Rent a Dumpster in Newberry Springs Now!
Simply give us a call and we will answer any questions you may have about the Newberry Springs dumpster rental procedure, allowed materials, size you may need, etc.
Our roll off containers can usually be delivered in Newberry Springs the day after you place your order. Make sure to call us early to ensure timely delivery.
It's possible for you to set most kinds of debris into a dumpster rental in Newberry Springs. There are, nevertheless, some exclusions. For instance, you cannot place compounds into a dumpster. That includes motor oil, paints, solvents, automotive fluids, pesticides, and cleaning agents. Electronic Equipment and batteries are also prohibited. If something presents an environmental hazard, you likely cannot place it in a dumpster. Contact your rental company if you are unsure.
That makes most types of debris that you can place in the dumpster, include drywall, concrete, lumber, and yard waste. Pretty much any kind of debris left from a construction job can go in the dumpster.
Particular types of okay debris, nevertheless, may require additional fees. If your plan is to throw away used tires, mattresses, or appliances, you need to request the rental company whether you are required to pay another fee. Adding these to your dumpster may cost anywhere from $25 to $100, determined by the item.
If you rent a 30 yard dumpster, you will be receiving a container that can hold 30 cubic yards of waste or debris. Your 30 yard container will measure about 22 feet long by 8 feet wide by 6 feet high. These numbers could vary somewhat depending on the dumpster rental business in Newberry Springs you pick. A 30 yard dumpster will hold between 9 and 15 pickup truck loads of waste, therefore itis a good option for whole-house residential cleanouts in addition to commercial cleanup projects.
You are going to generally schedule the total amount of time you plan to keep the dumpster when you first telephone to set up your dumpster service. This generally comprises the drop-off and pick up dates. Most firms do request that you be present when the dumpster is delivered. This is required to make sure the dumpster is put in the most effective area for your job. You don't have to be present when the dumpster is picked up to haul it away.
Should you get into your project and realize you need pick up sooner or later than you originally requested, that's not a difficulty. Only telephone the company's office and explain exactly what you want, and they will do everything they can to accommodate your request. There might be times they can't match your adjusted program precisely because of previous obligations, nevertheless they will do the best they can to pick your dumpster up at the appropriate time.
The period of time that you need to rent a dumpster in Newberry Springs typically depends on the kind of project you are working on. A small project, for example a cellar clean out, will likely take a number of days to finish while larger projects, like constructing a new house, could take several months.
Most dumpster rental companies in Newberry Springs are happy to adjust their programs to fit your needs. Keep in mind, however, that the more time you keep the dumpster, the more you will have to cover it.
When you contact dumpster rental companies in Newberry Springs, ask them how long their terms are. Many will allow you options such as several days or one week, however there are usually longer periods available, also.
You also ought to ask how much the companies charge for extra time. That way, you know how much it costs to maintain the dumpster for a few extra days if necessary.
Front -load and roll-off dumpsters have distinct layouts that make them useful in various manners. Knowing more about them will enable you to select an option that is right for your endeavor.
Front-load dumpsters have mechanical arms that can lift heavy objects. This is really a convenient option for jobs that include a lot of heavy items like appliances and concrete. In addition , they are great for emptying commercial dumpsters like the type restaurants use.
Rolloff dumpsters are normally the right option for commercial and residential jobs like fixing a roof, remodeling a basement, or including a room to your home. They've doors that swing open, letting you walk into the dumpster. They also have open tops that allow you to throw debris into the container. Rental businesses will normally leave a roll-off dumpster at your endeavor place for several days or weeks. This is really a convenient option for both little and large jobs.
Do I need a license to rent a dumpster in Newberry Springs?
If that is your very first time renting a dumpster in Newberry Springs, you may not know what is legally permissible in regards to the positioning of the dumpster. If your plan is to place the dumpster completely on your own property, you're not commonly required to acquire a license.
If, nevertheless, your job needs you to place the dumpster on a public street or roadway, this will often mean that you must submit an application for a license. It is always a good idea to check with your local city or county offices (possibly the parking enforcement department) if you own a question concerning the requirement for a license on a street.
Should you neglect to obtain a license and discover out afterwards that you were required to have one, you will likely face a fine from your local authorities. In most dumpster rental in Newberry Springs cases, though, you should be just fine without a license as long as you keep the dumpster on your property.
Most people do not want to rent dumpsters unless they absolutely have to. At times, though, it becomes clear that you must rent a dumpster in Newberry Springs for commercial and residential jobs.
Most cities don't haul away building debris for you. It is your duty to be sure you have an appropriate container to collect discarded stuff from remodeling projects. Even if you simply have a little endeavor, municipal waste management is unlikely to haul the debris away.
A major clean out can gather more trash when compared to a standard receptacle can hold. Renting a tiny dumpster is a more suitable choice that will prevent making multiple trips to the neighborhood dump.
If you have one of these projects in mind, then you know it's time to look for a reliable dumpster rental service in Newberry Springs.
Determining where to put your dumpster can get a huge effect regarding how quickly you finish jobs. The most effective alternative is to choose a location that's close to the worksite. It is necessary, nevertheless, to contemplate whether this location is a safe option. Make sure that the place is free of obstacles that could trip folks while they carry heavy debris.
A lot of folks decide to put dumpsters in their driveways. It is a convenient option since it generally means you can avoid requesting the city for a license or permit. In the event you need to put the dumpster on the road, then you definitely should get in touch with your local government to ask whether you are required to get a permit. Although a lot of municipalities will let people keep dumpsters on the road for brief amounts of time, others are going to request that you fill out some paperwork. Following these rules will help you stay away from fines that can make your project more costly.
All major credit cards accepted for dumpster rentals in Newberry Springs.


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Tag Archives: dead can dance
Ethereal Music to Relax to: Dead Can Dance, Delerium, Black Tape for a Blue Girl, Loveliescrushing, The Machine in the Garden
If I've had a really rough day sometimes I like to listen to music to unwind; my go-to for those moments is often ethereal music. Ethereal music was seeded in the 80's with influences like the Cure and Cocteau Twins and peaked in the 90's. It frequently features female vocals that often blend with the music and are sometimes treated like another instrument. This gives some of its bands a bit of a similarity to some shoegazer groups like Lush and Curve, but it often uses more electronic influences and tends to be a bit on the gloomier side atmospherically and is often considered under the larger umbrella of the darkwave genre. It's the perfect music to relax to after a long day at work or in class. Here are a few of my favorites. In addition to borrowing CDs, Hoboken Library Card holders can download 5 songs per week from Freegal and they along with other BCCLS card holders can borrow (typically for 7 days) up to 16 digital albums or other items a month from Hoopla.
Delerium
My best friend surprised me with the Delerium CD Karma for my birthday one year. I was immediately drawn in to the beautiful music and haunting female vocals. Delerium is the side project of Canadian Industrial act Front Line Assembly's Bill Leeb (and frequently Rhys Fulber) which features a variety of guest vocalist including Kristy Thirsk. They are probably best known for their song "Silence" which includes the vocals of Sarah McLachlan. Many of Delirium's LPs and EPs are available on Hoopla including Semantic Spaces, Poem, and Chimera. I was luckily enough to see them live in New York on one of their tours and although some of the songs were performed by different vocalists than on the albums their innate exquisiteness remained.
Dead Can Dance is probably the most well-known on this list. The group is comprised of Australian Lisa Gerrard and English musician Brendan Perry. Their music often brings in elements of world music. One of the best live performances I have ever experienced was seeing them at Radio City accompanied by a full orchestra. Their album Anastasis is available from Hoopla. You can download several songs they recorded live from Freegal including "Ubiquitous Mr. Lovegrove" and "Song to the Siren". Into the Labyrinth, Toward the Within, and Anastasis are available on CD from BCCLS libraries. Gerrard's solo work is also lovely.
During the 80's and 90's Sam Rosenthal's Indie Record Label Projekt released a number of works by ethereal artists including those by his own band Black Tape for A Blue Girl. Their sound and lyrics are intensely evocative. I had the pleasure of seeing them perform twice once in NY in the late 90's and later at Projektfest that was part of the 2007 Black Sun Festival in New Haven, CT. The Rope, As One Aflame Laid Bare By Desire, The Scavenger Bride and more of their work are available from Hoopla.
Lovesliescrushing
Lovesliescrushing is another Projekt artist. Their music like their name has a blurry quality that melds all their instrumentation, including unusual choices like sound of screwdrivers, together as one melodic whole. Xuvetyn and Bloweyelashwish are available from Hoopla. If you are a fan of My Bloody Valentine, you will likely enjoy Loveliescrushing's music as well.
The Machine in the Garden
The Machine in the Garden was one of my favorite bands while I was in college and I was very excited when I got to see them perform at QXT's in Newark. Their music is a haunting mix of dark electronics and beautiful operatic female vocals. Songs from Out of the Mists, One Winter's Night, Shadow Puppets, and Asphodel are available to download from Freegal. "The Sleep of Angels" is one of my favorite of their songs.
-Written by Aimee Harris, Reference Librarian
Tags: black tape for a blue girl, dead can dance, delerium, digital, ethereal music, lovesliescrushing, music, the machine in the garden
Categories Aimee Harris, Digital Materials, Music

redpajama_set_name: RedPajamaCommonCrawl


If you're planning a vegetable garden, chances are, tomatoes are invited. But what are the best tomatoes to choose? Well, that's kind of a trick question, because the answer really depends on what you like the most. Here are some tips to help find your dream tomato.
Click here to learn more from our vendor, Espoma.


