Period. It was a bitter organic pill for Mr. Nelson to swallow, but in the end he'd agreed.
Grim made a final pass through the small orchard, checking the apricot trees for any sign of the previous fall's powdery mildew. (None, thank goodness.) Then he tied up a few errant canes on the climbing roses, pulled some nascent weeds from the flower beds, and was turning the compost pile one last time when he heard the diesel engine of the ChemoGrass truck sputtering up the hill. Grim made his way to the top of the driveway just as the vehicle lurched to a stop, the ChemoGrass mystery liquid sloshing back and forth in its large translucent tank.
Mr. Nelson hopped down from the cab. Kevin remained slumped in the passenger seat, glued to his graphic novel, which, if the cover was to be believed, pitted an army of mechanized samurai against half a dozen Japanese schoolgirls who were apparently too busy saving the world to buy new school uniforms to replace the one's that they'd obviously outgrown.
"Hello, Mr. Nelson." Grim said, shaking Mr. Nelson's hand. "Hey, Kevin. 'Sup?" he added, with a half-nod in Kevin's direction.
" 'Sup?" Kevin replied, returning the half-nod without looking up from his book. Conversations with Kevin were usually conducted in half-nods and half-syllables.
"How are you today, Mr. Nelson?" Grim asked.
"Well," Mr. Nelson said quietly, glancing anxiously at the house. "I'd be lying if I said I wasn't nervous about meeting Mrs. Peterson."
"Well, my wife met Mrs. Peterson once and said it was one of the most unpleasant experiences of her life. I asked her if she had any advice and all she said was, 'Be confident. She can smell fear.' "
Just then, the screen door squeaked open and they both turned to see Mrs. Peterson emerging from the house wearing a World War II-era gas mask.
Grim stifled a laugh, but he could hear Mr. Nelson chanting under his breath, "Be confident. She can smell fear. Be confident. She can smell fear…"
Grim put a comforting hand on Mr. Nelson's shoulder.
"You're in luck. With that gas mask on, she probably can't smell a thing."
The Queen of St. Albans
St. Albans, Idaho, (population 5,276) is nestled on the Henry's Fork of the Snake River on a high, volcanic plateau about 40 miles southwest of Grand Teton National Park.
St. Albans was established in 1870 by Mormon pioneers, most of whom had emigrated from Iceland, Norway, and Sweden. Given those Mormon origins, it might seem odd that St. Albans was named after a Catholic saint, but the name was a borrowed one. The area had reminded an early explorer of his hometown in Wisconsin, which, as home to a granite quarry, had been named after St. Alban of Mainz, the patron saint of hernias.
St. Albans, Idaho, didn't have a granite quarry, but its early fortunes had also been excavated from the earth. St. Albans' rich, volcanic soil was ideal for growing root vegetables, and while the high altitude, harsh winters, and short growing season had proven to be too daunting for previous visitors, the Nordic and Scandinavian settlers felt right at home. Within a decade of their arrival, the area was one of the largest potato-producing regions in the United States.
Agriculture still made up a large part of the St. Albans economy. Until recently, most people in the area were either farmers or ranchers, or (like Grim's father) they worked at the college in nearby Rockford. But even though none of those occupations were particularly lucrative, St. Albans had one of the highest average incomes in the nation.
When one of your citizens is a billionaire it skews the numbers a bit.
Pete Peterson was born and raised in St. Albans, but after a brief stint in the Navy after World War II, he headed off to Chicago to attend Northwestern's business school on the G.I. Bill. After graduating, he married Florence Smyth-Hamilton (of the Chicago Smyth-Hamiltons) and returned to his hometown with an eye toward modernizing the potato processing business.
One day he noticed that, due to its irregular shape, there were were a lot of wasted scraps when a potato was sent through a cutting machine. So he devised a way to mince those scraps, add a little seasoning, and form them into bite-sized nuggets, which he called Spud Nips. And in post-war America, where frozen foods represented the height of industrial achievement and culinary sophistication, Spud Nips were poised to take their place alongside TV dinners and chicken pot pies on the TV trays of Americans everywhere.
Unfortunately, two months after Spud Nips' debut, the Soviet Union launched the world's first artificial satellite into orbit, and the American public flew into a collective panic. They were convinced that if the Russians could send a metal sphere the size of a basketball into orbit over U.S. soil, it was only a matter of time before nuclear warheads started raining from the sky. And since the name of the Russian satellite, Sputnik, bore an unfortunate resemblance to the name of Pete's starchy confection, sales of Spud Nips plummeted and Pete's biggest competitors, Alma and Heber Driggs, of La Grande, Oregon, took advantage of the anti-Soviet backlash to launch a competing product. The name of the Driggs brothers' snack, Tater Tykes, didn't conjure up the same vision of nuclear apocalypse in the American mind, and by the end of 1959 the Driggs brothers had captured over 94% of the bite-sized potato market.
Pete lost almost everything in the Spud Nips fiasco and decided that catering to restaurants would be less risky than dealing directly with fickle consumers. So, he developed a method of parboiling and freezing thin strings of potato which could then be shipped to restaurants where they would be cooked in oil, salted, and served with a tomato-based condiment. Within a year he had a contract to be the exclusive provider of french fries for a small chain of hamburger restaurants that was experimenting with the concept of franchising. A decade later, he was one of the wealthiest men in America.
As Pete's fortunes rose, so did his wife's expectations. In the late 1960s, Florence insisted that Pete's new billionaire status warranted a move from their unassuming, ranch-style home on the outskirts of town to something a little more…prominent.
The new house, designed and built under Florence's supervision, was a mid-century behemoth of cantilevered steel, cement, and glass, perched on top of the highest hill in the valley. The original plans called for the large plate glass windows and patio to face east, overlooking the town of St. Albans, but just as construction was about to begin, Florence had the blueprints rotated 30% to the north. Ostensibly this was done to provide a better view of the Grand Tetons to the northwest, but the town took it as a personal slight.
Architecturally speaking, a building is said to be "in conversation" with its surroundings, and this change made it seem like the Peterson home had no interest in conversing with its immediate neighbors. Seen from the town, the Peterson home was like a bored conversation partner at a dinner party who spends the entire evening looking over your shoulder in hopes that someone more interesting will come along.
Pete was always considered a local and made frequent trips into town in his 1958 Ford pickup, but Florence worked hard to foster her outsider status. Even after Pete died, she rarely left the "Fortress of Solitude," as it came to be called. What little interaction she did have with members of the community was usually unpleasant and there were credible rumors that she'd reduced each of the last four mayors to tears.
The only thing Florence did seem to enjoy was gardening. The Fortress was surrounded by five beautifully landscaped acres and while a commercial firm from Idaho Falls had always taken care of the lawn, she'd done everything else herself. She had a small orchard with a variety of fruit trees, a rose garden, a small vineyard, raspberry and blackberry bushes, a kitchen herb garden, a large vegetable garden, and dozens of exuberant flower beds, all of it scrupulously maintained.
In the last decade, however, Florence's arthritis had progressed to the point that she wasn't able to get around the gardens as easily as she once had. The lawns remained in good shape, but since she was too stubborn and/or proud to ask for help with everything else, the rest of the grounds suffered.
Her situation wasn't unusual. St. Alban's had a large population of widows, and as these women got older, health problems often limited their mobility. Getting around indoors was difficult enough; getting outdoors to do yard work was often impossible.
Grim's introduction to the world of horticulture came when his neighbor, Mrs. Skarsgård broke her hip and Grim's mother asked if he'd be willing to go over once a week and mow her lawn. Shortly thereafter, he started mowing Mrs. Stratton's lawn, followed by Mrs. Brondum's, followed by the nearly-blind Mrs. Johansson's. Mowing led to irrigation work, which led to flower beds, which led to vegetable gardens and soon he was the groundskeeper of a dozen of the best-looking yards in St. Albans.
When Grim turned 14, he started feeling the keen adolescent need for spending money, but money was a little tight at home, so he knew that if he wanted any disposable income he was going to have to earn it. The employment options for a 14-year-old don't extend much beyond yard work, which was fine with Grim, but he couldn't very well start charging the widows for his services. There was really only one person in St. Albans who could afford to pay for yard work, and that person was Florence Peterson.
So, one May afternoon, Grim hopped on his bike and made the trip out to The Fortress. He was naively unaware of how nervous he should be about meeting the Queen of St. Albans, but sometimes it pays to be young and clueless because his inadvertent confidence was one of the first things she noticed about him.
Grim had a proposal: A three weeks trial period during which he would work for free. If at the end of those three weeks she wasn't completely satisfied with his work, she was under no obligation to keep him on. But if his work was satisfactory, she would hire him as her gardener.
If Florence had known that what she was really doing was subsidizing the yard work of a dozen of the town's residence, she might not have agreed. But she did. The truth is that she didn't think a 14-year-old boy would be able to do the work and she'd secretly been looking forward to firing him at the end of the first week. But he was much tougher than he looked. For three weeks, he woke at sunrise, rode his bike out to The Fortress, worked like a dog until sundown, rode back home again, and collapsed into bed, his arms, legs, and back aching like they had never ached before.
He spent his first week at The Fortress doing demolition: pruning shrubs and trees, thinning the flower beds, aerating the lawn, amending the soil, turning the garden, and weeding everything. The second week, he repaired the irrigation systems, fixed the broken panels on the small greenhouse, and (with some help from his father) repaired the electrical wiring for the outdoor lighting. The third week, Grim had his Mom drive him to Idaho Falls where he picked up seeds, vegetable seedlings, annuals, ground covers, a new plum tree, and some dwarf evergreens to replace the ungainly, aging junipers that flanked The Fortress' driveway.
As he worked, Florence would make frequent trips out onto the patio to criticize Grim's pruning technique, second-guess his plant choices, and click her tongue at every perceived horticultural misstep, but in the end even Florence had to acknowledge the results. The grounds were beautiful again, and though Florence would never admit it, they'd never looked better.
Grim got the job.
He'd never worked harder than he did that first summer and the results were striking, but it wasn't just The Fortress' grounds that were transformed. That summer Grim went from being a scrawny adolescent kid to being a lean, muscular young man. When he returned to school that fall, all of the girls in his class did a collective double-take, but after realizing that it was "just Grim," they went back about their business.
Grim had spent the last two years refining what he'd started that first summer at The Fortress and it had turned into a year-round job: landscaping in the summer; snow removal in the winter. The previous summer, when he turned 16, Grim purchased an old Volvo station wagon from a gentleman in Jackson Hole, Wyoming, who had decided to abandon the high-country life in favor of a career in marketing. The car had racked up over 160,000 miles before the odometer broke and 20 years worth of road salt had taken its toll. The brown paint on the roof and hood of the car was peeling off in large sheets and parts of the floor had rusted through so that driving through large puddles usually meant getting your socks wet. Florence was so appalled by the appearance of the vehicle that she banned it from her driveway. Grim had to park at the bottom of the hill and ride the lawn mower up.
The car was not what you would call a "babe magnet," but it ran well and the price was right. In fact, the trailer he pulled behind the Volvo was worth double what he'd paid for the car, and the mower he carried in the trailer was worth double the value of car and trailer combined.
