text:
Steen Olsen (Copenhague, Dinamarca, 17 de junio de 1886- Copenhague, 5 de mayo de 1960) fue un gimnasta artístico danés, campeón olímpico en 1920 en el concurso por equipos "sistema libre".

Carrera deportiva
En las Olimpiadas celebradas en Amberes (Bélgica) en 1920 consigue el oro en el concurso por equipos "sistema libre", por delante de los noruegos (plata), siendo sus compañeros de equipo los gimnastas: Rudolf Andersen, Viggo Dibbern, Aage Frandsen, Hugo Helsten, Harry Holm, Herold Jansson, Robert Johnsen, Christian Juhl, Vilhelm Lange, Svend Madsen, Peder Marcussen, Peder Møller, Niels Turin Niels, Georg Albertsen, Christian Pedersen, Hans Rønne, Harry Sørensen, Christian Thomas y Knud Vermehren.

Referencias

Gimnastas artísticos
Nacidos en Copenhague
Fallecidos en Copenhague


Surgeon Reza Gamagami, M.D., F.A.C.S. with Lemont resident Christine Guzior, who had innovative anti-reflux surgery with LINX implantation at the Midwest Institute for Robotic Surgery at Silver Cross Hospital.
Dr. Laura Raguaskaite is named Medical Director at Silver Cross Hospital's Breast Center in the Center for Women's Health.
Dr. Gamagami, who specializes in colorectal cancer surgery, is a leader in advanced minimally invasive procedures using the da Vinci robot. Silver Cross has been designated as part of an elite group of nationally recognized General Surgery Epicenters due to the demonstrated excellence of R.A. Gamagami, M.D. as an educator for general colorectal robotic surgery.
To read more about this distinction, the article can be found here: http://orlandpark.patch.com/groups/silver-crosshealth/p/silver-cross-recognizes-top-docs-for-outstanding-patient-satisfaction_41c1dc16.
NiTi Surgical Solutions appoints Dr. R.A. Gamagami as an international delegate for NiTi's World Conference for Compression Anastomosis (WCCA), a consortium whose aim is to identify best practices for facilitating optimal surgical outcomes for patients undergoing colon surgery requiring compression anastomosis.
Dr. R.A. Gamagami demonstrates the use of Kii Fios First Entry for this critical part of laparoscopic cholecystectomy surgery.
Because early detection is a key factor in the fight against breast cancer, Dr. R.A. Gamagami explains how and when to administer self-examination.


The FeedTronic 3003-A is designed to weight and mix two types of feed and distribute it accurately to the house.
The exact amount of each feed type is weighed out in small batches, then sent into the house.
The FeedTronic has a built-in blending curve for use throughout the growing period.


"The sooner it gets implemented, the sooner the two sides could reap the benefits. We believe the Maldivian government will make the right choice," he added.
The free trade agreement was rushed through parliament in November last year, hours after former president Abdulla Yameen sought approval for ratification,. Opposition lawmakers boycotted the vote over the fast-tracked process and the lack of public disclosure and consultation with the business community.
The previous administration insisted the country's first bilateral FTA would open up the "world's largest consumer market" to fish exports.
According to customs statistics, the Maldives imported US$342 million worth of goods from China between January and August this year. Exports amounted to US$265,270 during the same period.
Nasheed also told the BBC the trade deal was "very one-sided" and that Chinese investments would be reviewed.
China financed infrastructure projects such as the Sinamalé bridge and airport expansion during former president Abdulla Yameen's administration.
In the wake of Yameen's heavy defeat in September's polls, China welcomed the president-elect even as the foreign ministry spokesman criticised Nasheed's repeated accusations of land-grabbing and dragging the Maldives into a debt trap.
On Wednesday afternoon, Nasheed met with Zhang Lizhong, the Chinese ambassador to the Maldives, for the first time. The pair "discussed areas of mutual interest and cooperation," according to the ruling Maldivian Democratic Party.
The Maldivian public was appreciative of "the benefits of bilateral cooperation" with the opening of the China-Maldives Friendship Bridge connecting the capital with the airport island, he suggested.
"The Maldives welcomes more Chinese enterprises to invest in its country. All these facts reflect the status and significance of the China-Maldives practical cooperation," he said.
Ahmed Naseer, the central bank's governor, told the budget review committee Wednesday that debt owed to China amounts to US$1.5 billion, over 40 percent of the country's GDP.
The previous government directly borrowed US$600 million, he said. The central bank lacks information on sovereign guarantees but according to the Chinese ambassador, the amount of "guaranteed debt" stands at US$900 million, Naseer told MPs.
"We don't yet have information on what loans and the amounts for which guarantees were given," he added.


text:
By Mike Hazlilp— Citrus Heights residents could have the choice of a 6th Starbucks location within city limits, if a development proposal currently being considered by the city receives approval.
Thanks for reading The Sentinel. You are either trying to access subscribers-only content or you have reached your limit of 4 free articles per 30 days. Click here to sign in or subscribe.
Citrus Heights business district to be reimbursed with $100k in ARPA funds
The Sunrise MarketPlace is slated to soon receive $100,000 in reimbursements for public safety and maintenance expenses, thanks to an allocation of American Rescue Plan Act (ARPA) funding from Sacramento County at the direction of Supervisor Sue Frost.
By Mike Hazlip— Construction of a large, new church building has been proposed on Old Auburn Road, city documents show.
New burgers and brews restaurant opens at Sylvan Corners
By Mike Hazlip— A new bar and burger restaurant is now open at Sylvan Corners, replacing the former Beer Dogs eatery that had occupied the space since 2016.
Proposal seeks to demolish liquor store to build new Starbucks in Citrus Heights
An outline from Google maps roughly shows the area where a Starbucks is proposed to be built on Auburn Boulevard.
By Mike Hazlilp—
Citrus Heights residents could have the choice of a 6th Starbucks location within city limits, if a development proposal currently being considered by the city receives approval.
The planned 2,241-square-foot building would be constructed at 8550 Auburn Blvd., along with a 400-square-foot patio. A site plan filed with the city shows a double drive-thru with room for about 17 vehicles, along with 38 parking spots.
See site plan: click here
The plan calls for the demolition of Java Detour, a small coffee kiosk, as well as the 1,450-square-foot Sam's Liquor and Food to make room for the drive-thru which wraps around the proposed building. Existing businesses, Waggin' Tails Doggie Day Car and "Tea It," would remain, according to the proposal.
The liquor store was built in 1960 and is detached from the main building, although both structures share a roof. A breezeway separates the liquor store from the rest of the complex.
A total of three separate parcels are included in the plan, according to a document filed with the city. The northern border for the site is the county line with Placer County immediately to the north.
Starbucks currently has five locations in Citrus Heights, with the most recent location opening last month in a new building at the intersection of Sunrise Boulevard and Madison Avenue. The Sentinel previously reported the company's location in the Barnes and Noble at Birdcage Marketplace abruptly closed just before the holidays in late 2021.
Documents filed with the city show the developer for the proposed Auburn Boulevard site is listed as West Sacramento-based Coastal Star Partners LLC, which has ties to Engstrom Properties Inc., also based in West Sacramento.
A company representative contacted by phone Tuesday did not return The Sentinel's request for comment by press time Wednesday night.
A representative for the adjacent 'Tea it' cafe next door declined to comment for this story, while a manager for Java Detour said she felt it was unfair for a big chain to come in and demolish a small business.
Documents posted on the city's website show the proposal was submitted on April 21 and is currently listed as "under review."
Like local news? Sign up for The Sentinel's free Weekend Edition to get one email each Sunday with all local news and no spam, ever. (Click here)
200-seat performing arts theater to open in Sunrise Mall
Could this $1.25M property break a record for Citrus Heights?

redpajama_set_name: RedPajamaCommonCrawl


A TV series about Tessa,a girl who moves from the city to Chatswin in the suburbs, .
Jill Werner (Gillian Vigman) is one of the suburban women in Chatswin. She is is very controlling of her life, and everyone in it, and describes herself as a successful self-employed writer – despite having only one self-published book to her name.
In the episode 'Eat, Pray, Eat' she takes up a new self-actualisation regimen – comfort eating. As one recap put it: 'she's barely there in one sense; in another there's a little more of Jill than usual.
Phyllis Williams was the show's makeup artist.
This makeup involving silicone chest, neck and facial prosthetics was designed by Autonomous F/X and applied by Jason Collins and Scott Wheeler.


text:
other hungarian
lost rails
Trams of Debrecen II.
These Bengalis (or "Bengálik" as we say it) still feature the original direction plates on the upper part of the front - the ones in Szeged and Miskolc don't. "Nagyállomás" is the main railway station, "Egyetem" means University - that's the other terminus.
On the yard before the repair sheds we can se a few interesting vehicles.
482 is no more. .
The interior parts have already been dismantled.
The mounted middle-part without the rubber covering of the articulations.
Of the articulations.
Looking inside through where the windscreen used to be...
The roof.
No, it's not a steam-engine in disguise, it's just a chimney in the distance, far behind the tram :-)
These two flatcars were also Bengalis once. They've burnt out in an accident, and were then trasformed into this strange train set.
Number 204 is an ex-Budapest "Muki" (electric loco). To make things more "budapestier", the sheds behind the car are the ones where some of the Budapest trams (mainly UV's) were refurbished during the nineties! They were brought here on trailers, rehauled and then transported back to Budapest on trailers again.
Number 101 was built in 1961, specifically for the 600th anniversary of the city of Debrecen. It was used in passenger service and was turned into a service vehicle later.
Now it's used as a snow-sweaper.
The body is almost the same as with most of the old iron-frame-bodied hungarian trams.
The manual windscreen wiper of this 2-axle.
This "home-made" is just beeing repainted.
Well, look at that! These are old, readapted UV bogies, used here as "guest bogies" (i.e. bodies which have their own bogies removed are moved around using these).
A strange sight for a UV-maniac like me!
And now a few pictures about the tram service in the city: the main street (Piac utca) has been rebuilt just before we went there. The pavement, the street, the tram stops, the signs were brand new. In the background you can see the Great Temple of Debrecen, which is the symbol of the city.
Route 1 doesn't have a proper terminus at this end: it merely does a big circle (a turning loop) in the Nagyerdő, where the universities and hospitals of the city are located. Notice the really old iron overhead wire supports!
A Ganz...
... and a "home-made" in the one-track loop.
Well, this has nothing to do with trams (except that it runs close to it), but I like the main building of the Kossuth Lajos University of Science very much, so here's a picture of it :-)
By this we were very late and were heading for our train at the main station. 484 was standing beside the railway station as reserve, it was the last tram we'd seen this day in Debrecen.
Thanks to chrta and DKV Rt. for the visit!
© Ákos Endre VARGA, unless stated otherwise. All rights reserved.
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text:
package pl.themolka.arcade.item.meta;

import org.bukkit.DyeColor;
import org.bukkit.entity.TropicalFish;
import org.bukkit.inventory.ItemStack;
import org.bukkit.inventory.meta.TropicalFishBucketMeta;
import pl.themolka.arcade.dom.Node;
import pl.themolka.arcade.parser.Context;
import pl.themolka.arcade.parser.InstallableParser;
import pl.themolka.arcade.parser.Parser;
import pl.themolka.arcade.parser.ParserException;
import pl.themolka.arcade.parser.ParserLibrary;
import pl.themolka.arcade.parser.ParserNotSupportedException;
import pl.themolka.arcade.parser.Produces;

