text:
Railway Minister To Visit Maynaguri Train Accident Site Today
The horrific train accident that happened in West Bengal on Thursday has claimed a total of nine lives, according to reports. Rescue operations have concluded as a number of passengers have been critically injured.
Meanwhile, it has been learned that Ashwini Vaishnaw, the Union Railway Minister said that he would visit the site if the accident on Friday. Union Minister, John Barla also confirmed the death toll in a statement to the media. "Death toll in Bikaner-Guwahati Express mishap has risen to nine. The rescue operation has been completed. 36 injured were admitted to different hospitals. Passengers were sent to Guwahati by special train."
The Indian Railways has announced an ex gratia amount of Rs. 5,00,000 for the families of the deceased. Prime Minister Narendra Modi assessed the accident and announced extra benefits apart from the ex-gratia for the families of the people who lost their lives in the accident. A team of the police along with locals and the National Disaster Response Force (N.D.R.F.) carried out extensive search and rescue operations after 10 coaches of the Guwahati-Bikaner Express (15633) derailed in Maynaguri.
আরও পড়ুন- B.J.P. Dissolves Cells, Departments In West Bengal
আরও পড়ুন- Kolkata Couple Rushes Out Of Building In Burnt Condition; Locals In Shock
Ex-Gratia
maynaguri
Railway Minister
Four People Lose Their Lives After Consuming Spurious Liquor; Two Critical
Covid-19 Cases Skyrocket In India Amid Rising Omicron Cases
AB de Villers Opens Up On Retirement From Cricket
Men In Blue Gear Up For ODI Series Against Proteas; Full Squad List


For the CALL Digital Photography 2019 Winter Session, we will continue where we left off this fall. The course will still be "Back to Basics", but this time we'll focus on digital photography software editing and file management.
In general, casual photographers snap pictures and accept whatever comes out of the camera. More discerning photographers compose in-camera and are aware of what they want to capture in advance of hitting the shutter button. This often comes with frustration due to the many unwanted elements surrounding the subject. Also, camera limitations often cause disappointing results.
This is where software editing comes into play. There are many corrections or adjustments possible once an image is transferred from the camera to the computer. Some images require straightening, while others would look better cropped. Parts may be over/under exposed, or colours may not be realistic, or appealing to the photographer's eye. For the more artistically inclined, some colours can be drastically altered. Removing a bit of "haze" may also improve the photograph. Masks and filters can be applied to make truly artistic images.
The most important aspect of photography is composition. This involves recognizing the elements that make a good picture. Many photography enthusiasts already have a strong aesthetic sense; however, they are often so focused on the subject that they miss seeing distracting elements. Good images are often rejected in the review process because of these flaws. Fortunately, many of these "flaws" can be mitigated or completely removed.
In this course we will focus on the basics of photo editing and file management. Software demonstrations will predominantly use Adobe Photoshop Elements and Lightroom. However, other software editing applications can be discussed depending on demand. One of the facilitators is familiar with Luminar and the other is conversant with Corel PaintShop Pro.
The session format will consist of review, presentation, discussion and practice. We will continue with the weekly challenge and course submission reviews followed by a formal presentation and/or demonstration. This will be followed by practice photography opportunities and voluntary assignments. The course format is informal and relaxed. Questions or comments are encouraged at any time during presentations.
A unique feature of our group is the website http://boomerartist.ca. Here, CALL participants can find details regarding the photography sessions. Course examples can be downloaded from the website for editing practice at home, however participants are encouraged to work on their own photos. You may also "upload" your "before and after" photo experiments to the website. There you can also view other participants' online submissions, make online comments, and ask online questions. If you wish, interest group leaders will critique your photos and make suggestions for improvement.
The 2019 CALL Digital Photography Winter session will be held on the 2nd and 4th Tuesday of each month, starting January 22. The other dates are February 12 and 26, March 12 and 26, and April 9 and 23.
Henri Walhout is an experienced photographer who just likes to photograph all kinds of subjects. He has kept pace with current equipment and software.
Jim Springer has been an amateur photographer for 40 years. He is well versed in all types of photography, but prefers portrait, landscape and wildlife photography.
* Guests are welcome but are expected to join CALL after evaluating the first two sessions.


text:
TE Paul Butler signs back with the Raiders for sixth time
The Raiders like Paul Butler. But perhaps they don't like-like him. Today the team announced they had signed Butler which makes the sixth time they have signed the former undrafted free agent tight end in three years.
Here is his transaction record:
May 7, 2018 — Signed as undrafted free agent out of California (PA)
Sept 1, 2018 — Waived in final 53-man roster cutdown
Sept 2, 2018 — Re-signed to practice squad
Dec 24, 2018 — Signed to active roster from practice squad
Aug 31, 2019 — Waived/injured in final 53-man roster cutdown
Dec 11, 2019 — Signed to practice squad
Dec 31, 2019 — DET Signed to reserve/future contract
Apr 15, 2020 — DET Waived
Apr 16, 2020 — Claimed off waivers from Lions
May 5, 2020 — Waived
May 28, 2020 — Re-signed
Whew. That's good work if you can get it. Although I'm sure he'd rather just stick on the roster. In all that time, he has never appeared in a regular-season game or even been active on game day.
Butler replaced free-agent addition Nick O'Leary who was placed on the Non-football injury list.
Whether it was O'Leary or Butler, they will have a hard time breaking onto the roster. Darren Waller has the top spot locked down. Then there's second-year former fourth-rounder Foster Moreau. And they added veteran All-Pro Jason Witten to the mix.
Derek Carrier is ahead of Butler as the next man up receiving option should an injury occur to Waller or Witten. But, hey, all Butler can do is keep getting a shot and hope at some point he can parlay it into an NFL career.

redpajama_set_name: RedPajamaCommonCrawl


text:
import { LintStrategy } from './index';
import { EditorView } from '@codemirror/view';
import { Diagnostic } from '@codemirror/lint';
import { Parser } from '../parser';

// HybridLint will provide a promQL linter with static analysis
export class HybridLint implements LintStrategy {
  public promQL(this: HybridLint): (view: EditorView) => readonly Diagnostic[] {
    return (view: EditorView) => {
      const parser = new Parser(view.state);
      parser.analyze();
      return parser.getDiagnostics();
    };
  }
}

redpajama_set_name: RedPajamaGithub


The University of California Publication Management System offers Academic Senate Faculty an automated system for identifying and managing their published works. The system also allows faculty to deposit content covered by the UC Open Access Policy to the university's eScholarship platform, thereby making it available to the public.
For questions about the Policy itself, see the policy FAQ.
Who has access to this system?
The California Digital Library creates accounts automatically for all University of California Academic Senate faculty (see this list of job titles covered by the Senate). Faculty may also appoint a delegate to manage their publications by filling out the form. Faculty and delegates can access the "Publication Management System" via the UCSF MyAccess menu.
If you are a UCSF employee but not a member of the Academic Senate, there is a separate, Presidential Open Access Policy that covers you, as of October 23, 2015. Though you don't have a profile in this system, you can deposit your published works directly in eScholarship.
The system searches multiple bibliographic data sources such as Web of Science and PubMed and automatically retrieves citations that match your search settings. Publications get added to your Pending list for verification that they were authored by you. Publications that have already been verified appear in the Mine tab if claimed, or Not mine if rejected.
Searches are run every couple of weeks. Whenever a new publication is found that matches your profile, you'll receive an automated email notification with the number of publications found.
The system prompts you to 1) verify that the publications it has found belong to you; and 2) deposit open access versions of your journal articles that are covered by the UC Open Access Policy. Journal articles published after May 21, 2012 are flagged as covered by the Open Access Policy.
Some publications prior to 2016 were run against UCSF Profiles publications and automatically claimed in the Mine tab.
What do I do after logging in?
If you are a delegate, go to the Menu tab, then "Impersonate another user" to access the faculty member's account.
The notification email prompts you to "Claim" publications, verifying that they were authored by you. Click the "Claim as mine" button on an article-by-article basis, or check the box for multiple articles then click Claim to verify a batch of articles. After claiming, your articles appear on the Mine tab.
Alternately, you can "Reject" any publications that were not authored by you. These publications will remain on the Not mine tab so that the system does not present them to you again if picked up by a different data source.
After claiming an article marked "In Open Access policy", you'll be taken to the Deposit page. See "How do I deposit a file or enter an OA location" below for details.
Return to the Publications list to go to to the next publication. You can log in to the system at any time to complete any of these steps.
How do I deposit a file or link to an open access location?
After claiming an article marked "In Open Access policy", you'll be taken to the Deposit page. You can also reach the Deposit page from the blue button below any publication on the Mine tab. The UC Open Access Policy allows you to deposit the final, peer-reviewed author's manuscript of your published articles (but not the PDF from the publisher's site). If you have this file, upload it and choose "Author final version" as the file version, then "Upload" to complete the deposit. The Policy allows you to make the manuscript immediately available upon publication.
If the article was published as open access (OA) under a Creative Commons license on the publisher's site, or if the full text is freely available on PubMed Central or another site that is free to all, you may provide the URL leading to the full text in the "Enter an OA location" tab instead of or in addition to uploading a file.
Please do not provide URLs leading to PubMed, which has abstracts only, or to subscription articles on the publisher's site. Open access articles will be indicated by an open lock symbol or a Creative Commons (CC BY) license whereby the copyright is owned by the authors instead of the publisher.
Try out unpaywall or Open Access Button to see if a free version of a paper exists. If you're not sure if a paper is OA or not, please email oapolicy@ucsf.edu.
After you deposit an article or provide a URL, it is added to eScholarship and made immediately available for everyone in the world to access!
Why am I receiving an error message when I input a URL in OA Location?
Do I have to deposit all of my publications?
From the Mine tab, select "awaiting deposit" from the Repository Status filter on the right to limit your publications results to just those covered by the policy.
Want to deposit publications not covered by the policy? Follow the SHERPA/RoMEO guidance on the deposit page for publications that fall outside the policy. SHERPA/RoMEO tracks publishers' standard 'self-archiving' rights.
Is there a deadline for completing this process?
No; you can deposit your articles at any time. Claim a publication as soon as the system notifies you, and upload the file at a later date if you don't have it at claiming time.
You can also manually add a record via "add a new journal article" before the system has picked it up.
Not all of my publications are being found. How do I change that?
Import a publication list from another system such as Google Scholar Profiles (full instructions).
Add a unique identifier under "Online Database IDs" from a resource such as Web of Science, Scopus or arXiv that has curated your publications. Or, configure your ORCiD account through this system.
Too many publications are being found that aren't mine. How do I change that?
Try narrowing your results by adjusting your search settings. Under Menu, add your affiliation in the Addresses field.
You can also add a unique identifier under "Online Database IDs" from a resource such as Web of Science, Scopus or arXiv that has curated your publications.
If you have a free identifier from ORCiD.org, configuring your ORCiD account through this system can synchronize and automatically claim matching publications.
Can I delegate these responsibilities?
You can delegate access and management of your account to another person who is familiar with your publications. Complete this form to set up a delegate.
Delegates will be CC'd on email notifications from the system.


