Love it! That looks like one contented kitty!
I do believe he is. LOL! He's the "stray" from across the road who adopted my mother. I reckon he's hers, now.
I agree with #2 and also enjoy the benefits of living in a vibrant rural town, but I could never listen to music while working/writing.


It really is a parent's worst nightmare – being somewhere public and you turn round and realise your child is gone. Watch this video and teach your child to do these 4 things if they get lost – it's essential viewing!
In this video, Jeff Rossen, Today's National Investigative Correspondent and also a father himself, explains what your child should do if they get lost in a public place.
The tips are useful and practical, and are not designed to scare your child but to prepare for them for a time when they may accidentally wander off or not be able to see you. In any case, these are quick and effective things to teach your child, so get started today and let us know how you get on.
Here are 4 key things they (and you) should do.
Talk to your child about the importance of staying close to where they first got lost, in case their parent comes back.
Tell your child that they should look for another parent e.g. another mum with kids and tell them they are lost.
Teach your child how to say their parents' names, to recite their phone number and to tell someone what their home address is.
Keep practicing and talking every night about this until you are satisfied your child knows their vital info and knows what to do.
Have you ever been in this situation? What did your child (and you) do? Leave a comment below and let us know – we'd love to hear from you!


My name is Pablo Lindín and I have been working in the Image industry for more than 18 years. Now, I am focusing my career in image consultancy.
My blog is focused on delighting my visitors and followers, as well as, showing different ideas and concepts about trends or issues related to Personal Image.
Mi nombre es Pablo Lindín, me dedico desde hace más de 18 años al mundo de la imagen. Ahora, estoy enfocando mi carrera profesional al campo de la asesoria de imagen.
Mi blog esta enfocado a deleitar a mis visitantes y seguidores, así como, mostrar ideas y conceptos sobre tendencias o aspectos relacionados con la Imagen Personal.
Best fríend's wedding. – La boda de mi mejor amigo.
Male morphology: The Inverted Trapezium and Triangle.
The morphology of the human body.
I recomend this site for those dreamy moments.
Seguro que te preguntas, qué servicios te ofrece Pablo Lindín IMAGE LAB..
Para comenzar, has de saber que dispondrás del confort del espacio de IMAGE LAB para ti solo. De este modo, podrás disfrutar de tu momento de relax y embellecimiento personal.
Quiero recordarte, que en Pablo Lindín IMAGE LAB además de calidad y de profesionalidad, tendrás un servicio personalizado y exclusivo a un precio accesible, este es un claro valor diferencial.
Mi dedicación, tu tiempo y mi experiencia al servicio de una atención personalizada y con dedicación plena, durante tu estancia, junto con las ventajas de la total y absoluta privacidad.
Pablo Lindín IMAGE LAB, te ofrece servicios de asesoría de imagen integral, así como, una asesoría personalizada y a medida o una exprés, en función de tus necesidades.
Servicios de personal shopper, ruta de tiendas, renovar tu fondo de armario, test de color y un largo etcétera en cuestiones de estilismo.
Beauty parties, con packs de servicios a elegir, en función de los objetivos del grupo que la quiera celebrar en IMAGE LAB, ya sea una reunión de amigas/os, un cumpleaños, una despedida de soltera/o o cualquier motivo a celebrar, que consideres un "beautymotivo".
Maquillaje y cursos de auto-maquillaje.
Cosmética orgánica de Philip Martin's, procedente de la Bio agricultura, para tratamiento facial, capilar y corporal.
Surely you wonder, what services offers Pablo Lindín IMAGE LAB..
To begin, you should to know that in IMAGE LAB all space is for you. Thus, you'll enjoy your moment of relaxation and beautification staff.
I want to tell you, that Pablo Lindín IMAGE LAB addition of quality and professionalism, have a personalized and exclusive service at an affordable price, this is a clear differential value.
My dedication, your time and my experience at the service of personal attention and full time during your stay, along with the advantages of total and absolute privacy.
Paul Lindín IMAGE LAB, offers advisory services integral imaging, as well as personalized advice and expres, depending on your needs.
Personal shopper services, shopping route, renew your wardrobe, color test and many styling issues.
Beauty parties, with packs of services to choose, depending on the likes and what the group wants to celebrate in IMAGE LAB, whether a meeting of girlfriends, a birthday, bachelorette or any other reason to celebrate that you or your friends consider a "beautyreason".
Organic cosmetics by Philip Martin's, coming from the Bio agriculture specially for facial, hair and body.
En esta ocasión me dirijo a vosotros para comunicaros, que a partir del 10 de noviembre, "Pablo LindínIMAGE LAB" abrirá sus puertas en Madrid, en la calle Campoamor 18.
Pablo Lindín IMAGE LAB, nace con el propósito de dar un servicio integral de asesoría de imagen, debido a que hay un sector amplio de la población que quiere invertir en su imagen. Este tipo de público, es un tipo de persona que busca desarrollar todo su potencial, un tipo de persona urbana, con una vida social y profesional activa, que se cuida o quiere comenzar a hacerlo y que valora y respeta lo que la imagen puede ofrecer y reportar, ya sea, a nivel externo o interno y no sólo físico-personal, sino que también, a nivel "profesional".
La asesoría de imagen consiste en un proceso de fortalecimiento de la imagen global, de un individuo o de un grupo. Durante este proceso se trata de educar, entrenar y guiar al cliente, mediante la tutoría, en la creación de una nueva imagen o para mejorar la actual. Mediante un servicio personalizado, profesional y de calidad, como el que se ofrece en Pablo Lindín IMAGE LAB.
Un asesor de imagen no sólo asesora en cómo has de peinarte o vestirte, sino que tiene múltiples facetas, como las que se ponen funcionamiento durante el diseño de la imagen, es decir; en cuanto a moda, estilo, belleza, nutrición, etiqueta, comunicación verbal y no verbal, habilidades sociales, protocolo, branding y mucho más. Para, con ello, poder construir una imagen única, auténtica y atractiva al mismo tiempo que se incorpora el estilo personal del cliente y sus objetivos.
Proyectar una imagen ganadora, para crear una poderosa primera impresión, es la clave del éxito en la vida personal, profesional y social. Después de todo, todo el mundo quiere tener éxito en la vida.
This time, I am writing to you in order to announce that in November 10rd, "Pablo Lindín IMAGE LAB" will open in Madrid on Calle Campoamor 18.
Pablo Lindín IMAGE LAB, was born with the aim of providing a comprehensive image consulting service, because there is a large segment of the population that wants to invest in their own image. This kind of costumers are a type of people who seek to develop their full potential, a type of urban people with an active social and professional life, who care for their Image or want to start doing it and that values and respects what each owns image can offer and report. This could mean image in in an external or internal way –not just in a physical or personal way– but in a "professional" way.
Image consulting is a process of strengthening the overall image of an individual or group. During this process we search to educate, train and guide the client through mentoring, thus creating a new image or enhancing the current one, through a personalized, professional and quality service such as the one offered in Pablo Lindín IMAGE LAB.
An image consultant advises not only on how you should do your hair or dress yourself, but has multiple sides, such as those put in operation during the design of the image, ie; in fashion, style, beauty, nutrition, etiquette, verbal and nonverbal communication, social skills, protocol, branding and much more. Through this process we are able to build a unique, authentic and attractive image. An image in which the personal style of the clients and their objectives are incorporated.
Projecting a winning image to create a powerful first impression is the key to success in your personal, professional and social life. After all, everyone wants to be successful.
The oval silhouette, as the name suggests, tends to roundness. This implies that we have to structure it and balance it optically. For that, we will use a wide range of monochromatic colors. These will be dark and discreet colors that are consistent or possess vertical lines. Garments are not to be overly baggy, for this will only give you more volume.
The appropriate necklines and collars for this typology will always be deep and pronounced V-necks. Do not even go near to round necklines or boat cleavages.
Regarding to the collars, keep in mind that V-neckline shape, and play with the lapel pointed upwards, because this helps to stylize your figure. Collarless garments are recommended for this typology, but remember not to wear rounded shapes.
We agree that slightly structured sleeves, ie, mounted with small pads are the right ones for this typology. This typology usually has thick arms, so French sleeves or three quarters are the most appropriate sleeves. This type of sleeve will create a more elongated and stylized effect on the arms. As a tip I suggestyou stay away from sleeveless garments and tight sleeves that are too tight to the arm. If its summer and its hot, look for lighter and fresher fabrics.
The details are always important and can make the difference on the effect and result, depending on how you wear it. In all of them, again, always look for the verticality. Long foulards, long necklaces never shortones. Central or side seams create this vertical effect and also stylize the silhouette.
In many cases this typology has droopy shoulders, if this is your case, look for garments with epaulettes or similar details that will help straighten your shoulders optically, but not excessively. Remember that we are talking about details. These details should also be discrete, neutral and in dark colors. Prints create volume and, trust me; you are not interested in that. Vertical and thin stripes are an acceptable option as stamping.
The lengths of the skirts is another point that should be taken care of. Below the knee is the most recommended, especially if it goes slightly off the body from the hip.
Straight skirts and never pencil skirts, with a flared shape and cut on the bias are your best bet. Avoid skirts with volume, with tables, pleated or frilly.
Pants should always be straight with no waist, with or without ironed lines. Do not wear skinny pants or skinny jeans, you will be marking the oval volume of your trunk and this not for you. Dispose of them as an option, no matter how nice you look your legs. And do not use bulky or cuffed pants or leggings. The damage that leggings has done to the aesthetics of fashion is unbelievable. Avoid them, please, even if you think that it is a comfortable option for being at home.
Regarding the upper garments, it is best to wear slightly loose items with some structure. Try to create a little bit of waist. That will add some volume. This is where we value the details the most, such as; seams or a slight notch. Try to find those loose fabrics with neutral colors or rather dark tones, nothing bright or contrasting colors. If you like fluoride colors wear them in your shoes.
Look for straight dresses, single breasted jackets, tunics and camisoles in order to give some structure and shape to your silhouette.
La silueta ovalada, lógicamente tiende a la redondez. Esto implica que debemos estructurarla equilibrándola ópticamente. Lo haremos usando, gamas de colores monocromáticas. Estos serán colores, discretos y oscuros, en consonancia con líneas verticales. Las prendas no han de ser exageradamente holgadas, esto os daría mayor volumen.
Los escotes y cuellos para esta tipología serán siempre en pico, profundos y marcados. No te pongas escotes redondos, ni escote barco.
En cuanto a los cuellos, mantendremos la forma en pico, y jugaremos con las solapas en punta hacia arriba, ya que esto, ayuda a estilizar. Las prendas sin cuello, son otra opción recomendada para esta típologia, pero recuerda, que no redondeen sino que alarguen.
Os convienen las mangas ligeramente estructuradas, es decir, montadas y con pequeñas hombreras. Esta tipología, normalmente tiene los brazos gruesos, por lo que la manga francesa o tres cuartos es la más apropiada. Este tipo de manga creará la sensación de un brazo, más alargado y estilizado. Como consejo os digo, no os pongáis prendas sin mangas o mangas ajustadas o muy ajustadas al brazo. Si es verano y hace calor buscad, tejidos frescos y ligeros.
Los detalles son siempre importantes, pueden hacer que cambie totalmente el efecto y resultado que crean, en función de como se lleven o apliquen. En todos ellos, insisto, buscaremos dar verticalidad y nunca horizontalidad. Los fulares, collares largos y nunca cortos, costuras centrales o laterales crean este efecto de verticalidad y estilizan la silueta.
En muchos casos esta tipología suele tener los hombros caídos, si es tu caso, busca prendas con charreteras o detalles similares que ayudarán a enderezar ópticamente tus hombros, pero que no sean de un tamaño exagerado, recordad que es un detalle.
En cuanto a los detalles es importante también, que llevéis colores discretos, neutros y oscuros. Los estampados, crean volumen y eso no os interesa. Las rayas verticales y finas son una opción aceptable como estampado.
El largo de la falda, es otro punto que se debe cuidar. Por debajo de la rodilla, es lo más recomendable y que se despegue ligeramente del cuerpo a partir de la cadera.
Las faldas rectas, no de tubo, con forma evasé y las que van cortadas al biés son vuestra mejor baza. Evita las faldas con volumen, ya sean de tablas, plisadas o con volantes.
Los pantalones siempre rectos y largos, sin cintura, con o sin raya planchada. No te pongas pantalones pitillo, estarás marcando el volumen ovalado de tu tronco y no te conviene, desechalos como opción, por muy bonitas que te parezcan tus piernas. Tampoco uses pantalones voluminosos o con vuelta, ni leggins. Cuanto daño ha hecho a la estética de la moda esta prenda. Evítala, ni para estar cómoda en casa la veas como una opción.
Con respecto a las prendas superiores, lo mejor es que sean ligeramente holgadas pero que tengan forma, tratando de marcar ligeramente un poco de cintura, pero sin que os añadan volumen alguno. Aquí es donde ponemos en valor los detalles, como por ejemplo; las costuras o un leve entallado. Tratad de buscar aquellos tejidos que tengan caída, con colores neutros o mas bien de tonos oscuros, nada de colores luminosos ni contrastados, si te gusta el flúor llévalo en los zapatos.
Busca vestidos rectos, chaquetas de botonadura simple, túnicas o camisolas, que le den ópticamente forma a tu silueta ovalada.
The women who possess a rectangular typology, as the name suggests, resemble a rectangle. The shoulders are aligned with the hips and the waist is almost nonexistent.
This typology is pretty common in women nowadays.
The male rectangular typology stands out for the rectitude of the trunk and because the chest and waist are about the same width. In this typology we must widen the shoulders optically in order to emphasize the waist.
When choosing necklines, both female and male have to look for necklines that expand slightly the area above the shoulders.
Regarding the collars, you will have to wear those collars that highlight the shoulders slightly. This can be achieved with big or puffy collars and lapels.
Seek for loose fabrics and avoid stiff or rough fabrics.
• For you guys, you will have to find necklines that provide horizontality to your shoulders, in order to compensate for the width of the waist.
In your case, large collars also provide width in the back.
If you choose an upper garment with details at the top, look for details that provide horizontality, such as sweaters with horizontal stripes and patterns to extend the volume.
Epaulettes are only ok if you have slumped shoulders. I recommend you wear scarves and foulards.
Girls, in case that you have broad shoulders, sleeves must be less structured and with less volume, in these cases we must focus on creating a waist.
The dresses will help you girls conceal the middle zone. For example: straight dresses, empire waist dresses and empire with tweezers, pleats or narrow belt empire. Avoid colors with contrasts and combining vertical stripes at the waist and horizontal under the hips. Look for loose fabrics.
Look for skirts that have volume on the hips, flared or cut on the bias. Do not wear skirts with ruffles orpleated and, of course, never wear pockets. Straight pants are your best bet, but it depends on the thickness of the legs.
Look for pants with a narrow waist or no waist. Jeans are a good choice for well-proportioned legs. Stay away from pants with volume.
For men straight pants are your go-to, especially if they have a thin waist. Sport pants can also be a good option, but make sure they have a straight shape. As a tip, do not tuck your shirt.
The best upper garments for the rectangular male typology must have some slack; I recommend you wear them untucked.
If you want to wear a raincoat, do not use the belt, let it fall straight.
La tipología de mujer rectángulo, como su propio nombre indica, asemeja un rectángulo. Los hombros están alineados con la cadera y la cintura es casi inexistente. Actualmente es una tipología de mujer, bastante común.
La tipología de hombre rectángulo, destaca, por la rectitud del tronco y porque el tórax y la cintura tienen prácticamente la misma anchura. En esta tipológica debemos ampliar ópticamente los hombros, para marcar cintura.
A la hora de seleccionar los escotes, tanto en el rectángulo femenino como en el masculino, buscaremos escotes que amplíen ligeramente la zona superior de los hombros.
