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I am not liking any of your commercials, degrading Santa. He is something the kids look up too every year and yall r kicking him off the roofs. I am not liking this at all. I will not be shopping at ur store anymore.
Seriously, its funny.. I happen to love these commercials. I have 3 kids that are not offended either. She is kicking the "LIGHTED" Santa off, not the real thing. So get over yourself, stop teaching your kids to be babies, and learn to laugh.. Merry Christmas!!
This commercial only continues with the larger theme of women knocking down the male image. Woman strong, man weak. It's the social sea change. The propaganda must continue.
After seeing this commercial, the first thing my son said is "will there still be a Santa?" so it is obviously affecting little kids if they see it. "stop teaching your kids to be babies" - how old are your kids and do they not believe in Santa? The "lighted" Santa, to a little child, represents the real thing or at the very least, Santa's helpers. Not to mention, do you approve of "kicking" things? I do not condone that type of behavior in my home. "Learn to laugh", believe you me, we laugh in this house! Merry Christmas to you too!
I absolutely HATE them.. I have 9 grandchildren and the younger ones get upset EVERY time they see them..if I could BLOCK them I would.. HATE them and I will NEVER shop at pitiful pathetic bullying best buy again.. never.. and for the parent above who posted on Dec 12 at 4:03 pm.. You'll be the parent called to the school for your kids bullying others.. It is unacceptable and unnecessary and in no way is it humorous.. Stop bullying at home and your child knows to treat others right.. encourage it and your child may be the cause of another child taking their own life! Accept responsibility.... I pray you do not live in my area... we have enough ignorance without you too..
I will never shop at best buy again. My little nephew is having nightmares about Santa being hurt or bullied. He gets upset every time he sees your commercial. Shame on the corporate idiots at best buy. I know best buy is not capitalized, they don't deserve it.
I thought that the ads were funny. Take it for what it is people TV!
Hilarious ads, I love them! I have 2 kids and we do not believe in santa. I think it is irresponsible to lead children to believe in something that is comepletely fake. You are only hurting yourself and your kids when they get older when you finally tell them santa is not real. And to everyone usuing the "bullying" excuse, perhaps you should take a step back and stop lying to your kids.
My 3 three old loves this commercial, and we will continue to shop at best buy. People are over thinking these commercials. Merry Christmas to every one!
This is what Best Buy need to do to sell product? Are you kidding me? This is not a matter of "lighten up" this is a very wrong way to advertise. Children watch these commercials the Santa at the intro gets their attention much more than an adult then the mom kicks the Santa figure off the roof because she bought stuff from best buy. There is no need for this type of advertising has Madison Avenue nothing better to offer than offending rubbish that will surely invoke publicity and message board responses such as this.
Ok...really. You people getting upset over a fictional character. And to go as far as to say "I am never shopping at best buy again". Get over yourself! I have seen plenty of commercials that look as if santa is stealing, doesnt ride in a sleigh....and so on. Again, the whole theory of santa is BS so let people have a sence of humor! And frankly, if your kids are seeing all of these commercials....they are clearly watching too much TV. So, shut your freaking tv off and go play and teach your kids about the real world. Its called REALITY!
This is exactly the kind of ignorant corporate heartlessness which is so often ridiculed in movies about the Christmas spirit. Yet this is happening in the real world.
These commercials are terrible!!!! Because of them, I have not shopped at Best Buy this holiday season. Where is Best Buy's holiday spirit? Naughty Best Buy!!!
I Hate those stupid commercials!!! Being rude to Santa is just pathetic! Poor kids who have to watch grown women acting so bad!
I'm grown. I don't have kids. I don't think these commercials are funny. I'm not planning on never shopping at best buy again..but then again-I've never shopped there before. I just won't be making any special stops there this year. I don't think it's good for kids, I don't believe in sheltering your kids..but I feel that they could have been a bit nicer about it. I just don't see why we should have commercials about being mean to other people. Yeah, he's fictional, but so what? Kids can believe in winnie the pooh..but he's fictional too, doesn't mean that that child does not love him just as much as if he were real. I really feel like they could have come up with a nicer way to advertise.
I laughed at these commercials..they are funny and they show the truth of what corporate America is and what our citizens have become and what Christmas has turned into for this country. They show our sarcasm and have obviously stirred up the division of our nation. Way to go best buy, for displaying the truth...What fun is there if we can't even laugh at ourselves?
Pull your stupid commercials. Apparently person doing your ads do not have young children at home. Your ads are making kids confused about Santa and showing kids that all their parents need to do is go to your sick store and all will be well. Actually better than what Santa could do.
Best Buy will never have this elf shop there. As a mother and a future grandmother I believe your company should have thought long and hard about the true spirit of Christmas. Please remove the add for the benefit of all of us who believe, and know Santa Claus is real.
I am a best buy shopper and do not have kids.I have a great sense of humor but don't find any in this commercial. No class Best Buy. You just proved that we are indeed a materialistic and desensitized country. Great way to take the simple joy out of Christmas. What's next - you gonna kick baby Jesus out of the manger?
Your commercial about Best Buy & Santa is in extremely poor taste! The disrespect you show toward Santa in this commercial is equal to the disrespect I now feel for Best Buy! You have mixed bad manners, bad taste & disrespect to create a creepy, mean-spirited & offensive commercial! I will think twice before visiting your store again! Heartless, thoughtless, insulting - can I be any clearer??
For real people? For real? Lighten up and Get-a- LIFE! These commercials are HILARIOUS. They don't promote bullying. They aren't disrespectful of the whole image of Santa. I love them.
Great job Best Buy! Just one more reason to shop your stores. You made me laugh.
I found this says it best... "The message of the commercial seems to be that Santa Claus…Mr. Spirit of Christmas himself…is now not only inferior to a retail, big box electronics store, but pathetic and unnecessary.
2) It's like a weirdly inverted Grinch Who Stole Christmas, only this time they've turned Mom into the Grinch. Mom. Now that's twisted.
3) The woman in the commercial is not only mean to Santa, she doesn't even like her own dog enough to fill its stocking. Evidently, only those members of the family who can consume electronics merchandise count in her home.
4) Santa Claus is the mythical embodiment of generosity, tolerance, and good will to all. His gifts are free. Beating up on Santa is like beating up on charity. Who's next in the crosshairs? Toys for Tots? And worst of all, they're doing this during an economic downturn when one out of every five children is living in poverty and more than a third of our population is struggling on a low income. It's tasteless.
5) They seem to be championing materialism again. Did they somehow miss the last three years?
6) They're running these commercials during prime time when little kids are watching TV. I'm glad my kids are grown so I don't have to explain to them both that I know you love Santa, honey. Of course, I'll still let him come to our house."
If someone doesn't see the harm, they must not be thinking it through.
The ads are terrible -- very mean spirited and in poor taste. I won't shop Best Buy again.
Hmmm. Best Buy cancels many orders that were placed online so customers will not be receiving orders they were expecting. Boo-yah lady. Santa wins this round!
All the Best Buy Christmas commercials this season are in very poor taste. Santa Claus is to be loved, not to be bullied.
The idiot who approved this style of commercial would probably laugh at the poor soul who trips and falls. A sad state of what America is today.
I don't care for Best Buy, but their ads this season are great. Also, there are some disturbingly dumb and self-important people commenting here. THESE ADS AREN'T NICE! WHY DON'T THEY THINK OF THE CHILDREN!
Get over yourselves and your idiot kids. Any child crying over these ads reflects all that is wrong with our wussy "me-first" youth, and any parent whining here reflects the exact mentality that creates these bitchmade kids.
I trust Darwin will sort it all out eventually.
And to "James Farkas American," the only way you could've possibly sounded more ignorant is if you asked for Obama's birth certificate in that post. Anti-Muslim paranoia is one of the saddest and ugliest facets of inbred American culture.
Hello everyone and Merry Christmas! I do not usually write about things like this online but I did have a strong reaction to the commercials. I think I had a mix of both comment types [lighten up, it is all for fun] and [ouch...that hurts the magic of Santa a bit!]. I guess for right now my feeling is that they are not the worst commercials in the world...BUT...this is how we kill magic and belief and tradition...not in one fell swoop but slowly, over time, with insidious little jabs like these commercials. Imagine if it was someone kicking the Nativity scene off the roof and saying that they had a better version of Christianity... thats right - keep killing it off, one add after another - eventually, nothing will have much meaning other than a cheap laugh.
Maybe I AM getting too emotional over it...who knows...at the end of the day it is about people like you and me finding a way to still hold things to be important and to care about something greater than a good deal on a crappy appliance sold by a mediocre store. Then again, maybe not. Either way, Merry Christmas to you all and I wish you all a wonderful new year. God Bless!
Don't we have enough trashing of people? Now Santa!? Hate the commercials!
These commercials are horrible .... Won't shop at Best Buy anymore because of these commercials. Insensitive. Plain and simple.
In every home in America, Santa is mom and dad. So what does Best Buy gain by dissing Santa? Do I get to tear off the "From Santa" tag and replace it with "From Mom and Dad"? Will that make me feel good?
Regardless of beliefs, advertising should be a calculated effort to gain customers. Best Buy will never gain customers from this campaign, they will only lose them. That is a foolish strategy.


