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text:
<?php

namespace eXpansion\Bundle\Maps\Model;

use eXpansion\Bundle\Maps\Model\Base\MapQuery as BaseMapQuery;

/**
 * Skeleton subclass for performing query and update operations on the 'map' table.
 *
 *
 *
 * You should add additional methods to this class to meet the
 * application requirements.  This class will only be generated as
 * long as it does not already exist in the output directory.
 *
 */
class MapQuery extends BaseMapQuery
{

}

redpajama_set_name: RedPajamaGithub


text:
"I'm not Communist. I'm an American citizen."
By: Alfred Dicioco
It started as a peaceful protest in front of the Monterey Park Police Station. Pro-Chinese government residents were conducting a flag ceremony to celebrate the 64th anniversary of the establishment of the People's Republic of China. Members of the West American Chapter of the China Democracy Party — a political party banned in China that advocates for prosperity, freedom, and human rights — and the religious group Falun Gong were protesting for the release of political prisoners in the mainland.
Chinese political tensions then played out in the San Gabriel Valley. Fenglin Jiang, a member of China Democracy Party, was arrested on charges of resisting, delaying, or obstructing an officer, according to the Monterey Park Police Department. When Chester Chong — a reserve deputy with the Los Angeles Sheriff's Department and president of the L.A. Chinese Chamber of Commerce — assisted in the arrest, accusations flew that he was a vigilante and Communist spy for the Chinese government.
Although a reserve deputy has the same powers of arrest as full-time officers, protesters wondered why Chong, who was in charge of security and not on-duty that day, gave handcuffs to the Monterey Park police officers. They also said Chong was wearing a belt buckle resembling the emblem of the Communist Party of China police force and suspected a connection.
Chong spoke to Alhambra Source about the allegations, his role as reserve deputy for the Sheriff's Department, and how facilitating cultural exchanges between the U.S. and China for the department has made him anything but a spy.
Can you explain your role during the flag ceremony?
I'm one of the organizers; they assigned me to be security. I am police, too, but there are also other cops because Monterey Park is a different jurisdiction. So unless it's an emergency, I don't need to prove that I'm a cop.
Tell us about the arrest of Fenglin Jiang, a member of China Democracy Party.
I talked to a protester. I tell him, "I understand, is it possible you talk a little bit?" We don't want to make trouble. We didn't stop him.
I say, "Are you thirsty? Let me give you a drink of water."
But Jiang tried running in. He kept yelling to us, "Why do you guys arrest my people? Nothing wrong with him. Why do you arrest him? Why do you detain him [another protester]?"
The police, they already warned him. I was telling him in Chinese too, "Please don't run in. If you do that, you'll get in trouble. You'll get arrested."
So it was Monterey Park police's decision to detain him?
Did Monterey Park police wonder why you had handcuffs on you?
I am a cop. I have the right to get handcuffs. But that day, I was just security. Even as security, I can carry handcuffs too, by law. But other people who protest, thinking I'm not a police.
Why do you think they called you a spy?
I've been a cop since 1999 and my assignment is the Cultural Exchange Program. We have a group of police family and we go outside of the U.S. We've been to almost 40 countries to date. Sometimes Chinese police visit here to learn about American law and they bring a souvenir. Just like a belt, suit, anything that's police stuff. A lot of the police have the belt, the buckle.
That day, I have the belt like the Chinese police belt. It was a gift. But the guy over there, he try to make it news. He take a picture of me, tried to pull my shirt. If he wanted to see the belt, I would have let him see it. You want a picture, go ahead. But he tried to pull my jacket.
I'd like to talk to these people, I want to understand. One side would say I'm a spy because of the buckle. If I was a spy, I wouldn't put the buckle there. I don't think I would show you anything.
Some protesters also accuse you of using your position on the Chinese Chamber of Commerce of Los Angeles to advance a pro-China agenda. Is that true?
It's my seventh year as president of the Chamber of Commerce. People mention that I use my position to make people support China. It's not right. I'm not Communist. I'm not. I'm an American citizen. Most important, I believe in the American Dream. I want people to have a good life, get his own dream. Today, even if I read a bad report about myself. I don't hate them because I know their purpose. I know they're trying to get support. But the big thing is we need people to understand. We need to bring peace and harmony instead of just writing and making people upset.
Others have also said you are a congressman in one of the provinces in China and use your political ties here in the United States. How would you respond to that?
The only position I'm holding is an advisory position, it's a friendship position from overseas.
Xinjiang is one of the largest provinces in China. It borders seven countries. I've been there before. After I've been there, I found out that something really needed to be changed. I talked to the government, I give them advice. What advice? Believe it or not. I say, "Your toilet facility is not clean, it's lousy." I love to give people advice. It doesn't matter if it's in China or India. I want people to improve.
Is there anything else you'd like to say to the Chinese American community in Los Angeles?
I love America, but there's also something I love about China because the people are so innocent. On the other side, there are people who support Communism. But they change. So we have to give them a chance to prove, just like you give me the chance to prove.
You write just one side, it's not fair. At least even if I'm wrong, you know what I'm talking about. At least you know my idea. I just want people to be more open, to understand the world. I think people should write. But what you really need to do is choose to tell the truth.
Interview was edited and condensed.
3 thoughts on ""I'm not Communist. I'm an American citizen.""
The photo was not taken in front of the police station. The activity was centered at Barnes Park near the Amphitheater. Did you get any comment from the MP police department?
alfred.dicioco
Hi David, the photo was taken the day following the flag ceremony. Also, you can read the response from the Monterey Police in our initial story:
http://www.alhambrasource.org/news/suspected-member-chinese-communist-party
Hmmm, sounds seems like the "arms" of Communist China extend to Monterey Park; I don't buy his explanation.
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redpajama_set_name: RedPajamaCommonCrawl


4 April 2014 - Hi Julia, I am doing very well, thanks for asking, on my program and loving it. I have been doing it about four times a day - spraying with Yellow calling back the joy, then Pink love the Pink, then rubbing surrender on my tummy and meditating on my heart - I just love it. It is really getting me out of my head, and do you know I didn't realise I was in my head until you pointed it out, I am normally mostly in my body and not thinking so much, but the grief has sent me into my head, and the program you have given me is bringing me back, into my body and aware that I was thinking again. It is a deep and dark place that I go and I don't particularly like it, it is somewhere way in the past, very heavy and sad.


text:
Raja Nareshchandra Singh (21 November 1908 – 11 September 1987), was ruler of Sarangarh state in Raigarh District, Chhattisgarh. He also served as Chief Minister of undivided Madhya Pradesh.

Early life
Raja Nareshchandra Singh was the last ruler of the Princely State of Sarangarh till the merger of his State into the union of India on 1 January 1948. The state now forms a part of the modern state of Chhattisgarh in Central India. He had succeeded his father Raja Bahadur Jawahir Singh who died in January 1946.
Like his father, was an Alumnus of the Rajkumar College, Raipur and worked as an Honorary Magistrate in Raipur district before being inducted as the Education Minister in the administration of Sarangarh State.

Political career
After independence, he joined the Indian National Congress and won the first General Election held in 1951 for the State assembly of Madhya Pradesh. He represented Sarangarh Vidhan Sabha constituency by winning the 1951 and 1957 Assembly Election. and Pussore Vidhan Sabha constituency by winning the Assembly election of  1962  and 1967. He was made Cabinet Minister in 1952 in Madhya Pradesh in Pandit Ravishankar Shukla's ministry and was given the portfolio of Electricity and Public Works departments. He headed the team in 1954 which created a separate department within the government to take care of the welfare of the Scheduled Tribes, christened The Directorate of Tribal Welfare. He was made the first Minister for Tribal Welfare in M.P. in 1955 and continued in this post till he became the Chief Minister of Madhya Pradesh in 1969 (13 March 1969 to 25 March 1969). Disgusted with the way politics had come to be practiced, he resigned from his post of Chief Minister, from the membership of the State Assembly and quit politics. In his later years he took to social work towards upliftment of people in Chhattisgarh.

Family

His wife, Rani Lalita Devi (died 7 November 1987) was elected unopposed from Pussour assembly constituency in his place in the by-election that was held after his resignation from the assembly in 1969. He had five daughters and one son. After his death, his son Raja Shishir Bindu Singh took over as the Raja of the Sarangarh state till 7 September 2016. The current Raja, after the death of her brother, is Raja Pushpa Devi Singh. Three of the daughters entered politics: Rajnigandha Devi was a Member of Parliament (Lok Sabha 1967-71), Kamala Devi was a member of State Assembly of Madhya Pradesh from 1971 to 1989, and a minister for 15 years, and Pushpa Devi Singh was elected thrice to the Lok Sabha Parliament in 1980, 1985  and 1991. The fourth daughter Dr. Menka Devi is a doctor, medico-social worker and an educationist. She is a member of the Indian National Congress. Purnima Devi is the youngest daughter

His grand children are Nandita Singh, Chandravir Singh (children of Late Rajnigandha Devi), Mrinalika Singh (Daughter of Kamala Devi) and Kulisha Mishra (daughter of Dr Menka Devi). Kulisha Mishra is the National Joint Secretary of The Indian Youth Congress.

