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Outside Lands cancels 2020 edition, reveals lineup for 2021 with Tame Impala, Lizzo & The Strokes
June 24, 2020 by Josh Herwitt Leave a Comment
Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 6th-8th, 2021 //
As most of us know by now, 2020 has been a really rough year for the music industry. The coronavirus disease 2019 (COVID-19) pandemic has completely wiped out the concert and festival circuits, with free live streams and drive-in performances serving as our indefinite replacement during these strange and unpredictable days, weeks and months.
So when multiple major events like South by Southwest, Ultra Music Festival and Coachella canceled their 2020 editions and the entire U.S. shut down in March, it seemed unlikely that Outside Lands would actually transpire this summer.
Now that forecast has been officially confirmed, with the three-day music festival announcing that it will not take over Golden Gate Park during the weekend of August 7th-9th this year. It's sad news for many in the Bay Area community and beyond, but OSL organizers did their very best to lift fans' spirits by not only releasing the fest's 2021 dates but also unveiling its lineup.
The 13th installment, in fact, will see Tame Impala, Lizzo and The Strokes each make their OSL headlining debuts with a solid undercard behind them that's led by Tyler, the Creator, Vampire Weekend, J Balvin, Kehlani, The 1975, ZHU and Young Thug. The undercard might even be better, though (if you can believe that).
Other notable names on next year's roster include Khruangbin, Beach House, Bonobo, Nelly, Brittany Howard, Burna Boy, Melanie Martinez, Polo & Pan, Big Thief, Troyboi, Angel Olsen, SOFI TUKKER, EARTHGANG, Tones and I, EOB, Sharon Van Etten, Marc Rebillet, A R I Z O N A, JPEGMAFIA, Dr. Dog, Shiba San, Boy Pablo, Rico Nasty and more.
UPDATE (Jan. 12th): As COVID-19 cases continue to surge across the country, The 1975 have made the difficult decision to cancel all of their tour dates scheduled for 2021, including Outside Lands in August. The good news is that they'll be replaced by RÜFÜS DU SOL, who made their OSL debut in 2016 and have swiftly climbed the festival ranks since issuing 2018's Solace. "We have fond memories of playing the Panhandle stage at Outside Lands five years ago and we are excited to be back this year," the Australian alt-dance trio says in a statement.
the 1975 have made the decision to cancel all scheduled touring for 2021, including their appearance at #outsidelands. ranger dave will miss @the1975 this year, but is stoked to announce that @rufusdusol has now been added to the 2021 lineup! pic.twitter.com/2wDbBaotrJ
— Outside Lands (@sfoutsidelands) January 12, 2021
Outside Lands 2021 might feel like a long way away at this point, but it will be here before you know it so don't forget to purchase your tickets when they go on sale here this Thursday, June 25th at 10 a.m. PT — Eager Beaver passes that were bought in 2020 will also be honored while those who choose to roll over their admission to the following year by July 24th will also have the opportunity to win exclusive upgrades and other prizes — and make sure to check out our coverage from 2019 here.
Filed Under: Featured, Festivals Tagged With: 070 Shake, A R I Z O N A, Andrew McMahon in the Wilderness, Angel Olsen, Badshah, Bakar, Beach House, Big Thief, Bonobo, boy pablo, Brittany Howard, Burna Boy, Cam, Caroline Polachek, Crooked Colours, Dijon, Dr. Dog, DRAMA, EarthGang, Ed O'Brien, EOB, Evann McIntosh, Goth Babe, Hinds, J Balvin, J. Phlip, JPEGMAFIA, Julia Jacklin, Kehlani, Khruangbin, Lizzo, Madeline Kenney, Mahalia, Marc E. Bassy, Marc Rebillet, Melanie Martinez, Moses Sumney, Music Festival Outside Lands Music Festival, Music Festival Outside Lands Music Festival 2020, Music Festival Outside Lands Music Festival 2021, mxmtoon, Nap Eyes, Neal Francis, NEIL FRANCES, Nelly, Noga Erez, ODIE, Outside Lands, Outside Lands 2020, Outside Lands 2021, Parcels, Polo & Pan, Post Animal, Radiohead, Remi Wolf, Resistance Revival Chorus, Rexx Life Raj, Rico Nasty, Rolling Blackout Coastal Fever, Scarypoolparty, Sharon Van Etten, Shiba San, Sofi Tukker, Tame Impala, The 1975, The Beths, The HU, The Midnight, The Soul Rebels, The Strokes, Tones and I, Trevor Daniel, TroyBoi, Tyler the Creator, Vampire Weekend, Young Thug, Yung Bae, Yves Tumor, zhu
Desert Daze 2019: Another intriguing lineup loaded with must-see performances takes over Lake Perris
October 8, 2019 by The Bam Team Leave a Comment
Photo by David Evanko // Written by Kevin Quandt & Pete Mauch //
Desert Daze //
Moreno Beach – Lake Perris, CA
October 10th-13th, 2019 //
After settling into a new location last year, Desert Daze aims to dial in a festival that continues to gain steam and win over rock fans around the globe, beckoning them to come to the shores of Lake Perris. This self-proclaimed "anti-festival" has impressed with their eye-popping artist roster, interactive art and smorgasbord of workshops and otherworldly experiences for all you intergalactic space rangers making the drive from Los Angeles or any of the surrounding hubs across Southern California.
We have a deep love for Desert Daze and want to be your pre-fest sherpas, so we have broken down the best music, camping and food options ahead of this weekend's festivities.
Let's jump head first into the real meat of Desert Daze, and that's its cutting-edge lineup of all things rock, psychedelia, garage, noise, experimental, North African-desert Tuareg blues-pop guitar and so on. Between the festival's trio of lakeside stages, there should be little downtime for the savvy listener, so we'll happily offer up a few of our picks and tell you why you should order that chicken tikka wrap a little later on.
Artist: Frankie and the Witch Fingers
Set date/time: Friday, 2:15-3 p.m.
Location: The Block
These LA psych rockers are truly having an amazing year. After unloading their most cohesive and energetic album to date in ZAM, they have found themselves touring non-stop supporting their killer new release. They are currently on a 37-date tour that sees them opening for ZZ Top and Cheap Trick on seven of those dates, with their Desert Daze set coming right smack dab in the middle of their run with both legendary rockers, so we'd imagine that they'll be fired up to play to their own crowd. This should be an extremely high-energy set that won't let you take a breath because Frankie and the Witch Fingers are pure psychedelic bliss right now. -PM
Artist: Stereolab
Set date/time: Friday, 6:35-8:05 p.m.
Location: The Moon
Tim Gane and Lætitia Sadier are finally bringing their electro-leaning indie pop back to the western side of the country and should be firing on all cylinders after a nearly decade-long break. Having witnessed one of their first reunion shows at Primavera Sound, I can confirm Stereolab's laid-back vibe is still delivered with precision as they work classics like "French Disko" and "Brakhage" as well as others from Dots and Loops into the setlist. We can't think of a better act to catch during Friday's magic hour. -KQ
Artist: Altın Gün
Set date/time: Saturday, 2:40-3:40 p.m.
This Anatolian psych-folk group that calls Amsterdam home has been blending traditional Turkish music and psychedelic melodies to great avail. Their most recent release Gece finds this experimental outfit playing around with time signatures and quick, fierce changes that keeps their listeners wanting more. Their Desert Daze slot in the early afternoon Saturday is really going to get the day rolling. -PM
Artist: The Locust
Set date/time: Sunday, 12:45 a.m.-1:35 a.m.
Location: The Theatre
Shit! This set is not for the faint of heart and will surely be one of the most brutal (looks over shoulder for Lightning Bolt) and thrilling performances for those brave souls still awake after Devo, Ween and Flying Lotus (3D) hit the main stage. Expect a handful of masked musicians bending every boundary of rock music to their back and call, a feat that hasn't transpired for close to five years. Desert Daze founder Phil Pirrone clearly has the Midas touch whenever it comes to reuniting bands or flying in rarities from around the world. -KQ
Artist: SASAMI
Set date/time: Sunday, 3:30-4:30 p.m.
Domino artist Sasami Ashworth has been having a moment since the release of her self-titled debut LP back in March. Some veteran Desert Daze attendees might recognize Ashworth from her days as a former touring member of the LA band Cherry Glazerr, which played the festival in 2016 at its previous location The Institute of Mentalphysics. Since departing Cherry Glazerr, she has quickly cultivated a following under the moniker SASAMI that swoons for her unique brand as a guitar-wielding indie songstress. For now, she has toured with her contemporaries, received blessings from Mitski and expanded to larger international tours. -KQ
Artist: Shintaro Sakamoto
Set date/time: Sunday, 7:45 p.m.-9 p.m.
Japanese composer Shintaro Sakamoto is making his U.S. debut at Desert Daze 2019, and we couldn't be anymore excited to see him perform on Sunday. Sakamoto has been active in his home country for 30 years, most notably with psych rockers Yura Yura Teikoku, but you will see a softer side to him than with his prior band. Sakamoto at The Block during sunset with the Mad Alchemy light show behind him is an absolute must-see! We should hear plenty of tracks off 2014's Let's Dance Raw and 2011's How to Live with a Phantom, too. -PM
There's nothing easier than pitching a tent only a few hundred yards away from any festival site, and Desert Daze continues to excel in this area. Moreno Beach's plush grounds have it all: trees, campside parking, free hot showers, permanent bathrooms and even a camping-exclusive stage area called The Mystic Bazaar.
The Bazaar features a mind-expanding array of programming, including, but not limited to, Modular Sound Baths, Vinyasa Pranayama yoga and various forms of meditation (check out the full schedule here). Plus, plenty of camping options to fit your liking are available here.
Whether your home base will be offsite or you're calling Lake Perris home for a long weekend, you'll want to do some light shopping, quench your thirst or carb load for Animal Collective's blistering show on Friday. Desert Daze always prints a whopping selection of show- and artist-specific posters and they're always sold at affordable prices, so an early trip to the merch tent is a must. And if boutique wares are your preference, a healthy variety of vintage sellers, craft jewelers and visionary designers are strewn about the groves and shoreline. Bring some cash because you won't be disappointed with what you find.
For all of your consumption needs, Black Fin Sushi, Flavors of East Africa and Good Times Ice Cream are just the beginning of options that will be available onsite. Don't forget to look at the full listing here to see if your local favorites will be making the trip out to Moreno Beach.
Lastly, make sure to grab your Desert Daze 2019 passes here and we'll see ya on the other side.
Filed Under: Featured, Festivals Tagged With: Al Lover, Altın Gün, Alvvays, Anika, Animal Collective, Atlas Sound, Automatic, Big Business, Blackwater Holylight, Blanck Mass, Cheap Trick, Connan Mockasin, Crumb, Desert Daze, Desert Daze 2019, Devo, DIIV, Dumbo Gets Mad, Dungen, Faye Webster, Flying Lotus, Flying Lotus (3D), Frankie and the Witch Fingers, Fred Armisen, Froth, George Clanton, Jakob Ogawa, Jerry Paper, Jessica Pratt, JJUUJJUU, Jonathan Bree, Khruangbin, Kills Birds, Klaus Johann Grobe, Lightning Bolt, Lumerians, Mad Alchemy, Mdou Moctar, METZ, Mitski, Moses Sumney, Nick Hakim, Parquet Courts, Part Time, Particle Kid, Post Animal, Psychedelic Porn Crumpets, Pussy Riot, SASAMI, Sessa, Shintaro Sakamoto, Stereolab, Surfbort, Temples, The Black Angels, The Claypool Lennon Delirium, The Flaming Lips, The Institute of Mentalphysics, The KVB, The Locust, The Paranoyds, Triptides, Trupa Trupa, Viagra Boys, Wand, Ween, White Fence, Winter, Wu Tang Clan, Yura Yura Teikoku, ZZ Top
Our favorite performances from 2018
December 29, 2018 by The Bam Team Leave a Comment
Holy smokes, 2018 … you were a blur. Maybe it's just us, but this year really did fly right by.
Before we officially say hello to 2019 though, it's time for us to revisit the past 12 months at Showbams. Every year we have the great privilege of witnessing some amazing moments in live music, and this year was no different. While we can't touch upon every performance we covered in looking back at the year that was, we still managed to see a wide variety of talent over the course of 2018.
Whittling down our list is never easy. Those who didn't make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order), all of whom we either covered at their own show and/or at a music festival this year:
Aaron Neville, A.CHAL, Alanis Morissette, Alina Baraz, Allen Stone, Amen Dunes, Aminé, A Perfect Circle, Ari Lennox, A$AP Rocky, Aquilo, BADBADNOTGOOD, The Bangles, Belle & Sebastian, The Beta Machine, Billie Eilish, BØRNS, Carly Rae Jepsen, Cashmere Cat, Childish Major, Chromeo, CHVRCHES, Cigarettes After Sex, Cloud Nothings, Cuco, Cut Snake, CyHi the Prynce, Daniel Caesar, Deap Vally, Destroyer, Diet Cig, Drab Majesty, DRAM, The Dustbowl Revival, Erykah Badu, Fantastic Negrito, Future, Garbage, George Fitzgerald, Gomez, Gov't Mule, Great Grandpa, Griz, The Growlers, Gucci Mane, HAERTS, H.E.R., Hot Flash Heat Wave, Ibeyi, Iggy Pop, Irma Thomas, Isaiah Rashad, Jaira Burns, Jamie xx, Jeff Goldblum and the Mildred Snitzer Orchestra, Jhené Aiko, John Maus, Josh Ritter & The Royal City Band, Joywave, JPEGMAFIA, Jungle, Kailee Morgue, Kaitlyn Aurelia Smith, Kamasi Washington, Kauf, Kelela, Kikagaku Moyo, Kings of Leon, Kopps, Laff Trax, Lion Babe, Lizzo, Lophile, Lord Huron, Los Lobos, Lucy Dacus, Margo Price, Miguel, Mija, Milk Carton Kids, ModPods, Moses Sumney, The Mother Hips, Mura Masa, Neil Young, N.E.R.D, North Mississippi Allstars, ODESZA, Pale Waves, Paula Frazer and Tarnation, Phantogram, Pharoah Sanders, Pixies, Polo & Pan, POND, Portugal. The Man, The Pretenders, Quicksand, Ravyn Lenae, Rivers Cuomo, The Revolution, Robert Plant, Rory Phillips, RÜFÜS DU SOL, Sabrina Claudio, Salt-N-Pepa, Santigold, Sasha Sloan, Seu Jorge, Shakey Graves, Shame, Shana Falana, Sharon Van Etten, Silk City, Sleigh Bells, Snoh Aalegra, Soccer Mommy, The Specials, The Spook School, Stephen Malkmus & the Jicks, Tame Impala, Tenacious D, Third Eye Blind, Tinashe, together PANGEA, TV on the Radio, Tycho, Typhoon, Uniform, Wafia, Waxahatchee, The Weeknd, Wet, William Tyler, Will Varley, Yen Yen, Zedd
Now, it's time for The Bam Team to present our favorite performances from 2018.
The Bam Team's 5 Favorite Shows, Albums & Songs of 2018
Listen to The Bam Team's favorite songs of 2018:
Date: March 3rd
Location: Exposition Park – Los Angeles
For those in LA who missed Cut Copy 10 months ago when they visited the Shrine Expo Hall with De Lux, Palmbomen II and Cooper Saver also on the bill, their headlining performance last Friday at The Wiltern was another chance to dance the night away upon hearing several classics such as "Need You Now", "Free Your Mind", "Future", "Hearts on Fire" and to close, "Lights & Music". In fact, the last time that we caught them back in March, a mini downpour erupted at Shaun White's Air + Style (read our festival review here), but it didn't phase them. Who said playing — and dancing — in the rain isn't fun anyway? -Josh Herwitt, photo courtesy of Air + Style
Date: March 4th
In what was easily the most visually stimulating (and pleasing) show we witnessed at Expo Park, Ernest Greene, who performs under the moniker Washed Out, entranced a completely packed crowd at the smaller Summer Stage with a slew of trippy visuals and his chilled-out tunes. We had been wanting to see Washed Out in SoCal for several months now, ever since Greene released the project's third LP Mister Mellow last year, and after missing his gig with Nick Murphy at the Shrine Expo Hall in October, we were glad to finally hear him play "Hard to Say Goodbye" (one of our favorite songs of 2017) and "Feel It All Around" live as any loyal "Portlandia" fan would be. With Toro y Moi venturing away from the chillwave movement he helped pioneer, it's up to Greene to lead the charge, and so far, he has done one hell of a job. -Josh Herwitt, photo courtesy of Air + Style
After what we thought was an underwhelming way to wrap up Day 1, Air + Style closed with a bang thanks to Phoenix's energizing, 16-song set. The French indie-pop outfit have headlined Coachella before, and it was more than worthy of that billing for this occasion. Kicking things off with the opening track "J-Boy" from their sixth studio album Ti Amo that dropped back in June, Thomas Mars and company gave us exactly what we wanted to hear: a hit-ladden show featuring singles like "Lisztomania", "Trying to Be Cool", "Too Young" and "1901". No, there wasn't a Daft Punk or R. Kelly appearance — not that we expected one — but Phoenix put an exclamation point on an otherwise successful weekend. We may not have known the quartet could rock that hard after the last time we saw them, but we definitely do now. -Josh Herwitt, photo courtesy of Air + Style
Date: March 26th
Location: Apogee Studio – Santa Monica, CA
His guitar playing, meanwhile, may be just as impressive, if not surprising to some. Less than two weeks before Moby stepped into Bob Clearmountain's diminutive recording studio, I was fortunate enough to catch him the final of his three shows at The Echo, and it was there as he performed a variety of songs from Everything Was Beautiful, and Nothing Hurt, Play and a few other albums, that I fully realized just how talented he is with a black Gibson SG in his hands. He may be an electronic musician, but unlike a lot of them today, Moby is a musician in every sense of the word. While his vocals at times sound more like spoken word than actual singing, he has found more than capable sidekicks in Julie Mintz (keyboards, vocals) and Mindy Jones (vocals) to assist him in that department. Jones' ranging voice, in particular, is one that suits his music well, and when you hear her sing, her pipes elevate the song to a whole new level. -Josh Herwitt, photo by Brian Feinzimer
Date: April 13th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA
Weeks before The War on Drugs released their fourth LP A Deeper Understanding last year, we were fortunate enough to hear Adam Granduciel and company perform a handful of cuts from the new album in an intimate setting for KCRW. It was then and there that we knew the follow-up to 2014's Lost in a Dream was another masterpiece, and that impression was only validated when A Deeper Understanding won the Grammy for "Best Rock Album" just a few months ago. On Day 1 of Coachella, the Philadelphia band brought some of those same songs we witnessed at Apogee Studio to life, though sadly, this time "Holding On" wasn't part of the setlist. But we did get to experience "An Ocean in Between the Waves" in all of its glory, and we still have yet to come across another piece of music in more recent years that will make you want to play air guitar as much as the seven-minute track from Lost in a Dream does. Who said rock was dead? -Josh Herwitt, photo courtesy of Goldenvoice
Thirteen years. That's how long it has been since Jamiroquai last performed in the U.S. With that in mind, there was no way we were going to miss Jay Kay and the rest of his sidekicks in favor of The Weeknd's headlining performance (sorry, Abel), and after what ended up being close to a 90-minute set from the London nu-funk/acid jazz group, we had no regrets about our decision. The only regret we have is that they ran out of time and didn't get to play their smash hit "Virtual Insanity" in its entirety, and you could tell Jay Kay felt bad about it as he jumped down from the stage to greet some overjoyed fans after wrapping the show up with "Love Foolosophy" from 2001's A Funk Odyssey. But while Weekend 2 attendees got the full version of the Travelling Without Moving single, we were treated to a massive surprise when Snoop Dogg came out to rap on "Dr. Buzz" with a huge blunt in his hand. It was the kind of collaboration you never expect to see, except at Coachella of all places. -Josh Herwitt, photo courtesy of Coachella
While we can't say that we were completely thrilled with Goldenvoice's choices for this year's headliners, we were excited to see Eminem finally play Coachella (he had never performed in an official capacity before) and close out the festival on Sunday night. Sure, his newest album Revival didn't exactly receive rave reviews from critics when it dropped at the end of 2017, but watching one of hip-hop's most talented emcees run through his hits all while bringing out 50 Cent and Dr. Dre was undoubtedly THE highlight from Day 3. For this "stan," just crossing Em off my concert bucket list would have been enough to send me home with a smile. Fortunately for those of us who were there though, the real Slim Shady lived up to the hype and more. -Josh Herwitt, photo courtesy of Coachella
Location: Echoplex – Los Angeles
At Echoplex, we were treated to the "rapper" and the man himself as bass-heavy party starters like the title-track opener and "Confetti" from 4eva Is a Mighty Long Time got everyone hyped, while Atlanta's T.I. came out to perform his verse on "Big Bank". After singling out one excited fan, who was wearing a shirt with a giant picture of his face, during the easygoing "1999" and paying homage to Southern rap pioneers UGK, Big K.R.I.T. took the latter half of his hour-long set to connect with the crowd. -Joseph Gray, photo by Joseph Gray
Location: The Fonda Theatre – Los Angeles
While Soulwax's recorded music has always been perfectly enjoyable, in person it becomes something else entirely. Their new, three-drummer lineup was the ideal format to hear new tracks like "Is It Always Binary" while giving older tracks such as "KracK" a newly textured and complex sound. Sitting stage right, drummer Victoria Smith, for one, offered the group some serious personality thanks to her animated facial expressions. -Zach Bourque, photo by Zach Bourque
Date: June 16th
Location: The Queen Mary – Long Beach, CA
I fall somewhere in the middle between those two age groups, so it was fitting that the uber-talented rapper/singer/drummer Anderson .Paak had just walked onto the "Free Your Mind" main stage when I showed up. .Paak, 32, wore a smile as expressive as his music, packaged with a bright nautical-themed ensemble. He effortlessly impressed with standouts "Suede", "Another Time" and "What More Can I Say" off Yes Lawd!, his 2016 LP with Los Angeles hip-hop producer Knxwledge as part of their collaborative project NxWorries (pronounced "No Worries"). The duo's set would eventually culminate in a playful dance-off between women, which fans showed their appreciation for before .Paak and Knxwledge said their goodbyes. -Joseph Gray, photo by Joseph Gray
However, anticipation for The Roots kept me at the main stage. It proved to be a wise decision, as their nearly hour-long performance reminded me why the Grammy-winning band is still so revered after more than three decades. Black Thought got the crowd riled up with a 10-minute barrage of lyrical proficiency that so many have come to know as his "Hot 97 Freestyle" after it hit the internet in December and quickly went viral, while his bandmates exuberantly jumped with sousaphones and guitars during "You Got Me" and a number of other hits. But providing a jolt like he only can, the one and only Busta Rhymes showed up for a quick-but-memorable performance of "Put Your Hands Where My Eyes Can See" and "Pass the Courvoisier, Part II". -Joseph Gray, photo by Joseph Gray
Date: July 16th
Location: Great American Music Hall – San Francisco
I'm far from an expert on this kind of thing (because I'm not), but I didn't expect to see the Melvins perform with the amount of energy that they showcased. For a band that has been touring and putting out new material for the past 35 years, they performed as if everything depended on it. You weren't going to catch "King Buzzo" standing in one place for too long, with his signature fro whipping in the wind from the fans that were on the stage, McDonald and Pinkus holding it down on their own instruments, and Crover beating the living hell out of his drums. Fans were ready to receive the band and responded to the various sonic blasts coming from the amplifiers. During the thrashy songs, they formed a brutal pit, and during the sludgier songs, they lit up joints and bobbed their heads to the music. -Andrew Pohl, photo by Mike Rosati
Glassjaw
Location: Observatory OC – Santa Ana, CA
Glassjaw's show covered their entire discography, and very few fan favorites were left off the setlist. While it was to be expected that newer tunes like "Shira" and "New White Extremity" would rock, it was staggering how well their older songs held up in a live setting. Palumbo's voice, though slightly less manic than it once was, is still unmatched in its vocal range and shear intensity. -Zach Bourque, photo by Zach Bourque
Date: August 8th
Location: The Forum – Inglewood, CA
That's not to say that Cuomo isn't a talented musician. In fact, quite the opposite is true. The Harvard grad shreds without question, something I never really realized until he uncorked a number of guitar solos, whether it was during "Buddy Holly" to open Weezer's performance or "Say It Ain't So" (with a snippet of Black Sabbath's "Paranoid") to put a bow on the show. And while there aren't many lead singers who can do both, Cuomo certainly remains among some elite company, with Jack White, Trey Anastasio (Phish), Jim James (My Morning Jacket) and Josh Homme (Queens of the Stone Age) also immediately coming to mind. -Josh Herwitt, photo by Josh Herwitt
Date: August 11th
Location: Golden Gate Park – San Francisco
There was a bit of controversy surrounding Saturday's main slot as Florence + the Machine officially made the move to full-blown festival headliner. Some festivalgoers had their own doubts after FYF Fest 2018 was canceled with a near-identical top billing, but Florence and her bandmates proved, many times over, that she is more than capable of commanding any stage as her energy is unlike many others. She debuted a brand-new show, which featured "June" in the opening slot and was book-ended by "Big God" and "Shake It Out" for a two-song encore. -Kevin Quandt, photo by Norm de Veyra