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Um saca-rolhas é um utensílio utilizado para tirar rolhas de garrafas. O saca-rolhas simples possui uma espiral de metal que penetra na rolha e uma pega onde a mão imprime um movimento circular ao instrumento. Este movimento permite a penetração da espiral na rolha; esta é retirada do gargalo da garrafa puxando o saca-rolhas, ficando a rolha presa à parte espiralada.

História
Seu design pode ter derivado do "Worm", uma peça de artilharia de canhão que era um dispositivo usado pelos homens para remover cargas não gastas do cano de um mosquete usado desde o início dos anos 1630.

O saca-rolhas é possivelmente uma invenção inglesa, devido à tradição do consumo da cerveja e da cidra, e por causa do Tratado da Cidra de John Worlidge em 1676.

Em 1795, a primeira patente do saca-rolhas foi concedida ao reverendo Samuell Henshall, na Inglaterra. Ele afixou um disco simples, agora conhecido como Botão de Henshall, entre o espiral e a haste. O disco evita que o haste penetre muito fundo na rolha, quebrando a aderência entre a rolha e o gargalo da garrafa. O disco é desenhado e fabricado ligeiramente côncavo na parte inferior, o que comprime o topo da cortiça e evita que se quebre.

Os colecionadores de saca-rolhas são chamados de helixófilos.

Modelos
Existem diversos modelos de saca-rolhas, desde os mais simples em que o utilizador tem de imprimir força e movimento de rotação ao utensílio, passando por tipos intermédios com alavancas em que a rolha é sacada empurrando as mesmas, até saca-rolhas sofisticados com suporte para a garrafa e em que o esforço empregue tanto para empurrar a espiral de metal para dentro da rolha como para a sacar é mínimo (por utilização de uma alavanca única).

Ver também
 Abridor de garrafas
 Abridor de latas
 Rolha

Utensílios de cozinha
Utensílios para o consumo de vinho
Cortiça
Invenções do Reino Unido

redpajama_set_name: RedPajamaWikipedia


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Comfort is one of the most important elements in Neous' design process - you'll notice each pair of its 'Seven' mules has a sturdy cone-shaped heel. Inspired by techniques co-founder Alan Buanne picked up at the prestigious Bauhaus school, this supple suede pair has been crafted on Italian lasts and finished with a squared toe. Adjust the snap-fastening strap for your best fit.
Shown here with: Beaufille Top, Isabel Marant Pants, Mansur Gavriel Shoulder bag, Kiki de Montparnasse Bra, Simone Rocha Earrings.


October 10, 2008, Head of the Supervisory Board of the Ukraine 3000 International Charitable Foundation Kateryna Yushchenko attended the Solodka Darusia [Sweet Darusia] performance based on Maria Matios's novel of the same name. The play staged by the Chernivtsi Oblast olha Kobylianska Ukrainian Music and Drama Theater was hosted by the Kyiv Ivan Franko National Academic Drama Theater with the support of Ukraine 3000 Foundation.
Renowned Ukrainian writer and poet Maria Matios was born December 19, 1959, in the village of Roztoky in Bukovyna. In 1982 she graduated from the Chernivtsi State University, the Ukrainian Philology department. Maria Matios started writing in the mid-1970s. At present she is member of the National Writers Union and Ukrainian Writers Association, laureate of the Blahovist literary prize, Volodymyr Batliak prize, and Taras Shevchenko Prize for literature (2005, for the Sweet Darusia novel). She was awarded the title of Ukraine's Most Prolific Writer.
Sweet Darusia was written in 2004. It's a Ukrainian story set in the 1930s-1970s in Bukovyna and Halychyna. "A drama in three lives," as the author defined her novel's genre, is a moral warning that the history and every human being in all times, under all regimes are closely connected, while sin and atonement are material, almost palpable phenomena. The Sweet Darusia premiere took place May 28-29 in Lviv, at the Maria Zankovetska National theater.


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Categories: Global Movements,Local Trends
The Malaysian Muslim Consumers Association criticised what it saw as a lack of transparency and progress in investigations into the meat scandal.
Hazlin Hassan
Malaysia Correspondent -JAN 2, 2021, 2:11 PM SGT
KUALA LUMPUR – An Islamic agency responsible for halal certification has been at the receiving end of a public backlash over a scandal involving tainted halal meat and cakes sold in halal-certified shops.
Malaysians have decried the Department of Islamic Development (Jakim) for being more preoccupied with policing halal-certified shops than in reassuring the public after news reports emerged that a syndicate had for decades imported non-certified meat, including potentially diseased kangaroo and horse meat, to be sold as halal beef in the local market.
The public outcry came after Jakim announced on Dec 25 last year that halal-certified businesses are barred from displaying cakes with "Merry Christmas" greetings on them.
The agency warned that those who do so risk invalidating their halal certificate.
The announcement followed an incident where a bakery refused to write "Merry Christmas" on a cake ordered by a customer, replacing the greeting with the words "Happy Holidays" instead.
The bakery did this apparently to abide by rules laid out by the halal certification process.
Jakim's announcement followed a Dec 24 tweet by Religious Affairs Minister Zulkifli Mohamad Al-Bakri who said businesses are allowed to sell cakes with Christmas wishes on them, as long as they are not displayed at the shop.
The halal issue in multiracial Malaysia is a sensitive matter with the potential to cause racial tensions.
As the agency responsible for certifying products as halal, or permissible for use by Muslims, Jakim has often found itself at the centre of controversies over the certification process.
The day after Datuk Dr Zulkifli tweeted his message, opposition Parti Keadilan Rakyat MP Fahmi Fadzil urged the minister to focus more on the halal meat controversy than Christmas greetings on a cake.
He said the tainted meat scandal involved not just the halal status of meat sold in Malaysia, but also issues of graft and breach of trust.
"Between the cake issue and the meat cartel, I hope @drzul_albakri will be more focused and proactive on the meat cartel issue since it involves bribery, government administration, breach of trust, and even treason," Mr Fahmi said on Twitter.
Others also took to social media platforms to voice their dissatisfaction.
Twitter user Effi Saharudin wrote on Dec 25: "The Christmas cake issue is distracting us from the bigger issue which is 40 year corruption lead to haram meat."
Johor firm linked to fake halal meat syndicate to be charged in court
Muis, SFA looking into allegations over Malaysian cartel's import and packaging of non-halal certified meat
During an emergency debate of the meat scandal in the Upper House last week, which was live-streamed on Facebook, netizens questioned Jakim's apparent inertia.
"Jakim is just quiet as well as the religious affairs minister… This is spoiling Jakim's name," said Facebook user Normah Ramli.
The Malaysian Muslim Consumers Association on Tuesday criticised what it saw as a lack of transparency and progress in investigations into the meat scandal.
The association's head activist, Datuk Nadzim Johan, said it had provided information on the syndicate's activities to different agencies before the news reports were published.
He added that the association had a meeting on Nov 25 with organisations including the Malaysian Quarantine and Inspection Services Department (Maqis) and police on the issue.
"Like all Muslim consumers, we are concerned that action isn't being taken against those responsible.
"Taking immediate action will send a strong signal to other syndicates involved in other crimes and ultimately protect our consumers," Mr Nadzim was quoted as saying by The New Straits Times daily.
He also alleged that policymakers were influenced by the syndicate who told government officials it was cheaper to import the meat products than produce them locally.
Jakim last week responded to the criticism by saying that it was not taking part in the probe and added that 300 government agencies are involved in the halal-certification process.
Democratic Action Party MP Steven Sim said the scandal impacts non-Muslims as well.
"The issue of meat cartels is not just a problem for Muslims. Now, the quality and nutrition of all our food is a question mark," he said.
"If non-halal meat can enter (Malaysia) due to corruption, is it possible that diseased or contaminated meat can also get through?"