•Para vosotras, os recomiendo, que uséis escotes como los de la tipología trapecio, como el escote barco, cuadrado en pico etc… Con respecto a los cuellos, deberéis llevar aquellos que resalten ligeramente los hombros. Esto lo lograreis con cuellos grandes o abullonados y con solapas. Buscad tejidos con caída y evitad los tejidos rígidos o muy gruesos.
•Para los chicos, deberéis buscar escotes que proporcionen horizontalidad a los hombros, para así compensar la anchura de la cintura. En vuestro caso, los cuellos grandes también proporcionarán anchura en la espalda.
Si eliges una prenda con detalles en la zona superior, que te aporte horizontalidad, como jerséis con rayas horizontales y motivos que amplíen el volumen. Las charreteras solo en el caso, de que tengas los hombros caídos. Te recomiendo las bufandas y los foulards.
En ambos casos, las mangas serán estructuradas, con hombreras y creando amplitud en los hombros.
Chicas en el caso de tener los hombros anchos, las mangas han de ser menos estructuradas y de menor volumen, en estos casos nos centrarnos en crear cintura.
Los vestidos os ayudaran, chicas, a disimular la zona intermedia. Como por ejemplo, los vestidos rectos, vestidos corte imperio e imperio con pinzas, lorzas o con cinturón imperio estrecho. Evita los colores con contrastes y combina las rayas verticales en la cintura y horizontales en la cadera, busca tejidos con caída.
Las faldas, que sean con ligero vuelo a partir de la cadera, en evasé o cortada al biés. No te pongas una falda con frunces, ni plisada y por supuesto que no tenga bolsillos.
Los pantalones rectos serán los que mejor os sienten, aunque dependerá del grosor de las piernas. Que sean pantalones con cintura estrecha o sin ella. Para piernas proporcionas los jeans son una buena opción. Huye de los pantalones con volumen.
Vosotros, directamente a por los pantalones rectos y con cintura fina, pueden ser también de corte deportivo, pero rectos. Como consejo, no te pongas la prenda superior por dentro de los pantalones.
Las prendas superiores para la tipología de hombre rectángulo, deberán tener cierta holgura, os aconsejo que llevéis los polos y las camisas por fuera del pantalón.
Si queréis llevar una gabardina, no uses el cinturón, déjala que caiga recta.
• The main features of the woman with a trapezium-like typology is a wider bottom than the top. Shoulders are usually rounded and the bust is usually well developed.
• As with the trapezium, the triangular female typology has greater volume and shape in the bottom are. However, the difference is more pronounced in size. That means the upper zone is narrower and the lower area is wider than in the trapezium. The shoulders are narrow and fallen and the hips are considerably wider.
Both typologies must strengthen the top, trying to balance the volumes. The upper garments that you wear have to give an optically illusion of amplitude in the shoulders and chest, thereby balancing your silhouette. Clearly, in the case of the triangular shape, it will never be fully balanced, because the volume in the hips is bigger. But, they can be offset by reducing the differences.
What are the recommended necklines? All those which provide you with volume, breadth and horizontal lines in the shoulders. Such as: the boat cleavage neckline, draped, wide straps, halter neckline, square neckline etc… I will give you one tip: avoid thin straps and vertical necklines. Use bright colors and patterned fabrics. If you like, you can wear shawls and stoles.
As with necklines, the collars that favor you the most, this goes for both typologies, are broad necks, big necks, shirred, pleated, ruffled, capelina etc… And they may protrude slightly from the shoulders. Flee from small collars or collarless garments.
Avoid using tight and fallen sleeves and or without shoulder pads. You will be thinking that shoulder pads are a thing of the past, but actually they are not. This case shows us, that nothing should be forgotten and even less when it can be of great help.
When you are looking for a skirt, and again, this goes for both typologies, you should look for evasé or semi-flared skirts. The skirts should not be too tight and take off slightly from the hip and have some knee length. Look for loose fabrics, instead of rigid and heavy ones, because it can further increase the volume of the hips.
Regarding pants, it is better to wear pants that are straight, smooth, without clamps, pleats or pockets. In the case that you have a slim waist and flat stomach, you will be favored by wearing high waists. A thin waistline and an ironed line helps to stylize your silhouette.
•Las principales características de la tipología de mujer trapecio son, una zona inferior más amplia que la superior. Los hombros normalmente son redondeados y el busto por lo general esta bien desarrollado.
•En la tipología de mujer triángulo, al igual que en la trapecio, la zona inferior es mayor en volumen y forma, pero la diferencia es más acusada en tamaño. Es decir, que la zona superior es más estrecha y la inferior más amplia, que en el caso del trapecio. Los hombros son estrechos y caídos y las caderas considerablemente más anchas.
En ambas tipologías debemos potenciar la parte superior, tratando de equilibrar los volúmenes. Las prendas que os pongáis tienen que dar la sensación óptica de amplitud en los hombros y pecho, equilibrando de este modo vuestra silueta. Es evidente que en el caso de triángulo nunca se llega a equilibrar del todo, debido a que el volumen en la caderas es mayor. Pero si se compensa, reduciendo las diferencias.
¿Cuales son los escotes recomendados? Todos aquellos que aporten volumen, amplitud y horizontalidad en los hombros. Como por ejemplo, el escote barco, drapeado, los tirantes anchos, el escote halter, escote cuadrado etc… Un consejo, evita los tirantes finos y los escotes verticales. Utiliza colores llamativos y tejidos estampados. Si te gustan, puedes llevar chales, estolas o echarpes.
Al igual que con los escotes, los cuellos que más os favorecen a las dos tipologías, son los cuellos amplios, grandes, con frunces, plisados, con volantes, capelina etc.. y pueden sobresalir ligeramente de los hombros. Huye de los cuellos pequeños o de las prendas sin cuello.
Las mangas tienen que ser estructuradas, ya sea con hombreras, ligeramente despegadas de los hombros o con cualquier otro tipo de montaje que aporté volumen, como los frunces, pinzas etc.. Nada de mangas ajustadas, caídas o sin hombreras. Estaréis pensando que las hombreras son cosa del pasado, pues no. Este caso nos demuestra que nada debe quedar en el olvido, y menos, cuando te puede servir de gran ayuda.
Cuando busquéis una falda, ambas tipologías, debéis buscar faldas con forma evasé o semi-acampanadas. Faldas que no sean muy ajustadas y se despeguen ligeramente a partir de la cadera y de un largo que tape la rodilla. Busca tejidos con caída, que no sean rígidos ni gruesos, en el sentido de que puedan aumentar más el volumen de las caderas.
En el caso de los pantalónes, que sean rectos, lisos, sin pinzas, frunces o bolsillos. Si se da el caso de que tienes la cintura delgada y vientre plano, el talle alto te favorecerá. La cintura fina y la raya planchada ayudarán estilizar tu figura.
• In the Male case, the inverted trapezium represent the ideal typology. Everything feels good on it, because both the trunk and the upper extremities are developed proportionally. The hips are slightly narrower and legs are shapely.
• The male inverted triangle is an athletic silhouette with a high bone and muscular development. This figure has broad shoulders and a strong chest, while the hips and legs have more slender lines.
At the time to look for the right collars for these typologies, I have to admit that the task will be fairly easy. Keep in mind that both types have an athletic and shapely silhouette and in the particular case of the inverted triangle, it almost doesn't need corrections.
We can play with all kinds of collars, even those that aren't suitable for the majority, such as the turtleneck, the crew neck or the round collar. And in case you don't want to give a greater feeling of spaciousness to the shoulders, a smaller peak collar will do the trick.
Regarding the mounting of the sleeves on both typologies, all types will favor you. In the case of the inverted triangle, sleeves and armholes, it is advisable that they are wide enough because this typology has muscles. Avoid using straps or sleeves that provide you with extra volume. The resulting sensation would be of too much volume in the upper trunk, compared to the hips and legs.
When you have to choose pants for these silhouettes, you can work with the full range of styles that exist. Even pants with prints, colors, stripes or side pockets will work. Perhaps, if there is any type of pants that require a little extra carefulness is the skinny pants. For example, in winter, you should not wear a thick sweater and coat in tight skinny jeans because you'll be overflowing the volume of your silhouette. However in spring-summer, you can wear a sweater or a tight T-shirt with a skinny pair of pants because the effect will be more balanced.
These typologies have it easy, when it comes to choosing upper garments. Both silhouettes will be favored by wearing shirts, polo shirts, jackets or coats. When you have an athletic figure, it is easy to look good in any outfit. With the correct choice, the result is a modern and masculine look.
The jackets are best buttoned with three buttons. Because the effect of the jacket will fit much better, and in a more harmonic way than with a double breasted jacket. With a double breasted jacket wrinkles could appear in the flap, giving a less sleek and stylized look.
As accessories, you can choose foulards and scarves and wear them like fall over or twisted around the neck. Avoid flashy ties, they are not a highly recommended accessory, this does not mean that you have to use boring ties. Chose something in between, which is the most appropriate thing.
"The quality of the result is not an accidental thing; it is the result of a joint action concluding in an intelligent way".
Morfología masculina: Trapecio y Triángulo invertido.
• El Trapecio invertido, en el caso masculino, es una tipología ideal. Todo le sienta bien, ya que, tiene el tronco y las extremidades superiores desarrolladas proporcionalmente. Las caderas son ligeramente más estrechas y las piernas están bien proporcionadas.
• El Triángulo invertido masculino, es una figura atlética y de gran desarrollo óseo y muscular. Esta figura tiene unos hombros amplios y un tórax robusto, mientras que, las caderas y las piernas tienen unas líneas más esbeltas.
A la hora de encajar los cuellos para estas tipologías, el trabajo será bastante fácil. Tengamos en cuenta, que ambas tipologías, tienen siluetas atléticas y bien proporcionadas. En caso del triángulo invertido en concreto, apenas necesita correciones.
Podremos jugar con todo tipo de cuellos, incluso aquellos no aptos para la mayoría, como los cisne, caja o redondo. Para no dar una mayor sensación de amplitud en los hombros, mejor que sean pequeños y de pico.
Con respecto al montaje de las mangas, en ambas tipologías, todos los tipos le favorecen. En el caso del triángulo invertido, las mangas y las sisas, es aconsejable que sean anchas pues esta tipología tiene bastante musculatura.
Evitad usar en ambos casos, hombreras o mangas que aporten más volumen. La sensación resultante, podría ser, de demasiado volumen en el tronco superior en comparación con las caderas y las piernas.
Cuando haya que escoger pantalones para estas tipologías, podrás usar todo el abanico de pantalones que existen, incluso pantalones con estampados, de colores, rayas o bolsillos laterales. Quizás, si hay alguno que se debe llevar con más cuidado es el pitillo, hay modelos y modelos, por ejemplo: en invierno no debes llevar un jersey grueso y abrigo con unos pitillos ajustados, porque estarás desbordando el volumen de tu silueta. En cambio en primavera-verano podrás ponerte un jersey o una camiseta, más ceñida, con un pitillo. El efecto será más equilibrado.
Estas tipologías, lo tienen muy fácil a la hora de seleccionar las prendas superiores. Os veréis favorecidos tanto con camisas, como con polos, camisetas, abrigos o gabardinas. Al tener una figura atlética, es fácil estar bien con cualquier prenda. Con una correcta selección el resultado será un aspecto actual y masculino.
En cuanto a las chaquetas, es mejor que se abrochen con tres botones. De este modo el efecto de la chaqueta encajará, con tu parte superior, de un modo más armónico que con una chaqueta de doble botonadura. Con doble botonadura, podrían hacerse más arrugas en la solapa, dando un aspecto menos pulcro y estilizado.
Puedes elegir como complementos, fulares y bufandas, y llevarlos de forma que caigan a lo largo o enroscados al rededor del cuello. Evita las corbatas llamativas, no son un complemento muy recomendable. Esto no quiere decir, que debas usar corbatas aburridas, un término medio es lo más apropiado.
"La calidad del resultado no es algo accidental, es el resultado de un conjunto, llevado a cabo de forma inteligente".
• The inverted trapezium typology is characterized by a wider area above shoulders and narrower hips. Therefore, what we have to do with this typology, is to minimize the amplitude of the upper area and enhance the hips, giving volume and width.
• The inverted triangle typology belongs to women with a more athletic body. As occurs in the case of the inverted trapezium, both have a broader chest and shoulders and narrower hips.
These two silhouettes of similar constitution let us choose any line, neckline or sleeve and make it work on both silhouettes. Both body types should avoid horizontal effects in the shoulder area, or the width of the shoulder will be more evident. You must avoid necklines that focus the attention on the shoulders and focus the attention on the shape of the neckline.
In both cases it's really important to look for vertical shapes on the neckline area. We can achieve this with linear details and finished V-necks. This way you get to stylize and harmonize the collar, shoulders and neckline. Avoid big collars and scarves, because that will highlight your shoulders and it will not suit you.
The sleeves' shape on both types must be carefully chosen and opt to those that optically give the perception that the shoulders are narrower than they actually are. I recommend you avoid structured sleeves and shoulder pads.
Regarding the details of the upper garments, it happen the same that with the necklines: they should provide verticality. I advise you to wear vertical stripes, seams, and central zippers, simple and small buttons and to avoid prints. Look for light and loose fabrics and avoid any excess. Remember that in elegance, "less is more".
To balance the excess of width that these typologies have in the shoulder area, play with voluminous skirts and pants or with details. This causes an enhancement of the volume in the lower area (the narrower one), therefore resulting in a balanced silhouette effect.
The fashion market offers you a wide range of designs. This makes the task of finding clothes that help you create volume in your narrow hips much easier. Bright colors are also very appropriate to give a sense of spaciousness, like bold and big prints. Avoid tight and dark pants and, if you have short legs, suppress low backs.
•El trapecio invertido se caracteriza por tener una zona superior más ancha en los hombros y una zona inferior más estrecha en las caderas. Por lo tanto, el trabajo con esta tipología será minimizar la amplitud de la área superior y potenciar la zona de las caderas, dándole volumen y amplitud.
•A la tipología de triángulo invertido, pertenecen las mujeres de una complexión más atlética. Al igual que ocurre con el trapecio invertido, estas tienen el tórax y los hombros más anchos y las caderas más estrechas.
Estas dos tipologías de parecida constitución, nos permiten, elegir de manera indistinta cualquier línea, escote o manga, e intercambiarlo y adaptarlo, de una a la otra. En ambas tipologías se deberá evitar los efectos de horizontalidad, con respecto a los hombros. Ya que, de este modo sería más evidente la anchura de los mismos. Debéis evitar escotes que centren la atención en los hombros y por el contrario la focalice en la forma del escote.
Es realmente importante en ambos casos, buscar verticalidad en las formas de los cuellos. Esto lo conseguiremos con detalles lineales, y con los cuellos terminados en pico. De esta forma conseguirás estilizar y armonizar el cuello, los hombros y el escote. Evita los cuellos grandes y las bufandas, ya que, remarcaran tus hombros y eso no te conviene.
El montaje de las mangas en ambas tipologías debe ser cuidado y optar por aquellas que, ópticamente, den la percepción de que los hombros son más estrechos de lo que en realidad son. Os recomiendo evitar las mangas estructuradas y con hombreras.
Con respecto a los detalles en las prendas superiores, ocurre lo mismo que con los escotes, deben aportar verticalidad. Os aconsejo las rayas verticales, las costuras, cremalleras centrales, botones simples y pequeños y evitar los estampados. Busca tejidos ligeros y con caída y huye los excesos. Recuerda que en aquello de la elegancia, menos es más.
Para equilibrar el exceso de anchura que estas tipologías tienen en la zona superior, jugaremos con faldas y pantalones con volumen o detalles. Esto hará que se potencie el volumen en la zona inferior, que es más estrecha. Por lo tanto, el efecto resultante, será el de una silueta más equilibrada.
El mercado de la moda nos ofrece una amplia gama de diseños. Circunstancia, que os facilita en estos dos casos, el encontrar prendas que os ayuden en la tarea de crear volumen en vuestras estrechas caderas. Los colores luminosos son muy apropiados para dar sensación de amplitud, al igual, que los estampados llamativos y grandes. Evita los pantalones ajustados oscuros y si tienes las piernas cortas, suprime la vuelta de los bajos.


