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Q: How to view the committed files you have not pushed yet? For example I commit some files, the next day some more files, and so on. After some days I want to view all my committed files and view their difference with the remote repo. Note that I have not pushed anything. I just want to verify that if I push some thing then it will go to the remote repo as I expect.

A: git diff HEAD origin/master
Where origin is the remote repository and master is the default branch where you will push. Also, do a git fetch before the diff so that you are not diffing against a stale origin/master.
P.S. I am also new to git, so in case the above is wrong, please rectify.

A: Assuming you're on local branch master, which is tracking origin/master:
git diff --stat origin/master..

A: Here you'll find your answer:
Using Git how do I find changes between local and remote
For the lazy:

*

*Use "git log origin..HEAD"

*Use "git fetch" followed by "git log HEAD..origin". You can cherry-pick individual commits using the listed commit ids.

  The above assumes, of course, that "origin" is the name of your remote tracking branch (which it is if you've used clone with default options).

A: The previous answers are all good, but they all show origin/master. These days, following the best practices, I rarely work directly on a master branch, let alone from origin repo.
So if you are like me who work in a branch, here are tips:

*

*Say you are already on a branch. If not, git checkout that branch

*git log # to show a list of commit such as x08d46ffb1369e603c46ae96, You need only the latest commit which comes first.

*git show --name-only  x08d46ffb1369e603c46ae96 # to show the files commited

*git show x08d46ffb1369e603c46ae96 # show the detail diff of each changed file

Or more simply, just use HEAD:

*

*git show --name-only HEAD # to show a list of files committed

*git show HEAD # to show the detail diff.

A: The push command has a -n/--dry-run option which will compute what needs to be pushed but not actually do it. Does that work for you?

A: I'm not great with Git, but this is what I do. This does not necessarily compare with the remote repo, but you can modify the git diff with the appropriate commit hash from the remote.
Say you made one commit that you haven't pushed...
First find the last two commits...
git log -2

This shows the last commit first, and descends from there...
[jason:~/git/my_project] git log -2
commit ea7937edc8b10
Author: xyz
Date:   Wed Jul 27 14:06:41 2016 -0500

    Made a change in July

commit 52f9bf7956f0
Author: xyz
Date:   Tue Jun 14 14:29:52 2016 -0500

    Made a change in June

Now just use the two commit hashes (which I abbreviated) to run a diff:
git diff 52f9bf7956f0 ea7937edc8b10


Rock trio Zephrus, from Burlington, VT was formed in 2012, and features the talents of guitarist Corey Cranston (Excessive Behaviour, Band-X, Elephants of Scotland), drummer Troy Cyphers (Band-X, Dog, Baba Fats), and bassist Scott McGrath (November Guest, Longford Row). They have released two studio albums, performed at venues around Vermont including Higher Ground, and received radio airplay on CKRL (Quebec City, QC), WRUV, WBKM, WOMM, and others. Zephrus' musical canvas is painted with brush strokes of Led Zeppelin, King Crimson, Yes, Pink Floyd, Steely Dan, The Police, Weather Report, Stone Temple Pilots, Brand X, and more. The music of Zephrus is experimental rock, comprised of epic instrumentals and deep-track originals with strong vocal harmonies, and evoking sounds familiar to classic rock, jam band, latin jazz, folk, and electronica. The members of Zephrus draw upon a folk influence, manifesting in the use of innovative approaches to the playing of their instruments. The trio is as comfortable playing blistering power-guitar rock on a big stage as they are performing in a quiet coffee shop setting with acoustic instruments.
Corey Cranston Best known as guitarist and founding member of Buffalo, NY based band, Excessive Behaviour, he has also been a member of Burlington bands Band-X, Elephants of Scotland, and Carpenter Smith. Corey has shared the stage with the likes of Natalie Merchant, Gordon Stone, Tammy Fletcher, Nobby Reed, Gregory Douglass, and Dave Keller, to name a few. His first solo album, The Seerch, was released in 2001, and he has released several others since.
Troy Cyphers Troy got his first drum kit shortly after former Boston band member, Fran Sheehan, overheard the 6-year-old jamming. Thanks to a very random set of circumstances, Troy was present (with his parents) at a social gathering at Sheehan's house, and occupied himself by trying out the drum kit he found in the basement. Sheehan's comment was that he was "amazed", and that his parents "should get him a drum kit right away".
A true innovator on drums and percussion, Troy has been playing and refining his technique since then. Troy's influences come from classic rock greats such as the Police, Pink Floyd, Led Zeppelin, and many others. He has played many styles of music with many bands, having been a member of New England's Band-X, Dog, and 4:20, as well as California bands The Pointless Sisters and Baba Fats, to name a few.
Scott McGrath Electric and upright bass player, sound engineer and composing musician from Burlington, Vermont. McGrath comes from a family of fine musicians - his Grandfather was a band leader and violinist in New York in the 30's and 40's. His aunt was a talented jazz singer in the 70's, 80's and 90's, and his uncle a Hammond B3 player. He has been a member and a regular performer of celtic folk band Longford Row (celtic folk), November Guest (original), Shakedown (dance/cover), as well as a session player for several other bands. He began playing at the age of 12, and received tutelage by bass virtuoso Aram Bedrosian. McGrath's performance style draws upon influences from a variety of genres including rock, electronica, jazz, and punjabi. He has shared the stage with Pete Sutherland, Will Patton, Doug Perkins, Patrick Ross, Bob Wagner, and many others. He has also recorded and produced several albums for area bands. His personal website is www.smcgrath.com.


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Vault Seasons
Search Season
2021–2022 2019–2020 2018–2019 2017–2018 2016–2017 2015–2016 2014–2015 2013–2014 2012–2013 2011–2012 2010–2011 2009–2010 2008–2009 2007–2008 2006–2007 2005–2006 2004–2005 2003–2004 2002–2003 2001–2002 2000–2001 1999–2000 1998–1999 1997–1998 1996–1997 1995–1996 1994–1995 1993–1994 1992–1993 1991–1992 1990–1991 1989–1990 1988–1989 1987–1988 1986–1987 1985–1986 1984–1985 1983–1984 1982–1983 1981–1982 1980–1981 1979–1980 1978–1979 1977–1978 1976–1977 1975–1976 1974–1975 1973–1974 1972–1973 1971–1972 1970–1971 1969–1970 1968–1969 1967–1968 1966–1967 1965–1966 1964–1965 1963–1964 1962–1963 1961–1962 1960–1961 1959–1960 1958–1959 1957–1958 1956–1957 1955–1956 1954–1955 1953–1954 1952–1953 1951–1952 1950–1951 1949–1950 1948–1949 1947–1948 1946–1947
Opened during the season: 1948–1949 (109)
The Linden Tree Mar 02, 1948
The Hallams Mar 04, 1948
A Temporary Island Mar 14, 1948
The Happy Journey to Trenton and Camden and the Respectful Prostitute Mar 16, 1948
The Respectful Prostitute Mar 16, 1948
You Never Can Tell Mar 16, 1948
The Happy Journey to Trenton and Camden Mar 16, 1948
Joy to the World Mar 18, 1948
Macbeth Mar 31, 1948
Six O'Clock Theatre Apr 11, 1948
Afternoon Storm Apr 11, 1948
Hope Is the Thing With Feathers Apr 11, 1948
Celebration Apr 11, 1948
Madame Butterfly Apr 14, 1948
Carmen Apr 14, 1948
Faust Apr 14, 1948
La Traviata Apr 14, 1948
Rigoletto Apr 14, 1948
La Bohème Apr 14, 1948
The Barber of Seville Apr 14, 1948
Aida Apr 14, 1948
Il Trovatore Apr 14, 1948
La Tosca Apr 14, 1948
Cavalleria Rusticana Apr 14, 1948
The Rats of Norway Apr 15, 1948
Charles Weidman Dancers Apr 18, 1948
The Cup of Trembling Apr 20, 1948
Marie Marchowsky Apr 26, 1948
Holiday on Broadway Apr 27, 1948
The Play's the Thing Apr 28, 1948
Inside U.S.A. Apr 30, 1948
The Dybbuk May 01, 1948
Hold It! May 05, 1948
The Alchemist May 06, 1948
David's Crown May 08, 1948
Suzanna and the Elders May 09, 1948
Rosario and Antonio May 09, 1948
Ballet Ballads May 09, 1948
Susanna and the Elders May 09, 1948
Willie the Weeper May 09, 1948
The Eccentricities of Davey Crockett May 09, 1948
Hope's the Thing May 11, 1948
Hope Is the Thing With Feathers May 11, 1948
Gone Tomorrow May 11, 1948
Home Life of a Buffalo May 11, 1948
The Golem May 15, 1948
S.S. Glencairn May 20, 1948
The Vigil May 21, 1948
Oedipus Rex May 22, 1948
Seeds in the Wind May 25, 1948
Sleepy Hollow Jun 03, 1948
The Insect Comedy Jun 03, 1948
Howdy, Mr. Ice Jun 24, 1948
Sundown Beach Sep 07, 1948
Show Boat Sep 07, 1948
Hilarities Sep 09, 1948
Small Wonder Sep 15, 1948
Heaven on Earth Sep 16, 1948
Magdalena Sep 20, 1948
A Story for Strangers Sep 21, 1948
Grandma's Diary Sep 22, 1948
Town House Sep 23, 1948
Time for Elizabeth Sep 27, 1948
Edward, My Son Sep 30, 1948
Private Lives Oct 04, 1948
Summer and Smoke Oct 06, 1948
Love Life Oct 07, 1948
Where's Charley? Oct 11, 1948
The Leading Lady Oct 18, 1948
My Romance Oct 19, 1948
Life with Mother Oct 20, 1948
Minnie and Mr. Williams Oct 27, 1948
Set My People Free Nov 03, 1948
Bravo! Nov 11, 1948
As the Girls Go Nov 13, 1948
For Heaven's Sake, Mother! Nov 16, 1948
Goodbye, My Fancy Nov 17, 1948
Light Up the Sky Nov 18, 1948
The Young and Fair Nov 22, 1948
The Silver Whistle Nov 24, 1948
Red Gloves Dec 04, 1948
The Medium Dec 07, 1948
The Telephone / The Medium Dec 07, 1948
The Telephone Dec 07, 1948
Anne of the Thousand Days Dec 08, 1948
Lend an Ear Dec 16, 1948
Make Way for Lucia Dec 22, 1948
Jenny Kissed Me Dec 23, 1948
Oh, Mr. Meadowbrook! Dec 26, 1948
The Madwoman of Chaillot Dec 27, 1948
Don't Listen, Ladies Dec 28, 1948
The Rape of Lucretia Dec 29, 1948
Kiss Me, Kate Dec 30, 1948
The Smile of the World Jan 12, 1949
Along Fifth Avenue Jan 13, 1949
The Shop at Sly Corner Jan 18, 1949
Leaf and Bough Jan 21, 1949
All for Love Jan 22, 1949
Forward the Heart Jan 28, 1949
Diamond Lil Feb 05, 1949
Richard III Feb 08, 1949
My Name Is Aquilon Feb 09, 1949
Death of a Salesman Feb 10, 1949
They Knew What They Wanted Feb 16, 1949
Carousel Feb 22, 1949
The Big Knife Feb 24, 1949
Anybody Home Feb 25, 1949