redpajama_set_name: RedPajamaCommonCrawl


City Guide about New Orleans with tips and reviews by travelers.
Overall Guide : There something for everyone in New Orleans, including wildlife lovers, art enthusiasts, those who are historically inclined and even spirited shoppers. New Orleans Jazz and Heritage Festival, known simply as Jazz Fest, is the largest musical festival of the city where... more visitors can experience music, arts and crafts and plenty more. Some beautiful art museums of New Orleans include the New Orleans Museum of Art, Contemporary Arts Centre and the Ogden Museum of Southern Art. The National World War II Museum exhibits many images and artefacts that provide a detailed account of the World War II. It has received more than one million visitors till date. The Backstreet Cultural Museum offers the visitors a breath-taking mix of memorabilia relating to Mardi Gras, jazz funerals and other traditions. The annual Whitney White Linen Night art event is known for its fabulous art galleries and performances by talented musicians.
Overall Guide : Came here expecting to have a not so great time, but with all the renovations before Super Bowl during Christmas time it was awesome. Its been 2 years and I will say great things about New Orleans. We went out... more during the middle of the night and never got mugged or anything. People were nice, night life was awesome, I'd like to go again. Thanks To Ellen Degenerous for giving us her audience an all expense paid trip there. I will never forget New Orleans. Its very old world and yes you get to see poverty but you see that everywhere you go. Our country used to be better about taking care of things now everything and place is taking a toll. Best Places to see and do there: Acme oyster bar, The zoo, Bourbon st at night and day, French quarter, Cafe Dumonde, Jackson square, ghost hunt and story tour, look at all the beautiful mansions on Chartress st. Oak alley and Murtle Plantation. awwh I know I'm missing stuff but we love it there.
Overall Guide : It needs to be affordable.
Overall Guide : N.O. Used to be a safe and enjoyable place. Over the last 20 years the entertainment has become morally corrupt and not just a fun place to go.
Overall Guide : It's a magical city! It's easy to get around on foot and quite safe if you don't stray from the vieux carré of the French Quarter. Don't miss the free concerts put on by the rangers every day at the... more Old Mint of Louisiana and the good local spicy food, especially shrimps and beans and rice.