This Hampton Inn is situated in Paso Robles, close to the city's wineries and vineyards. The Pioneer Museum is only 3.5 miles away. It features a hot tub and an outdoor pool. Each room at Hampton Inn & Suites Paso Robles has a seating area and a tea/coffee maker. All are fitted with a cable TV and a work desk. Guests who like to keep fit can make use of the cardiovascular machines and weights in the fitness room. Hampton Inn & Suites Paso Robles has a business center and free Wi-Fi is accessible throughout the property.
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The Mysteriousness of Marriage
Written by adminon March 7, 2017
There's a cool, analytical quality to her gaze as she observes the people around her. And, from its dissolution, form a new sense of self, now that she no longer claims the label of wife. Katie Kitamura's novel A Separation is a one-sided story of a marriage that fits comfortably into this tradition. Far from invisible, he's a charmer (at least as described by the narrator), someone who takes up space with his presence. And perhaps this separation is what allows her to remain at an emotional distance from the events that unfold. In performing the role of wife, in confronting the truth of infidelity, the narrator increasingly fulfills her part, seemingly able to at last embody and come to terms with the emotions she'd been avoiding, or at least come closer to them. Kitamura's prose is similarly matter of fact: direct, plain, and precise. The power of the novel is built through accumulation, exploring mysteries that are not neatly solvable in a way that's true to life. That may sound like a romantic journey, but this narrator is not one to fall prey to romantic folly (she refers to marriage as a "crazed wager"), and her prevailing sense of alienation is reflected by the desolate Greek landscape, recently ravaged by wildfire, in which the novel is set. The separation referred to in the title is, of course, the separation between husband and wife, but more crucially, it's a separation of self from self: old self from new self, old identity from new identity. And what she realizes is that the veneer separating a performance from the thing itself is a thin one indeed. She acknowledges the imbalance of knowledge and power it implies, however: "Our marriage," she says, "was formed by the things Christopher knew and the things I did not." Christopher's physical body having disappeared, she's left to sift through fragments of memory and try to piece together a narrative of their marriage. Kitamura largely restricts her narrative to the inner life and thought processes of a first-person narrator in a way that verges on claustrophobic. Maria was listening in sullen silence, eyes averted, he should have known better than to lecture her in that way, I couldn't understand what he was saying, but I recognized the hectoring tone all too well, he was patronizing her without being aware of it. Christopher's absence lies at the heart of the novel, informing its every twist and turn. "I did not envy her the tumult of feeling, the jealousy and uncertainty, she evidently did not know whether to feel outraged or ashamed."
The weighing of multiple possibilities and the sentence fragments piling up on sentence fragments serve to break down the authority of truth in a quietly subversive way. She's not unaware of this tendency in herself: she admits it is the "potential for passivity" in her job as a translator that appeals to her. Christopher isn't around, and she's initially happy to wait in the comfort of the hotel. But the narrator's separation, of old self from new self, of self from emotion, ultimately breaks down, as she is unable to sustain the narrative she has created for herself. While she can't understand their conversation (they're speaking Greek), she imagines its context:
Now Stefano was speaking in a low and urgent tone. As she becomes increasingly fixated on the woman she believes to be her husband's lover, observing Maria's emotional responses to Christopher's continued absence, it's as though Maria's emotions liberate her from having to experience any grief of her own. The narrator prefers to engage in the limitless domain of fantasy, rather than ask hard questions that might get at real answers. Kitamura garnered praise for her ability to write male characters in her two previous novels, The Longshot and Gone to the Forest. That she is able to maintain an element of suspense while doing so is testament to her narrative prowess. It also breaks down the authority of the narrator's husband, no longer present, with no voice of his own, and the power he has over her. With this, her third novel, she turns to a female narrator, seamlessly inhabiting her consciousness and all its complexities in an evocative portrayal of a self-effacing and thoroughly ambivalent woman. That Christopher was unfaithful is disclosed early on, yet the narrator claims infidelity was not the primary reason for the failure of their marriage. It gets its point across with little ambiguity, with little in the way of flowery metaphor. It's as if the narrator is always one step behind him, he lurking off-stage, a shape-shifting, larger-than-life presence. The only hint the reader gets of her physical appearance is through opposition, through what she is not, when she observes that Maria is her "physical opposite," with her "heavy brow and long black hair" and "the kind of body that intrigued men," a body "whose purpose was clear." The purpose of the narrator's body, in contrast, is "sometimes too opaque."
The narrator assumes Christopher came to Greece to study its professional mourners. Translation is far too unassertive an occupation for him; he's an ambitious writer, working on a book about mourning rituals around the world, "a strange project," the narrator muses, "for a man who had hitherto lost nothing of significance, whose life was intact in all its key particulars."
Although it's Christopher who is technically absent, in some ways he seems more present in the narrative, taking up more space, than the narrator herself. In fact, when her mother-in-law Isabella calls and demands that she make the trip, the narrator agrees only so she can ask Christopher for a divorce. Christopher had said that although we were clearly not going to be reconciled, he did not want to begin the process — he used that word, indicative of some continuous and ongoing thing, rather than a decisive and singular act and of course he was right, divorce was more organic, somehow more contingent than it initially appeared — of telling people. The depths of her passivity are occasionally maddening, as she avoids conflict and skirts around the truth. And in this, the book is a chilling portrait of barely acknowledged grief masquerading as emotional coldness. She is gradually forced to come to terms with Christopher's infidelity, a truth she's been unwilling to acknowledge for many years, until the fiction becomes "no longer sustainable or believable." What emerges is a portrait of what happens when truth is denied and buried and confrontation avoided until it becomes an almost bodily denial, until the self is nearly erased, until it becomes too late. Christopher described it as a literal "out-of-body experience," where the bereaved "are completely liberated from the need to emote." It's tempting to draw a parallel between the mourners and the narrator. She goes rather than tell Isabella the truth, that she and Christopher separated six months earlier, because she's promised Christopher not to tell anyone about their separation:
Our last conversation had been on the telephone. She agreed to Christopher's terms, but now the phone call from her mother-in-law highlights the precariousness of her suspended situation and heightens the need for resolution, as she is unable to refuse the responsibilities of wife and daughter-in-law. One of the most powerful, striking scenes in the novel is her extended observation of Maria with another man, Stefano. Kitamura's unnamed narrator travels to a remote part of southern Greece in search of her husband, Christopher, who's gone missing. In this foreign place, Christopher is more and more a stranger to her; A Separation, finally, is a book-long meditation on the utter unknowability of another person, on the mysteriousness of marriage. ¤
Lesley Trites is the author of the story collection A Three-Tiered Pastel Dream. In this, Christopher seems like her opposite. Maybe other people, even someone you're married to, will always be a bit of a mystery, will always retain the capability of surprising you. And it's this rhythm that makes it easy to be drawn in by the narrator's constant conjectures as she fabricates a narrative on top of reality, layering her own meaning on top of what's happening — imagining, for example, the affair she believes Christopher must have had with Maria, a woman working at the hotel. Not entirely unlike the narrator, these women are playing a part. A woman searching to understand the puzzle that is marriage, the narrator both intimately knows and does not know her husband. MARCH 6, 2017
CEREBRAL FEMALE NARRATORS traveling alone, contemplating their lives and marriages against the backdrop of a foreign land, are not an unfamiliar motif in contemporary fiction — think Rachel Cusk's Outline or Vendela Vida's The Diver's Clothes Lie Empty. But when Christopher doesn't turn up, she finds herself performing the role of dutiful wife even though she no longer feels she can claim the title. "I felt a surge of relief," she says. Maybe that's what makes them lovable. They create coolly analytical emotional landscapes that result in a certain amount of distance, a remove, between narrator and narrative. What's striking about these "travel" books is that they aren't really travel books at all, with their prioritization of intellect and consciousness over exotic locale. These women are hired to display emotions in place of the bereaved, lamenting publicly for those who cannot. She is surprised and not surprised by what she learns. We learn a fair amount about him, but surprisingly little about the narrator: her name is never revealed, nor is her family discussed. She finds solace in this in-between phase, her decision made but not yet carried out, a period of calm before she has to deal with the consequences. She describes Maria's face as "too expressive," and the passion in the exchange between Maria and Stefano acts as an externalization of the passion the narrator can't seem to feel herself, the passion she and Christopher seemingly lack. Yet the prose's oddly hypnotic rhythm, its use of sentence fragments and run-on sentences, has a subtle sway and a pleasing way of engaging the reader. Once the narrator reaches the village where Christopher has been staying, her decision to ask for a divorce loses its urgency.
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Arthur Conan Doyle was a British writer best known for his detective fiction featuring the character Sherlock Holmes. His works also include fantasy and science fiction, as well as plays, romances, non-fiction and historical novels. "Our Midnight Visitor" is a wonderful collection of short stories like "Our Midnight Visitor", "The Stone of Boxman's Drift", "The Voice of Science" and other interesting tales.