The incomparable Janelle Monáe was a tad late to take the stage, as she was fighting off a stomach bug, but when she did, she captivated the masses with a suite of tracks from her most recent release Dirty Computer and tossed in a fair amount of costume changes over a nearly hour-long set. Monáe proved that she's easily one of the best in the business at the moment and will only continue to climb upwards. -Kevin Quandt, photo by Norm de Veyra
Location: The Wiltern – Los Angeles
Fortunately, Deafheaven haven't bowed to convention or criticism. Their fourth studio album Ordinary Corrupt Human Love, which ANTI‐ released last month, is their arguably their most experimental to date, spanning more than an hour over seven songs. There's a sense of angst and nostalgia in the music that leans far more positive and hopeful than their previous work. There are still echoes of black metal at times, but you can feel this is a band that's embracing its differences instead of defending them. -Zach Bourque, photo by Zach Bourque
Location: Santa Barbara Bowl – Santa Barbara, CA
Yet, for as eclectic and wide-ranging as White's output has been over two decades, it's the unpredictable nature of his live shows that makes them so intriguing to see. This time, we were treated to a rare cover of The Stooges' "T.V. Eye" from their 1970 album Fun House, as well as a number of fan favorites, from set closer "Ball and Biscuit" to an eight-song encore that featured "Icky Thump" (with some amusing "Icky Trump" messaging), "Steady, as She Goes" (with a snippet of Richard Berry's 1955 song "Louie Louie"), and of course, what has easily become the biggest stadium anthem in the world, "Seven Nation Army". And though the show didn't conclude without a few hiccups during some of White's improvised playing between songs, he hasn't lost his unique ability to surprise an audience — whether it means bringing out his mother in Detroit to perform "Hotel Yorba" with him or covering Pearl Jam's "Daughter" in Seattle — at any given moment, especially when we all aren't staring down at our phones. -Josh Herwitt, photo courtesy of Jack White
Date: August 22nd
Location: Bill Graham Civic Auditorium – San Francisco
As the show progressed into his songs "Here" and "Lazy", Byrne's band joined him onstage. The light changed and filled in the stage, giving the audience a happier tone and providing a seamless transition into a Talking Heads interlude. Then, later on during "Blind", one of the more stunning visual elements was made possible by a simple lamp that was placed in front of the band, casting whirling shadows on the strands of beads hanging behind them. -Tim O'Shea, photo by Tim O'Shea
Date: September 20th
Location: Hollywood Palladium – Los Angeles
Right before that final aforementioned single, they brought out Phoebe Bridgers to help them perform "Sorrow" from 2010's High Violet, as Berninger and the 24-year-old singer-songwriter, who said during her brief opening set that The National were her favorite band, traded vocals on the tune they once played 105 times in a row, with the performance at an art installation in New York lasting all of six hours. We weren't quite as fortunate to get that kind of show in LA, as The National opted for one of their more traditional, two-hour events. But whether you've been a fan from the start or one like myself who arrived rather late to the party, The National continue to make some of the most compelling music in rock, expanding their fan base with each and every album they release. That's the sign of any good band these days, and though there's only a handful of others that could even say the same right now, The National should take comfort in knowing they're one of those select few. -Josh Herwitt, photo by Josh Herwitt
Date: September 23rd
Location: Hollywood Bowl – Los Angeles
Similarly, the gig also marked one of Grizzly Bear's last performances in support of their fifth LP Painted Ruins, which they released last year on RCA Records, and having already played a two-night run at The Wiltern back in December, this was more of a victory lap than a coming-out party. Unfortunately for us, the five-piece had to cut things short due to the venue's strict Sunday night curfew, ending on a rather sudden note. That's just part of the deal at the Bowl, though. For those of us who have to work on Monday morning, it's actually more of a blessing in disguise than a disservice to the overall concert experience as we've come to realize. -Josh Herwitt, photo by Josh Herwitt
Date: October 5th
Location: Greek Theatre – Los Angeles
When she wasn't sharing the spotlight with Waxahatchee, Barnett was sharing it equally with the rest of her stellar backing band, but it was mostly just difficult to take your eyes off of her. Everything she does feels casual, from her outfit to her guitar playing, slinging her instrument around like it was an extension of herself. Even her delivery of the wrenching reality that the 30-year-old Australian singer-songwriter articulates so well is casual, singing like the end of the world isn't a mere 22 years away. -Rochelle Shipman, photo by Rochelle Shipman
Location: Glen Helen Regional Park & Festival Grounds – San Bernardino, CA
By the time we got through security and stepped inside the gates, Manchester Orchestra had just finished their 45-minute set on the main stage, which essentially was the 65,000-person Glen Helen Amphitheater that was constructed back in 1982 for the first US Festival. Next up was Greta Van Fleet, and boy, do these kids know how to rock. Zeppelin clearly runs deep in these four Michiganders' veins, as they showcased songs off their forthcoming debut album Anthem of the Peaceful Army with frontman Josh Kiszka commanding the stage and offering his best Robert Plant impression. He even dresses the part, sporting some tight, white jeans with a water-colored blouse and necklace of feathers while his brothers Jake and Sam wore vests or shirts that looked like what you would find at a vintage clothing store. -Josh Herwitt, photo by Josh Herwitt
As the Foos left the stage for their encore break, we waited patiently for them to return. The crowd, by now, had been taken for a two-hour ride with Grohl firmly at the wheel, pumping adrenaline into our veins with every minute that passed as the Foo Fighters know how to do so well during their usual two-and-a-half-hour jaunts. The video screens on each side of the stage were black until suddenly some backstage footage appeared showing Grohl with Krist Novoselic and what looked like Joan Jett. All of that would end up coming true in the last 30 minutes of Cal Jam 18, but it was a six-song encore with Grohl on drums, Novoselic on bass, the Foo Fighters' Pat Smear on guitar and Deer Tick frontman John McAuley on both vocals and guitar as Kurt Cobain's fill-in who got us hyped. Nirvana fans have waited 25 years for a reunion since Cobain's sudden passing, and when you put it in perspective, it will probably go down as one of the year's biggest surprises, even at a time in music when many industry experts say that rock now stands in the shadows of hip-hop and EDM. -Josh Herwitt, photo by Josh Herwitt
Date: October 13th
Location: Middle Harbor Shoreline Park – Oakland
But U.S. Girls were the highlight of the weekend for us. A nine-piece experimental pop act, they put on a stunning 45-minute set that culminated in an entrancing rendition of "Time", the closing track on their critically acclaimed studio effort In a Poem Unlimited, that lasted more than 10 minutes. The energy, instrumentation and vocal capabilities were absolutely stunning. Easily one of this year's most exciting new acts, and we can't wait to catch them again soon. -Brett Ruffenach, photo by Brendan Mansfield
U.S. Girls
But U.S. Girls were the highlight of the weekend for us. A nine-piece experimental pop act, they put on a stunning 45-minute set that culminated in an entrancing rendition of "Time", the closing track on their critically acclaimed studio effort In a Poem Unlimited, that lasted more than 10 minutes. The energy, instrumentation and vocal capabilities were absolutely stunning. Easily one of this year's most exciting new acts, and we can't wait to catch them again soon. -Brett Ruffenach, photo by Josh Withers
Filed Under: Best of 2018, Editor's Picks, Featured Tagged With: A Perfect Circle, A$AP Rocky, A.CHAL, Aaron Neville, Air + Style, Air + Style 2018, Air + Style LA 2018, Alanis Morissette, Alina Baraz, Allen Stone, Amen Dunes, Amine, Aquilo, Ari Lennox, BADBADNOTGOOD, BØRNS, Belle & Sebastian, Best of 2018, Big K.R.I.T., Billie Eilish, Carly Rae Jepsen, Cashmere Cat, Childish Major, Chromeo, Chvrches, Cigarettes After Sex, Cloud Nothings, Courtney Barnett, Cuco, Cut Copy, Cut Snake, CyHi the Prynce, Daniel Caesar, David Byrne, Deafheaven, Deap Vally, Destroyer, Diet Cig, Drab Majesty, DRAM, Eminem, Erykah Badu, Fantastic Negrito, Florence & the Machine, Foo Fighters, Future, Garbage, George Fitzgerald, Glassjaw, Gomez, Gov't Mule, Great Grandpa, Greta Van Fleet, GRIZ, Grizzly Bear, Gucci Mane, H.E.R., HAERTS, Hot Flash Heat Wave, Ibeyi, Iggy Pop, Irma Thomas, Isaiah Rashad, Jack White, Jaira Burns, Jamie xx, Jamiroquai, Janelle Monáe, Jeff Goldblum and the Mildred Snitzer Orchestra, Jhené Aiko, John Maus, Josh Ritter & The Royal City Band, Joywave, JPEGMAFIA, Jungle, Kailee Morgue, Kaitlyn Aurelia Smith, Kamasi Washington, Kauf, Kelela, Kikagaku Moyo, Kings of Leon, Kopps, Laff Trax, Lion Babe, Lizzo, Lophile, Lord Huron, Los Lobos, Lucy Dacus, Margo Price, Melvins, Miguel, Mija, Milk Carton Kids, Moby, ModPods, Moses Sumney, Mura Masa, N.E.R.D., Neil Young, Nirvana, North Mississippi Allstars, NxWorries, Odesza, Pale Waves, Paula Frazer and Tarnation, Phantogram, Pharoah Sanders, Phoenix, Pixies, Polo & Pan, Pond, Portugal. The Man, Pusha T, Quicksand, Ravyn Lenae, RÜFÜS DU SOL, Rivers Cuomo, Robert Plant, Rory Phillips, Sabrina Claudio, Salt-N-Pepa, Santigold, Sasha Sloan, Seu Jorge, Shakey Graves, Shame, Shana Falana, Sharon Van Etten, Silk City, Sleigh Bells, Snoh Aalegra, Soccer Mommy, Soulwax, Stephen Malkmus & The Jicks, Tame Impala, Tenacious D, The Bangles, The Beta Machine, The Dustbowl Revival, The Growlers, The Mother Hips, The National, The Pretenders, The Revolution, The Roots, The Specials, The Spook School, The War on Drugs, The Weeknd, Third Eye Blind, Tinashe, Together Pangea, TV on the Radio, Tycho, Typhoon, U.S. Girls, Uniform, Wafia, Washed Out, Waxahatchee, Weezer, Wet, Will Varley, William Tyler, Yen Yen, Zedd
Treasure Island Music Festival 2018: A strong return for one of the Bay Area's best live music events
October 19, 2018 by Brett Ruffenach 1 Comment
Photos by Brendan Mansfield, Josh Withers, Paige K. Parsons & Josh Sanseri // Written by Brett Ruffenach //
Treasure Island Music Festival //
Middle Harbor Shoreline Park – Oakland
Treasure Island Music Festival is back. After 10 years on its namesake island, Another Planet Entertainment's and Noise Pop's two-day music and arts festival has returned in full form to its new home, the Middle Harbor Shoreline Park in Oakland.
A popular spot for open-air events, MHSP has become well-known for its sprawling natural grass, cool breeze and stunning sunsets revealing a silhouetted view of the Bay Bridge and San Francisco skyline. Having hosted both hip-hop festival Blurry Vision and house music day party All Day I Dream in the past, the park has become a reliable space for large-scale events in the East Bay.
TIMF 2018 was no different. For the fest's first iteration at this new venue, organization and logistics ran as smoothly as one may hope. Based on my own experience and the anecdotes shared by other festivalgoers throughout the weekend, arriving and leaving the festival was simple and stress-free; exiting both nights after the headliner finished and waiting to board the shuttle to the West Oakland BART station took no longer than 30 minutes, even at peak times. After transporting thousands of patrons on and off Treasure Island in years past, it's not a surprise that the organizers were successful in keeping everything on course over the whole weekend.
The layout of the festival followed a similar logic to previous iterations: two stages at opposite ends of a large field, with artists playing back-to-back on each stage. This is where TIMF truly shines — to be able to see every artist on any music festival's lineup is always a treat. Kicking off Saturday's hip-hop and electronic-oriented artist roster was up-and-coming experimental rapper JPEGMAFIA. Using nothing but a laptop (managed by himself) and a mic, JPEGMAFIA spent much of his set in the crowd, rapping his manic flows atop noisy, blaring hip-hop beats.
Later, Moses Sumney took the stage as a four-piece band, a new iteration of what has usually been a solo project. His sultry vocals, combined with some expanded instrumentation, made for a complete reinvention of the LA native's live show. "Make Out in Your Car", for example, featured an extremely groovy outro that gave the band backing the soulful singer-songwriter space to jam out for a second.