@Produces(TropicalFishBucketMeta.class)
public class TropicalFishBucketMetaParser extends ItemMetaParser.Nested<TropicalFishBucketMeta>
                                          implements InstallableParser {
    private Parser<DyeColor> bodyColorParser;
    private Parser<TropicalFish.Pattern> patternParser;
    private Parser<DyeColor> patternColorParser;

    @Override
    public void install(ParserLibrary library) throws ParserNotSupportedException {
        this.bodyColorParser = library.type(DyeColor.class);
        this.patternParser = library.type(TropicalFish.Pattern.class);
        this.patternColorParser = library.type(DyeColor.class);
    }

    @Override
    public TropicalFishBucketMeta parse(Context context, Node root, ItemStack itemStack, TropicalFishBucketMeta itemMeta) throws ParserException {
        Node node = root.firstChild("tropical-fish-bucket", "tropical-fish", "tropicalfishbucket", "tropicalfish");
        if (node != null) {
            DyeColor bodyColor = this.bodyColorParser.parse(context, node.firstChild("body-color", "bodycolor", "body", "color")).orDefaultNull();
            if (bodyColor != null) {
                itemMeta.setBodyColor(bodyColor);
            }

            TropicalFish.Pattern pattern = this.patternParser.parse(context, node.firstChild("pattern", "variant")).orDefaultNull();
            if (pattern != null) {
                itemMeta.setPattern(pattern);
            }

            DyeColor patternColor = this.patternColorParser.parse(context, node.firstChild(
                    "pattern-color", "variant-color", "patterncolor", "variantcolor")).orDefaultNull();
            if (patternColor != null) {
                itemMeta.setPatternColor(patternColor);
            }
        }

        return itemMeta;
    }
}

redpajama_set_name: RedPajamaGithub


text:
The Divine Authority of the Old and New Testament Asserted: With a ...
By John Leland
instructors in our author's Christianity. So that the gentlemen that assume to themselves the title of Deists, seem resolved that for the future they only shall be called the true Christians too. Those that look upon the New Testament to be divinely inspired, and receive it as the rule of their faith, and take their religion from thence, must be called Christian Jews, who only put a strange mixture of inconsistent religions upon the world for Christianity: whereas these Christian Deists teach it in its purity, and in order to propagate pure uncorrupted Christianity they do their utmost to discard the writings of the New Testament, that is, the writings that give us an account of the doctrines taught by Christ and his apostles. But since these gentlemen' will not allow us the honourable title of Christians, it is but fair that they should leave us that of Free-thinkers, to which I really think the advocates for the gospel revelation have a much juster pretension than they. But they seem to be too fond of this title to part with it. All the religion this writer seems willing to allow us is only an historical, political, clerical, mechanical faith and religion, which are terms of art he often makes use of to describe revealed religion ; whilst he appropriates real religion, and moral truth and righteousness,' to himself, and those of his own faction.
Thus, whatever the rest of the world think of these gentlemen, they are resolved to think very well of themselves. If others will but take their words for it, they must pass for the only free-thinkers, the only moral philosophers, and the only men of sense; for he lets us know, that there is not a man of sense in England' that goes to church for any other reason but for fear of the imputation of atheism, that the clergy would otherwise lay upon him, p. 115. They are the men, and wisdom must die with them; the only men of real religion, and friends of moral truth and righteousness; and finally, in their own opinion, the only true Christians. It will be easily allowed, that their pretensions to all these characters are alike just and well-founded.
But besides all this, they seem to set up for a kind of infallibility too. This writer talks of his moral philosopher's having his 'understanding irradiated with the beams of immutable eternal reason,' which he calls an infallible light from heaven to teach and inform us how to act.' He represents him as receiving intelligence and information from eternal wisdom, and hearing the clear intelligible voice of his Maker and Former, speaking to his silent undisturbed attentive reason ;' whereas others that seek for information in religion from books' meet with nothing but confusion and distraction, a Babel of faith and religion. He often talks as if he and those of his way, who pretend wholly to govern themselves by the principles of moral truth and righteousness, had an infallible criterion of divine truth, by which they were secured from error, and in which men cannot be mistaken. He represents the principles of the religion of nature as what all men must agree in, whereas they are for ever divided in points of mere revelation, p. 94. But how comes it then, that this writer, in this very book, thinks himself obliged to argue against some of his brethren, who he tells us would be thought to be great philosophers and very wise men,' who yet deny man's freeagency, the obligations of the duty of prayer, and God's continual and immediate agency and influence in the government of the world? I suppose he will hardly pretend that these are uncertain and of no importance, because men, and those too that profess to be impartial inquirers, are divided about them. For he tells us, that these things are of 'infinite consequence to mankind ;' and yet in several parts of his book he raises a mighty stir about the differences among Christians, with relation to the articles of their faith, as if this were a demonstration that these doctrines are uncertain and obscure, and of no use to mankind. An argument that may be turned with equal force against natural religion, and against the common principles of sense and reason.
He expresses his apprehension, that this performance of his would raise up all the clergy of the nation; that'the silversmiths would be all in an uproar; the judaizing clergy would be in arms; and many large elaborate volumes would be written, and a thousand sermons preached against his book.' He also foretels, that they would clearly and triumphantly confute all that he had said, without so much as answering any one objection,' see pp. 11, 357, 358. All that can be concluded from this is, that he looks upon himself to be a writer of very great importance. But I do not find there has been so general an alarm, or that his attack against revealed religion has been judged so very formidable as he seems to apprehend. Perhaps to have taken no notice of him at all would have been a greater mortification to this writer than the best answer that could be published against him. And yet, on the other hand, it is not unlikely that in the opinion he seems to have formed of his own sufficiency, he might be ready to flatter himself that if the friends of revelation did not answer him, it was because they could not do it. Indeed I should think it of very little consequence to the world what he thought of this matter ; but possibly the suffering such an insolent attack upon revealed religion to pass unregarded might be of disadvantage in an age already too much inclined to infidelity. This writer's smart and confident way of saying things, and the high pretences he every where makes to reason and demonstration, may be apt to impose upon some that will not give themselves the trouble of a very close examination. And the objections he has raised give occasion to the clearing some difficulties, and to the setting some things in a proper light, that they may be of service to those who, though they are not without their doubts, are willing to be informed. I thought therefore it might be of use to enter upon a strict examination of this philosopher; in which I have not willingly concealed the strength of any objection he has advanced, and perhaps have considered several things he offers more fully and particularly than some will judge needful.
This work is entirely confined to the objections he urgeth against the Old and New Testament, and therefore no notice is taken of the account he pretends to give of the sentiments and practice of the primitive Christians, though this might
furnish us with farther proofs of the injustice and disingenuity of this writer. Nor have I meddled with his invectives against the clergy, the priests, the theologasters, the systemmongers, the faith-mongers,' &c. These are things so much to be expected from writers of this kind, that they only pass for words of
He acknowledgeth indeed that many ecclesiastics of the several denominations are wise and reasonable men ;' but I believe they will scarce feel themselves obliged to him for his compliment, since he insinuates at the same time that they are in his own way of thinking. But as for those that stand up for positive, instituted, revealed, and political religion, or the religion of the hierarchy,' for all these are in his language the same thing, he plainly lets us know that it is not his design to distinguish between one sort of clergy and another, because in this case they are scarce distinguishable,' p. 94.
I have endeavoured in the following answer to dispose his objections into some order, than which nothing can be more confused and irregular as they lie in his book. I first consider what he offereth concerning the proofs of divine revelation in general; and then proceed to examine the objections he hath advanced against the Old Testament or the law of Moses and the prophets, with regard to which he acteth an open undisguised part, and nowhere concealeth his malice. In the last place the authority of the New Testament, and the doctrine and character of our Saviour Jesus Christ and his apostles, is asserted and vindicated, and his pretended account of the Jewish Christianity detected. The summary of the several chapters which followeth this preface will give the reader a fuller view of the design and method of this work; in which several things are considered more fully than would have been necessary, if I had nothing in view but precisely to answer the book before me. As I have once before engaged in a work of this nature, I sometimes beg leave to refer to it that I may not be guilty of needless repetitions.
Our author declares in his preface that he had no other design in view than to serve the cause of virtue and true religion.' How far the methods he makes use of are consistent with such a design, the impartial reader will determine. I can sincerely profess that the reason of my undertaking this work is because I am firmly persuaded that the cause of Christianity is the cause of God, of religious truth and virtue : that to assert the authority of the Scriptures is one of the best services that can be done to mankind, and even to the interests of natural religion, the main principles of which are there most clearly explained, most strongly established, and most powerfully enforced : that if the Christian revelation were once discarded, the strongest restraints to vice and wickedness would be removed, and the most effectual motives to the practice of virtue and the purest morals, together with those glorious and divine hopes which are the chief support and joy of a good man's life, would be subverted, or in a great degree weakened: that to take the Scriptures out of the hands of the people would be to give them up to all manner of wickedness, ignorance, superstition, and false worship, and to leave them exposed to be practised upon by artful and designing men, against all which a thorough acquaintance with the Holy Scriptures, and a firm adherence to them as the great rule of faith and practice, is the most effectual preservative.
I can scarce form to myself an idea of a revelation whose doctrines and precepts have a more manifest tendency to promote the honour of God and the good of mankind, or that is more remote from the views of worldly ambition, avarice, and sensuality; in a word, that carries in it greater internal characters of goodness and purity, or is attended with more illustrious external attestations of a divine original. Nor are the difficulties that attend it greater than may well be expected, supposing a revelation really given to mankind. Several of these difficulties are obviated in the following book, and if what is here offered may be of service to the interests of real religion and important truth, I shall not repent the pains I have been at under much bodily weakness to serve so glorious CONTENTS.
a cause.
The Moral Philosopher's concessions concerning the usefulness of Divine Reve-
lation in the present corrupt state of mankind. He leaves no way of knowing
when such a Revelation is really given. His pretence that moral truth and fit-
ness, as appearing to our understandings, is the only proof or evidence of divine
Truth, or of any doctrine as coming from God, examined. That not only the
persons to whom the Revelation is originally and immediately made, but others
also, may have a sufficient assurance of its being a revelation from God, so as to
make it reasonable for them to receive it as of divine authority. And par-
ticularly that miracles may be so circumstanced as to furnish a sufficient proof
of a person's divine mission, and of the divine original and authority of doctrines
and laws attested and confirmed by those miracles. The Author's exceptions
against this considered. And what he offers to show that a Divine Revelation
cannot be conveyed to us by human testimony, so as to be a matter of divine faith,
examined.
An Entrance on the Author's Objections against the Old Testament. The strange
Representation he makes of the Law of Moses. Some general considerations
concerning the Nature and Design of that Law. Its moral Precepts pure and
excellent. Its ritual Injunctions appointed for wise Reasons. The Nature of
its Sanctions considered. Reasons of God's erecting the People of Israel into a
peculiar Polity. Nothing absurd in this Constitution. It was designed in a
Subserviency to the general Good. The miraculous Facts whereby that Law
was confirmed, not poetical_Embellishments, but real Facts. The Author's
Reasons to prove that those Facts could not be understood in a literal Historical
Sense shown to be vain and insufficient.
The Author's Arguments against the Law of Moses from the Authority of St. Paul
considered. Our Saviour Jesus Christ, and the Apostle Paul, strongly assert
and confirm the divine original of the Law of Moses. The diminishing and
degrading manner in which ihat Apostle seems sometimes to speak of that Law,
accounted for. The Instances the Author produces to show that there was no
end of that Law but what the Apostle expressly contradicts, examined. The
attempt he makes to prove that there was no such Typical or Mystical Sense of
the Law as St. Paul supposes in his arguings with the Jews. No Absurdity, but
a Beauty and Harmony in supposing that what is obscurely hinted at in the Law
is more clearly revealed in the Gospel.
The author's objections against the Law of Moses from the internal constitution
of that law, considered. His pretence that that law extended only to the outward
practice and behaviour of men in Society, and that the obligation of it with re-
spect to civil and social virtue extended no farther than to the members of that
Society, and that they were put into a state of war with all the rest of the world.
It is shown that that law required an inward purity of heart and affections. The
great tenderness and humanity that appears in its precepts. It required a kind
and benevolent conduct, not only towards those of their own Society, but towards