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Georgios ChasiotisJuly 12, 2020
Search engines like Google have moved away from concepts like keyword density. These things used to work well in the past, but as Google has evolved it's become better at identifying what a piece of content is all about by taking into account other elements such as related entities.
Artificial Intelligence (AI) in the form of Natural Language Processing (NLP) makes Google much more capable of processing information and understanding the context of the content that exists in its index. Unfortunately, many SEO professionals and content creators have yet to understand these changes and thus are still using tactics like keyword stuffing in the hope of getting results.
In this guide, we'll talk about entities for SEO, explain what they are, and break down the process of using them to optimize your content. If you want to learn more about entities and entity optimization, keep reading.
We'll begin with the most obvious question. According to a 2016 patent by Google, "an entity is a thing or a concept that is singular, unique, well-defined, and distinguishable". Google continues by stating that an entity can be a person, place, item, idea, abstract concept, or concrete element.
Image Source: Google Patents
Now, you may be wondering why that matters and how it's connected to SEO. In search engine optimization, everything starts by inserting a search query into a Google search. Let's assume that the search query in our example is "video conferencing".
Now, before moving forward with this, and if you're like most people, when hearing the term "video conferencing", you would think of terms such as:
For the most part, those are the terms that Google will be "thinking" about as well. It's doing so through entities, along with other ways. Remember what we said earlier? An entity is,
Well-defined
Distinguishable
Meaning that these are the four characteristics that Google has assigned to entities. Let's use a couple of examples to make this more simple. Let's say that we want to extract entities — elements that are singular, unique, well-defined, and distinguishable for the sentence, "how to run a video conference with zoom". We're going to insert that piece of text into Google's NLP API and click "Analyze".
Image Source: Google's NLP API
Here's what we're going to see next:
These two terms – Zoom and video conference – are the two entities Google's NLP has extracted from the piece of text that we've inserted. As we can see, the first term is labeled as "Other" while the second is labeled as "Event". (More on that later.)
Simply put, entity extraction is one of Google's ways of understanding what a piece of text is all about. This way, Google's making associations between search queries and the pieces of content that exist in its index so it can serve up the most relevant results to the searcher.
Entities can be several types, some of which are:
Consumer good
Author's Note: You can visit this page to learn more about different types of entities.
For example, "New York City" is identified by Google as a Location.
According to Google, for most entity types, "the associated metadata is a Wikipedia URL (wikipedia_url) and Knowledge Graph MID (mid)". This is confirmed by the screenshot we shared above, with the associated metadata to be a Wikipedia URL about "New York City".
When Google is determining what results to pull from its index and show to the searcher, it ranks the entity references based on four ranking signals:
1) Relatedness
This is determined by the co-occurrence of entities on pages that exist together, very often in pages that exist in Google's index. It has to do with the relevance between the two entities and their combination to make a meaning.
For example, the entity "best football player" and "Messi" are often mentioned together across many pages that exist in Google's index. Thus, when you insert a search query such as "best football player of all time", you get something like:
In other words, Google has made an association between the two entities and thus serves the result on the SERPs when a searcher is conducting a search. Of course, there are other factors that determine what's going to be shown on the SERPs, e.g. PageRank, backlinks, overall authority of the website, etc.
However, in general, entities and entity references heavily influence the search results that we all see when using Google search.
2) Notability
Notability has to do with how notable an entity is in terms of links, reviews, online mentions, and relevancy. In general, the more notable an entity, the higher the likelihood of dominating for a particular topic or search query.
For example, if we're searching for "the best video conferencing software" and Zoom is one of the tools with the most mentions, links, reviews, and the highest relevancy, then chances are it's going to be included in the top results on Google for our search query.
In this example, two things aren't random:
The fact that Zoom is included first in G2's product category,
The fact that Google has selected G2's result to be displayed in the featured snippet for that search query.
Since "Zoom" is one of the most notable entities when it comes to the associated entity of "video conferencing software", it's only logical that a result that includes Zoom among other products will rank at the top of the search results. (We'll come back to this.)
3) Contribution
This signal has to do with the contribution of the entity to the topic. It's mostly affected by external factors such as links and reviews. According to an article by Dave Davies, CEO at Beanstalk Internet Marketing, on Search Engine Journal, "a review from a well-established and respected food critic would add more to this metric than Dave's rant on Yelp about the price because their entity contribution in the space is higher."
Even though we don't have sufficient data to back up this claim, we believe that contribution is one of the reasons why links from semantically relevant websites matter most – and can have a higher impact overall – when it comes to link acquisition. Of course, it's also why link building — the way it's done most of the time — is wrong.
4) Prizes
This signal has prizes associated with a specific entity. For example, LearnWorlds, one of our clients and one of the fastest-growing SaaS in the eLearning industry, has various prizes and awards from various competitions and reviews sites.
Not only is it important that LearnWorlds, as an entity, is associated with those awards in the algorithmic eyes of Google, but it can help it improve its rankings for relevant topics.
This is why we recommend that all our clients that receive awards and prizes ask the website giving them the prize to link back to their website using a branded anchor text. This can make the association between the entities even more tightly bonded.
Even though entities have existed for some years now, they still haven't got the attention they deserve by the wider SEO community. Let's move on to the next section, where we'll discuss why entities are important.
So far, we've seen what entities are and have examined them on a macro level. To understand why they're important — besides the obvious reasons — and how they could help you shape your content strategy, we have to examine them on a micro level. To do that, we're going to use two examples.
By now, you've understood that since entities are taken into account when forming the results on the SERPs, their importance can't be overlooked. Let's see how that happens using Clearscope — one of the tools we use for content creation for our clients.
Clearscope is a tool that uses Artificial Intelligence (AI) to provide recommendations for words and phrases that you need to include in your content for any given topic. Here's what you get for the term "COVID-19",
Some of these terms are:
Author's Note: In the example we're using, results are heavily dominated by the latest news, because the intent behind the query indicates that the searcher, in most cases, is looking for the latest news regarding the pandemic.
Do any of these terms come to mind when thinking about "COVID-19"? If you're like most people, then the answer is "yes". The question is: How can a content and SEO software like Clearscope come up with those terms and why is it important?
Clearscope is able to identify, or extract, those terms by analyzing the top results on Google. Google is ranking its search results based on entities. Here are some of the results analyzed and taken into account to extract the terms, i.e. entities, that have to be used to be topically relevant based on our target topic.
Thus, these are basically what Google wants to see to determine whether a piece of content is relevant to the target query or topic, which in our case is "COVID-19".
Author's Note: In fact, Clearscope is doing entity extraction using Google's NLP API and IBM Watson.
To determine the quality of a piece of content based on the usage of suggested terms, or entities, Clearscope is using a metric called "Content Grade". According to a recent study of 11.8 million search results by Backlinko,
"Comprehensive content with a high "Content Grade" (via Clearscope), significantly outperformed content that didn't cover a topic in-depth."
Image Source: Backlinko
In plain English, this means that the right use of entities, based on the entities identified on top ranking results for a given topic, can have an impact on rankings. Of course, here we have to be aware of two things:
The study we're referring to is a correlation study and correlation doesn't necessarily prove causation,
There are many other factors that have an impact on a page's rankings, such as the number of relevant links.
In general, what we can take from this example is the fact that entities matter when it comes to search engine optimization. We don't know how much they matter, but it seems that they're an increasingly important factor in the way Google is forming its top results on search results pages.
The second example has to do with one of the pieces we published recently on our blog. Our Clearscope guide is a walkthrough of Clearscope, covering the main aspects of using the tool for content creation and updates. When we decided to write this piece of content, we didn't conduct keyword research, and our decision wasn't affected by the search volume of the term — we just wanted to create a thorough guide on how to use the tool.
According to Ahrefs, this piece now ranks in position seven for the target term "Clearscope", even though we weren't interested in ranking for the term!
Two things to consider here are that a) the difficulty of the keyword isn't high and b) our domain rating, or authority, and overall organic visibility isn't high. Thus, the only way we could rank for the target term was by creating something that fits Google's criteria in terms of entity associations.
Most of the entities extracted by Google's NLP API from our piece of content include terms like "Shared Reports" that are really relevant when it comes to Clearscope. Thus, it's highly possible that Google considers this piece of content to be something relevant to the query "Clearscope".
From an entity standpoint, the piece is relevant and thus ranks on the first page of the SERPs. Of course, a question arises here: How's Google forming the associations between the different entities that belong in its database? This is done with the use of Google's Knowledge Graph.
According to this knowledge panel by Wikipedia,
The knowledge graph, also known as the entity graph, comes in the form of a graph and helps Google to understand the association between different entities. Here's what the knowledge graph would look like for the example we saw earlier, "COVID-19",
As you can imagine, in an increasingly complex world with tons of information flowing everywhere, maintaining a database of interconnected information is both practical and necessary.
This is how Google is capable of making connections between queries and entities and serving up the most relevant results. This type of "semantic search" forms the majority of search results and is expected to be more and more important as time passes.
To answer the question "why entities matter", we have to realize that entities play a key role in the way search results are served nowadays. That applies both to desktop and mobile searches, but also to relatively new types of search such as voice search.
Now that you know why entities matter, let's move on to the final section, where we'll explain how you can use them as part of your content strategy.
We believe that since 2015-2016, when Google started introducing entities to the SEO world, many things have changed in search. What remains the same is the importance of entities when it comes to classifying content online and serving the most relevant results based on a search query. Having said that, entities should be a part of your content strategy. The question, of course, is how you can do that.
1) Use a Pre-built NLP Editor
The first way to do this is by using an NLP editor similar to Clearscope. This will make the process of entity extraction and identification — from the top-ranking search results — easier and much faster. After all, as we saw in Backlinko's study earlier, when it comes to getting higher rankings with your content, Clearscope works. This is how the editor looks on Google Docs for this piece of content:
In this case, the target term, that is the term we're targeting and want to rank for, is "entities for seo". Some of Clearscope's recommendations in terms of importance are:
As you can see below, at the top of the results for that term is this piece from Search Engine Journal:
Author's Note: Results for that term may vary; you may see rich snippets and other SERP features based on your location, browser preferences, and overall online activity.
Not surprisingly, this is one of the content pieces that Clearscope is using in its analysis to give us the recommendations that we just saw.
Thus, it's evident that the recommendations that we get in terms of what entities we need to use are heavily influenced by the top ranking content on the SERPs, as well as Clearscope's criteria of determining what's considered to be relevant and high quality for our target topic.
Following that process when you're creating content to drive organic traffic will help you be more relevant based on what Google considers to be relevant for a given term. As we mentioned before, there are other factors that affect performance when it comes to SEO, but entities are one of the most important ones and Clearscope allows you to integrate them seamlessly into your content strategy.
2) Using an NLP Processor
As we just saw, the first way to use entities as part of your strategy is to use software like Clearscope that does the entity extraction and identification for you and allows you integrate entities into a piece of content through its built-in editor. Of course, you may argue that this isn't cost-effective; this is why we're going to share a second way to use entities without using a paid-for tool.
Let's get back to the example that we used earlier and let's assume that we're interested in identifying important entities for the term "entities for seo". As we noted, one of the top results on that SERP came from Search Engine Journal. What we're going to do is copy the main text – avoiding copying secondary content, comments, etc. – of the page and paste it into Google's NLP API.
Here's what we see next:
As you'll notice, some of those terms are similar to the ones that Clearscope already suggested to us for the same target term. That's expected since a) the tool is using the NLP API to extract entities, and b) the piece we're using as a case study is, in fact, one of the pieces Clearscope includes in its analysis.
Of course, Clearscope's analysis doesn't end here; the tool is also using IBM's Watson for natural language processing and entity extraction. It's also analyzing more top results from the SERPs and not just one result as we're doing here.
As you can imagine, analyzing more results would be truly labour intense and time-consuming. But, let's get a bit deeper into the process of identifying entities manually, without the use of a tool.
As you can see, right below each identified entity, there is a number called "Salience".
According to Google, "Salience shows importance or centrality of an entity to the entity document text, ranges from 0 (less salient) to 1 (highly salient)". Thus, we can understand that an entity with a saliency of 0.14, as for the entity "SEO" we've highlighted above, is pretty important for our target topic.
Having said that, when you're doing manual entity extraction using a tool like Google's NLP API, you definitely need to pay attention to salience, as a reference of relevancy and the importance of an entity related to the whole text you're analyzing.
The second element you need to pay attention to is the label that exists at the right of each identified entity.
This is what we called entity "type" earlier. In most cases, the type will be "Other". On a purely practical level, the type shouldn't affect your decisions as to what entities matter or whether you should include it in your piece of content. However, in some cases, you may find references on Wikipedia pages that you can use as a source of information.
For example, the identified entity "RankBrain" has a Wikipedia link right below it.
Even though the salience, in this case, is fairly low, this may be something we need to investigate further and even include in our piece of content. As you can see below, several words and phrases on that Wikipedia page are relevant to our target topic of entities for SEO, and therefore could be used as part of our piece of content.
Of course, as mentioned above, this process is really time-consuming and includes a lot of manual work. Up to a certain extent — and with questionable results — it could help you create a piece of content that's relevant to your target topic and has a chance of performing well organically.
One thing we need to mention is that not all content on a website should be aiming to get organic traffic. If you're creating content that's intended only to satisfy search engines, then you're clearly missing something. You have to also create content that's intended for your users or customers, and even team members.
