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Q: Convert to decimal when using CsvHelper When I try to use CsvHelper to parse the below CSV, I get a "conversion cannot be performed" error (full error is below). It looks like I'm missing something about how to deal with reading values as decimals. Have seen some other answers relating to setting the culture, but that doesn't seem to have helped.
The CSV data is:
Title,Amount,NHS,Reference,GoCardless ID,email,surname,firstname,Full Name,DOB,Age,Right Lens,Left Lens,RightLensMonthlyAmount,LeftLensMonthlyAmount,LensMonthlyAmount,FeeMonthlyAmount,VAT Basis,LensBespokePrice,CareOnly,Notes
Mrs,24.3,N,100247,CUXXX,email@gmail.com,User,Test,Test User,17/09/1957,64,DAILIES® AquaComfort PLUS 30 Pack,DAILIES® AquaComfort PLUS 30 Pack,16.5,16.5,33,6.35,,,,

My class to map this data to properties is:
public class Payer
    {
        public string Title { get; set; }
        public decimal Amount { get; set; }

        [BooleanTrueValues("Y")]
        [BooleanFalseValues("N")]
        public bool NHS { get; set; }

        public string Reference { get; set; }

        [Name("GoCardless ID")]
        public string GoCardless_ID { get; set; }

        public string email { get; set; }
        public string surname { get; set; }
        public string firstname { get; set; }

        [Name("Full Name")]
        public string Fullname { get; set; }

        [Name("DOB")]
        public string Dob { get; set; }

        public int Age { get; set; }

        [Name("Right Lens")]
        public string RightLens { get; set; }
        [Name("Left Lens")]
        public string LeftLens { get; set; }

        public decimal RightLensMonthlyAmount { get; set; }
        public decimal LeftLensMonthlyAmount { get; set; }
        public decimal LensMonthlyAmount { get; set; }
        public decimal FeeMonthlyAmount { get; set; }

        [Name("VAT Basis")]
        public string VATBasis { get; set; }

        public decimal LensBespokePrice { get; set; }

        [BooleanTrueValues("Y")]
        public bool CareOnly { get; set; }

    }

My code related to parsing the CSV is:
static void Main(string[] args)
    {
        var culture = new CultureInfo("en-GB");
        var config = new CsvHelper.Configuration.CsvConfiguration(culture);

        using (var reader = new StreamReader("test.csv"))
        using (var csv = new CsvReader(reader, config))
        {
            var records = csv.GetRecords<Payer>();
            Console.WriteLine("Got records"); //this prints on the console
            foreach (var payer in records)
            {
                Console.WriteLine(payer);
            }
        }

    }

The error only happens with the foreach loop, not the actual GetRecords() method.
Full error:

CsvHelper.TypeConversion.TypeConverterException: "The conversion cannot be performed.\n    Text: ''\n    MemberType: System.Decimal\n    TypeConverter: 'CsvHelper.TypeConversion.DecimalConverter'\nIReader state:\n   ColumnCount: 0\n   CurrentIndex: 18\n   HeaderRecord:\n["Title","Amount","NHS","Reference","GoCardless ID","email","surname","firstname","Full Name","DOB","Age","Right Lens","Left Lens","RightLensMonthlyAmount","LeftLensMonthlyAmount","LensMonthlyAmount","FeeMonthlyAmount","VAT Basis","LensBespokePrice","CareOnly","Notes"]\nIParser state:\n   ByteCount: 0\n   CharCount: 392\n   Row: 2\n   RawRow: 2\n   Count: 21\n   RawRecord:\nMrs,24.3,N,100247,CUXXX,email@gmail.com,User,Test,Test User,17/09/1957,64,DAILIES® AquaComfort PLUS 30 Pack,DAILIES® AquaComfort PLUS 30 Pack,16.5,16.5,33,6.35,,,,\r\n\n"
at CsvHelper.TypeConversion.DefaultTypeConverter.ConvertFromString(String text, IReaderRow row, MemberMapData memberMapData)\n   at CsvHelper.TypeConversion.DecimalConverter.ConvertFromString(String text, IReaderRow row, MemberMapData memberMapData)\n   at CsvHelper.Expressions.RecordCreator.CreateT\n   at CsvHelper.Expressions.RecordManager.CreateT\n   at CsvHelper.CsvReader.d__87`1.MoveNext()\n   at dd_journal.Program.Main(String[] args) in /Users/abhi/Documents/Practice/dd-journal/Program.cs:22

A: So the issue is that CSVHelper doesn't understand how to convert an empty field for LensBespokePrice to a decimal value. There are two options you can use here:

*

*Update the CSV file to add a default value to the empty fields (i.e. 0 for LensBespokePrice).

*Create a Type Conversion to handle an empty cell to a decimal.

Do you have the ability to modify the CSV file? If so, then #1 works by changing your CSV to be (note the change for LensBespokePrice and CareOnly):
Title,Amount,NHS,Reference,GoCardless ID,email,surname,firstname,Full Name,DOB,Age,Right Lens,Left Lens,RightLensMonthlyAmount,LeftLensMonthlyAmount,LensMonthlyAmount,FeeMonthlyAmount,VAT Basis,LensBespokePrice,CareOnly,Notes
Mrs,24.3,N,100247,CUXXX,email@gmail.com,User,Test,Test User,17/09/1957,64,DAILIES® AquaComfort PLUS 30 Pack,DAILIES® AquaComfort PLUS 30 Pack,16.5,16.5,33,6.35,,0,N,

If not, you'll need a type converter for both the empty decimal and empty boolean. For example, with all your code in a single file, that may look like:
using CsvHelper;
using CsvHelper.Configuration;
using CsvHelper.Configuration.Attributes;
using CsvHelper.TypeConversion;
using System;
using System.Globalization;
using System.IO;
using System.Text.Json;

namespace ConsoleApp1
{
    class Program
    {
        static void Main(string[] args)
        {
            var culture = new CultureInfo("en-GB");
            var config = new CsvConfiguration(culture);

            using (var reader = new StreamReader("test.csv"))
            using (var csv = new CsvReader(reader, config))
            {
                var records = csv.GetRecords<Payer>();
                Console.WriteLine("Got records"); //this prints on the console
                foreach (var payer in records)
                {
                    var j = JsonSerializer.Serialize(payer);
                    Console.WriteLine(j);
                }
            }
        }
    }

    public class CustomDecimalConverter : DecimalConverter
    {
        public override object ConvertFromString(string text, IReaderRow row, MemberMapData memberMapData)
        {
            if(decimal.TryParse(text, out var result))
            {
                return result;
            } else
            {
                return decimal.Zero;
            }
        }
    }

    public class CustomBooleanConverter : BooleanConverter
    {
        public override object ConvertFromString(string text, IReaderRow row, MemberMapData memberMapData)
        {
            if (bool.TryParse(text, out var result))
            {
                return result;
            }
            else
            {
                return false;
            }
        }
    }

    public class Payer
    {
        public string Title { get; set; }
        public decimal Amount { get; set; }

        [BooleanTrueValues("Y")]
        [BooleanFalseValues("N")]
        public bool NHS { get; set; }

        public string Reference { get; set; }

        [Name("GoCardless ID")]
        public string GoCardless_ID { get; set; }

        public string email { get; set; }
        public string surname { get; set; }
        public string firstname { get; set; }

        [Name("Full Name")]
        public string Fullname { get; set; }

        [Name("DOB")]
        public string Dob { get; set; }

        public int Age { get; set; }

        [Name("Right Lens")]
        public string RightLens { get; set; }
        [Name("Left Lens")]
        public string LeftLens { get; set; }

        public decimal RightLensMonthlyAmount { get; set; }
        public decimal LeftLensMonthlyAmount { get; set; }
        public decimal LensMonthlyAmount { get; set; }
        public decimal FeeMonthlyAmount { get; set; }

        [Name("VAT Basis")]
        public string VATBasis { get; set; }

        [TypeConverter(typeof(CustomDecimalConverter))]
        public decimal LensBespokePrice { get; set; }

        [BooleanTrueValues("Y")]
        [BooleanFalseValues("N")]
        [TypeConverter(typeof(CustomBooleanConverter))]
        public bool CareOnly { get; set; }

    }
}

Please note that I added the JsonSerializer.Serialize(payer); in the foreach loop within the Main method so that you can view the JSON result from the console.