SwRI was part of a team that used Lunar Reconnaissance Orbiter data to study the moon's craters, scaled by size and color-coded by age here, to understand the impact history of the Earth. The lunar surface is dominated by blue craters younger than 290 million years old, which is consistent with those on Earth, indicating that bombardments on both bodies has increased since that time.
"We can now apply this technique to study the surfaces of other planets to find out if they might also show more impacts," Bottke said. "Our findings also have implications for the history of life, which is punctuated by extinction events and rapid evolution of new species. Though the forces driving these events are complicated, asteroid impacts have surely played a role in this ongoing saga.


For some educators, working with technology is like learning a foreign language. Luckily, once we invest in training, they'll adopt technology like a native speaker.
Schools need to make technology a consistent part of the school day and invest in technology training for teachers.
Kids learn how to be tech-savvy almost instantly. And there are many teachers who live and breathe technology. But numerous teachers are digital immigrants. Technology isn't a part of their classrooms now and wasn't part of their training years ago.
Ponder this. If we took a teacher from the 1900s and put him or her into 90 percent of today's classrooms, that teacher would be able to walk in and start teaching very comfortably. Yet, if you took a surgeon from the 1900s and put him or her into a typical emergency room, that doctor would not know what to do or how to run the equipment. Imagine an operating room in which the medical equipment sat in the corner collecting dust. Then think about the average classroom.
When we launched a personal digital assistant (PDA) program at River's Edge Charter Academy in 2005, we took the position that technology is not a pullout piece. It should be a consistent and constant part of the school day. We don't create "pen and paper labs" for learning, so why should we reserve technology for the computer lab?
So, we're providing our seventh- and eighth-grade students and teachers with PDAs. They cost less than notebook computers, yet they help socialize our students with technology. Also, the PDAs allow the students to explore a new way of digital learning and enable them to prove themselves before they get a notebook PC.
By the time our students graduate from middle school, they've received a positive impression of what technology can bring to education. But it's not just the students who need to learn how technology tools can improve education.
Before launching our initiative, we invested in training and preparing the teachers prior to the start of the school year. We knew that, for the project to succeed, the teachers needed to learn about and explore the technology and to get comfortable using it.
Most school systems spend a tiny percent of their budget on training. Yet, until the training happens, the technology won't become part of the curriculum if the teacher is a digital immigrant. Many teachers must be shown, through training and examples, how technology tools can improve instruction. Otherwise, the integration of technology and curriculum won't take place.
However, we're creating a vicious cycle with numerous technology integration projects. The computer either sits in a corner or in the back of the class — mainly unused or underused.
So, how can we solve this problem? Here's my recommendation to vendors: Don't sell a product to a school unless you're willing to provide training. In fact, why not bundle training with the product?
What teacher would not want to hear a pin drop in the classroom because the students are so engaged in learning? If we take the time to show how technology will help classroom teachers achieve their goals — more, better and faster learning — they'll make the time to invest in mastering the language of technology.
For more details on River's Edge Charter Academy's PDA initiative , turn to page 38.
Tina Sartori is the technology administrator at River's Edge Charter Academy in Palm Bay, Fla. She's spent 14 years working as a middle school principal and a social studies teacher. Sartori is now working on a Ph.D. in Education Technology at Pepperdine University.


Your loyalty to the Rutgers Scarlet Knights will be on full display when you put on this amazing Arch and Logo sweatshirt from Colosseum.
Mens_Colosseum_White_Rutgers_Scarlet_Knights_Arch_And_Logo_Crew_Neck_Sweatshirt http://images.fanatics.com/lf http://dmimages.ff.p10/chains/3129547.txt false We are unable to customize this item with the text you have entered. Please try a different entry again. Your current entry cannot be processed due to guidelines for past and present player names. Please create a new entry.


text:
Is it Still 'Location, Location, Location'?
Snow. Why'd it have to be snow? (Picture I said th...
Jessica Fiur
What Renters Want
Snow. Why'd it have to be snow? (Picture I said that while wearing a fedora, because I'm feeling snazzy.)
Currently, New York City is being hit with a nor'easter, just a week after Hurricane Sandy. As if the Northeast wasn't suffering through enough already.
It almost makes a girl want to pack up her belongs and go West, Fievel-style.
In all seriousness though, whether you're on the East Coast or not, does weather ever play a part in where you plan to build or manage a property?
The New York Times asks if people will be leery about living on the waterfront after the hurricane. Usually, this would seem like a great investment. Apartments and condos on the water are usually more expensive—people will pay a lot for a great view. But has Sandy (and this blasted November snow, which, by the way, is even less appreciated than the cold November rain) and the like changed things for everyone? Will people be more cautious, only investing or renting in buildings across the country that are on high ground that have relatively little risk of every being hit by weather any more inclement than a light drizzle?
Giving my Magic 8 Ball a quick glance, I'm inclined to predict "no" for most people. (Although the Magic 8 Ball just said to "ask again later." Stupid vague-and-possibly-afraid-of-litigious-questioners ball.)
Hurricanes, tornados, blizzards and Mothra attacks will happen. And, while it's devastating when they do, us humans are a resilient bunch. When disaster happens, we'll rebuild, and it'll be better, stronger (and, obviously faster) than it was before.
And people will always want to live on the water. Even if they do have to push through some snow.
What do you think? Do you think people in general be pickier about where to develop apartment buildings? What about you specifically?
–Jessica Fiur, News Editor
Photo credit: Guido Amrein, Switzerland
National Multifamily Report – December 2020
Snap Sessions: How to Cut Costs and Close More Leases With Self-Touring


text:
Q: Code review guidelines for CSS, JS and HTML I have been asked to create guidelines for review CSS, JS and HTML. I know there are coding guidelines for JS but I don't know any about HTML and CSS. To review JS I will certainly follow those guidelines and mention them. But what about CSS and HTML? Apart from logical errors and indentation issues, are there any specific things I need to check when I review markup and or CSS?

A: Some things to look for:

*

*Is structured information identified using the appropriate HTML tags? H1-H6 for headings, UL/OL and LI for lists, etc?

*Are no legacy HTML tags (, , , ) used?

*Does the site use the least amount of markup possible?

*Is style information externalized to CSS files?

*Is all Javascript externalized? including event handlers?

*Do CSS class names refer to the function in the page (img-caption), and not form (bold-red) or content (pink-elephant)?

*Are images in the appropriate format (PNG or JPEG, depending on the type)?

*Have minimized versions of Javascript libraries been used?

*Optionally, have all locally-developed Javascript and CSS files been minimized?

*Does the HTML / CSS validate?

*Has YSlow (or similar) been used to check/optimize performance?

*(mostly) [SEO] Is the site accessible with Javascript turned off?

*[SEO] Is the most relevant content found at the top of the HTML?

A: One of important elements of a good style in HTML is progressive enhancement. This means that HTML layout will render good even without CSS or JavaScript. Then, once JS/CSS are processed, it will look better (e.g. old-style HTML <select> dropdown will become animated).
This also has to do with non-intrusive markup. Instead of Hello one would use
Hello
.
Same with JavaScript. Instead of <button onclick="javascript:alert('a');">Clickme</button> one would specify a button class/ID and target it from JavaScript. It also makes your markup code easier to maintain.

A: Validate that the least amount of markup is used to accomplish the task.  Make sure markup is semantic as well, don't use  when a  tag does the same exact thing and gives more information.  Validate that spans aren't being made block elements and vice-versa.
Additionally, alex brings up a great point in a roundabout way.  Make sure nobody uses classnames like "red-colored-big-font", because approximately 20 seconds after it's deployed for real somebody is going to change it to a small blue font.  I have actually seen this CSS:
.arial12pt { font-family: Verdana; font-size: 8pt; }

Everything in your markup should be describing what the page is, not what it looks like.  I definitely agree about progressive enhancement, but again in a roundabout way.  The page has no requirements to look anywhere close to the same with CSS as without it.  Don't try to make them look the same, because you'll end up back in table-land and spacer.gif.

