Accessible for Epsom, Redhill and Horsham.
If you have reached this page you are probably experiencing some emotional or psychological difficulties at the moment. You may be undergoing a particular crisis such as a bereavement or a relationship breakdown. Perhaps you are experiencing more feelings of stress, anxiety or depression than usual.
Talking to a qualified therapist or counsellor about such difficulties can offer great relief, provide a different perspective or understanding, or can enable you to manage your particular difficulties more easily.
Therapy can be arranged on an open-ended basis or for an agreed time period.
My practice is located in central Dorking, and is within easy reach for those seeking counselling or psychotherapy in the Redhill, Epsom and Horsham areas. It is about 20 mins walk from Dorking Station, there is a bus stop outside and plenty of parking on site.
Please read the rest of my website as this may help answer some of your questions or concerns about therapy. You can contact me by email at [email protected] or telephone me on 01306 882549.


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Grand Central Magazine | Your Campus. Your Story. Grand Central Magazine | Your Campus. Your Story.
Your campus, Your story
March 30, 2021 Campus Life, Features, Greek Life, Lifestyle, Lifestyle, Student Lifestyle, Uncategorized
RSO Spotlight: Kappa Delta Pi Education Fraternity
October 6, 2020 Campus, Community, Lifestyle, Student Lifestyle, Students
CMU Is Fired Up For Hispanic Heritage Month
September 29, 2020 Lifestyle, Students
RSO Spotlight: Pinky Promise
April 28, 2020 Academics, Campus, CMU Alumni, College Life, College Living, Student Lifestyle, Students
To The 2020 Seniors
Women's Style
March 25, 2021 Campus Fashion, Men's Style, Student Styles, Style, Style & Beauty, Trend and Beauty
Men's Spring Fashion: Comfort and Style
March 19, 2021 Campus Fashion, Style, Style & Beauty, Trend and Beauty
Revive: The Organization of Black Unity's first ever virtual fashion show
January 11, 2021 Men's Style, Student Styles, Style, Style & Beauty, Trend and Beauty, Uncategorized, Women's Style
November 25, 2020 Campus Fashion, Men's Style, Student Styles, Style, Style & Beauty, Women's Style
Zoom Thanksgiving Outfits
Internet Favorites
September 9, 2020 Arts & Entertainment, Arts & Entertainment
Art Reach is keeping creativity alive through COVID-19
May 4, 2020 Arts & Entertainment, Books
Picking Out The Right Book
April 1, 2020 Arts & Entertainment, Arts & Entertainment
TikTok Is The Talk With CMU Students
March 20, 2020 Arts & Entertainment, Arts & Entertainment
A Look At Life Through The CMU Dance Team
People of Central
November 29, 2021 People of Central
People of Central: Ayebah Wilson
November 9, 2021 People of Central
People of Central: Dr. Jennifer Clemens
People of Central: Professor Joseph Michael Sommers
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People of Central: Professor Will Anderson
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February 14, 2019 CMU Alumni, Featured, Features, Features, Lifestyle, Relationships, Spotlight
Communication Professors Find Love at CMU
Story and photos by Aubry Healy.
Central Michigan University Communication professors Wendy and Michael Papa met in a meeting room on the third floor of Moore Hall on Aug. 16, 1980.
Wendy Papa, an Indianapolis native, and Michael Papa, from the Bronx, were drawn to Central Michigan University to pursue graduate degrees in Communication.
Wendy and Michael Papa in the room where they met in Moore Hall
"It was the first day of COM 101 teacher training workshop. We were both graduate students and taught COM 101— the teaching trainman workshop occurred in this room," Wendy Papa said. "He [Michael] had this really thick New York accent and he had to teach himself to lose it because the students couldn't understand him."
Wendy and Michael Papa in the 1980's, Courtesy of Wendy and Michael Papa
Aside from being caring spouses to one another for 37 years, the Papa's have a significant connection to their alma mater as they are both Communication professors at CMU.
Just two years after meeting in Moore Hall as graduate students, Wendy and Michael tied the knot on Jan. 30, 1982. Their lives lead them away from CMU for a while. Michael Papa received his PhD from Temple University in Philadelphia and Wendy received her PhD from Ohio University. The pair taught at Ohio University for 13 years.
Michael and Wendy Papa on their wedding day Jan. 30 1982, courtesy of Michael and Wendy Papa.
The couple raised their two children, son Andrew Papa and daughter Samantha Papa, while teaching together at three different universities. Their children were 10 and 15 years old when they decided to move back to Mount Pleasant.
Michael Papa discovered a job opening in CMU's Department of Journalism and encouraged Wendy Papa to apply for it. "We were in our mid 40's and at that point in our career were thinking, 'where do both want to finish our careers?' and we thought here," he said. "We always loved Michigan and have been connected to this university."
When their kids asked why they were moving to Mount Pleasant, Wendy Papa said, "We're going home."
Wendy Papa took a job in the CMU Department of Communication in 2002 and Michael Papa took a one-year position at Michigan State University. During that same year, a job opened at CMU as chairperson of the Department of Journalism. He took the job in 2003 and the couple have been back at CMU ever since.
Wendy and Michael Papa on in the third floor hallway of Moore Hall.
Although both obtained PhD's in Communication, they have pursued different avenues in the field. Michael Papa has conducted international research and traveled to many countries such as India, Bangladesh, Sweden, Thailand, Sudan and Uganda.
Wendy and Michael Papa with their daughter Samantha at her CMU graduation in 2014. (Courtesy photo)
Both of their children received their Bachelor's degrees from their parent's alma mater. "They just knew they wanted to be here," Wendy Papa said. "They were professor's kids and were used to going to events and knowing all the faculty."
Wendy and Michael Papa with their son Andrew at his CMU graduation in 2009, courtesy of Wendy and Michael Papa.
Andrew Papa studied Broadcast and Cinematic Arts and Theater and Samantha Papa studied Communication and went on to get a second Bachelor's degree in nursing. Their son is now a professor at the University of Detroit Mercy and their daughter is a nurse at Beaumont Hospital in Troy, Mich.
Wendy and Michael Papa in the room where they met in Moore Hall.
The couple enjoy spending every day with the university that brought them together. Thirty-seven years later, three universities and two kids— the Papas are still footsteps away from the room that started it all on the third floor of Moore Hall in 1980.
Separator image Posted in CMU Alumni, Featured, Features, Features, Lifestyle, Relationships, Spotlight and tagged with Aubry Healy, CMU Alumni, Communications Professors, Feature Story, Fire Up Forever, Michael Papa, Valentine's Day, Wendy Papa.
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Chezelle's experience as an entrepreneur and knowledge in the wedding industry has opened opportunities for her as a speaker at Catersource, The Special Event, Wedding Wire World, Cancun Wedding Experience, Inspire Smart Success, a four-day experience for entrepreneurs and also for the International Tourism Expo (ETI) where she spoke to travel agents and wedding industry peers from around the globe at the wedding pavilion. "Having people leave my sessions feeling inspired and ready to take on the world with a new passion, ideas and strategies is my goal."
She enjoys collaborating for publications like Inspire Smart Success Magazine and Caribbean Bride Magazine where she was named Ambassador for Puerto Rico. Her weddings have been published in Grace Ormonde Wedding Style and in blogs like Style Me Pretty, The Fête Blog, Fabulously Designed and Elegance & Enchantment.
*Custom presentations are available with a 30-day notice. All presentations are updated prior to each session to insure they contain the most current information and are region/industry specific.
Do you love to travel? Do you live in a destination that is a prime attraction for brides? Learn how to add destination weddings to your services and the steps to take in order to become a specialist in your field.
Is your brand stale? Would you like to inject new life to your business? Learn how to stand out in a saturated market and swim against the current while positioning your brand on top of the competition.
Can't keep up with the constant changes in social media? I can help you streamline your channels and stay current with Instagram, Facebook and Pinterest for business owners.
Ever wonder what a Destination Wedding planner does? Learn the process of planning a destination wedding remotely and creating strategic alliances with creative partners to guarantee a successful event.
you prepare their train of thought? How do you connect with their emotions?
Do you know that Millennials have their own lingo? Learn tips on how to communicate with a generation that you cannot sell something to, probably knows more than you and only gives you a few seconds of their time.


The Uruguay striker took his Premier League tally to 19 in 12 games with two goals in the 3-1 win over troubled Cardiff at Anfield which took the Reds above leaders Arsenal - for another day at least.
After signing a lucrative new contract on Friday which made him the highest-paid player in the club's history, reportedly on £175,000-a-week, it was business as usual for the 26-year-old with two brilliant strikes he made look almost routine.
Suarez then turned provider as, somewhat amazingly, having run on to Henderson's through-ball with only goalkeeper David Marshall to beat he unselfishly squared for Raheem Sterling to score.
Cardiff rallied briefly after the break and although the unmarked Jordon Mutch's header created a spell of pressure, Suarez hit the woodwork at the other end just to remind the visitors he had not forgotten where the goal was.


