text:
Assistant Professor in Sport Psychology
KSR is seeking to appoint a tenure-track Assistant Professor in sport psychology.
Assistant Professor in Behavioural Medicine
KSR is seeking to appoint a tenure-track Assistant Professor in behavioural medicine.
Assistant Professor, Sociology of Health, Department of Sociology
The Faculty of Arts, Department of Sociology invites applications for a tenure-track Assistant Professor position specializing in the sociology of health. The precise research speciality is open. The anticipated start date is July 1, 2022.
Instructor, Tenure Track, Department of Sociology
The Faculty of Arts, Department of Sociology invites applications for a tenure-track Instructor. The area of specialization is open but should complement the department's current course offerings. The anticipated start date is July 1, 2022.
Teaching Stream Assistant Professor in Psychology
The Department of Psychology, Neuroscience & Behaviour at McMaster University in Hamilton, Ontario, Canada invites applications for a full-time, teaching stream faculty position at the Assistant Professor level, beginning July 1, 2022.
Contract Limited-Term Appointment (One Year), Assistant Professor in Computer Science
Algoma University invites applications for an 1-year contractually-limited term appointment in Computer Science at the rank of Assistant Professor in the School of Computer Science and Technology, at its Sault Ste. Marie campus, commencing July 1, 2022 or as negotiated.
Contract Limited Term Appointment (Three Year), Assistant Professor in Computer Science
Algoma University invites applications for a 3-year contractually-limited term appointment in Computer Science at the rank of Assistant Professor in the School of Computer Science and Technology, at its Sault Ste. Marie campus, commencing July 1, 2022 or as negotiated.
Tenure Track, Assistant Professor in Computer Science-Cybersecurity
Tenure-track appointment in Computer Science at the rank of Assistant Professor in the School of Computer Science and Technology, at its Sault Ste. Marie campus, commencing July 1, 2022 or as negotiated.
Tenure-Track, Assistant Professor in Computer Science-Computer Graphics
Tenure-track appointment in Computer Science at the rank of Associate Professor in the School of Computer Science and Technology, at its Sault Ste. Marie campus, commencing July 1, 2022 or as negotiated.
Tenure Track Assistant Professor-Biology-Environmental Science
Tenure-track appointment in Environmental Science at the rank of Assistant Professor in the Department of Biology, at its Sault Ste. Marie campus, commencing 1 July 2022 or as negotiated.


The solution posted by Kieran is correct.
So white moved something into h8, and the knight captured it, but what?
A Bishop? impossible, both bishops were captured in their stating position.
And then it was a Rock, a promoted Rock!
The only pawn that can promote is the a2 pawn.
Black doesn't make any capture with his pawn and it means that they were captured by the a2 pawn in their original columns.
Finally black a7 pawn promotes to a rock, but what rock? the h4 or the f5?
It is impossible to determinate!


text:
Q: Create TFLite file with InceptionV3 and Food101 Im trying to create a TFLITE model to use on Android.
Im using InceptionV3Model with Food101 dataset.
Im new to this all ML world.
I found this code from TensorFlow that Im trying to use :
https://github.com/tensorflow/hub/blob/master/examples/image_retraining/retrain.py
I can't figure out where to add and what to add to convert the model into TFLite.
Please explain me about checkpoints and frozen graphs, and help to create TFLite model.
Thanks.

A: You could first export the model to saved_model by settting --saved_model_dir
and then using TFLiteConverter.from_saved_model.
https://www.tensorflow.org/versions/r1.15/api_docs/python/tf/lite/TFLiteConverter#from_saved_model

redpajama_set_name: RedPajamaStackExchange


text:
package org.apache.camel.builder.script;

import java.util.HashMap;
import java.util.Map;
import java.util.concurrent.ExecutorService;
import java.util.concurrent.Executors;

import org.apache.camel.builder.RouteBuilder;
import org.apache.camel.component.mock.MockEndpoint;
import org.apache.camel.test.junit4.CamelTestSupport;
import org.junit.Test;

/**
 * Tests a routing expression using JavaScript
 */
public class JavaScriptExpressionTest extends CamelTestSupport {

    @Test
    public void testSendMatchingMessage() throws Exception {
        MockEndpoint mock = getMockEndpoint("mock:result");
        mock.expectedMessageCount(1);

        getMockEndpoint("mock:unmatched").expectedMessageCount(0);

        Map<String, Object> headers = new HashMap<String, Object>();
        headers.put("foo", "bar");
        sendBody("direct:start", "hello", headers);

        assertEquals("Should get the message header here", mock.getExchanges().get(0).getIn().getHeader("foo"), "bar");
        assertMockEndpointsSatisfied();
    }

    @Test
    public void testSendNonMatchingMessage() throws Exception {
        getMockEndpoint("mock:result").expectedMessageCount(0);
        getMockEndpoint("mock:unmatched").expectedMessageCount(1);

        Map<String, Object> headers = new HashMap<String, Object>();
        headers.put("foo", "foo");
        sendBody("direct:start", "hello", headers);

        assertMockEndpointsSatisfied();
    }

    @Test
    // START SNIPPET: e1
    public void testArgumentsExample() throws Exception {
        getMockEndpoint("mock:result").expectedMessageCount(0);
        getMockEndpoint("mock:unmatched").expectedMessageCount(1);

        // additional arguments to ScriptEngine
        Map<String, Object> arguments = new HashMap<String, Object>();
        arguments.put("foo", "bar");
        arguments.put("baz", 7);

        // those additional arguments is provided as a header on the Camel Message
        template.sendBodyAndHeader("direct:start", "hello", ScriptBuilder.ARGUMENTS, arguments);

        assertMockEndpointsSatisfied();
    }
    // END SNIPPET: e1

    @Test
    public void testArgumentsWithStringMap() throws Exception {
        getMockEndpoint("mock:result").expectedMessageCount(0);
        getMockEndpoint("mock:unmatched").expectedMessageCount(1);

        Map<String, Object> headers = new HashMap<String, Object>();
        Map<String, Object> arguments = new HashMap<String, Object>();
        arguments.put("foo", "bar");
        arguments.put("baz", 7);
        arguments.put("", "foo");
        arguments.put(null, "bar");
        headers.put(ScriptBuilder.ARGUMENTS, arguments);

        sendBody("direct:start", "hello", headers);

        assertMockEndpointsSatisfied();
    }

    @Test
    public void testArgumentsWithIntegerMap() throws Exception {
        getMockEndpoint("mock:result").expectedMessageCount(0);
        getMockEndpoint("mock:unmatched").expectedMessageCount(1);

        Map<String, Object> headers = new HashMap<String, Object>();
        Map<Integer, Object> arguments = new HashMap<Integer, Object>();
        arguments.put(0, "bar");
        arguments.put(1, 7);
        headers.put(ScriptBuilder.ARGUMENTS, arguments);

        sendBody("direct:start", "hello", headers);

        assertMockEndpointsSatisfied();
    }

    @Test
    public void testArgumentsWithNonMap() throws Exception {
        getMockEndpoint("mock:result").expectedMessageCount(0);
        getMockEndpoint("mock:unmatched").expectedMessageCount(1);

        Map<String, Object> headers = new HashMap<String, Object>();
        String arguments = "foo";
        headers.put(ScriptBuilder.ARGUMENTS, arguments);

        sendBody("direct:start", "hello", headers);

        assertMockEndpointsSatisfied();
    }

    @Test
    public void testSendingRequestInMutipleThreads() throws Exception {
        getMockEndpoint("mock:result").expectedMessageCount(0);
        getMockEndpoint("mock:unmatched").expectedMessageCount(100);

        long start = System.currentTimeMillis();
        ExecutorService executorService = Executors.newFixedThreadPool(100);
        for (int i = 0; i < 100; i++) {
            executorService.submit(new Runnable() {
                @Override
                public void run() {
                    Map<String, Object> headers = new HashMap<String, Object>();
                    String arguments = "foo";
                    headers.put(ScriptBuilder.ARGUMENTS, arguments);

                    sendBody("direct:start", "hello", headers);

                }

            });
        }

        assertMockEndpointsSatisfied();
        long delta = System.currentTimeMillis() - start;
        log.info("Processing the 100 request tooks: " + delta + " ms");

        executorService.shutdown();
    }

    protected RouteBuilder createRouteBuilder() throws Exception {
        return new RouteBuilder() {
            public void configure() throws Exception {
                from("direct:start").choice().
                        when().javaScript("request.headers.get('foo') == 'bar'").to("log:info?showAll=true").to("mock:result")
                        .otherwise().to("mock:unmatched");
            }
        };
    }
}

redpajama_set_name: RedPajamaGithub


text:
Q: Выбор покупателя исходя из условия Есть такая задача выбрать покупателей, у которых возраст от 10 до 50 лет?
Для решения задачи написал такой скрипт
SELECT pokupatel FROM humans WHERE date_rojdenia BETWEEN 10 and 50;

но проблема в том, что поле date_rojdenia хранит значения в unixtime и в тоге у меня выводится совсем не то, подскажите как решить проблему?

