text:
List of works by Diego Velázquez
This is a list of paintings and drawings by the 17th-century Spanish artist Diego Velázquez. Velázquez was not prolific; he is estimated to have produced between only 110 and 120 known canvases.[1] Among these paintings, however, are many widely known and influential works.
All paintings are in oil on canvas unless noted.
1 Seville (until 1622)
2 Madrid (1622–29)
3 First trip to Italy (1629–30)
5 Second trip to Italy (1649–51)
7 Paintings of debated attribution
8 Drawings
Seville (until 1622)[edit]
Títle
Catalog numbers: Morán–Sánchez/López-Rey
Tres músicos 1617–1618 87 × 110 Staatliche Museen, Berlín 1/1
The Lunch c. 1618 108.5 × 102 Hermitage, Saint Petersburg 2/3
La mulata c. 1620 55 × 118 National Gallery of Ireland, Dublin The dates proposed by critics range from 1617 to 1622. 3/17
Old Woman Cooking Eggs 1618 100.5 × 119.5 National Gallery of Scotland, Edinburgh Dated in the lower right corner. 5/6
Christ in the House of Martha and Mary 1618 60 × 103.5 National Gallery of London Dated. 6/7
Dos jóvenes a la mesa 1622 65.3 × 104 Apsley House, London 9/24
Saint Thomas 1619–1620 95 × 73 Musée des Beaux-Arts d'Orléans, Orléans 10/10
Immaculate Conception 1619 135 × 101.6 National Gallery of London 11/11
San Juan en Patmos 1619 135.5 × 102.2 National Gallery of London 12/12
Adoration of the Magi 1619 204 × 126.5 Museo del Prado, Madrid Dated in the stone under the foot of the Virgin. 13/13
San Pablo 1619–1620 99 × 78 Museu Nacional d'Art de Catalunya, Barcelona 14/14
Cabeza de apóstol 1622 38 × 29 Museo del Prado, Madrid 15/15
The Waterseller of Seville 1620 106.7 × 81 Apsley House, London 16/16
Don Cristóbal Suárez de Ribera 1620 207 × 148 Museum of Fine Arts of Seville Signed and dated in a fold of clothing difficult to read.[2] This would be a posthumous portrait, as the sitter died in 1618, although Mayer thought that monogram and date could be apocryphal.[3] 17/19
La venerable madre Jerónima de la Fuente 1620 162 × 107 Museo del Prado, Madrid Signed and dated "Diego Velazquez f. 1620". The phylactery around the cross with its inscription, now illegible, was erased in 1944, after entering at the Museum, for having believed apocryphal.[4] 18/20
La venerable madre Jerónima de la Fuente 1620 162.5 × 105 Colección Fernández Araoz, Madrid Signed and dated "Diego Velazquez f. 1620". Added at a later date under the hand of others.[5] 19/21
Imposición de la casulla a San Ildefonso 1620–1623 166 × 120 Municipality of Seville In poor condition with significant loss of paint. 20/22
Retrato de caballero/Francisco Pacheco 1620–1622 40 × 36 Museo del Prado, Madrid 21/23
Madrid (1622–29)[edit]
Portrait of Don Luis de Góngora 1622 50.3 × 40.5 Museum of Fine Arts, Boston 22/25
Retrato de hombre 1623–1624 55.5 × 38 Museo del Prado, Madrid Allende-Salazar (1925), Mayer (1936) and Camón Aznar estimate that this could be a self-portrait. López-Rey and Brown think that the subject could be the artist's brother Juan, also a painter.[6] 24/27
Felipe IV 1623–1624 61.6 × 48.2 Meadows Museum, Dallas Brown believes that this may be a portrait of the king,[7] an hypothesis rejected by López-Rey.[8] 25/28
Retrato de dama 1625 32 × 24 Once in the Royal Palace of Madrid. Current whereabouts unknown (stolen from Greenville Art Museum in South Carolina on July 8, 2010) This is a fragment of a larger portrait probably damaged in the fire of Alcazar.[9] 28/31
Cabeza de venado 1626–1628 58 × 44.5 Museo del Prado, Madrid Dating is controversial. Most critics suggest 1635.[10] López-Rey gives 1626, based on 1637 information from a picture of a deer antler painted by Velázquez bearing the inscription "Le mató el Rey nuestro Sr. Phe. quarto el year 1626".[11] A technical study by Carmen Garrido placed the date between 1626 and 1628.[12] 31/33
Cristo contemplado por el alma cristiana 1626–1628 165 × 206.4 National Gallery of London 32/35
Felipe IV 1623–1628 198 × 101.5 Museo del Prado, Madrid 33/36
Portrait of the Infante Don Carlos 1626–1628 209 × 12 Museo del Prado, Madrid 34/37
Portrait of Philip IV in Armour c. 1628 57 × 44.5 Museo del Prado, Madrid This is considered a fragment of a larger work painted in two stages, reforming the dress and adding the red band in the second.[13] 35/38
Demócrito/El geógrafo 1628–1629 101 × 81 Musée des Beaux-Arts de Rouen Head and hand repainted around 1640. Radiography shows the left hand formerly contained a drink, as it appears in two copies preserved.[14] 37/40
The Triumph of Bacchus 1628–1629 165.5 × 227.5 Museo del Prado, Madrid 38/41
La cena de Emaús 1628–1629 123.2 × 132.7 Metropolitan Museum of Art, New York Proposed dates range from 1619 (Lafuente Ferrari) to a time immediately after the first trip to Italy (Marias).[15] 39/42
First trip to Italy (1629–30)[edit]
Portrait of Maria Anna 1630 59.5 × 45.5 Museo del Prado, Madrid 40/48
Joseph's Tunic 1630 223 × 250 El Escorial, San Lorenzo de El Escorial 41/43
Apollo in the Forge of Vulcan 1630 222 × 290 Museo del Prado, Madrid 42/44
Cabeza de Apolo 1630 36 × 25 Private collection, New York Considered a study for Apollo in the Forge of Vulcan.[16] 43/45
El Pabellón de Cleopatra-Ariadna 1630 44.5 × 38.5 Museo del Prado, Madrid The dating of this painting and the next has been controversial. Most critics date it during the second trip to Italy, but technical studies by in the Prado confirm the 1630 date proposed by López-Rey.[17] 44/46
View of the Garden of the Villa Medici 1630 48.5 × 43 Museo del Prado, Madrid 45/47
A Sybil (Juana Pacheco?) 1630–1631 62 × 50 Museo del Prado, Madrid 46/49
Retrato de hombre joven 1630–1631 89.2 × 69.5 Alte Pinakothek, Munich Appears unfinished, with the hands just sketched, although López-Rey suggests that Velázquez may have intended this as a finished work, highlighting the essential features of the portrait.[18] 47/50
Temptation of St. Thomas 1631–1632 244 × 203 Museum of the Orihuela Cathedral, Orihuela 48/130
Prince Balthasar Charles With a Dwarf 1631 128.1 × 102 Museum of Fine Arts, Boston 49/51
Philip IV in Brown and Silver 1631–1632 199.5 × 113 National Gallery of London 50/52
Isabel de Borbón 1631–1632 207 × 119 Private collection, New York 51/53
Don Diego del Corral y Arellano 1631–1632 205 × 116 Museo del Prado, Madrid 52/55
Doña Antonia de Ipeñarrieta y Galdós and Her Son Don Luis 1631–1632 205 × 115 Museo del Prado, Madrid Brown suggestions that a contemporary workshop was involved in the painting of lady's costume and the figure of the child; changes once thought to be later additions, but denied by radiography.[19][20] 53/54
Mano de hombre 1630 27 × 24 Unknown; previously Royal Palace of Madrid 54/56
Don Pedro de Barberana y Aparregui 1631–1632 198.2 × 111.8 Kimbell Art Museum, Fort Worth, Texas 55/57
Don Juan Mateos 1632 108 × 90 Gemäldegalerie Alte Meister, Dresden The hands are only outlined, but with a touch of white light which suggests that Velázquez considered the work finished in that state. 56/58
Christ Crucified 1632 250 × 170 Museo del Prado, Madrid 57/59
Retrato del príncipe Baltasar Carlos 1632 117.8 × 95.9 Wallace Collection, London 58/60
Felipe IV 1632 127.5 × 86.5 Kunsthistorisches Museum, Vienna Generally considered the work of Velázquez and his workshop.[21] For López-Rey only the head and some small details could be considered by Velazquez.[22] 59/61
Isabel de Borbón 1632 132 × 101.5 Kunsthistorisches Museum, Vienna 60/62
The Jester Named Don John of Austria 1632–1633 210 × 124.5 Museo del Prado, Madrid 61/65
Equestrian Portrait of the Count-Duke of Olivares 1634 314 × 240 Museo del Prado, Madrid 62/66
Caballo blanco 1634–1635 310 × 245 Royal Palace of Madrid 63/67
Equestrian Portrait of Philip III 1634–1635 305 × 320 Museo del Prado, Madrid 64/68
Equestrian Portrait of Margarita of Austria 1634–1635 302 × 311.5 Museo del Prado, Madrid Velazquez and workshop. 65/69
Equestrian Portrait of Elisabeth of France 1634–1635 304.5 × 317.5 Museo del Prado, Madrid Velazquez and workshop.[23] 66/70
Equestrian Portrait of Philip IV 1634–1635 305.5 × 317.5 Museo del Prado, Madrid 67/71
Equestrian Portrait of Prince Balthasar Charles 1634–1635 209.5 × 174 Museo del Prado, Madrid 68/72
The Surrender of Breda 1634–1635 307.5 × 370.5 Museo del Prado, Madrid 69/73
Portrait of Juan Martínez Montañés 1635–1636 110.5 × 87.5 Museo del Prado, Madrid 70/76
Felipe IV cazador 1632–1633 189 × 124.5 Museo del Prado, Madrid 71/63
El cardenal infante don Fernando de Austria cazador 1632–1633 191.5 × 108 Museo del Prado, Madrid 72/64
Prince Balthasar Charles as a Hunter 1635–1636 191 × 102 Museo del Prado, Madrid 73/77
El príncipe Baltasar Carlos en el picadero 1636 144 × 96.5 Duke of Westminster Collection, London 74/78
The Lady with a Fan 1635 95 × 70 Wallace Collection, London 75/79
The Needlewoman 1635–1643 74 × 60 National Gallery of Art, Washington D.C. Unfinished and of uncertain date. 77/81
Portrait of Pablo de Valladolid 1636–1637 213.5 × 125 Museo del Prado, Madrid 78/82
The Jester Calabacillas 1637–1639 105.5 × 82.5 Museo del Prado, Madrid 79/83
The Jester Barbarroja 1637–1640 200 × 121.5 Museo del Prado, Madrid 80/84
San Antonio Abad y san Pablo ermityear 1635–1638 261 × 192 Museo del Prado, Madrid 81/85
Portrait of the Count-Duke of Olivares 1638 67 × 54 Hermitage Museum, Saint Petersburg 82/87
Francesco I d'Este 1638 68 × 51 Galleria Estense, Modena 84/89
El príncipe Baltasar Carlos 1639 128.5 × 99 Kunsthistorisches Museum, Vienna Velázquez and workshop.[24] 86/90
Retrato de hombre 1635–1645 76 × 64.8 Apsley House, London 87/91
Aesop 1639–1641 179.5 × 94 Museo del Prado, Madrid Inscription at top right: "AESOPVS". 88/92
Menipo 1639–1641 178.5 × 93.5 Museo del Prado, Madrid Inscription at top left: "MOENIPVS". 89/93
Mars Resting 1639–1641 181 × 99 Museo del Prado, Madrid 90/94
Self-Portrait 1640 45.8 × 38 Museu de Belles Arts de València 91/96
Retrato de niña 1640 51.5 × 41 Hispanic Society of America, New York Unfinished according to López-Rey, highlighting the vigorous brushstrokes in the garment,[25] and "one of the most captivating female portraits by Velazquez," according to Brown.[26] 92/97
Portrait of Francisco Lezcano 1643–1645 107.5 × 83.5 Museo del Prado, Madrid 93/99
Portrait of Philip IV in Fraga 1644 129.8 × 99.4 Frick Collection, New York 94/100
The Jester Don Diego de Acedo 1645 106 × 82.5 Museo del Prado, Madrid 96/102
Portrait of Sebastián de Morra 1645 106 × 81.5 Museo del Prado, Madrid 97/103
Coronation of the Virgin 1645 178.5 × 134.5 Museo del Prado, Madrid 98/105
Rokeby Venus 122.5 × 177 National Gallery of London 100/106
Female Figure 1644-1648 64 × 58 Meadows Museum, Dallas 101/108
La infanta María Teresa 1648 48 × 37 Metropolitan Museum of Art, New York 102/109
Un caballero de la Orden de Santiago 1645–1650 67 × 56 Gemäldegalerie Alte Meister, Dresden 103/110
Second trip to Italy (1649–51)[edit]
Portrait of Juan de Pareja 1649–1650 81.3 × 69.9 Metropolitan Museum of Art, New York 104/112
El llamado barbero del Papa 1650 50.5 × 47 Museo del Prado, Madrid 105/113
Portrait of Innocent X 1650 140 × 120 Doria Pamphilj Gallery, Rome Signature on the role held by the pope: "Alla santa di Nro Sigre / Innocencio Xº / Per / Diego de Silva / Velázquez dela Ca / mera di S. Mte Cattca" 106/114
Innocent X 1650 82 × 71.5 Apsley House, London 107/115
Camillo Massimi 1650 73.6 × 58.5 Kingston Lacy, Dorset 108/116
El cardenal Astalli 1650–1651 61 × 48.5 Hispanic Society of America, New York 109/117
María Teresa, infanta de España 1651–1652 34.3 × 40 Metropolitan Museum of Art, New York The work has been cut.[27] Critics have unanimously considered it by Velázquez. Brown (1986) believes that it could be a study used as a model for later portraits.[28] 110/118
Portrait of the Infanta Maria Theresa of Spain 1651–1653 127 × 98.5 Kunsthistorisches Museum, Vienna 111/119
Felipe IV 1653–1655 69 × 56 Museo del Prado, Madrid 112/120
Portrait of Mariana of Austria 1652–1653 234 × 131.5 Museo del Prado, Madrid Painted on a portrait of the king, perhaps only sketched. López-Rey said, confirmed in the technical study conducted at the Museo del Prado, that the top of the curtain was painted by another hand on a piece of fabric added to the original composition, in order to match the canvas with Philip IV with a lion, the Museo del Prado, the work of the workshop.[29][30] 113/121
La infanta Margarita 1653 128.5 × 100 Kunsthistorisches Museum, Vienna 114/122
La infanta Margarita 1656 105 × 88 Kunsthistorisches Museum, Vienna 115/123
Las Meninas 1656–1657 318 × 276 Museo del Prado, Madrid 116/124
Las Hilanderas or The Fable of Arachne c. 1657 167 × 252 Museo del Prado, Madrid The addition of a new section to the upper portion of the canvas was probably the result of repair after the fire at the Alcázar in 1734. 117/107
La reina Mariana de Austria 1655–1656 46.5 × 43 Meadows Museum, Dallas Probably an unfinished study.[31] 118/125
Mercurio y Argos 1659 128 × 250 Museo del Prado, Madrid Painted for the Hall of Mirrors in the Alcazar with three other paintings of mythological subjects missing in the fire of 1734. 120/127
Infanta Margarita Teresa in a Blue Dress 1659 127 × 107 Kunsthistorisches Museum, Vienna 121/128
Portrait of Prince Philip Prospero 1659 128.5 × 99.5 Kunsthistorisches Museum, Vienna 122/129
Paintings of debated attribution[edit]
Education of the Virgin 1617-1618 Yale University Art Gallery, New Haven Thought to have been given to Yale in 1925, the painting has previously been attributed to the 17th-century Spanish school. Some scholars are prepared to attribute the painting to Velázquez, though the Prado Museum in Madrid is reserving judgment. The work will be restored by conservators at Yale.[32][33]
La mulata 1620 55 × 104.5 Art Institute of Chicago, Chicago Brown and others cannot rule out the work of a copyist.[34] 4/18
Cabeza de hombre joven de perfil 1618–1619 39.5 × 35.8 Hermitage Museum, Saint Petersburg 7/8
The Farmers' Lunch 1618–1619 96 × 112 Museum of Fine Arts, Budapest 8/9
La Immaculada 1618–1620 142 × 98.5 Centro de Investigación Diego Velázquez, Fundación Focus-Abengoa Sevilla Presented in Paris in 1990 as the work of Velazquez's circle. Sotheby's auction in London (1994) with attribution to Velazquez relying on the favorable opinion of José López-Rey and Jonathan Brown.[35][36] This is rejected by Alfonso E. Perez Sanchez, who assigns it to Alonso Cano.[37]
Las lágrimas de San Pedro 1618–1619 132 × 98.5 Colección Villar-Mir, Madrid
San Juan Bautista en el desierto 1620 175.3 × 152.5 Art Institute of Chicago
Retrato de un clérigo 1622–1623 66.5 × 51 Colección Payá, Madrid Inscription "AETATIS SVAE. 40-". Presented by Mayer in 1936, López-Rey admits as Velázquez, noting its poor condition, and thinks that the portrait could be of Francisco de Rioja.[38] For Brown, only "possibly Velázquez".[39] 23/26
A gentleman (Juan de Fonseca?) 1623 52 × 40 Detroit Institute of Arts, Detroit
El venerable padre fray Simón de Rojas difunto 1624 101 × 121 Colección de los duques del Infantado, Madrid Inscriptions: "AVE MARIA" and at top right, "El RºP.M. Fr. Simon D. Roxas". Antonio Palomino notes that Velazquez painted a portrait of Simon de Rojas "being dead".[40] Identified by Pérez Sánchez in a Madrid private collection, attributed to Francisco de Zurbarán.[41]
Felipe IV 1624 200 × 102.9 Metropolitan Museum of Art, New York 26/29
Portrait of the Count-Duke of Olivares 1624 201.2 × 111.1 São Paulo Museum of Art, São Paulo 27/30
El conde-duque de Olivares 1624–1626 216 × 192.5 Hispanic Society of America, New York Inscriptions: "el Conde Duque" and a barely legible "A 25". 29/32
El conde-duque de Olivares 1624–1625 209 × 111 Colección Várez Fisa, Madrid In poor condition; the surface is badly damaged except for the head. Excluded from the catalog by López-Rey and Brown, among others. 30/–
Retrato de hombre 1626–1628 104 × 79 Museo Soumaya, Mexico City Problematic for López-Rey, because of the poor condition.[42] For Brown, "possibly by Velazquez".[43] –/34
Felipe IV con jubón amarillo 1628 205 × 117 John and Mable Ringling Museum of Art, Sarasota, Florida Rejected by López-Rey and Brown, but defended by Julian Gallego when exhibited in 1990 at the Museo del Prado.[44]
El bufón Calabacillas 1626–1632 175.5 × 106.5 Cleveland Museum of Art, Cleveland Rejected by Brown.[45] 36/39
Portrait of a Clergyman (Self-portrait?) 1630 67 × 50 Capitoline Museums, Rome
Riña entre soldados ante la embajada de España / "La rissa" 1630 28.9 × 39.6 Colección Pallavicini, Rome Oil on copper. Attributed to Velazquez by Roberto Longhi, noting similarities with The Forge and Joseph's Tunic, a thesis defended by Marini and Salort, who noted the exceptional technical quality.[46]
Santa Rufina 1632–1634 77 × 64 Centro de Investigaciones Diego Velázquez, Fundación Focus-Abengoa, Seville
Portrait of a Man 1630 68.6 × 55.2 Metropolitan Museum of Art, New York Posited by Mayer in 1917 as a self-portrait, relating to one of the characters in The Surrender of Breda. Cataloged in the museum as a work of the workshop, after exclusion by López-Rey, but has again been attributed to Velazquez with the support of Jonathan Brown after cleaning in 2009.[47]
Portrait of a Man 1630 Otto Naumann, New York Rediscovered in 2010, sold at an auction in London for $4.7 million in 2011 to New York dealer Otto Naumann.[48]
Cristo en la cruz 1631 100 × 57 Museo del Prado, Madrid Signed "Do. Velazquez fa. 1631", which may or may not be a later addition to the painting.
Dama joven 1635 98 × 49 Collection of the Duke of Devonshire, Chatsworth, Derbyshire, England 76/80
San Antonio Abad 1635–1638 55.8 × 40 Private collection, New York -/86
La tela real 1636–1638 182 × 302 National Gallery of London 85/-
El conde-duque de Olivares 1638 10 × 8 Palacio Real de Madrid, Madrid Oil on copper. Some documents show that Velázquez painted portraits in miniature on copper, including some members of the royal family. 83/88
Don Francisco Bandrés de Abarca 1638–1646 64 × 53 Current whereabouts unknown (stolen from Greenville Art Museum, South Carolina on July 8, 2010) Supported by López-Rey, while noting the poor condition (possibly a fragment half-length portrait) and lack of resemblance to other portraits of the same period.[49] -/95
Retrato ecuestre de Felipe IV 1645 393 × 267 Uffizi, Florence 95/101
El bufón don Sebastián de Morra 1645 106 × 84.5 Private collection, Switzerland -/104
Juan Francisco Pimentel, conde de Benavente 1648 109.5 × 88.5 Museo del Prado, Madrid Exhibited at the museum as "attributed" to Velazquez and excluded by López-Rey and Brown, but supported by Gallego in the exhibition of 1990, Marias (1996) and Bottineau (1998). 99/-
La gallega 1645–1650 60 × 46.5 Private collection, Switzerland? Unfinished. Rejected by Brown.[50] -/111
Cristoforo Segni 1650–1651 144 × 92 Kisters Collection, Kreuzlingen, Switzerland
La infanta Margarita 1653 115 × 91 Collection of the Dukes of Alba, Madrid
Felipe IV 1656–1657 64 × 53.75 National Gallery of London 123/-
La reina Mariana de Austria 1656–1657 64.7 × 54.6 Thyssen-Bornemisza Museum, Madrid Excluded by Brown. 119/126
Drawings[edit]
Dimensions (cm)s
Catalog numbers: Brown/López-Rey
Busto de muchacha 1618 Charcoal on paper 20 × 13.5 Biblioteca Nacional de España, Madrid For Brown this and the following are "possibly Velázquez." DQ6/4
Cabeza de muchacha 1618 Charcoal on paper 15 × 11.7 Biblioteca Nacional de España, Madrid DQ1/5
Study for Cristo contemplado por el alma cristiana 1626–1628 Earlier in the Jovellanos Institute, Gijón Destroyed in 1936. DQ5/35b
Study for The Surrender of Breda 1634–1635 Black pencil on paper 26.2 × 16.8 Biblioteca Nacional de España, Madrid D2a/74
Study for the figure of General Spinola in The Surrender of Breda 1634–1635 Black pencil on paper 26.2 × 16.8 Biblioteca Nacional de España, Madrid Drawn on the back of the former. D2b/75
Retrato de don Gaspar de Borja y Velasco 1643–1645 Black pencil on paper 18.6 × 11.6 Real Academia de Bellas Artes de San Fernando, Madrid Study for a lost portrait. D1/98
^ Vogel, Carol (September 10, 2009). "An Old Spanish Master Emerges From Grime". The New York Times. Retrieved September 11, 2009. Jonathan Brown, this country's leading Velázquez expert ... "Velázquez was a painter who measured out his genius in thimblefuls." His output was so small that, depending on who's counting, Mr. Brown estimates, there are only 110 to 120 known canvases by the artist.
^ López-Rey, p. 46.
^ Morán Turina and Sánchez Quevedo, p. 50.
^ Garrido Pérez, pp. 94–95.
^ Brown, Velázquez, pintor y cortesano, pp. 45–46.
^ Morán Turina and Sánchez Quevedo, p. 72
^ Garrido Pérez, p. 155.
^ Morán Turina and Sánchez Quevedo, p. 102.
^ López-Rey, p. 120.
^ Brown, Velázquez, pintor y cortesano, pp. 140–141.
^ Morán Turina and Sánchez Quevedo, p. 134
^ López-Rey, Velázquez, p. 181
^ Garrido Pérez, pp. 367–383.
^ Brown, Velázquez, pintor y cortesano, p. 156.
^ Metmuseum, base de datos.
^ López-Rey, Velázquez, p. 185.
^ Giles Tremlett in Madrid (July 1, 2010). "Yale basement yields Spanish treasure – a possible Velázquez masterpiece". The Guardian. UK. Retrieved December 22, 2010.
^ "Yale uncovers Velazquez in basement storage". CBC News. July 3, 2010. Retrieved December 22, 2010.
^ Brown, Velázquez, pintor y cortesano, p. 21.
^ Marini, p. 39, note 1.
^ Navarrete Prieto, Benito, "Velázquez y Sevilla: la Inmaculada del Deán López Cepero recuperada", Ars Magazine, July–September 2009, pp. 100–117.
^ Pérez Sánchez, Novedades velazqueñas, pp. 386–390.
^ Palomino, p. 233
^ Pérez Sánchez, "Novedades velazqueñas", pp. 371–390.
^ "Catálogo de la exposición Velázquez" (1990), pp. 139–141.
^ Brown (2008), Escritos completos sobre Velázquez, pp. 370–372.
^ Salort, Velázquez en Italia, pp. 296–301.
^ Metropolitan Museum of Art. Velázquez Rediscovered exhibit, New York, 2009, with text by Keith Christiansen, Michael Gallagher and Jonathan Brown.
^ Bloomberg. Velazquez Portrait Sells for $4.7 Million at London Auction
^ Brown (2008), Escritos completos sobre Velázquez, pp. 411–414 and 376, note 28.
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Catálogo de la exposición (1990). Velázquez. Madrid : Museo Nacional del Prado. ISBN 84-87317-01-4.
Catálogo de la exposición (1996). Obras maestras del arte español. Museo de Bellas Artes de Budapest. Madrid: Banco Bilbao Vizcaya. ISBN 84-860-2288-6.
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Catálogo de la exposición (1999). Velázquez a Roma Velázquez e Roma. Roma: Galería Borghese. ISBN 88-8118-669-1.
Catálogo de la exposición (2005). De Herrera a Velázquez. El primer naturalismo en Sevilla. Bilbao Sevilla: Museo de Bellas Artes de Bilbao-Fundación Focus Abengoa. ISBN 84-898-9514-7.
Catálogo de la exposición (2007). Fábulas de Velázquez. Madrid: Museo del Prado. ISBN 84-8480-129-2.
Garrido Pérez, Carmen (1992). Velázquez, técnica y evolución. Madrid: Museo del Prado. ISBN 84-87317-16-2.
Gudiol, José (1982). Velázquez. Barcelona: Ediciones Poligrafa SA. ISBN 84-343-03531.
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López-Rey, José (1996). Velázquez. Catalogue raisonné, vol. II. Colonia: Taschen Wildenstein Institute. ISBN 3-8228-8731-5.
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Marini, Maurizio (1997). Velázquez. Madrid: Electa. ISBN 84-8156-160-6.
Morán Turina, Miguel & Sánchez Quevedo, Isabel (1999). Velázquez. Catálogo completo. Madrid: Ediciones Akal SA. ISBN 84-460-1349-5.
Palomino, Antonio (1988). El museo pictórico y escala óptica III. El parnaso español pintoresco laureado. Madrid : Aguilar S.A. de Ediciones. ISBN 84-03-88005-7.
Pérez Sánchez; Alfonso E. (1996). "Escuela española". El Museo del Prado. Fundación Amigos del Museo del Prado y Fonds Mercator. ISBN 90-6153363-5.
Pérez Sánchez; Alfonso E. (1999). "Novedades velazqueñas". Archivo Español de Arte nº 72. Consejo Superior de Investigaciones Científicas.
Ragusa, Elena (2004). "La vida y el arte.". Velázquez. Milán:RCS Libri S.p.A. ISBN 84-89780-54-4.
Ragusa, Elena (2004). "Breve antología crítica". Velázquez. Milán:RCS Libri S.p.A. ISBN 84-89780-54-4.
Salort Pons, Salvador (2002). Velázquez en Italia. Madrid : Fundación de Apoyo a la Historia del Arte Hispánico. ISBN 84-932891-1-6.
Diego Velázquez
The Lunch (c. 1617)
Old Woman Frying Eggs (c. 1618)
The Farmers' Lunch (1618)
The Three Musicians (1618)
The Waterseller of Seville (1618–1622)
The Kitchen Maid (1620–1622)
The Needlewoman (c. 1635–1643)
The Triumph of Bacchus (1628–29)
Apollo in the Forge of Vulcan (1629)
The Surrender of Breda (1634–35)
Mars Resting (1640)
Rokeby Venus (c. 1647–1651)
Female Figure (1648)
Las Hilanderas (c. 1657)
Christ in the House of Martha and Mary (1618)
St. Paul (1618–1620)
Joseph's Tunic (1630)
Temptation of St. Thomas (1632)
Christ Crucified (1632)
Coronation of the Virgin (c. 1641–1644)
The Nun Jerónima de la Fuente (1620)
Don Luis de Góngora (1622)
Philip IV in Armour (after 1623)
Count-Duke of Olivares (1624)
The Infante Don Carlos (1626–27)
Maria Anna (1630)
Philip IV in Brown and Silver (1630s)
Portrait of a Man (c. 1630)
Prince Balthasar Charles with a Dwarf (1631)
Doña Antonia de Ipeñarrieta y Galdós and Her Son Don Luis (1634)
Prince Balthasar Charles as a Hunter (1635)
Juan Martínez Montañés (1635–36)
Pablo de Valladolid (1636–37)
Lady with a Fan (1638–39)
Philip IV in Fraga (1644)
Francisco Lezcano (1645)
Pope Innocent X (1650)
Juan de Pareja (1650)
Mariana of Austria (1652)
Las Meninas (1656)
Infanta Margarita Teresa in a Blue Dress (1659)
Infanta Maria Theresa of Spain (1659)
Prince Philip Prospero (1659)
Infanta Margarita Teresa in a Pink Dress (1660)
Elisabeth of France (c. 1628–1636)
Margarita of Austria (1634)
Philip III (1634–35)
Philip IV (1635–36)
Prince Balthasar Charles (1635)
Jesters
Don John of Austria (1632–33)
Barbarroja (1633)
Calabacillas (1637–1639)
Sebastián de Morra (c. 1645)
Don Diego de Acedo (1645)
View of the Garden of the Villa Medici (c. 1630)
Retrieved from "https://en.wikipedia.org/w/index.php?title=List_of_works_by_Diego_Velázquez&oldid=903710288"
Paintings by Diego Velázquez
Lists of works of art