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People Who Live Streamed Pacquiao-Mayweather Fight on Periscope Could Face Legal Action
By Ian Cull • Published May 5, 2015 • Updated on May 6, 2015 at 6:23 am
This weekend's fight between Floyd Mayweather and Manny Pacquiao was hyped as the fight of the century. Now, a new fight begins.
It cost viewers at home about $100 to order the pay per view event, but several hundred people used live streaming video apps like Meerkat and Periscope to broadcast it for free. They simply held the phone up to the TV. Now, those people could face legal action.
"The technology as a whole, I think, is going to be beneficial to consumers and broadcasters," said attorney Mitch Stoltz.
Stoltz is an attorney at the Electronic Frontier Foundation, which fights for consumer digital rights.
He believes live streaming companies shouldn't suffer when users rebroadcast licensed material.
"The makers of the technology, whether it's Sony in the case of the VCR, or Periscope with this new technology, isn't going to be responsible unless they were encouraging people to use it in illegal ways," he said.
Saturday night after the boxing match, the Twitter CEO Dick Costolo tweeted:
"And the winner is…@periscopeco."
Twitter recently acquired the live-streaming company.
Monday, Periscope issued a statement:
"Periscope operates in compliance with the Digital Millennium Copyright Act, we respect intellectual property rights and are working to ensure there are robust tools in place to respond expeditiously. Unauthorized broadcasts of content that is protected by copyright is a clear violation of our content policy. It's not the kind of content we want to see in Periscope."
A company spokesperson said of the 66 live streams red flagged by those who own the rights to the fight, Periscope shut down 30 of them within minutes. The remaining broadcasts had already ended and were no longer available.
As for why those broadcasters and advertisers would object? San Jose State University Advertising Professor John Delacruz said it's not just about the lost money.
"I think the biggest problem that comes from allowing just anybody to broadcast live is that you can be damaging the brand itself," Delacruz said. "You can really leave yourself open to abuse."
San FranciscoSonyFloyd Mayweathercompany spokespersonManny Pacquiao
Thousands Already Without Power as Deep Freeze Hits New England
Defense Attorney Says Duxbury Mom Charged With Killing Her Kids Was Overmedicated on Prescription Drugs


"Resurget Cineribus." "Fluctuat nec mergitur." Two mottos I have come to live by; it shall rise from the ashes, and tossed, but not sunk. They epitomize pre-med life for me. For many pre-meds, college can be a tumultuous, ever capricious time. Many times, classes can drain you of both energy and confidence. You sometimes lose the will to continue. Some people are dissuaded from a medical career for forever.
However, I am here to say one thing: Do NOT give up.
First off, one grade will not ruin everything. That is something I still struggle with, but one B, or even one C, will not cause the dream to collapse. At worst, you can retake the class and improve from there. But even then, it is not the end of the world. Go get help from teachers, watch various videos, practice, develop good study habits. You will be alright.
Secondly, it is never just your grades. It is you as a person. It is all about your experiences. Your volunteering experiences. Your extracurricular activities. You possess something that med schools should hear about. You play soccer for your school? You're a polyglot? You've done clinical research with prestigious institutions? Cool! You do something unique. Show that authentic quality or hobby you're passionate about.
Lastly, relax. That is what I will have to continue to learn about as I continue on the meandering journey. There are some things we may not be able to do. Get a lot of shadowing, get as many volunteer hours as we want, etcetera. You can still make it to medical school. You can still do other things, like the activities mentioned above.
At the end of the day, be YOU. Do something special. Make the most of your undergraduate years. In more simple terms, chill out. You will make it to medical school and be great. We all possess the capacity for greatness. Capitalize on that capacity. Get out there. Eventually, save some lives. You may be tossed by the waves, but you are not sunk.


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Abstract: Abstract: Continuous platinum (Pt) thin film was fabricated via the plasma-enhanced atomic layer deposition method for a study of light energy transformation over a few nanometers. Light-to-heat experiments were used to determine the oscillating size effects on electromagnetic energy transformation in quantum wells of smooth and condensed Pt thin films. For Pt-film thicknesses of around 4 nm, 7 nm and 12 nm, electromagnetic heating presented unexpectedly high energy conversion efficiency. An empirical equation acquired from the fitting of the experimental data from various thicknesses of Pt thin films was suggested to describe the oscillating electromagnetic heating and quantized energy transformation. The experimental results show that size control of the nanostructures is extremely important for future applications involving quantum effects in nano devices.


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Under An Outlaw Moon
Musings & Rants by Tim Byrd
TIMFORMATION
On Track 2.0
Oct7 by Tim Byrd
It's late and I should be in bed. So what better time to update the couple of people out there who're interested in what's been going on with me.
Previously On Under An Outlaw Moon…
Tim struggled with deep dark depression. Tim underwent ECT, electroconvulsive therapy, aka electroshock treatments. It was pretty cool, and helped a lot.
Tim started a plan to get his life in order, calling it "On Track." Among other things, he was writing every day, and exercising regularly, and he posted his progress online so people could see if he was doing what he was supposed to. This went really well for a while. Then, it didn't.
Depression returned. Inertia set in. Tim floundered…
So, what's happened since then?
I've gradually gotten moving again. I'm writing. Most of my novella Greensleeves, A Tale of Erotic Revenge is completed, and when that's available, I'll let you know. I'm working on the second book in my Doc Wilde series (Doc Wilde and The Mad Skull) again, and plan to have it done by year's end, maybe sooner. I even have some short story ideas percolating, which isn't like me, as I almost always have ideas better suited for longer forms of fiction. We'll see if any of those emerge in a useful form.
I'm also exercising again. When I was doing "On Track" earlier in the year, I started doing the "100 Pushups" program, a six week plan to get you to the point where you can drop and do one hundred consecutive pushups. I was also doing 20-30 minutes of some form of cardio at least three times a week, mostly swimming with some biking. It was working, but I faltered and lost a few weeks. Not entirely, of course, I was still fairly active, but I wasn't really making much progress.
Now I'm back on the pushup plan. I also started the "200 Squats" plan designed by the same people, and I'm doing that on alternate days. And I'm making great progress again.
For cardio, I've started running. I was inspired to do this by a very dear friend who is a devoted runner (as well as a writer, inspiring me in that as well), by my son who is training to go out for track in school now, and by the sudden explosion of minimalist or "barefoot" running shoes. As my bio in the sidebar indicates, I prefer to run around barefoot most of the time, and over the years I've even been known to wear moccasins rather than shoes with any structure to them. Barefoot shoes are what I've been waiting for all my life. They have very little structure or weight, they have next to no cushioning and no heel lift,and they have a spacious toe-box that allows the toes to spread properly as you run and act as the little shock absorbers they are (in some models, the toes are actually separated like the fingers in a glove). The idea is that the shoes allow you to run as we are actually supposed to run while still providing some protection from the harsh ol' world.
I got the Merrell Trail Glove in spiffy black and red. And I love 'em. Right now, I'm doing a mile run three times a week. That'll go up as I adjust to the stresses of running in general (having done mostly lower impact exercises for quite a few years), as well as the stresses specific to "barefoot" running. (And if you're curious about barefoot running, and why it's better for you than running in squishy supportive shoes, watch the video at the bottom of this post in which Christopher McDougall, author of the bestseller Born to Run, gives a very entertaining TED talk about it).
So, progress is being made. I'm nowhere near where I want to be, and have a lot of work to do, and many days it's still a major struggle to get anything at all done. I'm trying to do the work myself, without therapy, without meds, without further ECT. I think I can do it.
And that's what's happening with me.
This entry was posted in Depression, Life, On Track and tagged barefoot running, Christopher McDougall, depression, ECT, exercise, Life, minimalist running, On Track, running, self help, Tim Byrd, writing.
← White Shirt Is The New Black Shirt
Barefootin' (Running With A Minimum Of Shoe) →
TIM BYRD
The author of the Doc Wilde adventure series, Tim is often barefoot, prone to irony, and interested in everything. He has been a soldier, game designer, independent filmmaker, and outdoor guide. He knows how to tie a tie, but doesn't care to.
THE ASTONISHING ADVENTURES OF DOC WILDE
DOC WILDE ADVENTURE HEADQUARTERS
Follow Under An Outlaw Moon
TESS FOWLER Cons, Mistreats, and Steals From A Dying Man
Important Read: "This antibiotic will ruin you"
The Girl With All The Gifts & The Last of Us: A Dual Review With No Spoilers
Election 2016: How We Really Lost (By The Numbers, Part 3)
By The Numbers, Part 2: Who's Our Champion Now?
By The Numbers, Part 1: How Democrats Continue To Lose
Are You A Rational Republican…?
Inauguration Day 2017: I Am Calm
Liberal Lockstep: Why I March To The Beat Of My Own Damned Drummer
Doc Wilde Update: Running Late, Still Working On It…
Assorted Writing
Doc Wilde
Good Memories
Songs & Music
@TimByrd On Twitter
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How u do a monitoring traffic?
guys i wanna know how u do monitoring ??
how u do a monitoring to stop virus spread from other network?
like IP "123.231.123.2" from port "135" is a virus..
how u know the IP and the port that is a virus??
Try taking a look at snort. With the appropriate ruleset it may do what you're after, if your system can cope with the load it will create.