A: As far as HTML goes, I always make a point to have hierarchies and indentation in my files.  For example, if I have a bunch of divs:

       Blah Blah Title

I suppose that's fairly obvious to most who create layouts and templates, but more often than not I just see garbled HTML that has no structural hierarchy whatsoever, making it difficult to read for another person. I guess coming from a more CS background, this is something that sticks in my mind. The same goes for CSS as well. Let's say you're styling a div:
#whatever{
    background-image: url('blah.gif');
    color: #FFF000;
}

Indentation makes it a lot easier to read through quickly when you're used to another language mixed in like PHP/Ruby/Whatever. Again, it depends on how you work best, but when others read my HTML, I like to make it really organized :).
Also, as said above, it is always a great idea to name your CSS classes and ids relevant names to your layout, especially when it gets hairy (much like naming variables and methods in other languages). Something else to watch out for is the dreaded "guess and check" of margins, paddings and other alignment issues. Something I often try to avoid is putting negative numbers in my margins and paddings. It can get confusing if you did not make the layout yourself and if you want to come back to it later and modify it, you might have to overhaul it. In my opinion it is always a good idea to not try anything hokey or "kludgy" in CSS, even if it looks nice; there's usually a better way to do it, even if you have to restructure your CSS!

A: For Javascript I would always want it to validate with JSLint, i can think of so many bugs that JSLint catches that not using it is just crazy.

A: I came across this standards document that I rather liked. I'll also echo what was said about progressive enhancement. In general, if someone else writes the HTML/CSS, you should be able to look at it later down the line and be pleasantly surprised how not-bad the markup is and should be able to make simple style tweaks easily and efficiently.

redpajama_set_name: RedPajamaStackExchange


Is alternative digital training more than just a good alternative?
There are still plenty of young people who think the path to a good career is school, university and then straight into industry.
However, there are now more and more examples of universities not meeting the needs of both jobseekers, and the rapidly evolving digital industries that grads should be preparing for.
And even beyond the young, plenty of other people out there feel stuck in their current profession, worried it may be too late for them to move onto something new.
So is that 'traditional' pathway really the only route? Can you really swerve once you've picked your path?
They all provide specialist digital training, often based on the founders' own industry experience of struggling to find the right people, aiming to equip trainees with the skills they need to walk right into jobs.
Why go into 'alternative' training?
It's often suggested that what you learn at university will be out of date before you finish. And, to be fair, our higher education institutions are already responding to students' demands to get something truly tangible from their courses.
But that issue is one reason why coding bootcamps have recently become such a credible alternative. Many of our Upskill cohort offer short, scheduled programmes promising the latest content relevant to your field, many with a job directly lined up for you afterwards.
Manchester's Juice Academy, for example, hosts taster days where potential candidates meet with recruitment partners, like Social Chain and Lad Bible.
Several of our training providers came out of existing digital companies whose founders had noticed they weren't the only ones struggling to hire people, so they set about solving the problem for their industry.
Liverpool's Agent Academy, for example, came from inside the Baltic Triangle-based digital agency Agent Marketing, and its cohorts take on live briefs to get them ready for the real world. Agent says that 95 percent of its graduates have gone on to secure full-time industry employment, outstripping the results seen across all of our universities.
Business intelligence firm Peak, also a Tech North Northern Stars winner, is about to launch a highly technical training programme created because of the company's own challenges around finding data scientists fit for our new, data economy.
As many will know, the tech workforce isn't representative of the diversity of the UK and Upskill participants like FDisruptors and HAC 100 seek to address those inequalities to create a more balanced workforce.
Whether that's by encouraging more girls into tech, creating more grassroots opportunities for young people to have a go, or, like Northcoders, offering scholarships to women joining their courses.
We gave these 16 alternative training providers some alternative training of our own to help them diversify, scale and pitch the opportunities they have, for employers and new hires.
Soon, we'll be launching a first-of-its-kind index of digital skills provision, using the Upskill cohort as a prototype, to help make alternative skills more transparent and, therefore, more accessible.
It'll show what the course is, at what skill level, so employers and learners know what they're buying.
As a result, we're hoping to see these trainers deliver their programmes to as many people as possible, to help more people in the North get digital jobs.
Until then, you can check our Upskill page for more information about the companies involved on the Upskill programme.


text:
Influencer Marketing Brand Monitoring Social Media Public Relations Online Reputation Crisis Management Brand Management Influencers
brandmentions.com
BrandMentions finds who's talking about your brand or competitors in the news & social media.
See a missing topic?
Discover BrandMentions
Madfit on her real name Maddie Lymburner is a Canadian YouTuber, fitness model, and Influencer.
Waterdown, Canada
Fitness trainer, Instagram influencer, Entrepreneur
Born in 1995 in Waterdown, Ontario, Maddie grew up with two younger brothers.
Maddie is no stranger to the competitive sports world. She started dancing at the age of three and continued dancing competitively for 17 years.
Besides being a fitness guru, Maddie is also a connoisseur and processional tap, jazz, and pointe dancer. She is used to training between three to seven hours a day, six days a week.
Maddie worked at a health food for a few years in high school and after graduating.
In 2015 she became a vegan and started documenting her journey on the Youtube channel Maddie Lymburner.
After her channel hit 1000 subscribers, Maddie quit her job and embarked on a few months-long trips in Thailand, Bali, Australia, and Hawaii, alongside Kyle, her boyfriend at that time. She shared all her culinary and travel experiences with her audience, propelling her off in the world of vlogging.
By 2016, the Maddie Lymburner channel had over 60.000 subscribers.
Since April 2017, Madfit has been a full-time vlogger.
But because she had quit dancing, Maddie felt the need to continue some sort of workout routine, so Lymburner started her second channel - Madfit on the second of March, 2018.
The Madfit channel is focused on home workout videos as opposed to her first channel that was all about veganism, recipes and travel.
When the pandemic hit, Maddie's Madfit channel exploded due to the closing of gyms.
Currently, Maddie is active only on her Madfit workout channel which has around 7 million subscribers.
She also created a fitness app called Madfit - workout at home, designed to help beginners and intermediates work oun their fitness goals.
The Madfit app combines customized training programs with nutrition tracking.
Maddie and her boyfriend Kyle broke up but he continues to handle the admin work at the Madfit business.
Retrieved from "https://brandmentions.com/wiki/Madfit"


text:
Q: How can we get nested Avro schema field inside mapping.groovy here below is my avro schema which contains ext as a nested json
{
  "name": "MyClass",
  "type": "record",
  "namespace": "com.acme.avro",
  "fields": [
    {
      "name": "channel",
      "type": "string"
    },
    {
      "name": "eventType",
      "type": "string"
    },
    {
      "name": "language",
      "type": "string"
    },
    {
      "name": "currency",
      "type": "string"
    },
    {
      "name": "page",
      "type": "string"
    },
    {
      "name": "pos",
      "type": "string"
    },
    {
      "name": "browser_id",
      "type": "string"
    },
    {
      "name": "session_id",
      "type": "string"
    },
    {
      "name": "customer_id",
      "type": "string"
    },
    {
      "name": "created_at",
      "type": "string"
    },
    {
      "name": "ext",
      "type": {
        "name": "ext",
        "type": "record",
        "fields": [
          {
            "name": "product_name",
            "type": "string"
          }
        ]
      }
    },
    {
      "name": "purchase___reference_id",
      "type": "string"
    },
    {
      "name": "purchase___status",
      "type": "string"
    }
  ]
}

and i am trying to get it into my mapping.groovy file
mapping {

  map eventParameters().value('channel') onto 'channel'
  map eventParameters().value('eventType') onto 'eventType'
  map sessionId() onto 'session_id'
  map eventParameters().value('customerId') onto 'customer_id'
  map eventParameters().value('currency') onto 'currency'
  map eventParameters().value('page') onto 'page'
  map eventParameters().value('pos') onto 'pos'
  map eventParameters().value('browser_id') onto 'browser_id'
  /* map timestamp() onto 'created_at' */

  map eventParameters().value('ext.product_name') onto 'ext.product_name'

  map eventParameters().value('reference_id') onto 'purchase___reference_id'
  map eventParameters().value('status') onto 'purchase___status'

}

but im facing this error
Exception in thread "main" io.divolte.server.recordmapping.SchemaMappingException: Field ext.product_name does not exist in Avro schema; error in mapping eventParameters().value(ext.product_name) onto ext.product_name