text:
Movie/Drama
Kim Rae-Won
김래원
Birth Date: March 19, 1981
Job: Actor
Prison, The (2017)
Doctors TV Series (2016)
Gangnam 1970 (2015)
Punch TV Series (2014)
My Little Hero (2013)
Thousand Days of Promise TV Series (2011)
Insadong Scandal (2009)
Best Chef TV Series (2008)
Sunflower (2006)
Which Star are You From? TV Series (2006)
Mr. Socrates (2005)
Love Story in Harvard TV Series (2004)
My Little Bride (2004)
Tell Me You Love Me TV Series (2004)
...ing (2003)
Cat in a Rooftop Room TV Series, A (2003)
"Snowman" TV Series (2003)
My Love Patzzi TV Series (2002)
My Home TV Series (2001)
Plum Blossom (2000)
Harpy (2000)
Scent of a Man (1998)


text:
Last edited by Tom
Sunday, May 3, 2020 | History
7 edition of Living the Sunday Liturgy found in the catalog.
Living the Sunday Liturgy
Published December 15, 1995 by Columba Press .
Christian liturgy, prayerbooks & hymnals,
Personal Christian testimony & popular inspirational works,
Roman Catholicism, Roman Catholic Church,
Religion - Church Music,
Christian Rituals & Practice - General,
Religion - Worship - General,
Christianity - Ritual & Practice
Living the liturgy: Preparation for Sunday Mass happens all week long. A book called, "A Month with the Eucharist," available on the U.S. Conference of Catholic Bishops website (
The standard book of British and American verse
Klamath Project
Tales from a famished land
Shooters and chasers
The Book of Merlyn
Pakistan, facts and fallacies
EPA to develop guidance on the use of the terms recycled and recyclable in product labeling and advertising
Little Journeys To the Homes of the Great, Volume 3
In freedoms cause
Living the Sunday Liturgy by Johnny Doherty Download PDF EPUB FB2
LIVING THE LITURGY is a guide by Greek Orthodox priest Stanley Harakas written to help Orthodox Christians in America have a deeper appreciation of the Sunday liturgical experience.
As a catechumen in the Orthodox Church, I found it somewhat interesting and useful/5(2). Living Liturgy™ Sunday Missal combines essential liturgical content with the finest presentation on the market today.
This annual, one-issue Sunday Mass pew missal is compatible with any hymnal program and affordably priced for : Liturgical Press. Living Liturgy™ Sunday Missal combines essential liturgical content with the finest presentation on the market today. This annual, one-issue Sunday Mass pew missal is compatible with any hymnal program and affordably priced for parishes.
Gospel reflection for each Sunday; Readings and congregational dialogue in large, point, bold typePrice: $ Living Liturgy™ Sunday Missal combines essential liturgical content with the finest presentation on the market today.
This annual, one-issue Sunday Mass pew resource is compatible with any hymnal program and affordably priced for Pages: Shop for Books, eBooks & Audio, Catholic, Liturgy and much more.
Everything Christian for less. Hear about sales, receive special offers & more. Living Liturgy Sunday Missal Liturgical Press / / Trade Paperback. $ Retail: $ Save 90% Catholic Book Publishing / / Trade Paperback.
$ Retail: $ Save 10% ($ Living Liturgy (TM) is your comprehensive go-to guide for preparing Sunday liturgy. The edition provides completely new content from an engaging team of expert authors.
What you get is practical, sound, and inspiring preparation for your parish ministry. This best-selling annual resource is Living the Sunday Liturgy book for parish ministers, liturgists, pastors, planning committees, Price: $ Living Liturgy (TM) is your comprehensive go-to guide for preparing Sunday liturgy.
The edition provides completely new content from an engaging team of expert authors. What you get is practical, sound, and inspiring preparation for your parish ministry.
This best-selling annual resource is ideal for parish ministers, liturgists, pastors, planning committees. Commentary, Ecclesiology, Liturgy, Ministry, The Episcopal Church By Ephraim Radner I'm glad some folks took time to read my little piece, raising the question of whether live-streaming worship is.
Living Liturgy™ Sunday Missal combines essential liturgical content with the finest presentation on the market today. This annual, one-issue Sunday Mass pew missal is compatible with any hymnal program and affordably priced for s: 0.
Books shelved as liturgy: The Spirit of the Liturgy by Benedict XVI, For the Life of the World: Sacraments and Orthodoxy by Alexander Schmemann, Desiring.
21st Century Worship Resources for Native American Ministries Sunday (The Rev. Jeff Ramsland, pastor of the Cherokee United Methodist Church in Cherokee, NC generously shares these Calls to Worship as a resource for Native American Ministries Sunday. Chapter I: Intro - Chapter II: Matins - Chapter III: Lauds - Chapter IV: Prime - Chapter V: Terce - Chapter VI: Sext - Chapter VII: None - Chapter VIII.
Living Liturgy Spirituality, Celebration, and Catechesis for Sundays and Solemnities Year A () Brian Schmisek, Diana Macalintal, and Katy Beedle Rice PRODUCT DETAILS ISBN:Details: pgs, 8 1/2 x 10 7/8 Publication Date: 07/25/ Living Liturgy™ is your comprehensive go-to guide for preparing Sunday liturgy.
Living Liturgy™ is your comprehensive go-to guide for preparing Sunday liturgy. This edition provides completely new content from an engaging team of expert authors, What you get is practical, sound, and inspiring preparation for your parish ministry. Steeped in the spirit of liturgical renewal and founded upon the principles outlined in Living the Sunday Liturgy book Concilium, Liturgy Training Publications has grown immensely over the years.
What began as Liturgy Training Programs in the s has blossomed into the premier publisher of liturgical and Living the Sunday Liturgy book materials in the English-speaking world.
The Greek Orthodox Archdiocese of America, with its headquarters located in the City of New York, is an Eparchy of the Ecumenical Patriarchate of Constantinople, The mission of the Archdiocese is to proclaim the Gospel of Christ, to teach and spread the Orthodox Christian faith, to energize, cultivate, and guide the life of the Church in the United States of America.
Living Liturgy™ is your comprehensive go-to guide for preparing Sunday edition provides completely new content from an engaging team of expert authors, What you get is practical, sound, and inspiring preparation for your parish ministry.
The textual history of the New Testament is a dynamic tradition, reflecting differing readings, interpretations and uses of its canonical writings. These contributions represent original research by an international range of scholars, first presented at the Tenth Birmingham Colloquium on the Textual Criticism of the New Testament.
Mass and Liturgy; Mass and Liturgy. The Mass is the center of Catholic Life. We gather for Mass along with Catholics all over the world to sit at God's Eucharistic table as brothers and sisters. Living the Mass: What It Means to "Go in Peace" The Book of Psalms.
Psalms are songs that express the emotions of people's lives. Learn Phone: () Living Liturgy™ is the indispensable resource that supports parish ministers of all types in preparing well for the celebration of Mass for Sundays, solemnities, and select other days, so that celebrating the liturgy and living a liturgical spirituality go hand-in-hand.
Written by a pastorally experienced team with expertise in Scripture, spiritual direction, liturgy, and liturgical Pages: Easter Sunday of the Resurrection of the Lord – Sunday, 12 April At the Mass during the Day Acts a, Psalm, Colossians Message about Sunday Liturgy for Families Sadly, Fr Frankie will be unable to give any new homilies for the time being due to his commitments to his parish and hospital work However, we have made a short teaching film to follow the Sunday Gospel in this week's liturgy.
Includes the Rite of the Liturgy of the Word and the Rite for Distributing Holy Communion Outside Mass; This book is one book of a four book comprehensive guide for your parish.
The complimentary books include: Spirituality, Celebration, and Catechesis for Sundays and Solemnities Year A () Living Liturgy for Extraordinary Ministers of Holy.
Liturgy Training Publications. Celebrating Sunday for Catholic Families – is the perfect resource for those looking to enrich their family's life of faith. Simple and approachable, this book is designed to guide even the busiest families to more fully integrate the Sunday Gospel into their everyday lives.
Daily Prayer Liturgy > Liturgical books > Liturgikon. The Liturgikon, or Služebnik. The Liturgikon (Gk., "liturgy book"; Slav. Služebnik, "service book") is the priest's book for the Divine Liturgies, and also contains the other prayers used by the priest at the altar, such as the prayers of Vespers and is also used by the deacon.
The corrresponding book used by a bishop is the. Why Living Liturgy. living liturgy. Easter Prayer Easter Prayer. Ap Karis Kemp. Lord Jesus Christ, Son of the Living God – have mercy upon us. From the beginning, You have shown us that You alone are the source of life. From the beginning, we have strayed from the source: choosing the illusion of control over the foundation of.
In this book, Bishop Untener deals more with the ways liturgies are celebrated than with liturgical theory. His oft-humorous and down-to-earth appraisal of the problems and possibilities of parish worship can help you help others -- and help yourself -- pray better at your Sunday liturgy.
Living Liturgy™ Sunday Missal combines essential liturgical content with the finest presentation on the market today. This annual, one-issue Sunday Mass pew resource is compatible with any hymnal program and affordably priced for parishes. High-quality cover and paper Gospel reflection for each Sunday.
The Sunday of the Passion: Palm Sunday. The Liturgy of the Palms. When circumstances permit, the congregation may gather at a place apart from the church, so that all may go into the church in procession. The branches of palm or of other trees or shrubs to be carried in the procession may be distributed to the people before the service, or after the prayer of blessing.
I recently finished Laurie Bestvater's The Living Page: Keeping Notebooks with Charlotte Mason, and I loved it.I bought it based on Brandy's reviews, and I'm glad I made the leap-of-faith, even though I am only a Charlotte Mason admirer and not a strict adherer.I think this book, with the history behind commonplace books and Mason's implementation of it, demonstrates more.
Typically, a single book is read semi-continuously (i.e., some passages are not read) until it is finished and then a new book is started. The year of the cycle does not change on January 1, but on the First Sunday of Advent (usually late November) which is the beginning of the liturgical year.
Sunday Liturgy with HG Bishop Youssef - Feast of the Lord's Entry into the Temple - Duration: St Mark Coptic Orthodox Church Scottsdale, AZ views Living Liturgy™ Sunday Missal combines essential liturgical content with the finest presentation on the market today.
This annual, one-issue Sunday Mass pew missal is compatible with any hymnal program and affordably priced for parishes. Gospel reflection for each Sunday; Readings and congregational dialogue in large, point, bold type.
Book of Prayers in Common epub. This book is an ongoing project, and you will find updates on this page as they are prepared. It would be great to have it at least translated into Te Reo Māori.
If you are interested in assisting with that, please let me know. First written inand out of print for many years, Liturgy For Living remains a classic text in the field of Anglican/Episcopal liturgy. This highly readable overview explores the meaning of worship from a theological, historical, and spiritual perspective.
The readings for the feast of St. Joseph the Worker correspond with work (Lectionary #). The sacramentary and lectionary also include "Masses and Prayers For Various Needs and Occasions," one of which is "For the Blessing of Human Labor" (Lectionary #; Sacramentary: Masses and Prayers for Various Needs #24).The lectionary offers multiple.
Commentary, Liturgy, Ministry, The Episcopal Church By Elisabeth Kincaid In his sermon for the sixth Sunday of Lent in Parochial and Plain Sermons, preached on April 9,John Henry Newman describes the cross of Christ as the measure of the world, the key.
Liturgical calendars, lector resources, prayer books, and lectionary-based programs. Vatican Council II then allowed to ripen, as a good fruit of the tree of the Church, the Constitution on sacred liturgy Sacrosanctum Concilium (SC), whose lines of general reform responded to real needs and to the concrete hope of a renewal; a living liturgy was desired for a Church entirely enlivened by the mysteries celebrated.
Liturgy The liturgical seasons of the Roman or Latin Rite of the Catholic Church are Advent, Christmas, Lent, Easter, and Ordinary Time. Various liturgical prayers and liturgical readings are assigned to each season, and Scripture passages for each day during the liturgical year are specified by a list called a lectionary.
With perseverance and patience, liturgy has seeped into every part of my life. I find resounding rest in the consistency of Anglican worship.
I seek the protected silence of the chapel and its worship, a steadfast refuge. No matter what I may be feeling, I pray alongside a legion of others on Sunday morning and each time I open my Prayer Book.Mass and Liturgy.
The Mass is the center of Catholic Life. We gather for Mass along with Catholics all over the world to sit at God's Eucharistic table as brothers and sisters. Learn more about celebrating Catholic Mass.Living Liturgy is your comprehensive go-to-guide for preparing Sunday liturgy.
The edition provides completely new content by a fresh team of expert authors. What you get is practical, sound, and inspiring preparation for your parish ministry.
menards.club - Living the Sunday Liturgy book © 2020


