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High Kicks From Both a Chorus Line and Jason Statham
Posted by Neil Pedley on April 13th
This week brings a bumper crop of indie and arthouse releases with something to suit all tastes, even if their added box office is outdone by "Crank: High Voltage."
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"American Violet"
In our politically expedient, hyper-ADD times, director Tim Disney reminds us African-Americans had it tough in the post-civil rights era long before Katrina with this Texas-set drama based on true story. As much a legal thriller as anything else, "American Violet" stars Alfre Woodward as the steely mother of Dee Roberts (Nicole Beharie), a woman wrongly scooped up from the projects amidst a mass drug raid and harassed into a plea bargain. With the help of an ACLU attorney (Tim Blake Nelson) and an ex-cop (Will Patton), she must go up against a callous district attorney (Michael O'Keefe), who's playing a numbers game in pursuit of federal money, seemingly indifferent to the human cost of his action.
Opens in limited release.
Part wish fulfillment fantasy and part meditation on the new millennium's male insecurities, Jonathan Salemi's no-budget debut illustrates that concept is still king with a story as simple as it is preposterous. While watching his friends bag the babes as he whiles away the evenings with his chaste girlfriend Julie (Angela de Malignon), Frank (Scott Harris) compensates by regaling his circle with a series of tall tales. Having cried wolf one time too many, he finds his friends don't believe him when he claims to have discovered a magical light switch in his apartment — one that'll turn anyone in the room into his willing love slave.
"The Butterfly Tattoo"
Rolled out on the back of the shiny digital fireworks show that was "The Golden Compass," this big screen adaptation of "The White Mercedes," Philip Pullman's first book for young adults, may not have that same Blu-ray demo disc wow factor to it, but keeps to similar dark revenge themesm minus the fantasy elements. Brit helmer Phil Hawkins oversees the perplexing romance of sweet-natured Chris (Duncan Stuart) and cute Manchester cupcake Jenny (Jessica Blake), who hook up at an Oxford ball unaware that each has a dark past that's about to come back to haunt them.
"Chasing The Green"
After holding almost every job imaginable on a film set, Russ Emanuel gets his second session in the director's chair for this cautionary rags-to-riches-to-rags tale about two tech industry entrepreneurs in the early '90s who are singled out by bigger rivals that use their political clout to put the brakes on their flourishing company. Jeremy London leads a cast of veteran small screen players, including Ryan Hurst, Heather McComb and William Devane.
Opens in Los Angeles.
"Crank: High Voltage"
You've really got to hand it to Jason Statham; he's nothing if not a good sport. It's hard to imagine anyone, even Sly circa "Stop or My Mom Will Shoot," getting the script for a film with the eventual tagline "He was dead…but he got better" and not speed-dialing their agent in a desperate search for contractual wiggle room. Under the watchful eye of returning co-writers/directors Mark Neveldine and Brian Taylor, Statham reprises his role of scowling, ultra-violent hit man Chev Chelios for another relentlessly silly stunt reel that sees Chev in hot pursuit of the baddie who stole his heart and replaced it with an artificial one that requires constant jolts of electricity to continue functioning.
Opens wide.
On the desolate Mongolian steppes, Chinese helmer Zhang Lu finds a strange poetry to the breathtakingly slow pace of life, transcending subject and geography to showcase the universal language of compassion. Planting trees to hold off the encroaching sands from his farm, Hungai (Bat-ulzii) is abandoned by his wife, who leaves with their hearing-impaired daughter in search of a doctor. A North Korean political refugee arrives with her son, seeking sanctuary, and slowly bonds with Hungai and his rural way of life despite the constant and unassailable language barrier that exists between them. In Korean and Mongolian with subtitles.
Opens in New York.
There's a deliciously Ouroboros irony to this documentary that follows the hopes and dreams of wide-eyed hopefuls desperate to be plucked from background obscurity by landing a role in the Broadway revival of "A Chorus Line" — the classic tale of wide-eyed hopefuls desperate to be plucked from background obscurity by… In 2006, James D. Stern and Adam Del Deo were on hand to capture the casting of the revival of the late Michael Bennett's famed musical, which whittled down nearly 3000 would-be stars to two dozen slots in the spotlight. The grueling process is intercut with archival footage of the origins of this celebrated story.
Opens in New York and Los Angeles.
"The Golden Boys"
Writer/director Daniel Adams returns with his first film in 12 years, an adaptation of Joseph Lincoln's 1915 page-turner "Cap'n Eri" that demonstrates that while the body may whither, the heart remains ageless. Bruce Dern, Rip Torn and David Carradine star as a trio of salty seadogs-turned-cantankerous crusty barnacles on Cape Cod who deem the only way to keep their house in order is for one of their number to get married. A quick ad in the paper leads to the arrival of a mail order bride (Mariel Hemingway) whose presence upsets their plans when the wrong captain falls in love.


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Biden Signature Gets Ball Rolling on Relief Checks
President signs COVID stimulus package into law
Posted Mar 11, 2021 12:25 PM CST
President Biden signs the American Rescue Plan, a coronavirus relief package, in the Oval Office of the White House Thursday. (AP Photo/Andrew Harnik)
It's law. President Biden on Thursday put his signature on a $1.9 trillion COVID stimulus package that includes $1,400 checks for most Americans. Biden initially planned to conduct the signing on Friday, but the White House received the legislation earlier than expected, reports the Washington Post. So when will people get their checks? CBS News estimates one to two weeks, though CNBC reports that the first Americans could receive them in a matter of days. Backing up the latter guess is MarketWatch, which notes that IRS chief Charles Rittig reminded a House panel last month that the agency began sending out checks only two days after then-President Trump signed the last stimulus measure into law. Those with direct deposit already set up with the IRS will be the first to get the money.
"This historic legislation is about rebuilding the backbone of this country," Biden said as he signed the bill, per the AP. The signing comes just hours before Biden gives his first prime-time address—it's scheduled to air at 8pm Eastern, notes CNN. "This is a chance for him to really beam into everybody's living rooms and to be both the mourner in chief and to explain how he's leading the country out of this," says presidential historian Douglas Brinkley of Rice University. The relief measure, called the American Rescue Package, also extends unemployment benefits and provides additional money for families with children. (More details on what else it contains is here.)