I added in two custom converters (CustomBooleanConverter and CustomDecimalConverter). The payer class is then updated to have attributes added to the LensBespokePrice and CareOnly properties. Additionally, you didn't have an attribute on CareOnly for false values and while not required is a good practice.
To clarify why this is happening only in your foreach loop and not var records = csv.GetRecords<Payer>(); is because the values aren't actually converted into your payer class until the records are enumerated.

A: Payer is a whole class of values. It looks like it is trying to convert when you write to the console. I believe you will need to tell it what part of payer you are wanting to print like:
Console.WriteLine(payer.surname);

redpajama_set_name: RedPajamaStackExchange


If you've been growing your lash business, then you know the importance of having a great lash portfolio. Keeping a current and impressive digital portfolio is an essential part of of success. Potential clients can use your portfolio as a way to truly evaluate your work. Snapping photos on your iPhone is great! Trust me, we all do it. But, sometimes you just have to take your photography to the next level. Here are some tips on how to prepare for your professional lash photoshoot.
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I'm looking forward to sharing my next professional shoot with you all! Happy Lashing!
PreviousPrevious post:5 Makeup Hacks From A Pro That Will Help Enhance Hooded EyesNextNext post:Thinking About Adding Volume Lashes To Your Service Menu? Read This First!


text:
Q: Why instanceof returns false for a child object in Javascript I have the Child class that extends Parent class.
So let say I created a new instance "child" out of the Child class.
When I check the condition child instanceof Child, it returns false.
However, child instanceof Parent returns true.
Why does this so?
EDIT
So I found this only happens when I extend the Child class with Error class.
Let me leave the code example below.

class Child extends Error {
  constructor(message) {
    super(message);
  }
}
const ch = new Child();
console.log(ch instanceof Child);

2nd EDIT
class PullCreditError extends Error {
  public name: string;
  public message: string;
  public attemptsRemaining: number;
  constructor(message: string, attemptsRemaining: number) {
    super();
    Error.captureStackTrace(this, PullCreditError);
    this.name = 'PullCreditError';
    this.message = message;
    this.attemptsRemaining = attemptsRemaining;
  }
}

A: This is a documented bug:
https://github.com/Microsoft/TypeScript/issues/15875

Extending built-ins like Error, Array, and Map may no longer work
As part of substituting the value of this with the value returned by a super(...) call, subclassing Error, Array, and others may no longer work as expected. This is due to the fact that constructor functions for Error, Array, and the like use ECMAScript 6's new.target to adjust the prototype chain; however, there is no way to ensure a value for new.target when invoking a constructor in ECMAScript 5. Other downlevel compilers generally have the same limitation by default.

The recommendation is to adjust the prototype manually using setPrototypeOf in the constructor. A fix for your PullCreditError class would look like this:
export class PullCreditError extends Error {
  public name: string;
  public message: string;
  public attemptsRemaining: number;
  constructor(message: string, attemptsRemaining: number) {
    super();
    Object.setPrototypeOf(this, PullCreditError.prototype); // <-------
    Error.captureStackTrace(this, PullCreditError);
    this.name = 'PullCreditError';
    this.message = message;
    this.attemptsRemaining = attemptsRemaining;
  }
}


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redpajama_set_name: RedPajamaCommonCrawl


Home | Dermatology | Actinic Keratosis: Is It Cancer or Just a Warning?
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Cryotherapy uses liquid nitrogen to freeze the skin, causing the lesion to slough off. Cutterage involves scraping the lesion off, and it is usually followed by electrosurgery to ensure all the cells are obliterated. Both of these procedures can be performed at the doctor's office and may leave scars or discolored skin areas.
Sun block, keeping the skin covered, or staying out of the sun will help prevent actinic keratosis from developing. When a patch is discovered, prompt evaluation is recommended, as early treatment prevents serious consequences.


Breaking news........ an ECO Schools assessor visited school this morning to work with Mrs Pattison and the ECO committee following our application for ECO School status. Just heard that Buxworth have been successful. A real tribute to the children's work and Mrs Pattison's dedication to this objective over several years. WELL DONE!!
Here are the comments of our ECO Schools assessor.
"The enthusiasm of the Eco co-ordinator, Eco-committee, headteacher and other staff was clearly evident. They were very (and justifiably) proud of all the work they have done. The children talked with passion about the work they had done to improve the school environment and make it more eco friendly. They were justly proud of their achievements in developing their school grounds, particularly the woodland area and garden. The children were keen to explain all about the things they had led and also the things they had learned. There was clear good practice in enabling the children to identify their learning and explain how leading particular topics or doing particular activities had given them good opportunities to develop knowledge, skills and experience. The whole ethos of the school was focussed on sustainability. Eco-schools and forest schools underpins everything that happens at the school and the school have clearly thought about how to embed eco topics within the curriculum. Well done and keep up the great work."


All greenwalls are available in black, white and gray colors at the same price. Other colors cost more. Price includes installation and transportation to customer premises.
- Live Picture is hung on the wall and plants are planted in the soil.
Delivery time about 2 - 6 weeks!


Helen Dardik was born in Odessa and says she has been drawing ever since she can remember. After many years in Siberia, she credits her move to Israel for allowing her to attend ORT School of Art & Design and subsequently starting work as a freelance illustrator. She later moved to Canada in 1993, where she studied graphic design and "fell in love with illustration." After working as a graphic designer for two years and as a production artist for six years on Canada's longest running animated series Kevin Spencer, she chose to focus on illustration. She currently lives with her three girls and husband Mike in Canada.