2000 ford excursion wiring diagram – What is a Wiring Diagram? A wiring diagram is an easy visual representation with the physical connections and physical layout of an electrical system or circuit. It shows how the electrical wires are interconnected and may also show where fixtures and components may be attached to the system.
Use wiring diagrams to assistance with building or manufacturing the circuit or digital camera. They are also helpful for making repairs. DIY enthusiasts use wiring diagrams but you are also common home based building and auto repair.For example, a house builder may wish to confirm the place of business of electrical outlets and lightweight fixtures employing a wiring diagram to avoid costly mistakes and building code violations.
Repairing electrical wiring, more than some other household project is all about safety. Install a local store properly and it is as safe as it can be; install it improperly and it's potentially deadly. That's why there are numerous rules surrounding electrical wiring and installations. The rules can be complicated, for sure, and often confusing, even for master electricians, but you will find basic concepts and practices that affect virtually every electrical wiring project, specially the kind that DIYers are allowed to tackle.
Here's a look at five of the biggest rules that can help help you stay safe when generating electrical repairs.
The simplest way to stop electrical shock would be to ALWAYS test wires and devices for power before implementing them or near them. Simply shutting off of the power isn't good enough.
Further, it isn't really uncommon for circuit breaker boxes being mislabeled, specifically if the electrical service continues to be extended or adapted over the years. The circuit breaker label might not exactly accurately describe what the circuit breaker actually controls.
All electrical wiring and devices provide an amperage, or amp, rating. This is the maximum quantity of electrical current they're able to safely carry. Most standard household circuits are rated for 15 amps or 20 amps, while large-appliance circuits (like for electric dryers and ranges) could possibly be rated for 30, 40, 50 amps, or even more.
When installing or replacing wiring or devices, every one of the parts you use should have the proper amperage rating for the circuit. For example, a 20-amp circuit must have 12-gauge wiring, that's rated for 20 amps. If you install 14-gauge, 15-amp wiring on that circuit, you develop a fire hazard because the 20-amp circuit breaker protecting that circuit may well not disconnect prior to 15-amp wiring overheats.
When replacing a switch, fitting, or outlet receptacle, ensure never to use a device that is certainly rated for further amperage compared to circuit carries. This is especially important when replacing receptacles. A receptacle rated for 20-amps has a unique prong shape where among the vertical slots has a T shape. This shape allows 20-amp appliances, who have a matching T-shaped prong, being inserted. Installing a real receptacle over a 15-amp circuit assists you to possibly overload the circuit if you plug such a 20-amp appliance with it.
Note, however, that there's no danger to installing 15-amp receptacles in 20-amp circuits because it is perfectly fine every time a plug-in device draws less power than the circuit amperage. In fact, it is quite normal for 20-amp general-use circuits to become wired with 15-amp receptacles.
Electricity travels along conductors, for example wires and also the metal contacts of outlets and sockets. Tight connections between conductors create smooth transitions in one conductor to a new. But loose connections work like speed bumps, restricting the flow and creating friction and also heat. Very loose connections can cause arcing, through which electricity jumps with the air from conductor to an alternative, creating tremendous heat.
Prevent fire hazards by making sure all wiring connections are tight and still have full contact with the conductors being joined. When splicing wires together, always use approved wire connectors ("wire nuts").
Outlet receptacles and switches will often be manufactured with push-fit wire connection slots on the back, combined with the traditional screw-terminal connections about the sides from the device. These push-fit connections are notorious for loosening or failing, so professional electricians almost unanimously avoid them in support of making very tight and secure screw terminal connections.
Grounding and polarization are crucial for the safety of contemporary electrical systems. Grounding provides a safe path for stray electrical current the effect of a fault and other problem in a circuit. Polarization makes sure that electrical current travels from the source along "hot" wires and returns on the source along neutral wires.
There are a variety of approaches to test for grounding and polarization. A simple plug-in circuit analyzer tool, intended for a few dollars, can make it possible to routinely check outlets to make certain they are wired correctly.
The National Electrical Code (NEC) requires that all wiring connections be made in an appropriate enclosure. In most cases, this means an electric box. Enclosures not simply protect the connections—and protect people from accidental contact with those connections—they provide method for securing conductors (like electrical cables) and devices.
The rule the following is simple: don't be lazy. If you need to make a wiring splice, install a junction box and secure the cables to the box with cable clamps. Never leave a splice or any other connection exposed or unsecured.


We are a formerly Christian society in an advanced state of decomposition. Nikolas Cruz was a product of broken families. He was adopted. Both adoptive parents had died. Where did he get his ideas of right and wrong, good and evil? Before the Death of God and repeal of the Ten Commandments, in those dark old days, the 1950s, atrocities common now were almost nonexistent.
The FBI was reportedly informed that some nut job named "Nikolas Cruz" announced "Im gonna be a professional school shooter" a few months back. Funny thing, a kid named "Nikolas Cruz" was also kicked out of Marjory Stoneman Douglas High School in Parkland, Florida, and was considered such a threat that the kid was specifically banned from carrying a backpack on school grounds. Something was seen. Something was said. Yet nothing was done.
People who believe human life is sacred do not extinguish it capriciously; they do everything in their power to preserve and protect it. People who do not believe human life is sacred can be more prone to base life and death decisions upon emotion, convenience, and hubris. Thus, when it comes to preventing mass violence, the answer is respect for life and self-control - not gun control.


Consistent with the Pure Planet philosophy of quality, we make the finest, most minimally processed White American ginseng extract, tablets and powders, sourced from the USA. This non- Chinese ginseng contains at least 28 active ginsenosides, which promote increased energy without jittery side effects. Known to support revitalization and restore balance, White American Ginseng also assists with adrenal health, fitness and everyday life for both females and males.
Suggested use: Take 1-2 tsp daily, in the morning, after lunch or when needed. Shake gently before using.
Ingredients: American Ginseng Extract, Water, Vegetable Glycerin.
Suggested use for tablets: Take 6 tablets (3g) daily.
Suggested use for powder: Take 1.5 tsp daily mixed with water, juice, or your favorite smoothie.
Ingredients: American Ginseng, Spirulina (California Grown).


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LEGO® Art The Rolling Stones
Recreate the iconic Rolling Stones logoShare your favorite memories of The Rolling Stones as you build a dimensional representation of the band's famous tongue logo to display in your home or office. Enter a zone of enhanced relaxation as you create a true passion piece that reflects both a love of music and creativity, but also admiration of an iconic group of musicians who have been rocking the world for 60 years. Finish your creation and display it with pride on a wall. This makes a unique DIY art project for yourself or another music fan.
Listen – Build – Relax
Relax with the Soundtrack and enjoy the joyful focus it encourages as you explore your creative process. With nearly an hour of tailor-made content, you can dive deep into the building project while learning unique details about the inspiration behind the logo and the artist who created it, through an exclusive interview, as well as other details and stories.
Embrace a zone of creative zen. Welcome to the Soundtrack.
The Soundtrack allows you to immerse yourself in the creative experience, with stories and exciting details relating to the creation of The Rolling Stones' iconic logo. It's curated to complement the set and enhance a creator's connection to the artwork while they enjoy their zone of zen.
Download the transcript here
Celebrate something truly special
As you create the organically-shaped, dimensional art piece of the iconic Rolling Stones logo, you will discover a surprise hidden within the build to help celebrate a milestone – The Rolling Stones' 60th anniversary! The tribute is designed to fit within the organic shape, visible as you build, hidden until you choose to show it off. Happy building!
Immerse yourself in rock & roll and art
Besides the coffee-table-quality book included in the box, you can download the building instructions online. The instructions are both thorough and inspiring, and they look great as you click through them. Relive favorite memories and enjoy photos and details of the band and the creation of the iconic logo as you are building satisfaction.
Read the article on the iconic tongue logo
Designer John Pasche discusses the inspiration behind the iconic Rolling Stones tongue logo in an exclusive article. From its connection to a Hindu goddess to a cheeky symbol of a "… new anti-establishment era in music…", the logo is instantly recognizable. Read about the designer's reaction to the set's creation as well, and his pleasure in how his work has stood the test of time.
© 2022 Musidor B.V.
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Dynaudio has formed a series of partnerships with some of the most respected pro audio brands to equip its Dynaudio Unheard pop-up studio.
(Anaheim, California – Thursday January 17, 2019) Danish loudspeaker specialist Dynaudio has been working closely with The 2019 NAMM Show to give unsigned artists the chance to get their big break, but another series of partnerships has also been formed with fellow industry brands in order to equip the full-blown Dynaudio Unheard recording studio inside and out.
The concept demands an incredibly complex, technical setup, as the task is not only to record the bands. At the same time, a separate multi-channel audio feed is sent to a front-of-house PA system, and yet another feed is passed on to a video-editing team. Finally, the artists also need to have their own headphone-monitor mix. In short, it's a studio recording session combined with a live concert and near-real- time broadcast.
To start at the very beginning of the signal chain, Dynaudio teamed up with DPA Microphones, who provides a large and versatile range of d:facto vocal mics, d:dicaterecording mics, d:vote instrument mics, d:screet miniature mics, and a d:sign podium mic used for talkback from the mixing room.
The mixing and audio-routing backbone of the system is provided by Waves Audio and Digital Audio Denmark. For mixing and FOH, two Waves eMotion LV1 systems are installed, and to gather all of the audio signals for AD-conversion and distribution, a Digital Audio Denmark AX32 converter and audio-router has been expanded with 24 channels of mic preamps.
For the headphone-based monitoring set-up, Klang Technologies provides a KLANG:fabrik3D-in-ear monitoring system that lets each musician to create his or her own mix and positioning in a virtual 3D space, along with three KLANG:quelle headphone preamps. In connection with that, Shure delivers eight of its SRH1540 closed-back premium headphones.
Further, the vast majority of the backline, as well as the PA system, is provided by Yorkville, who is also the North American distributor of Dynaudio's professional studio monitors. The only backline exception is a Clavia Nordstage 3 88 stage piano, delivered by Clavia's North American distributor American Music & Sound.
Finally, Zaor has provided a Miza Jr MKII studio table along with two Croce speaker stands for the mixing room.
Dynaudio was founded in 1977 in Skanderborg, Denmark. Today, it'srecognised as a leading manufacturer of high-quality audio systems, and one of the world's most distinguished high-end audio companies. Dynaudio designs, engineers and manufactures dedicated systems for professional studios, as well as car audio and home hi-fi and consumer loudspeaker products, from its state-of-the-art facility in Denmark. The company is particularly recognised for its advanced driver technology designed, engineered, and continuously developed in-house, not to mention its furniture-grade, handcrafted Danish cabinetry.


Introducing you to an Amazing Shabbat.com couple!
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Dating could be difficult and confusing at times! Having a wise experienced person to speak to may be very insightful and a true game changer for those in a relationship. Shabbat.com has partnered with Oorah's Rebbetzin program, a program designed to help singles in the dating process. Learn more about it by clicking here.
HOW DOES SHABBAT.COM MAZAL TOV WORK?