But now he was leaving them all behind — car, trailer, mower, The Fortress, St. Albans — at least for the summer. His brother, Thór, was taking over lawn mowing duties for the widows in town and Mr. Nelson, who was at that moment receiving a lecture from Florence Peterson (still wearing the gas mask) on The Florence Peterson Immutable Laws of Horticulture, was going to be in charge of The Fortress while he was gone.
Grim waited for a pause in the lecture and excused himself. He said goodbye to Mr. Nelson and Mrs. Peterson (whose muttered response was unintelligible through the gas mask) and rode the mower down the hill to his car, loaded the mower into the trailer, slammed the tailgate shut, and looked back up the hill one last time. He was anxious about leaving the place, but this opportunity to go to England was the chance of a lifetime, and despite everything that had happened that spring, his father was still insistent that he not pass up the opportunity.
So, even though he had never in his life travelled more than 300 miles from St. Albans, the following morning he was getting on a plane for the first time and flying 4,731 miles to England. Perhaps if he'd known what was in store for him that summer, he might have had second thoughts. But, as he'd learned once before, there are times in your life when it pays to be young and clueless.
Hope Springs Eternal
As Grim pulled up in front of his house he saw Benji Andrus standing beside the sycamore tree that dominated the front lawn of the Magnússon's home. At Benji's side stood another boy, about the same age as Benji.
This could mean only one thing. Something was stuck in the tree.
This was a game that Grim and Benji played on a regular basis. Benji would lob something into the high branches of the sycamore and the object of the game was for Grim to retrieve it. Actually, it was less of a game and more like Grim was a trained, tree-climbing pet monkey that Benji liked to show off whenever he had visitors.
"Hello, Benji," Grim said as he got out of the car. "Who's your friend?"
"He's my cousin, Benji," Benji replied.
"Your cousin, Benji?" Grim repeated, not quite sure that he'd heard correctly.
"Yeah, my cousin, Benji."
"You two are cousins and you're both named Benji?" he asked incredulously, and was reflecting on the odd naming habits of some people's parents when his reflections were interrupted.
"What's your name?" asked Cousin Benji.
"Touché," said Grim, acknowledging the hit to his glass house.
"Your name is 'Tushy?' "
"No, sorry…it's Grim. My name is Grim. It's a pleasure to meet you, Cousin Benji," he said, shaking Cousin Benji's small hand.
Grim looked up into the tree.
"So, what is it this time?" he asked.
"A Nerf football," Benji replied.
"The bright green one?"
Benji pointed to a spot in the tree a little more than halfway up.
Grim looked at Cousin Benji. "How many times did Benji have to throw it into the tree before it got stuck?"
Cousin Benji blinked twice and looked nervously at Benji, not sure whether he should be divulging the information. "I don't know. About twenty, I guess."
"OK," said Grim, taking a deep breath. "Time me!"
And with that, Benji lifted the stopwatch he was holding in his right hand and tapped the button on the top.
A few months earlier, Benji had become enamored with his father's mechanical stopwatch. He carried it everywhere, timing everyone, doing everything. Benji's father, a coach at the junior high school, had eventually grown tired of having to search for his stopwatch every time he left for work, so he used that as an excuse to buy himself a new, sleek digital stopwatch and relinquished the old one to Benji.
As Benji started the stopwatch, Grim took two quick steps toward the tree, leapt up, placed his foot on a large knot about three feet off the ground and kicked off, launching himself up into the tree. He grabbed the lowest branch, which was about nine feet off the ground, and used his upward momentum to swing up, grab a second branch, and disappear into the canopy. He did this with such speed that Cousin Benji, who had been looking down at the stopwatch, missed it completely.
"Where'd he go?" asked Cousin Benji.
Benji pointed to the tree, following Grim's upward progress with his finger. The Magnússon's sycamore was an ideal climbing tree, with a thick central trunk and large branches radiating out from the center. The branches were almost perfectly spaced, too -- not too dense, not too sparse -- so once you cleared that second branch you could easily climb the interior branches as if you were climbing a ladder. There was a gap about halfway up on the east side which required a jump across to the south, but from there it was a straight shot to the top.
As Grim passed the halfway point he looked around and spotted the Nerf football wedged into the crook of one of the larger branches about 12 feet out from the trunk. He grabbed a smaller branch that was about eight feet higher than the one that held the football and swung his legs up. Then, hanging upside-down, he made his way, sloth-like — hand over hand, leg over leg — toward the football.
The further he climbed out on the branch, the more it bent under his weight, so by the time he was directly above the football he only had to reach down about a foot and a half to grab it. The two Benjis were directly below him, so Grim took aim like a bombardier and let the football go. It was a perfect hit, bouncing off Benji's head and landing at Cousin Benji's feet.
"Hey!" Benji yelled, rubbing the top of his head.
"Oops, sorry about that!" Grim shouted less-than-sincerely. "What was my time?"
Benji glanced at the stopwatch. "15.2 seconds!" he shouted back.
"I must be getting old," Grim muttered as he made his way back down the tree, swinging down from the last branch and dropping the final distance to the ground.
"Now, Benji, try not to get anything stuck up there while I'm gone. I don't want to come home and find a hundred miscellaneous household items stuck in the tree."
"OK," Benji promised vaguely and ran off with the Nerf football in one hand and the stopwatch in the other, Cousin Benji following close behind.
Grim glanced at his watch and, realizing the late hour, dashed through the front door and up the stairs to his room where he stripped, showered, ran his fingers through his short, choppy hair (which represented the extent of his normal grooming routine), and threw on a fresh pair of jeans and a T-shirt. Then he dashed out to the car, unhitched the trailer, and drove the few blocks into town.
As he pulled into the parking lot of Ruffles Drive-In, he saw Tim's and Brent's cars already parked outside. He walked in and headed toward their customary booth.
"Sorry I'm late," he said. "I had to get something out of the tree."
"What was it this time?" Brent asked.
"A Nerf football," Grim replied.
"Where was it?"
"A little over halfway up."
"What was your time?"
"15.2 seconds."
"You must be getting old," Brent said. "You used to be able to do that in 12."
"Give me break! It's been a long day," Grim said as he headed to the counter, ordered a Fresh Lime (a concoction for which Ruffles was understandably famous, consisting of two freshly-squeezed lime halves, simple syrup, and soda water over pebble ice), and took it back with him to the booth.
"What time do you leave in the morning?" Brent asked as Grim flopped into the booth.
"Five o'clock. I fly from Idaho Falls to Salt Lake, then to New York, and then on to London."
"This is your first time flying, isn't it?" Tim asked.
"Yep," Grim replied.
"You'll love it," declared Tim, the man of the world, having flown to California twice.
"I hope so. I'm going to be doing it for 18 hours."
"They give you free peanuts, you know," said Tim.
"Not anymore," said Brent, correcting him. "You have to pay for them now."
"Really?" asked Tim, slightly deflated. "That takes some of the magic out of it, doesn't it? I mean, what is this country coming to when a man can't eat complimentary peanuts at high altitude?"
"I keep forgetting the name of the castle where you're working," said Brent, trying to get the conversation back on track. "What's it called? Wicker…Wicked…Wikipedia…?"
"Wickham! It's called Wickham Castle," Grim replied.
"Never heard of it."
"Neither had I. It's one of the royal family's…" Grim searched for the right word, "…'backup' castles."
"So it's a secondary Wickham?"
"It could be a tertiary Wickham, for all I know."
"I had a tertiary Wickham once," Tim interjected, "but my doctor gave me some ointment for it and it cleared right up."
"Are you going to be handling the grounds all by yourself?" Brent asked.
"No, no…I think they have about half a dozen people on staff. I'll be like an intern, doing all the grunt work, presumedly."
"And will a grunt like you get to meet any members of the royal family while you're there?" Tim asked, raising his eyebrows knowingly.
"Why are you raising your eyebrows knowingly?" asked Grim, but getting no response from Tim (other than the knowingly raised eyebrows) he turned to Brent, "Why is he raising his eyebrows knowingly?"
"You know…" Brent said, also raising his eyebrows knowingly. "Will you get to…meet any members of the Royal Family?"
"I have no idea what you two are talking about. Is that code for something?"
"Princess Victoria, you idiot!" sputtered Tim. "We're talking about Princess Victoria!"
"No! No, of course not! Other than the occasional tour group, the place is pretty much deserted."
"Too bad," Tim said.
"Why do you say that?" asked Grim.
"I say that because Princess Victoria is a hot!"
" 'Hot?' Did you just say she was 'hot?' "
"What? Is she not hot?' " Tim asked. "I mean, sure, she's a mess, but she is, as they say, a hot mess. And with those lips…" he added, staring off into the middle distance for a second. "…she's got to be a great kisser."
"I'll let you know," Grim said blithely.
"Yeah, right!" Brent said, punching Grim playfully on the arm. "You said yourself that she's not even going to be there. Besides, you wouldn't know a great kisser if you kissed one!"
"At least I've had some experience in that area!" Grim insisted.
" 'Some experience in that area?' Talk about padding your résumé! It was one lousy kiss! One lousy kiss does not qualify as 'some experience in that area,' " Brent countered.
"What 'area' are we talking about exactly?" Tim asked.
"Never mind!" Grim said, hoping to end the discussion before someone brought up the inevitable.
" 'I forgot something!' " Brent quoted, bringing up the inevitable.
"Cut it out," Grim objected. "Yes, it was just one kiss, but that's one more than both of you losers combined!"
"Well, I'm saving myself," Brent said demurely.
"For what?" Tim asked. "Your 40th birthday? I'm not saving myself. I'm just a math geek, and based on the evidence so far, calculus and kissing seem to be mutually exclusive."
"The outlook isn't much better for us English nerds," said Brent.
"Who knows," Grim offered. "Maybe we'll all get lucky this summer." But his words lacked conviction. If his subtle charms were lost on the girls of St. Albans, he held little hope that they would be any more effective half a world away.
They stared out the window for a few seconds and then let out a long, comically-dramatic, mutual sigh.
" 'Hope springs eternal in the human breast,' " quoted the English nerd.
" 'Man never is, and never will be, kissed,' " misquoted the math geek.
The Jet Set
As Grim stepped off the plane, he vowed that if someone ever invited him to become part of "The Jet Set," he would punch them in the throat.
Contrary to Tim's prediction, Grim had not loved flying any more than he would have loved riding in the back of one of Henry Olafson's hog trailers for 18 hours.
Perhaps he had gone into the flight with unrealistic expectations. He'd always thought of air travel as something vaguely glamorous. He'd imagined gliding along moving walkways through soaring Pan Am Terminal-esque architectural marvels and then stepping aboard a sleek, spacious, proto-spacecraft where he would politely decline the glass of champagne that was offered to him as he took his seat in a body-hugging recliner.
Instead, he was herded through bland, beige, hospital-like environments that seemed to be constructed with the same materials and artisanal craftsmanship as Mrs. Stratton's 40-year-old double-wide mobile home. And like Mrs. Stratton's double-wide, everything about the airports seemed impermanent and temporary. As if nothing and nobody actually belonged there. They were just a ragtag group of solitary transients, waiting for their turn to be packed into a cramped, dark, noisy, ill-smelling, flying metal tube.
The flight from New York to London had been particularly unpleasant. Grim's seat, which seemed to be padded with nothing but a dozen wadded-up tissues, was unbelievably narrow and when the man in front of him reclined, Grim felt like a little kid in "time out" who was required to sit with his nose against the wall for eight hours. Everyone else seemed to be coping with the situation by sleeping for the duration of the flight, but Grim had never really been able to fall asleep in cars and that turned out to be true of airplanes as well.
To make matters worse, since he was in a middle seat in the center section of the plane, whenever he needed to get up he had to gingerly step over the two sleeping travelers on either side of him, trying not to wake them in the process. So to avoid disturbing his seat mates repeatedly, he spent much of the flight pacing the aisles.