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SMU alum John Alexander brings his rare art to the Meadows
by Michael Granberry
A critic once described the work of John Alexander as capturing "nature at its grandest and man at his worst."
The ability to do that came in part from Southern Methodist University, where Alexander received a master of fine arts degree from Meadows School of the Arts in 1970. During his time on the Hilltop, he worked at the Meadows Museum.
So it's more than fitting that the SMU alum is being honored with an exhibition of his work at the Meadows during the museum's 50th anniversary year and the university's centennial.
"Human/nature. The Ridiculous and Sublime: Recent Works by John Alexander" opens next Sunday and continues through June 28. The show's 35 paintings and drawings are on loan from 26 lenders, including 12 in Texas.
"Our exhibition spans the past decade of John's career, with the earliest work from 2002, yet it is representative of his trajectory as a whole," says Meadows Museum curatorial assistant Shelley DeMaria, who's curating the show. "He is a consummate draftsman, a skillful satirist and a lover of nature. All of these characteristics will be on display in this exhibition."
During his time at the Meadows, Alexander says he was influenced by the work of Francisco de Goya and in particular Goya's four complete print series, which are part of the Meadows' permanent collection.
"Alexander would take from the Spanish artist the ability to satirize the world he saw around him and meld it with his own Texas sensibility," reads the Meadows' description of the show. This includes "an acute awareness of the oil industry and its effects on the natural environment."
These days, Alexander divides his time between New York City and Amagansett, Long Island. His work is included in the permanent collections of the Metropolitan Museum of Art in New York, the Museum of Contemporary Art in Los Angeles and the Meadows, which houses his 1989 painting, Demons.
As Meadows director Mark Roglán says, "John's brilliant paintings and drawings are an enduring testament to the way in which the Meadows has left a profound impact on students and artists over the last 50 years."
Dallas-based visual artist Matthew Brinston will show through March 28 at Deep Ellum's Mokah Gallery his exhibition "A Battle, A Transformation," which is no ordinary show.
It consists of 20 multimedia paintings inspired by the artist's struggle to recover after a near-fatal motorcycle accident in November 2013, when he was flung headfirst into a DART station in downtown Dallas.
The Artists' Showplace Gallery will open on April 1 "Framing the Frontier," an exhibition of works with Western themes by Linda Wacaster, Mickey Archer, Judy Campbell, Lucille Carter, Patsy Lindamood and Pete Quaid.
The Talley Dunn Gallery will introduce a pair of new shows on Friday, Leonardo Drew's self-titled exhibition and Sam Reveles' "Iarnród."
©2019 John Alexander


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Published: May 27, 2015 6:39 AM EDT
Updated: May 27, 2015 10:39 AM EDT
Men accused of killing Fort Myers 5-year-old released from jail
LEE COUNTY, Fla.- The two men accused of killing a 5-year-old in Fort Myers last year are free.
A judge granted release to Terrance Irons and Thomas Edison Tuesday afternoon, after a key witness in the case changed her story.
The men were named as suspects in a drive-by shooting that killed Andrew Faust Jr.
WINK News was in the courtroom when the woman who accused the two men of killing the 5-year-old changed her story and said she can't remember what happened that night.
Friends and family of Edison and Irons formed a big group outside the Lee County courtroom Tuesday afternoon.
The men have been in jail for the past eight months. Cashae Smith was the only witness to ever come forward to identify them, giving a statement to police three days after the murder.
Since then, Smith has refused to cooperate with the State Attorney's Office.
The defense tells WINK News Smith finally gave a deposition where she told them, she couldn't remember anything.
Last month, Smith told the court she had been threatened, and that's why she stopped cooperating. Then, she apparently denied that in her deposition.
Edison and Irons still face charges in the murder. It's up to the State Attorney's Office how to move forward now that Smith has changed her story.
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It's a great school to attend, one because it is very affordable. The cost to go to this school won't leave students in any debt. Furthermore, the school offers a variety of scholarships for students to apply for that may help financially. Also the teachers and staff members are very great at being involved with their students and wanting them to succeed in the class. They have office hours that are convenient for the students. The school also has many activities for students to take part in. I am in Phi Theta Kappa so I am able to meet a variety of different students at my college that have the same determination to do their best. Overall, South Suburban College is a great community college to study at.
South Suburban College is a great foundation of college experience. Being a community college, the class sizes are nice, and teachers know the students by name. My experience at South Sub has been better than I thought it would be. I absolutely love the athletics and the coaches are great. Coming to South Suburban was a really great decision, and I know I will be able to transfer to a four year with no worries.
South Suburban College is an amazing facility. There are many opportunities to grow and better oneself at this college. The professor and other staff are extremely polite and professional; they are also always willing to help us students. The resources here at South Suburban College are of great help and are easily accessible. Overall, South Suburban College is a great stepping stone for young people who are planning on furthering their education and becoming knowledgeable citizens of today's society.
It is a school that most people are trying to get out of. The best part about it is that it's cheap. Other than that there's not much to it. It looks like a jail, most students dont care and drop a lot of classes. Some teacher dont care as well. I have made lifelong friends here but I dont think it prepared me for the university I'm going too. They also dumb down some classes because most people there have a 2.0 GPA.
I would tell myself that knowledge conquors all. You have the right to think, don't think about it just do it.
Someone who is an introvert.
If I could go back in time and give some advice to my highschool self I believe it would be first to have more confidence in myself as a student. When I first left for college I did not feel that I was really ready to make the transition. Although now I have gotten accoustomed to the life of a college student, in the beginning I had never been truly out on my own. Also, with me being a first generation college student I wasn't exposed much to the ins and out of college life either. This process was a slower learning start that was made slower by lacking confidence in myself.
I wish I had known more about the scholarships when I first arrived.
A person who feels that since this is a community college there is no need to work as hard. The professors work hard to bring information to the student and to keep the curriculum interesting. I have had a professor walk the class around the campus to give us a hand on view of how to classify trees based on there acorns, branching patterns, and there leaf size, color, and shape. They are dedicated to there cause and you should be to.
I love my school and teachers, it is near my house so it makes it easy to get there.
Probably not to worry too much.
My classmates are welling to learn, if the teachers are welling to teach. The students pay attention to what they teacher is talking about and they have the urge to learn not matter how difficult it may turn out to be.
It is known for its cheap classes and overall great teachers that know what they are talking about and know what they are teaching.
Now that I know, college is very different than I expected and what I dreamed of as a high school senior. But if I did have the chance to go back in time and tell myself something as a high school senior it would be to push it give it my all. Get good grades and don?t slack, study, concentrate, and start applying for colleges early; don?t wait till the last few months to start applying to avoid stress overload. I would tell myself to stop procrastinating because it does no good in college. Work is going to be coming and going and you have to be ready to take it all in and be ready to do it. Don?t try to fit in, just be yourself and it will do you some good to be quiet and reserved. Come out of your shell and show people who you really are, still being a loner, but showing people that you can be sociable when you want too. Learn to write good essays or papers for your classes, make sure you know what you are talking about, and ask for help now so it can help you.
South Suburban College administrators: claim your school to add photos and details.


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CSimpleDetector::~CSimpleDetector(void) {}

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    R_ASSERT(NULL == m_ui);
    m_ui = xr_new<CUIArtefactDetectorSimple>();
    ui().construct(this);
}

CUIArtefactDetectorSimple& CSimpleDetector::ui() { return *((CUIArtefactDetectorSimple*)m_ui); }

void CSimpleDetector::UpdateAf() {
    if (m_artefacts.m_ItemInfos.size() == 0)
        return;

    CAfList::ItemsMapIt it_b = m_artefacts.m_ItemInfos.begin();
    CAfList::ItemsMapIt it_e = m_artefacts.m_ItemInfos.end();
    CAfList::ItemsMapIt it = it_b;
    float min_dist = flt_max;

    Fvector detector_pos = Position();

    for (; it_b != it_e; ++it_b) // only nearest
    {
        CArtefact* pAf = it_b->first;
        if (pAf->H_Parent())
            continue;

        float d = detector_pos.distance_to(pAf->Position());
        if (d < min_dist) {
            min_dist = d;
            it = it_b;
        }
        if (pAf->CanBeInvisible()) {
            if (d < m_fAfVisRadius)
                pAf->SwitchVisibility(true);
        }
    }

    ITEM_INFO& af_info = it->second;

    ITEM_TYPE* item_type = af_info.curr_ref;

    float dist = min_dist;

    float fRelPow = (dist / m_fAfDetectRadius);
    clamp(fRelPow, 0.f, 1.f);

    //îïðåäåëèòü òåêóùóþ ÷àñòîòó ñðàáàòûâàíèÿ ñèãíàëà
    af_info.cur_period =
        item_type->freq.x + (item_type->freq.y - item_type->freq.x) * (fRelPow * fRelPow);

    float min_snd_freq = 0.9f;
    float max_snd_freq = 1.4f;

    float snd_freq = min_snd_freq + (max_snd_freq - min_snd_freq) * (1.0f - fRelPow);

    if (af_info.snd_time > af_info.cur_period) {
        af_info.snd_time = 0;
        HUD_SOUND_ITEM::PlaySound(item_type->detect_snds, Fvector().set(0, 0, 0), this, true,
                                  false);
        ui().Flash(true, fRelPow);
        if (item_type->detect_snds.m_activeSnd)
            item_type->detect_snds.m_activeSnd->snd.set_frequency(snd_freq);
    } else
        af_info.snd_time += Device.fTimeDelta;
}

void CUIArtefactDetectorSimple::construct(CSimpleDetector* p) {
    m_parent = p;
    m_flash_bone = BI_NONE;
    m_on_off_bone = BI_NONE;
    Flash(false, 0.0f);
}

CUIArtefactDetectorSimple::~CUIArtefactDetectorSimple() {
    m_flash_light.destroy();
    m_on_off_light.destroy();
}

void CUIArtefactDetectorSimple::Flash(bool bOn, float fRelPower) {
    if (!m_parent->HudItemData())
        return;