text:
The 'Comfortisation' Of Women's Clothing: A Quiet Revolution Finally Hits The Fashion World
By Emma Clifton
Very slowly, the kind of clothing available – and the kind of bodies they're being made for – is shifting and Emma Clifton is thrilled to see it.
One week into Level 4 Lockdown last year, I saw a sight that was so beautiful that it may have changed how I feel about fashion forever. It was early enough into lockdown that visiting the supermarket at 9pm still felt like an life-risking adventure and the flat I rent is in a swanky part of Auckland, where shoppers are generally a Dressed Up kind of people. But there I saw her: A woman, I would say in her 40s or 50s, wearing full pyjamas, a fluffy robe and slippers. She was in the canned vegetables aisle, wearing this sleepy-time ensemble with the stage-ready gravitas of someone accepting an award.
She looked like she was at the end of her goddamn tether and I saw my own tenuous mental state reflected in her fluffy glory. I loved her, I respected her, I feared her. She was the sartorial canary in the mine of what was to come: a total breakdown of the barriers between 'inside' and 'outside' clothes, and as someone who feels like their truest self while in an elasticated waist, I was thrilled to see it.
For the longest time, all of the trappings we associate with the feminine wardrobe were, in one way or another, pain related.
For the longest time, all of the trappings we associate with the feminine wardrobe were, in one way or another, pain related. Heels are a nightmare and with our post-pandemic eyes, the fact that a night out with the ladies usually resulted in limping around with our shoes clutched in our hands, bemoaning the blisters and numb balls of our feet, feels like sheer insanity. Body con dresses – and their hidden cousins, shapewear – also feel like relics of the past. The other day, on the ferry ride to Waiheke, they played a promotional video for winery tours where a bunch of bright young things drunk their way around the sunny island and every single one of them was in a loose flowy dress and flat white sneakers. It looked like a quiet revolution.
The minute we got home, stayed home, all of the extra – and external – paraphernalia that comes with the female experience just dropped off.
The comfortisation of women's clothing has been a slow burn that picked up the pace dramatically with the onset of the pandemic. The minute we got home, stayed home, all of the extra – and external – paraphernalia that comes with the female experience just dropped off. For some people, it stayed off. It was a global trend, too – never forget the headlines of last year about the rise of the 'nap dress', which is exactly what it sounds like (a dress that also acts like a nightgown). A matching tracksuit has returned to the height of chic for the first time since the Juicy Couture days of yore.
But there is another reason that I think the restrictive nature of women's clothing has changed and it comes from a place just as dark as the pandemic. The male gaze has dominated what women are supposed to wear for a very long time – from the historical tortures of foot binding and corsets to the modern incarnations of this (anything that requires Spanx). But the power of the male gaze is shifting and there have been noticeable leaps when it comes to the bodies we now see in our pop culture. We have the #metoo movement to thank for it. For a very long time, the gate-keepers of who got the jobs and what kind of body was on acceptable for display, either on our screens or on the catwalks, were a handful of men at the top.
In amongst the notorious allegations against Harvey Weinstein was the fact that he had an 'ideal' body type for all young actresses – very thin, shocker – and that he was known for keeping jobs away from women who didn't diet fast enough. As an example, Jennifer Lawrence (a thin, white, young woman) was asked to do a naked line-up with other actresses in front of Hollywood producers and then told to use photos of her naked body as inspiration to lose weight.
For so long, the clothes that were considered fashion were designed to be worn on only the thinnest, whitest bodies available and they were all about how they looked, rather than how they felt.
Jeffrey Epstein, the dead alleged sex trafficker, was very close with Leslie Wexner, the big cheese at Victoria's Secret (in fact, 'being a modelling scout' was allegedly one of the ruses Jeffrey used to explain the number of young girls visiting his home). For over 40 years, Victoria's Secret defined the idea of 'the ideal female body'; the jewel in the crown being the yearly show, where models would slink down the runway in thousand-dollar slips of silk. The work-out routine to be one of those models was basically industry lore – the details breezily given out to the press, even though the company line was the girls had to look 'strong', not 'thin'. Sure. Adriana Lima, a super-humanly attractive-looking woman, once gave an honest account of what was required: a liquid-only diet, twice-daily workouts and – the real clincher – giving up drinking water for 12 hours before the show. Well, we don't live in a world that accepts that any more, let alone celebrates that.
Is it any wonder that those of us who have never and will never fit a sample size have felt irrelevant to the fashion industry for their whole lives?
For so long, the clothes that were considered fashion were designed to be worn on only the thinnest, whitest bodies available and they were all about how they looked, rather than how they felt. Is it any wonder that those of us who have never and will never fit a sample size have felt irrelevant to the fashion industry for their whole lives? I'm talking about generations of women who, one way or another, twisted and squished and enhanced and squashed their bodies to fit the clothes on offer.
And now slowly the tide is turning. Flat shoes are okay. High-waisted is in. The women on the awards shows red carpet no longer all look like they're about to pass out. Even the greatest perpetrator of 'thin is in' fashion, Victoria's Secret, has rebranded itself as a shop that now sells 'what women want', rather than 'what men want to look at.' Life is hard, working from home is bigger than ever, the outside world remains a threat and people need soothing any way they can get it. Is it any wonder that comfort has become the catch-call for our clothes in 2021?
'If You Love Your Job, You Are At Elevated Risk Of Burnout'
Capsule Considers: Can a $400 Toothbrush Possibly Be Worth It? We Review the Oral-B iO 8
Toxic Positivity: The Harmful Trend That's Taken Good Vibes Way Too Far
Cull the Clothing! Why Raiding Your Own Wardrobe and Getting Rid of Clothes That Don't Fit is FREEING
Maggie Marilyn Wants Us to Slow Down
From the Von Dutch Trucker Cap to 2022's Favourite Shade of Green:20 Years of Superette's Greatest Hits
'Be Intentional': The Advice On How To Be A Better Friend That I'm Stealing From Jane Fonda
BE Emma Clifton - January 18, 2023 0
Another pearl of wisdom from Jane Fonda has Emma Clifton thinking about how to be a better friendI'm doing my very best to reduce...
What Is 'Lucky Girl Syndrome'?: Could TikTok's Latest Trend Actually Help Make Your Life Better… Or Is It Simply Delusional & Dangerous?
BE Kelly Bertrand - January 17, 2023 0
'Lucky Girl Syndrome' has taken over TikTok - but does it really work, and should you pay attention to the social media platform's most...
The Spice Girls, A Leopard & Discount Fashion Tips? The Bits From Spare You Haven't Heard About – And In Context
Book Club Alice O'Connell - January 16, 2023 0
In amongst the thousands of inflammatory headlines about Prince Harry's book Spare is a very real story of growing up in the royal family...
Do You Have Fitness Goals for the New Year? Have You Tried VIRTUAL Fitness?
Fitting in fitness is easier said than done a lot of the time - but what if virtual fitness could be a thing? To...


text:
#pragma once

#if PLATFORM(MAC) && ENABLE(VIDEO_PRESENTATION_MODE)

#include "HTMLMediaElementEnums.h"
#include "PlaybackSessionInterface.h"
#include "PlaybackSessionModel.h"
#include <wtf/RefCounted.h>
#include <wtf/RetainPtr.h>
#include <wtf/text/WTFString.h>

OBJC_CLASS WebPlaybackControlsManager;

namespace WebCore {
class IntRect;
class PlaybackSessionModel;

class WEBCORE_EXPORT PlaybackSessionInterfaceMac final
    : public PlaybackSessionInterface
    , public PlaybackSessionModelClient
    , public RefCounted<PlaybackSessionInterfaceMac> {
public:
    static Ref<PlaybackSessionInterfaceMac> create(PlaybackSessionModel&);
    virtual ~PlaybackSessionInterfaceMac();
    PlaybackSessionModel* playbackSessionModel() const { return m_playbackSessionModel; }

    // PlaybackSessionInterface
    WEBCORE_EXPORT void resetMediaState() final { }

    // PlaybackSessionModelClient
    WEBCORE_EXPORT void durationChanged(double) final;
    WEBCORE_EXPORT void currentTimeChanged(double /*currentTime*/, double /*anchorTime*/) final;
    WEBCORE_EXPORT void rateChanged(bool /*isPlaying*/, float /*playbackRate*/) final;
    WEBCORE_EXPORT void seekableRangesChanged(const TimeRanges&, double /*lastModifiedTime*/, double /*liveUpdateInterval*/) final;
    WEBCORE_EXPORT void audioMediaSelectionOptionsChanged(const Vector<MediaSelectionOption>& /*options*/, uint64_t /*selectedIndex*/) final;
    WEBCORE_EXPORT void legibleMediaSelectionOptionsChanged(const Vector<MediaSelectionOption>& /*options*/, uint64_t /*selectedIndex*/) final;
    WEBCORE_EXPORT void audioMediaSelectionIndexChanged(uint64_t) final;
    WEBCORE_EXPORT void legibleMediaSelectionIndexChanged(uint64_t) final;
    WEBCORE_EXPORT void externalPlaybackChanged(bool /* enabled */, PlaybackSessionModel::ExternalPlaybackTargetType, const String& /* localizedDeviceName */) final;

