Professor Fred Luchette MD, MSc, FACS, FCCM is the Vice Chair, VA Affairs and Professor of Surgery at Loyola University of Chicago Stritch School of Medicine Department of Surgery. He is also Chief of Surgical Services, Edward Hines Jr. Veterans Administration Department of Surgery in Hines, Illinois. He received his MD from the University of Loisville School of Medicine, Kentucky and completed his General Surgery Residency at State University of New York, Buffalo Health Sciences Centre. In addition to being board certified in General Surgery, he is also certified in Surgical Critical Care and is an instructor for Advanced Trauma Life Support (ATLS), Advanced Trauma Operative Management (ATOM) and Advanced Surgical Skills for Exposure in Trauma (ASSET). Professor Luchette is the editor of the textbook Geriatric Trauma and Critical Care. He has also written over 40 book chapters, 150 peer reviewed journal articles and given numerous presentations on a wide range of topics in General Surgery, Trauma and Surgical Critical Care. He is currently on the editorial committee of "The American Surgeon", "The Open Emergency Medicine Journal", and "The Journal of Intensive Care Medicine". Dr Luchette has served as a director of the American Board of Surgery. He is a current member of the Accreditation Council for Graduate Medical Education (ACGME) Review Committee for Surgery and serves on many other committees governing scientific research, surgical education, trauma, critical care and general surgery. He is actively involved in clinical and research fellowship training and his clinical practice includes abdominal wall reconstruction, hernia re air, biliary surgery, gastro-intestinal surgery and emergency surgery.
Dr Reinke is an Assistant Professor of Surgery at Carolinas Medical Center in Charlotte, NC. She is an MIS-trained general surgeon with an elective and emergency general surgery practice. She is also an active researcher, with interests in surgical quality improvement and pragmatic clinical trials. Dr Reinke leads the Carolinas HealthCare System NSQIP Collaborative, a 15-hospital quality collaborative with hospitals throughout North and South Carolina. She has received the Gordon P. Buzby Award for leadership and the Jonathan E. Rhoads Research Award from the University of Pennsylvania Department of Surgery. She earned her bachelor's degree and medical degree from Duke University, her master's degree in Public Health at the University of North Carolina, and her master's degree in Health Policy Research at the University of Pennsylvania. She completed her surgical training at the Hospital of the University of Pennsylvania and her MIS Fellowship at Duke University.
Andrew Luck is a colorectal surgeon at the Lyell McEwin Hospital (LMH) and in private practice in Adelaide's north. He is a past Head of the LMH Colorectal Unit and LMH Director of Surgical Services. Andrew is a former President of the Colorectal Surgical Society of Australia and New Zealand (CSSANZ) and Chairman of the CSSANZ Research Foundation. He is a current member of the Australian and New Zealand Training Board in Colorectal Surgery.
Andrew has been heavily involved in colonoscopy and colorectal cancer Guideline and committee work, having been a member of the Conjoint Committee for the Recognition of Training in Gastrointestinal Endoscopy, the National Bowel Cancer Screening Program Advisory Group and Quality Working Group for Colonoscopy, the Nurse Endoscopy Working Group and the National Endoscopy Training Initiative. He has been a member and chapter chairman for the Australian Colorectal Cancer Guidelines in 2005, 2011 and 2018 and is serves as faculty on Australian Train the Colonoscopy Trainer courses.
Andrew's clinical and research interests include the management of rectal cancer, the use of minimally invasive techniques in colorectal surgery, the management of complex anorectal sepsis and fistula disease and fostering improvements in the technique and training of colonoscopy.
In 2017 Andrew was honoured with Honorary Life Membership of the Gastroenterological Society of Australia and in 2018 received the Medal of the Order of Australia (OAM) in the Australia Day honours, for services to medicine in the field of colorectal surgery.


"Stephon Clark was gunned down by police officers, who claim they feared Mr. Clark was a threat. Cloaked in their claim of fear they seek to justify shooting a young Black man in his grandmother's backyard. Auburn Seminary joins the legions of protesters and we stand with faith-rooted voices in calling for justice and — more importantly — immediate action to stop the state-sanctioned shootings of Black people.
"We must not let fear shield law enforcement from accountability. I encourage leaders in Sacramento — and other communities struggling with such police violence — to reach out across governmental, faith and community lines to form partnerships to stop the violence. We look to places like Prince George's County, Maryland, where they have nearly eliminated such killings, as models for successful, peaceful solutions.
"As a Black, Baptist clergy person who is also a father of two Black teenage boys, I am deeply concerned that the tragedy of police shootings of unarmored Black men and women continues unabated in the United States. On the eve of the anniversary of the Rev. Dr. Martin Luther King's assassination, the tragic reality is that my sons and I are branded as threats to be feared rather than as community members worthy of respect. We can and must stop the racism that is killing us.
Auburn Seminary identifies and strengthens leaders — from the pulpit to the public square — to build communities, bridge divides, pursue justice and heal the world.


Published: Nov 08, 2018 at 3:55 p.m.
PICTOU – The newly-relocated Subway in Pictou is up and running, just across the street from its former home.
Situated at the corner of Veteran's Drive and Weaver Road and former home of KFC and, most recently, a car sales lot, the Subway opened on Nov. 7.
Prior to that, it had been located in the strip mall that is owned by Crombie Properties, Ltd.
"We'd been there 20 years, and always looked at the possibility of going to a free-standing store with a drive-through," said Subway restaurant owner/operator Greg Burrows.
Work started on the project in early August and while the new outlet has virtually the same seating – room for slightly more than 30 people – the key was the ability to add that drive-through, Burrows said.
He said the layout of the new store gives off the appearance of being larger than the old location, even though it has room for just a handful more sit-down customers.


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I was impressed with the professionalism of the staff, and overall quality of their work. As the president of a regional chamber of commerce, I feel that it is vital that we provide our community with credible businesses and resources that will help to build and enhance our region….


The most recent issue of the Virginia Magazine took a stroll through the history of the Corner. Readers have been sharing their best Corner stories and weighing in on favorite traditions (Gusburgers at the White Spot is currently first in the poll on our homepage). Join the discussion online in our new blog and relive the good times—and late-night cuisine—of the Corner.
The recent article on the Corner brought back many fond memories. Living on the Lawn my last year my friends and I ate many blue plate specials at The College Inn. We seemed to have survived the experience.
On a more interesting note, the restaurant had a large glass bowl by the cash registry that one could deposit a signed meal check if you were a little light in the wallet. Once you got some funds, you settled up. Rumor was at that time the restaurant very rarely got stiffed for unpaid checks.
As always, I greeted the arrival of the UVA Magazine with anticipation. I was not disappointed. The cover article on the Corner was a wonderful trip down memory lane. I can still savor that ultimate gastronomic treat, the Gusburger.
Magazine designers necessarily work behind the scenes, but their skills often shine through. Kudos, as a case in point, to Michael Fitts for his graphic treatment of author Coy Barefoot's package of words and pictures about the history of the Corner. From "time lapse" cover to inside content, this feature was easy to follow because it was so difficult to conceive and pull together.
I was a student at UVA during the '50s and enjoyed the wonderful article about the Corner in the spring '07 edition the UVA Magazine.
Elliewood Page was my great aunt and my brother and I had the privilege of boarding with her for a year. In addition, I was one of the many who learned who to care for and ride horses at Elliewood's daughter, "Big" Elliewood's stable. She ("Big" Elliewood) was never called "Ellie" as mentioned in your article. Aunt Ellie owned and ran the boarding house on Elliewood Avenue and her daughter, "Big" Elliewood owned and ran the riding stable.
Please convey my congratulations to Coy Barefoot for the wonderful story about the Corner. As a graduate of the Class of '75, I found the overview very nostalgic and informative. Man – the memories (I had totally forgotten about "The Caravan," Home of the Humpburger). This is easily the best story I've read in the mag in quite a while – and I'm not being critical, by any means!
My family visited the University last summer, as we took our youngest son on the "college tour." We had a great time visiting some of my old haunts and had lunch at the Virginian (thankfully, still there after all these years). My boy ended up selecting VMI, which is OK with me. We are keeping the Virginia "tradition of educational excellence" alive, while living here in Maryland!
Keep up the stellar work! Go Wahoos!!