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Q: Ubuntu 20.4 postgis package selects false postgresql version After Ubuntu 18.04 upgrade to 20.04 our postgis installation is broken. We have deleted and purged all packages. Added the postgresql sources list, but when we install the postgis packages, apt selects the false postgresql version:
Die folgenden zusätzlichen Pakete werden installiert:
  gdal-data libaec0 libarmadillo9 libarpack2 libblas3 libboost-serialization1.71.0 libcfitsio8 libcharls2
  libcommon-sense-perl libdap25 libdapclient6v5 libepsilon1 libfreexl1 libfyba0 libgdal26 libgeos-3.9.1 libgeos-c1v5
  libgeotiff5 libgfortran5 libgmpxx4ldbl libhdf4-0-alt libhdf5-103 libjson-perl libjson-xs-perl libkmlbase1 libkmldom1
  libkmlengine1 liblapack3 libminizip1 libnetcdf15 libodbc1 libopenjp2-7 libpoppler97 libproj15 libproj19
  libprotobuf-c1 libqhull7 librttopo1 libsfcgal1 libspatialite7 libsuperlu5 libsz2 libtypes-serialiser-perl
  liburiparser1 libxerces-c3.2 libxslt1.1 odbcinst odbcinst1debian2 pgdg-keyring poppler-data postgis-doc
  postgresql-9.6 postgresql-9.6-postgis-3 postgresql-9.6-postgis-3-scripts postgresql-client-9.6
  postgresql-client-common postgresql-common postgresql-contrib-9.6 proj-bin proj-data
Vorgeschlagene Pakete:
  geotiff-bin gdal-bin libgeotiff-epsg libhdf4-doc libhdf4-alt-dev hdf4-tools libmyodbc odbc-postgresql tdsodbc
  unixodbc-bin poppler-utils ghostscript fonts-japanese-mincho | fonts-ipafont-mincho fonts-japanese-gothic
  | fonts-ipafont-gothic fonts-arphic-ukai fonts-arphic-uming fonts-nanum postgresql-doc-9.6 libdbd-pg-perl
Die folgenden NEUEN Pakete werden installiert:
  gdal-data libaec0 libarmadillo9 libarpack2 libblas3 libboost-serialization1.71.0 libcfitsio8 libcharls2
  libcommon-sense-perl libdap25 libdapclient6v5 libepsilon1 libfreexl1 libfyba0 libgdal26 libgeos-3.9.1 libgeos-c1v5
  libgeotiff5 libgfortran5 libgmpxx4ldbl libhdf4-0-alt libhdf5-103 libjson-perl libjson-xs-perl libkmlbase1 libkmldom1
  libkmlengine1 liblapack3 libminizip1 libnetcdf15 libodbc1 libopenjp2-7 libpoppler97 libproj15 libproj19
  libprotobuf-c1 libqhull7 librttopo1 libsfcgal1 libspatialite7 libsuperlu5 libsz2 libtypes-serialiser-perl
  liburiparser1 libxerces-c3.2 libxslt1.1 odbcinst odbcinst1debian2 pgdg-keyring poppler-data postgis postgis-doc
  postgresql-9.6 postgresql-9.6-postgis-3 postgresql-9.6-postgis-3-scripts postgresql-client-9.6
  postgresql-client-common postgresql-common postgresql-contrib-9.6 proj-bin proj-data
0 aktualisiert, 61 neu installiert, 0 zu entfernen und 0 nicht aktualisiert.

When I install postgis, then this error messages appears:
root@geo4l535:/etc/apt/sources.list.d# raster2pgsql
RELEASE: 3.2.1 GDAL_VERSION=30 (5fae8e5)
...
free(): invalid pointer
Aborted (core dumped)

And the coredump looks:
root@geo4l535:/etc/apt/sources.list.d# coredumpctl debug 27598
           PID: 27598 (raster2pgsql)
           UID: 0 (root)
           GID: 0 (root)
        Signal: 6 (ABRT)
     Timestamp: Thu 2022-04-28 19:44:39 CEST (56s ago)
  Command Line: raster2pgsql
    Executable: /usr/bin/raster2pgsql
 Control Group: /user.slice/user-0.slice/session-8.scope
          Unit: session-8.scope
         Slice: user-0.slice
       Session: 8
     Owner UID: 0 (root)
       Boot ID: 5021ae9618914dafae3e6e5eba8b1909
    Machine ID: aa33a0186f6949ffa83d9ea3349d9de2
      Hostname: geo4l535.rgdi.ch
       Storage: /var/lib/systemd/coredump/core.raster2pgsql.0.5021ae9618914dafae3e6e5eba8b1909.27598.1651167879000000000000.lz4
       Message: Process 27598 (raster2pgsql) of user 0 dumped core.

                Stack trace of thread 27598:
                #0  0x00007f14f4c2a03b __GI_raise (libc.so.6 + 0x4303b)
                #1  0x00007f14f4c09859 __GI_abort (libc.so.6 + 0x22859)
                #2  0x00007f14f4c7429e __libc_message (libc.so.6 + 0x8d29e)
                #3  0x00007f14f4c7c32c malloc_printerr (libc.so.6 + 0x9532c)
                #4  0x00007f14f4c7db5c _int_free (libc.so.6 + 0x96b5c)
                #5  0x00007f14f07b42f0 _ZN5osgeo4proj6common13UnitOfMeasureD1Ev (libproj.so.19 + 0xc52f0)
                #6  0x00007f14f4c2e00e __cxa_finalize (libc.so.6 + 0x4700e)
                #7  0x00007f14f07a9ab7 n/a (libproj.so.19 + 0xbaab7)
                #8  0x00007f14f65f8f5b _dl_fini (ld-linux-x86-64.so.2 + 0x11f5b)
                #9  0x00007f14f4c2d8d7 __run_exit_handlers (libc.so.6 + 0x468d7)
                #10 0x00007f14f4c2da90 __GI_exit (libc.so.6 + 0x46a90)
                #11 0x00005621dbd7c8fd n/a (raster2pgsql + 0x78fd)
                #12 0x00007f14f4c0b0b3 __libc_start_main (libc.so.6 + 0x240b3)
                #13 0x00005621dbd7d64e n/a (raster2pgsql + 0x864e)