For example, take a look at the following announcement on LearnWorlds's blog:
Image Source: LearnWorlds
It's an announcement for LearnWorlds' integration with Zoom. In other words, it basically introduces a new feature with new capabilities for the product to LearnWorlds' users. Looking for entity extraction and identification here, before creating the piece, would be meaningless.
In the same vein, not all content you produce and publish should aim to acquire organic traffic. If that's your sole goal, then you definitely should reconsider the way you're doing things. Let's wrap this up and close with some final thoughts.
Throughout this guide, we've explained what entities are, why they're important for SEO, and how you can use them to effectively optimize your web pages. Keep in mind that entities aren't another "SEO trend"; they've existed for years. They're here to stay and therefore you have to get better at using them as part of your SEO strategy.
As Google becomes better at processing content and understanding entities, you have to get better at using those entities to your benefit. The biggest takeaway from this guide is that Google's changing and if you don't change as well, then you may get left behind. Getting a deep understanding of entities will help you understand why Google serves its results the way it does and what you need to do in order to be included in the top of those results.
Machine learning and NLP are transforming the way Search Engine Optimization is performed for good. Understanding the searcher and giving them what they need is essential to be successful in terms of organic search. In that context, user experience is already one of the most important ranking factors. Try to become better at satisfying the user and Google will definitely reward you.
Georgios Chasiotisauthor
Georgios Chasiotis is the Managing Director of MINUTTIA, a content and SEO agency helping SaaS and tech companies drive organic growth. Georgios started out as an independent marketing consultant but was soon pulled down the path of creating an agency. The aim: build a team and scale a business by trading on his knowledge and expertise and creating successful systems and processes. That path has led to MINUTTIA, where Georgios is materializing his vision for content and SEO systems that are heavily based on strategy and eschewing short-term tactics, delivering repeatable and scalable success for companies in different verticals and of different sizes. In his free time, he imparts wisdom (read: rants) on LinkedIn or buries his head in psychology books to get down the "why" of human behavior.
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Come and walk your dog with a large group. The objective is to learn how to walk around other people and dogs in a calm manner.
Walking with a pack is a natural and non-confrontational way for your dog of any age to learn to be social but still have self-control. It's all on leash and is a mix of socialization and training, and with a group of people that are all working on their own dog's skills.
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During this one hour walk, you will participate with your dog while being guided by a qualified trainer! We walk as a big pack of people and dogs, we get some exercise, we help our dogs learn to walk calmly around other dogs and we have fun with obedience training games while we go!
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text:
altrockchick
Music reviews with a touch of erotica
Roads to Rock and Soul
Early Rock
Dad's 45's
Dad's 45's, Part 1, 1955-59
Dad's 45's, Part 4, 1966
The Beatles: Overview
The Beatles (White Album)
Let It Be . . . Naked
Past Masters, Volume One
Past Masters, Volume Two
John Lennon/Plastic Ono Band
Flaming Pie
The Stones
The Stones: Overview
Out of Our Heads
December's Children (And Everybody's)
Aftermath (UK Version)
Between the Buttons (UK Version)
Their Satanic Majesties Request
The Kinks: Overview
The Kinks Greatest Hits
The Kink Kontroversy
Lola Versus Powerman And The Moneygoround
The Kink Kronikles
Muswell Hillbillies
The Great Lost Kinks Album
Everybody's in Show Biz
Preservation (Acts 1 and 2)
Schoolboys in Disgrace
Come Dancing
Other People's Lives by Ray Davies
Introductory Essay
The Zombies: Odessey and Oracle
Psychedelic Series
Series Introduction
Electric Music for the Mind and Body
The Piper at the Gates of Dawn
Forever Changes
Mr. Fantasy
The Hangman's Beautiful Daughter
Anthem of the Sun
The Doughnut in Granny's Greenhouse
S. F. Sorrow
Stand!
It's a Beautiful Day
The Who: Overview
The Who Sell Out
Meaty, Beaty, Big and Bouncy
The Moody Blues: Overview
Days of Future Passed
In Search of the Lost Chord
On the Threshold of a Dream
Every Good Boy Deserves Favour
To Our Children's Children's Children
Seventh Sojourn
Jethro Tull: Overview
Minstrel in the Gallery
Too Old to Rock 'n' Roll: Too Young to Die
Songs from the Wood
The Broadsword and the Beast
Crest of a Knave
David Bowie-Overview
The Clash: Overview
Give 'Em Enough Rope
Sandinista!
Combat Rock
Streetcore
Richard Thompson-Overview
Liege and Lief by Fairport Convention
I Want to See the Bright Lights Tonight
Shoot Out the Lights
Rumor and Sigh
Mirror Blue
Airs and Graces
Maddy Prior and June Tabor – Silly Sisters
Angel Tiger
Against the Streams
Britpop-Series Intro
Blur – Modern Life Is Rubbish
Blur – Parklife
Blur-The Great Escape
Blur – Blur – Classic Music Review
Oasis: Overview
The Masterplan
Standing on the Shoulder of Giants
Familiar to Millions
Heathen Chemistry
Don't Believe the Truth
Pulp-Different Class
Pulp – This Is Hardcore
Pulp – We Love Life
Suede (album)
Supergrass – I Should Coco
Supergrass – In It for the Money
Radiohead: Overview
Pablo Honey
The Bends
OK Computer
Amnesiac
Hail to the Thief
In Rainbows
The King of Limbs
A Moon Shaped Pool
Great Broads
Series Intro
The Andrews Sisters
Ani DiFranco – Out of Range
Aretha Franklin – Never Loved a Man
Aretha Franklin – Lady Soul
Billie Holiday – Lady Day
Edith Piaf – Vol. 4
Françoise Hardy La Question
Joni Mitchell – Clouds
Joni Mitchell – The Hissing of Summer Lawns
Joni Mitchell – Hejira
Memphis Minnie
Neko Case – Fox Confessor
Nina Simone – The Essential Nina Simone
Patti Smith – Horses
Patti Smith – Radio Ethiopia
PJ Harvey – 4-Track Demos
PJ Harvey – Is This Desire
PJ Harvey – Stories from the City, Stories from the Sea
Sade – Love Deluxe
Sexcapades
Sinead O'Connor – I Do Not Want What I Haven't Got
Appendix: Early Girl Hits Part 1
About Jazz
Louis Armstrong: The Hot Five and Hot Seven Recordings
Billie Holiday, Lady Day
Charlie Parker: Best of the Complete Savoy & Dial Studio Recordings
Miles Davis: Kind of Blue
John Coltrane: Giant Steps
Bill Evans Trio: Portrait in Jazz
Miles Davis: Sketches of Spain
Thelonious Monk: Monk's Dream
Les McCann and Eddie Harris: Swiss Movement
Horace Silver and the Jazz Messengers
Frank Sinatra: In the Wee Small Hours
The Blues: Overview
Robert Johnson: The Complete Recordings
Memphis Minnie – Essential Recordings
The Best of Muddy Waters
The Best of John Lee Hooker
Little Walter: His Best, The Chess 50th Anniversary Collection
Elmore James – Best of the Fire Sessions
Blues Breakers with Eric Clapton by John Mayall
The Electric Flag – A Long Time Comin'
Allman Brothers Band – At Fillmore East
Sonny Landreth – Grant Street
Ben Harper and Charlie Musselwhite – Get Up!
Soul: Overview
Bill Withers Live at Carnegie Hall
Aretha – Lady Soul
Dusty in Memphis
Otis Redding – Best Of
Patti Austin – That Secret Place
The Motown Series
Diana Ross & The Supremes
Martha Reeves & The Vandellas
Smokey Robinson & The Miracles
Stevie Wonder – Innervisions
Chick Riffs
Update on Life, International Relations and the American Boycott
Taking a Rain Check
Desert Island Disks
Ma Fille (A Guest Post by My Mother)
My Daughter (A Guest Post by My Father)
The Truth About Beets
Last Trip to Dodge
About That Book . . .
Book Review: Sleeping with Patty Hearst by Mary Lambeth Moore
David Bowie – "Heroes" – Classic Music Review
By altrockchick on August 24, 2017
Let's begin by cutting through the mythological crap.
Music critics of all stripes have completely bought, sold and swallowed the myth of a "Berlin Trilogy," the series of late-70's releases that includes Low, "Heroes," and Lodger. I originally bought into the myth as well, planning to review all three albums together, assuming that they formed a coherent artistic statement synthesizing David Bowie's personal sense of alienation arising from his nightmare experience in L. A. with the real-world alienation of a divided Berlin. I read several pieces by Bowie thought-leaders on the trilogy, and most emphasized the symbolic importance of Berlin and the influence of its unique zeitgeist on Bowie's music during this period. West Berlin, the symbol of democratic-capitalist freedom, and East Berlin, the symbol of ideological, state-sponsored tyranny, formed a perfect milieu of opposing forces: good vs. evil, freedom of thought vs. communist dogma, the openly erotic vs. drab sexlessness. Since one of the positive outcomes of conflict is its ability to clarify individual identity and priorities, Berlin would have seemed like a good destination for a man who felt he had lost his direction in the cocaine-fed swirl of La-La Land and in the assumed identity of The Thin White Duke. Given Bowie's gender-bending tendencies and theatricality, it certainly didn't hurt that Berlin was also a universal symbol of decadence, a notion that had been reinforced in the minds of common folk with the release of the film version of the musical Cabaret in 1972.
As is true of all myths, there is some truth in the myth of a Berlin Trilogy and more than a little salesmanship. In a piece on Lodger that appeared on Quietus, Ben Graham comments:
Thirty years on, still no-one is quite sure where to place Lodger. In a way, that's appropriate: as the title suggests, it's a record that doesn't quite belong anywhere. In fact, the only way to really appreciate Lodger is to remove it from the trilogy which, arguably, doesn't even exist in the first place. The whole 'Berlin Triptych' idea was in many ways a deliberately pretentious marketing gimmick that Bowie cooked up after the fact, probably because he had no other notion of how to sell such an offbeat and disjointed collection of songs as Lodger to the public. It's all part of the bigger picture, he assured them, and you need this one to complete the set; but it was a set he almost certainly didn't have in mind when he began recording Low back in September 1976 — not in Berlin, but at the Chateau D' Herouville just outside Paris, where he'd also been working with Iggy Pop on The Idiot throughout the previous summer.
Of the three releases, only "Heroes" was recorded entirely in Berlin. As noted above, most of the recording sessions for Low took place in France. Lodger was recorded in Montreux, Switzerland and New York City. So while I think it's fair to say that Berlin certainly gave Bowie valuable breathing space, more intimate exposure to the Krautrock of Kraftwerk and Neu! and a chance to immerse himself in the vibes of a city like no other city on Earth, only "Heroes" qualifies as a true Berlin experience.
After immersing myself in all three albums this year, I've developed a case of righteous anger over the whole concept of a Berlin Trilogy because it falsely elevates a human experience to the distant status of artistic pretense. David Bowie was many things—the intensely theatrical performer, the fashionable subject of avant-garde photography, an accomplished musician and songwriter—but what made him special was his fundamental humanity. His life and career are filled with stories of how he helped other musicians who were down on their luck, and his best songs are memorable because they deal with core human experiences. His ability to put himself in another person's shoes (or character, if you prefer) was exceptional, and while some may dismiss his various persona as "an act," those people forget that great actors are people who move us, people who have the ability to evoke feelings in us that are often suppressed by the cold logic of daily existence.
Seen through that lens, the three albums take on greater meaning and genuine significance. Low is the record of a man dealing with depression, withdrawal and self-doubt, considering various aspects of his persona through stark lyrics, tentative thoughts and the wordless, evocative power of musical themes. Lodger is the man who has survived the crucible and is dying to move in a new direction.
"Heroes" is the healing experience.
When David Bowie left Los Angeles in the second half of 1976, he headed not for Berlin, but for Switzerland. Apparently he only spent a few days there before heading to Paris to produce Iggy Pop's The Idiot (recorded in Chateau D' Herouville, Munich and Berlin). Late that summer, he and Iggy took up residence in Berlin, forming a private mutual-assistance group of two in the quest to rid themselves of drug habits. Why Berlin? I've read that Bowie saw it is as a sanctuary city, a place where he could stroll about in relative anonymity. While that certainly rings true, producer Tony Visconti attributed it to the unique offerings of a divided city in an interview with Uncut magazine:
I think David just liked living in Berlin. There was so much of it, in those days, that was fantastic, fantasy-like, that didn't exist anywhere else in the world. The impending danger of the divided military zones, the bizarre nightlife, the extremely traditional restaurants with aproned servers, reminders of Hitler's not too distant presence, a recording studio 500 yards from the Wall. You could've been on the set of The Prisoner.
The dual impact of the passage of time and the liberating experience of being a relative nobody in the divided city reveals itself on the first track, "Beauty and the Beast." The first ten seconds have a casual off-hand feel, more like a sound check than a carefully-composed introduction. Once we hear the piano shift to an insistent pounding rhythm, the music begins to form an edgy, ominous build as the band gradually ratchets up the tension around the overwhelming beat. When Bowie enters with an extended "oooh" (thank fuck they didn't use a synthesizer there), the mood takes on a Halloweenish tint and the kind of thrill we get is that of a well-executed set-up in a good horror film. Meanwhile, deep in the dark background, Dennis Davis is gradually raising the volume on the drum kit, culminating in double-time thunder that forms the cue for a perfect transition to the first verse.
The lyrics to "Beauty and the Beast" have one dominant theme: the juxtaposition of opposites (night/day, beauty/beast, good/evil, real me/not me). The metaphor of the beauty and the beast captures our attraction to the inherent tension of opposites, experiences that promise both reward and a delicious sense of danger—"You can't say no to the beauty and the best." On a personal level, the metaphor describes David Bowie's experience in L. A., the glamour capital of the world, where along with the beautiful and rich he indulged in the dangerous attraction of cocaine. The symbol also works when applied to life in Berlin, a living study in contrast and division—not simply between East and West, but also the divisions that invariably exist in wealthy cities (Bowie lived in a Berlin working-class neighborhood with a high percentage of Turkish immigrants).
From a musical perspective, "Beauty and the Beast" is a sharp departure from the largely introverted aura of Low. The muscular beat that drives the song sets up a raucous soundscape interspersing the something-evil-this-way-comes sound of Robert Fripp's best-in-class lead guitar with Carlos Alomar's crunchy rhythm guitar, Antonia Maass' spot background vocals and Brian Eno's varied contributions on the synthesizer. As an opening track, "Beauty and the Beast" has it all—strong performances from the band, lyrics you could probe for days on end and a refreshingly commanding vocal from David Bowie.
Further evidence of a mood change comes in the form of "Joe the Lion," a wild, modernist cabaret number best-described as part tribute to performance artist Chris Burden (who did in fact have himself nailed to a Volkswagen) and part self-reflection on the feeling of numbness Bowie experienced as he kicked the cocaine habit. What really knocks me out about this piece in addition to the loose, playful feel are Robert Fripp's fabulous lead guitar (he sure doesn't sound like a guy who took three years off) and Dennis Davis' drums. God DAMN those drums sound great! The Davis-Visconti combination received rave reviews for the pitch-shifting drum sounds on Low and "Heroes," a sound that many have attempted to reproduce over the years with mixed success. While a good engineer might be able to reproduce the technical settings, nothing can or ever will replace the sounds of a live human being behind the kit—and Dennis Davis was a great drummer.
The title track, which remains one of the most moving works in David Bowie's catalog, began life as a Bowie-Eno instrumental. The powerful background music, a result of oscillating detuned droning from the synthesizer and Robert Fripp's pitched guitar feedback riding over a steady basic rhythm track, creates a palpable grandeur somewhat reminiscent of the Wall of Sound style. Tony Visconti's ingenuity did not stop there, however, for once Bowie created the lyrics and melodic line, he upped the ante by setting up a system where the microphones were placed at different distances, and turned on and off as the song progressed. This forced Bowie to sing louder as the song moved forward, leading to the stunning emotional power of his exit lines.
The song is a story of lovers from each side of the Wall; the backstory is that the song was inspired by Bowie looking out the studio window to see Tony Visconti and Antonia Maass kissing in close proximity to the Wall. As Visconti was married to singer Mary Hopkin at the time, the affectionate but illicit couple represented a different kind of wall—the wall of social custom and obligation.