text:
Chill out, the goods have arrived! With Definitely Maybe celebrating its 25th anniversary, we present the deluxe updated edition of the Ultimate Music Guide to Oasis. This supernova edition includes…
Continuing Uncut's Ultimate Record Collection series, this volume explores 1970-1974, a time when the record industry expanded and A LOT of amazing records were made. Profiling 25 major players in…
As the band celebrate their 50th anniversary, Uncut presents the Ultimate Music Guide to the mighty KING CRIMSON and the solo career of Robert Fripp. In-depth new reviews of every…
It's time the tale were told… On the 35th anniversary of their debut, the latest in our Deluxe Ultimate Music Guides is our fully-updated story of THE SMITHS. Featuring extensive…
NME Gold: Best of NME 1980-1984
THE BEST OF NME 80-84 is the latest edition of our series cherrypicking the very best interviews, reviews and opinions from the archives of the legendary music title. Featuring historic…
Ultimate Music Guide: Elton John
As the star embarks on his farewell tour, here's the Ultimate Music Guide to one of rock's greatest and best-loved entertainers: ELTON JOHN! From Dick James to Sherlock Gnomes! From…
Electronic Pop – Ultimate Genre Guide
The latest ULTIMATE GENRE GUIDE is a celebration of the futuristic sounds of ELECTRONIC POP. From the pivotal experiments of our cover stars Kraftwerk, to David Bowie's work with Brian…
Deluxe Ultimate Music Guide: Genesis
To mark the band's 50th anniversary, Uncut's latest expanded, deluxe Ultimate Music Guide is an ambitious survey of the entire, brilliant career of Genesis – from prog shapeshifters to stadium…
Ultimate Record Collection: The 1960s
Ultimate Record Collection: The 1960s is a 124-page guide to hearing (and buying) the best music of the 1960s. From James Brown to the Beatles, Dylan to John Coltrane, the…
Ultimate Music Guide: Roxy Music
For your pleasure…the latest edition of the ULTIMATE MUSIC GUIDE. This time: the definitive guide to the music of ROXY MUSIC! Insightful new writing on every album. Hilarious archive features.…
Deluxe Ultimate Music Guide: The Cure
The latest in our series of Ultimate Music Guides is a deluxe edition of our work on The Cure. Commemorating the band's 40th year of active service, and a year…
NME Gold: The Best Of NME 1975-1979
Archive features! New eyewitness accounts! The Best of NME 1975-9 continues our series compiling the greatest hits of the legendary music paper, now online. In this issue: the rise of…
Ultimate Genre Guide: Singer-Songwriters
Following specials on GLAM, PUNK, and SOUL the latest edition of the ULTIMATE GENRE GUIDE focuses on the art of the SINGER-SONGWRITER. A magazine mixing in-depth new writing and illuminating…
Ultimate Music Guide: George Harrison
In what would have been his 75th birthday year, The Ultimate Music Guide to one of the world's best-loved musicians. Never mind the "quiet Beatle". With in-depth reviews and revealing…
NME 100 Greatest Covers
Bowie's Back! And so are 99 others, in this deluxe 124 page celebration of NME's printed era – featuring the backstory of 100 NME covers, by the people who were…
Deluxe Ultimate Music Guide: Queen
Thunderbolts! Lightning! Very very frightening! Yes, it's the new, deluxe edition 148 page Ultimate Music Guide to QUEEN. Featuring an expanded range of engaging archive features and an updated in-depth…
Ultimate Music Guide: Deep Purple
The latest subject of Uncut's ongoing ULTIMATE MUSIC GUIDE series is DEEP PURPLE. In Rock? They've been in it 50 years! As the band finish what may be their last…
Soul – The Ultimate Genre Guide
Following specials on GLAM and PUNK, the third edition of the ULTIMATE GENRE GUIDE will be focused on SOUL. A mixture of in-depth new writing and illuminating archive features, inside…
Deluxe Ultimate Music Guide: Nick Cave
The latest edition of the ULTIMATE MUSIC GUIDE is a deluxe, remastered edition of our in-depth look at the work of NICK CAVE. Fully updated since our original edition in…
Ultimate Music Guide: Black Sabbath
When Black Sabbath closed the final performance from their The End Tour, in Birmingham on February 4 last year, you could be forgiven for wondering whether that was really the…


You can play frisbee golf in the immediate vicinity of the villas. Our 9-hole frisbee golf course follows a jogging path in a mossy forest and lake scenery. The marked trail is also suitable for walking your dog. Frisbee golf is real fun for people of all ages. The cottages provide a bag that contains six different frisbee discs.
Fishing and ice-fishing is possible directly from the quay of the villa. Each villa has a rowing boat, which you can use any time. Life jackets of different sizes are available at the cottages. You can also hire an electric outboard engine for the boat.
Forest berries and mushrooms grow right outside the villas.
In the winter, you can go skiing along the forest trails directly from your villa yard. Kicksleds are available free of charge, and snowshoes can be hired. Red cheeks are, of course, free! Every villa also has a small library.
The region surrounding Huvilaranta offers a wide variety of activities for different tastes. Downhill skiing and party gigs at Himos, the Laajavuori adventure park and spa in Jyväskylä, shopping in Tuuri, culinary adventures in Keuruu, art museums in Mänttä-Vilppula, and great nature tourism destinations in Multia.


Simmo's Beach is located on the Georges River and is part of the Georges River Nature Reserve. Its easy access, picnic facilities, and beach area make it a popular site for local residents. The reserve, which was officially opened in 1986, is named after Simmonds, a past resident, who mined sand adjacent to the Georges River for a number of years.
The reserve is home to a number of endangered and vulnerable ecological community types, including the Sandstone Shale Transition Forest, Hinterland Sandstone Gully Forest, Sandstone Riparian Scrub, Coastal Sandstone Ridgetop Woodland and Castlereagh Scribbly Gum Woodland communities. Numerous threatened species of native flora and fauna have also been recorded at the reserve.
Simmo's Beach Walking Trails vary in distance from 500 metres to 1.5 kilometres. They range from easy paved surfaces to hard, unsealed surfaces.


text:
BREAKING: Man found guilty of murder at retrial for 2013 bar shooting
Hannah Winston @hannahwinston
Jul 20, 2018 at 12:01 AM Jul 20, 2018 at 10:09 PM
A 30-year-old man was convicted again Friday in a 2013 fatal shooting at a bar west of Lake Worth.
Demetrius Hopkins, whose birthday was Friday, was sentenced to life in prison for the second time after his retrial for first-degree murder in the death of 21-year-old Jean Nesca. Hopkins's first conviction was overturned by the 4th District Court of Appeal in 2017 when it ruled the original judge, Palm Beach County Circuit Judge Marni Bryson, did not take the necessary steps to make sure Hopkins had an impartial jury.
According to the ruling, Bryson did not give lawyers enough time to question potential jurors and did not provide Hopkins' lawyers the ability to strike more jurors after they expressed doubts about some who said they would be suspicious if Hopkins did not testify.
RELATED Dad asks public to help 'my sweet little girl' recover from Delray crash
The weeklong trial in front of Palm Beach County Circuit Judge Joseph Marx ended Friday with closing arguments that focused on the eyewitness statements of four people at Brian Boru's Irish Pub and Sports Bar, off Lake Worth road just east of Florida's Turnpike.
Investigators said Hopkins, then 25, beat Nesca, left the bar, then came back in and fatally shot him in the head on Nov. 9, 2013.
The Palm Beach Post ~ 2751 S. Dixie Highway, West Palm Beach, FL 33405 ~ Do Not Sell My Personal Information ~ Cookie Policy ~ Do Not Sell My Personal Information ~ Privacy Policy ~ Terms Of Service ~ Your California Privacy Rights / Privacy Policy


A leaked image has surfaced of what is rumored to be HTC's upcoming U device, also known as the HTC Ocean. The phone is shown off in black and you can see it from the front as well as the rear, displaying both a physical home button that is thought to also house the fingerprint sensor and the rear-facing camera with the LED flash module. This appears to be the first live image of the HTC U that shows what is likely the final design, though it was initially thought to be seen in red earlier this month in a render, but there are clear differences in that particular device and the one in the image above, like the placement of the flash and of course the home button.
The design of the phone in today's leaked image looks quite similar to the design in the leaked documents of the device that we received earlier this month that contained the specs for the HTC U, home button and all, but the device was only displayed from the front in those documents. Judging from the image the device will have some pretty minimal bezels on both the sides, but slightly more noticeable bezels on the top and the bottom. HTC also looks to be using a glass back for the HTC U which means the phone will likely be a magnet for fingerprints, but it should ultimately have a nice premium look because of it.
As the HTC U is supposed to be HTC's next flagship device which follows in the footsteps of the HTC 10, the specs are to be pretty high-end. The HTC U will reportedly come with a 5.5-inch display with Quad HD resolution, a Qualcomm Snapdragon 835 processor, a 3,000mAh battery, 64GB and 128GB storage size options, and 4GB and 6GB of RAM with 4GB coming on the 64GB model and 6GB said to be for the 128GB model. The device is also going to be using Gorilla Glass 5 to protect the display, and HTC will be using Android 7.1 Nougat for the software while reportedly using Sense 9 as their latest version of the user interface.