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Displaying 176 - 200 of 1031 items.
Robert Alan Good (1922-2003)
Robert Alan Good was an American physician and scientific researcher who explored the cellular mechanisms of immunity. His research and discoveries earned him the label of "father of modern immunology." Though his work in immunology is considered his greatest scientific achievement, Good is also well known for his work with tissue engineering. From his research on immunology, Good was able to perform the first successful allogeneic (donor and recipient are unrelated) bone marrow transplant.
Osmotic Investigations: Studies on Cell Mechanics (1877), by Wilhelm Pfeffer
Wilhelm Pfeffer published his book Osmotische Untersuchungen: Studien Zur Zellmechanik (Osmotic Investigations: Studies on Cell Mechanics) in 1877 during his time as a professor of botany at the University of Basel in Basel, Switzerland. Gordon R. Kepner and Eduard J. Stadelmann translated the book into English in 1985. Verlag von Wilhelm Engelmann in Leipzig, Germany, published the original book in German in 1877 and Van Nostrand Reinhold Company in New York, New York, published the English version in 1985.
Spemann-Mangold Organizer
The Spemann-Mangold organizer, also known as the Spemann organizer, is a cluster of cells in the developing embryo of an amphibian that induces development of the central nervous system. Hilde Mangold was a PhD candidate who conducted the organizer experiment in 1921 under the direction of her graduate advisor, Hans Spemann, at the University of Freiburg in Freiburg, German. The discovery of the Spemann-Mangold organizer introduced the concept of induction in embryonic development.
The inductive capacity of oral mesenchyme and its role in tooth development (1969-1970), by Edward J. Kollar and Grace R. Baird
Between February 1969 and August 1970 Edward Kollar and Grace Baird, from the University of Chicago in Chicago, Illinois, published three papers that established the role of the mesenchyme in tooth induction. Drawing upon a history of using tissue interactions to understand differentiation, Kollar and Baird designed their experiments to understand how differentiated structures become specified. Their work overturned a widely accepted model that epithelium controls the identity of the structure, a phenomenon called structural specificity.
"Sources of Human Psychological Differences: The Minnesota Study of Twins Reared Apart" (1990), by Thomas J. Bouchard Jr, David T. Lykken, Matthew McGue, Nancy L. Segal and Auke Tellegen
In 1990, Thomas J. Bouchard and his colleagues published the paper "Sources of Human Psychological Differences: The Minnesota Study of Twins Reared Apart" in Science Magazine. The paper described the results of a study initiated in 1979 on the development of twins raised in different environments. The scientists conducted their experiment at the University of Minnesota, in Minneapolis, Minnesota. The researchers physiologically and psychologically assessed monozygotic twins or triplets who were reared apart, comparing the similarity of those twins to twins who were reared together.
Abraham Trembley (1710-1784)
Abraham Trembley's discovery of the remarkable regenerative capacity of the hydra caused many to question their beliefs about the generation of organisms. Born 3 September 1710 to a prominent Geneva family, Trembley studied at the Calvin Institute, now the University of Geneva, where he completed his thesis on calculus. He went on to become tutor for Count William Bentinck's two sons, and it was while teaching the boys natural history that Trembley came across a strange organism in a sample of pond water.
Possums (1952), by Carl G. Hartman
Possums is a 174-page book consisting of a series of essays written about the Virginia opossum (Didelphis virginiana), the only living marsupial in the US. The essays were written by Carl Gottfried Hartman, an embryologist at the Carnegie Institute of Washington (CIW), in Baltimore, Maryland, who also worked with another mammal, the rhesus monkey. Possums was published in 1952 by Hartman's alma mater, the University of Texas at Austin (UT). Beginning in 1913, while as a graduate student, and later as an instructor at UT, Hartman captured and raised opossums.
Body Worlds
Body Worlds is an exhibition featuring plastinates, human bodies that have been preserved using a plastination process. First displayed in 1995 in Tokyo, Japan, this collection of anatomical specimens has since been displayed around the world. Although the exhibition debuted in Japan, the idea for the displays began at Heidelberg University in Heidelberg, Germany, where anatomist Gunther von Hagens invented a technique for plastination in the 1970s. After years of research and small-scale presentations of his work, von Hagens created Body Worlds, or Korperwelten in German.
"Autistic Disturbances of Affective Contact" (1943), by Leo Kanner
Leo Kanner published Autistic Disturbances of Affective Contact in 1943 in the journal Nervous Child. This article described the cases of eleven children with autism. Kanner described the behavior and upbringing of each child, aged two to eight, as well as the educational backgrounds of the children's.
The Meselson-Stahl Experiment (1957–1958), by Matthew Meselson and Franklin Stahl
In an experiment later named for them, Matthew Stanley Meselson and Franklin William Stahl in the US demonstrated during the 1950s the semi-conservative replication of DNA, such that each daughter DNA molecule contains one new daughter subunit and one subunit conserved from the parental DNA molecule. The researchers conducted the experiment at California Institute of Technology (Caltech) in Pasadena, California, from October 1957 to January 1958.
Subject: Processes, Experiments
Evaluation of the Newborn Infant--Second Report (1958), by Virginia Apgar et al.
Virginia Apgar and colleagues wrote "Evaluation of the Newborn Infant—Second Report" in 1958. This article explained that Apgar's system for evaluating infants' condition after birth accurately predicted the health of infants. Apgar had developed the scoring system in 1953 to provide a simple method for determining if an infant needed medical attention after birth.
Subject: Reproduction, Publications
Robert Geoffrey Edwards's Study of Fertilization of Human Oocytes Matured in vitro, 1965 to 1969
Robert Geoffrey Edwards, a British developmental biologist at University of Cambridge, began exploring human in vitro fertilization (IVF) as a way to treat infertility in 1960. After successfully overcoming the problem of making mammalian oocytes mature in vitro in 1965, Edwards began to experiment with fertilizing matured eggs in vitro. Collaborating with other researchers, Edwards eventually fertilized a human egg in vitro in 1969. This was a huge step towards establishing human IVF as a viable fertility treatment.
Wilhelm August Oscar Hertwig (1849-1922)
Wilhelm August Oscar Hertwig contributed to embryology through his studies of cells in development and his discovery that only one spermatozoon is necessary to fertilize an egg. He was born 21 April 1849 to Elise Trapp and Carl Hertwig in Hessen, Germany. After his brother Richard was born the family moved to Muhlhausen in Thuringen where the boys were educated. The two brothers later attended the university in Jena from 1868 to 1888 and studied under Ernst Haeckel, who later convinced Hertwig to leave chemistry and pursue medicine.
"Proliferation, Differentiation and Degeneration in the Spinal Ganglia of the Chick Embryo under Normal and Experimental Conditions" (1949), by Viktor Hamburger and Rita Levi-Montalcini
In this paper Viktor Hamburger and Rita Levi-Montalcini collaborated to examine the effects of limb transplantation and explantation on neural development. In 1947 Hamburger invited Levi-Montalcini to his lab at Washington University in St. Louis to examine this question. Independently, each had previously arrived at opposing conclusions based on the same data.
Corticosteroids' Effect on Fetal Lung Maturation (1972), by Sir Graham Collingwood Liggins and Ross Howie
In a clinical trial from 1969 to 1972, Sir Graham Collingwood Liggins and Ross Howie showed that if doctors treat pregnant women with corticosteroids before those women deliver prematurely, then those women's infants have fewer cases of respiratory distress syndrome than do similarly premature infants of women not treated with corticosteroids. Prior to the study, premature infants born before 32 weeks of gestation often died of respiratory distress syndrome, or the inability to inflate immature lungs.
The Pasteur Institute (1887- )
L'Institut Pasteur (The Pasteur Institute) is a non-profit private research institution founded by Louis Pasteur on 4 June 1887 in Paris, France. The Institute's research focuses on the study of infectious diseases, micro-organisms, viruses, and vaccines. As of 2014, ten scientists have received Nobel Prizes in physiology or medicine for the research they have done at the Pasteur Institute.
"Embryonic Stem Cell Lines Derived from Human Blastocytes" (1998), by James Thomson
After becoming chief pathologist at the University of Wisconsin-Madison Wisconsin Regional Primate Center in 1995, James A. Thomson began his pioneering work in deriving embryonic stem cells from isolated embryos. That same year, Thomson published his first paper, "Isolation of a Primate Embryonic Stem Cell Line," in Proceedings of the National Academy of Sciences of the United States of America, detailing the first derivation of primate embryonic stem cells. In the following years, Thomson and his team of scientists - Joseph Itskovitz-Eldor, Sander S. Shapiro, Michelle A.
Epidermal growth factor is a signaling molecule that stimulates the growth of epidermal tissues during development and throughout life. Stanley Cohen discovered epidermal growth factor (EGF) during studies of nerve growth factor as a side effect of other experiments. EGF stimulates tissue growth by initiating a variety of cellular mechanisms. This work led to the 1986 Nobel Prize in Physiology or Medicine awarded to Cohen and Rita Levi-Montalcini.
"The Effects of Wing Bud Extirpation on the Development of the Central Nervous System in Chick Embryos" (1934), by Viktor Hamburger
German embryologist Viktor Hamburger came to the US in 1932 with a fellowship provided by the Rockefeller Foundation. Hamburger started his research in Frank Rattray Lillie's laboratory at the University of Chicago. His two-year work on the development of the central nervous system (CNS) in chick embryos was crystallized in his 1934 paper, "The Effects of Wing Bud Extirpation on the Development of the Central Nervous System in Chick Embryos," published in The Journal of Experimental Zoology.