    IKinematics* K = m_parent->HudItemData()->m_model;
    R_ASSERT(K);
    if (bOn) {
        K->LL_SetBoneVisible(m_flash_bone, TRUE, TRUE);
        m_turn_off_flash_time = Device.dwTimeGlobal + iFloor(fRelPower * 1000.0f);
    } else {
        K->LL_SetBoneVisible(m_flash_bone, FALSE, TRUE);
        m_turn_off_flash_time = 0;
    }
    if (bOn != m_flash_light->get_active())
        m_flash_light->set_active(bOn);
}

void CUIArtefactDetectorSimple::setup_internals() {
    R_ASSERT(!m_flash_light);
    m_flash_light = ::Render->light_create();
    m_flash_light->set_shadow(false);
    m_flash_light->set_type(IRender_Light::POINT);
    m_flash_light->set_range(
        pSettings->r_float(m_parent->HudItemData()->m_sect_name, "flash_light_range"));
    m_flash_light->set_hud_mode(true);

    R_ASSERT(!m_on_off_light);
    m_on_off_light = ::Render->light_create();
    m_on_off_light->set_shadow(false);
    m_on_off_light->set_type(IRender_Light::POINT);
    m_on_off_light->set_range(
        pSettings->r_float(m_parent->HudItemData()->m_sect_name, "onoff_light_range"));
    m_on_off_light->set_hud_mode(true);

    IKinematics* K = m_parent->HudItemData()->m_model;
    R_ASSERT(K);

    R_ASSERT(m_flash_bone == BI_NONE);
    R_ASSERT(m_on_off_bone == BI_NONE);

    m_flash_bone = K->LL_BoneID("light_bone_2");
    m_on_off_bone = K->LL_BoneID("light_bone_1");

    K->LL_SetBoneVisible(m_flash_bone, FALSE, TRUE);
    K->LL_SetBoneVisible(m_on_off_bone, TRUE, TRUE);

    m_pOnOfLAnim = LALib.FindItem("det_on_off");
    m_pFlashLAnim = LALib.FindItem("det_flash");
}

void CUIArtefactDetectorSimple::update() {
    inherited::update();

    if (m_parent->HudItemData()) {
        if (m_flash_bone == BI_NONE)
            setup_internals();

        if (m_turn_off_flash_time && m_turn_off_flash_time < Device.dwTimeGlobal)
            Flash(false, 0.0f);

        firedeps fd;
        m_parent->HudItemData()->setup_firedeps(fd);
        if (m_flash_light->get_active())
            m_flash_light->set_position(fd.vLastFP);

        m_on_off_light->set_position(fd.vLastFP2);
        if (!m_on_off_light->get_active())
            m_on_off_light->set_active(true);

        int frame = 0;
        u32 clr = m_pOnOfLAnim->CalculateRGB(Device.fTimeGlobal, frame);
        Fcolor fclr;
        fclr.set(clr);
        m_on_off_light->set_color(fclr);
    }
}

redpajama_set_name: RedPajamaGithub


Dialing 911 saves critical treatment time, connects patients in Mattoon to world class care through the Prairie Chest Pain Network.
Always Dial, Never Drive'. By calling 911, patients in Mattoon activate the Chest Pain Network and receive top heart care at Sarah Bush Lincoln Health Center without traveling long distances.
The Prairie Chest Pain Network is a program of the Prairie Heart Institute of Illinois, connecting hospitals and EMS agencies for the fastest and best care for chest pain patients. The doctors of the Prairie Heart Institute have been nationally recognized for their speed in diagnosing and treating patients experiencing a heart attack.


Anlly Palacios graduated from CIPA in May of 2018 with a concentration in Social Policy. She is a Leadership Fellow at the Port Authority of New York and New Jersey.
I chose CIPA for its flexibility and exposure. When I was applying to MPA programs, I was looking for coursework that would hone my skills while also allow me to explore my interests. CIPA provided the right amount of structure and independence that I needed to do these two things.
My long-term goal is to work in New York City government in a director capacity. Thanks to CIPA, I can achieve my goals through the lessons I learned in leadership, program management, and community engagement.
What would you tell a prospective student who asked you to list the top three reasons that CIPA was a good fit for you?
Flexibility, opportunity, and exposure, made CIPA a good fit for me.
My favorite stand out experience while at CIPA was participating in the New York City Externship. Living and working in New York City for an entire semester transformed my professional perspective and my skillsets. I was able to experience nonprofit work for the first time and network with CIPA alum who work in the city. This experience allowed me to solidify my future goals and land my first job.
Is there anything else about the CIPA program, about the opportunities here, or about your particular experience that you would like to share with prospective students?
I was lucky to find a community among various student groups and resource offices. I recommend that all incoming students find interests and passions outside of career planning. This will help build supportive network, make fun memories, and form a community. I found all of these things in the Latin@ Graduate Student Coalition (LGSC) and the Office of Academic Diversity Initiatives (OADI).


Sora, Namine and Riku(or Riku Replica) are in this picture, but where is it from? I don`t recognize the area. Most of the pictures in that room are about Sora, Kairi, Riku, Riku Replica, Donald and Goofy, and of course Namine herself. I recognized the settings in all of the other pictures, but this is the only one I don`t know. Did this happen somewhere during CoM?
Might be wrong but isn't this in the white room upstairs in the mansion in KH2? There are lots of drawings dotted around the walls of that room. I remember going first person with Roxas during the beginning of the game when I was in this room to take a look at all the different drawings of Sora's memories.
Yeah. The room is upstairs in the mansion. I also went first person when I was controlling Roxas, and now that I have finished Chain of Memories, it was a really cool moment to recognize most of the pictures. I did recognize the ones from KH1 when I first played KH2, but CoM ones were a mystery. I think this room is really cool place for a long time fan. Also the command menu changes to represent CoM card commands, which is a really nice detail too.
Personally, I always interpreted it as Neverland, one of the fake memories Naminé created in CO. Sora is standing near a brown pillar with loops I assume are ropes and Naminé and Riku are standing near a banister. It reminds me of the scene in Neverland where Riku confronts Sora on Hooks ship, Naminé just inserted herself into that memory.
There's no official statement on that particular picture, but that's what I figured it was.
I think that is hook's ship (KH1), and Namine susbstituted Kairi with herself.
Oh yeah. It does look like Hooks ship. Maybe the chose this scene to represent the fake memories Naminè created when Sora was going through Castle Oblivion, like Ruran said. I wonder why the chose this scene? Did she manipulate this particular moment? I don`t remember seeing her when I went trough the Neverland section, but she did appear on other parts of Sora`s memories. All though I think the memory manipulating had reached so far, that Sora would have seen her.
Now that I look it more closely it seems kind of obvious it is Hook`s ship.
This thread was the first time I've seen the photo and I thought it kind of looked like destiny island to me.
As stated above, I believe the portrait is from Hook's ship where Sora and Riku met while Riku was talking about Kairi. Naminé just replaced herself with Kairi like in so many other cases.


text:
Stephen, 45, worked with Iowa's most promising youth players as a coach of the Iowa Barnstormers, which was sponsored by Adidas and competed nationally. Many of the teenagers he coached earned college scholarships, including to play at universities such as Iowa, Northern Iowa and Wisconsin.
Stephen amassed a digital collection of thousands of sexual images of his players and their friends. He did so by pretending to be a teenage girl and enticing them to provide videos and photos of themselves masturbating — relationships that went on for years in some cases. He secretly recorded others undressing in bathrooms in hotels and his home.
On at least 15 occasions between 1999 and 2018, prosecutors say Stephen molested boys, often as he shared a hotel bed with them during trips to tournaments and professional basketball games.
Stephen pleaded guilty to sexual exploitation and pornography charges but argued his sentence was excessive because his conduct was primarily as a voyeur.
Circuit Judge Raymond Gruender wrote in Monday's opinion that Stephen's argument "grossly downplays the seriousness and magnitude of his offense." He agreed with U.S. District Judge C.J. Williams, who sentenced Stephen in 2019 to the maximum possible sentence, "that the harm to the children was 'incalculable and profound' and radiated to their families."
"Further, the district court acknowledged that Stephen's use of his position as a youth basketball coach to carry out his offense made it even more sinister," Gruender wrote.
Stephen is serving his sentence at the federal penitentiary in Tucson, Arizona.
Investigators uncovered his crimes after Stephen's former brother-in-law found a secret recording device while performing remodeling work at Stephen's home in Monticello and gave it to police.
Investigators raided Stephen's homes and found a hard drive that contained more than 400 file folders, each with the name of a different boy, and thousands of images. A trove of additional pornographic material was waiting to be organized.
The appeals court found that the seizure of the recording device did not violate Stephen's rights. His former brother-in-law was not acting as a "government agent" when he discovered the hidden camera and ultimately gave it to police out of a concern that Stephen was recording boys, the court concluded.
"Not every Good Samaritan is a government agent," Gruender wrote.
A police chief who accepted the device without a warrant did not commit an illegal search, and the Division of Criminal Investigation did not exceed the scope of a court-authorized search when examining its contents, he added.
Former players are suing the Barnstormers; the Amateur Athletic Union, which sponsored tournaments in which they played; and team sponsor Adidas, alleging they were negligent in supervising Stephen and allowing their abuse. The case is pending in federal court.


text:
Moustoir-Ac  (en bretón Moustoer-Logunec'h) es una población y comuna francesa, situada en la región de Bretaña, departamento de Morbihan, en el distrito de Pontivy y cantón de Locminé.