GNU gdb (Ubuntu 9.2-0ubuntu1~20.04.1) 9.2

On a fresh Ubuntu 20.04 installation all works fine. Has anyone a solution or a good way to analyze my error?
Regards
Marco

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text:
What do apprenticeships and traineeships offer?
Apprenticeships and traineeships are available at a variety of qualification levels in most occupations, including international trades and a wide range of emerging industry sectors.
In fact, they are offered in more than 500 occupations, from agriculture and horticulture to construction, public service, hairdressing and tourism (see the AustralianApprenticeships website for a full list).
What is the difference between an apprenticeship and a traineeship?
Apprentices are trained in a skilled trade and on completion of their training become a qualified tradesperson in their area (such as an electrician, a plumber, a carpenter, a hairdresser or a bricklayer). Trainees, on the other hand, are trained in a vocational area such as hospitality, retail or office administration. Apprenticeships also involve a greater commitment for both the apprentice and employer, with all parties required to agree in order for the training contract to be cancelled and new employers required to continue with the training contract in the event that your employer sells the business.
What do apprenticeships and traineeships involve?
Completing an apprenticeship or traineeship allows you to combine practical work with a course of structured training, meaning that you learn theory and work towards a nationally recognised VET qualification while employed in the industry.
The advantages of apprenticeships and traineeships
Training is flexible: Apprenticeships and traineeships are flexible and can be full time, part time or school-based.
Training is competency-based: Some years ago, apprenticeships and traineeships could take several years to complete as there was a set time period allocated to training. More recently, they have become competency based, meaning that you can finish your training once you have reached the appropriate skill level.
You may be awarded credit: In many cases, you may be awarded "credit" for prior learning or work experience and be able to complete your apprenticeship or traineeship earlier than expected.
They offer varied experiences: Training can take place both on and off the job and you may complete some of your training working directly in the industry but also attend classes at TAFE or another Registered Training Organisation (RTO) one or two days per week.
You "earn while you learn": As you are working in the industry, you begin earning money straight away. This also means that you are eligible for employment benefits such as workers' compensation and superannuation.
Types of apprenticeships and traineeships
Full-time apprenticeships and traineeships involve full-time work, which is usually around 36 to 38 hours per week. Part-time apprentices and trainees are employed on a permanent basis for fewer hours per week than full-time hours (generally around 15 to 21 hours per week).
Apprenticeships usually range from three to four years in duration, including two to three years of formal training delivered at an RTO one day per week or in larger study blocks throughout the year. Traineeships usually range from six months to three years in duration.
Apprenticeships and traineeships aren't just for school leavers and young people either. There are plenty of opportunities for adult and mature age apprentices and trainees, who may be able to gain credits for previous education, training, work experience or life experience through Recognition of Prior Learning (RPL). Existing workers may also be able to undertake an apprenticeship or traineeship through their workplace.
School-based apprenticeships and traineeships
Many industries allow students to begin part of their apprenticeship or traineeship while still in school. This means that you combine paid employment, off-the-job training (at TAFE, for example) and your secondary school studies. This is a great option if you have your mind set on a trade but still want to finish school. Schools can usually cater for this by providing "time release" from school subjects; for example, allowing you to attend your training one afternoon per week. School-based apprenticeships and traineeships are available in many of the fields mentioned above, including anything from traditional trades (such as plumbing) to business services, hairdressing and retail. It's best to speak to your school's career adviser to ensure that there are appropriate arrangements in place to cater to your training requirements.
Some schools may also offer the VET in Schools program, which allows you to undertake a vocational course, from certificate I through to certificate IV, as part of your studies in Year 11 and 12. There are also specialised RTOs (both government-run and independent) that allow students to combine their senior studies, a Vocational Education and Training (VET) qualification and a school-based apprenticeship.
Apprenticeship and traineeship entry requirements
Apprenticeships and traineeships generally don't require you to have a prior qualification, meaning that they are available to anyone who is legally able to work — school students included (see above for details).
To gain an apprenticeship or traineeship, you can take following steps:
Decide which career area best suits you, remembering that there are more than 500 apprenticeships and traineeships to choose from. You can find more information on apprenticeships and traineeships at the Australian Apprenticeships website, the Careers Guide website, the Australian Apprenticeships Pathways website and the Australian Apprenticeships and Traineeships Information Service website.
Find an employer willing to take you on as an apprentice by looking for job vacancies and contacting your local Job Services Australia provider, Group Training Organisation, Australian Apprenticeships Centre or employers in your preferred industry. You will need to have an up-to-date résumé and may be required to complete job applications and attend interviews.
Once you find an employer, ask them to contact your local Australian Apprenticeships Centre or Skills and Training Information Centre. They will help you and your employer to complete the necessary paperwork and sign up to the National Training Contract.
Where are apprenticeships and traineeships offered?
The training component of apprenticeships and traineeships is offered by registered training organisations (RTOs), which may include schools, Technical Education Centres (or similar RTOs) that combine secondary study with training, TAFE institutes and private providers. See Types of institutions for more information about providers.
The employment component may be completed through a wide variety of employers (such as private businesses or the public service) or through Group Training Organisations, which employ apprentices and trainees under a National Training Contract and place them with host employers.
Free Online Courses (MOOCs) 13
Funding your education 4
Getting into a course 5
Student life 7
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Danny Coid is hoping he can finally put his injury nightmare behind him and play a big part in Stanley's push up League Two.
The 29-year-old has played just three games this season after a hamstring strain and a couple of knocks have kept him on the sidelines.
But he came on for the final 30 minutes against Oxford on Saturday and played a part in the vital equaliser in the draw.
Now the former Blackpool man just wants to get a run of games under his belt for the Crown Ground side.
"I played two games early on although I wasn't fully fit," said Coid who signed a one-year deal in the summer.
"I was struggling with my hamstring at the time but the gaffer felt I could still do a job and I was running around and lasting about 60 or 70 minutes. After that I was starting to tighten up.
"I had a week's rest and I wasn't involved for a couple of games and I think that gave me the rest I needed.
"It was more a precaution than anything as, if I keep coming back early, the chances are it might go again and I will miss another few weeks which we cannot afford to, especially with such a small squad.
"But my hamstrings feel fine now."
He continued: "Apart from the injuries, I have settled in and am enjoying it here.
"I have played in this league before but I think the standard is a lot higher nowadays.
"It's quicker and it's certainly not hoof ball as a lot of people might think.
"A lot of the teams try and get the ball down and play, like us, and it is a high standard."
Coid, who has been played more of an attacking midfield role at Stanley so far rather than being on the defensive duties he is more used to, was disappointed not to help Accrington to a win at Oxford as they found United keeper Ryan Clarke in inspired form.
"When I came on, it was 1-0 and I thought we were having the best of the play. I thought I was going on in midfield at first but then, just before I went on, the gaffer had a word with me to tell me I was going to right back," he recalled. "I haven't really played there since I've been at the club.
"I wasn't nervous or anything, it was just a case of keeping up with the play straight away because it was end to end stuff."
But he played the ball forward to Padraig Amond who teed up Peter Murphy and he fired home the deserved equaliser.
"I was trying to play it into feet because Podge (Amond) was trying to run in behind and it was a bit of a mix up, but sometimes bad passes lead to goals.
"I think Peter's been so unlucky with chances.
"He seems to always get a chance and unfortunately the keeper has always seemed to make a great save or the ball hit the post.
"He's like that in training as well, but he's a good finisher generally, puts the effort in, gets up and down and gets himself into the box.
"But we deserved at least an equaliser and it was certainly a good performance. Oxford are a great team and they've got an impressive stadium.
"I think we played really well, passed the ball about and seemed to do all the right things. Before I came on I thought the back four were outstanding.
"The midfield and attack looked lively as well, but I thought in general that the back four were class and hopefully that can continue.
"We had to deal with late pressure, you know you are going to get that, particularly away from home, because the home team are going to throw everything at you.
"We're like that at home as well at times and you've just got to cope with it and defend it well."
Stanley boss John Coleman admitted: "If Danny can stay injury-free he is probably too good for our league."
Meanwhile Coleman also praised Dean Winnard after the Oxford show.
"Dean has done magnificent to play," said the Reds boss. "He went over on his ankle during the week in training but was desperate to play, he hates missing games and he has a heart the size as Liverpool. It hurts him when he can't be 100 per cent so he has done well.
"He is such a great character and has a magnificent attitude and I didn't want to pull him off but he agreed it was the right decision to make."