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Movie review: Psychological thriller 'Swallow' goes down like nails - and that's a good thing
Mar 27, 2020 at 10:01 AM Mar 27, 2020 at 10:01 AM
Hunter Conrad is living the life of luxury, with a filthy rich and well-connected husband with whom she resides in an expansive hilltop house featuring panoramic views of the Hudson River below. And clothes! Boy does she have clothes! Now, there's a baby on the way. What could be more perfect? In Carlo Mirabella-Davis' deeply disturbing "Swallow," the answer just might surprise you. It did me. But then, I'm not a woman.
If you're a woke feminist, you'll likely just nod your head in recognition of the Lady Dianas and Melania Trumps of the world who are little more than buffed and bejeweled accessories to their husbands' wealth and success. Just one more extravagant possession, robbed of their entity. Hunter doesn't know it yet, but her "utopia" is incrementally driving her insane. And that's what gives "Swallow" its bite, as she comes to the realization she's a caged animal, trapped in an opulent zoo where huge windows meant for looking out become our opportunity for looking in at a feral creature caged by unrealistic expectations; a place where no one bothers asking, "What does Hunter want?"
Like the equally sublime "The Assistant" from earlier this year, "Swallow" is a movie of subtle observations that when added up evolve into a horror show every bit as scary as "The Shining," another film where isolation and entrapment bring out the worst in a person. "Hello, Hunter!" But her weapon of rage isn't an ax through a locked door; it's something the shrinks call "pica," a compulsion to ingest tiny objects (marbles, tacks, jacks, safety pins) as a means for victims to reclaim "control" of their bodies. It's very much a relative of anorexia and bulimia in which an eating disorder masquerades as a silent call for help.
In portraying Hunter's hushed anguish, Haley Bennett (like Julia Garner in "The Assistant") dazzles in her ability to speak volumes with nary a line of dialogue. It's all in the way she holds herself, overwhelmed and defeated. Hunter is meant to be seen, not heard; praised rarely and often berated by her gorgeous and utterly plastic Richie-rich husband, Richie (Austin Stowell), for "stupidly" ironing his silk ties, and by her priggish in-laws (Elizabeth Marvel and "Veep's" David Rasche) for not wearing her short blonde hair long enough.
Even when she learns of her pregnancy, it's not "your" baby, but "our" baby, as if it belongs only to Richie and his sociopathic parents, all hungry for an heir (a la "Rosemary's Baby") to their warped legacy. For a while, Hunter suffers such insults quietly - until the day she vacuums up a tack. Retrieving it from the lint and dust, she swallows it, painfully at first. Then, a sense of elation washes over her face, a declaration of independence that Bennett communicates exuberantly by letting her long-dormant eyes suddenly come alive. It's terrific acting on her part. And it's just the beginning of a performance so intricate and precise it's little wonder it won her "Best Actress" honors at last year's Tribeca Film Festival.
Yet, let's not forget the man who got her here: Mirabella-Davis. In his narrative film debut, the high school classmate of another socially conscious horror maven, Jordan Peele, expands on the impression he left with his directorial debut, the documentary "The Swell Season" about how fame tore apart musicians Glen Hansard and Markéta Irglová after they fell in love while making the art-house smash "Once." He says he wrote the script for "Swallow" as a tribute to his grandmother, who like Hunter, was expected to assert herself only when called upon.
She was a product of the June Cleaver generation, a stay-at-home mom whose duties included effusive praise for her lump of a husband and doing housework in frilly dresses and heels, a shameful caricature hauntingly duplicated by Bennett in one of the movie's most affecting moments. You've come practically nowhere, Baby, the scene cries out. It almost brings a tear. But that's not what Mirabella-Davis is after. He'd rather shock and disturb, much akin with an obvious influence, Guillermo del Toro. Like that Oscar-winner ("The Shape of Water"), Mirabella-Davis sees the macabre in the everyday lives of the forgotten people and does it with enormous empathy.
Yes, he walks a thin line between celebrating and damning the dangers of pica, which most definitely can be fatal, as evidenced by the amount of blood emanating from Hunter's body. But then this isn't an "eating-disorder movie of the week." It's about empowerment and taking charge, actions that acquire added impact amid the rise of the #MeToo movement. And the message is delivered in a manner that's highly entertaining. Scary, too, even after Mirabella-Davis gets bogged down in the needless reveal of the cause of Hunter's paralyzing subservience. It does, however, open the door to yet another terrific supporting turn from Denis O'Hare as a dark figure from Hunter's past. But Mirabella-Davis is clearly reaching.
Not to worry, he more than rights the ship in the finale, as Hunter performs a horrifying, yet cathartic act symbolizing the re-establishment of control of her life. And it again involves swallowing, but in an entirely different context. It concludes in an antiseptic public restroom with dozens of women passing in and out, leaving you wondering how many of them are harboring life-altering secrets like Hunter. It's an unexpected punch in the gut, one you won't soon forget. Nor should you. But take my advice and keep the antacids close by.
Cast includes Haley Bennett, Austin Stowell, Elizabeth Marvel, David Rasche and Denis O'Hare. Available on all platforms of video on-demand.
(R for language, some sexuality and disturbing behavior.)