text:
Home > Editorial > Diktat of democracy
Diktat of democracy
Editorial12 Dec 2019 3:33 PM GMT
While the nation stands opinionated on the contentious issue of the Citizenship Amendment Bill, Assam, in particular, is struck by a specific concern that if illegal Bengali Hindu migrants from Bangladesh are regularised, it will threaten cultural and linguistic identities within the northeastern state. A closer look brings forth the aspect that an issue that is nationalised cannot be diluted in terms of its most basic regional elements. In what should have ideally been worked upon at the state levels in a coordinated manner to address a regional concern, if it may be one, painting with a broad brush with colours of communal ideologies has only swept in disarray the prevailing order. In a situation devoid of a leader and an organisation and roads literally seized, Guwahati is comparable to Honk Kong where the common people are pouring out in protest of the Citizenship Amendment bill, 2019 as it was being discussed in the Rajya Sabha. The situation is similar across most of Brahmaputra Valley which has erupted in spontaneous protest against the Bill as people from all walks of life thronged the streets to voice their angst against the bill. This bill is believed to pose a serious threat to their livelihood and political destiny as it will tamper with their cultural and linguistic identity. The amendment to Citizenship Act of 1955 comes with the aim to provide Indian citizenship to Hindu, Sikh, Buddhist, Jain, Parsi, and Christian from Afghanistan, Bangladesh, and Pakistan who sought refuge in India on account of religious persecution. A person belonging to any of these faiths who entered India on or before December 31, 2014 and has lived in the country for six years is eligible for Indian citizenship. With this clearly communal agenda that seeks to regularise refugees peculiarly from just these three nations, the people in the Northeast are struck with the concern that this is a move to primarily benefit the illegal Bengali Hindu migrants from Bangladesh who have settled in "large numbers" across the region. Heeding the protests, the revised version of the amendment exempts certain areas in the region, namely Arunachal Pradesh, Nagaland, Mizoram, Manipur, almost the whole of Meghalaya, and parts of Assam and Tripura. This appeasement move has had some effect in parts of the northeastern region, Brahmaputra valley in Assam and Tripura take attention to how the devil lies in the details. Projected fiercely as a strategy to protect the Hindu identity of Assam in the light of the influx of Muslims from Bangladesh, the decision-makers have failed to consider the fear among the Assamese people of cultural hegemony of Hindu Bengalis. It remains fresh on the collective Assamese psyche how the British administration had imposed Bangla as the state language between 1826 and 1872 at the insistence of Bangla-speaking government workers from West Bengal. The linguistic data of the Census 2011 has also widened the already existing fault lines between the Assamese and Bengalis. Apart from ideological disagreements, a major fault in this move of the government is that it has failed to take into account the sensitive issue of cultural identity that was already prevailing in a delicate manner. The linguistic data of the Census 2011 informs that the percentage of people speaking Assamese decreased from 58 per cent in 1991 to 48 per cent in 2011, while Bengali speakers in the state went up from 22 per cent to 30 per cent in the same period. A national agenda must not be one to override and disregard matters that concern a state.
The situation is different in Assam's Barak Valley which is dominated by Bengali Hindus and where Assamese is still not accepted as the state language. A section of educated Muslims of immigrant origin who are fluent in Assamese but speak a Bangla dialect locally called Miyah have taken to writing poetry in that dialect. This is engendering a body of work that depicts the pain of living as a suspect in the place where they were born. With people's protest registering also in suave and educated manners such as creating literature that will be witness to historical decisions that will serve as injustice to most, the unrest among people is only but a reflection of the gargantuan mistake the government has set upon making. The cultural dominance that is threatening to be propagated by means of language is in stark opposition to the national ethos of integration, assimilation, and peaceful coexistence and celebration of India's diversity and plurality. The fear in the northeastern state is that if Bengali Hindus and Bengali Muslims come together, Bangla speakers will easily outnumber Assamese-speaking people in the state, as in the case of Tripura where Bengali-Hindu immigrants from East Bengal now dominate political power, pushing the original tribals to the margins—the reason why even BJP's ally, Indigenous Peoples Front of Tripura, has been protesting against this amendment. Citing figures to allay fears of a 'Bengali uprising', Assam Chief Minister Sarbananda Sonowal claims that less than 2,00,000 Hindu immigrants in Assam are eligible to apply for citizenship and nearly 1,50,000 of them are in the three districts of Barak Valley. The Chief Minister's claim is hardly an assurance for the people in unrest.
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Natural mountainous beauty; exciting cosmopolitan downtown; creativity in music, art, architecture; top-notch culture and, of course, coffee: Seattle has it all! To get a taste of the best of Seattle, spend a fun-packed day at the Seattle Center.
The iconic Space Needle is just the beginning! There truly is something for every age and interest. I want to share with you my family's personal favorites for getting a real taste of the Seattle Center, including some really great tastes!
You can't miss it…and you shouldn't! Standing 605 feet high, the Space Needle towers over the entire Seattle Center as the premiere symbol of the city. Built in 1962 as part of the World's Fair, a trip to the Observation Deck is a MUST for every Seattle visitor. The breathtaking view offers a panorama of the downtown Seattle skyline, the Olympic and Cascade Mountains, Mount Rainier, Mount Baker, Elliott Bay and surrounding islands.
As an added bonus for kids, an amazing interactive app can be downloaded to fully engage them in the experience. Plus, there's a one-of-a kind dining experience awaiting you. See below for details.
To call the EMP a "museum" doesn't get you ready for the fun that awaits your family! It is a celebration of leading-edge pop culture including sci-fi, horror, fairy-tales, Hello Kitty, Jimmi Hendrix and a rockin' guitar collection.
While the museum is largely geared for older kids and adults, two exhibits will occupy younger children for hours: the state-of-the-art video game room and the professional sound studio. My girls loved their time jammin' like superstars in the mini studio. They were hip-hopping from room to room playing the keyboards, belting out vocals, composing music on guitars and drums, and mixing like master DJs. Sports-loving kids (and parents) will enjoy seeing the Vince Lombardi trophy and the Super Bowl rings in the We are 12 exhibit about the Seattle Seahawks.
Science has never been cooler! The tremendous Pacific Science Museum has something for the whole gang. My girls were particularly fascinated by the exhibits about genetic advancements and sports science…learning or fun? Both! Make sure to check out the awesome IMAX movies and demonstrations throughout the day.
At the end of our day, we headed back to the Pacific Science Center, comfortably resting our tired feet and laughing as we watched the antics of the adorable animated animals in the feature film Zootopia presented in 3D. As an added perk, we were able to bask in the glow of the Space Needle at night!
Absolutely stunning! The experience was truly "other worldly." Chihuly was a glass-blowing genius, and his works blew our minds! Our highlight was strolling through the beyond-the-imagination, fantastical outdoor garden full of colorful glass art creations. While this museum has an interactive free booklet for younger children, we felt that this compact museum was best for tweens and teens who appreciate art.
Tip: My children enjoyed this museum even more because they had the chance to take a fabulous glass-blowing class at the Seattle Glassblowing Studio just a short walk from the Chihuly Garden and Glass Museum.
While not technically part of the Seattle Center, this inspirational museum is located just a block from the EMP Museum. Its tag line is "Arrive curious. Leave inspired." We did!
This beautifully designed facility is full of motivational stories about ways in which people can make a difference in the world. It's a worthwhile visit for kids to learn about exciting innovations in promoting world education and health and combating poverty. Admission is free!
This museum boasts 22,000 square feet of play space with 11 exhibits designed for kids 10 months to 10 years. It's where "imagination comes alive." Our kids are now a bit too old for this museum, but younger kids should love it!
Tip: Also for those with younger children, check out the Seattle Center's modern and beautiful park.
Check out the Seattle Center website. It's bursting with information about all of the above listed attractions and plenty more like special events, directions, and parking details. We found that the Seattle CityPASS can be a huge financial savings if your family plans to visit multiple Seattle Center attractions, as well as such other included sights as the Aquarium and Zoo. With the CityPASS, you can also choose to take a beautiful Argosy Harbor Cruise.
Talk about dining with a view! Executive Chef Jeff Maxfield's SkyCity, located at the top of the Space Needle, offers the very best view in Seattle: sunset over the mountains, twinkling lights of the city, a panorama of sparkling water and dramatic mountains.
Make a reservation for lunch or dinner so you don't have to wait in any lines. Plus your meal at Sky City includes admission to the Observation Deck of the Space Needle.
Tip: Request a window table and pack some post-it notes and pens to keep your kids entertained. As the restaurant revolved, my kids loved joining in with other children writing messages and posting them on the windows for all to see as they floated past the tables. The yummy kids' meals come in a souvenir Space Needle lunchbox — adorable!
We found the perfect way to top off our hectic day of sightseeing! We strolled 10 minutes from the Seattle Center to the beautiful restaurant, Toulouse Petit, in the heart of the Queen Anne district. Brimming with atmosphere and charm, with the tagline "Bringing the Big Easy to Seattle," the restaurant's tremendous NOLA influenced menu offers something to please everyone.
While my girls ordered from the menu, the restaurant staff is very happy to accommodate requests from picky kids. Our highlights included: Penn Cove Mussels, Fried Green Tomatoes with Crab Meat, Savory Crawfish Beignet, Buttermilk Fried Chicken, Big Easy Jambalaya and Pan Seared Diver Scallops. Our grand finale dessert was the incredible key lime and white chocolate cheesecake.
For mom and dad, there's an amazing wine and cocktail list from which to choose. Toulouse Petit is open for breakfast, lunch and dinner.
For those who want a quick inexpensive casual meal while museum hopping, there are all kinds of tempting offerings at the The Armory's expansive food court.
With panorama views and convenient to all downtown attractions, Hilton Seattle is a perfect home base. We loved everything about our stay! And, just two blocks away is the Seattle Center Monorailwhich will whisk your family from downtown to the Seattle Center in only a few minutes. Zipping over the bustling city is really cool.
Make sure to dedicate a day to visiting the Seattle Center attractions. With so much to see and do, and so many wonderful dining options, every family member will find his or her own personal highlights.


Photographers should spend more time learning about color theory as it relates to the photographic image. For this reason we have included the short article below. However, for more comprehensive photography education consider enrolling in our online photography course.
Choosing colors next to one another on the color wheel can give your photographs flow, harmony and a easy to understand color theme. Analogous colors are located next to each other on the color wheel. Orange and yellow, for instance, are have an analogous color harmony as do blue and purple. Unlike complementary colors, analogous colors create a more soothing look to your photographs.
Here is an example of a photograph which uses analogous colors as its main color theme.
Notice how the colors in this photograph relate to each other more. This creates less contrast and a more flowing looking photograph.
There is no "right" color theme to use in photography. However, it is important to know your different options so you can actively seek out the desired photographic effect your looking for. If you are trying to create a visually dramatic photograph it might be worth spending the extra time and looking for the colors in your surrounding which will help you make the dramatic look you are shooting for.
To learn more about our comprehensive and interactive online photography course with one-on-one support from our teachers please visit the course homepage here.


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An Apple Watch 'Glance' is a Today Extension for Your Watch
February 11, 2015 Lou MirandaApple Watch, Apple Watch HIG, battery life, interactivity, ios 8, SDK, UX 1 Comment
The Apple Watch isn't out yet—not until April, 2015, Tim Cook says. But your company should be planning and designing for it already.
Apple has released a beta version of the developer's SDK (software development kit) for it, as well as UX HIG (human interface guidelines) for it, and your architect and UX designer should be abreast of them.
The Apple Watch introduces several new terms which will become part of your vocabulary, such as Glances, Short Look Notifications, Long Look Notifications, Apple Watch app, and Apple Watch Extension. Each one of these new Apple Watch interfaces varies in the amount of customizability it offers to your company when creating an Apple Watch experience.
What are all these new terms, and what's a good way of thinking about them that won't overtax our already full brains?
For now, I'll just talk about the new Glance for Apple Watch.
An Apple Watch wearer will be able to swipe on his or her watch to bring up the Glances interface. This is a customizable page-based interface to a subset of applications. The user will be able to swipe left and right to switch between Glances from different apps.
Your app can only provide one Glance. So how do you think about a Glance from a design and interactivity viewpoint?
It's simple. A Glance is a dynamic view into your app's data. It's dynamic in the fact that you can update the data (using a timer), but it's completely non-interactive and confined to a single screen.
The only interactivity is this: a user taps on it, and it opens the app. There can be no buttons or other interactive controls on a glance, and it won't scroll.
It's almost like a screenshot of your app's most important data. In a user-friendly layout.
Remind you of something? Yes, it's very much like a Today Extension on an iPhone or iPad. But it's more limited in that a Today Extension does allow some interactivity, although Apple downplays that.
(To be very clear: it isn't exactly a Today Extension, it's just convenient to think of it as a Today Extension when you're thinking about its usage and how to design it.)
Today Extensions were added in iOS 8, along with other kinds of Extensions. Swipe down from the top of your iPhone or iPad at any time, and you'll see the Today Extensions that you've configured. Scroll to the bottom and you can add or delete Today Extensions. I imagine Glances will be user-selectable—and perhaps order-able—in a similar manner.
Today Extensions are not supposed to encapsulate your complete app functionality—there are to be a subset of it, one that's customized for the user right now: maybe time-based or location-based, or both.
Similarly, an Apple Watch Glance should show data customized to the current circumstances of the user: where are they? what time is it? How does your app's data reflect this?
So, much like a Today Extension on an iPhone, an Apple Watch Glance is meant to be a simple, graphically interesting (perhaps even eye-catching), easily-digestible, and contextually relevant subset of your app's data.
More than anything else, Keep it Simple and Keep it Relevant. If it shows the same information for days on end, is it really useful to the user? Why have it in their list of Glances if it never (or rarely) changes?
Just remember it's non-interactive. If the user taps anywhere on the Glance, it opens the app.
So what are your planned uses for a Glance?
→ The Apple Watch is the New iPhone—and the iPhone is the New iPad
← Is the Apple Watch S1 chip replaceable?
One thought on "An Apple Watch 'Glance' is a Today Extension for Your Watch"
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This release once again brings a number of improvements to the sparse matrix functionality. We also fixed one use case of the OpemMP compiler and linker flags which will likely hit a number of the by now 501 (!!) CRAN packages using RcppArmadillo.
Aligned OpenMP flags in the RcppArmadillo.package.skeleton used Makevars,.win to not use one C and C++ flag.
Edited on 2018-08-17 to correct one sentence (thanks, Barry!) and adjust the RcppArmadillo to 501 (!!) as we crossed the threshold of 500 packages overnight.