    WEBCORE_EXPORT void invalidate();
    WEBCORE_EXPORT void ensureControlsManager();
#if ENABLE(WEB_PLAYBACK_CONTROLS_MANAGER)
    WEBCORE_EXPORT void setPlayBackControlsManager(WebPlaybackControlsManager *);
    WEBCORE_EXPORT WebPlaybackControlsManager *playBackControlsManager();
#endif
    WEBCORE_EXPORT void beginScrubbing();
    WEBCORE_EXPORT void endScrubbing();

private:
    PlaybackSessionInterfaceMac(PlaybackSessionModel&);
    PlaybackSessionModel* m_playbackSessionModel { nullptr };
#if ENABLE(WEB_PLAYBACK_CONTROLS_MANAGER)
    WebPlaybackControlsManager *m_playbackControlsManager  { nullptr };

    void updatePlaybackControlsManagerTiming(double currentTime, double anchorTime, double playbackRate, bool isPlaying);
#endif

};

}

#endif // PLATFORM(MAC) && ENABLE(VIDEO_PRESENTATION_MODE)

redpajama_set_name: RedPajamaGithub


Ask our customers that will be happy to say that Field Force Tracker is the best field service software. They have tried all and others and rejected them. That's why the moved to our software.
Field Service Software (FSM) systems aren't useful only to companies that need to manage installations, services, or repairs of systems and equipment. Some industries such as telecommunications and cable service providers, utility engineers and inspectors, HVAC and plumbing workers are the first adapter of associated field service software, the other sectors of service Industry area also increasingly adapting the software.
Our Field Force Tracker has been adapted by a broader set of field service companies. Besides, telecommunications and cable business, Healthcare companies that provide mobile nurses, or any other business with field workers — plumbers, maid services, pest control, window cleaners — all need tools tailored to the unique challenges field work presents.
Field service management are evolving to support continuously emerging needs to meet critical services tickets, upset customers, and dynamic service routes and schedules. Furthermore, the addition of vehicles brings safety and driver concerns, as well as fuel and maintenance costs. Field Force Tracker is a specialized software that automates and streamlines tasks enables executives to focus on growing the business while letting software manage small details and day to day activities.
Field Force Tracker offers complex document management, automated customer appointment reminders, and project management or CRM tools. Some solutions may focus only on one function— like dispatch — Field Force Tracker offers advanced customer portals, fleet management, or call center management. A company's goals and needs will vary. Only a service team can determine which features are essential and what type of solution is best. Field Force Tracker is simply unmatched in its versatility to handle all kind of operations.
More and more companies are coming to the realization that service can be a revenue generator and provide a distinct competitive advantage. In fact, in many industries, service is a larger revenue opportunity than the product itself. Complete charge capture, up-selling and cross-selling other products/services as well as increasing technician throughput are just some of the ways that organizations can boost overall revenues leveraging Field Force Tracker's service management solution.


text:
<!DOCTYPE html>

  <meta charset="UTF-8">
  <title>Angular App</title>

Adding a Simple Controller

Igor, set the start to 4, then end to 5

    Start:

    <input type="number" ng-model="start" min="0" max="{{max}}"/> {{start}}

    End:

    <input type="number" ng-model="end" min="0" max="{{max}}"/> {{end}}

        {{student}}


text:
Susanne Aartun Sundfør, née le  à Haugesund, Norvège, est une autrice, compositrice et interprète norvégienne.

Carrière
Susanne Sundfør naît le  à Haugesund, Norvège. Elle est la petite-fille du linguiste et philosophe Kjell Aartun. Elle suit des études d'anglais et d'art à l'université de Bergen.

Après avoir assuré les premières parties de la tournée estivale de Tom McRae en 2005, Susanne Sundfør se fait connaître l'année suivante au niveau national en participant au festival By:Larm de Tromsø, s'attirant à cette occasion des critiques élogieuses de la part des médias musicaux. Pendant le printemps 2006, elle se produit en compagnie du groupe de rock Madrugada en remplacement d'Ane Brun (qui avait participé à leur album de duos sorti en 2005, Duets). En novembre de la même année, elle participe à l'émission God Morgen Norge! sur la chaîne TV 2. Enfin, elle fait les premières parties des artistes norvégiens Marit Larsen (ex M2M) et Minor Majority.

Pendant l'hiver 2006-2007, le lancement de son premier single, Walls (disponible en Norvège à partir du ) et le succès rencontré par ce dernier auprès des radios nationales, permet à Sundfør de s'imposer comme une des étoiles montantes de la scène norvégienne. Après une nouvelle participation au festival By:Larm en , son premier album, homonyme, sort le  de la même année, le jour du  de son interprète. Fruit d'une collaboration avec le producteur et musicien Geir Luedy et publié par le label Your Favourite Music, ce premier effort parvient à se hisser jusqu'à la troisième place du Top 40 norvégien et y reste classé pendant 23 semaines.

En , Sundfør reçoit le Spellemannprisen d'artiste féminine de l'année, déclenchant un débat dans l'opinion publique sur la pertinence de faire concourir hommes et femmes dans des catégories séparées après qu'elle a déclaré dans son discours de remerciement se considérer « d'abord et avant tout comme une artiste, et non pas comme une femme ». Ce même mois sort l'album Sorgen og Gleden (« La Peine et la Joie »), réalisé à l'instigation de la princesse héritière Mette-Marit Tjessem Høiby de Norvège, et sur lequel Susanne Sundfør interpréte le morceau Ingen Vinner Frem til Den Evige Ro (« Personne ne prévaut jusqu'au repos éternel ») de Lars Linderot et Gustav Jensen.

En , une version live de son premier album est publiée sous le nom de Take One, avec un succès commercial bien moindre que celui de son prédécesseur (une seule semaine dans le Top 40 national, à la ).

Le , Susanne Sundfør publie son troisième album, The Brothel. Bien que très éloigné, tant sur le plan musical qu'esthétique, de ses deux premiers opus, ce concept album ténébreux et onirique, issu d'une collaboration avec l'artiste plasticienne Kristin Austreid rencontre un très vif succès commercial (plus de  écoulées en Norvège) et critique. De nouveau nominée aux Spellemannprisen en 2011 dans la catégorie d'artiste féminine de l'année, elle demande que son nom soit retiré de la liste des lauréates potentielles, relançant du même coup la polémique qui avait suivi la cérémonie de 2008 (à partir de 2013, les catégories des Spellemannprisen deviennent mixtes). Elle ne repart cependant pas bredouille de la cérémonie, le prix de compositeur de l'année lui échéant pour son travail sur The Brothel.

Disponible depuis le , The Silicone Veil, cinquième (2011 vit la sortie de A Night At Salle Pleyel, œuvre expérimentale composée par Sundfør uniquement pour des synthétiseurs) album de Susanne Sundfør, continue d'explorer l'univers musical à la fois électronique et classique qui constitue le terrain de jeu de la native de Haugesund depuis The Brothel. Coproduit par Lars Horntveth (Jaga Jazzist, The National Bank), déjà présent sur le précédent album, The Silicone Veil bénéficie en outre de la participation des TrondheimSolistene, ensemble à cordes de réputation internationale. Avec 46 semaines de présence dans le Top 40 norvégien, dont deux à la première place, The Silicone Veil surpasse le record de longévité dans les charts de The Brothel (trente-et-une semaines), et a reçoit le même accueil enthousiaste de la part de la critique que son prédécesseur. Elle prête également sa voix au générique de fin du film Oblivion.

