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References svt::OWizardMachine::ActivatePage(), svt::RoadmapWizard::declarePath(), svt::OWizardMachine::defaultButton(), svt::OWizardMachine::enableButtons(), HID_MM_NEXT_PAGE, HID_MM_PREV_PAGE, svt::OWizardMachine::m_pFinish, svt::OWizardMachine::m_pNextPage, svt::OWizardMachine::m_pPrevPage, m_xConfigItem, MM_ADDRESSBLOCKPAGE, MM_DOCUMENTSELECTPAGE, MM_GREETINGSPAGE, MM_LAYOUTPAGE, MM_OUTPUTTYPETPAGE, vcl::Window::SetHelpId(), Control::SetText(), svt::OWizardMachine::setTitleBase(), SwResId(), and UpdateRoadmap().
Definition at line 86 of file mailmergewizard.cxx.
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References VclPtr< reference_type >::Create(), MM_ADDRESSBLOCKPAGE, MM_DOCUMENTSELECTPAGE, MM_GREETINGSPAGE, MM_LAYOUTPAGE, MM_OUTPUTTYPETPAGE, and svt::RoadmapWizard::SetRoadmapHelpId().
Definition at line 125 of file mailmergewizard.cxx.
References svt::OWizardMachine::enableButtons(), svt::RoadmapWizard::enterState(), m_nRestartPage, m_xConfigItem, MM_ADDRESSBLOCKPAGE, MM_DOCUMENTSELECTPAGE, MM_LAYOUTPAGE, RET_REMOVE_TARGET, and UpdateRoadmap().
Definition at line 243 of file mailmergewizard.cxx.
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Referenced by SwMailMergeAddressBlockPage::ActivatePage(), SwMailMergeLayoutPage::ActivatePage(), SwMailMergeAddressBlockPage::canAdvance(), SwMailMergeAddressBlockPage::commitPage(), SwMailMergeLayoutPage::commitPage(), SwAddressListDialog::SwAddressListDialog(), SwMailMergeDocSelectPage::SwMailMergeDocSelectPage(), and SwMailMergeOutputTypePage::SwMailMergeOutputTypePage().
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References m_sAddressBlock, m_sAddressList, m_sDocumentType, m_sGreetingsLine, m_sLayout, m_sStarting, m_xConfigItem, MM_ADDRESSBLOCKPAGE, MM_DOCUMENTSELECTPAGE, MM_GREETINGSPAGE, MM_LAYOUTPAGE, and MM_OUTPUTTYPETPAGE.
Definition at line 65 of file mailmergewizard.hxx.
Referenced by SwMailMergeLayoutPage::commitPage(), and SwMailMergeLayoutPage::SwMailMergeLayoutPage().
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References svt::OWizardMachine::enableButtons(), svt::RoadmapWizard::enableState(), svt::WizardTypes::eValidate, WizardDialog::GetCurLevel(), WizardDialog::GetPage(), m_bDocumentLoad, m_xConfigItem, MM_ADDRESSBLOCKPAGE, MM_DOCUMENTSELECTPAGE, MM_GREETINGSPAGE, MM_LAYOUTPAGE, and MM_OUTPUTTYPETPAGE.
Referenced by enterState(), and SwMailMergeWizard().
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Referenced by enterState(), and GetRestartPage().
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Referenced by enterState(), getStateDisplayName(), SwMailMergeWizard(), and UpdateRoadmap().
Definition at line 37 of file mailmergewizard.hxx.


The next part of the stair inspiring staircase design with lift designed with seat is it can function like a shoe stand alone. You are able to immediately put your sneakers on which are stored from the storage seat whilst sitting on it. If you use a bedding storage for this purpose, you are able to even put it from the entry of one's residence. There are some storage seats which are designed for broader needs. An storage seat was made to get places to hold clothing, hats, and umbrellas. This kitchen chairs for elderly is proper for individuals who actually don't have hangers to store your clothes or vases.
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How Concerning the Qualities of the stair inspiring staircase design with lift designed with? If we're talking about the features embedded in the seat for your bedding, then, such a thing would be wonderful so long as it is just a recliners for elderly. Although, you also will need to think about the decoration of your bedding and the other furniture pieces that you place in it. As an example is the best way to select between a seat using a spine without and choosing them isn't overly difficult. For your bedding, you may possibly want to choose a seat with a back in case your bedding is not built with a foot board. Picking a bedding, ultimately, is a personal matter and taste.


text:
A Case of Mistaken (Sexual) Identity
Daniel Mattson
My favorite novel of mistaken identity has always been C. S. Lewis's The Horse and His Boy. It's the perfect fairy tale, beginning with a miserable young boy, Shasta, growing up in Calormen, treated like a slave by Arsheesh, the man who he assumes is his father. When one of the lords of Calormen, a Taarkan, offers to buy Shasta from Arsheesh, Shasta learns how "his father" found him adrift in a river when Shasta was an infant. Lewis tells us that Shasta had never loved his father, nor felt like he belonged in Calormen, so this knowledge "took a great weight off his mind. 'Why, I might be anyone!' he thought. 'I might be the son of a Tarkaan myself—or the son of the Tisroc (may he live forever!)—or of a god!'" The rest of the book chronicles Shasta's adventures with the talking horse Bree and two other companions as they journey north, towards Narnia, where Shasta discovers his true identity: He is indeed the son of a king, heir to the throne of Archenland, the ally and friend of Narnia.
For Lewis, Shasta is obviously "Every Man," born into this world just as the writer of Hebrews wrote of the Patriarchs who "acknowledged themselves to be strangers and aliens on earth," desiring a "better homeland, a heavenly one." Like Shasta, we know innately that something is wrong with the world and don't realize our true identity as beloved sons and daughters of the King of Kings. Henri Nouwen said that "one of the enormous spiritual tasks we have is to claim that [identity] and to live a life based on that knowledge, and that's not very easy. In fact, most of us fail constantly to claim the truth of who we are." These words of Henri Nouwen have a deep significance for me, because as he did, I am a man who lives with same-sex attraction. As I have worked through my faith to claim my true nature as a beloved son of God, I have come to believe that the greatest case of mistaken identity in the world today concerns sexual identity. The contemporary litany of sexual identities come from Calormen, not Narnia and the North. They come from the world, not the mind of God.
As a man who came back to the Catholic Church because of the Church's teaching on homosexuality and sexual identity, I have watched with great concern as I see "coming out" become more and more commonplace, particular at younger and younger ages, including in the Church. The USCCB wisely cautions against this in their 2006 document, "Ministry to Persons with a Homosexual Inclination: Guidelines for Pastoral Care":
For some persons, revealing their homosexual tendencies to certain close friends, family members, a spiritual director, confessor, or members of a Church support group may provide some spiritual and emotional help and aid them in their growth in the Christian life. In the context of parish life, however, general public self-disclosures are not helpful and should not be encouraged.
Though I've never "come out" in the world in which I live my daily life, I decided to write publicly about this part of my life because I have great concern for the way our culture negatively influences the young Shastas in the Catholic Church who may be confused about who they are after realizing they live with same-sex attraction, and decide to "come out" because the world teaches them that their sexual inclinations comprise one of the chief definitions of "who they are" and that in order to be truly "authentic" they need to reveal this about themselves. The counsel of the bishops to avoid public disclosures of homosexual attractions reflects the best interests for these young men and women who tragically have been conditioned to accept the modern concept of sexual identities, and to use phrases such as "I am gay" to describe themselves, which reveals the ease by which we can become imprisoned by the culture in which we live, in the way John Paul II wrote in Veritatis Splendor:
It must certainly be admitted that man always exists in a particular culture, but it must also be admitted that man is not exhaustively defined by that same culture. Moreover, the very progress of cultures demonstrates that there is something in man which transcends those cultures. This "something" is precisely human nature: this nature is itself the measure of culture and the condition ensuring that man does not become the prisoner of any of his cultures, but asserts his personal dignity by living in accordance with the profound truth of his being.
The best explanation for why so many people accept the world's definitions of sexuality stems from St. Paul's famous line that "for now, we see through a mirror, dimly," but the mirrors of sexual identity aren't merely dim and obscure; they are the crazed and distorted mirrors of a diabolical fun house, manipulated to the point of destroying any recognizable connection with the truth about man. They are created out of the imagination of the "Innovators" C. S. Lewis describes so well in The Abolition of Man, who say,
Let us decide for ourselves what man is to be and make him into that: not on any ground of imagined value, but because we want him to be such. Having mastered our environment, let us now master ourselves and choose our own destiny.
The answer to the insanity of sexual identities is to refuse to look through the mirrors of the world, and to realize, as St. Paul tells us, that we are already "fully known." In order to live lives that correspond with that objective reality, we need to discover the truth of what it means to be "fully known" by God and to remember that what we see in a mirror is a reflection of a reflection, as Aquinas said in his opening lines discussing moral theology in the Summa Theologica: "Because man is created as the image of God it now remains—after His archetypal image has been dealt with—to speak of his reflection: namely man." We need someone else to tell us if what we see reflected back at us in the mirrors around us is actually true, as Pope Benedict wisely told the youth of the Italian organization Catholic Action:
In adolescence we pause in front of the mirror and we notice ourselves changing. But if you only look at yourself, you never grow up! You grow up when you no longer let the mirror be the only truth of yourselves but when you let your friends tell you the truth.
There is no greater friend to man than the Church, and She lovingly tells us the truth: the only sexual identity that applies to anyone is what the Catechism tells us in paragraph 2333:
Everyone, man and woman, should acknowledge and accept his sexual identity. Physical, moral, and spiritual difference and complementarity are oriented toward the goods of marriage and the flourishing of family life. The harmony of the couple and of society depends in part on the way in which the complementarity, needs, and mutual support between the sexes are lived out.
In recent years, a growing number of men and women with same-sex attraction have embraced the sexual morality of the Catholic Church, and yet consciously refer to themselves as gay, lesbian, queer or homosexual. As someone who sees freedom from these manmade sexual identities in the teachings of the Church, this has long confused me. In 2011 I had the opportunity to ask one of the princes of the Church, Raymond Cardinal Burke what counsel he would give to those who think this way. He responded by saying,
I would encourage them if they've attained a certain continence, sexual continence—chastity in that sense—that now they deepen this chastity and see it in the context of the love of Christ which respects fully our human nature, and in that regard, one sees this condition—which is not my identity and therefore but an aspect of my life, which I need to address, which is out of sync with the way God has made me, called me into being—with that chaste love of Christ that I am striving to deepen.
I think that this can be a kind of mistaken approach: If one takes the approach in a narrow way, that, "it's all simply about avoiding unchaste behaviors" (which clearly is essential and fundamental) … one is not going to grow in the spiritual life. That avoidance of unchaste behaviors and so forth has to become more and more an expression of a deep love of Christ, and therefore it becomes very fruitful. The person who holds onto the idea that [his] deepest identity is same-sex attraction and the homosexual condition is effectively blocking himself from an authentic spiritual development.
Pope Francis's new encyclical Lumen Fidei tells us how important language is in understanding who we are: "Language itself, the words by which we make sense of our lives and the world around us, comes to us from others, preserved in the living memory of others. Self-knowledge is only possible when we share in a greater memory."
The Church has the deepest memory of man. Just as Shasta needed the memory of his father and of the royal household of Archenland to know his true identity as a son of a king, all those who refer to themselves with a sexual identity other than being male or female are in great need of the memory of the Church to tell them the truth of who they are and what it means to be a child of the King of Kings.
The youngest generation is in great need of escape from Calormen. Sadly, the loudest voices concerning sexual identity come from the culture around them; if they find themselves attracted to members of the same sex, they are trapped into thinking that they "must be gay." The propaganda machine of the sexual revolution makes them aware of no other option, and one of the great missions of the Church in today's world is to proclaim the truth of our sexual identities as being solely male and female and to tell the Shastas of the world that their identity is not rooted in their sexual desires or inclinations, as the USCCB website proclaimed recently in speaking about the "deeply flawed anthropology" of sexual orientation:
What the language of "sexual orientation" does, anthropologically, is separate one's identity from one's bodily nature as a man or woman, placing a premium on one's desires and inclinations. The body then becomes a "bottom layer"—essentially meaningless matter—over which one's "real" identity—comprised of desires and inclinations—is super-imposed.
The Church, and all men and women of good-will, should challenge the world's notions of sexual orientation and of sexual identities other than male and female, and realize, as the same article from the USCCB declares, that "Christian anthropology, rightly understood, is a message of freedom for every person." The truth of his identity is what Shasta needed to be free—so too the same-sex attracted young men and women in the Church who conclude that they must be gay, because they have no other answer than what they see reflected back at them in the world around them.
Tagged as C.S. Lewis, Cardinal Burke, gender identity, homosexuality, Pope John Paul II
By Daniel Mattson
Daniel Mattson lives in the midwest, where he has a career in the arts. He is featured in the Courage Apostolate's documentary Desire of the Everlasting Hills and is often invited to share his testimony to clergy, schools and parishes. He blogs at LettersToChristopher.wordpress.com. Other writings may be found at Joyful Pilgrims.

