text:
Tees Valley Target Sports
Air Rifles & Air Pistols
Indoor Target Sports Project
Lawson Way - Club Funded Development
No.1 Lawson Way is a former infants school built in 1927. The building was known locally as "Lawson Little School" (i.e. infants); next door, now demolished was "Lawson Big School" (i.e. the juniors)]. Use as a school ceased some time around 1990 and it was then used as a book repository. In 1996 it passed into the ownership of Middlesbrough Council upon the abolition of Cleveland County Council. The club has a 99 year lease from Middlesbrough Council which commenced in November 2007.
Presentations have been made to North Ormesby Community Council both to keep the community apprised of our progress for the club at No.1 Lawson Way but also to illustrate the possibilities locally arising from the conversion the premises. The club committee is conscious of the fact that this is a building which will hold memories for many local people and has been diligent in keeping the Community Council updated as to progress.
A conversion scheme was prepared and all the necessary statutory consents have been obtained. Our principal national organisation, the National Rifle Association was consulted and gave provisional approval to the proposals both from the viewpoint of range certification and the promotion of target sports in the North East. In addition acoustic, ground, structural and asbestos surveys were carried out the results of which were satisfactory. Unfortunately the premises had been vandalised prior to the club taking occupation but the effects, whilst extensive, were only superficial and easily remedied
Apart from the headline issue of a permanent home for our club the aim of the project is to create a target sports centre which will cater for non- firearm based target sports (principally air rifle, air pistol and archery) as well as the traditional target sports using approved firearms thereby increasing numbers and promoting target sports especially among younger people. It is hoped that the location will be seen as a centre of excellence for target sports; that is our intention.
The premises are ideally suited for the proposed use and have the capability of providing two indoor ranges side by side, one of 35 yards and one of 25 yards both separated by a central corridor. There are also rooms and floorspace for the provision of WC, amenity, storage and office facilities.
From a location viewpoint the premises are ideally situated with easy access from the A66 together with good visibility from that direction. Individual access and parking capability is excellent.
In summary the aim of the project is to provide
secure base for Tees Valley Target Sports and one which will facilitate its expanded membership criteria and increase membership
a centre of excellence for target sports with sub regional if not regional impact
two internal ranges one of 35 yards, one of 25 yards to an appropriate standard (i.e. to cater for the types and calibre of firearm in use at the outdoor range)
storage space including a secure store (note that no firearms or ammuntion will be stored at the premises)
office space and rest area/lounge
WC accommodation to current standards including disabled WC.
disabled access to current standards
car parking including disabled parking
means of ventilation alarm systems and electrical supply to current standards
emergency means of escape and lighting to current standards
improved external appearance
The layout of the building with the two ranges which can be operated independently means that both functionalities can be accommodated. With this in mind the club amended its constitution and rules to cater specifically for those who do not wish to take on the responsibility of firearm ownership. This has meant that we will be able to widen our membership base with potential for general and local community involvement whether as club members or as visitors.
Works to date
The Committee of the day decided that work would progress using club resources but leaving some cash in reserve to continue club activities which in themselves contribute through donations. This approach has proved successful so far and the following works were carried out using accumulated club funds :
provision of a mains water suppy
immediate repairs including replacing all rainwater goods
clearing up and repair of vandalism damage
removal of the four cross walls to create the desired useable distance of 35 yards
internal blockwork to the main 35 yard range (ongoing)
external maintenance and decoration
purchase of a generator
improvement of drainage and connection to main drains
installation of mains electricity supply
purchase of building materials, cleaning materials and associated equipment
substantial time and effort on the part of the membership (ongoing)
and at the end of 2013
November 8th 2015 - Roller shutter door and emergency exit ramp completed
The air intake system has now been installed and the air flow measured now that everything is in place. The system passes the requirements for air changes per hour with plenty of capacity remaining. The backstop has now had 20mm sacrificial steel plates welded to it making it 32mm thick behind the target holders. The steel for the floor baffle has been cut and welded.
We are told that there are three more fire doors required. The concrete plinth has been laid in front of the backstop floor baffle has been constructed. At the bottom of the disabled acccess ramp at the front entrance we have dug out a landing area and mixed over 2 tonnes of concrete. Just inside the doors we have had to remove recessed carpet frames and fill them with concrete to remove the trip hazards. Two hundred metres of skirting and coving fitted.
Fire door installations almost complete. The stairs to the cellar have been blocked off by timber boards to prevent any "visitors" falling down into the stairwell (the cellar is empty apart from the asbestos lagging and detritus accumuated over the decades). The drains at the east end of the building have had a lot of attention as some of the underground pipes have collapsed over time. The drains have been cleaned and now run clear.
More painting, targets purchased, bows purchased, air guns purchased, fire doors fitted, archery curtain installed, more lighting installed, car park improvements, last of the windows bricked up and signage put in place. Opening time is approaching providing we can get sign-off from Building Control.
More painting, the ceiling and walls are completed, the potential trip hazards on the corridor floor have been removed. We have a range Safety Certificate!!!
Building Control will not sign off the building until we have completed all of the work; the disabled toilet has been repainted to give some contrast between the walls and fittings, we have had part of the car park relaid to remove even out the floor. The extraction system has had to be rewired so that it trips out if the fire alarm is activated. The CCTV system has been fitted.
Heavy rain flooded the area of the car park in front of the main entrance (where the disabled parking spots will be) so several hours had to be spent clearing the drains which had been silted up. Lockers have been provided for temporary equipment storage for shooters. We have started to work on the lounge area. The fire exit has been replaced by a high security fire door.
The area used for storing building materials has been cleared and we ahev started to create a lounge area
Car park lighting has been installed and the disabled parking spot has been made good and the bay has been painted. The disabled ramp has been painted and finished. The large double exit door has been replaced with a high security double exit door.
Building control sign-off.
A new front door has been fitted and the lounge has been completed


text:
Q: MySQL allowing NULL in field defined as NO NULLS I have a MySQL table 'wp_mgf_visits' with the field 'photo' defined as 'NO NULL'.  Trying to insert a record with NULL in this field fails (as it should).  However, the following statement executes and removes the value in the record concerned:
    UPDATE `wp_mgf_visits` SET `photo` = NULL WHERE photo = 'myslug4'

The statement was executed in phpMyAdmin. Should this be happening;  does the 'NO NULL' interdiction only apply to insertions?
In answer to the questions, the field is defined as NO NULL and with no default:

A: Good day.. Check to see if the column is defined as 'NOT NULL' or 'NULL' or maybe it has a default value so you can verify if you can update it to 'NULL' or simply ''.