A: 10 лет назад:
DATE_SUB(NOW(), INTERVAL 10 YEAR)

50 лет назад:
DATE_SUB(NOW(), INTERVAL 50 YEAR)

Получается так:
SELECT pokupatel FROM humans WHERE date_rojdenia
   BETWEEN DATE_SUB(NOW(), INTERVAL 50 YEAR)
       and DATE_SUB(NOW(), INTERVAL 10 YEAR);

A: Проблему с временной меткой решил так, может кому-нибудь пригодится
SELECT pokupatel FROM humans WHERE date_rojdenia
BETWEEN UNIX_TIMESTAMP(NOW() - INTERVAL 50 YEAR) and UNIX_TIMESTAMP(NOW() - INTERVAL 10 YEAR);


Funlazio offers end-user the chance to win great prizes by playing our high skill quizzes on our online quiz portal. Each prize competition will run for 3 months for which we charge the user Rs.49 per week. As we are promoting a weekly subscription fee, we will send a new quiz to the subscriber every week. Each quiz con-sists of 6 questions which entail 5 multiple choice and 1 mathematical question. Subscriber needs to answer these questions as quickly as possible in order to get the highest score.
After the competition period ends, the user with the fastest and most correct answers wins the promoted prize. Every 3 months we will select 1 winner. After the competition period ends, active subscribers will automatically participate in the next competition period to win the promoted prize. The prizes we are offering vary from iPhones, Samsung phones, Gift vouchers & more.


text:
using System;
using System.Diagnostics;
using System.Net;
using Microsoft.AspNet.Mvc;
using SolutionsAI.DataInterface.Commands.Base;
using SolutionsAI.Response;
using SolutionsAI.Response.DTOs;

namespace SolutionsAI.Utility
{
    public static class ControllerExtensions
    {
        public static GenericResponse<TResult> GetGenericResponse<TResult>(
            this Controller controller,
            Func<CommandResult<TResult>> executeCommand,
            bool checkAuthority,
            string email = null)
        {
            return controller.CheckAuthority(() =>
            {
                try
                {
                    var commandResult = executeCommand();
                    controller.Response.StatusCode = (int) ResponseUtility.GetStatusCode(commandResult.State);
                    return ResponseUtility.Respond(commandResult);
                }
                catch (Exception ex)
                {
                    Debug.WriteLine(ex);
                    controller.Response.StatusCode = (int) HttpStatusCode.InternalServerError;
                    return new GenericResponse<TResult>
                    {
                        Success = false,
                        ErrorMessage = "Internal Server Error"
                    };
                }
            }, checkAuthority, email);
        }

        public static GenericResponse<TResponseResult> GetGenericResponse<TResult, TResponseResult>(
            this Controller controller,
            Func<CommandResult<TResult>> executeCommand,
            bool checkAuthority,
            string email = null)where TResponseResult: BaseDTO<TResult>, new()
        {
            return controller.CheckAuthority(() =>
            {
                try
                {
                    var commandResult = executeCommand();
                    controller.Response.StatusCode = (int)ResponseUtility.GetStatusCode(commandResult.State);
                    return ResponseUtility.Respond(commandResult, result =>
                    {
                        var responseResult = new TResponseResult();
                        responseResult.FillFromEntity(result);
                        return responseResult;
                    });
                }
                catch (Exception ex)
                {
                    Debug.WriteLine(ex);
                    controller.Response.StatusCode = (int)HttpStatusCode.InternalServerError;
                    return new GenericResponse<TResponseResult>
                    {
                        Success = false,
                        ErrorMessage = "Internal Server Error"
                    };
                }
            }, checkAuthority, email);
        }

        private static GenericResponse<TResult> CheckAuthority<TResult>(
            this Controller controller,
            Func<GenericResponse<TResult>> getResult,
            bool checkAuthority,
            string email = null)
        {
            if (!checkAuthority ||
                (!string.IsNullOrWhiteSpace(email)
                && controller.User.HasAuthority(email)))
            {
                return getResult();
            }
            controller.Response.StatusCode = (int) HttpStatusCode.Forbidden;
            return new GenericResponse<TResult>
            {
                Success = false,
                ErrorMessage = "You are not authorized to perform this operation"
            };
        }

        public static BaseResponse GetBasicSuccessResponse(
            this Controller controller)
        {
            controller.Response.StatusCode = (int) HttpStatusCode.OK;
            return new BaseResponse
            {
                Success = true
            };
        }

        public static BaseResponse GetBasicFailureResponse(this Controller controller, HttpStatusCode statusCode)
        {
            controller.Response.StatusCode = (int)statusCode;
            return new BaseResponse
            {
                Success = false
            };
        }

        public static BaseResponse GetBasicFailureResponse(this Controller controller, HttpStatusCode statusCode, string error)
        {
            controller.Response.StatusCode = (int)statusCode;
            return new BaseResponse
            {
                Success = false,
                ErrorMessage = error
            };
        }

        public static GenericResponse<TResult> GetGenericResponse<TResult>(
            this Controller controller,
            Func<int, CommandResult<TResult>> executeCommand,
            bool checkAuthority,
            string email = null)
        {
            return controller.GetGenericResponse(
                () => executeCommand(controller.User.GetUserId()),
                checkAuthority,
                email);
        }

        public static GenericResponse<TResponseResult> GetGenericResponse<TResult, TResponseResult>(
            this Controller controller,
            Func<int, CommandResult<TResult>> executeCommand,
            bool checkAuthority,
            string email = null) where TResponseResult : BaseDTO<TResult>, new()
        {
            return controller.GetGenericResponse<TResult, TResponseResult>(
                () => executeCommand(controller.User.GetUserId()),
                checkAuthority,
                email);
        }

        public static GenericResponse<TResponseResult> GetGenericResponse<TResult, TResponseResult>(
            this Controller controller,
            Func<string, CommandResult<TResult>> executeCommand,
            bool checkAuthority,
            string email = null) where TResponseResult : BaseDTO<TResult>, new()
        {
            return controller.GetGenericResponse<TResult, TResponseResult>(
                () => executeCommand(controller.User.GetUserEmail()),
                checkAuthority,
                email);
        }
    }
}


text:
Book Review: Girl Talk by Julianna Baggott
Julianna Baggott is my new idol, at least in the way she approaches the writing life.
I discovered her at AWP, where she led a panel about women's fiction, the title of which was, I think, something along the lines of "Beyond Chick Lit.: The Branding of Women's Fiction." The panel was really good, with the panelists discussing how writing about women becomes political.
How? In the way that women's fiction is constantly branded. For instance, I just wrote "women's fiction." But when I discuss the latest work of Cormac McCarthy I don't do it in reference to "men's fiction." Have you ever even heard the term? Along the same lines, chick lit is always disparaged, just the same way that Oprah books are often dissed.
One of the other panelists, who I believe was a novelist named Anne Ishi, talked about how female authors don't get the same attention that male authors do, and she had an interesting theory about it that goes like this: although the vast majority of readers of fiction are female, the biggest demographic for film is male, particularly young males. Getting a book made into a book gives a film cachet and buzz, but because of the movie demographic, most of the books getting made into films are by males or male oriented. (Or they are branded as romantic comedies or date movies and again disparaged.)
Emily Franklin, who writes young adult novels, discussed how the need to categorize women's fiction debases the readership and makes it narrower, and Quinn Dalton talked about how male characters are allowed to be unlikeable–but female characters must always be likable.
So it was a great panel, and I enjoyed it. I really loved that Julianna Baggott is so prolific that she writes adult novels, children's literature, and poetry, teaches in the Florida State University creative writing program and also edits the Southeast Review. Oh, and she has four small children. Oh, and she is such a prolific novelist and she got tired of being branded a chick lit author so she decided to brand herself and is now going to write chick lit under the name Bridget Asher and continue to write "serious" fiction under her own name. As my sister would say, Gee-Zus.
So with all of this recommending her, I picked up Baggott's book Girl Talk and read it on the plane to and from LA. I'm a little disaappointed to admit that I am not wildly enthusiastic about the novel. I liked it, but I didn't love it. Girl Talk is sort of two stories in one–it has a contemporary frame story with the heroine Lissy as a pregnant adult. She looks back on her life, to one particular summer, and that story forms a coming-of-age tale that is by far the most compelling of the two.
The problem I had with the novel is that the adult story really never amounted to much. I didn't feel that the adult Lissy grew or changed or came to terms with her situation, and I ended up thinking that this adult story was an excuse to pad out the other one. At the end of the novel, I was left with the feeling, wait, I read the whole book just for that?
So I had a mixed reaction to the novel. But its author is still my new idol, at least until someone else comes along to usurp her spot.

redpajama_set_name: RedPajamaCommonCrawl


text:
BUY FROM $7.99
Cary Grant stars as an innocent man mistaken for a spy in one of director Alfred Hitchcock's greatest thrillers. While leaving New York's Plaza Hotel, advertising executive Roger Thornhill (Grant) has the misfortune of standing just as the name "George Kaplan" is paged--starting a lethal case of mistaken identity and a nonstop game of cat and mouse as he is pursued across North America by espionage agents trying to kill him--and by police who suspect him of murder.
Cary Grant, Eva Marie Saint, James Mason, Jessie Royce Landis, Leo G. Carroll, Josephine Hutchinson, Philip Ober, Martin Landau, Adam Williams, Edward Platt, Robert Ellenstein
© 1959 Turner Entertainment Co.
Critics Consensus: Gripping, suspenseful, and visually iconic, this late-period Hitchcock classic laid the groundwork for countless action thrillers to follow.
VultureHound
Charlotte Harrison
Upon first watching it's a thrill to be taken on a journey of the unexpected... But it's upon the...
Maclean's Magazine
Clyde Gilmour
Its ingenious and witty script by Ernest Lehman was one of the handful of notable "originals" at a...
FlickDirect
Allison Rose
With North By Northwest truly being one of Alfred Hitchcock's best films, it was a pleasure to fin...
What a beautiful film. Hitchcock confirms his care for details in this romantic story about confus...
The Age (Australia)
Nearly getting killed never looked like so much fun.
Whitney Balliett
A hopelessly attenuated round of mistaken identity, cloak-and-dagger doings, sympathetic but helpl...
Isabel Quigly
You know, whether the film is first- rate or not, that you are going to have fun there: because Hi...
The Arts Desk
By seeming to acknowledge the insanity that surrounds him and taking droll pleasure in it, Grant i...
Penelope Houston
This is the purest piece of entertainment filmmaking we have had from him in some years; it is als...
Matthew Anderson
Though North by Northwest boasts some of Hitchcock's most ambitious and memorable set pieces it is...
Witty Hitchcock thriller piles on suspense and innuendo.
Parents need to know that North by Northwest is a Hitchcock classic that includes suspenseful scenes such as a forced drunken car chase on windy roads and a crop duster chase with shooting and an explosion. Typical of the era, there's drinking of hard liquor and smoking, with a seductive lighting-up featured in one scene. More seductive elements include forward sexual banter and some kissing -- the clothes stay on but there's a mention that the main characters slept together in their train car. It's also worth noting that the main character undergoes a big transformation, from fast-talking and unscrupulous ad exec to a man who risks his own life to find out the truth that will exonerate him.
Genre:Drama, Thriller
Release Date:July 17, 1959
The Drowning Pool
The Company You Keep
Runaway Jury
Atlas Shrugged: Part 3
Atlas Shrugged II: The Strike
Atlas Shrugged Part 1
Hitman: Agent 47
Anatomy of a Murder
The House On 92nd Street