Venice is a city by the sea, whose inhabitants have always used gondolas and bridges to move around, unique channels of communication between the arteries of this wonderful city. The historical center of this lagoon city has more than 400 bridges.
Located near St. Mark's square, the Bridge of Sighs (Ponte dei Sospiri) is the most photographed by tourists from around the world. Contrary to what you may think, "sighs" refers to the last breaths emitted by convicts in freedom. According to legend, the prisoners heading to the nearby prison "sighed" when crossing it, faced with the prospect of seeing the outside world for the last time.
The Constitution Bridge, also known as the Calatrava Bridge, spans the Grand Canal of Venice, and until 1850, was exceeded only by the Rialto Bridge.
Ark-shaped, the bridge is supported by a steel frame. Inside the ramps, LED bulbs are installed which dissipate the rays of light towards the glass balustrade, creating a spectacular view at night.
Located in the heart of the city, the Rialto Bridge was built to cross the Grand Canal, the most important artery of Venice, in an area full of shops. It has always been the symbol of the city's oldest and most active business district, defined by the crowded docks and picturesque markets which, then as now, flank the Canal.
The Arsenale Bridge takes its name from its proximity to the Arsenale di Venezia, a monumental complex of great historical value, developed from the 12th century to become the largest shipyard in the world. The bridge connects the two sides of the Arsenale, and is equipped with powerful defensive towers which were intended to prevent spying of the secrets behind the Venetian art of shipbuilding.


We use biodegradable disposables for our express catering. We monitor our "carbon footprint" by locally sourcing our products as much as possible. We use the Monterey Bay Seafood Guidelines when sourcing fish.
FORKS AND CORKS CATERING is a premier Willamette Valley caterer providing full-service catering for events of all sizes and styles. From simple boxed-lunch meetings to magnificent multi-course soirees, we have the perfect menu for you. Waiting to take care of you is a team of professional, polished staff who care about the details - and making you look good!
Set-up and service ON TIME!
Hot food HOT! Cold food COLD!
When fancy and fuss is not an option, Forks Express is. Our drop-and go catering division is ideal for business meetings, budget-conscience events, and anyone needing to feed a crowd at their home!
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Kellen Boswell Winslow Sr. (born November 5, 1957) is an American former professional football player in the National Football League (NFL). A member of the Pro Football Hall of Fame (1995), he is widely recognized as one of the greatest tight ends in the league's history. Winslow played his entire NFL career from 1979 to 1987 with the San Diego Chargers after being selected in the first round of the 1979 NFL Draft. He played college football for the University of Missouri, where he was a consensus All-American. He was also inducted into the College Football Hall of Fame (2002).

Winslow is the former director of athletics at Florida A&M University. He has previously held administrative roles at Central State University where he was athletic director and vice president for athletics and wellness at Lakeland College.

Early years
Winslow attended East St. Louis Senior High School and did not play high school football until his senior year. Until then, he was a self-described "nerd" who played chess.  In college, Winslow played for the Missouri Tigers, and was a two-time all-conference selection in the Big Eight and a consensus All-American in 1978. He led the Big Eight in touchdown receptions in both 1977 and 1978, catching three and six respectively. He finished his college career with 71 receptions for 1,089 yards and 10 touchdowns.

Professional career
Winslow was drafted in the first round of the 1979 NFL Draft by the Chargers, with the #13 pick. Winslow played for them his entire career, when he retired in 1987 due to injury. After a knee injury prematurely ended his rookie season, Winslow, as part of Air Coryell, led the NFL in receptions in 1980 and 1981, becoming the second tight end ever to lead the league in receptions in back to back seasons. His 89 catches in 1980 was an NFL record for tight ends, breaking the previous mark of 75 held by Mike Ditka. He also exceeded the 1,000 yards receiving milestone in 3 seasons, including setting an NFL single season record for receiving yards by a tight end with 1,290 yards in the 1980 season. The record stood until Rob Gronkowski totaled 1,327 yards in 2011. In a 1981 regular season game, Winslow tied an NFL record by catching five touchdown passes.

In a 1981–82 playoff game against the Miami Dolphins that became known as The Epic in Miami, Winslow caught a playoff record 13 passes for 166 yards and a touchdown, while also blocking a field goal with seconds remaining to send the game to overtime in one of the greatest single player efforts in NFL history. Winslow's yardage total stood as the playoff record for tight ends for 30 years until Vernon Davis's 180 yards in 2012. What made Winslow's performance all the more memorable was that fact during the game he was treated for a pinched nerve in his shoulder, dehydration, severe cramps, and received three stitches in his lower lip. After the game, a picture of Winslow being helped off the field by his teammates became an enduring image in NFL lore.

Tight ends prior to Winslow were primarily blockers lined up next to an offensive lineman and ran short to medium drag routes. Winslow was put in motion so he would not be jammed at the line, or he was lined up wide or in the slot against a smaller cornerback. Former Chargers assistant coach Al Saunders said Winslow was "a wide receiver in an offensive lineman's body." Chargers head coach Don Coryell said, "If we're asking Kellen to block a defensive end and not catch passes, I'm not a very good coach." Back then, defenses would cover Winslow with a strong safety or a linebacker, as zone defenses were not as popular. Strong safeties in those times were almost like another linebacker, a run defender who could not cover a tight end as fast as Winslow. Providing another defender to help the strong safety opened up other holes. Former head coach Jon Gruden called Winslow the first "joker" in the NFL. He would line up unpredictably in any formation from a three point blocking stance to a two point receiver's stance, to being in motion like a flanker or an offensive back. Head coach Bill Belichick notes that the pass-catching tight ends who get paid the most money are "all direct descendants of Kellen Winslow" and that there are fewer tight ends now who can block on the line.

Winslow was off of to a record setting receiving pace in 1984 in term of receptions, accumulating 55 catches in only seven games. On October 21, 1984, in the Chargers's seventh game of season against the Los Angeles Raiders, having already caught 8 passes for 107 yards, Winslow suffered a severe right knee injury while making his 55th reception of the season. Winslow knee twisted while being tacked by Raiders linebacker Jeff Barnes.  Dr. Gary Losse, who performed surgery on Winslow's knee for over two hours, later said that Winslow's knee looked like "spaghetti....like a couple of mop ends". Dr. Losse also said "The ligaments had almost an explosion-like appearance, it was a very, very severe knee injury." Winslow came back in the middle of the 1985 season, but was never again close to being the dominant player he had been. He retired after the 1987 season.

Winslow played in five Pro Bowls, was elected to the Pro Football Hall of Fame in 1995, and the College Football Hall of Fame in 2002. In his nine NFL seasons, Winslow caught 541 passes for 6,741 yards and 45 touchdowns. Kellen was a consensus All-Pro in 1980, 1981, and 1982. He is also a member of the NFL's 75th Anniversary All-Time Team. He was the San Diego Chargers' honorary captain at Super Bowl XXIX, and one of seven participants in the game's pregame coin toss, joining fellow 75th Anniversary Team members Otto Graham, Mean Joe Greene, Ray Nitschke, and Gale Sayers, as well as fellow PFHOF Class of 1995 members Steve Largent, then a U.S. Congressman, and Lee Roy Selmon.  Winslow worked as a college football announcer with Fox Sports Net. In 2008, he was appointed the athletic director of Central State University in Ohio.

In 1999, he was ranked number 73 on The Sporting News' list of the 100 greatest football players of all time.

Personal life
Winslow is the father of Justin Winslow and Kellen Winslow II, who also played tight end in the NFL. Kellen II was drafted in the first round of the 2004 NFL Draft by the Cleveland Browns, the team the Chargers traded with to draft the elder Winslow in 1979. On October 17, 2006, Justin died, although no cause of death was reported; he was 23 years of age and was found unconscious by his mother.
Kellen Winslow II was convicted of multiple rape and sexual assault charges against five women. Winslow II was sentenced to 14 years in prison on March 3, 2021.

References

External links

1957 births
Living people
African-American college athletic directors in the United States
African-American players of American football
All-American college football players
American Conference Pro Bowl players
American football tight ends
Central State Marauders athletic directors
College Football Hall of Fame inductees
Florida A&M Rattlers and Lady Rattlers athletic directors
Lakeland Muskies athletic directors
Missouri Tigers football players
People from St. Clair County, Illinois
Players of American football from Illinois
Pro Football Hall of Fame inductees
San Diego Chargers players
Players of American football from St. Louis
21st-century African-American people
20th-century African-American sportspeople


Posted on March 31, 2019 March 30, 2019 by DatechguyPosted in Sports, UncategorizedTagged patriots, red sox, sports betting.
Monday Thoughts Under the Fedora: Michael Who? (TV) Movies of the 30's The Orville, Get Ready for $8 Pizza, More Titles for Boston?
With Radio Stations removing Michael Jackson from their playlists and even the Simpsons are removing his episode from their rotation and new DVD it's easy to forget that the revelations in the latest Documentary concerning Michael Jackson and children not only confirmed things that the general public suspected was true. However it's much more important … Continue reading Monday Thoughts Under the Fedora: Michael Who? (TV) Movies of the 30's The Orville, Get Ready for $8 Pizza, More Titles for Boston?
Posted on February 12, 2019 February 11, 2019 by DatechguyPosted in baseball, SportsTagged baseball, mlb.
Posted on January 4, 2019 January 4, 2019 by DatechguyPosted in entertainment, politics, SportsTagged insurance, jane curtin, patriots, sports media, tom brtady.