It will probably be mostly just the regulars, the steadfast, the pillars, and perhaps one or two energized or interested new people. The church feels empty. The decorations have come down or else simply look tired and spent from all the activity and energy they represented just days earlier.
One cannot keep that Christmas spirit up forever, injected as it is with marketing, media, and public displays -- an entire secular and national infrastructure of Christmas spirit just came to a screeching halt. And there you are, called to stand in the breach.
Today, the people in your pews are likely the ones who stuck with you during Advent…who tried to enter into your counter-cultural reflections on what anticipation of Christ's coming means. Nevertheless, today is a tough day to be a preacher. You are, no doubt, tired. And no matter what you do, the sanctuary is going to feel a bit lonely.
I am aghast at my own suggestion that post-Christmas let-down can be compared with the physical loss of homeland through warfare. Indeed, that would be a pretty egregious example of a myopic "first world problem." But some occasions raise our capacity to hear the wisdom from of old. And here in the wake of the ringing collapse of secular Christmas, which often summons the personal pain of broken lives and relationships, we would do well to hear this powerful Isaianic response to his devastated audience.
Isaiah 63:7-9, part of a longer unit running from 63:7-64:11, initiates a communal lament. Given its psalm-like character, some have concluded that its composition was inspired by actual liturgical laments on the site of the ruined temple. Whether or not there were actually Judeans who held formal religious ceremonies there, this lament inscribes an audience of pillars, of regulars, of the steadfast, and perhaps the one or two energized or interested new people. It inscribes the people with cause to embrace the ruins of their central religious institution to find communal expression for their loss.
Today's lectionary passage in verses 7-9 isolates the first element of the lament, historical reminiscence of the high points of God's relationship with his people. As a stand-alone reading, these verses form a bold account of what is working in the long-term relationship with God, a "best-of" list, if you will. God's mercy and stead-fast love take center stage.
The passage highlights what will later become the Christological idea of God entering the human world of distress to save his people. In Isaiah, it refers to the Exodus as God's paradigmatic salvation event.
The passage shows how the Hebrew Scriptures, far from being an "old" [i.e., superseded] covenant, contain all the religious ideas which later informed Christianity's account of God's Trinitarian character. Covenant language abounds. "Gracious deeds" and "steadfast love" (hesed) is a benevolent response promised in a formal covenantal commitment. "Surely they are my people" summons formulaic language found in Deuteronomy. "Deal falsely" refers to abandoning the vows of a covenantal commitment.
The theology of the lectionary passage is put in a new and dynamic light when we read the entire lament. After the account of God's activity on behalf of his people, Isaiah 63:7-64:11 contains several other typical elements of the communal lament: the people's inadequate response (63:10), complaints about the contemporary conditions of misery (63:18-19 or 64:6), and urgent petitions to God (64:9) (cf. Psalm 44, 60, 74, 79, 80, 83, 85, 89, 90, and 94).
What was, at first glance, a standard theological account of God's salvific character is now framed by the lament genre. Odd. Even more theological problems await: Isaiah 63-64 presents a glaring omission in the genre. The lament lacks divine assurance; God does not answer.
What could it mean to read about salvation in this dismal light? Here is salvation recounted amidst lament, loss, and complaint wherein God does not show up at the end to fix things? Throughout, God stands aloof. What great activity God accomplished through Moses cannot be found in the present. Listen to these questions: "where is the one…" (verse 11b), "where is the one…" (verse 11c), "where are your zeal and your might? The yearning of your heart and your compassion? They are withheld from me" (63:15b).
Interestingly, the people do not, indeed they cannot, adhere to religious tradition in this moment. There is no Jerusalem temple, so profound questions about the God of Zion confront Isaiah. Our passage displays several adjustments in what are acts of vigorous theological re-imagination.
Isaiah gives God an old name: "our Redeemer from of old" (verse 16) and draws on the older (Canaanite) idea of a heavenly mountain theophany (especially in 64:3). But these elements are brought to bear on a moment of significant religious adjustment.
What is inspiring here is not only the theological flexibility of Isaiah, but also the prophet's insistence that God show up in these new ways. God is a fire that can cause water to boil (64:2), the prophet insists. The lament genre already showcases this kind of bold piety as people decry God's negligence and demand that he show up in new ways. (My favorite example of this type of demand is when God needs to wake up from slumber. cf. Psalm 44:23 and 78:65).
A bold piety and a demanding faithful; this is Isaiah's ideal. This is probably what lies behind his own lament in 64:7, "[no one] attempts to take hold of you." The loss of the temple and its god prompts this vigorous search for God in new places and with new metaphors.
I can imagine two fruitful tacks the preacher can take with this passage. We just discussed the first, the vigorous art of theological flexibility and religious adjustment. However, the second returns us to this odd juxtaposition of salvation and lament.
While the lament certainly provides a model for bold piety, the stark account of salvation in a communal lament might offer up an idea for how to preach on December 29th. The first week after Christmas may be the exact right time to remember the birth of Christ and then turn to the complaints and laments of the faithful people who have come to the lonely, December 29th sanctuary.
Third Isaiah, after all, is a text about rebuilding. And our passage may be among the earliest compositions in the post-exilic preaching of Isaiah 40-66. If this is true, it predates the famous Isaianic assurance that God will "comfort, o comfort my people" (Isaiah 40:1).
Before comfort comes the honest expression of what it feels like to live with a stubbornly aloof God. The post-Christmas, "what now?" can be honest about the fact that something supernal came on December 25th. But today is December 29th. What will renewal look like in this year, in your church, in the lives of your faithful? For our Isaiah passage, it does not start with God's comforting assurance. It might instead start with communal lament.


EACR Travel Fellowships are co-sponsored by Worldwide Cancer Research and provide funds up to €3,000 to early-career cancer researchers. For more information on how to apply for Travel Fellowships, you can visit the EACR website.
Brain metastasis represents one of the most devastating aspects of breast cancer spread. My research utilises state of the art molecular profiling of patient tumours to better understand the faulty genetic switches that facilitate breast cancer spread to the brain. This may allow discoveries of new biomarkers of early detection and response to current therapies. Discovery of such biomarkers could help clinicians identify patients at risk earlier and use the information to better inform clinical management of brain metastasis.
How did you hear about EACR Travel Fellowships / why did you decide to apply?
I heard about the EACR Travel Fellowships through a colleague of mine. The EACR is well-known, recognisable institution amongst my cancer research peers. Once I looked into them, I realised what a great opportunity they present to young researchers to get training internationally.
Everybody went out of their way to be inclusive and being made feel like part of the lab made the experience all the better.
Why did you choose the host lab?
I have known about the Brown Lab at Dana Farber Cancer Institute from a very early stage in my research career and was always a big fan of their work. They have been at the leading edge of estrogen receptor positive research and I have always used their papers as a reference for novel techniques. Once the opportunity arose to actually go over there and learn from the best, I did not hesitate to take it.
Can you summarise the research you did or what you learned on your visit?
The purpose of my visit involved learning a state-of-the-art technique that the host lab developed themselves. They figured out a way to apply a pretty standard technique that investigates protein-DNA interaction, which is important in figuring our gene regulation and mechanistic interrogation of key cancer pathways, and applied it to archival patient material, which is broadly available in the hospitals as part of standard clinical care.
Every morning I enjoyed being able to walk to work. It was not too cold, unusual for that time of the year in Boston, and it was a brisk 30 minute stroll. Once in work my typical working day consisted of working from 9-6 and the days varied depending on what I happened to be doing experimentally. The labs were made up of lab space and reading desks with 2 people per lab. Most of my daily interactions took place with my lab mate and we all socialised and had a group lunch daily.
What were you able to do that you could not have achieved in your home lab?
The host lab is already perfectly placed for the kind of experiments I was carrying out. Seeing as it an integral part of the Centre for Functional Cancer Epigenetics the equipment and more importantly, the expertise were readily on hand to assist me and work with me as I worked on my project.
Did you take part in any interesting local/cultural activities?
I took in all the local sights. Boston is a beautiful city and sometimes has a very European feel to it. It's not huge so most of the things were within a walking distance. It's a big sports city, and one of the highlights for me was going to a Boston Celtics basketball game with my lab mates as I am big fan of the game.
Was the host institution very different from your own?
Dana-Farber Cancer Institute was an eye opening experience. The biggest difference between this institute and my home one was the sheer scale of cancer research going on at any one time. Additionally, weekly seminars, guest lectures and young investigator-orientated meetings were very beneficial, networking-friendly and pro-collaborative.
Have you brought back any specific knowledge that has benefited your home lab?
I have brought back the Fit-sequencing technique that will allow us to pursue epigenetic profiling of formalin-fixed paraffin embedded tissue in all of our future metastatic breast cancer research. My technical expertise on other epigenetic profiling methodology also improved and I was able to come back and start implementing the latest improvements in the same experiments that are regularly done in my home lab.
I would like to extend my sincerest gratitude to all the people in the host lab who were very helpful and super friendly. Everybody went out of their way to be inclusive and made me feel like part of the lab, which made the experience all the better.


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There's a treat in store for those who want to hear great sax playing at the Bridge, Newcastle, on Sunday night..
I refer to the Rachael Cohen Quartet. Rachael re-located in London from Birmingham and created quite a few waves with her lyrical sax playing and her original compositions. The tour is aimed at promoting the band's debut CD which is, in theory, launched at King's Place tonight. However, Tyler McDiarmid's mixing/mastering studio in New York was broken into and the masters went along with the equipment! He's rushing to get it re-mixed and mastered but hasn't been able to do it in time for the tour.
Rachael has promised to post a copy out to anyone who makes an advance purchase as soon as they become available.
On guitar Tom Ford replaces Phil Robson who it seems had to be elsewhere
Calum Gourlay, yet another jazz jock, is also well known both north and south of the border whilst Tommy Bashford on drums is one of Birmingham's finest.
This is going to be an evening to remember...
Tour Dates.
Fri. 11 @ 6:30 London - King's Place, 90 York Way, N1 9AG - £9.50 *ALBUM LAUNCH* http://www.kingsplace.co.uk/whats-on-book-tickets/music/rachael-cohen-halftime-official-debut-album-launch#.UjyBRdJ6Y8I
Sun. 13 @ 8.15 Newcastle upon Tyne - Bridge Hotel, Castle Garth, NE1 1RQ - £6
Weds. 16 @ 9 Edinburgh - The Jazz Bar, 1A Chambers St, EH1 1HR - £7/£5http://www.thejazzbar.co.uk/ 0131 220 4298
Thurs. 17 @ 8 Glasgow Art Club, 185 Bath St, G2 4HU - £7/£5
http://www.bridgejazz.co.uk
Mon. 21 @ 9 Birmingham, Prince of Wales 85 Cambridge St, B1 2NP - free
Just heard Phil Robson may not be on this gig....
Friday, October 11, 2013 10:12:00 pm

redpajama_set_name: RedPajamaCommonCrawl


Using the "fine" setting, 4x6in photos printed in 22sec, and it took 1min 38sec to print an A4 photo. It won't replace a dedicated photo printer, but can produce in-house marketing materials with good results. Ink Palette Supported Colors. Copying Max Copying Speed. Tablets by David Carnoy 7 days ago. Laptops by Dan Ackerman Sep 25, Printer Ink Cartridge Configuration.
Scaling documents to print at A3 works acceptably; our test mono documents survived the transition to A3 without issue.
Printer Ink Cartridge Configuration. Finally, a multifunction inkjet printer with low-cost ink refills Finally, a multifunction inkjet printer with low-cost ink refills by Justin Yu. Looking for a tech bargain real soon? There are two front-facing input trays to separate A3 and A4 media and they fit a total of sheets. The HP Tango X writes the book on bookshelf printers.
A function lock available directly from the MFCCDW multifunction allows you to restrict access to certain features. Cyan, magenta, yellow, black. Researchers find way to track 'untraceable' 3D-printed guns The 3D-printer leaves a hardware fingerprint. Looking for a tech gift that's not too expensive?
The quality of brotger display is unimpressive but it does help with menu navigation, notifications and altering settings. We delete comments that violate our policywhich we encourage you to read. Print quality is quite good overall.
Tablets by David Carnoy Dec 13, Though it could do with faster print speeds, this A3-capable printer is still a valuable addition to the cost-conscious office. Colour documents print at roughly the same speed: It won't replace a dedicated photo printer, but can produce in-house marketing materials with good results.
Best Cyber Monday deals at Staples: Thankfully, this issue wasn't found in A3 photos, which had the same neutral colour palette as their A4 counterparts. Bose, Sony, Sennheiser and Jaybird Here's a selection of the best headphone shopping values this holiday season. You can also restrict users' printing to colour or mono.
Sign in with LinkedIn Sign in with Facebook. They have a rather neutral colour palette overall; this doesn't lend itself to producing bright or particularly colourful photos, but there are no major quality issues. Compatible with Windows 7. Max Printing Speed Color ppm. Print speeds mfc6890cvw slightly slow for an inkjet multifunction in this price range.
Using the "fine" setting, 4x6in photos printed in 22sec, and it took 1min 38sec to print an A4 photo. Scans are mcc6890cdw fast and produce good results.
But if you are planning on sharing any footage of your latest outdoor adventure with friends and colleagues, you will need more than just hardware. Up to x dpi. I need power and lots of it. Tablets by David Carnoy 7 days ago. Display Diagonal Size metric.