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Steven Universe (2013) - S05E02 Adventure
- Really? - It's a long story.
Definitely, Maybe (2008)
- It's a long story. - Really?
Disenchantment (2018) - S01E08 The Limits of Immortality
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There are two basic differences in touring caravan design - a motorhome which offers all-inclusive transportation and temporary living quarters and a separate caravan which you have to tow. A motorhome tends to be more expensive than a towable caravan but the biggest advantage is having no need for a second vehicle for towing.
The first and most important step in choosing a tourer is to consider your personal interests, needs and your budget. Who will use it? Consider the size if you're travelling with family or friends. Look at the types of places you want to visit. If you're going to be travelling over rough terrain, you'll need a tougher, more durable caravan. If you're going to smaller out of the way places, then a smaller caravan will be easier to manoeuvre. If you're towing the caravan, ensure that your vehicle can easily tolerate the additional weight load. You'll also need to ensure that it fits onto your driveway.
Consider the 'liveability' of your caravan or motorhome. Look at each section of it. Is there enough storage space? Can you comfortably use the bedroom(s)? How about the bathroom? Is the cooking and dining area large enough to accommodate your party?
When buying a touring caravan, it is advisable to contact a specialist dealer.
You will need to look at similar issues if you're considering buying a static caravan. It will be, after all, a 'home from home' and you'll want to consider the layout, practicalities and comfort factor in much the same way as described above.
The main advantages that a static caravan has over a tourer is that you don't need to pull it behind your car. Therefore, it can also be bigger and feature many more creature comforts. For example, it may come with a full sized cooker and central heating. You're really only limited to your budget. As important as the van itself, you need to decide on location. After all, it's going to be situated on a permanent site so you'll need to consider things like if you want your van near the seaside or in a remote woodland area. There will also be annual site fees - many sites aren't open year round but most of them will still expect you to pay site fees for the months they're closed. You'll also probably be liable for gas and electric bills, water rates, sewerage and insurance. These added costs can vary from park to park but can cost anything between £2000 and £5000.
A few parks are open almost year round so you'll need to consider more expensive and more durable vans if you're planning on spending time there in the winter.
Most site owners will only house caravans that have been bought from them so you need to be absolutely certain that you're happy with the site and location you choose as it's unlikely you'll be able to move your van to another site.
Buying a caravan, whether a tourer or static, is a large investment and probably the second largest investment you'll make after your house. If you can afford it and you're new to caravanning, it's always wise to buy brand new and from a reputable dealer or site. Ask others who have used the dealership their opinions and if you're buying from a site for a static van, speak to other owners on the site.
It's important to remember that although caravans have improved greatly over the years, because it's a house on wheels, there is a lot more that can go wrong than with a car. If you are buying a brand new van, it's crucial that you're committed to using it for at least 10 years in order to get the value out of it as caravans depreciate in value far more quickly than cars do. If you can't afford to buy new, or are simply unsure about your long term commitment to caravanning, buying second hand might be for you, although just as with a second hand car, you need to be very careful.
Below is a list of things you should check before deciding to buy a second hand caravan.
Check for rust, especially around the chassis and underneath. If there is fresh paint, it could be the sign of a cover-up job. Rust is a big problem with caravans and very expensive to fix.
Check everything else, from the cooker, the fridge, the beds and windows. Even if you don't discover any major flaw, any minor ones may help you bargain down the price.
Check for signs of water leakage. A leaking caravan is a very miserable place to be.
Check the tow hitch (if a tourer), make sure it moves easily and that the handbrake holds the van when on.
Make sure that the van is the right size for you. A seemingly good 'bargain' won't seem as good at all if it's not going to accommodate all that use it adequately.
Make sure that the van is not too big to be pulled by your car.
Like all second hand items, don't just choose the first van that comes along. Visit a few so you can make comparisons. You'll more than likely find that the first one you saw wasn't such a bargain after all.
Haggle over price. Much as in the same way as you'd put in an offer for a house, start well below the price you'd be willing to pay and bargain up.
Buying a caravan is an expensive decision. Don't get one if it's going to be sat on the driveway for the next 5 years. That's money going down the drain. If you're not sure about whether a caravan is for you, try renting one for a few weeks first to see if the lifestyle suits you.
But, if you remain committed, caravanning can provide you and your family with years of pleasure, will give you cheaper holidays in the long run and will provide a peaceful sanctuary from day to day life.
With a static caravan there's much more to consider than the cost of the caravan itself. You'll need to pay a maintenance fee to the site owner, and then you also have to consider insurance premiums. As flood has become more commonplace in recent years, you also need to consider the site itself - is there any danger of it flooding? If so it's best to look elsewhere rather than take the risk. Research as much as you can before looking at the site.