redpajama_set_name: RedPajamaCommonCrawl


Anna Braswell, a UA graduate from the Cherry Lab and current Ph.D. student at Duke University, is receiving lots of good attention for her co-authored PNAS paper on coastal wetland resilience to sea-level rise. Check out some of the media coverage here. Congrats to Anna for her great work!


Nutrition plays the biggest role in health and fitness, but people tend to overlook it! Nutrition shouldn't be a fad or trend, It's a major part of how we operate, exercise, sleep, work, age, and almost every other aspect of our lives.
According to the World Health Organisation, chronic disease caused by lifestyle choice is expected to increase by 57% by the year 2020. 1TeamHealth is striving to reverse that trend and make an impact on society.
Get your own Macronutrient breakdown that aligns with Australian "Eat for Health" guidelines and your goal. This ensures your fuelling your body with optimum vitamins and nutrients without sacrificing the foods you love.
Food breakdown diary with meals weighed down to the gram (g) specific to your lifestyle. We will align this to meet your current time and schedule so that it doesn't affect how busy you are.
Design your own Nutrition Template that's sustainable and includes the foods you love and eat on a daily basis. DONT follow a cookie cutter automated plan that doesn't understand you or your lifestyle.
Your coach will complete a Lifestyle Assessment and give you recommendations on where you can make small adjustments to see results within days. These recommendations will align with Australia's Eat for Health and Fitness Australia guidelines.
Having proper nutrition and a balanced diet is vital for good health and well-being. Food provides our bodies with the energy, protein, essential fats, vitamins and minerals to live, grow and function properly. We need a wide variety of different foods to provide the right amounts of nutrients for good health.
1TeamHealth proudly endorses and supports the Australian National Health and Medical Research Council's "Eat for Health" guidelines and will practice within this scope. Check out the guidelines for more information.
Are you ready to join the community, get the body of your dreams and keep it for life..?


Two very different story ballets are opening just steps away from one another the first weekend of April. One is Ballet Theatre San Luis Obispo's revival of Robin Hood, by artistic director Theresa Slobodnik. The other is the Civic Ballet's revival of Alice in Wonderland, by artistic director Drew Silvaggio. Both ballets owe their name recognition to the animated Disney movies that standardized and kidified their characters and narratives. And, while perhaps relying on such recognition to draw an audience, both seek to transcend this Disneyfication in very different ways.
First: Alice, which opens April 6 at the Spanos Theatre. While based on Lewis Carroll's classic of children's literature, the show is remarkably unfit for very young audiences. For starters, Alice dies at the end. This is no spoiler: We know this from the first scene of the ballet. Flash-forwards are hard to do onstage, but here it works, somehow. Through the use of multiple dancers playing Alice, we see the "now" Alice observe, as in a dream, the "future" Alice cornered by outlandish creatures, dragged to a guillotine, and beheaded. All this is danced to The Doors' "The End," at once confirming the scene's chronological place in the story and assuring you that this will be the most badass ballet you've ever seen.
POINTED NONSENSE : Drew Silvaggio, artistic director of the Civic Ballet, revives his epically absurd Alice in Wonderland ballet.
This year marks the fourth staging of Silvaggio's Alice in Wonderland. And just as he does with Civic Ballet's The Nutcracker, Silvaggio has completely re-cast and re-choreographed the ballet every time. An earlier version of his Alice opened with a scene Silvaggio said he had purposely choreographed to be boring: 30 minutes of muted classical music and a line of dancers en pointe doing, with great skill, a series of deliberately forgettable steps. Thirty minutes is just enough time for most audiences to think, "So this is how the show is going to be," and to settle resolutely into that idea. Then Alice fell down the rabbit hole. The audience heard screams. They thought, "Funny how that screaming sounds just like the opening of Pink Floyd's 'Speak to me/Breathe.'" It did, and it was. Wonderland unfolded, a place of innovative movement and '70s psychedelia.
But Silvaggio seems wary of repeating himself from year to year, despite the success of a previous year's piece of choreography. This year's opener is another testament to that innovative impulse.
The cartoon Alice in Wonderland skipped over many of the more bizarre scenes in Carroll's book, while pulling other scenes and characters from the work's sequel, Through the Looking-Glass. Working only from Carroll's original, Silvaggio has brought back, and made wonderful use of, some of these more hallucinatory situations. In one forgotten scene, Alice finds herself at the home of a duchess, whose cook is preparing soup for the duchess's baby. But the cook puts too much pepper in the soup, and the infant begins sneezing and howling. At this, the duchess flies into a rage at her baby.
Alice saves the child from harm by running out of the house with … it (the book never identifies the baby's gender), but shortly after that, the baby turns into a little pig, and runs away into the wood.
The pig-baby, by the way, is played by an adult-sized dancer, which only heightens the scene's absurdity. Then there are the dalliances of the Gryphon and the Mock Turtle, and a particularly weird lobster dance.
"The novel is nonsense, but pointed nonsense," Silvaggio reflected.
Indeed, Silvaggio's Alice, like its source material, exudes nonsense so utterly certain of itself that the viewer can't help but feel compelled by the dramas onstage. We fear for Alice, whose end we know is near, and are both intrigued and made uneasy by Wonderland's unhinged giddiness.
In the ballet's final scene, set to No Doubt's "Tragic Kingdom," this eerie giddiness comes to a frightening head, as the creatures of Wonderland seal our protagonist's fate, lining up like a firing squad, all the while grinning ear to ear, baring their teeth with a kind of malice not seen since Jack Nicholson chased Shelley Duvall with an axe in The Shining. This is the end—again. But perhaps this, too, is but a vision, or a little girl's fever dream.
In Alice, the imminence of death heightens the senses, makes moments full and weighty. Ryan Lawrence's Mourn, a shorter original ballet that directly follows Alice in Wonderland, looks at death from the other side. Set in part to New Orleans funeral music, Mourn explores the idea of loss and grief from a series of differing perspectives. Oddly enough, the effect of the piece, which I saw in rehearsal, is uplifting, even cathartic. Even celebratory.
Lawrence grew up on the Central Coast and danced in the Civic Ballet as a kid. He studied dance at Julliard, danced with Hubbard Street in Chicago, with Lar Lubovitch in New York, and then, having long been attracted to the European approach to dance, made his way to the Netherlands, where he danced with Scapino Ballet Rotterdam and a street performance group called De-Movers. He moved back to San Luis Obispo, this time with a wife and a young daughter.
There are 26 performers in Mourn, their roles largely amorphous, but a lone woman dances at its center, her movements often contrasting with the others'. At times she appears hopeful. At others, she is wracked by sorrow, tearing at her clothing, her face contorted. This is the choreographer's wife, Maarje Lawrence, a former Scapino dancer and a fearlessly expressive performer.
The other 25 dancers often appear to express with their movements the inner torment of the individual. Their sudden burst into angular, aggressively happy movement feels, for instance, like a personification of denial. (Contrast this with the piece's ending, in which the dancers' joy feels unified and genuine.) At other times, they seem to personify the external forces which can exacerbate one's sense of loss: a moment in which several dancers seem to try to offer comfort to the woman, they appear instead to smother her, their sympathetic, embracing gestures beginning to shape her every movement.
Opening the same night, April 6, at the Performing Arts Center is Ballet Theatre SLO's revival of the original ballet Robin Hood, created by artistic director Theresa Slobodnik. Robin Hood, which premiered in 2009, is another tale of intrigue, adventure, a lovable hero, and a bloodthirsty monarch. Slobodnik based her production on Roger Lancelyn Green's The Adventures of Robin Hood, a collection of stories based on research into Robin Hood myth and legend.
MAN IN TIGHTS : Julian Rossi, pictured, is Robert Fitzooth—aka Robin Hood, in the Ballet Theatre SLO's revival of the original ballet Robin Hood, choreographed and directed by Theresa Slobodnik.
There are no flash-forwards or sudden modernizations in this production: as is a trademark of the company, beautiful period costumes and classical music and movement are used throughout the performance. The music of Ottorino Respighi, specifically the composer's updated orchestral versions of folk music, conjures the feel of the ballet well: a beloved folk story, refined and romanticized, its edges softened, but ultimately kept intact.
When the ballet opens, King Richard the Lion-Hearted (a perfectly cast Mark Plater) has been taken as a prisoner of war during the Crusades. His brother, the power-hungry Prince John (danced to great effect by Bernie Delgado) ruling in King Richard's absence, now keeps his brother imprisoned. As a result, the common people of England have suffered greatly, burdened by Prince John's over-taxation and unethical laws. If they were unable to pay their taxes, or if they were caught hunting the king's deer, they could be arrested and hanged. Many commoners, having lost their land and their possessions, formed roving outlaw bands, taking to the forests as a means of defense.
ATTENTION, BALLET JUNKIES!: The Civic Ballet presents Drew Silvaggio's Alice in Wonderland, with Ryan Lawrence's "Mourn," playing Saturday, April 6, at 2 and 7 p.m., and Sunday, April 7, at 2 p.m. at the Spanos Theatre. Tickets cost $18 to $29. Ballet Theatre San Luis Obispo's Robin Hood, choreographed and created by Theresa Slobodnik, plays Saturday, April 6, at 7 p.m. and Sunday, April 7, at 2 p.m. at the Performing Arts Center. Tickets cost $20 to $50. Both theaters are on the Cal Poly campus. For tickets, visit pacslo.org or call 756-4TIX (4849).
will come of it. Much's offense is discovered by Sir Guy of Gisborne (James van Lommel), a henchman of Prince John, and several guards of the Sheriff of Nottingham, who are on their way the wedding of Robert Fitzooth (Julian Rossi) and Maid Marian (Melissa Rasmussen). But Robert himself, traveling with his close friend Will Scathlock (Matthew Jacobs), intercepts them, saving Much's life. Later, Sir Guy clandestinely sends a guard to execute Much for real this time, but Robert kills the guard, securing his fate as Sir Guy's enemy. This does not bode well for the wedding.
Coveting Maid Marian's hand himself, Sir Guy tells her father, Lord Fitzwalter (Robert Lee Norton), of Robert's crimes, demanding that he call off the wedding, and asking for Marian's hand in marriage instead. A befuddled Lord Fitzwalter agrees. And that's about the time Robert Fitzooth becomes the mythic Robin Hood, and the forest outlaws become the Merry Men.
Robin Hood meets his right-hand man, Little John (a wonderfully athletic and funny performance by Darren Bridges) in a manner less heroic than it is comical. Crossing a bridge, he encounters Little John, practicing with his quarterstaff, attacking invisible opponents. At the sight of Robert—soon to be Robin—Little John challenges him to a duel, which ends rather embarrassingly for Robert. But the men soon bond over their mutual distaste for Prince John, and, along with Much, Will, and the drunken Friar Tuck (Zach Johnson, whose flair for physical comedy makes for some of the funniest moments in the ballet), they form the Merry Men, and go about that whole robbing-the-rich business.
Slobodnik's approach to choreography often calls to mind the era of silent film, with gesture and pantomime taking the place of conversational exchanges. The choice helps convey the details of the narrative in a more direct way, though it can't help but feel stagey at times: We are aware that the dancers are miming for the sake of our comprehension. Moments of more abstract movement, by contrast, feel closer to a dancer's pure expression, something we just happen to be privy to, something to be swept away by.
Where Alice in Wonderland is exclusively female, Robin Hood is a story about men—though some women dance in men's roles, and others appear as lady-in-waiting type characters (the talented Michelle McLaughlin, who danced the titular role in Ballet Theatre's dreamy Undine, returning on a break from college, is one of them).
Robin Hood is epic in scope, with its quarterstaff duels, archery contest, and its still-relevant story of a rebellious hero bucking convention, freeing the oppressed, and finding himself in the process.
Alice's world is a murkier place. Wonderland is its own universe, whose logic is never quite grasped. And where Alice perishes next door in a thunderous, hallucinatory finale, the Red Queen exultant, Wonderland winning, Robin Hood demonstrates the triumph of good over evil, the power of an individual to transform a corrupt society. The two ideas don't overlap, but the two ballets do—even playing at the same time.
How is Arts Editor Anna Weltner like a writing desk? Answer at aweltner@newtimesslo.com.


