According to Javier Giraldo of Sport , Barcelona want a decision from the player regarding his future soon, as his €100 million (£88 million) release clause doubles on July 1. Now reports in Belgium and England are suggesting Fellaini's advisers have held talks with Arsenal , with new Gunners boss Unai Emery believed to be keen to add the experienced Premier League performer to his ranks.
He can put the Warriors in position for a huge road win, and Curry - the best shooter in the world - can suddenly wake up, make a layup to give the Warriors a 98-97 lead with 2:58 remaining and follow with a 31-foot 3-pointer to increase the advantage to four.
French outlet L'Equipe claim a medical will be undertaken by Friday, with Melissa Reddy saying that the deal is expected to be confirmed on Friday. Lyon president Jean-Michel Aulas has a reputation for being a tough negotiator, and Friday is emerging as a key day in talks as Liverpool move to get the deal completed before the weekend.
Kei Nishikori's triumphant return was brought to an end, courtesy Dominic Thiem . "Today is a flawless example of what I have been trying to do, and I think it showed today", Keys said. "I'm very happy about being in the quarterfinals here going the hard way, going the long distance. showing everybody that I can play for as long as I need to".
Rep. Ryan Costello, a Republican from Pennsylvania, had been looking forward to the White House meeting between President Donald Trump and the Philadelphia Eagles . Trump held a patriotic rally on Tuesday instead, where he said in a speech that he thought it was time to " explain why young Americans stand for our national anthem".
Coach Barry Trotz wants his players to relax and not think too much about the chance in front of them. With a league-leading 31 points, Kuznetsov is making a case to be the Conn Smythe Trophy victor as playoff MVP. Alex Ovechkin and the Capitals will get their first chance to hoist the Cup in Game 5 on Thursday night back in Las Vegas . "Honestly, I thought it was in".


text:
Exam and Desk Copy Policy
Publisher: Harvard Business Review Press
Trim: 10.00 x 10.00 Inches
What is Strategy?
An Illustrated Guide to Michael Porter
Joan Magretta, Emile Holmewood, Heinrich Zimmermann
By Joan Magretta Illustrated by Emile Holmewood Contributions by Heinrich Zimmermann
$25.00 / $32.99 CAN
REQUEST EXAM COPYREQUEST DESK COPY
When it comes to strategy, the mistake most managers make is thinking they have one when they don't.
Joan Magretta, author of the bestselling book Understanding Michael Porter, has teamed up with illustrator Emile Holmewood to capture essential strategy concepts in a short, easy-to-understand, graphic format.
Here you'll find the classic Porter frameworks—industry structure and the Five Forces, competitive advantage and the value chain—as well as a set of practical tests to apply in evaluating existing strategies or developing new ones. You'll also learn Porter's thinking about critical issues such as scale, goal setting, sustainability, and disruption.
With a relatable cast of characters—a deadlocked team of managers calls in Professor Porter to help them devise a new strategy—this book brings a sense of fun to a serious subject. It will help you quickly grasp the fundamentals of strategy, whether you're a seasoned strategist looking to cut through all the new buzzwords or a new manager about to lead your first strategy meeting.
Joan Magretta has worked with Michael Porter for over two decades. She is a Senior Associate at the Institute for Strategy and Competitiveness at Harvard Business School, a McKinsey Award winner, and author of the bestselling books Understanding Michael Porter and What Management Is, which was a top pick by The Economist when it was first published. Previously, she was a Bain partner and a strategy editor at Harvard Business Review. Emile Holmewood is an award-winning illustrator and animator based in Tokyo. His background in graphic design informs his illustration work, where he enjoys the challenge of transforming complex ideas into humorous images. You can find Emile Holmewood at: bloodbros.co/. Heinrich Zimmermann is a partner at a strategy consultancy based in Frankfurt and Tel Aviv. He was a founding partner of the Institute for New Communication, an interdisciplinary think tank and design lab based in Germany. He originated the concept for this book and assembled the team to turn his vision into reality.
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The Nobel Prize in Physiology or Medicine 1901
Emil von Behring - Explore Facts
Emil von Behring
Emil von Behring - Facts
Emil von Behring - Biographical
Emil von Behring - Nobel Lecture: Serum Therapy in Therapeutics and Medical Science
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Emil Adolf von Behring
Born:	15 March 1854, Hansdorf (now Lawice), Prussia (now Poland)
Died:	31 March 1917, Marburg, Germany
Affiliation at the time of the award: Marburg University, Marburg, Germany
Prize motivation: "for his work on serum therapy, especially its application against diphtheria, by which he has opened a new road in the domain of medical science and thereby placed in the hands of the physician a victorious weapon against illness and deaths."
Many diseases are caused by microorganisms, but the body can use its immune system to defend itself against attacks and become immune to new attacks. As part of its defenses, the immune system forms antibodies that neutralize poisons, or toxins, that are formed by bacteria. Emil von Behring and other researchers showed that by means of blood plasma, or serum, antibodies could be transferred from one person or animal to another person, who also then became immune. In 1900 Emil von Behring introduced serum from immune horses as a method to cure and prevent diphtheria.
MLA style: Emil von Behring – Facts. NobelPrize.org. Nobel Media AB 2021. Wed. 20 Jan 2021. <https://www.nobelprize.org/prizes/medicine/1901/behring/facts/>