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Home canada deragh campbell drama sofia bohdanowicz unfavorite unfavorite movies MS Slavic 7-2019
MS Slavic 7-2019
by Alper Sağlam Thursday, July 30, 2020
MS Slavic 7
As film industry reviewers, we say MS Slavic 7 is one of our non-favorite movies. Please VOTE!
MS Slavic 7 is favorite or unfavorite?
At once deconstructing and participating in a search for meaning, MS SLAVIC 7 interrogates the tragic beauty and transcendent potential of human connection.
About MS Slavic 7 💬
After being appointed literary executor, a young woman named Audrey Benac (Deragh Campbell) uncovers a series of letters that her great-grandmother had written to a fellow poet. Both displaced from Poland, Zofia Bohdanowiczowa and Nobel Prize nominee Józef Wittlin corresponded from 1957-1964 between Toronto, Wales and New York City. Set over the course of three days, Audrey embarks on a journey to Houghton Library at Harvard University to translate and make sense of Zofia's words. Coming up against her aunt's disapproval as well as complications of access to the material, Audrey struggles to dig into an intimate past while facing her own existentially troubled present. Between silent segments of handling the letters at the archive and discursive monologues that articulate her findings, the film traces the emotional movement through the research process.
Q: What inspired the film?
Sofia Bohdanowicz: It began with the discovery of letters that belonged to my great-grandmother Zofia Bohdanowiczowa. I had already created a body of work based on her poetry and was doing research online to see what more I could find. I came upon the archive at Houghton Library at Harvard, where I discovered 24 letters written in Polish between her and a fellow poet, Nobel Prize nominee Józef Wittlin. I contacted Harvard, had them scan the letters and spoke with Deragh about making something about them. She then came up with a concept for a film that unfolds over three days.
Q: You've made several films together but this is your first co-direction. Can you talk about the nature of your collaboration?
Sofia Bohdanowicz: Our working relationship is seamless. I can insert Deragh into any circumstance or situation and she will deliver an interesting and consistent performance. In the character we've created, she really completes the conversation and ideas. It's very much a collaboration and now we have this body of work we're continuing to build on. This didn't start as a co-direction; Deragh came up with the concept and was going to get a writing credit and we had a collaborative dialogue, but when I sat down to edit I wasn't sure where to go and relied on her vision to navigate what we were working on. It was great to have someone else's voice be part of the creation of the film.
Q: Deragh, what is it like being brought into something so intimate and helping construct it?
Deragh Campbell: I've been working in microbudget film for six years now and there is already a certain intimacy to that, but with Sofia, our collaboration feels different. Being part of the edit for my own performance was interesting because you're the best person to detect when you're being false. I could see when I was absorbed and when I wasn't. What you want as a performer is to be available, to be able to reveal yourself. I'm not trained as an actor and I've realized I have a lot of defenses up. With Sofia, it's the most available I've ever seen myself. When I'm nervous my face can become inexpressive, but in Sofia's films my face moves more than in other films. It's a testament to how I feel so completely comfortable, and that comes out of how she's the most respectful and generous director.
Q: Could you talk about the obstacles Audrey faces in trying to preserve Zofia's legacy, from both her family and from the archive?
Sofia Bohdanowicz: Archives are there to preserve, to hold, and to restore different objects and artifacts - and that's a positive thing. However, what I find difficult when I'm doing research, whether on my family or Kathleen Parlow [the subject of Veslemoy's Søng ] is that institutions control the access we have to various historical objects. At some point it's problematic. It's something we wanted to point to because there's a dissonance with Audrey's family history: it's in an archive and it's being preserved, but she has limited access to it. If an archive isn't there, then no one is taking care of it, but what's the point of taking care of it if you can't access it? In a family, certain people feel like they have ownership over history and just because a family member cares about it more, like Audrey, doesn't mean she owns it more.
The character of aunt Ania (Elizabeth Rucker) wasn't appointed literary executor and since Audrey was, there's jealousy in the mix which leads to Ania questioning her competence. There's this hierarchical structure within families, where if you're younger you're automatically looked down upon or spoken to in a condescending way. You're seen as a child even when you're an adult. Ania is a curator and Audrey is treading into her territory and thinks she can step in and do it herself.
Deragh Campbell: We were interested in showing how family is part of your identity and can be positive and fulfilling, but can also cause you a lot of pain. In researching her family, Audrey is facing insecurities that are largely formed by familial expectations. Neither Audrey nor her aunt are right or wrong. Audrey cares more, so she wants to make her great-grandmother's work active and Ania sees it as bratty entitlement. There can be a weird sense of dignity to leaving family history untouched, in referring to it but not going too far.
There's a beautiful sense of tactility in the film, how did you approach the letters formally?
Sofia Bohdanowicz: At first, Audrey is looking at the letters as physical objects, focusing on their materiality, really hearing and feeling the sounds. I spent a lot of time foleying with paper so you really felt how crisp they were, how delicate. It was important because she's interested in the letters as objects more than for their emotional content. We wanted to explore objects as talismans. What kind of special powers they hold, what have they been through and absorbed? It was important for Audrey to experience the weight of that history and what it meant to be holding the letters in her hand even if she didn't understand what they meant.
MS Slavic 7 Movie Details 🎥
Deragh Campbell
Sofia Bohdanowicz
Mariusz Sibiga
Elizabeth Rucker
Aaron Danby
MS Slavic 7 Official Trailer
MS Slavic 7-2019 Reviewed by Alper Sağlam on Thursday, July 30, 2020 Rating: 5
Tags : canada deragh campbell drama sofia bohdanowicz unfavorite unfavorite movies


text:
Q: Occlusion culling 3D transformed 2D rectangles? So, to start off, I'm not very good at computer graphics. I'm trying to implement a GUI toolkit where one of the features is being able to apply 3D transformations to 2D "layers". (a layer only has one Z coordinate, as pre-transform, it's a two dimensional axis aligned rectangle)
Now, this is pretty straightforward, until you come to 3D transformations that would push the layer back, requiring splitting the layer into several polygons in order to render it correctly, as illustrated here. And because we can have transparency, layers may not get completely occluded, while still requiring getting split.
So here is an illustration depicting the issue and the desired outcome. In this scenario, the blue layer (call it B) is on top of the red layer (R), while having the same Z position (but B was added after R). In this scenario, if we rotate B, its top two points will get a Z index lower than 0 while the bottom points will get an index higher than 0 (with the anchor point being the only point/line left as 0).

Can somebody suggest a good way of doing this on the CPU? I've struggled to find a suitable algorithm implementation (in C++ or C) that would be appropriate to this scenario.
Edit: To clarify myself, at this stage in the pipeline, there is no rendering yet. We just need to produce a set of polygons for each layer that would then represent the layer's transformed and occluded geometry. Then, if required, rendering (either software or hardware) is done if required, which is not always the case (for example, when doing hit testing).
Edit 2: I looked at binary space partitioning as an option of achieving this but I have only been able to find one implementation (in GL2PS), which I'm not sure how to use. I do have a vague understanding of how BSPs work, but I'm not sure how they can be used for occlusion culling.
Edit 3: I'm not trying to do colour and transparency blending at this stage. Just pure geometry. Transparency can be handled by the renderer, and overdraw is okay. In this case, the blue polygon can just be drawn under the red one, but with more complicated cases, depth sorting or even splitting up the polygons may be required (example of a scary case like that below). Although the viewport is fixed, because all layers can be transformed in 3D, creating a shape shown below is possible.
So what I'm really looking for is an algorithm that would geometrically split layer B into two blue shapes, one of which would be drawn "above" and one of which would be drawn below R. The part "below" would get overdraw, yes, but it's not a major issue. So B just need to be split into two polygons so it would appear to cut through R when those polygons are drawn in order. No need to worry about blending.

Edit 4: For the purpose of this, we cannot render anything at all. This all has to be done purely geometrically (producing 2D polygons). This is what I was originally getting at.
Edit 5: I should note that the overall number of quads per subscene is around 30 (average). Definitely won't go above 100. Unless the layers are 3D transformed (which is where this problem arises), they are just radix sorted by Z positions before being drawn. Layers with the same Z position are drawn in order in which they were added (first in, first out).
Sorry if I didn't make it clear in the original question.

A: If you "aren't good with computer graphics", Doing it on CPU (software rendering) will be extremely difficult for you, if polygons can be transparent.
The easiest way to do it is to use GPU rendering (OpenGL/Direct3D) with Depth Peeling technique.
Cpu solutions:
Soltuion #1 (extremely difficult):
(I forgot the name of this algorithm).
You need to split polygon B into two, - for example, using polygon A as clip plane, then render result using painter's algorithm.
To do that you'll need to change your rendering routines so they'll no longer use quads, but textured polygons, plus you'll have to write/debug clipping routines that'll split triangles present in scene in such way that they'll no longer break paitner's algorithm.
Big Problem: If you have many polygons, this solution can potentially split scene into infinite number of triangles. Also, writing texture rendering code yourself isn't much fun, so it is advised to use OpenGL/Direct3D.
This can be extremely difficult to get right. I think this method was discussed in "Computer Graphics Using OpenGL 2nd edition" by "Francis S. Hill" - somewhere in one of their excercises.
Also check wikipedia article on Hidden Surface Removal.
Solution #2 (simpler):
You need to implement multi-layered z-buffer that stores up to N transparent pixels and their depth.
Solution #3 (computationally expensive):
Just use ray-tracing. You'll get perfect rendering result (no limitations of depth peeling and cpu solution #2), but it'll be computationally expensive, so you'll need to optimize rendering routines a lot.
Bottom line:
If you're performing software rendering, use Solution #2 or #3. If you're rendering on hardware, use technique similar to depth-peeling, or implement raytracing on hardware.
--edit-1--
required knowledge for implementing #1 and #2 is "line-plane intersection". If you understand how to split line (in 3d space) into two using a plane, you can implement raytracing or clipping easily.
Required knowledge for #2 is "textured 3d triangle rendering" (algorithm). It is a fairly complex topic.
In order to implement GPU solution, you need to be able to find few OpenGL tutorials that deal with shaders.
--edit-2--
Transparency is relevant, because in order to get transparency right, you need to draw polygons from back to front (from farthest to closest) using painter's algorithms. Sorting polygons properly is impossible in certain situation, so they must be split, or you should use one of the listed techniques, otherwise in certain situations there will be artifacts/incorrectly rendered images.
If there's no transparency, you can implement standard zbuffer or draw using hardware OpenGL, which is a very trivial task.
--edit-3--

I should note that the overall number of quads per subscene is around 30 (average). Definitely won't go above 100.

If you will split polygons, it can easily go way above 100.
It might be possible to position polygons in such way that each polygon will split all others polygon.
Now, 2^29 is 536870912, however, it is not possible to split one surface with a plane in such way that during each split number of polygons would double. If one polygon is split 29 timse, you'll get 30 polygons in the best-case scenario, and probably several thousands in the worst case if splitting planes aren't parallel.
Here's rough algorithm outline that should work:

*

*Prepare list of all triangles in scene.