The flight attendants were brusque and officious, the $16 meal tasted like the plastic it came in, and the air in the plane's cabin wasn't recirculated as much as it was exhumed. By the time he staggered off the plane in London, his ears were numb, his eyes were bloodshot, and he had a raging headache.
As he made his way from the baggage claim area, he saw his Uncle Richard hanging back near the edge of the crowd that was greeting the new arrivals, but when he saw Grim he came forward with a huge smile and gave Grim a suffocating hug.
Grim's Uncle Richard (or, to be more precise, his Great Uncle Richard) exemplified the phrase "a bear of a man." Although with his bushy white mustache and untamable shock of white hair (which, on this particular day, appeared to be mimicking the Crab Nebula), he was more "a polar bear of a man." Grim's Great Aunt Barbara had first met her future husband when she was stationed in England in the early 1960s as a nurse with the United States Air Force. It was, by all accounts, love at first sight, and shortly after they married they moved to Scotland where Uncle Richard managed the estate for the Queen's summer residence.
Since they had no children of their own, they had, in a way, "adopted" Grim's mother (their only niece) long-distance, and had always treated Grim and his brothers as if they were their own grandchildren. For years, they'd come to the States at Christmastime, when the estate in Scotland was essentially dormant, and spent the holidays with Grim's family.
Grim had always admired his Uncle Richard. He was a big, open, kind, and intelligent man who had one of the deepest, most soothing voices Grim had ever heard. He was the sort of man who made you feel instantly at ease and he and Grim had always gotten along famously.
This last Christmas, as Grim was leaving to plow snow from the driveway at The Fortress, his Uncle Richard asked if he could tag along and see what Grim had been working on. It was a gray, overcast day and Grim hesitated for a moment. Showing off a landscape in the winter is a little like entering your dog's skeleton in the Westminster Dog Show. With the flowers long gone, the grass brown, and the trees bare, you can only see the bones of the garden. It's hard for most people to imagine what it looks like in its natural, verdant state.
After he'd finished plowing, Grim took his uncle on a tour of the grounds and they talked about the work he'd done over the past three years. For over an hour Grim answered his uncle's stream of questions about everything from Grim's landscape design choices, his use of native plants, and the challenges of gardening at high altitude and semi-arid conditions.
As they were about to leave, his uncle said, "You know, Grim, whenever you've talked about your work in the past you've always dismissed it as mere 'lawn mowing,' but you've done yourself a disservice. This is brilliant work, really!"
Grim blushed slightly and thanked his uncle for the compliment, but he just assumed that his uncle, ever the thoughtful guest, was just being polite. But as his aunt and uncle were preparing to return to England, his uncle pulled him aside.
"Grim," he said. "As you may have heard, your aunt and I will be moving to another of the Queen's residences this summer. We've been asked to oversee the rather extensive renovations of Wickham Castle. And not only the residence, but the grounds as well. And I've been thinking…"
He broke off and his eyes, which were always in some state of squinting -- either as a result of good humor, bright sun, keen observation, or deep thought -- squinted even more.
"…what would you say to the prospect of joining us in England this summer."
Grim blinked.
"You can't be serious," he stammered.
"Oh, but I am. And I can assure you that, should you accept my offer, you'd be doing me a great favor. You see, quite a few of the lads have retired this past year and with the remaining staff getting along in years, I think we could use some new blood and, more importantlly, some new muscle."
Grim was a little off balance. "I'd…have to ask my parents," he said hesitantly.
"I hope you don't think I was taking a liberty, but I've already presented the scheme to your parents and they think it's a brilliant idea."
"But I'm…I'm not sure I could afford the airfare."
"Oh, that would be taken care of," his uncle said with a wave of the hand. "And you would be compensated, of course."
His uncle could still see the look of doubt in Grim's eyes.
"Grim, please understand that I am not asking for your help out of any sense of familial obligation. I've been thinking about it for a quite some time now and seeing your work this past week has convinced me. You'd be doing me a great favor. What do you say?"
"Yes?" Grim replied, and then, realizing that it sounded more like a question than an answer, he reiterated, "Yes!" a little more enthusiastically.
So, here he was in England: jet-lagged, red-eyed, and barely able to breathe in his uncle's ursine embrace.
"How was your flight?" Uncle Richard asked, finally releasing him.
"Oh, fine," Grim lied.
"Your eyes say otherwise," his uncle said, smiling.
Grim smiled wanly. "I'm exhausted."
"Well, let's get you home and you can sleep it off."
They made their way to the car park where his uncle loaded Grim's bag into the back of a large green Land Rover pickup that had a canvas top covering the truck bed and Grim circled around to the right-side passenger door.
His uncle smiled. "Welcome to Great Britain, Grim. You're on the other side."
It took Grim a second to realize what his uncle was talking about. He looked in the window and saw the steering wheel on the right-hand side of the truck. He laughed, made his way to the left side, and got in.
"It's going to take a while to get used to this. It's strange to be sitting on the left side and not have a steering wheel in front of me."
"Every time I visit The States it takes a few days for my brain to adapt, but you'll get used to it soon enough."
His uncle started the truck and they slowly made their way out of the car park. They talked idly of Idaho and Grim's family, but once they were on one of the main thoroughfares, his uncle shifted a little in his seat and cleared his throat.
"Grim, I need to let you know that in the last day or two the situation at Wickham has changed markedly."
"How's that?" Grim asked.
"Do you remember when I told you that we rarely have visitors at Wickham?"
"Well, we have a visitor at Wickham."
"Who?" Grim asked.
"Princess Victoria."
If Grim had been drinking water at that moment, he would have done a rather respectable spit take. He stifled a laugh as he remembered the conversation he'd had with his friends the night before. Or was it two nights ago? Grim shook his head as if trying to clear it. The jet lag was taking its toll.
"The princess was to spend the summer on the French Riviera," his uncle continued, "but certain…security concerns…arose. I don't know the specifics, but they wanted to keep a closer eye on her, so they gave her the option of staying in London or coming to Wickham, and…well…we have a visitor at Wickham."
"I won't overwhelm you with details until you've had a chance to rest," he continued, "but I do have a favor to ask of you."
"What is it?" Grim asked.
"Due to the heightened security, they performed thorough background checks on everyone working at the castle and it seems that Terrence, our previous stable lad, had a bit of a 'green thumb.' They found a few dozen cannabis plants in his flat. So, I'm going to need someone to fill in for him. You've worked with horses, haven't you?"
"Sure," Grim replied. "My friend, Brent, owns a few horses and I help him out every once in a while."
"I just need someone to take care of the most basic of stable chores. And it hopefully shouldn't require much work since the Princess' horse will be the only horse in the stables. Could you do that for me?"
"Sure, no problem," Grim replied.
"Thanks," his uncle said, sounding relieved.
Grim thought for a moment and then said, "Wait…did they do a background check on me?"
"Yes, they did."
"…And you are, apparently, a model of propriety and virtuous living," his uncle said with a grin.
"I think that's a euphemism for 'boring,' " Grim laughed.
Grim looked out the window at the passing landscape. They were out of the city now and it had started to rain.
"It's so green," he mumbled, as the exhaustion took hold. He leaned his head against the window and tried to stay awake by mentally cataloging the trees as they flashed across his field of vision, but it was no use.
"So, so green…" he thought. And for the first time since he was a baby, he fell asleep in a moving car.
A bird woke him. Not because it was loud, but because Grim's sleeping brain couldn't figure out what type of bird it was. When you're a gardener you get to know your birds. Some are your friends, eating the insects that are trying to eat your work. Others would just as soon strip your strawberries bare and leave you for dead. Grim wasn't sure whether the bird outside his window was friend or foe, but his brain wasn't going to let him sleep until he knew what it was.
"I need to buy a book about the birds of Britain," he thought to himself, and then he said it out loud because a sentence with that many Bs really needs to be said aloud.
He opened his eyes and it took him a few seconds to orient himself. He'd slept most of the way from the airport, and when they'd arrived at the his aunt's and uncle's cottage on the estate, he'd woken up just long enough to stagger out of the Land Rover, give his Aunt Barbara a hug, and drag his bag up the stairs to his room. He had lain down on the bed with the intention of resting for just a few minutes, but that was -- he checked the clock -- nine hours ago.
He got up, threw on some fresh clothes, pulled on his boots, swung open the bedroom door, took a half-step into the hallway, and caught the top of the doorframe right in the forehead.
"Calvin Coolidge!" he muttered.
Now he remembered. Last night, he'd been surprised at how low the ceilings in the house were. So low that he'd had to duck through every doorframe as he made his way to his room.
He ducked through now and headed to the bathroom at the end of the hall where he splashed some water on his face and took a moment to admire the symmetry of the thin, red, indented line that was appearing about an inch above his eyebrows. He was still rubbing his forehead as he made his way down the stairs when he was stopped dead in his tracks. He tightened his grip on the handrail.
He could usually see it coming a mile away. He'd become a master at recognizing the slightly elongated pause in a conversation as the other person down-shifted clumsily from fourth to second gear, making the transition to, "I'm so sorry about your mom…" He'd developed a sixth sense for detecting when people were hovering 20 feet away at the grocery store or on the other side of the foyer at church, waiting for the right moment to come over and offer their condolences.
He appreciated the condolences. But he appreciated the pauses and the hovering even more, because they gave him a fraction of a second to steel himself. But there were still things that caught him off guard. Small, seemingly inconsequential things that hit him like…well…like a doorframe to the forehead, when he wasn't prepared. This particular small, seemingly inconsequential door frame to the forehead was the smell of breakfast.
Nowadays, Grim and his brothers couldn't even be bothered to make toast in the mornings, so breakfast simply wasn't an olfactory experience. You don't wake up to the heady aroma of Lucky Charms wafting through the house. But Grim's mom had cooked breakfasts. Big breakfasts on Saturday mornings. Eggs, bacon, blueberry muffins, pancakes…the works. And now, here he was, thousands of miles away, and the smell of breakfast made him feel more at home than he felt when he was actually there.
He made his way to the kitchen and found his Aunt Barbara poking at some large cylindrical meat products frying in a pan.
"So, you're finally awake, are you?" she said with a smile.
Grim loved to hear his Aunt Barbara talk. Over the past 40 years, she'd gained about half of a British accent. It was a strange combination of crisp, American consonants and round, British vowels. Rs were a toss-up. Half the time they were a soft British R; the other half were growled in the best of western American traditions.
"Morning, Aunt Barbara!" Grim said. "I'm sorry I crashed last night."
"No need to apologize. I know exactly how you feel. It usually takes me three full days to recover from that flight."
"Breakfast smells great! Is there anything I can do to help?"
"Yes," she replied. "Sit down and eat. Your uncle had to meet some men who are doing some work on the west gate, so it's just you and me this morning. He should be back by ten or eleven."
Grim sat down and dished up some scrambled eggs and a few strips of bacon. Aunt Barbara brought the pan over from the stove and plopped a couple of huge sausages on his plate.
He looked at them for a second and the only thing he could think to say was, "Wow."
"What's wrong?" she asked in a mock-serious tone. "Haven't you ever seen a proper sausage before? You won't find any of the dainty sausage links you have in America over here. We take our sausages very seriously in the U.K."
Sausages that big didn't really qualify as a "finger food," so Grim picked up his knife and fork and got to work. His aunt returned the pan to the stove, then came back to the table and sat opposite Grim.