References

1987 deaths
1908 births
Indian National Congress politicians
People from Madhya Pradesh
History of Chhattisgarh
Chief Ministers of Madhya Pradesh
Madhya Pradesh MLAs 1952–1957
Madhya Pradesh MLAs 1957–1962
People from Raigarh district
People from Sarangarh
Chief ministers from Indian National Congress

redpajama_set_name: RedPajamaWikipedia


For our next meeting, we are lucky enough to have several Microsoft Project managers flying out to South Africa and they have kindly agreed to come and join us. The format of the evening will be roughly a 60 min talk on the future direction of the Microsoft Data Platform followed by a 30 session of Q&A where you will be able to ask attendees any questions you like. This is sure to be a great event and not one to be missed. Register here.


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Ohio. Find It Here. isn't just the state's tourism slogan, it aptly describes a place that is incredibly diverse, from its big city amenities which include a thriving arts and culture scene and award-winning culinary experiences, to the charm and comfort that can be found in its distinctive neighborhoods and historic small towns.
Whether you're here for a few hours, a few days, or you're lucky enough to live here, you'll find endless opportunities to share memorable experiences with those who mean the most to you.
Happiness. Joy. Excitement. Ohio. Find It Here.


text:
Ballpoint Splatling Nouveau
The Ballpoint Splatling Nouveau is a main weapon in Splatoon 2. It is the Nouveau-branded version of the Ballpoint Splatling.
Same as its original variant, this splatling works differently from other splatlings. It does not have a consistent range when firing in short bursts. There are two stages of firing with this weapon. The first stage only lasts for a quarter ring charge and has a range equivalent to the Splattershot Jr., fires faster than other splatlings, and has mobility slightly higher than the Mini Splatling. When charged more than a quarter ring, the range increases dramatically, having a range in between the Heavy Splatling and Hydra Splatling. During its second stage of firing, it has perfect accuracy but fires slightly slower than other splatlings.
The Ballpoint Splatling Nouveau can recharge itself by pressing at any time while it is firing. When recharging the shots, the weapon maintains the property of whichever stage it was on. However, a charge exceeding 1¾ rings automatically defaults the weapon back to the first stage. Additionally, the weapon can maintain its stage two charge even after it has finished firing by starting another charge within one second.
The Ballpoint Splatling Nouveau has a nearly consistent charge rate for both rings. It takes 0.83 seconds to reach the first level of charge, and 1.66 seconds in total to reach the second level of charge. Once the first level of charge is reached, it fires for approximately 1.66 seconds, and once the second level of charge is reached, it fires for approximately 3.33 seconds.
2.1.1 First stage
2.1.2 Second stage
The Ballpoint Splatling Nouveau has the same appearance as the Ballpoint Splatling, but has a Nouveau sticker on the back end.
https://cdn.wikimg.net/en/splatoonwiki/images/c/c7/S2_Weapon_Main_Ballpoint_Splatling_Nouveau_3D.png21074, 280, 152, 3, 0, 116, 5, 260, 95, 2, 524, 124, 0, 785, 119, 5, 1036, 97, 1, 1292, 124, 0, 1544, 122, 9, 1779, 98, 2, 2022, 125, 2, 2260, 125, 15, 2477, 100, 9, 2700, 125, 10, 2919, 127, 25, 3113, 101, 20, 3313, 125, 20, 3510, 129, 40, 3675, 101, 35, 3846, 126, 36, 4015, 130, 59, 4147, 102, 55, 4284, 127, 56, 4419, 131, 82, 4518, 101, 80, 4619, 126, 80, 4720, 132, 98, 4802, 102, 98, 4885, 127, 98, 4969, 130, 98, 5069, 101, 99, 5170, 127, 100, 5270, 129, 85, 5405, 101, 85, 5545, 126, 86, 5682, 128, 71, 5850, 101, 71, 6023, 126, 73, 6193, 125, 58, 6388, 101, 57, 6590, 126, 61, 6787, 123, 46, 7004, 100, 45, 7229, 126, 49, 7449, 120, 33, 7686, 99, 32, 7929, 125, 36, 8168, 117, 21, 8419, 98, 20, 8676, 125, 25, 8929, 114, 12, 9190, 98, 11, 9455, 124, 18, 9716, 112, 6, 9982, 96, 5, 10253, 124, 12, 10518, 111, 4, 10782, 95, 3, 11051, 124, 10, 11314, 111, 5, 11570, 95, 4, 11831, 124, 10, 12085, 111, 10, 12326, 97, 8, 12573, 125, 15, 12812, 111, 19, 13032, 98, 18, 13257, 125, 25, 13474, 111, 33, 13666, 100, 32, 13863, 126, 38, 14053, 111, 50, 14213, 101, 49, 14376, 127, 54, 14535, 112, 67, 14662, 101, 67, 14791, 128, 69, 14918, 112, 85, 15015, 101, 85, 15113, 128, 86, 15209, 111, 100, 15285, 102, 100, 15361, 128, 101, 15436, 112, 95, 15535, 102, 94, 15635, 128, 95, 15732, 111, 82, 15863, 102, 80, 15995, 127, 81, 16122, 111, 66, 16285, 101, 64, 16451, 127, 64, 16611, 111, 51, 16805, 101, 48, 17004, 127, 49, 17195, 111, 38, 17417, 100, 34, 17644, 126, 35, 17864, 111, 26, 18107, 100, 22, 18355, 125, 23, 18596, 111, 18, 18852, 98, 12, 19114, 124, 12, 19369, 112, 10, 19633, 98, 5, 19902, 124, 5, 20165, 114, 7, 20430, 96, 2, 20701, 124, 1
Class Splatling
Special Ink Storm
Cost 15,800
Base damage 28 (Short)
30 (Long)
Ink consumption 25% (Full charge)
Other variant Ballpoint Splatling
The Ballpoint Splatling Nouveau was announced on 24 November 2018. It was added to the game on 5 December 2018 as part of Version 4.3.0.[1]
The Ballpoint Splatling Nouveau is a middleweight weapon.
The full charge ink consumption of 25% allows players to fully charge 4 times before needing to refill the ink tank.
The Ballpoint Splatling Nouveau cannot store its charge.
The Ballpoint Splatling Nouveau is rechargeable while firing.
When charging the weapon, it will take 50 frames in order to charge its first ring and 100 frames in total for a full charge.
With a single ring charged, it will have a firing duration of 100 frames. With a full charge, it will have a firing duration of 200 frames.
When charging with an empty tank, the charge time is multiplied by 6.
After firing, there is a 40 frame cooldown before the ink tank starts refilling.
Shots have a radius of 2 units.
The outer reticle immediately expands after jumping. After 25 frames, the outer reticle will start shrinking, and will finish shrinking after 70 frames.
The Ballpoint Splatling Nouveau has a 40% chance to shoot towards the outer reticle instead of the inner reticle.
When jumping, the chance to shoot towards the outer reticle instead of the inner reticle is immediately set to 40%.
The frequency at which ink drips from a shot occurs at a rate of 1 droplets per shot.
There are a total of 6 different droplet patterns that can be created while firing this weapon.
When firing, it shoots a bullet every 3 frames.
When firing, the player's movement speed is set to 0.86 units per frame.
When charging, the player's movement speed is set to 0.86 units per frame.
Each shot has a base damage of 28.
If a shot is in the air for more than 11 frames after being fired, it loses 1.75 damage per frame until it reaches 14 damage at frame 19.
The angle its shots can deviate while on the ground is 6 degrees.
The angle its shots can deviate while in the air is 12 degrees.
Initial shot velocity is 11 units per frame. Shots travel straight at the initial velocity for 8 frames.
So shots travel straight at a rate of 11 units per frame for 8 frames. Shots travel straight for 88 distance units.
After shots stop flying straight, the velocity is set to 10.27 units per frame if it is not already lower than the listed value, and decreases further as it travels.
Ink droplets occur every 110 units.
Droplets that occur within 11 units of the player have a radius of 19 units, and a width of 0 units.
These droplets have their radius multiplied by a value ranging from 1.6 if they fell from a height above 100 units to 1.2 if they fell from a height below 30 units.
Droplets that occur when they travel past 200 units of the player have a radius of 18 units.
All other ink droplets have a radius of 12.8 units.
Droplets that are far from the player and all other droplets have their radius multiplied by a value ranging from 1.6 if they fell from a height above 100 units to 1.6 if they fell from a height below 30 units.
If no ink droplets have occurred within 11 units of the player for 0 shots, the next shot the player makes will force a paint droplet to appear at the player's feet.
When firing, the player's movement speed is set to 0.5 units per frame.
If a shot is in the air for more than 11 frames after being fired, it loses 1.875 damage per frame until it reaches 15 damage at frame 19.
The angle its shots can deviate while in the air is 4 degrees.
Initial shot velocity is 22.1915 units per frame. Shots travel straight at the initial velocity for 8 frames.
So shots travel straight at a rate of 22.1915 units per frame for 8 frames. Shots travel straight for 177.532 distance units.
After shots stop flying straight, the velocity is set to 22.1915 units per frame if it is not already lower than the listed value, and decreases further as it travels.
Droplets that occur within 10 units of the player have a radius of 15.64 units, and a width of 0 units.
Droplets that occur when they travel past 250 units of the player have a radius of 13.8 units.
All other ink droplets have a radius of 11 units.
▼ Decreased the effect of the Run Speed Up gear ability.
▼ Decreased the effect of the Main Power Up gear ability.
▼ Changed the number of gear abilities required for the damage of less than fully-charged shots to reach 33.3 from 0.9 basic gear abilities to 1.5 basic gear abilities. Additional gear abilities have 0.3 the effect of a basic gear ability.
▼ Points to fill special gauge: 190 → 200.
▼ Short range damage: 32 → 28.
▼ Long range damage: 32 → 30.
▲ Points to fill special gauge: 230 → 220.
▼ Decreased painting radius of long ranged landing shots by 8%.
▼ Roughly doubled the amount of shot spread when firing in long-range mode immediately after jumping: 2 degrees → 4 degrees.
▼ Reduced the velocity of ink over long distances by 4%, and reduced the range.
▼ Reduced movement speed by roughly 10% when charging and firing from a close range: 0.96 → 0.86.
The Ballpoint Splatling Nouveau has all the charm and stats of the original, but comes with a set that offers a different style of play!
Create an outpost for teammates to jump to with the Squid Beakon sub, and use it to pile on the pressure and keep the offense turned on!
What's more, the Ink Storm special can help provide much needed cover when your allies are pushing the attack!
If the refinement of the Ballpoint Splatling is your style, but your heart yearns for something more, give this set a try!
For competitive tips about the Ballpoint Splatling Nouveau
The Ballpoint Splatling Nouveau has the longest name out of any weapon in Splatoon 2, being 27 characters long.
Japanese クーゲルシュライバー・ヒュー
Kūgerushuraibā hyū Ballpoint pen Hue
Dutch Stylospetling Nouveau Ballpoint Splatling[note 1] + Nouveau
French Badigeonneur stylo nuancé Pen painter + Nouveau
German Kuli-Splatling Fresco Pen-Splatling[note 2] Fresco
Italian Tetrapenna master Master Tetra (four) pen
Russian Кугельшрайбер «НуВо»
Kugel'shrayber «NuVo» Kugelschreiber[note 3] «Nouveau»
Spanish (NOA) Garabateador PLM maestro Master Marker[note 4] Scribbler
Spanish (NOE) Ametrallógrafo maestro Master Machine gun writer
↑ Spetling comes from spet (splat) and gatling
↑ Kuli is a colloquial abbreviation of Kugelschreiber (ballpoint pen)
↑ A German word for "ballpoint pen"
↑ PLM comes from pluma (pen)
Retrieved from "https://splatoonwiki.org/w/index.php?title=Ballpoint_Splatling_Nouveau&oldid=290288"
Main weapons with Ink Storm