*Remove back-facing triangles.

*Find all triangles that intersect each other in 3d space, and split them using line of intersection.

*compute screen-space coordinates for all vertices of all triangles.

*Sort by depth for painter's algorithm.

*Prepare extra list for new primitives.

*Find triangles that overlap in 2D (post projection) screen space.

*For all overlapping triangles check their rendering order. Basically a triangle that is going to be rendered "below" another triangles should have no part that is above another triangle.
8.1. To do that, use camera origin point and triangle edges to split original triangles into several sub-regions, then check if regions conform to established sort order (prepared for painter's algorithm). Regions are created by splitting existing pair of triangles using 6 clip planes created by camera origin points and triangle edges.
8.2. If all regions conform to rendering order, leave triangles be. If they don't, remove triangles from list, and add them to the "new primitives" list.

*IF there are any primitives in new primitives list, merge the list with triangle list, and go to #5.

By looking at that algorithm, you can easily understand why everybody uses Z-buffer nowadays.
Come to think about it, that's a good training exercise for universities that specialize in CG. The kind of exercise that might make your students hate you.

A: I am going to come out say give the simpler solution, which may not fit your problem.  Why not just change your artwork to prevent this problem from occuring.
In problem 1, just divide the polys in Maya or whatever beforehand.  For the 3 lines problem, again, divide your polys at the intersections to prevent fighting.  Pre-computed solutions will always run faster than on the fly ones - especially on limited hardware.  From profesional experience, I can say that it also does scale, well it scales ok.  It just requires some tweaking from the art side and technical reviews to make sure nothing is created "ilegally."  You may end up getting more polys doing it this way than rendering on the fly, but at least you won't have to do a ton of math on CPUs that may not be up to the task.
If you do not have control over the artwork pipeline, this won't work as writing some sort of a converter would take longer than getting a BSP sub-division routine up and running.  Still, KISS is often the best solution.

redpajama_set_name: RedPajamaStackExchange


Mike revisited his love for creating stained glass art a few years ago as a retirement hobby. He was typically focused on Victorian era designs, but as his love for the craft grew he began to research new ideas. His current projects include sun and moon designs, angels, mountain landscapes and yard art in addition to the Victorian era designs. Mike very thoughtfully chooses glass that radiates an abundance of light and color. He has proven to be a skilled artist with an eye for combining brilliant colors and interesting patterns.
A multi-talented individual, Mike is also a semi-retired nationally recognized Square Dance Caller! If you have had the opportunity to partake in a bit of "dosi do" then you have no doubt danced to Mike DeSisto. He grew up in square dancing and has been a caller most of his life.
Home remains in beautiful Enumclaw where he resides with his wife, Kathy, and their two pups. You will typically find him busy in his glass studio enjoying the tranquility and personal satisfaction he experiences creating beautiful art pieces.


text:
Home News Vice President for Student Life settles in at St. Olaf
Johnny Goodson/Manitou Messenger
Vice President for Student Life settles in at St. Olaf
Grace Peacore
Dr. Hassel Morrison has just moved across the country to serve as St. Olaf's Vice President for Student Life.
Growing up in Virginia, Morrison received his undergraduate degree in Media Studies and English from Radcliffe University. He then went on to get his Masters in Educational Leadership from Virginia State and studied for his Doctorate in Educational Leadership, Policy and Human Development.
Morrison comes to St. Olaf from the University of Idaho, but has also worked at a number of universities primarily in North Carolina and Virginia. The University of Idaho, where he served as a faculty member and the Associate Dean of Students, is a much larger public institution. Morrison predicts St. Olaf will be a change of pace, but he looks forward to the opportunities he will have to connect with students.
As a young adult, Morrison knew that he had a "desire to work with young people." Throughout college he was a student leader and then went on to work in student affairs as a graduate student.
He loves being a "resource person" for students, and believes that it is "his gift." That gift is one he envisions being utilized here at St. Olaf. He is already moving to ensure that the student life division is at its absolute best, consistently putting students first.
Morrison stated that he hopes his new department will be "engaging with students intentionally and meeting them where they are."
Ultimately, he sees the department as one that has students' backs, and is already running a review of the department to make sure that these priorities are still at the forefront of everyone's minds.
As the Vice President for Student Life, Morrison will be overseeing many important programs on campus, ensuring that programs like the Wellness Center, Posse Program and Counseling Center are providing the best services possible for all St. Olaf students. He expressed that not only does he want to explore areas of growth within the college, but also focus on what is working and what "we need to continue to do."
Hassel was drawn to St. Olaf because it seemed like the sort of institution that was personable – "big enough to matter and small enough to care."
He was also looking for a strong small-town community to nurture his daughters, ages six and ten. He says the "evidence has proven itself," and that he, his wife and his daughters already feel very welcomed. He and his family plan to be very involved in the campus community, already having attended a home volleyball game.
"It will be hard to get rid of me," he said.
Morrison hopes that the student body will view him as approachable and reachable. He wants to discuss issues and campus happenings on a regular basis with students, and intends to put together a student advisory group as a way of receiving student input.
He also says that, although "there's a time to be serious, there is also a time to relax and get to know one another," and that is how he hopes these next few weeks will look as he gets settled into the St. Olaf community.
Morrison brings a fresh new perspective to the student life division and college as a whole. He expressed that he loves bringing together "people of difference" and hopes to get to know all the varying identities of students on this campus.
During his time at St. Olaf Morrison hopes to optimize student engagement – something he values highly.
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text:
Q: Add target=" _parent" to  tag on WordPress Contact form 7? I am creating a form that will be iframed into another site. I would like the re-direct to a 'thank you' page to be done on the parent page on submit.
Is there a way I can add the target="_parent" attribute to my form tag in Contact Form 7?
Thanks,
Steve

A: If you are using the AJAX version (default) of Contact Form 7, then you can subscribe to the wpcf7mailsent custom event that is triggered on completion, then set the URL of the top frame. For example:
<script>
document.addEventListener( 'wpcf7mailsent', function( event ) {
    window.top.location = 'http://example.com/thank-you/';
    // Or if the parent window is not the top window, you can use
    // window.parent.location = 'http://example.com/thank-you/';
}, false );
</script>

Official docs: https://contactform7.com/redirecting-to-another-url-after-submissions/
Edit:
You can make additional decisions within the callback based on the values stored in the event argument object. For example, to redirect only in the case of a specific form:
document.addEventListener( 'wpcf7mailsent', function( event ) {
    if (event.detail.contactFormId == 12) {
        window.top.location = 'http://example.com/thank-you/';
    }
}, false );

Source: https://contactform7.com/dom-events/


BD 43/40 C Ep *IN 15154040 https://www.kaercher.com/in/professional/floor-scrubbers-scrubber-dryers/scrubber-driers/walk-behind-scrubber-driers/bd-43-40-c-ep-in-15154040.html Mains-operated (230 V/50 Hz) and affordable: the scrubber drier with disc technology cleans up to 1700 m²/h. For efficient basic and maintenance cleaning of areas up to 900 m².
The BD 43/40 C Ep mains-operated (230 V/50 Hz) scrubber drier with disc technology does not have a battery option, which makes this machine very affordable. Technically, the machine has the usual high-quality features: it has an impressive working width of 43 cm, 40 litre tank volume and is easy to operate thanks to the EASY-Operation system with distinctive, yellow controls. It is also whisper-quiet and easy to clean. The manoeuvrable BD 43/40 C Ep is ideal for small and very cluttered areas up to 900 m². Its compact size also ensures a clear view of the area to be cleaned. Curved or straight squeegees are available and can be ordered separately.
Self-explanatory symbols and clear control panel.
Simple, yellow colour-coded control elements make the machine easy to use.
Clear view of surfaces to be cleaned.


text: Karen is an Atlanta-based artist working primarily in painting and drawing in a range of media. She has had solo exhibitions in Atlanta and New York and has shown work in group shows in the US and abroad. Her work is currently being represented by Jennifer Balcos Gallery in Atlanta. Prior exhibition history includes solo and group shows at Hathaway Contemporary in Atlanta, as well as Life on Mars and David & Schweitzer in Brooklyn. Schwartz's 2015 solo exhibition at Life on Mars Gallery in Brooklyn was reviewed in Hyperallergic, The New Criterion, Tilted Arc, Painter's Table and The Huffington Post. She also has works in private and corporate collections, and her portrait of Eleanor Roosevelt was acquired by The New-York Historical Society for the launch of the institution's new Women in History Center. A practicing clinical psychologist and psychotherapist, Schwartz finds that these pursuits inform her artwork in fascinating, sometimes subconscious ways, and that her creative processes offer curious insights into her work in psychotherapy.