redpajama_set_name: RedPajamaStackExchange


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Girls I Rate, PRS For Music & PRS Foundation launch #GETHEARD future hitmaker competition
April 6th 2021 at 12:01AM
Girls I Rate, a movement focussed on equality for young women in music, has partnered with PRS For Music and PRS Foundation to launch the 2021 #GETHEARD Future Hitmaker Competition.
An official press release states that the #GETHEARD competition "will give aspiring women songwriters the opportunity to have their music broadcast and funded for the very first time."
The competition and call for submissions was announced by Girls I Rate yesterday (April 5) on a brand-new weekly radio show on The Beat London 103.6FM.
The press release stated: "Women aged 16-30 are encouraged to submit their music via the Girls I Rate website for the opportunity to have their music heard by a panel of A&R experts, and #GETHEARD on the radio. Three songwriters will be chosen to receive a Future Hitmaker Award of up to £3,000, a six-week introductory course on Music Production and Sound Engineering at the Institute of Contemporary Music Performance (ICMP) worth £199, a one month membership to The Qube, and audio equipment from Girls I Rate radio show sponsor, Audio-Technica."
Created in collaboration with Girls I Rate founder Carla-Marie Williams to champion aspiring songwriters and producers, the Future Hitmaker Award is powered by PRS Foundation's Hitmaker Fund and supported by Spotify.
Shortlisted #GETHEARD submissions will feature on the Girls I Rate radio show on The Beat London 103.6FM every Monday until June 22, 7pm – 9pm, with shows available to listen back via Mixcloud.
All those who submit their music are also invited to attend a free masterclass on navigating the music business hosted by Claire Rose, outreach manager, PRS For Music, and Becci Scotcher, senior grants and programmes manager, PRS Foundation, who will share advice on how music creators can make money from their music and the various funding and grants available to them.
The press release continued: "Over the course of three months, a diverse panel of experts will critique the tracks submitted, with the freshest women voices and their music, in particular music of Black origin, to be showcased on Girls I Rate's #GETHEARD weekly takeover on The Beat London 103.6FM. Featuring an all-female line-up of presenters, including resident Notting Hill Carnival DJ, Carmen London, international multi-genre DJ, S.Chinx, DJ Joy To The World and Jasmine De-Allie, the radio show will provide a platform for some of the songwriters, producers, artists, rappers and MCs submitting tracks to receive their first UK airplay."
The #GETHEARD Future Hitmaker Competition will culminate in a live virtual event on Sunday June 27, where 10 shortlisted tracks will be played and listened to by some of the most influential A&Rs in the music industry: Since '93 co-president, Riki Bleau, YouTube Artist Relations Manager, Sheniece Charway, Ivor Novello Award-winning songwriter and president of the PRS Members' Council, Michelle Escoffery, BMG UK A&R director, Felix Howard, Spotify artist and label partnership Lead, Safiya Lambie-Knight and Downtown Music A&R manager, Davina Merchant. The group will provide their expert opinions, advice to those on the shortlist, and select the three recipients of the Future Hitmaker Award, who will receive £1,000, £2,000 and £3,000 respectively, towards career development.
Speaking about the launch, Girls I Rate founder – and co-curator of Music Week x Girls I Rate's Mentor Me page – Carla Marie Williams said: "It's all about the future generation, music is about staying fresh and coming up with new ideas, being able to work alongside PRS for Music, PRS Foundation and Spotify to give these opportunities to young women is everything! Ladies please #GETHEARD!"
To apply to the #GETHEARD Future Hitmaker Competition for the chance to have tracks listened to by the expert A&R panel, applicants must submit songs via this link by 31 May 2021.
Michelle Escoffery, president of the PRS Members' Council, said: "I am honoured to be a part of this incredible initiative, created to provide opportunity and equity for women songwriters, composers and producers to #GETHEARD. We must encourage and empower the next generation of music creators and I look forward to supporting and championing these young women entering the industry alongside Girls I Rate and PRS Foundation."
Joe Frankland, CEO of PRS Foundation, said: "We're delighted to be partnering with Carla and Girls I Rate with this targeted award through our existing Hitmaker Fund, which supports behind the scenes songwriters and producers to get to the next step in their careers. The Girls I Rate Future Hitmaker Award is a fantastic opportunity to target support for talented women music creators with vital and timely grants to develop their careers and music making. Good luck to everyone who applies!"
PRS for Music and PRS Foundation have previously partnered with Girls I Rate on #GETHEARD to address the gender imbalance within PRS For Music's membership, where men make up 81.7% of the total figure, and to give undiscovered women songwriters a gateway into the industry.
Ivor Etienne, CEO, The Beat London 103.6FM, said: "We are honoured to be able to give Girls I Rate a platform through The Beat London 103.6FM to help women #GETHEARD - Our station has on average 15k listeners a week. We look forward to hearing all the new music being created and promoted on our radio station throughout the UK and beyond."
Safiya Lambie-Knight, lead, artist and label partnerships (genre specialist), added: "I am honoured to be part of Get Heard this year and look forward to hearing from the next generation of up and coming female talent in the UK."
Girls I Rate,
Carla Marie Williams,
#getheard,
Michelle Escoffery,
Joe Frankland,
Ivor Etienne
Music Week x Girls I Rate presents: Mentor Me - Vaniece Jno-Baptiste
PRS Foundation secures multi-year funding agreement
Music Week x Girls I Rate presents: Mentor Me - Portia Clarke
Music Week x Girls I Rate presents: Mentor Me - Adele White