En , Susanne Sundfør dévoile le premier extrait (Fade Away) de son sixième album, Ten Love Songs, dont la sortie est prévue le . Plusieurs titres du nouvel album sont joués sur scène lors d'une mini tournée norvégienne en . L'album se classe directement en première place du Top 40 norvégien à sa sortie, et suscite l'attention des critiques musicaux et des médias spécialisés jusqu'en dehors de Scandinavie. Ten Love Songs est désigné meilleur album de l'année 2015 par un jury de 68 journalistes musicaux Norvégiens (Kritikertoppen), et le titre Delirious se classe en cinquième position du classement des meilleurs morceaux de l'année.

Lors de la cérémonie de remise des Spellemannprisen 2015, qui se tient le  au Spektrum d'Oslo, Susanne Sundfør remporte 3 prix pour Ten Love Songs: Artiste Pop de l'Année (Popsolist), Album de l'Année (Årets Album) et Productrice de l'Année (Årets Produsent), et profite de l'occasion pour dévoiler un morceau inédit, The Sound of War. Avec cinq nominations (aux trois catégories précédemment nommées s'ajoutant la Chanson de l'Année - Årets Låt - et le Grand Prix - Årets Spellemann -), Sundfør faisait figure de favorite pour cette édition.

En , elle révèle sur internet un morceau inédit : Reincarnation. Ce titre, ainsi que The Sound of War, figure sur le septième album de Sundfør, Music for People in Trouble, qui sort le . Un premier single, Undercover, illustré par un clip vidéo, avait été rendu public le , date de l'annonce de la sortie du nouvel opus.

Style musical et influences

Pianiste ayant reçu une formation classique et jazz, Susanne Sundfør a, dans les albums The Brothel et The Silicone Veil, recours à des sonorités electro et dubstep. L'enregistrement de The Brothel voit également l'utilisation d'instruments inhabituels, comme la clarinette basse (instrument de formation du coproducteur du disque, Lars Horntveth), le marimba ou la sanza. L'instrument de prédilection de Susanne Sundfør est le piano électrique Fender Rhodes, que l'on retrouve par exemple sur le morceau-titre de The Brothel. Elle joue également de la guitare.

Souvent comparée à Joni Mitchell, Carole King, Kate Bush ou Tori Amos par les médias, Sundfør cite Radiohead, Jeff Buckley, Rufus Wainwright, Radka Toneff, Ane Brun, Fleetwood Mac, Beyoncé et Thomas Dybdahl comme ses sources principales d'inspiration. Il est également à noter que beaucoup de ses textes font plus ou moins ouvertement référence à des œuvres littéraires (James Joyce, Frank O'Hara, Sylvia Plath, Wystan Hugh Auden, etc.).

Collaborations

Susanne Sundfør a collaboré avec plusieurs artistes, en majorité norvégiens, depuis le début de sa carrière. Outre sa participation à l'album Sorgen og Gleden en 2008, à l'invitation de la princesse héritière Mette Marit Tjessem Høiby de Norvège, on la retrouve aux côtés du groupe Hypertext sur le disque Astronaut Kraut! en 2010. Elle a également enregistré un duo, Kapitulera, avec le rappeur suédois Timbuktu en 2011, un autre (Sister To All) avec le groupe Real Ones pour leur sixième album First Night On Earth, et un dernier avec le jeune songwriter Morten Myklebust (Away) en 2012.

En outre, le morceau White Foxes, tiré de The Silicone Veil, figure sur la bande originale du film Verden Venter de la réalisatrice suédoise Mariken Halle (sorti en 2013), dans lequel Sundfør fait une courte apparition.

Fin 2012, elle participe à l'émission de télévision norvégienne Lydverket avec le groupe Röyksopp, le trio interprétant à cette occasion Ice Machine, reprise du groupe anglais Depeche Mode. Cette collaboration est reconduite à plusieurs reprises, et accouche de plusieurs titres: Running to the Sea (2012), Save Me (2014), Never Ever (2016), In the End (2019), If You Want Me (2022) et The Mourning Sun (2022).

En 2013, elle collabore à la bande-originale, composée par Anthony Gonzalez (M83) et Joseph Trapanese, du long-métrage Oblivion (Joseph Kosinski) en interprétant la chanson-titre du film. Elle participe au septième album de M83 (Junk), où elle chante sur le titre For the Kids.

Productrice du premier album du duo Bow To Each Other, The Urge Drums rendu public le , Susanne Sundfør accompagne également le groupe sur scène à l'occasion de la release party qui s'ensuit au Parkteatret d'Oslo. Bow To Each Other avait assuré la première partie de Susanne Sundfør lors de la tournée de promotion norvégienne de The Silicone Veil.

Discographie

Albums

Singles

Singles auxquels Susanne Sundfør a collaboré

Notes et références

Liens externes

Chanteuse norvégienne
Étudiant de l'université de Bergen
Lauréat du Spellemannprisen
Naissance en mars 1986
Naissance à Haugesund

redpajama_set_name: RedPajamaWikipedia


text:
CENTER VOTE SPURS LAWSUIT
By CHRISTINE DEMPSEY; Courant Staff Writer
MANCHESTER -- — A downtown hardware store and the property's owner have filed suit in an effort to overturn the town's approval of an adult day-care center planned for a portion of the former Marlow's department store.
Manchester Hardware Inc. and Geo-Joy-Dor LLC, both of 877 Main St., filed suit against the zoning board of appeals and Dowling on Main LLC, which proposed the day-care center for the Marlow's building at 861 Main St. The suit was filed with the town clerk's office Tuesday.
Dowling proposed converting part of the basement of the Marlow's building into an adult day-care center for about 40 wheelchair-bound clients. The nonprofit program, called New Seasons Inc., would move its administrative offices and services from its current locations at 234 N. Main St. and 241 Garden Grove Road, known locally as the Nike site.
The plaintiffs charge that the appeals board made procedural errors in approving variances and a special exception for the center, and that it trampled on their property rights because they own an easement on the Dowling property. It also claims politics played a role in the approval.
"The Democratic members of the defendant board were improperly influenced by the appearance and testimony at the public hearing of Democratic legislators of the town of Manchester," the lawsuit says. The allegation refers to the fact that state Sen. Mary Ann Handley and state Rep. John Thompson, both Democrats, spoke at a public hearing July 27.
Dowling needed the variances because the building lacks required parking and outdoor recreation space. Sufficient parking is available at a nearby municipal lot, though, a traffic study concluded.
The suit also charges that the board granted the variances "without proof of legal hardship as required by statute" and that it failed to assign proper reasons for approving the variances and special exception.
Kevin Kennedy, the town's senior planner, said the court would have to decide the merits of the suit. He also said the board did state its reasons for approving the project.
A review of the project's file showed that the application lays out three hardships, including that the building presents few options for alterations.
Handley said Wednesday that when she spoke at the hearing, she told the board she was not necessarily endorsing the proposal because she had not seen it and is not a planning expert. Rather, she said, she spoke in general terms about the concept of adult day care, and how moving New Seasons from its current location would be a good idea.
"Obviously, residents have a right to appear and speak," Handley said Wednesday. "If they think every time a party appears they do it because of party affiliations, that doesn't speak well of their opinion of the board."
Thompson said, "What I said was that Manchester has a long history of being actively involved in including disabled people in its community."
John LaBelle, the attorney representing Geo-Joy-Dor, which owns 877 Main St., could not be reached for comment.


text:
Jimmy Dale & The Beltline
Jimmy Dale: Lead Vocals & Lead Guitar
TJ Mayes: Harmony Vocals & Rhythm Guitar
Melvin Richardson: Upright Bass
Jeff Gerow: Drums
About the Band:
Jimmy Dale Richardson has created some of the most exciting music to emanate from the state of Oklahoma, with his gutsy lead vocals, solid electric guitar leads, Jimmy has brought new life to the obscure art of traditional Honky Tonk, Rockabilly, and Hillbilly Bop. Jimmy started playing guitar and singing at the age 12 and playing professionally in nightclubs and various venues at age16. Jimmy grew up listening to and soaking up all kinds of obscure Hillbilly, Bluegrass, Honkytonk, Rockabilly, Jump and Delta Blues music by going everywhere with his dad Melvin Richardson who plays Upright Bass in the band.
Jimmy Dale is rooted in tradition by his grandfather Hubert Pearce, who is cousins with both Webb Pierce & The Wilburn Brothers and who himself played the Honky Tonks back in the 40`s 50`s 60`s in Oklahoma,Texas and Louisiana. The Beltline is named after the business loop of the original Route 66. Jimmy Dale and Melvin are the mainstay of the group with a back up of revolving like minded musicians.