I am irreligious (but a theist), and I find it disgusting that so many fundamentalists in the United States whine about persecution over reproductive policies and LGBTQ equality, and yet have no problem being buddy-buddy with Saudi Arabia and supporting military interventions that have created refugees out of hundreds of thousands of Iraqi Christian.
A God that is truly great and truly omnibenevolent would never side with such despicable creatures.
Here in Canada, we have self-described "liberals" and "feminists" selling weapons to the Al Saud Crime Family and subjecting Canadian women to remand facilities with conditions hardly better than concentration camps.
The whole political establishment is rotten to the core.
I am born and live Israeli and not the only one, who suffers with the many victims during too many years, and fully approve this information. Thnx.
The power of the Cosmic Light will also work here through the consciousness of the DNA and take care for change….. the Big Change into Love, Because Isn't Love All There Is? So by working with That Love, you can support and change everything for the wellbeing of All and Everything, isn't it?


text:
Brave New WorldsSense8ShareSubscribe
'Sense8' Christmas Trailer Unites the Cluster Like Never Before
By Caitlin Busch
Filed Under Entertainment, Netflix & Science Fiction
As the cluster grows more unified during the holiday season, Whispers looms in the back of Will's mind.
The official trailer for the December 23 Sense8 Christmas special has arrived. And while fans of the Wachowski siblings's international, deep-ranging sci-fi Netflix spectacular may be chomping at the bit for any new content from the cluster, one of its members, Will Gorski, isn't finding too much joy this holiday season.
A present threat from Whispers — the terroristic, mind-warping baddie who gained access to Will's conscious in the season 1 finale — hangs over the group. The trailer features a short scene of Will and Riley Blue being cute in the snow before Whispers shows up, and Will collapses.
Whispers being a part of Will's mind introduces a threat to the seven other members of his cluster. Capheus, Sun, Nomi, Kala, Riley, Wolfgang, and Lito are all dealing with their own realities — and Capheus actor Aml Ameen was succeeded by Toby Onwumere, so fans will have to adjust to an entirely new face in the family. But, despite their troubles, the trailer confirms a sense of peace.
As always, Sense8 manages to weave in themes of belonging, family, and acceptance. A panicking, belligerent Wolfgang is calmed by Sun before the two of them and Will team together to take down Wolfgang's attackers. Lito and Hernando's relationship looks to be heart-wrenching as ever. The whole gang meditates together in Sun's cell.
Despite the difficulties presented by Whisper, fans of the show can take solace in knowing that the special will probably end on a happy, hugging, family-centric note. And isn't that was the holidays are all about?
The Sense8 Christmas special will be available to stream on Netflix on December 23.
Media via Tumblr, Netflix/Youtube
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Vermont changes definitions around 'local' food
The state's new definitions for in the neighborhood grown meals took effect at first of the yr.
Agriculture development expert Kyle Harris talked about prior this week that the brand new definitions will make it simpler to tell when a food product was produced in Vermont, as adverse to just over the state borders.
The definitions changed with the passing of Act 129, signed into legislations via Gov. Phil Scott on July 2.
"It became an opportunity to breathe some lifestyles into the local food definition that we consider brings a little bit extra smartly-roundedness and inclusiveness to how we feel about native food in 2020 and 2021," talked about Harris.
He stated the law handiest applies to meals items. issues concerning agriculture but aren't eaten, reminiscent of wool socks, don't ought to exchange anything else.
"previously, the rest may well be regarded local if it turned into produced within 30 miles of the aspect at which it turned into bought," spoke of Harris. This, he noted, could lead on to instances where a product made in Hanover, New Hampshire, could be marketed as native in Vermont's White River Junction, however no longer be considered local in Brattleboro.
the new definitions may still make "Vermont" synonymous with "local."
Producers and retailers will still be capable of market their gadgets in Vermont, of direction, and can still market as being native to a place. Harris spoke of a producer in new york, might, as an example, say their items are "native to the Champlain Valley" and be best.
Harris mentioned the brand new definitions cover a couple of issues, including the processing of meals no longer invariably grown in Vermont, like coffee beans.
"There's tough craftsmanship that goes into roasting that coffee, and it's being held out with those inherent traits that make up what we think about when it comes to Vermont craftsmanship, so what we additionally wanted to do was permit these individuals a little greater clarity," on how they might work with the casual "native" and "made in Vermont" labels, he mentioned.
Annie Rowell, Vermont First coordinator at Sodexo, said the enterprise has been working with the state since September on aligning its own definitions with the state's.
"The company of Agriculture has been definitely outstanding to work with to determine how to enforce this and transition to the brand new definitions, as we're already in our fiscal yr and were making distinctive purchases," Rowell mentioned.
Sodexo, in line with Rowell, is a quality of existence service enterprise featuring institutions with capabilities they themselves aren't geared to supply. In Vermont, that's mainly meals services for faculties, hospitals and an identical places.
She spoke of the problem with this might be how the business works across state traces.
the new definitions will, she noted, take a whole lot of the interpretation out of terms like "native" and "made in Vermont."
keith.whitcomb @rutlandherald.com
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text:
#ifndef BOOKMARKFILTERMODEL_H
#define BOOKMARKFILTERMODEL_H