Europe's capitals have always had a love affair with art, one that is as enduring as art itself. In times of upheaval, this courtship has come into question; survival demands reality, not romanticism. To be sure, for any amorous relationship to triumph, it needs the support of others. But then the art world's benefactors are a fickle bunch.
Cultural policy and economic crisis do not normally make ideal bed partners. As you might expect, stimulating the arts sector comes low down on the list of government spending in much of the European Union. Nevertheless, there are subsidies available, and a handful of large Dutch theater companies are benefiting from them.
Tiny it may be, but the Netherlands still lays claim to no less than eight major-city theater companies, all vying for their share of the Ministry of Culture's ever-diminishing pot of gold. One such company is Toneelgroep Amsterdam. This fixed ensemble has grown into the largest, and by far the most popular, theater company in the Netherlands. Despite a lack of funding, in the country's capital, theater is thriving.
Toneelgroep Amsterdam has survived the test of time whilst remaining artistically dynamic and, by the same token, true to itself. After its founding in 1987, artistic director Gerardjan Rijnders hauled the company up from the depths of Dutch theater, assigning its experimental brand to the main stage. Rijnders' successor Ivo van Hove—a name now synonymous with Toneelgroep Amsterdam—continues in this tradition. Together with designer Jan Versweyveld they seek to shatter the limitations of large theater halls and step out of the mainstream frame and into the unknown.
Nowadays, Toneelgroep Amsterdam is something of a household name in the Netherlands. Whether it is showcasing premieres by acclaimed writers such as Ingmar Bergman, or providing opportunities for new talent, it mixes a distinctive trademark blend of the classical and the innovative, serving up an intoxicating brand of theater valued by many.
So, is its constant rejuvenation the secret to the company's longevity in a merciless art world ravaged by cuts?
In spite of their immense popularity—and ability to secure butts in seats—the coming together of flesh and furniture is not their main focus. Van Hove and Toneelgroep Amsterdam, whose stripped-back productions have been described as "so merciless that they create a sickening sense of awe," continue to find the means of producing intensely raw and vibrant theater.
In After the Rehearsal/Persona, they achieve this by peeling away the layers of Bergman's classical pieces and exploiting the unique "live and in-yer-face" potential of the theater. Although the past is a place that can no longer be accessed, they manage to reinvent it without ever letting the screenplays out of their sight or getting in the way of the originals. The result is often timeless yet contemporary, experimental yet universal.
Bergman's screenplays are converted into one meticulously conceived production that has already transformed audiences' understanding of the classic scripts, making them sit up and pay attention. Van Hove compares the two hours of this uninterrupted performance to watching a train crash from a distance. "You know the collision is inevitable, but there is nothing you can do about it." The audience is left as wrecked as the characters.
It's fitting, then, that After the Rehearsal/Persona examines the importance of art in our current society and the enduring battle to keep it alive. In their program for the forthcoming season, the fixed ensemble walk a thin line between imagination and reality, sickness and normality, focusing on the dilemma of whether it is possible to show a vulnerable, more human side whilst fighting for survival.
Toneelgroep Amsterdam and Ivo van Hove thrive on the fringe of the mainstream in the Netherlands and elsewhere, by fighting hard for what they believe in. As a result, they show that vulnerability is an integral part of theater-making. Regardless of the fact that the arts have once again fallen upon hard times, Europe has not fallen out of love with Van Hove and Toneelgrop Amsterdam: for them, avant-garde theater is alive and kicking.
Simon Joseph is a freelance writer and editor from north London, based in Amsterdam.


A necklace with various chain from different pieces found over time. Detailed with service tags found at local antique store in Nashville, TN and key found at flea market. Boost up your outfit with a statement piece that this necklace will offer.


text:
Flagler extension agent gets state, national award
By Julie Murphyjulie.murphy@news-jrnl.com
Flagler County extension agent Mark Warren is on the receiving end of state and national awards.
BUNNELL — Flagler County extension agent Mark Warren is on the receiving end of state and national awards for "excellence in extension service and educational programs."
The nomination came from Ed Jennings, regional livestock agent, veteran extension agent of 29 years, and immediate past president of the Florida Association of County Agricultural Agents, which presented Warren with the state award in Ponte Vedra Beach earlier this month.
"Mark is never off the clock," Jennings said. "He's always working for his clientele and trying to improve things for them."
Brittany Cowart Kinney is among the local farmers he's helped. She and her husband, Dalton, with Warren's help, created a crop maze and fall festival last year, a first for Flagler County. It is an effort that will return.
"I'm really excited for him," she said. "Mr. Mark deserves it."
Warren also just returned from Pittsburgh, where he represented Florida at the National Association of County Agricultural Agents.
"It was really neat," Warren said of the meeting that brought together five associations and some 2,800 extension agents. "Agriculture is different in every part of the country, but we are all adult educators," he said. "What works (as an educational tool) for a soybean farmer in the Midwest might work for a vegetable farmer in Florida."
The Flagler County Extension Service is a partnership among the University of Florida, Flagler County Board of County Commissioners, and the federal government, county spokesman Carl Laundrie said.
The recognition Warren received is to showcase agents "who have shown promise and good programming for a number of years," Jennings said.
"I was honored to nominate him," Jennings said of Warren, whom he has known for five or six years. "He is a great example of the professionalism we have in the state.
"I've been doing this for 29 years and have worked with some good people, and he's one of them, whether it's his work with farmers or 4-H," Jennings said.


When the DSM-5 goes live in 2012, five personality disorders likely won't make the cut. After the jump, find out which mental illnesses are going the way of the dodo.
In the DSM-IV, "a pattern of distrust and suspiciousness such that others' motives are interpreted as malevolent."
"A pattern of detachment from social relationships and a restricted range of emotional expression."
"A pattern of excessive emotionality and attention seeking."
"A pattern of grandiosity, need for admiration, and lack of empathy."
"A pattern of submissive and clinging behavior related to an excessive need to be taken care of."
People currently displaying these symptoms won't be magically declared "well" — rather, their problems will "be represented and diagnosed by a combination of core impairment in personality functioning and specific pathological personality traits, rather than as a specific type." For instance, people who currently have paranoid personality disorder will be reclassified as having the traits "Suspiciousness, Intimacy avoidance, Hostility, [and] Unusual Beliefs." From what's been made available to the public, though, it's not completely clear why some types made the cut and some didn't — and understandably, people are pissed.
Psychologist Jonathan Shedler to the Times, "clinicians are accustomed to thinking in terms of syndromes, not deconstructed trait ratings" — and at least to this layperson, it now seems like they're being asked to think in terms of both. Add to that the implication that some personality disorders are now less real or less important than others, and you have a manual that seems destined to cause problems for doctors and for patients (who will now have to get their insurance companies to pay for treatment for their "Suspiciousness, Intimacy avoidance, Hostility, [and] Unusual Beliefs"). And of course, the fact that a serious disorder can suddenly become obsolete illustrates that when it comes to the brain, even expert opinions can be distressingly arbitrary.