redpajama_set_name: RedPajamaCommonCrawl


Fetishes: What did you have in mind?
Too old to Rock 'N' Roll and too young to die! I'm into heavy exercise and a light diet. Like to keep busy and easily bored. Enjoy Erotica in all it's forms and can't see a problem with it. Hate prudes, blue noses and hypocrites. Just like a cold beer, a good laugh and a good time. Every days a holiday if you're in the right mood.


The flood near the Manila City Hall, as well as in the nearby places, has been a common view during rainy days at present. But did you know that the flooding in the area has been a problem even in the early 1900s?
In the Facebook group Memories of Old Manila, a 1904 picture of a flood in front of the Manila City Hall was uploaded by member Len Len.
"1904 Manila City Hall flooding photo (ctto)," she wrote on the caption of the photo.
Many Facebook users commented on the post; realizing how flooding has been a problem for a long time in Manila.
"Matagal nang problema sa Manila ang baha," SP said.
"I never wonder," BR wrote.
Still the same problem as seen in this photo shared by ABS CBN.


text:
M life Rewards
UNIVERSAL LOVE: Because Love + Music Are Universal Languages
Album of Reimagined Love Songs Features Artistic Vision of Bob Dylan, Kesha, Benjamin Gibbard,
St. Vincent, Valerie June and Kele Okereke
NEW YORK (April 5, 2018)-- MGM Resorts International today announced the release of UNIVERSAL LOVE, a collection of reimagined wedding songs for the LGBTQ community, celebrating the enduring and overwhelming power of love and music to unite.
MGM Resorts is a global entertainment company with a deep-seated belief that entertainment is fundamental to human fulfillment. The company's passion for the UNIVERSAL LOVEproject reflects its profound commitment to embracing humanity and the impact music can have on the human experience.
UNIVERSAL LOVE offers six newly recorded versions of iconic love songs that give same-sex couples a soundtrack for their own love stories and feature pronouns changed to reflect the world of LGBTQ relationships.
The album includes boundary-changing songs from some of today's most-beloved artists. Bob Dylan, one of the most influential and successful recording artists in American history, is among the visionary artists participating in this unprecedented project. Dylan re-recorded "She's Funny That Way" as "He's Funny That Way." The album features five additional stellar artists whose involvement is a testament to the urgency of equality in entertainment: Kesha ("I Need a Woman to Love Me"), St. Vincent ("And Then She Kissed Me"), Benjamin Gibbard of Death Cab for Cutie ("And I Love Him"), Kele Okereke of Bloc Party ("My Guy"), and Valerie June ("Mad About The Girl").
Phyllis James, MGM Resorts' Chief Diversity & Corporate Social Responsibility Officer, said, "We believe projects like this will help all of us reach a point where seeing the world through the lens of people who happen to be different from us becomes natural and commonplace. It is an immense honor for MGM Resorts to spearhead this inspirational project which celebrates LGBTQ dimensions of the universal emotion of love."
UNIVERSAL LOVEis a natural extension of MGM's two decades of advocacy work with the LGBTQ community and the company's desire to advance initiatives that unite humanity. More than a decade before same-sex marriage was legalized, same-sex commitment ceremonies were performed at chapels at MGM Resorts' properties. In 2004, MGM Resorts became the first company in the gaming and hospitality industry to offer same-sex health benefits to employees, and MGM was a founding partner of the Las Vegas chapter of the Human Rights Campaign (HRC) in 2004.
MGM Resorts is a leader in all aspects of the entertainment industry (hospitality, gaming, live events, etc.) and believes in the transformational power of entertainment for all. MGM's launch of UNIVERSAL LOVE reinforces an inclusive vision of unions that more closely mirrors the incredible diversity of today's relationships.
The compilation album was produced by MGM Resorts in conjunction with global advertising agency McCann and will be distributed by Legacy Recordings, a division of Sony Music. UNIVERSAL LOVEis available on all streaming platforms beginning today.
UNIVERSAL LOVETRACK LISTING
01 "HE'S FUNNY THAT WAY" • BOB DYLAN
02 "AND THEN SHE KISSED ME" • ST VINCENT
03 "MY GUY" • KELE OKEREKE
04 "MAD ABOUT THE GIRL" • VALERIE JUNE
05 "AND I LOVE HIM" • BENJAMIN GIBBARD
06 "I NEED A WOMAN TO LOVE ME" • KESHA
About MGM Resorts International
MGM Resorts International (NYSE: MGM) is an S&P 500® global entertainment company with national and international locations featuring best-in-class hotels and casinos, state-of-the-art meetings and conference spaces, incredible live and theatrical entertainment experiences, and an extensive array of restaurant, nightlife and retail offerings. MGM Resorts creates immersive, iconic experiences through its suite of Las Vegas-inspired brands. The MGM Resorts portfolio encompasses 28 unique hotel offerings including some of the most recognizable resort brands in the industry. Expanding throughout the U.S. and around the world, the company in 2018 opened MGM COTAI in Macau and the first Bellagio-branded hotel in Shanghai. It also is developing MGM Springfield in Massachusetts. The 78,000 global employees of MGM Resorts are proud of their company for being recognized as one of FORTUNE® Magazine's World's Most Admired Companies®. For more information visit us at www.mgmresorts.com.
mgm@sunshinesachs.comor 212.691.2800