#include <QtCore/QPersistentModelIndex>

#include <QtGui/QAbstractProxyModel>
#include <QtGui/QSortFilterProxyModel>

QT_BEGIN_NAMESPACE

class BookmarkItem;
class BookmarkModel;

typedef QList<QPersistentModelIndex> PersistentModelIndexCache;

class BookmarkFilterModel : public QAbstractProxyModel
{
    Q_OBJECT
public:
    explicit BookmarkFilterModel(QObject *parent = 0);

    void setSourceModel(QAbstractItemModel *sourceModel);

    int rowCount(const QModelIndex &index) const;
    int columnCount(const QModelIndex &index) const;

    QModelIndex mapToSource(const QModelIndex &proxyIndex) const;
    QModelIndex mapFromSource(const QModelIndex &sourceIndex) const;

    QModelIndex parent(const QModelIndex &child) const;
    QModelIndex index(int row, int column, const QModelIndex &parent) const;

    Qt::DropActions supportedDropActions () const;
    Qt::ItemFlags flags(const QModelIndex &index) const;

    QVariant data(const QModelIndex &index, int role) const;
    bool setData(const QModelIndex &index, const QVariant &value, int role);

    void filterBookmarks();
    void filterBookmarkFolders();

private slots:
    void changed(const QModelIndex &topLeft, const QModelIndex &bottomRight);
    void rowsInserted(const QModelIndex &parent, int start, int end);
    void rowsAboutToBeRemoved(const QModelIndex &parent, int start, int end);
    void rowsRemoved(const QModelIndex &parent, int start, int end);
    void layoutAboutToBeChanged();
    void layoutChanged();
    void modelAboutToBeReset();
    void modelReset();

private:
    void setupCache(const QModelIndex &parent);
    void collectItems(const QModelIndex &parent);

private:
    bool hideBookmarks;
    BookmarkModel *sourceModel;
    PersistentModelIndexCache cache;
    QPersistentModelIndex indexToRemove;
};

// -- BookmarkTreeModel

class BookmarkTreeModel : public QSortFilterProxyModel
{
    Q_OBJECT
public:
    BookmarkTreeModel(QObject *parent = 0);
    int columnCount(const QModelIndex &parent = QModelIndex()) const;

protected:
    bool filterAcceptsRow(int sourceRow, const QModelIndex &sourceParent) const;
};

QT_END_NAMESPACE

#endif // BOOKMARKFILTERMODEL_H


text:
Back To Home Home Services and Practices Patient Services Pastoral Care
Outpatient Laboratory
Pastoral Services
Contact Pastoral Care
History and Accreditation
UT Hospice
Fall Frontiers 2013
Pastoral Care is the feature for Fall 2013 Frontiers
Contact Pastoral Care:
After hours, nights, weekends and holidays, the on-call chaplain can be reached at 865.305.9000.
Services for chapel
Monday - Friday 8 a.m.
Sunday - 10:30 a.m.
The Department of Pastoral Care provides spiritual and emotional care for patients, families, staff and visitors at The University of Tennessee Medical Center. Our chaplains understand that assisting with spiritual and emotional needs is an important part of caring for the whole person. Care is available to people of all faiths. Through clinical pastoral care, chaplains demonstrate the spiritual dimension of the hospital's mission and strengthen the relationship between the medical center and religious communities at large.
Mission Statement: To provide compassionate care and spiritual support to patients, families, and staff while respecting their beliefs, culture, traditions, and values.
Give Today To Pastoral Care


Have worked for Global Indian Corporate's for about 40 Years(Aditya Birla Group ) in 3 different businesses (Chemicals-Steel Sector; Insulators-Power Sector; Birla White -Cement and Paint Sector).Earlier served (Eicher Group) in 2 different businesses (Automobile-Tractors; Engineering; Commercial Vehicles).My age is 65 years. Work associated with 10 different states of India.
Worked as CEO at M/s 'Thirumalai Chemicals Ltd (TCL)-India and Malaysia (Petrochemicals Industry-Plasticizers; Resins; Food Sector and Perfumery,etc).
Ventures with Japanese; European and Indian partners. Managed organizations with about 4000 people and operating multi locations.


text:
using System.Collections.Generic;
using System.ComponentModel;
using System.Drawing;
using System.Reflection;
using System.Workflow.ComponentModel.Serialization;

namespace System.Workflow.ComponentModel.Design
{
    internal sealed class PointMarkupSerializer : WorkflowMarkupSerializer
    {
        protected internal override bool CanSerializeToString(WorkflowMarkupSerializationManager serializationManager, object value)
        {
            return (value is Point);
        }

        protected internal override PropertyInfo[] GetProperties(WorkflowMarkupSerializationManager serializationManager, object obj)
        {
            List<PropertyInfo> properties = new List<PropertyInfo>();
            if (obj is Point)
            {
                properties.Add(typeof(Point).GetProperty("X"));
                properties.Add(typeof(Point).GetProperty("Y"));
            }
            return properties.ToArray();
        }

        protected internal override string SerializeToString(WorkflowMarkupSerializationManager serializationManager, object value)
        {
            string convertedValue = String.Empty;

            TypeConverter converter = TypeDescriptor.GetConverter(value);
            if (converter != null && converter.CanConvertTo(typeof(string)))
                convertedValue = converter.ConvertTo(value, typeof(string)) as string;
            else
                convertedValue = base.SerializeToString(serializationManager, value);
            return convertedValue;
        }

        protected internal override object DeserializeFromString(WorkflowMarkupSerializationManager serializationManager, Type propertyType, string value)
        {
            object point = Point.Empty;

            string pointValue = value as string;
            if (!String.IsNullOrEmpty(pointValue))
            {
                TypeConverter converter = TypeDescriptor.GetConverter(typeof(Point));
                if (converter != null && converter.CanConvertFrom(typeof(string)) && !IsValidCompactAttributeFormat(pointValue))
                    point = converter.ConvertFrom(value);
                else
                    point = base.SerializeToString(serializationManager, value);
            }

            return point;
        }
    }
}


Suranne Jones rarely fails to put a foot wrong when it comes to a skilled dramatic performance, and it seems that her turn in new Sky Atlantic drama Save Me has been no exception.
The Doctor Foster actress appeared in the gritty, London-based six-part series recently, alongside The Walking Dead's Lennie James.
In the show, Suranne plays the role of Claire McGory – the mum of 13-year-old Jody, who has gone missing.
Lennie, who co-created and wrote the series alongside the makers of hit smash Line of Duty, has taken on the character of Nelson 'Nelly' Rowe – her estranged father. Stephen Graham (Little Boy Blue), also stars, as an IT specialist seemingly involved in dodgy websites.
The drama hit the ground running in its first episode – as viewers witness Claire becoming convinced that Nelly has something to do with their daughter's disappearance. Nelly then embarks on a quest to prove his innocence, and discover the truth of what has happened to Jody.
And it seems fans were not only floored by the gripping story-line, but by the sheer talent of the show's performers.
Throughout the episode, viewers took to social media to share their admiration of Suranne's acting – as well as the rest of the cast.
Others praised how Suranne delivers incredible performances, time and time again.
Other viewers praised the drama for reminding them of the captivating acting talent in the UK.
And another fan said, "Loving #SaveMe, on episode 4, #SuranneJones is amazing in anything she does #fact". We couldn't agree more!
The series is currently available in full on Sky Atlantic, so viewers can watch all of the episodes in one go. But fear not – if you've already finished them all, it looks like a Save Me series 2 could well be on the cards.
During a recent interview on This Morning, Suranne confessed that a second season is something she and Lennie would both be interested in.
However, as Suranne is one of the most in-demand actresses in the UK at the moment, it looks as though there may be a bit of a wait.
Whenever it happens, it seems fans will be excitedly anticipating a second series, if the response to season one of Save Me is anything to go by.