After 30 hours of sitting in airports and planes, my husband Scott and I arrived on a crisp, clear morning in Arusha (frequent flyer tickets are not always the most direct route to a destination). Our immediate joy was seeing all six suitcases of the supplies we had checked in Raleigh waiting for us.
After we collected all the bags, met our driver guide Edward and cleared Customs, it was off to Machweo. It is a lovely accommodation set on a steep hillside with stunning grounds and it was to be our home for the next two days. We received a warm welcome, including homemade giraffe animal crackers and fresh passion fruit juice. Dirk, the owner, and his family have been long-time participants in Pack for a Purpose and even longer supporters of the Baraa School in Arusha. His commitment to the school is unquestionable. Together with the iThemba Foundation, Dirk and his family are dedicated to supporting development through education. The Baraa School serves over 1,400 students and last year started a class for children with special needs.
That first evening we had the decided pleasure of meeting with and interviewing Sarah Ellis, the iThemba Project Coordinator. Sarah updated us on the most recent events and project developments and affirmed for us the wonderful impact that supplies received from Pack for a Purpose travelers have made for the children in the school. We were thrilled to be able to send Sarah back with an entire suitcase of supplies from their needs list.
Earlier on the day of our arrival, we went to the headquarters of Nomad Tanzania and met with Amanda Corse, their head of marketing. Nomad has five camps on the Pack for a Purpose website and has long been committed to supporting community projects. Amanda introduced us to the skilled and talented team and graciously served us tea and brownies. We chatted with Amanda about the generosity of Nomad's guests and how the supplies Pack for a Purpose travelers take to Tanzania have a huge impact over time. Since we would be flying to Lamai Serengeti on a small aircraft several days later, we left the suitcase of supplies with Amanda knowing they would be transported to the project on our behalf.
We were not able to visit the community projects supported by Lamai, as they are located over two hours from the camp. But even if a traveler is not able to visit a project listed on Pack for a Purpose and deliver the supplies in person, the feeling of knowing you have benefited a local project is satisfaction enough. Lamai is a stunning accommodation, steeped in a sense of serenity and beautifully fitted into the landscape. We were so grateful that, having experienced such a perfect place that enriched our souls, we could offer something in return as thanks.
Our first stop beyond Arusha was the Manyara Ranch Conservancy. On a personal note, this camp is simply an amazing place to experience the African Bush. The ambiance is excellent and again the hospitality and welcome was as warm as the temperature that day (which was 40 degrees Celsius — VERY warm!). The conservancy supports the Shule Ya Msingibwen Manyara Ranch Boarding Primary School and encourages any guests who are interested to go for a visit, as it is only 30 minutes away from the tented camp. Of course, this was at the top of our agenda. We met with the headmaster, delivered their suitcase of requested supplies, and were also able to visit a classroom where the teacher was conducting a math lesson with first-graders. I also participated in the class and learned to count to 10 in Swahili.
Rhotia Tented Valley Lodge is owned by two "retired" doctors from the Netherlands who built the Rhotia Valley Children's Home eight years ago. The lodge has a commanding view over a stunning terraced agricultural valley and is very eco-conscious.
Colorful birds are found everywhere in the flowering plants that abound throughout the lodge.
Our welcome was a warm hug from Marise, one of the owners, as we stepped out of our vehicle. What could be better?
The children's home is right across the hill from the lodge and we spent a delightful late afternoon there. I had the joy of reading a story to several of the children who live at the home and some delightful guests at the camp. Scott and I also had the pleasure of watching them play soccer.
The children who are fortunate enough to live at the home are provided not only with food, shelter and an education, but with love and the determination to see that they have the opportunity to live their lives as successful adults. It is an honor to be able to make travelers aware of the opportunity they have to make a Big Impact in the lives of these children when they Pack for a Purpose at Rhotia Valley Tented Lodge.
The FAME Clinic in the area is supported by the Simba Portfolio—also a PfaP participant. As the clinic was so close, we brought supplies for them as well.
We left Rhotia Valley Tented Camp and flew in a 12-seater plane into the Serengeti. Flying over the vast Serengeti plain and seeing a very dry Mara River was a wonderful first view of the region.
The owners of Serengeti Bushtops, Claudia Stuart and her husband, have an ongoing commitment to the communities where they do business. Upon our arrival at camp, we were greeted by the gregarious manager, Pantaleo. He couldn't wait to tell us about the plan for our school visit the next day.
Serengeti Bushtops provided us with an enchanting camp experience. Every need we had was anticipated before we even had it (they are quite remarkable). The staff is totally focused on the guests. This same level of caring is clearly given to the school they are supporting. Many guests at Serengeti Bushtops choose to visit the school and have not only Packed for a Purpose, but have provided additional assistance beyond supplies.
Because we were flying into the Serengeti, the suitcase of supplies we brought for the school was picked up from us in Arusha by Goodluck, who works in the Arusha office of Serengeti Bushtops. The supplies for the school actually arrived in camp before we did.
The Bisalalah School serves over 500 children with only eight teachers on staff. We were enthusiastically welcomed by the headmaster and the staff, and it was lovely to spend time in the teachers' room discussing the philosophy of the school and their program with this group of dedicated teachers.
Then we headed out to see a few of the classrooms. We briefly visited a kindergarten class with 60 children. This was the only classroom in the school where the chlidren had to sit on the floor.
Fortunately, with the assistance of Serengeti Bushtops, Scott and I were able to make arrangements for the children to now have chairs.
Then we were taken to the seventh grade class, where we taught a lesson on classification. Both Scott and I had been teachers earlier in our careers. We made the appropriate plans ahead of time to bring all the supplies we would need. We started by showing the students where we were from on the world map we brought and showing how far we had traveled to be there.
I am pleased to say the lesson was met with great enthusiasm by both the students and the teachers. We distributed groups of customized animal cards we had made with the desciption of the animal and the country where it is found to each group of students. They then sorted them using different classifications and we checked them for accuracy.
After completing this part of the lesson, we then asked students to choose an animal and come to the map and show us where that animal is found. The students matched animals from North America and Africa all to their appropriate countries.
The hour passed all too quickly. The class was full of smiling faces, new information and a shared experience that we trust enriched all our lives. For Scott and I, it affirmed that children everywhere provided with the proper resources can excel in the classroom.
The Headmaster then assembled some of the students in the schoolyard so they could see the supplies we brought for the school.
The school has a dedicated staff, and while there is no lack of expertise or commitment, they can use any and all supplies from their needs list that Pack for a Purpose travelers can bring. For everyone fortunate enough to be staying at Serengeti Bushtops, we would highly recommend a visit to the school. This may have been the highlight of our entire time in Tanzania.
"Asante sana" is Swahili for "thank you very much." My husband Scott and I want to send a big thank you to the amazing PfaP participants with whom we stayed on our trip to Tanzania and to thank them again for the wonderful work they do in their communities!
When we have the opportunity to travel to a country on our website, take supplies, stay at accommodations supporting projects in that country, and are fortunate enough to visit the projects, our hearts become full.