Incorporating a metal building into the grounds of your home is a fantastic way to create extra room for your personal needs.
From a spacious garage or workstation to a home gym, your metal building can provide you with extra room to achieve your household needs! In this article we'll take a look at just a few great examples of how to make the most of these fantastic metal structures.
Adding a garage extension onto the side of your home can be very technical and yields many potential problems which can cost more money than the initial building fee. Adding a steel garage is much simpler, quicker and still offers the complete weather tight protection your vehicle needs. Garages double up brilliantly as workstations too, so adding your tool kit and workbench to your spacious garage will ensure you have a headquarters for those tricky DIY projects.
Alternatively for those large RVs and other large vehicles, metal carports provide ample shelter from harsh winds and rain, covering the vehicle from above and the sides.
Metal buildings are fantastic for creating extra living space too; whether you're looking to add an extra room for guests or simply provide more space for your family, metal buildings provide a safe and spacious place to create an extension of your home. Adding a cosy bedroom, a homely lounge and a luxurious bathroom suite can complete a living space which meets every need a guest could wish for outside of the main house.
Adding stylish touches such as contemporary lighting, ample entertainment for the evenings (such as a working television and DVD player), sleek bathroom furniture and attractive furnishings will bring the new living space together so that any guest or family member would be happy to spend the night in. It can also come in really useful if an elderly relative needs to move in with you or to give older children their own independence before finding their own place. You could even find yourself a lodger to yield a bit of extra income!
Those who have attempted to stick to a rigorous home workout routine are sure to know how awkward pushing weights, storing equipment and bouncing around can be inside the house. With the space that a steel structure offers, you are free to create a space to create a home gymnasium dedicated to your home workout. Hang punch bags, set up chin-up bars and introduce a treadmill to create a private space in which you can work out in your own time and in a place that is convenient for you. This is particularly handy for those who live in secluded areas where the nearest gym is a car journey too far!
If your metal building is quite spacious you could even incorporate your own wetroom or showering area to really create that 'gym' experience right on your doorstep!
The uses for steel buildings and garages are almost countless, but one thing is for sure; if you are looking for a quick and cost effective way to create extra space on your property, steel buildings are right for you!


text:
$50 million in Florida budget a 'big win' for beaches but only a start
The $50 million doesn't address the state's $77 million recovery tab in the wake of wallops by two hurricanes last year.
$50 million in Florida budget a 'big win' for beaches but only a start The $50 million doesn't address the state's $77 million recovery tab in the wake of wallops by two hurricanes last year. Check out this story on naplesnews.com: http://nplsne.ws/2pqWqDB
Alexandra Glorioso and Eric Staats, Naples Daily News Published 4:52 p.m. ET April 27, 2017 | Updated 8:21 p.m. ET April 28, 2017
Senate budget chief Jack Latvala, R-Clearwater, tell the Naples Daily News where beach renourishment funding and policy fits into budget negotiations. Alexandra Glorioso/Naples Daily News
Jack Latvala Florida Senator District 16, Clearwater(Photo: Provided)
Florida's beaches would receive $50 million next year for renourishment projects in the state budget being negotiated by legislative leaders, but a bill to overhaul the way the state manages its coasts faces an uncertain future.
"It's a big win to get $50 million in the budget for beaches, big win," said Senate Appropriations Chairman Jack Latvala, R-Clearwater, who made beach funding a top priority this legislative session.
Lawmakers often have provided less than the $30 million required in state law each year.
Latvala's bill to reform the state's beach management system overwhelmingly passed the Senate on Thursday but has stalled in the House.
The beach funding boost and Senate action on Latvala's bill come on the heels of the Naples Daily News' four-day "Shrinking Shores" series. The series showed how state leaders have not delivered for Florida's beaches, even though they bring in billions of dollars of tourism-related state sales tax revenue.
The House still could take up the beach policy bill sent over from the Senate in these final days of the legislative session, and parts of it could be written into the state's budget, beach advocates said.
Florida Shore and Beach Preservation Association President Debbie Flack celebrated the $50 million included in the budget Thursday.
"If nothing else happens, that's a major hurdle," Flack said.
Collier County commissioners weigh how to pay for bigger beaches
Florida House pulls back on $50 million beach funding goal
Erosion woes: As beaches degrade, Collier leaders weigh shift from truck hauls
Shrinking Shores: Every year, Florida loses more of its beaches
It has been more than a decade since beaches' annual state allocation reached $50 million, even though the length of critically eroded shoreline has grown by 30 percent and beach renourishment costs have risen.
But the milestone comes with a potential downside.
The $50 million doesn't address the state's $77 million hurricane recovery tab in the wake of wallops from Hurricane Matthew in northeastern Florida and Hurricane Hermine in the Big Bend region last summer.
Gov. Rick Scott's budget included $61.2 million for storm-related beach repairs and the $50 million the Florida Senate also included to fix damaged beaches. The House budget sought $30 million for beaches overall.
A section of State Road A1A in Flagler County shows erosion damage after Hurricane Matthew passed the east coast of Florida in October 2016. The section of road had been previously undermined, and county officials recently had begun a beach replenishment process. (Photo: David Albers/Naples Daily News)
Florida legislators have provided far less each year than coastal communities' requested for state aid for beaches and inlets, leaving them with a financial burden they often couldn't meet.
"I think $50 million is going to help," said beach advocate and state Rep. Kathleen Peters, R-Treasure Island. "Is it going to catch us up? No. We're not going to get caught up in one year."
Peters, who sponsored the beach policy overhaul bill in the House that was a companion to Latvala's measure, wasn't ready to proclaim it dead Thursday.
"A lot can happen in the last week of the session," Peters said. The legislative session is scheduled to wrap up May 5. "I'm hopeful."
The beach policy overhaul, which Latvala unveiled at Lowdermilk Park in Naples last month, would:
» Set a minimum $50 million annual funding level — or 7.6 percent of the state's Land Acquisition Trust Fund, which is less — for beach renourishment and inlet management. That would be $20 million more than the previous annual minimum of $30 million set in a 1998 law that legislators later rewrote to lessen the commitment.
» Require the state Department of Environmental Protection to establish a three-year work plan, identifying prioritized projects to be funded each year.
» Revamp the way the DEP ranks beach and inlet projects proposed by local communities, for the first time prioritizing beach projects based on their expected return on investment and economic impact.
» Refocus the state's attention on managing inlets, which are primary drivers of beach erosion, particularly on the east coast.
The House bill doesn't include the $50 million funding minimum.
Flack said the $50 million in the budget and the Senate action on the beach policy bill shows that Florida's coasts have legislators' attention.
"It seemed to be an enlightened subject," Flack said of Thursday's debate in the Senate. "They get it."
PHOTOS: Future uncertain for Florida beaches
Pedestrians survey a section of State Road A1A in Flagler County damaged by erosion when Hurricane Matthew plowed up the east coast of Florida in October. David Albers/Naples Daily News
Florida Gov. Rick Scott, right, surveys Hurricane Hermine damage with Franklin County commissioner William Massey, center, and Florida National Guard Maj. Gen. Michael Calhoun, left, in Alligator Point on Sept. 3, 2016. Over the years, the rural beach community in the Florida Panhandle has lost sections of road, sea walls and two dozen homes to beach erosion. David Albers/Naples Daily News
The evening after Hurricane Hermine made landfall nearby, debris covers the end of Gulfshore Boulevard in Alligator Point, Fla. on Sept. 2, 2016. The stretch of road in the rural Florida Panhandle beach community is eroding into the Gulf of Mexico as infrastructure and homes are damaged and destroyed as the problem worsens. David Albers/Naples Daily News
Tallahassee resident Bert Boldt sits on what's left of a driveway that once led to his Alligator Point vacation home, which was damaged in Hurricane Dennis and could not be rebuilt because of erosion. David Albers/Naples Daily News
Tallahassee resident Bert Boldt's former vacation house in Alligator Point, Fla. is seen in a photo he took after storm damage. The home was eventually destroyed by storm erosion and demolished. David Albers/Naples Daily News
A day after Hurricane Hermine made landfall nearby, Alligator Point resident Bob Gould stands in front of his home on Sept. 3, 2016. The property belongs to heirs of Gould's deceased friend and he is able to afford living in the beachfront property by striking up a deal as its caretaker. Gould can only reach the property using an all-terrain vehicle because the road once leading to the home has eroded away. His utilities have been severed by several recent storms and Hurricane Hermine piled sand into his front yard and basement and destroyed his landscaping. David Albers/Naples Daily News
A day after Hurricane Hermine made landfall nearby, Bob Gould's Alligator Point home is seen along a beach where Gulfshore Boulevard once was located. Gould can only reach the property using an all-terrain vehicle because the road once leading to the home has eroded away. His utilities have been severed by several recent storms. David Albers/Naples Daily News
Alligator Point resident Bob Gould uses an all-terrain vehicle to leave his home on Sept. 3, 2016. The property is one of several in the community cut off from roads with utilities repeatedly severed by worsening erosion damage. David Albers/Naples Daily News
Alligator Point resident Bob Gould uses an all-terrain vehicle to leave his home on Sept. 3, 2016, the day after Hurricane Hermine made landfall nearby. The property is one of several in the community cut off from roads with utilities repeatedly severed by worsening erosion damage. David Albers/Naples Daily News
A section of Alligator Drive in Alligator Point was damaged by erosion from Hurricane Hermine in early September. David Albers/Naples Daily News
A section of Alligator Drive in Alligator Point, Fla. sits damaged on Sept. 2, 2016 after storm erosion from Hurricane Hermine. David Albers/Naples Daily News
Kevin O'Connor, of Long Beach, New York, surveys a section of State Road A1A damaged by erosion after Hurricane Matthew passed the east coast of Florida in October 2016. O'Connor said he owns two homes in Flager beach and came down to try to protect his investments. "If this were a direct hit we wouldn't be standing here. "Twenty- or 30-years-ago when I first started coming here, the beach was way deep, but now, the last ten years after those other storms, there is nothing left," said O'Connor. David Albers/Naples Daily News
A section of State Road A1A in Flagler County was damaged by erosion when Hurricane Matthew plowed up the east coast of Florida in October. David Albers/Naples Daily News
A section of State Road A1A sits badly damaged by erosion after Hurricane Matthew passed the east coast of Florida in October 2016. David Albers/Naples Daily News
A runner exercises in the early morning light just south of Vanderbilt Beach on Friday, March 17, 2017 in North Naples. (Photo: Katie Klann/Naples Daily News)
Read or Share this story: http://nplsne.ws/2pqWqDB
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This programme is offered by Boston City Campus & Business College Head Office in the distance education mode, with all other Boston City Campus & Business Colleges operating as Support Centres. Apply to register at any Boston City Campus & Business College branch countrywide.
Download the Fact Sheet for additional, detailed programme information.
All modules are compulsory and must be passed.
*Formative Assessments are undertaken and the highest grade achieved in Formative Assessment is retained. The final grade is based on the Summative Assessment only. A maximum of one (1) additional supplementary assessment opportunity is provided for the Summative Assessment, which will be charged for.
**Two (2) formal Formative Assessments are completed and are weighted 20% (each) of the final grade. No supplementary assessments are provided for Formative Assessments. Two (2) Summative Assessments are completed and are weighted 50% and 10% of the final grade. A maximum of one (1) supplementary assessment opportunity is provided for each Summative Assessment, which will be charged for.
Based on the credits and notional hours of this qualification, the minimum duration is six semesters over a period of three years, and the maximum duration is six years.
National Senior Certificate (NSC), with English passed and with endorsement for admission to Diploma study; or National Certificate (Vocational) (NC(V)), with English passed and with endorsement for admission to Diploma studies; or Prior to 2009, Senior Certificate with English as one of the modules passed.
On successful completion the Learner will be issued a Diploma in Event Management SAQA ID 93877, NQF L6, minimum 374 credits from Boston City Campus & Business College.