redpajama_set_name: RedPajamaCommonCrawl


text:
Find a VPN
VPN Basics
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PrivateVPN Review
PrivateVPN may not have the biggest network out there, but it gets the job done -- allowing users to cyber-schmooze while keeping their identities hidden from the prying eyes. Here's our review of PrivateVPN...
Servers & Locations
150+ servers
PrivateVPN's network isn't the biggest one out there, but it gets the job done. Currently, it counts more than 150 servers spread across 60 locations, while offering 7,000+ individual IP addresses to keep your identity protected.
Nonetheless, we haven't read that anyone is experiencing network congestions or slowdowns -- we certainly haven't noticed any glitches -- so you're good to go.
Sure there are VPNs with much bigger networks, but bigger isn't always better. PrivateVPN has its strengths as you're about to find out.
PrivateVPN has an app for all popular desktop and mobile platforms, and -- if that's not enough -- you can set up your router to use the service so that every device in your local network gets protected.
Unfortunately, browser extensions are not available, though that doesn't mean you will be "left alone" while browsing the web -- the desktop app will kick-in to route traffic to and from all websites you visit.
Amazon Fire TV Stick has its own app and for all other gaming consoles and streaming devices, you will have to connect to the internet through your router or computer -- which you have previously set to work with PrivateVPN. Not a big problem, as far as I'm concerned.
A single license lets you connect up to 6 devices at the same time. And yes, in case you wonder, one of those devices could be your router.
PrivateVPN - PC screenshots
Login & connection screens
Settings screen
Stealth VPN feature
Connection Guard
PrivateVPN - Android screenshots
You're connected
Server selection – U.S. cities
Server selection – countries
Server selection – by services
VPN Settings
Despite having a relatively low number of servers, PrivateVPN is fast. Perhaps that has something to do with their server locations or the "kind" of servers they are using.
The company prides itself for purchasing High Quality Network (HQN) Internet capacity directly from IP transit providers. Whereas some VPN providers purchase Internet capacity mostly from a hosting company, PrivateVPN tries to get the majority of traffic from HQNs -- which in turn allows it to be fast and deliver low latency connections (something gamers will appreciate).
In any case, we have found connecting to both local and long-distance servers to deliver fast download AND upload speeds. Pretty cool and extremely useful for all kinds of users -- whether you need a VPN for torrenting or streaming, PrivateVPN will get the job done for you.
PrivateVPN supports a number of protocols, including our favorite OpenVPN that is coupled with the unbreakable AES-256 encryption. This combo is supported by most of the top VPNs across the world -- cause it works.
There are many advanced features tech savvy users will appreciate, with the majority of us just starting the app and forgetting about it. Cause it gets the job done.
PrivateVPN operates its own DNS servers, promising little to no DNS or IP leaks. The service also includes a kill switch to keep users safe if their connection drops, and could easily be used for Tor.
Unfortunately, though, Android and iOS apps are missing the kill switch. For one reason or another, this is fairly common with all VPNs.
PrivateVPN says it "doesn't collect or log any traffic or use of its service" and we tend to trust them -- after all, a single story on the internet proving otherwise could put them out of business.
The company is based in Sweden, which means it is the subject of EU's data retention laws and intelligence-sharing agreements. Then again, PrivateVPN's zero-logs policy means that even if they are subpoenaed to provide access to their data to authorities - they would have nothing to offer. In other words, there's nothing to worry about with PrivateVPN.
PrivateVPN's app is minimalist and we like it for that. Most users -- myself included -- would simply start the app and forget about it, with PrivateVPN's software doing all the hard work in the background.
The UI and colors could be, let's say, different. We like the mobile apps more than their desktop counterparts. This is not to say that PrivateVPN apps are ugly, they could just -- well -- use some additional polishing. In other words, we have seen a nicer looking VPN apps.
It is worth adding that everything within PrivateVPN's apps -- both on mobile and desktop -- is clearly labeled and you shouldn't have any problems finding your way around all those options.
Should you need to access advanced options, they are just a click away. Again, most users wouldn't bother to try them out -- except if something suddenly stops working -- i.e. they have to change the server in order to access some streaming service.
The only problem could be the lack of integrated support, which means that if you have a question or problem - you will have to visit PrivateVPN's website to get your answer(s). Which leads us to the next section...
The live chat help is available through PrivateVPN's website but it's not perfect. The chatbox will appear in either red or green depending on availability. If it's not available, you can use an online form to send your inquiry and let the support folks get back to you with an email.
Also, you could check PrivateVPN's online resources and its FAQ section where answers to most common questions are provided, and which -- let's face it -- could be used for resolving 95% of all inquiries or more.
Finally, and this is really cool, PrivateVPN offers free remote help AND installation. We haven't been able to test out this feature, but boy - it does sound cool. We seldom see something like this provided by any software maker and we're already in love.
Streaming & Torrenting
If you need a service for video streaming, PrivateVPN is one of the best around. Yes, it works with Netflix, as well as other popular services like Sky and Hulu -- all of which have dedicated servers.
And the same goes for BBC iPlayer - it too is available through a couple of servers though not as many as Netflix. That kinda makes sense considering the popularity of Netflix.
For sports fans, PrivateVPN suggests DAZN that lets users watch most leagues of most sports, including the Champions League for football (soccer) and the NFL. The company claims that not all VPNs support this service, so I guess that's (literally) one more point for PrivateVPN.
Plus, if you're wondering which server is best for the video streaming service you want to use -- just ask the customer support. We've found this to be the fastest way to get ahead with streaming especially if you're looking to access some of the less popular services.
As we have briefly noted above, PrivateVPN offers a rock-solid experience for torrenting, with all of its servers supporting P2P traffic. This, in turn, also makes PrivateVPN a great choice for using Kodi -- which streams media files via BitTorrent.
While testing the service we haven't noticed any hiccups in performance -- both download and upload speeds were impressive. And the same went for Kodi streams of the popular TV shows - everything worked "as advertised."
Bypassing censorship
PrivateVPN works in China, and consequently in all other countries where you need to access popular social media services and news sites which may be blocked by the government. In fact, the company promises you won't be noticing much (if any) difference in the speed of connection since most of their internet capacity comes from IP transit providers -- which deliver faster connections.
In addition, PrivateVPN also provides support for Tor over VPN for those looking for an extra layer of security.
Good to know... PrivateVPN is one of just a few services that can still bypass the Great Firewall of China. That's not a small feat considering that some VPNs with a much larger network of servers can't do that. The company does this with its "Special Stealth" mode that you should turn on while visiting China as well as other high-censorship countries like UAE, Saudi Arabia, Iran, Turkey, Russia and so on. With PrivateVPN, you will be able to keep up with your friends and followers on Facebook and Twitter from anywhere. You gotta cheer for the little guy especially when he manages to deliver where (some) "big boys" can't.
While discussing PrivateVPN's support, we have noted that the company offers what it refers to as "Free Remote Help + Installation." We haven't been able to test this out, but it definitely sounds promising, with the company's support staff taking an extra step to offer hands-on help for users who have a hard time setting up their VPN.
So should you have some problems with PrivateVPN, their people could actually connect to your computer and solve the problem for you; not just provide with an answer or -- worse -- a link to the guide on how to solve the issue. Love it!
Use a drop-down menu to compare PrivateVPN with other VPNs.
Router support?
24/7 chat support
Accepts PayPal?
Accepts Crypto?
accepts crypto
PrivateVPN accepts most major credit and debit cards, PayPal, Bitcoin as well as a few international payment methods such as JCB, Discover and DCI.
The service offers a 30-day money-back guarantee but you have to use less than 100GB of data in the period. A free trial is not available.
Price/month
1 month $7.67 $7.67
3 months $4.88 $14.63 Save 55%
13 months $3.82 $49.68 Save 65%
Free trial and money-back guarantee
Like most top services out there, PrivateVPN doesn't let you test its service for free -- cause it cost them real money. Instead of the free trial, they offer a 30-day money-back guarantee for all users. There is one condition though -- during those first 30 days, you should use less than 100GB of data. That is not unreasonable as far we can tell, allowing you to stream a lot of TV shows and movies before deciding to pay for the service.
Should you need a refund, it will be processed within five business days.
Fast download and upload speeds
Works with Netflix, Hulu, BBC iPlayer, etc.
Great for torrenting
Advanced privacy features (i.e. Tor over VPN)
Relatively small number of servers
There are no browser extensions
Live chat support is not always available
PrivateVPN is an all-round performer despite the fact that its network is much smaller than that of its bigger rivals. We have found it impressive that both download and upload speeds top the charts, and the fact that you can use PrivateVPN for just about anything makes it one of the best services on the market.
Specifically, you can rely on PrivateVPN for both torrenting and streaming, without paying a premium. It is, in fact, one of the most affordable options in its league and we love it for that.
Customer support may not be on par with bigger players but it's not like you should experience much problems anyway. You will get the same level of security and privacy as with other services, and a single license will let you run PrivateVPN on up to 6 devices. Pretty cool.
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My pots in the kitchen are adorable now.
Neat trick, press on the "space bar" at the end of the word before cutting it so it'll be even with the black space at the beggining.
1.0 out of 5 starsIt worked beautifully... for five minutes.
I received it, made two adorable labels, and then the thing stopped feeding the ribbon through. It will still emboss, but it dents the whole ribbon terribly and stamps each letter upon the last. It worked for literally five minutes before it gave up the ghost. I've tried to coax it back to life, but my efforts have been fruitless. I should have taken the reviews more seriously.
4.0 out of 5 starsLove the results but be carfull the bottom wheel moves easily.
I wrote a review 2 days ago saying that after 1 week it was not cutting the tape anymore. I realise it was because the bottom wheel (the one that has separation in it) was offbeat resulting in having the cutting part not aligned with the actual cutting symbol. all I had to do is put back the wheel in the right place and it was working again. It moves pretty easily so be careful. For the price, I'm really happy and I think it is worth it! the result is really nice, a little vintage and all. I really love it and I'm glad it's not broken after all :).
5.0 out of 5 starsGreat old school labels!
GF said it renders exactly as expected so 5 stars! Note that the device is not very robust and must be handled with care though. Press slowly but firmly and labels will come out great. Sometimes you'll have to play with a space before or after the text. I'm more critical than her, but I admit it's a billion times better than the expensive gameboy-like garbage printers.
It's not battery operated. I thought it was. So I think over time squeezing this handle will create fatigue.
Second. The reason I had to return it, it does NOT have the (+) or the (&) symbols. Both of which I needed.
It is very light however and had it had these two needed symbols I think I would of liked it very much.
Easy to operate and also to change out the tape. I found it all quite intuitive. What stops this from getting 5 stars: sometimes one of the characters would get missed and that stamped section of tape would have to be scrapped and the process restarted.
I have found that I can live with redoing one character and taping it over top of the otherwise good strip. For example, if, SUGAR turned out as SU-AR, where the G doesn't stamp at all or stamps improperly, or half way, I just create a separate G and paste it on top on this series so the final result reads as SUGAR.
Like other reviewers, I too wish there was a plus sign or an &. But I can improvise and write things like SALT N PEPPER instead of SALT & PEPPER.
If you are looking for a retro label, look no further! The occasional quirks of having the letters slightly misaligned just adds vintage and character to the final results. I love using these on my Rubbermaid Lunchbloxes. I have various sizes and lots of them. I use it for spices and was using white labels on them. Unfortunately, they would peel at the edges. They are now doing fine with the Dymo labels applied. Stays flat on plastic.
I have also used these on storage boxes to indicate what is inside. The black label adds a muted seriousness to items. If you wish, you can also get labels in different colors.
4.0 out of 5 starsSecond time's a charm!
Originally received one which did not work properly. We managed to make a couple of labels successfully before it stopped embossing entirely and wouldn't even cut the tape to separate labels. Returned the unit to Amazon (which was super easy) and received a replacement the next day.
J'ai acheté ce produit pour numéroter des câbles. Cet organiseur DYMO crée des étiquettes avec des caractères embossés qui sont difficiles à lire. De plus les étiquettes ne collent pas suffisamment et se décollent facilement. Si c'était à refaire je n'achèterais pas ce produit. I bought this product to number cables. This DYMO organizer creates labels with embossed characters that are hard to read. In addition, the labels do not stick enough and are easily peeled off. If it was again I would not buy this product.
the thing worked for a few labels and then died.
It's plastic with plastic internals which easily fail so it's not worth buying they should go back to the old metal ones as this one is junk don't waste your money.
Acquired one of these during the decluttering process. It's incredibly simple to use, and you need to squeeze the handle pretty hard to get a good embossing, so consider a digital one instead if you have arthritis or difficulty squeezing repetitively. I love the old-fashioned look of the labels produced. Definitely recommend.


What the owner says ."When I was a first time buyer looking for a flat, this property really stood out for a number of reasons. The size was great and it is so central to everything. Commuting to town is so easy with a bus stop on your door step. The flat is bright and airy with plenty space to grow into. The nearby Tesco store is handy too so you have it all pretty much to hand."
When it comes to searching for a flat that ticks all the boxes, this well presented first floor property is without doubt a property that should be viewed as soon as possible. The current owner has really maximised the potential that the property offers and has now created an enviable living space to be enjoyed. As you would expect from a lovely home the property offers many key features such as modern gas central heating, double glazing a well-appointed kitchen with modern wall and floor units and integrated appliances. The bathroom is fresh, modern and incorporates a shower. The general makeup of the property consists of an entrance lobby, lounge, kitchen, three bedrooms, and bathroom WC and driveway to front. The location of the property is very much established and sought after and is essentially owner occupied giving a true residential living experience. Very well located for access to local amenities such as shops, schools and public travel links. You are within easy striking distance of the A1058 Coast Road and of course our award winning blue flag beaches in Tynemouth. The Metro service is also available and is some 20 minutes' walk away providing access to Newcastle City Centre and of course many main Tyneside centres. Interested parties are urged to arrange a prompt and essential internal viewing. Don't delay.