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Q: jquery slim scroll bar config not working I am using jQuery SlimScroll, my config not working.
i would like to

*

*show the scrollbar and rail always.

*I want to start my scroll from the bottom.

*once the set to bottom i would like to trigger a function.
js on init:
$(container).slimScroll({
    width: '300px',
    size: '10px',
    position: 'right',
    color: '#ffcc00',
    alwaysVisible: true, //not working
    distance: '20px',
    start: 'bottom', //not working
    railVisible: true,
    railColor: '#222',
    railOpacity: 0.3,
    wheelStep: 10,
    allowPageScroll: false,
    disableFadeOut: false
});

$(container).slimScroll().
bind('slimscroll', function(e, pos){
    if(pos == 'bottom') {
        $.event.trigger('bottomReached');
    }
});

how to config this all?
Live Demo

A: Your code with jQuery SlimScroll doesnt work because the content div is empty. All works correctly if you add enough text to it.
For example:

     Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Aenean commodo ligula eget dolor. Aenean massa. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. Donec quam felis, ultricies nec, pellentesque eu, pretium quis, sem. Nulla consequat massa quis enim. Donec pede justo, fringilla vel, aliquet nec, vulputate eget, arcu. In enim justo, rhoncus ut, imperdiet a, venenatis vitae, justo. Nullam dictum felis eu pede mollis pretium. Integer tincidunt. Cras dapibus. Vivamus elementum semper nisi. Aenean vulputate eleifend tellus. Aenean leo ligula, porttitor eu, consequat vitae, eleifend ac, enim. Aliquam lorem ante, dapibus in, viverra quis, feugiat a, tellus. Phasellus viverra nulla ut metus varius laoreet. Quisque rutrum. Aenean imperdiet. Etiam ultricies nisi vel augue. Curabitur ullamcorper ultricies nisi. Nam eget dui. Etiam rhoncus. Maecenas tempus, tellus eget condimentum rhoncus, sem quam semper libero, sit amet adipiscing sem neque sed ipsum. Nam quam nunc, blandit vel, luctus pulvinar, hendrerit id, lorem. Maecenas nec odio et ante tincidunt tempus. Donec vitae sapien ut libero venenatis faucibus. Nullam quis ante. Etiam sit amet orci eget eros faucibus tincidunt. Duis leo. Sed fringilla mauris sit amet nibh. Donec sodales sagittis magna. Sed consequat, leo eget bibendum sodales, augue velit cursus nunc


Not in any particular order, here are five ways to become a better soccer player!
#1 Improve your SAQ. What's SAQ? Speed, Agility, & Quickness. These three things are important in most sports, especially in soccer. SAQ is needed to compete athletically with other players, but can also be the determining factor in you being successful in beating players. Imagine you are racing to the back post for the cross to score a header, chasing down someone on a breakaway, or maneuvering through defenders to score; speed, agility, and quickness can help you be successful in these actions.
#2 Be strong and physically fit. The second one is pretty obvious. You have to be able to run for 90 minutes. It's not just running at one pace either. Start and stop. Sprint, run, jog, and sprint again. Soccer is nonstop and the pace is always changing. Unless you are a goalie, you have to be able to keep up with the running (keepers require a different kind of fitness). As for strength, it is important, to once again, compete athletically with players. You need to be able to hold your own. You need strength going up in the air for a 50/50 ball, or when you are holding off a defender and waiting for the rest of your attack to get involved. You don't want to be all muscles though. Core strength is key soccer. Instead of bulking up, look to do bodyweight exercises. You still want to be able to be quick and agile; having too much muscle can actually hurt you.
#3 Improve your footwork and practice on your own. We don't do this enough! It's great to be physically adept at the game, but technique is key. The only way to better your technique is to practice! Find any way you can to get touches on the ball. Take a ball everywhere with you. Or do like Beast Mode Soccer and juggle a tennis ball! You can take that anywhere with you. If you have a wall, use a wall to hit the ball against the wall.
#5 Watch soccer!!!! This is so important. Watching the game will take your game to new heights. Watch a player in your position and you will really benefit. You can then know what to do offensively as well as defensively. If you were doing #4 and playing Fifa, you will be able to really get into watching as you will know the players and teams. You can even join a fantasy league picking your own team and players. Getting into soccer in any aspect you can is the true way to become the best soccer player you can be. Beast Mode Soccer completely supports all things soccer. Whether you need to better your touch, better your fitness, or better your brain, we are here to help you achieve your goals. A great place to start is The Soccer Vortex (www.thesoccervortex.com). You will find ways you can work on for your game whether it be technical, tactical, physical, mental, and even information on nutrition.


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Home Entertainment Zee Cinema to premiere the complete family entertainer Rishtey: A Grand Celebration on
Zee Cinema to premiere the complete family entertainer Rishtey: A Grand Celebration on
Songoti March 20, 2021 Entertainment,
Zee Cinema brings you the ultimate mix of romance, action and entertainment with its premier of Rishtey: A Grand Celebration on 21st March. The movie featuresNaga Chaitanya and Rakul Preet Singh in the lead roles and is produced by the veteran actor Nagarjuna.It's anaction and drama filled love story with a strong family rivalry at the centre. The characters are veryrelatable,and the film has an interesting plotlayered with many emotions. Don't miss the Zee Cinema premiere of Rishtey: A Grand Celebration on 21st March at 12:30 pm only on Zee Cinema.
Talking about the filmNaga Chaitanya said, "Rishtey: A Grand Celebration is an important milestone in my journey within the industry. The strong character of Shiva, who is ready to go to any extent for his love, will always be one of the high points for me as an actor. To top it off, my fatherNagarjuna, who is also the producer of the movie, was an active part of this film right from the beginning to its promotions. That made the movie all the more special for me. I am very excited for the Zee Cinema premiere of Rishtey: A Grand Celebration and I hope the viewers will enjoy watching it too."
Rishtey: A Grand Celebration brings together an action-packed tale filled with love and family values. Shiva (Naga Chaitanya) plays a tough but simple man who falls in love with Bhramaramba (Rakul Preet Singh). Even after fighting the world to be together, they must nowovercome the generation-long rift between their families. Would they be able to defeat all odds, fulfil their love and unite their warring families?
Catch Zee Cinema Premiere of Rishtey: A Grand Celebration on
21stMarch at 12:30 pm
Tags # Entertainment
fxssvlwb1r December 22, 2022 at 4:25 PM
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The Maserati GranCabrio 2011 is known as a combination between the Pinifarina styles with the special craftsmanship in each and every details of the vehicle. This car is designed, built, and manufactured in the victory in Viale Ciro Menotti Maserati. It will offer you a superb driving experience, just as the Maserati's cars usually do. Maserati has now made numerous convertible cars since 95 in years past. But this can be a initial convertible vehicle which design from Maserati with 4 passenger seats. It has 434 Horsepower, 4.7-liter V8 engine, 323 kW, and 6-speed automatic transmission. We could say that the GranCabrio model is practically similar like GranTurismo convertible car.
The 2011 Maserati GranCabrio photos clearly show all of us exactly how excellent this car is. The outside is super sporty, modern, and stylish. Referring to the color, it has got Grigio Granito color, which refers to Gray Granite color, and combined with 2 other colors inside the cabin space, Pearl Beige plus Bordeaux leather. The Maserati GranCabrio 2011 wheel is not an exception. It uses multi-spoke wheel and it has the longest wheelbase in comparison to one other convertible vehicles available on the market.
The Maserati GranCabrio 2011 interior is very created for women and men, which supported by canvas-made roof, as the continuation of the Maserati tradition. The leather wrapped dashboard and fine tailored panels forces you to happy while you are driving this car. The aim of the 4 passenger seats is certainly as the fulfillment of the market demand. The market wants an open car with luxurious model so they are able to drive it with a number of family members and friends. It's going to be for sale in 14 colors. You could have 6 choices on the top fabric and lots of colors for the interior as well as the exterior suitable for you. Whatever color will fit you the best.
The Maserati Company hasn't give the official 2011 Maserati GranCabrio price yet, however it may be offered at about $130.000. A number of the Maserati GranCabrio reviews declared this luxury car can be very enjoyable to drive. In addition they believed that this car is the perfect looking car from Maserati since 2002, when Maserati entered back to the USA market. It'll satisfy you with the smooth engine performance thus making you really feel more comfortable with the premium quality interior. This exotic hatchback car assures you a great looks and performance. With Maserati GranCabrio 2011, you can expect to take pleasure in the first class driving from an incredibly beautiful car ever.


text:
/*!
 * Module dependencies.
 */
var fs = require('fs');
var gcsHelper = require('../../../lib/gcsHelper');
var keystone = require('../../../');
var moment = require('moment');
var super_ = require('../Type');
var util = require('util');
var utils = require('keystone-utils');
var sizeOf = require('probe-image-size');

// lodash
var forEach = require('lodash/forEach');
var indexOf = require('lodash/indexOf')
var set = require('lodash/set')

const _ = {
  forEach,
  indexOf,
  set,
}

/**
 *  FieldType Constructor
 * @extends Field
 * @api public
 */

function gcsimage (list, path, options) {
  this._underscoreMethods = ['format', 'uploadFile'];
  this._fixedSize = 'full';

  // TODO: implement filtering, usage disabled for now
  options.nofilter = true;

  gcsimage.super_.call(this, list, path, options);

  // validate gcs config (has to happen after super_.call)
  if (!keystone.get('gcs config')) {
    throw new Error('Invalid Configuration\n\n' + 'gcsimage fields (' + list.key + '.' + path + ') require the "gcs config" option to be set.\n\n' + 'See http://keystonejs.com/docs/configuration/#services-gcsimage for more information.\n');
  }
}