And there was the pause.
"So, how are you doing, Grim?" she asked. A simple question, three miles deep.
"Oh," he said, putting down his knife and fork and looking at his plate. "You know…"
This had become his go-to conversational crutch. He didn't actually expect the other person to know how he was doing, but by saying, "Oh, you know…," and trailing off vaguely, the other person was allowed to project whatever they were feeling onto him. They would nod knowingly, give his hand or arm a squeeze, and Grim would be spared the embarrassment of having to explain that he really had no idea how he was doing.
Aunt Barbara reached across the table now and gave Grim's hand a firm squeeze, but when he looked up he could tell that she had no intention of letting him off the hook that easily.
"Oh, you Magnússon men!" she said, letting go of his hand and giving it a playful slap. "Always going on and on about your feelings!"
"I still think that maybe I should have stayed home this summer," Grim said, hoping to deflect the conversation to the safer topics of logistics and timing.
"Oh, nonsense! Your father has the summer off, and you know your brothers. Give them a few cardboard boxes and a roll of duct tape and they could entertain themselves until Christmas."
"Still…" Grim protested.
"Still nothing! Besides, they're probably happy to be rid of you. Teenage boys do nothing but hoover up the contents of your fridge and make the house smell like a boxing gym."
Grim laughed. "And you don't mind?"
"Oh, I mind!" she said, getting up and walking around the table. "But my love for you — along with regular grocery deliveries and an ample supply of air freshener — will see me through."
She leaned down as if to give him a hug, but smelled his hair instead. "Actually, you smell quite nice, even after that flight. I'm almost disappointed. And you haven't made much headway on those sausages either."
"I'm working on it!"
"You come in here smelling faintly of sandalwood and eating like a bird…" she muttered. "You're letting the side down!"
"Look, as much as I hate to change the subject from my body odor and caloric intake…," Grim said forcefully, "…I understand that there's going to be someone staying here at the castle this summer after all."
Aunt Barbara dropped the feigned disappointment and brightened considerably. "Princess Victoria. Indeed, she is."
"Is that…um…a good thing?" he asked diplomatically.
"Oh, it's certainly not a bad thing," she assured him. "But I don't think she's very pleased to be here."
"Uncle Richard mentioned that she was supposed to spend the summer in France?"
"And Monaco, but they cancelled those plans at the last minutes. She arrived yesterday and based on the number of house staff who were in tears last night, she doesn't appear to be in the best of moods."
"If she's going to be staying here, I may need some royalty lessons," Grim said. "I have no idea how I'm supposed to act around a princess. I mean, what am I supposed to do if I see her? Do I need to bow or anything? Am I allowed to make eye contact? Or do I just ignore her and pretend she's not there?"
"Actually, she'll be much more likely to ignore you, but don't take it personally. She's grown up surrounded by staff at all times, so to her we're just part of the furniture and the landscape. And when you do see her, you don't bow, per se. You do what's called a 'neck bow.' Nothing grand, mind you. Just a slight tip of the head."
"Like this?" Grim asked, nodding his head.
"No, that looks like you've fallen asleep. Try making it a little smaller. Yes, that's it!"
"And what do I call her? 'Your Majesty?' "
"No, 'Her Majesty' is her grandmother, the Queen. When you first address the princess, you call her 'Your Royal Highness.' Then you can usually call her 'Ma'am' for the rest of the conversation."
"Well, unless she's planning on hanging out at the compost pile, I don't see us having a lot of conversations."
"Don't worry about it too much. You'll do just fine," she said, giving his shoulder a hug and going back to the stove.
With some effort, Grim finished the rest of his breakfast. He hoped that the quantity of food that morning was in celebration of his arrival. If every meal was going to be like this, he was going to have to spend half of his salary that summer on cholesterol medication.
"Well, that was delicious," he said as he took his dishes to the sink. "Now, if you don't mind, I think I'll head down to the stables and take a look around. Do you have any sugar cubes I can borrow?"
"Of course, dear. They're right there in the sugar bowl. Take as many as you like."
"Thanks," Grim said, taking a small handful and shoving it in his pocket. "I'll be back in a bit."
Grim opened the kitchen door and stepped down onto the gravel drive. Shielding his eyes from the morning sun, he looked at Wickham Castle, which stood about 50 yards to the east. He'd glimpsed the castle the night before, but he'd been so exhausted that it had barely registered. But, apparently, his lack of sleep hadn't the issue. This morning, even with the early sun bathing it in a warm glow, it still barely registered. It was easily the least impressive castle Grim had ever seen. Not that he had a lot to compare it to, but still…
The basic structure was a drab, gray, three-story-high square, that had all the visual interest of a cinder block with windows. And perched atop that squat, unadorned base were a massive set of spires so overwrought in their gothic ornamentation that the whole thing called to mind a short, stocky troll trying to compensate for his lack of height by wearing an eight-foot-tall crown festooned with rococo foliations and razor wire.
And the grounds weren't helping things. The featureless lawn led right up to the featureless walls of the castle and the only other greenery within 50 feet of the structure consisted of two anemic ornamental shrubs on either side of the drive, both of which had been pruned to within an inch of their lives.
The morning air was cool and damp. It hadn't rained, but a heavy dew covered the lawn and dampened Grim's boots as he made his way across the expanse of grass that separated the cottage from the stables. The stables were housed in a large barn-like structure with a tall stone foundation that supported timber-frame walls and a tall, arching roof. There were small, square windows lining the north and south walls, and attached to the back of the barn was what appeared to be a small paddock and, beyond that, a large pasture with a small stream running through the middle of it.
Grim grabbed the large, rusty handle on the front door, swung it open, and peered into the dim interior. It smelled of stale dirt and fresh horse. He looked on either side of the door, found an ancient light switch, and flipped it on. Three weak flood lights popped and flickered overhead, casting a dim glow on the fresh bales of straw that had been stacked just inside the door.
"Psssh, Psssh, Psssh…" Grim said softly and an equine head popped out of the next-to-the-last stall on the right.
"Well, hello there," Grim said, as he made his way to the stall. "How are you this morning? You must be the tenant they were telling me about."
He pulled a few sugar cubes from his pocket and held them out. "Psssh, Psssh, Psssh," he said again as the horse nuzzled his palm and snarfed up the cubes.
"You're a handsome devil, aren't you?" Grim said, rubbing the horses muzzle. The thoroughbred was a dark chestnut color, with a lighter mane and tail, and had the musculature, conformation and bearing that come from impeccable genetics and a life of being very well cared for.
"How would you like to take care of the grass in the pasture for me this summer?" Grim asked. "I'd rather not have to mow it."
He took the halter off the hook that hung outside the stall, slipped it over the horse's head, then lead him out the back door and across the paddock to the pasture gate. As Grim unhooked the lead strap the horse nuzzled his hand again, looking for more of the sweet stuff.
"So, it's gonna cost me, eh? OK, three more for services rendered."
He gave the beast three sugar cubes and a pat on the rump to send him out into the pasture.
"Go! Mow!" he commanded.
Grim walked back into the stables and took a quick look around. It didn't take him long to find everything he needed. He grabbed a manure fork from a tool rack on the back wall and started mucking out the stall, separating the clean, dry straw from the soiled straw and manure, which he shoveled into a wheelbarrow and set aside for the compost pile.
He went back to the bales of straw that were stacked just inside the front door and re-stacked them, one by one, against the side wall. Then he broke open one of the bales, took a section of straw back to the stall, and spread it across the floor, replacing the soiled straw that he'd removed. He refilled the water pail and topped off the feed bucket. Then, with the stall taken care of, Grim turned his attention to the rest of the stables.
It was obvious that they hadn't been inhabited for quite some time. A thick layer of dust covered everything and it seemed to Grim like what the place needed, more than anything, was a good airing out. He threw open the large front and back doors and then, one by one, opened all of the side windows letting sunlight and the fresh morning breeze into a space that probably hadn't seen either in quite some time.
He grabbed a broom and started sweeping out the empty stalls and wiping down the rails with some clean rags he found in one of the cabinets. While he worked, he started humming country-western tunes. Grim wasn't necessarily a devotee of the genre, but it always seemed like the most appropriate choice when you were working around horses. His repertoire was limited and leaned heavily toward the classics (Roy Rogers, Johnny Cash, etc) which he'd heard on the the A.M. radio stations favored by the elderly women whose lawns he mowed in St. Albans, but he knew enough to make it through the morning.
By mid-morning, the stables were immaculate and Grim was a mess. He had straw in his hair, his clothes were covered in dust, his face was smudged, and his boots still had remnants of manure on them, but he was in a great mood. He'd made his way, musically, through the 50s and 60s and somewhere along the way he'd made the transition from quiet humming to full-on singing. In fact, at that very moment, as he was making one last pass with the broom, he was belting out a fantastic cover of The Eagle's "Desperado" and had just reached the final verse, starting very quietly so the big crescendo at the end would have the appropriate weight.
"Desperado, why don't you come to your senses?
Come down from your fences, open the gate.
It may be raining, but there's a rainbow above you,
You better let somebody love you…"
He stopped sweeping, took a deep breath, threw his head back so the sound would reverberate through the rafters, and belted out the background vocals in full falsetto:
"Let somebody love yooooooooooooooooooooo…"
And the last note slid down the scale as if it had been pushed off a cliff. Grim froze (his lips still forming the "oooo") as he stared across the aisle at the girl who was leaning against the rails of the stall opposite him.
It took a full second for his brain to go from:
"Someone caught me singing."
"A girl caught me singing."
"A pretty girl caught me singing."
"I'm pretty sure that the pretty girl who caught me singing is the princess."
He hadn't recognized her right away because the image of Princess Victoria that Grim carried in his head was from a magazine cover he'd seen while waiting in line at the grocery store almost a year earlier. On that cover, she'd had jet-black hair cut in a blunt bob, pale skin, dark eyes that were shooting daggers at the paparazzo who had obviously ambushed her, and lips that looked as if they were about to let go of a word beginning with the letter "F." In short, she'd looked like a surly goth flapper.
This was in stark contrast to the girl who stood across from him now with light brown hair pulled back into a ponytail, cheeks that had seen a bit of sun, eyes that were a dark, dark blue, and lips turned up in a wry grin.
"Oh…uh…I'm sorry, ma'am…" he stammered.
Wait, he wasn't supposed to call her that! At least, not yet.
"I mean, Your Majesty…"
No, wait, that wasn't it either!
"I mean, Your Highness…"
Stop! Back up! Add the adjective!
"…Your Royal Highness. I…I didn't see you…"
Wait! He'd forgotten the neck bow! Was it too late to do the neck bow? Had he missed the neck bow window?
"I was just…um…I was…uh…just…"
Grim stopped, looked down at the ground, let out a sigh, and a smile spread across his face. He looked like crap, he probably smelled like crap (literally), and he must have sounded like a complete idiot. But rather than being mortified by all this, Grim was strangely relieved. He could stop worrying about making a fool of himself because he'd already done it. He regrouped.
"I'm so sorry, ma'am. I didn't see you come in. If you don't mind, I'll just finish up my sweeping and be on my way. In the meantime, please just ignore me."
"Is that possible?" she asked, raising one eyebrow slightly.
"Trust me," Grim replied with a grin. "Girls have been ignoring me for years."
Self-deprecation was almost an automatic reflex with Grim, so it came out of his mouth before he really had a chance think. It suddenly occurred to him that he was probably being much too casual, but she laughed.