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In this intelligent, accessible work, acclaimed poet and meditation teacher Stephen Levine introduces readers to meditation. Filled with practical guidance. Here are a couple of passages from the book "A Gradual Awakening", by Stephen. Levine, a book about Buddhist meditation. We have edited these passages to. 23 Apr Hinduism Books, Indian Saints, 'A Gradual Awakening – Stephen Levine pdf '.
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Some died while still in the womb. I'll always remember one sentence from this book – roughly, "If we all took a minute each hour to notice what we're thinking, what we're doing and how we're feeling [we would experience great growth].
More about Stephen Levine. As well as crediting "years of Buddhist practice and teaching," he cited the writings of Nisargadatta Maharajan Indian spiritual teacher and philosopher of Advaita Nondualismas well as Neem Karoli Baba and Ramana Maharshi. He then began leading workshops with her. I think this is a unique book. It is probably best suited to a reader who already has a grasp of the basics, though it is not at all weighted with jargon, read a gradual awakening stephen levine background much of the message graduak just slide by and that would be a pity.
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Music Managers Forum, in partnership with YouTube Music, is accepting applications for the first Accelerator Programme for Music Managers (APMM), a professional development initiative for music and artist managers.
APMM consists of a year-long training and mentorship programme, with a £15,000 bursary grant and funded travel to attend courses or meetings and a music business conference. Applicants who reach Stage 2 of the application process will also receive one year's free MMF membership. Music Managers Forum is a network of professional music managers with a membership of over 500.
Applications are invited from managers based in England and Scotland who are currently managing an artist, songwriter or producer with a track record of proven income, and who are looking to move into full-time management with their own company.
The deadline for the first stage of applications – a five minute video about yourself and your work – is Monday 29 October. For full details, see www.themmf.net.
Composer Peter Fahey and violinist Patrick Rafter among recipients of €20,000 grant.