The Berlin Wall was more than a symbol of Cold War madness. It was the result of a game of chess between two leaders whose countries were geographically and spiritually far removed from the reality of daily life in Berlin. The wall did more than separate West from East—it divided families, friends, colleagues and lovers. For Kennedy and Khrushchev, those were trivial concerns. The people of Berlin were pawns in the larger global strategy game; they were unfortunate in that they lived in the one European city most prized by the Allies, one that took on significance far beyond its strategic importance. The building of the Berlin Wall was an act of state-sponsored inhumanity; its continuing existence a monument to human absurdity.
By placing two powerless people at the site of the Wall—people who were so powerless they could never count on seeing one another again—David Bowie imbued the grotesque scene of brick and barbed wire with the blessed spirit of human defiance, manifested in the form of a simple act of love. The opening lines express both the defiance and the overwhelming sense of powerlessness, balanced only by the existential urge to claim some kind of human victory in the face of human debasement:
We can beat them, just for one day
The next verse can throw people off, as it depicts our lovers as less-than-perfect people. I believe that was the point—these are people who have been denied the right to be human, the right to make mistakes, the right to fuck the whole thing up. The situation they face is so dire that even fantasies about becoming dysfunctional people has a certain ironic attraction:
And you, you can be mean
And I, I'll drink all the time
'Cause we're lovers, and that is a fact
Yes we're lovers, and that is that
Though nothing, will keep us together
We could steal time, just for one day
We can be heroes, forever and ever
What d'ya say?
The male half then fantasizes about swimming like dolphins, a picture of freedom-as-play. In contrast, the lines "Though nothing, nothing will keep us together" and "Though nothing will drive them away" tell us that the couple is fully aware of the impossibility of their dreams—but isn't that so very, very human? Hope is one of the most curious and endearing qualities of the human race, and though our hopes may be constantly dashed, we know that without hope we cannot survive. The repetition of "just for one day" now becomes more poignant than ever, as it seems so little to ask.
In the stirring peroration, David climbs an octave and strains his voice to reach the distant studio microphone. His tone captures frantic despair and frantic hope, the refusal to believe that something so harmless as love can be a threat to the state and the reluctant acceptance of grim reality. Lyric and voice combine to create one of the most moving passages in music history, a moment where passion overcomes reason and the power of the kiss overwhelms the power of the gun:
I, I can remember
Standing, by the wall
And the guns, shot above our heads
And we kissed as though nothing could fall
Oh, we can beat them, forever and ever
"And the shame was on the other side" is a tantalizing line, indicating that perhaps our hero caught a glimpse of an East German soldier turning away in the self-loathing that comes from following cruel orders passed down the chain of command. Another interesting line in the fade is "We're nothing and nothing will help us/Maybe we're lying, then you better not stay," indicating the return of ever-present fear. Our hero then shakes himself out of it with a wish ("But we could be safer just for one day), then fades on the plaintive "oh . . . just for one day." "Heroes" is simply one of the most powerful songs in rock history, a timeless work of genius from a man with supreme human compassion.
Nothing could follow "Heroes," so perhaps it's fortunate that the weakest track on the album comes next. While the other tracks on "Heroes" were largely the result of in-studio improvisation, "Sons of the Silent Age" was written beforehand, and it does feel a bit too scripted in comparison. It also feels like glam-era Bowie; perhaps if it had appeared on Aladdin Sane it might have worked. Much better is the psycho-industrial sound of "Blackout," with its caroming imagery whirling over what is by far the strongest rhythmic performance on the album. The blackouts in question seem to cover power outages, impotence and drug-induced comas, but I've never been able to land on a full interpretation that works. I do know one thing—this song is fucking hot and it appears frequently on my fuck playlists to support the more intense BDSM moments of a scene.
Cigarette!
Like Low, "Heroes" is structured into two sections: the vocals in the first half and the instrumentals in the second. Bowie does violate that structure here by inserting the vocal "The Secret Life of Arabia" at the end of the album (we'll deal with that questionable choice later in our program), so let me put it another way: Bowie should have stuck to the vocal-instrumental script, as things would have turned out better in the end.
"V-2 Schneider" comes first, a Bowie-only composition with strong bass and a breezy feel that is allegedly a tribute to Florian Schneider of Kraftwerk, the man who in my mind took my main instrument (the flute) and ingeniously transformed it into . . . well, whatever the hell he wanted! His most notable accomplishment was to make the flute a bass instrument, a concept that still blows me away (but does explain the strong bass presence in "V-2 Schneider"). Bowie's sax is fabulous here, a sort of phased growling on a counter-rhythm that sounds both industrial and beefy.
"Sense of Doubt" is also a Bowie-only work, an ominous and compelling piece built around a four-note descending piano motif reinforced in stereo and set in contrast to a variety of synthesized sounds ranging from movie-house organ to orchestral to vibraphone. The sounds of someone gasping for breath or dying of thirst appear occasionally in the quieter moments of synthesized wave sounds, adding to the eerie feel. The piece ends with the sound of a wind tunnel, fading into the Bowie-Eno collaboration "Moss Garden."
Featuring David Bowie on koto, "Moss Garden" is a very tranquil, soothing piece that could easily accompany your aromatherapy massage, or appear as a bonus track on any New Age sampler album. Personally, New Age music drives me up the fucking wall, so I generally do my nails during this piece and wait for it to pass into oblivion.
Actually, it passes seamlessly into "Neuköln," a very well-constructed mood piece designed to depict the feel of life in the Berlin neighborhood Neukölln, a place heavily populated by Turkish immigrants. While not composed in a Turkish makam scale, Bowie's sax occasionally sounds more like a zurna than a sax, particularly on the long wailing passage towards the end of the piece. That passage also calls to mind Miles Davis' work on Sketches of Spain, particularly his heart-stopping solo on "Saeta." The feelings this piece evokes in me range from stranger-in-a-strange-land to a touch of fear, similar to what one might feel on a dark street at night when the rain forms a slippery mist. In the context of an album dealing in large part with human separation and alienation, "Neukölln" is a brilliant closing act.
Oh, that it were so. Unfortunately, "Heroes" ends with "The Secret Life of Arabia," an off-hand, humorous piece that could have found a nice place in the vocal section but doesn't fucking belong here. Bowie biographer David Buckley points out that "its position on the album spoils the dramatic effect," to which I respond, "Bingo!" It's very comforting to hear David Bowie in great spirits after his battle with depression, but I wish they would have placed it directly after "Heroes" and sent "Sons of the Silent Age" off to bonus-track land.
"Heroes" has the feel of the artist resurrected, an oral history of a part of David Bowie's life where he yanked himself out of self-doubt and found himself in touch with the world again. He was aided in this quest by a brilliant producer in Tony Visconti, a remarkably capable group of musicians and by the oddly romantic aura of Cold War Berlin. The result was an album for the ages, one that had no need of a Berlin Trilogy to ensure its enduring value.
Posted in: 1970's, Classic Music Reviews, David Bowie, Rock, Punk, Alternative, Garage	| Tagged: "Heroes", Antonia Maass, Carlos Alomar, David Bowie, Dennis Davis, female music blogger, music review, Robert Fripp, The Beauty and the Beast, Tony Visconti
hotfox63 August 24, 2017 at 8:36 am | Reply
The narcissist looks at himself, his person is his face.
Greg Cleary August 24, 2017 at 7:17 pm | Reply
Thanks for the great review. I had never questioned the legitimacy of the "Berlin Trilogy," though I've always thought that Lodger was pretty different from Low and "Heroes." Maybe the three albums should be referred to as the "Eno Trilogy." I'm glad that you gave props to the drummer, Dennis Davis. I always thought that the Dennis Davis/George Murray rhythm section on these albums was really special.
The song "Heroes" is truly a work of genius. There is nothing else like it, even in Bowie's own catalog. I hadn't heard about the microphone trick. That's brilliant. "Beauty And The Beast" is another favorite of mine. It has such a heavy rhythm, like all of the instruments are lurching back and forth in unison rather than interlocking as one would expect. Whatever it is they're doing, it's very strange, and more importantly, it works!
I differ from you in liking "Sons Of The Silent Age" just fine, while the three instrumental tracks in the middle of side two all kind of test my patience. I'm relieved when he sings on the last track, even if it doesn't really fit the mood, as you say. I think "Heroes" is the strongest overall of this so-called trilogy, although side one of Low is the most perfect song sequence.
altrockchick September 1, 2017 at 8:43 pm | Reply
I agree with you on Low and the side one song sequence. Bowie isn't known for restraint but his emotional exhaustion had the positive effect of reining in some of the excess—and the songs are emotionally powerful. I'll get to it someday—right now trying to catch up with the 21st century and it's pretty slim pickin's!
Matheus Bezerra de Lima August 30, 2017 at 9:02 am | Reply
You surely know how to write convincing reviews and argue very well when you want. Anyway, with so much praise about Bowie, I am sad that I never listened to him. I don't have much time these days, but Bowie is an artist that always got my curiousity. Someday, I'll listen to him and I would like you to give me advice saying what of his albums is better for a starter as myself.
Another thing: I am curious about when will you write the reviews of Sinatra's classic albums "In The Wee Small Hours", "Songs For Swingin' Lovers!" and "Frank Sinatra Sinatra Sings For Only The Lonely". It would be interestin also talk about how Sinatra drastically reivented himself in Capitol. The Sinatra of the 40s decade was an almost completely different singer and artist compared with the Sinatra of the 50s decade. His voice, style, target public and artistry changed significantly in SO MANY ways.
I won't get to Ol' Blue Eyes this year as I'm trying to add more 21st century reviews to the list. I'll be shifting to jazz later in the year, but instrumental jazz instead of vocal.
bazzabaz August 30, 2017 at 2:18 pm | Reply
Interesting review – as always and I think yer right in saying this is Bowie's "healing" album. I don't dislike the album but I do have to be in a certain mood to listen to it and then I find it's a bit like "Scary Monsters" – side one is excellent and side two is not and that's a problem I tend to find with Bowie's albums, as if he put most of the best ideas on side one and side two's tend to be more uneven in feel and quality as was definitely the case here and on "Low" as heck… you want to hear the guy sing, not noodle about on instrumentals which aren't that interesting.
The "Berlin Trilogy" nonsense has always bugged me as well but you know how people like to simplify and compartmentalise things as the band, Visconti and Eno are present across the three albums. And guess what? My personal fave of the three is "Lodger" – again, it's a bit patchy but a very diverse album looking in many different directions for a path forward and side one of "Scary Monsters" complete with those insane Robert Fripp solos is Bowie at his very best.
I think the only place the side one-side two effect is reversed is Ziggy Stardust. The Bowie-Eno stuff really isn't much more than your average bloke could conjure up today on Garage Band with a cheap synth and thirty minutes to spare. I think its importance is related to the healing process—finding his way by spending time in places outside of his usual range.
keithosaunders August 30, 2017 at 3:01 pm | Reply
Thanks for posting the clip of Beauty and the Beast – one of my favorite Bowie songs. I love the sense of foreboding created by the intro and then BAM his lower-register voice. The way he back phrases on the bridge is tremendous. He uses this effect throughout his career.
I seem to remember reading an article about Bowie in the mid 70s (possibly in Rolling stone) in which Bowie said he had been very influenced by Sinatra's phrasing. Apparently, between Diamond Dogs & Young Americans Bowie had actually taken some vocal lessons to enhance the quality of his voice. Again I'm going from memory on this, but when you hear Bowie's thin quality on Diamond Dogs and the David Live record, and even on parts of Young Americans, it's not a stretch to think that he made some technical changes. By Station to Station he's in great voice and then away he goes. (Station to Station may be my favorite Bowie record)
The thing I love most about the Berlin era is the band. In my opinion the Davis/Murray/Alomar combo is by far and away his greatest band. Their beat (as well as Bowie's vocals) is so wide you can drive a mack truck through it.
My other favorite song from that era is What in the World from Low. Hard for me to hear that one and not get the chills. Oh yeah, and Breaking Glass too. (Don't look at the carpet, Dick Cavett!)
I did not know that Bowie's phrasing was influenced by Sinatra, but I can tell that Jim Morrison considered Sinatra his golden standard and inspiration about phrasing. Jim Morrison was a big Sinatra fan in general.
A curiousity: Bowie wrote a song for Sinatra in the late 60s decade, but was rejected. Also, Brian Wilson was heavily influenced by Nelson Riddle arrangements.
altrockchick September 1, 2017 at 8:51 pm
I don't know how one can consider themselves a serious singer unless they've studied Sinatra and Billie Holiday in particular, no matter what the genre.
You're right—David Bowie was an early self-improvement fanatic! Sinatra influenced a lot of singers across genres, though it's important to remember that he attributed his excellent phrasing to his study of Billie Holiday. I'll get to Low later in the year or early next—the emotional layering on Low is absolutely fascinating to me.
I would like also that you give me advice for me begin to listen The Kinks. What album is better for a starter like I? What are his best albums? Should I begin with a compilation instead? I am very curious about your answer, altrockchick.
Tough question. If you go with a compilation, The Kink Kronikles is the best choice, covering the "golden period" from 1966 to 1970. If you go "concept album," I would go with Lola vs. The Powerman and the Moneygoround (others would disagree); and if you go the Gilbert-and-Sullivan period, Soap Opera is my personal favorite. Note that I am not in sync with many Kinks fans on what's best.
Matheus Bezerra de Lima September 3, 2017 at 4:49 am
Thanks for the answer. You got me interested in The Kinks.
Dean September 3, 2019 at 1:05 pm
Agree on Kink Kronikles for sure. For theme, Face to Face or Muswell Hillbillies. None of the "rock opera" albums really appeals to my soul, though I own them all.
zsfmusicreviews September 1, 2017 at 4:21 pm | Reply
Beautiful, exemplary review. This inspired me! Take care.
– Zach
Thank you! Enjoy the inspiration!
zsfmusicreviews September 1, 2017 at 8:33 pm
Sure thing! How long have you been writing reviews for? I can tell a lot of time and dedication goes into them. I'm currently looking through your reviews, and am enjoying myself.
Thank you! I started the blog in late 2011, primarily focusing on contemporary indie bands. I gave that up after a hiatus because I couldn't find much contemporary music worth the trouble!
I wholeheartedly understand. Never been a huge fan of contemporary music, although there are some great bands out there.
Classic rock has always appealed to me ever since I was a little kid. As such, that's what I have the most fun reviewing (at one point, however, I was a huge fan of punk music and proto-punk).
Anyways, I'm loving your reviews!
-Zach
bazzabaz September 2, 2017 at 4:36 am
I've been following ARC for 4 or 5 years and was gutted – but perfectly understanding and acceptable – when she undertook her hiatus. There's TONS to enjoy here… a lot of albums and bands I dislike but the reviews are always entertaining, insightful and intelligent.
Most definitely! I'm enjoying them!
turbonunentertainmentgroup October 9, 2017 at 11:21 am | Reply
inspiring read
David Bowie – "Heroes" – Classic Music Review — altrockchick – The Idealistic Outsider October 8, 2018 at 6:56 pm | Reply
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Joe January 6, 2019 at 3:51 am | Reply
Great review, as ever. 'Heroes' is an outstanding track, but I think Bowie improved on it when he sang it in German: "Helden". It's easy enough to find it posted on YouTube.
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Independent music reviewer on altrockchick.com and 50thirdand3rd.com. Originally from San Francisco, I am now a French/EU citizen living in Nice. And I look great in leather.
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text:
El Nou Partit Daichi (新党大地, Shintō Daichi) traduït al català com a "Nou Partit de la Gran Terra" i anomenat ocasionalment Nou Partit Daichi-Veritables Demòcrates és un partit local de Hokkaido, Japó. La seua ideologia és el conservadorisme, el regionalisme i l'ecologisme.