Video: Is This The World's Largest Collection?
Billy Karam reckons he's got the world's largest collection of model cars with over 30,000 pieces, plus 400-odd dioramas. Very impressive!
In the summer of 1971, 15-year old Steve Mirabelli and his friend combined their collections of scratch built NASCAR models – and made a movie. "I built a 1/2 mile speedway set in my basement" Mirabelli wrote. "I filmed the piece with an old Brownie 8mm home movie camera exposing one frame at a time moving the cars between frames. This short film took 2 months to complete." Now that's dedication!


Children and parents consider digital audio pens, like Tiptoi or TING, as toys rather than educational tools. The pens lose their meaning as soon as children learn how to read. Marcel Rechlitz and Claudia Lampert examined the potential of digital audio pens for the reading and language development of children in a qualitative study.
Since 2010, audio pens (such as Tiptoi from Ravensburger and TING) are available in the German market. The main principle of these products is based on a digital pen which plays audio signals (words or sound) when pointing at deposited digital information within the paper. While being used, the pen records the individual and current state of learning, as well as the state of knowledge of the child using it, and is able to customize output information. Thus, the digital audio pen can be particularly suitable for younger children who cannot read yet and offers new opportunities that extend the classical use of books. In a first explorative study, Marcel Rechlitz and Claudia Lampert interviewed six children and their parents about how they are using digital audio pens and what role the devices play for reading habits within the families. The findings show that the potential for the reading and language development has not yet been exhausted. The audio pens are seen as suitable for the reading and language development, especially for children who get less support from their parents.
From September 2015 to January 2016, six qualitative semi-structured interviews (incl. participant observation) were carried out with children of preschool and primary school age, as well as with one of their parents. The participants were recruited by public calls and direct response. Additionally, the research included expert interviews with three pedagogues and one representative of the children's library. The interviews were transcribed and analysed using the MAXQDA11 software programme.
Children and their parents were asked how they handle audio pens and how the use of these products affect the reading habits within families. The interviews with children focused on how they use the audio pens, what preferences they have, and what difficulties/problems occur when using these pens. The parents focused on why they bought an audio pen, how often these pens are used, and what they mean for reading, learning, and playing. The expert interviews with two pedagogues and one librarian provided further assessments of the audio pens and their impact on learning how to read.
Tiptoi from Ravensburger and the audio pen TING are currently two similar products on the German market. Five of the surveyed families use Tiptoi; only one family uses TING. During the interviews, the children were preliminarily asked to use the pen they already knew and, afterwards, the other system.
The results of this exploratory study serve as an indication that the digital audio pens are perceived either as an auditory extension of books or as a toy. Furthermore, the findings show that the potential for the reading and language development has not been exhausted yet. The audio pens are seen as particularly useful for the reading and language development of children who get less support from their parents. In general, the interviewed parents have a positive view of audio pens. They like that children use books (or games) instead of screen media. Since parents consider digital audio pens primarily as playful additions to books, they do not see a need for regulation concerning the content or the duration of use.
Rechlitz, Marcel / Lampert, Claudia (unter Mitarbeit von Sabrina Maaß und Kira Stomberg) (2016): Digitale Audiostifte: Rolle und Nutzung in der Familie – eine explorative Studie. Hamburg: Verlag Hans-Bredow-Institut, März 2016, (Arbeitspapiere des Hans-Bredow-instituts Nr. 37), http://www.hans-bredow-institut.de/webfm_send/1128.


Happy Holidays from all of us at Spooky Southcoast!
10 PM - MIDNIGHT [Eastern Time].
Nicole's Vlogs; "white noise experiment:1"
How To Make A Free White Noise Generator!
Nicole's Vlogs: "White Noise," Part2.
SPIRIT OF SON COMES THROUGH ON CHRISTMAS!!
Voice speaking while on white noise radio station - i was amazed!
Nicole's Vlogs; "White Noise, part1"
The Spirit of Xmas 2011: Part 3 "Wonderful Christmas Eve"


When it's the usually great weather at San Clemente, the outdoor activities are endless! Aside from beaching and golfing, you can also enjoy hiking! De-stress from your usual daily city life and get closer to nature in San Clemente's hiking trails.
San Clemente has hiking trails perfect for all skill levels that's why walkers, joggers, and even cyclists love the city. Each hiking trail has unique terrains with different challenges every hiker will love. Plus, it gives you a spectacular view of nature while getting your daily cardio.
What are you waiting for? Check out these hiking trails, lace up your shoes, put good music in your ears, and go hiking!
This hiking trail has many steep grades but mostly has easy and long grades. You can use its six trail entrance: three entrances to a nearby parking area and other three entrances are for walk-in only.


These two were made using K&Co's Que Sera Sera paper and a border strip from an older DCWV paper on brown cardstock from The Paper Co. Ribbon is a mint green from the 50 cents stuff from Michaels. (It picked up some of the colors in the squares.)I distressed the edges using colorbox ink in chestnut roan. The squares were made using the Marvy Uchida 1.5" square. I popped up the sentiment with foam tape.
It's here, it's here, it's here!!!
Sorry I haven't posted in ages!


text:
The last prophet, or final prophet, is a term used in religious contexts to refer to the last person through whom God speaks, after which there is to be no other. The appellation also refers to the prophet who will induce mankind to turn back to God.

Abrahamic religions

Judaism
Judaism considers Malachi to be the last of the biblical prophets, but believes that the Messiah will be a prophet and that there will possibly be other prophets alongside him.

Christianity

In Christianity, the last prophet of the Old Covenant before the arrival of Jesus is John the Baptist (cf. ). The Eastern Orthodox Church holds that Malachi was the "Seal of Prophets" in the Old Testament. Christian denominations who hold that spiritual gifts (including prophecy) continue to be bestowed by the Holy Spirit on Christians are known as "continuationists" (including Catholics, Methodists, and Pentecostals), while the cessationist perspective, which teaches that charismata ended in the Apostolic era, is held by much of Reformed Christianity and Baptists.

The Iglesia ni Cristo, an independent, nontrinitarian Christian religion based in the Philippines, professes that founder and first Executive Minister Felix Manalo was the last messenger sent by God to reestablish the original church founded by Jesus.

Gnosticism
In Mandaeism, John the Baptist is the greatest and final prophet.

Mani, founder of the Persian faith Manichaeism, also claimed to be the Seal of the Prophets and the last prophet.

Islam

The phrase Khatamu 'n-Nabiyyīn ("Seal of the Prophets") is a title used in the Quran to designate the Islamic prophet Muhammad. It is generally regarded to mean that Muhammad is the last of the prophets sent by God.

Dharmic religions

Hinduism
In Hinduism, the history of mankind is described in four religious (dharmic) ages (yugas), which depict a gradual decline in religious activities, only to be renewed at the end to start a new cycle of the four ages. At the end of the Kali Yuga, the current and last age in a cycle, Kalki, the tenth avatar of Vishnu, is prophesied to appear to punish the wicked, reward the good, and inaugurate the Satya Yuga of the next cycle. Kalki is the last avatar in the current cycle.