The logo is shaped like a leaf with a line down the center. There is a box around the leaf with rounded corners. The logo is drawn only with lines.
This page contains the Fiber vector icon, as well as variations of this icon in different visual styles, and related icons. All icons are in the flat vector style, however, differ by the line thickness, fill, and corner radius.


text:
Kayla Harrison suffered an upset defeat at Friday night's PFL World Championship 2022 event, losing to Larissa Pacheco via unanimous decision.
Kayla Harrison suffered an upset defeat at PFL on Friday night.
Harrison (15-1-0) went into the bout 2-0 against Pacheco after fighting her twice in 2019, however Friday night's third meeting led to a very different outcome.
During the post-fight press conference, Harrison fought back tears whilst discussing the devastating first defeat of her MMA career.
"I didn't get the result I wanted tonight. Larissa was the better fighter. I don't have an excuse, I don't have a reason. I feel like we did everything right in order to prepare for this fight and it didn't go my way tonight. I made some tactical errors. A lot to work on, failure is my fuel." she said.
"This is not the first time I've lost in life or a sport setting. I've lost many times in Judo. It's a little different in MMA. I have just lost my title. So that hurts, it's gonna hurt for a while." she continued.
The two-time Olympic Gold Medallist does not debate the decision and feels as though she lost fair and square. She says Pacheco felt much "bigger" and "stronger" than in 2019.
"I felt like I needed to win the fifth round. I think that she was doing more damage than me. I think even on the ground, some of the shots from the bottom I was like 'what the hell just hit me'. I felt like I really needed to find a way." she said.
"She was just extremely physical this fight. I feel like there was a different person in there, to be honest. She was much bigger, much stronger than I recalled, and much more patient obviously. She kept her conditioning very well. She did a great job. She's the champion." she continued.
Harrison did not specify a timeframe for her return to the cage. She said she owes it to her children to take some time away before plotting a comeback.
Watch Harrison's portion of the PFL post-fight press conference in the video below, courtesy of MMA Sucka.
InKayla Harrison
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PFL World Championship 2022 results: Larissa Pacheco upsets Kayla Harrison to become lightweight champion of 2022
Friday night at the PFL World Championship 2022 event, Larissa Pacheco shocked the world, defeating Kayla Harrison via unanimous decision...
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Though they come from different countries and cultures, researchers worldwide should take responsibility for the trustworthiness of their work and recognize ethical obligations to society, says a new statement from the 2nd World Conference on Research Integrity, co-sponsored by AAAS.
The Singapore Statement on Research Integrity, released 22 September, lists 16 responsibilities for researchers. Scientists should disclose any conflicts of interest, give proper credit to their collaborators, and report irresponsible research practices, it says. The statement also urges research institutions and journals to develop procedures for responding to allegations of misconduct.
Policymakers, university leaders, publishers, and government ministers first drafted the statement at the conference, held 21-24 July in Singapore. The conference was supported by science associations from China, Japan, South Africa, Saudi Arabia, Australia, South Korea, the United Kingdom, and the United States. Mark S. Frankel, director of the AAAS Scientific Freedom, Responsibility and Law Program, and Gerald Epstein, director of the AAAS Center for Science, Technology and Security Policy, gave presentations at the meeting. Senior Program Associate Deborah Runkle was a co-chair of the conference's session on digital plagiarism.
After the First World Conference on Research Integrity, held in 2007 in Lisbon, Portugal, the Singapore attendees sought a set of "international norms and standards related to research integrity that would accommodate national differences," said Frankel.
The harmonization of these standards is part of a larger effort by AAAS to support the international integration of scientific values. Another example: In June, after three years of top-level discussion, the China Association for Science and Technology and AAAS established a joint steering committee to coordinate work on scientific ethics.
Frankel said the recent "Climategate" controversy, fueled by e-mails hacked from United Kingdom researchers and a handful of errors discovered in the massive 4th Assessment Report of the Intergovernmental Panel on Climate Change, demonstrated how public trust in science can be weakened by suspicions of irresponsible advocacy.
The Singapore Statement can guide governments, research institutions, and professional societies as they develop their own integrity standards, he noted.


text:
'use strict';
import { conf as tsConf, language as tsLanguage } from '../typescript/typescript.js';
// Allow for running under nodejs/requirejs in tests
var _monaco = (typeof monaco === 'undefined' ? self.monaco : monaco);
export var conf = tsConf;
export var language = {
    // Set defaultToken to invalid to see what you do not tokenize yet
    defaultToken: 'invalid',
    tokenPostfix: '.js',
    keywords: [
        'break', 'case', 'catch', 'class', 'continue', 'const',
        'constructor', 'debugger', 'default', 'delete', 'do', 'else',
        'export', 'extends', 'false', 'finally', 'for', 'from', 'function',
        'get', 'if', 'import', 'in', 'instanceof', 'let', 'new', 'null',
        'return', 'set', 'super', 'switch', 'symbol', 'this', 'throw', 'true',
        'try', 'typeof', 'undefined', 'var', 'void', 'while', 'with', 'yield',
        'async', 'await', 'of'
    ],
    typeKeywords: [],
    operators: tsLanguage.operators,
    symbols: tsLanguage.symbols,
    escapes: tsLanguage.escapes,
    digits: tsLanguage.digits,
    octaldigits: tsLanguage.octaldigits,
    binarydigits: tsLanguage.binarydigits,
    hexdigits: tsLanguage.hexdigits,
    regexpctl: tsLanguage.regexpctl,
    regexpesc: tsLanguage.regexpesc,
    tokenizer: tsLanguage.tokenizer,
};

redpajama_set_name: RedPajamaGithub


text:
Dukes announce exhibition schedule
The Duluth-Superior Dukes have announced their four-game exhibition schedule for the 2002 season, which will feature three away games and one home game at Wade Stadium.
The Dukes begin preseason play on the road against their Northern League arch-rival St. Paul Saints. This two-game series starts Tuesday, May 14, at 7:30 p.m. followed by an 11:05 a.m. game on Wednesday, May 15.
On May 18, Dukes fans will get a sneak-peek at the 2002 squad when the Dukes play host to last season's Central Division champions, the Winnipeg Goldeyes.
The exhibition season will start on May 19 when the Dukes face-off against the Fargo-Moorhead Redhawks in Valley City, N.D., at 4 p.m.
The Dukes begin their first game of the regular season Thursday, May 24, on the road against the Joliet Jackhammers. The Dukes home opener is Tuesday, May 28, versus the St. Paul Saints.


text:
Home > Press release 24.10.2018: Finnish education customised for Chinese students in Beijing
Press release 24.10.2018: Finnish education customised for Chinese students in Beijing
Finnish education customised for Chinese students in Beijing
EduExcellence, the international education service provider owned by the Universities of Applied Sciences in the Helsinki Metropolitan area, and the Chinese agent Sino-Finland Bridge (SFB) have made an agreement on an extensive educational programme for Chinese students. The cooperation will be launched with an English degree programme on Information Technology Business by the Haaga-Helia University of Applied Sciences.
A group of Chinese students has been selected for the programme, and they will complete a Bachelor's degree after a short introductory period. Most Chinese students have a good command of the English language and they are highly motivated. Cooperation with the Finnish e-learning solutions company Viope will take place throughout the introductory period and the studies in programming.
"We know that there is a great demand for high-quality international education in China. Finland and the Finnish education system have an excellent reputation in China, and we should therefore respond to the need for training as soon as possible. China invests in expertise irrespective of economic fluctuation", comments Director Jan-Markus Holm from EduExcellence, who is the head of Business Development & Sales for China.
SFB is an important partner to EduExcellence in the greater Beijing region. There are great hopes for expanding the cooperation as soon as possible.
"We seek to engage in close cooperation in China with the programmes of all our stakeholder universities, says Tuija Pulkkinen, CEO of EduExcellence. "We hope that, in the near future, the operations will extend into other areas of education and that we will be able to increase the number of student groups in order to meet China's large market potential.
Tuija Pulkkinen
CEO, EduExcellence
[email protected]nce.fi
tel. + 358 50 527 7258
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EduExcellence Ltd.
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EduExcellence
In Finland we excel at integrating higher education, innovation and business. We support education institutions to qualify their students, teachers and experts for fast integration to working life and society
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We at the Greene House love the flavors of New Orleans, both Creole and Cajun cuisine. Although similar to an etouffee, this shrimp dish is simmered in a tomato-based sauce rather than a roux, which makes it much healthier. We like to toss in some okra, and we prefer to use crushed rather than whole tomatoes for our version of this dish. Increase or decrease the cayenne and hot sauce to adjust the spicy heat to your comfort level. If you peel and de-vein the shrimp the night before, this recipe actually comes together well for a quick week night dinner.
Serve over cooked rice, or by itself in a bowl using a big chunk of hearty bread to sop up the sauce.
Cook garlic, onions, celery, and peppers. Cook until softened, about 5 minutes.
Add the seafood stock, tomatoes, okra, Worcestershire, hot sauce, and bay leaves. Season with salt and pepper.
Cook about 4 more minutes, until shrimp are bright pink and cooked through.
Heat a large heavy Dutch oven over medium heat. Add oil.
Cook garlic, onions, celery, and Anaheim peppers. Cook until softened, about 5 minutes.
Add the seafood stock, tomatoes, okra, Worcestershire, hot sauce, and bay leaves. Season with salt and pepper. Simmer for 35 minutes.
Serve over rice on a plate, or serve in a bowl with a piece of crusty bread to sop up the sauce.