Recently I've been on a puzzle game kick. My flight to China required a dozen hours of entertainment, and so I supplemented my usual puzzle games (UnblockMe, Flow) with a recently released iOS game called Color Zen. Here are the details on what it is, and why you should download it.
Color Zen is basically a puzzle game based entirely on color. The end goal is to have the color of the interior of the box match that of the frame. When two objects of the same color collide, or one of a certain color, and one blank, every unoccupied, or previously reacted space is turned that color. The goal is to react every piece, so that the final color is correct, and you have no remaining pieces.
Color Zen is great for car rides, and even better for car rides. It consumes surprisingly little power, while occupying hours of time if necessary. On my iPad mini, I played several hours while listening to music simultaneously, and it consumed well under 10% (screen brightness at 50%). On my iPhone it also performed amicably. The smooth movements and colorful animations are a surprising shift from your average puzzle game. Color Zen is very much a puzzle game with style.
The best news about this game, is that like many of the best puzzle games, it's free. Hours of entertainment won't cost you more than the cost of the internet required to download the app (sufficiently small).
I highly recommend picking up color zen here, and checking out our list of some of the best iOS games in existance.
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From Dollywood to a Record Deal: Why Carly Pearce Is One to Watch
Posted on July 4, 2017 November 24, 2019
byKristin Vartan
"Every Little Thing" about Carly Pearce's music career has caught our eyes — and our ears. From being a full-time performer at Dollywood at 16 to singing alongside Lucy Hale, Kelsea Ballerini and Hunter Hayes, you could say Pearce has racked up quite the musical resume.
And people have noticed. Pearce was chosen as a CMT Listen Up "17 for 2017" artist as well as an "Artist to Watch" by The Huffington Post, Country Living, Sounds Like Nashville, The Boot, Whiskey Riff and One Country.
With the knowledge that people are indeed watching, the time has come for Pearce to break out her debut album with Big Machine Label Group, home to country legends like Taylor Swift and Rascal Flatts. With her evocative writing style and emotionally raw voice, all we can say is that the news is music to our ears.
We sat down with Pearce to gain insight into her incredible touring experiences and what she's looking forward to in this new stage of her career.
Darling Magazine: How old were you when you first started writing music and how has your writing evolved from then to now?
Pearce: I started writing songs as a teenager. I think the older you get, the more life you've lived, the better your writing gets. The more life experience I have, the more I feel I'm able to write things that are relatable.
DM: What was it like to start your career at such a young age? How did starting early impact the rest of your life?
Pearce: I always knew I wanted to be a country singer. I really have never known a day where this wasn't what I felt I was meant to do. Being able to start early gave me the opportunity to gain experience and get a head start on paving my way in the music industry, 100 percent.
DM: What advice do you have for female musical artists who are young and green in their careers?
Pearce: Write, write, write and take time to develop your "lane." Be 100 percent authentic to you and narrow in on that in all areas of your brand. Oh, and work as hard or harder than the boys!
DM: You've had a rich history touring with notable country singers like Lucy Hale and Hunter Hayes. What was it like to work with so many professionals in your industry and who was your favorite artist to work with?
Pearce: I have been so lucky to have other artists believe in me and champion my music. Getting to be Lucy's backup singer, sing a duet with the Josh Abbott Band or tour with people like Hunter Hayes or Kelsea Ballerini have taught me so many things about this lifestyle and what it takes that are priceless. Each artist and experience has a special place in my heart — I can't pick a favorite!
DM: What is the craziest or funniest thing that has happened on tour with any of the artists you've worked with?
Pearce: Traveling with a bunch of boys in the Josh Abbott Band was always a good time. Me plus ten guys and a male dog. Just think about that for a second!
DM: As someone noted for your depth of songwriting, what triggers/inspires your composition?
Pearce: All different things. I think what makes true artists and true songwriters is that they pull from life experiences. You never know how that's going to come out or when. I think that's the beauty of it.
DM: You have such present emotion in your voice when singing. Does singing act as an escape of events from life occurrences or a way to deal with them head on?
Pearce: I think singing is always my escape. It's also where I feel the most myself and the most understood. It's kind of my escape and my safe place all wrapped into one. There's nothing that I love more than being on stage.
DM: What song are you most excited about on your upcoming album?
Pearce: Oh gosh, I love so many. I'd say that "Ride Home" is a really important to my story. I love my hometown and I think everyone can relate to wishing they could go back home.
DM: Top outlets including "Rolling Stone Country," "The Huffington Post" and "Country Living" have all named you an "Artist to Watch." How do you intend to turn heads and keep people watching?
Pearce: I have gotten this far by working as hard as I can, making music that I believe in and are 100% who I am. I think if I can keep staying true to that, then I'll keep showing people the love I have for country music and they will hopefully continue to like that.
**10/15/17 Update: Carly's debut album is now available HERE!**
Keep up with Carly's on her website, Facebook and Instagram @carlypearce. Find her latest music on iTunes, Spotify, Google Play and Amazon Music.
Images by John Shearer
Kristin Vartan
Kristin is a fashion/entertainment journalist with a passion for storytelling through visual and written narratives. Currently Darling's Online Editorial Intern, she enjoys profiling industry creatives and uncovering how individual experiences can inspire and bring knowledge to the masses. In addition, she has a love affair with the literary powers of style. A forward thinker with a vintage soul, you can find her reading fairytales and British literature in quaint coffee shops or perusing museums in the pursuit of outfit inspiration for her fashion blog. Previous work includes covering London Fashion Week, profiling New York Time's bestselling author Pierce Brown and former Executive Assistant to Ronald Reagan, Peggy Grande.
The Intellectual
Finding Your Place in the Political System: A Guide
byTalitha Baker
How Integrative Medicine Could Improve Your Health
byAshley Abramson
I Would Rather Be Outdoors Than Anywhere Else
Why You Should Acknowledge and Process Envy
byRebecca Bass-Ching
Why Journaling Should Be a Daily Rhythm in Your Routine
byAllison Antram
byVivi Carrasco
Why You Should Acknowledge and Process Rejection
All is New, All is Well: A Poem for the New Year
byNatalie Wise
The Importance of Reflecting on the Last Decade
byMadeline Neufeld
A Christmas Morning of Gratitude
July 4, 2017 at
You can really tell how passionate she is about her music! So inspiring! 🙂