text:
Mooney on Theatre
Fringe Buzz
Fringe Press Releases
Review: Yellow Face (Hart House Theatre and fu-GEN Asian Canadian Theatre Company)
March 7, 2011 Wayne Leung	1 Comment
By Wayne Leung
Toronto's Hart House Theatre in partnership with fu-GEN Asian Canadian Theatre Company presents Tony Award-winner David Henry Hwang's semi-autobiographical play Yellow Face at the Hart House Theatre through March 12, 2011.
Playwright David Henry Hwang, winner of the 1988 Tony Award for Best Play for M. Butterfly, is no stranger to race and identity politics.
As is the case with many people of colour who succeed in a field where visible minorities are few and far between, Hwang has become a prominent, if sometimes unwitting, champion for equal opportunity as chronicled in his semi-autobiographical satire Yellow Face.
The play opens with the character of David Henry Hwang organizing a protest in response to the casting of Caucasian actor, Jonathan Pryce, in a lead Asian role in the musical Miss Saigon. Later in the play, Hwang himself mistakenly casts a Caucasian actor as the lead Asian character in his own play and tries to cover up his blunder by passing the actor off as "Eurasian." Hilarity ensues.
Throughout the course of the play Hwang tackles some complex issues: identity politics, race and cultural identity, all issues that I can relate to in my own experience as the child of Chinese immigrants.
Growing up as an "Asian-Canadian" I never saw anybody who looked like me in the popular media, on film, stage or television. Omission and under-representation have a way of making you feel marginalized and invisible, like you don't have a voice.
Even today, living in a thriving, multicultural city like Toronto, we haven't come as far as we'd like to think we have. Just last year Maclean's magazine published a shamefully xenophobic article questioning whether some Canadian universities had become "Too Asian?" And Toronto has a mayor who still cluelessly refers to Asians as "Orientals."
The term "yellow face" refers to the casting of non-Asian actors into Asian roles. In the '70s David Carradine was cast as the lead of the TV series Kung Fu over Bruce Lee because the network felt that Americans would not accept an Asian in a lead role. Even as recently as last year director M. Night Shyamalan cast his Asian mythology-inspired movie The Last Airbender almost exclusively with Caucasian actors.
When it comes to equal opportunity casting, we also haven't come very far in an industry that prides itself on being progressive: the theatre. Take a moment and try to list five examples of actors of Asian descent in leading roles in major, commercial theatre productions in Toronto in the past five years.
The roles are few and the ones that do exist are generally awful. It seems Asians are still only cast to shoot Ping-Pong balls out their ass (mail-order bride in Priscilla), pimp out their daughters (Bloody Mary in South Pacific) or weepily pine for their handsome white American soldiers (Miss Saigon); all roles that are offensive to varying degrees.
I recently asked a young commercial theatre producer why we don't see more actors of Asian descent either playing roles written for Asians or colour-blind cast into other roles. He callously dismissed my concerns and refused to acknowledge there was any sort of under-representation bluntly stating, "the talent in the Asian community just doesn't exist."
While there may be some truth to his assessment I think there is also a refusal on his part to acknowledge his own latent prejudice and the institutionalized racism in the performing arts.
As you can see, the issues of race and identity are very personal and it's easy for a discussion to become highly charged and emotional. It's exactly this kind discussion we find at the center of Yellow Face.
Hwang's script is a layered, thorough examination of the issues of race and identity politics. Alternating between funny, thought provoking and poignant, the script seems to challenge the skills of the cast and director Esther Jun.
On opening night the play's first act felt a bit hit-and-miss. Cast members grappled with the difficulties of doubling a vast array of characters. The flow and pacing felt a bit off as the cast struggled to find the right rhythm for the performance.