"You're American," she said. It was a statement of fact, not a question.
"Yes, ma'am," Grim replied, leaning against his broom. "I'm Grim."
She looked puzzled. "Grim?"
"Yes, ma'am. It's short for Grímner. It's Icelandic…"
She continued to look puzzled.
"Well, Old Norse, actually…"
"Wait, where are you from?" she asked.
"Idaho, ma'am." he said, but then he thought she probably didn't know where that was, so he continued. "It's in the western United States. North of Utah, west of Wyoming and Montana. Famous for growing potatoes. In fact, it used to say that on the license plates: 'Famous Potatoes.' "
But then it occurred to him that she probably wasn't interested in a recitation of his fifth-grade geography report, so he decided to stop talking before he got to the state bird (mountain bluebird), the state motto ('Esto perpetu'), or the state dance (square).
"So, you're an Icelandic American from Idaho?"
"When it say it like that, it sounds kind of exotic, doesn't it?" He smiled. "I'm Mr. Chapman's great nephew. I'm here for the summer helping him out with the grounds."
"And I'm the Queen's granddaughter," she said. "And I'm here for the summer being bored out of my mind." ❧❧
At least that's what Grim heard. The previous sentence had actually contained two robust pieces of profanity. The first describing the inevitable result of un-stanched hemorrhaging, and the other being a curt reference to mammalian reproductive activity. Grim just tallied them as they sailed past and mentally appended the number of expletives to the end of the sentence, as he always did.
"Pleased to meet you, ma'am." Grim said, taking advantage of the opportunity to finally throw in a neck bow, although to him the gesture felt more like a cowboy tipping his hat as he passed the pretty new schoolmarm on the street. "And please let me know if there's anything I can do to make your stay this summer a little less boring."
"The singing was a start," she said. "Can I expect that every morning?"
"Only on Tuesdays."
"Then I must remember to avoid you on Tuesdays."
"If that's how you feel, you might want to give Yodeling Fridays a wide berth, too."
She looked at him for a second and scrunched up her nose a little, as if she she wasn't quite sure what to make of this Icelandic American from Idaho. Then, as if suddenly remembering why she was there, she looked around and asked, "Where's Dauntless?"
"Dauntless?"
"My horse," she explained.
"Oh, he's mowing the pasture for me. Would you like me to get him for you?"
"Yes," she said, and then added, "…please."
Grim grabbed the lead strap off the hook, went out the back door, and crossed the paddock to the gate leading to the pasture, the princess following behind.
"Psssh, Psssh, Psssh!" he said loudly. Dauntless, who had been grazing on the far side of the pasture, pricked up his ears and trotted over.
"What was that?" she asked.
"That sound you were making."
"Pishing," Grim answered.
"Pishing," he emphasized. "That's what it's called." He made the sound again. "Birdwatchers sometimes use it to lure birds out of hiding, but it works on other animals, too. Some people think it's the sound St. Francis of Assisi used to attract animals."
She looked at him sideways. "Are you having me on?"
"No, I promise," Grim replied. "I mean, I can't vouch for the St. Francis part, but it works. Give it a try."
"No," she stated flatly.
"Oh, come on…" he encouraged.
"It's easy…"
"Pish off!" she said.
He laughed. "Can royalty say things like that?"
"I can do whatever I please," she replied with mock indignation. ❧
Dauntless came right up to Grim and stood there expectantly. Grim pulled two more sugar cubes out of his pocket and fed them to the horse.
"Good boy," he said as if he was talking to a rather large dog.
"Are you sure it was the 'pishing' that brought the animals to St. Francis, or did he resort to sugar cubes, too?"
"Actually, I think he used Milk Duds," Grim replied, but then he realized she might not know the reference. "Milk Duds. They're an American candy with chocolate and caramel and…um…," he trailed off. He knew better than to try to explain a joke.
Grim attached the lead strap to the halter and lead Dauntless back into the stables.
"Is there anything else I can help you with?" he asked, as he tied the lead to one of the rails.
"No," she said, and then added, "…thank you. I can manage."
"Good, because I'm not sure I'd know what to do with one those dainty English saddles anyway. I'll…um…just get back to my sweeping," he said, grabbing his broom. "I promise, you won't even know that I'm here."
Grim went back to his sweeping, stealing occasional glances at the princess as she went about saddling her horse. As she worked she spoke to Dauntless in a low, soft voice. Grim couldn't really make out she was saying (after all, a gentleman does not intentionally eavesdrop on the conversations of others), but occasionally Dauntless would toss his head back or twitch his ears and Princess Victoria would respond with, "I know. Right?" …or… "That's what I thought."
As she was finishing, Grim swept his way a little closer, just in case she might need a leg up into the saddle. But when she was done, she hopped onto one of the lower rails and vaulted herself onto Dauntless' back. Then she rode down the aisle to the front door where she stopped and turned in her saddle.
"So, will I see you later?" she asked.
"I'll be here all summer."
"Good," she said with a hint of a smile, and then rode out into the late morning sun.
" 'Good,' " he repeated to himself, leaning against the broom. Then he took another deep breath, let it out, and picked up where he'd left off, sweeping and singing…but softly, this time.
"You better let somebody love you, before it's too late…"
The Second Victorian Era
The reign of Queen Victoria (1837−1901) is considered by many to be one of the finest periods in British history. The "Victorian Era," as it came to be called, marked the height of Britain's power and influence on the world stage. The British navy ruled the seas and British colonies covered so much of the earth that it was said that "the sun never sets on the British Empire."
As Britain's second-longest-ruling monarch, she reigned during a period of world history that covered everything from the invention of the first pedaled bicycle (1839) to the Wright brothers' first Wright Glider (1900).
Mark Twain, attending the Queen's Diamond Jubilee in 1897, wrote, "British history is two thousand years old, and yet in a good many ways the world has moved farther ahead since the Queen was born than it moved in all the rest of the two thousand put together."
Like all periods of great change, the Victorian Era was a time of stark contrasts. You had bucolic agricultural landscapes on the one hand and filthy industrial inner cities on the other. You had the rise of scientific reason on the one hand and the rise of evangelical religion on the other.
Perhaps it's no coincidence that Robert Lewis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde was written during this period, since the need to balance contrasting and sometimes contradictory philosophies and aesthetics was one of the defining characteristics of the Victorian Era.
People often found themselves trying to balance a love of logic and reason on the one hand and a love of cloying sentimentality on the other. Or trying to balance a belief in frugality and simplicity on the one hand and a passion for excessive ornamentation on the other.
While the modern-day Princess Victoria shared a name with the former monarch, there were very few people who believed that life under her rule would require that same sort of personal rigor. In fact, the general consensus was that if Princess Victoria ever assumed the throne (and that was a very big "if"), the only thing you'd need to balance during the second Victorian Era would be a Birkin bag in one hand and a cocktail glass in the other.
This public cynicism regarding the youngest member of the Royal Family was a relatively new development. In fact, her parents' romance and marriage had sparked a surge of great optimism in Britain. After decades of recession, labor unrest, and political gridlock, the royal wedding had been a shot in the arm that seemed to revitalize the entire country. Her father, the serious and dutiful civil servant, and her mother, the bright and vivacious society girl, were an unlikely but compelling match, and when Victoria was born a year and a half later, the picture of the happy family seemed complete.
But by the time Victoria had turned six years old, that picture had changed. Rumors of her parents' marital troubles had filled the gossip columns for almost a year and even the respectable newspapers were finding it hard to ignore the fact that the Prince and Princess hadn't appeared together in public in over six months. When they finally did appear together, at the funeral of a former Prime Minister, it was obvious that something was wrong.
As the Prince, the Princess, and their daughter exited the cathedral, they paused at the top of the steps, and a newspaper photographer snapped an iconic photo that seemed to say it all. It showed Princess Victoria's parents standing about eight feet apart, both looking quite uncomfortable and avoiding each others' gaze. Victoria stood between them, her brow furrowed, looking at the ground.
Within a week, the Palace announced that the Prince and Princess had separated:
"It is announced that, with regret, the Prince and Princess have decided to separate. Their Royal Highnesses have no plans to divorce and their constitutional positions are unaffected. This decision has been reached amicably, and they will both continue to participate fully in the upbringing of their daughter."
Six months later, their divorce was announced in similarly dry, bureaucratic terms.
After the divorce, Princess Victoria started attending a private boarding school, away from the public eye, but she was trotted out a few times a year at press events where she would stand (with furrowed brow and unfriendly eyes) beside her sparkling and engaging mother and respond to questions from the press with monosyllabic answers.
These orchestrated press events were the result of a gentlemen's agreement between the Royal Family and the tabloid press. The tabloids left Victoria alone during the school year and in return they were invited to official photo opportunities during school holidays and family vacations. This allowed Victoria to attend school in relative privacy…until the summer she turned fourteen when she was photographed vomiting into a bush after a night of underage binge drinking at a friend's birthday party.
The photo, accompanied by the unfortunate headline, "PRINCESS VOMITORIA," sold a record-breaking number of newspapers, launched a thousand memes which highlighted just how many synonyms there are for the word "vomit," and signaled the end of any sort of restraint on the part of the tabloids. The previous gentlemen's agreement was replaced by a new one: The paparazzi hounded Princess Victoria everywhere she went and in return she had ample opportunity to practice her impressive repertoire of rude hand gestures.
With her every move being documented, even minor changes in the Princess' appearance and behavior became "news." Much to the delight of clothing retailers, she seemed to completely redefine her personal style every four to six months. (Notable recent examples included a leather-pantsed punk phase, a vegan boho chic phase, and the aforementioned surly, goth flapper phase.)
The only constants in her appearance were her trademark scowl and a pair of lips that had, on more than one occasion, evoked comparisons to Shakespeare's 145th sonnet, which begins, "Those lips that Love's own hand did make…"
The scowl was normally reserved for the press, but since the Princess seemed to change boyfriends almost as often as she changed outfits, the lips apparently enjoyed a wider audience. In the last year alone, she'd been photographed kissing an American teen pop star, the son of the Prince of Monaco, the heir to a mobile telecommunications fortune, the star of a popular episodic television program, and, in an impressive display of completism, each and every member of a rival school's rowing team.
Unfortunately, there was a certain segment of the British public who felt that a mercurial fashion sense and a few dozen well-documented youthful indiscretions were not appropriate résumé material for a future queen. They felt that Princess Victoria's temperament and skills were better suited to a future in pop music. Or rehab.
But it was hard for them to get too worked up about a future scenario that was starting to seem unlikely at best. It was obvious that the Queen had no interest in handing the job off to her son, and as news items about her granddaughter became standard fare in all the wrong sections of the newspaper, it looked like the Queen was out of possible heirs. Bookmakers currently had the odds of a Queen Victoria II at 60 to 1 against, and with everyone talking about a "post-monarchy Britain," even the most staunch anti-monarchists had started looking for a new hobby.
Granted, there were still a few aesthetes and romantics who held out hope for a second Victorian Era, but with the Princess showing absolutely no interest whatsoever in taking over the family business, they might be faced with the unenviable task of trying to pull off a second Victorian Era without a second Victoria.
© 2023 Grettir Asmundarson
A Tiny Pineapple Production