Courtesy of Universal Pictures Home Entertainment, we are excited to offer two of our lucky readers the opportunity to win a copy of 'The Bye Bye Man' Unrated on Blu-ray combo Pack. Continue after the jump for the simple instructions on how you can enter for your chance to win.
PLEASE NOTE: The Deadline for entering is Friday, April 14, 2017! No entries submitted after April 14 will be accepted and only US residents are eligible to win.
A. Like our Facebook page and the giveaway post (or any top post) on the page.
B. Follow us on Twitter and favorite the giveaway post (or any top post) on there.
'The Bye Bye Man' Arrives On Blu-Ray Combo Pack & DVD April 11, 2017 & is Now Available on Digital HD from Universal Pictures Home Entertainment.
Some of my favorite horror movies that involve a supernatural legend are Candyman, Sinister, and The Mummy.


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Hans ("Hanns") Ludwig Valerian Fischer, ab 1816 Freiherr von Fischer, (* 26. Juli 1765 in Schlettau; † 8. August 1851) war ein sächsischer Hofbeamter, der zunächst als Kreishauptmann im Erzgebirge eingesetzt wurde und später als Obersteuerdirektor tätig war. Für seine herausragenden Leistungen um den sächsischen Staat wurde er vom König von Sachsen in den Freiherrenstand erhoben.

Leben
Er stammte aus der Bergstadt Schlettau, wo seine Vorfahren bereits Stellungen im sächsischen Bergwesen innehatten. Sein Urgroßvater war der Lautersteiner Amtsschösser Johann Valerian Fischer.

Fischer war Kreisamtmann in Schwarzenberg und wurde später Hof- und Justizrat.

Fischer gehörte als Kreishauptmann im erzgebirgischen Kreis zu den ersten sächsischen Kreishauptleuten, denen ohne Adelstitel diese Funktion 1815 anvertraut wurde. Bereits im darauffolgenden Jahr erfolgte am 27. Januar 1816 seine Erhebung zum Freiherrn des Königreichs Sachsen und die Verleihung eines Adelswappens. Unmittelbar nach seiner Berufung zum Obersteuerdirektor setzte sich Freiherr von Fischer zur Ruhe.

Mit seinem kinderlosen Tod im 87. Lebensjahr erlosch das von ihm begründete Adelsgeschlecht der sächsischen Freiherren von Fischer.

Literatur
 Karl Christian Kanis Gretschel: Geschichte des Sächsischen Volkes und Staates. Band 3, Hinrichs'sche Buchhandlung, Leipzig, 1853, S. 664.

Einzelnachweise

Beamter
Person (Erzgebirgskreis)
Freiherr
Nobilitierter (Sachsen)
Deutscher
Geboren 1765
Gestorben 1851
Mann

redpajama_set_name: RedPajamaWikipedia


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Firm updates | Impact
Real Leaders® Unveils its 150 Top Impact Companies List of 2021: Arnerich Massena to be Honored at Global Event on January 27
Arnerich Massena Named Among Top Impact Companies of 2021 by Real Leaders
Arnerich Massena is honored and excited to be ranked on the Real Leaders Top 150 Impact Companies of 2021. Real Leaders, a premier source for recognizing organizations that are making a positive social and environmental impact, announced the newly selected winners of its 2021 "Top Impact Companies" from around the world, which include well-respected brands of all sizes from a variety of industries, such as game changers Tesla, Beyond Meat, and Patagonia. Check out the full impact award rankings at https://real-leaders.com/award.
"These top impact companies prove that businesses can thrive by being a force for good' said Mark Van Ness, Founder of Real Leaders. "They are the Real Leaders of the New Economy" added Van Ness.
"We feel honored to be recognized for this prestigious award by Real Leaders," said Bryan Shipley, CFA, CAIA, Co-CEO of Arnerich Massena. "Our long-term focus on intentional investing, in which we construct portfolios for long-term success and growth while contributing to a greater good by aligning investments with the values, missions, ideals, and principles of the investor, has been a huge part of achieving this award."
Reegan Rae, CPWA®, managing principal and YPO member (Young Presidents' Organization), adds, "Being recognized among some of the top companies known globally for their impact reflects the top-tier research and collaborative expertise we've cultivated over 30 years. We're deeply honored to be ranked with these visionary companies and excited to continue to provide our clients with the remarkable access and potential we believe our impact investing research delivers."
A special ceremony will be held on January 27th, 2021 to honor the winners and will include key impact speakers featuring Seth Goldman, Chairman of Beyond Meat and a musical performance from Michael Franti, world-renowned musician and activist.