The first act introduces the various characters and sets the context for the play but it seems unfocused. Fortunately, in the second act, the play transforms from a scattershot comedy of errors to become focused and plot-driven. The second act features great character development and political intrigue as well as some surprisingly tender moments.
Kristoffer Pedlar is a standout as Marcus, the mistakenly-cast Caucasian. He infuses the potentially antagonistic role with a goofy charm and likeability.
David Fujino brings the heart and soul to the performance. His poised and dignified portrayals of nuclear physicist/accused spy Wen Ho Lee as well as Hwang's terminally ill father are particularly poignant.
Yellow Face is a great piece of theatre. Like all great theatre it entertains but it also asks questions, provokes thought and encourages dialogue. The play deftly examines its subject matter without coming off as preachy. It challenges audience members to examine the issues and come up with their own thoughts and opinions. Only after we engage in that dialogue can attitudes and perceptions start to change.
– YELLOW FACE "A tempest in an Oriental teapot"
– Presented by the Hart House Theatre in partnership with fu-GEN Asian Canadian Theatre Company
– March 4 – 12, 2011
– 2 Week Run – Week 1: Fri and Sat @ 8pm / Week 2: Wed to Sat @ 8pm + Sat @ 2PM
Tickets: Adults $25, Students & Seniors $15, $10 Student Tickets every Wednesday Night!
U of T Arts Council Presents: Speakers in the Arts Series, 2011: A Conversation with David Henry Hwang
Tuesday March 8, 2011 at 7PM, Hart House Theatre – Interview conducted by David Yee, Artistic Director, Fu-GEN, Tickets $10 Adults / $5 Students and Seniors
After the performance there will be a Talk-back with David Henry Hwang and the company of Yellow Face. Wednesday March 9, 2011
– BOX OFFICE: www.uofttix.ca / 416-978-8849
– www.harthousetheatre.ca
– Ben Wong plays DHH. Image by Will O'Hare.
Previous PostAnnouncement: Dancap Productions to bring Donny & Marie Osmond, Colm Wilkinson and Green Day musical, American Idiot to Toronto in 2011Next PostReview: Billy Elliot (Mirvish Productions)
One thought on "Review: Yellow Face (Hart House Theatre and fu-GEN Asian Canadian Theatre Company)"
David Fujino says:
Thank you, Wayne Leung, for an intelligent and fair-minded review. The cast throughly enjoyed playing in Yellow Face. We were fortunate to have such a quality cast,fine director and crew, as well as support from Hart House Theatre's Jeremy Hutton and Doug Floyd.
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The Orientation iBloc is a custom widget designed for running iRise prototypes on mobile devices, including iPads, iPhones, and Android devices. It enables dynamic page resizing and reformatting when the screen is rotated and orientation changes.
Fires one of two custom events when a page loads or orientation changes while viewed on an iPad or iPhone or other mobile device browser.
Version 1.2 also allows you to manually switch orientation and fire custom events when viewing in a browser.
These custom events can be used to trigger any combination of iRise actions or links, including switch views, change properties, show/hide, etc.
Drag the Orientation iBloc onto any empty area of the page.
In the properties panel, select target device. Options are iPad, iPhone, or Custom.
If your target device is a non-Apple mobile browser (Android for example), select Custom for target device enter the device's portrait and landscape screen widths in pixels.
Connect the iBloc to any action or link on the canvas by dragging and dropping.
The same iBloc can be used to trigger both events.
Here's a brief demo of the Orientation 1.1 iBloc in action on the iPad and how to use it in Studio.
You can create links in your prototype to trigger your 'on landscape' and 'on portrait' actions for testing or changing modes when reviewing in a browser.
Can I use this iBloc on iRise version 8.11?
Yes, this iBloc has been tested and works in 8.11. Let us know if you are having any issues with it.