Zimbabwes irresistible bad boy Soul Jah Love is yet to release his most anticipated album "Naka Dhula Dhaka" on the 29th of September at Takashinga Sports Club, Highfields.
Dancehall streets are excited because of the title and it is trending amongst his fans. Recently, he was allegedly to be bent on drug abuse in some publications but he has stood his ground ever since "Ndini Uya Uya" that nomatter what people say, he has his eyes set on the price.
In an interview, he talks of an interesting comparison, "I wish you could be me but I can't make it happen but if you knew what I went through then you would know that I don't have an option other than doing what I'm suppose to do".
His statement shows that the artist also has time to think of lyrics which relate to every typical Zimbabwean.
On the album launch fans will get a chance to hear his piece of life before he was "Makuruwani" up until he became "Chibaba" (the boss/leader) of Conquering Music.
Artists like Dadza D, Silent Killer,SkillFull Tounge etc are going to be part of the performance at the album launch.


text:
Marshall 50th Anniversary @ Wembley Arena
September 23, 2012 March 5, 2014 Gig Reviews
Marshall 50th Anniversary
Review by Ashley Brooks
Photography by Sabrina Dersel
http://www.mademoisellesphotography.com
We recently had the privilege to be a part of a memorable night in history! With such formidable artists covering the past 40-50 years of rock this, of course, came as no big surprise.
The line up was simply a who's who list of guest artists from various inspirational bands forming a kind of dream team.
There were legends such as, Glenn Hughes, Andy Fraiser, Phil Campbell, Corey Taylor, Joe Satriani, Zakk Wylde and Mike Portnoy, and many other Monsters of Rock, to give you an idea of the sort of quality and experience that was present that evening. This was inevitably a night not to be missed!
The celebration marked the 50th anniversary of Marshall Amplification which has been the trademark sound of British rock since 1962. After the tragic loss of Jim Marshall earlier this year, it was also like a commemoration of the great man behind the amp himself. It was clear, from both fans and musicians, that there was a great deal of respect for Marshall and his legacy. It felt an honour to be there, for everyone involved, off-stage as well as on-stage.
I'm ashamed to admit that almost two weeks before the show I still hadn't bought tickets for me and my mates, and all of a sudden we were there on the front row of Wembley Arena! I really couldn't believe our luck and as the stage lights went on there was a roar of excitement through the crowd in anticipation of what was about to happen.
I always love going to concerts like this where you just know you have so much in common with everyone around you, as you look at people proudly wearing their Deep Purple and Motörhead shirts from some other amazing gig from the 80's.
The show started with an instrumental jam which set the stage for the other musicians to join in with later.
The house band did a really great job throughout the evening, as they covered so much material.
The set list was extremely diverse and engaging and really showed off the talents of the musicians.
There were covers of Whitesnake, Judas Priest, Motörhead, ZZ Top, Hendrix, Free and Deep Purple to name a few. To me this illustrated the love and appreciation for the genre of rock, and how influential all the bands have been to each other. It was clear that the musicians were genuinely excited to be sharing the stage with other rock legends. There was so much love and respect shown for each other and this really added to the powerful atmosphere of the concert.
There were so many things to get excited about but I'd like to share a few of my personal highlights.
I was impressed by Corey Taylor's vocals, and thought he covered a wide range of challenging songs (e.g. Thin Lizzy's 'Still in love with you' and Pantera's 'Mouth for war'), really bringing them to life. Tim 'Ripper' Owens somehow managed to reach vocal pitches that are simply breathtaking and left most people on stage with big smiles. The energy of Motörhead's 'Ace of spades' was amazing and really came at the right time to lift the energy levels of the crowd.
After the interval the speed-swede Yngwie Malmsteen burst on to stage in his typical over-the-top style with a blazing flurry of notes. I think it came at the right time in the concert, and was actually quite refreshing to see such an entertainer pleasing the crowd with his guitar acrobatics! Swinging the guitar around, playing with his teeth, kicking his picks towards the audience and throwing his guitar behind him to one of the fearful stage guys; all the things you hope to see from a rock guitarist!
Unfortunately all good things must come to an end and, as we were all hoping for, there was a massive jam finale, to an all-time classic 'Smoke on the water'. All the musicians just let loose and, for the first time in the concert, the fans were finally given permission to actually get up from their seats and rock with the music! (It was kind of strange that for this kind of affair we had to remain seated.
It was clear that this was frustrating to many fans, including myself, as there were times you just wanted to get up and move with the music. However, the concert also lasted over 3 1/2 hours so it was quite nice to be seated in some ways, I suppose.)
It was surreal to see all these incredible figures of rock, covering decades of music, all on one stage jamming with each other at the same time; all who have been so influential at various stages of my musical and life journey.
It really made me want to go back home and dig deep into the musical archives to rediscover the amazing music and sounds of these rock artists who, undoubtedly, have a lot to be thankful to Marshall amps for their signature sounds. To top things off, as Brian Tichy (house drummer) was taking his bow to the audience, I was waving at him, giving him air-drumming hand signals, and he threw one of his drumsticks to me!
What a great souvenir to leave with!
We must now wait patiently for 2062 to arrive and find out what the next 50 years of rock has in store.
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Westworld, by Alexandra Ferguson
The Men That Will Not be Blamed for Nothing @ The Lexington, London


If a person is negligent and you happen to have suffered a loss or an accident, you deserve to receive compensation. Filing a claim is important if you want to have the compensation and you making the claim can make your situation so much worse. It is imperative to ensure that you hire an accident attorney who is going to help you in filing your claim as well as offer you help in the case that you are having. You are assured of getting many benefits when you hire the services of the accident lawyer.
One of the advantages of hiring an accident attorney is that they have wide knowledge on Houston laws that deal with accidents. With the knowledge that the attorney will have, he will have the skills to prove the person who is liable for causing the accident that you suffered. He will use his knowledge to identify all the traffic laws in that case that was broken and if any action of the defendant could be considered as negligent. The knowledge of the lawyer will be useful since he will use it in order to recover compensation from the insurance company.
In order to get the compensation that you deserve, the attorney you hire will be responsible for negotiating with the insurance company. Many insurance companies try to discredit victims so that they don't pay out the compensation, with the help of the lawyer you will not be discredited because the lawyer knows all the tactics that the insurance companies use.
So that you can be able to get the compensation that you want, it is important to ensure that you file your claim within the required time. The other benefit of hiring an accident attorney is that he will help you in the filing of your claim at the right time, this is because it can be hard for you to file the claim on your own.
The other advantage that you will get from hiring an accident attorney is that he will help you in the estimation of the compensation that you should get from your case. Once the attorney you hire uses the knowledge that he has to estimate the compensation that you deserve, he will advise you not to accept an offer of the insurance company that is lower than what you expect. In order to prove that the defendant is responsible for the accident, you will need the services of the accident attorney. He will ensure that he builds a case that is strong so that your interest will be covered and you will get the compensation that you really deserve. With the attorney, you will have a great chance of winning the case in court.