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UX Method
Intro bits - my first music creation
For the last few months I taught my self a bit of Ableton…
https://sebastianbourges.com/wp-content/uploads/2013/10/Slow-Motion-water-high-speed-photography-002.jpg 1333 2000 sebastianbourges https://sebastianbourges.com/wp-content/uploads/2016/11/Sebastian-Bourges-Logo-SVG-UX-Specialist-v3.svg sebastianbourges2019-08-20 22:21:472019-08-26 22:34:46Intro bits - my first music creation
What is the right sample size we need to get accurate results in user tests?
Pretend this is the project objective Find the right price…
https://sebastianbourges.com/wp-content/uploads/2019/08/How-much-would-you-pay.014.png 1080 1920 sebastianbourges https://sebastianbourges.com/wp-content/uploads/2016/11/Sebastian-Bourges-Logo-SVG-UX-Specialist-v3.svg sebastianbourges2019-08-08 16:41:202019-08-12 10:30:39What is the right sample size we need to get accurate results in user tests?
1990s animations
https://sebastianbourges.com/wp-content/uploads/2014/12/Banner-3D.jpg 2000 3000 sebastianbourges https://sebastianbourges.com/wp-content/uploads/2016/11/Sebastian-Bourges-Logo-SVG-UX-Specialist-v3.svg sebastianbourges2016-10-24 16:25:342016-10-24 16:25:341990s animations
Responsive Grid system with Flexbox
Responsive Grid system
https://sebastianbourges.com/wp-content/uploads/2016/06/Flexbox-Grid-System.png 882 1279 sebastianbourges https://sebastianbourges.com/wp-content/uploads/2016/11/Sebastian-Bourges-Logo-SVG-UX-Specialist-v3.svg sebastianbourges2016-06-28 11:19:542016-06-28 11:22:25Responsive Grid system with Flexbox
Creating a chat UI with Flexbox
Flexbox Chat UI
https://sebastianbourges.com/wp-content/uploads/2016/06/chat-container-thumbnail.png 1372 1520 sebastianbourges https://sebastianbourges.com/wp-content/uploads/2016/11/Sebastian-Bourges-Logo-SVG-UX-Specialist-v3.svg sebastianbourges2016-06-26 22:46:072016-06-26 23:00:40Creating a chat UI with Flexbox
Lean UX Method (1/2)
The Lean UX Method
https://sebastianbourges.com/wp-content/uploads/2015/09/home-ux-design-04.jpg 2000 3000 sebastianbourges https://sebastianbourges.com/wp-content/uploads/2016/11/Sebastian-Bourges-Logo-SVG-UX-Specialist-v3.svg sebastianbourges2015-10-20 15:29:462016-06-03 14:22:33Lean UX Method (1/2)
The Spiral Method
https://sebastianbourges.com/wp-content/uploads/2014/06/Museums_Spiral_Staircase_2012.jpg 2756 4336 sebastianbourges https://sebastianbourges.com/wp-content/uploads/2016/11/Sebastian-Bourges-Logo-SVG-UX-Specialist-v3.svg sebastianbourges2014-06-10 16:56:192019-05-06 14:19:33The Spiral Method
What goes well with Futura PT font?
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what is a logo
What is a logo? We see them everywhere. Using M. Heidegger's…
https://sebastianbourges.com/wp-content/uploads/2013/12/Sebastian-Bourges-favicon.png 480 480 sebastianbourges https://sebastianbourges.com/wp-content/uploads/2016/11/Sebastian-Bourges-Logo-SVG-UX-Specialist-v3.svg sebastianbourges2014-01-30 12:30:052019-05-06 14:06:55what is a logo
The challenges of creativity on a consumerist environment
What is the conceptual difference between consumption and creation. Are we creating anything but products of mass consumption?
https://sebastianbourges.com/wp-content/uploads/2015/09/Swatch-Revolution.jpg 1020 1000 sebastianbourges https://sebastianbourges.com/wp-content/uploads/2016/11/Sebastian-Bourges-Logo-SVG-UX-Specialist-v3.svg sebastianbourges2014-01-29 13:16:552019-10-20 21:43:13The challenges of creativity on a consumerist environment
© Sebastian Bourges
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text:
MySpace Re-Enables YouTube Embeds
We can't thank you enough for your support. Happy Holidays from all of us here at YouTube.
Well Tubers, thanks to all of your emails and blogging, we have been able to get in contact with Tom from MySpace. Turns out this was a simple misunderstanding, and MySpace has re-enabled all YouTube embeds. Everything should now be back in working order.
Out From the Underground
. The GMA experience was pretty surreal. We were hustled passed the crowed into the backstage room, where we hung out with NASCAR drivers (I think Jeff Gordon was there). Then we were hustled into the studio where each band was presented a "Golden Mouse" award by Sam Champion and Diane Sawyer. Later that day we set up a cocktail party at the Gibson Showroom, which is in the old Hit Factory in Hells Kitchen, with record labels, press and friends. There were photo shoots, jam sessions, tequila shots, guitar hero competitions and the Gibson VIP Tour Bus. We could not have asked for a better end result from our first YouTube contest.
And with that, here are the winning videos/bands:
Ostrich Head
Pawnshop Roses
Maldroid
If you haven't heard yet, the Underground contest was a huge success. We had about 2,200 submissions and four great bands rose up: Greenland, Ostrich Head, Pawnshop Roses and Maldroid. Not only are these bands extremely talented, but they are kind, funny and entertaining. We had a blast hanging out with them in New York. We worked hard to make sure that everything went well, and they worked even harder to make sure we had fun doing it. There was never a dull moment and one of the best parts was all the bands not only got along, but they became friends. There was a lot of intermingling of bands, and they jammed together as often as they could. I felt like it was the old days of rock 'n' roll, when bands were friends and played together constantly, unlike nowadays when it's every member for themselves. We could not have asked for a better group.
We wined and dined them at the nicest spots New York has to offer, running up some hefty bar tabs, and schmoozed with press and record labels. One of the highlights was our appearance on Good Morning America. The GMA experience was pretty surreal. We were hustled passed the crowed into the backstage room, where we hung out with NASCAR drivers (I think Jeff Gordon was there). Then we were hustled into the studio where each band was presented a "Golden Mouse" award by Sam Champion and Diane Sawyer. Later that day we set up a cocktail party at the Gibson Showroom, which is in the old Hit Factory in Hells Kitchen, with record labels, press and friends. There were photo shoots, jam sessions, tequila shots, guitar hero competitions and the Gibson VIP Tour Bus. We could not have asked for a better end result from our first YouTube contest.


Welcome to Annunciation of the Lord Parish!
Come and Listen Every Wednesday & Saturday 7pm!
Eucharistic Adoration is Monday Noon until Tuesday Noon!
Join Us for Holy Rosary Sundays 4pm!
Supporting Saint Ann Catholic School is Fun & Easy!


The falls are separated into two levels: the main drop of 60 meters on the upper level, and a smaller drop of 30 meters on the lower level. In between levels is the basin of the first waterfall which is a wide space than can be hiked to easily.
Yasu-no-Taki Falls was chosen as the second best waterfall in Japan out of the "100 Waterfalls of Japan". On clear days, rainbows can be seen coming from the falls in the afternoon.
From Ani, go south on Route 105. Take a left on Route 308. Drive 7 kilometers to Ani Matagi (Utto). You can get advice from the people at Yuppara Onsen (on your right as you go through Ani Matagi, about a minute by car beyond Ani Matagi (阿仁マタギ) train station.


>  > *unless* you specify a non-default font size.
> be one pixel wider than the left one [ (10 11 nil) ].
> doc> *Specify appearance of fringes on all frames.
number of default column widths, but be at least 8 pixels each.
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text:
require 'lib/custom_renderer'
require 'lib/gallery_generator'

# General Settings
set :css_dir,       'stylesheets'
set :js_dir,        'javascripts'
set :images_dir,    'images'
set :partials_dir,  'partials'

activate :directory_indexes
activate :gzip
activate :syntax, line_numbers: true
activate :autoprefixer

# Markdown
set :markdown_engine, :redcarpet
set :markdown,
    renderer: ::CustomRenderer,
    fenced_code_blocks: true,
    no_intra_emphasis: true,
    autolink: true,
    strikethrough: true,
    superscript: true,
    highlight: true,
    underline: true,
    tables: true

# Sprockets
sprockets.append_path File.join root, 'bower_components'

# Sitemap
set :url_root, '//predictionio.incubator.apache.org'
activate :search_engine_sitemap, exclude_attr: 'hidden'

# Development Settings
configure :development do
  set :scheme, 'http'
  set :host, Middleman::PreviewServer.host rescue 'localhost'
  set :port, Middleman::PreviewServer.port rescue 80
  Slim::Engine.set_options pretty: false, sort_attrs: false
  set :debug_assets, true
end

# Build Settings
configure :build do
  set :scheme, 'https'
  set :host, 'docs.prediction.io'
  set :port, 80
  Slim::Engine.set_options pretty: false, sort_attrs: false
  activate :asset_hash
  activate :minify_css
  activate :minify_javascript
  activate :minify_html do |html|
    html.remove_multi_spaces        = true
    html.remove_comments            = true
    html.remove_intertag_spaces     = false
    html.remove_quotes              = false
    html.simple_doctype             = false
    html.remove_script_attributes   = true
    html.remove_style_attributes    = false
    html.remove_link_attributes     = false
    html.remove_form_attributes     = false
    html.remove_input_attributes    = false
    html.remove_javascript_protocol = true
    html.remove_http_protocol       = false
    html.remove_https_protocol      = false
    html.preserve_line_breaks       = false
    html.simple_boolean_attributes  = false
  end
end

# S3 Sync
activate :s3_sync do |s3_sync|
  s3_sync.bucket = 'docs.prediction.io'
  s3_sync.prefer_gzip = false
end

# Hacks

# Engine Template Gallery generation
current_dir = File.dirname(__FILE__)
yaml_file_path = "#{current_dir}/source/gallery/templates.yaml"
out_file_path = "#{current_dir}/source/gallery/template-gallery.html.md"
Gallery.generate_md(yaml_file_path, out_file_path)