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/ Chemistry: General
/ oxidation and reduction
oxidation and reduction
oxidation and reduction, complementary chemical reactions characterized by the loss or gain, respectively, of one or more electrons by an atom or molecule. Originally the term oxidation was used to refer to a reaction in which oxygen combined with an element or compound, e.g., the reaction of magnesium with oxygen to form magnesium oxide or the combination of carbon monoxide with oxygen to form carbon dioxide. Similarly, reduction referred to a decrease in the amount of oxygen in a substance or its complete removal, e.g., the reaction of cupric oxide and hydrogen to form copper and water.
When an atom or molecule combines with oxygen, it tends to give up electrons to the oxygen in forming a chemical bond. Similarly, when it loses oxygen, it tends to gain electrons. Such changes are now described in terms of changes in the oxidation number, or oxidation state, of the atom or molecule (see valence). Thus oxidation has come to be defined as a loss of electrons or an increase in oxidation number, while reduction is defined as a gain of electrons or a decrease in oxidation number, whether or not oxygen itself is actually involved in the reaction.
In the formation of magnesium oxide from magnesium and oxygen, the magnesium atoms have lost two electrons, or the oxidation number has increased from zero to +2. This is also true when magnesium reacts with chlorine to form magnesium chloride. In solution, ferrous iron (oxidation number +2) may be oxidized to ferric iron (oxidation number +3) by the loss of an electron. In the reduction of cupric oxide the oxidation number of copper has changed from +2 to zero by the gain of two electrons. The two processes, oxidation and reduction, occur simultaneously and in chemically equivalent quantities. In the formation of magnesium chloride, for every magnesium atom oxidized by a loss of two electrons, two chlorine atoms are reduced by a gain of one electron each.
Oxidation-reduction reactions, called also redox reactions, are most simply balanced in the form of chemical equations by arranging the quantities of the substances involved so that the number of electrons lost by one substance is equaled by the number gained by another substance. In such reactions, the substance losing electrons (undergoing oxidation) is said to be an electron donor, or reductant, since its lost electrons are given to and reduce the other substance. Conversely, the substance that is gaining electrons (undergoing reduction) is said to be an electron acceptor, or oxidant.
Common reductants (substances readily oxidized) are the active metals, hydrogen, hydrogen sulfide, carbon, carbon monoxide, and sulfurous acid. Common oxidants (substances readily reduced) include the halogens (especially fluorine and chlorine), oxygen, ozone, potassium permanganate, potassium dichromate, nitric acid, and concentrated sulfuric acid. Some substances are capable of acting either as reductants or as oxidants, e.g., hydrogen peroxide and nitrous acid.
The corrosion of metals is a naturally occurring redox reaction. Industrially, many redox reactions are of great importance: combustion of fuels; electrolysis (oxidation occurs at the anode and reduction at the cathode); and metallurgical processes in which free metals are obtained from their ores.
See more Encyclopedia articles on: Chemistry: General


Bhubaneswar: Today's afternoon rain in the smart city has proved to be a boon as well as a bane. While the downpour provided some much needed relief from the heat, Bhubaneswar's Nayapalli area was almost submerged in water. The rain caused water logging in the area and the road in front of ISKCON temple was flooded. Cars and autos parked in the road were not able to move because the wheels were completely under water.
Two years ago, Bhubaneswar had topped the Smart City list however the roads still do not have efficient water drainage system.