text:
Michel Dalberto (* 2. Juni 1955 in Paris) ist ein französischer Pianist.

Leben
Mit 13 Jahren wurde Dalberto in Paris Schüler von Vlado Perlemuter, Jean Hubeau und Raymond Trouard. Mit dem 25. Klavierkonzert (Mozart) gewann er 1978 den schon damals legendären Wettbewerb in Leeds. Als Preisträger von zwei bedeutenden Musikwettbewerben begann er Ende der 1970er Jahre eine internationale Karriere. Früh konzertierte er mit Erich Leinsdorf (1980), Wolfgang Sawallisch, Colin Davis, Frans Brüggen und Charles Dutoit, später auch mit Juri Chatujewitsch Temirkanow, Kurt Masur und Daniele Gatti. Mit Henryk Szeryng spielte er Beethovens 10 Violinsonaten. Zu vier Händen und an zwei Klavieren spielte er mit Nikita Magaloff. Triokonzerte führte er mit Dmitri Sitkowetski und Lynn Harrell oder auch Renaud Capuçon und Gautier Capuçon auf, Duokonzerte mit Boris Dawidowitsch Belkin, Vadim Repin, Nikolaj Znaider, Juri Abramowitsch Baschmet, Gérard Caussé, Truls Mørk, Henri Demarquette und Emmanuel Pahud. Im Quintett spielte er mit dem Quatuor Ébène und dem Modigliani Quartet. Er gastierte beim Lucerne Festival, beim Festival d'Aix-en-Provence, bei den Wiener Festwochen, beim Edinburgh Festival und beim Schleswig-Holstein Musik Festival. Nach zahlreichen Aufnahmen für Denon, die EMI Group und Erato (Warner Music Group) spielte er ab 1997 für Sony BMG ein Rezital mit Werken von Claude Debussy ein. Es folgten das 20. Klavierkonzert (Mozart) und das 22. Klavierkonzert (Mozart) mit dem Ensemble Orchestral de Paris unter John Nelson und Franz Liszts Paraphrasen über Opern von Verdi und Wagner (2004). Seine Gesamteinspielung von Franz Schuberts Klavierwerk (Denon, 1988–1995) ist bis heute die einzige geblieben. Von 1987 bis 2009 saß er in der Jury des Clara-Haskil-Klavierwettbewerbs in Vevey; als Vorsitzender trat er 1991 in die Nachfolge seines Freundes Magaloff. Liedbegleiter war er für Jessye Norman, Barbara Hendricks, Ildikó Raimondi, Nathalie Stutzmann, Stephan Genz (Winterreise) und Edwin Crossley-Mercer. Beim Label Aparté begann er 2015 mit den Aufnahmen zu einer vierteiligen CD-Reihe mit Werken von Claude Debussy, César Franck, Gabriel Fauré und Maurice Ravel; für jeden Komponisten benutzt er den im Klang am besten geeigneten Flügel. Dem Virtuosentum geht er aus dem Weg.