# https://github.com/middleman/middleman/issues/612
Slim::Engine.disable_option_validator!

# https://github.com/Aupajo/middleman-search_engine_sitemap/issues/2
set :file_watcher_ignore, [
  /^bin(\/|$)/,
  /^\.bundle(\/|$)/,
  # /^vendor(\/|$)/, # Keep this commented out!
  /^node_modules(\/|$)/,
  /^\.sass-cache(\/|$)/,
  /^\.cache(\/|$)/,
  /^\.git(\/|$)/,
  /^\.gitignore$/,
  /\.DS_Store/,
  /^\.rbenv-.*$/,
  /^Gemfile$/,
  /^Gemfile\.lock$/,
  /~$/,
  /(^|\/)\.?#/,
  /^tmp\//
]

redpajama_set_name: RedPajamaGithub


The agreement has generated a lot of important and challenging questions. The answers are rooted in the facts.
How can the deal be pro-Israel if Prime Minister Netanyahu and even his political rivals oppose it?
By cutting off every pathway to an Iranian nuclear weapon, the deal will make Israel safer, and many within the top echelons of Israel's security establishment agree.
Israel's leaders have a right to speak out on matters that concern their country, but those who know Israeli security best are saying that it is better than the alternatives.
If Iran is found to be non-compliant, can we trust that the UN will reimpose sanctions?
We dont have to "trust" anyone — it will happen automatically because the United States refused to be party to an agreement without that very assurance. If Iran violates any part of the agreement, the UN Security Council resolution requires that the sanctions snap back unilaterally, provided the US and our EU partners demand that they do. Neither Iran, Russia, nor China could block the snapback of these sanctions. Additionally, the EU and US can snap back their own sanctions at any time if Iran does not meet its commitments. The US will always retain the ability to take whatever steps necessary to protect America's security and prevent Iran from acquiring a nuclear weapon.
What happens after the deal expires or sunsets? Can't Iran just go back to trying to build a nuclear weapon then?
The agreement never expires or sunsets. The agreement contains some time-limited restrictions on certain Iranian nuclear activity, but its prohibition on Iran obtaining a nuclear weapon and its submission to an aggressive inspections and monitoring regime are permanent.
Specifically, the agreement establishes strict limits on advanced centrifuge R&D, testing, and deployment in the first 10 years, and after the initial 10 year period, Iran must continue to limit enrichment to a level that is consistent with a peaceful nuclear program. Certain transparency measures will last for 15 years, others for 20 to 25 years, and some will last forever, namely its obligations under the IAEA Safeguards Agreement and Additional Protocol.
This deal in no way authorizes, allows, or encourages future Iranian nuclear weapons activity, which will always be prohibited under the Nuclear Non-Proliferation Treaty (NPT). If Iran every acts to pursue a nuclear weapon in violation of the agreement, the United States and its allies retain their ability to respond with any number of diplomatic and military options. And thanks to the agreement, America and its partners are now in a better position to thwart any break-out attempt given the unparalleled understanding and awareness of Iran's nuclear infrastructure that the deal has already provided.
Why doesn't the deal require Iran to dismantle its nuclear infrastructure?
It does require Iran to dismantle or neutralize the bulk of its nuclear infrastructure. The core of the Arak plutonium reactor had to be removed and filled with concrete. Iran was required to not only physically remove ⅔ of installed centrifuges, but also dismantle and remove all of the pipework that connects the centrifuges and allows them to actually enrich uranium. This infrastructure was removed from their current sites and placed under continuous IAEA surveillance. It would take well over two years for Iran to build back what it had before the deal, and inspectors would detect within days any attempt to rebuild.
Without a deal, Iran's existing nuclear infrastructure would remain in place, fully connected and unmonitored as the regime rapidly adds to it.
Won't the deal spark a nuclear arms race in the Middle East?
No – the deal can prevent one. A real incentive to a nuclear arms race in the region would be Iran racing toward a nuclear weapon in the absence of an agreement. Remember, until the interim agreement in the fall of 2013, that is exactly what was happening – it has only been successful diplomacy – and Iran's compliance with that deal – that froze and actually rolled back for the very first time parts of Iran's nuclear program. Now, by verifiably blocking all of Iran's pathways to a nuclear weapon, this deal provides assurance to allies and partners in the region that we will not allow Iran to obtain or threaten its neighbors with one. The US is also working with allies in the region at this very moment to address their specific security concerns, which is why President Obama brought our closest Gulf allies to Camp David earlier this year.
Without a deal, Iran's nuclear program would proceed unmonitored and unrestricted, virtually guaranteeing a nuclear arms race in the region.
Is 24 days enough time for Iran to hide nuclear weapons activity from IAEA inspectors?
Absolutely not. In fact, the United States and our partners turned to the best non-partisan, independent nuclear scientists and experts to confirm this very fact before they signed the deal. The experts agreed that it would be impossible to conceal a weapons program in 24 days.
Due to uranium's half-life of millions of years, it can take from 6 months to several years to "clean" a facility where nuclear activity has taken place. James Acton, co-director of the nuclear policy program at the Carnegie Endowment stated, "It's impossible to sanitize a nuclear facility [in 24 days]. And when inspectors got there after 24 days, there would unquestionably still be evidence of… nuclear material." Gary Samore, executive director for research at Harvard's Belfer Center for Science and International Affairs said that 24 days would not be enough time to hide evidence of the uranium enrichment facilities Iran would need to create the fissile material required for a bomb.
Can we trust Iran when it has violated many past agreements?
We don't trust Iran — and this agreement leaves nothing to trust. It is based on unprecedented verification, with the strictest inspections in history. It mandates 24/7 monitoring of Iran's declared nuclear facilities, including Natanz, Fordow, and Arak. International inspectors have access to Iran's entire nuclear supply chain – its uranium mines and mills; its conversion facility; its centrifuge manufacturing and storage facilities; and its other declared nuclear sites. As a result, Iran would need to construct an entire covert supply chain to pursue a covert nuclear weapons program. The IAEA can also access any undeclared sites within 24 days, and don't worry — Iran, Russia or China do not have a veto over that right.
There is no such thing — it is a semantic debate about a term that does not exist in arms control circles or at the IAEA. There are currently no countries who grant "anytime, anywhere" inspections to the IAEA nor has any country ever agreed to such a condition.
What is important and undeniable is that inspectors will get the access they need, when and where they need it. Iran's nuclear facilities will be monitored 24/7, and no site will be off limits from IAEA inspectors including military sites, a diplomatic coup for the United States and our partners and something Iran's Supreme Leader had opposed publicly. If Iran refuses to provide access, the US and our EU partners can deem Iran in violation of the deal, even over the objections of China and Russia.
What's the alternative? Without a deal, international inspectors would be granted little or no access to any sites, while Iran's nuclear program proceeds unmonitored and unrestricted.


Right now, this lovely little turn of the century apartment for sale at Alexander White in Stockholm. When we saw the pictures of the great doors with paned windows to the entrance so we died a little. Such doors are not made nowadays <3 Also, the original features, high ceilings and wonderful decor. Lovely!
This entry was posted in 3d model On 2016-06-07 22:30:11 .


If you have a need for Carpet Cleaners products or services, you will know that experience and product knowledge are vital. stain removal, carpet cleaner supplies and cleaner products - and all the basic essentials of Carpet Cleaners are available from Carpet Cleaning Randwick, in Randwick, NSW. You can contact us by email at any time, or by phone at phone during business hours, for helpful and professional assistance with any and all of your Carpet Cleaners needs.


Building Community: It's Easier Than You Think!
Processed Foods: Good or Bad?
Avoid processed foods. It's one of the most unchallenged dietary recommendations for anyone trying to lose weight or gain health. The advice is not without good reason, of course.
Keep Your GI Tract on Track!
All Rights Reserved. All trademarks displayed on this site, unless otherwise indicated, are the property of Isagenix International LLC, and are registered with the US Patent and Trademark Office.


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text:
Home>Music> Juelz Santana & Lil Wayne's "I Can't Feel My Face" Album Is Done
Juelz Santana & Lil Wayne's "I Can't Feel My Face" Album Is Done
Mitch Findlay
@findlaymitch
Mark Brown, Fernando Leon/Getty Images
Lil Wayne & Juelz Santana's collaborative mixtape is finished, but will it ever see the light of day?
There's a simple formula many hip-hop fans adhere to. The more Lil Wayne, the better. Not complicated, really. As such, the fact that his albums occasionally suffer from outlandish delays has caused grief in many a listener. It's a miracle we received the long-lost T-Wayne when we did; the fates of Tha Carter V and the Juelz Santana collaboration I Can't Feel My Face are far less certain. In fact, the Santana project has already undergone a decade long wait, rivaling only the delay of George R.R. Martin's The Winds Of Winter in scope of frustration.
Still, there remains reason to hope. A few days back, Juelz engaged in discourse with a curious fan, who inquired about the status of the anticipated Lil Wayne mixtape. While the vast majority appears to have written the project off, Juelz remains optimistic. "That thing already Done bro Jus Know..." replied Juelz, in response to a fan's request for closure. While Santana provided little in that department, the fact that a finished project is collecting dust somewhere gives us small comfort. Or does it?
Either way, the project could very well "pop up outta nowhere," as Wayne is wont to do. Last year's T Wayne was certainly a pleasant surprise, and the blast from the past style tapes could be the start of a welcome tradition. Either way, all we can do is bide our time, taking solace in the fact that the project is indeed complete.
Music News Lil Wayne Juelz Santana i can't feel my face new mixtape tease collaboration unreleased
Lil Scrappy Avoids Criminal Charges For Car Accident: Report
Kanye West Announces Free "#ProjectWyoming" Events With Listening Party Video
MUSIC Juelz Santana & Lil Wayne's "I Can't Feel My Face" Album Is Done


text:
Q: How to create an Xtext wildcard terminal rule for any combination of characters? I want to write a rule for the following
INTEGER X;
IF GIBBERISH THEN
    X = 10;
ELSE
    X = 15;
END;

In the above program I want to write a terminal rule for any character in GIBBERISH like code('Xfr) or ADEF==DCF+1 something like that.
I wrote a terminal rule
// GIBBERISH
terminal GIBBERISH: (.)* ;

And  I got this error
The following token definitions can never be matched because prior tokens match the same
input: RULE_ID,RULE_INT,RULE_STRING,RULE_ML_COMMENT,RULE_WS,RULE_ANY_OTHER

I also understand why this error message is being showed but anyways I want to override this.