Two years ago, we checked into the Bronx's Grand Concourse, which, back then, was already closely watched for the generously proportioned prewar apartments in its Art Deco and Art Moderne buildings. Since then, it has only grown more popular—reason enough for another check-in on prices. To this end, we asked the team at NeighborhoodX to pinpoint the top 10 most affordable properties currently for sale on the avenue.
Note: The co-ops are all market-rate, excluding designated affordable housing, short sales, and foreclosures.
The 10 most affordable properties ranged in asking price from $90,000 (for a studio at 1010 Sherman Ave.) to $269,000 (a two-bedroom at 1075 Grand Concourse). These comparatively buyer-friendly prices aside, properties in the neighborhood went all the way up to $360 per square foot, though they were more commonly between $200 and $250 per square foot. The prices are on par with other Bronx neighborhoods like Spuyten Duyvil and Riverdale.
"Looking at the upper end of a price range for a neighborhood can be informative, especially for a neighborhood in transition," explains Constantine Valhouli, co-founder of Neighborhood X. "Seeing that others are willing to pay much more on a per-square-foot basis can provide context ... and helps those newer to the neighborhood see for themselves whether a particular property is actually a bargain."
It's important to recognize the accessibility of the neighborhood and its rather easy commute, adds Valhouli. (The commute to midtown on either the B, D, and 4 trains takes about 25 minutes.) "There is very little else in this price-per-square-foot within a comparable commute to midtown. (The area is less expensive on a per-square-foot basis than Hamilton Heights, Washington Heights and Inwood, for example.) Plus, it "has the name recognition, notable architecture, and the foot traffic and familiarity by people coming to [Yankee] Stadium."
The history behind Grand Concourse, the "Champs-Élysées of the Bronx"


Press the "Add to cart" button on the product page and follow the procedure.
You will receive an e-mail with a link to your own personal page as well as the activation code for the software (if required).
Click on the link and connect to this page using your private credentials. Once on your page, you will have a list of all your downloads including the new one you just ordered. Click the download button and follow the procedure.
Since the number of downloads is limited, it is highly recommended to make a personal safety backup copy of your software once downloaded.
This is legal and highly recommended.
For download products, we are unable to refund/change if you find the product too complicated or unsuitable for your personal use.
All your downloads are displayed on your personal dowload page.
Check this page on a regular basis as we will constantly update your download files with the latest software version.


The Little Miss Figgy Tree produces tons of dark purple figs with amber flesh. They are incredibly sweet and juicy, perfect for adding to desserts and salads.
In Episode 2 of Visionary, this happens to Shiori when she first falls out of the skydiving plane.; Oruchuban Ebichu Ebichu pees herself at the end of Episode 5 when the delivery man returns and he finds out that she devoured somebody else's order of Camembert cheese.
January 7, 1988 Top 10 Things that are Hot in the Soviet Union 10. Yankee rocker Bert Convey 9. Wet babushka contests 8. Turnips Cajun style 7.
This incredible machine can swing 16quot; over the bed, comes with a 2 HP motor and sports a spindle tachometer with a digital readout. Changing speeds is easy with the shift on the fly handle so there are no belts to mess with.


Public restrooms are one of the most important factors in a customer's opinion of your business. And Enviro Master Services can help keep your patrons happier than ever.
We're excited to announce yet another website launch! Enviro Master Services of Washington D.C. can provide you with all the most important public restroom cleaning options. Public restrooms are one of the most important factors in a customer's opinion of your business. And Enviro Master Services can help keep your patrons happier than ever. With a sparkling public restroom, you can run your business without having to worry about it. Find out what Enviro Master Services can do for you.
Public restrooms are notorious for spreading diseases and being generally unsanitary. Not a lot of people feel comfortable using public restrooms for this reason–unless, of course, the restroom looks to be in top shape. Enviro Master Services will provide professional cleaning services to keep your restroom looking clean and healthy. They can also take care of unpleasant odors, which may cause a customer to leave a poor review. But it's also a health concern. Dirty restrooms can spread diseases like hepatitis A, streptococcus, E. coli and shigella. Many Americans don't wash their hands properly, which means these diseases can be prevalent on all contact areas. And you certainly don't want to be touching that!
A lot of the surfaces in bathrooms, such as porcelain or tile, can't be cleaned of all germs with a quick swipe of bleach. Only Enviro Master Services' unique germ-killing chemicals will be able to truly penetrate these surfaces and kill all germs. By attacking these bacteria at the source, Enviro Master is able to eliminate uncleanliness and odors all at once. Their Sani-Service is available all across Maryland, and offers many benefits. Check out their website for more information.
Adventure Web Interactive can help with your social media needs!


This spacious bag is ideal for fun shopping days, day trips and there's even room for a towel for sunshine days at the beach! The front panel is made from Economy patchwork blocks, which are great for fussing cutting. The back of the bag has a zippered letterbox opening for a secure pocket.


Many people may not know this, but Memorial Day weekend marks the anniversary of my (Phyllis') dad dying unexpectedly 17 years ago. It's amazing to me that some of the memories are still so fresh and real....almost palpable....and others? Others have faded with time. It is always sad to realize that the good memories are fading. However, I am thankful that some of the uncomfortable memories have become gray in color rather than stark black and white. The vividness of both of those kinds of moments are now lightened with God's grace and time.
I was surprised this year to miss my dad and the fact that my husband and children will never get to meet him. It caught me off guard, and I was tempted to have a pity party, if I am honest. In the quiet moments, another thought caught my mind too.....but this one? It tempted me to put a stake in the ground, a visual, tangible reminder that I can come back to and lay ahold of to recall the lesson I learned. In the Old Testament, God's people used to name a place and build an altar when they had a significant "God experience." Today? I was challenged by that idea.
My God, my Heavenly Dad, is STILL faithful (Heb. 10:23).
I wish I could capture more of what I mean when I say that, but words escape me.
He has been SO good through the years and through that traumatic experience, and ya know what the sweetest part about it all is? While I can't introduce those closest to me now to my earthly dad, I STILL get to introduce them, Lord willing, to my Heavenly Father! THAT is a privilege beyond comparison, and it is one I could NEVER accomplish on my own! Thank you to all those who sacrifice and give out of obedience and love so that we can serve our Good God here in PNG and share our Precious Lord with those around us. We are thankful this holiday for that gift and so many others...to God be the Glory!
Showing everyone the awesome sucker he got!


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Considering that it is a novel about the vanity – the emptiness – of human wishes, what strikes us first about Vanity Fair is that it's a thumping big read. Weighing in at over 800 pages, it's about as solid an expression of emptiness as one could wish to find. Though Thackeray was writing bang in the middle of the nineteenth century,this novel is rooted in the previous century, in the tradition of Henry Fielding, with Tom Jones its clearest forebear. It is realist, it is rumbustious, it is picaresque, and it is full of the detail of actual life in all its stupidity but also its inherent humanity. Nothing could actually be further from a view of life as vain and empty of meaning, since it assumes with enormous authorial confidence that the reader will be endlessly interested inits representation of the world. Yet Vanity Fair makes explicit reference to John Bunyan's Pilgrim's Progress, taking its title from Bunyan's depiction of the never-ceasing, always-turning spectacle of human appetite in the town of Vanity, presided over by Beelzebub. Pilgrim Christian turns aside the temptations offered by Bunyan's Vanity Fair; but Thackeray astutely sees that for we ordinary humans, those temptations are harder to resist. And part of the pleasure we take as humans is in having ourselves represented to us, even if the mirror held up to nature is more like a fairground hall of mirrors, which distorts us and shows us at our most grotesque.
Thackeray is a classic omniscient narrator who holds a narrative position outside his characters, observing them even as he creates them and their action. He takes a consistently ironic stance to them, exposing their weaknesses, sometimes brutally, sometimes generously. But unlike Bunyan,he offers no better world beyond as an impetus to good behaviour in the present one. In Vanity Fair, the present world is what we have; and we must fare in it as we can. Ultimately, his realism embodies a sympathy with the flawed human condition, even when he is mercilessly exposing its frailty.
And in Becky Sharp Thackeray creates a character to match the cut-throat society he depicts. From the outset, Becky knows she has no-one to defend her but herself. In Thackeray's one concession to sentiment regarding her, we see her at the start of her adventures having to be 'her own Mamma' (a phrase further repeated); 'she had never been a girl, she said: she had been a woman since she was eight years old.' This initial explanation of Becky's character is not over-egged, and by the time we reach her most egregious betrayals (and possibly worse), we have almost forgotten it. But for Miss Rebecca Sharp it is always there, underlying all she does. She knows the society in which she lives; she knows that by that society's standards, she has nothing, so that she must use all that she has within her, which that society does not see, or underestimates, to make her own way. Key to Becky's struggle is her being a woman, and Thackeray's achievement in creating this most remarkable of female characters is that he does not condemn her, but rather accords her the profoundest respect that can be given by any writer – he takes her seriously.
But Thackeray keeps us guessing, because he is also guessing himself. Indeed he is literally guessing, since this novel was published in serial form, with monthly episodes, which Thackeray wrote as he went along and as the story unfolded. The similar, though necessarily curtailed, television serialisation may hope to capture some of the surprises which await us in the narrative (surprises I've tried not to signal). And this is the great strength of the novel as a whole, that it unfolds before us, with fortunes depending sometimes on the smallest detail or turn of action. The author holds his constantly ironic, amused, acute gaze on the whole world of people he creates, but rather than passing judgement himself he leaves us to do so. He is, however, clear that it's not a very nice world. Amelia and Dobbin aside – and even they are shown to have their shortcomings in being too self-effacing and idealising of others – the rest of the populace he creates have as their driving force a pure and unlovely self-interest. In a society driven by money and class, any form of human virtue takes a tumble. But therefore, Becky, who is in one absolute sense honest in her lack of virtue, and entirely understands her own self-interested motives, comes to seem like a form of heroine. This, Thackeray avers from the start, is a novel without a hero. But in Becky Sharp it can be said to have its own heroine, and a tragic one at that.
The adaptation of a novel so capacious will inevitably result in simplification and some severe cutting, though it may also enhance and reveal. The underlying image, and indeed the opening passage of the novel, 'Behind the Curtain', is of a puppet show, a carnivalesque performance, the world as a theatrical event with a Manager of the Performance (possibly God, or more likely in Thackeray's godless universe, the novelist himself). We're told in the very first sentence that as this 'Manager of the Performance sits before the curtain ... and looks into the Fair, a feeling of profound melancholy comes over him in the survey of the bustling place.' If the television adaptation can capture some of this surrealist topsy-turvy grotesque and its underlying melancholy, it will be doing service to Thackeray's underlying intention.
In the meantime, and for all its sheer size, but also taking pleasure in that size, I commend the novel to you. It is large in spirit as well as girth; it is full of good humour, and it will make you laugh at the frailties of human nature which are now as they were then. It will make you wince in recognition at a society consumed with a desire for riches and self-advancement,where virtue goes unrewarded, money speaks, and the larger part of humanity go forth through the world with very little awareness of the venality of their own motives. But such is Thackeray's knowing but ultimately benign eye that we enjoy the sheer vitality of the world we're shown. This is not Bunyan's straitened path to glory in another world, but the human world with all its pleasures, and its attendant woes, frailties and indignities. Thackeray imagines it with such fecundity that, though it is a world centuries removed from us, we find ourselves, as readers, belonging within it.
Sally Minogue's review of the ITV series will follow.