Sadly, as Sumney began his closing track "Plastic", electronic duo Polo & Pan started their set on the opposite stage, quickly overtaking the airwaves across Middle Harbor. Polo & Pan have garnered considerable hype this year, and for good reason. The French duo seamlessly guided us through a 45-minute, non-stop dance party, layering bacchanalian melodies over thumping house beats that invoked a sense of being at a old-time carnival. It's quite a unique sound that can really get a crowd moving.
As the afternoon progressed, artist after artist brought their best underneath the beating sun. Laff Trax is a new side project featuring Bay Area resident Chaz Bundick (aka Toro y Moi) and enigmatic electronic producer Nosaj Thing. In what really ended up being a B2B DJ set rather than a new musical project, the two DJs were impeccable in their selections.
Back at the main stage, Santigold celebrated the 10th anniversary of her self-titled debut LP by performing it in full. Another new DJ duo, Silk City, which was formed by All-Star record producers Mark Ronson and Diplo, shortly followed, keeping a small crowd moving leading up to the night's two final acts: Pusha T and A$AP Rocky.
Pusha T took The City stage right at set time, kicking off with an a capella intro to the opening track "If You Know You Know" from his most recent album Daytona. From there, it was "King Push" in full form — performing a setlist of nearly 20 songs, back to back to back, while never missing a beat. Throughout the set, Pusha and his DJ continuously proclaimed "DAYTONA … ALBUM OF THE YEAR!" And after he performed the whole disc from start to finish, including a word-perfect rendition of "Infared", I might be inclined to agree.
Saturday headliner A$AP Rocky was an unfortunate disappointment. Due to what we think was technical difficulties, he didn't take the stage until 37 minutes after his scheduled start time, killing more than half an hour. While he brought all the bells and whistles one would expect — pyrotechnics, strobe lights and a full backing band — when headlining a festival, you could tell he felt rushed and flustered trying to get through what they could before the strict noise curfew of 10 p.m. As a result, Rocky ended up being one of the more forgettable acts of the weekend.
Sunday at TIMF proved to be sublime. Offering just as much sunshine and warmth as Day 1, a perfectly sequenced day focused heavily on rock transpired. Pond, the first of four Australian acts to perform on the main stage, got things started for a noticeably large audience, many of who were likely Tame Impala fans arriving early to show their support for Jay Watson, who is in both bands. Next was Soccer Mommy, another one of this year's indie darlings, as she and her sidekicks held their own playing tracks off her debut LP Clean, including excellent takes on "Your Dog" and "Cool".
Alex Cameron, the second Australian act to take the main stage on Sunday, is a puzzling one. Picture "Macho Man" Randy Savage meeting Michael Jackson if you can. It's part comedy bit, part completely serious 80's dream-pop band. Cameron describes the project as a "dossier of evidence about the condition of being a straight white male." Take from that what you will.
The marathon of music subsequently continued. Shame, a post-punk outfit that couldn't have originated from anywhere except the UK, brought a breath of fresh air (and dust) to TIMF with their fast and loose instrumentation and leery vocal stylings. Sharon Van Etton unveiled what I see as version 2.0 of her music by adding some really gritty guitar and synthesizer sounds to her stunning vocals. We look forward to hearing her new album Remind Me Tomorrow, which comes out next year.
But U.S. Girls were the highlight of the weekend for us. A nine-piece experimental pop act, they put on a stunning 45-minute set that culminated in an entrancing rendition of "Time", the closing track on their critically acclaimed studio effort In a Poem Unlimited, that lasted more than 10 minutes. The energy, instrumentation and vocal capabilities were absolutely stunning. Easily one of this year's most exciting new acts, and we can't wait to catch them again soon.
Tame Impala delivered what one might expect from one of the world's top-touring rock bands right now. Running through a 17-song set full of hits, from "Alter Ego" to "The Less I Know the Better" on 2015's Currents, the final Aussie act of the day left us with a special treat by playing "Jeremy's Storm" from their debut album Innerspeaker for the first time in nearly five years.
After taking 2017 off and relocating to Oakland, TIMF has returned in full form and we are certainly thrilled about that. With great weather, excellent organization and a near-perfect sequencing of artists this year, it still happens to be one of the best live music events in the Bay Area. Who's ready for 2019?
Filed Under: Editor's Picks, Featured, Festival Reviews, Festivals Tagged With: A$AP Rocky, Alex Cameron, All Day I Dream, Amine, Blurry Vision, Cigarettes After Sex, Courtney Barnett, Diplo, George Fitzgerald, Gilligan Moss, Hiatus Kaiyote, JPEGMAFIA, Jungle, Laff Trax, Lord Huron, Mark Ronson, Middle Harbor Shoreline Park, Moses Sumney, Nosaj Thing, Oaklandish, Polo & Pan, Pusha T, Santigold, serpentwithfeet, Shame, Sharon Van Etten, Silk City, Soccer Mommy, Tame Impala, TIMF, TIMF 2018, Toro Y Moi, Treasure Island Music Festival, Treasure Island Music Festival 2018, U.S. Girls
Can Treasure Island Music Festival regain its footing after a year off & a new location?
October 11, 2018 by Brett Ruffenach Leave a Comment
Written by Brett Ruffenach //
With what seems like an endless amount of opportunities to see dozens of artists perform over a weekend in the Bay Area — Outside Lands, Hardly Strictly Bluegrass, Blurry Vision … the list goes on — Treasure Island Music Festival has spent the past decade establishing a foothold in Northern California's festival scene through well-curated lineups and unique headliners such as Massive Attack, Atoms for Peace and Outkast, along with exciting emerging artists in pop, hip-hop, electronic and rock 'n' roll.
Best of all, TIMF is one of the few music festivals where you can see every single artist on the lineup. A two-stage event that staggers artists back-to-back for 12 hours straight, it's ideal for those looking to discover some of the hottest live music acts on tour right now.
TIMF has gone through a couple changes over the years. Originally held on the northwestern end of its namesake island for the first nine years, organizers were forced to relocate the fest due to construction on new housing (what else would it be, of course?) in the area. And after what was an unfortunate 2016 installment due to bad weather and artist cancellations on the opposite end of Treasure Island, the festival took a break last year.
But TIMF has found a new home in Oakland's Middle Harbor Shoreline Park. A new popular spot for open-air events, MHSP has become quite well-known for its sprawling natural grass, cool breeze right off the water and sunsets revealing a stunning, silhouetted view of the Bay Bridge and San Francisco skyline. MHSP has proven to be a reliable space for festivals, with events like hip-hop festival Blurry Vision and house music day party All Day I Dream.
TIMF's 2018 lineup features, top to bottom, some of the most interesting artists in pop, rock, hip-hop, electronic and all the experimental forms that cross them. In an era where hip-hop remains at the height of its popularity, TIMF 2018 includes artists behind some of the most provocative rap music released this year. JPEGMAFIA, a rapper hailing from Baltimore, is a standout among heavy hitters like Pusha T and A$AP Rocky. Blending experimental noise with booming beats behind maniacal flows, this is not one to be missed. He's on at 12:40 p.m., so get there early, folks. You won't regret it.
It's hard to place a lot of these exciting artists in a specific genre. How can you capture the sweeping sounds of Moses Sumney? Take the soaring vocal traditions in gospel, then mix jazz, looped electronics and simple guitar chord progressions, and stir. Having hit pretty much every major music festival this year while also appearing at The Oscars with Sufjan Stevens, this buzzworthy artist lives up to the hype.
In a similar vein, serpentwithfeet will make an appearance to play the experimental sounds from his critically acclaimed album, entitled soil, that arrived in June. Alongside other genre-bending artists like Hiatus Kaiyote, a soul-meets-rock band bound to catch the interest of any first-time listener, there's really no shortage of artists refusing to be placed in one category.
Joining the wide spectrum of hip-hop, R&B and jazz showcased on Saturday is a cavalcade of cutting-edge electronic projects, including easily one of the most exciting acts to emerge over the last year in French duo Polo & Pan.
Even more excitingly, TIMF will host two brand-new projects making their Bay Area debut: Laff Trax and Silk City. Hard to imagine what exactly to expect, but when you see that indie-pop artist and Berkeley native Toro y Moi is going B2B with the downtempo, enigmatic beats of Nosaj Thing, it's hard not to have your hopes high. Similarly, Silk City will feature two of the biggest pop music producers in the world joining forces, Mark Ronson and Diplo. You'll just have to be there to see what it's like.
Guitars may seem like a thing of the past at other major music festivals (we're looking at you, Coachella), but at TIMF, rock 'n' roll is thriving. With the current kings of psychedelic rock in Tame Impala leading the pack, the bands preceding them are sure to pack their own punch.
Among the most exciting are U.S. Girls, a pop project lead by the unique vocal stylings of Meghan Remy. Their most recent LP In a Poem Unlimited is destined to top many year-end lists, and we can only expect their live production to meet a similar standard. Sharon Van Etten, with her new-meets-old-school style, and Courtney Barnett, who possesses the most charming accent in the game and just played LA's Greek Theatre (read our review here) this month, also will be there to showcase their latest material.
Be sure to hit the merch stand early, as TIMF will have a brand-new line of gear to celebrate their new home in Oakland. This year's merch is presented in partnership with Oaklandish, which is a popular fashion line and retail store based in Oakland. They'll be printing all of this year's merch locally in their warehouse, and they've also been tapped to design a new collaborative item specific to 2018. The company will also have a pop-up booth at TIMF for those looking to explore additional apparel and accessories. Plus, there will be a variety of Oakland and East Bay food trucks to keep things local and of course, your bellies full.
Who are you most excited to see? What are your pro tips for this weekend?
Filed Under: Featured, Festivals Tagged With: A$AP Rocky, Alex Cameron, All Day I Dream, Amine, Blurry Vision, Cigarettes After Sex, Courtney Barnett, Diplo, George Fitzgerald, Gilligan Moss, Hiatus Kaiyote, JPEGMAFIA, Jungle, Laff Trax, Lord Huron, Mark Ronson, Middle Harbor Shoreline Park, Moses Sumney, Nosaj Thing, Oaklandish, Polo & Pan, Pusha T, Santigold, serpentwithfeet, Shame, Sharon Van Etten, Silk City, Soccer Mommy, Tame Impala, TIMF, TIMF 2018, Toro Y Moi, Treasure Island Music Festival, Treasure Island Music Festival 2018, U.S. Girls
Coachella drops 2018 set times & map changes
April 10, 2018 by Josh Herwitt Leave a Comment
Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 13th-15th & April 20th-22nd, 2018 //
Breathe easy, Coachellans. All of your scheduling conflicts have finally arrived.
The three-day, two-weekend music and arts festival has delivered this year's set times just after 7 p.m. PT (7:02 p.m. to be exact), precisely one hour later than it did in 2017.
Part of going to Coachella is having to make some tough decisions when it comes to choosing which artists to see, and veterans like ourselves have become quite used to experiencing this #FirstWorldProblem over the years.
But now that the cat is out of the bag, you can start mapping out your 2018 schedule if you're headed to the Empire Polo Club this weekend.
So, what's your biggest conflict on this year's schedule and who are you most excited to see?
WEEKEND 1 SET TIMES
Over the last several years, it has become more common to see the folks at Goldenvoice make some slight tweaks to Coachella's Weekend 2 set times after the first weekend ends (the most notable might have been in 2015 when Florence Welch broke her foot during her performance Sunday on the main stage), and the same has proven to be the case in 2018, starting on Day 1 with Benjamin Clementine's set being moved from the Gobi Tent to the Coachella Stage. Rick G., meanwhile, has been moved into Clementine's 1:30 p.m. slot in the Gobi Tent, with DMM no longer preceding it at 12:30 p.m.
Some other noteworthy changes for Friday are Fisher, who didn't perform during Weekend 1 but will replace B.Traits in the Yuma Tent, and Late Night Laggers, who were the first act to perform in the Sahara Tent on Day 1 but won't be back for Weekend 2. Absent from Friday's Mojave Tent lineup is Smiles Davis, which consequently has pushed Francesa Harding's set back to 12:25 p.m., and Chulita Vinyl Club has replaced Jim Smith.