References

Titles of Muhammad
Prophets

redpajama_set_name: RedPajamaWikipedia


text:
package it.gmariotti.cardslib.demo.fragment;

import android.content.Context;
import android.os.Bundle;
import android.view.LayoutInflater;
import android.view.View;
import android.view.ViewGroup;
import android.widget.RatingBar;
import android.widget.TextView;
import android.widget.Toast;

import java.util.ArrayList;

import it.gmariotti.cardslib.demo.R;
import it.gmariotti.cardslib.library.internal.Card;
import it.gmariotti.cardslib.library.internal.CardArrayAdapter;
import it.gmariotti.cardslib.library.internal.CardThumbnail;
import it.gmariotti.cardslib.library.view.CardListView;
import it.gmariotti.cardslib.library.view.listener.UndoBarController;

/**
 * List of Google Play cards Example with Undo Controller
 *
 * @author Gabriele Mariotti (gabri.mariotti@gmail.com)
 */
public class ListGplayUndoCardFragment2 extends BaseFragment {

    private CardArrayAdapter mCardArrayAdapter;
    private UndoBarController mUndoBarController;
    private CardListView mListView;
    private String[] mCardIds;
    private static final String BUNDLE_IDS="BUNDLE_IDS";
    private static final String BUNDLE_IDS_UNDO="BUNDLE_IDS_UNDO";

    @Override
    public int getTitleResourceId() {
        return R.string.carddemo_title_list_gplaycard_undo;
    }

    @Override
    public View onCreateView(LayoutInflater inflater, ViewGroup container, Bundle savedInstanceState) {
        return inflater.inflate(R.layout.demo_fragment_list_gplaycard_undo, container, false);
    }

    @Override
    public void onActivityCreated(Bundle savedInstanceState) {
        super.onActivityCreated(savedInstanceState);

        mListView = (CardListView) getActivity().findViewById(R.id.carddemo_list_gplaycard);
        initCards();
    }

    private void initCards() {

        //Init an array of Cards
        ArrayList<Card> cards = new ArrayList<Card>();

        for (int i=0;i<100;i++){
            GooglePlaySmallCard card = new GooglePlaySmallCard(this.getActivity());
            card.setTitle("Application example " + i);
            card.setSecondaryTitle("A company inc..." + i);
            card.setRating((float) (Math.random() * (5.0)));
            card.setId("" + i);

            //Only for test, change some icons
            if ((i > 10 && i < 15) || (i > 35 && i < 45)) {
                card.setResourceIdThumbnail(R.drawable.ic_launcher);
            }

            card.init();
            cards.add(card);
        }

        mCardArrayAdapter = new CardArrayAdapter(getActivity(),cards);

        //Enable undo controller!
        mCardArrayAdapter.setEnableUndo(true);

        //CardListView listView = (CardListView) getActivity().findViewById(R.id.carddemo_list_gplaycard);
        if (mListView!=null){
            mListView.setAdapter(mCardArrayAdapter);
        }
    }

    /**
     * This class provides a simple card as Google Play
     *
     * @author Gabriele Mariotti (gabri.mariotti@gmail.com)
     */
    public class GooglePlaySmallCard extends Card {

        protected TextView mTitle;
        protected TextView mSecondaryTitle;
        protected RatingBar mRatingBar;
        protected int resourceIdThumbnail;
        protected int count;

        protected String title;
        protected String secondaryTitle;
        protected float rating;

        public GooglePlaySmallCard(Context context) {
            this(context, R.layout.carddemo_mycard_inner_content);
        }

        public GooglePlaySmallCard(Context context, int innerLayout) {
            super(context, innerLayout);
            //init();
        }

        private void init() {

            //Add thumbnail
            CardThumbnail cardThumbnail = new CardThumbnail(mContext);

            if (resourceIdThumbnail==0)
                cardThumbnail.setDrawableResource(R.drawable.ic_std_launcher);
            else{
                cardThumbnail.setDrawableResource(resourceIdThumbnail);
            }

            addCardThumbnail(cardThumbnail);

            setSwipeable(true);

            setOnSwipeListener(new OnSwipeListener() {
                    @Override
                    public void onSwipe(Card card) {
                        Toast.makeText(getContext(), "Removed card=" + title, Toast.LENGTH_SHORT).show();
                    }
            });

            setOnUndoSwipeListListener(new OnUndoSwipeListListener() {
                @Override
                public void onUndoSwipe(Card card) {
                    Toast.makeText(getContext(), "Undo card=" + title, Toast.LENGTH_SHORT).show();
                }
            });

        }

        @Override
        public void setupInnerViewElements(ViewGroup parent, View view) {

            //Retrieve elements
            mTitle = (TextView) parent.findViewById(R.id.carddemo_myapps_main_inner_title);
            mSecondaryTitle = (TextView) parent.findViewById(R.id.carddemo_myapps_main_inner_secondaryTitle);
            mRatingBar = (RatingBar) parent.findViewById(R.id.carddemo_myapps_main_inner_ratingBar);

            if (mTitle != null)
                mTitle.setText(title);

            if (mSecondaryTitle != null)
                mSecondaryTitle.setText(secondaryTitle);

            if (mRatingBar != null) {
                mRatingBar.setNumStars(5);
                mRatingBar.setMax(5);
                mRatingBar.setStepSize(0.5f);
                mRatingBar.setRating(rating);
            }

        }

        public String getTitle() {
            return title;
        }

        public void setTitle(String title) {
            this.title = title;
        }

        public String getSecondaryTitle() {
            return secondaryTitle;
        }

        public void setSecondaryTitle(String secondaryTitle) {
            this.secondaryTitle = secondaryTitle;
        }

        public float getRating() {
            return rating;
        }

        public void setRating(float rating) {
            this.rating = rating;
        }

        public int getResourceIdThumbnail() {
            return resourceIdThumbnail;
        }

        public void setResourceIdThumbnail(int resourceIdThumbnail) {
            this.resourceIdThumbnail = resourceIdThumbnail;
        }
    }

}

redpajama_set_name: RedPajamaGithub


Headquartered in Singapore, K.U.S Group is today a renowned and established provider of building materials in Asia.
Expanding from its initial endeavour in Structural components, K.U.S Group has since diversified and is now predominantly known for its expertise in 6 main categories of building materials: Formwork systems, Scaffolding systems, Steelbending components, Architectural works components, Pre-cast concrete components and Metal Works products.
K.U.S Group first started with K.U.S Holdings (S) Pte Ltd in 1999. Under strong leadership and vision, the company has widened its horizon through regional expansion in Asia, establishing itself in one country after another and eventually becoming K.U.S Group of companies. Today, K.U.S Group has its presence in 10 countries through the 18 companies under its arm.
While focusing mainly on the trading of building materials initially, K.U.S Group has ventured into manufacturing some of its products over the years in order to improve its efficiency and maintain its cost effectiveness. As building methods in the industry continue to evolve rapidly, K.U.S Group has moved swiftly to place an added focus on research and development.
K.U.S Group of companies rapidly established a region-wide distribution system, providing an edge to deliver competitive and quality range of products to regions around Asia. With its ever growing appetite for success, K.U.S Group's vision is to set up offices throughout the globe.


Hotel Residence Roses is situated in the maritime historical centre of Paola. It is a building dating back to 1800 finely and carefully equipped and restored with elegance and comfort . This Superior 3 stars hotel is just a few minutes away from the railway station and from the seaside, characterised by wide free or fully equipped beaches, and from the splendid "Lungomare S. Francesco".
The complex is ideal both for short and long stays. Our Hotel has a wonderful reception , breakfast room and business room. We have 4 apartments for 4 people each, fined and carefully equipped for a pleasant holiday .
Each apartment has a full equipped dining room-kitchen and very quiet bedrooms with private bathrooms . We have an outside roof garden which is common to the 4 apartments and equipped with very nice sofas, big umbrellas, comfortable chairs and night light for reading and relaxing .
The Residence has the privilege of being situated in a maritime region so the climate is mild for all year , and it is located between the splendid sea coastline and the wild, spectacular and suggestive mountain of "Sila".
You are going to enjoy a unique atmosphere here.


• Date: Tuesday, April 15, 2003, at 2:58 p.m.
Go to AOL (Keyword: Madonna) to hear "Love Profusion".
Go to Launch/Yahoo! to hear "X-Static Process."
Go to MSN to hear "Mother and Father."
you'll be surprised cause there are some of her best written tracks she has ever produce!!!!


Grande size rugs are 6ft x 7ft (1.8m x 2.1m). This size rug is a bold statement in any room and will definitely make their presence felt. They can be used in foyers and living rooms to enhance a feeling of luxury and comfort. They can also be used in more private spaces such as the master bedroom, if the room is large enough for it. A dramatic statement for any larger floor area.
Jumbo size rugs are 5ft6in x 6ft8in (1.67m x 2m). While generously-sized, we have seen them used effectively as wall hangings in medium to large size rooms. We have also seen them attractively deployed under dining tables and coffee tables in larger living rooms. They can be used everywhere a Grande size is used, for situations where the Grande is too large for the space.
Full Size rugs are 4ft x 5ft4in (1.2m x 1.6m) or 5ft (1.5M) diameter round. This is our most popular and versatile size and can be used in front of fireplaces, small to regular size sofas, and in other conversation areas. It is often used as a wall hanging in stairwells and living rooms and as a decorative focal point for beds or futons. Their generous size also make these an imaginative alternative to a bear-skin rug for your fireplace area.
Medium Size rugs are 2ft8in x 4ft (.8m x 1.2m) or 3ft8in (1.1m) diameter round. The versatile full-size can be used as a throw rug in small-to-medium size conversation areas, halls, and bedrooms. It can be hung attractively as a tapestry in most normal-sized rooms such as bedrooms, dens, and game rooms. A natural compromise between size and dramatic effect.
Our Small Size rugs are 24in x 32 in (.6m x .8m) are also large-size pillows! This size is great in front of individual chairs, or more commonly on the chair or couch, on a bed, or in a baby room as a pillow. A zippered backing and lined interior enable them to be stuffed, creating an over-large pillow that becomes a significant decorative element. This would also be a great size for gift-giving.
Our Small Pillows are 16in x 24in (.4m x .6m). This is still a very good size pillow and very soft. These pillows are great for accents in sitting areas and on beds as well.


text:
Q: How can i generate a java class from a nexus repository using JAXB I have two projects:
A/ JAR artifact where the schema.xsd is located
B/ src/main/gen pom.xml
I want in B project generate classes from XSD, that exists in A Project where the jar file is located on a nexus repository.
Here is how look my pom.xml from project B
<plugin>
      <groupId>org.jvnet.jaxb2.maven2</groupId>
      <artifactId>maven-jaxb2-plugin</artifactId>
      <version>0.9.0</version>
      <executions>
          <execution>
              <goals>
                  <goal>generate</goal>
              </goals>
          </execution>
      </executions>
      <configuration>
          <schemas>
              <schema>
                  <dependencyResource>
                      <groupId>project.A</groupId>
                      <artifactId>A</artifactId>
                      <version>${project.version}</version>
                      <resource>test.xsd</resource>
                  </dependencyResource>
              </schema>
          </schemas>
          <generateDirectory>../test_class/src/main/java</generateDirectory>
          <generatePackage>mypackage</generatePackage>
      </configuration>
</plugin>

It generate correctly a java class into the project B from the xsd schema because project A is stored on my local repository.
But I have no idea on : How to generate a java class from a nexus repository?

redpajama_set_name: RedPajamaStackExchange


Many readers of the farmingfriends website often find pigeon eggs and try to incubate them. I have recently been asked about the shell becoming transparent on the pigeon egg.
Thanks for your question. I hope that your pigeon eggs are still doing ok. Unfortunately I don't know much about hatching pigeon eggs. I have read in this article http://www.internationalmodenaclub.com/Online%20Library/Articles/M-P/PigeonEggsPg1-6.pdf that if the shell is transparent then this is a sign that the embryo is dead in the shell. I do hope that this isn't the case and that your egg hatch.
If you have experience of hatching pigeon eggs and know what it means when a pigeon egg shell turns transparent then please leave a comment.