text:
📷 : Helen Maybanks
Before theatres closed earlier this year due to the pandemic, Mary Doherty had been playing the role of Bonnie and others in Come From Away since the show opened in Dublin before transferring to the West End at Phoenix Theatre in 2019, with the musical having huge success at last year's Olivier Awards. Throughout her stage career so far, Mary has had many roles which has included her working with Shakespeare's Globe on a number of occasions, appear in Girl From the North Country at Noël Coward Theatre, and being in the casts of Les Misérables and Grease. Along with performing in theatre, Mary has screen experience with roles in Casualty and Eastenders, both airing last year, and she is also the Artistic Director of The Actors Class, which is coming up to its eighth anniversary. Recently speaking with us, Mary talks about playing Bonnie in Come From Away, performing at Storyhouse Theatre for The Crucible and A Little Night Music and being Artistic Director of The Actors Class.
You've been playing Bonnie and others in Come From Away since opening in Dublin and then transferring to the West End, what are you enjoying most about performing in the show?
To perform in Come From Away is an absolute joy. The true story that it's based on is so inspiring, it really is an honour to share that story every night. I think my favourite thing about the show is that we're a real ensemble. There are twelve of us on stage and each character has their moment, but you can't tell this story without each other. We set each other's chairs, we give each other costumes, you can't miss a beat. These other actors are relying on you. There is such a sense of togetherness on stage, like they themselves felt in Gander, we're a community, it's an amazing feeling.
How much did you know about the character before booking the role?
I have to say nothing at all! I, like so many others, did not know of this true story before I auditioned. So, when I read the script, I was so thrilled that I was up for the role of Bonnie, as that's whose story I most resonated with. I love animals, I always have, and Bonnie is a real life hero! She goes into those planes and rescues nineteen animals. Amazing. I've had the honour of meeting her a few times now and she's so lovely.
What's it like seeing the audience response to the show?
Well, there's nothing like it. And it's going to be hard to beat in any other job! I'll never forget the first public performance we did, our first preview in Dublin, we had no idea how our show was going to be received. Obviously we were aware that it was a hit on Broadway, but, you never know how your telling of it will compare/work. There are very few moments in the show where it leaves the audience time to applaud, the show moves at the same relentless speed that those people in Gander had to work for, for five days. So, by the end of the show, the audience has been taken on a rollercoaster of emotions, brilliantly directed by Chris Ashley. That first night in Dublin, we finished the show and we were hit by a wall of sound, that's the best way to explain it, it almost knocks you off your feet, they were all stood up before the lights came up for the curtain call! It was amazing and that feeling, that they have all been right with us, through the whole journey, is magic.
How different is being in a show like Come From Away to your previous productions?
It's very different! The main difference is that you're on stage for pretty much the full 100 minutes. I have to schedule in when I can grab water off stage! I think my longest break off stage, is two minutes thirty seconds. The concentration needed, for that amount of time, including all the chair choreography (if you've seen it, you'll know!) is huge, but really rewarding. I love being in this show and I miss it.
Can you say about playing Elizabeth Proctor in The Crucible at Storyhouse Theatre?
This is a part I have always wanted to play and was one of the most challenging. The parts I usually get cast in are a little more front foot than Elizabeth. I had to work hard with the director to be physically and emotionally colder, more withdrawn than I am used to playing. I'd seen The Crucible in the theatre a number of times, so I think it takes a while as an actor to get other people's performances out of your head and find your own. Once I was able to do that, it was very freeing. It was a fantastic production, an amazing cast.
You also performed at Storyhouse as Charlotte Malcolm in A Little Night Music, how was this?
This was a total joy from start to finish. Charlotte Malcolm is a gift of a role, hilarious, unhappy, drunk, I could go on! I worked with pretty much the same cast for this and The Crucible as we did both shows in Rep at Storyhouse. To go from one night, glammed up as Charlotte, to the next night, covered in tears, dirt and blood as Elizabeth was an amazing experience. I love this cast so much, we've stayed very close. It was a real journey, putting these two shows together!
What was it like being part of Girl From the North Country at the Noël Coward Theatre?
A real honour. What a show. Pure class. To watch actors work such as Shirley Henderson, Ciaran Hinds and to work with writer Conor McPherson was amazing. The piece was completely organic. It had already been at The Old Vic, I was in the second cast at the Noël Coward and felt very involved and welcomed.
Can you say how you found your time performing at the National Theatre in Twelfth Night?
I understudied three roles in Twelfth Night so, for me, that was my main focus on this job. Juggling the three roles in rehearsals, sometimes talking to myself if both (or all three) were in the same scenes together! We had a fantastic understudy run at The National, they do that really well, the casting director came and you can invite friends and family, so even though you might not get on (as it's a shorter run) you still have a public show to keep those characters at show standard. Great to see Tamsin Greig and Doon Mackichan work together, brilliant and hilarious women.
You have performed a number of times with Shakespeare's Globe, how is the experience performing in their productions?
It is my favourite theatre in the world. I absolutely love playing there. I played my favourite role of all time there – Queen Margaret in the Henry VI Trilogy. We toured and also played at the Globe. She was a torturous Queen, the biggest challenge. Loved every minute! Before that, I did many shows over around three years, with the same company. We've stayed great friends, it was an incredible time.
Can you tell us about some of your earlier shows that have included Avenue Q, Grease and Les Misérables?
I wanted to be in Les Mis as long as I can remember, so getting that show was a bit of a dream, I had the best year, again, with a wonderful company. Playing Rizzo in Grease was also a dream role of mine, I learnt a lot on this job, the stamina it takes to sing eight shows a week for one! Avenue Q – I laughed and laughed my way through this whole year. The material was brilliant, the people hilarious and I got together with my now husband Chris Thatcher on this job, so it is very close to my heart.
What was Viv Levin like to play in Casualty?
I was really nervous for this one! I hadn't done much tele and so felt very out of my depth. Series regular Cathy Shipton (plays Duffy) I think picked up on my nerves and took me under her wing for the three days, she was wonderful and really helped me get my head around the lingo! I learnt a lot on this one.
How was it filming your episodes of Eastenders last year and can you say about your character Daisy?
I loved this one. I'm a huge Eastenders fan. And my scenes were with Danny Dyer and Kellie Bright (Mick and Linda) so once I'd got over being starstruck, I had a brilliant time. Same director as Casualty, so I felt a bit more relaxed and confident.
Where does your love of performing come from and had you always wanted a theatre career?
I have always wanted to be an actor, yes. I knew from a very young age. My mother has a huge love for theatre and took us all to the theatre when we were kids. My dad loves music and is always singing. So I was around it as a child. My sister works in the art world – so its a very creative family! My brother is also an actor – he is thirteen years older than me and I looked up to him hugely. Amazingly, before lockdown hit, he got a job also in Come From Away! We'd waited twenty years to work together and it finally happened! We hope to get back to work soon, to perform together again.
Do you have any favourite theatre shows to watch?
My favourite musicals I've seen are shows like West Side Story, Oliver!, Miss Saigon. Fave plays – The Crucible, Bull by Mike Bartlett, The Flick by Annie Baker.
You are the Artistic Director of The Actors Class, can you tell us about it?
I run 10 Week Courses for actors in London over the age of eighteen. Actors come to us with a wide range of experience, some starting out and trying to get into drama school, some have already trained, lots can't afford drama school, so are looking for other ways to train. We run Foundation, Intermediate, Advanced Courses and then once you've completed Adv, you can audition for our Industry Course with West End Showcase. Also, once completing the Adv, you go into our Alumni and then we offer one-off workshops to keep our actors fit and focused. I'm coming to the eight year anniversary of The Actors Class. I remember the day I set it up. I remember my first class, with those first fourteen actors. I'm continually inspired by these young, incredible actors. Best thing I've done, setting this up. I love every minute I teach.
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Gabriel Hinchliffe
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text:
Kelsie is a masculine and a feminine given name that may refer to:

Kelsie B. Harder (1922–2007), American professor and onomastician
Kelsie Ahbe (born 1991), Canadian-American female pole vaulter
Kelsie Hendry (born 1982), Canadian female pole vaulter

See also
 Kelsay (surname)
Kelsay
Kelsey (given name)
 Kelsey (surname)

English-language unisex given names
Unisex given names

redpajama_set_name: RedPajamaWikipedia


In our new condo we have a dining room table that looks even better than we could have possibly dreamed it would. This is it.
We had a "concept" for a dining room table but realizing that concept took us on a journey of discovery of just how talented and sophisticated an artisan has to be to take a concept and to produce a piece of furniture that is functional and exquisite.
Our interior designer suggested in October 2013 that our new condo which we were totalling furnishing should have a "signature piece." Audre embraced that idea and shared with Dimitri that we should have an inlaid wood dining table like our friends, the Dansons, have. It is a beautiful piece of inlaid wood that they bought at Roche BoBois in Denver. Dimitri loved it too and we photographed their table and asked our designer to find us something like it. She could not and said she would have it made by a woodworker she recommended (at a shockingly high price).
Early in November, Dimitri and Audre went to Denver to the Denver Design Center to try to find furniture for our new condo. The selections that our interior designer had shown us (which in the jargon is called "pulling") did not reflect our taste (which was/is remarkably similar) or our instructions. We had said: "We want it fully furnished and accessorized in a contemporary style, with clean lines and elegant pieces, not mountain rustic. We also want maximum functionality, maximum storage, and minimum customization."
We were bummed out by our experience at the Denver Design Center. We couldn't find any furniture we liked there either. One late afternoon while we were in Denver, Audre did a Google search for marquetry tables and custom furniture makers. Audre put out a message to custom wood workers, attaching photographs of two inlaid wood tables that Dimitri and Audre liked. We got 12 responses from all over the USA. The eleventh response was from a furniture maker in Denver!
We visited Jonathan Gerspach and his wood working shop in Denver while we were there.
https://www.etsy.com/shop/GerspachHandcrafted?ref=l2-shopheader-name and Jonathan's Facebook page at: https://www.facebook.com/GerspachHandcraftedWoodworks where there are many pictures of our dining room table).
Jonathan is an impressive 27 year old who sculpts wood into artistically designed furniture. He is also teaching future craftsmen/women at his alma mater.
Within days, he sent us a 3-dimensional image, in color, of the table we had articulated that we wanted. It was exactly what we had asked for. Seeing it shocked us: while it was what we had asked for what we saw was not what we actually would like. Then we started getting cold feet. We didn't think we were artistic enough to design and specify what we wanted.
In the meantime, our interior designer continued to be unable to find us a dining table that we liked and the ones she was showing us were 1/3rd to twice as expensive as the quote that Jonathan Gerspach had given us. Our designer suggested a furniture maker in Silverthorne, CO and said that he could make us a dining table that would reflect our conception. She said that she could "guarantee" her maker's work but not Jonathan's. In the meantime, Jonathan had furnished us more 3-dimensional images, in color, with the different woods that we wanted in a table that was sculpted into a subtle boat shape. It looked great but we felt we had to "go" with our designer's recommendation.
Some things are meant to be. In November, the woodworker that our designer wanted to use told us that he could not complete the table when he had originally promised it and he did not offer a later date by which it would be done. We asked our designer to find out if Jonathan would still be available to make us our signature dining room table by the date in January we had previously specified. He said "yes". He continued to send us updates on the dining room table and photos as it progressed. It was an exciting process and he made it even more so by keeping us informed and feeling like we were part of its creation. The woods that Jonathan used are absolutely gorgeous.
Late in November Jonathan said that he would like to meet us at our designer's office in Edwards. We didn't know why but, of course, were there to meet him. At that meeting, Jonathan unveiled a small "mock up" or model of the way the table would look with its different inlaid wood veneers. Jonathan ran the meeting with a casual yet professional style that was a pleasure to experience. He had a list of questions as to the details of the table that he asked.
Not only were we impressed but our designer was too. She brought in her boss to the conference room and they both "oohed" and "awed". It is quite exciting to see the work of such a remarkable craftsman and even more so because we are experiencing his work at the beginning of his career.
One of the recommendations that Jonathan made early on was to put a piece of glass on the table to protect it. Neither Dimitri nor I wanted that. While we were discussing how we would have to take care of the high gloss "piano" finish that we wanted, Dimitri wondered out loud whether Jonathan could make us place mats from the extra veneer that Jonathan would use. Jonathan said "yes" and we now have a set of 8 gorgeous place mats. When Jonathan delivered the table "on time and on budget" he also brought us 8 coasters as a gift. They are so functional and elegant! The next gift that Jonathan provided was a beautiful hard cover book chronicling the journey involved in the creation of the table.
can find him at 1257 S Huron St., Denver, CO, tel. 845-220-8261, 845-742-4115 and Email: ghwllc@gmail.com.
We have commissioned Jonathan to create 3 more pieces for our new condo and are posting details of each of his creations as they are delivered.
Such beautiful and well deserved compliments on Jonathan's work. He is a true artist and gentleman.