As some of you may know thanks to NY's mayor bloomberg and Gov,Qumo not only are assault weapons banned in new york state but also guns that have mags w/more than 10rds. Last I checked almost all guns have more than 10rd mags unless you buy one of those compact pistols wich are still good to shoot but if your a big guy like myself it's not comfortable to shoot a small framed gun. Next thing you know they'll try and take our hunting rifles away because we have a scope on it and they'll think it's a sniper rifle.
Yep! I guess it's a good thing that I bought my .45 when I did.
I can tell you it is hard to find ammo down here in NC.
Ammo here is tough also. We are able to find .45 now but 9mm and .22 LR is nowhere to be found.


What's so exciting about Artworks?
The best way to experience art is to stand in front of it. But how can you stand in front of it if you don't know that it exist? We give you a platform to drive real-life traffic, stronger customer relations, brand visibility and ultimately sales.
It doesn't take much energy to list your work. Once you make a sale, Artworks' transaction fee is 25% which includes shipment, transaction charges and post sales.
Our admin tool makes it easy to tell the world what you are up to and get to to know your audience (who check out your work…).
When preferred we help with transportation, payments and even professional mounting and installation.


NEW YORK -- With only eight days until SummerSlam, Randy Orton made good on his promise to hurt WWE Champion John Cena and served notice in front of a national TV audience that he would show no mercy in his efforts to regain championship gold.
As The Champ was busy making Carlito tap out to the STFU in their Big Apple Showdown on Saturday Night's Main Event, Orton sprinted to ringside and attacked Cena from behind. Tossing Cena outside the ring and then headfirst into the ringside steps, Orton coldly set up a steel chair and waited like a coiled snake, ready to strike.
"What you saw out there was a message that I was sending to John Cena, and it was loud and clear -- loud and clear," Orton said after the attack. "John Cena has just seen the beginning of what he's going to get from Randy Orton at SummerSlam."
The Champ's fans were horrified at the Legend Killer's show of brutality. But to look back at the destruction Orton has unleashed on the careers of WWE Superstars and legends alike, his callous attack on Cena came as no surprise. WWE officials poured to ringside to stop him from inflicting further damage, separating Orton from his victim.
Will Cena be able to bounce back from this devastating blow at SummerSlam? Will The Champ be 100 percent for his WWE Championship defense at SummerSlam against the youngest World Heavyweight Champion in history? Or will his nearly year-long championship reign, much like his night at Madison Square Garden, come to a crashing halt at the hands of the Legend Killer?


Read Town and Country's May 2018 article featuring Privé-Swiss!
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text:
Generali Group / Info / European Market Infrastructure Regulation
European Market Infrastructure Regulation
Information on the exemption of intra-group transactions from the margining obligation pursuant to the Regulation (EU) n. 648/2012, European Market Infrastructure Regulation (EMIR).
Publication according to Art. 11 para. 11 EMIR and Art. 20 Delegated Regulation (EU) 149/2013.
Pursuant to Regulation (EU) No 648/2012 ("EMIR"), counterparties are generally obliged to provide collateral for non-cleared OTC-derivatives. Assicurazioni Generali S.p.A. and its subsidiaries referred to paragraph 5 have been granted exemptions from this obligation in accordance with Art. 11 para. 3 EMIR with respect to intra-group transactions. According to Art. 11 para. 11 EMIR, Art. 20 Delegated Regulation (EU) 149/2013, the following details on the exemptions obtained have to be published.
2. Affected counterparties
This publication relates to intra-group transactions between:
Assicurazioni Generali S.p.A.
a joint-stock company incorporated under the laws of Italy, fully paid in share capital € 1.565.165.364,00 with its registered seat in Trieste, Italy; its office at Piazza Duca degli Abruzzi n. 2, Trieste, Italy, and registered at Business Register at the Italian Chamber of Commerce and Industry under identification number 00079760328, registered in the Register of Italian Insurance and Reinsurance Companies under no. 100003, Parent Company of Generali Group, registered in the Register of Insurance Groups (Albo dei gruppi assicurativi) under no. 26, (LEI Code: 549300X5UKJVE386ZB61), on one hand,
and the subsidiaries listed below in paragraph 5 (each a "counterparty" and together, the "counterparties") on the other hand.
3. Group structure
The counterparties are consolidated subsidiaries of Assicurazioni Generali S.p.A. and are therefore part of the Generali Group. Further details on the group structure and the relationships between the counterparties and Assicurazioni Generali S.p.A. are disclosed in its Annual Report.
4. Type of exemption and Transaction volumes
The exemption of intra-group transactions from the margining requirements pursuant to Art.11 (3) EMIR covers the following kind of derivative transactions:
i. the asset class of OTC derivative contracts:
Foreign Exchange Rate (FX)
ii. the type of OTC derivative contracts:
SWAP and Forward Foreign Exchange Rate
iii. the type of underlying:
Foreign Exchange Rate Euro against Czech Crown
iv. the notional and settlement currencies:
Notional EUR, Czech Crown; settlement currencies EUR, Czech Crown
v. the range of contract tenors:
vi. the settlement type:
Physical settlement and/or cash settlement
vii. planned volumes of the transactions:
Counterparties Notional (up to, in €) Frequency
GP Reinsurance EAD
€50mln
1-12 times per year
Penzijní společnost České pojišťovny, a.s.
€500mln
Please note that this is the authorized maximum amount of the derivatives notional. The exemption to such intra-group transactions from the margining obligation has been granted for the full amount of the notional.
5. List of Subsidiaries
Counterparty LEI Code
GP Reinsurance EAD, with legal seat in Bulgaria
Penzijní společnost České pojišťovny, a.s., with legal seat in Czech Republic
315700CQ0BNME49XTC17
Česká Pojišťovna, a.s.
Generali Pojišťovna, a.s.
Generali CEE Holding B.V., organizační složka
Česká Pojišťovna, a.s., with legal seat in Czech Republic
Generali Pojišťovna, a.s., with legal seat in Czech Republic
Generali CEE Holding B.V., organizační složka, with legal seat in The Netherland and operative unit in Czech Republic


Students each have their own individual way of learning. Therefore, in my Introduction to Theatre course designed for the non-theatre major, I have assignment "options" whereby students select the assignment that may be of most interest to them. The options include the 1) traditional response paper to viewing a Department of Theatre production, 2) presenting a prepared audition monologue (in front of the class), 3) a voice-over acting assignment (recording two fully-produced commercials), 4) an assignment titled, "Theatrical Insight" which may vary in specific topics from semester to semester, and 5) a creative writing assignment. Other assignment options in past semesters have included designing a production poster, writing a publicity article. and even a design assignment.
As with any Intro course, playwriting is a topic addressed in the class. Of course, if I assigned a ten-minute play to write or even a scene it might be a bit overwhelming. Where to begin? However, to provide a bit of insight my students embrace the following in regards to their creative writing project. So far, it's become one of the more popular assignment options amongst freshman.
The student selects a nursery rhyme to serve as a starting point and an inspiration in developing the given circumstances of their selected nursery rhyme by creating a narrative detailing what we know and what we are about to know about the characters, place, situation and more. Creating dialogue is a requirement of the assignment. In addition, the student must write a short paper focusing on their process.
The stories in this section are a sampling of student work, their imaginations, and the unexpected outcome that sometimes is the result of being creative. The stories featured on this web site are noted above beginning with Little Jack Horner (top left) which I've adapted into a short screenplay. One more creative project on my "do list".