Foamco Canada was founded by two industry veterans – brothers CJ & MJ Shah – more than 30 years ago. In 1987, they started cutting foam in a small facility at 801 Flint Rd.
Today, the business is housed in a 65,000 sq ft building in Vaughan. The company uses fully automated machinery and special manufacturing software developed by Microsoft to cut foam and fibre at rapid speeds.
Being the largest independent foam fabricator, we continue to push the boundaries, innovating and leading the industry: We were the first to fabricate visco-elastic memory foam, to distribute natural latex, offer soy-based eco-foam, switch to a water-based adhesive, and to run our plant on "green" electricity.
From humble beginnings, Foamco Canada is now a significant supplier to the furniture, bedding, healthcare, and packaging industries. Our customers are leaders in their field, and manufacture products as varied as world-class office seating, quality critical infant safety products, pressure-relieving antimicrobial hospital mattresses, and stylish upholstery.
The personal bonds with our employees are the structure that holds the company together.
Investing more time and money in employee advancement and training, including top-tier workplace safety, career development, incentives and empowerment.
A Mechanical Engineer with 5 years of experience in Designing, Research and Development, and Manufacturing. Dishant heads up the design and engineering team at Foamco. He is excellent with AutoCAD, Solid Works, Autodesk, Inventor, Master CAM, and MathCAD. He is talented at making Engineering Changes (ECR/ECO), (BOM), (DFM) and Project Planning.
Arun brings over 25 years of experience in sales, which includes 9 years in Canada. His managerial experience in East Africa enables him to lead and guide Foamco's sales team and support staff to deliver the best quality products and service to our customers.
Adarsh has over 18 years of experience in Product Development, Marketing, and Business Development, Adarsh is a CEO at Dreameasy, Foamco Industries Corporation and Ultramatic Canada. Adarsh has a Bachelor's Degree from the prestigious Cornell University.
Ram is our resident expert in foam, as he has lived and breathed foam for over 25 years working at Foamco. Ram is the general manager at Foamco, and oversees all aspects of production and key account management. He has a keen eye for spotting opportunities to increase production efficiency. And, he doesn't rest until our customers get what they need. Ram drives our customer-focused culture.
In his spare time, Ram practices a mean smash at his local badminton club, and goes for meandering walks with his grandchildren on the weekends.
Daniel is the financial controller at Foamco, and manages our accounting department. Daniel joins us from Canada Computers where he worked hand in hand with the owner to grow the retailer from 20 stores to 30+ retail locations. Daniel has an analytical mind, challenges staff to grow beyond their expectations, and has transformed Foamco into a technology leader.
In his spare time, Daniel enjoys cooking new and traditional Chinese recipes, and building unique lego constructions.


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Sarah Fuller nominated for courage award after Vanderbilt football debut
Adam Sparks
Vanderbilt kicker Sarah Fuller, the first woman to play in a Power Five college football game, was named this week's nominee for the Capital One Orange Bowl-FWAA Courage Award.
It was announced by the Football Writers Association of America on Wednesday.
Fuller, a senior goalkeeper for the SEC champion Vanderbilt soccer team, squibbed the opening kickoff of the second half in a 41-0 loss to Missouri for her only play of the game. The offense didn't get into field-goal range or score a touchdown, which would've given her a scoring opportunity.
KICKER SITUATION:Vanderbilt's Sarah Fuller prepared to play against Georgia, but other options considered
Co-player of the week:Vanderbilt kicker Sarah Fuller named SEC special teams co-player of the week
Fuller joined New Mexico's Katie Hnida and Kent State's April Goss as the only women to appear in an FBS game. It is Fuller's second award for her debut. She was named SEC special teams co-player of the week on Monday.
Fuller is preparing to play at No. 10 Georgia on Saturday (3 p.m., SEC Network). She is the only kicker on the depth chart. But interim coach Todd Fitch said Ryley Guay, last year's kicker, may rejoin the roster.
Guay is in Vanderbilt medical school and has one year of eligibility remaining. He would have to get through the NCAA clearinghouse and COVID-19 testing to be able to play.
Guay was Vanderbilt's primary placekicker for the past two seasons, and he made 22 of 33 field goals and 66 of 66 PAT kicks in his career. He also kicked off 77 times in 2019 and 2020.
Reach Adam Sparks at asparks@tennessean.com and on Twitter @AdamSparks.