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2021/22 Audit Report
By Gordon Smith, CPA, NJCPA Chief Financial Officer – November 1, 2021
The combined financial statements for the NJCPA and Affiliates (NJCPA Education Foundation and NJCPA Scholarship Fund) for the year ended May 31, 2021, have been published.
The effects of the COVID-19 pandemic that began in the latter part of the fiscal year ended May 31, 2020, persisted through the fiscal year ended May 31, 2021. Social distancing requirements continued to prevent members from attending education events in person, and all Society interest groups, committees and the Board of Trustees continued to meet remotely. While this has not been ideal, members, volunteers and staff have persevered. Summer brought renewed hope for the return to in-person events, but the rise of the Delta and other COVID variant strains slowed the progress. As of this writing, in-person events will not resume until after the new year.
Unrestricted consolidated revenues for fiscal 2021 increased 3.3 percent from the prior year. Investment income gained the most as the investment portfolios returned between 26 and 28 percent for the year, the result of strong financial markets. Improvements were also seen in advertising revenue, royalties and commissions, and peer review fees.
New Jersey Society of CPAs
Under the Society, membership dues were $3.56 million, a decrease of less than 1 percent from the prior year; a slight decrease in dues-paying members offset the implemented small dues increase. Overall membership decreased from 14,725 members at May 31, 2020, to 14,301 members at May 31, 2021, with 70 percent of the decrease attributable to non-dues-paying Student members. The Fellow member retention rate remained strong at 94.6 percent in fiscal 2021, the same as the prior year, while the overall member retention for 2021 was 90.5 percent versus 90.1 percent for 2020.
Peer review fees for fiscal 2021 from administration of that program rose slightly to $353,000, the result of a small price adjustment, though there remains pressure on the program as firms continue to evaluate whether they will continue to perform certain attest services and remain part of the program.
As previously noted, the investment portfolios had strong returns for the fiscal year as financial markets performed well. Unrealized gains drove the results while decreases in interest and dividends, the result of companies managing cash and operations during a pandemic, pared down those returns.
Expense savings versus budget were realized in several areas, the largest being in the Travel and Meetings line as costs for attending in-person meetings were essentially non-existent due to the lack of such meetings. Costs relating to staff education were significantly below budget as any learning was done virtually as opposed to attending in-person. Employee-related costs were below budget as staff compensation was limited due to the pandemic, and certain information technology costs were delayed or canceled, also due to the pandemic.
With a modest increase in revenues and a decrease in total expenses, the Society experienced an increase in net assets of $819,000. Separately, the Society applied for and received funds under the federal government's Paycheck Protection Program, with such proceeds shown in the Statement of Financial Position under liabilities; the Society expects forgiveness of such loan once its application is filed and reviewed.
NJCPA Education Foundation
Throughout fiscal 2021, the NJCPA Education Foundation continued to provide educational programming on a fully virtual basis, as was done in the latter part of fiscal 2020. Fiscal 2021 included a portion of calendar year 2020, the last year of New Jersey's CPE reporting cycle. While the last year of a triennial normally brings increased revenues due to higher attendance, and though attendance was very strong, fiscal 2021 programming revenues were lower than the prior year due to the fact that online programming carries lower per-unit revenues. However, the direct costs to produce programs decreased more than revenue decreased, resulting in better gross margins for fiscal 2021.
As in the Society, investment income was strong on portfolio performance and, from an expense perspective, employee-related costs came in below budget as less staff time than expected was allocated to educational activities. Reduced expenses versus budget were also seen in, among other categories, printing and distribution, as printed catalogs were not produced as information was disseminated digitally, and contributions to the Scholarship Fund were held as the Education Foundation Board analyzes investment needs moving forward.
Although the Foundation saw revenues decline in fiscal 2021, expenses declined even more, and the fiscal year brought a positive change in net assets of approximately $752,000 versus a flat budget. For 2021, all-virtual educational programming served more than 27,000 registrants and delivered just under 60,000 credit hours of CPE.
NJCPA Scholarship Fund
Revenues in the NJCPA Scholarship Fund for fiscal 2021 were approximately $443,000 over budget. Investment income came in $504,000 over budget on large, unrealized gains as financial markets performed very well but were partially offset by lower contributions from the Education Foundation, as that entity's Board analyzes funds needed for future investment. Total expenses for fiscal 2021 were roughly $30,000 below budget as the awards ceremony was cancelled for a second year due to COVID along with reduced employee-related costs.
The Fund restructured its award given to high school seniors beginning their college careers from a four-year, scaled award to a one-time award. A total of $250,500 was awarded in state and local scholarships to 52 applicants, while making payments on prior-year awards for another 53 students; overall award expense was $4,200 below budget.
The higher-than-budgeted revenues and reduced expenses resulted in a positive change in net assets of $308,000 for fiscal 2021 versus a budgeted negative change of $164,000 and compared to a negative change in net assets for fiscal 2020 of $103,000.


Discussion in 'General Banter' started by TaffZee, Dec 22, 2011.
Now why dont i believe you :-?
Could only find what was available..
It needs Adobe Flash Player installed, do you have it installed?
Yes, i have that, but iwont open, will have a look later tonight, thanks.


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Is the Brexit campaign 'morphing into Ukip'?
Tom Goodenough
Is the Brexit campaign 'morphing into Ukip'? That's what Sir John Major will say he fears is happening later. In a speech at Oxford University, he'll argue that those calling for Britain to leave the EU are 'fuelling prejudice on immigration'. He'll also say that:
'As the leave arguments implode one by one, some of the Brexit leaders morph into Ukip and turn to their default position – immigration. I urge them to take care, this is dangerous territory that – if handled carelessly can open up long-term divisions in our society'.
So does he have a point? It's definitely credible to see how some elements of the leave camp are focusing their positions around the immigration debate. But what won't help Major's argument is the suggestion that they are doing it only because of the failure of their other arguments. Accusing Eurosceptics of seeing their arguments 'implode one by one' ignores the truth, too, that some of the positions put forward by the remain side hardly stand up to scrutiny: take David Cameron's World War three warning earlier this week, for instance.
Another difficulty with his argument is the description of immigration as 'dangerous territory'. Clearly this is a topic which does affect peoples' lives in a very real way, but what seems dangerous is to try and make the subject off-limits by painting it as out-of-bounds. Today's front pages show just how important migration is to British voters and, by default, it'll be on June 23rd. Take the Mail: 'The 800,000 migrant toll they tried to cover up'; or The Sun's: 'Great migrant swindle'. Both follow on from the publication of yesterday's ONS figures showing the number of migrants using National Insurance numbers to work in Britain. We now know that last year 626,000 EU migrant workers registered for NI numbers, compared to net migration figures estimated at only 323,000. Whatever your views on those figures, it's impossible to deny that it's a worthy topic to debate. By trying to colour it as a back-up option for leave, Major doesn't do credit to peoples' worries about migration and that's neither helpful nor likely to curry favour in persuading Eurosceptics.
What's more, there's the undeniable suggestion, too, that Major is trying to paint Ukip as something to be avoided in line with the Prime Minister's own depiction of the party as 'fruitcakes, loonies and closet racists'. And we all know where that got him.
Major isn't wrong to call for sensitivity about the topic of immigration and it's helpful to try and ensure the subject is handled properly. But the idea that he might be trying to shut down discussion on the subject and his attempts to paint the remain side as having a kind of moral high ground in the arguments they are putting forward looks foolish.
Sir John Major
Did Stephen King write the In campaign's script?
Tory Brexiteers pressure May to quit EU single market and customs union
Will Boris, Gove and the Brexit band of brothers run for No 10 together?
The danger of Michael Gove's vague optimism
The House of Commons votes for Brexit
Brexit lies are opening up a terrifying new opportunity for the far-right in Britain


Insurance and risk management broker Beecher Carlson Insurance Services has promoted Suzanne Flynn to managing director and leader of its national casualty claims segment.
Flynn will lead the claims team, as well as carry out claim processing, claim advocacy, loss analysis and case management referrals to clients. She will also work with the risk services team to manage and develop loss costs, and help achieve risk management targets.
Flynn will be based in the firm's Atlanta, Georgia office and will report to Scott Davis, president of property and casualty.
She previously served as a vice president at Beecher Carlson, concentrating on the creation of new client opportunities.