Euro Box Carts: Richardsons Shelving - Racking, Storage, Lockers, Steps and Platforms, Workbenches, Part Bins, Trucks, Trolleys and more.
Modular box cart trolleys, designed for the storage and transportation of Euro size boxes.
Boxes of different heights can be stored within the same unit.


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Smisch – The Story Of My Life (Album as mp3)
"Smisch is a singer-songwriter from Sweden, and his debut album The Story of My Life is kind of the "Swedish pop" version of a typical singer-songwriter album. The opening title track is a gem, recalling Neil Finn and "I Will Never" has its own breezy charm as well. Other standouts include "Together", which adds some piano to the mix and has an early solo McCartney feel, the sprightly "Summer Love", and "Break Yourself Free", a fine pop number that sounds like it could have come from Finn's band, Crowded House. At 15 tracks, there's something for everyone here in this quality debut"
– Steve Ferra, Absolute Powerpop blog
Smisch - The Story Of My Life (Album as mp3) quantity
Category: Album Tags: Album, buy, mp3, New, Singer Songwriter, singer songwriter music, Smisch, The Story Of My Life
This is the debut album of Smisch, released 11 january 2017, coming after a lifetime of writing songs. Starting when he was nine years old. Now 34 years old he's ready to reveal himself and his music. It consists of 15 singer songwriter songs, highly emotional – a lot about love – a lot about ups and downs in life. It's all real, and it's all about his own life. Weaved together with melodies that gets stuck.
1 The Story Of My Life 4:20
2 I Will Never 3:24
3 A Too Vivid Dream 5:17
4 The World Is Waiting 4:29
5 Together 2:31
6 Stuck 3:27
7 Easier Before 3:37
8 Summer Love 3:47
9 When You Smile 2:58
10 Break Yourself Free 3:37
11 Just Come Close 4:23
12 You Are My Life 3:00
13 One Million Remains 3:31
14 She 2:37
15 Crossroad Of Love 4:56
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The World Is Waiting as MP3
A Too Vivid Dream as MP3
Break Yourself Free as MP3
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Lock in a great price for Premier Inn London Stratford – rated 8.5 by recent guests!
The staff were really nice, very friendly and the room was clean comfortable and perfect for what we needed.
Went to a concert at Olympic park - great location great bars, restaurants and shops nearby. Easy links to transport.
Great location, good onsite restaurant. Very comfortable room and very clean.
The bed was comfortable, could have upgraded to a family room.
Everything about this hotel is good great location really clean and rooms are extremely comfortable that's why I keep coming back.
Premier Inn London Stratford This rating is a reflection of how the property compares to the industry standard when it comes to price, facilities and services available. It's based on a self-evaluation by the property. Use this rating to help choose your stay!
Opposite the Olympic Stadium in Stratford, this brand new hotel is just 1,000 feet from Stratford Underground Station. The modern hotel has a stylish restaurant and a 24-hour front desk.
The colorful rooms at Premier Inn London Stratford each have a flat-screen TV and high-speed Wi-Fi access. Rooms also feature air conditioning, a work desk and a private bathroom with a hairdryer.
Thyme Restaurant serves an all-you-can-eat breakfast buffet each morning, featuring cooked and continental options. There is also a contemporary bar, and there are vending machines for light snacks.
Premier Inn Stratford London is located next to Westfield Shopping Center, which features a large selection of shops and restaurants. Central London can be reached in a 15-minute bus ride.
When would you like to stay at Premier Inn London Stratford?
Hotel surroundings – This neighborhood is a great choice for travelers interested in entertainment, tourist attractions and monuments – Check location Excellent location – show map Guests loved walking around the neighborhood!
House Rules Premier Inn London Stratford takes special requests – add in the next step!
Premier Inn London Stratford accepts these cards and reserves the right to temporarily hold an amount prior to arrival.
Very helpful staff, especially at breakfast being able to find out what is egg and dairy free with their allergen book. Rooms well air conditioned, clean and comfortable. Check in machine handy. Breakfast clean, tasty and well organised.
It was a good location, clean and comfortable. Breakfast was good and friendly service throughout stay.
We would have liked more towels in the room , as only one bath towel was provided between 2 of us staying .
Brilliant location for concerts at the stadium and shopping centre. Fast rail service to Kings Cross on the doorstep.
No view from our room, looked directly at a car park wall. This wasn't too much of an issue as were out most of the time.
Location and staff are wonderful, room really clean and comfortable.


Celebrate the bounty of autumn at the 18th Century Autumn Festival at Senate House State Historic Site on Saturday October 6, 2012. From 11am-3pm visitors will have a chance to see demonstrations of activities that were traditionally done in the autumn during the 18th century including meat smoking, apple cider pressing, making apple butter and blacksmithing.
Hands on activities including making cornhusk dolls and action figures, dipping candles and making dried apple wreaths are also available and are fun for all ages. The 1st Ulster Militia will be encamped on the grounds demonstrating 18th century military camp life. Period music will be provided by "Marilee and Kate".
Guided tours of Senate House will be provided by costumed interpreters at regular admission rates of $4.00 for adults, $3.00 for seniors and free for children 12 and under, and members of the Friends of Senate House. All outside events are free. Everyone is invited to attend. Senate House State Historic Site is located on Fair St. in historic uptown Kingston, NY.
Senate House State Historic Site is part of a system of parks, recreation areas and historic sites operated by the New York State Office of Parks, Recreation, and Historic Preservation, and is one of 28 facilities administered by the Palisades Interstate Park Commission in New York and New Jersey. For further information about this and other upcoming events please call the site at (845) 338-2786 or visit the State Parks website at www.nysparks.com.


So last time in Paris, they played the Zenith. This time they're booked for Olympia. What's the difference? Is Olympia outdoors?
Olympia is a smaller venue than the Zenith. Olympia has less than 2k. Zenith has around 6k-7k.
Hopefully, they can play the other three songs from the self-titled on that show.
Yeah, seems like they're playing pretty intimate shows for this leg.
Given that their only UK show so far is the Sonisphere festival, I wouldn't say all the venues are that intimate!
Who else is going? Anyone want to meet up before the show for a pint or two?
I am. It will be difficult for me to meet the other forumers as I will be there just before the opening hour (I'll be in the jury for the oral exams of the Bac which finish at 6PM). Maybe after the gig or during the intermission. I'll be hanging around with some forumers of Your Majesty Forum (ex official French fan club) as I'm a moderator there.
Same setlist, same show...however the energy and the vibes were better. And Space Dye Vest is still awesome!