Thank you for releasing the long-waited Apple TV back in March of this year. We think it's a wonderful device and a great addition to the home theater setup.
With the Apple TV's easy-to-use interface and simplified remote, we can now watch our favorite movies and TV shows we've downloaded from the iTunes Store on our 52″ plasma screen. We can listen to our music collection via our souped-up home theater instead of having it come out from our PC speakers. We can share our vacation photos with our friends in the living room instead of having them crammed in front of the computer. And lastly, we can also enjoy those funny YouTube videos from our couch without going back to the computer.
As wonderful as it is, Apple TV is a closed system. Without hacking it, there is no way to add new features to this one-of-a-kind device. Just a simple feature like supporting new file format requires a hack that probably makes casual users cringe at the thought of trying it out.
Your current favorite iProduct, the iPhone, has a development kit and the number of applications for it is growing daily. Though limited, the development kit for the iPhone allows for applications to use its native services making easy to expand on the phone's functionality.
There also exists a Widget development kit, which allows Dashboard Widgets to be created with ease. That kit alone enables the widget application base to grow to 3100+ widgets strong.
The developers who develop on these kits are still known as "developers." We, on the other hand, are known as "hackers." All this just because of our love for the Apple TV.
As for the Apple TV community, we get NOTHING. No development kit to add new functionality like the iPhone. No accessories like the ever-popular iPod, unless you call those Apple TV "skins" accessories.
Here is our plea to you, Mr. Jobs. Please open up the Apple TV.
Just imagine what it can do. By having a development kit, we can easily add new features to the Apple TV without risking to void the warranty. Want to support a new file format? Boom, a plugin for that. A new arcade game? Boom, a game plugin for that. Want to surf the web? Boom, a Safari-like plugin for that too. Oh how wonderful it is to be surfing the web on a 52″ plasma TV.
And if there is hardware development kit, think of the hundreds of manufacturers who would be eager to develop new accessories for it. A DVD drive? Boom. An AV box? Boom. A hard drive for extra storage? Boom. You already have a "made for iPod" certification program. Why not have one for the Apple TV too?
Yes, there will be a lot of "BOOMS" in the Apple TV Land only if there is a development kit for it.
You mentioned that Apple TV is a "hobby" to you. So why not let it be our hobby to legitimately develop for it too.


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Al Brown, star of 'The Wire,' dead at 83
ByCitiGist January 15, 2023
Al Brown, who played Col. Stan Valchek on the hit series "The Wire," died Friday. He was 83. Brown's talent manager Michael announced the news on the late actor's official Facebook page late Saturday. "I am sad to let you know that angels came for Al yesterday morning, Friday, January 13, 2023," the statement began….
Read More Al Brown, star of 'The Wire,' dead at 83Continue
Fans pay $40K to learn pottery, smoke with Seth Rogen
ByCitiGist October 3, 2022
For a mere $40,000 each, two people are getting a pottery lesson and a smoke session — if they so choose — with Seth Rogen. The lessons were by far the most popular items of Rogen and his wife Lauren Miller Rogen's silent auction during their annual Hilarity for Charity event in Los Angeles on…
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Tony Bennett hits Central Park in wheelchair with wife Susan
Tony Bennett still enjoys the simple pleasures in life. The legendary singer, who was diagnosed with Alzheimer's disease in 2016, enjoyed a rare public outing Thursday as he soaked up the sun in Central Park in New York City. Bennett, 95, was accompanied by an aide and his wife, Susan Benedetto, who is his primary…
Read More Tony Bennett hits Central Park in wheelchair with wife SusanContinue
Rare sighting in Central Park with wife
Legendary singer Tony Bennett made a rare appearance in Central Park on Thursday, where he was seen for the first time using a wheelchair beside his wife, Susan Benedetto. The 95-year-old "I Left My Heart in San Francisco" crooner, who has publicly battled Alzheimer's disease since 2016, appeared to be relaxed and in good spirits,…
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Jean Goodwin joined NC State in August 2016 as a Chancellor's Faculty Excellence Program cluster hire in Leadership in Public Science. Goodwin, a professor in the Department of Communication, studies how scientists can communicate appropriately and effectively to non-expert audiences. She took her baby steps in research by examining how citizens who deeply disagree can nevertheless manage to reason with each other. The communication techniques she uncovered among ancient Roman orators and contemporary policy advocates have proved surprisingly relevant to the challenges scientists face when they try to earn trust in controversial contexts. Goodwin uses discourse analysis to tease out the ways outstanding scientist-communicators address difficult audiences on topics such as GMOs and climate change. She also uses conceptual analysis to connect these practices to broader theories of the responsibilities and roles scientists can undertake in civic life.
In line with the spirit of "think and do," Goodwin has translated communication theory into practical resources for scientists of all ages who want to hone their communication skills. She has lectured widely and led workshops on science communication. Her National Science Foundation-funded project Teaching Responsible Communication of Science, crafted case studies that invite science, technology, engineering and mathematics (STEM) graduate students to address communication challenges based on actual events. She has also built bridges between scholarly communities by helping communication graduate students find sites for funded research in large science projects, and by organizing a series of conferences bringing together diverse scholars to examine pressing issues in science communication.
Goodwin received her bachelor's degree in mathematics and her J.D. from the University of Chicago, and her Ph.D. in communication arts from the rhetoric program at the University of Wisconsin-Madison. In addition to more than 25 years in the classroom introducing undergraduates to the rhetorical tradition, she has mentored graduate students across a variety communication subfields and academic departments. Her essays have been published in international journals in communication, philosophy and the sciences. She has served as a consultant on initiatives by the American Association for the Advancement of Science and the Union of Concerned Scientists to define the appropriate roles of scientists as advocates.
We engage the public in scientific discourse to shape the way we view and interact with the world.


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La villa Colonna Bandini è una struttura ubicata sui Colli Aminei a Napoli.
Costruita dai Borboni all'inizio dell'800 come casino di caccia corollario di palazzo Capodimonte, divenne proprietà dei Colonna nel 1829 per volontà della principessa Bianca Doria Colonna di Avella.

Ristrutturata dall'architetto fiorentino Antonio Niccolini.

La facciata principale situata a sud presenta un colonnato ed un timpano prospiciente il giardino terrazzato. Il parco della villa è composto da essenze arboree provenienti anche dal Cile, dal Messico e dal Sud Africa.