This category includes links to European pets and supplies which contains pet foods and accessories supply stores as well as online pet supply shops.
Doggie Solutions - A pet shop that offers and sell dog and cat products includes dog training equipment.
Ferplast - Pet products suppliers offering special products for dogs, cats, small pets, birds, reptiles, fish and turtles.
K9 Capers - Offers dog walking, home boarding and dog day care, training and behavioural advice and services.
Mammoth Dog Beds - Offers large orthopedic luxury dog beds for all breeds.
Nutrecare.co.uk - Suppliers of dog, cat and horse supplies, from dog leads to prescription foods. Free delivery on all wormers and flea treatments.
PBS Pet Travel - Specialist pet travel providing pet relocation services to worldwide destinations.
Pet Company - Provides a range of pet supplies and pet accessories for animals, including unusual and hard to find pet products.
Pet-Bliss - Offers products for dog, cat, hamster, rabbit, fish, bird, & reptiles and other pets.
Pet-Supermarket - Provides online pet supplies shop for dog, cat, bird, fish and small animal products.
Petcara.ie - Online pet store with large range of products for dogs, cats, small animals, birds, fishes & reptiles.
Petplanet.co.uk - Offers a wide range of pet food brands online to dog beds. Includes dogs, cats and other pets items.
Pets at Home - A pet shop that sells pet supplies, for dogs, cats, small pets, fish, reptile, bird and others.
Pets Euro Travel - Provides a pet travel scheme for dog and cat transport services from the UK to Europe.
PetWellbeing.com - A pet health and medication online store, specializing in herbal treatments for cats and dogs.
The Pet Warehouse - Online pet products supplies and pet shop that stock products for dog, cat, hamster, rabbit, fish and birds online.