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More Collaborations with Artist B.G. Madden
February 16, 2020 February 18, 2020 Suss Müsik 0 Comment Collaborations, Compilations, Disquiet Junto, Music, Reviews art, B.G. Madden, Bernard Madden, Disquiet, glitch, Jan Oort, New Music, Reviews, Richard Serra, Tadeo Ando
Over the past year, Suss Müsik has enjoyed working with visual artist B.G. Madden on a series of art/sound collaborations. One piece explores system in nature to reveal hidden relationships between the natural work and synthetic technology. Another piece uses Madden's work as graphic notation, rendering pigment and plaster into polyrhythmic fields.
This partnership has produced three new pieces built almost entirely from audio scans of Madden's newest work: a series of open compositions inspired by the sculpture of Richard Serra and the architecture of Tadeo Ando. Both of these visionaries transform the brute aesthetic of their chosen materials into delicate studies of ever-shifting light.
Suss Müsik sought to accomplish a similar synthesis in sound. Madden's work was scanned using a computer algorithm. These unendurable blobs of static were processed in real time using the major pentatonic (five-tone) scale in keys of D# and F#. The process resulted in a rich library of sonic overlaps.
The first piece, titled Montessori, combines two dissonant (yet seductive) surface textures to form an engagingly simple configuration of glitchy ambience:
The second piece, titled Corbusier, references building architecture less subtly in both its title and single-chord scaffolding. The title is derived by the educational approach that focuses on behavioral observation:
The third piece, titled Dovum, was created from Madden's more Jan Dibbets-inspired work. The title is a mashup of the words doven (prayers recited in a Jewish liturgy) and ovum (a cell that reproduces when fertilized by its counterpart):
Marc Weidenbaum of Disquiet wrote a very kind analysis of Dovum that beautifully sums up what Suss Müsik has been trying to achieve since 2015: "a digital purity of sound that is employed to present materials whose cumulative chaos strives to approach that of the natural, analog, flesh-and-blood world." Thank you, Marc.
The entire B.G. Madden collaboration is available for listening on SoundCloud. Discussions are underway to release a proper album and play some live dates. Stay tuned.
Update = Yet another new collaboration has arisen. The piece is titled Oort, named after astronomer Jan Oort who discovered a sphere of icy objects at the edge of our solar system and from which comets are believed to originate.
Original graphite works by B.G. Madden are shown below:
Disquiet Review: "The Intention of Pace"
May 6, 2016 May 6, 2016 Suss Müsik 0 Comment Music, Reviews
Suss Müsik took a bit of a flyer on a recent piece entitled Tourbillon, which is named after the part of a watch mechanism that negates the effect of gravity. It's also, as Marc Weidenbaum notes in this lovely review for Disquiet, the French word for "whirlwind." We weren't quite certain how the result of phased piano, voice and Hammond organ would sound when looped and replayed live upon each other; at best, we envisioned a sort of a "drone-meets-Steve Reich-'Six Pianos'" type of thing. At worst, we imagined an unholy mess of repetitive dissonance (and not in a good way). We certainly relate to Weidenbaum's description of "a sheer haze that is pitched high and given an intense sense of forward motion," which seems to correspond with the latest Suss Müsik aesthetic: a particle cloud of decisions and events blurring through the senses as life carries on.
Collaboration Review
February 13, 2016 February 13, 2016 Suss Müsik 0 Comment Collaborations, Music, Reviews
Suss Müsik has been engaged in a number of productive collaborations with the wonderful artist and musician Marc Manning. Most recently, the partnership has resulted in a piece entitled Melting Square. Within 24 hours, the track attracted the most favorable attention in Suss Müsik's short history.
The track was subsequently reviewed by Disquiet's Marc Weidenbaum, who called the track "a moment of reflective calm before all hell breaks loose." Mr. Manning and Suss continue to work on new material, so perhaps the comparable respite of Melting Square is short lived!
Review of Suss Müsik on Disquiet
February 11, 2016 February 11, 2016 Suss Müsik 0 Comment Music, Reviews Reviews
Marc Weidenbaum wrote a lovely and interesting review of Suss Müsik's piece Augmentative, which Mr. Weidenbaum describes as "a dream-state in which a vision of travel is, in fact, a metaphor for some entirely other deeply rooted anxiety." It's almost as if he can peer into our souls.
The themes of Disquiet mirror the essence of Suss Müsik's occupational ethos: "Listening to art. Playing with audio. Sounding out technology. Composing in code." The entire blog is worth your time (many wonderful reviews of unknown composers to be found), as are the quietly intense images that comprise the author's Instagram gallery.


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Screenings of environmental doco 2040 will be free for students during its opening weekend
FlicksNews | 20 May 19
Director Damon Gameau's new documentary 2040 presents a hopeful vision of the future, imagining a world that embraces planet-replenishing environmental solutions.
The documentary, Gameau's follow-up to the highly successful That Sugar Film, is oriented towards young viewers.
So it is particularly good news that school-aged students will be able to see the film for free on opening weekend, at Palace Cinemas locations across the country.
One paying adult must attend with each student to redeem a free ticket. The offer applies at all sessions of 2040 at Palace Cinemas locations on Saturday 25th and Sunday 26th May 2019.
2040 has been well received by critics. Stephen Dalton from Hollywood Reporter wrote that it "uses a similar blend of pop science and zippy presentation to address climate change."
Cain Noble-Davies from Filmink says the film presents "a framework reliant on teamwork." And adds: "Wanting to create a better future is about as ambitious as a production can get, and the way Gameau and co. go about building its foundations are commendable."
2040 arrives in cinemas this week.
Essential environmental documentaries that'll make you want to change the world
Sarah WardFeatures
We recommend a bunch of environmental docos that explore different aspects of climate change.


This tutorial teaches how to use classes and id's in formatting more tags of the same type in a different way.
You know what classes in real life are - we put things into classes according to their properties. We can divide HTML tags into classes, so that we could format two similar objects in a different way. However, a class can hold more than one element, so you can have plenty of elements on your webpage that will be of the same class.
Id is an identification of tag which refers to exactly one tag - this means you must give a unique id to each tag.
Knowing this, decision is easy - use classes when you know you will have more elements that will use the same format, and use id's on elements that are unique in the document - like a div layer you use for positioning, footer etc. Also, there are tags that won't be given a class or id, because it isn't necessary.
.nav refers to the div of class "nav", and .nav a refers to all the a tags inside that div tag. The same works for .content.
After you've added that CSS, all we have to do is to put the navigation in a single div of class "nav", and the content in the div of class "content".
Now we have blue navbar with white links, and the rest of the page white with blue links.


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Q: Cannot copy data from text file into table in psql I just started learning PostgreSQL and I'm having a lot of trouble inserting the data from a text file into my tables. This is a task for school, so the sql code and text files were written by my teacher. This way I know there isn't actually anything wrong with the files.
The sql code:
drop view if exists Timeantall;
drop view if exists Varighet;
drop table if exists Timelistelinje;
drop table if exists Timeliste;

create table Timeliste (
 timelistenr int primary key,
 status text not null,
 levert date,
 utbetalt date,
 beskrivelse text not null,
 check (status = 'aktiv' or status = 'levert' or status = 'utbetalt')
 );

create table Timelistelinje (
 timelistenr int references Timeliste(timelistenr),
 linjenr int,
 startdato date not null,
 starttid time not null,
 sluttid time,
 pause int,
 beskrivelse text not null,
 primary key (timelistenr, linjenr)
 );

 create view Varighet AS
   select timelistenr,
     linjenr,
     (sluttid - starttid - pause) as varighet
   from (select timelistenr,
           linjenr,
           cast(extract(hour from starttid) as integer)*60 +
                cast(extract(minute from starttid) as integer) as starttid,
           cast(extract(hour from sluttid) as integer)*60 +
                cast(extract(minute from sluttid) as integer) +
                     case when sluttid < starttid then 60*24
                          else 0
                     end as sluttid,
           case when pause is null then 0
                else pause
           end as pause
    from Timelistelinje
    where sluttid is not null) as c;

 create view Timeantall AS
   select timelistenr, ceil(cast(minuttantall as real)/60) as timeantall
  from (select timelistenr, sum(varighet) as minuttantall
    from Varighet
    group by timelistenr) as m;

  \copy Timeliste from 'timeliste.txt' with delimiter '|' null ''

  \copy Timelistelinje from 'timelistelinje.txt' with delimiter '|' null ''

The problem occurs with the \copy command, where this is the error message:
psql:timelistedb.sql:51: ERROR:  invalid byte sequence for encoding "UTF8":
0xf8
CONTEXT:  COPY timeliste, line 2
psql:timelistedb.sql:53: ERROR:  invalid byte sequence for encoding "UTF8":
0xf8
CONTEXT:  COPY timelistelinje, line 3

Here are my text files:
Timeliste.txt
1|utbetalt|2016-07-04|2016-07-13|HMS-kurs
2|utbetalt|2016-07-08|2016-07-13|Innføring
3|utbetalt|2016-07-19|2016-07-27|Test av database
4|levert|2016-07-20||Innlegging av virksomhetsdokumenter
5|utbetalt|2016-07-20|2016-07-27|Oppsporing av manglende underlagsinformasjon
6|aktiv|||Identifisering av manglende funksjonalitet
7|utbetalt|2016-08-01|2016-08-10|Opprettelse av testdatabase

Timelistelinje.txt
1|1|2016-07-01|09:00|12:00||HMS del 1
1|2|2016-07-04|09:00|12:00||HMS del 2
2|1|2016-07-01|13:00|15:00|15|Innføring
3|1|2016-07-01|15:00|16:00||Test 1
3|2|2016-07-04|13:15|17:00|40|Test 2
3|3|2016-07-04|22:00|01:00|30|Test 3
3|4|2016-07-05|14:00|18:00||Test 4
3|5|2016-07-06|10:00|16:50|55|Test 5
3|6|2016-07-07|10:00|12:00||Test 6
3|7|2016-07-07|15:00|18:00|20|Test 7
3|8|2016-07-08|13:00|13:50||Test 8
3|9|2016-07-09|22:00|03:00|25|Retesting
4|1|2016-07-05|13:00|14:00||innlegging
4|2|2016-07-08|11:00|12:00||innlegging
4|3|2016-07-11|14:20|16:55|45|innlegging
4|4|2016-07-15|15:00|17:00||innlegging
4|5|2016-07-20|10:00|11:45||innlegging
4|6|2016-07-20|12:00|13:45||Enhetstesting
5|1|2016-07-13|09:15|12:00||Leting i arkivet
5|2|2016-07-18|14:30|16:00||Leting i arkivet
5|3|2016-07-19|15:45|17:20|20|Søk i databasene
5|4|2016-07-21|13:00|14:00||Leting i arkivet
6|1|2016-08-01|13:15|14:00||Diskusjoner
6|2|2016-08-02|11:00|12:10||Diskusjoner
6|3|2016-08-05|14:00|17:00|45|Skriving av notat
7|1|2016-07-13|14:05|16:10||Innlegging av data
7|2|2016-07-14|09:20|13:00|45|Vasking av data
7|3|2016-07-15|10:00|12:00||Testing
7|4|2016-07-18|18:00|00:15|50|Testing
7|5|2016-07-19|18:00|20:15||Innlegging av data
7|6|2016-07-21|17:15|22:00|35|Testing
7|7|2016-07-21|23:15|01:10||Feilsøking
7|8|2016-07-26|09:00|11:35||Testing
7|9|2016-08-01|10:30|12:40||Stresstesting

I have absolutely no idea how to solve this problem, I've tried a lot of googling but none of the solutions have helped at all. The deadline for the assignment is approaching as well, and I haven't even gotten to start yet because I can't seem to get past this.
Any help is greatly appreciated!