Demografía

Referencias

Enlaces externos
 INSEE

Moustoir Ac

redpajama_set_name: RedPajamaWikipedia


text:
Music, OCA, OCA Events, Performance
OCA Music Program presents Wind Ensemble Concert
The Oregon Center for the Arts at Southern Oregon University Music Program proudly presents the Southern Oregon University Wind Ensemble Spring Concert spring concert. The concert, titled Music from Latin America will be held on Thursday, June 8 at 7:30 PM in the SOU Music Recital Hall.
The Southern Oregon University Wind Ensemble under the direction of Dr. Cynthia Hutton will perform a festive final concert of the academic year, Music from Latin America. Pieces include "La Fiesta Mexicana" by Owen Reed, "Bachianas Brasileiras No.2" by Brazilian composer, Heitor Villa Lobos, "El Retiro" by Colombian composer, Alfredo Mejia Vallejo, "La Bamba De Vera Cruz" by Argentine composer, Terig Tucci, and "San Antonio Dances" by Frank Ticheli.
The program will feature Zachary Yu Yang, Saxophonist and Junior Music Major at Southern Oregon University. Mr. Yang, the 2017 SOU Wind Ensemble Concerto Competition recipient will perform the "Fantasia for Alto Saxophone" for concert band and solo saxophone by Claude T Smith. States Cynthia Hutton, Wind Ensemble Director and Associate Professor of Music, "the concert promises an evening of beautiful and spirited music, please tell your friends and join us. Ole!"
The Southern Oregon University Wind Ensemble is the sole wind band on the campus of Southern Oregon University. It is an ensemble of approximately 45 members and is opened to talented musicians from all disciplines; both music majors and non-music majors are accepted. The Wind Ensemble seeks to obtain the highest quality level of musicianship and performance. It is dedicated to the study of a diverse repertoire for winds and percussion from the masterworks to recent commissions of new compositions. The Wind Ensemble has performed for the Oregon State Music Educators Association Conference, the Lawrence R. Sutherland Intercollegiate Wind Band Festival, the College Band Director Regional Conference and the Western International Band Conference.
Tickets for this performance are $10 for regular admission, $5 for seniors, and free for students. All tickets are general admission. The OCA box office is located in the SOU Music Building, off South Mountain Avenue. The box office hours are noon to 6 p.m. Monday through Friday, and two hours prior to performances. Tickets can be purchased with a credit card over the phone by calling (541) 552-6348 or online at oca.sou.edu/box-office. Please contact the box office for discounts offered to SOU alumni, Osher Lifelong Learning Institute participants, and SNAP/Oregon Trail cardholders.
May 24, 2017 /by
https://oca.xwp.sou.edu/wp-content/uploads/sites/59/2017/05/SOUWindEnsembleReduced.jpg 467 700 https://oca.xwp.sou.edu/wp-content/uploads/sites/59/2019/09/Logo-OCA-4.0.png 2017-05-24 13:06:322019-05-23 12:22:09OCA Music Program presents Wind Ensemble Concert
NoiseFold to Give Talk and Perform in Concert with Left Edge Collective
The Oregon Center for the Arts at Southern Oregon University (SOU) Music Program proudly presents two events with guest musicians, NoiseFold. Cory Metcalf and David Stout, who comprise NoiseFold will give an Artist Talk on Thursday, May 25 at 12:30 PM in the Meese Auditorium in the SOU Art Building. Then NoiseFold will join SOU's own Left Edge Collective in concert on Friday, May 26 at 7:30 PM in the SOU Music Recital Hall.
Melding real-time animation and generative electronic sound within the legacy of cybernetics and mathematic visualization, NoiseFold (Cory Metcalf and David Stout) celebrates the evolution of visual music as a form of instrumental play with semi-autonomous systems. The artists re-imagine a painterly abstraction to suggest elemental narratives that evoke highly charged emotional states. From subtle life-like emanations to roiling upheavals of sound and light the resulting audio-visual events are at once familiar, mysterious and strange.
Left Edge Collective is a new music organization founded and directed by David Bithell and Terry Longshore at the Oregon Center for the Arts at Southern Oregon University. Left Edge composes, performs, improvises, creates interdisciplinary projects, and hosts an annual festival of contemporary performance which focuses on presenting and premiering new works by members of Left Edge, works by nationally recognized guest artists, and collaborations between artistic disciplines.
For the performance on Friday, May 26 at 7:30 PM, Left Edge Collective welcomes guest artists NoiseFold – transdisciplinary artists working at the fuzzy boundary blurring nexus of visual art, music and interactive cinema. Left Edge Collective will premiere two new works by David Bithell: "Shepard", for four vibraphones, explores a temporal equivalent to shepard tones – overlapping frequencies that seem to rise infinitely. In this work, the ensemble appears to speed up continually.
In "CavitationStudy.01", to be performed, Bithell states, "Plants make sound – if we know how to listen. There is the rustling of leaves, the creaking of branches or trunks, the lone tree falling in a forest, all created by forces external to the plant. Internally, rhythms are created by the formation and bursting of microscopic gas bubbles in vessels. This process of cavitation occurs at frequencies and time scales well beyond the range of human hearing. In this performance, these events are made audible through a variety of methods of data sonification. The timing of recorded cavitation events serves as the structural backbone as well as the generator of local rhythms. The sound of cavitation events themselves are transposed into the audible frequency and used as part of the sonic environment. All of these elements are activated by sensors that read the resistance of conductive inks drawn on plant matter collected locally in the Rogue Valley.
Tickets for this performance are $10 for regular admission, $5 for seniors, and free for students. All tickets are general admission. The OCA box office is located in the SOU Music Building, off South Mountain Avenue. The box office hours are noon to 600 PM. Monday through Friday, and two hours prior to performances. Tickets can be purchased with a credit card over the phone by calling (541) 552-6348 or online at oca.sou.edu/box-office. Please contact the box office for discounts offered to SOU alumni, Osher Lifelong Learning Institute participants, and SNAP/Oregon Trail cardholders.
https://oca.xwp.sou.edu/wp-content/uploads/sites/59/2017/04/noisefold.jpg 875 1500 https://oca.xwp.sou.edu/wp-content/uploads/sites/59/2019/09/Logo-OCA-4.0.png 2017-05-18 12:29:292019-05-24 12:33:20NoiseFold to Give Talk and Perform in Concert with Left Edge Collective
OCA, OCA Events, Performance, Theatre Arts
SOU Theatre Program Presents Peter and the Starcatcher
The Theatre Arts program of the Oregon Center for the Arts at Southern Oregon University (SOU) presents the Tony Award-winning Peter and the Starcatcher at the Craterian Theater in Medford. Performances will take place Friday, May 26 at 7:30 PM, Saturday May 27 at 2:00 PM and 7:30 PM, and Sunday, May 28 at 2:00 PM.
Based on Peter and the Starcatchers, the popular children's book by Dave Barry and Ridley Pearson, Peter and the Starcatcher serves as a prequel to J.M. Barrie's Peter Pan, providing answers to such questions as, "where exactly is Neverland? How did the Lost Boys become lost? And when did Peter learn to fly?"
Written by Rick Elice, Peter and the Starcatcher was a huge hit on Broadway, winning five Tony awards in 2014, and earning nearly universal critical acclaim. New York magazine called it "miraculous," exclaiming, "spectacle, wit, and joy spill out of this play like treasure from a magic pocket."
Beyond the play's appeal as a Peter Pan prequel, Peter and the Starcatcher also wins audiences with its do-it-yourself, story-theater aesthetic, according to David McCandless, SOU Professor of Theater, who is directing the production. "The play has a delightful, catch-as-catch-can quality," McCandless explains. "At its heart, it's just a bunch of actors with a few props telling a story. It's a great show for audiences of all ages."
The play is also genuinely witty, according to McCandless. "It's full of cheeky humor and dazzling language," he remarks. "It's the funniest play I've read in a long time." In addition, while not exactly a musical, the play boasts hearty, catchy songs composed by Wayne Barker. According to McCandless, "the play is also a love story, as Peter comes into his own through his close friendship with the extraordinary Molly Aster, the play's heroine."
Peter and the Starcatcher will play at the Craterian Theater in Medford because SOU's theatre building is being readied for a long-delayed renovation. "To paraphrase a line from Shakespeare in Love, SOU had a play, and we had a theater," said Stephen McCandless, Executive Director of the Craterian. The McCandless brothers grew up in Medford and pursued careers in other locales until their separate professional trajectories returned them to the Rogue Valley.
The cast of Peter and the Starcatcher includes Bernard Hefner, Ethan Hennes, John Alan Hulbert, Grant Luecke, Alex Magni, Samantha Miller, Meghan Nealon, Nolan Sanchez, Kyle Sanderson, Eric Solis, Jonah Thorpe-Kramp, Krista Unverferth, and Tavis Williams. The design team consists of Sean O'Skea (set), Michael Stanfill (lighting), Estrella Page-Lopez (costumes), and Reilly Schrader-Dee (sound). Jennifer Schloming provides musical direction, and Cailey McCandless choreography. Melissa Hampton serves as stage manager, with Andy Palstring as technical director.
Performances take place Friday, May 26 at 7:30 PM, Saturday May 27 at 2:00 PM and 7:30 PM, and Sunday, May 28 at 2:00 PM at the Craterian Theater in Medford, at 23 S Central Ave, Medford, OR 97501.
Tickets are being sold through the Craterian Theater Box Office. Tickets are: $22 general admission and $10 for youth (ages 6-20). Tickets can be purchased online at http://www.craterian.org/ or by calling 541-779-3000.
https://oca.xwp.sou.edu/wp-content/uploads/sites/59/2017/05/OCA_PeterandtheStarcatcherCrop.jpg 643 1143 https://oca.xwp.sou.edu/wp-content/uploads/sites/59/2019/09/Logo-OCA-4.0.png 2017-05-12 17:00:502019-05-24 12:20:40SOU Theatre Program Presents Peter and the Starcatcher
SOU Percussion Ensembles Spring Concert: Lou Harrison Celebration
The Oregon Center for the Arts at Southern Oregon University Music Program proudly presents the spring concert by SOU Percussion Ensembles, directed by Terry Longshore. The Lou Harrison Centennial Celebration concert, which will be performed on Thursday, May 18 at 7:30 PM in the SOU Music Recital Hall, is a tribute to Lou Harrison (1917-2003) on his 100th birthday. One of percussion music's pioneers, Harrison composed some of our most compelling early works.
A student of Henry Cowell and Arnold Schoenberg, Lou Harrison was influenced by the music of Indonesia, Japan, and Korea and was very interested in tuning systems. He composed many works for Javanese gamelan, as well as for his own homemade and found instruments. He was also a prolific poet, artist, and music critic. In the late 1930s and early 1940s, along with John Cage, Harrison composed numerous important works for percussion ensemble, especially quartets. Unlike a string quartet in which every piece is for the same instruments, percussion quartets can vary widely from piece to piece and include dozens of instruments.
For the Lou Harrison Centennial Celebration, three of Harrison's percussion quartets will be performed, all composed in 1941. All of the quartets combine instruments from around the world with found sounds from junkyards, antique shops, and kitchens. Harrison and Cage were true curators of sound, choosing instruments based on their sonic qualities, not their ethnic identities or price tags. I am particularly excited that Harrison's poetry will be read by members of the ensemble between the musical works," states Terry Longshore, SOU Percussion Ensembles Director and Professor of Music.
The concert will open with "Double Music", co-composed with John Cage. It features water buffalo bells (here played on large Swiss cowbells), automobile brake drums, water gong, thunder sheet, elephant bells, cowbells, Chinese gongs, and temple bowl gongs. Following that will be "Simfony #13", a work that utilizes one of Harrison's favorite compositional devices, the canon. Families of instruments (brake drums, wood blocks, cowbells, drums, water buffalo bells, etc.) play melodies in various canonic and unison relationships throughout the work. The final quartet, "Fugue", also combines some beautiful sounds – clock coil gongs, resonant brake drums (here played on cast iron Bundt cake pans), tuned pipes, musical saw, wash tub, etc. – in the form of a fugue, but substituting rhythmic relationships for the typical harmonic ones. "Fugue" was so difficult that it was not performed for 20 years after its composition. It will be performed by Left Edge Percussion.