On Saturday, hip-hop producer Ahwlee will fill in for Salami Rose and Joe Lewis in the Mojave Tent, while Ron Gallo has been moved from the Gobi Tent, which lost Birdtastique and added Loboman, to the Sonora Stage, where Bane's World, Otoboke Beaver and Mild High Club have all moved back one hour and five minutes to make up for the loss of R.O.C. Furthermore, Feel Good Green has replaced Palm Desert DJ Alf Alpha at the Outdoor Theatre, and Mexico City's N.A.A.F.I. has been added to the Sahara Tent lineup in place of Jimbo Jenkins. The Coachella Stage also now has an eighth performer, with Gabe Real + Juicewon kicking things off at 1:25 p.m. on Day 2.
The third and final day of the festival's second weekend sees the removal of Gabe Real from the Coachella Stage, leaving LION BABE as its first act to perform, while Los Angeles-based producer nostradahm will fill in for Juice won at the Outdoor Theatre. In the meantime, the Gobi, Mojave and Sahara Tents will each have new openers on Sunday: mr. rotu (replacing Phantom Thrett), VNSSA (replacing Pax) and EMME (replacing CVSS), respectively. And we couldn't not mention that Jessie Ware's set at the Outdoor Theatre has been moved back 15 minutes (as well as MAGIC GIANT's by 10 to 2:25 p.m.), meaning that Weekend 2 attendees will have to settle for only 35 minutes from the UK singer-songwriter rather than 50.
UPDATE (April 20th): Weekend 2 changes! Goldenvoice has announced some more tweaks to the schedule, with Jessie Ware moving from the Outdoor Theatre at 5:55 p.m. on Sunday to the Coachella Stage at 2:50 p.m. on Saturday (we have to think it has something to do with Cardi B performing around the same time after she drew one of the biggest crowds during Weekend 1). The other alterations are related to Sunday's set times in the Sahara Tent, as Illenium (now at 6:35 p.m.) and French Montana (now at 8:05 p.m.) have switched places. Petit Biscuit will still precede both at 5:10 p.m., while chart-topping hip-hop trio Migos are expected to hit the stage at 9:30 p.m., although we'll see if they're a little more punctual this time compared to the first weekend of the festival, technical difficulties and all. Of course, we recommend downloading the Coachella app on your mobile device to receive the latest updates if you're out in Indio for the festivities.
Several hours before revealing its Weekend 1 set times, the festival unveiled this year's map, and it looks quite a bit different in comparison to some of Coachella's past editions.
Last year, Coachella made some notable changes to its map, with the Mojave and Gobi Tents switching places and the addition of a third VIP section named "Hacienda Del Toro" that sat in between the Gobi and Sahara Tents. Goldenvoice even offered an updated location for the GA beer garden on that side of the polo field, which was supposed to improve the traffic flow behind the Sahara Tent, though we're not sure it totally worked to be honest.
Now, the Mojave Tent has been moved far away from the Gobi Tent and into the same area that the Sahara Tent once occupied (next to the VIP Rose Garden). In its place will be the Sonora Stage, which Coachella introduced last year, with the third VIP section (no longer named "Hacienda Del Toro") directly behind it rather than off to the side. The Gobi Tent, meanwhile, has moved back to its old confines closer to the Outdoor Theatre, where the Mojave Tent was located just a year ago.
Another brand-new addition for Goldenvoice's signature event is the Indio Central Market, a covered food hall that will feature 15 different restaurants and be situated behind the Sonora Stage. Inside will not only be New York City burger chain Shake Shack for the very first time, but also street food stand Cena, Moby's vegan restaurant Little Pine and David Chang's fried chicken sandwich shop Fuku. So, make sure to come hungry if you're going to Coachella this year — we know we will.
But the biggest modification to the fest's layout has to be the Sahara Tent's new home after seeing the massive stage outgrow its longstanding location over the last decade. Positioned next to the main entrance, it will sit just in front of the Cantina and Beer Barn with the iconic ferris wheel and The Do LaB Stage nearby. And from what we can decipher by looking at the map, it appears that the Sahara Tent will be not as long as it used to be, but instead wider, a structural adjustment that was likely made to fit the space within the grounds.
We'll make sure to give our two cents about these changes and much more when we return from the desert to share our favorite moments from this year's installment, but as we often like to say around this time … Happy Coachella!
Filed Under: Featured, Festivals Tagged With: 6lack, A Perfect Circle, AC Slater, AIM, Alan Walker, Alina Baraz, Alison Wonderland, Alt-J, Alvvays, Amine, Angel Olsen, AURORA, B.Traits, Barclay Crenshaw, BØRNS, Bedouin, Belly, Benjamin Booker, Benjamin Clementine, Beyonce, Big Thief, Black Coffee, blackbear, Bleachers, Brockhampton, Busy P, Cardi B, Cash Cash, Cherry Glazerr, Chic, Chic with Nile Rodgers, Chromeo, Coachella, Coachella 2018, Coachella Music and Arts Festival, Conway, Cuce, Daniel Caesar, David Byrne, Def Loaf, DeJ Loaf, Deorro, Django Django, Dreams, Elohim, Eminem, Fazerdaze, Fidlar, First Aid Kit, Fisher, Flatbush Zombies, Fleet Foxes, French Montana, Giraffage, Greta Van Fleet, Haim, Highly Suspect, Hundred Waters, Ibeyi, Jack White, Jacob Banks, Jamie Jones, Jamiroquai, Japanese Breakfast, Jean-Michel Jarre, Jessie Ware, Jidenna, Jorja Smith, Justin Martin, Kali Uchis, Kamaiyah, Kamasi Washington, Kelela, King Krule, Knox Fortune, Kygo, LANY, LEON, Lion Babe, Los Angeles Azules, Louis the Child, LP, Maceo Plex, Marian Hill, Migos, Miguel, MO, Moses Sumney, Motor City Drum Ensemble, Nile Rodgers, Noname, Nothing But Thieves, Odesza, Oh Sees, Pachanga Boys, Perfume Genius, Petit Biscuit, Portugal. The Man, Post Malone, Princess Nokia, PVRIS, REZZ, Russ, San Holo, Sigrid, Sir Sly, Skip Marley, Slow Magic, snakehips, Soulwax, St. Vincent, Sudan Archives, SuperDuperKyle, SZA, Talaboman, Tank and the Bangas, Tash Sultana, The Black Madonna, The Bronx, The Drums, The Neighbourhood, The War on Drugs, The Weeknd, THEY., TroyBoi, Tyler the Creator, Vance Joy, Vince Staples, Whetham, Wizkid, X Japan
Coachella wastes no time, revealing 2018 lineup headlined by The Weeknd, Beyoncé & Eminem
January 2, 2018 by Josh Herwitt Leave a Comment
Well, that didn't take long.
Just one day into the New Year, and Coachella has already revealed its 2018 lineup, signaling to music fans worldwide that festival season isn't far off.
After it was reported almost two weeks ago that this year's headliners would be The Weeknd, Beyoncé and Eminem, that indeed will be the scenario, marking the first time in all 19 years that the three-day, two-weekend event won't have a rock act topping its bill (a real sign of the times as some might say). Coachella's 2018 edition will also serve as Beyoncé's official debut after being forced to cancel last year due to pregnancy, as well as Eminem's (the only time he has appeared was as a guest back in 2012 during Snoop Dogg's and Dr. Dre's headlining set). The Weeknd will be back on the polo fields for the first time since 2015, when the R&B singer closed the main stage on Saturday night as a sub-headliner after Jack White's headlining slot.
Other notable names listed on the festival's famed poster this year include HAIM, ODESZA, Kygo, Jamiroquai, Portugal. The Man, David Byrne, St. Vincent, The War on Drugs, alt-J, A Perfect Circle, Fleet Foxes, Chromeo, MØ, Chic feat. Nile Rodgers, Kamasi Washington and Jungle. The undercard, meanwhile, does feature some buzzworthy indie-rock acts such as Perfume Genius, BØRNS and King Krule, but as was the case in 2017, there continues to be more of a focus on hip-hop and R&B, as evidenced by this year's headliner selections along with the second-line poster placement of SZA, Tyler, the Creator, Migos, Vince Staples, Post Malone, Cardi B and Miguel.
Coachella's first weekend is scheduled for April 13th-15th, with its second weekend slated for April 20th-22nd. All tickets will go on sale for both weekends this Friday, January 5th at Noon PT here.
Got your sights set on the California desert this April? Relive our five favorite moments, from Radiohead to Kendrick Lamar, after last year's festival.
Filed Under: Featured, Festivals Tagged With: 6lack, A Perfect Circle, AC Slater, AIM, Alan Walker, Alina Baraz, Alison Wonderland, Alt-J, Alvvays, Amine, Angel Olsen, AURORA, Barclay Crenshaw, BØRNS, Bedouin, Belly, Benjamin Booker, Benjamin Clementine, Beyonce, Big Thief, Black Coffee, blackbear, Bleachers, Brockhampton, Busy P, Cash Cash, Cherry Glazerr, Chic, Chic with Nile Rodgers, Chromeo, Coachella, Coachella 2018, Coachella Music and Arts Festival, Conway, Cuce, Daniel Caesar, David Byrne, Def Loaf, DeJ Loaf, Deorro, Django Django, Dreams, Elohim, Eminem, Fazerdaze, Fidlar, First Aid Kit, Flatbush Zombies, Fleet Foxes, French Montana, Giraffage, Greta Van Fleet, Haim, Highly Suspect, Hundred Waters, Ibeyi, Jack White, Jacob Banks, Jamie Jones, Jamiroquai, Japanese Breakfast, Jean-Michel Jarre, Jessie Ware, Jidenna, Jorja Smith, Justin Martin, Kali Uchis, Kamaiyah, Kamasi Washington, Kelela, King Krule, Knox Fortune, Kygo, LANY, LEON, Lion Babe, Los Angeles Azules, Louis the Child, LP, Maceo Plex, Marian Hill, Migos Cardi B, Miguel, MO, Moses Sumney, Motor City Drum Ensemble, Nile Rodgers, Noname, Nothing But Thieves, Odesza, Oh Sees, Pachanga Boys, Perfume Genius, Petit Biscuit, Portugal. The Man, Post Malone, Princess Nokia, PVRIS, REZZ, Russ, San Holo, Sigrid, Sir Sly, Skip Marley, Slow Magic, snakehips, Soulwax, St. Vincent, Sudan Archives, SuperDuperKyle, SZA, Talaboman, Tank and the Bangas, Tash Sultana, The Black Madonna, The Bronx, The Drums, The Neighbourhood, The War on Drugs, The Weeknd, THEY., TroyBoi, Tyler the Creator, Vance Joy, Vince Staples, Whetham, Wizkid, X Japan
Missy Elliott, Björk, Frank Ocean & Nine Inch Nails to headline FYF Fest 2017
March 21, 2017 by Josh Herwitt Leave a Comment
FYF Fest //
Exposition Park – Los Angeles
July 21st-23rd, 2017 //
Year after year, FYF Fest has continued to pull bigger and better artists. And this summer, that trend will continue as FYF moves up a whole month and expands from two to three days with Missy Elliott, Björk, Frank Ocean and Nine Inch Nails set to headline the festival's 14th annual edition after last year's impressive lineup.
Now in July but still returning to Exposition Park near downtown LA, FYF will also include performances from A Tribe Called Quest, Erykah Badu, Iggy Pop, Solange, Run the Jewels, Flying Lotus, .Anderson Paak & The Free Nationals, MGMT, Nicolas Jaar, Slowdive, Angel Olsen, Little Dragon, Kehlani, Majid Jordan, King Krule, 6lack, Sleep, Thundercat, Blonde Redhead, The Drums, Grandaddy, The Black Madonna, Mura Masa, Ty Segall, Seun Kuti & Egypt 80, The Faint, Cap'n Jazz, BADBADNOTGOOD, Motor City Drum Ensemble, Noname, John Talabot, Beach Fossils, DJ Harvey, Temples, Perfume Genius, Thee Oh Sees, Whitney, Tiga, Hundred Waters, Moses Sumney, Mitski, Joey Purp, S U R V I V E, Horse Meat Disco, Kamaiyah, Cherry Glazerr and more. Check out the poster above for the rest of the lineup.
This will be the first time performing at FYF for all four headliners, though some might recall that Frank Ocean had to cancel the week of the fest in 2015 (and was replaced by Kanye West) after originally earning top billing next to Morrissey. Missy Elliott and Björk will co-headline Friday's bill, while Frank Ocean and Nine Inch Nails will serve as the main acts for Saturday and Sunday, respectively. For the record, FYF marks Elliott's only scheduled show so far this year while Blonde Redhead will use their set to perform their 2000 album Melody of Certain Damaged Lemons in its entirety. It will also be Motor City Drum Ensemble's first show in the U.S. since 2010 as well as the U.S. debuts of Helena Hauff and Nadia Rose. And as you might have noticed from scanning the lineup, comedy will be back at the festival for the first time since 2013 compliments of Hannibal Buress.
Produced in association with LA concert promoter Goldenvoice, FYF will sell weekend passes for $299, with single-day passes also available for $125 and weekend VIP passes available for $549. Tickets can be purchased starting this Friday, March 24th at 12 p.m. here, and payment plans will once again be offered — this time in four stages.
Filed Under: Featured, Festivals Tagged With: 6lack, A Tribe Called Quest, Anderson .Paak & The Free Nationals, Angel Olsen, BADBADNOTGOOD, Beach Fossils, Bjork, Blonde Redhead, Cap'n Jazz, Cherry Glazerr, DJ Harvey, Erykah Badu, Flying Lotus, Frank Ocean, FYF 2017, FYF Fest, FYF Fest 2017, Grandaddy, Hannibal Burress, Helena Hauff, Horse Meat Disco, Hundred Waters, Iggy Pop, Joey Purp, John Talabot, Kamaiyah, Kehlani, King Krule, Little Dragon, Majid Jordan, MGMT, Missy Elliott, Mitski, Moses Sumney, Motor City Drum Ensemble, Mura Masa, Nadia Rose, Nicolas Jaar, Nine Inch Nails, Noname, Omar-S, Perfume Genius, Run The Jewels, S U R V I V E, Seun Kuti, Seun Kuti & Egypt 80, Sleep, Slowdive, Solange, Temples, The Black Madonna, The Drums, The Faint, Thee Oh Sees, Thundercat, Tiga, Ty Segall, Whitney