Allegro is a musical by Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics), their third collaboration for the stage. Opening on Broadway on October 10, 1947, the musical centers on the life of Joseph Taylor, Jr.—Joe follows in the footsteps of his father as a doctor, but is tempted by fortune and fame at a big-city hospital.
After the immense successes of the first two Rodgers and Hammerstein musicals, Oklahoma! and Carousel, the pair sought a subject for their next play. Hammerstein had long contemplated a serious work which would deal with the problems of the ordinary man in the fast-moving modern world. He and Rodgers sought to create a work which would be as innovative as their first two stage musicals. To that end, they created a play with a large cast, including a Greek chorus. The production would have no sets; props and projections served to suggest locations.
After a disastrous tryout in New Haven, Connecticut, the musical opened on Broadway to a large advance sale of tickets, and very mixed reviews. Agnes de Mille, the choreographer of Rodgers and Hammerstein's previous Broadway productions, both directed and choreographed the work. The show was viewed as too moralistic, and the Broadway run ended after nine months; it was followed by a short national tour. It had no West End production, and has rarely been revived. Allegro has been recorded twice, the original cast album and a studio recording released in 2009.
This ensemble musical chronicles nearly four decades in the life of an Everyman, Joseph Taylor, Jr., from cradle through a mid-life discovery of who he is and what his life is truly about. The first musical to be staged by a director who was also the choreographer (the legendary Agnes de Mille), the unique structural format allows the saga to whisk us from Joe's birth through his childhood, from college dorm to marriage altar, and on to his career; from the tranquility of his small Midwestern hometown to the hectic din of big city life, in a series of vignettes and musical sequences dazzling in their simplicity and stunning in their impact. Ahead of its time theatrically, ALLEGRO remains timeless in its appeal.
Oscar Hammerstein II had always wanted to write a serious drama, one which would address the problems of life confronting ordinary people. By early 1946, four years after his partnership with Richard Rodgers commenced, the duo had two hits (Oklahoma! and Carousel) on Broadway, and had success as producers of musicals others had written. In March, Hammerstein approached Rodgers with the idea for a play with two men as the central characters, rather than the usual "boy and girl" format. Over the following weeks, the two discussed it, and the concept evolved into a musical about one man, a doctor's son. The concept appealed to Rodgers, the son and brother of doctors. By September, the general theme for the story had been established: the struggle of the main character to avoid compromising his principles as he progresses in life.
Hammerstein had thought of writing a play about a man, from birth to death. However, having just killed his leading male character, Billy Bigelow, onstage in Carousel, he was reluctant to kill off another. In the end, he took his protagonist from birth to age 35. He envisioned a simply staged work like Our Town which after its initial run would lend itself to college productions. Allegro was conceived as taking place in an open space, using props and projections to convey scenery to the audience. In addition to the customary singing chorus, there would be a speaking chorus, in the manner of a Greek chorus, which would comment on the action, and speak to both characters and audience.
Hammerstein did background research about the medical profession by interviewing his own doctor. He wrote a few pages of the book before embarking with his wife for Australia to visit his mother-in-law; when his ship arrived in Brisbane he mailed Rodgers part of the remainder. On receiving the packet, Rodgers, who did not compose until his lyricists supplied him with the words, immediately sat down and composed three songs. Hammerstein put a good deal of his own experiences into the play. According to his son, William, "Most of the first act was based on his own memories of his own childhood. He had always been intrigued by it, you know; his mother died when he was twelve. I always felt his songs came out of his feelings about her."
Hammerstein spent a year writing and polishing the first act, taking infinite pains over the wording. The second act was more rushed; under a deadline, Hammerstein completed it only a week before rehearsals began. Stephen Sondheim, who served as a $25-a-week gofer on the production, stated: "Years later, in talking over the show with Oscar—I don't think I recognized it at the time—I realized he was trying to tell the story of his life ... Oscar meant it as a metaphor for what had happened to him. He had become so successful with Oklahoma! and Carousel that he was suddenly in demand all over the place. What he was talking about was the trappings, not so much of success, but of losing sight of what your goal is."
The duo hired choreographer Agnes de Mille to direct—a move between two theatre functions which was unusual at the time. De Mille had been the choreographer for the dances in Oklahoma! And Carousel, designing ballets which disclosed the characters' psychological states to the audience. She had been concerned about the cohesion of the script as she received it from Hammerstein. When a few days before rehearsals began, she asked Hammerstein what the show was about, the lyricist replied, "It's about a man not being allowed to do his own work because of worldly pressures." De Mille answered, "That's not the play you've written. You haven't written your second act." Hammerstein replied, "But we're already committed to the theatre in New York."
De Mille faced an immense task. Instead of conventional sets, locations were suggested by platforms, images projected onto backdrops, and lighting—there were 500 lighting cues, at the time a Broadway record. There were forty stagehands, needed to shift sixty partial sets, with objects moved onto the stage by a semicircular track hidden by an elaborate series of curtains. According to de Mille biographer Carol Easton, "Allegro was a leviathan of a show, on a scale exceeding the grasp of any individual."
Rehearsals took place in three New York locations, for principals, singers, and dancers. The production contained 41 principals and over a hundred dancers. De Mille also choreographed the dances, which were both extremely complicated and provided the framework for the scenes which made up the show. During the dances, Joe learns to walk, falls in love, goes astray, and then gets back on the proper track. De Mille used adults in children's clothes for the dances when Joe is a child; since there were no actual children on stage to provide scale, the illusion worked. The dance which accompanied "One Foot, Other Foot" was based on de Mille's own experiences in watching her own son Jonathan learn to walk.
Sondheim later expressed his view of de Mille's directing, calling her "a horror. She treated the actors and singers like dirt and treated the dancers like gods … [she was,] I think, an extremely insensitive woman, an excellent writer, and a terrible director, in terms of morale, anyway. That was my first experience of bad behavior in the theatre." However, Rufus Smith, who played the minor role of the football coach, stated, "Never again in my life will I experience what it is like to stop a show cold, by doing exactly what she taught me". The immense job of directing the play finally proved too big for de Mille, who stated "I can't do the new dances and the new songs and the new book," and Hammerstein stepped in to direct the dialogue. According to Rodgers biographer Meryle Secrest, at this point the cast was up in arms over de Mille's treatment of them. James Mitchell, one of the dancers in the production, later stated that de Mille was better at directing dancers than actors, as actors come to the stage with preconceived notions about how to play a part, and dancers do not.
The first tryout, in New Haven, Connecticut, did not go to plan. During the first act, William Ching, playing Joseph Taylor, Sr., was singing "A Fellow Needs a Girl" when the scenery wall began to collapse, forcing him to hold it up until the stagehands noticed. Dancer Ray Harrison caught his tap in a track in the stage, and tore the ligaments in his knee. He was carried from the stage, screaming. Lisa Kirk, the first Emily, fell into the orchestra while singing "The Gentleman is a Dope". She was catapulted back onto the stage with no pause in her singing, to great applause by the audience. Sondheim remembered: Next day in the New York Herald Tribune … Billy Rose, of all people was saying, "A star is born." Next night she comes back, came to the same point in the song, and starts to fall, and the entire audience gasps because they'd all read the Herald Tribune. She recovers quickly, they all sigh, and she gets another ovation. Oscar came backstage at the end and said, "You do that a third time and you're fired."
The disasters of the New Haven opener concluded during "Come Home", a song near the end the play—the quiet urgings of the chorus and Joe's mother to entice him to return to his small town. A false fire alarm went off, and the audience began to push towards the exit. Joshua Logan, who was in attendance, loudly ordered the crowd to sit down, which it did. One of the Boston tryouts which followed New Haven was marked by boisterous behavior by conventioneers, until Hammerstein yelled, "Shut up!" and the audience subsided.
Given the outstanding success of Oklahoma! And Carousel, Allegro was anticipated with close interest by the theatre community and public. The musical attracted $750,000 in advance sales, at a time when the top price ticket for a Broadway musical was $6.
Allegro opened on Broadway at the Majestic Theatre on October 10, 1947. It starred John Battles as Joseph Taylor, Jr., Annamary Dickey as Majorie Taylor, William Ching as Dr. Joseph Taylor, Roberta Jonay as Jenny Brinker, Lisa Kirk as Emily, and John Conte as Charlie Townsend. A special performance the afternoon of the opening for friends and associates generated wild applause; the audience at the official opening that evening clapped little. As de Mille's husband, Walter Prude, put it, Allegro went over "like a wet firecracker".
The mixed reviews prompted ongoing discussions of the play's merit, continuing well after the first night. Some of the news that the show generated had nothing to do with its worth—de Mille had dancer Francis Rainer fired, and Rainer alleged that the dismissal was due to her union activism. After Actors Equity became involved, Rainer was rehired. More bad publicity came when the producers proposed to dismiss several orchestra and chorus members to cut costs so the show might continue through the summer of 1948, and the fired performers also alleged dismissal for union involvement. The show closed before the summer, and in the fall, a national tour began. The national tour ran eight months, much shorter than that of Oklahoma! Or Carousel. No London production was mounted. According to Thomas Hischak in his The Rodgers and Hammerstein Encyclopedia, the show made a small profit; other sources state that the show lost money.
The show was popular in the 1950s among amateur drama societies, because of the large cast with no star and the bare stage. It has rarely been revived professionally: the St. Louis Municipal Opera presented it in 1955; Goodspeed Musicals presented it in Connecticut in 1968. An abridged version was presented Off-Off-Broadway in 1978 by Equity Library Theatre.
In March 1994 a staged concert version was presented by New York City Center Encores!, with a cast that included Stephen Bogardus (Joseph Taylor, Jr.), Karen Ziemba and Jonathan Hadary. Christopher Reeve was the narrator, and the concert was directed by Susan H. Schulman. A revised version of Allegro, re-written by Joe DiPietro, who was a protege of Oscar's son James Hammerstein, was produced at the Signature Theatre (Arlington, Virginia) in January 2004. This version cut the musical in size and scale. The cast was cut with some characters being combined; the original, lavish orchestrations were simplified.
Aucun dossier informatif complémentaire concernant Allegro.
Although Allegro is filled with music, the music is fragmented, as the characters often break into song briefly. The character of Joe was unusual for a male lead of the time in having relatively little to sing; Joe has only one solo number ("A Darn Nice Campus. Important songs are given to minor characters, such as "So Far", given to Beulah, who only appears on the one date with Joe. Author and composer Ethan Mordden calls Rodgers's technique "the deconstruction of theatre music, to match the show's deconstruction of traditional theatre design".
Rodgers's music is more subtle than in his previous musicals, and his melodies more muted. The key changes are less dramatic than in other musicals of that time. Rodgers did not intend for the songs to become hits; instead they were designed to draw the audience into the action, as onstage events were described subjectively in song.
An original cast recording was released in 1947, heavily abridged. According to Hischak, only Lisa Kirk as Emily shines on the recording, which he calls "sad evidences of a very ambitious undertaking. Originally issued by Victor Records on five 78s, sales were poor; Victor did not reissue it on LP during the rapid transition from 78s to long-playing records in 1949–1950, when most record companies were hastily transferring their entire catalogues onto the new medium. The recording was made available briefly in simulated stereo in the 1960s, and was reissued in the 1970s in the original mono. The original cast recording was released on compact disc in 1993.
A studio recording of the complete score was made in 2008, with Patrick Wilson as Joe, and Nathan Gunn and Audra McDonald as his parents. The album, produced by Sony Masterworks Broadway, was released on February 3, 2009. According to musical theatre author John Kenrick, "this all star studio cast glorifies all that is right with this melodious and sometimes adventurous score".
They had triumphed their first time out, with OKLAHOMA! In 1943. Two years later they exceeded expectations with CAROUSEL, and, in that same year, charmed Hollywood, winning an Academy Award for STATE FAIR. They had also begun producing: first John Van Druten's play I REMEMBER MAMA, then Irving Berlin's blockbuster ANNIE GET YOUR GUN and a tour of SHOW BOAT. By now they were practically deified for making hits by taking chances, and in 1947 composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II seemed as eager as everyone else to see what they would come up with next.
The result was ALLEGRO. Preceded by a mammoth publicity fanfare and the largest advance sale in Broadway history, ALLEGRO opened at the Majestic Theatre in New York on October 10, 1947. Drawing a critical reaction unlike any other in the Rodgers and Hammerstein canon, before or since, ALLEGRO proved controversial.
Within the context of this critical brouhaha, the show itself remains a fascinating study, as contradictory as the reactions to it. Plot and theme may have been naïve, but the score, structure and staging were absolutely ahead of their time. Hammerstein had brought the idea of ALLEGRO to Rodgers and it was the first of only two original musicals by Rodgers and Hammerstein not adapted from another source (the other being ME & JULIET in 1953). Hammerstein had conceived it as an allegory traveling from birth to death, in which he chose to make his Everyman a doctor. ALLEGRO tackles very real concerns about the medical profession: dilemmas that doctors face when a patient's needs conflict with a hospital's agenda, the role of big business in medicine, and a doctor's responsibility to his own community. Rodgers, whose brother and father both practiced medicine, shared his partner's interest in these issues.
As ALLEGRO began to take shape (with the first-draft storyline of cradle-to-grave truncated to cradle-to-midlife crisis), it became obvious that a new approach in script and style would be required to carry the ambitious story. It needed to move effortlessly through time and place; the allegory could only unfold in an atmosphere of total freedom. Both authors acknowledged that their inspiration was Thornton Wilder's classic of nine years earlier, OUR TOWN, which had freed commercial theater from many of its conventions. ALLEGRO shares with OUR TOWN a common setting (small town America in a simpler time), the use of structural and narrative devices and, above all, a minimalist approach to the design.
Having written the rules on the musical play, Rodgers and Hammerstein now set out to break them. ALLEGRO's score, for example, is filled with innovation, starting from its delicate weaving of song and dialogue, a technique first tried in OKLAHOMA! And perfected in the Bench Scene ("If I Loved You") from CAROUSEL. In ALLEGRO, fragments of song move in and out of the action like passing thoughts; melodies flit by in one scene only to take hold and blossom in the next. Breaking another rule, big numbers like So Far and The Gentleman is a Dope are given to supporting characters while leads like the hero himself have comparatively little solo work. Also unusual is the presence of a Greek chorus shadowing the cast and requisite corps de ballet, giving insight into the plot, commenting on the action and speaking the character's inner thoughts aloud.
The result was a musical unlike anything that had come before, and it demanded staging equally bold and original. Its fluid blend of score, dance, and book, for instance, required the director and choreographer to think and work as one… in fact, the director and choreographer would have to be one. So Rodgers and Hammerstein asked the innovative creator of their ballets for OKLAHOMA! And CAROUSEL, Agnes de Mille, to do double-duty. The position of director-choreographer was unprecedented; offering it to a woman was extraordinary. Agnes de Mille said yes.
Conceptually, ALLEGRO was a simple show. But simplicity in the theater can be awfully complicated. Jo Mielziner's sets and lighting achieved an illusion of effortless motion through a complex system of treadmills, moving platforms, screen and projections supporting a highly sophisticated lighting plot (the first time lighting served as the principal staging factor in a Broadway musical). Added to the massive production budget was a weekly payroll for forty stagehands, eighteen principal actors, twenty-one supporting players, twenty-two dancers, thirty-eight singers and thirty-five musicians. ALLEGRO was not only expansive but expensive.
Rodgers and Hammerstein's fourth collaboration opened at the Shubert Theatre in New Haven on September 1, 1947, and traveled from there to Boston before opening in New York, where expectations were extraordinarily high. Following OKLAHOMA!, CAROUSEL and STATE FAIR was a tough assignment; landing on the covers of Life, Time, and other publications didn't make it any easier. Avid theatergoers, having to wait years for their chance to see the other Rodgers and Hammerstein stage shows, were determined not to be left out in the cold this time. They snapped up tickets to ALLEGRO in record-setting numbers, resulting in the largest advance sale in history: $750,000 on a $4.50 top ticket price, at a time when a $100,000 advance was considered astronomical.
The advance sale helped for a while, as did the good and great reviews (of which, contrary to common assumption, there were quite a few). But the bad reviews hurt and, more importantly, so did word-of-mouth. By July of 1948, less than ten months after it arrived, ALLEGRO was gone. The show failed to pay back its original production costs, and a national tour that visited 16 cities from November '48 to June of '49 didn't fare much better, either critically or financially.


The Bay Area Air Quality Management District (District) regulates the demolition and renovation of buildings and structures which may contain asbestos or milling and manufacturing of specific materials which are known to contain asbestos. The provisions that cover these operations are found in District Regulation 11, Rule 2.
Because asbestos has been used extensively in residential, commercial and industrial construction, District Regulation 11-2-401.3 requires that for every renovation involving the removal of 100 sq ft/lin ft or greater of Regulated Asbestos Containing Material (RACM), and for every demolition (even when no asbestos is present), a notification must be made to the BAAQMD at least 10 working days (except in special circumstances) prior to commencement of demolition/renovation. When removing any Regulated Asbestos Containing Material, District regulations must always be followed.