/*!
 * Inherit from Field
 */

util.inherits(gcsimage, super_);

/**
 * Exposes the custom or keystone gcs config settings
 */

Object.defineProperty(gcsimage.prototype, 'gcsConfig', {
  get: function () {
    return this.options.gcsConfig || keystone.get('gcs config');
  },
});

/**
 * Registers the field on the List's Mongoose Schema.
 *
 * @api public
 */

gcsimage.prototype.addToSchema = function () {

  var _this = this;
  var schema = this.list.schema;

  var paths = this.paths = {
    // fields
    filename: this._path.append('.filename'),
    filetype: this._path.append('.filetype'),
    gcsBucket: this._path.append('.gcsBucket'),
    gcsDir: this._path.append('.gcsDir'),
    height: this._path.append('.height'),
    iptc: this._path.append('.iptc'),
    resizedTargets: this._path.append('.resizedTargets'),
    size: this._path.append('.size'),
    width: this._path.append('.width'),

    // virtuals
    action: this._path.append('_action'),
    exists: this._path.append('.exists'),
    upload: this._path.append('_upload'),
  };

  var schemaPaths = this._path.addTo({}, {
    filename: String,
    filetype: String,
    gcsBucket: String,
    gcsDir: String,
    height: Number,
    iptc: Object,
    resizedTargets: Object,
    size: Number,
    width: Number,
  });

  schema.add(schemaPaths);

  var exists = function (item) {
    return (item.get(paths.filename) ? true : false);
  };

  // The .exists virtual indicates whether a file is stored
  schema.virtual(paths.exists).get(function () {
    return schemaMethods.exists.apply(this);
  });

  var reset = function (item) {
    item.set(_this.path, {
      filename: '',
      filetype: '',
      gcsBucket: '',
      gcsDir: '',
      height: 0,
      iptc: {},
      resizedTargets: {},
      size: 0,
      width: 0,
    });
  };

  var schemaMethods = {
    exists: function () {
      return exists(this);
    },
    /**
     * Resets the value of the field
     *
     * @api public
     */
    reset: function () {
      reset(this);
    },
    /**
     * Deletes the file from gcs and resets the field
     *
     * @api public
     */
    delete: function () {
      var _this = this;
      var promise = new Promise(function (resolve, reject) {
        var gcsConfig = _this.gcsConfig;
        var bucket = gcsHelper.initBucket(gcsConfig, _this.get(paths.bucket));
        var filename = _this.get(paths.filename);
        if (filename && typeof filename === 'string') {
          var filenameWithoutExt = filename.split('.')[0];
          bucket.deleteFiles({
            prefix: _this.get(paths.path) + filenameWithoutExt,
          }, function (err) {
            if (err) {
              return reject(err);
            }
            resolve();
          });
        } else {
          resolve();
        }
      });
      reset(this);
      return promise;
    },
  };

  _.forEach(schemaMethods, function (fn, key) {
    _this.underscoreMethod(key, fn);
  });

  // expose a method on the field to call schema methods
  this.apply = function (item, method) {
    return schemaMethods[method].apply(item, Array.prototype.slice.call(arguments, 2));
  };

  this.bindUnderscoreMethods();
};

/**
 * Formats the field value
 *
 * @api public
 */

gcsimage.prototype.format = function (item) {
  if (this.hasFormatter()) {
    return this.options.format(item, item[this.path]);
  }
  return item.get(this.paths.filename);
};

/**
 * Detects the field have formatter function
 *
 * @api public
 */

gcsimage.prototype.hasFormatter = function () {
  return typeof this.options.format === 'function';
};

/**
 * Detects whether the field has been modified
 *
 * @api public
 */

gcsimage.prototype.isModified = function (item) {
  return item.isModified(this.paths.filename);
};

/**
 * Validates that a value for this field has been provided in a data object
 *
 * @api public
 */

gcsimage.prototype.inputIsValid = function (data) { // eslint-disable-line no-unused-vars
  // TODO - how should file field input be validated?
  return true;
};

/**
 * Updates the value for this field in the item from a data object
 *
 * @api public
 */

gcsimage.prototype.updateItem = function (item, data, callback) { // eslint-disable-line no-unused-vars
  // TODO - direct updating of data (not via upload)
  process.nextTick(callback);
};

/**
 * Uploads the file for this field
 *
 * @api public
 */

gcsimage.prototype.uploadFile = function (item, file, update, callback) {
  var _this = this;
  var ONE_YEAR = 60 * 60 * 24 * 365;
  var publicRead = _this.options.publicRead ? _this.options.publicRead : false;
  var prefix = _this.options.datePrefix ? moment().format(_this.options.datePrefix) + '-' : '';
  var filename = prefix + file.name;
  var split = filename.split('.');
  var filenameWithoutExt = split[0];
  var ext = split[1] || '';
  var originalname = file.originalname;
  var filetype = file.mimetype || file.type;
  let gcsDir = this.options.destination ? this.options.destination : '';

  if (typeof gcsDir === 'string' && gcsDir !== '') {
    if (gcsDir === '/') {
      gcsDir = '';
    } else if (gcsDir.slice(-1) !== '/') {
      gcsDir += '/';
    }
  }

  if (typeof update === 'function') {
    callback = update;
    update = false;
  }

  if ((_this.options.allowedTypes && !_.indexOf(_this.options.allowedTypes, filetype)
    || filetype.match('image.*') === null)) {
    return callback(new Error('Unsupported File Type: ' + filetype));
  }

  var doUpload = function () {

    if (typeof _this.options.filename === 'function') {
      filename = _this.options.filename(item, filename, originalname);
    }

    var bucket = gcsHelper.initBucket(_this.gcsConfig, _this.options.bucket);
    return gcsHelper.uploadFileToBucket(bucket, fs.createReadStream(file.path), {
      destination: gcsDir + filename,
      filetype: filetype,
      publicRead: publicRead,
      cacheControl: 'public, max-age=' + ONE_YEAR,
    }).then(function () {
      const dimensions = sizeOf.sync(fs.readFileSync(file.path));

      var imageData = {
        filepath: file.path,
        filename: filename,
        filetype: filetype,
        gcsBucket: _this.options.bucket,
        gcsDir: gcsDir,
        height: dimensions.height,
        size: file.size,
        width: dimensions.width,
        resizedTargets: {},
        iptc: {},
      };

      if (_this.options.hooks && typeof _this.options.hooks.postUpload === 'function') {
        return _this.options.hooks.postUpload(imageData)
          .then((postUploadData) => {
            if (update) {
              item.set(_this.path, postUploadData);
            }
            return callback(null, postUploadData);
          })
      } else {
        if (update) {
          item.set(_this.path, imageData);
        }
        callback(null, imageData);
      }
    }).catch(function (err) {
      console.error(err);
      bucket.deleteFiles({
        prefix: gcsDir + filenameWithoutExt,
      }, function (deleteErr) {
        if (deleteErr) {
          return callback(deleteErr);
        }
        callback(err);
      });
    }).finally(function () {
      // delete local file
      console.log('DELETE LOCAL FILE:', file.path);
      try {
        fs.unlinkSync(file.path);
      } catch (err) {
        console.error('DELETE LOCAL FILE ERROR:', err);
      };
    });
  };

  doUpload();
};

/**
 * Returns a callback that handles a standard form submission for the field
 *
 * Expected form parts are
 * - `field.paths.action` in `req.body` (`clear` or `delete`)
 * - `field.paths.upload` in `req.files` (uploads the file to gcs)
 *
 * @api public
 */

gcsimage.prototype.getRequestHandler = function (item, req, paths, callback) {

  var _this = this;

  if (utils.isFunction(paths)) {
    callback = paths;
    paths = _this.paths;
  } else if (!paths) {
    paths = _this.paths;
  }

  callback = callback || function () {};

  return function () {

    if (req.body) {
      var action = req.body[paths.action];

      if (/^(delete|reset)$/.test(action)) {
        _this.apply(item, action);
      }
    }

    if (req.files && req.files[paths.upload] && req.files[paths.upload].size) {
      var imageDelete;
      if (_this.options.autoCleanup && item.get(_this.paths.exists)) {
        // capture image delete promise
        imageDelete = _this.apply(item, 'delete');
      }
      if (typeof imageDelete === 'undefined') {
        _this.uploadFile(item, req.files[paths.upload], true, callback);
      } else {
        imageDelete.then(function (result) {
          _this.uploadFile(item, req.files[paths.upload], true, callback);
        }, function (err) {
          callback(err);
        });
      }
    } else {
      return callback();
    }
  };
};

/**
 * Immediately handles a standard form submission for the field (see `getRequestHandler()`)
 *
 * @api public
 */

gcsimage.prototype.handleRequest = function (item, req, paths, callback) {
  this.getRequestHandler(item, req, paths, callback)();
};

/**
 * Add filters to a query
 */
gcsimage.prototype.addFilterToQuery = function (filter, query) {
  query = query || {};
  let value = utils.escapeRegExp(filter.value);
  value = new RegExp(value, 'i');

  switch(filter.mode) {
    case 'keywords_contains': {
      query['$or'] = [{
          keywords: value,
        },{
          [`${this.path}.iptc.keywords`]: value,
        }
      ]
      break;
    }
    case 'byline_contains': {
      query[`${this.path}.iptc.byline`] = value;
      break;
    }
    case 'created_date_contains': {
      query[`${this.path}.iptc.created_date`] = value;
      break;
    }
    case 'caption_contains':
    default: {
      query['$or'] = [{
          description: value,
        },{
          [`${this.path}.iptc.caption`]: value,
        }
      ]
      break;
    }
  }
  return query;
};

/*!
 * Export class
 */

module.exports = gcsimage;


text:
Q: Decision nodes and chance nodes definition in decision tree Could someone please provide a definition of decision nodes, change nodes and end nodes.
I have view the decision tree interpretation on wikipedia and haven't found the clear definition about the three tree nodes.
Thanks!

A: The way I understand it is like this:

*

*Decision Nodes:
The node where a there is a requirement set that determines the outcome: ex:Profit>50k.

*Chance Node:
A node were there isn't a set requirement to determine where to go in the split but something that just has a probability of happening or not Ex: 50% chance of success or failure of a business.

*End Nodes:
The end of a split, so something feeds into this but nothing comes out of it. Usually some result. Ex: Business is sucessful.

A: DECISION NODE: These are variable's included on an influence diagrams or decision tree, they are points where decisions would have to be made, they are usually depicted by square or rectangle. by Master E. Felix.