text:
KATIE BAIN
`FOUR DAYS IN NEW ORLEANS (The Rattling Wall, 2015)
It is not to be romanticized, Tom says about New Orleans.
I walk down Piety. I walk down Desire. I walk down Burgundy and Dauphine. I walk down Frenchman and the Esplanade through the garden district.
The local pie factory burns down in the middle of the night.
On Friday, Walter, our middle-aged cemetery tour guide, tells Astrid and me to go to Frenchman Street for real local nighttime flavor. "Gets rowdy," he says. "Gets loud." As he says this, he dabs the blood dripping from the bandage under his knee and down his thin, black left leg with a pink hand towel. "Bicycling accident," he says, limping down the narrow path between the raised tombs on this humid overcast afternoon. "No insurance." His Nike high tops are sewn in the pattern of the American flag, and his left white sock is stained with blood. Before we walked here from the Bywater, Tom told Astrid and me a rumor that Nicolas Cage had a tomb built for himself in this 18th century cemetery in the center of New Orleans. We find a weighty white structure in the shape of a pyramid twice as tall as both of us and agree that this must be it; it is appropriately weird. We are only sort of correct, because according to Walter, it is Disney that has erected this tomb as a prop for the forthcoming movie National Treasure 3. Walter says that one night after dark he was walking through this cemetery and ran into Nicolas Cage himself. "Musta climbed right over the damn wall in the middle of the night," he says with a laugh. Walter says it was Nicolas Cage who said that the white marble pyramid tomb is in fact a prop for the forthcoming big budget action adventure movie.
New Orleans is not to be romanticized, says Tom. The entire city is sinking into the sea.
It is August and so muggy hot by 9am that the sweat runs down my back and thighs as I walk to the coffee shop down the street from Tom's second floor apartment with high ceilings and plaster crumbling off the walls and the calico cat Gus inherited from the previous tenant. The patrons inside the air-conditioned cafe on Dauphine cheer when the power goes out after a particularly ferocious crack of lightning. The bucket next to the table I'm sitting at catches the rain leaking in through the roof. Drop. Drop. Drop. The rain here is acid Walter will tell us tomorrow, because of the chemical and pharmaceutical companies on the Delta. This rain eats away at the marble nameplates on the tombs in the cemetery. They're two centuries old, some of these tombs, and they house the bones of dignitaries and creoles and voodoo kings and queens and dozens and dozens of infants who died in the smallpox epidemic of 1775. Except for Nicolas Cage's perfect white pyramid, the tombs are all streaked with black mold and in so many states of disrepair. My tourist assumption was that these dilapidated visages were the products of time and The Storm, of course, but no, it's the acid rain. The cemetery smells of rot. It rains here every day between 11am and 2pm.
"I'm interested in women and men," says the balding, vaguely effeminate man I find myself deep in conversation with at the coffee shop during the mid-morning rain. I am here soothing my hangover with a fried egg and avocado on croissant sandwich. He must be something like 35 years old. "I'm not particularly attractive I know, but I used to get laid a lot when I went to electronic dance music shows. People are just attracted to someone dancing confidently. I'm a lawyer now, but I used to sell acid and ecstasy and follow the Disco Biscuits all over the country." He tells me to read Gravity's Rainbow. "You must." He tells me to read Brief Interviews With Hideous Men. He hands me his copy of If On a Winter's Night a Traveler and instructs me to read the first page. (Relax. Concentrate. Dispel every other thought. Let the world around you fade.) He speaks of LCD Soundsystem with religious conviction and tells me that moon rocks are pure MDMA and the best high he's ever experienced. "If someone ever offers you any, just take them, no questions asked." He tells me he worked for BP after the Deepwater Horizon spill, helping write an intentionally uninterpretable corporate language that somehow made the company's case airtight. It is this language that made the whole disaster defensible.
"I sold my soul for a lot of money," he says with a laugh, looking me straight in the eyes. I maintain the stare, wondering whether or not to hate this person. I think of living on the commune in Big Sur during the oil spill and my anxiety rising at the headlines on the newspaper that came once a week. "The only thing we can do to help right now is meditate on goodness and send love to the people who are doing their best in the Gulf," said Jane, the gentle middle-aged hippie who worked in the laundry department with me. She smelled like jasmine and seemed like a woman who experienced a phase of life in which she had been hit a lot. "Just send them love," Jane said. "It's what you can do as one person. It's the only thing you can do."
"A lot of money," the dancing lawyer says.
"The Exxon Valdez case took 18 years to settle and this will take longer," he tells me as I drink iced coffee and sweat through my cotton dress. "They'll drag the case out for as long as they can, until people don't even remember anymore." He says he saw dozens of terabytes of oil spill-related legal documents, all written in the impenetrable corporate tongue by 100 lawyers working around the clock in an office building in Delaware. I get up to go to the bathroom and when I come out, he's standing there at the door. We lock eyes again and he comes inside, locks the door and presses me up against it, kissing me hard. My skin breaks out in goosebumps from the air conditioning in this dim little room. He tastes like cigarettes and I like it.
Back at the table I give the lawyer my phone number when he asks for it and he texts me later that day asking if I want to smoke pot and walk around the city. Maybe he thinks I'll have sex with him if we end up in a spot where he can dance confidently. Pot makes me anxious now so I don't smoke it anymore. I don't text him back. I think I see him the next day when I'm walking down Desire with Astrid, but I don't look back to be sure.
On Friday night Tom and Astrid and I go to a new hipster restaurant on Burgundy and Louisa and wait an hour and a half for a table. I'd have waited longer, all night; all I want to do is sit on this bar stool in this short red dress and talk endlessly about everything with these dear friends. While we wait we drink slightly fussy bourbon cocktails so expertly mixed that they don't drink like booze at all so I can drink a lot of them quickly without noticing how drunk I'm getting. I'm paranoid about getting too drunk and talking too much about my personal life. We talk about city planning instead, and my job in Los Angeles and Astrid's upcoming wedding and about how cute Tom thinks the waitress with the feathers tied up in her hair is. We get a table and sit there for hours, eating bougie pork loin and potatoes and beet salad, going over most everything that has happened in the two years since we last saw each other, although I leave out the part about making out with the possibly nefarious corporate lawyer yesterday morning in the coffee shop bathroom, and other events similar to this story.
"The Bywater is gentrifying quickly," says the New Orleans guidebook Tom left for Astrid and me when he went to work this morning. I read this line like an accusation. "Your type has arrived," it says to me, "and they are killing the authenticity of our once genuine neighborhood." "People like us," says Astrid, "we kill the authentic with our love for it." I wonder if even as tourists, we too are guilty for loving the fussy mixologist cocktails at the hipster restaurant and for Instagramming the tiled street signs laid into the cement sidewalks. #Desire #Piety #Royal. I wonder if we too are responsible for the slow death of New Orleans. Astrid and I skim the guidebook and start walking in the general direction of the French Quarter. She has taken a long weekend from her job as a publicist for a craft brewery in Minneapolis to join this NOLA friend summit. Next October I'll be a bridesmaid in her wedding. On the way towards the Quarter, we get caught in an afternoon thunderstorm, the river of water flowing down Derbigny up to our ankles. I take Astrid's picture and she looks so happy under her umbrella.
Here I tip extra everywhere I go. My donation to the local economy. What I can do as one person. Most places in New Orleans only take cash, which somehow makes the place feel even more lawless and chaotic and wild, existing on the fringes of the system as a function of being a victim of the system. I keep lots of cash in my wallet here like I don't in L.A. Plenty of dollar bills until I run out because I have spent them all on beer and shots of whiskey at the blues bar on Frenchman on Friday night while the brass band rips onstage and Tom and Astrid and me dance until we're even sweatier than we were when we first walked in. There is no sexual chemistry between the three of us, although I vaguely recall a story Astrid told me when she and Tom drunkenly kissed one Halloween back when they lived down the block from each other in San Francisco. I always find it easier to dance with men I don't want to sleep with.
My train arrives in New Orleans from Atlanta on a Wednesday night. I get into a cab at the Amtrak station and the driver, a woman who seems middle-aged but looks older, drives me through the detours set up because of Obama's visit to New Orleans today. "Said he was going to fix some things for us but all he did was hold a thousand dollar a plate dinner and shut down the damn roads." She brings me to the Bywater at dusk and I am already enchanted with the charming decadence of the place. "What's his name? Do you trust him? I ain't leaving you nowhere where you ain't supposed to be," the driver declares as she pulls up to the bar Tom has instructed me to meet him at. She doesn't take credit cards, and when I run inside the bar to get cash the ATM gives me an extra forty bucks, which is some sort of good omen. I give the driver one of the crisp twenties because she seems genuinely concerned about my safety and looks like a rumpled version of my grandmother.
Inside the bar I order a beer and eventually feel a tap on my back. Tom and I hug long and hard and then share a ham sandwich while I recap my 12-hour train ride here from Atlanta. Later, we get drunk on cheap whiskey at the Candlelight Lounge in Treme while we smoke menthols and dance to the brass band set up in the corner of this cinder block building. In the back of the room a thick black woman gives away bowls of red beans and rice. I have two. At bar time, Tom and I drive back to his place slow and bumpy through the paved and repaved roads of the Bywater. "That church is beautiful," I say as we cruise down the deserted streets with all the windows of his Honda Civic rolled down. "It's my favorite," he says. "Have you ever been inside?" "No." "So let's go."
We park and walk in a circle around the place, checking for unlocked doors as the crickets chirp their symphony. Near the front of the church, I find an open stained glass window and crawl up and contort my body to fit through the narrow opening. "Tada!" I say, opening the huge wooden front doors for Tom, and we smile at each other as he enters. In moments like this I often gauge my morality by thinking of my grandparents. "What would they say about this?" I ask myself. "What would they think of me breaking into this abandoned Catholic church at three in the morning, drunk and sweaty with a guy, streaks of pink in my long hair and the fading remnants of a black eye I got when someone kicked me in the face in a rooftop pool in Atlanta?" Usually I think they'd cheer my adventures. "Go, they'd say, GO! Live!" It's easy to get the advice I want from people who are dead.
Inside, the church is dark and huge and stripped of its traditional accessories. No pews. No holy water. No hymnals. No Jesus on the altar, although he's here in the stained glass windows depicting the Stations of the Cross. Jesus is sentenced to death. Jesus falls for the first time. Jesus wipes his face with a towel. I feel better thinking that maybe the place has been deconsecrated. The rule, I seem to remember from all those years of Catholic school, is that this sin is not so serious then.
We sit on the tattered couch someone has placed near back of the church where the choir would have been. My grandma sang in the church choir in Wisconsin and when I was a kid she would let me sit on her lap during the service, her long synthetic choir robe brushing against my baby shoulders as she sang the alto part of "In the Garden." And he walks with me, and he talks with me, and he tells me I am his own. The choir sang that song at her funeral. I close my eyes and see if I can feel any remnants of ceremonial religious residue. I close my eyes and my body spins. The whole world spins. On the other end of the couch, Tom has his eyes closed too. I get up and play the first chords of "Für Elise" on the crumbling grand piano. The ceilings here are thirty feet high and the notes echo up to the rafters of this cavernous American ruin.
"Let's go," says Tom, getting up and running his hand through his long dark hair, "before we fall asleep here." I lock the heavy doors behind him, turn towards the altar and with my right hand touch my forehead, my chest, my left shoulder, my right shoulder. I hoist myself up to the window and a shoe slips from my foot and falls to the floor with a slap that echoes. "Do you want to go back in for that?" Tom asks when I emerge back outside with one bare foot. I leave it. I like the idea of a single black flip flop under the stained glass window on the inside of the abandoned church. Some sort of Cinderella was here, that shoe says. When I wake up the next morning, the backs of my tan thighs are bruised from climbing through the window.
Go, they'd say, GO!
On Monday just after sunset at the Hi-Ho Lounge, a dozen musicians sit in a circle with their guitars and banjos and play "I'll Fly Away" like a hymn. Like an incantation. "I'll fly away. I'll fly away," they repeat as they pull cans of PBR out of a 24 pack that's sitting on the floor in the middle of them. "You can come here and play and they'll give you free rice and beans and let you bring your own beer to drink," says Troy, a baby-faced curly haired twenty-something musician from Oregon who is playing here at the Hi-Ho for the first time tonight. He lives in the French Quarter. It's a lot of things, he says with downcast eyes and a touch of apologetic solemnity, of that living situation. I nod, believing I might understand what he means.
The musicians here are all ages, men and women. I meet eyes with a pretty banjo player in a peach-colored housedress and we smile at each other. Everyone smiles here. "How y'all doing?" Genuinely nice even if it is perfunctory. Maybe I'll start saying it back in Los Angeles, How y'all doing? "They say it in New Orleans," I'll say, and everyone will hate me.
On the television over the bar, the women's U.S. gymnastics team is competing in the floor routine competition, making the bar intermittently break out in cheers. Tom and I cheer too and our table wobbles, making the Abita in our two plastic cups sway precariously. The Olympics cut to commercial, and we get up and walk past the bar and the circle of moonlighting folk musicians towards the back of the building. We go past the restrooms and the little table of spices and hot sauces in the dark, narrow hallway straight to the kitchen, where we order two bowls of red beans and rice from the cook. He ladles them out of a banged up five gallon metal pot and hands them over in Styrofoam bowls. Tom gives him four dollars total. If you save your bowl, the chef says, the next bowl is half price.