Note

Colonna Bandini

redpajama_set_name: RedPajamaWikipedia


A tour of the first Jerusalem neighborhood to be established during the British Mandate.
No doubt you have heard, perhaps more than once, how the Turkish surrendered Jerusalem to a British army cook in 1917. But did you know that there were actually four surrenders, and not just one?
Three of these historic events took place on more or less the exact spot, at the time an open field on the highest hill in Jerusalem. Today situated in the very heart of Jerusalem's Romema neighborhood, it is called Kikar Allenby for the British general under whose command Palestine was captured from the Turks during World War I.
Although the newer houses in Romema, built after the establishment of the State of Israel, are drab and lack character, nearly a dozen of the stunning original buildings still stand and have been artfully preserved.
For a fascinating one- to two-hour tour, amble along the earliest streets of Romema, the first Jerusalem neighborhood to be established during the British Mandate. Each structure has its own charm, and many feature elements found in the loveliest of homes of ritzy Talbiyeh.
Begin your outing on Jaffa Road outside the city's bustling Central Bus Station. Completed in 2001, the station replaced one that began operating in the same location during the 1960s after moving from its original spot in the center of town.
When plans for the new bus station were announced, Romema residents were less than thrilled with its grandiose design, fearing it would become an urban eyesore like its Tel Aviv counterpart. As a result, that portion of the bus station facing Romema proper is far more modest than the front.
Exit the bus station on Jaffa, turn left and stop in front of the green gate (a sign on the wall reads 'Architects'). Located on the southern edge of Romema, the three-story structure was built by wealthy Arab Haj Muhammad, who owned quarries in nearby Lifta and served as a judge in the city's Muslim courts.
Cross the road to better view the side of the house. The exterior is decorated with bluish Armenian tiles, possibly the creations of David Ohanessian, whose works are found on many of that period's most magnificent buildings.
Note the pink and white color of the stones on the corners of the building and above the windows. Then go through the gate to view the ornamental railings, several of which feature leaf-shaped adornments. You will see more tiles above the door and under the windows. An Arabic inscription from the Koran reads: 'Everything of yours that is good comes from God.' Today a Jewish family resides in the house.
Continue to the corner and turn left up Rehov Moriah. Then climb a few steps to reach Kikar Allenby. It is here that the first Turkish surrender of Jerusalem took place. While there are many versions to this tale, my favorite follows.
In the wee hours of December 9, 1917, two British army cooks from the 60th London Division left their Jerusalem base in search of fresh eggs and vegetables for their commander. Less than six weeks had passed since Commonwealth troops had breached the Turkish lines in Israel for the first time and conquered Beersheba; earlier that very morning the British had captured Jerusalem from the Turks, as well.
As the cooks walked through a deserted field on an exposed hill, they were accosted by a number of residents anxious to surrender the city. Among them were four policemen, several youths, the Jerusalem mayor Hussein Selim el-Husseini and a photographer from the American Colony.
Upon sighting British soldiers, the Jerusalemites lifted their arms. They held a white sheet that had been hastily torn off one of the beds at the American Colony's hospital. Attached to a broom handle, the sheet was the Jerusalemites' makeshift flag of truce. The mayor then handed the cook and his aide a tender of capitulation, explaining that the Turks had fled the city.
When the soldiers returned to base, they told their commander what had happened. He was so upset that the 'ceremony' had taken place without him, that he ordered the mayor to return to the hill, and conducted a second surrender. However, that officer's commander was furious that he hadn't been present at either surrender, so he held a third ceremony on the same spot.
But General Sir Edmund Allenby, commander in chief of the British-Anzac Egyptian Expeditionary Force, was unimpressed by the three surrenders. On December 11, 1917, he entered the Old City of Jerusalem and conducted yet another capitulation ceremony. Unfortunately, the mayor was unable to attend — he is said to have contracted pneumonia after standing on the exposed hill for the three previous ceremonies and to have died soon afterward.
Ignoring the location and circumstances of the fourth and final surrender, soldiers of the 60th London Division decided to erect a three-meter-high monument near the original site in 1920. The inscription around the base reads: 'Near this spot, the Holy City was surrendered to the 60th London Division, 9th December 1917.
Note the date: not the official 11th of December, but the ninth. Walk into the square and look closely at the monument: It features etched silhouettes of Crusader knights who, like the British soldiers, conquered Jerusalem.
FOUNDED IN 1921 around the square, Romema was a private initiative built entirely with private funding — unlike many other Jerusalem neighborhoods. It also differed in its distinct lack of planning, which explains the area's absence of parks and homogeneity.
The neighborhood's name was taken from Psalms (118:16): 'The Lord's right hand is lifted high (romem)....'. Indeed, at the time this was the highest hill in Jerusalem, at 810 to 830 meters above sea level.
Most of the original streets were named for the Hebrew newspapers in print at the time. They included Eliezer Ben-Yehuda's Hatzvi, Ariel, Ha'or, Torah Mitzion and Moriah.
Romema was intended as a splendid neighborhood of 24 houses, far from the noise of the town and situated between the Arab villages of Lifta and Sheikh Bader. Yet in the end, apparently for lack of money, just over a dozen beautiful buildings were constructed.
The initiator of the Romema project was attorney Yom-Tov Hamon, an expert in Ottoman law and land ownership issues, who was often asked to arbitrate disputes between Arab landowners in the region. When there was a disagreement about ownership of the land on this hill, Hamon decreed that the plot should be sold, thus making it available for a Jewish neighborhood.
One of the houses around the square is called Allenby 2. In the 1950s two floors were added to the former one-story building, which still boasts lovely window frames and a magnificent entrance. For the past 15 years it has served as a guesthouse conveniently located near the Central Bus Station. Walk inside to view the original entrance with its beautiful columns. The rooms are small but picturesque and full of charm.
Across the street, the house at No. 2 Rehov Hatzvi was built by lawyer Aharon Mani in 1925. Pass the entrance, so that you can feast your eyes on the magnificent porch and its lovely staircase, then note how beautifully it fits on the corner.
Continue down the street to No. 4 Rehov Hatzvi, where hotelier and businessman Yehiel Amdurski built an elegant domain. Constructed out of red stone brought from quarries in Hebron, it features two covered balconies held up by columns with decorative capitals. Walk over to the closest balcony and look up at the ceilings to view exquisite tiles. Move into the parking lot to see this house from the side. Everything about it, from the portico to the windows to the rounded faade, is magnificent.
Next door, the dwelling at No. 6 Rehov Hatzvi belonged to the Hefetz family from Bukhara. What makes this house different from its neighbors are its blue and white tiles with a windmill design, brought here after a trip to Holland.
Continue on Rehov Hatzvi to the corner, then turn right onto Rehov Hame'asef and almost immediately take a right onto Rehov Ariel. You can't miss No. 8 Rehov Ariel, with its colonnades and a gable above the door. The date of construction (1923) and the name of the architect (A. Balog) are engraved in large letters (and numbers) on the wall.
Go through the gate and head for the windows. Adorable people-shaped shutter holders on the bottom are collectors' items today. Brought to this country by Templers, the iron holders are known by their Yiddish name, menchelach.
Next door and up the street, the house at No. 6 Rehov Ariel also features columns and a gable. Don't pass by without getting a look at the ornamental gate.
Fishman-Maimon was one of the founders of the religious Zionist movement Mizrachi, and a signatory of Israel's Declaration of Independence.
Enter the large building and climb the stairs. Following the fall of the Second Temple, sages of the period declared that every new building must carry a reminder of that destruction: an unpainted area measuring one cubit by one cubit (46 cm. by 46 cm.). Many religious Jews take this edict literally and leave an unplastered or black square on their walls. The picture you see embedded into the wall of Fishman-Maimon's residence — ceramic tiles showing the River of Babylon, harps and weeping willows — measures exactly one cubit by one cubit!
At the end of Rehov Ariel turn left onto Rehov Ha'or and continue onto Rehov Ha'adrichal (the architect). The unusual street name refers to German-born architect Richard Kaufmann, who designed over 150 of Israel's towns, farming communities and garden neighborhoods, but not a single building in Romema.
The first house on your left has disappeared in a mass of modern construction. It was built by Altar Levine, a pioneer in the insurance industry who loved art and books, and wrote poems under the pseudonym of Asaf Halevi.
Levine was found hanging on a palm tree in the yard of his home in 1933, with nary a word of explanation. A solution to the mystery of his sudden demise may have been found in 1991, when a forgotten journal in an Istanbul library contends that Levine was a Jewish spy.
According to the journal, written by a Turkish commander in Jerusalem, Levine assisted the British during World War I and helped bring about the fall of the Ottoman Empire. Possibly, some say, Levine's death was an act of revenge carried out long after the war's end.
Head for the corner of Rehov Ha'adrichal and Rehov Hamon to view the stunning residence of Romema's founder (Yom-Tov Hamon), which is under renovation. Its exterior is a feast for the eyes, featuring decorative balconies, a pyramid-shaped metal top and a roof lined with little pillars.
Facing the building from Rehov Hamon, look right to view the tall water tower built by the British at the beginning of their mandate in Palestine. As this was the highest point in Jerusalem at the time, water from the adjacent pool was directed into pipes all over the city.
Follow Rehov Hamon to the corner and turn left onto Rehov Ha'or. The grandiose structure at No. 2 Rehov Ha'or, today a meeting place and library for Russian-speaking Israelis, features stunning capital-topped columns and rounded balconies.
You are back at No. 2 Allenby and the square. Turn left onto Rehov Torah Mitzion to see an enormous shikun — a long, monotonous apartment block. The newest of 'Old Romema''s buildings, it was erected in 1945 mainly to help rabbis who survived the Holocaust. Nevertheless, refugees and other needy people moved in and today dozens of families reside in the structure.
Romema stayed small, bordered by Arab villages that launched sporadic attacks. It was only after the War of Independence that new buildings with little character were added as the neighborhood expanded.


The paper titled "EMOTIVE Ontology: Extracting Fine-Grained Emotions from Terse, Informal Messages", authored by Dr Martin Sykora, Prof Thomas Jackson, Dr Ann O'Brien and Dr Suzanne Elayan, has received the Outstanding Paper award at the recent 7th IADIS Intelligent Systems Agents and Data Mining (ISA-DM) conference, in Prague (July 22-24).
The paper presented technical details of the teams' work on the novel ontology and natural language processing based linguistic analysis system for monitoring and extracting fine-grained emotions from sparse social media content, such as Twitter messages. Instead of classifying sentiment based on polarity (a well researched problem), the work considers Ekman's basic cross cultural emotions and extracts emotions at a more fine grained level than existing approaches, achieving a very high F-measure (commonly used to evaluate these types of systems), that is currently the best reported for this task.


Making Scents is a pair of family run florist shops, established 1995 and located at Greenford Station and Harefield on the Green. We guarantee quality, service and smiles.
Helen Weston NDSF FSF has the highest national floristry diploma in the U.K. and has taught floristry both at local colleges and privately for over twenty years. She therefore prides herself on having built up a reliable and professional business with keen, friendly and qualified staff.
We guarantee same day local delivery but unfortunately can only give specific delivery times on funeral / wedding orders.
In the event of the recipient of your order not being at home then a card is left through the front door advising them to phone us to arrange a convenient re-delivery / collection. Alternatively, we can leave the item with a close neighbour.
Please note: Due to present circumstances collections from Harefield suspended and Greenford by prior arrangement only. Our appologies for any inconvenience this may cause.


P3RG0114 Bali Silver Ring with Shell, A heart shaped seashell beautifully set in this sterling silver design illuminates the hand of the woman fortunate enough to wear it. The boldness of the artisan is evident, yet does not overwhelm its overall simplicity and elegance.
Click the button below to add the Bali Ring with Sea Shell S01RG0068 to your wish list.


The Nila Arina high power LED fixture is the choice when you need lots of light without the hassles of heavy cabling, external dimmers, or lamp replacement chores.
The Nila Arina high-brightness LED light fixture was designed to replace 2500W HMIs and 6000W tungsten fixtures.
With a power draw of only 800W, flicker-free operation, and the most light output in its class, the Arina is an indispensable part of any lighting package.


DarioDeMarco . MESSYSLAVEX. Mercy123. LukeMikaels.
MelisaGoldnessRandyHotLoverAlisterSweetTeasingStud .xpetitsalopeHotAndNew4UCuteKendra4UNokolCroft .mariellllaLukeMikaelsCuteKendra4UAlexsandriia .xpetitsalopetwoBABES2RisiMBeefyMacho .KAMMOxweetperversionStudentGirlSexANDHREYLOV .BurningcouplexxClassyEvaKittyMadellynAnnikaTyler .xpetitsalopeMelisaGoldnessxxTheSexiconsxxAnnikaTyler .BadBoyRashelJennaWildxxxxHorNypRincEsssxHottAngel18 .WonderfulViewxxTheSexiconsxxCardistryBabyPiper .SmallTaniaSmallTaniaDreamsYoanaBaileyLynn69 .ReniyaBabyPiperNatyXnaughtyCarolinaMoreno .
nativepinay123ZenecaMademoiselle1BelKendraRosee .SheilaHilljohnchristianxweetperversionRisiM .SunnyParksANDHREYLOVTIFANNYCANDYXsexytatianax3 .KerryAmySereneSVANESACARMONABaileyLynn69 .Julianna1KerryAmyxweetperversionWildAnabelle .NokolCroftJulianna1LovelyLucyXXjohnchristian .DollDirtyFourYOuSereneSGiaDivineSereneS .LuztyGrannyTeasingStudEmeraldMSsaralatina21 .MESSYSLAVEXReniyaVANESACARMONASexyCoupleNud .karinochkkaaHottAngel18JessiePassionRinaLimX .saralatina21karinochkkaaAliceMeyerAnnikaTyler .