Lately, there have been many ghost writers that sell their works for hire under a verbal agreement only. We then get a complaint here or there that alledges fraud by one author over the other.
This is a very dumb practice to not put your "works for hire" policies and legal understanding in writing. Only takes about an hour to search the net to find or buy a works for hire template and customize it.
If you are a ghost writer and you have a dispute with an EzineArticles.com author and you didn't have a works for hire agreement in writing….
…you are not in a good position to make your fraud case against whoever might have leveraged or used their understanding of the reprint rights for the "work for hire" project you performed for them.
Vice Versa: If you are the one BUYING the works from a ghost writer for hire, NEVER NEVER NEVER buy anything from a ghost writer without at least a simple written contract or understanding that is signed (in real life or at least digitally with a time/date stamp).


text:
Q: where are headers when building openCV 2.4.1 with CMake on OS X? I'm from a mechE background, so I might be missing something completely trivial. I installed openCV2.4.1 on my mac (OS X 10.7 Lion) using this, using Unix makefiles. Every goes correctly with make and sudo make install, all the .dylib files are in the lib folder, but I can't find the header files ("cv.h" etc.) anywhere. The include folder has only cmake_install.cmake, Makefile files, and CMakeFiles folder.
I had openCV 2.3.1 installed via homebrew before, and the headers were all in the include, so I had to add that path to XCode in Library Search Paths. Now I'm not sure how to use the library without it...?
EDIT
I'm using the CMake 2.8.4 GUI. There it specifies "Where is the source code" and "Where to build the binaries". I'm looking in the folder I specified for "where to build the binaries". Now that you mentioned it, I checked the source code folder and found the headers, but of course there are no .dylib files there....
Anyhow, I ran CMake again (to another binaries folder, but should be otherwise the same output) to get the output, here it is:
The CXX compiler identification is Clang
The C compiler identification is GNU
Check for working CXX compiler: /usr/bin/c++
Check for working CXX compiler: /usr/bin/c++ -- works
Detecting CXX compiler ABI info
Detecting CXX compiler ABI info - done
Checking whether C compiler has -isysroot
Checking whether C compiler has -isysroot - yes
Checking whether C compiler supports OSX deployment target flag
Checking whether C compiler supports OSX deployment target flag - yes
Check for working C compiler: /usr/bin/gcc
Check for working C compiler: /usr/bin/gcc -- works
Detecting C compiler ABI info
Detecting C compiler ABI info - done
Extracting svn version, please wait...
SVNVERSION: exported
Looking for sys/types.h
Looking for sys/types.h - found
Looking for stdint.h
Looking for stdint.h - found
Looking for stddef.h
Looking for stddef.h - found
Check size of off64_t
Check size of off64_t - failed
Looking for fseeko
Looking for fseeko - found
Looking for unistd.h
Looking for unistd.h - found
Looking for assert.h
Looking for assert.h - found
Looking for fcntl.h
Looking for fcntl.h - found
Looking for io.h
Looking for io.h - not found
Looking for jbg_newlen
Looking for jbg_newlen - not found
Looking for mmap
Looking for mmap - found
Looking for search.h
Looking for search.h - found
Looking for string.h
Looking for string.h - found
Looking for unistd.h
Looking for unistd.h - found
checking for module 'libdc1394-2'
  package 'libdc1394-2' not found
checking for module 'libdc1394'
  package 'libdc1394' not found
checking for module 'libavcodec'
  package 'libavcodec' not found
checking for module 'libavformat'
  package 'libavformat' not found
checking for module 'libavutil'
  package 'libavutil' not found
checking for module 'libswscale'
  package 'libswscale' not found
Looking for libavformat/avformat.h
Looking for libavformat/avformat.h - not found
Looking for ffmpeg/avformat.h
Looking for ffmpeg/avformat.h - not found
CUDA_TOOLKIT_ROOT_DIR not found or specified
Could NOT find CUDA (missing:  CUDA_TOOLKIT_ROOT_DIR CUDA_NVCC_EXECUTABLE CUDA_INCLUDE_DIRS CUDA_CUDART_LIBRARY) (Required is at least version "4.1")
Found PythonInterp: /usr/bin/python2.7 (Required is at least version "2.0")
Found PythonLibs: /usr/lib/libpython2.7.dylib (Required is at least version "2.7.1")

General configuration for OpenCV 2.4.1 =====================================

  Platform:
    Host:                        Darwin 11.4.0 i386
    CMake:                       2.8.4
    CMake generator:             Unix Makefiles
    CMake build tool:            /usr/bin/make
    Configuration:               Release

  C/C++:
    Built as dynamic libs?:      YES
    C++ Compiler:                /usr/bin/c++
    C++ flags (Release):         -O3 -DNDEBUG
    C++ flags (Debug):           -g
    C Compiler:                  /usr/bin/gcc
    C flags (Release):           -O3 -DNDEBUG
    C flags (Debug):             -g
    Linker flags (Release):
    Linker flags (Debug):

  OpenCV modules:
    To be built:                 calib3d contrib core features2d flann gpu highgui imgproc legacy ml nonfree objdetect photo python stitching ts video videostab
    Disabled:                    -
    Disabled by dependency:      -
    Unavailable:                 androidcamera java

  GUI:
    QT 4.x:                      NO
    Cocoa:                       YES
    OpenGL support:              NO

  Media I/O:
    ZLib:                        build (ver 1.2.6)
    JPEG:                        build (ver 62)
    PNG:                         build (ver 1.5.9)
    TIFF:                        build (ver 42)
    JPEG 2000:                   build (ver 1.900.1)
    OpenEXR:                     NO

  Video I/O:
    DC1394 1.x:                  NO
    DC1394 2.x:                  NO
    FFMPEG:                      NO
      codec:                     NO
      format:                    NO
      util:                      NO
      swscale:                   NO
      gentoo-style:              NO
    OpenNI:                      NO
    OpenNI PrimeSensor Modules:  NO
    PvAPI:                       NO
    QuickTime:                   NO
    QTKit:                       YES

  Other third-party libraries:
    Use IPP:                     NO
    Use TBB:                     NO
    Use Cuda:                    NO
    Use Eigen:                   NO

  Python:
    Interpreter:                 /usr/bin/python2.7 (ver 2.7.1)
    Libraries:                   /usr/lib/libpython2.7.dylib
    numpy:                       /System/Library/Frameworks/Python.framework/Versions/2.7/Extras/lib/python/numpy/core/include (ver 1.5.1)
    packages path:               lib/python2.7/site-packages

  Documentation:
    Build Documentation:         NO
    Sphinx:                      NO
    PdfLaTeX compiler:           NO

  Tests and samples:
    Tests:                       YES
    Performance tests:           YES
    Examples:                    NO

  Install path:                  /usr/local

  cvconfig.h is in:              /Users/steveheim/Documents/opencvtest
-----------------------------------------------------------------

Configuring done

A: From your CMake output:

Install path:                  /usr/local

Which means that after doing make install the OpenCV headers will be copied to /usr/local/include/
To change this location you can set/modify the value of CMAKE_INSTALL_PREFIX CMake variable to a desired location.