As I've mentioned, I've been looking back at Dad's Countryman's Diary from the same week 40 years ago for these columns. But I've had a bit of a hiccup – there is a gap in the archive from the end of August until late 1977 and after a bit of digging, it turns out there was a strike at the Darlington and Stockton Times, and the paper was not published for several months.
So instead, as this is my first year, I'm going back to Dad's first year, which was 1976. In his column from 28th August, he recounts returning from our family holiday in the Lake District.
It made me chuckle when I read: "With a family of four growing children, it is just as pleasant to explore Great Britain than to go roaming in foreign parts." It was a bit of a standing joke that Dad would much rather stay home than go abroad, and in fact, we only ever went on one foreign family holiday to France for a week in 1979.
His resistance to going abroad wasn't just because he didn't want to, but we didn't have that kind of money anyway. So a week in the Lake District was our highly-anticipated annual treat.
The car journey there was a source of great excitement for at least ten minutes until squabbles and boredom set in. It was before compulsory seatbelts, and so the six of us and all our luggage would cram into a five-seater Ford Cortina estate. With four kids squashed together, back-seat fisticuffs were common, as was the sound of Dad shouting at whoever was behind him digging their wriggling knees into his back. I do recall volunteering to ride in the boot which at the time was preferable to sitting next to my sisters (as a parent now, there've been many times during fraught car journeys that I wished I could shove my three into the boot, but sadly it is no longer allowed!).
One of my absolute favourite things about the holiday was that we had a picnic every single day. I remember boasting about it to my friends and celebrating the fact that we did it EVEN when it was raining (& being the Lake District, it did that quite a lot!). Many a lunchtime was spent drawing faces in steamed-up car windows and watching the rain come down as we ate our sandwiches. It was only as an adult that Mum confessed that the reason we always had picnics was that we couldn't afford to eat out. They managed to shield us from what must have been a real struggle, and all credit to them that we never felt hard done-by for not eating in restaurants. Instead, though, we were often allowed ice creams, and if we were very lucky, went to the pub for a lemonade and a packet of crisps. And it was an added bonus that we got to eat things we didn't get very often at home, such as Heinz tinned tomato soup, Vesta meals with crispy noodles, and best of all, a Kellogg's variety pack. We never had sugary cereals normally, so this was unparalleled luxury. Of course, sharing out the mini packs was another squabble-filled drama. We fought to get the Frosties, Ricicles and Co-co Pops (other brands of sugary cereal are available), and fought not to get the boring old cornflakes, Bran Flakes and, heaven forbid, the All Bran.
Thankfully, as Dad became more successful, our family finances improved and as I mentioned, we were able to afford a modest holiday in France in 1979. Towards the end of the week, we went out for a meal to a rather nice restaurant. As it was such a rare occasion, Dad decided to treat himself and Mum to a bottle of wine. He selected one that he calculated would cost £3, which he thought was a fair price.
He nearly fell off his chair when the bill came – the wine was actually £30 (over £150 in today's money!). Poor old Dad!
I've reached a kind of milestone in writing these columns – this is the 10th that was published in the Malton Gazette and Herald and the Darlington and Stockton Times. It's amazing to think how quickly they add up, and looking at my dad's vast collection of folders, it's staggering to see the volume of paper generated by these columns alone, never mind those surrounding his books. He kept file upon file of paperwork linked to his writing, in fact I would go as far as to say he was a bit of a hoarder in that respect, which I think drove Mum slightly crazy at times. And now the question is what to do with it all? At least I feel I am making use of a small fraction of it within these columns, and they really are a treasure trove of precious, forgotten material.
I have just come across the folder containing Dad's very first Countryman's Diary in the Darlington and Stockton Times, which was published on 10th January 1976. In it, he pays tribute to his late predecessor, Major Jack Fairfax-Blakeborough, who'd written the column for an incredible 54 years and who'd recently died at the ripe old age of 93. He was locally very well known and respected for his knowledge of all things country, with a specialist knowledge of Yorkshire and horse racing. Dad, like myself, felt he had some big shoes to fill.
Clearly, this man was one of my dad's earliest inspirations, and what I found particularly interesting was that Dad had always dreamt of taking over Countryman's Diary. As the Major continued to write into his 90s, Dad would have recognised that there would need to be a successor. In fact he had written a hopeful letter to the editor of the day, a Mr Ernest Pannell, a full three years earlier in 1973 in which he stated his long-held ambition and offered his services for when the inevitable time came.
It is quite remarkable that both Dad and the Major continued to write their columns until almost their very last moments. Fairfax-Blakeborough died on January 1st 1976, and my dad's first Countryman's Diary didn't appear until the week after his death. One would assume therefore that the Major had kept going until very near the end. Dad's last column appeared just a week before he died. That's the thing about natural-born writers, they never retire because they can't resist the urge to keep going, and do so until their body or mind simply won't allow them to do it anymore.
I'm not sure that will apply to me, we shall have to wait and see, but trawling back through these archives is bringing so much pleasure, alongside frequent waves of grief, reawakening long-forgotten memories from the past, memories that are even more special now that Dad's not here to share them. But at the same time, I feel extraordinarily lucky because through his passing I have stumbled upon a way of getting to know him better than I ever thought possible.
In the cottage where I grew up, Dad had a little study where he would do all his writing. I didn't understand why he'd pasted hundreds of letters to the walls, which turned out to be rejection letters from publishers. Instead of being discouraged every time he received one, he stuck it to the wall and used it to motivate himself on to better things. That's why he persisted after having 13 separate novels rejected by countless publishers before his first one eventually made it to print. I'm so impressed by people who possess this unshaken self-belief in the face of countless disappointments, where others would simply give up and walk away.
I recently watched a TV programme about sprinter Usain Bolt, and what surprised me most was that he claimed to lack motivation to train, especially, after he'd won his first Olympic gold medal. Once he'd become the best in the world, where else could he go? The trigger that shook him out of his apathy was when he discovered that people thought he was not the best anymore, and that his nearest rival declared he would beat Usain at the following Olympics. As soon as he heard that, he was back training harder than ever, and as he retired after the World Championships in London in July, he remained champion in the Olympic 100m, 200m and 100m relay. Like my Dad, people telling him he couldn't achieve something just spurred him on, and that takes a particular kind of mental strength that many of us simply don't possess.
In his column from 13th August 1977, Dad talks about cleaning his study and having to remove pictures from the walls, which prompted him to think about the superstitions associated with them.
Apparently, if a picture falls from a wall, it foretells the death of one of the inhabitants of the house. The belief varied from place to place, with some saying it was only valid if the glass broke, whereas for others, just the picture falling was enough to prophesy a loved one's demise. There are other variations too, such as if the picture is a portrait, then that person will die, with others saying it doesn't matter what is in the picture for it to spell doom. A similar bad omen is associated with mirrors – if one falls unexpectedly from the wall, then a death is imminent.
This made me wonder what other signs we should be mindful of if we are to avoid an untimely death.
Black cats have long been associated with both good and bad luck, and if you hear one meowing at midnight, it means a death is coming (although at midnight, it might be hard to see what colour the cat is!). Be afraid if a black cat sits on a sick person's bed, and if one crosses the path of a funeral procession, as that foretells another death is not far away. A similar fear is held about white rabbits crossing your path.
Birds of varying kinds are portents of doom. Seeing a single crow or magpie is bad luck, although seeing two is good. Seeing six, though, spells death. If you open your door to a magpie staring at you, then go increase your life insurance policy at once, and if a bird flies into your house, cancel any plans you've made for the future. I could go on, but I fear you might never again open your front door if I do!
We moved from that cottage to a new house in 1981. We brought our pet cat, Marmalade, with us and at first she hated it! She fearfully slithered between rooms on her belly until finally she settled under the desk in Dad's new study. The reason? She'd found the only piece of carpet that had come from the old house.
Author countrymansdaughterPosted on August 21, 2017 August 31, 2017 Leave a comment on If you can't stand the heat…don't worry this August!
I'm no horticultural expert, but judging by the bumper crop of elderflowers that has recently come to an end, we are going to be in for a bumper crop of elderberries. I see many elders on my dog-walking routes, and they always conjure up memories from childhood. Growing up we lived in a cottage which had a long narrow garden full of fruit trees and bushes.
In one part of the garden was a cluster of elder trees that backed on to a crumbling outbuilding belonging to the neighbour. They were simply the best climbing trees any child could wish for, and if you were nimble enough, you could scramble all the way up and on to the roof of this outbuilding. Obviously, we were not allowed to do this, and were regularly warned of the possibility of branches breaking, or of roof tiles and walls failing under our weight which would lead to immediate death. Of course, that's what made it so exciting, and the trick was to make sure you didn't get caught.
So when my dad Peter Walker talks about having to cut back these troublesome trees in his column of July 30th 1977, I remember the feeling of disappointment that our natural climbing frame was being significantly reduced in size. Dad is dreading the forthcoming difficult task, as he knows they will just grow again. He also laments the fact that elder wood is very slow to burn, and it would take days on a smouldering bonfire for it to be reduced to ashes.
My disappointment caused by the trimming of our trees was compensated by these long-lasting fires. As a child, I think I was a borderline pyromaniac as I could spend hours messing about with the bonfire, poking dry twigs into the embers and blowing on them to see if they'd catch light. Of course, this was another forbidden activity, and I'd always deny that I'd been playing with the fire whenever challenged. I used to think my mum was some kind of super sleuth, as she always knew when I'd been doing something I shouldn't, even if she hadn't seen me do it. It didn't occur to me that the stink of smoke on my clothes and in my hair, and my ash-blackened hands, were dead giveaways of my wrongdoing.
Elder wood was one of the most robust and versatile materials in days of yore. Its rough outer layer is very strong, while its inner core is soft and easy to hollow out. So in ancient times, elder was used to create pipes for things like drainage, domestic utensils, butchers' skewers, cogs in mill machinery and also musical whistles. It is thought the name comes from the Anglo-Saxon word 'aeld', which means 'fire', as the hollow stems were used as bellows to blow into the centre of a fire (according to http://www.woodlandtrust.org.uk).
As my dad explained, despite its many uses, there were also plenty of superstitions associated with elder wood. One was that you must never fashion a baby's cradle from it as that would place the infant into the hands of witches (Maybe that was where Sleeping Beauty's mother went wrong, and caused the wicked witch to cast her sleeping spell during Beauty's christening!). Dad explains that evil associations with the wood grew from the legend that Christ was crucified on a cross made from elder.
In that same article, Dad includes a recipe for elderflower 'champagne', which my brother used to make, and which I absolutely loved! He advises: "It should be corked well, for it is very fizzy." Well, this is a bit of an understatement, for what Dad fails to mention is that in our house, the cork exploded from the bottle and blew a hole right through the kitchen ceiling!
In the picture are dozens of women in flowery frocks with 1970s curled helmet hair doing their weekly shop. There is just one solitary man in the image serving on a stall. How times have changed! My parents visited Helmsley market nearly every Friday for as long as I can remember, buying locally grown and freshly produced goods. When we were very small in the late 1960s and early 1970s, and before she got a job in later life, my mum was one of those flowery-frock-clad housewives. Dad would have been working then, but once he left the police force and became a full-time writer, he would take time off on a Friday morning to go and help Mum with the shopping. I have been to the market many times over the years, and I can say with some certainty that today, the market is filled with men and women from all walks of life, many of whom own small businesses or are self-employed and for them, our rural markets are a vital source of essential fresh local produce and saves them from the burden of having to travel miles to the nearest supermarket.
Dad was a fiercely loyal supporter of the local economy, insisting on using nearby small businesses, even if it proved more expensive than going to large chains further afield. It's only as I grew up that I really 'got' it, and admired him for tolerating over the years my habit of berating him for paying several pence more per gallon of petrol at the local garage than he would have paid had he bought it from Tesco, a 25-minute drive away.
A couple of local services that were lifesavers during Dad's illness and in the days following his death were the fruit and veg man and the butcher van. In his final weeks, Dad needed round-the-clock care, which we provided for him alongside visiting carers (the Ryedale Community Response Team, who were amazing!). Until I did it myself, I didn't appreciate how intense and exhausting caring was. We grabbed food and sleep whenever possible, and during the short windows of time off during our family 'shift' changes, we stocked up on ready-meals which we could prepare in minutes. Thankfully, the fruit and veg man and the butcher called on set days, selling fresh produce from their vans. We'd leave a bag on the front door handle with money and a note of what we wanted, and during the morning the bag would miraculously fill up with either meat or fruit and veg and the correct change would be left in the bottom. It was a simple, personal, and indispensable service for a family in crisis, which was so appreciated by us. It meant we could still make food from scratch when we had a moment, or grab an apple or a pear to at least eat something nutritious.
The trusty vans driving round villages selling produce seem a bit quaint to us folk who don't live in the remotest parts of the country, but that experience really brought home to me what a vital service they provide for rural residents. Out of necessity, they will charge a bit more for their wares, but they are lifelines, especially to those who are elderly, ill or disabled and simply cannot get out, or perhaps are not comfortable using an online grocery service. They deserve our patronage and support.
So thank you to all you mobile shops serving our countryside communities, you're doing a grand job!


Pittsburgh based UK firm L.B. Foster announced the acquisition of TEW Engineering Ltd. of Nottingham UK, a distinctive and vibrant Application Engineering Group that designs, manufactures and supports applications for rail markets and other major industries. The 100 year old firm specialises in rail engineering solutions for control room, passenger information and trackside signalling applications.
Sales for TEW Engineering were approximately $16.9 million in 2014. L.B. Foster expects the acquisition to be accretive to earnings in 2015. TEW Engineering will operate as a subsidiary of L.B. Foster Rail Technologies (UK) Ltd., headquartered in Sheffield, UK.
Newcastle law firm Mincoffs Solicitors, Partner in the Corporate department John Nicholson, handled this acquisition.


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South Korea plans to ask UNESCO to include materials about the so-called "comfort women" in its Memory of the World Register to raise awareness of the issue.
Gender Equality and Family Minister Cho Yoon-sun disclosed the plan in this year's project outline submitted on Tuesday to President Park Geun-hye.
The outline says the government will create a day to commemorate the women and organize events for South Koreans to learn more about the issue.
Many of the women were forced into prostitution to serve Japanese soldiers during World War Two.
The government is to conduct research and collect documents in the United States, China and elsewhere before applying.
Earlier this year, the ministry organized an exhibition featuring drawings and manga comics about comfort women at an international manga fair in France.
The ministry says the exhibition generated huge responses.
South Korea is apparently trying to win international support for the issue and to step up pressure on Japan.