PHOTOS: Dr. Dog at the Warfield for Noise Pop Fest 3/1
March 4, 2014 by The Bam Team 1 Comment
By Kory Thibeault //
Dr. Dog with Saint Rich, Moses Sumney //
The Warfield – San Francisco
March 1st, 2014 //
Saturday night was a much anticipated one as the City descended upon the Warfield to get their dose of Dr. Dog. "Live in the Tenderloin" read a sign on stage, a nod to the neighborhood and a proclamation that they knew more about San Francisco than one would expect. And that is certainly how the night felt — Dr. Dog knew its audience and exactly what they wanted to hear. They wound through hits like "The Truth" and "Lonesome" while satisfying our thirst for older tracks like "These Days" and "Oh No". Saturday nights' show was precisely what the doctor ordered.
Kory Thibeault caught shots of Dr. Dog, along with supporting acts Saint Rich and Moses Sumney — check em' out below.
Filed Under: Featured, Photos Tagged With: Dr. Dog, Moses Sumney, Saint Rich, The Warfield
12 reasons to grab a Noise Pop festival badge
February 14, 2014 by The Bam Team 6 Comments
Written by Mike Frash, Molly Kish, Kevin Quandt & Kevin Raos //
Noise Pop //
Bay Area venues – San Francisco & Oakland
February 25th-March 2nd, 2014 //
This time of year can often be a bit slow for live music, but not during Noise Pop Festival in San Francisco. This week-long event spread out amongst the 22 finest venues in the City by the Bay makes for the best extended independent music showcase on the west coast. Noise Pop Fest shows offer in-depth evenings — the best thing to do is to show up early and catch emerging artists before they graduate to headliner status.
One great way to get the most value out of the week is with by springing for a badge. The purchase of a General or Super Fan badge gets you into all general admission shows, films, happy hours, NPHQ and more, along with a screen-printed festival poster. There's also a Noise Pop Fest app to help keep you connected.
The lineup is as good as ever this year — our list doesn't include top-notch artists Com Truise, Rogue Wave, Throwing Muses, Beardyman, Ladytron, No Age, Shabazz Palaces, Mikal Cronin, Bleached, Trails and Ways, The Fresh & Onlys, The Limousines, The Soft White Sixties, amongst others. Presented here are 12 compelling reasons to consider a badge upgrade, in day-to-day order.
Click artist names to buy individual tickets below, or simply buy a General or Super Fan badge.
Noise Pop HeadQuarters (NPHQ @ The NWBLK) //
All week //
New this year in Noise Pop's 22nd incarnation, Noise Pop Headquarters at The NWBLK is now the centerpiece of Noise Pop Festival. Festivalgoers can swing by the stunning gallery-turned-multimedia-space to grab a drink, watch a film, get some food, do some shopping, and experience a pivotal part of this year's festival with friends and artists before heading out for the night's events. Purchase tickets or RSVP to all free shows, which will grant you priority entry once capacity has been reached. Yet another reason to go big with a badge.
Lord Huron, Superhumanoids //
The Fillmore – San Francisco
Tuesday, February 25 //
SOLD OUT // BUY A BADGE
A coupled bill of indie folk, rich with thick vocal harmonies and dense soulful compositions, Lord Huron and Superhumanoids pair perfectly to cover the modern state of rhythm and blues. Americana based, the Lord Huron dabble in psychedelic and experimental pop elements, which also can be heard in their counterparts Superhumanoids. The Los Angeles-based trio features genre bending soundscapes, delivering a groove-driven journey through layers of pop, soul and electronic musical arrangements. Each band, although unique in their melodious executions, cover a vast array of roots-rock influences while updating the archetypal sounds in their own innovative manners. This sold out show highlights a great pair of bands to kick off the festival and is one worth splurging a bit extra on a badge to guarantee entry. -MK
Matthew Dear Presents Audion Live: Subverticul //
The Regency Ballroom – San Francisco
Wednesday, February 26th //
The latest project from Ghostly International co-founder and experimental artist Matthew Dear, Audion Live: Subverticul is an all-encompassing multi-media experience. Teaming up with the innovative crew from LA-based design studio Vita Motus, Subverticul features a live set debuting new material from Matthew Dear. Audion Live promises to be a unique show, fashioned to resemble a moving audio visual sculpture. Composed of multi-layered experimental EDM and dazzling abstract art installations, Subverticul is an impressive feat in both live music entertainment and creative enterprises. Making its Bay Area debut in celebration of the Noise Pop 2014 and playing unreleased tracks off of his upcoming album, Matthew Dear's Audion Live: Subverticul will undoubtedly be a highlight performance of this year's festival. -MK
Mistaken for Strangers (Film) //
Roxie Theater – San Francisco
Let's not forget that live concerts aren't the only offering from the citywide Noise Pop Festival as the film series has some gems being screened, including Mistaken for Strangers. This documentary follows budding horror filmmaker, Tom Berninger, embarking on a massive national tour with his brother's little band that some may know as the National. The ensuing months shows the younger Berninger brother tossed into the indie touring machine as a functioning crew member while keeping focus on his ambitions as a creator himself. -KQ
Papercuts, Vetiver, The Donkeys, EDJ, Vinyl DJ Selections by Britt Govea //
The Chapel – San Francisco
Artists under brand new label Easy Sound Recording Co. plan on presenting the future of folk at The Chapel during Noise Pop week. Jason Quever's SF-based Papercuts have a new album Life Among the Savages in the works. The group's sixth LP is set to release in May, so plan on seeing the group preview new tracks from their forthcoming album. They just released the albums's lead single "Still Knocking at the Door", and it's promising. Vetiver is on the roster, another local group led by Andy Cabic. Their 2011 record The Errant Charm is oh so mellow and excellent, and we expect good things coming soon. The Donkeys are an emerging psyche-garage rock formation from San Diego, blending surf rock and jam sentiments into a bouncy, enjoyable time. -MF
"Our Vinyl Weighs A Ton" Film Screening and Live Show //
The NWBLK (NPHQ) – San Francisco
Wednesday, February 26th (6:30 pm) //
Gain access to rare concert footage, backstage documentation, home videos and intimate portrayals of some of the most influential hip hop artists of our time in this cutting edge documentary brought to you by the iconic Stone Throw Records posse. Featuring appearances by Snoop Dogg, Mike D, Talib Kweli, Kanye West, Tyler the Creator and more, this feature length delves into the inner circle of the groundbreaking label to bring you a fresh perspective on the evolution and current state of modern day hip hop. Followed by a Q&A with director Jeff Broadway and Stones Throw Records founder Peanut Butter Wolf, tickets are still available with an additional option to upgrade to a "Film and Live Show Ticket", granting access to a live performance after party with Peanut Butter Wolf, J Rocc, JonWayne and Knxledge. Happening at the Noise Pop 2014 headquarters NWBLK, this event is a great way to get into celebratory spirit and check out the brand new festival facility. — MK
Bob Mould: 25 Years of Workbook, Zach Rogue, Jon Ginoli //
Great American Music Hall – San Francisco
Thursday, February 27th //
Celebrating the groundbreaking icon's diversion from his scene-defining hardcore act Husker Du, Bob Mould revisits his first album as a solo artist, Workbook, with help from fellow artists and friends. Mould pushed the boundaries of the independent rock scene with this record whilst mapping out an era of alternative music that influenced generations of artists for years to come. Mould will be joined on stage by longtime bassist Jason Narducy, along with Rogue Wave's Zach Rogue and Jon Gignoli of San Francisco's own Pansy Division. Gearing up for the deluxe double-album edition of this seminal record to be released February 25, this show will be the first live revisiting of the material in full since its 1989 debut. One of the first shows of the festival to have sold out, a badge is necessary for entry and in this case is well worth the cost of this once in a lifetime experience. — MK
Digital Mystikz, DJ Rashad //
1015 Folsom – San Francisco
Sure, Digital Mystikz may be one of the higher listed names you have never heard of, but producers, Mala and Coki, nearly single-handedly built the UK bass-culture scene which eventually was termed, dubstep. This South London duo has been working together since teenagers, while also maintaining solo careers, eventually starting the progressive label, and club night, that goes by DMZ. After a few failed attempts to perform on the West Coast as a duo, it appears the day is almost here for Digital Mystizk to make their big San Francisco debut at 1015 Folsom with DJ Rashad and a slew of local warriors to back 'em all up. —KQ
Cold Cave, Painted Palms, Dirty Ghosts, Happy Fangs //
Slim's – San Francisco
Friday, February 28th //
Truly one of the more stacked bills this year will feature LA darkwave mastermind Wesley Eisold, popularly known as Cold Cave. With a release slated for 2014, expect new material that Eisold describes as a "mix between some of the bigger sounds on Cherish and more minimal stuff I'm interested in now." Local psych-pop duo, Painted Palms are also featured on this bill after the release of a recent album on Polyvinyl. Expect a breezier affair before the headliner with these San Francisco rising stars. Local trio Dirty Ghosts will also be on hand to lend support via their female-fronted take on psych-pop with a tinge of world influence. —KQ
Real Estate, The Shilohs, Dream Boys, Dominant Legs //
The Independent – San Francisco
Friday & Saturday, February 28th & 29th //
It wasn't too long ago that fans of breezy surf-rock were enjoying Real Estate at Treasure Island, but this time we get a pair of more intimate shows over the busy Noise Pop weekend. The recently expanded 5-piece band is prepping their third studio album set for release the first week of March and will go by the title, Atlas. Expect new songs peppered with old favorites for these sold out shows, which will be supported by Vancouver songsters The Shilohs, along with Dominant Legs on Friday and Dream Boys on Saturday. —KQ
An Evening with Mark Kozelek (Sun Kil Moon) //
Saturday, March 1st //
While Mark Kozelek's music comes in the form of many groups and collaborations, his new record Benji with Sun Kil Moon will likely solidify this group as his legacy. The lyrics are heartbreaking, the control of his cadence immaculate, and the words often relate to Bay Area locales, a place he calls home — there's the Night Stalkers' final victim who lived in San Mateo, barbecues in San Rafael, his Tenderloin summer (when he likely made the album), and going seeing the Postal Service perform at the Greek Theater only to rush to a hot tub-refuge in Tahoe. Billed as an evening with Mark Kozelek, an incredible live artist with throngs of records under his belt with Red House Painters, Sun Kil Moon and by his lonesome, expect a varied setlist with a heavy doses of cuts from Benji stealing the show. — MF
Dr. Dog, Saint Rich, Moses Sumney //
Saturday, March 1 //
Dr. Dog make their Noise Pop debut as headliners atop a talented lineup of performers. Road warriors and prolific song writers, these indie rockers from Pennsylvania make the west coast swing in support of their latest album, 2013's B-Room. Dr. Dog has been making a name for themselves for 15 years, building a loyal fan base and graduating to larger venues along the way. Supported by Saint Rich and Moses Sumney, Saturday March 1st at the Warfield will showcase some of the finest indie rock around. Floor seats may be sold out, but you can still make your way to the dance floor with a Noise Pop badge. Don't sleep on this show. -KR
Filed Under: Featured, Festivals Tagged With: 1015 Folsom, Beardyman, Bleached, Bob Mould, Cold Cave, Com Truise, Digital Mystizk, Dirty Ghosts, DJ Rashad, Dominant Legs, Dr. Dog, Dream Boys, EDJ, Great American Music Hall, Happy Fangs, Ladytron, Lord Huron, Mark Kozelek, Matthew Dear Presents Audion Live: Subverticul, Mikal Cronin, Mistaken for Strangers, Moses Sumney, No Age, Noise Pop, Noise Pop Festival, NPHQ, Painted Palms, Papercuts, Real Estate, Regency Ballroom, Rogue Wave, Roxie Theater, Saint Rich, Shabazz Palaces, Slims, Sun Kil Moon, Superhumanoids, The Chapel, The Donkeys, The Fillmore, The Fresh & Onlys, The Independent, The Limousines, The NWBLK, The Shilohs, The Soft White Sixties, The Warfield, Throwing Muses, Trails and Ways, Vetiver
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redpajama_set_name: RedPajamaCommonCrawl