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Tag: Camille Grammar
RHOBH: BAHAMA DRAMA
March 7, 2019 March 23, 2019 2 Comments
We're back in the Bahamas, and we're still talking about Puppy Gate.
Teddi feels manipulated, and Lisa is growing annoyed with Dorit. She feels like she's gone out of her way to avoid talking about the dog, yet Dorit is siding with all of the girls over her.
The Girls all meet up in the morning. They're having frozen drinks (that I'm honestly jealous of 😂) before they all go off and do their own things for the day. Dorit, Rinna, Denise & Camille are going out on a boat and plan on snorkeling. Kyle and LVP are going to go shopping, and Erika & Teddi are going golfing together.
I'm loving Erika & Teddi getting along. Teddi is terrible at golf, but they're having fun together.
On the boat, the girls are talking about the night before and Puppy Gate. Rinna asks Dorit how she's feeling, and she replies, "Like I've been run over by a truck." Denise joins in on the conversation and says that she is confused by the situation and doesn't know the whole story. Dorit re-explains it, and Camille chimes in, saying she believes Lisa Vanderpump is upset because Dorit told her she gave the dog away after she did it. Dorit is adamant that LVP was not upset about that, but Camille is insistent that it's a possibility.
This entire story is so sketchy. There is something more to it that we, the viewers, aren't getting. Dorit is vague with her answer, and continues to be in real time about the million dollar question – why didn't she give Lucy back to Vanderpump Dogs? Why didn't she tell Lisa she was going to give Lucy to another family before she did it? We honestly may never know.
LVP & Kyle are shopping at the Tropic of Luxury Boutique. Kyle keeps trying to bring up the conversation that happened the night before, but LVP keeps dismissing her attempts.
Meanwhile, Teddi is filling Erika in on everything. Erika tells Teddi, "This feels like a well orchestrated plan to pit two women against each other."
Teddi tells Erika that the staff at Vanderpump Dogs told her about Lucy – and that she knows with 100% certainty that Lisa is the one who told them to tell her. Teddi also states that she has proof, but she doesn't want to have to go there, and Erika tells her that she may have to. Unfortunately, Erika is right.
The girls on the boat are now snorkeling, and they're disappointed because there is nothing to see in the ocean.
Kyle & LVP have lunch after shopping, and Kyle brings up last night again. She tells Lisa that Teddi feels "set up", but Lisa adamantly denies that.
Back over on the golf course, Teddi tells Erika that she just wants LVP to own the fact that she orchestrated this. Erika is in total agreement with Teddi and I have to say, I'm super excited about this new friendship that is forming between them.
At the hotel, we catch LVP on the phone, and she's calling John Sessa. She tells us that she feels John Sessa was out of order, but Sessa is pissed off at being called out. He tells Lisa that he's her partner, not her employee. To be honest – this scene seemed super staged to me. I don't believe John Sessa would speak to LVP like that, period.
Total side note: I'm LOVING Rinna & Kris Jenner in this super random clip/ad for Captain Marvel. I am dead. 😂💀
Later that night, the girls are all getting ready to go to dinner together. LVP calls Teddi and asks her if she wants to meet up, so they can clear the air. Teddi agrees to come over.
Teddi calls her out – "You gave direct instructions to tell me." LVP says that she didn't. They're both talking in circles, and I think Teddi is beginning to realize she's not going to get what she wants out of this conversation with Lisa. Lisa tells her, "I want to clear this up with you." To which Teddi retorts, "Then say you're sorry that you put me in this situation."
"I'm sorry you're in this situation, but I did not tell my employees to tell you."
Teddi whips her phone out so fast, and shows Lisa the text between herself and John Blizzard, where Teddi asks if Lisa told him to tell her, and Blizzard replies with a YES. LVP isn't phased by this – she says she doesn't even talk to John Blizzard.
Teddi is fuming at this point, and she gets up to find Dorit so she can tell her what's going on. LVP is clearly shocked.
Teddi fills in Dorit, and then she turns to LVP. "You're not confused in this situation." She ends up storming out of Lisa & Dorit's suite.
Dorit feels torn. LVP tells her exactly what was said, and Dorit asks, "Is it true?" LVP says it's not true, and Dorit asks again. She says that if it's true, she just wants Lisa to say it now. LVP says John Blizzard is just making stuff up and basically being a busy body. Dorit doesn't know what to believe.
Dinner is awkward and uncomfortable. Everyone is trying to make forced small talk, and it's obvious.
Rinna proposes a toast to Dorit for inviting them on such a lovely vacation. Dorit toasts with the group, however, she says that she's had some "unpleasant moments" – referencing herself and LVP. Camille is playing peacemaker and says, "Well, hopefully you guys can work that out." Lisa and Dorit just stare at each other.
Teddi tells us that she had a good day, but admits that the end of her day sucked. She tells us that she can be cordial but she's not going to sugarcoat it and have small talk and pretend like everything is hunky dory because she's not a fucking fake.
Dorit admits that she's bothered too, and believes Teddi 100%.
LVP is literally livid watching this play out. She tells us in her confessional that Dorit stands for nothing. "Have some loyalty to your friend to that's had your back for two years." She goes on to say, "With friends like these….well, I think you know the rest."
Rinna is loving every second of this, and I'm literally dying when she exclaims dramatically, "Why is this happening to Teddi Mellencamp!?" Lmaoooo. Legit dead.
Lisa has had enough. She gets up to leave, and the group acts so shocked by this. Lisa says that no one has acknowledged her all night, and she has an early flight, and she's going back to her room. Dorit asks her not to leave, but she goes anyway. Kyle chases after her.
Dorit tells us that she would really like to believe LVP and have everything be normal, but she has to be true to herself. She needs a few moments to process it.
Kyle stops Lisa, and Lisa says that Teddi has known her for 5 minutes and is making her out to be some bitch. She tells Kyle, "You've known me a long time." Kyle says that has nothing to do with it.
Back at the table, Rinna tells us she has empathy for Teddi because she's been in her position before, and we get a flashback to 2015 when a similar situation occurred. (I completely forgot about this!!) I don't remember the whole situation, but I do remember that Rinna felt set up by LVP, but LVP denied it.
Kyle returns, and it's clear that she's just as suspicious as the rest of the group, but being the closest one to LVP, she's feeling caught in the middle. Teddi states that she is an honest person, and then she shows the group her proof, the text on her phone. Everyone is in an uproar because of this. (LOL @ Rinna – "BOOM!") Rinna then tells Kyle that she needs to pipe in and tell Teddi that LVP doesn't always tell the truth. Kyle hesitantly says, "I'm in a really bad position."
The girls basically all come for Kyle, and she's not having it. "I'm not responsible for Lisa Vanderpump's actions!"
The group is all riled up at this point, and they're basically all talking at once. Kyle pretty much says that everyone has good sides and bad sides, and "That's a bad fucking side she has and she will never admit it."
Camille, still the peacemaker of the group, feels like all the girls have been catty at one point or another, so they just need to move forward in their friendships because life's too short to hold grudges.
Denise tells us, "My Spidey Senses tell me it's not good to get on LVP's bad side." She's not wrong.
In the hotel room, Lisa is trying to call Ken, but her call keeps failing. It's hard not to feel some sort of sympathy for her in this scene, no matter what your thoughts are on the Puppy Gate Scandal.
The next morning, Kyle & Lisa are out super early. Kyle tells us that the rest of the group went out last night, and up until two hours ago she was taking shots. We see a clip of the girls all partying and having fun at a club. LVP wants to talk about the dinner the night before, and Kyle tells us, "I've slept two hours, I can't hear about Lucy Goosey whatever that dogs name is."
The rest of the group slept in, and they all meet up at Dorit's suite for breakfast.
I love Denise – "These girls even dress up for breakfast, they're lucky I put a bra on." 😂😂 Her authenticity is so refreshing. Love her.
The girls discuss the events of the night before, and LVP. Dorit tells us that she wants ownership from LVP & an apology from her. (Good luck with that.)
Back in Beverly Hills, Lisa is catching up with Ken and filling him in on how horrible her trip was. She's emotional, and honestly, this part got to me. Ken tells Lisa he went to see John Blizzard, and had him print out his texts between himself and Teddi. Supposedly, Teddi is the one who said to bring the dog out at Vanderpump Dogs. Again, I have such mixed feelings about this, because it's hard not to believe Lisa's surprise is anything but genuine.
We're left with another cliffhanger in the Puppy Gate Saga. 🙆🏼♀. I had a lot of feels watching this episode. If I had never seen RHOBH before, and if I didn't know what was going on in real time (Teddi admitting she was in on Puppy Gate, but LVP double crossed her), I honestly would believe Lisa Vanderpump. Knowing what I know from prior seasons though, this is a pattern, ongoing since Season 1. LVP has always been The Queen of BH, and no one usually goes against her.
I think LVP severely underestimated Teddi. Last season, Teddi didn't entirely fit in – she had a lot of drama with Dorit, and she fell to pieces when Erika yelled at her. It seemed like she only really got along with LVP, and I think LVP used that to her advantage, not giving Teddi enough credit. She definitely didn't count on Teddi making stronger friendships this season, or really speaking up for herself.
So, if you're asking if I think LVP is guilty of orchestrating the Puppy Gate Scandal – the answer is yes. Why? Because she was mad at Dorit & wanted to punish her without actually getting her hands dirty. End of story.
RHOBH S9: LUCY LUCY APPLE JUICY
February 13, 2019 March 23, 2019 Leave a comment
I've been waiting FOREVER for the lovely ladies of BH to grace their presence on my TV screen – and they're finally back!
We start off with the most ominous music ever, and just a glimpse of a massive fight between Kyle & LVP. We see Ken scream at Kyle, and she storms out of their home.
If that's not foreshadowing at its finest…
The next screen tells us: Two Months Earlier; and then the show begins.
We start off basically catching up with all the ladies. Kyle is having a pool party, and she's sending out texts to all the girls. Her new home is finally completed, and she wants to throw a party so it feels like a home and not just a house. We also learn that Teddi has bought a new house as well, and she loves it. I feel like I'm loving Teddi already this season – she seems more confident and sure of herself this time around. I also find her to be so genuine, it's refreshing.
Catching up with Lisa Rinna is always interesting. She's going to a yoga class at Laughing Frog Yoga with her daughters, Delilah Belle & Amelia Gray. Not just regular yoga – goat yoga. So, so, bizarre. It's a silly time over all, and Lisa enjoys the time spent with her daughters. Delilah Belle is planning on moving home from NYC – she's been there a year, and she's lonely. Lisa is very proud of her. I was surprised to learn that Delilah suffered/suffers from anxiety. I love an anxiety story that has a happy ending – clearly Delilah has come a long way.
Over at Villa Rosa, Lisa Vanderpump and Ken are talking about the passing of Lisa's brother three months prior. This scene truly breaks my heart. Clearly, Lisa's brothers death has had a huge impact on her, and she is still mourning. I can't imagine what Lisa is feeling or has been through. I do like that Lisa brings up the fact that her brother did take his own life, and she addresses how other people say that it's a selfish thing to do. I agree with Lisa wholeheartedly – it's not selfish. If someone is desperate enough to take their own life, they are in so much pain and feel so hopeless. They don't see another way out. I'm so emotional watching this, my heart just truly hurts for Lisa, and I'm sending her all of the love and prayers.
Kyle & Teddi meet up – we learn that Kyle is very close with Teddi. They've grown closer since last season, and they have an easygoing friendship that seems fun and lighthearted.
Dorit & Erika also meet up. (Who would've thought these two would have a friendship one day after all the shit that went down with Panty Gate?) Dorit informs Erika that she & PK's House was recently robbed, and it really shook her up. Okay, I'm not trying to be an ass, because I can't even imagine what being robbed would feel like, and that's a terrible thing that happened to her, but the fact that Dorit felt like she needed to go to Utah after it happened and climbed a mountain made me LOL. I'm sorry, that's so strange. 😂🤷🏼♀
At Vanderpump Dogs, Teddi arrives with her daughter, Slate, and Kyle arrives with her daughter, Portia. LVP arrives shortly after, and they're chatting with John Sessa and John Blizzard, who are both employees of Lisa.
Immediately, Lisa makes a comment to Kyle about how she copied her car. Kyle shrugs it off, but it's obvious to me right off the bat that there's still so much tension between these two. Their relationship last season was definitely strained, and it seems like it has a weird, competitive edge to it now.
One of the John's brings out a dog – Lucy – and he asks Kyle and Teddi, "You don't recognize this one?" LVP tells him to stop, and Kyle & Teddi look confused as Lisa walks away. They follow, but they don't let the conversation drop. Someone mentions that it's Dorit's dog, and Kyle asks if she's getting groomed. John tells her, "No, she's back with us again." "It didn't work out?" Kyle asks, to which LVP snaps, "I am not talking about this."
Kyle looks confused, Teddi looks uncomfortable, and I'm just wondering WTF is going on at this point. Lisa finally says that Dorit adopted Lucy, and she ended up in a shelter. The shelter contacted LVP & they took Lucy back to Vanderpump Dogs.
Meanwhile, at Erika's, Dorit tells her about the Lucy situation. Lucy "wasn't the right fit" for their family. Dorit said Lucy bit the kids a few times and "took a chunk out of PK's face." (I mean, based on the picture, that's kind of dramatic.) Dorit apparently gave Lucy away, and then she got a call from Lisa saying Lucy ended up in a shelter. Dorit tells Erika she believed Lucy was going to a good home.
Back over at Vanderpump Dogs, everyone's acting so odd and there's a visible tension in the air. I'm wondering why anyone brought up the Lucy situation at all if no ones allowed to talk about it. Lisa is acting strangely, and she looks at Kyle and says, "Don't look at me like that." "I'm not looking at you like anything," Kyle retorts. Teddi steps in, and she tells LVP that she feels like Dorit should've handled the situation differently, because Lisa is a good person and is understanding. Lisa replies, "In her mind, she thought she was going to a good home." One of the John's chimes in again, and he's pissed. The entire Lucy ordeal has been a shit show, and makes Vanderpump Dogs look bad. Lisa still stands by her belief that Dorit did not just drop the dog off at a shelter. We then learn that Teddi already knew about this, but was sworn to secrecy by John Blizzard – apparently they've done charity events together and have become friendly.
The Lucy story has dropped, and LVP brings up the party they had for the opening of TomTom, and apologizes to Teddi that she didn't get to talk to her that much. She looks to Kyle and says, "She came to my restaurant, I wish that you had come." Kyle asks which restaurant, to which LVP replies, "The new one that I'm opening that you have never seen." They show us a clip of the party at TomTom three weeks earlier. "I wanted you to come that night." Lisa tells Kyle. This sets Kyle off. "Lisa, you are so full of shit right now, I am not going to do this. I'm not going to do this. I landed from a plane, it was four in the morning, and you said it's not my party, I didn't even invite anyone." Apparently the party was hosted by The Daily Mail, not Lisa. Lisa starts to reply, but Kyle cuts her off. "You can be a bitch to me, but Dorit can drop off a dog and you're like, she didn't mean it." Kyle angrily storms out of the room and goes to the front of the shop. During her confessional, Kyle tells us that she feels like LVP does things to make her look bad. Honestly, I kind of agree.
LVP isn't done. "I've been working on that restaurant for over a year and you still haven't seen it." Kyle is so frustrated, she yells, "It wasn't done yet!" Kyle storms away from her again, and Teddi tries to go after her but LVP stops her. Teddi tells LVP that she knows she messes with Kyle, but Kyle takes it seriously. Lisa gets super emotional, apologizes and hugs Kyle, and breaks down in tears. Kyle easily forgives her; clearly LVP is going through a very difficult time. I agree with Teddi – she thinks Lisa takes a lot of her frustrations out on Kyle. I definitely see that. However, both parties are not happy in their friendship at the moment. Kyle feels like Lisa expects too much from her, and I think Lisa expects more from Kyle. They're totally not on the same page.
Rinna's having the girls over – we meet Denise Richards, our new cast member, and we learn that Rinna & Denise have known each other basically forever. Erika and Dorit also come over, and meet Denise for the first time.
At Crustacean, LVP & Ken are dining with Dorit & PK. Lisa wants to clear the air about the Lucy situation. She starts by saying she knows that they didn't have any ill intent, which annoys PK. He feels like it should just be a given that they didn't have bad intentions with Lucy.
Dorit brings up the fact that she told Lisa about the lady she had given Lucy to the next day, and PK chimes in that it's a mistake that could've happened to anyone. LVP is quick to retort that it's actually not. I see Lisa's point of view – they screen all of the homes that their dogs go to. I honestly don't understand why they wouldn't have just given Lucy back to Vanderpump Dogs? Wouldn't that have made the most sense? Lisa also tells Dorit that Teddi knows about it, because John Blizzard told her. Dorit now thinks Teddi is going around talking about it, which is so far from the truth. (I was yelling "Shut up, Dorit!" at my TV screen during this scene. Dorit can be infuriating.)
It's the day of Kyle's Pool Party! All of the ladies are here, including Camille, who I am so excited to see. Everyone is chatting and mingling and having a good time. Teddi's son, Cruz, and Dorit's son, Jagger, are becoming fast BFFs. It's funny because their moms pretty much hate each other. (To be fair, Dorit is so over the top dramatic. Also – wtf is with that visor?)
Nothing crazy happens at the pool party. Kyle tells us she feels uncomfortable knowing about the Dorit situation, and she's not going to bring it up. Teddi isn't bringing it up either.
Rinna tries to ask LVP how she is, but LVP shuts her down real quick. In typical Rinna fashion, she's not offended.
We end with the Pool Party wrapping up, and the ladies are all saying farewell to Kyle.
As far as first episodes go, I would say that this was a pretty good one. They're typically boring, because we have to get caught up on what we've been missing, but while we did manage to do that, there was still an element of drama in their that has you wanting more.
I'm super excited for this season. What'd you guys think?