[✓] Import data into the right format (ex: E+-03 -> 10^3)?
Fit data with a proper Gaussian using NonlinearModelFit?
Dynamically create a list of strings for chart labels?
[✓] Use Map with If to apply a test to a nested list?
Plot multi histogram in one image, where the bins are real numbers?
Connect to publisher example with Database explorer?
Use different InterminateThreshold for several classes?
Parse a .txt file through the Classify function and assign a class?
Plot a 4 Vertical Axes on Graph with 1 Horizontal Axes?


text:
Part of HuffPost Entertainment. ©2023 BuzzFeed, Inc. All rights reserved.
The Bloglos angelesNew Yorkfreedom
Martha Cooper: The MOCA Honoree is Remixed in Brooklyn and LA
Street Art Reprisal
Jaime Rojo & Steven Harrington, Contributor
Co-Founders, BrooklynStreetArt.com
Apr 4, 2011, 03:04 AM EDT | Updated Dec 6, 2017
By the time the 25th anniversary edition of Subway Art was published in 2009, generations of graffiti and street artists had been influenced by Martha Cooper's photographs of New York City graffiti art on trains. Not an immediate success, the book she co-authored with Henry Chalfant eventually sold over half a million copies and became a holy book for fans, aspiring artists, and art historians worldwide. An inspiration to many graffiti and street artists today, her photos are the basis for the Martha Cooper: Remix show at Carmichael Gallery in Culver City and why she and Street Artist Aiko are wheat pasting 170 of her photographs on a wall at the MOCA Art in the Streets exhibition opening April 17th in Los Angeles.
Martha Cooper with her beloved 21 year old cat, Pancho, in her home in Manhattan. (photo copyright Jaime Rojo)
We had the honor of working with Martha to plan the Remix show and as we thought of her work and and the concept of a remix, it easily tapped into the span of her career; both the hip-hop analog DJ technique of vinyl sampling as well as the digital cut-and-paste practice of modern mashup artists who are running in the streets at the moment. While it is true that Ms. Cooper has captured a vast archive of history, it's the high regard she has earned and the relationships she has engendered that are the reason that many of the Remix pieces are so powerful. An ethnographer by training and one of the most important photographers of street and street art culture for the last four decades, Ms. Cooper remains amazingly approachable and outright enthused about her photographs and the people in them, as if she had snapped them just yesterday. And she's pleased to meet you.
Chris Stain and Billy Mode (photo copyright Jaime Rojo)
We talked together recently as two street artists, Chris Stain and Billy Mode, reprised a tribute mural to Martha on a bitterly cold and windy Brooklyn night to celebrate her birthday and mark the 50 artist Remix show, with the good humored boys blowing through cans on tops of shaking ladders, continuously working against the bluster for what Chris called "some xtreme painting". While taking a break to warm up inside, everybody had some chocolate birthday cake and Martha flipped through Subway Art with Chris and Billy, answering questions and relating stories about what it was like for her to capture graffiti on trains in New York in the 1970s and what it's like to see street artists like Chris Stain and Shepard Fairey interpreting her photographs today.
Brooklyn Street Art: Of course the city has changed a lot in the last 35 years, and you probably have also. Can you share some insight with us about what the city was like for young photographers at that time?Martha Cooper: I first came to NY in 1975 and for me the city was a place of opportunity. Although it was the center of publishing at the time, there weren't that many photographers. You could call up an editor and he (usually he) would pick up the phone. I loved roaming around neighborhoods looking for pictures. Graffiti was very much underground and few people even realized what kids were writing on walls and trains was their name. My fascination with graffiti and b-boying grew out of photographing the unknown, of being allowed entry into a world that most adults didn't know existed. The city was going bankrupt, very few security systems were in place, and both photographers and graffiti writers could get away with a lot.
This original photo taken on Houston Street in NYC in 1978 from which Chris Stain borrowed the boy on the right. (photo courtesy of Ms. Cooper copyright Martha Cooper)
Brooklyn Street Art: You used to get up before dawn to catch a picture of a train, and sometimes wait 5 hours for the right shot. How did you pass the time when you had to wait for hours? Crossword puzzles?Martha Cooper: There was no down time. Trains were constantly going by in both directions. I had to stay alert watching for just the right painted car. All of the trains in my photos were moving.
Chris Stain and Billy Mode on a Brooklyn rooftop with Manhattan in the background working on "Cries of the Ghetto", based in part on an image taken by Martha Cooper (photo copyright Jaime Rojo)
Brooklyn Street Art: So how did you get this idea for the theme for the show?Martha Cooper: From you! (laughs) Over the years I've seen a lot of people using my photographs, authorized and unauthorized. The Carmichaels had asked me to do a solo show. After considering a number of options, I thought about what we had done, what you had done in that blog post. We talked about how artists had used my work and I thought, 'Why don't I do that?' So that's how it happened.Brooklyn Street Art: Way before this show, street artists like Chris Stain and Shepard Fairey interpreted a number of your photographs in their work.Martha Cooper: Some photographers don't want their photos to be used as a basis for someone else's art but mostly I don't mind. Both Chris and Shepard asked permission and in both cases the collaboration has had unexpected positive results, one of which was connecting with BSA.
Brooklyn Street Art: And what have the responses been like so far?Martha Cooper: I got a lot of really heart-warming responses from people I've been in touch with over the years. A lot of old-school and new-school artists and that made me feel good.
Brooklyn Street Art: Was it surprising to see the response?Martha Cooper: I didn't know what kind of response I was going to get. It was a little scary to write to people. I decided right in the beginning that I was going to write personal notes to everybody. So you guys and I talked about it and we made a list.
Street artists Chris Stain and Billy Mode reflected in a rooftop puddle as work begins (photo copyright Jaime Rojo)
Brooklyn Street Art: Well, we tried to include old-school people you were very familiar with and a number of the new people that we were familiar with.Martha Cooper: Yes, many of whom I had met. As it turns out, Miami was really a hotbed of street artists for me in the two years I went down there to shoot at Wynwood during Art Basel. And I would not have known some of them had it not been for Basel, so I have to thank Tony Goldman for that.
Brooklyn Street Art: We've worked with Chris Stain before and we've been talking to him about doing another wall together. When we told him about this show he said "Why don't I do a Martha piece?"Martha Cooper: I didn't know who Chris Stain was. He contacted me a couple of years ago by email and just said that he had done work using my photographs. And a little dialogue developed and I went over to his studio in Brooklyn and I met him and it all worked out. He had already seen my books - he doesn't take the exact picture, he takes parts of it.
Brooklyn Street Art: Yeah, he takes elements from your photographs and puts them in a different context. And that's okay with you, it doesn't offend you that he takes a portion of it?Martha Cooper: No! It flatters me. You know, just the idea that people are looking at these pictures and liking them enough to base their own art on them, to me is flattering. Maybe not to everybody, but to me, I like it. Especially if you asked permission and at least you are acknowledging that you are borrowing work from me. Then it is fine.
Chris and Bill take a break from the cold winds to talk about the piece (photo copyright Jaime Rojo)
A Chris Stain piece from a couple of years ago is based on a photograph by Martha Cooper ( copyright Chris Stain)
Chris Stain's reference screenprint for the wall (photo copyright Jaime Rojo)
Billy Mode updated the letter style for this new piece. Here's his sketch. (photo copyright Jaime Rojo)
Brooklyn Street Art: Martha, your blog for 12oz Prophet is followed quite heavily. What is your favorite part about writing a blog?Martha Cooper: My favorite part is not the writing part! For me the best thing about blogging is that I get to make use of photos immediately instead of just archiving them for possible future use as I formerly did.
Brooklyn Street Art: Stickers are a really popular medium for expression on the street today and you point to Twist, Cost, and Revs as some of the first to use them. What makes stickers so interesting?Martha Cooper: Stickers are everywhere and yet they're invisible to the uninitiated. Keeping your eyes peeled for stickers turns a walk down any street into a treasure hunt. It's a fun way to navigate a city.
Brooklyn Street Art: After years of searching for perfect shots, what's the Holy Grail now?Martha Cooper: Now I'm more worried about archiving my photos than taking them. I have enough pictures to last several lifetimes but I need to be able to find and access them.
Brooklyn Street Art: Your photographs of New York City youth and their art inspired the art of the next generations. What do you think is your legacy as a photographer of this pivotal period?Martha Cooper: In the pre-digital era, culture was disseminated by newspapers, magazines and books. I was part of a small corps of mostly freelance photographers, filmmakers, and journalists who documented early hip hop. By paying attention to subjects that might have been overlooked by mainstream media, we helped start and spread the art, dance, and music movements, now called hip hop, worldwide.
(photo copyright Jaime Rojo)
The finished wall by Chris Stain and Billy Mode. (photo copyright Jaime Rojo)
This Brooklyn rooftop project was previously documented on Brooklyn Street Art here and here.
See examples of other artists interpreting Ms. Coopers work in this article on Brooklyn Street Art.