When you drive nearly 1,800 miles in four days, comic relief is a welcome part of any road trip.
I'm a sucker for great signage, funny and otherwise, so it's pretty cool that an institution devoted to promoting the legacy of a figure who's non-ironically known as The King would take a light and playful approach like this.
And that's an important lesson for any organization (and any person): humor — especially the self-deprecating kind — humanizes us. And people like to deal and do business with actual people, not faceless institutions.
Graceland is just one of the many sites we saw, some of them sobering (the National Civil Rights Museum in Memphis, the Trail of Tears), some outrageous (Beale Street) and much of it inspiring (Onondaga Caves and the Ozark Mountains).
I'd like to think they have a sister establishment somewhere called Strick and Ose's.
Speaking of restaurants, we stopped by a legendary establishment in Missouri called Lambert's Cafe, home of the "throwed roll" [sic]. The food was okay — down-home Southern cooking and bbq — but most people come for the floor show.
This is America, people. We went looking for it and, by gosh, we found it.


text:
Oskar of Prussia (1888-1958)
March 23, 2019 by Tracey
Oskar Karl Gustav Adolf was born in the Potsdamer Stadtschloss, on 27 July 1888 and was the fifth son of Wilhelm II, German Emperor, and Augusta Victoria of Schleswig-Holstein.
During the First World War, Oskar served as a colonel in the Konig Wilhelm I Grenadierregiment and he was given the Iron Cross, Second Class, for his bravery and leadership during an attack in Belgium. A month later, Oskar led his men into battle at Verdun in 1914 and was awarded the Iron Cross, First Class. Oskar collapsed on the field and spent the rest of the year recovering from a heart condition, however he eventually returned to duty and served on the Eastern Front. After the war, Oskar was listed amongst others in the imperial family as being a war criminal and was condemned for applying for a colonel's pension from the Weimar Republic.
On 31 July 1914, Oskar married Ina Marie von Bassewitz in what was initially a morganatic marriage, however Ina Marie was granted the title of Countess von Ruppin a few days before the wedding. The marriage was decreed to be dynastic in accordance with the laws of the Royal House of Hohenzollern on 3 November 1919 and Ina Marie was henceforth styled as a Princess of Prussia. The couple had four children, three sons and a daughter, although the eldest, Oscar, was killed in action the Second World War.
With the monarchy abolished, Nazism was on the rise and Oskar was commissioned as a Generalmajor zur Verfügung, however his enthusiasm waned when it became obvious Hitler had no intention of restoring the kaiser to the throne. The Nazi Party began to be suspicious of the imperial family due to their renewed popularity in Germany and they had their commissions revoked as a result. Public sympathy had increased in the wake of the deaths of two of the former kaiser's grandsons, as well as Oskar's eldest son being killed in Poland in September 1939, Oskar's nephew, Wilhelm, son of the former crown prince, had been killed in France in May 1940.
Oskar's health declined during his final years and he died of stomach cancer in a clinic in Munich on 27 January 1958.
Filed Under: Meet The Family Tagged With: Great-Grandchild, Prince of Germany, Prince of Prussia