Published in January 2007, Dr. Clark's last book discusses key factors to avoid and destroy the cancer complex.
Note: This book no longer comes with a DVD. All information on said DVD can be found inside this book.


text:
Internal Angle
Get Internal Angle essential facts below. View Videos or join the Internal Angle discussion. Add Internal Angle to your PopFlock.com topic list for future reference or share this resource on social media.
Internal and External angles
In geometry, an angle of a polygon is formed by two sides of the polygon that share an endpoint. For a simple (non-self-intersecting) polygon, regardless of whether it is convex or non-convex, this angle is called an interior angle (or internal angle) if a point within the angle is in the interior of the polygon. A polygon has exactly one internal angle per vertex.
If every internal angle of a simple polygon is less than 180°, the polygon is called convex.
In contrast, an exterior angle (also called an external angle or turning angle) is an angle formed by one side of a simple polygon and a line extended from an adjacent side.[1][2]:pp. 261–264
The sum of the internal angle and the external angle on the same vertex is 180°.
The sum of all the internal angles of a simple polygon is 180(n-2)° where n is the number of sides. The formula can be proved using mathematical induction and starting with a triangle for which the angle sum is 180°, then replacing one side with two sides connected at a vertex, and so on.
The sum of the external angles of any simple convex or non-convex polygon is 360°.
The measure of the exterior angle at a vertex is unaffected by which side is extended: the two exterior angles that can be formed at a vertex by extending alternately one side or the other are vertical angles and thus are equal.
Extension to crossed polygons
The interior angle concept can be extended in a consistent way to crossed polygons such as star polygons by using the concept of directed angles. In general, the interior angle sum in degrees of any closed polygon, including crossed (self-intersecting) ones, is then given by 180(n-2k)° where n is the number of vertices and the non-negative number k is the number of total revolutions of 360° one undergoes walking around the perimeter of the polygon. In other words, 360k° represents the sum of all the exterior angles. For example, for ordinary convex and concave polygons k = 1, since the exterior angle sum is 360°, and one undergoes only one full revolution walking around the perimeter.
^ Weisstein, Eric W. "Exterior Angle Bisector." From MathWorld--A Wolfram Web Resource. http://mathworld.wolfram.com/ExteriorAngleBisector.html
^ Posamentier, Alfred S., and Lehmann, Ingmar. The Secrets of Triangles, Prometheus Books, 2012.
Internal angles of a triangle
Interior angle sum of polygons: a general formula, Provides an interactive Java activity that extends the interior angle sum formula for simple closed polygons to include crossed (complex) polygons
How to top coat an internal angle
DIY Octagonal Stop Sign
How to Draw an Equilateral Triangle (Regular Triangle) - EASY - Step by Step
How to calculate area between 3 circles externally tangent to each other (Answer the question of Surveyor Interview Test)
Bulk Material Mixing for Batching Operation Ensures Homogeneous Blend of Dry and Liquid Ingredients
Bulk Bag Unloader has Integrated CIP Features to Speed Changeover During Sanitary Process Operations
Internal_angle


Tomorrow I am going to Cirque du Soleil. I'm excited! It's going to be so amazing, I can't wait!
So today, while thinking about it, I randomly thought "I'm going to have to mute my phone for that". Not "I'll need to turn it off," or "I won't need my phone." no, there is the expectation in my own mind that I will have my phone and my children will be able to reach me is that need to. I would feel guilty for having fun and enjoying a movie, or a show and finding out after that something horrible happened at home.
There is a cord between my phone and I, and is only gotten stronger as new tech comes out. And I don't begrudge this. From my phone I can read the news, check social media, read a book, write a blog post, take pics, even work on my novel anywhere in the world. I can communicate with people from all over, give directions to people who are lost, and answer random questions.
I think my life is fuller because of this little pocket computer.
So much has changed in just ten years. What's it going to be like in 2025? I'll be 47 then, and still reading to go with the new tech, I hope.


Group projects are important to perfect your skills in teamwork. Sometimes it's rough, so MOVE has some tips for working with others.
It's the light at the end of the tunnel — it's finally the beginning of May and summer vacation is on the horizon (even if the weather doesn't necessarily agree). There are just a few obstacles between now and lying on a beach, though: finals, term papers and dreaded group projects. In comparison to group projects, finals and papers can easily be done since you only have to depend on yourself to study and write. But group projects are large, monstrous assignments in which you have to split the work with a few other classmates.
Group projects are always a gamble. Who will be your chosen teammates? What are their homework habits? How do everyone's personalities mesh together? MOVE has tips (and memes) to help you out with every typical group member personality, which will help you all get that project finished.
This group member always wants the least to do but all of the grade. It stinks if someone isn't pulling their weight in the project like they should. One way to counteract The Lazy One from walking away with only the responsibility of the title slide is to sit down as a group on the very first day with the project rubric.
The rubric has every piece of the project in detail, and the group should split all of the responsibilities accordingly. Since this is taking place in a face-to-face meeting, it won't be as easy for The Lazy One to slip away without much to do because everyone else will be there to hold them accountable. So split up the rubric among the group, and that should keep the project about equal.
This group member is somewhat sneaky, unless you know this person well. Sure, The Procrastinator will do their fair share of the project, but you may never see it until a half-hour before the whole thing is due. And it may or may not even be good, because they probably started it that same day.
To prevent a headache, when everyone has their parts of the project, move up the deadline a couple of days so everyone can swap pieces for editing. If everyone agrees to the editing deadline, have the whole group put reminders in their phones and planners. The Procrastinator will get his/her part of the project in by this editing deadline and there will still be plenty of time to go over all of it and turn it in. But if you're really worried, send The Procrastinator texts or emails every so often throughout the project, keeping them updated on the days left until the project is due for editing.
Everyone is busy this time of year, but there's always that one group member that has an extraordinarily busy schedule. This isn't necessarily a bad characteristic, but this student is never available for group meetings or going out and collecting the work. If this is the case, make sure this person is able to have the parts of the project they can tackle or have them pick meeting times. If this doesn't work for the rest of the group, you could always call them during the meetings or send an email of a list of things discussed. The Busy Bee will get stuff done, but you just may not see them often.
There will always be a Control Freak in a group project. Always. Otherwise, how would things get accomplished? But sometimes The Control Freak may go too far. They may nag the rest of the group about their parts of the project, take on a large portion of the work or complain about doing most of it. This person can actually be scary to work with because of the high standards they set for the project. To work with this type of personality, you should offer them help with some of the parts they are working on, as long as you have your parts under control. Or you could offer to edit their parts when they're finished. The Control Freak will appreciate the help and they will be happier for it. Even just putting the offer out there goes a long way.


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A Igreja da Colegiada de Santa Gertrudes é uma igreja românica em Nivelles, Bélgica. Foi consagrada em presença de Henrique III, imperador do Sacro Império Romano-Germânico em 1046. É dedicada a Santa Gertrudes de Nivelles (626-659), primeira abadessa de Nivelles.

É uma das obras primas da arte mosana, e uma das maiores igrejas do mundo. A nave tem 102 m de comprimento.

Colegiada Santa Gertrudes
Arte mosana


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General Books : Film Drama and Music
With more than one and a half million copies sold worldwide in thirty languages, 1001 Movies You Must See Before You Die celebrates the great and groundbreaking, classic and cult, must-see movies of all time, offering a treasure trove of incisive, witty, and revealing insights. Spanning more than a century of extraordinary cinema, this comprehensive volume brings together the most significant movies from every country and all genres, from action to Western, through animation, comedy, documentary, musical, thriller, noir, short, romance, and sci-fi.
Completely revised and updated this definitive edition features a fresh new design, 500 original movie posters, and 200 new movie stills. Fifty previously overlooked or recently discovered masterpieces are reviewed for the first time, taking their place alongside the box-office smashes and critically acclaimed films of movie history. Quotes from movie directors and critics, together with little-known facts complement the incisive reviews and vital statistics of each movie to make this the most fact-filled edition ever. So, whether your passion is rom-com or art house, The Blue Angel or Blue Velvet, 1001 Movies You Must See Before You Die is bound to become the only film book you will ever turn to.
Author: Schneider, Steven Jay


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Moritz Gmelin (* 18. September 1974) ist ein deutscher Triathlet.

Werdegang
Gmelin machte 1994 seinen Schulabschluss am Schloßgymnasium Künzelsau bevor er am Karlsruher Institut für Technologie (KIT) ein Informatik-Studium begann und im Oktober 2000 abschloss.

Gmelin absolvierte 1989 in Zaberfeld seinen allerersten Triathlon. Bei seinem ersten Start beim Ironman auf Hawaii im Jahre 1995 wurde er von der Bravo Sport begleitet und sein Erlebnisbericht auf einer Doppelseite vorgestellt. In den Jahren 1997 und 1999 wurde er in seiner Altersklasse jeweils Dritter. Er startete insgesamt fünf Mal beim Ironman auf Hawaii.

Als Abteilungsleiter trainiert er auch die Athleten des SSV Ettlingen.

Sportliche Erfolge

Weblinks

Einzelnachweise

Triathlet (Deutschland)
Deutscher
Geboren 1974
Mann


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Q: Not able to understand output while using get() and load() function in hibernate I have a student table with the primary key id. I am using Hibernate and session's load command to fetch the record. The records I am fetching ids 1 and 2, are both not present in the database. I know that get() returns null in such cases and load() returns ObjectNotFoundException() in such cases. But I'm getting a strange output.
Student student1 = session.get(Student.class, 1);
System.out.println(student1);
Student student2 = session.load(Student.class, 2);
System.out.println("ABC");
System.out.println(student2);

The output I'm getting -
null
ABC
org.hibernate.ObjectNotFoundException: No row with the given identifier exists: [org.tutorial.Student#2]

The output I was expecting -
null
org.hibernate.ObjectNotFoundException: No row with the given identifier exists: [org.tutorial.Student#2]

Is there something I'm not getting here?