Cape Town police are appealing to members of the public to come forward with any information regarding the identities of the suspects responsible for a spate of passenger robberies on Golden Arrow busses. Golden Arrow itself is offering a R50 000 reward to whoever can provide information that leads to the successful arrest of the guilty party.
"We are offering a reward of R50 000 for information which leads to the arrest and conviction of the perpetrators of these robberies. We are also looking at additional covert measures which we, unfortunately, are not able to outline in any detail as that could compromise their efficacy," Golden Arrow said in a statement.
South African Police Services (SAPS) spokesperson André Traut said the latest incident took place in Eisleben Road. Passengers and the bus driver were robbed by four unknown individuals who boarded the bus at two different points along the route.
Twenty similar robberies have taken place since September.
Golden Arrow spokesperson, Bronwyn Dyke-Beyer told IOL that the bus service believes a crime syndicate is behind the incidents, and police are currently investigating several leads.
This article was written by Lucinda Dordley and sourced from CapeTown Etc.; for the original article, click here.


Steam ovens offer everything you like about your oven at home. Yet when you add steam, you can take your cooking the extra distance. Bakes that rise that little bit higher. Roasts that are both tender and crispy. And all your other favourites, just better. Serve up professional quality food from your own kitchen - choose steam.
Top chef and Tasteology expert Catalina Vélez explains that when you cook at a low temperature, steam and heat combine to slow cook your ingredients.
With just a touch of a button, our Multifunction oven with SteamBake adds a perfect amount of steam to your baking. This leads to bigger, quicker rises and crispier crusts.
These recipes will produce impressive dishes that delight with new dimensions of flavour and texture.
Pour 100ml of water into the cavity at the bottom of the oven.
Select the SteamBake programme and press the Steam button.
Let the oven preheat for 5 minutes and then you can bake your masterpiece. Enjoy.
When you cook salmon in a SteamBoost oven, the gentle cooking keeps it beautifully tender and prevents it from drying out.
In our SteamPro ovens with sous vide, you can achieve results that are impossible in a normal oven.
Turn bread extra light and fluffy with a crispy crust. This oven is a baker's dream and perfect for making succulent, golden roasts too.
Enjoy all the same possibilities as SteamCrisp®, create tender and delicate fish, grains and vegetables that just burst with flavour like you've never tasted.
At the top of the range, our most advanced oven can do all that its predecessors can and more. Add the incredible sous vide technique to your repertoire for meat, fish and vegetable dishes you can truly perfect.
Whatever you want to cook, there's a steam programme to propel your dish to new heights.
SteamPro ovens have everything you need for consistently delicious meals.
Our ovens make steam cooking simple. And when you're finished cooking, they make cleaning simple too.
The MaxiKlasse Bakery Tray, with a perforated base, ensures even heat distribution.
Create incredible flavours. Seal your ingredients, marinade and seasoning in a vacuum bag.


text:
The trochadi (τροχάδι) is a type of leather sandal that is produced in Skyros, Greece.

The roots of the trochadi are claimed to be from Ancient Greece. The name comes from the Greek verb "τρέχω", which means to run. It is the responsibility of the father to make trochadia for his sons (in the past the trochadi was exclusively worn by men).

Sources
Ιστορικό Μουσείο, Λαογραφική συλλογή:  ένα τροχάδι παραδοσιακό και ένα με λάστιχο, νεώτερα. (Υπεύθυνη: Βιδάλη Αγγέλα, Επιμελήτρια Λαογραφικής Συλλογής)
Μουσείο Υποδημάτων, Μ. Αλεξάνδρου 47, Καστανιά Καρδίτσας (Υπεύθυνος: Παύλος Κόγιας)
Λάμπρου, Α. 1994, Οι σκυριανές φορεσιές, Ναύπλιο, Πελοποννησιακό Λαογραφικό Ίδρυμα. (Εξαντλημένο)
Μιχαήλ Κωνσταντινίδου, 1901,Η νήσος Σκύρος από των αρχαιοτάτων χρόνων μέχρι των καθ'ημάς, Ιστορικό δοκίμιο, Αθήνα, Τυπογραφείο Δ. Γ. Ευστρατίου  -  Σε ηλεκτρονική μορφή:Online resource
Δημητρίου Παπαγεωργίου, 1909, Ιστορία της Σκύρου από των αρχαιοτάτων χρόνων, Πάτρα, Τυπογραφείο Ανδρ. Β. Πασχά  -  Σε ηλεκτρονική μορφή: Online resource
Αγγελικής Χατζημιχάλη,  1925, Ελληνική Λαϊκή Τέχνη – Σκύρος, Αθήνα, ΤΥΠΟΙΣ Α.Ε.Β.Ε. Π.Γ. Μακρής και Σια
Κουκουλές Φαίδων, 1951, Βυζαντινών Βίος και Πολιτισμός, Τέταρτος Τόμος, Εκδόσεις Παπαζήση

Sandals
Skyros

redpajama_set_name: RedPajamaWikipedia


With this penetrating look at two gospels, we begin an in-depth examination of the doctrines of grace, commonly called Calvinism. Brian Borgman does a WONDERFUL job unfolding these rich doctrines, always with an eye towards exalting Christ Jesus.
As he works through these topics, do not be alarmed if you disagree with a minor point or two. Brother Brian does assert a couple of times that redeemed saints are depraved. I find this disconcerting as we have been made new creatures with a new nature – not without sin, but not unable or unwilling to do good in the sight of God. Depraved people are unable and unwilling.
Focus on the main things. Borgman's entire series (I'll post one audio file per week) is truly an excellent encouragement to those who are in Christ and a fearful provocation to those who merely think they are.
Listen to A Tale of Two Gospels.
Why I'm a Calvinist, and Not a Jerk!
We welcome a guest blogger to Defending Contending. George Alvarado may be known to some of you as the author of the book Apocity. I hope that we can learn from the attitude he portrays on what is often a sensitive issue and one that is not always found with a great degree of humility.
Did Christ Die for All Men? Or Did He Die for Only Some Men?
At some point in our Christian walk we must ask ourselves this vital question: "Who did Christ die for?" A huge portion of our theology is wrapped up in this little question, which has been a hotly debated issue for centuries. I want to offer the answer as I see it by using the simple logic that led to me changing my entire view of scripture several years ago. I believe that most Christians actually believe in Limited Atonement, but disagree on free will or election of the believer.
I am also assuming that you, the reader, agrees that there is a literal Heaven and a literal Hell as defined in the Bible.
I assume that you agree that our salvation is connected to our belief that Jesus Christ is God, lived a perfect life, and died on the cross in our place, and rose again on the third day securing eternal life for all who believe in Him.
1. Do all men/women go to Heaven?
I believe that all Christians who stand by the assumptions above would answer NO to this question. If your answer to this question is yes, then you believe in universalism, which is not Biblical and you are not a Christian.
2. Do all men/women go to Hell?
Again I believe that all Christians answer NO to this question. If your answer to this is yes, you are not a Christian because you don't believe in the atoning work of Christ on the cross, forgiveness of sins, and eternal life with Christ in Glory for the believers.
3. Do only some men/women go to Heaven?
All Christians must answer YES to this question. Because both questions 1) and 2) must be answered NO and it is non-negotiable…for Biblical Christians this is the only option.
The answer to these simple questions gives us one simple point to agree upon as our starting point: Some people go to Heaven and some people go to Hell. All Christians will agree on this point.
How Does Someone Get to Heaven?
Ok, let's take one more step together, so if some people go to Heaven and some people go to Hell, what is the deciding factor? How does one avoid eternal damnation in the fires of Hell and inherit the eternal life and glory with Christ for all eternity in Heaven? This is answered with the Gospel of course.
Christ was tried for heresy and sentenced to crucifixion, and died on the cross.
Christ, on the third day, was resurrected, thus defeating death and appearing to many.
After a short time in his resurrected form Christ ascended to heaven to sit at the right hand of the Father where He intercedes on our behalf as an advocate.
This is what we must believe to be saved from the eternal punishment due for our sins. All sin, all must face judgment (Romans 3). We are saved by our faith in Christ.
We should be good so far and all Christians should be in full agreement at this point.
We know and agree that we are saved by faith in Christ's death on the cross and we know and believe that He died in our place as a substitute and through our faith our sins are forgiven. So, this is where the controversy starts to kick in.
1) Did Christ's death on the cross secure eternal life through forgiveness of sins for God's Elect? This means that every sin through all of history for THE ELECT (the children of God) only was paid for on the cross. Otherwise stated as: "All of some people's sins paid for".
2) Did Christ's death on the cross secure the potential of eternal life for forgiveness of sins to those who chose to believe? This means that every sin for every person throughout all of time was paid for on the cross. Otherwise states as: "All sins for all people".
Which is it? This isn't an easy question because both answers have HUGE implications on our entire theological position and it must be considered carefully. Did Christ's death actually secure eternal life for the children of God or did it only give the potential for eternal life for those who believe?
What then does John 19:30 mean and what theological impact does it have?
What does "it is finished" mean? – We'll return to this soon.
Can someone go to hell whose sins were paid for on the cross? This is the implication from answer 2) above. In addition it would mean that Hell is full of people who had the potential of salvation because their sins were paid for, but they chose not to believe? This also means that Christ's death on the cross was not actually effective.
This passage is pretty clear that he (the Father) chose us in him (Jesus) before the foundation of the world. We were predestined for adoption. We were not predestined for the potential of adoption, but for adoption, which is to be an heir to the kingdom of God and to receive eternal life through faith in Christ.
How can we have the potential for salvation through choosing to believe in Christ if the Bible says that "even when we were dead in our trespasses (sins), God made us alive together with Christ"? God did it while we were still dead in our sins…before we believed.
The Word of God, God himself states on the cross: "it is finished." There is no ambiguity in this statement. What was finished? Christ's mission described in Philippians 2:5-8 to come to Earth humble and in the form of nothing (human) and to obey to the point of death. It was also to transfer us from the kingdom of darkness to the kingdom of light (Colossians 1:12-14) and to defeat the enemy by nailing our sins to the cross (Colossians 2:13-15). I could continue, but I think you get the point. His work for securing our redemption was finished by dying on the cross.
So, was it finished or was it not? Did Christ's death ACTUALLY complete the work? Was the forgiveness of sins ACTUALLY finished for those that are predestined to be adopted as children of God? Was redemption actually finished? Justification actually finished?
In this short phrase, "it is finished", we see several important aspects in the original language. First the word actually means to bring to a close, to end, to perform, execute, or complete. It also means to carry out the content of a command by fulfilling it. This word, which is a verb is a the Perfect, Passive, Indicative, which means that it was completed without need of repeating and it is a statement of fact. John is telling us that it is finished. The atoning work is finished, Christ did it a long time ago.
Think about this logic for a minute. We agreed at the outset that not all go to Hell or Heaven in our basic assumptions. So, how could Christ be the propitiation of our sins (and every single person in the world) if all people are not saved? Propitiation (defined as: to appease or satisfy) means that those whom Christ was the propitiation for have not condemnation sin Christ has appeased and satisfied the penalty of wrath in our place as our substitute.
Important to note here: "World" is the Greek word "Kosmos", which has 8 definitions in the Greek lexicon and none of the 8 definitions means "all people for all time". Kosmos in this verse simply means that salvation is not restricted to just the Jews, but the whole world beyond Israel…God will save people from all over the world, all nations, and all people groups.
But What of Our Faith?
Only those given by the Father to the Son will come to the Son, which is faith. Only those who are given by the Father to the Son will look on the Son and believe.
The Father gives the disciples to the Son, our faith is a gift from the Father, and Christ is the perfecter of our Faith. It is finished. Every child of God, predestined for adoption (Ephesians passage above) will have faith and will be saved. There has never been a person who cries out to God for salvation through faith in Christ who hasn't been saved.
In conclusion, I want to return to the question above. Did Christ death on the cross actually secure eternal life for the Elect children of God? Or, did Christ's death just secure the potential for all mankind depending on who believes?
Implications are everything with this question.
If we say that Christ death actually secured eternal life for the Elect, we must then accept that God predestined every believer before time began and HE gives the faith to those. Then every single child of God is saved and the atoning sacrifice on the cross is perfect and complete and every single person whom God did not elect is punished in Hell for their sins which were NOT atoned for. I am very comfortable with this.
2. If we say that God doesn't elect believers and that Christ's death on the cross gives the potential for every single person for all time to be saved depending on their faith because of Christ's atoning sacrifice then you are left with some people being saved based on their belief and their sins are atoned for and others who don't believe and go to Hell, but their sins are atoned for. This I cannot accept under any circumstance.
Please consider this simple logic and the Bible verses above that support these two options. It was either finished on the cross or not. I personally chose to believe it was finished. To not agree with limited atonement means that you believe that there are people in Hell who have had their sins atoned for and the cross work of Christ was not perfect and effectual.
Ultimately the question in the title, for whom did Christ die? We could answer with, "He died for the elect." However, even that is too shallow. For whom did Christ die? He died for God the Father who predestined before time began that the climax of Plan A would be Christ dying in an atoning sacrifice for the children of God.