I was blessed with good fortune – by the witches, fairies, tree gods and whatever other magical beings Disney and Serena Valentino rallied in my favor – and today received an advanced reader copy (ARC) of the long-awaited sixth book in the Valentino villains series: The Odd Sisters.
Three things (because all things in Valentinoland happen in threes): Yes, it is the best day ever; yes, I read the book in one sitting (thank you, Mardi Gras holiday); and no, I most certainly am not about to spoil it for you.
Usually I like to sleep on my reviews: give those many ponderings that swirl about the Jess brain time to calm down. But there is no calm today – just excitement to share some abbreviated thoughts with you!
The Odd Sisters arrived on my doorstep at approximately 9:30 a.m. (the book, not the characters themselves, thank goodness) and immediately scooped me into its clutches immediately. The tale of three witches is one giant tea party among many, though I am not sure "party" is the right word.
The story transcended my expectations and held my interest right to the very end. It answered many lingering questions and provoked others, stoking my curiosity along the way. My pup sitting beside me witnessed many "ooos" and "ahhhs" as I visited various lands, including Morningstar Kingdom and the Fairylands, over my very own hot cuppa tea this morning.
The format of the Odd Sisters' story is quite different to its predecessors in only the most positive and inviting way. The reader is roped in to a unique prologue and is later privy to a peculiar list which enhances the reader's experience and immersion into the story. Just enough of the Odd Sisters and their weird and wonderful ways are exposed – I was originally concerned that the loss of mystery from the sisters' repertoire would leave me feeling a bit empty.
Most artfully, Valentino delivers a bewitching backstory, carefully balancing the interests and motivations of familiar characters with the protagonists' plight. Sisters do indeed have secrets, and the secrets uncovered in this book are frightfully satisfying.
The Odd Sisters is expected to be released on July 2, 2019. It is currently available for pre-order at Amazon or, if you want to support independent bookstores, the Garden District Bookshop.


Last weekend a contingent of Maltese Trap shooters took part in the Nando Rossi Memorial Shoot in Italy together with 260 shooters from eight nations.
Frans Pace managed 91/100 to qualify for the barrage final among the top six shooters. During the barrage finals the Italian shooter managed 22 to place first overall while Frans Pace and the Turkish shooter managed 20 each. A shoot off had to determine the second place where the Turkish shooter managed 5 clays and Frans Pace managed 4 clays to win the Bronze medal.
The Indian shooter placed fourth. The Iranian placed fifth and the Russian placed sixth.
MSSF Trap shooters Brian Galea and Stephen Vella both managed 46/50 to win cash prizes. Joe Cutajar, Anthony Sammut, Lino Galea and Charles Demanuele also took part in this event.
Frans Pace was the overall winner of The Franwin Trap Trophy during a competition organized by The Malta Shooting Sport Federation at Bidnija.
Class A 1st Brian Galea 48/50.2nd Frans Pace 48/50, 3rd George Cassar 46/50.
Class B 1st Frank Scorfna 41/50, 2nd Emmanuel Saliba 41/50. 3rd Charles Demanuele 37/50.
Class C 1st Joe Cutajar 42/50, 2nd Paul Gatt 40/50. 3rd Kevin Bonnici 38/50.


The low-pressure rotocasting process today is seeing a resurgence in popularity fostered, in part, by the development of improved process controls and easier-to-handle plastics. Moldmaking methods have improved as well. Specifically, the combination of high-quality silicone rubbers with rigid polyurethane systems is yielding glove molds that facilitate both casting and demolding of one-piece hollow parts with severe undercuts, fine surface detail and/or threads and handles.
When used for rotomolds, silicone rubber provides many of the same benefits for which the material has long been known. The material is easy to handle and provides outstanding reproduction of surface detail.
Because glove molds are built with few if any seams or parting lines, they prevent leakage during part molding and virtually eliminate mark-off and blemishes on final part surfaces. Furthermore, mold surfaces do not require releasing before use. As a result, final parts require no secondary cleaning before they can be painted.
Silicone rubber glove molds are comprised of a thin layer of low-viscosity, high- strength silicone rubber, a layer of thixotropic silicone and a thin coating of durable polyurethane as a jacket.
Step 1. Prepare the master model. Clean all surfaces to remove grease or grime that can inhibit curing or cause a blemish on the surface of the silicone mold. Wearing gloves as you work with the model will ensure "finger print free" surfaces and highest quality end-parts. Remember, the better the surface of the master, the better the surface of the mold and part will be.
Step 2. Fixture the master model. Before beginning the moldmaking process, the master must be fixtured securely so that it can be completely and evenly coated without being touched or moved. For example, to build the glove mold for a container, a dowel might be inserted into the mouth or opening at the top and then attached to a nearby table.
Photo 1 -- Model on fixture.
Step 3. First Silicone Layer. Prepare a small batch of GI-1000 silicone adding both a Standard Activator and an Ultra Fast Catalyst to the mixture.
The combination of two catalysts will produce a working time long enough for vacuum degassing of the silicone rubber, drizzling the system over the master model until it is completely encapsulated and setting up before the material begins to sag and drip off model surfaces.
NOTE: The blue-colored standard activator and clear Ultra Fast Catalyst provide a visual verification that system components are fully mixed.
Drizzle coating will help prevent air entrapment and promote complete transfer of details between the model surface and the mold. After the layer is complete, carefully monitor the silicone for at least 10 minutes. The material will sag slightly. If it begins running off and creating a dry area on the model, invert and turn the coated master model until the silicone flows back in place or use a paint brush to re-coat dry areas. Allow the silicone to set for about 45 minutes until it is almost tack-free before proceeding with the next layer.
4. Second Silicone Layer. Next, mix XT-493 silicone rubber with its activator, stirring thoroughly to ensure complete blending. The product is a paste-like, non-flowing silicone that has excellent hang-up on vertical surfaces. It can be easily applied to build up the next mold layer using a tongue depressor or paint brush (taking care to avoid damaging the silicone with sharp edges). The "glove" layer should be about ¼ to1/2-inch thick over the bulk of the mold. However, thicker areas can be built up in sections that may require greater strength such as planned split lines.
After the initial layer of XT-493 silicone rubber is applied, mix another small batch of material to create die-locks that will be used to prevent shifting of mold sections within the rigid polyurethane jacket during the rotocasting of parts.
When the silicone is tack-free (after about one hour), remove the support fixture shown in Photo 1 and coat any dry areas with XT-493 silicone. Allow the mold to cure overnight.
5. Polyurethane Jacket Layer. Mix IE-3065 polyurethane resin and hardener and apply with a tongue depressor or a short, stiff bristle brush until all sections of the mold are covered except the die-locks created in Step. 4. NOTE: A standard paint brush with bristles cut to about ¼ inch in length is ideal if a brush is to be used. The silicone lock structures should protrude slightly above the jacket surface so that they can be pulled up, locking the mold into place within the jacket. During rotocasting, locks will prevent mold walls from collapsing.
The IE-3065-A/B polyurethane can be handled within one hour of application.
6. Disassemble Mold Sections. Carefully cut a split line with a Dremel tool to divide the rigid jacket into two halves. Remove the jacket from the glove and then peel the glove off the master model.
NOTE: A two-part jacket can also be created by coating one half of the mold with IE-3065 polyurethane. After the material is completely cured, condition the surface by applying a coat of wax and/or silicone release agent. This will allow the second part of the jacket to easily split from the first half. Then, use additional polyurethane to build the second jacket half following the same process used for the first section.
Next, carefully cut a slit through the silicone glove large enough to remove the master. This area will be used for to inject the mold during rotocasting.
If the split is too long, it may cause serious distortion in the glove and contribute to mold leakage during casting. The solution: pin cut mold sides together and bond with silicone caulk, leaving only the desired fill port open.
NOTE: Another method for creating a slit is to mold a zipper into the silicone glove during Step 4 when XT-493 is being applied.
7. Prepare Mold for Casting. Place silicone glove mold back in one side of the polyurethane jacket. Add the second side of the jacket and pull up die-locks to secure the glove mold in place. The rotocasting material can now be injected into the mold to begin part production.


text:
Oconee Veterans Park
Van Information
About Veteran's Affairs
As an advocate for veterans and their families, the Oconee County Veterans Affairs office assists veterans and/or their dependents in filing applications to obtain benefits for which they may be entitled to from the United States Department of Veterans Affairs and VA Hospitals. Our office also provides transportation to the Greenville VA Medical Center for those Veterans without available transportation.We also provide Notary services
VA History:
Prior to the creation of the VA Office, many of its services were performed only by agencies in Columbia. On March 22, 1945, the S.C. General Assembly adopted a bill creating a VA Office in each of the state's 46 counties. The Oconee County VA Officer is appointed by the Governor from recommendation of the County Legislative Delegation.
Palmetto Warrior Connection
Dreams for Veterans
Behavioral Health for Veterans
Hire a Vet @ SC Works
Alert Oconee
DOD Be There Peer Support Call and Outreach Center
Patriots Hall
Camp 4 Heroes
Puppies Behind Bars
Veterans and Asbestos Exposure
Giving Back to Veterans
Common Terms:
Veteran: A person who served in the active military, naval or air services, and who was discharged or released under conditions other than dishonorable.
DD214: A military separation paper issued to veterans after 1949.
Active Service: Full time military service that qualifies a veteran to be eligible to receive benefits.
Compensation: Monthly Check for disability as a result of active military service.
Pension: Supplemental income due to financial need because of low income or recurring medical expenses.
Claim: Application for VA benefits.
Service Connected: A disability that was incurred or aggravated during active military service.
Combat Service: A status applied for a veteran who served on active duty in a theater of combat operations during a period of war recognized by the VA.
223 Kenneth St.
Jerry Dyar
Contact Veteran's Affairs
veteransaffairsinfo@oconeesc.com


If you want to know how tempting Epic's new store is for game developers, here's a statistic for you: had Battalion 1944 released on the Epic Store and sold the same number of copies as it did on Steam, it "would have amassed an additional $350,000".
That's according to Joe Brammer, CEO of Battalion devs Bulkehead Interactive, in a guest post on GI.biz. Brammer says it's important for you to know this, since "the majority of any profit [developers] generate" is reinvested in further development, "rather than buying luxury yachts". Every penny counts, but the benefits are felt especially keenly by indies: Brammer says an extra $350,000 can keep the lights on for months at smaller studios, or fund a respectable marketing campaign to bring in more players, or an esports event, or new staff, or community managers to engage with fans. It would all help to grow and improve the game.
The difference in revenue is down to Epic taking a far more generous cut on sales in its store – 12% compared to 30% on Steam (though Steam recently announced that it will take less of a cut when sales pass certain million-dollar thresholds, in changes clearly designed to tempt triple-As, but which are largely meaningless for indies).
Obviously it's doubtful to the point of absurdity to suggest that Battalion would have sold the same numbers on both stores, given how new and thus small Epic's is compared to Steam, but you can see how tempting the more generous share might be. Combine this with some of Fortnite's 200 million players going through the Epic Store, and some exciting-sounding social and cross-platform features next year, and Epic could become a real threat to Steam. Indeed, there are signs of Steam already losing favour among some devs.
Brammer's article (which you can read here, and should, as it's very interesting) includes an infographic indicating that Battalion 1944 has grossed a total of $2.5 million before Steam's cut, which was $750,000. Epic's cut? $300,000. Oddly this ought to leave $450,000 for Battalion 1944, since it's made in Unreal and thus benefits from Epic's full cut, but we trust Brammer to know what he's talking about.