A: Verify the encoding of the file is UTF-8. make sure to save it as UTF-8, or if it's not, specify the right encoding when you run the copy command.
For example, if the file originated from an MS Office file, it's likely the endoding is WIN 1250.  Here is an example of how you would change the encoding upon calling copy:
copy Timeliste from 'timeliste.txt' with delimiter '|' null '' encoding 'WIN1250'


Stockholm is the capital of Sweden and with nearly 1 mio inhabitants the biggest city in Scandinavia.
Very popular for photography are the unique colorful subway stations like Solna or Radhuset. But the city itself is also a great visit for any kind of photographer with lots of water between the districts, that can be used as a nice foreground element.
The average temperatures for Stockholm are between -5 °C during the winter months up to 22 °C in July.
The airport of Stockholm is around 40 km north of the city, which is called Arlanda. There are 2 further airports in the south and west, which are around 100 km away. Both are also named Stockholm, so you should make sure, that you are arriving at the right one.
If you are traveling by car it's important to know, that there is a fee for entering the centre of the city during 6:30 am and 6:30 pm. The price depends on the amount of cars on the streets, so entering the time during commuters is the most expensive time slot.


Dr Jane Simmonds, UCL Institute of Child Health, developed a novel way of getting students to actively engage in reflection on feedback and feedforward to enhance their learning. The innovation was shared at the 2018 UCL Education Conference.
The project directly addressed assessment and feedback, one of the key areas for improvement at UCL.
While feedback and even feed forward for formative and summative assessments may be given to students, staff are often not sure if or how it has been used by students to help them to improve. Engaging students more overtly in the learning and feedback cycl, makes it possible to customise feedback/feedforward to meet each student's needs.
I introduced a reflective and self-assessment template for students to complete when submitting formative practice exam questions within one of the MSc Paediatric Physiotherapy modules.
I developed the template in response to students, particularly international students, who were asking for advice on how to tackle exams and improve performance in summative examinations.
In addition, I wanted to provide a way to help students to understand what is expected of them in examinations and other assessments and to engage them with feedback and feed forward between modules within a curriculum.
How did the template work?
It was a two-stage process.
Students were asked to reflect on previous feedback from prior educational experiences or from previous modules and to state how they had addressed that feedback.
The students self-assessed [a specific assignment?] using our marking criteria, to help them to understand the marking process and to request specific feedback/ feedforward from the tutors marking the work.
For example a student might grade themselves in the merit range and state that, based on previous feedback, they have worked specifically on trying to improving their ability to synthesize evidence, or to be more critical of the literature, or to improve the structure of their essay questions.
The tutor marking the work (in this case me), then provides very clear feedback and feed forward based on the student's reflection and also on how well they answered the question.
The intervention received positive feedback from students, who felt that it improved their assessment performance.
I also presented on the project at the 2018 UCL Education Conference. I felt that the student perspective was very important to share and therefore I decided to include three post graduate Physiotherapy students in the abstract submission and subsequent delivery of the session.
Within the conference session I provided a brief review of the assessment and feedback literature including the importance of formative assessment and feed forward. Issues of timing, specificity of feedback and feed forward and lack of student engagement in the process were presented.
What did you learn from sharing your innovation?
It was a fantastic experience to involve the students in the presentation at UCL Education Conference. I learned even more about the student perspective of receiving feedback, the type and timing of feedback/ feedforward and how lost and under pressure to perform they can feel, especially when coming from other countries, where the processes for assessment can be very different.
What was involved in terms of logistics, time or resources?
Projects like this do take time to develop and implement, however the impact on student performance and experience can potentially be very significant.
I started thinking about how to address the issue at the end of the 2015-2016 academic year. I began implementing the formative assessment with feedback and feed forward in 2016-17 and further refined the approach to include active reflection by students in my exam based modules in 2017-18.
The project itself is inherent to my work as module and programme lead. The work involved thinking/ problem solving, talking to students and colleagues and creating a template. Setting up moodle submission and providing feedback / feedforward to the 18 students who submitted the formative assessment took ~ 6 hours in total.
The preparation for the conference session took ~ 10 hours in total as I needed to create a plan for the presentation, including a review of the review literature, practice with the students.
What difference has this made to staff or students?
We have observed improvement in student grades in modules where this approach has been used. The group average grades have improved by ~ 4% (moving from a pass average of ~ 58% in 2016 to a merit average of ~62% in 2018). Student feedback has been excellent from those who engage in the process. PTES scores for Physiotherapy are excellent we have consistently scored between 97% – 100%.
We are further refining this process and I have implemented the process into another exam based module. We are now planning to introduce peer review in formative assessments and presentation for some of our other modules. In this way students can also learn from each other.
What 5 tips would you give to colleagues who would like to emulate your approach?
Did you know the assessment regulations have changed for 2018-19?


text: export { VexTab } from 'vextab/releases/vextab-div.js';


No one should have to choose between leaving an abuser and abandoning a beloved pet, yet the staff at Grammy's House finds too many victims are forced to make this choice.
The local domestic violence shelter is therefore pleased to announce the installation of four kennels, ready to house pets who are the forgotten victims and witnesses of abuse.
"Thanks to some awesome volunteering angels, we now have full-service kennels, food, shade, etc.," said Celina Bryant, Grammy's House executive director.
The kennel area is known as Lightening's Run in honor of a dog that was displaced from its family.
Grammy's House wishes to thank Linda Moreno, Lisa Swint, Pastor Sid Sides, Ruth Ann Calvert, Kevin Curtis, and Janet and Scott Richardson for making the service possible.
"The staff and board of directors will be forever grateful to these wonderful people who took the time and made the effort to construct these wonderful new homes for our precious four-legged survivors," Bryant said.


So on Mardi Gras eve, Mark came along with us, and it was good. It was in fact, excellent.
Thai La-Ong – there is something about the name that just makes me want to keep saying it aloud with a cheesy faux-oriental accent, stretching out the ong. It put a grin on my face even before the food arrived at our table.
Thai La-Ooong is a shockingly green, double-wide restaurant occupying two shop fronts. It was busy when we arrived, with a young, happy and loud crowd, so there was no chance of a window table. We settled down at a table in the middle of the second room, and Mark immediately showed off his Thai language skills by addressing the waiter in lingo (he can say hello and goodbye apparently), so we immediately appointed him our ongoing expert in all things Thai . He further impressed us with his local knowledge by pointing out that this place used to be a Vietnamese favourite called Old Saigon (he was close, Old Saigon was down the road a bit where Thai La-Ooooong 2 is now, according to Strop's inter-webby research).
Number 37 on the menu turned out to be in the stir-fry section: Pad Katiam Prik Thai – pepper and garlic with vegetables. In what seems to be a Thai restaurant tradition, the stir-fry and curry parts of the menu give you a choice of species for the protein component of your meal. We had a lively discussion about whether to double up on poultry or ungulates, chicken and duck versus beef and pork, until we realised that for an extra $4.90 we could rope in seafood by choosing prawns for the Gang Dang red curry, and avoid the issue altogether. We opted for pork with number 37 and also ordered Yum Ped Yang, the roasted duck salad.
The service was quick, we had hardly cracked our bottle of NZ Sauv Blanc before the first dish arrived. It was number 37, and it was good, with clean fresh flavours. The other dishes arrived in rapid succession, the curry and then the salad, and the food kept getting better and better. The duck salad was the clear winner but it was all very good. The only hiccup came with my first bite of the prawn curry, and unfortunately it wasn't alone. Much to Strop's amusement, I have developed Late Onset Chilli Induced Hiccup Syndrome, and it doesn't take much chilli to set me off, the prawn curry wasn't exactly a scorcher. I suspect that I may have missed out on my fair share of the food as I clamped down on my spasming diaphragm, trying to break the cycle of amusing convulsions.
Can I hiccup and take a photo at the same time?
When it came time to pay we had the good kind of bill-shock. Mark thought they had given us someone else's bill, presumably a lone diner's. This place is way better than you would guess from the colour of the walls – very good and very cheap.
Next up is an old favourite of ours, Rowda Ya-Habibi. It will be the first time that we have applied the Painting-the-Bridge blowtorch to the belly of somewhere we know. Will it survive intact?