Back out front, the bartender has a glow on that is probably mostly sweat. 100 degrees plus humidity today. High summer in the sinking city. The crumbling capital of the American tropics. Arrestingly hot, Tom calls it. The bartender is maybe my age, 28 or something close to that. Her ponytail is tidy and tight and she has a raised scar an inch thick and four inches long on the dark skin between her breasts. Behind her, the crowd in London cheers for the little girls on team U.S.A. The bartender is out of every beer but Abita Amber, and I order two and tip her extra. For what? For living in New Orleans? For bearing the heat? For wearing that scar on her chest? I carry the plastic cups back to our wobbly table and Tom and I eat red beans and rice and talk about all of our old friends getting married and having babies.
We ride our bikes back to his place and inside, he calls his girlfriend back in Berkeley while I get in the shower. The ceiling of the bathroom is cracked and crumbling, the missing patches of plaster revealing the wooden beams above. A roach crosses the bottom of the clawfoot tub as the water carries the grime of the day off my body. I don't scream or recoil, and somehow I feel like this makes me commendable, not a weak chick cowering naked in the shower because of some bug. I wash my hair and think that I'm grateful Tom has never tried to kiss me, how it's good we're not attracted to each other, how he's my only guy friend that I haven't wanted to sleep with or vice versa. Then I think about what it might be like to kiss him, to just climb into his bed fresh and damp from the shower without saying anything. Back in his bedroom, he is off the phone and already sleeping, his thick book of New Orleans history laid open next to his head. I step out onto the balcony off of his bedroom and smoke. The air is thick, the moon high and bright, a waxing gibbous. There is no breeze.
In New Orleans there are cats everywhere roaming the streets. One nuzzles up against my ankle as I walk to Pizza Delicious –"The Bywater's only LGBT friendly pizza spot. Open Thursdays and Sundays" says the pizza box– on the corner of Desire and Royal. I have nothing to give this thin striped cat. A dollar will not do. "I'm sorry," I tell the cat. "I'm sorry."
On Friday afternoon the French Quarter is an amusement park for stag parties in polo shirts and khaki shorts who have flown in from the Midwest for the weekend. Maybe they think all these neon-signed tourist bars are authentic and maybe Astrid and I are assholes for thinking we know better. Is it us that is killing the city or is it them? "Where is the Best Western?" a young man in a carful of young men yells at Astrid and me as we walk down the street not far from St. Louis Cemetery No. 1. We don't know. Why would we know? "Where is Bourbon Street?" they yell. "Take a left," I yell back. They disappear into the Quarter.
Bacchanal is a casual cash only speakeasy style wine bar that is basically a storefront in an old house and a backyard with tiki torches and plastic tables. The woman at the register has a tattoo across her chest that says I DARE YOU in thick black ink. To what, I wonder. Back on the patio, a male duo plays Spanish guitar tinged with the blues. When the band's tip bucket is passed through the crowd I throw in all the cash left in my wallet. Twinkle lights hang in the trees and our bottle of Vino Verde sweats in its plastic bucket of ice. It's so hot here that the bare minimum of clothing is always okay. No need to carry a sweater. No need for makeup it will just melt off. A feeling of dread for my impending return to Los Angeles passes through me. A 7am flight on Monday morning. I haven't been back for a month.
"Hi. It's me. I miss you. Maybe that's weird." says the text message on my phone sent from the brown-eyed man I'm sleeping with in Los Angeles. I'm in the bathroom but I don't really have to go so I just wash my hands and stand in front of the mirror playing with my hair, which is limp because I just washed it and frizzy because it's humid and partially pink because I got bored late one night in Atlanta. I take too long in the bathroom crafting the perfect response to this text ("Hi! No, not weird…") and fret that it reads unnatural immediately after pressing send. I was natural with this person when I didn't care so much about whether he liked me. This is one of those things I want to talk about when I'm drinking with Astrid and Tom but don't know how to accurately express without sounding moronic. Astrid with her wedding and Tom with his Berkeley internship and the entire city below us sinking into the sea and I just want to talk about a casual relationship with a handsome man I know is not good for me.
On Sunday morning, Astrid and I walk back through the French Quarter on the way back to Tom's place, our legs and feet sticky and dirty and covered with flecks of debris from walking down the old streets in pouring rain. We dip into a designer consignment shop on Conti Street under the premise of looking for her wedding dress, although I'm the one who tries on the size zero Nicole Miller cream-colored silk column gown with a lace keyhole neckline that perfectly frames my tan shoulder blades. I love how I feel in this dress. Astrid and the woman who works at the shop say that it's perfect. It's my dress. It fits me like a tight silk glove. "You know, this might be the thing that sets off the chain of events that leads you to getting married," says the thin saleslady. "Buying it is a sign to the universe that you're ready."
"Am I ready?" I think. I can't even write a text message charming enough to warrant a response. She's a good saleswoman. She gives me a pair of strappy silver Badgley Mischka heels to try on with the dress and I think I must have this as I stand in front of the full-length mirror in the back of the store. I do not have $500 for a size zero Nicole Miller cream colored silk column gown with a lace keyhole neckline that perfectly frames my tan shoulder blades. I step back into the dressing room and unzip, wondering if and when I'm going to regret not buying it. What is my intuition saying? What would my grandparents say? I put it back on the hanger and hand it to the saleslady, already feeling regretful. I wonder aloud what the man in L.A. would say if I told him I had purchased a wedding gown. "He would probably never text me again." Laughing together on this thought, Astrid and I depart into the Quarter, our feet dirty in our flip flops.
On Sunday after the rain, Tom drives Astrid and me around the city on a Katrina-themed sightseeing tour. "This flooded. This did not flood. This was completely underwater. This was rebuilt. This area has money and was damaged as badly as the poor Wards you heard about, but this place was able to rebuild so you just didn't hear as much about it. This school/hospital/ twenty-story office building was completely abandoned." There has to be people in there, I think, shuddering at the thought in this car with no air conditioning.
We drive to the lower ninth and see where Brad Pitt has built his row of charity houses. These structures are stylish and beautiful and fresh, up on stilts and settled among flood-worn buildings in various states of decay and disrepair. "Those houses were controversial," says Tom of Brad Pitt's humanitarian effort. Tom knows such things because he's here for the summer doing an internship in city planning with Berkeley. "So much bureaucracy here," he says as we cruise slowly down along the shore of Lake Pontchartrain. "Nothing moves very fast here except the cockroaches and the cats."
The locals think Tom is a cop. Part of his responsibilities as a Berkeley grad student intern is to go from neighborhood to neighborhood, house to house, taking pictures and making assessments on whether or not each property should be razed. He says it's sometimes awkward, standing in front of these derelict houses, sweating in his button down and khakis, making these judgment calls. Especially when tenants come out and ask what he's doing. Especially when a tenant comes out of a house he has just deemed condemned. He says that happens a lot.
"The people here have a sort of agency fatigue," Tom says. "They'll believe it when they see it, but they pretty much just want to get on with their lives. They don't believe in these social aid programs anymore."
The problem he says is that there are no jobs. The problem is no industry. The problem is the drugs. The problem is the bad schools. The problem is the segregation. The problem is the lack of infrastructure. The problem is the acid rain every day between 11am and 2pm. The problem is that the whole shebang is sinking into the sea. It is the worst place to build a city says Tom, who knows because next year he will have a master's degree in city planning. The problem is circuitous. It is not to be romanticized.
"This place is wonderful," I tell my mother over the phone. "It's loose and beautiful and falling apart and everything smells slightly of mold and flowers." I am sitting on Tom's balcony drinking a glass of pinot grigio and smoking while Astrid sits nearby reading a Jennifer Egan novel and intermittently sighing and looking off into the distance. The sunset is orange and purple over the Bywater.
"Most people think it was the levees that broke," Tom says, "but it was the holding walls. They weren't high enough. They weren't thick enough." We drive around until we find a spot where one of these walls broke and let Lake Pontchartrain in over the city. Just to see it. We don't take pictures. We don't even get out of the car.
On an intersection of St. Charles and Louisiana, a group of five men are fighting –yelling and shoving each other on the street corner in the Sunday afternoon heat. A woman pushing a stroller turns and yells something back at them. The baby in her stroller is sleeping, tiny chin to chest. The problem is the schools. The problem is the drugs. The problem is the segregation. I wonder if Tom has surveyed the house in which that baby lives, and if so, whether or not he has deemed it livable.
We drive back to the Bywater to take a nap, the three of us sprawled out in Tom's high-ceilinged bedroom. A roach crosses the floor and disappears under the windowsill. Not one of us moves. No one says a thing.
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LIFE COACHING TRAININGS
WHY TCI
I created a six figure business and new me
High performance executive coach Mary Jensen joined TCI to make money. She did that to the tune of nearly $1 million a year, but learned something much more valuable about herself.
Mary JensenHigh performance executive coach
Mary Jensen doesn't mince words. Before she joined TCI in December 2014 and created a six figure business, the then-corporate finance high flier was a "psycho bitch," she says. "I was a dictator."
"I liked it my way and I liked to control things. I didn't know how to be happy. I was angry and frustrated and exhausted. I truly believed there was no other way to do it. And I believed to earn more money you just had to work harder."
But Mary's work in mergers and acquisitions meant she needed to learn human behaviour skills. Flicking through Facebook one day, she saw an ad for TCI. She said yes. And at age 45, Mary stepped into the personal development field for the first time via a Foundations of Coaching Success training with Joe Pane.
Nearly six years on, the Melbourne high performance executive coach is a "completely different person" who has fun every day and a booming C Suite leadership business M Power Services that last year made a tick under $850,000.
How did she do it? Courage, letting go of ideas which didn't work and the "Disruptive Leadership training" at TCI, "which has absolutely changed how I do leadership from within."
But initially Mary was looking to make money, not inspire:
"I was definitely thinking I could make more money in coaching than in my finance career. And I have, but not because I learned how to make money, but because I learned how to think differently.
"I learned how to be different. A lot of people who have known me for a long time speak about me as two people. I even refer to myself as two separate people. I used to be far away from who I am today."
Mary now works between 20 and 25 hours a week and has a life with flexibility and freedom: "It's absolutely fantastic. My daughter says I get paid an obscene amount to have breakfasts and lunches and talk to people.
"The best part is the helping people."
"I don't think any school matches TCI for models. I would not be who I am today if I didn't step foot in that place. I will be forever grateful. It completely changed my life, changed every iota of me."
What is your job title?
Human behaviour specialist and mindset master.
Was there one big moment you realised TCI was for you?
"The day with Joe Pane changed my life. At that point I thought I was at the top of my career—I didn't think there were careers where you made more money. He reset my meter so my top then became my bottom and it was purely money. It wasn't until 18 months after that the heart started to open. Until then, my body was totally shut down to emotions. I was a human brick. That was a gift—if I didn't have that experience I couldn't be who I am now.
Where are you at with your business?
"I will be up on last financial year's result by close to 150 per cent this year. It's amazing. Having said that, the part of the big transition that meant most is I was a very negative thinker and now every day now I walk around saying, 'I love my life. I love water. I love warm socks. I love my hair. I love the sunshine.' And that's what I teach my clients, to love all the dicky things. They're still there when the shit hits the fan.
How many clients do you have?
I'm normally full at 15 and have a waiting list, but because of COVID I've gone to 20. Some of them are groups, not individual clients.
Where are you at on your TCI journey now?
I'm enrolled in Sharon's Meta Magic coming up soon, and in some business days as well. I'm looking at the Emotional Intimacy Breakthrough too.
"TCI has taught me so much but it's also taught me a bit of not what to do. The training is immaculate, student experience is incredible and ten out of ten, second to none."
Biggest milestones?
My personal transformation. And my relationships. Empowering my kids to be themselves and explore what makes them happy. My husband and I—what a journey we've been on. Back when I was the old me, I carried all the masculine energy and he carried all the feminine, he was as good as a mum to our kids. As I changed and re-fell in love with the feminine me, I gave him space to turn into the masculine him.
Your most successful marketing strategy?
Face to face marketing. I walked out of FOCS and followed Joe's exact orders: go and join a BNI. I did, and started networking face to face like a MOFO.
What challenged and surprised you most?
My own thinking. And it still does today. That's the only thing that stops us and holds us back.
What do you know about yourself that you didn't know before TCI?
That anything is possible. That I believe everybody's purpose in this life is to find happiness. I think before this I believed that a life purpose was a career.
Advice for other fabulous TCI coaches?
Pat yourself on the back for stepping up to even look at the journey. It's a courageous one. It's not going to be butterflies and fairies.
Where do you see yourself in five years?
I'll be travelling the world and I can see myself on a cruise in Europe, doing my coaching calls. I'll have five clients I keep forever.
Mary learned to water ski at 50, loves adventure, loves life, and most of all loves her husband of 26 years Derek (they met on over CB radio—her call sign was The Viking II and his was Pregnant Monkey) and their three children. Due to become a grandmother for the second time in September 2020, she is known for her coloured ankle boots, drive and honesty.
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I'm doing exactly what I wanted to do It's been like a directed story, like a movie