text:
Search for: "Adams v. Nashville" Results 1 - 19 of 19
The Price of Insensitivity: $18m
1 May 2013, 7:29 am by Sheldon Toplitt
The viral photograph was taken of then-17-year-old Nashville resident Adam Holland in a Vanderbilt Kennedy Center arts class for mentally disabled persons, depicting the youth holding up his drawing that said "Go Titans!" [read post]
The Unruly of Law - http://theunrulyoflaw.blogspot.com/
Top 10 in Law Blogs: China Patents, Pink Brands, The Adam Carolla S
10 Apr 2014, 5:30 pm by Colin O'Keefe
"Think Pink" And Build Your Brand With Colors – Nashville lawyer Randy Michels of Stites & Harbison on the firm's blog, Trademarkology Creativity is Poppin' in New York's The ADVERTISING Club – New York lawyer Ronald Urbach of Davis & Gilbert on his blog, Madison Ave Insights Navigating the Overlap Between President Obama's "Equal Pay" Orders for Federal Contractors and the NLRA - New York lawyer Seth Borden of McKenna Long… [read post]
Real Lawyers Have Blogs - http://kevin.lexblog.com/
Debunking myths of a pro-business Supreme Court
9 May 2013, 5:29 am by Jon Hyman
Metropolitan Gov't of Nashville — Retaliation for participating in internal discrimination or harassment investigations Staub v. [read post]
Ohio Employer's Law Blog - http://www.ohioemployerlawblog.com/
Top 10 in Law Blogs: SCOTUS Ruling in Abercrombie, Noncompetes, Hurricane Season
1 Jun 2015, 5:30 pm by Colin O'Keefe
In the big news of the day, the Supreme Court handed down its decision in EEOC v. [read post]
Top 10 in Law Blogs: Airborne Norovirus, In-Store Tracking, Banks Busted
22 May 2015, 3:30 pm by Colin O'Keefe
Gibson, Adam C. [read post]
Thursday round-up
9 Feb 2012, 6:45 am by Kiran Bhat
Adam Klasfeld of Courthouse News reports on a recent decision by a federal district judge holding that the Office of the Solicitor General "may have misled the Supreme Court about resources the government provides wrongly deported immigrants who win their appeals" in its briefing in Nken v. [read post]
Top 10 in Law Blogs: Podcast Patent Troll, Payday Loans, Fedex Trafficking Drugs
21 Aug 2014, 6:39 pm by Colin O'Keefe
– Chicago lawyer Kenneth Dolin of Seyfarth Shaw on the firm's Employer Labor Relations Blog Waiting for Claim Assignment Doesn't Toll Statute of Limitations: American Family v. [read post]
Tort Cases Pending Before the Tennessee Supreme Court
21 Apr 2015, 4:09 am by The Law Offices of John Day, P.C.
Adam Ellithorpe, et al. v. [read post]
Day on Torts - http://www.dayontorts.com/
Outback to Pay $19 Million for Sex Bias
14 Feb 2010, 7:04 pm by California Employment Law Letter
Cory Adams and Tyler Bennett v. [read post]
Diversity Insight - http://blogs.hrhero.com/diversity/
More On The Upcoming ALI-CLE Eminent Domain Conference (Austin, Jan 28-30, 2016)
29 Dec 2015, 12:39 pm by Robert Thomas (inversecondemnation.com)
., Austin). and Joseph V. [read post]
inversecondemnation.com - http://www.inversecondemnation.com/inversecondemnation/
Cases and items related to equal employment opportunity
Metro Gov't of Nashville & Davidson County, No. 06-1595Title VII/retaliation* October 8, 2008 Argument Transcript here* SCOTUSWIKI here* LIIBULLETIN here14 Penn Plaza LLC v. [read post]
New York Public Personnel Law - https://publicpersonnellaw.blogspot.com/
February 2017 Law Faculty Publications & News
7 Mar 2017, 7:57 am by Jamie Baker
Straut, Due Process Disestablishment: Why Lawrence v. [read post]
The Reporter - https://texastechlawlibrary.wordpress.com
It's Here - 2016 ALI-CLE Eminent Domain Conference: Complete Agenda, Faculty, Registration Information
13 Oct 2015, 1:07 pm by Robert Thomas (inversecondemnation.com)
Peebles IV, Waller Lansden Dortch & Davis, LLP, Nashville, Tennessee J. [read post]
Recent developments in Equal Employment Opportunity
22 Nov 2008, 2:52 pm
Metro Gov't of Nashville & Davidson County, No. 06-1595Title VII/retaliationo October 8, 2008 Argument Transcript hereo SCOTUSWIKI hereo LIIBULLETIN here14 Penn Plaza LLC v. [read post]
3 Feb 2009, 4:00 am
; Work Matters; Law.comArgued Awaiting Decision14 Penn Plaza LLC v. [read post]
All those tags.
2 Jul 2013, 1:41 pm
Strangelove" (16) "Flight of the Conchords" (4) "Game Change" (2) "Get Smart" (1) "Gran Torino" (10) "Grey Gardens" (13) "I Shouldn't Be Alive" (4) "Limelight" (3) "Meet the Press" (20) "Moby Dick" (5) "My Dinner with Andre" (34) "Mystery Science Theater" (2) "Project Runway" (78) "Romy and Michele's High School Reunion" (3) "Seinfeld" (72) "Sex and the City" (14) "Slacker" (11) "Slumdog Millionaire" (16) "SNL" (60) "Sopranos" (50) "South Park" (71) "Star Trek" (12) "Star Wars" (25) "Survivor" (50)… [read post]
Althouse - http://althouse.blogspot.com/
Farewell to Bum and Bud: Trends in FCPA Compliance and Enforcement
25 Oct 2013, 1:50 am by Nietzer
V. [read post]
USA Recht - http://www.usa-recht.de
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26 Oct 2017, 7:38 am by Andrew Koppelman
The new school of political economy that he created at the University of Virginia was "meant to train a new generation of thinkers to push back against Brown [v. [read post]
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12 Mar 2012, 8:13 am by Ronald Collins
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redpajama_set_name: RedPajamaCommonCrawl