text:
Featured / MLS / Union
Devil's advocate: Why not to play the kids
Posted by Dan Walsh on August 30, 2010 at 9:30 am
So here's why Philadelphia Union couldn't play the young guys constantly this year:
If you play them too much, you could lose them in the expansion draft.
The Vancouver Whitecaps and Portland Timbers will each pick 10 players in the expansion draft this November. That's 20 players from the current 16 teams, which means some teams are going to lose two players (but likely not more).
The Union can protect 11 players from their roster, provided the rules stay relatively constant from past drafts. As the league's youngest team, they'd be a prime target to lose more guys.
Generation Adidas and home-grown players are typically exempt from the expansion draft and don't have to be protected, however. That gives the Union a big advantage because they have four Generation Adidas players: Danny Mwanga, Jack McInerney, Amobi Okugo and Chris Seitz. J.T. Noone could potentially qualify as a home-grown player, which would exempt him too, though it's unlikely.
Players graduate from Generation Adidas based (at least in part) by how much they play. If you play too much, you graduate. (Seitz remains Generation Addidas despite being in his fourth season but is almost certain to have graduated by year's end.)
If the Union's prized teenage trio is exempt from the draft, then it allows the team to protect other players, a huge benefit.
Major League Soccer roster rules have always been somewhat murky though, with the single entity keeping many things behind closed doors, and expansion draft rules change a little each year. The league hasn't officially released this year's rules, but Vancouver breaks down some projected rules on its web site. Likewise, until we know who graduates from GA, we won't know who's exempt from the draft.
If Toronto FC goalkeeper Stefan Frei was the measuring stick, then the Union would be well positioned, but chances are he's an exception to the rule. Most thought Frei would have graduated from GA last year because he started 26 games and played 2,282 minutes as a rookie. Somehow, he didn't and was exempt from the expansion draft, freeing up another protected slot for Toronto.
In contrast, fellow GA players Steve Zakuani, Kevin Alston, Omar Gonzalez, Patrick Nyarko and others graduated and were not exempt from the expansion draft after each started more than 20 games last year, and their clubs had to spend protection spots on them. MLS officials never explained the distinction between them and Frei. As a result, we don't know it. (Are there different rules for goalkeepers?) Chances are that Frei was a special case, something not unheard of in MLS circles.
Of the Union's three GA players, only Mwanga has played more than 300 minutes or started more than two games. Okugo is unlikely to crack the starting lineup as a regular, so don't expect him to graduate. McInerney could start after Saturday's performance. With 267 minutes played and one start so far this year, he could theoretically crack 1,000 minutes and double digits in starts if he went the full 90 in each remaining Union game. Mwanga has started 11 games and appeared in 16, playing 1,006 minutes. Considering last year's graduations, it looks like a coin toss on whether Mwanga graduates GA or not.
Union fans should hope that none of the three do. That would allow them to protect 11 of their other 20 players.
That means the Union could protect:
Andrew Jacobson
Chris Seitz
Sebastien Le Toux
Shea Salinas
Danny Califf
Justin Mapp
Juan Diego Gonzalez
Jordan Harvey
Michael Orozco Fiscal
Kyle Nakazawa
That leaves only four players under age 30 exposed: Nick Zimmerman, Toni Stahl, Brad Knighton and potentially Noone. If Orozco leaves, it means you could protect Zimmerman. Alejandro Moreno, Stefani Miglioranzi, Eduardo Coudet, Fred and Cristian Arrieta should not be protected due to a combination of age and performance. Of those, you probably lose Zimmerman or Nakazawa if they're unprotected, or possibly Arrieta.
But that's all contingent on the GA kids being exempt. As much as I'd love to see Mwanga and Union Jack starting the final nine games, there may be a good case for sending the vets out to play, at least for a bit.
Don't we not have to protect Torres since he is on loan?
The Union likely have to protect him. Seattle had to protect Fredy Montero last season, and that's the best apples-to-apple comparison I can think of.
You'd think they would just have a readily available list of guidelines and rules for this stuff. I don't get why everything needs to be so closed-doors with this league.
Adam Cann says:
I understand the logic behind this argument, but I must protest. Doesn't MLS have plans to expand beyond Vancouver and Portland? This an issue the Union will continue to have as long as they try to build from youth.
As much as I love Chris Seitz, why would you protect him? No shutouts and a 1.78 GAA – is this someone you're worried about losing?
These young guys are the future of the team. Trying to protect players who have led the Union through an unfortunate first season is not reason enough to delay the development of the players the team truly wants to build around.
If this was the plan, send the kids down and let them romp around in Harrisburg!
Also: Gonzalez, Orozco-Fiscal, Harvey: Sooooo replaceable.
Well, I made sure to headline this one "devil's advocate" for a reason. 😉
Yes, MLS plans to expand beyond Vancouver and Portland, but only Montreal is set for 2012. With two teams picking, you're most likely to lose more guys this year, and Mwanga, Mac & Okugo are sure to have graduated GA by season's end.
Also, re: Seitz? Absolutely you protect him. You think the Union suffered through a season of his youthful mishaps for nothing? Whatever you think of his performance this year, he was drafted with next year in mind. If a 23-year-old goalkeeper with a year's worth of experience starting in MLS became available, he'd likely get snapped up in the expansion draft. Some might say it's no great loss, but I'll wait till next year to determine that.
The defenders? Yeah, replaceable, but probably protected because I'm not sure the Union want to HAVE to replace them just yet. The Union have a lot of replaceable guys, to be honest.
Here's where we differ: I understand Seitz has made the occasional save… but what has he done this year – anything – to suggest he has an upside. Aren't there supposed to be flashes of brilliance to go along with the lack of concentration and youthful errors? Isn't there supposed to be some fire that inspires the men in front of him? Exactly which Seitzian traits do we expect to blossom?
I think that if Seitz were a field player he'd have lost his spot ages ago, and even as a goalie I cannot figure out why he remains in net. Not to pile on, but has any player on the Union had more consistently poor year than Seitz? Declare sunk cost and move on.
Mike Servedio says:
I have to agree with Adam. Let's cut Seitz loose and cut our losses. It was always a mistake to bring in a young, inexperienced goalkeeper on a young, inexperienced expansion team. With a better goalkeeper, the Union might be closer to the playoff picture. Or at least have ONE clean sheet on the year.
Josh Trott says:
While we're on the subject of MLS obscura, can someone explain to me how the East and West Conferences are separated? My understanding is that the best eight seasons make the playoff. It seems like an extraneous bit of complication to separate the two box scores.
The top 3 teams in each conference make it, then the next 2 best teams, regardless of conference round out the 8. The potential exists that 5 teams from one conference could make it, or it will be split 4 teams from each conference.
Dan you know my position on Jordan Harvey. So that is my only bone with that list. Are we sure that Nowak likes Torres? I am very concerned that Nowak or someone in the organization is not a fan of Torres because of the lack of playing time he has been given. He was injured for a while there but he has also been underutilized in my mind. How he has not earned a starting position is something I will never understand. The last 3 weeks the teams demeanor and the overall look of the team has been amazing when he has come on to the field and yet he continues to come on only as a sub. If Mwanga is not counted as GA, get rid of harvey and I hope some team is stupid enough to take him.
My theory is that Nowak saw Torres have a confidence dip before the injury, and wants to give him a few minutes to be successful and build his confidence.
Conor O'Grady says:
Protect Seitz? When he starts protecting the goal I'll think about it. Protect the under-utilized Nakazawa before Orozco "don't call me just Orozco" Fiscal.
Could not agree more, I would not have a problem if the union did not renew Orozcos loan-buy him out right. People have complained about Nak but if Le Toux would let him take the free kicks I think we would have a team who did not throw every god damn set piece into the trash.
Also don't you have to look at pay as part of who you protect? The cap is not very high and wouldn't you want to allow a higher paid, middle of the road player to be left unprotected (Seitz?) because the expansion teams may not want to use the cap space (unless they are exempt is some weird MLS rule). I would leave off Harvey & Seitz & add Zimmerman & Knighton.
Harvey makes $55,000 a year. He's a bargain, even if you think he deserves to be a backup. Seitz makes $100k. I'd still protect him, though it's clearly becoming harder and harder to justify that every game.
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Expansion draft preview: Philadelphia UnionOctober 27, 2010
Philadelphia 1 – 1 Kansas CitySeptember 4, 2010
Preview: Philadelphia Union vs. Kansas City WizardsSeptember 2, 2010
Union come back to win 2-1August 28, 2010


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2013 NR 1 season
Rent this show
An adaptation of P.D. James' witty and inventive continuation of Jane Austen's Pride and Prejudice, picking up the story six years after the marriage of Elizabeth and Darcy. Starring Matthew Rhys and Anna Maxwell Martin.
Matthew Rhys, Anna Maxwell Martin, Jenna Coleman, Matthew Goode, Trevor Eve, Alexandra Moen, Tom Ward, Eleanor Tomlinson, Rebecca Front, James Fleet
TV Shows, Mystery, British TV, British TV Dramas
Summary of Season 1 (2013) - 1 disc
As preparations are being made for a ball at their magnificent Pemberley home, the discovery of a corpse brings an abrupt and shocking halt to the proceedings and a threat to all that the Darcys hold dear.
Parents need to know that Death Comes to Pemberley is a period-piece murder mystery that's beautiful, slow, and talky and will positively bore the stuffing out of young viewers. However, there isn't much to worry about should older kids catch a glimpse of the goings-on while Mom and Dad watch. There is some talk of ghosts, and a murder occurs off-screen. A dead body in rigor mortis is shown at length, with a fatal head wound examined and shown. The dead person's loved ones shriek and cry in grief and fear and describe his murder.
Murky talk of an "attempted seduction" will sail right over young viewers' heads.
Murder is the subject of the miniseries, so it's discussed frequently, with loved ones weeping and screaming in fright or grief. A dead body is shown at length, in graphic detail, but other than that nothing gory appears.
This period piece is set during a time and in a social milieu when manners and politeness were more important than they are now.
A few scenes take place at pubs or parties with drinks clinking or shown discreetly in the background.


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text:
O Rio Bixad é um rio da Romênia afluente do Rio Valea Rea, localizado no distrito de Satu Mare.

Rios da Roménia


THE first professor of Russian and Slavonic languages at Oxford University is to be honoured with a blue plaque.
Prof William Morfill lived at 42 Park Town, Oxford, and the plaque will be unveiled in a ceremony at the house on Sunday.
Eda Forbes, secretary of the county's Blue Plaques Board, said the organisation did not often choose academics for the honour, because so many in the city had achieved notable successes.
But Prof Morfill was chosen because he worked all his life to establish Russian studies in Oxford and Britain before his death, aged 75, in 1909.
Mrs Forbes said: "Prof Morfill was the first Russian professor in the whole of Britain and his house in Park Town, where he lived from 1863 to 1899, was like a cultural embassy. There are so many academics who could be honoured with a blue plaque, so those who are selected must have achieved something special.
"We felt that Prof Morfill was a great pioneer, who persevered all his life to establish the teaching of Russian and Slavonic languages at Oxford.
"He taught himself the variations of Slavonic languages by travelling extensively in Eastern Europe and people used to come to his house to learn the languages – he was a very genial man.
Ms Forbes said that after the university "finally realised" that Russian and Slavonic studies was a major field in 1889, it appointed Prof Morfill Reader in the Russian and Slavonic languages, then made him a professor the following year.
Following his death, Sir James Murray told The Times that Prof Morfill was a "unique scholar, whose knowledge of the Slavonic languages was greater than that of any Englishman".
Jenny Griffiths, manager of the Taylor Bodleian Slavonic and Modern Greek Library, said the library displayed a number of portraits of the professor.
She added: "Professor Morfill was quite a pioneer and we have his archive on loan here from one of the Oxford colleges.


Mango lassi recipe easy. Lassi is a popular and traditional yogurt-based drink of the India and Pakistan. It is prepared by blending yogurt with water and adding salt and other spices to taste. But mango lassi is gaining popularity worldwide. It is made from yogurt, water and mango pulp. It may be made with or without additional sugar. It is served in a tall glass with a straw, often with ground pistachio nuts sprinkled on top.
Take a blender, add milk, yogurt, mango chunks, sugar and ice, blend and pour in tall glasses.
Serve with mango balls on skewers.


Nestled right in the heart of Seminyak, 10 minutes walk to the beach, seconds to great shops, clubs and restaurants, Teka-Teki House offers clean, affordable accommodation to single travellers, couples, groups, friends and small families of all ages. Balinese from the outside, with all the modern comforts inside. Teka-Teki House is a guesthouse, not a hotel. We value diversity and welcome all guests as our family. Our family also includes two Bali dogs and a Bali cat so you won't even have to miss your pets. After staying at Teka-Teki House, you'll feel like you've been living in Bali for years, with local staff, and one Australian to help you find the Western conveniences. We have a variety of accommodation: a mixed 6 bed dorm, 2 rooms that share a bathroom and 3 rooms that have their own bathroom. We can also help organise tours, transport and adventures for you.
We loved it! and came back for the second time!
Sorry. Teka Teki has recently closed its doors and is no longer in operation. We hope you find somewhere suitable and have a wonderful holiday.
"The room above the garden offers a cute balcony with a great view if you need some quiet time."
"Dorm was great, although look out for the air con, it could be chilly if you sleep right in front of it."
"We had the Barong room which had plenty of room, was air conditioned and had a private bathroom? I think all the rooms would be okay although the upstairs one isn't air conditioned. Their Web site outlines the amenities very clearly."
"The Topeng room is fantastic!"
"Topeng was perfect for us, clean, modern & comfy, great bathroom. We had a look in the new dorm room which is fantastic value for money."