Voice Cast: Christa Théret, Féodor Atkine, Thomas Sagols, Remi Caillebot, Audrey Sablé, Fabien Briche, Remi Bichet, Julienne Degenne.
Rated: (for some peril and mild language).
Reviewed by Dustin Putman for TheFilmFile.com, January 12, 2016.
"Long Way North" is elegant and inspiring, a French-Danish animated adventure with a compelling story and a progressive dose of female empowerment rooted deep in its bones. The heroine of the piece is 15-year-old Sacha (voice of Christa Théret), suffocated by her parents' status-obsessed aristocracy in 1882 Saint Petersburg. The Arctic search for her missing explorer grandfather, Oloukine (Féodor Atkine), has been called off, but, when Sacha stumbles upon coordinates that may be the answer to his ship's whereabouts, she becomes determined to find it—and him. Her trek reaching this destination is far from a straight line, and oft perilous, testing her courage and determination as she grows from child to adult.
"Long Way North" looks and feels like a passion project, director Rémi Chayé, screenwriters Claire Paoletti and Patricia Valeix, and all the film's artists bringing love and care to every frame of the gloriously drawn, computer-assisted animation. A touch quieter and more introspective than most American-made, studio-produced animated movies, the film should engage all viewers without it ever feeling as if it's targeting a specific demographic. It's also not nearly as predictable, leading Sacha toward a key unexpected discovery and a deeper connection to her lost grandfather. "Long Way North" is ultimately hopeful even as it fully acknowledges life's fallibility, a hopeful fable that sees a future for its teenage protagonist as limitless as her aspirations will take her.


text:
Q: Static class member declaration error I am trying to find dynamically and statically instantiated objects number.  I am getting errors that variable myheap is not declared.
#include<iostream.h>
#include<stdlib.h>

class A {
public:
  static int x;   //To count number of total objects. incremented in constructor
  static int myheap;  //To count number of heap objects. Incremented in overloaded new

  void* operator new(size_t t) {
    A *p;
    p=(A*)malloc(t);
    myheap++;
    return p;
  }

  void operator delete(void *p) {
    free(p);
    myheap--;
  }

  A() {
    x++;
  }

  ~A() {
    x--;
  }
};
int A::x=0;
int A::myheap=0;

int main() {
  A *g,*h,*i;
  A a,c,b,d,e;//Static allocations 5

  g= new A();//Dynamic allocations 3
  h= new A();
  i= new A();

  cout<<"Total"<<A::x<<'\n';

  cout<<"Dynamic";
  cout<<'\n'<<"HEAP"<<A::myheap;

  delete g;
  cout<<'\n'<<"After delete g"<<A::x;
  cout<<'\n'<<"HEAP"<<A::myheap;
  delete h;
  cout<<'\n'<<"After delete h"<<A::x;
  cout<<'\n'<<"HEAP"<<A::myheap;
  delete i;
  cout<<'\n'<<"After delete i"<<A::x;
  cout<<'\n'<<"HEAP"<<A::myheap;
}

A: It should be A::myheap.
Also, your operator new should invoke the constructor:
You're right, you just need to return the pointer to the newly allocated object.
void * operator new(size_t t)
{
 A *p = (A*)malloc(t);
 myheap++;
 return p;
}

A: You don't have a local named myheap but you do have a class-scoped static variable named myheap. Thus you need A::myheap. But really, myheap and x should be private and you should have a static getx and static getmyheap public methods defined. And, of course, x should have a better name.

A: Your code is almost correct, but you're seeing errors about 'myheap' because the compiler was confused about earlier errors.  Fix the first error first.
About overloading operator new, there's more to it than a simple malloc.  I have an previous example that may help, but that was global new instead of class-specific.
Here it is cleaned up: (this compiles and runs)
#include <iostream>
#include <memory>
#include <new>
#include <stdlib.h>

struct A {
  static int count;
  static int heap_count;
  void* operator new(std::size_t t) {
    void* p = malloc(t);
    if (!p) throw std::bad_alloc();
    heap_count++;
    return p;
  }
  void operator delete(void *p) {
    free(p);
    heap_count--;
  }
  A() {
    count++;
  }
  ~A() {
    count--;
  }
};
int A::count = 0;
int A::heap_count = 0;

int main() {
  using namespace std;

  A a, b, c, d, e;
  auto_ptr<A> g (new A), h (new A), i (new A);

  cout << "Total: " << A::count << '\n';
  cout << "Dynamic\nHeap: " << A::heap_count << '\n';
  g.release();
  cout << "After delete g: " << A::heap_count << '\n';
  h.release();
  cout << "After delete h: " << A::heap_count << '\n';
  i.release();
  cout << "After delete i: " << A::heap_count << '\n';
  cout << "Heap: " << A::heap_count << '\n';

  return 0;
}

A: Sandeep,
The reason you were getting a core dump when new was not returning p is because your delete function tries to free the pointer you pass in.
Since new wasn't returning p, the value being sent to delete() is either NULL or un-initialized. Calling free with a pointer that is NULL or a random value from the stack will cause your program to crash.
Best,
Sam

redpajama_set_name: RedPajamaStackExchange


text:
Q: In ExtJS, how to add a custom CSS class to data grid rows? How do I add custom CSS classes to rows in a data grid (Ext.grid.Panel)?
I'm using ExtJS 4.0.

A: In your initComponent() of your Ext.grid.Panel use getRowClass() as follows:
    initComponent: function(){
        var me = this;
        me.callParent(arguments);
        me.getView().getRowClass = function(record, rowIndex, rowParams, store) {
            if (/* some check here based on the input */) {
                return 'myRowClass';
            }
        };
    }

This basically overrides the getRowClass() function of the underlying Ext.grid.View which is called at render time to apply any custom classes. Then your custom css file would contain something like:
.myRowClass .x-grid-cell {background:#FF0000; }

A: You could do something like this:
Ext.fly(myGrid.getView().getRow(0)).addClass('myClass');

Of course you could substitute the getRow() call for another cell, or you could loop through all of your rows and add it appropriately.
And then you could style that in addition to the default CSS, by doing:
.x-grid3-row-selected .myClass {
   background-color: blue !important;
}

There is also a private method of GridView called addRowClass. You can use this to add a class to your rows as well by doing:
grid.getView().addRowClass(rowId, 'myClass');
// private - use getRowClass to apply custom row classes
addRowClass : function(rowId, cls) {
    var row = this.getRow(rowId);
    if (row) {
        this.fly(row).addClass(cls);
    }
},

A: The way to do it is to define viewConfig on the grid:
Ext.create('Ext.grid.Panel', {
    ...

    viewConfig: {
        getRowClass: function(record, index, rowParams, store) {
            return record.get('someattr') === 'somevalue') ? 'someclass' : '';
        }
    },

    ...
});

A: Use simplest way
In your grid use -
cls: 'myRowClass'
Your css -
.myRowClass .x-grid-cell {background:#FF0000 !important; }

A: If you want to change the class after the data has loaded, you can do it like this:
myGridPanel.getView().removeRowCls(rowIndex,"old class");
myGridPanel.getView().addRowCls(rowIndex,"new class");

Here, rowIndex is the selected row, which you can get in some event functions(like "select"). By using this, you can change CSS of the row after clicking it.


BISmark is a home router-based measurement, visualization and control system that is being widely deployed and provides a platform for extending GENI into the home. The project extends the previously demonstrated Resonance control system to provide a general framework for even-driven network control.
BISmark is a home router-based measurement, visualization and control system that is being widely deployed and provides a platform for extending GENI into the home. The Lithium project extends the previously demonstrated Resonance control system to provide a general framework for even-driven network control.