text:
Q: How to programmatically select text in a TextInput component Is there a way to programmatically highlight/select text that is inside a TextInput component?

A: You can use selectTextOnFocus to achieve this. This will ensure that all text inside the TextInput is highlighted when the field is tapped into.

A: I don't know if there's a better way, but I found a workaround. The text has to be focused first. Here's an example
import React { Component } from 'react';
import { Button, TextInput, findNodeHandle } from 'react-native';
import TextInputState from 'react-native/lib/TextInputState';

class MyComponent extends Component {
  render() {
    return (
      <View style={{ flex: 1, }}>
        <Button
          title="select text"
          onPress={() => {
            TextInputState.focusTextInput(findNodeHandle(this.inputRef))
          }}
        </
        <TextInput
          selectTextOnFocus
          ref={ref => this.inputRef = ref}
        />
      </View>
    );
  }
}

A: Actually you can, by accessing textInput's method by refs.
<TextInput ref={input => this.myInput = input} selectTextOnFocus style={{height: 100, width: 100}} defaultValue='Hey there' />
and where you want to select all text programmatically you can
this.myInput.focus()
works on iOS, not sure about android.

Reference : http://facebook.github.io/react-native/releases/0.45/docs/textinput.html#selectionstate

A: I'm here to share my findings. In a List, you might encounter that selectTextOnFocus is broken. In this case you can use this method selection. From React-Native I found this:

In my case I had trouble with the selectTextOnFocus prop in a list. So I had to add a debounce function to work with selection prop.
const [shouldSelect, setShouldSelect] = useState(undefined);
const onFocus = () =>{
    setShouldSelect({start:0, end:String(text).length});
}
const focus = useCallback(_.debounce(onFocus,500),[shouldSelect]);
  <TextInput
        selection={shouldSelect}
        onBlur={()=>setShouldSelect(undefined)}
        onFocus={()=>focus()}// this is important
        selectTextOnFocus
        ref={r=>onRef(r)}
        keyboardType={'number-pad'}
        autoCorrect={false}
        blurOnSubmit={false}
        returnKeyType={'done'}
        underlineColorIos={'transparent'}
        underlineColorAndroid={'white'}
        allowFontScaling={false}
        value={String(text)}
    />

A: this.inputRef.focus() sets focus to the TextInput component, and then the flag you set in the attributes selectTextOnFocus does the rest.

A: Note: For those who wants to use selectTextOnFocus short answer. Actually, it works fine in IOS, but doesn't work in Android.
Thanks to Arnav Yagnik; Following is a similar approach in a functional component:
const inputRef = React.useRef(null);

React.useEffect(() => {
  if (inputRef.current) {
    console.log('focusing !');
    inputRef.current.focus();
  }
}, []);

return <TextInput
        multiline
        label="Amount"
        selectTextOnFocus
        placeholder="Write Count"
        value={stockCount.toString()}
      />

redpajama_set_name: RedPajamaStackExchange


text:
Roderick "R. J." Hampton Jr. (born February 7, 2001) is an American professional basketball player for the Detroit Pistons of the National Basketball Association (NBA). He played for the New Zealand Breakers of the National Basketball League (NBL) before applying for the NBA draft. He was a five-star recruit at Little Elm High School in Little Elm, Texas. He was drafted by the Milwaukee Bucks as the 24th overall pick in the 2020 NBA draft.

High school career
Since his freshman season, Hampton played varsity basketball for Little Elm High School in Little Elm, Texas. In his first high school game on November 17, 2016, he led all scorers with 33 points in a 78–52 win over Naaman Forest High School. As a freshman, Hampton averaged 23.6 points, 7.2 rebounds, 4.2 assists, and 3.5 steals per game, leading Little Elm to a 29–5 record and the District 14-5A title. He was named to the MaxPreps Freshman All-American first team and earned Texas Association of Basketball Coaches (TABC) Class 5A All-State and Dallas Morning News All-Area Newcomer of the Year honors.

In May 2017, Hampton announced that he was transferring to the nationally ranked basketball program of Montverde Academy in Montverde, Florida, before deciding to return to Little Elm. In the 2017–18 season, Hampton averaged 30.3 points, 8.8 rebounds, six assists, 4.4 steals, and 2.5 blocks per game, guiding Little Elm to a 28–8 record. He garnered MaxPreps Sophomore All-American first team, USA Today All-Texas first team, and TABC 5A All-State recognition.

On December 14, 2018, Hampton scored 33 points in an 80–66 victory over South Garland High School, matching up against fellow coveted recruit Tyrese Maxey. On December 29, he posted a career-high 50 points, 12 rebounds, seven assists, and six steals in an 86–62 win over Coppell High School. In February 2019, Hampton had another 50-point game in an 83–80 loss to Northwest High School. As a junior, Hampton averaged 32 points, 9.7 rebounds, 6.4 assists, and 3.9 steals per game, helping Little Elm achieve a 24–10 record. On March 15, he was named Texas Gatorade Player of the Year, becoming the first non-senior to win the award since Justise Winslow in 2013. He also earned USA Today All-USA first team and MaxPreps All-American second team distinction. On April 30, Hampton reclassified to the 2019 class, forgoing his senior year and graduating from high school after about three weeks of online classes.

Recruiting
Hampton was a consensus five-star recruit and ranked among the top six players in the 2019 recruiting class. On September 5, 2017, Christian Dawkins, an agent later indicted in the NCAA basketball corruption scandal, expressed a desire to pay Hampton in emails sent to business partners. When the emails surfaced in 2019, Hampton's father denied ever meeting Dawkins. Before reclassifying on April 30, 2019, Hampton had been considered one of the best prospects in the 2020 class. He narrowed down his potential college destinations to Kansas, Memphis, and Texas Tech.

Professional career

New Zealand Breakers (2019–2020)
On May 28, 2019, Hampton signed a multi-year deal with the New Zealand Breakers of the National Basketball League (NBL), which is based in Australia, with the option to leave for the National Basketball Association (NBA). He said that he skipped college basketball because he wanted to "live like a pro and to play with grown men and not have to juggle books and basketball." Hampton joined the Breakers through the NBL Next Stars program, which aims to develop NBA draft prospects. On September 20, he made his professional debut in a win over Melbourne United, recording 11 points, three rebounds and four assists in 21 minutes. Two days later, he posted a season-high 20 points, five rebounds and three steals in a loss to the South East Melbourne Phoenix. On November 9, Hampton was ejected four minutes into a game against South East Melbourne after attempting to put his arm around the neck of opposing guard John Roberson during a scuffle. On December 11, it was announced that he would miss about four weeks of action with a hip injury. On January 5, 2020, Hampton returned, scoring 11 points in a win over South East Melbourne. He parted ways with the Breakers on February 4 to return to the United States and prepare for the 2020 NBA draft. Through 15 NBL games, Hampton averaged 8.8 points, 3.9 rebounds and 2.4 assists per game, shooting 40.7 percent from the field. Hampton was projected as a top 5 pick for the 2020 NBA draft heading into the season.

Denver Nuggets (2020–2021)
Hampton was drafted by the Milwaukee Bucks as the 24th pick in the 2020 NBA draft, but his draft rights were later traded to the Denver Nuggets in a four-team trade involving the New Orleans Pelicans and Oklahoma City Thunder on November 24, 2020. On December 1, 2020, the Denver Nuggets announced that they had signed Hampton. He played 25 games for the Nuggets, averaging 2.6 points and 2.0 rebounds in 9.3 minutes per game.

Orlando Magic (2021–2023)
On March 25, 2021, Hampton, Gary Harris, and a future first round pick were traded to the Orlando Magic in exchange for Aaron Gordon and Gary Clark. On April 4, Hampton was named in the starting lineup for the first time in his career against Denver Nuggets. He recorded 16 points, four rebounds, and three assists in 33 minutes. On May 17, he was named Eastern Conference rookie of the month for the month of May.

On December 29, 2022, Hampton was suspended by the NBA for one game without pay due to coming off the bench during an altercation in a game against the Detroit Pistons the day before.

On February 21, 2023, Hampton was waived by the Magic.

Detroit Pistons (2023–present)
On February 23, 2023, Hampton signed with the Detroit Pistons.

National team career
Hampton won the gold medal at the 2017 FIBA Under-16 Americas Championship with the United States national under-16 team. In five games, he averaged nine points, 3.2 rebounds and 2.6 assists per game. He won another gold medal with the national under-17 team at the 2018 FIBA Under-17 Basketball World Cup but was limited to two games by a foot injury. Hampton averaged 7.5 points, 2.5 rebounds and 1.5 steals per game.

Career statistics

NBA

|-
| style="text-align:left;"|
| style="text-align:left;"| Denver
| 25 || 0 || 9.3 || .417 || .278 || .750 || 2.0 || .6 || .2 || .1 || 2.6
|-
| style="text-align:left;"|
| style="text-align:left;"| Orlando
| 26 || 1 || 25.2 || .439 || .319 || .657 || 5.0 || 2.8 || .6 || .3 || 11.2
|-
| style="text-align:left;"|
| style="text-align:left;"| Orlando
| 64 || 14 || 21.9 || .383 || .350 || .641 || 3.0 || 2.5 || .7 || .2 || 7.6
|-
| style="text-align:left;"|
| style="text-align:left;"| Orlando
| 26 || 0 || 13.9 || .439 || .340 || .838 || 1.5 || 1.3 || .6 || .2 || 5.7
|- class="sortbottom"
| style="text-align:center;" colspan="2"| Career
| 141 || 15 || 18.8 || .408 || .337 || .682 || 2.9 || 2.0 || .6 || .2 || 7.0

NBL

|-
| style="text-align:left;"| 2019–20
| style="text-align:left;"| New Zealand
| 15 || 12 || 20.6 || .407 || .295 || .679 || 3.9 || 2.4 || 1.1 || .3 || 8.8

Personal life
Hampton's father Rod Hampton played college basketball for SMU from 1987 to 1991. His grandfather Richard Evans served in the Vietnam War.

References

External links
NBL profile
USA Basketball bio

2001 births
Living people
21st-century African-American sportspeople
African-American basketball players
American expatriate basketball people in New Zealand
American men's basketball players
Basketball players from Dallas
Denver Nuggets players
Detroit Pistons players
Lakeland Magic players
Milwaukee Bucks draft picks
New Zealand Breakers players
Orlando Magic players
Point guards
Shooting guards

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