A: Just not extend your grammar from Terminals rule. Remove extend string from grammar head and all these terminals will be removed.


text:
new-article 111674031494401 https://lifestyle.livemint.com story https://lifestyle.livemint.com How To Lounge /how-to-lounge/movies-tv/after-two-virtual-years-sundance-returns-to-the-mountains-111674031494401.html https://images.livemint.com/img/2023/01/19/68x68/Sundance-Film-Festival-2_1674108364791_1674108364791_1674108386888_1674108386888.jpg
Home > How To Lounge> Movies & TV > After two virtual years, Sundance returns to the mountains
After two virtual years, Sundance returns to the mountains
The festival, which kicks off today, is embracing a different kind of hybrid approach after the success of previous years
/how-to-lounge/movies-tv/after-two-virtual-years-sundance-returns-to-the-mountains-111674031494401.html 111674031494401 story
Justin H. Min and (right) Sherry Cola in 'Shortcomings'. Image via AP
Randall Park made a pact with himself some years ago that he wouldn't attend the Sundance Film Festival if he didn't have a project there. But the "Fresh Off the Boat" star never imagined that his first time would be as a director and not as an actor.
His adaptation of "Shortcomings," Adrian Tomine's graphic novel about three young-ish Asian Americans finding themselves in the Bay Area, is among the films debuting in competition at the festival, which begins Thursday night in Park City, Utah.
Also read: Imagine Dragons are ready to set India on fire
"Sundance is the pinnacle to me," Park said in a recent interview. "I still can't believe we're going."
Park is just one of hundreds of filmmakers putting finishing touches on passion projects and making the sojourn to Park City this week, looking to make a splash at the first in-person edition of the storied independent film festival in two years.
Festivalgoers will see some unexpected turns from stars, like Jonathan Majors as an amateur bodybuilder in "Magazine Dreams," Emilia Clarke as a futuristic parent in "Pod Generation," Daisy Ridley as a cubicle worker in "Sometimes I Think About Dying" and Anne Hathaway as a glamourous counselor working at a youth prison in 1960s Massachusetts in "Eileen."
"Bridgerton" star Phoebe Dynevor also breaks out of her corset leading the contemporary adult thriller "Fair Play" as an ambitious woman working at a high stakes hedge fund with a boyfriend played by Alden Ehrenreich. Sundance will be her first film festival ever and she's especially excited that it's with one of the best scripts she's ever read.
"It's quite a polarizing one," Dynevor said. "I can't wait to see how everyone responds to it."
The slate of over 100 films premiering around the clock (from 8am to midnight) over 10 days are as diverse as ever. There are three films about Iranian women ("The Persian Version," "Joonam" and "Shayda"), stories about transgender sex workers ("The Stroll," "KOKOMO CITY"), indigenous people ("Twice Colonoized," "Bad Press"), women's rights and sexuality ("The Disappearance of Shere Hite") and the war in Ukraine ("20 Days in Mariupol," a joint project between The Associated Press and PBS "Frontline.")
And, as always, there are intimate portraits of famous faces, like Michael J. Fox, Little Richard, Stephen Curry, Judy Blume, the Indigo Girls and Brooke Shields.
Lana Wilson ("Miss Americana ") directed the much-anticipated Shields documentary "Pretty Baby," in which Shields reflects on her experiences from child model to teen superstar and beyond, including her complex relationship with her mother, Andre Agassi and the time Tom Cruise publicly criticized her for taking antidepressants.
"I kept coming back to this idea of agency and of her slowly gaining agency first over her mind, then over her career and then over her identity," Wilson said.
If the past two years have proved anything, it's that Sundance doesn't need its picturesque mountainside location to thrive. After all, it was at a virtual edition that the festival hosted the premiere of "CODA," which would become the first Sundance movie to win best picture at the Oscars. "Summer of Soul," another virtual Sundance premiere, also won best documentary last year, and both are getting encore, in-person screenings this year.
But even so, the independent film community — from the newcomers to the veterans — has felt the lack of the real thing. There is, after all, a certain magic about seeing a new film from an unknown in the dead of winter at 7,000 feet elevation wondering, as the lights go down in a cinema overflowing with puffy coats if you might just be among the first to witness the debut of the next Ryan Coogler or Kelly Reichardt.
The festival is embracing a different kind of hybrid approach after the success of previous years. Starting on Jan. 24, five days in, many of the films will be available to watch online for people who bought that now sold-out package.
With COVID-19 outbreaks still happening, some events and gatherings are requiring tests and proof of vaccination. People like Luis Miranda Jr., coming with a documentary he helped produce, "Going Varsity in Mariachi," is planning to mask up while celebrating the movie.
"We're bringing real mariachis to Utah and will have a party with real mariachi music," Miranda said excitedly.
Some films already have distributors in place but many do not and onlookers are interested to see how those acquisitions play out. After several years of deep pocketed streaming services making big plays, the market may have stabilized. Streamers are more cautious and traditional studios have learned how to compete.
Producer Tommy Oliver, the CEO and founder of Confluential Films, has four movies at the festival up for sale: "Fancy Dance," "Young. Wild. Free," "To Live and Die and Live" and "Going to Mars: The Nikki Giovanni Project." He knows as well as any that Sundance isn't just a place for celebration and discovery, but for connections too.
His advice for any first timers is simple: "Talk to everyone. Talk to the people who haven't made stuff yet. Talk to the people who are hustling," he said. "And be patient, because you're going to look up in five, 10 years and they'll have made 'Fruitvale Station,' they'll have made 'Beale Street.'"
Also read: 'Broke to Breakthrough' wins Gaja Capital's book prize
For more such stories Lifestyle News, Fashion Photos on Mint Lounge.


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Entertainment Buzz
Tamela and David Mann Say 'I Do' Again In Intimate Vow Renewal Ceremony
Myeisha Essex
One of Gospel's most adorable couples celebrated 25 years of marriage by swapping vows all over again.
"Tyler Perry's Meet the Browns" stars Tamela and David Mann recently reaffirmed their vows in an intimate, Dallas, Texas ceremony, reports US Weekly.
"We hosted everyone at the Joule Hotel because it had the feel we were trying to create — old-world romantic, beautiful, chic and lush — and a place everyone would love," Tamela said. "And it had space for a dance floor, which if you know David, was something we had to have!"
MUST READ: Tamela Mann Presents: A Curvy Girl's Guide To Red Carpet (VIDEO)
The bride said she wore a Binzario Couture gown that she "spent months" designing. "I knew every intimate detail of it, but when I saw it at my final fitting last week, I lost it," she said. "It was everything I could have ever dreamed of in a bridal gown."
The "Take Me To The King!" singer went on to say that she and David "wanted a fairytale wedding" because when they legally wed in 1988 they couldn't afford a proper ceremony.
"When we got married 25 years ago, we didn't have enough money for a wedding," Tamela said, adding they had to even borrow a ring.
This time around, the couple's family and friends were able to attend the event, including Kirk Franklin and his wife Tammy, Timbaland and his wife Monique Idlett Mosley, their children (three daughters and a son), and their grand babies, who "were dressed as little princes and princesses."
"Our children weren't happy they didn't get to be in the ceremony, but they eventually were okay with it because their kids got to be on stage with us," Tamela shared.
During the late 2013/early 2014 TV season, The Manns will be joining The Sheards and Mary Mary as the next gospel stars to land a religion-themed reality show.
Things You Didn't Know About The Leading Ladies Of "Madea's Big Happy Family"
Tyler Perry and "Madea"
Check Out This Gallery
Tamela and David Mann Say 'I Do' Again In Intimate Vow Renewal Ceremony was originally published on hellobeautiful.com
David Mann	, Tamela Mann