text:
Q: Share folder and Python file between Docker images using Docker Compose I would like different Docker projects for my closely related projects server_1 and server_2 to live in one folder that I can build/deploy simultaneously using Docker Compose.
Example project directory:
.
├── common_files
│   ├── grpc_pb2_grpc.py
│   ├── grpc_pb2.py
│   └── grpc.proto
├── docker-compose.yml
├── flaskui
│   ├── Dockerfile
│   └── flaskui.py
├── server_1
│   ├── Dockerfile
│   └── server_1.py
├── server_2
│   ├── Dockerfile
│   └── server_2.py
└── server_base.py

Two questions I am hoping have one common solution:

*

*How can I make it so I only have the common dependency common_files/ in only one place?

*How can I use the common code server_base.py in both server projects?

I've tried importing using relative directories in my project Python scripts, like from ..common_files import grpc_pb2, but I get ValueError: attempted relative import beyond top-level package.
I've considered using read_only volume mounting in docker-compose.yml, but that doesn't explain how to reference the common_files from within a project file like flaskui/Dockerfile.

A: You need to mount your local directory that contains the grpc files and server_base.py as a volume in your server_1 and server_2 containers. That way, there is a single source of truth (your local directory) and you can use them from both your containers.
You can add the volumes definition in your docker-compose.yml file for your containers. Here's a bare-bones compose file I created for your use-case:
version: "3"

services:
  server_1:
    image: tutum/hello-world
    ports:
      - "8080:8080"
    container_name: server_1
    volumes:
      - ./common_files:/common_files

  server_2:
    image: tutum/hello-world
    ports:
      - "8081:8081"
    container_name: server_2
    volumes:
      - ./common_files:/common_files

common_files is the folder in your local directory that has the server_base.py along with the grpc files which you want to mount as volumes to your containers which need to use them. These are called host volumes since you are mounting your local files from your host as volumes for your containers.
With this setup, when you exec into server_1, you can see that there's a common_files folder sitting in the / directory. Similarly for server_2.
You can exec into server_1 using docker-compose exec server_1 /bin/sh
You can also read up more on the documentation for Docker volumes.

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Very precise, light-weight, durable and also very "cute" little Foxeer Lollipop antenna will suprise you with the overall quality and performance. Superb value at an amazing price point.
We also carry the Lollipop with u.FL connector.


Cobo Wallet as IoTeX Delegate and strategic partner — has officially released the first Mobile Voting DApp for IoTeX Delegates Program! With our mobile voting platform, the voting process can be performed directly through the Cobo Wallet with built-in MetaMask tool.
In this article you will learn the best way to stake your IOTX – in the Cobo Wallet app! Note that this requires that you have your HD wallet already set up and already have your IOTX stored in your HD wallet. If you haven't done that yet, check out our how-to.
1. If you already have your IOTX in your HD Wallet, open the Cobo Wallet app, go to the "Explore" tab and click the banner or Vote for IoTeX Dapp. Then click "Vote Now" to vote.
2. Make sure that you choose Cobo Node Delegate, how much you want to stake, and your staking period. Then click "Proceed to Vote" to confirm your voting details. At last, you need to click "Yes, make transaction" to complete your staking.
3. Congratulations, you've staked your IOTX! Get ready for rewards!


If you're car shopping in the Klamath Falls or Grants Pass, OR areas, Lithia Toyota of Klamath Falls should be your first stop. We offer a massive inventory of economical, well-equipped new Toyota cars, trucks, and SUVs at competitive prices. Whether you're in the market for a fuel-efficient, tech-laden car like the 2018 Toyota Camry, a comfortable, upscale SUV like the Toyota Highlander, or an off-road-ready pickup truck like the 2018 Toyota Tacoma, we're sure to have a new vehicle that's right for you.
If you're not ready to buy a brand-new car right now, that's okay. Many people in the Medford and Altamont areas come to Lithia Toyota of Klamath Falls for our vast selection of pre-owned cars, trucks, and SUVs. All our used vehicles are meticulously inspected by our service center before they go out for sale, so you can trust them to be safe, reliable, and in outstanding mechanical condition. We have some certified pre-owned vehicles with warranty coverage and roadside assistance available. And you can really save big with our bargain inventory of vehicles priced at under $20,000.
Whether you have a new or used vehicle, it needs regular maintenance to keep it running smoothly. Let Lithia Toyota take care of that for you with our professional service center. Our factory-trained mechanics know all about your car and how to service or repair it. We can handle everything from routine oil changes to major engine repair, and we use genuine OEM parts for the best results. We also have all the latest tools and diagnostic equipment to make sure your vehicle is fixed right the first time.
Need help finding us? Check out our interactive map tool to work out an easy route from your town to our dealership, or peruse our step-by-step written directions from Grants Pass and Medford, OR.
Turn left onto SE 7th St.
Turn right onto NE D St.
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Continue onto NE Agness Ave.
Turn left onto US-199 N/Grants Pass Pkwy.
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Take exit 40 toward Access Rd.
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Take W 4th St to N Riverside Ave.
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The Resource Heart -- Transplantation -- Fiction.
5 Items that share the Concept Heart -- Transplantation -- Fiction.
Context of Heart -- Transplantation -- Fiction.
Data Citation of the Concept Heart -- Transplantation -- Fiction.


Long dress with short drawstring on the sides and with elasticrubber gathers on the back.
Red and black geometric patterns on white background.
Categories: Dress, Spring / Summer. Tags: clothes, elegant, geometrical pattern, long dress, red, ruffle sleeve, summer, woman.