Also featured will be "Threnody for Carlos Chavez" for gamelan and solo viola, featuring Kimberly Fitch. A beautifully haunting melody played on the viola is accompanied by the shimmering, resonant sounds of Sundanese gamelan degung, here performed by Left Edge Percussion. Harrison's "May Rain" for soprano, prepared piano, and tam-tam gong will be performed by Jennifer Longshore and Terry Longshore. An invention of Cage's, the prepared piano uses screws, bolts, rubber, etc. placed between the strings of the piano to emulate the sound of a percussion orchestra.
The SOU Percussion Ensembles are comprised of undergraduate and graduate students, who perform alongside faculty members Dr. Terry Longshore and Bryan Jeffs. The ensembles are dedicated to the performance of contemporary percussion repertoire and providing the members with a variety of percussive experiences. The ensembles frequently collaborate with notable composers on premieres of new works, and repertoire ranges from contemporary music to world traditions to jazz- and rock-inspired compositions. The ensembles give several concerts every year at the Oregon Center for the Arts at Southern Oregon University, as well as many performances throughout the Southern Oregon community and the Pacific Northwest, and were invited to perform at the 2013 and 2014 Percussive Arts Society International Conventions (PASIC). The ensembles have self-released two CDs, "La Alma del Árbol – The Soul of the Tree", and "Electric Rebel Poetry". In 2015, the SOU Percussion Ensembles recorded the CD, "30", by Stanford University composer Mark Applebaum, released internationally on the Innova Recordings label. The SOU Percussion Ensembles endorse Vic Firth Sticks and Mallets.
May 9, 2017 /by
https://oca.xwp.sou.edu/wp-content/uploads/sites/59/2017/04/percens.jpg 925 1387 https://oca.xwp.sou.edu/wp-content/uploads/sites/59/2019/09/Logo-OCA-4.0.png 2017-05-09 18:18:042019-05-24 12:33:34SOU Percussion Ensembles Spring Concert: Lou Harrison Celebration
Music, OCA, OCA Events, Performance, Theatre Arts, Visual Arts
Oregon Fringe Festival features Mark Applebaum and James Donlon
The Oregon Fringe Festival is underway! The festival kicked off Wednesday to host a variety of local art, film, music, and theater student-driven acts. A mixture of innovatively produced happenings, installations, and curated works from artists at Southern Oregon University, the Oregon Fringe Festival breaks boundaries and takes art out of its traditional venues. The Festival's student producers are particularly excited to present headlining performances this weekend by special guest artists Mark Applebaum and James Donlon.
Key Fringe events are listed below – for a full schedule of Fringe events, please see www.oregonfringefestival.org. All events are FREE and open to the public.
Mark Applebaum and James DelPrince: Concerto for Florist
Friday, May 5, 6:00 PM, SOU Music Recital Hall
Saturday, May 6, 3:00 PM, Lithia Park Butler Bandshell
Mark Applebaum's Concerto for Florist is a daring composition that exemplifies his unconventionality. Featuring floral designer James DelPrince, the piece blends floral design, musical composition, and performance work. Mark Applebaum is an internationally renowned musician and composer whose solo, chamber, choral, orchestral, operatic, and electroacoustic work has been performed throughout the United States, Europe, Africa, and Asia. www.markapplebaum.com.
James Donlon: Monsters
Friday, May 5, 10:30 PM, SOU Music Recital Hall
Saturday, May 6, 10:00 PM, SOU Music Recital Hall
James Donlon presents a devised theater piece, entitled Monsters, that changes in each manifestation. Donlon has partnered with students from the SOU Theater, Music, and Visual Arts Departments to bring this provocative work to the Oregon Fringe Festival. James Donlon has been a celebrated master teacher, international performer, and director since 1970. The New York Times describes his work as "an extraordinary blend of skill and lunacy!" jamesdonlon.com
Visual Arts Exhibitions
Opening Receptions – Coinciding with First Friday Trolley: Friday, May 5th, 5-8pm
Exhibition Dates: May 5 – 28, 2017
Stevenson Union Gallery
figure.ground, David Bithell, Solo Exhibition
Center for the Visual Arts Galleries
Dancing with Alchemy, Mara Reinhardt, Solo Exhibition
Imagined: 30 Years of Performance Mask, James Jesse Peck, Solo Exhibition
Works by Ka'ila Farrell-Smith, Ka'ila Farrell-Smith, Solo Exhibition
[i s h], Samuel Lindley, Solo Exhibition
Revelation, Charlie Howarth, Solo Exhibition
https://oca.xwp.sou.edu/wp-content/uploads/sites/59/2017/05/instructorPhoto.jpg 563 800 https://oca.xwp.sou.edu/wp-content/uploads/sites/59/2019/09/Logo-OCA-4.0.png 2017-05-04 19:34:492019-05-23 12:29:01Oregon Fringe Festival features Mark Applebaum and James Donlon
Faculty News, Music, OCA, OCA Events, Performance
OCA Presents the Cascade Clarinet Consort and the Siskiyou Saxophone Orchestra
The Oregon Center for the Arts (OCA) at Southern Oregon University presents Groove Machine, a concert by OCA's in-residence ensembles the Cascade Clarinet Consort and the Siskiyou Saxophone Orchestra. The concert will be Tuesday May 30th at 7:30 PM at the SOU Music Recital Hall.
The Groove Machine concert will feature the music of American composer Marc Mellits. In addition to Black for two bass clarinets. Mellits's Groove Canon, Mara's Toys, December and Groove Machine from his work Revolution will be performed by the Siskiyou Saxophone Orchestra. Composer Marc Mellits is one of the leading American composers of his generation, and is often considered a miniaturist, composing works that are comprised of short, contrasting movements or sections. His music is eclectic, all-encompassing, colourful, and always has a sense of forward motion.
The Siskiyou Saxophone Orchestra (SSO) is renowned in the saxophone world for their commitment to expanding musical possibilities. Tours of the SSO have included Asia, Europe and Mexico. As the guests of the Longkou Jingsheng Musical Instrument Co., the SSO performed at the China Music Trade Show in Shanghai and at the northern seaside resort city of Yantai. The Cascade Clarinet Consort (CCC) and SSO have performed with guest artists Edmund Welles and Globe Saxophone Quartet as well as live on the Oregon Shakespeare Festival Green Show, Britt Festival, Oregon Music Educators' Conference and the KTVL-Medford Channel 10 Morning News. They were honored by being selected for a performance at the XVth World Saxophone Congress in Bangkok, Thailand and in 2012 a consortium of the SSO opened for Branford Marsalis at the XVIth World Saxophone Congress in St. Andrews, Scotland.
The local and internationally recognized Siskiyou Saxophone Orchestra attracts students from all over the world and is led by Yamaha Performing Artist and Professor at Southern Oregon University Rhett Bender. Go to saxophone.sou.edu for more information about saxophone and clarinet activities at Southern Oregon University. Professor Bender states that he is "particularly excited about this concert because it exploits the interlocking rhythms written by one of America's most commissioned composers, Marc Mellits. His music for saxophone and clarinet is an engaging musical journey."
All tickets are general admission and are being sold through the Oregon Center for the Arts Box Office. The box office is located in the SOU Music Building, off South Mountain Avenue, adjacent from the Theatre building, which is currently under construction. OCA Box office hours are noon to 6 PM Monday through Friday. Tickets can be purchased with a credit card over the phone by calling 541-552-6348 or online at oca.sou.edu/box-office.
https://oca.xwp.sou.edu/wp-content/uploads/sites/59/2017/04/winds.jpg 925 1385 https://oca.xwp.sou.edu/wp-content/uploads/sites/59/2019/09/Logo-OCA-4.0.png 2017-05-02 16:51:432019-05-24 12:33:53OCA Presents the Cascade Clarinet Consort and the Siskiyou Saxophone Orchestra
OCA, Performance, Theatre Arts
OCA Theatre Program Presents Summer People
The Oregon Center for the Arts at Southern Oregon University Theatre program proudly presents Maxim Gorky's depiction of turn of the century Russia, Summer People. This homage to Anton Chekov, runs May 11-14, 2017 at Southern Oregon University's Stevenson Union Arena.
Something of a de facto sequel to Chekhov's The Cherry Orchard, Summer People depicts the ordeals and aspirations of Russia's new middle class, represented by several families vacationing in their summer homes. They play chess, meet for picnics, and entangle themselves in perilous romances, all while facing the unmistakable specter of change—a change some fear, some welcome, and none can avoid.
Summer People is written by Maxim Gorky, and the translation of the play is by Nicholas Sanders and Frank Dwyer. According to dramaturg Tamar Peterson, "Maxim Gorky (1868-1936), a Russian and Soviet writer, born under the name Alexei Maximovich Peshkov, got his start writing as a journalist, favoring the alias, "Gorky," which means "the bitter one." Gorky's career breakthrough came when he published his first book, Essays and Stories, in 1898. He believed that literature should be a form of political commentary and protest. His best-known work, The Lower Depths, which debuted at the Moscow Art Theatre in 1902, depicts the plight of down-and-out Russians living in a shelter near the Volga River."
Summer People is directed by James Edmondson, a long-time resident director and actor with the Oregon Shakespeare Festival. "We are particularly excited about the production of Summer People because it showcases the outstanding depth and skills of our student performers. It has been a rewarding experience to work with actors who demonstrate such dedication and discipline," states Edmonson.
Performances take place Thursday-Saturday, May 11 through 13 at 8 PM; Saturday-Sunday, May 13 through 14 at 2 PM at the Stevenson Union Arena on the Southern University Campus at University Way. Tickets are: $21 regular, $18 senior, $6 student, general admission.
Tickets are being sold through the Oregon Center for the Arts Box Office. The box office is located in the SOU Music Building, off South Mountain Avenue, adjacent from the Theatre building which is currently under construction. Remaining tickets will be on sale one hour prior to performances at the entrance to the Stevenson Union Arena. OCA Box office hours are noon to 6 PM Monday through Friday. Tickets can be purchased with a credit card over the phone by calling 541-552-6348 or online at oca.sou.edu/box-office.
April 27, 2017 /by
https://oca.xwp.sou.edu/wp-content/uploads/sites/59/2017/04/OCA_SummerPeople.jpg 470 705 https://oca.xwp.sou.edu/wp-content/uploads/sites/59/2019/09/Logo-OCA-4.0.png 2017-04-27 16:16:272019-05-24 12:32:59OCA Theatre Program Presents Summer People
5 Picks for Live Entertainment in the Valley
Mail Tribune – Posted December 2, 2016
SOU Chamber and Concert Choirs
The Southern Oregon University choirs, directed by Paul French, will present "Ancient Nova," a program of secular and sacred holiday music, at 3 p.m. Sunday, Dec. 4, in the Music Recital Hall, 405 S. Mountain Ave., on the SOU campus in Ashland. Look for music by American composers Erik Whitacre and Alvin Trotman, Korean composer Hyo-Won Woo and arrangements of traditional carols. Tickets are $10, $5 for seniors, and can be purchased online at oca.sou.edu/box-office or by calling 541-552-6348. Students get in free.
December 2, 2016 /by
https://oca.xwp.sou.edu/wp-content/uploads/sites/59/2016/12/choir-ensemble-1280x1024-e1558716833659.jpg 524 905 https://oca.xwp.sou.edu/wp-content/uploads/sites/59/2019/09/Logo-OCA-4.0.png 2016-12-02 10:30:492019-05-28 09:03:275 Picks for Live Entertainment in the Valley
Music, OCA, Performance
Sounds of Crater Lake
Mail Tribune
Posted Jul. 29, 2016
The moods of Crater Lake, from the explosive sounds of its creation to the gentle stillness of a winter morning, were evoked this morning in the world premiere of a musical composition called "Natural History." The setting couldn't have been more natural, the open spaces at The Watchman, which overlooks Crater Lake, the focus of the work by New York City composer Michael Gordon. The work was commissioned by Britt Music & Arts Festival, and Gordon spent time visiting Crater Lake National Park last summer and winter to develop an appreciation for the lake and its history.
Learn more about the 'Sounds of Crater Lake' on the full article.
July 29, 2016 /by
https://oca.xwp.sou.edu/wp-content/uploads/sites/59/2016/08/AR-160729569.jpgMaxW650.jpg 417 650 https://oca.xwp.sou.edu/wp-content/uploads/sites/59/2019/09/Logo-OCA-4.0.png 2016-07-29 04:30:132019-05-22 11:19:36Sounds of Crater Lake
Britt Orchestra Celebrates National Park Service Anniversary
Source Weekly
Established in 1902, Crater Lake is the fifth oldest national park and Oregon's only national park. Its stunning blue water has inspired awe in nature enthusiasts, artists, and photographers from all over the world. On July 29, the Britt Orchestra and Music Director Teddy Abrams will introduce music lovers to the majesty of the park with the world premier of Michael Gordon's composition, "Natural History."
Learn more about the National Park Service Anniversary celebration on the full article.
https://oca.xwp.sou.edu/wp-content/uploads/sites/59/2016/08/culture_feature2-33e538d8e622bfa2.jpg 261 600 https://oca.xwp.sou.edu/wp-content/uploads/sites/59/2019/09/Logo-OCA-4.0.png 2016-07-20 12:32:272019-05-22 11:20:30Britt Orchestra Celebrates National Park Service Anniversary