Història
El NPD va ser fundat el 19 d'agost de 2005, després que Muneo Suzuki, el fundador, isquera de presó. Després que fora acussat d'acceptar suborns, Suzuki va deixar el PLD en juny de 1998. El 1999 va ser empresonat acusat dels càrrecs de suborn i altres. Crític amb les polítiques de Junichiro Koizumi, com la privatització del sistema postal nacional, Suzuki, encara en llibertat provisional, va anunciar la fundació del Nou Partit Daichi. El membre més antic del partit a la Dieta Nacional del Japó va ser la filla de Suzuki, Takako Suzuki, a la Cambra de Representants del Japó. En les eleccions de 2014, com el NPD no presentà llista, Takako va concòrrer en les llistes del PD aconseguint escó, però en 2016 deixà aquell partit.

En 2002, el partit va presentar un candidat per a un districte de candidat únic, mentres Suzuki va encapçalar una llista de tres candidats per al bloc de representació proporcional de Hokkaidō. En les eleccions generals de 2005 i 2009, Muneo suzuki va ser elegit representant de Hokkaido pel bloc de vot proporcional. En 2010, quan la justícia confirmà definitivament els càrrecs de Suzuki, aquest va haver de renunciar al seu escó per complir el seu càstic en presó. Suzuki va ser reemplaçat al seu escó pel següent membre de la llista del partit, Takahiro Asano, però continuà com a líder del partit. En les eleccions a la cambra de Consellers de 2007, el partit reclutà a l'activista dels drets dels Ainu, l'independent Kaori Tahara en el districte doble (2 membres), on Tahara va perdre davant dels candidats del PLD i el PD. En les següents eleccions a la mateixa cambra, al 2010, el NPD no va presentar cap candidat. En les eleccions a la Cambra de Consellers de 2013 va presentar dos candidats prefecturals (Hokkaido i Osaka) i nou candidats per vot proporcional, però també van errar a l'hora d'aconseguir representació.