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Home / Films / Dynamite Wolf
Dynamite Wolf
| | 71 minutes
Green Light LLC.
Koehi TANIGUCHI
Yota KAWASE, Yusuke MATSUDA, Haruto KOBAYASHI, Susumu NODA
vimeo.com/310048516
Elementary school boy Hiroto doesn't have any talents or dreams for the future. One day he sees a wrestling match by popular masked wrestler Dynamite Wolf, and for the first time becomes enthusiastic. He decides to ask Dynamite Wolf to teach him how to fight. Meanwhile, Dynamite Wolf's foray into politics has become big news…
This energetic coming-of-age drama is the first entertainment film by a director who has worked on self-documentaries and POV horror. The star is Kawase Yota from "Rolling" by TOMINAGA Masanori. With strong support from Dotonbori Pro Wrestling, a match scene was shot with 200 extras, taking "Dynamite Wolf" beyond the realm of a typical low-budget movie.


September is ALL THE SAD SONGS month!
I know, I know–long time, no post! All I can say is, I have been BUSY and sorry about that. But now it is September and my debut graphic novel/memoir ALL THE SAD SONGS is out in TWO WEEKS! Can you believe it??
Pierre doesn't focus on the nuts and bolts of her younger struggles and turn it into another slacker autobio comic, but instead presents the emotional journey within the context of her creative one, and that makes it both singular and universal. Not all of us have moved through a folk music scene, and I found aspects of that fascinating, since I just like to hear about other ways of living. But her inner quest for herself is more universal and the years between Pierre the cartoonist and Pierre the young singer-songwriter is time enough to provide the kind of accompanying concepts that place her struggles into more meaningful terms.
How do you like them apples? You can read the whole thing here!
I'll be tabling with Jennifer Hayden all weekend at Table M11B.
"The Practice of Diary Comics" Panel – with Kevin Budnik, Glynnis Fawkes, and Dustin Harbin! So excited to go in deep on this maligned and misunderstood genre of comics!
All the Sad Songs will be available for purchase through your favorite bookseller! If it's not in stock at your local bookseller, PLEASE ASK THEM TO ORDER IT!
I'll be sharing tonight's book launch with cartooning legend Peter Kuper and his book Kafkaesque: 14 Stories. We will be in conversation with comics editor Chris Duffy. Come on down!
I'll be tabling with Deb Lucke and Charles Fetherolf. Table TBA.
Stay tuned for more events as they come up. Thank you so much for all your support!