English version of the article published in El Mundo February 22, 2015.
(Versión en inglés de mi artículo publicado en El Mundo el 22 de frebrero de 2015).
The negotiation between the Eurogroup and the Government of Alexis Tsipras has revealed the enormous constraint posed by the European Union for any country wishing for eccentric solutions. Although there is still no fiscal union or Eurobonds, the common currency already represents a massive mutualisation of the country risk, and this is evident in the case of small countries of the euro.
The first restriction that often meets the desire of a politician is the reality. But it is easy to overcome it through narrative strategies. Pure demagoguery, exacerbation of national sentiment and targeting of enemies tend to be the most common mechanisms for "story-telling". It is a hugely effective formula because profitability at the polls is high, and its cost is relatively low.
A second constraint of the will of the ruler are the markets. If markets lend them money to finance their politics, it's fine. (It's bad for future generations who will pay the debt, but the elections must be won in the present). But it can happen, as happened to Spain – at least moderately from 2010 and critically in 2012-, that markets penalize you and so, the risk premium raises. Then, the politician has no other choice than thoroughly rectify or design and implement more complex policies.
The euro is a restriction that is placed between the reality and the markets. Membership to this club allows you to challenge the reality with the help of your partners. If Greece were not in the euro, it would be in default from 2010 and outside capital markets. We must remember that in the 19th century, when Athens did not pay its external debt, it was marginalized from the international credit for 50 years.
But belonging to the club also implies a restriction. The Minister Varoufakis has been commissioned to verify to what extent the other democracies of the euro (which the Financial Times columnists tend to ignore) are willing to finance the mandate which the Greek people gave to Syriza. The test will come at a crucial stage on Monday, when the euro group will examine the viability of its economic measures. All narrative strategies should stay trapped into the strainer. I.e. the only choice for Tsipras is to undertake a deep reform of his country. As its ideological paradigm -Communist until 1991 and since then radical socialism- has not given rise to viable reforms in the EU, he has two options: or change the world (voluntarily abandoning the euro, EU and seeking the protection of Russia) or change his paradigm and be pragmatic, i.e. to take the path of Lula da Silva and others.
The Greek case shows how the EU works as life insurance against the adventurous policies. The restriction is greater the more weak is the country. This is what I meant in the presentation of my book Lions against gods when I said that EU membership affected strongly the wishes of those who requested the opening of a constitutional process in Spain. It is not the same to write down a Constitution from scratch, during a delicate transition in the midst of the Cold War, than to redefine the Spanish Constitutional Pact in an environment that has been already marked by the European Union.
The EU is an insurance against the follies of the revolutionary parties, but also limits the political innovation. Since it is hard to imagine that extremists succeed simultaneously in 28 countries, the only feasible revolution would be outside the euro or the EU. After the Greece case, this may also have an unexpected effect: so, even the more opportunistic politicians will seem to be acceptable to us once they show an understanding with the troika or its successors.


Brand new box. Rubber tires. Cloth seatbelts. Serialized plate. Chassis detailing. Diecast metal body. Functional hood pins. Has steerable wheels. Made of diecast metal. Plumbed and wired engine. Opening doors, trunk and hood. Dimensions approximately L-10.5, W-4.5, H-3.75 inches.


text:
package com.salesmanager.core.business.configuration;

import java.util.Properties;

import javax.persistence.EntityManagerFactory;

import org.springframework.beans.factory.annotation.Value;
import org.springframework.boot.jdbc.DataSourceBuilder;
import org.springframework.cache.annotation.EnableCaching;
import org.springframework.context.annotation.Bean;
import org.springframework.context.annotation.Configuration;
import org.springframework.orm.jpa.JpaTransactionManager;
import org.springframework.orm.jpa.LocalContainerEntityManagerFactoryBean;
import org.springframework.orm.jpa.vendor.HibernateJpaVendorAdapter;
import org.springframework.transaction.PlatformTransactionManager;

import com.zaxxer.hikari.HikariDataSource;

@Configuration
@EnableCaching
public class DataConfiguration {

	/**
	 * Datasource
	 */
    @Value("${db.driverClass}")
    private String driverClassName;

    @Value("${db.jdbcUrl}")
    private String url;

    @Value("${db.user}")
    private String user;

    @Value("${db.password}")
    private String password;

    /**
     * Other connection properties
     */

    @Value("${hibernate.hbm2ddl.auto}")
    private String hbm2ddl;

    @Value("${hibernate.dialect}")
    private String dialect;

    @Value("${db.show.sql}")
    private String showSql;

    @Value("${db.preferredTestQuery}")
    private String preferredTestQuery;

    @Value("${db.schema}")
    private String schema;

    @Value("${db.preferredTestQuery}")
    private String testQuery;

    @Value("${db.minPoolSize}")
    private int minPoolSize;

    @Value("${db.maxPoolSize}")
    private int maxPoolSize;

    @Bean
    public HikariDataSource dataSource() {
    	HikariDataSource dataSource = DataSourceBuilder.create().type(HikariDataSource.class)
    	.driverClassName(driverClassName)
    	.url(url)
    	.username(user)
    	.password(password)
    	.build();

    	/** Datasource config **/
    	dataSource.setIdleTimeout(minPoolSize);
    	dataSource.setMaximumPoolSize(maxPoolSize);
    	dataSource.setConnectionTestQuery(testQuery);

    	return dataSource;
    }

	@Bean
	public LocalContainerEntityManagerFactoryBean entityManagerFactory() {

		HibernateJpaVendorAdapter vendorAdapter = new HibernateJpaVendorAdapter();
		vendorAdapter.setGenerateDdl(true);

		LocalContainerEntityManagerFactoryBean factory = new LocalContainerEntityManagerFactoryBean();
		factory.setJpaVendorAdapter(vendorAdapter);
		factory.setPackagesToScan("com.salesmanager.core.model");
		factory.setJpaProperties(additionalProperties());
		factory.setDataSource(dataSource());
		return factory;
	}

    final Properties additionalProperties() {
        final Properties hibernateProperties = new Properties();

        hibernateProperties.setProperty("hibernate.hbm2ddl.auto", hbm2ddl);
        hibernateProperties.setProperty("hibernate.default_schema", schema);
        hibernateProperties.setProperty("hibernate.dialect", dialect);
        hibernateProperties.setProperty("hibernate.show_sql", showSql);
        hibernateProperties.setProperty("hibernate.cache.use_second_level_cache", "true");
        hibernateProperties.setProperty("hibernate.cache.use_query_cache", "true");
        hibernateProperties.setProperty("hibernate.cache.region.factory_class", "org.hibernate.cache.ehcache.EhCacheRegionFactory");
        hibernateProperties.setProperty("hibernate.connection.CharSet", "utf8");
        hibernateProperties.setProperty("hibernate.connection.characterEncoding", "utf8");
        hibernateProperties.setProperty("hibernate.connection.useUnicode", "true");
        hibernateProperties.setProperty("hibernate.id.new_generator_mappings", "false"); //unless you run on a new schema
        hibernateProperties.setProperty("hibernate.generate_statistics", "false");
        // hibernateProperties.setProperty("hibernate.globally_quoted_identifiers", "true");
        return hibernateProperties;
    }

	@Bean
	public PlatformTransactionManager transactionManager(EntityManagerFactory entityManagerFactory) {

		JpaTransactionManager txManager = new JpaTransactionManager();
		txManager.setEntityManagerFactory(entityManagerFactory);
		return txManager;
	}

}