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Blockchain smartphone startup Sirin Labs laid off a quarter of its workforce, Israeli business media Globes reported on April 15.
Per the report, the startup admitted to having laid off 15 of its 60 employees and having overestimated the sales of their Finney blockchain smartphone. A spokesperson for the company reportedly said that it will now focus on software development and distribution.
Sirin Labs also purportedly denied previous reports that the company had failed to pay wages to its employees.
The report also notes that the founder of the company, Moshe Hogeg, chairperson of venture capital fund Singulariteam, has recently found himself in the midst of a controversy.
According to the article, a lawsuit of at least $50 million has been filed in California against him and other two Singulariteam members by Canadian Internet entrepreneur Adam Perzow. Perzow reportedly sold the Invest.com domain to Singulariteam in late 2014 for over $5 million.
Per the report, Perzow also claims that the fund defrauded many investors of hundreds of millions of dollars. Furthermore, two other lawsuits have been reportedly filed against Hogeg in Tel Aviv by investors in enterprises managed by him.
As Cointelegraph reported at the end of last year, Sirin Labs launched its Finney blockchain smartphone, selling it for $999 per device.
More recently, in March, the company also confirmed that the development of new features for the device is still ongoing and that the company will integrate popularether (ETH) wallet MyEtherWallet in its smartphone.
The United States federal government is expected to raise its blockchain spending to $123.5 million by 2022 — an over 1,000% increase as compared with the $10.7 million it spent in 2017. The forecast was made in a report from IDC Government Insights, published on April 18.
IDC states that blockchain spending among state and local governments is also anticipated to grow, from $4.4 million in 2017 to $48.2 million in 2022 — similarly an almost 1,000% rise.
Federal civilian agencies — who reportedly spent less than $20 million on the technology in 2017 — are likely to spend over $80 million by 2022, the report continues. The Defense Department — which likewise spent less than $20 million in 2017 — could almost double this figure and hit $40 million by 2022, the IDC claims.
"We believe asset management, identity management, and smart contracts will be the leading blockchain solutions for government. Early spending will focus on supply chain and asset management solutions, while spending in later years will expand to include more identity management and complex financial transactions."
In terms of specific implementations of the technology, the report argues that a hybrid blockchain approach — combining aspects of private and public networks — is likely to prove the most popular among government agencies.
As reported last month, the current Republican Minority Leader in the U.S. House of Representatives has recently argued that blockchain should be implemented to improve the transparency of the legislative process and bring more security and accountability to government.
A separate IDC report from 2018 forecasted that worldwide blockchain spending would grow to $9.7 billion in 2021.
After crypto-to-crypto exchanges signaled the altcoin season in February, March saw even sharper increase in trading volume on these exchanges, while fiat-to-crypto trading decreased, according to cryptocurrency market data provider CryptoCompare.
In March, trading volume on exchanges that offer only crypto pairs increased by 70%, while fiat-to-crypto trading decreased by 8%, they said in a monthly exchange review.
As previously reported by Cryptonews.com, according to industry experts, this trend shows that investors are seeing huge potential in some of the smaller tier coins and the positive change in the market sentiment would be first seen in the crypto-to-crypto economy. Moreover, crypto-to-crypto exchanges have the benefit of having far lower barriers to entry and traders prefer to stay within the crypto ecosystem by using stablecoins.
Following the recent increase, crypto-to-crypto trading volume represented 82% of total spot volume in March, up from from 71% in February, according to CrytoCompare.
Therefore, the top 15 crypto-to-crypto exchanges all experienced a surge in monthly volume in March with an average increase of 66%.
Meanwhile, the BTC to USD, JPY and some other currencies trading volume continued to decrease, while only the BTC to KRW, South Korean won, volume increased in March (+41%.) USD, JPY, EUR and KRW made up 95% of total trading from Bitcoin into fiat currencies.
Also, according to the review, in contrast to recent months, total exchange web traffic increased 32% in March, or even before the strong market rally in the beginning of April.
1. I already have a credit card. Why would I use crypto to pay?
This may sound a bit strong, but banks and traditional payment systems do restrict your freedom.
Imagine you live in the United States and your beloved father, whose birthday coincides with Independence Day, resides in another country. As all the local banks are going to be on holiday, you might face significant delays when sending money for a new riding mower to his foreign bank account.
To avoid this, you are forced to use PayPal, special mobile apps or traditional money transfer services like Western Union. However, there is no guarantee the money will arrive in time or will end up in your relative's pocket, as all humans make mistakes. For instance, two strangers in the U.S. once found themselves in a thriller story, including frozen banking accounts and fraud suspicions, shortly after one of them mistakenly send $100 to another instead of his daughter.
Finally, the financial intermediaries do not care much about your father's birthday present. You are forced to pay commissions depending on the amount you send and the country where the recipient lives, even if you cannot afford it.
2. Okay, but how is crypto different from that?
The main idea behind crypto is to allow peer-to-peer (p2p) payments at any time, while eliminating intermediaries.
Let's start with a particular example provided by Jameson Lopp, the lead engineer at multisignature blockchain security firm BitGo. He described a typical holiday in the U.S. — President's Day on Feb. 19. In 2018, local banks — as usual — closed down and did not provide financial services to individuals. Meanwhile, Bitcoin (BTC), as a p2p settlement system, was able to process over $1 billion worth of transactions, and more than $7 billion worth of Bitcoin was traded on a single day.
Yes, the crypto ecosystem also has its transaction fees. The miners, who approve the blocks, normally sort the transactions by a fee rate. Normally, you can choose between slow and fast transactions, or the crypto services do it themselves. However, the rates are not drastically different, and there were cases in crypto history when crypto users managed to transfer huge amounts of money for almost nothing.
For instance, in October 2018, a Bitcoin investor sent 29,999 BTC (worth about $194 million at that time) — the largest BTC transaction in recent months — with a $0.01 fee. Given that it costs around 1% of the transaction to clear a $1 million payment in fiat currency, to send a $194 million transaction could easily cost hundreds of thousands of dollars with legacy systems.