text:
<?php
/**
 * Message translations.
 *
 * This file is automatically generated by 'yii message' command.
 * It contains the localizable messages extracted from source code.
 * You may modify this file by translating the extracted messages.
 *
 * Each array element represents the translation (value) of a message (key).
 * If the value is empty, the message is considered as not translated.
 * Messages that no longer need translation will have their translations
 * enclosed between a pair of '@@' marks.
 *
 * Message string can be used with plural forms format. Check i18n section
 * of the guide for details.
 *
 * NOTE: this file must be saved in UTF-8 encoding.
 */
return [
    'A message has been sent to your email address. It contains a confirmation link that you must click to complete registration.' => '',
    'A message has been sent to your email address. It contains a password that we generated for you.' => '',
    'A message has been sent to your email address. It contains your password and a confirmation link that you must click to complete registration.' => '',
    'Account' => '',
    'Account confirmation' => '',
    'Your account has been created' => '',
    'Your account has been connected' => '',
    'Account settings' => '',
    'Your account details have been updated' => '',
    'An error occurred and your password has not been changed. Please try again later.' => '',
    'An error occurred processing your request' => '',
    'Are you sure? Deleted user can not be restored' => '',
    'Awesome, almost there. Now you need to click the confirmation link sent to your new email address' => '',
    'Awesome, almost there. Now you need to click the confirmation link sent to your old email address' => '',
    'Blocked at {0, date, MMMM dd, YYYY HH:mm}' => '',
    'Complete password reset on {0}' => '',
    'Confirm account on {0}' => '',
    'Confirm email change on {0}' => '',
    'A new confirmation link has been sent' => '',
    'The confirmation link is invalid or expired. Please try requesting a new one.' => '',
    'A confirmation message has been sent to your new email address' => '',
    'Confirmation time' => '',
    'Credentials will be sent to the user by email' => '',
    'Error occurred while deleting user' => '',
    'A password will be generated automatically if not provided' => '',
    'Invalid or expired link' => '',
    'New email' => '',
    'New password' => '',
    'If you did not make this request you can ignore this email' => '',
    'Your profile has been updated' => '',
    'Recovery link is invalid or expired. Please try requesting a new one.' => '',
    'Something went wrong and your account has not been confirmed.' => '',
    'This email address has already been taken' => '',
    'This username has already been taken' => '',
    'Update user profile' => '',
    'User is not found' => '',
    'We have sent confirmation links to both old and new email addresses. You must click both links to complete your request' => '',
    'Welcome! Registration is complete.' => '',
    'You can not block your own account' => '',
    'You can not remove your own account' => '',
    'You can now log in with the following credentials:' => '',
    'We have received a request to reset the password for your account on {0}' => '',
    'You have successfully cancelled email changing process' => '',
    'An email has been sent with instructions for resetting your password' => '',
    'Thank you, registration is now complete.' => '',
    'Your account on {0} has been created' => '',
    'Your confirmation token is invalid or expired' => '',
    'Your email address has been changed' => '',
    'Your email address has been changed' => '',
    'Your password has been changed successfully.' => '',
    'Account has successfully been connected' => '@@A fiók sikeresen csatlakoztatva lett@@',
    'All user tokens have been deleted' => '@@Az összes felhasználó token-je törölve lett@@',
    'Are you sure you want to delete this user?' => '@@Biztosan törölni szeretné a felhasználót?@@',
    'Are you sure? Deleted user can not be restored!' => '@@Biztos benne? A törölt felhasználó adatait nem lehet visszaállítani!@@',
    'Awesome! You have successfully confirmed your email address. You may sign in using your credentials now.' => '@@Sikerült! Az email cím megerősítése sikeresen megtörtént. Mostantól bejelentkezhet az oldalra.@@',
    'Before your email will be changed we need you to confirm your new email address' => '@@Mielőtt megváltoztatja az email címét, szükségünk van az új email cím megerősítésére@@',
    'Blocked at {0, date, dd MMMM , YYYY HH:mm}' => '@@Tiltva {0, date, YYYY/MM/dd HH:mm} óta@@',
    'But if you are having troubles, you can request a new one by clicking the link below' => '@@De ha valamilyen problémába ütközik, kérhet egy újat az alábbi linkre klikkelve@@',
    'Cancel email change' => '@@Email cím változtatásának visszavonása@@',
    'Complete your password reset on {0}' => '@@Fejezze be {0} jelszavának megváltoztatását@@',
    'Confirm your account on {0}' => '@@Erősítse meg {0} fiókját@@',
    'Confirm your email change on {0}' => '@@Erősítse meg a {0} email címének megváltoztatását@@',
    'Confirmation needed' => '@@Megerősítés szükséges@@',
    'Confirmation token is invalid' => '@@A megerősítéshez használt token nem megfelelő@@',
    'Current email' => '@@Jelenlegi email@@',
    'Delete recovery tokens' => '@@Visszaállítási token törlése@@',
    'Email change has been cancelled' => '@@Az email cím változtatása megszakítva@@',
    'Email settings' => '@@Email beállítások@@',
    'Error occurred while deleting user!' => '@@Hiba történt a felhasználó törlése során@@',
    'A password will be generated automatically if not provided' => '@@Automatikus jelszó generáláshoz hagyja a mezőt üresen@@',
    'Information' => '@@Információ@@',
    'Last login at {0, date, MMMM dd, YYYY HH:mm} from {1}' => '@@utolsó bejelentkezés ideje {0, date, YYYY/MM/dd HH:mm} az alábbi címről {1}@@',
    'P.S. If you did not request to reset your password, please disregard this message. Your account is safe.' => '@@Ui.: Ha nem Ön kért jelszó beállítást, kérem hagyja figyelmen kívül ezt az üzenetet. A fiókja biztonságban van.@@',
    'Password and username will be sent to user by email' => '@@A jelszó és a felhasználónév emailben lesz elküldve a felhasználó számára@@',
    'Password recovery finished' => '@@A jelszó helyreállítása befejezeődött@@',
    'Password settings' => '@@Jelszó beállítások@@',
    'Please check your email and click the confirmation link to complete your registration' => '@@Ellenőrizze az emailjét és klikkeljen a megerősítő linkre a regisztráció befejezéséhez@@',
    'Please check your email and click the reset link.' => '@@Ellenőrizze az emailjét és klikkeljen a visszaállító linkre@@',
    'Profile updated successfully' => '@@A profil sikeresen módosítva lett@@',
    'Recovery token is invalid' => '@@Helyreállító token nem érvényes@@',
    'Registered from' => '@@Regisztráció helye@@',
    'Role' => '@@Szerepkör@@',
    'Thank you for registration on our website. You may sign in using your credentials.' => '@@Köszönjük, hogy regisztrált a weboldalunkra. Jelentkezzen be a hozzáférési adataival.@@',
    'The email can take a few minutes to arrive' => '@@Néhány perc is eltelhet amíg az email megérkezik@@',
    'Unconfirmed email' => '@@Az email nincs megerősítve@@',
    'User is not found!' => '@@A felhasználó nem található!@@',
    'We are sorry but your confirmation token is invalid. Maybe it is expired or does not exist. You can try requesting a new one by clicking the link below:' => '@@Sajnáljuk de a megerősítő token érvénytelen. Lehetséges, hogy lejárt vagy nem létezik. Az alábbi linken kérhet újat:@@',
    'We are sorry but your confirmation token is invalid. Maybe it is expired or does not exist. You can try requesting new recovery token.' => '@@Sajnáljuk de a megerősítő token érvénytelen. Lehetséges, hogy lejárt vagy nem létezik. Az alábbi linken kérhet új visszaállítási tokent:@@',
    'We need to confirm your email address' => '@@Szükségünk van az email címének megerősítésére@@',
    'You have been sent an email with instructions on how to reset your password.' => '@@Küldtünk Önnek egy emailt a jelszó visszaállításához szükséges további instrukciókkal.@@',
    'You have recently requested to reset your password on {sitename}' => '@@A közelmúltban jelszó helyreállítási kérelmet kért a {sitename} oldalon@@',
    'Your account has been confirmed' => '@@A fiókja megerősítve lett@@',
    'Your account has been created' => '@@A fiókja létrejött@@',
    'Your account on {0} has been successfully created' => '@@A fiókja a(z) {0} oldalon sikeresen létrejött@@',
    'Your password has been successfully changed. You can try logging in using your new password.' => '@@A jelszó megváltoztatása sikerült. Jelentkezzen be az új jelszavával.@@',
    'Your username is {0} and your password is {1}' => '@@A felhasználó neve:{0} a jelszava:{1}@@',
    '(not set)' => '(nincs beállítva)',
    'Already registered? Sign in!' => 'Már regisztrált? Jelentkezzen be!',
    'Are you sure you want to block this user?' => 'Biztosan le szeretné tiltani ezt a felhasználót?',
    'Are you sure you want to confirm this user?' => 'Biztos a felhasználó megerősítésében?',
    'Are you sure you want to unblock this user?' => 'Biztosan fel szeretné oldani a felhasználó letiltását?',
    'Bio' => 'Biográfia',
    'Block' => 'Tiltás',
    'Block status' => 'Tiltás állapota',
    'Change your avatar at Gravatar.com' => 'Változtassa meg avatar-ját a Gravatar.com-on',
    'Confirm' => 'Megerősítés',
    'Confirmation' => 'Megerősítés',
    'Confirmed' => 'Megerősítve',
    'Confirmed at {0, date, MMMM dd, YYYY HH:mm}' => 'Megerősítve ekkor: {0, date, dd MMMM, YYYY HH:mm}',
    'Connect' => 'Kapcsolódás',
    'Connect this account by entering desired username and your email address below' => 'Csatlakoztassa ezt a fiókot az alábbi felhasználónév és email cím megadásával',
    'Connect your account to {0}' => 'Csatlakoztassa fiókját {0} felé',
    'Continue' => 'Folytatás',
    'Create a user account' => 'Felhasználó létrehozása',
    'Current password' => 'Jelenlegi jelszó',
    'Current password is not valid' => 'A jelenlegi jelszó nem megfelelő',
    'Didn\'t receive confirmation message?' => 'Nem kapott megerősítő üzenetet?',
    'Disconnect' => 'Kapcsolat megszakítása',
    'Email' => 'Email',
    'Email (public)' => 'Email (nyilvános)',
    'Error occurred while changing password' => 'Hiba történt a jelszó megváltoztatásakor',
    'Error occurred while confirming user' => 'Hiba történt a felhasználó megerősítése során',
    'Finish' => 'Befejezés',
    'Forgot password?' => 'Elfelejtette a jelszavát?',
    'Gravatar email' => 'Gravatar email',
    'Hello' => 'Hello',
    'If you already registered, sign in and connect this account on settings page' => 'Ha már regisztrált, jelentkezzen be és kapcsolja össze fiókját a beállítások oldalon',
    'If you cannot click the link, please try pasting the text into your browser' => 'Ha problémákba ütközik, kérem másolja az alábbi url-t a böngészőjébe',
    'In order to complete your registration, please click the link below' => 'A regisztráció befejezéséhez klikkeljen az alábbi linkre',
    'In order to complete your request, please click the link below' => 'A kérés befejezéséhez klikkeljen az alábbi linkre',
    'In order to complete your request, we need you to verify that you initiated this request' => 'A kérés végrehajtásához le kell ellenőriznünk, hogy Ön kezdeményezte-e azt',
    'Invalid login or password' => 'Nem megfelelő felhasználónév vagy jelszó',
    'Joined on {0, date}' => 'Regisztráció ideje {0, date}',
    'Location' => 'Helyszín',
    'Login' => 'Bejelentkezés',
    'Logout' => 'Kijelentkezés',
    'Looks like this is first time you are using {0} account to sign in to {1}' => 'Úgy tűnik ez az első alkalom hogy {0} fiókot használ a {1} oldalra történő bejelentkezéshez',
    'Manage users' => 'Felhasználók menedzselése',
    'Name' => 'Név',
    'Networks' => 'Hálózat',
    'If you did not make this request you can ignore this email' => 'Ui: Ha valamilyen hiba miatt kapta meg ezt az emailt, kérem törölje',
    'Password' => 'Jelszó',
    'Password has been changed' => 'A jelszó megváltozott',
    'Please click the link below to complete your password reset' => 'Kérem klikkeljen az alábbi linkre a jelszó visszaállításához',
    'Please fix following errors:' => 'Kérem javítsa az alábbi hibákat:',
    'Profile' => 'Profil',
    'Profile settings' => 'Profil beállítások',
    'Recover your password' => 'Jelszó helyreállítása',
    'Recovery message has been sent' => 'Helyreállító üzenet elküldve',
    'Registered at {0, date, MMMM dd, YYYY HH:mm} from {1}' => 'Regisztráció ideje {0, date, dd MMMM, YYYY HH:mm} az alábbi címről {1}',
    'Registration ip' => 'Regisztráció IP címe',
    'Registration time' => 'Regisztráció ideje',
    'Remember me next time' => 'Emlékezz rám legközelebb',
    'Request new confirmation message' => 'Új megerősítő üzenet kérése',
    'Reset your password' => 'Jelszó visszaállítása',
    'Save' => 'Mentés',
    'Sign in' => 'Bejelentkezés',
    'Sign up' => 'Regisztráció',
    'Thank you for signing up on {0}' => 'Köszönjük, hogy a {0} regisztrált',
    'There is no user with this email address' => 'Nincs ilyen email címmel rendelkező felhasználó.',
    'This URL will only be valid for a limited time and will expire' => 'Ez az URL korlátozott ideig érvényes, utána lejár',
    'This account has already been confirmed' => 'Ez a fiók már meg lett erősítve korábban',
    'This account has already been connected to another user' => 'Az a fiók már össze lett kapcsolva egy másik felhasználóval',
    'Unblock' => 'Tiltás feloldása',
    'Update user account' => 'Felhasználói fiók módosítása.',
    'User has been blocked' => 'A felhasználó tiltva',
    'User has been confirmed' => 'A felhasználó megerősítve',
    'User has been created' => 'A felhasználó létrehozva',
    'User has been deleted' => 'A felhasználó törölve',
    'User has been unblocked' => 'A felhasználó tiltása feloldva',
    'User has been updated' => 'A felhasználó módosítva',
    'Username' => 'Felhasználónév',
    'Users' => 'Felhasználók',
    'Website' => 'Weboldal',
    'Welcome to {0}' => 'Üdvözöljük a {0} oldalon',
    'We have received a request to change the email address for your account on {0}' => 'A közelmúltban email cím változtatást kért a(z) {0} oldalon',
    'You need to confirm your email address' => 'Erősítse meg az email címét',
    'You will never have to use this form again' => 'Többet nem kell használnia ezt az űrlapot',
    'Your account has been blocked' => 'A fiókja tiltva lett',
    '{0, date, MMMM dd, YYYY HH:mm}' => '{0, date, YYYY/MM/dd  HH:mm}',
];