text:
Qumran Calendars and Sectarianism
Sacha Stern
The Oxford Handbook of the Dead Sea Scrolls
Edited by John J. Collins and Timothy H. Lim
Religion, Ancient Religions, Judaism, Christianity
The 364‐day Calendar in Enoch and Jubilees
Calendar Texts at Qumran
Was the 364‐Day Calendar Observed in Practice?
Calendar Polemics in Sectarian Sources
Calendar Polemics in Jubilees
Calendars and Qumran Sectarianism
Introduction: Current Issues in Dead Sea Scrolls Research
Khirbet Qumran and Its Environs
The Qumran Cemetery Reassessed
Constructing Ancient Judaism from the Scrolls
The Origins and History of the Teacher's Movement
Women in Qumran and the Dead Sea Scrolls
Sectarian Communities in the Dead Sea Scrolls
The Classical Sources on the Essenes and the Scrolls Communities
Sociological Approaches to Qumran Sectarianism
The Book of Enoch and the Qumran Scrolls
Assessing the Text‐Critical Theories of the Hebrew Bible after Qumran
Authoritative Scriptures and the Dead Sea Scrolls
Rewritten Scripture
The Continuity of Biblical Interpretation in the Qumran Scrolls and Rabbinic Literature
Hebrew, Aramaic, and Greek in the Qumran Scrolls
Purity in the Dead Sea Scrolls
Apocalypticism and Messianism
Exploring the Mystical Background of the Dead Sea Scrolls
Wisdom Literature and Thought in the Dead Sea Scrolls
Iranian Connections in the Dead Sea Scrolls
Was the Dead Sea Sect a Penitential Movement?
Critical Issues in the Investigation of the Scrolls and the New Testament
Monotheism, Principal Angels, and the Background of Christology
Shared Exegetical Traditions between the Scrolls and the New Testament
Halakhah between the Dead Sea Scrolls and Rabbinic Literature
The Contribution of the Qumran Scrolls to the Study of Ancient Jewish Liturgy
Reviewing the Links between the Dead Sea Scrolls and the Cairo Genizah
Rhetorical Criticism and the Reading of the Qumran Scrolls
Roland Barthes and the Teacher of Righteousness:: The Death of the Author of the Dead Sea Scrolls
The Scrolls and the Legal Definition of Authorship
The main principles of Qumran calendars are known to most scholars, but only a small circle of specialists have studied them in detail. The centrality of the calendars to Qumran culture, and more particularly sectarianism, was already recognized in the first decade of Qumran scholarship, chiefly by Shemaryahu Talmon, who went as far as arguing that the calendar was one of the cornerstones of Qumran's sectarian schism. This article first assesses the extent to which Qumran calendars differed from other Jewish calendars, both as literary compositions and – if Qumran calendars were ever used in practice – as structures of communal and religious life. The final part of this article assesses their long-standing interpretation as cornerstones of Qumran sectarianism. Qumran calendars can almost all be reduced to a single, common denominator: the 364-day year.
Keywords: Qumran calendars, Jewish calendars, Qumran sectarianism, religious life, 364-day year, Shemaryahu Talmon
Sacha Stern is Professor of Rabbinic Judaism in the Department of Hebrew and Jewish Studies at University College London.


text:
Inga Sofia Westergren, känd under flicknamnet Inga Tidblad, född 29 maj 1901 i Adolf Fredriks församling i Stockholm, död 12 september 1975 i Bromma, Västerleds församling, Stockholm, var en svensk skådespelare.