A: If you use session.load() to load an entity and that entity is not retrieved using session.get() in the same transaction before , it will return you an uninitialised proxy and it is its expected behaviour.
As the returned proxy is uninitialised , there are no DB access during the session.load() and hence it will not throws ObjectNotFoundException during that time even the ID is invalid.
It will only select the record from the DB to actually initialise the proxy if you access the entity 's properties other than its ID after that (1) . During initialising the proxy if it finds that there are no DB records exist for this ID , it will throw ObjectNotFoundException. Now you are accessing the student2 's properties through its toString() when you print it and hence ObjectNotFoundException is thrown at that time.
Also refer to my answers about 10 years ago about the differences between session.get() and session.load() at here.
Note (1) : The behaviour is actually defined by the configuration hibernate.jpa.compliance.proxy.Please see it for detail

redpajama_set_name: RedPajamaStackExchange


Comfort and support are the 2 biggest factors to consider, when you are looking to buy a new mattress.There are a few things that should take place when you lie down. You want the sinkage and contour to be right, for proper spine alignment. You also want a mattress to correctly support your body, as you sleep at night. To ensure you are getting a healthy rest at night, it is crucial that your alignment from head to toe is correct. This also greatly reduces any neck and back pain, which you may have. A mattress should provide you with stress relief, while at the same time being supportive all around of your body. Your stress points are responsible for you having a rough nights sleep, if you move around at night a lot. The main reason memory foam mattresses have actually become so popular since late results from the fact that they are exceptional at being both supportive as well as comfortable.
It is no surprise that if you are looking a top top quality mattress, they don't come cheap.It's quite an investment to make. This is why it's so important, that when the time comes, you choose a mattress brand that will last you for years.It is imperative to find a mattress, that has been built to last for a very long time. If you decide you are going to purchase a mattress, at least invest your money into a mattress that offers at the least, a 10 year warranty.


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Dan Henderson vs. Fedor Emelianenko Set For July 30
Several major sources in the MMA media are reporting that Dan Henderson vs. Fedor Emelianenko has officially been signed. Details are sketchy but it is being reported that the fight would reportedly go down on July 30 Strikeforce Chicago show.
Henderson vs. Fedor would give Strikeforce its biggest fight in company history, at least on paper. The fight brings together two of the most recognizable names in MMA. The bout would mark the first bout between two of the biggest MMA stars of the last decade. It is not confirmed as to whether this event will air live on television or wind up as a Strikeforce pay-per-view.
Even bigger than the actual fight is the idea that Dana White is finally working with those "crazy Russians." Now I have no idea how involved White was on the negotiations, but he has always been adamant that he would never co-promote with Fedor's management team M-1 Global. However Zuffa will indeed co-promote the event with M-1 Global which is really a gigantic breakthrough in the relationship between White, UFC, Zuffa, and M-1.
There is no confirmation as to what the actual terms of the fight would be. It was reported a few weeks back that the fight would be at heavyweight, but with a cap at 220. Henderson has since said that he didn't need the cap and would take the fight as a straight heavyweight. Henderson has held championships at middleweight and light heavyweight, but this would be his first MMA heavyweight fight.
Josh Gross of ESPN.com reports that Henderson has a clause in his contract that stipulates if Strikeforce does not offer him a fight by the end of July that he would his contract would be voided. With Zuffa now owning Strikeforce I can't imagine how much negotiating power he'd have as a free agent but that clause likely helped speed up negotiations in the last few weeks.
You couldn't find two fighters going in completely opposite directions in Henderson and Fedor Emelianenko. Henderson would be taking a two fight winning streak into the bout. Henderson is coming off back to back knockouts (technically a TKO vs. Sobral). In his last fight, Henderson knocked out Rafael Feijao Cavalcante in the third round to win the Strikeforce light heavyweight title. At age 40, what Henderson is doing is nothing short of remarkable in my opinion.
Fedor's train on the other hand has taken a much different road in Strikeforce. After signing the biggest contract with the company, Fedor has gone 1-2 in Strikeforce. Fedor was tapped for the first time in his career by Fabricio Werdum and lost via TKO in the opening round of the Grand Prix Heavyweight Tournament to Antonio Silva. Fedor was heavily favored in both fights which made the losses that much more devastating.
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I am pretty surprised that Fedor took this fight. It is an absolute no-win for the Last Emperor. If Fedor beats Henderson, well it was unfair because he fought a light heavyweight. If Fedor loses to Henderson, Fedor is done because a light heavyweight at 40 beat him. Unless Fedor was dropping down to light heavyweight to compete for the championship, I can't imagine any gains that would come from this for Fedor and his team.
For Dan Henderson, it is a win-win all the way around for the champion. If Henderson loses, well he moved up in class, took a fight against a legend, and gave it his all. If Henderson wins, he immediately becomes a legend and probably winds up in some kind of UFC Super Fight at some point. Henderson's belt won't be at stake so even with a loss, he returns to a championship headline fight in Strikeforce in a few months.
As big as this fight is, I don't know how they would sell it as a pay per view. There aren't a lot of great fights available for the undercard. The July date could eliminate any Grand Prix heavyweight fights. The final fights of the opening round won't even be two months old by the time July 30 rolls around. That would theoretically take them off of the table. Nick Diaz isn't likely fighting anytime soon. Gina Carano is booked for June. Cris Cyborg and Gilbert Melendez could fight underneath, but I think you'd need a UFC fight or two on the show to sell it to a casual MMA audience.
The official fight announcement is expected in the next 24-72 hours.
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text:
Medical students honor faculty, house staff
Linda J. Pike, PhD, accepts a Distinguished Service Teaching Award from Miriam Ben Abdallah, president of the second-year class at Washington University School of Medicine. (Credit: Jerry Naunheim Jr.)
As a show of their appreciation for exemplary service in medical education, Washington University School of Medicine students recently presented the school's faculty and house staff with the annual Distinguished Service Teaching Awards.
The awards were for the 2013-14 school year.
Initiated by students and implemented with support from the Office of Medical Student Education, the awards honor educators who have made significant contributions to the training of future physicians at Washington University.
Each year, students finishing their first, second and third year of studies select the course masters, lecturers, clerkship directors, attendings and residents who distinguished themselves most in the education of medical students. The awards give medical students an opportunity to express appreciation for their teachers' efforts, dedication and patience.
David Clifford, MD, accepts an award for humanism in medicine from third-year medical student Agnes Dardas. Clifford was the students' nominee for the National Humanism in Medicine Award. (Credit: Jerry Naunheim Jr.)
Among those honored was David Clifford, MD, the Melba and Forest Seay Professor of Clinical Neuropharmacology in Neurology. Also a professor of medicine, Clifford is the students' nominee for the National Humanism in Medicine Award, which is presented annually by the Association of American Medical Colleges.
The award recognizes medical school faculty physicians who exemplify the qualities of a caring and compassionate mentor in the teaching and advising of medical students.
Here are others honored at the awards ceremony Nov. 19 at the Eric P. Newman Education Center:
Thomas M. De Fer, MD, speaks at the awards ceremony after being named clinical lecturer and clerkship director of the year by the Class of 2015. (Credit: Jerry Naunheim Jr.)
Clinical Lecturer of the Year: Thomas M. De Fer, MD, professor of medicine
Clerkship Director of the Year: Thomas M. De Fer, MD
Clinical Department of the Year: Internal Medicine
Clerkship Administrator of the Year: Patricia Werner, obstetrics and gynecology
Clinical Teachers of the Year:
Megan E. Wren, MD, associate professor of medicine
Camaryn Chrisman Robbins, MD, assistant professor of obstetrics and gynecology
Martin I. Boyer, MD, the Carol B. and Jerome T. Loeb Professor of Orthopaedic Surgery
Robert C. Bucelli, MD, PhD, assistant professor of neurology
Renee B. Van Stavern, MD, associate professor of neurology
Melvin S. Blanchard, MD, associate professor of medicine
David L. Eisenberg, MD, assistant professor of obstetrics and gynecology
Richard D. Brasington Jr., MD, professor of medicine
Tammy L. Sonn, MD, assistant professor of obstetrics and gynecology
Douglas P. Larsen, MD, assistant professor of neurology
Residents of the Year:
Matthew J. Burford, MD
Laura E. Baldassari, MD
Lauren M. Bergeron, MD
Nsangou T. Ghogomu, MD
Anna S. Graseck, MD
Chung A. Lee, MD
Micaela E. O'Neil, MD
Charlene J. Ong, MD
Meghan L. Valentine, MD
Kathryn Squires, MD
(From left) Steven C. Cheng, MD, Erika C. Crouch, PhD, MD, and Nigar Kirmani, MD, listen as teaching award winners are announced. Each of the three was honored at the ceremony. (Credit: Jerry Naunheim Jr.)
Lecturer of the Year: Nigar Kirmani, MD, professor of medicine
Professor of the Year: Erika C. Crouch, PhD, MD, professor of pathology and immunology
Course Master of the Year: Steven C. Cheng, MD, associate professor of medicine
Practice of Medicine Preceptor of the Year: Thomas M. De Fer, MD
Distinguished Service Teaching Awards:
William E. Clutter, MD, associate professor of medicine, associate director of the House Staff Training Program
Alan I. Glass, MD, assistant vice chancellor and director of Student Health Services, and assistant professor of clinical psychiatry
Scot G. Hickman, MD, professor of medicine
Steven J. Lawrence, MD, assistant professor of medicine
Deborah C. Rubin, MD, professor of medicine
Timothy T. Yau, MD, assistant professor of medicine
Wayne M. Yokoyama, MD, the Sam and Audrey Loew Levin Professor of Medicine
Megan E. Wren, MD
Allyson R. Zazulia, MD, associate professor of neurology and associate dean for continuing medical education
(From left) Jay Piccirillo, MD, Henry V. Huang, PhD, and Timothy E. Holy, PhD, attend the teaching awards ceremony. Each was honored by medical students in the Class of 2017. (Credit: Jerry Naunheim Jr.)
Stanley Lang Lecturer of the Year: Krikor T. Dikranian, MD, PhD, associate professor of anatomy
Professor of the Year: Jane E. Phillips-Conroy, PhD, professor of anatomy and of anthropology
Course Master of the Year: Glenn C. Conroy, PhD, professor of anatomy and of anthropology
Teaching Assistant of the Year: Roger Klein, graduate research assistant
Practice of Medicine Small Group Leader of the Year: Douglas M. Char, associate professor of emergency medicine
Selective of the Year: Cynthia A. Wichelman, MD, associate professor of emergency medicine
Paul C. Bridgman, PhD, professor of neurobiology
Alan I. Glass, MD
Timothy E. Holy, PhD, associate professor of neurobiology
Henry V. Huang, PhD, associate professor of molecular microbiology
Heidi B. Miller, MD, instructor in clinical medicine
Jay F. Piccirillo, MD, professor of otolaryngology
Linda J. Pike, PhD, professor of biochemistry and molecular biophysics
Gregory M. Polites, MD, associate professor of emergency medicine
Joseph L. (Joel) Price, PhD, DPhil, professor of anatomy and neurobiology
Jason D. Weber, PhD, associate professor of medicine
For more photos from the event, follow this link.
Andy Mohapatra, president of the third-year class at the School of Medicine, (far left) prepares to present a teaching award. Among those honored were (from left of Mohapatra) Richard D. Brasington Jr., MD, Alan I. Glass, MD, Scot G. Hickman, MD, Steven J. Lawrence, MD, and Deborah C. Rubin, MD. (Credit: Jerry Naunheim Jr.)
School of MedicineDavid CliffordDistinguished Service Teaching AwardshumanismHumanism in Medicine Awardteaching awards
Media Contact: Elizabethe Holland Durando