text:
Donal Day
Ph.D., 1979, Virginia
B.A., 1973, University of Virginia
dbd@Virginia.EDU
Our research program is at the forefront of the studies of the fundamental properties of the nucleons, i.e. the proton and neutron, which are the two building blocks of the atomic nucleus. The interactions of quarks and gluons, the underlying constituents of strongly interacting matter, are well described by the basic theory, Quantum Chromodynamics (QCD). However, the way in which quarks and gluons are confined within the nucleons and the mesons (responsible for nuclear forces), is poorly understood in QCD. We concentrate on experiments that use spin degrees of freedom (i.e. using polarized targets and beams) in electron-nucleon/nucleus interactions to extract new information about the properties of these fundamental building blocks of nature and lend new insights into these basic and longstanding problems. We are unique among university based research groups as we have the capabilities of developing, building and maintaining the cryogenic polarized targets critical for this research which is carried out at the Jefferson Lab and FermiLab whose unique capabilities make this research possible.
Searching for three-nucleon short-range correlations
By Misak M. Sargsian, Donal B. Day, Leonid L. Frankfurt, Mark I. Strikman.
[arXiv:1910.14663 [nucl-th]].
10.1103/PhysRevC.100.044320.
Phys.Rev. C100 (2019) no.4, 044320.
Measurement of the cross sections for inclusive electron scattering in the E12-14-012 experiment at Jefferson Lab
By M. Murphy et al..
[arXiv:1908.01802 [hep-ex]].
Probing nucleon's spin structures with polarized Drell-Yan in the Fermilab SpinQuest experiment
By SeaQuest Collaboration (Andrew Chen et al.).
[arXiv:1901.09994 [nucl-ex]].
10.22323/1.346.0164.
PoS SPIN2018 (2019) 164.
First measurement of the Ar(e,e′)X cross section at Jefferson Laboratory
By H. Dai et al..
10.1103/PhysRevC.99.054608.
Phys.Rev. C99 (2019) no.5, 054608.
Measurements of Nonsinglet Moments of the Nucleon Structure Functions and Comparison to Predictions from Lattice QCD for Q2 = 4 GeV2
By E06-009 Collaboration (I. Albayrak et al.).
10.1103/PhysRevLett.123.022501.
Phys.Rev.Lett. 123 (2019) no.2, 022501.
Revealing Color Forces with Transverse Polarized Electron Scattering
By SANE Collaboration (W. Armstrong et al.).
First measurement of the Ti(e,e′)X cross section at Jefferson Lab
By Jefferson Lab Hall A Collaboration (H. Dai et al.).
Design and Performance of the Spin Asymmetries of the Nucleon Experiment
By J.D. Maxwell et al..
[arXiv:1711.09089 [physics.ins-det]].
10.1016/j.nima.2017.12.008.
Nucl.Instrum.Meth. A885 (2018) 145-159.
• Day Publication Selected by Physical Review C as Milestone Paper
2020 is the 50th anniversary of Physical Review C which was spun-off by its parent publication, The Physical Review, in 1970. As part of its anniversary PRC is creating a collection ......More >
• Day Interviewed on Future of Nuclear Energy
From CBS19: "I really don't think there is much future for Nuclear energy," said Donal Day, a Nuclear Physicist who teaches at University of Virginia. "I ......More >
• Day PRC Paper Included as Editors' Selection
A PRC paper presenting the results of Prof. Donal Day's work with John Arrington (our recent colloquium speaker), Nadia Fomin (his former graduate student), and a few others on the EMC effect has ......More >
• UVa team and collaborators measure ultra-fast protons in nuclei
The atomic nucleus is made of confined nucleons in constant motion dominated by their interactions with the mean field of the nucleus - that is the average potential generated the many body ......More >
• Quark Momentum Distributions Beyond the Free Nucleon Limit
This paper, coauthored by Nadia Fomin, a former UVa graduate student (and now a research associate at the University of Tennessee), Donal Day (her advisor at UVa), John Arrington of Argonne ......More >
APS Fellow [2012]
For his studies of high momentum transfer quasielastic electron scattering, scaling relations and the short-range structure of nuclei and for his contributions to the use of polarized targets in the study of nucleon form factors and spin structure functions


This one's from like eight months ago.
Of all the years of doing March photos, this one felt a bit forced. I don't know if I'll try it again next year. If not, it was a good five-year run.
I never noticed this sign before, especially the first time I was on Canal and needed to turn left onto 14th.
I figured this wouldn't come out at all.
John Travolta is watching you poop.


We can't continue with this year, without mentioning the culmination of the results for the Ladies Scratch and Western Liga teams. Both were victorious and hold the titles of League Champions for 2017. This is the first time that a double win has been achieved and we're all very proud of them. In particular, the Scratch Team results went down to the wire, with the final two matches deciding the eventual winner, so a real nail-biter! In fact, the ladies section as a whole was particularly busy during December.
Our Ladies Captain Tricia Lawton arranged a coach to Malaga to see The Nutcracker at the Cervantes Theatre, with the added bonus of viewing the Malaga Christmas lights, which were spectacular.


We have served families throughout Central Illinois for more than 35 years.
Whether you are anticipating the joys of adoption, experiencing the pain of marital conflict, or facing another legal issue close to home, the attorneys at Lynch and Bloom, P.C. listen to your needs, understand your concerns and help you reach solutions to your legal problems. We provide legal services across a wide spectrum of areas, including: -Adoption -Alimony -Child custody and visitation -Child support -Child support modification and enforcement -Divorce -Juvenile delinquency and dependency proceedings -Mediation -Pre- and post-nuptial agreements Adoption: Adopting a child brings happiness to families, but when something goes wrong, there is a chance of substantial heartache. We assist families with the complex legal process of adoption so that you can feel secure about your child's future wellbeing. Alimony: Divorce is difficult, but it should not lead to a financial crisis. We help you establish fair and equitable spousal support so that you can continue to live as comfortably as you did before your marriage ended. Child custody and visitation: For every parent, child custody is the most heart-wrenching aspect of divorce. We advocate for your parental rights so that you can raise your children in an appropriate and healthy home. Child support: Both parents share the responsibility of raising a child. At Lynch and Bloom, P.C., our attorneys help ensure that your child receives the financial support required for a healthy, happy upbringing. Child support modification and enforcement: Child support payments remain the same unless and until the court modifies the child support order. If either parent experiences a significant change in financial circumstances, we can guide you through the proper legal procedures to modify your child support payments accordingly. Divorce: Throughout your divorce, our attorneys stand by you. We accompany you through mediation or litigation, depending on which is likely to obtain the best possible results for you - including fair distribution of assets, division of the marital home, child support payments and child custody rights. Pre- and post-nuptial agreements: When you marry your beloved, you may not foresee the potential problems that can eventually lead to divorce. We expect the unexpected and draft premarital agreements that protect both spouses' interests and that can alleviate some of the stress should you ever divorce.
Member: Law School: University of Illinois, J.D.