text:
Home National Free education for those whose family income is less than Rs 1.80...
Free education for those whose family income is less than Rs 1.80 lakh per annum: Haryana CM Manohar Lal Khattar
CHANDIGARH: Haryana Chief Minister Manohar Lal Khattar on Friday announced free education for those whose verified family income is less than Rs.1.80 lakh per annum.
Khattar said the government wants to ensure that no talented student belonging to a poor family loses a chance to pursue his or her dreams.
Free of cost education will be given to those whose verified family income is less than Rs 1.80 lakh per annum under the state government's ambitious Parivar Pehchan Patra (family id) scheme, he said.
The chief minister made this announcement while interacting with students who have cracked the civil services exam-2020 and JEE advance exam-2021 under Haryana's 'Super 100 Programme' during a state-level felicitation programme held at Panchkula.
Education Minister Kanwar Pal, Vidhan Sabha Speaker Gian Chand Gupta, and Ambala MP Rattan Lal Kataria were present on the occasion.
Congratulating the students who have cleared the civil services exam, Khattar said, "Each one of you should remember that you have decided to opt for civil service as a career option for serving the society as during your service period you will get innumerable opportunities to work in the diverse fields."
"Therefore, I expect that each one of you will certainly try your level best for achieving excellence to make Haryana proud," he added.
Lauding 29 students from poor background who have cracked the JEE advance exam, the chief minister said, "All of you are a great example that if you have talent, no one can stop you from achieving your dreams no matter if you belong to a poor family. I hope that all of you will make Haryana proud in whichever field you will opt for."
Khattar said according to the New Education Policy-2020, institutions are being set up in the state wherein education will be provided from KG to postgraduate levels.
"Initially, we are going to make an arrangement of imparting education from KG to PG in four universities. Kurukshetra University has started preparing for admission to be given under KG to PG scheme from this academic session that is 2021-22," he said.
Khattar said in 2014, when he was sworn in as the chief minister for the first term, ensuring overall and equitable development was his utmost priority.
However, among all other sectors, bringing revolutionary reforms in education was his primary focus, for which many new and unique schemes were formulated and set up by the state government.
At present, digital reforms have been brought to replace human interface in almost every wing of the government, he said.
Online teachers transfer policy is one of the greatest examples of this as under this system more than 90 per cent of teachers are satisfied, he claimed.
Similarly, various online reforms are being brought in to make the system paperless, faceless and transparent, he said.
"In the last seven years, we have been doing various works to bring in revolutionary reforms and ensuring government welfare benefits reach those at the bottom of the pyramid. I am now satisfied and overwhelmed that Prime Minister Narendra Modi has recognised our hard work," said Khattar.
Modi had on Thursday heaped praise on Khattar, saying that after decades, the state has got a government which works with absolute honesty and was the best in the last five decades.
Haryana CM
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text:
Shadow Loo
Anything Relevant And Interesting
A Look At Some Nice Games To Download From Gamesofpc Website
Free things would never fail to excite people. One of the most frequently sought-after free things are those which they could download online, which usually, come at a price. Some of these items include copies of music, TV shows, and in a lot of instances, video games. In the case of the latter, there are a lot of ways in order for you to get copies of the games, and one of these is to download them and Search for games to download on gamesofpc.com. Below are just some of the few games that you can get on the site:
This game is popular for those who want to travel back in time and get the "feels" of the past, as its setting is in the 30s of the previous century. The game comes with a twist, and that is having mythical monsters which make the game both delightful and surprising at the same time. Old adventure is the main thing that's going on in this one or multi-player shooter game, where you get to fight in cooperation. The setting is in the British Empire, where the mysteries and secrets of the civilizations have come and gone.
Another first-person shooting game that's worth the avail is Battlefied V. As the name of the game suggests, this is great for those who are looking for a game with a rich, long history. This is already the 5th version, and this is a testament to how warmly-received the game is. Just like the Strange Brigade, Battlefield V takes place in the previous century, but this time, it is set at World War II. The game allows you to play with a massive arsenal of weapons, most of which were really used during that era.
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text:
Lake Bled Slovenia
Events by QueenB!
I was naïve about this part of Europe, until a recent visit this past December/January. Bled lies at the foothills of the Julian Alps in Slovenia. It's a pristine and picturesque environment, where you find yourself surrounded by magnificent mountains and tranquil forests. The people of Bled have a rich history of folktales and fables. The most well known concerns the origin of Lake Bled. Legend has it that upon the arrival of humans, the fairies who had previously inhabited the area flooded the valley and created a lake with a small island in the middle, upon which they could continue to dance at night, undisturbed by the new arrivals.
The visual impact as I cast my eyes over the lake as it surrounds the island, was surreal and awe-inspiring that held me steadfast. Seeing the lake in person, I immediately understood how such a legend could come about. The whole area looks like it has come straight out of a Gothic fairy-tale book, like the ones I read as a child. Adding to the magical beauty and serenity of the lake is the Pilgrimage Church dedicated to the Assumption of Mary which sits atop the small island in the lake's center.
The 11th century Bled Castle that looks down on the lake presents a spectacular vista and conjures images of intrigue and its medieval origins in one's imagination. One can lose track of time thinking about life in Bled in the middle ages when gazing at the precipice upon which the castle is built.
The traditional mode of transportation to Bled Island is in a wooden boat known as a Plätten. These flat-bottomed boats have been built in a similar fashion since the 12th century. The specialised rowing technique, used by the oarsmen to propel and manoeuvre the vessels has been passed down within the same families from generation to generation.
Upon reaching the island, the 99 steep stairs present a challenge to any visitor. Even more so, however, to local young grooms, as tradition holds that it is considered good luck for the groom to carry his bride up the steps on the day of their wedding before ringing the bell and making a wish inside the church.
So if, like me, you hadn't heard of Bled, where fairies dance and fables live on, it's well worth a visit just to make a wish.
Trieste Italy


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