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FDA to publish adverse event data for cosmetics
08-Dec-2016 - Last updated on 08-Dec-2016 at 16:46 GMT
Related tags Cosmetics Fda
In doing so, the agency brings a whole new level of transparency to the beauty and personal care industry, though completeness and accuracy of the reported data is at issue and concerns are being raised about what this means for consumer class actions.
Reports of adverse events—bad results or low quality—come in through the FDA's Center for Food Safety and Applied Nutrition system known as CAERS. Consumers and medical professionals submit reports that the FDA then evaluates "to monitor the safety of consumer products," according to fda.gov.
"If a potential safety concern is identified in CAERS, further evaluation is performed. Based on an evaluation of the potential safety concern, FDA may take regulatory action(s) to improve product safety and protect the public health, communicate new safety information to the public, or, in rare cases, remove a product from the market."
Data for all
The adverse event data will be publically available and published on a quarterly basis. To start, the FDA has published a backlog of adverse event reports from 2004 through September of this year. Previously this information was accessible only through the Freedom of Information Act.
Historically, the agency has used adverse event data "to support multiple actions by FDA [including] recalls…and investigations of cosmetic products, such as EOS lip balm and Brazilian BlowOut hair smoothing treatment." (Find Cosmetics Design coverage of consumer concerns with EOS here and here.)
Industry regulations and transparency issues are overlapping more and more. For some this is good news. Others are concerned that the data will result in more class action proceedings.
In an item published on The National Law Review site this week, Keller and Heckman LLP, a firm specializing in regulatory litigation for business, commented that "increasing public access to adverse event information certainly represents an important step in transparency for the Agency; however, it also raises issues as to whether the information will be used to benefit consumer class action plaintiff's lawyers as they search for their next target in the food, dietary supplement or cosmetic industries."
Getting better
The FDA acknowledges that adverse event reporting could be improved and that more comprehensive data will be more valuable. "There often are gaps in the information provided, which should ideally include the product name, symptoms, outcome, consumer's sex and age, and the date the adverse event was experienced," write Susan Mayne, director of the FDA's Center for Food Safety and Applied Nutrition, and Katherine Vierk, director of the division of public health informatics and analytics at the FDA's Center for Food Safety and Applied Nutrition, in an item on FDA Voice explaining the agency's decision to publish the event data regularly.
In a year or so the FDA will announce plans to improve the reporting system. The agency "intends to modernize the system to make reporting adverse events as user-friendly as possible," note Mayne and Vierk. The FDA does not however verify that reported incidents and outcomes are in fact linked to the product indicated.
Related topics Regulation & Safety Skin Care Hair Care Color Cosmetics Fragrance Nutricosmetics Packaging
New biomarker technology set to 'secure beauty brands' integrity'
Annual industry education event looks at the shape of cosmetic and personal care regulations today
ICMAD and ACI to host Legal, Regulatory, and Compliance Forum on Cosmetics and Personal Care Products
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text:
UK South Asian women 'hiding cancer because of stigma'
By Amber Haque
BBC Victoria Derbyshire programme
duration 8 August 2017
media caption'I kept my chemotherapy a secret'
A number of UK women from South Asian backgrounds who have cancer hide it because of a perceived stigma about the disease, the BBC has learned.
One woman chose to "suffer on [her] own" through chemotherapy for fear of her family's reaction, and questioned whether God was punishing her.
Experts said others were seeking help too late, causing preventable deaths.
In one case a woman sought treatment only when her breast was rotten. She later died as the cancer had spread.
'Very dark days'
Pravina Patel, who told the BBC's Victoria Derbyshire programme about her own experience, stumbled upon a lump in her breast when she was 36.
She grew up in a strict Indian community where even talking about the disease was considered shameful. When she was diagnosed, she decided to hide it.
"I just thought if people hear the fact that I've got cancer, they're going to think it's a death sentence," she said.
She remembered worrying that people would say she had lived a "bad life" and God was punishing her for it.
Ms Patel continued to keep the disease a secret when seeking treatment, saying she felt "extremely lonely" during chemotherapy.
"I was going through chemo sessions on my own... I had some very dark days," she explained.
image captionResearcher Pooja Saini says some women are afraid having cancer "might affect their children because no one would want to marry them"
Pooja Saini, the lead researcher at CLAHRC North-West Coast, a research arm of the NHS that looks into health inequalities, said her own review into the issue "really surprised" her.
"Some women went to the extent of not even having treatment because, if they went, people would know as they'd lose their hair," she explained.
She added others "feared it might affect their children because no-one would want to marry them".
It is difficult to say how widespread the problem was, because little information has been collected on ethnicity and mortality.
But in 2014, research from Bridgewater NHS found Asian women between 15 and 64 years old had a significantly reduced survival rate for breast cancer of three years.
Ms Saini said her research suggests the influence of men in the family and elders in the wider community may be contributing to the issue.
"If they didn't think women should go for screening, then they didn't go," she said.
Cultural expectations
The stigma surrounding cancer in South Asian communities spans different forms of the disease.
Ms Patel said there was a reluctance for women to go for a smear test because they did not want to be "defiled" or be considered "no longer pure".
She has now completed her chemotherapy and is in remission.
Ms Patel and her husband got divorced during her treatment - something she says was partly because of cultural expectations about how a wife should be.
image captionMadhu Agarwal says many South Asian women are seeking help too late
Some experts are concerned that women are suffering unnecessarily.
South Asian women are more likely to be from poor, deprived backgrounds, meaning their levels of awareness of cancer are likely to be lower.
National screening statistics show people from ethnic minority communities do not go for screening as much as their white counterparts.
Madhu Agarwal, a cancer support manager who has worked in the field of cancer for more than 30 years, fears this is leading to South Asian women dying unnecessarily.
"Because of the ignorance of not presenting early, not examining the breasts... the disease has already spread [when they do seek help] and it's very difficult to manage it with treatment.
"Then the mortality is high, so there is a stigma attached - that when you get cancer you're going to die."
She said one of her patients had come for treatment so late that her breast was "fungating" and "rotten".
She recalled: "It was smelling so much that you couldn't even sit next to it."
The woman - who had young children - died because the cancer had by then spread to other parts of her body, Ms Agarwal explained.
image captionSamina Hussain says one of her family told her to wear the hijab to hide her cancer
The Victoria Derbyshire programme has heard several other accounts of the effects the stigma surrounding cancer can have.
Samina Hussain said one of her family told her to wear hijab to hide her cancer, saying "you can cover this up now".
Iyna Butt said her aunt refused chemotherapy as she felt "God had given [cancer] to her".
'Help save women'
Ms Saini is now calling for more data on screening uptake by ethnicity to be recorded, so findings can be used to provide more tailored support to communities.
Public Health England's screening director Anne Mackie said when Ms Saini's research is published it will look to implement its suggestions.
"We've got every reason to believe that will help save women from [South] Asian backgrounds' lives as well as others from deprived backgrounds," she said.
Watch the Victoria Derbyshire programme on weekdays between 09:00 and 11:00 on BBC Two and the BBC News Channel.
Breast cancer risk has risen for South Asian women
Cancer awareness 'low in black and South Asian groups'