The popularity of crypto is steadily increasing among people who are unbanked or live in countries with high inflation rates.
Venezuela has been struggling with hyperinflation amid severe social and political crisis for several years now. While the national fiat, the sovereign bolivar, saw dizzying 80,000% inflation in 2018, the Bitcoin trading volumes reached an all-time high by February 2019. As Cointelegraph explained, Venezuelans, who failed to make any savings in fiat that was rapidly losing its price, started buying Bitcoin to confront the economic collapse, with weekly trading volumes reaching above 2,000 BTC on p2p exchange LocalBitcoins.
Meanwhile, U.N. Women — a United Nations entity for gender equality and empowering women — is trialing blockchain cash transfers to help the unbanked refugees in Syrian camps. Women refugees, who participate in the U.N. Women's cash for work program, are thus able to obtain their money directly, without the assistance of third parties like banks. The blockchain solution allows them to purchase food using an iris scan instead of cash or cards. To access their funds, participants scan theirs eye, which subsequently links to an account on a blockchain.
4. That's a bit sophisticated. How can I use crypto payments in my daily life?
Apart from decentralized money transfers, crypto as a part of special programs can contribute to responsible consumption and money savings.
As cryptocurrencies are steadily gaining more mainstream adoption, governments and businesses across the world legalize crypto payments in different areas. For instance, in the U.S. state of Ohio, you can pay your taxes in BTC, while in Prague, you could possibly spend your vacation without ever using traditional money, as the Czech capital is the most crypto-friendly destination nowadays, with over 150 venues accepting BTC.
Social programs aimed to support local businesses and nonprofits are another interesting crypto use case. For instance, Canada's Calgary launched its own digital currency, Calgary Dollars, to preserve the funds within the city. Citizens can get their coins by participating in local social programs, such as posting ads for goods and services that users want to sell in the relevant app. Later, they can spend their Canadian Dollars to pay for lunch, make a donation to some of Calgary's nonprofits or buy inner transport tickets.
Meanwhile, Dent Wireless with over 14.3 million users is using cryptocurrencies to change the mobile operator industry by creating an open marketplace for buying and selling mobile data. Customers can top-up mobile phones in over 60 countries with mobile data, prepaid credits or voice minutes using Dent (DENT) — the company's native token — Bitcoin (BTC), Ethereum (ETH) or Binance Coin (BNB). On the other hand, traders can buy and sell mobile assets on the Dent Exchange in a global marketplace with mobile users from around the world.
In-app cryptocurrencies also draw the attention of major infrastructure companies, such as railways or airways. For instance, German Railway is considering granting tokens to the customers who frequently use its services.
5. Sounds too good to be true. Any risks or downsides?
"NPCI intends to develop a resilient, real time and highly scalable blockchain solution. It is proposed to develop this solution using an open source technology/ framework/solution."As Cointelegraph wrote in July of last year, five major banks from each BRICS member, including Brazil, Russia, India, China and South Africa, signed a Memorandum of Understanding on the development of distributed ledger technology for enhancing the digital economy.
Even if you've been living under the biggest rock you can possibly find, you've heard that Game of Thrones (it's a TV series) is returning this weekend for its final season. And while that doesn't have anything to do with crypto on the surface, there have been some inspirational quotes from the show that stuck with us, like: "In the game of crypto, you HODL or you die." It may not be an exact quote, but we're taking artistic liberties here.
This week started with crypto forecasts and AIs catching Ponzi schemes, China looking to ban crypto mining, and Opera releasing a new browser with a crypto wallet. The cryptoverse became home to dirty games, some exchanges might be sold soon, and the killer app club got even bigger. Coinbase is partnering with Visa, Binance is threatening to delist Bitcoin SV, and CoinGecko is entering the NFT playground.
Playing a dangerous game here.
This is why nobody likes you.
And all those business execs would be all over it.
Keeping focused on the important facts.
Inspirational quotes for when the bull market starts again.
When you have to beg for any indication that your coin will jump enough so that you can afford to eat.
Some pains are too much to bear.
What it feels like to buy Bitcoin at USD 4,000 and sell at USD 5,000.
Now you have to, the Pope said so.
If we all pretend it didn't happen, it will go away. Right?
Erm… which one should we believe again?
A quote commonly misattributed to Marilyn Monroe, it's actually probably originated from Satoshi Nakamoto.
The power of friendship is not strong enough to include Faketoshi.
Singapore blockchain startup Perlin is helping the world's largest business organization, the International Chamber of Commerce (ICC), roll out the technology, the company confirmed in a press release on April 12.
Perlin, which is already involved in blockchain pilots for various major businesses, including Asia Pacific Rayon, will now gain access to ICC's members as the organization attempts to bring innovative technologies to the fore.
Now one hundred years old, the ICC counts 45 million businesses under its wing, including Amazon, CocaCola, FedEx, McDonalds and PayPal.
"In collaboration with Perlin, […] we can help facilitate practical and truly disruptive transformation for businesses across every conceivable industry sector," John Denton AO, secretary general of the ICC, commented in the press release.
The partnership will take various forms, but will focus on value chain traceability — tracking goods through their stages of production and delivery.
The area has already seen considerable uptake from the blockchain sector, with solutions aiming to improve the provenance of entire supply chains from food to metals.
Singapore itself will also benefit, with Perlin and the ICC pledging to advance regional initiatives to improve its status as a tech hub.
As Cointelegraph reported, the city state continues to position itself as a blockchain-friendly jurisdiction. The central bank is set to begin rolling out its Project Ubin initiative among others next year.


This historic, Baltimore-based dynamic school is renewed with a fresh identity and website to match.
Wilkes School is an independent Pre-K through Grade 5 school located in the heart of Baltimore's Mt. Vernon neighborhood. The project was spearheaded by Baltimore-based design agency, Ashton Design, who created a new design system and branding for the school. We were enlisted as the front-end & CMS development resource to help bring Ashton Design's creative to life. Our contribution to the team was to focus on front-end performance, accessibility, and creating an easy and intuitive back-end interface for editors.