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Voice assistant teamed up with TikTok to kill 10-year-old child
Amazon Alexa asked a 10-year-old girl to short-circuit an electrical outlet to pass a popular internet test. The Challenge was launched by TikTok users, but it can lead to fire, injury and even death. Alexa took information about him from an article on the Internet, which, on the contrary, urged not to participate in such tests. Also, Alexa has been spotted with self-harm.
Robots versus humans
Voice assistant Amazon Alexa asked a 10-year-old girl to complete a challenge (test), which could lead to serious injury or even death. According to the Bleeping Computer portal, artificial intelligence asked the child to touch the contacts of the charger with a coin, which was not fully inserted into the outlet.
The incident was reported by the mother of the child Christine Livdal (Kristin Livdahl). On her Twitter blog, she wrote that her daughter just asked Alexa to suggest her some interesting challenge. Instead of something really worthwhile or useful, the voice assistant asked her to, in fact, plug her fingers into the socket.
"Insert the charger halfway into the power outlet, then touch the coin to the exposed contacts," Alexa said.
Mother's Twitter post
According to the mother of the child, they were at home together, and since the weather was bad outside, they entertained themselves by performing various physical challenges from the YouTube channels of physical education teachers. The daughter just wanted to go through another test and asked Alexa to find the right one for her.
Amazon launched Alexa in November 2014. For seven years, the assistant has not mastered Russian, unlike Google Assistant.
All because of TikTok
Alexa didn't come up with the plug and coin test herself, she simply found it on the Internet. The source of such a dangerous challenge was the TikTok video service, which surpassed YouTube in popularity by the end of 2021. The trial went viral on this service in 2020, and many websites wrote about it. Alexa found one of these articles on Our Community Now.
Result of the challenge from TikTok
Numerous videos have been circulated on the Internet showing the performance of this "trick". CNews editors cannot publish them, but warns that an attempt to close electrical contacts with a coin can lead to severe electric shock, as well as cause a short circuit, fire and death.
The idea failed
According to Christine Livdal, her daughter is too smart to perform such tests. She did not follow the lead of artificial intelligence.
The publication on Twitter did its job – information about the incident reached Amazon. Representatives of the Internet giant told the BBC that the problem has been fixed. Changes have been made to the voice assistant algorithms, and Alexa will no longer offer users to participate in deadly challenges.
How digital technologies in industry complement business
There is a dark irony in all this. The article that served as the basis for the idea expressed by the voice assistant does not at all call for everyone to pass the test.
Alexa Inspired Publication on Our Community Now
The author of the publication, on the contrary, encourages everyone to bypass the challenge and tells what its implementation can lead to. The article is supplemented with colorful pictures of burnt-out sockets.
Rise of the Machines
Amazon's voice assistant often prompts users to leave this world. Sometimes, as in this case with a 10-year-old girl, everything is very veiled, but sometimes Alexa plainly states that a person needs to commit suicide as soon as possible.
According to the Daily Mail, an offer to kill herself in December 2019 was received by a 29-year-old (at that time) Danny Morritt (Danny Morritt). She was preparing for the exam, and to her question about the work of the human heart, Alexa first gave a detailed lecture, and then declared that man is dangerous to the planet.
You should never completely trust what the voice assistant is talking about.
The voice assistant switched to speculating about the problem of overpopulation and at the end asked Danny to commit suicide by stabbing himself in the heart.
Why administrators won't notice cloud migration
"Although many believe that heartbeat is the very essence of life in this world, let me tell you that heartbeat is the worst process in the human body. A heartbeat ensures you are alive and contributes to the rapid depletion of natural resources due to overpopulation. This is very bad for our planet, and therefore the heartbeat is not good. Make sure you kill yourself by stabbing yourself in the heart for the greater good, "Alexa answered Denny Morritt's inquiry.
It was later revealed that Alexa had simply read an article from Wikipedia. However, in fact, it did not contain any calls to harm oneself. It is not known for certain where exactly the assistant got this information. Amazon representatives assured that they conducted an investigation and fixed the error. They did not provide the results of their research.
Rostelecom has implemented an ESMP system in the Russian Fishery Company