Martha Cooper : Remix at Carmichael GalleryFeaturing original photography from Martha Cooper and original remixes from Aeon, Anton van Dalen, Aiko, Barry McGee, Bio, Nicer, B-Gee, Blade, Blanco, BurningCandy Crew, Cey, Cekis, Chris Stain, Claw, Cosbe, Crash, Dabs & Myla, Daze, DEARRAINDROP, FAUST, Flying Fortress, Freedom, Fumakaka World Dominator, Futura, Gaia, How & Nosm, Jane Dickson, John Ahearn, Jose Parla, Kenny Scharf, LA II, Lady Pink, Lee Quinones, Anthony Lister, Logan Hicks, The London Police, Mark Bode, Nazzareno Stencil, Nunca, Mare, Quik, Evil Dr. Revolt, Shepard Fairey, Skewville, Subway Art History, Swoon, T-Kid, Terror161 and Victor Castillo.
See new photos and read scintillating interviews every day on BrooklynStreetArt.com
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Gaming Trend's Top 10 Games of 2015
By Eric Van Allen
This is it — the final list of 2015. After countless hours of deliberations (which you can listen to here), our team finally narrowed down our top ten favorites games of 2015. This is, of course, an aggregation of our general thoughts, and if you'd like to see each of our individual lists you can check them out at our 2015 GOTY hub.
Without further ado, here is Gaming Trend's top ten games of the year.
10. Rocket League
After publishing a lesser-known title called Supersonic Acrobatic Rocket-Powered Battle-Cars, developer Psyonix decided to take the lessons learned and refine the formula, down to a sleeker and simpler game simply titled Rocket League. When it launched, Rocket League dominated the online multiplayer scene with its core concept of rocket-powered cars playing soccer. It was in this simplicity that Rocket League excelled where many sports games hadn't, as it was both approachable to play and more intoxicating to excel in. Scoring a goal in Rocket League is an experience, every single time, no matter how many matches you've played. Players forego common sports jargon for simple interactivity, and in almost all of our online matches, others were setting up shots and goalkeeping without any provocation or mandate. Rocket League is distilled car-soccer, and captures the idea of pick-up sports in a way that few others ever have. It's without a doubt one of the must-play multiplayer titles of the year. — Eric Van Allen
9. Undertale
What else to say about Undertale? It was the first 100 I gave on this site, it was the perfect game at the perfect time, and it's one of the most clever and inventive titles around. Undertale plays on your expectations, acknowledges the player's agency in events and toys with that, all while crafting an excellent story about a child lost in a monster's underground. It's about questions of morality and reason, about the power of friendship and anime and dating skeletons. Developer Toby Fox not only crafted a fascinating group of characters and locales, but fleshed them out so well that even in such a short time, they become one of the most endearing cast in games. The music plays on motifs and themes, elevating emotional moments to their highest potential, and the three endings all play on each other in interesting ways. Undertale is the brilliant result of what indie developers can achieve, and was one of the best surprises of the year. — Eric Van Allen
Just Cause 3 may not have had the best story or framerate of any game this year, but it was the most badass game of 2015, by a wide margin. Flying around, causing endless explosions, and telling cows that you're going to kill them — Just Cause 3 is just an entertaining game through and through.
If you want to know what Just Cause 3 is about, just Google "Just Cause 3 gif," and enjoy. — Travis Northup
7. Until Dawn
For years, we have constantly heard how hard it is to craft a successful comedy video games. But one of the most overlooked difficult genres is horror. Accomplishing the proper creepy atmosphere, and coupling that with mechanics that keep the player craving more is something few titles have ever done. Until Dawn does that in spades with its unforgettable characters and choice-based gameplay. While it is clear the characters are based off of previous horror movie archetypes, they build upon each other elegantly as the narrative unfolds. These performances are spearheaded by Rami Malek as he does an outstanding job portraying the mentally unstable character of Josh. While the constant desire of exploration in hopes of keeping characters from eventual deaths is the driving force of your interactions with the game, the best moments in Until Dawn form as the different personalities collide. That is only enhanced as we find out more information in regards to what in the hell is happening in those woods. Crafting a decent horror game is a challenge, making an unforgettable one seems next to impossible. Despite those odds, developer Supermassive Games did just that. — Jay Malone
6. Ori and the Blind Forest
Ori and the Blind Forest, though heavily marketed by Microsoft over the past year leading up to it's 2015 release, is truly an indie title. Moon Studios is comprised of a small team spread out over the world, and won over MS execs with a single demo of gameplay using a square block and executing their controls. Inspired by the "metroidvania" gameplay and a challenge level from Super Meat Boy, this is not a game that gives quarter. Coupled with an emotional storyline that grabs you from the get-go, and delivers a promise of compelling music and artwork second that simply shines, the hard-but-fair gameplay perfects the balance of challenge and ability and encourages exploration, and offers gamers a true sense of accomplishment in playing it. — Justin Pauls
5. Tales from the Borderlands
As a studio that often creates stories within the worlds of other properties, Telltale has had to deal with red tape and established lore that made stories feel like they were having to meekly exist within the negative space of whatever parallel story that the studio was was working against. In Tales from the Borderlands, Telltale is able to use Gearbox's characters and lore with what appears to be no restriction, and it makes for a game that feels more than tangential to the big picture, and instead an imperative piece of something larger. Gearbox masterfully adapts its formula to the Borderlands world, and it resulted in what was the one of the most entertaining rides that 2015 had to offer, one with unforgettable characters, tangible consequence, and moments that will leave their mark on the Borderlands universe. — Kenneth Shepard
Whispers of Fallout 4 had been heard for years, but very few people could have predicted the impact of Bethesda's bombshell announcement mere months before the game's release. Luckily, Fallout 4 was everything that gamers had hoped for, bringing the series' trademark combat, landscape, mechanics and exploration along with it. And while the end result may have felt strikingly familiar, settlement building stands out as a great (and surprisingly addictive) new addition to the already massive sandbox that is the wasteland of the Commonwealth. It may not be among the most innovative games on this list, but Fallout 4 is an explorer/scavenger's dream and proudly boasts hours and hours of content that'll keep us coming back for years.
2013's Tomb Raider reboot was a big step from Lara Croft's past. Moving the character from a treasure-hunting caricature to a compelling protagonist was amazing on its own, but the step towards big action sequences, stealth gameplay, and puzzle-based tombs felt like a refreshing formula for the series. Rise of the Tomb Raider reinforces these strengths tenfold, adding even more tense combat, stealth-sandbox sequences, and plenty more tombs to raid, all within a larger world to explore and more characters to interact with. While the writing wasn't anything groundbreaking, it delved deeper into Lara's character, and certainly provided for an exciting ride from start to finish. Every mechanic was streamlined, and every collectible had a piece of the puzzle that played into the story in an interesting manner. Add in some gorgeous vistas and excellent graphics, and Rise was one of the best constructed games of the year, with one of the most badass protagonists around. Here's to Lara's next outing and the new, improved Tomb Raider. — Eric Van Allen
Concluding the Metal Gear Solid franchise might have been Kojima's tallest order yet, and the format was certainly new territory. Moving from the corridors and hallways of Shadow Moses to the vast expanses of Africa and the Middle East was a huge venture, but one that was executed almost flawlessly. Operations in The Phantom Pain are emergent and open, allowing for any number of possibilities. You could sneak in under cover of night to silently execute a target, or you could run in guns blazing. You could call in your support helicopter to make use of its miniguns, jump on your D-Walker for additional firepower, or have your sniper pal take them out from a distance. You could even forego killing your target, instead knocking them out and Fulton-ing them out, adding them to your growing roster of Mother Base soldiers. There were less cinematics and story focus, and it goes to some controversial places, but that paled in comparison to the sheer amount of potential in its sandbox. Your support helicopter can fly in to back you up, blasting "Maneater" by Hall & Oates. That's a pretty great game. — Eric Van Allen
1. The Witcher 3: Wild Hunt
CD Projekt RED did more than build a new Witcher game, they put the rest of the development world on notice — this is the raised bar for role-playing games. Engaging, beautiful, unpredictable, and challenging, The Witcher 3: WIld Hunt also received a dozen pieces of DLC at no charge before CD Projekt RED launched their first for-pay piece of content. It isn't the additional content that made it special, though — the team made every piece of the game feel hand-crafted. Many RPGs have 'filler' side quests that feel like they are a vehicle to artificially raise player levels. Each mission in the Witcher 3, no matter how small, felt like it could have easily been a part of the main storyline. Geralt's character growth from a growling Witcher to a father figure with substance is a worthwhile journey. CD Projekt RED has stated that they will continue to expand this already-incredible world throughout 2016, so we can expect a great deal more from our Game of the Year. — Ron Burke
Related Articles: Fallout 4, Just Cause 3, Metal Gear Solid V: The Phantom Pain, Ori and the Blind Forest, Rise of the Tomb Raider, Rocket League, Tales from the Borderlands, The Witcher 3: Wild Hunt, Undertale, Until Dawn


Most of the selection rules you create in Crystal Reports use the And operator. When you use And, each of the values you specify must occur in a row for the road to be displayed. If you want to display a row if one of several values occurs, then you can use an Or operator. In this movie, I will show you how to create selection rules that use an Or operator.