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Bärbel Wöckel (născută Eckert; ) este o fostă atletă germană din Republica Democrată Germană, laureată cu patru medalii de aur olimpice.

Carieră
Sportiva a câștigat trei medalii de aur la Campionatul European de Juniori din 1973. În anul următor a obținut aurul la Campionatul European cu echipa de ștafetă de 4x100 m a RDG la Roma, Italia. De la Jocurile Olimpice de la Montréal s-a întors cu aur la 200 de metri și la ștafetă. Patru ani mai târziu, la Moscova, sprintera a repetat cele două victorii. În 1982, ea a fost cea mai de succes participantă la Campionatele Europene de la Atena, cucerind aurul la 200 de metri și la ștafetă, precum și argintul la 100 de metri. Ea a beneficiat de programul de dopaj organizat de stat.

Recorduri personale

Realizări

Note

Legături externe

Nașteri în 1955
Nașteri pe 21 martie
Atleți olimpici germani
Alergători
Atleți la Jocurile Olimpice de vară din 1976
Atleți la Jocurile Olimpice de vară din 1980
Cazuri de doping în sport
Sportivi germani în viață
Oameni din Leipzig


Luterbacher, Jeremy S. ; Chew, Qinyi ; Li, Yuan ; Tester, Jefferson W. ; Walker, Larry P.
Sustainably producing concentrated solutions of monosaccharides from biomass is a key challenge facing the conversion of lignocellulosic biomass to biofuels or bioproducts. Most pretreatment and enzymatic hydrolysis processes are run at low-solid concentration (<10 wt%) and use chemical catalysts, while most high-solids enzymatic hydrolysis experiments are performed with air-dried pretreated materials. Using optimally two-temperature stage CO 2-H2O pretreated biomass substrates (210 °C 16 min, 160°C, 60 min for mixed hardwood and 210°C, 1 min, 160°C, 60 min), high-solids enzymatic hydrolysis reactions were performed in a novel high-solids reaction system. With this system, twelve "rotating drum" reactors were run simultaneously in a controlled environment. Without additional chemical catalysts or any drying, two-temperature stage CO2-H2O pretreatment coupled with high-solids enzymatic hydrolysis produced monosaccharide solutions of 185 g L-1 for mixed hardwood and 149 g L-1 for switchgrass. Apart from results obtained with dilute acid pretreated corn stover, these are the most concentrated solutions obtained from biomass pretreatment and enzymatic hydrolysis without substrate drying. The corresponding glucan to glucose yields were above 80% for both types of biomass. Notably, these high yields were obtained because, similar to dilute acid pretreatment but unlike un-catalyzed pretreatment, our approach produced biomass that did not show decreasing yields with increasing enzymatic hydrolysis solid contents. These results suggest that CO2-H2O pretreatment is an attractive alternative to chemically catalyzed processes such as dilute acid pretreatment. © 2012 The Royal Society of Chemistry.


Zhang, Y.; Liu, C.; Fan, G.; Yang, L.; Li, F.
Currently, the catalytic selective hydrogenation of nitroarenes to produce aromatic amines is one of the most important key reactions in many fine chemical processes. In particular, non-noble-metal-catalyzed hydrogenation of nitroarenes represents more sustainable chemical processes. Here, we report a new robust and recyclable core-shell nanostructured nickel-iron alloy@nitrogen-containing carbon (NiFe@NC) catalyst and the beneficial effect of alloying Ni with Fe for the above reaction. The key to this synthetic strategy was thermally transforming the Ni-Fe layered double hydroxide (NiFe-LDH)/melamine mixture to form a fixed NiFe@NC nanostructure. A series of characterization results revealed the formation of NiFe alloy nanoparticles (NPs) coated with the NC overlayer. The as-fabricated NiFe@NC catalyst with a Ni/Fe atomic ratio of 3.0 exhibited superior activity for the reduction of the nitro group in o-chloronitrobenzene, with a 99.5% yield of o-chloroaniline under mild reaction conditions. The initial reaction rate over the catalyst was nearly three times that over the monometallic Ni@NC counterpart, and even one-order magnitude higher than that over pristine NiFe-LDH-derived NiFe alloy NPs. The extraordinary activity of NiFe@NC was reasonably attributed to the unique core-shell nanostructure, where both the NiFe alloy core and the NC overlayer shell could construct a significant promotional effect, being beneficial for the selective cleavage of the N-O bond. Recycling experiments indicated that the catalyst could be easily separated and recovered under an external magnetic field and experienced excellent recyclability during seventeen cycles without an obvious loss of catalytic activity. Furthermore, the present catalyst was also highly active for the chemoselective hydrogenation of other substituted nitroarenes bearing different functional groups to the corresponding anilines.
Zhang Y, Liu C, Fan G, Yang L, Li F. A robust core-shell nanostructured nickel-iron alloy@nitrogen-containing carbon catalyst for the highly efficient hydrogenation of nitroarenes. Dalton Trans. 2018.


Before the SRW I was not sure what to revise or confident that I was revising the right way. Now I have all the resources and know exactly what I have to do but worry may not have enough time to complete everything what I want to do.
What a great weekend. Many thanks to the organisers. I have come away feeling that I can actually pass my exam and vaguely even thinking I might do better than just pass! So worthwhile.
I had a great time last year, definitely worth going it really helped me pass my exam.
Great weekend. It has really helped focus on revision and it was good fun as ever. Added benefit: meeting new friends and catching up with old......brilliant.
Thank you for another brilliant weekend. I'm sad it's (hopefully) my last :( I went in to it feeling quite stressed about my exam. I now feel far more confident about the whole thing and I know what I need to revise to get through my exam.
Met some really great people and the guest lecture was fantastic.
I've eaten too much and not slept enough but it was worth every penny.
A great weekend, now to sleep for a week. Thank you to all involved.
...I'll miss not mingling this year ... It makes me feel just that little bit like a real student, if only for a weekend.