Dalberto ist Professor an der Pianistenakademie in Imola und unterrichtet seit 2011 am Pariser Konservatorium. Er lebt in der Schweiz, ist passionierter Gourmet und liebt das Skifahren, die Formel 1 und das Tauchen.

Preisträger
 Internationaler Clara-Haskil-Klavierwettbewerb (1975)
 Internationaler Mozartwettbewerb Salzburg (1975)
 The Leeds International Piano Competition (1978)

Ehrungen
 Ordre national du Mérite, Chevalier
 Echo Klassik (2012)

Weblinks

Einzelnachweise

Klassischer Pianist
Träger des französischen Nationalverdienstordens (Ritter)
Liedbegleiter
Echo-Klassik-Preisträger
Person (Schweiz)
Franzose
Geboren 1955
Mann

redpajama_set_name: RedPajamaWikipedia


text:
Moelleriopsis abyssicola is a species of sea snail, a marine gastropod mollusk unassigned in the superfamily Seguenzioidea.

Description
(Original description by Bush) The shell grows to a length of 3.2 mm. The small shell is opaque white, under a golden brown epidermis. It contains few convex whorls (the tip is broken away) forming a well-elevated spire and large body whorl. The surface is lustrous where rubbed, ornamented with a single conspicuous carina which defines a broad, flattened sutural area and makes the whorls slightly angulated. This is roughened by the crossing of the growth lines, which are elsewhere inconspicuous. On the base surrounding the umbilicus there are also four more prominent carina, about equal in size and evenly separated by wide, slightly concave interspaces. The first one is situated about the middle of the base, and the last one well up in the umbilicus.  On all of these, the lines of growth are so conspicuous as to give them a distinctly beaded appearance. At their termination they form distinct points on the somewhat expanded thin edge of the peristome. The aperture within is dull, opaque white, with a narrow, much thinner, semi-transparent, somewhat expanded, sharp-edged border. This gives the appearance of thickening, but there is no raised opaque white line, said by some author to be the distinguishing character of Moelleria.

Distribution
This species is distributed in the Northwest Atlantic Ocean.

References

 Abbott, R.T. (1974). American Seashells. 2nd ed. Van Nostrand Reinhold: New York, NY (USA). 663 pp

External links
 Census of Marine Life (2012). SYNDEEP: Towards a first global synthesis of biodiversity, biogeography and ecosystem function in the deep sea

abyssicola
Gastropods described in 1897


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text:
Month: November, 2017
My House of Sky
Fifty years ago this month, in December 1967, a somewhat reclusive office-manager living with his wife in a council house in Chelmsford received a telegram informing him that he had been awarded the prestigious Duff Cooper Memorial Prize. This was for an outstanding work 'in the field of history, biography, politics or poetry', and followed shortly after the Yorkshire Post's 'Book of the Year' award. The publication was called The Peregrine. Its author was J.A.Baker, or John Baker as he was known to family and friends, and carried the dedication 'To My Wife'.
Sadly Baker's fame was short-lived. He suffered from chronic ill-health, but such spare energies he possessed were spent on the great passion of his life, and that was bird-watching in a landscape that he marked out and inscribed as his own: east of Chelmsford along the River Chelmer and out to the Blackwater Estuary. For most of his adult life he walked and cycled this barely populated waterland, but in his last years of failing health his wife Doreen drove him to his favourite haunts by car.
In recent years the reputation of The Peregrine has grown to international proportions. Film-maker Werner Herzog makes it one of the three books all his students are required to read. This revival of interest owes much to Robert Macfarlane, Mark Cocker and John Fanshawe, as well as to the decision of the New York Review of Books to re-publish The Peregrine in 2005. I remember at the time asking Robert Macfarlane – who contributed the introduction to the NYRB edition – what he knew about Baker, and Macfarlane's honest answer then was 'not very much alas, very little seems to be known.'
All this has changed. With the publication this month of Hetty Saunders' beautifully written and illustrated My House of Sky: The life and work of J.A.Baker, we can now appreciate the man – supported by the ever-present Doreen – who despite considerable personal difficulties produced one of the most ecstatic works of human defamiliarisation in the English language.
At a packed book launch at the LRB Bookshop recently, Saunders, Fanshawe and Macfarlane, chaired by Gareth Evans, each spoke in awe-struck tones of the continuing power and intensity of Baker's writing, now supported by an extensive archive of Baker's letters, diaries, maps, photographs and artefacts collected together at the University of Essex, examples of which are reproduced in the book together with a series of photographs by Christopher Matthews.
Two themes dominated the evening's discussion. The first was Baker's increasing animistic identification with the world of the peregrine; it was raised by one audience member asking: 'Is The Peregrine about the bird or about J.A.Baker?' The consensus was that it was both – that the two were somehow indivisible. The second was the degree to which Baker's own 'optics' were those of someone who had taught himself to see from above. It was noted that he possessed a large collection of Ordnance Survey maps, the contour lines of which often heavily underlined, together with a collection of aerial photographs of the Blackwater estuary and peninsula.
Detail of one of Baker's Ordnance Survey maps marked with contours and peregrine sightings. The map forms part of the J.A.Baker Archive at the University of Essex.
Normally in aesthetic terms this view from above is associated with Futurism, and I think there is a futuristic element to Baker's writing, strange as it may seem. How else explain descriptions such as:
'…the peregrine lives in a pouring-away world of no attachment, a world of wakes and tilting, of sinking places of land and water. We who are earthbound cannot envisage this freedom of the eye. The peregrine sees and remembers patterns we do not know exist: the neat squares of orchard and woodland, the endless varying quadrilateral shapes of fields.'
I was prompted to these thoughts by Robert Macfarlane's suggestion – citing the poetry of H.D. and T.E.Hulme – that while Baker loved the Romantic poets, his own work showed the influence of Imagism. Macfarlane also threw in Cubism as another ingredient, which itself had strong connections with Futurism. This aerial perspective – of vertiginous, multi-planar landscapes seen from the air at speed – is the characteristic subject of the 'Aeropittura' paintings of Italian futurists such as Alessandro Bruschetti, Gerardo Dottori and Bruno Tato. So perhaps Baker's aesthetic was a sighting of that rare species: rural modernism?
My House of Sky is a poignant work, suffused with a dogged wish to understand the natural world and all that's in it. Everybody associated with its publication should be congratulated. While there are still homes with bookshelves, and bookshops happy to fill them, then Baker's iridescent masterpiece will always have a place in the canon of expressive nature writing. As he wrote in the opening pages of The Peregrine, 'It is a dying world, like Mars, but glowing still.'
For more details about My House of Sky and to order the book, go to Little Toller Books https://www.littletoller.co.uk/shop/books/little-toller/my-house-of-sky-hetty-saunders/