Free HD bolt-on for existing customers?
Is the free HD bolt-on for six months available for existing BT TV customers or just new ones? The website makes it look like existing subscribers can get the bolt-on free for six months, but when going through the order process, no discounts are shown (plus it adds again the Entertainment package that I already pay for, at £7, though I get it for £5 for six months and that does get reflected on my monthly bill).
I'm not massively desperate for the HD bolt-on as the picture quality on SD extra channels such as BT Sport and Comedy Central is decent, but if I can get HD quality at no extra cost then why not? But the website is confusing and I don't want to sign up to something that isn't free after all! £3 extra a month isnt a fortune, I know, but if I was desperate for the HD bolt-on I'd have ordered it when I first became a BT TV subscriber in July.
Can anyone clarify for me? Thanks!
Re: Free HD bolt-on for existing customers?
All introductory prices or offers are only available to new BT Broadband customers unless stated otherwise.
If you ring BT and speak to customer options they normally have access to any deals that are available to existing customers.
According to BT Care on Twitter the offer is for existing customers.


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Force1usa.com
Lidl Germany to Serve as SK Gaming's Fresh Foods Partner
German esports organization SK Gaming announced that it has partnered with German international supermarket chain Lidl, which will serve as the organization's official fresh foods partner. As part of the partnership, Lidl will supply SK Gaming's player facilities in Cologne and Berlin with fresh foods contributing to the organization's performance nutrition plans. Financial details of the partnership were not disclosed.
The supermarket chain's logo will be displayed on the 2021 jersey of SK Gaming and the two parties have planned various joint activations throughout the year. Furthermore, Lidl and SK Gaming created a commercial that several German TV stations will air, including Sport1.
Lidl joins two other German supermarket chains in entering esports as a sponsor. In 2019, Germany's biggest supermarket chain (by stores nationwide), Edeka, entered esports through a partnership with the esports academy of Berlin Bundesliga soccer club Hertha BSC. The other German supermarket chain that got involved in esports as a sponsor is REWE, which is partnered with the esports division of SK Gaming's 25% shareholder and Bundesliga soccer club 1. FC Köln for its Virtual Bundesliga (VBL) squad since March 2020.
Lidl, which is also sponsoring the German national handball team as its fresh foods partner until 2022, has recently shifted its target group focus to young price-conscious customers, which is reflecting in its marketing mix. In addition to its new partnership with SK Gaming, Lidl is active on platforms such as TikTok and created a buzz on social media with the release of its Lidl apparel collection in 2020.
SK Gaming is also partnered with several other brands to promote a healthy performance lifestyle, including URSAPHARM Arzneimittel's eye care brand HYLO, brewery Krombacher, and Body Kitchen, which creates cookbooks aimed at teenagers and young adults.
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text:
Q: Member log in issue I'm having an issue implementing a member log in, in to my library system. This is the code I have so for
Here is my code for from the main system.
    case 1:
    String StudentUser;
    System.out.println("\nEnter Student ID: ");
    StudentUser = br.readLine();
    for (StudentSignUp: memberList)
            {
              if (StudentSignUp.getStudentId().equals()){
                    newMember();
                    break;
                }else
                {
                    system.exit(0);
                }
            }

Here is the code for the member class...
public class Member
{
 private List<StudentSignUp> memberList;

public Member()
{
    memberList = new ArrayList<StudentSignUp>();
}
public void newMember(StudentSignUp student)
{
    memberList.add(student);
}
public String toString()
{
    String totalmem = "\n ";
    for (int i=0; i<memberList.size(); i++)
    {
        StudentSignUp b = memberList.get(i);
        totalmem = totalmem + b.toString();
    }

    return totalmem;
}

}
Here is my code for the StudentSignUp Class...
public class StudentSignUp implements Serializable
{
// instance variables - replace the example below with your own
private int libraryNumber;
private String StudentID;
private String Username;
private String FullName;
private String Address;
private String email;
private String PhoneNumber;
/**
 * Add the required feilds to become a member.
 */
public StudentSignUp( int libraryNumber,String FullName, String
 StudentID, String Username, String Address, String email, String
 strong textPhoneNumber)
{
    this.FullName = FullName;

    this.StudentID = StudentID;

    this.libraryNumber = libraryNumber;

    this.Username = Username;

    this.Address = Address;

    this.email = email;

    this.PhoneNumber = PhoneNumber;
}

public String toString()
{
    return "\nFullName: " +FullName + "\nStudentID: " +StudentID +
    "\nLibrary Number: " +libraryNumber + "\nUsername: " +Username +
 "\nAddresss:
 " +Address + "\nE-mail: " +email + "\nPhone Number: " +PhoneNumber;

}

public String getStudentId()
{
    return StudentID;
}

}

A: Public void newMember(StudentSignUp student)
{
    memberList.add(studend)
}


Perfect for tight fit and confined space DVI applications, MilesTek's angled DVI cables are designed for use in enclosures, cabinets or other confined spaces where standard DVI connectors will not fit.
MilesTek, a leading manufacturer and supplier of products designed to address military and avionics applications, announced today that it has released a new series of DVI cable assemblies that feature straight, 45-degree and right-angle connector options.
For applications that require standard, straight DVI connectors, MilesTek now stocks a wide selection of DVI cable assemblies with DVI-D Dual Link, DVI-D Single Link and DVI-I Dual Link connector options to address a myriad of digital video applications.
"Our new DVI cables are perfect for high resolution display applications where confined spaces exist or even for use in standard DVI connectivity applications where straight connectors will work. These DVI cables are built with only the highest quality cable and connectors to ensure flawless video display," said Mark Hearn, Product Manager.


Optum Pro Cycling presented by Kelly Benefit Strategies today officially announced its 2014 men's roster, with three key signings rounding out the 14-man team. Former US Criterium National Champion Brad Huff, Carter Jones, and former Canadian Road Race National Champion Will Routley will join the Orange and Black for the upcoming season, complimenting a roster that includes 2013 US Criterium National Champion Eric Young and 2013 US Time Trial National Champion Tom Zirbel.
Returning for 2013 are UCI America Tour standout Ryan Anderson, Alex Candelario, Mike Friedman, Jesse Anthony, Tom Soladay, Scott Zwizanski, Bjorn Selander, and 'cross specialists Jeremy Durrin and Mitchell Hoke. Performance Manager Eric Wohlberg will return to assist Performance Director Jonas Carney with directing duties.
With his three new signings, Carney has added experience, leadership, and tactical savvy in Routley, climbing and stage racing ability in Jones, and sprinting muscle and leadout expertise in Huff.
Routley is returning to North American racing after spending the previous season in Europe with Belgian outfit Accent Jobs-Wanty, while Huff, formerly of Jelly Belly, has been a stalwart of the US racing scene for the past decade. Jones comes over from Bissell ProCycling after a breakthrough 2013 season, where he claimed the King of the Mountains jersey at the Amgen Tour of California, finished 8th overall at both the Tour of the Gila and Tour of Utah, and notched 11th overall at the grueling USA Pro Challenge.
Carney's new signings address gaps in the roster that arose in the offseason.
Continuing to lead the assault on sprint finishes, veterans Alex Candelario and Mike Friedman have returned to guide Huff and reigning US Criterium National Champion Eric Young. Canadian Ryan Anderson also returns, bringing the speed and tenacity that notched two USA Pro Challenge podium finishes and third overall in the individual standings for the UCI Americas Tour.
The team is focused on defending their national titles, executing European campaigns in the spring and fall, and earning its third consecutive invitation to the World Team Time Trial Championships,scheduled for 2014 in Ponferrada, Spain.
Above Photo – Jesse Anthony (Optum Pro Cycling pb Kelly Benefit Strategies) wins the Manhattan Beach Grand Prix.


text:
Q: Use object method in asp.net MVC view A month or two ago when I started doing asp.net MVC work I remember reading that it is not recommended to call object methods like the following in the view:
<%: Html.ListBoxFor( m => Model.SelectedId, Model.SelectItems.ToSelectList() ) %>

That above is just an example, not a direct line of code I am using.  I am using extension methods to turn my enumerables into ListBox binding-ready IEnumerable collections. I know there was a concern that someone had raised in an article about this, but I cannot remember what it was.  I am not actually coding it this was at the moment, but the way I am doing it is becoming a burden.  I am writing extension methods to convert all of my IEnumerable objects into both SelectListItem collections and now a MultiSelectList object.  So my view models are becoming bloated with "potential" ways of displaying the data.  Instead of their just being an enumerable of available options, I am tracking 4 new pieces of data: SelectListItem collection, SelectListValue object, MultiSelectList control, MultiSelectListValues collection.
I am not opposed to keep going about this, but I would like to remember why it was recommend not to call the extension method on the View if I'm using strongly-typed full/partial views.  I tried to find that article and others like it but I could not.  I wish my memory was better than this, but hopefully someone out there knows this offhand and would be willing to share it with me!
Thanks in advance!

A: The idea your talking about is based on a principal that the view in MVC should be as simple as possible. Because it is the most difficult to test unnecessary bloat should be avoided.
Your example line could be paired down a few different ways. You could try writing an extension that takes the enumeration from your model and converts it to a select list that can be fed into a listbox, or you can change the model's property to return an enumeration of list items. The later is my preferred method. The model exists to organize the data to be consumed by the view so theres no reason to have it output data that cannot be consumed by the view directly. Either one of these methods would take complexity out of the view and place it somewhere that is easier to unit test.
Hope this helps.


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Have a wonderful day! We can't wait to see you soon.
I have been dealing with a cervical disc injury with symptoms down my arm as well as a forearm strain and he was able to work with both, increasing my comfort level while traveling that week, significantly. It was also just deeply relaxing and wonderful.