Biografi
Tidblad var dotter till ingenjören Otto Tidblad och Helga Krumlinde. Hon genomgick 1919–1920 Dramatiska teaterns elevskola och engagerades efter en med hjälp av de Wahl-stipendiet företagen studieresa till Tyskland, Storbritannien och Frankrike vid Svenska Teatern. Inga Tidblad hade då redan tidigare 1920 debuterat på Kungliga Dramatiska Teatern. På Svenska teatern stannade hon till branden 1925, då teatern lades ned. Därefter övergick hon till Vasateatern, där hon var aktiv till 1926, och var därefter 1926–1931 anställd under Brunius-Ekman på Oscarsteatern, där hon var Gösta Ekmans viktigaste motspelerska, och från 1932 var hon en av de ledande skådespelarna vid Dramaten. Med sin charm och humor var hon en duktig lustspelsskådespelare, men hon hade dessutom en intensitet och känsla för psykologi.

Redan under studietiden på elevskolan uppmärksammades Tidblads skådespelarbegåvning. Då Olof Molander 1921 satte upp Shakespeares Stormen fick hon rollen som Ariel, och hyllades för sina insatser av både publik och kritik. På Svenska teatern fick hon till en början främst mindre roller, men 1925 fick hon rollen som Aude i Paul Raynals Graven under triumfbågen mot Gösta Ekman den äldre och Ivan Hedqvist, vilken kom att bli hennes stora genombrott.

Hon spelade allt från Rosalinde i Som ni behagar till titelrollen i Fröken Julie. Till hennes stora framträdanden hör också modern i Lång dags färd mot natt (1956) och fru Alving i Gengångare (1969).

Även om Tidblad främst var teaterskådespelare medverkade hon i flera filmer. Till de mest kända hör Intermezzo (1936), Frånskild (1951) och Pistolen (1973).

När Riksteatern gav Jan de Hartogs Himmelssängen 1953 spelade hon mot sin make Håkan Westergren.

1937 tilldelades hon Litteris et artibus, 1944 var hon den första att ta emot Teaterförbundets guldmedalj för "utomordentlig konstnärlig gärning"och 1956 delade hon O'Neill-stipendiet med Lars Hanson.

Tidblad var från 1924 gift med skådespelaren Ragnar Billberg (1899–1930), som dog 30 år gammal efter en filminspelning i Paris, och från 1931 med skådespelaren Håkan Westergren (1899–1981). I första äktenskapet fick hon dottern Lena Billberg (1926–1997), senare gift med översten Sture Erlandsson som var marin- och flygattaché i Bonn. I andra äktenskapet fick hon ytterligare två barn, skådespelarna Meg Westergren (född 1932) och Claes-Håkan Westergren (1935–2020).

Makarna Westergren är begravda på Norra begravningsplatsen i Stockholm.

Filmografi (i urval)

 (Röst)

Teater

Roller (ej komplett)

Radioteater

Roller

Bibliografi

Bildgalleri

Referenser

Fotnoter

Källor

Vidare läsning

Externa länkar

 Inga Tidblad  på Malmö stadsteater

Födda 1901
Avlidna 1975
Svenska skådespelare under 1900-talet
Svenska scenskådespelare
Svenska stumfilmsskådespelare
Guldbaggen för bästa kvinnliga huvudroll
Mottagare av Litteris et Artibus
Skådespelare från Stockholm
Brommabor
Gravsatta på Norra begravningsplatsen i Stockholm
Kvinnor

redpajama_set_name: RedPajamaWikipedia


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text:
Glenn Kenny
A Most Wanted Man (2014)
Control (2007)
Home Entertainment Guide: December 26, 2019
The latest and greatest on Blu-ray, streaming, and VOD.
Sundance: All the Films I Saw, Ranked
Simon Abrams | 2014-01-27
Simon Abrams ranks the films he saw at the 2014 Sundance Film Festival, from best to worst.
Sundance Report: "The Green Prince" and "R100."
Simon Abrams reports from the Sundance Film Festival.
#189 October 16, 2013
Sheila O'Malley | 2013-10-16
Sheila writes: We're all familiar with the horror movie cliche: someone (usually a woman) is alone, creeped out, and investigating a sound she finds ominous. Naturally, it turns out to be just a cat, but that cat can give a pretty good scare. Thankfully, we now have "Supercut: It's Just a Cat" to get our feline scare-fix all in one place.
#167 May 15, 2013
Marie writes: The unseen forces have spoken! The universe has filled a void obviously needing to be filled: there is now a font made entirely of cats. Called Neko Font (Japanese for "cat font") it's a web app that transforms text into a font comprised of cat pictures. All you need to do is write something in the text box, press "enter" on your keyboard and Neko Font instantly transforms the letters into kitties! Thanks go to intrepid club member Sandy Kahn for alerting the Ebert Club to this important advancement in typography. To learn more, read the article "There is now a font made entirely of cats" and to test it out yourself, go here: Neko Font. Meanwhile, behold what mankind can achieve when it has nothing better to do....
#121 June 27, 2012
Marie writes: It was my birthday June 25th. Unlike Roger however, I'm a Crab not a Gemini. So to celebrate and with my brother's help (he has a car), I took my inner sea crustacean to Barnet Marine Park on the other side of Burnaby Mountain... and where our adventure begins....
The best feature films of 2010
Roger Ebert | 2010-12-17
David Fincher's "The Social Network"is emerging as the consensus choice as best film of 2010. Most of the critics' groups have sanctified it, and after its initial impact it has only grown it stature. I think it is an early observer of a trend in our society, where we have learned new ways of thinking of ourselves: As members of a demographic group, as part of a database, as figures in...a social network.
The year's best feature films:
#6 April 14, 2010
Ebertfest T-shirts on now on sale. They display the design above on Heather Grey, and come in sizes small to XXXL. All profits go directly to support Ebertfest and not into the Grand Poobah's pocket. At this point sales are only available in the United States, but our staff Foreigner, Marie Haws, is suitably exercised and vows that the Club will find a way to make purchases of Club goodies available almost everywhere. However Ebertfest T-shirts are not being sold by us. To order please visit 2010 Ebertfest T-Shirt.Note: Located outside the United States? You can can still purchase a 2010 Ebertfest T-shirt as long as you use a U.S. shipping address and then get an American "friend" to forward it to you, wherever that may be.
Film fest honors 'Silent Light' and 'Tuya's Marriage'
"Silent Light" by Mexican director Carlos Reygadas won the Gold Hugo for best feature film at the 43rd Chicago International Film Festival, festival artistic director Michael Kutza announced Sunday.
CIFF: All our capsule reviews
UPDATED 10/16: Here are brief reviews of all the Chicago Film Festival movies we have seen, in alphabetical order, written by Bill Stamets and Roger Ebert. More will be added as we view them. For a full CIFF schedule, go to www.chicagofilmfestival.com or call (312) 332-FILM.
CIFF #3: Playing Monday
By Bill Stamets and Roger Ebert


text:
Emergic: Rajesh Jain's Blog
Blog Break
Blog Past: India's Tourism Opportunity
A Passion for Punctuality
Seeing Rajdhani Express
An Empty Terminal
Yet Another SMS Ban
Finally, Some Rain in Mumbai
Blog Past: A Book as a Context to Think
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Book Recos
November 5th, 2009 · No Comments
Some of the books I have bought recently / am reading: Wired for Thought: How the Brain is Shaping the Internet by Jeffrey Stibel Getting To Plan B: Breaking Through To A Better Business Model by John Mullins and Randy Komisar The Predictioneer's Game: Using the Logic of Brazen Self-Interest to See and Shape the […]
© 2006–2007 Emergic: Rajesh Jain's Blog


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De gemeente Grabowiec is een landgemeente in het Poolse woiwodschap Lublin, in powiat Zamojski.

De zetel van de gemeente is in Grabowiec.

Op 30 juni 2004 telde de gemeente 4685 inwoners.

Oppervlakte gegevens
In 2002 bedroeg de totale oppervlakte van gemeente Grabowiec 128,88 km², waarvan:

 agrarisch gebied: 85%
 bossen: 10%

De gemeente beslaat 6,88% van de totale oppervlakte van de powiat.

Demografie
Stand op 30 juni 2004:

In 2002 bedroeg het gemiddelde inkomen per inwoner 1095,76 zł.

Administratieve plaatsen (sołectwo)
Bereść, Bronisławka, Cieszyn, Czechówka, Dańczypol, Grabowiec-Góra, Grabowiec, Grabowczyk, Henrykówka, Hołużne, Majdan Tuczępski, Ornatowice, Ornatowice-Kolonia, Rogów, Siedlisko, Skibice, Skomorochy Małe, Skomorochy Duże, Szczelatyn, Szystowice, Tuczępy, Wolica Uchańska, Wólka Tuczępska, Żurawlów.