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Rana AlMutawa, ""Glitzy" Malls and Coffee Shops: Everyday Places of Belonging and Social Contestation in Dubai" (New Texts Out Now)
Rana AlMutawa, ""Glitzy" Malls and Coffee Shops: Everyday Places of Belonging and Social Contestation in Dubai," Arab Studies Journal, Vol. XXVIII, No. 2 (Fall 2020).
Jadaliyya (J): What made you write this article?
Rana AlMutawa (RA): It is not uncommon to find journalistic and academic accounts labelling Gulf cities, particularly their so-called glitzy spaces (such as shopping malls and new developments) as superficial and alienating. Some of these narratives implicitly or explicitly seek to uncover the "real" city that lies beneath the veneer of the spectacle. In doing so, they advance a problematic binary discourse about supposedly "authentic, local" spaces contrasted with alienating, "tourist" spaces. I address the question of who gets included and marginalized from these shopping malls and new developments, while also arguing that these places should not be dismissed as "non-places," neatly separated from the everyday lives of inhabitants. In this article, I show how my Emirati interlocutors re-appropriate these places as significant cultural sites; create a sense of belonging within them; and negotiate, perform, and challenge social norms in these spaces—while also demonstrating that belonging is often built on exclusions based on race, class, and a variety of other factors.
It is not only Western academics who use these (implicit or explicit) labels of fake/authentic. Some of these perceptions of authenticity circulate among inhabitants as well, producing essentialized understandings of culture, in addition to delegitimizing other forms of knowledge. At the beginning of my article, I quote Reem al-Kamali, an Emirati journalist who wrote an ode to a neighborhood shopping center in Dubai, which she describes as a "community space" where some Emiratis congregate daily. A few months later, al-Kamali posted a tweet about an Arab researcher who came to the United Arab Emirates to research its society, and who used the mall as a field site. He did not find Emiratis there and decided to quit his research and leave. Al-Kamali criticized him for searching for a culture in a shopping mall, advising that to understand a society and culture, one needs to frequent museums or research centers instead.
There are many issues to unpack here, such as the implicit assumptions that only citizens can constitute part of the social fabric of a country. Through this lens, globalized places such as shopping malls (or citizens who may appear to be "Westernized") are often not considered legitimate or "authentic" enough. Al-Kamali, despite writing about the shopping mall as an important social space, also depicted the mall as a culturally irrelevant place when compared to museums and cultural centers, the latter supposedly more legitimate sources of knowledge and culture. Such divisions of fake/authentic are not uncommon, and they may lead us to neglect how certain places are also important sites of belonging, socializing, social contestation, and attachment for many inhabitants. By exploring these realities, I hope to go beyond this overplayed binary.
J: What particular topics, issues, and literatures does the article address?
RA: There is insightful academic literature on the Gulf that explores discourses of authenticity promoted by the state, and how these discourses circulate among Gulf citizens. Academics have shown how national narratives produce an imaginary of an "authentic" and "purely Arab" citizenry, which results in the dismissal of ethnic diversity among citizens, and in the homogenization of diverse citizen languages, dialects, and dress. However, some academics also engage in discourses of authenticity that create binaries of authentic/fake. In such depictions, the low-income and older spaces of the Gulf cities (and, by extension, the people in them) are implicitly or explicitly delineated as "authentic," and contrasted with the "glitzy" city, the latter presented as alienating and devoid of cultural and social meanings. This is perhaps an effort to counter state narratives about these cities, with the implicit assumption that top-down developments are "inauthentic" compared to grassroots developments. While giving attention to places (and people) that have been under- (or mis-) represented is very important, these discourses of authenticity lead to the fetishization of some places and to moralizing narratives about others.
I hope that this type of work becomes part of a growing academic literature on the Gulf that seeks to contest approaches that exceptionalize the Gulf and produce it as completely different from other contexts. For instance, I discuss in my article how some of these malls and new developments are important places for some people to see and be seen by other segments of society. Seeing and being seen often entail some performances of distinction, such as through dress or behavior. These practices and performances are often associated with certain groups, such as wealthy khaleejis, yet they are common almost everywhere, even if they manifest in different ways. As I have argued elsewhere, "creative classes" enjoy going to art galleries and talks, but part of attending these events is the desire to network, to see and be seen by members of the creative community. Academics attend conferences for their content, but also to establish their presence among other academics and to be recognized as part of the academic community. This can also entail performances such as "showing off" one's knowledge. These performances of distinction that take place in malls or other "glitzy" developments are not specific to the Gulf, nor to certain demographics. Recognizing these connections and similarities can allow us to move beyond exceptionalist narratives about these places.
J: How does this article connect to and/or depart from your previous work?
RA: My recent work explores discourses of authenticity from various angles. In an earlier article, ""The Mall isn't Authentic!": Dubai's Creative Class And The Construction of Social Distinction", I focused on the distinctions that middle-class seekers of "authenticity" construct between themselves and others through their attitudes towards Dubai's "glitzy" urban spaces, such as the shopping malls and new developments. In that article, I attempted to answer the question of who feels included and who feels excluded by the city's rapid changes, and who is concerned about the "authenticity" of Dubai's glitzy spaces. I argued that, in some cases, the quest for authenticity also becomes a way to perform social distinction and to present oneself as more socially and culturally aware than mainstream society. This article connects to my previous work by exploring often dismissed social meanings that take place in these settings.
J: What other projects are you working on now?
RA: I am currently writing my PhD dissertation, which follows similar themes as this paper, and working to produce a book manuscript based on it.
J: Who do you hope will read this article, and what sort of impact would you like it to have?
RA: I hope that both academics and non-academics in the Gulf read this article, and that it can lead to more discussions about how we can write about and understand complex places—questions I have been struggling with myself. For instance, some researchers have asked how we can speak about the social meanings and forms of belonging in places like shopping malls, knowing these are neoliberal spaces that foster various forms of inequality. I have asked myself the same question, and I hope this article offers a critical enquiry that investigates some of my middle-class interlocutors' (and to an extent, my own) experiences of belonging and sense of familiarity with these places, while also demonstrating how these forms of belonging are often created through exclusions—not just in the Gulf and in "glitzy" developments, but elsewhere as well. I hope the article can generate more debate about how to go about understanding and writing about these places without reproducing the trope of inauthentic Gulf cities, reducing the experiences of the individuals who belong to them, or overlooking the exclusions that occur in these places—and in the hierarchies that enable their existence.
J: Which academic conversations and debates about the Gulf have impacted your work?
RA: Natalie Koch's work on the geopolitics of spectacle has been extremely insightful for me, particularly her exploration of different inhabitants' attitudes towards their spectacular cities and how they navigate them. Neha Vora's research on belonging among middle-class Indians in the United Arab Emirates (UAE) has been similarly useful in allowing me to think about how people navigate inclusions and exclusions. Koch's and Vora's work has challenged many of the binaries that are used to understand the region, such as dichotomies of belonging/exclusion and liberal/illiberal.
Similarly, conversations with the following colleagues who have worked on the topic of belonging/exclusion in the Gulf have been essential to my own academic development: Shaundel Nicole Sanchez, whose work navigates national, gendered and religious identities, and confronts binaries of belonging/exclusion—by exploring the experiences of American converts to Islam who moved from the United States to the UAE, Sanchez challenges the idea that people only move from East to West in search of safety; Laure Assaf, who works on the everyday socializing of youth in the UAE, such as the socializing that takes place in shopping malls; Idil Akinci, who explores belonging among Arab non-citizens in Dubai and ethnic diversity among Emiratis; Nadeen Dakkak, who has researched migration literature on the Gulf; and May Al-Dabbagh, whose current research is on experiences of motherhood and the work of serial migrants in Dubai. Al Dabbagh also has focused on the geopolitics of knowledge production, wherein she developed a method called Self Tracing which uses dialogical exchange and critical pedagogy to theorize intersectionality in the Global South. All of these projects have been particularly inspiring to me.
Excerpt from the article (from pp. 66-69)
Glitzy places equally afford opportunities to negotiate gender relations. Wynn describes how shopping malls are one of the few places where men and women can meet in Jeddah. Matthews et al argue that "the shopping mall becomes both a site of defiance and of 'openness and opportunity', a radical location where young people can attempt to redefine their position in both cultural and geographical space." I do not want to assign resistance to my interlocutors' transgressive actions, nor to imply that only acts of resistance are meaningful and worthy of study. Rather, I acknowledge that some use the shopping mall as a venue for acts of defiance, but many others use the mall to act in other, no less meaningful ways.
Hanin, an Arab woman, recounted her memories in the mall as a teenager. In one memory, a security guard caught her smoking in the mall's staircase, who chased after her and her friend. In another, she had romantic escapades with her first boyfriend in the cinema. Hanin also made use of other luxury places. She and her boyfriend went to walk on the private beaches at the Palm, the famous coastal development. Hanin was not allowed to date, and she knew they would not bump into anyone they knew there. But because they were not residents of the Palm, they had to sneak in, and security guards would occasionally catch and chase them. In a Twitter post, an Arab user recalled similar memories: "Secretly dating in the café that used to be in Debenhams . . . in Deira City Centre where I spent most of my teen age days! Memories." Of course, many other members of society do not view such actions favorably. A young Emirati Twitter user said: "It's the first time I like Mercato coz [sic] no locals sitting in a café flirting . . . the mall was almost empty! #thankyouRamadan."
When families and friends discuss something out of the ordinary that they had observed, or "transgressive" behaviour they came across, they frequently observed the act in a mall, coffee shop, or other glitzy place. These places are venues for people to observe other members of society and engage in cultural negotiations. These discussions are particularly evident on Twitter, Instagram, and Snapchat. Assaf argues that these sort of conflicts, which arise out of encounters with the "other," are precisely what makes malls public spaces. She gives the example of two Twitter campaigns that Emirati women initiated to advocate that malls enforce more modest dress codes, after seeing Westerner mallgoers dressed in revealing outfits.
Rather than "non-places" that lack "culture and identity," malls and other glitzy places are venues in which people create, recreate, and negotiate culture and identity. Glitzy places do not necessarily embody the idealized public square. Nevertheless, they play a role in beginning discussions about culture and identity. Behavior that critics might consider daring or immoral can become commonplace as more individuals practice it in such public places over time. For instance, in previous decades, some would find it controversial if they saw a young woman sitting in a coffee shop either alone or with friends, without her family. Suaad, an Emirati woman in her forties, recalls from her teenage and early adulthood years in Dubai that
if I was standing alone in front of Wafi [mall], not at a very late hour [laughing]. But if I was like, let's say six o'clock in the evening, and you're not with somebody . . . If people saw you like that, they'll be like, "Aah, someone saw you in Wafi, you were alone, weren't you? What were you doing?" So again the culture was . . . like . . . "you're not to be seen." And that went on for a good [while], like even in the nineties also, you know?
My Emirati female interlocutors, as well as some of my female Arab and South Asian interlocutors, described not being allowed to go out as teenagers or young women without older family members accompanying them. Although the same rules may still apply for some conservative families today, for the majority it has undoubtedly changed. Suaad was one of several interviewees who perceived these transformed family dynamics through her observations of people's behavior in malls:
Like for example now, when you go to Dubai Mall, and it's nice I've seen it in my daughter's generation, they're all with their husbands and kids, whereas in the past, the woman used to go off on her own and the man was sitting in the coffee shop somewhere else. And [the man] was like, "No, don't come say hello to me, my friends will see you," or whatever. That's all changed now. It's like, my son-in-law's friend will say hello to him and say hello to my daughter too.
Malls and coffee shops are sites for these cultural negotiations. Women's presence in these places today is different than it was in previous decades. Similarly, Emirati women went to these glitzy places wearing formerly controversial colored abayas, rather than black abayas, and thereby intentionally or inadvertently challenged dominant dress codes. By wearing colored abayas in public, did these women intend to challenge the status quo? Perhaps some did, but not others. Despite their intentions, some segments of society did view these behaviours as transgressive and debated what they saw.
Similar changes took place elsewhere in the Gulf. For example, a Saudi Twitter user noted: "Go to any mall here [in Saudi] and see the colors of the abayas, five years ago they did not wear colored abayas." Their phrase "go to any mall here and see" encapsulates how malls are ideal places to observe social norms in a society. These sites become stages for certain encounters to take place, and friends, family, and strangers debate those encounters in everyday conversations and on social media.
Some individuals use social media simply to express themselves and share their thoughts with a limited audience, and post without an expectation of receiving attention or many "likes." But for others, such as the Emirati modesty campaigners Assaf discusses, social media is a means to reach large segments of society and effect change. It is not always easy to distinguish when people post on social media simply to express themselves, when they hope to provoke change, or both. But social media is a rich source for examining the observation and negotiation of cultural norms in glitzy places.
In a Twitter post, an influential Emirati woman bemoaned the behavior of Emirati youth who, she says, were sipping their coffees at Mercato Mall's Starbucks during prayer times. Another Mercato Mall Starbucks customer complained on Twitter of another incident she deemed inappropriate: "You [a woman] sit in Starbucks in Mercato between all these men? Excuse me but you have no shame." The two Twitter users I quoted here explicitly mention the (same) place where they observed behavior they considered indecent. At Starbucks, they encountered behavior that differed from their usually accepted norms, prompting conversations about social mores. The tweets provide various examples of how glitzy places allow different segments of society to cross each other. Another Twitter user criticized an Emirati model she saw at Mercato for dressing "like she's English." Yet another user described what they perceived as indecent behavior in a coffee shop in a shopping area in Jumeirah: "An old woman from a Gulf country, [wearing] abaya and niqab [and smoking] shisha!!!" While the comments appear to be from and about other Emiratis (or khalijis), there are clear differences in the way these individuals negotiate modesty, religion, and gender norms. These privatized spaces allow individuals with different ideals and subjectivities to come across each other. These places reflect evolving socio-spatial dynamics within groups of similar class and ethnic backgrounds and, as Assaf describes, among different groups.
Thursday, November 19, 2020 - 5:01:00 PM