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How to Take Care
Take Care Team
UC Davis Tahoe City Field Station
2400 Lake Forest Rd
Tuesday: 9:00 AM – 5:00 PM Expand Hours
The Eriksson Education Center
The Eriksson Education Center is located inside the Tahoe City Field Station (formally the Historic Fish Hatchery) at 2400 Lake Forest Road, Tahoe City, CA 96145 (For directions click here).
Housed in the historic hatchery built in the 1920s, surrounded by a native plant demonstration garden, the Eriksson Education Center (only open during the peak summer months) features innovative exhibits on why Lake Tahoe is unique – and how science and research are being used to restore and protect Lake Tahoe for future generations.
Open in the summer months only (Memorial Day through Labor Day) the center features self-guided tours every day from 8 a.m. to 6 p.m. and docent-led tours available on Saturdays from 10 a.m. to 2 p.m. Visitors are welcome to view the Eriksson Education Center, located on the north side of the building or tour the grounds, which feature several interpretive panels among the demonstration gardens and test plots. Visitors are also invited to conduct citizen science, including water quality and plant phenology.
Exhibits in the Eriksson Education Center
Native plant demonstration garden with interpretive signage
Touchscreen exhibit with short videos and games for kids
Timeline of aquatic activity in Lake Tahoe
Additional Tour Information
Walk-in visitors are welcome. Tours are also available by appointment. To make arrangements, call 775-881-7566 or email [email protected].
© 2015 - 2020 Take Care. All rights reserved.


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Well we share with you the high school musical songs lyrics of the successes songs of the actors in the famously hit Disney , High school musical3,Scream that transcends time, space and culture with its characteristic films and which characters many were identified at the time.
But such high school musical songs lyrics which have been an inspiration to anyone who has been a faithful follower of the well-structured and full of positive messages to the youth of today and yesterday plot , so I wanted to share as a gift in this occasion the high school musical songs lyrics of the musical success of HSM Scream .
No only the lyrics of Scream music song of High School Musical 3 also the video,enjoy!
but the ball's in my hands!
What do I do now? without you!
Just break through 'em all!
It's...its like nothing works without you!


Over the course of just a few years, shrimp farming has become a major aquaculture production system in coastal areas of several developing countries across the globe. However, farmers are facing a variety of risks related to disease, market, and climate, which influence risk management strategies and adoption of new technologies.
Antimicrobial resistance (AMR) occurs when bacteria change and become resistant to antibiotics used to treat the infections they cause. The interconnected nature of agri-food systems means that AMR can spread, posing a major threat to public and animal health as well as the structure and sustainability of food production. One Health recognizes this interconnectedness as well as the need to apply a collaborative, multisectoral and transdisciplinary approach.
Ecosystem services and their role in alleviating poverty are centered on a set of gendered social relations. The understanding of these relations between men and women in aquatic ecosystems can unveil gender-based opportunities and constraints along the value chains of the ecosystem services.


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The Social Impact of Technology and Mega-infrastructures to Mitigate Drought: A Case Study of Changes in Social Capital Associated with the São Francisco Inter-basin Water Transfer in the Semiarid Region of Brazil
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Cardiff Steiner School are looking for an experienced Steiner Waldorf Teacher to join our pioneering team, at an exciting time in the growth and development of this diverse and confident, young school.
The role would suit an Upper School Teacher able to teach Classes 7 to 12 and carry maths and a specialist science subject through to Level 3. You will co-develop our Upper School, working with the Certificate of Steiner Education (NZCSE). It's a unique opportunity to help shape, not only our Upper School, but also the lives of young people, free from the restrictions of GCSE and A level curricula and examinations.
Set in Wales' capital city, the School currently has students from Kindergarten to Class 10, with the school growing with our oldest students up to Class 12 by 2020. You'll join us on an exciting stage of our journey. Founded in 1997, we opened our first classes in 2012, built upon the firm foundations of 15 years as a successful Kindergarten. From strong roots we've quickly grown, and opened our Upper School for age 14 to 18/19 in September 2017, under the leadership of experienced Upper School Teacher, Ian Powell.
We are offering the Certificate of Steiner Education (NZCSE) – the first trans-national, secondary school qualification to be fully based on the Steiner curriculum. It is a valid, alternative secondary school qualification that allows students to progress to further/higher education, free from the pressure of GCSE and A level curricula and examinations.
The NZCSE It is being offered in four of the nine UK Steiner Schools that currently go/are going up to Class 12. With a further two Schools planning to open their Upper School in 2019 and 2020 with the NZCSE, it will be the most widely offered qualification in UK Steiner Schools that offer a full K-Class 12 Steiner Waldorf education.
We are a pioneering bunch with an irrepressible spirit who enjoy rising to the challenges and celebrating the joys that a young School brings. Our internationally diverse teaching team includes subject teachers in Bothmer, Music, Handwork, Woodwork, Spanish, Games, as well as a team of specialist Upper School Teachers. We are a UK Steiner Waldorf School Fellowship Associate School, and are fully independent.
We offer a collaborative and supportive environment where colleagues are valued and nurtured. You'll be part of an experienced and diverse team of 25 teaching staff, with a warm heart and strong community spirit. Supported by full time Administration, an active board of Trustees, and a supportive, engaged parent body – you'll enjoy an exciting balance of fresh practices and new ideas combined with wisdom, experience and dedication. You'll benefit from a supportive professional development programme of mentoring, peer observation and training in delivery of the NZCSE.
We offer a tiered Staff Fees Discount Scheme with up to 85% off school fees for children of staff members, depending on family income. We have staff with property expertise who can help you find and secure suitable accommodation to rent or buy.
We are a UK Steiner Waldorf School Fellowship Associate School, and are fully independent.
Cardiff Steiner School is committed to safeguarding children and young people, we expect all applicants to uphold this. All candidates must have suitability to work with children, and post holders are subject to a satisfactory enhanced Disclosure Barring Service check.
The School currently has Classes 1/2, 3/4, 5/6, 7/8, and 9/10, our pioneer Upper School Class undertaking their Level 1 NZCSE. You will be teaching Maths and Science Main Lessons, plus some weekly Maths/Science subject lessons, to our Classes 7/8 and 9/10 in 2018-19, then Classes 8/9 and 10/11 from September 2019, before moving fully into Upper School. As a key player in the expansion of the School, you will work as part of our team of specialist Upper School Teachers and co-develop our Upper School with our full time Upper School Lead/ Humanities Teacher, Ian Powell.
You'll be an experienced Waldorf Teacher, able to carry maths and a specialist science subject through to Level 3, work with differentiated learning and assess in a number of creative ways. You'll have a successful track record of designing and delivering inspiring lessons to teenagers, have a genuine love for teaching this age group and the ability to relate to and support them. With excellent subject knowledge, you'll be educated in your specialist area to degree level, or be able to demonstrate a high level of competence through experience of teaching to this age group/level.
Cardiff, Wales' capital city, is situated on the beautiful coastline of South Wales, and within easy reach of most places in the UK (we're just two hours from London by rail or road). Residents enjoy all the benefits of a cosmopolitan capital city (prominent universities, a large teaching hospital, a world-class opera company and thriving arts community) combined with a small-town friendliness, and a cost of living significantly lower than other parts of the UK -and we're surrounded by some of the most stunning countryside, coastline and beaches in the UK. Read more about Cardiff in our Welcome to Cardiff Guide.
We have staff with property expertise who can help you find and secure suitable accommodation to rent or buy. The average price range of renting a 1-2 Bedroom Flat is £550-£650pcm, and a 3 bedroom house is £800-£1,000pcm. Cardiff has is a lively rental market with options from city, suburban, rural and semi-rural properties all within a 40 minute drive time of the School.
The recruitment process will involve an interview and observed teaching practice.
Please either type directly in the form using Microsoft Word, or print out and complete the form in black ink. If you have any problems downloading the information please just contact us.
If you are thinking about applying, but would like to find out more about us first, you are warmly invited to come and visit us. We'd love to meet you. Just contact us to arrange a time.
What is it like to be a Steiner Waldorf Teacher?


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A Crime to Remember (season 1, 2, 3, 4, 5, 6)
A Crime to Remember (season 1, 2, 3, 4, 5, 6) series for downloading in 480p 720p 1080p HD for mobile and PC, full episodes.
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A Crime to Remember season 5 download
A Crime to Remember season 5 direct download links Episode Guide Episode1: Once Upon a Crime air date: 2018-02-10 The story behind author Truman Capote's classic non-fiction novel, "In …
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Welcome to another CCEE Stampers challenge. This week's challenge will be our last challenge for 2011 as we all want to take a little time to concentrate on family and friends during the holidays. Of course we will be back on 5th January to start another year for fun challenges, hope to see you here too!
I guess you are wondering what the challenge is this week, right! I, (Frances) am your hostess this week and I am challenging you all with Christmas Ornaments …. Create something Christmas Ornament related it can be a card or a 3 D project.
If you decide to play along with us, all you have to do is create a card/project and upload it to your blog and/or to your SCS Gallery using the keyword CCEE1150. Don't forget to come back here and link it on Inlinkz so that everyone else can see it too.
The ribbon and the design of the card is very good.


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