Aangrenzende gemeenten
Kraśniczyn, Miączyn, Sitno, Skierbieszów, Trzeszczany, Uchanie, Wojsławice.

Gemeente in Lublin


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"Slovenia's Foreign Policy Opportunities and Constraints: The Analysis of an Interplay of Foreign Policy Environments", Ana Bojinović Fenko and Zlatko Šabič, (CIR, Slovenia)
Ana Bojinović Fenko and Zlatko Šabič, both from Centre of International Relations at the Faculty of Social Sciences, University of Ljubljana, Slovenia, published a paper entitled 'Slovenia's Foreign Policy Opportunities and Constraints: The Analysis of an Interplay of Foreign Policy Environments' in the latest issue of Croatian International Relations Review. In the paper the authors focus on the interconnectedness of foreign policy environments to explain Slovenia's opportunities and constraints for foreign policy action. During the period of pre-independence para-diplomacy, the building of an internal and external domestic environment successfully turned constraints (no international recognition) into opportunities (applying for membership of European and global intergovernmental organizations). In the second period — post-recognition — considering the absence of a strategic foreign policy document, the Slovenian internal foreign policy environment became a major constraint to seize foreign environment opportunities. This affected Slovenia's accomplishments, notably after NATO and EU memberships were achieved in 2004. Although the Slovenian internal environment matured during the following period to adopt, in 2015, a comprehensive foreign policy strategy the recent turn in world politics (especially the European financial and economic crisis and the migration crisis) created for the first time a foreign environment for Slovenia that offered many fewer opportunities and far more constraints.
Read it here
economic and financial crisisEU-NATOforeign policymigrationSlovenia


Considering Bangkok as a destination to explore on your romantic honeymoon? This non-stop city is famous for its temples, night markets and unforgettable dining experiences. With so much to see when you're there, we've rounded up our top 10 amazing things to do on your Bangkok honeymoon to inspire your first adventure together as a newly married couple.
At Honeymoon Dreams we can plan your perfect Thailand honeymoon call us today on 0121 440 6268 or contact us online.
Love the idea of spending a night in a tree house? Bangkok Tree House is an eco-friendly hotel compromising of cozy nests. For something extra special we love the "View with a Room' where you can sleep under the stars – this experience is ideal for those that love to be with nature (no electricity in the nest) where you'll be perched 7 metres in the air and the lush mangroves surround you. These nests feature complimentary breakfast for 1 night, free bicycle rental and cell-phone rental.
Trade the bustling streets of Bangkok for an afternoon of tranquility at Organika Secret Spa, which is inspired by The Secret Garden with bright and airy rooms that make you feel relaxed with minimalist and tropical interiors and treatment rooms to make you feel a world away from the city. Why not book a half-day spa for two, with 4.5 hours of relaxing treatments to enjoy. There's also a café here too to enjoy drinks and brunch after or before your soothing spa treatment.
The breathtaking Grand Palace located in the heart of Bangkok is one of the city's most popular attractions. This former residence for King Rama I to King Rama V can now be explored, discover the history of the palace walls, see the magnificent Temple of the Emerald Buddha and explore the stunning Buddha Ratana Starn and Sidhala Phirom Halls.
Celebrate your honeymoon in style at Vertigo TOO, which is located on the 60th floor of Banyan Tree Bangkok. Views of Bangkok's bustling city can be enjoyed day or night, with a delicious weekend high tea menu and by night, is transformed into a lively hub with live music and fantastic mixologists.
There are so many different ways to get around Bangkok; by boat, tuk tuk, car and Sky Train. If you're looking for speed, the Sky Train is an efficient way to explore the city and the best part is the spectacular views you will both enjoy.
As seen in many photos, Wat Arun is undoubtedly one of the most beautiful temples in Bangkok. Its location by the riverside is striking at sunrise and sunset. If you're an active couple, why not take the challenge to climb the steep central prang steps and admire the gorgeous views of Chao Phraya River, Grand Palace and Wat Pho opposite.
Take in the gorgeous views of the lush green park and skyline beyond from the infinity pool at SO Sofitel Bangkok, which is located on the 10th floor and extends over 32 meters. Feel as though you are swimming in mid-air as the city beyond is in view. At night, the pool is spectacular with LED ever-changing lights, which looks magical! If you're not staying at this hotel, you can purchase a SoFIT one-day pass which gives you access to the infinity pool as well as fitness center, classes, experience shower, steam room, sauna and more.
A dinner river cruise along the Chao Phraya River is high on most honeymooners list of romantic things to do in Thailand and we can see why. The views of Bangkok at night with the Wat Arun lit up and the glimmering lights of the city in view with last with you both for a lifetime. The Shangri-La Horizon river cruiser serves high quality Thai and international buffet dinner as you pass historic architecture such as the Grand Palace and the Temple of Dawn.
Renowned for its floating market, a visit to Bangkok wouldn't be complete without hopping into a long-tail boat and navigating your way through the bustling markets that line the waters. One of the most popular markets is the Damnoen Saduak Floating Market, which invites travellers to shop, eat and take in the ambience. Tours can be arranged for the floating market by our Honeymoon Concierge team after you have booked your honeymoon with us.
Siam Paragon boasts of over 250 shops including high-end fashion brands, a 16-screen cinema and a large variety of restaurants offering flavours from around the globe. With 4 floors of shopping heaven, you could easily spend hours shopping until you drop at this mall, which sells everything from fashion, electronics, home ware and much more.
Planning your honeymoon to Bangkok? Contact us about Thailand Multi-Centre Honeymoons. Call us on 0121 440 6268 or enquire online.


French police are collecting DNA samples of detectives and medical staff who worked on the Alp murder of a British-Iraqi family to exclude their DNA from the case after an expert accidentally contaminated crime-scene material, a prosecutor said Saturday.
Annecy prosecutor Eric Maillaud denied media reports suggesting the DNA could be that of the still unidentified killer, saying it belonged to a ballistic expert who handled material that had already been thoroughly analysed by police.
"No other DNA trace has been found at the moment," he said.
The contamination has, however, prompted police to collect elimination samples from investigators, rescue workers, medical staff and laboratory technicians in case more elements are contaminated.
Police in France have been struggling to solve the case of the shootings last year in the Haute-Savoie department, where Saad al-Hilli, his wife Iqbal and her mother Suhaila al-Allaf were all found dead inside their estate car near Lake Annecy on September 5, along with a French cyclist who investigators believe was an innocent bystander.
The couple's two young daughters survived the attack, which took place in the village of Chevaline, about 150 kilometres (90 miles) from Daillon.


Pizza of the Month: Cinco de Mayo!
Celebrate the beginning of May with our Cinco de Mayo themed pizza! This specialty includes spicy chorizo, a fresh chipotle sauce, homemade corn salsa & a sour cream drizzle! Available by the pie or by the slice all month long.
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The British Gazette » Madam Maybe: Going soft on Brexit?
Above Daniel Hannan, NOT the Tory candidate for Aldershot.
Three weeks ago tomorrow on 29th April 2017, the Sun newspaper reported that Tory Central Office had appointed Chris Brannigan as the PPC for the rock solid safe Tory seat of Aldershot. The local Tories had been hoping for Tory Brexiteer MEP Daniel Hannan.
Today Sky News reports that Madam Maybe appears to be presiding over a policy of ensuring that "Soft Brexit" Tories are being appointed to winnable seats.
Two days ago on the 10th May, Politico reported Madam Maybe had appointed the former European Commission official, Peter Hill as her Principal Private Secretary.
British Gazette comment: These reports may indicate that Madam Maybe is a "hen" (female turkey) who understands the formula; "Hard Brexit" = political death.
This opposed to Mr Hannan a "gobbler" (male turkey) who thinks that "Hard Brexit" is not a problem.
Of course, Mr Hannan is in very good company! This includes a large number of Aldershot Tories and virtually every member of UKIP!
There is no doubt of one thing however: the UK faces a perilous two years.


text:
Japanese trio leads Four Continents
BEIJING – World bronze medalist Fumie Suguri led a Japanese monopoly of the top three places after the women's short program of the Four Continents Figure Skating Championships on Wednesday.
Suguri turned in a flawless performance as she got off to a strong start in her campaign to go one better than her runnerup finish last week at the Winter Asian Games.
Shizuka Arakawa, who won the Winter Asian Games gold as the replacement for injured Yoshie Onda, was equally impressive and placed second behind Suguri while Yukari Nakano followed in third.


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Rosa 'Gros Choux d'Hollande' — сорт роз, относится к классу Центифольные розы.

Используется в качестве декоративного садового растения.

Биологическое описание

Высота куста 185—305 см, ширина 150—365 см. Согласно более раннему источнику, редко превышают 120 см.

Листья крупные, тёмно-зелёные, края слегка фиолетовые. Сложные листья состоят из 3—5 листочков.

Цветки крупные, махровые, светло-розовые.

Аромат сильный.

Цветение однократное.

В культуре
Зоны морозостойкости (USDA-зоны): от 6b—9b.