Abstract Recently, a lot of nanomaterial-based composites have attracted wide interests in the field of electrochemical biosensing. Especially, the nanostructured ZnO (such as nanobelts, nanowires, and nanosheets) has emerged as a unique family of nanomaterials. In this Research Article, the uniform and vertically oriented ZnO nanosheets were electrodeposited on the preobtained MoS2 scaffold via cyclic voltammetry method further as a sensitively sensing platform to detect some molecules containing aromatic or conjugated rings. The morphology and electrochemical behaviors of ZnO-MoS2 nanosheets were investigated by scanning electron microscopy (SEM), X-ray powder diffraction (XRD), and some electrochemical methods. Taking the nitro-substituted aromatic explosive 2,4,6-trinitrotoluene (TNT) as an example, the parallel experiments were made to prove that the uniform ZnO-MoS2 nanosheets composite was a worthy electrochemical monitoring platform toward the TNT detection. Compared with individual ZnO and individual MoS2, the ZnO-MoS2 showed the most obvious electrochemical signal, lowest limit of detection, and superior linear relation in the low concentration range. Moreover, the detections of other molecules containing aromatic or conjugated rings, such as 2'-deoxyaguanosine-5'-triphosphate trisodium (dGTP) and riboflavin (V-b), were also investigated.
GB/T 7714 Yang, Tao,Cui, Yanan,Chen, Meijing,et al. Uniform and Vertically Oriented ZnO Nanosheets Based on Thin Layered MoS2: Synthesis and High-Sensing Ability[J]. ACS SUSTAINABLE CHEMISTRY & ENGINEERING,2017,5(2):1332-1338.
APA Yang, Tao.,Cui, Yanan.,Chen, Meijing.,Yu, Renzhong.,Luo, Shizhong.,...&Jiao, Kui.(2017).Uniform and Vertically Oriented ZnO Nanosheets Based on Thin Layered MoS2: Synthesis and High-Sensing Ability.ACS SUSTAINABLE CHEMISTRY & ENGINEERING,5(2),1332-1338.
MLA Yang, Tao,et al."Uniform and Vertically Oriented ZnO Nanosheets Based on Thin Layered MoS2: Synthesis and High-Sensing Ability".ACS SUSTAINABLE CHEMISTRY & ENGINEERING 5.2(2017):1332-1338.


text:
Q: how to make exe file work on one computer only I wrote a program using C# and make exe file using advanced installer and it work good but i want to make this exe file work in one computer, because some clints
take exe and give this exe to another and i want to privint that and protect my works

A: run the code below on the machine that you want your .exe. file to work on (it will give you this machines MAC address).
2. Add this MAC address to the code below
3. Add the code below to your C# code to ensure that it only runs on the machine with the correct MAC address (unique)
using System;
using System.Collections.Generic;
using System.Linq;
using System.Net.NetworkInformation;
using System.Text;
using System.Threading.Tasks;

namespace OneMachine
{
    class Program
    {
        static void Main(string[] args)
        {

            string clientMAC = "XX-XX-XX-XX-XX-XX";       //  put the correct value here when you know it
            string thisComputerMAC = GetMACAddress2();

            Console.WriteLine("MAC:" + thisComputerMAC);   // remove this when necessary

            if (clientMAC == thisComputerMAC)
            {

                Console.WriteLine("this is the right computer");
            } else
            {
                Console.WriteLine("PROGRAM WONT RUN ON THIS COMPUTER");
            }

        }

        public static string GetMACAddress2()
        {
            NetworkInterface[] nics = NetworkInterface.GetAllNetworkInterfaces();
            String sMacAddress = string.Empty;
            foreach (NetworkInterface adapter in nics)
            {
                if (sMacAddress == String.Empty)// only return MAC Address from first card
                {
                    //IPInterfaceProperties properties = adapter.GetIPProperties(); Line is not required
                    sMacAddress = adapter.GetPhysicalAddress().ToString();
                }
            } return sMacAddress;
        }

    }
}

reference: C# Get Computer's MAC address "OFFLINE"

A: I think what you want would be some sort of licence key and an authorization method.
A quick google turned up this article which you may find useful.
http://www.codeproject.com/Articles/28678/Generating-Unique-Key-Finger-Print-for-a-Computer

A: u can create the security constrain for exe like

*

*by Giving unique password

*By Entering the serial Key i.e. Licence Key  which will know to u only or create random serial    key generator based on the system.

A: You can allow only one user run your program by using a hardware ID to identify the user using the application or you can use a licensing system.