redpajama_set_name: RedPajamaCommonCrawl


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The main part of the PR formula is your vote. For meHiLove / Yuriy Mikhailov to get your vote, click on the arrow near the number.
You can note that you are a fan by clicking on a star — in this case meHiLove / Yuriy Mikhailov receive a bóigger PR.
Additionally, you can also add them to friends and observe in the section Wazzup every action of meHiLove / Yuriy Mikhailov.
meHiLove aka Yuriy Mikhailov - sound producer, remixer, deejay.
Was born in Kiev (Ukraine) in October, 24, 1986 in family of musicians.
In 2000 graduated with honours a music school on the class of piano. Creative career began in 2010 and already in December of the same year his track "Shine On" was confessed by the best in style of "Progressive" on a competition "The Best Track In Ukraine 2010".
Works of meHiLove are produced on such well-known labels, as Armada Music, Black Hole Recordings, Perfecto Records, Infrasonic Recordings, Vendace Records, Silk Music, Spring Tube and many other. A few from them got in TOP100 sales in the best shop of electronic music "Beatport".
His tracks and remixes not one time sounded and continue to sound in such radio shows, as "A State Of Trance" of DJ №1 in the world - Armin Van Buuren, "Trance Around The World" of the most well-known trinity Above & Beyond, "Planet Perfecto" of guru Paul Oakenfold and many other.
As a deejay, meHiLove played the sets on one stage with such stars of world scale, as Richard Durand, Ronski Speed, Swanky Tunes, Tucandeo, DJ IRA and others.
Basic music directions are "Progressive House" and "Progressive Trance", but meHiLove does not limit himself in a certain style of electronic music and continues to experiment, creating tracks in style of "Breaks", "Deep House" and others.
В 2000 году окончил с отличием музыкальную школу по классу фортепиано.
Как диджей, meHiLove отыгрывал свои сеты на одной сцене с такими звёздами мирового масштаба, как Richard Durand, Ronski Speed, Swanky Tunes, Tucandeo, DJ IRA и др.
Основными музыкальными направлениями являются «Progressive House» и «Progressive Trance», но meHiLove не ограничивает себя определённым стилем электронной музыки и продолжает экспериментировать, создавая треки в стиле «Breaks», «Deep House» и др.
Эксклюзивный микс, записанный специально для марафона "Progressive Technology 2011"!!!
Label: InfraProgressive. Release Date: Sep 19 , 2011 .
Label: Vendace Records. Release Date: Oct 10 , 2011 .
meHiLove - Solace EP OUT NOW @ Beatport!!!
13 марта 2017 г. состоялся релиз "meHiLove - Solace EP".
meHiLove has been a cherished contributor to progressive since the very beginning of this decade; in fact, his first offering to our imprint was back in June 2011. We are delighted to present a new two-track EP by the Ukrainian melodic maestro.
The release kicks off with "Solace," which Max Flyant initially teased on his "Only Silk 04" mix last year. Throughout the composition, a light, retro-tinged bassline is punctuated by relaxing vocal stabs, as well as a heavily filtered, yet sunny piano theme, which eventually unfurls. Overall, as the track title implies, the main melodic and atmospheric themes conspire to create a serene and deeply comforting ambience. If the universal greeting of "good morning" were to be accompanied by a soundtrack, this song would prove a worthy candidate.
The gorgeous B-side, "Airy," finds meHiLove in vintage form. Specifically, lush melodies, infected with a just a hint of melancholy, pour over the listener, as a slightly more uptempo progressive house groove begins to take shape and slowly crescendo. In the main break, a soothing piano theme is introduced, which leads into the drop (alongside a delicious arpeggio), very much to hypnotic effect.
Masoud Feat. Tara Louise - My Dreams (Incl. Remixes) OUT NOW @ Beatport!!!
11 июля 2016 г. состоялся релиз "Masoud Feat. Tara Louise - My Dreams (Incl. Vintage & Morelli, meHiLove Remixes)".
This past spring, we were delighted to present the debut Silk Music EP by acclaimed Iranian artist Masoud, featuring fellow Silk newcomer Tara Louise on vocals. Their beautiful vocal house collaborations, "My Dreams" and "Goodbye," have now been remixed by two extraordinary label veterans: Vintage & Morelli (Serbia) and meHiLove (Ukraine).
Vintage & Morelli is in the midst of a banner year, highlighted by his recent "My Rose Enchanted Destiny" album release, as well as a pair of releases on the esteemed Anjunabeats imprint. His inspired take reimagines "My Dreams" as a peak-hour progressive house anthem. A stormy and trance-influenced lead chord progression soars above a buoyant bassline, while a mellifluous Balearic guitar motif further enhances the soundscape. Meanwhile, Tara's vocal, the primary lead element, once again captivates the listener: her emotional delivery is only accentuated by Vintage & Morelli's exhilarating instrumentation. For those more inclined toward vocal-less electronica, Vintage & Morelli has contributed a "Dub Mix" as well.
meHiLove, acclaimed Silk veteran and former "Both" Remix Contest winner, centers his interpretation of "Goodbye" on a more traditional progressive house groove. As the track progresses, a variety of gorgeous melodic effects join Tara's memorable vocal. A relatively subdued breakdown showcases these many stunning themes, which are equal parts ethereal and cathartic. meHiLove has also provided a "Dub Mix" to round out the release.
Chomi Feat. Elly - She Is (Eskai, meHiLove Remixes) OUT soon @ Beatport!!!
18 января 2016 г. состоится релиз "Chomi Feat. Elly - She Is (Eskai, meHiLove Remixes)".
One of the most uplifting and anthemic cuts to appear on last year's "Silk Royal Showcase 05" compilation proved to be the Eskai remix of Chomi feat. Elly's "She Is." This thrilling tune is finally available in unmixed form, alongside an equally radiant pair of interpretations by label veteran meHiLove.
Perhaps best known for the triumphant single "Wonersh," which appeared on a variety of leading trance & progressive radio shows last year, American talent Eskai kicks off his interpretation of "She Is" with a peak-hour groove. In the initial build, a slowly crescendoing chord progression is punctuated by echoes of Elly's soaring vocal. Given the suspense, the emergence of Elly's full verse in the main breakdown is especially nourishing to the soul, and the ultimate drop is a cathartic and timeless treat for melodic trance & progressive fans.
We're excited to welcome back Ukrainian veteran meHiLove, who contributes both a vocal and dub remix. A buoyant progressive house beat and a lush chord sequence imbue the soundscape with a hopeful, summery flavor. Gorgeous side melodies and, of course, Elly's joyful vocals reinforce the feel-good vibes. If you're looking for a stripped-down take, the 'Dub Remix' is both elegant and jubilant.
Matt Harper - Breathe You In (Remixes) OUT NOW @ Beatport!!!
14 сентября 2015 г. состоялся релиз "Matt Harper - Breathe You In (Remixes)".
Matt Harper's debut EP turned quite a few heads when it released earlier this summer and now the lead single 'Breathe You In' has received an inspiring remix package from Sub Question and MeHilLove.
After his latest EP with us its no surprise Sub Question delivers an equally energetic remix, complete with a driving bassline and huge climax that works beautifully with his unique twist on the melody. MeHiLove chooses to keep things more on the progressive side, constructing the groove and arrangement around the lovely vocal to great effect.
'Breathe You In' is the first of many solid singles ahead for ESR newcomer Matt Harper, and this remix EP should hold you until his next!
meHiLove - Sunrise EP OUT NOW @ Beatport!!!
17 ноября 2014 г. состоялся релиз "Sunrise EP".
Veteran Ukrainian artist meHiLove (a.k.a. Yuriy Mikhailov) returns to Arrival with his new "Sunrise" EP, including two delicate progressive cuts. The title track starts out with a comforting atmosphere and enjoyable percussion elements. Subtle string melodies soar in the background, while a delightful arpeggio line provides additional texture. An intriguing piano melody appears in the break, and a refreshing guitar riff spices up the mix later. "Sunset" quickly establishes a unique soundscape with haunting pad layers and female vocal stems. The break once again showcases a beautiful piano line, seamlessly integrated into the combination of the soothing percussion and background arpeggio notes.
Огромное спасибо за такие первокачественные треки.Только блогадоря вашему творчеству,я открыл для себя такой уникальный стиль Progressive House!!!
Ваше творчество,это то большее чем просто музыка...это глубина вселенной из которой не хочется уходить!!!
в общем ЖДЕМС от тебя позитива и еще раз позитива!!!
Однозначно,один из лучших прогрессив-хаус продюсеров в Восточной Европе!
ты делаешь просто мегамелодичные работы. я такого кайфа давно уже не слышал. разум при прослушке твоих треков отдыхает, расслабляется!!! твои треки надо играть на восходе солнца, при 25000 человек, либо в пустыне)) либо в какой нибудь теплой стране!!! красавчик!!! слушаю. балдею. в голове крутится картинка океанского побережья. пляж, солнце, океан.
и что интересно там твой трек которого я не слышал!
Юра, привет, ну как творчество?
Юрий, поддерживаю на Soundcloud !!! Теперь и здесь тоже))).
Привет Юра, кайфовую музычку делаешь, респекты. Когда альбом?
Юрий С Днем Рождения !!! Желаю всего самого самого наилучшего, счастья ,здоровья всех жизненных благ ,успеха и много чего еще...!!!
С днем рождения! всего самого наилучшего! Ждем новых работ!
Добрый день, тезка! Спасибо за дружбу! Стал твоим поклонником недавно, слушая работы в сэтах у музыкантов с мировым именем. Так и подозревал что наш соотечественник, и это очень радует!
Классная музыка, с удовольствием буду следить за творчеством, и желаю дальнейших успехов!
С Днём рождения, дружище!!! Оставайся таким же добрым и отзывчивым человеком! И продолжай радовать мир своим творчеством! С наилучшими пожеланиями жму руку!
Поздравляю с Днём рожденья! Желаю много любви, моря радости и улыбок, океан веселья, надёжных друзей, а также творческих и материальних успехов!
Поздравляю Юра с днем рождения! Творческих высот и прекрасных побед!
Отличная музыка ))) За творчество +++! Добовляю в друзья!
Что то давненько ты нас не радовал свежими творениями!
Хочется услышать муражковыводящую, душещипательную музыку !!!
оооо!!! однако!!! с нетерпением жду!!!
Поздравляю С ДНЕМ РОЖДЕНИЯ! Желаю скорейшего восхождения на первые строчки мирового рейтинга!!!
+ за миксы и треки, хорошая музыка!