Болезни и вредители

Примечания

Gros Choux d'Hollande


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Ultimate Lecce Travel Guide: Charming Puglia
Posted in Italy By MarcoSantosPosted on July 9, 2020 December 12, 2021
Looking for a Lecce Italy Travel Guide? Look no further.
Lecce, situated in Italy's heel region of Puglia, a region that is still somewhat undiscovered and well worth a visit. With its charming white-washed villages, incredible cuisine and wines, beautiful sites and stunning Puglia beaches, Puglia is a must-visit destination in Italy!
Lecce itself is famed as the 'Florence of the South' due to the incredible baroque architecture of its old town district. With over 2,000 years of history and Roman origins dating back to Emperor Hadrian, Lecce is a striking city boasting an incredible number of remarkable buildings and monuments.
If you're looking to discover Lecce on a visit to Puglia, then this Lecce Travel guide is for you! Here I'll outline all the information you'll need to help plan and coordinate for your next travel to Lecce.
Why visit Lecce
Where is Lecce?
How to get to Lecce?
Lecce Weather
Lecce accommodation: Where to stay in Lecce
Lecce Things To Do: Lecce Travel Guide
Piazza Sant'Oronzo
Roman Amphitheatre
Column of Sant'Oronzo
Piazza del Duomo
Cathedral of Lecce
Lecce Entrance Arches
Porta Napoli
Porta Rudiae
Porta San Biagio
Castle of Charles V
Before you go, be sure to plan & book your Italian Travel Essentials:
Pssst…Have you packed all your essentials? Make sure to read our European packing list post to ensure you've ticked all the packing necessities off your list!
Lecce Travel Guide, Lecce Italy
The joy of a visit to Lecce is to experience the fascinating and beautiful history first hand.
Slowly amble through the maze of narrow streets within its historic centre, gawping in amazement at its magnificence. Combine this with regular stops for espresso or a local glass of wine at one of the many charming bars and restaurants.
Lecce is the perfect place to slow down, admire its many sights and sounds and use as a base to explore the rest of the gorgeous Puglia region.
Almost central to the heel section of Italy, Lecce is one of the country's most Eastern cities. The major ports and arrival cities of Brindisi and Bari lie 40km and 150 km north respectively.
Popular Puglia resort towns of Otranto on the east coast and Gallipoli to the west are both 40 km or a 30-minute drive away.
Rome, Italy's capital is close to 600 km and a 6-hour drive north-west. Genoa, another Italian city that's perfect for a city break is over 1,000 km away in the country's north-west corner.
How to get to Lecce – Rome to Lecce
It is worth noting that Lecce Airport does not receive commercial flights. Instead, International visitors to Lecce, and in fact, the Puglia region will arrive at either Brindisi or Bari airports. From either car rental is straight forward and onward car journeys take 30 minutes or 2 hours respectively.
Trenitalia services reach Lecce from most major Italian cities. Train journeys on the Rome to Lecce train will take 5 1/2 hours and Bologna in the north of the country 7 hours. From Naples on the country's west coast, the journey will take around 6 hours and require a change at Caserta.
The Lecce train station is situated approximately one 1 km south-west from the Porta San Biagio entrance to the old town. A taxi rank is located directly outside the entrance.
Lecce also makes a fabulous and convenient base from which to explore the rest of the Puglia region. Known for its small whitewashed hill towns and stunning coastal resorts such as Polignano a Mare Puglia which in itself are fantastic to tour by motorhome. To help you plan your own tour read our 'Top 10 Motorhome Stops in Italy to get you off the Beaten Track.'
Located in the heel of southern Italy, the weather in Lecce boasts a warm and temperate Mediterranean climate with hot summers and relatively wet winters. August can be humid making a walking tour of the city at this time uncomfortable. Instead, consider a visit in spring or early summer months.
Average temperatures vary throughout the year, ranging from highs and lows of 13˚C/4˚C in January through to 32˚C/20˚C in August.
Lecce Old Town Street Scene
Looking for the best Lecce Italy hotels to stay at? Make the most of your trip and book a stay in this gorgeous jewel of Puglia. Here is a selection of Lecce hotels you could book for your stay:
Best Budget Accommodation in Lecce – Li Cetti
Best Mid-Range Accommodation in Leece – Mantatelurè
Great Accommodation in Lecce – Patria Palace Lecce
As you explore its many lanes and allow Lecce and its history to enliven your senses and engulf you in a relaxed vibe, then these are the principal buildings and monuments to look out for.
With so many wonderful sights to explore and things to do in Lecce, you'll have plenty to keep you occupied during your stay. Lecce is also great for families as there are lots of activities with kids in Lecce too!
Trust me even amongst an old town district filled with beauty, these sights are hard to miss!
The Piazza Sant'Oronzo is the main square and focal point of the old town district. From here run many narrow streets leading to the far corners of the old town tempting you to explore the city further.
The many architectural styles clearly illustrate the depth of the city's history and it is where modern life of fast food and shopping brands meet Lecce's Roman origins.
The north modern section with its mosaic of the Lecce coat of arms is also home to regular markets and free concerts.
To the south is the location of the Roman Amphitheatre and the column of Sant'Oronzo.
Lecce Amphitheatre
Home to gladiatorial concerts akin to the world-famous Coliseum of Rome, just a quarter of this impressive monument dating back to the 1st & 2nd century AD is visible today. Astonishingly these remains were not discovered until 1908 and even then by chance as other building works in the square were undertaken.
Looking down into the arena from the Piazza above it is easy to conjure images of the violent scenes of combat and death that would have caused such fervour in the crowd of 25,000 people.
It is free to visit the Amphitheatre at any time of the day.
From the northern corner of the Ampitheatre rises the 29-metre tall Column of Sant'Oronzo. Depicted in the act of blessing the city below him is Lecce's patron saint so designated after he reputedly cured Lecce and the surrounding region of the plague.
The column itself is one of two that originally marked the end of the Appian Way running between Rome and Brindisi.
Located just 300 metres and less than a 5-minute walk west from Piazza Sant'Oronzo is the stunning Piazza del Duomo.
Unlike its larger neighbour, the Piazza del Duomo is all about its history. Boasting some of Lecce's most wonderful examples of Baroque architecture the Piazza has a stately and supreme air not experienced anywhere else in Lecce.
Unusually for such a magnificent square, the Piazza del Duomo is completely enclosed by buildings except for a small access gateway to its northern elevation.
As the square opens up in front of you and the open-air museum reveals its splendid treasures you are engulfed by a strange combination of awe and intimacy. This awe at the beauty and craft of our forefathers and intimacy despite its grandeur creates an unforgettable memory of your visit to Lecce.
Lecce Cathedral – Lecce Travel Guide
The Cathedral of Lecce that was built in the year 1659 by Giuseppe Zimbalo, is one of the city's most important religious buildings and is yet another wonderful example of Leccese Baroque architecture.
Its two ornate facades decorated with cherubs, saints and grotesque figures is as splendid as the opulent interior of gold artwork and grand arches.
Entrance to the Cathedral is free and generally open between 09.00 and 18.00 each day.
Adjacent the Cathedral is the 70 metres tall Il Campanile or Bell Tower also designed by Giuseppe Zimbalo and
Basilica di Santa Croce, Lecce
After the brilliance of the two Piazzas and their respective architectural gems, only the Basilica di Santa Croce can match their splendour.
The Basilica, or Church of the Holy Cross as it is also known, is one of Lecce's most beautiful buildings boasting a glorious Baroque facade and stunning architecture. Even non-architecture buffs will lose themselves in the splendid artwork and artistic finery of the facades columns, grotesques and stone reliefs. Don't miss the large rose window together with surrounding carvings.
Rebuilt by successive generations between 1549 and the mid 17th century the Basilica is a true labour of love and elegant celebration of determination.
The historic centre of Lecce has three principal entrances each celebrated with its own commanding arch.
Also known as the Arco di Trionfo or the Triumphal Arch, Porta Napoli is the most celebrated of these three arches.
Built in the year 1548 in honour of Emperor Charles V this 20-metre tall arch stands at the city's western entrance. It was designed by Gian Giacomo dell'Acaya who also built the Castello di Lecce.
The arch's impressive design includes two Corinthian columns either side of the central arch supporting a triangular gable embossed with weapons and a central Habsburg Imperial coat of arms.
Porta Rudiae, Lecce
Porta Rudiae, the oldest gate of Lecce standing at its southwestern entrance was rebuilt in 1703 following the collapse of the original. Its design consists of one single arch with double columns supporting a frieze of busts of the city's mythical founders.
Located to the southern entrance the Porta San Biagio dates back to 1774 and is named after Bishop Saint Biagio.
This narrower archway is topped by the crest of the city of Lecce and Ferdinand IV of Bourbon.
Located just 250 metres east of the Piazza Santa'Oronzo the Castle of Charles V or Castello di Lecce served as the city's main defensive fortification following its construction in the 16th century. The traditional design of four corner structures and high walls remains in splendid condition.
Today the Castle is perfect for a pleasant walk through the grounds, the seat of cultural affairs for Lecce and also home to the Papier-Mâché Museum.
The selection of monuments, piazzas and buildings covered here is a mere selection of the countless treasures of Lecce's historic centre.
A fully comprehensive guide of what to see in Lecce would be an encyclopedia sized document and take an army of people to produce.
The only way to understand Lecce's beauty and its undoubted appeal is to explore its unique old town for yourself. And trust me when you do your own list of highlights will inevitably include many other sights I missed on my own tour of this fascinating city.
Contribution by Paul from The Two That Do
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How to get from Milan to Venice, Italy – A complete travel guide