Buy GreenPan™ Venice Pro Ceramic Nonstick 12-Inch Covered Fry Pan from $149.99 at Bed Bath & Beyond. GreenPan's Venice Pro Fry Pan features timeless a design with a multilayer stainless steel body that works on all stove types. Pan also boasts a ceramic nonstick coated cooking surface for easy food release and a double-riveted stainless steel handle.GreenPan's Venice Pro Fry Pan features timeless a design with a multilayer stainless steel body that works on all stove types. Pan also boasts a ceramic nonstick coated cooking surface for easy food release and a double-riveted stainless steel handle.
GreenPan's Valencia Pro Ceramic Nonstick 11" Grill Pan boasts a durable hard-anodized aluminum body for even heating and a dishwasher safe nonstick cooking surface for easy cleanup. Base features Magneto technology for induction cooktop compatibility.
This Viking 3-Ply Stainless Steel Nonstick Fry Pan features an induction-compatible, mirror-polished stainless steel exterior bonded to a layer of aluminum alloy for quick, even heating. PFOA-free nonstick cooking surface ensures easy food release.
The Le Creuset Toughened Nonstick 12-Inch Stir Fry Pan ensures all the ease of nonstick cooking on a surface that will never chip or flake. Hard-anodized, fully encapsulated aluminum core conducts heat quickly and evenly for perfect results.


text:
PRISM DJs: Booking Agency Representing Women DJs
We are a DJ booking agency representing a diverse team of women DJs, while advocating for gender equality in the music industry.
294Days Left
Campaign Ends on November 11, 2022
PRISM DJs' mission is to create a supportive network for women DJs and advocate for gender equality in the music industry.
Based on our independent research, women make up only 16% percent of the DJ industry. To help correct this gender imbalance, Tessa Young started PRISM DJs, a Los Angeles-based collective and booking agency. Our agency is a trusted source for clients to hire talented, vetted women DJs and create a supportive network.
With a network of 30 women possessing varied music specialties, the agency provides soundtracks for private parties, weddings, retail, brand, and corporate events. PRISM DJs have performed at United Nations Global Compact, Upfront Summit, FabFitFun, National Geographic, Amazon, City of Hope.
At this time, Founder Tessa Young is the sole person running the agency while facing numerous challenges due to the pandemic. This grant will help with the day-to-day operations and, most importantly, communications professionals to help better deliver our message and mission to support women DJs.
Being based in Los Angeles, California, "The Entertainment Capital of the World," the market and opportunity are almost limitless. Unfortunately, the pandemic has severely impacted our business as events and gatherings have been canceled for nearly two years. On a positive note, as of November 2021, we see events slowly returning, and we are getting our DJs back to work.
We thank our crowdfunding contributors in advance for your support. We also thank IFundWomen for creating this amazing platform and the Asian/Pacific Islander American Chamber of Commerce & Entrepreneurship for their support. We are so grateful to all of you!
Follow us on Instagram @prismdjs! Reach out to us at info@prismdjs.com.
ABOUT PRISM DJs
Launched in 2015 by Tessa Young, PRISM DJs is a Los Angeles-based collective and booking agency representing an eclectic roster of dynamic women DJs. PRISM DJs' mission is to create a supportive network for women DJs and advocate for gender equality in the music industry. With a network of 30 women, the agency provides soundtracks for private parties, weddings, retail and corporate events. The agency represents a diverse group of women with varied music specialties. PRISM DJs have played events like Upfront Summit, FabFitFun Summer House, Street Food Cinema, and the Amazon series Transparent party. Other PRISM clients have included Make-a-Wish Foundation, Grindr, Veggie Grill, and Healthy Spot.
ABOUT THE FOUNDER, TESSA YOUNG
With a deep love and vast knowledge of music, and a dedication to uplifting other women in the music industry, Tessa Young has carved out a niche for herself as both a DJ and an agent. She launched her career behind the decks at Wurstküche and The Viper Room over a decade ago and has played numerous venues, private parties, weddings, and corporate events. She has played TwitchCon's Broadcaster Royale Omen Challenge, and Vans Girls and Women skate events and provided the tunes for a wide range of clients, including the City of Hope and Too Faced Cosmetics. Early in her career, people often told Tessa that they had difficulty finding women who DJ. In response, she launched PRISM DJs as a full-service agency that pairs clients with women who will build soundtracks for parties, weddings, and events. PRISM DJs began in 2015 with four DJs. Today, Tessa works with an eclectic roster of 30 DJs whose specialties range from hip-hop to house to indie dance. Tessa works with potential clients to discern what music and atmosphere they envision for their events before pairing them with the perfect DJ—looking for house music with an upscale, lounge vibe? Need '90s throwbacks for a birthday party? She has someone in mind for you. Tessa and PRISM DJs are committed to uplifting the next generation of women DJs and have provided two scholarships for teenage girls to attend Camp Spinoff, where Tessa has volunteered in 2018 and 2019.
Jane Walker First Women Grant Program
Just Because I Care
by Prism DJs, LLC
https://www.youtube.com/channel/UC0pJH8UQy5tSSsq_SN6t66A
https://www.facebook.com/PRISMDJS/
https://twitter.com/prismdjs
https://www.instagram.com/prismdjs/
https://www.linkedin.com/company/prism-djs
https://www.prismdjs.com/
Art + Music


text:
Rector of the Charles University in Prague Won a Prestigious Award for His Long-Term Contribution to Congress Tourism
The ninth Ambassador Awards Evening took place in Prague to honour the contributions to the meetings industry. Prague Convention Bureau organises the ceremonial event since 2010 as a part of its Ambassador Programme. The ceremony of handing the awards over to the congress ambassadors whose efforts contributed to the development of the capital city's meetings industry in the greatest extent took place on the premises of the Residence of the Mayor of Prague on 21st March 2018. The Mayor of Prague Mrs. Adriana Krnáčová honoured the event with her personal participation.
The aim of the event is to award renowned Czech scientists, top experts, professors, and doctors who represent the Czech Republic in international professional associations, actively lobby in favour of Prague and then participate in the preparatory work of scientific, program or organizing committees of international congresses held in Prague.
The gala evening was moderated by Veronika Paroulková, who, together with the event hostess Mayor Adriana Krnáčová, welcomed the guests at the Residence of the Mayor of the City of Prague. One of the introductory speeches was also delivered by the Director of the Tourism Department of the Ministry for Regional Development JUDr. Renata Kralova. She presented the latest developments and statistics on tourism in the Czech Republic to the attendees. According to statistics, 2017 was the record year - more than 20 million tourists used the accommodation services in the Czech Republic, of which 10.1 million were from abroad. Compared with 2016, this was an increase of 9.2%. The Director also highlighted the importance of the meetings industry, as the sector that brings high-income clientele to the destination and contributes thus to economic development.
The welcome speeches were followed by the official award-giving ceremony. For the year 2017, a total of six awards were handed over in six categories:
The winner of the Congress of The Year 2017 category is doc. MUDr. Michal Vrablík, Ph.D. for the 85th Congress of the European Atherosclerosis Society (EAS). Doc. Vrablík brought the event with a long history to the Central and Eastern Europe for the first time ever. Furthermore, the Prague edition registered a record-breaking attendance of 2,500 delegates;
The award for the Congress of the Year 2017 - Less than 500 Attendants was handed over to prof. Dr. Ing. Karel Bouzek for the 7th World Hydrogen Technology Convention together with Czech Hydrogen Days (WHTC 2017). Professor Bouzek is a reputable Czech scientist active in the hydrogen technology development and, as a Prague ambassador, he has been committed to attracting renowned scientific events to the Czech metropolis on a long-term basis;
The Candidacy of the Year 2017 award winner is prof. MUDr. Julius Špičák, CSc. for the International Congress of the World Gastroenterology Organisation, due to take place in Prague in 2020. A year-long candidature, successfully led by professor Špičák, won the World Gastroenterology Organisation Congress for Prague. The Congress will be the second largest gastroenterology event ever;
The winner of the Corporate Event of the Year 2017 category is Motorola Solutions for the Enhancing Vision event. Enhancing Vision event was awarded for the unique fusion of the cutting-edge technologies set in the historical event venue;
Long-Term Contribution to Congress Tourism award went to prof. MUDr. Tomáš Zima, DrSc., MBA Rector of the Charles University in Prague. Professor Zima is one of the most active congress ambassadors. He has been working for many Czech and international scientific organisations and associations. He initiated numerous congresses and conferences, all of them successfully taking place in Prague, and he currently works on preparations of the biochemistry experts congress due to be held in Prague this year;
Prize of the Prague Congress Centre was handed over to Sanjiv Suri, Ing. Lenka Žlebková and Roman Muška for the 56th ICCA (International Congress and Convention Association) Congress The successful realization of the Congress of ICCA association, which brings together professionals from the congress industry significantly helped to mark Prague on the map of the international meetings tourism, helped the Prague Congress Center reconstruction, and to gaining of concrete business opportunities. Furthermore, the 56thCongress in 2017 registered a record-breaking attendance of 1,264 delegates.
The winners of each category were chosen by an independent committee composed of important personalities of tourism, academic and state spheres. The members of the 2018 decision-making committee were: doc. Ing. Monika Palatková, Ph.D., Director of the CzechTourism Tourism Agency; Ing. Marta Nováková, President of the Union of Trade and Tourism; prof. RNDr. Eva Zažímalová, CSc., Chairwoman of the Academy of Sciences of the Czech Republic and Jan Wolf, Councillor of the City of Prague for Culture, Heritage, Exhibitions Management and Tourism. The committee was also joined by prof. MUDr. Tomáš Zima, DrSc., MBA Rector of Charles University in Prague, for voting in the following categories: Congresses, Candidacy of the Year and Corporate Event of the Year, and by prof. RNDr. Václav Pačes, DrSc., scientist, pedagogue, and biochemist, for voting in the category of Long-Term Contribution to the Congress Tourism.
The awards ceremony was concluded by the Prague Convention Bureau President, Mr. Sanjiv Suri, who thanked all the subjects involved not only in the Prague Convention Bureau Ambassador Program, but also all those who support Prague meetings.
"It is a great honour for us to award the outstanding personalities of the congress industry and the events that took place in Prague last year or are destined to the Czech capital. Congress preparations and decision-making are a very lengthy process that can take more than five years. We appreciate all our ambassadors, who often entirely selflessly engage in the preparation of such an event, helping us spread the positive awareness of Prague as an ideal congress destination, increasing the scientific credit of the Czech capital and, last but not least, supporting the economic growth of Prague. Prague meetings industry generates annual revenue of between 4.4 and 5.2 billion crowns in multiplication for public budgets," says Lucie Čapková, who coordinates the Prague Convention Bureau Ambassador Programme.
The Ambassador Awards Evening was held with the support of Prague City Hall, the Ministry of Regional Development and Czech Convention Bureau. The attendees enjoyed the musical component of the event: performances of the pianist Radim Linhart and the harpist Bronislava Klablenová. We would like to express many thanks to our partners for their support of the Ambassador Program and cooperation when organizing the whole ceremony evening, namely: Ministry for Regional Development of the Czech Republic, Prague City Hall, Czech Convention Bureau, Academy of Sciences of the Czech Republic, Charles University in Prague, AIM Group International, C-IN, GUARANT International, Prague Congress Center, Hostesky.cz, VT Rental, Zátiší Group and Agentura N.
Ambassador Awards Evening photo gallery is available here.