A finals de desembre de 2011, el partit es va unir amb cinc membres de la Dieta i es renanomenà Nou Partit Daichi-Veritables Demòcrates. Com que el partit ara tenia cinc membres a la Dieta i s'havia format abans de l'1 de gener de 2012, aquell any el NPD va ser reconegut oficial i legalment com a partit polític. El partit es va convertir en possible beneficiàri de les ajudes públiques per a partits i va obtindre la possibilitat de nomenar a candidats duals en les eleccions generals, entre d'altres beneficis. El partit arreplegà molts diputats de l'escissió del PD d'Ichirō Ozawa, el Partit del Futur del Japó i no els aconseguí mitjançant eleccions, doncs ja eren diputats. A Hokkaido, els candidats del NPD (en realitat a les llistes del PFJ) van ser derrotats en totes les circumscripcions, però Tomohiro Ishikawa (qui en 2019 seria candidat a Governador de Hokkaidō per les forces de l'esquerra) va guanyar un escó pel vot proporcional. En 2010, Ishihara renuncià i la filla de Suzuki, Takako va ocupar l'escó. El NDP-VD inicialment va fer costat al gover del Partit Democràtic, pertanyent un breu temps els seus membres al grup parlamentari del PD a la Cambra de Consellers, però en febrer de 2012 van formar el seu propi grup parlamentari i feren costat a l'oposició del PD cap a finals de 2012. El 28 de novembre de 2012 el partit va tornar al seu nom original.

A les eleccions a governador de Hokkaidō de 2019, on l'antic membre del partit, Tomohiro Ishikawa, es presentava com a candidat de l'esquerra, el NPD va donar suport al candidat del PLD, el Komeito i guanyador de aquells comicis, Naomichi Suzuki. Posteriorment, a les eleccions a la Cambra de Consellers del Japó de 2019, Muneo Suzuki va aconseguir per primera vegada un escó a la Cambra dels Consellers en les llistes del Nippon Ishin no Kai, tornant a la vida política i anunciant que el partit seguiria en actiu.

Resultats electorals

Resultats a l'Assemblea de Hokkaidō

Resultats a la Cambra de Representants del Japó

Resultats a la Cambra de Consellers del Japó

Referències

Partits polítics japonesos
Política de Hokkaidō