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You are here: Home / Media / Press/Media / Balancing financial pressures of young family, couple look to plan for...
Balancing financial pressures of young family, couple look to plan for the future
August 21, 2017 /0 Comments/in Press/Media /by T.E. Wealth
Dianne Maley | Special to The Globe and Mail | Published Friday, Aug. 18, 2017 3:38PM EDT
Original source: https://www.theglobeandmail.com/globe-investor/retirement/retire-planning/couple-look-to-balance-financial-demands-of-a-young-family/article36029329/
With financial demands pressing, as they do on most young families, Nettie and Harold are wondering how to allocate the surplus income they have to paying down their mortgage, saving for their children's education and saving for their own retirement.
Nettie is 31, Harold 36. They have four young children. Harold and Nettie are shareholders in a holding company that owns a big chunk of the firm Harold works for. He takes a salary of $86,000 a year while she takes $36,000 in dividends. She brings in another $6,000 a year with part-time work.
They have scant savings and a home in a major Canadian city valued at about $600,000 and mortgaged to the tune of $313,000.
Their goals, long and short, include building up an emergency fund, paying down their mortgage and getting their registered retirement savings plans (RRSPs) and registered education savings plans (RESPs) "up to where they should be," Harold writes in an e-mail. Longer term, they wonder how much income they will need when they retire at the age of 65.
We asked Matthew Sears, a certified financial planner at T.E.Wealth in Toronto, to look at Harold and Nettie's situation. Mr. Sears also holds the Chartered Financial Analyst (CFA) designation.
What the expert says
Harold and Nettie are contributing $50 a month to their children's RESPs, $50 to their TFSAs and $2,000 a month to an emergency fund, for a total of $2,100, Mr. Sears notes. In addition, Harold is contributing $265 a month to his work RRSP to take advantage of the company's matching program.
"In an ideal world, we would be able to max out contributions to RRSPs, TFSAs and the RESP accounts each year along with making additional payments toward the mortgage," he says. Because this is not always possible, people have to set priorities.
Priority No. 1 for Harold and Nettie should be catching up with RESP contributions for their first child by contributing $5,000 a year, the planner says. The Canadian Education Savings Grant (CESG) provides an immediate 20-per-cent return on contributions up to a maximum grant of $7,200 each child. The only benefit of making additional contributions after getting the maximum grant is the tax-free growth, which is later taxed in the beneficiaries' hands.
"There is enough time remaining before their first child goes to university for them to max out the CESG benefit if they start in 2017," Mr. Sears says. (It takes $36,000 of contributions to get the maximum grant of $7,200.) Once they have taken full advantage of the grant for the eldest child, the $5,000 a year contribution can then be allocated to the other children so they, too, can get the full grant, the planner says.
"Note these RESP savings will not cover all of the children's education costs." The children will have to borrow, work part-time, or their parents will have to help them with education costs out of their cash flow, the planner says.
The next priority should be tucking away $1,000 a month toward their emergency fund. They already have $13,000 in the bank, so if their goal is three months' pretax income, they will need another $19,000. Rather than leaving the funds in a bank savings account, they should transfer them to a tax-free savings account, he says. "You can take money out of your TFSA at any time for any purpose without losing the contribution room."
The third priority is to put any remaining surplus toward RRSP contributions each year. They could contribute about $8,200 a year for now (based on $25,200 a year of available cash flow, with $12,000 going to the emergency fund and $5,000 to RESP savings, leaving $8,200).
Once the emergency fund goal is met, estimated in March, 2019, they could use $625 of the $1,000 a month they were saving to start contributing to the RESP account for their other three children, the planner says. The remaining $375 a month could be used to catch up on RRSP contribution room, if they have any, to contribute to their TFSA accounts, or to pay down the mortgage more quickly.
Contributing to their RRSPs will provide tax savings that will come back to them as a tax refund. They can then use that refund to pay down their mortgage. They can review this strategy as time goes by to ensure it still makes sense, Mr. Sears says. "Typically, you're generally better off to pay off your mortgage first if your mortgage rate is equal to or higher than the rate of return you could earn on your RRSP," he says.
Once the mortgage is fully paid off, the freed-up funds should be reallocated to retirement savings.
How much income will Nettie and Harold need to retire?
Harold and Nettie's goal is about $5,000 a month after tax in today's dollars, which would maintain their current lifestyle into retirement, the planner says.
By the time they retire, their mortgage will be paid off. They will no longer be paying child care expenses and spending on groceries and clothing will likely fall as well, Mr. Sears says. This will cut their lifestyle spending to about $65,000 a year after tax. Assuming a 2-per-cent inflation rate, that $65,000 will have risen to $115,500 a year by the time Harold is 65.
Based on what they are saving now, they would not meet this target, the planner says. To meet their goal, they would have to make RRSP contributions of $15,480 a year starting in 2019, including Harold's group RRSP at work.
As time goes by, and shorter-term goals are met, they will have more money to direct to their longer-term goals, Mr. Sears says. This money could go to their TFSAs, or to help make up the shortfall in their education savings.
When their mortgage is paid off in about 23 years, they could shift the surplus cash flow to RRSPs, TFSAs and non-registered savings, in that order. Mr. Sears assumes an annual rate of return on investments of 5 per cent and lifestyle expenses of $65,000 a year in today's dollars until Nettie is 95. He assumes Harold gets full Canada Pension Plan and Old Age Security benefits while Nettie's CPP would be lower.
Now for the elephant in the room. A "big factor in their monthly cash flow is that Nettie can still continue to receive dividends from the company at a very low tax rate or essentially tax-free," Mr. Sears says. The federal government has announced measures to prevent professionals from "sprinkling" income to family members in lower tax brackets, he notes.
"Under the proposed new rules, an adult family member will be expected to contribute to the business, either in labour or capital, in order be exempt from the tax on split income received. In other words, the amount received by such adult family members must be reasonable." If it is not, then a top rate of tax would apply.
The People: Harold and Nettie
The Problem: How to allocate their resources to meet their competing goals.
The Plan: Set priorities and as they are met, redirect funds to longer-term goals.
The Payoff: Financial security
Monthly net income: $9,750
Assets: His RRSP $2,000; RESP $2,700; his TFSA $960; cash in bank $13,000; residence $602,000. Total: $620,660.
Monthly outlays: Mortgage (including taxes) $1,980; condo fee $120; home insurance $45; heat, electricity $160; security $50; maintenance $120; transportation $200; groceries $1,000; child care $400; clothing $150; gifts $150; charity $1,535; vacation, travel $185; other discretionary $280; dining, entertainment $500; miscellaneous personal $30; subscriptions $35; health care $50; life, disability insurance $215; cellphone, Internet $180; RRSP contributions $265; RESP $50; TFSA $50; emergency fund $2,000. Total: $9,750.
Liabilities: Mortgage $313,025.
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Priva-based controls package selected for Marwell Zoo's new Tropical House
The brand new Energy for Life: Tropical House at Marwell Zoo in Winchester is benefitting from the latest Priva BMS technology as part of a fully co-ordinated controls package delivered by CambridgeHOK.
Discover priva
Marwell zoo
Priva Blue ID BMS at heart of highly co-ordinated controls package
Single-screen functionality oversees controls in Tropical House and plant room
Remote smartphone access of entire system via easy-to-use graphics
The brand new Energy for Life: Tropical House at Marwell Zoo in Winchester is benefitting from the latest Priva BMS technology as part of a fully co-ordinated controls package delivered by CambridgeHOK.;
Constructed thanks to a multi-million investment programme, the new Tropical House is home to a range of sloths, marmosets, birds, lizards, tortoises, fish, insects and rare plant species. The control of parameters such as temperature and humidity is vital to the health and wellbeing of all animals and plants housed within.
Marwell Zoo's innovative and sustainable £8 million Tropical House marks the second phase of a £17 million investment (in total) over the next 8-10 years, creating improved habitats for animals and more immersive experiences for visitors. The zoo is hopeful that the new facility will contribute towards the goal of becoming carbon neutral by 2021.
The ground-breaking project features a woodchip boiler that will be supplemented by a specialist boiler capable of burning straw-based animal manure. The two boilers will provide heating for buildings across the zoo and enable Marwell to reduce its carbon footprint and dependency on fossil fuels.
Further environmental measures include the collection of rainwater from the roof of the Tropical House, which is harvested in two 50,000-litre tanks to provide water for the aquaria and plant watering, making the building almost totally self-sufficient.
Controls rethink
Such a technology-diverse and important exhibit clearly demanded an equally adept building management system. Until quite late in the project, Marwell Zoo was planning to use two BMS specialists, one for the controls in the plant room, and another for the Tropical House. However, a review of the plans led the zoo to think that it was not getting the best value for money. Moreover, the arrangement would lead to the creation of two separate controls screens.
"We were introduced to the project at the 11th hour after Marwell Zoo found out about our input on the Eden Project in Cornwall, where we won a national award for our energy-saving work in 2012," explains Duncan Grant, Technical Manager at Priva partner, CambridgeHOK. "At Marwell, we set about installing a more co-ordinated system than was originally planned which, for ease, featured a just single screen encompassing both the plant room and Tropical House."
CambridgeHOK set to work designing and manufacturing the control panels for both the plant room and Tropical House, controlling factors such as temperature and humidity, as well as monitoring fire alarms and water temperature for the reptile and fish pools. Serving as the heartbeat of the system, CambridgeHOK selected a Priva Blue ID BMS.
"To save time we were able to plagiarise our own work on the Eden project by modifying programs accordingly to suit the Tropical House at Marwell Zoo," explains Mr Grant. "The great thing about Priva Blue ID is that you can use Priva programs, or create your own, or modify previously created programs; it's a very flexible system that not many other BMS types can match. It's one of the key reasons we have been installing Priva as our only BMS for the past 15 years."
Precise monitoring
Priva Blue ID takes care of the environmental controls in all of the different Tropical House zones, including a state-of-the-art renewable energy centre. Marwell's plant room, which houses the biomass boiler, back-up gas boilers, water treatment plant and rain harvesting, is also controlled and monitored.
"It's a very ecologically sound building, designed to be as energy efficient as possible," says Mr Grant. "The control system we have installed is responsible for the efficient running of the Tropical House, as well as providing ideal conditions for the flora and fauna."
Due to its critical nature, the entire control system was trialled for three months with just plant species inside the Tropical House. Once Marwell Zoo was satisfied regarding the system's capability, animals were introduced.
Opened to the public at Easter 2018, the Tropical House creates a high-quality, novel and immersive exhibit, delivering guaranteed, close proximity animal viewing while enhancing and setting new standards of husbandry for the species displayed.
Co-ordinated control
The Priva Blue ID BMS oversees many functional aspects of the Tropical House, including 'misting', which serves two purposes: helping to maintain humidity at 80%; and enhancing the visitor experience by simulating the natural environment found within tropical rainforests. Indeed, an artificial rain system is also installed – again controlled by the Priva BMS.
Among further functions monitored by Priva Blue ID is the entire aqua system for reptiles and fish, as well as monitoring rainwater collection on the roof. Priva also monitors the break tank, setting off an alarm if the level of water in the tank is either too low or too high. The entire back-of-house (where the animals go at night), is an additional beneficiary of Priva controls for temperature and humidity.
"If there are any issues whatsoever, such as an unexpected fall in temperature, the system will send out alarms via email to relevant staff," explains Mr Grant. "In fact, the entire control system is set-up in smartphone format, so authorised employees can log in and access a graphical front end to see what is going on. Users simply touch on a graphic of the building to see the status of all parameters."
Mr Grant reports that Marwell Zoo is delighted with its highly co-ordinated controls package. Indeed, CambridgeHOK has now been asked to look at other buildings owned by the zoo, where it is likely that Priva BMS technology will also be implemented.
Interested in our controls packages
Contact our specialist
Gavin Holvey
General Manager UK & Ireland
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